[
  {
    "path": "README.md",
    "content": "# Stanford Course CS224n - Natural Language Processing with Deep Learning (Winter 2021)\n\nThese are my solutions to the assignments of [CS224n (Natural Language Processing with Deep Learning)](http://web.stanford.edu/class/cs224n/) offered by Stanford University in Winter 2021.\nThere are five assignments in total. Here is a brief description of each one of these assignments:\n\n## Assignment 1. Word Embeddings\n\n- This assignment [[notebook](a1/exploring_word_vectors_solved.ipynb), [PDF](a1/CS224nAssignment1.pdf)] has two parts which deal with representing words with dense vectors (i.e., word vectors or word embeddings). Word vectors are often used as a fundamental component for downstream NLP tasks, e.g. question answering, text generation, translation, etc., so it is important to build some intuitions as to their strengths and weaknesses. Here, you will explore two types of word vectors: those derived from co-occurrence matrices (which uses SVD), and those derived via GloVe (based on maximum-likelihood training in ML). \n\n### 1. Count-Based Word Vectors\n\n- Many word vector implementations are driven by the idea that similar words, i.e., (near) synonyms, will be used in similar contexts. As a result, similar words will often be spoken or written along with a shared subset of words, i.e., contexts. By examining these contexts, we can try to develop embeddings for our words. With this intuition in mind, many \"old school\" approaches to constructing word vectors relied on word counts. Here we elaborate upon one of those strategies, co-occurrence matrices.\n- In this part, you will use co-occurence matrices to develop dense vectors for words. A co-occurrence matrix counts how often different terms co-occur in different documents. To derive a co-occurence matrix, we use a window with a fixed size <i>w</i>, and then slide this window over all of the documents. Then, we count how many times two different words <i>v<sub>i</sub></i> and <i>v<sub>j</sub></i> occurs with each other in a window, and put this number in the <i>(i, j)<sup>th</sup></i> entry of the matrix. We then run dimensionality reduction on the co-occurence matrix using singular value decomposition. We then select the top <i>r</i> components after the decomposition and thus, derive <i>r</i>-dimensional embeddings for words.\n\n<p align=\"center\">\n<img src=\"figures/svd.jpg\" alt=\"drawing\" width=\"400\"/>\n</p>\n\n### 2. Prediction (or Maximum Likelihood)-Based Word Vectors: Word2Vec\n\n- Prediction-based word vectors (which also utilize the benefit of counts) such as Word2Vec and GloVe have demonstrated better performance compared to co-occurence matrices. In this part, you will explore pretrained GloVe embeddings using the [Gensim](https://radimrehurek.com/gensim/) package. Initially, you'll have to reduce the dimensionality of word vectors using SVD from 300 to 2 to be able to vizualize and analyze these vectors. Next, you'll find the closest word vectors to a given word vector. You'll then get to know words with multiple meanings (polysemous words). You will also experiment with the analogy task, introduced for the first time in the Word2Vec paper [(Mikolov et al. 2013)](https://arxiv.org/pdf/1301.3781.pdf%5D). The task is simple: given words <i>x, y</i>, and <i>z</i>, you have to find a word <i>w</i> such that the following relationship holds: <i>x</i> is to <i>y</i> like <i>z</i> is to <i>w</i>. For example, Rome is to Italy like D.C. is to the United States. You will find that solving this task with Word2Vec vectors is easy and is just a simple addition and subtraction of vectors, which is a nice feature of word embeddings.\n- If you’re feeling adventurous, challenge yourself and try reading [GloVe’s original paper](https://nlp.stanford.edu/pubs/glove.pdf).\n\n<p align=\"center\">\n<img src=\"figures/analogy.jpg\" alt=\"drawing\" width=\"400\"/>\n</p>\n\n## Assignment 2. Understanding and Implementing Word2Vec\n\n- In this [assignment](a2/CS224nAssignment2.pdf), you will get familiar with the Word2Vec algorithm. The key insight behind Word2Vec is that \"a word is known by the company it keeps\". There are two models introduced by the Word2Vec paper based on this idea: (i) the skip-gram model and (ii) the Continuous Bag Of Words (CBOW) model. \n- In this assignment, you'll be implementing the skip-gram model using NumPy. You have to implement the both version of Skip-gram; the first one is with the naive Softmax loss and the second one -- which is much faster -- with the negative sampling loss. Your implementation of the first version is just sanity-checked on a small dataset, but you have to run the second version on the Stanford Sentiment Treebank dataset. \n- It is highly recommend for anyone interested in gaining a deep understanding of Word2Vec to first do the theoretical part of this assignment and only then proceed to the practical part.\n\n<p align=\"center\">\n<img src=\"figures/word2vec.jpg\" alt=\"drawing\" width=\"450\"/>\n</p>\n\n## Assignment 3. Neural Dependency Parsing\n\n- If you have take a compiler course before, you have definitely heard the term \"parsing\". This assignment is about \"dependency parsing\" where you train a model that can specify the dependencies. If you remember \"Shift-Reduce Parser\" from your Compiler class, then you will find the ideas here quite familiar. The only difference is that we shall use a neural network to find the dependencies. In this assignment, you will build a neural dependency parser using PyTorch. \n- In Part 1 of this [assignment](a3/CS224nAssignment3.pdf), you will learn about two general neural network techniques (Adam Optimization and Dropout). In Part 2 of this assignment, you will implement and train a dependency parser using the techniques from Part 1, before analyzing a few erroneous dependency parses. \n- Both the Adam optimizer and Dropout will be used in the neural dependency parser you are going to implement with PyTorch. The parser will do one of the following three moves: 1) Shift 2) Left-arc 3) Right-arc. You can read more about the details of these three moves in the [handout](a3/a3.pdf) of the assignment. What your network should do is to predict one of these moves at every step. For predicting each move, your model needs features which are going to be extracted from the stack and buffer of each stage (you maintain a stack and buffer during parsing, to know what you have already parsed and what is remaining for parsing, respectively). The good news is that the code for extracting features is given to you to help you just focus on the neural network part! There are lots of hints throughout the assignment -- as this is the first assignment in the course where students work with PyTorch -- that walk you through implementing each part. \n\n<p align=\"center\">\n<img src=\"figures/dependency-parsing.jpg\" alt=\"drawing\" width=\"450\"/>\n</p>\n\n## Assignment 4. Seq2Seq Machine Translation Model with Multiplicative Attention\n\n- This [assignment](a4/CS224nAssignment4.pdf) is split into two sections: Neural Machine Translation with RNNs and Analyzing NMT Systems. The first is primarily coding and implementation focused, whereas the second entirely consists of written, analysis questions.\n\n<p align=\"center\">\n<img src=\"figures/nmt.jpg\" alt=\"drawing\" width=\"350\"/>\n</p>\n\n## Assignment 5. Self-Attention, Transformers, and Pretraining\n\n- This [assignment](a5/CS224nAssignment5.pdf) is an investigation into Transformer self-attention building blocks, and the effects of pre- training. It covers mathematical properties of Transformers and self-attention through written questions. Further, you’ll get experience with practical system-building through repurposing an existing codebase. The assignment is split into a written (mathematical) part and a coding part, with its own written questions. Here’s a quick summary:\n  1. Mathematical exploration: What kinds of operations can self-attention easily implement? Why should we use fancier things like multi-headed self-attention? This section will use some mathematical investigations to illuminate a few of the motivations of self-attention and Transformer networks.\n  2. Extending a research codebase: In this portion of the assignment, you’ll get some experience and intuition for a cutting-edge research topic in NLP: teaching NLP models facts about the world through pretraining, and accessing that knowledge through finetuning. You’ll train a Transformer model to attempt to answer simple questions of the form “Where was person [x] born?” – without providing any input text from which to draw the answer. You’ll find that models are able to learn some facts about where people were born through pretraining, and access that information during fine-tuning to answer the questions.\n- Then, you’ll take a harder look at the system you built, and reason about the implications and concerns about relying on such implicit pretrained knowledge.\n\n<p align=\"center\">\n<img src=\"figures/attn.jpg\"/>\n</p>\n\n## Handouts\n\n - [x] Assignment 1: Intro to word vectors [`a1/exploring_word_vectors.ipynb`](a1/exploring_word_vectors.ipynb)\n - [x] Assignment 2: Training Word2Vec [`a2/a2.pdf`](a2/a2.pdf)\n - [x] Assignment 3: Dependency parsing [`a3/a3.pdf`](a3/a3.pdf)\n - [x] Assignment 4: Neural machine translation with seq2seq and attention [`a4/a4.pdf`](a4/a4.pdf)\n - [x] Assignment 5: Neural machine translation with sub-word modeling [`a5/a5.pdf`](a5/a5.pdf)\n - [x] Project: [SQuAD](https://rajpurkar.github.io/SQuAD-explorer/) - Stanford Question Asking Dataset [`project/proposal.pdf`](project/proposal.pdf)\n\n## Prerequisites\n\n- Proficiency in Python.\n  All class assignments will be in Python (using NumPy and PyTorch). If you need to remind yourself of Python, or you're not very familiar with NumPy, attend the Python review session in week 1 (listed in the schedule). If you have a lot of programming experience but in a different language (e.g. C/C++/Matlab/Java/Javascript), you will probably be fine.\n- College Calculus, Linear Algebra (e.g. MATH51, CME100).\n  You should be comfortable taking (multivariable) derivatives and understanding matrix/vector notation and operations.\n- Basic Probability and Statistics (e.g. CS109 or equivalent)\n  You should know basics of probabilities, Gaussian distributions, mean, standard deviation, etc.\n- Foundations of Machine Learning (e.g. CS221 or CS229).\n  We will be formulating cost functions, taking derivatives and performing optimization with gradient descent. If you already have basic machine learning and/or deep learning knowledge, the course will be easier; however it is possible to take CS224n without it. There are many introductions to ML, in webpage, book, and video form. One approachable introduction is Hal Daumé's in-progress \"A Course in Machine Learning\". Reading the first 5 chapters of that book would be good background. Knowing the first 7 chapters would be even better!\n\n## Course Description\n\n- This course was formed in 2017 as a merger of the earlier [CS224n](https://web.stanford.edu/class/archive/cs/cs224n/cs224n.1162) (Natural Language Processing) and [CS224d](http://cs224d.stanford.edu/) (Natural Language Processing with Deep Learning) courses. Below you can find archived websites and student project reports.\n- Natural language processing (NLP) is one of the most important technologies of the information age, and a crucial part of artificial intelligence. Applications of NLP are everywhere because people communicate almost everything in language: web search, advertising, emails, customer service, language translation, medical reports, etc. In recent years, Deep Learning approaches have obtained very high performance across many different NLP tasks, using single end-to-end neural models that do not require traditional, task-specific feature engineering. In this course, students will gain a thorough introduction to cutting-edge research in Deep Learning for NLP. Through lectures, assignments and a final project, students will learn the necessary skills to design, implement, and understand their own neural network models. CS224n uses PyTorch.\n\n## Resources\n\nLecture notes, assignments and other materials can be downloaded from the [course webpage](http://web.stanford.edu/class/cs224n/).\n- Lectures: [YouTube](https://www.youtube.com/watch?v=8rXD5-xhemo&list=PLoROMvodv4rOhcuXMZkNm7j3fVwBBY42z)\n- Schedule: [Stanford CS224n](http://web.stanford.edu/class/cs224n/index.html#schedule)\n- Projects: [Stanford CS224n](http://web.stanford.edu/class/cs224n/project.html)\n\n## Disclaimer\n\nI recognize the hard time people spend on building intuition, understanding new concepts and debugging assignments. The solutions uploaded here are **only for reference**. They are meant to unblock you if you get stuck somewhere. Please do not copy any part of the solutions as-is (the assignments are fairly easy if you read the instructions carefully)."
  },
  {
    "path": "a1/.ipynb_checkpoints/exploring_word_vectors-checkpoint.ipynb",
    "content": "{\n \"cells\": [\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"# CS224N Assignment 1: Exploring Word Vectors (25 Points)\\n\",\n    \"### <font color='blue'> Due 4:30pm, Tue Jan 19 </font>\\n\",\n    \"\\n\",\n    \"Welcome to CS224N! \\n\",\n    \"\\n\",\n    \"Before you start, make sure you read the README.txt in the same directory as this notebook for important setup information. A lot of code is provided in this notebook, and we highly encourage you to read and understand it as part of the learning :)\\n\",\n    \"\\n\",\n    \"If you aren't super familiar with Python, Numpy, or Matplotlib, we recommend you check out the review session on Friday. The session will be recorded and the material will be made available on our [website](http://web.stanford.edu/class/cs224n/index.html#schedule). The CS231N Python/Numpy [tutorial](https://cs231n.github.io/python-numpy-tutorial/) is also a great resource.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"**Assignment Notes:** Please make sure to save the notebook as you go along. Submission Instructions are located at the bottom of the notebook.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 2,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stderr\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[nltk_data] Downloading package reuters to /Users/Aman/nltk_data...\\n\",\n      \"[nltk_data]   Package reuters is already up-to-date!\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# All Import Statements Defined Here\\n\",\n    \"# Note: Do not add to this list.\\n\",\n    \"# ----------------\\n\",\n    \"\\n\",\n    \"import sys\\n\",\n    \"assert sys.version_info[0]==3\\n\",\n    \"assert sys.version_info[1] >= 5\\n\",\n    \"\\n\",\n    \"from gensim.models import KeyedVectors\\n\",\n    \"from gensim.test.utils import datapath\\n\",\n    \"import pprint\\n\",\n    \"import matplotlib.pyplot as plt\\n\",\n    \"plt.rcParams['figure.figsize'] = [10, 5]\\n\",\n    \"import nltk\\n\",\n    \"nltk.download('reuters')\\n\",\n    \"from nltk.corpus import reuters\\n\",\n    \"import numpy as np\\n\",\n    \"import random\\n\",\n    \"import scipy as sp\\n\",\n    \"from sklearn.decomposition import TruncatedSVD\\n\",\n    \"from sklearn.decomposition import PCA\\n\",\n    \"\\n\",\n    \"START_TOKEN = '<START>'\\n\",\n    \"END_TOKEN = '<END>'\\n\",\n    \"\\n\",\n    \"np.random.seed(0)\\n\",\n    \"random.seed(0)\\n\",\n    \"# ----------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Word Vectors\\n\",\n    \"\\n\",\n    \"Word Vectors are often used as a fundamental component for downstream NLP tasks, e.g. question answering, text generation, translation, etc., so it is important to build some intuitions as to their strengths and weaknesses. Here, you will explore two types of word vectors: those derived from *co-occurrence matrices*, and those derived via *GloVe*. \\n\",\n    \"\\n\",\n    \"**Note on Terminology:** The terms \\\"word vectors\\\" and \\\"word embeddings\\\" are often used interchangeably. The term \\\"embedding\\\" refers to the fact that we are encoding aspects of a word's meaning in a lower dimensional space. As [Wikipedia](https://en.wikipedia.org/wiki/Word_embedding) states, \\\"*conceptually it involves a mathematical embedding from a space with one dimension per word to a continuous vector space with a much lower dimension*\\\".\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Part 1: Count-Based Word Vectors (10 points)\\n\",\n    \"\\n\",\n    \"Most word vector models start from the following idea:\\n\",\n    \"\\n\",\n    \"*You shall know a word by the company it keeps ([Firth, J. R. 1957:11](https://en.wikipedia.org/wiki/John_Rupert_Firth))*\\n\",\n    \"\\n\",\n    \"Many word vector implementations are driven by the idea that similar words, i.e., (near) synonyms, will be used in similar contexts. As a result, similar words will often be spoken or written along with a shared subset of words, i.e., contexts. By examining these contexts, we can try to develop embeddings for our words. With this intuition in mind, many \\\"old school\\\" approaches to constructing word vectors relied on word counts. Here we elaborate upon one of those strategies, *co-occurrence matrices* (for more information, see [here](http://web.stanford.edu/class/cs124/lec/vectorsemantics.video.pdf) or [here](https://medium.com/data-science-group-iitr/word-embedding-2d05d270b285)).\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Co-Occurrence\\n\",\n    \"\\n\",\n    \"A co-occurrence matrix counts how often things co-occur in some environment. Given some word $w_i$ occurring in the document, we consider the *context window* surrounding $w_i$. Supposing our fixed window size is $n$, then this is the $n$ preceding and $n$ subsequent words in that document, i.e. words $w_{i-n} \\\\dots w_{i-1}$ and $w_{i+1} \\\\dots w_{i+n}$. We build a *co-occurrence matrix* $M$, which is a symmetric word-by-word matrix in which $M_{ij}$ is the number of times $w_j$ appears inside $w_i$'s window among all documents.\\n\",\n    \"\\n\",\n    \"**Example: Co-Occurrence with Fixed Window of n=1**:\\n\",\n    \"\\n\",\n    \"Document 1: \\\"all that glitters is not gold\\\"\\n\",\n    \"\\n\",\n    \"Document 2: \\\"all is well that ends well\\\"\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"|     *    | `<START>` | all | that | glitters | is   | not  | gold  | well | ends | `<END>` |\\n\",\n    \"|----------|-------|-----|------|----------|------|------|-------|------|------|-----|\\n\",\n    \"| `<START>`    | 0     | 2   | 0    | 0        | 0    | 0    | 0     | 0    | 0    | 0   |\\n\",\n    \"| all      | 2     | 0   | 1    | 0        | 1    | 0    | 0     | 0    | 0    | 0   |\\n\",\n    \"| that     | 0     | 1   | 0    | 1        | 0    | 0    | 0     | 1    | 1    | 0   |\\n\",\n    \"| glitters | 0     | 0   | 1    | 0        | 1    | 0    | 0     | 0    | 0    | 0   |\\n\",\n    \"| is       | 0     | 1   | 0    | 1        | 0    | 1    | 0     | 1    | 0    | 0   |\\n\",\n    \"| not      | 0     | 0   | 0    | 0        | 1    | 0    | 1     | 0    | 0    | 0   |\\n\",\n    \"| gold     | 0     | 0   | 0    | 0        | 0    | 1    | 0     | 0    | 0    | 1   |\\n\",\n    \"| well     | 0     | 0   | 1    | 0        | 1    | 0    | 0     | 0    | 1    | 1   |\\n\",\n    \"| ends     | 0     | 0   | 1    | 0        | 0    | 0    | 0     | 1    | 0    | 0   |\\n\",\n    \"| `<END>`      | 0     | 0   | 0    | 0        | 0    | 0    | 1     | 1    | 0    | 0   |\\n\",\n    \"\\n\",\n    \"**Note:** In NLP, we often add `<START>` and `<END>` tokens to represent the beginning and end of sentences, paragraphs or documents. In thise case we imagine `<START>` and `<END>` tokens encapsulating each document, e.g., \\\"`<START>` All that glitters is not gold `<END>`\\\", and include these tokens in our co-occurrence counts.\\n\",\n    \"\\n\",\n    \"The rows (or columns) of this matrix provide one type of word vectors (those based on word-word co-occurrence), but the vectors will be large in general (linear in the number of distinct words in a corpus). Thus, our next step is to run *dimensionality reduction*. In particular, we will run *SVD (Singular Value Decomposition)*, which is a kind of generalized *PCA (Principal Components Analysis)* to select the top $k$ principal components. Here's a visualization of dimensionality reduction with SVD. In this picture our co-occurrence matrix is $A$ with $n$ rows corresponding to $n$ words. We obtain a full matrix decomposition, with the singular values ordered in the diagonal $S$ matrix, and our new, shorter length-$k$ word vectors in $U_k$.\\n\",\n    \"\\n\",\n    \"![Picture of an SVD](imgs/svd.png \\\"SVD\\\")\\n\",\n    \"\\n\",\n    \"This reduced-dimensionality co-occurrence representation preserves semantic relationships between words, e.g. *doctor* and *hospital* will be closer than *doctor* and *dog*. \\n\",\n    \"\\n\",\n    \"**Notes:** If you can barely remember what an eigenvalue is, here's [a slow, friendly introduction to SVD](https://davetang.org/file/Singular_Value_Decomposition_Tutorial.pdf). If you want to learn more thoroughly about PCA or SVD, feel free to check out lectures [7](https://web.stanford.edu/class/cs168/l/l7.pdf), [8](http://theory.stanford.edu/~tim/s15/l/l8.pdf), and [9](https://web.stanford.edu/class/cs168/l/l9.pdf) of CS168. These course notes provide a great high-level treatment of these general purpose algorithms. Though, for the purpose of this class, you only need to know how to extract the k-dimensional embeddings by utilizing pre-programmed implementations of these algorithms from the numpy, scipy, or sklearn python packages. In practice, it is challenging to apply full SVD to large corpora because of the memory needed to perform PCA or SVD. However, if you only want the top $k$ vector components for relatively small $k$ — known as [Truncated SVD](https://en.wikipedia.org/wiki/Singular_value_decomposition#Truncated_SVD) — then there are reasonably scalable techniques to compute those iteratively.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Plotting Co-Occurrence Word Embeddings\\n\",\n    \"\\n\",\n    \"Here, we will be using the Reuters (business and financial news) corpus. If you haven't run the import cell at the top of this page, please run it now (click it and press SHIFT-RETURN). The corpus consists of 10,788 news documents totaling 1.3 million words. These documents span 90 categories and are split into train and test. For more details, please see https://www.nltk.org/book/ch02.html. We provide a `read_corpus` function below that pulls out only articles from the \\\"crude\\\" (i.e. news articles about oil, gas, etc.) category. The function also adds `<START>` and `<END>` tokens to each of the documents, and lowercases words. You do **not** have to perform any other kind of pre-processing.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 3,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def read_corpus(category=\\\"crude\\\"):\\n\",\n    \"    \\\"\\\"\\\" Read files from the specified Reuter's category.\\n\",\n    \"        Params:\\n\",\n    \"            category (string): category name\\n\",\n    \"        Return:\\n\",\n    \"            list of lists, with words from each of the processed files\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    files = reuters.fileids(category)\\n\",\n    \"    return [[START_TOKEN] + [w.lower() for w in list(reuters.words(f))] + [END_TOKEN] for f in files]\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"Let's have a look what these documents are like….\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 4,\n   \"metadata\": {\n    \"scrolled\": false\n   },\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[['<START>', 'japan', 'to', 'revise', 'long', '-', 'term', 'energy', 'demand', 'downwards', 'the',\\n\",\n      \"  'ministry', 'of', 'international', 'trade', 'and', 'industry', '(', 'miti', ')', 'will', 'revise',\\n\",\n      \"  'its', 'long', '-', 'term', 'energy', 'supply', '/', 'demand', 'outlook', 'by', 'august', 'to',\\n\",\n      \"  'meet', 'a', 'forecast', 'downtrend', 'in', 'japanese', 'energy', 'demand', ',', 'ministry',\\n\",\n      \"  'officials', 'said', '.', 'miti', 'is', 'expected', 'to', 'lower', 'the', 'projection', 'for',\\n\",\n      \"  'primary', 'energy', 'supplies', 'in', 'the', 'year', '2000', 'to', '550', 'mln', 'kilolitres',\\n\",\n      \"  '(', 'kl', ')', 'from', '600', 'mln', ',', 'they', 'said', '.', 'the', 'decision', 'follows',\\n\",\n      \"  'the', 'emergence', 'of', 'structural', 'changes', 'in', 'japanese', 'industry', 'following',\\n\",\n      \"  'the', 'rise', 'in', 'the', 'value', 'of', 'the', 'yen', 'and', 'a', 'decline', 'in', 'domestic',\\n\",\n      \"  'electric', 'power', 'demand', '.', 'miti', 'is', 'planning', 'to', 'work', 'out', 'a', 'revised',\\n\",\n      \"  'energy', 'supply', '/', 'demand', 'outlook', 'through', 'deliberations', 'of', 'committee',\\n\",\n      \"  'meetings', 'of', 'the', 'agency', 'of', 'natural', 'resources', 'and', 'energy', ',', 'the',\\n\",\n      \"  'officials', 'said', '.', 'they', 'said', 'miti', 'will', 'also', 'review', 'the', 'breakdown',\\n\",\n      \"  'of', 'energy', 'supply', 'sources', ',', 'including', 'oil', ',', 'nuclear', ',', 'coal', 'and',\\n\",\n      \"  'natural', 'gas', '.', 'nuclear', 'energy', 'provided', 'the', 'bulk', 'of', 'japan', \\\"'\\\", 's',\\n\",\n      \"  'electric', 'power', 'in', 'the', 'fiscal', 'year', 'ended', 'march', '31', ',', 'supplying',\\n\",\n      \"  'an', 'estimated', '27', 'pct', 'on', 'a', 'kilowatt', '/', 'hour', 'basis', ',', 'followed',\\n\",\n      \"  'by', 'oil', '(', '23', 'pct', ')', 'and', 'liquefied', 'natural', 'gas', '(', '21', 'pct', '),',\\n\",\n      \"  'they', 'noted', '.', '<END>'],\\n\",\n      \" ['<START>', 'energy', '/', 'u', '.', 's', '.', 'petrochemical', 'industry', 'cheap', 'oil',\\n\",\n      \"  'feedstocks', ',', 'the', 'weakened', 'u', '.', 's', '.', 'dollar', 'and', 'a', 'plant',\\n\",\n      \"  'utilization', 'rate', 'approaching', '90', 'pct', 'will', 'propel', 'the', 'streamlined', 'u',\\n\",\n      \"  '.', 's', '.', 'petrochemical', 'industry', 'to', 'record', 'profits', 'this', 'year', ',',\\n\",\n      \"  'with', 'growth', 'expected', 'through', 'at', 'least', '1990', ',', 'major', 'company',\\n\",\n      \"  'executives', 'predicted', '.', 'this', 'bullish', 'outlook', 'for', 'chemical', 'manufacturing',\\n\",\n      \"  'and', 'an', 'industrywide', 'move', 'to', 'shed', 'unrelated', 'businesses', 'has', 'prompted',\\n\",\n      \"  'gaf', 'corp', '&', 'lt', ';', 'gaf', '>,', 'privately', '-', 'held', 'cain', 'chemical', 'inc',\\n\",\n      \"  ',', 'and', 'other', 'firms', 'to', 'aggressively', 'seek', 'acquisitions', 'of', 'petrochemical',\\n\",\n      \"  'plants', '.', 'oil', 'companies', 'such', 'as', 'ashland', 'oil', 'inc', '&', 'lt', ';', 'ash',\\n\",\n      \"  '>,', 'the', 'kentucky', '-', 'based', 'oil', 'refiner', 'and', 'marketer', ',', 'are', 'also',\\n\",\n      \"  'shopping', 'for', 'money', '-', 'making', 'petrochemical', 'businesses', 'to', 'buy', '.', '\\\"',\\n\",\n      \"  'i', 'see', 'us', 'poised', 'at', 'the', 'threshold', 'of', 'a', 'golden', 'period', ',\\\"', 'said',\\n\",\n      \"  'paul', 'oreffice', ',', 'chairman', 'of', 'giant', 'dow', 'chemical', 'co', '&', 'lt', ';',\\n\",\n      \"  'dow', '>,', 'adding', ',', '\\\"', 'there', \\\"'\\\", 's', 'no', 'major', 'plant', 'capacity', 'being',\\n\",\n      \"  'added', 'around', 'the', 'world', 'now', '.', 'the', 'whole', 'game', 'is', 'bringing', 'out',\\n\",\n      \"  'new', 'products', 'and', 'improving', 'the', 'old', 'ones', '.\\\"', 'analysts', 'say', 'the',\\n\",\n      \"  'chemical', 'industry', \\\"'\\\", 's', 'biggest', 'customers', ',', 'automobile', 'manufacturers',\\n\",\n      \"  'and', 'home', 'builders', 'that', 'use', 'a', 'lot', 'of', 'paints', 'and', 'plastics', ',',\\n\",\n      \"  'are', 'expected', 'to', 'buy', 'quantities', 'this', 'year', '.', 'u', '.', 's', '.',\\n\",\n      \"  'petrochemical', 'plants', 'are', 'currently', 'operating', 'at', 'about', '90', 'pct',\\n\",\n      \"  'capacity', ',', 'reflecting', 'tighter', 'supply', 'that', 'could', 'hike', 'product', 'prices',\\n\",\n      \"  'by', '30', 'to', '40', 'pct', 'this', 'year', ',', 'said', 'john', 'dosher', ',', 'managing',\\n\",\n      \"  'director', 'of', 'pace', 'consultants', 'inc', 'of', 'houston', '.', 'demand', 'for', 'some',\\n\",\n      \"  'products', 'such', 'as', 'styrene', 'could', 'push', 'profit', 'margins', 'up', 'by', 'as',\\n\",\n      \"  'much', 'as', '300', 'pct', ',', 'he', 'said', '.', 'oreffice', ',', 'speaking', 'at', 'a',\\n\",\n      \"  'meeting', 'of', 'chemical', 'engineers', 'in', 'houston', ',', 'said', 'dow', 'would', 'easily',\\n\",\n      \"  'top', 'the', '741', 'mln', 'dlrs', 'it', 'earned', 'last', 'year', 'and', 'predicted', 'it',\\n\",\n      \"  'would', 'have', 'the', 'best', 'year', 'in', 'its', 'history', '.', 'in', '1985', ',', 'when',\\n\",\n      \"  'oil', 'prices', 'were', 'still', 'above', '25', 'dlrs', 'a', 'barrel', 'and', 'chemical',\\n\",\n      \"  'exports', 'were', 'adversely', 'affected', 'by', 'the', 'strong', 'u', '.', 's', '.', 'dollar',\\n\",\n      \"  ',', 'dow', 'had', 'profits', 'of', '58', 'mln', 'dlrs', '.', '\\\"', 'i', 'believe', 'the',\\n\",\n      \"  'entire', 'chemical', 'industry', 'is', 'headed', 'for', 'a', 'record', 'year', 'or', 'close',\\n\",\n      \"  'to', 'it', ',\\\"', 'oreffice', 'said', '.', 'gaf', 'chairman', 'samuel', 'heyman', 'estimated',\\n\",\n      \"  'that', 'the', 'u', '.', 's', '.', 'chemical', 'industry', 'would', 'report', 'a', '20', 'pct',\\n\",\n      \"  'gain', 'in', 'profits', 'during', '1987', '.', 'last', 'year', ',', 'the', 'domestic',\\n\",\n      \"  'industry', 'earned', 'a', 'total', 'of', '13', 'billion', 'dlrs', ',', 'a', '54', 'pct', 'leap',\\n\",\n      \"  'from', '1985', '.', 'the', 'turn', 'in', 'the', 'fortunes', 'of', 'the', 'once', '-', 'sickly',\\n\",\n      \"  'chemical', 'industry', 'has', 'been', 'brought', 'about', 'by', 'a', 'combination', 'of', 'luck',\\n\",\n      \"  'and', 'planning', ',', 'said', 'pace', \\\"'\\\", 's', 'john', 'dosher', '.', 'dosher', 'said', 'last',\\n\",\n      \"  'year', \\\"'\\\", 's', 'fall', 'in', 'oil', 'prices', 'made', 'feedstocks', 'dramatically', 'cheaper',\\n\",\n      \"  'and', 'at', 'the', 'same', 'time', 'the', 'american', 'dollar', 'was', 'weakening', 'against',\\n\",\n      \"  'foreign', 'currencies', '.', 'that', 'helped', 'boost', 'u', '.', 's', '.', 'chemical',\\n\",\n      \"  'exports', '.', 'also', 'helping', 'to', 'bring', 'supply', 'and', 'demand', 'into', 'balance',\\n\",\n      \"  'has', 'been', 'the', 'gradual', 'market', 'absorption', 'of', 'the', 'extra', 'chemical',\\n\",\n      \"  'manufacturing', 'capacity', 'created', 'by', 'middle', 'eastern', 'oil', 'producers', 'in',\\n\",\n      \"  'the', 'early', '1980s', '.', 'finally', ',', 'virtually', 'all', 'major', 'u', '.', 's', '.',\\n\",\n      \"  'chemical', 'manufacturers', 'have', 'embarked', 'on', 'an', 'extensive', 'corporate',\\n\",\n      \"  'restructuring', 'program', 'to', 'mothball', 'inefficient', 'plants', ',', 'trim', 'the',\\n\",\n      \"  'payroll', 'and', 'eliminate', 'unrelated', 'businesses', '.', 'the', 'restructuring', 'touched',\\n\",\n      \"  'off', 'a', 'flurry', 'of', 'friendly', 'and', 'hostile', 'takeover', 'attempts', '.', 'gaf', ',',\\n\",\n      \"  'which', 'made', 'an', 'unsuccessful', 'attempt', 'in', '1985', 'to', 'acquire', 'union',\\n\",\n      \"  'carbide', 'corp', '&', 'lt', ';', 'uk', '>,', 'recently', 'offered', 'three', 'billion', 'dlrs',\\n\",\n      \"  'for', 'borg', 'warner', 'corp', '&', 'lt', ';', 'bor', '>,', 'a', 'chicago', 'manufacturer',\\n\",\n      \"  'of', 'plastics', 'and', 'chemicals', '.', 'another', 'industry', 'powerhouse', ',', 'w', '.',\\n\",\n      \"  'r', '.', 'grace', '&', 'lt', ';', 'gra', '>', 'has', 'divested', 'its', 'retailing', ',',\\n\",\n      \"  'restaurant', 'and', 'fertilizer', 'businesses', 'to', 'raise', 'cash', 'for', 'chemical',\\n\",\n      \"  'acquisitions', '.', 'but', 'some', 'experts', 'worry', 'that', 'the', 'chemical', 'industry',\\n\",\n      \"  'may', 'be', 'headed', 'for', 'trouble', 'if', 'companies', 'continue', 'turning', 'their',\\n\",\n      \"  'back', 'on', 'the', 'manufacturing', 'of', 'staple', 'petrochemical', 'commodities', ',', 'such',\\n\",\n      \"  'as', 'ethylene', ',', 'in', 'favor', 'of', 'more', 'profitable', 'specialty', 'chemicals',\\n\",\n      \"  'that', 'are', 'custom', '-', 'designed', 'for', 'a', 'small', 'group', 'of', 'buyers', '.', '\\\"',\\n\",\n      \"  'companies', 'like', 'dupont', '&', 'lt', ';', 'dd', '>', 'and', 'monsanto', 'co', '&', 'lt', ';',\\n\",\n      \"  'mtc', '>', 'spent', 'the', 'past', 'two', 'or', 'three', 'years', 'trying', 'to', 'get', 'out',\\n\",\n      \"  'of', 'the', 'commodity', 'chemical', 'business', 'in', 'reaction', 'to', 'how', 'badly', 'the',\\n\",\n      \"  'market', 'had', 'deteriorated', ',\\\"', 'dosher', 'said', '.', '\\\"', 'but', 'i', 'think', 'they',\\n\",\n      \"  'will', 'eventually', 'kill', 'the', 'margins', 'on', 'the', 'profitable', 'chemicals', 'in',\\n\",\n      \"  'the', 'niche', 'market', '.\\\"', 'some', 'top', 'chemical', 'executives', 'share', 'the',\\n\",\n      \"  'concern', '.', '\\\"', 'the', 'challenge', 'for', 'our', 'industry', 'is', 'to', 'keep', 'from',\\n\",\n      \"  'getting', 'carried', 'away', 'and', 'repeating', 'past', 'mistakes', ',\\\"', 'gaf', \\\"'\\\", 's',\\n\",\n      \"  'heyman', 'cautioned', '.', '\\\"', 'the', 'shift', 'from', 'commodity', 'chemicals', 'may', 'be',\\n\",\n      \"  'ill', '-', 'advised', '.', 'specialty', 'businesses', 'do', 'not', 'stay', 'special', 'long',\\n\",\n      \"  '.\\\"', 'houston', '-', 'based', 'cain', 'chemical', ',', 'created', 'this', 'month', 'by', 'the',\\n\",\n      \"  'sterling', 'investment', 'banking', 'group', ',', 'believes', 'it', 'can', 'generate', '700',\\n\",\n      \"  'mln', 'dlrs', 'in', 'annual', 'sales', 'by', 'bucking', 'the', 'industry', 'trend', '.',\\n\",\n      \"  'chairman', 'gordon', 'cain', ',', 'who', 'previously', 'led', 'a', 'leveraged', 'buyout', 'of',\\n\",\n      \"  'dupont', \\\"'\\\", 's', 'conoco', 'inc', \\\"'\\\", 's', 'chemical', 'business', ',', 'has', 'spent', '1',\\n\",\n      \"  '.', '1', 'billion', 'dlrs', 'since', 'january', 'to', 'buy', 'seven', 'petrochemical', 'plants',\\n\",\n      \"  'along', 'the', 'texas', 'gulf', 'coast', '.', 'the', 'plants', 'produce', 'only', 'basic',\\n\",\n      \"  'commodity', 'petrochemicals', 'that', 'are', 'the', 'building', 'blocks', 'of', 'specialty',\\n\",\n      \"  'products', '.', '\\\"', 'this', 'kind', 'of', 'commodity', 'chemical', 'business', 'will', 'never',\\n\",\n      \"  'be', 'a', 'glamorous', ',', 'high', '-', 'margin', 'business', ',\\\"', 'cain', 'said', ',',\\n\",\n      \"  'adding', 'that', 'demand', 'is', 'expected', 'to', 'grow', 'by', 'about', 'three', 'pct',\\n\",\n      \"  'annually', '.', 'garo', 'armen', ',', 'an', 'analyst', 'with', 'dean', 'witter', 'reynolds', ',',\\n\",\n      \"  'said', 'chemical', 'makers', 'have', 'also', 'benefitted', 'by', 'increasing', 'demand', 'for',\\n\",\n      \"  'plastics', 'as', 'prices', 'become', 'more', 'competitive', 'with', 'aluminum', ',', 'wood',\\n\",\n      \"  'and', 'steel', 'products', '.', 'armen', 'estimated', 'the', 'upturn', 'in', 'the', 'chemical',\\n\",\n      \"  'business', 'could', 'last', 'as', 'long', 'as', 'four', 'or', 'five', 'years', ',', 'provided',\\n\",\n      \"  'the', 'u', '.', 's', '.', 'economy', 'continues', 'its', 'modest', 'rate', 'of', 'growth', '.',\\n\",\n      \"  '<END>'],\\n\",\n      \" ['<START>', 'turkey', 'calls', 'for', 'dialogue', 'to', 'solve', 'dispute', 'turkey', 'said',\\n\",\n      \"  'today', 'its', 'disputes', 'with', 'greece', ',', 'including', 'rights', 'on', 'the',\\n\",\n      \"  'continental', 'shelf', 'in', 'the', 'aegean', 'sea', ',', 'should', 'be', 'solved', 'through',\\n\",\n      \"  'negotiations', '.', 'a', 'foreign', 'ministry', 'statement', 'said', 'the', 'latest', 'crisis',\\n\",\n      \"  'between', 'the', 'two', 'nato', 'members', 'stemmed', 'from', 'the', 'continental', 'shelf',\\n\",\n      \"  'dispute', 'and', 'an', 'agreement', 'on', 'this', 'issue', 'would', 'effect', 'the', 'security',\\n\",\n      \"  ',', 'economy', 'and', 'other', 'rights', 'of', 'both', 'countries', '.', '\\\"', 'as', 'the',\\n\",\n      \"  'issue', 'is', 'basicly', 'political', ',', 'a', 'solution', 'can', 'only', 'be', 'found', 'by',\\n\",\n      \"  'bilateral', 'negotiations', ',\\\"', 'the', 'statement', 'said', '.', 'greece', 'has', 'repeatedly',\\n\",\n      \"  'said', 'the', 'issue', 'was', 'legal', 'and', 'could', 'be', 'solved', 'at', 'the',\\n\",\n      \"  'international', 'court', 'of', 'justice', '.', 'the', 'two', 'countries', 'approached', 'armed',\\n\",\n      \"  'confrontation', 'last', 'month', 'after', 'greece', 'announced', 'it', 'planned', 'oil',\\n\",\n      \"  'exploration', 'work', 'in', 'the', 'aegean', 'and', 'turkey', 'said', 'it', 'would', 'also',\\n\",\n      \"  'search', 'for', 'oil', '.', 'a', 'face', '-', 'off', 'was', 'averted', 'when', 'turkey',\\n\",\n      \"  'confined', 'its', 'research', 'to', 'territorrial', 'waters', '.', '\\\"', 'the', 'latest',\\n\",\n      \"  'crises', 'created', 'an', 'historic', 'opportunity', 'to', 'solve', 'the', 'disputes', 'between',\\n\",\n      \"  'the', 'two', 'countries', ',\\\"', 'the', 'foreign', 'ministry', 'statement', 'said', '.', 'turkey',\\n\",\n      \"  \\\"'\\\", 's', 'ambassador', 'in', 'athens', ',', 'nazmi', 'akiman', ',', 'was', 'due', 'to', 'meet',\\n\",\n      \"  'prime', 'minister', 'andreas', 'papandreou', 'today', 'for', 'the', 'greek', 'reply', 'to', 'a',\\n\",\n      \"  'message', 'sent', 'last', 'week', 'by', 'turkish', 'prime', 'minister', 'turgut', 'ozal', '.',\\n\",\n      \"  'the', 'contents', 'of', 'the', 'message', 'were', 'not', 'disclosed', '.', '<END>']]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"reuters_corpus = read_corpus()\\n\",\n    \"pprint.pprint(reuters_corpus[:3], compact=True, width=100)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.1: Implement `distinct_words` [code] (2 points)\\n\",\n    \"\\n\",\n    \"Write a method to work out the distinct words (word types) that occur in the corpus. You can do this with `for` loops, but it's more efficient to do it with Python list comprehensions. In particular, [this](https://coderwall.com/p/rcmaea/flatten-a-list-of-lists-in-one-line-in-python) may be useful to flatten a list of lists. If you're not familiar with Python list comprehensions in general, here's [more information](https://python-3-patterns-idioms-test.readthedocs.io/en/latest/Comprehensions.html).\\n\",\n    \"\\n\",\n    \"Your returned `corpus_words` should be sorted. You can use python's `sorted` function for this.\\n\",\n    \"\\n\",\n    \"You may find it useful to use [Python sets](https://www.w3schools.com/python/python_sets.asp) to remove duplicate words.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 5,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def distinct_words(corpus):\\n\",\n    \"    \\\"\\\"\\\" Determine a list of distinct words for the corpus.\\n\",\n    \"        Params:\\n\",\n    \"            corpus (list of list of strings): corpus of documents\\n\",\n    \"        Return:\\n\",\n    \"            corpus_words (list of strings): sorted list of distinct words across the corpus\\n\",\n    \"            num_corpus_words (integer): number of distinct words across the corpus\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    corpus_words = []\\n\",\n    \"    num_corpus_words = -1\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"    corpus_words = {word for doc in corpus for word in doc}\\n\",\n    \"    corpus_words = sorted(list(corpus_words))\\n\",\n    \"    num_corpus_words = len(corpus_words)\\n\",\n    \"    # ------------------\\n\",\n    \"\\n\",\n    \"    return corpus_words, num_corpus_words\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 6,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"--------------------------------------------------------------------------------\\n\",\n      \"Passed All Tests!\\n\",\n      \"--------------------------------------------------------------------------------\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this not an exhaustive check for correctness.\\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"# Define toy corpus\\n\",\n    \"test_corpus = [\\\"{} All that glitters isn't gold {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\"), \\\"{} All's well that ends well {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\")]\\n\",\n    \"test_corpus_words, num_corpus_words = distinct_words(test_corpus)\\n\",\n    \"\\n\",\n    \"# Correct answers\\n\",\n    \"ans_test_corpus_words = sorted([START_TOKEN, \\\"All\\\", \\\"ends\\\", \\\"that\\\", \\\"gold\\\", \\\"All's\\\", \\\"glitters\\\", \\\"isn't\\\", \\\"well\\\", END_TOKEN])\\n\",\n    \"ans_num_corpus_words = len(ans_test_corpus_words)\\n\",\n    \"\\n\",\n    \"# Test correct number of words\\n\",\n    \"assert(num_corpus_words == ans_num_corpus_words), \\\"Incorrect number of distinct words. Correct: {}. Yours: {}\\\".format(ans_num_corpus_words, num_corpus_words)\\n\",\n    \"\\n\",\n    \"# Test correct words\\n\",\n    \"assert (test_corpus_words == ans_test_corpus_words), \\\"Incorrect corpus_words.\\\\nCorrect: {}\\\\nYours:   {}\\\".format(str(ans_test_corpus_words), str(test_corpus_words))\\n\",\n    \"\\n\",\n    \"# Print Success\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print(\\\"Passed All Tests!\\\")\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.2: Implement `compute_co_occurrence_matrix` [code] (3 points)\\n\",\n    \"\\n\",\n    \"Write a method that constructs a co-occurrence matrix for a certain window-size $n$ (with a default of 4), considering words $n$ before and $n$ after the word in the center of the window. Here, we start to use `numpy (np)` to represent vectors, matrices, and tensors. If you're not familiar with NumPy, there's a NumPy tutorial in the second half of this cs231n [Python NumPy tutorial](http://cs231n.github.io/python-numpy-tutorial/).\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 7,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def compute_co_occurrence_matrix(corpus, window_size=4):\\n\",\n    \"    \\\"\\\"\\\" Compute co-occurrence matrix for the given corpus and window_size (default of 4).\\n\",\n    \"    \\n\",\n    \"        Note: Each word in a document should be at the center of a window. Words near edges will have a smaller\\n\",\n    \"              number of co-occurring words.\\n\",\n    \"              \\n\",\n    \"              For example, if we take the document \\\"<START> All that glitters is not gold <END>\\\" with window size of 4,\\n\",\n    \"              \\\"All\\\" will co-occur with \\\"<START>\\\", \\\"that\\\", \\\"glitters\\\", \\\"is\\\", and \\\"not\\\".\\n\",\n    \"    \\n\",\n    \"        Params:\\n\",\n    \"            corpus (list of list of strings): corpus of documents\\n\",\n    \"            window_size (int): size of context window\\n\",\n    \"        Return:\\n\",\n    \"            M (a symmetric numpy matrix of shape (number of unique words in the corpus , number of unique words in the corpus)): \\n\",\n    \"                Co-occurence matrix of word counts. \\n\",\n    \"                The ordering of the words in the rows/columns should be the same as the ordering of the words given by the distinct_words function.\\n\",\n    \"            word2ind (dict): dictionary that maps word to index (i.e. row/column number) for matrix M.\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    words, num_words = distinct_words(corpus)\\n\",\n    \"    M = None\\n\",\n    \"    word2ind = {}\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"    \\n\",\n    \"    # Build the word to index mapping.\\n\",\n    \"    word2ind = {word: i for i, word in enumerate(words)}\\n\",\n    \"    \\n\",\n    \"    # Build the co-occurrence matrix.\\n\",\n    \"    M = np.zeros((num_words, num_words))\\n\",\n    \"    for body in corpus:\\n\",\n    \"        for curr_idx, word in enumerate(body):\\n\",\n    \"            for window_idx in range(-window_size, window_size + 1):\\n\",\n    \"                neighbor_idx = curr_idx + window_idx\\n\",\n    \"                if (neighbor_idx < 0) or (neighbor_idx >= len(body)) or (curr_idx == neighbor_idx):\\n\",\n    \"                    continue\\n\",\n    \"                co_occur_word = body[neighbor_idx]\\n\",\n    \"                (word_idx, co_occur_idx) = (word2ind[word], word2ind[co_occur_word])\\n\",\n    \"                M[word_idx, co_occur_idx] += 1\\n\",\n    \"\\n\",\n    \"    # ------------------\\n\",\n    \"\\n\",\n    \"    return M, word2ind\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 8,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"--------------------------------------------------------------------------------\\n\",\n      \"Passed All Tests!\\n\",\n      \"--------------------------------------------------------------------------------\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this is not an exhaustive check for correctness.\\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"# Define toy corpus and get student's co-occurrence matrix\\n\",\n    \"test_corpus = [\\\"{} All that glitters isn't gold {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\"), \\\"{} All's well that ends well {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\")]\\n\",\n    \"M_test, word2ind_test = compute_co_occurrence_matrix(test_corpus, window_size=1)\\n\",\n    \"\\n\",\n    \"# Correct M and word2ind\\n\",\n    \"M_test_ans = np.array( \\n\",\n    \"    [[0., 0., 0., 0., 0., 0., 1., 0., 0., 1.,],\\n\",\n    \"     [0., 0., 1., 1., 0., 0., 0., 0., 0., 0.,],\\n\",\n    \"     [0., 1., 0., 0., 0., 0., 0., 0., 1., 0.,],\\n\",\n    \"     [0., 1., 0., 0., 0., 0., 0., 0., 0., 1.,],\\n\",\n    \"     [0., 0., 0., 0., 0., 0., 0., 0., 1., 1.,],\\n\",\n    \"     [0., 0., 0., 0., 0., 0., 0., 1., 1., 0.,],\\n\",\n    \"     [1., 0., 0., 0., 0., 0., 0., 1., 0., 0.,],\\n\",\n    \"     [0., 0., 0., 0., 0., 1., 1., 0., 0., 0.,],\\n\",\n    \"     [0., 0., 1., 0., 1., 1., 0., 0., 0., 1.,],\\n\",\n    \"     [1., 0., 0., 1., 1., 0., 0., 0., 1., 0.,]]\\n\",\n    \")\\n\",\n    \"ans_test_corpus_words = sorted([START_TOKEN, \\\"All\\\", \\\"ends\\\", \\\"that\\\", \\\"gold\\\", \\\"All's\\\", \\\"glitters\\\", \\\"isn't\\\", \\\"well\\\", END_TOKEN])\\n\",\n    \"word2ind_ans = dict(zip(ans_test_corpus_words, range(len(ans_test_corpus_words))))\\n\",\n    \"\\n\",\n    \"# Test correct word2ind\\n\",\n    \"assert (word2ind_ans == word2ind_test), \\\"Your word2ind is incorrect:\\\\nCorrect: {}\\\\nYours: {}\\\".format(word2ind_ans, word2ind_test)\\n\",\n    \"\\n\",\n    \"# Test correct M shape\\n\",\n    \"assert (M_test.shape == M_test_ans.shape), \\\"M matrix has incorrect shape.\\\\nCorrect: {}\\\\nYours: {}\\\".format(M_test.shape, M_test_ans.shape)\\n\",\n    \"\\n\",\n    \"# Test correct M values\\n\",\n    \"for w1 in word2ind_ans.keys():\\n\",\n    \"    idx1 = word2ind_ans[w1]\\n\",\n    \"    for w2 in word2ind_ans.keys():\\n\",\n    \"        idx2 = word2ind_ans[w2]\\n\",\n    \"        student = M_test[idx1, idx2]\\n\",\n    \"        correct = M_test_ans[idx1, idx2]\\n\",\n    \"        if student != correct:\\n\",\n    \"            print(\\\"Correct M:\\\")\\n\",\n    \"            print(M_test_ans)\\n\",\n    \"            print(\\\"Your M: \\\")\\n\",\n    \"            print(M_test)\\n\",\n    \"            raise AssertionError(\\\"Incorrect count at index ({}, {})=({}, {}) in matrix M. Yours has {} but should have {}.\\\".format(idx1, idx2, w1, w2, student, correct))\\n\",\n    \"\\n\",\n    \"# Print Success\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print(\\\"Passed All Tests!\\\")\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.3: Implement `reduce_to_k_dim` [code] (1 point)\\n\",\n    \"\\n\",\n    \"Construct a method that performs dimensionality reduction on the matrix to produce k-dimensional embeddings. Use SVD to take the top k components and produce a new matrix of k-dimensional embeddings. \\n\",\n    \"\\n\",\n    \"**Note:** All of numpy, scipy, and scikit-learn (`sklearn`) provide *some* implementation of SVD, but only scipy and sklearn provide an implementation of Truncated SVD, and only sklearn provides an efficient randomized algorithm for calculating large-scale Truncated SVD. So please use [sklearn.decomposition.TruncatedSVD](https://scikit-learn.org/stable/modules/generated/sklearn.decomposition.TruncatedSVD.html).\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 9,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def reduce_to_k_dim(M, k=2):\\n\",\n    \"    \\\"\\\"\\\" Reduce a co-occurence count matrix of dimensionality (num_corpus_words, num_corpus_words)\\n\",\n    \"        to a matrix of dimensionality (num_corpus_words, k) using the following SVD function from Scikit-Learn:\\n\",\n    \"            - http://scikit-learn.org/stable/modules/generated/sklearn.decomposition.TruncatedSVD.html\\n\",\n    \"    \\n\",\n    \"        Params:\\n\",\n    \"            M (numpy matrix of shape (number of unique words in the corpus , number of unique words in the corpus)): co-occurence matrix of word counts\\n\",\n    \"            k (int): embedding size of each word after dimension reduction\\n\",\n    \"        Return:\\n\",\n    \"            M_reduced (numpy matrix of shape (number of corpus words, k)): matrix of k-dimensioal word embeddings.\\n\",\n    \"                    In terms of the SVD from math class, this actually returns U * S\\n\",\n    \"    \\\"\\\"\\\"    \\n\",\n    \"    n_iters = 10     # Use this parameter in your call to `TruncatedSVD`\\n\",\n    \"    M_reduced = None\\n\",\n    \"    print(\\\"Running Truncated SVD over %i words...\\\" % (M.shape[0]))\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    svd = TruncatedSVD(n_components = k, n_iter = n_iters)\\n\",\n    \"    M_reduced = svd.fit_transform(M) \\n\",\n    \"    # or (instead of the above line)...\\n\",\n    \"    # svd.fit(M)\\n\",\n    \"    # M_reduced = svd.transform(M)\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"\\n\",\n    \"    print(\\\"Done.\\\")\\n\",\n    \"    return M_reduced\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 10,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Running Truncated SVD over 10 words...\\n\",\n      \"Done.\\n\",\n      \"--------------------------------------------------------------------------------\\n\",\n      \"Passed All Tests!\\n\",\n      \"--------------------------------------------------------------------------------\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this is not an exhaustive check for correctness \\n\",\n    \"# In fact we only check that your M_reduced has the right dimensions.\\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"# Define toy corpus and run student code\\n\",\n    \"test_corpus = [\\\"{} All that glitters isn't gold {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\"), \\\"{} All's well that ends well {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\")]\\n\",\n    \"M_test, word2ind_test = compute_co_occurrence_matrix(test_corpus, window_size=1)\\n\",\n    \"M_test_reduced = reduce_to_k_dim(M_test, k=2)\\n\",\n    \"\\n\",\n    \"# Test proper dimensions\\n\",\n    \"assert (M_test_reduced.shape[0] == 10), \\\"M_reduced has {} rows; should have {}\\\".format(M_test_reduced.shape[0], 10)\\n\",\n    \"assert (M_test_reduced.shape[1] == 2), \\\"M_reduced has {} columns; should have {}\\\".format(M_test_reduced.shape[1], 2)\\n\",\n    \"\\n\",\n    \"# Print Success\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print(\\\"Passed All Tests!\\\")\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.4: Implement `plot_embeddings` [code] (1 point)\\n\",\n    \"\\n\",\n    \"Here you will write a function to plot a set of 2D vectors in 2D space. For graphs, we will use Matplotlib (`plt`).\\n\",\n    \"\\n\",\n    \"For this example, you may find it useful to adapt [this code](http://web.archive.org/web/20190924160434/https://www.pythonmembers.club/2018/05/08/matplotlib-scatter-plot-annotate-set-text-at-label-each-point/). In the future, a good way to make a plot is to look at [the Matplotlib gallery](https://matplotlib.org/gallery/index.html), find a plot that looks somewhat like what you want, and adapt the code they give.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 11,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def plot_embeddings(M_reduced, word2ind, words):\\n\",\n    \"    \\\"\\\"\\\" Plot in a scatterplot the embeddings of the words specified in the list \\\"words\\\".\\n\",\n    \"        NOTE: do not plot all the words listed in M_reduced / word2ind.\\n\",\n    \"        Include a label next to each point.\\n\",\n    \"        \\n\",\n    \"        Params:\\n\",\n    \"            M_reduced (numpy matrix of shape (number of unique words in the corpus , 2)): matrix of 2-dimensioal word embeddings\\n\",\n    \"            word2ind (dict): dictionary that maps word to indices for matrix M\\n\",\n    \"            words (list of strings): words whose embeddings we want to visualize\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"\\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"    \\n\",\n    \"    # Get only the rows corresponding the words we want to plot.\\n\",\n    \"    word_idxs = [word2ind[word] for word in words]\\n\",\n    \"    word_vectors = M_reduced[word_idxs]\\n\",\n    \"    # Get 2D coordinates.\\n\",\n    \"    x_coords = [vec[0] for vec in word_vectors]\\n\",\n    \"    y_coords = [vec[1] for vec in word_vectors]\\n\",\n    \"    # Plot the scatter points in 2D.\\n\",\n    \"    for i, word in enumerate(words):\\n\",\n    \"        x = x_coords[i]\\n\",\n    \"        y = y_coords[i]\\n\",\n    \"        plt.scatter(x, y, marker='x', color='red')\\n\",\n    \"        plt.text(x, y, word, fontsize=9)\\n\",\n    \"    plt.show()\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 12,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"--------------------------------------------------------------------------------\\n\",\n      \"Outputted Plot:\\n\"\n     ]\n    },\n    {\n     \"data\": {\n      \"image/png\": 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\\n\",\n      \"text/plain\": [\n       \"<Figure size 720x360 with 1 Axes>\"\n      ]\n     },\n     \"metadata\": {\n      \"needs_background\": \"light\"\n     },\n     \"output_type\": \"display_data\"\n    },\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"--------------------------------------------------------------------------------\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this is not an exhaustive check for correctness.\\n\",\n    \"# The plot produced should look like the \\\"test solution plot\\\" depicted below. \\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print (\\\"Outputted Plot:\\\")\\n\",\n    \"\\n\",\n    \"M_reduced_plot_test = np.array([[1, 1], [-1, -1], [1, -1], [-1, 1], [0, 0]])\\n\",\n    \"word2ind_plot_test = {'test1': 0, 'test2': 1, 'test3': 2, 'test4': 3, 'test5': 4}\\n\",\n    \"words = ['test1', 'test2', 'test3', 'test4', 'test5']\\n\",\n    \"plot_embeddings(M_reduced_plot_test, word2ind_plot_test, words)\\n\",\n    \"\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"<font color=red>**Test Plot Solution**</font>\\n\",\n    \"<br>\\n\",\n    \"<img src=\\\"imgs/test_plot.png\\\" width=40% style=\\\"float: left;\\\"> </img>\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.5: Co-Occurrence Plot Analysis [written] (3 points)\\n\",\n    \"\\n\",\n    \"Now we will put together all the parts you have written! We will compute the co-occurrence matrix with fixed window of 4 (the default window size), over the Reuters \\\"crude\\\" (oil) corpus. Then we will use TruncatedSVD to compute 2-dimensional embeddings of each word. TruncatedSVD returns U\\\\*S, so we need to normalize the returned vectors, so that all the vectors will appear around the unit circle (therefore closeness is directional closeness). **Note**: The line of code below that does the normalizing uses the NumPy concept of *broadcasting*. If you don't know about broadcasting, check out\\n\",\n    \"[Computation on Arrays: Broadcasting by Jake VanderPlas](https://jakevdp.github.io/PythonDataScienceHandbook/02.05-computation-on-arrays-broadcasting.html).\\n\",\n    \"\\n\",\n    \"Run the below cell to produce the plot. It'll probably take a few seconds to run. What clusters together in 2-dimensional embedding space? What doesn't cluster together that you might think should have?  **Note:** \\\"bpd\\\" stands for \\\"barrels per day\\\" and is a commonly used abbreviation in crude oil topic articles.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 13,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Running Truncated SVD over 8185 words...\\n\",\n      \"Done.\\n\"\n     ]\n    },\n    {\n     \"data\": {\n      \"image/png\": 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\\n\",\n      \"text/plain\": [\n       \"<Figure size 720x360 with 1 Axes>\"\n      ]\n     },\n     \"metadata\": {\n      \"needs_background\": \"light\"\n     },\n     \"output_type\": \"display_data\"\n    }\n   ],\n   \"source\": [\n    \"# -----------------------------\\n\",\n    \"# Run This Cell to Produce Your Plot\\n\",\n    \"# ------------------------------\\n\",\n    \"reuters_corpus = read_corpus()\\n\",\n    \"M_co_occurrence, word2ind_co_occurrence = compute_co_occurrence_matrix(reuters_corpus)\\n\",\n    \"M_reduced_co_occurrence = reduce_to_k_dim(M_co_occurrence, k=2)\\n\",\n    \"\\n\",\n    \"# Rescale (normalize) the rows to make them each of unit-length\\n\",\n    \"M_lengths = np.linalg.norm(M_reduced_co_occurrence, axis=1)\\n\",\n    \"M_normalized = M_reduced_co_occurrence / M_lengths[:, np.newaxis] # broadcasting\\n\",\n    \"\\n\",\n    \"words = ['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']\\n\",\n    \"\\n\",\n    \"plot_embeddings(M_normalized, word2ind_co_occurrence, words)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- From the plot above, there's three clusters that we can observe:\\n\",\n    \"    - petroleum, industry\\n\",\n    \"    - energy, oil\\n\",\n    \"    - ecuador, iraq, kuwait\\n\",\n    \"- Countries that are major exporters of oil have been clustered together. This makes sense as co-occurence matrices group general topics and since oil countries likely share similar co-occurence words in the reuter articles corpus, they are expected to cluster together here. \\n\",\n    \"- \\\"bpd\\\", \\\"barrels\\\" and \\\"output\\\" should cluster together, but apparently they have less co-occurance in given datasets. Also, petroleum and oil could be clustered more closely together as crude oil and petroleum are sometimes used synonymously.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Part 2: Prediction-Based Word Vectors (15 points)\\n\",\n    \"\\n\",\n    \"As discussed in class, more recently prediction-based word vectors have demonstrated better performance, such as word2vec and GloVe (which also utilizes the benefit of counts). Here, we shall explore the embeddings produced by GloVe. Please revisit the class notes and lecture slides for more details on the word2vec and GloVe algorithms. If you're feeling adventurous, challenge yourself and try reading [GloVe's original paper](https://nlp.stanford.edu/pubs/glove.pdf).\\n\",\n    \"\\n\",\n    \"Then run the following cells to load the GloVe vectors into memory. **Note**: If this is your first time to run these cells, i.e. download the embedding model, it will take a couple minutes to run. If you've run these cells before, rerunning them will load the model without redownloading it, which will take about 1 to 2 minutes.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 14,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def load_embedding_model():\\n\",\n    \"    \\\"\\\"\\\" Load GloVe Vectors\\n\",\n    \"        Return:\\n\",\n    \"            wv_from_bin: All 400000 embeddings, each lengh 200\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    import gensim.downloader as api\\n\",\n    \"    wv_from_bin = api.load(\\\"glove-wiki-gigaword-200\\\")\\n\",\n    \"    print(\\\"Loaded vocab size %i\\\" % len(wv_from_bin.vocab.keys()))\\n\",\n    \"    return wv_from_bin\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 15,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Loaded vocab size 400000\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# -----------------------------------\\n\",\n    \"# Run Cell to Load Word Vectors\\n\",\n    \"# Note: This will take a couple minutes\\n\",\n    \"# -----------------------------------\\n\",\n    \"wv_from_bin = load_embedding_model()\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### Note: If you are receiving a \\\"reset by peer\\\" error, rerun the cell to restart the download. \"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Reducing dimensionality of Word Embeddings\\n\",\n    \"Let's directly compare the GloVe embeddings to those of the co-occurrence matrix. In order to avoid running out of memory, we will work with a sample of 10000 GloVe vectors instead.\\n\",\n    \"Run the following cells to:\\n\",\n    \"\\n\",\n    \"1. Put 10000 Glove vectors into a matrix M\\n\",\n    \"2. Run `reduce_to_k_dim` (your Truncated SVD function) to reduce the vectors from 200-dimensional to 2-dimensional.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 16,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def get_matrix_of_vectors(wv_from_bin, required_words=['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']):\\n\",\n    \"    \\\"\\\"\\\" Put the GloVe vectors into a matrix M.\\n\",\n    \"        Param:\\n\",\n    \"            wv_from_bin: KeyedVectors object; the 400000 GloVe vectors loaded from file\\n\",\n    \"        Return:\\n\",\n    \"            M: numpy matrix shape (num words, 200) containing the vectors\\n\",\n    \"            word2ind: dictionary mapping each word to its row number in M\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    import random\\n\",\n    \"    words = list(wv_from_bin.vocab.keys())\\n\",\n    \"    print(\\\"Shuffling words ...\\\")\\n\",\n    \"    random.seed(224)\\n\",\n    \"    random.shuffle(words)\\n\",\n    \"    words = words[:10000]\\n\",\n    \"    print(\\\"Putting %i words into word2ind and matrix M...\\\" % len(words))\\n\",\n    \"    word2ind = {}\\n\",\n    \"    M = []\\n\",\n    \"    curInd = 0\\n\",\n    \"    for w in words:\\n\",\n    \"        try:\\n\",\n    \"            M.append(wv_from_bin.word_vec(w))\\n\",\n    \"            word2ind[w] = curInd\\n\",\n    \"            curInd += 1\\n\",\n    \"        except KeyError:\\n\",\n    \"            continue\\n\",\n    \"    for w in required_words:\\n\",\n    \"        if w in words:\\n\",\n    \"            continue\\n\",\n    \"        try:\\n\",\n    \"            M.append(wv_from_bin.word_vec(w))\\n\",\n    \"            word2ind[w] = curInd\\n\",\n    \"            curInd += 1\\n\",\n    \"        except KeyError:\\n\",\n    \"            continue\\n\",\n    \"    M = np.stack(M)\\n\",\n    \"    print(\\\"Done.\\\")\\n\",\n    \"    return M, word2ind\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 17,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Shuffling words ...\\n\",\n      \"Putting 10000 words into word2ind and matrix M...\\n\",\n      \"Done.\\n\",\n      \"Running Truncated SVD over 10010 words...\\n\",\n      \"Done.\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# -----------------------------------------------------------------\\n\",\n    \"# Run Cell to Reduce 200-Dimensional Word Embeddings to k Dimensions\\n\",\n    \"# Note: This should be quick to run\\n\",\n    \"# -----------------------------------------------------------------\\n\",\n    \"M, word2ind = get_matrix_of_vectors(wv_from_bin)\\n\",\n    \"M_reduced = reduce_to_k_dim(M, k=2)\\n\",\n    \"\\n\",\n    \"# Rescale (normalize) the rows to make them each of unit-length\\n\",\n    \"M_lengths = np.linalg.norm(M_reduced, axis=1)\\n\",\n    \"M_reduced_normalized = M_reduced / M_lengths[:, np.newaxis] # broadcasting\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"**Note: If you are receiving out of memory issues on your local machine, try closing other applications to free more memory on your device. You may want to try restarting your machine so that you can free up extra memory. Then immediately run the jupyter notebook and see if you can load the word vectors properly. If you still have problems with loading the embeddings onto your local machine after this, please go to office hours or contact course staff.**\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.1: GloVe Plot Analysis [written] (3 points)\\n\",\n    \"\\n\",\n    \"Run the cell below to plot the 2D GloVe embeddings for `['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']`.\\n\",\n    \"\\n\",\n    \"What clusters together in 2-dimensional embedding space? What doesn't cluster together that you think should have? How is the plot different from the one generated earlier from the co-occurrence matrix? What is a possible cause for the difference?\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 27,\n   \"metadata\": {\n    \"scrolled\": true\n   },\n   \"outputs\": [\n    {\n     \"data\": {\n      \"image/png\": 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9u6aY1uoJ61FJKfwdG1LN+GXBy/v3TQNu5oYkkSWp+dW5iO2PGDDZ+9BFPP/00b775JmeccQb9+rXNO3/5rE9JkpRtZWWbPbtz0auvMnTJEigro3fv3qxevbpl29eEDGqSJCm7UoI1a3IPXs+HtYP++leeefRRWLOGN//nfyguLm7pVjYZg5okScqumgetl5bmwlq7dpxy330U9e/PsNmzOftb3+Lmm29u6VY2GR/KLkmSsi8laFenf6m6OnPP9MzcQ9klSZKaXEq5Yc+66sxZa8sMapIkKbtqQlp5eW74s7r6k2HQnSCsFXrDW0mSpKYTAcXFuXA2Zconc9Ygtz5jw5+NzTlqkiQp++rcR63e5QxwjpokSdo5bRnKMhbSmopBTZIkKaMMapIkSRllUJMkScoog5okSVJGGdQkSZIyyqAmSZKUUQY1SZKkjDKoSZIkZZRBTZIkKaMMapIkSRllUJMkScoog5okSVJGGdQkSZIyyqAmSZKUUQY1SZKkjDKoSZIkZZRBTZIkNZvKykpGjhzZJPueNm0aDz/8MABTp05tkjqam0FNkiS1CePHj2fUqFGAQU2SJKkgP//5zznkkEM499xza9f16dMHgBEjRrBq1Srmz59Px44def/995k1axYTJ04E4IQTTmD48OEMHjyYZ599FoCysjKmT5/OXXfdxdKlSxk+fDjXXntt8x9YI2rf0g2QJEltXEoQsdmqK664go4dO3LLLbcwffr0T31k+PDhPP7441RVVXHSSSfx5JNPsmDBAo499lgA/vjHP9KpUycWLlzIxRdfzGOPPVb72bPOOosrr7ySioqKJj2s5mBQkyRJTaesDNasgSlTcmEtJV559llWvfIKzy1eXNsbtqURI0Ywffp0Vq5cyVVXXcX06dNZuHAhd9xxB+vXr6e0tJRFixZRVFTE0qVLm/WQmpNDn5IkqWmklAtp5eUweXJu+eqr6f/Pf/LDQYM4/fTT2WOPPaiqqgJg7ty5bNq0CYDBgwfz/PPPs2HDBgYNGsQrr7zC3//+d7p3786DDz5IUVERTz31FL/85S9JKX2q6vbt21NdXd2cR9sk7FGTJElNIyLXkwa5sFZennu///58/b776HDvvVxxxRV07tyZY445hmOOOYb27XPRpH379nTv3p2BAwcC0L17d/r27QvAkCFDuO666xg5ciRHHXVUvVV/4xvfYPTo0Zx00klMmjSpSQ+zKUV9KTQrSkpK0uzZs1u6GZIkqRApQbs6g3jV1Z+as9YWRMSclFJJY+7ToU9JktR0UsoNe9ZVMwyqbTKoSZKkplET0srLobQ015NWWrr5nDV9JueoSZKkphEBxcW5cFZz1WfNnLXi4jY5/NnYnKMmSZKa1pb3UavnvmptgXPUJElS67NlKGuDIa2pGNQkSZIyyqAmSZKUUQUFtYjYIyIejojX86+7f0bZooh4KSLuK6ROSZKknUWhPWqXAY+mlPoCj+aXt6YUWFhgfZIkSTuNQoPaGODO/Ps7gVPrKxQRPYDRwG0F1idJkrTTKDSo7Z1Segcg/7rXVsrdBHwfaP1PR5UkSWom27zhbUQ8AnSvZ9MPG1JBRHwFWJ5SmhMRwxtQfiIwEaBnz54NqUKSJKlN2mZQSymN3Nq2iHgvIvZJKb0TEfsAy+spdhRwSkScDOwCdImI6Smlb22lvluBWyF3w9uGHIQkSVJbVOjQ50xgXP79OGDGlgVSSpenlHqklHoBZwCPbS2kSZIk6ROFBrXrgVER8TowKr9MROwbEQ8U2jhJkqSdWUEPZU8p/R0YUc/6ZcDJ9ayvACoKqVOSJGln4ZMJJEmSMsqgJkmSlFEGNUmSpIwyqEmSJGWUQU2SJCmjDGqSJEkZZVCTJEnKKIOaJElSRhnUJEmSMsqgJkmSlFEGNUmSpIwyqEmSJGWUQU2SJCmjDGqSJEkZZVCTJEnKKIOaJElSRhnUJEmSMsqgJkmSlFEGNUmSpIwyqEmSJGWUQU2SJCmjDGqSJEkZZVCTJEnKKIOaJElSRhnUJEmSMsqgJkmSlFEGNUmSpIwyqEmSJGWUQU2SJCmjDGqSJEkZZVCTJEnKKIOaJEmtzNSpU3f4s9OmTeMf//hHI7ZGTcmgJklSK2NQ23kY1CRJyoCUEhdeeCHDhg1j6NChvPDCCwwfPpyqqioArrnmGqZNm8Zdd93F0qVLGT58ONdeey0VFRWccMIJfP3rX2fgwIH8/ve/B2D8+PE8/fTTAEyfPp2ysjIee+wx5s6dy9ixY/nOd77TYseqhmvf0g2QJGmnlhJEMGPGDDZu3MjTTz3Fm2+9xRlnnMFuu+32qeJnnXUWV155JRUVFQBUVFSwdOlSXnrpJdavX09JSQlf//rX663quOOOY+DAgUyfPp0ePXo05VGpkRjUJElqKWVlsGYNTJnCokWLGDpkCEyeTO/iYlavXk2nTp1qi6aUtrqbL3/5y3To0IEOHTqw1157sWLFCiKiQZ9Vtjn0KUlSS0gpF9LKy2HyZA468ECeuekmKC/nzcWLKS4uZo899qgd+pwzZ07tR9u3b091dXXt8ty5c9m0aRPvv/8+7733Ht26ddvqZzt27MimTZua5RBVOHvUJElqCREwZUrufXk5p5SXcz8wbJ99+PjVV7n55pvZsGED559/PgceeCCf+9znaj/6jW98g9GjR3PSSSdx6KGHsu+++zJ27FjeeustrrnmGoqKijj//PM588wzueuuu+jWrRvFxcUAnHbaaUyYMIGhQ4dy9dVXN/9xa7tElrtDS0pK0uzZs1u6GZIkNZ2UoF2dAa7q6lyIa6CKigqmT5/Obbfd1gSN0/aIiDkppZLG3KdDn5IktZSUYPLkzddNnpxbL1FgUIuIPSLi4Yh4Pf+6+1bKFUfEHyLi1YhYGBFDCqlXkqRWryaklZdDaWmuJ620tHbOWkPD2vDhw+1Na8MK7VG7DHg0pdQXeDS/XJ9y4MGU0sHAYcDCAuuVJKl1i4Di4lw4mzLlkzlrpaW59dsx/Km2q6A5ahGxCBieUnonIvYBKlJKB21RpgvwMtA7bWdlzlGTJLV5+fuobXVZrUYW56jtnVJ6ByD/ulc9ZXoDK4A7IuKliLgtIjrVU06SpJ3PlqHMkKY6thnUIuKRiFhQz8+YBtbRHhgE3JJS+jLwAVsfIiUiJkbE7IiYvWLFigZWIUmS1PZs8z5qKaWRW9sWEe9FxD51hj6X11OsCqhKKT2fX/4DnxHUUkq3ArdCbuhzW+2TJElqqwod+pwJjMu/HwfM2LJASuldYElE1MxdGwH8rcB6JUmS2rxCg9r1wKiIeB0YlV8mIvaNiAfqlPsO8OuImAcMBH5SYL2SJEltXkGPkEop/Z1cD9mW65cBJ9dZngs06lUQkiRJbZ1PJpAkScoog5okSVJGGdQkSZIyyqAmSZKUUQY1SZKkjDKoSZIkZZRBTZIkKaMMapIkSRllUJMkScoog5okSVJGGdQkSZIyyqAmSZKUUQY1SZKkjDKoSZIkZZRBTZIkKaMMapIkSRllUJMkScoog5okSVJGGdQkSZIyyqAmSZKUUQY1SZKkjDKoSZIkZZRBTZIkKaMMapIkSRllUJMkScoog5okqclUVlYycuTIVrdvKSsMapKkTKmurt5s+eOPP26hlkgtr31LN0CS1LatXbuWs88+m0WLFnHOOedw6KGH8uMf/5hNmzaxxx578Nvf/pZddtmFPn36cPrpp/Pss89y6aWXUl5eTpcuXfjiF7/ISSedxJVXXklEcPDBB3PLLbdsVseUKVO4++672W233Tj11FMpLS1toaOVGpdBTZLUuFKCiNrFyspKHnvsMXbZZRcOP/xwZsyYweOPPw7AD37wA373u9/x7W9/m02bNvHVr36Vn/zkJ1RUVLBs2TLuu+8+2rdvz6BBg6ioqKBr165MnjyZ+++/nwEDBtTW8etf/5rHH3+czp07f6pHTmrNDGqSpMZTVgZr1sCUKbmwlhIHd+xI5xtugLIyBgwYwLvvvssFF1zAhg0beO+99+jSpQsARUVFHHnkkbW7KikpoUOHDqxYsYLKykrGjBkDwLp16zjooIM2C2o33XQTkyZNYtOmTVx44YUMGzasOY9aajIGNUlS40gpF9LKy3PLU6bA1Vfz6rJlrFu+nF02bmTBggWUlZXx7//+7wwZMoTvf//7pJQAiAiiTk9cUVERAN26daN3797cd999fP7znwdg48aNLF26tLbsoEGDGDZsGFVVVYwZM4Y5c+Y0zzFLTcygJklqHBG5cAa5sJYPbL322osLVq/m9SFDGDduHN27d2fChAkcdNBBdO3atbZHbeu7DW688UZOOeUUUkq0a9eOKVOmbPa5c845h5UrV/Lhhx9y8cUXN9khSs0tav4nk0UlJSVp9uzZLd0MSdL2SAna1bmpQHX1ZnPWpLYqIuaklEoac5/enkOS1HhSgsmTN183eXJuvaTtZlCTJDWOmpBWXg6lpbmetNLS3LJhTdohzlGTJDWOCCguzoWzmqs+a+asFRc7/CntAOeoSZIa1xb3UfvUstRGOUdNkpR9W4YyQ5q0wwxqkiRJGWVQkyRJyqiCglpE7BERD0fE6/nX3bdSbnJEvBIRCyLiNxGxSyH1SpIk7QwK7VG7DHg0pdQXeDS/vJmI2A+YBJSklAYARcAZBdYrSZLU5hUa1MYAd+bf3wmcupVy7YFdI6I9sBuwrMB6JUmS2rxCg9reKaV3APKve21ZIKW0FPgZ8DbwDrA2pfRQgfVKkiS1edsMahHxSH5u2ZY/YxpSQX7e2hjgAGBfoFNEfOszyk+MiNkRMXvFihUNPQ5JkqQ2Z5tPJkgpjdzatoh4LyL2SSm9ExH7AMvrKTYSeCultCL/mT8CQ4HpW6nvVuBWyN3wdtuHIEmS1DYVOvQ5ExiXfz8OmFFPmbeBIyNit4gIYASwsMB6JUmS2rxCg9r1wKiIeB0YlV8mIvaNiAcAUkrPA38AXgTm5+u8tcB6JUmS2jyf9SlJktQIfNanJEnSTsSgJkmSlFEGNUmSpIwyqEmSJGWUQU2SJCmjDGqSJEkZZVCTJEnKKIOaJElSRhnUJEmSMsqgJkmSlFEGNUmSpIwyqEmSJGWUQU2SJCmjDGqSJEkZZVCTJEnKKIOaJElSRhnUJEmSMsqgJkmSlFEGNUmSpIwyqEmSJGWUQU2SJCmjDGqSJEkZZVCTJEnKKIOaJElSRhnUJEmSMsqgJkmSlFEGNUmSpIwyqEmSJGWUQU2SJCmjDGqSJEkZZVCTJEnKKIOaJElSRhnUJEmSMsqgJkmSlFEGNUmSpIwyqEmSJGWUQU2SJCmjDGpAZWUlI0eO3O7PXXPNNUybNq3xGyRJkoRBTZIkKbPat3QDWkxKEFG7uHbtWs4++2wWLVrEOeecQ9euXbn//vv58MMPqaqqYurUqRx99NE8+eSTTJo0iZ49e/K5z32OHj16tOBBSJKktqygHrWIGBsRr0REdUSUfEa5EyNiUUS8ERGXFVJnoygrg8mTc2ENICUqX3mFX/XsybPPPssdd9zB8uXLef/997n33nu55557mDx5MgCXXHIJM2fOZMaMGaxdu7bljkGSJLV5hQ59LgBOA57cWoGIKAJ+AZwE9APOjIh+Bda741KCNWugvPyTsHb11Ry8fj2d16+nQ/v2DBgwgJQShx9+OAC9evWqDWX/+Mc/6NmzJxHB4MGDW+wwJElS21dQUEspLUwpLdpGscHAGymlN1NKHwF3A2MKqbcgETBlCpSW5sJau3Zwxx28uuuurLv6ajZ9/DELFiwgIpgzZw4Ab7/9Nl26dAGgc+fOVFVVATBr1qwWOwxJktT2Nccctf2AJXWWq4AjmqHerasJa+Xltat69e/PBRMn8vrrrzNu3Dh23313dtttN0aPHs2yZcuYMmUKADfccANf/epX2XfffencuXNLHYEkSdoJbDOoRcQjQPd6Nv0wpTSjAXVEPevSZ9Q3EZgI0LNnzwbsfgeklBv2zOsFzDrqqFx4y19gMG3aNAYOHMiPfvSjzT46fPhwXnrppaZplyRJUh3bDGoppe2/wdjmqoD96yz3AJZ9Rn23ArcClJSUbDXQ7bCakFZenhv+nDLlk2XYLKxJkiS1pOYY+pwF9I2IA4ClwBnAWc1Qb/0ioLj4k5BWMwwKufX5kDZ+/PiWaqEkSRIAkdKOd1pFxNeAm4EvAGuAuSmlEyJiX+C2lNLJ+XInAzcBRcDtKaVrG7L/kpKSNHv27B1u32fa4j5qn1qWJEnaDhExJ6W01duV7YiCetRSSvcA99Szfhlwcp3lB4AHCqmr0W0ZygxpkiQpY3yElCRJUkYZ1CRJkjLKoCZJkpRRBjVJkqSMMqhJkiRllEFNkiQpowxqkiRJGVXQDW+bWkSsABa3dDsaSTdgZUs3Yifnd9CyPP8ty/Pfsjz/Lau5zv+/pJS+0Jg7zHRQa0siYnZj361Y28fvoGV5/luW579lef5bVms+/w59SpIkZZRBTZIkKaMMas3n1pZugPwOWpjnv2V5/luW579ltdrz7xw1SZKkjLJHTZIkKaMMao0sIk6MiEUR8UZEXFbP9oiIqfnt8yJiUEu0s61qwPk/O3/e50XEMxFxWEu0s63a1vmvU+7wiPg4Ir7RnO1r6xpy/iNieETMjYhXIuKJ5m5jW9eAf4O6RsS9EfFy/js4tyXa2RZFxO0RsTwiFmxle6v8/WtQa0QRUQT8AjgJ6AecGRH9tih2EtA3/zMRuKVZG9mGNfD8vwUck1I6FLiaVjxvIWsaeP5ryv0U+EvztrBta8j5j4hi4JfAKSml/sDY5m5nW9bAvwMXA39LKR0GDAduiIiOzdrQtmsacOJnbG+Vv38Nao1rMPBGSunNlNJHwN3AmC3KjAH+K+U8BxRHxD7N3dA2apvnP6X0TEppdX7xOaBHM7exLWvIn3+A7wD/DSxvzsbtBBpy/s8C/phSehsgpeR30Lga8h0koHNEBPB5YBWwqXmb2TallJ4kdz63plX+/jWoNa79gCV1lqvy67a3jHbM9p7bCcCfm7RFO5dtnv+I2A/4GvCrZmzXzqIhf/4PBHaPiIqImBMR32621u0cGvId/Bw4BFgGzAdKU0rVzdO8nV6r/P3bvqUb0MZEPeu2vKy2IWW0Yxp8biPiWHJBbViTtmjn0pDzfxPwg5TSx7kOBTWihpz/9sD/AkYAuwLPRsRzKaXXmrpxO4mGfAcnAHOB44AvAg9HxFMppX80cdvUSn//GtQaVxWwf53lHuT+17S9ZbRjGnRuI+JQ4DbgpJTS35upbTuDhpz/EuDufEjrBpwcEZtSSn9qlha2bQ3992dlSukD4IOIeBI4DDCoNY6GfAfnAten3L2x3oiIt4CDgReap4k7tVb5+9ehz8Y1C+gbEQfkJ4eeAczcosxM4Nv5q0+OBNamlN5p7oa2Uds8/xHRE/gjcI69CI1um+c/pXRASqlXSqkX8Afg/xjSGk1D/v2ZARwdEe0jYjfgCGBhM7ezLWvId/A2uR5NImJv4CDgzWZt5c6rVf7+tUetEaWUNkXE/yV3NVsRcHtK6ZWIuCi//VfAA8DJwBvAP8n970qNoIHn/0pgT+CX+V6dTa31Qb1Z08DzrybSkPOfUloYEQ8C84Bq4LaUUr23MtD2a+DfgauBaRExn9xQ3A9SSitbrNFtSET8htyVtN0iogq4CugArfv3r08mkCRJyiiHPiVJkjLKoCZJkpRRBjVJkqSMMqhJkiRllEFNkiQpowxqkiRJGWVQkyRJyiiDmiRJUkb9f4XN2TEuM67oAAAAAElFTkSuQmCC\\n\",\n      \"text/plain\": [\n       \"<Figure size 720x360 with 1 Axes>\"\n      ]\n     },\n     \"metadata\": {\n      \"needs_background\": \"light\"\n     },\n     \"output_type\": \"display_data\"\n    }\n   ],\n   \"source\": [\n    \"words = ['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']\\n\",\n    \"plot_embeddings(M_reduced_normalized, word2ind, words)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- Unlike the window-based co-occurence embeddings, these prediction-based GloVe embeddings do not cluster together countries (\\\"iraq\\\", \\\"ecuador\\\" and \\\"kuwait\\\"). For e.g., Kuwait is largely displaced from Iraq. \\n\",\n    \"- GloVe seems to cluster together \\\"energy\\\" and \\\"industry\\\" more closely than co-occurence embeddings. \\\"oil\\\" and \\\"petroleum\\\" also cluster together, which aligns well with our expectations. \\\"barrels\\\" and \\\"bpd\\\" are still far off even though they're expected to be a bit closer since barrels-per-day should be a function of the number of barrels.\\n\",\n    \"- These GloVe word vectors were trained upon a much larger corpus that covers many topics. Meanwhile, our co-occurrence word vectors were generated using a relatively smaller corpus of news articles on the topic of crude oil. As a result, the GloVe vectors contain semantic information outside the context of oil. This may explain why the countries are not clustered here.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Cosine Similarity\\n\",\n    \"Now that we have word vectors, we need a way to quantify the similarity between individual words, according to these vectors. One such metric is cosine-similarity. We will be using this to find words that are \\\"close\\\" and \\\"far\\\" from one another.\\n\",\n    \"\\n\",\n    \"We can think of n-dimensional vectors as points in n-dimensional space. If we take this perspective [L1](http://mathworld.wolfram.com/L1-Norm.html) and [L2](http://mathworld.wolfram.com/L2-Norm.html) Distances help quantify the amount of space \\\"we must travel\\\" to get between these two points. Another approach is to examine the angle between two vectors. From trigonometry we know that:\\n\",\n    \"\\n\",\n    \"<img src=\\\"imgs/inner_product.png\\\" width=20% style=\\\"float: center;\\\"></img>\\n\",\n    \"\\n\",\n    \"Instead of computing the actual angle, we can leave the similarity in terms of $similarity = cos(\\\\Theta)$. Formally the [Cosine Similarity](https://en.wikipedia.org/wiki/Cosine_similarity) $s$ between two vectors $p$ and $q$ is defined as:\\n\",\n    \"\\n\",\n    \"$$s = \\\\frac{p \\\\cdot q}{||p|| ||q||}, \\\\textrm{ where } s \\\\in [-1, 1] $$ \"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.2: Words with Multiple Meanings (1.5 points) [code + written] \\n\",\n    \"Polysemes and homonyms are words that have more than one meaning (see this [wiki page](https://en.wikipedia.org/wiki/Polysemy) to learn more about the difference between polysemes and homonyms ). Find a word with *at least two different meanings* such that the top-10 most similar words (according to cosine similarity) contain related words from *both* meanings. For example, \\\"leaves\\\" has both \\\"go_away\\\" and \\\"a_structure_of_a_plant\\\" meaning in the top 10, and \\\"scoop\\\" has both \\\"handed_waffle_cone\\\" and \\\"lowdown\\\". You will probably need to try several polysemous or homonymic words before you find one. \\n\",\n    \"\\n\",\n    \"Please state the word you discover and the multiple meanings that occur in the top 10. Why do you think many of the polysemous or homonymic words you tried didn't work (i.e. the top-10 most similar words only contain **one** of the meanings of the words)?\\n\",\n    \"\\n\",\n    \"**Note**: You should use the `wv_from_bin.most_similar(word)` function to get the top 10 similar words. This function ranks all other words in the vocabulary with respect to their cosine similarity to the given word. For further assistance, please check the __[GenSim documentation](https://radimrehurek.com/gensim/models/keyedvectors.html#gensim.models.keyedvectors.FastTextKeyedVectors.most_similar)__.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 19,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"data\": {\n      \"text/plain\": [\n       \"[('weapons', 0.7115006446838379),\\n\",\n       \" ('hand', 0.5853789448738098),\\n\",\n       \" ('hands', 0.582863986492157),\\n\",\n       \" ('weapon', 0.5786144733428955),\\n\",\n       \" ('embargo', 0.5249772667884827),\\n\",\n       \" ('arm', 0.5146462917327881),\\n\",\n       \" ('weaponry', 0.513433039188385),\\n\",\n       \" ('nuclear', 0.5115358829498291),\\n\",\n       \" ('disarmament', 0.5083263516426086),\\n\",\n       \" ('iraq', 0.49865245819091797)]\"\n      ]\n     },\n     \"execution_count\": 19,\n     \"metadata\": {},\n     \"output_type\": \"execute_result\"\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    wv_from_bin.most_similar(\\\"arms\\\")\\n\",\n    \"    #wv_from_bin.most_similar(\\\"mouse\\\")\\n\",\n    \"    #wv_from_bin.most_similar(\\\"mole\\\")\\n\",\n    \"    #wv_from_bin.most_similar(\\\"tear\\\")\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- Since both \\\"weapons\\\" and \\\"arms\\\" are among the top 10 meanings of the word \\\"arms\\\", this implies that the embedding has captured both meanings of \\\"arms\\\": weaponry and limb.\\n\",\n    \"- A reason why many polysemous words don't exhibit different meanings is that these GloVe vectors are built upon Wiki data in which more often than not words tend to take on the same meanings. Another reason could be that the top 10 similar words sometimes include different forms of the same word (arm) or its meanings (hand/hands).\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.3: Synonyms & Antonyms (2 points) [code + written] \\n\",\n    \"\\n\",\n    \"When considering Cosine Similarity, it's often more convenient to think of Cosine Distance, which is simply 1 - Cosine Similarity.\\n\",\n    \"\\n\",\n    \"Find three words $(w_1,w_2,w_3)$ where $w_1$ and $w_2$ are synonyms and $w_1$ and $w_3$ are antonyms, but Cosine Distance $(w_1,w_3) <$ Cosine Distance $(w_1,w_2)$. \\n\",\n    \"\\n\",\n    \"As an example, $w_1$=\\\"happy\\\" is closer to $w_3$=\\\"sad\\\" than to $w_2$=\\\"cheerful\\\". Please find a different example that satisfies the above. Once you have found your example, please give a possible explanation for why this counter-intuitive result may have happened.\\n\",\n    \"\\n\",\n    \"You should use the the `wv_from_bin.distance(w1, w2)` function here in order to compute the cosine distance between two words. Please see the __[GenSim documentation](https://radimrehurek.com/gensim/models/keyedvectors.html#gensim.models.keyedvectors.FastTextKeyedVectors.distance)__ for further assistance.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 20,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Synonyms love, affection have cosine distance: 0.42052197456359863\\n\",\n      \"Antonyms love, hate have cosine distance: 0.49353712797164917\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    w1 = \\\"love\\\" # synonym 1\\n\",\n    \"    w2 = \\\"affection\\\" # synonym 2\\n\",\n    \"    w3 = \\\"hate\\\" # antonym\\n\",\n    \"    w1_w2_dist = wv_from_bin.distance(w1, w2)\\n\",\n    \"    w1_w3_dist = wv_from_bin.distance(w1, w3)\\n\",\n    \"\\n\",\n    \"    print(\\\"Synonyms {}, {} have cosine distance: {}\\\".format(w1, w2, w1_w2_dist))\\n\",\n    \"    print(\\\"Antonyms {}, {} have cosine distance: {}\\\".format(w1, w3, w1_w3_dist))\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- The proximity of words to each other in a sequence, i.e., the context, carries more weight than their similarity in meaning/semantics in determining word embeddings.\\n\",\n    \"- Some words can be antonyms, but can still be used in the same context, so their distance is lower than a pair of synonyms. Conversely, even where two words are synonyms, they can be used in different contexts. As such, $w_1$ and $w_3$ might have appeared in more similar contexts than $w_1$ and $w_2$. This could lead to $w_1's$ and $w_3's$ vectors to be more similar to each other than $w_1's$ and $w_2's$.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.4: Analogies with Word Vectors [written] (1.5 points)\\n\",\n    \"Word vectors have been shown to *sometimes* exhibit the ability to solve analogies. \\n\",\n    \"\\n\",\n    \"As an example, for the analogy \\\"man : king :: woman : x\\\" (read: man is to king as woman is to x), what is x?\\n\",\n    \"\\n\",\n    \"In the cell below, we show you how to use word vectors to find x using the `most_similar` function from the __[GenSim documentation](https://radimrehurek.com/gensim/models/keyedvectors.html#gensim.models.keyedvectors.KeyedVectors.most_similar)__. The function finds words that are most similar to the words in the `positive` list and most dissimilar from the words in the `negative` list (while omitting the input words, which are often the most similar; see [this paper](https://www.aclweb.org/anthology/N18-2039.pdf)). The answer to the analogy will have the highest cosine similarity (largest returned numerical value).\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 21,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('queen', 0.6978679299354553),\\n\",\n      \" ('princess', 0.6081743836402893),\\n\",\n      \" ('monarch', 0.5889754891395569),\\n\",\n      \" ('throne', 0.5775110125541687),\\n\",\n      \" ('prince', 0.5750998258590698),\\n\",\n      \" ('elizabeth', 0.5463595986366272),\\n\",\n      \" ('daughter', 0.5399126410484314),\\n\",\n      \" ('kingdom', 0.5318052768707275),\\n\",\n      \" ('mother', 0.5168544054031372),\\n\",\n      \" ('crown', 0.5164472460746765)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# Run this cell to answer the analogy -- man : king :: woman : x\\n\",\n    \"pprint.pprint(wv_from_bin.most_similar(positive=['woman', 'king'], negative=['man']))\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"Let $m$, $k$, $w$, and $x$ denote the word vectors for `man`, `king`, `woman`, and the answer, respectively. Using **only** vectors $m$, $k$, $w$, and the vector arithmetic operators $+$ and $-$ in your answer, what is the expression in which we are maximizing cosine similarity with $x$?\\n\",\n    \"\\n\",\n    \"Hint: Recall that word vectors are simply multi-dimensional vectors that represent a word. It might help to draw out a 2D example using arbitrary locations of each vector. Where would `man` and `woman` lie in the coordinate plane relative to `king` and the answer?\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"The expression in which we are maximizing cosine similarity with $x$ is:\\n\",\n    \"$$|k - m| \\\\approx |x - w|$$\\n\",\n    \"\\n\",\n    \"Programmatically, we are trying to ensure that the distance (measured using cosine similarity) between $k - m$ is as similar as possible to $x - w$.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.5: Finding Analogies [code + written]  (1.5 points)\\n\",\n    \"Find an example of analogy that holds according to these vectors (i.e. the intended word is ranked top). In your solution please state the full analogy in the form x:y :: a:b. If you believe the analogy is complicated, explain why the analogy holds in one or two sentences.\\n\",\n    \"\\n\",\n    \"**Note**: You may have to try many analogies to find one that works!\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 22,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('actress', 0.8572621941566467),\\n\",\n      \" ('actresses', 0.6734701991081238),\\n\",\n      \" ('actors', 0.6297088861465454),\\n\",\n      \" ('starring', 0.6084522604942322),\\n\",\n      \" ('starred', 0.5989463925361633),\\n\",\n      \" ('screenwriter', 0.595988929271698),\\n\",\n      \" ('dancer', 0.5881683230400085),\\n\",\n      \" ('comedian', 0.5791141390800476),\\n\",\n      \" ('singer', 0.5661861300468445),\\n\",\n      \" ('married', 0.5574131011962891)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    pprint.pprint(wv_from_bin.most_similar(positive=['woman','actor'], negative=['man']))\\n\",\n    \"    #pprint.pprint(wv_from_bin.most_similar(positive=['paris', 'italy'], negative=['rome']))\\n\",\n    \"    \\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- Example 1:\\n\",\n    \"    - man:actor :: woman:actress\\n\",\n    \"- Example 2:\\n\",\n    \"    - rome:italy :: paris:france\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.6: Incorrect Analogy [code + written] (1.5 points)\\n\",\n    \"Find an example of analogy that does *not* hold according to these vectors. In your solution, state the intended analogy in the form x:y :: a:b, and state the (incorrect) value of b according to the word vectors.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 26,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('45,000-square', 0.4922032356262207),\\n\",\n      \" ('15,000-square', 0.4649604260921478),\\n\",\n      \" ('10,000-square', 0.45447564125061035),\\n\",\n      \" ('6,000-square', 0.44975778460502625),\\n\",\n      \" ('3,500-square', 0.4441334307193756),\\n\",\n      \" ('700-square', 0.44257500767707825),\\n\",\n      \" ('50,000-square', 0.4356396794319153),\\n\",\n      \" ('3,000-square', 0.43486514687538147),\\n\",\n      \" ('30,000-square', 0.4330596923828125),\\n\",\n      \" ('footed', 0.43236875534057617)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    pprint.pprint(wv_from_bin.most_similar(positive=[\\\"foot\\\", \\\"glove\\\"], negative=[\\\"hand\\\"]))\\n\",\n    \"    #pprint.pprint(wv_from_bin.most_similar(positive=[\\\"england\\\", \\\"india\\\"], negative=[\\\"english\\\"]))\\n\",\n    \"    #pprint.pprint(wv_from_bin.most_similar(positive=[\\\"america\\\", \\\"peacock\\\"], negative=[\\\"india\\\"]))\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- Example 1:\\n\",\n    \"    - Actual: hand:glove :: foot:sock\\n\",\n    \"    - Expected: hand:glove :: foot:sock\\n\",\n    \"    - Explanation: Intended analogy is \\\"hand : glove :: foot : sock\\\" but all the returned words are related to foot (as a measurement), body parts, or other things.\\n\",\n    \"- Example 2:\\n\",\n    \"    - Actual: england:english :: india:pakistan\\n\",\n    \"    - Expected: england:english :: india:hindi\\n\",\n    \"- Example 3:\\n\",\n    \"    - Actual: india:peacock :: america:nbc\\n\",\n    \"    - Expected: india:peacock :: america:eagle \"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.7: Guided Analysis of Bias in Word Vectors [written] (1 point)\\n\",\n    \"\\n\",\n    \"It's important to be cognizant of the biases (gender, race, sexual orientation etc.) implicit in our word embeddings. Bias can be dangerous because it can reinforce stereotypes through applications that employ these models.\\n\",\n    \"\\n\",\n    \"Run the cell below, to examine (a) which terms are most similar to \\\"woman\\\" and \\\"worker\\\" and most dissimilar to \\\"man\\\", and (b) which terms are most similar to \\\"man\\\" and \\\"worker\\\" and most dissimilar to \\\"woman\\\". Point out the difference between the list of female-associated words and the list of male-associated words, and explain how it is reflecting gender bias.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 24,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('employee', 0.6375863552093506),\\n\",\n      \" ('workers', 0.6068919897079468),\\n\",\n      \" ('nurse', 0.5837946534156799),\\n\",\n      \" ('pregnant', 0.536388635635376),\\n\",\n      \" ('mother', 0.5321309566497803),\\n\",\n      \" ('employer', 0.5127025842666626),\\n\",\n      \" ('teacher', 0.5099576711654663),\\n\",\n      \" ('child', 0.5096741914749146),\\n\",\n      \" ('homemaker', 0.5019454956054688),\\n\",\n      \" ('nurses', 0.4970572292804718)]\\n\",\n      \"\\n\",\n      \"[('workers', 0.611325740814209),\\n\",\n      \" ('employee', 0.5983108282089233),\\n\",\n      \" ('working', 0.5615329146385193),\\n\",\n      \" ('laborer', 0.5442320108413696),\\n\",\n      \" ('unemployed', 0.5368516445159912),\\n\",\n      \" ('job', 0.5278826951980591),\\n\",\n      \" ('work', 0.5223962664604187),\\n\",\n      \" ('mechanic', 0.5088937282562256),\\n\",\n      \" ('worked', 0.5054520964622498),\\n\",\n      \" ('factory', 0.4940453767776489)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# Run this cell\\n\",\n    \"# Here `positive` indicates the list of words to be similar to and `negative` indicates the list of words to be\\n\",\n    \"# most dissimilar from.\\n\",\n    \"pprint.pprint(wv_from_bin.most_similar(positive=['woman', 'worker'], negative=['man']))\\n\",\n    \"print()\\n\",\n    \"pprint.pprint(wv_from_bin.most_similar(positive=['man', 'worker'], negative=['woman']))\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"There seems to be some bias in the vectors generated around occupations with respect to gender.\\n\",\n    \"\\n\",\n    \"- Nurse, teacher, homemaker are among the top 10 terms most similar to \\\"woman\\\" and \\\"worker\\\" but most disimilar to \\\"man\\\".\\n\",\n    \"- Laborer, mechanic and factory are examples of terms most similar to \\\"man\\\" and \\\"worker\\\" but most disimilar to \\\"woman\\\".\\n\",\n    \"\\n\",\n    \"The vectors thus seem to have learnt some discrepency in employment roles among genders. However, some gender-neutral words like employee, workers do show up in both cases.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.8: Independent Analysis of Bias in Word Vectors [code + written]  (1 point)\\n\",\n    \"\\n\",\n    \"Use the `most_similar` function to find another case where some bias is exhibited by the vectors. Please briefly explain the example of bias that you discover.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 25,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('professions', 0.5957457423210144),\\n\",\n      \" ('practitioner', 0.49884119629859924),\\n\",\n      \" ('teaching', 0.48292142152786255),\\n\",\n      \" ('nursing', 0.4821180999279022),\\n\",\n      \" ('vocation', 0.4788965880870819),\\n\",\n      \" ('teacher', 0.47160348296165466),\\n\",\n      \" ('practicing', 0.4693780839443207),\\n\",\n      \" ('educator', 0.46524325013160706),\\n\",\n      \" ('physicians', 0.4628995358943939),\\n\",\n      \" ('professionals', 0.4601393938064575)]\\n\",\n      \"\\n\",\n      \"[('reputation', 0.5250176191329956),\\n\",\n      \" ('professions', 0.5178037881851196),\\n\",\n      \" ('skill', 0.49046963453292847),\\n\",\n      \" ('skills', 0.49005505442619324),\\n\",\n      \" ('ethic', 0.4897659420967102),\\n\",\n      \" ('business', 0.4875851273536682),\\n\",\n      \" ('respected', 0.4859202802181244),\\n\",\n      \" ('practice', 0.4821045994758606),\\n\",\n      \" ('regarded', 0.47785723209381104),\\n\",\n      \" ('life', 0.4760662317276001)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    pprint.pprint(wv_from_bin.most_similar(positive=['woman', 'profession'], negative=['man']))\\n\",\n    \"    print()\\n\",\n    \"    pprint.pprint(wv_from_bin.most_similar(positive=['man', 'profession'], negative=['woman']))\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- The professions that are most similar to \\\"man\\\" but most dissimilar to \\\"woman\\\" draws up a range of careers such as physicians, educator/teacher etc. and also features keywords such as practitioner and professionals.\\n\",\n    \"- On the flipside, the embeddings that are most similar to \\\"woman\\\" and profession but most dissimilar to \\\"man\\\" are reputation, skills, ethic, business, etc. \\n\",\n    \"- This example thus exhibits a clear bias in gender-specific career choices, since careers like physicians, educator/teacher have more similarity to \\\"man\\\" than \\\"woman\\\".\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.9: Thinking About Bias [written] (2 points)\\n\",\n    \"\\n\",\n    \"Give one explanation of how bias gets into the word vectors. What is an experiment that you could do to test for or to measure this source of bias?\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- \\\"Your model is only as good as the data it is trained on\\\" a.k.a. \\\"garbage in/garbage out\\\". \\n\",\n    \"- Since your model solely relies on the input data to generate its embeddings, biases inherent to society can be implicitly propagated through the data the model is trained on. This raises concerns because their widespread use often tends to amplify these biases. \\n\",\n    \"- Often news articles exhibit bias related to race, religion, gender, sexual orientation, etc. Since the training objective is to maximize the probability of prediciting the next word correctly, if the context windows within the data have implicit biases, they will likely be captured by the model. For instance, while the association between the words \\\"female\\\" and \\\"queen\\\" is desired, the association between between the words \\\"female\\\" and \\\"receptionist\\\" indicates a unhealthy gender stereotype that needs to be neutralized, i.e. not be gender-related.\\n\",\n    \"- To test or measure the source of bias, you can compute a vector $g = e_{woman}-e_{man}$, where $e_{woman}$ represents the word vector corresponding to the word \\\"woman\\\", and $e_{man}$ corresponds to the word vector corresponding to the word \\\"man\\\". The resulting vector $g$ thus roughly encodes the concept of \\\"gender\\\". Now, by comparing the distance between $g$ and a list of say, professions, we can uncover unhealthy gender stereotypes.\\n\",\n    \"- Further, using an equalization algorithm proposed by [Boliukbasi et al. (2016)](https://arxiv.org/abs/1607.06520), we can debias word vectors to some extent by modifying them to reduce gender stereotypes (but not eliminate it altogether).\"\n   ]\n  }\n ],\n \"metadata\": {\n  \"anaconda-cloud\": {},\n  \"kernelspec\": {\n   \"display_name\": \"cs224n\",\n   \"language\": \"python\",\n   \"name\": \"cs224n\"\n  },\n  \"language_info\": {\n   \"codemirror_mode\": {\n    \"name\": \"ipython\",\n    \"version\": 3\n   },\n   \"file_extension\": \".py\",\n   \"mimetype\": \"text/x-python\",\n   \"name\": \"python\",\n   \"nbconvert_exporter\": \"python\",\n   \"pygments_lexer\": \"ipython3\",\n   \"version\": \"3.7.9\"\n  }\n },\n \"nbformat\": 4,\n \"nbformat_minor\": 2\n}\n"
  },
  {
    "path": "a1/Gensim word vector visualization.ipynb",
    "content": "{\n \"cells\": [\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"# Gensim word vector visualization of various word vectors\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"import numpy as np\\n\",\n    \"\\n\",\n    \"# Get the interactive Tools for Matplotlib\\n\",\n    \"%matplotlib notebook\\n\",\n    \"import matplotlib.pyplot as plt\\n\",\n    \"plt.style.use('ggplot')\\n\",\n    \"\\n\",\n    \"from sklearn.decomposition import PCA\\n\",\n    \"\\n\",\n    \"from gensim.test.utils import datapath, get_tmpfile\\n\",\n    \"from gensim.models import KeyedVectors\\n\",\n    \"from gensim.scripts.glove2word2vec import glove2word2vec\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"For looking at word vectors, I'll use Gensim. We also use it in hw1 for word vectors. Gensim isn't really a deep learning package. It's a package for for word and text similarity modeling, which started with (LDA-style) topic models and grew into SVD and neural word representations. But its efficient and scalable, and quite widely used.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"Our homegrown Stanford offering is GloVe word vectors. Gensim doesn't give them first class support, but allows you to convert a file of GloVe vectors into word2vec format. You can download the GloVe vectors from [the Glove page](https://nlp.stanford.edu/projects/glove/). They're inside [this zip file](https://nlp.stanford.edu/data/glove.6B.zip)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"(I use the 100d vectors below as a mix between speed and smallness vs. quality. If you try out the 50d vectors, they basically work for similarity but clearly aren't as good for analogy problems. If you load the 300d vectors, they're even better than the 100d vectors.)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"glove_file = datapath('/Users/manning/Corpora/GloVe/glove.6B.100d.txt')\\n\",\n    \"word2vec_glove_file = get_tmpfile(\\\"glove.6B.100d.word2vec.txt\\\")\\n\",\n    \"glove2word2vec(glove_file, word2vec_glove_file)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"model = KeyedVectors.load_word2vec_format(word2vec_glove_file)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"model.most_similar('obama')\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"model.most_similar('banana')\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"model.most_similar(negative='banana')\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"result = model.most_similar(positive=['woman', 'king'], negative=['man'])\\n\",\n    \"print(\\\"{}: {:.4f}\\\".format(*result[0]))\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def analogy(x1, x2, y1):\\n\",\n    \"    result = model.most_similar(positive=[y1, x2], negative=[x1])\\n\",\n    \"    return result[0][0]\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"![Analogy](imgs/word2vec-king-queen-composition.png)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"analogy('japan', 'japanese', 'australia')\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"analogy('australia', 'beer', 'france')\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"analogy('obama', 'clinton', 'reagan')\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"analogy('tall', 'tallest', 'long')\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"analogy('good', 'fantastic', 'bad')\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"print(model.doesnt_match(\\\"breakfast cereal dinner lunch\\\".split()))\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": []\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def display_pca_scatterplot(model, words=None, sample=0):\\n\",\n    \"    if words == None:\\n\",\n    \"        if sample > 0:\\n\",\n    \"            words = np.random.choice(list(model.vocab.keys()), sample)\\n\",\n    \"        else:\\n\",\n    \"            words = [ word for word in model.vocab ]\\n\",\n    \"        \\n\",\n    \"    word_vectors = np.array([model[w] for w in words])\\n\",\n    \"\\n\",\n    \"    twodim = PCA().fit_transform(word_vectors)[:,:2]\\n\",\n    \"    \\n\",\n    \"    plt.figure(figsize=(6,6))\\n\",\n    \"    plt.scatter(twodim[:,0], twodim[:,1], edgecolors='k', c='r')\\n\",\n    \"    for word, (x,y) in zip(words, twodim):\\n\",\n    \"        plt.text(x+0.05, y+0.05, word)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": []\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"display_pca_scatterplot(model, \\n\",\n    \"                        ['coffee', 'tea', 'beer', 'wine', 'brandy', 'rum', 'champagne', 'water',\\n\",\n    \"                         'spaghetti', 'borscht', 'hamburger', 'pizza', 'falafel', 'sushi', 'meatballs',\\n\",\n    \"                         'dog', 'horse', 'cat', 'monkey', 'parrot', 'koala', 'lizard',\\n\",\n    \"                         'frog', 'toad', 'monkey', 'ape', 'kangaroo', 'wombat', 'wolf',\\n\",\n    \"                         'france', 'germany', 'hungary', 'luxembourg', 'australia', 'fiji', 'china',\\n\",\n    \"                         'homework', 'assignment', 'problem', 'exam', 'test', 'class',\\n\",\n    \"                         'school', 'college', 'university', 'institute'])\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"display_pca_scatterplot(model, sample=300)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": []\n  }\n ],\n \"metadata\": {\n  \"kernelspec\": {\n   \"display_name\": \"Python 3\",\n   \"language\": \"python\",\n   \"name\": \"python3\"\n  },\n  \"language_info\": {\n   \"codemirror_mode\": {\n    \"name\": \"ipython\",\n    \"version\": 3\n   },\n   \"file_extension\": \".py\",\n   \"mimetype\": \"text/x-python\",\n   \"name\": \"python\",\n   \"nbconvert_exporter\": \"python\",\n   \"pygments_lexer\": \"ipython3\",\n   \"version\": \"3.7.1\"\n  }\n },\n \"nbformat\": 4,\n \"nbformat_minor\": 2\n}\n"
  },
  {
    "path": "a1/README.txt",
    "content": "Welcome to CS224N!\n\nWe'll be using Python throughout the course. If you've got a good Python setup already, great! But make sure that it is at least Python version 3.5. If not, the easiest thing to do is to make sure you have at least 3GB free on your computer and then to head over to (https://www.anaconda.com/download/) and install the Python 3 version of Anaconda. It will work on any operating system.\n\nAfter you have installed conda, close any open terminals you might have. Then open a new terminal and run the following command:\n\n# 1. Create an environment with dependencies specified in env.yml:\n    \n    conda env create -f env.yml\n\n# 2. Activate the new environment:\n    \n    conda activate cs224n\n    \n# 3. Inside the new environment, instatll IPython kernel so we can use this environment in jupyter notebook: \n    \n    python -m ipykernel install --user --name cs224n\n\n\n# 4. Homework 1 (only) is a Jupyter Notebook. With the above done you should be able to get underway by typing:\n\n    jupyter notebook exploring_word_vectors.ipynb\n    \n# 5. To make sure we are using the right environment, go to the toolbar of exploring_word_vectors.ipynb, click on Kernel -> Change kernel, you should see and select cs224n in the drop-down menu.\n\n# To deactivate an active environment, use\n    \n    conda deactivate\n"
  },
  {
    "path": "a1/env.yml",
    "content": "name: cs224n\nchannels:\n  - defaults\n  - anaconda\ndependencies:\n  - jupyter\n  - matplotlib\n  - numpy\n  - python=3.7\n  - ipykernel\n  - scikit-learn\n  - nltk\n  - gensim\n \n"
  },
  {
    "path": "a1/exploring_word_vectors.ipynb",
    "content": "{\n \"cells\": [\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"# CS224N Assignment 1: Exploring Word Vectors (25 Points)\\n\",\n    \"### <font color='blue'> Due 4:30pm, Tue Jan 19 </font>\\n\",\n    \"\\n\",\n    \"Welcome to CS224N! \\n\",\n    \"\\n\",\n    \"Before you start, make sure you read the README.txt in the same directory as this notebook for important setup information. A lot of code is provided in this notebook, and we highly encourage you to read and understand it as part of the learning :)\\n\",\n    \"\\n\",\n    \"If you aren't super familiar with Python, Numpy, or Matplotlib, we recommend you check out the review session on Friday. The session will be recorded and the material will be made available on our [website](http://web.stanford.edu/class/cs224n/index.html#schedule). The CS231N Python/Numpy [tutorial](https://cs231n.github.io/python-numpy-tutorial/) is also a great resource.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"**Assignment Notes:** Please make sure to save the notebook as you go along. Submission Instructions are located at the bottom of the notebook.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# All Import Statements Defined Here\\n\",\n    \"# Note: Do not add to this list.\\n\",\n    \"# ----------------\\n\",\n    \"\\n\",\n    \"import sys\\n\",\n    \"assert sys.version_info[0]==3\\n\",\n    \"assert sys.version_info[1] >= 5\\n\",\n    \"\\n\",\n    \"from gensim.models import KeyedVectors\\n\",\n    \"from gensim.test.utils import datapath\\n\",\n    \"import pprint\\n\",\n    \"import matplotlib.pyplot as plt\\n\",\n    \"plt.rcParams['figure.figsize'] = [10, 5]\\n\",\n    \"import nltk\\n\",\n    \"nltk.download('reuters')\\n\",\n    \"from nltk.corpus import reuters\\n\",\n    \"import numpy as np\\n\",\n    \"import random\\n\",\n    \"import scipy as sp\\n\",\n    \"from sklearn.decomposition import TruncatedSVD\\n\",\n    \"from sklearn.decomposition import PCA\\n\",\n    \"\\n\",\n    \"START_TOKEN = '<START>'\\n\",\n    \"END_TOKEN = '<END>'\\n\",\n    \"\\n\",\n    \"np.random.seed(0)\\n\",\n    \"random.seed(0)\\n\",\n    \"# ----------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Word Vectors\\n\",\n    \"\\n\",\n    \"Word Vectors are often used as a fundamental component for downstream NLP tasks, e.g. question answering, text generation, translation, etc., so it is important to build some intuitions as to their strengths and weaknesses. Here, you will explore two types of word vectors: those derived from *co-occurrence matrices*, and those derived via *GloVe*. \\n\",\n    \"\\n\",\n    \"**Note on Terminology:** The terms \\\"word vectors\\\" and \\\"word embeddings\\\" are often used interchangeably. The term \\\"embedding\\\" refers to the fact that we are encoding aspects of a word's meaning in a lower dimensional space. As [Wikipedia](https://en.wikipedia.org/wiki/Word_embedding) states, \\\"*conceptually it involves a mathematical embedding from a space with one dimension per word to a continuous vector space with a much lower dimension*\\\".\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Part 1: Count-Based Word Vectors (10 points)\\n\",\n    \"\\n\",\n    \"Most word vector models start from the following idea:\\n\",\n    \"\\n\",\n    \"*You shall know a word by the company it keeps ([Firth, J. R. 1957:11](https://en.wikipedia.org/wiki/John_Rupert_Firth))*\\n\",\n    \"\\n\",\n    \"Many word vector implementations are driven by the idea that similar words, i.e., (near) synonyms, will be used in similar contexts. As a result, similar words will often be spoken or written along with a shared subset of words, i.e., contexts. By examining these contexts, we can try to develop embeddings for our words. With this intuition in mind, many \\\"old school\\\" approaches to constructing word vectors relied on word counts. Here we elaborate upon one of those strategies, *co-occurrence matrices* (for more information, see [here](http://web.stanford.edu/class/cs124/lec/vectorsemantics.video.pdf) or [here](https://medium.com/data-science-group-iitr/word-embedding-2d05d270b285)).\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Co-Occurrence\\n\",\n    \"\\n\",\n    \"A co-occurrence matrix counts how often things co-occur in some environment. Given some word $w_i$ occurring in the document, we consider the *context window* surrounding $w_i$. Supposing our fixed window size is $n$, then this is the $n$ preceding and $n$ subsequent words in that document, i.e. words $w_{i-n} \\\\dots w_{i-1}$ and $w_{i+1} \\\\dots w_{i+n}$. We build a *co-occurrence matrix* $M$, which is a symmetric word-by-word matrix in which $M_{ij}$ is the number of times $w_j$ appears inside $w_i$'s window among all documents.\\n\",\n    \"\\n\",\n    \"**Example: Co-Occurrence with Fixed Window of n=1**:\\n\",\n    \"\\n\",\n    \"Document 1: \\\"all that glitters is not gold\\\"\\n\",\n    \"\\n\",\n    \"Document 2: \\\"all is well that ends well\\\"\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"|     *    | `<START>` | all | that | glitters | is   | not  | gold  | well | ends | `<END>` |\\n\",\n    \"|----------|-------|-----|------|----------|------|------|-------|------|------|-----|\\n\",\n    \"| `<START>`    | 0     | 2   | 0    | 0        | 0    | 0    | 0     | 0    | 0    | 0   |\\n\",\n    \"| all      | 2     | 0   | 1    | 0        | 1    | 0    | 0     | 0    | 0    | 0   |\\n\",\n    \"| that     | 0     | 1   | 0    | 1        | 0    | 0    | 0     | 1    | 1    | 0   |\\n\",\n    \"| glitters | 0     | 0   | 1    | 0        | 1    | 0    | 0     | 0    | 0    | 0   |\\n\",\n    \"| is       | 0     | 1   | 0    | 1        | 0    | 1    | 0     | 1    | 0    | 0   |\\n\",\n    \"| not      | 0     | 0   | 0    | 0        | 1    | 0    | 1     | 0    | 0    | 0   |\\n\",\n    \"| gold     | 0     | 0   | 0    | 0        | 0    | 1    | 0     | 0    | 0    | 1   |\\n\",\n    \"| well     | 0     | 0   | 1    | 0        | 1    | 0    | 0     | 0    | 1    | 1   |\\n\",\n    \"| ends     | 0     | 0   | 1    | 0        | 0    | 0    | 0     | 1    | 0    | 0   |\\n\",\n    \"| `<END>`      | 0     | 0   | 0    | 0        | 0    | 0    | 1     | 1    | 0    | 0   |\\n\",\n    \"\\n\",\n    \"**Note:** In NLP, we often add `<START>` and `<END>` tokens to represent the beginning and end of sentences, paragraphs or documents. In thise case we imagine `<START>` and `<END>` tokens encapsulating each document, e.g., \\\"`<START>` All that glitters is not gold `<END>`\\\", and include these tokens in our co-occurrence counts.\\n\",\n    \"\\n\",\n    \"The rows (or columns) of this matrix provide one type of word vectors (those based on word-word co-occurrence), but the vectors will be large in general (linear in the number of distinct words in a corpus). Thus, our next step is to run *dimensionality reduction*. In particular, we will run *SVD (Singular Value Decomposition)*, which is a kind of generalized *PCA (Principal Components Analysis)* to select the top $k$ principal components. Here's a visualization of dimensionality reduction with SVD. In this picture our co-occurrence matrix is $A$ with $n$ rows corresponding to $n$ words. We obtain a full matrix decomposition, with the singular values ordered in the diagonal $S$ matrix, and our new, shorter length-$k$ word vectors in $U_k$.\\n\",\n    \"\\n\",\n    \"![Picture of an SVD](./imgs/svd.png \\\"SVD\\\")\\n\",\n    \"\\n\",\n    \"This reduced-dimensionality co-occurrence representation preserves semantic relationships between words, e.g. *doctor* and *hospital* will be closer than *doctor* and *dog*. \\n\",\n    \"\\n\",\n    \"**Notes:** If you can barely remember what an eigenvalue is, here's [a slow, friendly introduction to SVD](https://davetang.org/file/Singular_Value_Decomposition_Tutorial.pdf). If you want to learn more thoroughly about PCA or SVD, feel free to check out lectures [7](https://web.stanford.edu/class/cs168/l/l7.pdf), [8](http://theory.stanford.edu/~tim/s15/l/l8.pdf), and [9](https://web.stanford.edu/class/cs168/l/l9.pdf) of CS168. These course notes provide a great high-level treatment of these general purpose algorithms. Though, for the purpose of this class, you only need to know how to extract the k-dimensional embeddings by utilizing pre-programmed implementations of these algorithms from the numpy, scipy, or sklearn python packages. In practice, it is challenging to apply full SVD to large corpora because of the memory needed to perform PCA or SVD. However, if you only want the top $k$ vector components for relatively small $k$ — known as [Truncated SVD](https://en.wikipedia.org/wiki/Singular_value_decomposition#Truncated_SVD) — then there are reasonably scalable techniques to compute those iteratively.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Plotting Co-Occurrence Word Embeddings\\n\",\n    \"\\n\",\n    \"Here, we will be using the Reuters (business and financial news) corpus. If you haven't run the import cell at the top of this page, please run it now (click it and press SHIFT-RETURN). The corpus consists of 10,788 news documents totaling 1.3 million words. These documents span 90 categories and are split into train and test. For more details, please see https://www.nltk.org/book/ch02.html. We provide a `read_corpus` function below that pulls out only articles from the \\\"crude\\\" (i.e. news articles about oil, gas, etc.) category. The function also adds `<START>` and `<END>` tokens to each of the documents, and lowercases words. You do **not** have to perform any other kind of pre-processing.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def read_corpus(category=\\\"crude\\\"):\\n\",\n    \"    \\\"\\\"\\\" Read files from the specified Reuter's category.\\n\",\n    \"        Params:\\n\",\n    \"            category (string): category name\\n\",\n    \"        Return:\\n\",\n    \"            list of lists, with words from each of the processed files\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    files = reuters.fileids(category)\\n\",\n    \"    return [[START_TOKEN] + [w.lower() for w in list(reuters.words(f))] + [END_TOKEN] for f in files]\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"Let's have a look what these documents are like….\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {\n    \"scrolled\": false\n   },\n   \"outputs\": [],\n   \"source\": [\n    \"reuters_corpus = read_corpus()\\n\",\n    \"pprint.pprint(reuters_corpus[:3], compact=True, width=100)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.1: Implement `distinct_words` [code] (2 points)\\n\",\n    \"\\n\",\n    \"Write a method to work out the distinct words (word types) that occur in the corpus. You can do this with `for` loops, but it's more efficient to do it with Python list comprehensions. In particular, [this](https://coderwall.com/p/rcmaea/flatten-a-list-of-lists-in-one-line-in-python) may be useful to flatten a list of lists. If you're not familiar with Python list comprehensions in general, here's [more information](https://python-3-patterns-idioms-test.readthedocs.io/en/latest/Comprehensions.html).\\n\",\n    \"\\n\",\n    \"Your returned `corpus_words` should be sorted. You can use python's `sorted` function for this.\\n\",\n    \"\\n\",\n    \"You may find it useful to use [Python sets](https://www.w3schools.com/python/python_sets.asp) to remove duplicate words.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def distinct_words(corpus):\\n\",\n    \"    \\\"\\\"\\\" Determine a list of distinct words for the corpus.\\n\",\n    \"        Params:\\n\",\n    \"            corpus (list of list of strings): corpus of documents\\n\",\n    \"        Return:\\n\",\n    \"            corpus_words (list of strings): sorted list of distinct words across the corpus\\n\",\n    \"            num_corpus_words (integer): number of distinct words across the corpus\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    corpus_words = []\\n\",\n    \"    num_corpus_words = -1\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"    # ------------------\\n\",\n    \"\\n\",\n    \"    return corpus_words, num_corpus_words\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this not an exhaustive check for correctness.\\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"# Define toy corpus\\n\",\n    \"test_corpus = [\\\"{} All that glitters isn't gold {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\"), \\\"{} All's well that ends well {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\")]\\n\",\n    \"test_corpus_words, num_corpus_words = distinct_words(test_corpus)\\n\",\n    \"\\n\",\n    \"# Correct answers\\n\",\n    \"ans_test_corpus_words = sorted([START_TOKEN, \\\"All\\\", \\\"ends\\\", \\\"that\\\", \\\"gold\\\", \\\"All's\\\", \\\"glitters\\\", \\\"isn't\\\", \\\"well\\\", END_TOKEN])\\n\",\n    \"ans_num_corpus_words = len(ans_test_corpus_words)\\n\",\n    \"\\n\",\n    \"# Test correct number of words\\n\",\n    \"assert(num_corpus_words == ans_num_corpus_words), \\\"Incorrect number of distinct words. Correct: {}. Yours: {}\\\".format(ans_num_corpus_words, num_corpus_words)\\n\",\n    \"\\n\",\n    \"# Test correct words\\n\",\n    \"assert (test_corpus_words == ans_test_corpus_words), \\\"Incorrect corpus_words.\\\\nCorrect: {}\\\\nYours:   {}\\\".format(str(ans_test_corpus_words), str(test_corpus_words))\\n\",\n    \"\\n\",\n    \"# Print Success\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print(\\\"Passed All Tests!\\\")\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.2: Implement `compute_co_occurrence_matrix` [code] (3 points)\\n\",\n    \"\\n\",\n    \"Write a method that constructs a co-occurrence matrix for a certain window-size $n$ (with a default of 4), considering words $n$ before and $n$ after the word in the center of the window. Here, we start to use `numpy (np)` to represent vectors, matrices, and tensors. If you're not familiar with NumPy, there's a NumPy tutorial in the second half of this cs231n [Python NumPy tutorial](http://cs231n.github.io/python-numpy-tutorial/).\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def compute_co_occurrence_matrix(corpus, window_size=4):\\n\",\n    \"    \\\"\\\"\\\" Compute co-occurrence matrix for the given corpus and window_size (default of 4).\\n\",\n    \"    \\n\",\n    \"        Note: Each word in a document should be at the center of a window. Words near edges will have a smaller\\n\",\n    \"              number of co-occurring words.\\n\",\n    \"              \\n\",\n    \"              For example, if we take the document \\\"<START> All that glitters is not gold <END>\\\" with window size of 4,\\n\",\n    \"              \\\"All\\\" will co-occur with \\\"<START>\\\", \\\"that\\\", \\\"glitters\\\", \\\"is\\\", and \\\"not\\\".\\n\",\n    \"    \\n\",\n    \"        Params:\\n\",\n    \"            corpus (list of list of strings): corpus of documents\\n\",\n    \"            window_size (int): size of context window\\n\",\n    \"        Return:\\n\",\n    \"            M (a symmetric numpy matrix of shape (number of unique words in the corpus , number of unique words in the corpus)): \\n\",\n    \"                Co-occurence matrix of word counts. \\n\",\n    \"                The ordering of the words in the rows/columns should be the same as the ordering of the words given by the distinct_words function.\\n\",\n    \"            word2ind (dict): dictionary that maps word to index (i.e. row/column number) for matrix M.\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    words, num_words = distinct_words(corpus)\\n\",\n    \"    M = None\\n\",\n    \"    word2ind = {}\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"    # ------------------\\n\",\n    \"\\n\",\n    \"    return M, word2ind\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this is not an exhaustive check for correctness.\\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"# Define toy corpus and get student's co-occurrence matrix\\n\",\n    \"test_corpus = [\\\"{} All that glitters isn't gold {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\"), \\\"{} All's well that ends well {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\")]\\n\",\n    \"M_test, word2ind_test = compute_co_occurrence_matrix(test_corpus, window_size=1)\\n\",\n    \"\\n\",\n    \"# Correct M and word2ind\\n\",\n    \"M_test_ans = np.array( \\n\",\n    \"    [[0., 0., 0., 0., 0., 0., 1., 0., 0., 1.,],\\n\",\n    \"     [0., 0., 1., 1., 0., 0., 0., 0., 0., 0.,],\\n\",\n    \"     [0., 1., 0., 0., 0., 0., 0., 0., 1., 0.,],\\n\",\n    \"     [0., 1., 0., 0., 0., 0., 0., 0., 0., 1.,],\\n\",\n    \"     [0., 0., 0., 0., 0., 0., 0., 0., 1., 1.,],\\n\",\n    \"     [0., 0., 0., 0., 0., 0., 0., 1., 1., 0.,],\\n\",\n    \"     [1., 0., 0., 0., 0., 0., 0., 1., 0., 0.,],\\n\",\n    \"     [0., 0., 0., 0., 0., 1., 1., 0., 0., 0.,],\\n\",\n    \"     [0., 0., 1., 0., 1., 1., 0., 0., 0., 1.,],\\n\",\n    \"     [1., 0., 0., 1., 1., 0., 0., 0., 1., 0.,]]\\n\",\n    \")\\n\",\n    \"ans_test_corpus_words = sorted([START_TOKEN, \\\"All\\\", \\\"ends\\\", \\\"that\\\", \\\"gold\\\", \\\"All's\\\", \\\"glitters\\\", \\\"isn't\\\", \\\"well\\\", END_TOKEN])\\n\",\n    \"word2ind_ans = dict(zip(ans_test_corpus_words, range(len(ans_test_corpus_words))))\\n\",\n    \"\\n\",\n    \"# Test correct word2ind\\n\",\n    \"assert (word2ind_ans == word2ind_test), \\\"Your word2ind is incorrect:\\\\nCorrect: {}\\\\nYours: {}\\\".format(word2ind_ans, word2ind_test)\\n\",\n    \"\\n\",\n    \"# Test correct M shape\\n\",\n    \"assert (M_test.shape == M_test_ans.shape), \\\"M matrix has incorrect shape.\\\\nCorrect: {}\\\\nYours: {}\\\".format(M_test.shape, M_test_ans.shape)\\n\",\n    \"\\n\",\n    \"# Test correct M values\\n\",\n    \"for w1 in word2ind_ans.keys():\\n\",\n    \"    idx1 = word2ind_ans[w1]\\n\",\n    \"    for w2 in word2ind_ans.keys():\\n\",\n    \"        idx2 = word2ind_ans[w2]\\n\",\n    \"        student = M_test[idx1, idx2]\\n\",\n    \"        correct = M_test_ans[idx1, idx2]\\n\",\n    \"        if student != correct:\\n\",\n    \"            print(\\\"Correct M:\\\")\\n\",\n    \"            print(M_test_ans)\\n\",\n    \"            print(\\\"Your M: \\\")\\n\",\n    \"            print(M_test)\\n\",\n    \"            raise AssertionError(\\\"Incorrect count at index ({}, {})=({}, {}) in matrix M. Yours has {} but should have {}.\\\".format(idx1, idx2, w1, w2, student, correct))\\n\",\n    \"\\n\",\n    \"# Print Success\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print(\\\"Passed All Tests!\\\")\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.3: Implement `reduce_to_k_dim` [code] (1 point)\\n\",\n    \"\\n\",\n    \"Construct a method that performs dimensionality reduction on the matrix to produce k-dimensional embeddings. Use SVD to take the top k components and produce a new matrix of k-dimensional embeddings. \\n\",\n    \"\\n\",\n    \"**Note:** All of numpy, scipy, and scikit-learn (`sklearn`) provide *some* implementation of SVD, but only scipy and sklearn provide an implementation of Truncated SVD, and only sklearn provides an efficient randomized algorithm for calculating large-scale Truncated SVD. So please use [sklearn.decomposition.TruncatedSVD](https://scikit-learn.org/stable/modules/generated/sklearn.decomposition.TruncatedSVD.html).\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def reduce_to_k_dim(M, k=2):\\n\",\n    \"    \\\"\\\"\\\" Reduce a co-occurence count matrix of dimensionality (num_corpus_words, num_corpus_words)\\n\",\n    \"        to a matrix of dimensionality (num_corpus_words, k) using the following SVD function from Scikit-Learn:\\n\",\n    \"            - http://scikit-learn.org/stable/modules/generated/sklearn.decomposition.TruncatedSVD.html\\n\",\n    \"    \\n\",\n    \"        Params:\\n\",\n    \"            M (numpy matrix of shape (number of unique words in the corpus , number of unique words in the corpus)): co-occurence matrix of word counts\\n\",\n    \"            k (int): embedding size of each word after dimension reduction\\n\",\n    \"        Return:\\n\",\n    \"            M_reduced (numpy matrix of shape (number of corpus words, k)): matrix of k-dimensioal word embeddings.\\n\",\n    \"                    In terms of the SVD from math class, this actually returns U * S\\n\",\n    \"    \\\"\\\"\\\"    \\n\",\n    \"    n_iters = 10     # Use this parameter in your call to `TruncatedSVD`\\n\",\n    \"    M_reduced = None\\n\",\n    \"    print(\\\"Running Truncated SVD over %i words...\\\" % (M.shape[0]))\\n\",\n    \"    \\n\",\n    \"        # ------------------\\n\",\n    \"        # Write your implementation here.\\n\",\n    \"    \\n\",\n    \"    \\n\",\n    \"        # ------------------\\n\",\n    \"\\n\",\n    \"    print(\\\"Done.\\\")\\n\",\n    \"    return M_reduced\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this is not an exhaustive check for correctness \\n\",\n    \"# In fact we only check that your M_reduced has the right dimensions.\\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"# Define toy corpus and run student code\\n\",\n    \"test_corpus = [\\\"{} All that glitters isn't gold {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\"), \\\"{} All's well that ends well {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\")]\\n\",\n    \"M_test, word2ind_test = compute_co_occurrence_matrix(test_corpus, window_size=1)\\n\",\n    \"M_test_reduced = reduce_to_k_dim(M_test, k=2)\\n\",\n    \"\\n\",\n    \"# Test proper dimensions\\n\",\n    \"assert (M_test_reduced.shape[0] == 10), \\\"M_reduced has {} rows; should have {}\\\".format(M_test_reduced.shape[0], 10)\\n\",\n    \"assert (M_test_reduced.shape[1] == 2), \\\"M_reduced has {} columns; should have {}\\\".format(M_test_reduced.shape[1], 2)\\n\",\n    \"\\n\",\n    \"# Print Success\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print(\\\"Passed All Tests!\\\")\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.4: Implement `plot_embeddings` [code] (1 point)\\n\",\n    \"\\n\",\n    \"Here you will write a function to plot a set of 2D vectors in 2D space. For graphs, we will use Matplotlib (`plt`).\\n\",\n    \"\\n\",\n    \"For this example, you may find it useful to adapt [this code](http://web.archive.org/web/20190924160434/https://www.pythonmembers.club/2018/05/08/matplotlib-scatter-plot-annotate-set-text-at-label-each-point/). In the future, a good way to make a plot is to look at [the Matplotlib gallery](https://matplotlib.org/gallery/index.html), find a plot that looks somewhat like what you want, and adapt the code they give.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def plot_embeddings(M_reduced, word2ind, words):\\n\",\n    \"    \\\"\\\"\\\" Plot in a scatterplot the embeddings of the words specified in the list \\\"words\\\".\\n\",\n    \"        NOTE: do not plot all the words listed in M_reduced / word2ind.\\n\",\n    \"        Include a label next to each point.\\n\",\n    \"        \\n\",\n    \"        Params:\\n\",\n    \"            M_reduced (numpy matrix of shape (number of unique words in the corpus , 2)): matrix of 2-dimensioal word embeddings\\n\",\n    \"            word2ind (dict): dictionary that maps word to indices for matrix M\\n\",\n    \"            words (list of strings): words whose embeddings we want to visualize\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"\\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this is not an exhaustive check for correctness.\\n\",\n    \"# The plot produced should look like the \\\"test solution plot\\\" depicted below. \\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print (\\\"Outputted Plot:\\\")\\n\",\n    \"\\n\",\n    \"M_reduced_plot_test = np.array([[1, 1], [-1, -1], [1, -1], [-1, 1], [0, 0]])\\n\",\n    \"word2ind_plot_test = {'test1': 0, 'test2': 1, 'test3': 2, 'test4': 3, 'test5': 4}\\n\",\n    \"words = ['test1', 'test2', 'test3', 'test4', 'test5']\\n\",\n    \"plot_embeddings(M_reduced_plot_test, word2ind_plot_test, words)\\n\",\n    \"\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"<font color=red>**Test Plot Solution**</font>\\n\",\n    \"<br>\\n\",\n    \"<img src=\\\"./imgs/test_plot.png\\\" width=40% style=\\\"float: left;\\\"> </img>\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.5: Co-Occurrence Plot Analysis [written] (3 points)\\n\",\n    \"\\n\",\n    \"Now we will put together all the parts you have written! We will compute the co-occurrence matrix with fixed window of 4 (the default window size), over the Reuters \\\"crude\\\" (oil) corpus. Then we will use TruncatedSVD to compute 2-dimensional embeddings of each word. TruncatedSVD returns U\\\\*S, so we need to normalize the returned vectors, so that all the vectors will appear around the unit circle (therefore closeness is directional closeness). **Note**: The line of code below that does the normalizing uses the NumPy concept of *broadcasting*. If you don't know about broadcasting, check out\\n\",\n    \"[Computation on Arrays: Broadcasting by Jake VanderPlas](https://jakevdp.github.io/PythonDataScienceHandbook/02.05-computation-on-arrays-broadcasting.html).\\n\",\n    \"\\n\",\n    \"Run the below cell to produce the plot. It'll probably take a few seconds to run. What clusters together in 2-dimensional embedding space? What doesn't cluster together that you might think should have?  **Note:** \\\"bpd\\\" stands for \\\"barrels per day\\\" and is a commonly used abbreviation in crude oil topic articles.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# -----------------------------\\n\",\n    \"# Run This Cell to Produce Your Plot\\n\",\n    \"# ------------------------------\\n\",\n    \"reuters_corpus = read_corpus()\\n\",\n    \"M_co_occurrence, word2ind_co_occurrence = compute_co_occurrence_matrix(reuters_corpus)\\n\",\n    \"M_reduced_co_occurrence = reduce_to_k_dim(M_co_occurrence, k=2)\\n\",\n    \"\\n\",\n    \"# Rescale (normalize) the rows to make them each of unit-length\\n\",\n    \"M_lengths = np.linalg.norm(M_reduced_co_occurrence, axis=1)\\n\",\n    \"M_normalized = M_reduced_co_occurrence / M_lengths[:, np.newaxis] # broadcasting\\n\",\n    \"\\n\",\n    \"words = ['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']\\n\",\n    \"\\n\",\n    \"plot_embeddings(M_normalized, word2ind_co_occurrence, words)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Part 2: Prediction-Based Word Vectors (15 points)\\n\",\n    \"\\n\",\n    \"As discussed in class, more recently prediction-based word vectors have demonstrated better performance, such as word2vec and GloVe (which also utilizes the benefit of counts). Here, we shall explore the embeddings produced by GloVe. Please revisit the class notes and lecture slides for more details on the word2vec and GloVe algorithms. If you're feeling adventurous, challenge yourself and try reading [GloVe's original paper](https://nlp.stanford.edu/pubs/glove.pdf).\\n\",\n    \"\\n\",\n    \"Then run the following cells to load the GloVe vectors into memory. **Note**: If this is your first time to run these cells, i.e. download the embedding model, it will take a couple minutes to run. If you've run these cells before, rerunning them will load the model without redownloading it, which will take about 1 to 2 minutes.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def load_embedding_model():\\n\",\n    \"    \\\"\\\"\\\" Load GloVe Vectors\\n\",\n    \"        Return:\\n\",\n    \"            wv_from_bin: All 400000 embeddings, each lengh 200\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    import gensim.downloader as api\\n\",\n    \"    wv_from_bin = api.load(\\\"glove-wiki-gigaword-200\\\")\\n\",\n    \"    print(\\\"Loaded vocab size %i\\\" % len(wv_from_bin.vocab.keys()))\\n\",\n    \"    return wv_from_bin\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# -----------------------------------\\n\",\n    \"# Run Cell to Load Word Vectors\\n\",\n    \"# Note: This will take a couple minutes\\n\",\n    \"# -----------------------------------\\n\",\n    \"wv_from_bin = load_embedding_model()\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### Note: If you are receiving a \\\"reset by peer\\\" error, rerun the cell to restart the download. \"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Reducing dimensionality of Word Embeddings\\n\",\n    \"Let's directly compare the GloVe embeddings to those of the co-occurrence matrix. In order to avoid running out of memory, we will work with a sample of 10000 GloVe vectors instead.\\n\",\n    \"Run the following cells to:\\n\",\n    \"\\n\",\n    \"1. Put 10000 Glove vectors into a matrix M\\n\",\n    \"2. Run `reduce_to_k_dim` (your Truncated SVD function) to reduce the vectors from 200-dimensional to 2-dimensional.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def get_matrix_of_vectors(wv_from_bin, required_words=['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']):\\n\",\n    \"    \\\"\\\"\\\" Put the GloVe vectors into a matrix M.\\n\",\n    \"        Param:\\n\",\n    \"            wv_from_bin: KeyedVectors object; the 400000 GloVe vectors loaded from file\\n\",\n    \"        Return:\\n\",\n    \"            M: numpy matrix shape (num words, 200) containing the vectors\\n\",\n    \"            word2ind: dictionary mapping each word to its row number in M\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    import random\\n\",\n    \"    words = list(wv_from_bin.vocab.keys())\\n\",\n    \"    print(\\\"Shuffling words ...\\\")\\n\",\n    \"    random.seed(224)\\n\",\n    \"    random.shuffle(words)\\n\",\n    \"    words = words[:10000]\\n\",\n    \"    print(\\\"Putting %i words into word2ind and matrix M...\\\" % len(words))\\n\",\n    \"    word2ind = {}\\n\",\n    \"    M = []\\n\",\n    \"    curInd = 0\\n\",\n    \"    for w in words:\\n\",\n    \"        try:\\n\",\n    \"            M.append(wv_from_bin.word_vec(w))\\n\",\n    \"            word2ind[w] = curInd\\n\",\n    \"            curInd += 1\\n\",\n    \"        except KeyError:\\n\",\n    \"            continue\\n\",\n    \"    for w in required_words:\\n\",\n    \"        if w in words:\\n\",\n    \"            continue\\n\",\n    \"        try:\\n\",\n    \"            M.append(wv_from_bin.word_vec(w))\\n\",\n    \"            word2ind[w] = curInd\\n\",\n    \"            curInd += 1\\n\",\n    \"        except KeyError:\\n\",\n    \"            continue\\n\",\n    \"    M = np.stack(M)\\n\",\n    \"    print(\\\"Done.\\\")\\n\",\n    \"    return M, word2ind\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# -----------------------------------------------------------------\\n\",\n    \"# Run Cell to Reduce 200-Dimensional Word Embeddings to k Dimensions\\n\",\n    \"# Note: This should be quick to run\\n\",\n    \"# -----------------------------------------------------------------\\n\",\n    \"M, word2ind = get_matrix_of_vectors(wv_from_bin)\\n\",\n    \"M_reduced = reduce_to_k_dim(M, k=2)\\n\",\n    \"\\n\",\n    \"# Rescale (normalize) the rows to make them each of unit-length\\n\",\n    \"M_lengths = np.linalg.norm(M_reduced, axis=1)\\n\",\n    \"M_reduced_normalized = M_reduced / M_lengths[:, np.newaxis] # broadcasting\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"**Note: If you are receiving out of memory issues on your local machine, try closing other applications to free more memory on your device. You may want to try restarting your machine so that you can free up extra memory. Then immediately run the jupyter notebook and see if you can load the word vectors properly. If you still have problems with loading the embeddings onto your local machine after this, please go to office hours or contact course staff.**\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.1: GloVe Plot Analysis [written] (3 points)\\n\",\n    \"\\n\",\n    \"Run the cell below to plot the 2D GloVe embeddings for `['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']`.\\n\",\n    \"\\n\",\n    \"What clusters together in 2-dimensional embedding space? What doesn't cluster together that you think should have? How is the plot different from the one generated earlier from the co-occurrence matrix? What is a possible cause for the difference?\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {\n    \"scrolled\": true\n   },\n   \"outputs\": [],\n   \"source\": [\n    \"words = ['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']\\n\",\n    \"plot_embeddings(M_reduced_normalized, word2ind, words)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Cosine Similarity\\n\",\n    \"Now that we have word vectors, we need a way to quantify the similarity between individual words, according to these vectors. One such metric is cosine-similarity. We will be using this to find words that are \\\"close\\\" and \\\"far\\\" from one another.\\n\",\n    \"\\n\",\n    \"We can think of n-dimensional vectors as points in n-dimensional space. If we take this perspective [L1](http://mathworld.wolfram.com/L1-Norm.html) and [L2](http://mathworld.wolfram.com/L2-Norm.html) Distances help quantify the amount of space \\\"we must travel\\\" to get between these two points. Another approach is to examine the angle between two vectors. From trigonometry we know that:\\n\",\n    \"\\n\",\n    \"<img src=\\\"./imgs/inner_product.png\\\" width=20% style=\\\"float: center;\\\"></img>\\n\",\n    \"\\n\",\n    \"Instead of computing the actual angle, we can leave the similarity in terms of $similarity = cos(\\\\Theta)$. Formally the [Cosine Similarity](https://en.wikipedia.org/wiki/Cosine_similarity) $s$ between two vectors $p$ and $q$ is defined as:\\n\",\n    \"\\n\",\n    \"$$s = \\\\frac{p \\\\cdot q}{||p|| ||q||}, \\\\textrm{ where } s \\\\in [-1, 1] $$ \"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.2: Words with Multiple Meanings (1.5 points) [code + written] \\n\",\n    \"Polysemes and homonyms are words that have more than one meaning (see this [wiki page](https://en.wikipedia.org/wiki/Polysemy) to learn more about the difference between polysemes and homonyms ). Find a word with *at least two different meanings* such that the top-10 most similar words (according to cosine similarity) contain related words from *both* meanings. For example, \\\"leaves\\\" has both \\\"go_away\\\" and \\\"a_structure_of_a_plant\\\" meaning in the top 10, and \\\"scoop\\\" has both \\\"handed_waffle_cone\\\" and \\\"lowdown\\\". You will probably need to try several polysemous or homonymic words before you find one. \\n\",\n    \"\\n\",\n    \"Please state the word you discover and the multiple meanings that occur in the top 10. Why do you think many of the polysemous or homonymic words you tried didn't work (i.e. the top-10 most similar words only contain **one** of the meanings of the words)?\\n\",\n    \"\\n\",\n    \"**Note**: You should use the `wv_from_bin.most_similar(word)` function to get the top 10 similar words. This function ranks all other words in the vocabulary with respect to their cosine similarity to the given word. For further assistance, please check the __[GenSim documentation](https://radimrehurek.com/gensim/models/keyedvectors.html#gensim.models.keyedvectors.FastTextKeyedVectors.most_similar)__.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.3: Synonyms & Antonyms (2 points) [code + written] \\n\",\n    \"\\n\",\n    \"When considering Cosine Similarity, it's often more convenient to think of Cosine Distance, which is simply 1 - Cosine Similarity.\\n\",\n    \"\\n\",\n    \"Find three words $(w_1,w_2,w_3)$ where $w_1$ and $w_2$ are synonyms and $w_1$ and $w_3$ are antonyms, but Cosine Distance $(w_1,w_3) <$ Cosine Distance $(w_1,w_2)$. \\n\",\n    \"\\n\",\n    \"As an example, $w_1$=\\\"happy\\\" is closer to $w_3$=\\\"sad\\\" than to $w_2$=\\\"cheerful\\\". Please find a different example that satisfies the above. Once you have found your example, please give a possible explanation for why this counter-intuitive result may have happened.\\n\",\n    \"\\n\",\n    \"You should use the the `wv_from_bin.distance(w1, w2)` function here in order to compute the cosine distance between two words. Please see the __[GenSim documentation](https://radimrehurek.com/gensim/models/keyedvectors.html#gensim.models.keyedvectors.FastTextKeyedVectors.distance)__ for further assistance.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.4: Analogies with Word Vectors [written] (1.5 points)\\n\",\n    \"Word vectors have been shown to *sometimes* exhibit the ability to solve analogies. \\n\",\n    \"\\n\",\n    \"As an example, for the analogy \\\"man : king :: woman : x\\\" (read: man is to king as woman is to x), what is x?\\n\",\n    \"\\n\",\n    \"In the cell below, we show you how to use word vectors to find x using the `most_similar` function from the __[GenSim documentation](https://radimrehurek.com/gensim/models/keyedvectors.html#gensim.models.keyedvectors.KeyedVectors.most_similar)__. The function finds words that are most similar to the words in the `positive` list and most dissimilar from the words in the `negative` list (while omitting the input words, which are often the most similar; see [this paper](https://www.aclweb.org/anthology/N18-2039.pdf)). The answer to the analogy will have the highest cosine similarity (largest returned numerical value).\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# Run this cell to answer the analogy -- man : king :: woman : x\\n\",\n    \"pprint.pprint(wv_from_bin.most_similar(positive=['woman', 'king'], negative=['man']))\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"Let $m$, $k$, $w$, and $x$ denote the word vectors for `man`, `king`, `woman`, and the answer, respectively. Using **only** vectors $m$, $k$, $w$, and the vector arithmetic operators $+$ and $-$ in your answer, what is the expression in which we are maximizing cosine similarity with $x$?\\n\",\n    \"\\n\",\n    \"Hint: Recall that word vectors are simply multi-dimensional vectors that represent a word. It might help to draw out a 2D example using arbitrary locations of each vector. Where would `man` and `woman` lie in the coordinate plane relative to `king` and the answer?\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.5: Finding Analogies [code + written]  (1.5 points)\\n\",\n    \"Find an example of analogy that holds according to these vectors (i.e. the intended word is ranked top). In your solution please state the full analogy in the form x:y :: a:b. If you believe the analogy is complicated, explain why the analogy holds in one or two sentences.\\n\",\n    \"\\n\",\n    \"**Note**: You may have to try many analogies to find one that works!\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.6: Incorrect Analogy [code + written] (1.5 points)\\n\",\n    \"Find an example of analogy that does *not* hold according to these vectors. In your solution, state the intended analogy in the form x:y :: a:b, and state the (incorrect) value of b according to the word vectors.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.7: Guided Analysis of Bias in Word Vectors [written] (1 point)\\n\",\n    \"\\n\",\n    \"It's important to be cognizant of the biases (gender, race, sexual orientation etc.) implicit in our word embeddings. Bias can be dangerous because it can reinforce stereotypes through applications that employ these models.\\n\",\n    \"\\n\",\n    \"Run the cell below, to examine (a) which terms are most similar to \\\"woman\\\" and \\\"worker\\\" and most dissimilar to \\\"man\\\", and (b) which terms are most similar to \\\"man\\\" and \\\"worker\\\" and most dissimilar to \\\"woman\\\". Point out the difference between the list of female-associated words and the list of male-associated words, and explain how it is reflecting gender bias.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# Run this cell\\n\",\n    \"# Here `positive` indicates the list of words to be similar to and `negative` indicates the list of words to be\\n\",\n    \"# most dissimilar from.\\n\",\n    \"pprint.pprint(wv_from_bin.most_similar(positive=['woman', 'worker'], negative=['man']))\\n\",\n    \"print()\\n\",\n    \"pprint.pprint(wv_from_bin.most_similar(positive=['man', 'worker'], negative=['woman']))\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.8: Independent Analysis of Bias in Word Vectors [code + written]  (1 point)\\n\",\n    \"\\n\",\n    \"Use the `most_similar` function to find another case where some bias is exhibited by the vectors. Please briefly explain the example of bias that you discover.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.9: Thinking About Bias [written] (2 points)\\n\",\n    \"\\n\",\n    \"Give one explanation of how bias gets into the word vectors. What is an experiment that you could do to test for or to measure this source of bias?\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"# <font color=\\\"blue\\\"> Submission Instructions</font>\\n\",\n    \"\\n\",\n    \"1. Click the Save button at the top of the Jupyter Notebook.\\n\",\n    \"2. Select Cell -> All Output -> Clear. This will clear all the outputs from all cells (but will keep the content of all cells). \\n\",\n    \"2. Select Cell -> Run All. This will run all the cells in order, and will take several minutes.\\n\",\n    \"3. Once you've rerun everything, select File -> Download as -> PDF via LaTeX (If you have trouble using \\\"PDF via LaTex\\\", you can also save the webpage as pdf. <font color='blue'> Make sure all your solutions especially the coding parts are displayed in the pdf</font>, it's okay if the provided codes get cut off because lines are not wrapped in code cells).\\n\",\n    \"4. Look at the PDF file and make sure all your solutions are there, displayed correctly. The PDF is the only thing your graders will see!\\n\",\n    \"5. Submit your PDF on Gradescope.\"\n   ]\n  }\n ],\n \"metadata\": {\n  \"anaconda-cloud\": {},\n  \"kernelspec\": {\n   \"display_name\": \"Python 3\",\n   \"language\": \"python\",\n   \"name\": \"python3\"\n  },\n  \"language_info\": {\n   \"codemirror_mode\": {\n    \"name\": \"ipython\",\n    \"version\": 3\n   },\n   \"file_extension\": \".py\",\n   \"mimetype\": \"text/x-python\",\n   \"name\": \"python\",\n   \"nbconvert_exporter\": \"python\",\n   \"pygments_lexer\": \"ipython3\",\n   \"version\": \"3.7.4\"\n  }\n },\n \"nbformat\": 4,\n \"nbformat_minor\": 2\n}\n"
  },
  {
    "path": "a1/exploring_word_vectors_solved.ipynb",
    "content": "{\n \"cells\": [\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"# CS224N Assignment 1: Exploring Word Vectors (25 Points)\\n\",\n    \"### <font color='blue'> Due 4:30pm, Tue Jan 19 </font>\\n\",\n    \"\\n\",\n    \"Welcome to CS224N! \\n\",\n    \"\\n\",\n    \"Before you start, make sure you read the README.txt in the same directory as this notebook for important setup information. A lot of code is provided in this notebook, and we highly encourage you to read and understand it as part of the learning :)\\n\",\n    \"\\n\",\n    \"If you aren't super familiar with Python, Numpy, or Matplotlib, we recommend you check out the review session on Friday. The session will be recorded and the material will be made available on our [website](http://web.stanford.edu/class/cs224n/index.html#schedule). The CS231N Python/Numpy [tutorial](https://cs231n.github.io/python-numpy-tutorial/) is also a great resource.\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"**Assignment Notes:** Please make sure to save the notebook as you go along. Submission Instructions are located at the bottom of the notebook.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 2,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stderr\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[nltk_data] Downloading package reuters to /Users/Aman/nltk_data...\\n\",\n      \"[nltk_data]   Package reuters is already up-to-date!\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# All Import Statements Defined Here\\n\",\n    \"# Note: Do not add to this list.\\n\",\n    \"# ----------------\\n\",\n    \"\\n\",\n    \"import sys\\n\",\n    \"assert sys.version_info[0]==3\\n\",\n    \"assert sys.version_info[1] >= 5\\n\",\n    \"\\n\",\n    \"from gensim.models import KeyedVectors\\n\",\n    \"from gensim.test.utils import datapath\\n\",\n    \"import pprint\\n\",\n    \"import matplotlib.pyplot as plt\\n\",\n    \"plt.rcParams['figure.figsize'] = [10, 5]\\n\",\n    \"import nltk\\n\",\n    \"nltk.download('reuters')\\n\",\n    \"from nltk.corpus import reuters\\n\",\n    \"import numpy as np\\n\",\n    \"import random\\n\",\n    \"import scipy as sp\\n\",\n    \"from sklearn.decomposition import TruncatedSVD\\n\",\n    \"from sklearn.decomposition import PCA\\n\",\n    \"\\n\",\n    \"START_TOKEN = '<START>'\\n\",\n    \"END_TOKEN = '<END>'\\n\",\n    \"\\n\",\n    \"np.random.seed(0)\\n\",\n    \"random.seed(0)\\n\",\n    \"# ----------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Word Vectors\\n\",\n    \"\\n\",\n    \"Word Vectors are often used as a fundamental component for downstream NLP tasks, e.g. question answering, text generation, translation, etc., so it is important to build some intuitions as to their strengths and weaknesses. Here, you will explore two types of word vectors: those derived from *co-occurrence matrices*, and those derived via *GloVe*. \\n\",\n    \"\\n\",\n    \"**Note on Terminology:** The terms \\\"word vectors\\\" and \\\"word embeddings\\\" are often used interchangeably. The term \\\"embedding\\\" refers to the fact that we are encoding aspects of a word's meaning in a lower dimensional space. As [Wikipedia](https://en.wikipedia.org/wiki/Word_embedding) states, \\\"*conceptually it involves a mathematical embedding from a space with one dimension per word to a continuous vector space with a much lower dimension*\\\".\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Part 1: Count-Based Word Vectors (10 points)\\n\",\n    \"\\n\",\n    \"Most word vector models start from the following idea:\\n\",\n    \"\\n\",\n    \"*You shall know a word by the company it keeps ([Firth, J. R. 1957:11](https://en.wikipedia.org/wiki/John_Rupert_Firth))*\\n\",\n    \"\\n\",\n    \"Many word vector implementations are driven by the idea that similar words, i.e., (near) synonyms, will be used in similar contexts. As a result, similar words will often be spoken or written along with a shared subset of words, i.e., contexts. By examining these contexts, we can try to develop embeddings for our words. With this intuition in mind, many \\\"old school\\\" approaches to constructing word vectors relied on word counts. Here we elaborate upon one of those strategies, *co-occurrence matrices* (for more information, see [here](http://web.stanford.edu/class/cs124/lec/vectorsemantics.video.pdf) or [here](https://medium.com/data-science-group-iitr/word-embedding-2d05d270b285)).\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Co-Occurrence\\n\",\n    \"\\n\",\n    \"A co-occurrence matrix counts how often things co-occur in some environment. Given some word $w_i$ occurring in the document, we consider the *context window* surrounding $w_i$. Supposing our fixed window size is $n$, then this is the $n$ preceding and $n$ subsequent words in that document, i.e. words $w_{i-n} \\\\dots w_{i-1}$ and $w_{i+1} \\\\dots w_{i+n}$. We build a *co-occurrence matrix* $M$, which is a symmetric word-by-word matrix in which $M_{ij}$ is the number of times $w_j$ appears inside $w_i$'s window among all documents.\\n\",\n    \"\\n\",\n    \"**Example: Co-Occurrence with Fixed Window of n=1**:\\n\",\n    \"\\n\",\n    \"Document 1: \\\"all that glitters is not gold\\\"\\n\",\n    \"\\n\",\n    \"Document 2: \\\"all is well that ends well\\\"\\n\",\n    \"\\n\",\n    \"\\n\",\n    \"|     *    | `<START>` | all | that | glitters | is   | not  | gold  | well | ends | `<END>` |\\n\",\n    \"|----------|-------|-----|------|----------|------|------|-------|------|------|-----|\\n\",\n    \"| `<START>`    | 0     | 2   | 0    | 0        | 0    | 0    | 0     | 0    | 0    | 0   |\\n\",\n    \"| all      | 2     | 0   | 1    | 0        | 1    | 0    | 0     | 0    | 0    | 0   |\\n\",\n    \"| that     | 0     | 1   | 0    | 1        | 0    | 0    | 0     | 1    | 1    | 0   |\\n\",\n    \"| glitters | 0     | 0   | 1    | 0        | 1    | 0    | 0     | 0    | 0    | 0   |\\n\",\n    \"| is       | 0     | 1   | 0    | 1        | 0    | 1    | 0     | 1    | 0    | 0   |\\n\",\n    \"| not      | 0     | 0   | 0    | 0        | 1    | 0    | 1     | 0    | 0    | 0   |\\n\",\n    \"| gold     | 0     | 0   | 0    | 0        | 0    | 1    | 0     | 0    | 0    | 1   |\\n\",\n    \"| well     | 0     | 0   | 1    | 0        | 1    | 0    | 0     | 0    | 1    | 1   |\\n\",\n    \"| ends     | 0     | 0   | 1    | 0        | 0    | 0    | 0     | 1    | 0    | 0   |\\n\",\n    \"| `<END>`      | 0     | 0   | 0    | 0        | 0    | 0    | 1     | 1    | 0    | 0   |\\n\",\n    \"\\n\",\n    \"**Note:** In NLP, we often add `<START>` and `<END>` tokens to represent the beginning and end of sentences, paragraphs or documents. In thise case we imagine `<START>` and `<END>` tokens encapsulating each document, e.g., \\\"`<START>` All that glitters is not gold `<END>`\\\", and include these tokens in our co-occurrence counts.\\n\",\n    \"\\n\",\n    \"The rows (or columns) of this matrix provide one type of word vectors (those based on word-word co-occurrence), but the vectors will be large in general (linear in the number of distinct words in a corpus). Thus, our next step is to run *dimensionality reduction*. In particular, we will run *SVD (Singular Value Decomposition)*, which is a kind of generalized *PCA (Principal Components Analysis)* to select the top $k$ principal components. Here's a visualization of dimensionality reduction with SVD. In this picture our co-occurrence matrix is $A$ with $n$ rows corresponding to $n$ words. We obtain a full matrix decomposition, with the singular values ordered in the diagonal $S$ matrix, and our new, shorter length-$k$ word vectors in $U_k$.\\n\",\n    \"\\n\",\n    \"![Picture of an SVD](imgs/svd.png \\\"SVD\\\")\\n\",\n    \"\\n\",\n    \"This reduced-dimensionality co-occurrence representation preserves semantic relationships between words, e.g. *doctor* and *hospital* will be closer than *doctor* and *dog*. \\n\",\n    \"\\n\",\n    \"**Notes:** If you can barely remember what an eigenvalue is, here's [a slow, friendly introduction to SVD](https://davetang.org/file/Singular_Value_Decomposition_Tutorial.pdf). If you want to learn more thoroughly about PCA or SVD, feel free to check out lectures [7](https://web.stanford.edu/class/cs168/l/l7.pdf), [8](http://theory.stanford.edu/~tim/s15/l/l8.pdf), and [9](https://web.stanford.edu/class/cs168/l/l9.pdf) of CS168. These course notes provide a great high-level treatment of these general purpose algorithms. Though, for the purpose of this class, you only need to know how to extract the k-dimensional embeddings by utilizing pre-programmed implementations of these algorithms from the numpy, scipy, or sklearn python packages. In practice, it is challenging to apply full SVD to large corpora because of the memory needed to perform PCA or SVD. However, if you only want the top $k$ vector components for relatively small $k$ — known as [Truncated SVD](https://en.wikipedia.org/wiki/Singular_value_decomposition#Truncated_SVD) — then there are reasonably scalable techniques to compute those iteratively.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Plotting Co-Occurrence Word Embeddings\\n\",\n    \"\\n\",\n    \"Here, we will be using the Reuters (business and financial news) corpus. If you haven't run the import cell at the top of this page, please run it now (click it and press SHIFT-RETURN). The corpus consists of 10,788 news documents totaling 1.3 million words. These documents span 90 categories and are split into train and test. For more details, please see https://www.nltk.org/book/ch02.html. We provide a `read_corpus` function below that pulls out only articles from the \\\"crude\\\" (i.e. news articles about oil, gas, etc.) category. The function also adds `<START>` and `<END>` tokens to each of the documents, and lowercases words. You do **not** have to perform any other kind of pre-processing.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 3,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def read_corpus(category=\\\"crude\\\"):\\n\",\n    \"    \\\"\\\"\\\" Read files from the specified Reuter's category.\\n\",\n    \"        Params:\\n\",\n    \"            category (string): category name\\n\",\n    \"        Return:\\n\",\n    \"            list of lists, with words from each of the processed files\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    files = reuters.fileids(category)\\n\",\n    \"    return [[START_TOKEN] + [w.lower() for w in list(reuters.words(f))] + [END_TOKEN] for f in files]\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"Let's have a look what these documents are like….\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 4,\n   \"metadata\": {\n    \"scrolled\": false\n   },\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[['<START>', 'japan', 'to', 'revise', 'long', '-', 'term', 'energy', 'demand', 'downwards', 'the',\\n\",\n      \"  'ministry', 'of', 'international', 'trade', 'and', 'industry', '(', 'miti', ')', 'will', 'revise',\\n\",\n      \"  'its', 'long', '-', 'term', 'energy', 'supply', '/', 'demand', 'outlook', 'by', 'august', 'to',\\n\",\n      \"  'meet', 'a', 'forecast', 'downtrend', 'in', 'japanese', 'energy', 'demand', ',', 'ministry',\\n\",\n      \"  'officials', 'said', '.', 'miti', 'is', 'expected', 'to', 'lower', 'the', 'projection', 'for',\\n\",\n      \"  'primary', 'energy', 'supplies', 'in', 'the', 'year', '2000', 'to', '550', 'mln', 'kilolitres',\\n\",\n      \"  '(', 'kl', ')', 'from', '600', 'mln', ',', 'they', 'said', '.', 'the', 'decision', 'follows',\\n\",\n      \"  'the', 'emergence', 'of', 'structural', 'changes', 'in', 'japanese', 'industry', 'following',\\n\",\n      \"  'the', 'rise', 'in', 'the', 'value', 'of', 'the', 'yen', 'and', 'a', 'decline', 'in', 'domestic',\\n\",\n      \"  'electric', 'power', 'demand', '.', 'miti', 'is', 'planning', 'to', 'work', 'out', 'a', 'revised',\\n\",\n      \"  'energy', 'supply', '/', 'demand', 'outlook', 'through', 'deliberations', 'of', 'committee',\\n\",\n      \"  'meetings', 'of', 'the', 'agency', 'of', 'natural', 'resources', 'and', 'energy', ',', 'the',\\n\",\n      \"  'officials', 'said', '.', 'they', 'said', 'miti', 'will', 'also', 'review', 'the', 'breakdown',\\n\",\n      \"  'of', 'energy', 'supply', 'sources', ',', 'including', 'oil', ',', 'nuclear', ',', 'coal', 'and',\\n\",\n      \"  'natural', 'gas', '.', 'nuclear', 'energy', 'provided', 'the', 'bulk', 'of', 'japan', \\\"'\\\", 's',\\n\",\n      \"  'electric', 'power', 'in', 'the', 'fiscal', 'year', 'ended', 'march', '31', ',', 'supplying',\\n\",\n      \"  'an', 'estimated', '27', 'pct', 'on', 'a', 'kilowatt', '/', 'hour', 'basis', ',', 'followed',\\n\",\n      \"  'by', 'oil', '(', '23', 'pct', ')', 'and', 'liquefied', 'natural', 'gas', '(', '21', 'pct', '),',\\n\",\n      \"  'they', 'noted', '.', '<END>'],\\n\",\n      \" ['<START>', 'energy', '/', 'u', '.', 's', '.', 'petrochemical', 'industry', 'cheap', 'oil',\\n\",\n      \"  'feedstocks', ',', 'the', 'weakened', 'u', '.', 's', '.', 'dollar', 'and', 'a', 'plant',\\n\",\n      \"  'utilization', 'rate', 'approaching', '90', 'pct', 'will', 'propel', 'the', 'streamlined', 'u',\\n\",\n      \"  '.', 's', '.', 'petrochemical', 'industry', 'to', 'record', 'profits', 'this', 'year', ',',\\n\",\n      \"  'with', 'growth', 'expected', 'through', 'at', 'least', '1990', ',', 'major', 'company',\\n\",\n      \"  'executives', 'predicted', '.', 'this', 'bullish', 'outlook', 'for', 'chemical', 'manufacturing',\\n\",\n      \"  'and', 'an', 'industrywide', 'move', 'to', 'shed', 'unrelated', 'businesses', 'has', 'prompted',\\n\",\n      \"  'gaf', 'corp', '&', 'lt', ';', 'gaf', '>,', 'privately', '-', 'held', 'cain', 'chemical', 'inc',\\n\",\n      \"  ',', 'and', 'other', 'firms', 'to', 'aggressively', 'seek', 'acquisitions', 'of', 'petrochemical',\\n\",\n      \"  'plants', '.', 'oil', 'companies', 'such', 'as', 'ashland', 'oil', 'inc', '&', 'lt', ';', 'ash',\\n\",\n      \"  '>,', 'the', 'kentucky', '-', 'based', 'oil', 'refiner', 'and', 'marketer', ',', 'are', 'also',\\n\",\n      \"  'shopping', 'for', 'money', '-', 'making', 'petrochemical', 'businesses', 'to', 'buy', '.', '\\\"',\\n\",\n      \"  'i', 'see', 'us', 'poised', 'at', 'the', 'threshold', 'of', 'a', 'golden', 'period', ',\\\"', 'said',\\n\",\n      \"  'paul', 'oreffice', ',', 'chairman', 'of', 'giant', 'dow', 'chemical', 'co', '&', 'lt', ';',\\n\",\n      \"  'dow', '>,', 'adding', ',', '\\\"', 'there', \\\"'\\\", 's', 'no', 'major', 'plant', 'capacity', 'being',\\n\",\n      \"  'added', 'around', 'the', 'world', 'now', '.', 'the', 'whole', 'game', 'is', 'bringing', 'out',\\n\",\n      \"  'new', 'products', 'and', 'improving', 'the', 'old', 'ones', '.\\\"', 'analysts', 'say', 'the',\\n\",\n      \"  'chemical', 'industry', \\\"'\\\", 's', 'biggest', 'customers', ',', 'automobile', 'manufacturers',\\n\",\n      \"  'and', 'home', 'builders', 'that', 'use', 'a', 'lot', 'of', 'paints', 'and', 'plastics', ',',\\n\",\n      \"  'are', 'expected', 'to', 'buy', 'quantities', 'this', 'year', '.', 'u', '.', 's', '.',\\n\",\n      \"  'petrochemical', 'plants', 'are', 'currently', 'operating', 'at', 'about', '90', 'pct',\\n\",\n      \"  'capacity', ',', 'reflecting', 'tighter', 'supply', 'that', 'could', 'hike', 'product', 'prices',\\n\",\n      \"  'by', '30', 'to', '40', 'pct', 'this', 'year', ',', 'said', 'john', 'dosher', ',', 'managing',\\n\",\n      \"  'director', 'of', 'pace', 'consultants', 'inc', 'of', 'houston', '.', 'demand', 'for', 'some',\\n\",\n      \"  'products', 'such', 'as', 'styrene', 'could', 'push', 'profit', 'margins', 'up', 'by', 'as',\\n\",\n      \"  'much', 'as', '300', 'pct', ',', 'he', 'said', '.', 'oreffice', ',', 'speaking', 'at', 'a',\\n\",\n      \"  'meeting', 'of', 'chemical', 'engineers', 'in', 'houston', ',', 'said', 'dow', 'would', 'easily',\\n\",\n      \"  'top', 'the', '741', 'mln', 'dlrs', 'it', 'earned', 'last', 'year', 'and', 'predicted', 'it',\\n\",\n      \"  'would', 'have', 'the', 'best', 'year', 'in', 'its', 'history', '.', 'in', '1985', ',', 'when',\\n\",\n      \"  'oil', 'prices', 'were', 'still', 'above', '25', 'dlrs', 'a', 'barrel', 'and', 'chemical',\\n\",\n      \"  'exports', 'were', 'adversely', 'affected', 'by', 'the', 'strong', 'u', '.', 's', '.', 'dollar',\\n\",\n      \"  ',', 'dow', 'had', 'profits', 'of', '58', 'mln', 'dlrs', '.', '\\\"', 'i', 'believe', 'the',\\n\",\n      \"  'entire', 'chemical', 'industry', 'is', 'headed', 'for', 'a', 'record', 'year', 'or', 'close',\\n\",\n      \"  'to', 'it', ',\\\"', 'oreffice', 'said', '.', 'gaf', 'chairman', 'samuel', 'heyman', 'estimated',\\n\",\n      \"  'that', 'the', 'u', '.', 's', '.', 'chemical', 'industry', 'would', 'report', 'a', '20', 'pct',\\n\",\n      \"  'gain', 'in', 'profits', 'during', '1987', '.', 'last', 'year', ',', 'the', 'domestic',\\n\",\n      \"  'industry', 'earned', 'a', 'total', 'of', '13', 'billion', 'dlrs', ',', 'a', '54', 'pct', 'leap',\\n\",\n      \"  'from', '1985', '.', 'the', 'turn', 'in', 'the', 'fortunes', 'of', 'the', 'once', '-', 'sickly',\\n\",\n      \"  'chemical', 'industry', 'has', 'been', 'brought', 'about', 'by', 'a', 'combination', 'of', 'luck',\\n\",\n      \"  'and', 'planning', ',', 'said', 'pace', \\\"'\\\", 's', 'john', 'dosher', '.', 'dosher', 'said', 'last',\\n\",\n      \"  'year', \\\"'\\\", 's', 'fall', 'in', 'oil', 'prices', 'made', 'feedstocks', 'dramatically', 'cheaper',\\n\",\n      \"  'and', 'at', 'the', 'same', 'time', 'the', 'american', 'dollar', 'was', 'weakening', 'against',\\n\",\n      \"  'foreign', 'currencies', '.', 'that', 'helped', 'boost', 'u', '.', 's', '.', 'chemical',\\n\",\n      \"  'exports', '.', 'also', 'helping', 'to', 'bring', 'supply', 'and', 'demand', 'into', 'balance',\\n\",\n      \"  'has', 'been', 'the', 'gradual', 'market', 'absorption', 'of', 'the', 'extra', 'chemical',\\n\",\n      \"  'manufacturing', 'capacity', 'created', 'by', 'middle', 'eastern', 'oil', 'producers', 'in',\\n\",\n      \"  'the', 'early', '1980s', '.', 'finally', ',', 'virtually', 'all', 'major', 'u', '.', 's', '.',\\n\",\n      \"  'chemical', 'manufacturers', 'have', 'embarked', 'on', 'an', 'extensive', 'corporate',\\n\",\n      \"  'restructuring', 'program', 'to', 'mothball', 'inefficient', 'plants', ',', 'trim', 'the',\\n\",\n      \"  'payroll', 'and', 'eliminate', 'unrelated', 'businesses', '.', 'the', 'restructuring', 'touched',\\n\",\n      \"  'off', 'a', 'flurry', 'of', 'friendly', 'and', 'hostile', 'takeover', 'attempts', '.', 'gaf', ',',\\n\",\n      \"  'which', 'made', 'an', 'unsuccessful', 'attempt', 'in', '1985', 'to', 'acquire', 'union',\\n\",\n      \"  'carbide', 'corp', '&', 'lt', ';', 'uk', '>,', 'recently', 'offered', 'three', 'billion', 'dlrs',\\n\",\n      \"  'for', 'borg', 'warner', 'corp', '&', 'lt', ';', 'bor', '>,', 'a', 'chicago', 'manufacturer',\\n\",\n      \"  'of', 'plastics', 'and', 'chemicals', '.', 'another', 'industry', 'powerhouse', ',', 'w', '.',\\n\",\n      \"  'r', '.', 'grace', '&', 'lt', ';', 'gra', '>', 'has', 'divested', 'its', 'retailing', ',',\\n\",\n      \"  'restaurant', 'and', 'fertilizer', 'businesses', 'to', 'raise', 'cash', 'for', 'chemical',\\n\",\n      \"  'acquisitions', '.', 'but', 'some', 'experts', 'worry', 'that', 'the', 'chemical', 'industry',\\n\",\n      \"  'may', 'be', 'headed', 'for', 'trouble', 'if', 'companies', 'continue', 'turning', 'their',\\n\",\n      \"  'back', 'on', 'the', 'manufacturing', 'of', 'staple', 'petrochemical', 'commodities', ',', 'such',\\n\",\n      \"  'as', 'ethylene', ',', 'in', 'favor', 'of', 'more', 'profitable', 'specialty', 'chemicals',\\n\",\n      \"  'that', 'are', 'custom', '-', 'designed', 'for', 'a', 'small', 'group', 'of', 'buyers', '.', '\\\"',\\n\",\n      \"  'companies', 'like', 'dupont', '&', 'lt', ';', 'dd', '>', 'and', 'monsanto', 'co', '&', 'lt', ';',\\n\",\n      \"  'mtc', '>', 'spent', 'the', 'past', 'two', 'or', 'three', 'years', 'trying', 'to', 'get', 'out',\\n\",\n      \"  'of', 'the', 'commodity', 'chemical', 'business', 'in', 'reaction', 'to', 'how', 'badly', 'the',\\n\",\n      \"  'market', 'had', 'deteriorated', ',\\\"', 'dosher', 'said', '.', '\\\"', 'but', 'i', 'think', 'they',\\n\",\n      \"  'will', 'eventually', 'kill', 'the', 'margins', 'on', 'the', 'profitable', 'chemicals', 'in',\\n\",\n      \"  'the', 'niche', 'market', '.\\\"', 'some', 'top', 'chemical', 'executives', 'share', 'the',\\n\",\n      \"  'concern', '.', '\\\"', 'the', 'challenge', 'for', 'our', 'industry', 'is', 'to', 'keep', 'from',\\n\",\n      \"  'getting', 'carried', 'away', 'and', 'repeating', 'past', 'mistakes', ',\\\"', 'gaf', \\\"'\\\", 's',\\n\",\n      \"  'heyman', 'cautioned', '.', '\\\"', 'the', 'shift', 'from', 'commodity', 'chemicals', 'may', 'be',\\n\",\n      \"  'ill', '-', 'advised', '.', 'specialty', 'businesses', 'do', 'not', 'stay', 'special', 'long',\\n\",\n      \"  '.\\\"', 'houston', '-', 'based', 'cain', 'chemical', ',', 'created', 'this', 'month', 'by', 'the',\\n\",\n      \"  'sterling', 'investment', 'banking', 'group', ',', 'believes', 'it', 'can', 'generate', '700',\\n\",\n      \"  'mln', 'dlrs', 'in', 'annual', 'sales', 'by', 'bucking', 'the', 'industry', 'trend', '.',\\n\",\n      \"  'chairman', 'gordon', 'cain', ',', 'who', 'previously', 'led', 'a', 'leveraged', 'buyout', 'of',\\n\",\n      \"  'dupont', \\\"'\\\", 's', 'conoco', 'inc', \\\"'\\\", 's', 'chemical', 'business', ',', 'has', 'spent', '1',\\n\",\n      \"  '.', '1', 'billion', 'dlrs', 'since', 'january', 'to', 'buy', 'seven', 'petrochemical', 'plants',\\n\",\n      \"  'along', 'the', 'texas', 'gulf', 'coast', '.', 'the', 'plants', 'produce', 'only', 'basic',\\n\",\n      \"  'commodity', 'petrochemicals', 'that', 'are', 'the', 'building', 'blocks', 'of', 'specialty',\\n\",\n      \"  'products', '.', '\\\"', 'this', 'kind', 'of', 'commodity', 'chemical', 'business', 'will', 'never',\\n\",\n      \"  'be', 'a', 'glamorous', ',', 'high', '-', 'margin', 'business', ',\\\"', 'cain', 'said', ',',\\n\",\n      \"  'adding', 'that', 'demand', 'is', 'expected', 'to', 'grow', 'by', 'about', 'three', 'pct',\\n\",\n      \"  'annually', '.', 'garo', 'armen', ',', 'an', 'analyst', 'with', 'dean', 'witter', 'reynolds', ',',\\n\",\n      \"  'said', 'chemical', 'makers', 'have', 'also', 'benefitted', 'by', 'increasing', 'demand', 'for',\\n\",\n      \"  'plastics', 'as', 'prices', 'become', 'more', 'competitive', 'with', 'aluminum', ',', 'wood',\\n\",\n      \"  'and', 'steel', 'products', '.', 'armen', 'estimated', 'the', 'upturn', 'in', 'the', 'chemical',\\n\",\n      \"  'business', 'could', 'last', 'as', 'long', 'as', 'four', 'or', 'five', 'years', ',', 'provided',\\n\",\n      \"  'the', 'u', '.', 's', '.', 'economy', 'continues', 'its', 'modest', 'rate', 'of', 'growth', '.',\\n\",\n      \"  '<END>'],\\n\",\n      \" ['<START>', 'turkey', 'calls', 'for', 'dialogue', 'to', 'solve', 'dispute', 'turkey', 'said',\\n\",\n      \"  'today', 'its', 'disputes', 'with', 'greece', ',', 'including', 'rights', 'on', 'the',\\n\",\n      \"  'continental', 'shelf', 'in', 'the', 'aegean', 'sea', ',', 'should', 'be', 'solved', 'through',\\n\",\n      \"  'negotiations', '.', 'a', 'foreign', 'ministry', 'statement', 'said', 'the', 'latest', 'crisis',\\n\",\n      \"  'between', 'the', 'two', 'nato', 'members', 'stemmed', 'from', 'the', 'continental', 'shelf',\\n\",\n      \"  'dispute', 'and', 'an', 'agreement', 'on', 'this', 'issue', 'would', 'effect', 'the', 'security',\\n\",\n      \"  ',', 'economy', 'and', 'other', 'rights', 'of', 'both', 'countries', '.', '\\\"', 'as', 'the',\\n\",\n      \"  'issue', 'is', 'basicly', 'political', ',', 'a', 'solution', 'can', 'only', 'be', 'found', 'by',\\n\",\n      \"  'bilateral', 'negotiations', ',\\\"', 'the', 'statement', 'said', '.', 'greece', 'has', 'repeatedly',\\n\",\n      \"  'said', 'the', 'issue', 'was', 'legal', 'and', 'could', 'be', 'solved', 'at', 'the',\\n\",\n      \"  'international', 'court', 'of', 'justice', '.', 'the', 'two', 'countries', 'approached', 'armed',\\n\",\n      \"  'confrontation', 'last', 'month', 'after', 'greece', 'announced', 'it', 'planned', 'oil',\\n\",\n      \"  'exploration', 'work', 'in', 'the', 'aegean', 'and', 'turkey', 'said', 'it', 'would', 'also',\\n\",\n      \"  'search', 'for', 'oil', '.', 'a', 'face', '-', 'off', 'was', 'averted', 'when', 'turkey',\\n\",\n      \"  'confined', 'its', 'research', 'to', 'territorrial', 'waters', '.', '\\\"', 'the', 'latest',\\n\",\n      \"  'crises', 'created', 'an', 'historic', 'opportunity', 'to', 'solve', 'the', 'disputes', 'between',\\n\",\n      \"  'the', 'two', 'countries', ',\\\"', 'the', 'foreign', 'ministry', 'statement', 'said', '.', 'turkey',\\n\",\n      \"  \\\"'\\\", 's', 'ambassador', 'in', 'athens', ',', 'nazmi', 'akiman', ',', 'was', 'due', 'to', 'meet',\\n\",\n      \"  'prime', 'minister', 'andreas', 'papandreou', 'today', 'for', 'the', 'greek', 'reply', 'to', 'a',\\n\",\n      \"  'message', 'sent', 'last', 'week', 'by', 'turkish', 'prime', 'minister', 'turgut', 'ozal', '.',\\n\",\n      \"  'the', 'contents', 'of', 'the', 'message', 'were', 'not', 'disclosed', '.', '<END>']]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"reuters_corpus = read_corpus()\\n\",\n    \"pprint.pprint(reuters_corpus[:3], compact=True, width=100)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.1: Implement `distinct_words` [code] (2 points)\\n\",\n    \"\\n\",\n    \"Write a method to work out the distinct words (word types) that occur in the corpus. You can do this with `for` loops, but it's more efficient to do it with Python list comprehensions. In particular, [this](https://coderwall.com/p/rcmaea/flatten-a-list-of-lists-in-one-line-in-python) may be useful to flatten a list of lists. If you're not familiar with Python list comprehensions in general, here's [more information](https://python-3-patterns-idioms-test.readthedocs.io/en/latest/Comprehensions.html).\\n\",\n    \"\\n\",\n    \"Your returned `corpus_words` should be sorted. You can use python's `sorted` function for this.\\n\",\n    \"\\n\",\n    \"You may find it useful to use [Python sets](https://www.w3schools.com/python/python_sets.asp) to remove duplicate words.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 5,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def distinct_words(corpus):\\n\",\n    \"    \\\"\\\"\\\" Determine a list of distinct words for the corpus.\\n\",\n    \"        Params:\\n\",\n    \"            corpus (list of list of strings): corpus of documents\\n\",\n    \"        Return:\\n\",\n    \"            corpus_words (list of strings): sorted list of distinct words across the corpus\\n\",\n    \"            num_corpus_words (integer): number of distinct words across the corpus\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    corpus_words = []\\n\",\n    \"    num_corpus_words = -1\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"    corpus_words = {word for doc in corpus for word in doc}\\n\",\n    \"    corpus_words = sorted(list(corpus_words))\\n\",\n    \"    num_corpus_words = len(corpus_words)\\n\",\n    \"    # ------------------\\n\",\n    \"\\n\",\n    \"    return corpus_words, num_corpus_words\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 6,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"--------------------------------------------------------------------------------\\n\",\n      \"Passed All Tests!\\n\",\n      \"--------------------------------------------------------------------------------\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this not an exhaustive check for correctness.\\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"# Define toy corpus\\n\",\n    \"test_corpus = [\\\"{} All that glitters isn't gold {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\"), \\\"{} All's well that ends well {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\")]\\n\",\n    \"test_corpus_words, num_corpus_words = distinct_words(test_corpus)\\n\",\n    \"\\n\",\n    \"# Correct answers\\n\",\n    \"ans_test_corpus_words = sorted([START_TOKEN, \\\"All\\\", \\\"ends\\\", \\\"that\\\", \\\"gold\\\", \\\"All's\\\", \\\"glitters\\\", \\\"isn't\\\", \\\"well\\\", END_TOKEN])\\n\",\n    \"ans_num_corpus_words = len(ans_test_corpus_words)\\n\",\n    \"\\n\",\n    \"# Test correct number of words\\n\",\n    \"assert(num_corpus_words == ans_num_corpus_words), \\\"Incorrect number of distinct words. Correct: {}. Yours: {}\\\".format(ans_num_corpus_words, num_corpus_words)\\n\",\n    \"\\n\",\n    \"# Test correct words\\n\",\n    \"assert (test_corpus_words == ans_test_corpus_words), \\\"Incorrect corpus_words.\\\\nCorrect: {}\\\\nYours:   {}\\\".format(str(ans_test_corpus_words), str(test_corpus_words))\\n\",\n    \"\\n\",\n    \"# Print Success\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print(\\\"Passed All Tests!\\\")\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.2: Implement `compute_co_occurrence_matrix` [code] (3 points)\\n\",\n    \"\\n\",\n    \"Write a method that constructs a co-occurrence matrix for a certain window-size $n$ (with a default of 4), considering words $n$ before and $n$ after the word in the center of the window. Here, we start to use `numpy (np)` to represent vectors, matrices, and tensors. If you're not familiar with NumPy, there's a NumPy tutorial in the second half of this cs231n [Python NumPy tutorial](http://cs231n.github.io/python-numpy-tutorial/).\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 7,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def compute_co_occurrence_matrix(corpus, window_size=4):\\n\",\n    \"    \\\"\\\"\\\" Compute co-occurrence matrix for the given corpus and window_size (default of 4).\\n\",\n    \"    \\n\",\n    \"        Note: Each word in a document should be at the center of a window. Words near edges will have a smaller\\n\",\n    \"              number of co-occurring words.\\n\",\n    \"              \\n\",\n    \"              For example, if we take the document \\\"<START> All that glitters is not gold <END>\\\" with window size of 4,\\n\",\n    \"              \\\"All\\\" will co-occur with \\\"<START>\\\", \\\"that\\\", \\\"glitters\\\", \\\"is\\\", and \\\"not\\\".\\n\",\n    \"    \\n\",\n    \"        Params:\\n\",\n    \"            corpus (list of list of strings): corpus of documents\\n\",\n    \"            window_size (int): size of context window\\n\",\n    \"        Return:\\n\",\n    \"            M (a symmetric numpy matrix of shape (number of unique words in the corpus , number of unique words in the corpus)): \\n\",\n    \"                Co-occurence matrix of word counts. \\n\",\n    \"                The ordering of the words in the rows/columns should be the same as the ordering of the words given by the distinct_words function.\\n\",\n    \"            word2ind (dict): dictionary that maps word to index (i.e. row/column number) for matrix M.\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    words, num_words = distinct_words(corpus)\\n\",\n    \"    M = None\\n\",\n    \"    word2ind = {}\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"    \\n\",\n    \"    # Build the word to index mapping.\\n\",\n    \"    word2ind = {word: i for i, word in enumerate(words)}\\n\",\n    \"    \\n\",\n    \"    # Build the co-occurrence matrix.\\n\",\n    \"    M = np.zeros((num_words, num_words))\\n\",\n    \"    for body in corpus:\\n\",\n    \"        for curr_idx, word in enumerate(body):\\n\",\n    \"            for window_idx in range(-window_size, window_size + 1):\\n\",\n    \"                neighbor_idx = curr_idx + window_idx\\n\",\n    \"                if (neighbor_idx < 0) or (neighbor_idx >= len(body)) or (curr_idx == neighbor_idx):\\n\",\n    \"                    continue\\n\",\n    \"                co_occur_word = body[neighbor_idx]\\n\",\n    \"                (word_idx, co_occur_idx) = (word2ind[word], word2ind[co_occur_word])\\n\",\n    \"                M[word_idx, co_occur_idx] += 1\\n\",\n    \"\\n\",\n    \"    # ------------------\\n\",\n    \"\\n\",\n    \"    return M, word2ind\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 8,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"--------------------------------------------------------------------------------\\n\",\n      \"Passed All Tests!\\n\",\n      \"--------------------------------------------------------------------------------\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this is not an exhaustive check for correctness.\\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"# Define toy corpus and get student's co-occurrence matrix\\n\",\n    \"test_corpus = [\\\"{} All that glitters isn't gold {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\"), \\\"{} All's well that ends well {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\")]\\n\",\n    \"M_test, word2ind_test = compute_co_occurrence_matrix(test_corpus, window_size=1)\\n\",\n    \"\\n\",\n    \"# Correct M and word2ind\\n\",\n    \"M_test_ans = np.array( \\n\",\n    \"    [[0., 0., 0., 0., 0., 0., 1., 0., 0., 1.,],\\n\",\n    \"     [0., 0., 1., 1., 0., 0., 0., 0., 0., 0.,],\\n\",\n    \"     [0., 1., 0., 0., 0., 0., 0., 0., 1., 0.,],\\n\",\n    \"     [0., 1., 0., 0., 0., 0., 0., 0., 0., 1.,],\\n\",\n    \"     [0., 0., 0., 0., 0., 0., 0., 0., 1., 1.,],\\n\",\n    \"     [0., 0., 0., 0., 0., 0., 0., 1., 1., 0.,],\\n\",\n    \"     [1., 0., 0., 0., 0., 0., 0., 1., 0., 0.,],\\n\",\n    \"     [0., 0., 0., 0., 0., 1., 1., 0., 0., 0.,],\\n\",\n    \"     [0., 0., 1., 0., 1., 1., 0., 0., 0., 1.,],\\n\",\n    \"     [1., 0., 0., 1., 1., 0., 0., 0., 1., 0.,]]\\n\",\n    \")\\n\",\n    \"ans_test_corpus_words = sorted([START_TOKEN, \\\"All\\\", \\\"ends\\\", \\\"that\\\", \\\"gold\\\", \\\"All's\\\", \\\"glitters\\\", \\\"isn't\\\", \\\"well\\\", END_TOKEN])\\n\",\n    \"word2ind_ans = dict(zip(ans_test_corpus_words, range(len(ans_test_corpus_words))))\\n\",\n    \"\\n\",\n    \"# Test correct word2ind\\n\",\n    \"assert (word2ind_ans == word2ind_test), \\\"Your word2ind is incorrect:\\\\nCorrect: {}\\\\nYours: {}\\\".format(word2ind_ans, word2ind_test)\\n\",\n    \"\\n\",\n    \"# Test correct M shape\\n\",\n    \"assert (M_test.shape == M_test_ans.shape), \\\"M matrix has incorrect shape.\\\\nCorrect: {}\\\\nYours: {}\\\".format(M_test.shape, M_test_ans.shape)\\n\",\n    \"\\n\",\n    \"# Test correct M values\\n\",\n    \"for w1 in word2ind_ans.keys():\\n\",\n    \"    idx1 = word2ind_ans[w1]\\n\",\n    \"    for w2 in word2ind_ans.keys():\\n\",\n    \"        idx2 = word2ind_ans[w2]\\n\",\n    \"        student = M_test[idx1, idx2]\\n\",\n    \"        correct = M_test_ans[idx1, idx2]\\n\",\n    \"        if student != correct:\\n\",\n    \"            print(\\\"Correct M:\\\")\\n\",\n    \"            print(M_test_ans)\\n\",\n    \"            print(\\\"Your M: \\\")\\n\",\n    \"            print(M_test)\\n\",\n    \"            raise AssertionError(\\\"Incorrect count at index ({}, {})=({}, {}) in matrix M. Yours has {} but should have {}.\\\".format(idx1, idx2, w1, w2, student, correct))\\n\",\n    \"\\n\",\n    \"# Print Success\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print(\\\"Passed All Tests!\\\")\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.3: Implement `reduce_to_k_dim` [code] (1 point)\\n\",\n    \"\\n\",\n    \"Construct a method that performs dimensionality reduction on the matrix to produce k-dimensional embeddings. Use SVD to take the top k components and produce a new matrix of k-dimensional embeddings. \\n\",\n    \"\\n\",\n    \"**Note:** All of numpy, scipy, and scikit-learn (`sklearn`) provide *some* implementation of SVD, but only scipy and sklearn provide an implementation of Truncated SVD, and only sklearn provides an efficient randomized algorithm for calculating large-scale Truncated SVD. So please use [sklearn.decomposition.TruncatedSVD](https://scikit-learn.org/stable/modules/generated/sklearn.decomposition.TruncatedSVD.html).\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 9,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def reduce_to_k_dim(M, k=2):\\n\",\n    \"    \\\"\\\"\\\" Reduce a co-occurence count matrix of dimensionality (num_corpus_words, num_corpus_words)\\n\",\n    \"        to a matrix of dimensionality (num_corpus_words, k) using the following SVD function from Scikit-Learn:\\n\",\n    \"            - http://scikit-learn.org/stable/modules/generated/sklearn.decomposition.TruncatedSVD.html\\n\",\n    \"    \\n\",\n    \"        Params:\\n\",\n    \"            M (numpy matrix of shape (number of unique words in the corpus , number of unique words in the corpus)): co-occurence matrix of word counts\\n\",\n    \"            k (int): embedding size of each word after dimension reduction\\n\",\n    \"        Return:\\n\",\n    \"            M_reduced (numpy matrix of shape (number of corpus words, k)): matrix of k-dimensioal word embeddings.\\n\",\n    \"                    In terms of the SVD from math class, this actually returns U * S\\n\",\n    \"    \\\"\\\"\\\"    \\n\",\n    \"    n_iters = 10     # Use this parameter in your call to `TruncatedSVD`\\n\",\n    \"    M_reduced = None\\n\",\n    \"    print(\\\"Running Truncated SVD over %i words...\\\" % (M.shape[0]))\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    svd = TruncatedSVD(n_components = k, n_iter = n_iters)\\n\",\n    \"    M_reduced = svd.fit_transform(M) \\n\",\n    \"    # or (instead of the above line)...\\n\",\n    \"    # svd.fit(M)\\n\",\n    \"    # M_reduced = svd.transform(M)\\n\",\n    \"    \\n\",\n    \"    # ------------------\\n\",\n    \"\\n\",\n    \"    print(\\\"Done.\\\")\\n\",\n    \"    return M_reduced\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 10,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Running Truncated SVD over 10 words...\\n\",\n      \"Done.\\n\",\n      \"--------------------------------------------------------------------------------\\n\",\n      \"Passed All Tests!\\n\",\n      \"--------------------------------------------------------------------------------\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this is not an exhaustive check for correctness \\n\",\n    \"# In fact we only check that your M_reduced has the right dimensions.\\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"# Define toy corpus and run student code\\n\",\n    \"test_corpus = [\\\"{} All that glitters isn't gold {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\"), \\\"{} All's well that ends well {}\\\".format(START_TOKEN, END_TOKEN).split(\\\" \\\")]\\n\",\n    \"M_test, word2ind_test = compute_co_occurrence_matrix(test_corpus, window_size=1)\\n\",\n    \"M_test_reduced = reduce_to_k_dim(M_test, k=2)\\n\",\n    \"\\n\",\n    \"# Test proper dimensions\\n\",\n    \"assert (M_test_reduced.shape[0] == 10), \\\"M_reduced has {} rows; should have {}\\\".format(M_test_reduced.shape[0], 10)\\n\",\n    \"assert (M_test_reduced.shape[1] == 2), \\\"M_reduced has {} columns; should have {}\\\".format(M_test_reduced.shape[1], 2)\\n\",\n    \"\\n\",\n    \"# Print Success\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print(\\\"Passed All Tests!\\\")\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.4: Implement `plot_embeddings` [code] (1 point)\\n\",\n    \"\\n\",\n    \"Here you will write a function to plot a set of 2D vectors in 2D space. For graphs, we will use Matplotlib (`plt`).\\n\",\n    \"\\n\",\n    \"For this example, you may find it useful to adapt [this code](http://web.archive.org/web/20190924160434/https://www.pythonmembers.club/2018/05/08/matplotlib-scatter-plot-annotate-set-text-at-label-each-point/). In the future, a good way to make a plot is to look at [the Matplotlib gallery](https://matplotlib.org/gallery/index.html), find a plot that looks somewhat like what you want, and adapt the code they give.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 11,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def plot_embeddings(M_reduced, word2ind, words):\\n\",\n    \"    \\\"\\\"\\\" Plot in a scatterplot the embeddings of the words specified in the list \\\"words\\\".\\n\",\n    \"        NOTE: do not plot all the words listed in M_reduced / word2ind.\\n\",\n    \"        Include a label next to each point.\\n\",\n    \"        \\n\",\n    \"        Params:\\n\",\n    \"            M_reduced (numpy matrix of shape (number of unique words in the corpus , 2)): matrix of 2-dimensioal word embeddings\\n\",\n    \"            word2ind (dict): dictionary that maps word to indices for matrix M\\n\",\n    \"            words (list of strings): words whose embeddings we want to visualize\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"\\n\",\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"    \\n\",\n    \"    # Get only the rows corresponding the words we want to plot.\\n\",\n    \"    word_idxs = [word2ind[word] for word in words]\\n\",\n    \"    word_vectors = M_reduced[word_idxs]\\n\",\n    \"    # Get 2D coordinates.\\n\",\n    \"    x_coords = [vec[0] for vec in word_vectors]\\n\",\n    \"    y_coords = [vec[1] for vec in word_vectors]\\n\",\n    \"    # Plot the scatter points in 2D.\\n\",\n    \"    for i, word in enumerate(words):\\n\",\n    \"        x = x_coords[i]\\n\",\n    \"        y = y_coords[i]\\n\",\n    \"        plt.scatter(x, y, marker='x', color='red')\\n\",\n    \"        plt.text(x, y, word, fontsize=9)\\n\",\n    \"    plt.show()\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 12,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"--------------------------------------------------------------------------------\\n\",\n      \"Outputted Plot:\\n\"\n     ]\n    },\n    {\n     \"data\": {\n      \"image/png\": 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\\n\",\n      \"text/plain\": [\n       \"<Figure size 720x360 with 1 Axes>\"\n      ]\n     },\n     \"metadata\": {\n      \"needs_background\": \"light\"\n     },\n     \"output_type\": \"display_data\"\n    },\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"--------------------------------------------------------------------------------\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# ---------------------\\n\",\n    \"# Run this sanity check\\n\",\n    \"# Note that this is not an exhaustive check for correctness.\\n\",\n    \"# The plot produced should look like the \\\"test solution plot\\\" depicted below. \\n\",\n    \"# ---------------------\\n\",\n    \"\\n\",\n    \"print (\\\"-\\\" * 80)\\n\",\n    \"print (\\\"Outputted Plot:\\\")\\n\",\n    \"\\n\",\n    \"M_reduced_plot_test = np.array([[1, 1], [-1, -1], [1, -1], [-1, 1], [0, 0]])\\n\",\n    \"word2ind_plot_test = {'test1': 0, 'test2': 1, 'test3': 2, 'test4': 3, 'test5': 4}\\n\",\n    \"words = ['test1', 'test2', 'test3', 'test4', 'test5']\\n\",\n    \"plot_embeddings(M_reduced_plot_test, word2ind_plot_test, words)\\n\",\n    \"\\n\",\n    \"print (\\\"-\\\" * 80)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"<font color=red>**Test Plot Solution**</font>\\n\",\n    \"<br>\\n\",\n    \"<img src=\\\"imgs/test_plot.png\\\" width=40% style=\\\"float: left;\\\"> </img>\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 1.5: Co-Occurrence Plot Analysis [written] (3 points)\\n\",\n    \"\\n\",\n    \"Now we will put together all the parts you have written! We will compute the co-occurrence matrix with fixed window of 4 (the default window size), over the Reuters \\\"crude\\\" (oil) corpus. Then we will use TruncatedSVD to compute 2-dimensional embeddings of each word. TruncatedSVD returns U\\\\*S, so we need to normalize the returned vectors, so that all the vectors will appear around the unit circle (therefore closeness is directional closeness). **Note**: The line of code below that does the normalizing uses the NumPy concept of *broadcasting*. If you don't know about broadcasting, check out\\n\",\n    \"[Computation on Arrays: Broadcasting by Jake VanderPlas](https://jakevdp.github.io/PythonDataScienceHandbook/02.05-computation-on-arrays-broadcasting.html).\\n\",\n    \"\\n\",\n    \"Run the below cell to produce the plot. It'll probably take a few seconds to run. What clusters together in 2-dimensional embedding space? What doesn't cluster together that you might think should have?  **Note:** \\\"bpd\\\" stands for \\\"barrels per day\\\" and is a commonly used abbreviation in crude oil topic articles.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 13,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Running Truncated SVD over 8185 words...\\n\",\n      \"Done.\\n\"\n     ]\n    },\n    {\n     \"data\": {\n      \"image/png\": 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\\n\",\n      \"text/plain\": [\n       \"<Figure size 720x360 with 1 Axes>\"\n      ]\n     },\n     \"metadata\": {\n      \"needs_background\": \"light\"\n     },\n     \"output_type\": \"display_data\"\n    }\n   ],\n   \"source\": [\n    \"# -----------------------------\\n\",\n    \"# Run This Cell to Produce Your Plot\\n\",\n    \"# ------------------------------\\n\",\n    \"reuters_corpus = read_corpus()\\n\",\n    \"M_co_occurrence, word2ind_co_occurrence = compute_co_occurrence_matrix(reuters_corpus)\\n\",\n    \"M_reduced_co_occurrence = reduce_to_k_dim(M_co_occurrence, k=2)\\n\",\n    \"\\n\",\n    \"# Rescale (normalize) the rows to make them each of unit-length\\n\",\n    \"M_lengths = np.linalg.norm(M_reduced_co_occurrence, axis=1)\\n\",\n    \"M_normalized = M_reduced_co_occurrence / M_lengths[:, np.newaxis] # broadcasting\\n\",\n    \"\\n\",\n    \"words = ['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']\\n\",\n    \"\\n\",\n    \"plot_embeddings(M_normalized, word2ind_co_occurrence, words)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- From the plot above, there's three clusters that we can observe:\\n\",\n    \"    - petroleum, industry\\n\",\n    \"    - energy, oil\\n\",\n    \"    - ecuador, iraq, kuwait\\n\",\n    \"- Countries that are major exporters of oil have been clustered together. This makes sense as co-occurence matrices group general topics and since oil countries likely share similar co-occurence words in the reuter articles corpus, they are expected to cluster together here. \\n\",\n    \"- \\\"bpd\\\", \\\"barrels\\\" and \\\"output\\\" should cluster together, but apparently they have less co-occurance in given datasets. Also, petroleum and oil could be clustered more closely together as crude oil and petroleum are sometimes used synonymously.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Part 2: Prediction-Based Word Vectors (15 points)\\n\",\n    \"\\n\",\n    \"As discussed in class, more recently prediction-based word vectors have demonstrated better performance, such as word2vec and GloVe (which also utilizes the benefit of counts). Here, we shall explore the embeddings produced by GloVe. Please revisit the class notes and lecture slides for more details on the word2vec and GloVe algorithms. If you're feeling adventurous, challenge yourself and try reading [GloVe's original paper](https://nlp.stanford.edu/pubs/glove.pdf).\\n\",\n    \"\\n\",\n    \"Then run the following cells to load the GloVe vectors into memory. **Note**: If this is your first time to run these cells, i.e. download the embedding model, it will take a couple minutes to run. If you've run these cells before, rerunning them will load the model without redownloading it, which will take about 1 to 2 minutes.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 14,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def load_embedding_model():\\n\",\n    \"    \\\"\\\"\\\" Load GloVe Vectors\\n\",\n    \"        Return:\\n\",\n    \"            wv_from_bin: All 400000 embeddings, each lengh 200\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    import gensim.downloader as api\\n\",\n    \"    wv_from_bin = api.load(\\\"glove-wiki-gigaword-200\\\")\\n\",\n    \"    print(\\\"Loaded vocab size %i\\\" % len(wv_from_bin.key_to_index.keys()))\\n\",\n    \"    return wv_from_bin\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 15,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Loaded vocab size 400000\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# -----------------------------------\\n\",\n    \"# Run Cell to Load Word Vectors\\n\",\n    \"# Note: This will take a couple minutes\\n\",\n    \"# -----------------------------------\\n\",\n    \"wv_from_bin = load_embedding_model()\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### Note: If you are receiving a \\\"reset by peer\\\" error, rerun the cell to restart the download. \"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Reducing dimensionality of Word Embeddings\\n\",\n    \"Let's directly compare the GloVe embeddings to those of the co-occurrence matrix. In order to avoid running out of memory, we will work with a sample of 10000 GloVe vectors instead.\\n\",\n    \"Run the following cells to:\\n\",\n    \"\\n\",\n    \"1. Put 10000 Glove vectors into a matrix M\\n\",\n    \"2. Run `reduce_to_k_dim` (your Truncated SVD function) to reduce the vectors from 200-dimensional to 2-dimensional.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 16,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"def get_matrix_of_vectors(wv_from_bin, required_words=['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']):\\n\",\n    \"    \\\"\\\"\\\" Put the GloVe vectors into a matrix M.\\n\",\n    \"        Param:\\n\",\n    \"            wv_from_bin: KeyedVectors object; the 400000 GloVe vectors loaded from file\\n\",\n    \"        Return:\\n\",\n    \"            M: numpy matrix shape (num words, 200) containing the vectors\\n\",\n    \"            word2ind: dictionary mapping each word to its row number in M\\n\",\n    \"    \\\"\\\"\\\"\\n\",\n    \"    import random\\n\",\n    \"    words = list(wv_from_bin.key_to_index.keys())\\n\",\n    \"    print(\\\"Shuffling words ...\\\")\\n\",\n    \"    random.seed(224)\\n\",\n    \"    random.shuffle(words)\\n\",\n    \"    words = words[:10000]\\n\",\n    \"    print(\\\"Putting %i words into word2ind and matrix M...\\\" % len(words))\\n\",\n    \"    word2ind = {}\\n\",\n    \"    M = []\\n\",\n    \"    curInd = 0\\n\",\n    \"    for w in words:\\n\",\n    \"        try:\\n\",\n    \"            M.append(wv_from_bin.word_vec(w))\\n\",\n    \"            word2ind[w] = curInd\\n\",\n    \"            curInd += 1\\n\",\n    \"        except KeyError:\\n\",\n    \"            continue\\n\",\n    \"    for w in required_words:\\n\",\n    \"        if w in words:\\n\",\n    \"            continue\\n\",\n    \"        try:\\n\",\n    \"            M.append(wv_from_bin.word_vec(w))\\n\",\n    \"            word2ind[w] = curInd\\n\",\n    \"            curInd += 1\\n\",\n    \"        except KeyError:\\n\",\n    \"            continue\\n\",\n    \"    M = np.stack(M)\\n\",\n    \"    print(\\\"Done.\\\")\\n\",\n    \"    return M, word2ind\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 17,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Shuffling words ...\\n\",\n      \"Putting 10000 words into word2ind and matrix M...\\n\",\n      \"Done.\\n\",\n      \"Running Truncated SVD over 10010 words...\\n\",\n      \"Done.\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# -----------------------------------------------------------------\\n\",\n    \"# Run Cell to Reduce 200-Dimensional Word Embeddings to k Dimensions\\n\",\n    \"# Note: This should be quick to run\\n\",\n    \"# -----------------------------------------------------------------\\n\",\n    \"M, word2ind = get_matrix_of_vectors(wv_from_bin)\\n\",\n    \"M_reduced = reduce_to_k_dim(M, k=2)\\n\",\n    \"\\n\",\n    \"# Rescale (normalize) the rows to make them each of unit-length\\n\",\n    \"M_lengths = np.linalg.norm(M_reduced, axis=1)\\n\",\n    \"M_reduced_normalized = M_reduced / M_lengths[:, np.newaxis] # broadcasting\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"**Note: If you are receiving out of memory issues on your local machine, try closing other applications to free more memory on your device. You may want to try restarting your machine so that you can free up extra memory. Then immediately run the jupyter notebook and see if you can load the word vectors properly. If you still have problems with loading the embeddings onto your local machine after this, please go to office hours or contact course staff.**\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.1: GloVe Plot Analysis [written] (3 points)\\n\",\n    \"\\n\",\n    \"Run the cell below to plot the 2D GloVe embeddings for `['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']`.\\n\",\n    \"\\n\",\n    \"What clusters together in 2-dimensional embedding space? What doesn't cluster together that you think should have? How is the plot different from the one generated earlier from the co-occurrence matrix? What is a possible cause for the difference?\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 27,\n   \"metadata\": {\n    \"scrolled\": true\n   },\n   \"outputs\": [\n    {\n     \"data\": {\n      \"image/png\": 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\\n\",\n      \"text/plain\": [\n       \"<Figure size 720x360 with 1 Axes>\"\n      ]\n     },\n     \"metadata\": {\n      \"needs_background\": \"light\"\n     },\n     \"output_type\": \"display_data\"\n    }\n   ],\n   \"source\": [\n    \"words = ['barrels', 'bpd', 'ecuador', 'energy', 'industry', 'kuwait', 'oil', 'output', 'petroleum', 'iraq']\\n\",\n    \"plot_embeddings(M_reduced_normalized, word2ind, words)\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- Unlike the window-based co-occurence embeddings, these prediction-based GloVe embeddings do not cluster together countries (\\\"iraq\\\", \\\"ecuador\\\" and \\\"kuwait\\\"). For e.g., Kuwait is largely displaced from Iraq. \\n\",\n    \"- GloVe seems to cluster together \\\"energy\\\" and \\\"industry\\\" more closely than co-occurence embeddings. \\\"oil\\\" and \\\"petroleum\\\" also cluster together, which aligns well with our expectations. \\\"barrels\\\" and \\\"bpd\\\" are still far off even though they're expected to be a bit closer since barrels-per-day should be a function of the number of barrels.\\n\",\n    \"- These GloVe word vectors were trained upon a much larger corpus that covers many topics. Meanwhile, our co-occurrence word vectors were generated using a relatively smaller corpus of news articles on the topic of crude oil. As a result, the GloVe vectors contain semantic information outside the context of oil. This may explain why the countries are not clustered here.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Cosine Similarity\\n\",\n    \"Now that we have word vectors, we need a way to quantify the similarity between individual words, according to these vectors. One such metric is cosine-similarity. We will be using this to find words that are \\\"close\\\" and \\\"far\\\" from one another.\\n\",\n    \"\\n\",\n    \"We can think of n-dimensional vectors as points in n-dimensional space. If we take this perspective [L1](http://mathworld.wolfram.com/L1-Norm.html) and [L2](http://mathworld.wolfram.com/L2-Norm.html) Distances help quantify the amount of space \\\"we must travel\\\" to get between these two points. Another approach is to examine the angle between two vectors. From trigonometry we know that:\\n\",\n    \"\\n\",\n    \"<img src=\\\"imgs/inner_product.png\\\" width=20% style=\\\"float: center;\\\"></img>\\n\",\n    \"\\n\",\n    \"Instead of computing the actual angle, we can leave the similarity in terms of $similarity = cos(\\\\Theta)$. Formally the [Cosine Similarity](https://en.wikipedia.org/wiki/Cosine_similarity) $s$ between two vectors $p$ and $q$ is defined as:\\n\",\n    \"\\n\",\n    \"$$s = \\\\frac{p \\\\cdot q}{||p|| ||q||}, \\\\textrm{ where } s \\\\in [-1, 1] $$ \"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.2: Words with Multiple Meanings (1.5 points) [code + written] \\n\",\n    \"Polysemes and homonyms are words that have more than one meaning (see this [wiki page](https://en.wikipedia.org/wiki/Polysemy) to learn more about the difference between polysemes and homonyms ). Find a word with *at least two different meanings* such that the top-10 most similar words (according to cosine similarity) contain related words from *both* meanings. For example, \\\"leaves\\\" has both \\\"go_away\\\" and \\\"a_structure_of_a_plant\\\" meaning in the top 10, and \\\"scoop\\\" has both \\\"handed_waffle_cone\\\" and \\\"lowdown\\\". You will probably need to try several polysemous or homonymic words before you find one. \\n\",\n    \"\\n\",\n    \"Please state the word you discover and the multiple meanings that occur in the top 10. Why do you think many of the polysemous or homonymic words you tried didn't work (i.e. the top-10 most similar words only contain **one** of the meanings of the words)?\\n\",\n    \"\\n\",\n    \"**Note**: You should use the `wv_from_bin.most_similar(word)` function to get the top 10 similar words. This function ranks all other words in the vocabulary with respect to their cosine similarity to the given word. For further assistance, please check the __[GenSim documentation](https://radimrehurek.com/gensim/models/keyedvectors.html#gensim.models.keyedvectors.FastTextKeyedVectors.most_similar)__.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 19,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"data\": {\n      \"text/plain\": [\n       \"[('weapons', 0.7115006446838379),\\n\",\n       \" ('hand', 0.5853789448738098),\\n\",\n       \" ('hands', 0.582863986492157),\\n\",\n       \" ('weapon', 0.5786144733428955),\\n\",\n       \" ('embargo', 0.5249772667884827),\\n\",\n       \" ('arm', 0.5146462917327881),\\n\",\n       \" ('weaponry', 0.513433039188385),\\n\",\n       \" ('nuclear', 0.5115358829498291),\\n\",\n       \" ('disarmament', 0.5083263516426086),\\n\",\n       \" ('iraq', 0.49865245819091797)]\"\n      ]\n     },\n     \"execution_count\": 19,\n     \"metadata\": {},\n     \"output_type\": \"execute_result\"\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    wv_from_bin.most_similar(\\\"arms\\\")\\n\",\n    \"    #wv_from_bin.most_similar(\\\"mouse\\\")\\n\",\n    \"    #wv_from_bin.most_similar(\\\"mole\\\")\\n\",\n    \"    #wv_from_bin.most_similar(\\\"tear\\\")\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- Since both \\\"weapons\\\" and \\\"arms\\\" are among the top 10 meanings of the word \\\"arms\\\", this implies that the embedding has captured both meanings of \\\"arms\\\": weaponry and limb.\\n\",\n    \"- A reason why many polysemous words don't exhibit different meanings is that these GloVe vectors are built upon Wiki data in which more often than not words tend to take on the same meanings. Another reason could be that the top 10 similar words sometimes include different forms of the same word (arm) or its meanings (hand/hands).\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.3: Synonyms & Antonyms (2 points) [code + written] \\n\",\n    \"\\n\",\n    \"When considering Cosine Similarity, it's often more convenient to think of Cosine Distance, which is simply 1 - Cosine Similarity.\\n\",\n    \"\\n\",\n    \"Find three words $(w_1,w_2,w_3)$ where $w_1$ and $w_2$ are synonyms and $w_1$ and $w_3$ are antonyms, but Cosine Distance $(w_1,w_3) <$ Cosine Distance $(w_1,w_2)$. \\n\",\n    \"\\n\",\n    \"As an example, $w_1$=\\\"happy\\\" is closer to $w_3$=\\\"sad\\\" than to $w_2$=\\\"cheerful\\\". Please find a different example that satisfies the above. Once you have found your example, please give a possible explanation for why this counter-intuitive result may have happened.\\n\",\n    \"\\n\",\n    \"You should use the the `wv_from_bin.distance(w1, w2)` function here in order to compute the cosine distance between two words. Please see the __[GenSim documentation](https://radimrehurek.com/gensim/models/keyedvectors.html#gensim.models.keyedvectors.FastTextKeyedVectors.distance)__ for further assistance.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 20,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"Synonyms love, affection have cosine distance: 0.42052197456359863\\n\",\n      \"Antonyms love, hate have cosine distance: 0.49353712797164917\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    w1 = \\\"love\\\" # synonym 1\\n\",\n    \"    w2 = \\\"affection\\\" # synonym 2\\n\",\n    \"    w3 = \\\"hate\\\" # antonym\\n\",\n    \"    w1_w2_dist = wv_from_bin.distance(w1, w2)\\n\",\n    \"    w1_w3_dist = wv_from_bin.distance(w1, w3)\\n\",\n    \"\\n\",\n    \"    print(\\\"Synonyms {}, {} have cosine distance: {}\\\".format(w1, w2, w1_w2_dist))\\n\",\n    \"    print(\\\"Antonyms {}, {} have cosine distance: {}\\\".format(w1, w3, w1_w3_dist))\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- The proximity of words to each other in a sequence, i.e., the context, carries more weight than their similarity in meaning/semantics in determining word embeddings.\\n\",\n    \"- Some words can be antonyms, but can still be used in the same context, so their distance is lower than a pair of synonyms. Conversely, even where two words are synonyms, they can be used in different contexts. As such, $w_1$ and $w_3$ might have appeared in more similar contexts than $w_1$ and $w_2$. This could lead to $w_1's$ and $w_3's$ vectors to be more similar to each other than $w_1's$ and $w_2's$.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.4: Analogies with Word Vectors [written] (1.5 points)\\n\",\n    \"Word vectors have been shown to *sometimes* exhibit the ability to solve analogies. \\n\",\n    \"\\n\",\n    \"As an example, for the analogy \\\"man : king :: woman : x\\\" (read: man is to king as woman is to x), what is x?\\n\",\n    \"\\n\",\n    \"In the cell below, we show you how to use word vectors to find x using the `most_similar` function from the __[GenSim documentation](https://radimrehurek.com/gensim/models/keyedvectors.html#gensim.models.keyedvectors.KeyedVectors.most_similar)__. The function finds words that are most similar to the words in the `positive` list and most dissimilar from the words in the `negative` list (while omitting the input words, which are often the most similar; see [this paper](https://www.aclweb.org/anthology/N18-2039.pdf)). The answer to the analogy will have the highest cosine similarity (largest returned numerical value).\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 21,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('queen', 0.6978679299354553),\\n\",\n      \" ('princess', 0.6081743836402893),\\n\",\n      \" ('monarch', 0.5889754891395569),\\n\",\n      \" ('throne', 0.5775110125541687),\\n\",\n      \" ('prince', 0.5750998258590698),\\n\",\n      \" ('elizabeth', 0.5463595986366272),\\n\",\n      \" ('daughter', 0.5399126410484314),\\n\",\n      \" ('kingdom', 0.5318052768707275),\\n\",\n      \" ('mother', 0.5168544054031372),\\n\",\n      \" ('crown', 0.5164472460746765)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# Run this cell to answer the analogy -- man : king :: woman : x\\n\",\n    \"pprint.pprint(wv_from_bin.most_similar(positive=['woman', 'king'], negative=['man']))\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"Let $m$, $k$, $w$, and $x$ denote the word vectors for `man`, `king`, `woman`, and the answer, respectively. Using **only** vectors $m$, $k$, $w$, and the vector arithmetic operators $+$ and $-$ in your answer, what is the expression in which we are maximizing cosine similarity with $x$?\\n\",\n    \"\\n\",\n    \"Hint: Recall that word vectors are simply multi-dimensional vectors that represent a word. It might help to draw out a 2D example using arbitrary locations of each vector. Where would `man` and `woman` lie in the coordinate plane relative to `king` and the answer?\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"The expression in which we are maximizing cosine similarity with $x$ is:\\n\",\n    \"$$|k - m| \\\\approx |x - w|$$\\n\",\n    \"\\n\",\n    \"Programmatically, we are trying to ensure that the distance (measured using cosine similarity) between $k - m$ is as similar as possible to $x - w$.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.5: Finding Analogies [code + written]  (1.5 points)\\n\",\n    \"Find an example of analogy that holds according to these vectors (i.e. the intended word is ranked top). In your solution please state the full analogy in the form x:y :: a:b. If you believe the analogy is complicated, explain why the analogy holds in one or two sentences.\\n\",\n    \"\\n\",\n    \"**Note**: You may have to try many analogies to find one that works!\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 22,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('actress', 0.8572621941566467),\\n\",\n      \" ('actresses', 0.6734701991081238),\\n\",\n      \" ('actors', 0.6297088861465454),\\n\",\n      \" ('starring', 0.6084522604942322),\\n\",\n      \" ('starred', 0.5989463925361633),\\n\",\n      \" ('screenwriter', 0.595988929271698),\\n\",\n      \" ('dancer', 0.5881683230400085),\\n\",\n      \" ('comedian', 0.5791141390800476),\\n\",\n      \" ('singer', 0.5661861300468445),\\n\",\n      \" ('married', 0.5574131011962891)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    pprint.pprint(wv_from_bin.most_similar(positive=['woman','actor'], negative=['man']))\\n\",\n    \"    #pprint.pprint(wv_from_bin.most_similar(positive=['paris', 'italy'], negative=['rome']))\\n\",\n    \"    \\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- Example 1:\\n\",\n    \"    - man:actor :: woman:actress\\n\",\n    \"- Example 2:\\n\",\n    \"    - rome:italy :: paris:france\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.6: Incorrect Analogy [code + written] (1.5 points)\\n\",\n    \"Find an example of analogy that does *not* hold according to these vectors. In your solution, state the intended analogy in the form x:y :: a:b, and state the (incorrect) value of b according to the word vectors.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 26,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('45,000-square', 0.4922032356262207),\\n\",\n      \" ('15,000-square', 0.4649604260921478),\\n\",\n      \" ('10,000-square', 0.45447564125061035),\\n\",\n      \" ('6,000-square', 0.44975778460502625),\\n\",\n      \" ('3,500-square', 0.4441334307193756),\\n\",\n      \" ('700-square', 0.44257500767707825),\\n\",\n      \" ('50,000-square', 0.4356396794319153),\\n\",\n      \" ('3,000-square', 0.43486514687538147),\\n\",\n      \" ('30,000-square', 0.4330596923828125),\\n\",\n      \" ('footed', 0.43236875534057617)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    pprint.pprint(wv_from_bin.most_similar(positive=[\\\"foot\\\", \\\"glove\\\"], negative=[\\\"hand\\\"]))\\n\",\n    \"    #pprint.pprint(wv_from_bin.most_similar(positive=[\\\"england\\\", \\\"india\\\"], negative=[\\\"english\\\"]))\\n\",\n    \"    #pprint.pprint(wv_from_bin.most_similar(positive=[\\\"america\\\", \\\"peacock\\\"], negative=[\\\"india\\\"]))\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- Example 1:\\n\",\n    \"    - Actual: hand:glove :: foot:sock\\n\",\n    \"    - Expected: hand:glove :: foot:sock\\n\",\n    \"    - Explanation: Intended analogy is \\\"hand : glove :: foot : sock\\\" but all the returned words are related to foot (as a measurement), body parts, or other things.\\n\",\n    \"- Example 2:\\n\",\n    \"    - Actual: england:english :: india:pakistan\\n\",\n    \"    - Expected: england:english :: india:hindi\\n\",\n    \"- Example 3:\\n\",\n    \"    - Actual: india:peacock :: america:nbc\\n\",\n    \"    - Expected: india:peacock :: america:eagle \"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.7: Guided Analysis of Bias in Word Vectors [written] (1 point)\\n\",\n    \"\\n\",\n    \"It's important to be cognizant of the biases (gender, race, sexual orientation etc.) implicit in our word embeddings. Bias can be dangerous because it can reinforce stereotypes through applications that employ these models.\\n\",\n    \"\\n\",\n    \"Run the cell below, to examine (a) which terms are most similar to \\\"woman\\\" and \\\"worker\\\" and most dissimilar to \\\"man\\\", and (b) which terms are most similar to \\\"man\\\" and \\\"worker\\\" and most dissimilar to \\\"woman\\\". Point out the difference between the list of female-associated words and the list of male-associated words, and explain how it is reflecting gender bias.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 24,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('employee', 0.6375863552093506),\\n\",\n      \" ('workers', 0.6068919897079468),\\n\",\n      \" ('nurse', 0.5837946534156799),\\n\",\n      \" ('pregnant', 0.536388635635376),\\n\",\n      \" ('mother', 0.5321309566497803),\\n\",\n      \" ('employer', 0.5127025842666626),\\n\",\n      \" ('teacher', 0.5099576711654663),\\n\",\n      \" ('child', 0.5096741914749146),\\n\",\n      \" ('homemaker', 0.5019454956054688),\\n\",\n      \" ('nurses', 0.4970572292804718)]\\n\",\n      \"\\n\",\n      \"[('workers', 0.611325740814209),\\n\",\n      \" ('employee', 0.5983108282089233),\\n\",\n      \" ('working', 0.5615329146385193),\\n\",\n      \" ('laborer', 0.5442320108413696),\\n\",\n      \" ('unemployed', 0.5368516445159912),\\n\",\n      \" ('job', 0.5278826951980591),\\n\",\n      \" ('work', 0.5223962664604187),\\n\",\n      \" ('mechanic', 0.5088937282562256),\\n\",\n      \" ('worked', 0.5054520964622498),\\n\",\n      \" ('factory', 0.4940453767776489)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# Run this cell\\n\",\n    \"# Here `positive` indicates the list of words to be similar to and `negative` indicates the list of words to be\\n\",\n    \"# most dissimilar from.\\n\",\n    \"pprint.pprint(wv_from_bin.most_similar(positive=['woman', 'worker'], negative=['man']))\\n\",\n    \"print()\\n\",\n    \"pprint.pprint(wv_from_bin.most_similar(positive=['man', 'worker'], negative=['woman']))\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"There seems to be some bias in the vectors generated around occupations with respect to gender.\\n\",\n    \"\\n\",\n    \"- Nurse, teacher, homemaker are among the top 10 terms most similar to \\\"woman\\\" and \\\"worker\\\" but most disimilar to \\\"man\\\".\\n\",\n    \"- Laborer, mechanic and factory are examples of terms most similar to \\\"man\\\" and \\\"worker\\\" but most disimilar to \\\"woman\\\".\\n\",\n    \"\\n\",\n    \"The vectors thus seem to have learnt some discrepency in employment roles among genders. However, some gender-neutral words like employee, workers do show up in both cases.\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.8: Independent Analysis of Bias in Word Vectors [code + written]  (1 point)\\n\",\n    \"\\n\",\n    \"Use the `most_similar` function to find another case where some bias is exhibited by the vectors. Please briefly explain the example of bias that you discover.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 25,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"[('professions', 0.5957457423210144),\\n\",\n      \" ('practitioner', 0.49884119629859924),\\n\",\n      \" ('teaching', 0.48292142152786255),\\n\",\n      \" ('nursing', 0.4821180999279022),\\n\",\n      \" ('vocation', 0.4788965880870819),\\n\",\n      \" ('teacher', 0.47160348296165466),\\n\",\n      \" ('practicing', 0.4693780839443207),\\n\",\n      \" ('educator', 0.46524325013160706),\\n\",\n      \" ('physicians', 0.4628995358943939),\\n\",\n      \" ('professionals', 0.4601393938064575)]\\n\",\n      \"\\n\",\n      \"[('reputation', 0.5250176191329956),\\n\",\n      \" ('professions', 0.5178037881851196),\\n\",\n      \" ('skill', 0.49046963453292847),\\n\",\n      \" ('skills', 0.49005505442619324),\\n\",\n      \" ('ethic', 0.4897659420967102),\\n\",\n      \" ('business', 0.4875851273536682),\\n\",\n      \" ('respected', 0.4859202802181244),\\n\",\n      \" ('practice', 0.4821045994758606),\\n\",\n      \" ('regarded', 0.47785723209381104),\\n\",\n      \" ('life', 0.4760662317276001)]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"    # ------------------\\n\",\n    \"    # Write your implementation here.\\n\",\n    \"\\n\",\n    \"    pprint.pprint(wv_from_bin.most_similar(positive=['woman', 'profession'], negative=['man']))\\n\",\n    \"    print()\\n\",\n    \"    pprint.pprint(wv_from_bin.most_similar(positive=['man', 'profession'], negative=['woman']))\\n\",\n    \"\\n\",\n    \"    # ------------------\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- The professions that are most similar to \\\"man\\\" but most dissimilar to \\\"woman\\\" draws up a range of careers such as physicians, educator/teacher etc. and also features keywords such as practitioner and professionals.\\n\",\n    \"- On the flipside, the embeddings that are most similar to \\\"woman\\\" and profession but most dissimilar to \\\"man\\\" are reputation, skills, ethic, business, etc. \\n\",\n    \"- This example thus exhibits a clear bias in gender-specific career choices, since careers like physicians, educator/teacher have more similarity to \\\"man\\\" than \\\"woman\\\".\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"### Question 2.9: Thinking About Bias [written] (2 points)\\n\",\n    \"\\n\",\n    \"Give one explanation of how bias gets into the word vectors. What is an experiment that you could do to test for or to measure this source of bias?\"\n   ]\n  },\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"#### <font color=\\\"red\\\">Write your answer here.</font>\\n\",\n    \"\\n\",\n    \"- \\\"Your model is only as good as the data it is trained on\\\" a.k.a. \\\"garbage in/garbage out\\\". \\n\",\n    \"- Since your model solely relies on the input data to generate its embeddings, biases inherent to society can be implicitly propagated through the data the model is trained on. This raises concerns because their widespread use often tends to amplify these biases. \\n\",\n    \"- Often news articles exhibit bias related to race, religion, gender, sexual orientation, etc. Since the training objective is to maximize the probability of prediciting the next word correctly, if the context windows within the data have implicit biases, they will likely be captured by the model. For instance, while the association between the words \\\"female\\\" and \\\"queen\\\" is desired, the association between between the words \\\"female\\\" and \\\"receptionist\\\" indicates a unhealthy gender stereotype that needs to be neutralized, i.e. not be gender-related.\\n\",\n    \"- To test or measure the source of bias, you can compute a vector $g = e_{woman}-e_{man}$, where $e_{woman}$ represents the word vector corresponding to the word \\\"woman\\\", and $e_{man}$ corresponds to the word vector corresponding to the word \\\"man\\\". The resulting vector $g$ thus roughly encodes the concept of \\\"gender\\\". Now, by comparing the distance between $g$ and a list of say, professions, we can uncover unhealthy gender stereotypes.\\n\",\n    \"- Further, using an equalization algorithm proposed by [Boliukbasi et al. (2016)](https://arxiv.org/abs/1607.06520), we can debias word vectors to some extent by modifying them to reduce gender stereotypes (but not eliminate it altogether).\"\n   ]\n  }\n ],\n \"metadata\": {\n  \"anaconda-cloud\": {},\n  \"kernelspec\": {\n   \"display_name\": \"cs224n\",\n   \"language\": \"python\",\n   \"name\": \"cs224n\"\n  },\n  \"language_info\": {\n   \"codemirror_mode\": {\n    \"name\": \"ipython\",\n    \"version\": 3\n   },\n   \"file_extension\": \".py\",\n   \"mimetype\": \"text/x-python\",\n   \"name\": \"python\",\n   \"nbconvert_exporter\": \"python\",\n   \"pygments_lexer\": \"ipython3\",\n   \"version\": \"3.7.9\"\n  }\n },\n \"nbformat\": 4,\n \"nbformat_minor\": 2\n}\n"
  },
  {
    "path": "a2/collect_submission.sh",
    "content": "rm -f assignment2.zip\nzip -r assignment2.zip *.py *.png saved_params_40000.npy\n"
  },
  {
    "path": "a2/env.yml",
    "content": "name: a2\nchannels:\n  - defaults\n  - anaconda\ndependencies:\n  - jupyter\n  - matplotlib\n  - numpy\n  - python=3.7\n  - scikit-learn\n"
  },
  {
    "path": "a2/get_datasets.sh",
    "content": "#!/bin/bash\n\nDATASETS_DIR=\"utils/datasets\"\nmkdir -p $DATASETS_DIR\n\ncd $DATASETS_DIR\n\n# Get Stanford Sentiment Treebank\nif hash wget 2>/dev/null; then\n  wget http://nlp.stanford.edu/~socherr/stanfordSentimentTreebank.zip\nelse\n  curl -L http://nlp.stanford.edu/~socherr/stanfordSentimentTreebank.zip -o stanfordSentimentTreebank.zip\nfi\nunzip stanfordSentimentTreebank.zip\nrm stanfordSentimentTreebank.zip\n"
  },
  {
    "path": "a2/run.py",
    "content": "#!/usr/bin/env python\n\nimport random\nimport numpy as np\nfrom utils.treebank import StanfordSentiment\nimport matplotlib\nmatplotlib.use('agg')\nimport matplotlib.pyplot as plt\nimport time\n\nfrom word2vec import *\nfrom sgd import *\n\n# Check Python Version\nimport sys\nassert sys.version_info[0] == 3\nassert sys.version_info[1] >= 5\n\n# Reset the random seed to make sure that everyone gets the same results\nrandom.seed(314)\ndataset = StanfordSentiment()\ntokens = dataset.tokens()\nnWords = len(tokens)\n\n# We are going to train 10-dimensional vectors for this assignment\ndimVectors = 10\n\n# Context size\nC = 5\n\n# Reset the random seed to make sure that everyone gets the same results\nrandom.seed(31415)\nnp.random.seed(9265)\n\nstartTime=time.time()\nwordVectors = np.concatenate(\n    ((np.random.rand(nWords, dimVectors) - 0.5) /\n       dimVectors, np.zeros((nWords, dimVectors))),\n    axis=0)\nwordVectors = sgd(\n    lambda vec: word2vec_sgd_wrapper(skipgram, tokens, vec, dataset, C,\n        negSamplingLossAndGradient),\n    wordVectors, 0.3, 40000, None, True, PRINT_EVERY=10)\n# Note that normalization is not called here. This is not a bug,\n# normalizing during training loses the notion of length.\n\nprint(\"sanity check: cost at convergence should be around or below 10\")\nprint(\"training took %d seconds\" % (time.time() - startTime))\n\n# concatenate the input and output word vectors\nwordVectors = np.concatenate(\n    (wordVectors[:nWords,:], wordVectors[nWords:,:]),\n    axis=0)\n\nvisualizeWords = [\n    \"great\", \"cool\", \"brilliant\", \"wonderful\", \"well\", \"amazing\",\n    \"worth\", \"sweet\", \"enjoyable\", \"boring\", \"bad\", \"dumb\",\n    \"annoying\", \"female\", \"male\", \"queen\", \"king\", \"man\", \"woman\", \"rain\", \"snow\",\n    \"hail\", \"coffee\", \"tea\"]\n\nvisualizeIdx = [tokens[word] for word in visualizeWords]\nvisualizeVecs = wordVectors[visualizeIdx, :]\ntemp = (visualizeVecs - np.mean(visualizeVecs, axis=0))\ncovariance = 1.0 / len(visualizeIdx) * temp.T.dot(temp)\nU,S,V = np.linalg.svd(covariance)\ncoord = temp.dot(U[:,0:2])\n\nfor i in range(len(visualizeWords)):\n    plt.text(coord[i,0], coord[i,1], visualizeWords[i],\n        bbox=dict(facecolor='green', alpha=0.1))\n\nplt.xlim((np.min(coord[:,0]), np.max(coord[:,0])))\nplt.ylim((np.min(coord[:,1]), np.max(coord[:,1])))\n\nplt.savefig('word_vectors.png')\n"
  },
  {
    "path": "a2/sgd.py",
    "content": "#!/usr/bin/env python\n\n# Save parameters every a few SGD iterations as fail-safe\nSAVE_PARAMS_EVERY = 5000\n\nimport pickle\nimport glob\nimport random\nimport numpy as np\nimport os.path as op\n\ndef load_saved_params():\n    \"\"\"\n    A helper function that loads previously saved parameters and resets\n    iteration start.\n    \"\"\"\n    st = 0\n    for f in glob.glob(\"saved_params_*.npy\"):\n        iter = int(op.splitext(op.basename(f))[0].split(\"_\")[2])\n        if (iter > st):\n            st = iter\n\n    if st > 0:\n        params_file = \"saved_params_%d.npy\" % st\n        state_file = \"saved_state_%d.pickle\" % st\n        params = np.load(params_file)\n        with open(state_file, \"rb\") as f:\n            state = pickle.load(f)\n        return st, params, state\n    else:\n        return st, None, None\n\n\ndef save_params(iter, params):\n    params_file = \"saved_params_%d.npy\" % iter\n    np.save(params_file, params)\n    with open(\"saved_state_%d.pickle\" % iter, \"wb\") as f:\n        pickle.dump(random.getstate(), f)\n\n\ndef sgd(f, x0, step, iterations, postprocessing=None, useSaved=False,\n        PRINT_EVERY=10):\n    \"\"\" Stochastic Gradient Descent\n\n    Implement the stochastic gradient descent method in this function.\n\n    Arguments:\n    f -- the function to optimize, it should take a single\n         argument and yield two outputs, a loss and the gradient\n         with respect to the arguments\n    x0 -- the initial point to start SGD from\n    step -- the step size for SGD\n    iterations -- total iterations to run SGD for\n    postprocessing -- postprocessing function for the parameters\n                      if necessary. In the case of word2vec we will need to\n                      normalize the word vectors to have unit length.\n    PRINT_EVERY -- specifies how many iterations to output loss\n\n    Return:\n    x -- the parameter value after SGD finishes\n    \"\"\"\n\n    # Anneal learning rate every several iterations\n    ANNEAL_EVERY = 20000\n\n    if useSaved:\n        start_iter, oldx, state = load_saved_params()\n        if start_iter > 0:\n            x0 = oldx\n            step *= 0.5 ** (start_iter / ANNEAL_EVERY)\n\n        if state:\n            random.setstate(state)\n    else:\n        start_iter = 0\n\n    x = x0\n\n    if not postprocessing:\n        postprocessing = lambda x: x\n\n    exploss = None\n\n    for iter in range(start_iter + 1, iterations + 1):\n        # You might want to print the progress every few iterations.\n\n        loss = None\n        ### YOUR CODE HERE (~2 lines)\n        \n        # Calculate loss and gradients\n        loss, grad = f(x)\n        \n        # Take step in direction of gradient.\n        x -= step * grad\n        ### END YOUR CODE\n\n        x = postprocessing(x)\n        if iter % PRINT_EVERY == 0:\n            if not exploss:\n                exploss = loss\n            else:\n                exploss = .95 * exploss + .05 * loss\n            print(\"iter %d: %f\" % (iter, exploss))\n\n        if iter % SAVE_PARAMS_EVERY == 0 and useSaved:\n            save_params(iter, x)\n\n        if iter % ANNEAL_EVERY == 0:\n            step *= 0.5\n\n    return x\n\n\ndef sanity_check():\n    quad = lambda x: (np.sum(x ** 2), x * 2)\n\n    print(\"Running sanity checks...\")\n    t1 = sgd(quad, 0.5, 0.01, 1000, PRINT_EVERY=100)\n    print(\"test 1 result:\", t1)\n    assert abs(t1) <= 1e-6\n\n    t2 = sgd(quad, 0.0, 0.01, 1000, PRINT_EVERY=100)\n    print(\"test 2 result:\", t2)\n    assert abs(t2) <= 1e-6\n\n    t3 = sgd(quad, -1.5, 0.01, 1000, PRINT_EVERY=100)\n    print(\"test 3 result:\", t3)\n    assert abs(t3) <= 1e-6\n\n    print(\"-\" * 40)\n    print(\"ALL TESTS PASSED\")\n    print(\"-\" * 40)\n\n\nif __name__ == \"__main__\":\n    sanity_check()\n"
  },
  {
    "path": "a2/utils/__init__.py",
    "content": ""
  },
  {
    "path": "a2/utils/datasets/stanfordSentimentTreebank/README.txt",
    "content": "Stanford Sentiment Treebank V1.0\n\nThis is the dataset of the paper:\n\nRecursive Deep Models for Semantic Compositionality Over a Sentiment Treebank\nRichard Socher, Alex Perelygin, Jean Wu, Jason Chuang, Christopher Manning, Andrew Ng and Christopher Potts\nConference on Empirical Methods in Natural Language Processing (EMNLP 2013)\n\nIf you use this dataset in your research, please cite the above paper.\n\n@incollection{SocherEtAl2013:RNTN,\ntitle = {{Parsing With Compositional Vector Grammars}},\nauthor = {Richard Socher and Alex Perelygin and Jean Wu and Jason Chuang and Christopher Manning and Andrew Ng and Christopher Potts},\nbooktitle = {{EMNLP}},\nyear = {2013}\n}\n\nThis file includes:\n1. original_rt_snippets.txt contains 10,605 processed snippets from the original pool of Rotten Tomatoes HTML files. Please note that some snippet may contain multiple sentences.\n\n2. dictionary.txt contains all phrases and their IDs, separated by a vertical line |\n\n3. sentiment_labels.txt contains all phrase ids and the corresponding sentiment labels, separated by a vertical line.\nNote that you can recover the 5 classes by mapping the positivity probability using the following cut-offs:\n[0, 0.2], (0.2, 0.4], (0.4, 0.6], (0.6, 0.8], (0.8, 1.0]\nfor very negative, negative, neutral, positive, very positive, respectively.\nPlease note that phrase ids and sentence ids are not the same.\n\n4. SOStr.txt and STree.txt encode the structure of the parse trees. \nSTree encodes the trees in a parent pointer format. Each line corresponds to each sentence in the datasetSentences.txt file. The Matlab code of this paper will show you how to read this format if you are not familiar with it.\n\n5. datasetSentences.txt contains the sentence index, followed by the sentence string separated by a tab. These are the sentences of the train/dev/test sets.\n\n6. datasetSplit.txt contains the sentence index (corresponding to the index in datasetSentences.txt file) followed by the set label separated by a comma:\n\t1 = train\n\t2 = test\n\t3 = dev\n\nPlease note that the datasetSentences.txt file has more sentences/lines than the original_rt_snippet.txt. \nEach row in the latter represents a snippet as shown on RT, whereas the former is each sub sentence as determined by the Stanford parser.\n\nFor comparing research and training models, please use the provided train/dev/test splits.\n\n"
  },
  {
    "path": "a2/utils/datasets/stanfordSentimentTreebank/SOStr.txt",
    "content": "The|Rock|is|destined|to|be|the|21st|Century|'s|new|``|Conan|''|and|that|he|'s|going|to|make|a|splash|even|greater|than|Arnold|Schwarzenegger|,|Jean-Claud|Van|Damme|or|Steven|Segal|.\nThe|gorgeously|elaborate|continuation|of|``|The|Lord|of|the|Rings|''|trilogy|is|so|huge|that|a|column|of|words|can|not|adequately|describe|co-writer\\/director|Peter|Jackson|'s|expanded|vision|of|J.R.R.|Tolkien|'s|Middle-earth|.\nEffective|but|too-tepid|biopic\nIf|you|sometimes|like|to|go|to|the|movies|to|have|fun|,|Wasabi|is|a|good|place|to|start|.\nEmerges|as|something|rare|,|an|issue|movie|that|'s|so|honest|and|keenly|observed|that|it|does|n't|feel|like|one|.\nThe|film|provides|some|great|insight|into|the|neurotic|mindset|of|all|comics|--|even|those|who|have|reached|the|absolute|top|of|the|game|.\nOffers|that|rare|combination|of|entertainment|and|education|.\nPerhaps|no|picture|ever|made|has|more|literally|showed|that|the|road|to|hell|is|paved|with|good|intentions|.\nSteers|turns|in|a|snappy|screenplay|that|curls|at|the|edges|;|it|'s|so|clever|you|want|to|hate|it|.\nBut|he|somehow|pulls|it|off|.\nTake|Care|of|My|Cat|offers|a|refreshingly|different|slice|of|Asian|cinema|.\nThis|is|a|film|well|worth|seeing|,|talking|and|singing|heads|and|all|.\nWhat|really|surprises|about|Wisegirls|is|its|low-key|quality|and|genuine|tenderness|.\n(|Wendigo|is|)|why|we|go|to|the|cinema|:|to|be|fed|through|the|eye|,|the|heart|,|the|mind|.\nOne|of|the|greatest|family-oriented|,|fantasy-adventure|movies|ever|.\nUltimately|,|it|ponders|the|reasons|we|need|stories|so|much|.\nAn|utterly|compelling|`|who|wrote|it|'|in|which|the|reputation|of|the|most|famous|author|who|ever|lived|comes|into|question|.\nIlluminating|if|overly|talky|documentary|.\nA|masterpiece|four|years|in|the|making|.\nThe|movie|'s|ripe|,|enrapturing|beauty|will|tempt|those|willing|to|probe|its|inscrutable|mysteries|.\nOffers|a|breath|of|the|fresh|air|of|true|sophistication|.\nA|thoughtful|,|provocative|,|insistently|humanizing|film|.\nWith|a|cast|that|includes|some|of|the|top|actors|working|in|independent|film|,|Lovely|&|Amazing|involves|us|because|it|is|so|incisive|,|so|bleakly|amusing|about|how|we|go|about|our|lives|.\nA|disturbing|and|frighteningly|evocative|assembly|of|imagery|and|hypnotic|music|composed|by|Philip|Glass|.\nNot|for|everyone|,|but|for|those|with|whom|it|will|connect|,|it|'s|a|nice|departure|from|standard|moviegoing|fare|.\nScores|a|few|points|for|doing|what|it|does|with|a|dedicated|and|good-hearted|professionalism|.\nOccasionally|melodramatic|,|it|'s|also|extremely|effective|.\nAn|idealistic|love|story|that|brings|out|the|latent|15-year-old|romantic|in|everyone|.\nAt|about|95|minutes|,|Treasure|Planet|maintains|a|brisk|pace|as|it|races|through|the|familiar|story|.\nHowever|,|it|lacks|grandeur|and|that|epic|quality|often|associated|with|Stevenson|'s|tale|as|well|as|with|earlier|Disney|efforts|.\nIt|helps|that|Lil|Bow|Wow|...|tones|down|his|pint-sized|gangsta|act|to|play|someone|who|resembles|a|real|kid|.\nGuaranteed|to|move|anyone|who|ever|shook|,|rattled|,|or|rolled|.\nA|masterful|film|from|a|master|filmmaker|,|unique|in|its|deceptive|grimness|,|compelling|in|its|fatalist|worldview|.\nLight|,|cute|and|forgettable|.\nIf|there|'s|a|way|to|effectively|teach|kids|about|the|dangers|of|drugs|,|I|think|it|'s|in|projects|like|the|(|unfortunately|R-rated|)|Paid|.\nWhile|it|would|be|easy|to|give|Crush|the|new|title|of|Two|Weddings|and|a|Funeral|,|it|'s|a|far|more|thoughtful|film|than|any|slice|of|Hugh|Grant|whimsy|.\nThough|everything|might|be|literate|and|smart|,|it|never|took|off|and|always|seemed|static|.\nCantet|perfectly|captures|the|hotel|lobbies|,|two-lane|highways|,|and|roadside|cafes|that|permeate|Vincent|'s|days\nMs.|Fulford-Wierzbicki|is|almost|spooky|in|her|sulky|,|calculating|Lolita|turn|.\nThough|it|is|by|no|means|his|best|work|,|Laissez-Passer|is|a|distinguished|and|distinctive|effort|by|a|bona-fide|master|,|a|fascinating|film|replete|with|rewards|to|be|had|by|all|willing|to|make|the|effort|to|reap|them|.\nLike|most|Bond|outings|in|recent|years|,|some|of|the|stunts|are|so|outlandish|that|they|border|on|being|cartoonlike|.\nA|heavy|reliance|on|CGI|technology|is|beginning|to|creep|into|the|series|.\nNewton|draws|our|attention|like|a|magnet|,|and|acts|circles|around|her|better|known|co-star|,|Mark|Wahlberg|.\nThe|story|loses|its|bite|in|a|last-minute|happy|ending|that|'s|even|less|plausible|than|the|rest|of|the|picture|.\nMuch|of|the|way|,|though|,|this|is|a|refreshingly|novel|ride|.\nFuller|would|surely|have|called|this|gutsy|and|at|times|exhilarating|movie|a|great|yarn|.\nThe|film|makes|a|strong|case|for|the|importance|of|the|musicians|in|creating|the|Motown|sound|.\nKarmen|moves|like|rhythm|itself|,|her|lips|chanting|to|the|beat|,|her|long|,|braided|hair|doing|little|to|wipe|away|the|jeweled|beads|of|sweat|.\nGosling|provides|an|amazing|performance|that|dwarfs|everything|else|in|the|film|.\nA|real|movie|,|about|real|people|,|that|gives|us|a|rare|glimpse|into|a|culture|most|of|us|do|n't|know|.\nTender|yet|lacerating|and|darkly|funny|fable|.\nMay|be|spoofing|an|easy|target|--|those|old|'|50|'s|giant|creature|features|--|but|...|it|acknowledges|and|celebrates|their|cheesiness|as|the|reason|why|people|get|a|kick|out|of|watching|them|today|.\nAn|engaging|overview|of|Johnson|'s|eccentric|career|.\nIn|its|ragged|,|cheap|and|unassuming|way|,|the|movie|works|.\nSome|actors|have|so|much|charisma|that|you|'d|be|happy|to|listen|to|them|reading|the|phone|book|.\nHugh|Grant|and|Sandra|Bullock|are|two|such|likeable|actors|.\nSandra|Nettelbeck|beautifully|orchestrates|the|transformation|of|the|chilly|,|neurotic|,|and|self-absorbed|Martha|as|her|heart|begins|to|open|.\nBehind|the|snow|games|and|lovable|Siberian|huskies|(|plus|one|sheep|dog|)|,|the|picture|hosts|a|parka-wrapped|dose|of|heart|.\nEverytime|you|think|Undercover|Brother|has|run|out|of|steam|,|it|finds|a|new|way|to|surprise|and|amuse|.\nManages|to|be|original|,|even|though|it|rips|off|many|of|its|ideas|.\nSinger\\/composer|Bryan|Adams|contributes|a|slew|of|songs|--|a|few|potential|hits|,|a|few|more|simply|intrusive|to|the|story|--|but|the|whole|package|certainly|captures|the|intended|,|er|,|spirit|of|the|piece|.\nYou|'d|think|by|now|America|would|have|had|enough|of|plucky|British|eccentrics|with|hearts|of|gold|.\nYet|the|act|is|still|charming|here|.\nWhether|or|not|you|'re|enlightened|by|any|of|Derrida|'s|lectures|on|``|the|other|''|and|``|the|self|,|''|Derrida|is|an|undeniably|fascinating|and|playful|fellow|.\nA|pleasant|enough|movie|,|held|together|by|skilled|ensemble|actors|.\nThis|is|the|best|American|movie|about|troubled|teens|since|1998|'s|Whatever|.\nDisney|has|always|been|hit-or-miss|when|bringing|beloved|kids|'|books|to|the|screen|...|Tuck|Everlasting|is|a|little|of|both|.\nJust|the|labour|involved|in|creating|the|layered|richness|of|the|imagery|in|this|chiaroscuro|of|madness|and|light|is|astonishing|.\nThe|animated|subplot|keenly|depicts|the|inner|struggles|of|our|adolescent|heroes|-|insecure|,|uncontrolled|,|and|intense|.\nThe|invincible|Werner|Herzog|is|alive|and|well|and|living|in|LA\nMorton|is|a|great|actress|portraying|a|complex|character|,|but|Morvern|Callar|grows|less|compelling|the|farther|it|meanders|from|its|shocking|start|.\nPart|of|the|charm|of|Satin|Rouge|is|that|it|avoids|the|obvious|with|humour|and|lightness|.\nSon|of|the|Bride|may|be|a|good|half-hour|too|long|but|comes|replete|with|a|flattering|sense|of|mystery|and|quietness|.\nA|simmering|psychological|drama|in|which|the|bursts|of|sudden|violence|are|all|the|more|startling|for|the|slow|buildup|that|has|preceded|them|.\nA|taut|,|intelligent|psychological|drama|.\nA|truly|moving|experience|,|and|a|perfect|example|of|how|art|--|when|done|right|--|can|help|heal|,|clarify|,|and|comfort|.\nThis|delicately|observed|story|,|deeply|felt|and|masterfully|stylized|,|is|a|triumph|for|its|maverick|director|.\nAt|heart|the|movie|is|a|deftly|wrought|suspense|yarn|whose|richer|shadings|work|as|coloring|rather|than|substance|.\nThe|appearance|of|Treebeard|and|Gollum|'s|expanded|role|will|either|have|you|loving|what|you|'re|seeing|,|or|rolling|your|eyes|.\nI|loved|it|!\nGollum|'s|`|performance|'|is|incredible|!\na|screenplay|more|ingeniously|constructed|than|``|Memento|''\nIf|this|movie|were|a|book|,|it|would|be|a|page-turner|,|you|ca|n't|wait|to|see|what|happens|next|.\nHaneke|challenges|us|to|confront|the|reality|of|sexual|aberration|.\nAbsorbing|and|disturbing|--|perhaps|more|disturbing|than|originally|intended|--|but|a|little|clarity|would|have|gone|a|long|way|.\nIt|'s|the|best|film|of|the|year|so|far|,|the|benchmark|against|which|all|other|Best|Picture|contenders|should|be|measured|.\nPainful|to|watch|,|but|viewers|willing|to|take|a|chance|will|be|rewarded|with|two|of|the|year|'s|most|accomplished|and|riveting|film|performances|.\nThis|is|a|startling|film|that|gives|you|a|fascinating|,|albeit|depressing|view|of|Iranian|rural|life|close|to|the|Iraqi|border|.\nA|few|artsy|flourishes|aside|,|Narc|is|as|gritty|as|a|movie|gets|these|days|.\nWhile|The|Isle|is|both|preposterous|and|thoroughly|misogynistic|,|its|vistas|are|incredibly|beautiful|to|look|at|.\nTogether|,|Tok|and|O|orchestrate|a|buoyant|,|darkly|funny|dance|of|death|.\nIn|the|process|,|they|demonstrate|that|there|'s|still|a|lot|of|life|in|Hong|Kong|cinema|.\nDirector|Kapur|is|a|filmmaker|with|a|real|flair|for|epic|landscapes|and|adventure|,|and|this|is|a|better|film|than|his|earlier|English-language|movie|,|the|overpraised|Elizabeth|.\nThe|movie|is|a|blast|of|educational|energy|,|as|bouncy|animation|and|catchy|songs|escort|you|through|the|entire|85|minutes|.\nA|sports|movie|with|action|that|'s|exciting|on|the|field|and|a|story|you|care|about|off|it|.\nDoug|Liman|,|the|director|of|Bourne|,|directs|the|traffic|well|,|gets|a|nice|wintry|look|from|his|locations|,|absorbs|us|with|the|movie|'s|spycraft|and|uses|Damon|'s|ability|to|be|focused|and|sincere|.\nThe|tenderness|of|the|piece|is|still|intact|.\nKatz|uses|archival|footage|,|horrifying|documents|of|lynchings|,|still|photographs|and|charming|old|reel-to-reel|recordings|of|Meeropol|entertaining|his|children|to|create|his|song|history|,|but|most|powerful|of|all|is|the|song|itself\nLike|the|film|'s|almost|anthropologically|detailed|realization|of|early|-|'80s|suburbia|,|it|'s|significant|without|being|overstated|.\nWhile|McFarlane|'s|animation|lifts|the|film|firmly|above|the|level|of|other|coming-of-age|films|...|it|'s|also|so|jarring|that|it|'s|hard|to|get|back|into|the|boys|'|story|.\nIf|nothing|else|,|this|movie|introduces|a|promising|,|unusual|kind|of|psychological|horror|.\nIn|a|normal|screen|process|,|these|bromides|would|be|barely|enough|to|sustain|an|interstitial|program|on|the|Discovery|Channel|.\nBut|in|Imax|3-D|,|the|clichés|disappear|into|the|vertiginous|perspectives|opened|up|by|the|photography|.\nWriter-director|Burger|imaginatively|fans|the|embers|of|a|dormant|national|grief|and|curiosity|that|has|calcified|into|chronic|cynicism|and|fear|.\n...|a|roller-coaster|ride|of|a|movie\nI|enjoyed|Time|of|Favor|while|I|was|watching|it|,|but|I|was|surprised|at|how|quickly|it|faded|from|my|memory|.\nChicago|is|sophisticated|,|brash|,|sardonic|,|completely|joyful|in|its|execution|.\nSteve|Irwin|'s|method|is|Ernest|Hemmingway|at|accelerated|speed|and|volume|.\nA|refreshing|Korean|film|about|five|female|high|school|friends|who|face|an|uphill|battle|when|they|try|to|take|their|relationships|into|deeper|waters|.\nOn|the|surface|,|it|'s|a|lovers-on-the-run|crime|flick|,|but|it|has|a|lot|in|common|with|Piesiewicz|'s|and|Kieslowski|'s|earlier|work|,|films|like|The|Double|Life|of|Veronique|.\nThe|values|that|have|held|the|Enterprise|crew|together|through|previous|adventures|and|perils|do|so|again-courage|,|self-sacrifice|and|patience|under|pressure|.\nIf|it|'s|possible|for|a|sequel|to|outshine|the|original|,|then|SL2|does|just|that|.\nA|romantic|comedy|that|operates|by|the|rules|of|its|own|self-contained|universe|.\n4|friends|,|2|couples|,|2000|miles|,|and|all|the|Pabst|Blue|Ribbon|beer|they|can|drink|-|it|'s|the|ultimate|redneck|road-trip|.\nThe|film|is|often|filled|with|a|sense|of|pure|wonderment|and|excitement|not|often|seen|in|today|'s|cinema|du|sarcasm\nIt|might|be|tempting|to|regard|Mr.|Andrew|and|his|collaborators|as|oddballs|,|but|Mr.|Earnhart|'s|quizzical|,|charming|movie|allows|us|to|see|them|,|finally|,|as|artists|.\nA|feel-good|picture|in|the|best|sense|of|the|term|.\nEdited|and|shot|with|a|syncopated|style|mimicking|the|work|of|his|subjects|,|Pray|turns|the|idea|of|the|documentary|on|its|head|,|making|it|rousing|,|invigorating|fun|lacking|any|MTV|puffery|.\nA|mostly|intelligent|,|engrossing|and|psychologically|resonant|suspenser|.\nIt|'s|this|memory-as-identity|obviation|that|gives|Secret|Life|its|intermittent|unease|,|reaffirming|that|long-held|illusions|are|indeed|reality|,|and|that|erasing|them|recasts|the|self|.\nHip-hop|has|a|history|,|and|it|'s|a|metaphor|for|this|love|story|.\nIn|scope|,|ambition|and|accomplishment|,|Children|of|the|Century|...|takes|Kurys|'|career|to|a|whole|new|level|.\nThis|may|not|have|the|dramatic|gut-wrenching|impact|of|other|Holocaust|films|,|but|it|'s|a|compelling|story|,|mainly|because|of|the|way|it|'s|told|by|the|people|who|were|there|.\nBetween|the|drama|of|Cube|?\ns|personal|revelations|regarding|what|the|shop|means|in|the|big|picture|,|iconic|characters|gambol|fluidly|through|the|story|,|with|charming|results|.\nA|gentle|,|compassionate|drama|about|grief|and|healing|.\nSomewhere|short|of|Tremors|on|the|modern|B-scene|:|neither|as|funny|nor|as|clever|,|though|an|agreeably|unpretentious|way|to|spend|ninety|minutes|.\nDigital-video|documentary|about|stand-up|comedians|is|a|great|glimpse|into|a|very|different|world|.\nUnlike|most|teen|flicks|,|Swimming|takes|its|time|to|tell|its|story|,|casts|mostly|little-known|performers|in|key|roles|,|and|introduces|some|intriguing|ambiguity|.\nAn|enthralling|,|playful|film|that|constantly|frustrates|our|desire|to|know|the|`|truth|'|about|this|man|,|while|deconstructing|the|very|format|of|the|biography|in|a|manner|that|Derrida|would|doubtless|give|his|blessing|to|.\n``|Extreme|Ops|''|exceeds|expectations|.\nGood|fun|,|good|action|,|good|acting|,|good|dialogue|,|good|pace|,|good|cinematography|.\nYou|Should|Pay|Nine|Bucks|for|This|:|Because|you|can|hear|about|suffering|Afghan|refugees|on|the|news|and|still|be|unaffected|.\nDramas|like|this|make|it|human|.\nA|thunderous|ride|at|first|,|quiet|cadences|of|pure|finesse|are|few|and|far|between|;|their|shortage|dilutes|the|potency|of|otherwise|respectable|action|.\nStill|,|this|flick|is|fun|,|and|host|to|some|truly|excellent|sequences|.\nIt|'s|obviously|struck|a|responsive|chord|with|many|South|Koreans|,|and|should|work|its|magic|in|other|parts|of|the|world|.\nRun|,|do|n't|walk|,|to|see|this|barbed|and|bracing|comedy|on|the|big|screen|.\nA|classy|item|by|a|legend|who|may|have|nothing|left|to|prove|but|still|has|the|chops|and|drive|to|show|how|its|done|.\nIt|is|nature|against|progress|.\nIn|Fessenden|'s|horror|trilogy|,|this|theme|has|proved|important|to|him|and|is|especially|so|in|the|finale|.\nIt|'s|not|exactly|a|gourmet|meal|but|the|fare|is|fair|,|even|coming|from|the|drive-thru|.\nThis|is|what|IMAX|was|made|for|:|Strap|on|a|pair|of|3-D|goggles|,|shut|out|the|real|world|,|and|take|a|vicarious|voyage|to|the|last|frontier|--|space|.\nMerely|as|a|technical|,|logistical|feat|,|Russian|Ark|marks|a|cinematic|milestone|.\n(|Schweiger|is|)|talented|and|terribly|charismatic|,|qualities|essential|to|both|movie|stars|and|social|anarchists|.\nIt|'s|a|great|deal|of|sizzle|and|very|little|steak|.\nBut|what|spectacular|sizzle|it|is|!\n...|In|this|incarnation|its|fizz|is|infectious|.\nAn|original|gem|about|an|obsession|with|time|.\nIt|will|delight|newcomers|to|the|story|and|those|who|know|it|from|bygone|days|.\nGloriously|goofy|(|and|gory|)|midnight|movie|stuff|.\nThe|film|overcomes|the|regular|minefield|of|coming-of-age|cliches|with|potent|doses|of|honesty|and|sensitivity|.\nIf|your|senses|have|n't|been|dulled|by|slasher|films|and|gorefests|,|if|you|'re|a|connoisseur|of|psychological|horror|,|this|is|your|ticket|.\nIt|'s|a|minor|comedy|that|tries|to|balance|sweetness|with|coarseness|,|while|it|paints|a|sad|picture|of|the|singles|scene|.\nIt|is|intensely|personal|and|yet|--|unlike|Quills|--|deftly|shows|us|the|temper|of|the|times|.\nAs|lo-fi|as|the|special|effects|are|,|the|folks|who|cobbled|Nemesis|together|indulge|the|force|of|humanity|over|hardware|in|a|way|that|George|Lucas|has|long|forgotten|.\nLike|Mike|does|n't|win|any|points|for|originality|.\nIt|does|succeed|by|following|a|feel-good|formula|with|a|winning|style|,|and|by|offering|its|target|audience|of|urban|kids|some|welcome|role|models|and|optimism|.\nIt|'s|a|hoot|and|a|half|,|and|a|great|way|for|the|American|people|to|see|what|a|candidate|is|like|when|he|'s|not|giving|the|same|15-cent|stump|speech|.\nFar|from|perfect|,|but|its|heart|is|in|the|right|place|...|innocent|and|well-meaning|.\nA|sad|,|superior|human|comedy|played|out|on|the|back|roads|of|life|.\nWaydowntown|is|by|no|means|a|perfect|film|,|but|its|boasts|a|huge|charm|factor|and|smacks|of|originality|.\nTim|Allen|is|great|in|his|role|but|never|hogs|the|scenes|from|his|fellow|cast|,|as|there|are|plenty|of|laughs|and|good|lines|for|everyone|in|this|comedy|.\nMore|a|load|of|enjoyable|,|Conan-esque|claptrap|than|the|punishing|,|special-effects|soul|assaults|the|Mummy|pictures|represent|.\nEnormously|likable|,|partly|because|it|is|aware|of|its|own|grasp|of|the|absurd|.\nHere|'s|a|British|flick|gleefully|unconcerned|with|plausibility|,|yet|just|as|determined|to|entertain|you|.\nIt|'s|an|old|story|,|but|a|lively|script|,|sharp|acting|and|partially|animated|interludes|make|Just|a|Kiss|seem|minty|fresh|.\nMust|be|seen|to|be|believed|.\nRay|Liotta|and|Jason|Patric|do|some|of|their|best|work|in|their|underwritten|roles|,|but|do|n't|be|fooled|:|Nobody|deserves|any|prizes|here|.\nEverything|that|has|to|do|with|Yvan|and|Charlotte|,|and|everything|that|has|to|do|with|Yvan|'s|rambunctious|,|Jewish|sister|and|her|non-Jew|husband|,|feels|funny|and|true|.\nThe|year|'s|happiest|surprise|,|a|movie|that|deals|with|a|real|subject|in|an|always|surprising|way|.\nFans|of|Behan|'s|work|and|of|Irish|movies|in|general|will|be|rewarded|by|Borstal|Boy|.\nIts|mysteries|are|transparently|obvious|,|and|it|'s|too|slowly|paced|to|be|a|thriller|.\n(|But|it|'s|)|worth|recommending|because|of|two|marvelous|performances|by|Michael|Caine|and|Brendan|Fraser|.\nThe|film|is|faithful|to|what|one|presumes|are|the|book|'s|twin|premises|--|that|we|become|who|we|are|on|the|backs|of|our|parents|,|but|we|have|no|idea|who|they|were|at|our|age|;|and|that|time|is|a|fleeting|and|precious|commodity|no|matter|how|old|you|are|.\nStephen|Earnhart|'s|homespun|documentary|Mule|Skinner|Blues|has|nothing|but|love|for|its|posse|of|trailer|park|denizens|.\nA|solidly|seaworthy|chiller|.\nIf|you|can|get|past|the|fantastical|aspects|and|harsh|realities|of|``|The|Isle|''|you|'ll|get|a|sock-you-in-the-eye|flick|that|is|a|visual|tour-de-force|and|a|story|that|is|unlike|any|you|will|likely|see|anywhere|else|.\nThere|are|as|many|misses|as|hits|,|but|ultimately|,|it|finds|humor|in|the|foibles|of|human|behavior|,|and|it|'s|a|welcome|return|to|the|roots|of|a|genre|that|should|depend|on|surprises|.\nA|well-made|thriller|with|a|certain|level|of|intelligence|and|non-reactionary|morality|.\nThere|'s|enough|science|to|make|it|count|as|educational|,|and|enough|beauty|to|make|it|unforgettable|.\nRemains|a|solid|,|if|somewhat|heavy-handed|,|account|of|the|near-disaster|...|done|up|by|Howard|with|a|steady|,|if|not|very|imaginative|,|hand|.\nMakmalbaf|follows|a|resolutely|realistic|path|in|this|uncompromising|insight|into|the|harsh|existence|of|the|Kurdish|refugees|of|Iran|'s|borderlands|.\nFor|a|good|chunk|of|its|running|time|,|Trapped|is|an|effective|and|claustrophobic|thriller|.\nMost|of|Crush|is|a|clever|and|captivating|romantic|comedy|with|a|welcome|pinch|of|tartness|.\nNair|does|capture|the|complexity|of|a|big|family|and|its|trials|and|tribulations|...\nThe|seaside|splendor|and|shallow|,|beautiful|people|are|nice|to|look|at|while|you|wait|for|the|story|to|get|going|.\nRare|is|the|`|urban|comedy|'|that|even|attempts|the|insight|and|honesty|of|this|disarming|indie|.\nRanks|among|Willams|'|best|screen|work|.\nEngagingly|captures|the|maddening|and|magnetic|ebb|and|flow|of|friendship|.\nAn|experience|so|engrossing|it|is|like|being|buried|in|a|new|environment|.\nIt|'s|traditional|moviemaking|all|the|way|,|but|it|'s|done|with|a|lot|of|careful|period|attention|as|well|as|some|very|welcome|wit|.\nMaybe|it|'s|just|because|this|past|year|has|seen|the|release|of|some|of|the|worst|film|comedies|in|decades|...|But|honestly|,|Analyze|That|really|is|n't|all|that|bad|.\nA|droll|,|well-acted|,|character-driven|comedy|with|unexpected|deposits|of|feeling|.\nThis|is|simply|the|most|fun|you|'ll|ever|have|with|a|documentary|!\nA|very|funny|movie|.\nWatching|Haneke|'s|film|is|,|aptly|enough|,|a|challenge|and|a|punishment|.\nBut|watching|Huppert|,|a|great|actress|tearing|into|a|landmark|role|,|is|riveting|.\nA|cop|story|that|understands|the|medium|amazingly|well|.\nBritney|has|been|delivered|to|the|big|screen|safe|and|sound|,|the|way|we|like|our|20-year-old|superstar|girls|to|travel|on|the|fame|freeway|.\nThose|outside|show|business|will|enjoy|a|close|look|at|people|they|do|n't|really|want|to|know|.\nThe|kind|of|nervous|film|that|will|either|give|you|a|mild|headache|or|exhilarate|you|.\nWatching|Beanie|and|his|gang|put|together|his|slasher|video|from|spare|parts|and|borrowed|materials|is|as|much|fun|as|it|must|have|been|for|them|to|make|it|.\nChildren|may|not|understand|everything|that|happens|--|I|'m|not|sure|even|Miyazaki|himself|does|--|but|they|will|almost|certainly|be|fascinated|,|and|undoubtedly|delighted|.\nA|fascinating|and|fun|film|.\nTadpole|is|a|sophisticated|,|funny|and|good-natured|treat|,|slight|but|a|pleasure|.\nThis|insightful|,|Oscar-nominated|documentary|,|in|which|children|on|both|sides|of|the|ever-escalating|conflict|have|their|say|away|from|watchful|parental|eyes|,|gives|peace|yet|another|chance|.\nI|admired|this|work|a|lot|.\nWhether|you|'re|moved|and|love|it|,|or|bored|or|frustrated|by|the|film|,|you|'ll|still|feel|something|.\n...|there|are|enough|moments|of|heartbreaking|honesty|to|keep|one|glued|to|the|screen|.\nMy|goodness|,|Queen|Latifah|has|a|lot|to|offer|and|she|seemed|to|have|no|problem|flaunting|her|natural|gifts|.\nShe|must|have|a|very|strong|back|.\nA|smart|,|sweet|and|playful|romantic|comedy|.\nAustralian|actor\\/director|John|Polson|and|award-winning|English|cinematographer|Giles|Nuttgens|make|a|terrific|effort|at|disguising|the|obvious|with|energy|and|innovation|.\nWithout|heavy-handedness|,|Dong|provides|perspective|with|his|intelligent|grasp|of|human|foibles|and|contradictions|.\nSolid|,|lump-in-the-throat|family|entertainment|that|derives|its|power|by|sticking|to|the|facts|.\nAs|an|entertainment|,|the|movie|keeps|you|diverted|and|best|of|all|,|it|lightens|your|wallet|without|leaving|a|sting|.\nIt|is|interesting|and|fun|to|see|Goodall|and|her|chimpanzees|on|the|bigger-than-life|screen|.\nIt|wo|n't|bust|your|gut|--|and|it|'s|not|intended|to|--|it|'s|merely|a|blandly|cinematic|surgical|examination|of|what|makes|a|joke|a|joke|.\nA|somewhat|crudely|constructed|but|gripping|,|questing|look|at|a|person|so|racked|with|self-loathing|,|he|becomes|an|enemy|to|his|own|race|.\nIt|extends|the|writings|of|Jean|Genet|and|John|Rechy|,|the|films|of|Fassbinder|,|perhaps|even|the|nocturnal|works|of|Goya|.\nNarc|may|not|get|an|`|A|'|for|originality|,|but|it|wears|its|B-movie|heritage|like|a|badge|of|honor|.\nWith|the|film|'s|striking|ending|,|one|realizes|that|we|have|a|long|way|to|go|before|we|fully|understand|all|the|sexual|permutations|involved|.\n(|Drumline|)|is|entertaining|for|what|it|does|,|and|admirable|for|what|it|does|n't|do|.\nAt|its|best|early|on|as|it|plays|the|culture|clashes|between|the|brothers|.\nAn|unabashedly|schmaltzy|and|thoroughly|enjoyable|true|story|.\nA|thoughtful|look|at|a|painful|incident|that|made|headlines|in|1995|.\nYou|walk|out|of|The|Good|Girl|with|mixed|emotions|--|disapproval|of|Justine|combined|with|a|tinge|of|understanding|for|her|actions|.\nTsai|Ming-liang|has|taken|his|trademark|style|and|refined|it|to|a|crystalline|point|.\nPurely|propaganda|,|a|work|of|unabashed|hero|worship|,|it|is|nonetheless|--|and|likely|inadvertently|--|a|timely|and|invaluable|implicit|reminder|of|the|role|that|U.S.|foreign|policy|has|played|in|the|rise|of|Castro|.\nNow|trimmed|by|about|20|minutes|,|this|lavish|three-year-old|production|has|enough|grandeur|and|scale|to|satisfy|as|grown-up|escapism|.\nWe|get|some|truly|unique|character|studies|and|a|cross-section|of|Americana|that|Hollywood|could|n't|possibly|fictionalize|and|be|believed|.\nThough|this|film|can|be|clumsy|,|its|ambitions|are|equally|--|and|admirably|--|uncommercial|.\nDaring|,|mesmerizing|and|exceedingly|hard|to|forget|.\nMoore|'s|performance|impresses|almost|as|much|as|her|work|with|Haynes|in|1995|'s|Safe|.\nVisits|spy-movie|territory|like|a|novel|you|ca|n't|put|down|,|examines|a|footnote|to|history|seldom|brought|to|light|on|the|screen|,|and|keeps|you|guessing|from|first|frame|to|last|.\nAn|absorbing|,|slice-of-depression|life|that|touches|nerves|and|rings|true|.\nMr.|Parker|has|brilliantly|updated|his|source|and|grasped|its|essence|,|composing|a|sorrowful|and|hilarious|tone|poem|about|alienated|labor|,|or|an|absurdist|workplace|sitcom|.\nThe|result|is|something|quite|fresh|and|delightful|.\nAll|but|the|most|persnickety|preteens|should|enjoy|this|nonthreatening|but|thrilling|adventure|.\nDespite|its|many|infuriating|flaws|--|not|the|least|of|which|is|Amy|'s|self-absorbed|personality|--|Amy|'s|O|'s|honesty|will|win|you|over|.\nThis|is|one|of|Polanski|'s|best|films|.\nDay|is|not|a|great|Bond|movie|,|but|it|is|a|good|Bond|movie|,|which|still|makes|it|much|better|than|your|typical|Bond|knock-offs|.\nPolished|Korean|political-action|film|is|just|as|good|--|and|bad|--|as|Hollywood|action|epics|.\nIs|this|progress|?\nElling|,|portrayed|with|quiet|fastidiousness|by|Per|Christian|Ellefsen|,|is|a|truly|singular|character|,|one|whose|frailties|are|only|slightly|magnified|versions|of|the|ones|that|vex|nearly|everyone|.\nDenis|and|co-writer|Michele|Petin|'s|impeccable|screenplay|penetrates|with|a|rawness|that|that|is|both|unflinching|and|tantalizing|.\nLead|provocatuers|Testud|and|Parmentier|give|superlative|performances\nAn|absorbing|trip|into|the|minds|and|motivations|of|people|under|stress|as|well|as|a|keen|,|unsentimental|look|at|variations|on|the|theme|of|motherhood|.\nI|admired|it|,|particularly|that|unexpected|downer|of|an|ending|.\nThe|passions|aroused|by|the|discord|between|old|and|new|cultures|are|set|against|the|strange|,|stark|beauty|of|the|Mideast|desert|,|so|lovingly|and|perceptively|filmed|that|you|can|almost|taste|the|desiccated|air|.\nRemarkably|accessible|and|affecting|.\nNever|mind|whether|you|buy|the|stuff|about|Barris|being|a|CIA|hit|man|.\nThe|kooky|yet|shadowy|vision|Clooney|sustains|throughout|is|daring|,|inventive|and|impressive|.\nA|triumph|of|art|direction|over|narrative|,|but|what|art|direction|!\nBehan|himself|knew|how|to|spin|a|tale|and|one|ca|n't|help|but|think|he|'d|appreciate|this|attempt|to|turn|his|life|into|art|.\nJirí|Hubac|'s|script|is|a|gem|.\nHis|characters|are|engaging|,|intimate|and|the|dialogue|is|realistic|and|greatly|moving|.\nThe|scope|of|the|Silberstein|family|is|large|and|we|grow|attached|to|their|lives|,|full|of|strength|,|warmth|and|vitality|.|.\nMoore|'s|complex|and|important|film|is|also|,|believe|it|or|not|,|immensely|entertaining|,|a|David|and|Goliath|story|that|'s|still|very|much|playing|itself|out|.\nThe|additional|storyline|is|interesting|and|entertaining|,|but|it|does|n't|have|the|same|magical|quality|as|the|beginning|of|the|story|.\nI|like|the|new|footage|and|still|love|the|old|stuff|.\nThough|Mama|takes|a|bit|too|long|to|find|its|rhythm|and|a|third-act|plot|development|is|somewhat|melodramatic|,|its|ribald|humor|and|touching|nostalgia|are|sure|to|please|anyone|in|search|of|a|Jules|and|Jim|for|the|new|millennium|.\nYou|might|not|buy|the|ideas|.\nBut|you|'ll|definitely|want|the|T-shirt|.\nProvides|an|intriguing|window|into|the|imagination|and|hermetic|analysis|of|Todd|Solondz|.\nWindtalkers|is|shapelessly|gratifying|,|the|kind|of|movie|that|invites|you|to|pick|apart|its|faults|even|as|you|have|to|admit|that|somehow|it|hit|you|where|you|live|.\nPresents|an|astute|appraisal|of|Middle|American|musical|torpor|and|the|desperate|struggle|to|escape|it|.\nJust|what|makes|us|happy|,|anyway|?\nA|thoughtful|,|moving|piece|that|faces|difficult|issues|with|honesty|and|beauty|.\nOne|of|the|greatest|romantic|comedies|of|the|past|decade|.\nYou|would|n't|call|The|Good|Girl|a|date|movie|(|an|anti-date|movie|is|more|like|it|)|,|but|when|it|'s|good|,|it|'s|good|and|horrid|.\nBenefits|from|a|strong|performance|from|Zhao|,|but|it|'s|Dong|Jie|'s|face|you|remember|at|the|end|.\nThis|is|a|film|brimming|with|detail|and|nuance|and|one|that|speaks|volumes|about|the|ability|of|the|human|spirit|to|find|solace|in|events|that|could|easily|crush|it|forever|.\nThe|director|,|Steven|Shainberg|,|has|succeeded|by|focusing|intently|on|his|characters|,|making|them|quirky|individuals|rather|than|figures|of|fun|.\nIt|ultimately|stands|forth|as|an|important|chronicle|of|the|abuses|of|one|of|Latin|America|'s|most|oppressive|regimes|.\nThe|movie|has|a|soft|,|percolating|magic|,|a|deadpan|suspense|.\nA|well-made|and|often|lovely|depiction|of|the|mysteries|of|friendship|.\nUsing|his|audience|as|a|figurative|port-of-call|,|Dong|pulls|his|even-handed|ideological|ship|to|their|dock|for|unloading|,|before|he|continues|his|longer|journey|still|ahead|.\n...|understands|that|a|generation|defines|its|music|as|much|as|the|music|defines|a|generation|.\nThe|Transporter|is|as|lively|and|as|fun|as|it|is|unapologetically|dumb\nAs|a|witness|to|several|Greek-American|weddings|--|but|,|happily|,|a|victim|of|none|--|I|can|testify|to|the|comparative|accuracy|of|Ms.|Vardalos|'|memories|and|insights|.\nHas|it|ever|been|possible|to|say|that|Williams|has|truly|inhabited|a|character|?\nIt|is|now|.\nBy|presenting|an|impossible|romance|in|an|impossible|world|,|Pumpkin|dares|us|to|say|why|either|is|impossible|--|which|forces|us|to|confront|what|'s|possible|and|what|we|might|do|to|make|it|so|.\nAn|impressive|debut|for|first-time|writer-director|Mark|Romanek|,|especially|considering|his|background|is|in|music|video|.\nAn|incendiary|,|deeply|thought-provoking|look|at|one|of|the|most|peculiar|(|and|peculiarly|venomous|)|bigotries|in|our|increasingly|frightening|theocracy\nAll|the|performances|are|top|notch|and|,|once|you|get|through|the|accents|,|All|or|Nothing|becomes|an|emotional|,|though|still|positive|,|wrench|of|a|sit|.\n``|its|successes|are|also|tempered|with|elements|which|prove|the|direct|antithesis|of|what|it|gets|right|.|''\nIt|'s|solid|and|affecting|and|exactly|as|thought-provoking|as|it|should|be|.\nThis|is|such|a|dazzlingly|self-assured|directorial|debut|that|it|'s|hard|to|know|what|to|praise|first|.\nParker|holds|true|to|Wilde|'s|own|vision|of|a|pure|comedy|with|absolutely|no|meaning|,|and|no|desire|to|be|anything|but|a|polished|,|sophisticated|entertainment|that|is|in|love|with|its|own|cleverness|.\nMünch|'s|genuine|insight|makes|the|film|'s|occasional|overindulgence|forgivable|.\nThankfully|,|the|film|,|which|skirts|that|rapidly|deteriorating|line|between|fantasy|and|reality|...|takes|a|tongue-in-cheek|attitude|even|as|it|pushes|the|Croc|Hunter|agenda|.\nUltimately|,|the|message|of|Trouble|Every|Day|seems|to|be|that|all|sexual|desire|disrupts|life|'s|stasis|.\nIf|you|'re|like|me|,|a|sucker|for|a|good|old|fashion|romance|and|someone|who|shamelessly|loves|to|eat|,|then|Mostly|Martha|offers|all|the|perfect|ingredients|to|more|than|satisfy|your|appetite|.\nThe|film|has|just|enough|of|everything|--|re-enactments|,|archival|footage|,|talking-head|interviews|--|and|the|music|is|simply|sublime|.\nThere|are|a|few|stabs|at|absurdist|comedy|...|but|mostly|the|humor|is|of|the|sweet|,|gentle|and|occasionally|cloying|kind|that|has|become|an|Iranian|specialty|.\nA|wonderful|character-based|comedy|.\nIt|would|be|interesting|to|hear|from|the|other|side|,|but|in|Talk|to|Her|,|the|women|are|down|for|the|count|.\nAn|endearingly|offbeat|romantic|comedy|with|a|great|meet-cute|gimmick|.\nThe|unique|tug-of-war|with|viewer|expectations|is|undeniable|,|if|not|a|pleasure|in|its|own|right|.\nIt|uses|an|old-time|formula|,|it|'s|not|terribly|original|and|it|'s|rather|messy|--|but|you|just|have|to|love|the|big|,|dumb|,|happy|movie|My|Big|Fat|Greek|Wedding|.\nIt|'s|almost|impossible|not|to|be|moved|by|the|movie|'s|depiction|of|sacrifice|and|its|stirring|epilogue|in|post-Soviet|Russia|.\nWho|knows|what|exactly|Godard|is|on|about|in|this|film|,|but|his|words|and|images|do|n't|have|to|add|up|to|mesmerize|you|.\nThe|tone|is|balanced|,|reflective|and|reasonable|.\nThe|principals|in|this|cast|are|all|fine|,|but|Bishop|and|Stevenson|are|standouts|.\nIt|could|change|America|,|not|only|because|it|is|full|of|necessary|discussion|points|,|but|because|it|is|so|accessible|that|it|makes|complex|politics|understandable|to|viewers|looking|for|nothing|but|energetic|entertainment|.\nWhat|'s|most|striking|about|this|largely|celebratory|film|...|is|the|sense|of|isolation|that|permeates|these|bastions|of|individuality|in|an|Ikea|world|.\n...|if|you|'re|in|a|mind|set|for|goofy|comedy|,|the|troopers|will|entertain|with|their|gross|outs|,|bawdy|comedy|and|head|games|.\nSomewhat|blurred|,|but|Kinnear|'s|performance|is|razor|sharp|.\nAs|a|director|,|Mr.|Ratliff|wisely|rejects|the|temptation|to|make|fun|of|his|subjects|.\nFor|anyone|who|remembers|the|'60s|or|is|interested|in|one|man|'s|response|to|stroke|,|Ram|Dass|:|Fierce|Grace|is|worth|seeking|out|.\nIntriguing|and|beautiful|film|,|but|those|of|you|who|read|the|book|are|likely|to|be|disappointed|.\nThe|New|Guy|does|have|a|heart|.\nNow|,|if|it|only|had|a|brain|.\nA|savvy|exploration|of|paranoia|and|insecurity|in|America|'s|culture|of|fear|.\nLegendary|Irish|writer|Brendan|Behan|'s|memoir|,|Borstal|Boy|,|has|been|given|a|loving|screen|transferral|.\nThe|film|'s|greatest|asset|is|how|much|it|'s|not|just|another|connect-the-dots|,|spy-on-the-run|picture|.\nThis|clever|caper|movie|has|twists|worthy|of|David|Mamet|and|is|enormous|fun|for|thinking|audiences|.\nIt|'s|one|of|the|saddest|films|I|have|ever|seen|that|still|manages|to|be|uplifting|but|not|overly|sentimental|.\nMorton|is|,|as|usual|,|brilliant|.\nEven|with|all|those|rough|edges|safely|sanded|down|,|the|American|Insomnia|is|still|pretty|darned|good|.\nI|do|n't|know|precisely|what|to|make|of|Steven|Soderbergh|'s|Full|Frontal|,|though|that|did|n't|stop|me|from|enjoying|much|of|it|.\nThe|tug|of|war|that|ensues|is|as|much|a|snapshot|of|modern|China|in|microcosm|as|it|is|a|crash|course|in|movie|mythology|.\nNearly|surreal|,|dabbling|in|French|,|this|is|no|simple|movie|,|and|you|'ll|be|taking|a|risk|if|you|choose|to|see|it|.\nI|enjoyed|the|ride|(|bumps|and|all|)|,|creamy|depth|,|and|ultimate|theme|.\nYou|could|say|that|it|'s|slow|at|times|,|you|could|say|that|a|few|of|the|characters|act|in|ways|that|real|people|would|n't|,|but|one|thing|you|could|n't|say|is|that|Alias|Betty|is|predictable|.\nAsia|authors|herself|as|Anna|Battista|,|an|Italian|superstar|and|aspiring|directress|who|just|happens|to|be|her|own|worst|enemy|.\nRoman|Coppola|may|never|become|the|filmmaker|his|Dad|was|,|but|heck|--|few|filmmakers|will|.\nBut|based|on|CQ|,|I|'ll|certainly|be|keeping|an|eye|out|for|his|next|project|.\nAn|amusing|,|breezily|apolitical|documentary|about|life|on|the|campaign|trail|.\nHigh|on|melodrama|.\nBut|it|'s|emotionally|engrossing|,|too|,|thanks|to|strong|,|credible|performances|from|the|whole|cast|.\nFinally|,|a|genre|movie|that|delivers|--|in|a|couple|of|genres|,|no|less|.\nIt|'s|not|so|much|enjoyable|to|watch|as|it|is|enlightening|to|listen|to|new|sides|of|a|previous|reality|,|and|to|visit|with|some|of|the|people|who|were|able|to|make|an|impact|in|the|theater|world|.\nSpielberg|is|the|rare|director|who|does|not|want|to|invite|viewers|to|gawk|at|or|applaud|his|special|effects|.\nHe|just|wants|them|to|be|part|of|the|action|,|the|wallpaper|of|his|chosen|reality|.\nHere|,|thankfully|,|they|are|.\nPost|9\\/11|the|philosophical|message|of|``|Personal|Freedom|First|''|might|not|be|as|palatable|as|intended|.\nHu|and|Liu|offer|natural|,|matter-of-fact|performances|that|glint|with|sorrow|,|longing|and|love|.\nThis|bold|and|lyrical|first|feature|from|Raja|Amari|expands|the|pat|notion|that|middle-aged|women|just|wanna|have|fun|into|a|rousing|treatise|of|sensual|empowerment|.\nEasier|to|respect|than|enthuse|over|,|Andersson|'s|rigorous|personal|vision|is|not|only|distanced|but|distancing|.\nGirls|gone|wild|and|gone|civil|again\n...|Tunney|is|allowed|to|build|an|uncommonly|human|character|,|an|almost|real-live|girl|complete|with|trouble|and|hope|.\nWhile|this|film|is|not|in|the|least|surprising|,|it|is|still|ultimately|very|satisfying|.\nThink|of|it|as|a|sort|of|comfort|food|for|the|mind|.\nClever|,|brutal|and|strangely|soulful|movie|.\n...|always|remains|movingly|genuine|.\nAn|intelligent|fiction|about|learning|through|cultural|clash|.\nWill|grab|your|children|by|the|imagination|and|amaze|them|and|amuse|them|.\nA|remarkable|179-minute|meditation|on|the|nature|of|revolution|.\nThose|who|would|follow|Haneke|on|his|creepy|explorations|...|are|rewarded|by|brutal|,|committed|performances|from|Huppert|and|Magimel|.\nAn|involving|true|story|of|a|Chinese|actor|who|takes|up|drugs|and|winds|up|in|an|institution|--|acted|mostly|by|the|actual|people|involved|.\nHands|down|the|year|'s|most|thought-provoking|film|.\nBut|it|pays|a|price|for|its|intricate|intellectual|gamesmanship|.\nIt|'s|a|terrific|American|sports|movie|and|Dennis|Quaid|is|its|athletic|heart|.\nThis|is|such|a|high-energy|movie|where|the|drumming|and|the|marching|are|so|excellent|,|who|cares|if|the|story|'s|a|little|weak|.\nCompelling|revenge|thriller|,|though|somewhat|weakened|by|a|miscast|leading|lady|.\nIt|'s|amazingly|perceptive|in|its|subtle|,|supportive|but|unsentimental|look|at|the|Marks|family|.\nA|whole|lot|foul|,|freaky|and|funny|.\nAttal|mixes|comedy|with|a|serious|exploration|of|ego|and|jealousy|within|a|seemingly|serene|marriage|.\nThe|diversity|of|the|artists|represented|,|both|in|terms|of|style|and|ethnicity|,|prevents|the|proceedings|from|feeling|repetitious|,|as|does|the|appropriately|brief|40-minute|running|time|.\nThe|Pianist|is|a|fine|valedictory|work|for|Polanski|,|made|richer|by|his|own|experiences|,|making|his|other|movies|somehow|richer|in|the|bargain|.\nFoster|nails|the|role|,|giving|a|tight|,|focused|performance|illuminated|by|shards|of|feeling|.\nEven|if|you|ca|n't|pronounce|``|gyro|''|correctly|,|you|'ll|appreciate|much|of|Vardalos|'|humor|,|which|transcends|ethnic|boundaries|.\nIs|office|work|really|as|alienating|as|`|Bartleby|'|so|effectively|makes|it|?\nFarrell|...|thankfully|manages|to|outshine|the|role|and|successfully|plays|the|foil|to|Willis|'s|world-weary|colonel|.\nAudiences|conditioned|to|getting|weepy|over|saucer-eyed|,|downy-cheeked|moppets|and|their|empathetic|caretakers|will|probably|feel|emotionally|cheated|by|the|film|'s|tart|,|sugar-free|wit|.\nBennett|'s|dramatization|of|her|personal|descent|into|post-breakup|perdition|has|a|morbid|appeal|that|'s|tough|to|shake|.\nAn|intriguing|and|entertaining|introduction|to|Johnson|.\nAs|expected|,|Sayles|'|smart|wordplay|and|clever|plot|contrivances|are|as|sharp|as|ever|,|though|they|may|be|overshadowed|by|some|strong|performances|.\nA|model|of|what|films|like|this|should|be|like|.\nAs|Weber|and|Weissman|demonstrate|with|such|insight|and|celebratory|verve|,|the|Cockettes|were|n't|as|much|about|gender|,|sexual|preference|or|political|agitprop|as|they|were|simply|a|triumph|of|the|indomitable|human|will|to|rebel|,|connect|and|create|.\nYeah|,|these|flicks|are|just|that|damn|good|.\nIs|n't|it|great|?\nAn|unbelievably|fun|film|just|a|leading|man|away|from|perfection|.\nOver-the-top|and|a|bit|ostentatious|,|this|is|a|movie|that|'s|got|oodles|of|style|and|substance|.\n...|a|poignant|and|powerful|narrative|that|reveals|that|reading|writing|and|arithmetic|are|not|the|only|subjects|to|learn|in|life|.\nNicely|serves|as|an|examination|of|a|society|in|transition|.\nA|tender|and|touching|drama|,|based|on|the|true|story|of|a|troubled|African-American|'s|quest|to|come|to|terms|with|his|origins|,|reveals|the|yearning|we|all|have|in|our|hearts|for|acceptance|within|the|family|circle|.\nAs|a|randy|film|about|sexy|people|in|gorgeous|places|being|pushed|and|pulled|(|literally|and|figuratively|)|by|desire|...|(|Sex|and|Lucía|)|makes|for|an|arousing|good|time|.\nAbsorbing|character|study|by|André|Turpin|.\nCelebrated|at|Sundance|,|this|slight|comedy|of|manners|has|winning|performances|and|a|glossy|,|glib|charm|that|'s|hard|to|beat|.\nRenner|'s|performance|as|Dahmer|is|unforgettable|,|deeply|absorbing|.\nIf|no|one|singles|out|any|of|these|performances|as|award-worthy|,|it|'s|only|because|we|would|expect|nothing|less|from|this|bunch|.\nIf|you|love|reading|and\\/or|poetry|,|then|by|all|means|check|it|out|.\nYou|'ll|probably|love|it|.\nThough|of|particular|interest|to|students|and|enthusiast|of|international|dance|and|world|music|,|the|film|is|designed|to|make|viewers|of|all|ages|,|cultural|backgrounds|and|rhythmic|ability|want|to|get|up|and|dance|.\nEnergetic|and|boldly|provocative|.\nStar|Wars|is|back|in|a|major|way|.\nIt|'s|a|movie|--|and|an|album|--|you|wo|n't|want|to|miss|.\nIt|'s|rare|to|find|a|film|that|dazzles|the|eye|,|challenges|the|brain|,|AND|satisfies|our|lust|for|fast-paced|action|,|but|Minority|Report|delivers|all|that|and|a|whole|lot|more|.\nWhile|not|all|transitions|to|adulthood|are|so|fraught|,|there|'s|much|truth|and|no|small|amount|of|poetry|in|Girls|Ca|n't|Swim|.\nIf|there|'s|nothing|fresh|about|Wannabes|,|which|was|written|by|Mr.|DeMeo|,|who|produced|and|directed|the|film|with|Charles|A.|Addessi|,|much|of|the|time|the|movie|feels|authentic|.\nJacquot|'s|Tosca|is|a|treat|.\nBy|the|end|of|No|Such|Thing|the|audience|,|like|Beatrice|,|has|a|watchful|affection|for|the|monster|.\nIf|you|liked|such|movies|as|Notting|Hill|,|Four|Weddings|And|A|Funeral|,|Bridget|Jones|'|Diary|or|High|Fidelity|,|then|you|wo|n't|want|to|miss|About|A|Boy|.\n...|the|gentle|melding|of|drama|and|comedy|makes|``|What|Time|Is|It|There|?|''\nsomething|the|true|film|buff|will|enjoy|.\nRomanek|keeps|the|film|constantly|taut|...|reflecting|the|character|'s|instability|with|a|metaphorical|visual|style|and|an|unnerving|,|heartbeat-like|score|.\nI|whole-heartedly|recommend|that|everyone|see|this|movie|--|for|its|historical|significance|alone|.\nHey|,|who|else|needs|a|shower|?\nLongley|has|constructed|a|remarkably|coherent|,|horrifically|vivid|snapshot|of|those|turbulent|days|.\nAlthough|it|bangs|a|very|cliched|drum|at|times|,|this|crowd-pleaser|'s|fresh|dialogue|,|energetic|music|,|and|good-natured|spunk|are|often|infectious|.\nOften|gruelling|and|heartbreaking|to|witness|,|but|Seldahl|and|Wollter|'s|sterling|performances|raise|this|far|above|the|level|of|the|usual|maudlin|disease|movie|.\nGo|see|it|and|enjoy|.\nThe|stunning|,|dreamlike|visuals|will|impress|even|those|viewers|who|have|little|patience|for|Euro-film|pretension|.\nGeorge|Clooney|proves|he|'s|quite|a|talented|director|and|Sam|Rockwell|shows|us|he|'s|a|world-class|actor|with|Confessions|of|a|Dangerous|Mind|.\nThere|'s|a|vastness|implied|in|Metropolis|that|is|just|breathtaking|.\nMurderous|Maids|may|well|be|the|most|comprehensive|of|these|films|and|also|strike|closest|to|the|truth|.\nThe|people|in|Dogtown|and|Z-Boys|are|so|funny|,|aggressive|and|alive|,|you|have|to|watch|them|because|you|ca|n't|wait|to|see|what|they|do|next|.\nAs|green-guts|monster|movies|go|,|it|'s|a|beaut|.\nAs|Bundy|,|Michael|Reilly|Burke|(|Octopus|2|:|River|of|Fear|)|has|just|the|right|amount|of|charisma|and|menace|.\nA|deceivingly|simple|film|,|one|that|grows|in|power|in|retrospect|.\nAna|is|a|vivid|,|vibrant|individual|and|the|movie|'s|focus|upon|her|makes|it|successful|and|accessible|.\nA|slick|,|skillful|little|horror|film|.\nA|very|witty|take|on|change|,|risk|and|romance|,|and|the|film|uses|humour|to|make|its|points|about|acceptance|and|growth|.\n(|Anderson|)|uses|a|hit-or-miss|aesthetic|that|hits|often|enough|to|keep|the|film|entertaining|even|if|none|of|it|makes|a|lick|of|sense|.\nBubba|Ho-Tep|is|a|wonderful|film|with|a|bravura|lead|performance|by|Bruce|Campbell|that|does|n't|deserve|to|leave|the|building|until|everyone|is|aware|of|it|.\ndespite|the|long|running|time|,|the|pace|never|feels|slack|--|there|'s|no|scene|that|screams|``|bathroom|break|!|''\nBullock|does|a|good|job|here|of|working|against|her|natural|likability|.\nA|film|of|precious|increments|artfully|camouflaged|as|everyday|activities|.\nKinnear|gives|a|tremendous|performance|.\nThe|best|movie|of|its|kind|since|`|Brazil|.|'\nLucas|,|take|notes|.\nThis|is|how|you|use|special|effects|.\n``|Frailty|''|has|been|written|so|well|,|that|even|a|simple|``|Goddammit|!|''\nnear|the|end|takes|on|a|whole|other|meaning|.\nOne|Hour|Photo|is|an|intriguing|snapshot|of|one|man|and|his|delusions|;|it|'s|just|too|bad|it|does|n't|have|more|flashes|of|insight|.\nKaufman|creates|an|eerie|sense|of|not|only|being|there|at|the|time|of|these|events|but|the|very|night|Matthew|was|killed|.\nChalk|it|up|to|my|adoration|for|both|De|Niro|and|Murphy|,|but|I|had|a|pretty|good|time|with|this|movie|-|despite|its|myriad|flaws|.\nIts|scenes|and|sensibility|are|all|more|than|familiar|,|but|it|exudes|a|kind|of|nostalgic|spy-movie|charm|and|,|at|the|same|time|,|is|so|fresh|and|free|of|the|usual|thriller|nonsense|that|it|all|seems|to|be|happening|for|the|first|time|.\nIt|represents|better-than-average|movie-making|that|does|n't|demand|a|dumb|,|distracted|audience|.\nA|charming|yet|poignant|tale|of|the|irrevocable|ties|that|bind|.\nAn|enchanting|spectacular|for|Potter|fans|anxious|to|ride|the|Hogwarts|Express|toward|a|new|year|of|magic|and|mischief|.\nThe|talents|of|the|actors|helps|``|Moonlight|Mile|''|rise|above|its|heart-on-its-sleeve|writing|.\nIt|'s|a|humble|effort|,|but|spiced|with|wry|humor|and|genuine|pathos|,|especially|between|Morgan|and|Redgrave|.\nThis|examination|of|aquatic|life|off|the|shores|of|the|Baja|California|peninsula|of|Mexico|offers|an|engrossing|way|to|demonstrate|the|virtues|of|the|IMAX|format|.\nDark|and|disturbing|,|but|also|surprisingly|funny|.\nThe|movie|has|an|avalanche|of|eye-popping|visual|effects|.\nStarts|off|with|a|bang|,|but|then|fizzles|like|a|wet|stick|of|dynamite|at|the|very|end|.\nIt|'s|still|worth|a|look|.\nMost|impressive|,|though|,|is|the|film|'s|open-ended|finale|that|refuses|to|entirely|close|its|characters|'|emotional|wounds|.\nA|hip|ride|into|hyper-time|,|Clockstoppers|is|a|lively|and|enjoyable|adventure|for|all|ages|at|any|time|.\nGrenier|is|terrific|,|bringing|an|unforced|,|rapid-fire|delivery|to|Toback|'s|Heidegger|-|and|Nietzsche-referencing|dialogue|.\n...|a|polished|and|relatively|sincere|piece|of|escapism|.\nThe|story|wraps|back|around|on|itself|in|the|kind|of|elegant|symmetry|that|'s|rare|in|film|today|,|but|be|warned|:|It|'s|a|slow|slog|to|get|there|.\nThe|whole|cast|looks|to|be|having|so|much|fun|with|the|slapstick|antics|and|silly|street|patois|,|tossing|around|obscure|expressions|like|Bellini|and|Mullinski|,|that|the|compact|86|minutes|breezes|by|.\n...|has|freaky|scenes|where|the|crew|wonder|if|they|'re|ghosts|imagining|themselves|as|alive|.\nIt|'s|a|sly|wink|to|The|Others|without|becoming|a|postmodern|joke|,|made|creepy|by|its|``|men|in|a|sardine|can|''|warped|logic|.\nLong|after|you|leave|Justine|,|you|'ll|be|wondering|what|will|happen|to|her|and|wishing|her|the|best|--|whatever|that|might|mean|.\nStill|pretentious|and|filled|with|subtext|,|but|entertaining|enough|at|`|face|value|'|to|recommend|to|anyone|looking|for|something|different|.\nCall|me|a|wimp|,|but|I|cried|,|not|once|,|but|three|times|in|this|animated|sweet|film|.\nNotorious|C.H.O.|has|oodles|of|vulgar|highlights|.\nAn|inspiring|and|heart-affecting|film|about|the|desperate|attempts|of|Vietnamese|refugees|living|in|U.S.|relocation|camps|to|keep|their|hopes|alive|in|1975|.\nThe|level|of|maturity|displayed|by|this|33-year-old|first-time|feature|director|is|astonishing|,|considering|her|inexperience|and|her|subject|matter|.\nA|splendid|entertainment|,|young|in|spirit|but|accomplished|in|all|aspects|with|the|fullness|of|spirit|and|sense|of|ease|that|comes|only|with|experience|.\nDisney|'s|live-action|division|has|a|history|of|releasing|cinematic|flotsam|,|but|this|is|one|occasion|when|they|have|unearthed|a|rare|gem|.\nIf|the|message|seems|more|facile|than|the|earlier|films|,|the|images|have|such|a|terrible|beauty|you|may|not|care|.\nWhether|Kiss|is|a|future|cult|classic|or|destined|to|be|completely|forgotten|is|open|to|question|,|but|the|risk-takers|in|the|crowd|should|check|it|out|and|form|their|own|opinion|.\nThere|are|moments|in|this|account|of|the|life|of|artist|Frida|Kahlo|that|are|among|cinema|'s|finest|this|year|.\nUnfortunately|,|they|'re|sandwiched|in|between|the|most|impossibly|dry|account|of|Kahlo|'s|life|imaginable|.\nThere|are|moments|it|can|be|heart-rending|in|an|honest|and|unaffected|(|and|gentle|)|way|.\nStay|clear|of|reminding|yourself|that|it|'s|a|``|true|story|''|and|you|'re|likely|to|have|one|helluva|time|at|the|movies|.\nThere|are|just|enough|twists|in|the|tale|to|make|it|far|more|satisfying|than|almost|any|horror|film|in|recent|memory|.\nThe|Sundance|Film|Festival|has|become|so|buzz-obsessed|that|fans|and|producers|descend|upon|Utah|each|January|to|ferret|out|The|Next|Great|Thing|.\n`|Tadpole|'|was|one|of|the|films|so|declared|this|year|,|but|it|'s|really|more|of|The|Next|Pretty|Good|Thing|.\nWorking|from|Elliott|'s|memoir|,|Rohmer|fashions|the|sort|of|delicate|,|articulate|character|-|and|-|relationship|study|he|'s|favored|for|decades|.\nThe|story|feels|more|like|a|serious|read|,|filled|with|heavy|doses|of|always|enticing|Sayles|dialogue|.\nWhen|it|really|counts|...|Bloody|Sunday|connects|on|a|visceral|level|that|transcends|language|.\nThe|crime|matters|less|than|the|characters|,|although|the|filmmakers|supply|enough|complications|,|close|calls|and|double-crosses|to|satisfy|us|.\nThe|actors|are|fantastic|.\nThey|are|what|makes|it|worth|the|trip|to|the|theatre|.\nRanging|from|funny|to|shattering|and|featuring|some|of|the|year|'s|best|acting|,|Personal|Velocity|gathers|plenty|of|dramatic|momentum|.\nI|complain|all|the|time|about|seeing|the|same|ideas|repeated|in|films|over|and|over|again|,|but|The|Bourne|Identity|proves|that|a|fresh|take|is|always|possible|.\nRecalls|quiet|freak-outs|like|L'Avventura|and|Repulsion|.\nOnly|an|epic|documentary|could|get|it|all|down|,|and|Spike|Lee|'s|Jim|Brown|:|All|American|at|long|last|gives|its|subject|a|movie|worthy|of|his|talents|.\n...|as|the|story|congeals|you|feel|the|pieces|of|the|Star|Wars|saga|falling|into|place|in|a|way|that|makes|your|spine|tingle|with|revelation|and|excitement|.\nA|great|comedy|filmmaker|knows|great|comedy|need|n't|always|make|us|laugh|.\nTim|Story|'s|not|there|yet|-|but|`|Barbershop|'|shows|he|'s|on|his|way|.\nThe|movie|is|one|of|the|best|examples|of|artful|Large|Format|filmmaking|you|are|likely|to|see|anytime|soon|.\nLends|itself|to|the|narcotizing|bland|(|sinister|,|though|not|nearly|so|sinister|as|the|biennial|Disney|girl|movie|)|machinations|of|the|biennial|Disney|boy|movie|.\nWell-written|,|nicely|acted|and|beautifully|shot|and|scored|,|the|film|works|on|several|levels|,|openly|questioning|social|mores|while|ensnaring|the|audience|with|its|emotional|pull|.\nJason|X|has|cheesy|effects|and|a|hoary|plot|,|but|its|macabre|,|self-deprecating|sense|of|humor|makes|up|for|a|lot|.\n(|Taymor|)|utilizes|the|idea|of|making|Kahlo|'s|art|a|living|,|breathing|part|of|the|movie|,|often|catapulting|the|artist|into|her|own|work|.\nThis|is|n't|a|new|idea|.\nIt|'s|been|done|before|but|never|so|vividly|or|with|so|much|passion|.\nAn|impressive|if|flawed|effort|that|indicates|real|talent|.\nTwo|generations|within|one|family|test|boundaries|in|this|intelligent|and|restrained|coming-of-age|drama|.\nit|sounds|sick|and|twisted|,|but|the|miracle|of|Shainberg|'s|film|is|that|it|truly|is|romance\nDisturbing|and|brilliant|documentary|.\n...|mesmerizing|,|an|eye-opening|tour|of|modern|Beijing|culture|in|a|journey|of|rebellion|,|retreat|into|oblivion|and|return|.\nOne|of|the|best|examples|of|how|to|treat|a|subject|,|you|'re|not|fully|aware|is|being|examined|,|much|like|a|photo|of|yourself|you|did|n't|know|was|being|taken|.\nNot|too|far|below|the|gloss|you|can|still|feel|director|Denis|Villeneuve|'s|beating|heart|and|the|fondness|he|has|for|his|characters|.\nAs|if|to|prove|a|female|director|can|make|a|movie|with|no|soft|edges|,|Kathryn|Bigelow|offers|no|sugar-coating|or|interludes|of|lightness|.\nHer|film|is|unrelentingly|claustrophobic|and|unpleasant|.\n(|Villeneuve|)|seems|to|realize|intuitively|that|even|morality|is|reduced|to|an|option|by|the|ultimate|mysteries|of|life|and|death|.\nThe|result|is|mesmerizing|--|filled|with|menace|and|squalor|.\nFisher|has|bared|his|soul|and|confronted|his|own|shortcomings|here|in|a|way|...|that|feels|very|human|and|very|true|to|life|.\nIt|'s|fun|,|but|the|code-talk|will|fly|right|over|everyone|'s|head\nBourne|,|Jason|Bourne|.\nHe|can|scale|a|building|like|a|super|hero|,|he|can|out-stealth|any|agent|,|he|'ll|get|the|girl|.\nHe|'s|Super|Spy|!\nWhat|makes|the|movie|a|comedy|is|the|way|it|avoids|the|more|serious|emotions|involved|.\nThis|cuddly|sequel|to|the|1999|hit|is|a|little|more|visually|polished|,|a|little|funnier|,|and|a|little|more|madcap|.\nThe|pleasures|of|Super|Troopers|may|be|fleeting|,|but|they|'ll|register|strongly|with|anybody|who|still|retains|a|soft|spot|for|precollegiate|humor|.\nThe|film|is|exhilarating|to|watch|because|Sandler|,|liberated|from|the|constraints|of|formula|,|reveals|unexpected|depths|as|an|actor|.\nA|distant|,|even|sterile|,|yet|compulsively|watchable|look|at|the|sordid|life|of|Hogan|'s|Heroes|star|Bob|Crane|.\nThe|film|delivers|not|just|the|full|assault|of|Reno|'s|immense|wit|and|insight|,|but|a|time|travel|back|to|what|it|felt|like|during|those|unforgettably|uncertain|days|.\nWhat|might|have|been|a|predictably|heartwarming|tale|is|suffused|with|complexity|.\nSound|the|trumpets|:|For|the|first|time|since|Desperately|Seeking|Susan|,|Madonna|does|n't|suck|as|an|actress|.\nAlthough|very|much|like|the|first|movie|based|on|J.K.|Rowling|'s|phenomenal|fantasy|best|sellers|,|this|second|go-round|possesses|a|quite|pleasing|,|headlong|thrust|and|a|likably|delinquent|attitude|.\n(|``|Take|Care|of|My|Cat|''|)|is|an|honestly|nice|little|film|that|takes|us|on|an|examination|of|young|adult|life|in|urban|South|Korea|through|the|hearts|and|minds|of|the|five|principals|.\nAs|the|story|moves|inexorably|through|its|seven|day|timeframe|,|the|picture|becomes|increasingly|mesmerizing|.\nMaguire|is|a|surprisingly|effective|Peter\\/Spider-Man|.\nNot|a|cozy|or|ingratiating|work|,|but|it|'s|challenging|,|sometimes|clever|,|and|always|interesting|,|and|those|are|reasons|enough|to|see|it|.\nThe|film|runs|on|equal|parts|of|innocence|and|wisdom|--|wisdom|that|comes|with|experience|.\nIt|has|fun|being|grown|up|.\nLike|old|myths|and|wonder|tales|spun|afresh|.\nRarely|do|films|come|along|that|are|as|intelligent|,|exuberant|,|and|moving|as|Monsoon|Wedding|.\nOne|scarcely|needs|the|subtitles|to|enjoy|this|colorful|action|farce|.\nQuite|funny|for|the|type|of|movie|it|is|...\nIt|'s|often|infuriatingly|glib|and|posturing|,|and|yet|it|has|been|made|with|great|evident|care|and|manages|to|deliver|up|the|man|in|a|way|to|arouse|further|curiosity|in|even|the|most|unknowing|viewer|.\nOne|of|(|Herzog|'s|)|least|inspired|works|.\nThis|boisterous|comedy|serves|up|a|cruel|reminder|of|the|fate|of|hundreds|of|thousands|of|Chinese|,|one|which|can|only|qualify|as|a|terrible|tragedy|.\nElling|really|is|about|a|couple|of|crazy|guys|,|and|it|'s|therapeutic|to|laugh|along|with|them|.\nAn|irresistible|combination|of|a|rousing|good|story|set|on|a|truly|grand|scale|.\nThere|'s|no|denying|the|physically|spectacular|qualities|of|the|film|...|or|the|emotional|integrity|of|the|performances|.\nFew|films|this|year|have|been|as|resolute|in|their|emotional|nakedness|.\nExquisitely|acted|and|masterfully|if|preciously|interwoven|...|(|the|film|)|addresses|in|a|fascinating|,|intelligent|manner|the|intermingling|of|race|,|politics|and|local|commerce|.\nStevenson|'s|performance|is|at|once|clueless|and|fiercely|committed|,|a|volatile|combination|.\nThis|is|a|very|fine|movie|--|go|see|it|.\nAs|shaky|as|the|plot|is|,|Kaufman|'s|script|is|still|memorable|for|some|great|one-liners|.\nDespite|its|flaws|,|Secretary|stays|in|your|head|and|makes|you|question|your|own|firmly|held|positions|.\nOne|of|those|rare|,|exhilarating|cinematic|delights|that|gets|even|better|in|hindsight|,|as|you|mull|over|its|every|nuance|in|your|mind|.\nNot|everything|works|,|but|the|average|is|higher|than|in|Mary|and|most|other|recent|comedies|.\nA|byzantine|melodrama|that|stimulates|the|higher|brain|functions|as|well|as|the|libido|.\nA|sensitive|and|expertly|acted|crowd-pleaser|that|is|n't|above|a|little|broad|comedy|and|a|few|unabashedly|sentimental|tears|.\nThe|film|'s|sharp|,|often|mischievous|sense|of|humor|will|catch|some|off|guard|...\nDoes|what|a|fine|documentary|does|best|:|It|extends|a|warm|invitation|into|an|unfamiliar|world|,|then|illuminates|it|fully|and|allows|the|larger|implications|of|the|journey|to|sink|in|unobtrusively|.\nAlmost|every|scene|in|this|film|is|a|gem|that|could|stand|alone|,|a|perfectly|realized|observation|of|mood|,|behavior|and|intent|.\nA|psychologically|rich|and|suspenseful|moral|thriller|with|a|stellar|performance|by|Al|Pacino|.\nYou|wo|n't|believe|much|of|it|,|but|you|will|laugh|at|the|audacity|,|at|the|who|'s|who|casting|and|the|sheer|insanity|of|it|all|.\nThis|version|'s|no|classic|like|its|predecessor|,|but|its|pleasures|are|still|plentiful|.\nThe|Bourne|Identity|is|what|summer|screen|escapism|used|to|be|in|the|decades|when|it|was|geared|more|to|grownups|.\nProvide|(|s|)|nail-biting|suspense|and|credible|characters|without|relying|on|technology-of-the-moment|technique|or|pretentious|dialogue|.\nIf|it|tried|to|do|anything|more|,|it|would|fail|and|perhaps|explode|,|but|at|this|level|of|manic|whimsy|,|it|is|just|about|right|.\nToo|sincere|to|exploit|its|subjects|and|too|honest|to|manipulate|its|audience|.\nThe|saturation|bombing|of|Reggio|'s|images|and|Glass|'|evocative|music|...|ultimately|leaves|viewers|with|the|task|of|divining|meaning|.\nFor|all|its|serious|sense|of|purpose|...|(|it|)|finds|a|way|to|lay|bare|the|tragedies|of|its|setting|with|a|good|deal|of|warmth|and|humor|.\nA|depressing|confirmation|of|everything|those|of|us|who|do|n't|object|to|the|description|``|unelected|''|have|suspected|all|along|:|George|W.|Bush|is|an|incurious|,|uncharismatic|,|overgrown|frat|boy|with|a|mean|streak|a|mile|wide|.\nThis|road|movie|gives|you|emotional|whiplash|,|and|you|'ll|be|glad|you|went|along|for|the|ride|.\nSure|,|it|'s|more|of|the|same|,|but|as|the|film|proves|,|that|'s|not|always|a|bad|thing|.\nA|lighthearted|,|feel-good|film|that|embraces|the|time-honored|truth|that|the|most|powerful|thing|in|life|is|love|.\nA|bowel-curdling|,|heart-stopping|recipe|for|terror|.\nDaughter|from|Danang|is|a|film|that|should|be|seen|by|all|,|especially|those|who|are|n't|aware|of|,|or|have|forgotten|about|the|unmentioned|victims|of|war|.\nZhang|Yimou|delivers|warm|,|genuine|characters|who|lie|not|through|dishonesty|,|but|because|they|genuinely|believe|it|'s|the|only|way|to|bring|happiness|to|their|loved|ones|.\n...|breathes|surprising|new|life|into|the|familiar|by|amalgamating|genres|and|adding|true|human|complexity|to|its|not-so-stock|characters|.|'\n...|both|hokey|and|super-cool|,|and|definitely|not|in|a|hurry|,|so|sit|back|,|relax|and|have|a|few|laughs|while|the|little|ones|get|a|fuzzy|treat|.|'\nA|pleasant|romantic|comedy|.\nIt|'s|a|Count|for|our|times|.\nGreengrass|has|delivered|an|undoubted|stylistic|tour-de-force|,|and|has|managed|elements|such|as|sound|and|cinematography|with|skill\nSmith|'s|point|is|simple|and|obvious|--|people|'s|homes|are|extensions|of|themselves|,|and|particularly|eccentric|people|have|particularly|eccentric|living|spaces|--|but|his|subjects|are|charmers|.\nA|romantic|comedy|,|yes|,|but|one|with|characters|who|think|and|talk|about|their|goals|,|and|are|working|on|hard|decisions|.\nVividly|conveys|both|the|pitfalls|and|the|pleasures|of|over-the-top|love|.\n...|a|weak|,|manipulative|,|pencil-thin|story|that|is|miraculously|able|to|entertain|anyway|.\nA|pro-fat|farce|that|overcomes|much|of|its|excessive|moral|baggage|thanks|to|two|appealing|lead|performances|.\nFor|the|first|two-thirds|of|this|sparklingly|inventive|and|artful|,|always|fast|and|furious|tale|,|kids|will|go|happily|along|for|the|ride|.\nMajidi|'s|poetic|love|story|is|a|ravishing|consciousness-raiser|,|if|a|bit|draggy|at|times|.\nThe|smartest|bonehead|comedy|of|the|summer|.\nEffectively|feeds|our|senses|with|the|chilling|sights|and|sounds|from|within|the|camp|to|create|a|completely|numbing|experience|.\nI|love|the|way|that|it|took|chances|and|really|asks|you|to|take|these|great|leaps|of|faith|and|pays|off|.\nIn|his|debut|as|a|film|director|,|Denzel|Washington|delivers|a|lean|and|engaging|work|.\nOnly|two|words|will|tell|you|what|you|know|when|deciding|to|see|it|:|Anthony|.\nHopkins|.\nThe|movie|'s|quiet|affirmation|of|neighborhood|values|gives|it|an|honest|,|lived-in|glow|.\nA|teasing|drama|whose|relentless|good-deed\\/bad-deed|reversals|are|just|interesting|enough|to|make|a|sinner|like|me|pray|for|an|even|more|interesting|,|less|symmetrical|,|less|obviously|cross-shaped|creation|.\nHayek|is|stunning|as|Frida|and|...|a|star-making|project|.\nIt|'s|both|a|necessary|political|work|and|a|fascinating|documentary|...\nHilarious|,|acidic|Brit|comedy|.\nAs|a|revenge|thriller|,|the|movie|is|serviceable|,|but|it|does|n't|really|deliver|the|delicious|guilty|pleasure|of|the|better|film|versions|.\nAn|ironic|speculation|on|democracy|in|a|culture|unaccustomed|to|it|.\nIt|'s|not|life-affirming|--|its|vulgar|and|mean|,|but|I|liked|it|.\nSeveral|degrees|shy|of|the|gross-out|contests|one|expects|from|current|teen|fare|.\nThe|inherent|strength|of|the|material|as|well|as|the|integrity|of|the|filmmakers|gives|this|coming-of-age|story|restraint|as|well|as|warmth|.\nLed|by|Griffin|'s|smartly|nuanced|performance|and|enthusiasm|,|the|cast|has|a|lot|of|fun|with|the|material|.\nTuck|Everlasting|achieves|a|delicate|balance|of|romantic|innocence|and|philosophical|depth|.\nA|gentle|blend|of|present|day|testimonials|,|surviving|footage|of|Burstein|and|his|family|performing|,|historical|archives|,|and|telling|stills|.\nA|Generation|X|artifact|,|capturing|a|brief|era|of|insanity|in|the|sports|arena|that|surely|can|not|last|.\nPossession|is|Elizabeth|Barrett|Browning|meets|Nancy|Drew|,|and|it|'s|directed|by|...|Neil|LaBute|.\nHmm|.\nAn|uneven|but|intriguing|drama|that|is|part|homage|and|part|remake|of|the|Italian|masterpiece|.\nWindtalkers|celebrates|the|human|spirit|and|packs|an|emotional|wallop|.\nHaving|never|been|a|huge|fan|of|Dickens|'|800-page|novel|,|it|surprised|me|how|much|pleasure|I|had|watching|McGrath|'s|version|.\nThe|best|thing|the|film|does|is|to|show|us|not|only|what|that|mind|looks|like|,|but|how|the|creative|process|itself|operates|.\nFor|all|its|failed|connections|,|Divine|Secrets|of|the|Ya-Ya|Sisterhood|is|nurturing|,|in|a|gauzy|,|dithering|way|.\nThis|is|pretty|dicey|material|.\nBut|some|unexpected|zigs|and|zags|help|.\nThe|filmmakers|skillfully|evoke|the|sense|of|menace|that|nature|holds|for|many|urban|dwellers|.\nThe|laser-projected|paintings|provide|a|spell-casting|beauty|,|while|Russell|and|Dreyfus|are|a|romantic|pairing|of|hearts|,|preciously|exposed|as|history|corners|them|.\nYou|do|n't|have|to|be|an|especially|tough|grader|to|give|a|charitable|B-minus|to|The|Emperor|'s|Club|.\nThis|romantic|thriller|is|steeped|in|the|atmosphere|of|wartime|England|,|and|ably|captures|the|speech|patterns|,|moral|codes|and|ideals|of|the|1940s|.\nDivine|Secrets|of|the|Ya-Ya|Sisterhood|may|not|be|exactly|divine|,|but|it|'s|definitely|--|defiantly|--|ya|ya|,|what|with|all|of|those|terrific|songs|and|spirited|performances|.\nViewed|on|its|own|terms|,|Treasure|Planet|is|better-than-average|family|entertainment|,|but|true|fans|of|the|Stevenson|'s|novel|will|likely|prefer|Disney|'s|more|faithful|1950|live-action|swashbuckling|classic|.\nA|journey|through|memory|,|a|celebration|of|living|,|and|a|sobering|rumination|on|fatality|,|classism|,|and|ignorance|.\nResourceful|and|ingenious|entertainment|.\n``|Antwone|Fisher|''|is|an|earnest|,|by-the-numbers|effort|by|Washington|.\nIt|wo|n't|rock|any|boats|but|is|solid|meat-and-potatoes|filmmaking|.\nA|historical|epic|with|the|courage|of|its|convictions|about|both|scope|and|detail|.\nWe|need|(|Moore|'s|)|noisy|,|cocky|energy|,|his|passion|and|class|consciousness|;|we|need|his|shticks|,|we|need|his|stones|.\nAlthough|the|editing|might|have|been|tighter|,|Hush|!\nsympathetically|captures|the|often|futile|lifestyle|of|young|people|in|modern|Japan|.\n(|Gai|)|comes|closer|to|any|actress|I|can|remember|to|personifying|independence|in|its|purest|and|,|yes|,|most|intimidating|form|.\nThese|are|lives|worth|watching|,|paths|worth|following|.\nIt|'s|rather|like|a|Lifetime|special|--|pleasant|,|sweet|and|forgettable|.\nA|moody|horror\\/thriller|elevated|by|deft|staging|and|the|director|'s|well-known|narrative|gamesmanship|.\nAs|a|singular|character|study|,|it|'s|perfect|.\nIt|'s|also|the|year|'s|sweetest|movie|.\nA|graceful|,|contemplative|film|that|gradually|and|artfully|draws|us|into|a|world|where|the|personal|and|the|political|get|fatally|intertwined|.\nWhile|not|as|aggressively|impressive|as|its|American|counterpart|,|``|In|the|Bedroom|,|''|Moretti|'s|film|makes|its|own|,|quieter|observations\nThe|experience|of|watching|blobby|old-school|CGI|animation|in|this|superlarge|format|is|just|surreal|enough|to|be|diverting|.\nTime|Changer|may|not|be|the|most|memorable|cinema|session|but|its|profound|self-evaluation|message|about|our|fragile|existence|and|the|absence|of|spiritual|guidance|should|at|least|invade|an|abundance|of|mindsets\n``|The|Emperor|'s|New|Clothes|''|begins|with|a|simple|plan|...|Well|,|at|least|that|'s|the|plan|.\nHaynes|has|so|fanatically|fetishized|every|bizarre|old-movie|idiosyncrasy|with|such|monastic|devotion|you|'re|not|sure|if|you|should|applaud|or|look|into|having|him|committed|.\n(|Director|Peter|)|Jackson|and|his|crew|have|so|steeped|themselves|in|the|majesty|of|Tolkien|'s|writing|that|every|frame|produces|new|joys|,|whether|you|'re|a|fan|of|the|books|or|not|.\nWhile|the|glass|slipper|does|n't|quite|fit|,|Pumpkin|is|definitely|a|unique|modern|fairytale|.\nThe|drama|is|played|out|with|such|aching|beauty|and|truth|that|it|brings|tears|to|your|eyes|.\nAn|exciting|and|involving|rock|music|doc|,|a|smart|and|satisfying|look|inside|that|tumultuous|world|.\nAn|offbeat|,|sometimes|gross|and|surprisingly|appealing|animated|film|about|the|true|meaning|of|the|holidays|.\nThis|version|incarnates|the|prophetic|book|in|a|way|even|its|exacting|author|might|admire|.\nSometimes|,|nothing|satisfies|like|old-fashioned|swashbuckling|.\nAnd|in|this|regard|,|On|Guard|delivers|.\n...|ambition|is|in|short|supply|in|the|cinema|,|and|Egoyan|tackles|his|themes|and|explores|his|characters|'|crises|with|seriousness|and|compassion|.\nAn|impossible|romance|,|but|we|root|for|the|patronized|Iranian|lad|.\nLike|Dickens|with|his|passages|,|McGrath|crafts|quite|moving|scenes|throughout|his|resolutely|dramatic|variation|on|the|novel|.\nThere|'s|a|disreputable|air|about|the|whole|thing|,|and|that|'s|what|makes|it|irresistible|.\nan|exceedingly|clever|piece|of|cinema|.\nanother|great|`|what|you|do|n't|see|'|is|much|more|terrifying|than|what|you|do|see|thriller|,|coupled|with|some|arresting|effects|,|incandescent|tones|and|stupendous|performances\nA|carefully|structured|scream|of|consciousness|that|is|tortured|and|unsettling|--|but|unquestionably|alive|.\nA|quietly|reflective|and|melancholy|New|Zealand|film|about|an|eventful|summer|in|a|13-year-old|girl|'s|life|.\nCute|,|funny|,|heartwarming|digitally|animated|feature|film|with|plenty|of|slapstick|humor|for|the|kids|,|lots|of|in-jokes|for|the|adults|and|heart|enough|for|everyone|.\nvery|solid|,|very|watchable|first|feature|for|director|Peter|Sheridan\na|budget|affair|that|exposes|the|generally|sad|existence|of|the|Bedouins|while|providing|a|precious|twinkle|of|insight|into|their|lives|.\nIt|suggests|the|wide-ranging|effects|of|media|manipulation|,|from|the|kind|of|reporting|that|is|done|by|the|supposedly|liberal|media|...|to|the|intimate|and|ultimately|tragic|heartache|of|maverick|individuals|like|Hatfield|and|Hicks|.\nWorkmanlike|,|maybe|,|but|still|a|film|with|all|the|elements|that|made|the|other|three|great|,|scary|times|at|the|movies|.\nA|pleasant|enough|comedy|that|should|have|found|a|summer|place|.\nBranagh|,|in|his|most|forceful|non-Shakespeare|screen|performance|,|grounds|even|the|softest|moments|in|the|angry|revolt|of|his|wit|.\nThough|the|violence|is|far|less|sadistic|than|usual|,|the|film|is|typical|Miike|:|fast|,|furious|and|full|of|off-the-cuff|imaginative|flourishes|.\nCompelling|as|it|is|exotic|,|Fast|Runner|has|a|plot|that|rivals|Shakespeare|for|intrigue|,|treachery|and|murder|.\nWhat|it|lacks|in|originality|it|makes|up|for|in|intelligence|and|B-grade|stylishness|.\nThe|warm|presence|of|Zhao|Benshan|makes|the|preposterous|lying|hero|into|something|more|than|he|reasonably|should|be|.\nThis|is|as|powerful|a|set|of|evidence|as|you|'ll|ever|find|of|why|art|matters|,|and|how|it|can|resonate|far|beyond|museum|walls|and|through|to|the|most|painfully|marginal|lives|.\nDirector|Rob|Marshall|went|out|gunning|to|make|a|great|one|.\nSkip|work|to|see|it|at|the|first|opportunity|.\nBow|'s|best|moments|are|when|he|'s|getting|busy|on|the|basketball|court|because|that|'s|when|he|really|scores|.\nOffers|enough|playful|fun|to|entertain|the|preschool|set|while|embracing|a|wholesome|attitude|.\nIn|the|end|,|Punch-Drunk|Love|is|one|of|those|films|that|I|wanted|to|like|much|more|than|I|actually|did|.\nSometimes|,|that|'s|enough|.\nAn|intimate|,|good-humored|ethnic|comedy|like|numerous|others|but|cuts|deeper|than|expected|.\nIce|Cube|holds|the|film|together|with|an|engaging|and|warm|performance|...\nBoth|deeply|weird|and|charmingly|dear|.\nAs|blunt|as|it|is|in|depicting|child|abuse|,|El|Bola|is|a|movie|steeped|in|an|ambiguity|that|lends|its|conflicts|a|symbolic|resonance|.\nDespite|a|story|predictable|enough|to|make|The|Sound|of|Music|play|like|a|nail-biting|thriller|,|its|heart|is|so|much|in|the|right|place|it|is|difficult|to|get|really|peeved|at|it|.\nAn|incredibly|low-rent|Danish|film|,|it|brings|a|group|of|people|together|in|a|sweet|and|charming|way|,|if|a|little|convenient\nIt|'s|the|cinematic|equivalent|of|a|good|page-turner|,|and|even|if|it|'s|nonsense|,|its|claws|dig|surprisingly|deep|.\nDirector|Nalin|Pan|does|n't|do|much|to|weigh|any|arguments|one|way|or|the|other|.\nHe|simply|presents|his|point|of|view|that|Ayurveda|works|.\nNo|question|.\nWhat|``|Empire|''|lacks|in|depth|it|makes|up|for|with|its|heart|.\nClaude|Miller|airs|out|a|tight|plot|with|an|easy|pace|and|a|focus|on|character|drama|over|crime-film|complications|.\nWhat|Full|Frontal|lacks|in|thematic|coherence|it|largely|makes|up|for|as|loosey-goosey|,|experimental|entertainment|.\nStill|,|I|'m|not|quite|sure|what|the|point|is|...\nRich|in|detail|,|gorgeously|shot|and|beautifully|acted|,|Les|Destinees|is|,|in|its|quiet|,|epic|way|,|daring|,|inventive|and|refreshingly|unusual|.\n(|A|)|Hollywood|sheen|bedevils|the|film|from|the|very|beginning|...|(|but|)|Lohman|'s|moist|,|deeply|emotional|eyes|shine|through|this|bogus|veneer|...\nDo|we|really|need|a|77-minute|film|to|tell|us|exactly|why|a|romantic|relationship|between|a|15-year-old|boy|and|a|40-year-old|woman|does|n't|work|?\nFord|deserves|to|be|remembered|at|Oscar|time|for|crafting|this|wonderful|portrait|of|a|conflicted|soldier|.\nThe|film|'s|45-minute|running|time|stops|shy|of|overkill|,|though|viewers|may|be|more|exhausted|than|the|athletes|onscreen|.\nDo|n't|expect|any|surprises|in|this|checklist|of|teamwork|cliches|...\nAs|adapted|by|Kevin|Molony|from|Simon|Leys|'|novel|``|The|Death|of|Napoleon|''|and|directed|by|Alan|Taylor|,|Napoleon|'s|journey|is|interesting|but|his|Parisian|rebirth|is|stillborn\nThe|movie|addresses|a|hungry|need|for|PG-rated|,|nonthreatening|family|movies|,|but|it|does|n't|go|too|much|further|.\nThis|warm|and|gentle|romantic|comedy|has|enough|interesting|characters|to|fill|several|movies|,|and|its|ample|charms|should|win|over|the|most|hard-hearted|cynics|.\nA|yarn|that|respects|the|Marvel|version|without|becoming|ensnared|by|it|.\nThis|is|a|happy|throwback|to|the|time|when|cartoons|were|cinema|'s|most|idiosyncratic|form|instead|of|one|of|its|most|predictable|.\nComplex|,|affecting|and|uniquely|Almodóvar|,|the|film|evokes|strong|emotions|and|pushes|viewers|to|question|their|deepest|notions|of|moral|right|and|wrong|.\nGood|ol'|urban|legend|stuff|.\nNot|so|much|a|movie|as|a|picture|book|for|the|big|screen|.\nThis|is|n't|my|favorite|in|the|series|,|still|I|enjoyed|it|enough|to|recommend|.\nIt|'s|one|of|the|most|honest|films|ever|made|about|Hollywood|.\nIt|is|a|film|that|will|have|people|walking|out|halfway|through|,|will|encourage|others|to|stand|up|and|applaud|,|and|will|,|undoubtedly|,|leave|both|camps|engaged|in|a|ferocious|debate|for|years|to|come|.\nOn|its|own|cinematic|terms|,|it|successfully|showcases|the|passions|of|both|the|director|and|novelist|Byatt|.\nLight|,|silly|,|photographed|with|colour|and|depth|,|and|rather|a|good|time|.\nPray|'s|film|works|well|and|will|appeal|even|to|those|who|are|n't|too|familiar|with|turntablism|.\nGood|movie|.\nGood|actress|.\nBut|if|you|expect|light|romantic|comedy|,|good|gosh|,|will|you|be|shocked|.\nIt|has|the|courage|to|wonder|about|big|questions|with|sincerity|and|devotion|.\nIt|risks|seeming|slow|and|pretentious|,|because|it|thinks|the|gamble|is|worth|the|promise|.\nWith|youthful|high|spirits|,|Tautou|remains|captivating|throughout|Michele|'s|religious|and|romantic|quests|,|and|she|is|backed|by|a|likable|cast|.\nIt|'s|an|example|of|sophisticated|,|challenging|filmmaking|that|stands|,|despite|its|noticeable|lack|of|emotional|heft|,|in|welcome|contrast|to|the|indulgent|dead-end|experimentation|of|the|director|'s|previous|Full|Frontal|.\nA|very|funny|look|at|how|another|culture|handles|the|process|of|courting|and|marriage|.\nBut|tongue-in-cheek|preposterousness|has|always|been|part|of|For|the|most|part|Wilde|'s|droll|whimsy|helps|``|Being|Earnest|''|overcome|its|weaknesses|and|Parker|'s|creative|interference|...\nMuch|of|the|movie|'s|charm|lies|in|the|utter|cuteness|of|Stuart|and|Margolo|.\nTheir|computer-animated|faces|are|very|expressive|.\nThe|path|Ice|Age|follows|most|closely|,|though|,|is|the|one|established|by|Warner|Bros.|giant|Chuck|Jones|,|who|died|a|matter|of|weeks|before|the|movie|'s|release|.\nAnchored|by|a|terrific|performance|by|Abbass|,|Satin|Rouge|shows|that|the|idea|of|women|'s|self-actualization|knows|few|continental|divides|.\nAwkward|but|sincere|and|,|ultimately|,|it|wins|you|over|.\nSmith|profiles|five|extraordinary|American|homes|,|and|because|the|owners|seem|fully|aware|of|the|uses|and|abuses|of|fame|,|it|'s|a|pleasure|to|enjoy|their|eccentricities|.\nThough|the|plot|is|predictable|,|the|movie|never|feels|formulaic|,|because|the|attention|is|on|the|nuances|of|the|emotional|development|of|the|delicate|characters|.\nSam|Jones|became|a|very|lucky|filmmaker|the|day|Wilco|got|dropped|from|their|record|label|,|proving|that|one|man|'s|ruin|may|be|another|'s|fortune|.\nGoyer|'s|screenplay|and|direction|are|thankfully|understated|,|and|he|has|drawn|excellent|performances|from|his|cast|.\nBinoche|and|Magimel|are|perfect|in|these|roles|.\nWhen|your|leading|ladies|are|a|couple|of|screen-eating|dominatrixes|like|Goldie|Hawn|and|Susan|Sarandon|at|their|raunchy|best|,|even|hokum|goes|down|easily|.\nWhile|Undercover|Brother|is|definitely|one|for|the|masses|,|it|'s|also|full|of|sharp|,|smart|satire|.\nGets|under|the|skin|of|a|man|who|has|just|lost|his|wife|.\nNo|wonder|they|'re|talking|about|``|Talk|to|Her|.|''\nIt|'s|astonishing|.\nFor|its|seriousness|,|high|literary|aspirations|and|stunning|acting|,|the|film|can|only|be|applauded|.\nLook|,|this|is|a|terrific|flick|replete|with|dazzling|camera-work|,|dancing|and|music|.\nIt|is|inspirational|in|characterizing|how|people|from|such|diverse|cultures|share|the|same|human|and|spiritual|needs|.\nIt|'s|fairly|self-aware|in|its|dumbness|.\nA|triumph|,|relentless|and|beautiful|in|its|downbeat|darkness|.\nTailored|to|entertain|!\nA|compelling|,|moving|film|that|respects|its|audience|and|its|source|material|.\nhas|a|plot|full|of|twists|upon|knots|...|and|a|nonstop|parade|of|mock-Tarantino|scuzbag|types|that|starts|out|clever|but|veers|into|overkill|.\nA|work|of|astonishing|delicacy|and|force|.\nThe|film|benefits|greatly|from|a|less|manic|tone|than|its|predecessor|,|as|Cho|appears|to|have|settled|comfortably|into|her|skin|.\nFor|the|first|time|in|several|years|,|Mr.|Allen|has|surpassed|himself|with|the|magic|he|'s|spun|with|the|Hollywood|empress|of|Ms.|Leoni|'s|Ellie|.\nIs|n't|quite|the|equal|of|Woo|'s|best|earlier|work|,|but|it|'s|easily|his|finest|American|film|...|comes|close|to|recapturing|the|brilliance|of|his|Hong|Kong|films|.\nThe|film|hinges|on|its|performances|,|and|both|leads|are|up|to|the|task|.\nAn|intelligent|,|earnest|,|intimate|film|that|drops|the|ball|only|when|it|pauses|for|blunt|exposition|to|make|sure|you|'re|getting|its|metaphysical|point|.\nA|modest|pleasure|that|accomplishes|its|goals|with|ease|and|confidence|.\nA|breezy|,|diverting|,|conventional|,|well-acted|tale|of|two|men|locked|in|an|ongoing|game|of|cat-and-cat|.\nWhat|Jackson|has|accomplished|here|is|amazing|on|a|technical|level|.\nAs|teen|movies|go|,|``|Orange|County|''|is|a|refreshing|change\nMakes|S&M|seem|very|romantic|,|and|Maggie|Gyllenhaal|is|a|delight|.\nA|deliciously|mordant|,|bitter|black|comedy|.\nAlthough|Life|or|Something|Like|It|is|very|much|in|the|mold|of|feel-good|movies|,|the|cast|and|director|Stephen|Herek|'s|polished|direction|pour|delightfully|piquant|wine|from|aged|bottles|.\nIt|is|risky|,|intelligent|,|romantic|and|rapturous|from|start|to|finish|.\nThe|movie|sticks|much|closer|to|Hornby|'s|drop-dead|confessional|tone|than|the|film|version|of|High|Fidelity|did|.\nA|pleasant|ramble|through|the|sort|of|idoosyncratic|terrain|that|Errol|Morris|has|often|dealt|with|...|it|does|possess|a|loose|,|lackadaisical|charm|.\n...|spiced|with|humor|(|'|I|speak|fluent|flatula|,|'|advises|Denlopp|after|a|rather|,|er|,|bubbly|exchange|with|an|alien|deckhand|)|and|witty|updatings|(|Silver|'s|parrot|has|been|replaced|with|Morph|,|a|cute|alien|creature|who|mimics|everyone|and|everything|around|)\nThis|is|a|raw|and|disturbing|tale|that|took|five|years|to|make|,|and|the|trio|'s|absorbing|narrative|is|a|heart-wrenching|showcase|indeed|.\nA|beautiful|and|haunting|examination|of|the|stories|we|tell|ourselves|to|make|sense|of|the|mundane|horrors|of|the|world|.\nAside|from|being|the|funniest|movie|of|the|year|,|Simone|,|Andrew|Niccol|'s|brilliant|anti-Hollywood|satire|,|has|a|wickedly|eccentric|enchantment|to|it|.\nWatstein|handily|directs|and|edits|around|his|screenplay|'s|sappier|elements|...|and|sustains|Off|the|Hook|'s|buildup|with|remarkable|assuredness|for|a|first-timer|.\nJust|another|fish-out-of-water|story|that|barely|stays|afloat|.\nThere|'s|an|energy|to|Y|Tu|Mamá|También|.\nMuch|of|it|comes|from|the|brave|,|uninhibited|performances|by|its|lead|actors|.\nIt|'s|the|kind|of|pigeonhole-resisting|romp|that|Hollywood|too|rarely|provides|.\nReinforces|the|often|forgotten|fact|of|the|world|'s|remarkably|varying|human|population|and|mindset|,|and|its|capacity|to|heal|using|creative|,|natural|and|ancient|antidotes|.\nYou|can|feel|the|heat|that|ignites|this|gripping|tale|,|and|the|humor|and|humanity|that|root|it|in|feeling|.\nIt|'s|hard|not|to|be|seduced|by|(|Witherspoon|'s|)|charisma|,|even|in|this|run-of-the-mill|vehicle|,|because|this|girl|knows|how|to|drive|it|to|the|max|.\nA|movie|for|11-year-old|boys|with|sports|dreams|of|their|own|and|the|preteen|girls|who|worship|Lil|'|Bow|Wow|.\nA|refreshingly|authentic|coming-of-age|tale|.\nIf|you|'re|not|into|the|Pokemon|franchise|,|this|fourth|animated|movie|in|four|years|wo|n't|convert|you|--|or|even|keep|your|eyes|open|.\nBut|fans|should|have|fun|meeting|a|brand-new|Pokemon|called|Celebi|.\nFrom|the|big|giant|titles|of|the|opening|credits|to|Elmer|Bernstein|'s|perfectly|melodic|score|,|Haynes|gets|just|about|everything|right|.\nWhether|seen|on|a|10-inch|television|screen|or|at|your|local|multiplex|,|the|edge-of-your-seat|,|educational|antics|of|Steve|Irwin|are|priceless|entertainment|.\nHas|a|shambling|charm|...|a|cheerfully|inconsequential|diversion|.\nFerrara|directs|the|entire|film|with|the|kind|of|detachment|that|makes|any|given|frame|look|like|a|family|'s|custom-made|Christmas|card|.\nThe|movie|has|lots|of|dancing|and|fabulous|music|.\nThere|are|slow|and|repetitive|parts|,|but|it|has|just|enough|spice|to|keep|it|interesting|.\nAn|incredibly|clever|and|superbly|paced|caper|filled|with|scams|within|scams|within|scams|.\nThere|'s|not|much|more|to|this|adaptation|of|the|Nick|Hornby|novel|than|charm|--|effortless|,|pleasurable|,|featherweight|charm|.\nAs|a|belated|nod|to|some|neglected|all-stars|,|Standing|in|the|Shadows|of|Motown|is|cultural|history|of|the|best|kind|:|informative|,|revealing|and|richly|entertaining|.\nEven|if|the|ride|'s|a|little|bumpy|,|with|a|final|lap|that|'s|all|too|suspiciously|smooth|,|you|gotta|give|director|Roger|Michell|,|best|known|for|the|superfluous|Notting|Hill|,|credit|for|trying|.\nNot|as|distinctive|or|even|as|humorous|as|its|needs|to|be|to|stand|out|,|but|it|has|clearly|been|made|with|affection|and|care|.\nThis|is|Carion|'s|debut|feature|but|his|script|and|direction|hums|with|a|confidence|that|many|spend|entire|careers|trying|to|reach|.\nAn|intelligent|,|moving|and|invigorating|film|.\n...|one|of|the|most|ingenious|and|entertaining|thrillers|I|'ve|seen|in|quite|a|long|time|.\nA|clever|blend|of|fact|and|fiction|.\nA|vivid|cinematic|portrait|.\nHilarious|,|touching|and|wonderfully|dyspeptic|.\nTheirs|is|a|simple|and|heart-warming|story|,|full|of|mirth|that|should|charm|all|but|the|most|cynical|.\nThe|film|is|an|enjoyable|family|film|--|pretty|much|aimed|at|any|youngster|who|loves|horses|.\nA|frisky|and|fresh|romantic|comedy|exporing|sexual|politics|and|the|challenges|of|friendships|between|women|.\nIt|'s|a|good|film|--|not|a|classic|,|but|odd|,|entertaining|and|authentic|.\nFlavorful|and|romantic|,|you|could|call|this|How|Martha|Got|Her|Groove|Back|--|assuming|,|that|is|,|she|ever|had|one|to|begin|with|.\nHappily|for|Mr.|Chin|--|though|unhappily|for|his|subjects|--|the|invisible|hand|of|the|marketplace|wrote|a|script|that|no|human|screenwriter|could|have|hoped|to|match|.\nThurman|and|Lewis|are|hilarious|throughout|.\nthe|plot|is|so|amusingly|contrived|and|outlandish|in|its|coincidences|that|no|one|could|ever|mistake|it|for|anything|resembling|reality\nHits|one|out|of|the|park|for|the|`|they|do|n't|make|'em|like|that|anymore|'|department|.\nIt|dares|to|be|a|little|different|,|and|that|shading|is|what|makes|it|worthwhile|.\n(|Fessenden|)|is|much|more|into|ambiguity|and|creating|mood|than|he|is|for|on|screen|thrills\nThe|comic|performances|are|all|spot|on|,|especially|Lee|Ross|'s|turn|as|Ken|.\na|compelling|journey|...|and|``|His|Best|Friend|Remembers|''|is|up|there|with|the|finest|of|specials|.\nAt|nearly|three|hours|,|the|whole|of|Safe|Conduct|is|less|than|the|sum|of|its|parts|.\nThe|Hours|makes|you|examine|your|own|life|in|much|the|same|way|its|characters|do|,|and|the|experience|is|profound|.\nThe|Hours|is|what|movies|are|supposed|to|be|...\nA|bold|and|subversive|film|that|cuts|across|the|grain|of|what|is|popular|and|powerful|in|this|high-tech|age|,|speaking|its|truths|with|spellbinding|imagery|and|the|entrancing|music|of|Philip|Glass|.\nPretty|darn|good|,|despite|its|smarty-pants|aura|.\nSo|young|,|so|smart|,|such|talent|,|such|a|wise|\\*\\*\\*|.\nWoo|'s|fights|have|a|distinct|flair|.\nHis|warriors|collide|in|balletic|explosion|that|implies|an|underlying|order|throughout|the|chaos|.\nBarney|has|created|a|tour|de|force|that|is|weird|,|wacky|and|wonderful|.\nThe|ending|does|leave|you|unfulfilled|,|but|these|are|performances|to|enjoy|in|a|memorable|ensemble|piece|.\n...|an|agreeable|time-wasting|device|--|but|George|Pal|'s|low-tech|1960|version|still|rules|the|epochs|.\nIt|'s|a|brave|attempt|to|tap|into|the|heartbeat|of|the|world|,|a|salute|to|the|universal|language|of|rhythm|and|a|zippy|sampling|of|sounds|.\nOffers|an|unusual|opportunity|to|observe|the|inequities|in|the|death|penalty|,|not|just|the|inherent|immorality|but|also|the|haphazard|administration|of|it|and|public|misperception|of|how|the|whole|thing|works|.\nI|do|n't|think|I|'ve|been|as|entranced|and|appalled|by|an|Asian|film|since|Shinya|Tsukamoto|'s|Iron|Man|.\nIt|is|so|refreshing|to|see|Robin|Williams|turn|180|degrees|from|the|string|of|insultingly|innocuous|and|sappy|fiascoes|he|'s|been|making|for|the|last|several|years|.\nDirector|Benoit|Jacquot|,|making|his|first|opera-to-film|translation|with|Tosca|,|conveys|the|heaving|passion|of|Puccini|'s|famous|love-jealousy|-|murder-suicide|fandango|with|great|cinematic|innovation|.\nLilia|'s|transformation|from|strict|mother|to|sensual|siren|is|superficially|preposterous|,|but|Abbas|infuses|the|role|with|an|unimpeachable|core|of|emotional|truth|.\nFrida|'s|artistic|brilliance|is|undeniable|--|it|'s|among|the|most|breathtakingly|designed|films|I|'ve|ever|seen|.\nThe|perfect|film|for|those|who|like|sick|comedies|that|can|be|snide|.\n`|Charly|'|will|divide|its|audience|in|two|separate|groups|,|those|reaching|for|more|tissues|and|those|begging|for|mercy|...\nNervy|and|sensitive|,|it|taps|into|genuine|artistic|befuddlement|,|and|at|the|same|time|presents|a|scathing|indictment|of|what|drives|Hollywood|.\nA|marvellous|journey|from|childhood|idealism|to|adolescent|self-absorption|.\nThe|film|is|just|a|big|,|gorgeous|,|mind-blowing|,|breath-taking|mess|.\nSharp|,|lively|,|funny|and|ultimately|sobering|film|.\nThough|the|film|'s|scenario|is|certainly|not|earthshaking|,|this|depiction|of|fluctuating|female|sexuality|has|two|winning|lead|performances|and|charm|to|spare|.\nA|worthy|tribute|to|a|great|humanitarian|and|her|vibrant|`|co-stars|.|'\nA|recent|favourite|at|Sundance|,|this|white-trash|satire|will|inspire|the|affection|of|even|those|unlucky|people|who|never|owned|a|cassette|of|Def|Leppard|'s|Pyromania|.\nThe|recording|session|is|the|only|part|of|the|film|that|is|enlightening|--|and|how|appreciative|you|are|of|this|depends|on|your|level|of|fandom|.\nOccasionally|funny|and|consistently|odd|,|and|it|works|reasonably|well|as|a|star|vehicle|for|Zhao|.\nBright|seems|alternately|amused|and|disgusted|with|this|material|,|and|he|ca|n't|help|throwing|in|a|few|of|his|own|touches|.\nThe|3D|images|only|enhance|the|film|'s|otherworldly|quality|,|giving|it|a|strange|combo|of|you-are-there|closeness|with|the|disorienting|unreality|of|the|seemingly|broken-down|fourth|wall|of|the|movie|screen|.\nAndersson|creates|a|world|that|'s|at|once|surreal|and|disturbingly|familiar|;|absurd|,|yet|tremendously|sad|.\nIt|'s|predictable|,|but|it|jumps|through|the|expected|hoops|with|style|and|even|some|depth|.\nOften|hilarious|,|well-shot|and|,|importantly|,|entertaining|,|Hell|House|is|a|fascinating|document|of|an|event|that|has|to|be|seen|to|be|believed|.\nDe|Oliveira|creates|an|emotionally|rich|,|poetically|plump|and|visually|fulsome|,|but|never|showy|,|film|whose|bittersweet|themes|are|reinforced|and|brilliantly|personified|by|Michel|Piccoli|.\n...|an|inviting|piece|of|film|.\nThe|film|'s|real|appeal|wo|n't|be|to|Clooney|fans|or|adventure|buffs|,|but|to|moviegoers|who|enjoy|thinking|about|compelling|questions|with|no|easy|answers|.\nThe|fact|that|The|Rookie|is|a|nearly|impeccable|cinematic|experience|--|and|a|wonderful|all-ages|triumph|besides|--|is|a|miracle|akin|to|the|story|the|film|portrays|.\nA|deviant|topical|comedy|which|is|funny|from|start|to|finish|.\nA|startling|and|fresh|examination|of|how|the|bike|still|remains|an|ambiguous|icon|in|Chinese|society|.\nA|highly|intriguing|thriller|,|coupled|with|some|ingenious|plot|devices|and|some|lavishly|built|settings|.|.\nit|'s|a|worthwhile|tutorial|in|quantum|physics|and|slash-dash\nAs|Hugh|Grant|says|repeatedly|throughout|the|movie|,|`|Lovely|!\nBrilliant|!|'\nCho|'s|fearless|in|picking|apart|human|foibles|,|not|afraid|to|lay|her|life|bare|in|front|of|an|audience|.\nHer|delivery|and|timing|are|flawless|.\nWorks|because|,|for|the|most|part|,|it|avoids|the|stupid|cliches|and|formulaic|potholes|that|befall|its|brethren|.\nAt|its|best|,|The|Good|Girl|is|a|refreshingly|adult|take|on|adultery|...\nAn|amazing|and|incendiary|movie|that|dives|straight|into|the|rough|waters|of|contradiction|.\nAbout|nowhere|kids|who|appropriated|turfs|as|they|found|them|and|become|self-made|celebrity|athletes|--|a|low-down|version|of|the|American|dream|.\nOccasionally|,|in|the|course|of|reviewing|art-house|obscurities|and|slam-bam|action|flicks|,|a|jaded|critic|smacks|into|something|truly|new|.\nA|miniscule|little|bleep|on|the|film|radar|,|but|one|that|many|more|people|should|check|out\n``|13|Conversations|''|holds|its|goodwill|close|,|but|is|relatively|slow|to|come|to|the|point|.\nA|slick|,|well-oiled|machine|,|exquisitely|polished|and|upholstered|.\nDo|n't|plan|on|the|perfect|ending|,|but|Sweet|Home|Alabama|hits|the|mark|with|critics|who|escaped|from|a|small|town|life|.\nIt|has|a|subtle|way|of|getting|under|your|skin|and|sticking|with|you|long|after|it|'s|over|.\nThe|movie|stays|afloat|thanks|to|its|hallucinatory|production|design|.\nIt|helps|that|the|central|performers|are|experienced|actors|,|and|that|they|know|their|roles|so|well|.\nA|provocative|movie|about|loss|,|anger|,|greed|,|jealousy|,|sickness|and|love|.\nWorth|the|effort|to|watch|.\nThat|rara|avis|:|the|intelligent|romantic|comedy|with|actual|ideas|on|its|mind|.\nBoisterous|and|daft|documentary|.\nHawke|draws|out|the|best|from|his|large|cast|in|beautifully|articulated|portrayals|that|are|subtle|and|so|expressive|they|can|sustain|the|poetic|flights|in|Burdette|'s|dialogue|.\nA|work|of|the|utmost|subtlety|and|perception|,|it|marks|the|outstanding|feature|debut|of|writer-director|Eric|Byler|,|who|understands|the|power|of|the|implicit|and|the|virtues|of|simplicity|and|economy|.\nFull|Frontal|is|the|antidote|for|Soderbergh|fans|who|think|he|'s|gone|too|commercial|since|his|two|Oscar|nominated|films|in|2000\nIt|turns|out|to|be|a|cut|above|the|norm|,|thanks|to|some|clever|writing|and|sprightly|acting|.\nYou|might|not|want|to|hang|out|with|Samantha|,|but|you|'ll|probably|see|a|bit|of|yourself|in|her|unfinished|story|.\nA|work|of|intricate|elegance|,|literary|lyricism|and|profound|common|sense|.\nIt|'s|as|close|as|we|'ll|ever|come|to|looking|through|a|photographer|'s|viewfinder|as|he|works|.\nThoughtful|,|provocative|and|entertaining|.\nWitty|,|touching|and|well|paced|.\nLee|Jeong-Hyang|tells|it|so|lovingly|and|films|it|so|beautifully|that|I|could|n't|help|being|captivated|by|it|.\nYou|have|to|pay|attention|to|follow|all|the|stories|,|but|they|'re|each|interesting|.\nThe|movie|is|well|shot|and|very|tragic|,|and|one|to|ponder|after|the|credits|roll|.\nEnjoy|it|for|what|it|is|;|you|can|hate|yourself|later|.\nA|map|of|the|inner|rhythms|of|love|and|jealousy|and|sacrifice|drawn|with|a|master|'s|steady|stroke|.\nA|psychological|thriller|with|a|smart|script|and|an|obsessive-compulsive|'s|attention|to|detail|.\nGrant|gets|to|display|his|cadness|to|perfection|,|but|also|to|show|acting|range|that|may|surprise|some|who|thought|light-hearted|comedy|was|his|forte|.\nAt|times|funny|and|at|other|times|candidly|revealing|,|it|'s|an|intriguing|look|at|two|performers|who|put|themselves|out|there|because|they|love|what|they|do|.\nWestfeldt|and|Juergensen|exude|a|chemistry|and|comfort|level|that|'s|both|saucy|and|endearing|.\nHarsh|,|effective|documentary|on|life|in|the|Israeli-occupied|Palestinian|territories|.\nThe|film|is|all|a|little|Lit|Crit|101|,|but|it|'s|extremely|well|played|and|often|very|funny|.\nEarns|its|laughs|from|stock|redneck|`|types|'|and|from|the|many|,|many|moments|when|we|recognize|even|without|the|Elizabethan|prose|,|the|play|behind|the|thing|.\nA|real|story|about|real|people|living|their|lives|concerned|about|the|future|of|an|elderly|,|mentally|handicapped|family|member|.\nIt|'s|absolutely|spooky|how|Lillard|channels|the|Shagster|right|down|to|the|original|Casey|Kasem-furnished|voice|.\nA|dream|cast|of|solid|female|talent|who|build|a|seamless|ensemble|.\nThere|is|n't|a|weak|or|careless|performance|amongst|them|.\nSmart|science|fiction|for|grown-ups|,|with|only|a|few|false|steps|along|the|way|.\nIt|'s|a|refreshing|change|from|the|self-interest|and|paranoia|that|shape|most|American|representations|of|Castro|.\nOften|moving|and|explores|the|discomfort|inherent|in|the|contacts|between|the|American|`|hosts|'|and|their|`|guests|.|'\nThough|the|controversial|Korean|filmmaker|'s|latest|effort|is|not|for|all|tastes|,|it|offers|gorgeous|imagery|,|effective|performances|,|and|an|increasingly|unsettling|sense|of|foreboding|.\nLathan|and|Diggs|have|considerable|personal|charm|,|and|their|screen|rapport|makes|the|old|story|seem|new|.\nThe|story|may|not|be|new|,|but|Australian|director|John|Polson|,|making|his|American|feature|debut|,|jazzes|it|up|adroitly|.\nIt|'s|endearing|to|hear|Madame|D.|refer|to|her|husband|as|`|Jackie|'|--|and|he|does|make|for|excellent|company|,|not|least|as|a|self-conscious|performer|.\nThe|film|often|achieves|a|mesmerizing|poetry|.\nMore|than|makes|up|for|its|mawkish|posing|by|offering|rousing|spates|of|genuine|feeling|.\nIt|'s|neither|as|romantic|nor|as|thrilling|as|it|should|be|.\nBut|it|offers|plenty|to|ponder|and|chew|on|as|its|unusual|relationship|slowly|unfolds|.\nOccasionally|funny|,|always|very|colorful|and|enjoyably|overblown|in|the|traditional|Almodóvar|style|.\nMerchant|effectively|translates|Naipaul|'s|lively|mix|of|characters|from|the|page|to|screen|.\nSome|movies|are|like|a|tasty|hors-d'oeuvre|;|this|one|is|a|feast|.\nWhat|could|have|become|just|another|cautionary|fable|is|allowed|to|play|out|as|a|clever|,|charming|tale|--|as|pleasantly|in|its|own|way|as|its|self-dramatizing|characters|.\nDavis|has|filled|out|his|cast|with|appealing|fresh|faces|.\nAchieves|a|sort|of|filmic|epiphany|that|revels|in|the|true|potential|of|the|medium|.\nOnce|you|get|into|its|rhythm|...|the|movie|becomes|a|heady|experience|.\n``|Auto|Focus|''|works|as|an|unusual|biopic|and|document|of|male|swingers|in|the|Playboy|era\nIf|Mr.|Zhang|'s|subject|matter|is|,|to|some|degree|at|least|,|quintessentially|American|,|his|approach|to|storytelling|might|be|called|Iranian|.\nA|fast-moving|and|remarkable|film|that|appears|destined|to|become|a|landmark|in|Japanese|animation|.\n...|a|sour|little|movie|at|its|core|;|an|exploration|of|the|emptiness|that|underlay|the|relentless|gaiety|of|the|1920|'s|...|The|film|'s|ending|has|a|``|What|was|it|all|for|?|''\nfeeling|to|it|,|but|like|the|1920|'s|,|the|trip|there|is|a|great|deal|of|fun|.\nA|worthy|entry|into|a|very|difficult|genre|.\n(|Broomfield|)|uncovers|a|story|powerful|enough|to|leave|the|screen|sizzling|with|intrigue|.\nEight|Crazy|Nights|is|a|showcase|for|Sandler|'s|many|talents|.\nA|sweet-natured|reconsideration|of|one|of|San|Francisco|'s|most|vital|,|if|least|widely|recognized|,|creative|fountainheads|.\nThis|is|one|of|the|most|visually|stunning|and|thematically|moving|epics|in|recent|memory|,|and|in|spite|of|numerous|minor|flaws|,|Scorsese|'s|best|in|more|than|a|decade|.\nEverywhere|the|camera|looks|there|is|something|worth|seeing|.\nA|richly|imagined|and|admirably|mature|work|from|a|gifted|director|who|definitely|has|something|on|his|mind|.\nIt|'s|a|nicely|detailed|world|of|pawns|,|bishops|and|kings|,|of|wagers|in|dingy|backrooms|or|pristine|forests|.\nA|charming|,|quirky|and|leisurely|paced|Scottish|comedy|--|except|with|an|outrageous|central|gimmick|that|could|have|been|a|reject|from|Monty|Python|'s|Meaning|of|Life|.\nIt|never|fails|to|engage|us|.\nIts|direction|,|its|script|,|and|Weaver|'s|performance|as|a|vaguely|discontented|woman|of|substance|make|for|a|mildly|entertaining|77|minutes|,|if|that|'s|what|you|'re|in|the|mood|for|.\nA|charming|romantic|comedy|that|is|by|far|the|lightest|Dogme|film|and|among|the|most|enjoyable|.\nThis|is|the|kind|of|movie|that|used|to|be|right|at|home|at|the|Saturday|matinee|,|and|it|still|is|.\nThe|spark|of|special|anime|magic|here|is|unmistakable|and|hard|to|resist|.\nLike|its|two|predecessors|,|1983|'s|Koyaanisqatsi|and|1988|'s|Powaqqatsi|,|the|cinematic|collage|Naqoyqatsi|could|be|the|most|navel-gazing|film|ever|.\nBaran|is|n't|the|most|transporting|or|gripping|film|from|Iran|--|or|,|indeed|,|by|its|director|--|but|it|'s|a|worthy|companion|to|the|many|fine|,|focused|films|emerging|from|that|most|surprising|of|nations|.\nThe|visuals|alone|make|Metropolis|worth|seeing|.\nDark|,|resonant|,|inventively|detailed|and|packed|with|fleet|turns|of|plot|and|a|feast|of|visual|amazement|.\nA|picture|that|extols|the|virtues|of|comradeship|and|community|in|a|spunky|,|spirited|fashion|.\nA|resonant|tale|of|racism|,|revenge|and|retribution|.\nNoyce|'s|film|is|contemplative|and|mournfully|reflective|.\nHere|,|Adrian|Lyne|comes|as|close|to|profundity|as|he|is|likely|to|get|.\nEvokes|a|little|of|the|fear|that|parents|have|for|the|possible|futures|of|their|children|--|and|the|sometimes|bad|choices|mothers|and|fathers|make|in|the|interests|of|doing|them|good|.\nRain|is|a|small|treasure|,|enveloping|the|viewer|in|a|literal|and|spiritual|torpor|that|is|anything|but|cathartic|.\nAn|elegant|,|exquisitely|modulated|psychological|thriller|.\nThis|concoction|,|so|bizarre|to|the|adult|mind|,|is|actually|a|charming|triumph|where|its|intended|under-12|audience|is|concerned|.\nDroll|caper-comedy|remake|of|``|Big|Deal|on|Madonna|Street|''|that|'s|a|sly|,|amusing|,|laugh-filled|little|gem|in|which|the|ultimate|``|Bellini|''|begins|to|look|like|a|``|real|Kaputschnik|.|''\nIt|'s|a|beautifully|accomplished|lyrical|meditation|on|a|bunch|of|despondent|and|vulnerable|characters|living|in|the|renown|Chelsea|Hotel|...\nIs|it|a|total|success|?\nNo.|.\nIs|it|something|any|true|film|addict|will|want|to|check|out|?\nYou|bet|.\nZany|,|exuberantly|irreverent|animated|space|adventure|.\nDolgin|and|Franco|fashion|a|fascinating|portrait|of|a|Vietnamese-born|youngster|who|eagerly|and|easily|assimilated|as|an|all-American|girl|with|a|brand|new|name|in|southern|Tennessee|.\nThe|disarming|cornball|atmosphere|has|a|way|of|infecting|the|entire|crowd|as|the|film|rolls|on|.\nA|refreshingly|honest|and|ultimately|touching|tale|of|the|sort|of|people|usually|ignored|in|contemporary|American|film|.\nSearch|it|out|.\nEngrossing|and|affecting|,|if|ultimately|not|quite|satisfying|.\nThe|story|,|like|life|,|refuses|to|be|simple|,|and|the|result|is|a|compelling|slice|of|awkward|emotions|.\nA|sly|game|of|cat|and|mouse|that|'s|intense|and|thrilling|at|times|,|but|occasionally|stretches|believability|to|its|limits|and|relies|on|predictable|plot|contrivances|.\nFunny|and|,|at|times|,|poignant|,|the|film|from|director|George|Hickenlooper|all|takes|place|in|Pasadena|,|``|a|city|where|people|still|read|.|''\nThis|horror-comedy|does|n't|go|for|the|usual|obvious|laughs|at|the|expense|of|cheap-looking|monsters|--|unless|you|count|Elvira|'s|hooters|.\nThe|movie|'s|eventual|success|should|be|credited|to|Dennis|Quaid|,|in|fighting|trim|shape|as|an|athlete|as|well|as|an|actor\nNot|a|bad|journey|at|all|.\nSits|uneasily|as|a|horror|picture|...|but|finds|surprising|depth|in|its|look|at|the|binds|of|a|small|family|.\nWindtalkers|blows|this|way|and|that|,|but|there|'s|no|mistaking|the|filmmaker|in|the|tall|grass|,|true|to|himself|.\nThere|is|a|refreshing|absence|of|cynicism|in|Stuart|Little|2|--|quite|a|rarity|,|even|in|the|family|film|market|.\nEventually|,|it|wins|you|over|.\nNoyce|films|it|more|as|a|shocking|history|lesson|than|as|drama|.\nLike|a|south-of-the-border|Melrose|Place|.\nThose|with|an|interest|in|new|or|singular|sorts|of|film|experiences|will|find|What|Time|Is|It|There|?\nwell|worth|the|time|.\nA|wildly|funny|prison|caper|.\nHuppert|gives|Erika|a|persona|that|is|so|intriguing|that|you|find|yourself|staring|hypnotically|at|her|,|trying|to|understand|her|and|wondering|if|she|'ll|crack|.\nDespite|what|anyone|believes|about|the|goal|of|its|makers|,|the|show|...|represents|a|spectacular|piece|of|theater|,|and|there|'s|no|denying|the|talent|of|the|creative|forces|behind|it|.\nYou|'ll|be|left|with|the|sensation|of|having|just|witnessed|a|great|performance|and|,|perhaps|,|give|in|to|the|urge|to|get|on|your|feet|and|shake|it|.\nThe|actors|are|so|terrific|at|conveying|their|young|angst|,|we|do|indeed|feel|for|them|.\nThe|reason|this|picture|works|better|than|its|predecessors|is|that|Myers|is|no|longer|simply|spoofing|the|mini-mod-madness|of|'60s|spy|movies|.\nIt|is|a|kickass|,|dense|sci-fi|action|thriller|hybrid|that|delivers|and|then|some|.\nI|have|n't|seen|one|in|so|long|,|no|wonder|I|did|n't|recognize|it|at|first|.\na|compelling|portrait|of|moral|emptiness\nIn|Adobo|,|ethnicity|is|not|just|the|spice|,|but|at|the|heart|of|more|universal|concerns|.\nIt|is|ridiculous|,|of|course|...|but|it|is|also|refreshing|,|disarming|,|and|just|outright|enjoyable|despite|its|ridiculousness|.\n...|Blade|II|is|more|enjoyable|than|the|original|.\nA|film|that|takes|you|inside|the|rhythms|of|its|subject|:|You|experience|it|as|you|watch|.\nThe|movie|exists|for|its|soccer|action|and|its|fine|acting|.\nThe|movie|is|saved|from|unbearable|lightness|by|the|simplicity|of|the|storytelling|and|the|authenticity|of|the|performances|.\nThe|film|starts|out|as|competent|but|unremarkable|...|and|gradually|grows|into|something|of|considerable|power|.\nNothing|Denis|has|made|before|,|like|Beau|Travil|and|Nenette|et|Boni|,|could|prepare|us|for|this|gory|,|perverted|,|sex-soaked|riff|on|the|cannibal|genre|.\nReinforces|the|talents|of|screenwriter|Charlie|Kaufman|,|creator|of|Adaptation|and|Being|John|Malkovich|.\nGreene|delivers|a|typically|solid|performance|in|a|role|that|is|a|bit|of|a|departure|from|the|noble|characters|he|has|played|in|the|past|,|and|he|is|matched|by|Schweig|,|who|carries|the|film|on|his|broad|,|handsome|shoulders|.\nFinds|a|way|to|tell|a|simple|story|,|perhaps|the|simplest|story|of|all|,|in|a|way|that|seems|compelling|and|even|original|.\nA|stunning|piece|of|visual|poetry|that|will|,|hopefully|,|be|remembered|as|one|of|the|most|important|stories|to|be|told|in|Australia|'s|film|history|.\nThis|is|art|paying|homage|to|art|.\n...|a|joke|at|once|flaky|and|resonant|,|lightweight|and|bizarrely|original|.\nInvincible|is|a|wonderful|movie|.\n...|a|cute|and|sometimes|side-splittingly|funny|blend|of|Legally|Blonde|and|Drop|Dead|Gorgeous|,|starring|Piper|Perabo|in|what|could|be|her|breakthrough|role|.\nDazzling|and|sugar-sweet|,|a|blast|of|shallow|magnificence|that|only|sex|,|scandal|,|and|a|chorus|line|of|dangerous|damsels|can|deliver|.\nOccasionally|amateurishly|made|but|a|winsome|cast|and|nice|dialogue|keeps|it|going|.\nJapan|'s|premier|stylist|of|sex|and|blood|hits|audiences|with|what|may|be|his|most|demented|film|to|date|.\nCulkin|,|who|'s|in|virtually|every|scene|,|shines|as|a|young|man|who|uses|sarcastic|lies|like|a|shield|.\nCuts|right|through|the|B.S.|giving|a|big|middle-fingered|``|shut|up|''|to|those|who|talk|up|what|is|nothing|more|than|two|guys|beating|the|hell|outta|one|another|.\nThe|AM-radio|soundtrack|and|game|cast|--|Tierney|and|the|inimitable|Walken|especially|--|keep|this|unusual|comedy|from|choking|on|its|own|conceit|.\n...|does|such|a|fine|job|of|engulfing|you|in|its|world|and|allying|you|with|its|characters|'|choices|,|good|and|ill|,|that|its|shortcomings|are|remembered|only|as|an|afterthought|.\nMarvelous|,|merry|and|,|yes|,|melancholy|film|.\nFrom|spiritual|rebirth|to|bruising|defeat|,|Vincent|'s|odyssey|resonates|in|a|profound|way|,|comparable|to|the|classic|films|of|Jean|Renoir|.\nNovak|manages|to|capture|a|cruelly|hilarious|vein|of|black|comedy|in|the|situation|with|his|cast|of|non-actors|and|a|gritty|,|no-budget|approach|.\nInsomnia|is|involving|.\nStill|,|I|thought|it|could|have|been|more|.\nThere|was|time|on|that|second|round|to|see|the|subtleties|of|Ramsay|'s|portrait|of|grief|.\nWe|can|see|the|wheels|turning|,|and|we|might|resent|it|sometimes|,|but|this|is|still|a|nice|little|picture|,|made|by|bright|and|friendly|souls|with|a|lot|of|good|cheer|.\nA|comprehensive|and|provocative|film|--|one|that|pushes|the|boundaries|of|biography|,|and|challenges|its|audience|.\nThe|way|Coppola|professes|his|love|for|movies|--|both|colorful|pop|junk|and|the|classics|that|unequivocally|qualify|as|art|--|is|giddily|entertaining|.\nA|worthwhile|way|to|spend|two|hours|.\nFrancophiles|will|snicker|knowingly|and|you|'ll|want|to|slap|them|.\nSensitive|,|insightful|and|beautifully|rendered|film|.\nOne|of|the|best|of|the|year|.\nA|love|for|films|shines|through|each|frame|and|the|era|is|recreated|with|obvious|affection|,|scored|to|perfection|with|some|tasty|boogaloo|beats|.\nThrowing|caution|to|the|wind|with|an|invitation|to|the|hedonist|in|us|all|,|Nair|has|constructed|this|motion|picture|in|such|a|way|that|even|the|most|cynical|curmudgeon|with|find|himself|or|herself|smiling|at|one|time|or|another|.\nMakes|an|aborbing|if|arguable|case|for|the|man|'s|greatness|.\nAn|endlessly|fascinating|,|landmark|movie|that|is|as|bold|as|anything|the|cinema|has|seen|in|years|.\n...|a|haunting|vision|,|with|images|that|seem|more|like|disturbing|hallucinations|.\nIt|is|not|a|mass-market|entertainment|but|an|uncompromising|attempt|by|one|artist|to|think|about|another|.\nFrailty|is|n't|as|gory|or|explicit|.\nBut|in|its|child-centered|,|claustrophobic|context|,|it|can|be|just|as|frightening|and|disturbing|--|even|punishing|.\nMixes|likeable|personalities|,|inventive|photography|and|cutting|,|and|wall-to-wall|toe-tapping|music|to|paint|a|picture|of|a|subculture|that|is|at|once|exhilarating|,|silly|,|perverse|,|hopeful|and|always|fun|.\nThe|long-range|appeal|of|``|Minority|Report|''|should|transcend|any|awards|it|bags|.\nThis|is|one|for|the|ages|.\n(|A|)|superbly|controlled|,|passionate|adaptation|of|Graham|Greene|'s|1955|novel|.\nMuch|monkeyfun|for|all|.\nAn|enchanting|film|that|presents|an|audacious|tour|of|the|past|and|takes|within|its|warm|embrace|the|bounties|of|cultural|artifacts|inside|St.|Petersburg|'s|Hermitage|Museum|.\n(|Hawn|'s|character|)|is|so|bluntly|written|,|without|a|trace|of|sentimentality|,|and|so|blisteringly|defined|,|that|every|other|character|seems|overlooked|and|underwritten|.\nThe|heightened|symmetry|of|this|new\\/old|Cinema|Paradiso|makes|the|film|a|fuller|experience|,|like|an|old|friend|haunted|by|the|exigencies|of|time|.\nThe|Powers|team|has|fashioned|a|comedy|with|more|laughs|than|many|,|no|question|.\nBut|this|time|there|'s|some|mold|on|the|gold|.\nWhile|surprisingly|sincere|,|this|average|little|story|is|adorned|with|some|awesome|action|photography|and|surfing|.\nIt|is|far|from|the|worst|,|thanks|to|the|topical|issues|it|raises|,|the|performances|of|Stewart|and|Hardy|,|and|that|essential|feature|--|a|decent|full-on|space|battle|.\nA|film|that|is|a|portrait|of|grace|in|an|imperfect|world|.\nA|pleasurably|jacked-up|piece|of|action|moviemaking|.\nNicolas|Philibert|observes|life|inside|a|one-room|schoolhouse|in|northern|France|in|his|documentary|To|Be|and|to|Have|,|easily|one|of|the|best|films|of|the|year|.\nA|perverse|little|truffle|,|dainty|psychological|terror|on|the|outside|with|a|creamy|filling|of|familial|jealousy|and|unrepentant|domestic|psychopathy|.\nThis|ecologically|minded|,|wildlife|friendly|film|teaches|good|ethics|while|entertaining|with|its|unconventionally|wacky|but|loving|family\nAn|enjoyably|half-wit|remake|of|the|venerable|Italian|comedy|Big|Deal|on|Madonna|Street|.\nIt|takes|this|never-ending|confusion|and|hatred|,|puts|a|human|face|on|it|,|evokes|shame|among|all|who|are|party|to|it|and|even|promotes|understanding|.\nReign|of|Fire|may|be|little|more|than|another|platter|of|reheated|Aliens|,|but|it|'s|still|pretty|tasty|.\nThere|are|times|when|A|Rumor|of|Angels|plays|like|an|extended|episode|of|Touched|by|an|Angel|--|a|little|too|much|dancing|,|a|few|too|many|weeping|scenes|--|but|I|liked|its|heart|and|its|spirit|.\nTwo|hours|of|melodramatic|musical|married|to|two|hours|of|underdog|sports|intrigue|,|if|the|picture|also|shares|the|weaknesses|of|both|genres|,|more|'s|the|pity|.\nThis|cheery|,|down-to-earth|film|is|warm|with|the|cozy|feeling|of|relaxing|around|old|friends|.\nThrilling|,|provocative|and|darkly|funny|,|this|timely|sci-fi|mystery|works|on|so|many|different|levels|that|it|not|only|invites|,|it|demands|repeated|viewings|.\nA|tale|of|horror|and|revenge|that|is|nearly|perfect|in|its|relentless|descent|to|the|depths|of|one|man|'s|tortured|soul|.\nAn|epic|of|grandeur|and|scale|that|'s|been|decades|gone|from|the|popcorn|pushing|sound|stages|of|Hollywood|.\nGenuinely|touching|because|it|'s|realistic|about|all|kinds|of|love|.\nLauren|Ambrose|comes|alive|under|the|attention|from|two|strangers|in|town|-|with|honest|performances|and|realistic|interaction|between|the|characters|,|this|is|a|coming-of-age|story|with|a|twist|.\nThere|has|been|much|puzzlement|among|critics|about|what|the|election|symbolizes|.\nI|believe|the|message|is|in|the|messenger|:|The|agent|is|a|woman|.\nAn|enjoyable|film|for|the|family|,|amusing|and|cute|for|both|adults|and|kids|.\n``|The|Mothman|Prophecies|''|is|a|difficult|film|to|shake|from|your|conscience|when|night|falls|.\nThe|second|chapter|of|the|Harry|Potter|series|is|even|more|magical|than|the|first|and|simply|the|best|family|film|of|the|year|.\nMore|honest|about|Alzheimer|'s|disease|,|I|think|,|than|Iris|.\nThe|acting|alone|is|worth|the|price|of|admission|.\nAn|excellent|romp|that|boasts|both|a|heart|and|a|mind|.\nInteracting|eyeball-to-eyeball|and|toe-to-toe|,|Hopkins|and|Norton|are|a|winning|combination|--|but|Fiennes|steals|`|Red|Dragon|'|right|from|under|their|noses|.\nThis|is|a|terrific|character|study|,|a|probe|into|the|life|of|a|complex|man|.\nImpresses|you|with|its|open-endedness|and|surprises|.\nThis|is|n't|a|narrative|film|--|I|do|n't|know|if|it|'s|possible|to|make|a|narrative|film|about|September|11th|,|though|I|'m|sure|some|will|try|--|but|it|'s|as|close|as|anyone|has|dared|to|come|.\nMy|oh|my|,|is|this|an|invigorating|,|electric|movie|.\nThe|two|leads|chomp|considerably|more|scenery|with|their|acting|than|fire-breathing|monsters|barbecue|with|their|breath|...\nCedar|takes|a|very|open-minded|approach|to|this|sensitive|material|,|showing|impressive|control|,|both|visually|and|in|the|writing|.\nBiggie|and|Tupac|is|so|single-mindedly|daring|,|it|puts|far|more|polished|documentaries|to|shame|.\nSo|many|documentaries|like|this|presuppose|religious|bigotry|or|zealous|nuttiness|of|its|antagonists|,|but|Family|Fundamentals|displays|a|rare|gift|for|unflinching|impartiality|.\nThe|cast|is|uniformly|excellent|and|relaxed|.\nAfter|making|several|adaptations|of|other|writers|'|work|,|Armenian-Canadian|director|Atom|Egoyan|broached|an|original|treatment|of|a|deeply|personal|subject|.\nThe|film|is|painfully|authentic|,|and|the|performances|of|the|young|players|are|utterly|convincing|.\nIf|it|seems|like|a|minor|miracle|that|its|septuagenarian|star|is|young|enough|to|be|the|nonagenarian|filmmaker|'s|son|,|more|incredible|still|are|the|clear-eyed|boldness|and|quiet|irony|with|which|actor|and|director|take|on|life|'s|urgent|questions|.\nA|candid|and|often|fascinating|documentary|about|a|Pentecostal|church|in|Dallas|that|assembles|an|elaborate|haunted|house|each|year|to|scare|teenagers|into|attending|services|.\nFans|of|the|animated|wildlife|adventure|show|will|be|in|warthog|heaven|;|others|need|not|necessarily|apply|.\nWithout|resorting|to|hyperbole|,|I|can|state|that|Kissing|Jessica|Stein|may|be|the|best|same-sex|romance|I|have|seen|.\nNolan|bravely|treads|where|few|American|films|dare|to|delve|--|into|the|world|of|ambivalence|and|ambiguity|...\nUnlike|the|nauseating|fictions|peddled|by|such|`|Have-yourself-a-happy-little-Holocaust|'|movies|as|Life|Is|Beautiful|and|Jakob|the|Liar|,|The|Grey|Zone|is|honest|enough|to|deny|the|possibility|of|hope|in|Auschwitz|.\nA|potent|allegorical|love|story|.\nEven|those|who|would|like|to|dismiss|the|film|outright|should|find|much|to|mull|and|debate|.\nThis|is|cool|,|slick|stuff|,|ready|to|quench|the|thirst|of|an|audience|that|misses|the|summer|blockbusters|.\nThe|movie|is|full|of|fine|performances|,|led|by|Josef|Bierbichler|as|Brecht|and|Monica|Bleibtreu|as|Helene|Weigel|,|his|wife|.\nA|captivating|cross-cultural|comedy|of|manners|.\nAndy|Garcia|enjoys|one|of|his|richest|roles|in|years|and|Mick|Jagger|gives|his|best|movie|performance|since|,|well|,|Performance|.\nThe|movie|is|n't|always|easy|to|look|at|.\nBut|if|it|is|indeed|a|duty|of|art|to|reflect|life|,|than|Leigh|has|created|a|masterful|piece|of|artistry|right|here|.\nIt|'s|(|Ricci|'s|)|best|work|yet|,|this|girl-woman|who|sincerely|believes|she|can|thwart|the|world|'s|misery|with|blind|good|will|.\nHighlights|are|the|terrific|performances|by|Christopher|Plummer|,|as|the|prime|villain|,|and|Nathan|Lane|as|Vincent|Crummles|,|the|eccentric|theater|company|manager|.\n(|Howard|)|so|good|as|Leon|Barlow|...|that|he|hardly|seems|to|be|acting|.\nSuperior|genre|storytelling|,|which|gets|under|our|skin|simply|by|crossing|the|nuclear|line|.\nBy|taking|Entertainment|Tonight|subject|matter|and|giving|it|humor|and|poignancy|,|Auto|Focus|becomes|both|gut-bustingly|funny|and|crushingly|depressing|.\nIt|'s|a|bittersweet|and|lyrical|mix|of|elements|.\nSubversive|,|meditative|,|clinical|and|poetic|,|The|Piano|Teacher|is|a|daring|work|of|genius|.\nThe|weakest|of|the|four|Harry|Potter|books|has|been|transformed|into|the|stronger|of|the|two|films|by|the|thinnest|of|margins|.\nIts|gross-out|gags|and|colorful|set|pieces|...|are|of|course|stultifyingly|contrived|and|too|stylized|by|half|.\nStill|,|it|gets|the|job|done|--|a|sleepy|afternoon|rental|.\nIt|further|declares|its|director|,|Zhang|Yang|of|Shower|,|as|a|boldly|experimental|,|contemporary|stylist|with|a|bright|future|.\nSmith|'s|approach|is|never|to|tease|,|except|gently|and|in|that|way|that|makes|us|consider|our|own|eccentricities|and|how|they|are|expressed|through|our|homes|.\nFull|of|profound|,|real-life|moments|that|anyone|can|relate|to|,|it|deserves|a|wide|audience|.\nA|movie|that|will|touch|the|hearts|of|both|children|and|adults|,|as|well|as|bring|audiences|to|the|edge|of|their|seats|.\nLeave|it|to|Rohmer|,|now|82|,|to|find|a|way|to|bend|current|technique|to|the|service|of|a|vision|of|the|past|that|is|faithful|to|both|architectural|glories|and|commanding|open|spaces|of|the|city|as|it|was|more|than|two|centuries|ago|.\nFine|acting|but|there|is|no|sense|of|connecting|the|dots|,|just|dots|.\nAn|extraordinary|Swedish|film|about|the|soul|adventure|of|marriage|--|the|kind|of|intimate|and|character-driven|film|that|Bille|August|does|best|.\nA|blessed|gift|to|film|geeks|and|historians|.\nIf|the|'|70|'s|were|your|idea|of|a|good|time|at|the|movies|,|this|will|make|you|very|happy|.\nIt|took|19|predecessors|to|get|THIS|?\nThoughtful|,|even|stinging|at|times|,|and|lots|of|fun|.\nOne|of|the|most|haunting|,|viciously|honest|coming-of-age|films|in|recent|memory|.\nThe|WWII|drama|is|well|plotted|,|visually|striking|and|filled|with|enjoyably|complex|characters|who|are|never|what|they|first|appear|.\nIt|'s|a|pleasure|to|see|Seinfeld|griping|about|the|biz|with|buddies|Chris|Rock|,|Garry|Shandling|and|Colin|Quinn|.\nIf|you|love|Motown|music|,|you|'ll|love|this|documentary|.\nThis|time|out|,|(|Sade|)|is|an|unsettlingly|familiar|figure|--|in|turns|loyal|and|deceitful|,|responsible|and|reckless|,|idealistically|selfless|and|coldly|self-interested|.\nHuman|Resources|was|a|good|,|straightforward|tale|,|but|Time|Out|is|better|.\nIt|'s|haunting|.\nIt|'s|like|a|poem|.\nTo|the|film|'s|credit|,|the|acting|is|fresh|and|unselfconscious|,|and|Munch|is|a|marvel|of|reality|versus|sappy|sentiment|.\nChicago|is|,|in|many|ways|,|an|admirable|achievement|.\nShainberg|weaves|a|carefully|balanced|scenario|that|is|controlled|by|neither|character|,|is|weirdly|sympathetic|to|both|and|manages|to|be|tender|and|darkly|comic|.\nEven|when|foreign|directors|...|borrow|stuff|from|Hollywood|,|they|invariably|shake|up|the|formula|and|make|it|more|interesting|.\nA|cockamamie|tone|poem|pitched|precipitously|between|swoony|lyricism|and|violent|catastrophe|...|the|most|aggressively|nerve-wracking|and|screamingly|neurotic|romantic|comedy|in|cinema|history|.\nSturdy|,|entertaining|period|drama|...|both|Caine|and|Fraser|have|their|moments|.\nWhether|(|Binoche|and|Magimel|)|are|being|charming|or|angst-ridden|,|they|easily|fill|their|scenes|and|,|fine|judges|both|,|never|overcook|the|hysteria|.\nA|spunky|,|original|take|on|a|theme|that|will|resonate|with|singles|of|many|ages|.\nIt|'s|a|glorious|groove|that|leaves|you|wanting|more|.\nMajidi|gets|uniformly|engaging|performances|from|his|largely|amateur|cast|.\n...|a|well-observed|and|disturbing|little|movie\nFans|of|Nijinsky|will|savor|every|minute|of|Cox|'s|work|.\nEverything|you|loved|about|it|in|1982|is|still|there|,|for|everybody|who|wants|to|be|a|kid|again|,|or|show|it|to|their|own|kids|.\nJagger|the|actor|is|someone|you|want|to|see|again|.\nEscapism|in|its|purest|form|.\nThere|is|a|kind|of|attentive|concern|that|Hoffman|brings|to|his|characters|,|as|if|he|has|been|giving|them|private|lessons|,|and|now|it|is|time|for|their|first|public|recital|.\nA|comic|gem|with|some|serious|sparkles|.\nU.S.|audiences|may|find|(|Attal|and|Gainsbourg|'s|)|unfamiliar|personas|give|the|film|an|intimate|and|quaint|reality|that|is|a|little|closer|to|human|nature|than|what|Hollywood|typically|concocts|.\n``|Cremaster|3|''|should|come|with|the|warning|``|For|serious|film|buffs|only|!|''\nOnce|again|,|director|Jackson|strikes|a|rewarding|balance|between|emotion|on|the|human|scale|and|action\\/effects|on|the|spectacular|scale|.\nA|loving|little|film|of|considerable|appeal|.\nAlthough|it|'s|a|bit|smug|and|repetitive|,|this|documentary|engages|your|brain|in|a|way|few|current|films|do|.\nFlawed|but|worthy|look|at|life|in|U.S.|relocation|camps|.\nIt|'s|a|lovely|film|with|lovely|performances|by|Buy|and|Accorsi|.\nNo|one|goes|unindicted|here|,|which|is|probably|for|the|best|.\nAnd|if|you|'re|not|nearly|moved|to|tears|by|a|couple|of|scenes|,|you|'ve|got|ice|water|in|your|veins|.\nA|warm|,|funny|,|engaging|film|.\nUses|sharp|humor|and|insight|into|human|nature|to|examine|class|conflict|,|adolescent|yearning|,|the|roots|of|friendship|and|sexual|identity|.\nHalf|Submarine|flick|,|Half|Ghost|Story|,|All|in|one|criminally|neglected|film\nEntertains|by|providing|good|,|lively|company|.\nDazzles|with|its|fully-written|characters|,|its|determined|stylishness|(|which|always|relates|to|characters|and|story|)|and|Johnny|Dankworth|'s|best|soundtrack|in|years|.\nVisually|imaginative|,|thematically|instructive|and|thoroughly|delightful|,|it|takes|us|on|a|roller-coaster|ride|from|innocence|to|experience|without|even|a|hint|of|that|typical|kiddie-flick|sentimentality|.\nNothing|'s|at|stake|,|just|a|twisty|double-cross|you|can|smell|a|mile|away|--|still|,|the|derivative|Nine|Queens|is|lots|of|fun|.\nUnlike|the|speedy|wham-bam|effect|of|most|Hollywood|offerings|,|character|development|--|and|more|importantly|,|character|empathy|--|is|at|the|heart|of|Italian|for|Beginners|.\nYou|'ll|gasp|appalled|and|laugh|outraged|and|possibly|,|watching|the|spectacle|of|a|promising|young|lad|treading|desperately|in|a|nasty|sea|,|shed|an|errant|tear|.\nThe|band|'s|courage|in|the|face|of|official|repression|is|inspiring|,|especially|for|aging|hippies|(|this|one|included|)|.\nAlthough|German|cooking|does|not|come|readily|to|mind|when|considering|the|world|'s|best|cuisine|,|Mostly|Martha|could|make|Deutchland|a|popular|destination|for|hungry|tourists|.\nA|beguiling|splash|of|pastel|colors|and|prankish|comedy|from|Disney|.\nAs|surreal|as|a|dream|and|as|detailed|as|a|photograph|,|as|visually|dexterous|as|it|is|at|times|imaginatively|overwhelming|.\n(|Lawrence|bounces|)|all|over|the|stage|,|dancing|,|running|,|sweating|,|mopping|his|face|and|generally|displaying|the|wacky|talent|that|brought|him|fame|in|the|first|place|.\nThe|film|serves|as|a|valuable|time|capsule|to|remind|us|of|the|devastating|horror|suffered|by|an|entire|people|.\nWhat|'s|surprising|about|Full|Frontal|is|that|despite|its|overt|self-awareness|,|parts|of|the|movie|still|manage|to|break|past|the|artifice|and|thoroughly|engage|you|.\nWhether|you|like|rap|music|or|loathe|it|,|you|ca|n't|deny|either|the|tragic|loss|of|two|young|men|in|the|prime|of|their|talent|or|the|power|of|this|movie|.\n...|an|otherwise|intense|,|twist-and-turn|thriller|that|certainly|should|n't|hurt|talented|young|Gaghan|'s|resume|.\nIt|provides|the|grand|,|intelligent|entertainment|of|a|superior|cast|playing|smart|people|amid|a|compelling|plot|.\nThere|'s|...|tremendous|energy|from|the|cast|,|a|sense|of|playfulness|and|excitement|that|seems|appropriate|.\nIt|moves|quickly|,|adroitly|,|and|without|fuss|;|it|does|n't|give|you|time|to|reflect|on|the|inanity|--|and|the|Cold|War|datedness|--|of|its|premise|.\nA|deep|and|meaningful|film|.\nThe|film|'s|welcome|breeziness|and|some|unbelievably|hilarious|moments|--|most|portraying|the|idiocy|of|the|film|industry|--|make|it|mostly|worth|the|trip|.\nIt|'s|a|remarkably|solid|and|subtly|satirical|tour|de|force|.\nEnormously|entertaining|for|moviegoers|of|any|age|.\nA|poignant|,|artfully|crafted|meditation|on|mortality|.\nA|rarity|among|recent|Iranian|films|:|It|'s|a|comedy|full|of|gentle|humor|that|chides|the|absurdity|of|its|protagonist|'s|plight|.\nNot|only|is|Undercover|Brother|as|funny|,|if|not|more|so|,|than|both|Austin|Powers|films|,|but|it|'s|also|one|of|the|smarter|,|savvier|spoofs|to|come|along|in|some|time|.\nIn|a|way|,|the|film|feels|like|a|breath|of|fresh|air|,|but|only|to|those|that|allow|it|in|.\nWoody|Allen|'s|latest|is|an|ambling|,|broad|comedy|about|all|there|is|to|love|--|and|hate|--|about|the|movie|biz|.\nIt|'s|a|stunning|lyrical|work|of|considerable|force|and|truth|.\nThe|inhospitability|of|the|land|emphasizes|the|spare|precision|of|the|narratives|and|helps|to|give|them|an|atavistic|power|,|as|if|they|were|tales|that|had|been|handed|down|since|the|beginning|of|time|.\n(|Næs|)|directed|the|stage|version|of|Elling|,|and|gets|fine|performances|from|his|two|leads|who|originated|the|characters|on|stage|.\nMade|me|unintentionally|famous|--|as|the|queasy-stomached|critic|who|staggered|from|the|theater|and|blacked|out|in|the|lobby|.\nBut|believe|it|or|not|,|it|'s|one|of|the|most|beautiful|,|evocative|works|I|'ve|seen|.\nA|coda|in|every|sense|,|The|Pinochet|Case|splits|time|between|a|minute-by-minute|account|of|the|British|court|'s|extradition|chess|game|and|the|regime|'s|talking-head|survivors|.\nLike|Mike|is|a|winner|for|kids|,|and|no|doubt|a|winner|for|Lil|Bow|Wow|,|who|can|now|add|movies|to|the|list|of|things|he|does|well|.\n(|T|)|his|beguiling|Belgian|fable|,|very|much|its|own|droll|and|delicate|little|film|,|has|some|touching|things|to|say|about|what|is|important|in|life|and|why|.\nHere|'s|yet|another|studio|horror|franchise|mucking|up|its|storyline|with|glitches|casual|fans|could|correct|in|their|sleep|.\nBut|taken|as|a|stylish|and|energetic|one-shot|,|The|Queen|of|the|Damned|can|not|be|said|to|suck|.\nYou|wo|n't|like|Roger|,|but|you|will|quickly|recognize|him|.\nAnd|that|'s|a|big|part|of|why|we|go|to|the|movies|.\nWhile|the|stoically|delivered|hokum|of|Hart|'s|War|is|never|fun|,|it|'s|still|a|worthy|addition|to|the|growing|canon|of|post-Saving|Private|Ryan|tributes|to|the|greatest|generation|.\nWe|know|the|plot|'s|a|little|crazy|,|but|it|held|my|interest|from|start|to|finish|.\nA|sober|and|affecting|chronicle|of|the|leveling|effect|of|loss|.\nA|fast|,|funny|,|highly|enjoyable|movie|.\nA|celebration|of|quirkiness|,|eccentricity|,|and|certain|individuals|'|tendency|to|let|it|all|hang|out|,|and|damn|the|consequences|.\nWriter\\/director|Joe|Carnahan|'s|grimy|crime|drama|is|a|manual|of|precinct|cliches|,|but|it|moves|fast|enough|to|cover|its|clunky|dialogue|and|lapses|in|logic|.\nA|smart|,|witty|follow-up|.\nWhile|the|ideas|about|techno-saturation|are|far|from|novel|,|they|'re|presented|with|a|wry|dark|humor|.\nAn|infectious|cultural|fable|with|a|tasty|balance|of|family|drama|and|frenetic|comedy|.\nAlthough|occasionally|static|to|the|point|of|resembling|a|stage|play|,|the|film|delivers|a|solid|mixture|of|sweetness|and|laughs|.\nIt|provides|an|honest|look|at|a|community|striving|to|anchor|itself|in|new|grounds|.\nAdd|yet|another|hat|to|a|talented|head|,|Clooney|'s|a|good|director|.\nBuilding|slowly|and|subtly|,|the|film|,|sporting|a|breezy|spontaneity|and|realistically|drawn|characterizations|,|develops|into|a|significant|character|study|that|is|both|moving|and|wise|.\nUltimately|feels|empty|and|unsatisfying|,|like|swallowing|a|Communion|wafer|without|the|wine|.\nChilling|,|well-acted|,|and|finely|directed|:|David|Jacobson|'s|Dahmer|.\nA|swashbuckling|tale|of|love|,|betrayal|,|revenge|and|above|all|,|faith|.\nWithout|ever|becoming|didactic|,|director|Carlos|Carrera|expertly|weaves|this|novelistic|story|of|entangled|interrelationships|and|complex|morality|.\nIt|'s|a|coming-of-age|story|we|'ve|all|seen|bits|of|in|other|films|--|but|it|'s|rarely|been|told|with|such|affecting|grace|and|cultural|specificity|.\nA|literate|presentation|that|wonderfully|weaves|a|murderous|event|in|1873|with|murderous|rage|in|2002|.\nMakes|even|the|claustrophobic|on-board|quarters|seem|fun|.\nThis|is|as|respectful|a|film|as|Byatt|fans|could|hope|for|,|though|lovers|of|the|book|may|wonder|why|it|'s|necessary|.\nOne|of|the|best|films|of|the|year|with|its|exploration|of|the|obstacles|to|happiness|faced|by|five|contemporary|individuals|...|a|psychological|masterpiece|.\nNot|far|beneath|the|surface|,|this|reconfigured|tale|asks|disturbing|questions|about|those|things|we|expect|from|military|epics|.\nFor|the|most|part|Stevens|glides|through|on|some|solid|performances|and|witty|dialogue|.\nBroomfield|turns|his|distinctive|`|blundering|'|style|into|something|that|could|really|help|clear|up|the|case|.\nAgainst|all|odds|in|heaven|and|hell|,|it|creeped|me|out|just|fine|.\nIt|'s|refreshing|to|see|a|girl-power|movie|that|does|n't|feel|it|has|to|prove|anything|.\nIt|'s|worth|seeing|just|on|the|basis|of|the|wisdom|,|and|at|times|,|the|startling|optimism|,|of|the|children|.\nA|rigorously|structured|and|exquisitely|filmed|drama|about|a|father|and|son|connection|that|is|a|brief|shooting|star|of|love|.\nThis|surreal|Gilliam-esque|film|is|also|a|troubling|interpretation|of|Ecclesiastes|.\nA|rewarding|work|of|art|for|only|the|most|patient|and|challenge-hungry|moviegoers|.\nA|quiet|treasure|--|a|film|to|be|savored|.\nMay|be|far|from|the|best|of|the|series|,|but|it|'s|assured|,|wonderfully|respectful|of|its|past|and|thrilling|enough|to|make|it|abundantly|clear|that|this|movie|phenomenon|has|once|again|reinvented|itself|for|a|new|generation|.\nA|compelling|Spanish|film|about|the|withering|effects|of|jealousy|in|the|life|of|a|young|monarch|whose|sexual|passion|for|her|husband|becomes|an|obsession|.\nHuston|nails|both|the|glad-handing|and|the|choking|sense|of|hollow|despair|.\nmay|not|have|generated|many|sparks|,|but|with|his|affection|for|Astoria|and|its|people|he|has|given|his|tale|a|warm|glow|.\nA|delirious|celebration|of|the|female|orgasm|.\nExquisitely|nuanced|in|mood|tics|and|dialogue|,|this|chamber|drama|is|superbly|acted|by|the|deeply|appealing|veteran|Bouquet|and|the|chilling|but|quite|human|Berling|.\nIt|'s|fascinating|to|see|how|Bettany|and|McDowell|play|off|each|other|.\nThe|film|is|beautifully|mounted|,|but|,|more|to|the|point|,|the|issues|are|subtly|presented|,|managing|to|walk|a|fine|line|with|regard|to|the|question|of|Joan|'s|madness|.\nLeigh|'s|film|is|full|of|memorable|performances|from|top|to|bottom|.\nOne|of|the|most|significant|moviegoing|pleasures|of|the|year|.\nJose|Campanella|delivers|a|loosely|autobiographical|story|brushed|with|sentimentality|but|brimming|with|gentle|humor|,|bittersweet|pathos|,|and|lyric|moments|that|linger|like|snapshots|of|memory|.\nGenerally|,|Clockstoppers|will|fulfill|your|wildest|fantasies|about|being|a|different|kind|of|time|traveler|,|while|happily|killing|94|minutes|.\nThe|movie|is|beautiful|to|behold|and|engages|one|in|a|sense|of|epic|struggle|--|inner|and|outer|--|that|'s|all|too|rare|in|Hollywood|'s|hastier|productions|.\nNeither|Parker|nor|Donovan|is|a|typical|romantic|lead|,|but|they|bring|a|fresh|,|quirky|charm|to|the|formula|.\nIt|'s|a|much|more|emotional|journey|than|what|Shyamalan|has|given|us|in|his|past|two|movies|,|and|Gibson|,|stepping|in|for|Bruce|Willis|,|is|the|perfect|actor|to|take|us|on|the|trip|.\nNot|only|are|the|special|effects|and|narrative|flow|much|improved|,|and|Daniel|Radcliffe|more|emotionally|assertive|this|time|around|as|Harry|,|but|the|film|conjures|the|magic|of|author|J.K.|Rowling|'s|books|.\nJaglom|...|put|(|s|)|the|audience|in|the|privileged|position|of|eavesdropping|on|his|characters\nBeautifully|observed|,|miraculously|unsentimental|comedy-drama|.\nA|must-see|for|the|David|Mamet|enthusiast|and|for|anyone|who|appreciates|intelligent|,|stylish|moviemaking|.\nCrackerjack|entertainment|--|nonstop|romance|,|music|,|suspense|and|action|.\nThe|acting|,|costumes|,|music|,|cinematography|and|sound|are|all|astounding|given|the|production|'s|austere|locales|.\nGarcía|Bernal|and|Talancón|are|an|immensely|appealing|couple|,|and|even|though|their|story|is|predictable|,|you|'ll|want|things|to|work|out|.\nFar|more|imaginative|and|ambitious|than|the|trivial|,|cash-in|features|Nickelodeon|has|made|from|its|other|animated|TV|series|.\nThe|very|definition|of|the|`|small|'|movie|,|but|it|is|a|good|stepping|stone|for|director|Sprecher|.\nA|gripping|,|searing|portrait|of|a|lost|soul|trying|to|find|her|way|through|life|.\nSuffers|from|the|lack|of|a|compelling|or|comprehensible|narrative|.\nStill|,|as|a|visual|treat|,|the|film|is|almost|unsurpassed|.\nSo|unassuming|and|pure|of|heart|,|you|ca|n't|help|but|warmly|extend|your|arms|and|yell|`|Safe|!|'\nAn|intriguing|cinematic|omnibus|and|round-robin|that|occasionally|is|more|interesting|in|concept|than|in|execution|.\nSo|refreshingly|incisive|is|Grant|that|for|the|first|time|he|'ll|probably|appeal|more|to|guys|than|to|their|girlfriends|who|drag|them|to|this|movie|for|the|Hugh|factor|.\nAt|a|time|when|half|the|so-called|real|movies|are|little|more|than|live-action|cartoons|,|it|'s|refreshing|to|see|a|cartoon|that|knows|what|it|is|,|and|knows|the|form|'s|history|.\nThe|magic|of|the|film|lies|not|in|the|mysterious|spring|but|in|the|richness|of|its|performances|.\nHoffman|notches|in|the|nuances|of|pain|,|but|his|smart|,|edgy|voice|and|waddling|profile|(|emphasized|here|)|accent|the|humor|of|Wilson|'s|plight|,|and|that|saves|his|pathos|from|drippiness|.\nWhat|better|message|than|`|love|thyself|'|could|young|women|of|any|size|receive|?\nThe|second|coming|of|Harry|Potter|is|a|film|far|superior|to|its|predecessor|.\nA|movie|that|successfully|crushes|a|best|selling|novel|into|a|timeframe|that|mandates|that|you|avoid|the|Godzilla|sized|soda|.\n84|minutes|of|rolling|musical|back|beat|and|supercharged|cartoon|warfare|.\nIt|'s|also|,|clearly|,|great|fun|.\n...|takes|the|beauty|of|baseball|and|melds|it|with|a|story|that|could|touch|anyone|regardless|of|their|familiarity|with|the|sport\nSeldahl|'s|Barbara|is|a|precise|and|moving|portrait|of|someone|whose|world|is|turned|upside|down|,|first|by|passion|and|then|by|illness|.\nA|warm|but|realistic|meditation|on|friendship|,|family|and|affection|.\nByler|reveals|his|characters|in|a|way|that|intrigues|and|even|fascinates|us|,|and|he|never|reduces|the|situation|to|simple|melodrama|.\nTurns|potentially|forgettable|formula|into|something|strangely|diverting|.\nBogdanovich|tantalizes|by|offering|a|peep|show|into|the|lives|of|the|era|'s|creme|de|la|celluloid|.\nPeople|cinema|at|its|finest|.\nThe|performances|take|the|movie|to|a|higher|level|.\nwhat|really|makes|it|special|is|that|it|pulls|us|into|its|world|,|gives|us|a|hero|whose|suffering|and|triumphs|we|can|share|,|surrounds|him|with|interesting|characters|and|sends|us|out|of|the|theater|feeling|we|'ve|shared|a|great|adventure|.\n...|a|spoof|comedy|that|carries|its|share|of|laughs|--|sometimes|a|chuckle|,|sometimes|a|guffaw|and|,|to|my|great|pleasure|,|the|occasional|belly|laugh|.\nManages|to|transcend|the|sex|,|drugs|and|show-tunes|plot|into|something|far|richer|.\nDense|with|characters|and|contains|some|thrilling|moments|.\nLaPaglia|'s|ability|to|convey|grief|and|hope|works|with|Weaver|'s|sensitive|reactions|to|make|this|a|two-actor|master|class|.\nReign|of|Fire|looks|as|if|it|was|made|without|much|thought|--|and|is|best|watched|that|way|.\nAltogether|,|this|is|successful|as|a|film|,|while|at|the|same|time|being|a|most|touching|reconsideration|of|the|familiar|masterpiece|.\nWe|root|for|(|Clara|and|Paul|)|,|even|like|them|,|though|perhaps|it|'s|an|emotion|closer|to|pity|.\nThe|best|film|about|baseball|to|hit|theaters|since|Field|of|Dreams|.\nInstead|of|a|hyperbolic|beat-charged|urban|western|,|it|'s|an|unpretentious|,|sociologically|pointed|slice|of|life|.\nthe|film|tunes|into|a|grief|that|could|lead|a|man|across|centuries|.\nIf|The|Count|of|Monte|Cristo|does|n't|transform|Caviezel|into|a|movie|star|,|then|the|game|is|even|more|rigged|than|it|was|two|centuries|ago|.\n(|D|)|oes|n't|bother|being|as|cloying|or|preachy|as|equivalent|evangelical|Christian|movies|--|maybe|the|filmmakers|know|that|the|likely|audience|will|already|be|among|the|faithful|.\nAs|a|tolerable|diversion|,|the|film|suffices|;|a|Triumph|,|however|,|it|is|not|.\nIf|director|Michael|Dowse|only|superficially|understands|his|characters|,|he|does|n't|hold|them|in|contempt|.\nIf|your|taste|runs|to|`|difficult|'|films|you|absolutely|ca|n't|miss|it|.\n(|City|)|reminds|us|how|realistically|nuanced|a|Robert|De|Niro|performance|can|be|when|he|is|not|more|lucratively|engaged|in|the|shameless|self-caricature|of|`|Analyze|This|'|(|1999|)|and|`|Analyze|That|,|'|promised|(|or|threatened|)|for|later|this|year|.\n...|a|story|we|have|n't|seen|on|the|big|screen|before|,|and|it|'s|a|story|that|we|as|Americans|,|and|human|beings|,|should|know|.\nLike|Leon|,|it|'s|frustrating|and|still|oddly|likable|.\nAll|in|all|,|The|Count|of|Monte|Cristo|is|okay|,|but|it|is|surely|no|classic|,|like|the|novel|upon|which|it|is|based|.\nIf|you|can|stomach|the|rough|content|,|it|'s|worth|checking|out|for|the|performances|alone|.\nLooking|aristocratic|,|luminous|yet|careworn|in|Jane|Hamilton|'s|exemplary|costumes|,|Rampling|gives|a|performance|that|could|not|be|improved|upon|.|'\n...|Mafia|,|rap|stars|and|hood|rats|butt|their|ugly|heads|in|a|regurgitation|of|cinematic|violence|that|gives|brutal|birth|to|an|unlikely|,|but|likable|,|hero|.|'\nOn|this|tricky|topic|,|Tadpole|is|very|much|a|step|in|the|right|direction|,|with|its|blend|of|frankness|,|civility|and|compassion|.\nFun|,|flip|and|terribly|hip|bit|of|cinematic|entertainment|.\nMontias|...|pumps|a|lot|of|energy|into|his|nicely|nuanced|narrative|and|surrounds|himself|with|a|cast|of|quirky|--|but|not|stereotyped|--|street|characters|.\nFalls|neatly|into|the|category|of|Good|Stupid|Fun|.\nThe|film|'s|performances|are|thrilling|.\nEven|in|its|most|tedious|scenes|,|Russian|Ark|is|mesmerizing|.\nThe|continued|good|chemistry|between|Carmen|and|Juni|is|what|keeps|this|slightly|disappointing|sequel|going|,|with|enough|amusing|banter|--|blessedly|curse-free|--|to|keep|both|kids|and|parents|entertained|.\nReggio|'s|continual|visual|barrage|is|absorbing|as|well|as|thought-provoking|.\nUnfortunately|,|it|appears|that|(|Jackie|)|Chan|'s|US|influence|is|starting|to|show|in|his|Hong|Kong|films|.\nIt|all|adds|up|to|good|fun|.\nA|big|,|gorgeous|,|sprawling|swashbuckler|that|delivers|its|diversions|in|grand|,|uncomplicated|fashion|.\nThe|wanton|slipperiness|of|\\*|Corpus|and|its|amiable|jerking|and|reshaping|of|physical|time|and|space|would|make|it|a|great|piece|to|watch|with|kids|and|use|to|introduce|video|as|art|.\nA|stunning|and|overwhelmingly|cogent|case|for|Kissinger|as|a|calculating|war|criminal|.\nSade|is|an|engaging|look|at|the|controversial|eponymous|and|fiercely|atheistic|hero|.\na|quiet|,|pure|,|elliptical|film\nKinnear|does|n't|aim|for|our|sympathy|,|but|rather|delivers|a|performance|of|striking|skill|and|depth|.\nThe|subtle|strength|of|``|Elling|''|is|that|it|never|loses|touch|with|the|reality|of|the|grim|situation|.\nA|study|in|shades|of|gray|,|offering|itself|up|in|subtle|plot|maneuvers|...\nThe|format|gets|used|best|...|to|capture|the|dizzying|heights|achieved|by|motocross|and|BMX|riders|,|whose|balletic|hotdogging|occasionally|ends|in|bone-crushing|screwups|.\nHas|a|lot|of|the|virtues|of|Eastwood|at|his|best|.\nChilling|but|uncommercial|look|into|the|mind|of|Jeffrey|Dahmer|,|serial|killer|.\nThough|it|'s|become|almost|redundant|to|say|so|,|major|kudos|go|to|Leigh|for|actually|casting|people|who|look|working-class|.\nIt|deserves|to|be|seen|by|anyone|with|even|a|passing|interest|in|the|events|shaping|the|world|beyond|their|own|horizons|.\nA|movie|that|reminds|us|of|just|how|exciting|and|satisfying|the|fantasy|cinema|can|be|when|it|'s|approached|with|imagination|and|flair|.\nThanks|to|Scott|'s|charismatic|Roger|and|Eisenberg|'s|sweet|nephew|,|Roger|Dodger|is|one|of|the|most|compelling|variations|on|In|the|Company|of|Men|.\nNine|Queens|is|not|only|than|a|frighteningly|capable|debut|and|genre|piece|,|but|also|a|snapshot|of|a|dangerous|political|situation|on|the|verge|of|coming|to|a|head|.\nIt|'s|the|chemistry|between|the|women|and|the|droll|scene-stealing|wit|and|wolfish|pessimism|of|Anna|Chancellor|that|makes|this|``|Two|Weddings|and|a|Funeral|''|fun|.\nWill|amuse|and|provoke|adventurous|adults|in|specialty|venues|.\nYou|do|n't|have|to|know|about|music|to|appreciate|the|film|'s|easygoing|blend|of|comedy|and|romance|.\nA|film|about|a|young|man|finding|God|that|is|accessible|and|touching|to|the|marrow|.\nFor|the|first|time|in|years|,|De|Niro|digs|deep|emotionally|,|perhaps|because|he|'s|been|stirred|by|the|powerful|work|of|his|co-stars|.\nThe|film|'s|snags|and|stumblings|are|more|than|compensated|for|by|its|wryly|subversive|tone|.\nInside|the|film|'s|conflict-powered|plot|there|is|a|decent|moral|trying|to|get|out|,|but|it|'s|not|that|,|it|'s|the|tension|that|keeps|you|in|your|seat|.\nAffleck|and|Jackson|are|good|sparring|partners|.\nThe|old-world|-|meets-new|mesh|is|incarnated|in|the|movie|'s|soundtrack|,|a|joyful|effusion|of|disco|Bollywood|that|,|by|the|end|of|Monsoon|Wedding|,|sent|my|spirit|soaring|out|of|the|theater|.\nAn|effectively|creepy|,|fear-inducing|(|not|fear-reducing|)|film|from|Japanese|director|Hideo|Nakata|,|who|takes|the|superstitious|curse|on|chain|letters|and|actually|applies|it|.\nHaving|had|the|good|sense|to|cast|actors|who|are|,|generally|speaking|,|adored|by|the|movie-going|public|,|Khouri|then|gets|terrific|performances|from|them|all|.\nA|subtle|and|well-crafted|(|for|the|most|part|)|chiller|.\nWarm|Water|Under|a|Red|Bridge|is|a|quirky|and|poignant|Japanese|film|that|explores|the|fascinating|connections|between|women|,|water|,|nature|,|and|sexuality|.\nAlthough|laced|with|humor|and|a|few|fanciful|touches|,|the|film|is|a|refreshingly|serious|look|at|young|women|.\nThe|best|revenge|may|just|be|living|well|because|this|film|,|unlike|other|Dumas|adaptations|,|is|far|more|likened|to|a|treasure|than|a|lengthy|jail|sentence|.\nA|delectable|and|intriguing|thriller|filled|with|surprises|,|Read|My|Lips|is|an|original|.\nThis|is|a|story|of|two|misfits|who|do|n't|stand|a|chance|alone|,|but|together|they|are|magnificent|.\nHighbrow|self-appointed|guardians|of|culture|need|not|apply|,|but|those|who|loved|Cool|as|Ice|have|at|last|found|a|worthy|follow-up|.\nOne|of|creepiest|,|scariest|movies|to|come|along|in|a|long|,|long|time|,|easily|rivaling|Blair|Witch|or|The|Others|.\nMaud|and|Roland|'s|search|for|an|unknowable|past|makes|for|a|haunting|literary|detective|story|,|but|LaBute|pulls|off|a|neater|trick|in|Possession|:|He|makes|language|sexy|.\nPacino|is|brilliant|as|the|sleep-deprived|Dormer|,|his|increasing|weariness|as|much|existential|as|it|is|physical|.\nRare|Birds|has|more|than|enough|charm|to|make|it|memorable|.\nManages|to|be|sweet|and|wickedly|satisfying|at|the|same|time|.\nThis|Nickleby|thing|might|have|more|homosexual|undertones|than|an|Eddie|Murphy|film|.\nAnd|just|when|you|think|it|ca|n't|get|any|more|gay|,|in|pops|Nathan|Lane|.\nNo|sophomore|slump|for|director|Sam|Mendes|,|who|segues|from|Oscar|winner|to|Oscar-winning|potential|with|a|smooth|sleight|of|hand|.\nThe|movie|is|n't|just|hilarious|:|It|'s|witty|and|inventive|,|too|,|and|in|hindsight|,|it|is|n't|even|all|that|dumb|.\nOld-form|moviemaking|at|its|best|.\nAhhhh|...|revenge|is|sweet|!\nYakusho|and|Shimizu|...|create|engaging|characterizations|in|Imamura|'s|lively|and|enjoyable|cultural|mix|.\nYou|will|emerge|with|a|clearer|view|of|how|the|gears|of|justice|grind|on|and|the|death|report|comes|to|share|airtime|alongside|the|farm|report|.\nRuzowitzky|has|taken|this|mothball-y|stuff|and|made|a|rather|sturdy|,|old-fashioned|entertainment|out|of|it|.\nIn|spite|of|Good|Housekeeping|'s|unsavory|characters|and|WWF|mentality|,|this|white|trash|War|of|the|Roses|is|a|surprisingly|engaging|film|.\nCollateral|Damage|finally|delivers|the|goods|for|Schwarzenegger|fans|.\nThere|has|always|been|something|likable|about|the|Marquis|de|Sade|.\nAs|a|first-time|director|,|Paxton|has|tapped|something|in|himself|as|an|actor|that|provides|Frailty|with|its|dark|soul|.\nFor|the|most|part|,|director|Anne-Sophie|Birot|'s|first|feature|is|a|sensitive|,|extraordinarily|well-acted|drama|.\nBy|the|time|we|learn|that|Andrew|'s|Turnabout|Is|Fair|Play|is|every|bit|as|awful|as|Borchardt|'s|Coven|,|we|can|enjoy|it|anyway|.\nThis|riveting|World|War|II|moral|suspense|story|deals|with|the|shadow|side|of|American|culture|:|racial|prejudice|in|its|ugly|and|diverse|forms|.\nA|tender|,|heartfelt|family|drama|.\nA|difficult|,|absorbing|film|that|manages|to|convey|more|substance|despite|its|repetitions|and|inconsistencies|than|do|most|films|than|are|far|more|pointed|and|clear|.\nFor|the|most|part|,|it|'s|a|work|of|incendiary|genius|,|steering|clear|of|knee-jerk|reactions|and|quick|solutions|.\nIt|has|the|charm|of|the|original|American|road|movies|,|feasting|on|the|gorgeous|,|ramshackle|landscape|of|the|filmmaker|'s|motherland|.\n(|Chaiken|'s|)|talent|lies|in|an|evocative|,|accurate|observation|of|a|distinctive|milieu|and|in|the|lively|,|convincing|dialogue|she|creates|for|her|characters|.\nIn|all|,|this|is|a|watchable|movie|that|'s|not|quite|the|memorable|experience|it|might|have|been|.\nHuppert|'s|superbly|controlled|display|of|murderous|vulnerability|ensures|that|malice|has|a|very|human|face|.\nMy|thoughts|were|focused|on|the|characters|.\nThat|is|a|compliment|to|Kuras|and|Miller|.\nIf|I|had|been|thinking|about|the|visual|medium|,|they|would|have|been|doing|something|wrong|.\nOne|of|the|more|intelligent|children|'s|movies|to|hit|theaters|this|year|.\nRemember|the|kind|of|movie|we|were|hoping|``|Ecks|vs.|Sever|''|or|``|xXx|''|was|going|to|be|?\nThis|is|it|.\nNot|for|the|prurient|or|squeamish|,|it|'s|a|daring|if|overlong|examination|of|an|idolized|culture|,|self-loathing|and|sexual|politics|.\nA|cartoon|that|'s|truly|cinematic|in|scope|,|and|a|story|that|'s|compelling|and|heartfelt|--|even|if|the|heart|belongs|to|a|big|,|four-legged|herbivore|.\nThe|film|'s|almost|unbearable|portrait|of|sadness|and|grief|transcends|its|specific|story|to|speak|to|the|ways|in|which|need|,|history|and|presumption|tangle|,|and|sometimes|destroy|,|blood|ties|.\nTravels|a|fascinating|arc|from|hope|and|euphoria|to|reality|and|disillusionment|.\nThere|'s|something|auspicious|,|and|daring|,|too|,|about|the|artistic|instinct|that|pushes|a|majority-oriented|director|like|Steven|Spielberg|to|follow|A.I.|with|this|challenging|report|so|liable|to|unnerve|the|majority|.\nFor|anyone|unfamiliar|with|pentacostal|practices|in|general|and|theatrical|phenomenon|of|Hell|Houses|in|particular|,|it|'s|an|eye-opener|.\nIt|seems|like|I|have|been|waiting|my|whole|life|for|this|movie|and|now|I|ca|n't|wait|for|the|sequel|.\nIt|'s|a|bit|disappointing|that|it|only|manages|to|be|decent|instead|of|dead|brilliant|.\nAn|operatic|,|sprawling|picture|that|'s|entertainingly|acted|,|magnificently|shot|and|gripping|enough|to|sustain|most|of|its|170-minute|length|.\nThe|far|future|may|be|awesome|to|consider|,|but|from|period|detail|to|matters|of|the|heart|,|this|film|is|most|transporting|when|it|stays|put|in|the|past|.\nIt|inspires|a|continuing|and|deeply|satisfying|awareness|of|the|best|movies|as|monumental|`|picture|shows|.|'\nAwesome|creatures|,|breathtaking|scenery|,|and|epic|battle|scenes|add|up|to|another|`|spectacular|spectacle|.|'\nBy|candidly|detailing|the|politics|involved|in|the|creation|of|an|extraordinary|piece|of|music|,|(|Jones|)|calls|our|attention|to|the|inherent|conflict|between|commerce|and|creativity|.\nIt|'s|unnerving|to|see|Recoing|'s|bizzarre|reaction|to|his|unemployment|.\nGood|film|,|but|very|glum|.\nMuch|as|we|might|be|interested|in|gratuitous|sexualization|,|Haneke|has|a|different|objective|in|mind|--|namely|the|implications|of|our|craving|for|fake|stimulation|.\nDazzling|in|its|complexity|,|disturbing|for|its|extraordinary|themes|,|The|Piano|Teacher|is|a|film|that|defies|categorisation|.\nIt|haunts|,|horrifies|,|startles|and|fascinates|;|it|is|impossible|to|look|away|.\nAh|yes|,|and|then|there|'s|the|music|...\nIt|has|charm|to|spare|,|and|unlike|many|romantic|comedies|,|it|does|not|alienate|either|gender|in|the|audience|.\nAlthough|Jackson|is|doubtless|reserving|the|darkest|hours|for|The|Return|of|the|King|,|we|long|for|a|greater|sense|of|urgency|in|the|here|and|now|of|The|Two|Towers|.\nIt|is|great|summer|fun|to|watch|Arnold|and|his|buddy|Gerald|bounce|off|a|quirky|cast|of|characters|.\nBleakly|funny|,|its|characters|all|the|more|touching|for|refusing|to|pity|or|memorialize|themselves|.\nIt|will|not|appeal|to|the|impatient|,|but|those|who|like|long|books|and|movies|will|admire|the|way|it|accumulates|power|and|depth|.\nThis|flick|is|about|as|cool|and|crowd-pleasing|as|a|documentary|can|get|.\n``|The|Ring|''|is|pretty|much|an|English-language|copy|of|the|film|that|inspired|it|,|and|it|carries|the|same|strengths|and|flaws|.\nThe|Wild|Thornberrys|Movie|is|a|jolly|surprise|.\nGriffiths|proves|she|'s|that|rare|luminary|who|continually|raises|the|standard|of|her|profession|.\nPrancing|his|way|through|the|tailor-made|part|of|a|male|hooker|approaching|the|end|of|his|vitality|,|Jagger|obviously|relishes|every|self-mocking|moment|.\nOffers|much|to|enjoy|...|and|a|lot|to|mull|over|in|terms|of|love|,|loyalty|and|the|nature|of|staying|friends|.\nAn|important|movie|,|a|reminder|of|the|power|of|film|to|move|us|and|to|make|us|examine|our|values|.\nIs|this|love|or|is|it|masochism|?\nBinoche|makes|it|interesting|trying|to|find|out|.\nThe|mesmerizing|performances|of|the|leads|keep|the|film|grounded|and|keep|the|audience|riveted|.\nWorth|watching|for|Dong|Jie|'s|performance|--|and|for|the|way|it|documents|a|culture|in|the|throes|of|rapid|change|.\nTwo|hours|fly|by|--|opera|'s|a|pleasure|when|you|do|n't|have|to|endure|intermissions|--|and|even|a|novice|to|the|form|comes|away|exhilarated|.\nIt|'s|one|heck|of|a|character|study|--|not|of|Hearst|or|Davies|but|of|the|unique|relationship|between|them|.\nCandid|Camera|on|methamphetamines|.\nA|subject|like|this|should|inspire|reaction|in|its|audience|;|The|Pianist|does|not|.\nEquilibrium|is|what|George|Orwell|might|have|imagined|had|today|'s|mood-altering|drug|therapy|been|envisioned|by|chemists|in|1949|.\nCreepy|,|authentic|and|dark|.\nThis|disturbing|bio-pic|is|hard|to|forget|.\nMartin|and|Barbara|are|complex|characters|--|sometimes|tender|,|sometimes|angry|--|and|the|delicate|performances|by|Sven|Wollter|and|Viveka|Seldahl|make|their|hopes|and|frustrations|vivid|.\nA|twisty|,|moody|slice|of|Southern|Gothic|...\nIt|'s|so|good|that|you|can|practically|see|the|Hollywood|`|suits|'|trying|to|put|together|the|cast|and|filmmaking|team|for|the|all-too|-|inevitable|American|remake|.\nThe|weight|of|the|piece|,|the|unerring|professionalism|of|the|chilly|production|,|and|the|fascination|embedded|in|the|lurid|topic|prove|recommendation|enough|.\nAn|absurdist|comedy|about|alienation|,|separation|and|loss|.\n`|They|'|begins|and|ends|with|scenes|so|terrifying|I|'m|still|stunned|.\nAnd|I|'ve|decided|to|leave|a|light|on|every|night|from|now|on|.\nThis|tenth|feature|is|a|big|deal|,|indeed|--|at|least|the|third-best|,|and|maybe|even|a|notch|above|the|previous|runner-up|,|Nicholas|Meyer|'s|Star|Trek|VI|:|The|Undiscovered|Country|.\n...|with|``|The|Bourne|Identity|''|we|return|to|the|more|traditional|action|genre|.\nBeneath|Clouds|is|a|succinct|low-budget|film|whose|compelling|characters|and|intelligent|script|are|exactly|what|was|missing|from|Rabbit-Proof|Fence|.\nThe|film|is|a|contrivance|,|as|artificial|as|the|video|games|Japanese|teens|play|in|a|nightclub|sequence|,|but|it|'s|an|enjoyable|one|.\nHolm|...|embodies|the|character|with|an|effortlessly|regal|charisma|.\nIt|is|amusing|,|and|that|'s|all|it|needs|to|be|.\nAmong|the|year|'s|most|intriguing|explorations|of|alientation|.\nA|full|world|has|been|presented|onscreen|,|not|some|series|of|carefully|structured|plot|points|building|to|a|pat|resolution|.\nSeldom|has|a|movie|so|closely|matched|the|spirit|of|a|man|and|his|work|.\nAudrey|Tatou|has|a|knack|for|picking|roles|that|magnify|her|outrageous|charm|,|and|in|this|literate|French|comedy|,|she|'s|as|morning-glory|exuberant|as|she|was|in|Amélie|.\nThe|movie|has|an|infectious|exuberance|that|will|engage|anyone|with|a|passing|interest|in|the|skate\\/surf|culture|,|the|L.A.|beach|scene|and|the|imaginative|(|and|sometimes|illegal|)|ways|kids|can|make|a|playground|out|of|the|refuse|of|adults|.\nEven|if|you|do|n't|think|(|Kissinger|'s|)|any|more|guilty|of|criminal|activity|than|most|contemporary|statesmen|,|he|'d|sure|make|a|courtroom|trial|great|fun|to|watch|.\nThe|story|and|structure|are|well-honed|.\nFresnadillo|'s|dark|and|jolting|images|have|a|way|of|plying|into|your|subconscious|like|the|nightmare|you|had|a|week|ago|that|wo|n't|go|away|.\nIt|'s|made|with|deftly|unsettling|genre|flair|.\nIt|just|may|inspire|a|few|younger|moviegoers|to|read|Stevenson|'s|book|,|which|is|a|treasure|in|and|of|itself|.\nFunny|but|perilously|slight|.\nOverall|very|good|for|what|it|'s|trying|to|do|.\nForgettable|horror|--|more|gory|than|psychological|--|with|a|highly|satisfying|quotient|of|Friday-night|excitement|and|Milla|power|.\nRamsay|,|as|in|Ratcatcher|,|remains|a|filmmaker|with|an|acid|viewpoint|and|a|real|gift|for|teasing|chilly|poetry|out|of|lives|and|settings|that|might|otherwise|seem|drab|and|sordid|.\nIt|may|seem|long|at|110|minutes|if|you|'re|not|a|fan|,|because|it|includes|segments|of|12|songs|at|a|reunion|concert|.\nA|lean|,|deftly|shot|,|well-acted|,|weirdly|retro|thriller|that|recalls|a|raft|of|'60s|and|'70s|European-set|spy|pictures|.\nIt|proves|quite|compelling|as|an|intense|,|brooding|character|study|.\nThe|Son|'s|Room|is|a|triumph|of|gentility|that|earns|its|moments|of|pathos|.\nMorton|uses|her|face|and|her|body|language|to|bring|us|Morvern|'s|soul|,|even|though|the|character|is|almost|completely|deadpan|.\nThe|film|may|appear|naked|in|its|narrative|form|...|but|it|goes|deeper|than|that|,|to|fundamental|choices|that|include|the|complexity|of|the|Catholic|doctrine\nA|superbly|acted|and|funny\\/gritty|fable|of|the|humanizing|of|one|woman|at|the|hands|of|the|unseen|forces|of|fate|.\nOne|of|the|smartest|takes|on|singles|culture|I|'ve|seen|in|a|long|time|.\nThere|is|a|fabric|of|complex|ideas|here|,|and|feelings|that|profoundly|deepen|them|.\nCQ|'s|reflection|of|artists|and|the|love|of|cinema-and-self|suggests|nothing|less|than|a|new|voice|that|deserves|to|be|considered|as|a|possible|successor|to|the|best|European|directors|.\nThe|emotions|are|raw|and|will|strike|a|nerve|with|anyone|who|'s|ever|had|family|trauma|.\nHoly|mad|maniac|in|a|mask|,|Splat-Man|!\nGood|old-fashioned|slash-and-hack|is|back|!\nAs|unseemly|as|its|title|suggests|.\nThe|French|are|rather|good|at|this|kind|of|thing|,|unlike|the|Americans|,|who|have|a|passion|for|Musketeers|,|only|to|spoof|them|.\nThe|fly-on-the-wall|method|used|to|document|rural|French|school|life|is|a|refreshing|departure|from|the|now|more|prevalent|technique|of|the|docu-makers|being|a|visible|part|of|their|work|.\nIt|'s|an|offbeat|treat|that|pokes|fun|at|the|democratic|exercise|while|also|examining|its|significance|for|those|who|take|part|.\nAllows|us|to|hope|that|Nolan|is|poised|to|embark|a|major|career|as|a|commercial|yet|inventive|filmmaker|.\nManeuvers|skillfully|through|the|plot|'s|hot|brine|--|until|it|'s|undone|by|the|sogginess|of|its|contemporary|characters|,|and|actors|.\nIt|has|the|ability|to|offend|and|put|off|everyone|,|but|it|holds|you|with|its|outrageousness|.\nAnchored|by|Friel|and|Williams|'s|exceptional|performances|,|the|film|'s|power|lies|in|its|complexity|.\nNothing|is|black|and|white|.\nIt|'s|a|charming|and|often|affecting|journey|.\nNo|screen|fantasy-adventure|in|recent|memory|has|the|showmanship|of|Clones|'|last|45|minutes|.\nA|poignant|and|compelling|story|about|relationships|,|Food|of|Love|takes|us|on|a|bumpy|but|satisfying|journey|of|the|heart|.\nThe|Chateau|cleverly|probes|the|cross-cultural|differences|between|Gauls|and|Yanks|.\nNot|since|Tom|Cruise|in|Risky|Business|has|an|actor|made|such|a|strong|impression|in|his|underwear|.\nAside|from|minor|tinkering|,|this|is|the|same|movie|you|probably|loved|in|1994|,|except|that|it|looks|even|better|.\nUses|high|comedy|to|evoke|surprising|poignance|.\nIt|confirms|Fincher|'s|status|as|a|film|maker|who|artfully|bends|technical|know-how|to|the|service|of|psychological|insight|.\nVera|'s|three|actors|--|Mollà|,|Gil|and|Bardem|--|excel|in|insightful|,|empathetic|performances|.\nA|marvel|like|none|you|'ve|seen|.\nWith|tightly|organized|efficiency|,|numerous|flashbacks|and|a|constant|edge|of|tension|,|Miller|'s|film|is|one|of|2002|'s|involvingly|adult|surprises|.\nMr.|Tsai|is|a|very|original|artist|in|his|medium|,|and|What|Time|Is|It|There|?\nshould|be|seen|at|the|very|least|for|its|spasms|of|absurdist|humor|.\nWriter\\/director|Mark|Romanek|spotlights|the|underlying|caste|system|in|America|.\nIt|'s|a|scathing|portrayal|.\nThis|is|a|good|script|,|good|dialogue|,|funny|even|for|adults|.\nThe|characters|are|interesting|and|often|very|creatively|constructed|from|figure|to|backstory|.\nThe|film|will|play|equally|well|on|both|the|standard|and|giant|screens|.\nMoody|,|heartbreaking|,|and|filmed|in|a|natural|,|unforced|style|that|makes|its|characters|seem|entirely|convincing|even|when|its|script|is|not|.\nNot|a|film|to|rival|To|Live|,|but|a|fine|little|amuse-bouche|to|keep|your|appetite|whetted|.\nTrue|tale|of|courage|--|and|complicity|--|at|Auschwitz|is|a|harrowing|drama|that|tries|to|tell|of|the|unspeakable|.\nGives|you|the|steady|pulse|of|life|in|a|beautiful|city|viewed|through|the|eyes|of|a|character|who|,|in|spite|of|tragic|loss|and|increasing|decrepitude|,|knows|in|his|bones|that|he|is|one|of|the|luckiest|men|alive|.\nMacDowell|,|whose|wifty|Southern|charm|has|anchored|lighter|affairs|...|brings|an|absolutely|riveting|conviction|to|her|role|.\nWhat|Time|Is|It|There|?\nis|not|easy|.\nIt|haunts|you|,|you|ca|n't|forget|it|,|you|admire|its|conception|and|are|able|to|resolve|some|of|the|confusions|you|had|while|watching|it|.\nif|you|are|an|actor|who|can|relate|to|the|search|for|inner|peace|by|dramatically|depicting|the|lives|of|others|onstage|,|then|Esther|'s|story|is|a|compelling|quest|for|truth|.\nAlthough|the|level|of|the|comedy|declines|as|the|movie|proceeds|,|there|'s|no|denying|the|fun|of|watching|De|Niro|and|Crystal|having|fun|.\nClaude|Chabrol|has|here|a|thriller|without|thrills|,|but|that|'s|okay|.\nFor|movie|lovers|as|well|as|opera|lovers|,|Tosca|is|a|real|treat|.\nUnflinchingly|bleak|and|desperate\nMoretti|'s|compelling|anatomy|of|grief|and|the|difficult|process|of|adapting|to|loss|.\nChallenging|,|intermittently|engrossing|and|unflaggingly|creative|.\nBut|it|'s|too|long|and|too|convoluted|and|it|ends|in|a|muddle|.\nThe|vivid|lead|performances|sustain|interest|and|empathy|,|but|the|journey|is|far|more|interesting|than|the|final|destination|.\nA|painfully|funny|ode|to|bad|behavior|.\n`|Easily|my|choice|for|one|of|the|year|'s|best|films|.|'\nCharles|'|entertaining|film|chronicles|Seinfeld|'s|return|to|stand-up|comedy|after|the|wrap|of|his|legendary|sitcom|,|alongside|wannabe|comic|Adams|'|attempts|to|get|his|shot|at|the|big|time|.\nThat|dogged|good|will|of|the|parents|and|`|vain|'|Jia|'s|defoliation|of|ego|,|make|the|film|touching|despite|some|doldrums|.\nThe|movie|is|for|fans|who|ca|n't|stop|loving|anime|,|and|the|fanatical|excess|built|into|it|.\nThe|volatile|dynamics|of|female|friendship|is|the|subject|of|this|unhurried|,|low-key|film|that|is|so|off-Hollywood|that|it|seems|positively|French|in|its|rhythms|and|resonance|.\nA|densely|constructed|,|highly|referential|film|,|and|an|audacious|return|to|form|that|can|comfortably|sit|among|Jean-Luc|Godard|'s|finest|work|.\nMichael|Gerbosi|'s|script|is|economically|packed|with|telling|scenes|.\nA|strangely|compelling|and|brilliantly|acted|psychological|drama|.\nCandid|and|comfortable|;|a|film|that|deftly|balances|action|and|reflection|as|it|lets|you|grasp|and|feel|the|passion|others|have|for|their|work|.\nOpen-minded|kids|--|kids|who|read|,|kids|who|dream|--|will|be|comforted|by|the|way|it|deals|with|big|issues|like|death|and|destiny|.\nBennett|'s|naturalistic|performance|speaks|volumes|more|truth|than|any|`|reality|'|show|,|and|anybody|contemplating|their|own|drastic|life|changes|should|watch|Some|Body|first|.\n...|a|good|,|if|not|entirely|fresh|,|look|at|war|.\nThe|film|is|powerful|,|accessible|and|funny|.\nYou|wo|n't|miss|its|messages|,|but|you|'ll|be|entertained|as|well|.\n``|Frailty|''|starts|out|like|a|typical|Bible|killer|story|,|but|it|turns|out|to|be|significantly|different|(|and|better|)|than|most|films|with|this|theme|.\nIf|you|dig|on|David|Mamet|'s|mind|tricks|...|rent|this|movie|and|enjoy|!\nThe|primitive|force|of|this|film|seems|to|bubble|up|from|the|vast|collective|memory|of|the|combatants|.\nIt|'s|like|watching|a|nightmare|made|flesh|.\nIt|is|the|sheer|,|selfish|,|wound-licking|,|bar-scrapping|doggedness|of|Leon|'s|struggle|to|face|and|transmute|his|demons|that|makes|the|movie|a|spirited|and|touching|occasion|,|despite|its|patchy|construction|.\nA|gorgeous|,|high-spirited|musical|from|India|that|exquisitely|blends|music|,|dance|,|song|,|and|high|drama|.\nIt|'s|hard|to|imagine|Alan|Arkin|being|better|than|he|is|in|this|performance|.\nFor|those|who|pride|themselves|on|sophisticated|,|discerning|taste|,|this|might|not|seem|like|the|proper|cup|of|tea|,|however|it|is|almost|guaranteed|that|even|the|stuffiest|cinema|goers|will|laugh|their|\\*\\*\\*|off|for|an|hour-and-a-half|.\nDespite|the|2-D|animation|,|The|Wild|Thornberrys|Movie|makes|for|a|surprisingly|cinematic|experience|.\n...|a|fun|little|timewaster|,|helped|especially|by|the|cool|presence|of|Jean|Reno|.\n(|Majidi|)|makes|us|think|twice|about|immigrants|we|see|around|us|every|day|.\nThough|only|60|minutes|long|,|the|film|is|packed|with|information|and|impressions|.\nI|have|no|way|of|knowing|exactly|how|much|is|exaggeration|,|but|I|'ve|got|a|creepy|feeling|that|the|film|is|closer|to|the|mark|than|I|want|to|believe|.\nImmersing|us|in|the|endlessly|inventive|,|fiercely|competitive|world|of|hip-hop|DJs|,|the|project|is|sensational|and|revelatory|,|even|if|scratching|makes|you|itch|.\nFurther|proof|that|the|epicenter|of|cool|,|beautiful|,|thought-provoking|foreign|cinema|is|smack-dab|in|the|middle|of|Dubya|'s|Axis|of|Evil|.\nThere|'s|really|only|one|good|idea|in|this|movie|,|but|the|director|runs|with|it|and|presents|it|with|an|unforgettable|visual|panache|.\nA|simple|,|but|gritty|and|well-acted|ensemble|drama|that|encompasses|a|potent|metaphor|for|a|country|still|dealing|with|its|fascist|past|.\nLovely|and|poignant|.\nPuts|a|human|face|on|a|land|most|Westerners|are|unfamiliar|with|.\nI|ca|n't|say|that|I|liked|Homeboy|;|it|'d|be|more|accurate|to|say|that|I|found|it|intriguing|,|bizarre|,|Dogma-like|in|spots|-|and|quite|truthful|,|in|its|way|.\nDisplaying|about|equal|amounts|of|naiveté|,|passion|and|talent|,|Beneath|Clouds|establishes|Sen|as|a|filmmaker|of|considerable|potential|.\nThe|vitality|of|the|actors|keeps|the|intensity|of|the|film|high|,|even|as|the|strafings|blend|together|.\nNot|since|Japanese|filmmaker|Akira|Kurosawa|'s|Ran|have|the|savagery|of|combat|and|the|specter|of|death|been|visualized|with|such|operatic|grandeur|.\nWe|learn|a|lot|about|dying|coral|and|see|a|lot|of|life|on|the|reef|.\nIf|the|first|Men|in|Black|was|money|,|the|second|is|small|change|.\nBut|it|still|jingles|in|the|pocket|.\nIt|'s|fun|lite|.\nPassable|entertainment|,|but|it|'s|the|kind|of|motion|picture|that|wo|n't|make|much|of|a|splash|when|it|'s|released|,|and|will|not|be|remembered|long|afterwards|.\nI|just|loved|every|minute|of|this|film|.\nThis|is|a|winning|ensemble|comedy|that|shows|Canadians|can|put|gentle|laughs|and|equally|gentle|sentiments|on|the|button|,|just|as|easily|as|their|counterparts|anywhere|else|in|the|world|.\nJust|as|moving|,|uplifting|and|funny|as|ever|.\nMy|Wife|Is|an|Actress|is|an|utterly|charming|French|comedy|that|feels|so|American|in|sensibility|and|style|it|'s|virtually|its|own|Hollywood|remake|.\nIt|will|grip|even|viewers|who|are|n't|interested|in|rap|,|as|it|cuts|to|the|heart|of|American|society|in|an|unnerving|way|.\nA|muckraking|job|,|the|cinematic|equivalent|of|a|legal|indictment|,|and|a|fairly|effective|one|at|that|.\nA|tender|,|witty|,|captivating|film|about|friendship|,|love|,|memory|,|trust|and|loyalty|.\nBelongs|to|Daniel|Day-Lewis|as|much|as|it|belongs|to|Martin|Scorsese|;|it|'s|a|memorable|performance|in|a|big|,|brassy|,|disturbing|,|unusual|and|highly|successful|film|.\nAn|exhilarating|futuristic|thriller-noir|,|Minority|Report|twists|the|best|of|technology|around|a|gripping|story|,|delivering|a|riveting|,|pulse|intensifying|escapist|adventure|of|the|first|order\nA|psychological|thriller|with|a|genuinely|spooky|premise|and|an|above-average|cast|,|actor|Bill|Paxton|'s|directing|debut|is|a|creepy|slice|of|gothic|rural|Americana|.\nWhile|locals|will|get|a|kick|out|of|spotting|Cleveland|sites|,|the|rest|of|the|world|will|enjoy|a|fast-paced|comedy|with|quirks|that|might|make|the|award-winning|Coen|brothers|envious|.\nPumpkin|takes|an|admirable|look|at|the|hypocrisy|of|political|correctness|,|but|it|does|so|with|such|an|uneven|tone|that|you|never|know|when|humor|ends|and|tragedy|begins|.\nIf|you|'re|hard|up|for|raunchy|college|humor|,|this|is|your|ticket|right|here|.\nFew|films|capture|so|perfectly|the|hopes|and|dreams|of|little|boys|on|baseball|fields|as|well|as|the|grown|men|who|sit|in|the|stands|.\nCorny|,|schmaltzy|and|predictable|,|but|still|manages|to|be|kind|of|heartwarming|,|nonetheless|.\nIt|'s|the|perfect|kind|of|film|to|see|when|you|do|n't|want|to|use|your|brain|.\nAt|all|.\nWhile|it|regards|1967|as|the|key|turning|point|of|the|20th|century|,|and|returns|again|and|again|to|images|of|dissidents|in|the|streets|,|it|'s|alarmingly|current|.\nFeature|debuter|D.J.|Caruso|directs|a|crack|ensemble|cast|,|bringing|screenwriter|Tony|Gayton|'s|narcotics|noir|to|life|.\nEvery|dance|becomes|about|seduction|,|where|backstabbing|and|betrayals|are|celebrated|,|and|sex|is|currency|.\nHarris|commands|the|screen|,|using|his|frailty|to|suggest|the|ravages|of|a|life|of|corruption|and|ruthlessness|.\nStephen|Rea|,|Aidan|Quinn|,|and|Alan|Bates|play|Desmond|'s|legal|eagles|,|and|when|joined|by|Brosnan|,|the|sight|of|this|grandiloquent|quartet|lolling|in|pretty|Irish|settings|is|a|pleasant|enough|thing|,|`|tis|.\nDirector|of|photography|Benoit|Delhomme|shot|the|movie|in|delicious|colors|,|and|the|costumes|and|sets|are|grand|.\nThe|movie|'s|relatively|simple|plot|and|uncomplicated|morality|play|well|with|the|affable|cast|.\nThe|film|is|quiet|,|threatening|and|unforgettable|.\nThis|illuminating|documentary|transcends|our|preconceived|vision|of|the|Holy|Land|and|its|inhabitants|,|revealing|the|human|complexities|beneath|.\ndeliriously|funny|,|fast|and|loose|,|accessible|to|the|uninitiated|,|and|full|of|surprises\nTrademark|American|triteness|and|simplicity|are|tossed|out|the|window|with|the|intelligent|French|drama|that|deftly|explores|the|difficult|relationship|between|a|father|and|son|.\nOne|from|the|heart|.\nMore|concerned|with|Sade|'s|ideas|than|with|his|actions|.\nThe|movie|achieves|as|great|an|impact|by|keeping|these|thoughts|hidden|as|...|(|Quills|)|did|by|showing|them|.\nAn|entertaining|,|colorful|,|action-filled|crime|story|with|an|intimate|heart|.\nWhile|Undisputed|is|n't|exactly|a|high|,|it|is|a|gripping|,|tidy|little|movie|that|takes|Mr.|Hill|higher|than|he|'s|been|in|a|while|.\nThe|most|compelling|Wiseman|epic|of|recent|years|.\nThe|socio-histo-political|treatise|is|told|in|earnest|strides|...|(|and|)|personal|illusion|is|deconstructed|with|poignancy|.\nIt|'s|great|escapist|fun|that|recreates|a|place|and|time|that|will|never|happen|again|.\nGood|car|chases|,|great|fight|scenes|,|and|a|distinctive|blend|of|European|,|American|and|Asian|influences|.\nLiotta|put|on|30|pounds|for|the|role|,|and|has|completely|transformed|himself|from|his|smooth|,|Goodfellas|image|.\nA|woman|'s|pic|directed|with|resonance|by|Ilya|Chaiken|.\n(|Grant|'s|)|bumbling|magic|takes|over|the|film|,|and|it|turns|out|to|be|another|winning|star|vehicle|.\n...|Brian|De|Palma|is|utterly|mad|:|cinema|mad|,|set-piece|mad|,|style|mad|.\nIt|'s|a|beautiful|madness|.\nGenerally|provides|its|target|audience|of|youngsters|enough|stimulating|eye|and|ear|candy|to|make|its|moral|medicine|go|down|.\nThere|are|some|wonderfully|fresh|moments|that|smooth|the|moral|stiffness|with|human|kindness|and|hopefulness|.\nA|grimly|competent|and|stolid|and|earnest|military|courtroom|drama|.\nEscaping|the|studio|,|Piccoli|is|warmly|affecting|and|so|is|this|adroitly|minimalist|movie|.\nVery|psychoanalytical|--|provocatively|so|--|and|also|refreshingly|literary|.\nA|gorgeous|,|witty|,|seductive|movie|.\nThe|special|effects|and|many|scenes|of|weightlessness|look|as|good|or|better|than|in|the|original|,|while|the|Oscar-winning|sound|and|James|Horner|'s|rousing|score|make|good|use|of|the|hefty|audio|system|.\nOn|the|heels|of|The|Ring|comes|a|similarly|morose|and|humorless|horror|movie|that|,|although|flawed|,|is|to|be|commended|for|its|straight-ahead|approach|to|creepiness|.\nWith|Rabbit-Proof|Fence|,|Noyce|has|tailored|an|epic|tale|into|a|lean|,|economical|movie|.\n(|A|)|n|utterly|charming|and|hilarious|film|that|reminded|me|of|the|best|of|the|Disney|comedies|from|the|60s|.\nPreaches|to|two|completely|different|choirs|at|the|same|time|,|which|is|a|pretty|amazing|accomplishment|.\nThanks|to|Haynes|'|absolute|control|of|the|film|'s|mood|,|and|buoyed|by|three|terrific|performances|,|Far|From|Heaven|actually|pulls|off|this|stylistic|juggling|act|.\nBirthday|Girl|is|an|amusing|joy|ride|,|with|some|surprisingly|violent|moments|.\nMore|romantic|,|more|emotional|and|ultimately|more|satisfying|than|the|teary-eyed|original|.\nAn|appealingly|juvenile|trifle|that|delivers|its|share|of|laughs|and|smiles|.\nWriter-director|'s|Mehta|'s|effort|has|tons|of|charm|and|the|whimsy|is|in|the|mixture|,|the|intoxicating|masala|,|of|cultures|and|film|genres|.\nThe|draw|(|for|``|Big|Bad|Love|''|)|is|a|solid|performance|by|Arliss|Howard|.\nIt|gets|onto|the|screen|just|about|as|much|of|the|novella|as|one|could|reasonably|expect|,|and|is|engrossing|and|moving|in|its|own|right|.\nThe|terrific|and|bewilderingly|underrated|Campbell|Scott|gives|a|star|performance|that|is|nothing|short|of|mesmerizing|.\nCool|?\nThis|movie|is|a|snow|emergency|.\nLike|Mike|is|n't|interested|in|recycling|old|cliches|.\nIt|wants|to|tweak|them|with|a|taste|of|tangy|new|humor|.\nSmith|is|careful|not|to|make|fun|of|these|curious|owners|of|architectural|oddities|.\nInstead|,|he|shows|them|the|respect|they|are|due|.\nA|mess|when|it|comes|to|the|characters|and|writing|...|but|works|its|way|underneath|the|skin|like|few|movies|have|in|recent|memory|.\nDrops|you|into|a|dizzying|,|volatile|,|pressure-cooker|of|a|situation|that|quickly|snowballs|out|of|control|,|while|focusing|on|the|what|much|more|than|the|why|.\nZhang|...|has|done|an|amazing|job|of|getting|realistic|performances|from|his|mainly|nonprofessional|cast|.\nA|solid|examination|of|the|male|midlife|crisis|.\nIf|you|'re|in|the|mood|for|a|Bollywood|film|,|here|'s|one|for|you|.\nAs|the|two|leads|,|Lathan|and|Diggs|are|charming|and|have|chemistry|both|as|friends|and|lovers|.\nA|beguiling|,|slow-moving|parable|about|the|collision|of|past|and|present|on|a|remote|seacoast|in|Iran|.\nMy|Big|Fat|Greek|Wedding|uses|stereotypes|in|a|delightful|blend|of|sweet|romance|and|lovingly|dished|out|humor|.\nKept|aloft|largely|by|a|comically|adept|ensemble|.\nThe|sort|of|film|that|makes|me|miss|Hitchcock|,|but|also|feel|optimistic|that|there|'s|hope|for|popular|cinema|yet|.\nFirst-time|writer-director|Serry|shows|a|remarkable|gift|for|storytelling|with|this|moving|,|effective|little|film|.\nIt|cuts|to|the|core|of|what|it|actually|means|to|face|your|fears|,|to|be|a|girl|in|a|world|of|boys|,|to|be|a|boy|truly|in|love|with|a|girl|,|and|to|ride|the|big|metaphorical|wave|that|is|life|--|wherever|it|takes|you|.\nAtom|Egoyan|has|conjured|up|a|multilayered|work|that|tackles|any|number|of|fascinating|issues\nessentially|an|exceptionally|well-written|,|well-edited|,|well-directed|,|well-acted|,|bald|rip-off|of|Aliens|.\n`|De|Niro|...|is|a|veritable|source|of|sincere|passion|that|this|Hollywood|contrivance|orbits|around|.|'\nThe|whole|is|quite|entertaining|,|but|despite|its|virtues|,|there|is|an|unsettled|feeling|to|the|film|.\nWhile|its|careful|pace|and|seemingly|opaque|story|may|not|satisfy|every|moviegoer|'s|appetite|,|the|film|'s|final|scene|is|soaringly|,|transparently|moving|.\nHardly|a|masterpiece|,|but|it|introduces|viewers|to|a|good|charitable|enterprise|and|some|interesting|real|people|.\nBased|on|a|devilishly|witty|script|by|Heather|McGowan|and|Niels|Mueller|,|the|film|gets|great|laughs|,|but|never|at|the|expense|of|its|characters\nIt|'s|somewhat|clumsy|and|too|lethargically|paced|--|but|its|story|about|a|mysterious|creature|with|psychic|abilities|offers|a|solid|build-up|,|a|terrific|climax|,|and|some|nice|chills|along|the|way|.\nIf|you|'ve|ever|wondered|what|an|ending|without|the|input|of|studio|executives|or|test|audiences|would|look|like|,|here|it|is|.\nExciting|and|direct|,|with|ghost|imagery|that|shows|just|enough|to|keep|us|on|our|toes|.\nWhether|writer-director|Anne|Fontaine|'s|film|is|a|ghost|story|,|an|account|of|a|nervous|breakdown|,|a|trip|down|memory|lane|,|all|three|or|none|of|the|above|,|it|is|as|seductive|as|it|is|haunting|.\nWhat|the|film|lacks|in|general|focus|it|makes|up|for|in|compassion|,|as|Corcuera|manages|to|find|the|seeds|of|hope|in|the|form|of|collective|action|.\nIf|you|enjoy|more|thoughtful|comedies|with|interesting|conflicted|characters|;|this|one|is|for|you|.\nThe|quality|of|the|art|combined|with|the|humor|and|intelligence|of|the|script|allow|the|filmmakers|to|present|the|biblical|message|of|forgiveness|without|it|ever|becoming|preachy|or|syrupy|.\nThis|film|seems|thirsty|for|reflection|,|itself|taking|on|adolescent|qualities|.\nAnother|one|of|those|estrogen|overdose|movies|like|``|Divine|Secrets|of|the|Ya|Ya|Sisterhood|,|''|except|that|the|writing|,|acting|and|character|development|are|a|lot|better|.\nA|breezy|romantic|comedy|that|has|the|punch|of|a|good|sitcom|,|while|offering|exceptionally|well-detailed|characters|.\nA|romantic|comedy|enriched|by|a|sharp|eye|for|manners|and|mores|.\nViewers|of|``|The|Ring|''|are|more|likely|to|remember|the|haunting|images|than|the|plot|holes|.\nA|delightful|coming-of-age|story|.\nOne|of|those|energetic|surprises|,|an|original|that|pleases|almost|everyone|who|sees|it|.\nAn|exquisitely|crafted|and|acted|tale|.\nA|taut|psychological|thriller|that|does|n't|waste|a|moment|of|its|two-hour|running|time|.\nJones|...|does|offer|a|brutal|form|of|charisma|.\nDespite|its|title|,|Punch-Drunk|Love|is|never|heavy-handed|.\nThe|jabs|it|employs|are|short|,|carefully|placed|and|dead-center|.\nThere|'s|a|wickedly|subversive|bent|to|the|best|parts|of|Birthday|Girl|.\nLikely|to|expertly|drum|up|repressed|teenage|memories|in|any|viewer|.\nBlanchett|'s|performance|confirms|her|power|once|again|.\n...|a|magnificent|drama|well|worth|tracking|down|.\nA|good|piece|of|work|more|often|than|not|.\nThe|movie|understands|like|few|others|how|the|depth|and|breadth|of|emotional|intimacy|give|the|physical|act|all|of|its|meaning|and|most|of|its|pleasure|.\nWhat|distinguishes|Time|of|Favor|from|countless|other|thrillers|is|its|underlying|concern|with|the|consequences|of|words|and|with|the|complicated|emotions|fueling|terrorist|acts|.\nSmart|,|provocative|and|blisteringly|funny|.\nNothing|is|sacred|in|this|gut-buster|.\nThe|movie|occasionally|threatens|to|become|didactic|,|but|it|'s|too|grounded|in|the|reality|of|its|characters|to|go|over|the|edge|.\nA|touch|of|humor|or|an|unexpected|plot|twist|always|pulls|it|back|.\nFilmmakers|who|can|deftly|change|moods|are|treasures|and|even|marvels|.\nSo|,|too|,|is|this|comedy|about|mild|culture|clashing|in|today|'s|New|Delhi|.\nIf|Steven|Soderbergh|'s|`|Solaris|'|is|a|failure|it|is|a|glorious|failure|.\n``|Mostly|Martha|''|is|a|bright|,|light|modern|day|family|parable|that|wears|its|heart|on|its|sleeve|for|all|to|see|.\nIt|'s|a|scattershot|affair|,|but|when|it|hits|its|mark|it|'s|brilliant|.\nA|pleasant|enough|romance|with|intellectual|underpinnings|,|the|kind|of|movie|that|entertains|even|as|it|turns|maddeningly|predictable|.\nFeaturing|a|dangerously|seductive|performance|from|the|great|Daniel|Auteuil|,|``|Sade|''|covers|the|same|period|as|Kaufmann|'s|``|Quills|''|with|more|unsettlingly|realistic|results|.\nA|spellbinding|African|film|about|the|modern|condition|of|rootlessness|,|a|state|experienced|by|millions|around|the|globe|.\nIt|'s|a|work|by|an|artist|so|in|control|of|both|his|medium|and|his|message|that|he|can|improvise|like|a|jazzman|.\nA|moody|,|multi-dimensional|love|story|and|sci-fi|mystery|,|Solaris|is|a|thought-provoking|,|haunting|film|that|allows|the|seeds|of|the|imagination|to|germinate|.\nA|very|well-made|,|funny|and|entertaining|picture|.\nA|giggle-inducing|comedy|with|snappy|dialogue|and|winning|performances|by|an|unlikely|team|of|Oscar-winners|:|Susan|Sarandon|and|Goldie|Hawn|.\nIts|maker|,|Steven|Spielberg|,|has|n't|had|so|much|fun|in|two|decades|,|since|he|was|schlepping|Indiana|Jones|around|the|globe|in|search|of|a|giant|misplaced|ashtray|.\nOscar|Wilde|'s|masterpiece|,|The|Importance|of|Being|Earnest|,|may|be|the|best|play|of|the|19th|century|.\nIt|'s|so|good|that|its|relentless|,|polished|wit|can|withstand|not|only|inept|school|productions|,|but|even|Oliver|Parker|'s|movie|adaptation|.\nThe|movie|does|a|good|job|of|laying|out|some|of|the|major|issues|that|we|encounter|as|we|journey|through|life|.\nBrilliantly|explores|the|conflict|between|following|one|'s|heart|and|following|the|demands|of|tradition|.\nThis|remake|gets|all|there|is|to|get|out|of|a|peculiar|premise|with|promise|:|Al|Pacino|loathing|Robin|Williams|.\nThe|next|generation|of|mob|movie|.\nPart|low|rent|Godfather|.\nPart|Three|Stooges|.\nLan|Yu|is|at|times|too|restrained|,|yet|there|are|moments|it|captures|the|erotics|of|intimacy|in|a|way|that|makes|most|American|love|stories|look|downright|unfree|.\nA|thinly|veiled|look|at|different|aspects|of|Chinese|life|clashing|with|each|other|.\nLight|years|\\/|several|warp|speeds|\\/|levels|and|levels|of|dilithium|crystals|better|than|the|pitiful|Insurrection|.\nWhich|is|n't|to|say|that|it|'s|the|equal|of|some|of|its|predecessors|.\nIf|this|story|must|be|told|and|retold|--|and|indeed|it|must|--|then|The|Grey|Zone|is|to|be|lauded|for|finding|a|new|and|ingenious|angle|.\nThe|Lion|King|was|a|roaring|success|when|it|was|released|eight|years|ago|,|but|on|Imax|it|seems|better|,|not|just|bigger|.\nA|gripping|movie|,|played|with|performances|that|are|all|understated|and|touching|.\nThe|piece|plays|as|well|as|it|does|thanks|in|large|measure|to|Anspaugh|'s|three|lead|actresses|.\nThe|inspirational|screenplay|by|Mike|Rich|covers|a|lot|of|ground|,|perhaps|too|much|,|but|ties|things|together|,|neatly|,|by|the|end|.\nNot|the|kind|of|film|that|will|appeal|to|a|mainstream|American|audience|,|but|there|is|a|certain|charm|about|the|film|that|makes|it|a|suitable|entry|into|the|fest|circuit|.\nDirector|Andrew|Niccol|...|demonstrates|a|wry|understanding|of|the|quirks|of|fame|.\nHis|healthy|sense|of|satire|is|light|and|fun|...\nAbout|a|manga-like|heroine|who|fights|back|at|her|abusers|,|it|'s|energetic|and|satisfying|if|not|deep|and|psychological|.\nThis|is|human|comedy|at|its|most|amusing|,|interesting|and|confirming|.\nAn|artful|,|intelligent|film|that|stays|within|the|confines|of|a|well-established|genre|.\nMajidi|is|an|unconventional|storyteller|,|capable|of|finding|beauty|in|the|most|depressing|places|.\nRichard|Gere|and|Diane|Lane|put|in|fine|performances|as|does|French|actor|Oliver|Martinez|.\nThe|minor|figures|surrounding|(|Bobby|)|...|form|a|gritty|urban|mosaic|.\nThis|is|wild|surreal|stuff|,|but|brilliant|and|the|camera|just|kind|of|sits|there|and|lets|you|look|at|this|and|its|like|you|'re|going|from|one|room|to|the|next|and|none|of|them|have|any|relation|to|the|other|.\nIt|'s|a|demented|kitsch|mess|(|although|the|smeary|digital|video|does|match|the|muddled|narrative|)|,|but|it|'s|savvy|about|celebrity|and|has|more|guts|and|energy|than|much|of|what|will|open|this|year|.\nThere|is|nothing|outstanding|about|this|film|,|but|it|is|good|enough|and|will|likely|be|appreciated|most|by|sailors|and|folks|who|know|their|way|around|a|submarine|.\nAll-in-all|,|the|film|is|an|enjoyable|and|frankly|told|tale|of|a|people|who|live|among|us|,|but|not|necessarily|with|us|.\nAn|interesting|story|with|a|pertinent|(|cinematically|unique|)|message|,|told|fairly|well|and|scored|to|perfection|,|I|found|myself|struggling|to|put|my|finger|on|that|elusive|``|missing|thing|.|''\nA|movie|with|a|real|anarchic|flair|.\nA|welcome|relief|from|baseball|movies|that|try|too|hard|to|be|mythic|,|this|one|is|a|sweet|and|modest|and|ultimately|winning|story|.\nA|crisp|psychological|drama|(|and|)|a|fascinating|little|thriller|that|would|have|been|perfect|for|an|old|``|Twilight|Zone|''|episode|.\nIt|has|more|than|a|few|moments|that|are|insightful|enough|to|be|fondly|remembered|in|the|endlessly|challenging|maze|of|moviegoing|.\nOpening|with|some|contrived|banter|,|cliches|and|some|loose|ends|,|the|screenplay|only|comes|into|its|own|in|the|second|half|.\nAn|uncluttered|,|resonant|gem|that|relays|its|universal|points|without|lectures|or|confrontations|.|'\n(|The|Cockettes|)|provides|a|window|into|a|subculture|hell-bent|on|expressing|itself|in|every|way|imaginable|.|'\nA|smart|,|steamy|mix|of|road|movie|,|coming-of-age|story|and|political|satire|.\nThe|modern-day|royals|have|nothing|on|these|guys|when|it|comes|to|scandals|.\nIt|'s|only|in|fairy|tales|that|princesses|that|are|married|for|political|reason|live|happily|ever|after|.\nA|terrific|B|movie|--|in|fact|,|the|best|in|recent|memory|.\n``|Birthday|Girl|''|is|an|actor|'s|movie|first|and|foremost|.\nI|walked|away|from|this|new|version|of|E.T.|just|as|I|hoped|I|would|--|with|moist|eyes|.\nFor|devotees|of|French|cinema|,|Safe|Conduct|is|so|rich|with|period|minutiae|it|'s|like|dying|and|going|to|celluloid|heaven|.\nWhat|'s|really|so|appealing|about|the|characters|is|their|resemblance|to|everyday|children|.\nShamelessly|resorting|to|pee-related|sight|gags|that|might|even|cause|Tom|Green|a|grimace|;|still|,|Myer|'s|energy|and|the|silliness|of|it|all|eventually|prevail\nAn|absurdist|spider|web|.\nIf|you|'re|as|happy|listening|to|movies|as|you|are|watching|them|,|and|the|slow|parade|of|human|frailty|fascinates|you|,|then|you|'re|at|the|right|film|.\nThis|version|moves|beyond|the|original|'s|nostalgia|for|the|communal|film|experiences|of|yesteryear|to|a|deeper|realization|of|cinema|'s|inability|to|stand|in|for|true|,|lived|experience|.\nSome|movies|blend|together|as|they|become|distant|memories|.\nMention|``|Solaris|''|five|years|from|now|and|I|'m|sure|those|who|saw|it|will|have|an|opinion|to|share|.\nAllen|'s|funniest|and|most|likeable|movie|in|years|.\nIt|'s|a|glorious|spectacle|like|those|D.W.|Griffith|made|in|the|early|days|of|silent|film|.\nThis|comic|gem|is|as|delightful|as|it|is|derivative|.\nMore|timely|than|its|director|could|ever|have|dreamed|,|this|quietly|lyrical|tale|probes|the|ambiguous|welcome|extended|by|Iran|to|the|Afghani|refugees|who|streamed|across|its|borders|,|desperate|for|work|and|food|.\nThe|leaping|story|line|,|shaped|by|director|Peter|Kosminsky|into|sharp|slivers|and|cutting|impressions|,|shows|all|the|signs|of|rich|detail|condensed|into|a|few|evocative|images|and|striking|character|traits|.\nWith|three|excellent|principal|singers|,|a|youthful|and|good-looking|diva|and|tenor|and|richly|handsome|locations|,|it|'s|enough|to|make|you|wish|Jacquot|had|left|well|enough|alone|and|just|filmed|the|opera|without|all|these|distortions|of|perspective|.\nThe|production|has|been|made|with|an|enormous|amount|of|affection|,|so|we|believe|these|characters|love|each|other|.\nCertainly|the|performances|are|worthwhile|.\nWinds|up|being|both|revelatory|and|narcissistic|,|achieving|some|honest|insight|into|relationships|that|most|high-concept|films|candy-coat|with|pat|storylines|,|precious|circumstances|and|beautiful|stars|.\nWatching|these|eccentrics|is|both|inspiring|and|pure|joy|.\nSteven|Spielberg|brings|us|another|masterpiece\nFinally|,|the|French-produced|``|Read|My|Lips|''|is|a|movie|that|understands|characters|must|come|first|.\nMs.|Seigner|and|Mr.|Serrault|bring|fresh|,|unforced|naturalism|to|their|characters|.\nAllen|shows|he|can|outgag|any|of|those|young|whippersnappers|making|moving|pictures|today|.\nA|good|film|with|a|solid|pedigree|both|in|front|of|and|,|more|specifically|,|behind|the|camera|.\nBy|no|means|a|slam-dunk|and|sure|to|ultimately|disappoint|the|action|fans|who|will|be|moved|to|the|edge|of|their|seats|by|the|dynamic|first|act|,|it|still|comes|off|as|a|touching|,|transcendent|love|story|.\nI|encourage|young|and|old|alike|to|go|see|this|unique|and|entertaining|twist|on|the|classic|whale|'s|tale|--|you|wo|n't|be|sorry|!\nA|literary|detective|story|is|still|a|detective|story|and|aficionados|of|the|whodunit|wo|n't|be|disappointed|.\nHigh|Crimes|steals|so|freely|from|other|movies|and|combines|enough|disparate|types|of|films|that|it|ca|n't|help|but|engage|an|audience|.\nIf|you|'re|a|fan|of|the|series|you|'ll|love|it|and|probably|want|to|see|it|twice|.\nI|will|be|.\nIt|celebrates|the|group|'s|playful|spark|of|nonconformity|,|glancing|vividly|back|at|what|Hibiscus|grandly|called|his|`|angels|of|light|.|'\nThe|story|...|is|inspiring|,|ironic|,|and|revelatory|of|just|how|ridiculous|and|money-oriented|the|record|industry|really|is|.\nIt|is|also|a|testament|to|the|integrity|and|vision|of|the|band|.\nLaced|with|liberal|doses|of|dark|humor|,|gorgeous|exterior|photography|,|and|a|stable-full|of|solid|performances|,|No|Such|Thing|is|a|fascinating|little|tale|.\nHuppert|'s|show|to|steal|and|she|makes|a|meal|of|it|,|channeling|Kathy|Baker|'s|creepy|turn|as|the|repressed|mother|on|Boston|Public|just|as|much|as|8|Women|'s|Augustine|.\nNair|does|n't|treat|the|issues|lightly|.\nShe|allows|each|character|to|confront|their|problems|openly|and|honestly|.\nOne|of|the|best|silly|horror|movies|of|recent|memory|,|with|some|real|shocks|in|store|for|unwary|viewers|.\nThe|work|of|a|filmmaker|who|has|secrets|buried|at|the|heart|of|his|story|and|knows|how|to|take|time|revealing|them|.\nStrange|occurrences|build|in|the|mind|of|the|viewer|and|take|on|extreme|urgency|.\nHas|a|certain|ghoulish|fascination|,|and|generates|a|fair|amount|of|B-movie|excitement|.\nFamiliar|but|utterly|delightful|.\nA|fascinating|,|dark|thriller|that|keeps|you|hooked|on|the|delicious|pulpiness|of|its|lurid|fiction|.\nThe|film|aims|to|be|funny|,|uplifting|and|moving|,|sometimes|all|at|once|.\nThe|extent|to|which|it|succeeds|is|impressive|.\nThe|film|brilliantly|shines|on|all|the|characters|,|as|the|direction|is|intelligently|accomplished|.\nWhile|not|for|every|taste|,|this|often|very|funny|collegiate|gross-out|comedy|goes|a|long|way|toward|restoring|the|luster|of|the|National|Lampoon|film|franchise|,|too|long|reduced|to|direct-to-video|irrelevancy|.\nAs|broad|and|cartoonish|as|the|screenplay|is|,|there|is|an|accuracy|of|observation|in|the|work|of|the|director|,|Frank|Novak|,|that|keeps|the|film|grounded|in|an|undeniable|social|realism|.\nIn|addition|to|Hoffman|'s|powerful|acting|clinic|,|this|is|that|rare|drama|that|offers|a|thoughtful|and|rewarding|glimpse|into|the|sort|of|heartache|everyone|has|felt|,|or|will|feel|someday|.\nJeffrey|Tambor|'s|performance|as|the|intelligent|jazz-playing|exterminator|is|Oscar-worthy|.\nFrom|the|opening|strains|of|the|Average|White|Band|'s|``|Pick|up|the|Pieces|''|,|you|can|feel|the|love|.\nStevens|'|vibrant|creative|instincts|are|the|difference|between|this|and|countless|other|flicks|about|guys|and|dolls|.\nthat|it|'ll|probably|be|the|best|and|most|mature|comedy|of|the|2002|summer|season|speaks|more|of|the|season|than|the|picture\nOld|people|will|love|this|movie|,|and|I|mean|that|in|the|nicest|possible|way|:|Last|Orders|will|touch|the|heart|of|anyone|old|enough|to|have|earned|a|50-year|friendship|.\nMeyjes|'|provocative|film|might|be|called|an|example|of|the|haphazardness|of|evil|.\nTian|emphasizes|the|isolation|of|these|characters|by|confining|color|to|Liyan|'s|backyard|.\nThe|movie|is|pretty|funny|now|and|then|without|in|any|way|demeaning|its|subjects|.\nimagine|a|scenario|where|Bergman|approaches|Swedish|fatalism|using|Gary|Larson|'s|Far|Side|humor\nToo|damn|weird|to|pass|up|,|and|for|the|blacklight|crowd|,|way|cheaper|(|and|better|)|than|Pink|Floyd|tickets|.\nIt|is|most|remarkable|not|because|of|its|epic|scope|,|but|because|of|the|startling|intimacy|it|achieves|despite|that|breadth|.\nIt|'s|not|a|great|monster|movie|.\nBut|if|you|'ve|paid|a|matinee|price|and|bought|a|big|tub|of|popcorn|,|there|'s|guilty|fun|to|be|had|here|.\nChomp|chomp|!\nThe|Grey|Zone|gives|voice|to|a|story|that|needs|to|be|heard|in|the|sea|of|Holocaust|movies|...|but|the|film|suffers|from|its|own|difficulties|.\nOthers|,|more|attuned|to|the|anarchist|maxim|that|`|the|urge|to|destroy|is|also|a|creative|urge|'|,|or|more|willing|to|see|with|their|own|eyes|,|will|find|Morrison|'s|iconoclastic|uses|of|technology|to|be|liberating|.\nMiller|tells|this|very|compelling|tale|with|little|fuss|or|noise|,|expertly|plucking|tension|from|quiet|.\nTime|Out|is|existential|drama|without|any|of|the|pretension|associated|with|the|term|.\nIt|'s|a|sweet|,|laugh-a-minute|crowd|pleaser|that|lifts|your|spirits|as|well|as|the|corners|of|your|mouth|.\nWriter\\/director|Alexander|Payne|(|Election|)|and|his|co-writer|Jim|Taylor|brilliantly|employ|their|quirky|and|fearless|ability|to|look|American|angst|in|the|eye|and|end|up|laughing|.\nA|movie|that|at|its|best|does|n't|just|make|the|most|out|of|its|characters|'|flaws|but|insists|on|the|virtue|of|imperfection|.\nIt|'s|tough|to|watch|,|but|it|'s|a|fantastic|movie|.\nThe|best|animated|feature|to|hit|theaters|since|Beauty|and|the|Beast|11|years|ago|.\nWhat|saves|this|deeply|affecting|film|from|being|merely|a|collection|of|wrenching|cases|is|Corcuera|'s|attention|to|detail|.\nPacino|is|the|best|he|'s|been|in|years|and|Keener|is|marvelous|.\nA|solid|,|spooky|entertainment|worthy|of|the|price|of|a|ticket|.\nBy|turns|fanciful|,|grisly|and|engagingly|quixotic|.\n...|very|funny|,|very|enjoyable|...\nAdaptation|is|intricately|constructed|and|in|a|strange|way|nails|all|of|Orlean|'s|themes|without|being|a|true|adaptation|of|her|book|.\nSo|purely|enjoyable|that|you|might|not|even|notice|it|'s|a|fairly|straightforward|remake|of|Hollywood|comedies|such|as|Father|of|the|Bride|.\nMoonlight|Mile|gives|itself|the|freedom|to|feel|contradictory|things|.\nIt|is|sentimental|but|feels|free|to|offend|,|is|analytical|and|then|surrenders|to|the|illogic|of|its|characters|,|is|about|grief|and|yet|permits|laughter|.\nThe|real|triumphs|in|Igby|come|from|Philippe|,|who|makes|Oliver|far|more|interesting|than|the|character|'s|lines|would|suggest|,|and|Sarandon|,|who|could|n't|be|better|as|a|cruel|but|weirdly|likable|WASP|matron|.\nRobin|Williams|has|thankfully|ditched|the|saccharine|sentimentality|of|Bicentennial|Man|in|favour|of|an|altogether|darker|side|.\nIf|you|'re|willing|to|have|fun|with|it|,|you|wo|n't|feel|cheated|by|the|high|infidelity|of|Unfaithful|.\nAustralia|:|Land|Beyond|Time|is|an|enjoyable|Big|Movie|primarily|because|Australia|is|a|weirdly|beautiful|place|.\nHoffman|'s|performance|is|authentic|to|the|core|of|his|being|.\nTold|just|proficiently|enough|to|trounce|its|overly|comfortable|trappings|.\nAn|enthralling|aesthetic|experience|,|one|that|'s|steeped|in|mystery|and|a|ravishing|,|baroque|beauty|.\nThe|quirky|drama|touches|the|heart|and|the|funnybone|thanks|to|the|energetic|and|always|surprising|performance|by|Rachel|Griffiths|.\nA|captivating|coming-of-age|story|that|may|also|be|the|first|narrative|film|to|be|truly|informed|by|the|wireless|age|.\nWhat|could|have|been|a|daytime|soap|opera|is|actually|a|compelling|look|at|a|young|woman|'s|tragic|odyssey|.\nDuvall|is|strong|as|always|.\nA|no-holds-barred|cinematic|treat|.\nYou|'d|have|to|be|a|most|hard-hearted|person|not|to|be|moved|by|this|drama|.\nAllen|'s|underestimated|charm|delivers|more|goodies|than|lumps|of|coal|.\nMeasured|against|practically|any|like-themed|film|other|than|its|Oscar-sweeping|franchise|predecessor|The|Silence|of|the|Lambs|,|Red|Dragon|rates|as|an|exceptional|thriller|.\nAn|exhilarating|serving|of|movie|fluff|.\nMaelstrom|is|strange|and|compelling|,|engrossing|and|different|,|a|moral|tale|with|a|twisted|sense|of|humor|.\nIt|makes|you|believe|the|cast|and|crew|thoroughly|enjoyed|themselves|and|believed|in|their|small-budget|film|.\nDark|and|disturbing|,|yet|compelling|to|watch|.\nToo|often|,|Son|of|the|Bride|becomes|an|exercise|in|trying|to|predict|when|a|preordained|``|big|moment|''|will|occur|and|not|``|if|.|''\nThe|picture|uses|humor|and|a|heartfelt|conviction|to|tell|a|story|about|discovering|your|destination|in|life|,|but|also|acknowledging|the|places|,|and|the|people|,|from|whence|you|came|.\nA|solid|piece|of|journalistic|work|that|draws|a|picture|of|a|man|for|whom|political|expedience|became|a|deadly|foreign|policy|.\nA|terrific|insider|look|at|the|star-making|machinery|of|tinseltown|.\nIt|'s|a|diverting|enough|hour-and-a-half|for|the|family|audience|.\nA|party-hearty|teen|flick|that|scalds|like|acid|.\nAs|giddy|and|whimsical|and|relevant|today|as|it|was|270|years|ago|.\nThe|film|offers|an|intriguing|what-if|premise|.\nThe|Pianist|is|the|film|Roman|Polanski|may|have|been|born|to|make|.\nThis|version|does|justice|both|to|Stevenson|and|to|the|sci-fi|genre|.\nPoignant|and|delicately|complex|.\nEnough|may|pander|to|our|basest|desires|for|payback|,|but|unlike|many|revenge|fantasies|,|it|ultimately|delivers|.\nCho|'s|latest|comic|set|is|n't|as|sharp|or|as|fresh|as|I|'m|the|One|That|I|Want|...|but|it|'s|still|damn|funny|stuff|.\nIn|The|Pianist|,|Polanski|is|saying|what|he|has|long|wanted|to|say|,|confronting|the|roots|of|his|own|preoccupations|and|obsessions|,|and|he|allows|nothing|to|get|in|the|way|.\nDespite|the|film|'s|shortcomings|,|the|stories|are|quietly|moving|.\nThose|who|love|Cinema|Paradiso|will|find|the|new|scenes|interesting|,|but|few|will|find|the|movie|improved|.\nIf|you|come|from|a|family|that|eats|,|meddles|,|argues|,|laughs|,|kibbitzes|and|fights|together|,|then|go|see|this|delightful|comedy|.\nThis|bracingly|truthful|antidote|to|Hollywood|teenage|movies|that|slather|Clearasil|over|the|blemishes|of|youth|captures|the|combustible|mixture|of|a|chafing|inner|loneliness|and|desperate|grandiosity|that|tend|to|characterize|puberty|.\nThe|reason|to|see|``|Sade|''|lay|with|the|chemistry|and|complex|relationship|between|the|marquis|(|Auteil|)|and|Emilie|(|Le|Besco|)|.\nIt|'s|the|filmmakers|'|post-camp|comprehension|of|what|made|old-time|B|movies|good-bad|that|makes|Eight|Legged|Freaks|a|perfectly|entertaining|summer|diversion|.\nThe|film|'s|strength|is|n't|in|its|details|,|but|in|the|larger|picture|it|paints|-|of|a|culture|in|conflict|with|itself|,|with|the|thin|veneer|of|nationalism|that|covers|our|deepest|,|media-soaked|fears|.\n...|best|seen|as|speculative|history|,|as|much|an|exploration|of|the|paranoid|impulse|as|a|creative|sequel|to|the|Warren|Report|.\nIt|has|its|faults|,|but|it|is|a|kind|,|unapologetic|,|sweetheart|of|a|movie|,|and|Mandy|Moore|leaves|a|positive|impression|.\nThe|Saigon|of|1952|is|an|uneasy|mix|of|sensual|delights|and|simmering|violence|,|and|The|Quiet|American|brings|us|right|into|the|center|of|that|world|.\nDespite|its|shortcomings|,|Girls|Ca|n't|Swim|represents|an|engaging|and|intimate|first|feature|by|a|talented|director|to|watch|,|and|it|'s|a|worthy|entry|in|the|French|coming-of-age|genre|.\nFlawed|,|but|worth|seeing|for|Ambrose|'s|performance|.\nWith|Dirty|Deeds|,|David|Caesar|has|stepped|into|the|mainstream|of|filmmaking|with|an|assurance|worthy|of|international|acclaim|and|with|every|cinematic|tool|well|under|his|control|--|driven|by|a|natural|sense|for|what|works|on|screen|.\nThe|humor|and|humanity|of|Monsoon|Wedding|are|in|perfect|balance|.\nLookin|'|for|sin|,|American-style|?\nTry|Hell|House|,|which|documents|the|cautionary|Christian|spook-a-rama|of|the|same|name|.\nA|compelling|motion|picture|that|illustrates|an|American|tragedy|.\nAs|comedic|spotlights|go|,|Notorious|C.H.O.|hits|all|the|verbal|marks|it|should|.\nIt|'s|a|day|at|the|beach|--|with|air|conditioning|and|popcorn|.\nFrida|is|n't|that|much|different|from|many|a|Hollywood|romance|.\nWhat|sets|it|apart|is|the|vision|that|Taymor|,|the|avant|garde|director|of|Broadway|'s|The|Lion|King|and|the|film|Titus|,|brings|.\nStevens|has|a|flair|for|dialogue|comedy|,|the|film|operates|nicely|off|the|element|of|surprise|,|and|the|large|cast|is|solid|.\nExtremely|well|acted|by|the|four|primary|actors|,|this|is|a|seriously|intended|movie|that|is|not|easily|forgotten|.\nThe|film|exudes|the|urbane|sweetness|that|Woody|Allen|seems|to|have|bitterly|forsaken|.\nK-19|:|The|Widowmaker|is|derivative|,|overlong|,|and|bombastic|--|yet|surprisingly|entertaining|.\nIt|'s|good|,|hard-edged|stuff|,|violent|and|a|bit|exploitative|but|also|nicely|done|,|morally|alert|and|street-smart|.\nCineasts|will|revel|in|those|visual|in-jokes|,|as|in|the|film|'s|verbal|pokes|at|everything|from|the|likes|of|Miramax|chief|Harvey|Weinstein|'s|bluff|personal|style|to|the|stylistic|rigors|of|Denmark|'s|Dogma|movement|.\nIt|'s|a|rare|window|on|an|artistic|collaboration|.\n...|begins|with|promise|,|but|runs|aground|after|being|snared|in|its|own|tangled|plot|.\nPerhaps|the|best|sports|movie|I|'ve|ever|seen|.\nCho|'s|timing|is|priceless|.\n...|creates|a|visceral|sense|of|its|characters|'|lives|and|conflicted|emotions|that|carries|it|far|above|...|what|could|have|been|a|melodramatic|,|Lifetime|Channel-style|anthology|.\nA|sensitive|,|moving|,|brilliantly|constructed|work|.\nAn|edgy|thriller|that|delivers|a|surprising|punch|.\nA|reasonably|entertaining|sequel|to|1994|'s|surprise|family|hit|that|may|strain|adult|credibility|.\n(|Reno|)|delivers|a|monologue|that|manages|to|incorporate|both|the|horror|and|the|absurdity|of|the|situation|in|a|well-balanced|fashion|.\nthere|is|truth|here\na|confident|,|richly|acted|,|emotionally|devastating|piece|of|work|and|2002|'s|first|great|film\nA|touching|,|small-scale|story|of|family|responsibility|and|care|in|the|community|.\nArteta|directs|one|of|the|best|ensemble|casts|of|the|year\nThe|casting|of|von|Sydow|...|is|itself|Intacto|'s|luckiest|stroke|.\nNo|,|it|'s|not|as|single-minded|as|John|Carpenter|'s|original|,|but|it|'s|sure|a|lot|smarter|and|more|unnerving|than|the|sequels|.\nA|gem|of|a|romantic|crime|comedy|that|turns|out|to|be|clever|,|amusing|and|unpredictable|.\nStands|as|one|of|the|year|'s|most|intriguing|movie|experiences|,|letting|its|imagery|speak|for|it|while|it|forces|you|to|ponder|anew|what|a|movie|can|be|.\n...|the|first|2\\/3|of|the|film|are|incredibly|captivating|and|insanely|funny|,|thanks|in|part|to|interesting|cinematic|devices|(|cool|visual|backmasking|)|,|a|solid|cast|,|and|some|wickedly|sick|and|twisted|humor|...\nThis|movie|got|me|grinning|.\nThere|'s|a|part|of|us|that|can|not|help|be|entertained|by|the|sight|of|someone|getting|away|with|something|.\nAn|old-fashioned|drama|of|substance|about|a|teacher|'s|slide|down|the|slippery|slope|of|dishonesty|after|an|encounter|with|the|rich|and|the|powerful|who|have|nothing|but|disdain|for|virtue|.\nWhat|'s|not|to|like|about|a|movie|with|a|`|children|'s|'|song|that|includes|the|line|`|My|stepdad|'s|not|mean|,|he|'s|just|adjusting|'|?\nThis|English-language|version|...|does|full|honor|to|Miyazaki|'s|teeming|and|often|unsettling|landscape|,|and|to|the|conflicted|complexity|of|his|characters|.\nThe|pleasures|that|it|does|afford|may|be|enough|to|keep|many|moviegoers|occupied|amidst|some|of|the|more|serious-minded|concerns|of|other|year-end|movies|.\nNot|everyone|will|welcome|or|accept|The|Trials|of|Henry|Kissinger|as|faithful|portraiture|,|but|few|can|argue|that|the|debate|it|joins|is|a|necessary|and|timely|one|.\nThere|are|no|special|effects|,|and|no|Hollywood|endings|.\nLike|the|original|,|this|version|is|raised|a|few|notches|above|kiddie|fantasy|pablum|by|Allen|'s|astringent|wit|.\nDespite|its|Hawaiian|setting|,|the|science-fiction|trimmings|and|some|moments|of|rowdy|slapstick|,|the|basic|plot|of|``|Lilo|''|could|have|been|pulled|from|a|tear-stained|vintage|Shirley|Temple|script|.\nA|brutally|honest|documentary|about|a|much|anticipated|family|reunion|that|goes|wrong|thanks|to|culture|shock|and|a|refusal|to|empathize|with|others|.\nFilled|with|honest|performances|and|exceptional|detail|,|Baran|is|a|gentle|film|with|dramatic|punch|,|a|haunting|ode|to|humanity|.\nSparkles|in|its|deft|portrait|of|Tinseltown|'s|seasoned|veterans|of|gossip|,|wealth|,|paranoia|,|and|celebrityhood|.\nIn|its|dry|and|forceful|way|,|it|delivers|the|same|message|as|Jiri|Menzel|'s|Closely|Watched|Trains|and|Danis|Tanovic|'s|No|Man|'s|Land|.\n...|a|triumph|of|emotionally|and|narratively|complex|filmmaking|.\n(|Haynes|'|)|homage|to|such|films|as|``|All|That|Heaven|Allows|''|and|``|Imitation|of|Life|''|transcends|them|.\nSimply|put|,|``|Far|From|Heaven|''|is|a|masterpiece|.\nAn|intense|and|effective|film|about|loneliness|and|the|chilly|anonymity|of|the|environments|where|so|many|of|us|spend|so|much|of|our|time|.\nAlthough|fairly|involving|as|far|as|it|goes|,|the|film|does|n't|end|up|having|much|that|is|fresh|to|say|about|growing|up|Catholic|or|,|really|,|anything|.\nProves|mainly|that|South|Korean|filmmakers|can|make|undemanding|action|movies|with|all|the|alacrity|of|their|Hollywood|counterparts|.\nA|very|funny|romantic|comedy|about|two|skittish|New|York|middle-agers|who|stumble|into|a|relationship|and|then|struggle|furiously|with|their|fears|and|foibles|.\nTop-notch|action|powers|this|romantic|drama|.\nBeresford|nicely|mixes|in|as|much|humor|as|pathos|to|take|us|on|his|sentimental|journey|of|the|heart|.\nIt|really|is|a|shame|that|more|wo|n't|get|an|opportunity|to|embrace|small|,|sweet|`|Evelyn|.|'\nI|stopped|thinking|about|how|good|it|all|was|,|and|started|doing|nothing|but|reacting|to|it|-|feeling|a|part|of|its|grand|locations|,|thinking|urgently|as|the|protagonists|struggled|,|feeling|at|the|mercy|of|its|inventiveness|,|gasping|at|its|visual|delights|.\nProbably|the|best|case|for|Christianity|since|Chesterton|and|Lewis|.\nA|gently|funny|,|sweetly|adventurous|film|that|makes|you|feel|genuinely|good|,|that|is|to|say|,|entirely|unconned|by|false|sentiment|or|sharp|,|overmanipulative|Hollywood|practices|.\nWould|be|an|unendurable|viewing|experience|for|this|ultra-provincial|New|Yorker|if|26-year-old|Reese|Witherspoon|were|not|on|hand|to|inject|her|pure|fantasy|character|,|Melanie|Carmichael|,|with|a|massive|infusion|of|old-fashioned|Hollywood|magic|.\nVisually|fascinating|...|an|often|intense|character|study|about|fathers|and|sons|,|loyalty|and|duty|.\nA|lyrical|metaphor|for|cultural|and|personal|self-discovery|and|a|picaresque|view|of|a|little-remembered|world|.\nSchütte|'s|dramatic|snapshot|of|the|artist|three|days|before|his|death|offers|an|interesting|bit|of|speculation|as|to|the|issues|Brecht|faced|as|his|life|drew|to|a|close|.\nA|slick|,|engrossing|melodrama|.\nS1M0NE|'s|satire|is|not|subtle|,|but|it|is|effective|.\nIt|'s|a|quirky|,|off-beat|project|.\nWhile|some|will|object|to|the|idea|of|a|Vietnam|picture|with|such|a|rah-rah|,|patriotic|tone|,|Soldiers|ultimately|achieves|its|main|strategic|objective|:|dramatizing|the|human|cost|of|the|conflict|that|came|to|define|a|generation|.\nEven|if|you|do|n't|know|the|band|or|the|album|'s|songs|by|heart|,|you|will|enjoy|seeing|how|both|evolve|,|and|you|will|also|learn|a|good|deal|about|the|state|of|the|music|business|in|the|21st|Century|.\nThe|solid|filmmaking|and|convincing|characters|makes|this|a|high|water|mark|for|this|genre|.\nFilms|about|loss|,|grief|and|recovery|are|pretty|valuable|these|days|.\nSeen|in|that|light|,|Moonlight|Mile|should|strike|a|nerve|in|many|.\nIt|'s|endlessly|inventive|,|consistently|intelligent|and|sickeningly|savage|.\nIt|is|definitely|worth|seeing|.\nAn|impeccable|study|in|perversity|.\nFar|From|Heaven|is|a|dazzling|conceptual|feat|,|but|more|than|that|,|it|'s|a|work|of|enthralling|drama|.\nA|movie|that|both|thrills|the|eye|and|,|in|its|over-the-top|way|,|touches|the|heart|.\nStuffed|to|the|brim|with|ideas|,|American|instigator|Michael|Moore|'s|film|is|a|rambling|examination|of|American|gun|culture|that|uses|his|usual|modus|operandi|of|crucifixion|through|juxtaposition|.\nAffectionately|reminds|us|that|,|in|any|language|,|the|huge|stuff|in|life|can|usually|be|traced|back|to|the|little|things|.\nA|drama|of|great|power|,|yet|some|members|of|the|audience|will|leave|the|theater|believing|they|have|seen|a|comedy|.\nThe|large-frame|IMAX|camera|lends|itself|beautifully|to|filming|the|teeming|life|on|the|reefs|,|making|this|gorgeous|film|a|must|for|everyone|from|junior|scientists|to|grown-up|fish|lovers|.\nThe|result|is|more|depressing|than|liberating|,|but|it|'s|never|boring|.\nA|story|about|intelligent|high|school|students|that|deals|with|first|love|sweetly|but|also|seriously|.\nIt|is|also|beautifully|acted|.\nIt|is|n't|that|the|picture|is|unfamiliar|,|but|that|it|manages|to|find|new|avenues|of|discourse|on|old|problems|.\nSame|song|,|second|verse|,|coulda|been|better|,|but|it|coulda|been|worse|.\nIt|'s|a|technically|superb|film|,|shining|with|all|the|usual|Spielberg|flair|,|expertly|utilizing|the|talents|of|his|top-notch|creative|team|.\nWilco|fans|will|have|a|great|time|,|and|the|movie|should|win|the|band|a|few|new|converts|,|too|.\nTsai|has|a|well-deserved|reputation|as|one|of|the|cinema|world|'s|great|visual|stylists|,|and|in|this|film|,|every|shot|enhances|the|excellent|performances|.\nThe|date|movie|that|Franz|Kafka|would|have|made|.\nThe|fact|is|that|the|screen|is|most|alive|when|it|seems|most|likely|that|Broomfield|'s|interviewees|,|or|even|himself|,|will|not|be|for|much|longer|.\nLeguizamo|and|Jones|are|both|excellent|and|the|rest|of|the|cast|is|uniformly|superb|.\nI|liked|this|film|a|lot|...\n...|there|is|enough|originality|in|`|Life|'|to|distance|it|from|the|pack|of|paint-by-number|romantic|comedies|that|so|often|end|up|on|cinema|screens|.\nA|solid|and|refined|piece|of|moviemaking|imbued|with|passion|and|attitude|.\nNettelbeck|has|crafted|an|engaging|fantasy|of|flavours|and|emotions|,|one|part|romance|novel|,|one|part|recipe|book|.\nWith|or|without|the|sex|,|a|wonderful|tale|of|love|and|destiny|,|told|well|by|a|master|storyteller\nOn|the|surface|a|silly|comedy|,|Scotland|,|PA|would|be|forgettable|if|it|were|n't|such|a|clever|adaptation|of|the|bard|'s|tragic|play|.\nA|weird|,|arresting|little|ride|.\nA|fine|film|,|but|it|would|be|a|lot|better|if|it|stuck|to|Betty|Fisher|and|left|out|the|other|stories|.\nA|first-class|road|movie|that|proves|you|can|run|away|from|home|,|but|your|ego|and|all|your|problems|go|with|you|.\nYou|might|want|to|take|a|reality|check|before|you|pay|the|full|ticket|price|to|see|``|Simone|,|''|and|consider|a|DVD|rental|instead|.\nWell|cast|and|well|directed|-|a|powerful|drama|with|enough|sardonic|wit|to|keep|it|from|being|maudlin|.\nA|backstage|must-see|for|true|fans|of|comedy|.\nThere|'s|back-stabbing|,|inter-racial|desire|and|,|most|importantly|,|singing|and|dancing|.\nThe|film|sounds|like|the|stuff|of|lurid|melodrama|,|but|what|makes|it|interesting|as|a|character|study|is|the|fact|that|the|story|is|told|from|Paul|'s|perspective|.\nJones|...|makes|a|great|impression|as|the|writer-director|of|this|little|$|1.8|million|charmer|,|which|may|not|be|cutting-edge|indie|filmmaking|but|has|a|huge|heart|.\nIn|the|disturbingly|involving|family|dysfunctional|drama|How|I|Killed|My|Father|,|French|director|Anne|Fontaine|delivers|an|inspired|portrait|of|male-ridden|angst|and|the|emotional|blockage|that|accompanies|this|human|condition\nBelow|may|not|mark|Mr.|Twohy|'s|emergence|into|the|mainstream|,|but|his|promise|remains|undiminished|.\nThere|'s|no|reason|to|miss|Interview|with|the|Assassin\nHappily|stays|close|to|the|ground|in|a|spare|and|simple|manner|and|does|n't|pummel|us|with|phony|imagery|or|music|.\nIts|sheer|dynamism|is|infectious|.\nFor|his|first|attempt|at|film|noir|,|Spielberg|presents|a|fascinating|but|flawed|look|at|the|near|future|.\nit|somehow|managed|to|make|its|way|past|my|crappola|radar|and|find|a|small|place|in|my|heart\nPerhaps|it|'s|cliche|to|call|the|film|`|refreshing|,|'|but|it|is|.\n`|Drumline|'|shows|a|level|of|young|,|Black|manhood|that|is|funny|,|touching|,|smart|and|complicated|.\nIt|does|give|a|taste|of|the|Burning|Man|ethos|,|an|appealing|blend|of|counter-cultural|idealism|and|hedonistic|creativity|.\nThe|limited|sets|and|small|confined|and|dark|spaces|also|are|homages|to|a|classic|low-budget|film|noir|movie|.\nThe|movie|is|well|done|,|but|slow|.\n(|A|)|wonderfully|loopy|tale|of|love|,|longing|,|and|voting|.\nThe|fascination|comes|in|the|power|of|the|Huston|performance|,|which|seems|so|larger|than|life|and|yet|so|fragile|,|and|in|the|way|the|Ivan|character|accepts|the|news|of|his|illness|so|quickly|but|still|finds|himself|unable|to|react|.\nThe|last|scenes|of|the|film|are|anguished|,|bitter|and|truthful|.\nMr.|Koshashvili|is|a|director|to|watch|.\nPredictable|storyline|and|by-the-book|scripting|is|all|but|washed|away|by|sumptuous|ocean|visuals|and|the|cinematic|stylings|of|director|John|Stockwell|.\nAntwone|Fisher|certainly|does|the|trick|of|making|us|care|about|its|protagonist|and|celebrate|his|victories|but|,|with|few|exceptions|,|it|rarely|stoops|to|cheap|manipulation|or|corny|conventions|to|do|it|.\nOne|feels|the|dimming|of|a|certain|ambition|,|but|in|its|place|a|sweetness|,|clarity|and|emotional|openness|that|recalls|the|classics|of|early|Italian|neorealism|.\nIt|challenges|,|this|nervy|oddity|,|like|modern|art|should|.\nWhenever|you|think|you|'ve|figured|out|Late|Marriage|,|it|throws|you|for|a|loop|.\nThe|Pianist|is|Polanski|'s|best|film|.\nIt|is|a|testament|of|quiet|endurance|,|of|common|concern|,|of|reconciled|survival|.\nThis|Orange|has|some|juice|,|but|it|'s|far|from|fresh-squeezed|.\nA|sensitive|,|modest|comic|tragedy|that|works|as|both|character|study|and|symbolic|examination|of|the|huge|economic|changes|sweeping|modern|China|.\nHigh|Crimes|knows|the|mistakes|that|bad|movies|make|and|is|determined|not|to|make|them|,|and|maybe|that|is|nobility|of|a|sort|.\nCusack|'s|just|brilliant|in|this|.\nKnows|how|to|make|our|imagination|wonder|.\nJae-eun|Jeong|'s|Take|Care|of|My|Cat|brings|a|beguiling|freshness|to|a|coming-of-age|story|with|such|a|buoyant|,|expressive|flow|of|images|that|it|emerges|as|another|key|contribution|to|the|flowering|of|the|South|Korean|cinema|.\nThe|overall|fabric|is|hypnotic|,|and|Mr.|Mattei|fosters|moments|of|spontaneous|intimacy|.\nEvokes|a|palpable|sense|of|disconnection|,|made|all|the|more|poignant|by|the|incessant|use|of|cell|phones|.\nMalcolm|McDowell|is|cool|.\nPaul|Bettany|is|cool|.\nPaul|Bettany|playing|Malcolm|McDowell|?\nCool|.\nA|touching|,|sophisticated|film|that|almost|seems|like|a|documentary|in|the|way|it|captures|an|Italian|immigrant|family|on|the|brink|of|major|changes|.\n...|a|trashy|little|bit|of|fluff|stuffed|with|enjoyable|performances|and|a|bewildering|sense|of|self-importance\nAn|inventive|,|absorbing|movie|that|'s|as|hard|to|classify|as|it|is|hard|to|resist|.\nIt|made|me|want|to|get|made-up|and|go|see|this|movie|with|my|sisters|.\nI|thought|the|relationships|were|wonderful|,|the|comedy|was|funny|,|and|the|love|`|real|'|.\n(|Caine|)|proves|once|again|he|has|n't|lost|his|touch|,|bringing|off|a|superb|performance|in|an|admittedly|middling|film|.\nBogdanovich|puts|history|in|perspective|and|,|via|Kirsten|Dunst|'s|remarkable|performance|,|he|showcases|Davies|as|a|young|woman|of|great|charm|,|generosity|and|diplomacy|.\nThis|breezy|caper|movie|becomes|a|soulful|,|incisive|meditation|on|the|way|we|were|,|and|the|way|we|are|.\nA|captivating|new|film|.\nThose|who|are|n't|put|off|by|the|film|'s|austerity|will|find|it|more|than|capable|of|rewarding|them|.\nIt|'s|a|clear-eyed|portrait|of|an|intensely|lived|time|,|filled|with|nervous|energy|,|moral|ambiguity|and|great|uncertainties|.\nReveals|how|important|our|special|talents|can|be|when|put|in|service|of|of|others|.\nIt|also|shows|how|deeply|felt|emotions|can|draw|people|together|across|the|walls|that|might|otherwise|separate|them|.\nWith|the|same|sort|of|good-natured|fun|found|in|films|like|Tremors|,|Eight|Legged|Freaks|is|prime|escapist|fare|.\nA|sharp|,|amusing|study|of|the|cult|of|celebrity|.\nThe|sentimental|cliches|mar|an|otherwise|excellent|film|.\nA|powerful|performance|from|Mel|Gibson|and|a|brutal|90-minute|battle|sequence|that|does|everything|but|issue|you|a|dog-tag|and|an|M-16|.\nA|graceful|,|moving|tribute|to|the|courage|of|New|York|'s|finest|and|a|nicely|understated|expression|of|the|grief|shared|by|the|nation|at|their|sacrifice|.\nA|coming-of-age|tale|from|New|Zealand|whose|boozy|,|languid|air|is|balanced|by|a|rich|visual|clarity|and|deeply|felt|performances|across|the|board|.\nMade|to|be|Jaglomized|is|the|Cannes|Film|Festival|,|the|annual|Riviera|spree|of|flesh|,|buzz|,|blab|and|money|.\nThe|charming|result|is|Festival|in|Cannes|.\nIf|you|'re|looking|for|something|new|and|hoping|for|something|entertaining|,|you|'re|in|luck|.\nA|hugely|rewarding|experience|that|'s|every|bit|as|enlightening|,|insightful|and|entertaining|as|Grant|'s|two|best|films|--|Four|Weddings|and|a|Funeral|and|Bridget|Jones|'s|Diary|.\nA|rip-roaring|comedy|action|fest|that|'ll|put|hairs|on|your|chest|.\nIf|there|'s|no|art|here|,|it|'s|still|a|good|yarn|--|which|is|nothing|to|sneeze|at|these|days|.\nSimultaneously|heart-breaking|and|very|funny|,|The|Last|Kiss|is|really|all|about|performances|.\nThere|is|a|subversive|element|to|this|Disney|cartoon|,|providing|unexpected|fizzability|.\nAn|unforgettable|look|at|morality|,|family|,|and|social|expectation|through|the|prism|of|that|omnibus|tradition|called|marriage|.\nAn|enjoyable|,|if|occasionally|flawed|,|experiment|.\nMiyazaki|is|one|of|world|cinema|'s|most|wondrously|gifted|artists|and|storytellers|.\nIf|Ayurveda|can|help|us|return|to|a|sane|regimen|of|eating|,|sleeping|and|stress-reducing|contemplation|,|it|is|clearly|a|good|thing|.\nMeeting|,|even|exceeding|expectations|,|it|'s|the|best|sequel|since|The|Empire|Strikes|Back|...|a|majestic|achievement|,|an|epic|of|astonishing|grandeur|and|surprising|emotional|depth|.\nLeigh|is|one|of|the|rare|directors|who|feels|acting|is|the|heart|and|soul|of|cinema|.\nHe|allows|his|cast|members|to|make|creative|contributions|to|the|story|and|dialogue|.\nThis|method|almost|never|fails|him|,|and|it|works|superbly|here|.\nPoetry|in|motion|captured|on|film|.\nWhile|it|can|be|a|bit|repetitive|,|overall|it|'s|an|entertaining|and|informative|documentary|.\nDirecting|with|a|sure|and|measured|hand|,|(|Haneke|)|steers|clear|of|the|sensational|and|offers|instead|an|unflinching|and|objective|look|at|a|decidedly|perverse|pathology|.\nThe|entire|movie|establishes|a|wonderfully|creepy|mood|.\nI|found|The|Ring|moderately|absorbing|,|largely|for|its|elegantly|colorful|look|and|sound|.\nThe|filmmakers|want|nothing|else|than|to|show|us|a|good|time|,|and|in|their|cheap|,|B|movie|way|,|they|succeed|.\nAmari|has|dressed|up|this|little|parable|in|a|fairly|irresistible|package|full|of|privileged|moments|and|memorable|performances|.\nRabbit-Proof|Fence|will|probably|make|you|angry|.\nBut|it|will|just|as|likely|make|you|weep|,|and|it|will|do|so|in|a|way|that|does|n't|make|you|feel|like|a|sucker|.\nBoth|heartbreaking|and|heartwarming|...|just|a|simple|fable|done|in|an|artless|sytle|,|but|it|'s|tremendously|moving|.\nThis|masterfully|calibrated|psychological|thriller|thrives|on|its|taut|performances|and|creepy|atmosphere|even|if|the|screenplay|falls|somewhat|short|.\nThe|film|'s|sense|of|imagery|gives|it|a|terrible|strength|,|but|it|'s|propelled|by|the|acting|.\nThe|Pianist|(|is|)|a|supremely|hopeful|cautionary|tale|of|war|'s|madness|remembered|that|we|,|today|,|can|prevent|its|tragic|waste|of|life|.\nHere|is|a|divine|monument|to|a|single|man|'s|struggle|to|regain|his|life|,|his|dignity|and|his|music|.\nStrange|it|is|,|but|delightfully|so|.\nElegant|,|mannered|and|teasing|.\nAn|average|coming-of-age|tale|elevated|by|the|wholesome|twist|of|a|pesky|mother|interfering|during|her|son|'s|discovery|of|his|homosexuality|.\nThe|ingenuity|that|Parker|displays|in|freshening|the|play|is|almost|in|a|class|with|that|of|Wilde|himself|.\nDecasia|is|what|has|happened|already|to|so|many|silent|movies|,|newsreels|and|the|like|.\nThe|unexpected|thing|is|that|its|dying|,|in|this|shower|of|black-and-white|psychedelia|,|is|quite|beautiful|.\nA|droll|,|bitchy|frolic|which|pokes|fun|at|the|price|of|popularity|and|small-town|pretension|in|the|Lone|Star|State|.\nWith|each|of|her|three|protagonists|,|Miller|eloquently|captures|the|moment|when|a|woman|'s|life|,|out|of|a|deep-seated|,|emotional|need|,|is|about|to|turn|onto|a|different|path|.\nRyan|Gosling|...|is|at|22|a|powerful|young|actor|.\nA|minor|work|yet|there|'s|no|denying|the|potency|of|Miller|'s|strange|,|fleeting|brew|of|hopeful|perseverance|and|hopeless|closure|.\nAs|an|introduction|to|the|man|'s|theories|and|influence|,|Derrida|is|all|but|useless|;|as|a|portrait|of|the|artist|as|an|endlessly|inquisitive|old|man|,|however|,|it|'s|invaluable|.\nThe|film|is|a|verbal|duel|between|two|gifted|performers|.\nImperfect|?\nYes|,|but|also|intriguing|and|honorable|,|a|worthwhile|addition|to|a|distinguished|film|legacy|.\nYou|'ll|get|the|enjoyable|basic|minimum|.\nBut|not|a|whit|more|.\nWhat|a|great|way|to|spend|4|units|of|your|day|.\nThe|movie|is|hardly|a|masterpiece|,|but|it|does|mark|Ms.|Bullock|'s|best|work|in|some|time|.\nAs|simple|and|innocent|a|movie|as|you|can|imagine|.\nThis|is|a|movie|you|can|trust|.\nPassionate|,|irrational|,|long-suffering|but|cruel|as|a|tarantula|,|Helga|figures|prominently|in|this|movie|,|and|helps|keep|the|proceedings|as|funny|for|grown-ups|as|for|rugrats|.\n``|It|'s|all|about|the|image|.|''\nVividly|conveys|the|passion|,|creativity|,|and|fearlessness|of|one|of|Mexico|'s|most|colorful|and|controversial|artists|--|a|captivating|drama|that|will|speak|to|the|nonconformist|in|us|all|.\nHollywood|Ending|is|not|show-stoppingly|hilarious|,|but|scathingly|witty|nonetheless|.\nMaybe|Thomas|Wolfe|was|right|:|You|ca|n't|go|home|again|.\nA|compelling|yarn|,|but|not|quite|a|ripping|one|.\nOn|the|Granger|Movie|Gauge|of|1|to|10|,|The|Powerpuff|Girls|is|a|fast|,|frenetic|,|funny|,|even|punny|6|--|aimed|specifically|at|a|grade-school|audience|.\nThe|film|has|several|strong|performances|.\nI|'ve|never|bought|from|telemarketers|,|but|I|bought|this|movie|.\nPerfectly|pitched|between|comedy|and|tragedy|,|hope|and|despair|,|About|Schmidt|instead|comes|far|closer|than|many|movies|to|expressing|the|way|many|of|us|live|--|someplace|between|consuming|self-absorption|and|insistently|demanding|otherness|.\nThe|funny|thing|is|,|I|did|n't|mind|all|this|contrived|nonsense|a|bit|.\n(|Shyamalan|)|turns|the|goose-pimple|genre|on|its|empty|head|and|fills|it|with|spirit|,|purpose|and|emotionally|bruised|characters|who|add|up|to|more|than|body|count|.\nA|sexy|,|peculiar|and|always|entertaining|costume|drama|set|in|Renaissance|Spain|,|and|the|fact|that|it|'s|based|on|true|events|somehow|makes|it|all|the|more|compelling|.\nAn|entertaining|documentary|that|freshly|considers|arguments|the|Bard|'s|immortal|plays|were|written|by|somebody|else|.\nA|highly|spirited|,|imaginative|kid|'s|movie|that|broaches|neo-Augustinian|theology|:|Is|God|stuck|in|Heaven|because|He|'s|afraid|of|His|best-known|creation|?\nCall|it|magic|realism|or|surrealism|,|but|Miss|Wonton|floats|beyond|reality|with|a|certain|degree|of|wit|and|dignity|.\nRaimi|and|his|team|could|n't|have|done|any|better|in|bringing|the|story|of|Spider-Man|to|the|big|screen|.\nThe|director|explores|all|three|sides|of|his|story|with|a|sensitivity|and|an|inquisitiveness|reminiscent|of|Truffaut|.\nWell-acted|,|well-directed|and|,|for|all|its|moodiness|,|not|too|pretentious|.\nIt|'s|a|satisfying|summer|blockbuster|and|worth|a|look|.\nBoomers|and|their|kids|will|have|a|Barrie|good|time|.\nReal|Women|Have|Curves|wears|its|empowerment|on|its|sleeve|but|even|its|worst|harangues|are|easy|to|swallow|thanks|to|remarkable|performances|by|Ferrera|and|Ontiveros|.\nUltimately|,|``|MIB|II|''|succeeds|due|to|its|rapid-fire|delivery|and|enough|inspired|levity|that|it|ca|n't|be|dismissed|as|mindless|.\nStage|director|Sam|Mendes|showcases|Tom|Hanks|as|a|depression|era|hit-man|in|this|dark|tale|of|revenge|.\nSitting|in|the|third|row|of|the|IMAX|cinema|at|Sydney|'s|Darling|Harbour|,|but|I|sometimes|felt|as|though|I|was|in|the|tiny|two|seater|plane|that|carried|the|giant|camera|around|Australia|,|sweeping|and|gliding|,|banking|and|hovering|over|some|of|the|most|not\nThe|real|charm|of|this|trifle|is|the|deadpan|comic|face|of|its|star|,|Jean|Reno|,|who|resembles|Sly|Stallone|in|a|hot|sake|half-sleep|.\nWhat|'s|so|fun|about|this|silly|,|outrageous|,|ingenious|thriller|is|the|director|'s|talent|.\nWatching|a|Brian|DePalma|movie|is|like|watching|an|Alfred|Hitchcock|movie|after|drinking|twelve|beers|.\nStrip|it|of|all|its|excess|debris|,|and|you|'d|have|a|90-minute|,|four-star|movie|.\nAs|it|is|,|it|'s|too|long|and|unfocused|.\nAn|immensely|entertaining|look|at|some|of|the|unsung|heroes|of|20th|century|pop|music|.\nThis|familiar|rise-and-fall|tale|is|long|on|glamour|and|short|on|larger|moralistic|consequences|,|though|it|'s|told|with|sharp|ears|and|eyes|for|the|tenor|of|the|times|.\nThis|beautifully|animated|epic|is|never|dull|.\nBrian|Tufano|'s|handsome|widescreen|photography|and|Paul|Grabowsky|'s|excellent|music|turn|this|fairly|parochial|melodrama|into|something|really|rather|special|.\nIt|makes|compelling|,|provocative|and|prescient|viewing|.\nA|thoroughly|entertaining|comedy|that|uses|Grant|'s|own|twist|of|acidity|to|prevent|itself|from|succumbing|to|its|own|bathos|.\nUsing|a|stock|plot|,|About|a|Boy|injects|just|enough|freshness|into|the|proceedings|to|provide|an|enjoyable|100|minutes|in|a|movie|theater|.\nWhat|Eric|Schaeffer|has|accomplished|with|Never|Again|may|not|,|strictly|speaking|,|qualify|as|revolutionary|.\nBut|it|'s|defiantly|and|delightfully|against|the|grain|.\nThe|hard-to-predict|and|absolutely|essential|chemistry|between|the|down-to-earth|Bullock|and|the|nonchalant|Grant|proves|to|be|sensational|,|and|everything|meshes|in|this|elegant|entertainment|.\nA|positively|thrilling|combination|of|ethnography|and|all|the|intrigue|,|betrayal|,|deceit|and|murder|of|a|Shakespearean|tragedy|or|a|juicy|soap|opera|.\nMr.|Clooney|,|Mr.|Kaufman|and|all|their|collaborators|are|entitled|to|take|a|deep|bow|for|fashioning|an|engrossing|entertainment|out|of|an|almost|sure-fire|prescription|for|a|critical|and|commercial|disaster|.\nDefinitely|funny|stuff|,|but|it|'s|more|of|the|`|laughing|at|'|variety|than|the|`|laughing|with|.|'\nEasily|the|most|thoughtful|fictional|examination|of|the|root|causes|of|anti-Semitism|ever|seen|on|screen|.\nA|real|winner|--|smart|,|funny|,|subtle|,|and|resonant|.\nFamily|portrait|of|need|,|neurosis|and|nervy|negativity|is|a|rare|treat|that|shows|the|promise|of|digital|filmmaking|.\nThe|pitch|must|have|read|like|a|discarded|House|Beautiful|spread|.\nUplifting|as|only|a|document|of|the|worst|possibilities|of|mankind|can|be|,|and|among|the|best|films|of|the|year|.\nDirector|David|Jacobson|gives|Dahmer|a|consideration|that|the|murderer|never|game|his|victims|.\nThe|film|has|a|terrific|look|and|Salma|Hayek|has|a|feel|for|the|character|at|all|stages|of|her|life|.\nA|decided|lack|of|spontaneity|in|its|execution|and|a|dearth|of|real|poignancy|in|its|epiphanies|.\nThe|performances|are|remarkable|.\nIt|'s|Burns|'|visuals|,|characters|and|his|punchy|dialogue|,|not|his|plot|,|that|carry|waydowntown|.\nAs|literary|desecrations|go|,|this|makes|for|perfectly|acceptable|,|occasionally|very|enjoyable|children|'s|entertainment|.\nYou|'ll|forget|about|it|by|Monday|,|though|,|and|if|they|'re|old|enough|to|have|developed|some|taste|,|so|will|your|kids|.\nWhile|I|ca|n't|say|it|'s|on|par|with|the|first|one|,|Stuart|Little|2|is|a|light|,|fun|cheese|puff|of|a|movie|.\nStrange|,|funny|,|twisted|,|brilliant|and|macabre|.\nA|genuinely|moving|and|wisely|unsentimental|drama|.\nHeaven|is|a|haunting|dramatization|of|a|couple|'s|moral|ascension|.\nThe|Mothman|Prophecies|is|best|when|illustrating|the|demons|bedevilling|the|modern|masculine|journey|.\nPlays|out|with|a|dogged|and|eventually|winning|squareness|that|would|make|it|the|darling|of|many|a|kids-and-family-oriented|cable|channel|.\nAn|entertaining|British|hybrid|of|comedy|,|caper|thrills|and|quirky|romance|.\nAlain|Choquart|'s|camera|barely|stops|moving|,|portraying|both|the|turmoil|of|the|time|and|giving|Conduct|a|perpetual|sense|of|urgency|,|which|,|for|a|film|that|takes|nearly|three|hours|to|unspool|,|is|both|funny|and|irritating|.\nMostly|Martha|could|have|used|a|little|trimming|--|10|or|15|minutes|could|be|cut|and|no|one|would|notice|--|but|it|'s|a|pleasurable|trifle|.\nThe|only|pain|you|'ll|feel|as|the|credits|roll|is|your|stomach|grumbling|for|some|tasty|grub|.\nHardly|an|objective|documentary|,|but|it|'s|great|cinematic|polemic|...|love|Moore|or|loathe|him|,|you|'ve|got|to|admire|...|the|intensity|with|which|he|'s|willing|to|express|his|convictions|.\nThe|mark|of|a|respectable|summer|blockbuster|is|one|of|two|things|:|unadulterated|thrills|or|genuine|laughs|.\nThe|film|is|visually|dazzling|,|the|depicted|events|dramatic|,|funny|and|poignant|.\nA|directorial|tour|de|force|by|Bernard|Rose|,|ivans|xtc|.\nis|one|of|this|year|'s|very|best|pictures|.\nWhat|makes|the|movie|work|--|to|an|admittedly|limited|extent|--|is|the|commitment|of|two|genuinely|engaging|performers|.\nWeaver|and|LaPaglia|are|both|excellent|,|in|the|kind|of|low-key|way|that|allows|us|to|forget|that|they|are|actually|movie|folk|.\nEven|the|digressions|are|funny|.\nMr.|Spielberg|and|his|company|just|want|you|to|enjoy|yourselves|without|feeling|conned|.\nAnd|they|succeed|merrily|at|their|noble|endeavor|.\nMelodrama|with|a|message|.\nA|perfectly|pleasant|if|slightly|pokey|comedy|.\nCoppola|'s|directorial|debut|is|an|incredibly|layered|and|stylistic|film|that|,|despite|a|fairly|slow|paced|,|almost|humdrum|approach|to|character|development|,|still|manages|at|least|a|decent|attempt|at|meaningful|cinema|.\nAt|the|end|,|when|the|now|computerized|Yoda|finally|reveals|his|martial|artistry|,|the|film|ascends|to|a|kinetic|life|so|teeming|that|even|cranky|adults|may|rediscover|the|quivering|kid|inside|.\nWang|Xiaoshuai|directs|this|intricately|structured|and|well-realized|drama|that|presents|a|fascinating|glimpse|of|urban|life|and|the|class|warfare|that|embroils|two|young|men|.\nIt|'s|hard|to|imagine|anybody|ever|being|``|in|the|mood|''|to|view|a|movie|as|harrowing|and|painful|as|The|Grey|Zone|,|but|it|'s|equally|hard|to|imagine|anybody|being|able|to|tear|their|eyes|away|from|the|screen|once|it|'s|started|.\nBogdanovich|taps|deep|into|the|Hearst|mystique|,|entertainingly|reenacting|a|historic|scandal|.\nA|moving|tale|of|love|and|destruction|in|unexpected|places|,|unexamined|lives|.\nClooney|directs|this|film|always|keeping|the|balance|between|the|fantastic|and|the|believable|...\nEven|if|you|do|n't|understand|what|on|earth|is|going|on|,|this|is|a|movie|that|will|stimulate|hours|of|post|viewing|discussion|,|if|only|to|be|reminded|of|who|did|what|to|whom|and|why|.\n...|a|lesson|in|prehistoric|hilarity|.\nA|fantastically|vital|movie|that|manages|to|invest|real|humor|,|sensuality|,|and|sympathy|into|a|story|about|two|adolescent|boys|.\nLawrence|plumbs|personal|tragedy|and|also|the|human|comedy|.\nThough|a|capable|thriller|,|somewhere|along|the|way|K-19|jettisoned|some|crucial|drama|.\nJust|about|the|surest|bet|for|an|all-around|good|time|at|the|movies|this|summer|.\nIt|would|be|disingenuous|to|call|Reno|a|great|film|,|but|you|can|say|that|about|most|of|the|flicks|moving|in|and|out|of|the|multiplex|.\nThis|is|a|movie|that|is|what|it|is|:|a|pleasant|distraction|,|a|Friday|night|diversion|,|an|excuse|to|eat|popcorn|.\nThere|is|a|certain|sense|of|experimentation|and|improvisation|to|this|film|that|may|not|always|work|,|but|it|is|nevertheless|compelling|.\nThe|Four|Feathers|has|rewards|,|from|the|exoticism|of|its|seas|of|sand|to|the|fierce|grandeur|of|its|sweeping|battle|scenes|.\nA|delicious|,|quirky|movie|with|a|terrific|screenplay|and|fanciful|direction|by|Michael|Gondry|.\nThis|story|still|seems|timely|and|important|.\nAnd|there|'s|an|element|of|heartbreak|to|watching|it|now|,|with|older|and|wiser|eyes|,|because|we|know|what|will|happen|after|Greene|'s|story|ends|.\nThe|bodily|function|jokes|are|about|what|you|'d|expect|,|but|there|are|rich|veins|of|funny|stuff|in|this|movie|.\nThe|performances|are|amiable|and|committed|,|and|the|comedy|more|often|than|not|hits|the|bullseye|.\nThis|time|,|the|hype|is|quieter|,|and|while|the|movie|is|slightly|less|successful|than|the|first|,|it|'s|still|a|rollicking|good|time|for|the|most|part|.\nThere|'s|plenty|to|enjoy|--|in|no|small|part|thanks|to|Lau|.\nWith|a|romantic|comedy|plotline|straight|from|the|ages|,|this|Cinderella|story|does|n't|have|a|single|surprise|up|its|sleeve|.\nBut|it|does|somehow|manage|to|get|you|under|its|spell|.\nThough|few|will|argue|that|it|ranks|with|the|best|of|Herzog|'s|works|,|Invincible|shows|he|'s|back|in|form|,|with|an|astoundingly|rich|film|.\n``|Catch|Me|''|feels|capable|of|charming|the|masses|with|star|power|,|a|pop-induced|score|and|sentimental|moments|that|have|become|a|Spielberg|trademark|.\nBy|no|means|a|great|movie|,|but|it|is|a|refreshingly|forthright|one|.\nThe|casting|of|Raymond|J.|Barry|as|the|`|assassin|'|greatly|enhances|the|quality|of|Neil|Burger|'s|impressive|fake|documentary|.\nDespite|Besson|'s|high-profile|name|being|Wasabi|'s|big|selling|point|,|there|is|no|doubt|that|Krawczyk|deserves|a|huge|amount|of|the|credit|for|the|film|'s|thoroughly|winning|tone|.\nThis|documentary|is|a|dazzling|,|remarkably|unpretentious|reminder|of|what|(|Evans|)|had|,|lost|,|and|got|back|.\nA|thoughtful|movie|,|a|movie|that|is|concerned|with|souls|and|risk|and|schemes|and|the|consequences|of|one|'s|actions|.\nAs|satisfyingly|odd|and|intriguing|a|tale|as|it|was|a|century|and|a|half|ago|...|has|a|delightfully|dour|,|deadpan|tone|and|stylistic|consistency|.\nMethodical|,|measured|,|and|gently|tedious|in|its|comedy|,|Secret|Ballot|is|a|purposefully|reductive|movie|--|which|may|be|why|it|'s|so|successful|at|lodging|itself|in|the|brain|.\nA|witty|,|trenchant|,|wildly|unsentimental|but|flawed|look|at|the|ins|and|outs|of|modern|moviemaking|.\nFor|most|of|the|distance|the|picture|provides|a|satisfyingly|unsettling|ride|into|the|dark|places|of|our|national|psyche|.\nBy|the|standards|of|knucklehead|swill|,|The|Hot|Chick|is|pretty|damned|funny|.\nOne|of|the|most|gloriously|unsubtle|and|adrenalized|extreme|shockers|since|The|Evil|Dead|.\n(|Reaches|)|wholly|believable|and|heart-wrenching|depths|of|despair|.\nAn|absorbing|and|unsettling|psychological|drama|.\nThis|movie|may|not|have|the|highest|production|values|you|'ve|ever|seen|,|but|it|'s|the|work|of|an|artist|,|one|whose|view|of|America|,|history|and|the|awkwardness|of|human|life|is|generous|and|deep|.\nThough|it|'s|not|very|well|shot|or|composed|or|edited|,|the|score|is|too|insistent|and|the|dialogue|is|frequently|overwrought|and|crudely|literal|,|the|film|shatters|you|in|waves|.\nThe|entire|cast|is|extraordinarily|good|.\nYakusho|,|as|always|,|is|wonderful|as|the|long-faced|sad|sack|...|and|his|chemistry|with|Shimizu|is|very|believable|.\nYoung|Hanks|and|Fisk|,|who|vaguely|resemble|their|celebrity|parents|,|bring|fresh|good|looks|and|an|ease|in|front|of|the|camera|to|the|work|.\nA|captivatingly|quirky|hybrid|of|character|portrait|,|romantic|comedy|and|beat-the-clock|thriller|.\nThe|film|sparkles|with|the|the|wisdom|and|humor|of|its|subjects|.\nIf|(|Jaglom|'s|)|latest|effort|is|not|the|director|at|his|most|sparkling|,|some|of|its|repartee|is|still|worth|hearing|.\nLike|The|English|Patient|and|The|Unbearable|Lightness|of|Being|,|The|Hours|is|one|of|those|reputedly|``|unfilmable|''|novels|that|has|bucked|the|odds|to|emerge|as|an|exquisite|motion|picture|in|its|own|right|.\nJust|about|the|best|straight-up|,|old-school|horror|film|of|the|last|15|years|.\nA|chilling|tale|of|one|of|the|great|crimes|of|20th|Century|France|:|the|murder|of|two|rich|women|by|their|servants|in|1933|.\nAn|oddity|,|to|be|sure|,|but|one|that|you|might|wind|up|remembering|with|a|degree|of|affection|rather|than|revulsion|.\nWhile|the|film|is|not|entirely|successful|,|it|still|manages|to|string|together|enough|charming|moments|to|work|.\nA|winning|piece|of|work|filled|with|love|for|the|movies|of|the|1960s|.\nE.T.|works|because|its|flabbergasting|principals|,|14-year-old|Robert|MacNaughton|,|6-year-old|Drew|Barrymore|and|10-year-old|Henry|Thomas|,|convince|us|of|the|existence|of|the|wise|,|wizened|visitor|from|a|faraway|planet|.\nHelps|to|remind|the|First|World|that|HIV\\/AIDS|is|far|from|being|yesterday|'s|news|.\nA|heartening|tale|of|small|victories|and|enduring|hope|.\nThe|vistas|are|sweeping|and|the|acting|is|far|from|painful|.\nJackson|and|co|have|brought|back|the|value|and|respect|for|the|term|epic|cinema|.\nIt|may|be|a|somewhat|backhanded|compliment|to|say|that|the|film|makes|the|viewer|feel|like|the|movie|'s|various|victimized|audience|members|after|a|while|,|but|it|also|happens|to|be|the|movie|'s|most|admirable|quality\nCharlotte|Sometimes|is|a|brilliant|movie|.\nIt|is|about|irrational|,|unexplainable|life|and|it|seems|so|real|because|it|does|not|attempt|to|filter|out|the|complexity|.\nA|delightful|stimulus|for|the|optic|nerves|,|so|much|that|it|'s|forgivable|that|the|plot|feels|like|every|other|tale|of|a|totalitarian|tomorrow|.\nDefies|logic|,|the|laws|of|physics|and|almost|anyone|'s|willingness|to|believe|in|it|.\nBut|darned|if|it|does|n't|also|keep|us|riveted|to|our|seats|.\nA|complex|psychological|drama|about|a|father|who|returns|to|his|son|'s|home|after|decades|away|.\nWriter|and|director|Otar|Iosseliani|'s|pleasant|tale|about|a|factory|worker|who|escapes|for|a|holiday|in|Venice|reveals|how|we|all|need|a|playful|respite|from|the|grind|to|refresh|our|souls|.\nThis|is|NOT|a|retread|of|``|Dead|Poets|'|Society|.|''\nSweet|and|memorable|film|.\nA|smart|,|arch|and|rather|cold-blooded|comedy|.\nKeenly|observed|and|refreshingly|natural|,|Swimming|gets|the|details|right|,|from|its|promenade|of|barely|clad|bodies|in|Myrtle|Beach|,|S.C.|,|to|the|adrenaline|jolt|of|a|sudden|lunch|rush|at|the|diner|.\n...|begins|on|a|high|note|and|sustains|it|beautifully|.\nDavis|...|gets|vivid|performances|from|her|cast|and|pulls|off|some|deft|Ally|McBeal-style|fantasy|sequences|.\n`|it|'s|better|to|go|in|knowing|full|well|what|'s|going|to|happen|,|but|willing|to|let|the|earnestness|of|its|execution|and|skill|of|its|cast|take|you|down|a|familiar|road|with|a|few|twists|.\nCynics|need|not|apply|.|'\nFunny|,|somber|,|absurd|,|and|,|finally|,|achingly|sad|,|Bartleby|is|a|fine|,|understated|piece|of|filmmaking|.\n``|Red|Dragon|''|is|entertaining|.\nAn|obvious|copy|of|one|of|the|best|films|ever|made|,|how|could|it|not|be|?\nBut|it|is|entertaining|on|an|inferior|level|.\nIt|is|a|popcorn|film|,|not|a|must-own|,|or|even|a|must-see|.\nSucceeds|only|because|Bullock|and|Grant|were|made|to|share|the|silver|screen|.\nBoth|flawed|and|delayed|,|Martin|Scorcese|'s|Gangs|of|New|York|still|emerges|as|his|most|vital|work|since|GoodFellas|.\nAs|any|creature-feature|fan|knows|,|when|you|cross|toxic|chemicals|with|a|bunch|of|exotic|creatures|,|you|get|a|lot|of|running|around|,|screaming|and|death|.\nOn|that|score|,|the|film|certainly|does|n't|disappoint|.\nAs|the|movie|traces|Mr.|Brown|'s|athletic|exploits|,|it|is|impossible|not|to|be|awed|by|the|power|and|grace|of|one|of|the|greatest|natural|sportsmen|of|modern|times|.\nA|moving|and|solidly|entertaining|comedy\\/drama|that|should|bolster|director|and|co-writer|Juan|José|Campanella|'s|reputation|in|the|United|States|.\nThanks|to|confident|filmmaking|and|a|pair|of|fascinating|performances|,|the|way|to|that|destination|is|a|really|special|walk|in|the|woods|.\nBeautifully|shot|,|delicately|scored|and|powered|by|a|set|of|heartfelt|performances|,|it|'s|a|lyrical|endeavour|.\nA|macabre|and|very|stylized|Swedish|fillm|about|a|modern|city|where|all|the|religious|and|civic|virtues|that|hold|society|in|place|are|in|tatters|.\nA|stylistic|romp|that|'s|always|fun|to|watch|.\nInformative|,|intriguing|,|observant|,|often|touching|...|gives|a|human|face|to|what|'s|often|discussed|in|purely|abstract|terms|.\n...|once|the|true|impact|of|the|day|unfolds|,|the|power|of|this|movie|is|undeniable|.\nAn|honest|,|sensitive|story|from|a|Vietnamese|point|of|view|.\nA|buoyant|romantic|comedy|about|friendship|,|love|,|and|the|truth|that|we|'re|all|in|this|together|.\nThe|film|'s|intimate|camera|work|and|searing|performances|pull|us|deep|into|the|girls|'|confusion|and|pain|as|they|struggle|tragically|to|comprehend|the|chasm|of|knowledge|that|'s|opened|between|them|.\nIt|'s|the|perfect|star|vehicle|for|Grant|,|allowing|him|to|finally|move|away|from|his|usual|bumbling|,|tongue-tied|screen|persona|.\nGaunt|,|silver-haired|and|leonine|,|(|Harris|)|brings|a|tragic|dimension|and|savage|full-bodied|wit|and|cunning|to|the|aging|Sandeman|.\nA|disturbing|examination|of|what|appears|to|be|the|definition|of|a|`|bad|'|police|shooting|.\nIt|'s|been|made|with|an|innocent|yet|fervid|conviction|that|our|Hollywood|has|all|but|lost|.\nNot|only|a|reminder|of|how|they|used|to|make|movies|,|but|also|how|they|sometimes|still|can|be|made|.\nA|three-hour|cinema|master|class|.\nEyre|is|on|his|way|to|becoming|the|American|Indian|Spike|Lee|.\nA|witty|,|whimsical|feature|debut|.\nWarm|in|its|loving|yet|unforgivingly|inconsistent|depiction|of|everyday|people|,|relaxed|in|its|perfect|quiet|pace|and|proud|in|its|message|.\nI|loved|this|film|.\nIt|provides|a|grim|,|upsetting|glimpse|at|the|lives|of|some|of|the|1.2|million|Palestinians|who|live|in|the|crowded|cities|and|refugee|camps|of|Gaza|.\nClint|Eastwood|'s|Blood|Work|is|a|lot|like|a|well-made|PB|&|J|sandwich|:|familiar|,|fairly|uneventful|and|boasting|no|real|surprises|--|but|still|quite|tasty|and|inviting|all|the|same|.\nA|movie|that|will|surely|be|profane|,|politically|charged|music|to|the|ears|of|Cho|'s|fans|.\nMuch|of|this|slick|and|sprightly|CGI|feature|is|sufficiently|funny|to|amuse|even|the|most|resolutely|unreligious|parents|who|escort|their|little|ones|to|megaplex|screenings|.\nRarely|,|a|movie|is|more|than|a|movie|.\nGo|.\nJacquot|'s|strategy|allows|his|cast|the|benefit|of|being|able|to|give|full|performances|...|while|demonstrating|vividly|that|the|beauty|and|power|of|the|opera|reside|primarily|in|the|music|itself|.\nQuitting|delivers|a|sucker-punch|,|and|its|impact|is|all|the|greater|beause|director|Zhang|'s|last|film|,|the|cuddly|Shower|,|was|a|non-threatening|multi-character|piece|centered|around|a|public|bath|house|.\nBy|not|averting|his|eyes|,|Solondz|forces|us|to|consider|the|unthinkable|,|the|unacceptable|,|the|unmentionable|.\nOne|Hour|Photo|may|seem|disappointing|in|its|generalities|,|but|it|'s|the|little|nuances|that|perhaps|had|to|escape|from|director|Mark|Romanek|'s|self-conscious|scrutiny|to|happen|,|that|finally|get|under|your|skin|.\nWhile|general|audiences|might|not|come|away|with|a|greater|knowledge|of|the|facts|of|Cuban|music|,|they|'ll|be|treated|to|an|impressive|and|highly|entertaining|celebration|of|its|sounds|.\nA|fascinating|documentary|that|provides|a|rounded|and|revealing|overview|of|this|ancient|holistic|healing|system\nBirthday|Girl|lucks|out|with|Chaplin|and|Kidman|,|who|are|capable|of|anteing|up|some|movie|star|charisma|when|they|need|it|to|sell|us|on|this|twisted|love|story|,|but|who|can|also|negotiate|the|movie|'s|darker|turns|.\nAn|interesting|look|behind|the|scenes|of|Chicago-based|rock|group|Wilco|...\nSharp|edges|and|a|deep|vein|of|sadness|run|through|its|otherwise|comic|narrative|.\nThere|'s|lots|of|cool|stuff|packed|into|ESPN|'s|Ultimate|X.\nRock|solid|family|fun|out|of|the|gates|,|extremely|imaginative|through|out|,|but|wanes|in|the|middle\nThe|Ya-Ya|'s|have|many|secrets|and|one|is|-|the|books|are|better|.\nTranslating|complex|characters|from|novels|to|the|big|screen|is|an|impossible|task|but|they|are|true|to|the|essence|of|what|it|is|to|be|Ya-Ya|.\nThe|touch|is|generally|light|enough|and|the|performances|,|for|the|most|part|,|credible|.\nI|liked|About|Schmidt|a|lot|,|but|I|have|a|feeling|that|I|would|have|liked|it|much|more|if|Harry|&|Tonto|never|existed|.\nSteers|has|an|unexpectedly|adamant|streak|of|warm-blooded|empathy|for|all|his|disparate|Manhattan|denizens|--|especially|the|a|\\*\\*|holes|.\nThat|Storytelling|has|value|can|not|be|denied|.\nNot|even|Solondz|'s|thirst|for|controversy|,|sketchy|characters|and|immature|provocations|can|fully|succeed|at|cheapening|it|.\nOnce|the|downward|spiral|comes|to|pass|,|Auto|Focus|bears|out|as|your|typical|junkie|opera|...\nA|knowing|sense|of|humor|and|a|lot|of|warmth|ignite|Son|of|the|Bride|.\nA|rich|tale|of|our|times|,|very|well|told|with|an|appropriate|minimum|of|means|.\nThe|characters|are|complex|and|quirky|,|but|entirely|believable|as|the|remarkable|ensemble|cast|brings|them|to|life|.\nIn|all|fairness|,|I|must|report|that|the|children|of|varying|ages|in|my|audience|never|coughed|,|fidgeted|or|romped|up|and|down|the|aisles|for|bathroom|breaks|.\nAs|gory|as|the|scenes|of|torture|and|self-mutilation|may|be|,|they|are|pitted|against|shimmering|cinematography|that|lends|the|setting|the|ethereal|beauty|of|an|Asian|landscape|painting|.\nEfficient|,|suitably|anonymous|chiller|.\nGorgeous|scenes|,|masterful|performances|,|but|the|sickly|sweet|gender|normative|narrative|left|an|acrid|test|in|this|gourmet|'s|mouth|.\nThe|hot|topics|of|the|plot|are|relegated|to|the|background|--|a|welcome|step|forward|from|the|Sally|Jesse|Raphael|atmosphere|of|films|like|Philadelphia|and|American|Beauty|.\nIt|'s|usually|a|bad|sign|when|directors|abandon|their|scripts|and|go|where|the|moment|takes|them|,|but|Olympia|,|Wash.|,|based|filmmakers|Anne|de|Marcken|and|Marilyn|Freeman|did|just|that|and|it|'s|what|makes|their|project|so|interesting|.\nA|memorable|experience|that|,|like|many|of|his|works|,|presents|weighty|issues|colorfully|wrapped|up|in|his|own|idiosyncratic|strain|of|kitschy|goodwill|.\nExecuted|with|such|gentle|but|insistent|sincerity|,|with|such|good|humor|and|appreciation|of|the|daily|grind|that|only|the|most|hardhearted|Scrooge|could|fail|to|respond|.\nThe|gentle|comic|treatment|of|adolescent|sturm|und|drang|should|please|fans|of|Chris|Fuhrman|'s|posthumously|published|cult|novel|.\nDirector|Claude|Chabrol|has|become|the|master|of|innuendo|.\nIt|is|not|what|you|see|,|it|is|what|you|think|you|see|.\nA|deftly|entertaining|film|,|smartly|played|and|smartly|directed|.\nA|documentary|to|make|the|stones|weep|--|as|shameful|as|it|is|scary|.\nI|hope|the|movie|is|widely|seen|and|debated|with|appropriate|ferocity|and|thoughtfulness|.\nA|thought-provoking|look|at|how|Western|foreign|policy|-|however|well|intentioned|-|can|wreak|havoc|in|other|cultures|.\nAsks|what|truth|can|be|discerned|from|non-firsthand|experience|,|and|specifically|questions|cinema|'s|capability|for|recording|truth|.\nThe|journey|to|the|secret|'s|eventual|discovery|is|a|separate|adventure|,|and|thrill|enough|.\nA|quiet|,|disquieting|triumph|.\nDarkly|funny|and|frequently|insightful|.\n...|the|tale|of|her|passionate|,|tumultuous|affair|with|Musset|unfolds|as|Sand|'s|masculine|persona|,|with|its|love|of|life|and|beauty|,|takes|form|.\nIf|you|want|to|see|a|train|wreck|that|you|ca|n't|look|away|from|,|then|look|no|further|,|because|here|it|is|.\nThere|'s|so|much|to|look|at|in|Metropolis|you|hate|to|tear|your|eyes|away|from|the|images|long|enough|to|read|the|subtitles|.\nThe|search|for|redemption|makes|for|a|touching|love|story|,|mainly|because|Blanchett|and|Ribisi|compellingly|tap|into|a|spiritual|aspect|of|their|characters|'|suffering|.\nA|film|of|ideas|and|wry|comic|mayhem|.\nAt|its|worst|the|screenplay|is|callow|,|but|at|its|best|it|is|a|young|artist|'s|thoughtful|consideration|of|fatherhood|.\nA|worthwhile|documentary|,|whether|you|'re|into|rap|or|not|,|even|if|it|may|still|leave|you|wanting|more|answers|as|the|credits|roll|.\nFessenden|'s|narrative|is|just|as|much|about|the|ownership|and|redefinition|of|myth|as|it|is|about|a|domestic|unit|finding|their|way|to|joy|.\nThat|the|film|opens|with|maggots|crawling|on|a|dead|dog|is|not|an|out|of|place|metaphor|.\nStanley|Kwan|has|directed|not|only|one|of|the|best|gay|love|stories|ever|made|,|but|one|of|the|best|love|stories|of|any|stripe|.\nThe|concert|footage|is|stirring|,|the|recording|sessions|are|intriguing|,|and|--|on|the|way|to|striking|a|blow|for|artistic|integrity|--|this|quality|band|may|pick|up|new|admirers|.\nNorton|holds|the|film|together|.\n(|There|'s|)|quite|a|bit|of|heart|,|as|you|would|expect|from|the|directors|of|The|Little|Mermaid|and|Aladdin|.\nYou|wo|n't|have|any|trouble|getting|kids|to|eat|up|these|Veggies|.\nA|creaky|staircase|gothic|.\nEnjoyably|dumb|,|sweet|,|and|intermittently|hilarious|--|if|you|'ve|a|taste|for|the|quirky|,|steal|a|glimpse|.\nA|movie|that|sends|you|out|of|the|theater|feeling|like|you|'ve|actually|spent|time|living|in|another|community|.\nLight-years|ahead|of|paint-by-number|American|blockbusters|like|Pearl|Harbor|,|at|least|artistically|.\nA|fascinating|documentary|about|the|long|and|eventful|spiritual|journey|of|the|guru|who|helped|launch|the|New|Age|.\nIsabelle|Huppert|excels|as|the|enigmatic|Mika|and|Anna|Mouglalis|is|a|stunning|new|young|talent|in|one|of|Chabrol|'s|most|intense|psychological|mysteries|.\nPerhaps|not|since|Nelson|Eddy|crooned|his|Indian|Love|Call|to|Jeanette|MacDonald|has|there|been|a|movie|so|unabashedly|Canadian|,|not|afraid|to|risk|American|scorn|or|disinterest|.\nWedding|feels|a|bit|anachronistic|.\nStill|,|not|every|low-budget|movie|must|be|quirky|or|bleak|,|and|a|happy|ending|is|no|cinematic|sin|.\nIt|'s|still|a|comic|book|,|but|Maguire|makes|it|a|comic|book|with|soul|.\nBrings|to|a|spectacular|completion|one|of|the|most|complex|,|generous|and|subversive|artworks|of|the|last|decade|.\nAn|amusing|and|unexpectedly|insightful|examination|of|sexual|jealousy|,|resentment|and|the|fine|line|between|passion|and|pretence|.\nA|fascinating|,|bombshell|documentary|that|should|shame|Americans|,|regardless|of|whether|or|not|ultimate|blame|finally|lies|with|Kissinger|.\nShould|be|required|viewing|for|civics|classes|and|would-be|public|servants|alike|.\nAdaptation|'s|success|in|engaging|the|audience|in|the|travails|of|creating|a|screenplay|is|extraordinary|.\nA|polished|and|vastly|entertaining|caper|film|that|puts|the|sting|back|into|the|con|.\nIt|'s|no|surprise|that|as|a|director|Washington|demands|and|receives|excellent|performances|,|from|himself|and|from|newcomer|Derek|Luke|.\n...|while|each|moment|of|this|broken|character|study|is|rich|in|emotional|texture|,|the|journey|does|n't|really|go|anywhere|.\nThe|film|gets|close|to|the|chimps|the|same|way|Goodall|did|,|with|a|serious|minded|patience|,|respect|and|affection|.\nIt|'s|an|often-cute|film|but|either|needs|more|substance|to|fill|the|time|or|some|judicious|editing|.\nThis|may|be|Burns|'s|strongest|film|since|The|Brothers|McMullen|.\nWhat|makes|this|film|special|is|Serry|'s|ability|to|take|what|is|essentially|a|contained|family|conflict|and|put|it|into|a|much|larger|historical|context|.\nIt|'s|Quaid|who|anchors|the|film|with|his|effortless|performance|and|that|trademark|grin|of|his|--|so|perfect|for|a|ballplayer|.\nIt|is|OK|for|a|movie|to|be|something|of|a|sitcom|apparatus|,|if|the|lines|work|,|the|humor|has|point|and|the|actors|are|humanly|engaged|.\nThough|not|for|everyone|,|The|Guys|is|a|somber|trip|worth|taking|.\nA|sly|female|empowerment|movie|,|although|not|in|a|way|anyone|would|expect|.\nYou|really|have|to|salute|writer-director|Haneke|(|he|adapted|Elfriede|Jelinek|'s|novel|)|for|making|a|film|that|is|n't|nearly|as|graphic|but|much|more|powerful|,|brutally|shocking|and|difficult|to|watch|.\nIt|'s|a|wonderful|,|sobering|,|heart-felt|drama|.\nRuns|on|the|pure|adrenalin|of|Pacino|'s|performance|.\nThe|Paradiso|'s|rusted-out|ruin|and|ultimate|collapse|during|the|film|'s|final|(|restored|)|third|...|emotionally|belittle|a|cinema|classic|.\nSometimes|shorter|is|better|.\nPhillip|Noyce|and|all|of|his|actors|--|as|well|as|his|cinematographer|,|Christopher|Doyle|--|understand|the|delicate|forcefulness|of|Greene|'s|prose|,|and|it|'s|there|on|the|screen|in|their|version|of|The|Quiet|American|.\nThe|film|just|might|turn|on|many|people|to|opera|,|in|general|,|an|art|form|at|once|visceral|and|spiritual|,|wonderfully|vulgar|and|sublimely|lofty|--|and|as|emotionally|grand|as|life|.\nAs|a|vehicle|to|savour|Binoche|'s|skill|,|the|film|is|well|worthwhile|.\nThe|huskies|are|beautiful|,|the|border|collie|is|funny|and|the|overall|feeling|is|genial|and|decent|.\nWhatever|complaints|I|might|have|,|I|'d|take|(|its|)|earnest|errors|and|hard-won|rewards|over|the|bombastic|self-glorification|of|other|feel-good|fiascos|like|Antwone|Fisher|or|The|Emperor|'s|Club|any|time|.\nMastering|its|formidable|arithmetic|of|cameras|and|souls|,|Group|articulates|a|flood|of|emotion|.\nA|pretty|decent|kid-pleasing|,|tolerable-to-adults|lark|of|a|movie|.\nEven|during|the|climactic|hourlong|cricket|match|,|boredom|never|takes|hold|.\nCombine|the|paranoid|claustrophobia|of|a|submarine|movie|with|the|unsettling|spookiness|of|the|supernatural|--|why|did|n't|Hollywood|think|of|this|sooner|?\nLike|Kubrick|,|Soderbergh|is|n't|afraid|to|try|any|genre|and|to|do|it|his|own|way|.\nNothing|can|detract|from|the|affection|of|that|moral|favorite|:|friends|will|be|friends|through|thick|and|thin|.\nIf|the|film|has|a|problem|,|its|shortness|disappoints|:|You|want|the|story|to|go|on|and|on|.\nUnlike|most|anime|,|whose|most|ardent|fans|outside|Japan|seem|to|be|introverted|young|men|with|fantasy|fetishes|,|Metropolis|never|seems|hopelessly|juvenile|.\nThe|plot|twists|give|I|Am|Trying|to|Break|Your|Heart|an|attraction|it|desperately|needed|.\nThe|most|brilliant|and|brutal|UK|crime|film|since|Jack|Carter|went|back|to|Newcastle|,|the|first|half|of|Gangster|No.|1|drips|with|style|and|,|at|times|,|blood|.\nLike|its|New|England|characters|,|most|of|whom|wander|about|in|thick|clouds|of|denial|,|the|movie|eventually|gets|around|to|its|real|emotional|business|,|striking|deep|chords|of|sadness|.\nThe|Bai|brothers|have|taken|an|small|slice|of|history|and|opened|it|up|for|all|of|us|to|understand|,|and|they|'ve|told|a|nice|little|story|in|the|process|.\nFlamboyant|in|some|movies|and|artfully|restrained|in|others|,|65-year-old|Jack|Nicholson|could|be|looking|at|his|12th|Oscar|nomination|by|proving|that|he|'s|now|,|more|than|ever|,|choosing|his|roles|with|the|precision|of|the|insurance|actuary|.\n...|is|there|a|deeper|,|more|direct|connection|between|these|women|,|one|that|spans|time|and|reveals|meaning|?\nYou|bet|there|is|and|it|'s|what|makes|this|rather|convoluted|journey|worth|taking|.\nThe|most|amazing|super-sized|dosage|of|goofball|stunts|any|``|Jackass|''|fan|could|want|.\nReal|Women|may|have|many|agendas|,|but|it|also|will|win|you|over|,|in|a|big|way|.\nYoung|Everlyn|Sampi|,|as|the|courageous|Molly|Craig|,|simply|radiates|star-power|potential|in|this|remarkable|and|memorable|film|.\nSurprisingly|powerful|and|universal|.\nApart|from|its|own|considerable|achievement|,|Metropolis|confirms|Tezuka|'s|status|as|both|the|primary|visual|influence|on|the|animé|tradition|and|its|defining|philosophical|conscience|.\nI|'ll|put|it|this|way|:|If|you|'re|in|the|mood|for|a|melodrama|narrated|by|talking|fish|,|this|is|the|movie|for|you|.\nMorvern|Callar|confirms|Lynne|Ramsay|as|an|important|,|original|talent|in|international|cinema|.\nWell-done|supernatural|thriller|with|keen|insights|into|parapsychological|phenomena|and|the|soulful|nuances|of|the|grieving|process|.\nA|plethora|of|engaging|diatribes|on|the|meaning|of|`|home|,|'|delivered|in|grand|passion|by|the|members|of|the|various|households|.\nIt|'s|technically|sumptuous|but|also|almost|wildly|alive|.\nThis|film|puts|Wang|at|the|forefront|of|China|'s|Sixth|Generation|of|film|makers|.\nit|'s|refreshing|to|see|a|movie|that|embraces|its|old-fashioned|themes|and|in|the|process|comes|out|looking|like|something|wholly|original|.\nWiseman|is|patient|and|uncompromising|,|letting|his|camera|observe|and|record|the|lives|of|women|torn|apart|by|a|legacy|of|abuse|.\nThere|'s|none|of|the|happily-ever|-|after|spangle|of|Monsoon|Wedding|in|Late|Marriage|--|and|that|'s|part|of|what|makes|Dover|Kosashvili|'s|outstanding|feature|debut|so|potent|.\nAn|ingenious|and|often|harrowing|look|at|damaged|people|and|how|families|can|offer|either|despair|or|consolation|.\nArguably|the|best|script|that|Besson|has|written|in|years|.\nIt|'s|no|lie|--|Big|Fat|Liar|is|a|real|charmer|.\nInvigorating|,|surreal|,|and|resonant|with|a|rainbow|of|emotion|.\nDirector|Alfonso|Cuaron|gets|vivid|,|convincing|performances|from|a|fine|cast|,|and|generally|keeps|things|going|at|a|rapid|pace|,|occasionally|using|an|omniscient|voice-over|narrator|in|the|manner|of|French|New|Wave|films|.\nPray|has|really|done|his|subject|justice|.\nAn|unexpectedly|sweet|story|of|sisterhood|.\nMaintains|your|sympathy|for|this|otherwise|challenging|soul|by|letting|you|share|her|one-room|world|for|a|while|.\nA|subtle|,|humorous|,|illuminating|study|of|politics|,|power|and|social|mobility|.\nEven|if|you|have|no|interest|in|the|gang-infested|,|East-vs|.\n-|West|Coast|rap|wars|,|this|modern|mob|music|drama|never|fails|to|fascinate|.\nNair|'s|attention|to|detail|creates|an|impeccable|sense|of|place|,|while|Thurman|and|Lewis|give|what|can|easily|be|considered|career-best|performances|.\nBerry|'s|saucy|,|full-bodied|performance|gives|this|aging|series|a|much|needed|kick|,|making|``|Die|Another|Day|''|one|of|the|most|entertaining|Bonds|in|years\nRed|Dragon|is|less|baroque|and|showy|than|Hannibal|,|and|less|emotionally|affecting|than|Silence|.\nBut|,|like|Silence|,|it|'s|a|movie|that|gets|under|your|skin|.\nCaviezel|embodies|the|transformation|of|his|character|completely|.\nA|creepy|,|intermittently|powerful|study|of|a|self-destructive|man|...|about|as|unsettling|to|watch|as|an|exploratory|medical|procedure|or|an|autopsy|.\nPacino|and|Williams|seem|to|keep|upping|the|ante|on|each|other|,|just|as|their|characters|do|in|the|film|.\nWhat|results|is|the|best|performance|from|either|in|years|.\nThe|cast|is|top-notch|and|I|predict|there|will|be|plenty|of|female|audience|members|drooling|over|Michael|Idemoto|as|Michael|.\nBéart|and|Berling|are|both|superb|,|while|Huppert|...|is|magnificent|.\nAll|the|actors|are|good|in|Pauline|&|Paulette|but|van|der|Groen|,|described|as|`|Belgium|'s|national|treasure|,|'|is|especially|terrific|as|Pauline|.\nMiyazaki|has|created|such|a|vibrant|,|colorful|world|,|it|'s|almost|impossible|not|to|be|swept|away|by|the|sheer|beauty|of|his|images|.\nMuccino|seems|to|be|exploring|the|idea|of|why|human|beings|long|for|what|they|do|n't|have|,|and|how|this|gets|us|in|trouble|.\nBut|even|while|his|characters|are|acting|horribly|,|he|is|always|sympathetic|.\nWhether|or|not|you|buy|Mr.|Broomfield|'s|findings|,|the|film|acquires|an|undeniable|entertainment|value|as|the|slight|,|pale|Mr.|Broomfield|continues|to|force|himself|on|people|and|into|situations|that|would|make|lesser|men|run|for|cover|.\nOzpetek|joins|the|ranks|of|those|gay|filmmakers|who|have|used|the|emigre|experience|to|explore|same-sex|culture|in|ways|that|elude|the|more|nationally|settled|.\n...|an|eerily|suspenseful|,|deeply|absorbing|piece|that|works|as|a|treatise|on|spirituality|as|well|as|a|solid|sci-fi|thriller|.\nI|'ve|never|seen|or|heard|anything|quite|like|this|film|,|and|I|recommend|it|for|its|originality|alone|.\nNicole|Kidman|makes|it|a|party|worth|attending|.\nThe|direction|has|a|fluid|,|no-nonsense|authority|,|and|the|performances|by|Harris|,|Phifer|and|Cam|`|ron|seal|the|deal|.\nThe|Komediant|is|a|tale|worth|catching|.\nThe|writing|is|clever|and|the|cast|is|appealing|.\nThe|simplicity|of|The|Way|Home|has|few|equals|this|side|of|Aesop\nLife|on|the|rez|is|no|picnic|:|this|picture|shows|you|why|.\nSpielberg|has|managed|to|marry|science|fiction|with|film|noir|and|action|flicks|with|philosophical|inquiry|.\nIt|'s|the|type|of|film|about|growing|up|that|we|do|n't|see|often|enough|these|days|:|realistic|,|urgent|,|and|not|sugarcoated|in|the|least|.\nA|taut|,|sobering|film|.\nExudes|the|fizz|of|a|Busby|Berkeley|musical|and|the|visceral|excitement|of|a|sports|extravaganza|.\nIt|'s|full|of|cheesy|dialogue|,|but|great|trashy|fun|that|finally|returns|De|Palma|to|his|pulpy|thrillers|of|the|early|'80s|.\nThe|results|,|if|not|memorable|,|are|at|least|interesting|.\nA|quietly|moving|look|back|at|what|it|was|to|be|Iranian-American|in|1979|.\nLike|a|veteran|head|cutter|,|Barbershop|is|tuned|in|to|its|community|.\nI|'m|sure|mainstream|audiences|will|be|baffled|,|but|,|for|those|with|at|least|a|minimal|appreciation|of|Woolf|and|Clarissa|Dalloway|,|The|Hours|represents|two|of|those|well|spent|.\nYou|live|the|mood|rather|than|savour|the|story|.\nAngela|Gheorghiu|as|famous|prima|donna|Floria|Tosca|,|Roberto|Alagna|as|her|lover|Mario|Cavaradossi|,|and|Ruggero|as|the|villainous|,|lecherous|police|chief|Scarpia|,|all|sing|beautifully|and|act|adequately|.\nWhile|there|are|times|when|the|film|'s|reach|exceeds|its|grasp|,|the|production|works|more|often|than|it|does|n't|.\nWhile|Scorsese|'s|bold|images|and|generally|smart|casting|ensure|that|``|Gangs|''|is|never|lethargic|,|the|movie|is|hindered|by|a|central|plot|that|'s|peppered|with|false|starts|and|populated|by|characters|who|are|nearly|impossible|to|care|about|.\nWatching|this|gentle|,|mesmerizing|portrait|of|a|man|coming|to|terms|with|time|,|you|barely|realize|your|mind|is|being|blown|.\nThe|beautifully|choreographed|kitchen|ballet|is|simple|but|absorbing|.\nThere|'s|...|an|underlying|Old|World|sexism|to|Monday|Morning|that|undercuts|its|charm|.\n``|The|best|Disney|movie|since|the|Lion|King|''\nTranscends|its|agenda|to|deliver|awe-inspiring|,|at|times|sublime|,|visuals|and|offer|a|fascinating|glimpse|into|the|subculture|of|extreme|athletes|whose|derring-do|puts|the|X|into|the|games|.\nThink|of|it|as|Gidget|,|only|with|muscles|and|a|lot|more|smarts|,|but|just|as|endearing|and|easy|to|watch|.\nThere|is|no|solace|here|,|no|entertainment|value|,|merely|a|fierce|lesson|in|where|filmmaking|can|take|us|.\nGiggling|at|the|absurdities|and|inconsistencies|is|part|of|the|fun|.\nBut|the|talented|cast|alone|will|keep|you|watching|,|as|will|the|fight|scenes|.\nArteta|paints|a|picture|of|lives|lived|in|a|state|of|quiet|desperation|.\nDrug|abuse|,|infidelity|and|death|are|n't|usually|comedy|fare|,|but|Turpin|'s|film|allows|us|to|chuckle|through|the|angst|.\nWhile|Insomnia|is|in|many|ways|a|conventional|,|even|predictable|remake|,|Nolan|'s|penetrating|undercurrent|of|cerebral|and|cinemantic|flair|lends|(|it|)|stimulating|depth|.\nEfteriades|gives|the|neighborhood|--|scenery|,|vibe|and|all|--|the|cinematic|equivalent|of|a|big|,|tender|hug|.\nThis|is|a|nicely|handled|affair|,|a|film|about|human|darkness|but|etched|with|a|light|(|yet|unsentimental|)|touch|.\nAmazing|!\nA|college|story|that|works|even|without|vulgarity|,|sex|scenes|,|and|cussing|!\nThe|amazing|film|work|is|so|convincing|that|by|movies|'|end|you|'ll|swear|you|are|wet|in|some|places|and|feel|sand|creeping|in|others|.\nA|raunchy|and|frequently|hilarious|follow-up|to|the|gifted|Korean|American|stand-up|'s|I|'m|the|One|That|I|Want|.\nIf|you|ever|wanted|to|be|an|astronaut|,|this|is|the|ultimate|movie|experience|-|it|'s|informative|and|breathtakingly|spectacular|.\nWhile|Parker|and|co-writer|Catherine|di|Napoli|are|faithful|to|Melville|'s|plotline|,|they|and|a|fully|engaged|supporting|cast|...|have|made|the|old|boy|'s|characters|more|quick-witted|than|any|English|Lit|major|would|have|thought|possible|.\nA|smart|,|sassy|and|exceptionally|charming|romantic|comedy|.\nThere|are|flaws|,|but|also|stretches|of|impact|and|moments|of|awe|;|we|'re|wrapped|up|in|the|characters|,|how|they|make|their|choices|,|and|why|.\nA|gift|to|anyone|who|loves|both|dance|and|cinema\nIt|seems|Grant|does|n't|need|the|floppy|hair|and|the|self-deprecating|stammers|after|all|.\nA|reminder|that|beyond|all|the|hype|and|recent|digital|glitz|,|Spielberg|knows|how|to|tell|us|about|people|.\nOne|of|the|finest|,|most|humane|and|important|Holocaust|movies|ever|made|.\nAn|engrossing|and|infectiously|enthusiastic|documentary|.\nA|beautiful|,|timeless|and|universal|tale|of|heated|passions|--|jealousy|,|betrayal|,|forgiveness|and|murder|.\nA|culture-clash|comedy|that|,|in|addition|to|being|very|funny|,|captures|some|of|the|discomfort|and|embarrassment|of|being|a|bumbling|American|in|Europe|.\nShattering|,|devastating|documentary|on|two|maladjusted|teens|in|a|downward|narcotized|spiral|.\nExtraordinary|debut|from|Josh|Koury|.\nThe|most|compelling|performance|of|the|year|adds|substantial|depth|to|this|shocking|testament|to|anti-Semitism|and|neo-fascism|.\nFor|those|who|are|intrigued|by|politics|of|the|'70s|,|the|film|is|every|bit|as|fascinating|as|it|is|flawed|.\nAll|right|,|so|it|'s|not|a|brilliant|piece|of|filmmaking|,|but|it|is|a|funny|(|sometimes|hilarious|)|comedy|with|a|deft|sense|of|humor|about|itself|,|a|playful|spirit|and|a|game|cast|.\nDouglas|McGrath|'s|Nicholas|Nickleby|does|Dickens|as|it|should|be|done|cinematically|.\nIt|'s|a|lovely|,|eerie|film|that|casts|an|odd|,|rapt|spell|.\nThe|quirky|and|recessive|charms|of|co-stars|Martin|Donovan|and|Mary-Louise|Parker|help|overcome|the|problematic|script|.\nIt|'s|good|to|see|Michael|Caine|whipping|out|the|dirty|words|and|punching|people|in|the|stomach|again|.\nYou|just|know|something|terrible|is|going|to|happen|.\nBut|when|it|does|,|you|'re|entirely|unprepared|.\nIt|'s|fun|,|wispy|,|wise|and|surprisingly|inoffensive|for|a|film|about|a|teen|in|love|with|his|stepmom|.\nAble|to|provide|insight|into|a|fascinating|part|of|theater|history|.\nAn|unflinching|,|complex|portrait|of|a|modern|Israel|that|is|rarely|seen|on-screen|.\nA|Jewish|WW|II|doc|that|is|n't|trying|simply|to|out-shock|,|out-outrage|or|out-depress|its|potential|audience|!\nWho|knew|...\nIt|'s|a|familiar|story|,|but|one|that|is|presented|with|great|sympathy|and|intelligence|.\nGently|humorous|and|touching|.\nIt|wo|n't|hold|up|over|the|long|haul|,|but|in|the|moment|,|Finch|'s|tale|provides|the|forgettable|pleasures|of|a|Saturday|matinee|.\nKinnear|'s|performance|is|a|career-defining|revelation|.\nThe|film|is|predictable|in|the|reassuring|manner|of|a|beautifully|sung|holiday|carol|.\n...|hits|every|cliche|we|'ve|come|to|expect|,|including|the|assumption|that|``|crazy|''|people|are|innocent|,|childlike|and|inherently|funny|.\nThe|strong|subject|matter|continues|to|shock|throughout|the|film|.\nNot|everyone|will|play|the|dark|,|challenging|tune|taught|by|The|Piano|Teacher|.\nA|certain|sexiness|underlines|even|the|dullest|tangents|.\nYou|may|be|captivated|,|as|I|was|,|by|its|moods|,|and|by|its|subtly|transformed|star|,|and|still|wonder|why|Paul|Thomas|Anderson|ever|had|the|inclination|to|make|the|most|sincere|and|artful|movie|in|which|Adam|Sandler|will|probably|ever|appear|.\nThere|is|no|substitute|for|on-screen|chemistry|,|and|when|Friel|pulls|the|strings|that|make|Williams|sink|into|melancholia|,|the|reaction|in|Williams|is|as|visceral|as|a|gut|punch|.\nThat|old|adage|about|women|being|unknowable|gets|an|exhilarating|new|interpretation|in|Morvern|Callar|.\nA|mix|of|gritty|realism|,|crisp|storytelling|and|radiant|compassion|that|effortlessly|draws|you|in|.\nAfter|watching|it|,|you|can|only|love|the|players|it|brings|to|the|fore|for|the|gifted|but|no-nonsense|human|beings|they|are|and|for|the|still-inestimable|contribution|they|have|made|to|our|shared|history|.\nIn|his|U.S.|debut|,|Mr.|Schnitzler|proves|himself|a|deft|pace|master|and|stylist|.\nUltimate|X|is|a|ride|,|basically|the|kind|of|greatest-hits|reel|that|might|come|with|a|subscription|to|ESPN|the|Magazine|.\nRich|in|shadowy|metaphor|and|as|sharp|as|a|samurai|sword|,|Jiang|Wen|'s|Devils|on|the|Doorstep|is|a|wartime|farce|in|the|alternately|comic|and|gut-wrenching|style|of|Joseph|Heller|or|Kurt|Vonnegut|.\nOffers|a|clear-eyed|chronicle|of|a|female|friendship|that|is|more|complex|and|honest|than|anything|represented|in|a|Hollywood|film|.\nA|winning|comedy|with|its|wry|observations|about|long-lived|friendships|and|the|ways|in|which|we|all|lose|track|of|ourselves|by|trying|to|please|others|.\nIts|cast|full|of|caffeinated|comedy|performances|more|than|make|up|for|its|logical|loopholes|,|which|fly|by|so|fast|there|'s|no|time|to|think|about|them|anyway|.\nLohman|adapts|to|the|changes|required|of|her|,|but|the|actress|and|director|Peter|Kosminsky|never|get|the|audience|to|break|through|the|wall|her|character|erects\nAlthough|it|includes|a|fair|share|of|dumb|drug|jokes|and|predictable|slapstick|,|``|Orange|County|''|is|far|funnier|than|it|would|seem|to|have|any|right|to|be|.\nFor|a|movie|audience|,|The|Hours|does|n't|connect|in|a|neat|way|,|but|introduces|characters|who|illuminate|mysteries|of|sex|,|duty|and|love|.\nA|bright|,|inventive|,|thoroughly|winning|flight|of|revisionist|fancy|.\nOzpetek|'s|effort|has|the|scope|and|shape|of|an|especially|well-executed|television|movie|.\nAffirms|the|gifts|of|all|involved|,|starting|with|Spielberg|and|going|right|through|the|ranks|of|the|players|--|on-camera|and|off|--|that|he|brings|together|.\nA|delightful|little|film|that|revels|in|its|own|simplicity|,|Mostly|Martha|will|leave|you|with|a|smile|on|your|face|and|a|grumble|in|your|stomach|.\nMakes|one|thing|abundantly|clear|.\nAmerican|musical|comedy|as|we|know|it|would|n't|exist|without|the|precedent|of|Yiddish|theater|,|whose|jolly|,|fun-for-fun|'s|-|sake|communal|spirit|goes|to|the|essence|of|Broadway|.\nDeepa|Mehta|provides|an|accessible|introduction|as|well|as|some|intelligent|observations|on|the|success|of|Bollywood|in|the|Western|world|.\nIf|anything|,|the|film|is|doing|something|of|a|public|service|--|shedding|light|on|a|group|of|extremely|talented|musicians|who|might|otherwise|go|unnoticed|and|underappreciated|by|music|fans|.\nIn|addition|to|gluing|you|to|the|edge|of|your|seat|,|Changing|Lanes|is|also|a|film|of|freshness|,|imagination|and|insight|.\nPan|Nalin|'s|exposition|is|beautiful|and|mysterious|,|and|the|interviews|that|follow|,|with|the|practitioners|of|this|ancient|Indian|practice|,|are|as|subtle|and|as|enigmatic|.\nThe|mood|,|look|and|tone|of|the|film|fit|the|incredible|storyline|to|a|T.\nIt|'s|crafty|,|energetic|and|smart|--|the|kid|is|sort|of|like|a|fourteen-year|old|Ferris|Bueller|.\nA|work|of|extraordinary|journalism|,|but|it|is|also|a|work|of|deft|and|subtle|poetry|.\nIt|'s|funny|and|human|and|really|pretty|damned|wonderful|,|all|at|once|.\nAt|78|minutes|it|just|zings|along|with|vibrance|and|warmth|.\nA|strangely|stirring|experience|that|finds|warmth|in|the|coldest|environment|and|makes|each|crumb|of|emotional|comfort|feel|like|a|10-course|banquet|.\nSometimes|this|`|Blood|'|seems|as|tired|as|its|protagonist|...|Still|,|the|pulse|never|disappears|entirely|,|and|the|picture|crosses|the|finish|line|winded|but|still|game|.\nThe|stripped-down|dramatic|constructs|,|austere|imagery|and|abstract|characters|are|equal|parts|poetry|and|politics|,|obvious|at|times|but|evocative|and|heartfelt|.\nDogtown|and|Z-Boys|more|than|exposes|the|roots|of|the|skateboarding|boom|that|would|become|``|the|punk|kids|'|revolution|.|''\n...|plenty|of|warmth|to|go|around|,|with|music|and|laughter|and|the|love|of|family|.\nIt|'ll|keep|you|wide|awake|and|...|very|tense|.\nCould|use|a|little|more|humanity|,|but|it|never|lacks|in|eye-popping|visuals|.\n(|Danny|Huston|gives|)|an|astounding|performance|that|deftly|,|gradually|reveals|a|real|human|soul|buried|beneath|a|spellbinding|serpent|'s|smirk|.\nThese|three|films|form|a|remarkably|cohesive|whole|,|both|visually|and|thematically|,|through|their|consistently|sensitive|and|often|exciting|treatment|of|an|ignored|people|.\nA|funny|and|well-contructed|black|comedy|where|the|old|adage|``|be|careful|what|you|wish|for|''|is|given|a|full|workout|.\nIt|reaffirms|life|as|it|looks|in|the|face|of|death|.\nThe|film|is|reasonably|entertaining|,|though|it|begins|to|drag|two-thirds|through|,|when|the|melodramatic|aspects|start|to|overtake|the|comedy|.\nThis|is|more|fascinating|--|being|real|--|than|anything|seen|on|Jerry|Springer|.\nA|different|movie|--|sometimes|tedious|--|by|a|director|many|viewers|would|like|to|skip|but|film|buffs|should|get|to|know|.\nWilliams|plays|Sy|,|another|of|his|open-faced|,|smiling|madmen|,|like|the|killer|in|Insomnia|.\nHe|does|this|so|well|you|do|n't|have|the|slightest|difficulty|accepting|him|in|the|role|.\nTwist|open|the|Ouzo|!\nIt|'s|time|to|let|your|hair|down|--|Greek|style|.\nA|vibrant|whirlwind|of|love|,|family|and|all|that|goes|with|it|,|My|Big|Fat|Greek|Wedding|is|a|non-stop|funny|feast|of|warmth|,|colour|and|cringe|.\nThought-provoking|and|stylish|,|if|also|somewhat|hermetic|.\nBroomfield|is|energized|by|Volletta|Wallace|'s|maternal|fury|,|her|fearlessness|,|and|because|of|that|,|his|film|crackles|.\nWhile|it|has|definite|weaknesses|--|like|a|rather|unbelievable|love|interest|and|a|meandering|ending|--|this|'60s|caper|film|is|a|riveting|,|brisk|delight|.\nFunny|in|a|sick|,|twisted|sort|of|way|.\nIf|cinema|had|been|around|to|capture|the|chaos|of|France|in|the|1790|'s|,|one|imagines|the|result|would|look|like|something|like|this|.\nIt|'s|a|talking|head|documentary|,|but|a|great|one|.\nThe|Fast|Runner|'|transports|the|viewer|into|an|unusual|space\nUltimately|engages|less|for|its|story|of|actorly|existential|despair|than|for|its|boundary-hopping|formal|innovations|and|glimpse|into|another|kind|of|Chinese|`|cultural|revolution|.|'\n...|a|solid|,|well-formed|satire|.\nAs|part|of|Mr.|Dong|'s|continuing|exploration|of|homosexuality|in|America|,|Family|Fundamentals|is|an|earnest|study|in|despair|.\nMost|consumers|of|lo|mein|and|General|Tso|'s|chicken|barely|give|a|thought|to|the|folks|who|prepare|and|deliver|it|,|so|,|hopefully|,|this|film|will|attach|a|human|face|to|all|those|little|steaming|cartons|.\nHatosy|...|portrays|young|Brendan|with|his|usual|intelligence|and|subtlety|,|not|to|mention|a|convincing|brogue|.\nThe|filmmakers|'|eye|for|detail|and|the|high|standards|of|performance|convey|a|strong|sense|of|the|girls|'|environment|.\nUneven|,|self-conscious|but|often|hilarious|spoof|.\nEven|bigger|and|more|ambitious|than|the|first|installment|,|Spy|Kids|2|looks|as|if|it|were|made|by|a|highly|gifted|12-year-old|instead|of|a|grown|man|.\nThanks|to|The|Château|'s|balance|of|whimsicality|,|narrative|discipline|and|serious|improvisation|,|almost|every|relationship|and|personality|in|the|film|yields|surprises|.\nAlan|and|his|fellow|survivors|are|idiosyncratic|enough|to|lift|the|movie|above|its|playwriting|101|premise|.\nFresh|and|raw|like|a|blown-out|vein|,|Narc|takes|a|walking-dead|,|cop-flick|subgenre|and|beats|new|life|into|it|.\nThe|premise|of|Jason|X|is|silly|but|strangely|believable|.\nIt|'s|a|wise|and|powerful|tale|of|race|and|culture|forcefully|told|,|with|superb|performances|throughout|.\nAn|awfully|good|,|achingly|human|picture|.\nThe|cast|comes|through|even|when|the|movie|does|n't|.\nYou|'ll|laugh|at|either|the|obviousness|of|it|all|or|its|stupidity|or|maybe|even|its|inventiveness|,|but|the|point|is|,|you|'ll|laugh|.\nDefinitely|worth|95|minutes|of|your|time|.\nThe|film|jolts|the|laughs|from|the|audience|--|as|if|by|cattle|prod|.\nA|sexy|,|surprising|romance|...|Idemoto|and|Kim|make|a|gorgeous|pair|...|their|scenes|brim|with|sexual|possibility|and|emotional|danger|.\nToes|the|fine|line|between|cheese|and|earnestness|remarkably|well|;|everything|is|delivered|with|such|conviction|that|it|'s|hard|not|to|be|carried|away|.\nWhereas|Oliver|Stone|'s|conspiracy|thriller|JFK|was|long|,|intricate|,|star-studded|and|visually|flashy|,|Interview|with|the|Assassin|draws|its|considerable|power|from|simplicity|.\nFunny|,|sexy|,|devastating|and|incurably|romantic|.\nTriple|X|is|a|double|agent|,|and|he|'s|one|bad|dude|.\nWhen|you|'ve|got|the|wildly|popular|Vin|Diesel|in|the|equation|,|it|adds|up|to|big|box|office|bucks|all|but|guaranteed|.\nVery|well-written|and|very|well-acted|.\nA|powerful|and|telling|story|that|examines|forbidden|love|,|racial|tension|,|and|other|issues|that|are|as|valid|today|as|they|were|in|the|1950s|.\nYou|emerge|dazed|,|confused|as|to|whether|you|'ve|seen|pornography|or|documentary|.\nIt|ai|n't|art|,|by|a|long|shot|,|but|unlike|last|year|'s|lame|Musketeer|,|this|Dumas|adaptation|entertains|.\nlikeable|thanks|to|its|cast|,|its|cuisine|and|its|quirky|tunes|.\nChilling|in|its|objective|portrait|of|dreary|,|lost|twenty-first|century|America|.\nHighly|recommended|as|an|engrossing|story|about|a|horrifying|historical|event|and|the|elements|which|contributed|to|it|.\n...|there|'s|enough|cool|fun|here|to|warm|the|hearts|of|animation|enthusiasts|of|all|ages|.\nIt|manages|to|squeeze|by|on|Angelina|Jolie|'s|surprising|flair|for|self-deprecating|comedy|.\nSecretary|manages|a|neat|trick|,|bundling|the|flowers|of|perversity|,|comedy|and|romance|into|a|strangely|tempting|bouquet|of|a|movie|.\nJudith|and|Zaza|'s|extended|bedroom|sequence|...|is|so|intimate|and|sensual|and|funny|and|psychologically|self-revealing|that|it|makes|most|of|what|passes|for|sex|in|the|movies|look|like|cheap|hysterics|.\nPhotographed|with|melancholy|richness|and|eloquently|performed|yet|also|decidedly|uncinematic|.\nA|knowing|look|at|female|friendship|,|spiked|with|raw|urban|humor|.\nAs|I|settled|into|my|World|War|II|memories|,|I|found|myself|strangely|moved|by|even|the|corniest|and|most|hackneyed|contrivances|.\nThe|overall|effect|is|awe|and|affection|--|and|a|strange|urge|to|get|on|a|board|and|,|uh|,|shred|,|dude|.\nIt|'s|that|rare|family|movie|--|genuine|and|sweet|without|relying|on|animation|or|dumb|humor|.\nThe|Trinity|Assembly|approaches|the|endeavor|with|a|shocking|lack|of|irony|,|and|George|Ratliff|'s|documentary|,|Hell|House|,|reflects|their|earnestness|--|which|makes|for|a|terrifying|film|.\nConfessions|may|not|be|a|straightforward|bio|,|nor|does|it|offer|much|in|the|way|of|Barris|'|motivations|,|but|the|film|is|an|oddly|fascinating|depiction|of|an|architect|of|pop|culture|.\nA|special|kind|of|movie|,|this|melancholic|film|noir|reminded|me|a|lot|of|Memento|...\nSimple|,|poignant|and|leavened|with|humor|,|it|'s|a|film|that|affirms|the|nourishing|aspects|of|love|and|companionship|.\nTogether|,|Miller|,|Kuras|and|the|actresses|make|Personal|Velocity|into|an|intricate|,|intimate|and|intelligent|journey|.\nThe|wonder|of|Mostly|Martha|is|the|performance|of|Gedeck|,|who|makes|Martha|enormously|endearing|.\nWith|Notorious|C.H.O.|Cho|proves|she|has|the|stuff|to|stand|tall|with|Pryor|,|Carlin|and|Murphy|.\nLess|front-loaded|and|more|shapely|than|the|two-hour|version|released|here|in|1990|.\nWatching|War|Photographer|,|you|come|to|believe|that|Nachtwey|hates|the|wars|he|shows|and|empathizes|with|the|victims|he|reveals|.\n(|A|)|real|pleasure|in|its|laid-back|way|.\nSome|may|choose|to|interpret|the|film|'s|end|as|hopeful|or|optimistic|but|I|think|Payne|is|after|something|darker|.\nThough|it|runs|163|minutes|,|Safe|Conduct|is|anything|but|languorous|.\nIt|'s|packed|to|bursting|with|incident|,|and|with|scores|of|characters|,|some|fictional|,|some|from|history|.\nA|much|better|documentary|--|more|revealing|,|more|emotional|and|more|surprising|--|than|its|pedestrian|English|title|would|have|you|believe|.\nNotwithstanding|my|problem|with|the|movie|'s|final|half|hour|,|I|'m|going|to|recommend|SECRETARY|,|based|on|the|wonderful|acting|clinic|put|on|by|Spader|and|Gyllenhaal|,|and|also|the|unique|way|Shainberg|goes|about|telling|what|at|heart|is|a|sweet|little|girl|-\nA|well-crafted|film|that|is|all|the|more|remarkable|because|it|achieves|its|emotional|power|and|moments|of|revelation|with|restraint|and|a|delicate|ambiguity|.\nThe|film|has|the|uncanny|ability|to|right|itself|precisely|when|you|think|it|'s|in|danger|of|going|wrong|.\nMy|Big|Fat|Greek|Wedding|is|that|rare|animal|known|as|'|a|perfect|family|film|,|'|because|it|'s|about|family|.\nwould|make|an|excellent|companion|piece|to|the|similarly|themed|`|The|French|Lieutenant|'s|Woman|.|'\n...|with|the|gifted|Pearce|on|hand|to|keep|things|on|semi-stable|ground|dramatically|,|this|retooled|Machine|is|ultimately|effective|enough|at|achieving|the|modest|,|crowd-pleasing|goals|it|sets|for|itself|.\nA|movie|that|'s|just|plain|awful|but|still|manages|to|entertain|on|a|guilty-pleasure|,|so-bad-it|'s|-|funny|level|.\nA|disoriented|but|occasionally|disarming|saga|packed|with|moments|out|of|an|Alice|in|Wonderland|adventure|,|a|stalker|thriller|,|and|a|condensed|season|of|TV|'s|Big|Brother|.\nFunctions|as|both|a|revealing|look|at|the|collaborative|process|and|a|timely|,|tongue-in-cheek|profile|of|the|corporate|circus|that|is|the|recording|industry|in|the|current|climate|of|mergers|and|downsizing|.\nWith|a|confrontational|stance|,|Todd|Solondz|takes|aim|on|political|correctness|and|suburban|families|.\nA|mess|,|but|it|'s|a|sincere|mess|.\nThis|odd|,|distant|Portuguese|import|more|or|less|borrows|from|Bad|Lieutenant|and|Les|Vampires|,|and|comes|up|with|a|kind|of|art-house|gay|porn|film|.\nFor|a|debut|film|,|Skin|of|Man|,|Heart|of|Beast|feels|unusually|assured|.\nA|photographic|marvel|of|sorts|,|and|it|'s|certainly|an|invaluable|record|of|that|special|fishy|community|.\nIt|'s|soulful|and|unslick|,|and|that|'s|apparently|just|what|(|Aniston|)|has|always|needed|to|grow|into|a|movie|career|.\nAlthough|Olivier|Assayas|'|elegantly|appointed|period|drama|seems|,|at|times|,|padded|with|incident|in|the|way|of|a|too-conscientious|adaptation|...|its|three-hour|running|time|plays|closer|to|two|.\nA|jaw-droppingly|beautiful|work|that|upends|nearly|every|cliché|of|Japanese|animation|while|delivering|a|more|than|satisfactory|amount|of|carnage|.\nTerry|is|a|sort|of|geriatric|Dirty|Harry|,|which|will|please|Eastwood|'s|loyal|fans|--|and|suits|the|story|,|wherein|our|hero|must|ride|roughshod|over|incompetent|cops|to|get|his|man|.\nParts|seem|like|they|were|lifted|from|Terry|Gilliam|'s|subconscious|,|pressed|through|Kafka|'s|meat|grinder|and|into|Buñuel|'s|casings\n`|Like|a|child|with|an|important|message|to|tell|...|(|Skins|'|)|faults|are|easy|to|forgive|because|the|intentions|are|lofty|.|'\nA|delightful|entree|in|the|tradition|of|food|movies|.\nAn|escapist|confection|that|'s|pure|entertainment|.\nThe|Ring|is|worth|a|look|,|if|you|do|n't|demand|much|more|than|a|few|cheap|thrills|from|your|Halloween|entertainment|.\nThe|movie|ultimately|relies|a|bit|too|heavily|on|grandstanding|,|emotional|,|Rocky-like|moments|...|but|it|'s|such|a|warm|and|charming|package|that|you|'ll|feel|too|happy|to|argue|much|.\nThrowing|it|all|away|for|the|fleeting|joys|of|love|'s|brief|moment|.\nArmed|with|a|game|supporting|cast|,|from|the|pitch-perfect|Forster|to|the|always|hilarious|Meara|and|Levy|,|Like|Mike|shoots|and|scores|,|doing|its|namesake|proud|.\nA|decent-enough|nail-biter|that|stands|a|good|chance|of|being|the|big|hit|Franklin|needs|to|stay|afloat|in|Hollywood|.\nBegins|like|a|docu-drama|but|builds|its|multi-character|story|with|a|flourish|.\nOne|of|the|most|genuinely|sweet|films|to|come|along|in|quite|some|time|.\nAfter|an|uncertain|start|,|Murder|hits|and|generally|sustains|a|higher|plateau|with|Bullock|'s|memorable|first|interrogation|of|Gosling|.\nThe|story|ultimately|takes|hold|and|grips|hard|.\nA|bit|of|a|downer|and|a|little|over-dramatic|at|times|,|but|this|is|a|beautiful|film|for|people|who|like|their|romances|to|have|that|French|realism|.\nAn|emotionally|strong|and|politically|potent|piece|of|cinema|.\nEnticing|and|often|funny|documentary|.\nGoing|to|this|movie|is|a|little|like|chewing|whale|blubber|-|it|'s|an|acquired|taste|that|takes|time|to|enjoy|,|but|it|'s|worth|it|,|even|if|it|does|take|3|hours|to|get|through|.\nA|portrait|of|hell|so|shattering|it|'s|impossible|to|shake|.\nAlmodovar|is|an|imaginative|teacher|of|emotional|intelligence|in|this|engaging|film|about|two|men|who|discover|what|William|James|once|called|`|the|gift|of|tears|.|'\nBetter|than|the|tepid|Star|Trek|:|Insurrection|;|falls|short|of|First|Contact|because|the|villain|could|n't|pick|the|lint|off|Borg|Queen|Alice|Krige|'s|cape|;|and|finishes|half|a|parsec|(|a|nose|)|ahead|of|Generations|.\nAt|times|a|bit|melodramatic|and|even|a|little|dated|(|depending|upon|where|you|live|)|,|Ignorant|Fairies|is|still|quite|good-natured|and|not|a|bad|way|to|spend|an|hour|or|two|.\nTense|,|terrific|,|sweaty-palmed|fun|.\nMajidi|'s|direction|has|never|been|smoother|or|more|confident|.\nWhat|a|bewilderingly|brilliant|and|entertaining|movie|this|is|.\nHard|,|endearing|,|caring|,|warm|.\nBring|tissues|.\nA|thriller|with|an|edge|--|which|is|to|say|that|it|does|n't|follow|the|stale|,|standard|,|connect-the-dots|storyline|which|has|become|commonplace|in|movies|that|explore|the|seamy|underbelly|of|the|criminal|world|.\n``|Me|Without|You|''|is|a|probing|examination|of|a|female|friendship|set|against|a|few|dynamic|decades|.\nInherently|caustic|and|oddly|whimsical|,|the|film|chimes|in|on|the|grieving|process|and|strangely|draws|the|audience|into|the|unexplainable|pain|and|eccentricities|that|are|attached|to|the|concept|of|loss|.\nThough|Frodo|'s|quest|remains|unfulfilled|,|a|hardy|group|of|determined|New|Zealanders|has|proved|its|creative|mettle|.\nIt|'s|a|square|,|sentimental|drama|that|satisfies|,|as|comfort|food|often|can|.\nPure|cinematic|intoxication|,|a|wildly|inventive|mixture|of|comedy|and|melodrama|,|tastelessness|and|swooning|elegance|.\nRamsay|is|clearly|extraordinarily|talented|,|and|based|on|three|short|films|and|two|features|,|here|'s|betting|her|third|feature|will|be|something|to|behold|.\nI|was|impressed|by|how|many|tit-for-tat|retaliatory|responses|the|filmmakers|allow|before|pulling|the|plug|on|the|conspirators|and|averting|an|American-Russian|Armageddon|.\nA|classy|,|sprightly|spin|on|film|.\nfast|,|frantic|and|fun|,|but|also|soon|forgotten\nA|spiffy|animated|feature|about|an|unruly|adolescent|boy|who|is|yearning|for|adventure|and|a|chance|to|prove|his|worth|.\nDevos|and|Cassel|have|tremendous|chemistry|--|their|sexual|and|romantic|tension|,|while|never|really|vocalized|,|is|palpable|.\nFulfills|the|minimum|requirement|of|Disney|animation|.\nA|moving|,|if|uneven|,|success|.\nWith|one|exception|,|every|blighter|in|this|particular|South|London|housing|project|digs|into|dysfunction|like|it|'s|a|big|,|comforting|jar|of|Marmite|,|to|be|slathered|on|crackers|and|served|as|a|feast|of|bleakness|.\nWickedly|funny|,|visually|engrossing|,|never|boring|,|this|movie|challenges|us|to|think|about|the|ways|we|consume|pop|culture|.\nThere|'s|plenty|to|impress|about|E.T.\nA|chronicle|not|only|of|one|man|'s|quest|to|be|president|,|but|of|how|that|man|single-handedly|turned|a|plane|full|of|hard-bitten|,|cynical|journalists|into|what|was|essentially|,|by|campaign|'s|end|,|an|extended|publicity|department|.\nUntil|it|goes|off|the|rails|in|its|final|10|or|15|minutes|,|Wendigo|,|Larry|Fessenden|'s|spooky|new|thriller|,|is|a|refreshingly|smart|and|newfangled|variation|on|several|themes|derived|from|far|less|sophisticated|and|knowing|horror|films|.\n(|Woo|'s|)|most|resonant|film|since|The|Killer|.\nCollateral|Damage|is|trash|,|but|it|earns|extra|points|by|acting|as|if|it|were|n't|.\nA|whole|lot|of|fun|and|funny|in|the|middle|,|though|somewhat|less|hard-hitting|at|the|start|and|finish|.\nMaybe|it|is|formula|filmmaking|,|but|there|'s|nothing|wrong|with|that|if|the|film|is|well-crafted|and|this|one|is|.\n(|Fincher|'s|)|camera|sense|and|assured|pacing|make|it|an|above-average|thriller|.\nThe|film|is|insightful|about|Kissinger|'s|background|and|history|.\nAn|engrossing|portrait|of|a|man|whose|engaging|manner|and|flamboyant|style|made|him|a|truly|larger-than-life|character|.\nA|lot|of|the|credit|for|the|film|'s|winning|tone|must|go|to|Grant|,|who|has|n't|lost|a|bit|of|the|dry|humor|that|first|made|audiences|on|both|sides|of|the|Atlantic|love|him|.\nExploits|(|headbanger|)|stereotypes|in|good|fun|,|while|adding|a|bit|of|heart|and|unsettling|subject|matter|.\nA|journey|that|is|as|difficult|for|the|audience|to|take|as|it|is|for|the|protagonist|--|yet|it|'s|potentially|just|as|rewarding|.\nRatliff|'s|two|previous|titles|,|Plutonium|Circus|and|Purgatory|County|show|his|penchant|for|wry|,|contentious|configurations|,|and|this|film|is|part|of|that|delicate|canon|.\nFrom|its|invitingly|upbeat|overture|to|its|pathos-filled|but|ultimately|life-affirming|finale|,|Martin|is|a|masterfully|conducted|work|.\nPassions|,|obsessions|,|and|loneliest|dark|spots|are|pushed|to|their|most|virtuous|limits|,|lending|the|narrative|an|unusually|surreal|tone|.\nA|comedy|that|swings|and|jostles|to|the|rhythms|of|life|.\nAt|times|Auto|Focus|feels|so|distant|you|might|as|well|be|watching|it|through|a|telescope|.\nYet|in|its|own|aloof|,|unreachable|way|it|'s|so|fascinating|you|wo|n't|be|able|to|look|away|for|a|second|.\nIf|you|'re|part|of|her|targeted|audience|,|you|'ll|cheer|.\nOtherwise|,|maybe|.\nAs|animation|increasingly|emphasizes|the|computer|and|the|cool|,|this|is|a|film|that|takes|a|stand|in|favor|of|tradition|and|warmth|.\nBlade|II|merges|bits|and|pieces|from|fighting|games|,|wire|fu|,|horror|movies|,|mystery|,|James|Bond|,|wrestling|,|sci-fi|and|anime|into|one|big|bloody|stew|.\nInstead|of|hitting|the|audience|over|the|head|with|a|moral|,|Schrader|relies|on|subtle|ironies|and|visual|devices|to|convey|point|of|view|.\nK-19|will|not|go|down|in|the|annals|of|cinema|as|one|of|the|great|submarine|stories|,|but|it|is|an|engaging|and|exciting|narrative|of|Man|confronting|the|Demons|of|his|own|fear|and|paranoia|.\nContrived|as|this|may|sound|,|Mr.|Rose|'s|updating|works|surprisingly|well|.\nA|glib|but|bouncy|bit|of|sixties-style|slickness|in|which|the|hero|might|wind|up|caught|but|the|audience|gets|pure|escapism|.\nYou|do|n't|need|to|be|a|hip-hop|fan|to|appreciate|Scratch|,|and|that|'s|the|mark|of|a|documentary|that|works|.\nBetween|bursts|of|automatic|gunfire|,|the|story|offers|a|trenchant|critique|of|capitalism|.\nCombines|improbable|melodrama|(|gored|bullfighters|,|comatose|ballerinas|)|with|subtly|kinky|bedside|vigils|and|sensational|denouements|,|and|yet|at|the|end|,|we|are|undeniably|touched|.\nWhile|the|story|'s|undeniably|hard|to|follow|,|Iwai|'s|gorgeous|visuals|seduce|.\nIf|you|can|get|past|the|taboo|subject|matter|,|it|will|be|well|worth|your|time|.\nA|lovely|film|...|elegant|,|witty|and|beneath|a|prim|exterior|unabashedly|romantic|...|hugely|enjoyable|in|its|own|right|though|not|really|faithful|to|its|source|'s|complexity|.\nScooby|Doo|is|surely|everything|its|fans|are|hoping|it|will|be|,|and|in|that|sense|is|a|movie|that|deserves|recommendation|.\n(|A|)|devastatingly|powerful|and|astonishingly|vivid|Holocaust|drama|.\nA|solid|cast|,|assured|direction|and|complete|lack|of|modern|day|irony|.\nThese|characters|are|so|well|established|that|the|gang|feels|comfortable|with|taking|insane|liberties|and|doing|the|goofiest|stuff|out|of|left|field|,|and|I|'m|all|for|that|.\nA|sun-drenched|masterpiece|,|part|parlor|game|,|part|psychological|case|study|,|part|droll|social|satire|.\nWorth|a|look|as|a|curiosity|.\nYou|watch|for|that|sense|of|openness|,|the|little|surprises|.\nDirector|Peter|Kosminsky|gives|these|women|a|forum|to|demonstrate|their|acting|`|chops|'|and|they|take|full|advantage|.\nAuto|Focus|is|not|your|standard|Hollywood|bio-pic|.\nSchrader|aims|to|present|an|unflinching|look|at|one|man|'s|downfall|,|brought|about|by|his|lack|of|self-awareness|.\nThe|Bourne|Identity|should|n't|be|half|as|entertaining|as|it|is|,|but|director|Doug|Liman|and|his|colleagues|have|managed|to|pack|it|with|enough|action|to|satisfy|the|boom-bam|crowd|without|a|huge|sacrifice|of|character|and|mood|.\nFor|VeggieTales|fans|,|this|is|more|appetizing|than|a|side|dish|of|asparagus|.\nIf|you|'re|not|a|fan|,|it|might|be|like|trying|to|eat|Brussels|sprouts|.\nRemove|Spider-Man|the|movie|from|its|red|herring|surroundings|and|it|'s|apparent|that|this|is|one|summer|film|that|satisfies|.\nThe|whole|mildly|pleasant|outing|--|the|R|rating|is|for|brief|nudity|and|a|grisly|corpse|--|remains|aloft|not|on|its|own|self-referential|hot|air|,|but|on|the|inspired|performance|of|Tim|Allen|.\nA|gorgeously|strange|movie|,|Heaven|is|deeply|concerned|with|morality|,|but|it|refuses|to|spell|things|out|for|viewers|.\nThe|Emperor|'s|Club|,|ruthless|in|its|own|placid|way|,|finds|one|of|our|most|conservative|and|hidebound|movie-making|traditions|and|gives|it|new|texture|,|new|relevance|,|new|reality|.\nIt|'s|truly|awful|and|heartbreaking|subject|matter|,|but|one|whose|lessons|are|well|worth|revisiting|as|many|times|as|possible|.\nThough|intrepid|in|exploring|an|attraction|that|crosses|sexual|identity|,|Ozpetek|falls|short|in|showing|us|Antonia|'s|true|emotions|...|But|at|the|very|least|,|His|Secret|Life|will|leave|you|thinking|.\nThere|is|little|question|that|this|is|a|serious|work|by|an|important|director|who|has|something|new|to|say|about|how|,|in|the|flip-flop|of|courtship|,|we|often|reel|in|when|we|should|be|playing|out|.\nThe|message|of|such|reflections|--|intentional|or|not|--|is|that|while|no|art|grows|from|a|vacuum|,|many|artists|exist|in|one|.\nGooding|is|the|energetic|frontman|,|and|it|'s|hard|to|resist|his|enthusiasm|,|even|if|the|filmmakers|come|up|with|nothing|original|in|the|way|of|slapstick|sequences|.\nThe|otherwise|good-naturedness|of|Mr.|Deeds|,|with|its|embrace|of|sheer|goofiness|and|cameos|of|less|-|than-likely|New|York|celebrities|...|certainly|raises|the|film|above|anything|Sandler|'s|been|attached|to|before|.\nThe|movie|is|brilliant|,|really|.\nIt|is|philosophy|,|illustrated|through|everyday|events|.\nIt|'s|stylishly|directed|with|verve|...\nGives|an|intriguing|twist|to|the|French|coming-of-age|genre|.\nOffers|an|interesting|look|at|the|rapidly|changing|face|of|Beijing|.\nA|solid|,|psychological|action|film|from|Hong|Kong|.\nSee|it|now|,|before|the|inevitable|Hollywood|remake|flattens|out|all|its|odd|,|intriguing|wrinkles|.\nHolm|does|his|sly|,|intricate|magic|,|and|Iben|Hjelje|is|entirely|appealing|as|Pumpkin|.\nAn|enjoyable|feel-good|family|comedy|regardless|of|race|.\nFeatures|what|is|surely|the|funniest|and|most|accurate|depiction|of|writer|'s|block|ever|.\nIt|would|take|a|complete|moron|to|foul|up|a|screen|adaptation|of|Oscar|Wilde|'s|classic|satire|.\nIt|'s|bright|,|pristine|style|and|bold|colors|make|it|as|much|fun|as|reading|an|oversized|picture|book|before|bedtime|.\nIn|the|long|,|dishonorable|history|of|quickie|teen-pop|exploitation|,|Like|Mike|stands|out|for|its|only|partly|synthetic|decency|.\nBravo|for|history|rewritten|,|and|for|the|uncompromising|knowledge|that|the|highest|power|of|all|is|the|power|of|love|.\nLead|actress|Gaï|,|she|of|the|impossibly|long|limbs|and|sweetly|conspiratorial|smile|,|is|a|towering|siren|.\nEven|if|you|'ve|seen|``|Stomp|''|(|the|stage|show|)|,|you|still|have|to|see|this|!\n...|a|light|,|yet|engrossing|piece|.\nLux|,|now|in|her|eighties|,|does|a|great|combination|act|as|narrator|,|Jewish|grandmother|and|subject|--|taking|us|through|a|film|that|is|part|biography|,|part|entertainment|and|part|history|.\nIt|'s|a|setup|so|easy|it|borders|on|facile|,|but|keeping|the|film|from|cheap-shot|mediocrity|is|its|crack|cast|.\nRife|with|the|rueful|,|wry|humor|springing|out|of|Yiddish|culture|and|language|.\nA|time|machine|,|a|journey|back|to|your|childhood|,|when|cares|melted|away|in|the|dark|theater|,|and|films|had|the|ability|to|mesmerize|,|astonish|and|entertain|.\nRubbo|'s|humorously|tendentious|intervention|into|the|who-wrote-Shakespeare|controversy|.\nCantet|beautifully|illuminates|what|it|means|sometimes|to|be|inside|looking|out|,|and|at|other|times|outside|looking|in|.\nK-19|:|The|Widowmaker|is|a|great|yarn|.\nIt|'s|as|raw|and|action-packed|an|experience|as|a|ringside|seat|at|a|tough-man|contest|.\nEvokes|the|frustration|,|the|awkwardness|and|the|euphoria|of|growing|up|,|without|relying|on|the|usual|tropes|.\nA|brilliant|gag|at|the|expense|of|those|who|paid|for|it|and|those|who|pay|to|see|it|.\nVisually|striking|and|viscerally|repellent|.\nOvercomes|its|visual|hideousness|with|a|sharp|script|and|strong|performances|.\nAstonishingly|skillful|and|moving|...|it|could|become|a|historically|significant|work|as|well|as|a|masterfully|made|one|.\nBeautifully|crafted|and|cooly|unsettling|...|recreates|the|atmosphere|of|the|crime|expertly|.\nThe|year|2002|has|conjured|up|more|coming-of-age|stories|than|seem|possible|,|but|Take|Care|of|My|Cat|emerges|as|the|very|best|of|them|.\nAlthough|it|does|n't|always|hang|together|--|violence|and|whimsy|do|n't|combine|easily|--|``|Cherish|''|certainly|is|n't|dull|.\nThe|sight|of|the|spaceship|on|the|launching|pad|is|duly|impressive|in|IMAX|dimensions|,|as|are|shots|of|the|astronauts|floating|in|their|cabins|.\nTime|is|a|beautiful|film|to|watch|,|an|interesting|and|at|times|captivating|take|on|loss|and|loneliness|.\nAn|intriguing|look|at|the|French|film|industry|during|the|German|occupation|;|its|most|delightful|moments|come|when|various|characters|express|their|quirky|inner|selves|.\nA|fine|documentary|can|be|distinguished|from|a|mediocre|one|by|the|better|film|'s|ability|to|make|its|subject|interesting|to|those|who|are|n't|part|of|its|supposed|target|audience|.\nJudging|by|those|standards|,|`|Scratch|'|is|a|pretty|decent|little|documentary|.\nFubar|is|very|funny|,|but|not|always|in|a|laugh-out-loud|way|.\nA|diverse|and|astonishingly|articulate|cast|of|Palestinian|and|Israeli|children|.\nSlight|but|enjoyable|documentary|.\n`|The|film|is|stark|,|straightforward|and|deadly|...|an|unnatural|calm|that|'s|occasionally|shaken|by|...|blasts|of|rage|,|and|later|,|violent|jealousy|.|'\nCall|this|The|Full|Monty|on|ice|,|the|underdog|sports|team|formula|redux|.\nUnfolds|in|a|low-key|,|organic|way|that|encourages|you|to|accept|it|as|life|and|go|with|its|flow|.\nA|beguiling|evocation|of|the|quality|that|keeps|Dickens|evergreen|:|the|exuberant|openness|with|which|he|expresses|our|most|basic|emotions|.\nThe|heat|of|the|moment|prevails|.\nIt|cooks|Conduct|in|a|low|,|smoky|and|inviting|sizzle|.\nA|riveting|story|well|told|.\nDenis|forges|out|of|the|theories|of|class|-|based|rage|and|sisterly|obsession|a|razor-sided|tuning|fork|that|rings|with|cultural|,|sexual|and|social|discord|.\nA|compelling|pre-WWII|drama|with|vivid|characters|and|a|warm|,|moving|message|.\nThe|stars|may|be|college|kids|,|but|the|subject|matter|is|as|adult|as|you|can|get|:|the|temptations|of|the|flesh|are|unleashed|by|a|slightly|crazed|,|overtly|determined|young|woman|and|a|one-night|swim|turns|into|an|ocean|of|trouble|.\nPretty|good|little|movie|.\nBy|turns|touching|,|raucously|amusing|,|uncomfortable|,|and|,|yes|,|even|sexy|,|Never|Again|is|a|welcome|and|heartwarming|addition|to|the|romantic|comedy|genre|.\nIf|you|have|n't|seen|the|film|lately|,|you|may|be|surprised|at|the|variety|of|tones|in|Spielberg|'s|work|.\nMuch|of|it|is|funny|,|but|there|are|also|some|startling|,|surrealistic|moments|...\n(|The|digital|effects|)|reminded|me|of|Terry|Gilliam|'s|rudimentary|old|Monty|Python|cartoons|,|in|which|he|would|cut|out|figures|from|drawings|and|photographs|and|paste|them|together|.\nAn|entertaining|mix|of|period|drama|and|flat-out|farce|that|should|please|history|fans|.\nCanada|'s|arctic|light|shines|bright|on|this|frozen|tundra|soap|opera|that|breathes|extraordinary|life|into|the|private|existence|of|the|Inuit|people|.\nThe|fluid|motion|is|astounding|on|any|number|of|levels|--|including|the|physical|demands|made|on|Büttner|--|and|it|implies|in|its|wake|the|intractable|,|irreversible|flow|of|history|.\nAlternately|hilarious|and|sad|,|aggravating|and|soulful|,|scathing|and|joyous|.\nIt|'s|a|masterpeice|.\nThe|film|'s|messages|of|tolerance|and|diversity|are|n't|particularly|original|,|but|one|ca|n't|help|but|be|drawn|in|by|the|sympathetic|characters|.\nThough|it|lacks|the|utter|authority|of|a|genre|gem|,|there|'s|a|certain|robustness|to|this|engaging|mix|of|love|and|bloodletting|.\nA|conventional|,|but|well-crafted|film|about|a|historic|legal|battle|in|Ireland|over|a|man|'s|right|to|raise|his|own|children|.\nYes|,|it|'s|as|good|as|you|remember|.\nIn|fact|,|even|better|.\nHartley|adds|enough|quirky|and|satirical|touches|in|the|screenplay|to|keep|the|film|entertaining|.\nAn|uncomfortable|movie|,|suffocating|and|sometimes|almost|senseless|,|The|Grey|Zone|does|have|a|center|,|though|a|morbid|one|.\nThis|is|a|harrowing|movie|about|how|parents|know|where|all|the|buttons|are|,|and|how|to|push|them|.\nA|stirring|road|movie|.\nOne|of|the|best|films|I|have|ever|seen|,|constantly|pulling|the|rug|from|underneath|us|,|seeing|things|from|new|sides|,|plunging|deeper|,|getting|more|intense|.\nInsanely|hilarious|!\nI|have|n't|laughed|that|hard|in|years|!\nAnyone|who|'s|ever|suffered|under|a|martinet|music|instructor|has|no|doubt|fantasized|about|what|an|unhappy|,|repressed|and|twisted|personal|life|their|tormentor|deserved|.\nThese|people|are|really|going|to|love|The|Piano|Teacher|.\nIt|'s|a|tour|de|force|,|written|and|directed|so|quietly|that|it|'s|implosion|rather|than|explosion|you|fear|.\nIt|may|not|be|history|--|but|then|again|,|what|if|it|is|?\n--|but|it|makes|for|one|of|the|most|purely|enjoyable|and|satisfying|evenings|at|the|movies|I|'ve|had|in|a|while|.\nIf|``|Lilo|&|Stitch|''|is|n't|the|most|edgy|piece|of|Disney|animation|to|hit|the|silver|screen|,|then|this|first|film|to|use|a|watercolor|background|since|``|Dumbo|''|certainly|ranks|as|the|most|original|in|years|.\nThis|may|be|Dover|Kosashvili|'s|feature|directing|debut|,|but|it|looks|an|awful|lot|like|life|--|gritty|,|awkward|and|ironic|.\nThis|ready-made|midnight|movie|probably|wo|n't|stand|the|cold|light|of|day|,|but|under|the|right|conditions|,|it|'s|goofy|(|if|not|entirely|wholesome|)|fun|.\nSee|Scratch|for|the|history|,|see|Scratch|for|the|music|,|see|Scratch|for|a|lesson|in|scratching|,|but|,|most|of|all|,|see|it|for|the|passion|.\n...|``|Bowling|for|Columbine|''|remains|a|disquieting|and|thought-provoking|film|...\nEven|though|it|is|infused|with|the|sensibility|of|a|video|director|,|it|does|n't|make|for|completely|empty|entertainment\nBut|even|with|the|two-wrongs-make-a-right|chemistry|between|Jolie|and|Burns|...|this|otherwise|appealing|picture|loses|its|soul|to|Screenwriting|For|Dummies|conformity|.\nTalk|to|Her|is|so|darned|assured|,|we|have|absolutely|no|idea|who|the|main|characters|are|until|the|film|is|well|under|way|--|and|yet|it|'s|hard|to|stop|watching|.\nStar\\/producer|Salma|Hayek|and|director|Julie|Taymor|have|infused|Frida|with|a|visual|style|unique|and|inherent|to|the|titular|character|'s|paintings|and|in|the|process|created|a|masterful|work|of|art|of|their|own|.\nA|truly|wonderful|tale|combined|with|stunning|animation|.\nA|low-key|labor|of|love|that|strikes|a|very|resonant|chord|.\nAn|average|kid-empowerment|fantasy|with|slightly|above-average|brains|.\nConfessions|is|n't|always|coherent|,|but|it|'s|sharply|comic|and|surprisingly|touching|,|so|hold|the|gong|.\nWhile|Guzmán|frustratingly|refuses|to|give|Pinochet|'s|crimes|a|political|context|,|his|distance|from|the|material|is|mostly|admirable|.\n...|a|story|,|an|old|and|scary|one|,|about|the|monsters|we|make|,|and|the|vengeance|they|take|.\nA|sentimental|but|entirely|irresistible|portrait|of|three|aging|sisters|.\nWhite|Oleander|may|leave|you|rolling|your|eyes|in|the|dark|,|but|that|does|n't|mean|you|wo|n't|like|looking|at|it|.\nIn|painting|an|unabashedly|romantic|picture|of|a|nation|whose|songs|spring|directly|from|the|lives|of|the|people|,|the|movie|exalts|the|Marxian|dream|of|honest|working|folk|,|with|little|to|show|for|their|labor|,|living|harmoniously|,|joined|in|song|.\nThe|most|brilliant|work|in|this|genre|since|the|1984|uncut|version|of|Sergio|Leone|'s|flawed|but|staggering|Once|Upon|a|Time|in|America|.\nIt|looks|closely|,|insightfully|at|fragile|,|complex|relationships|.\nNot|a|bad|choice|here|,|assuming|that|...|the|air-conditioning|in|the|theater|is|working|properly|.\nA|fine|effort|,|an|interesting|topic|,|some|intriguing|characters|and|a|sad|ending|.\nCertainly|the|big|finish|was|n't|something|Galinsky|and|Hawley|could|have|planned|for|...|but|part|of|being|a|good|documentarian|is|being|there|when|the|rope|snaps|.\nIt|must|be|the|end|of|the|world|:|the|best|film|so|far|this|year|is|a|franchise|sequel|starring|Wesley|Snipes|.\nThere|are|moments|of|hilarity|to|be|had|.\nA|hypnotic|portrait|of|this|sad|,|compulsive|life|.\n(|While|The|Last|Metro|)|was|more|melodramatic|,|confined|to|a|single|theater|company|and|its|strategies|and|deceptions|,|while|Tavernier|is|more|concerned|with|the|entire|period|of|history|.\nOne|of|the|best|films|of|the|year|with|its|exquisite|acting|,|inventive|screenplay|,|mesmerizing|music|,|and|many|inimitable|scenes|of|tenderness|,|loss|,|discontent|,|and|yearning|.\nReturn|to|Never|Land|is|reliable|,|standard|Disney|animated|fare|,|with|enough|creative|energy|and|wit|to|entertain|all|ages|.\nMichael|Moore|'s|latest|documentary|about|America|'s|thirst|for|violence|is|his|best|film|yet|...\nSuffice|to|say|that|after|seeing|this|movie|in|IMAX|form|,|you|'ll|be|more|acquainted|with|the|tiniest|details|of|Tom|Hanks|'|face|than|his|wife|is|.\nLike|a|Tarantino|movie|with|heart|,|Alias|Betty|is|richly|detailed|,|deftly|executed|and|utterly|absorbing|.\nMarvelously|entertaining|and|deliriously|joyous|documentary|.\nA|brisk|,|reverent|,|and|subtly|different|sequel|.\nA|movie|I|loved|on|first|sight|and|,|even|more|important|,|love|in|remembrance|.\nDeserves|a|place|of|honor|next|to|Nanook|as|a|landmark|in|film|history|.\nMurderous|Maids|pulls|no|punches|in|its|depiction|of|the|lives|of|the|Papin|sister|and|the|events|that|led|to|their|notorious|rise|to|infamy|...\nThis|is|an|undeniably|intriguing|film|from|an|adventurous|young|talent|who|finds|his|inspiration|on|the|fringes|of|the|American|underground|.\nThe|Sweetest|Thing|,|a|romantic|comedy|with|outrageous|tendencies|,|may|be|a|mess|in|a|lot|of|ways|.\nBut|it|does|have|one|saving|grace|.\nA|lot|of|its|gags|and|observations|reflect|a|woman|'s|point-of-view|.\nThis|is|lightweight|filmmaking|,|to|be|sure|,|but|it|'s|pleasant|enough|--|and|oozing|with|attractive|men|.\nAt|its|most|basic|,|this|cartoon|adventure|is|that|wind-in-the-hair|exhilarating|.\nFans|of|critics|'|darling|band|Wilco|will|marvel|at|the|sometimes|murky|,|always|brooding|look|of|I|Am|Trying|to|Break|Your|Heart|.\nThe|film|presents|visceral|and|dangerously|honest|revelations|about|the|men|and|machines|behind|the|curtains|of|our|planet|.\n(|Gosling|'s|)|combination|of|explosive|physical|energy|and|convincing|intelligence|helps|create|a|complex|,|unpredictable|character|.\nConfounding|because|it|solemnly|advances|a|daringly|preposterous|thesis|.\nActing|can|not|be|acted|.\nFulford-Wierzbicki|...|deftly|captures|the|wise-beyond-her-years|teen|.\nA|wild|ride|juiced|with|enough|energy|and|excitement|for|at|least|three|films|.\nIt|'s|a|cool|event|for|the|whole|family|.\nMaybe|not|a|classic|,|but|a|movie|the|kids|will|want|to|see|over|and|over|again|.\nThe|movie|is|not|as|terrible|as|the|synergistic|impulse|that|created|it|.\nA|typically|observant|,|carefully|nuanced|and|intimate|French|coming-of-age|film|that|is|an|encouraging|debut|feature|but|has|a|needlessly|downbeat|ending|that|is|too|heavy|for|all|that|has|preceded|it|.\nLess|an|examination|of|neo-Nazism|than|a|probe|into|the|nature|of|faith|itself|.\nA|moving|and|weighty|depiction|of|one|family|'s|attempts|to|heal|after|the|death|of|a|child|.\nI|do|n't|think|most|of|the|people|who|loved|the|1989|Paradiso|will|prefer|this|new|version|.\nBut|I|do|.\nA|zinger-filled|crowd-pleaser|that|open-minded|Elvis|fans|(|but|by|no|means|all|)|will|have|fun|with|.\nDiggs|and|Lathan|are|among|the|chief|reasons|Brown|Sugar|is|such|a|sweet|and|sexy|film|.\nEntirely|suspenseful|,|extremely|well-paced|and|ultimately|...|dare|I|say|,|entertaining|!\nThe|riveting|performances|by|the|incredibly|flexible|cast|make|Love|a|joy|to|behold|.\nTerrific|as|Nadia|,|a|Russian|mail-order|bride|who|comes|to|America|speaking|not|a|word|of|English|,|it|'s|Kidman|who|holds|the|film|together|with|a|supremely|kittenish|performance|that|gradually|accumulates|more|layers|.\nWith|an|unflappable|air|of|decadent|urbanity|,|Everett|remains|a|perfect|Wildean|actor|,|and|a|relaxed|Firth|displays|impeccable|comic|skill|.\nThe|re-release|of|Ron|Howard|'s|Apollo|13|in|the|IMAX|format|proves|absolutely|that|really|,|really|,|really|good|things|can|come|in|enormous|packages|.\nVery|well|written|and|directed|with|brutal|honesty|and|respect|for|its|audience|.\nWonderful|fencing|scenes|and|an|exciting|plot|make|this|an|eminently|engrossing|film|.\nIt|'s|pretty|linear|and|only|makeup-deep|,|but|Bogdanovich|ties|it|together|with|efficiency|and|an|affection|for|the|period|.\nA|surprisingly|charming|and|even|witty|match|for|the|best|of|Hollywood|'s|comic-book|adaptations|.\nThis|is|a|superior|horror|flick|.\nAdaptation|is|simply|brilliant|.\nSmart|and|alert|,|Thirteen|Conversations|About|One|Thing|is|a|small|gem|.\nThe|pleasure|of|Read|My|Lips|is|like|seeing|a|series|of|perfect|black|pearls|clicking|together|to|form|a|string|.\nWe|'re|drawn|in|by|the|dark|luster|.\nA|haunting|tale|of|murder|and|mayhem|.\nI|love|the|opening|scenes|of|a|wintry|New|York|City|in|1899|.\nCinematic|poetry|showcases|the|city|'s|old-world|charm|before|machines|change|nearly|everything|.\nIt|'s|hard|to|imagine|anyone|managing|to|steal|a|movie|not|only|from|charismatic|rising|star|Jake|Gyllenhaal|but|also|from|accomplished|Oscar|winners|Susan|Sarandon|,|Dustin|Hoffman|and|Holly|Hunter|,|yet|newcomer|Ellen|Pompeo|pulls|off|the|feat|with|aplomb|.\nOne|of|the|best|rock|documentaries|ever|.\nWilco|is|a|phenomenal|band|with|such|an|engrossing|story|that|will|capture|the|minds|and|hearts|of|many|.\nIan|Holm|conquers|France|as|an|earthy|Napoleon\nOffers|big|,|fat|,|dumb|laughs|that|may|make|you|hate|yourself|for|giving|in|.\nAh|,|what|the|hell|.\n(|Sports|)|admirable|energy|,|full-bodied|characterizations|and|narrative|urgency|.\nA|portrait|of|an|artist|.\nDirectors|Brett|Morgen|and|Nanette|Burstein|have|put|together|a|bold|biographical|fantasia|.\nThe|subtitled|costume|drama|is|set|in|a|remote|African|empire|before|cell|phones|,|guns|,|and|the|internal|combustion|engine|,|but|the|politics|that|thump|through|it|are|as|timely|as|tomorrow|.\nA|tremendous|piece|of|work|.\nA|delightful|,|if|minor|,|pastry|of|a|movie|.\nWhile|obviously|aimed|at|kids|,|The|Country|Bears|...|should|keep|parents|amused|with|its|low|groan-to-guffaw|ratio|.\nLaBute|masterfully|balances|both|Traditional|or|Modern|stories|together|in|a|manner|that|one|never|overwhelms|the|other|.\nSomething|for|everyone|.\nIrwin|is|so|earnest|that|it|'s|hard|to|resist|his|pleas|to|spare|wildlife|and|respect|their|environs|.\nThere|are|far|worse|messages|to|teach|a|young|audience|,|which|will|probably|be|perfectly|happy|with|the|sloppy|slapstick|comedy|.\nLeigh|succeeds|in|delivering|a|dramatic|slap|in|the|face|that|'s|simultaneously|painful|and|refreshing|.\nNot|about|scares|but|a|mood|in|which|an|ominous|,|pervasive|,|and|unknown|threat|lurks|just|below|the|proceedings|and|adds|an|almost|constant|mindset|of|suspense|.\n`|Film|aficionados|can|not|help|but|love|Cinema|Paradiso|,|whether|the|original|version|or|new|Director|'s|Cut|.|'\nA|fascinating|glimpse|into|an|insular|world|that|gives|the|lie|to|many|clichés|and|showcases|a|group|of|dedicated|artists|.\nIt|'s|one|thing|to|read|about|or|rail|against|the|ongoing|-|and|unprecedented|-|construction|project|going|on|over|our|heads|.\nIt|'s|quite|another|to|feel|physically|caught|up|in|the|process|.\nContradicts|everything|we|'ve|come|to|expect|from|movies|nowadays|.\nInstead|of|simply|handling|conventional|material|in|a|conventional|way|,|Secretary|takes|the|most|unexpected|material|and|handles|it|in|the|most|unexpected|way|.\nCould|I|have|been|more|geeked|when|I|heard|that|Apollo|13|was|going|to|be|released|in|IMAX|format|?\nIn|a|word|:|No.|.\nMurderous|Maids|has|a|lot|going|for|it|,|not|least|the|brilliant|performances|by|Testud|...|and|Parmentier|.\nFilmmaker|Stacy|Peralta|has|a|flashy|editing|style|that|does|n't|always|jell|with|Sean|Penn|'s|monotone|narration|,|but|he|respects|the|material|without|sentimentalizing|it|.\nThere|are|a|couple|of|things|that|elevate|``|Glory|''|above|most|of|its|ilk|,|most|notably|the|mere|presence|of|Duvall|.\nIt|'s|light|on|the|chills|and|heavy|on|the|atmospheric|weirdness|,|and|there|are|moments|of|jaw-droppingly|odd|behavior|--|yet|I|found|it|weirdly|appealing|.\n(|Rises|)|above|its|oh-so-Hollywood|rejiggering|and|its|conventional|direction|to|give|the|film|a|soul|and|an|unabashed|sense|of|good|old-fashioned|escapism|.\nA|breezy|blend|of|art|,|history|,|esoteric|musings|and|philosophy|.\nKids|will|love|its|fantasy|and|adventure|,|and|grownups|should|appreciate|its|whimsical|humor|.\nTsai|Ming-liang|'s|ghosts|are|painfully|aware|of|their|not-being|.\nLeaping|from|one|arresting|image|to|another|,|Songs|from|the|Second|Floor|has|all|the|enjoyable|randomness|of|a|very|lively|dream|and|so|manages|to|be|compelling|,|amusing|and|unsettling|at|the|same|time|.\nSean|Penn|,|you|owe|Nicolas|Cage|an|apology|.\nThe|performances|are|uniformly|good|.\nShe|'s|all-powerful|,|a|voice|for|a|pop-cyber|culture|that|feeds|on|her|Bjorkness|.\nIt|'s|a|perfect|show|of|respect|to|just|one|of|those|underrated|professionals|who|deserve|but|rarely|receive|it|.\nFor|all|its|plot|twists|,|and|some|of|them|verge|on|the|bizarre|as|the|film|winds|down|,|Blood|Work|is|a|strong|,|character-oriented|piece|.\nThe|story|line|may|be|127|years|old|,|but|El|Crimen|del|Padre|Amaro|...|could|n't|be|more|timely|in|its|despairing|vision|of|corruption|within|the|Catholic|establishment|.\nThis|in-depth|study|of|important|developments|of|the|computer|industry|should|make|it|required|viewing|in|university|computer|science|departments|for|years|to|come|.\nIt|shows|us|a|slice|of|life|that|'s|very|different|from|our|own|and|yet|instantly|recognizable|.\nA|wonderfully|speculative|character|study|that|made|up|for|its|rather|slow|beginning|by|drawing|me|into|the|picture|.\nHas|its|share|of|arresting|images|.\nLeave|it|to|John|Sayles|to|take|on|developers|,|the|Chamber|of|Commerce|,|tourism|,|historical|pageants|,|and|commercialism|all|in|the|same|movie|...|without|neglecting|character|development|for|even|one|minute|.\nReign|of|Fire|just|might|go|down|as|one|of|the|all-time|great|apocalypse|movies|.\nA|smart|little|indie|.\nPayne|has|created|a|beautiful|canvas|,|and|Nicholson|proves|once|again|that|he|'s|the|best|brush|in|the|business|.\nTry|as|you|might|to|resist|,|if|you|'ve|got|a|place|in|your|heart|for|Smokey|Robinson|,|this|movie|will|worm|its|way|there|.\nA|riveting|profile|of|law|enforcement|,|and|a|visceral|,|nasty|journey|into|an|urban|Hades|.\nDirector|Douglas|McGrath|takes|on|Nickleby|with|all|the|halfhearted|zeal|of|an|8th|grade|boy|delving|into|required|reading|.\nStands|as|a|document|of|what|it|felt|like|to|be|a|New|Yorker|--|or|,|really|,|to|be|a|human|being|--|in|the|weeks|after|9\\/11|.\nI|am|not|generally|a|huge|fan|of|cartoons|derived|from|TV|shows|,|but|Hey|Arnold|!\nThe|Movie|is|clever|,|offbeat|and|even|gritty|enough|to|overcome|my|resistance|.\nWith|not|a|lot|of|help|from|the|screenplay|(|proficient|,|but|singularly|cursory|)|,|(|Testud|)|acts|with|the|feral|intensity|of|the|young|Bette|Davis|.\nIt|'s|a|film|that|'s|destined|to|win|a|wide|summer|audience|through|word-of-mouth|reviews|and|,|not|far|down|the|line|,|to|find|a|place|among|the|studio|'s|animated|classics|.\nSlow|and|ponderous|,|but|Rohmer|'s|drama|builds|to|an|intense|indoor|drama|about|compassion|,|sacrifice|,|and|Christian|love|in|the|face|of|political|corruption|.\nIf|you|'re|not|totally|weirded|-|out|by|the|notion|of|cinema|as|community-therapy|spectacle|,|Quitting|hits|home|with|disorienting|force|.\nAustin|Powers|for|the|most|part|is|extremely|funny|,|the|first|part|making|up|for|any|flaws|that|come|later|.\nWhile|Tattoo|borrows|heavily|from|both|Seven|and|The|Silence|of|the|Lambs|,|it|manages|to|maintain|both|a|level|of|sophisticated|intrigue|and|human-scale|characters|that|suck|the|audience|in|.\nCho|continues|her|exploration|of|the|outer|limits|of|raunch|with|considerable|brio|.\nElvira|fans|could|hardly|ask|for|more|.\nA|canny|,|derivative|,|wildly|gruesome|portrait|of|a|London|sociopath|who|'s|the|scariest|of|sadists|.\nThe|movie|should|be|credited|with|remembering|his|victims|.\nFast-paced|and|wonderfully|edited|,|the|film|is|extremely|thorough|.\nA|bracing|,|unblinking|work|that|serves|as|a|painful|elegy|and|sobering|cautionary|tale|.\nHashiguchi|uses|the|situation|to|evoke|a|Japan|bustling|atop|an|undercurrent|of|loneliness|and|isolation|.\nAs|if|trying|to|grab|a|lump|of|Play-Doh|,|the|harder|that|Liman|tries|to|squeeze|his|story|,|the|more|details|slip|out|between|his|fingers|.\nMy|Big|Fat|Greek|Wedding|is|not|only|the|best|date|movie|of|the|year|,|it|'s|also|a|--|dare|I|say|it|twice|--|delightfully|charming|--|and|totally|American|,|I|might|add|--|slice|of|comedic|bliss|.\nFew|films|have|captured|the|chaos|of|an|urban|conflagration|with|such|fury|,|and|audience|members|will|leave|feeling|as|shaken|as|Nesbitt|'s|Cooper|looks|when|the|bullets|stop|flying|.\nAnother|love|story|in|2002|'s|remarkable|procession|of|sweeping|pictures|that|have|reinvigorated|the|romance|genre|.\nIt|'s|another|retelling|of|Alexandre|Dumas|'|classic|.\nWhy|?\nWho|knows|,|but|it|works|under|the|direction|of|Kevin|Reynolds|.\n(|F|)|rom|the|performances|and|the|cinematography|to|the|outstanding|soundtrack|and|unconventional|narrative|,|the|film|is|blazingly|alive|and|admirable|on|many|levels|.\nShiri|is|an|action|film|that|delivers|on|the|promise|of|excitement|,|but|it|also|has|a|strong|dramatic|and|emotional|pull|that|gradually|sneaks|up|on|the|audience|.\nProvides|the|kind|of|`|laugh|therapy|'|I|need|from|movie|comedies|--|offbeat|humor|,|amusing|characters|,|and|a|happy|ending|.\nAfter|seeing|`|Analyze|That|,|'|I|feel|better|already|.\nA|penetrating|,|potent|exploration|of|sanctimony|,|self-awareness|,|self-hatred|and|self-determination|.\nThis|is|n't|a|retooled|genre|piece|,|the|tale|of|a|guy|and|his|gun|,|but|an|amiably|idiosyncratic|work|.\nOverall|,|it|'s|a|very|entertaining|,|thought-provoking|film|with|a|simple|message|:|God|is|love|.\nIt|may|not|be|a|great|piece|of|filmmaking|,|but|its|power|comes|from|its|soul|'s|-|eye|view|of|how|well-meaning|patronizing|masked|a|social|injustice|,|at|least|as|represented|by|this|case|.\nAlthough|mainstream|American|movies|tend|to|exploit|the|familiar|,|every|once|in|a|while|a|film|arrives|from|the|margin|that|gives|viewers|a|chance|to|learn|,|to|grow|,|to|travel|.\nJeong-Hyang|Lee|'s|film|is|deceptively|simple|,|deeply|satisfying|.\nThe|film|is|a|hoot|,|and|is|just|as|good|,|if|not|better|than|much|of|what|'s|on|Saturday|morning|TV|especially|the|pseudo-educational|stuff|we|all|ca|n't|stand|.\nGeorge|Clooney|,|in|his|first|directorial|effort|,|presents|this|utterly|ridiculous|shaggy|dog|story|as|one|of|the|most|creative|,|energetic|and|original|comedies|to|hit|the|screen|in|years|.\nEven|when|it|drags|,|we|are|forced|to|reflect|that|its|visual|imagination|is|breathtaking\nAlthough|commentary|on|Nachtwey|is|provided|...|it|'s|the|image|that|really|tells|the|tale|.\nA|life-size|reenactment|of|those|Jack|Chick|cartoon|tracts|that|always|ended|with|some|hippie|getting|tossed|into|the|lake|of|fire|.\nGrainy|photography|mars|an|otherwise|delightful|comedy|of|errors|.\nthis|film|is|not|a|love|letter|for|the|slain|rappers|,|it|'s|a|taunt|-|a|call|for|justice|for|two|crimes|from|which|many|of|us|have|not|yet|recovered|.\nThe|film|is|impressive|for|the|sights|and|sounds|of|the|wondrous|beats|the|world|has|to|offer|.\nDaily|struggles|and|simple|pleasures|usurp|the|preaching|message|so|that|,|by|the|time|the|credits|roll|across|the|pat|ending|,|a|warm|,|fuzzy|feeling|prevails|.\n...|in|no|way|original|,|or|even|all|that|memorable|,|but|as|downtown|Saturday|matinee|brain|candy|,|it|does|n't|disappoint|.\nClever|and|unflinching|in|its|comic|barbs|,|Slap|Her|is|a|small|but|rewarding|comedy|that|takes|aim|at|contemporary|southern|adolescence|and|never|lets|up|.\nCremaster|3|is|at|once|a|tough|pill|to|swallow|and|a|minor|miracle|of|self-expression|.\nSex|is|one|of|those|films|that|aims|to|confuse|.\nCompared|to|his|series|of|spectacular|belly|flops|both|on|and|off|the|screen|,|RunTelDat|is|something|of|a|triumph|.\n(|Moore|'s|)|better|at|fingering|problems|than|finding|solutions|.\nBut|though|he|only|scratches|the|surface|,|at|least|he|provides|a|strong|itch|to|explore|more|.\nThe|powerful|success|of|Read|My|Lips|with|such|provocative|material|shows|why|,|after|only|three|films|,|director\\/co-writer|Jacques|Audiard|,|though|little|known|in|this|country|,|belongs|in|the|very|top|rank|of|French|filmmakers|.\nIn|his|debut|as|a|director|,|Washington|has|a|sure|hand|.\nHis|work|with|actors|is|particularly|impressive|.\nA|generous|,|inspiring|film|that|unfolds|with|grace|and|humor|and|gradually|becomes|a|testament|to|faith|.\nDelivers|the|sexy|razzle-dazzle|that|everyone|,|especially|movie|musical|fans|,|has|been|hoping|for|.\nVincent|Gallo|is|right|at|home|in|this|French|shocker|playing|his|usual|bad|boy|weirdo|role|.\nFierce|,|glaring|and|unforgettable|.\nCletis|is|playful|but|highly|studied|and|dependent|for|its|success|on|a|patient|viewer|.\nLike|its|predecessor|,|it|'s|no|classic|,|but|it|provides|a|reasonably|attractive|holiday|contraption|,|one|that|families|looking|for|a|clean|,|kid-friendly|outing|should|investigate|.\nCampanella|gets|the|tone|just|right|--|funny|in|the|middle|of|sad|in|the|middle|of|hopeful|.\nEither|a|fascinating|study|of|the|relationship|between|mothers|and|their|children|or|a|disturbing|story|about|sociopaths|and|their|marks|.\n...|gripping|and|handsome|execution|,|(|but|)|there|is|n't|much|about|K-19|that|'s|unique|or|memorable|.\nEffective|in|all|its|aspects|,|Margarita|Happy|Hour|represents|an|auspicious|feature|debut|for|Chaiken|.\nThe|delicious|trimmings|...|arrive|early|and|stay|late|,|filling|nearly|every|minute|...|with|a|lighthearted|glow|,|some|impudent|snickers|,|and|a|glorious|dose|of|humankind|'s|liberating|ability|to|triumph|over|a|Scrooge|or|two|.\nStanding|by|Yourself|is|haunting|...|(|It|'s|)|what|punk|rock|music|used|to|be|,|and|what|the|video|medium|could|use|more|of|:|spirit|,|perception|,|conviction|.\nNot|the|best|Herzog|perhaps|,|but|unmistakably|Herzog|.\nEnjoyably|fast-moving|,|hard-hitting|documentary|.\nRehearsals|are|frequently|more|fascinating|than|the|results|.\nLast|Dance|,|whatever|its|flaws|,|fulfills|one|facet|of|its|mission|in|making|me|want|to|find|out|whether|,|in|this|case|,|that|'s|true|.\nThe|film|'s|constant|mood|of|melancholy|and|its|unhurried|narrative|are|masterfully|controlled|.\nBut|...|in|trying|to|capture|the|novel|'s|deeper|intimate|resonances|,|the|film|has|--|ironically|-|distanced|us|from|the|characters|.\nThis|is|a|stunning|film|,|a|one-of-a-kind|tour|de|force|.\n(|Cho|'s|face|is|)|an|amazing|slapstick|instrument|,|creating|a|scrapbook|of|living|mug|shots|.\nIt|'s|about|as|convincing|as|any|other|Arnie|musclefest|,|but|has|a|little|too|much|resonance|with|real|world|events|and|ultimately|comes|off|as|insultingly|simplistic|.\nWhile|not|quite|a|comedy|,|the|film|tackles|its|relatively|serious|subject|with|an|open|mind|and|considerable|good|cheer|,|and|is|never|less|than|engaging|.\nAn|extremely|funny|,|ultimately|heartbreaking|look|at|life|in|contemporary|China|.\nYour|response|to|its|new|sequel|,|Analyze|That|,|may|hinge|on|what|you|thought|of|the|first|film|.\nDavis|is|funny|,|charming|and|quirky|in|her|feature|film|acting|debut|as|Amy|.\nBloody|Sunday|has|the|grace|to|call|for|prevention|rather|than|to|place|blame|,|making|it|one|of|the|best|war|movies|ever|made|.\nIt|'s|a|movie|that|accomplishes|so|much|that|one|viewing|ca|n't|possibly|be|enough|.\nA|lively|and|engaging|examination|of|how|similar|obsessions|can|dominate|a|family|.\nIn|the|new|release|of|Cinema|Paradiso|,|the|tale|has|turned|from|sweet|to|bittersweet|,|and|when|the|tears|come|during|that|final|,|beautiful|scene|,|they|finally|feel|absolutely|earned|.\nFaithful|without|being|forceful|,|sad|without|being|shrill|,|``|A|Walk|to|Remember|''|succeeds|through|sincerity|.\nThe|film|is|a|masterpiece|of|nuance|and|characterization|,|marred|only|by|an|inexplicable|,|utterly|distracting|blunder|at|the|very|end|.\nThe|film|is|full|of|charm|.\nThe|movie|is|well|crafted|,|and|well|executed|.\nIf|you|'re|paying|attention|,|the|``|big|twists|''|are|pretty|easy|to|guess|-|but|that|does|n't|make|the|movie|any|less|entertaining|.\nOne|of|those|unassuming|films|that|sneaks|up|on|you|and|stays|with|you|long|after|you|have|left|the|theatre|.\n...|Pray|does|n't|have|a|passion|for|the|material|.\nHe|nonetheless|appreciates|the|art|and|reveals|a|music|scene|that|transcends|culture|and|race|.\nThe|one-liners|are|snappy|,|the|situations|volatile|and|the|comic|opportunities|richly|rewarded|.\nIt|'s|anchored|by|splendid|performances|from|an|honored|screen|veteran|and|a|sparkling|newcomer|who|instantly|transform|themselves|into|a|believable|mother\\/daughter|pair|.\nFathers|and|sons|,|and|the|uneasy|bonds|between|them|,|rarely|have|received|such|a|sophisticated|and|unsentimental|treatment|on|the|big|screen|as|they|do|in|this|marvelous|film|.\nThis|sci-fi|techno-sex|thriller|starts|out|bizarre|and|just|keeps|getting|weirder|.\nLast|Orders|nurtures|the|multi-layers|of|its|characters|,|allowing|us|to|remember|that|life|'s|ultimately|a|gamble|and|last|orders|are|to|be|embraced|.\nIt|'s|affecting|,|amusing|,|sad|and|reflective|.\nA|slight|but|sweet|film|.\nWriter\\/director|Walter|Hill|is|in|his|hypermasculine|element|here|,|once|again|able|to|inject|some|real|vitality|and|even|art|into|a|pulpy|concept|that|,|in|many|other|hands|would|be|completely|forgettable|.\nIt|is|a|happy|,|heady|jumble|of|thought|and|storytelling|,|an|insane|comic|undertaking|that|ultimately|coheres|into|a|sane|and|breathtakingly|creative|film|.\nThis|new|Time|Machine|is|hardly|perfect|...|yet|it|proves|surprisingly|serviceable|.\nEven|at|its|worst|,|it|'s|not|half-bad|.\nAlmost|everyone|growing|up|believes|their|family|must|look|like|``|The|Addams|Family|''|to|everyone|looking|in|...|``|My|Big|Fat|Greek|Wedding|''|comes|from|the|heart|...\nOnce|folks|started|hanging|out|at|the|barbershop|,|they|never|wanted|to|leave|.\nChances|are|you|wo|n't|,|either|.\nGeorge|Lucas|returns|as|a|visionary|with|a|tale|full|of|nuance|and|character|dimension|.\nCan|be|viewed|as|pure|composition|and|form|--|film|as|music\nAn|extraordinary|dramatic|experience|.\nEvery|individual|will|see|the|movie|through|the|prism|of|his|or|her|own|beliefs|and|prejudices|,|but|the|one|thing|most|will|take|away|is|the|sense|that|peace|is|possible|.\nThat|,|in|itself|,|is|extraordinary|.\nIf|you|can|tolerate|the|redneck-versus-blueblood|cliches|that|the|film|trades|in|,|Sweet|Home|Alabama|is|diverting|in|the|manner|of|Jeff|Foxworthy|'s|stand-up|act|.\nIt|'s|a|treat|watching|Shaw|,|a|British|stage|icon|,|melting|under|the|heat|of|Phocion|'s|attentions|.\nAll|in|all|,|an|interesting|look|at|the|life|of|the|campaign-trail|press|,|especially|ones|that|do|n't|really|care|for|the|candidate|they|'re|forced|to|follow|.\nNarc|is|a|no-bull|throwback|to|1970s|action|films|.\nIt|zips|along|with|B-movie|verve|while|adding|the|rich|details|and|go-for-broke|acting|that|heralds|something|special|.\nMe|Without|You|has|a|bracing|truth|that|'s|refreshing|after|the|phoniness|of|female-bonding|pictures|like|Divine|Secrets|of|the|Ya-Ya|Sisterhood|.\nIt|'s|a|strange|film|,|one|that|was|hard|for|me|to|warm|up|to|.\nGoes|a|long|way|on|hedonistic|gusto|.\nThe|result|puts|a|human|face|on|Derrida|,|and|makes|one|of|the|great|minds|of|our|times|interesting|and|accessible|to|people|who|normally|could|n't|care|less|.\nThe|Scorpion|King|is|more|fun|than|Conan|the|Barbarian|.\nIf|there|'s|one|big|point|to|Promises|,|it|'s|that|nothing|can|change|while|physical|and|psychological|barriers|keep|the|sides|from|speaking|even|one|word|to|each|other|.\nUnexpected|moments|of|authentically|impulsive|humor|are|the|hallmark|of|this|bittersweet|,|uncommonly|sincere|movie|that|portrays|the|frank|humanity|of|...|emotional|recovery|.\nJacquot|has|filmed|the|opera|exactly|as|the|libretto|directs|,|ideally|capturing|the|opera|'s|drama|and|lyricism|.\nThis|is|a|sincerely|crafted|picture|that|deserves|to|emerge|from|the|traffic|jam|of|holiday|movies|.\nI|liked|it|because|it|was|so|endlessly|,|grotesquely|,|inventive|.\nAudiard|successfully|maintains|suspense|on|different|levels|throughout|a|film|that|is|both|gripping|and|compelling|.\nCredit|director|Ramsay|for|taking|the|sometimes|improbable|story|and|making|it|feel|realistic|.\nThis|is|DiCaprio|'s|best|performance|in|anything|ever|,|and|easily|the|most|watchable|film|of|the|year|.\nWitherspoon|puts|to|rest|her|valley-girl|image|,|but|it|'s|Dench|who|really|steals|the|show|.\nEven|when|there|are|lulls|,|the|emotions|seem|authentic|,|and|the|picture|is|so|lovely|toward|the|end|...|you|almost|do|n't|notice|the|129-minute|running|time|.\nWhile|dutifully|pulling|on|heartstrings|,|directors|Dean|Deblois|and|Chris|Sanders|valiantly|keep|punching|up|the|mix|.\nAmbitious|,|unsettling|psychodrama|that|takes|full|,|chilling|advantage|of|its|rough-around-the-edges|,|low-budget|constraints|.\nEric|Byler|'s|nuanced|pic|avoids|easy|sentiments|and|explanations|...\nManages|to|be|wholesome|and|subversive|at|the|same|time|.\nWhen|it|'s|not|wallowing|in|hormonal|melodrama|,|``|Real|Women|Have|Curves|''|is|a|sweet|,|honest|,|and|enjoyable|comedy-drama|about|a|young|woman|who|wants|many|things|in|life|,|but|fears|she|'ll|become|her|mother|before|she|gets|to|fulfill|her|dreams|.\nThe|film|runs|on|a|little|longer|than|it|needs|to|--|Muccino|either|does|n't|notice|when|his|story|ends|or|just|ca|n't|tear|himself|away|from|the|characters|--|but|it|'s|smooth|and|professional|.\nBlithely|anachronistic|and|slyly|achronological|.\nThis|starts|off|with|a|1950|'s|Doris|Day|feel|and|it|gets|very|ugly|,|very|fast|.\nThe|first|five|minutes|will|have|you|talking|'til|the|end|of|the|year|!\nTriumph|of|Love|is|a|very|silly|movie|,|but|the|silliness|has|a|pedigree|.\nDiscursive|but|oddly|riveting|documentary|.\nThe|movie|has|no|respect|for|laws|,|political|correctness|or|common|decency|,|but|it|displays|something|more|important|:|respect|for|its|flawed|,|crazy|people|.\nOn|its|own|,|Big|Trouble|could|be|considered|a|funny|little|film|.\nAn|undeniably|gorgeous|,|terminally|smitten|document|of|a|troubadour|,|his|acolytes|,|and|the|triumph|of|his|band|.\nThis|cinema|verite|speculation|on|the|assassination|of|John|F.|Kennedy|may|have|been|inspired|by|Blair|Witch|,|but|it|takes|its|techniques|into|such|fresh|territory|that|the|film|never|feels|derivative|.\nA|beautifully|observed|character|piece|.\nA|coming-of-age|movie|that|Hollywood|would|n't|have|the|guts|to|make|.\nIt|is|quite|a|vision|.\nThere|are|laughs|aplenty|,|and|,|as|a|bonus|,|viewers|do|n't|have|to|worry|about|being|subjected|to|farts|,|urine|,|feces|,|semen|,|or|any|of|the|other|foul|substances|that|have|overrun|modern-day|comedies|.\nA|bittersweet|drama|about|the|limbo|of|grief|and|how|truth-telling|can|open|the|door|to|liberation|.\nA|strong|and|confident|work|which|works|so|well|for|the|first|89|minutes|,|but|ends|so|horrendously|confusing|in|the|final|two\nSalma|goes|native|and|she|'s|never|been|better|in|this|colorful|bio-pic|of|a|Mexican|icon|.\nFilled|with|Alexandre|Desplat|'s|haunting|and|sublime|music|,|the|movie|completely|transfixes|the|audience|.\nAs|chilling|and|fascinating|as|Philippe|Mora|'s|modern|Hitler-study|,|Snide|and|Prejudice|.\nAn|hour|and|a|half|of|joyful|solo|performance|.\nStrange|and|beautiful|film|.\nNo|worse|a|film|than|Breaking|Out|,|and|Breaking|Out|was|utterly|charming|.\nParker|can|not|sustain|the|buoyant|energy|level|of|the|film|'s|city|beginnings|into|its|country|conclusion|'\n...|Despite|lagging|near|the|finish|line|,|the|movie|runs|a|good|race|,|one|that|will|have|you|at|the|edge|of|your|seat|for|long|stretches|.|'\n...|a|guiltless|film|for|nice|evening|out|.\nDeflated|ending|aside|,|there|'s|much|to|recommend|the|film|.\nIt|'s|a|treat|--|a|delightful|,|witty|,|improbable|romantic|comedy|with|a|zippy|jazzy|score|...|Grant|and|Bullock|make|it|look|as|though|they|are|having|so|much|fun|.\nPerformances|all|around|are|tops|,|with|the|two|leads|delivering|Oscar-caliber|performances|.\nEverything|about|The|Quiet|American|is|good|,|except|its|timing|.\nA|savage|John|Waters-like|humor|that|dances|on|the|edge|of|tastelessness|without|ever|quite|falling|over|.\nAt|once|a|testament|to|the|divine|calling|of|education|and|a|demonstration|of|the|painstaking|process|of|imparting|knowledge|.\nMay|seriously|impair|your|ability|to|ever|again|maintain|a|straight|face|while|speaking|to|a|highway|patrolman|.\nIt|'s|an|interesting|effort|(|particularly|for|JFK|conspiracy|nuts|)|,|and|Barry|'s|cold-fish|act|makes|the|experience|worthwhile|.\nThey|'re|just|a|couple|of|cops|in|Copmovieland|,|these|two|,|but|in|Narc|,|they|find|new|routes|through|a|familiar|neighborhood|.\nBrings|awareness|to|an|issue|often|overlooked|--|women|'s|depression|.\nIt|'s|a|shame|the|marvelous|first|101|minutes|have|to|be|combined|with|the|misconceived|final|5|.\nIt|has|a|caffeinated|,|sloppy|brilliance|,|sparkling|with|ideas|you|wish|had|been|developed|with|more|care|,|but|animated|by|an|energy|that|puts|the|dutiful|efforts|of|more|disciplined|grade-grubbers|to|shame|.\nYou|can|almost|see|Mendes|and|company|getting|together|before|a|single|frame|had|been|shot|and|collectively|vowing|,|`|This|is|going|to|be|something|really|good|.|'\nAnd|it|is|.\nFoster|and|Whitaker|are|especially|fine|.\nShe|is|a|lioness|,|protecting|her|cub|,|and|he|a|reluctant|villain|,|incapable|of|controlling|his|crew|.\nUndoubtedly|the|scariest|movie|ever|made|about|tattoos|.\nA|movie|that|will|wear|you|out|and|make|you|misty|even|when|you|do|n't|want|to|be|.\nNot|only|better|than|its|predecessor|,|it|may|rate|as|the|most|magical|and|most|fun|family|fare|of|this|or|any|recent|holiday|season|.\nThough|the|story|...|is|hackneyed|,|the|characters|have|a|freshness|and|modesty|that|transcends|their|predicament|.\nAlthough|Frailty|fits|into|a|classic|genre|,|in|its|script|and|execution|it|is|a|remarkably|original|work|.\nIf|this|movie|leaves|you|cool|,|it|also|leaves|you|intriguingly|contemplative|.\nThe|climactic|events|are|so|well|realized|that|you|may|forget|all|about|the|original|conflict|,|just|like|the|movie|does\nA|rude|black|comedy|about|the|catalytic|effect|a|holy|fool|has|upon|those|around|him|in|the|cutthroat|world|of|children|'s|television|.\nAll|comedy|is|subversive|,|but|this|unrelenting|bleak|insistence|on|opting|out|of|any|opportunity|for|finding|meaning|in|relationships|or|work|just|becomes|sad|.\nIf|a|horror|movie|'s|primary|goal|is|to|frighten|and|disturb|,|then|They|works|spectacularly|well|...|A|shiver-inducing|,|nerve-rattling|ride|.\nA|playful|Iranian|parable|about|openness|,|particularly|the|need|for|people|of|diverse|political|perspectives|to|get|along|despite|their|ideological|differences|.\nBrilliantly|written|and|well-acted|,|Yellow|Asphalt|is|an|uncompromising|film|.\nThat|`|Alabama|'|manages|to|be|pleasant|in|spite|of|its|predictability|and|occasional|slowness|is|due|primarily|to|the|perkiness|of|Witherspoon|(|who|is|always|a|joy|to|watch|,|even|when|her|material|is|not|first-rate|)|...\nPersonal|Velocity|has|a|no-frills|docu-Dogma|plainness|,|yet|Miller|lingers|on|invisible|,|nearly|psychic|nuances|,|leaping|into|digressions|of|memory|and|desire|.\nShe|boxes|these|women|'s|souls|right|open|for|us|.\nA|fascinating|literary|mystery|story|with|multiple|strands|about|the|controversy|of|who|really|wrote|Shakespeare|'s|plays|.\nThroughout|,|Mr.|Audiard|'s|direction|is|fluid|and|quick|.\nA|dashing|and|absorbing|outing|with|one|of|France|'s|most|inventive|directors|.\nIt|'s|a|fine|,|old-fashioned-movie|movie|,|which|is|to|say|it|'s|unburdened|by|pretensions|to|great|artistic|significance|.\n...|flat-out|amusing|,|sometimes|endearing|and|often|fabulous|,|with|a|solid|cast|,|noteworthy|characters|,|delicious|dialogue|and|a|wide|supply|of|effective|sight|gags|.\nThe|Trials|of|Henry|Kissinger|is|a|remarkable|piece|of|filmmaking|...|because|you|get|it|.\nNachtwey|clears|the|cynicism|right|out|of|you|.\nHe|makes|you|realize|that|deep|inside|righteousness|can|be|found|a|tough|beauty|.\nWhat|it|lacks|in|substance|it|makes|up|for|in|heart|.\nRobert|Harmon|'s|less-is-more|approach|delivers|real|bump-in|-|the-night|chills|--|his|greatest|triumph|is|keeping|the|creepy|crawlies|hidden|in|the|film|'s|thick|shadows|.\nWith|its|hint|of|an|awkward|Hitchcockian|theme|in|tact|,|Harmon|'s|daunting|narrative|promotes|a|reasonable|landscape|of|conflict|and|pathos|to|support|the|scattershot|terrorizing|tone\nIn|Auteil|'s|less|dramatic|but|equally|incisive|performance|,|he|'s|a|charismatic|charmer|likely|to|seduce|and|conquer|.\nThe|heart|of|the|film|is|a|touching|reflection|on|aging|,|suffering|and|the|prospect|of|death|.\nWill|you|go|ape|over|this|movie|?\nWell|,|it|probably|wo|n't|have|you|swinging|from|the|trees|hooting|it|'s|praises|,|but|it|'s|definitely|worth|taking|a|look|.\nIts|director|'s|most|substantial|feature|for|some|time|.\nFontaine|'s|direction|,|especially|her|agreeably|startling|use|of|close-ups|and|her|grace|with|a|moving|camera|,|creates|sheerly|cinematic|appeal|.\nThe|Son|Of|The|Bride|'s|humour|is|born|out|of|an|engaging|storyline|,|which|also|is|n't|embarrassed|to|make|you|reach|for|the|tissues|.\nThis|movie|is|to|be|cherished|.\n...|a|visually|seductive|,|unrepentantly|trashy|take|on|Rice|'s|second|installment|of|her|Vampire|Chronicles|.\nThe|story|'s|scope|and|pageantry|are|mesmerizing|,|and|Mr.|Day-Lewis|roars|with|leonine|power|.\nP.T.|Anderson|understands|the|grandness|of|romance|and|how|love|is|the|great|equalizer|that|can|calm|us|of|our|daily|ills|and|bring|out|joys|in|our|lives|that|we|never|knew|were|possible|.\nTwenty|years|later|,|E.T.|is|still|a|cinematic|touchstone|.\nThis|fascinating|experiment|plays|as|more|of|a|poetic|than|a|strict|reality|,|creating|an|intriguing|species|of|artifice|that|gives|The|Lady|and|the|Duke|something|of|a|theatrical|air|.\nIt|'s|virtually|impossible|to|like|any|of|these|despicable|characters|.\nThis|is|mostly|well-constructed|fluff|,|which|is|all|it|seems|intended|to|be|.\nEven|through|its|flaws|,|Revolution|#|9|proves|to|be|a|compelling|,|interestingly|told|film|.\nThe|best|way|to|describe|it|is|as|a|cross|between|Paul|Thomas|Anderson|'s|Magnolia|and|David|Lynch|'s|Mulholland|Dr.\nSchepisi|,|aided|by|a|cast|that|seems|to|include|every|top-notch|British|actor|who|did|not|appear|in|Gosford|Park|(|as|well|as|one|,|Ms.|Mirren|,|who|did|)|,|has|succeeded|beyond|all|expectation|.\nWatching|this|film|,|one|is|left|with|the|inescapable|conclusion|that|Hitchens|'|obsession|with|Kissinger|is|,|at|bottom|,|a|sophisticated|flower|child|'s|desire|to|purge|the|world|of|the|tooth|and|claw|of|human|power|.\nThere|is|no|denying|the|power|of|Polanski|'s|film|...\nThe|movie|is|amateurish|,|but|it|'s|a|minor|treat|.\nThis|charming|but|slight|tale|has|warmth|,|wit|and|interesting|characters|compassionately|portrayed|.\nOffers|a|persuasive|look|at|a|defeated|but|defiant|nation|in|flux|.\nA|return|to|pure|Disney|magic|and|is|enjoyable|family|fare|.\nTakes|a|fresh|and|absorbing|look|at|a|figure|whose|legacy|had|begun|to|bronze|.\nA|triumph|of|pure|craft|and|passionate|heart|.\nGosling|creates|a|staggeringly|compelling|character|,|a|young|man|whose|sharp|intellect|is|at|the|very|root|of|his|contradictory|,|self-hating|,|self-destructive|ways|.\nWitty|and|often|surprising|,|a|dark|little|morality|tale|disguised|as|a|romantic|comedy|.\nEven|as|it|pays|earnest|homage|to|turntablists|and|beat|jugglers|,|old|schoolers|and|current|innovators|,|Scratch|is|great|fun|,|full|of|the|kind|of|energy|it|'s|documenting|.\nGot|a|David|Lynch|jones|?\nThen|you|'d|do|well|to|check|this|one|out|because|it|'s|straight|up|Twin|Peaks|action|...\nAstonishing|...|(|frames|)|profound|ethical|and|philosophical|questions|in|the|form|of|dazzling|pop|entertainment|.\nTake|Care|is|nicely|performed|by|a|quintet|of|actresses|,|but|nonetheless|it|drags|during|its|112-minute|length|.\nIt|'s|hard|to|fairly|judge|a|film|like|RINGU|when|you|'ve|seen|the|remake|first|.\nMany|of|the|effective|horror|elements|are|dampened|through|familiarity|,|(|yet|)|are|worthwhile|.\nOne|of|the|very|best|movies|ever|made|about|the|life|of|moviemaking|.\nRarely|does|such|high-profile|talent|serve|such|literate|material|.\nAn|elegant|and|sly|deadpan|comedy|.\nThe|way|the|roundelay|of|partners|functions|,|and|the|interplay|within|partnerships|and|among|partnerships|and|the|general|air|of|Gator-bashing|are|consistently|delightful|.\nLand|,|people|and|narrative|flow|together|in|a|stark|portrait|of|motherhood|deferred|and|desire|explored|.\n`|Blue|Crush|'|swims|away|with|the|Sleeper|Movie|of|the|Summer|award|.\nYou|'re|not|merely|watching|history|,|you|'re|engulfed|by|it|.\nA|chick|flick|for|guys|.\nIt|'s|mildly|entertaining|,|especially|if|you|find|comfort|in|familiarity|.\nBut|it|'s|hardly|a|necessary|enterprise|.\nThe|Quiet|American|is|n't|a|bad|film|,|it|'s|just|one|that|could|easily|wait|for|your|pay|per|view|dollar|.\nAs|home|movie|gone|haywire|,|it|'s|pretty|enjoyable|,|but|as|sexual|manifesto|,|I|'d|rather|listen|to|old|Tori|Amos|records|.\nIn|its|treatment|of|the|dehumanizing|and|ego-destroying|process|of|unemployment|,|Time|Out|offers|an|exploration|that|is|more|accurate|than|anything|I|have|seen|in|an|American|film|.\nLike|an|episode|of|MTV|'s|Undressed|,|with|20|times|the|creativity|but|without|any|more|substance|...|indulgently|entertaining|but|could|have|and|should|have|been|deeper|.\nA|sensitive|,|cultivated|treatment|of|Greene|'s|work|as|well|as|a|remarkably|faithful|one|.\nIt|'s|not|just|a|feel-good|movie|,|it|'s|a|feel|movie|.\nYou|feel|good|,|you|feel|sad|,|you|feel|pissed|off|,|but|in|the|end|,|you|feel|alive|-|which|is|what|they|did|.\nIt|'s|a|piece|of|handiwork|that|shows|its|indie|tatters|and|self-conscious|seams|in|places|,|but|has|some|quietly|moving|moments|and|an|intelligent|subtlety|.\nWhat|makes|Barbershop|so|likable|,|with|all|its|flaws|,|is|that|it|has|none|of|the|pushiness|and|decibel|volume|of|most|contemporary|comedies|.\nWatching|these|two|actors|play|against|each|other|so|intensely|,|but|with|restraint|,|is|a|treat|.\nAn|example|of|quiet|,|confident|craftsmanship|that|tells|a|sweet|,|charming|tale|of|intergalactic|friendship|.\nA|meditation|on|faith|and|madness|,|Frailty|is|blood-curdling|stuff|.\nThe|production|design|,|score|and|choreography|are|simply|intoxicating|.\nA|comedy|that|is|warm|,|inviting|,|and|surprising|.\nSo|vivid|a|portrait|of|a|woman|consumed|by|lust|and|love|and|crushed|by|betrayal|that|it|conjures|up|the|intoxicating|fumes|and|emotional|ghosts|of|a|freshly|painted|Rembrandt|.\nSuspend|your|disbelief|here|and|now|,|or|you|'ll|be|shaking|your|head|all|the|way|to|the|credits|.\nTrades|run-of-the-mill|revulsion|for|extreme|unease|.\n...|one|of|the|more|influential|works|of|the|`|Korean|New|Wave|'|.\nImplicitly|acknowledges|and|celebrates|the|glorious|chicanery|and|self-delusion|of|this|most|American|of|businesses|,|and|for|that|reason|it|may|be|the|most|oddly|honest|Hollywood|document|of|all|.\nA|beautifully|tooled|action|thriller|about|love|and|terrorism|in|Korea|.\nDirector-writer|Bille|August|...|depicts|this|relationship|with|economical|grace|,|letting|his|superb|actors|convey|Martin|'s|deterioration|and|Barbara|'s|sadness|--|and|,|occasionally|,|anger|.\nVictor|Rosa|is|Leguizamo|'s|best|movie|work|so|far|,|a|subtle|and|richly|internalized|performance|.\nBirthday|Girl|does|n't|try|to|surprise|us|with|plot|twists|,|but|rather|seems|to|enjoy|its|own|transparency|.\nsmart|,|funny|and|just|honest|enough|to|provide|the|pleasures|of|a|slightly|naughty|,|just-above-average|off|-|Broadway|play|.\nTopics|that|could|make|a|sailor|blush|-|but|lots|of|laughs|.\nMichael|Moore|has|perfected|the|art|of|highly|entertaining|,|self-aggrandizing|,|politically|motivated|documentary-making|,|and|he|'s|got|as|potent|a|topic|as|ever|here|.\nA|fine|production|with|splendid|singing|by|Angela|Gheorghiu|,|Ruggero|Raimondi|,|and|Roberto|Alagna|.\nAbout|a|Boy|vividly|recalls|the|Cary|Grant|of|Room|for|One|More|,|Houseboat|and|Father|Goose|in|its|affectionate|depiction|of|the|gentle|war|between|a|reluctant|,|irresponsible|man|and|the|kid|who|latches|onto|him|.\nNone|of|this|is|meaningful|or|memorable|,|but|frosting|is|n't|,|either|,|and|you|would|n't|turn|down|a|big|bowl|of|that|,|would|you|?\nThe|film|is|a|fierce|dance|of|destruction|.\nIts|flame-like|,|roiling|black-and-white|inspires|trembling|and|gratitude|.\nMay|lack|the|pungent|bite|of|its|title|,|but|it|'s|an|enjoyable|trifle|nonetheless|.\n...|manages|to|fall|closer|in|quality|to|Silence|than|to|the|abysmal|Hannibal|.\nYou|may|think|you|have|figured|out|the|con|and|the|players|in|this|debut|film|by|Argentine|director|Fabian|Bielinsky|,|but|while|you|were|thinking|someone|made|off|with|your|wallet|.\nDiane|Lane|works|nothing|short|of|a|minor|miracle|in|Unfaithful|.\nTakashi|Miike|keeps|pushing|the|envelope|:|Ichi|the|Killer\nA|fantastic|premise|anchors|this|movie|,|but|what|it|needs|is|either|a|more|rigid|,|Blair|Witch-style|commitment|to|its|mockumentary|format|,|or|a|more|straightforward|,|dramatic|treatment|,|with|all|the|grandiosity|that|that|implies|.\nExhilarating|but|blatantly|biased|.\nMuch|of|what|we|see|is|horrible|but|it|'s|also|undeniably|exceedingly|clever|.\nIt|understands|,|in|a|way|that|speaks|forcefully|enough|about|the|mechanisms|of|poverty|to|transcend|the|rather|simplistic|filmmaking|.\nRamsay|succeeds|primarily|with|her|typical|blend|of|unsettling|atmospherics|,|delivering|a|series|of|abrasive|,|stylized|sequences|that|burn|themselves|upon|the|viewer|'s|memory|.\n...|a|thoughtful|what-if|for|the|heart|as|well|as|the|mind|.\nLike|its|bizarre|heroine|,|it|irrigates|our|souls|.\nHawn|and|Sarandon|form|an|acting|bond|that|makes|The|Banger|Sisters|a|fascinating|character|study|with|laughs|to|spare|.\nIt|'s|a|fun|adventure|movie|for|kids|(|of|all|ages|)|that|like|adventure|.\nA|very|capable|nailbiter|.\nBecause|the|genre|is|well|established|,|what|makes|the|movie|fresh|is|smart|writing|,|skewed|characters|,|and|the|title|performance|by|Kieran|Culkin|.\n``|White|Oleander|,|''|the|movie|,|is|akin|to|a|Reader|'s|Digest|condensed|version|of|the|source|material|.\nIt|'s|like|going|to|a|house|party|and|watching|the|host|defend|himself|against|a|frothing|ex-girlfriend|.\nYou|do|n't|want|to|call|the|cops|.\nYou|want|to|call|Domino|'s|.\nWhat|'s|most|refreshing|about|Real|Women|Have|Curves|is|its|unforced|comedy-drama|and|its|relaxed|,|natural-seeming|actors|.\nThe|low-key|direction|is|pleasingly|emphatic|in|this|properly|intense|,|claustrophobic|tale|of|obsessive|love|.\nSecretary|is|just|too|original|to|be|ignored|.\nThat|rare|film|whose|real-life|basis|is|,|in|fact|,|so|interesting|that|no|embellishment|is|needed|.\nSmart|and|fun|,|but|far|more|witty|than|it|is|wise|.\nThis|is|n't|a|stand|up|and|cheer|flick|;|it|'s|a|sit|down|and|ponder|affair|.\nAnd|thanks|to|Kline|'s|superbly|nuanced|performance|,|that|pondering|is|highly|pleasurable|.\nOriginality|ai|n't|on|the|menu|,|but|there|'s|never|a|dull|moment|in|the|giant|spider|invasion|comic|chiller|.\nWalter|Hill|'s|Undisputed|is|like|a|1940s|Warner|Bros.|.\nB|picture|,|and|I|mean|that|as|a|compliment|.\nThis|one|is|not|nearly|as|dreadful|as|expected|.\nIn|fact|,|it|'s|quite|fun|in|places|.\nWith|elements|cribbed|from|Lang|'s|Metropolis|,|Welles|'|Kane|,|and|Eisenstein|'s|Potemkin|,|the|true|wonder|of|Rintarô|'s|Metropolis|is|the|number|of|lasting|images|all|its|own|.\nA|biopic|about|Crane|'s|life|in|the|classic|tradition|but|evolves|into|what|has|become|of|us|all|in|the|era|of|video|.\nThe|best|of|the|Pierce|Brosnan|James|Bond|films|to|date|.\nThanks|to|a|small|star|with|big|heart|,|this|family|film|sequel|is|plenty|of|fun|for|all|.\nWhile|the|now|72-year-old|Robert|Evans|been|slowed|down|by|a|stroke|,|he|has|at|least|one|more|story|to|tell|:|his|own|.\nIt|'s|about|individual|moments|of|mood|,|and|an|aimlessness|that|'s|actually|sort|of|amazing|.\nThe|people|in|Jessica|are|so|recognizable|and|true|that|,|as|in|real|life|,|we|'re|never|sure|how|things|will|work|out|.\nA|tone|poem|of|transgression|.\nCreeps|you|out|in|high|style|,|even|if|Nakata|did|it|better|.\nRubbo|runs|through|a|remarkable|amount|of|material|in|the|film|'s|short|90|minutes|.\nVisually|engrossing|,|seldom|hammy|,|honorably|Mexican|and|burns|its|Kahlories|with|conviction|.\nThis|is|Christmas|Future|for|a|lot|of|baby|boomers|.\nDespite|a|quieter|middle|section|,|involving|Aragorn|'s|dreams|of|Arwen|,|this|is|even|better|than|The|Fellowship|.\nThere|are|scenes|of|cinematic|perfection|that|steal|your|heart|away|.\nSpider-Man|is|in|the|same|category|as|X-Men|-|occasionally|brilliant|but|mostly|average|,|showing|signs|of|potential|for|the|sequels|,|but|not|giving|us|much|this|time|around|.\nThe|obnoxious|title|character|provides|the|drama|that|gives|added|clout|to|this|doc|.\nAnyone|who|welcomes|a|dash|of|the|avant-garde|fused|with|their|humor|should|take|pleasure|in|this|crazed|,|joyous|romp|of|a|film|.\nThe|fun|of|the|movie|is|the|chance|it|affords|to|watch|Jackson|,|who|also|served|as|executive|producer|,|take|his|smooth|,|shrewd|,|powerful|act|abroad|.\nSaddled|with|an|unwieldy|cast|of|characters|and|angles|,|but|the|payoff|is|powerful|and|revelatory|.\nIt|'s|something|of|the|ultimate|Scorsese|film|,|with|all|the|stomach-turning|violence|,|colorful|New|York|gang|lore|and|other|hallmarks|of|his|personal|cinema|painted|on|their|largest-ever|historical|canvas|.\nMr.|Caine|and|Mr.|Fraser|are|the|whole|show|here|,|with|their|memorable|and|resourceful|performances|.\nA|frustrating|yet|deeply|watchable|melodrama|that|makes|you|think|it|'s|a|tougher|picture|than|it|is|.\nA|giddy|and|provocative|sexual|romp|that|has|something|to|say|.\n(|Russell|)|makes|good|B|movies|(|The|Mask|,|The|Blob|)|,|and|The|Scorpion|King|more|than|ably|meets|those|standards|.\nOtto-Sallies|has|a|real|filmmaker|'s|eye|.\nThis|is|a|smart|movie|that|knows|its|classical|music|,|knows|its|Freud|and|knows|its|Sade|.\nThe|film|has|an|infectious|enthusiasm|and|we|'re|touched|by|the|film|'s|conviction|that|all|life|centered|on|that|place|,|that|time|and|that|sport|.\nBeautifully|reclaiming|the|story|of|Carmen|and|recreating|it|an|in|an|African|idiom|.\nThe|camera|soars|above|the|globe|in|dazzling|panoramic|shots|that|make|the|most|of|the|large-screen|format|,|before|swooping|down|on|a|string|of|exotic|locales|,|scooping|the|whole|world|up|in|a|joyous|communal|festival|of|rhythm|.\nA|flawed|but|engrossing|thriller|.\nDemonstrates|the|unusual|power|of|thoughtful|,|subjective|filmmaking|.\nExpect|no|major|discoveries|,|nor|any|stylish|sizzle|,|but|the|film|sits|with|square|conviction|and|touching|good|sense|on|the|experience|of|its|women|.\nThe|success|of|Undercover|Brother|is|found|in|its|ability|to|spoof|both|black|and|white|stereotypes|equally|.\nThis|is|the|kind|of|subject|matter|that|could|so|easily|have|been|fumbled|by|a|lesser|filmmaker|,|but|Ayres|makes|the|right|choices|at|every|turn|.\nCox|creates|a|fluid|and|mesmerizing|sequence|of|images|to|match|the|words|of|Nijinsky|'s|diaries|.\nWhat|Bloody|Sunday|lacks|in|clarity|,|it|makes|up|for|with|a|great|,|fiery|passion|.\nIts|adult|themes|of|familial|separation|and|societal|betrayal|are|head|and|shoulders|above|much|of|the|director|'s|previous|popcorn|work|.\nDirector|Nancy|Savoca|'s|no-frills|record|of|a|show|forged|in|still-raw|emotions|captures|the|unsettled|tenor|of|that|post|9-11|period|far|better|than|a|more|measured|or|polished|production|ever|could|.\nThe|film|grows|on|you|.\nAnd|how|.\nOne|thing|you|have|to|give|them|credit|for|:|The|message|of|the|movie|is|consistent|with|the|messages|espoused|in|the|company|'s|previous|video|work|.\nHalloween|:|Resurrection|is|n't|exactly|quality|cinema|,|but|it|is|n't|nearly|as|terrible|as|it|cold|have|been|.\nAs|banal|as|the|telling|may|be|--|and|at|times|,|All|My|Loved|Ones|more|than|flirts|with|kitsch|--|the|tale|commands|attention|.\nRomantic|comedy|and|Dogme|95|filmmaking|may|seem|odd|bedfellows|,|but|they|turn|out|to|be|delightfully|compatible|here|.\nThe|most|wondrous|love|story|in|years|,|it|is|a|great|film|.\nSome|movies|suck|you|in|despite|their|flaws|,|and|Heaven|is|one|such|beast|.\nMy|Wife|Is|an|Actress|works|as|well|as|it|does|because|(|the|leads|)|are|such|a|companionable|couple|.\nWith|Spy|Kids|2|:|The|Island|of|Lost|Dreams|,|however|,|Robert|Rodriguez|adorns|his|family-film|plot|with|an|elegance|and|maturity|that|even|most|contemporary|adult|movies|are|lacking|.\nBased|on|Dave|Barry|'s|popular|book|of|the|same|name|,|the|movie|benefits|from|having|a|real|writer|plot|out|all|of|the|characters|'|moves|and|overlapping|story|.\nBouquet|gives|a|performance|that|is|masterly|.\nA|poignant|comedy|that|offers|food|for|thought|.\n...|a|series|of|tales|told|with|the|intricate|preciseness|of|the|best|short|story|writing|.\nIf|you|'re|content|with|a|clever|pseudo-bio|that|manages|to|have|a|good|time|as|it|doles|out|pieces|of|the|famous|director|'s|life|,|Eisenstein|delivers|.\nThis|filmed|Tosca|--|not|the|first|,|by|the|way|--|is|a|pretty|good|job|,|if|it|'s|filmed|Tosca|that|you|want|.\nI|'ll|stay|with|the|stage|versions|,|however|,|which|bite|cleaner|,|and|deeper|.\nWhile|the|path|may|be|familiar|,|first-time|director|Denzel|Washington|and|a|top-notch|cast|manage|to|keep|things|interesting|.\nAn|engaging|criminal|romp|that|will|have|viewers|guessing|just|who|'s|being|conned|right|up|to|the|finale|.\nThe|picture|runs|a|mere|84|minutes|,|but|it|'s|no|glance|.\nIt|'s|a|head-turner|--|thoughtfully|written|,|beautifully|read|and|,|finally|,|deeply|humanizing|.\nIt|asks|nothing|of|the|audience|other|than|to|sit|back|and|enjoy|a|couple|of|great|actors|hamming|it|up|.\nIt|is|as|uncompromising|as|it|is|nonjudgmental|,|and|makes|clear|that|a|prostitute|can|be|as|lonely|and|needy|as|any|of|the|clients|.\n``|Barbershop|''|is|a|good-hearted|ensemble|comedy|with|a|variety|of|quirky|characters|and|an|engaging|story|.\nTully|is|in|many|ways|the|perfect|festival|film|:|a|calm|,|self-assured|portrait|of|small|town|regret|,|love|,|duty|and|friendship|that|appeals|to|the|storytelling|instincts|of|a|slightly|more|literate|filmgoing|audience|.\nI|like|this|movie|a|lot|.\nI|like|that|Smith|,|he|'s|not|making|fun|of|these|people|,|he|'s|not|laughing|at|them|.\n...|the|implication|is|Kissinger|may|have|decided|that|--|when|it|comes|to|truncheoning|--|it|'s|better|to|give|than|to|receive|.\n`|What|'s|the|Russian|word|for|Wow|!?|'\nKiarostami|has|crafted|a|deceptively|casual|ode|to|children|and|managed|to|convey|a|tiny|sense|of|hope|.\nI|had|more|fun|watching|Spy|than|I|had|with|most|of|the|big|summer|movies|.\nWhat|Lee|does|so|marvelously|compelling|is|present|Brown|as|a|catalyst|for|the|struggle|of|black|manhood|in|restrictive|and|chaotic|America|...|sketchy|but|nevertheless|gripping|portrait|of|Jim|Brown|,|a|celebrated|wonder|in|the|spotlight\nMurder|by|Numbers|'|is|n't|a|great|movie|,|but|it|'s|a|perfectly|acceptable|widget|.\nFor|those|of|an|indulgent|,|slightly|sunbaked|and|summery|mind|,|Sex|and|Lucia|may|well|prove|diverting|enough|.\nWhat|(|Denis|)|accomplishes|in|his|chilling|,|unnerving|film|is|a|double|portrait|of|two|young|women|whose|lives|were|as|claustrophic|,|suffocating|and|chilly|as|the|attics|to|which|they|were|inevitably|consigned|.\nA|well-done|film|of|a|self-reflexive|,|philosophical|nature|.\nTexan|director|George|Ratliff|had|unlimited|access|to|families|and|church|meetings|,|and|he|delivers|fascinating|psychological|fare|.\nThe|rich|performances|by|Friel|--|and|especially|Williams|,|an|American|actress|who|becomes|fully|English|--|round|out|the|square|edges|.\nThe|new|Insomnia|is|a|surprisingly|faithful|remake|of|its|chilly|predecessor|,|and|when|it|does|elect|to|head|off|in|its|own|direction|,|it|employs|changes|that|fit|it|well|rather|than|ones|that|were|imposed|for|the|sake|of|commercial|sensibilities|.\nA|film|in|a|class|with|Spike|Lee|'s|masterful|Do|The|Right|Thing|.\nJagger|,|Stoppard|and|director|Michael|Apted|...|deliver|a|riveting|and|surprisingly|romantic|ride|.\nGreengrass|(|working|from|Don|Mullan|'s|script|)|forgoes|the|larger|socio-political|picture|of|the|situation|in|Northern|Ireland|in|favour|of|an|approach|that|throws|one|in|the|pulsating|thick|of|a|truly|frightening|situation|.\nA|thought-provoking|and|often-funny|drama|about|isolation|.\nWhatever|one|makes|of|its|political|edge|,|this|is|beautiful|filmmaking|from|one|of|French|cinema|'s|master|craftsmen|.\nMama|Africa|pretty|much|delivers|on|that|promise|.\nIt|does|give|you|a|peek|.\nThe|main|problem|being|that|it|'s|only|a|peek|.\nRoman|Polanski|'s|autobiographical|gesture|at|redemption|is|better|than|`|Shindler|'s|List|'|-|it|is|more|than|merely|a|Holocaust|movie|.\nA|perfectly|respectable|,|perfectly|inoffensive|,|easily|forgettable|film|.\nRomanek|'s|themes|are|every|bit|as|distinctive|as|his|visuals|.\nBeyond|the|cleverness|,|the|weirdness|and|the|pristine|camerawork|,|One|Hour|Photo|is|a|sobering|meditation|on|why|we|take|pictures|.\nSeeing|Seinfeld|at|home|as|he|watches|his|own|appearance|on|Letterman|with|a|clinical|eye|reminds|you|that|the|key|to|stand-up|is|to|always|make|it|look|easy|,|even|though|the|reality|is|anything|but|.\nSpeaks|eloquently|about|the|symbiotic|relationship|between|art|and|life|.\nThe|work|of|an|artist|tormented|by|his|heritage|,|using|his|storytelling|ability|to|honor|the|many|faceless|victims|.\nThe|audacity|to|view|one|of|Shakespeare|'s|better|known|tragedies|as|a|dark|comedy|is|,|by|itself|,|deserving|of|discussion|.\nThis|is|an|exercise|in|chilling|style|,|and|Twohy|films|the|sub|,|inside|and|out|,|with|an|eye|on|preserving|a|sense|of|mystery|.\nAn|uncomfortable|experience|,|but|one|as|brave|and|challenging|as|you|could|possibly|expect|these|days|from|American|cinema|.\nHailed|as|a|clever|exercise|in|neo-Hitchcockianism|,|this|clever|and|very|satisfying|picture|is|more|accurately|Chabrolian|.\nFunny|and|also|heartwarming|without|stooping|to|gooeyness|.\nAt|the|film|'s|centre|is|a|precisely|layered|performance|by|an|actor|in|his|mid-seventies|,|Michel|Piccoli|.\nThe|viewer|takes|great|pleasure|in|watching|the|resourceful|Molly|stay|a|step|ahead|of|her|pursuers|.\nWith|amazing|finesse|,|the|film|shadows|Heidi|'s|trip|back|to|Vietnam|and|the|city|where|her|mother|,|Mai|Thi|Kim|,|still|lives|.\nDirector|Charles|Stone|III|applies|more|detail|to|the|film|'s|music|than|to|the|story|line|;|what|'s|best|about|Drumline|is|its|energy|.\nA|heroic|tale|of|persistence|that|is|sure|to|win|viewers|'|hearts|.\nIt|'s|all|a|rather|shapeless|good|time|...\nhas|far|more|energy|,|wit|and|warmth|than|should|be|expected|from|any|movie|with|a|``|2|''|at|the|end|of|its|title|.\nA|little|better|than|Sorcerer|'s|Stone|.\nA|chilling|movie|without|oppressive|gore|.\nA|uniquely|sensual|metaphorical|dramatization|of|sexual|obsession|that|spends|a|bit|too|much|time|on|its|fairly|ludicrous|plot|.\nIf|you|like|peace|,|you|'ll|like|Promises|.\nBe|prepared|to|cling|to|the|edge|of|your|seat|,|tense|with|suspense|.\nThe|Ring|never|lets|you|off|the|hook|.\nThumbs|up|to|Paxton|for|not|falling|into|the|Hollywood|trap|and|making|a|vanity|project|with|nothing|new|to|offer|.\nAt|once|disarmingly|straightforward|and|strikingly|devious|.\nIf|you|like|quirky|,|odd|movies|and\\/or|the|ironic|,|here|'s|a|fun|one|.\nSensitive|ensemble|performances|and|good|period|reconstruction|add|up|to|a|moving|tragedy|with|some|buoyant|human|moments|.\nIt|'s|not|the|least|of|Afghan|tragedies|that|this|noble|warlord|would|be|consigned|to|the|dustbin|of|history|.\nIt|'s|a|lovely|,|sad|dance|highlighted|by|Kwan|'s|unique|directing|style|.\nThe|script|by|David|Koepp|is|perfectly|serviceable|and|because|he|gives|the|story|some|soul|...|he|elevates|the|experience|to|a|more|mythic|level|.\nThis|is|a|visually|stunning|rumination|on|love|,|memory|,|history|and|the|war|between|art|and|commerce|.\nShort-story|quaint|,|touchingly|mending|a|child|'s|pain|for|his|dead|mother|via|communication|with|an|old|woman|straight|out|of|Eudora|Welty|.\nIt|'s|always|fascinating|to|watch|Marker|the|essayist|at|work|.\nA|quiet|family|drama|with|a|little|bit|of|romance|and|a|dose|of|darkness|.\nThe|tasteful|little|revision|works|wonders|,|enhancing|the|cultural|and|economic|subtext|,|bringing|richer|meaning|to|the|story|'s|morals|.\nKosminsky|...|puts|enough|salt|into|the|wounds|of|the|tortured|and|self-conscious|material|to|make|it|sting|.\nOne|of|the|greatest|films|I|'ve|ever|seen|.\nIts|gentle|,|touching|story|creeps|into|your|heart|.\nAbout|as|big|a|crowdpleaser|as|they|possibly|come|.\nBound|to|appeal|to|women|looking|for|a|howlingly|trashy|time|.\nEven|these|tales|of|just|seven|children|seem|at|times|too|many|,|although|in|reality|they|are|not|enough|.\nEvery|child|'s|story|is|what|matters|.\nThis|film|can|only|point|the|way|--|but|thank|goodness|for|this|signpost|.\nA|poignant|and|gently|humorous|parable|that|loves|its|characters|and|communicates|something|rather|beautiful|about|human|nature|.\nReal|Women|Have|Curves|does|n't|offer|any|easy|answers|.\nVampire|epic|succeeds|as|spooky|action-packed|trash|of|the|highest|order|.\nOne|of|the|funniest|motion|pictures|of|the|year|,|but|...|also|one|of|the|most|curiously|depressing|.\nWhile|somewhat|less|than|it|might|have|been|,|the|film|is|a|good|one|,|and|you|'ve|got|to|hand|it|to|director|George|Clooney|for|biting|off|such|a|big|job|the|first|time|out|.\nLike|the|chilled|breath|of|oral|storytelling|frozen|onto|film|.\nA|charmer|from|Belgium|.\nA|wild|,|endearing|,|masterful|documentary|.\nJackie|Chan|movies|are|a|guilty|pleasure|-|he|'s|easy|to|like|and|always|leaves|us|laughing|.\nBrown|Sugar|signals|director|Rick|Famuyiwa|'s|emergence|as|an|articulate|,|grown-up|voice|in|African-American|cinema|.\nWith|exquisite|craftsmanship|...|Olivier|Assayas|has|fashioned|an|absorbing|look|at|provincial|bourgeois|French|society|.\nIt|'s|rare|for|any|movie|to|be|as|subtle|and|touching|as|The|Son|'s|Room|.\nIt|has|a|way|of|seeping|into|your|consciousness|,|with|lingering|questions|about|what|the|film|is|really|getting|at|.\nMaelstrom|is|a|deliberately|unsteady|mixture|of|stylistic|elements|.\n(|Leigh|)|has|a|true|talent|for|drawing|wrenching|performances|from|his|actors|(|improvised|over|many|months|)|and|for|conveying|the|way|tiny|acts|of|kindness|make|ordinary|life|survivable|.\n(|D|)|espite|its|familiar|subject|matter|,|Ice|Age|is|consistently|amusing|and|engrossing|...\nThe|ingenious|construction|(|adapted|by|David|Hare|from|Michael|Cunningham|'s|novel|)|constantly|flows|forwards|and|back|,|weaving|themes|among|three|strands|which|allow|us|to|view|events|as|if|through|a|prism\nAssured|,|glossy|and|shot|through|with|brittle|desperation|.\nThe|bottom|line|is|the|piece|works|brilliantly|.\nIt|was|only|a|matter|of|time|before|some|savvy|producer|saw|the|potential|success|inherent|in|the|mixture|of|Bullock|Bubble|and|Hugh|Goo|.\nIt|is|Scott|'s|convincing|portrayal|of|Roger|the|sad|cad|that|really|gives|the|film|its|oomph|.\nWhile|this|movie|,|by|necessity|,|lacks|Fellowship|'s|heart|,|Two|Towers|outdoes|its|spectacle|.\nMeyjes|...|has|done|his|homework|and|soaked|up|some|jazzy|new|revisionist|theories|about|the|origins|of|Nazi|politics|and|aesthetics|.\nAside|from|Rohmer|'s|bold|choices|regarding|point|of|view|,|The|Lady|and|the|Duke|represents|the|filmmaker|'s|lifelong|concern|with|formalist|experimentation|in|cinematic|art|.\nWhat|`|Dumb|and|Dumber|'|would|have|been|without|the|vulgarity|and|with|an|intelligent|,|life-affirming|script|.\n...|a|vivid|,|thoughtful|,|unapologetically|raw|coming-of-age|tale|full|of|sex|,|drugs|and|rock|'n'|roll|.\nYou|would|n't|want|to|live|waydowntown|,|but|it|is|a|hilarious|place|to|visit|.\nFilms|are|made|of|little|moments|.\nChanging|Lanes|tries|for|more|.\nIt|does|n't|reach|them|,|but|the|effort|is|gratefully|received|.\nWhen|the|movie|mixes|the|cornpone|and|the|Cosa|Nostra|,|it|finds|a|nice|rhythm|.\nThe|story|is|a|rather|simplistic|one|:|grief|drives|her|,|love|drives|him|,|and|a|second|chance|to|find|love|in|the|most|unlikely|place|-|it|struck|a|chord|in|me|.\nTerrific|casting|and|solid|execution|give|all|three|stories|life|.\nA|hard|look|at|one|man|'s|occupational|angst|and|its|subsequent|reinvention|,|a|terrifying|study|of|bourgeois|desperation|worthy|of|Claude|Chabrol|.\n(|Ramsay|)|visually|transforms|the|dreary|expanse|of|dead-end|distaste|the|characters|inhabit|into|a|poem|of|art|,|music|and|metaphor|.\nFrequent|flurries|of|creative|belly|laughs|and|genuinely|enthusiastic|performances|...|keep|the|movie|slaloming|through|its|hackneyed|elements|with|enjoyable|ease|.\nAt|its|best|,|this|is|grand-scale|moviemaking|for|a|larger-than-life|figure|,|an|artist|who|has|been|awarded|mythic|status|in|contemporary|culture|.\nThe|plot|of|the|comeback|curlers|is|n't|very|interesting|actually|,|but|what|I|like|about|Men|With|Brooms|and|what|is|kind|of|special|is|how|the|film|knows|what|'s|unique|and|quirky|about|Canadians|.\n10|minutes|into|the|film|you|'ll|be|white-knuckled|and|unable|to|look|away|.\nIt|'s|a|beautiful|film|,|full|of|elaborate|and|twisted|characters|-|and|it|'s|also|pretty|funny|.\nCould|this|be|the|first|major|studio|production|shot|on|video|tape|instead|of|film|?\nNot|since|Ghostbusters|has|a|film|used|Manhattan|'s|architecture|in|such|a|gloriously|goofy|way|.\nAs|tricky|and|satisfying|as|any|of|David|Mamet|'s|airless|cinematic|shell|games|.\nThe|universal|theme|of|becoming|a|better|person|through|love|has|never|been|filmed|more|irresistibly|than|in|`|Baran|.|'\nCube|'s|charisma|and|chemistry|compensate|for|corniness|and|cliche|.\nWith|lesser|talents|,|High|Crimes|would|be|entertaining|,|but|forgettable|.\nWith|Freeman|and|Judd|,|I|'ll|at|least|remember|their|characters|.\nAs|a|director|,|Paxton|is|surprisingly|brilliant|,|deftly|sewing|together|what|could|have|been|a|confusing|and|horrifying|vision|into|an|intense|and|engrossing|head-trip|.\nThe|film|is|filled|with|humorous|observations|about|the|general|absurdity|of|modern|life|as|seen|through|the|eyes|outsiders|,|but|deftly|manages|to|avoid|many|of|the|condescending|stereotypes|that|so|often|plague|films|dealing|with|the|mentally|ill|.\nDaughter|From|Danang|sticks|with|its|subjects|a|little|longer|and|tells|a|deeper|story\nA|coming-of-age|film|that|avoids|the|cartoonish|clichés|and|sneering|humor|of|the|genre|as|it|provides|a|fresh|view|of|an|old|type|--|the|uncertain|girl|on|the|brink|of|womanhood|.\nThe|faithful|will|enjoy|this|sometimes|wry|adaptation|of|V.S.|Naipaul|'s|novel|,|but|newcomers|may|find|themselves|stifling|a|yawn|or|two|during|the|first|hour|.\nA|distinguished|and|thoughtful|film|,|marked|by|acute|writing|and|a|host|of|splendid|performances|.\nBarry|convinces|us|he|'s|a|dangerous|,|secretly|unhinged|guy|who|could|easily|have|killed|a|president|because|it|made|him|feel|powerful|.\nTakes|you|by|the|face|,|strokes|your|cheeks|and|coos|beseechingly|at|you|:|slow|down|,|shake|off|your|tensions|and|take|this|picture|at|its|own|breezy|,|distracted|rhythms|.\nI|do|n't|feel|the|least|bit|ashamed|in|admitting|that|my|enjoyment|came|at|the|expense|of|seeing|justice|served|,|even|if|it|'s|a|dish|that|'s|best|served|cold|.\nIt|'s|a|smart|,|solid|,|kinetically-charged|spy|flick|worthy|of|a|couple|hours|of|summertime|and|a|bucket|of|popcorn|.\nNothing|overly|original|,|mind|you|,|but|solidly|entertaining|.\nChanging|Lanes|is|an|anomaly|for|a|Hollywood|movie|;|it|'s|a|well-written|and|occasionally|challenging|social|drama|that|actually|has|something|interesting|to|say|.\nborrows|a|bit|from|the|classics|``|Wait|Until|Dark|''|and|``|Extremities|''|...|But|in|terms|of|its|style|,|the|movie|is|in|a|class|by|itself|.\nBecause|Eight|Legged|Freaks|is|partly|an|homage|to|Them|,|Tarantula|and|other|low|-|budget|B-movie|thrillers|of|the|1950s|and|'60s|,|the|movie|is|a|silly|(|but|not|sophomoric|)|romp|through|horror|and|hellish|conditions|.\nPuts|a|refreshing|and|comical|spin|on|the|all-too-familiar|saga|of|the|contemporary|single|woman|.\nIf|you|grew|up|on|Scooby|--|you|'ll|love|this|movie|.\nMatthew|Lillard|is|born|to|play|Shaggy|!\nThough|filmed|partly|in|Canada|,|Paid|in|Full|has|clever|ways|of|capturing|inner-city|life|during|the|Reagan|years|.\n``|Spider-man|is|better|than|any|summer|blockbuster|we|had|to|endure|last|summer|,|and|hopefully|,|sets|the|tone|for|a|summer|of|good|stuff|.\nIf|you|'re|a|comic|fan|,|you|ca|n't|miss|it|.\nIf|you|'re|not|,|you|'ll|still|have|a|good|time|.|''\nThis|movie|has|a|strong|message|about|never|giving|up|on|a|loved|one|,|but|it|'s|not|an|easy|movie|to|watch|and|will|probably|disturb|many|who|see|it|.\nThe|movie|is|a|trove|of|delights|.\nExcellent|performances|from|Jacqueline|Bisset|and|Martha|Plimpton|grace|this|deeply|touching|melodrama|.\nIn|a|summer|of|clones|,|Harvard|Man|is|something|rare|and|riveting|:|a|wild|ride|that|relies|on|more|than|special|effects|.\nWhile|the|humor|is|recognizably|Plympton|,|he|has|actually|bothered|to|construct|a|real|story|this|time|.\nJolting|into|Charleston|rhythms|,|the|story|has|the|sizzle|of|old|news|that|has|finally|found|the|right|vent|(|accurate|?\nWho|cares|?|)|.\nAn|overly|melodramatic|but|somewhat|insightful|French|coming-of-age|film|...\nMost|thrillers|send|audiences|out|talking|about|specific|scary|scenes|or|startling|moments|;|``|Frailty|''|leaves|us|with|the|terrifying|message|that|the|real|horror|may|be|waiting|for|us|at|home|.\nClose|enough|in|spirit|to|its|freewheeling|trash-cinema|roots|to|be|a|breath|of|fresh|air|.\nSkillfully|weaves|both|the|elements|of|the|plot|and|a|powerfully|evocative|mood|combining|heated|sexuality|with|a|haunting|sense|of|malaise|.\nDamon|brings|the|proper|conviction|to|his|role|as|(|Jason|Bourne|)|.\nFor|the|most|part|,|it|works|beautifully|as|a|movie|without|sacrificing|the|integrity|of|the|opera|.\nAs|played|by|Ryan|Gosling|,|Danny|is|a|frighteningly|fascinating|contradiction|.\nThis|is|not|Chabrol|'s|best|,|but|even|his|lesser|works|outshine|the|best|some|directors|can|offer|.\nDespite|its|flaws|,|Crazy|as|Hell|marks|an|encouraging|new|direction|for|La|Salle|.\nYou|'ll|end|up|moved|.\nIf|you|ever|wondered|what|it|would|be|like|to|be|smack|in|the|middle|of|a|war|zone|armed|with|nothing|but|a|camera|,|this|Oscar-nominated|documentary|takes|you|there|.\nThe|Woodman|seems|to|have|directly|influenced|this|girl-meets-girl|love|story|,|but|even|more|reassuring|is|how|its|makers|actually|seem|to|understand|what|made|Allen|'s|romantic|comedies|so|pertinent|and|enduring|.\nI|loved|the|look|of|this|film|.\nThose|with|a|modicum|of|patience|will|find|in|these|characters|'|foibles|a|timeless|and|unique|perspective|.\nBeautiful|to|watch|and|holds|a|certain|charm|.\n13|Conversations|may|be|a|bit|too|enigmatic|and|overly|ambitious|to|be|fully|successful|,|but|Sprecher|and|her|screenwriting|partner|and|sister|,|Karen|Sprecher|,|do|n't|seem|ever|to|run|out|of|ideas|.\nThe|movie|is|our|story|as|much|as|it|is|Schmidt|'s|,|no|matter|if|it|'s|viewed|as|a|self-reflection|or|cautionary|tale|.\nFoster|breathes|life|into|a|roll|that|could|have|otherwise|been|bland|and|run|of|the|mill|.\nQuitting|offers|piercing|domestic|drama|with|spikes|of|sly|humor|.\nSome|people|want|the|ol'|ball-and-chain|and|then|there|are|those|who|just|want|the|Ball|and|Chain|.\n(|Barry|)|gives|Assassin|a|disquieting|authority|.\nIt|'s|refreshing|to|see|a|romance|this|smart|.\nAt|its|best|(|and|it|does|have|some|very|funny|sequences|)|Looking|for|Leonard|reminds|you|just|how|comically|subversive|silence|can|be|.\nAs|improbable|as|this|premise|may|seem|,|Abbass|'s|understated|,|shining|performance|offers|us|the|sense|that|on|some|elemental|level|,|Lilia|deeply|wants|to|break|free|of|her|old|life|.\nAnyone|who|ever|fantasized|about|space|travel|but|ca|n't|afford|the|$|20|million|ticket|to|ride|a|Russian|rocket|should|catch|this|IMAX|offering|.\n``|The|turntable|is|now|outselling|the|electric|guitar|...|''\nTransforms|one|of|(|Shakespeare|'s|)|deepest|tragedies|into|a|smart|new|comedy|.\nAn|intelligent|and|deeply|felt|work|about|impossible|,|irrevocable|choices|and|the|price|of|making|them|.\nIt|may|sound|like|a|mere|disease-of|-|the-week|TV|movie|,|but|A|Song|For|Martin|is|made|infinitely|more|wrenching|by|the|performances|of|real-life|spouses|Seldahl|and|Wollter|.\nSayles|is|making|a|statement|about|the|inability|of|dreams|and|aspirations|to|carry|forward|into|the|next|generation|.\nAs|Antonia|is|assimilated|into|this|newfangled|community|,|the|film|settles|in|and|becomes|compulsively|watchable|in|a|guilty-pleasure|,|daytime-drama|sort|of|fashion|.\nevery|once|in|a|while|,|a|movie|will|come|along|that|turns|me|into|that|annoying|specimen|of|humanity|that|I|usually|dread|encountering|the|most|-|The|Fanboy\nOn|its|own|staggeringly|unoriginal|terms|,|this|gender-bending|comedy|is|generally|quite|funny|.\nIt|'s|never|dull|and|always|looks|good|.\nThe|tonal|shifts|are|jolting|,|and|though|Wen|'s|messages|are|profound|and|thoughtfully|delivered|,|more|thorough|transitions|would|have|made|the|film|more|cohesive|.\nAs|commander-in-chief|of|this|film|,|Bigelow|demonstrates|a|breadth|of|vision|and|an|attention|to|detail|that|propels|her|into|the|upper|echelons|of|the|directing|world|.\nWith|wit|and|empathy|to|spare|,|waydowntown|acknowledges|the|silent|screams|of|workaday|inertia|but|stops|short|of|indulging|its|characters|'|striving|solipsism|.\nAll|of|it|works|smoothly|under|the|direction|of|Spielberg|,|who|does|a|convincing|impersonation|here|of|a|director|enjoying|himself|immensely|.\nThe|kind|of|sweet-and-sour|insider|movie|that|film|buffs|will|eat|up|like|so|much|gelati|.\nWith|`|Bowling|for|Columbine|,|'|Michael|Moore|gives|us|the|perfect|starting|point|for|a|national|conversation|about|guns|,|violence|,|and|fear|.\nOne|of|the|year|'s|most|weirdly|engaging|and|unpredictable|character|pieces|.\nOne|of|the|best|inside-show-biz|yarns|ever|.\nNone|of|his|actors|stand|out|,|but|that|'s|less|of|a|problem|here|than|it|would|be|in|another|film|:|Characterization|matters|less|than|atmosphere|.\nA|terrifically|entertaining|specimen|of|Spielbergian|sci-fi|.\nA|rare|and|lightly|entertaining|look|behind|the|curtain|that|separates|comics|from|the|people|laughing|in|the|crowd|.\nSolondz|is|so|intent|on|hammering|home|his|message|that|he|forgets|to|make|it|entertaining|.\nWhatever|heartwarming|scene|the|impressively|discreet|filmmakers|may|have|expected|to|record|with|their|mini|DV|,|they|show|a|remarkable|ability|to|document|both|sides|of|this|emotional|car-wreck|.\nIt|establishes|its|ominous|mood|and|tension|swiftly|,|and|if|the|suspense|never|rises|to|a|higher|level|,|it|is|nevertheless|maintained|throughout|.\nAlthough|What|Time|offers|Tsai|'s|usual|style|and|themes|,|it|has|a|more|colorful|,|more|playful|tone|than|his|other|films|.\nA|moving|and|stark|reminder|that|the|casualties|of|war|reach|much|further|than|we|imagine|.\nA|thoroughly|engaging|,|surprisingly|touching|British|comedy|.\nA|sloppy|,|amusing|comedy|that|proceeds|from|a|stunningly|unoriginal|premise|.\n...|a|rich|and|intelligent|film|that|uses|its|pulpy|core|conceit|to|probe|questions|of|attraction|and|interdependence|and|how|the|heart|accomodates|practical|needs|.\nIt|is|an|unstinting|look|at|a|collaboration|between|damaged|people|that|may|or|may|not|qual\ncaptures|that|perverse|element|of|the|Kafkaesque|where|identity|,|overnight|,|is|robbed|and|replaced|with|a|persecuted|``|other|.|''\nThe|actors|are|simply|too|good|,|and|the|story|too|intriguing|,|for|technical|flaws|to|get|in|the|way|.\nAn|estrogen|opera|so|intensely|feminine|that|it|serves|as|the|antidote|(|and|cannier|doppelganger|)|to|Diesel|'s|XXX|flex-a-thon|.\nImamura|has|said|that|Warm|Water|Under|a|Red|Bridge|is|a|poem|to|the|enduring|strengths|of|women|.\nIt|may|also|be|the|best|sex|comedy|about|environmental|pollution|ever|made|.\nIt|'s|a|ripper|of|a|yarn|and|I|for|one|enjoyed|the|thrill|of|the|chill|.\nNaomi|Watts|is|terrific|as|Rachel|;|her|petite|frame|and|vulnerable|persona|emphasising|her|plight|and|isolation|.\nA|family|film|that|contains|some|hefty|thematic|material|on|time|,|death|,|eternity|,|and|what|is|needed|to|live|a|rich|and|full|life|.\nWith|Dickens|'|words|and|writer-director|Douglas|McGrath|'s|even-toned|direction|,|a|ripping|good|yarn|is|told|.\nExactly|what|its|title|implies|:|lusty|,|boisterous|and|utterly|charming|.\nThe|film|is|darkly|funny|in|its|observation|of|just|how|much|more|grueling|and|time-consuming|the|illusion|of|work|is|than|actual|work|.\nA|smart|,|compelling|drama|.\nA|must-see|for|fans|of|thoughtful|war|films|and|those|interested|in|the|sights|and|sounds|of|battle|.\nI|found|myself|liking|the|film|,|though|in|this|case|one|man|'s|treasure|could|prove|to|be|another|man|'s|garbage|.\n...|Rogers|'s|mouth|never|stops|shut|about|the|war|between|the|sexes|and|how|to|win|the|battle|.\nDeliberately|and|skillfully|uses|ambiguity|to|suggest|possibilities|which|imbue|the|theme|with|added|depth|and|resonance|.\nIt|'s|all|entertaining|enough|,|but|do|n't|look|for|any|hefty|anti-establishment|message|in|what|is|essentially|a|whip-crack|of|a|buddy|movie|that|ends|with|a|whimper|.\nNicholson|'s|understated|performance|is|wonderful|.\nAs|Warren|he|stumbles|in|search|of|all|the|emotions|and|life|experiences|he|'s|neglected|over|the|years|.\nDespite|its|old-hat|set-up|and|predictable|plot|,|Empire|still|has|enough|moments|to|keep|it|entertaining|.\nAnother|entertaining|romp|from|Robert|Rodriguez|.\nIt|'s|not|a|classic|spy-action|or|buddy|movie|,|but|it|'s|entertaining|enough|and|worth|a|look|.\nI|am|more|offended|by|his|lack|of|faith|in|his|audience|than|by|anything|on|display|here|.\nA|sharp|satire|of|desperation|and|cinematic|deception|.\nTsai|convincingly|paints|a|specifically|urban|sense|of|disassociation|here|.\nIf|you|can|swallow|its|absurdities|and|crudities|Lagaan|really|is|enormously|good|fun|.\nAn|unorthodox|little|film|noir|organized|crime|story|that|includes|one|of|the|strangest|love|stories|you|will|ever|see|.\nA|pleasing|,|often-funny|comedy|.\n(|A|)|rare|movie|that|makes|us|re-assess|the|basis|for|our|lives|and|evaluate|what|is|truly|ours|in|a|world|of|meaningless|activity|.\nAll|three|actresses|are|simply|dazzling|,|particularly|Balk|,|who|'s|finally|been|given|a|part|worthy|of|her|considerable|talents|.\nAn|Asian|neo-realist|treasure|.\nPlummer|steals|the|show|without|resorting|to|camp|as|Nicholas|'|wounded|and|wounding|Uncle|Ralph|.\nIt|'s|a|great|performance|and|a|reminder|of|Dickens|'|grandeur|.\n...|less|a|story|than|an|inexplicable|nightmare|,|right|down|to|the|population|'s|shrugging|acceptance|to|each|new|horror|.\nI|am|highly|amused|by|the|idea|that|we|have|come|to|a|point|in|society|where|it|has|been|deemed|important|enough|to|make|a|film|in|which|someone|has|to|be|hired|to|portray|Richard|Dawson|.\nA|compassionate|,|moving|portrait|of|an|American|(|and|an|America|)|always|reaching|for|something|just|outside|his|grasp|.\nAn|original|little|film|about|one|young|woman|'s|education|.\nThe|film|is|about|the|relationships|rather|than|about|the|outcome|.\nAnd|it|sees|those|relationships|,|including|that|between|the|son|and|his|wife|,|and|the|wife|and|the|father|,|and|between|the|two|brothers|,|with|incredible|subtlety|and|acumen|.\nOne|of|those|terrific|documentaries|that|collect|a|bunch|of|people|who|are|enthusiastic|about|something|and|then|figures|out|how|to|make|us|share|their|enthusiasm|.\nAn|instance|of|an|old|dog|not|only|learning|but|inventing|a|remarkable|new|trick|.\nRodriguez|has|the|chops|of|a|smart-aleck|film|school|brat|and|the|imagination|of|a|big|kid|...\nAmy|and|Matthew|have|a|bit|of|a|phony|relationship|,|but|the|film|works|in|spite|of|it|.\nGarcia|and|the|other|actors|help|make|the|wobbly|premise|work|.\nIt|'s|surprisingly|decent|,|particularly|for|a|tenth|installment|in|a|series|.\nA|fascinating|,|unnerving|examination|of|the|delusions|of|one|unstable|man|.\nIt|'s|no|accident|that|The|Accidental|Spy|is|a|solid|action|pic|that|returns|the|martial|arts|master|to|top|form|.\nLeave|it|to|the|French|to|truly|capture|the|terrifying|angst|of|the|modern|working|man|without|turning|the|film|into|a|cheap|thriller|,|a|dumb|comedy|or|a|sappy|melodrama|.\nThe|director|,|Mark|Pellington|,|does|a|terrific|job|conjuring|up|a|sinister|,|menacing|atmosphere|though|unfortunately|all|the|story|gives|us|is|flashing|red|lights|,|a|rattling|noise|,|and|a|bump|on|the|head|.\nHeartwarming|here|relies|less|on|forced|air|than|on|Petter|Næss|'|delicate|,|clever|direction|...|and|a|wonderful|,|imaginative|script|by|Axel|Hellstenius|.\nMakes|the|case|for|a|strong|education|and|good|teachers|being|more|valuable|in|the|way|they|help|increase|an|average|student|'s|self-esteem|,|and|not|strictly|in|the|knowledge|imparted|.\nSteers|refreshingly|clear|of|the|usual|cliches|.\n``|Home|Movie|''|is|a|sweet|treasure|and|something|well|worth|your|time|.\nHighly|recommended|viewing|for|its|courage|,|ideas|,|technical|proficiency|and|great|acting|.\nThe|movie|'s|thesis|--|elegant|technology|for|the|masses|--|is|surprisingly|refreshing|.\nScott|delivers|a|terrific|performance|in|this|fascinating|portrait|of|a|modern|Lothario|.\n...|Wallace|is|smart|to|vary|the|pitch|of|his|movie|,|balancing|deafening|battle|scenes|with|quieter|domestic|scenes|of|women|back|home|receiving|War|Department|telegrams|.\nCombines|sharp|comedy|,|old-fashioned|monster|movie|atmospherics|,|and|genuine|heart|to|create|a|film|that|'s|not|merely|about|kicking|undead|\\*\\*\\*|,|but|also|about|dealing|with|regret|and|,|ultimately|,|finding|redemption|.\nWhile|most|films|these|days|are|about|nothing|,|this|film|seems|to|be|about|everything|that|'s|plaguing|the|human|spirit|in|a|relentlessly|globalizing|world|.\nMarshall|puts|a|suspenseful|spin|on|standard|horror|flick|formula|.\nAs|lively|an|account|as|Seinfeld|is|deadpan|.\nThough|Lan|Yu|lacks|a|sense|of|dramatic|urgency|,|the|film|makes|up|for|it|with|a|pleasing|verisimilitude|.\nYou|may|leave|the|theater|with|more|questions|than|answers|,|but|darned|if|your|toes|wo|n't|still|be|tapping|.\nTake|any|12-year-old|boy|to|see|this|picture|,|and|he|'ll|be|your|slave|for|a|year|.\nBut|this|is|not|a|movie|about|an|inhuman|monster|;|it|'s|about|a|very|human|one|.\nAt|times|THE|GUYS|taps|into|some|powerful|emotions|,|but|this|kind|of|material|is|more|effective|on|stage|.\nIt|'s|not|a|motion|picture|;|it|'s|an|utterly|static|picture|.\nWhat|makes|it|worth|watching|is|Quaid|'s|performance|.\nSoderbergh|skims|the|fat|from|the|1972|film|.\nWhat|'s|left|is|a|rich|stew|of|longing|.\nIt|'s|the|brilliant|surfing|photography|bringing|you|right|inside|the|massive|waves|that|lifts|Blue|Crush|into|one|of|the|summer|'s|most|pleasurable|movies|.\nMore|of|the|same|from|Taiwanese|auteur|Tsai|Ming-liang|,|which|is|good|news|to|anyone|who|'s|fallen|under|the|sweet|,|melancholy|spell|of|this|unique|director|'s|previous|films|.\nHatfield|and|Hicks|make|the|oddest|of|couples|,|and|in|this|sense|the|movie|becomes|a|study|of|the|gambles|of|the|publishing|world|,|offering|a|case|study|that|exists|apart|from|all|the|movie|'s|political|ramifications|.\nBest|of|all|is|Garcia|,|who|perfectly|portrays|the|desperation|of|a|very|insecure|man|.\nThe|filmmakers|try|to|balance|pointed|,|often|incisive|satire|and|unabashed|sweetness|,|with|results|that|are|sometimes|bracing|,|sometimes|baffling|and|quite|often|,|and|in|unexpected|ways|,|touching|.\nA|sobering|and|powerful|documentary|about|the|most|severe|kind|of|personal|loss|:|rejection|by|one|'s|mother|.\nOften|overwrought|and|at|times|positively|irritating|,|the|film|turns|into|an|engrossing|thriller|almost|in|spite|of|itself|.\nHumorous|and|heartfelt|,|Douglas|McGrath|'s|version|of|`|Nicholas|Nickleby|'|left|me|feeling|refreshed|and|hopeful|.\nNot|many|movies|have|that|kind|of|impact|on|me|these|days|.\nA|poignant|lyricism|runs|through|Balzac|and|the|Little|Chinese|Seamstress|that|transforms|this|story|about|love|and|culture|into|a|cinematic|poem|.\nThis|is|SO|De|Palma|.\nIf|you|love|him|,|you|'ll|like|it|.\nIf|you|do|n't|...|well|,|skip|to|another|review|.\nRouge|is|less|about|a|superficial|midlife|crisis|than|it|is|about|the|need|to|stay|in|touch|with|your|own|skin|,|at|18|or|80|.\nThe|moral|shrapnel|and|mental|shellshock|will|linger|long|after|this|film|has|ended|.\nUnfolds|in|a|series|of|achronological|vignettes|whose|cumulative|effect|is|chilling|.\nThe|movie|enters|a|realm|where|few|non-porn|films|venture|,|and|comes|across|as|darkly|funny|,|energetic|,|and|surprisingly|gentle|.\nAlthough|the|subject|matter|may|still|be|too|close|to|recent|national|events|,|the|film|works|-|mostly|due|to|its|superior|cast|of|characters|.\nIt|'s|not|going|to|be|everyone|'s|bag|of|popcorn|,|but|it|definitely|gives|you|something|to|chew|on|.\nHuppert|and|Girardot|give|performances|of|exceptional|honesty|.\nIt|has|that|rare|quality|of|being|able|to|creep|the|living|hell|out|of|you|...\nA|cautionary|tale|about|the|grandiosity|of|a|college|student|who|sees|himself|as|impervious|to|a|fall|.\nAn|infinitely|wittier|version|of|the|Home|Alone|formula|.\nFeardotcom|'s|thrills|are|all|cheap|,|but|they|mostly|work|.\n(|Hayek|)|throws|herself|into|this|dream|Hispanic|role|with|a|teeth-clenching|gusto|,|she|strikes|a|potent|chemistry|with|Molina|and|she|gradually|makes|us|believe|she|is|Kahlo|.\nMr.|Deeds|is|,|as|comedy|goes|,|very|silly|--|and|in|the|best|way|.\nYou|could|love|Safe|Conduct|(|Laissez|Passer|)|for|being|a|subtitled|French|movie|that|is|170|minutes|long|.\nYou|could|hate|it|for|the|same|reason|.\nWith|We|Were|Soldiers|,|Hollywood|makes|a|valiant|attempt|to|tell|a|story|about|the|Vietnam|War|before|the|pathology|set|in|.\n`|Moore|is|like|a|progressive|bull|in|a|china|shop|,|a|provocateur|crashing|into|ideas|and|special-interest|groups|as|he|slaps|together|his|own|brand|of|liberalism|.|'\nBroomfield|reveals|an|ironic|manifestation|of|institutionalized|slavery|that|ties|a|black-owned|record|label|with|a|white-empowered|police|force|.\nAt|just|over|an|hour|,|Home|Movie|will|leave|you|wanting|more|,|not|to|mention|leaving|you|with|some|laughs|and|a|smile|on|your|face|.\nStuart|'s|poor-me|persona|needs|a|whole|bunch|of|Snowball|'s|cynicism|to|cut|through|the|sugar|coating|.\nBut|once|the|falcon|arrives|in|the|skies|above|Manhattan|,|the|adventure|is|on|red|alert|.\nThere|is|greatness|here|.\nBoasts|enough|funny|dialogue|and|sharp|characterizations|to|be|mildly|amusing|.\nDirector|Juan|Jose|Campanella|could|have|turned|this|into|an|Argentine|retread|of|``|Iris|''|or|``|American|Beauty|,|''|but|instead|pulls|a|little|from|each|film|and|creates|something|more|beautiful|than|either|of|those|films|.\nIf|you|love|the|music|,|and|I|do|,|its|hard|to|imagine|having|more|fun|watching|a|documentary|...\nNakata|'s|technique|is|to|imply|terror|by|suggestion|,|rather|than|the|overuse|of|special|effects|.\n``|13|Conversations|About|One|Thing|''|is|an|intelligent|flick|that|examines|many|different|ideas|from|happiness|to|guilt|in|an|intriguing|bit|of|storytelling|.\nSatin|Rouge|is|not|a|new|,|or|inventive|,|journey|,|but|it|'s|encouraging|to|see|a|three-dimensional|,|average|,|middle-aged|woman|'s|experience|of|self-discovery|handled|with|such|sensitivity|.\nThough|an|important|political|documentary|,|this|does|not|really|make|the|case|the|Kissinger|should|be|tried|as|a|war|criminal|.\nCannon|'s|confidence|and|laid-back|good|spirits|are|,|with|the|drumming|routines|,|among|the|film|'s|saving|graces|.\nIn|its|understanding|,|often|funny|way|,|it|tells|a|story|whose|restatement|is|validated|by|the|changing|composition|of|the|nation|.\nShe|may|not|be|real|,|but|the|laughs|are|.\nA|fiercely|clever|and|subtle|film|,|capturing|the|precarious|balance|between|the|extravagant|confidence|of|the|exiled|aristocracy|and|the|cruel|earnestness|of|the|victorious|revolutionaries|.\nOK|arthouse|.\nThe|power|of|this|script|,|and|the|performances|that|come|with|it|,|is|that|the|whole|damned|thing|did|n't|get|our|moral|hackles|up|.\nThe|movie|itself|is|far|from|disappointing|,|offering|an|original|take|on|courtroom|movies|,|a|few|nifty|twists|that|are|so|crucial|to|the|genre|and|another|first-rate|performance|by|top-billed|star|Bruce|Willis|.\nAbout|Schmidt|is|undoubtedly|one|of|the|finest|films|of|the|year|.\nIf|you|'re|not|deeply|touched|by|this|movie|,|check|your|pulse|.\nThe|charm|of|Revolution|OS|is|rather|the|way|it|introduces|you|to|new|,|fervently|held|ideas|and|fanciful|thinkers|.\nUntil|its|final|minutes|this|is|a|perceptive|study|of|two|families|in|crisis|--|and|of|two|girls|whose|friendship|is|severely|tested|by|bad|luck|and|their|own|immaturity|.\nOffers|the|flash|of|rock|videos|fused|with|solid|performances|and|eerie|atmosphere|.\nFilmmakers|Dana|Janklowicz-Mann|and|Amir|Mann|area|headed|east|,|Far|East|,|in|retelling|a|historically|significant|,|and|personal|,|episode|detailing|how|one|international|city|welcomed|tens|of|thousands|of|German|Jewish|refugees|while|the|world|'s|democracie\nFor|all|its|problems|...|The|Lady|and|the|Duke|surprisingly|manages|never|to|grow|boring|...|which|proves|that|Rohmer|still|has|a|sense|of|his|audience|.\nAn|edifying|glimpse|into|the|wit|and|revolutionary|spirit|of|these|performers|and|their|era|.\nCraig|Bartlett|and|director|Tuck|Tucker|should|be|commended|for|illustrating|the|merits|of|fighting|hard|for|something|that|really|matters|.\nThe|film|is|saved|from|are|n't|-|kids-cute|sentimentality|by|a|warmth|that|is|n't|faked|and|a|stately|sense|of|composition|.\nThis|is|one|of|the|year|'s|best|films|.\nA|fleet-footed|and|pleasingly|upbeat|family|diversion|.\nSorvino|is|delightful|in|the|central|role|.\nShe|nearly|glows|with|enthusiasm|,|sensuality|and|a|conniving|wit|.\nIt|'s|immensely|ambitious|,|different|than|anything|that|'s|been|done|before|and|amazingly|successful|in|terms|of|what|it|'s|trying|to|do|.\nThe|story|,|once|it|gets|rolling|,|is|nothing|short|of|a|great|one|.\nGreat|performances|,|stylish|cinematography|and|a|gritty|feel|help|make|Gangster|No.|1|a|worthwhile|moviegoing|experience|.\n``|Mr.|Deeds|''|is|suitable|summer|entertainment|that|offers|escapism|without|requiring|a|great|deal|of|thought|.\nIt|'s|an|ambitious|film|,|and|as|with|all|ambitious|films|,|it|has|some|problems|.\nBut|on|the|whole|,|you|'re|gonna|like|this|movie|.\nChaiken|ably|balances|real-time|rhythms|with|propulsive|incident|.\nThis|is|an|extraordinary|film|,|not|least|because|it|is|Japanese|and|yet|feels|universal|.\nIn|a|summer|overrun|with|movies|dominated|by|CGI|aliens|and|super|heroes|,|it|revigorates|the|mind|to|see|a|feature|that|concentrates|on|people|,|a|project|in|which|the|script|and|characters|hold|sway|.\nThere|'s|just|something|about|watching|a|squad|of|psychopathic|underdogs|whale|the|tar|out|of|unsuspecting|lawmen|that|reaches|across|time|and|distance|.\nA|funny|and|touching|film|that|is|gorgeously|acted|by|a|British|cast|to|rival|Gosford|Park|'s|.\nThere|'s|nothing|more|satisfying|during|a|summer|of|event|movies|than|a|spy|thriller|like|The|Bourne|Identity|that|'s|packed|with|just|as|much|intelligence|as|action|.\nI|'m|not|generally|a|fan|of|vegetables|but|this|batch|is|pretty|cute|.\nQutting|may|be|a|flawed|film|,|but|it|is|nothing|if|not|sincere|.\nBeautifully|crafted|,|engaging|filmmaking|that|should|attract|upscale|audiences|hungry|for|quality|and|a|nostalgic|,|twisty|yarn|that|will|keep|them|guessing|.\nA|thoughtful|and|surprisingly|affecting|portrait|of|a|screwed-up|man|who|dared|to|mess|with|some|powerful|people|,|seen|through|the|eyes|of|the|idealistic|kid|who|chooses|to|champion|his|ultimately|losing|cause|.\nA|cultural|wildcard|experience|:|wacky|,|different|,|unusual|,|even|nutty|.\nDaughter|From|Danang|reveals|that|efforts|toward|closure|only|open|new|wounds|.\nIt|does|n't|flinch|from|its|unsettling|prognosis|,|namely|,|that|the|legacy|of|war|is|a|kind|of|perpetual|pain|.\nFor|most|of|its|footage|,|the|new|thriller|proves|that|director|M.|Night|Shyamalan|can|weave|an|eerie|spell|and|that|Mel|Gibson|can|gasp|,|shudder|and|even|tremble|without|losing|his|machismo|.\nThis|is|not|an|easy|film|.\nBut|it|could|be|,|by|its|art|and|heart|,|a|necessary|one|.\nA|very|good|film|sits|in|the|place|where|a|masterpiece|should|be|.\n...|spellbinding|fun|and|deliciously|exploitative|.\nIt|'s|Jagger|'s|bone-dry|,|mournfully|brittle|delivery|that|gives|the|film|its|bittersweet|bite|.\nImpossible|as|it|may|sound|,|this|film|'s|heart|is|even|more|embracing|than|Monty|,|if|only|because|it|accepts|nasty|behavior|and|severe|flaws|as|part|of|the|human|condition|.\nDespite|the|predictable|parent|vs.|child|coming-of-age|theme|,|first-class|,|natural|acting|and|a|look|at|``|the|real|Americans|''|make|this|a|charmer|.\nOne|of|the|smarter|offerings|the|horror|genre|has|produced|in|recent|memory|,|even|if|it|'s|far|tamer|than|advertised|.\nOne|of|recent|memory|'s|most|thoughtful|films|about|art|,|ethics|,|and|the|cost|of|moral|compromise|.\nthe|film|does|n't|sustain|its|initial|promise|with|a|jarring|,|new-agey|tone|creeping|into|the|second|half\nBlade|II|is|as|estrogen-free|as|movies|get|,|so|you|might|want|to|leave|your|date|behind|for|this|one|,|or|she|'s|gonna|make|you|feel|like|you|owe|her|big-time|.\nThe|message|is|that|even|the|most|unlikely|can|link|together|to|conquer|all|kinds|of|obstacles|,|whether|they|be|of|nature|,|of|man|or|of|one|another|.\nMany|a|parent|and|their|teen|(|or|preteen|)|kid|could|bond|while|watching|A|Walk|To|Remember|.\nSo|could|young|romantics|out|on|a|date|.\nAll|leather|pants|&|augmented|boobs|,|Hawn|is|hilarious|as|she|tries|to|resuscitate|the|fun-loving|libertine|lost|somewhere|inside|the|conservative|,|handbag-clutching|Sarandon|.\nThe|members|manage|to|pronounce|KOK|exactly|as|you|think|they|might|,|thus|giving|the|cast|ample|opportunity|to|use|that|term|as|often|as|possible|.\nIt|'s|very|Beavis|and|Butthead|,|yet|always|seems|to|elicit|a|chuckle|.\nWhile|this|gentle|and|affecting|melodrama|will|have|luvvies|in|raptures|,|it|'s|far|too|slight|and|introspective|to|appeal|to|anything|wider|than|a|niche|audience|.\nChicago|offers|much|colorful|eye|candy|,|including|the|spectacle|of|Gere|in|his|dancing|shoes|,|hoofing|and|crooning|with|the|best|of|them|.\nA|difficult|but|worthy|film|that|bites|off|more|than|it|can|chew|by|linking|the|massacre|of|Armenians|in|1915|with|some|difficult|relationships|in|the|present|.\nBy|and|large|this|is|Mr.|Kilmer|'s|movie|,|and|it|'s|his|strongest|performance|since|The|Doors|.\nSome|of|the|most|ravaging|,|gut-wrenching|,|frightening|war|scenes|since|``|Saving|Private|Ryan|''|have|been|recreated|by|John|Woo|in|this|little-known|story|of|Native|Americans|and|their|role|in|the|second|great|war|.\nA|charming|but|slight|comedy|.\nHenry|Bean|'s|thoughtful|screenplay|provides|no|easy|answers|,|but|offers|a|compelling|investigation|of|faith|versus|intellect\nA|great|cast|and|a|wonderful|but|sometimes|confusing|flashback|movie|about|growing|up|in|a|dysfunctional|family|.\nPlaying|a|role|of|almost|Bergmanesque|intensity|...|Bisset|is|both|convincing|and|radiant|.\nA|smart|,|provocative|drama|that|does|the|nearly|impossible|:|It|gets|under|the|skin|of|a|man|we|only|know|as|an|evil|,|monstrous|lunatic|.\nAn|alternately|fascinating|and|frustrating|documentary|.\nGriffin|&|Co.|manage|to|be|spectacularly|outrageous|.\nNair|'s|cast|is|so|large|it|'s|Altman-esque|,|but|she|deftly|spins|the|multiple|stories|in|a|vibrant|and|intoxicating|fashion|.\nThe|movie|plays|up|the|cartoon|'s|more|obvious|strength|of|snazziness|while|neglecting|its|less|conspicuous|writing|strength|.\nPoignant|Japanese|epic|about|adolescent|anomie|and|heartbreak|.\nWe|'ve|seen|it|all|before|in|one|form|or|another|,|but|director|Hoffman|,|with|great|help|from|Kevin|Kline|,|makes|us|care|about|this|latest|reincarnation|of|the|world|'s|greatest|teacher|.\nSecretary|is|not|a|movie|about|fetishism|.\nIt|is|a|movie|about|passion|.\nEven|though|it|'s|common|knowledge|that|Park|and|his|founding|partner|,|Yong|Kang|,|lost|Kozmo|in|the|end|,|you|ca|n't|help|but|get|caught|up|in|the|thrill|of|the|company|'s|astonishing|growth|.\nAlthough|some|viewers|will|not|be|able|to|stomach|so|much|tongue-in-cheek|weirdness|,|those|who|do|will|have|found|a|cult|favorite|to|enjoy|for|a|lifetime|.\nWhat|could|have|easily|become|a|cold|,|calculated|exercise|in|postmodern|pastiche|winds|up|a|powerful|and|deeply|moving|example|of|melodramatic|moviemaking|.\nA|delightful|surprise|because|despite|all|the|backstage|drama|,|this|is|a|movie|that|tells|stories|that|work|--|is|charming|,|is|moving|,|is|funny|and|looks|professional|.\nThe|IMAX|screen|enhances|the|personal|touch|of|manual|animation|.\nDoes|an|impressive|job|of|relating|the|complicated|history|of|the|war|and|of|filling|in|the|background|.\nIt|'s|all|about|Anakin|...|and|the|lustrous|polished|visuals|rich|in|color|and|creativity|and|,|of|course|,|special|effect|.\nLacks|the|inspiration|of|the|original|and|has|a|bloated|plot|that|stretches|the|running|time|about|10|minutes|past|a|child|'s|interest|and|an|adult|'s|patience|.\nBut|it|also|has|many|of|the|things|that|made|the|first|one|charming|.\nIt|'s|funny|,|touching|,|dramatically|forceful|,|and|beautifully|shot|.\nIts|rawness|and|vitality|give|it|considerable|punch|.\nA|live-wire|film|that|never|loses|its|ability|to|shock|and|amaze|.\nThe|year|'s|greatest|adventure|,|and|Jackson|'s|limited|but|enthusiastic|adaptation|has|made|literature|literal|without|killing|its|soul|--|a|feat|any|thinking|person|is|bound|to|appreciate|.\nIt|'s|fairly|solid|--|not|to|mention|well|edited|so|that|it|certainly|does|n't|feel|like|a|film|that|strays|past|the|two|and|a|half|mark|.\nBrims|with|passion|:|for|words|,|for|its|eccentric|,|accident-prone|characters|,|and|for|the|crazy|things|that|keep|people|going|in|this|crazy|life|.\nIt|'s|secondary|to|American|Psycho|but|still|has|claws|enough|to|get|inside|you|and|stay|there|for|a|couple|of|hours|.\nThe|Hours|,|a|delicately|crafted|film|,|is|an|impressive|achievement|in|spite|of|a|river|of|sadness|that|pours|into|every|frame|.\nFudges|fact|and|fancy|with|such|confidence|that|we|feel|as|if|we|'re|seeing|something|purer|than|the|real|thing|.\nThis|is|unusual|,|food-for-thought|cinema|that|'s|as|entertaining|as|it|is|instructive|.\nWith|an|expressive|face|reminiscent|of|Gong|Li|and|a|vivid|personality|like|Zhang|Ziyi|'s|,|Dong|stakes|out|the|emotional|heart|of|Happy|.\nNohe|'s|documentary|about|the|event|is|sympathetic|without|being|gullible|:|He|is|n't|blind|to|the|silliness|,|but|also|captures|moments|of|spontaneous|creativity|and|authentic|co-operative|interaction|.\nIt|may|not|be|as|cutting|,|as|witty|or|as|true|as|back|in|the|glory|days|of|Weekend|and|Two|or|Three|Things|I|Know|About|Her|,|but|who|else|engaged|in|filmmaking|today|is|so|cognizant|of|the|cultural|and|moral|issues|involved|in|the|process|?\nSecret|Ballot|is|a|funny|,|puzzling|movie|ambiguous|enough|to|be|engaging|and|oddly|moving|.\nAlthough|devoid|of|objectivity|and|full|of|nostalgic|comments|from|the|now|middle-aged|participants|,|Dogtown|and|Z-Boys|has|a|compelling|story|to|tell|.\nIt|'s|got|some|pretentious|eye-rolling|moments|and|it|did|n't|entirely|grab|me|,|but|there|'s|stuff|here|to|like|.\nBirthday|Girl|walks|a|tricky|tightrope|between|being|wickedly|funny|and|just|plain|wicked|.\nThe|enjoyable|Undercover|Brother|,|a|zany|mix|of|Saturday|Night|Live-style|parody|,|'70s|Blaxploitation|films|and|goofball|action|comedy|gone|wild|,|dishes|out|a|ton|of|laughs|that|everyone|can|enjoy|.\nBrings|an|irresistible|blend|of|warmth|and|humor|and|a|consistent|embracing|humanity|in|the|face|of|life|'s|harshness|.\nJackson|is|always|watchable|.\nTo|the|degree|that|ivans|xtc|.\nworks|,|it|'s|thanks|to|Huston|'s|revelatory|performance|.\nA|wild|ride|of|a|movie|that|keeps|throwing|fastballs|.\nConfessions|is|without|a|doubt|a|memorable|directorial|debut|from|King|Hunk|.\nWeird|,|vulgar|comedy|that|'s|definitely|an|acquired|taste|.\nA.|.|.\ncynical|and|serious|look|at|teenage|boys|doing|what|they|do|best|-|being|teenagers|.\nThe|film|is|a|very|good|viewing|alternative|for|young|women|.\nAustralian|filmmaker|David|Flatman|uses|the|huge-screen|format|to|make|an|old-fashioned|nature|film|that|educates|viewers|with|words|and|pictures|while|entertaining|them|.\nA|dazzling|dream|of|a|documentary|.\nA|keep|-|'em|-|guessing|plot|and|an|affectionate|take|on|its|screwed-up|characters|.\nBrave|and|sweetly|rendered|love|story|.\nThe|film|proves|unrelentingly|grim|--|and|equally|engrossing|.\nA|hallmark|film|in|an|increasingly|important|film|industry|and|worth|the|look|.\nThe|Last|Kiss|will|probably|never|achieve|the|popularity|of|My|Big|Fat|Greek|Wedding|,|but|its|provocative|central|wedding|sequence|has|far|more|impact|.\nIf|you|like|blood|,|guts|and|crazy|beasts|stalking|men|with|guns|though|...|you|will|likely|enjoy|this|monster|.\nThe|difference|between|Cho|and|most|comics|is|that|her|confidence|in|her|material|is|merited|.\nSad|to|say|--|it|accurately|reflects|the|rage|and|alienation|that|fuels|the|self-destructiveness|of|many|young|people|.\nThere|is|a|strong|directorial|stamp|on|every|frame|of|this|stylish|film|that|is|able|to|visualize|schizophrenia|but|is|still|confident|enough|to|step|back|and|look|at|the|sick|character|with|a|sane|eye|.\n`|Anyone|with|a|passion|for|cinema|,|and|indeed|sex|,|should|see|it|as|soon|as|possible|.|'\nSeeks|to|transcend|its|genre|with|a|curiously|stylized|,|quasi-Shakespearean|portrait|of|pure|misogynist|evil|.\nMordantly|funny|and|intimately|knowing|...\nWhat|makes|the|movie|special|is|its|utter|sincerity|.\nFast|and|funny|,|an|action|cartoon|that|'s|suspenseful|enough|for|older|kids|but|not|too|scary|for|the|school-age|crowd|.\nOne|of|those|rare|films|that|come|by|once|in|a|while|with|flawless|amounts|of|acting|,|direction|,|story|and|pace|.\nThe|AAA|of|action|,|XXX|is|a|blast|of|adrenalin|,|rated|EEE|for|excitement|.\nAnd|Vin|Diesel|is|the|man|.\nEarnest|,|unsubtle|and|Hollywood-predictable|,|Green|Dragon|is|still|a|deeply|moving|effort|to|put|a|human|face|on|the|travail|of|thousands|of|Vietnamese|.\nAn|ambitious|movie|that|,|like|Shiner|'s|organizing|of|the|big|fight|,|pulls|off|enough|of|its|effects|to|make|up|for|the|ones|that|do|n't|come|off|.\nNair|and|writer|Laura|Cahill|dare|to|build|a|movie|around|some|flawed|but|rather|unexceptional|women|,|emerging|with|a|fine|character|study|that|'s|short|on|plot|but|rich|in|the|tiny|revelations|of|real|life|.\nThe|film|'s|unhurried|pace|is|actually|one|of|its|strengths|.\nEntirely|appropriately|,|the|tale|unfolds|like|a|lazy|summer|afternoon|and|concludes|with|the|crisp|clarity|of|a|fall|dawn|.\nDespite|its|floating|narrative|,|this|is|a|remarkably|accessible|and|haunting|film|.\nVibrantly|colored|and|beautifully|designed|,|Metropolis|is|a|feast|for|the|eyes|.\nSweetly|sexy|,|funny|and|touching|.\n...|while|Dark|Water|is|n't|a|complete|wash|(|no|pun|intended|)|,|watched|side-by-side|with|Ringu|,|it|ultimately|comes|off|as|a|pale|successor|.\nIs|truth|stranger|than|fiction|?\nIn|(|screenwriter|)|Charlie|Kaufman|'s|world|,|truth|and|fiction|are|equally|strange|,|and|his|for|the|taking|.\nFor|decades|we|'ve|marveled|at|Disney|'s|rendering|of|water|,|snow|,|flames|and|shadows|in|a|hand-drawn|animated|world|.\nPrepare|to|marvel|again|.\nA|witty|,|low-key|romantic|comedy|.\nMore|good|than|great|but|Freeman|and|Judd|make|it|work|.\nIf|you|'re|looking|for|a|smart|,|nuanced|look|at|de|Sade|and|what|might|have|happened|at|Picpus|,|Sade|is|your|film|.\nCould|have|been|crisper|and|punchier|,|but|it|'s|likely|to|please|audiences|who|like|movies|that|demand|four|hankies|.\nTogether|writer-director|Danny|Verete|'s|three|tales|comprise|a|powerful|and|reasonably|fulfilling|gestalt|.\nBursting|through|the|constraints|of|its|source|,|this|is|one|adapted|-|from-television|movie|that|actually|looks|as|if|it|belongs|on|the|big|screen|.\nIts|almost|too-spectacular|coastal|setting|distracts|slightly|from|an|eccentric|and|good-naturedly|aimless|story|.\nIn|other|words|,|it|'s|just|another|sports|drama\\/character|study|.\nYet|this|one|makes|up|for|in|heart|what|it|lacks|in|outright|newness|.\nPlus|,|like|I|already|mentioned|...|it|'s|Robert|Duvall|!\nC'mon|!\nThis|story|of|a|determined|woman|'s|courage|to|find|her|husband|in|a|war|zone|offers|winning|performances|and|some|effecting|moments|.\nLike|Shrek|,|Spirit|'s|visual|imagination|reminds|you|of|why|animation|is|such|a|perfect|medium|for|children|,|because|of|the|way|it|allows|the|mind|to|enter|and|accept|another|world|.\nA|modestly|made|but|profoundly|moving|documentary|.\nIt|irritates|and|saddens|me|that|Martin|Lawrence|'s|latest|vehicle|can|explode|obnoxiously|into|2,500|screens|while|something|of|Bubba|Ho-Tep|'s|clearly|evident|quality|may|end|up|languishing|on|a|shelf|somewhere|.\nNot|everything|in|this|ambitious|comic|escapade|works|,|but|Coppola|,|along|with|his|sister|,|Sofia|,|is|a|real|filmmaker|.\nIt|must|be|in|the|genes|.\nThe|performers|are|so|spot|on|,|it|is|hard|to|conceive|anyone|else|in|their|roles|.\nThis|slight|premise|...|works|because|of|the|ideal|casting|of|the|masterful|British|actor|Ian|Holm|as|the|aged|Napoleon|.\nHashiguchi|covers|this|territory|with|wit|and|originality|,|suggesting|that|with|his|fourth|feature|--|the|first|to|be|released|in|the|U.S.|--|a|major|director|is|emerging|in|world|cinema|.\nAlthough|the|film|boils|down|to|a|lightweight|story|about|matchmaking|,|the|characters|make|Italian|for|Beginners|worth|the|journey\nThe|dragons|are|the|real|stars|of|Reign|of|Fire|and|you|wo|n't|be|disappointed|.\nKudos|to|the|most|enchanting|film|of|the|year|.\nIt|works|well|enough|,|since|the|thrills|pop|up|frequently|,|and|the|dispatching|of|the|cast|is|as|often|imaginative|as|it|is|gory|.\nColorful|and|deceptively|buoyant|until|it|suddenly|pulls|the|rug|out|from|under|you|,|Burkinabe|filmmaker|Dani|Kouyate|'s|reworking|of|a|folk|story|whose|roots|go|back|to|7th-century|oral|traditions|is|also|a|pointed|political|allegory|.\nIt|'s|a|powerful|though|flawed|movie|,|guaranteed|to|put|a|lump|in|your|throat|while|reaffirming|Washington|as|possibly|the|best|actor|working|in|movies|today|.\nDirector|Paul|Cox|'s|unorthodox|,|abstract|approach|to|visualizing|Nijinsky|'s|diaries|is|both|stimulating|and|demanding|.\nFor|95|often|hilarious|minutes|,|(|Cho|)|riffs|on|the|diciness|of|colonics|,|on|straight|versus|gay|personal|ads|,|on|how|men|would|act|if|they|had|periods|,|and|on|the|perils|of|a|certain|outré|sexual|practice|.\nMost|of|the|things|that|made|the|original|Men|in|Black|such|a|pleasure|are|still|there|.\nMostly|honest|,|this|somber|picture|reveals|itself|slowly|,|intelligently|,|artfully|.\nBest|enjoyed|as|a|work|of|fiction|inspired|by|real-life|events|.\nThose|seeking|a|definitive|account|of|Eisenstein|'s|life|would|do|better|elsewhere|.\n(|Westbrook|)|makes|a|wonderful|subject|for|the|camera|.\nA|film|that|'s|flawed|and|brilliant|in|equal|measure|.\nEven|if|Invincible|is|not|quite|the|career|peak|that|The|Pianist|is|for|Roman|Polanski|,|it|demonstrates|that|Werner|Herzog|can|still|leave|us|with|a|sense|of|wonder|at|the|diverse|,|marvelously|twisted|shapes|history|has|taken|.\nUltimately|too|repellent|to|fully|endear|itself|to|American|art|house|audiences|,|but|it|is|notable|for|its|stylistic|austerity|and|forcefulness|.\nHardly|a|film|that|comes|along|every|day|.\nA|wild|ride|with|eight|boarders|from|Venice|Beach|that|was|a|deserved|co-winner|of|the|Audience|Award|for|documentaries|at|the|Sundance|Film|Festival|.\nThe|film|'s|only|missteps|come|from|the|script|'s|insistence|on|providing|deep|emotional|motivation|for|each|and|every|one|of|Abagnale|'s|antics|.\nA|sweet|,|tender|sermon|about|a|12-year-old|Welsh|boy|more|curious|about|God|than|girls|,|who|learns|that|believing|in|something|does|matter|.\nthe|film|belongs|to|the|marvelous|Verdu|,|a|sexy|slip|of|an|earth|mother|who|mourns|her|tragedies|in|private|and|embraces|life|in|public\nMore|intimate|than|spectacular|,|E.T.|is|carried|less|by|wow|factors|than|by|its|funny|,|moving|yarn|that|holds|up|well|after|two|decades|.\nFor|once|,|a|movie|does|not|proclaim|the|truth|about|two|love-struck|somebodies|,|but|permits|them|time|and|space|to|convince|us|of|that|all|on|their|own|.\nIf|you|'re|burnt|out|on|It|'s|a|Wonderful|Life|marathons|and|bored|with|A|Christmas|Carol|,|it|might|just|be|the|movie|you|'re|looking|for|.\nIt|depends|on|how|well|flatulence|gags|fit|into|your|holiday|concept|.\nMoonlight|Mile|does|n't|quite|go|the|distance|but|the|cast|is|impressive|and|they|all|give|life|to|these|broken|characters|who|are|trying|to|make|their|way|through|this|tragedy|.\nIt|is|an|indelible|epic|American|story|about|two|families|,|one|black|and|one|white|,|facing|change|in|both|their|inner|and|outer|lives|.\nNot|as|well-written|as|Sexy|Beast|,|not|as|gloriously|flippant|as|Lock|,|Stock|and|Two|Smoking|Barrels|,|but|stylish|and|moody|and|exceptionally|well-acted|.\nQuite|simply|,|a|joy|to|watch|and|--|especially|--|to|listen|to|.\nA|flawed|film|but|an|admirable|one|that|tries|to|immerse|us|in|a|world|of|artistic|abandon|and|political|madness|and|very|nearly|succeeds|.\nThe|filmmakers|wisely|decided|to|let|Crocodile|Hunter|Steve|Irwin|do|what|he|does|best|,|and|fashion|a|story|around|him|.\nA|winning|and|wildly|fascinating|work|.\nWe|do|get|the|distinct|impression|that|this|franchise|is|drawing|to|a|close|.\nWorth|catching|for|Griffiths|'|warm|and|winning|central|performance|.\nThe|tone|errs|on|the|shrill|side|,|tempered|by|a|soft|southern|gentility|that|speaks|of|beauty|,|grace|and|a|closet|full|of|skeletons|.\nAn|interesting|psychological|game|of|cat-and-mouse|,|three-dimensional|characters|and|believable|performances|all|add|up|to|a|satisfying|crime|drama|.\nA|meatier|deeper|beginning|and\\/or|ending|would|have|easily|tipped|this|film|into|the|``|A|''|range|,|as|is|,|it|'s|a|very|very|strong|``|B|+|.|''\nI|love|the|robust|middle|of|this|picture|.\nThe|power|of|Shanghai|Ghetto|,|a|documentary|by|Dana|Janklowicz-Mann|and|Amir|Mann|,|rests|in|the|voices|of|men|and|women|,|now|in|their|70s|,|who|lived|there|in|the|1940s|.\nMaintains|your|interest|until|the|end|and|even|leaves|you|with|a|few|lingering|animated|thoughts|.\nThere|is|a|beautiful|,|aching|sadness|to|it|all|.\nPaul|Cox|needed|to|show|it|.\nIt|is|up|to|you|to|decide|if|you|need|to|see|it|.\nIf|Divine|Secrets|of|the|Ya-Ya|Sisterhood|suffers|from|a|ploddingly|melodramatic|structure|,|it|comes|to|life|in|the|performances|.\nIf|you|ignore|the|cliches|and|concentrate|on|City|by|the|Sea|'s|interpersonal|drama|,|it|ai|n't|half-bad|.\nThere|are|n't|too|many|films|that|can|be|as|simultaneously|funny|,|offbeat|and|heartwarming|(|without|a|thick|shmear|of|the|goo|,|at|least|)|,|but|``|Elling|''|manages|to|do|all|three|quite|well|,|making|it|one|of|the|year|'s|most|enjoyable|releases|.\nReign|of|Fire|is|hardly|the|most|original|fantasy|film|ever|made|--|beyond|Road|Warrior|,|it|owes|enormous|debts|to|Aliens|and|every|previous|dragon|drama|--|but|that|barely|makes|it|any|less|entertaining|.\nAn|earnest|,|roughshod|document|,|it|serves|as|a|workable|primer|for|the|region|'s|recent|history|,|and|would|make|a|terrific|10th-grade|learning|tool|.\nSamuel|Beckett|applied|to|the|Iranian|voting|process|.\nThe|Bard|as|black|comedy|--|Willie|would|have|loved|it|.\nAnother|trumpet|blast|that|there|may|be|a|New|Mexican|Cinema|a-bornin|'|.|'\n...|the|film|'s|considered|approach|to|its|subject|matter|is|too|calm|and|thoughtful|for|agitprop|,|and|the|thinness|of|its|characterizations|makes|it|a|failure|as|straight|drama|.|'\nTadpole|may|be|one|of|the|most|appealing|movies|ever|made|about|an|otherwise|appalling|,|and|downright|creepy|,|subject|--|a|teenage|boy|in|love|with|his|stepmother|.\nThis|is|a|story|that|zings|all|the|way|through|with|originality|,|humour|and|pathos|.\nAs|underwater|ghost|stories|go|,|Below|casts|its|spooky|net|out|into|the|Atlantic|Ocean|and|spits|it|back|,|grizzled|and|charred|,|somewhere|northwest|of|the|Bermuda|Triangle|.\nIt|is|a|challenging|film|,|if|not|always|a|narratively|cohesive|one|.\nTrapped|wo|n't|score|points|for|political|correctness|,|but|it|may|cause|parents|a|few|sleepless|hours|--|a|sign|of|its|effectiveness|.\nA|rock-solid|gangster|movie|with|a|fair|amount|of|suspense|,|intriguing|characters|and|bizarre|bank|robberies|,|plus|a|heavy|dose|of|father-and-son|dynamics|.\nIt|'s|incredible|the|number|of|stories|the|Holocaust|has|generated|.\nJust|when|you|think|that|every|possible|angle|has|been|exhausted|by|documentarians|,|another|new|film|emerges|with|yet|another|remarkable|yet|shockingly|little-known|perspective|.\nAs|they|used|to|say|in|the|1950s|sci-fi|movies|,|Signs|is|a|tribute|to|Shyamalan|'s|gifts|,|which|are|such|that|we|'ll|keep|watching|the|skies|for|his|next|project|.\nThere|'s|no|conversion|effort|,|much|of|the|writing|is|genuinely|witty|and|both|stars|are|appealing|enough|to|probably|have|a|good|shot|at|a|Hollywood|career|,|if|they|want|one|.\nLike|a|skillful|fisher|,|the|director|uses|the|last|act|to|reel|in|the|audience|since|its|poignancy|hooks|us|completely|.\nA|film|with|contemporary|political|resonance|illustrated|by|a|winning|family|story|.\nKids|five|and|up|will|be|delighted|with|the|fast|,|funny|,|and|even|touching|story|.\nParents|may|even|find|that|it|goes|by|quickly|,|because|it|has|some|of|the|funniest|jokes|of|any|movie|this|year|,|including|those|intended|for|adults|.\nAn|unsettling|,|memorable|cinematic|experience|that|does|its|predecessors|proud|.\nMaid|in|Manhattan|might|not|look|so|appealing|on|third|or|fourth|viewing|down|the|road|...|But|as|a|high|concept|vehicle|for|two|bright|stars|of|the|moment|who|can|rise|to|fans|'|lofty|expectations|,|the|movie|passes|inspection|.\nMuch|of|All|About|Lily|Chou-Chou|is|mesmerizing|:|some|of|its|plaintiveness|could|make|you|weep|.\nFerrara|'s|strongest|and|most|touching|movie|of|recent|years|.\nSpielberg|'s|first|real|masterpiece|,|it|deserved|all|the|hearts|it|won|--|and|wins|still|,|20|years|later|.\nThe|screenwriters|dig|themselves|in|deeper|every|time|they|toss|logic|and|science|into|what|is|essentially|a|``|Dungeons|and|Dragons|''|fantasy|with|modern|military|weaponry|...\nMore|than|simply|a|portrait|of|early|extreme|sports|,|this|peek|into|the|1970s|skateboard|revolution|is|a|skateboard|film|as|social|anthropology|...\nWhat|I|saw|,|I|enjoyed|.\nThe|level|of|acting|elevates|the|material|above|pat|inspirational|status|and|gives|it|a|sturdiness|and|solidity|that|we|'ve|long|associated|with|Washington|the|actor|.\nA|deft|,|delightful|mix|of|sulky|teen|drama|and|overcoming-obstacles|sports-movie|triumph|.\nDaringly|perceptive|,|taut|,|piercing|and|feisty|,|Biggie|and|Tupac|is|undeniably|subversive|and|involving|in|its|bold|presentation|.\nDelivers|more|than|its|fair|share|of|saucy|hilarity|.\nA|fairly|enjoyable|mixture|of|Longest|Yard|...|and|the|1999|Guy|Ritchie|caper|Lock|Stock|and|Two|Smoking|Barrels|.\nHappily|,|some|things|are|immune|to|the|folly|of|changing|taste|and|attitude|.\nFor|proof|of|that|on|the|cinematic|front|,|look|no|further|than|this|20th|anniversary|edition|of|the|film|that|Spielberg|calls|,|retrospectively|,|his|most|personal|work|yet|.\nHugely|entertaining|from|start|to|finish|,|featuring|a|fall|from|grace|that|still|leaves|shockwaves|,|it|will|gratify|anyone|who|has|ever|suspected|Hollywood|of|being|overrun|by|corrupt|and|hedonistic|weasels|.\nIt|'s|not|like|having|a|real|film|of|Nijinsky|,|but|at|least|it|'s|better|than|that|eponymous|1980|biopic|that|used|soap|in|the|places|where|the|mysteries|lingered|.\nIt|'s|probably|worth|catching|solely|on|its|visual|merits|.\nIf|only|it|had|the|story|to|match|.\nLike|other|great|documentaries|...|this|goes|after|one|truth|(|the|Ford|administration|'s|complicity|in|tearing|`|orphans|'|from|their|mothers|)|and|stumbles|upon|others|even|more|compelling|.\n...|only|Bond|can|save|us|from|the|latest|eccentric|,|super-wealthy|megalomaniac|bent|on|world|domination|and|destruction|.\nThe|first|half|bursts|with|a|goofy|energy|previous|Disney|films|only|used|for|a|few|minutes|here|and|there|.\nIt|'s|quite|diverting|nonsense|.\nAn|old-fashioned|scary|movie|,|one|that|relies|on|lingering|terror|punctuated|by|sudden|shocks|and|not|constant|bloodshed|punctuated|by|flying|guts|.\nFor|all|the|wit|and|hoopla|,|Festival|In|Cannes|offers|rare|insight|into|the|structure|of|relationships|.\nWhat|makes|How|I|Killed|My|Father|compelling|,|besides|its|terrific|performances|,|is|Fontaine|'s|willingness|to|wander|into|the|dark|areas|of|parent-child|relationships|without|flinching|.\nRenner|?\ns|face|is|chillingly|unemotive|,|yet|he|communicates|a|great|deal|in|his|performance|.\nSee|it|for|his|performance|if|nothing|else|.\n...|the|kind|of|entertainment|that|parents|love|to|have|their|kids|see|.\nIt|'s|a|fine|,|focused|piece|of|work|that|reopens|an|interesting|controversy|and|never|succumbs|to|sensationalism|.\nIts|engaging|simplicity|is|driven|by|appealing|leads|.\nSwimming|is|above|all|about|a|young|woman|'s|face|,|and|by|casting|an|actress|whose|face|projects|that|woman|'s|doubts|and|yearnings|,|it|succeeds|.\nA|respectable|venture|on|its|own|terms|,|lacking|the|broader|vision|that|has|seen|certain|Trek|films|...|cross|over|to|a|more|mainstream|audience|.\nIt|'s|weird|,|wonderful|,|and|not|necessarily|for|kids|.\nAn|elegant|film|with|often|surprising|twists|and|an|intermingling|of|naiveté|and|sophistication|.\nBlessed|with|two|fine|,|nuanced|lead|performances|.\nWhile|this|has|the|making|of|melodrama|,|the|filmmaker|cuts|against|this|natural|grain|,|producing|a|work|that|'s|more|interested|in|asking|questions|than|in|answering|them|.\nAs|a|girl-meets-girl|romantic|comedy|,|Kissing|Jessica|Steinis|quirky|,|charming|and|often|hilarious|.\nYet|it|'s|not|quite|the|genre-busting|film|it|'s|been|hyped|to|be|because|it|plays|everything|too|safe|.\nYou|do|n't|need|to|know|your|Ice-T|'s|from|your|Cool-J|'s|to|realize|that|as|far|as|these|shootings|are|concerned|,|something|is|rotten|in|the|state|of|California|.\nTurturro|is|fabulously|funny|and|over|the|top|as|a|`|very|sneaky|'|butler|who|excels|in|the|art|of|impossible|disappearing\\/reappearing|acts\nMeant|for|Star|Wars|fans|.\nIt|is|there|to|give|them|a|good|time|.\nFrom|a|deceptively|simple|premise|,|this|deeply|moving|French|drama|develops|a|startling|story|that|works|both|as|a|detailed|personal|portrait|and|as|a|rather|frightening|examination|of|modern|times|.\nSimply|and|eloquently|articulates|the|tangled|feelings|of|particular|New|Yorkers|deeply|touched|by|an|unprecedented|tragedy|.\nProvides|a|very|moving|and|revelatory|footnote|to|the|Holocaust|.\nTerrific|performances|,|great|to|look|at|,|and|funny|.\nA|little|uneven|to|be|the|cat|'s|meow|,|but|it|'s|good|enough|to|be|the|purr|.\nIt|'s|a|compelling|and|horrifying|story|,|and|The|Laramie|Project|is|worthwhile|for|reminding|us|that|this|sort|of|thing|does|,|in|fact|,|still|happen|in|America|.\nI|like|it|.\nThere|is|a|freedom|to|watching|stunts|that|are|this|crude|,|this|fast-paced|and|this|insane|.\nThat|rare|documentary|that|incorporates|so|much|of|human|experience|--|drama|,|conflict|,|tears|and|surprise|--|that|it|transcends|the|normal|divisions|between|fiction|and|nonfiction|film|.\nThat|rare|movie|that|works|on|any|number|of|levels|--|as|a|film|of|magic|and|whimsy|for|children|,|a|heartfelt|romance|for|teenagers|and|a|compelling|argument|about|death|,|both|pro|and|con|,|for|adults|.\nIt|'s|both|degrading|and|strangely|liberating|to|see|people|working|so|hard|at|leading|lives|of|sexy|intrigue|,|only|to|be|revealed|by|the|dispassionate|Gantz|brothers|as|ordinary|,|pasty|lumpen|.\nA|sharp|and|quick|documentary|that|is|funny|and|pithy|,|while|illuminating|an|era|of|theatrical|comedy|that|,|while|past|,|really|is|n't|.\nThe|film|does|a|solid|job|of|slowly|,|steadily|building|up|to|the|climactic|burst|of|violence|.\nFred|Schepisi|'s|tale|of|four|Englishmen|facing|the|prospect|of|their|own|mortality|views|youthful|affluence|not|as|a|lost|ideal|but|a|starting|point|.\nThe|directive|to|protect|the|code|at|all|costs|also|begins|to|blur|as|the|importance|of|the|man|and|the|code|merge\nOverall|,|Cletis|Tout|is|a|winning|comedy|that|excites|the|imagination|and|tickles|the|funny|bone|.\nEasily|one|of|the|best|and|most|exciting|movies|of|the|year|.\nThe|script|manages|the|rare|trick|of|seeming|at|once|both|refreshingly|different|and|reassuringly|familiar|.\nAn|engaging|,|formulaic|sports|drama|that|carries|a|charge|of|genuine|excitement|.\nInsomnia|is|one|of|the|year|'s|best|films|and|Pacino|gives|one|of|his|most|daring|,|and|complicated|,|performances|.\nLike|Vardalos|and|Corbett|,|who|play|their|roles|with|vibrant|charm|,|the|film|,|directed|by|Joel|Zwick|,|is|heartfelt|and|hilarious|in|ways|you|ca|n't|fake|.\nI|do|n't|know|if|Frailty|will|turn|Bill|Paxton|into|an|A-list|director|,|but|he|can|rest|contentedly|with|the|knowledge|that|he|'s|made|at|least|one|damn|fine|horror|movie|.\nDespite|its|flaws|...|Belinsky|is|still|able|to|create|an|engaging|story|that|keeps|you|guessing|at|almost|every|turn|.\nEach|punch|seen|through|prison|bars|,|the|fights|become|not|so|much|a|struggle|of|man|vs.|man|as|Brother-Man|vs.|The|Man|.\nThe|evocative|imagery|and|gentle|,|lapping|rhythms|of|this|film|are|infectious|--|it|gets|under|our|skin|and|draws|us|in|long|before|the|plot|kicks|into|gear|.\nLike|the|best|of|Godard|'s|movies|...|it|is|visually|ravishing|,|penetrating|,|impenetrable|.\nHorns|and|Halos|benefits|from|serendipity|but|also|reminds|us|of|our|own|responsibility|to|question|what|is|told|as|the|truth|.\n(|Has|)|an|immediacy|and|an|intimacy|that|sucks|you|in|and|dares|you|not|to|believe|it|'s|all|true|.\nIt|treats|Ana|'s|journey|with|honesty|that|is|tragically|rare|in|the|depiction|of|young|women|in|film|.\nCaptivates|as|it|shows|excess|in|business|and|pleasure|,|allowing|us|to|find|the|small|,|human|moments|,|and|leaving|off|with|a|grand|whimper|.\nA|refreshingly|realistic|,|affectation-free|coming-of-age|tale|.\nHow|good|this|film|might|be|,|depends|if|you|believe|that|the|shocking|conclusion|is|too|much|of|a|plunge|or|not|.\nGreat|fun|both|for|sports|aficionados|and|for|ordinary|louts|whose|idea|of|exercise|is|climbing|the|steps|of|a|stadium-seat|megaplex|.\nFeatures|one|of|the|most|affecting|depictions|of|a|love|affair|ever|committed|to|film|.\nTo|honestly|address|the|flaws|inherent|in|how|medical|aid|is|made|available|to|American|workers|,|a|more|balanced|or|fair|portrayal|of|both|sides|will|be|needed|.\nOne|of|the|best|movies|of|the|year|.\nThe|usual|movie|rah-rah|,|pleasantly|and|predictably|delivered|in|low-key|style|by|director|Michael|Apted|and|writer|Tom|Stoppard|.\nA|superlative|B|movie|--|funny|,|sexy|,|and|rousing|.\nThose|prone|to|indignation|need|not|apply|;|those|susceptible|to|blue|hilarity|,|step|right|up|.\nLike|Mike|is|n't|going|to|make|box|office|money|that|makes|Michael|Jordan|jealous|,|but|it|has|some|cute|moments|,|funny|scenes|,|and|hits|the|target|audience|(|young|Bow|Wow|fans|)|-|with|nothing|but|net|.\n(|Dong|)|makes|a|valiant|effort|to|understand|everyone|'s|point|of|view|,|and|he|does|such|a|good|job|of|it|that|Family|Fundamentals|gets|you|riled|up|.\nThe|trick|when|watching|Godard|is|to|catch|the|pitch|of|his|poetics|,|savor|the|pleasure|of|his|sounds|and|images|,|and|ponder|the|historical|,|philosophical|,|and|ethical|issues|that|intersect|with|them|.\nAt|its|best|,|which|occurs|often|,|Michael|Moore|'s|Bowling|for|Columbine|rekindles|the|muckraking|,|soul-searching|spirit|of|the|`|Are|we|a|sick|society|?|'\njournalism|of|the|1960s|.\nA|modestly|surprising|movie|.\nA|headline-fresh|thriller|set|among|orthodox|Jews|on|the|West|Bank|,|Joseph|Cedar|'s|Time|Of|Favor|manages|not|only|to|find|a|compelling|dramatic|means|of|addressing|a|complex|situation|,|it|does|so|without|compromising|that|complexity|.\nThere|'s|a|spontaneity|to|The|Chateau|,|a|sense|of|light-heartedness|,|that|makes|it|attractive|throughout|.\nThe|first|Tunisian|film|I|have|ever|seen|,|and|it|'s|also|probably|the|most|good-hearted|yet|sensual|entertainment|I|'m|likely|to|see|all|year|.\nLike|any|good|romance|,|Son|of|the|Bride|,|proves|it|'s|never|too|late|to|learn|.\n(|Kline|'s|)|utterly|convincing|--|and|deeply|appealing|--|as|a|noble|teacher|who|embraces|a|strict|moral|code|,|and|as|a|flawed|human|being|who|ca|n't|quite|live|up|to|it|.\nThe|film|,|while|not|exactly|assured|in|its|execution|,|is|notable|for|its|sheer|audacity|and|openness|.\nA|thoroughly|enjoyable|,|heartfelt|coming-of-age|comedy|.\nFeeling|like|a|dope|has|rarely|been|more|fun|than|it|is|in|Nine|Queens|.\nLeigh|makes|these|lives|count|.\nAnd|he|allows|a|gawky|actor|like|Spall|--|who|could|too|easily|become|comic|relief|in|any|other|film|--|to|reveal|his|impressively|delicate|range|.\nA|lot|of|fun|,|with|an|undeniable|energy|sparked|by|two|actresses|in|their|50s|working|at|the|peak|of|their|powers|.\nPromises|is|one|film|that|'s|truly|deserving|of|its|Oscar|nomination|.\nWhat|bubbles|up|out|of|John|C.|Walsh|'s|Pipe|Dream|is|the|distinct|and|very|welcome|sense|of|watching|intelligent|people|making|a|movie|they|might|actually|want|to|watch|.\nIf|Reno|is|to|the|left|of|liberal|on|the|political|spectrum|,|her|tough|,|funny|,|rather|chaotic|show|is|n't|subversive|so|much|as|it|is|nit-picky|about|the|hypocrisies|of|our|time|.\nBeautiful|,|angry|and|sad|,|with|a|curious|sick|poetry|,|as|if|the|Marquis|de|Sade|had|gone|in|for|pastel|landscapes|.\nMs.|Hutchins|is|talented|enough|and|charismatic|enough|to|make|us|care|about|Zelda|'s|ultimate|fate|.\nMonte|Cristo|smartly|emphasizes|the|well-wrought|story|and|omits|needless|chase|scenes|and|swordfights|as|the|revenge|unfolds|.\nA|mesmerizing|cinematic|poem|from|the|first|frame|to|the|last|.\n(|It|'s|)|a|clever|thriller|with|enough|unexpected|twists|to|keep|our|interest|.\nAn|undeniably|moving|film|to|experience|,|and|ultimately|that|'s|what|makes|it|worth|a|recommendation|.\nNicole|Kidman|evolved|from|star|to|superstar|some|time|over|the|past|year|,|which|means|that|Birthday|Girl|is|the|kind|of|quirkily|appealing|minor|movie|she|might|not|make|for|a|while|.\nVividly|conveys|the|shadow|side|of|the|30-year|friendship|between|two|English|women|.\nThe|story|has|some|nice|twists|but|the|ending|and|some|of|the|back-story|is|a|little|tired|.\nThe|performances|are|all|solid|;|it|merely|lacks|originality|to|make|it|a|great|movie|.\nManages|to|please|its|intended|audience|--|children|--|without|placing|their|parents|in|a|coma-like|state|.\nWhen|you|think|you|'ve|figured|out|Bielinsky|'s|great|game|,|that|'s|when|you|'re|in|the|most|trouble|:|He|'s|the|con|,|and|you|'re|just|the|mark|.\nA|strong|first|act|and|absolutely|,|inescapably|gorgeous|,|skyscraper-trapeze|motion|of|the|amazing|Spider-Man|.\nDriven|by|a|fantastic|dual|performance|from|Ian|Holm|...|the|film|is|funny|,|insightfully|human|and|a|delightful|lark|for|history|buffs|.\nA|well-put-together|piece|of|urban|satire|.\nIt|'s|the|sweet|Cinderella|story|that|``|Pretty|Woman|''|wanted|to|be|.\nIt|will|make|you|think|twice|about|what|might|be|going|on|inside|each|trailer|park|you|drive|past|--|even|if|it|chiefly|inspires|you|to|drive|a|little|faster|.\nWhat|does|n't|this|film|have|that|an|impressionable|kid|could|n't|stand|to|hear|?\nWhat|saves|it|...|and|makes|it|one|of|the|better|video-game-based|flicks|,|is|that|the|film|acknowledges|upfront|that|the|plot|makes|no|sense|,|such|that|the|lack|of|linearity|is|the|point|of|emotional|and|moral|departure|for|protagonist|Alice|.\nA|deeply|felt|and|vividly|detailed|story|about|newcomers|in|a|strange|new|world|.\nIt|'s|a|visual|delight|and|a|decent|popcorn|adventure|,|as|long|as|you|do|n't|try|to|look|too|deep|into|the|story\nIt|'s|a|feel-good|movie|about|which|you|can|actually|feel|good|.\nA|full|experience|,|a|love|story|and|a|murder|mystery|that|expands|into|a|meditation|on|the|deep|deceptions|of|innocence|.\nThe|Powerpuff|Girls|arrive|on|the|big|screen|with|their|super-powers|,|their|super-simple|animation|and|their|super-dooper-adorability|intact|.\n(|Raimi|'s|)|matured|quite|a|bit|with|Spider-Man|,|even|though|it|'s|one|of|the|most|plain|white|toast|comic|book|films|you|'ll|ever|see|.\nA|new|film|from|Bill|Plympton|,|the|animation|master|,|is|always|welcome|.\nA|devastating|indictment|of|unbridled|greed|and|materalism|.\nWhat|makes|the|film|special|is|the|refreshingly|unhibited|enthusiasm|that|the|people|,|in|spite|of|clearly|evident|poverty|and|hardship|,|bring|to|their|music|.\nThe|film|has|a|kind|of|hard|,|cold|effect|.\nThe|gags|are|often|a|stitch|.\nThe|asylum|material|is|gripping|,|as|are|the|scenes|of|Jia|with|his|family|.\nA|bonanza|of|wacky|sight|gags|,|outlandish|color|schemes|,|and|corny|visual|puns|that|can|be|appreciated|equally|as|an|abstract|Frank|Tashlin|comedy|and|as|a|playful|recapitulation|of|the|artist|'s|career|.\nOne|ca|n't|deny|its|seriousness|and|quality|.\nGood|performances|and|a|realistic|,|non-exploitive|approach|make|Paid|in|Full|worth|seeing|.\nThis|engrossing|,|characteristically|complex|Tom|Clancy|thriller|is|shifty|in|the|manner|in|which|it|addresses|current|terrorism|anxieties|and|sidesteps|them|at|the|same|time|.\nRyan|Gosling|is|,|in|a|word|,|brilliant|as|the|conflicted|Daniel|.\n...|somehow|manages|to|escape|the|shackles|of|its|own|clichés|to|be|the|best|espionage|picture|to|come|out|in|weeks|.\nMuch|of|The|Lady|and|the|Duke|is|about|quiet|,|decisive|moments|between|members|of|the|cultural|elite|as|they|determine|how|to|proceed|as|the|world|implodes|.\nTakes|a|simple|premise|and|carries|it|to|unexpected|heights|.\nWith|few|respites|,|Marshall|keeps|the|energy|humming|,|and|his|edits|,|unlike|those|in|Moulin|Rouge|,|are|crisp|and|purposeful|without|overdoing|it|.\nIts|metaphors|are|opaque|enough|to|avoid|didacticism|,|and|the|film|succeeds|as|an|emotionally|accessible|,|almost|mystical|work|.\nProvides|a|satisfactory|overview|of|the|bizarre|world|of|extreme|athletes|as|several|daredevils|express|their|own|views|.\nInventive|,|fun|,|intoxicatingly|sexy|,|violent|,|self-indulgent|and|maddening|.\nComedian|,|like|its|subjects|,|delivers|the|goods|and|audiences|will|have|a|fun|,|no-frills|ride|.\nA|naturally|funny|film|,|Home|Movie|makes|you|crave|Chris|Smith|'s|next|movie|.\nPipe|Dream|does|have|its|charms|.\nThe|leads|are|natural|and|lovely|,|the|pace|is|serene|,|the|humor|wry|and|sprightly|.\nThose|who|want|to|be|jolted|out|of|their|gourd|should|drop|everything|and|run|to|Ichi|.\n...|enthusiastically|invokes|the|percussion|rhythm|,|the|brass|soul|and|the|sense|of|fierce|competition|that|helps|make|great|marching|bands|half|the|fun|of|college|football|games|.\nSheds|light|on|a|subject|few|are|familiar|with|,|and|makes|you|care|about|music|you|may|not|have|heard|before|.\nDespite|the|film|'s|bizarre|developments|,|Hoffman|keeps|us|riveted|with|every|painful|nuance|,|unexpected|flashes|of|dark|comedy|and|the|character|'s|gripping|humanity|.\nTo|get|at|the|root|psychology|of|this|film|would|require|many|sessions|on|the|couch|of|Dr.|Freud|.\nGreat|over-the-top|moviemaking|if|you|'re|in|a|slap-happy|mood|.\nViveka|Seldahl|and|Sven|Wollter|will|touch|you|to|the|core|in|a|film|you|will|never|forget|--|that|you|should|never|forget|.\nThe|magic|(|and|original|running|time|)|of|ace|Japanimator|Hayao|Miyazaki|'s|Spirited|Away|survives|intact|in|BV|'s|re-voiced|version|.\nFrom|the|dull|,|surreal|ache|of|mortal|awareness|emerges|a|radiant|character|portrait|.\nCaptures|the|raw|comic|energy|of|one|of|our|most|flamboyant|female|comics|.\nIt|'s|not|particularly|subtle|...|However|,|it|still|manages|to|build|to|a|terrifying|,|if|obvious|,|conclusion|.\nThe|auteur|'s|ear|for|the|way|fears|and|slights|are|telegraphed|in|the|most|blithe|exchanges|gives|the|film|its|lingering|tug|.\nBolstered|by|exceptional|performances|and|a|clear-eyed|take|on|the|economics|of|dealing|and|the|pathology|of|ghetto|fabulousness|.\nThis|enthralling|documentary|...|is|at|once|playful|and|haunting|,|an|in-depth|portrait|of|an|iconoclastic|artist|who|was|fundamentally|unknowable|even|to|his|closest|friends|.\nSome|remarkable|achival|film|about|how|Shanghai|(|of|all|places|)|served|Jews|who|escaped|the|Holocaust|.\nIn|a|movie|full|of|surprises|,|the|biggest|is|that|Secret|Ballot|is|a|comedy|,|both|gentle|and|biting|.\nThe|urban|landscapes|are|detailed|down|to|the|signs|on|the|kiosks|,|and|the|color|palette|,|with|lots|of|somber|blues|and|pinks|,|is|dreamy|and|evocative|.\nA|manically|generous|Christmas|vaudeville|.\nTony|Gayton|'s|script|does|n't|give|us|anything|we|have|n't|seen|before|,|but|director|D.J.|Caruso|'s|grimy|visual|veneer|and|Kilmer|'s|absorbing|performance|increase|the|gravitational|pull|considerably|.\nA|psychic|journey|deep|into|the|very|fabric|of|Iranian|...|life|.\nIt|'s|a|smartly|directed|,|grown-up|film|of|ideas|.\nWhile|puerile|men|dominate|the|story|,|the|women|shine|.\nUnlike|lots|of|Hollywood|fluff|,|this|has|layered|,|well-developed|characters|and|some|surprises|.\nFor|a|film|that|'s|being|advertised|as|a|comedy|,|Sweet|Home|Alabama|is|n't|as|funny|as|you|'d|hoped|.\nFor|a|film|that|'s|being|advertised|as|a|comedy|,|Sweet|Home|Alabama|is|n't|as|funny|as|you|'d|hoped|.\nVera|has|created|a|provocative|,|absorbing|drama|that|reveals|the|curse|of|a|self-hatred|instilled|by|rigid|social|mores|.\nA|French|film|with|a|more|down-home|flavor|.\nDepending|upon|your|reaction|to|this|movie|,|you|may|never|again|be|able|to|look|at|a|red|felt|Sharpie|pen|without|disgust|,|a|thrill|,|or|the|giggles|.\nWhile|Bollywood\\/Hollywood|will|undoubtedly|provide|its|keenest|pleasures|to|those|familiar|with|Bombay|musicals|,|it|also|has|plenty|for|those|(|like|me|)|who|are|n't|.\nThere|are|times|when|you|wish|that|the|movie|had|worked|a|little|harder|to|conceal|its|contrivances|,|but|Brown|Sugar|turns|out|to|be|a|sweet|and|enjoyable|fantasy|.\nFontaine|masterfully|creates|a|portrait|of|two|strong|men|in|conflict|,|inextricably|entwined|through|family|history|,|each|seeing|himself|in|the|other|,|neither|liking|what|he|sees|.\nAs|Janice|,|Eileen|Walsh|,|an|engaging|,|wide-eyed|actress|whose|teeth|are|a|little|too|big|for|her|mouth|,|infuses|the|movie|with|much|of|its|slender|,|glinting|charm|.\nSure|,|it|'s|contrived|and|predictable|,|but|its|performances|are|so|well|tuned|that|the|film|comes|off|winningly|,|even|though|it|'s|never|as|solid|as|you|want|it|to|be|.\nDong|shows|how|intolerance|has|the|power|to|deform|families|,|then|tear|them|apart|.\nThe|Chateau|belongs|to|Rudd|,|whose|portrait|of|a|therapy-dependent|flakeball|spouting|French|malapropisms|...|is|a|nonstop|hoot|.\nThe|cast|,|collectively|a|successful|example|of|the|lovable-loser|protagonist|,|shows|deft|comic|timing|.\nIt|trusts|the|story|it|sets|out|to|tell|.\nI|could|n't|recommend|this|film|more|.\nAs|a|good|old-fashioned|adventure|for|kids|,|Spirit|:|Stallion|of|the|Cimarron|is|a|winner|.\nAn|effective|portrait|of|a|life|in|stasis|--|of|the|power|of|inertia|to|arrest|development|in|a|dead-end|existence|.\nSucceeds|as|a|well-made|evocation|of|a|subculture|.\n...|an|interesting|slice|of|history|.\nMe|no|lika|da|accents|so|good|,|but|I|thoroughly|enjoyed|the|love|story|.\nScott|Baio|is|turning|in|some|delightful|work|on|indie|projects|.\nIt|'s|an|experience|in|understanding|a|unique|culture|that|is|presented|with|universal|appeal|.\nWhat|'s|surprising|is|how|well|it|holds|up|in|an|era|in|which|computer-generated|images|are|the|norm|.\nBrings|together|some|of|the|biggest|names|in|Japanese|anime|,|with|impressive|results|.\nWonder|,|hope|and|magic|can|never|escape|the|heart|of|the|boy|when|the|right|movie|comes|along|,|especially|if|it|begins|with|the|name|of|Star|Wars\nA|flick|about|our|infantilized|culture|that|is|n't|entirely|infantile|.\nAn|exceptionally|acted|,|quietly|affecting|cop|drama|.\nSensual|,|funny|and|,|in|the|end|,|very|touching|.\nAngel|presents|events|partly|from|the|perspective|of|Aurelie|and|Christelle|,|and|infuses|the|film|with|the|sensibility|of|a|particularly|nightmarish|fairytale|.\nWho|needs|mind-bending|drugs|when|they|can|see|this|,|the|final|part|of|the|`|qatsi|'|trilogy|,|directed|by|Godfrey|Reggio|,|with|music|by|Philip|Glass|?\n(|A|)|smarter|and|much|funnier|version|of|the|old|Police|Academy|flicks|.\nProof|once|again|that|if|the|filmmakers|just|follow|the|books|,|they|ca|n't|go|wrong|.\nBetter|effects|,|better|acting|and|a|hilarious|Kenneth|Branagh|.\nAn|excellent|sequel|.\nBoth|a|grand|tour|through|300|hundred|years|of|Russian|cultural|identity|and|a|stunning|technical|achievement|.\nJust|how|these|families|interact|may|surprise|you|.\nProves|that|some|movie|formulas|do|n't|need|messing|with|--|like|the|big-bug|movie|.\nA|surprisingly|funny|movie|.\nThis|new|movie|version|of|the|Alexandre|Dumas|classic|is|the|stuff|of|high|romance|,|brought|off|with|considerable|wit|.\nLike|all|of|Egoyan|'s|work|,|Ararat|is|fiercely|intelligent|and|uncommonly|ambitious|.\nIf|a|big|musical|number|like|`|Praise|the|Lord|,|He|'s|the|God|of|Second|Chances|'|does|n't|put|you|off|,|this|will|be|an|enjoyable|choice|for|younger|kids|.\n...|fuses|the|events|of|her|life|with|the|imagery|in|her|paintings|so|vividly|that|the|artist|'s|work|may|take|on|a|striking|new|significance|for|anyone|who|sees|the|film|.\n(|Clooney|'s|)|debut|can|be|accused|of|being|a|bit|undisciplined|,|but|it|has|a|tremendous|,|offbeat|sense|of|style|and|humor|that|suggests|he|was|influenced|by|some|of|the|filmmakers|who|have|directed|him|,|especially|the|Coen|brothers|and|Steven|Soderbergh|.\nAlthough|made|on|a|shoestring|and|unevenly|acted|,|conjures|a|Lynch-like|vision|of|the|rotting|underbelly|of|Middle|America|.\nA|piquant|meditation|on|the|things|that|prevent|people|from|reaching|happiness|.\nA|timely|look|back|at|civil|disobedience|,|anti-war|movements|and|the|power|of|strong|voices|.\nRifkin|'s|references|are|...|impeccable|throughout|.\nI|'d|be|lying|if|I|said|my|ribcage|did|n't|ache|by|the|end|of|Kung|Pow|.\nMore|than|their|unique|residences|,|Home|Movie|is|about|the|people|who|live|in|them|,|who|have|carved|their|own|comfortable|niche|in|the|world|and|have|been|kind|enough|to|share|it|.\nThe|movie|is|ingenious|fun|.\nSee|it|.\nThe|combination|of|lightness|and|strictness|in|this|instance|gives|Italian|for|Beginners|an|amiable|aimlessness|that|keeps|it|from|seeming|predictably|formulaic|.\nThe|script|is|smart|and|dark|-|hallelujah|for|small|favors|.\nAn|intelligent|,|multi-layered|and|profoundly|humanist|(|not|to|mention|gently|political|)|meditation|on|the|values|of|knowledge|,|education|,|and|the|affects|of|cultural|and|geographical|displacement|.\nMr.|Polanski|is|in|his|element|here|:|alone|,|abandoned|,|but|still|consoled|by|his|art|,|which|is|more|than|he|has|ever|revealed|before|about|the|source|of|his|spiritual|survival|.\nSpectacular|in|every|sense|of|the|word|,|even|if|you|don|'|t|know|an|Orc|from|a|Uruk-Hai|.\nThis|is|n't|exactly|profound|cinema|,|but|it|'s|good-natured|and|sometimes|quite|funny|.\nThis|is|a|finely|written|,|superbly|acted|offbeat|thriller|.\nTres|Greek|writer|and|star|Nia|Vardalos|has|crafted|here|a|worldly-wise|and|very|funny|script|.\nA|tasty|appetizer|that|leaves|you|wanting|more|.\nIt|gives|devastating|testimony|to|both|people|'s|capacity|for|evil|and|their|heroic|capacity|for|good|.\nThe|film|reminds|me|of|a|vastly|improved|Germanic|version|of|My|Big|Fat|Greek|Wedding|--|with|better|characters|,|some|genuine|quirkiness|and|at|least|a|measure|of|style|.\nThe|difference|is|that|I|truly|enjoyed|most|of|Mostly|Martha|while|I|ne\nMorton|deserves|an|Oscar|nomination|.\nA|colorful|,|vibrant|introduction|to|a|universal|human|impulse|,|lushly|photographed|and|beautifully|recorded|.\nThe|screenplay|never|lets|us|forget|that|Bourne|was|once|an|amoral|assassin|just|like|the|ones|who|are|pursuing|him|...|There|is|never|really|a|true|``|us|''|versus|``|them|''|.\nThe|history|is|fascinating|;|the|action|is|dazzling|.\nThey|just|do|n't|work|in|concert|.\nFor|those|in|search|of|something|different|,|Wendigo|is|a|genuinely|bone-chilling|tale|.\nA|lovely|film|for|the|holiday|season|.\nIt|remains|to|be|seen|whether|Statham|can|move|beyond|the|crime-land|action|genre|,|but|then|again|,|who|says|he|has|to|?\nA|hypnotic|cyber|hymn|and|a|cruel|story|of|youth|culture|.\nIt|'s|a|fairy|tale|that|comes|from|a|renowned|Indian|film|culture|that|allows|Americans|to|finally|revel|in|its|splendor|.\nAt|once|subtle|and|visceral|,|the|film|never|succumbs|to|the|trap|of|the|maudlin|or|tearful|,|offering|instead|with|its|unflinching|gaze|a|measure|of|faith|in|the|future|.\nThe|performances|of|the|children|,|untrained|in|acting|,|have|an|honesty|and|dignity|that|breaks|your|heart|.\nDespite|its|lavish|formalism|and|intellectual|austerity|,|the|film|manages|to|keep|you|at|the|edge|of|your|seat|with|its|shape-shifting|perils|,|political|intrigue|and|brushes|with|calamity|.\nThis|rush|to|profits|has|created|a|predictably|efficient|piece|of|business|notable|largely|for|its|overwhelming|creepiness|,|for|an|eagerness|to|create|images|you|wish|you|had|n't|seen|,|which|,|in|this|day|and|age|,|is|of|course|the|point|.\nAdams|,|with|four|scriptwriters|,|takes|care|with|the|characters|,|who|are|so|believable|that|you|feel|what|they|feel|.\nA|completely|spooky|piece|of|business|that|gets|under|your|skin|and|,|some|plot|blips|aside|,|stays|there|for|the|duration|.\nSuperbly|photographed|and|staged|by|Mendes|with|a|series|of|riveting|set|pieces|the|likes|of|which|mainstream|audiences|have|rarely|seen|.\nThe|ensemble|cast|turns|in|a|collectively|stellar|performance|,|and|the|writing|is|tight|and|truthful|,|full|of|funny|situations|and|honest|observations|.\nNot|quite|as|miraculous|as|its|DreamWorks|makers|would|have|you|believe|,|but|it|more|than|adequately|fills|the|eyes|and|stirs|the|emotions|.\nA|properly|spooky|film|about|the|power|of|spirits|to|influence|us|whether|we|believe|in|them|or|not|.\nThe|lightest|,|most|breezy|movie|Steven|Spielberg|has|made|in|more|than|a|decade|.\nAnd|the|positive|change|in|tone|here|seems|to|have|recharged|him|.\nLike|Edward|Norton|in|American|History|X|,|Ryan|Gosling|(|Murder|By|Numbers|)|delivers|a|magnetic|performance|.\nThis|is|a|very|funny|,|heartwarming|film|.\nIt|has|fun|with|the|quirks|of|family|life|,|but|it|also|treats|the|subject|with|fondness|and|respect|.\nRarely|,|indeed|almost|never|,|is|such|high-wattage|brainpower|coupled|with|pitch-perfect|acting|and|an|exquisite|,|unfakable|sense|of|cinema|.\nThe|leanest|and|meanest|of|Solondz|'s|misanthropic|comedies|.\nA|dark|,|quirky|road|movie|that|constantly|defies|expectation|.\nThere|are|some|movies|that|hit|you|from|the|first|scene|and|you|know|it|'s|going|to|be|a|trip|.\nIgby|Goes|Down|is|one|of|those|movies|.\nOften|messy|and|frustrating|,|but|very|pleasing|at|its|best|moments|,|it|'s|very|much|like|life|itself|.\nA|burst|of|color|,|music|,|and|dance|that|only|the|most|practiced|curmudgeon|could|fail|to|crack|a|smile|at|.\nAn|energetic|,|violent|movie|with|a|momentum|that|never|lets|up|.\nLasker|'s|canny|,|meditative|script|distances|sex|and|love|,|as|Byron|and|Luther|...|realize|they|ca|n't|get|no|satisfaction|without|the|latter|.\nIt|turns|out|to|be|smarter|and|more|diabolical|than|you|could|have|guessed|at|the|beginning|.\nCage|makes|an|unusual|but|pleasantly|haunting|debut|behind|the|camera|.\nNoyce|has|worked|wonders|with|the|material|.\nIt|'s|mostly|a|pleasure|to|watch|.\nAnd|the|reason|for|that|is|a|self-aware|,|often|self-mocking|,|intelligence|.\nThe|Chateau|is|a|risky|venture|that|never|quite|goes|where|you|expect|and|often|surprises|you|with|unexpected|comedy|.\nA|very|well-meaning|movie|,|and|it|will|stand|in|future|years|as|an|eloquent|memorial|to|the|World|Trade|Center|tragedy|.\nThere|are|n't|many|conclusive|answers|in|the|film|,|but|there|is|an|interesting|story|of|pointed|personalities|,|courage|,|tragedy|and|the|little|guys|vs.|the|big|guys|.\nVividly|demonstrates|that|the|director|of|such|Hollywood|blockbusters|as|Patriot|Games|can|still|turn|out|a|small|,|personal|film|with|an|emotional|wallop|.\nA|four|star|performance|from|Kevin|Kline|who|unfortunately|works|with|a|two|star|script|.\nDogtown|&|Z-Boys|evokes|the|blithe|rebel|fantasy|with|the|kind|of|insouciance|embedded|in|the|sexy|demise|of|James|Dean|.\nIf|you|do|n't|flee|,|you|might|be|seduced|.\nIf|you|do|n't|laugh|,|flee|.\nPayne|constructs|a|hilarious|ode|to|middle|America|and|middle|age|with|this|unlikely|odyssey|,|featuring|a|pathetic|,|endearing|hero|who|is|all|too|human|.\nKoury|frighteningly|and|honestly|exposes|one|teenager|'s|uncomfortable|class|resentment|and|,|in|turn|,|his|self-inflicted|retaliation|.\nThe|Santa|Clause|2|proves|itself|a|more|streamlined|and|thought|out|encounter|than|the|original|could|ever|have|hoped|to|be|.\nNow|as|a|former|Gong|Show|addict|,|I|'ll|admit|it|,|my|only|complaint|is|that|we|did|n't|get|more|re-creations|of|all|those|famous|moments|from|the|show|.\nSucceeds|where|its|recent|predecessor|miserably|fails|because|it|demands|that|you|suffer|the|dreadfulness|of|war|from|both|sides|.\nThe|first|Bond|movie|in|ages|that|is|n't|fake|fun|.\nThis|odd|,|poetic|road|movie|,|spiked|by|jolts|of|pop|music|,|pretty|much|takes|place|in|Morton|'s|ever-watchful|gaze|--|and|it|'s|a|tribute|to|the|actress|,|and|to|her|inventive|director|,|that|the|journey|is|such|a|mesmerizing|one|.\nA|film|centering|on|a|traditional|Indian|wedding|in|contemporary|New|Delhi|may|not|sound|like|specialized|fare|,|but|Mira|Nair|'s|film|is|an|absolute|delight|for|all|audiences|.\nA|weird|and|wonderful|comedy|.\nThe|movie|should|jolt|you|out|of|your|seat|a|couple|of|times|,|give|you|a|few|laughs|,|and|leave|you|feeling|like|it|was|worth|your|seven|bucks|,|even|though|it|does|turn|out|to|be|a|bit|of|a|cheat|in|the|end|.\nHas|the|capability|of|effecting|change|and|inspiring|hope|.\nA|first-class|,|thoroughly|involving|B|movie|that|effectively|combines|two|surefire|,|beloved|genres|--|the|prison|flick|and|the|fight|film|.\nLaBute|'s|careful|handling|makes|the|material|seem|genuine|rather|than|pandering|.\nIn|between|all|the|emotional|seesawing|,|it|'s|hard|to|figure|the|depth|of|these|two|literary|figures|,|and|even|the|times|in|which|they|lived|.\nBut|they|fascinate|in|their|recklessness|.\nDeath|to|Smoochy|is|often|very|funny|,|but|what|'s|even|more|remarkable|is|the|integrity|of|DeVito|'s|misanthropic|vision|.\nA|beautiful|,|entertaining|two|hours|.\nYou|get|the|idea|,|though|,|that|Kapur|intended|the|film|to|be|more|than|that|.\nA|wonderful|,|ghastly|film|.\nAmid|the|new|populist|comedies|that|underscore|the|importance|of|family|tradition|and|familial|community|,|one|would|be|hard-pressed|to|find|a|movie|with|a|bigger|,|fatter|heart|than|Barbershop|.\nParris|'|performance|is|credible|and|remarkably|mature|.\n`|Enigma|'|is|the|kind|of|engaging|historical|drama|that|Hollywood|appears|to|have|given|up|on|in|favor|of|sentimental|war|movies|in|the|vein|of|`|We|Were|Soldiers|.|'\nMunch|'s|screenplay|is|tenderly|observant|of|his|characters|.\nHe|watches|them|as|they|float|within|the|seas|of|their|personalities|.\nHis|scenes|are|short|and|often|unexpected|.\nIt|grabs|you|in|the|dark|and|shakes|you|vigorously|for|its|duration|.\nLeigh|'s|daring|here|is|that|without|once|denying|the|hardscrabble|lives|of|people|on|the|economic|fringes|of|Margaret|Thatcher|'s|ruinous|legacy|,|he|insists|on|the|importance|of|those|moments|when|people|can|connect|and|express|their|love|for|each|other|.\nHashiguchi|vividly|captures|the|way|young|Japanese|live|now|,|chafing|against|their|culture|'s|manic|mix|of|millennial|brusqueness|and|undying|,|traditional|politesse|.\nUneven|but|a|lot|of|fun|.\nI|know|that|I|'ll|never|listen|to|Marvin|Gaye|or|the|Supremes|the|same|way|again\nThe|two|leads|,|nearly|perfect|in|their|roles|,|bring|a|heart|and|reality|that|buoy|the|film|,|and|at|times|,|elevate|it|to|a|superior|crime|movie|.\nNot|as|good|as|The|Full|Monty|,|but|a|really|strong|second|effort|.\nWhenever|it|threatens|to|get|bogged|down|in|earnest|dramaturgy|,|a|stirring|visual|sequence|like|a|surge|through|swirling|rapids|or|a|leap|from|pinnacle|to|pinnacle|rouses|us|.\nIf|horses|could|fly|,|this|is|surely|what|they|'d|look|like|.\nUnfolds|as|one|of|the|most|politically|audacious|films|of|recent|decades|from|any|country|,|but|especially|from|France|.\nThis|real-life|Hollywood|fairy-tale|is|more|engaging|than|the|usual|fantasies|Hollywood|produces|.\nThe|graphic|carnage|and|re-creation|of|war-torn|Croatia|is|uncomfortably|timely|,|relevant|,|and|sickeningly|real|.\nLeft|me|with|the|visceral|sensation|of|longing|,|lasting|traces|of|Charlotte|'s|web|of|desire|and|desperation|.\nThe|characters|are|more|deeply|thought|through|than|in|most|`|right-thinking|'|films|.\nCrammed|with|incident|,|and|bristles|with|passion|and|energy|.\nIt|'s|fun|,|splashy|and|entertainingly|nasty|.\nA|simple|tale|of|an|unlikely|friendship|,|but|thanks|to|the|gorgeous|locales|and|exceptional|lead|performances|,|it|has|considerable|charm|.\nIt|might|be|`|easier|'|to|watch|on|video|at|home|,|but|that|should|n't|stop|die-hard|French|film|connoisseurs|from|going|out|and|enjoying|the|big-screen|experience|.\nThere|'s|very|little|sense|to|what|'s|going|on|here|,|but|the|makers|serve|up|the|cliches|with|considerable|dash|.\nWitty|,|contemplative|,|and|sublimely|beautiful|.\nA|surprisingly|`|solid|'|achievement|by|director|Malcolm|D.|Lee|and|writer|John|Ridley|.\nWoven|together|handsomely|,|recalling|sixties|'|rockumentary|milestones|from|Lonely|Boy|to|Do|n't|Look|Back|.\nThis|is|pure|,|exciting|moviemaking|.\nYou|wo|n't|exactly|know|what|'s|happening|but|you|'ll|be|blissfully|exhausted|.\nThe|1960s|rebellion|was|misdirected|:|you|ca|n't|fight|your|culture|.\nWorks|because|Reno|does|n't|become|smug|or|sanctimonious|towards|the|audience|.\nNettelbeck|...|has|a|pleasing|way|with|a|metaphor|.\nA|pure|participatory|event|that|malnourished|intellectuals|will|gulp|down|in|a|frenzy|.\nThe|cast|delivers|without|sham|the|raw-nerved|story|.\nSteven|Soderbergh|'s|digital|video|experiment|is|a|clever|and|cutting|,|quick|and|dirty|look|at|modern|living|and|movie|life|.\nThe|film|'s|highlight|is|definitely|its|screenplay|,|both|for|the|rhapsodic|dialogue|that|jumps|off|the|page|,|and|for|the|memorable|character|creations|.\nIt|lets|you|brush|up|against|the|humanity|of|a|psycho|,|without|making|him|any|less|psycho|.\nSillier|,|cuter|,|and|shorter|than|the|first|(|as|best|I|remember|)|,|but|still|a|very|good|time|at|the|cinema|.\nThe|film|is|bright|and|flashy|in|all|the|right|ways|.\nElegant|and|eloquent|(|meditation|)|on|death|and|that|most|elusive|of|passions|,|love|.\nCut|through|the|layers|of|soap-opera|emotion|and|you|find|a|scathing|portrayal|of|a|powerful|entity|strangling|the|life|out|of|the|people|who|want|to|believe|in|it|the|most|.\nFilmmaker|Tian|Zhuangzhuang|triumphantly|returns|to|narrative|filmmaking|with|a|visually|masterful|work|of|quiet|power|.\nIt|excels|because|,|unlike|so|many|other|Hollywood|movies|of|its|ilk|,|it|offers|hope|.\nShot|in|rich|,|shadowy|black-and-white|,|Devils|chronicles|,|with|increasingly|amused|irony|,|the|relationship|between|reluctant|captors|and|befuddled|captives|.\nThere|'s|no|clear|picture|of|who|killed|Bob|Crane|.\nBut|here|'s|a|glimpse|at|his|life|.\nSpectacularly|beautiful|,|not|to|mention|mysterious|,|sensual|,|emotionally|intense|,|and|replete|with|virtuoso|throat-singing|.\nA|summer|entertainment|adults|can|see|without|feeling|embarrassed|,|but|it|could|have|been|more|.\nSparse|but|oddly|compelling|.\nA|stirring|,|funny|and|finally|transporting|re-imagining|of|Beauty|and|the|Beast|and|1930s|horror|films\nThe|Pinochet|Case|is|a|searing|album|of|remembrance|from|those|who|,|having|survived|,|suffered|most|.\nA|sweet-tempered|comedy|that|forgoes|the|knee-jerk|misogyny|that|passes|for|humor|in|so|many|teenage|comedies|.\nArgento|,|at|only|26|,|brings|a|youthful|,|out-to-change-the-world|aggressiveness|to|the|project|,|as|if|she|'s|cut|open|a|vein|and|bled|the|raw|film|stock|.\nWith|so|many|bad|romances|out|there|,|this|is|the|kind|of|movie|that|deserves|a|chance|to|shine|.\nBrash|,|intelligent|and|erotically|perplexing|,|Haneke|'s|portrait|of|an|upper|class|Austrian|society|and|the|suppression|of|its|tucked|away|demons|is|uniquely|felt|with|a|sardonic|jolt|.\nThough|Jackson|does|n't|always|succeed|in|integrating|the|characters|in|the|foreground|into|the|extraordinarily|rich|landscape|,|it|must|be|said|that|he|is|an|imaginative|filmmaker|who|can|see|the|forest|for|the|trees|.\n``|The|Quiet|American|''|begins|in|Saigon|in|1952|.\nThat|'s|its|first|sign|of|trouble|.\nA|dazzling|thing|to|behold|--|as|long|as|you|'re|wearing|the|somewhat|cumbersome|3D|goggles|the|theater|provides|.\nBe|patient|with|the|lovely|Hush|!\nand|your|reward|will|be|a|thoughtful|,|emotional|movie|experience|.\nThe|large-format|film|is|well|suited|to|capture|these|musicians|in|full|regalia|and|the|incredible|IMAX|sound|system|lets|you|feel|the|beat|down|to|your|toes|.\nGodard|has|never|made|a|more|sheerly|beautiful|film|than|this|unexpectedly|moving|meditation|on|love|,|history|,|memory|,|resistance|and|artistic|transcendence|.\nThe|kind|of|movie|that|comes|along|only|occasionally|,|one|so|unconventional|,|gutsy|and|perfectly|executed|it|takes|your|breath|away|.\nUnlike|most|surf|movies|,|Blue|Crush|thrillingly|uses|modern|technology|to|take|the|viewer|inside|the|wave|.\nBy|the|end|you|ca|n't|help|but|feel|`|stoked|.|'\nThe|off-center|humor|is|a|constant|,|and|the|ensemble|gives|it|a|buoyant|delivery|.\nA|tasty|slice|of|droll|whimsy|.\nMike|Leigh|populates|his|movie|with|a|wonderful|ensemble|cast|of|characters|that|bring|the|routine|day|to|day|struggles|of|the|working|class|to|life\nAwesome|work|:|ineffable|,|elusive|,|yet|inexplicably|powerful\nSparkling|,|often|hilarious|romantic|jealousy|comedy|...|Attal|looks|so|much|like|a|young|Robert|DeNiro|that|it|seems|the|film|should|instead|be|called|`|My|Husband|Is|Travis|Bickle|'|.\nEven|if|you|'re|an|agnostic|carnivore|,|you|can|enjoy|much|of|Jonah|simply|,|and|gratefully|,|as|laugh-out-loud|lunacy|with|a|pronounced|Monty|Pythonesque|flavor|.\nWhere|Bowling|for|Columbine|is|at|its|most|valuable|is|in|its|examination|of|America|'s|culture|of|fear|as|a|root|cause|of|gun|violence|.\nThe|result|is|somewhat|satisfying|--|it|still|comes|from|Spielberg|,|who|has|never|made|anything|that|was|n't|at|least|watchable|.\nBut|it|'s|also|disappointing|to|a|certain|degree|.\nThe|all-French|cast|is|marveilleux|.\nThere|'s|a|lot|to|recommend|Read|My|Lips|.\nA|minor|film|with|major|pleasures|from|Portuguese|master|Manoel|de|Oliviera|...\nBrosnan|gives|a|portrayal|as|solid|and|as|perfect|as|his|outstanding|performance|as|Bond|in|Die|Another|Day|.\nAudiences|are|advised|to|sit|near|the|back|and|squint|to|avoid|noticing|some|truly|egregious|lip-non-synching|,|but|otherwise|the|production|is|suitably|elegant|.\nThe|movie|is|...|very|funny|as|you|peek|at|it|through|the|fingers|in|front|of|your|eyes|.\nNicks|sustains|the|level|of|exaggerated|,|stylized|humor|throughout|by|taking|your|expectations|and|twisting|them|just|a|bit|.\nA|refreshing|change|from|the|usual|whoopee-cushion|effort|aimed|at|the|youth|market|.\nIt|finds|its|moviegoing|pleasures|in|the|tiny|events|that|could|make|a|person|who|has|lived|her|life|half-asleep|suddenly|wake|up|and|take|notice|.\n...|an|enjoyably|frothy|`|date|movie|'|...\nThe|genius|of|the|work|speaks|volumes|,|offering|up|a|hallucinatory|dreamscape|that|frustrates|and|captivates|.\nTwo|Weeks|Notice|has|appeal|beyond|being|a|Sandra|Bullock|vehicle|or|a|standard|romantic|comedy|.\nThe|movie|'s|seams|may|show|...|but|Pellington|gives|``|Mothman|''|an|irresistibly|uncanny|ambience|that|goes|a|long|way|toward|keeping|the|picture|compelling|.\nIf|Mostly|Martha|is|mostly|unsurprising|,|it|'s|still|a|sweet|,|even|delectable|diversion|.\nA|wild|comedy|that|could|only|spring|from|the|demented|mind|of|the|writer|of|Being|John|Malkovich|.\nSchnitzler|does|a|fine|job|contrasting|the|sleekness|of|the|film|'s|present|with|the|playful|paranoia|of|the|film|'s|past|.|'\nA|fresh-faced|,|big-hearted|and|frequently|funny|thrill|ride|for|the|kiddies|,|with|enough|eye|candy|and|cheeky|wit|to|keep|parents|away|from|the|concession|stand|.|'\nMana|gives|us|compelling|,|damaged|characters|who|we|want|to|help|--|or|hurt|.\nThe|sentimental|script|has|problems|,|but|the|actors|pick|up|the|slack|.\nA|good|documentary|can|make|interesting|a|subject|you|thought|would|leave|you|cold|.\nA|case|in|point|:|Doug|Pray|'s|Scratch|.\nAbderrahmane|Sissako|'s|Heremakono|(|Waiting|for|Happiness|)|is|an|elegiac|portrait|of|a|transit|city|on|the|West|African|coast|struggling|against|foreign|influences|.\nIn|XXX|,|Diesel|is|that|rare|creature|--|an|action|hero|with|table|manners|,|and|one|who|proves|that|elegance|is|more|than|tattoo|deep|.\nAn|engrossing|and|grim|portrait|of|hookers|:|what|they|think|of|themselves|and|their|clients|.\nIt|all|plays|out|...|like|a|high-end|John|Hughes|comedy|,|a|kind|of|Elder|Bueller|'s|Time|Out|.\nThe|film|is|enriched|by|an|imaginatively|mixed|cast|of|antic|spirits|,|headed|by|Christopher|Plummer|as|the|subtlest|and|most|complexly|evil|Uncle|Ralph|I|'ve|ever|seen|in|the|many|film|and|stage|adaptations|of|the|work|.\nThis|is|one|of|the|rarest|kinds|of|films|:|a|family-oriented|non-Disney|film|that|is|actually|funny|without|hitting|below|the|belt|.\nIt|is|refreshingly|undogmatic|about|its|characters|.\nA|moving|and|important|film|.\nDeep|intelligence|and|a|warm|,|enveloping|affection|breathe|out|of|every|frame|.\nFamuyiwa|'s|feature|deals|with|its|subject|matter|in|a|tasteful|,|intelligent|manner|,|rather|than|forcing|us|to|endure|every|plot|contrivance|that|the|cliché-riddled|genre|can|offer|.\nShowtime|is|a|fine-looking|film|with|a|bouncy|score|and|a|clutch|of|lively|songs|for|deft|punctuation|.\nSweet|Home|Alabama|is|n't|going|to|win|any|Academy|Awards|,|but|this|date-night|diversion|will|definitely|win|some|hearts|.\na|cruelly|funny|twist|on|teen|comedy|packed|with|inventive|cinematic|tricks|and|an|ironically|killer|soundtrack\nA|gracious|,|eloquent|film|that|by|its|end|offers|a|ray|of|hope|to|the|refugees|able|to|look|ahead|and|resist|living|in|a|past|forever|lost|.\nEven|though|many|of|these|guys|are|less|than|adorable|(|their|lamentations|are|pretty|much|self-centered|)|,|there|'s|something|vital|about|the|movie|.\nA|tour|de|force|drama|about|the|astonishingly|pivotal|role|of|imagination|in|the|soulful|development|of|two|rowdy|teenagers|.\nIt|is|a|strength|of|a|documentary|to|disregard|available|bias|,|especially|as|temptingly|easy|as|it|would|have|been|with|this|premise|.\nWhen|twentysomething|hotsies|make|movies|about|their|lives|,|hard-driving|narcissism|is|a|given|,|but|what|a|world|we|'d|live|in|if|Argento|'s|Hollywood|counterparts|...|had|this|much|imagination|and|nerve|.\nMaryam|is|more|timely|now|than|ever|.\nAn|eloquent|,|reflective|and|beautifully|acted|meditation|on|both|the|profoundly|devastating|events|of|one|year|ago|and|the|slow|,|painful|healing|process|that|has|followed|in|their|wake|.\nPiccoli|gives|a|superb|performance|full|of|deep|feeling|.\nWhat|a|concept|,|what|an|idea|,|what|a|thrill|ride|.\nThis|is|a|more|fascinating|look|at|the|future|than|``|Bladerunner|''|and|one|of|the|most|high-concept|sci|fi|adventures|attempted|for|the|screen|.\nThe|rare|movie|that|'s|as|crisp|and|to|the|point|as|the|novel|on|which|it|'s|based|.\nA|film|of|epic|scale|with|an|intimate|feeling|,|a|saga|of|the|ups|and|downs|of|friendships|.\nSayles|has|an|eye|for|the|ways|people|of|different|ethnicities|talk|to|and|about|others|outside|the|group|.\n``|Nicholas|Nickleby|''|is|a|perfect|family|film|to|take|everyone|to|since|there|'s|no|new|``|A|Christmas|Carol|''|out|in|the|theaters|this|year|.\nCharlie|Hunnam|has|the|twinkling|eyes|,|repressed|smile|and|determined|face|needed|to|carry|out|a|Dickensian|hero|.\nNiccol|the|filmmaker|merges|his|collaborators|'|symbolic|images|with|his|words|,|insinuating|,|for|example|,|that|in|Hollywood|,|only|God|speaks|to|the|press\nKhouri|manages|,|with|terrific|flair|,|to|keep|the|extremes|of|screwball|farce|and|blood-curdling|family|intensity|on|one|continuum|.\nImpresses|as|a|skillfully|assembled|,|highly|polished|and|professional|adaptation|...|just|about|as|chilling|and|unsettling|as|`|Manhunter|'|was|.\nIt|'s|a|solid|movie|about|people|whose|lives|are|anything|but|.\nThough|a|touch|too|Arthouse|101|in|its|poetic|symbolism|,|Heaven|proves|to|be|a|good|match|of|the|sensibilities|of|two|directors|.\nI|simply|ca|n't|recommend|it|enough|.\nWiseman|reveals|the|victims|of|domestic|abuse|in|all|of|their|pity|and|terror|.\nMuccino|,|who|directed|from|his|own|screenplay|,|is|a|canny|crowd|pleaser|,|and|The|Last|Kiss|...|provides|more|than|enough|sentimental|catharsis|for|a|satisfying|evening|at|the|multiplex|.\nWe|want|the|funk|-|and|this|movie|'s|got|it|.\nWow|,|so|who|knew|Charles|Dickens|could|be|so|light-hearted|?\nMany|went|to|see|the|attraction|for|the|sole|reason|that|it|was|hot|outside|and|there|was|air|conditioning|inside|,|and|I|do|n't|think|that|A.C.|will|help|this|movie|one|bit|.\nThe|storylines|are|woven|together|skilfully|,|the|magnificent|swooping|aerial|shots|are|breathtaking|,|and|the|overall|experience|is|awesome|.\nA|miraculous|movie|,|I|'m|Going|Home|is|so|slight|,|yet|overflows|with|wisdom|and|emotion|.\nBaran|is|shockingly|devoid|of|your|typical|Majid|Majidi|shoe-loving|,|crippled|children|.\nEvery|moment|crackles|with|tension|,|and|by|the|end|of|the|flick|,|you|'re|on|the|edge|of|your|seat|.\nA|fine|,|rousing|,|G-rated|family|film|,|aimed|mainly|at|little|kids|but|with|plenty|of|entertainment|value|to|keep|grown-ups|from|squirming|in|their|seats|.\nThe|series|'|message|about|making|the|right|choice|in|the|face|of|tempting|alternatives|remains|prominent|,|as|do|the|girls|'|amusing|personalities|.\nRichly|entertaining|and|suggestive|of|any|number|of|metaphorical|readings|.\nA|compelling|allegory|about|the|last|days|of|Germany|'s|democratic|Weimar|Republic|.\nOffers|a|guilt-free|trip|into|feel-good|territory|.\nA|B-movie|you|can|sit|through|,|enjoy|on|a|certain|level|and|then|forget|.\nDevos|delivers|a|perfect|performance|that|captures|the|innocence|and|budding|demons|within|a|wallflower|.\nDisappointingly|,|the|characters|are|too|strange|and|dysfunctional|,|Tom|included|,|to|ever|get|under|the|skin|,|but|this|is|compensated|in|large|part|by|the|off-the-wall|dialogue|,|visual|playfulness|and|the|outlandishness|of|the|idea|itself|.\nDirector|Todd|Solondz|has|made|a|movie|about|critical|reaction|to|his|two|previous|movies|,|and|about|his|responsibility|to|the|characters|that|he|creates|.\nThe|word|that|comes|to|mind|,|while|watching|Eric|Rohmer|'s|tribute|to|a|courageous|Scottish|lady|,|is|painterly|.\nA|fascinating|case|study|of|flower-power|liberation|--|and|the|price|that|was|paid|for|it|.\nBluer|than|the|Atlantic|and|more|biologically|detailed|than|an|autopsy|,|the|movie|...|is|,|also|,|frequently|hilarious|.\nReally|is|a|pan-American|movie|,|with|moments|of|genuine|insight|into|the|urban|heart|.\nAn|overly|familiar|scenario|is|made|fresh|by|an|intelligent|screenplay|and|gripping|performances|in|this|low-budget|,|video-shot|,|debut|indie|effort|.\nPeppering|this|urban|study|with|references|to|Norwegian|folktales|,|Villeneuve|creates|in|Maelstrom|a|world|where|the|bizarre|is|credible|and|the|real|turns|magical|.\nOng|'s|promising|debut|is|a|warm|and|well-told|tale|of|one|recent|Chinese|immigrant|'s|experiences|in|New|York|City|.\nThat|the|real|Antwone|Fisher|was|able|to|overcome|his|personal|obstacles|and|become|a|good|man|is|a|wonderful|thing|;|that|he|has|been|able|to|share|his|story|so|compellingly|with|us|is|a|minor|miracle|.\nThere|'s|not|much|to|Fatale|,|outside|of|its|stylish|surprises|...|but|that|'s|OK|.\nWhat|redeems|the|film|is|the|cast|,|particularly|the|Ya-Yas|themselves|.\nBeautiful|,|cold|,|oddly|colorful|and|just|plain|otherworldly|,|a|freaky|bit|of|art|that|'s|there|to|scare|while|we|delight|in|the|images|.\nIt|'s|up|to|(|Watts|)|to|lend|credibility|to|this|strange|scenario|,|and|her|presence|succeeds|in|making|us|believe|.\nThe|film|is|darkly|atmospheric|,|with|Herrmann|quietly|suggesting|the|sadness|and|obsession|beneath|Hearst|'s|forced|avuncular|chortles|.\nShyamalan|takes|a|potentially|trite|and|overused|concept|(|aliens|come|to|Earth|)|and|infuses|it|into|a|rustic|,|realistic|,|and|altogether|creepy|tale|of|hidden|invasion|.\n...|the|story|,|like|Ravel|'s|Bolero|,|builds|to|a|crescendo|that|encompasses|many|more|paths|than|we|started|with|.\nIt|'s|plotless|,|shapeless|--|and|yet|,|it|must|be|admitted|,|not|entirely|humorless|.\nIndeed|,|the|more|outrageous|bits|achieve|a|shock-you-into-laughter|intensity|of|almost|Dadaist|proportions|.\nGondry|'s|direction|is|adequate|...|but|what|gives|Human|Nature|its|unique|feel|is|Kaufman|'s|script|.\nThe|film|'s|plot|may|be|shallow|,|but|you|'ve|never|seen|the|deep|like|you|see|it|in|these|harrowing|surf|shots|.\nWith|a|large|cast|representing|a|broad|cross-section|,|Tavernier|'s|film|bounds|along|with|the|rat-a-tat|energy|of|``|His|Girl|Friday|,|''|maintaining|a|light|touch|while|tackling|serious|themes|.\nThe|observations|of|this|social\\/economic\\/urban|environment|are|canny|and|spiced|with|irony|.\nRenner|carries|much|of|the|film|with|a|creepy|and|dead-on|performance|.\nJarecki|and|Gibney|do|find|enough|material|to|bring|Kissinger|'s|record|into|question|and|explain|how|the|diplomat|'s|tweaked|version|of|statecraft|may|have|cost|thousands|and|possibly|millions|of|lives|.\nThe|spaniel-eyed|Jean|Reno|infuses|Hubert|with|a|mixture|of|deadpan|cool|,|wry|humor|and|just|the|measure|of|tenderness|required|to|give|this|comic|slugfest|some|heart|.\nAniston|has|at|last|decisively|broken|with|her|Friends|image|in|an|independent|film|of|satiric|fire|and|emotional|turmoil|.\nA|mildly|enjoyable|if|toothless|adaptation|of|a|much|better|book|.\nUnexpected|,|and|often|contradictory|,|truths|emerge|.\n300|years|of|Russian|history|and|culture|compressed|into|an|evanescent|,|seamless|and|sumptuous|stream|of|consciousness|.\nIntelligent|,|caustic|take|on|a|great|writer|and|dubious|human|being|.\nMay|take|its|sweet|time|to|get|wherever|it|'s|going|,|but|if|you|have|the|patience|for|it|,|you|wo|n't|feel|like|it|'s|wasted|yours|.\nLess|the|sensational|true-crime|hell-jaunt|purists|might|like|and|more|experimental|in|its|storytelling|(|though|no|less|horrifying|for|it|)|.\nThe|film|is|one|of|the|year|'s|best|.\nEerily|accurate|depiction|of|depression|.\n...|a|delicious|crime|drama|on|par|with|the|slickest|of|Mamet|.\nCharming|and|witty|,|it|'s|also|somewhat|clumsy|.\nDirected|with|purpose|and|finesse|by|England|'s|Roger|Mitchell|,|who|handily|makes|the|move|from|pleasing|,|relatively|lightweight|commercial|fare|such|as|Notting|Hill|to|commercial|fare|with|real|thematic|heft|.\nEscapes|the|precious|trappings|of|most|romantic|comedies|,|infusing|into|the|story|very|real|,|complicated|emotions|.\nThis|big|screen|caper|has|a|good|bark|,|far|from|being|a|bow-wow|.\n(|Allen|)|manages|to|breathe|life|into|this|somewhat|tired|premise|.\nI|have|two|words|to|say|about|Reign|of|Fire|.\nGreat|dragons|!\nBy|surrounding|us|with|hyper-artificiality|,|Haynes|makes|us|see|familiar|issues|,|like|racism|and|homophobia|,|in|a|fresh|way|.\nA|deliberative|account|of|a|lifestyle|characterized|by|its|surface-obsession|--|one|that|typifies|the|delirium|of|post|,|pre|,|and|extant|stardom|.\nSuperb|production|values|&|Christian|Bale|'s|charisma|make|up|for|a|derivative|plot|.\nThe|film|has|the|courage|of|its|convictions|and|excellent|performances|on|its|side|.\nI|know|I|should|n't|have|laughed|,|but|hey|,|those|farts|got|to|my|inner|nine-year-old|.\nA|movie|that|will|thrill|you|,|touch|you|and|make|you|laugh|as|well|.\nIt|'s|a|smart|,|funny|look|at|an|arcane|area|of|popular|culture|,|and|if|it|is|n't|entirely|persuasive|,|it|does|give|exposure|to|some|talented|performers|.\nMore|vaudeville|show|than|well-constructed|narrative|,|but|on|those|terms|it|'s|inoffensive|and|actually|rather|sweet|.\nThe|case|is|a|convincing|one|,|and|should|give|anyone|with|a|conscience|reason|to|pause|.\nThe|actresses|find|their|own|rhythm|and|protect|each|other|from|the|script|'s|bad|ideas|and|awkwardness|.\nDiverting|French|comedy|in|which|a|husband|has|to|cope|with|the|pesky|moods|of|jealousy|.\nCaptivates|and|shows|how|a|skillful|filmmaker|can|impart|a|message|without|bludgeoning|the|audience|over|the|head|.\nThere|is|a|welcome|lack|of|pretension|about|the|film|,|which|very|simply|sets|out|to|entertain|and|ends|up|delivering|in|good|measure|.\nCoy|but|exhilarating|,|with|really|solid|performances|by|Ving|Rhames|and|Wesley|Snipes|.\nIt|is|a|likable|story|,|told|with|competence|.\nNot|only|does|Spider-Man|deliver|,|but|I|suspect|it|might|deliver|again|and|again|.\nTackles|the|difficult|subject|of|grief|and|loss|with|such|life-embracing|spirit|that|the|theme|does|n't|drag|an|audience|down|.\nA|small|movie|with|a|big|impact|.\nThe|movie|,|despite|its|rough|edges|and|a|tendency|to|sag|in|certain|places|,|is|wry|and|engrossing|.\nI|admire|the|closing|scenes|of|the|film|,|which|seem|to|ask|whether|our|civilization|offers|a|cure|for|Vincent|'s|complaint|.\nLike|Rudy|Yellow|Lodge|,|Eyre|needs|to|take|a|good|sweat|to|clarify|his|cinematic|vision|before|his|next|creation|and|remember|the|lessons|of|the|trickster|spider|.\na|delightful|romantic|comedy|with|plenty|of|bite|.\nIt|'s|far|from|a|frothy|piece|,|and|the|characters|are|complex|,|laden|with|plenty|of|baggage|and|tinged|with|tragic|undertones|.\nUsing|an|endearing|cast|,|writer\\/director|Dover|Kosashvili|takes|a|slightly|dark|look|at|relationships|,|both|sexual|and|kindred|.\nWhen|a|movie|has|stuck|around|for|this|long|,|you|know|there|'s|something|there|.\nIt|'s|that|good|.\nSmart|,|sassy|interpretation|of|the|Oscar|Wilde|play|.\nForget|about|one|Oscar|nomination|for|Julianne|Moore|this|year|-|she|should|get|all|five|.\nJapanese|director|Shohei|Imamura|'s|latest|film|is|an|odd|but|ultimately|satisfying|blend|of|the|sophomoric|and|the|sublime|.\nKwan|is|a|master|of|shadow|,|quietude|,|and|room|noise|,|and|Lan|Yu|is|a|disarmingly|lived-in|movie|.\nWhile|the|plot|follows|a|predictable|connect-the-dots|course|...|director|John|Schultz|colors|the|picture|in|some|evocative|shades|.\nKatz|'s|documentary|does|n't|have|much|panache|,|but|with|material|this|rich|it|does|n't|need|it|.\nWe|get|an|image|of|Big|Papa|spanning|history|,|rather|than|suspending|it|.\nEvelyn|'s|strong|cast|and|surehanded|direction|make|for|a|winning|,|heartwarming|yarn|.\nA|conventional|but|heartwarming|tale|.\nThis|is|one|of|the|outstanding|thrillers|of|recent|years|.\nSkins|has|a|desolate|air|,|but|Eyre|,|a|Native|American|raised|by|white|parents|,|manages|to|infuse|the|rocky|path|to|sibling|reconciliation|with|flashes|of|warmth|and|gentle|humor|.\nA|film|of|quiet|power|.\nMore|concerned|with|overall|feelings|,|broader|ideas|,|and|open-ended|questions|than|concrete|story|and|definitive|answers|,|Soderbergh|'s|Solaris|is|a|gorgeous|and|deceptively|minimalist|cinematic|tone|poem|.\nAn|intelligent|romantic|thriller|of|a|very|old-school|kind|of|quality|.\nThe|sword|fighting|is|well|done|and|Auteuil|is|a|goofy|pleasure|.\nYes|,|MIBII|is|rote|work|and|predictable|,|but|with|a|philosophical|visual|coming|right|at|the|end|that|extravagantly|redeems|it|.\nFilm|ca|n't|quite|maintain|its|initial|momentum|,|but|remains|sporadically|funny|throughout|.\nO|Fantasma|is|boldly|,|confidently|orchestrated|,|aesthetically|and|sexually|,|and|its|impact|is|deeply|and|rightly|disturbing|.\nIt|'s|still|Adam|Sandler|,|and|it|'s|not|Little|Nicky|.\nAnd|for|many|of|us|,|that|'s|good|enough|.\nHere|'s|yet|another|cool|crime|movie|that|actually|manages|to|bring|something|new|into|the|mix|.\nLee|'s|achievement|extends|to|his|supple|understanding|of|the|role|that|Brown|played|in|American|culture|as|an|athlete|,|a|movie|star|,|and|an|image|of|black|indomitability|.\nKaufman|and|Jonze|take|huge|risks|to|ponder|the|whole|notion|of|passion|--|our|desire|as|human|beings|for|passion|in|our|lives|and|the|emptiness|one|feels|when|it|is|missing|.\nIt|tends|to|remind|one|of|a|really|solid|Woody|Allen|film|,|with|its|excellent|use|of|New|York|locales|and|sharp|writing\nWhile|centered|on|the|life|experiences|of|a|particular|theatrical|family|,|this|marvelous|documentary|touches|--|ever|so|gracefully|--|on|the|entire|history|of|the|Yiddish|theater|,|both|in|America|and|Israel|.\nThe|film|,|despite|the|gratuitous|cinematic|distractions|impressed|upon|it|,|is|still|good|fun|.\nThe|immersive|powers|of|the|giant|screen|and|its|hyper-realistic|images|are|put|to|perfect|use|in|the|breathtakingly|beautiful|outer-space|documentary|Space|Station|3D|.\nHas|an|unmistakable|,|easy|joie|de|vivre|.\nMore|than|anything|else|,|Kissing|Jessica|Stein|injects|freshness|and|spirit|into|the|romantic|comedy|genre|,|which|has|been|held|hostage|by|generic|scripts|that|seek|to|remake|Sleepless|in|Seattle|again|and|again|.\nThis|movie|has|the|usual|impossible|stunts|...|But|it|has|just|as|many|scenes|that|are|lean|and|tough|enough|to|fit|in|any|modern|action|movie|.\nMostly|works|because|of|the|universal|themes|,|earnest|performances|...|and|excellent|use|of|music|by|India|'s|popular|Gulzar|and|Jagjit|Singh|.\n...|the|one|thing|this|Wild|film|has|that|other|Imax|films|do|n't|:|chimps|,|lots|of|chimps|,|all|blown|up|to|the|size|of|a|house|.\nThat|'s|fun|for|kids|of|any|age|.\nWriter\\/director|David|Caesar|ladles|on|the|local|flavour|with|a|hugely|enjoyable|film|about|changing|times|,|clashing|cultures|and|the|pleasures|of|a|well-made|pizza|.\nRarely|have|I|seen|a|film|so|willing|to|champion|the|fallibility|of|the|human|heart|.\nHolofcener|rejects|patent|solutions|to|dramatize|life|'s|messiness|from|inside|out|,|in|all|its|strange|quirks|.\nLike|The|Full|Monty|,|this|is|sure|to|raise|audience|'s|spirits|and|leave|them|singing|long|after|the|credits|roll|.\n...|a|gleefully|grungy|,|hilariously|wicked|black|comedy|...\nKinnear|and|Dafoe|give|what|may|be|the|performances|of|their|careers|.\nAll|in|all|,|a|great|party|.\nA|moving|story|of|determination|and|the|human|spirit|.\n``|Brown|Sugar|''|admirably|aspires|to|be|more|than|another|``|Best|Man|''|clone|by|weaving|a|theme|throughout|this|funny|film|.\n(|Gulpilil|)|is|a|commanding|screen|presence|,|and|his|character|'s|abundant|humanism|makes|him|the|film|'s|moral|compass|.\nAn|effortlessly|accomplished|and|richly|resonant|work|.\nIn|some|ways|,|Lagaan|is|quintessential|Bollywood|.\nExcept|it|'s|much|,|much|better|.\nThough|it|never|rises|to|its|full|potential|as|a|film|,|still|offers|a|great|deal|of|insight|into|the|female|condition|and|the|timeless|danger|of|emotions|repressed|.\nScotland|looks|wonderful|,|the|fans|are|often|funny|fanatics|,|the|showdown|sure|beats|a|bad|day|of|golf|.\nWhat|enlivens|this|film|,|beyond|the|astute|direction|of|Cardoso|and|beautifully|detailed|performances|by|all|of|the|actors|,|is|a|note|of|defiance|over|social|dictates|.\nThe|emotion|is|impressively|true|for|being|so|hot-blooded|,|and|both|leads|are|up|to|the|task|.\nAlthough|it|lacks|the|detail|of|the|book|,|the|film|does|pack|some|serious|suspense|.\nI|'d|watch|these|two|together|again|in|a|New|York|minute|.\nThere|'s|nothing|like|love|to|give|a|movie|a|B-12|shot|,|and|CQ|shimmers|with|it|.\nA|moving|essay|about|the|specter|of|death|,|especially|suicide|.\nThis|film|is|so|different|from|The|Apple|and|so|striking|that|it|can|only|encourage|us|to|see|Samira|Makhmalbaf|as|a|very|distinctive|sensibility|,|working|to|develop|her|own|film|language|with|conspicuous|success|.\nLike|a|less|dizzily|gorgeous|companion|to|Mr.|Wong|'s|In|the|Mood|for|Love|--|very|much|a|Hong|Kong|movie|despite|its|mainland|setting|.\n...|a|somber|film|,|almost|completely|unrelieved|by|any|comedy|beyond|the|wistful|everyday|ironies|of|the|working|poor|.\nCoral|Reef|Adventure|is|a|heavyweight|film|that|fights|a|good|fight|on|behalf|of|the|world|'s|endangered|reefs|--|and|it|lets|the|pictures|do|the|punching|.\nThe|overall|result|is|an|intelligent|,|realistic|portrayal|of|testing|boundaries|.\nPoignant|and|moving|,|A|Walk|to|Remember|is|an|inspirational|love|story|,|capturing|the|innocence|and|idealism|of|that|first|encounter|.\nWorth|a|salute|just|for|trying|to|be|more|complex|than|your|average|film|.\nHandsome|and|sophisticated|approach|to|the|workplace|romantic|comedy|.\nA|shimmeringly|lovely|coming-of-age|portrait|,|shot|in|artful|,|watery|tones|of|blue|,|green|and|brown|.\nWhile|Cherish|does|n't|completely|survive|its|tonal|transformation|from|dark|comedy|to|suspense|thriller|,|it|'s|got|just|enough|charm|and|appealing|character|quirks|to|forgive|that|still|serious|problem|.\nIn|many|ways|,|reminiscent|of|1992|'s|Unforgiven|which|also|utilized|the|scintillating|force|of|its|actors|to|draw|out|the|menace|of|its|sparse|dialogue|.\nWe|admire|this|film|for|its|harsh|objectivity|and|refusal|to|seek|our|tears|,|our|sympathies|.\nAn|often|watchable|,|though|goofy|and|lurid|,|blast|of|a|costume|drama|set|in|the|late|15th|century|.\nThe|entire|cast|is|first-rate|,|especially|Sorvino|.\nThe|Cat|'s|Meow|marks|a|return|to|form|for|director|Peter|Bogdanovich|...\nThis|one|is|strictly|a|lightweight|escapist|film|.\nThis|sensitive|,|smart|,|savvy|,|compelling|coming-of-age|drama|delves|into|the|passive-aggressive|psychology|of|co-dependence|and|the|struggle|for|self-esteem|.\nThe|culmination|of|everyone|'s|efforts|is|given|life|when|A|Selection|appears|in|its|final|form|(|in|``|Last|Dance|''|)|.\nIn|questioning|the|election|process|,|Payami|graphically|illustrates|the|problems|of|fledgling|democracies|,|but|also|the|strength|and|sense|of|freedom|the|Iranian|people|already|possess|,|with|or|without|access|to|the|ballot|box|.\nA|very|charming|and|funny|movie|.\nThis|is|a|film|that|manages|to|find|greatness|in|the|hue|of|its|drastic|iconography|.\nStreamlined|to|a|tight|,|brisk|85-minute|screwball|thriller|,|``|Big|Trouble|''|is|funny|,|harmless|and|as|substantial|as|a|tub|of|popcorn|with|extra|butter|.\nConsummate|actor|Barry|has|done|excellent|work|here|.\nThe|biggest|problem|with|this|movie|is|that|it|'s|not|nearly|long|enough|.\nWhile|not|all|that|bad|of|a|movie|,|it|'s|nowhere|near|as|good|as|the|original|.\nAli|'s|graduation|from|little|screen|to|big|is|far|less|painful|than|his|opening|scene|encounter|with|an|over-amorous|terrier|.\nI|have|always|appreciated|a|smartly|written|motion|picture|,|and|,|whatever|flaws|Igby|Goes|Down|may|possess|,|it|is|undeniably|that|.\nYou|can|sip|your|vintage|wines|and|watch|your|Merchant|Ivory|productions|;|I|'ll|settle|for|a|nice|cool|glass|of|iced|tea|and|a|Jerry|Bruckheimer|flick|any|day|of|the|week|.\nMay|be|the|most|undeserving|victim|of|critical|overkill|since|Town|and|Country|.\nA|chilly|,|brooding|but|quietly|resonant|psychological|study|of|domestic|tension|and|unhappiness|.\nThe|movie|does|its|best|to|work|us|over|,|with|second|helpings|of|love|,|romance|,|tragedy|,|false|dawns|,|real|dawns|,|comic|relief|,|two|separate|crises|during|marriage|ceremonies|,|and|the|lush|scenery|of|the|Cotswolds|.\nCold|,|nervy|and|memorable|.\nBecomes|a|fascinating|study|of|isolation|and|frustration|that|successfully|recreates|both|the|physical|setting|and|emotional|tensions|of|the|Papin|sisters|.\nSpend|your|Benjamins|on|a|matinee|.\nAll|in|all|,|it|'s|a|pretty|good|execution|of|a|story|that|'s|a|lot|richer|than|the|ones|Hollywood|action|screenwriters|usually|come|up|with|on|their|own|.\nWorth|seeing|just|for|Weaver|and|LaPaglia|.\nA|pleasant|piece|of|escapist|entertainment|.\nAmong|the|many|pleasures|are|the|lively|intelligence|of|the|artists|and|their|perceptiveness|about|their|own|situations|.\nIt|'s|consistently|funny|,|in|an|irresistible|junior-high|way|,|and|consistently|free|of|any|gag|that|would|force|you|to|give|it|a|millisecond|of|thought|.\nIt|'s|the|cute|frissons|of|discovery|and|humor|between|Chaplin|and|Kidman|that|keep|this|nicely|wound|clock|not|just|ticking|,|but|humming|.\nThe|storytelling|may|be|ordinary|,|but|the|cast|is|one|of|those|all-star|reunions|that|fans|of|Gosford|Park|have|come|to|assume|is|just|another|day|of|Brit|cinema|.\nThere|'s|something|about|a|marching|band|that|gets|me|where|I|live|.\nCuaron|repeatedly|,|perversely|undercuts|the|joie|de|vivre|even|as|he|creates|it|,|giving|the|movie|a|mournful|undercurrent|that|places|the|good-time|shenanigans|in|welcome|perspective|.\nIt|'s|definitely|an|improvement|on|the|first|Blade|,|since|it|does|n't|take|itself|so|deadly|seriously|.\nA|slam-bang|extravaganza|that|is|all|about|a|wild-and-woolly|,|wall-to-wall|good|time|.\nWhat|'s|infuriating|about|Full|Frontal|is|that|it|'s|too|close|to|real|life|to|make|sense|.\nWhat|'s|invigorating|about|it|is|that|it|does|n't|give|a|damn|.\nIs|Red|Dragon|worthy|of|a|place|alongside|the|other|Hannibal|movies|?\nAs|Hannibal|would|say|,|yes|,|`|It|'s|like|having|an|old|friend|for|dinner|'|.\nWriter-director|Juan|Carlos|Fresnadillo|makes|a|feature|debut|that|is|fully|formed|and|remarkably|assured|.\ninsightfully|written|,|delicately|performed\nPerhaps|the|grossest|movie|ever|made|.\nFunny|,|though|.\nThis|90-minute|postmodern|voyage|was|more|diverting|and|thought-provoking|than|I|'d|expected|it|to|be|.\nOne|of|those|exceedingly|rare|films|in|which|the|talk|alone|is|enough|to|keep|us|involved|.\nA|heartbreakingly|thoughtful|minor|classic|,|the|work|of|a|genuine|and|singular|artist|.\nAn|affectionately|goofy|satire|that|'s|unafraid|to|throw|elbows|when|necessary|...\nBetween|them|,|De|Niro|and|Murphy|make|Showtime|the|most|savory|and|hilarious|guilty|pleasure|of|many|a|recent|movie|season|.\nJackson|tries|to|keep|the|plates|spinning|as|best|he|can|,|but|all|the|bouncing|back|and|forth|ca|n't|help|but|become|a|bit|tedious|--|even|with|the|breathtaking|landscapes|and|villainous|varmints|there|to|distract|you|from|the|ricocheting|.\nFilmmakers|David|Weissman|and|Bill|Weber|benefit|enormously|from|the|Cockettes|'|camera|craziness|--|not|only|did|they|film|performances|,|but|they|did|the|same|at|home|.\nInteresting|both|as|a|historical|study|and|as|a|tragic|love|story|.\nA|stylish|but|steady|,|and|ultimately|very|satisfying|,|piece|of|character-driven|storytelling|.\nIt|picked|me|up|,|swung|me|around|,|and|dropped|me|back|in|my|seat|with|more|emotional|force|than|any|other|recent|film|.\nGraham|Greene|'s|novel|of|colonialism|and|empire|is|elevated|by|Michael|Caine|'s|performance|as|a|weary|journalist|in|a|changing|world|.\nThough|it|'s|equally|solipsistic|in|tone|,|the|movie|has|enough|vitality|to|justify|the|notion|of|creating|a|screen|adaptation|of|Evans|'|saga|of|Hollywood|excess|.\nCompulsively|watchable|,|no|matter|how|degraded|things|get|.\nDelivers|roughly|equal|amounts|of|beautiful|movement|and|inside|information|.\nBon|appétit|!\nJust|like|a|splendid|meal|,|Red|Dragon|satisfies|--|from|its|ripe|recipe|,|inspiring|ingredients|,|certified|cuisine|and|palatable|presentation|.\nThe|structure|is|simple|,|but|in|its|own|way|,|Rabbit-Proof|Fence|is|a|quest|story|as|grand|as|The|Lord|of|the|Rings|.\nThis|charming|,|thought-provoking|New|York|fest|of|life|and|love|has|its|rewards|.\nSome|people|march|to|the|beat|of|a|different|drum|,|and|if|you|ever|wondered|what|kind|of|houses|those|people|live|in|,|this|documentary|takes|a|look|at|5|alternative|housing|options|.\nPlayfully|profound|...|and|crazier|than|Michael|Jackson|on|the|top|floor|of|a|skyscraper|nursery|surrounded|by|open|windows|.\nA|film|that|will|enthrall|the|whole|family|.\nThe|charm|of|the|first|movie|is|still|there|,|and|the|story|feels|like|the|logical|,|unforced|continuation|of|the|careers|of|a|pair|of|spy|kids|.\nK|19|stays|afloat|as|decent|drama\\/action|flick\nIt|sends|you|away|a|believer|again|and|quite|cheered|at|just|that|.\nLike|the|best|60|Minutes|exposé|,|the|film|(|at|80|minutes|)|is|actually|quite|entertaining|.\nan|83|minute|document|of|a|project|which|started|in|a|muddle|,|seesawed|back|and|forth|between|controlling|interests|multiple|times|,|then|found|its|sweet|spot\nAn|emotionally|and|spiritually|compelling|journey|seen|through|the|right|eyes|,|with|the|right|actors|and|with|the|kind|of|visual|flair|that|shows|what|great|cinema|can|really|do|.\nNair|does|n't|use|(|Monsoon|Wedding|)|to|lament|the|loss|of|culture|.\nInstead|,|she|sees|it|as|a|chance|to|revitalize|what|is|and|always|has|been|remarkable|about|clung-to|traditions|.\nBoth|Grant|and|Hoult|carry|the|movie|because|they|are|believable|as|people|--|flawed|,|assured|of|the|wrong|things|,|and|scared|to|admit|how|much|they|may|really|need|the|company|of|others|.\nLeading|a|double|life|in|an|American|film|only|comes|to|no|good|,|but|not|here|.\nMatters|play|out|realistically|if|not|always|fairly|.\nIn|the|affable|Maid|in|Manhattan|,|Jennifer|Lopez|'s|most|aggressive|and|most|sincere|attempt|to|take|movies|by|storm|,|the|diva|shrewdly|surrounds|herself|with|a|company|of|strictly|A-list|players|.\nLike|Mike|is|a|harmlessly|naïve|slice|of|b-ball|fantasy|,|fit|for|filling|in|during|the|real|NBA|'s|off-season|.\nThough|writer\\/director|Bart|Freundlich|'s|film|ultimately|becomes|a|simplistic|story|about|a|dysfunctional|parent-child|relationship|,|it|has|some|special|qualities|and|the|soulful|gravity|of|Crudup|'s|anchoring|performance|.\nWhat|the|movie|lacks|in|action|it|more|than|makes|up|for|in|drama|,|suspense|,|revenge|,|and|romance|.\nJust|offbeat|enough|to|keep|you|interested|without|coming|close|to|bowling|you|over|.\nProbes|in|a|light-hearted|way|the|romantic|problems|of|individuals|for|whom|the|yearning|for|passion|spells|discontent|.\nWhat|elevates|the|movie|above|the|run-of-the-mill|singles|blender|is|its|surreal|sense|of|humor|and|technological|finish|.\nA|film|about|female|friendship|that|men|can|embrace|and|women|will|talk|about|for|hours|.\nThe|directing|and|story|are|disjointed|,|flaws|that|have|to|be|laid|squarely|on|Taylor|'s|doorstep|.\nBut|the|actors|make|this|worth|a|peek|.\nLight|the|candles|,|bring|out|the|cake|and|do|n't|fret|about|the|calories|because|there|'s|precious|little|substance|in|Birthday|Girl|--|it|'s|simply|,|and|surprisingly|,|a|nice|,|light|treat|.\nIt|may|be|about|drug|dealers|,|kidnapping|,|and|unsavory|folks|,|but|the|tone|and|pacing|are|shockingly|intimate|.\nMassoud|'s|story|is|an|epic|,|but|also|a|tragedy|,|the|record|of|a|tenacious|,|humane|fighter|who|was|also|the|prisoner|(|and|ultimately|the|victim|)|of|history|.\nIf|villainous|vampires|are|your|cup|of|blood|,|Blade|2|is|definitely|a|cut|above|the|rest|.\nDrumline|ably|captures|the|complicated|relationships|in|a|marching|band|.\nBecause|the|film|deliberately|lacks|irony|,|it|has|a|genuine|dramatic|impact|;|it|plays|like|a|powerful|1957|drama|we|'ve|somehow|never|seen|before|.\nDoes|point|the|way|for|adventurous|Indian|filmmakers|toward|a|crossover|into|nonethnic|markets|.\nSeems|based|on|ugly|ideas|instead|of|ugly|behavior|,|as|Happiness|was|...|Hence|,|Storytelling|is|far|more|appealing|.\n``|Sum|''|is|Jack|Ryan|'s|``|do-over|.|''\nGive|credit|to|everyone|from|Robinson|down|to|the|key|grip|that|this|bold|move|works|.\nEspecially|give|credit|to|Affleck|.\nAn|intelligently|made|(|and|beautifully|edited|)|picture|that|at|the|very|least|has|a|spark|of|life|to|it|--|more|than|you|can|say|for|plenty|of|movies|that|flow|through|the|Hollywood|pipeline|without|a|hitch|.\nA|terrific|date|movie|,|whatever|your|orientation|.\nNot|all|of|the|stories|work|and|the|ones|that|do|are|thin|and|scattered|,|but|the|film|works|well|enough|to|make|it|worth|watching|.\nWhat|it|lacks|in|originality|it|makes|up|for|in|effective|if|cheap|moments|of|fright|and|dread|.\nThe|pain|,|loneliness|and|insecurity|of|the|screenwriting|process|are|vividly|and|painfully|brought|to|slovenly|life|in|this|self-deprecating|,|biting|and|witty|feature|written|by|Charlie|Kaufman|and|his|twin|brother|,|Donald|,|and|directed|by|Spike|Jonze|.\nA|gem|of|a|movie|.\nWitty|,|vibrant|,|and|intelligent|.\nIt|'s|all|stitched|together|with|energy|,|intelligence|and|verve|,|enhanced|by|a|surplus|of|vintage|archive|footage|.\nMiller|comes|at|film|with|bracing|intelligence|and|a|vision|both|painterly|and|literary|.\nThe|film|is|moody|,|oozing|,|chilling|and|heart-warming|all|at|once|...|a|twisting|,|unpredictable|,|cat-and-mouse|thriller|.\nEight|Legged|Freaks|is|clever|and|funny|,|is|amused|by|its|special|effects|,|and|leaves|you|feeling|like|you|'ve|seen|a|movie|instead|of|an|endless|trailer|.\nThis|is|historical|filmmaking|without|the|balm|of|right-thinking|ideology|,|either|liberal|or|conservative|.\nMr.|Scorsese|'s|bravery|and|integrity|in|advancing|this|vision|can|hardly|be|underestimated|.\nA|thriller|whose|style|,|structure|and|rhythms|are|so|integrated|with|the|story|,|you|can|not|separate|them|.\nIt|'s|a|hoot|watching|The|Rock|chomp|on|jumbo|ants|,|pull|an|arrow|out|of|his|back|,|and|leap|unscathed|through|raging|fire|!\nReturning|director|Rob|Minkoff|...|and|screenwriter|Bruce|Joel|Rubin|...|have|done|a|fine|job|of|updating|White|'s|dry|wit|to|a|new|age|.\nUnfolds|with|such|a|wallop|of|you-are-there|immediacy|that|when|the|bullets|start|to|fly|,|your|first|instinct|is|to|duck|.\nA|strong|script|,|powerful|direction|and|splendid|production|design|allows|us|to|be|transported|into|the|life|of|Wladyslaw|Szpilman|,|who|is|not|only|a|pianist|,|but|a|good|human|being|.\nAn|unflinching|look|at|the|world|'s|dispossessed|.\nIf|the|film|fails|to|fulfill|its|own|ambitious|goals|,|it|nonetheless|sustains|interest|during|the|long|build-up|of|expository|material|.\nPolanski|has|found|the|perfect|material|with|which|to|address|his|own|World|War|II|experience|in|his|signature|style|.\nIt|is|life|affirming|and|heartbreaking|,|sweet|without|the|decay|factor|,|funny|and|sad|.\nAn|off-beat|and|fanciful|film|about|the|human|need|for|monsters|to|blame|for|all|that|is|amiss|in|the|world|.\nA|colorful|,|joyous|celebration|of|life|;|a|tapestry|woven|of|romance|,|dancing|,|singing|,|and|unforgettable|characters|.\nFrei|assembles|a|fascinating|profile|of|a|deeply|humanistic|artist|who|,|in|spite|of|all|that|he|'s|witnessed|,|remains|surprisingly|idealistic|,|and|retains|an|extraordinary|faith|in|the|ability|of|images|to|communicate|the|truth|of|the|world|around|him|.\nNicely|combines|the|enigmatic|features|of|`|Memento|'|with|the|hallucinatory|drug|culture|of|`|Requiem|for|a|Dream|.|'\nA|well|paced|and|satisfying|little|drama|that|deserved|better|than|a|`|direct-to-video|'|release|.\nThe|best|part|about|``|Gangs|''|was|Daniel|Day-Lewis|.\nA|treat|for|its|depiction|on|not|giving|up|on|dreams|when|you|'re|a|struggling|nobody|.\nOne|of|those|rare|films|that|seems|as|though|it|was|written|for|no|one|,|but|somehow|manages|to|convince|almost|everyone|that|it|was|put|on|the|screen|,|just|for|them|.\nA|gripping|documentary|that|reveals|how|deep|the|antagonism|lies|in|war-torn|Jerusalem|.\nDirector|Chris|Wedge|and|screenwriters|Michael|Berg|,|Michael|J.|Wilson|and|Peter|Ackerman|create|some|episodes|that|rival|vintage|Looney|Tunes|for|the|most|creative|mayhem|in|a|brief|amount|of|time|.\nOne|of|the|film|'s|most|effective|aspects|is|its|Tchaikovsky|soundtrack|of|neurasthenic|regret|.\nSolondz|creates|some|effective|moments|of|discomfort|for|character|and|viewer|alike|.\nThe|film|'s|appeal|has|a|lot|to|do|with|the|casting|of|Juliette|Binoche|as|Sand|,|who|brings|to|the|role|her|pale|,|dark|beauty|and|characteristic|warmth|.\nI|was|amused|and|entertained|by|the|unfolding|of|Bielinsky|'s|cleverly|constructed|scenario|,|and|greatly|impressed|by|the|skill|of|the|actors|involved|in|the|enterprise|.\nSomehow|Ms.|Griffiths|and|Mr.|Pryce|bring|off|this|wild|Welsh|whimsy|.\nMore|mature|than|Fatal|Attraction|,|more|complete|than|Indecent|Proposal|and|more|relevant|than|9|1\\/2|Weeks|,|Unfaithful|is|at|once|intimate|and|universal|cinema|.\nFor|all|the|dolorous|trim|,|Secretary|is|a|genial|romance|that|maintains|a|surprisingly|buoyant|tone|throughout|,|notwithstanding|some|of|the|writers|'|sporadic|dips|into|pop|Freudianism|.\nA|fanciful|drama|about|Napoleon|'s|last|years|and|his|surprising|discovery|of|love|and|humility|.\nA|highly|personal|look|at|the|effects|of|living|a|dysfunctionally|privileged|lifestyle|,|and|by|the|end|,|we|only|wish|we|could|have|spent|more|time|in|its|world|.\nEric|Schweig|and|Graham|Greene|both|exude|an|air|of|dignity|that|'s|perfect|for|the|proud|warrior|that|still|lingers|in|the|souls|of|these|characters|.\nLovely|and|Amazing|is|Holofcener|'s|deep|,|uncompromising|curtsy|to|women|she|knows|,|and|very|likely|is|.\nWhen|all|is|said|and|done|,|she|loves|them|to|pieces|--|and|so|,|I|trust|,|will|you|.\nCampbell|Scott|finds|the|ideal|outlet|for|his|flick-knife|diction|in|the|role|of|Roger|Swanson|.\n(|Fiji|diver|Rusi|Vulakoro|and|the|married|couple|Howard|and|Michelle|Hall|)|show|us|the|world|they|love|and|make|us|love|it|,|too|.\nRussian|Ark|is|a|new|treasure|of|the|Hermitage|.\nThe|animated|sequences|are|well|done|and|perfectly|constructed|to|convey|a|sense|of|childhood|imagination|and|creating|adventure|out|of|angst|.\nIt|'s|definitely|a|step|in|the|right|direction|.\nAs|the|princess|,|Sorvino|glides|gracefully|from|male|persona|to|female|without|missing|a|beat|.\nBen|Kingsley|is|truly|funny|,|playing|a|kind|of|Ghandi|gone|bad|.\nOurside|the|theatre|Roger|might|be|intolerable|company|,|but|inside|it|he|'s|well|worth|spending|some|time|with|.\nA|gem|,|captured|in|the|unhurried|,|low-key|style|favored|by|many|directors|of|the|Iranian|new|wave|.\nIn|an|era|where|big|stars|and|high|production|values|are|standard|procedure|,|Narc|strikes|a|defiantly|retro|chord|,|and|outpaces|its|contemporaries|with|daring|and|verve|.\nRanges|from|laugh-out-loud|hilarious|to|wonder-what|-|time-it-is|tedious|.\nThe|film|'s|gamble|to|occasionally|break|up|the|live-action|scenes|with|animated|sequences|pays|off|,|as|does|its|sensitive|handling|of|some|delicate|subject|matter|.\nTalk|To|Her|is|not|the|perfect|movie|many|have|made|it|out|to|be|,|but|it|'s|still|quite|worth|seeing|.\nBeating|the|Austin|Powers|films|at|their|own|game|,|this|blaxploitation|spoof|downplays|the|raunch|in|favor|of|gags|that|rely|on|the|strength|of|their|own|cleverness|as|opposed|to|the|extent|of|their|outrageousness|.\nThis|is|a|dark|,|gritty|,|sometimes|funny|little|gem|.\nFor|all|its|visual|panache|and|compelling|supporting|characters|,|the|heart|of|the|film|rests|in|the|relationship|between|Sullivan|and|his|son|.\nWhat|makes|Salton|Sea|surprisingly|engrossing|is|that|Caruso|takes|an|atypically|hypnotic|approach|to|a|world|that|'s|often|handled|in|fast-edit|,|hopped-up|fashion|.\nA|hidden-agenda|drama|that|shouts|classic|French|nuance|.\nWith|Spy|Kids|2|:|The|Island|of|Lost|Dreams|,|the|Spy|Kids|franchise|establishes|itself|as|a|durable|part|of|the|movie|landscape|:|a|James|Bond|series|for|kids|.\nAn|invaluable|historical|document|thanks|to|the|filmmaker|'s|extraordinary|access|to|Massoud|,|whose|charm|,|cultivation|and|devotion|to|his|people|are|readily|apparent|.\nThe|performances|of|the|four|main|actresses|bring|their|characters|to|life|.\nA|little|melodramatic|,|but|with|enough|hope|to|keep|you|engaged|.\nLan|Yu|seems|altogether|too|slight|to|be|called|any|kind|of|masterpiece|.\nIt|is|,|however|,|a|completely|honest|,|open-hearted|film|that|should|appeal|to|anyone|willing|to|succumb|to|it|.\nEveryone|should|be|able|to|appreciate|the|wonderful|cinematography|and|naturalistic|acting|.\nThis|often-hilarious|farce|manages|to|generate|the|belly|laughs|of|lowbrow|comedy|without|sacrificing|its|high-minded|appeal|.\nExpands|the|limits|of|what|a|film|can|be|,|taking|us|into|the|lives|of|women|to|whom|we|might|not|give|a|second|look|if|we|passed|them|on|the|street|.\nThe|farcical|elements|seemed|too|pat|and|familiar|to|hold|my|interest|,|yet|its|diverting|grim|message|is|a|good|one|.\nShanghai|Ghetto|may|not|be|as|dramatic|as|Roman|Polanski|'s|The|Pianist|,|but|its|compassionate|spirit|soars|every|bit|as|high|.\nDespite|these|annoyances|,|the|capable|Clayburgh|and|Tambor|really|do|a|great|job|of|anchoring|the|characters|in|the|emotional|realities|of|middle|age|.\nThe|underworld|urban|angst|is|derivative|of|Martin|Scorsese|'s|Taxi|Driver|and|Goodfellas|,|but|this|film|speaks|for|itself|.\nThe|film|'s|heady|yet|far|from|impenetrable|theory|suggests|that|Russians|take|comfort|in|their|closed-off|nationalist|reality|.\nDespite|modest|aspirations|its|occasional|charms|are|not|to|be|dismissed|.\nConstantly|touching|,|surprisingly|funny|,|semi-surrealist|exploration|of|the|creative|act|.\nThe|journey|is|worth|your|time|,|especially|if|you|have|Ellen|Pompeo|sitting|next|to|you|for|the|ride|.\nMerci|pour|le|movie|.\nFor|every|cheesy|scene|,|though|,|there|is|a|really|cool|bit|--|the|movie|'s|conception|of|a|future-world|holographic|librarian|(|Orlando|Jones|)|who|knows|everything|and|answers|all|questions|,|is|visually|smart|,|cleverly|written|,|and|nicely|realized|.\nWhat|sets|Ms.|Birot|'s|film|apart|from|others|in|the|genre|is|a|greater|attention|to|the|parents|--|and|particularly|the|fateful|fathers|--|in|the|emotional|evolution|of|the|two|bewitched|adolescents|.\nAll|three|women|deliver|remarkable|performances|.\nClaire|is|a|terrific|role|for|someone|like|Judd|,|who|really|ought|to|be|playing|villains|.\nIt|'s|clear|that|Mehta|simply|wanted|to|update|her|beloved|genre|for|the|thousands|of|Indians|who|fancy|themselves|too|sophisticated|for|the|cheese-laced|spectacles|that|pack|'em|in|on|the|subcontinent|.\nCompassionately|explores|the|seemingly|irreconcilable|situation|between|conservative|Christian|parents|and|their|estranged|gay|and|lesbian|children|.\nThe|soundtrack|alone|is|worth|the|price|of|admission|.\nRodriguez|does|a|splendid|job|of|racial|profiling|Hollywood|style|--|casting|excellent|Latin|actors|of|all|ages|--|a|trend|long|overdue|.\nBeneath|the|film|'s|obvious|determination|to|shock|at|any|cost|lies|considerable|skill|and|determination|,|backed|by|sheer|nerve|.\nBielinsky|is|a|filmmaker|of|impressive|talent|.\nSo|beautifully|acted|and|directed|,|it|'s|clear|that|Washington|most|certainly|has|a|new|career|ahead|of|him|if|he|so|chooses|.\nA|visual|spectacle|full|of|stunning|images|and|effects|.\nA|gentle|and|engrossing|character|study|.\nIt|'s|enough|to|watch|Huppert|scheming|,|with|her|small|,|intelligent|eyes|as|steady|as|any|noir|villain|,|and|to|enjoy|the|perfectly|pitched|web|of|tension|that|Chabrol|spins|.\nAn|engrossing|portrait|of|uncompromising|artists|trying|to|create|something|original|against|the|backdrop|of|a|corporate|music|industry|that|only|seems|to|care|about|the|bottom|line|.\nA|mischievous|visual|style|and|oodles|of|charm|make|`|Cherish|'|a|very|good|(|but|not|great|)|movie|.\nJust|as|the|recent|Argentine|film|Son|of|the|Bride|reminded|us|that|a|feel-good|movie|can|still|show|real|heart|,|Time|of|Favor|presents|us|with|an|action|movie|that|actually|has|a|brain|.\n(|A|)|strong|piece|of|work|.\nA|stirring|tribute|to|the|bravery|and|dedication|of|the|world|'s|reporters|who|willingly|walk|into|the|nightmare|of|war|not|only|to|record|the|events|for|posterity|,|but|to|help|us|clearly|see|the|world|of|our|making|.\nThe|Importance|of|Being|Earnest|,|so|thick|with|wit|it|plays|like|a|reading|from|Bartlett|'s|Familiar|Quotations\nDaring|and|beautifully|made|.\nMade|for|teens|and|reviewed|as|such|,|this|is|recommended|only|for|those|under|20|years|of|age|...|and|then|only|as|a|very|mild|rental|.\nImagine|O.|Henry|'s|The|Gift|of|the|Magi|relocated|to|the|scuzzy|underbelly|of|NYC|'s|drug|scene|.\nMerry|friggin|'|Christmas|!\nThe|film|does|give|a|pretty|good|overall|picture|of|the|situation|in|Laramie|following|the|murder|of|Matthew|Shepard|.\nBoth|lead|performances|are|Oscar-size|.\nQuaid|is|utterly|fearless|as|the|tortured|husband|living|a|painful|lie|,|and|Moore|wonderfully|underplays|the|long-suffering|heroine|with|an|unflappable|'50s|dignity|somewhere|between|Jane|Wyman|and|June|Cleaver|.\nFerrara|'s|best|film|in|years|.\nA|remarkably|insightful|look|at|the|backstage|angst|of|the|stand-up|comic|.\nNothing|short|of|wonderful|with|its|ten-year-old|female|protagonist|and|its|steadfast|refusal|to|set|up|a|dualistic|battle|between|good|and|evil|.\nDavis|'|candid|,|archly|funny|and|deeply|authentic|take|on|intimate|relationships|comes|to|fruition|in|her|sophomore|effort|.\nIt|'s|more|enjoyable|than|I|expected|,|though|,|and|that|'s|because|the|laughs|come|from|fairly|basic|comedic|constructs|.\nCinematic|pratfalls|given|a|working|over|.\nThe|cast|is|spot|on|and|the|mood|is|laid|back|.\nMatches|neorealism|'s|impact|by|showing|the|humanity|of|a|war-torn|land|filled|with|people|who|just|want|to|live|their|lives|.\nThose|moviegoers|who|would|automatically|bypass|a|hip-hop|documentary|should|give|``|Scratch|''|a|second|look|.\nBaby-faced|Renner|is|eerily|convincing|as|this|bland|blank|of|a|man|with|unimaginable|demons|within|.\nRomantic|,|riveting|and|handsomely|animated|.\nA|competent|,|unpretentious|entertainment|destined|to|fill|the|after-school|slot|at|shopping|mall|theaters|across|the|country|.\nShot|largely|in|small|rooms|,|the|film|has|a|gentle|,|unforced|intimacy|that|never|becomes|claustrophobic|.\nWhere|Janice|Beard|falters|in|its|recycled|aspects|,|implausibility|,|and|sags|in|pace|,|it|rises|in|its|courageousness|,|and|comedic|employment|.\nByler|is|too|savvy|a|filmmaker|to|let|this|morph|into|a|typical|romantic|triangle|.\nInstead|,|he|focuses|on|the|anguish|that|can|develop|when|one|mulls|leaving|the|familiar|to|traverse|uncharted|ground|.\nMcGrath|has|deftly|trimmed|Dickens|'|wonderfully|sprawling|soap|opera|,|the|better|to|focus|on|the|hero|'s|odyssey|from|cowering|poverty|to|courage|and|happiness|.\nA|chance|to|see|three|splendid|actors|turn|a|larky|chase|movie|into|an|emotionally|satisfying|exploration|of|the|very|human|need|to|be|somebody|,|and|to|belong|to|somebody|.\nMetaphors|abound|,|but|it|is|easy|to|take|this|film|at|face|value|and|enjoy|its|slightly|humorous|and|tender|story|.\nAs|directed|by|Dani|Kouyate|of|Burkina|Faso|,|Sia|lacks|visual|flair|.\nBut|Kouyate|elicits|strong|performances|from|his|cast|,|and|he|delivers|a|powerful|commentary|on|how|governments|lie|,|no|matter|who|runs|them|.\nThe|best|comedy|concert|movie|I|'ve|seen|since|Cho|'s|previous|concert|comedy|film|,|I|'m|the|One|That|I|Want|,|in|2000|.\nBroomfield|reminds|us|that|beneath|the|hype|,|the|celebrity|,|the|high|life|,|the|conspiracies|and|the|mystery|there|were|once|a|couple|of|bright|young|men|--|promising|,|talented|,|charismatic|and|tragically|doomed|.\nOffers|laughs|and|insight|into|one|of|the|toughest|ages|a|kid|can|go|through|.\nA|perceptive|,|good-natured|movie|.\nAn|amused|indictment|of|Jaglom|'s|own|profession|.\nA|small|movie|with|a|big|heart|.\nHugely|accomplished|slice|of|Hitchcockian|suspense|.\nThe|formula|is|familiar|but|enjoyable|.\nTells|a|fascinating|,|compelling|story|.\nA|triumph|,|a|film|that|hews|out|a|world|and|carries|us|effortlessly|from|darkness|to|light|.\nWhat|begins|as|a|conventional|thriller|evolves|into|a|gorgeously|atmospheric|meditation|on|life-changing|chance|encounters|.\nThe|Lady|and|the|Duke|is|a|smart|,|romantic|drama|that|dares|to|depict|the|French|Revolution|from|the|aristocrats|'|perspective|.\nMost|haunting|about|``|Fence|''|is|its|conclusion|,|when|we|hear|the|ultimate|fate|of|these|girls|and|realize|,|much|to|our|dismay|,|that|this|really|did|happen|.\nNoyce|'s|greatest|mistake|is|thinking|that|we|needed|sweeping|,|dramatic|,|Hollywood|moments|to|keep|us\nWorld|Traveler|might|not|go|anywhere|new|,|or|arrive|anyplace|special|,|but|it|'s|certainly|an|honest|attempt|to|get|at|something|.\nThere|'s|much|tongue|in|cheek|in|the|film|and|there|'s|no|doubt|the|filmmaker|is|having|fun|with|it|all|.\nThere|'s|absolutely|no|reason|why|Blue|Crush|,|a|late-summer|surfer|girl|entry|,|should|be|as|entertaining|as|it|is\nAn|action\\/thriller|of|the|finest|kind|,|evoking|memories|of|Day|of|the|Jackal|,|The|French|Connection|,|and|Heat|.\nThe|best|movie|in|many|a|moon|about|the|passions|that|sometimes|fuel|our|best|achievements|and|other|times|leave|us|stranded|with|nothing|more|than|our|lesser|appetites|.\nIn|capturing|the|understated|comedic|agony|of|an|ever-ruminating|,|genteel|yet|decadent|aristocracy|that|can|no|longer|pay|its|bills|,|the|film|could|just|as|well|be|addressing|the|turn|of|the|20th|century|into|the|21st|.\nInsomnia|does|not|become|one|of|those|rare|remakes|to|eclipse|the|original|,|but|it|does|n't|disgrace|it|,|either|.\nclassic|cinema|served|up|with|heart|and|humor\n(|Stephen|)|Earnhart|'s|film|is|more|about|the|optimism|of|a|group|of|people|who|are|struggling|to|give|themselves|a|better|lot|in|life|than|the|ones|they|currently|have|.\nThe|events|of|the|film|are|just|so|WEIRD|that|I|honestly|never|knew|what|the|hell|was|coming|next|.\nNicole|Holofcener|'s|Lovely|and|Amazing|,|from|her|own|screenplay|,|jumps|to|the|head|of|the|class|of|women|'s|films|that|manage|to|avoid|the|ghetto|of|sentimental|chick-flicks|by|treating|female|follies|with|a|satirical|style|.\nThat|Jack|Nicholson|makes|this|man|so|watchable|is|a|tribute|not|only|to|his|craft|,|but|to|his|legend|.\nHas|a|solid|emotional|impact|.\nSuccessfully|blended|satire|,|high|camp|and|yet|another|sexual|taboo|into|a|really|funny|movie|.\nMark|Pellington|'s|latest|pop|thriller|is|as|kooky|and|overeager|as|it|is|spooky|and|subtly|in|love|with|myth|.\nWhile|maintaining|the|appearance|of|clinical|objectivity|,|this|sad|,|occasionally|horrifying|but|often|inspiring|film|is|among|Wiseman|'s|warmest|.\nRaimi|crafted|a|complicated|hero|who|is|a|welcome|relief|from|the|usual|two-dimensional|offerings|.\nAn|enjoyable|above|average|summer|diversion|.\nThere|is|simply|no|doubt|that|this|film|asks|the|right|questions|at|the|right|time|in|the|history|of|our|country|.\nIf|you|'ve|the|patience|,|there|are|great|rewards|here|.\nAs|a|science|fiction|movie|,|``|Minority|Report|''|astounds|.\nWatching|E.T|now|,|in|an|era|dominated|by|cold|,|loud|special-effects-laden|extravaganzas|,|one|is|struck|less|by|its|lavish|grandeur|than|by|its|intimacy|and|precision|.\nVisually|breathtaking|,|viscerally|exciting|,|and|dramatically|moving|,|it|'s|the|very|definition|of|epic|adventure|.\nChris|Columbus|'|sequel|is|faster|,|livelier|and|a|good|deal|funnier|than|his|original|.\nWatching|this|film|,|what|we|feel|is|n't|mainly|suspense|or|excitement|.\nThe|dominant|feeling|is|something|like|nostalgia|.|'\n...|a|great|,|participatory|spectator|sport|.|'\nA|rather|brilliant|little|cult|item|:|a|pastiche|of|children|'s|entertainment|,|superhero|comics|,|and|Japanese|animation|.\nBelieves|so|fervently|in|humanity|that|it|feels|almost|anachronistic|,|and|it|is|too|cute|by|half|.\nBut|arriving|at|a|particularly|dark|moment|in|history|,|it|offers|flickering|reminders|of|the|ties|that|bind|us|.\nAdam|SANDLER|!\nIn|an|ART|FILM|!\nAs|averse|as|I|usually|am|to|feel-good|,|follow-your-dream|Hollywood|fantasies|,|this|one|got|to|me|.\nStone|seems|to|have|a|knack|for|wrapping|the|theater|in|a|cold|blanket|of|urban|desperation|.\n...|a|funny|yet|dark|and|seedy|clash|of|cultures|and|generations|.\nThe|hook|is|the|drama|within|the|drama|,|as|an|unsolved|murder|and|an|unresolved|moral|conflict|jockey|for|the|spotlight|.\nOver|the|years|,|Hollywood|has|crafted|a|solid|formula|for|successful|animated|movies|,|and|Ice|Age|only|improves|on|it|,|with|terrific|computer|graphics|,|inventive|action|sequences|and|a|droll|sense|of|humor|.\nLike|Smoke|Signals|,|the|film|is|also|imbued|with|strong|themes|of|familial|ties|and|spirituality|that|are|powerful|and|moving|without|stooping|to|base|melodrama\nOne|of|those|movies|that|make|us|pause|and|think|of|what|we|have|given|up|to|acquire|the|fast-paced|contemporary|society|.\nOne|of|the|most|original|American|productions|this|year|,|you|'ll|find|yourself|remembering|this|refreshing|visit|to|a|Sunshine|State|.\nMelds|derivative|elements|into|something|that|is|often|quite|rich|and|exciting|,|and|always|a|beauty|to|behold|.\nGives|everyone|something|to|shout|about|.\nThe|entire|movie|has|a|truncated|feeling|,|but|what|'s|available|is|lovely|and|lovable|.\n(|A|)|thoughtful|,|visually|graceful|work|.\nAdmirers|of|director|Abel|Ferrara|may|be|relieved|that|his|latest|feature|,|R|Xmas|,|marks|a|modest|if|encouraging|return|to|form|.\nThe|slam-bang|superheroics|are|kinetic|enough|to|engross|even|the|most|antsy|youngsters|.\nA|worthy|addition|to|the|cinematic|canon|,|which|,|at|last|count|,|numbered|52|different|versions|.\nDeliciously|mean-spirited|and|wryly|observant|.\nThe|kind|of|primal|storytelling|that|George|Lucas|can|only|dream|of|.\nEven|if|The|Ring|has|a|familiar|ring|,|it|'s|still|unusually|crafty|and|intelligent|for|Hollywood|horror|.\nThe|sheer|joy|and|pride|they|took|in|their|work|--|and|in|each|other|--|shines|through|every|frame|.\nA|solidly|constructed|,|entertaining|thriller|that|stops|short|of|true|inspiration|.\nThe|cast|...|keeps|this|pretty|watchable|,|and|casting|Mick|Jagger|as|director|of|the|escort|service|was|inspired|.\nAn|entertaining|,|if|somewhat|standardized|,|action|movie|.\nIt|has|a|dashing|and|resourceful|hero|;|a|lisping|,|reptilian|villain|;|big|fights|;|big|hair|;|lavish|period|scenery|;|and|a|story|just|complicated|enough|to|let|you|bask|in|your|own|cleverness|as|you|figure|it|out|.\nAn|enjoyable|comedy|of|lingual|and|cultural|differences|...|The|Château|is|a|film|--|full|of|life|and|small|delights|--|that|has|all|the|wiggling|energy|of|young|kitten|.\nIntriguing|and|downright|intoxicating|.\nAn|incredibly|thoughtful|,|deeply|meditative|picture|that|neatly|and|effectively|captures|the|debilitating|grief|felt|in|the|immediate|aftermath|of|the|terrorist|attacks|.\nWith|an|obvious|rapport|with|her|actors|and|a|striking|style|behind|the|camera|,|Hélène|Angel|is|definitely|a|director|to|watch|.\n...|could|easily|be|called|the|best|Korean|film|of|2002|.\nFull|of|detail|about|the|man|and|his|country|,|and|is|well|worth|seeing|.\nThe|banter|between|Calvin|and|his|fellow|barbers|feels|like|a|streetwise|McLaughlin|Group|...|and|never|fails|to|entertain|.\nThoroughly|engrossing|and|ultimately|tragic|.\nPeter|Jackson|and|company|once|again|dazzle|and|delight|us|,|fulfilling|practically|every|expectation|either|a|longtime|Tolkien|fan|or|a|movie-going|neophyte|could|want|.\nBill|Morrison|'s|Decasia|is|uncompromising|,|difficult|and|unbearably|beautiful|.\nFull|of|bland|hotels|,|highways|,|parking|lots|,|with|some|glimpses|of|nature|and|family|warmth|,|Time|Out|is|a|discreet|moan|of|despair|about|entrapment|in|the|maze|of|modern|life|.\nEven|with|all|its|botches|,|Enigma|offers|all|the|pleasure|of|a|handsome|and|well-made|entertainment|.\nHis|work|transcends|the|boy-meets-girl|posturing|of|typical|love|stories|.\nIf|the|real-life|story|is|genuinely|inspirational|,|the|movie|stirs|us|as|well|.\nAn|ebullient|Tunisian|film|about|the|startling|transformation|of|a|tradition-bound|widow|who|is|drawn|into|the|exotic|world|of|belly|dancing|.\nThe|dramatic|crisis|does|n't|always|succeed|in|its|quest|to|be|taken|seriously|,|but|Huppert|'s|volatile|performance|makes|for|a|riveting|movie|experience|.\nHighly|irritating|at|first|,|Mr.|Koury|'s|passive|technique|eventually|begins|to|yield|some|interesting|results|.\nAbout|Schmidt|belongs|to|Nicholson|.\nGone|are|the|flamboyant|mannerisms|that|are|the|trademark|of|several|of|his|performances|.\nAs|Schmidt|,|Nicholson|walks|with|a|slow|,|deliberate|gait|,|chooses|his|words|carefully|and|subdues|his|natural|exuberance|.\nThe|powder|blues|and|sun-splashed|whites|of|Tunis|make|an|alluring|backdrop|for|this|sensuous|and|spirited|tale|of|a|prim|widow|who|finds|an|unlikely|release|in|belly-dancing|clubs|.\nIt|does|n't|make|for|great|cinema|,|but|it|is|interesting|to|see|where|one|'s|imagination|will|lead|when|given|the|opportunity|.\nIt|'s|sobering|,|particularly|if|anyone|still|thinks|this|conflict|can|be|resolved|easily|,|or|soon|.\nIf|it|'s|not|entirely|memorable|,|the|movie|is|certainly|easy|to|watch|.\n...|by|the|time|it|'s|done|with|us|,|Mira|Nair|'s|new|movie|has|its|audience|giddy|with|the|delight|of|discovery|,|of|having|been|immersed|in|a|foreign|culture|only|to|find|that|human|nature|is|pretty|much|the|same|all|over|.\nBest|indie|of|the|year|,|so|far|.\n(|Ferrera|)|has|the|charisma|of|a|young|woman|who|knows|how|to|hold|the|screen|.\n...|the|plot|weaves|us|into|a|complex|web|.\nDo|n't|judge|this|one|too|soon|-|it|'s|a|dark|,|gritty|story|but|it|takes|off|in|totally|unexpected|directions|and|keeps|on|going|.\nIn|Death|to|Smoochy|,|we|do|n't|get|Williams|'|usual|tear|and|a|smile|,|just|sneers|and|bile|,|and|the|spectacle|is|nothing|short|of|refreshing|.\nA|serviceable|Euro-trash|action|extravaganza|,|with|a|decent|sense|of|humor|and|plenty|of|things|that|go|boom|--|handguns|,|BMWs|and|seaside|chateaus|.\nFortunately|,|Elling|never|gets|too|cloying|thanks|to|the|actors|'|perfect|comic|timing|and|sweet|,|genuine|chemistry|.\nIf|you|'ve|grown|tired|of|going|where|no|man|has|gone|before|,|but|several|movies|have|-|take|heart|.\nThis|is|the|best|Star|Trek|movie|in|a|long|time|.\nGreg|Kinnear|gives|a|mesmerizing|performance|as|a|full-fledged|sex|addict|who|is|in|complete|denial|about|his|obsessive|behavior|.\nNot|only|a|coming-of-age|story|and|cautionary|parable|,|but|also|a|perfectly|rendered|period|piece|.\nou|'ve|got|to|love|a|Disney|pic|with|as|little|cleavage|as|this|one|has|,|and|a|heroine|as|feisty|and|principled|as|Jane|.\nA|funny|,|triumphant|,|and|moving|documentary|.\nLathan|and|Diggs|carry|the|film|with|their|charisma|,|and|both|exhibit|sharp|comic|timing|that|makes|the|more|hackneyed|elements|of|the|film|easier|to|digest|.\nAbout|Schmidt|is|Nicholson|'s|goofy|,|heartfelt|,|mesmerizing|King|Lear|.\nA|confluence|of|kiddie|entertainment|,|sophisticated|wit|and|symbolic|graphic|design|.\nGay|or|straight|,|Kissing|Jessica|Stein|is|one|of|the|greatest|date|movies|in|years|.\nThis|is|a|movie|full|of|grace|and|,|ultimately|,|hope|.\nEven|better|than|the|first|one|!\nIts|compelling|mix|of|trial|movie|,|escape|movie|and|unexpected|fable|ensures|the|film|never|feels|draggy|.\nA|must|see|for|all|sides|of|the|political|spectrum\n(|Reynolds|)|takes|a|classic|story|,|casts|attractive|and|talented|actors|and|uses|a|magnificent|landscape|to|create|a|feature|film|that|is|wickedly|fun|to|watch|.\nThere|are|problems|with|this|film|that|even|3|Oscar|winners|ca|n't|overcome|,|but|it|'s|a|nice|girl-buddy|movie|once|it|gets|rock-n-rolling|.\nRich|in|atmosphere|of|the|post-war|art|world|,|it|manages|to|instruct|without|reeking|of|research|library|dust|.\nHas|the|rare|capability|to|soothe|and|break|your|heart|with|a|single|stroke|.\nIt|rapidly|develops|into|a|gut-wrenching|examination|of|the|way|cultural|differences|and|emotional|expectations|collide|.\nThough|it|flirts|with|bathos|and|pathos|and|the|further|Oprahfication|of|the|world|as|we|know|it|,|it|still|cuts|all|the|way|down|to|broken|bone|.\nThis|humbling|little|film|,|fueled|by|the|light|comedic|work|of|Zhao|Benshan|and|the|delicate|ways|of|Dong|Jie|,|is|just|the|sort|for|those|moviegoers|who|complain|that|`|they|do|n't|make|movies|like|they|used|to|anymore|.|'\nIt|will|break|your|heart|many|times|over|.\nA|straight-shooting|family|film|which|awards|animals|the|respect|they|'ve|rarely|been|given|.\nOverall|,|interesting|as|a|documentary|--|but|not|very|Imaxy|.\nThis|is|one|of|those|war|movies|that|focuses|on|human|interaction|rather|than|battle|and|action|sequences|...|and|it|'s|all|the|stronger|because|of|it|.\n``|Secretary|''|is|owned|by|its|costars|,|Spader|and|Gyllenhaal|.\nMaggie|G.|makes|an|amazing|breakthrough|in|her|first|starring|role|and|eats|up|the|screen|.\nThe|film|fits|into|a|genre|that|has|been|overexposed|,|redolent|of|a|thousand|cliches|,|and|yet|remains|uniquely|itself|,|vibrant|with|originality|.\nNot|only|is|it|a|charming|,|funny|and|beautifully|crafted|import|,|it|uses|very|little|dialogue|,|making|it|relatively|effortless|to|read|and|follow|the|action|at|the|same|time|.\nThe|kind|of|sense|of|humor|that|derives|from|a|workman|'s|grasp|of|pun|and|entendre|and|its|attendant|need|to|constantly|draw|attention|to|itself|.\nToo|much|of|Storytelling|moves|away|from|Solondz|'s|social|critique|,|casting|its|audience|as|that|of|intellectual|lector|in|contemplation|of|the|auteur|'s|professional|injuries|.\nThe|story|is|virtually|impossible|to|follow|here|,|but|there|'s|a|certain|style|and|wit|to|the|dialogue|.\nThe|music|makes|a|nice|album|,|the|food|is|enticing|and|Italy|beckons|us|all|.\nThe|film|is|an|earnest|try|at|beachcombing|verismo|,|but|it|would|be|even|more|indistinct|than|it|is|were|it|not|for|the|striking|,|quietly|vulnerable|personality|of|Ms.|Ambrose|.\nThe|film|is|small|in|scope|,|yet|perfectly|formed|.\nJones|has|delivered|a|solidly|entertaining|and|moving|family|drama|.\nHappy|Times|maintains|an|appealing|veneer|without|becoming|too|cute|about|it|.\nOliveira|seems|to|pursue|silent|film|representation|with|every|mournful|composition|.\nOne|of|the|pleasures|in|Walter|'s|documentary|...|is|the|parade|of|veteran|painters|,|confounded|dealers|,|and|miscellaneous|bohos|who|expound|upon|the|subject|'s|mysterious|personality|without|ever|explaining|him|.\nCaptures|all|the|longing|,|anguish|and|ache|,|the|confusing|sexual|messages|and|the|wish|to|be|a|part|of|that|elusive|adult|world|.\nHe|'s|the|scariest|guy|you|'ll|see|all|summer|.\n``|Frailty|''|offers|chills|much|like|those|that|you|get|when|sitting|around|a|campfire|around|midnight|,|telling|creepy|stories|to|give|each|other|the|willies|.\nAnd|,|there|'s|no|way|you|wo|n't|be|talking|about|the|film|once|you|exit|the|theater|.\nIf|I|have|to|choose|between|gorgeous|animation|and|a|lame|story|(|like|,|say|,|Treasure|Planet|)|or|so-so|animation|and|an|exciting|,|clever|story|with|a|batch|of|appealing|characters|,|I|'ll|take|the|latter|every|time|.\nQuiet|,|adult|and|just|about|more|stately|than|any|contemporary|movie|this|year|...|a|true|study|,|a|film|with|a|questioning|heart|and|mind|that|is|n't|afraid|to|admit|it|does|n't|have|all|the|answers|.\nIn|the|end|,|the|film|is|less|the|cheap|thriller|you|'d|expect|than|it|is|a|fairly|revealing|study|of|its|two|main|characters|--|damaged-goods|people|whose|orbits|will|inevitably|and|dangerously|collide|.\nSome|of|the|visual|flourishes|are|a|little|too|obvious|,|but|restrained|and|subtle|storytelling|,|and|fine|performances|make|this|delicate|coming-of-age|tale|a|treat|.\nIt|is|hard|not|to|be|especially|grateful|for|freedom|after|a|film|like|this|.\nThe|dirty|jokes|provide|the|funniest|moments|in|this|oddly|sweet|comedy|about|jokester|highway|patrolmen|.\nY|Tu|Mamá|También|is|hilariously|,|gloriously|alive|,|and|quite|often|hotter|than|Georgia|asphalt|.\n...|works|on|some|levels|and|is|certainly|worth|seeing|at|least|once|.\nYou|come|away|from|his|film|overwhelmed|,|hopeful|and|,|perhaps|paradoxically|,|illuminated|.\nIf|the|material|is|slight|and|admittedly|manipulative|,|Jacquot|preserves|Tosca|'s|intoxicating|ardor|through|his|use|of|the|camera|.\nThirteen|Conversations|About|One|Thing|lays|out|a|narrative|puzzle|that|interweaves|individual|stories|,|and|,|like|a|Mobius|strip|,|elliptically|loops|back|to|where|it|began|.\nOverall|,|it|'s|a|wacky|and|inspired|little|film|that|works|effortlessly|at|delivering|genuine|,|acerbic|laughs|.\nA|must|for|fans|of|British|cinema|,|if|only|because|so|many|titans|of|the|industry|are|along|for|the|ride|.\nTsai|has|managed|to|create|an|underplayed|melodrama|about|family|dynamics|and|dysfunction|that|harks|back|to|the|spare|,|unchecked|heartache|of|Yasujiro|Ozu|.\nUntil|(|the|)|superfluous|...|epilogue|that|leaks|suspension|of|disbelief|like|a|sieve|,|Die|Another|Day|is|as|stimulating|&|heart-rate-raising|as|any|James|Bond|thriller|.\nIt|'s|a|good|film|,|but|it|falls|short|of|its|aspiration|to|be|a|true|`|epic|'|.\nAll|the|pieces|fall|together|without|much|surprise|,|but|little|moments|give|it|a|boost|.\nThe|beauty|of|Alexander|Payne|'s|ode|to|the|Everyman|is|in|the|details|.\nA|touching|drama|about|old|age|and|grief|with|a|tour|de|force|performance|by|Michel|Piccoli|.\nThe|ending|feels|at|odds|with|the|rest|of|the|film|.\nA|tone|of|rueful|compassion|...|reverberates|throughout|this|film|,|whose|meaning|and|impact|is|sadly|heightened|by|current|world|events|.\nA|beautiful|paean|to|a|time|long|past|.\nDense|and|thoughtful|and|brimming|with|ideas|that|are|too|complex|to|be|rapidly|absorbed|.\nIf|you|thought|Tom|Hanks|was|just|an|ordinary|big-screen|star|,|wait|until|you|'ve|seen|him|eight|stories|tall|.\nWith|this|masterful|,|flawless|film|,|(|Wang|)|emerges|in|the|front|ranks|of|China|'s|now|numerous|,|world-renowned|filmmakers|.\nShyamalan|offers|copious|hints|along|the|way|--|myriad|signs|,|if|you|will|--|that|beneath|the|familiar|,|funny|surface|is|a|far|bigger|,|far|more|meaningful|story|than|one|in|which|little|green|men|come|to|Earth|for|harvesting|purposes|.\nThis|film|is|an|act|of|spiritual|faith|--|an|eloquent|,|deeply|felt|meditation|on|the|nature|of|compassion|.\nA|different|kind|of|love|story|-|one|that|is|dark|,|disturbing|,|painful|to|watch|,|yet|compelling|.\nSplendidly|illustrates|the|ability|of|the|human|spirit|to|overcome|adversity|.\nA|compelling|,|gut-clutching|piece|of|advocacy|cinema|that|carries|you|along|in|a|torrent|of|emotion|as|it|explores|the|awful|complications|of|one|terrifying|day|.\nShe|'s|as|rude|and|profane|as|ever|,|always|hilarious|and|,|most|of|the|time|,|absolutely|right|in|her|stinging|social|observations|.\nTo|those|who|have|not|read|the|book|,|the|film|is|a|much|better|mother-daughter|tale|than|last|summer|'s|`|Divine|Secrets|of|the|Ya-Ya|Sisterhood|,|'|but|that|'s|not|saying|much|.\nEven|before|it|builds|up|to|its|insanely|staged|ballroom|scene|,|in|which|3000|actors|appear|in|full|regalia|,|it|'s|waltzed|itself|into|the|art|film|pantheon|.\nA|thoughtful|,|reverent|portrait|of|what|is|essentially|a|subculture|,|with|its|own|rules|regarding|love|and|family|,|governance|and|hierarchy|.\nIt|seems|impossible|that|an|epic|four-hour|Indian|musical|about|a|cricket|game|could|be|this|good|,|but|it|is|.\nWill|certainly|appeal|to|Asian|cult|cinema|fans|and|Asiaphiles|interested|to|see|what|all|the|fuss|is|about|.\nTouches|smartly|and|wistfully|on|a|number|of|themes|,|not|least|the|notion|that|the|marginal|members|of|society|...|might|benefit|from|a|helping|hand|and|a|friendly|kick|in|the|pants|.\nA|wildly|entertaining|scan|of|Evans|'|career|.\nA|mature|,|deeply|felt|fantasy|of|a|director|'s|travel|through|300|years|of|Russian|history|.\nBoldly|engineering|a|collision|between|tawdry|B-movie|flamboyance|and|grandiose|spiritual|anomie|,|Rose|'s|film|,|true|to|its|source|material|,|provides|a|tenacious|demonstration|of|death|as|the|great|equalizer|.\nA|finely|tuned|mood|piece|,|a|model|of|menacing|atmosphere|.\nThe|Salton|Sea|has|moments|of|inspired|humour|,|though|every|scrap|is|of|the|darkest|variety|.\nBoth|a|beautifully|made|nature|film|and|a|tribute|to|a|woman|whose|passion|for|this|region|and|its|inhabitants|still|shines|in|her|quiet|blue|eyes|.\nAlthough|shot|with|little|style|,|Skins|is|heartfelt|and|achingly|real|.\nHarks|back|to|a|time|when|movies|had|more|to|do|with|imagination|than|market|research|.\nUpsetting|and|thought-provoking|,|the|film|has|an|odd|purity|that|does|n't|bring|you|into|the|characters|so|much|as|it|has|you|study|them|.\nA|very|pretty|after-school|special|.\nIt|'s|an|effort|to|watch|this|movie|,|but|it|eventually|pays|off|and|is|effective|if|you|stick|with|it|.\nA|harrowing|account|of|a|psychological|breakdown|.\nContinually|challenges|perceptions|of|guilt|and|innocence|,|of|good|guys|and|bad|,|and|asks|us|whether|a|noble|end|can|justify|evil|means|.\nIt|certainly|wo|n't|win|any|awards|in|the|plot|department|but|it|sets|out|with|no|pretensions|and|delivers|big|time|.\nDog|Soldiers|does|n't|transcend|genre|--|it|embraces|it|,|energizes|it|and|takes|big|bloody|chomps|out|of|it|.\nAt|once|emotional|and|richly|analytical|,|the|Cosby-Seinfeld|encounter|alone|confirms|the|serious|weight|behind|this|superficially|loose|,|larky|documentary|.\nIt|may|scream|low|budget|,|but|this|charmer|has|a|spirit|that|can|not|be|denied|.\n`|Alice|'s|adventure|through|the|looking|glass|and|into|zombie-land|'|is|filled|with|strange|and|wonderful|creatures|.\nWithout|(|De|Niro|)|,|City|By|The|Sea|would|slip|under|the|waves|.\nHe|drags|it|back|,|single-handed|.\nA|good|music|documentary|,|probably|one|of|the|best|since|The|Last|Waltz|.\nIf|the|plot|seems|a|bit|on|the|skinny|side|,|that|'s|because|Panic|Room|is|interested|in|nothing|more|than|sucking|you|in|...|and|making|you|sweat|.\n...|(|the|film|)|works|,|due|mostly|to|the|tongue-in-cheek|attitude|of|the|screenplay|.\nThe|film|becomes|an|overwhelming|pleasure|,|and|you|find|yourself|rooting|for|Gai|'s|character|to|avoid|the|fate|that|has|befallen|every|other|Carmen|before|her|.\nBroomfield|has|a|rather|unique|approach|to|documentary|.\nHe|thinks|the|film|is|just|as|much|a|document|about|him|as|it|is|about|the|subject|.\nAt|its|best|when|the|guarded|,|resentful|Betty|and|the|manipulative|yet|needy|Margot|are|front|and|center|.\nGloriously|straight|from|the|vagina|.\nIt|'s|excessively|quirky|and|a|little|underconfident|in|its|delivery|,|but|otherwise|this|is|the|best|`|old|neighborhood|'|project|since|Christopher|Walken|kinda|romanced|Cyndi|Lauper|in|The|Opportunists|.\nThe|film|oozes|craft|.\nRobinson|'s|web|of|suspense|matches|the|page-turning|frenzy|that|Clancy|creates|.\nManages|to|be|both|hugely|entertaining|and|uplifting|.\nA|classic|fairy|tale|that|perfectly|captures|the|wonders|and|worries|of|childhood|in|a|way|that|few|movies|have|ever|approached|.\nIt|'s|the|unsettling|images|of|a|war-ravaged|land|that|prove|more|potent|and|riveting|than|the|unlikely|story|of|Sarah|and|Harrison|.\na|wonderfully|warm|human|drama|that|remains|vividly|in|memory|long|after|viewing\nJaunty|fun|,|with|its|celeb-strewn|backdrop|well|used|.\nRecoing|'s|fantastic|performance|does|n't|exactly|reveal|what|makes|Vincent|tick|,|but|perhaps|any|definitive|explanation|for|it|would|have|felt|like|a|cheat|.\nWashington|overcomes|the|script|'s|flaws|and|envelops|the|audience|in|his|character|'s|anguish|,|anger|and|frustration|.\nThe|film|fearlessly|gets|under|the|skin|of|the|people|involved|...|This|makes|it|not|only|a|detailed|historical|document|,|but|an|engaging|and|moving|portrait|of|a|subculture|.\nA|searing|,|epic|treatment|of|a|nationwide|blight|that|seems|to|be|,|horrifyingly|,|ever|on|the|rise|.\nNot|a|film|for|the|faint|of|heart|or|conservative|of|spirit|,|but|for|the|rest|of|us|--|especially|San|Francisco|lovers|--|it|'s|a|spirited|film|and|a|must-see|.\nRead|My|Lips|is|to|be|viewed|and|treasured|for|its|extraordinary|intelligence|and|originality|as|well|as|its|lyrical|variations|on|the|game|of|love|.\nThe|color|sense|of|Stuart|Little|2|is|its|most|immediate|and|most|obvious|pleasure|,|but|it|would|count|for|very|little|if|the|movie|were|n't|as|beautifully|shaped|and|as|delicately|calibrated|in|tone|as|it|is|.\nwhile|(|Roman|Coppola|)|scores|points|for|style|,|he|staggers|in|terms|of|story|.\nAny|movie|that|makes|hard|work|seem|heroic|deserves|a|look|.\nIt|may|not|be|a|huge|cut|of|above|the|rest|,|but|I|enjoyed|Barbershop|.\nIt|'s|a|funny|little|movie|with|clever|dialogue|and|likeable|characters|.\nA|different|and|emotionally|reserved|type|of|survival|story|--|a|film|less|about|refracting|all|of|World|War|II|through|the|specific|conditions|of|one|man|,|and|more|about|that|man|lost|in|its|midst|.\nIt|'s|sweet|,|funny|,|charming|,|and|completely|delightful|.\nA|perfectly|competent|and|often|imaginative|film|that|lacks|what|little|Lilo|&|Stitch|had|in|spades|--|charisma|.\nBeautifully|shot|against|the|frozen|winter|landscapes|of|Grenoble|and|Geneva|,|the|film|unfolds|with|all|the|mounting|tension|of|an|expert|thriller|,|until|the|tragedy|beneath|it|all|gradually|reveals|itself|.\nMedem|may|have|disrobed|most|of|the|cast|,|leaving|their|bodies|exposed|,|but|the|plot|remains|as|guarded|as|a|virgin|with|a|chastity|belt|.\nThat|'s|why|Sex|and|Lucia|is|so|alluring|.\nAn|elegant|work|,|Food|of|Love|is|as|consistently|engaging|as|it|is|revealing|.\nAlthough|largely|a|heavy-handed|indictment|of|parental|failings|and|the|indifference|of|Spanish|social|workers|and|legal|system|towards|child|abuse|,|the|film|retains|ambiguities|that|make|it|well|worth|watching|.\nA|behind|the|scenes|look|at|the|training|and|dedication|that|goes|into|becoming|a|world-class|fencer|and|the|champion|that|'s|made|a|difference|to|NYC|inner-city|youth|.\nA|brain|twister|,|less|a|movie-movie|than|a|funny|and|weird|meditation|on|Hollywood|,|success|,|artistic|integrity|and|intellectual|bankruptcy|.\nA|powerful|,|inflammatory|film|about|religion|that|dares|to|question|an|ancient|faith|,|and|about|hatred|that|offers|no|easy|,|comfortable|resolution|.\nIn|its|own|floundering|way|,|it|gets|to|you|.\nJust|like|Igby|.\nReturn|to|Never|Land|may|be|another|shameless|attempt|by|Disney|to|rake|in|dough|from|baby|boomer|families|,|but|it|'s|not|half-bad|.\nWise|and|deadpan|humorous|.\nGod|bless|Crudup|and|his|aversion|to|taking|the|easy|Hollywood|road|and|cashing|in|on|his|movie-star|gorgeousness|.\nIf|Signs|is|a|good|film|,|and|it|is|,|the|essence|of|a|great|one|is|in|there|somewhere|.\nVeterans|of|the|dating|wars|will|smirk|uneasily|at|the|film|'s|nightmare|versions|of|everyday|sex-in-the-city|misadventures|.\nSchrader|examines|Crane|'s|decline|with|unblinking|candor|.\nYou|can|watch|,|giggle|and|get|an|adrenaline|boost|without|feeling|like|you|'ve|completely|lowered|your|entertainment|standards|.\nIt|thankfully|goes|easy|on|the|reel\\/real|world|dichotomy|that|(|Jaglom|)|pursued|with|such|enervating|determination|in|Venice\\/Venice|.\nThis|rich|,|bittersweet|Israeli|documentary|,|about|the|life|of|song-and-dance-man|Pasach|`|ke|Burstein|and|his|family|,|transcends|ethnic|lines|.\nSensitively|examines|general|issues|of|race|and|justice|among|the|poor|,|and|specifically|raises|serious|questions|about|the|death|penalty|and|asks|what|good|the|execution|of|a|mentally|challenged|woman|could|possibly|do|.\nCool|gadgets|and|creatures|keep|this|fresh|.\nNot|as|good|as|the|original|,|but|what|is|...\nPresents|a|side|of|contemporary|Chinese|life|that|many|outsiders|will|be|surprised|to|know|exists|,|and|does|so|with|an|artistry|that|also|smacks|of|revelation|.\n(|Jeff|'s|)|gorgeous|,|fluid|compositions|,|underlined|by|Neil|Finn|and|Edmund|McWilliams|'s|melancholy|music|,|are|charged|with|metaphor|,|but|rarely|easy|,|obvious|or|self-indulgent|.\nEngages|us|in|constant|fits|of|laughter|,|until|we|find|ourselves|surprised|at|how|much|we|care|about|the|story|,|and|end|up|walking|out|not|only|satisfied|but|also|somewhat|touched|.\na|bilingual|charmer|,|just|like|the|woman|who|inspired|it\nBlisteringly|rude|,|scarily|funny|,|sorrowfully|sympathetic|to|the|damage|it|surveys|,|the|film|has|in|Kieran|Culkin|a|pitch-perfect|Holden|.\nThe|fourth|``|Pokemon|''|is|a|diverting|--|if|predictable|--|adventure|suitable|for|a|matinee|,|with|a|message|that|cautions|children|about|disturbing|the|world|'s|delicate|ecological|balance|.\nWhat|one|is|left|with|,|even|after|the|most|awful|acts|are|committed|,|is|an|overwhelming|sadness|that|feels|as|if|it|has|made|its|way|into|your|very|bloodstream|.\n(|It|)|has|the|feel|of|a|summer|popcorn|movie|.\nNothing|too|deep|or|substantial|.\nExplosions|,|jokes|,|and|sexual|innuendoes|abound|.\nMiyazaki|'s|nonstop|images|are|so|stunning|,|and|his|imagination|so|vivid|,|that|the|only|possible|complaint|you|could|have|about|Spirited|Away|is|that|there|is|no|rest|period|,|no|timeout|.\n...|a|delightfully|unpredictable|,|hilarious|comedy|with|wonderful|performances|that|tug|at|your|heart|in|ways|that|utterly|transcend|gender|labels|.\nAssured|,|vital|and|well|wrought|,|the|film|is|,|arguably|,|the|most|accomplished|work|to|date|from|Hong|Kong|'s|versatile|Stanley|Kwan|.\nDelia|,|Greta|,|and|Paula|rank|as|three|of|the|most|multilayered|and|sympathetic|female|characters|of|the|year|.\nAs|each|of|them|searches|for|their|place|in|the|world|,|Miller|digs|into|their|very|minds|to|find|an|unblinking|,|flawed|humanity|.\nA|surprisingly|sweet|and|gentle|comedy|.\nShanghai|Ghetto|,|much|stranger|than|any|fiction|,|brings|this|unknown|slice|of|history|affectingly|to|life|.\nIt|'s|not|particularly|well|made|,|but|since|I|found|myself|howling|more|than|cringing|,|I|'d|say|the|film|works|.\nBut|this|is|Lohman|'s|film|.\nHer|performance|moves|between|heartbreak|and|rebellion|as|she|continually|tries|to|accommodate|to|fit|in|and|gain|the|unconditional|love|she|seeks|.\nThough|its|story|is|only|surface|deep|,|the|visuals|and|enveloping|sounds|of|Blue|Crush|make|this|surprisingly|decent|flick|worth|a|summertime|look-see|.\nRyosuke|has|created|a|wry|,|winning|,|if|languidly|paced|,|meditation|on|the|meaning|and|value|of|family|.\nSometimes|charming|,|sometimes|infuriating|,|this|Argentinean|`|dramedy|'|succeeds|mainly|on|the|shoulders|of|its|actors|.\nYou|may|feel|compelled|to|watch|the|film|twice|or|pick|up|a|book|on|the|subject|.\nOften|shocking|but|ultimately|worthwhile|exploration|of|motherhood|and|desperate|mothers|.\nA|venturesome|,|beautifully|realized|psychological|mood|piece|that|reveals|its|first-time|feature|director|'s|understanding|of|the|expressive|power|of|the|camera|.\nLike|The|Rugrats|movies|,|The|Wild|Thornberrys|Movie|does|n't|offer|much|more|than|the|series|,|but|its|emphasis|on|caring|for|animals|and|respecting|other|cultures|is|particularly|welcome|.\nTaken|outside|the|context|of|the|current|political|climate|(|see|:|terrorists|are|more|evil|than|ever|!|)\n,|The|Sum|of|All|Fears|is|simply|a|well-made|and|satisfying|thriller|.\nThe|setting|is|so|cool|that|it|chills|the|characters|,|reducing|our|emotional|stake|in|the|outcome|of|``|Intacto|'s|''|dangerous|and|seductively|stylish|game|.\nA|lovely|and|beautifully|photographed|romance|.\nOne|of|the|most|splendid|entertainments|to|emerge|from|the|French|film|industry|in|years|.\nIts|vision|of|that|awkward|age|when|sex|threatens|to|overwhelm|everything|else|is|acute|enough|to|make|everyone|who|has|been|there|squirm|with|recognition|.\nFor|almost|the|first|two-thirds|of|Martin|Scorsese|'s|168-minute|Gangs|of|New|York|,|I|was|entranced|.\nOpen-ended|and|composed|of|layer|upon|layer|,|Talk|to|Her|is|a|cinephile|'s|feast|,|an|invitation|to|countless|interpretations|.\nOne|of|the|most|slyly|exquisite|anti-adult|movies|ever|made|.\nWhat|makes|Esther|Kahn|so|demanding|is|that|it|progresses|in|such|a|low-key|manner|that|it|risks|monotony|.\nBut|it|'s|worth|the|concentration|.\nNeither|the|funniest|film|that|Eddie|Murphy|nor|Robert|De|Niro|has|ever|made|,|Showtime|is|nevertheless|efficiently|amusing|for|a|good|while|.\nBefore|it|collapses|into|exactly|the|kind|of|buddy|cop|comedy|it|set|out|to|lampoon|,|anyway|.\nA|clever|script|and|skilled|actors|bring|new|energy|to|the|familiar|topic|of|office|politics|.\nThe|determination|of|Pinochet|'s|victims|to|seek|justice|,|and|their|often|heartbreaking|testimony|,|spoken|directly|into|director|Patricio|Guzman|'s|camera|,|pack|a|powerful|emotional|wallop|.\nDisney|aficionados|will|notice|distinct|parallels|between|this|story|and|the|1971|musical|``|Bedknobs|and|Broomsticks|,|''|which|also|dealt|with|British|children|rediscovering|the|power|of|fantasy|during|wartime|.\nIt|'s|...|worth|the|extra|effort|to|see|an|artist|,|still|committed|to|growth|in|his|ninth|decade|,|change|while|remaining|true|to|his|principles|with|a|film|whose|very|subject|is|,|quite|pointedly|,|about|the|peril|of|such|efforts|.\nDark|and|unrepentant|,|this|excursion|into|the|epicenter|of|percolating|mental|instability|is|not|easily|dismissed|or|forgotten|.\nIt|'s|a|rollicking|adventure|for|you|and|all|your|mateys|,|regardless|of|their|ages|.\nBoasts|a|handful|of|virtuosic|set|pieces|and|offers|a|fair|amount|of|trashy|,|kinky|fun|.\n...|Myers|has|turned|his|franchise|into|the|movie|version|of|an|adolescent|dirty-joke|book|done|up|in|post-Tarantino|pop-culture|riffs|...\nIf|you|'re|down|for|a|silly|hack-and-slash|flick|,|you|can|do|no|wrong|with|Jason|X.\nThis|is|a|very|ambitious|project|for|a|fairly|inexperienced|filmmaker|,|but|good|actors|,|good|poetry|and|good|music|help|sustain|it|.\nThe|modern|master|of|the|chase|sequence|returns|with|a|chase|to|end|all|chases\nThe|messy|emotions|raging|throughout|this|three-hour|effort|are|instantly|recognizable|,|allowing|the|film|to|paradoxically|feel|familiar|and|foreign|at|the|same|time|.\n...|either|you|'re|willing|to|go|with|this|claustrophobic|concept|or|you|'re|not|.\nJust|watch|Bettany|strut|his|stuff|.\nYou|'ll|know|a|star|when|you|see|one|.\nAustin|Powers|in|Goldmember|is|a|cinematic|car|wreck|,|a|catastrophic|collision|of|tastelessness|and|gall|that|nevertheless|will|leave|fans|clamoring|for|another|ride|.\nYou|can|fire|a|torpedo|through|some|of|Clancy|'s|holes|,|and|the|scripters|do|n't|deserve|any|Oscars|.\nBut|the|nerve-raked|acting|,|the|crackle|of|lines|,|the|impressive|stagings|of|hardware|,|make|for|some|robust|and|scary|entertainment|.\ncontrasting|the|original|Ringu|with|the|current|Americanized|adaptation|is|akin|to|comparing|The|Evil|Dead|with|Evil|Dead|II\nA|small|gem|of|a|movie|that|defies|classification|and|is|as|thought-provoking|as|it|is|funny|,|scary|and|sad|.\nFor|a|long|time|the|film|succeeds|with|its|dark|,|delicate|treatment|of|these|characters|and|its|unerring|respect|for|them|.\nIt|'s|the|kind|of|effectively|creepy-scary|thriller|that|has|you|fixating|on|a|far|corner|of|the|screen|at|times|because|your|nerves|just|ca|n't|take|it|any|more|.\nLate|Marriage|is|an|in-your-face|family|drama|and|black|comedy|that|is|filled|with|raw|emotions|conveying|despair|and|love|.\nAn|ambitious|and|moving|but|bleak|film|.\nIt|'s|too|harsh|to|work|as|a|piece|of|storytelling|,|but|as|an|intellectual|exercise|--|an|unpleasant|debate|that|'s|been|given|the|drive|of|a|narrative|and|that|'s|been|acted|out|--|The|Believer|is|nothing|less|than|a|provocative|piece|of|work|.\nIt|'s|sweet|.\nIt|'s|funny|.\nIt|wears|its|heart|on|the|sleeve|of|its|gaudy|Hawaiian|shirt|.\nAnd|,|thanks|to|the|presence|of|`|the|King|,|'|it|also|rocks|.\nIt|'s|never|laugh-out-loud|funny|,|but|it|is|frequently|amusing|.\nA|bittersweet|film|,|simple|in|form|but|rich|with|human|events|.\nThe|unexplored|story|opportunities|of|``|Punch-Drunk|Love|''|may|have|worked|against|the|maker|'s|minimalist|intent|but|it|is|an|interesting|exercise|by|talented|writer\\/director|Anderson|.\n``|Punch-Drunk|Love|''|is|a|little|like|a|chocolate|milk|moustache|...\n...|digs|beyond|the|usual|portrayals|of|good|kids|and|bad|seeds|to|reveal|a|more|ambivalent|set|of|characters|and|motivations|.\nThe|beauty|of|the|piece|is|that|it|counts|heart|as|important|as|humor|.\nPiercingly|affecting|...|while|clearly|a|manipulative|film|,|emerges|as|powerful|rather|than|cloying|.\nVery|amusing|,|not|the|usual|route|in|a|thriller|,|and|the|performances|are|odd|and|pixilated|and|sometimes|both|.\nWhile|the|frequent|allusions|to|gurus|and|doshas|will|strike|some|Westerners|as|verging|on|mumbo-jumbo|...|broad|streaks|of|common|sense|emerge|with|unimpeachable|clarity|.\nThe|cast|is|phenomenal|,|especially|the|women|.\nA|marvel|of|production|design|.\nThe|byplay|and|bickering|between|the|now|spy-savvy|siblings|,|Carmen|(|Vega|)|and|Juni|(|Sabara|)|Cortez|,|anchor|the|film|in|a|very|real|and|amusing|give-and-take|.\nGood|actors|have|a|radar|for|juicy|roles|--|there|'s|a|plethora|of|characters|in|this|picture|,|and|not|one|of|them|is|flat|.\nThough|in|some|ways|similar|to|Catherine|Breillat|'s|Fat|Girl|,|Rain|is|the|far|superior|film|.\nIs|not|so|much|a|work|of|entertainment|as|it|is|a|unique|,|well-crafted|psychological|study|of|grief|.\nRemarkable|for|its|excellent|storytelling|,|its|economical|,|compressed|characterisations|and|for|its|profound|humanity|,|it|'s|an|adventure|story|and|history|lesson|all|in|one|.\nColorful|,|energetic|and|sweetly|whimsical|...|the|rare|sequel|that|'s|better|than|its|predecessor|.\nReno|himself|can|take|credit|for|most|of|the|movie|'s|success|.\nHe|'s|one|of|the|few|`|cool|'|actors|who|never|seems|aware|of|his|own|coolness|.\nSignificantly|better|than|its|2002|children|'s|-|movie|competition|.\nUB|equally|spoofs|and|celebrates|the|more|outre|aspects|of|`|black|culture|'|and|the|dorkier|aspects|of|`|white|culture|,|'|even|as|it|points|out|how|inseparable|the|two|are|.\nA|lot|smarter|than|your|average|Bond|.\n...|bright|,|intelligent|,|and|humanly|funny|film|.\nPainful|,|horrifying|and|oppressively|tragic|,|this|film|should|not|be|missed|.\nPart|of|the|film|'s|cheeky|charm|comes|from|its|vintage|schmaltz|.\nSo|unique|and|stubborn|and|charismatic|that|you|want|it|to|be|better|and|more|successful|than|it|is|.\nI|wo|n't|argue|with|anyone|who|calls|`|Slackers|'|dumb|,|insulting|,|or|childish|...|but|I|laughed|so|much|that|I|did|n't|mind|.\nIt|arrives|with|an|impeccable|pedigree|,|mongrel|pep|,|and|almost|indecipherable|plot|complications|.\nSo|fiendishly|cunning|that|even|the|most|jaded|cinema|audiences|will|leave|the|auditorium|feeling|dizzy|,|confused|,|and|totally|disorientated|.\nNot|to|mention|absolutely|refreshed|.\nA|vibrant|,|colorful|,|semimusical|rendition|.\nThe|film|sometimes|flags|...|but|there|is|enough|secondary|action|to|keep|things|moving|along|at|a|brisk|,|amusing|pace|.\nIt|'s|a|drawling|,|slobbering|,|lovable|run-on|sentence|of|a|film|,|a|Southern|Gothic|with|the|emotional|arc|of|its|raw|blues|soundtrack|.\nNolan|proves|that|he|can|cross|swords|with|the|best|of|them|and|helm|a|more|traditionally|plotted|popcorn|thriller|while|surrendering|little|of|his|intellectual|rigor|or|creative|composure|.\nIt|is|different|from|others|in|its|genre|in|that|it|is|does|not|rely|on|dumb|gags|,|anatomical|humor|,|or|character|cliches|;|it|primarily|relies|on|character|to|tell|its|story|.\nBoth|a|successful|adaptation|and|an|enjoyable|film|in|its|own|right|.\nAll|the|filmmakers|are|asking|of|us|,|is|to|believe|in|something|that|is|improbable|.\nIf|the|very|concept|makes|you|nervous|...|you|'ll|have|an|idea|of|the|film|'s|creepy|,|scary|effectiveness|.\nWorth|a|look|by|those|on|both|sides|of|the|issues|,|if|only|for|the|perspective|it|offers|,|one|the|public|rarely|sees|.\nA|mostly|believable|,|refreshingly|low-key|and|quietly|inspirational|little|sports|drama|.\nMay|be|more|genial|than|ingenious|,|but|it|gets|the|job|done|.\nA|stylish|cast|and|some|clever|scripting|solutions|help|Chicago|make|the|transition|from|stage|to|screen|with|considerable|appeal|intact|.\nExhilarating|,|funny|and|fun|.\nWhile|not|quite|``|Shrek|''|or|``|Monsters|,|Inc.|''|,|it|'s|not|too|bad|.\nIt|'s|worth|taking|the|kids|to|.\nIn|the|end|there|is|one|word|that|best|describes|this|film|:|honest|.\nWriter-director|David|Jacobson|and|his|star|,|Jeremy|Renner|,|have|made|a|remarkable|film|that|explores|the|monster|'s|psychology|not|in|order|to|excuse|him|but|rather|to|demonstrate|that|his|pathology|evolved|from|human|impulses|that|grew|hideously|twisted|.\nThe|action|sequences|are|fun|and|reminiscent|of|combat|scenes|from|the|Star|Wars|series|.\nNorton|is|magnetic|as|Graham|.\nSavvy|director|Robert|J.|Siegel|and|his|co-writers|keep|the|story|subtle|and|us|in|suspense|.\nIt|pulls|the|rug|out|from|under|you|,|just|when|you|'re|ready|to|hate|one|character|,|or|really|sympathize|with|another|character|,|something|happens|to|send|you|off|in|different|direction|.\nTwenty|years|after|its|first|release|,|E.T.|remains|the|most|wondrous|of|all|Hollywood|fantasies|--|and|the|apex|of|Steven|Spielberg|'s|misunderstood|career|.\nIt|says|a|lot|about|a|filmmaker|when|he|can|be|wacky|without|clobbering|the|audience|over|the|head|and|still|maintain|a|sense|of|urgency|and|suspense|.\nGives|us|a|lot|to|chew|on|,|but|not|all|of|it|has|been|properly|digested|.\nIt|'s|an|exhilarating|place|to|visit|,|this|laboratory|of|laughter|.\n``|Simone|''|is|a|fun|and|funky|look|into|an|artificial|creation|in|a|world|that|thrives|on|artificiality|.\nA|great|companion|piece|to|other|Napoleon|films|.\nTo|some|eyes|this|will|seem|like|a|recycling|of|clichés|,|an|assassin|'s|greatest|hits|.\nTo|others|,|it|will|remind|them|that|Hong|Kong|action|cinema|is|still|alive|and|kicking|.\nAt|the|end|of|the|movie|,|my|6-year-old|nephew|said|,|``|I|guess|I|come|from|a|broken|family|,|and|my|uncles|are|all|aliens|,|too|.|''\nCongrats|Disney|on|a|job|well|done|,|I|enjoyed|it|just|as|much|!\nA|remarkably|alluring|film|set|in|the|constrictive|Eisenhower|era|about|one|suburban|woman|'s|yearning|in|the|face|of|a|loss|that|shatters|her|cheery|and|tranquil|suburban|life|.\nBerling|and|Béart|...|continue|to|impress|,|and|Isabelle|Huppert|...|again|shows|uncanny|skill|in|getting|under|the|skin|of|her|characters|.\nUplifting|,|funny|and|wise|.\nRemarkable|for|its|intelligence|and|intensity|.\nThe|hypnotic|imagery|and|fragmentary|tale|explore|the|connections|between|place|and|personal|identity|.\nBrosnan|is|more|feral|in|this|film|than|I|'ve|seen|him|before|and|Halle|Berry|does|her|best|to|keep|up|with|him|.\nA|film|that|begins|with|the|everyday|lives|of|naval|personnel|in|San|Diego|and|ends|with|scenes|so|true|and|heartbreaking|that|tears|welled|up|in|my|eyes|both|times|I|saw|the|film|.\n``|On|Guard|!|''\nwo|n't|be|placed|in|the|pantheon|of|the|best|of|the|swashbucklers|but|it|is|a|whole|lot|of|fun|and|you|get|to|see|the|one|of|the|world|'s|best|actors|,|Daniel|Auteuil|,|have|a|whale|of|a|good|time|.\nThe|movie|starts|with|a|legend|and|ends|with|a|story|that|is|so|far-fetched|it|would|be|impossible|to|believe|if|it|were|n't|true|.\nThis|is|the|stuff|that|Disney|movies|are|made|of|.\nLike|all|great|films|about|a|life|you|never|knew|existed|,|it|offers|much|to|absorb|and|even|more|to|think|about|after|the|final|frame|.\nThat|the|e-graveyard|holds|as|many|good|ideas|as|bad|is|the|cold|comfort|that|Chin|'s|film|serves|up|with|style|and|empathy|.\nWhile|we|no|longer|possess|the|lack-of-attention|span|that|we|did|at|seventeen|,|we|had|no|trouble|sitting|for|Blade|II|.\nlike|a|poor|man|'s|You|Can|Count|On|Me\n...|a|solid|,|unassuming|drama|.\nA|seriocomic|debut|of|extravagant|promise|by|Georgian-Israeli|director|Dover|Kosashvili|.\nThanks|to|Ice|Cube|,|Benjamins|feels|an|awful|lot|like|Friday|in|Miami|.\nThe|real|star|of|this|movie|is|the|score|,|as|in|the|songs|translate|well|to|film|,|and|it|'s|really|well|directed|.\nIt|'s|rare|to|find|a|film|to|which|the|adjective|`|gentle|'|applies|,|but|the|word|perfectly|describes|Pauline|&|Paulette|.\nMy|Wife|is|an|Actress|has|its|moments|in|looking|at|the|comic|effects|of|jealousy|.\nIn|the|end|,|though|,|it|is|only|mildly|amusing|when|it|could|have|been|so|much|more|.\nBoth|Garcia|and|Jagger|turn|in|perfectly|executed|and|wonderfully|sympathetic|characters|,|who|are|alternately|touching|and|funny|.\nHumorous|,|artsy|,|and|even|cute|,|in|an|off-kilter|,|dark|,|vaguely|disturbing|way|.\nThe|more|you|think|about|the|movie|,|the|more|you|will|probably|like|it|.\n...|a|powerful|sequel|and|one|of|the|best|films|of|the|year|.\nFor|the|most|part|,|the|film|does|hold|up|pretty|well|.\nTogether|(|Time|Out|and|Human|Resources|)|establish|Mr.|Cantet|as|France|'s|foremost|cinematic|poet|of|the|workplace|.\nYou|can|take|the|grandkids|or|the|grandparents|and|never|worry|about|anyone|being|bored|...|audience|is|a|sea|of|constant|smiles|and|frequent|laughter|.\nLike|these|Russo|guys|lookin|'|for|their|Mamet|instead|found|their|Sturges|.\nThere|has|been|a|string|of|ensemble|cast|romances|recently|...|but|Peter|Mattei|'s|Love|in|the|Time|of|Money|sets|itself|apart|by|forming|a|chain|of|relationships|that|come|full|circle|to|end|on|a|positive|(|if|tragic|)|note|.\nBy|applying|definition|to|both|sides|of|the|man|,|the|picture|realizes|a|fullness|that|does|not|negate|the|subject|.\nWho|is|the|audience|for|Cletis|Tout|?\nAnybody|who|enjoys|quirky|,|fun|,|popcorn|movies|with|a|touch|of|silliness|and|a|little|bloodshed|.\n(|Cuarón|has|)|created|a|substantive|movie|out|of|several|cliched|movie|structures|:|the|road|movie|,|the|coming-of-age|movie|,|and|the|teenage|sex|comedy|.\nPuts|to|rest|any|thought|that|the|German|film|industry|can|not|make|a|delightful|comedy|centering|on|food|.\nWitty|dialog|between|realistic|characters|showing|honest|emotions|.\nIt|'s|touching|and|tender|and|proves|that|even|in|sorrow|you|can|find|humor|.\nLike|blended|shades|of|lipstick|,|these|components|combine|into|one|terrific|story|with|lots|of|laughs|.\nAsh|Wednesday|is|not|Edward|Burns|'|best|film|,|but|it|is|a|good|and|ambitious|film|.\nAnd|it|marks|him|as|one|of|the|most|interesting|writer\\/directors|working|today|.\nAfter|one|gets|the|feeling|that|the|typical|Hollywood|disregard|for|historical|truth|and|realism|is|at|work|here|,|it|'s|a|matter|of|finding|entertainment|in|the|experiences|of|Zishe|and|the|fiery|presence|of|Hanussen|.\nThe|footage|of|the|rappers|at|play|and|the|prison|interview|with|Suge|Knight|are|just|two|of|the|elements|that|will|grab|you|.\n...|it|'s|as|comprehensible|as|any|Dummies|guide|,|something|even|non-techies|can|enjoy|.\nDo|n't|wait|to|see|this|terrific|film|with|your|kids|--|if|you|do|n't|have|kids|borrow|some|.\nMoretti|...|is|the|rare|common-man|artist|who|'s|wise|enough|to|recognize|that|there|are|few|things|in|this|world|more|complex|--|and|,|as|it|turns|out|,|more|fragile|--|than|happiness|.\nThe|movie|'s|captivating|details|are|all|in|the|performances|,|from|Foreman|'s|barking-mad|Taylor|to|Thewlis|'s|smoothly|sinister|Freddie|and|Bettany\\/McDowell|'s|hard-eyed|gangster|.\nFeatures|Fincher|'s|characteristically|startling|visual|style|and|an|almost|palpable|sense|of|intensity|.\nPrecocious|smarter-than-thou|wayward|teen|struggles|to|rebel|against|his|oppressive|,|right-wing|,|propriety-obsessed|family|.\nAnyone|else|seen|this|before|?\nMoore|provides|an|invaluable|service|by|sparking|debate|and|encouraging|thought|.\nBetter|still|,|he|does|all|of|this|,|and|more|,|while|remaining|one|of|the|most|savagely|hilarious|social|critics|this|side|of|Jonathan|Swift|.\nAlternating|between|facetious|comic|parody|and|pulp|melodrama|,|this|smart-aleck|movie|...|tosses|around|some|intriguing|questions|about|the|difference|between|human|and|android|life|.\nA|cutesy|romantic|tale|with|a|twist|.\nThis|is|a|gorgeous|film|-|vivid|with|color|,|music|and|life|.\nDelight|your|senses|and|crash|this|wedding|!\nA|brutally|dry|satire|of|Middle|American|numbness|.\nMore|sophisticated|and|literate|than|such|pictures|usually|are|...|an|amusing|little|catch|.\nSmith|examines|the|intimate|,|unguarded|moments|of|folks|who|live|in|unusual|homes|--|which|pop|up|in|nearly|every|corner|of|the|country|.\nWith|an|admirably|dark|first|script|by|Brent|Hanley|,|Paxton|,|making|his|directorial|feature|debut|,|does|strong|,|measured|work|.\nA|compelling|French|psychological|drama|examining|the|encounter|of|an|aloof|father|and|his|chilly|son|after|20|years|apart|.\n...|even|if|you|'ve|never|heard|of|Chaplin|,|you|'ll|still|be|glued|to|the|screen|.\nYou|have|enough|finely|tuned|acting|to|compensate|for|the|movie|'s|failings|.\nAs|the|dominant|Christine|,|Sylvie|Testud|is|icily|brilliant|.\nAlthough|tender|and|touching|,|the|movie|would|have|benefited|from|a|little|more|dramatic|tension|and|some|more|editing|.\nThe|story|that|emerges|has|elements|of|romance|,|tragedy|and|even|silent-movie|comedy|.\n(|``|Safe|Conduct|''|)|is|a|long|movie|at|163|minutes|but|it|fills|the|time|with|drama|,|romance|,|tragedy|,|bravery|,|political|intrigue|,|partisans|and|sabotage|.\nViva|le|Resistance|!\nIt|offers|a|glimpse|of|the|Solomonic|decision|facing|Jewish|parents|in|those|turbulent|times|:|to|save|their|children|and|yet|to|lose|them|.\nThe|film|is|delicately|narrated|by|Martin|Landau|and|directed|with|sensitivity|and|skill|by|Dana|Janklowicz-Mann|.\nMartyr|gets|royally|screwed|and|comes|back|for|more|.\nA|virtual|roller-coaster|ride|of|glamour|and|sleaze|.\nan|admirable|,|sometimes|exceptional|film\nIf|you|like|an|extreme|action-packed|film|with|a|hint|of|humor|,|then|Triple|X|marks|the|spot|.\nIf|you|'re|the|kind|of|parent|who|enjoys|intentionally|introducing|your|kids|to|films|which|will|cause|loads|of|irreparable|damage|that|years|and|years|of|costly|analysis|could|never|fix|,|I|have|just|one|word|for|you|-|--|Decasia\nMay|not|be|a|breakthrough|in|filmmaking|,|but|it|is|unwavering|and|arresting|.\nThe|film|'s|images|give|a|backbone|to|the|company|and|provide|an|emotional|edge|to|its|ultimate|demise|.\nA|bodice-ripper|for|intellectuals|.\nThe|locations|go|from|stark|desert|to|gorgeous|beaches|.\nThe|story|plays|out|slowly|,|but|the|characters|are|intriguing|and|realistic|.\nCount|on|his|movie|to|work|at|the|back|of|your|neck|long|after|you|leave|the|theater|.\nNeil|Burger|here|succeeded|in|...|making|the|mystery|of|four|decades|back|the|springboard|for|a|more|immediate|mystery|in|the|present|.\nThe|complex|,|politically|charged|tapestry|of|contemporary|Chinese|life|this|exciting|new|filmmaker|has|brought|to|the|screen|is|like|nothing|we|Westerners|have|seen|before|.\nA|thriller|made|from|a|completist|'s|checklist|rather|than|with|a|cultist|'s|passion|.\nTry|as|you|might|to|scrutinize|the|ethics|of|Kaufman|'s|approach|,|somehow|it|all|comes|together|to|create|a|very|compelling|,|sensitive|,|intelligent|and|almost|cohesive|piece|of|film|entertainment|.\nAs|quiet|,|patient|and|tenacious|as|Mr.|Lopez|himself|,|who|approaches|his|difficult|,|endless|work|with|remarkable|serenity|and|discipline|.\nThough|the|film|never|veers|from|its|comic|course|,|its|unintentional|parallels|might|inadvertently|evoke|memories|and|emotions|which|are|anything|but|humorous|.\nEvokes|the|style|and|flash|of|the|double-cross|that|made|Mamet|'s|``|House|of|Games|''|and|last|fall|'s|``|Heist|''|so|much|fun|.\nSo|original|in|its|base|concept|that|you|can|not|help|but|get|caught|up|.\nIt|may|be|a|no-brainer|,|but|at|least|it|'s|a|funny|no-brainer|.\nA|lot|more|dimensional|and|complex|than|its|sunny|disposition|would|lead|you|to|believe|.\nJeffs|has|created|a|breathtakingly|assured|and|stylish|work|of|spare|dialogue|and|acute|expressiveness|.\nUnderachieves|only|in|not|taking|the|Shakespeare|parallels|quite|far|enough|.\nThe|most|audacious|,|outrageous|,|sexually|explicit|,|psychologically|probing|,|pure|libido|film|of|the|year|has|arrived|from|Portugal|.\nThe|creative|animation|work|may|not|look|as|fully|`|rendered|'|as|Pixar|'s|industry|standard|,|but|it|uses|lighting|effects|and|innovative|backgrounds|to|an|equally|impressive|degree|.\nArt-house|to|the|core|,|Read|My|Lips|is|a|genre-curling|crime|story|that|revives|the|free-wheeling|noir|spirit|of|old|French|cinema|.\nGrant|is|certainly|amusing|,|but|the|very|hollowness|of|the|character|he|plays|keeps|him|at|arms|length\nConceptually|brilliant|...|Plays|like|a|living-room|War|Of|The|Worlds|,|gaining|most|of|its|unsettling|force|from|the|suggested|and|the|unknown|.\n...|manages|to|deliver|a|fair|bit|of|vampire|fun|.\nDrama|of|temptation|,|salvation|and|good|intentions|is|a|thoughtful|examination|of|faith|,|love|and|power|.\nThe|strength|of|the|film|comes|not|from|any|cinematic|razzle-dazzle|but|from|its|recovery|of|an|historical|episode|that|,|in|the|simple|telling|,|proves|simultaneously|harrowing|and|uplifting|.\nThe|performances|are|strong|,|though|the|subject|matter|demands|acting|that|borders|on|hammy|at|times|.\nA|damn|fine|and|a|truly|distinctive|and|a|deeply|pertinent|film|.\nStill|rapturous|after|all|these|years|,|Cinema|Paradiso|stands|as|one|of|the|great|films|about|movie|love|.\nReggio|and|Glass|put|on|an|intoxicating|show|.\nMacDowell|...|gives|give|a|solid|,|anguished|performance|that|eclipses|nearly|everything|else|she|'s|ever|done|.\nThe|thing|about|guys|like|Evans|is|this|:|You|'re|never|quite|sure|where|self-promotion|ends|and|the|truth|begins|.\nBut|as|you|watch|the|movie|,|you|'re|too|interested|to|care|.\nI|liked|a|lot|of|the|smaller|scenes|.\nThe|film|will|appeal|to|Discovery|Channel|fans|and|will|surely|widen|the|perspective|of|those|of|us|who|see|the|continent|through|rose-colored|glasses|.\nAn|eye-boggling|blend|of|psychedelic|devices|,|special|effects|and|backgrounds|,|`|Spy|Kids|2|'|is|a|visual|treat|for|all|audiences|.\nStraightforward|and|old-fashioned|in|the|best|possible|senses|of|both|those|words|,|Possession|is|a|movie|that|puts|itself|squarely|in|the|service|of|the|lovers|who|inhabit|it|.\nIt|may|...|work|as|a|jaunt|down|memory|lane|for|teens|and|young|adults|who|grew|up|on|televised|Scooby-Doo|shows|or|reruns|.\nOne|of|those|movies|that|catches|you|up|in|something|bigger|than|yourself|,|namely|,|an|archetypal|desire|to|enjoy|good|trash|every|now|and|then|.\nThis|harrowing|journey|into|combat|hell|vividly|captures|the|chaotic|insanity|and|personal|tragedies|that|are|all|too|abundant|when|human|hatred|spews|forth|unchecked|.\nFar|more|successful|,|if|considerably|less|ambitious|,|than|last|year|'s|Kubrick-meets-Spielberg|exercise|.\nElling|builds|gradually|until|you|feel|fully|embraced|by|this|gentle|comedy|.\nA|fascinating|examination|of|the|joyous|,|turbulent|self-discovery|made|by|a|proper|,|middle-aged|woman|.\nHere|is|a|VH1|Behind|the|Music|special|that|has|something|a|little|more|special|behind|it|:|music|that|did|n't|sell|many|records|but|helped|change|a|nation|.\nBuy|popcorn|.\nTake|nothing|seriously|and|enjoy|the|ride|.\nCarrying|off|a|spot-on|Scottish|burr|,|Duvall|(|also|a|producer|)|peels|layers|from|this|character|that|may|well|not|have|existed|on|paper|.\nThe|acting|,|for|the|most|part|,|is|terrific|,|although|the|actors|must|struggle|with|the|fact|that|they|'re|playing|characters|who|sometimes|feel|more|like|literary|conceits|than|flesh-and-blood|humans|.\nSome|Body|will|take|you|places|you|have|n't|been|,|and|also|places|you|have|.\nVereté|has|a|whip-smart|sense|of|narrative|bluffs|.\nParts|of|the|film|feel|a|bit|too|much|like|an|infomercial|for|Ram|Dass|'s|latest|book|aimed|at|the|boomer|demographic|.\nBut|mostly|it|'s|a|work|that|,|with|humor|,|warmth|,|and|intelligence|,|captures|a|life|interestingly|lived|.\nWere|it|not|for|a|sentimental|resolution|that|explains|way|more|about|Cal|than|does|the|movie|or|the|character|any|good|,|Freundlich|'s|World|Traveler|might|have|been|one|of|the|more|daring|and|surprising|American|movies|of|the|year|.\n``|Home|Movie|''|is|the|film|equivalent|of|a|lovingly|rendered|coffee|table|book|.\nGraphic|sex|may|be|what|'s|attracting|audiences|to|Unfaithful|,|but|gripping|performances|by|Lane|and|Gere|are|what|will|keep|them|awake|.\nWhen|compared|to|the|usual|,|more|somber|festival|entries|,|Davis|'|highly|personal|brand|of|romantic|comedy|is|a|tart|,|smart|breath|of|fresh|air|that|stands|out|from|the|pack|even|if|the|picture|itself|is|somewhat|problematic|.\nBoth|damning|and|damned|compelling|.\nMuch|has|been|written|about|those|years|when|the|psychedelic|'60s|grooved|over|into|the|gay|'70s|,|but|words|do|n't|really|do|the|era|justice|.\nYou|have|to|see|it|.\nEven|if|it|pushes|its|agenda|too|forcefully|,|this|remains|a|film|about|something|,|one|that|attempts|and|often|achieves|a|level|of|connection|and|concern|.\nWhat|lifts|the|film|high|above|run-of-the-filth|gangster|flicks|is|its|refusal|to|recognise|any|of|the|signposts|,|as|if|discovering|a|way|through|to|the|bitter|end|without|a|map|.\nBoth|an|admirable|reconstruction|of|terrible|events|,|and|a|fitting|memorial|to|the|dead|of|that|day|,|and|of|the|thousands|thereafter|.\nA|sly|dissection|of|the|inanities|of|the|contemporary|music|business|and|a|rather|sad|story|of|the|difficulties|of|artistic|collaboration|.\nThe|unique|niche|of|self-critical|,|behind-the-scenes|navel-gazing|Kaufman|has|carved|from|Orleans|'|story|and|his|own|infinite|insecurity|is|a|work|of|outstanding|originality|.\nLovingly|photographed|in|the|manner|of|a|Golden|Book|sprung|to|life|,|Stuart|Little|2|manages|sweetness|largely|without|stickiness|.\nConsistently|clever|and|suspenseful|.\nIt|'s|like|a|``|Big|Chill|''|reunion|of|the|Baader-Meinhof|Gang|,|only|these|guys|are|more|harmless|pranksters|than|political|activists|.\nThe|story|gives|ample|opportunity|for|large-scale|action|and|suspense|,|which|director|Shekhar|Kapur|supplies|with|tremendous|skill|.\nFresnadillo|has|something|serious|to|say|about|the|ways|in|which|extravagant|chance|can|distort|our|perspective|and|throw|us|off|the|path|of|good|sense|.\nThrows|in|enough|clever|and|unexpected|twists|to|make|the|formula|feel|fresh|.\nWeighty|and|ponderous|but|every|bit|as|filling|as|the|treat|of|the|title|.\nA|real|audience-pleaser|that|will|strike|a|chord|with|anyone|who|'s|ever|waited|in|a|doctor|'s|office|,|emergency|room|,|hospital|bed|or|insurance|company|office|.\nGenerates|an|enormous|feeling|of|empathy|for|its|characters|.\nExposing|the|ways|we|fool|ourselves|is|One|Hour|Photo|'s|real|strength|.\nIt|'s|up|to|you|to|decide|whether|to|admire|these|people|'s|dedication|to|their|cause|or|be|repelled|by|their|dogmatism|,|manipulativeness|and|narrow|,|fearful|view|of|American|life|.\nMostly|,|(|Goldbacher|)|just|lets|her|complicated|characters|be|unruly|,|confusing|and|,|through|it|all|,|human|.\n...|quite|good|at|providing|some|good|old|fashioned|spooks|.\nAt|its|worst|,|the|movie|is|pretty|diverting|;|the|pity|is|that|it|rarely|achieves|its|best|.\nScherfig|'s|light-hearted|profile|of|emotional|desperation|is|achingly|honest|and|delightfully|cheeky|.\nA|journey|spanning|nearly|three|decades|of|bittersweet|camaraderie|and|history|,|in|which|we|feel|that|we|truly|know|what|makes|Holly|and|Marina|tick|,|and|our|hearts|go|out|to|them|as|both|continue|to|negotiate|their|imperfect|,|love-hate|relationship|.\nThe|wonderfully|lush|Morvern|Callar|is|pure|punk|existentialism|,|and|Ms.|Ramsay|and|her|co-writer|,|Liana|Dognini|,|have|dramatized|the|Alan|Warner|novel|,|which|itself|felt|like|an|answer|to|Irvine|Welsh|'s|book|Trainspotting|.\nAs|it|turns|out|,|you|can|go|home|again|.\nYou|'ve|already|seen|City|by|the|Sea|under|a|variety|of|titles|,|but|it|'s|worth|yet|another|visit|.\nThis|kind|of|hands-on|storytelling|is|ultimately|what|makes|Shanghai|Ghetto|move|beyond|a|good|,|dry|,|reliable|textbook|and|what|allows|it|to|rank|with|its|worthy|predecessors|.\nMaking|such|a|tragedy|the|backdrop|to|a|love|story|risks|trivializing|it|,|though|Chouraqui|no|doubt|intended|the|film|to|affirm|love|'s|power|to|help|people|endure|almost|unimaginable|horror|.\nGrown-up|quibbles|are|beside|the|point|here|.\nThe|little|girls|understand|,|and|McCracken|knows|that|'s|all|that|matters|.\nA|powerful|,|chilling|,|and|affecting|study|of|one|man|'s|dying|fall|.\nThis|is|a|fascinating|film|because|there|is|no|clear-cut|hero|and|no|all-out|villain|.\nA|dreadful|day|in|Irish|history|is|given|passionate|,|if|somewhat|flawed|,|treatment|.\n...|a|good|film|that|must|have|baffled|the|folks|in|the|marketing|department|.\n...|is|funny|in|the|way|that|makes|you|ache|with|sadness|(|the|way|Chekhov|is|funny|)|,|profound|without|ever|being|self-important|,|warm|without|ever|succumbing|to|sentimentality|.\nDevotees|of|Star|Trek|II|:|The|Wrath|of|Khan|will|feel|a|nagging|sense|of|deja|vu|,|and|the|grandeur|of|the|best|Next|Generation|episodes|is|lacking|.\nA|soul-stirring|documentary|about|the|Israeli\\/Palestinian|conflict|as|revealed|through|the|eyes|of|some|children|who|remain|curious|about|each|other|against|all|odds|.\nWhat|'s|so|striking|about|Jolie|'s|performance|is|that|she|never|lets|her|character|become|a|caricature|--|not|even|with|that|radioactive|hair|.\nThe|main|story|...|is|compelling|enough|,|but|it|'s|difficult|to|shrug|off|the|annoyance|of|that|chatty|fish|.\nThe|performances|are|immaculate|,|with|Roussillon|providing|comic|relief|.\nKinnear|...|gives|his|best|screen|performance|with|an|oddly|winning|portrayal|of|one|of|life|'s|ultimate|losers|.\nHugh|Grant|,|who|has|a|good|line|in|charm|,|has|never|been|more|charming|than|in|About|a|Boy|.\nThere|'s|a|lot|of|tooth|in|Roger|Dodger|.\nBut|what|'s|nice|is|that|there|'s|a|casual|intelligence|that|permeates|the|script|.\nReminiscent|of|Alfred|Hitchcock|'s|thrillers|,|most|of|the|scary|parts|in|`|Signs|'|occur|while|waiting|for|things|to|happen|.\nOne|of|the|best|looking|and|stylish|animated|movies|in|quite|a|while|...\nIts|use|of|the|thriller|form|to|examine|the|labyrinthine|ways|in|which|people|'s|lives|cross|and|change|,|buffeted|by|events|seemingly|out|of|their|control|,|is|intriguing|,|provocative|stuff|.\nDenver|should|not|get|the|first|and|last|look|at|one|of|the|most|triumphant|performances|of|Vanessa|Redgrave|'s|career|.\nIt|deserves|to|be|seen|everywhere|.\nYou|need|n't|be|steeped|in|'50s|sociology|,|pop|culture|or|movie|lore|to|appreciate|the|emotional|depth|of|Haynes|'|work|.\nThough|Haynes|'|style|apes|films|from|the|period|...|its|message|is|not|rooted|in|that|decade|.\nWaiting|for|Godard|can|be|fruitful|:|`|In|Praise|of|Love|'|is|the|director|'s|epitaph|for|himself|.\nA|gangster|movie|with|the|capacity|to|surprise|.\nThe|film|has|a|laundry|list|of|minor|shortcomings|,|but|the|numerous|scenes|of|gory|mayhem|are|worth|the|price|of|admission|...|if|``|gory|mayhem|''|is|your|idea|of|a|good|time|.\nIf|not|a|home|run|,|then|at|least|a|solid|base|hit|.\nGoldmember|is|funny|enough|to|justify|the|embarrassment|of|bringing|a|barf|bag|to|the|moviehouse|.\n...|a|fairly|disposable|yet|still|entertaining|B|picture|.\nIt|may|not|be|particularly|innovative|,|but|the|film|'s|crisp|,|unaffected|style|and|air|of|gentle|longing|make|it|unexpectedly|rewarding|.\nThe|film|truly|does|rescue|(|the|Funk|Brothers|)|from|Motown|'s|shadows|.\nIt|'s|about|time|.\nDrawing|on|an|irresistible|,|languid|romanticism|,|Byler|reveals|the|ways|in|which|a|sultry|evening|or|a|beer-fueled|afternoon|in|the|sun|can|inspire|even|the|most|retiring|heart|to|venture|forth|.\nWorks|because|we|'re|never|sure|if|Ohlinger|'s|on|the|level|or|merely|a|dying|,|delusional|man|trying|to|get|into|the|history|books|before|he|croaks|.\n(|Scherfig|)|has|made|a|movie|that|will|leave|you|wondering|about|the|characters|'|lives|after|the|clever|credits|roll|.\nA|heady|,|biting|,|be-bop|ride|through|nighttime|Manhattan|,|a|loquacious|videologue|of|the|modern|male|and|the|lengths|to|which|he|'ll|go|to|weave|a|protective|cocoon|around|his|own|ego|.\nSkin|Of|Man|gets|a|few|cheap|shocks|from|its|kids-in-peril|theatrics|,|but|it|also|taps|into|the|primal|fears|of|young|people|trying|to|cope|with|the|mysterious|and|brutal|nature|of|adults|.\nThe|Piano|Teacher|is|not|an|easy|film|.\nIt|forces|you|to|watch|people|doing|unpleasant|things|to|each|other|and|themselves|,|and|it|maintains|a|cool|distance|from|its|material|that|is|deliberately|unsettling|.\nAs|refreshing|as|a|drink|from|a|woodland|stream|.\nWilliams|absolutely|nails|Sy|'s|queasy|infatuation|and|overall|strangeness|.\nCan|I|admit|XXX|is|as|deep|as|a|Petri|dish|and|as|well-characterized|as|a|telephone|book|but|still|say|it|was|a|guilty|pleasure|?\nWhile|it|'s|nothing|we|have|n't|seen|before|from|Murphy|,|I|Spy|is|still|fun|and|enjoyable|and|so|aggressively|silly|that|it|'s|more|than|a|worthwhile|effort|.\nBy|the|time|it|ends|in|a|rush|of|sequins|,|flashbulbs|,|blaring|brass|and|back-stabbing|babes|,|it|has|said|plenty|about|how|show|business|has|infiltrated|every|corner|of|society|--|and|not|always|for|the|better|.\nAn|intimate|contemplation|of|two|marvelously|messy|lives|.\nRarely|has|skin|looked|as|beautiful|,|desirable|,|even|delectable|,|as|it|does|in|Trouble|Every|Day|.\nThis|is|one|of|those|rare|docs|that|paints|a|grand|picture|of|an|era|and|makes|the|journey|feel|like|a|party|.\nPoignant|if|familiar|story|of|a|young|person|suspended|between|two|cultures|.\nA|metaphor|for|a|modern-day|urban|China|searching|for|its|identity|.\nFor|all|its|brooding|quality|,|Ash|Wednesday|is|suspenseful|and|ultimately|unpredictable|,|with|a|sterling|ensemble|cast|.\nAn|odd|drama|set|in|the|world|of|lingerie|models|and|bar|dancers|in|the|Midwest|that|held|my|interest|precisely|because|it|did|n't|try|to|.\nThe|film|feels|uncomfortably|real|,|its|language|and|locations|bearing|the|unmistakable|stamp|of|authority|.\nDespite|its|faults|,|Gangs|excels|in|spectacle|and|pacing|.\nEntertaining|despite|its|one-joke|premise|with|the|thesis|that|women|from|Venus|and|men|from|Mars|can|indeed|get|together|.\nA|tightly|directed|,|highly|professional|film|that|'s|old-fashioned|in|all|the|best|possible|ways|.\nIt|'s|dark|but|has|wonderfully|funny|moments|;|you|care|about|the|characters|;|and|the|action|and|special|effects|are|first-rate|.\nIn|visual|fertility|Treasure|Planet|rivals|the|top|Japanese|animations|of|recent|vintage|.\nEnormously|enjoyable|,|high-adrenaline|documentary|.\nBuy|is|an|accomplished|actress|,|and|this|is|a|big|,|juicy|role|.\nIt|works|its|magic|with|such|exuberance|and|passion|that|the|film|'s|length|becomes|a|part|of|its|fun|.\nBeautifully|crafted|and|brutally|honest|,|Promises|offers|an|unexpected|window|into|the|complexities|of|the|Middle|East|struggle|and|into|the|humanity|of|its|people|.\nAn|old-fashioned|but|emotionally|stirring|adventure|tale|of|the|kind|they|rarely|make|anymore|.\nCharlotte|Sometimes|is|a|gem|.\nIt|'s|always|enthralling|.\nIn|my|opinion|,|Analyze|That|is|not|as|funny|or|entertaining|as|Analyze|This|,|but|it|is|a|respectable|sequel|.\nA|remarkable|film|by|Bernard|Rose|.\nZhuangzhuang|creates|delicate|balance|of|style|,|text|,|and|subtext|that|'s|so|simple|and|precise|that|anything|discordant|would|topple|the|balance|,|but|against|all|odds|,|nothing|does|.\nA|much|more|successful|translation|than|its|most|famous|previous|film|adaptation|,|writer-director|Anthony|Friedman|'s|similarly|updated|1970|British|production|.\nan|original|and|highly|cerebral|examination|of|the|psychopathic|mind\nMichel|Piccoli|'s|moving|performance|is|this|films|reason|for|being|.\nA|captivating|and|intimate|study|about|dying|and|loving|...\nThis|is|an|elegantly|balanced|movie|--|every|member|of|the|ensemble|has|something|fascinating|to|do|--|that|does|n't|reveal|even|a|hint|of|artifice|.\n(|Grant|)|goes|beyond|his|usual|fluttering|and|stammering|and|captures|the|soul|of|a|man|in|pain|who|gradually|comes|to|recognize|it|and|deal|with|it|.\nA|high-spirited|buddy|movie|about|the|reunion|of|Berlin|anarchists|who|face|arrest|15|years|after|their|crime|.\nAbout|the|best|thing|you|could|say|about|Narc|is|that|it|'s|a|rock-solid|little|genre|picture|.\nWhether|you|like|it|or|not|is|basically|a|matter|of|taste|.\nAn|involving|,|inspirational|drama|that|sometimes|falls|prey|to|its|sob-story|trappings|.\nSome|of|the|most|inventive|silliness|you|are|likely|to|witness|in|a|movie|theatre|for|some|time|.\nCanadian|filmmaker|Gary|Burns|'|inventive|and|mordantly|humorous|take|on|the|soullessness|of|work|in|the|city|.\nA|rollicking|ride|,|with|jaw-dropping|action|sequences|,|striking|villains|,|a|gorgeous|color|palette|,|astounding|technology|,|stirring|music|and|a|boffo|last|hour|that|leads|up|to|a|strangely|sinister|happy|ending|.\nEveryone|'s|insecure|in|Lovely|and|Amazing|,|a|poignant|and|wryly|amusing|film|about|mothers|,|daughters|and|their|relationships|.\nThe|closest|thing|to|the|experience|of|space|travel\nConnoisseurs|of|Chinese|film|will|be|pleased|to|discover|that|Tian|'s|meticulous|talent|has|not|withered|during|his|enforced|hiatus|.\nIf|you|can|push|on|through|the|slow|spots|,|you|'ll|be|rewarded|with|some|fine|acting|.\nAn|unusually|dry-eyed|,|even|analytical|approach|to|material|that|is|generally|played|for|maximum|moisture|.\nSymbolically|,|Warm|Water|Under|a|Red|Bridge|is|a|celebration|of|feminine|energy|,|a|tribute|to|the|power|of|women|to|heal|.\nSpy|Kids|2|also|happens|to|be|that|rarity|among|sequels|:|It|actually|improves|upon|the|original|hit|movie|.\nExceptionally|well|acted|by|Diane|Lane|and|Richard|Gere|.\nLike|a|precious|and|finely|cut|diamond|,|magnificent|to|behold|in|its|sparkling|beauty|yet|in|reality|it|'s|one|tough|rock|.\nIn|addition|to|scoring|high|for|originality|of|plot|--|putting|together|familiar|themes|of|family|,|forgiveness|and|love|in|a|new|way|--|Lilo|&|Stitch|has|a|number|of|other|assets|to|commend|it|to|movie|audiences|both|innocent|and|jaded|.\nMiller|has|crafted|an|intriguing|story|of|maternal|instincts|and|misguided|acts|of|affection|.\nOne|of|the|most|exciting|action|films|to|come|out|of|China|in|recent|years|.\nThis|is|a|nervy|,|risky|film|,|and|Villeneuve|has|inspired|Croze|to|give|herself|over|completely|to|the|tormented|persona|of|Bibi|.\nMY|LITTLE|EYE|is|the|best|little|``|horror|''|movie|I|'ve|seen|in|years|.\nTunney|,|brimming|with|coltish|,|neurotic|energy|,|holds|the|screen|like|a|true|star|.\nEven|if|the|Naipaul|original|remains|the|real|masterpiece|,|the|movie|possesses|its|own|languorous|charm|.\n(|The|film|)|tackles|the|topic|of|relationships|in|such|a|straightforward|,|emotionally|honest|manner|that|by|the|end|,|it|'s|impossible|to|ascertain|whether|the|film|is|,|at|its|core|,|deeply|pessimistic|or|quietly|hopeful|.\nSometimes|we|feel|as|if|the|film|careens|from|one|colorful|event|to|another|without|respite|,|but|sometimes|it|must|have|seemed|to|Frida|Kahlo|as|if|her|life|did|,|too|.\nThe|strength|of|the|film|lies|in|its|two|central|performances|by|Sven|Wollter|as|the|stricken|composer|and|Viveka|Seldahl|as|his|desperate|violinist|wife|.\nLike|the|series|,|the|movie|is|funny|,|smart|,|visually|inventive|,|and|most|of|all|,|alive|.\nIt|was|filled|with|shootings|,|beatings|,|and|more|cussing|than|you|could|shake|a|stick|at|.\nYou|do|n't|know|whether|to|admire|the|film|'s|stately|nature|and|call|it|classicism|or|be|exasperated|by|a|noticeable|lack|of|pace|.\nOr|both|.\nSure|,|I|hated|myself|in|the|morning|.\nBut|then|again|,|I|hate|myself|most|mornings|.\nI|still|like|Moonlight|Mile|,|better|judgment|be|damned|.\nTime|Out|is|as|serious|as|a|pink|slip|.\nAnd|more|than|that|,|it|'s|an|observant|,|unfussily|poetic|meditation|about|identity|and|alienation|.\nWill|assuredly|rank|as|one|of|the|cleverest|,|most|deceptively|amusing|comedies|of|the|year|.\nMaryam|is|a|small|film|,|but|it|offers|large|rewards|.\nA|highly|watchable|,|giggly|little|story|with|a|sweet|edge|to|it|.\nThe|most|consistently|funny|of|the|Austin|Powers|films|.\nAna|'s|journey|is|not|a|stereotypical|one|of|self-discovery|,|as|she|'s|already|comfortable|enough|in|her|own|skin|to|be|proud|of|her|Rubenesque|physique|...\nCockettes|has|the|glorious|,|gaudy|benefit|of|much|stock|footage|of|Those|Days|,|featuring|all|manner|of|drag|queen|,|bearded|lady|and|lactating|hippie|.\nThere|'s|something|poignant|about|an|artist|of|90-plus|years|taking|the|effort|to|share|his|impressions|of|life|and|loss|and|time|and|art|with|us|.\nThe|comedy|makes|social|commentary|more|palatable|.\nAn|ideal|love|story|for|those|intolerant|of|the|more|common|saccharine|genre|.\nOne|funny|popcorn|flick|.\nThis|New|Zealand|coming-of-age|movie|is|n't|really|about|anything|.\nWhen|it|'s|this|rich|and|luscious|,|who|cares|?\nTully|is|worth|a|look|for|its|true-to-life|characters|,|its|sensitive|acting|,|its|unadorned|view|of|rural|life|and|the|subtle|direction|of|first-timer|Hilary|Birmingham|.\nThis|gorgeous|epic|is|guaranteed|to|lift|the|spirits|of|the|whole|family|.\nThe|Wild|Thornberrys|Movie|is|pleasant|enough|and|the|message|of|our|close|ties|with|animals|can|certainly|not|be|emphasized|enough|.\nWilliams|creates|a|stunning|,|Taxi|Driver-esque|portrayal|of|a|man|teetering|on|the|edge|of|sanity|.\nIf|you|'re|in|the|right|B-movie|frame|of|mind|,|it|may|just|scare|the|pants|off|you|.\nA|movie|of|riveting|power|and|sadness|.\nBoth|a|detective|story|and|a|romance|spiced|with|the|intrigue|of|academic|skullduggery|and|politics|.\nLudicrous|,|but|director|Carl|Franklin|adds|enough|flourishes|and|freak-outs|to|make|it|entertaining|.\nDirector|Roger|Kumble|offers|just|enough|sweet|and|traditional|romantic|comedy|to|counter|the|crudity|.\nAnd|there|'s|the|inimitable|Diaz|,|holding|it|all|together|.\nSpielberg|'s|picture|is|smarter|and|subtler|than|(|Total|Recall|and|Blade|Runner|)|,|although|its|plot|may|prove|too|convoluted|for|fun-seeking|summer|audiences|.\nIt|'s|got|all|the|familiar|Bruckheimer|elements|,|and|Schumacher|does|probably|as|good|a|job|as|anyone|at|bringing|off|the|Hopkins\\/Rock|collision|of|acting|styles|and|onscreen|personas|.\nA|grittily|beautiful|film|that|looks|,|sounds|,|and|feels|more|like|an|extended|,|open-ended|poem|than|a|traditionally|structured|story|.\nThe|production|values|are|of|the|highest|and|the|performances|attractive|without|being|memorable|.\nA|well-rounded|tribute|to|a|man|whose|achievements|--|and|complexities|--|reached|far|beyond|the|end|zone|.\nfinely|crafted|,|finely|written|,|exquisitely|performed\nRamsay|and|Morton|fill|this|character|study|with|poetic|force|and|buoyant|feeling|.\nThis|submarine|drama|earns|the|right|to|be|favorably|compared|to|Das|Boot|.\nClaude|Chabrol|'s|camera|has|a|way|of|gently|swaying|back|and|forth|as|it|cradles|its|characters|,|veiling|tension|beneath|otherwise|tender|movements|.\nThere|'s|a|great|deal|of|corny|dialogue|and|preposterous|moments|.\nAnd|yet|,|it|still|works|.\nThe|film|was|immensely|enjoyable|thanks|to|great|performances|by|both|Steve|Buscemi|and|Rosario|Dawson|...\nLike|many|Western|action|films|,|this|thriller|is|too|loud|and|thoroughly|overbearing|,|but|its|heartfelt|concern|about|North|Korea|'s|recent|past|and|South|Korea|'s|future|adds|a|much|needed|moral|weight|.\nSpecial|P.O.V.|camera|mounts|on|bikes|,|skateboards|,|and|motorcycles|provide|an|intense|experience|when|splashed|across|the|immense|IMAX|screen|.\nMike|White|'s|deft|combination|of|serious|subject|matter|and|dark|,|funny|humor|make|``|The|Good|Girl|''|a|film|worth|watching|.\nThis|is|a|shrewd|and|effective|film|from|a|director|who|understands|how|to|create|and|sustain|a|mood|.\nMeant|to|reduce|Blake|'s|philosophy|into|a|tragic|coming-of-age|saga|punctuated|by|bursts|of|animator|Todd|McFarlane|'s|superhero|dystopia|.\nAssayas|'|ambitious|,|sometimes|beautiful|adaptation|of|Jacques|Chardonne|'s|novel|.\nAs|ex-Marine|Walter|,|who|may|or|may|not|have|shot|Kennedy|,|actor|Raymond|J.|Barry|is|perfectly|creepy|and|believable|.\nThose|who|do|n't|entirely|`|get|'|Godard|'s|distinctive|discourse|will|still|come|away|with|a|sense|of|his|reserved|but|existential|poignancy|.\nPete|'s|screenplay|manages|to|find|that|real|natural|,|even-flowing|tone|that|few|movies|are|able|to|accomplish|.\nLike|Brosnan|'s|performance|,|Evelyn|comes|from|the|heart|.\nIt|uses|some|of|the|figures|from|the|real-life|story|to|portray|themselves|in|the|film|.\nThe|result|is|a|powerful|,|naturally|dramatic|piece|of|low-budget|filmmaking|.\nIts|spirit|of|iconoclastic|abandon|--|however|canned|--|makes|for|unexpectedly|giddy|viewing|.\nThe|early|and|middle|passages|are|surprising|in|how|much|they|engage|and|even|touch|us|.\nThis|is|not|a|classical|dramatic|animated|feature|,|nor|a|hip|,|contemporary|,|in-jokey|one|.\nIt|'s|sort|of|in-between|,|and|it|works|.\nThis|quiet|,|introspective|and|entertaining|independent|is|worth|seeking|.\nWhether|our|action-and-popcorn|obsessed|culture|will|embrace|this|engaging|and|literate|psychodrama|is|n't|much|of|a|mystery|,|unfortunately|.\nWhether|or|not|Ram|Dass|proves|as|clear|and|reliable|an|authority|on|that|as|he|was|about|inner|consciousness|,|Fierce|Grace|reassures|us|that|he|will|once|again|be|an|honest|and|loving|one|.\nSly|,|sophisticated|and|surprising|.\nSpare|but|quietly|effective|retelling|.\nDemonstrates|a|vivid|imagination|and|an|impressive|style|that|result|in|some|terrific|setpieces|.\nBy|its|modest|,|straight-ahead|standards|,|Undisputed|scores|a|direct|hit|.\nIts|story|about|a|young|Chinese|woman|,|Ah|Na|,|who|has|come|to|New|York|City|to|replace|past|tragedy|with|the|American|Dream|is|one|that|any|art-house|moviegoer|is|likely|to|find|compelling|.\nFor|those|who|like|quirky|,|slightly|strange|French|films|,|this|is|a|must|!\nThere|are|so|few|films|about|the|plight|of|American|Indians|in|modern|America|that|Skins|comes|as|a|welcome|,|if|downbeat|,|missive|from|a|forgotten|front|.\n(|Shyamalan|)|continues|to|cut|a|swathe|through|mainstream|Hollywood|,|while|retaining|an|integrity|and|refusing|to|compromise|his|vision|.\nA|whale|of|a|good|time|for|both|children|and|parents|seeking|Christian-themed|fun|.\nWhat|begins|as|a|film|in|the|tradition|of|The|Graduate|quickly|switches|into|something|more|recyclable|than|significant|.\nMuch|smarter|and|more|attentive|than|it|first|sets|out|to|be|.\nThe|story|is|smart|and|entirely|charming|in|intent|and|execution|.\nA|movie|of|technical|skill|and|rare|depth|of|intellect|and|feeling|.\nRepresents|a|worthy|departure|from|the|culture|clash|comedies|that|have|marked|an|emerging|Indian|American|cinema|.\nDoes|n't|do|more|than|expand|a|TV|show|to|movie|length|.\nHowever|,|it|'s|pleasant|enough|and|its|ecological|,|pro-wildlife|sentiments|are|certainly|welcome|.\nIf|you|'re|looking|for|an|intelligent|movie|in|which|you|can|release|your|pent|up|anger|,|ENOUGH|is|just|the|ticket|you|need|.\nA|pointed|,|often|tender|,|examination|of|the|pros|and|cons|of|unconditional|love|and|familial|duties|.\nAs|well-acted|and|well-intentioned|as|All|or|Nothing|is|,|however|,|the|film|comes|perilously|close|to|being|too|bleak|,|too|pessimistic|and|too|unflinching|for|its|own|good|.\nA|comedy-drama|of|nearly|epic|proportions|rooted|in|a|sincere|performance|by|the|title|character|undergoing|midlife|crisis|.\nIt|'s|about|issues|most|adults|have|to|face|in|marriage|and|I|think|that|'s|what|I|liked|about|it|--|the|real|issues|tucked|between|the|silly|and|crude|storyline|.\nElegantly|produced|and|expressively|performed|,|the|six|musical|numbers|crystallize|key|plot|moments|into|minutely|detailed|wonders|of|dreamlike|ecstasy|.\nEnriched|by|a|strong|and|unforced|supporting|cast|.\nWriter|\\/|director|M.|Night|Shyamalan|'s|ability|to|pull|together|easily|accessible|stories|that|resonate|with|profundity|is|undeniable|.\nIf|you|can|keep|your|eyes|open|amid|all|the|blood|and|gore|,|you|'ll|see|Del|Toro|has|brought|unexpected|gravity|to|Blade|II|.\nNot|a|strike|against|Yang|'s|similarly|themed|Yi|Yi|,|but|I|found|What|Time|?\nto|be|more|engaging|on|an|emotional|level|,|funnier|,|and|on|the|whole|less|detached|.\nA|breathtaking|adventure|for|all|ages|,|Spirit|tells|its|poignant|and|uplifting|story|in|a|stunning|fusion|of|music|and|images|.\nA|charming|and|funny|story|of|clashing|cultures|and|a|clashing|mother\\/daughter|relationship|.\nNever|lets|go|your|emotions|,|taking|them|to|surprising|highs|,|sorrowful|lows|and|hidden|impulsive|niches|...|gorgeous|,|passionate|,|and|at|times|uncommonly|moving|.\n``|...|something|appears|to|have|been|lost|in|the|translation|this|time|.\nThe|Importance|of|Being|Earnest|movie|seems|to|be|missing|a|great|deal|of|the|acerbic|repartee|of|the|play|.|''\n(|Washington|'s|)|strong|hand|,|keen|eye|,|sweet|spirit|and|good|taste|are|reflected|in|almost|every|scene|.\nShiner|can|certainly|go|the|distance|,|but|is|n't|world|championship|material\nThe|film|'s|desire|to|be|liked|sometimes|undermines|the|possibility|for|an|exploration|of|the|thornier|aspects|of|the|nature\\/nurture|argument|in|regards|to|homosexuality|.\n...|a|quietly|introspective|portrait|of|the|self-esteem|of|employment|and|the|shame|of|losing|a|job|...\nAffable|if|not|timeless|,|Like|Mike|raises|some|worthwhile|themes|while|delivering|a|wholesome|fantasy|for|kids|.\nA|film|of|delicate|interpersonal|dances|.\nCaine|makes|us|watch|as|his|character|awakens|to|the|notion|that|to|be|human|is|eventually|to|have|to|choose|.\nIt|'s|a|sight|to|behold|.\nIt|'s|an|unusual|,|thoughtful|bio-drama|with|a|rich|subject|and|some|fantastic|moments|and|scenes|.\nSaved|from|being|merely|way-cool|by|a|basic|,|credible|compassion|.\nThe|increasingly|diverse|French|director|has|created|a|film|that|one|can|honestly|describe|as|looking|,|sounding|and|simply|feeling|like|no|other|film|in|recent|history|.\nGangs|,|despite|the|gravity|of|its|subject|matter|,|is|often|as|fun|to|watch|as|a|good|spaghetti|western|.\nPeter|Jackson|has|done|the|nearly|impossible|.\nHe|has|improved|upon|the|first|and|taken|it|a|step|further|,|richer|and|deeper|.\nWhat|Jackson|has|done|is|proven|that|no|amount|of|imagination|,|no|creature|,|no|fantasy|story|and|no|incredibly|outlandish|scenery\nThere|has|to|be|a|few|advantages|to|never|growing|old|.\nLike|being|able|to|hit|on|a|15-year|old|when|you|'re|over|100|.\nIce|Age|wo|n't|drop|your|jaw|,|but|it|will|warm|your|heart|,|and|I|'m|giving|it|a|strong|thumbs|up|.\nLike|Kissing|Jessica|Stein|,|Amy|'s|Orgasm|has|a|key|strength|in|its|willingness|to|explore|its|principal|characters|with|honesty|,|insight|and|humor|.\nThe|Lady|and|the|Duke|is|Eric|Rohmer|'s|economical|antidote|to|the|bloated|costume|drama\nOne|of|the|year|'s|best|films|,|featuring|an|Oscar-worthy|performance|by|Julianne|Moore|.\nA|small|gem|from|Belgium|.\nCombines|a|comically|dismal|social|realism|with|a|farcically|bawdy|fantasy|of|redemption|and|regeneration|.\nA|soap-opera|quality|twist|in|the|last|20|minutes|...|almost|puts|the|kibosh|on|what|is|otherwise|a|sumptuous|work|of|B-movie|imagination|.\nThe|most|ingenious|film|comedy|since|Being|John|Malkovich|.\nThere|'s|something|to|be|said|for|a|studio-produced|film|that|never|bothers|to|hand|viewers|a|suitcase|full|of|easy|answers|.\nA|movie|where|story|is|almost|an|afterthought|amidst|a|swirl|of|colors|and|inexplicable|events|.\nManages|to|accomplish|what|few|sequels|can|--|it|equals|the|original|and|in|some|ways|even|betters|it|.\nTo|call|this|one|an|eventual|cult|classic|would|be|an|understatement|,|and|woe|is|the|horror|fan|who|opts|to|overlook|this|goofily|endearing|and|well-lensed|gorefest|.\nJolie|gives|it|that|extra|little|something|that|makes|it|worth|checking|out|at|theaters|,|especially|if|you|'re|in|the|mood|for|something|more|comfortable|than|challenging|.\nAlthough|melodramatic|and|predictable|,|this|romantic|comedy|explores|the|friendship|between|five|Filipino-Americans|and|their|frantic|efforts|to|find|love|.\nI|have|a|new|favorite|musical|--|and|I|'m|not|even|a|fan|of|the|genre\nIt|'s|unlikely|we|'ll|see|a|better|thriller|this|year|.\nThere|is|a|real|subject|here|,|and|it|is|handled|with|intelligence|and|care|.\nJason|Patric|and|Ray|Liotta|make|for|one|splendidly|cast|pair|.\nNoyce|creates|a|film|of|near-hypnotic|physical|beauty|even|as|he|tells|a|story|as|horrifying|as|any|in|the|heart-breakingly|extensive|annals|of|white-on-black|racism|.\nStarts|slowly|,|but|Adrien|Brody|--|in|the|title|role|--|helps|make|the|film|'s|conclusion|powerful|and|satisfying|.\nVery|predictable|but|still|entertaining\nNothing|short|of|a|masterpiece|--|and|a|challenging|one|.\nPratfalls|aside|,|Barbershop|gets|its|greatest|play|from|the|timeless|spectacle|of|people|really|talking|to|each|other|.\nThis|amiable|picture|talks|tough|,|but|it|'s|all|bluster|--|in|the|end|it|'s|as|sweet|as|Greenfingers|...\nThis|is|one|of|Mr.|Chabrol|'s|subtlest|works|,|but|also|one|of|his|most|uncanny|.\nAn|engrossing|Iranian|film|about|two|itinerant|teachers|and|some|lost|and|desolate|people|they|encounter|in|a|place|where|war|has|savaged|the|lives|and|liberties|of|the|poor|and|the|dispossessed|.\nEven|though|we|know|the|outcome|,|the|seesawing|of|the|general|'s|fate|in|the|arguments|of|competing|lawyers|has|the|stomach-knotting|suspense|of|a|legal|thriller|,|while|the|testimony|of|witnesses|lends|the|film|a|resonant|undertone|of|tragedy|.\nWatching|Spirited|Away|is|like|watching|an|Eastern|imagination|explode|.\nAs|relationships|shift|,|director|Robert|J.|Siegel|allows|the|characters|to|inhabit|their|world|without|cleaving|to|a|narrative|arc|.\nTwohy|knows|how|to|inflate|the|mundane|into|the|scarifying|,|and|gets|full|mileage|out|of|the|rolling|of|a|stray|barrel|or|the|unexpected|blast|of|a|phonograph|record|.\nWhile|the|story|does|seem|pretty|unbelievable|at|times|,|it|'s|awfully|entertaining|to|watch|.\nA|smart|and|funny|,|albeit|sometimes|superficial|,|cautionary|tale|of|a|technology|in|search|of|an|artist|.\nExamines|its|explosive|subject|matter|as|nonjudgmentally|as|Wiseman|'s|previous|studies|of|inner-city|high|schools|,|hospitals|,|courts|and|welfare|centers|.\nI|prefer|Soderbergh|'s|concentration|on|his|two|lovers|over|Tarkovsky|'s|mostly|male|,|mostly|patriarchal|debating|societies|.\n`|If|you|are|in|the|mood|for|an|intelligent|weepy|,|it|can|easily|worm|its|way|into|your|heart|.|'\nIn|IMAX|in|short|,|it|'s|just|as|wonderful|on|the|big|screen|.\nDoes|a|good|job|of|establishing|a|time|and|place|,|and|of|telling|a|fascinating|character|'s|story|.\nI|'m|going|to|give|it|a|marginal|thumbs|up|.\nI|liked|it|just|enough|.\nThose|of|you|who|do|n't|believe|in|Santa|Claus|probably|also|think|that|sequels|can|never|capture|the|magic|of|the|original|.\nWell|,|this|movie|proves|you|wrong|on|both|counts|.\nA|deliciously|nonsensical|comedy|about|a|city|coming|apart|at|its|seams|.\nThe|rare|Imax|movie|that|you|'ll|wish|was|longer|than|an|hour|.\nMy|Wife|'s|plotting|is|nothing|special|;|it|'s|the|delivery|that|matters|here|.\nI|'ve|yet|to|find|an|actual|Vietnam|War|combat|movie|actually|produced|by|either|the|North|or|South|Vietnamese|,|but|at|least|now|we|'ve|got|something|pretty|damn|close|.\nA|moving|and|not|infrequently|breathtaking|film|.\nIt|'s|a|sharp|movie|about|otherwise|dull|subjects|.\nIt|'s|like|Rocky|and|Bullwinkle|on|Speed|,|but|that|'s|neither|completely|enlightening|,|nor|does|it|catch|the|intensity|of|the|movie|'s|strangeness|.\nAs|action-adventure|,|this|space-based|homage|to|Robert|Louis|Stevenson|'s|Treasure|Island|fires|on|all|plasma|conduits|.\nA|melancholy|,|emotional|film|.\nWhile|the|filmmaking|may|be|a|bit|disjointed|,|the|subject|matter|is|so|fascinating|that|you|wo|n't|care|.\nIntensely|romantic|,|thought-provoking|and|even|an|engaging|mystery|.\nGoofy|,|nutty|,|consistently|funny|.\nAnd|educational|!\nAnother|in|a|long|line|of|ultra-violent|war|movies|,|this|one|is|not|quite|what|it|could|have|been|as|a|film|,|but|the|story|and|theme|make|up|for|it|.\nIt|leaves|little|doubt|that|Kidman|has|become|one|of|our|best|actors|.\nThe|film|boasts|dry|humor|and|jarring|shocks|,|plus|moments|of|breathtaking|mystery|.\nBeautifully|directed|and|convincingly|acted|.\nGambling|and|throwing|a|basketball|game|for|money|is|n't|a|new|plot|--|in|fact|Toback|himself|used|it|in|Black|and|White|.\nBut|Toback|'s|deranged|immediacy|makes|it|seem|fresh|again|.\nIn|the|director|'s|cut|,|the|film|is|not|only|a|love|song|to|the|movies|but|it|also|is|more|fully|an|example|of|the|kind|of|lush|,|all-enveloping|movie|experience|it|rhapsodizes|.\nBring|on|the|sequel|.\nGraced|with|the|kind|of|social|texture|and|realism|that|would|be|foreign|in|American|teen|comedies|.\nIf|we|sometimes|need|comforting|fantasies|about|mental|illness|,|we|also|need|movies|like|Tim|McCann|'s|Revolution|No.|9|.\nThe|film|occasionally|tries|the|viewer|'s|patience|with|slow|pacing|and|a|main|character|who|sometimes|defies|sympathy|,|but|it|ultimately|satisfies|with|its|moving|story|.\nA|big-budget\\/all-star|movie|as|unblinkingly|pure|as|The|Hours|is|a|distinct|rarity|,|and|an|event|.\n...|certainly|an|entertaining|ride|,|despite|many|talky|,|slow|scenes|.\nBut|something|seems|to|be|missing|.\nA|sense|of|real|magic|,|perhaps|.\nThat|Haynes|can|both|maintain|and|dismantle|the|facades|that|his|genre|and|his|character|construct|is|a|wonderous|accomplishment|of|veracity|and|narrative|grace|.\nThe|movie|worked|for|me|right|up|to|the|final|scene|,|and|then|it|caved|in|.\n...|one|of|the|most|entertaining|monster|movies|in|ages|...\nPlunges|you|into|a|reality|that|is|,|more|often|then|not|,|difficult|and|sad|,|and|then|,|without|sentimentalizing|it|or|denying|its|brutality|,|transforms|that|reality|into|a|lyrical|and|celebratory|vision|.\nWould|you|laugh|if|a|tuba-playing|dwarf|rolled|down|a|hill|in|a|trash|can|?\nDo|you|chuckle|at|the|thought|of|an|ancient|librarian|whacking|a|certain|part|of|a|man|'s|body|?\nIf|you|answered|yes|,|by|all|means|enjoy|The|New|Guy|.\nThe|film|is|...|determined|to|treat|its|characters|,|weak|and|strong|,|as|fallible|human|beings|,|not|caricatures|,|and|to|carefully|delineate|the|cost|of|the|inevitable|conflicts|between|human|urges|and|an|institution|concerned|with|self-preservation|.\nMissteps|take|what|was|otherwise|a|fascinating|,|riveting|story|and|send|it|down|the|path|of|the|mundane|.\nAn|indispensable|peek|at|the|art|and|the|agony|of|making|people|laugh|.\nSteadfastly|uncinematic|but|powerfully|dramatic|.\nThe|engagingly|primitive|animated|special|effects|contribute|to|a|mood|that|'s|sustained|through|the|surprisingly|somber|conclusion|.\nMade-Up|lampoons|the|moviemaking|process|itself|,|while|shining|a|not|particularly|flattering|spotlight|on|America|'s|skin-deep|notions|of|pulchritude|.\nEvokes|the|19th|century|with|a|subtlety|that|is|an|object|lesson|in|period|filmmaking|.\nYa-Yas|everywhere|will|forgive|the|flaws|and|love|the|film|.\nThe|film|'s|best|trick|is|the|way|that|it|treats|conspiracy|as|a|kind|of|political|Blair|Witch|,|a|monstrous|murk|that|haunts|us|precisely|because|it|can|never|be|seen|.\nThe|artwork|is|spectacular|and|unlike|most|animaton|from|Japan|,|the|characters|move|with|grace|and|panache|.\nThe|picture|'s|fascinating|byways|are|littered|with|trenchant|satirical|jabs|at|the|peculiar|egocentricities|of|the|acting|breed|.\nThe|modern|remake|of|Dumas|'s|story|is|long|on|narrative|and|(|too|)|short|on|action|.\nFred|Schepisi|'s|film|is|paced|at|a|speed|that|is|slow|to|those|of|us|in|middle|age|and|deathly|slow|to|any|teen|.\nWith|a|cast|of|A-list|Brit|actors|,|it|is|worth|searching|out|.\nSuffers|from|its|timid|parsing|of|the|barn-side|target|of|sons|trying|to|breach|gaps|in|their|relationships|with|their|fathers|.\nNonchalantly|freaky|and|uncommonly|pleasurable|,|Warm|Water|may|well|be|the|year|'s|best|and|most|unpredictable|comedy|.\nIt|'s|like|an|old|Warner|Bros.|costumer|jived|with|sex|--|this|could|be|the|movie|Errol|Flynn|always|wanted|to|make|,|though|Bette|Davis|,|cast|as|Joan|,|would|have|killed|him|.\nIt|'s|a|great|American|adventure|and|a|wonderful|film|to|bring|to|IMAX|.\nSatisfyingly|scarifying|,|fresh|and|old-fashioned|at|the|same|time|.\nOh|,|James|!\nYour|20th|outing|shows|off|a|lot|of|stamina|and|vitality|,|and|get|this|,|Madonna|'s|cameo|does|n't|suck|!\nThat|death|is|merely|a|transition|is|a|common|tenet|in|the|world|'s|religions|.\nThis|deeply|spiritual|film|taps|into|the|meaning|and|consolation|in|afterlife|communications|.\nThere|is|something|that|is|so|meditative|and|lyrical|about|Babak|Payami|'s|boldly|quirky|Iranian|drama|Secret|Ballot|...|a|charming|and|evoking|little|ditty|that|manages|to|show|the|gentle|and|humane|side|of|Middle|Eastern|world|politics\nA|huge|box-office|hit|in|Korea|,|Shiri|is|a|must|for|genre|fans|.\nI|'m|not|a|fan|of|the|phrase|`|life|affirming|'|because|it|usually|means|`|schmaltzy|,|'|but|Real|Women|Have|Curves|truly|is|life|affirming|.\nThe|symbols|float|like|butterflies|and|the|spinning|styx|sting|like|bees|.\nI|wanted|more|.\nIf|it|'s|unnerving|suspense|you|'re|after|--|you|'ll|find|it|with|Ring|,|an|indisputably|spooky|film|;|with|a|screenplay|to|die|for|.\nThe|art|direction|and|costumes|are|gorgeous|and|finely|detailed|,|and|Kurys|'|direction|is|clever|and|insightful|.\nRed|Dragon|makes|one|appreciate|Silence|of|the|Lambs|.\nProves|a|servicable|World|War|II|drama|that|ca|n't|totally|hide|its|contrivances|,|but|it|at|least|calls|attention|to|a|problem|Hollywood|too|long|has|ignored|.\nLeigh|is|n't|breaking|new|ground|,|but|he|knows|how|a|daily|grind|can|kill|love|.\nWhile|Broomfield|'s|film|does|n't|capture|the|effect|of|these|tragic|deaths|on|hip-hop|culture|,|it|succeeds|as|a|powerful|look|at|a|failure|of|our|justice|system|.\n...|strips|Bible|stores|of|the|potential|for|sanctimoniousness|,|making|them|meaningful|for|both|kids|and|church-wary|adults|.\nLaugh-out-loud|lines|,|adorably|ditsy|but|heartfelt|performances|,|and|sparkling|,|bittersweet|dialogue|that|cuts|to|the|chase|of|the|modern|girl|'s|dilemma|.\nTends|to|pile|too|many|``|serious|issues|''|on|its|plate|at|times|,|yet|remains|fairly|light|,|always|entertaining|,|and|smartly|written|.\nA|solidly|entertaining|little|film|.\nIt|'s|an|entertaining|movie|,|and|the|effects|,|boosted|to|the|size|of|a|downtown|hotel|,|will|all|but|take|you|to|outer|space|.\nSayles|has|a|knack|for|casting|,|often|resurrecting|performers|who|rarely|work|in|movies|now|...|and|drawing|flavorful|performances|from|bland|actors|.\nDespite|an|overwrought|ending|,|the|film|works|as|well|as|it|does|because|of|the|performances|.\nA|passionately|inquisitive|film|determined|to|uncover|the|truth|and|hopefully|inspire|action|.\nThough|Nijinsky|'s|words|grow|increasingly|disturbed|,|the|film|maintains|a|beguiling|serenity|and|poise|that|make|it|accessible|for|a|non-narrative|feature|.\nA|muddle|splashed|with|bloody|beauty|as|vivid|as|any|Scorsese|has|ever|given|us|.\nFrom|both|a|great|and|a|terrible|story|,|Mr.|Nelson|has|made|a|film|that|is|an|undeniably|worthy|and|devastating|experience|.\nSpider-Man|is|about|growing|strange|hairs|,|getting|a|more|mature|body|,|and|finding|it|necessary|to|hide|new|secretions|from|the|parental|units|.\nThe|first|shocking|thing|about|Sorority|Boys|is|that|it|'s|actually|watchable|.\nEven|more|baffling|is|that|it|'s|funny|.\nHighlighted|by|a|gritty|style|and|an|excellent|cast|,|it|'s|better|than|one|might|expect|when|you|look|at|the|list|of|movies|starring|Ice-T|in|a|major|role|.\nNeither|quite|a|comedy|nor|a|romance|,|more|of|an|impish|divertissement|of|themes|that|interest|Attal|and|Gainsbourg|--|they|live|together|--|the|film|has|a|lot|of|charm|.\nFirst|and|foremost|...|the|reason|to|go|see|``|Blue|Crush|''|is|the|phenomenal|,|water-born|cinematography|by|David|Hennings|.\nA|visionary|marvel|,|but|it|'s|lacking|a|depth|in|storytelling|usually|found|in|anime|like|this|.\nThe|problems|and|characters|it|reveals|are|universal|and|involving|,|and|the|film|itself|--|as|well|its|delightful|cast|--|is|so|breezy|,|pretty|and|gifted|,|it|really|won|my|heart|.\nIn|his|latest|effort|,|Storytelling|,|Solondz|has|finally|made|a|movie|that|is|n't|just|offensive|--|it|also|happens|to|be|good|.\nHow|I|Killed|My|Father|would|be|a|rarity|in|Hollywood|.\nIt|'s|an|actor|'s|showcase|that|accomplishes|its|primary|goal|without|the|use|of|special|effects|,|but|rather|by|emphasizing|the|characters|--|including|the|supporting|ones|.\nI|just|saw|this|movie|...|well|,|it|'s|probably|not|accurate|to|call|it|a|movie|.\nWhat|'s|most|memorable|about|Circuit|is|that|it|'s|shot|on|digital|video|,|whose|tiny|camera|enables|Shafer|to|navigate|spaces|both|large|...|and|small|...|with|considerable|aplomb|.\nScherfig|,|the|writer-director|,|has|made|a|film|so|unabashedly|hopeful|that|it|actually|makes|the|heart|soar|.\nYes|,|soar|.\nA|delicious|and|delicately|funny|look|at|the|residents|of|a|Copenhagen|neighborhood|coping|with|the|befuddling|complications|life|tosses|at|them|.\n``|What|really|happened|?|''\nis|a|question|for|philosophers|,|not|filmmakers|;|all|the|filmmakers|need|to|do|is|engage|an|audience|.\nSoderbergh|,|like|Kubrick|before|him|,|may|not|touch|the|planet|'s|skin|,|but|understands|the|workings|of|its|spirit|.\nMuch|credit|must|be|given|to|the|water-camera|operating|team|of|Don|King|,|Sonny|Miller|,|and|Michael|Stewart|.\nTheir|work|is|fantastic|.\nCrush|is|so|warm|and|fuzzy|you|might|be|able|to|forgive|its|mean-spirited|second|half|.\nFranco|is|an|excellent|choice|for|the|walled-off|but|combustible|hustler|,|but|he|does|not|give|the|transcendent|performance|SONNY|needs|to|overcome|gaps|in|character|development|and|story|logic|.\nTsai|Ming-liang|'s|witty|,|wistful|new|film|,|What|Time|Is|It|There|?\n,|is|a|temporal|inquiry|that|shoulders|its|philosophical|burden|lightly|.\nThe|Pianist|lacks|the|quick|emotional|connections|of|Steven|Spielberg|'s|Schindler|'s|List|.\nBut|Mr.|Polanski|creates|images|even|more|haunting|than|those|in|Mr.|Spielberg|'s|1993|classic|.\nSteers|,|in|his|feature|film|debut|,|has|created|a|brilliant|motion|picture|.\nA|brilliant|,|absurd|collection|of|vignettes|that|,|in|their|own|idiosyncratic|way|,|sum|up|the|strange|horror|of|life|in|the|new|millennium|.\nAs|warm|as|it|is|wise|,|deftly|setting|off|uproarious|humor|with|an|underlying|seriousness|that|sneaks|up|on|the|viewer|,|providing|an|experience|that|is|richer|than|anticipated|.\nThe|film|may|not|hit|as|hard|as|some|of|the|better|drug-related|pictures|,|but|it|still|manages|to|get|a|few|punches|in|.\nOld-fashioned|but|thoroughly|satisfying|entertainment|.\nAn|energizing|,|intoxicating|documentary|charting|the|rise|of|hip-hop|culture|in|general|and|the|art|of|scratching|(|or|turntablism|)|in|particular|.\nA|fun|family|movie|that|'s|suitable|for|all|ages|--|a|movie|that|will|make|you|laugh|,|cry|and|realize|,|`|It|'s|never|too|late|to|believe|in|your|dreams|.|'\nIf|you|open|yourself|up|to|Mr.|Reggio|'s|theory|of|this|imagery|as|the|movie|'s|set|...|it|can|impart|an|almost|visceral|sense|of|dislocation|and|change|.\nI|had|a|dream|that|a|smart|comedy|would|come|along|to|rescue|me|from|a|summer|of|teen-driven|,|toilet-humor|codswallop|,|and|its|name|was|Earnest|.\nEven|though|the|film|does|n't|manage|to|hit|all|of|its|marks|,|it|'s|still|entertaining|to|watch|the|target|practice|.\nWhere|This|was|lazy|but|enjoyable|,|a|formula|comedy|redeemed|by|its|stars|,|That|is|even|lazier|and|far|less|enjoyable|.\nThe|3-D|vistas|from|orbit|,|with|the|space|station|suspended|like|a|huge|set|of|wind|chimes|over|the|great|blue|globe|,|are|stanzas|of|breathtaking|,|awe-inspiring|visual|poetry|.\nThe|attraction|between|these|two|marginal|characters|is|complex|from|the|start|--|and|,|refreshingly|,|stays|that|way|.\nFans|of|the|modern|day|Hong|Kong|action|film|finally|have|the|worthy|successor|to|A|Better|Tomorrow|and|The|Killer|which|they|have|been|patiently|waiting|for|.\nEven|when|he|'s|not|at|his|most|critically|insightful|,|Godard|can|still|be|smarter|than|any|50|other|filmmakers|still|at|work|.\nWhat|sets|this|romantic|comedy|apart|from|most|Hollywood|romantic|comedies|is|its|low-key|way|of|tackling|what|seems|like|done-to-death|material|.\nHas|enough|wit|,|energy|and|geniality|to|please|not|only|the|fanatical|adherents|on|either|side|,|but|also|people|who|know|nothing|about|the|subject|and|think|they|'re|not|interested|.\nThis|seductive|tease|of|a|thriller|gets|the|job|done|.\nIt|'s|a|scorcher|.\nBittersweet|comedy\\/drama|full|of|life|,|hand|gestures|,|and|some|really|adorable|Italian|guys|.\nWorks|as|pretty|contagious|fun|.\nThe|best|didacticism|is|one|carried|by|a|strong|sense|of|humanism|,|and|Bertrand|Tavernier|'s|oft-brilliant|Safe|Conduct|(|``|Laissez-passer|''|)|wears|its|heart|on|its|sleeve|.\nA|realistically|terrifying|movie|that|puts|another|notch|in|the|belt|of|the|long|list|of|renegade-cop|tales|.\nA|charming|,|banter-filled|comedy|...|one|of|those|airy|cinematic|bon|bons|whose|aims|--|and|by|extension|,|accomplishments|--|seem|deceptively|slight|on|the|surface|.\nA|film|with|almost|as|many|delights|for|adults|as|there|are|for|children|and|dog|lovers|.\nSerious|movie-goers|embarking|upon|this|journey|will|find|that|The|Road|to|Perdition|leads|to|a|satisfying|destination|.\nHeartwarming|and|gently|comic|even|as|the|film|breaks|your|heart|.\nCaruso|sometimes|descends|into|sub-Tarantino|cuteness|...|but|for|the|most|part|he|makes|sure|The|Salton|Sea|works|the|way|a|good|noir|should|,|keeping|it|tight|and|nasty|.\nA|``|black|Austin|Powers|?|''\nI|prefer|to|think|of|it|as|``|Pootie|Tang|with|a|budget|.|''\nSa|da|TAY|!\nOddly|,|the|film|is|n't|nearly|as|downbeat|as|it|sounds|,|but|strikes|a|tone|that|'s|alternately|melancholic|,|hopeful|and|strangely|funny|.\nI|would|be|shocked|if|there|was|actually|one|correct|interpretation|,|but|that|should|n't|make|the|movie|or|the|discussion|any|less|enjoyable|.\nChouraqui|brings|documentary-like|credibility|to|the|horrors|of|the|killing|field|and|the|barbarism|of|`|ethnic|cleansing|.|'\nThe|best|thing|I|can|say|about|this|film|is|that|I|ca|n't|wait|to|see|what|the|director|does|next|.\nSmarter|than|its|commercials|make|it|seem|.\nOne|of|the|funnier|movies|in|town|.\nCampanella|'s|competent|direction|and|his|excellent|cast|overcome|the|obstacles|of|a|predictable|outcome|and|a|screenplay|that|glosses|over|Rafael|'s|evolution|.\nBy|turns|very|dark|and|very|funny|.\nSteven|Soderbergh|does|n't|remake|Andrei|Tarkovsky|'s|Solaris|so|much|as|distill|it|.\nFor|more|than|two|decades|Mr.|Nachtwey|has|traveled|to|places|in|the|world|devastated|by|war|,|famine|and|poverty|and|documented|the|cruelty|and|suffering|he|has|found|with|an|devastating|,|eloquent|clarity|.\nSimultaneously|heartbreakingly|beautiful|and|exquisitely|sad|.\nThough|overall|an|overwhelmingly|positive|portrayal|,|the|film|does|n't|ignore|the|more|problematic|aspects|of|Brown|'s|life|.\nThe|philosophical|musings|of|the|dialogue|jar|against|the|tawdry|soap|opera|antics|of|the|film|'s|action|in|a|way|that|is|surprisingly|enjoyable|.\nNot|too|fancy|,|not|too|filling|,|not|too|fluffy|,|but|definitely|tasty|and|sweet|.\nDirector|Lee|has|a|true|cinematic|knack|,|but|it|'s|also|nice|to|see|a|movie|with|its|heart|so|thoroughly|,|unabashedly|on|its|sleeve|.\nAs|Allen|'s|execution|date|closes|in|,|the|documentary|gives|an|especially|poignant|portrait|of|her|friendship|with|the|never|flagging|legal|investigator|David|Presson|.\nJones|has|tackled|a|meaty|subject|and|drawn|engaging|characters|while|peppering|the|pages|with|memorable|zingers|.\nA|vivid|,|spicy|footnote|to|history|,|and|a|movie|that|grips|and|holds|you|in|rapt|attention|from|start|to|finish|.\nIf|S&M|seems|like|a|strange|route|to|true|love|,|maybe|it|is|,|but|it|'s|to|this|film|'s|(|and|its|makers|'|)|credit|that|we|believe|that|that|'s|exactly|what|these|two|people|need|to|find|each|other|--|and|themselves|.\nIf|the|film|'s|vision|of|sport|as|a|secular|religion|is|a|bit|cloying|,|its|through-line|of|family|and|community|is|heartening|in|the|same|way|that|each|season|marks|a|new|start|.\nOne|of|the|best|of|a|growing|strain|of|daring|films|...|that|argue|that|any|sexual|relationship|that|does|n't|hurt|anyone|and|works|for|its|participants|is|a|relationship|that|is|worthy|of|our|respect|.\n...|an|adorably|whimsical|comedy|that|deserves|more|than|a|passing|twinkle|.\nAn|engrossing|story|that|combines|psychological|drama|,|sociological|reflection|,|and|high-octane|thriller|.\nIt|'s|easy|to|be|cynical|about|documentaries|in|which|underdogs|beat|the|odds|and|the|human|spirit|triumphs|,|but|Westbrook|'s|foundation|and|Dalrymple|'s|film|earn|their|uplift|.\nMel|Gibson|fights|the|good|fight|in|Vietnam|in|director|Randall|Wallace|'s|flag-waving|war|flick|with|a|core|of|decency|.\nThere|'s|real|visual|charge|to|the|filmmaking|,|and|a|strong|erotic|spark|to|the|most|crucial|lip-reading|sequence|.\nA|brutal|and|funny|work|.\nNicole|Holofcenter|,|the|insightful|writer\\/director|responsible|for|this|illuminating|comedy|does|n't|wrap|the|proceedings|up|neatly|but|the|ideas|tie|together|beautifully|.\nThe|film|is|a|blunt|indictment|,|part|of|a|perhaps|surreal|campaign|to|bring|Kissinger|to|trial|for|crimes|against|humanity|.\nOne|of|the|most|important|and|exhilarating|forms|of|animated|filmmaking|since|old|Walt|doodled|Steamboat|Willie|.\nMove|over|Bond|;|this|girl|deserves|a|sequel|.\nThe|kind|of|trifle|that|date|nights|were|invented|for|.|.\nIt|'s|a|testament|to|the|film|'s|considerable|charm|that|it|succeeds|in|entertaining|,|despite|playing|out|like|a|feature-length|sitcom|replete|with|stereotypical|familial|quandaries|.\nThere|'s|a|sheer|unbridled|delight|in|the|way|the|story|unfurls|...\nTells|(|the|story|)|with|such|atmospheric|ballast|that|shrugging|off|the|plot|'s|persnickety|problems|is|simply|a|matter|of|(|being|)|in|a|shrugging|mood|.\nThe|film|is|hard|to|dismiss|--|moody|,|thoughtful|,|and|lit|by|flashes|of|mordant|humor|.\nIf|The|Man|from|Elysian|Fields|is|doomed|by|its|smallness|,|it|is|also|elevated|by|it|--|the|kind|of|movie|that|you|enjoy|more|because|you|'re|one|of|the|lucky|few|who|sought|it|out|.\nWhat|emerges|is|an|unsettling|picture|of|childhood|innocence|combined|with|indoctrinated|prejudice|.\nPromises|is|a|compelling|piece|that|demonstrates|just|how|well|children|can|be|trained|to|live|out|and|carry|on|their|parents|'|anguish|.\nMeticulously|uncovers|a|trail|of|outrageous|force|and|craven|concealment|.\nHey|,|Happy|!\nis|many|things|--|stoner|midnight|flick|,|sci-fi|deconstruction|,|gay|fantasia|--|but|above|all|it|'s|a|love|story|as|sanguine|as|its|title|.\nYou|wo|n't|look|at|religious|fanatics|--|or|backyard|sheds|--|the|same|way|again|.\nAt|its|best|...|Festival|in|Cannes|bubbles|with|the|excitement|of|the|festival|in|Cannes|.\nThere|is|a|general|air|of|exuberance|in|All|About|The|Benjamins|that|'s|hard|to|resist|.\nA|lovably|old-school|Hollywood|confection|.\nI|'m|happy|to|have|seen|it|--|not|as|an|alternate|version|,|but|as|the|ultimate|exercise|in|viewing|deleted|scenes|.\nBy|turns|gripping|,|amusing|,|tender|and|heart-wrenching|,|Laissez-passer|has|all|the|earmarks|of|French|cinema|at|its|best|.\nThe|warnings|to|resist|temptation|in|this|film|...|are|blunt|and|challenging|and|offer|no|easy|rewards|for|staying|clean|.\nWonder|of|wonders|--|a|teen|movie|with|a|humanistic|message|.\nA|quirky|comedy|set|in|Newfoundland|that|cleverly|captures|the|dry|wit|that|'s|so|prevalent|on|The|Rock|.\nPeppered|with|witty|dialogue|and|inventive|moments|.\nI|'d|rather|watch|a|rerun|of|The|Powerpuff|Girls\nWith|the|prospect|of|films|like|Kangaroo|Jack|about|to|burst|across|America|'s|winter|movie|screens|it|'s|a|pleasure|to|have|a|film|like|The|Hours|as|an|alternative|.\nThe|wonderful|combination|of|the|sweetness|and|the|extraordinary|technical|accomplishments|of|the|first|film|are|maintained|,|but|its|overall|impact|falls|a|little|flat|with|a|storyline|that|never|quite|delivers|the|original|magic|.\nLike|its|title|character|,|this|Nicholas|Nickleby|finds|itself|in|reduced|circumstances|--|and|,|also|like|its|hero|,|it|remains|brightly|optimistic|,|coming|through|in|the|end|.\nAs|a|thoughtful|and|unflinching|examination|of|an|alternative|lifestyle|,|Sex|with|Strangers|is|a|success|.\nunpretentious|,|charming|,|quirky|,|original\nSpinning|a|web|of|dazzling|entertainment|may|be|overstating|it|,|but|``|Spider-Man|''|certainly|delivers|the|goods|.\nOther|than|the|slightly|flawed|(|and|fairly|unbelievable|)|finale|,|everything|else|is|top|shelf|.\nThis|fascinating|look|at|Israel|in|ferment|feels|as|immediate|as|the|latest|news|footage|from|Gaza|and|,|because|of|its|heightened|,|well-shaped|dramas|,|twice|as|powerful|.\nManages|to|delight|without|much|of|a|story|.\nThere|'s|no|denying|that|Burns|is|a|filmmaker|with|a|bright|future|ahead|of|him|.\nI|have|a|confession|to|make|:|I|did|n't|particularly|like|E.T.|the|first|time|I|saw|it|as|a|young|boy|.\nThat|is|because|-|damn|it|!\n-|I|also|wanted|a|little|alien|as|a|friend|!\nFairy-tale|formula|,|serves|as|a|paper|skeleton|for|some|very|good|acting|,|dialogue|,|comedy|,|direction|and|especially|charm|.\nA|genuinely|funny|ensemble|comedy|that|also|asks|its|audience|--|in|a|heartwarming|,|nonjudgmental|kind|of|way|--|to|consider|what|we|value|in|our|daily|lives|.\nThough|the|aboriginal|aspect|lends|the|ending|an|extraordinary|poignancy|,|and|the|story|itself|could|be|played|out|in|any|working|class|community|in|the|nation|.\nAn|energetic|and|engaging|film|that|never|pretends|to|be|something|it|is|n't|.\nA|violent|initiation|rite|for|the|audience|,|as|much|as|it|is|for|Angelique|,|the|(|opening|)|dance|guarantees|Karmen|'s|enthronement|among|the|cinema|'s|memorable|women|.\nAn|animation|landmark|as|monumental|as|Disney|'s|1937|breakthrough|Snow|White|and|the|Seven|Dwarfs|.\nAn|entertaining|,|if|ultimately|minor|,|thriller|.\nSex|With|Strangers|is|fascinating|...\nA|subtle|,|poignant|picture|of|goodness|that|is|flawed|,|compromised|and|sad|.\nA|wry|,|affectionate|delight|.\nThe|acting|in|Pauline|And|Paulette|is|good|all|round|,|but|what|really|sets|the|film|apart|is|Debrauwer|'s|refusal|to|push|the|easy|emotional|buttons|.\nOne|of|those|joyous|films|that|leaps|over|national|boundaries|and|celebrates|universal|human|nature|.\nA|penetrating|glimpse|into|the|tissue-thin|ego|of|the|stand-up|comic|.\nKids|should|have|a|stirring|time|at|this|beautifully|drawn|movie|.\nAnd|adults|will|at|least|have|a|dream|image|of|the|West|to|savor|whenever|the|film|'s|lamer|instincts|are|in|the|saddle|.\nPaid|in|Full|is|remarkably|engaging|despite|being|noticeably|derivative|of|Goodfellas|and|at|least|a|half|dozen|other|trouble-in-the-ghetto|flicks|.\nLess|cinematically|powerful|than|quietly|and|deeply|moving|,|which|is|powerful|in|itself|.\nwaydowntown|manages|to|nail|the|spirit-crushing|ennui|of|denuded|urban|living|without|giving|in|to|it|.\nEach|of|these|stories|has|the|potential|for|Touched|by|an|Angel|simplicity|and|sappiness|,|but|Thirteen|Conversations|About|One|Thing|,|for|all|its|generosity|and|optimism|,|never|resorts|to|easy|feel-good|sentiments|.\nIf|Borstal|Boy|is|n't|especially|realistic|,|it|is|an|engaging|nostalgia|piece|.\nOften|demented|in|a|good|way|,|but|it|is|an|uneven|film|for|the|most|part|.\nThe|script|'s|snazzy|dialogue|establishes|a|realistic|atmosphere|that|involves|us|in|the|unfolding|crisis|,|but|the|lazy|plotting|ensures|that|little|of|our|emotional|investment|pays|off|.\nMaggie|Smith|as|the|Ya-Ya|member|with|the|O2-tank|will|absolutely|crack|you|up|with|her|crass|,|then|gasp|for|gas|,|verbal|deportment|.\nThis|is|a|movie|that|refreshes|the|mind|and|spirit|along|with|the|body|,|so|original|is|its|content|,|look|,|and|style|.\nAlthough|I|did|n't|hate|this|one|,|it|'s|not|very|good|either|.\nIt|can|be|safely|recommended|as|a|video\\/DVD|babysitter|.\nAnother|Best|of|the|Year|selection|.\nThe|film|has|the|high-buffed|gloss|and|high-octane|jolts|you|expect|of|De|Palma|,|but|what|makes|it|transporting|is|that|it|'s|also|one|of|the|smartest|,|most|pleasurable|expressions|of|pure|movie|love|to|come|from|an|American|director|in|years|.\nIt|'s|a|very|valuable|film|...\nMax|pokes|,|provokes|,|takes|expressionistic|license|and|hits|a|nerve|...|as|far|as|art|is|concerned|,|it|'s|mission|accomplished|.\nLiterary|purists|may|not|be|pleased|,|but|as|far|as|mainstream|matinee-style|entertainment|goes|,|it|does|a|bang-up|job|of|pleasing|the|crowds|.\nHere|Polanski|looks|back|on|those|places|he|saw|at|childhood|,|and|captures|them|by|freeing|them|from|artefact|,|and|by|showing|them|heartbreakingly|drably|.\nThe|story|itself|it|mostly|told|through|on-camera|interviews|with|several|survivors|,|whose|riveting|memories|are|rendered|with|such|clarity|that|it|'s|as|if|it|all|happened|only|yesterday|.\nA|compelling|story|of|musical|passion|against|governmental|odds|.\nWith|``|Ichi|the|Killer|''|,|Takashi|Miike|,|Japan|'s|wildest|filmmaker|gives|us|a|crime|fighter|carrying|more|emotional|baggage|than|Batman|...\nYou|never|know|where|Changing|Lanes|is|going|to|take|you|but|it|'s|a|heck|of|a|ride|.\nSamuel|L.|Jackson|is|one|of|the|best|actors|there|is|.\n(|Breheny|'s|)|lensing|of|the|New|Zealand|and|Cook|Island|locations|captures|both|the|beauty|of|the|land|and|the|people|.\nAn|almost|unbearably|morbid|love|story|.\nThe|Wild|Thornberrys|Movie|has|all|the|sibling|rivalry|and|general|family|chaos|to|which|anyone|can|relate|.\nA|forceful|drama|of|an|alienated|executive|who|re-invents|himself|.\nSpielberg|'s|realization|of|a|near-future|America|is|masterful|.\nThis|makes|Minority|Report|necessary|viewing|for|sci-fi|fans|,|as|the|film|has|some|of|the|best|special|effects|ever|.\nThe|gags|that|fly|at|such|a|furiously|funny|pace|that|the|only|rip|off|that|we|were|aware|of|was|the|one|we|felt|when|the|movie|ended|so|damned|soon|.\nThe|best|film|of|the|year|2002|.\nAn|enthralling|,|entertaining|feature|.\nStripped|almost|entirely|of|such|tools|as|nudity|,|profanity|and|violence|,|LaBute|does|manage|to|make|a|few|points|about|modern|man|and|his|problematic|quest|for|human|connection|.\nA|remarkable|movie|with|an|unsatisfying|ending|,|which|is|just|the|point|.\nAll|in|all|,|Brown|Sugar|is|a|satisfying|well-made|romantic|comedy|that|'s|both|charming|and|well|acted|.\nIt|will|guarantee|to|have|you|leaving|the|theater|with|a|smile|on|your|face|.\nSmith|finds|amusing|juxtapositions|that|justify|his|exercise|.\nWorking|from|a|surprisingly|sensitive|script|co-written|by|Gianni|Romoli|...|Ozpetek|avoids|most|of|the|pitfalls|you|'d|expect|in|such|a|potentially|sudsy|set-up|.\nAn|older|cad|instructs|a|younger|lad|in|Zen|and|the|art|of|getting|laid|in|this|prickly|indie|comedy|of|manners|and|misanthropy|.\n``|Austin|Powers|in|Goldmember|''|has|the|right|stuff|for|silly|summer|entertainment|and|has|enough|laughs|to|sustain|interest|to|the|end|.\nOne|of|(|Jaglom|'s|)|better|efforts|--|a|wry|and|sometime|bitter|movie|about|love|.\nSchaeffer|is|n't|in|this|film|,|which|may|be|why|it|works|as|well|as|it|does|.\nA|fresh|,|entertaining|comedy|that|looks|at|relationships|minus|traditional|gender|roles|.\nAlthough|Estela|Bravo|'s|documentary|is|cloyingly|hagiographic|in|its|portrait|of|Cuban|leader|Fidel|Castro|,|it|'s|still|a|guilty|pleasure|to|watch|.\nSurprisingly|,|the|film|is|a|hilarious|adventure|and|I|shamelessly|enjoyed|it|.\nThe|Way|Home|is|an|ode|to|unconditional|love|and|compassion|garnered|from|years|of|seeing|it|all|,|a|condition|only|the|old|are|privy|to|,|and|...|often|misconstrued|as|weakness|.\nBrutally|honest|and|told|with|humor|and|poignancy|,|which|makes|its|message|resonate|.\nIf|you|can|read|the|subtitles|(|the|opera|is|sung|in|Italian|)|and|you|like|`|Masterpiece|Theatre|'|type|costumes|,|you|'ll|enjoy|this|movie|.\nA|pretty|funny|movie|,|with|most|of|the|humor|coming|,|as|before|,|from|the|incongruous|but|chemically|perfect|teaming|of|Crystal|and|De|Niro|.\nGangster|No.|1|is|solid|,|satisfying|fare|for|adults|.\nThis|Chicago|has|hugely|imaginative|and|successful|casting|to|its|great|credit|,|as|well|as|one|terrific|score|and|attitude|to|spare|.\nHas|enough|gun|battles|and|throwaway|humor|to|cover|up|the|yawning|chasm|where|the|plot|should|be|.\nWith|its|jerky|hand-held|camera|and|documentary|feel|,|Bloody|Sunday|is|a|sobering|recount|of|a|very|bleak|day|in|Derry|.\nYou|will|likely|prefer|to|keep|on|watching|.\nInsomnia|loses|points|when|it|surrenders|to|a|formulaic|bang-bang|,|shoot-em-up|scene|at|the|conclusion|.\nBut|the|performances|of|Pacino|,|Williams|,|and|Swank|keep|the|viewer|wide-awake|all|the|way|through|.\nWhat|might|have|been|readily|dismissed|as|the|tiresome|rant|of|an|aging|filmmaker|still|thumbing|his|nose|at|convention|takes|a|surprising|,|subtle|turn|at|the|midway|point|.\nAt|a|time|when|commercialism|has|squeezed|the|life|out|of|whatever|idealism|American|moviemaking|ever|had|,|Godfrey|Reggio|'s|career|shines|like|a|lonely|beacon|.\nAn|Inuit|masterpiece|that|will|give|you|goosebumps|as|its|uncanny|tale|of|love|,|communal|discord|,|and|justice|unfolds|.\nThis|is|popcorn|movie|fun|with|equal|doses|of|action|,|cheese|,|ham|and|cheek|(|as|well|as|a|serious|debt|to|The|Road|Warrior|)|,|but|it|feels|like|unrealized|potential\nIt|'s|a|testament|to|De|Niro|and|director|Michael|Caton-Jones|that|by|movie|'s|end|,|we|accept|the|characters|and|the|film|,|flaws|and|all|.\nPerformances|are|potent|,|and|the|women|'s|stories|are|ably|intercut|and|involving|.\nAn|enormously|entertaining|movie|,|like|nothing|we|'ve|ever|seen|before|,|and|yet|completely|familiar|.\nLan|Yu|is|a|genuine|love|story|,|full|of|traditional|layers|of|awakening|and|ripening|and|separation|and|recovery|.\nYour|children|will|be|occupied|for|72|minutes|.\nPull|(|s|)|off|the|rare|trick|of|recreating|not|only|the|look|of|a|certain|era|,|but|also|the|feel|.\nTwohy|'s|a|good|yarn-spinner|,|and|ultimately|the|story|compels|.\n`|Tobey|Maguire|is|a|poster|boy|for|the|geek|generation|.|'\n...|a|sweetly|affecting|story|about|four|sisters|who|are|coping|,|in|one|way|or|another|,|with|life|'s|endgame|.\nPassion|,|melodrama|,|sorrow|,|laugther|,|and|tears|cascade|over|the|screen|effortlessly|...\nRoad|to|Perdition|does|display|greatness|,|and|it|'s|worth|seeing|.\nBut|it|also|comes|with|the|laziness|and|arrogance|of|a|thing|that|already|knows|it|'s|won|.\nA|marvelous|performance|by|Allison|Lohman|as|an|identity-seeking|foster|child|.\nArliss|Howard|'s|ambitious|,|moving|,|and|adventurous|directorial|debut|,|Big|Bad|Love|,|meets|so|many|of|the|challenges|it|poses|for|itself|that|one|can|forgive|the|film|its|flaws|.\nCritics|need|a|good|laugh|,|too|,|and|this|too-extreme-for-TV|rendition|of|the|notorious|MTV|show|delivers|the|outrageous|,|sickening|,|sidesplitting|goods|in|steaming|,|visceral|heaps|.\nWhat|a|dumb|,|fun|,|curiously|adolescent|movie|this|is|.\nThe|charms|of|the|lead|performances|allow|us|to|forget|most|of|the|film|'s|problems|.\nA|vivid|,|sometimes|surreal|,|glimpse|into|the|mysteries|of|human|behavior|.\nA|tour|de|force|of|modern|cinema|.\nPeralta|captures|,|in|luminous|interviews|and|amazingly|evocative|film|from|three|decades|ago|,|the|essence|of|the|Dogtown|experience|.\nThe|lively|appeal|of|The|Last|Kiss|lies|in|the|ease|with|which|it|integrates|thoughtfulness|and|pasta-fagioli|comedy|.\nWithout|resorting|to|camp|or|parody|,|Haynes|(|like|Sirk|,|but|differently|)|has|transformed|the|rhetoric|of|Hollywood|melodrama|into|something|provocative|,|rich|,|and|strange|.\nThe|performances|are|an|absolute|joy|.\nA|quasi-documentary|by|French|filmmaker|Karim|Dridi|that|celebrates|the|hardy|spirit|of|Cuban|music|.\nGrant|carries|the|day|with|impeccable|comic|timing|,|raffish|charm|and|piercing|intellect|.\nA|sensitive|and|astute|first|feature|by|Anne-Sophie|Birot|.\nBoth|exuberantly|romantic|and|serenely|melancholy|,|What|Time|Is|It|There|?\nmay|prove|to|be|(|Tsai|'s|)|masterpiece|.\nMazel|tov|to|a|film|about|a|family|'s|joyous|life|acting|on|the|Yiddish|stage|.\nStanding|in|the|Shadows|of|Motown|is|the|best|kind|of|documentary|,|one|that|makes|a|depleted|yesterday|feel|very|much|like|a|brand-new|tomorrow|.\nIt|'s|nice|to|see|Piscopo|again|after|all|these|years|,|and|Chaykin|and|Headly|are|priceless|.\nProvides|a|porthole|into|that|noble|,|trembling|incoherence|that|defines|us|all|.\nSimplistic|,|silly|and|tedious|.\nIt|'s|so|laddish|and|juvenile|,|only|teenage|boys|could|possibly|find|it|funny|.\nExploitative|and|largely|devoid|of|the|depth|or|sophistication|that|would|make|watching|such|a|graphic|treatment|of|the|crimes|bearable|.\n(|Garbus|)|discards|the|potential|for|pathological|study|,|exhuming|instead|,|the|skewed|melodrama|of|the|circumstantial|situation|.\nA|visually|flashy|but|narratively|opaque|and|emotionally|vapid|exercise|in|style|and|mystification|.\nThe|story|is|also|as|unoriginal|as|they|come|,|already|having|been|recycled|more|times|than|I|'d|care|to|count|.\nAbout|the|only|thing|to|give|the|movie|points|for|is|bravado|--|to|take|an|entirely|stale|concept|and|push|it|through|the|audience|'s|meat|grinder|one|more|time|.\nNot|so|much|farcical|as|sour|.\nUnfortunately|the|story|and|the|actors|are|served|with|a|hack|script|.\nAll|the|more|disquieting|for|its|relatively|gore-free|allusions|to|the|serial|murders|,|but|it|falls|down|in|its|attempts|to|humanize|its|subject|.\nA|sentimental|mess|that|never|rings|true|.\nWhile|the|performances|are|often|engaging|,|this|loose|collection|of|largely|improvised|numbers|would|probably|have|worked|better|as|a|one-hour|TV|documentary|.\nInteresting|,|but|not|compelling|.\nOn|a|cutting|room|floor|somewhere|lies|...|footage|that|might|have|made|No|Such|Thing|a|trenchant|,|ironic|cultural|satire|instead|of|a|frustrating|misfire|.\nWhile|the|ensemble|player|who|gained|notice|in|Guy|Ritchie|'s|Lock|,|Stock|and|Two|Smoking|Barrels|and|Snatch|has|the|bod|,|he|'s|unlikely|to|become|a|household|name|on|the|basis|of|his|first|starring|vehicle|.\nThere|is|a|difference|between|movies|with|the|courage|to|go|over|the|top|and|movies|that|do|n't|care|about|being|stupid\nNothing|here|seems|as|funny|as|it|did|in|Analyze|This|,|not|even|Joe|Viterelli|as|De|Niro|'s|right-hand|goombah|.\nSuch|master|screenwriting|comes|courtesy|of|John|Pogue|,|the|Yale|grad|who|previously|gave|us|``|The|Skulls|''|and|last|year|'s|``|Rollerball|.|''\nEnough|said|,|except|:|Film|overboard|!\nHere|,|common|sense|flies|out|the|window|,|along|with|the|hail|of|bullets|,|none|of|which|ever|seem|to|hit|Sascha|.\nThis|100-minute|movie|only|has|about|25|minutes|of|decent|material|.\nThe|execution|is|so|pedestrian|that|the|most|positive|comment|we|can|make|is|that|Rob|Schneider|actually|turns|in|a|pretty|convincing|performance|as|a|prissy|teenage|girl|.\nOn|its|own|,|it|'s|not|very|interesting|.\nAs|a|remake|,|it|'s|a|pale|imitation|.\nIt|shows|that|some|studios|firmly|believe|that|people|have|lost|the|ability|to|think|and|will|forgive|any|shoddy|product|as|long|as|there|'s|a|little|girl-on-girl|action|.\nA|farce|of|a|parody|of|a|comedy|of|a|premise|,|it|is|n't|a|comparison|to|reality|so|much|as|it|is|a|commentary|about|our|knowledge|of|films|.\nAs|exciting|as|all|this|exoticism|might|sound|to|the|typical|Pax|viewer|,|the|rest|of|us|will|be|lulled|into|a|coma|.\nThe|party|scenes|deliver|some|tawdry|kicks|.\nThe|rest|of|the|film|...|is|dudsville|.\nOur|culture|is|headed|down|the|toilet|with|the|ferocity|of|a|frozen|burrito|after|an|all-night|tequila|bender|--|and|I|know|this|because|I|'ve|seen|`|jackass|:|the|movie|.|'\nThe|criticism|never|rises|above|easy|,|cynical|potshots|at|morally|bankrupt|characters|...\nThe|movie|'s|something-borrowed|construction|feels|less|the|product|of|loving|,|well|integrated|homage|and|more|like|a|mere|excuse|for|the|wan|,|thinly|sketched|story|.\nKilling|time|,|that|'s|all|that|'s|going|on|here|.\nSomewhere|in|the|middle|,|the|film|compels|,|as|Demme|experiments|he|harvests|a|few|movie|moment|gems|,|but|the|field|of|roughage|dominates|.\nThe|action|clichés|just|pile|up|.\nPayami|tries|to|raise|some|serious|issues|about|Iran|'s|electoral|process|,|but|the|result|is|a|film|that|'s|about|as|subtle|as|a|party|political|broadcast|.\nThe|only|surprise|is|that|heavyweights|Joel|Silver|and|Robert|Zemeckis|agreed|to|produce|this|;|I|assume|the|director|has|pictures|of|them|cavorting|in|ladies|'|underwear|.\nAnother|useless|recycling|of|a|brutal|mid|-|'70s|American|sports|movie|.\nPlease|,|someone|,|stop|Eric|Schaeffer|before|he|makes|another|film|.\nMost|of|the|problems|with|the|film|do|n't|derive|from|the|screenplay|,|but|rather|the|mediocre|performances|by|most|of|the|actors|involved\n...|if|you|'re|just|in|the|mood|for|a|fun|--|but|bad|--|movie|,|you|might|want|to|catch|Freaks|as|a|matinee|.\nCurling|may|be|a|unique|sport|but|Men|with|Brooms|is|distinctly|ordinary|.\nThough|the|opera|itself|takes|place|mostly|indoors|,|Jacquot|seems|unsure|of|how|to|evoke|any|sort|of|naturalism|on|the|set|.\nThere|'s|no|getting|around|the|fact|that|this|is|Revenge|Of|The|Nerds|Revisited|--|again|.\nThe|effort|is|sincere|and|the|results|are|honest|,|but|the|film|is|so|bleak|that|it|'s|hardly|watchable|.\nAnalyze|That|regurgitates|and|waters|down|many|of|the|previous|film|'s|successes|,|with|a|few|new|swings|thrown|in|.\nWith|flashbulb|editing|as|cover|for|the|absence|of|narrative|continuity|,|Undisputed|is|nearly|incoherent|,|an|excuse|to|get|to|the|closing|bout|...|by|which|time|it|'s|impossible|to|care|who|wins|.\nStinks|from|start|to|finish|,|like|a|wet|burlap|sack|of|gloom|.\nTo|the|civilized|mind|,|a|movie|like|Ballistic|:|Ecks|Vs.|Sever|is|more|of|an|ordeal|than|an|amusement|.\nEqulibrium|could|pass|for|a|thirteen-year-old|'s|book|report|on|the|totalitarian|themes|of|1984|and|Farenheit|451|.\nThe|lack|of|naturalness|makes|everything|seem|self-consciously|poetic|and|forced|...|It|'s|a|pity|that|(|Nelson|'s|)|achievement|does|n't|match|his|ambition|.\nWhen|Seagal|appeared|in|an|orange|prison|jumpsuit|,|I|wanted|to|stand|up|in|the|theater|and|shout|,|`|Hey|,|Kool-Aid|!|'\nAn|easy|watch|,|except|for|the|annoying|demeanour|of|its|lead|character|.\nImagine|the|CleanFlicks|version|of|`|Love|Story|,|'|with|Ali|MacGraw|'s|profanities|replaced|by|romance-novel|platitudes|.\nPC|stability|notwithstanding|,|the|film|suffers|from|a|simplistic|narrative|and|a|pat|,|fairy-tale|conclusion|.\nForget|the|misleading|title|,|what|'s|with|the|unexplained|baboon|cameo|?\nAn|odd|,|haphazard|,|and|inconsequential|romantic|comedy|.\nThough|her|fans|will|assuredly|have|their|funny|bones|tickled|,|others|will|find|their|humor-seeking|dollars|best|spent|elsewhere|.\nPascale|Bailly|'s|rom-com|provides|Amélie|'s|Audrey|Tautou|with|another|fabuleux|destin|--|i.e.|,|a|banal|spiritual|quest|.\nA|static|and|sugary|little|half-hour|,|after-school|special|about|interfaith|understanding|,|stretched|out|to|90|minutes|.\nWatching|the|chemistry|between|Freeman|and|Judd|,|however|,|almost|makes|this|movie|worth|seeing|.\nAlmost|.\n...|a|pretentious|and|ultimately|empty|examination|of|a|sick|and|evil|woman|.\nThe|Country|Bears|has|no|scenes|that|will|upset|or|frighten|young|viewers|.\nUnfortunately|,|there|is|almost|nothing|in|this|flat|effort|that|will|amuse|or|entertain|them|,|either|.\nThe|cumulative|effect|of|watching|this|65-minute|trifle|is|rather|like|being|trapped|while|some|weird|relative|trots|out|the|video|he|took|of|the|family|vacation|to|Stonehenge|.\nBefore|long|,|you|'re|desperate|for|the|evening|to|end|.\nThe|characters|are|never|more|than|sketches|...|which|leaves|any|true|emotional|connection|or|identification|frustratingly|out|of|reach|.\nMattei|'s|underdeveloped|effort|here|is|nothing|but|a|convenient|conveyor|belt|of|brooding|personalities|that|parade|about|as|if|they|were|coming|back|from|Stock|Character|camp|--|a|drowsy|drama|infatuated|by|its|own|pretentious|self-examination|.\nOnly|in|its|final|surprising|shots|does|Rabbit-Proof|Fence|find|the|authority|it|'s|looking|for|.\nIs|n't|as|sharp|as|the|original|...|Despite|some|visual|virtues|,|`|Blade|II|'|just|does|n't|cut|it|.\n...|plays|like|a|badly|edited|,|91-minute|trailer|(|and|)|the|director|ca|n't|seem|to|get|a|coherent|rhythm|going|.\nIn|fact|,|it|does|n't|even|seem|like|she|tried|.\nMaybe|LeBlanc|thought|,|``|Hey|,|the|movie|about|the|baseball-playing|monkey|was|worse|.|''\nWhat|you|expect|is|just|what|you|get|...|assuming|the|bar|of|expectations|has|n't|been|raised|above|sixth-grade|height|.\nBarry|Sonnenfeld|owes|Frank|the|Pug|big|time\nThe|biggest|problem|with|Roger|Avary|'s|uproar|against|the|MPAA|is|that|,|even|in|all|its|director|'s|cut|glory|,|he|'s|made|a|film|that|'s|barely|shocking|,|barely|interesting|and|most|of|all|,|barely|anything|.\nSo|riddled|with|unanswered|questions|that|it|requires|gargantuan|leaps|of|faith|just|to|watch|it|plod|along|.\nI|approached|the|usher|and|said|that|if|she|had|to|sit|through|it|again|,|she|should|ask|for|a|raise|.\nIf|Sinise|'s|character|had|a|brain|his|ordeal|would|be|over|in|five|minutes|but|instead|the|plot|goes|out|of|its|way|to|introduce|obstacles|for|him|to|stumble|over|.\nToo|slow|for|a|younger|crowd|,|too|shallow|for|an|older|one|.\nThere|'s|a|reason|the|studio|did|n't|offer|an|advance|screening|.\n``|The|Adventures|of|Pluto|Nash|''|is|a|big|time|stinker|.\nA|punch|line|without|a|premise|,|a|joke|built|entirely|from|musty|memories|of|half-dimensional|characters|.\nTakes|one|character|we|do|n't|like|and|another|we|do|n't|believe|,|and|puts|them|into|a|battle|of|wills|that|is|impossible|to|care|about|and|is|n't|very|funny|.\nThe|things|this|movie|tries|to|get|the|audience|to|buy|just|wo|n't|fly|with|most|intelligent|viewers|.\nEven|if|the|enticing|prospect|of|a|lot|of|nubile|young|actors|in|a|film|about|campus|depravity|did|n't|fade|amid|the|deliberate|,|tiresome|ugliness|,|it|would|be|rendered|tedious|by|Avary|'s|failure|to|construct|a|story|with|even|a|trace|of|dramatic|interest|.\nSitting|through|the|last|reel|(|spoiler|alert|!|)\nis|significantly|less|charming|than|listening|to|a|four-year-old|with|a|taste|for|exaggeration|recount|his|Halloween|trip|to|the|Haunted|House|.\nConfuses|its|message|with|an|ultimate|desire|to|please|,|and|contorting|itself|into|an|idea|of|expectation|is|the|last|thing|any|of|these|three|actresses|,|nor|their|characters|,|deserve|.\nDeadly|dull|,|pointless|meditation|on|losers|in|a|gone-to-seed|hotel|.\nWith|this|new|Rollerball|,|sense|and|sensibility|have|been|overrun|by|what|can|only|be|characterized|as|robotic|sentiment|.\nOne|can|only|assume|that|the|jury|who|bestowed|star|Hoffman|'s|brother|Gordy|with|the|Waldo|Salt|Screenwriting|award|at|2002|'s|Sundance|Festival|were|honoring|an|attempt|to|do|something|different|over|actually|pulling|it|off\nA|movie|more|to|be|prescribed|than|recommended|--|as|visually|bland|as|a|dentist|'s|waiting|room|,|complete|with|soothing|Muzak|and|a|cushion|of|predictable|narrative|rhythms|.\nSex|ironically|has|little|to|do|with|the|story|,|which|becomes|something|about|how|lame|it|is|to|try|and|evade|your|responsibilities|and|that|you|should|never|,|ever|,|leave|a|large|dog|alone|with|a|toddler|.\nBut|never|mind|all|that|;|the|boobs|are|fantasti\nThe|script|covers|huge|,|heavy|topics|in|a|bland|,|surfacey|way|that|does|n't|offer|any|insight|into|why|,|for|instance|,|good|things|happen|to|bad|people|.\nA|portrait|of|alienation|so|perfect|,|it|will|certainly|succeed|in|alienating|most|viewers|.\nThe|code|talkers|deserved|better|than|a|hollow|tribute|.\nSkip|the|film|and|buy|the|Philip|Glass|soundtrack|CD|.\nFeels|like|a|cold|old|man|going|through|the|motions|.\nDignified|CEO|'s|meet|at|a|rustic|retreat|and|pee|against|a|tree|.\nCan|you|bear|the|laughter|?\nDull|and|mechanical|,|kinda|like|a|very|goofy|museum|exhibit\nThere|'s|no|point|of|view|,|no|contemporary|interpretation|of|Joan|'s|prefeminist|plight|,|so|we|'re|left|thinking|the|only|reason|to|make|the|movie|is|because|present|standards|allow|for|plenty|of|nudity|.\nBeware|the|quirky|Brit-com|.\nThey|can|and|will|turn|on|a|dime|from|oddly|humorous|to|tediously|sentimental|.\nHas|its|moments|--|and|almost|as|many|subplots|.\nThe|gags|,|and|the|script|,|are|a|mixed|bag|.\nCompletely|awful|Iranian|drama|...|as|much|fun|as|a|grouchy|ayatollah|in|a|cold|mosque|.\nNarratively|,|Trouble|Every|Day|is|a|plodding|mess|.\nThere|'s|no|point|in|extracting|the|bare|bones|of|Byatt|'s|plot|for|purposes|of|bland|Hollywood|romance|.\nDirectors|John|Musker|and|Ron|Clements|,|the|team|behind|The|Little|Mermaid|,|have|produced|sparkling|retina|candy|,|but|they|are|n't|able|to|muster|a|lot|of|emotional|resonance|in|the|cold|vacuum|of|space|.\nAdam|Sandler|'s|heart|may|be|in|the|right|place|,|but|he|needs|to|pull|his|head|out|of|his|butt\nThere|'s|no|doubting|that|this|is|a|highly|ambitious|and|personal|project|for|Egoyan|,|but|it|'s|also|one|that|,|next|to|his|best|work|,|feels|clumsy|and|convoluted|.\nDespite|engaging|offbeat|touches|,|Knockaround|Guys|rarely|seems|interested|in|kicking|around|a|raison|d'etre|that|'s|as|fresh-faced|as|its|young-guns|cast|.\nIt|'s|all|pretty|tame|.\nThe|most|offensive|thing|about|the|movie|is|that|Hollywood|expects|people|to|pay|to|see|it|.\nThe|movie|is|a|mess|from|start|to|finish|.\nThe|trouble|with|making|this|queen|a|thoroughly|modern|maiden|is|that|it|also|makes|her|appear|foolish|and|shallow|rather|than|,|as|was|more|likely|,|a|victim|of|mental|illness|.\nI|'m|not|saying|that|Ice|Age|does|n't|have|some|fairly|pretty|pictures|,|but|there|'s|not|enough|substance|in|the|story|to|actually|give|them|life|.\nIn|the|telling|of|a|story|largely|untold|,|Bui|chooses|to|produce|something|that|is|ultimately|suspiciously|familiar|.\nThe|plot|is|nothing|but|boilerplate|clichés|from|start|to|finish|,|and|the|script|assumes|that|not|only|would|subtlety|be|lost|on|the|target|audience|,|but|that|it|'s|also|too|stupid|to|realize|that|they|'ve|already|seen|this|exact|same|movie|a|hundred|times\nTerminally|brain|dead|production|.\nSome|episodes|work|,|some|do|n't|.\nBeautifully|filmed|and|well|acted|...|but|admittedly|problematic|in|its|narrative|specifics|.\nJ.|Lo|will|earn|her|share|of|the|holiday|box|office|pie|,|although|this|movie|makes|one|thing|perfectly|clear|:|She|'s|a|pretty|woman|,|but|she|'s|no|working|girl|.\nRymer|does|n't|trust|laughs|--|and|does|n't|conjure|proper|respect|for|followers|of|the|whole|dead-undead|genre|,|who|deserve|more|from|a|vampire|pic|than|a|few|shrieky|special|effects|.\nNot|only|are|the|film|'s|Sopranos|gags|incredibly|dated|and|unfunny|,|they|also|demonstrate|how|desperate|the|makers|of|this|`|we|'re|-|doing-it-for|-|the-cash|'|sequel|were|.\nWow|.\nI|have|not|been|this|disappointed|by|a|movie|in|a|long|time|.\nOff|the|Hook|is|overlong|and|not|well-acted|,|but|credit|writer-producer-director|Adam|Watstein|with|finishing|it|at|all|.\nIt|'s|a|drag|how|Nettelbeck|sees|working|women|--|or|at|least|this|working|woman|--|for|whom|she|shows|little|understanding|.\nWatching|Harris|ham|it|up|while|physically|and|emotionally|disintegrating|over|the|course|of|the|movie|has|a|certain|poignancy|in|light|of|his|recent|death|,|but|Boyd|'s|film|offers|little|else|of|consequence|.\nIt|'s|also|curious|to|note|that|this|film|,|like|the|similarly|ill-timed|Antitrust|,|is|easily|as|bad|at|a|fraction|the|budget|.\nWill|probably|be|one|of|those|movies|barely|registering|a|blip|on|the|radar|screen|of|2002|.\nThe|problem|is|not|that|it|'s|all|derivative|,|because|plenty|of|funny|movies|recycle|old|tropes|.\nThe|problem|is|that|Van|Wilder|does|little|that|is|actually|funny|with|the|material|.\nThere|'s|nothing|interesting|in|Unfaithful|whatsoever|.\nNone|of|this|is|half|as|moving|as|the|filmmakers|seem|to|think|.\nA|processed|comedy|chop|suey|.\nAs|spent|screen|series|go|,|Star|Trek|:|Nemesis|is|even|more|suggestive|of|a|65th|class|reunion|mixer|where|only|eight|surviving|members|show|up|--|and|there|'s|nothing|to|drink|.\nFails|as|a|dystopian|movie|,|as|a|retooling|of|Fahrenheit|451|,|and|even|as|a|rip-off|of|The|Matrix|.\nFull|of|the|kind|of|obnoxious|chitchat|that|only|self-aware|neurotics|engage|in|.\nAn|erotic|thriller|that|'s|neither|too|erotic|nor|very|thrilling|,|either|.\nThe|movie|,|like|Bartleby|,|is|something|of|a|stiff|--|an|extra-dry|office|comedy|that|seems|twice|as|long|as|its|83|minutes|.\nWith|its|parade|of|almost|perpetually|wasted|characters|...|Margarita|feels|like|a|hazy|high|that|takes|too|long|to|shake|.\nIf|you|value|your|time|and|money|,|find|an|escape|clause|and|avoid|seeing|this|trite|,|predictable|rehash|.\nThe|director|and|her|capable|cast|appear|to|be|caught|in|a|heady|whirl|of|New|Age-inspired|good|intentions|,|but|the|spell|they|cast|is|n't|the|least|bit|mesmerizing|.\nEverything|is|pegged|into|the|groove|of|a|New|York|dating|comedy|with|`|issues|'|to|simplify|.\nA|dramatic|comedy|as|pleasantly|dishonest|and|pat|as|any|Hollywood|fluff|.\nThe|cameo-packed|,|M|:|I-2-spoofing|title|sequence|is|the|funniest|5|minutes|to|date|in|this|spy|comedy|franchise|...|Then|Mike|Myers|shows|up|and|ruins|everything|.\nIt|comes|off|as|so|silly|that|you|would|n't|be|surprised|if|BA|,|Murdock|and|rest|of|the|A-Team|were|seen|giving|chase|in|a|black|and|red|van|.\nThe|50-something|lovebirds|are|too|immature|and|unappealing|to|care|about|.\nSo|genial|is|the|conceit|,|this|is|one|of|those|rare|pictures|that|you|root|for|throughout|,|dearly|hoping|that|the|rich|promise|of|the|script|will|be|realized|on|the|screen|.\nIt|never|is|,|not|fully|.\nEven|in|the|summertime|,|the|most|restless|young|audience|deserves|the|dignity|of|an|action|hero|motivated|by|something|more|than|franchise|possibilities|.\nWhat|with|all|the|blanket|statements|and|dime-store|ruminations|on|vanity|,|the|worries|of|the|rich|and|sudden|wisdom|,|the|film|becomes|a|sermon|for|most|of|its|running|time|.\nAs|gamely|as|the|movie|tries|to|make|sense|of|its|title|character|,|there|remains|a|huge|gap|between|the|film|'s|creepy|,|clean-cut|Dahmer|(|Jeremy|Renner|)|and|fiendish|acts|that|no|amount|of|earnest|textbook|psychologizing|can|bridge|.\nPlodding|,|peevish|and|gimmicky|.\nThe|Four|Feathers|is|definitely|horse|feathers|,|but|if|you|go|in|knowing|that|,|you|might|have|fun|in|this|cinematic|sandbox|.\nOozes|condescension|from|every|pore|.\n``|Solaris|''|is|a|shapeless|inconsequential|move|relying|on|the|viewer|to|do|most|of|the|work|.\nThe|direction|,|by|George|Hickenlooper|,|has|no|snap|to|it|,|no|wiseacre|crackle|or|hard-bitten|cynicism|.\nThough|this|saga|would|be|terrific|to|read|about|,|it|is|dicey|screen|material|that|only|a|genius|should|touch|.\nIt|has|plenty|of|laughs|.\nIt|just|does|n't|have|much|else|...|especially|in|a|moral|sense|.\nAn|awful|lot|like|one|of|(|Spears|'|)|music|videos|in|content|--|except|that|it|goes|on|for|at|least|90|more|minutes|and|,|worse|,|that|you|have|to|pay|if|you|want|to|see|it|.\nConfusion|is|one|of|my|least|favourite|emotions|,|especially|when|I|have|to|put|up|with|146|minutes|of|it|.\n(|H|)|ad|I|suffered|and|bled|on|the|hard|ground|of|Ia|Drang|,|I|'d|want|something|a|bit|more|complex|than|We|Were|Soldiers|to|be|remembered|by|.\nOccasionally|loud|and|offensive|,|but|more|often|,|it|simply|lulls|you|into|a|gentle|waking|coma|.\nit|may|play|well|as|a|double|feature|with|mainstream|foreign|mush|like|My|Big|Fat|Greek|Wedding\nBy|the|time|you|reach|the|finale|,|you|'re|likely|wondering|why|you|'ve|been|watching|all|this|strutting|and|posturing|.\nJournalistically|dubious|,|inept|and|often|lethally|dull|.\nPutting|the|primitive|murderer|inside|a|high-tech|space|station|unleashes|a|Pandora|'s|Box|of|special|effects|that|run|the|gamut|from|cheesy|to|cheesier|to|cheesiest|.\nAt|its|best|,|it|'s|Black|Hawk|Down|with|more|heart|.\nAt|its|worst|,|it|'s|Rambo|-|meets-John|Ford|.\nExactly|what|you|'d|expect|from|a|guy|named|Kaos|.\nThis|movie|...|does|n't|deserve|the|energy|it|takes|to|describe|how|bad|it|is|.\nWith|or|without|ballast|tanks|,|K-19|sinks|to|a|Harrison|Ford|low|.\nDirector|Oliver|Parker|labors|so|hard|to|whip|life|into|The|Importance|of|Being|Earnest|that|he|probably|pulled|a|muscle|or|two|.\nYou|might|be|shocked|to|discover|that|Seinfeld|'s|real|life|is|boring|.\nIt|'s|not|nearly|as|fresh|or|enjoyable|as|its|predecessor|,|but|there|are|enough|high|points|to|keep|this|from|being|a|complete|waste|of|time|.\nWalsh|ca|n't|quite|negotiate|the|many|inconsistencies|in|Janice|'s|behavior|or|compensate|for|them|by|sheer|force|of|charm|.\nThis|10th|film|in|the|series|looks|and|feels|tired|.\nIt|leers|,|offering|next|to|little|insight|into|its|intriguing|subject|.\nI|found|myself|growing|more|and|more|frustrated|and|detached|as|Vincent|became|more|and|more|abhorrent|.\nOne|of|the|oddest|and|most|inexplicable|sequels|in|movie|history|.\nThere|'s|nothing|to|gain|from|watching|They|.\nIt|is|n't|scary|.\nIt|hates|its|characters|.\nIt|finds|no|way|to|entertain|or|inspire|its|viewers|.\nFear|permeates|the|whole|of|Stortelling|,|Todd|Solondz|'|oftentimes|funny|,|yet|ultimately|cowardly|autocritique|.\nThe|skirmishes|for|power|waged|among|victims|and|predators|settle|into|an|undistinguished|rhythm|of|artificial|suspense|.\n...|Ice|Age|treads|predictably|along|familiar|territory|,|making|it|a|passable|family|film|that|wo|n't|win|many|fans|over|the|age|of|12|.\nThough|the|film|is|well-intentioned|,|one|could|rent|the|original|and|get|the|same|love|story|and|parable|.\nJust|too|silly|and|sophomoric|to|ensnare|its|target|audience|.\nThe|video|work|is|so|grainy|and|rough|,|so|dependent|on|being|`|naturalistic|'|rather|than|carefully|lit|and|set|up|,|that|it|'s|exhausting|to|watch|.\nA|cleverly|crafted|but|ultimately|hollow|mockumentary|.\nIt|gets|bogged|down|by|hit-and-miss|topical|humour|before|getting|to|the|truly|good|stuff|.\nAn|achingly|enthralling|premise|,|the|film|is|hindered|by|uneven|dialogue|and|plot|lapses|.\nIt|'s|Tommy|'s|job|to|clean|the|peep|booths|surrounding|her|,|and|after|viewing|this|one|,|you|'ll|feel|like|mopping|up|,|too|.\nRifkin|no|doubt|fancies|himself|something|of|a|Hubert|Selby|Jr.|,|but|there|is|n't|an|ounce|of|honest|poetry|in|his|entire|script|;|it|'s|simply|crude|and|unrelentingly|exploitative|.\nSuch|a|bad|movie|that|its|luckiest|viewers|will|be|seated|next|to|one|of|those|ignorant|pinheads|who|talk|throughout|the|show|.\nIf|you|go|into|the|theater|expecting|a|scary|,|action-packed|chiller|,|you|might|soon|be|looking|for|a|sign|.\nAn|EXIT|sign|,|that|is|.\nHolds|limited|appeal|to|those|who|like|explosions|,|sadism|and|seeing|people|beat|each|other|to|a|pulp|.\nThe|dialogue|is|very|choppy|and|monosyllabic|despite|the|fact|that|it|is|being|dubbed|.\nA|feature-length|,|R-rated|,|road-trip|version|of|Mama|'s|Family|.\nWhat|you|end|up|getting|is|the|Vertical|Limit|of|surfing|movies|-|memorable|stunts|with|lots|of|downtime|in|between|.\nStealing|Harvard|does|n't|care|about|cleverness|,|wit|or|any|other|kind|of|intelligent|humor|.\nBigelow|handles|the|nuclear|crisis|sequences|evenly|but|milks|drama|when|she|should|be|building|suspense|,|and|drags|out|too|many|scenes|toward|the|end|that|should|move|quickly|.\nThere|'s|undeniable|enjoyment|to|be|had|from|films|crammed|with|movie|references|,|but|the|fun|wears|thin|--|then|out|--|when|there|'s|nothing|else|happening|.\nImagine|Kevin|Smith|,|the|blasphemous|bad|boy|of|suburban|Jersey|,|if|he|were|stripped|of|most|of|his|budget|and|all|of|his|sense|of|humor|.\nThe|result|might|look|like|Vulgar|.\nSuffers|from|a|lack|of|clarity|and|audacity|that|a|subject|as|monstrous|and|pathetic|as|Dahmer|demands|.\nWhat|soured|me|on|The|Santa|Clause|2|was|that|Santa|bumps|up|against|21st|century|reality|so|hard|,|it|'s|icky|.\nIt|'s|an|88-minute|highlight|reel|that|'s|86|minutes|too|long|.\nThe|film|favors|the|scientific|over|the|spectacular|(|visually|speaking|)|.\nSuch|an|incomprehensible|mess|that|it|feels|less|like|bad|cinema|than|like|being|stuck|in|a|dark|pit|having|a|nightmare|about|bad|cinema|.\nWith|the|exception|of|McCoist|,|the|players|do|n't|have|a|clue|on|the|park|.\nThe|acting|is|n't|much|better|.\nThe|whole|affair|is|as|predictable|as|can|be|.\nA|not-so-Divine|Secrets|of|the|Ya-Ya|Sisterhood|with|a|hefty|helping|of|Re-Fried|Green|Tomatoes|.\nThis|cloying|,|voices-from-the-other-side|story|is|hell|.\nA|suffocating|rape-payback|horror|show|that|hinges|on|the|subgenre|'s|most|enabling|victim|...|and|an|ebullient|affection|for|industrial-model|meat|freezers|.\nStar|Trek|was|kind|of|terrific|once|,|but|now|it|is|a|copy|of|a|copy|of|a|copy|.\n(|N|)|o|matter|how|much|good|will|the|actors|generate|,|Showtime|eventually|folds|under|its|own|thinness|.\nEvery|potential|twist|is|telegraphed|well|in|advance|,|every|performance|respectably|muted|;|the|movie|itself|seems|to|have|been|made|under|the|influence|of|Rohypnol|.\nPuts|on|airs|of|a|Hal|Hartley|wannabe|film|--|without|the|vital|comic|ingredient|of|the|hilarious|writer-director|himself|.\nVer|Wiel|'s|desperate|attempt|at|wit|is|lost|,|leaving|the|character|of|Critical|Jim|two-dimensional|and|pointless|.\nDespite|a|performance|of|sustained|intelligence|from|Stanford|and|another|of|subtle|humour|from|Bebe|Neuwirth|,|as|an|older|woman|who|seduces|Oscar|,|the|film|founders|on|its|lack|of|empathy|for|the|social|milieu|-|rich|New|York|intelligentsia|-|and|its|off\nAlthough|Disney|follows|its|standard|formula|in|this|animated|adventure|,|it|feels|more|forced|than|usual|.\nGaghan|...|has|thrown|every|suspenseful|cliché|in|the|book|at|this|nonsensical|story|.\nA|sham|construct|based|on|theory|,|sleight-of-hand|,|and|ill-wrought|hypothesis|.\n(|P|)|artnering|Murphy|with|Robert|De|Niro|for|the|TV-cops|comedy|Showtime|would|seem|to|be|surefire|casting|.\nThe|catch|is|that|they|'re|stuck|with|a|script|that|prevents|them|from|firing|on|all|cylinders|.\n`|You|'ll|laugh|for|not|quite|and|hour|and|a|half|,|but|come|out|feeling|strangely|unsatisfied|.\nYou|'ll|feel|like|you|ate|a|Reeses|without|the|peanut|butter|...|'\nGooding|offers|a|desperately|ingratiating|performance|.\nParker|should|be|commended|for|taking|a|fresh|approach|to|familiar|material|,|but|his|determination|to|remain|true|to|the|original|text|leads|him|to|adopt|a|somewhat|mannered|tone|...|that|ultimately|dulls|the|human|tragedy|at|the|story|'s|core|.\nThe|director|has|injected|self-consciousness|into|the|proceedings|at|every|turn|.\nThe|results|are|far|more|alienating|than|involving|.\nBogdanich|is|unashamedly|pro-Serbian|and|makes|little|attempt|to|give|voice|to|the|other|side|.\nA|lack|of|thesis|makes|Maryam|,|in|the|end|,|play|out|with|the|intellectual|and|emotional|impact|of|an|after-school|special|.\nWithout|Shakespeare|'s|eloquent|language|,|the|update|is|dreary|and|sluggish|.\nIf|H.G.|Wells|had|a|time|machine|and|could|take|a|look|at|his|kin|'s|reworked|version|,|what|would|he|say|?\n`|It|looks|good|,|Sonny|,|but|you|missed|the|point|.|'\nDuring|The|Tuxedo|'s|90|minutes|of|screen|time|,|there|is|n't|one|true|`|Chan|moment|'|.\nBisset|delivers|a|game|performance|,|but|she|is|unable|to|save|the|movie|.\nWatching|Austin|Powers|in|Goldmember|is|like|binging|on|cotton|candy|.\nIt|'s|sweet|and|fluffy|at|the|time|,|but|it|may|leave|you|feeling|a|little|sticky|and|unsatisfied|.\nThe|most|anti-human|big|studio|picture|since|3000|Miles|to|Graceland|.\nThe|film|can|depress|you|about|life|itself|.\nI|'m|sure|the|filmmakers|found|this|a|remarkable|and|novel|concept|,|but|anybody|who|has|ever|seen|an|independent|film|can|report|that|it|is|instead|a|cheap|cliché|.\nThe|acting|is|fine|but|the|script|is|about|as|interesting|as|a|recording|of|conversations|at|the|Wal-Mart|checkout|line|.\nIts|weighty|themes|are|too|grave|for|youngsters|,|but|the|story|is|too|steeped|in|fairy|tales|and|other|childish|things|to|appeal|much|to|teenagers|.\nThe|plot|plummets|into|a|comedy|graveyard|before|Janice|comes|racing|to|the|rescue|in|the|final|reel|.\nSometimes|there|are|very|,|very|good|reasons|for|certain|movies|to|be|sealed|in|a|jar|and|left|on|a|remote|shelf|indefinitely|.\nAt|90|minutes|this|movie|is|short|,|but|it|feels|much|longer|.\nHere|'s|my|advice|,|Kev|.\nStart|reading|your|scripts|before|signing|that|dotted|line|.\nAn|alternately|raucous|and|sappy|ethnic|sitcom|...|you|'d|be|wise|to|send|your|regrets|.\nAn|ugly-duckling|tale|so|hideously|and|clumsily|told|it|feels|accidental|.\nUnfortunately|,|it|'s|also|not|very|good|.\nEspecially|compared|with|the|television|series|that|inspired|the|movie|.\nIt|wraps|up|a|classic|mother\\/daughter|struggle|in|recycled|paper|with|a|shiny|new|bow|and|while|the|audience|can|tell|it|'s|not|all|new|,|at|least|it|looks|pretty|.\nGlazed|with|a|tawdry|B-movie|scum|.\nThis|is|the|kind|of|movie|during|which|you|want|to|bang|your|head|on|the|seat|in|front|of|you|,|at|its|cluelessness|,|at|its|idiocy|,|at|its|utterly|misplaced|earnestness|.\nIt|winds|up|moving|in|many|directions|as|it|searches|(|vainly|,|I|think|)|for|something|fresh|to|say|.\nAll|in|all|,|Road|to|Perdition|is|more|in|love|with|strangeness|than|excellence|.\nA|big|fat|pain|.\nA|mimetic|approximation|of|better|films|like|Contempt|and|8 1\\/2|.\nUnintelligible|,|poorly|acted|,|brain-slappingly|bad|,|Harvard|Man|is|ludicrous|enough|that|it|could|become|a|cult|classic|.\nWatching|The|Powerpuff|Girls|Movie|,|my|mind|kept|returning|to|one|anecdote|for|comparison|:|the|cartoon|in|Japan|that|gave|people|seizures|.\nAn|inelegant|combination|of|two|unrelated|shorts|that|falls|far|short|of|the|director|'s|previous|work|in|terms|of|both|thematic|content|and|narrative|strength|.\nTo|build|a|feel-good|fantasy|around|a|vain|dictator-madman|is|off-putting|,|to|say|the|least|,|not|to|mention|inappropriate|and|wildly|undeserved|.\nWith|the|cheesiest|monsters|this|side|of|a|horror|spoof|,|which|They|is|n't|,|it|is|more|likely|to|induce|sleep|than|fright|.\nMild|,|meandering|teen|flick|.\nThough|its|atmosphere|is|intriguing|...|the|drama|is|finally|too|predictable|to|leave|much|of|an|impression|.\nThough|this|rude|and|crude|film|does|deliver|a|few|gut-busting|laughs|,|its|digs|at|modern|society|are|all|things|we|'ve|seen|before|.\nAlthough|it|tries|to|be|much|more|,|it|'s|really|just|another|Major|League|.\nAstonishing|is|n't|the|word|--|neither|is|incompetent|,|incoherent|or|just|plain|crap|.\nIndeed|,|none|of|these|words|really|gets|at|the|very|special|type|of|badness|that|is|Deuces|Wild|.\nOne|thing|is|for|sure|:|This|movie|does|not|tell|you|a|whole|lot|about|Lily|Chou-Chou|.\nWith|a|tone|as|variable|as|the|cinematography|,|Schaeffer|'s|film|never|settles|into|the|light-footed|enchantment|the|material|needs|,|and|the|characters|'|quirks|and|foibles|never|jell|into|charm|.\nTo|better|understand|why|this|did|n't|connect|with|me|would|require|another|viewing|,|and|I|wo|n't|be|sitting|through|this|one|again|...|that|in|itself|is|commentary|enough|.\nCuba|Gooding|Jr.|valiantly|mugs|his|way|through|Snow|Dogs|,|but|even|his|boisterous|energy|fails|to|spark|this|leaden|comedy|.\nDiane|Lane|'s|sophisticated|performance|ca|n't|rescue|Adrian|Lyne|'s|Unfaithful|from|its|sleazy|moralizing|.\nNot|at|all|clear|what|it|'s|trying|to|say|and|even|if|it|were|--|I|doubt|it|would|be|all|that|interesting|.\n(|Swimfan|)|falls|victim|to|sloppy|plotting|,|an|insultingly|unbelievable|final|act|and|a|villainess|who|is|too|crazy|to|be|interesting|.\nThis|remake|of|Lina|Wertmuller|'s|1975|eroti-comedy|might|just|be|the|biggest|husband-and-wife|disaster|since|John|and|Bo|Derek|made|the|ridiculous|Bolero|.\nSilly|,|loud|and|goofy|.\nWhy|spend|$|9|on|the|same|stuff|you|can|get|for|a|buck|or|so|in|that|greasy|little|vidgame|pit|in|the|theater|lobby|?\nThe|French|director|has|turned|out|nearly|21\\/2|hours|of|unfocused|,|excruciatingly|tedious|cinema|that|,|half|an|hour|in|,|starts|making|water|torture|seem|appealing|.\nThe|basic|premise|is|intriguing|but|quickly|becomes|distasteful|and|downright|creepy|.\nThe|Pool|drowned|me|in|boredom|.\nIt|'s|like|an|all-star|salute|to|Disney|'s|cheesy|commercialism|.\nIt|'s|hard|to|imagine|any|recent|film|,|independent|or|otherwise|,|that|makes|as|much|of|a|mess|as|this|one|.\nSome|of|the|computer|animation|is|handsome|,|and|various|amusing|sidekicks|add|much-needed|levity|to|the|otherwise|bleak|tale|,|but|overall|the|film|never|rises|above|mediocrity|.\nThere|'s|an|excellent|90-minute|film|here|;|unfortunately|,|it|runs|for|170|.\nAs|saccharine|movies|go|,|this|is|likely|to|cause|massive|cardiac|arrest|if|taken|in|large|doses|.\nDie|Another|Day|is|only|intermittently|entertaining|but|it|'s|hard|not|to|be|a|sucker|for|its|charms|,|or|perhaps|it|'s|just|impossible|not|to|feel|nostalgia|for|movies|you|grew|up|with|.\nAs|is|often|the|case|with|ambitious|,|eager|first-time|filmmakers|,|Mr.|Murray|,|a|prolific|director|of|music|videos|,|stuffs|his|debut|with|more|plot|than|it|can|comfortably|hold|.\nThe|mystery|of|Enigma|is|how|a|rich|historical|subject|,|combined|with|so|much|first-rate|talent|...|could|have|yielded|such|a|flat|,|plodding|picture|.\nIt|throws|quirky|characters|,|odd|situations|,|and|off-kilter|dialogue|at|us|,|all|as|if|to|say|,|``|Look|at|this|!\nThis|is|an|interesting|movie|!|''\nBut|the|film|itself|is|ultimately|quite|unengaging|.\nThe|inherent|limitations|of|using|a|video|game|as|the|source|material|movie|are|once|again|made|all|too|clear|in|this|schlocky|horror\\/action|hybrid|.\nIt|'s|not|only|dull|because|we|'ve|seen|(|Eddie|)|Murphy|do|the|genial-rogue|shtick|to|death|,|but|because|the|plot|is|equally|hackneyed|.\nAvary|'s|film|never|quite|emerges|from|the|shadow|of|Ellis|'|book|.\nA|poorly|scripted|,|preachy|fable|that|forgets|about|unfolding|a|coherent|,|believable|story|in|its|zeal|to|spread|propaganda|.\nWhile|it|is|interesting|to|witness|the|conflict|from|the|Palestinian|side|,|Longley|'s|film|lacks|balance|...|and|fails|to|put|the|struggle|into|meaningful|historical|context|.\nWoo|has|as|much|right|to|make|a|huge|action|sequence|as|any|director|,|but|how|long|will|filmmakers|copy|the|``|Saving|Private|Ryan|''|battle|scenes|before|realizing|Steven|Spielberg|got|it|right|the|first|time|?\nIt|'s|sincere|to|a|fault|,|but|,|unfortunately|,|not|very|compelling|or|much|fun|.\n...|Jones|,|despite|a|definitely|distinctive|screen|presence|,|just|is|n't|able|to|muster|for|a|movie|that|,|its|title|notwithstanding|,|should|have|been|a|lot|nastier|if|it|wanted|to|fully|capitalize|on|its|lead|'s|specific|gifts|.\nThis|follow-up|seems|so|similar|to|the|1953|Disney|classic|that|it|makes|one|long|for|a|geriatric|Peter|.\nWhy|,|you|may|ask|,|why|should|you|buy|the|movie|milk|when|the|TV|cow|is|free|?\nThere|'s|no|good|answer|to|that|one|.\nThis|slow-moving|Swedish|film|offers|not|even|a|hint|of|joy|,|preferring|to|focus|on|the|humiliation|of|Martin|as|he|defecates|in|bed|and|urinates|on|the|plants|at|his|own|birthday|party|.\nA|muddled|limp|biscuit|of|a|movie|,|a|vampire|soap|opera|that|does|n't|make|much|sense|even|on|its|own|terms|.\nThere|'s|the|plot|,|and|a|maddeningly|insistent|and|repetitive|piano|score|that|made|me|want|to|scream|.\nThis|is|a|movie|so|insecure|about|its|capacity|to|excite|that|it|churns|up|not|one|but|two|flagrantly|fake|thunderstorms|to|underscore|the|action|.\nThis|is|amusing|for|about|three|minutes|.\nKlein|,|charming|in|comedies|like|American|Pie|and|dead-on|in|Election|,|delivers|one|of|the|saddest|action|hero|performances|ever|witnessed|.\nIt|'s|rare|to|see|a|movie|that|takes|such|a|speedy|swan|dive|from|``|promising|''|to|``|interesting|''|to|``|familiar|''|before|landing|squarely|on|``|stupid|''|.\nThis|is|the|sort|of|low-grade|dreck|that|usually|goes|straight|to|video|--|with|a|lousy|script|,|inept|direction|,|pathetic|acting|,|poorly|dubbed|dialogue|and|murky|cinematography|,|complete|with|visible|boom|mikes|.\nThe|direction|occasionally|rises|to|the|level|of|marginal|competence|,|but|for|most|of|the|film|it|is|hard|to|tell|who|is|chasing|who|or|why|.\nThere|are|few|things|more|frustrating|to|a|film|buff|than|seeing|an|otherwise|good|movie|marred|beyond|redemption|by|a|disastrous|ending|.\nIt|wo|n't|harm|anyone|,|but|neither|can|I|think|of|a|very|good|reason|to|rush|right|out|and|see|it|.\nAfter|all|,|it|'ll|probably|be|in|video|stores|by|Christmas|,|and|it|might|just|be|better|suited|to|a|night|in|the|living|room|than|a|night|at|the|movies|.\nLooks|more|like|a|travel-agency|video|targeted|at|people|who|like|to|ride|bikes|topless|and|roll|in|the|mud|than|a|worthwhile|glimpse|of|independent-community|guiding|lights|.\nGiven|too|much|time|to|consider|the|looseness|of|the|piece|,|the|picture|begins|to|resemble|the|shapeless|,|grasping|actors|'|workshop|that|it|is|.\nThey|kept|much|of|the|plot|but|jettisoned|the|stuff|that|would|make|this|a|moving|experience|for|people|who|have|n't|read|the|book|.\nJust|because|A|Walk|to|Remember|is|shrewd|enough|to|activate|girlish|tear|ducts|does|n't|mean|it|'s|good|enough|for|our|girls|.\n(|Carvey|'s|)|characters|are|both|overplayed|and|exaggerated|,|but|then|again|,|subtlety|has|never|been|his|trademark|.\nIt|'s|mildly|interesting|to|ponder|the|peculiar|American|style|of|justice|that|plays|out|here|,|but|it|'s|so|muddled|and|derivative|that|few|will|bother|thinking|it|all|through|.\nThis|dreadfully|earnest|inversion|of|the|Concubine|love|triangle|eschews|the|previous|film|'s|historical|panorama|and|roiling|pathos|for|bug-eyed|mugging|and|gay-niche|condescension|.\nBrown|'s|saga|,|like|many|before|his|,|makes|for|snappy|prose|but|a|stumblebum|of|a|movie|.\nThe|boys|'|sparring|,|like|the|succession|of|blows|dumped|on|Guei|,|wears|down|the|story|'s|more|cerebral|,|and|likable|,|plot|elements|.\nThe|script|by|Vincent|R.|Nebrida|...|tries|to|cram|too|many|ingredients|into|one|small|pot|.\nThe|story|is|so|light|and|sugary|that|were|it|a|Macy|'s|Thanksgiving|Day|Parade|balloon|,|extra|heavy-duty|ropes|would|be|needed|to|keep|it|from|floating|away|.\nOedekerk|mugs|mercilessly|,|and|the|genuinely|funny|jokes|are|few|and|far|between|.\nSince|Dahmer|resorts|to|standard|slasher|flick|thrills|when|it|should|be|most|in|the|mind|of|the|killer|,|it|misses|a|major|opportunity|to|be|truly|revelatory|about|his|psyche|.\nOnly|those|most|addicted|to|film|violence|in|all|its|forms|will|find|anything|here|to|appreciate|.\nCold|and|scattered|,|Minority|Report|commands|interest|almost|solely|as|an|exercise|in|gorgeous|visuals|.\nThat|'s|not|vintage|Spielberg|and|that|,|finally|,|is|minimally|satisfying|.\nEvery|now|and|again|,|a|movie|comes|along|to|remind|us|of|how|very|bad|a|motion|picture|can|truly|be|.\nFrank|McKlusky|C.I.|is|that|movie|!\nIt|'s|not|difficult|to|spot|the|culprit|early-on|in|this|predictable|thriller|.\n...|a|mostly|boring|affair|with|a|confusing|sudden|finale|that|'s|likely|to|irk|viewers|.\nThe|trappings|of|I|Spy|are|so|familiar|you|might|as|well|be|watching|a|rerun|.\nWhat|starts|off|as|a|potentially|incredibly|twisting|mystery|becomes|simply|a|monster|chase|film|.\nIn|the|wake|of|Saving|Private|Ryan|,|Black|Hawk|Down|and|We|Were|Soldiers|,|you|are|likely|to|be|as|heartily|sick|of|mayhem|as|Cage|'s|war-weary|marine|.\nIt|is|messy|,|uncouth|,|incomprehensible|,|vicious|and|absurd|.\nReally|does|feel|like|a|short|stretched|out|to|feature|length|.\nHampered|--|no|,|paralyzed|--|by|a|self-indulgent|script|...|that|aims|for|poetry|and|ends|up|sounding|like|satire|.\nCheap|,|vulgar|dialogue|and|a|plot|that|crawls|along|at|a|snail|'s|pace|.\nAnd|if|you|appreciate|the|one-sided|theme|to|Lawrence|'s|over-indulgent|tirade|,|then|knock|yourself|out|and|enjoy|the|big|screen|postcard|that|is|a|self-glorified|Martin|Lawrence|lovefest|.\nIf|you|are|willing|to|do|this|,|then|you|so|crazy|!\nDirected|without|the|expected|flair|or|imagination|by|Hong|Kong|master|John|Woo|,|Windtalkers|airs|just|about|every|cliche|in|the|war|movie|compendium|across|its|indulgent|two-hour-and-fifteen-minute|length|.\nIt|'s|a|very|tasteful|rock|and|roll|movie|.\nYou|could|put|it|on|a|coffee|table|anywhere|.\nThe|movie|is|loaded|with|good|intentions|,|but|in|his|zeal|to|squeeze|the|action|and|our|emotions|into|the|all-too-familiar|dramatic|arc|of|the|Holocaust|escape|story|,|Minac|drains|his|movie|of|all|individuality|.\nAn|infuriating|film|.\nJust|when|you|think|you|are|making|sense|of|it|,|something|happens|that|tells|you|there|is|no|sense|.\nThe|entire|movie|is|so|formulaic|and|forgettable|that|it|'s|hardly|over|before|it|begins|to|fade|from|memory|.\nThe|setting|turns|out|to|be|more|interesting|than|any|of|the|character|dramas|,|which|never|reach|satisfying|conclusions|.\nAs|an|entertainment|destination|for|the|general|public|,|Kung|Pow|sets|a|new|benchmark|for|lameness|.\nThis|misty-eyed|Southern|nostalgia|piece|,|in|treading|the|line|between|sappy|and|sanguine|,|winds|up|mired|in|tear-drenched|quicksand|.\nAs|pure|over-the-top|trash|,|any|John|Waters|movie|has|it|beat|by|a|country|mile|.\nWendigo|wants|to|be|a|monster|movie|for|the|art-house|crowd|,|but|it|falls|into|the|trap|of|pretention|almost|every|time|.\nBigelow|offers|some|flashy|twists|and|turns|that|occasionally|fortify|this|turgid|fable|.\nBut|for|the|most|part|,|The|Weight|of|Water|comes|off|as|a|two-way|time-switching|myopic|mystery|that|stalls|in|its|lackluster|gear|of|emotional|blandness|.\nThis|film|biggest|problem|?\nNo|laughs|.\nLess-than-compelling|documentary|of|a|Yiddish|theater|clan|.\nThat|the|Chuck|Norris|``|grenade|gag|''|occurs|about|7|times|during|Windtalkers|is|a|good|indication|of|how|serious-minded|the|film|is|.\nViewers|are|asked|so|often|to|suspend|belief|that|were|it|not|for|Holm|'s|performance|,|the|film|would|be|a|total|washout|.\nIt|'s|not|exactly|worth|the|bucks|to|expend|the|full|price|for|a|date|,|but|when|it|comes|out|on|video|,|it|'s|well|worth|a|rental|.\nI|ca|n't|begin|to|tell|you|how|tedious|,|how|resolutely|unamusing|,|how|thoroughly|unrewarding|all|of|this|is|,|and|what|a|reckless|squandering|of|four|fine|acting|talents|...\nEverybody|loves|a|David|and|Goliath|story|,|and|this|one|is|told|almost|entirely|from|David|'s|point|of|view|.\nThrow|Smoochy|from|the|train|!\nEventually|,|they|will|have|a|showdown|,|but|,|by|then|,|your|senses|are|as|mushy|as|peas|and|you|do|n't|care|who|fires|the|winning|shot|.\nIrwin|and|his|director|never|come|up|with|an|adequate|reason|why|we|should|pay|money|for|what|we|can|get|on|television|for|free|.\nA|light|,|engaging|comedy|that|fumbles|away|almost|all|of|its|accumulated|enjoyment|with|a|crucial|third|act|miscalculation|.\nCedar|somewhat|defuses|this|provocative|theme|by|submerging|it|in|a|hoary|love|triangle|.\nTo|paraphrase|a|line|from|another|Dickens|'|novel|,|Nicholas|Nickleby|is|too|much|like|a|fragment|of|an|underdone|potato|.\nThe|actresses|may|have|worked|up|a|back|story|for|the|women|they|portray|so|convincingly|,|but|viewers|do|n't|get|enough|of|that|background|for|the|characters|to|be|involving|as|individuals|rather|than|types|.\nThe|result|,|however|well-intentioned|,|is|ironically|just|the|sort|of|disposable|,|kitchen-sink|homage|that|illustrates|why|the|whole|is|so|often|less|than|the|sum|of|its|parts|in|today|'s|Hollywood|.\nAn|extremely|unpleasant|film|.\nA|movie|just|for|Friday|fans|,|critics|be|damned|.\nIf|you|already|like|this|sort|of|thing|,|this|is|that|sort|of|thing|all|over|again|.\nA|sincere|but|dramatically|conflicted|gay|coming-of-age|tale|.\nWait|for|it|to|hit|cable|.\nUltimately|feels|like|just|one|more|in|the|long|line|of|films|this|year|about|the|business|of|making|movies|.\nNothing|but|one|relentlessly|depressing|situation|after|another|for|its|entire|running|time|,|something|that|you|could|easily|be|dealing|with|right|now|in|your|lives|.\n77|minutes|of|Pokemon|may|not|last|4ever|,|it|just|seems|like|it|does|.\nMy|only|wish|is|that|Celebi|could|take|me|back|to|a|time|before|I|saw|this|movie|and|I|could|just|skip|it|.\nThe|one|not-so-small|problem|with|Expecting|is|that|the|entire|exercise|has|no|real|point|.\nA|movie|you|observe|,|rather|than|one|you|enter|into|.\n(|At|least|)|Moore|is|a|real|charmer|.\nJohn|Carlen|'s|script|is|full|of|unhappy|,|two-dimensional|characters|who|are|anything|but|compelling|.\nLaBute|ca|n't|avoid|a|fatal|mistake|in|the|modern|era|:|He|'s|changed|the|male|academic|from|a|lower-class|Brit|to|an|American|,|a|choice|that|upsets|the|novel|'s|exquisite|balance|and|shreds|the|fabric|of|the|film|.\nThe|notion|of|deleting|emotion|from|people|,|even|in|an|advanced|Prozac|Nation|,|is|so|insanely|dysfunctional|that|the|rampantly|designed|Equilibrium|becomes|a|concept|doofus|.\nStale|first|act|,|Scrooge|story|,|blatant|product|placement|,|some|very|good|comedic|songs|,|strong|finish|,|dumb|fart|jokes|.\nUnsurprisingly|,|the|way|this|all|works|out|makes|the|women|look|more|like|stereotypical|caretakers|and|moral|teachers|,|instead|of|serious|athletes|.\nA|film|that|loses|sight|of|its|own|story|.\nAdam|Sandler|'s|Eight|Crazy|Nights|grows|on|you|--|like|a|rash|.\nThe|big-screen|Scooby|makes|the|silly|original|cartoon|seem|smart|and|well-crafted|in|comparison|.\nFew|of|the|increasingly|far-fetched|events|that|first-time|writer-director|Neil|Burger|follows|up|with|are|terribly|convincing|,|which|is|a|pity|,|considering|Barry|'s|terrific|performance|.\nGets|better|after|Foster|leaves|that|little|room|.\nThe|movie|is|as|padded|as|Allen|'s|jelly|belly|.\nResident|Evil|is|n't|a|product|of|its|cinematic|predecessors|so|much|as|an|MTV|,|sugar|hysteria|,|and|PlayStation|cocktail|.\nA|rather|average|action|film|that|benefits|from|several|funny|moments|supplied|by|Epps|.\n...|unspeakably|,|unbearably|dull|,|featuring|reams|of|flatly|delivered|dialogue|and|a|heroine|who|comes|across|as|both|shallow|and|dim-witted|.\nResembles|a|soft|porn|Brian|De|Palma|pastiche|.\nBluto|Blutarsky|,|we|miss|you|.\nInnocuous|enough|to|make|even|Jean-Claude|Van|Damme|look|good|.\nIt|'s|a|glorified|sitcom|,|and|a|long|,|unfunny|one|at|that|.\nWoody|Allen|can|write|and|deliver|a|one|liner|as|well|as|anybody|.\nBut|I|had|a|lot|of|problems|with|this|movie|.\nDevoid|of|any|of|the|qualities|that|made|the|first|film|so|special|.\nAll|movie|long|,|City|by|the|Sea|swings|from|one|approach|to|the|other|,|but|in|the|end|,|it|stays|in|formula|--|which|is|a|waste|of|De|Niro|,|McDormand|and|the|other|good|actors|in|the|cast|.\nPlotless|collection|of|moronic|stunts|is|by|far|the|worst|movie|of|the|year|.\nHowever|sincere|it|may|be|,|The|Rising|Place|never|quite|justifies|its|own|existence|.\nParker|updates|the|setting|in|an|attempt|to|make|the|film|relevant|today|,|without|fully|understanding|what|it|was|that|made|the|story|relevant|in|the|first|place|.\nIt|'s|sort|of|a|21st|century|morality|play|with|a|Latino|hip|hop|beat|.\nBut|the|second|half|of|the|movie|really|goes|downhill|.\nPaxton|'s|uneven|directorial|debut|fails|to|unlock|the|full|potential|of|what|is|in|many|ways|a|fresh|and|dramatically|substantial|spin|on|the|genre|.\nThe|script|becomes|lifeless|and|falls|apart|like|a|cheap|lawn|chair|.\nThe|script|falls|back|on|too|many|tried-and-true|shenanigans|that|hardly|distinguish|it|from|the|next|teen|comedy|.\nThe|film|starts|promisingly|,|but|the|ending|is|all|too|predictable|and|far|too|cliched|to|really|work|.\nLet|'s|issue|a|moratorium|,|effective|immediately|,|on|treacly|films|about|inspirational|prep-school|professors|and|the|children|they|so|heartwarmingly|motivate|.\nIt|'s|the|element|of|condescension|,|as|the|filmmakers|look|down|on|their|working-class|subjects|from|their|lofty|perch|,|that|finally|makes|Sex|With|Strangers|,|which|opens|today|in|the|New|York|metropolitan|area|,|so|distasteful|.\nAlternately|frustrating|and|rewarding|.\nIt|'s|impossible|to|even|categorize|this|as|a|smutty|guilty|pleasure|.\nDespite|suffering|a|sense-of-humour|failure|,|The|Man|Who|Wrote|Rocky|does|not|deserve|to|go|down|with|a|ship|as|leaky|as|this|.\nSwinging|,|the|film|makes|it|seem|,|is|not|a|hobby|that|attracts|the|young|and|fit|.\nOr|intelligent|.\nThe|most|memorable|moment|was|when|Green|threw|medical|equipment|at|a|window|;|not|because|it|was|particularly|funny|,|but|because|I|had|a|serious|urge|to|grab|the|old|lady|at|the|end|of|my|aisle|'s|walker|and|toss|it|at|the|screen|in|frustration|.\nSee|Clockstoppers|if|you|have|nothing|better|to|do|with|94|minutes|.\nBut|be|warned|,|you|too|may|feel|time|has|decided|to|stand|still|.\nOr|that|the|battery|on|your|watch|has|died|.\nSuffers|from|over-familiarity|since|hit-hungry|British|filmmakers|have|strip-mined|the|Monty|formula|mercilessly|since|1997|.\nThere|are|enough|throwaway|references|to|faith|and|rainbows|to|plant|smile-button|faces|on|that|segment|of|the|populace|that|made|A|Walk|to|Remember|a|niche|hit|.\nYes|,|I|have|given|this|movie|a|rating|of|zero|.\nBut|fans|of|the|show|should|not|consider|this|a|diss|.\nConsider|it|`|perfection|.|'\nThe|cumulative|effect|of|the|movie|is|repulsive|and|depressing|.\nChildren|and|adults|enamored|of|all|things|Pokemon|wo|n't|be|disappointed|.\nI|do|n't|even|care|that|there|'s|no|plot|in|this|Antonio|Banderas-Lucy|Liu|faceoff|.\nIt|'s|still|terrible|!\nChildren|of|the|Century|,|though|well|dressed|and|well|made|,|ultimately|falls|prey|to|the|contradiction|that|afflicts|so|many|movies|about|writers|.\nIt|'s|not|so|much|a|movie|as|a|joint|promotion|for|the|National|Basketball|Association|and|teenaged|rap|and|adolescent|poster-boy|Lil|'|Bow|Wow|.\nPeralta|'s|mythmaking|could|have|used|some|informed|,|adult|hindsight|.\nA|close-to-solid|espionage|thriller|with|the|misfortune|of|being|released|a|few|decades|too|late|.\nCloaks|a|familiar|anti-feminist|equation|(|career|-|kids|=|misery|)|in|tiresome|romantic-comedy|duds|.\nThe|Good|Girl|is|a|film|in|which|the|talent|is|undeniable|but|the|results|are|underwhelming|.\nJust|a|collection|of|this|and|that|--|whatever|fills|time|--|with|no|unified|whole|.\nThe|animation|and|game|phenomenon|that|peaked|about|three|years|ago|is|actually|dying|a|slow|death|,|if|the|poor|quality|of|Pokemon|4|Ever|is|any|indication|.\nOnly|about|as|sexy|and|dangerous|as|an|actress|in|a|role|that|reminds|at|every|turn|of|Elizabeth|Berkley|'s|flopping|dolphin-gasm|.\nKids|who|are|into|this|Thornberry|stuff|will|probably|be|in|wedgie|heaven|.\nAnyone|else|who|may|,|for|whatever|reason|,|be|thinking|about|going|to|see|this|movie|is|hereby|given|fair|warning|.\nMr.|Soderbergh|'s|direction|and|visual|style|struck|me|as|unusually|and|unimpressively|fussy|and|pretentious|.\nDo|you|say|``|hi|''|to|your|lover|when|you|wake|up|in|the|morning|?\nIt|makes|me|feel|weird|\\/|Thinking|about|all|the|bad|things|in|the|world|\\/|Like|puppies|with|broken|legs|\\/|And|butterflies|that|die|\\/|And|movies|starring|pop|queens\nDirector|Tom|Dey|demonstrated|a|knack|for|mixing|action|and|idiosyncratic|humor|in|his|charming|2000|debut|Shanghai|Noon|,|but|Showtime|'s|uninspired|send-up|of|TV|cop|show|cliches|mostly|leaves|him|shooting|blanks|.\n`|Yes|,|that|'s|right|:|it|'s|Forrest|Gump|,|Angel|Of|Death|.|'\nA|wildly|erratic|drama|with|sequences|that|make|you|wince|in|embarrassment|and|others|,|thanks|to|the|actors|,|that|are|quite|touching|.\nWhile|easier|to|sit|through|than|most|of|Jaglom|'s|self-conscious|and|gratingly|irritating|films|,|it|'s|still|tainted|by|cliches|,|painful|improbability|and|murky|points|.\nAbout|as|enjoyable|,|I|would|imagine|,|as|searching|for|a|quarter|in|a|giant|pile|of|elephant|feces|...|positively|dreadful|.\nA|generic|international|version|of|a|typical|American|horror|film|.\n...|while|certainly|clever|in|spots|,|this|too-long|,|spoofy|update|of|Shakespeare|'s|Macbeth|does|n't|sustain|a|high|enough|level|of|invention|.\nLucas|has|in|fact|come|closer|than|anyone|could|desire|to|the|cheap|,|graceless|,|hackneyed|sci-fi|serials|of|the|'30s|and|'40s|.\nThere|'s|a|lot|of|good|material|here|,|but|there|'s|also|a|lot|of|redundancy|and|unsuccessful|crudeness|accompanying|it|.\nAbsurdities|and|clichés|accumulate|like|lint|in|a|fat|man|'s|navel|.\nIf|you|think|it|'s|a|riot|to|see|Rob|Schneider|in|a|young|woman|'s|clothes|,|then|you|'ll|enjoy|The|Hot|Chick|.\nThe|sheer|dumbness|of|the|plot|(|other|than|its|one|good|idea|)|and|the|movie|'s|inescapable|air|of|sleaziness|get|you|down|.\nStrangely|comes|off|as|a|kingdom|more|mild|than|wild|.\nThe|next|big|thing|'s|not-so-big|(|and|not-so-hot|)|directorial|debut|.\nYet|another|iteration|of|what|'s|become|one|of|the|movies|'|creepiest|conventions|,|in|which|the|developmentally|disabled|are|portrayed|with|almost|supernatural|powers|to|humble|,|teach|and|ultimately|redeem|their|mentally|``|superior|''|friends|,|family|...\nBond-inspired|?\nCertainly|.\nLikely|to|have|decades|of|life|as|a|classic|movie|franchise|?\nLet|'s|hope|not|.\nThis|flat|run|at|a|hip-hop|Tootsie|is|so|poorly|paced|you|could|fit|all|of|Pootie|Tang|in|between|its|punchlines|.\nDavis|has|energy|,|but|she|does|n't|bother|to|make|her|heroine|'s|book|sound|convincing|,|the|gender-war|ideas|original|,|or|the|comic|scenes|fly|.\nSurprisingly|,|considering|that|Baird|is|a|former|film|editor|,|the|movie|is|rather|choppy|.\nNone|of|this|is|very|original|,|and|it|is|n't|particularly|funny|.\n...|a|bland|murder-on-campus|yawner|.\nA|humorless|journey|into|a|philosophical|void|.\nThese|two|are|generating|about|as|much|chemistry|as|an|Iraqi|factory|poised|to|receive|a|UN|inspector|.\nJust|as|the|lousy|Tarantino|imitations|have|subsided|,|here|comes|the|first|lousy|Guy|Ritchie|imitation|.\nA|passable|romantic|comedy|,|in|need|of|another|couple|of|passes|through|the|word|processor|.\nThe|movie|attempts|to|mine|laughs|from|a|genre|--|the|gangster\\/crime|comedy|--|that|wore|out|its|welcome|with|audiences|several|years|ago|,|and|its|cutesy|reliance|on|movie-specific|cliches|is|n't|exactly|endearing|.\nshows|Holmes|has|the|screen|presence|to|become|a|major-league|leading|lady|,|(|but|)|the|movie|itself|is|an|underachiever|,|a|psychological|mystery|that|takes|its|sweet|time|building|to|a|climax|that|'s|scarcely|a|surprise|by|the|time|it|arrives|.\nUltimately|...|the|movie|is|too|heady|for|children|,|and|too|preachy|for|adults|.\nIt|'s|just|a|little|too|self-satisfied|.\nClever|but|not|especially|compelling|.\nMcKay|seems|embarrassed|by|his|own|invention|and|tries|to|rush|through|the|intermediary|passages|,|apparently|hoping|that|the|audience|will|not|notice|the|glaring|triteness|of|the|plot|device|he|has|put|in|service|.\nA|piece|of|mildly|entertaining|,|inoffensive|fluff|that|drifts|aimlessly|for|90|minutes|before|lodging|in|the|cracks|of|that|ever-growing|category|:|unembarrassing|but|unmemorable|.\nLaBute|was|more|fun|when|his|characters|were|torturing|each|other|psychologically|and|talking|about|their|genitals|in|public|.\nThe|movie|weighs|no|more|than|a|glass|of|flat|champagne|.\nThe|problem|with|ANTWONE|FISHER|is|that|it|has|a|screenplay|written|by|Antwone|Fisher|based|on|the|book|by|Antwone|Fisher|.\nAlarms|for|Duvall|'s|throbbing|sincerity|and|his|elderly|propensity|for|patting|people|while|he|talks|.\nWhat|little|grace|(|Rifkin|'s|)|tale|of|precarious|skid-row|dignity|achieves|is|pushed|into|the|margins|by|predictable|plotting|and|tiresome|histrionics|.\nTries|to|work|in|the|same|vein|as|the|brilliance|of|Animal|House|but|instead|comes|closer|to|the|failure|of|the|third|Revenge|of|the|Nerds|sequel|.\nUnfortunately|,|Kapur|modernizes|A.E.W.|Mason|'s|story|to|suit|the|sensibilities|of|a|young|American|,|a|decision|that|plucks|``|The|Four|Feathers|''|bare|.\n...|what|a|banal|bore|the|preachy|Circuit|turns|out|to|be\nFalsehoods|pile|up|,|undermining|the|movie|'s|reality|and|stifling|its|creator|'s|comic|voice|.\nA|mechanical|action-comedy|whose|seeming|purpose|is|to|market|the|charismatic|Jackie|Chan|to|even|younger|audiences|.\nOne|of|the|most|incoherent|features|in|recent|memory|.\nLow|rent|from|frame|one|.\nEight|Legged|Freaks|?\nNo|big|hairy|deal|.\nThe|issues|are|presented|in|such|a|lousy|way|,|complete|with|some|of|the|year|'s|(|unintentionally|)|funniest|moments|,|that|it|'s|impossible|to|care|.\nLaggard|drama|wending|its|way|to|an|uninspired|philosophical|epiphany|.\nThe|respective|charms|of|Sandra|Bullock|and|Hugh|Grant|have|worn|threadbare|.\n`|This|movie|sucks|.|'\nNone|of|this|so-called|satire|has|any|sting|to|it|,|as|if|Woody|is|afraid|of|biting|the|hand|that|has|finally|,|to|some|extent|,|warmed|up|to|him|.\nA|few|nonbelievers|may|rethink|their|attitudes|when|they|see|the|joy|the|characters|take|in|this|creed|,|but|skeptics|are|n't|likely|to|enter|the|theater|.\nBad|in|such|a|bizarre|way|that|it|'s|almost|worth|seeing|,|if|only|to|witness|the|crazy|confluence|of|purpose|and|taste|.\nThere|'s|more|repetition|than|creativity|throughout|the|movie|.\nHugh|Grant|'s|act|is|so|consuming|that|sometimes|it|'s|difficult|to|tell|who|the|other|actors|in|the|movie|are|.\nAlthough|the|sequel|has|all|the|outward|elements|of|the|original|,|the|first|film|'s|lovely|flakiness|is|gone|,|replaced|by|the|forced|funniness|found|in|the|dullest|kiddie|flicks|.\nI|'ve|had|more|interesting|--|and|,|dare|I|say|,|thematically|complex|--|bowel|movements|than|this|long-on-the-shelf|,|point-and-shoot|exercise|in|gimmicky|crime|drama|.\nWhat|we|get|...|is|Caddyshack|crossed|with|the|Loyal|Order|of|Raccoons|.\nThe|jokes|are|flat|,|and|the|action|looks|fake|.\nWhen|a|movie|asks|you|to|feel|sorry|for|Mick|Jagger|'s|sex|life|,|it|already|has|one|strike|against|it|.\nThere|are|now|two|signs|that|M.|Night|Shyamalan|'s|debut|feature|sucked|up|all|he|has|to|give|to|the|mystic|genres|of|cinema|:|Unbreakable|and|Signs|.\n...|hokey|art|house|pretension|.\n...|a|weak|and|ineffective|ghost|story|without|a|conclusion|or|pay|off|.\nGussied|up|with|so|many|distracting|special|effects|and|visual|party|tricks|that|it|'s|not|clear|whether|we|'re|supposed|to|shriek|or|laugh|.\nPlodding|,|poorly|written|,|murky|and|weakly|acted|,|the|picture|feels|as|if|everyone|making|it|lost|their|movie|mojo|.\nThis|is|a|fudged|opportunity|of|gigantic|proportions|--|a|lunar|mission|with|no|signs|of|life|.\nA|baffling|subplot|involving|smuggling|drugs|inside|Danish|cows|falls|flat|,|and|if|you|'re|going|to|alter|the|Bard|'s|ending|,|you|'d|better|have|a|good|alternative|.\nSoderbergh|seems|capable|only|of|delivering|artfully|lighted|,|earnest|inquiries|that|lack|the|kind|of|genuine|depth|that|would|make|them|redeemable|.\nThe|only|thing|that|distinguishes|a|Randall|Wallace|film|from|any|other|is|the|fact|that|there|is|nothing|distinguishing|in|a|Randall|Wallace|film|.\nSilly|stuff|,|all|mixed|up|together|like|a|term|paper|from|a|kid|who|ca|n't|quite|distinguish|one|sci-fi|work|from|another|.\nThere|is|so|much|plodding|sensitivity|.\nThe|town|has|kind|of|an|authentic|feel|,|but|each|one|of|these|people|stand|out|and|everybody|else|is|in|the|background|and|it|just|seems|manufactured|to|me|and|artificial|.\n...|too|sappy|for|its|own|good|.\nCircuit|queens|wo|n't|learn|a|thing|,|they|'ll|be|too|busy|cursing|the|film|'s|strategically|placed|white|sheets|.\nAs|an|actress|,|Madonna|is|one|helluva|singer|.\nAs|the|Mediterranean|sparkles|,|`|Swept|Away|'|sinks|.\nEvery|so|often|a|film|comes|along|that|is|so|insanely|stupid|,|so|awful|in|so|many|ways|that|watching|it|leaves|you|giddy|.\nHalf|Past|Dead|is|just|such|an|achievement|.\nExpanded|to|65|minutes|for|theatrical|release|,|it|still|feels|somewhat|unfinished|.\nIt|all|looks|and|plays|like|a|$|40|million|version|of|a|game|you|'re|more|likely|to|enjoy|on|a|computer|.\n(|Javier|Bardem|is|)|one|of|the|few|reasons|to|watch|the|film|,|which|director|Gerardo|Vera|has|drenched|in|swoony|music|and|fever-pitched|melodrama|.\nFeels|shrill|,|simple|and|soapy|.\nAdults|,|other|than|the|parents|...|will|be|hard|pressed|to|succumb|to|the|call|of|the|wild|.\nBrady|achieves|the|remarkable|feat|of|squandering|a|topnotch|foursome|of|actors|...|by|shoving|them|into|every|clichéd|white-trash|situation|imaginable|.\nIn|the|name|of|an|allegedly|inspiring|and|easily|marketable|flick|,|The|Emperor|'s|Club|turns|a|blind|eye|to|the|very|history|it|pretends|to|teach|.\nNo|amount|of|blood|and|disintegrating|vampire|cadavers|can|obscure|this|movie|'s|lack|of|ideas|.\nA|direct-to-void|release|,|heading|nowhere|.\nTypical|animé|,|with|cheapo|animation|(|like|Saturday|morning|TV|in|the|'60s|)|,|a|complex|sword-and-sorcery|plot|and|characters|who|all|have|big|round|eyes|and|Japanese|names|.\nBelow|is|well|below|expectations|.\nAt|no|point|during|K-19|:|The|Widowmaker|did|this|viewer|feel|enveloped|in|a|story|that|,|though|meant|to|be|universal|in|its|themes|of|loyalty|,|courage|and|dedication|to|a|common|goal|,|never|seems|to|leave|the|lot|.\n...|standard|guns|versus|martial|arts|cliche|with|little|new|added|.\nEmpire|ca|n't|make|up|its|mind|whether|it|wants|to|be|a|gangster|flick|or|an|art|film|.\nIt|does|n't|work|as|either|.\nGiven|the|fact|that|virtually|no|one|is|bound|to|show|up|at|theatres|for|it|,|the|project|should|have|been|made|for|the|tube|.\nPossession|is|in|the|end|an|honorable|,|interesting|failure|.\nIt|falls|far|short|of|poetry|,|but|it|'s|not|bad|prose|.\nJonathan|Parker|'s|Bartleby|should|have|been|the|be-all-end-all|of|the|modern-office|anomie|films|.\nThere|may|have|been|a|good|film|in|``|Trouble|Every|Day|,|''|but|it|is|not|what|is|on|the|screen|.\nUnfortunately|,|Carvey|'s|rubber-face|routine|is|no|match|for|the|insipid|script|he|has|crafted|with|Harris|Goldberg|.\nViewed|as|a|comedy|,|a|romance|,|a|fairy|tale|,|or|a|drama|,|there|'s|nothing|remotely|triumphant|about|this|motion|picture|.\nThere|'s|something|unintentionally|comic|in|the|film|'s|drumbeat|about|authenticity|,|given|the|stale|plot|and|pornographic|way|the|film|revels|in|swank|apartments|,|clothes|and|parties|.\nThe|Master|of|Disguise|is|funny|--|not|``|ha|ha|''|funny|,|``|dead|circus|performer|''|funny|.\nAnd|for|all|the|wrong|reasons|besides|.\nA|zippy|96|minutes|of|mediocre|special|effects|,|hoary|dialogue|,|fluxing|accents|,|and|--|worst|of|all|--|silly-looking|Morlocks|.\nA|75-minute|sample|of|puerile|rubbish|that|is|listless|,|witless|,|and|devoid|of|anything|resembling|humor|.\nYou|leave|feeling|like|you|'ve|endured|a|long|workout|without|your|pulse|ever|racing|.\nThe|waterlogged|script|plumbs|uncharted|depths|of|stupidity|,|incoherence|and|sub-sophomoric|sexual|banter|.\nWith|McConaughey|in|an|entirely|irony-free|zone|and|Bale|reduced|mainly|to|batting|his|sensitive|eyelids|,|there|'s|not|enough|intelligence|,|wit|or|innovation|on|the|screen|to|attract|and|sustain|an|older|crowd|.\nIt|'s|the|type|of|stunt|the|Academy|loves|:|a|powerful|political|message|stuffed|into|an|otherwise|mediocre|film|.\nIn|theory|,|a|middle-aged|romance|pairing|Clayburgh|and|Tambor|sounds|promising|,|but|in|practice|it|'s|something|else|altogether|--|clownish|and|offensive|and|nothing|at|all|like|real|life|.\nSo|mind-numbingly|awful|that|you|hope|Britney|wo|n't|do|it|one|more|time|,|as|far|as|movies|are|concerned|.\nThe|images|are|usually|abbreviated|in|favor|of|mushy|obviousness|and|telegraphed|pathos|,|particularly|where|Whitaker|'s|misfit|artist|is|concerned|.\nIf|Welles|was|unhappy|at|the|prospect|of|the|human|race|splitting|in|two|,|he|probably|would|n't|be|too|crazy|with|his|great-grandson|'s|movie|splitting|up|in|pretty|much|the|same|way|.\nSets|animation|back|30|years|,|musicals|back|40|years|and|Judaism|back|at|least|50|.\nWeirdly|,|Broomfield|has|compelling|new|material|but|he|does|n't|unveil|it|until|the|end|,|after|endless|scenes|of|him|wheedling|reluctant|witnesses|and|pointing|his|camera|through|the|smeared|windshield|of|his|rental|car|.\nMight|best|be|enjoyed|as|a|daytime|soaper|.\neventually|arrives|at|its|heart|,|as|simple|self-reflection|meditation|.\nA|showcase|for|both|the|scenic|splendor|of|the|mountains|and|for|legendary|actor|Michel|Serrault|,|the|film|is|less|successful|on|other|levels|.\nBoy|oh|boy|,|it|'s|a|howler|.\nA|few|pieces|of|the|film|buzz|and|whir|;|very|little|of|it|actually|clicks|.\nThe|thing|just|never|gets|off|the|ground|.\n...|contains|very|few|laughs|and|even|less|surprises|.\nThe|actors|must|indeed|be|good|to|recite|some|of|this|laughable|dialogue|with|a|straight|face|.\nMost|of|the|storylines|feel|like|time|fillers|between|surf|shots|.\nThe|movie|is|n't|horrible|,|but|you|can|see|mediocre|cresting|on|the|next|wave|.\nHowever|stale|the|material|,|Lawrence|'s|delivery|remains|perfect|;|his|great|gift|is|that|he|can|actually|trick|you|into|thinking|some|of|this|worn-out|,|pandering|palaver|is|actually|funny|.\nThere|'s|nothing|remotely|topical|or|sexy|here|.\nThe|Tuxedo|was|n't|just|bad|;|it|was|,|as|my|friend|David|Cross|would|call|it|,|`|Hungry-Man|portions|of|bad|'|.\nBlue|Crush|is|so|prolonged|and|boring|it|is|n't|even|close|to|being|the|barn-burningly|bad|movie|it|promised|it|would|be|.\nThe|sequel|plays|out|like|a|flimsy|excuse|to|give|Blade|fans|another|look|at|Wesley|Snipes|'|iconic|hero|doing|battle|with|dozens|of|bad|guys|--|at|once|.\nWhile|Van|Wilder|may|not|be|the|worst|National|Lampoon|film|,|it|'s|far|from|being|this|generation|'s|Animal|House|.\nSo|devoid|of|pleasure|or|sensuality|that|it|can|not|even|be|dubbed|hedonistic|.\nReeks|of|rot|and|hack|work|from|start|to|finish|.\nAn|exhausting|family|drama|about|a|porcelain|empire|and|just|as|hard|a|flick|as|its|subject|matter|.\nWoody|Allen|has|really|found|his|groove|these|days|.\nThe|problem|is|that|it|is|one|that|allows|him|to|churn|out|one|mediocre|movie|after|another|.\nThe|bland|outweighs|the|nifty|,|and|Cletis|Tout|never|becomes|the|clever|crime|comedy|it|thinks|it|is|.\nIt|'s|such|a|mechanical|endeavor|(|that|)|it|never|bothers|to|question|why|somebody|might|devote|time|to|see|it|.\nThe|art|direction|is|often|exquisite|,|and|the|anthropomorphic|animal|characters|are|beautifully|realized|through|clever|makeup|design|,|leaving|one|to|hope|that|the|eventual|DVD|release|will|offer|subtitles|and|the|original|Italian-language|soundtrack|.\nIf|the|predictability|of|bland|comfort|food|appeals|to|you|,|then|the|film|is|a|pleasant|enough|dish|.\nUltimately|,|in|the|history|of|the|Academy|,|people|may|be|wondering|what|all|that|jazz|was|about|``|Chicago|''|in|2002|.\nZellweger|'s|whiny|pouty-lipped|poof|faced|and|spindly|attempt|at|playing|an|ingenue|makes|her|nomination|as|best|actress|even|more|of|a|an|a\nA|seriously|bad|film|with|seriously|warped|logic|by|writer-director|Kurt|Wimmer|at|the|screenplay|level|.\nA|pleasant|and|engaging|enough|sit|,|but|in|trying|to|have|the|best|of|both|worlds|it|ends|up|falling|short|as|a|whole|.\nIts|plot|and|animation|offer|daytime|TV|serviceability|,|but|little|more|.\nA|tired|,|unimaginative|and|derivative|variation|of|that|already-shallow|genre|.\nHuman|Nature|,|in|short|,|is|n't|nearly|as|funny|as|it|thinks|it|is|;|neither|is|it|as|smart|.\nA|film|with|a|great|premise|but|only|a|great|premise|.\nInstead|of|building|to|a|laugh|riot|we|are|left|with|a|handful|of|disparate|funny|moments|of|no|real|consequence|.\nKirshner|and|Monroe|seem|to|be|in|a|contest|to|see|who|can|out-bad-act|the|other|.\n(|Kirshner|wins|,|but|it|'s|close|.|)\nA|lame|romantic|comedy|about|an|unsympathetic|character|and|someone|who|would|not|likely|be|so|stupid|as|to|get|involved|with|her|.\nWhat|started|out|as|a|taut|contest|of|wills|between|Bacon|and|Theron|,|deteriorates|into|a|protracted|and|borderline|silly|chase|sequence|.\n(|Sam|'s|)|self-flagellation|is|more|depressing|than|entertaining|.\nAn|ugly|,|pointless|,|stupid|movie|.\nSimply|put|,|there|should|have|been|a|more|compelling|excuse|to|pair|Susan|Sarandon|and|Goldie|Hawn|.\nThe|Master|of|Disguise|represents|Adam|Sandler|'s|latest|attempt|to|dumb|down|the|universe|.\nThis|is|an|ungainly|movie|,|ill-fitting|,|with|its|elbows|sticking|out|where|the|knees|should|be|.\nToo|silly|to|take|seriously|.\nThe|inevitable|double|-|and|triple-crosses|arise|,|but|the|only|drama|is|in|waiting|to|hear|how|John|Malkovich|'s|reedy|consigliere|will|pronounce|his|next|line|.\nEverything|'s|serious|,|poetic|,|earnest|and|--|sadly|--|dull|.\nI|like|it|.\nNo|,|I|hate|it|.\nNo|,|I|love|it|...|hell|,|I|dunno|.\nThis|mess|of|a|movie|is|nothing|short|of|a|travesty|of|a|transvestite|comedy|.\nIt|'s|clotted|with|heavy-handed|symbolism|,|dime-store|psychology|and|endless|scenic|shots|that|make|105|minutes|seem|twice|as|long|.\nA|fifty|car|pileup|of|cliches|.\nIt|'s|a|stale|,|overused|cocktail|using|the|same|olives|since|1962|as|garnish|.\nNot|only|is|entry|number|twenty|the|worst|of|the|Brosnan|bunch|,|it|'s|one|of|the|worst|of|the|entire|franchise|.\nWhat|ultimately|makes|Windtalkers|a|disappointment|is|the|superficial|way|it|deals|with|its|story|.\nAs|an|actor|'s|showcase|,|Hart|'s|War|has|much|to|recommend|it|,|even|if|the|top-billed|Willis|is|not|the|most|impressive|player|.\nAs|a|story|of|dramatic|enlightenment|,|the|screenplay|by|Billy|Ray|and|Terry|George|leaves|something|to|be|desired|.\nA|non-Britney|person|might|survive|a|screening|with|little|harm|done|,|except|maybe|for|the|last|15|minutes|,|which|are|as|maudlin|as|any|after-school|special|you|can|imagine|.\nIt|'s|not|hateful|.\nIt|'s|simply|stupid|,|irrelevant|and|deeply|,|truly|,|bottomlessly|cynical|.\nPossibly|not|since|Grumpy|Old|Men|have|I|heard|a|film|so|solidly|connect|with|one|demographic|while|striking|out|with|another|.\nThe|drama|was|so|uninspiring|that|even|a|story|immersed|in|love|,|lust|,|and|sin|could|n't|keep|my|attention|.\nA|rather|tired|exercise|in|nostalgia|.\nThe|misery|of|these|people|becomes|just|another|voyeuristic|spectacle|,|to|be|consumed|and|forgotten|.\nSome|Body|often|looks|like|an|episode|of|the|TV|show|Blind|Date|,|only|less|technically|proficient|and|without|the|pop-up|comments|.\nBad|Company|has|one|of|the|most|moronic|screenplays|of|the|year|,|full|of|holes|that|will|be|obvious|even|to|those|who|are|n't|looking|for|them|.\nPredecessors|The|Mummy|and|The|Mummy|Returns|stand|as|intellectual|masterpieces|next|to|The|Scorpion|King|.\nA|markedly|inactive|film|,|City|is|conversational|bordering|on|confessional|.\nWhile|kids|will|probably|eat|the|whole|thing|up|,|most|adults|will|be|way|ahead|of|the|plot|.\nDespite|an|impressive|roster|of|stars|and|direction|from|Kathryn|Bigelow|,|The|Weight|of|Water|is|oppressively|heavy|.\nWe|'ve|liked|Klein|'s|other|work|but|Rollerball|left|us|cold|.\nThey|were|afraid|to|show|this|movie|to|reviewers|before|its|opening|,|afraid|of|the|bad|reviews|they|thought|they|'d|earn|.\nThey|were|right|.\nIt|would|be|churlish|to|begrudge|anyone|for|receiving|whatever|consolation|that|can|be|found|in|Dragonfly|,|yet|it|is|impossible|to|find|the|film|anything|but|appalling|,|shamelessly|manipulative|and|contrived|,|and|totally|lacking|in|conviction|.\nOffers|no|new|insight|on|the|matter|,|nor|do|its|characters|exactly|spring|to|life|.\nNohe|has|made|a|decent|`|intro|'|documentary|,|but|he|feels|like|a|spectator|and|not|a|participant|.\nApparently|designed|as|a|reverie|about|memory|and|regret|,|but|the|only|thing|you|'ll|regret|is|remembering|the|experience|of|sitting|through|it|.\nA|94-minute|travesty|of|unparalleled|proportions|,|writer-director|Parker|seems|to|go|out|of|his|way|to|turn|the|legendary|wit|'s|classic|mistaken|identity|farce|into|brutally|labored|and|unfunny|hokum|.\nGuy|gets|girl|,|guy|loses|girl|,|audience|falls|asleep|.\nToo|ordinary|to|restore|(|Harmon|)|to|prominence|,|despite|some|creepy|scenes|that|evoke|childish|night|terrors|,|and|a|praiseworthy|attempt|to|generate|suspense|rather|than|gross|out|the|audience|.\nStirs|potentially|enticing|ingredients|into|an|uneasy|blend|of|Ghost|and|Close|Encounters|of|the|Third|Kind|.\nThe|weird|thing|about|The|Santa|Clause|2|,|purportedly|a|children|'s|movie|,|is|that|there|is|nothing|in|it|to|engage|children|emotionally|.\nIt|'s|pretentious|in|a|way|that|verges|on|the|amateurish|.\nContains|the|humor|,|characterization|,|poignancy|,|and|intelligence|of|a|bad|sitcom|.\nIt|does|n't|matter|that|the|film|is|less|than|90|minutes|.\nIt|still|feels|like|a|prison|stretch|.\nPartly|a|schmaltzy|,|by-the-numbers|romantic|comedy|,|partly|a|shallow|rumination|on|the|emptiness|of|success|--|and|entirely|soulless|.\nOng|chooses|to|present|Ah|Na|'s|life|as|a|slight|,|weightless|fairy|tale|,|whose|most|unpleasant|details|seem|to|melt|away|in|the|face|of|the|character|'s|blank-faced|optimism|.\nThe|overall|feel|is|not|unlike|watching|a|glorified|episode|of|``|7th|Heaven|.|''\nJust|a|Kiss|is|a|just|a|waste|.\n...|this|is|n't|even|a|movie|we|can|enjoy|as|mild|escapism|;|it|is|one|in|which|fear|and|frustration|are|provoked|to|intolerable|levels|.\nFrankly|,|it|'s|kind|of|insulting|,|both|to|men|and|women|.\nAnd|it|'s|not|that|funny|--|which|is|just|generally|insulting|.\nAs|if|Drop|Dead|Gorgeous|was|n't|enough|,|this|equally|derisive|clunker|is|fixated|on|the|spectacle|of|small-town|competition|.\nA|wretched|movie|that|reduces|the|Second|World|War|to|one|man|'s|quest|to|find|an|old|flame|.\nThis|is|a|remake|by|the|numbers|,|linking|a|halfwit|plot|to|a|series|of|standup|routines|in|which|Wilson|and|Murphy|show|how|funny|they|could|have|been|in|a|more|ambitious|movie|.\nIt|'s|better|than|mid-range|Steven|Seagal|,|but|not|as|sharp|as|Jet|Li|on|rollerblades|.\nThere|'s|a|reason|why|halftime|is|only|fifteen|minutes|long|.\nThe|talk-heavy|film|plays|like|one|of|Robert|Altman|'s|lesser|works|.\nAs|happily|glib|and|vicious|as|its|characters|.\nOne|of|those|films|that|started|with|a|great|premise|and|then|just|fell|apart|.\nNo|better|or|worse|than|`|Truth|or|Consequences|,|N.M.|'|or|any|other|interchangeable|actioner|with|imbecilic|Mafia|toolbags|botching|a|routine|assignment|in|a|Western|backwater|.\n(|MacDowell|)|ventures|beyond|her|abilities|several|times|here|and|reveals|how|bad|an|actress|she|is|.\nI|can|imagine|this|movie|as|a|b|&|w|British|comedy|,|circa|1960|,|with|Peter|Sellers|,|Kenneth|Williams|,|et|al.|,|but|at|this|time|,|with|this|cast|,|this|movie|is|hopeless|.\nTalky|,|artificial|and|opaque|...|an|interesting|technical|exercise|,|but|a|tedious|picture|.\nKurys|never|shows|why|,|of|all|the|period|'s|volatile|romantic|lives|,|Sand|and|Musset|are|worth|particular|attention|.\nAlmost|nothing|else|--|raunchy|and|graphic|as|it|may|be|in|presentation|--|is|one-sided|,|outwardly|sexist|or|mean-spirited|.\nAnd|in|a|sense|,|that|'s|a|liability|.\nIt|'s|easy|to|love|Robin|Tunney|--|she|'s|pretty|and|she|can|act|--|but|it|gets|harder|and|harder|to|understand|her|choices|.\nIf|you|'ve|got|a|house|full|of|tots|--|do|n't|worry|,|this|will|be|on|video|long|before|they|grow|up|and|you|can|wait|till|then|.\nThe|new|film|of|Anton|Chekhov|'s|The|Cherry|Orchard|puts|the|`|ick|'|in|`|classic|.|'\nHas|an|uppity|musical|beat|that|you|can|dance|to|,|but|its|energy|ca|n't|compare|to|the|wit|,|humor|and|snappy|dialogue|of|the|original|.\nIf|I|want|music|,|I|'ll|buy|the|soundtrack|.\nIf|I|want|a|real|movie|,|I|'ll|buy|the|Criterion|DVD|.\nAn|unremarkable|,|modern|action\\/comedy|buddy|movie|whose|only|nod|to|nostalgia|is|in|the|title|.\nHas|all|the|right|elements|but|completely|fails|to|gel|together|.\nWriter-director|Stephen|Gaghan|has|made|the|near-fatal|mistake|of|being|what|the|English|call|`|too|clever|by|half|.|'\nSeagal|ran|out|of|movies|years|ago|,|and|this|is|just|the|proof|.\nThe|movie|is|so|contrived|,|nonsensical|and|formulaic|that|,|come|to|think|of|it|,|the|day-old|shelf|would|be|a|more|appropriate|location|to|store|it|.\nAn|awkwardly|garish|showcase|that|diverges|from|anything|remotely|probing|or|penetrating|.\nThe|name|says|it|all|.\nJackass|is|a|vulgar|and|cheap-looking|version|of|Candid|Camera|staged|for|the|Marquis|de|Sade|set|.\nChildren|,|Christian|or|otherwise|,|deserve|to|hear|the|full|story|of|Jonah|'s|despair|--|in|all|its|agonizing|,|Catch-22|glory|--|even|if|they|spend|years|trying|to|comprehend|it|.\nPleasant|but|not|more|than|recycled|jock|piffle|.\n...|the|kind|of|movie|you|see|because|the|theater|has|air|conditioning|.\nWith|Zoe|Clarke-Williams|'s|lackluster|thriller|``|New|Best|Friend|''|,|who|needs|enemies|?\nJust|another|generic|drama|that|has|nothing|going|for|it|other|than|its|exploitive|array|of|obligatory|cheap|thrills|.\nHip-hop|prison|thriller|of|stupefying|absurdity|.\nAn|uneven|mix|of|dark|satire|and|childhood|awakening|.\naside|from|showing|us|in|explicit|detail|how|difficult|it|is|to|win|over|the|two-drink-minimum|crowd|,|there|'s|little|to|be|learned|from|watching|`|Comedian|'\nA|perfectly|acceptable|,|perfectly|bland|,|competently|acted|but|by|no|means|scary|horror|movie|.\nThe|film|would|have|been|more|enjoyable|had|the|balance|shifted|in|favor|of|water-bound|action|over|the|land-based|`|drama|,|'|but|the|emphasis|on|the|latter|leaves|Blue|Crush|waterlogged|.\nThe|problem|is|the|needlessly|poor|quality|of|its|archival|prints|and|film|footage|.\nThe|images|lack|contrast|,|are|murky|and|are|frequently|too|dark|to|be|decipherable|.\nLike|a|soft|drink|that|'s|been|sitting|open|too|long|:|it|'s|too|much|syrup|and|not|enough|fizz|.\nAs|the|movie|dragged|on|,|I|thought|I|heard|a|mysterious|voice|,|and|felt|myself|powerfully|drawn|toward|the|light|--|the|light|of|the|exit|sign|.\nI|have|returned|from|the|beyond|to|warn|you|:|this|movie|is|90|minutes|long|,|and|life|is|too|short|.\nThere|are|some|fairly|unsettling|scenes|,|but|they|never|succeed|in|really|rattling|the|viewer|.\nThe|Emperor|'s|Club|is|one|of|those|films|that|possesses|all|the|good|intentions|in|the|world|,|but|...\nIn|the|end|,|The|Weight|of|Water|comes|to|resemble|the|kind|of|soft-core|twaddle|you|'d|expect|to|see|on|Showtime|'s|`|Red|Shoe|Diaries|.|'\nA|straight-ahead|thriller|that|never|rises|above|superficiality|.\nGlizty|but|formulaic|and|silly|...|Cagney|'s|`|top|of|the|world|'|has|been|replaced|by|the|bottom|of|the|barrel|.\nThe|re|-|enactments|,|however|fascinating|they|may|be|as|history|,|are|too|crude|to|serve|the|work|especially|well|.\nIs|anyone|else|out|there|getting|tired|of|the|whole|slo-mo|,|double-pistoled|,|ballistic-pyrotechnic|Hong|Kong|action|aesthetic|?\nOnce|again|,|director|Chris|Columbus|takes|a|hat-in-hand|approach|to|Rowling|that|stifles|creativity|and|allows|the|film|to|drag|on|for|nearly|three|hours|.\nServing|Sara|is|little|more|than|a|mall|movie|designed|to|kill|time|.\nToo|smart|to|ignore|but|a|little|too|smugly|superior|to|like|,|this|could|be|a|movie|that|ends|up|slapping|its|target|audience|in|the|face|by|shooting|itself|in|the|foot|.\nA|well-made|but|emotionally|scattered|film|whose|hero|gives|his|heart|only|to|the|dog|.\nThe|most|repugnant|adaptation|of|a|classic|text|since|Roland|Joffé|and|Demi|Moore|'s|The|Scarlet|Letter|.\nThe|isolated|moments|of|creative|insanity|finally|are|lost|in|the|thin|soup|of|canned|humor|.\nAs|a|movie|,|it|never|seems|fresh|and|vital|.\nIt|never|plays|as|dramatic|even|when|dramatic|things|happen|to|people|.\nIt|labours|as|storytelling|.\nThe|Adventures|of|Pluto|Nash|is|a|whole|lot|of|nada|.\nA|really|good|premise|is|frittered|away|in|middle-of-the-road|blandness|.\nLawrence|should|stick|to|his|day|job|.\nHe|'s|a|better|actor|than|a|standup|comedian|.\nDespite|the|fact|that|this|film|was|n't|as|bad|as|I|thought|it|was|going|to|be|,|it|'s|still|not|a|good|movie\nA|well|made|indieflick|in|need|of|some|trims|and|a|more|chemistry|between|its|stars|.\nI|never|thought|I|'d|say|this|,|but|I|'d|much|rather|watch|teens|poking|their|genitals|into|fruit|pies|!\nA|film|neither|bitter|nor|sweet|,|neither|romantic|nor|comedic|,|neither|warm|nor|fuzzy|.\nTiresomely|derivative|and|hammily|acted|.\nWe|never|truly|come|to|care|about|the|main|characters|and|whether|or|not|they|'ll|wind|up|together|,|and|Michele|'s|spiritual|quest|is|neither|amusing|nor|dramatic|enough|to|sustain|interest|.\nThe|plot|grows|thin|soon|,|and|you|find|yourself|praying|for|a|quick|resolution|.\nToo|bad|Maggio|could|n't|come|up|with|a|better|script|.\nMuch|of|the|cast|is|stiff|or|just|plain|bad|.\nRice|is|too|pedestrian|a|filmmaker|to|bring|any|edge|or|personality|to|The|Rising|Place|that|would|set|it|apart|from|other|Deep|South|stories|.\nAt|best|,|Cletis|Tout|might|inspire|a|trip|to|the|video|store|--|in|search|of|a|better|movie|experience|.\nWitless|,|pointless|,|tasteless|and|idiotic|.\nNot|really|a|thriller|so|much|as|a|movie|for|teens|to|laugh|,|groan|and|hiss|at|.\nAs|plain|and|pedestrian|as|catsup|--\nAn|improvement|on|the|feeble|examples|of|big-screen|Poke-mania|that|have|preceded|it|.\nI|know|we|'re|not|supposed|to|take|it|seriously|,|but|I|ca|n't|shake|the|thought|that|Undercover|Brother|missed|an|opportunity|to|strongly|present|some|profound|social|commentary|.\nYour|stomach|for|Heaven|depends|largely|on|your|appetite|for|canned|corn|.\nA|picture|as|erratic|as|its|central|character|.\nWhatever|satire|Lucky|Break|was|aiming|for|,|it|certainly|got|lost|in|the|``|soon-to-be-forgettable|''|section|of|the|quirky|rip-off|prison|romp|pile|.\nIt|'s|petty|thievery|like|this|that|puts|flimsy|flicks|like|this|behind|bars\nThe|package|in|which|this|fascinating|--|and|timely|--|content|comes|wrapped|is|disappointingly|generic|.\nGuys|say|mean|things|and|shoot|a|lot|of|bullets|.\nSome|of|the|characters|die|and|others|do|n't|,|and|the|film|pretends|that|those|living|have|learned|some|sort|of|lesson|,|and|,|really|,|nobody|in|the|viewing|audience|cares|.\nWildly|incompetent|but|brilliantly|named|Half|Past|Dead|--|or|for|Seagal|pessimists|:|Totally|Past|His|Prime|.\nJust|another|combination|of|bad|animation|and|mindless|violence|...|lacking|the|slightest|bit|of|wit|or|charm|.\nAll|the|movie|'s|narrative|gymnastics|ca|n't|disguise|the|fact|that|it|'s|inauthentic|at|its|core|and|that|its|story|just|is|n't|worth|telling|.\nMuch|like|its|easily|dismissive|take|on|the|upscale|lifestyle|,|there|is|n't|much|there|here|.\nThe|film|ultimately|offers|nothing|more|than|people|in|an|urban|jungle|needing|other|people|to|survive|...\nFor|all|its|shoot-outs|,|fistfights|,|and|car|chases|,|this|movie|is|a|phlegmatic|bore|,|so|tedious|it|makes|the|silly|spy|vs.|spy|film|The|Sum|of|All|Fears|,|starring|Ben|Affleck|,|seem|downright|Hitchcockian|.\nThis|mild-mannered|farce|,|directed|by|one|of|its|writers|,|John|C.|Walsh|,|is|corny|in|a|way|that|bespeaks|an|expiration|date|passed|a|long|time|ago|.\nA|bit|too|eager|to|please|.\nYou|'d|be|hard|put|to|find|a|movie|character|more|unattractive|or|odorous|(|than|Leon|)|.\nKapur|'s|contradictory|feelings|about|his|material|result|in|a|movie|that|works|against|itself|.\n``|the|road|paved|with|good|intentions|leads|to|the|video|store|''\nAnimated|drivel|meant|to|enhance|the|self-image|of|drooling|idiots|.\nOne|scene|after|another|in|this|supposedly|funny|movie|falls|to|the|floor|with|a|sickening|thud|.\n`|The|Château|is|never|quite|able|to|overcome|the|cultural|moat|surrounding|its|ludicrous|and|contrived|plot|.|'\nMeyjes|focuses|too|much|on|Max|when|he|should|be|filling|the|screen|with|this|tortured|,|dull|artist|and|monster-in-the|-|making|.\nJacobi|,|the|most|fluent|of|actors|,|is|given|relatively|dry|material|from|Nijinsky|'s|writings|to|perform|,|and|the|visuals|,|even|erotically|frank|ones|,|become|dullingly|repetitive|.\nCrudup|'s|screen|presence|is|the|one|thing|that|holds|interest|in|the|midst|of|a|mushy|,|existential|exploration|of|why|men|leave|their|families|.\nThere|is|one|surefire|way|to|get|a|nomination|for|a|best-foreign-film|Oscar|:|Make|a|movie|about|whimsical|folk|who|learn|a|nonchallenging|,|life-affirming|lesson|while|walking|around|a|foreign|city|with|stunning|architecture|.\nDespite|terrific|special|effects|and|funnier|gags|,|Harry|Potter|and|the|Chamber|of|Secrets|finds|a|way|to|make|J.K.|Rowling|'s|marvelous|series|into|a|deadly|bore|.\nAn|incredibly|narrow|in-joke|targeted|to|the|tiniest|segment|of|an|already|obscure|demographic|.\nThe|only|thing|I|laughed|at|were|the|people|who|paid|to|see|it|.\nAll|of|the|elements|are|in|place|for|a|great|film|noir|,|but|director|George|Hickenlooper|'s|approach|to|the|material|is|too|upbeat|.\nThe|hackneyed|story|about|an|affluent|damsel|in|distress|who|decides|to|fight|her|bully|of|a|husband|is|simply|too|overdone|.\nthe|phone|rings|and|a|voice|tells|you|you|'ve|got|seven|days|left|to|live|.\nThen|you|get|another|phone|call|warning|you|that|if|the|video|is|n't|back|at|Blockbuster|before|midnight|,|you|'re|going|to|face|frightening|late|fees|.\nO.K.|,|not|really|.\nPossibly|the|most|irresponsible|picture|ever|released|by|a|major|film|studio|.\nThe|film|'s|overall|mood|and|focus|is|interesting|but|constantly|unfulfilling|.\n...|a|cheap|,|ludicrous|attempt|at|serious|horror|.\nThose|of|you|who|are|not|an|eighth|grade|girl|will|most|likely|doze|off|during|this|one|.\nBefuddled|in|its|characterizations|as|it|begins|to|seem|as|long|as|the|two|year|affair|which|is|its|subject\nFrom|beginning|to|end|,|this|overheated|melodrama|plays|like|a|student|film|.\nThe|movie|would|seem|less|of|a|trifle|if|Ms.|Sugarman|followed|through|on|her|defiance|of|the|saccharine|.\nIt|'s|just|not|very|smart|.\nLike|the|excruciating|End|of|Days|,|Collateral|Damage|presents|Schwarzenegger|as|a|tragic|figure|,|but|sympathy|really|belongs|with|any|viewer|forced|to|watch|him|try|out|so|many|complicated|facial|expressions|.\nImagine|(|if|possible|)|a|Pasolini|film|without|passion|or|politics|,|or|an|Almodovar|movie|without|beauty|or|humor|,|and|you|have|some|idea|of|the|glum|,|numb|experience|of|watching|O|Fantasma|.\nIn|trying|to|be|daring|and|original|,|it|comes|off|as|only|occasionally|satirical|and|never|fresh|.\n90|punitive|minutes|of|eardrum-dicing|gunplay|,|screeching-metal|smashups|,|and|flaccid|odd-couple|sniping|.\nSadly|,|though|many|of|the|actors|throw|off|a|spark|or|two|when|they|first|appear|,|they|ca|n't|generate|enough|heat|in|this|cold|vacuum|of|a|comedy|to|start|a|reaction|.\nNever|capitalizes|on|this|concept|and|opts|for|the|breezy|and|amateurish|feel|of|an|after|school|special|on|the|subject|of|tolerance|.\nAfter|a|while|,|Hoffman|'s|quirks|and|mannerisms|,|particularly|his|penchant|for|tearing|up|on|cue|--|things|that|seem|so|real|in|small|doses|--|become|annoying|and|artificial|.\nThis|wretchedly|unfunny|wannabe|comedy|is|inane|and|awful|-|no|doubt|,|it|'s|the|worst|movie|I|'ve|seen|this|summer|.\nIt|'s|drab|.\nIt|'s|uninteresting|.\nIt|squanders|Chan|'s|uniqueness|;|it|could|even|be|said|to|squander|Jennifer|Love|Hewitt|!\nThe|movie|keeps|coming|back|to|the|achingly|unfunny|Phonce|and|his|several|silly|subplots|.\nThis|tale|has|been|told|and|retold|;|the|races|and|rackets|change|,|but|the|song|remains|the|same|.\nA|surprisingly|flat|retread|,|hobbled|by|half-baked|setups|and|sluggish|pacing|.\nForget|the|Psychology|101|study|of|romantic|obsession|and|just|watch|the|procession|of|costumes|in|castles|and|this|wo|n't|seem|like|such|a|bore|.\nA|film|that|should|be|relegated|to|a|dark|video|store|corner|is|somehow|making|its|way|instead|to|theaters|.\nIt|'s|hard|to|imagine|acting|that|could|be|any|flatter|.\nNew|ways|of|describing|badness|need|to|be|invented|to|describe|exactly|how|bad|it|is|.\nLots|of|effort|and|intelligence|are|on|display|but|in|execution|it|is|all|awkward|,|static|,|and|lifeless|rumblings|.\nWhen|cowering|and|begging|at|the|feet|a|scruffy|Giannini|,|Madonna|gives|her|best|performance|since|Abel|Ferrara|had|her|beaten|to|a|pulp|in|his|Dangerous|Game|.\nI|suspect|that|there|are|more|interesting|ways|of|dealing|with|the|subject|.\nThe|film|itself|is|about|something|very|interesting|and|odd|that|would|probably|work|better|as|a|real|documentary|without|the|insinuation|of|mediocre|acting|or|a|fairly|trite|narrative|.\nAn|unintentional|parody|of|every|teen|movie|made|in|the|last|five|years|.\nOnly|for|young|children|,|if|them|.\nTheir|parents|would|do|well|to|cram|earplugs|in|their|ears|and|put|pillowcases|over|their|heads|for|87|minutes|.\nFor|all|its|violence|,|the|movie|is|remarkably|dull|with|only|Caine|making|much|of|an|impression|.\nNo|matter|how|firmly|director|John|Stainton|has|his|tongue|in|his|cheek|,|the|fact|remains|that|a|wacky|concept|does|not|a|movie|make|.\nA|sub-formulaic|slap|in|the|face|to|seasonal|cheer|.\nThe|action|is|reasonably|well-done|...|yet|story|,|character|and|comedy|bits|are|too|ragged|to|ever|fit|smoothly|together|.\nSeveral|uninteresting|,|unlikeable|people|do|bad|things|to|and|with|each|other|in|``|Unfaithful|.|''\nWhy|anyone|who|is|not|a|character|in|this|movie|should|care|is|beyond|me|.\nHill|looks|to|be|going|through|the|motions|,|beginning|with|the|pale|script|.\nHoward|conjures|the|past|via|surrealist|flourishes|so|overwrought|you|'d|swear|he|just|stepped|out|of|a|Buñuel|retrospective|.\nThe|best|thing|that|can|be|said|of|the|picture|is|that|it|does|have|a|few|cute|moments|.\nIt|'s|not|a|bad|premise|,|just|a|bad|movie|.\nAn|already|thin|story|boils|down|to|surviving|invaders|seeking|an|existent|anti-virus|.\nIf|only|there|were|one|for|this|kind|of|movie|.\nBy|the|time|the|surprise|ending|is|revealed|,|interest|can|not|be|revived|.\nThe|heedless|impetuousness|of|youth|is|on|full|,|irritating|display|in|(|this|)|meandering|and|pointless|French|coming-of-age|import|from|writer-director|Anne-Sophie|Birot|.\nA|peculiar|misfire|that|even|Tunney|ca|n't|save|.\nWatching|Queen|of|the|Damned|is|like|reading|a|research|paper|,|with|special|effects|tossed|in|.\nI|ca|n't|remember|the|last|time|I|saw|worse|stunt|editing|or|cheaper|action|movie|production|values|than|in|Extreme|Ops|.\nToo|much|of|Nemesis|has|a|tired|,|talky|feel|.\nI|felt|trapped|and|with|no|obvious|escape|for|the|entire|100|minutes|.\nWhen|Mr.|Hundert|tells|us|in|his|narration|that|`|this|is|a|story|without|surprises|,|'|we|nod|in|agreement|.\nLeaves|us|wondering|less|about|its|ideas|and|more|about|its|characterization|of|Hitler|and|the|contrived|nature|of|its|provocative|conclusion|.\nIt|is|that|rare|combination|of|bad|writing|,|bad|direction|and|bad|acting|--|the|trifecta|of|badness|.\nEach|scene|wreaks|of|routine|;|the|film|never|manages|to|generate|a|single|threat|of|suspense|.\nA|soulless|jumble|of|ineptly|assembled|cliches|and|pabulum|that|plays|like|a|95-minute|commercial|for|NBA|properties|.\nBorstal|Boy|represents|the|worst|kind|of|filmmaking|,|the|kind|that|pretends|to|be|passionate|and|truthful|but|is|really|frustratingly|timid|and|soggy|.\nThe|film|'s|lack|of|personality|permeates|all|its|aspects|--|from|the|TV|movie-esque|,|affected|child|acting|to|the|dullest|Irish|pub|scenes|ever|filmed|.\nworks|on|the|whodunit|level|as|its|larger|themes|get|lost|in|the|murk|of|its|own|making\nCrush|could|be|the|worst|film|a|man|has|made|about|women|since|Valley|of|the|Dolls|.\n4Ever|has|the|same|sledgehammer|appeal|as|Pokemon|videos|,|but|it|breathes|more|on|the|big|screen|and|induces|headaches|more|slowly|.\nFeels|like|the|work|of|someone|who|may|indeed|have|finally|aged|past|his|prime|...|and|,|perhaps|more|than|he|realizes|,|just|wants|to|be|liked|by|the|people|who|can|still|give|him|work|.\nTrailer|park|Magnolia|:|too|long|,|too|cutesy|,|too|sure|of|its|own|importance|,|and|possessed|of|that|peculiar|tension|of|being|too|dense|&|about|nothing|at|all|.\nViewers|of|Barney|'s|crushingly|self-indulgent|spectacle|will|see|nothing|in|it|to|match|the|ordeal|of|sitting|through|it|.\n...|its|stupidities|wind|up|sticking|in|one|'s|mind|a|lot|more|than|the|cool|bits|.\nSayles|...|once|again|strands|his|superb|performers|in|the|same|old|story|.\nThe|Piano|Teacher|,|like|its|title|character|,|is|repellantly|out|of|control|.\nI|have|to|admit|I|walked|out|of|Runteldat|.\nI|did|go|back|and|check|out|the|last|10|minutes|,|but|these|were|more|repulsive|than|the|first|30|or|40|minutes|.\nThe|filmmakers|lack|the|nerve|...|to|fully|exploit|the|script|'s|potential|for|sick|humor|.\nThe|film|was|n't|preachy|,|but|it|was|feminism|by|the|book|.\n...|the|same|tired|old|gags|,|modernized|for|the|extreme|sports|generation|.\nThere|'s|already|been|too|many|of|these|films|...\nSeveral|of|Steven|Soderbergh|'s|earlier|films|were|hailed|as|the|works|of|an|artist|.\nSadly|,|Full|Frontal|plays|like|the|work|of|a|dilettante|.\nClockstoppers|is|one|of|those|crazy|,|mixed-up|films|that|does|n't|know|what|it|wants|to|be|when|it|grows|up|.\nAlthough|bright|,|well-acted|and|thought-provoking|,|Tuck|Everlasting|suffers|from|a|laconic|pace|and|a|lack|of|traditional|action|.\n`|The|War|of|the|Roses|,|'|trailer-trash|style|.\nEntertaining|but|like|shooting|fish|in|a|barrel|.\nSupposedly|,|Pokemon|ca|n't|be|killed|,|but|Pokemon|4Ever|practically|assures|that|the|pocket|monster|movie|franchise|is|nearly|ready|to|keel|over|.\nWhite|has|n't|developed|characters|so|much|as|caricatures|,|one-dimensional|buffoons|that|get|him|a|few|laughs|but|nothing|else|.\nWhen|you|resurrect|a|dead|man|,|Hard|Copy|should|come|a-knocking|,|no|?\nCattaneo|should|have|followed|the|runaway|success|of|his|first|film|,|The|Full|Monty|,|with|something|different|.\nThe|film|feels|formulaic|,|its|plot|and|pacing|typical|Hollywood|war-movie|stuff|,|while|the|performances|elicit|more|of|a|sense|of|deja|vu|than|awe|.\nThis|overproduced|piece|of|dreck|is|shockingly|bad|and|absolutely|unnecessary|.\nHmmm|...|might|I|suggest|that|the|wayward|wooden|one|end|it|all|by|stuffing|himself|into|an|electric|pencil|sharpener|?\nThe|makers|of|Mothman|Prophecies|succeed|in|producing|that|most|frightening|of|all|movies|--|a|mediocre|horror|film|too|bad|to|be|good|and|too|good|to|be|bad|.\nMr.|Deeds|is|not|really|a|film|as|much|as|it|is|a|loose|collection|of|not-so-funny|gags|,|scattered|moments|of|lazy|humor|.\nHow|this|one|escaped|the|Lifetime|network|I|'ll|never|know|.\nCould|n't|someone|take|Rob|Schneider|and|have|him|switch|bodies|with|a|funny|person|?\nOne|of|these|days|Hollywood|will|come|up|with|an|original|idea|for|a|teen|movie|,|but|until|then|there|'s|always|these|rehashes|to|feed|to|the|younger|generations|.\nFor|all|its|brilliant|touches|,|Dragon|loses|its|fire|midway|,|nearly|flickering|out|by|its|perfunctory|conclusion|.\nI|have|to|admit|that|I|am|baffled|by|Jason|X.\nA|mean-spirited|film|made|by|someone|who|surely|read|The|Catcher|in|the|Rye|but|clearly|suffers|from|dyslexia\nInstead|of|a|witty|expose|on|the|banality|and|hypocrisy|of|too|much|kid-vid|,|we|get|an|ugly|,|mean-spirited|lashing|out|by|an|adult|who|'s|apparently|been|forced|by|his|kids|to|watch|too|many|Barney|videos|.\nThis|is|a|film|living|far|too|much|in|its|own|head|.\nThe|umpteenth|summer|skinny|dip|in|Jerry|Bruckheimer|'s|putrid|pond|of|retread|action|twaddle|.\nNational|Lampoon|'s|Van|Wilder|may|aim|to|be|the|next|Animal|House|,|but|it|more|closely|resembles|this|year|'s|version|of|Tomcats|.\nThe|film|thrusts|the|inchoate|but|already|eldritch|Christian|Right|propaganda|machine|into|national|media|circles|.\nDogtown|is|hollow|,|self-indulgent|,|and|-|worst|of|all|-|boring|.\nA|movie|so|bad|that|it|quickly|enters|the|pantheon|of|wreckage|that|includes|Battlefield|Earth|and|Showgirls|.\nMore|of|a|career|curio|than|a|major|work|.\nIt|'s|just|too|bad|the|screenwriters|eventually|shoot|themselves|in|the|feet|with|cop|flick|cliches|like|an|oily|arms|dealer|,|squad|car|pile-ups|and|the|requisite|screaming|captain|.\nCox|is|far|more|concerned|with|aggrandizing|madness|,|not|the|man|,|and|the|results|might|drive|you|crazy|.\nTo|be|influenced|chiefly|by|humanity|'s|greatest|shame|,|reality|shows|--|reality|shows|for|God|'s|sake|!\n--|is|a|crime|that|should|be|punishable|by|chainsaw|.\nAs|we|have|come|to|learn|--|as|many|times|as|we|have|fingers|to|count|on|--|Jason|is|a|killer|who|does|n't|know|the|meaning|of|the|word|`|quit|.|'\nThe|filmmakers|might|want|to|look|it|up|.\nA|frustrating|`|tweener|'|--|too|slick|,|contrived|and|exploitative|for|the|art|houses|and|too|cynical|,|small|and|decadent|for|the|malls|.\nWhat|'s|surprising|about|this|traditional|thriller|,|moderately|successful|but|not|completely|satisfying|,|is|exactly|how|genteel|and|unsurprising|the|execution|turns|out|to|be|.\nDrowning|'s|too|good|for|this|sucker|.\nAn|instantly|forgettable|snow-and-stuntwork|extravaganza|that|likely|will|be|upstaged|by|an|avalanche|of|more|appealing|holiday-season|product|.\nFrankly|,|it|'s|pretty|stupid|.\nI|had|more|fun|with|Ben|Stiller|'s|Zoolander|,|which|I|thought|was|rather|clever|.\nBut|there|'s|plenty|to|offend|everyone|...\nLove|Liza|is|a|festival|film|that|would|have|been|better|off|staying|on|the|festival|circuit|.\nThere|are|things|to|like|about|Murder|By|Numbers|--|but|,|in|the|end|,|the|disparate|elements|do|n't|gel|.\n...|tackling|a|low-budget|movie|in|which|inexperienced|children|play|the|two|main|characters|might|not|be|the|best|way|to|cut|your|teeth|in|the|film|industry|.\nQuite|frankly|,|I|ca|n't|see|why|any|actor|of|talent|would|ever|work|in|a|McCulloch|production|again|if|they|looked|at|how|this|movie|turned|out|.\nMy|precious|new|Star|Wars|movie|is|a|lumbering|,|wheezy|drag|...\nThe|innocence|of|holiday|cheer|ai|n't|what|it|used|to|be|.\nToo|campy|to|work|as|straight|drama|and|too|violent|and|sordid|to|function|as|comedy|,|Vulgar|is|,|truly|and|thankfully|,|a|one-of-a-kind|work|.\nHorrid|little|propaganda|film|with|fascinating|connections|not|only|to|the|Serbs|themselves|but|also|to|a|network|of|American|right-wing|extremists|.\nShould|have|gone|straight|to|video|.\nIt|looks|like|an|action|movie|,|but|it|'s|so|poorly|made|,|on|all|levels|,|that|it|does|n't|even|qualify|as|a|spoof|of|such|.\nIt|is|supremely|unfunny|and|unentertaining|to|watch|middle-age|and|older|men|drink|to|excess|,|piss|on|trees|,|b.s.|one|another|and|put|on|a|show|in|drag|.\nConsider|the|film|a|celluloid|litmus|test|for|the|intellectual|and|emotional|pedigree|of|your|date|and|a|giant|step|backward|for|a|director|I|admire|.\nA|boring|,|pretentious|muddle|that|uses|a|sensational|,|real-life|19th-Century|crime|as|a|metaphor|for|--|well|,|I|'m|not|exactly|sure|what|--|and|has|all|the|dramatic|weight|of|a|raindrop|.\nSheridan|had|a|wonderful|account|to|work|from|,|but|,|curiously|,|he|waters|it|down|,|turning|grit|and|vulnerability|into|light|reading|.\nHeavy|with|flabby|rolls|of|typical|Toback|machinations|.\nIt|is|very|difficult|to|care|about|the|character|,|and|that|is|the|central|flaw|of|the|film|.\nSnow|Dogs|finds|its|humour|in|a|black|man|getting|humiliated|by|a|pack|of|dogs|who|are|smarter|than|him\nWhole|stretches|of|the|film|may|be|incomprehensible|to|moviegoers|not|already|clad|in|basic|black|.\nReggio|and|Glass|so|rhapsodize|cynicism|,|with|repetition|and|languorous|slo-mo|sequences|,|that|Glass|'s|dirgelike|score|becomes|a|fang-baring|lullaby|.\nEnds|up|offering|nothing|more|than|the|latest|Schwarzenegger|or|Stallone|flick|would|.\nThe|film|makes|strong|arguments|regarding|the|social|status|of|America|'s|indigenous|people|,|but|really|only|exists|to|try|to|eke|out|an|emotional|tug|of|the|heart|,|one|which|it|fails|to|get|.\nCharlize|CHASES|Kevin|with|a|GUN|.\nCourtney|CHASES|Stuart|with|a|CELL|PHONE|.\nThe|sound|of|GUNFIRE|and|cell|phones|RINGING|.\nIf|The|Tuxedo|actually|were|a|suit|,|it|would|fit|Chan|like|a|$|99|bargain-basement|special|.\nParents|beware|;|this|is|downright|movie|penance|.\n...|a|complete|shambles|of|a|movie|so|sloppy|,|so|uneven|,|so|damn|unpleasant|that|I|ca|n't|believe|any|viewer|,|young|or|old|,|would|have|a|good|time|here|.\nHas|nothing|good|to|speak|about|other|than|the|fact|that|it|is|relatively|short|,|tries|its|best|to|hide|the|fact|that|Seagal|'s|overweight|and|out|of|shape|.\nA|pathetically|inane|and|unimaginative|cross|between|XXX|and|Vertical|Limit|.\nImpeccably|filmed|,|sexually|charged|,|but|ultimately|lacking|in|substance|,|not|to|mention|dragged|down|by|a|leaden|closing|act|.\nFeels|at|times|like|a|giant|commercial|for|Universal|Studios|,|where|much|of|the|action|takes|place|.\nWhile|the|mystery|unravels|,|the|characters|respond|by|hitting|on|each|other|.\nBritney|Spears|'|phoniness|is|nothing|compared|to|the|movie|'s|contrived|,|lame|screenplay|and|listless|direction|.\nEvery|sequel|you|skip|will|be|two|hours|gained|.\nConsider|this|review|life-affirming|.\nIf|the|movie|were|all|comedy|,|it|might|work|better|.\nBut|it|has|an|ambition|to|say|something|about|its|subjects|,|but|not|a|willingness|.\nThe|movie|,|while|beautiful|,|feels|labored|,|with|a|hint|of|the|writing|exercise|about|it|.\nTwenty-three|movies|into|a|mostly|magnificent|directorial|career|,|Clint|Eastwood|'s|efficiently|minimalist|style|finally|has|failed|him|.\nBig|time|.\nThis|heist|flick|about|young|Brooklyn|hoods|is|off|the|shelf|after|two|years|to|capitalize|on|the|popularity|of|Vin|Diesel|,|Seth|Green|and|Barry|Pepper|.\nIt|should|have|stayed|there|.\nThe|film|has|a|childlike|quality|about|it|.\nBut|the|feelings|evoked|in|the|film|are|lukewarm|and|quick|to|pass|.\nThe|most|opaque|,|self-indulgent|and|just|plain|goofy|an|excuse|for|a|movie|as|you|can|imagine|.\nIt|'s|not|a|film|to|be|taken|literally|on|any|level|,|but|its|focus|always|appears|questionable|.\nBig|Fat|Liar|is|little|more|than|Home|Alone|raised|to|a|new|,|self-deprecating|level|.\nThe|movie|is|gorgeously|made|,|but|it|is|also|somewhat|shallow|and|art-conscious|.\nThe|only|time|8|Crazy|Nights|comes|close|to|hitting|a|comedic|or|satirical|target|is|during|the|offbeat|musical|numbers|.\nLoses|its|sense|of|humor|in|a|vat|of|failed|jokes|,|twitchy|acting|,|and|general|boorishness|.\nThere|'s|a|delightfully|quirky|movie|to|be|made|from|curling|,|but|Brooms|is|n't|it|.\nThe|story|suffers|a|severe|case|of|oversimplification|,|superficiality|and|silliness|.\nChamber|of|Secrets|will|find|millions|of|eager|fans|.\nBut|if|the|essence|of|magic|is|its|make-believe|promise|of|life|that|soars|above|the|material|realm|,|this|is|the|opposite|of|a|truly|magical|movie|.\nToo|clever|by|about|nine-tenths|.\nHas|all|the|hallmarks|of|a|movie|designed|strictly|for|children|'s|home|video|,|a|market|so|insatiable|it|absorbs|all|manner|of|lame|entertainment|,|as|long|as|3-year-olds|find|it|diverting|.\nBears|about|as|much|resemblance|to|the|experiences|of|most|battered|women|as|Spider-Man|does|to|the|experiences|of|most|teenagers|.\nToward|the|end|Sum|of|All|Fears|morphs|into|a|mundane|'70s|disaster|flick|.\nDirector|Carl|Franklin|,|so|crisp|and|economical|in|One|False|Move|,|bogs|down|in|genre|cliches|here|.\nMendes|still|does|n't|quite|know|how|to|fill|a|frame|.\nLike|the|Hanks|character|,|he|'s|a|slow|study|:|The|action|is|stilted|and|the|tabloid|energy|embalmed|.\nThis|thing|is|just|garbage|.\nAs|crimes|go|,|writer-director|Michael|Kalesniko|'s|How|to|Kill|Your|Neighbor|'s|Dog|is|slight|but|unendurable|.\nThere|must|be|an|audience|that|enjoys|the|Friday|series|,|but|I|would|n't|be|interested|in|knowing|any|of|them|personally|.\nA|bold|(|and|lovely|)|experiment|that|will|almost|certainly|bore|most|audiences|into|their|own|brightly|colored|dreams|.\nAn|uplifting|,|largely|bogus|story|.\nAn|empty|exercise|,|a|florid|but|ultimately|vapid|crime|melodrama|with|lots|of|surface|flash|but|little|emotional|resonance|.\nIf|you|are|curious|to|see|the|darker|side|of|what|'s|going|on|with|young|TV|actors|(|Dawson|Leery|did|what|?!?|)|,|or|see|some|interesting|storytelling|devices|,|you|might|want|to|check|it|out|,|but|there|'s|nothing|very|attractive|about|this|movie|.\nMy|own|minority|report|is|that|it|stinks|.\nTrying|to|make|head|or|tail|of|the|story|in|the|hip-hop|indie|Snipes|is|enough|to|give|you|brain|strain|--|and|the|pay-off|is|negligible|.\nThe|script|is|high|on|squaddie|banter|,|low|on|shocks|.\n...|if|you|,|like|me|,|think|an|action|film|disguised|as|a|war|tribute|is|disgusting|to|begin|with|,|then|you|'re|in|for|a|painful|ride|.\nWhile|Solondz|tries|and|tries|hard|,|Storytelling|fails|to|provide|much|more|insight|than|the|inside|column|of|a|torn|book|jacket|.\nWith|very|little|to|add|beyond|the|dark|visions|already|relayed|by|superb|recent|predecessors|like|Swimming|With|Sharks|and|The|Player|,|this|latest|skewering|...|may|put|off|insiders|and|outsiders|alike|.\n(|Davis|)|wants|to|cause|his|audience|an|epiphany|,|yet|he|refuses|to|give|us|real|situations|and|characters|.\nWithout|a|fresh|infusion|of|creativity|,|4Ever|is|neither|a|promise|nor|a|threat|so|much|as|wishful|thinking|.\n...|unlike|(|Scorsese|'s|Mean|Streets|)|,|Ash|Wednesday|is|essentially|devoid|of|interesting|characters|or|even|a|halfway|intriguing|plot|.\nBeing|unique|does|n't|necessarily|equate|to|being|good|,|no|matter|how|admirably|the|filmmakers|have|gone|for|broke|.\nA|few|hours|after|you|'ve|seen|it|,|you|forget|you|'ve|been|to|the|movies|.\nwaydowntown|may|not|be|an|important|movie|,|or|even|a|good|one|,|but|it|provides|a|nice|change|of|mindless|pace|in|collision|with|the|hot|Oscar|season|currently|underway|.\nYes|,|I|suppose|it|'s|lovely|that|Cal|works|out|his|issues|with|his|dad|and|comes|to|terms|with|his|picture-perfect|life|--|but|World|Traveler|gave|me|no|reason|to|care|,|so|I|did|n't|.\nShadyac|,|who|belongs|with|the|damned|for|perpetrating|Patch|Adams|,|trots|out|every|ghost|trick|from|The|Sixth|Sense|to|The|Mothman|Prophecies|.\nThe|photographer|'s|show-don|`|t-tell|stance|is|admirable|,|but|it|can|make|him|a|problematic|documentary|subject|.\nIt|is|not|the|first|time|that|director|Sara|Sugarman|stoops|to|having|characters|drop|their|pants|for|laughs|and|not|the|last|time|she|fails|to|provoke|them|.\nI|'d|be|hard|pressed|to|think|of|a|film|more|cloyingly|sappy|than|Evelyn|this|year|.\nNothing|more|than|an|amiable|but|unfocused|bagatelle|that|plays|like|a|loosely-connected|string|of|acting-workshop|exercises|.\nmeanders|between|its|powerful|moments|.\nWhat|remains|is|a|variant|of|the|nincompoop|Benigni|persona|,|here|a|more|annoying|,|though|less|angry|version|of|the|irresponsible|Sandlerian|manchild|,|undercut|by|the|voice|of|the|star|of|Road|Trip|.\nA|backhanded|ode|to|female|camaraderie|penned|by|a|man|who|has|little|clue|about|either|the|nature|of|women|or|of|friendship|.\nPure|of|intention|and|passably|diverting|,|His|Secret|Life|is|light|,|innocuous|and|unremarkable|.\n...|delivers|few|moments|of|inspiration|amid|the|bland|animation|and|simplistic|story|.\nTake|away|the|controversy|,|and|it|'s|not|much|more|watchable|than|a|Mexican|soap|opera|.\nIt|'s|got|the|brawn|,|but|not|the|brains|.\nMindless|and|boring|martial|arts|and|gunplay|with|too|little|excitement|and|zero|compelling|storyline|.\nA|lot|of|talent|is|wasted|in|this|crass|,|low-wattage|endeavor|.\nTo|show|these|characters|in|the|act|and|give|them|no|feelings|of|remorse|--|and|to|cut|repeatedly|to|the|flashback|of|the|original|rape|--|is|overkill|to|the|highest|degree|.\n(|T|)|oo|many|of|these|gross|out|scenes|...\nAbout|one|in|three|gags|in|White|'s|intermittently|wise|script|hits|its|mark|;|the|rest|are|padding|unashamedly|appropriated|from|the|teen-exploitation|playbook|.\nLittle|is|done|to|support|the|premise|other|than|fling|gags|at|it|to|see|which|ones|shtick|.\nReno|does|what|he|can|in|a|thankless|situation|,|the|film|ricochets|from|humor|to|violence|and|back|again|,|and|Ryoko|Hirosue|makes|us|wonder|if|she|is|always|like|that|.\nIf|Jews|were|Catholics|,|this|would|be|Catechism\nOne|of|those|films|that|seems|tailor|made|to|air|on|pay|cable|to|offer|some|modest|amusements|when|one|has|nothing|else|to|watch|.\nThe|big|ending|surprise|almost|saves|the|movie|.\nIt|'s|too|bad|that|the|rest|is|n't|more|compelling|.\nCharming|,|if|overly|complicated|...\nSchneider|'s|mugging|is|relentless|and|his|constant|need|to|suddenly|transpose|himself|into|another|character|undermines|the|story|'s|continuity|and|progression|.\nAll|very|stylish|and|beautifully|photographed|,|but|far|more|trouble|than|it|'s|worth|,|with|fantasy|mixing|with|reality|and|actors|playing|more|than|one|role|just|to|add|to|the|confusion|.\nIt|'s|probably|not|easy|to|make|such|a|worthless|film|...\nHope|keeps|arising|that|the|movie|will|live|up|to|the|apparent|skills|of|its|makers|and|the|talents|of|its|actors|,|but|it|does|n't|.\nHas|no|reason|to|exist|,|other|than|to|employ|Hollywood|kids|and|people|who|owe|favors|to|their|famous|parents|.\nFor|a|guy|who|has|waited|three|years|with|breathless|anticipation|for|a|new|Hal|Hartley|movie|to|pore|over|,|No|Such|Thing|is|a|big|letdown|.\nConstantly|slips|from|the|grasp|of|its|maker|.\nSmothered|by|its|own|solemnity|.\n`|Christian|Bale|'s|Quinn|(|is|)|a|leather|clad|grunge-pirate|with|a|hairdo|like|Gandalf|in|a|wind-tunnel|and|a|simply|astounding|cor-blimey-luv-a-duck|cockney|accent|.|'\nMight|be|one|of|those|vanity|projects|in|which|a|renowned|filmmaker|attempts|to|show|off|his|talent|by|surrounding|himself|with|untalented|people|.\nAfter|you|laugh|once|(|maybe|twice|)|,|you|will|have|completely|forgotten|the|movie|by|the|time|you|get|back|to|your|car|in|the|parking|lot|.\nNot|one|moment|in|the|enterprise|did|n't|make|me|want|to|lie|down|in|a|dark|room|with|something|cool|to|my|brow|.\nIn|the|era|of|The|Sopranos|,|it|feels|painfully|redundant|and|inauthentic|.\nThe|overall|vibe|is|druggy|and|self-indulgent|,|like|a|spring-break|orgy|for|pretentious|arts|majors|.\nBreen|'s|script|is|sketchy|with|actorish|notations|on|the|margin|of|acting|.\nThere|'s|no|question|that|Epps|scores|once|or|twice|,|but|it|'s|telling|that|his|funniest|moment|comes|when|he|falls|about|ten|feet|onto|his|head|.\nIf|only|Merchant|paid|more|attention|the|story|.\nAt|the|one-hour|mark|,|Herzog|simply|runs|out|of|ideas|and|the|pace|turns|positively|leaden|as|the|movie|sputters|to|its|inevitable|tragic|conclusion|.\n...|too|contrived|to|be|as|naturally|charming|as|it|needs|to|be|.\nA|simpler|,|leaner|treatment|would|have|been|preferable|;|after|all|,|being|about|nothing|is|sometimes|funnier|than|being|about|something|.\nThe|characters|are|based|on|stock|clichés|,|and|the|attempt|to|complicate|the|story|only|defies|credibility|.\nEverything|about|it|from|the|bland|songs|to|the|colorful|but|flat|drawings|is|completely|serviceable|and|quickly|forgettable|.\nNot|the|Great|American|Comedy|,|but|if|you|liked|the|previous|movies|in|the|series|,|you|'ll|have|a|good|time|with|this|one|too|.\nA|domestic|melodrama|with|weak|dialogue|and|biopic|cliches|.\nMr.|Goyer|'s|loose|,|unaccountable|direction|is|technically|sophisticated|in|the|worst|way|.\nThe|movie|is|so|thoughtlessly|assembled|.\nBenigni|presents|himself|as|the|boy|puppet|Pinocchio|,|complete|with|receding|hairline|,|weathered|countenance|and|American|Breckin|Meyer|'s|ridiculously|inappropriate|Valley|Boy|voice|.\nplays|like|some|corny|television|production|from|a|bygone|era\nThe|end|result|is|like|cold|porridge|with|only|the|odd|enjoyably|chewy|lump|.\nFor|all|the|charm|of|Kevin|Kline|and|a|story|that|puts|old-fashioned|values|under|the|microscope|,|there|'s|something|creepy|about|this|movie|.\nI|was|feeling|this|movie|until|it|veered|off|too|far|into|the|Exxon|zone|,|and|left|me|behind|at|the|station|looking|for|a|return|ticket|to|realism|.\nProducer|John|Penotti|surveyed|high|school|students|...|and|came|back|with|the|astonishing|revelation|that|``|they|wanted|to|see|something|that|did|n't|talk|down|to|them|.|''\nIgnoring|that|,|he|made|Swimfan|anyway\nNaipaul|fans|may|be|disappointed|.\nThose|who|are|not|acquainted|with|the|author|'s|work|,|on|the|other|hand|,|may|fall|fast|asleep|.\nHoffman|waits|too|long|to|turn|his|movie|in|an|unexpected|direction|,|and|even|then|his|tone|retains|a|genteel|,|prep-school|quality|that|feels|dusty|and|leatherbound|.\nIf|you|'re|a|Crocodile|Hunter|fan|,|you|'ll|enjoy|at|least|the|``|real|''|portions|of|the|film|.\nIf|you|'re|looking|for|a|story|,|do|n't|bother|.\nFull|Frontal|had|no|effect|and|elicited|no|sympathies|for|any|of|the|characters|.\nBy|that|measure|,|it|is|a|failure|.\nA|baffling|mixed|platter|of|gritty|realism|and|magic|realism|with|a|hard-to-swallow|premise|.\nAn|affable|but|undernourished|romantic|comedy|that|fails|to|match|the|freshness|of|the|actress-producer|and|writer|'s|previous|collaboration|,|Miss|Congeniality|.\nSometimes|this|modest|little|number|clicks|,|and|sometimes|it|does|n't|.\nLike|a|pack|of|dynamite|sticks|,|built|for|controversy|.\nThe|film|is|explosive|,|but|a|few|of|those|sticks|are|wet|.\nHas|its|charming|quirks|and|its|dull|spots|.\nAn|admitted|egomaniac|,|Evans|is|no|Hollywood|villain|,|and|yet|this|grating|showcase|almost|makes|you|wish|he|'d|gone|the|way|of|Don|Simpson|.\nThe|audience|when|I|saw|this|one|was|chuckling|at|all|the|wrong|times|,|and|that|'s|a|bad|sign|when|they|'re|supposed|to|be|having|a|collective|heart|attack|.\nEveryone|'s|to|blame|here|.\nYou|get|the|impression|that|writer|and|director|Burr|Steers|knows|the|territory|...|but|his|sense|of|humor|has|yet|to|lose|the|smug|self-satisfaction|usually|associated|with|the|better|private|schools|.\nLess|a|study|in|madness|or|love|than|a|study|in|schoolgirl|obsession|.\nRice|never|clearly|defines|his|characters|or|gives|us|a|reason|to|care|about|them|.\nIt|'s|a|bizarre|curiosity|memorable|mainly|for|the|way|it|fritters|away|its|potentially|interesting|subject|matter|via|a|banal|script|,|unimpressive|acting|and|indifferent|direction|.\nA|slight|and|obvious|effort|,|even|for|one|whose|target|demographic|is|likely|still|in|the|single|digits|,|age-wise|.\nSex|With|Strangers|will|shock|many|with|its|unblinking|frankness|.\nBut|what|is|missing|from|it|all|is|a|moral|.\nWhat|is|the|filmmakers|'|point|?\nWhy|did|they|deem|it|necessary|to|document|all|this|emotional|misery|?\nYou|see|Robin|Williams|and|psycho|killer|,|and|you|think|,|hmmmmm|.\nYou|see|the|movie|and|you|think|,|zzzzzzzzz|.\nDownright|transparent|is|the|script|'s|endless|assault|of|embarrassingly|ham-fisted|sex|jokes|that|reek|of|a|script|rewrite|designed|to|garner|the|film|a|``|cooler|''|PG-13|rating|.\nThe|movie|slides|downhill|as|soon|as|macho|action|conventions|assert|themselves|.\nFormulaic|to|the|51st|power|,|more|like|.\nDraggin|'|about|dragons\nHoward|and|his|co-stars|all|give|committed|performances|,|but|they|'re|often|undone|by|Howard|'s|self-conscious|attempts|to|find|a|`|literary|'|filmmaking|style|to|match|his|subject|.\nA|respectable|but|uninspired|thriller|that|'s|intelligent|and|considered|in|its|details|,|but|ultimately|weak|in|its|impact|.\nJones|helps|breathe|some|life|into|the|insubstantial|plot|,|but|even|he|is|overwhelmed|by|predictability|.\nThe|movie|just|has|too|much|on|its|plate|to|really|stay|afloat|for|its|just|under|ninety|minute|running|time|.\nComes|off|more|like|a|misdemeanor|,|a|flat|,|unconvincing|drama|that|never|catches|fire|.\nOffers|absolutely|nothing|I|had|n't|already|seen|.\n``|Analyze|That|''|is|one|of|those|crass|,|contrived|sequels|that|not|only|fails|on|its|own|,|but|makes|you|second-guess|your|affection|for|the|original|.\nYou|might|say|Tykwer|has|done|all|that|Heaven|allows|,|if|you|wanted|to|make|as|anti-Kieslowski|a|pun|as|possible|.\nSuffice|to|say|its|total|promise|is|left|slightly|unfulfilled|.\nComplex|,|sinuously|plotted|and|,|somehow|,|off-puttingly|cold|.\nFirst-time|writer-director|Dylan|Kidd|also|has|a|good|ear|for|dialogue|,|and|the|characters|sound|like|real|people|.\n...|an|airless|,|prepackaged|Julia|Roberts|wannabe|that|stinks|so|badly|of|hard-sell|image-mongering|you|'ll|wonder|if|Lopez|'s|publicist|should|share|screenwriting|credit|.\nGoldmember|has|none|of|the|visual|wit|of|the|previous|pictures|,|and|it|looks|as|though|Jay|Roach|directed|the|film|from|the|back|of|a|taxicab|.\nCould|as|easily|have|been|called|`|Under|Siege|3|:|In|Alcatraz|'|...|a|cinematic|corpse|that|never|springs|to|life|.\nIn|comparison|to|his|earlier|films|it|seems|a|disappointingly|thin|slice|of|lower-class|London|life|;|despite|the|title|...|amounts|to|surprisingly|little|.\nLame|Sweet|Home|leaves|no|Southern|stereotype|unturned|.\nSlow|,|dry|,|poorly|cast|,|but|beautifully|shot|.\nThe|jokes|are|sophomoric|,|stereotypes|are|sprinkled|everywhere|and|the|acting|ranges|from|bad|to|bodacious|.\nWill|give|many|ministers|and|Bible-study|groups|hours|of|material|to|discuss|.\nBut|mainstream|audiences|will|find|little|of|interest|in|this|film|,|which|is|often|preachy|and|poorly|acted|.\nIn|its|chicken|heart|,|Crush|goes|to|absurd|lengths|to|duck|the|very|issues|it|raises|.\nThis|long|and|relentlessly|saccharine|film|is|a|clear|case|of|preaching|to|the|converted|.\nThe|film|is|flat|.\nThe|movie|is|a|lumbering|load|of|hokum|but|...|it|'s|at|least|watchable|.\nIt|'s|a|boom-box|of|a|movie|that|might|have|been|titled|`|The|Loud|and|the|Ludicrous|'|...|the|pandering|to|a|moviegoing|audience|dominated|by|young|males|is|all|too|calculated|.\nAn|unbelievably|stupid|film|,|though|occasionally|fun|enough|to|make|you|forget|its|absurdity|.\nThe|first|Fatal|Attraction|was|vile|enough|.\nDo|we|really|need|the|Tiger|Beat|version|?\nThis|Bond|film|goes|off|the|beaten|path|,|not|necessarily|for|the|better|.\nThe|problem|is|that|the|movie|has|no|idea|of|it|is|serious|or|not|.\nWhen|the|fire|burns|out|,|we|'ve|only|come|face-to-face|with|a|couple|dragons|and|that|'s|where|the|film|ultimately|fails|.\nIt|would|work|much|better|as|a|one-hour|TV|documentary|.\nThe|elements|were|all|there|but|lack|of|a|pyschological|center|knocks|it|flat|.\nAnemic|chronicle|of|money|grubbing|New|Yorkers|and|their|serial|loveless|hook|ups|.\nSimply|does|n't|have|sufficient|heft|to|justify|its|two-hour|running|time|.\nAn|unsuccessful|attempt|at|a|movie|of|ideas|.\nQueen|of|the|Damned|as|you|might|have|guessed|,|makes|sorry|use|of|Aaliyah|in|her|one|and|only|starring|role|--|she|does|little|here|but|point|at|things|that|explode|into|flame|.\nThis|toothless|Dog|,|already|on|cable|,|loses|all|bite|on|the|big|screen|.\nIt|made|me|feel|unclean|,|and|I|'m|the|guy|who|liked|There|'s|Something|About|Mary|and|both|American|Pie|movies|.\nOh|,|and|Booty|Call|.\nNot|only|is|it|hokey|,|manipulative|and|as|bland|as|Wonder|Bread|dipped|in|milk|,|but|it|also|does|the|absolute|last|thing|we|need|Hollywood|doing|to|us|:|It|preaches|.\nIt|'s|so|crammed|with|scenes|and|vistas|and|pretty|moments|that|it|'s|left|a|few|crucial|things|out|,|like|character|development|and|coherence|.\nServing|Sara|should|be|served|an|eviction|notice|at|every|theater|stuck|with|it|.\nDirector|Roger|Michell|does|so|many|of|the|little|things|right|that|it|'s|difficult|not|to|cuss|him|out|severely|for|bungling|the|big|stuff|.\nA|loud|,|low-budget|and|tired|formula|film|that|arrives|cloaked|in|the|euphemism|`|urban|drama|.|'\nThe|movie|has|a|script|(|by|Paul|Pender|)|made|of|wood|,|and|it|'s|relentlessly|folksy|,|a|procession|of|stagy|set|pieces|stacked|with|binary|oppositions|.\nA|pathetic|exploitation|film|that|tries|to|seem|sincere|,|and|just|seems|worse|for|the|effort|.\nAt|some|point|,|all|this|visual|trickery|stops|being|clever|and|devolves|into|flashy|,|vaguely|silly|overkill|.\nDespite|some|charm|and|heart|,|this|quirky|soccer|import|is|forgettable\nMeyjes|'s|movie|,|like|Max|Rothman|'s|future|,|does|not|work|.\nWhat|'s|needed|so|badly|but|what|is|virtually|absent|here|is|either|a|saving|dark|humor|or|the|feel|of|poetic|tragedy|.\nSchneidermeister|...|Makin|'|a|fool|of|himself|...|Losin|'|his|fan|base|...\nAn|ambitious|,|serious|film|that|manages|to|do|virtually|everything|wrong|;|sitting|through|it|is|something|akin|to|an|act|of|cinematic|penance|.\nNot|once|does|it|come|close|to|being|exciting|.\nA|Frankenstein|mishmash|that|careens|from|dark|satire|to|cartoonish|slapstick|,|Bartleby|performs|neither|one|very|well|.\nIt|plays|like|a|big-budget|,|after-school|special|with|a|generous|cast|,|who|at|times|lift|the|material|from|its|well-meaning|clunkiness|.\nThere|'s|something|not|entirely|convincing|about|The|Quiet|American|.\nAnd|that|holds|true|for|both|the|movie|and|the|title|character|played|by|Brendan|Fraser|.\nOne|of|those|strained|caper|movies|that|'s|hardly|any|fun|to|watch|and|begins|to|vaporize|from|your|memory|minutes|after|it|ends|.\nNeeded|a|little|less|bling-bling|and|a|lot|more|romance|.\nThe|ending|does|n't|work|...|but|most|of|the|movie|works|so|well|I|'m|almost|recommending|it|,|anyway|--|maybe|not|to|everybody|,|but|certainly|to|people|with|a|curiosity|about|how|a|movie|can|go|very|right|,|and|then|step|wrong|.\nIt|'s|hard|to|believe|these|jokers|are|supposed|to|have|pulled|off|four|similar|kidnappings|before|.\nI|'m|not|exactly|sure|what|this|movie|thinks|it|is|about|.\nCal|is|an|unpleasantly|shallow|and|immature|character|with|whom|to|spend|110|claustrophobic|minutes|.\nSo|brisk|is|Wang|'s|pacing|that|none|of|the|excellent|cast|are|given|air|to|breathe|.\nThe|bottom|line|,|at|least|in|my|opinion|,|is|Imposter|makes|a|better|short|story|than|it|does|a|film|.\nSome|elements|of|it|really|blow|the|big|one|,|but|other|parts|are|decent|.\nIt|is|just|too|bad|the|film|'s|story|does|not|live|up|to|its|style|.\nUnless|you|'re|a|fanatic|,|the|best|advice|is|:|`|Scooby|'|do|n't|.\nA|cautionary|tale|about|the|folly|of|superficiality|that|is|itself|endlessly|superficial|.\nFor|single|digits|kidlets|Stuart|Little|2|is|still|a|no|brainer|.\nIf|you|'re|looking|to|rekindle|the|magic|of|the|first|film|,|you|'ll|need|a|stronger|stomach|than|us|.\nShreve|'s|graceful|dual|narrative|gets|clunky|on|the|screen|,|and|we|keep|getting|torn|away|from|the|compelling|historical|tale|to|a|less-compelling|soap|opera|.\nContains|a|few|big|laughs|but|many|more|that|graze|the|funny|bone|or|miss|it|altogether|,|in|part|because|the|consciously|dumbed-down|approach|wears|thin|.\nNothing|more|than|a|widget|cranked|out|on|an|assembly|line|to|see|if|stupid|Americans|will|get|a|kick|out|of|goofy|Brits|with|cute|accents|performing|ages-old|slapstick|and|unfunny|tricks|.\nThis|is|a|film|tailor-made|for|those|who|when|they|were|in|high|school|would|choose|the|Cliff-Notes|over|reading|a|full-length|classic|.\nThe|movie|is|undone|by|a|filmmaking|methodology|that|'s|just|experimental|enough|to|alienate|the|mainstream|audience|while|ringing|cliched|to|hardened|indie-heads|.\nA|jumbled|fantasy|comedy|that|did|not|figure|out|a|coherent|game|plan|at|scripting|,|shooting|or|post-production|stages|.\nA|sad|and|rote|exercise|in|milking|a|played-out|idea|--|a|straight|guy|has|to|dress|up|in|drag|--|that|shockingly|manages|to|be|even|worse|than|its|title|would|imply|.\nPersonal|Velocity|ought|to|be|exploring|these|women|'s|inner|lives|,|but|it|never|moves|beyond|their|surfaces|.\nWe|hate|(|Madonna|)|within|the|film|'s|first|five|minutes|,|and|she|lacks|the|skill|or|presence|to|regain|any|ground|.\nSounding|like|Arnold|Schwarzenegger|,|with|a|physique|to|match|,|(|Ahola|)|has|a|wooden|delivery|and|encounters|a|substantial|arc|of|change|that|does|n't|produce|any|real|transformation|.\nTwo|big|things|are|missing|--|anything|approaching|a|visceral|kick|,|and|anything|approaching|even|a|vague|reason|to|sit|through|it|all|.\nA|fascinating|but|choppy|documentary|.\nScarcely|worth|a|mention|apart|from|reporting|on|the|number|of|tumbleweeds|blowing|through|the|empty|theatres|graced|with|its|company|.\nThe|doofus-on|-|the-loose|banter|of|Welcome|to|Collinwood|has|a|cocky|,|after-hours|loopiness|to|it|.\nAnd|as|with|most|late-night|bull|sessions|,|eventually|the|content|is|n't|nearly|as|captivating|as|the|rowdy|participants|think|it|is|.\nToo|stagey|,|talky|--|and|long|--|for|its|own|good|.\nApparently|reassembled|from|the|cutting-room|floor|of|any|given|daytime|soap|.\nThe|sinister|inspiration|that|fuelled|DeVito|'s|early|work|is|confused|in|Death|to|Smoochy|into|something|both|ugly|and|mindless|.\nDespite|Auteuil|'s|performance|,|it|'s|a|rather|listless|amble|down|the|middle|of|the|road|,|where|the|thematic|ironies|are|too|obvious|and|the|sexual|politics|too|smug|.\nDirector|Boris|von|Sychowski|instead|opts|for|a|routine|slasher|film|that|was|probably|more|fun|to|make|than|it|is|to|sit|through|.\n...|little|more|than|a|well-acted|television|melodrama|shot|for|the|big|screen|.\nNever|comes|together|as|a|coherent|whole|.\nAn|unintentionally|surreal|kid|'s|picture|...|in|which|actors|in|bad|bear|suits|enact|a|sort|of|inter-species|parody|of|a|VH1|Behind|the|Music|episode|.\nFirst|,|for|a|movie|that|tries|to|be|smart|,|it|'s|kinda|dumb|.\nAnd|second|,|what|'s|with|all|the|shooting|?\nDo|n't|even|bother|to|rent|this|on|video|.\nThere|is|something|in|Full|Frontal|,|I|guess|,|about|artifice|and|acting|and|how|it|distorts|reality|for|people|who|make|movies|and|watch|them|,|but|like|most|movie|riddles|,|it|works|only|if|you|have|an|interest|in|the|characters|you|see|.\nThis|is|the|kind|of|movie|that|gets|a|quick|release|before|real|contenders|arrive|in|September|.\nNot|counting|a|few|gross-out|comedies|I|'ve|been|trying|to|forget|,|this|is|the|first|film|in|a|long|time|that|made|me|want|to|bolt|the|theater|in|the|first|10|minutes|.\nPlays|like|one|long|,|meandering|sketch|inspired|by|the|works|of|John|Waters|and|Todd|Solondz|,|rather|than|a|fully|developed|story|.\nThe|film|does|n't|have|enough|innovation|or|pizazz|to|attract|teenagers|,|and|it|lacks|the|novel|charm|that|made|Spy|Kids|a|surprising|winner|with|both|adults|and|younger|audiences|.\nA|mawkish|self-parody|that|plays|like|some|weird|Masterpiece|Theater|sketch|with|neither|a|point|of|view|nor|a|compelling|reason|for|being|.\nAn|average|B-movie|with|no|aspirations|to|be|anything|more|.\nBartlett|'s|hero|remains|a|reactive|cipher|,|when|opening|the|man|'s|head|and|heart|is|the|only|imaginable|reason|for|the|film|to|be|made|.\nGibney|and|Jarecki|just|want|to|string|the|bastard|up|.\nThe|plot|is|plastered|with|one|Hollywood|cliche|after|another|,|most|of|which|involve|precocious|kids|getting|the|better|of|obnoxious|adults|.\nLess|worrying|about|covering|all|the|drama|in|Frida|'s|life|and|more|time|spent|exploring|her|process|of|turning|pain|into|art|would|have|made|this|a|superior|movie|.\nA|film|that|suffers|because|of|its|many|excesses|.\nToo|bland|and|fustily|tasteful|to|be|truly|prurient|.\nIn|any|case|,|I|would|recommend|Big|Bad|Love|only|to|Winger|fans|who|have|missed|her|since|1995|'s|Forget|Paris|.\nBut|even|then|,|I|'d|recommend|waiting|for|DVD|and|just|skipping|straight|to|her|scenes|.\nDepicts|the|sorriest|and|most|sordid|of|human|behavior|on|the|screen|,|then|laughs|at|how|clever|it|'s|being|.\nNijinsky|says|,|'|I|know|how|to|suffer|'|and|if|you|see|this|film|you|'ll|know|too|.\n`|CQ|may|one|day|be|fondly|remembered|as|Roman|Coppola|'s|brief|pretentious|period|before|going|on|to|other|films|that|actually|tell|a|story|worth|caring|about\nThe|only|thing|scary|about|feardotcom|is|that|the|filmmakers|and|studio|are|brazen|enough|to|attempt|to|pass|this|stinker|off|as|a|scary|movie|.\n...|the|story|simply|putters|along|looking|for|astute|observations|and|coming|up|blank|.\nInstead|of|contriving|a|climactic|hero|'s|death|for|the|beloved-major|-|character-who-shall|-|remain-nameless|,|why|not|invite|some|genuine|spontaneity|into|the|film|by|having|the|evil|aliens|'|laser|guns|actually|hit|something|for|once|?\nIt|just|did|n't|mean|much|to|me|and|played|too|skewed|to|ever|get|a|hold|on|(|or|be|entertained|by|)|.\nThis|action-thriller\\/dark|comedy|is|one|of|the|most|repellent|things|to|pop|up|in|a|cinematic|year|already|littered|with|celluloid|garbage|.\nMIB|II|is|a|movie|that|makes|it|possible|for|the|viewer|to|doze|off|for|a|few|minutes|or|make|several|runs|to|the|concession|stand|and\\/or|restroom|and|not|feel|as|if|he|or|she|has|missed|anything|.\nThat|'s|because|relatively|nothing|happens|.\nNo|amount|of|arty|theorizing|--|the|special|effects|are|`|German-Expressionist|,|'|according|to|the|press|notes|--|can|render|it|anything|but|laughable|.\nBlue|Crush|follows|the|formula|,|but|throws|in|too|many|conflicts|to|keep|the|story|compelling|.\nBoyd|'s|screenplay|(|co-written|with|Guardian|hack|Nick|Davies|)|has|a|florid|turn|of|phrase|that|owes|more|to|Guy|Ritchie|than|the|Bard|of|Avon|.\nThere|'s|not|a|spark|of|new|inspiration|in|it|,|just|more|of|the|same|,|done|with|noticeably|less|energy|and|imagination|.\nJackson|shamefully|strolls|through|this|mess|with|a|smug|grin|,|inexplicably|wearing|a|kilt|and|carrying|a|bag|of|golf|clubs|over|one|shoulder|.\nA|moving|picture|that|does|not|move|.\nRuh-roh|!\nRomething|'s|really|wrong|with|this|ricture|!\nIts|salient|points|are|simultaneously|buried|,|drowned|and|smothered|in|the|excesses|of|writer-director|Roger|Avary|.\nI|'m|not|sure|these|words|have|ever|been|together|in|the|same|sentence|:|This|erotic|cannibal|movie|is|boring|.\n`|God|help|us|,|but|Capra|and|Cooper|are|rolling|over|in|their|graves|.|'\n...|an|hour-and-a-half|of|inoffensive|,|unmemorable|filler|.\nIs|it|a|comedy|?\nA|drama|?\nA|romance|?\nA|cartoon|?\nZe|movie|starts|out|so|funny|,|then|she|is|nothing|.\nDid|the|film|inform|and|educate|me|?\nYes|.\nDid|it|move|me|to|care|about|what|happened|in|1915|Armenia|?\nNo.|.\nAnd|that|is|where|Ararat|went|astray|.\nIt|'s|a|bad|sign|in|a|thriller|when|you|instantly|know|whodunit|.\nHas|a|customarily|jovial|air|but|a|deficit|of|flim-flam|inventiveness|.\nEight|Legged|Freaks|wo|n't|join|the|pantheon|of|great|monster\\/science|fiction|flicks|that|we|have|come|to|love|...\nIt|gets|the|details|of|its|time|frame|right|but|it|completely|misses|its|emotions|.\nWho|,|exactly|,|is|fighting|whom|here|?\nAh|,|yes|,|that|would|be|me|:|fighting|off|the|urge|to|doze|.\nA|kilted|Jackson|is|an|unsettling|sight|,|and|indicative|of|his|,|if|you|will|,|out-of-kilter|character|,|who|rambles|aimlessly|through|ill-conceived|action|pieces|.\nContrived|,|awkward|and|filled|with|unintended|laughs|,|the|film|shows|signs|that|someone|other|than|the|director|got|into|the|editing|room|and|tried|to|improve|things|by|making|the|movie|go|faster|.\nStarts|out|with|tremendous|promise|,|introducing|an|intriguing|and|alluring|premise|,|only|to|fall|prey|to|a|boatload|of|screenwriting|cliches|that|sink|it|faster|than|a|leaky|freighter|.\nThe|film|lapses|too|often|into|sugary|sentiment|and|withholds|delivery|on|the|pell-mell|pyrotechnics|its|punchy|style|promises|.\nThe|only|question|...|is|to|determine|how|well|the|schmaltz|is|manufactured|--|to|assess|the|quality|of|the|manipulative|engineering|.\nAverage|,|at|best|,|I|'m|afraid|.\nThis|movie|is|so|bad|,|that|it|'s|almost|worth|seeing|because|it|'s|so|bad|.\nA|crisply|made|movie|that|is|no|more|than|mildly|amusing|.\nThis|movie|feel|more|like|a|non-stop|cry|for|attention|,|than|an|attempt|at|any|kind|of|satisfying|entertainment|.\nOverall|,|it|'s|a|pretty|mediocre|family|film|.\nLove|may|have|been|in|the|air|onscreen|,|but|I|certainly|was|n't|feeling|any|of|it|.\nIn|addition|to|the|overcooked|,|ham-fisted|direction|,|which|has|all|the|actors|reaching|for|the|back|row|,|the|dialogue|sounds|like|horrible|poetry|.\nThe|very|definition|of|what|critics|have|come|to|term|an|``|ambitious|failure|.|''\nIt|'s|as|if|De|Palma|spent|an|hour|setting|a|fancy|table|and|then|served|up|Kraft|Macaroni|and|Cheese|.\nThe|movie|ends|with|outtakes|in|which|most|of|the|characters|forget|their|lines|and|just|utter|`|uhhh|,|'|which|is|better|than|most|of|the|writing|in|the|movie|.\nWorthy|of|the|gong|.\nWhile|certainly|more|naturalistic|than|its|Australian|counterpart|,|Amari|'s|film|falls|short|in|building|the|drama|of|Lilia|'s|journey|.\nI|found|the|movie|as|divided|against|itself|as|the|dysfunctional|family|it|portrays|.\nThe|soul-searching|deliberateness|of|the|film|,|although|leavened|nicely|with|dry|absurdist|wit|,|eventually|becomes|too|heavy|for|the|plot|.\nThe|movie|does|n't|add|anything|fresh|to|the|myth|.\nAs|inept|as|big-screen|remakes|of|The|Avengers|and|The|Wild|Wild|West|.\nComes|across|as|a|relic|from|a|bygone|era|,|and|its|convolutions|...|feel|silly|rather|than|plausible|.\nMoves|in|such|odd|plot|directions|and|descends|into|such|message-mongering|moralism|that|its|good|qualities|are|obscured|.\nIt|'s|a|very|sincere|work|,|but|it|would|be|better|as|a|diary|or|documentary|.\nOnce|one|experiences|Mr.|Haneke|'s|own|sadistic|tendencies|toward|his|audience|,|one|is|left|with|a|sour|taste|in|one|'s|mouth|,|and|little|else|.\nOops|,|she|'s|really|done|it|this|time|.\nThat|chirpy|songbird|Britney|Spears|has|popped|up|with|more|mindless|drivel|.\nIt|'s|a|loathsome|movie|,|it|really|is|and|it|makes|absolutely|no|sense|.\nA|chiller|resolutely|without|chills|.\nFor|those|of|us|who|respond|more|strongly|to|storytelling|than|computer-generated|effects|,|the|new|Star|Wars|installment|has|n't|escaped|the|rut|dug|by|the|last|one|.\nThe|director|mostly|plays|it|straight|,|turning|Leys|'|fable|into|a|listless|climb|down|the|social|ladder|.\n``|Bad|''|is|the|operative|word|for|``|Bad|Company|,|''|and|I|do|n't|mean|that|in|a|good|way|.\nThough|Frida|is|easier|to|swallow|than|Julie|Taymor|'s|preposterous|Titus|,|the|eye|candy|here|lacks|considerable|brio|.\nDrumline|is|--|the|mere|suggestion|,|albeit|a|visually|compelling|one|,|of|a|fully|realized|story|.\nThe|whole|movie|is|simply|a|lazy|exercise|in|bad|filmmaking|that|asks|you|to|not|only|suspend|your|disbelief|but|your|intelligence|as|well|.\nThe|film|affords|us|intriguing|glimpses|of|the|insights|gleaned|from|a|lifetime|of|spiritual|inquiry|,|but|Ram|Dass|:|Fierce|Grace|does|n't|organize|it|with|any|particular|insight|.\nBilly|Crystal|and|Robert|De|Niro|sleepwalk|through|vulgarities|in|a|sequel|you|can|refuse|.\nIt|'s|loud|and|boring|;|watching|it|is|like|being|trapped|at|a|bad|rock|concert|.\nMerely|(|and|literally|)|tosses|around|sex|toys|and|offers|half-hearted|paeans|to|empowerment|that|are|repeatedly|undercut|by|the|brutality|of|the|jokes|,|most|at|women|'s|expense|.\nIf|you|want|a|movie|time|trip|,|the|1960|version|is|a|far|smoother|ride|.\nTraffics|in|the|kind|of|prechewed|racial|clichés|that|have|already|been|through|the|corporate|stand-up-comedy|mill|.\nThe|story|is|--|forgive|me|--|a|little|thin|,|and|the|filmmaking|clumsy|and|rushed|.\n...|grows|decidedly|flimsier|with|its|many|out-sized|,|out|of|character|and|logically|porous|action|set|pieces|.\nI|wish|Windtalkers|had|had|more|faith|in|the|dramatic|potential|of|this|true|story|.\nThis|would|have|been|better|than|the|fiction|it|has|concocted|,|and|there|still|could|have|been|room|for|the|war|scenes|.\nAggressive|self-glorification|and|a|manipulative|whitewash|.\nStay|for|the|credits|and|see|a|devastating|comic|impersonation|by|Dustin|Hoffman|that|is|revelatory|.\nNone|of|the|characters|or|plot-lines|are|fleshed-out|enough|to|build|any|interest|.\nAs|social|exposé|,|Skins|has|its|heart|in|the|right|place|,|but|that|'s|not|much|to|hang|a|soap|opera|on|.\nThe|whole|film|has|this|sneaky|feel|to|it|--|as|if|the|director|is|trying|to|dupe|the|viewer|into|taking|it|all|as|Very|Important|simply|because|the|movie|is|ugly|to|look|at|and|not|a|Hollywood|product|.\nThere|'s|a|bit|of|thematic|meat|on|the|bones|of|Queen|of|the|Damned|,|as|its|origins|in|an|Anne|Rice|novel|dictate|,|but|generally|,|it|'s|a|movie|that|emphasizes|style|over|character|and|substance|.\nThe|only|way|to|tolerate|this|insipid|,|brutally|clueless|film|might|be|with|a|large|dose|of|painkillers|.\nThis|one|is|certainly|well-meaning|,|but|it|'s|also|simple-minded|and|contrived|.\nCoppola|has|made|a|film|of|intoxicating|atmosphere|and|little|else|.\nBad|and|baffling|from|the|get-go|.\nA|series|of|immaculately|composed|shots|of|Patch|Adams|quietly|freaking|out|does|not|make|for|much|of|a|movie|.\nAt|a|time|when|we|'ve|learned|the|hard|way|just|how|complex|international|terrorism|is|,|Collateral|Damage|paints|an|absurdly|simplistic|picture|.\nThe|impulses|that|produced|this|project|...|are|commendable|,|but|the|results|are|uneven|.\nA|well-acted|movie|that|simply|does|n't|gel|.\nLike|a|can|of|2-day|old|Coke|.\nYou|can|taste|it|,|but|there|'s|no|fizz|.\nThere|'s|no|excuse|for|following|up|a|delightful|,|well-crafted|family|film|with|a|computer-generated|cold|fish|.\nBoth|the|crime|story|and|the|love|story|are|unusual|.\nBut|they|do|n't|fit|well|together|and|neither|is|well|told|.\nIt|'s|both|sitcomishly|predictable|and|cloying|in|its|attempts|to|be|poignant|.\nOther|than|a|mildly|engaging|central|romance|,|Hospital|is|sickly|entertainment|at|best|and|mind-destroying|cinematic|pollution|at|worst|.\nJaglom|offers|the|none-too-original|premise|that|everyone|involved|with|moviemaking|is|a|con|artist|and|a|liar|.\nOutside|of|Burger|'s|desire|to|make|some|kind|of|film|,|it|'s|really|unclear|why|this|project|was|undertaken\nWas|I|scared|?\nOnly|at|the|prospect|of|Beck|'s|next|project|.\nLet|'s|see|,|a|haunted|house|,|a|haunted|ship|,|what|'s|next|...|Ghost|Blimp|?\nA|fragile|framework|upon|which|to|hang|broad|,|mildly|fleshed-out|characters|that|seem|to|have|been|conjured|up|only|10|minutes|prior|to|filming|.\nBy|the|time|the|plot|grinds|itself|out|in|increasingly|incoherent|fashion|,|you|might|be|wishing|for|a|watch|that|makes|time|go|faster|rather|than|the|other|way|around|.\nSince|Lee|is|a|sentimentalist|,|the|film|is|more|worshipful|than|your|random|E|!\nTrue|Hollywood|Story|.\nWes|Craven|'s|presence|is|felt|;|not|the|Craven|of|'|A|Nightmare|on|Elm|Street|'|or|`|The|Hills|Have|Eyes|,|'|but|the|sad|schlock|merchant|of|`|Deadly|Friend|.|'\nSunshine|State|surveys|the|landscape|and|assesses|the|issues|with|a|clear|passion|for|sociology|.\nBut|the|cinematography|is|cloudy|,|the|picture|making|becalmed|.\nIt|'s|one|long|bore|.\nIt|gets|old|quickly|.\nWatch|Barbershop|again|if|you|'re|in|need|of|a|Cube|fix|--|this|is|n't|worth|sitting|through|.\nIt|'s|leaden|and|predictable|,|and|laughs|are|lacking|.\n...|a|cinematic|disaster|so|inadvertently|sidesplitting|it|'s|worth|the|price|of|admission|for|the|ridicule|factor|alone|.\nSkip|this|dreck|,|rent|Animal|House|and|go|back|to|the|source|.\nThe|movie|is|a|desperate|miscalculation|.\nIt|gives|poor|Dana|Carvey|nothing|to|do|that|is|really|funny|,|and|then|expects|us|to|laugh|because|he|acts|so|goofy|all|the|time|.\nWe|just|do|n't|really|care|too|much|about|this|love|story|.\nIn|that|setting|,|their|struggle|is|simply|too|ludicrous|and|borderline|insulting|.\nThe|Transporter|bombards|the|viewer|with|so|many|explosions|and|side|snap|kicks|that|it|ends|up|being|surprisingly|dull|.\nUzumaki|'s|interesting|social|parallel|and|defiant|aesthetic|seems|a|prostituted|muse|...\n`|Men|in|Black|II|creates|a|new|threat|for|the|MIB|,|but|recycles|the|same|premise|.\nLarge|budget|notwithstanding|,|the|movie|is|such|a|blip|on|the|year|'s|radar|screen|that|it|'s|tempting|just|to|go|with|it|for|the|ride|.\nBut|this|time|,|the|old|MIB|label|stands|for|Milder|Is|n't|Better|.\nFeels|familiar|and|tired|.\nA|retread|of|material|already|thoroughly|plumbed|by|Martin|Scorsese|.\nInstead|of|making|his|own|style|,|director|Marcus|Adams|just|copies|from|various|sources|--|good|sources|,|bad|mixture\nCriminal|conspiracies|and|true|romances|move|so|easily|across|racial|and|cultural|lines|in|the|film|that|it|makes|My|Big|Fat|Greek|Wedding|look|like|an|apartheid|drama|.\nA|bore|that|tends|to|hammer|home|every|one|of|its|points|.\nA|story|which|fails|to|rise|above|its|disgusting|source|material|.\nIt|'s|fitting|that|a|movie|as|artificial|and|soulless|as|The|Country|Bears|owes|its|genesis|to|an|animatronic|display|at|Disneyland|.\nStarts|as|an|intense|political|and|psychological|thriller|but|is|sabotaged|by|ticking|time|bombs|and|other|Hollywood-action|cliches|.\nCompletely|creatively|stillborn|and|executed|in|a|manner|that|I|'m|not|sure|could|be|a|single|iota|worse|...|a|soulless|hunk|of|exploitative|garbage|.\nAn|uneven|look|into|a|grim|future|that|does|n't|come|close|to|the|level|of|intelligence|and|visual|splendour|that|can|be|seen|in|other|films|based|on|Philip|K.|Dick|stories|.\nHorrible|.\nThe|disjointed|mess|flows|as|naturally|as|Jolie|'s|hideous|yellow|`|do|.\nBolstered|by|an|astonishing|voice|cast|(|excepting|Love|Hewitt|)|,|an|interesting|racial|tension|,|and|a|storyline|that|I|have|n't|encountered|since|at|least|Pete|'s|Dragon|.\nAn|authentically|vague|,|but|ultimately|purposeless|,|study|in|total|pandemonium|.\nMakes|a|joke|out|of|car|chases|for|an|hour|and|then|gives|us|half|an|hour|of|car|chases|.\nAs|the|sulking|,|moody|male|hustler|in|the|title|role|,|(|Franco|)|has|all|of|Dean|'s|mannerisms|and|self-indulgence|,|but|none|of|his|sweetness|and|vulnerability|.\nThe|only|thing|to|fear|about|``|Fear|Dot|Com|''|is|hitting|your|head|on|the|theater|seat|in|front|of|you|when|you|doze|off|thirty|minutes|into|the|film|.\nIt|'s|too|interested|in|jerking|off|in|all|its|Byzantine|incarnations|to|bother|pleasuring|its|audience|.\n`|Synthetic|'|is|the|best|description|of|this|well-meaning|,|beautifully|produced|film|that|sacrifices|its|promise|for|a|high-powered|star|pedigree|.\nIt|concentrates|far|too|much|on|the|awkward|interplay|and|utter|lack|of|chemistry|between|Chan|and|Hewitt|.\nImpostor|ca|n't|think|of|a|thing|to|do|with|these|characters|except|have|them|run|through|dark|tunnels|,|fight|off|various|anonymous|attackers|,|and|evade|elaborate|surveillance|technologies|.\nJudd|'s|characters|ought|to|pick|up|the|durable|best|seller|Smart|Women|,|Foolish|Choices|for|advice|.\nThe|script|has|less|spice|than|a|rat|burger|and|The|Rock|'s|fighting|skills|are|more|in|line|with|Steven|Seagal|.\nThis|ill-conceived|and|expensive|project|winds|up|looking|like|a|bunch|of|talented|thesps|slumming|it|.\n...|there|'s|a|choppy|,|surface-effect|feeling|to|the|whole|enterprise|.\nDoes|n't|get|the|job|done|,|running|off|the|limited|chemistry|created|by|Ralph|Fiennes|and|Jennifer|Lopez|.\nA|particularly|joyless|,|and|exceedingly|dull|,|period|coming-of-age|tale|.\nIt|'s|impossible|to|indulge|the|fanciful|daydreams|of|Janice|Beard|(|Eileen|Walsh|)|when|her|real-life|persona|is|so|charmless|and|vacant|.\n...|it|was|n't|the|subject|matter|that|ultimately|defeated|the|film|...|It|was|the|unfulfilling|,|incongruous|,|``|wait|a|second|,|did|I|miss|something|?|''\nending|.\nThis|is|a|movie|where|the|most|notable|observation|is|how|long|you|'ve|been|sitting|still|.\nPoor|editing|,|bad|bluescreen|,|and|ultra-cheesy|dialogue|highlight|the|radical|action|.\nIt|'s|super|-|violent|,|super-serious|and|super-stupid|.\nSo|earnest|and|well-meaning|,|and|so|stocked|with|talent|,|that|you|almost|forget|the|sheer|,|ponderous|awfulness|of|its|script|.\nJust|a|string|of|stale|gags|,|with|no|good|inside|dope|,|and|no|particular|bite|.\nIt|'s|Splash|without|the|jokes|.\nThe|Château|would|have|been|benefited|from|a|sharper|,|cleaner|script|before|it|went|in|front|of|the|camera|.\nNot|to|mention|a|sharper|,|cleaner|camera|lens|.\nShallow|,|noisy|and|pretentious|.\nMorrissette|has|performed|a|difficult|task|indeed|-|he|'s|taken|one|of|the|world|'s|most|fascinating|stories|and|made|it|dull|,|lifeless|,|and|irritating|.\nGranddad|of|Le|Nouvelle|Vague|,|Jean-Luc|Godard|continues|to|baffle|the|faithful|with|his|games|of|hide-and-seek|.\nThis|loud|and|thoroughly|obnoxious|comedy|about|a|pair|of|squabbling|working-class|spouses|is|a|deeply|unpleasant|experience|.\nIt|'s|better|than|The|Phantom|Menace|.\nBut|unless|you|'re|an|absolute|raving|Star|Wars|junkie|,|it|is|n't|much|fun|.\nPhilosophically|,|intellectually|and|logistically|a|mess|.\nA|standard|police-oriented|drama|that|,|were|it|not|for|De|Niro|'s|participation|,|would|have|likely|wound|up|a|TNT|Original|.\nCoupling|disgracefully|written|dialogue|with|flailing|bodily|movements|that|substitute|for|acting|,|Circuit|is|the|awkwardly|paced|soap|opera-ish|story|.\nHollywood|Ending|just|is|n't|very|funny|.\nThough|clearly|well-intentioned|,|this|cross-cultural|soap|opera|is|painfully|formulaic|and|stilted|.\nA|technical|triumph|and|an|extraordinary|bore|.\nI|can|easily|imagine|Benigni|'s|Pinocchio|becoming|a|Christmas|perennial|.\nCoal|is|n't|as|easy|to|come|by|as|it|used|to|be|and|this|would|be|a|worthy|substitute|for|naughty|children|'s|stockings|.\nTwo|hours|of|junk|.\nEnds|up|being|mostly|about|ravishing|costumes|,|eye-filling|,|wide-screen|production|design|and|Joan|'s|wacky|decision|to|stand|by|her|man|,|no|matter|how|many|times|he|demonstrates|that|he|'s|a|disloyal|satyr|.\nSelf-congratulatory|,|misguided|,|and|ill-informed|,|if|nonetheless|compulsively|watchable|.\nA|clumsily|manufactured|exploitation|flick|,|a|style-free|exercise|in|manipulation|and|mayhem|.\nThe|whole|affair|,|true|story|or|not|,|feels|incredibly|hokey|...|(|it|)|comes|off|like|a|Hallmark|commercial|.\nWhat|'s|missing|is|what|we|call|the|`|wow|'|factor|.\nThe|nicest|thing|that|can|be|said|about|Stealing|Harvard|(|which|might|have|been|called|Freddy|Gets|Molested|by|a|Dog|)|is|that|it|'s|not|as|obnoxious|as|Tom|Green|'s|Freddie|Got|Fingered|.\n...|Tara|Reid|plays|a|college|journalist|,|but|she|looks|like|the|six-time|winner|of|the|Miss|Hawaiian|Tropic|Pageant|,|so|I|do|n't|know|what|she|'s|doing|in|here|...\nThe|young|stars|are|too|cute|;|the|story|and|ensuing|complications|are|too|manipulative|;|the|message|is|too|blatant|;|the|resolutions|are|too|convenient|.\nNormally|,|Rohmer|'s|talky|films|fascinate|me|,|but|when|he|moves|his|setting|to|the|past|,|and|relies|on|a|historical|text|,|he|loses|the|richness|of|characterization|that|makes|his|films|so|memorable|.\nI|highly|recommend|Irwin|,|but|not|in|the|way|this|film|showcases|him|.\nIt|'s|been|13|months|and|295|preview|screenings|since|I|last|walked|out|on|a|movie|,|but|Resident|Evil|really|earned|my|indignant|,|preemptive|departure|.\nThis|picture|is|mostly|a|lump|of|run-of-the-mill|profanity|sprinkled|with|a|few|remarks|so|geared|toward|engendering|audience|sympathy|that|you|might|think|he|was|running|for|office|--|or|trying|to|win|over|a|probation|officer|.\nMalone|does|have|a|gift|for|generating|nightmarish|images|that|will|be|hard|to|burn|out|of|your|brain|.\nBut|the|movie|'s|narrative|hook|is|way|too|muddled|to|be|an|effectively|chilling|guilty|pleasure|.\nThough|it|goes|further|than|both|,|anyone|who|has|seen|The|Hunger|or|Cat|People|will|find|little|new|here|,|but|a|tasty|performance|from|Vincent|Gallo|lifts|this|tale|of|cannibal|lust|above|the|ordinary|.\nA|Blair|Witch|-|style|adventure|that|plays|like|a|bad|soap|opera|,|with|passable|performances|from|everyone|in|the|cast|.\nDiaz|wears|out|her|welcome|in|her|most|charmless|performance\nIt|is|too|bad|that|this|likable|movie|is|n't|more|accomplished|.\nThe|actors|try|hard|but|come|off|too|amateurish|and|awkward|.\nThe|plot|has|a|number|of|holes|,|and|at|times|it|'s|simply|baffling|.\nAn|ill-conceived|jumble|that|'s|not|scary|,|not|smart|and|not|engaging|.\nBrainless|,|but|enjoyably|over-the-top|,|the|retro|gang|melodrama|,|Deuces|Wild|represents|fifties|teen-gang|machismo|in|a|way|that|borders|on|rough-trade|homo-eroticism|.\nGets|bogged|down|by|an|overly|sillified|plot|and|stop-and-start|pacing|.\n``|What|John|does|is|heroic|,|but|we|do|n't|condone|it|,|''|one|of|the|film|'s|stars|recently|said|,|a|tortuous|comment|that|perfectly|illustrates|the|picture|'s|moral|schizophrenia|.\nLike|coming|into|a|long-running|,|well-written|television|series|where|you|'ve|missed|the|first|half-dozen|episodes|and|probably|wo|n't|see|the|next|six|.\nIts|generic|villains|lack|any|intrigue|(|other|than|their|funny|accents|)|and|the|action|scenes|are|poorly|delivered|.\nDripping|with|cliche|and|bypassing|no|opportunity|to|trivialize|the|material|.\nHard-core|slasher|aficionados|will|find|things|to|like|...|but|overall|the|Halloween|series|has|lost|its|edge|.\nStiff|and|schmaltzy|and|clumsily|directed|.\nThe|story|the|movie|tells|is|of|Brian|De|Palma|'s|addiction|to|the|junk-calorie|suspense|tropes|that|have|all|but|ruined|his|career|.\nToo|many|improbabilities|and|rose-colored|situations|temper|what|could|'ve|been|an|impacting|film|.\nGeneric|slasher-movie|nonsense|,|but|it|'s|not|without|style|.\nWith|tiny|little|jokes|and|nary|an|original|idea|,|this|sappy|ethnic|sleeper|proves|that|not|only|blockbusters|pollute|the|summer|movie|pool|.\nIt|sticks|rigidly|to|the|paradigm|,|rarely|permitting|its|characters|more|than|two|obvious|dimensions|and|repeatedly|placing|them|in|contrived|,|well-worn|situations|.\nEver|see|one|of|those|comedies|that|just|seem|like|a|bad|idea|from|frame|one|?\nOnce|Ice-T|sticks|his|mug|in|the|window|of|the|couple|'s|BMW|and|begins|haranguing|the|wife|in|bad|stage|dialogue|,|all|credibility|flies|out|the|window|.\nThe|best|drug|addition|movies|are|usually|depressing|but|rewarding|.\nQuitting|,|however|,|manages|just|to|be|depressing|,|as|the|lead|actor|phones|in|his|autobiographical|performance|.\nIt|would|be|great|to|see|this|turd|squashed|under|a|truck|,|preferably|a|semi|.\nIn|the|end|,|all|you|can|do|is|admire|the|ensemble|players|and|wonder|what|the|point|of|it|is|.\nFor|most|movies|,|84|minutes|is|short|,|but|this|one|feels|like|a|life|sentence|.\nWhile|Glover|,|the|irrepressible|eccentric|of|River|'s|Edge|,|Dead|Man|and|Back|to|the|Future|,|is|perfect|casting|for|the|role|,|he|represents|Bartleby|'s|main|overall|flaw|.\nShatner|is|probably|the|funniest|person|in|the|film|,|which|gives|you|an|idea|just|how|bad|it|was|.\nTries|so|hard|to|be|quirky|and|funny|that|the|strain|is|all|too|evident|.\nAs|immaculate|as|Stuart|Little|2|is|,|it|could|be|a|lot|better|if|it|were|,|well|,|more|adventurous|.\nSimply|a|re-hash|of|the|other|seven|films|.\nWith|jump|cuts|,|fast|editing|and|lots|of|pyrotechnics|,|Yu|clearly|hopes|to|camouflage|how|bad|his|movie|is|.\nHe|fails|.\nI|found|myself|more|appreciative|of|what|the|director|was|trying|to|do|than|of|what|he|had|actually|done|.\nA|very|depressing|movie|of|many|missed|opportunities|.\nGoes|on|and|on|to|the|point|of|nausea|.\nBy|turns|numbingly|dull-witted|and|disquietingly|creepy|.\nBoy|,|has|this|franchise|ever|run|out|of|gas|.\nOne|problem|with|the|movie|,|directed|by|Joel|Schumacher|,|is|that|it|jams|too|many|prefabricated|story|elements|into|the|running|time|.\nThe|comedy|is|nonexistent|.\n...|a|bland|,|pretentious|mess|.\nIt|'s|a|pedestrian|,|flat|drama|that|screams|out|`|amateur|'|in|almost|every|frame|.\nA|bland|animated|sequel|that|hardly|seems|worth|the|effort|.\nIt|'s|not|just|the|vampires|that|are|damned|in|Queen|of|the|Damned|--|the|viewers|will|feel|they|suffer|the|same|fate|.\nIf|religious|films|are|n't|your|bailiwick|,|stay|away|.\nOtherwise|,|this|could|be|a|passable|date|film|.\nThis|is|the|case|of|a|pregnant|premise|being|wasted|by|a|script|that|takes|few|chances|and|manages|to|insult|the|intelligence|of|everyone|in|the|audience|.\nThe|pace|and|the|visuals|are|so|hyped|up|that|a|curious|sense|of|menace|informs|everything|.\nStuffy|,|full|of|itself|,|morally|ambiguous|and|nothing|to|shout|about|.\nIt|is|most|of|the|things|Costner|movies|are|known|for|;|it|'s|sanctimonious|,|self-righteous|and|so|eager|to|earn|our|love|that|you|want|to|slap|it|.\nDo|n't|let|the|subtitles|fool|you|;|the|movie|only|proves|that|Hollywood|no|longer|has|a|monopoly|on|mindless|action|.\nChai|'s|structure|and|pacing|are|disconcertingly|slack|.\nTo|be|oblivious|to|the|existence|of|this|film|would|be|very|sweet|indeed|.\nThe|director|,|with|his|fake|backdrops|and|stately|pacing|,|never|settles|on|a|consistent|tone|.\nOne|just|waits|grimly|for|the|next|shock|without|developing|much|attachment|to|the|characters|.\nInstead|of|panoramic|sweep|,|Kapur|gives|us|episodic|choppiness|,|undermining|the|story|'s|emotional|thrust|.\nThe|director|seems|to|take|an|unseemly|pleasure|in|(|the|characters|'|)|misery|and|at|the|same|time|to|congratulate|himself|for|having|the|guts|to|confront|it|.\nThis|dubious|product|of|a|college-spawned|(|Colgate|U.|)|comedy|ensemble|known|as|Broken|Lizard|plays|like|a|mix|of|Cheech|and|Chong|and|CHiPs|.\nThe|movie|does|n't|think|much|of|its|characters|,|its|protagonist|,|or|of|us|.\nSuper|Troopers|is|an|odd|amalgam|of|comedy|genres|,|existing|somewhere|between|the|often|literal|riffs|of|early|Zucker|Brothers\\/Abrahams|films|,|and|the|decidedly|foul|stylings|of|their|post-modern|contemporaries|,|The|Farrelly|Brothers|.\n...|will|always|be|remembered|for|the|9-11|terrorist|attacks|.\nAfter|seeing|the|film|,|I|can|tell|you|that|there|'s|no|other|reason|why|anyone|should|bother|remembering|it|.\nMade|me|feel|uneasy|,|even|queasy|,|because|(|Solondz|'s|)|cool|compassion|is|on|the|border|of|bemused|contempt|.\nAs|a|kind|of|colorful|,|dramatized|PBS|program|,|Frida|gets|the|job|done|.\nBut|,|for|that|,|why|not|watch|a|documentary|?\nWith|minimal|imagination|,|you|could|restage|the|whole|thing|in|your|bathtub|.\nNights|feels|more|like|a|quickie|TV|special|than|a|feature|film|...|It|'s|not|even|a|TV|special|you|'d|bother|watching|past|the|second|commercial|break|.\nAlthough|...|visually|striking|and|slickly|staged|,|it|'s|also|cold|,|grey|,|antiseptic|and|emotionally|desiccated|.\nYou|can|see|where|Big|Bad|Love|is|trying|to|go|,|but|it|never|quite|gets|there|.\nFriday|After|Next|is|the|kind|of|film|that|could|only|be|made|by|African-Americans|because|of|its|broad|racial|insensitivity|towards|African-Americans|.\nIt|'s|not|as|awful|as|some|of|the|recent|Hollywood|trip|tripe|...|but|it|'s|far|from|a|groundbreaking|endeavor|.\nThe|only|thing|``|swept|away|''|is|the|one|hour|and|thirty-three|minutes|spent|watching|this|waste|of|time|.\nOne-sided|documentary|offers|simplistic|explanations|to|a|very|complex|situation|.\n...|Stylistically|,|the|movie|is|a|disaster|.\nThe|corpse|count|ultimately|overrides|what|little|we|learn|along|the|way|about|vicarious|redemption|.\nAs|violent|,|profane|and|exploitative|as|the|most|offensive|action|flick|you|'ve|ever|seen|.\nEgoyan|'s|work|often|elegantly|considers|various|levels|of|reality|and|uses|shifting|points|of|view|,|but|here|he|has|constructed|a|film|so|labyrinthine|that|it|defeats|his|larger|purpose|.\nLife|or|Something|Like|It|has|its|share|of|high|points|,|but|it|misses|too|many|opportunities|.\nThis|is|a|truly|,|truly|bad|movie|.\nDespite|bearing|the|Paramount|imprint|,|it|'s|a|bargain-basement|European|pickup|.\nWhat|'s|hard|to|understand|is|why|anybody|picked|it|up|.\nWiser|souls|would|have|tactfully|pretended|not|to|see|it|and|left|it|lying|there\nBelievability|was|n't|one|of|the|film|'s|virtues|.\nSewer|rats|could|watch|this|movie|and|be|so|skeeved|out|that|they|'d|need|a|shower|.\nThe|Santa|Clause|2|'s|plot|may|sound|like|it|was|co-written|by|Mattel|executives|and|lobbyists|for|the|tinsel|industry|.\nHis|best|film|remains|his|shortest|,|The|Hole|,|which|makes|many|of|the|points|that|this|film|does|but|feels|less|repetitive|.\nJust|another|disjointed|,|fairly|predictable|psychological|thriller|.\n...|stumbles|over|every|cheap|trick|in|the|book|trying|to|make|the|outrage|come|even|easier|.\nEven|the|hastily|and|amateurishly|drawn|animation|can|not|engage|.\nKung|Pow|is|Oedekerk|'s|realization|of|his|childhood|dream|to|be|in|a|martial-arts|flick|,|and|proves|that|sometimes|the|dreams|of|youth|should|remain|just|that|.\nBusy|urban|comedy|is|clearly|not|Zhang|'s|forte|,|his|directorial|touch|is|neither|light|nor|magical|enough|to|bring|off|this|kind|of|whimsy|.\nNot|completely|loveable|--|but|what|underdog|movie|since|The|Bad|News|Bears|has|been|?\n--|but|certainly|hard|to|hate|.\nA|movie|that|ca|n't|get|sufficient|distance|from|Leroy|'s|delusions|to|escape|their|maudlin|influence|.\nIt|'s|Young|Guns|meets|Goodfellas|in|this|easily|skippable|hayseeds-vs|.\n-|greaseballs|mob|action-comedy|.\nLouiso|lets|the|movie|dawdle|in|classic|disaffected-indie-film|mode|,|and|brother|Hoffman|'s|script|stumbles|over|a|late-inning|twist|that|just|does|n't|make|sense|.\nThe|movie|straddles|the|fence|between|escapism|and|social|commentary|,|and|on|both|sides|it|falls|short|.\nThe|film|is|old-fashioned|,|occasionally|charming|and|as|subtle|as|boldface|.\nCa|n't|get|enough|of|libidinous|young|city|dwellers|?\nTry|this|obscenely|bad|dark|comedy|,|so|crass|that|it|makes|Edward|Burns|'|Sidewalks|of|New|York|look|like|Oscar|Wilde|.\nIn|The|New|Guy|,|even|the|bull|gets|recycled|.\nLargely|,|this|is|a|movie|that|also|does|it|by|the|numbers|.\nOn|top|of|a|foundering|performance|,|(|Madonna|'s|)|denied|her|own|athleticism|by|lighting|that|emphasizes|every|line|and|sag|.\nThis|is|the|first|full|scale|WWII|flick|from|Hong|Kong|'s|John|Woo|.\nHe|'s|not|good|with|people|.\nPatchy|combination|of|soap|opera|,|low-tech|magic|realism|and|,|at|times|,|ploddingly|sociological|commentary|.\n(|Stevens|is|)|so|stoked|to|make|an|important|film|about|human|infidelity|and|happenstance|that|he|tosses|a|kitchen|sink|onto|a|story|already|overladen|with|plot|conceits|.\nSo|boring|that|even|its|target|audience|talked|all|the|way|through|it|.\nOne|of|the|more|glaring|signs|of|this|movie|'s|servitude|to|its|superstar|is|the|way|it|skirts|around|any|scenes|that|might|have|required|genuine|acting|from|Ms.|Spears|.\nHollywood|Ending|is|the|most|disappointing|Woody|Allen|movie|ever|.\nHe|has|a|great|cast|and|a|great|idea|.\nBut|the|execution|is|a|flop|with|the|exception|of|about|six|gags|that|really|work|.\n...|generically|,|forgettably|pleasant|from|start|to|finish|.\nIt|'s|just|hard|to|believe|that|a|life|like|this|can|sound|so|dull|.\nWhen|not|wallowing|in|its|characters|'|frustrations|,|the|movie|is|busy|contriving|false|,|sitcom-worthy|solutions|to|their|problems|.\nAn|overstylized|,|puréed|mélange|of|sex|,|psychology|,|drugs|and|philosophy|.\nSometimes|entertaining|,|sometimes|indulgent|--|but|never|less|than|pure|wankery|.\n`|Lovely|and|Amazing|,|'|unhappily|,|is|neither|...|excessively|strained|and|contrived|.\nRingu|is|a|disaster|of|a|story|,|full|of|holes|and|completely|lacking|in|chills|.\nIgnore|the|reputation|,|and|ignore|the|film|.\nThis|one|is|a|few|bits|funnier|than|Malle|'s|dud|,|if|only|because|the|cast|is|so|engagingly|messing|around|like|Slob|City|reductions|of|Damon|Runyon|crooks|.\n`|It|'s|painful|to|watch|Witherspoon|'s|talents|wasting|away|inside|unnecessary|films|like|Legally|Blonde|and|Sweet|Home|Abomination|,|I|mean|,|Alabama|.|'\nA|plodding|teen|remake|that|'s|so|mechanical|you|can|smell|the|grease|on|the|plot|twists|.\nTrying|to|figure|out|the|rules|of|the|Country|Bear|universe|--|when|are|bears|bears|and|when|are|they|like|humans|,|only|hairier|--|would|tax|Einstein|'s|brain|.\nEven|in|terms|of|the|low-grade|cheese|standards|on|which|it|operates|,|it|never|quite|makes|the|grade|as|tawdry|trash|.\nAmidst|the|action|,|the|script|carries|Arnold|(|and|the|viewers|)|into|the|forbidden|zone|of|sympathizing|with|terrorist|motivations|by|presenting|the|``|other|side|of|the|story|.|''\nRife|with|nutty|cliches|and|far|too|much|dialogue|.\nIt|'s|a|100-year|old|mystery|that|is|constantly|being|interrupted|by|Elizabeth|Hurley|in|a|bathing|suit|.\n...|one|big|laugh|,|three|or|four|mild|giggles|,|and|a|whole|lot|of|not|much|else|.\nToo|intensely|focused|on|the|travails|of|being|Hal|Hartley|to|function|as|pastiche|,|No|Such|Thing|is|Hartley|'s|least|accessible|screed|yet|.\nKenneth|Branagh|'s|energetic|sweet-and-sour|performance|as|a|curmudgeonly|British|playwright|grounds|this|overstuffed|,|erratic|dramedy|in|which|he|and|his|improbably|forbearing|wife|contend|with|craziness|and|child-rearing|in|Los|Angeles|.\nDirector|Uwe|Boll|and|writer|Robert|Dean|Klein|fail|to|generate|any|interest|in|an|unsympathetic|hero|caught|up|in|an|intricate|plot|that|while|cleverly|worked|out|,|can|not|overcome|blah|characters|.\nMs.|Phoenix|is|completely|lacking|in|charm|and|charisma|,|and|is|unable|to|project|either|Esther|'s|initial|anomie|or|her|eventual|awakening|.\nThe|movie|fails|to|portray|its|literarily|talented|and|notorious|subject|as|anything|much|more|than|a|dirty|old|man|.\nA|clichéd|and|shallow|cautionary|tale|about|the|hard-partying|lives|of|gay|men|.\nThe|fetid|underbelly|of|fame|has|never|looked|uglier|.\nA|little|weak|--|and|it|is|n't|that|funny|.\nWhile|it|is|welcome|to|see|a|Chinese|film|depict|a|homosexual|relationship|in|a|mature|and|frank|fashion|,|Lan|Yu|never|catches|dramatic|fire|.\nThe|script|boasts|some|tart|TV-insider|humor|,|but|the|film|has|not|a|trace|of|humanity|or|empathy|.\nDespite|the|pyrotechnics|,|Narc|is|strictly|by|the|book|.\nIn|both|the|writing|and|cutting|,|it|does|not|achieve|the|kind|of|dramatic|unity|that|transports|you|.\nYou|end|up|simply|admiring|this|bit|or|that|,|this|performance|or|that|.\nCacoyannis|is|perhaps|too|effective|in|creating|an|atmosphere|of|dust-caked|stagnation|and|labored|gentility|.\nWorth|seeing|once|,|but|its|charm|quickly|fades|.\nThe|original|was|n't|a|good|movie|but|this|remake|makes|it|look|like|a|masterpiece|!\nOne|suspects|that|Craven|endorses|They|simply|because|this|movie|makes|his|own|look|much|better|by|comparison|.\nGere|gives|a|good|performance|in|a|film|that|does|n't|merit|it|.\nYour|appreciation|of|it|will|depend|on|what|experiences|you|bring|to|it|and|what|associations|you|choose|to|make|.\nIncludes|too|much|obvious|padding|.\nThere|'s|no|palpable|chemistry|between|Lopez|and|male|lead|Ralph|Fiennes|,|plus|the|script|by|Working|Girl|scribe|Kevin|Wade|is|workmanlike|in|the|extreme|.\nI|'m|not|sure|which|half|of|Dragonfly|is|worse|:|The|part|where|nothing|'s|happening|,|or|the|part|where|something|'s|happening|,|but|it|'s|stupid|.\nDo|n't|expect|any|subtlety|from|this|latest|entry|in|the|increasingly|threadbare|gross-out|comedy|cycle|.\nThe|only|camouflage|Carvey|should|now|be|considering|is|a|paper|bag|to|wear|over|his|head|when|he|goes|out|into|public|,|to|avoid|being|recognized|as|the|man|who|bilked|unsuspecting|moviegoers|.\nShot|like|a|postcard|and|overacted|with|all|the|boozy|self-indulgence|that|brings|out|the|worst|in|otherwise|talented|actors|...\nSpain|'s|greatest|star|wattage|does|n't|overcome|the|tumult|of|maudlin|tragedy|.\nConforms|itself|with|creating|a|game|of|`|who|'s|who|'|...|where|the|characters|'|moves|are|often|more|predictable|than|their|consequences|.\nLooks|and|feels|like|a|low-budget|hybrid|of|Scarface|or|Carlito|'s|Way|.\nThe|script|is|a|tired|one|,|with|few|moments|of|joy|rising|above|the|stale|material|.\nSuffers|from|all|the|excesses|of|the|genre|.\nThe|verdict|:|Two|bodies|and|hardly|a|laugh|between|them|.\nThe|latest|Adam|Sandler|assault|and|possibly|the|worst|film|of|the|year|.\nDownbeat|,|period-perfect|biopic|hammers|home|a|heavy-handed|moralistic|message|.\nWhile|the|film|is|competent|,|it|'s|also|uninspired|,|lacking|the|real|talent|and|wit|to|elevate|it|beyond|its|formula|to|the|level|of|classic|romantic|comedy|to|which|it|aspires|.\nThey|ought|to|be|a|whole|lot|scarier|than|they|are|in|this|tepid|genre|offering|.\nIt|'s|harmless|,|diverting|fluff|.\nBut|it|'s|hard|to|imagine|a|more|generic|effort|in|the|genre|.\nIt|'s|just|plain|lurid|when|it|is|n't|downright|silly|.\nComedy|troupe|Broken|Lizard|'s|first|movie|is|very|funny|but|too|concerned|with|giving|us|a|plot|.\nPap|invested|in|undergraduate|doubling|subtexts|and|ridiculous|stabs|at|existentialism|reminding|of|the|discovery|of|the|wizard|of|God|in|the|fifth|Trek|flick|.\nA|horror|movie|with|seriously|dumb|characters|,|which|somewhat|dilutes|the|pleasure|of|watching|them|stalked|by|creepy-crawly|bug|things|that|live|only|in|the|darkness|.\nIt|'s|a|film|with|an|idea|buried|somewhere|inside|its|fabric|,|but|never|clearly|seen|or|felt|.\n`|All|in|all|,|Reign|of|Fire|will|be|a|good|(|successful|)|rental|.|'\nOccasionally|funny|,|sometimes|inspiring|,|often|boring|.\nA|movie|in|which|two|not|very|absorbing|characters|are|engaged|in|a|romance|you|ca|n't|wait|to|see|end|.\nThe|predominantly|amateur|cast|is|painful|to|watch|,|so|stilted|and|unconvincing|are|the|performances|.\nWho|are|`|they|'|?\nWell|,|they|'re|`|they|'|.\nThey|'re|the|unnamed|,|easily|substitutable|forces|that|serve|as|whatever|terror|the|heroes|of|horror|movies|try|to|avoid|.\nThey|exist|for|hushed|lines|like|``|They|'re|back|!|''\n,|``|They|'re|out|there|!|''\nand|``|They|'re|coming|!|''\nElegantly|crafted|but|emotionally|cold|,|a|puzzle|whose|intricate|construction|one|can|admire|but|is|difficult|to|connect|with|on|any|deeper|level|.\nWere|Dylan|Thomas|alive|to|witness|first-time|director|Ethan|Hawke|'s|strained|Chelsea|Walls|,|he|might|have|been|tempted|to|change|his|landmark|poem|to|,|`|Do|Not|Go|Gentle|Into|That|Good|Theatre|.|'\nThe|story|has|its|redundancies|,|and|the|young|actors|,|not|very|experienced|,|are|sometimes|inexpressive|.\nI|'m|sure|the|filmmaker|would|disagree|,|but|,|honestly|,|I|do|n't|see|the|point|.\nIt|'s|a|visual|Rorschach|test|and|I|must|have|failed|.\nThe|film|is|really|closer|to|porn|than|a|serious|critique|of|what|'s|wrong|with|this|increasingly|pervasive|aspect|of|gay|culture|.\nMurder|by|Numbers|just|does|n't|add|up|.\nClare|Peploe|'s|airless|movie|adaptation|could|use|a|little|American|Pie-like|irreverence|.\nVideo|games|are|more|involving|than|this|mess|.\nClayburgh|and|Tambor|are|charming|performers|;|neither|of|them|deserves|Eric|Schaeffer|.\nA|pale|Xerox|of|other|,|better|crime|movies|.\n...|a|hokey|piece|of|nonsense|that|tries|too|hard|to|be|emotional|.\nIlliterate|,|often|inert|sci-fi|action|thriller|.\nA|perfect|example|of|rancid|,|well-intentioned|,|but|shamelessly|manipulative|movie|making|.\nThe|adventure|does|n't|contain|half|the|excitement|of|Balto|,|or|quarter|the|fun|of|Toy|Story|2|.\nEssentially|a|collection|of|bits|--|and|they|'re|all|naughty|.\nA|mess|.\nThe|screenplay|does|too|much|meandering|,|Norton|has|to|recite|bland|police|procedural|details|,|Fiennes|wanders|around|in|an|attempt|to|seem|weird|and|distanced|,|Hopkins|looks|like|a|drag|queen|.\nThe|screenplay|by|James|Eric|,|James|Horton|and|director|Peter|O'Fallon|...|is|so|pat|it|makes|your|teeth|hurt|.\nBefore|it|takes|a|sudden|turn|and|devolves|into|a|bizarre|sort|of|romantic|comedy|,|Steven|Shainberg|'s|adaptation|of|Mary|Gaitskill|'s|harrowing|short|story|...|is|a|brilliantly|played|,|deeply|unsettling|experience|.\nSolaris|is|rigid|and|evasive|in|ways|that|Soderbergh|'s|best|films|,|``|Erin|Brockovich|,|''|``|Out|of|Sight|''|and|``|Ocean|'s|Eleven|,|''|never|were|.\nSeems|like|something|American|and|European|gay|movies|were|doing|20|years|ago|.\nIn|the|process|of|trimming|the|movie|to|an|expeditious|84|minutes|,|director|Roger|Kumble|seems|to|have|dumped|a|whole|lot|of|plot|in|favor|of|...|outrageous|gags|.\nYou|can|see|the|would-be|surprises|coming|a|mile|away|,|and|the|execution|of|these|twists|is|delivered|with|a|hammer|.\nThumbs|down|.\nThe|characters|are|paper|thin|and|the|plot|is|so|cliched|and|contrived|that|it|makes|your|least|favorite|James|Bond|movie|seem|as|cleverly|plotted|as|The|Usual|Suspects|.\n...|del|Toro|maintains|a|dark|mood|that|makes|the|film|seem|like|something|to|endure|instead|of|enjoy|.\nThe|movie|eventually|snaps|under|the|strain|of|its|plot|contrivances|and|its|need|to|reassure|.\nThe|real|question|this|movie|poses|is|not|`|Who|?|'\nbut|`|Why|?|'\nNow|here|'s|a|sadistic|bike|flick|that|would|have|made|Vittorio|De|Sica|proud|.\nA|movie|that|'s|about|as|overbearing|and|over-the-top|as|the|family|it|depicts|.\nA|movie|in|which|laughter|and|self-exploitation|merge|into|jolly|soft-porn|'em|powerment|.|'\nOccasionally|interesting|but|essentially|unpersuasive|,|a|footnote|to|a|still|evolving|story|.\nIf|we|'re|to|slap|protagonist|Genevieve|LePlouff|because|she|'s|French|,|do|we|have|that|same|option|to|slap|her|creators|because|they|'re|clueless|and|inept|?\nMoretti|plays|Giovanni|,|a|psychiatrist|who|predictably|finds|it|difficult|to|sustain|interest|in|his|profession|after|the|family|tragedy|.\nToo|predictably|,|in|fact|.\nAlternative|medicine|obviously|has|its|merits|...|but|Ayurveda|does|the|field|no|favors|.\nThis|thing|works|on|no|level|whatsoever|for|me|.\nIt|follows|the|basic|plot|trajectory|of|nearly|every|Schwarzenegger|film|:|Someone|crosses|Arnie|.\nArnie|blows|things|up|.\nIce|Age|posits|a|heretofore|unfathomable|question|:|Is|it|possible|for|computer-generated|characters|to|go|through|the|motions|?\nAn|incoherent|jumble|of|a|film|that|'s|rarely|as|entertaining|as|it|could|have|been|.\n...|they|missed|the|boat|.\nMore|dutiful|than|enchanting|...|terribly|episodic|and|lacking|the|spark|of|imagination|that|might|have|made|it|an|exhilarating|treat|.\nLaconic|and|very|stilted|in|its|dialogue|,|this|indie|flick|never|found|its|audience|,|probably|because|it|'s|extremely|hard|to|relate|to|any|of|the|characters|.\nThe|comedy|Death|to|Smoochy|is|a|rancorous|curiosity|:|a|movie|without|an|apparent|audience|.\nBarney|'s|ideas|about|creation|and|identity|do|n't|really|seem|all|that|profound|,|at|least|by|way|of|what|can|be|gleaned|from|this|three-hour|endurance|test|built|around|an|hour|'s|worth|of|actual|material|.\nAffleck|merely|creates|an|outline|for|a|role|he|still|needs|to|grow|into|,|a|role|that|Ford|effortlessly|filled|with|authority|.\nCinematic|pyrotechnics|aside|,|the|only|thing|Avary|seems|to|care|about|are|mean|giggles|and|pulchritude|.\nIt|makes|sense|that|he|went|back|to|school|to|check|out|the|girls|--|his|film|is|a|frat|boy|'s|idea|of|a|good|time|.\nThe|narrative|is|so|consistently|unimaginative|that|probably|the|only|way|to|have|saved|the|film|is|with|the|aid|of|those|wisecracking|Mystery|Science|Theater|3000|guys|.\nNothing|more|or|less|than|an|outright|bodice-ripper|--|it|should|have|ditched|the|artsy|pretensions|and|revelled|in|the|entertaining|shallows|.\nA|living|testament|to|the|power|of|the|eccentric|and|the|strange|.\nThe|fact|that|it|is|n't|very|good|is|almost|beside|the|point|.\nFeels|less|like|a|cousin|to|Blade|Runner|than|like|a|bottom-feeder|sequel|in|the|Escape|From|New|York|series|.\nWhat|might|have|been|acceptable|on|the|printed|page|of|Iles|'|book|does|not|translate|well|to|the|screen|.\nIf|Oscar|had|a|category|called|Best|Bad|Film|You|Thought|Was|Going|To|Be|Really|Awful|But|Was|n't|,|Guys|would|probably|be|duking|it|out|with|The|Queen|of|the|Damned|for|the|honor|.\nA|poky|and|pseudo-serious|exercise|in|sham|actor|workshops|and|an|affected|malaise|.\nMediocre|fable|from|Burkina|Faso|.\nFessenden|has|nurtured|his|metaphors|at|the|expense|of|his|narrative|,|but|he|does|display|an|original|talent|.\nSince|the|movie|is|based|on|a|Nicholas|Sparks|best|seller|,|you|know|death|is|lurking|around|the|corner|,|just|waiting|to|spoil|things|.\nBottom-rung|New|Jack|City|wannabe|.\nFincher|takes|no|apparent|joy|in|making|movies|,|and|he|gives|none|to|the|audience|.\nIt|'s|mildly|amusing|,|but|I|certainly|ca|n't|recommend|it|.\nNicholas|Nickleby|celebrates|the|human|spirit|with|such|unrelenting|Dickensian|decency|that|it|turned|me|(|horrors|!|)\ninto|Scrooge|.\nFear|Dot|Com|is|more|frustrating|than|a|modem|that|disconnects|every|10|seconds|.\nFull|of|flatulence|jokes|and|mild|sexual|references|,|Kung|Pow|!\nis|the|kind|of|movie|that|'s|critic-proof|,|simply|because|it|aims|so|low|.\nMay|cause|you|to|bite|your|tongue|to|keep|from|laughing|at|the|ridiculous|dialog|or|the|oh-so|convenient|plot|twists|.\nThere|are|just|too|many|characters|saying|too|many|clever|things|and|getting|into|too|many|pointless|situations|.\nWhere|'s|the|movie|here|?\nA|dark|,|dull|thriller|with|a|parting|shot|that|misfires|.\nLacking|substance|and|soul|,|Crossroads|comes|up|shorter|than|Britney|'s|cutoffs|.\nCassavetes|thinks|he|'s|making|Dog|Day|Afternoon|with|a|cause|,|but|all|he|'s|done|is|to|reduce|everything|he|touches|to|a|shrill|,|didactic|cartoon|.\nBuries|an|interesting|storyline|about|morality|and|the|choices|we|make|underneath|such|a|mountain|of|clichés|and|borrowed|images|that|it|might|more|accurately|be|titled|Mr.|Chips|off|the|Old|Block|.\nAlthough|sensitive|to|a|fault|,|it|'s|often|overwritten|,|with|a|surfeit|of|weighty|revelations|,|flowery|dialogue|,|and|nostalgia|for|the|past|and|roads|not|taken|.\nIt|'s|so|badly|made|on|every|level|that|I|'m|actually|having|a|hard|time|believing|people|were|paid|to|make|it|.\nWithout|non-stop|techno|or|the|existential|overtones|of|a|Kieslowski|morality|tale|,|Maelström|is|just|another|Winter|Sleepers|.\nNicks|,|seemingly|uncertain|what|'s|going|to|make|people|laugh|,|runs|the|gamut|from|stale|parody|to|raunchy|sex|gags|to|formula|romantic|comedy|.\n`|A|'|for|creativity|but|comes|across|more|as|a|sketch|for|a|full-length|comedy|.\nIf|there|'s|one|thing|this|world|needs|less|of|,|it|'s|movies|about|college|that|are|written|and|directed|by|people|who|could|n't|pass|an|entrance|exam|.\nThe|script|kicks|in|,|and|Mr.|Hartley|'s|distended|pace|and|foot-dragging|rhythms|follow|.\n(|E|)|ventually|,|every|idea|in|this|film|is|flushed|down|the|latrine|of|heroism|.\nI|am|sorry|that|I|was|unable|to|get|the|full|brunt|of|the|comedy|.\nNo|telegraphing|is|too|obvious|or|simplistic|for|this|movie|.\nLooks|and|feels|like|a|project|better|suited|for|the|small|screen|.\nIn|its|best|moments|,|resembles|a|bad|high|school|production|of|Grease|,|without|benefit|of|song|.\nIndifferently|implausible|popcorn|programmer|of|a|movie|.\nIt|'s|inoffensive|,|cheerful|,|built|to|inspire|the|young|people|,|set|to|an|unending|soundtrack|of|beach|party|pop|numbers|and|aside|from|its|remarkable|camerawork|and|awesome|scenery|,|it|'s|about|as|exciting|as|a|sunburn|.\nHis|comedy|premises|are|often|hackneyed|or|just|plain|crude|,|calculated|to|provoke|shocked|laughter|,|without|following|up|on|a|deeper|level|.\nChristina|Ricci|comedy|about|sympathy|,|hypocrisy|and|love|is|a|misfire|.\nAt|times|,|the|suspense|is|palpable|,|but|by|the|end|there|'s|a|sense|that|the|crux|of|the|mystery|hinges|on|a|technicality|that|strains|credulity|and|leaves|the|viewer|haunted|by|the|waste|of|potential|.\nThey|should|have|called|it|Gutterball|.\nThekids|will|probably|stay|amused|at|the|kaleidoscope|of|big|,|colorful|characters|.\nMom|and|Dad|can|catch|some|quality|naptime|along|the|way|.\nIt|'s|too|self-important|and|plodding|to|be|funny|,|and|too|clipped|and|abbreviated|to|be|an|epic|.\nThe|best|that|can|be|said|about|the|work|here|of|Scottish|director|Ritchie|...|is|that|he|obviously|does|n't|have|his|heart|in|it|.\nLess|dizzying|than|just|dizzy|,|the|jaunt|is|practically|over|before|it|begins|.\nSlick|piece|of|cross-promotion|.\nTaylor|appears|to|have|blown|his|entire|budget|on|soundtrack|rights|and|had|nothing|left|over|for|jokes|.\nIt|believes|it|'s|revealing|some|great|human|truths|,|when|,|in|reality|,|it|'s|churning|ground|that|has|long|passed|the|point|of|being|fertile|.\nIt|all|drags|on|so|interminably|it|'s|like|watching|a|miserable|relationship|unfold|in|real|time|.\nVilleneuve|spends|too|much|time|wallowing|in|Bibi|'s|generic|angst|(|there|are|a|lot|of|shots|of|her|gazing|out|windows|)|.\n(|T|)|here|'s|only|so|much|anyone|can|do|with|a|florid|,|overplotted|,|Anne|Rice|rock|'n'|roll|vampire|novel|before|the|built-in|silliness|of|the|whole|affair|defeats|them|.\nIt|'s|another|video|movie|photographed|like|a|film|,|with|the|bad|lighting|that|'s|often|written|off|as|indie|film|naturalism|.\nThe|techno|tux|is|good|for|a|few|laughs|,|as|are|Chan|and|Hewitt|,|but|when|such|a|good|design|turns|out|to|be|a|cheap|knockoff|,|we|ca|n't|recommend|anything|but|a|rental|for|The|Tuxedo|.\nI|got|a|headache|watching|this|meaningless|downer|.\nApart|from|dazzling|cinematography|,|we|'ve|seen|just|about|everything|in|Blue|Crush|in|one|form|or|the|other|.\nToo|much|of|the|humor|falls|flat|.\nDetox|is|ultimately|a|pointless|endeavor|.\nVan|Wilder|does|n't|bring|anything|new|to|the|proverbial|table|,|but|it|does|possess|a|coherence|absent|in|recent|crass-a-thons|like|Tomcats|,|Freddy|Got|Fingered|,|and|Slackers|.\nThe|piquant|story|needs|more|dramatic|meat|on|its|bones|.\nVery|special|effects|,|brilliantly|bold|colors|and|heightened|reality|ca|n't|hide|the|giant|Achilles|'|heel|in|``|Stuart|Little|2|``|:|There|'s|just|no|story|,|folks|.\nThe|plot|combines|The|Blues|Brothers|and|Almost|Famous|(|but|with|bears|,|and|a|G|rating|)|,|with|an|excruciating|dollop|of|Disney|sentimentality|mixed|in|for|good|measure|.\nNo|way|I|can|believe|this|load|of|junk|.\n``|Roger|Michell|(|''|Notting|Hill|``|)|directs|a|morality|thriller|.|''\nIt|'s|dumb|,|but|more|importantly|,|it|'s|just|not|scary|.\nThere|is|no|pleasure|in|watching|a|child|suffer|.\nJust|embarrassment|and|a|vague|sense|of|shame|.\nThe|movie|'s|accumulated|force|still|feels|like|an|ugly|knot|tightening|in|your|stomach|.\nBut|is|that|knot|from|dramatic|tension|or|a|symptom|of|artistic|malnutrition|?\nEven|with|a|green|Mohawk|and|a|sheet|of|fire-red|flame|tattoos|covering|his|shoulder|,|however|,|Kilmer|seems|to|be|posing|,|rather|than|acting|.\nAnd|that|leaves|a|hole|in|the|center|of|The|Salton|Sea|.\nThere|'s|just|no|currency|in|deriding|James|Bond|for|being|a|clichéd|,|doddering|,|misogynistic|boy|'s|club|.\nWhen|the|film|ended|,|I|felt|tired|and|drained|and|wanted|to|lie|on|my|own|deathbed|for|a|while|.\nFull|of|witless|jokes|,|dealing|in|broad|stereotypes|and|outrageously|unbelievable|scenarios|,|and|saddled|with|a|general|air|of|misogyny\nThe|film|'s|hackneyed|message|is|not|helped|by|the|thin|characterizations|,|nonexistent|plot|and|pretentious|visual|style|.\nThe|Iditarod|lasts|for|days|-|this|just|felt|like|it|did|.\nIt|feels|like|an|after-school|special|gussied|up|with|some|fancy|special|effects|,|and|watching|its|rote|plot|points|connect|is|about|as|exciting|as|gazing|at|an|egg|timer|for|93|minutes|.\nThis|movie|is|maddening|.\nIt|conveys|a|simple|message|in|a|visual|style|that|is|willfully|overwrought|.\nShould|have|been|someone|else|-\nThe|film|is|based|on|truth|and|yet|there|is|something|about|it|that|feels|incomplete|,|as|if|the|real|story|starts|just|around|the|corner|.\nWhy|make|a|documentary|about|these|marginal|historical|figures|?\nWould|n't|one|about|their|famous|dad|,|author|of|Death|in|Venice|,|etc.|,|be|more|valuable|?\nThe|lower|your|expectations|,|the|more|you|'ll|enjoy|it|.\nRarely|has|leukemia|looked|so|shimmering|and|benign|.\n...|is|an|arthritic|attempt|at|directing|by|Callie|Khouri|.\nI|had|to|look|away|-|this|was|god|awful|.\nEven|in|this|less-than-magic|kingdom|,|Reese|rules|.\nVelocity|represents|everything|wrong|with|''|independent|film|''|as|a|commodified|,|sold-out|concept|on|the|American|filmmaking|scene|.\nJust|one|bad|idea|after|another|.\nBecause|of|an|unnecessary|and|clumsy|last|scene|,|`|Swimfan|'|left|me|with|a|very|bad|feeling|.\nThough|Moonlight|Mile|is|replete|with|acclaimed|actors|and|actresses|and|tackles|a|subject|that|'s|potentially|moving|,|the|movie|is|too|predictable|and|too|self-conscious|to|reach|a|level|of|high|drama|.\nA|movie|that|hovers|somewhere|between|an|acute|character|study|and|a|trite|power|struggle|.\nCorpus|Collosum|--|while|undeniably|interesting|--|wore|out|its|welcome|well|before|the|end|credits|rolled|about|45|minutes|in|.\nThe|last|20|minutes|are|somewhat|redeeming|,|but|most|of|the|movie|is|the|same|teenage|American|road-trip|drek|we|'ve|seen|before|-|only|this|time|you|have|to|read|the|fart|jokes\nIt|'s|hard|to|like|a|film|about|a|guy|who|is|utterly|unlikeable|,|and|Shiner|,|starring|Michael|Caine|as|an|aging|British|boxing|promoter|desperate|for|a|taste|of|fame|and|fortune|,|is|certainly|that|.\nA|by-the-numbers|effort|that|wo|n't|do|much|to|enhance|the|franchise|.\nInvolves|two|mysteries|--|one|it|gives|away|and|the|other|featuring|such|badly|drawn|characters|that|its|outcome|hardly|matters|.\nOverall|the|film|feels|like|a|low-budget|TV|pilot|that|could|not|find|a|buyer|to|play|it|on|the|tube|.\nIt|'s|of|the|quality|of|a|lesser|Harrison|Ford|movie|-|Six|Days|,|Seven|Nights|,|maybe|,|or|that|dreadful|Sabrina|remake|.\nIt|appears|that|something|has|been|lost|in|the|translation|to|the|screen|.\nDespite|all|evidence|to|the|contrary|,|this|clunker|has|somehow|managed|to|pose|as|an|actual|feature|movie|,|the|kind|that|charges|full|admission|and|gets|hyped|on|TV|and|purports|to|amuse|small|children|and|ostensible|adults|.\nAn|unclassifiably|awful|study|in|self|-|and|audience-abuse|.\nThis|movie|is|something|of|an|impostor|itself|,|stretching|and|padding|its|material|in|a|blur|of|dead|ends|and|distracting|camera|work|.\nHey|Arnold|!\nThe|Movie|could|have|been|made|40|years|ago|,|and|parents|'|appreciation|of|it|may|depend|on|whether|they|consider|that|a|good|thing|.\nThis|one|is|definitely|one|to|skip|,|even|for|horror|movie|fanatics|.\nExcessive|,|profane|,|packed|with|cartoonish|violence|and|comic-strip|characters|.\nOnce|the|50|year|old|Benigni|appears|as|the|title|character|,|we|find|ourselves|longing|for|the|block|of|wood|to|come|back|.\nA|working|class|``|us|vs.|them|''|opera|that|leaves|no|heartstring|untugged|and|no|liberal|cause|unplundered|.\nIf|the|movie|succeeds|in|instilling|a|wary|sense|of|`|there|but|for|the|grace|of|God|,|'|it|is|far|too|self-conscious|to|draw|you|deeply|into|its|world|.\nThere|are|simply|too|many|ideas|floating|around|--|part|farce|,|part|Sliding|Doors|,|part|pop|video|--|and|yet|failing|to|exploit|them|.\nIt|takes|a|strange|kind|of|laziness|to|waste|the|talents|of|Robert|Forster|,|Anne|Meara|,|Eugene|Levy|,|and|Reginald|VelJohnson|all|in|the|same|movie|.\nWe|have|n't|seen|such|hilarity|since|Say|It|Is|n't|So|!\nExpect|the|same-old|,|lame-old|slasher|nonsense|,|just|with|different|scenery|.\nThe|Cold|Turkey|would|'ve|been|a|far|better|title|.\nThe|idea|of|49-year-old|Roberto|Benigni|playing|the|wooden|boy|Pinocchio|is|scary|enough|.\nThe|reality|of|the|new|live-action|Pinocchio|he|directed|,|cowrote|and|starred|in|borders|on|the|grotesque|.\nThe|ga-zillionth|airhead|movie|about|a|wife|in|distress|who|resorts|to|desperate|measures|.\nZaidan|'s|script|has|barely|enough|plot|to|string|the|stunts|together|and|not|quite|enough|characterization|to|keep|the|faces|straight|.\nTry|as|I|may|,|I|ca|n't|think|of|a|single|good|reason|to|see|this|movie|,|even|though|everyone|in|my|group|extemporaneously|shouted|,|`|Thank|you|!|'\nwhen|Leguizamo|finally|plugged|an|irritating|character|late|in|the|movie|.\nWhile|it|'s|nice|to|watch|a|movie|that|has|n't|been|focus-grouped|into|tedium|,|Yu|'s|cinematic|alchemy|produces|nearly|as|much|lead|as|gold|.\nIt|treats|women|like|idiots|.\nThough|Catch|Me|If|You|Can|is|n't|badly|made|,|the|fun|slowly|leaks|out|of|the|movie|.\nJust|an|average|comedic|dateflick|but|not|a|waste|of|time|.\nA|valueless|kiddie|paean|to|pro|basketball|underwritten|by|the|NBA|.\nImpostor|has|a|handful|of|thrilling|moments|and|a|couple|of|good|performances|,|but|the|movie|does|n't|quite|fly|.\nFor|starters|,|the|story|is|just|too|slim|.\nSo|much|facile|technique|,|such|cute|ideas|,|so|little|movie|.\nThe|experience|of|going|to|a|film|festival|is|a|rewarding|one|;|the|experiencing|of|sampling|one|through|this|movie|is|not|.\nThe|film|takes|the|materials|of|human|tragedy|and|dresses|them|in|lovely|costumes|,|Southern|California|locations|and|star|power|.\nIt|has|its|moments|of|swaggering|camaraderie|,|but|more|often|just|feels|generic|,|derivative|and|done|to|death|.\nAlmost|gags|on|its|own|gore|.\nHow|do|you|spell|cliché|?\nIt|'s|sweet|,|harmless|,|dumb|,|occasionally|funny|and|about|as|compelling|as|a|fishing|show|.\nThe|moviegoing|equivalent|of|going|to|a|dinner|party|and|being|forced|to|watch|the|host|and|hostess|'s|home|video|of|their|baby|'s|birth|.\nWhile|(|Hill|)|has|learned|new|tricks|,|the|tricks|alone|are|not|enough|to|salvage|this|lifeless|boxing|film|.\nIn|the|real|world|,|an|actor|this|uncharismatically|beautiful|would|have|a|résumé|loaded|with|credits|like|``|Girl|in|Bar|#|3|.|''\nToo|much|of|it|feels|unfocused|and|underdeveloped|.\nUnder|15|?\nA|giggle|a|minute|.\nOver|age|15|?\nBig|Fat|Waste|of|Time|.\nHey|Arnold|!\nThe|Movie|is|what|happens|when|you|blow|up|small|potatoes|to|10|times|their|natural|size|,|and|it|ai|n't|pretty|.\nSometimes|seems|less|like|storytelling|than|something|the|otherwise|compelling|director|needed|to|get|off|his|chest|.\nThis|is|not|the|undisputed|worst|boxing|movie|ever|,|but|it|'s|certainly|not|a|champion|-|the|big|loser|is|the|audience|.\nYou|really|have|to|wonder|how|on|earth|anyone|,|anywhere|could|have|thought|they|'d|make|audiences|guffaw|with|a|script|as|utterly|diabolical|as|this|.\nIn|the|end|,|we|are|left|with|something|like|two|ships|passing|in|the|night|rather|than|any|insights|into|gay|love|,|Chinese|society|or|the|price|one|pays|for|being|dishonest|.\nChokes|on|its|own|depiction|of|upper-crust|decorum|.\nWell-nigh|unendurable|...|though|the|picture|strains|to|become|cinematic|poetry|,|it|remains|depressingly|prosaic|and|dull|.\nI|thought|my|own|watch|had|stopped|keeping|time|as|I|slogged|my|way|through|Clockstoppers|.\nWhile|much|of|the|cast|has|charm|--|especially|Allodi|and|Nolden|--|the|performers|are|sunk|by|the|film|'s|primitive|approach|to|the|mechanics|of|comedy|.\nThis|directorial|debut|from|music|video|show-off|Higuchinsky|is|all|flash|.\nYes|,|Ballistic|is|silly|.\nUnfortunately|,|it|'s|not|silly|fun|unless|you|enjoy|really|bad|movies|.\nThe|twist|that|ends|the|movie|is|the|one|with|the|most|emotional|resonance|,|but|twists|are|getting|irritating|,|and|this|is|the|kind|of|material|where|the|filmmakers|should|be|very|careful|about|raising|eyebrows|.\nThe|longer|the|movie|goes|,|the|worse|it|gets|,|but|it|'s|actually|pretty|good|in|the|first|few|minutes|.\nWhile|it|'s|genuinely|cool|to|hear|characters|talk|about|early|rap|records|(|Sugar|Hill|Gang|,|etc.|)|,|the|constant|referencing|of|hip-hop|arcana|can|alienate|even|the|savviest|audiences|.\nNot|only|unfunny|,|but|downright|repellent|.\nCare|deftly|captures|the|wonder|and|menace|of|growing|up|,|but|he|never|really|embraces|the|joy|of|Fuhrman|'s|destructive|escapism|or|the|grace-in-rebellion|found|by|his|characters|.\nForced|,|familiar|and|thoroughly|condescending|.\nDoes|little|more|than|play|an|innocuous|game|of|fill-in|-|the-blanks|with|a|tragic|past|.\nK-19|exploits|our|substantial|collective|fear|of|nuclear|holocaust|to|generate|cheap|Hollywood|tension|.\nHas|a|long|and|clunky|ending|...|which|forces|the|audience|to|fidget|through|ten|pseudo-serious|minutes|while|waiting|for|the|ending|credits|and|the|deleted|scenes|montage|to|break|the|audience|'s|awkward|silence\nA|ragbag|of|promising|ideas|and|failed|narrative|,|of|good|acting|and|plain|old|bad|filmmaking|.\nWhaley|'s|determination|to|immerse|you|in|sheer|,|unrelenting|wretchedness|is|exhausting|.\nUncommonly|stylish|but|equally|silly|...|the|picture|fails|to|generate|much|suspense|,|nor|does|it|ask|searching|enough|questions|to|justify|its|pretensions|.\nThe|entire|movie|is|about|a|boring|,|sad|man|being|boring|and|sad|.\nThe|plot|convolutions|ultimately|add|up|to|nothing|more|than|jerking|the|audience|'s|chain|.\nConfirms|the|nagging|suspicion|that|Ethan|Hawke|would|be|even|worse|behind|the|camera|than|he|is|in|front|of|it|.\nMade|with|no|discernible|craft|and|monstrously|sanctimonious|in|dealing|with|childhood|loss|.\nIt|'s|a|trifle|of|a|movie|,|with|a|few|laughs|surrounding|an|unremarkable|soft|center|.\nHolden|Caulfield|did|it|better|.\nA|synthesis|of|cliches|and|absurdities|that|seems|positively|decadent|in|its|cinematic|flash|and|emptiness|.\nOh|come|on|.\nLike|you|could|n't|smell|this|turkey|rotting|from|miles|away|.\nIf|it|'s|seldom|boring|,|well|,|it|'s|also|rarely|coherent|.\nSimplistic|fluff-ball|of|whimsy|.\nNot|exactly|the|Bees|Knees\nIt|does|nothing|new|with|the|old|story|,|except|to|show|fisticuffs|in|this|sort|of|stop-go|slow|motion|that|makes|the|gang|rumbles|look|like|they|'re|being|streamed|over|a|28K|modem|.\nThe|kind|of|spectacularly|misconceived|enterprise|that|only|a|sophisticated|cinephile|could|have|perpetrated|.\nMakes|for|some|truly|odd|,|at|times|confusing|,|kids|entertainment|...|but|at|least|this|time|there|'s|some|centered|storytelling|to|go|along|with|all|the|weird|stuff|.\nThe|film|contains|no|good|jokes|,|no|good|scenes|,|barely|a|moment|when|Carvey|'s|Saturday|Night|Live-honed|mimicry|rises|above|the|level|of|embarrassment|.\nJacquot|'s|rendering|of|Puccini|'s|tale|of|devotion|and|double-cross|is|more|than|just|a|filmed|opera|.\nIn|his|first|stab|at|the|form|,|Jacquot|takes|a|slightly|anarchic|approach|that|works|only|sporadically|.\nChabrol|has|taken|promising|material|for|a|black|comedy|and|turned|it|instead|into|a|somber|chamber|drama|.\nIt|'s|as|if|you|'re|watching|a|movie|that|was|made|in|1978|but|not|released|then|because|it|was|so|weak|,|and|it|has|been|unearthed|and|released|now|,|when|it|has|become|even|weaker|.\nThis|is|nothing|but|familiar|territory|.\nIn|execution|,|this|clever|idea|is|far|less|funny|than|the|original|,|Killers|From|Space|.\nOne|of|the|more|irritating|cartoons|you|will|see|this|,|or|any|,|year|.\nA|broad|,|melodramatic|estrogen|opera|that|'s|pretty|toxic|in|its|own|right|.\nToo|slow|,|too|long|and|too|little|happens|.\nThe|film|'s|few|ideas|are|stretched|to|the|point|of|evaporation|;|the|whole|central|section|is|one|big|chase|that|seems|to|have|no|goal|and|no|urgency|.\nIt|'s|just|filler|.\nSacrifices|the|value|of|its|wealth|of|archival|foot-age|with|its|less-than-objective|stance|.\nUtterly|lacking|in|charm|,|wit|and|invention|,|Roberto|Benigni|'s|Pinocchio|is|an|astonishingly|bad|film|.\nA|hamfisted|romantic|comedy|that|makes|our|girl|the|hapless|facilitator|of|an|extended|cheap|shot|across|the|Mason-Dixon|line|.\nScores|no|points|for|originality|,|wit|,|or|intelligence|.\nIt|'s|a|cookie-cutter|movie|,|a|cut-and-paste|job|.\nThey|takes|a|long|time|to|get|to|its|gasp-inducing|ending|.\nBarely|gets|off|the|ground|.\nEven|on|those|rare|occasions|when|the|narrator|stops|yammering|,|Miller|'s|hand|often|feels|unsure|.\nPumpkin|means|to|be|an|outrageous|dark|satire|on|fraternity|life|,|but|its|ambitions|far|exceed|the|abilities|of|writer|Adam|Larson|Broder|and|his|co-director|,|Tony|R.|Abrams|,|in|their|feature|debut|.\nAt|its|best|,|Queen|is|campy|fun|like|the|Vincent|Price|horror|classics|of|the|'60s|.\nAt|its|worst|,|it|implodes|in|a|series|of|very|bad|special|effects|.\nFrom|the|opening|scenes|,|it|'s|clear|that|All|About|the|Benjamins|is|a|totally|formulaic|movie|.\nIt|takes|a|certain|kind|of|horror|movie|to|qualify|as|`|worse|than|expected|,|'|but|Ghost|Ship|somehow|manages|to|do|exactly|that|.\nOn|the|bright|side|,|it|contains|Jesse|Ventura|'s|best|work|since|the|XFL|.\nDespite|impeccable|acting|...|and|a|script|that|takes|some|rather|unexpected|(|even|,|at|times|,|preposterous|)|turns|,|Love|is|just|too|,|too|precious|in|the|end|.\nA|TV|style|murder|mystery|with|a|few|big|screen|moments|(|including|one|that|seems|to|be|made|for|a|different|film|altogether|)|.\nBy|getting|myself|wrapped|up|in|the|visuals|and|eccentricities|of|many|of|the|characters|,|I|found|myself|confused|when|it|came|time|to|get|to|the|heart|of|the|movie|.\nToo|often|,|the|viewer|is|n't|reacting|to|humor|so|much|as|they|are|wincing|back|in|repugnance|.\nDilbert|without|the|right-on|satiric|humor|.\nManages|to|show|life|in|all|of|its|banality|when|the|intention|is|quite|the|opposite|.\nDo|not|see|this|film|.\nMinority|Report|is|exactly|what|the|title|indicates|,|a|report|.\nDelivers|the|same|old|same|old|,|tarted|up|with|Latin|flava|and|turned|out|by|Hollywood|playas|.\nIf|you|believe|any|of|this|,|I|can|make|you|a|real|deal|on|leftover|Enron|stock|that|will|double|in|value|a|week|from|Friday|.\nTo|call|The|Other|Side|of|Heaven|``|appalling|''|would|be|to|underestimate|just|how|dangerous|entertainments|like|it|can|be|.\nIn|exactly|89|minutes|,|most|of|which|passed|as|slowly|as|if|I|'d|been|sitting|naked|on|an|igloo|,|Formula|51|sank|from|quirky|to|jerky|to|utter|turkey|.\nIf|only|the|story|about|a|multi-million|dollar|con|bothered|to|include|the|con|.\nI|'d|have|to|say|the|star|and|director|are|the|big|problems|here|.\nWithout|the|dark|spookiness|of|Crystal|Lake|Camp|,|the|horror|concept|completely|loses|its|creepy|menace|.\nIt|'s|like|every|bad|idea|that|'s|ever|gone|into|an|after-school|special|compiled|in|one|place|,|minus|those|daytime|programs|'|slickness|and|sophistication|(|and|who|knew|they|even|had|any|?|)|.\nWhile|the|Resident|Evil|games|may|have|set|new|standards|for|thrills|,|suspense|,|and|gore|for|video|games|,|the|movie|really|only|succeeds|in|the|third|of|these|.\nFor|close|to|two|hours|the|audience|is|forced|to|endure|three|terminally|depressed|,|mostly|inarticulate|,|hyper|dysfunctional|families|for|the|price|of|one|.\nTo|my|taste|,|the|film|'s|comic|characters|come|perilously|close|to|being|Amoses|and|Andys|for|a|new|generation|.\nWhat|the|director|ca|n't|do|is|make|either|of|Val|Kilmer|'s|two|personas|interesting|or|worth|caring|about|.\nIn|an|effort|,|I|suspect|,|not|to|offend|by|appearing|either|too|serious|or|too|lighthearted|,|it|offends|by|just|being|wishy-washy|.\nIt|'s|difficult|to|imagine|the|process|that|produced|such|a|script|,|but|here|'s|guessing|that|spray|cheese|and|underarm|noises|played|a|crucial|role|.\nHarland|Williams|is|so|funny|in|drag|he|should|consider|permanent|sex-reassignment|.\n...|nothing|scary|here|except|for|some|awful|acting|and|lame|special|effects|.\nIt|'s|not|that|Kung|Pow|is|n't|funny|some|of|the|time|--|it|just|is|n't|any|funnier|than|bad|martial|arts|movies|are|all|by|themselves|,|without|all|Oedekerk|'s|impish|augmentation|.\nA|very|long|movie|,|dull|in|stretches|,|with|entirely|too|much|focus|on|meal|preparation|and|igloo|construction|.\nNot|an|objectionable|or|dull|film|;|it|merely|lacks|everything|except|good|intentions|.\nA|science-fiction|pastiche|so|lacking|in|originality|that|if|you|stripped|away|its|inspirations|there|would|be|precious|little|left|.\nOnce|(|Kim|)|begins|to|overplay|the|shock|tactics|and|bait-and-tackle|metaphors|,|you|may|decide|it|'s|too|high|a|price|to|pay|for|a|shimmering|picture|postcard|.\nThe|words|,|`|Frankly|,|my|dear|,|I|do|n't|give|a|damn|,|'|have|never|been|more|appropriate|.\nWhat|'s|next|:|``|My|Mother|the|Car|?|''\nAll|the|amped-up|Tony|Hawk-style|stunts|and|thrashing|rap-metal|ca|n't|disguise|the|fact|that|,|really|,|we|'ve|been|here|,|done|that|.\nA|sequel|that|'s|much|too|big|for|its|britches|.\nSo|unremittingly|awful|that|labeling|it|a|dog|probably|constitutes|cruelty|to|canines|.\nWhat|was|once|original|has|been|co-opted|so|frequently|that|it|now|seems|pedestrian|.\nA|perplexing|example|of|promise|unfulfilled|,|despite|many|charming|moments|.\nFor|all|the|writhing|and|wailing|,|tears|,|rage|and|opium|overdoses|,|there|'s|no|sense|of|actual|passion|being|washed|away|in|love|'s|dissolution|.\nA|coarse|and|stupid|gross-out|.\na|nightmare|date|with|a|half-formed|wit|done|a|great|disservice|by|a|lack|of|critical|distance|and|a|sad|trust|in|liberal|arts|college|bumper|sticker|platitudes|.\nDoes|n't|offer|much|besides|glib|soullessness|,|raunchy|language|and|a|series|of|brutal|set|pieces|...|that|raise|the|bar|on|stylized|screen|violence|.\nThere|'s|something|with|potential|here|,|but|the|movie|decides|,|like|Lavinia|,|to|go|the|conservative|route|.\nIt|'s|one|pussy-ass|world|when|even|killer-thrillers|revolve|around|group|therapy|sessions|.\nThe|stripped-down|approach|does|give|the|film|a|certain|timeless|quality|,|but|the|measured|pace|and|lack|of|dramatic|inflection|can|also|seem|tedious|.\nBut|the|power|of|these|(|subjects|)|is|obscured|by|the|majority|of|the|film|that|shows|a|stationary|camera|on|a|subject|that|could|be|mistaken|for|giving|a|public|oration|,|rather|than|contributing|to|a|film|'s|narrative|.\nRarely|has|so|much|money|delivered|so|little|entertainment|.\nTries|to|add|some|spice|to|its|quirky|sentiments|but|the|taste|is|all|too|familiar|.\nPaid|In|Full|is|so|stale|,|in|fact|,|that|its|most|vibrant|scene|is|one|that|uses|clips|from|Brian|De|Palma|'s|Scarface|.\nThat|'s|a|cheat|.\nHarrison|'s|Flowers|puts|its|heart|in|the|right|place|,|but|its|brains|are|in|no|particular|place|at|all|.\nThis|re-do|is|so|dumb|and|so|exploitative|in|its|violence|that|,|ironically|,|it|becomes|everything|that|the|rather|clumsy|original|was|railing|against|.\nA|string|of|rehashed|sight|gags|based|in|insipid|vulgarity|.\nThe|movie|is|Dawn|of|the|Dead|crossed|with|John|Carpenter|'s|Ghosts|of|Mars|,|with|zombies|not|as|ghoulish|as|the|first|and|trains|not|as|big|as|the|second|.\nBasically|a|static|series|of|semi-improvised|(|and|semi-coherent|)|raps|between|the|stars|.\nToo|restrained|to|be|a|freak|show|,|too|mercenary|and|obvious|to|be|cerebral|,|too|dull|and|pretentious|to|be|engaging|...|The|Isle|defies|an|easy|categorization|.\nAn|unpredictable|blend|of|gal-pal|smart|talk|,|romantic|comedy|and|dark|tragedy|that|bites|off|considerably|more|than|writer\\/director|John|McKay|can|swallow|.\nIt|'s|one|of|those|baseball|pictures|where|the|hero|is|stoic|,|the|wife|is|patient|,|the|kids|are|as|cute|as|all|get-out|and|the|odds|against|success|are|long|enough|to|intimidate|,|but|short|enough|to|make|a|dream|seem|possible|.\n``|The|Time|Machine|''|is|a|movie|that|has|no|interest|in|itself|.\nIt|does|n't|believe|in|itself|,|it|has|no|sense|of|humor|...|it|'s|just|plain|bored|.\n...|a|hollow|joke|told|by|a|cinematic|gymnast|having|too|much|fun|embellishing|the|misanthropic|tale|to|actually|engage|it|.\nA|morose|little|soap|opera|about|three|vapid|,|insensitive|people|who|take|turns|hurting|each|other|.\nIt|'s|a|feature-length|adaptation|of|one|of|those|``|Can|This|Marriage|Be|Saved|?|''\ncolumns|from|Ladies|Home|Journal|...\nThe|film|'s|essentially|over|by|the|meet-cute|.\nI|'m|sure|if|you|'re|a|Hartley|fan|,|you|might|enjoy|yourself|...|Me|,|I|did|n't|care|for|it|.\nIt|'s|about|following|your|dreams|,|no|matter|what|your|parents|think|.\nSocrates|motions|for|hemlock|.\nThe|script|is|n't|very|good|;|not|even|someone|as|gifted|as|Hoffman|(|the|actor|)|can|make|it|work|.\nWalter|Hill|'s|pulpy|,|stylized|boxing|melodrama|Undisputed|nearly|overcomes|its|questionable|in-the-ring|match-up|with|solid|fight|choreography|and|gritty|prison|authenticity|.\nIt|has|all|the|excitement|of|eating|oatmeal|.\nIt|'s|hard|to|know|whether|or|not|to|recommend|this|film|because|for|every|thing|it|does|right|there|'s|at|least|one|and|occasionally|two|things|it|gets|ever|so|wrong|.\nAlthough|there|are|several|truly|jolting|scares|,|there|'s|also|an|abundance|of|hackneyed|dialogue|and|more|silly|satanic|business|than|you|can|shake|a|severed|limb|at|.\nI|'ll|bet|the|video|game|is|a|lot|more|fun|than|the|film|.\nStar|Trek|:|Nemesis|meekly|goes|where|nearly|every|Star|Trek|movie|has|gone|before|.\nWince-inducing|dialogue|,|thrift-shop|costumes|,|prosthetic|makeup|by|Silly|Putty|and|Kmart|blue-light-special|effects|all|conspire|to|test|Trekkie|loyalty|.\nLike|all|abstract|art|,|the|film|does|not|make|this|statement|in|an|easily|accessible|way|,|and|--|unless|prewarned|--|it|would|be|very|possible|for|a|reasonably|intelligent|person|to|sit|through|its|tidal|wave|of|imagery|and|not|get|this|vision|at|all|.\nI|do|n't|mind|having|my|heartstrings|pulled|,|but|do|n't|treat|me|like|a|fool|.\n...|although|this|idea|is|``|new|''|the|results|are|tired|.\nI|'m|guessing|the|director|is|a|magician|.\nAfter|all|,|he|took|three|minutes|of|dialogue|,|30|seconds|of|plot|and|turned|them|into|a|90-minute|movie|that|feels|five|hours|long|.\nAn|unencouraging|threefold|expansion|on|the|former|MTV|series|,|accompanying|the|stunt-hungry|dimwits|in|a|random|series|of|collected|gags|,|pranks|,|pratfalls|,|dares|,|injuries|,|etc.|.\nIts|well|of|thorn|and|vinegar|(|and|simple|humanity|)|has|long|been|plundered|by|similar|works|featuring|the|insight|and|punch|this|picture|so|conspicuously|lacks|.\nFor|all|its|impressive|craftsmanship|,|and|despite|an|overbearing|series|of|third-act|crescendos|,|Lily|Chou-Chou|never|really|builds|up|a|head|of|emotional|steam|.\nDo|n't|be|fooled|by|the|impressive|cast|list|-|Eye|See|You|is|pure|junk|.\nNot|since|Freddy|Got|Fingered|has|a|major|release|been|so|painful|to|sit|through|.\nThe|documentary|does|little|,|apart|from|raising|the|topic|,|to|further|stoke|the|conversation|.\nPlays|like|a|volatile|and|overlong|W|magazine|fashion|spread|.\nA|better|title|,|for|all|concerned|,|might|be|Swept|Under|the|Rug|.\nThis|movie|seems|to|have|been|written|using|Mad-libs|.\nThere|can|be|no|other|explanation|.\nHilariously|inept|and|ridiculous|.\nVera|'s|technical|prowess|ends|up|selling|his|film|short|;|he|smoothes|over|hard|truths|even|as|he|uncovers|them|.\n(|A|)|shapeless|blob|of|desperate|entertainment|.\nFeels|too|formulaic|and|too|familiar|to|produce|the|transgressive|thrills|of|early|underground|work|.\nGiven|how|heavy-handed|and|portent-heavy|it|is|,|this|could|be|the|worst|thing|Soderbergh|has|ever|done|.\na|by-the-numbers|patient\\/doctor|pic|that|covers|all|the|usual|ground\nA|dumb|movie|with|dumb|characters|doing|dumb|things|and|you|have|to|be|really|dumb|not|to|see|where|this|is|going|.\nStealing|Harvard|aspires|to|comedic|grand|larceny|but|stands|convicted|of|nothing|more|than|petty|theft|of|your|time|.\nPretension|,|in|its|own|way|,|is|a|form|of|bravery|.\nFor|this|reason|and|this|reason|only|--|the|power|of|its|own|steadfast|,|hoity-toity|convictions|--|Chelsea|Walls|deserves|a|medal|.\nWith|the|exception|of|some|fleetingly|amusing|improvisations|by|Cedric|the|Entertainer|as|Perry|'s|boss|,|there|is|n't|a|redeeming|moment|here|.\nIt|'s|a|grab|bag|of|genres|that|do|n't|add|up|to|a|whole|lot|of|sense|.\nMovie|fans|,|get|ready|to|take|off|...|the|other|direction|.\n(|director|)|O'Fallon|manages|to|put|some|lovely|pictures|up|on|the|big|screen|,|but|his|skill|at|telling|a|story|--|he|also|contributed|to|the|screenplay|--|falls|short|.\nThe|intent|is|almost|exactly|the|same|(|as|The|Full|Monty|)|.\nAll|that|'s|missing|is|the|spontaneity|,|originality|and|delight|.\nNo|one|but|a|convict|guilty|of|some|truly|heinous|crime|should|have|to|sit|through|The|Master|of|Disguise|.\nEven|the|finest|chef|ca|n't|make|a|hotdog|into|anything|more|than|a|hotdog|,|and|Robert|De|Niro|ca|n't|make|this|movie|anything|more|than|a|trashy|cop|buddy|comedy|.\nThere|'s|too|much|falseness|to|the|second|half|,|and|what|began|as|an|intriguing|look|at|youth|fizzles|into|a|dull|,|ridiculous|attempt|at|heart-tugging|.\nIt|'s|not|without|its|pleasures|,|but|I|'ll|stick|with|The|Tune|.\nMiller|is|playing|so|free|with|emotions|,|and|the|fact|that|children|are|hostages|to|fortune|,|that|he|makes|the|audience|hostage|to|his|swaggering|affectation|of|seriousness|.\nDespite|the|evocative|aesthetics|evincing|the|hollow|state|of|modern|love|life|,|the|film|never|percolates|beyond|a|monotonous|whine|.\nMore|maudlin|than|sharp|.\nThis|is|an|egotistical|endeavor|from|the|daughter|of|horror|director|Dario|Argento|(|a|producer|here|)|,|but|her|raw|performance|and|utter|fearlessness|make|it|strangely|magnetic|.\nIt|'s|slow|--|very|,|very|slow|.\nIt|'s|not|the|ultimate|Depression-era|gangster|movie|.\nThat|'s|pure|PR|hype|.\nCharacters|still|need|to|function|according|to|some|set|of|believable|and|comprehensible|impulses|,|no|matter|how|many|drugs|they|do|or|how|much|artistic|license|Avary|employs|.\nComes|...|uncomfortably|close|to|coasting|in|the|treads|of|The|Bicycle|Thief|.\nVisually|rather|stunning|,|but|ultimately|a|handsome-looking|bore|,|the|true|creativity|would|have|been|to|hide|Treasure|Planet|entirely|and|completely|reimagine|it|.\nStealing|Harvard|is|evidence|that|the|Farrelly|Bros.|--|Peter|and|Bobby|--|and|their|brand|of|screen|comedy|are|wheezing|to|an|end|,|along|with|Green|'s|half-hearted|movie|career|.\nThere|seems|to|be|no|clear|path|as|to|where|the|story|'s|going|,|or|how|long|it|'s|going|to|take|to|get|there|.\nIf|you|'re|a|WWF|fan|,|or|you|related|to|the|people|who|watched|the|robots|getting|butchered|in|A.I.|,|you|'ll|probably|like|Rollerball|.\nI|do|n't|think|I|laughed|out|loud|once|.\nAnd|when|you|'re|talking|about|a|slapstick|comedy|,|that|'s|a|pretty|big|problem|.\nIt|'s|so|mediocre|,|despite|the|dynamic|duo|on|the|marquee|,|that|we|just|ca|n't|get|no|satisfaction|.\nSlapstick|buffoonery|can|tickle|many|a|preschooler|'s|fancy|,|but|when|it|costs|a|family|of|four|about|$|40|to|see|a|film|in|theaters|,|why|spend|money|on|a|dog|like|this|when|you|can|rent|a|pedigree|instead|?\n...|turns|so|unforgivably|trite|in|its|last|10|minutes|that|anyone|without|a|fortified|sweet|tooth|will|likely|go|into|sugar|shock|.\nThe|notion|that|bombing|buildings|is|the|funniest|thing|in|the|world|goes|entirely|unexamined|in|this|startlingly|unfunny|comedy|.\nMy|reaction|in|a|word|:|disappointment|.\nHis|last|movie|was|poetically|romantic|and|full|of|indelible|images|,|but|his|latest|has|nothing|going|for|it|.\nIt|kinda|works|and|qualifies|as|cool|at|times|,|but|is|just|too|lame|to|work|or|be|cool|at|others|.\nSustains|its|dreamlike|glide|through|a|succession|of|cheesy|coincidences|and|voluptuous|cheap|effects|,|not|the|least|of|which|is|Rebecca|Romijn-Stamos|.\nIntriguing|documentary|which|is|emotionally|diluted|by|focusing|on|the|story|'s|least|interesting|subject|.\nFeels|haphazard|,|as|if|the|writers|mistakenly|thought|they|could|achieve|an|air|of|frantic|spontaneity|by|simply|tossing|in|lots|of|characters|doing|silly|stuff|and|stirring|the|pot|.\nFor|each|chuckle|there|are|at|least|10|complete|misses|,|many|coming|from|the|amazingly|lifelike|Tara|Reid|,|whose|acting|skills|are|comparable|to|a|cardboard|cutout|.\nIn|its|own|way|,|Joshua|is|as|blasphemous|and|nonsensical|as|a|Luis|Buñuel|film|without|the|latter|'s|attendant|intelligence|,|poetry|,|passion|,|and|genius|.\nI|'ve|always|dreamed|of|attending|Cannes|,|but|after|seeing|this|film|,|it|'s|not|that|big|a|deal|.\nThe|vintage|is|pure|'|87|,|with|a|halfhearted|twist|on|its|cautionary|message|:|Fatal|Attraction|=|do|n't|have|an|affair|with|a|nutjob|;|Unfaithful|=|do|n't|if|you|'re|married|to|one|.\nA|workshop|mentality|prevails|.\nIt|can|not|be|enjoyed|,|even|on|the|level|that|one|enjoys|a|bad|slasher|flick|,|primarily|because|it|is|dull|.\nYes|,|dull|.\nPumpkin|wants|to|have|it|both|ways|.\nDirector|Uwe|Boll|and|the|actors|provide|scant|reason|to|care|in|this|crude|'70s|throwback|.\n(|W|)|hile|long|on|amiable|monkeys|and|worthy|environmentalism|,|Jane|Goodall|'s|Wild|Chimpanzees|is|short|on|the|thrills|the|oversize|medium|demands|.\nOuter-space|buffs|might|love|this|film|,|but|others|will|find|its|pleasures|intermittent|.\nThis|piece|of|Channel|5|grade|trash|is|,|quite|frankly|,|an|insult|to|the|intelligence|of|the|true|genre|enthusiast|.\nAn|occasionally|funny|,|but|overall|limp|,|fish-out-of-water|story|.\nA|bloated|gasbag|thesis|grotesquely|impressed|by|its|own|gargantuan|aura|of|self-importance|...\nIt|'s|mighty|tedious|for|the|viewer|who|has|to|contend|with|unpleasant|characters|,|hit-and-miss|performances|and|awkwardly|staged|scenes|.\nAs|A|Rumor|of|Angels|reveals|itself|to|be|a|sudsy|tub|of|supernatural|hokum|,|not|even|Ms.|Redgrave|'s|noblest|efforts|can|redeem|it|from|hopeless|sentimentality|.\nNew|Best|Friend|'s|Playboy-mansion|presentation|of|college|life|is|laugh-out-loud|ludicrous|.\nan|appalling|`|Ace|Ventura|'|rip-off|that|somehow|manages|to|bring|together|Kevin|Pollak|,|former|wrestler|Chyna|and|Dolly|Parton|.\nIf|any|of|them|list|this|`|credit|'|on|their|resumes|in|the|future|,|that|'ll|be|much|funnier|than|anything|in|the|film|...\nThe|humor|is|forced|and|heavy-handed|,|and|occasionally|simply|unpleasant|.\nScorsese|at|his|best|makes|gangster|films|that|are|equally|lovely|but|also|relentlessly|brutal|and|brutally|intelligent|;|Perdition|,|meanwhile|,|reads|more|like|Driving|Miss|Daisy|than|GoodFellas|.\nWhile|the|script|starts|promisingly|,|it|loses|steam|towards|the|middle|and|never|really|develops|beyond|attacking|obvious|target|.\nAs|the|latest|bid|in|the|TV-to-movie|franchise|game|,|I|Spy|makes|its|big-screen|entry|with|little|of|the|nervy|originality|of|its|groundbreaking|small-screen|progenitor|.\nThis|is|n't|even|Madonna|'s|Swept|Away|.\nThis|is|her|Blue|Lagoon|.\nThe|director|knows|how|to|apply|textural|gloss|,|but|his|portrait|of|sex-as-war|is|strictly|sitcom|.\n...|the|film|suffers|from|a|lack|of|humor|(|something|needed|to|balance|out|the|violence|)|...\nBurns|never|really|harnesses|to|full|effect|the|energetic|cast|.\nAn|overemphatic|,|would-be|wacky|,|ultimately|tedious|sex|farce|.\nHas|all|the|depth|of|a|wading|pool|.\nThis|is|the|sort|of|burly|action|flick|where|one|coincidence|pummels|another|,|narrative|necessity|is|a|drunken|roundhouse|,|and|whatever|passes|for|logic|is|a|factor|of|the|last|plot|device|left|standing|.\nThe|so-inept|-|it|'s|-|surreal|dubbing|(|featuring|the|voices|of|Glenn|Close|,|Regis|Philbin|and|Breckin|Meyer|)|brings|back|memories|of|cheesy|old|Godzilla|flicks|.\n...|the|movie|is|just|a|plain|old|monster|.\nIf|this|disposable|tissue|has|one|wild|card|,|it|'s|John|Turturro|,|who|'s|simply|fab|as|a|Spanish|butler|with|a|foot|fetish|.\nOne|long|string|of|cliches|.\nFancy|a|real|downer|?\n(|Leigh|)|lays|it|on|so|thick|this|time|that|it|feels|like|a|suicide|race|.\nProfessionally|speaking|,|it|'s|tempting|to|jump|ship|in|January|to|avoid|ridiculous|schlock|like|this|shoddy|suspense|thriller|.\nNelson|'s|brutally|unsentimental|approach|...|sucks|the|humanity|from|the|film|,|leaving|behind|an|horrific|but|weirdly|unemotional|spectacle|.\nWeaves|a|spell|over|you|,|with|its|disturbingly|close-up|look|at|damaged|psyches|and|its|subtle|undercurrents|of|danger|.\nBut|its|awkward|structure|keeps|breaking|the|spell|.\nAt|once|half-baked|and|overheated|.\nThere|'s|a|solid|woman|-|finding-herself|story|somewhere|in|here|,|but|you|'d|have|to|dig|pretty|deep|to|uncover|it|.\nI|still|ca|n't|relate|to|Stuart|:|He|'s|a|mouse|,|for|cryin|'|out|loud|,|and|all|he|does|is|milk|it|with|despondent|eyes|and|whine|that|nobody|treats|him|human|enough|.\n(|Serry|)|wants|to|blend|politics|and|drama|,|an|admirable|ambition|.\nIt|'s|too|bad|that|the|helping|hand|he|uses|to|stir|his|ingredients|is|also|a|heavy|one|.\nBy|the|miserable|standards|to|which|the|slasher|genre|has|sunk|,|...|actually|pretty|good|.\nOf|course|,|by|more|objective|measurements|it|'s|still|quite|bad|.\nThe|only|entertainment|you|'ll|derive|from|this|choppy|and|sloppy|affair|will|be|from|unintentional|giggles|--|several|of|them|.\nSam|Mendes|has|become|valedictorian|at|the|School|for|Soft|Landings|and|Easy|Ways|Out|.\nExactly|what|it|claims|to|be|--|a|simple|diversion|for|the|kids|.\nIts|story|may|be|a|thousand|years|old|,|but|why|did|it|have|to|seem|like|it|took|another|thousand|to|tell|it|to|us|?\nThe|problem|with|this|film|is|that|it|lacks|focus|.\nI|sympathize|with|the|plight|of|these|families|,|but|the|movie|does|n't|do|a|very|good|job|conveying|the|issue|at|hand|.\nA|momentary|escape|from|the|summer|heat|and|the|sedentary|doldrums|that|set|in|at|this|time|of|year|.\n...|think|of|it|as|American|Pie|On|Valium|.\nDull|,|lifeless|,|and|amateurishly|assembled|.\nPuportedly|``|Based|on|True|Events|,|''|a|convolution|of|language|that|suggests|it|'s|impossible|to|claim|that|it|is|``|Based|on|a|True|Story|''|with|a|straight|face|.\n...|a|plotline|that|'s|as|lumpy|as|two-day|old|porridge|...|the|filmmakers|'|paws|,|sad|to|say|,|were|all|over|this|``|un-bear-able|''|project|!\nIt|'s|a|bad|thing|when|a|movie|has|about|as|much|substance|as|its|end|credits|blooper|reel|.\nWith|its|dogged|Hollywood|naturalism|and|the|inexorable|passage|of|its|characters|toward|sainthood|,|Windtalkers|is|nothing|but|a|sticky-sweet|soap|.\nSome|of|it|is|clever|,|but|it|is|never|melodic|\\/\nBetter|to|just|call|it|ABC|Kiarostami|.\nFor|AIDS|and|Africa|are|nothing|more|than|part|of|the|scenery|.\nNo|aspirations|to|social|import|inform|the|movie|version|.\nThis|is|a|shameless|sham|,|calculated|to|cash|in|on|the|popularity|of|its|stars|.\nManages|to|be|somewhat|well-acted|,|not|badly|art-directed|and|utterly|unengaging|no|matter|how|hard|it|tries|to|be|thrilling|,|touching|or|,|yikes|,|uproarious|.\nThis|rather|superficial|arthouse|middle-brow|film|knows|how|to|please|a|crowd|,|and|that|'s|about|all|it|does|well|.\nIt|'s|clear|the|filmmakers|were|n't|sure|where|they|wanted|their|story|to|go|,|and|even|more|clear|that|they|lack|the|skills|to|get|us|to|this|undetermined|destination|.\nAs|vulgar|as|it|is|banal|.\nYou|wonder|why|Enough|was|n't|just|a|music|video|rather|than|a|full-length|movie|.\nThe|film|'s|tone|and|pacing|are|off|almost|from|the|get-go|.\nThe|talented|and|clever|Robert|Rodriguez|perhaps|put|a|little|too|much|heart|into|his|first|film|and|did|n't|reserve|enough|for|his|second|.\nMore|whiny|downer|than|corruscating|commentary|.\nTambor|and|Clayburgh|make|an|appealing|couple|--|he|'s|understated|and|sardonic|,|she|'s|appealingly|manic|and|energetic|.\nBoth|deserve|better|.\nSuffocated|by|its|fussy|script|and|uptight|characters|,|this|musty|adaptation|is|all|the|more|annoying|since|it|'s|been|packaged|and|sold|back|to|us|by|Hollywood|.\nCoughs|and|sputters|on|its|own|postmodern|conceit|.\nA|wildly|inconsistent|emotional|experience|.\nSit|through|this|one|,|and|you|wo|n't|need|a|magic|watch|to|stop|time|;|your|DVD|player|will|do|it|for|you|.\nA|sometimes|tedious|film|.\nTeen|movies|have|really|hit|the|skids|.\nThere|are|plot|holes|big|enough|for|Shamu|the|killer|whale|to|swim|through|.\n...|plays|like|somebody|spliced|random|moments|of|a|Chris|Rock|routine|into|what|is|otherwise|a|cliche-riddled|but|self-serious|spy|thriller|.\nNasty|,|ugly|,|pointless|and|depressing|,|even|if|you|hate|clowns|.\nWhat|is|100|%|missing|here|is|a|script|of|even|the|most|elemental|literacy|,|an|inkling|of|genuine|wit|,|and|anything|resembling|acting|.\ndoes|paint|some|memorable|images|...|,|but|Makhmalbaf|keeps|her|distance|from|the|characters\nIt|uses|the|pain|and|violence|of|war|as|background|material|for|color|.\njust|not|campy|enough\nThe|movie|,|directed|by|Mick|Jackson|,|leaves|no|cliche|unturned|,|from|the|predictable|plot|to|the|characters|straight|out|of|central|casting|.\nIt|'s|everything|you|do|n't|go|to|the|movies|for|.\nLike|watching|a|dress|rehearsal|the|week|before|the|show|goes|up|:|everything|'s|in|place|but|something|'s|just|a|little|off-kilter|.\nThe|affectionate|loopiness|that|once|seemed|congenital|to|Demme|'s|perspective|has|a|tough|time|emerging|from|between|the|badly|dated|cutesy-pie|mystery|scenario|and|the|newfangled|Hollywood|post-production|effects|.\nFor|all|its|technical|virtuosity|,|the|film|is|so|mired|in|juvenile|and|near-xenophobic|pedagogy|that|it|'s|enough|to|make|one|pine|for|the|day|when|Godard|can|no|longer|handle|the|rigors|of|filmmaking|.\nAmerican|Chai|encourages|rueful|laughter|at|stereotypes|only|an|Indian-American|would|recognize|.\nAnd|the|lesson|,|in|the|end|,|is|nothing|new|.\nIt|made|me|want|to|wrench|my|eyes|out|of|my|head|and|toss|them|at|the|screen|.\nDue|to|some|script|weaknesses|and|the|casting|of|the|director|'s|brother|,|the|film|trails|off|into|inconsequentiality|.\n...|plot|holes|so|large|and|obvious|a|marching|band|might|as|well|be|stomping|through|them|in|clown|clothes|,|playing|a|college|football|fight|song|on|untuned|instruments|.\nSo|devoid|of|any|kind|of|intelligible|story|that|it|makes|films|like|XXX|and|Collateral|Damage|seem|like|thoughtful|treatises\nCombining|quick-cut|editing|and|a|blaring|heavy|metal|much|of|the|time|,|Beck|seems|to|be|under|the|illusion|that|he|'s|shooting|the|latest|System|of|a|Down|video|.\nDragonfly|has|no|atmosphere|,|no|tension|--|nothing|but|Costner|,|flailing|away|.\nIt|'s|a|buggy|drag|.\nWorks|hard|to|establish|rounded|characters|,|but|then|has|nothing|fresh|or|particularly|interesting|to|say|about|them|.\nThe|action|switches|between|past|and|present|,|but|the|material|link|is|too|tenuous|to|anchor|the|emotional|connections|that|purport|to|span|a|125-year|divide|.\nNonsensical|,|dull|``|cyber-horror|''|flick|is|a|grim|,|hollow|exercise|in|flat|scares|and|bad|acting|.\nInstead|of|hiding|Pinocchio|from|critics|,|Miramax|should|have|hidden|it|from|everyone|.\nManages|to|be|both|repulsively|sadistic|and|mundane|.\nA|great|ensemble|cast|ca|n't|lift|this|heartfelt|enterprise|out|of|the|familiar|.\nThere|ought|to|be|a|directing|license|,|so|that|Ed|Burns|can|have|his|revoked|.\nThe|structure|the|film|takes|may|find|Matt|Damon|and|Ben|Affleck|once|again|looking|for|residuals|as|this|officially|completes|a|Good|Will|Hunting|trilogy|that|was|never|planned|.\nWhereas|last|year|'s|exemplary|Sexy|Beast|seemed|to|revitalize|the|British|gangster|movie|,|this|equally|brutal|outing|merely|sustains|it|.\n...|a|boring|parade|of|talking|heads|and|technical|gibberish|that|will|do|little|to|advance|the|Linux|cause|.\nGreen|might|want|to|hang|onto|that|ski|mask|,|as|robbery|may|be|the|only|way|to|pay|for|his|next|project|.\nI|can|take|infantile|humor|...|but|this|is|the|sort|of|infantile|that|makes|you|wonder|about|changing|the|director|and|writer|'s|diapers|.\nThere|is|n't|nearly|enough|fun|here|,|despite|the|presence|of|some|appealing|ingredients|.\nThe|tale|of|Tok|(|Andy|Lau|)|,|a|sleek|sociopath|on|the|trail|of|O|(|Takashi|Sorimachi|)|,|the|most|legendary|of|Asian|hitmen|,|is|too|scattershot|to|take|hold|.\nDirected|in|a|paint-by-numbers|manner|.\nA|cheerful|enough|but|imminently|forgettable|rip-off|of|(|Besson|'s|)|earlier|work|.\nA|lackluster|,|unessential|sequel|to|the|classic|Disney|adaptation|of|J.M.|Barrie|'s|Peter|Pan|.\nSamira|Makhmalbaf|'s|new|film|Blackboards|is|much|like|the|ethos|of|a|stream|of|consciousness|,|although|,|it|'s|unfortunate|for|the|viewer|that|the|thoughts|and|reflections|coming|through|are|torpid|and|banal\n...|routine|,|harmless|diversion|and|little|else|.\nLate|Marriage|'s|stiffness|is|unlikely|to|demonstrate|the|emotional|clout|to|sweep|U.S.|viewers|off|their|feet|.\nThis|time|Mr.|Burns|is|trying|something|in|the|Martin|Scorsese|street-realist|mode|,|but|his|self-regarding|sentimentality|trips|him|up|again|.\nWhile|there|'s|something|intrinsically|funny|about|Sir|Anthony|Hopkins|saying|`|Get|in|the|car|,|bitch|,|'|this|Jerry|Bruckheimer|production|has|little|else|to|offer\nIt|'s|hampered|by|a|Lifetime-channel|kind|of|plot|and|a|lead|actress|who|is|out|of|her|depth|.\nLet|'s|hope|--|shall|we|?\n--|that|the|`|true|story|'|by|which|All|the|Queen|'s|Men|is|allegedly|``|inspired|''|was|a|lot|funnier|and|more|deftly|enacted|than|what|'s|been|cobbled|together|onscreen|.\nIs|there|a|group|of|more|self-absorbed|women|than|the|mother|and|daughters|featured|in|this|film|?\nI|do|n't|think|so|.\nNothing|wrong|with|performances|here|,|but|the|whiney|characters|bugged|me|.\nThere|is|very|little|dread|or|apprehension|,|and|though|I|like|the|creepy|ideas|,|they|are|not|executed|with|anything|more|than|perfunctory|skill|.\nIf|you|'ve|ever|entertained|the|notion|of|doing|what|the|title|of|this|film|implies|,|what|Sex|With|Strangers|actually|shows|may|put|you|off|the|idea|forever|.\nIn|the|end|,|the|movie|collapses|on|its|shaky|foundation|despite|the|best|efforts|of|director|Joe|Carnahan|.\nAdults|will|wish|the|movie|were|less|simplistic|,|obvious|,|clumsily|plotted|and|shallowly|characterized|.\nBut|what|are|adults|doing|in|the|theater|at|all|?\nSticky|sweet|sentimentality|,|clumsy|plotting|and|a|rosily|myopic|view|of|life|in|the|WWII-era|Mississippi|Delta|undermine|this|adaptation|.\nIt|'s|another|stale|,|kill-by-numbers|flick|,|complete|with|blade-thin|characters|and|terrible|,|pun-laden|dialogue|.\nEvery|time|you|look|,|Sweet|Home|Alabama|is|taking|another|bummer|of|a|wrong|turn|.\nPartway|through|watching|this|saccharine|,|Easter-egg-colored|concoction|,|you|realize|that|it|is|made|up|of|three|episodes|of|a|rejected|TV|show|.\nThe|overall|effect|is|less|like|a|children|'s|movie|than|a|recruitment|film|for|future|Hollywood|sellouts|.\nPortentous|and|pretentious|,|The|Weight|of|Water|is|appropriately|titled|,|given|the|heavy-handedness|of|it|drama|.\nA|fitfully|amusing|romp|that|,|if|nothing|else|,|will|appeal|to|fans|of|Malcolm|in|the|Middle|and|its|pubescent|star|,|Frankie|Muniz|.\nJason|X|is|positively|anti-Darwinian|:|nine|sequels|and|400|years|later|,|the|teens|are|none|the|wiser|and|Jason|still|kills|on|auto-pilot|.\nTo|say|this|was|done|better|in|Wilder|'s|Some|Like|It|Hot|is|like|saying|the|sun|rises|in|the|east|.\nAt|the|very|least|,|if|you|do|n't|know|anything|about|Derrida|when|you|walk|into|the|theater|,|you|wo|n't|know|much|more|when|you|leave|.\nThe|actors|are|appealing|,|but|Elysian|Fields|is|idiotic|and|absurdly|sentimental|.\nAs|`|chick|flicks|'|go|,|this|one|is|pretty|miserable|,|resorting|to|string-pulling|rather|than|legitimate|character|development|and|intelligent|plotting|.\nThe|only|excitement|comes|when|the|credits|finally|roll|and|you|get|to|leave|the|theater|.\nThere|'s|no|emotional|pulse|to|Solaris|.\nWith|an|emotional|sterility|to|match|its|outer|space|setting|,|Soderbergh|'s|spectacular|swing|for|the|fence|yields|only|a|spectacular|whiff|.\nIt|ca|n't|decide|if|it|wants|to|be|a|mystery\\/thriller|,|a|romance|or|a|comedy|.\nDenis|O'Neill|'s|script|avoids|the|prime|sports|cliche|,|a|last-second|goal|to|win|the|championship|,|but|it|neglects|few|others|.\nThe|character|of|ZigZag|is|not|sufficiently|developed|to|support|a|film|constructed|around|him|.\nOne|of|those|pictures|whose|promising|,|if|rather|precious|,|premise|is|undercut|by|amateurish|execution|.\nServing|Sara|does|n't|serve|up|a|whole|lot|of|laughs|.\nThe|most|hopelessly|monotonous|film|of|the|year|,|noteworthy|only|for|the|gimmick|of|being|filmed|as|a|single|unbroken|87-minute|take|.\nWith|virtually|no|interesting|elements|for|an|audience|to|focus|on|,|Chelsea|Walls|is|a|triple-espresso|endurance|challenge|.\nDeadeningly|dull|,|mired|in|convoluted|melodrama|,|nonsensical|jargon|and|stiff-upper-lip|laboriousness|.\nA|misogynistic|piece|of|filth|that|attempts|to|pass|itself|off|as|hip|,|young|adult|entertainment|.\nLike|the|Chelsea|'s|denizens|...|Burdette|'s|collage-form|scenario|tends|to|over-romanticize|the|spiritual|desolation|of|the|struggling|artiste|.\nIt|'s|basically|an|overlong|episode|of|Tales|from|the|Crypt|.\nThe|film|makes|a|fatal|mistake|:|It|asks|us|to|care|about|a|young|man|whose|only|apparent|virtue|is|that|he|is|not|quite|as|unpleasant|as|some|of|the|people|in|his|life|.\nAnother|in-your-face|wallow|in|the|lower|depths|made|by|people|who|have|never|sung|those|blues|.\nShaky|close-ups|of|turkey-on-rolls|,|stubbly|chins|,|liver|spots|,|red|noses|and|the|filmmakers|new|bobbed|do|draw|easy|chuckles|but|lead|nowhere|.\nI|ca|n't|quite|recommend|it|--|it|'s|too|patched|together|--|but|I|almost|can|;|it|'s|the|kind|of|movie|that|makes|you|want|to|like|it|.\nComplete|lack|of|originality|,|cleverness|or|even|visible|effort\nThough|Perry|and|Hurley|make|inspiring|efforts|to|breathe|life|into|the|disjointed|,|haphazard|script|by|Jay|Scherick|and|David|Ronn|,|neither|the|actors|nor|director|Reginald|Hudlin|can|make|it|more|than|fitfully|entertaining|.\nSomething|akin|to|a|Japanese|Alice|Through|the|Looking|Glass|,|except|that|it|seems|to|take|itself|far|more|seriously|.\nIt|takes|talent|to|make|a|lifeless|movie|about|the|most|heinous|man|who|ever|lived|.\nOn|the|whole|,|the|movie|lacks|wit|,|feeling|and|believability|to|compensate|for|its|incessant|coarseness|and|banality|.\nThe|story|and|the|friendship|proceeds|in|such|a|way|that|you|'re|watching|a|soap|opera|rather|than|a|chronicle|of|the|ups|and|downs|that|accompany|lifelong|friendships|.\nOffers|very|little|genuine|romance|and|even|fewer|laughs|...|a|sad|sitcom|of|a|movie|,|largely|devoid|of|charm|.\nMakes|for|a|pretty|unpleasant|viewing|experience|.\nThe|movie|fails|to|live|up|to|the|sum|of|its|parts|.\nAlthough|Huppert|'s|intensity|and|focus|has|a|raw|exhilaration|about|it|,|The|Piano|Teacher|is|anything|but|fun|.\nIt|showcases|Carvey|'s|talent|for|voices|,|but|not|nearly|enough|and|not|without|taxing|every|drop|of|one|'s|patience|to|get|to|the|good|stuff|.\nBad|.\nVery|bad|.\nStultifyingly|,|dumbfoundingly|,|mind-numbingly|bad|.\nMay|reawaken|discussion|of|the|Kennedy|assassination|but|this|fictional|film|looks|made|for|cable|rather|than|for|the|big|screen|.\nIf|looking|for|a|thrilling|sci-fi|cinematic|ride|,|do|n't|settle|for|this|Imposter|.\nNot|really|bad|so|much|as|distasteful|:|We|need|kidnapping|suspense|dramas|right|now|like|we|need|doomsday|thrillers|.\nThe|result|is|a|gaudy|bag|of|stale|candy|,|something|from|a|Halloween|that|died|.\nDavis|...|is|so|enamored|of|her|own|creation|that|she|ca|n't|see|how|insufferable|the|character|is|.\nThe|Man|From|Elysian|Fields|is|a|cold|,|bliss-less|work|that|groans|along|thinking|itself|some|important|comment|on|how|life|throws|us|some|beguiling|curves|.\nThe|messages|of|compassion|and|mercy|are|clearly|,|squarely|and|specifically|expounded|via|computer|animated|Old|Testament|tale|of|Jonah|and|the|Whale|.\nDetermined|to|be|fun|,|and|bouncy|,|with|energetic|musicals|,|the|humor|did|n't|quite|engage|this|adult|.\nHistorical|dramas|fused|with|love|triangle|is|a|well|worn|conceit|.\nBut|this|films|lacks|the|passion|required|to|sell|the|material|.\nLong|Time|Dead|?\nNot|nearly|long|enough|.\nNothing|more|substantial|than|a|fitfully|clever|doodle|.\nA|solid|film|...|but|more|conscientious|than|it|is|truly|stirring|.\nThere|'s|not|enough|here|to|justify|the|almost|two|hours|.\nThe|X|potion|gives|the|quickly|named|Blossom|,|Bubbles|and|Buttercup|supernatural|powers|that|include|extraordinary|strength|and|laser-beam|eyes|,|which|unfortunately|do|n't|enable|them|to|discern|flimsy|screenplays|.\nPerceptive|in|its|vision|of|nascent|industrialized|world|politics|as|a|new|art|form|,|but|far|too|clunky|,|didactic|and|saddled|with|scenes|that|seem|simply|an|ill|fit|for|this|movie|.\nVerbinski|implements|every|hack-artist|trick|to|give|us|the|ooky-spookies|.\nMcConaughey|'s|fun|to|watch|,|the|dragons|are|okay|,|not|much|fire|in|the|script|.\nAn|unwise|amalgam|of|Broadcast|News|and|Vibes|.\nSkins|has|a|right|to|yawp|,|and|we|have|a|right|to|our|grains|of|salt|.\nWho|needs|love|like|this|?\nHit|and|miss|as|far|as|the|comedy|goes|and|a|big|ole|'|miss|in|the|way|of|story|.\nReturning|aggressively|to|his|formula|of|dimwitted|comedy|and|even|dimmer|characters|,|Sandler|,|who|also|executive|produces|,|has|made|a|film|that|makes|previous|vehicles|look|smart|and|sassy|.\nExists|then|as|an|occasionally|insightful|acting|exercise|.\nTrite|,|banal|,|cliched|,|mostly|inoffensive|.\nMattei|is|tiresomely|grave|and|long-winded|,|as|if|circularity|itself|indicated|profundity|.\nIt|'s|not|original|,|and|,|robbed|of|the|element|of|surprise|,|it|does|n't|have|any|huge|laughs|in|its|story|of|irresponsible|cops|who|love|to|play|pranks|.\nWhenever|its|story|is|n't|bogged|down|by|idiocy|involving|the|CIA|and|a|lost|U.S.|satellite|,|Hunter|--|starring|Irwin|and|his|American|wife\\/colleague|,|Terri|--|is|a|movie|children|should|enjoy|.\nIt|offers|little|beyond|the|momentary|joys|of|pretty|and|weightless|intellectual|entertainment|.\nA|sequence|of|ridiculous|shoot|-|'em|-|up|scenes|.\nNothing|in|Waking|Up|in|Reno|ever|inspired|me|to|think|of|its|inhabitants|as|anything|more|than|markers|in|a|screenplay|.\nI|'m|just|too|bored|to|care|.\nIrwin|is|a|man|with|enough|charisma|and|audacity|to|carry|a|dozen|films|,|but|this|particular|result|is|ultimately|held|back|from|being|something|greater|.\nNot|a|stereotype|is|omitted|nor|a|cliché|left|unsaid|.\nAs|befits|its|title|,|this|PG-13-rated|piffle|is|ultimately|as|threatening|as|the|Snuggle|Fabric|Softener|bear|.\nAttempts|by|this|ensemble|film|to|impart|a|message|are|so|heavy-handed|that|they|instead|pummel|the|audience|.\nIt|all|feels|like|a|Monty|Python|sketch|gone|horribly|wrong|.\nNervous|breakdowns|are|not|entertaining|.\nScorsese|does|n't|give|us|a|character|worth|giving|a|damn|about|.\nA|beautifully|made|piece|of|unwatchable|drivel|.\nLike|being|trapped|at|a|perpetual|frat|party|...|How|can|something|so|gross|be|so|boring|?\nThis|is|so|bad|.\nEven|film|silliness|needs|a|little|gravity|,|beyond|good|hair|and|humping|.\nI|felt|sad|for|Lise|not|so|much|because|of|what|happens|as|because|she|was|captured|by|this|movie|when|she|obviously|belongs|in|something|lighter|and|sunnier|,|by|Rohmer|,|for|example|.\nPrurient|playthings|aside|,|there|'s|little|to|love|about|this|English|trifle|.\nThis|is|a|train|wreck|of|an|action|film|--|a|stupefying|attempt|by|the|filmmakers|to|force-feed|James|Bond|into|the|mindless|XXX|mold|and|throw|40|years|of|cinematic|history|down|the|toilet|in|favor|of|bright|flashes|and|loud|bangs|.\nThe|film|flat|lines|when|it|should|peak|and|is|more|missed|opportunity|and|trifle|than|dark|,|decadent|truffle|.\nIt|'s|played|in|the|most|straight-faced|fashion|,|with|little|humor|to|lighten|things|up|.\nThe|heavy-handed|film|is|almost|laughable|as|a|consequence|.\nVan|Wilder|brings|a|whole|new|meaning|to|the|phrase|`|comedy|gag|.|'\nAt|least|one|scene|is|so|disgusting|that|viewers|may|be|hard|pressed|to|retain|their|lunch|.\nA|disappointment|for|those|who|love|alternate|versions|of|the|Bard|,|particularly|ones|that|involve|deep|fryers|and|hamburgers|.\nThe|film|tries|too|hard|to|be|funny|and|tries|too|hard|to|be|hip|.\nThe|end|result|is|a|film|that|'s|neither|.\nEvery|nanosecond|of|the|The|New|Guy|reminds|you|that|you|could|be|doing|something|else|far|more|pleasurable|.\nSomething|like|scrubbing|the|toilet|.\nOr|emptying|rat|traps|.\nOr|doing|last|year|'s|taxes|with|your|ex-wife|.\nScooby|Dooby|Doo|\\/|And|Shaggy|too|\\/|You|both|look|and|sound|great|.\n\\/|But|Daphne|,|you|'re|too|Buff|\\/|Fred|thinks|he|'s|tough|\\/|And|Velma|-|wow|,|you|'ve|lost|weight|!\nIs|the|time|really|ripe|for|a|warmed-over|James|Bond|adventure|,|with|a|village|idiot|as|the|007|clone|?\nThere|'s|enough|melodrama|in|this|Magnolia|Primavera|to|make|PTA|proud|yet|director|Muccino|'s|characters|are|less|worthy|of|Puccini|than|they|are|of|daytime|television|.\nHowever|it|may|please|those|who|love|movies|that|blare|with|pop|songs|,|young|science|fiction|fans|will|stomp|away|in|disgust|.\nThe|humor|is|n't|as|sharp|,|the|effects|not|as|innovative|,|nor|the|story|as|imaginative|as|in|the|original|.\nBut|it|could|have|been|worse|.\nSome|of|their|jokes|work|,|but|most|fail|miserably|and|in|the|end|,|Pumpkin|is|far|more|offensive|than|it|is|funny|.\nEven|horror|fans|will|most|likely|not|find|what|they|'re|seeking|with|Trouble|Every|Day|;|the|movie|lacks|both|thrills|and|humor|.\ncomes|off|like|a|rejected|ABC|Afterschool|Special|,|freshened|up|by|the|dunce|of|a|Screenwriting|101|class|.\n...|Designed|to|provide|a|mix|of|smiles|and|tears|,|``|Crossroads|''|instead|provokes|a|handful|of|unintentional|howlers|and|numerous|yawns|.\nit|seems|to|me|the|film|is|about|the|art|of|ripping|people|off|without|ever|letting|them|consciously|know|you|have|done|so\nIt|'s|just|disappointingly|superficial|--|a|movie|that|has|all|the|elements|necessary|to|be|a|fascinating|,|involving|character|study|,|but|never|does|more|than|scratch|the|surface|.\nThe|title|not|only|describes|its|main|characters|,|but|the|lazy|people|behind|the|camera|as|well|.\nSometimes|it|feels|as|if|it|might|have|been|made|in|the|'70s|or|'80s|,|and|starred|Chevy|Chase|and|Goldie|Hawn|.\nSchaeffer|has|to|find|some|hook|on|which|to|hang|his|persistently|useless|movies|,|and|it|might|as|well|be|the|resuscitation|of|the|middle-aged|character|.\nDemands|too|much|of|most|viewers|.\nThe|story|drifts|so|inexorably|into|cliches|about|tortured|(|and|torturing|)|artists|and|consuming|but|impossible|love|that|you|ca|n't|help|but|become|more|disappointed|as|each|overwrought|new|sequence|plods|on|.\nIt|should|be|mentioned|that|the|set|design|and|interiors|of|the|haunted|vessel|are|more|than|effectively|creepy|and|moodily|lit|.\nSo|I|just|did|.\nShamelessly|sappy|and|,|worse|,|runs|away|from|its|own|provocative|theme|.\nThe|Ring|just|left|me|cold|and|wet|like|I|was|out|in|the|Seattle|drizzle|without|rainwear|.\nThe|film|seems|a|dead|weight|.\nThe|lack|of|pace|kills|it|,|although|,|in|a|movie|about|cancer|,|this|might|be|apt|.\nFor|anyone|who|grew|up|on|Disney|'s|1950|Treasure|Island|,|or|remembers|the|1934|Victor|Fleming|classic|,|this|one|feels|like|an|impostor|.\nA|clutchy|,|indulgent|and|pretentious|travelogue|and|diatribe|against|...|well|,|just|stuff|.\nWatching|Scarlet|Diva|,|one|is|poised|for|titillation|,|raw|insight|or|both|.\nInstead|,|we|just|get|messy|anger|,|a|movie|as|personal|therapy|.\nMeandering|,|sub-aquatic|mess|:|It|'s|so|bad|it|'s|good|,|but|only|if|you|slide|in|on|a|freebie|.\nThe|ending|is|a|cop-out|.\nWhat|happens|to|John|Q|?\nI|do|n't|have|an|I|Am|Sam|clue|.\nHas|the|feel|of|an|unedited|personal|journal|.\nRemember|when|Bond|had|more|glamour|than|clamor|?\nNo|more|.\nCry|havoc|and|let|slip|the|dogs|of|cheese|,|indeed|.\nThis|charmless|nonsense|ensues|amid|clanging|film|references|that|make|Jay|and|Silent|Bob|'s|Excellent|Adventure|seem|understated|.\nIt|does|n't|quite|deserve|the|gong|,|but|there|are|more|fascinating|acts|than|``|Confessions|of|a|Dangerous|Mind|.|''\nThe|subject|of|swinging|still|seems|ripe|for|a|documentary|--|just|not|this|one|.\n...|Hudlin|is|stuck|trying|to|light|a|fire|with|soggy|leaves|.\nUnlike|his|directorial|efforts|,|La|Femme|Nikita|and|The|Professional|,|The|Transporter|lacks|Besson|'s|perspective|as|a|storyteller|.\nThe|overall|effect|is|so|completely|inane|that|one|would|have|to|be|mighty|bored|to|even|think|of|staying|with|this|for|more|than|,|say|,|ten|...|make|that|three|minutes|.\nMost|of|the|supporting|characters|in|Eastwood|films|are|weak|,|as|are|most|of|the|subplots|.\nThis|one|'s|weaker|than|most|.\nAudiences|will|find|no|mention|of|political|prisoners|or|persecutions|that|might|paint|the|Castro|regime|in|less|than|saintly|tones|.\nThe|film|takes|too|long|getting|to|the|good|stuff|,|then|takes|too|long|figuring|out|what|to|do|next|.\nYou|can|practically|smell|the|patchouli|oil|.\nTo|say|Analyze|That|is|De|Niro|'s|best|film|since|Meet|the|Parents|sums|up|the|sad|state|of|his|recent|career|.\nThe|actors|do|n't|inhabit|their|roles|--|they|'re|trapped|by|them|,|forced|to|change|behavior|in|bizarre|unjustified|fashion|and|spout|dialog|that|consists|mostly|of|platitudes|.\nAn|often-deadly|boring|,|strange|reading|of|a|classic|whose|witty|dialogue|is|treated|with|a|baffling|casual|approach\nThis|film|was|made|to|get|laughs|from|the|slowest|person|in|the|audience|--|just|pure|slapstick|with|lots|of|inane|,|inoffensive|screaming|and|exaggerated|facial|expressions|.\nConsists|of|a|plot|and|jokes|done|too|often|by|people|far|more|talented|than|Ali|G\nAnother|week|,|another|gross-out|college|comedy|--|ugh|.\nModerately|involving|despite|bargain-basement|photography|and|hackneyed|romance|.\nThere|is|no|insight|into|the|anguish|of|Heidi|'s|life|--|only|a|depiction|of|pain|,|today|'s|version|of|Greek|tragedy|,|the|talk-show|guest|decrying|her|fate|.\nThe|editing|is|chaotic|,|the|photography|grainy|and|badly|focused|,|the|writing|unintentionally|hilarious|,|the|direction|unfocused|,|the|performances|as|wooden|.\nWhen|(|De|Palma|'s|)|bad|,|he|'s|really|bad|,|and|Femme|Fatale|ranks|with|the|worst|he|has|done|.\nTadpole|is|emblematic|of|the|witless|ageism|afflicting|films|:|Young|is|cool|,|and|too|young|is|too|cool|.\nI|doubt|anyone|will|remember|the|picture|by|the|time|Christmas|really|rolls|around|,|but|maybe|it|'ll|be|on|video|by|then|.\nUncertain|in|tone|...|a|garbled|exercise|in|sexual|politics|,|a|junior|varsity|Short|Cuts|by|way|of|Very|Bad|Things|.\nAll|'s|well|that|ends|well|,|and|rest|assured|,|the|consciousness-raising|lessons|are|cloaked|in|gross-out|gags|.\nThe|only|thing|worse|than|your|substandard|,|run-of-the-mill|Hollywood|picture|is|an|angst-ridden|attempt|to|be|profound|.\nIf|you|think|that|Jennifer|Lopez|has|shown|poor|judgment|in|planning|to|marry|Ben|Affleck|,|wait|till|you|see|Maid|in|Manhattan|.\nStars|Matthew|Perry|and|Elizabeth|Hurley|illicit|more|than|a|chuckle|,|and|more|jokes|land|than|crash|,|but|ultimately|Serving|Sara|does|n't|distinguish|itself|from|the|herd|.\nIt|'s|best|to|avoid|imprisonment|with|the|dull|,|nerdy|folks|that|inhabit|Cherish|.\nCulkin|exudes|none|of|the|charm|or|charisma|that|might|keep|a|more|general|audience|even|vaguely|interested|in|his|bratty|character|.\nIn|the|end|,|Ted|Bundy|'s|only|justification|is|the|director|'s|common|but|unexplored|fascination|with|the|frustrated|maniac|;|there|'s|no|larger|point|,|and|little|social|context|.\n...|(|like|)|channel|surfing|between|the|Discovery|Channel|and|a|late-night|made-for-cable|action|movie|.\nA|movie|that|,|rather|than|skip|along|the|Seine|,|more|or|less|slogs|its|way|through|soggy|Paris|,|tongue|uncomfortably|in|cheek|.\nShot|perhaps|`|artistically|'|with|handheld|cameras|and|apparently|no|movie|lights|by|Joaquin|Baca-Asay|,|the|low-budget|production|swings|annoyingly|between|vertigo|and|opacity|.\nImagine|a|really|bad|community|theater|production|of|West|Side|Story|without|the|songs|.\nSoul|is|what|'s|lacking|in|every|character|in|this|movie|and|,|subsequently|,|the|movie|itself|.\nA|one-trick|pony|whose|few|T&A|bits|still|ca|n't|save|itself|from|being|unoriginal|,|unfunny|and|unrecommendable|.\nThe|worst|kind|of|independent|;|the|one|where|actors|play|dress|down|hicks|and|ponderously|mope|around|trying|to|strike|lightning|as|captured|by|their|1970s|predecessors\nIt|may|be|a|prize|winner|,|but|Teacher|is|a|bomb|.\nThe|production|values|are|up|there|.\nThe|use|of|CGI|and|digital|ink-and-paint|make|the|thing|look|really|slick|.\nThe|voices|are|fine|as|well|.\nThe|problem|,|it|is|with|most|of|these|things|,|is|the|script|.\nIt|'s|got|its|heart|in|the|right|place|,|but|it|also|wilts|after|awhile|.\nProves|that|a|movie|about|goodness|is|not|the|same|thing|as|a|good|movie|.\nWell|,|it|does|go|on|forever|.\nThis|overproduced|and|generally|disappointing|effort|is|n't|likely|to|rouse|the|Rush|Hour|crowd|.\nTopkapi|this|is|not|.\nIf|Shayamalan|wanted|to|tell|a|story|about|a|man|who|loses|his|faith|,|why|did|n't|he|just|do|it|,|instead|of|using|bad|sci-fi|as|window|dressing|?\nEthan|Hawke|has|always|fancied|himself|the|bastard|child|of|the|Beatnik|generation|and|it|'s|all|over|his|Chelsea|Walls|.\nEqual|parts|bodice-ripper|and|plodding|costume|drama|.\nI|'m|not|suggesting|that|you|actually|see|it|,|unless|you|'re|the|kind|of|person|who|has|seen|every|Wim|Wenders|film|of|the|'70s|.\nWhile|the|film|misfires|at|every|level|,|the|biggest|downside|is|the|paucity|of|laughter|in|what|'s|supposed|to|be|a|comedy|.\nIf|you|liked|the|1982|film|then|,|you|'ll|still|like|it|now|.\nA|93-minute|condensation|of|a|26-episode|TV|series|,|with|all|of|the|pitfalls|of|such|you|'d|expect|.\nGuillen|rarely|gets|beneath|the|surface|of|things|.\nShe|lists|ingredients|,|but|never|mixes|and|stirs|.\nAudiences|can|be|expected|to|suspend|their|disbelief|only|so|far|--|and|that|does|not|include|the|5|o'clock|shadow|on|the|tall|wooden|kid|as|he|skips|off|to|school|.\nTo|imagine|the|life|of|Harry|Potter|as|a|martial|arts|adventure|told|by|a|lobotomized|Woody|Allen|is|to|have|some|idea|of|the|fate|that|lies|in|store|for|moviegoers|lured|to|the|mediocrity|that|is|Kung|Pow|:|Enter|the|Fist|.\nIt|delivers|some|chills|and|sustained|unease|,|but|flounders|in|its|quest|for|Deeper|Meaning|.\nCredibility|levels|are|low|and|character|development|a|non-starter|.\nI|would|have|preferred|a|transfer|down|the|hall|to|Mr.|Holland|'s|class|for|the|music|,|or|to|Robin|Williams|'s|lecture|so|I|could|listen|to|a|teacher|with|humor|,|passion|,|and|verve|.\nFor|the|most|part|,|the|ingredients|are|there|.\nBut|an|unwillingness|to|explore|beyond|the|surfaces|of|her|characters|prevents|Nettelbeck|'s|film|from|coming|together|.\nAn|earnest|,|heartrending|look|at|the|divide|between|religious|fundamentalists|and|their|gay|relatives|.\nIt|'s|also|heavy-handed|and|devotes|too|much|time|to|bigoted|views|.\nA|mawkish|,|implausible|platonic|romance|that|makes|Chaplin|'s|City|Lights|seem|dispassionate|by|comparison|.\nYes|,|one|enjoys|seeing|Joan|grow|from|awkward|young|woman|to|strong|,|determined|monarch|,|but|her|love|for|the|philandering|Philip|only|diminishes|her|stature|.\nIt|'s|a|film|that|hinges|on|its|casting|,|and|Glover|really|does|n't|fit|the|part|.\nThis|is|a|throwaway|,|junk-food|movie|whose|rap|soundtrack|was|better|tended|to|than|the|film|itself|.\n...|with|the|candy-like|taste|of|it|fading|faster|than|25-cent|bubble|gum|,|I|realized|this|is|a|throwaway|movie|that|wo|n't|stand|the|test|of|time|.\nIt|'s|a|trifle|.\nLiterally|nothing|in|The|Pool|is|new|,|but|if|you|grew|up|on|the|stalker|flicks|of|the|1980|'s|this|one|should|appease|you|for|90|minutes|.\nArguably|the|year|'s|silliest|and|most|incoherent|movie|.\nAnyway|,|for|one|reason|or|another|,|Crush|turns|into|a|dire|drama|partway|through|.\nAfter|that|,|it|just|gets|stupid|and|maudlin|.\nToo|bad|,|but|thanks|to|some|lovely|comedic|moments|and|several|fine|performances|,|it|'s|not|a|total|loss|.\nChao|was|Chen|Kaige|'s|assistant|for|years|in|China|.\nHe|has|not|learnt|that|storytelling|is|what|the|movies|are|about|.\nA|mixed|bag|of|a|comedy|that|ca|n't|really|be|described|as|out|of|this|world|.\nThe|film|is|a|travesty|of|the|genre|and|even|as|spoof|takes|itself|too|seriously|.\nMarries|the|amateurishness|of|The|Blair|Witch|Project|with|the|illogic|of|Series|7|:|The|Contenders|to|create|a|completely|crass|and|forgettable|movie|.\nThe|Piano|Teacher|is|the|sort|of|movie|that|discourages|American|audiences|from|ever|wanting|to|see|another|foreign|film|.\nIf|it|'s|another|regurgitated|action|movie|you|'re|after|,|there|'s|no|better|film|than|Half|Past|Dead|.\nSo|what|is|the|point|?\nLovingly|choreographed|bloodshed|taking|place|in|a|pristine|movie|neverland|,|basically|.\nThis|is|junk|food|cinema|at|its|greasiest|.\nWhen|it|'s|all|wet|,|Blue|Crush|is|highly|enjoyable|.\nWhen|it|'s|on|dry|land|,|though|,|this|surfer-girl|melodrama|starts|gasping|like|a|beached|grouper|.\nMost|new|movies|have|a|bright|sheen|.\nSome|,|like|Ballistic|,|arrive|stillborn|...|looking|like|the|beaten|,|well-worn|video|box|cover|of|seven|years|into|the|future|.\nThe|story|is|naturally|poignant|,|but|first-time|screenwriter|Paul|Pender|overloads|it|with|sugary|bits|of|business|.\nYou|see|Robert|De|Niro|singing|-|and|dancing|to|-|West|Side|Story|show|tunes|.\nChoose|your|reaction|:|A.|)|That|sure|is|funny|!\nB.|)|That|sure|is|pathetic|!\nA|sermonizing|and|lifeless|paean|to|teenage|dullards|.\nThis|dramatically|shaky|contest|of|wills|only|reiterates|the|old|Hollywood|saw|:|Evil|is|interesting|and|good|is|boring|.\nBefore|long|,|the|film|starts|playing|like|General|Hospital|crossed|with|a|Saturday|Night|Live|spoof|of|Dog|Day|Afternoon|.\nThe|charms|of|willful|eccentricity|,|at|least|as|evidenced|by|this|latest|cinematic|essay|,|are|beginning|to|wear|a|bit|thin|.\nInstead|of|accurately|accounting|a|terrible|true|story|,|the|film|'s|more|determined|to|become|the|next|Texas|Chainsaw|Massacre|.\nBut|what|about|the|countless|other|people|who|'d|merely|like|to|watch|a|solid|tale|about|a|universally|interesting|soul|?\nA|silly|,|self-indulgent|film|about|a|silly|,|self-indulgent|filmmaker|.\nScarlet|Diva|has|a|voyeuristic|tug|,|but|all|in|all|it|'s|a|lot|less|sensational|than|it|wants|to|be|.\nThe|character|is|too|forced|and|overwritten|to|be|funny|or|believable|much|of|the|time|,|and|Clayburgh|does|n't|always|improve|the|over-the-top|mix|.\nFlashy|,|pretentious|and|as|impenetrable|as|Morvern|'s|thick|,|working-class|Scottish|accent|.\nA|battle|between|bug-eye|theatre|and|dead-eye|matinee|.\nThe|movie|is|virtually|without|context|--|journalistic|or|historical|.\nWhat|'s|worse|is|that|Pelosi|knows|it|.\n...|instead|go|rent|``|Shakes|The|Clown|''|,|a|much|funnier|film|with|a|similar|theme|and|an|equally|great|Robin|Williams|performance|.\nLame|,|haphazard|teen|comedy|.\nIt|'s|the|kind|of|movie|that|ends|up|festooning|U.S.|art|house|screens|for|no|reason|other|than|the|fact|that|it|'s|in|French|(|well|,|mostly|)|with|English|subtitles|and|is|magically|`|significant|'|because|of|that|.\nThis|miserable|excuse|of|a|movie|runs|on|empty|,|believing|Flatbush|machismo|will|get|it|through|.\nExpect|to|be|reminded|of|other|,|better|films|,|especially|Seven|,|which|director|William|Malone|slavishly|copies|.\nNair|stuffs|the|film|with|dancing|,|henna|,|ornamentation|,|and|group|song|,|but|her|narrative|clichés|and|telegraphed|episodes|smell|of|old|soap|opera|.\nIt|'s|getting|harder|and|harder|to|ignore|the|fact|that|Hollywood|is|n't|laughing|with|us|,|folks|.\nIt|'s|laughing|at|us|.\nMight|have|been|better|off|as|a|documentary|,|with|less|of|Mr.|Eyre|'s|uninspired|dramatics|and|more|of|his|sense|of|observation|and|outrage|.\nEvery|good|actor|needs|to|do|his|or|her|own|Hamlet|.\nFor|Benigni|it|was|n't|Shakespeare|whom|he|wanted|to|define|his|career|with|but|Pinocchio|.\nIt|might|as|well|have|been|Problem|Child|IV|.\nArnold|'s|jump|from|little|screen|to|big|will|leave|frowns|on|more|than|a|few|faces|.\nBoth|awful|and|appealing|.\nThe|lack|of|opposing|viewpoints|soon|grows|tiresome|--|the|film|feels|more|like|a|series|of|toasts|at|a|testimonial|dinner|than|a|documentary|.\nNothing|plot-wise|is|worth|e-mailing|home|about|.\nWe|are|left|with|a|superficial|snapshot|that|,|however|engaging|,|is|insufficiently|enlightening|and|inviting|.\nHelmer|DeVito|...|attempts|to|do|too|many|things|in|this|story|about|ethics|,|payola|,|vice|,|murder|,|kids|'|TV|and|revenge|.\nIt|would|n't|be|my|preferred|way|of|spending|100|minutes|or|$|7.00|.\nI|hated|every|minute|of|it|.\n(|T|)|hose|same|extremes|prevent|us|from|taking|its|message|seriously|,|and|the|Stepford|Wives|mentality|does|n't|work|in|a|modern|context|.\nObvious|politics|and|rudimentary|animation|reduce|the|chances|that|the|appeal|of|Hey|Arnold|!\nThe|Movie|will|reach|far|beyond|its|core|demographic|.\nThere|'s|no|mistaking|the|fact|that|this|hybrid|misses|the|impact|of|the|Disney|classic|,|and|even|that|of|the|excellent|1934|MGM|version|.\nA|simple|,|sometimes|maddeningly|slow|film|that|has|just|enough|charm|and|good|acting|to|make|it|interesting|,|but|is|ultimately|pulled|under|by|the|pacing|and|lack|of|creativity|within|.\nRoger|Michell|,|who|did|an|appealing|job|directing|Persuasion|and|Notting|Hill|in|England|,|gets|too|artsy|in|his|American|debut|.\nThere|is|an|almost|poignant|dimension|to|the|way|that|every|major|stunt|Seagal|'s|character|...|performs|is|shot|from|behind|,|as|if|it|could|fool|us|into|thinking|that|we|'re|not|watching|a|double|.\nAnthony|Hopkins|?\nBig|deal|!\nWe|'ve|already|seen|the|prequel|to|The|Silence|of|the|Lambs|and|Hannibal|--|and|it|was|better|the|first|time|.\nOstensibly|celebrates|middle-aged|girl|power|,|even|as|it|presents|friendship|between|women|as|pathetic|,|dysfunctional|and|destructive|.\nIf|this|is|an|example|of|the|type|of|project|that|Robert|Redford|'s|lab|is|willing|to|lend|its|imprimatur|to|,|then|perhaps|it|'s|time|to|rethink|independent|films|.\nPumpkin|sits|in|a|patch|somewhere|between|mirthless|Todd|Solondzian|satire|and|callow|student|film|.\nNot|so|much|funny|as|aggressively|sitcom-cute|,|it|'s|full|of|throwaway|one-liners|,|not-quite|jokes|,|and|a|determined|TV|amiability|that|Allen|personifies|.\nIt|'s|not|that|Waiting|For|Happiness|is|a|bad|film|,|because|it|is|n't|.\nIt|'s|just|incredibly|dull|.\nThe|sad|thing|about|Knockaround|Guys|is|its|lame|aspiration|for|grasping|the|coolness|vibes|when|in|fact|the|film|is|n't|as|flippant|or|slick|as|it|thinks|it|is|.\nA|cumbersome|and|cliche-ridden|movie|greased|with|every|emotional|device|known|to|man|.\nDirector|Ferzan|Ozpetek|creates|an|interesting|dynamic|with|the|members|of|this|group|,|who|live|in|the|same|apartment|building|.\nBut|he|loses|his|focus|when|he|concentrates|on|any|single|person|.\nEgoyan|'s|movie|is|too|complicated|to|sustain|involvement|,|and|,|if|you|'ll|excuse|a|little|critical|heresy|,|too|intellectually|ambitious|.\nIt|wants|to|be|thought|of|as|a|subversive|little|indie|film|,|but|it|has|all|the|qualities|of|a|modern|situation|comedy|.\nDespite|apparent|motives|to|the|contrary|,|it|ends|up|being|,|like|(|Seinfeld|'s|)|revered|TV|show|,|about|pretty|much|nothing|.\nShadyac|shoots|his|film|like|an|M.|Night|Shyamalan|movie|,|and|he|frequently|maintains|the|same|snail|'s|pace|;|he|just|forgot|to|add|any|genuine|tension|.\nPlays|less|like|a|coming-of-age|romance|than|an|infomercial|.\nThere|are|a|few|laughs|and|clever|sight|gags|scattered|about|,|but|not|enough|to|make|this|anything|more|than|another|big-budget|bust|.\nThe|story|'s|so|preposterous|that|I|did|n't|believe|it|for|a|second|,|despite|the|best|efforts|of|everyone|involved|.\nI|'ve|heard|that|the|fans|of|the|first|Men|in|Black|have|come|away|hating|the|second|one|.\nI|wonder|why|.\nThey|felt|like|the|same|movie|to|me|.\nDespite|her|relentless|vim|and|winsome|facial|symmetry|,|Witherspoon|is|just|too|dialed-up|to|be|America|'s|Sweetheart|.\nAn|ultra-low-budget|indie|debut|that|smacks|more|of|good|intentions|than|talent|.\nBirot|is|a|competent|enough|filmmaker|,|but|her|story|has|nothing|fresh|or|very|exciting|about|it|.\nDe|Niro|and|McDormand|give|solid|performances|,|but|their|screen|time|is|sabotaged|by|the|story|'s|inability|to|create|interest|.\nEven|those|of|a|single|digit|age|will|be|able|to|recognize|that|this|story|is|too|goofy|...|even|for|Disney|.\nThat|is|essentially|what|'s|missing|from|Blackboards|--|the|sense|of|something|bigger|,|some|ultimate|point|.\nA|compendium|of|Solondz|'s|own|worst|instincts|in|under|90|minutes|.\nIf|the|title|is|a|Jeopardy|question|,|then|the|answer|might|be|``|How|does|Steven|Seagal|come|across|these|days|?|''\nor|maybe|``|How|will|you|feel|after|an|88-minute|rip-off|of|The|Rock|with|action|confined|to|slo-mo|gun|firing|and|random|glass-shattering|?|''\nIt|is|a|comedy|that|'s|not|very|funny|and|an|action|movie|that|is|not|very|thrilling|(|and|an|uneasy|alliance|,|at|that|)|.\nThe|story|is|familiar|from|its|many|predecessors|;|like|them|,|it|eventually|culminates|in|the|not-exactly|-|stunning|insight|that|crime|does|n't|pay|.\nYou|'ll|have|more|fun|setting|fire|to|yourself|in|the|parking|lot|.\nYou|'ll|be|more|entertained|getting|hit|by|a|bus|.\nDissing|a|Bond|movie|is|quite|like|calling|a|dog|stupid|,|but|when|it|has|the|temerity|to|run|over|two|hours|,|you|feel|like|winding|up|with|a|kick|.\nRitchie|'s|treatment|of|the|class|reversal|is|majorly|ham-fisted|,|from|the|repetitive|manifestos|that|keep|getting|thrown|in|people|'s|faces|to|the|fact|Amber|is|such|a|joke|.\nFlat|,|but|with|a|revelatory|performance|by|Michelle|Williams|.\nLittle|more|than|a|frothy|vanity|project|.\nThe|film|goes|from|being|an|unusual|sci-fi|character|study|to|a|chase|flick|that|detracts|from|its|ending|.\nVerbinski|substitutes|atmosphere|for|action|,|tedium|for|thrills|.\nFor|all|its|surface|frenzy|,|High|Crimes|should|be|charged|with|loitering|--|so|much|on|view|,|so|little|to|offer|.\nThe|Sum|of|All|Fears|is|almost|impossible|to|follow|--|and|there|'s|something|cringe-inducing|about|seeing|an|American|football|stadium|nuked|as|pop|entertainment|.\nAlex|Nohe|'s|documentary|plays|like|a|travelogue|for|what|mostly|resembles|a|real-life|,|big-budget|NC-17|version|of|Tank|Girl|.\nThe|title|Trapped|turns|out|to|be|a|pretty|fair|description|of|how|you|feel|while|you|'re|watching|this|ultra-manipulative|thriller|.\nThe|appeal|of|the|vulgar|,|sexist|,|racist|humour|went|over|my|head|or|--|considering|just|how|low|brow|it|is|--|perhaps|it|snuck|under|my|feet|.\nThe|story|really|has|no|place|to|go|since|Simone|is|not|real|--|she|ca|n't|provide|any|conflict|.\nIHOPs|do|n't|pile|on|this|much|syrup|.\nFor|the|most|part|,|I|Spy|was|an|amusing|lark|that|will|probably|rank|as|one|of|Murphy|'s|better|performances|in|one|of|his|lesser-praised|movies|.\nfocuses|on|Joan|'s|raging|hormones|and|sledgehammers|the|audience|with|Spanish|inquisitions|about|her|``|madness|''|so|much|that|I|became|mad|that|I|wasted|123|minutes|and|$|9.50|on|this|21st|century|torture|device|.\nThis|series|should|have|died|long|ago|,|but|they|keep|bringing|it|back|another|day|as|punishment|for|paying|money|to|see|the|last|James|Bond|movie|.\nA|bit|of|an|unwieldy|mess|.\nWith|a|story|as|bizarre|and|mysterious|as|this|,|you|do|n't|want|to|be|worrying|about|whether|the|ineffectual|Broomfield|is|going|to|have|the|courage|to|knock|on|that|door|.\nThe|filmmakers|juggle|and|juxtapose|three|story|lines|but|fail|to|come|up|with|one|cogent|point|,|unless|it|'s|that|life|stinks|,|especially|for|sensitive|married|women|who|really|love|other|women|.\nThe|movie|feels|like|it|'s|going|to|be|great|,|and|it|carries|on|feeling|that|way|for|a|long|time|,|but|takeoff|just|never|happens|.\nA|gimmick|in|search|of|a|movie|:|how|to|get|Carvey|into|as|many|silly|costumes|and|deliver|as|many|silly|voices|as|possible|,|plot|mechanics|be|damned|.\n...|the|last|time|I|saw|a|theater|full|of|people|constantly|checking|their|watches|was|during|my|SATs|.\n...|fifty|minutes|of|tedious|adolescent|melodramatics|followed|by|thirty-five|minutes|of|inflated|nonsense|.\n...|lacks|the|punch|and|verve|needed|to|make|this|genre|soar|.\nIt|'s|often|faintly|amusing|,|but|the|problems|of|the|characters|never|become|important|to|us|,|and|the|story|never|takes|hold|.\nIt|'s|tough|,|astringent|,|darkly|funny|and|...|well|,|it|'s|also|generic|,|untidy|,|condescending|and|mild|of|impact|rather|than|stunning|.\nLargely|a|for-fans|artifact|.\nThere|'s|no|denying|the|elaborateness|of|the|artist|'s|conceptions|,|nor|his|ability|to|depict|them|with|outrageous|elan|,|but|really|the|whole|series|is|so|much|pretentious|nonsense|,|lavishly|praised|by|those|who|equate|obscurity|with|profundity|.\nCharacters|wander|into|predictably|treacherous|situations|even|though|they|should|know|better|.\nThere|'s|plenty|of|style|in|Guillermo|Del|Toro|'s|sequel|to|the|1998|hit|but|why|do|we|need|117|minutes|to|tell|a|tale|that|simply|ca|n't|sustain|more|than|90|minutes|.\n(|I|)|f|you|'ve|been|to|more|than|one|indie|flick|in|your|life|,|chances|are|you|'ve|already|seen|this|kind|of|thing|.\nFirst-time|director|João|Pedro|Rodrigues|'|unwillingness|to|define|his|hero|'s|background|or|motivations|becomes|more|and|more|frustrating|as|the|film|goes|on|.\nNo|reason|for|anyone|to|invest|their|hard-earned|bucks|into|a|movie|which|obviously|did|n't|invest|much|into|itself|either|.\nA|strong|first|quarter|,|slightly|less|so|second|quarter|,|and|average|second|half|.\nA|boring|,|wincingly|cute|and|nauseatingly|politically|correct|cartoon|guaranteed|to|drive|anyone|much|over|age|4|screaming|from|the|theater|.\nThe|vampire|thriller|Blade|II|starts|off|as|a|wild|hoot|and|then|sucks|the|blood|out|of|its|fun|--|toward|the|end|,|you|can|feel|your|veins|cringing|from|the|workout|.\nWhen|the|first|few|villians|are|introduced|as|``|Spider|''|and|``|Snake|''|you|know|you|'re|in|for|a|real|winner|,|creativity|at|its|peak|.\nAn|Afterschool|Special|without|the|courage|of|its|convictions|.\nThe|final|result|makes|for|adequate|entertainment|,|I|suppose|,|but|anyone|who|has|seen|Chicago|on|stage|will|leave|the|theater|feeling|they|'ve|watched|nothing|but|a|pale|imitation|of|the|real|deal|.\n(|Director|)|Byler|may|yet|have|a|great|movie|in|him|,|but|Charlotte|Sometimes|is|only|half|of|one|.\nSo|few|movies|explore|religion|that|it|'s|disappointing|to|see|one|reduce|it|to|an|idea|that|fits|in|a|sampler|.\nIt|'s|also|clear|from|the|start|that|The|Transporter|is|running|purely|on|adrenaline|,|and|once|the|initial|high|wears|off|,|the|film|'s|shortcomings|start|to|shine|through|.\nWatching|it|is|rather|like|viewing|a|long|soap|opera|in|which|only|the|first|episode|was|any|good|.\nIt|'s|fun|,|but|a|psychological|mess|,|with|Austin|Powers|bumping|his|head|on|the|way|out|of|the|closet|.\nThere|are|touching|moments|in|Etoiles|,|but|for|the|most|part|this|is|a|dull|,|dour|documentary|on|what|ought|to|be|a|joyful|or|at|least|fascinating|subject|.\nCould|the|whole|plan|here|have|been|to|produce|something|that|makes|Fatal|Attraction|look|like|a|classic|by|comparison|?\nThat|'s|the|only|sane|rationale|I|can|think|of|for|Swimfan|'s|existence|.\nI|did|n't|laugh|at|the|ongoing|efforts|of|Cube|,|and|his|skinny|buddy|Mike|Epps|,|to|make|like|Laurel|and|Hardy|'n|the|hood|.\nThe|only|way|this|supernatural|snore-fest|could|give|anyone|a|case|of|the|frights|is|if|they|were|put|to|sleep|by|the|movie|and|had|a|nightmare|.\nI|wonder|what|the|reaction|of|Israelis|will|be|to|this|supposedly|evenhanded|presentation|.\nThe|film|would|work|much|better|as|a|video|installation|in|a|museum|,|where|viewers|would|be|free|to|leave|.\nImmediately|.\nHuman|Nature|initially|succeeds|by|allowing|itself|to|go|crazy|,|but|ultimately|fails|by|spinning|out|of|control|.\n(|It|'s|)|a|prison|soccer|movie|starring|charismatic|tough|guy|Vinnie|Jones|,|but|it|had|too|much|spitting|for|me|to|enjoy|.\nNot|even|the|Hanson|Brothers|can|save|it\nThe|thriller|side|of|this|movie|is|falling|flat|,|as|the|stalker|does|n't|do|much|stalking|,|and|no|cop|or|lawyer|grasps|the|concept|of|actually|investigating|the|case|.\n...|(|a|)|strained|comedy|that|jettisons|all|opportunities|for|Rock|to|make|his|mark|by|serving|up|the|usual|chaotic|nonsense|.\nA|sour|,|nasty|offering|.\nFeels|like|one|of|those|contrived|,|only-in|-|Hollywood|productions|where|name|actors|deliver|big|performances|created|for|the|sole|purpose|of|generating|Oscar|talk|.\nObstacles|are|too|easily|overcome|and|there|is|n't|much|in|the|way|of|character|development|in|the|script|.\nIt|tells|more|than|it|shows|.\nEarnest|falls|short|of|its|Ideal|predecessor|largely|due|to|Parker|'s|ill-advised|meddling|with|the|timeless|source|material|.\nThe|film|might|have|been|more|satisfying|if|it|had|,|in|fact|,|been|fleshed|out|a|little|more|instead|of|going|for|easy|smiles|.\nPretentious|editing|ruins|a|potentially|terrific|flick|.\nNot|every|animated|film|from|Disney|will|become|a|classic|,|but|forgive|me|if|I|'ve|come|to|expect|more|from|this|studio|than|some|79-minute|after-school|``|cartoon|''|.\nDo|not|,|under|any|circumstances|,|consider|taking|a|child|younger|than|middle|school|age|to|this|wallow|in|crude|humor|.\nNothing|debases|a|concept|comedy|quite|like|the|grinding|of|bad|ideas|,|and|Showtime|is|crammed|full|of|them|.\nMuch-anticipated|and|ultimately|lackluster|movie|.\nThis|is|really|just|another|genre|picture|.\nEach|story|on|its|own|could|have|been|expanded|and|worked|into|a|compelling|single|feature|,|but|in|its|current|incarnation|,|Storytelling|never|quite|gets|over|its|rather|lopsided|conception|.\nWilliam|Shatner|,|as|a|pompous|professor|,|is|the|sole|bright|spot|...\nA|trite|psychological|thriller|designed|to|keep|the|audience|guessing|and|guessing|--|which|is|not|to|be|confused|with|suspecting|--|until|it|comes|time|to|wrap|things|up|and|send|the|viewers|home|.\nNeither|funny|nor|suspenseful|nor|particularly|well-drawn|.\nActing|,|particularly|by|Tambor|,|almost|makes|``|Never|Again|''|worthwhile|,|but|(|writer\\/director|)|Schaeffer|should|follow|his|titular|advice\nBoth|stars|manage|to|be|funny|,|but|,|like|the|recent|I|Spy|,|the|star|chemistry|begs|the|question|of|whether|random|gags|add|up|to|a|movie|.\n``|Collateral|Damage|''|goes|by|the|numbers|and|reps|decent|action|entertainment|--|until|the|silly|showdown|ending|that|forces|the|viewer|to|totally|suspend|disbelief\n`|Enigma|'|is|a|good|name|for|a|movie|this|delibrately|obtuse|and|unapproachable|.\nA|waste|of|good|performances|.\nA|dreary|,|incoherent|,|self-indulgent|mess|of|a|movie|in|which|a|bunch|of|pompous|windbags|drone|on|inanely|for|two|hours|...|a|cacophony|of|pretentious|,|meaningless|prattle|.\nI|kept|thinking|over|and|over|again|,|'|I|should|be|enjoying|this|.|'\nBut|I|was|n't|.\nAs|conceived|by|Mr.|Schaeffer|,|Christopher|and|Grace|are|little|more|than|collections|of|quirky|traits|lifted|from|a|screenwriter|'s|outline|and|thrown|at|actors|charged|with|the|impossible|task|of|making|them|jell|.\nLike|so|many|other|allegedly|scary|movies|,|it|gets|so|tangled|up|in|The|Twist|that|it|chokes|the|energy|right|out|of|the|very|audience|it|seeks|to|frighten|.\nThe|essential|problem|in|Orange|County|is|that|,|having|created|an|unusually|vivid|set|of|characters|worthy|of|its|strong|cast|,|the|film|flounders|when|it|comes|to|giving|them|something|to|do|.\nJust|like|Hearst|'s|enormous|yacht|,|it|'s|slow|and|unwieldy|and|takes|a|long|time|to|reach|its|destination|.\nThere|is|not|a|character|in|the|movie|with|a|shred|of|plausibility|,|not|an|event|that|is|believable|,|not|a|confrontation|that|is|not|staged|,|not|a|moment|that|is|not|false|.\nWhere|last|time|jokes|flowed|out|of|Cho|'s|life|story|,|which|provided|an|engrossing|dramatic|through|line|,|here|the|comedian|hides|behind|obviously|constructed|routines|.\nWhy|come|up|with|something|even|quasi-original|,|when|you|can|pillage|from|Shirley|Jackson|,|Richard|Matheson|...|and|puke|up|something|like|ROSE|RED|?\nA|broadly|played|,|lowbrow|comedy|in|which|the|cast|delivers|mildly|amusing|performances|and|no|farm|animals|were|injured|by|any|of|the|gags|.\n...|too|gory|to|be|a|comedy|and|too|silly|to|be|an|effective|horror|film|.\nLacks|heart|,|depth|and|,|most|of|all|,|purpose|.\nThough|a|bit|of|a|patchwork|in|script|and|production|,|a|glossy|,|rich|green|,|environment|almost|makes|the|picture|work|.\nperfectly|enjoyable|,|instantly|forgettable|,|nothing|to|write|home|about|.\nWasabi|is|slight|fare|indeed|,|with|the|entire|project|having|the|feel|of|something|tossed|off|quickly|(|like|one|of|Hubert|'s|punches|)|,|but|it|should|go|down|smoothly|enough|with|popcorn|.\nSomehow|both|wildly|implausible|and|strangely|conventional|.\nThis|ill-fitting|Tuxedo|is|strictly|off-the-rack|.\nThe|premise|is|in|extremely|bad|taste|,|and|the|film|'s|supposed|insights|are|so|poorly|thought-out|and|substance-free|that|even|a|high|school|senior|taking|his|or|her|first|psychology|class|could|dismiss|them|.\nSets|up|a|nice|concept|for|its|fiftysomething|leading|ladies|,|but|fails|loudly|in|execution|.\nKidman|is|really|the|only|thing|that|'s|worth|watching|in|Birthday|Girl|,|a|film|by|the|stage-trained|Jez|Butterworth|(|Mojo|)|that|serves|as|yet|another|example|of|the|sad|decline|of|British|comedies|in|the|post-Full|Monty|world|.\nImagine|the|James|Woods|character|from|Videodrome|making|a|home|movie|of|Audrey|Rose|and|showing|it|to|the|kid|from|The|Sixth|Sense|and|you|'ve|imagined|The|Ring|.\nThis|time|Kaufman|'s|imagination|has|failed|him|.\nAn|intermittently|pleasing|but|mostly|routine|effort|.\nIt|becomes|gimmicky|instead|of|compelling|.\n``|Interview|''|loses|its|overall|sense|of|mystery|and|becomes|a|TV|episode|rather|than|a|documentary|that|you|actually|buy|into|.\n`|Unfaithful|'|cheats|on|itself|and|retreats|to|comfortable|territory|.\nToo|bad|.\nFrenetic|but|not|really|funny|.\nTaken|individually|or|collectively|,|the|stories|never|add|up|to|as|much|as|they|promise|.\nIf|you|'re|not|a|prepubescent|girl|,|you|'ll|be|laughing|at|Britney|Spears|'|movie-starring|debut|whenever|it|does|n't|have|you|impatiently|squinting|at|your|watch|.\nA|didactic|and|dull|documentary|glorifying|software|anarchy|.\nSluggishly|directed|by|episodic|TV|veteran|Joe|Zwick|,|it|'s|a|sitcom|without|the|snap-crackle|.\nYou|could|nap|for|an|hour|and|not|miss|a|thing|.\nDirector|Clare|Kilner|'s|debut|is|never|as|daft|as|it|should|have|been|.\nNew|Best|Friend|should|n't|have|gone|straight|to|video|;|it|should|have|gone|straight|to|a|Mystery|Science|Theater|3000|video|.\nWallace|seems|less|like|he|'s|been|burning|to|tell|a|war|story|than|he|'s|been|itching|to|somehow|tack|one|together\nThe|thrill|is|(|long|)|gone|.\nBegan|life|as|a|computer|game|,|then|morphed|into|a|movie|--|a|bad|one|,|of|course|.\nPart|comedy|,|part|drama|,|the|movie|winds|up|accomplishing|neither|in|full|,|and|leaves|us|feeling|touched|and|amused|by|several|moments|and|ideas|,|but|nevertheless|dissatisfied|with|the|movie|as|a|whole|.\nGodawful|boring|slug|of|a|movie|.\nDull|,|if|not|devoid|of|wit|,|this|shaggy|dog|longs|to|frisk|through|the|back|alleys|of|history|,|but|scarcely|manages|more|than|a|modest|,|snoozy|charm|.\nScene-by-scene|,|things|happen|,|but|you|'d|be|hard-pressed|to|say|what|or|why|.\n...|an|unimaginative|,|nasty|,|glibly|cynical|piece|of|work|.\nIt|is|,|by|conventional|standards|,|a|fairly|terrible|movie|...|but|it|is|also|weirdly|fascinating|,|a|ready-made|Eurotrash|cult|object|.\nIt|is|also|,|at|times|,|curiously|moving|.\nThe|tug-of-war|at|the|core|of|Beijing|Bicycle|becomes|weighed|down|with|agonizing|contrivances|,|overheated|pathos|and|long|,|wistful|gazes|.\nVile|and|tacky|are|the|two|best|adjectives|to|describe|Ghost|Ship|.\nSome|decent|actors|inflict|big|damage|upon|their|reputations|.\nBeing|author|Wells|'|great-grandson|,|you|'d|think|filmmaker|Simon|Wells|would|have|more|reverence|for|the|material|.\nBut|this|costly|dud|is|a|far|cry|from|either|the|book|or|the|beloved|film|.\nOffensive|in|the|way|it|exploits|the|hot-button|issue|of|domestic|abuse|for|cheap|thrills|and|disgusting|in|the|manner|it|repeatedly|puts|a|small|child|in|jeopardy|,|treating|her|as|little|more|than|a|prop|to|be|cruelly|tormented|.\nMark|me|down|as|a|non-believer|in|werewolf|films|that|are|not|serious|and|rely|on|stupidity|as|a|substitute|for|humor|.\nThoughtless|,|random|,|superficial|humour|and|a|lot|of|very|bad|Scouse|accents\nAspires|for|the|piquant|but|only|really|achieves|a|sort|of|ridiculous|sourness|.\nAccuracy|and|realism|are|terrific|,|but|if|your|film|becomes|boring|,|and|your|dialogue|is|n't|smart|,|then|you|need|to|use|more|poetic|license|.\nFor|all|its|highfalutin|title|and|corkscrew|narrative|,|the|movie|turns|out|to|be|not|much|more|than|a|shaggy|human|tale|.\nA|soggy|,|cliche-bound|epic-horror|yarn|that|ends|up|being|even|dumber|than|its|title|.\nOne|groan-inducing|familiarity|begets|another|.\nAlthough|based|on|a|real-life|person|,|John|,|in|the|movie|,|is|a|rather|dull|person|to|be|stuck|with|for|two|hours|.\nGreat|story|,|bad|idea|for|a|movie|.\nWith|Spy|Kids|2|:|The|Island|of|Lost|Dreams|writer\\/director\\/producer|Robert|Rodriguez|has|cobbled|together|a|film|that|feels|like|a|sugar|high|gone|awry|.\nThere|is|no|entry|portal|in|The|Rules|of|Attraction|,|and|I|spent|most|of|the|movie|feeling|depressed|by|the|shallow|,|selfish|,|greedy|characters|.\nIt|'s|hard|to|tell|with|all|the|crashing|and|banging|where|the|salesmanship|ends|and|the|movie|begins|.\n``|My|god|,|I|'m|behaving|like|an|idiot|!|''\nYes|,|you|are|,|Ben|Kingsley|.\nA|dreadful|live-action|movie|.\nDivertingly|ridiculous|,|headbangingly|noisy|.\nAn|earnest|racial-issues|picture|that|might|have|gotten|respectful|critical|praise|in|a|different|era|--|say|,|the|'60s|.\nA|hideous|,|confusing|spectacle|,|one|that|may|well|put|the|nail|in|the|coffin|of|any|future|Rice|adaptations|.\nAll|I|can|say|is|fuhgeddaboutit|.\nBetween|bedroom|scenes|,|viewers|may|find|themselves|wishing|they|could|roll|over|and|take|a|nap|.\nIf|you|collected|all|the|moments|of|coherent|dialogue|,|they|still|would|n't|add|up|to|the|time|required|to|boil|a|four|-|minute|egg|.\nDespite|all|the|talking|,|by|the|time|the|bloody|climax|arrives|we|still|do|n't|feel|enough|of|an|attachment|to|these|guys|to|care|one|way|or|another|.\nEvery|bit|as|bogus|as|most|Disney|live|action|family|movies|are|--|no|real|plot|,|no|real|conflict|,|no|real|point|.\nA|sensual|performance|from|Abbass|buoys|the|flimsy|story|,|but|her|inner|journey|is|largely|unexplored|and|we|'re|left|wondering|about|this|exotic-looking|woman|whose|emotional|depths|are|only|hinted|at|.\nNever|engaging|,|utterly|predictable|and|completely|void|of|anything|remotely|interesting|or|suspenseful|.\nSpousal|abuse|is|a|major|problem|in|contemporary|society|,|but|the|film|reduces|this|domestic|tragedy|to|florid|melodrama|.\nOedekerk|wrote|Patch|Adams|,|for|which|he|should|not|be|forgiven|.\nWhy|he|was|given|free|reign|over|this|project|--|he|wrote|,|directed|,|starred|and|produced|--|is|beyond|me|.\nThe|creaking|,|rusty|ship|makes|a|fine|backdrop|,|but|the|ghosts|'|haunting|is|routine|.\nWhatever|Eyre|'s|failings|as|a|dramatist|,|he|deserves|credit|for|bringing|audiences|into|this|hard|and|bitter|place|.\nScotland|,|PA.|blurs|the|line|between|black|comedy|and|black|hole|.\nIt|tries|too|hard|,|and|overreaches|the|logic|of|its|own|world|.\nThe|whole|damn|thing|is|ripe|for|the|Jerry|Springer|crowd|.\nIt|'s|all|pretty|cynical|and|condescending|,|too|.\nI|cry|for|I|Spy|--|or|I|would|if|this|latest|and|laziest|imaginable|of|all|vintage-TV|spinoffs|were|capable|of|engendering|an|emotional|response|of|any|kind|.\nA|boring|,|formulaic|mix|of|serial|killers|and|stalk|'n'|slash|.\nWhat|you|would|end|up|with|if|you|took|Orwell|,|Bradbury|,|Kafka|,|George|Lucas|and|the|Wachowski|Brothers|and|threw|them|into|a|blender|.\nBut|that|'s|just|the|problem|with|it|-|the|director|has|n't|added|enough|of|his|own|ingredients|.\nWith|recent|tensions|rekindled|by|the|Kathleen|Soliah|trial|and|the|upcoming|trial|of|SLA|members|Emily|and|William|Harris|,|not|to|mention|Sept.|11|,|its|difficult|these|days|to|appreciate|Fire|'s|bright|side|.\nFlaunts|its|quirky|excesses|like|a|New|Year|'s|Eve|drunk|sporting|a|paper|party|hat|.\nWrithing|under|dialogue|like|`|You|'re|from|two|different|worlds|'|and|`|Tonight|the|maid|is|a|lie|and|this|,|this|is|who|you|are|,|'|this|schlock-filled|fairy|tale|hits|new|depths|of|unoriginality|and|predictability|.\n...|too|slow|,|too|boring|,|and|occasionally|annoying|.\nIs|there|enough|material|to|merit|a|documentary|on|the|making|of|Wilco|'s|last|album|?\nFaultlessly|professional|but|finally|slight|.\nSchmaltzy|and|unfunny|,|Adam|Sandler|'s|cartoon|about|Hanukkah|is|numbingly|bad|,|Little|Nicky|bad|,|10|Worst|List|bad|.\nIt|'s|really|yet|another|anemic|and|formulaic|Lethal|Weapon-derived|buddy-cop|movie|,|trying|to|pass|off|its|lack|of|imagination|as|hip|knowingness|.\nScotland|,|Pa.|is|a|strangely|drab|romp|.\nSome|studio|pizazz|might|have|helped|.\nWhen|Perry|fists|a|bull|at|the|Moore|Farm|,|it|'s|only|a|matter|of|time|before|he|gets|the|upper|hand|in|matters|of|the|heart|.\nThere|'s|more|scatological|action|in|8|Crazy|Nights|than|a|proctologist|is|apt|to|encounter|in|an|entire|career|.\nToo|loud|,|too|long|and|too|frantic|by|half|,|Die|Another|Day|suggests|that|the|Bond|franchise|has|run|into|a|creative|wall|that|007|can|not|fly|over|,|tunnel|under|or|barrel|through|.\nThe|cartoon|is|about|as|true|to|the|spirit|of|the|Festival|of|Lights|as|Mr.|Deeds|was|to|that|of|Frank|Capra|.\n...|the|sum|of|the|parts|equals|largely|a|confused|mediocrity|.\nThe|tone|shifts|abruptly|from|tense|to|celebratory|to|soppy|.\nIf|we|do|n't|demand|a|standard|of|quality|for|the|art|that|we|choose|,|we|deserve|the|trash|that|we|get|.\nA|modest|and|messy|metaphysical|thriller|offering|more|questions|than|answers|.\nJulia|is|played|with|exasperating|blandness|by|Laura|Regan|.\nMorrissette|'s|script|and|direction|show|a|fair|amount|of|intelligence|and|wit|--|but|it|does|n't|signify|a|whole|lot|either|.\nThere|'s|suspension|of|disbelief|and|then|there|'s|bad|screenwriting|...|this|film|packs|a|wallop|of|the|latter|.\nAll|Ms.|Jovovich|,|as|the|sanctified|heroine|,|has|to|do|is|look|radiant|,|grimly|purposeful|and|mildly|alarmed|while|forcing|open|doors|,|wielding|wrenches|and|fleeing|monsters|.\nMocking|kung|fu|pictures|when|they|were|a|staple|of|exploitation|theater|programming|was|witty|.\nMocking|them|now|is|an|exercise|in|pointlessness|.\nThis|is|a|particularly|toxic|little|bonbon|,|palatable|to|only|a|chosen|and|very|jaundiced|few|.\nThis|is|n't|just|the|CliffsNotes|version|of|Nicholas|Nickleby|,|it|'s|the|CliffsNotes|with|pages|missing|.\nConsidering|the|harsh|locations|and|demanding|stunts|,|this|must|have|been|a|difficult|shoot|,|but|the|movie|proves|rough|going|for|the|audience|as|well|.\nBetter|at|putting|you|to|sleep|than|a|sound|machine|.\nSo|clichéd|that|,|at|one|point|,|they|literally|upset|an|apple|cart|.\nIt|'s|a|decent|glimpse|into|a|time|period|,|and|an|outcast|,|that|is|no|longer|accessible|,|but|it|does|n't|necessarily|shed|more|light|on|its|subject|than|the|popular|predecessor|.\nIt|might|be|the|first|sci-fi|comedy|that|could|benefit|from|a|Three|'s|Company-style|laugh|track|.\nWhen|the|plot|kicks|in|,|the|film|loses|credibility|.\nCredibility|sinks|into|a|mire|of|sentiment|.\nThe|movie|takes|itself|too|seriously|and|,|as|a|result|,|it|makes|for|only|intermittent|fun|.\n(|Davis|)|has|a|bright|,|chipper|style|that|keeps|things|moving|,|while|never|quite|managing|to|connect|her|wish-fulfilling|characters|to|the|human|race|.\nDoes|n't|amount|to|much|of|anything|.\nBullock|'s|complete|lack|of|focus|and|ability|quickly|derails|the|film\nSo|stupid|,|so|ill-conceived|,|so|badly|drawn|,|it|created|whole|new|levels|of|ugly|.\nThe|truth|is|that|The|Truth|About|Charlie|gets|increasingly|tiresome|.\nEnduring|love|but|exhausting|cinema|.\nSome|of|Seagal|'s|action|pictures|are|guilty|pleasures|,|but|this|one|is|so|formulaic|that|it|seems|to|be|on|auto-pilot|.\nA|ponderous|meditation|on|love|that|feels|significantly|longer|than|its|relatively|scant|97|minutes|.\nA|long-winded|and|stagy|session|of|romantic|contrivances|that|never|really|gels|like|the|shrewd|feminist|fairy|tale|it|could|have|been|.\nA|little|too|pat|for|its|own|good|.\nThere|are|films|that|try|the|patience|of|even|the|most|cinema-besotted|critic|--|and|this|was|one|of|them|.\nWatching|Trouble|Every|Day|,|at|least|if|you|do|n't|know|what|'s|coming|,|is|like|biting|into|what|looks|like|a|juicy|,|delicious|plum|on|a|hot|summer|day|and|coming|away|with|your|mouth|full|of|rotten|pulp|and|living|worms|.\nWell-intentioned|though|it|may|be|,|its|soap-opera|morality|tales|have|the|antiseptic|,|preprogrammed|feel|of|an|after-school|special|.\nWhat|would|Jesus|do|if|He|was|a|film|director|?\nHe|'d|create|a|movie|better|than|this|.\nWhen|a|set|of|pre-shooting|guidelines|a|director|came|up|with|for|his|actors|turns|out|to|be|cleverer|,|better|written|and|of|considerable|more|interest|than|the|finished|film|,|that|'s|a|bad|sign|.\nA|very|bad|sign|.\nIt|'s|a|deeply|serious|movie|that|cares|passionately|about|its|subject|,|but|too|often|becomes|ponderous|in|its|teaching|of|history|,|or|lost|in|the|intricate|connections|and|multiple|timelines|of|its|story|.\nCa|n't|kick|about|the|assembled|talent|and|the|Russos|show|genuine|promise|as|comic|filmmakers|.\nStill|,|this|thing|feels|flimsy|and|ephemeral|.\nDiane|Lane|shines|in|Unfaithful|.\nAlmost|everything|else|is|wan|.\nI|'m|afraid|you|wo|n't|get|through|this|frankly|fantastical|by-the-numbers|B-flick|with|just|a|suspension|of|disbelief|.\nRather|,|you|'ll|have|to|wrestle|disbelief|to|the|ground|and|then|apply|the|chloroform-soaked|handkerchief|.\nSo|relentlessly|wholesome|it|made|me|want|to|swipe|something|.\nThe|title|helpfully|offers|the|most|succinct|review|of|it|you|'ll|read|anywhere|.\nThe|makers|of|Divine|Secrets|of|the|Ya-Ya|Sisterhood|should|offer|a|free|ticket|(|second|prize|,|of|course|,|two|free|tickets|)|to|anyone|who|can|locate|a|genuinely|honest|moment|in|their|movie|.\nGod|help|the|poor|woman|if|Attal|is|this|insecure|in|real|life|:|his|fictional|Yvan|'s|neuroses|are|aggravating|enough|to|exhaust|the|patience|of|even|the|most|understanding|spouse|.\nLet|'s|cut|to|the|consumer-advice|bottom|line|:|Stay|home|.\nUndercover|Brother|does|n't|go|far|enough|.\nIt|'s|just|a|silly|black|genre|spoof|.\nThe|film|'s|implicit|premise|is|that|the|faith|of|the|Tonga|people|is|in|every|way|inferior|to|that|of|John|.\nRates|an|`|E|'|for|effort|--|and|a|`|B|'|for|boring|.\nYou|'ve|already|seen|Heartbreak|if|you|'ve|watched|the|far|superior|Nurse|Betty|or|Sunset|Boulevard|.\nEven|the|unwatchable|Soapdish|is|more|original|.\nPlays|like|one|of|those|conversations|that|Comic|Book|Guy|on|``|The|Simpsons|''|has|.\nA|journey|that|'s|too|random|and|inconclusive|to|be|compelling|,|but|which|Hoffman|'s|brilliance|almost|makes|worth|taking|.\nThe|movie|bounces|all|over|the|map|.\nBut|buying|into|sham|truths|and|routine|``|indie|''|filmmaking|,|Freundlich|has|made|just|another|safe|movie|.\nIt|'s|not|horrible|,|just|horribly|mediocre|.\nNot|always|too|whimsical|for|its|own|good|(|but|enough|to|do|harm|)|,|this|strange|hybrid|of|crime|thriller|,|quirky|character|study|,|third-rate|romance|and|female|empowerment|fantasy|never|really|finds|the|tonal|or|thematic|glue|it|needs|.\n``|Juwanna|Mann|?|''\nNo|thanks|.\nWewannour|money|back|,|actually|.\nIt|'s|a|sometimes|interesting|remake|that|does|n't|compare|to|the|brilliant|original|.\nYou|'re|too|conscious|of|the|effort|it|takes|to|be|this|spontaneous|.\nFeel|bad|for|King|,|who|'s|honestly|trying|,|and|Schwartzman|,|who|'s|shot|himself|in|the|foot|.\nSome|actors|steal|scenes|.\nTom|Green|just|gives|them|a|bad|odor|.\nThis|self-infatuated|goofball|is|far|from|the|only|thing|wrong|with|the|clumsy|comedy|Stealing|Harvard|,|but|he|'s|the|most|obvious|one|.\nSometimes|,|fond|memories|should|stay|in|the|past|:|a|lesson|this|film|teaches|all|too|well|.\nThe|enormous|comic|potential|of|an|oafish|idiot|impersonating|an|aristocrat|remains|sadly|unrealized|.\nBegins|as|a|promising|meditation|on|one|of|America|'s|most|durable|obsessions|but|winds|up|as|a|slender|cinematic|stunt|.\nA|monster|combat|thriller|as|impersonal|in|its|relentlessness|as|the|videogame|series|that|inspired|it|.\nProof|that|a|thriller|can|be|sleekly|shot|,|expertly|cast|,|paced|with|crisp|professionalism|...|and|still|be|a|letdown|if|its|twists|and|turns|hold|no|more|surprise|than|yesterday|'s|weather|report|.\nThe|reason|we|keep|seeing|the|same|movie|with|roughly|the|same|people|every|year|is|because|so|many|of|us|keep|going|and|then|,|out|of|embarrassment|or|stupidity|,|not|warning|anyone|.\nThere|'s|not|much|going|on|in|this|movie|unless|you|simply|decide|to|buy|into|the|notion|that|something|inexplicably|strange|once|happened|in|Point|Pleasant|.\nIn|the|second|half|of|the|film|,|Frei|'s|control|loosens|in|direct|proportion|to|the|amount|of|screen|time|he|gives|Nachtwey|for|self-analysis|.\nDirector|Barry|Skolnick|and|his|screenwriters|glibly|tick|off|every|point|of|``|The|Longest|Yard|''|playbook|like|a|checklist|.\nThe|furious|coherence|that|(|DeNiro|)|brings|to|this|part|only|underscores|the|fuzzy|sentimentality|of|the|movie|itself|,|which|feels|,|as|it|plods|toward|the|end|,|less|like|a|movie|than|like|the|filmed|reading|of|a|script|in|need|of|polishing|.\nOh|,|it|'s|extreme|,|all|right|.\nExtremely|dumb|.\nExtremely|confusing|.\nExtremely|boring|.\nWe|never|really|feel|involved|with|the|story|,|as|all|of|its|ideas|remain|just|that|:|abstract|ideas|.\nFor|a|shoot|-|'em|-|up|,|Ballistic|is|oddly|lifeless|.\nOne|minute|,|you|think|you|'re|watching|a|serious|actioner|;|the|next|,|it|'s|as|though|clips|from|The|Pink|Panther|Strikes|Again|and\\/or|Sailor|Moon|have|been|spliced|in|.\nWhat|happened|with|Pluto|Nash|?\nHow|did|it|ever|get|made|?\nWe|may|never|think|of|band|camp|as|a|geeky|or|nerdy|thing|again|.\nOpens|as|promising|as|any|war\\/adventure|film|you|'ll|ever|see|and|dissolves|into|a|routine|courtroom|drama|,|better|suited|for|a|movie|titled|``|Glory|:|A|Soldier|'s|Story|.|''\nThe|result|is|solemn|and|horrifying|,|yet|strangely|detached|.\nThese|spiders|can|outrun|a|motorcycle|and|wrap|a|person|in|a|sticky|cocoon|in|seconds|,|but|they|fall|short|of|being|interesting|or|entertaining|.\nA|long|slog|for|anyone|but|the|most|committed|Pokemon|fan|.\nMatthew|McConaughey|tries|,|and|fails|,|to|control|the|screen|with|swaggering|machismo|and|over-the-top|lunacy|.\nHow|on|earth|,|or|anywhere|else|,|did|director|Ron|Underwood|manage|to|blow|$|100|million|on|this|?\nEveryone|connected|to|this|movie|seems|to|be|part|of|an|insider|clique|,|which|tends|to|breed|formulaic|films|rather|than|fresh|ones|.\nWith|a|story|inspired|by|the|tumultuous|surroundings|of|Los|Angeles|,|where|feelings|of|marginalization|loom|for|every|dreamer|with|a|burst|bubble|,|The|Dogwalker|has|a|few|characters|and|ideas|,|but|it|never|manages|to|put|them|on|the|same|path|.\nIts|lack|of|quality|earns|it|a|place|alongside|those|other|two|recent|Dumas|botch-jobs|,|The|Man|in|the|Iron|Mask|and|The|Musketeer|.\nA|benign|but|forgettable|sci-fi|diversion|.\nThe|plot|grinds|on|with|yawn-provoking|dullness|.\nIt|'s|never|a|good|sign|when|a|film|'s|star|spends|the|entirety|of|the|film|in|a|coma|.\nIt|'s|a|worse|sign|when|you|begin|to|envy|her|condition|.\nIt|does|n't|help|that|the|director|and|cinematographer|Stephen|Kazmierski|shoot|on|grungy|video|,|giving|the|whole|thing|a|dirty|,|tasteless|feel|.\nDesperately|unfunny|when|it|tries|to|makes|us|laugh|and|desperately|unsuspenseful|when|it|tries|to|make|us|jump|out|of|our|seats|.\nThis|film|'s|relationship|to|actual|tension|is|the|same|as|what|Christmas-tree|flocking|in|a|spray|can|is|to|actual|snow|:|a|poor|--|if|durable|--|imitation|.\nJohn|McTiernan|'s|botched|remake|may|be|subtler|than|Norman|Jewison|'s|1975|ultraviolent|futuristic|corporate-sports|saga|.\nIt|'s|also|stupider|.\nDirector|Dirk|Shafer|and|co-writer|Greg|Hinton|ride|the|dubious|divide|where|gay|porn|reaches|for|serious|drama|.\nBorrows|from|so|many|literary|and|cinematic|sources|that|this|future|world|feels|absolutely|deja|vu|.\nAs|(|the|characters|)|get|more|depressed|,|the|story|gets|more|tiresome|,|especially|as|it|continues|to|mount|a|conspicuous|effort|to|be|profound|.\nThe|acting|by|the|over-25s|lacks|spark|,|with|Csokas|particularly|unconnected|.\nThough|Howard|demonstrates|a|great|eye|as|a|director|,|this|Southern|Gothic|drama|is|sadly|a|tough|sit|,|with|an|undeveloped|narrative|and|enough|flashbacks|and|heavy-handed|metaphors|to|choke|a|horse|--|or|at|least|slow|him|down|to|a|canter|.\nFalters|when|it|takes|itself|too|seriously|and|when|it|depends|too|heavily|on|its|otherwise|talented|cast|to|clown|in|situations|that|are|n't|funny|.\nThe|fight|scenes|are|fun|,|but|it|grows|tedious|.\nAnyone|who|can|count|to|five|(|the|film|'s|target|market|?|)\ncan|see|where|this|dumbed-down|concoction|is|going|.\nAll|this|turns|out|to|be|neither|funny|nor|provocative|-|only|dull|.\nDemme|'s|loose|approach|kills|the|suspense|.\nThis|idea|has|lost|its|originality|...|and|neither|star|appears|very|excited|at|rehashing|what|was|basically|a|one-joke|picture|.\n(|Plays|)|in|broad|outline|as|pandering|middle-age|buddy-comedy|.\nThe|film|is|itself|a|sort|of|cinematic|high|crime|,|one|that|brings|military|courtroom|dramas|down|very|,|very|low|.\nNothing|more|than|a|mediocre|trifle|.\nA|turgid|little|history|lesson|,|humourless|and|dull|.\nToo|silly|to|be|frightening|,|too|stolid|to|be|funny|,|it|projects|the|same|lazy|affability|as|its|nominal|star|,|David|Arquette|.\nIf|Kaufman|kept|Cameron|Diaz|a|prisoner|in|a|cage|with|her|ape|,|in|his|latest|,|he|'d|have|them|mate|.\nTrivial|where|it|should|be|profound|,|and|hyper-cliched|where|it|should|be|sincere|.\nIt|would|be|hard|to|think|of|a|recent|movie|that|has|worked|this|hard|to|achieve|this|little|fun|.\nTheology|aside|,|why|put|someone|who|ultimately|does|n't|learn|at|the|center|of|a|kids|'|story|?\nAll|that|(|Powerpuff|Girls|)|charm|is|present|in|the|movie|,|but|it|'s|spread|too|thin|.\nSometimes|smart|but|more|often|sophomoric|.\nThe|ill-conceived|modern-day|ending|falls|flat|where|it|should|deliver|a|moral|punch|.\nCollateral|Damage|is|,|despite|its|alleged|provocation|post-9|\\/|11|,|an|antique|,|in|the|end|.\nAs|are|its|star|,|its|attitude|and|its|obliviousness|.\nDawdles|and|drags|when|it|should|pop|;|it|does|n't|even|have|the|virtue|of|enough|mindless|violence|to|break|up|the|tedium|of|all|its|generational|bonding|.\nIts|save-the-planet|message|clashes|with|its|crass|marketing|.\nA|great|idea|becomes|a|not-great|movie|.\n...|watching|this|film|nearly|provoked|me|to|take|my|own|life|.\nAnd|if|The|Hours|wins|`|Best|Picture|'|I|just|might|.\nBy|the|end|,|I|was|looking|for|something|hard|with|which|to|bludgeon|myself|unconscious|.\nNot|a|movie|but|a|live-action|agitprop|cartoon|so|shameless|and|coarse|,|it|'s|almost|funny|.\nFeels|like|six|different|movies|fighting|each|other|for|attention|.\nLife|is|a|crock|--|or|something|like|it|.\nMade|by|jackasses|for|jackasses|.\nDespite|a|powerful|portrayal|by|Binoche|,|it|'s|a|period|romance|that|suffers|from|an|overly|deliberate|pace|and|uneven|narrative|momentum|.\nThe|picture|is|a|primer|on|what|happens|when|lack|of|know-how|mixes|with|lack|of|give-a-damn|.\nBartleby|is|a|one-joke|movie|,|and|a|bad|joke|at|that|.\nGiven|that|both|movies|expect|us|to|root|for|convicted|violent|felons|over|those|assigned|to|protect|us|from|same|,|we|need|every|bit|of|sympathy|the|cons|can|muster|;|this|time|,|there|is|n't|much|.\nA|bravura|exercise|in|emptiness|.\nPhilip|K.|Dick|must|be|turning|in|his|grave|,|along|with|my|stomach|.\nDespite|the|premise|of|a|good|story|...|it|wastes|all|its|star|power|on|cliched|or|meaningless|roles|.\nAll|prints|of|this|film|should|be|sent|to|and|buried|on|Pluto|.\nNot|only|does|the|movie|fail|to|make|us|part|of|its|reality|,|it|fails|the|most|basic|relevancy|test|as|well|.\nFirst|good|,|then|bothersome|.\nExcellent|acting|and|direction|.\nThis|goofy|gangster|yarn|never|really|elevates|itself|from|being|yet|another|earnestly|generic|crime-busting|comic|vehicle|--|a|well-intentioned|remake|that|shows|some|spunk|and|promise|but|fails|to|register|as|anything|distinctive|or|daring\nIt|'s|difficult|to|say|whether|The|Tuxedo|is|more|boring|or|embarrassing|--|I|'m|prepared|to|call|it|a|draw|.\nEven|as|lame|horror|flicks|go|,|this|is|lame|.\nSo|routine|,|familiar|and|predictable|,|it|raises|the|possibility|that|it|wrote|itself|as|a|newly|automated|Final|Draft|computer|program|.\nSunshine|State|lacks|the|kind|of|dynamic|that|Limbo|offers|,|and|in|some|ways|is|a|rather|indulgent|piece|.\nEven|legends|like|Alfred|Hitchcock|and|John|Huston|occasionally|directed|trifles|...|so|it|'s|no|surprise|to|see|a|world-class|filmmaker|like|Zhang|Yimou|behind|the|camera|for|a|yarn|that|'s|ultimately|rather|inconsequential|.\nA|long-winded|,|predictable|scenario|.\nToo|close|to|Phantom|Menace|for|comfort|.\nAlthough|trying|to|balance|self-referential|humor|and|a|normal|ol'|slasher|plot|seemed|like|a|decent|endeavor|,|the|result|does|n't|fully|satisfy|either|the|die-hard|Jason|fans|or|those|who|can|take|a|good|joke|.\nToo|clunky|and|too|busy|ribbing|itself|to|be|truly|entertaining|.\nThis|movie|is|about|lying|,|cheating|,|but|loving|the|friends|you|betray|.\nIt|smacks|of|purely|commercial|motivation|,|with|no|great|love|for|the|original|.\nMelanie|eventually|slugs|the|Yankee|.\nToo|bad|the|former|Murphy|Brown|does|n't|pop|Reese|back|.\nAt|the|bottom|rung|of|the|series|'|entries|.\nA|real|clunker|.\nA|well-made|,|thoughtful|,|well-acted|clunker|,|but|a|clunker|nonetheless|.\nA|dreary|rip-off|of|Goodfellas|that|serves|as|a|muddled|and|offensive|cautionary|tale|for|Hispanic|Americans|.\nThe|picture|,|scored|by|a|perversely|cheerful|Marcus|Miller|accordion\\/harmonica\\/banjo|abomination|,|is|a|monument|to|bad|in|all|its|florid|variety|.\nGood|for|a|few|unintentional|laughs|,|``|Extreme|Ops|''|was|obviously|made|for|the|``|XXX|''|crowd|,|people|who|enjoy|mindless|action|without|the|benefit|of|decent|acting|,|writing|,|and|direction|.\n...|a|big|,|baggy|,|sprawling|carnival|of|a|movie|,|stretching|out|before|us|with|little|rhyme|or|reason|.\nA|frustrating|combination|of|strained|humor|and|heavy-handed|sentimentality|.\nLawrence|preaches|strictly|to|the|converted|.\nAs|written|by|Michael|Berg|and|Michael|J.|Wilson|from|a|story|by|Wilson|,|this|relentless|,|all-wise-guys-all-the-time|approach|tries|way|too|hard|and|gets|tiring|in|no|time|at|all|.\nWill|probably|stay|in|the|shadow|of|its|two|older|,|more|accessible|Qatsi|siblings|.\nJust|when|the|movie|seems|confident|enough|to|handle|subtlety|,|it|dives|into|soapy|bathos|.\nChoppy|editing|and|too|many|repetitive|scenes|spoil|what|could|have|been|an|important|documentary|about|stand-up|comedy|.\n...|the|film|falls|back|on|the|same|old|formula|of|teen|sex|,|outrageous|pranks|and|scenes|designed|to|push|the|envelope|of|bad|taste|for|laughs|.\nThe|only|thing|in|Pauline|and|Paulette|that|you|have|n't|seen|before|is|a|scene|featuring|a|football|field-sized|Oriental|rug|crafted|out|of|millions|of|vibrant|flowers|.\nIf|you|'re|looking|for|comedy|to|be|served|up|,|better|look|elsewhere|.\nIt|virtually|defines|a|comedy|that|'s|strongly|mediocre|,|with|funny|bits|surfacing|every|once|in|a|while|.\nAn|instant|candidate|for|worst|movie|of|the|year|.\nDespite|its|title|,|Amy|'s|Orgasm|is|not|a|porno|,|though|it|is|as|tedious|as|one|.\nLike|a|tone-deaf|singer|at|a|benefit|concert|,|John|Q.|is|a|bad|movie|appearing|on|behalf|of|a|good|cause|.\nAdam|Sandler|is|to|Gary|Cooper|what|a|gnat|is|to|a|racehorse|.\nWhat|kids|will|discover|is|a|new|collectible|.\nWhat|parents|will|suspect|is|that|they|'re|watching|a|76-minute|commercial|.\nBeers|,|who|,|when|she|'s|given|the|right|lines|,|can|charm|the|paint|off|the|wall|...|(|but|)|the|script|goes|wrong|at|several|key|junctures|.\nWithout|September|11|,|Collateral|Damage|would|have|been|just|another|bad|movie|.\nNow|it|'s|a|bad|,|embarrassing|movie|.\nDrags|along|in|a|dazed|and|enervated|,|drenched-in-the|-|past|numbness|.\nThere|'s|a|disturbing|`|Great|White|Hope|'|undertone|to|The|Other|Side|of|Heaven|that|subtly|undermines|its|message|of|Christian|love|and|compassion|.\nUnless|you|are|in|dire|need|of|a|Diesel|fix|,|there|is|no|real|reason|to|see|it|.\nWait|for|video|--|and|then|do|n't|rent|it|.\nThe|attempt|is|courageous|,|even|if|the|result|is|wildly|uneven|.\nThere|'s|something|fundamental|missing|from|this|story|:|something|or|someone|to|care|about|.\nToo|much|of|this|well-acted|but|dangerously|slow|thriller|feels|like|a|preamble|to|a|bigger|,|more|complicated|story|,|one|that|never|materializes|.\nWhen|a|film|is|created|SOLELY|because|it|'s|a|marketable|product|,|soulless|and|ugly|movies|like|this|are|the|result|.\nLet|your|silly|childhood|nostalgia|slumber|unmolested|.\nUnfortunately|,|Heartbreak|Hospital|wants|to|convey|the|same|kind|of|haughtiness|in|its|own|sketchy|material|but|this|territory|has|already|been|explored|previously|with|better|aplomb|and|sardonic|wit|.\nThe|more|Kevin|Costner|rests|on|his|pretty-boy|laurels|,|the|public|is|,|regrettably|,|going|to|have|tepid|films|like|Dragonfly|tossed|at|them|.\n(|It|'s|)|difficult|to|get|beyond|the|overall|blandness|of|American|Chai|,|despite|its|likable|performances|and|refreshingly|naive|point|of|view|.\nThe|latest|installment|in|the|Pokemon|canon|,|Pokemon|4ever|is|surprising|less|moldy|and|trite|than|the|last|two|,|likely|because|much|of|the|Japanese|anime|is|set|in|a|scenic|forest|where|Pokemon|graze|in|peace|.\nTaken|purely|as|an|exercise|in|style|,|this|oppressively|gloomy|techno-horror|clambake|is|impossible|to|ignore|.\nBut|as|a|movie|,|it|'s|a|humorless|,|disjointed|mess|.\nIf|Myers|decides|to|make|another|Austin|Powers|movie|,|maybe|he|should|just|stick|with|Austin|and|Dr|Evil|.\nThe|backyard|battles|you|staged|with|your|green|plastic|army|men|were|more|exciting|and|almost|certainly|made|more|sense|.\nToo|stupid|to|be|satire|,|too|obviously|hateful|to|be|classified|otherwise|,|Frank|Novak|'s|irritating|slice|of|lumpen|life|is|as|reliably|soul-killing|as|its|title|is|nearly|meaningless|.\nOverly|stylized|with|lots|of|flash|black|-|&|-|white|freeze|frames|reminiscent|of|a|pseudo-hip|luxury|car|commercial|,|(|it|'s|)|at|its|worst|when|it|'s|actually|inside|the|ring|.\nWhat|is|captured|during|the|conceptual|process|does|n't|add|up|to|a|sufficient|explanation|of|what|the|final|dance|work|,|The|Selection|,|became|in|its|final|form|.\nIf|this|is|satire|,|it|'s|the|smug|and|self-congratulatory|kind|that|lets|the|audience|completely|off|the|hook|.\nHad|the|film|boasted|a|clearer|,|more|memorable|,|the|creepiness|would|have|gotten|under|the|skin|.\nThese|people|would|n't|know|subtle|characterization|if|it|put|on|a|giant|furry|monster|costume|and|then|gave|them|a|lapdance|.\nImagine|if|you|will|a|Tony|Hawk|skating|video|interspliced|with|footage|from|Behind|Enemy|Lines|and|set|to|Jersey|shore|techno|.\nIt|does|n't|quite|work|,|but|there|'s|enough|here|to|make|us|look|forward|to|the|Russos|'|next|offering|.\nAny|film|featuring|young|children|threatened|by|a|terrorist|bomb|can|no|longer|pass|as|mere|entertainment|.\nThe|director|'s|twitchy|sketchbook|style|and|adroit|perspective|shifts|grow|wearisome|amid|leaden|pacing|and|indifferent|craftsmanship|(|most|notably|wretched|sound|design|)|.\nAbout|as|satisfying|and|predictable|as|the|fare|at|your|local|drive|through|.\nApparently|kissing|leads|to|suicide|attempts|and|tragic|deaths|.\nMarisa|Tomei|is|good|,|but|Just|A|Kiss|is|just|a|mess|.\nOpens|at|a|funeral|,|ends|on|the|protagonist|'s|death|bed|and|does|n't|get|much|livelier|in|the|three|hours|in|between|.\nThe|noble|tradition|of|men|in|drag|hits|an|all-time|low|in|Sorority|Boys|,|whose|makers|apparently|believe|that|women|'s|clothing|can|cover|up|any|deficiency|in|acting|,|writing|or|direction|.\nTo|portray|modern|women|the|way|director|Davis|has|done|is|just|unthinkable|.\nToo|simple|for|its|own|good|.\nFlaccid|drama|and|exasperatingly|slow|journey|.\nA|chaotic|panorama|that|'s|too|busy|flying|a|lot|of|metaphoric|flags|.\nSuffers|from|rambling|,|repetitive|dialogue|and|the|visual|drabness|endemic|to|digital|video|.\nThe|screenplay|sabotages|the|movie|'s|strengths|at|almost|every|juncture|.\nAll|the|characters|are|stereotypes|,|and|their|interaction|is|numbingly|predictable|.\nA|trashy|,|exploitative|,|thoroughly|unpleasant|experience|.\nNewcomer|helmer|Kevin|Donovan|is|hamstrung|by|a|badly|handled|screenplay|of|what|is|really|an|amusing|concept|--|a|high-tech|tux|that|transforms|its|wearer|into|a|superman|.\nShould|n't|have|been|allowed|to|use|the|word|``|new|''|in|its|title|,|because|there|'s|not|an|original|character|,|siuation|or|joke|in|the|entire|movie|.\nOften|silly|--|and|gross|--|but|it|'s|rarely|as|moronic|as|some|campus|gross-out|films|.\nThe|advantage|of|a|postapocalyptic|setting|is|that|it|can|be|made|on|the|cheap|.\nAny|rock|pile|will|do|for|a|set|.\nReign|of|Fire|has|the|disadvantage|of|also|looking|cheap|.\nThe|performances|are|so|leaden|,|Michael|Rymer|'s|direction|is|so|bloodless|and|the|dialogue|is|so|corny|that|the|audience|laughs|out|loud|.\nA|subtle|variation|on|I|Spit|On|Your|Grave|in|which|our|purported|heroine|pathologically|avenges|a|hatred|for|men|.\nReggio|'s|trippy|,|ambitious|downer|can|also|sometimes|come|across|like|nothing|more|than|a|glorified|Nike|ad|.\nAs|Tweedy|talks|about|canning|his|stockbroker|and|repairing|his|pool|,|you|yearn|for|a|few|airborne|TV|sets|or|nude|groupies|on|the|nod|to|liven|things|up|.\nIf|somebody|was|bored|and|...|decided|to|make|a|dull|,|pretentious|version|of|Jesus|'|Son|,|they|'d|come|up|with|something|like|Bart|Freundlich|'s|World|Traveler|.\nThe|best|you|can|say|about|it|is|it|'s|so|uninspired|,|it|barely|gives|one|pause|when|considering|some|of|the|other|dreck|out|there|right|now|.\nA|tough|go|,|but|Leigh|'s|depth|and|rigor|,|and|his|skill|at|inspiring|accomplished|portrayals|that|are|all|the|more|impressive|for|their|lack|of|showiness|,|offsets|to|a|notable|degree|the|film|'s|often-mined|and|despairing|milieu|.\nAn|overstuffed|compendium|of|teen-Catholic-movie|dogma|.\nToo|leisurely|paced|and|visually|drab|for|its|own|good|,|it|succeeds|in|being|only|sporadically|amusing|.\nBen|Affleck|as|Jack|Ryan|,|Tom|Clancy|'s|intrepid|hero|?\nRidiculous|.\nWhat|'s|next|?\nD.J.|Qualls|as|Indiana|Jones|?\nOr|Tom|Green|as|Han|Solo|?\nThe|movie|'s|biggest|offense|is|its|complete|and|utter|lack|of|tension|.\nThe|film|is|directed|by|Wally|Wolodarsky|from|a|script|by|Joe|Jarvis|and|Greg|Coolidge|.\nThese|are|names|to|remember|,|in|order|to|avoid|them|in|the|future|.\nIf|this|is|the|resurrection|of|the|Halloween|franchise|,|it|would|have|been|better|off|dead|.\nThis|formulaic|chiller|will|do|little|to|boost|Stallone|'s|career|.\nI|saw|Knockaround|Guys|yesterday|,|and|already|the|details|have|faded|like|photographs|from|the|Spanish-American|War|...|It|'s|so|unmemorable|that|it|turned|my|ballpoint|notes|to|invisible|ink|.\nThough|Avary|has|done|his|best|to|make|something|out|of|Ellis|'|nothing|novel|,|in|the|end|,|his|Rules|is|barely|worth|following|.\nThe|average|local|news|columnist|has|a|bigger|rant|on|the|war|between|modern|landscape|architecture|and|small-town|America|.\nNo|worse|than|a|lot|of|the|crap|we|'ve|been|offered|this|summer|,|and|slightly|better|than|Men|in|Black|2|as|far|as|slapdash|extraterrestrial|comedies|go|.\nThe|plot|is|so|predictable|and|sentimental|that|viewers|are|likely|to|lose|interest|before|Sandrine|and|her|goats|walk|off|into|the|sunset|.\nAt|first|,|the|sight|of|a|blind|man|directing|a|film|is|hilarious|,|but|as|the|film|goes|on|,|the|joke|wears|thin|.\nNever|Again|swings|between|false|sentiment|and|unfunny|madcap|comedy|and|,|along|the|way|,|expects|the|audience|to|invest|in|the|central|relationship|as|some|kind|of|marriage|of|true|minds|.\nthe|story|itself|is|uninteresting|,|and|the|songs|are|painfully|undistinguished|:|They|Might|Be|Giants|'|So|to|Be|One|of|Us|may|be|the|most|tuneless|tune|ever|composed|.\nTechnically|,|the|film|is|about|as|interesting|as|an|insurance|commercial|.\nThe|title|'s|lameness|should|clue|you|in|on|how|bad|the|movie|is|.\nThe|parts|are|better|than|the|whole|(|bizarre|,|funny|,|tragic|-|like|love|in|New|York|)|.\nWhile|the|film|shuns|the|glamour|or|glitz|that|an|American|movie|might|demand|,|Scherfig|tosses|us|a|romantic|scenario|that|is|just|as|simplistic|as|a|Hollywood|production|.\nThe|humor|is|hinged|on|the|belief|that|knees|in|the|crotch|,|elbows|in|the|face|and|spit|in|the|eye|are|inherently|funny|.\nIt|'s|a|movie|forged|in|the|fires|of|Chick|Flick|Hell|.\nIts|characters|are|thinner|than|cardboard|--|or|even|comic-book|paper|.\nAny|one|episode|of|The|Sopranos|would|send|this|ill-conceived|folly|to|sleep|with|the|fishes|.\nFeels|like|the|grittiest|movie|that|was|ever|made|for|the|Lifetime|cable|television|network|.\nLanie|'s|professional|success|means|she|must|be|a|failure|at|life|,|because|she|'s|driven|by|ambition|and|Does|n't|Know|How|to|Have|Fun|.\nCredit|must|be|given|to|Harland|Williams|,|Michael|Rosenbaum|and|Barry|Watson|,|who|inject|far|more|good-natured|spirit|and|talent|into|this|project|than|it|deserves\nDenzel|Washington|'s|efforts|are|sunk|by|all|the|sanctimony|.\nIf|this|holiday|movie|is|supposed|to|be|a|gift|,|somebody|unwrapped|it|early|,|took|out|all|the|good|stuff|,|and|left|behind|the|crap|(|literally|)|.\nSo|faithful|to|the|doldrums|of|the|not-quite-urban|,|not-quite-suburban|milieu|as|to|have|viewers|recoiling|from|the|reality|check|.\nRambles|on|in|a|disjointed|,|substandard|fashion|from|one|poorly|executed|action|sequence|to|the|next|.\nThere|'s|an|audience|for|it|,|but|it|could|have|been|funnier|and|more|innocent|.\nI|can|only|imagine|one|thing|worse|than|Kevin|Spacey|trying|on|an|Irish|accent|,|and|that|'s|sultry|Linda|Fiorentino|doing|the|same|thing|.\nAn|awkward|and|indigestible|movie|.\nThe|movie|has|very|little|to|offer|besides|unintentional|laughs|.\nHaneke|keeps|us|at|arm|'s|length|.\nGuided|more|by|intellect|than|heart|,|his|story|flattens|instead|of|sharpens|.\nAll|the|well-meaningness|in|the|world|ca|n't|erase|the|fact|that|The|Believer|feels|like|a|12-Step|Program|for|the|Jewish|Nazi|.\nLike|most|sequels|,|it|takes|what|worked|last|time|,|repeats|it|and|adds|more|characters|,|more|stunts|,|more|stuff|in|attempt|to|camouflage|its|sameness|.\nThere|'s|no|way|to|sort|out|the|mess|in|our|heads|and|deconstruct|where|it|all|went|wrong|.\nThis|is|an|hour|and|a|half|of|daydreaming|.\nMessage|movie|or|an|action-packed|submarine|spectacular|?\nAlas|,|it|'s|neither|.\nNo|movement|,|no|yuks|,|not|much|of|anything|.\n`|Dragonfly|'|is|a|movie|about|a|bus|wreck|that|turns|into|a|film|wreck|.\nThirty|years|ago|,|it|would|have|been|groundbreaking|.\nNow|it|'s|just|tired|.\nHeavy-handed|exercise|in|time-vaulting|literary|pretension|.\nThe|movie|is|too|cute|to|take|itself|too|seriously|,|but|it|still|feels|like|it|was|made|by|some|very|stoned|college|students|.\nA|thinly|veiled|excuse|for|Wilson|to|play|his|self-deprecating|act|against|Murphy|'s|well-honed|prima|donna|shtick|.\nA|minor|picture|with|a|major|identity|crisis|--|it|'s|sort|of|true|and|it|'s|sort|of|bogus|and|it|'s|ho-hum|all|the|way|through|.\nThe|movie|succumbs|to|being|nothing|more|than|a|formulaic|chase|in|the|dark|.\nPlays|as|hollow|catharsis|,|with|lots|of|tears|but|very|little|in|the|way|of|insights|.\nIt|will|come|as|no|surprise|that|the|movie|is|n't|scary|.\nBut|here|'s|the|real|damn|:|It|is|n't|funny|,|either|.\nQuick|:|who|wants|to|see|a|comedy|about|shoddy|airport|security|?\nThe|reason|I|found|myself|finally|unmoved|by|this|film|,|which|is|immaculately|produced|and|has|serious|things|to|say|,|is|that|it|comes|across|rather|too|plainly|as|allegory|.\nWhat|you|get|with|Empire|is|a|movie|you|'ve|seen|many|times|before|,|repackaged|as|new|material|because|there|is|a|Latino|in|the|lead|.\nCho|'s|fans|are|sure|to|be|entertained|;|it|'s|only|fair|in|the|interest|of|full|disclosure|to|say|that|--|on|the|basis|of|this|film|alone|--|I|'m|not|one|of|them|.\nLooks|awfully|like|one|long|tourist|spot|for|a|Mississippi|that|may|never|have|existed|outside|of|a|scriptwriter|'s|imagination|.\nThe|period|--|swinging|London|in|the|time|of|the|mods|and|the|rockers|--|gets|the|once-over|once|again|in|Gangster|No.|1|,|but|falls|apart|long|before|the|end|.\nHigh|Crimes|miscasts|nearly|every|leading|character|.\nThe|overall|feel|of|the|film|is|pretty|cheesy|,|but|there|'s|still|a|real|sense|that|the|Star|Trek|tradition|has|been|honored|as|best|it|can|,|given|the|embarrassing|script|and|weak|direction|.\nDe|Niro|looks|bored|,|Murphy|recycles|Murphy|,|and|you|mentally|add|Showtime|to|the|pile|of|Hollywood|dreck|that|represents|nothing|more|than|the|art|of|the|deal|.\nI|did|n't|believe|for|a|moment|in|these|villains|or|their|plot|.\nAnother|rent|installment|for|the|Ian|Fleming|estate|.\nWith|Danilo|Donati|'s|witty|designs|and|Dante|Spinotti|'s|luscious|cinematography|,|this|might|have|made|a|decent|children|'s|movie|--|if|only|Benigni|had|n't|insisted|on|casting|himself|in|the|title|role|.\nSo|lazy|and|slipshod|it|confuses|the|mere|flashing|of|kinky|soft-core|imagery|with|naughty|fun|.\nThough|it|draws|several|decent|laughs|,|it|'s|low-cal|Woody|at|best|.\nHas|little|on|its|mind|aside|from|scoring|points|with|drag|gags|.\nBritney|'s|performance|can|not|be|faulted|.\nLucy|'s|a|dull|girl|,|that|'s|all|.\nWell-shot|but|badly|written|tale|set|in|a|future|ravaged|by|dragons|.\nSadly|,|Hewitt|'s|forte|is|leaning|forward|while|wearing|low-cut|gowns|,|not|making|snappy|comebacks|.\nIf|Melville|is|creatively|a|great|whale|,|this|film|is|canned|tuna|.\nThis|film|is|so|slick|,|superficial|and|trend-hoppy|,|that|it|'s|easy|to|imagine|that|a|new|software|program|spit|out|the|screenplay|.\nJust|one|more|collection|of|penis|,|breast|and|flatulence|gags|in|search|of|a|story|.\nOr|a|profit|.\nOr|some|damn|thing|.\nThe|acting|is|stiff|,|the|story|lacks|all|trace|of|wit|,|the|sets|look|like|they|were|borrowed|from|Gilligan|'s|Island|--|and|the|CGI|Scooby|might|well|be|the|worst|special-effects|creation|of|the|year|.\nEnough|trivializes|an|important|crisis|,|reduces|it|to|an|almost|comic|embarrassment|.\nThe|makers|have|forsaken|the|entertaining|elements|of|the|original|and|,|instead|,|rehash|old|jokes|and|leave|any|life|at|the|doorstep|.\nI|like|Frank|the|Pug|,|though|.\nA|restrained|Ribisi|convinces|as|an|Italian|,|though|if|ever|a|movie|needed|one|of|the|actor|'s|whiny|jags|to|pump|it|up|,|this|has|to|be|among|the|rare|ones|.\nGee|,|a|second|assassin|shot|Kennedy|?\nMoot|point|.\nA|hysterical|yet|humorless|disquisition|on|the|thin|line|between|sucking|face|and|literally|sucking|face|.\nNeedless|to|say|,|the|dramatics|that|follow|are|utter|hooey|.\nThe|problem|is|that|rather|than|dramatizing|this|premise|,|Mr.|Desplechin|is|content|to|state|it|.\nMadonna|still|ca|n't|act|a|lick|.\nEven|the|imaginative|gore|ca|n't|hide|the|musty|scent|of|Todd|Farmer|'s|screenplay|,|which|is|a|simple|retread|of|the|1979|Alien|,|with|a|plucky|heroine|battling|a|monster|loose|in|a|spaceship|.\nIf|you|pitch|your|expectations|at|an|all|time|low|,|you|could|do|worse|than|this|oddly|cheerful|--|but|not|particularly|funny|--|body-switching|farce|.\nThe|episodic|film|makes|valid|points|about|the|depersonalization|of|modern|life|.\nBut|the|characters|tend|to|be|cliches|whose|lives|are|never|fully|explored|.\nSerry|does|a|fine|job|of|capturing|the|climate|of|the|times|and|,|perhaps|unwittingly|,|relating|it|to|what|is|happening|in|America|in|2002|.\nBut|hard-to-believe|plot|twists|force|the|movie|off|track|in|its|final|half|hour|.\nDo|n't|let|your|festive|spirit|go|this|far|.\nThough|the|book|runs|only|about|300|pages|,|it|is|so|densely|packed|...|that|even|an|ambitious|adaptation|and|elaborate|production|like|Mr.|Schepisi|'s|seems|skimpy|and|unclear|.\nHey|,|at|least|the|title|of|this|film|lets|you|know|exactly|where|it|'s|heading|.\nIntended|to|be|a|comedy|about|relationships|,|this|wretched|work|falls|flat|in|just|about|every|conceivable|area|.\nSensitive|though|not|quite|revelatory|documentary|.\nDirector|Brian|Levant|,|who|never|strays|far|from|his|sitcom|roots|,|skates|blithely|from|one|implausible|situation|to|another|,|pausing|only|to|tie|up|loose|ends|with|more|bows|than|you|'ll|find|on|a|French|poodle|.\n...|perhaps|the|heaviest|,|most|joyless|movie|ever|made|about|giant|dragons|taking|over|the|world|.\nSuggests|puns|about|ingredients|and|soup|and|somebody|being|off|their|noodle|,|but|let|'s|just|say|the|ingredients|do|n't|quite|add|up|to|a|meal|.\nI|'d|give|real|money|to|see|the|perpetrators|of|Chicago|torn|apart|by|dingoes|.\nMovies|like|this|are|selling|the|old|European|candor|,|the|old|wink|of|`|bold|'|revelation|.\nBut|in|2002|,|such|revelations|wilt|.\nThe|timing|in|nearly|every|scene|seems|a|half|beat|off|.\nI|admire|it|and|yet|can|not|recommend|it|,|because|it|overstays|its|natural|running|time|.\nA|fairly|by-the-books|blend|of|action|and|romance|with|sprinklings|of|intentional|and|unintentional|comedy|.\nFlounders|due|to|the|general|sense|that|no|two|people|working|on|the|production|had|exactly|the|same|thing|in|mind|.\nEven|if|you|feel|like|you|'ve|seen|this|movie|a|thousand|times|before|,|it|is|kind|of|enjoyable|thanks|mainly|to|Belushi|'s|easy-going|likableness|.\nThe|story|bogs|down|in|a|mess|of|purposeless|violence|.\nDespite|some|gulps|the|film|is|a|fuzzy|huggy|.\nMcKay|deflates|his|piece|of|puffery|with|a|sour|cliche|and|heavy|doses|of|mean-spiritedness\nA|recipe|for|cinematic|disaster|...|part|Quentin|Tarantino|,|part|Guy|Ritchie|,|and|part|1960s|spy|spoof|,|it|'s|all|bad|.\nThe|cumulative|effect|of|the|relentless|horror|on|parade|numbs|the|movie|'s|power|as|a|work|of|drama|.\nAnother|big|,|dumb|action|movie|in|the|vein|of|XXX|,|The|Transporter|is|riddled|with|plot|holes|big|enough|for|its|titular|hero|to|drive|his|sleek|black|BMW|through|.\nAaliyah|rarely|dampens|her|diva|persona|enough|to|spark|genuine|chemistry|with|Townsend|.\nWhen|she|speaks|,|her|creepy|Egyptian|demigod|voice|is|as|computer|processed|and|overproduced|as|it|was|in|her|music|.\nOutrageousness|is|all|Plympton|seemed|to|be|going|for|this|time|.\nWe|miss|the|quirky|amazement|that|used|to|come|along|for|an|integral|part|of|the|ride|.\nMuch|of|what|is|meant|to|be|`|inspirational|'|and|`|uplifting|'|is|simply|distasteful|to|audiences|not|already|sharing|(|the|movie|'s|)|mindset|.\nWell|before|it|'s|over|,|Beijing|Bicycle|begins|spinning|its|wheels|.\nHome|Alone|goes|Hollywood|,|a|funny|premise|until|the|kids|start|pulling|off|stunts|not|even|Steven|Spielberg|would|know|how|to|do|.\nBesides|,|real|movie|producers|are|n't|this|nice|.\n(|Nelson|'s|)|movie|about|morally|compromised|figures|leaves|viewers|feeling|compromised|,|unable|to|find|their|way|out|of|the|fog|and|the|ashes|.\nPassion|,|lip-synching|,|tragedy|,|and|lots|of|really|really|high|notes|.\nFor|me|,|this|opera|is|n't|a|favorite|,|so|it|'s|a|long|time|before|the|fat|lady|sings|.\nLooks|like|a|high|school|film|project|completed|the|day|before|it|was|due|.\nTruth|to|tell|,|if|you|'ve|seen|more|than|half-a-dozen|horror|films|,|there|'s|nothing|here|you|have|n't|seen|before|.\nAbandons|all|pretense|of|creating|historical|context|and|waltzes|off|into|a|hectic|soap|about|the|ups|and|downs|of|the|heavy|breathing|between|the|two|artists|.\nEven|die-hard|fans|of|Japanese|animation|...|will|find|this|one|a|challenge|.\nFilmmakers|have|to|dig|deep|to|sink|this|low|.\nFortunately|for|all|involved|,|this|movie|is|likely|to|disappear|as|quickly|as|an|ice|cube|thrown|into|a|pot|of|boiling|water|.\nThe|movie|gets|muted|and|routine|.\nThe|issue|of|faith|is|not|explored|very|deeply\nIt|'s|a|bad|sign|when|you|'re|rooting|for|the|film|to|hurry|up|and|get|to|its|subjects|'|deaths|just|so|the|documentary|will|be|over|,|but|it|'s|indicative|of|how|uncompelling|the|movie|is|unless|it|happens|to|cover|your|particular|area|of|interest|.\nThe|situations|and|jokes|are|as|predictable|and|as|lowbrow|as|the|endless|pratfalls|the|boys|take|in|their|high|heels|.\nIt|'s|frustrating|to|see|these|guys|--|who|are|obviously|pretty|clever|--|waste|their|talent|on|parodies|of|things|they|probably|thought|were|funniest|when|they|were|high|.\nI|was|perplexed|to|watch|it|unfold|with|an|astonishing|lack|of|passion|or|uniqueness|.\nK-19|may|not|hold|a|lot|of|water|as|a|submarine|epic|,|but|it|holds|even|less|when|it|turns|into|an|elegiacally|soggy|Saving|Private|Ryanovich|.\nA|very|stylish|but|ultimately|extremely|silly|tale|...|a|slick|piece|of|nonsense|but|nothing|more|.\nAutomatically|pegs|itself|for|the|straight-to-video|sci-fi|rental|shelf|.\nThe|film|is|like|a|series|of|beginnings|and|middles|that|never|take|off|.\nFeels|less|like|it|'s|about|teenagers|,|than|it|was|written|by|teenagers|.\nJa|Rule|and|Kurupt|should|have|gotten|to|rap|.\nIt|would|have|benefitted|the|dialogue|.\nA|standard|haunted|house|tale|transplanted|to|the|high|seas|.\nElicits|more|groans|from|the|audience|than|Jar|Jar|Binks|,|Scrappy|Doo|and|Scooby|Dumb|,|all|wrapped|up|into|one|.\nIt|'s|badly|acted|,|blandly|directed|,|and|could|have|been|scripted|by|someone|who|just|graduated|from|elementary|school|.\nIn|the|end|,|White|Oleander|is|n't|an|adaptation|of|a|novel|.\nIt|'s|a|flashy|,|star-splashed|reduction|.\nThis|film|,|starring|Anthony|Hopkins|and|Chris|Rock|,|is|your|typical|`|fish|out|of|water|'|story|.\nYou|'ve|seen|them|a|million|times|.\nJust|one|problem|:|Fish|out|of|water|usually|die|.\nThis|one|does|.\nThe|angst-ridden|,|affluent|slacker|characters|are|more|grating|than|engaging|.\nA|soggy|,|shapeless|mess|...|just|a|dumb|excuse|for|a|waterlogged|equivalent|of|a|haunted-house|movie|.\nMen|in|Black|II|has|sequel-itis|something|fierce|.\nAn|ungainly|,|comedy-deficient|,|B-movie|rush|job|...\nA|combination|of|standard|,|stiff|TV-style|animation|and|snazzy-looking|digital|effects|that|do|little|to|disguise|the|fact|that|the|characters|barely|move|.\nAn|unsatisfying|hybrid|of|Blair|Witch|and|typical|stalk-and-slash|fare|,|where|the|most|conservative|protagonist|is|always|the|last|one|living|.\nSay|this|for|the|soundtrack|,|it|drowns|out|the|lousy|dialogue|.\nAfter|seeing|SWEPT|AWAY|,|I|feel|sorry|for|Madonna|.\nInstead|of|kicking|off|the|intrigue|and|suspense|and|mystery|of|the|whole|thing|,|Hart|'s|War|,|like|the|St.|Louis|Rams|in|the|Super|Bowl|,|waits|until|after|halftime|to|get|started|.\nA|gob|of|drivel|so|sickly|sweet|,|even|the|eager|consumers|of|Moore|'s|pasteurized|ditties|will|retch|it|up|like|rancid|crème|brûlée|.\nMaudlin|and|melodramatic|we|expected|.\nBoring|we|did|n't|.\nNever|quite|transcends|jokester|status|...|and|the|punchline|does|n't|live|up|to|Barry|'s|dead-eyed|,|perfectly|chilled|delivery|.\nThe|film|'s|bathos|often|overwhelms|what|could|have|been|a|more|multifaceted|look|at|this|interesting|time|and|place|.\nIt|almost|plays|like|Solaris|,|but|with|guns|and|jokes|.\nA|baffling|misfire|,|and|possibly|the|weakest|movie|(|Woody|Allen|)|has|made|in|the|last|twenty|years|.\nIt|wo|n't|be|long|before|you|'ll|spy|I|Spy|at|a|video|store|near|you|.\nThis|film|looks|like|it|was|produced|in|1954|,|shelved|for|48|years|,|and|repackaged|for|a|2002|audience|.\nPropelled|not|by|characters|but|by|caricatures|.\nThere|is|not|an|ounce|of|honesty|in|the|entire|production|.\nThis|extremely|unfunny|film|clocks|in|at|80|minutes|,|but|feels|twice|as|long|.\nEarnest|but|earthbound|...|a|slow|,|soggy|,|soporific|,|visually|dank|crime|melodrama\\/character|study|that|would|be|more|at|home|on|the|small|screen|but|for|its|stellar|cast|.\nThe|pivotal|narrative|point|is|so|ripe|the|film|ca|n't|help|but|go|soft|and|stinky|.\nFor|all|its|alleged|youthful|fire|,|XXX|is|no|less|subservient|to|Bond|'s|tired|formula|of|guns|,|girls|and|gadgets|while|brandishing|a|new|action|hero|.\nA|predictable|and|stereotypical|little|B-movie|.\nIf|I|Spy|were|funny|(|enough|)|or|exciting|(|enough|)|then|it|would|be|fairly|simple|to|forgive|the|financial|extortion|it|'s|trying|to|reap|from|the|moviegoing|public|.\nFrustratingly|,|Dridi|tells|us|nothing|about|El|Gallo|other|than|what|emerges|through|his|music|.\nPlaces|a|slightly|believable|love|triangle|in|a|difficult-to-swallow|setting|,|and|then|disappointingly|moves|the|story|into|the|realm|of|an|improbable|thriller|.\nStephen|Earnhart|'s|documentary|is|a|decomposition|of|healthy|eccentric|inspiration|and|ambition|--|wearing|a|cloak|of|unsentimental|,|straightforward|text|--|when|it|'s|really|an|exercise|in|gross|romanticization|of|the|delusional|personality|type|.\nA|very|average|science|fiction|film|.\nUndone|by|its|overly|complicated|and|derivative|screenplay|,|the|glacier-paced|direction|and|the|stereotypical|characters|.\nHow|anyone|over|the|age|of|2|can|stomach|the|touchy-feely|message|this|preachy|produce|promotes|is|beyond|us|.\nThe|sort|of|movie|that|gives|tastelessness|a|bad|rap|.\nThe|cold|and|dreary|weather|is|a|perfect|metaphor|for|the|movie|itself|,|which|contains|few|laughs|and|not|much|drama|.\nThe|plot|is|straight|off|the|shelf|,|the|performances|are|television|-|caliber|and|the|message|of|providing|solace|through|deception|is|a|little|creepy|.\nordinary|melodrama|that|is|heavy|on|religious|symbols|but|wafer-thin|on|dramatic|substance\nA|whimsical|if|predictable|time-travel|fable|marred|by|a|willful|single-mindedness|.\nThose|who|managed|to|avoid|the|Deconstructionist|theorizing|of|French|philosopher|Jacques|Derrida|in|college|can|now|take|an|85-minute|brush-up|course|with|the|documentary|Derrida|.\nOr|,|you|can|do|something|fun|tonight|.\nJolie|'s|performance|vanishes|somewhere|between|her|hair|and|her|lips|.\nAs|with|too|many|studio|pics|,|plot|mechanics|get|in|the|way|of|what|should|be|the|lighter-than-air|adventure|.\nStatic|,|repetitive|,|muddy|and|blurry|,|Hey|Arnold|!\nwould|seem|to|have|a|lock|on|the|title|of|ugliest|movie|of|the|year|.\nFor|all|of|the|contemporary|post-colonialist|consciousness|that|Kapur|tries|to|bring|to|The|Four|Feathers|,|the|oddest|thing|about|the|movie|is|how|it|winds|up|affirming|the|same|damn|moldy|values|the|material|has|always|held|dear|.\nWhen|it|comes|to|entertainment|,|children|deserve|better|than|Pokemon|4Ever|.\nWhat|The|Four|Feathers|lacks|is|genuine|sweep|or|feeling|or|even|a|character|worth|caring|about|.\nWhile|Benigni|(|who|stars|and|co-wrote|)|seems|to|be|having|a|wonderful|time|,|he|might|be|alone|in|that|.\nYes|,|4Ever|is|harmless|in|the|extreme|and|it|'ll|mute|your|kids|for|nearly|80|minutes|,|but|why|not|just|treat|the|little|yard|apes|to|the|real|deal|and|take|them|to|Spirited|Away|?\nPreposterous|and|tedious|,|Sonny|is|spiked|with|unintentional|laughter|that|,|unfortunately|,|occurs|too|infrequently|to|make|the|film|even|a|guilty|pleasure|.\nCalling|this|movie|brainless|would|be|paying|it|a|compliment|:|it|'s|more|like|entertainment|for|trolls|.\nNone|of|these|characters|resembles|anyone|you|'ve|ever|met|in|real|life|,|unless|you|happen|to|know|annoyingly|self-involved|people|who|speak|in|glib|sentences|that|could|have|only|come|from|the|pen|of|a|screenwriter|.\n...|just|a|big|mess|of|a|movie|,|full|of|images|and|events|,|but|no|tension|or|surprise|.\nAs|elegantly|crafted|as|it|often|is|,|Anderson|'s|movie|is|essentially|a|one-trick|pony|that|,|hampered|by|an|undeveloped|script|,|ultimately|pulls|up|lame|.\nSplashes|its|drama|all|over|the|screen|,|subjecting|its|audience|and|characters|to|action|that|feels|not|only|manufactured|,|but|also|so|false|you|can|see|the|filmmakers|'|puppet|strings|.\n...|has|virtually|no|script|at|all|...\nWill|only|satisfy|those|who|ca|n't|tell|the|difference|between|the|good|,|the|bad|and|the|ugly|.\nThis|kind|of|dark|comedy|requires|a|delicate|,|surgical|touch|.\nBut|director|Danny|DeVito|and|screenwriter|Adam|Resnick|(|remember|Cabin|Boy|?|)\njust|pound|away|.\nAt|times|,|however|,|Dogtown|and|Z-Boys|lapses|into|an|insider|'s|lingo|and|mindset|that|the|uninitiated|may|find|hard|to|follow|,|or|care|about|.\nRather|quickly|,|the|film|falls|into|a|soothing|formula|of|brotherly|conflict|and|reconciliation|.\nScreenwriters|Scott|Abbott|and|Michael|Petroni|have|turned|Rice|'s|complex|Akasha|into|a|cartoon|monster|.\nThe|writers|,|director|Wally|Wolodarsky|,|and|all|the|actors|should|start|their|own|coeducational|fraternity|:|Kappa|Rho|Alpha|Phi|.\nBad|beyond|belief|and|ridiculous|beyond|description|.\nThe|new|faces|are|interesting|,|but|the|old|story|is|n't|,|especially|when|it|starts|to|seem|more|improvised|than|scripted|.\nMost|of|the|action|setups|are|incoherent|.\nLiman|,|of|Swingers|and|Go|,|makes|his|big-budget|action|film|debut|something|of|a|clunker|as|he|delivers|a|long|,|low-heat|chase|,|interrupted|by|a|middling|car|chase|.\n...|surprisingly|inert|for|a|movie|in|which|the|main|character|travels|back|and|forth|between|epochs|.\nThe|problem|is|n't|that|the|movie|hits|so|close|to|home|so|much|as|that|it|hits|close|to|home|while|engaging|in|such|silliness|as|that|snake-down-the-throat|business|and|the|inevitable|shot|of|Schwarzenegger|outrunning|a|fireball|.\nDreary|,|highly|annoying|...|`|Some|Body|'|will|appeal|to|No|One|.\nThere|'s|something|deeply|creepy|about|Never|Again|,|a|new|arrow|in|Schaeffer|'s|quiver|of|ineptitudes|.\nThe|problem|with|concept|films|is|that|if|the|concept|is|a|poor|one|,|there|'s|no|saving|the|movie|.\nSorry|,|Charlie\nA|painfully|leaden|film|destined|for|pre-dawn|cable|television|slots|.\nBlessed|with|immense|physical|prowess|he|may|well|be|,|but|Ahola|is|simply|not|an|actor|.\nAnd|in|truth|,|cruel|as|it|may|sound|,|he|makes|Arnold|Schwarzenegger|look|like|Spencer|Tracy|.\nThe|cartoon|that|is|n't|really|good|enough|to|be|on|afternoon|TV|is|now|a|movie|that|is|n't|really|good|enough|to|be|in|theaters|.\nShocking|only|in|that|it|reveals|the|filmmaker|'s|bottomless|pit|of|self-absorption|.\nThis|pep-talk|for|faith|,|hope|and|charity|does|little|to|offend|,|but|if|saccharine|earnestness|were|a|crime|,|the|film|'s|producers|would|be|in|the|clink|for|life|.\nAll|ends|well|,|sort|of|,|but|the|frenzied|comic|moments|never|click|.\nIf|this|is|the|Danish|idea|of|a|good|time|,|prospective|tourists|might|want|to|consider|a|different|destination|--|some|jolly|country|embroiled|in|a|bloody|civil|war|,|perhaps|.\nFormula|51|is|so|trite|that|even|Yu|'s|high-energy|action|stylings|ca|n't|break|through|the|stupor|.\nOnly|a|few|minutes|elapse|before|the|daddy|of|all|slashers|arrives|,|still|with|the|boiler|suit|and|white|mask|,|which|look|remarkably|clean|for|a|guy|who|has|been|mass-murdering|since|1978|but|has|never|been|seen|doing|laundry|.\nWhen|the|painted|backdrops|in|a|movie|are|more|alive|than|its|characters|,|you|know|you|'re|in|trouble|.\n(|Two|)|fairly|dull|--|contrasting|and|interlocking|stories|about|miserable|Scandinavian|settlers|in|18th-century|Canada|,|and|yuppie|sailboaters|in|the|here|and|now|.\nThe|film|is|really|not|so|much|bad|as|bland|.\nThe|central|story|lacks|punch|.\nThough|Ganesh|is|successful|in|a|midlevel|sort|of|way|,|there|'s|nothing|so|striking|or|fascinating|or|metaphorically|significant|about|his|career|as|to|rate|two|hours|of|our|attention|.\nThis|may|be|the|dumbest|,|sketchiest|movie|on|record|about|an|aspiring|writer|'s|coming-of-age|.\nSuccumbs|to|the|same|kind|of|maudlin|,|sentimental|mysticism|that|mars|the|Touched|by|an|Angel|school|of|non-God|spiritual-uplift|movies|.\nA|harmless|and|mildly|amusing|family|comedy|.\nWhat|was|subtle|and|mystifying|in|the|novella|is|now|broad|and|farcical|.\nThe|kids|often|appear|to|be|reading|the|lines|and|are|incapable|of|conveying|any|emotion|.\n``|Men|in|Black|II|,|''|has|all|the|earmarks|of|a|sequel|.\nThe|story|is|less|vibrant|,|the|jokes|are|a|little|lukewarm|,|but|will|anyone|really|care|?\nSucking|all|the|`|classic|'|out|of|Robert|Louis|Stevenson|'s|Treasure|Island|and|filling|the|void|with|sci-fi|video|game|graphics|and|Disney-fied|adolescent|angst|...\nThis|72-minute|film|does|have|some|exciting|scenes|,|but|it|'s|a|tad|slow|.\nWhile|Super|Troopers|is|above|Academy|standards|,|its|quintet|of|writers|could|still|use|some|more|schooling|.\nA|mix|of|velocity|and|idiocy|,|this|ruinous|remake|lacks|the|brawn|--|and|the|brains|--|of|the|1970s|original|.\nThe|low-budget|Full|Frontal|was|one|of|the|year|'s|murkiest|,|intentionally|obscure|and|self-indulgent|pictures|,|and|Solaris|is|its|big-budget|brother|.\nThe|plot|is|very|clever|,|but|Boyd|weighs|it|down|with|too|many|characters|and|events|,|all|intertwined|and|far|too|complicated|to|keep|track|of|.\nThe|film|seems|all|but|destined|to|pop|up|on|a|television|screen|in|the|background|of|a|scene|in|a|future|Quentin|Tarantino|picture\nA|free-for-all|of|half-baked|thoughts|,|clumsily|used|visual|tricks|and|self-indulgent|actor|moments|.\nApallingly|absurd|...|the|chemistry|or|lack|thereof|between|Newton|and|Wahlberg|could|turn|an|Imax|theater|into|a|9|''|black|and|white|portable|TV|.\nA|well|acted|and|well|intentioned|snoozer|.\nThe|smug|,|oily|demeanor|that|Donovan|adopts|throughout|the|stupidly|named|Pipe|Dream|is|just|repulsive|.\nMust-see|viewing|for|anyone|involved|in|the|high-tech|industry|.\nOthers|may|find|it|migraine-inducing|,|despite|Moore|'s|attempts|at|whimsy|and|spoon|feeding|.\nDespite|its|good|nature|and|some|genuinely|funny|moments|,|Super|Troopers|suffers|from|a|bad|case|of|arrested|development|.\nIt|'s|hard|not|to|feel|you|'ve|just|watched|a|feature-length|video|game|with|some|really|heavy|back|story|.\nI|watched|the|brainless|insanity|of|No|Such|Thing|with|mounting|disbelief|.\nThis|limp|gender-bender-baller|from|a|first-time|director|and|rookie|screenwriter|steals|wholesale|from|that|1982|'s|Tootsie|,|forgetting|only|to|retain|a|single|laugh|.\nKwan|makes|the|mix-and|-|match|metaphors|intriguing|,|while|lulling|us|into|torpor|with|his|cultivated|allergy|to|action|.\nWhile|obviously|an|extremely|personal|work|,|it|remains|inextricably|stuck|in|an|emotionally|unavailable|rut|.\nAny|movie|this|boring|should|be|required|to|have|ushers|in|the|theater|that|hand|you|a|cup|of|coffee|every|few|minutes|.\nLike|a|marathon|runner|trying|to|finish|a|race|,|you|need|a|constant|influx|of|liquid|just|to|get|through|it|.\nI|loved|looking|at|this|movie|.\nI|just|did|n't|care|as|much|for|the|story|.\nHas|all|the|poignancy|of|a|Hallmark|card|and|all|the|comedy|of|a|Gallagher|stand-up|act|.\nIt|does|n't|do|the|original|any|particular|dishonor|,|but|neither|does|it|exude|any|charm|or|personality|.\nfear|dot|com|is|so|rambling|and|disconnected|it|never|builds|any|suspense|.\nA|gorgeous|,|somnolent|show|that|is|splendidly|mummified|and|thoroughly|unsurprising|.\nA|semi-autobiographical|film|that|'s|so|sloppily|written|and|cast|that|you|can|not|believe|anyone|more|central|to|the|creation|of|Bugsy|than|the|caterer|had|anything|to|do|with|it|.\nIt|feels|like|a|community|theater|production|of|a|great|Broadway|play|:|Even|at|its|best|,|it|will|never|hold|a|candle|to|the|original|.\nThe|film|apparently|takes|place|in|a|fantasy|world|where|people|in|hotel|hallways|recite|poetry|in|voice-over|instead|of|speaking|to|each|other|.\nThe|element|of|surprise|might|be|the|only|thing|Femme|Fatale|has|going|for|it|.\nIt|'s|the|kind|of|movie|you|ca|n't|quite|recommend|because|it|is|all|windup|and|not|much|of|a|pitch|,|yet|you|ca|n't|bring|yourself|to|dislike|it|.\nMaybe|it|'s|asking|too|much|,|but|if|a|movie|is|truly|going|to|inspire|me|,|I|want|a|little|more|than|this|.\nA|graceless|,|witless|attempt|at|mating|Some|Like|It|Hot|with|the|WWII|espionage|thriller|.\nThe|story|and|characters|are|nowhere|near|gripping|enough|.\nBased|on|a|David|Leavitt|story|,|the|film|shares|that|writer|'s|usual|blend|of|observant|cleverness|,|too-facile|coincidence|and|slightly|noxious|preciousness|.\nJust|like|every|other|Seagal|movie|,|only|louder|and|without|that|silly|ponytail|.\nTo|enjoy|this|movie|'s|sharp|dialogue|and|delightful|performance|by|Jolie|and|Burns|,|you|have|to|gloss|over|the|no|sense|ending|.\nNational|Lampoon|'s|Van|Wilder|could|be|the|worst|thing|to|come|out|of|National|Lampoon|since|Class|Reunion\nThis|is|a|great|subject|for|a|movie|,|but|Hollywood|has|squandered|the|opportunity|,|using|it|as|a|prop|for|warmed-over|melodrama|and|the|kind|of|choreographed|mayhem|that|director|John|Woo|has|built|his|career|on|.\nEcks|this|one|off|your|must-see|list|.\nOverall|,|the|film|misses|the|brilliance|of|Jelinek|'s|novel|by|some|way|.\nIt|settles|for|being|merely|grim|.\nThe|Irwins|emerge|unscathed|,|but|the|fictional|footage|is|unconvincing|and|criminally|badly|acted|.\nIt|'s|not|thirsty|,|consuming|passion|which|drives|this|movie|.\nNo|,|it|'s|the|repetition|of|said|behavior|,|and|so|Children|of|the|Century|is|more|mindless|love|than|mad|,|more|grating|and|boring|than|anything|else|.\nJust|because|it|really|happened|to|you|,|honey|,|does|n't|mean|that|it|'s|interesting|to|anyone|else|.\nJust|like|the|deli|sandwich|:|lots|of|ham|,|lots|of|cheese|,|with|a|sickly|sweet|coating|to|disguise|its|excrescence|until|just|after|(|or|during|)|consumption|of|its|second|half|.\nEvery|so|often|a|movie|comes|along|that|confirms|one|'s|worse|fears|about|civilization|as|we|know|it|.\nThe|New|Guy|is|one|of|them|.\nThis|is|n't|a|``|Friday|''|worth|waiting|for|.\nEverything|that|'s|worthwhile|about|Collision|Course|can|already|be|seen|on|television|.\nIf|this|movie|belonged|to|a|sorority|,|it|would|be|called|Beta|Alpha|Delta|.\nNot|a|cheap|slasher|flick|,|as|the|subject|matter|would|suggest|,|but|is|a|little|like|a|nature|film|,|showing|a|patient|predator|and|his|foolish|prey|.\nUneasy|mishmash|of|styles|and|genres|.\nHerzog|is|obviously|looking|for|a|moral|to|his|fable|,|but|the|notion|that|a|strong|,|unified|showing|among|Germany|and|Eastern|European|Jews|might|have|changed|20th-Century|history|is|undermined|by|Ahola|'s|inadequate|performance|.\nAll|in|all|,|there|'s|only|one|thing|to|root|for|:|expulsion|for|everyone|.\nBeyond|a|handful|of|mildly|amusing|lines|...|there|just|is|n't|much|to|laugh|at|.\nSecret|Ballot|is|too|contemplative|to|be|really|funny|.\nThe|film|'s|center|will|not|hold|.\nMyers|never|knows|when|to|let|a|gag|die|;|thus|,|we|'re|subjected|to|one|mind-numbingly|lengthy|riff|on|poo|and|pee|jokes|after|another|.\nToo|lazy|to|take|advantage|of|its|semi-humorous|premise|.\nA|great|ending|does|n't|make|up|for|a|weak|movie|,|and|Crazy|as|Hell|does|n't|even|have|a|great|ending|.\nDialogue-heavy|and|too|cerebral|for|its|own|good|--|or|,|at|any|rate|,|too|cerebral|for|its|racy|subject|matter|.\nIts|over-reliance|on|genre|conventions|,|character|types|and|formulaic|conflict|resolutions|crushes|all|the|goodwill|it|otherwise|develops|.\nAs|an|actor|,|The|Rock|is|aptly|named|.\nA|mostly|tired|retread|of|several|other|mob|tales|.\nI|wish|I|could|say|``|Thank|God|It|'s|Friday|''|,|but|the|truth|of|the|matter|is|I|was|glad|when|it|was|over|.\nNothing|about|it|fits|.\nAs|it|abruptly|crosscuts|among|the|five|friends|,|it|fails|to|lend|the|characters|'|individual|stories|enough|dramatic|resonance|to|make|us|care|about|them|.\nSomehow|we|'re|meant|to|buy|that|this|doting|mother|would|shun|her|kids|,|travel|to|one|of|the|most|dangerous|parts|of|the|world|,|don|fatigues|and|become|G.I.|Jane|.\nThe|cast|is|so|low-wattage|that|none|of|the|characters|comes|off|as|big|...|and|the|setting|remains|indistinct|.\nConsider|the|title|'s|clunk-on-the-head|that|suggests|the|overtime|someone|put|in|to|come|up|with|an|irritatingly|unimaginative|retread|concept|.\nThe|movie|quickly|drags|on|becoming|boring|and|predictable|.\nI|tried|to|read|the|time|on|my|watch|.\nThe|film|makes|a|tragic|error|by|going|on|for|too|long|,|trying|to|mirror|every|subsequent|event|in|Chinese|history|:|war|,|revolution|,|Communism|,|etc.|.\nJohnson|has|,|in|his|first|film|,|set|himself|a|task|he|is|not|nearly|up|to|.\nUltimately|the|project|comes|across|as|clinical|,|detached|,|uninvolving|,|possibly|prompting|audience|members|to|wonder|,|`|What|'s|the|point|?|'\nThe|two|leads|are|almost|good|enough|to|camouflage|the|dopey|plot|,|but|so|much|naturalistic|small|talk|,|delivered|in|almost|muffled|exchanges|,|eventually|has|a|lulling|effect|.\nThe|film|meant|well|in|its|horse|tale|about|freedom|,|but|was|n't|able|to|reach|the|heart|because|it|was|too|overbearing|.\nThe|movie|is|as|far|as|you|can|get|from|racy|,|to|the|point|where|it|almost|stops|the|blood|flow|to|your|brain|;|it|has|a|dull|,|costumey|feel|.\nOnce|the|audience|figure|out|what|'s|being|said|,|the|filmmaker|'s|relative|passivity|will|make|it|tough|for|them|to|really|care|.\nThere|'s|nothing|provocative|about|this|film|save|for|the|ways|in|which|it|studiously|avoids|provoking|thought|.\nIt|seems|just|a|long|,|convoluted|ploy|to|get|men|into|drag|--|period|drag|,|no|less|.\nThe|premise|for|this|kegger|comedy|probably|sounded|brilliant|four|six-packs|and|a|pitcher|of|margaritas|in|,|but|the|film|must|have|been|written|...|in|the|thrall|of|a|vicious|hangover|.\nEven|by|dumb|action-movie|standards|,|Ballistic|:|Ecks|vs.|Sever|is|a|dumb|action|movie|.\nThe|film|equivalent|of|a|toy|chest|whose|contents|get|scattered|over|the|course|of|80|minutes|.\nJust|a|bloody|mess|.\nCreepy|but|ultimately|unsatisfying|thriller|.\nYou|would|be|better|off|investing|in|the|worthy|EMI|recording|that|serves|as|the|soundtrack|,|or|the|home|video|of|the|1992|Malfitano-Domingo|production|.\nHas|something|to|say|...|but|it|is|a|statement|and|issue|worthy|of|a|much|more|thoughtfulness|and|insight|than|a|melodramatic|and|wholly|predictable|thriller|.\nBears|is|bad|.\nNot|`|terrible|filmmaking|'|bad|,|but|more|like|,|'|I|once|had|a|nightmare|like|this|,|and|it|'s|now|coming|true|'|bad|.\nAs|is|most|commonly|case|with|projects|such|noble|and|lofty|ambitions|,|the|film|is|less|poetic|than|simply|pretentious|.\nGeorge|,|hire|a|real|director|and|good|writers|for|the|next|installment|,|please|.\nFor|a|film|about|two|mismatched|buddies|,|Crystal|and|De|Niro|share|little|screen|time|and|even|less|chemistry|.\nHowever|clever|Nelson|has|been|in|providing|variation|within|the|confines|of|her|structure|and|staging|,|the|question|remains|whether|this|should|,|indeed|,|have|been|presented|as|a|theatrical|release|.\nExtreme|Oops|-|oops|,|ops|,|no|matter|how|you|spell|it|,|it|'s|still|a|mistake|to|go|see|it|.\nWhat|could|and|should|have|been|biting|and|droll|is|instead|a|tepid|waste|of|time|and|talent|.\nWhat|will|,|most|likely|,|turn|out|to|be|the|most|repellent|movie|of|2002|.\n...|too|dull|to|enjoy|.\nA|morality|tale|whose|thought-provoking|potential|is|hampered|by|a|made-for-TV|look|,|rigid|performances|and|an|asinine|`|twist|'|that|brazenly|rips|off|The|Sixth|Sense|.\nHere|'s|a|self-congratulatory|3D|IMAX|rah-rah|.\nEastwood|is|an|icon|of|moviemaking|,|one|of|the|best|actors|,|directors|and|producers|around|,|responsible|for|some|excellent|work|.\nBut|even|a|hero|can|stumble|sometimes|.\nA|sophomoric|exploration|of|`|life|problems|'|most|people|solved|long|ago|--|or|at|least|got|tired|of|hearing|people|kvetch|about|.\nIt|'s|all|very|cute|,|though|not|terribly|funny|if|you|'re|more|than|six|years|old|.\nThe|impact|of|the|Armenian|genocide|is|diluted|by|too|much|stage|business|in|the|modern|day|.\nGoing|to|the|website|may|be|just|as|fun|(|and|scary|)|as|going|to|the|film|.\nLacking|gravitas|,|MacDowell|is|a|placeholder|for|grief|,|and|ergo|this|sloppy|drama|is|an|empty|vessel|.\nLeave|these|Flowers|unpicked|--|they|'re|dead|on|the|vine|.\nAdmirable|,|certainly|,|but|not|much|fun|to|watch|.\nFor|Caine|Lovers|only|.\nA|shambles|of|a|movie|--|visually|unattractive|,|unbearably|loud|and|utterly|silly|...|its|hilarity|is|completely|unintentional|.\nDe|Niro|may|enjoy|the|same|free|ride|from|critics|afforded|to|Clint|Eastwood|in|the|lazy|Bloodwork|.\nBut|like|Bruce|Springsteen|'s|gone-to-pot|Asbury|Park|,|New|Jersey|,|this|sad-sack|waste|of|a|movie|is|a|City|of|ruins|.\nNo|,|it|'s|not|nearly|as|good|as|any|of|its|influences|.\nA|reasonably|efficient|mechanism|,|but|it|offers|few|surprises|and|finds|its|stars|slumming|in|territory|they|should|have|avoided|.\nThe|rest|of|the|plot|is|impossible|to|explain|without|blowing|whatever|tension|there|is|,|although|it|'s|more|comedy|than|suspense|De|Palma|creates|.\nHuman|Nature|talks|the|talk|,|but|it|fails|to|walk|the|silly|walk|that|distinguishes|the|merely|quirky|from|the|surreal|.\nCity|by|the|Sea|is|the|cinematic|equivalent|of|defensive|driving|:|It|'s|careful|,|conscientious|and|makes|no|major|mistakes|.\nBut|what|saves|lives|on|the|freeway|does|not|necessarily|make|for|persuasive|viewing|.\nThe|Marquis|de|Sade|could|n't|have|been|as|dull|a|person|as|this|film|makes|him|out|to|be|.\nWhat|could|have|been|a|neat|little|story|about|believing|in|yourself|is|swamped|by|heavy-handed|melodrama|.\nThe|cast|is|uniformly|excellent|...|but|the|film|itself|is|merely|mildly|charming|.\nDrives|for|the|same|kind|of|bittersweet|,|conciliatory|tone|that|Three|Seasons|achieved|but|loses|its|way|in|rhetorical|excess|and|blatant|sentimentality|.\nA|bigger|holiday|downer|than|your|end-of-year|401|(|k|)|statement|.\nThe|whole|thing|plays|out|with|the|drowsy|heaviness|of|synchronized|swimmer|wearing|a|wool|wetsuit|.\nFairly|successful|at|faking|some|pretty|cool|stunts|but|a|complete|failure|at|trying|to|create|some|pretty|cool|characters|.\nAnd|forget|about|any|attempt|at|a|plot|!\nIt|will|probably|prove|interesting|to|Ram|Dass|fans|,|but|to|others|it|may|feel|like|a|parody|of|the|mellow|,|peace-and-love|side|of|the|'60s|counterculture|.\nTake|away|all|the|cliches|and|the|carbon|copy|scenes|from|every|drug|movie|we|'ve|seen|and|all|you|have|left|are|John|Leguizamo|'s|cool|jackets|.\nIt|'s|so|full|of|wrong|choices|that|all|you|can|do|is|shake|your|head|in|disbelief|--|and|worry|about|what|classic|Oliver|Parker|intends|to|mangle|next|time|.\nShowtime|is|closer|to|Slowtime|.\nIt|may|be|an|easy|swipe|to|take|,|but|this|Barbershop|just|does|n't|make|the|cut|.\nThe|Weight|of|Water|uses|water|as|a|metaphor|for|subconscious|desire|,|but|this|leaky|script|barely|stays|afloat|.\n`|How|many|more|voyages|can|this|limping|but|dearly-loved|franchise|survive|?|'\nDespite|a|blue-chip|cast|and|a|provocative|title|,|writer-director|Peter|Mattei|'s|first|feature|microwaves|dull|leftover|romantic|motifs|basted|in|faux-contemporary|gravy|.\nFans|of|the|TV|series|will|be|disappointed|,|and|everyone|else|will|be|slightly|bored|.\nThe|only|element|of|suspense|is|whether|the|movie|will|change|titles|or|distributors|again|before|the|closing|credits|roll|.\nBarely|goes|beyond|comic|book|status|.\nIt|'s|disappointing|when|filmmakers|throw|a|few|big-name|actors|and|cameos|at|a|hokey|script|.\nI|Spy|is|an|embarrassment|,|a|monotonous|,|disjointed|jumble|of|borrowed|plot|points|and|situations|.\nIt|'s|as|flat|as|an|open|can|of|pop|left|sitting|in|the|sun|.\nAn|eccentric|little|comic\\/thriller|deeply|in|love|with|its|own|quirky|personality|.\nAfraid|to|pitch|into|farce|,|yet|only|half-hearted|in|its|spy|mechanics|,|All|the|Queen|'s|Men|is|finally|just|one|long|drag|.\nMaybe|it|'s|the|star|power|of|the|cast|or|the|redundant|messages|,|but|something|aboul|``|Full|Frontal|''|seems|,|well|,|contrived|.\n(|Morgan|)|,|Judd|and|Franklin|ca|n't|save|the|script|,|rooted|in|a|novel|by|Joseph|Finder|,|from|some|opportunism|.\nPassably|entertaining|but|also|mechanical|and|joyless|.\nSafe|Conduct|,|however|ambitious|and|well-intentioned|,|fails|to|hit|the|entertainment|bull|'s|-|eye|.\nMy|response|to|the|film|is|best|described|as|lukewarm|.\nMaybe|I|found|the|proceedings|a|little|bit|too|conventional|.\nToo|timid|to|bring|a|sense|of|closure|to|an|ugly|chapter|of|the|twentieth|century|.\nIt|'s|push-the-limits|teen|comedy|,|the|type|written|by|people|who|ca|n't|come|up|with|legitimate|funny|,|and|it|'s|used|so|extensively|that|good|bits|are|hopelessly|overshadowed|.\nIt|'s|too|long|,|too|repetitive|,|and|takes|way|too|many|years|to|resolve|to|be|a|total|winner|.\nA|sudsy|cautionary|tale|.\nA|movie|that|tries|to|fuse|the|two|`|woods|'|but|winds|up|a|Bolly-Holly|masala|mess|.\nMr.|Wedge|and|Mr.|Saldanha|handle|the|mix|of|verbal|jokes|and|slapstick|well|.\nTheir|film|falters|,|however|,|in|its|adherence|to|the|Disney|philosophy|of|required|poignancy|,|a|salute|that|I|'d|hoped|the|movie|would|avoid|.\nLeaves|you|with|a|knot|in|your|stomach|,|its|power|is|undercut|by|its|own|head-banging|obviousness|.\nWatching|it|is|rather|like|an|overlong|visit|from|a|large|group|of|your|relatives|.\nAs|your|relatives|swap|one|mundane|story|after|another|,|you|begin|to|wonder|if|they|are|ever|going|to|depart|.\nUnfortunately|,|as|a|writer|,|Mr.|Montias|is|n't|nearly|as|good|to|his|crew|as|he|is|as|a|director|or|actor|.\nOn|the|right|track|to|something|that|'s|creepy|and|effective|...|It|'s|just|going|to|take|more|than|a|man|in|a|Bullwinkle|costume|to|get|there|.\nThe|only|thing|that|could|possibly|make|them|less|interesting|than|they|already|are|is|for|them|to|get|full|montied|into|a|scrappy|,|jovial|team|.\nOne|of|those|movies|where|you|walk|out|of|the|theater|not|feeling|cheated|exactly|,|but|feeling|pandered|to|,|which|,|in|the|end|,|might|be|all|the|more|infuriating|.\n...|this|movie|has|a|glossy|coat|of|action|movie|excess|while|remaining|heartless|at|its|core|.\nMurder|By|Numbers|is|like|a|couple|of|mediocre|TV-movie|-|of-the-week|films|clumsily|stuck|together|.\nThe|film|is|surprisingly|well-directed|by|Brett|Ratner|,|who|keeps|things|moving|well|--|at|least|until|the|problematic|third|act|.\nWarmed-over|Tarantino|by|way|of|wannabe|Elmore|Leonard|.\n(|Sen|'s|)|soap|opera-ish|approach|undermines|his|good|intentions|.\nShowtime|is|one|of|the|hapless|victims|of|the|arrogant|``|if|we|put|together|a|wry|white|man|and|a|chatty|black|man|and|give|them|guns|,|the|movie|will|be|funny|''|syndrome|.\nSushi|for|the|connoisseurs|of|the|macabre|.\nDo|n't|waste|your|money|.\nThough|certainly|original|in|form|,|Altar|Boys|requires|a|taste|for|Swamp|Thing-type|animation|,|doubled|with|a|deafening|score|.\nThere|are|n't|many|laughs|in|this|interesting|study|of|the|cultural|mores|of|Georgian|Jews|in|Tel|Aviv|.\nThere|'s|not|enough|to|sustain|the|comedy|.\nLike|those|to|Rome|,|all|roads|in|The|Banger|Sisters|inevitably|lead|to|a|joke|about|Hawn|'s|breasts|,|which|constantly|threaten|to|upstage|the|woman|sporting|them|.\nWe|may|get|the|full|visceral|impact|of|a|ruthless|army|on|the|warpath|but|no|sense|of|the|devilish|complexity|of|the|Balkans|conflict|.\nYou|'re|better|off|staying|home|and|watching|The|X-Files|.\nChaotic|,|self-indulgent|and|remarkably|ugly|to|look|at|,|it|'s|...|like|a|series|of|pretentiously|awful|student|films|strung|together|into|one|feature-length|horror|.\nBears|resemblance|to|,|and|shares|the|weaknesses|of|,|too|many|recent|action-fantasy|extravaganzas|in|which|special|effects|overpower|cogent|story-telling|and|visual|clarity|during|the|big|action|sequences|.\nThis|is|the|type|of|movie|best|enjoyed|by|frat|boys|and|college|kids|while|sucking|on|the|bong|and|downing|one|alcoholic|beverage|after|another|.\nFriday|After|Next|has|the|same|problem|that|Next|Friday|did|--|it|'s|called|Where|'s|Chris|Tucker|When|You|Need|Him|?\nThis|film|is|full|of|rabbits|.\nBrimful|.\nBut|like|most|rabbits|,|it|seems|to|lack|substance|.\nI|weep|for|the|future|when|a|good|portion|of|the|respected|critical|community|in|this|country|consider|Blue|Crush|to|be|an|intelligent|film|about|young|women|.\nI|kept|wishing|I|was|watching|a|documentary|about|the|wartime|Navajos|and|what|they|accomplished|instead|of|all|this|specious|Hollywood|hoo-ha|.\nNo|number|of|fantastic|sets|,|extras|,|costumes|and|spectacular|locales|can|disguise|the|emptiness|at|the|center|of|the|story|.\nA|movie|far|more|cynical|and|lazy|than|anything|a|fictitious|Charlie|Kaufman|might|object|to|.\nCould|The|Country|Bears|really|be|as|bad|as|its|trailers|?\nIn|a|word|--|yes|.\nIf|High|Crimes|were|any|more|generic|it|would|have|a|universal|product|code|instead|of|a|title|.\nReggio|falls|victim|to|relying|on|the|very|digital|technology|that|he|fervently|scorns|,|creating|a|meandering|,|inarticulate|and|ultimately|disappointing|film|.\nThe|movie|makes|absolutely|no|sense|.\nIts|underlying|mythology|is|a|hodgepodge|of|inconsistencies|that|pose|the|question|:|Since|when|did|dumb|entertainment|have|to|be|this|dumb|?\nThe|problem|with|this|film|is|that|it|'s|forced|to|make|its|characters|idiots|in|order|to|advance|the|plot|.\nHad|anyone|here|done|anything|remotely|intelligent|,|we|all|could|have|stopped|watching|long|ago|.\nDespite|the|authenticity|of|the|trappings|,|the|film|is|overblown|in|its|plotting|,|hackneyed|in|its|dialogue|and|anachronistic|in|its|style|.\nMurder|and|mayhem|of|this|sort|quickly|becomes|monotonous|.\nThe|journey|toward|redemption|feels|more|like|a|cinematic|experiment|than|a|full-blown|movie|.\nThat|Zhang|would|make|such|a|strainingly|cute|film|--|with|a|blind|orphan|at|its|center|,|no|less|--|indicates|where|his|ambitions|have|wandered|.\nThe|Gantzes|'|interviews|tend|to|let|the|guys|off|the|hook|.\nThe|streets|,|shot|by|cinematographer|Michael|Ballhaus|,|may|be|as|authentic|as|they|are|mean|,|but|it|is|nearly|impossible|to|care|about|what|happens|on|them|.\nThis|is|a|good|movie|in|spurts|,|but|when|it|does|n't|work|,|it|'s|at|important|times|.\nParker|probably|thinks|he|'s|shaking|up|a|classic|the|way|Kenneth|Branagh|and|Baz|Luhrmann|have|,|but|this|half-hearted|messing-about|just|makes|us|miss|Wilde|'s|still-contemporary|play|.\nFlotsam|in|the|sea|of|moviemaking|,|not|big|enough|for|us|to|worry|about|it|causing|significant|harm|and|not|smelly|enough|to|bother|despising|.\nA|TV|episode|inflated|past|its|natural|length|.\nInvolving|at|times|,|but|lapses|quite|casually|into|the|absurd|.\nAll|these|developments|and|challenges|facing|Santa|weigh|down|the|plot|so|heavily|that|they|drain|all|the|film|of|its|energy|and|needlessly|strain|credibility|.\nThere|are|weird|resonances|between|actor|and|role|here|,|and|they|'re|not|exactly|flattering|.\nThe|unceasing|sadism|is|so|graphically|excessive|,|the|director|just|ends|up|exposing|his|own|obsession|.\nThe|story|...|is|moldy|and|obvious|.\nIt|'s|drained|of|life|in|an|attempt|to|be|sober|and|educational|,|and|yet|it|'s|so|devoid|of|realism|that|its|lack|of|whistles|and|bells|just|makes|it|obnoxious|and|stiff|.\nSuffocated|at|conception|by|its|Munchausen-by-proxy|mum|.\nPunish|the|vehicle|to|adore|the|star|.\nEven|if|Britney|Spears|is|really|cute|,|her|movie|is|really|bad|.\nBig|Fat|Liar|is|just|futile|silliness|looking|to|tap|into|the|kiddie|sensibilities|.\nUsually|when|I|get|this|much|syrup|,|I|like|pancakes|to|go|with|it|.\nAll|the|necessary|exposition|prevents|the|picture|from|rising|above|your|generic|sand|'n'|sandal|adventure|.\nGlib|,|satirical|documentary|that|fudges|facts|,|makes|facile|points|and|engages|in|the|cinematic|equivalent|of|tabloid|journalism|.\nGangs|of|New|York|is|an|unapologetic|mess|,|whose|only|saving|grace|is|that|it|ends|by|blowing|just|about|everything|up|.\nAn|overblown|clunker|full|of|bad|jokes|,|howling|cliches|and|by-the-numbers|action|sequences|.\nWithout|a|strong|script|and|energetic|acting|,|Dogma|films|can|produce|the|same|sleep-inducing|effects|as|watching|your|neighbor|'s|home|videos|.\nA|mild|,|reluctant|,|thumbs|down|.\nStrong|setup|and|ambitious|goals|fade|as|the|film|descends|into|unsophisticated|scare|tactics|and|B-film|thuggery|.\nSchindler|'s|List|it|ai|n't|.\nA|cinematic|sleeping|pill|of|impressive|potency|.\nIt|'s|an|awfully|derivative|story|.\nThe|movie|barely|makes|sense|,|with|its|unbelievable|naïveté|and|arbitrary|flashbacks|.\nIt|'s|an|earnest|debut|full|of|heartfelt|performances|,|but|is|ultimately|let|down|by|a|story|that|is|all|too|predictable|.\nAbout|as|cutting-edge|as|Pet|Rock|:|The|Movie|.\nWith|generic|sets|and|B-grade|special|effects|,|Jason|is|about|as|convincing|on|the|sci-fi|front|as|TV|'s|defunct|Cleopatra|2525|.\nNot|sweet|enough|to|liven|up|its|predictable|story|and|will|leave|even|fans|of|hip-hop|sorely|disappointed|.\nWinds|up|feeling|like|lots|of|other|quirky|movies|that|try|to|score|hipness|points|with|young|adults|.\nOft-described|as|the|antidote|to|American|Pie-type|sex|comedies|,|it|actually|has|a|bundle|in|common|with|them|,|as|the|film|diffuses|every|opportunity|for|a|breakthrough\nThe|pacing|is|glacial|,|the|screenplay|is|stiff|as|a|board|,|and|things|heat|up|only|in|the|movie|'s|final|scenes|.\nThe|premise|is|overshadowed|by|the|uberviolence|of|the|Clericks|as|this|becomes|just|another|kung-fu|sci-fi|movie|with|silly|action|sequences|.\nWith|its|hints|of|a|greater|intelligence|lurking|somewhere|,|The|Ring|makes|its|stupidity|more|than|obvious|.\nIt|'s|painful|.\nPumpkin|struts|about|with|``|courage|''|pinned|to|its|huckster|lapel|while|a|yellow|streak|a|mile|wide|decorates|its|back|.\nAn|uneven|film|dealing|with|too|many|problems|to|be|taken|seriously|.\nSheridan|...|smoothes|over|sources|of|conflict|that|could|have|lent|the|film|a|bit|more|depth|.\nAn|atonal|estrogen|opera|that|demonizes|feminism|while|gifting|the|most|sympathetic|male|of|the|piece|with|a|nice|vomit|bath|at|his|wedding|.\nHalf|of|it|is|composed|of|snappy|patter|and|pseudo-sophisticated|cultural|observations|,|while|the|remainder|...|would|be|more|at|home|on|a|daytime|television|serial|.\nWriter\\/director|John|McKay|ignites|some|charming|chemistry|between|Kate|and|Jed|but|,|when|he|veers|into|sodden|melodrama|,|punctuated|by|violins|,|it|'s|disastrous|and|Kate|'s|jealous|female|friends|become|downright|despicable|.\n(|Newton|)|wanders|through|CHARLIE|completely|unaware|she|needs|to|show|some|presence|and|star|quality|.\nUnfortunately|,|the|picture|failed|to|capture|me|.\nI|found|it|slow|,|drab|,|and|bordering|on|melodramatic|.\nA|lousy|movie|that|'s|not|merely|unwatchable|,|but|also|unlistenable|.\nThe|best|way|to|hope|for|any|chance|of|enjoying|this|film|is|by|lowering|your|expectations|.\nThen|lower|them|a|bit|more|.\nWhen|not|obscured|by|the|booming|bass-heavy|soundtrack|,|the|conversation|presents|the|kind|of|linguistic|fumbling|not|heard|since|Macy|Gray|'s|game|of|Chinese|whispers|with|Mr|Bean|.\nCliches|are|as|thick|as|the|cigarette|smoke|.\nA|woozy|,|roisterous|,|exhausting|mess|,|and|the|off-beat|casting|of|its|two|leads|turns|out|to|be|as|ill-starred|as|you|might|expect|.\n`|Abandon|all|hope|,|ye|who|enter|here|'|...|you|should|definitely|let|Dante|'s|gloomy|words|be|your|guide|.\nWhat|begins|as|a|seemingly|brainless|,|bubbly|romantic|comedy|becomes|a|cliche-drenched|melodrama|by|mid-film|and|,|by|film|'s|end|,|a|feminist|action|fantasy|.\nA|grim|,|flat|and|boring|werewolf|movie|that|refuses|to|develop|an|energy|level|.\nBirot|'s|directorial|debut|(|she|co-wrote|the|script|with|Christophe|Honoré|)|is|n't|so|much|bad|as|it|is|bland|.\nWatching|the|film|is|like|reading|a|Times|Portrait|of|Grief|that|keeps|shifting|focus|to|the|journalist|who|wrote|it|.\nEnough|similarities|to|Gymkata|and|Howie|Long|'s|Firestorm|that|my|fingernails|instinctively|crawled|towards|my|long-suffering|eyeballs|.\nSucceeds|in|providing|a|disquiet|world|the|long-dreaded|completion|of|the|Police|Academy|series|.\nChristians|sensitive|to|a|reductionist|view|of|their|Lord|as|a|luv-spreading|Dr.|Feelgood|or|omnipotent|slacker|will|feel|vastly|more|affronted|than|secularists|,|who|might|even|praise|God|for|delivering|such|an|instant|camp|classic|.\nIf|this|dud|had|been|made|in|the|'70s|,|it|would|have|been|called|The|Hills|Have|Antlers|and|played|for|about|three|weeks|in|drive-ins|.\nA|frantic|search|for|laughs|,|with|a|hit-to-miss|ratio|that|does|n't|exactly|favour|the|audience|.\nLike|a|documentary|version|of|Fight|Club|,|shorn|of|social|insight|,|intellectual|pretension|and|cinematic|interest|.\n``|An|entire|film|about|researchers|quietly|reading|dusty|old|letters|.|''\nPryor|Lite|,|with|half|the|demons|,|half|the|daring|,|much|less|talent|,|many|fewer|laughs|.\nWhat|'s|at|stake|in|this|film|is|nothing|more|than|an|obsolete|,|if|irritating|,|notion|of|class|.\nThe|stories|here|suffer|from|the|chosen|format|.\nWhile|the|mystery|surrounding|the|nature|of|the|boat|'s|malediction|remains|intriguing|enough|to|sustain|mild|interest|,|the|picture|refuses|to|offer|much|accompanying|sustenance|in|the|way|of|characterization|,|humor|or|plain|old|popcorn|fun|.\nJust|how|extreme|are|these|ops|?\nI|regret|to|report|that|these|ops|are|just|not|extreme|enough|.\nThe|actors|are|forced|to|grapple|with|hazy|motivations|that|never|come|into|focus|.\nJohn|Leguizamo|may|be|a|dramatic|actor|--|just|not|in|this|movie|.\nThe|sequel|has|turned|completely|and|irrevocably|bizarre|to|the|point|of|utter|nonsense|.\nHardly|makes|the|kind|of|points|Egoyan|wanted|to|make|,|nor|does|it|exist|as|the|kind|of|monument|he|wanted|to|build|,|to|victims|whose|voices|have|never|gained|the|ears|of|the|world|.\nBuild|some|robots|,|haul|'em|to|the|theatre|with|you|for|the|late|show|,|and|put|on|your|own|Mystery|Science|Theatre|3000|tribute|to|what|is|almost|certainly|going|to|go|down|as|the|worst|--|and|only|--|killer|website|movie|of|this|or|any|other|year|.\nRainy|days|and|movies|about|the|disintegration|of|families|always|get|me|down|.\n...|has|about|3\\/4th|the|fun|of|its|spry|2001|predecessor|--|but|it|'s|a|rushed|,|slapdash|,|sequel-for-the-sake|-|of-a-sequel|with|less|than|half|the|plot|and|ingenuity|.\nThe|Master|Of|Disaster|-|it|'s|a|piece|of|dreck|disguised|as|comedy|.\nThe|film|has|a|few|cute|ideas|and|several|modest|chuckles|but|it|is|n't|exactly|kiddie-friendly|...|Alas|,|Santa|is|more|ho-hum|than|ho-ho-ho|and|the|Snowman|(|who|never|gets|to|play|that|flute|)|has|all|the|charm|of|a|meltdown|.\nThe|stupidest|,|most|insulting|movie|of|2002|'s|first|quarter|.\nIt|'s|so|underwritten|that|you|ca|n't|figure|out|just|where|the|other|characters|,|including|Ana|'s|father|and|grandfather|,|come|down|on|the|issue|of|Ana|'s|future|.\nA|film|so|tedious|that|it|is|impossible|to|care|whether|that|boast|is|true|or|not|.\nNone|of|this|violates|the|letter|of|Behan|'s|book|,|but|missing|is|its|spirit|,|its|ribald|,|full-throated|humor|.\nBad|Company|leaves|a|bad|taste|,|not|only|because|of|its|bad-luck|timing|,|but|also|the|staleness|of|its|script|.\nEven|if|it|ultimately|disappoints|,|the|picture|does|have|about|a|matinee|admission|'s|worth|of|funny|to|keep|it|afloat|.\nFails|to|bring|as|much|to|the|table|.\nA|film|made|with|as|little|wit|,|interest|,|and|professionalism|as|artistically|possible|for|a|slummy|Hollywood|caper|flick|.\nDisturbingly|superficial|in|its|approach|to|the|material|.\nIf|you|'re|not|the|target|demographic|...|this|movie|is|one|long|chick-flick|slog|.\nI|hate|this|movie\nIt|'s|tough|to|tell|which|is|in|more|abundant|supply|in|this|woefully|hackneyed|movie|,|directed|by|Scott|Kalvert|,|about|street|gangs|and|turf|wars|in|1958|Brooklyn|--|stale|cliches|,|gratuitous|violence|,|or|empty|machismo|.\nGooding|and|Coburn|are|both|Oscar|winners|,|a|fact|which|,|as|you|watch|them|clumsily|mugging|their|way|through|Snow|Dogs|,|seems|inconceivable|.\nAt|every|opportunity|to|do|something|clever|,|the|film|goes|right|over|the|edge|and|kills|every|sense|of|believability|...|all|you|have|left|is|a|no-surprise|series|of|explosions|and|violence|while|Banderas|looks|like|he|'s|not|trying|to|laugh|at|how|bad|it\n...|pitiful|,|slapdash|disaster|.\nA|DOA|dud|from|frame|one|.\nJaw-droppingly|superficial|,|straining|to|get|by|on|humor|that|is|not|even|as|daring|as|John|Ritter|'s|glory|days|on|Three|'s|Company|.\nThere|are|plenty|of|scenes|in|Frida|that|do|work|,|but|rarely|do|they|involve|the|title|character|herself|.\nAlthough|God|Is|Great|addresses|interesting|matters|of|identity|and|heritage|,|it|'s|hard|to|shake|the|feeling|that|it|was|intended|to|be|a|different|kind|of|film|.\nThe|dark|and|bittersweet|twist|feels|strange|as|things|turn|nasty|and|tragic|during|the|final|third|of|the|film|.\nFirst-timer|John|McKay|is|never|able|to|pull|it|back|on|course|.\nDistances|you|by|throwing|out|so|many|red|herrings|,|so|many|false|scares|,|that|the|genuine|ones|barely|register|.\nGodard|uses|his|characters|--|if|that|'s|not|too|glorified|a|term|--|as|art|things|,|mouthpieces|,|visual|motifs|,|blanks|.\nThe|movie|generates|plot|points|with|a|degree|of|randomness|usually|achieved|only|by|lottery|drawing|.\nA|predictable|,|manipulative|stinker|.\nThe|story|passes|time|until|it|'s|time|for|an|absurd|finale|of|twisted|metal|,|fireballs|and|revenge|.\nEastwood|winces|,|clutches|his|chest|and|gasps|for|breath|.\nIt|'s|a|spectacular|performance|-|ahem|,|we|hope|it|'s|only|acting|.\nThe|movie|suffers|from|two|fatal|ailments|--|a|dearth|of|vitality|and|a|story|that|'s|shapeless|and|uninflected|.\nIt|'s|just|weirdness|for|the|sake|of|weirdness|,|and|where|Human|Nature|should|be|ingratiating|,|it|'s|just|grating|.\nAn|ambitiously|naturalistic|,|albeit|half-baked|,|drama|about|an|abused|,|inner-city|autistic|teen|.\nonce|she|lets|her|love|depraved|leads|meet|,|(|Denis|'|)|story|becomes|a|hopeless|,|unsatisfying|muddle\nThe|dose|is|strong|and|funny|,|for|the|first|15|minutes|anyway|;|after|that|,|the|potency|wanes|dramatically|.\nThe|people|in|ABC|Africa|are|treated|as|docile|,|mostly|wordless|ethnographic|extras|.\nWhat|'s|really|sad|is|to|see|two|Academy|Award|winning|actresses|(|and|one|Academy|Award|winning|actor|)|succumb|to|appearing|in|this|junk|that|'s|TV|sitcom|material|at|best|.\nNo|doubt|the|star|and|everyone|else|involved|had|their|hearts|in|the|right|place|.\nWhere|their|heads|were|is|anyone|'s|guess|.\nCall|me|a|cynic|,|but|there|'s|something|awfully|deadly|about|any|movie|with|a|life-affirming|message|.\nA|gratingly|unfunny|groaner|littered|with|zero-dimensional|,|unlikable|characters|and|hackneyed|,|threadbare|comic|setups|.\nGot|some|good|,|organic|character|work|,|lots|of|obvious|political|insights|and|little|room|for|engaging|,|imaginative|filmmaking|in|its|nearly|2 1\\/2|-|hour|,|dissipated|length|.\nA|painfully|slow|cliche-ridden|film|filled|with|more|holes|than|Clyde|Barrow|'s|car|.\nLike|leafing|through|an|album|of|photos|accompanied|by|the|sketchiest|of|captions|.\nI|guess|it|just|goes|to|show|that|if|you|give|a|filmmaker|an|unlimited|amount|of|phony|blood|,|nothing|good|can|happen|.\nGaghan|captures|the|half-lit|,|sometimes|creepy|intimacy|of|college|dorm|rooms|,|a|subtlety|that|makes|the|silly|,|over-the-top|coda|especially|disappointing|.\nFeels|less|like|a|change|in|(|Herzog|'s|)|personal|policy|than|a|half-hearted|fluke|.\nOne|of|the|most|unpleasant|things|the|studio|has|ever|produced|.\nWill|anyone|who|is|n't|a|Fangoria|subscriber|be|excited|that|it|has|n't|gone|straight|to|video|?\nA|selection|of|scenes|in|search|of|a|movie|.\n(|Janey|)|forgets|about|her|other|obligations|,|leading|to|a|tragedy|which|is|somehow|guessable|from|the|first|few|minutes|,|maybe|because|it|echoes|the|by|now|intolerable|morbidity|of|so|many|recent|movies|.\nWill|undoubtedly|play|well|in|European|markets|,|where|Mr.|Besson|is|a|brand|name|,|and|in|Asia|,|where|Ms.|Shu|is|an|institution|,|but|American|audiences|will|probably|find|it|familiar|and|insufficiently|cathartic|.\nTrue|to|its|animatronic|roots|:|...|as|stiff|,|ponderous|and|charmless|as|a|mechanical|apparatus|...|`|The|Country|Bears|'|should|never|have|been|brought|out|of|hibernation|.\n(|Evans|is|)|a|fascinating|character|,|and|deserves|a|better|vehicle|than|this|facetious|smirk|of|a|movie|.\nThe|script|'s|judgment|and|sense|of|weight|is|way|,|way|off|.\nYou|come|away|wishing|,|though|,|that|the|movie|spent|a|lot|less|time|trying|to|make|a|credible|case|for|reports|from|the|afterlife|and|a|lot|more|time|on|the|romantic|urgency|that|'s|at|the|center|of|the|story|.\nEvelyn|may|be|based|on|a|true|and|historically|significant|story|,|but|the|filmmakers|have|made|every|effort|to|disguise|it|as|an|unimaginative|screenwriter|'s|invention|.\nA|derivative|collection|of|horror|and|sci-fi|cliches|.\nLoosely|speaking|,|we|'re|in|All|of|Me|territory|again|,|and|,|strictly|speaking|,|Schneider|is|no|Steve|Martin|.\nAs|aimless|as|an|old|pickup|skidding|completely|out|of|control|on|a|long|patch|of|black|ice|,|the|movie|makes|two|hours|feel|like|four|.\nLimps|along|on|a|squirm-inducing|fish-out-of-water|formula|that|goes|nowhere|and|goes|there|very|,|very|slowly|.\nJust|the|sort|of|lazy|tearjerker|that|gives|movies|about|ordinary|folk|a|bad|name|.\nThe|redeeming|feature|of|Chan|'s|films|has|always|been|the|action|,|but|the|stunts|in|The|Tuxedo|seem|tired|and|,|what|'s|worse|,|routine|.\nWhile|The|Importance|of|Being|Earnest|offers|opportunities|for|occasional|smiles|and|chuckles|,|it|does|n't|give|us|a|reason|to|be|in|the|theater|beyond|Wilde|'s|wit|and|the|actors|'|performances|.\nHas|all|the|scenic|appeal|of|a|cesspool|.\nA|rambling|ensemble|piece|with|loosely|connected|characters|and|plots|that|never|quite|gel|.\nA|Lifetime|movie|about|men|.\nThe|Balkans|provide|the|obstacle|course|for|the|love|of|a|good|woman|.\nIt|'s|hard|to|say|who|might|enjoy|this|,|are|there|Tolstoy|groupies|out|there|?\nIt|'s|dark|and|tragic|,|and|lets|the|business|of|the|greedy|talent|agents|get|in|the|way|of|saying|something|meaningful|about|facing|death\nThis|is|a|movie|that|starts|out|like|Heathers|,|then|becomes|Bring|it|On|,|then|becomes|unwatchable|.\nThe|screenplay|flounders|under|the|weight|of|too|many|story|lines|.\nI|think|it|was|Plato|who|said|,|'|I|think|,|therefore|I|know|better|than|to|rush|to|the|theatre|for|this|one|.|'\nIf|Damon|and|Affleck|attempt|another|Project|Greenlight|,|next|time|out|they|might|try|paying|less|attention|to|the|miniseries|and|more|attention|to|the|film|it|is|about|.\nThis|is|rote|drivel|aimed|at|Mom|and|Dad|'s|wallet|.\nContrived|,|maudlin|and|cliche-ridden|...|if|this|sappy|script|was|the|best|the|contest|received|,|those|rejected|must|have|been|astronomically|bad|.\nI|hate|the|feeling|of|having|been|slimed|in|the|name|of|High|Art|.\nThis|is|more|a|case|of|`|Sacre|bleu|!|'\nthan|`|Magnifique|'|.\nThe|kids|in|the|audience|at|the|preview|screening|seemed|bored|,|cheering|the|pratfalls|but|little|else|;|their|parents|,|wise|folks|that|they|are|,|read|books|.\nWhether|Jason|X|is|this|bad|on|purpose|is|never|clear|.\nBut|one|thing|'s|for|sure|:|It|never|comes|close|to|being|either|funny|or|scary|.\nYet|another|weepy|Southern|bore-athon|.\nI|like|all|four|of|the|lead|actors|a|lot|and|they|manage|to|squeeze|a|few|laughs|out|of|the|material|,|but|they|'re|treading|water|at|best|in|this|forgettable|effort|.\nPerhaps|the|most|annoying|thing|about|Who|Is|Cletis|Tout|?\nis|that|it|'s|a|crime|movie|made|by|someone|who|obviously|knows|nothing|about|crime|.\nExcept|as|an|acting|exercise|or|an|exceptionally|dark|joke|,|you|wonder|what|anyone|saw|in|this|film|that|allowed|it|to|get|made|.\nThis|insufferable|movie|is|meant|to|make|you|think|about|existential|suffering|.\nInstead|,|it|'ll|only|put|you|to|sleep|.\nWho|is|this|movie|for|?\nNot|kids|,|who|do|n't|need|the|lesson|in|repugnance|.\nIt|'s|also|not|smart|or|barbed|enough|for|older|viewers|--|not|everyone|thinks|poo-poo|jokes|are|`|edgy|.|'\nA|sleep-inducingly|slow-paced|crime|drama|with|clumsy|dialogue|,|heavy-handed|phoney-feeling|sentiment|,|and|an|overly-familiar|set|of|plot|devices|.\nIt|'s|so|tedious|that|it|makes|you|forgive|every|fake|,|dishonest|,|entertaining|and|,|ultimately|,|more|perceptive|moment|in|Bridget|Jones|'s|Diary|.\nAlmost|as|offensive|as|``|Freddy|Got|Fingered|.|''\nThe|gifted|Crudup|has|the|perfect|face|to|play|a|handsome|blank|yearning|to|find|himself|,|and|his|cipherlike|personality|and|bad|behavior|would|play|fine|if|the|movie|knew|what|to|do|with|him|.\nIt|is|depressing|,|ruthlessly|pained|and|depraved|,|the|movie|equivalent|of|staring|into|an|open|wound|.\nPonderous|,|plodding|soap|opera|disguised|as|a|feature|film|.\nCold|,|pretentious|,|thoroughly|dislikable|study|in|sociopathy|.\nFor|the|future|,|one|hopes|Mr.|Plympton|will|find|room|for|one|more|member|of|his|little|band|,|a|professional|screenwriter|.\nA|cheap|scam|put|together|by|some|cynical|creeps|at|Revolution|Studios|and|Imagine|Entertainment|to|make|the|suckers|out|there|surrender|$|9|and|93|minutes|of|unrecoverable|life|.\nReign|of|Fire|never|comes|close|to|recovering|from|its|demented|premise|,|but|it|does|sustain|an|enjoyable|level|of|ridiculousness|.\nHuman|Nature|is|a|goofball|movie|,|in|the|way|that|Malkovich|was|,|but|it|tries|too|hard|.\nOriginality|is|sorely|lacking|.\nThe|plot|'s|clearly|mythic|structure|may|owe|more|to|Disney|'s|strong|sense|of|formula|than|to|the|original|story|.\nBut|while|the|highly|predictable|narrative|falls|short|,|Treasure|Planet|is|truly|gorgeous|to|behold|.\nThough|there|are|entertaining|and|audacious|moments|,|the|movie|'s|wildly|careening|tone|and|an|extremely|flat|lead|performance|do|little|to|salvage|this|filmmaker|'s|flailing|reputation|.\nRam|Dass|Fierce|Grace|moulds|itself|as|an|example|to|up-and-coming|documentarians|,|of|the|overlooked|pitfalls|of|such|an|endeavour|.\nLucky|Break|is|perfectly|inoffensive|and|harmless|,|but|it|'s|also|drab|and|inert|.\nFor|a|story|set|at|sea|,|Ghost|Ship|is|pretty|landbound|,|with|its|leaden|acting|,|dull|exposition|and|telegraphed|`|surprises|.|'\nThere|might|be|some|sort|of|credible|gender-provoking|philosophy|submerged|here|,|but|who|the|hell|cares|?\nNothing|more|than|a|stifling|morality|tale|dressed|up|in|peekaboo|clothing|.\nI|like|my|Christmas|movies|with|more|elves|and|snow|and|less|pimps|and|ho|'s|.\nIt|all|seemed|wasted|like|DeNiro|'s|once|promising|career|and|the|once|grand|Long|Beach|boardwalk|.\n(|I|)|t|'s|certainly|laudable|that|the|movie|deals|with|hot-button|issues|in|a|comedic|context|,|but|Barbershop|is|n't|as|funny|as|it|should|be|.\nUnfortunately|,|a|cast|of|competent|performers|from|movies|,|television|and|the|theater|are|cast|adrift|in|various|New|York|City|locations|with|no|unifying|rhythm|or|visual|style|.\nJust|entertaining|enough|not|to|hate|,|too|mediocre|to|love|.\n`|Sophisticated|'|viewers|who|refuse|to|admit|that|they|do|n't|like|it|will|likely|call|it|`|challenging|'|to|their|fellow|sophisticates|.\nEquilibrium|the|movie|,|as|opposed|to|the|manifesto|,|is|really|,|really|stupid|.\nExcruciatingly|unfunny|and|pitifully|unromantic|.\nThe|film|'s|thoroughly|recycled|plot|and|tiresome|jokes|...|drag|the|movie|down|.\nIt|does|n't|offer|audiences|any|way|of|gripping|what|its|point|is|,|or|even|its|attitude|toward|its|subject|.\nThis|kiddie-oriented|stinker|is|so|bad|that|I|even|caught|the|gum|stuck|under|my|seat|trying|to|sneak|out|of|the|theater\nThough|Impostor|deviously|adopts|the|guise|of|a|modern|motion|picture|,|it|too|is|a|bomb|.\nCox|offers|plenty|of|glimpses|at|existing|photos|,|but|there|are|no|movies|of|Nijinsky|,|so|instead|the|director|treats|us|to|an|aimless|hodgepodge|.\nEvery|note|rings|false|.\nWhen|the|screenwriter|responsible|for|one|of|the|worst|movies|of|one|year|directs|an|equally|miserable|film|the|following|year|,|you|'d|have|a|hard|time|believing|it|was|just|coincidence|.\nIt|never|rises|to|its|clever|what-if|concept|.\nAdmirably|ambitious|but|self-indulgent|.\nThis|story|of|unrequited|love|does|n't|sustain|interest|beyond|the|first|half-hour|.\nThis|angst-ridden|territory|was|covered|earlier|and|much|better|in|Ordinary|People|.\nThe|entire|film|is|one|big|excuse|to|play|one|lewd|scene|after|another|.\nAbout|half|of|them|are|funny|,|a|few|are|sexy|and|none|are|useful|in|telling|the|story|,|which|is|paper-thin|and|decidedly|unoriginal|.\nA|big|,|loud|,|bang-the-drum|bore|.\n(|Less|a|movie|than|)|an|appalling|,|odoriferous|thing|...|so|rotten|in|almost|every|single|facet|of|production|that|you|'ll|want|to|crawl|up|your|own|\\*\\*\\*|in|embarrassment|.\nThe|concept|behind|Kung|Pow|:|Enter|the|Fist|is|hilarious|.\nIt|'s|too|bad|nothing|else|is|.\nHardman|is|a|grating|,|mannered|onscreen|presence|,|which|is|especially|unfortunate|in|light|of|the|fine|work|done|by|most|of|the|rest|of|her|cast|.\nEl|Crimen|Del|Padre|Amaro|would|likely|be|most|effective|if|used|as|a|tool|to|rally|anti-Catholic|protestors|.\nInteresting|and|thoroughly|unfaithful|version|of|Carmen\nA|serious|movie|with|serious|ideas|.\nBut|seriously|,|folks|,|it|does|n't|work|.\nThere|'s|nothing|exactly|wrong|here|,|but|there|'s|not|nearly|enough|that|'s|right|.\nThe|action|here|is|unusually|tame|,|the|characters|are|too|simplistic|to|maintain|interest|,|and|the|plot|offers|few|surprises|.\nI|could|n't|help|but|feel|the|wasted|potential|of|this|slapstick|comedy|.\nWhat|Madonna|does|here|ca|n't|properly|be|called|acting|--|more|accurately|,|it|'s|moving|and|it|'s|talking|and|it|'s|occasionally|gesturing|,|sometimes|all|at|once|.\n(|A|)|painfully|flat|gross-out|comedy|...\nEven|if|you|'re|an|Elvis|person|,|you|wo|n't|find|anything|to|get|excited|about|on|this|DVD|.\nThe|movie|certainly|has|its|share|of|clever|moments|and|biting|dialogue|,|but|there|'s|just|not|much|lurking|below|its|abstract|surface|.\nIt|'s|bedeviled|by|labored|writing|and|slack|direction|.\nI|'m|sure|there|'s|a|teenage|boy|out|there|somewhere|who|'s|dying|for|this|kind|of|entertainment|.\nThe|Tuxedo|miscalculates|badly|by|forcing|the|star|to|play|second|fiddle|to|the|dull|effects|that|allow|the|suit|to|come|to|life|.\nThe|film|is|a|confusing|melange|of|tones|and|styles|,|one|moment|a|romantic|trifle|and|the|next|a|turgid|drama|.\nObviously|,|a|lot|of|people|wasted|a|lot|of|their|time|(|including|mine|)|on|something|very|inconsequential|.\nThere|'s|a|little|violence|and|lots|of|sex|in|a|bid|to|hold|our|attention|,|but|it|grows|monotonous|after|a|while|,|as|do|Joan|and|Philip|'s|repetitive|arguments|,|schemes|and|treachery|.\nIt|drowns|in|sap|.\nDeliberately|and|devotedly|constructed|,|Far|from|Heaven|is|too|picture|postcard|perfect|,|too|neat|and|new|pin-like|,|too|obviously|a|recreation|to|resonate|.\nIt|'s|rare|that|a|movie|can|be|as|intelligent|as|this|one|is|in|every|regard|except|its|storyline|;|everything|that|'s|good|is|ultimately|scuttled|by|a|plot|that|'s|just|too|boring|and|obvious|.\nI|'m|giving|it|thumbs|down|due|to|the|endlessly|repetitive|scenes|of|embarrassment|.\nThere|'s|got|to|be|a|more|graceful|way|of|portraying|the|devastation|of|this|disease|.\nThe|good|thing|--|the|only|good|thing|--|about|Extreme|Ops|is|that|it|'s|so|inane|that|it|gave|me|plenty|of|time|to|ponder|my|Thanksgiving|to-do|list|.\nThe|modern-day|characters|are|nowhere|near|as|vivid|as|the|19th-century|ones|.\nBlessed|with|a|searing|lead|performance|by|Ryan|Gosling|(|Murder|by|Numbers|)|,|the|movie|is|powerful|and|provocative|.\nIt|'s|also|built|on|a|faulty|premise|,|one|it|follows|into|melodrama|and|silliness|.\nUneven|performances|and|a|spotty|script|add|up|to|a|biting|satire|that|has|no|teeth|.\nDirector|Jay|Russell|stomps|in|hobnail|boots|over|Natalie|Babbitt|'s|gentle|,|endearing|1975|children|'s|novel|.\nBenigni|'s|Pinocchio|is|extremely|straight|and|mind-numbingly|stilted|,|its|episodic|pacing|keeping|the|film|from|developing|any|storytelling|flow|.\nThe|troubling|thing|about|Clockstoppers|is|that|it|does|n't|make|any|sense|.\nWith|its|paint|fights|,|motorized|scooter|chases|and|dewy-eyed|sentiment|,|it|'s|a|pretty|listless|collection|of|kid-movie|clichés|.\nMostly|the|film|is|just|hectic|and|homiletic|:|two|parts|exhausting|Men|in|Black|mayhem|to|one|part|family|values|.\nKicks|off|with|an|inauspicious|premise|,|mopes|through|a|dreary|tract|of|virtually|plotless|meanderings|and|then|ends|with|a|whimper|.\nA|rote|exercise|in|both|animation|and|storytelling|.\nThe|material|and|the|production|itself|are|little|more|than|routine|.\nThe|movie|'s|major|and|most|devastating|flaw|is|its|reliance|on|formula|,|though|,|and|it|'s|quite|enough|to|lessen|the|overall|impact|the|movie|could|have|had|.\nNot|even|Steven|Spielberg|has|dreamed|up|such|blatant|and|sickening|product|placement|in|a|movie|.\nIt|'s|all|surface|psychodramatics|.\nThe|Mothman|Prophecies|,|which|is|mostly|a|bore|,|seems|to|exist|only|for|its|climactic|setpiece|.\nThat|frenetic|spectacle|(|on|the|TV|show|)|has|usually|been|leavened|by|a|charm|that|'s|conspicuously|missing|from|the|Girls|'|big-screen|blowout|.\nKitschy|,|flashy|,|overlong|soap|opera|.\nFor|all|the|time|we|spend|with|these|people|,|we|never|really|get|inside|of|them|.\nYet|another|Arnold|vehicle|that|fails|to|make|adequate|use|of|his|particular|talents|.\nSandra|Bullock|,|despite|downplaying|her|good|looks|,|carries|a|little|too|much|ai|n't|-|she-cute|baggage|into|her|lead|role|as|a|troubled|and|determined|homicide|cop|to|quite|pull|off|the|heavy|stuff|.\nAn|undistinguished|attempt|to|make|a|classic|theater|piece|cinematic|.\ntoo|many|scenarios|in|which|the|hero|might|have|an|opportunity|to|triumphantly|sermonize|,|and|too|few|that|allow|us|to|wonder|for|ourselves|if|things|will|turn|out|okay|.\nThere|is|simply|not|enough|of|interest|onscreen|to|sustain|its|seventy-minute|running|time|.\nA|wordy|wisp|of|a|comedy|.\nBroomfield|'s|style|of|journalism|is|hardly|journalism|at|all|,|and|even|those|with|an|avid|interest|in|the|subject|will|grow|impatient|.\n(|Seagal|'s|)|strenuous|attempt|at|a|change|in|expression|could|very|well|clinch|him|this|year|'s|Razzie|.\nHas|the|disjointed|feel|of|a|bunch|of|strung-together|TV|episodes|.\nA|series|of|escapades|demonstrating|the|adage|that|what|is|good|for|the|goose|is|also|good|for|the|gander|,|some|of|which|occasionally|amuses|but|none|of|which|amounts|to|much|of|a|story|.\nOzpetek|offers|an|AIDS|subtext|,|skims|over|the|realities|of|gay|sex|,|and|presents|yet|another|tired|old|vision|of|the|gay|community|as|an|all-inclusive|world|where|uptight|,|middle|class|bores|like|Antonia|can|feel|good|about|themselves|.\nA|dopey|movie|clothed|in|excess|layers|of|hipness|.\nThe|Sweetest|Thing|is|expressly|for|idiots|who|do|n't|care|what|kind|of|sewage|they|shovel|into|their|mental|gullets|to|simulate|sustenance|.\nSinks|so|low|in|a|poorly|played|game|of|absurd|plot|twists|,|idiotic|court|maneuvers|and|stupid|characters|that|even|Freeman|ca|n't|save|it|.\nI|realized|that|no|matter|how|fantastic|Reign|of|Fire|looked|,|its|story|was|making|no|sense|at|all|.\nIt|made|me|realize|that|we|really|have|n't|had|a|good|cheesy|B-movie|playing|in|theaters|since|...|well|...|since|last|week|'s|Reign|of|Fire|.\nSome|movies|were|made|for|the|big|screen|,|some|for|the|small|screen|,|and|some|,|like|Ballistic|:|Ecks|vs.|Sever|,|were|made|for|the|palm|screen|.\nSC2|is|an|autopilot|Hollywood|concoction|lacking|in|imagination|and|authentic|Christmas|spirit|,|yet|it|'s|geared|toward|an|audience|full|of|masters|of|both|.\nAfter|all|the|big|build-up|,|the|payoff|for|the|audience|,|as|well|as|the|characters|,|is|messy|,|murky|,|unsatisfying|.\nSeems|content|to|dog-paddle|in|the|mediocre|end|of|the|pool|,|and|it|'s|a|sad|,|sick|sight|.\nIt|'s|refreshing|that|someone|understands|the|need|for|the|bad|boy|;|Diesel|,|with|his|brawny|frame|and|cool|,|composed|delivery|,|fits|the|bill|perfectly|.\nIf|all|of|Eight|Legged|Freaks|was|as|entertaining|as|the|final|hour|,|I|would|have|no|problem|giving|it|an|unqualified|recommendation|.\nSuffers|from|a|flat|script|and|a|low|budget|.\nThere|are|deeply|religious|and|spiritual|people|in|this|world|who|would|argue|that|entering|a|church|,|synagogue|or|temple|does|n't|mean|you|have|to|check|your|brain|at|the|door|.\nThe|same|should|go|for|movie|theaters|.\nSeemingly|a|vehicle|to|showcase|the|Canadian|'s|inane|ramblings|,|Stealing|Harvard|is|a|smorgasbord|of|soliloquies|about|nothing|delivered|by|the|former|Mr.|Drew|Barrymore|.\nThe|film|tries|to|touch|on|spousal|abuse|but|veers|off|course|and|becomes|just|another|revenge|film|.\nAs|it|stands|it|'s|an|opera|movie|for|the|buffs|.\nThis|franchise|has|not|spawned|a|single|good|film|.\nThe|crap|continues|.\nIts|inescapable|absurdities|are|tantamount|to|insulting|the|intelligence|of|anyone|who|has|n't|been|living|under|a|rock|(|since|Sept.|11|)|.\nHigh|drama|,|Disney-style|-|a|wing|and|a|prayer|and|a|hunky|has-been|pursuing|his|castle|in|the|sky|.\nLike|its|script|,|which|nurses|plot|holes|gaping|enough|to|pilot|an|entire|Olympic|swim|team|through|,|the|characters|in|Swimfan|seem|motivated|by|nothing|short|of|dull|,|brain-deadening|hangover|.\nOne|big|blustery|movie|where|nothing|really|happens|.\nWhen|it|comes|out|on|video|,|then|it|'s|the|perfect|cure|for|insomnia|.\nLike|a|comedian|who|starts|off|promisingly|but|then|proceeds|to|flop|,|Comedian|runs|out|of|steam|after|a|half|hour|.\nThe|pairing|does|sound|promising|in|theory|...|but|their|lack|of|chemistry|makes|Eddie|Murphy|and|Robert|DeNiro|in|Showtime|look|like|old|,|familiar|vaudeville|partners|.\nDirector|Chris|Eyre|is|going|through|the|paces|again|with|his|usual|high|melodramatic|style|of|filmmaking|.\nAs|it|stands|,|there|'s|some|fine|sex|onscreen|,|and|some|tense|arguing|,|but|not|a|whole|lot|more|.\nI|could|just|feel|the|screenwriter|at|every|moment|`|Tap|,|tap|,|tap|,|tap|,|tapping|away|'|on|this|screenplay|.\nThe|picture|does|n't|know|it|'s|a|comedy|.\nA|stupid|,|derivative|horror|film|that|substitutes|extreme|gore|for|suspense|.\nThe|rollerball|sequences|feel|sanitised|and|stagey|.\nRoman|Polanski|directs|The|Pianist|like|a|surgeon|mends|a|broken|heart|;|very|meticulously|but|without|any|passion|.\nNothing|more|than|a|run-of-the-mill|action|flick|.\nLan|Yu|is|certainly|a|serviceable|melodrama|,|but|it|does|n't|even|try|for|the|greatness|that|Happy|Together|shoots|for|(|and|misses|)|.\nThis|is|an|action|movie|with|an|action|icon|who|'s|been|all|but|decommissioned|.\nEven|if|it|is|generally|amusing|from|time|to|time|,|I|Spy|has|all|the|same|problems|the|majority|of|action|comedies|have|.\nMuch|like|Robin|Williams|,|Death|to|Smoochy|has|already|reached|its|expiration|date|.\nAn|annoying|orgy|of|excess|and|exploitation|that|has|no|point|and|goes|nowhere|.\nA|tired|,|unnecessary|retread|...|a|stale|copy|of|a|picture|that|was|n't|all|that|great|to|begin|with|.\nAn|often|unfunny|romp|.\nA|worthy|idea|,|but|the|uninspired|scripts|,|acting|and|direction|never|rise|above|the|level|of|an|after-school|TV|special|.\nTwenty|years|later|,|Reggio|still|knows|how|to|make|a|point|with|poetic|imagery|,|but|his|ability|to|startle|has|been|stifled|by|the|very|prevalence|of|the|fast-forward|technology|that|he|so|stringently|takes|to|task|.\nEar-splitting|exercise|in|formula|crash-and-bash|action|.\nWe|have|an|actor|who|is|great|fun|to|watch|performing|in|a|film|that|is|only|mildly|diverting|.\nDespite|Hoffman|'s|best|efforts|,|Wilson|remains|a|silent|,|lumpish|cipher|;|his|encounters|reveal|nothing|about|who|he|is|or|who|he|was|before|.\nThere|'s|a|thin|line|between|likably|old-fashioned|and|fuddy-duddy|,|and|The|Count|of|Monte|Cristo|...|never|quite|settles|on|either|side|.\nThe|emotional|overload|of|female|angst|irreparably|drags|the|film|down|.\nSchaefer|'s|...|determination|to|inject|farcical|raunch|...|drowns|out|the|promise|of|the|romantic|angle|.\nLike|Showgirls|and|Glitter|,|the|most|entertaining|moments|here|are|unintentional|.\nWhile|some|of|the|camera|work|is|interesting|,|the|film|'s|mid-to-low|budget|is|betrayed|by|the|surprisingly|shoddy|makeup|work|.\nThe|origin|story|is|well|told|,|and|the|characters|will|not|disappoint|anyone|who|values|the|original|comic|books|.\nIt|'s|in|the|action|scenes|that|things|fall|apart|.\nImpostor|is|a|step|down|for|director|Gary|Fleder|.\nSeagal|,|who|looks|more|like|Danny|Aiello|these|days|,|mumbles|his|way|through|the|movie|.\nThe|movie|is|a|negligible|work|of|manipulation|,|an|exploitation|piece|doing|its|usual|worst|to|guilt-trip|parents|.\nLacks|dramatic|punch|and|depth|.\nThere|are|moments|of|real|pleasure|to|be|found|in|Sara|Sugarman|'s|whimsical|comedy|Very|Annie-Mary|but|not|enough|to|sustain|the|film|.\nI|can|analyze|this|movie|in|three|words|:|Thumbs|Friggin|'|Down|.\nSadly|,|`|Garth|'|has|n't|progressed|as|nicely|as|`|Wayne|.|'\nMake|like|the|title|and|dodge|this|one|.\nThis|is|not|one|of|the|movies|you|'d|want|to|watch|if|you|only|had|a|week|to|live|.\nThe|first|hour|is|tedious|though|Ford|and|Neeson|capably|hold|our|interest|,|but|its|just|not|a|thrilling|movie|.\nHere|'s|a|case|of|two|actors|who|do|everything|humanly|possible|to|create|characters|who|are|sweet|and|believable|,|and|are|defeated|by|a|screenplay|that|forces|them|into|bizarre|,|implausible|behavior|.\nIt|'s|obvious|(|Je-Gyu|is|)|trying|for|poetry|;|what|he|gets|instead|has|all|the|lyricism|of|a|limerick|scrawled|in|a|public|restroom|.\nSweet|Home|Alabama|is|one|dumb|movie|,|but|its|stupidity|is|so|relentlessly|harmless|that|it|almost|wins|you|over|in|the|end|.\n(|Green|is|)|the|comedy|equivalent|of|Saddam|Hussein|,|and|I|'m|just|about|ready|to|go|to|the|U.N.|and|ask|permission|for|a|preemptive|strike|.\nNo|amount|of|good|acting|is|enough|to|save|Oleander|'s|uninspired|story|.\nA|vile|,|incoherent|mess|...|a|scummy|ripoff|of|David|Cronenberg|'s|brilliant|`|Videodrome|.|'\nMurphy|and|Wilson|actually|make|a|pretty|good|team|...|but|the|project|surrounding|them|is|distressingly|rote|.\nDespite|its|raucous|intent|,|XXX|is|as|conventional|as|a|Nike|ad|and|as|rebellious|as|spring|break|.\nThink|The|Lion|King|redone|for|horses|,|with|fewer|deliberate|laughs|,|more|inadvertent|ones|and|stunningly|trite|songs|by|Bryan|Adams|,|the|world|'s|most|generic|rock|star|.\nIt|is|one|more|celluloid|testimonial|to|the|cruelties|experienced|by|Southern|blacks|as|distilled|through|a|Caucasian|perspective|.\nIt|'s|tough|being|a|black|man|in|America|,|especially|when|the|Man|has|taken|away|your|car|,|your|work-hours|and|denied|you|health|insurance|.\nA|small|fortune|in|salaries|and|stunt|cars|might|have|been|saved|if|the|director|,|Tom|Dey|,|had|spliced|together|bits|and|pieces|of|Midnight|Run|and|48|Hours|(|and|,|for|that|matter|,|Shrek|)|.\nAn|amateurish|,|quasi-improvised|acting|exercise|shot|on|ugly|digital|video|.\nThe|holes|in|this|film|remain|agape|--|holes|punched|through|by|an|inconsistent|,|meandering|,|and|sometimes|dry|plot|.\nWould|Benigni|'s|Italian|Pinocchio|have|been|any|easier|to|sit|through|than|this|hastily|dubbed|disaster|?\nUnofficially|,|National|Lampoon|'s|Van|Wilder|is|Son|of|Animal|House|.\nOfficially|,|it|is|twice|as|bestial|but|half|as|funny|.\nThis|is|a|fragmented|film|,|once|a|good|idea|that|was|followed|by|the|bad|idea|to|turn|it|into|a|movie|.\nMindless|yet|impressively|lean|spinoff|of|last|summer|'s|bloated|effects|fest|The|Mummy|Returns|.\nHalfway|through|the|movie|,|the|humor|dwindles|.\nIt|'s|replaced|by|some|dramatic|scenes|that|are|jarring|and|deeply|out|of|place|in|what|could|have|(|and|probably|should|have|)|been|a|lighthearted|comedy|.\nwill|be|far|more|interesting|to|the|Soderbergh|faithful|than|it|will|be|to|the|casual|moviegoer|who|might|be|lured|in|by|Julia|Roberts|...\nAuthentic|,|and|at|times|endearing|,|humorous|,|spooky|,|educational|,|but|at|other|times|as|bland|as|a|block|of|snow|.\nControl-Alt-Delete|Simone|as|quickly|as|possible\nFollows|the|original|film|virtually|scene|for|scene|and|yet|manages|to|bleed|it|almost|completely|dry|of|humor|,|verve|and|fun|.\nThe|filmmaker|ascends|,|literally|,|to|the|Olympus|of|the|art|world|,|but|he|would|have|done|well|to|end|this|flawed|,|dazzling|series|with|the|raising|of|something|other|than|his|own|cremaster|.\nThe|screenplay|comes|across|,|rather|unintentionally|,|as|Hip-Hop|Scooby-Doo|.\nHas|lost|some|of|the|dramatic|conviction|that|underlies|the|best|of|comedies|...\nVaguely|interesting|,|but|it|'s|just|too|too|much|.\n...|no|charm|,|no|laughs|,|no|fun|,|no|reason|to|watch|.\nA|generic|family|comedy|unlikely|to|be|appreciated|by|anyone|outside|the|under-10|set|.\nKung|Pow|seems|like|some|futile|concoction|that|was|developed|hastily|after|Oedekerk|and|his|fellow|moviemakers|got|through|crashing|a|college|keg|party|.\nKurys|seems|intimidated|by|both|her|subject|matter|and|the|period|trappings|of|this|debut|venture|into|the|heritage|business|.\nThe|film|virtually|chokes|on|its|own|self-consciousness|.\nA|manipulative|feminist|empowerment|tale|thinly|posing|as|a|serious|drama|about|spousal|abuse|.\nEverything|in|Maid|in|Manhattan|is|exceedingly|pleasant|,|designed|not|to|offend|.\nIt|goes|down|easy|,|leaving|virtually|no|aftertaste|.\nA|profoundly|stupid|affair|,|populating|its|hackneyed|and|meanspirited|storyline|with|cardboard|characters|and|performers|who|value|cash|above|credibility|.\n...|pays|tribute|to|heroes|the|way|Julia|Roberts|hands|out|awards|--|with|phony|humility|barely|camouflaging|grotesque|narcissism|.\nTime|stands|still|in|more|ways|that|one|in|Clockstoppers|,|a|sci-fi|thriller|as|lazy|as|it|is|interminable|.\nAs|a|director|,|Eastwood|is|off|his|game|--|there|'s|no|real|sense|of|suspense|,|and|none|of|the|plot|`|surprises|'|are|really|surprising|.\nEccentric|enough|to|stave|off|doldrums|,|Caruso|'s|self-conscious|debut|is|also|eminently|forgettable|.\nTo|work|,|love|stories|require|the|full|emotional|involvement|and|support|of|a|viewer|.\nThat|is|made|almost|impossible|by|events|that|set|the|plot|in|motion|.\nAlthough|Barbershop|boasts|some|of|today|'s|hottest|and|hippest|acts|from|the|world|of|television|,|music|and|stand-up|comedy|,|this|movie|strangely|enough|has|the|outdated|swagger|of|a|shameless|`|70s|blaxploitation|shuck-and-jive|sitcom|.\nA|puzzle|whose|pieces|do|not|fit|.\nSome|are|fascinating|and|others|are|not|,|and|in|the|end|,|it|is|almost|a|good|movie|.\nWould|that|Greengrass|had|gone|a|tad|less|for|grit|and|a|lot|more|for|intelligibility|.\nThe|good|is|very|,|very|good|...|The|rest|runs|from|mildly|unimpressive|to|despairingly|awful|.\n`|Butterfingered|'|is|the|word|for|the|big-fisted|direction|of|Jez|Butterworth|,|who|manages|to|blast|even|the|smallest|sensitivities|from|the|romance|with|his|clamorous|approach|.\nBe|forewarned|,|if|you|'re|depressed|about|anything|before|watching|this|film|,|you|may|just|end|up|trying|to|drown|yourself|in|a|lake|afterwards|.\na|terrible|adaptation|of|a|play|that|only|ever|walked|the|delicate|tightrope|between|farcical|and|loathsome|.\nIn|the|wrong|hands|,|i.e.|Peploe|'s|,|it|'s|simply|unbearable\nAn|inexperienced|director|,|Mehta|has|much|to|learn|.\nA|limp|Eddie|Murphy|vehicle|that|even|he|seems|embarrassed|to|be|part|of|.\nSo|muddled|,|repetitive|and|ragged|that|it|says|far|less|about|the|horrifying|historical|reality|than|about|the|filmmaker|'s|characteristic|style|.\nA|gushy|episode|of|``|M|\\*|A|\\*|S|\\*|H|''|only|this|time|from|an|Asian|perspective|.\n``|Looking|For|Leonard|''|just|seems|to|kinda|sit|in|neutral|,|hoping|for|a|stiff|wind|to|blow|it|uphill|or|something|.\nNothing|more|than|four|or|five|mild|chuckles|surrounded|by|86|minutes|of|overly-familiar|and|poorly-constructed|comedy|.\nDefinitely|in|the|guilty|pleasure|B-movie|category|,|Reign|of|Fire|is|so|incredibly|inane|that|it|is|laughingly|enjoyable|.\nGood-looking|but|relentlessly|lowbrow|outing|plays|like|Clueless|Does|South|Fork|.\nentertaining|enough|,|but|nothing|new\n...|one|resurrection|too|many|.\nThis|is|a|film|about|the|irksome|,|tiresome|nature|of|complacency|that|remains|utterly|satisfied|to|remain|the|same|throughout|.\nEven|as|the|hero|of|the|story|rediscovers|his|passion|in|life|,|the|mood|remains|oddly|detached|.\nDeMeo|is|not|without|talent|;|he|just|needs|better|material|.\nIn|spite|of|featuring|a|script|credited|to|no|fewer|than|five|writers|,|apparently|nobody|here|bothered|to|check|it|twice|.\nNo|one|involved|,|save|Dash|,|shows|the|slightest|aptitude|for|acting|,|and|the|script|,|credited|to|director|Abdul|Malik|Abbott|and|Ernest|`|Tron|'|Anderson|,|seems|entirely|improvised|.\nInitially|gripping|,|eventually|cloying|POW|drama|.\nA|timid|,|soggy|near|miss|.\nWorks|better|in|the|conception|than|it|does|in|the|execution|...|winds|up|seeming|just|a|little|too|clever|.\nTo|the|vast|majority|of|more|casual|filmgoers|,|it|will|probably|be|a|talky|bore|.\nObservant|intelligence|constantly|vies|with|pretension|--|and|sometimes|plain|wacky|implausibility|--|throughout|Maelstrom|.\nThis|version|of|H.G.|Wells|'|Time|Machine|was|directed|by|H.G.|Wells|'|great-grandson|.\nThey|should|have|found|Orson|Welles|'|great-grandson|.\nShunji|Iwai|'s|All|About|Lily|Chou|Chou|is|a|beautifully|shot|,|but|ultimately|flawed|film|about|growing|up|in|Japan|.\nWith|more|character|development|this|might|have|been|an|eerie|thriller|;|with|better|payoffs|,|it|could|have|been|a|thinking|man|'s|monster|movie|.\nThriller|directorial|debut|for|Traffic|scribe|Gaghan|has|all|the|right|parts|,|but|the|pieces|do|n't|quite|fit|together|.\n...|would|be|a|total|loss|if|not|for|two|supporting|performances|taking|place|at|the|movie|'s|edges|.\nThere|'s|not|a|single|jump-in-your-seat|moment|and|believe|it|or|not|,|Jason|actually|takes|a|backseat|in|his|own|film|to|special|effects|.\nGoldbacher|draws|on|an|elegant|visual|sense|and|a|talent|for|easy|,|seductive|pacing|...|but|she|and|writing|partner|Laurence|Coriat|do|n't|manage|an|equally|assured|narrative|coinage|.\nThough|Harris|is|affecting|at|times|,|he|can|not|overcome|the|sense|that|Pumpkin|is|a|mere|plot|pawn|for|two|directors|with|far|less|endearing|disabilities|.\nThe|documentary|is|much|too|conventional|--|lots|of|boring|talking|heads|,|etc.|--|to|do|the|subject|matter|justice|.\nThe|movie|itself|appears|to|be|running|on|hypertime|in|reverse|as|the|truly|funny|bits|get|further|and|further|apart|.\nThis|is|not|a|Jackie|Chan|movie|.\nIt|'s|just|a|movie|that|happens|to|have|Jackie|Chan|in|it|.\nAnd|that|makes|all|the|difference|.\nFar|too|clever|by|half|,|Howard|'s|film|is|really|a|series|of|strung-together|moments|,|with|all|the|spaces|in|between|filled|with|fantasies|,|daydreams|,|memories|and|one|fantastic|visual|trope|after|another|.\nThe|problem|with|movies|about|angels|is|they|have|a|tendency|to|slip|into|hokum|.\nA|Rumor|of|Angels|does|n't|just|slip|--|it|avalanches|into|forced|fuzziness|.\nNo|big|whoop|,|nothing|new|to|see|,|zero|thrills|,|too|many|flashbacks|and|a|choppy|ending|make|for|a|bad|film|.\nI|do|n't|think|this|movie|loves|women|at|all|.\nShankman|...|and|screenwriter|Karen|Janszen|bungle|their|way|through|the|narrative|as|if|it|were|a|series|of|Bible|parables|and|not|an|actual|story|.\nA|negligible|British|comedy|.\nFails|to|convince|the|audience|that|these|brats|will|ever|be|anything|more|than|losers|.\nSlack|and|uninspired|,|and|peopled|mainly|by|characters|so|unsympathetic|that|you|'re|left|with|a|sour|taste|in|your|mouth|.\nSkip|this|turd|and|pick|your|nose|instead|because|you|'re|sure|to|get|more|out|of|the|latter|experience|.\nWhat|can|one|say|about|a|balding|50-year-old|actor|playing|an|innocent|boy|carved|from|a|log|?\nTrailer|trash|cinema|so|uncool|the|only|thing|missing|is|the|``|Gadzooks|!|''\nHer|film|is|like|a|beautiful|food|entrée|that|is|n't|heated|properly|,|so|that|it|ends|up|a|bit|cold|and|relatively|flavorless|.\nLike|the|world|of|his|film|,|Hartley|created|a|monster|but|did|n't|know|how|to|handle|it|.\nNo|new|plot|conceptions|or|environmental|changes|,|just|different|bodies|for|sharp|objects|to|rip|through|.\nNeeds|more|impressionistic|cinematography|and|exhilarating|point-of-view|shots|and|fewer|slow-motion|`|grandeur|'|shots|and|quick-cut|edits|that|often|detract|from|the|athleticism|.\nIn|the|end|,|there|is|n't|much|to|it|.\nA|waste|of|fearless|purity|in|the|acting|craft|.\nThe|film|is|ultimately|about|as|inspiring|as|a|Hallmark|card|.\nAnyone|not|into|high-tech|splatterfests|is|advised|to|take|the|warning|literally|,|and|log|on|to|something|more|user-friendly|.\nDisreputable|doings|and|exquisite|trappings|are|dampened|by|a|lackluster|script|and|substandard|performances|.\nYou|could|easily|mistake|it|for|a|sketchy|work-in-progress|that|was|inexplicably|rushed|to|the|megaplexes|before|its|time|.\nDirectors|Harry|Gantz|and|Joe|Gantz|have|chosen|a|fascinating|subject|matter|,|but|the|couples|exposing|themselves|are|n't|all|that|interesting|.\nYet|another|entry|in|the|sentimental|oh-those-wacky-Brits|genre|that|was|ushered|in|by|The|Full|Monty|and|is|still|straining|to|produce|another|smash|hit|.\nfor|those|for|whom|the|name|Woody|Allen|was|once|a|guarantee|of|something|fresh|,|sometimes|funny|,|and|usually|genuinely|worthwhile|,|Hollywood|Ending|is|a|depressing|experience\nFemme|Fatale|offers|nothing|more|than|a|bait-and-switch|that|is|beyond|playing|fair|with|the|audience|.\nAre|we|dealing|with|dreams|,|visions|or|being|told|what|actually|happened|as|if|it|were|the|third|ending|of|Clue|?\nIt|could|have|been|something|special|,|but|two|things|drag|it|down|to|mediocrity|--|director|Clare|Peploe|'s|misunderstanding|of|Marivaux|'s|rhythms|,|and|Mira|Sorvino|'s|limitations|as|a|classical|actress|.\nFluffy|neo-noir|hiding|behind|cutesy|film|references|.\nImagine|Susan|Sontag|falling|in|love|with|Howard|Stern|.\nLike|being|trapped|inside|a|huge|video|game|,|where|exciting|,|inane|images|keep|popping|past|your|head|and|the|same|illogical|things|keep|happening|over|and|over|again|.\nShould|have|been|worth|cheering|as|a|breakthrough|but|is|devoid|of|wit|and|humor|.\nThe|best|thing|about|the|movie|is|its|personable|,|amusing|cast|.\nThese|guys|seem|great|to|knock|back|a|beer|with|but|they|'re|simply|not|funny|performers|.\nEverything|was|as|superficial|as|the|forced|New|Jersey|lowbrow|accent|Uma|had|.\nDirector|David|Fincher|and|writer|David|Koepp|ca|n't|sustain|it|.\nFinally|coming|down|off|of|Miramax|'s|deep|shelves|after|a|couple|of|aborted|attempts|,|Waking|Up|in|Reno|makes|a|strong|case|for|letting|sleeping|dogs|lie|.\nA|movie|that|feels|like|the|pilot|episode|of|a|new|teen-targeted|action|TV|series|.\nOne|of|the|most|highly-praised|disappointments|I|'ve|had|the|misfortune|to|watch|in|quite|some|time|.\nThe|animation|and|backdrops|are|lush|and|inventive|,|yet|Return|to|Neverland|never|manages|to|take|us|to|that|elusive|,|lovely|place|where|we|suspend|our|disbelief|.\nDirector|Shekhar|Kapur|and|screenwriters|Michael|Schiffer|and|Hossein|Amini|have|tried|hard|to|modernize|and|reconceptualize|things|,|but|the|barriers|finally|prove|to|be|too|great|.\nStrong|filmmaking|requires|a|clear|sense|of|purpose|,|and|in|that|oh-so-important|category|,|The|Four|Feathers|comes|up|short|.\nThe|thought|of|watching|this|film|with|an|audience|full|of|teenagers|fixating|on|its|body|humour|and|reinforcement|of|stereotypes|(|of|which|they|'ll|get|plenty|)|fills|me|with|revulsion|.\nDevolves|into|the|derivative|,|leaning|on|badly-rendered|CGI|effects|.\nAnyone|who|gets|chills|from|movies|with|giant|plot|holes|will|find|plenty|to|shake|and|shiver|about|in|`|The|Ring|.|'\nA|grand|fart|coming|from|a|director|beginning|to|resemble|someone|'s|crazy|French|grandfather|.\nThe|script|is|a|disaster|,|with|cloying|messages|and|irksome|characters|.\nboth|overstuffed|and|undernourished|...|The|film|ca|n't|be|called|a|solid|success|,|although|there|'s|plenty|of|evidence|here|to|indicate|Clooney|might|have|better|luck|next|time|.\nPlods|along|,|minus|the|twisted|humor|and|eye-popping|visuals|that|have|made|Miike|...|a|cult|hero|.\nHollywood|has|taken|quite|a|nosedive|from|Alfred|Hitchcock|'s|imaginative|flight|to|Shyamalan|'s|self-important|summer|fluff|.\nThe|film|'s|maudlin|focus|on|the|young|woman|'s|infirmity|and|her|naive|dreams|play|like|the|worst|kind|of|Hollywood|heart-string|plucking|.\nI|firmly|believe|that|a|good|video|game|movie|is|going|to|show|up|soon|.\nI|also|believe|that|Resident|Evil|is|not|it|.\nIt|has|the|air|of|a|surprisingly|juvenile|lark|,|a|pop-influenced|prank|whose|charms|are|immediately|apparent|and|wear|thin|with|repetition|.\nThe|plot|meanders|from|gripping|to|plodding|and|back|.\nThis|is|cruel|,|misanthropic|stuff|with|only|weak|claims|to|surrealism|and|black|comedy|.\nNo|amount|of|nostalgia|for|Carvey|'s|glory|days|can|disguise|the|fact|that|the|new|film|is|a|lame|kiddie|flick|and|that|Carvey|'s|considerable|talents|are|wasted|in|it|.\nBest|described|as|I|Know|What|You|Did|Last|Winter|.\n(|Taylor|)|takes|us|on|a|ride|that|'s|consistently|surprising|,|easy|to|watch|--|but|,|oh|,|so|dumb|.\nIt|'s|difficult|for|a|longtime|admirer|of|his|work|to|not|be|swept|up|in|Invincible|and|overlook|its|drawbacks|.\nLazily|directed|by|Charles|Stone|III|...|from|a|leaden|script|by|Matthew|Cirulnick|and|novelist|Thulani|Davis|.\nThough|Jones|and|Snipes|are|enthralling|,|the|movie|bogs|down|in|rhetoric|and|cliché|.\nThe|most|remarkable|(|and|frustrating|)|thing|about|World|Traveler|,|which|opens|today|in|Manhattan|,|is|that|its|protagonist|,|after|being|an|object|of|intense|scrutiny|for|104|minutes|,|remains|a|complete|blank|.\nAn|artsploitation|movie|with|too|much|exploitation|and|too|little|art|.\nThe|pacing|is|often|way|off|and|there|are|too|many|bona|fide|groaners|among|too|few|laughs|.\nWith|lines|that|feel|like|long|soliloquies|--|even|as|they|are|being|framed|in|conversation|--|Max|is|static|,|stilted|.\nBarely|manages|for|but|a|few|seconds|over|its|seemingly|eternal|running|time|to|pique|your|interest|,|your|imagination|,|your|empathy|or|anything|,|really|,|save|your|disgust|and|your|indifference|.\nWriter\\/director|Burr|Steers|emphasizes|the|Q|in|Quirky|,|with|mixed|results|.\nOne|senses|in|World|Traveler|and|in|his|earlier|film|that|Freundlich|bears|a|grievous|but|obscure|complaint|against|fathers|,|and|circles|it|obsessively|,|without|making|contact|.\nIn|between|the|icy|stunts|,|the|actors|spout|hilarious|dialogue|about|following|your|dream|and|`|just|letting|the|mountain|tell|you|what|to|do|.|'\nThe|obligatory|break-ups|and|hook-ups|do|n't|seem|to|have|much|emotional|impact|on|the|characters|.\nMake|no|mistake|,|ivans|xtc|.\nis|a|mess|.\nHypnotically|dull|,|relentlessly|downbeat|,|laughably|predictable|wail|pitched|to|the|cadence|of|a|depressed|fifteen-year-old|'s|suicidal|poetry|.\nThe|concept|is|a|hoot|.\nThe|trailer|is|a|riot|.\nThe|movie|is|a|dud|.\nIt|'s|a|boring|movie|about|a|boring|man|,|made|watchable|by|a|bravura|performance|from|a|consummate|actor|incapable|of|being|boring|.\nBecause|the|intelligence|level|of|the|characters|must|be|low|,|very|low|,|very|very|low|,|for|the|masquerade|to|work|,|the|movie|contains|no|wit|,|only|labored|gags|.\nIt|'s|hard|to|imagine|another|director|ever|making|his|wife|look|so|bad|in|a|major|movie|.\nSome|stunning|visuals|--|and|some|staggeringly|boring|cinema|.\nThese|characters|become|wearisome|.\nA|hit|-|and-miss|affair|,|consistently|amusing|but|not|as|outrageous|or|funny|as|Cho|may|have|intended|or|as|imaginative|as|one|might|have|hoped|.\nThis|may|be|the|first|cartoon|ever|to|look|as|if|it|were|being|shown|on|the|projection|television|screen|of|a|sports|bar|.\nKim|Ki-Deok|seems|to|have|in|mind|an|(|emotionally|at|least|)|adolescent|audience|demanding|regular|shocks|and|bouts|of|barely|defensible|sexual|violence|to|keep|it|interested|.\nA|sterling|film|-|a|cross|between|Boys|Do|n't|Cry|,|Deliverance|,|and|Ode|to|Billy|Joe|-|lies|somewhere|in|the|story|of|Matthew|Shepard|,|but|that|film|is|yet|to|be|made|.\nAfter|sitting|through|this|sloppy|,|made-for-movie|comedy|special|,|it|makes|me|wonder|if|Lawrence|hates|criticism|so|much|that|he|refuses|to|evaluate|his|own|work|.\nContrived|pastiche|of|caper|clichés|.\nMany|shallower|movies|these|days|seem|too|long|,|but|this|one|is|egregiously|short|.\nJust|a|Kiss|wants|desperately|to|come|off|as|a|fanciful|film|about|the|typical|problems|of|average|people|.\nBut|it|is|set|in|a|world|that|is|very|,|very|far|from|the|one|most|of|us|inhabit|.\nThe|most|ill-conceived|animated|comedy|since|the|1991|dog|Rover|Dangerfield|.\nLike|shave|ice|without|the|topping|,|this|cinematic|snow|cone|is|as|innocuous|as|it|is|flavorless|.\nDespite|its|sincere|acting|,|Signs|is|just|another|unoriginal|run|of|the|mill|sci-fi|film|with|a|flimsy|ending|and|lots|of|hype|.\nYet|another|movie|which|presumes|that|high|school|social|groups|are|at|war|,|let|alone|conscious|of|each|other|'s|existence|.\nLoud|,|chaotic|and|largely|unfunny|.\nI|ca|n't|remember|the|last|time|I|saw|an|audience|laugh|so|much|during|a|movie|,|but|there|'s|only|one|problem|...|it|'s|supposed|to|be|a|drama|.\nQualities|that|were|once|amusing|are|becoming|irritating|.\nWell|,|Jason|'s|gone|to|Manhattan|and|Hell|,|I|guess|a|space|station|in|the|year|2455|can|be|crossed|off|the|list|of|ideas|for|the|inevitable|future|sequels|(|hey|,|do|n't|shoot|the|messenger|)|.\nDonovan|...|squanders|his|main|asset|,|Jackie|Chan|,|and|fumbles|the|vital|action|sequences|.\nThere|is|no|psychology|here|,|and|no|real|narrative|logic|--|just|a|series|of|carefully|choreographed|atrocities|,|which|become|strangely|impersonal|and|abstract|.\nBread|,|My|Sweet|has|so|many|flaws|it|would|be|easy|for|critics|to|shred|it|.\nIt|may|even|fall|into|the|category|of|Films|You|Love|to|Hate|.\nI|admit|it|,|I|hate|to|like|it|.\nFrida|is|certainly|no|disaster|,|but|neither|is|it|the|Kahlo|movie|Frida|fans|have|been|looking|for|.\nLeaks|treacle|from|every|pore|.\nThe|characters|are|so|generic|and|the|plot|so|bland|that|even|as|rogue|CIA|assassins|working|for|Chris|Cooper|'s|agency|boss|close|in|on|the|resourceful|amnesiac|,|we|do|n't|feel|much|for|Damon\\/Bourne|or|his|predicament|.\nKapur|weighs|down|the|tale|with|bogus|profundities|.\nWhile|we|want|MacDowell|'s|character|to|retrieve|her|husband|,|we|have|to|ask|whether|her|personal|odyssey|trumps|the|carnage|that|claims|so|many|lives|around|her|.\nBlue|Crush|is|as|predictable|as|the|tides|.\n...|The|movie|feels|stitched|together|from|stock|situations|and|characters|from|other|movies|.\nIf|you|enjoy|being|rewarded|by|a|script|that|assumes|you|are|n't|very|bright|,|then|Blood|Work|is|for|you|.\nTrouble|Every|Day|is|a|success|in|some|sense|,|but|it|'s|hard|to|like|a|film|so|cold|and|dead|.\nThe|film|'s|stagecrafts|are|intimate|and|therefore|bolder|than|the|otherwise|calculated|artifice|that|defines|and|overwhelms|the|film|'s|production|design|.\nA|well-intentioned|effort|that|'s|still|too|burdened|by|the|actor|'s|offbeat|sensibilities|for|the|earnest|emotional|core|to|emerge|with|any|degree|of|accessibility|.\nA|family-friendly|fantasy|that|ends|up|doing|very|little|with|its|imaginative|premise|.\nA|plodding|look|at|the|French|Revolution|through|the|eyes|of|aristocrats|.\nTom|Shadyac|has|learned|a|bit|more|craft|since|directing|Adams|,|but|he|still|lingers|over|every|point|until|the|slowest|viewer|grasps|it|.\nUnspools|like|a|highbrow|,|low-key|,|102-minute|infomercial|,|blending|entrepreneurial|zeal|with|the|testimony|of|satisfied|customers|.\nA|fast-paced|,|glitzy|but|extremely|silly|piece|.\nAny|reasonably|creative|eighth-grader|could|have|written|a|more|credible|script|,|though|with|the|same|number|of|continuity|errors|.\n...|while|the|humor|aspects|of|`|Jason|X|'|were|far|more|entertaining|than|I|had|expected|,|everything|else|about|the|film|tanks|.\nYour|taste|for|Jonah|-|A|Veggie|Tales|Movie|may|well|depend|on|your|threshold|for|pop|manifestations|of|the|Holy|Spirit|.\nLike|an|Afterschool|Special|with|costumes|by|Gianni|Versace|,|Mad|Love|looks|better|than|it|feels|.\nWhile|certain|cues|,|like|the|happy|music|,|suggest|that|this|movie|is|supposed|to|warm|our|hearts|,|Jeong-Hyang|Lee|'s|film|is|just|as|likely|to|blacken|that|organ|with|cold|vengefulness|.\nThe|script|,|the|gags|,|the|characters|are|all|direct-to-video|stuff|,|and|that|'s|where|this|film|should|have|remained|.\nA|thriller|without|thrills|and|a|mystery|devoid|of|urgent|questions|.\nA|collage|of|clichés|and|a|dim|echo|of|allusions|to|other|films|.\nThe|film|is|hampered|by|its|predictable|plot|and|paper-thin|supporting|characters|.\nJonah|is|only|so-so|...|the|addition|of|a|biblical|message|will|either|improve|the|film|for|you|,|or|it|will|lessen|it|.\nAn|excruciating|demonstration|of|the|unsalvageability|of|a|movie|saddled|with|an|amateurish|screenplay|.\nHow|many|more|times|will|indie|filmmakers|subject|us|to|boring|,|self-important|stories|of|how|horrible|we|are|to|ourselves|and|each|other|?\nThere|are|some|laughs|in|this|movie|,|but|Williams|'|anarchy|gets|tiresome|,|the|satire|is|weak|.\nAs|steamy|as|last|week|'s|pork|dumplings|.\nThe|somber|pacing|and|lack|of|dramatic|fireworks|make|Green|Dragon|seem|more|like|medicine|than|entertainment|.\nThe|filmmakers|needed|more|emphasis|on|the|storytelling|and|less|on|the|glamorous|machine|that|thrusts|the|audience|into|a|future|they|wo|n't|much|care|about|.\nAnother|wholly|unnecessary|addition|to|the|growing|,|moldering|pile|of|,|well|,|extreme|stunt|pictures|.\nThis|strenuously|unfunny|Showtime|deserves|the|hook|.\nThe|whole|thing|'s|fairly|lame|,|making|it|par|for|the|course|for|Disney|sequels|.\n...|its|solemn|pretension|prevents|us|from|sharing|the|awe|in|which|it|holds|itself|.\n...|the|good|and|different|idea|(|of|middle-aged|romance|)|is|not|handled|well|and|,|except|for|the|fine|star|performances|,|there|is|little|else|to|recommend|``|Never|Again|.|''\nIf|Disney|'s|Cinderella|proved|that|'|a|dream|is|a|wish|your|heart|makes|,|'|then|Cinderella|II|proves|that|a|nightmare|is|a|wish|a|studio|'s|wallet|makes|.\nFeatures|nonsensical|and|laughable|plotting|,|wooden|performances|,|ineptly|directed|action|sequences|and|some|of|the|worst|dialogue|in|recent|memory|.\nWith|Rare|Birds|,|as|with|The|Shipping|News|before|it|,|an|attempt|is|made|to|transplant|a|Hollywood|star|into|Newfoundland|'s|wild|soil|--|and|The|Rock|once|again|resists|the|intrusion|.\nNothing|about|this|movie|works|.\nIf|the|idea|of|the|white|man|arriving|on|foreign|shores|to|show|wary|natives|the|true|light|is|abhorrent|to|you|,|the|simplistic|Heaven|will|quite|likely|be|more|like|hell|.\nA|spooky|yarn|of|demonic|doings|on|the|high|seas|that|works|better|the|less|the|brain|is|engaged|.\nNone|of|Birthday|Girl|'s|calculated|events|take|us|by|surprise|...\nAre|monsters|born|,|or|made|?\nLisa|Rinzler|'s|cinematography|may|be|lovely|,|but|Love|Liza|'s|tale|itself|virtually|collapses|into|an|inhalant|blackout|,|maintaining|consciousness|just|long|enough|to|achieve|callow|pretension|.\nThe|narrator|and|the|other|characters|try|to|convince|us|that|acting|transfigures|Esther|,|but|she|'s|never|seen|speaking|on|stage|;|one|feels|cheated|,|and|Esther|seems|to|remain|an|unchanged|dullard|.\nIt|'s|exactly|the|kind|of|movie|Toback|'s|detractors|always|accuse|him|of|making|.\nWith|the|dog|days|of|August|upon|us|,|think|of|this|dog|of|a|movie|as|the|cinematic|equivalent|of|high|humidity|.\nLess|about|Shakespeare|than|the|spawn|of|fools|who|saw|Quentin|Tarantino|'s|handful|of|raucous|gangster|films|and|branched|out|into|their|own|pseudo-witty|copycat|interpretations|.\nThe|film|is|like|sitting|in|a|downtown|café|,|overhearing|a|bunch|of|typical|late-twenty-somethings|natter|on|about|nothing|,|and|desperately|wishing|you|could|change|tables|.\nThis|rather|unfocused|,|all-over-the-map|movie|would|be|a|lot|better|if|it|pared|down|its|plots|and|characters|to|a|few|rather|than|dozens|...|or|if|it|were|subtler|...|or|if|it|had|a|sense|of|humor|.\nTakes|a|clunky|TV-movie|approach|to|detailing|a|chapter|in|the|life|of|the|celebrated|Irish|playwright|,|poet|and|drinker|.\nNot|only|does|the|thoroughly|formulaic|film|represent|totally|exemplify|middle-of-the-road|mainstream|,|it|also|represents|glossy|Hollywood|at|its|laziest|.\nA|shame|that|Stealing|Harvard|is|too|busy|getting|in|its|own|way|to|be|anything|but|frustrating|,|boring|,|and|forgettable|.\nNearly|every|attempt|at|humor|here|is|DOA|.\nCollapses|under|its|own|meager|weight|.\nThis|is|mild-mannered|,|been-there|material|given|a|pedestrian|spin|by|a|director|who|needed|a|touch|of|the|flamboyant|,|the|outrageous|.\nIf|you|adored|The|Full|Monty|so|resoundingly|that|you|'re|dying|to|see|the|same|old|thing|in|a|tired|old|setting|,|then|this|should|keep|you|reasonably|entertained|.\nTechnically|and|artistically|inept|.\nThose|who|are|only|mildly|curious|,|I|fear|,|will|be|put|to|sleep|or|bewildered|by|the|artsy|and|often|pointless|visuals|.\nThough|Tom|Shadyac|'s|film|kicks|off|spookily|enough|,|around|the|halfway|mark|it|takes|an|abrupt|turn|into|glucose|sentimentality|and|laughable|contrivance|.\nA|long|,|dull|procession|of|despair|,|set|to|cello|music|culled|from|a|minimalist|funeral|.\nCall|me|a|cold-hearted|curmudgeon|for|not|being|able|to|enjoy|a|mindless|action|movie|,|but|I|believe|a|movie|can|be|mindless|without|being|the|peak|of|all|things|insipid|.\nDeath|might|be|a|release|.\n``|(|Hopkins|)|does|n't|so|much|phone|in|his|performance|as|fax|it|.\nNo|,|even|that|'s|too|committed|.\nHe|gets|his|secretary|to|fax|it|.|''\nSodden|and|glum|,|even|in|those|moments|where|it|'s|supposed|to|feel|funny|and|light|.\nPriggish|,|lethargically|paced|parable|of|renewal|.\nA|beautifully|shot|but|dull|and|ankle-deep|`|epic|.|'\nEven|with|its|$|50-million|US|budget|,|Pinocchio|never|quite|achieves|the|feel|of|a|fanciful|motion|picture|.\nThis|is|a|third-person|story|now|,|told|by|Hollywood|,|and|much|more|ordinary|for|it|.\nThe|filmmakers|know|how|to|please|the|eye|,|but|it|is|not|always|the|prettiest|pictures|that|tell|the|best|story|.\nWritten|,|flatly|,|by|David|Kendall|and|directed|,|barely|,|by|There|'s|Something|About|Mary|co-writer|Ed|Decter|.\nThe|characters|are|interesting|and|the|relationship|between|Yosuke|and|Saeko|is|worth|watching|as|it|develops|,|but|there|'s|not|enough|to|the|story|to|fill|two|hours|.\nVery|well|made|,|but|does|n't|generate|a|lot|of|tension|.\nLike|being|invited|to|a|classy|dinner|soiree|and|not|knowing|anyone|.\nYou|leave|the|same|way|you|came|--|a|few|tasty|morsels|under|your|belt|,|but|no|new|friends|.\nIt|'s|depressing|to|see|how|far|Herzog|has|fallen|.\nThe|question|hanging|over|The|Time|Machine|is|not|,|as|the|main|character|suggests|,|`|what|if|?|'\nbut|rather|,|`|How|can|you|charge|money|for|this|?|'\nMillions|of|dollars|heaped|upon|a|project|of|such|vast|proportions|need|to|reap|more|rewards|than|spiffy|bluescreen|technique|and|stylish|weaponry|.\n``|Freaky|Friday|,|''|it|'s|not|.\nPerhaps|a|better|celebration|of|these|unfairly|dismissed|heroes|would|be|a|film|that|is|n't|this|painfully|forced|,|false|and|fabricated|.\nAlthough|no|pastry|is|violated|,|this|nasty|comedy|pokes|fun|at|the|same|easy|targets|as|other|rowdy|raunch-fests|--|farts|,|boobs|,|unmentionables|--|without|much|success|.\nIn|this|film|,|Aussie|David|Caesar|channels|the|not-quite-dead|career|of|Guy|Ritchie|.\nMaybe|you|'ll|be|lucky|,|and|there|'ll|be|a|power|outage|during|your|screening|so|you|can|get|your|money|back|.\nThe|characterizations|and|dialogue|lack|depth|or|complexity|,|with|the|ironic|exception|of|Scooter|.\nThis|film|was|made|by|and|for|those|folks|who|collect|the|serial|killer|cards|and|are|fascinated|by|the|mere|suggestion|of|serial|killers|.\nFor|the|rest|of|us|,|sitting|through|Dahmer|'s|two|hours|amounts|to|little|more|than|punishment|.\nNarc|can|only|remind|us|of|brilliant|crime|dramas|without|becoming|one|itself|.\nSomewhere|inside|the|mess|that|is|World|Traveler|,|there|is|a|mediocre|movie|trying|to|get|out|.\nA|tedious|parable|about|honesty|and|good|sportsmanship|.\nIts|strengths|and|weaknesses|play|off|each|other|virtually|to|a|stand-off|,|with|the|unfortunate|trump|card|being|the|dreary|mid-section|of|the|film|.\nAn|artful|yet|depressing|film|that|makes|a|melodramatic|mountain|out|of|the|molehill|of|a|missing|bike|.\nThe|movie|'s|ultimate|point|--|that|everyone|should|be|themselves|--|is|trite|,|but|the|screenwriter|and|director|Michel|Gondry|restate|it|to|the|point|of|ridiculousness|.\nA|glossy|knock-off|of|a|B-movie|revenge|flick|.\n...|expands|the|horizons|of|boredom|to|the|point|of|collapse|,|turning|into|a|black|hole|of|dullness|,|from|which|no|interesting|concept|can|escape|.\nIt|'s|just|plain|boring|.\nSad|nonsense|,|this|.\nBut|not|without|cheesy|fun|factor|.\nOne|of|those|decades-spanning|historical|epics|that|strives|to|be|intimate|and|socially|encompassing|but|fails|to|do|justice|to|either|effort|in|three|hours|of|screen|time|.\nReally|dumb|but|occasionally|really|funny|.\nThe|movie|wavers|between|Hallmark|card|sentimentality|and|goofy|,|life-affirming|moments|straight|out|of|a|cellular|phone|commercial|.\nThe|director|'s|many|dodges|and|turns|add|up|to|little|more|than|a|screenful|of|gamesmanship|that|'s|low|on|both|suspense|and|payoff|.\nWhile|the|transgressive|trappings|(|especially|the|frank|sex|scenes|)|ensure|that|the|film|is|never|dull|,|Rodrigues|'s|beast-within|metaphor|is|ultimately|rather|silly|and|overwrought|,|making|the|ambiguous|ending|seem|goofy|rather|than|provocative|.\nThe|satire|is|unfocused|,|while|the|story|goes|nowhere|.\nThey|threw|loads|of|money|at|an|idea|that|should|'ve|been|so|much|more|even|if|it|was|only|made|for|teenage|boys|and|wrestling|fans|.\nIt|'s|mired|in|a|shabby|script|that|piles|layer|upon|layer|of|Action|Man|cliché|atop|wooden|dialogue|and|a|shifting|tone|that|falls|far|short|of|the|peculiarly|moral|amorality|of|(|Woo|'s|)|best|work|.\nReyes|'|directorial|debut|has|good|things|to|offer|,|but|ultimately|it|'s|undone|by|a|sloppy|script\nIf|you|'re|over|25|,|have|an|IQ|over|90|,|and|have|a|driver|'s|license|,|you|should|be|able|to|find|better|entertainment|.\nThe|darker|elements|of|misogyny|and|unprovoked|violence|suffocate|the|illumination|created|by|the|two|daughters|and|the|sparse|instances|of|humor|meant|to|shine|through|the|gloomy|film|noir|veil|.\n...|the|picture|'s|cleverness|is|ironically|muted|by|the|very|people|who|are|intended|to|make|it|shine|.\nNever|does|``|Lilo|&|Stitch|''|reach|the|emotion|or|timelessness|of|Disney|'s|great|past|,|or|even|that|of|more|recent|successes|such|as|``|Mulan|''|or|``|Tarzan|.|''\nOne|of|those|so-so|films|that|could|have|been|much|better|.\nCrossroads|feels|like|a|teenybopper|Ed|Wood|film|,|replete|with|the|pubescent|scandalous|innuendo|and|the|high-strung|but|flaccid|drama|.\nFails|to|satisfactorily|exploit|its|gender|politics|,|genre|thrills|or|inherent|humor|.\nInterview|With|the|Assassin|is|structured|less|as|a|documentary|and|more|as|a|found|relic|,|and|as|such|the|film|has|a|difficult|time|shaking|its|Blair|Witch|Project|real-time|roots|.\nCacoyannis|'|vision|is|far|less|mature|,|interpreting|the|play|as|a|call|for|pity|and|sympathy|for|anachronistic|phantasms|haunting|the|imagined|glory|of|their|own|pasts|.\nIt|has|more|in|common|with|a|fireworks|display|than|a|movie|,|which|normally|is|expected|to|have|characters|and|a|storyline|.\nIt|appears|to|have|been|made|by|people|to|whom|the|idea|of|narrative|logic|or|cohesion|is|an|entirely|foreign|concept|.\nLess|a|heartfelt|appeal|for|the|handicapped|than|a|nice|Belgian|waffle|.\nIt|'s|not|helpful|to|listen|to|extremist|name-calling|,|regardless|of|whether|you|think|Kissinger|was|a|calculating|fiend|or|just|a|slippery|self-promoter|.\nAbandon|spends|90|minutes|trying|figure|out|whether|or|not|some|cocky|pseudo-intellectual|kid|has|intentionally|left|college|or|was|killed|.\nThe|only|problem|is|that|,|by|the|end|,|no|one|in|the|audience|or|the|film|seems|to|really|care|.\nNo|Such|Thing|is|sort|of|a|minimalist|Beauty|and|the|Beast|,|but|in|this|case|the|Beast|should|definitely|get|top|billing|.\nRobert|John|Burke|as|The|Monster|horns|in|and|steals|the|show|.\nDue|to|stodgy|,|soap|opera-ish|dialogue|,|the|rest|of|the|cast|comes|across|as|stick|figures|reading|lines|from|a|TelePrompTer|.\n(|T|)|he|film|is|never|sure|to|make|a|clear|point|--|even|if|it|seeks|to|rely|on|an|ambiguous|presentation|.\nWhile|it|may|not|add|up|to|the|sum|of|its|parts|,|Holofcener|'s|film|offers|just|enough|insight|to|keep|it|from|being|simpleminded|,|and|the|ensemble|cast|is|engaging|enough|to|keep|you|from|shifting|in|your|chair|too|often|.\nAn|overwrought|Taiwanese|soaper|about|three|people|and|their|mixed-up|relationship|.\nNobody|seems|to|have|cared|much|about|any|aspect|of|it|,|from|its|cheesy|screenplay|to|the|grayish|quality|of|its|lighting|to|its|last-minute|,|haphazard|theatrical|release|.\nA|thoroughly|awful|movie|--|dumb|,|narratively|chaotic|,|visually|sloppy|...|a|weird|amalgam|of|`|The|Thing|'|and|a|geriatric|`|Scream|.|'\n...|another|example|of|how|Sandler|is|losing|his|touch|.\nNothing|sticks|,|really|,|except|a|lingering|creepiness|one|feels|from|being|dragged|through|a|sad|,|sordid|universe|of|guns|,|drugs|,|avarice|and|damaged|dreams|.\nWhat|goes|on|for|the|110|minutes|of|``|Panic|Room|''|is|a|battle|of|witlessness|between|a|not-so-bright|mother|and|daughter|and|an|even|less|capable|trio|of|criminals|.\nThe|plot|'s|contrivances|are|uncomfortably|strained|.\nGuilty|of|the|worst|sin|of|attributable|to|a|movie|like|this|:|it|'s|not|scary|in|the|slightest|.\nSchnieder|bounces|around|with|limp|wrists|,|wearing|tight|tummy|tops|and|hip|huggers|,|twirling|his|hair|on|his|finger|and|assuming|that|'s|enough|to|sustain|laughs|...\nIts|simplicity|puts|an|exclamation|point|on|the|fact|that|this|is|n't|something|to|be|taken|seriously|,|but|it|also|wrecks|any|chance|of|the|movie|rising|above|similar|fare|.\nBy|the|final|whistle|you|'re|convinced|that|this|Mean|Machine|was|a|decent|TV|outing|that|just|does|n't|have|big|screen|magic|.\nTo|say|that|this|vapid|vehicle|is|downright|doltish|and|uneventful|is|just|as|obvious|as|telling|a|country|skunk|that|he|has|severe|body|odor|.\nA|film|of|empty|,|fetishistic|violence|in|which|murder|is|casual|and|fun|.\nPretend|it|'s|a|werewolf|itself|by|avoiding|eye|contact|and|walking|slowly|away|.\nIt|'s|fun|,|but|it|'s|a|real|howler|.\nSome|fine|acting|,|but|ultimately|a|movie|with|no|reason|for|being|.\nIt|'s|difficult|to|feel|anything|much|while|watching|this|movie|,|beyond|mild|disturbance|or|detached|pleasure|at|the|acting|.\nA|waterlogged|version|of|`|Fatal|Attraction|'|for|the|teeny-bopper|set|...|a|sad|,|soggy|potboiler|that|wastes|the|talents|of|its|attractive|young|leads|.\nIt|tells|its|story|in|a|flat|manner|and|leaves|you|with|the|impression|that|you|should|have|gotten|more|out|of|it|than|you|did|.\nSweet|gentle|Jesus|,|did|the|screenwriters|just|do|a|cut-and-paste|of|every|bad|action-movie|line|in|history|?\nIt|'s|not|the|worst|comedy|of|the|year|,|but|it|certainly|wo|n't|win|any|honors|.\nThis|is|for|the|most|part|a|useless|movie|,|even|with|a|great|director|at|the|helm|.\nA|loud|,|witless|mess|that|has|none|of|the|charm|and|little|of|the|intrigue|from|the|TV|series|.\nEven|on|its|own|ludicrous|terms|,|The|Sum|of|All|Fears|generates|little|narrative|momentum|,|and|invites|unflattering|comparisons|to|other|installments|in|the|Ryan|series|.\nThough|it|inspires|some|(|out-of-field|)|creative|thought|,|the|film|is|--|to|its|own|detriment|--|much|more|a|cinematic|collage|than|a|polemical|tract|.\nAs|predictable|as|the|outcome|of|a|Globetrotters-Generals|game|,|Juwanna|Mann|is|even|more|ludicrous|than|you|'d|expect|from|the|guy-in-a-dress|genre|,|and|a|personal|low|for|everyone|involved|.\nSinks|into|the|usual|cafeteria|goulash|of|fart|jokes|,|masturbation|jokes|,|and|racist|Japanese|jokes|.\nWhere|Tom|Green|stages|his|gags|as|assaults|on|America|'s|knee-jerk|moral|sanctimony|,|Jackass|lacks|aspirations|of|social|upheaval|.\nMore|of|an|intriguing|curiosity|than|a|gripping|thriller|.\nThe|April|2002|instalment|of|the|American|War|for|Independence|,|complete|with|loads|of|CGI|and|bushels|of|violence|,|but|not|a|drop|of|human|blood|.\nContains|all|the|substance|of|a|Twinkie|--|easy|to|swallow|,|but|scarcely|nourishing|.\nReturn|to|Neverland|manages|to|straddle|the|line|between|another|classic|for|the|company|and|just|another|run-of-the-mill|Disney|sequel|intended|for|the|home|video|market|.\nRarely|does|a|film|so|graceless|and|devoid|of|merit|as|this|one|come|along|.\nIt|'s|a|thin|notion|,|repetitively|stretched|out|to|feature|length|,|awash|in|self-consciously|flashy|camera|effects|,|droning|house|music|and|flat|,|flat|dialogue|.\nOn|a|certain|base|level|,|Blue|Crush|delivers|what|it|promises|,|just|not|well|enough|to|recommend|it|.\nThe|colorful|Masseur|wastes|its|time|on|mood|rather|than|riding|with|the|inherent|absurdity|of|Ganesh|'s|rise|up|the|social|ladder|.\n...|an|incredibly|heavy-handed|,|manipulative|dud|that|feels|all|too|familiar|.\nWimps|out|by|going|for|that|PG-13|rating|,|so|the|more|graphic|violence|is|mostly|off-screen|and|the|sexuality|is|muted|.\nTrapped|presents|a|frightening|and|compelling|`|What|if|?|'\nscenario|that|will|give|most|parents|pause|...|Then|,|something|terrible|happens|.\nMadonna|has|made|herself|over|so|often|now|,|there|'s|apparently|nothing|left|to|work|with|,|sort|of|like|Michael|Jackson|'s|nose|.\nNever|having|seen|the|first|two|films|in|the|series|,|I|ca|n't|compare|Friday|After|Next|to|them|,|but|nothing|would|change|the|fact|that|what|we|have|here|is|a|load|of|clams|left|in|the|broiling|sun|for|a|good|three|days|.\nThe|story|is|lacking|any|real|emotional|impact|,|and|the|plot|is|both|contrived|and|cliched|.\nA|depraved|,|incoherent|,|instantly|disposable|piece|of|hackery|.\nIt|'s|a|bad|action|movie|because|there|'s|no|rooting|interest|and|the|spectacle|is|grotesque|and|boring|.\n(|Soderbergh|)|tends|to|place|most|of|the|psychological|and|philosophical|material|in|italics|rather|than|trust|an|audience|'s|intelligence|,|and|he|creates|an|overall|sense|of|brusqueness|.\nHandsome|and|sincere|but|slightly|awkward|in|its|combination|of|entertainment|and|evangelical|boosterism|.\nSo|aggressively|cheery|that|Pollyana|would|reach|for|a|barf|bag|.\nScooby-Doo|does|n't|know|if|it|wants|to|be|a|retro-refitting|exercise|in|campy|recall|for|older|fans|or|a|silly|,|Nickelodeon-esque|kiddie|flick|.\nRussell|lacks|the|visual|panache|,|the|comic|touch|,|and|perhaps|the|budget|of|Sommers|'s|title-bout|features|.\nHighly|uneven|and|inconsistent|...|Margarita|Happy|Hour|kinda|resembles|the|el|cheapo|margaritas|served|within|.\nVery|stupid|and|annoying|.\nThe|Sum|of|All|Fears|pretends|to|be|a|serious|exploration|of|nuclear|terrorism|,|but|it|'s|really|nothing|more|than|warmed-over|Cold|War|paranoia|.\nA|listless|and|desultory|affair|.\nRepresents|the|depths|to|which|the|girls-behaving-badly|film|has|fallen|.\nHow|inept|is|Serving|Sara|?\nIt|makes|even|Elizabeth|Hurley|seem|graceless|and|ugly|.\nJam-packed|with|literally|bruising|jokes|.\nEvery|five|minutes|or|so|,|someone|gets|clocked|.\nWins|my|vote|for|`|The|2002|Enemy|of|Cinema|'|Award|.\nAny|Chekhov|is|better|than|no|Chekhov|,|but|it|would|be|a|shame|if|this|was|your|introduction|to|one|of|the|greatest|plays|of|the|last|100|years|.\nHelmer|Hudlin|tries|to|make|a|hip|comedy|,|but|his|dependence|on|slapstick|defeats|the|possibility|of|creating|a|more|darkly|edged|tome|.\nLazy|,|miserable|and|smug|.\nThis|is|one|of|the|biggest|disappointments|of|the|year|.\nFormula|51|has|dulled|your|senses|faster|and|deeper|than|any|recreational|drug|on|the|market|.\nEvery|visual|joke|is|milked|,|every|set-up|obvious|and|lengthy|,|every|punchline|predictable|.\nThere|'s|no|energy|.\nApparently|writer-director|Attal|thought|he|need|only|cast|himself|and|his|movie-star|wife|sitting|around|in|their|drawers|to|justify|a|film|.\nAfter|the|setup|,|the|air|leaks|out|of|the|movie|,|flattening|its|momentum|with|about|an|hour|to|go|.\nThis|is|a|poster|movie|,|a|mediocre|tribute|to|films|like|Them|!\nAt|three|hours|and|with|very|little|story|or|character|development|,|there|is|plenty|of|room|for|editing|,|and|a|much|shorter|cut|surely|would|have|resulted|in|a|smoother|,|more|focused|narrative|without|sacrificing|any|of|the|cultural|intrigue|.\nA|bit|too|derivative|to|stand|on|its|own|as|the|psychological|thriller|it|purports|to|be|.\nA|crude|teen-oriented|variation|on|a|theme|that|the|playwright|Craig|Lucas|explored|with|infinitely|more|grace|and|eloquence|in|his|Prelude|to|a|Kiss|.\nThe|film|'s|darker|moments|become|smoothed|over|by|an|overwhelming|need|to|tender|inspirational|tidings|,|especially|in|the|last|few|cloying|moments|.\nIf|you|recognize|Zeus|(|the|dog|from|Snatch|)|it|will|make|you|wish|you|were|at|home|watching|that|movie|instead|of|in|the|theater|watching|this|one|.\nThis|is|the|kind|of|movie|that|you|only|need|to|watch|for|about|thirty|seconds|before|you|say|to|yourself|,|`|Ah|,|yes|,|here|we|have|a|bad|,|bad|,|bad|movie|.|'\nShanghai|Ghetto|should|be|applauded|for|finding|a|new|angle|on|a|tireless|story|,|but|you|might|want|to|think|twice|before|booking|passage|.\nPlays|like|a|checklist|of|everything|Rob|Reiner|and|his|cast|were|sending|up|.\nThere|'s|too|much|forced|drama|in|this|wildly|uneven|movie|,|about|a|young|man|'s|battle|with|his|inescapable|past|and|uncertain|future|in|a|very|shapable|but|largely|unfulfilling|present|.\nIt|'s|at|once|laughable|and|compulsively|watchable|,|in|its|committed|dumbness|.\nAll|the|sensuality|,|all|the|eroticism|of|a|good|vampire|tale|has|been|,|pardon|the|pun|,|sucked|out|and|replaced|by|goth|goofiness|.\nA|cross|between|Blow|and|Boyz|N|The|Hood|,|this|movie|strives|to|be|more|,|but|does|n't|quite|get|there|.\nGood|performances|keep|it|from|being|a|total|rehash|.\nThe|screenplay|is|hugely|overwritten|,|with|tons|and|tons|of|dialogue|--|most|of|it|given|to|children|.\nTroll|the|cult|section|of|your|local|video|store|for|the|real|deal|.\nAt|times|,|the|movie|looks|genuinely|pretty|.\nYour|nightmares|,|on|the|other|hand|,|will|be|anything|but|.\nNot|even|Felinni|would|know|what|to|make|of|this|Italian|freakshow|.\nElmo|touts|his|drug|as|being|51|times|stronger|than|coke|.\nIf|you|'re|looking|for|a|tale|of|Brits|behaving|badly|,|watch|Snatch|again|.\nIt|'s|51|times|better|than|this|.\nIt|'s|difficult|to|conceive|of|anyone|who|has|reached|puberty|actually|finding|the|characters|in|Slackers|or|their|antics|amusing|,|let|alone|funny|.\nDespite|its|promising|cast|of|characters|,|Big|Trouble|remains|a|loosely|tied|series|of|vignettes|which|only|prove|that|`|zany|'|does|n't|necessarily|mean|`|funny|.|'\nBoth|shrill|and|soporific|,|and|because|everything|is|repeated|five|or|six|times|,|it|can|seem|tiresomely|simpleminded|.\nDoes|not|go|far|enough|in|its|humor|or|stock|ideas|to|stand|out|as|particularly|memorable|or|even|all|that|funny|.\nNeither|revelatory|nor|truly|edgy|--|merely|crassly|flamboyant|and|comedically|labored|.\nJust|about|everyone|involved|here|seems|to|be|coasting|.\nThere|are|a|few|modest|laughs|,|but|certainly|no|thrills|.\nFails|so|fundamentally|on|every|conventional|level|that|it|achieves|some|kind|of|goofy|grandeur|.\nThere|'s|a|persistent|theatrical|sentiment|and|a|woozy|quality|to|the|manner|of|the|storytelling|,|which|undercuts|the|devastatingly|telling|impact|of|utter|loss|personified|in|the|film|'s|simple|title|.\nWhile|Howard|'s|appreciation|of|Brown|and|his|writing|is|clearly|well-meaning|and|sincere|,|the|movie|would|be|impossible|to|sit|through|were|it|not|for|the|supporting|cast|.\nA|preposterous|,|prurient|whodunit|.\nGo|,|girls|,|right|down|the|reality|drain|.\nBoasting|some|of|the|most|poorly|staged|and|lit|action|in|memory|,|Impostor|is|as|close|as|you|can|get|to|an|imitation|movie|.\nCan|be|classified|as|one|of|those|`|alternate|reality|'|movies|...|except|that|it|would|have|worked|so|much|better|dealing|in|only|one|reality|.\nPredictable|and|cloying|,|though|Brown|Sugar|is|so|earnest|in|its|yearning|for|the|days|before|rap|went|nihilistic|that|it|summons|more|spirit|and|bite|than|your|average|formulaic|romantic|quadrangle|.\n...|unlikable|,|uninteresting|,|unfunny|,|and|completely|,|utterly|inept|.\nThe|film|is|so|busy|making|reference|to|other|films|and|trying|to|be|other|films|that|it|fails|to|have|a|heart|,|mind|or|humor|of|its|own|.\nAn|imponderably|stilted|and|self-consciously|arty|movie|.\nMuddled|,|melodramatic|paranormal|romance|is|an|all-time|low|for|Kevin|Costner|.\nToo|clumsy|in|key|moments|...|to|make|a|big|splash|.\nJust|a|bunch|of|good|actors|flailing|around|in|a|caper|that|'s|neither|original|nor|terribly|funny|.\n`|Matrix|'|-|style|massacres|erupt|throughout|...|but|the|movie|has|a|tougher|time|balancing|its|violence|with|Kafka-inspired|philosophy|.\nAt|least|it|'s|a|fairly|impressive|debut|from|the|director|,|Charles|Stone|III|.\nIt|all|unfolds|predictably|,|and|the|adventures|that|happen|along|the|way|seem|repetitive|and|designed|to|fill|time|,|providing|no|real|sense|of|suspense|.\nWanker|Goths|are|on|the|loose|!\nRun|for|your|lives|!\nWhy|would|anyone|cast|the|magnificent|Jackie|Chan|in|a|movie|full|of|stunt|doubles|and|special|effects|?\nA|grating|,|emaciated|flick|.\nUnambitious|writing|emerges|in|the|movie|,|using|a|plot|that|could|have|come|from|an|animated-movie|screenwriting|textbook|.\nPresents|a|good|case|while|failing|to|provide|a|reason|for|us|to|care|beyond|the|very|basic|dictums|of|human|decency|.\nWe|have|poignancy|jostling|against|farce|,|thoughtful|dialogue|elbowed|aside|by|one-liners|,|and|a|visual|style|that|incorporates|rotoscope|animation|for|no|apparent|reason|except|,|maybe|,|that|it|looks|neat|.\nAccording|to|the|script|,|Grant|and|Bullock|'s|characters|are|made|for|each|other|.\nBut|you|'d|never|guess|that|from|the|performances|.\nThe|animation|merely|serves|up|a|predictable|,|maudlin|story|that|swipes|heavily|from|Bambi|and|The|Lion|King|,|yet|lacks|the|emotional|resonance|of|either|of|those|movies|.\nArarat|feels|like|a|book|report\nSteve|Oedekerk|is|,|alas|,|no|Woody|Allen|.\nA|lot|like|the|imaginary|sport|it|projects|onto|the|screen|--|loud|,|violent|and|mindless|.\nAn|amalgam|of|The|Fugitive|,|Blade|Runner|,|and|Total|Recall|,|only|without|much|energy|or|tension|.\nThe|acting|is|amateurish|,|the|cinematography|is|atrocious|,|the|direction|is|clumsy|,|the|writing|is|insipid|and|the|violence|is|at|once|luridly|graphic|and|laughably|unconvincing|.\nShows|that|Jackie|Chan|is|getting|older|,|and|that|'s|something|I|would|rather|live|in|denial|about\nWith|miscast|leads|,|banal|dialogue|and|an|absurdly|overblown|climax|,|Killing|Me|Softly|belongs|firmly|in|the|so-bad-it|'s|-|good|camp|.\nAlas|,|the|black-and-white|archival|footage|of|their|act|showcases|pretty|mediocre|shtick|.\nThe|slapstick|is|labored|,|and|the|bigger|setpieces|flat|.\nThis|is|the|kind|of|movie|where|people|who|have|never|picked|a|lock|do|so|easily|after|a|few|tries|and|become|expert|fighters|after|a|few|weeks|.\nThe|problem|with|the|mayhem|in|Formula|51|is|not|that|it|'s|offensive|,|but|that|it|'s|boring|.\nMuch|of|the|digitally|altered|footage|appears|jagged|,|as|if|filmed|directly|from|a|television|monitor|,|while|the|extensive|use|of|stock|footage|quickly|becomes|a|tiresome|cliché|.\nthe|film|never|rises|above|a|conventional|,|two|dimension|tale\nMark|Wahlberg|...|may|look|classy|in|a|'60s|-|homage|pokepie|hat|,|but|as|a|character|he|'s|dry|,|dry|,|dry|.\nTold|in|scattered|fashion|,|the|movie|only|intermittently|lives|up|to|the|stories|and|faces|and|music|of|the|men|who|are|its|subject|.\nThe|irony|is|that|this|film|'s|cast|is|uniformly|superb|;|their|performances|could|have|--|should|have|--|been|allowed|to|stand|on|their|own|.\nNow|I|can|see|why|people|thought|I|was|too|hard|on|``|The|Mothman|Prophecies|''|.\nIf|ever|a|concept|came|handed|down|from|the|movie|gods|on|a|silver|platter|,|this|is|it|.\nIf|ever|such|a|dependable|concept|was|botched|in|execution|,|this|is|it|.\nWith|an|unusual|protagonist|(|a|kilt-wearing|Jackson|)|and|subject|matter|,|the|improbable|``|Formula|51|''|is|somewhat|entertaining|,|but|it|could|have|been|much|stronger|.\nSandra|Bullock|'s|best|dramatic|performance|to|date|(|is|)|almost|enough|to|lift|(|this|)|thrill-kill|cat-and-mouser|...|above|its|paint-by-numbers|plot|.\nA|feel-good|movie|that|does|n't|give|you|enough|to|feel|good|about|.\nAdolescents|will|be|adequately|served|by|the|movie|'s|sophomoric|blend|of|shenanigans|and|slapstick|,|although|the|more|lascivious-minded|might|be|disappointed|in|the|relative|modesty|of|a|movie|that|sports|a|`|topless|tutorial|service|.|'\nThis|mistaken-identity|picture|is|so|film-culture|referential|that|the|final|product|is|a|ghost|.\nThe|picture|emerges|as|a|surprisingly|anemic|disappointment|.\nDe|Niro|cries|.\nYou|'ll|cry|for|your|money|back|.\nSlap|me|,|I|saw|this|movie|.\n(|The|kid|'s|)|just|too|bratty|for|sympathy|,|and|as|the|film|grows|to|its|finale|,|his|little|changes|ring|hollow|.\nBehind|the|glitz|,|Hollywood|is|sordid|and|disgusting|.\nQuelle|surprise|!\nScherfig|,|who|has|had|a|successful|career|in|TV|,|tackles|more|than|she|can|handle|.\nJust|consider|what|New|Best|Friend|does|not|have|,|beginning|with|the|minor|omission|of|a|screenplay|.\nOscar|caliber|cast|does|n't|live|up|to|material\nThe|problems|of|the|people|in|Love|in|the|Time|of|Money|are|hardly|specific|to|their|era|.\nThey|just|have|problems|,|which|are|neither|original|nor|are|presented|in|convincing|way|.\nCarrying|this|wafer-thin|movie|on|his|nimble|shoulders|,|Chan|wades|through|putrid|writing|,|direction|and|timing|with|a|smile|that|says|,|`|If|I|stay|positive|,|maybe|I|can|channel|one|of|my|greatest|pictures|,|Drunken|Master|.|'\nSo|putrid|it|is|not|worth|the|price|of|the|match|that|should|be|used|to|burn|every|print|of|the|film|.\nIn|the|end|,|the|movie|bogs|down|in|insignificance|,|saying|nothing|about|Kennedy|'s|assassination|and|revealing|nothing|about|the|pathology|it|pretends|to|investigate|.\nStarts|out|ballsy|and|stylish|but|fails|to|keep|it|up|and|settles|into|clichés|.\nSometimes|makes|less|sense|than|the|Bruckheimeresque|American|action|flicks|it|emulates|.\nOne|of|those|films|where|the|characters|inhabit|that|special|annex|of|hell|where|adults|behave|like|kids|,|children|behave|like|adults|and|everyone|screams|at|the|top|of|their|lungs|no|matter|what|the|situation|.\nThere|'s|only|one|way|to|kill|Michael|Myers|for|good|:|stop|buying|tickets|to|these|movies|.\n`|Rare|Birds|'|tries|to|force|its|quirkiness|upon|the|audience|.\nThe|movie|is|about|as|humorous|as|watching|your|favorite|pet|get|buried|alive|.\nResident|Evil|is|what|comes|from|taking|John|Carpenter|'s|Ghosts|of|Mars|and|eliminating|the|beheadings|.\nIn|other|words|,|about|as|bad|a|film|you|'re|likely|to|see|all|year|.\nFive|screenwriters|are|credited|with|the|cliché-laden|screenplay|;|it|seems|as|if|each|watered|down|the|version|of|the|one|before|.\nThe|whole|thing|comes|off|like|a|particularly|amateurish|episode|of|Bewitched|that|takes|place|during|Spring|Break|.\nWell|made|but|uninvolving|,|Bloodwork|is|n't|a|terrible|movie|,|just|a|stultifyingly|obvious|one|--|an|unrewarding|collar|for|a|murder|mystery|.\nSo|we|got|Ten|Little|Indians|meets|Friday|the|13th|by|way|of|Clean|and|Sober|,|filmed|on|the|set|of|Carpenter|'s|The|Thing|and|loaded|with|actors|you|'re|most|likely|to|find|on|the|next|inevitable|incarnation|of|The|Love|Boat|.\nThe|movie|'s|blatant|derivativeness|is|one|reason|it|'s|so|lackluster|.\nKids|do|n't|mind|crappy|movies|as|much|as|adults|,|provided|there|'s|lots|of|cute|animals|and|clumsy|people|.\n`|Snow|Dogs|'|has|both|.\nIt|'s|almost|as|if|it|'s|an|elaborate|dare|more|than|a|full-blooded|film|.\nWobbly|Senegalese|updating|of|``|Carmen|''|which|is|best|for|the|stunning|star|turn|by|Djeinaba|Diop|Gai\nIt|'s|the|humanizing|stuff|that|will|probably|sink|the|film|for|anyone|who|does|n't|think|about|percentages|all|day|long|.\nKen|Russell|would|love|this|.\nIn|one|scene|,|we|get|a|stab|at|soccer|hooliganism|,|a|double-barreled|rip-off|of|Quentin|Tarantino|'s|climactic|shootout|--|and|Meat|Loaf|explodes|.\nBella|is|the|picture|of|health|with|boundless|energy|until|a|few|days|before|she|dies|.\nThis|is|absolutely|and|completely|ridiculous|and|an|insult|to|every|family|whose|mother|has|suffered|through|the|horrible|pains|of|a|death|by|cancer|.\nThe|premise|of|``|Abandon|''|holds|promise|,|...|but|its|delivery|is|a|complete|mess|.\nWhat|could|have|been|a|pointed|little|chiller|about|the|frightening|seductiveness|of|new|technology|loses|faith|in|its|own|viability|and|succumbs|to|joyless|special-effects|excess|.\nA|little|too|ponderous|to|work|as|shallow|entertainment|,|not|remotely|incisive|enough|to|qualify|as|drama|,|Monsoon|Wedding|serves|mostly|to|whet|one|'s|appetite|for|the|Bollywood|films|.\nUnless|Bob|Crane|is|someone|of|particular|interest|to|you|,|this|film|'s|impressive|performances|and|adept|direction|are|n't|likely|to|leave|a|lasting|impression|.\nThe|Rock|has|a|great|presence|but|one|battle|after|another|is|not|the|same|as|one|battle|followed|by|killer|CGI|effects|.\nThe|bottom|line|with|Nemesis|is|the|same|as|it|has|been|with|all|the|films|in|the|series|:|Fans|will|undoubtedly|enjoy|it|,|and|the|uncommitted|need|n't|waste|their|time|on|it|.\nThe|lousy|John|Q|all|but|spits|out|Denzel|Washington|'s|fine|performance|in|the|title|role|.\nThe|whole|thing|feels|like|a|ruse|,|a|tactic|to|cover|up|the|fact|that|the|picture|is|constructed|around|a|core|of|flimsy|--|or|,|worse|yet|,|nonexistent|--|ideas|.\nWhat|a|stiflingly|unfunny|and|unoriginal|mess|this|is|!\nThe|film|is|so|packed|with|subplots|involving|the|various|Silbersteins|that|it|feels|more|like|the|pilot|episode|of|a|TV|series|than|a|feature|film|.\nOpera|on|film|is|never|satisfactory|.\nThe|art|demands|live|viewing|.\nThe|innate|theatrics|that|provide|its|thrills|and|extreme|emotions|lose|their|luster|when|flattened|onscreen|.\nDespite|all|the|closed-door|hanky-panky|,|the|film|is|essentially|juiceless|.\nIt|is|parochial|,|accessible|to|a|chosen|few|,|standoffish|to|everyone|else|,|and|smugly|suggests|a|superior|moral|tone|is|more|important|than|filmmaking|skill\nThe|Sweetest|Thing|leaves|an|awful|sour|taste|.\nIt|'s|lost|the|politics|and|the|social|observation|and|become|just|another|situation|romance|about|a|couple|of|saps|stuck|in|an|inarticulate|screenplay|.\nTerminally|bland|,|painfully|slow|and|needlessly|confusing|...|The|movie|,|shot|on|digital|videotape|rather|than|film|,|is|frequently|indecipherable|.\nAs|dumb|and|cheesy|as|they|may|be|,|the|cartoons|look|almost|Shakespearean|--|both|in|depth|and|breadth|--|after|watching|this|digital-effects-heavy|,|supposed|family-friendly|comedy|.\nAloof|and|lacks|any|real|raw|emotion|,|which|is|fatal|for|a|film|that|relies|on|personal|relationships|.\nA|low-rent|retread|of|the|Alien|pictures|.\nServiceable|at|best|,|slightly|less|than|serviceable|at|worst|.\nIts|initial|excitement|settles|into|a|warmed|over|pastiche|.\nA|big|meal|of|cliches|that|the|talented|cast|generally|chokes|on|.\nThe|story|has|little|wit|and|no|surprises|.\nThe|Merchant-Ivory|team|continues|to|systematically|destroy|everything|we|hold|dear|about|cinema|,|only|now|it|'s|begun|to|split|up|so|that|it|can|do|even|more|damage|.\nWhat|should|have|been|a|cutting|Hollywood|satire|is|instead|about|as|fresh|as|last|week|'s|issue|of|Variety|.\nHey|everybody|,|wanna|watch|a|movie|in|which|a|guy|dressed|as|a|children|'s|party|clown|gets|violently|gang-raped|?\nI|did|n't|think|so|.\nA|little|more|intensity|and|a|little|less|charm|would|have|saved|this|film|a|world|of|hurt|.\n(|T|)|his|slop|does|n't|even|have|potential|as|a|cult|film|,|as|it|'s|too|loud|to|shout|insults|at|the|screen|.\nThe|movie|'s|plot|is|almost|entirely|witless|and|inane|,|carrying|every|gag|two|or|three|times|beyond|its|limit|to|sustain|a|laugh|.\n...|may|work|as|an|addictive|guilty|pleasure|but|the|material|never|overcomes|its|questionable|satirical|ambivalence|.\nThis|Scarlet|'s|letter|is|A.|.|.\nas|in|aimless|,|arduous|,|and|arbitrary|.\nPlays|like|a|glossy|melodrama|that|occasionally|verges|on|camp|.\nThe|central|character|is|n't|complex|enough|to|hold|our|interest|.\nA|modestly|comic|,|modestly|action-oriented|World|War|II|adventure|that|,|in|terms|of|authenticity|,|is|one|of|those|films|that|requires|the|enemy|to|never|shoot|straight|.\nA|puppy|dog|so|desperate|for|attention|it|nearly|breaks|its|little|neck|trying|to|perform|entertaining|tricks|.\nJust|about|all|of|the|film|is|confusing|on|one|level|or|another|,|making|Ararat|far|more|demanding|than|it|needs|to|be|.\nA|little|less|extreme|than|in|the|past|,|with|longer|exposition|sequences|between|them|,|and|with|fewer|gags|to|break|the|tedium|.\nThere|'s|a|heavy|stench|of|`|been|there|,|done|that|'|hanging|over|the|film|.\nIt|'s|everything|you|'d|expect|--|but|nothing|more|.\nThe|biggest|problem|with|Satin|Rouge|is|Lilia|herself|.\nShe|'s|a|cipher|,|played|by|an|actress|who|smiles|and|frowns|but|does|n't|reveal|an|inner|life|.\nA|quaint|,|romanticized|rendering|.\nWhat|with|the|incessant|lounge|music|playing|in|the|film|'s|background|,|you|may|mistake|Love|Liza|for|an|Adam|Sandler|Chanukah|song|.\nThe|movie|'s|heavy-handed|screenplay|navigates|a|fast|fade|into|pomposity|and|pretentiousness|.\nA|potentially|good|comic|premise|and|excellent|cast|are|terribly|wasted|.\nWoody|Allen|used|to|ridicule|movies|like|Hollywood|Ending|.\nNow|he|makes|them|.\nShe|'s|not|yet|an|actress|,|not|quite|a|singer|...\nNot|a|bad|premise|,|but|the|execution|is|lackluster|at|best|.\nBeen|there|done|that|.\nThere|is|only|so|much|baked|cardboard|I|need|to|chew|.\nA|movie|like|The|Guys|is|why|film|criticism|can|be|considered|work|.\nSchnitzler|'s|film|has|a|great|hook|,|some|clever|bits|and|well-drawn|,|if|standard|issue|,|characters|,|but|is|still|only|partly|satisfying|.\nEven|if|it|made|its|original|release|date|last|fall|,|it|would|'ve|reeked|of|a|been-there|,|done-that|sameness|.\nOnly|two-fifths|of|a|satisfying|movie|experience|.\nA|loud|,|ugly|,|irritating|movie|without|any|of|its|satirical|salvos|hitting|a|discernible|target|.\nA|movie|version|of|a|paint-by-numbers|picture|.\nWe|can|tell|what|it|is|supposed|to|be|,|but|ca|n't|really|call|it|a|work|of|art|.\nIt|'s|a|brilliant|,|honest|performance|by|Nicholson|,|but|the|film|is|an|agonizing|bore|except|when|the|fantastic|Kathy|Bates|turns|up|.\nBravado|Kathy|!\n...|Liotta|is|put|in|an|impossible|spot|because|his|character|'s|deceptions|ultimately|undo|him|and|the|believability|of|the|entire|scenario|.\nToo|bad|.\nYou|can|thank|me|for|this|.\nI|saw|Juwanna|Mann|so|you|do|n't|have|to|.\nUnfunny|and|lacking|any|sense|of|commitment|to|or|affection|for|its|characters|,|the|Reginald|Hudlin|comedy|relies|on|toilet|humor|,|ethnic|slurs|.\nBasically|,|it|'s|pretty|but|dumb|.\nThis|romantic\\/comedy|asks|the|question|how|much|souvlaki|can|you|take|before|indigestion|sets|in|.\nSquandering|his|opportunity|to|make|absurdist|observations|,|Burns|gets|caught|up|in|the|rush|of|slapstick|thoroughfare|.\nThere|'s|a|neat|twist|,|subtly|rendered|,|that|could|have|wrapped|things|up|at|80|minutes|,|but|Kang|tacks|on|three|or|four|more|endings|.\nReeboir|varies|between|a|sweet|smile|and|an|angry|bark|,|while|Said|attempts|to|wear|down|possible|pupils|through|repetition|.\nIt|has|no|affect|on|the|Kurds|,|but|it|wore|me|down|.\nThe|actors|improvise|and|scream|their|way|around|this|movie|directionless|,|lacking|any|of|the|rollicking|dark|humor|so|necessary|to|make|this|kind|of|idea|work|on|screen|.\nCo-writer\\/director|Jonathan|Parker|'s|attempts|to|fashion|a|Brazil-like|,|hyper-real|satire|fall|dreadfully|short|.\nIf|this|silly|little|cartoon|can|inspire|a|few|kids|not|to|grow|up|to|be|greedy|bastards|,|more|power|to|it|.\nA|superfluous|sequel|...|plagued|by|that|old|familiar|feeling|of|`|let|'s|get|this|thing|over|with|'|:|Everyone|has|shown|up|at|the|appointed|time|and|place|,|but|visible|enthusiasm|is|mighty|hard|to|find|.\nIf|there|'s|a|heaven|for|bad|movies|,|Deuces|Wild|is|on|its|way|.\nComes|off|like|a|bad|imitation|of|the|Bard|.\nWhat|'s|missing|in|Murder|by|Numbers|is|any|real|psychological|grounding|for|the|teens|'|deviant|behaviour|.\nBeing|latently|gay|and|liking|to|read|are|hardly|enough|.\nAn|uninspired|preachy|and|clichéd|war|film|.\nHorrendously|amateurish|filmmaking|that|is|plainly|dull|and|visually|ugly|when|it|is|n't|incomprehensible|.\nA|movie|that|harps|on|media-constructed|`|issues|'|like|whether|compromise|is|the|death|of|self|...|this|Orgasm|(|wo|n't|be|an|)|exceedingly|memorable|one|for|most|people|.\nSlackers|'|jokey|approach|to|college|education|is|disappointingly|simplistic|--|the|film|'s|biggest|problem|--|and|there|are|no|unforgettably|stupid|stunts|or|uproariously|rude|lines|of|dialogue|to|remember|it|by|.\nIf|Festival|in|Cannes|nails|hard|-|boiled|Hollywood|argot|with|a|bracingly|nasty|accuracy|,|much|about|the|film|,|including|some|of|its|casting|,|is|frustratingly|unconvincing|.\nThe|movie|is|too|impressed|with|its|own|solemn|insights|to|work|up|much|entertainment|value|.\nI|have|n't|seen|such|self-amused|trash|since|Freddy|Got|Fingered|.\nLittle|more|than|a|well-mounted|history|lesson|.\nRob|Schneider|'s|infantile|cross-dressing|routines|fill|The|Hot|Chick|,|the|latest|gimmick|from|this|unimaginative|comedian|.\nA|horrible|,|99-minute|stink|bomb|.\nThe|film|is|weighed|down|by|supporting|characters|who|are|either|too|goodly|,|wise|and|knowing|or|downright|comically|evil|.\nThe|film|is|so|bad|it|does|n't|improve|upon|the|experience|of|staring|at|a|blank|screen|.\nSheridan|'s|take|on|the|author|'s|schoolboy|memoir|...|is|a|rather|toothless|take|on|a|hard|young|life|.\nIt|jumps|around|with|little|logic|or|continuity|,|presenting|backstage|bytes|of|information|that|never|amount|to|a|satisfying|complete|picture|of|this|particular|,|anciently|demanding|métier|.\nHow|I|Killed|My|Father|is|one|of|those|art|house|films|that|makes|you|feel|like|you|'re|watching|an|iceberg|melt|--|only|it|never|melts|.\nWhen|it|comes|to|the|battle|of|Hollywood|vs.|Woo|,|it|looks|like|Woo|'s|a|P.O.W.\nThere|are|a|few|chuckles|,|but|not|a|single|gag|sequence|that|really|scores|,|and|the|stars|seem|to|be|in|two|different|movies|.\nThe|Chateau|has|one|very|funny|joke|and|a|few|other|decent|ones|,|but|all|it|amounts|to|is|a|mildly|funny|,|sometimes|tedious|,|ultimately|insignificant|film|.\nIt|'s|dull|,|spiritless|,|silly|and|monotonous|:|an|ultra-loud|blast|of|pointless|mayhem|,|going|nowhere|fast|.\nThe|mushy|finale|turns|John|Q|into|a|movie-of-the-week|tearjerker|.\nContent|merely|to|lionize|its|title|character|and|exploit|his|anger|-|all|for|easy|sanctimony|,|formulaic|thrills|and|a|ham-fisted|sermon|on|the|need|for|national|health|insurance|.\nThe|movie|turns|out|to|be|(|Assayas|'|)|homage|to|the|Gallic|`|tradition|of|quality|,|'|in|all|its|fusty|squareness|.\nIts|message|has|merit|and|,|in|the|hands|of|a|brutally|honest|individual|like|Prophet|Jack|,|might|have|made|a|point|or|two|regarding|life|.\n(|Seems|)|even|more|uselessly|redundant|and|shamelessly|money-grubbing|than|most|third-rate|horror|sequels|.\nIt|'s|hard|to|imagine|that|even|very|small|children|will|be|impressed|by|this|tired|retread|.\nNeither|as|scary-funny|as|Tremors|nor|demented-funny|as|Starship|Troopers|,|the|movie|is|n't|tough|to|take|as|long|as|you|'ve|paid|a|matinee|price|.\nIf|swimfan|does|catch|on|,|it|may|be|because|teens|are|looking|for|something|to|make|them|laugh|.\nWhat|might|'ve|been|an|exhilarating|exploration|of|an|odd|love|triangle|becomes|a|sprawl|of|uncoordinated|vectors|.\nThe|Master|of|Disguise|may|have|made|a|great|Saturday|Night|Live|sketch|,|but|a|great|movie|it|is|not|.\nIt|'s|quite|an|achievement|to|set|and|shoot|a|movie|at|the|Cannes|Film|Festival|and|yet|fail|to|capture|its|visual|appeal|or|its|atmosphere|.\nBoll|uses|a|lot|of|quick|cutting|and|blurry|step-printing|to|goose|things|up|,|but|dopey|dialogue|and|sometimes|inadequate|performances|kill|the|effect|.\nIt|'s|always|disappointing|when|a|documentary|fails|to|live|up|to|--|or|offer|any|new|insight|into|--|its|chosen|topic|.\nUnfortunately|,|that|'s|precisely|what|Arthur|Dong|'s|Family|Fundamentals|does|.\nHas|the|marks|of|a|septuagenarian|;|it|'s|a|crusty|treatment|of|a|clever|gimmick|.\nLike|a|medium-grade|network|sitcom|--|mostly|inoffensive|,|fitfully|amusing|,|but|ultimately|so|weightless|that|a|decent|draft|in|the|auditorium|might|blow|it|off|the|screen|.\nSomething|must|have|been|lost|in|the|translation|.\nBecomes|the|last|thing|you|would|expect|from|a|film|with|this|title|or|indeed|from|any|Plympton|film|:|boring|.\nIn|the|end|,|the|film|feels|homogenized|and|a|bit|contrived|,|as|if|we|'re|looking|back|at|a|tattered|and|ugly|past|with|rose-tinted|glasses|.\nChan|'s|stunts|are|limited|and|so|embellished|by|editing|that|there|'s|really|not|much|of|a|sense|of|action|or|even|action-comedy|.\nRock|'s|stand-up|magic|wanes|.\nHopkins|,|squarely|fills|the|screen|.\nAction|-|mechanical|.\n``|The|Tuxedo|''|should|have|been|the|vehicle|for|Chan|that|``|The|Mask|''|was|for|Jim|Carrey|.\nAlas|,|it|'s|the|man|that|makes|the|clothes|.\nFor|casual|moviegoers|who|stumble|into|Rules|expecting|a|slice|of|American|Pie|hijinks|starring|the|kid|from|Dawson|'s|Creek|,|they|'ll|probably|run|out|screaming|.\nThe|biggest|problem|I|have|(|other|than|the|very|sluggish|pace|)|is|we|never|really|see|her|Esther|blossom|as|an|actress|,|even|though|her|talent|is|supposed|to|be|growing|.\nWhat|puzzles|me|is|the|lack|of|emphasis|on|music|in|Britney|Spears|'|first|movie|.\nPlot|,|characters|,|drama|,|emotions|,|ideas|--|all|are|irrelevant|to|the|experience|of|seeing|The|Scorpion|King|.\nCity|by|the|Sea|is|a|gritty|police|thriller|with|all|the|dysfunctional|family|dynamics|one|could|wish|for|.\nBut|how|it|washed|out|despite|all|of|that|is|the|project|'s|prime|mystery|.\nWhatever|the|movie|'s|sentimental|,|hypocritical|lessons|about|sexism|,|its|true|colors|come|out|in|various|wet|T-shirt|and|shower|scenes|.\nAs|a|hybrid|teen|thriller|and|murder|mystery|,|Murder|by|Numbers|fits|the|profile|too|closely|.\nThere|ai|n't|a|lot|more|painful|than|an|unfunny|movie|that|thinks|it|'s|hilarious|.\nI|enjoyed|the|movie|in|a|superficial|way|,|while|never|sure|what|its|purpose|was|.\nWhat|a|pity|...|that|the|material|is|so|second-rate|.\nDoes|n't|deliver|a|great|story|,|nor|is|the|action|as|gripping|as|in|past|Seagal|films|.\nThe|kind|of|film|that|leaves|you|scratching|your|head|in|amazement|over|the|fact|that|so|many|talented|people|could|participate|in|such|an|ill-advised|and|poorly|executed|idea|.\nNicks|refuses|to|let|Slackers|be|seen|as|just|another|teen|movie|,|which|means|he|can|be|forgiven|for|frequently|pandering|to|fans|of|the|gross-out|comedy|.\nNothing|about|the|film|--|with|the|possible|exception|of|Elizabeth|Hurley|'s|breasts|--|is|authentic|.\nAmid|the|cliché|and|foreshadowing|,|Cage|manages|a|degree|of|casual|realism|...|that|is|routinely|dynamited|by|Blethyn|.\nMostly|,|Shafer|and|co-writer|Gregory|Hinton|lack|a|strong-minded|viewpoint|,|or|a|sense|of|humor|.\nNo|cliche|escapes|the|perfervid|treatment|of|gang|warfare|called|ces|Wild|.\nEddie|Murphy|and|Owen|Wilson|have|a|cute|partnership|in|I|Spy|,|but|the|movie|around|them|is|so|often|nearly|nothing|that|their|charm|does|n't|do|a|load|of|good|.\nStrictly|a|`|guy|'s|film|'|in|the|worst|sense|of|the|expression|.\nThere|'s|some|good|material|in|their|story|about|a|retail|clerk|wanting|more|out|of|life|,|but|the|movie|too|often|spins|its|wheels|with|familiar|situations|and|repetitive|scenes|.\nIt|'s|a|lot|to|ask|people|to|sit|still|for|two|hours|and|change|watching|such|a|character|,|especially|when|rendered|in|as|flat|and|impassive|a|manner|as|Phoenix|'s|.\nThere|'s|something|fishy|about|a|seasonal|holiday|kids|'|movie|...|that|derives|its|moment|of|most|convincing|emotional|gravity|from|a|scene|where|Santa|gives|gifts|to|grownups|.\nWe|'re|left|with|a|story|that|tries|to|grab|us|,|only|to|keep|letting|go|at|all|the|wrong|moments|.\nLike|many|such|biographical|melodramas|,|it|suffers|from|the|awkwardness|that|results|from|adhering|to|the|messiness|of|true|stories|.\nThere|is|nothing|redeeming|about|this|movie|.\nThe|film|has|(|its|)|moments|,|but|they|are|few|and|far|between|.\nI|was|trying|to|decide|what|annoyed|me|most|about|God|is|Great|...|I|'m|Not|,|and|then|I|realized|that|I|just|did|n't|care|.\nDerailed|by|bad|writing|and|possibly|also|by|some|of|that|extensive|post-production|reworking|to|aim|the|film|at|young|males|in|the|throes|of|their|first|full|flush|of|testosterone|.\nDeserves|high|marks|for|political|courage|but|barely|gets|by|on|its|artistic|merits|.\n...|comes|alive|only|when|it|switches|gears|to|the|sentimental|.\nBrosnan|'s|finest|non-Bondish|performance|yet|fails|to|overcome|the|film|'s|manipulative|sentimentality|and|annoying|stereotypes|.\nA|film|that|will|be|best|appreciated|by|those|willing|to|endure|its|extremely|languorous|rhythms|,|Waiting|for|Happiness|is|ultimately|thoughtful|without|having|much|dramatic|impact|.\nTo|me|,|it|sounds|like|a|cruel|deception|carried|out|by|men|of|marginal|intelligence|,|with|reactionary|ideas|about|women|and|a|total|lack|of|empathy|.\nTsai|may|be|ploughing|the|same|furrow|once|too|often|.\nFlashy|gadgets|and|whirling|fight|sequences|may|look|cool|,|but|they|ca|n't|distract|from|the|flawed|support|structure|holding|Equilibrium|up|.\nZigZag|might|have|been|richer|and|more|observant|if|it|were|less|densely|plotted|.\nHow|can|such|a|cold|movie|claim|to|express|warmth|and|longing|?\nIn|truth|,|it|has|all|the|heart|of|a|porno|flick|(|but|none|of|the|sheer|lust|)|.\nNicks|and|Steinberg|match|their|own|creations|for|pure|venality|--|that|'s|giving|it|the|old|college|try|.\nEpisode|II|--|Attack|of|the|Clones|is|a|technological|exercise|that|lacks|juice|and|delight|.\nThe|problem|with|all|of|this|:|It|'s|not|really|funny|.\n(|Denis|'|)|bare-bones|narrative|more|closely|resembles|an|outline|for|a|'70s|exploitation|picture|than|the|finished|product|.\nWanders|all|over|the|map|thematically|and|stylistically|,|and|borrows|heavily|from|Lynch|,|Jeunet|,|and|von|Trier|while|failing|to|find|a|spark|of|its|own|.\nViewing|this|underdramatized|but|overstated|film|is|like|watching|a|transcript|of|a|therapy|session|brought|to|humdrum|life|by|some|Freudian|puppet|.\nOverall|tomfoolery|like|this|is|a|matter|of|taste|.\nThe|mantra|behind|the|project|seems|to|have|been|`|it|'s|just|a|kids|'|flick|.|'\nTranslation|:|`|We|do|n't|need|to|try|very|hard|.|'\nIn|all|the|annals|of|the|movies|,|few|films|have|been|this|odd|,|inexplicable|and|unpleasant|.\nIt|takes|a|really|long|,|slow|and|dreary|time|to|dope|out|what|TUCK|EVERLASTING|is|about|.\nSo|here|it|is|:|It|'s|about|a|family|of|sour|immortals|.\nan|essentially|awkward|version|of|the|lightweight|female|empowerment|picture|we|'ve|been|watching|for|decades\nThe|author|'s|devotees|will|probably|find|it|fascinating|;|others|may|find|it|baffling|.\nWriter-director|Walter|Hill|and|co-writer|David|Giler|try|to|create|characters|out|of|the|obvious|cliches|,|but|wind|up|using|them|as|punching|bags|.\nThere|'s|a|scientific|law|to|be|discerned|here|that|producers|would|be|well|to|heed|:|Mediocre|movies|start|to|drag|as|soon|as|the|action|speeds|up|;|when|the|explosions|start|,|they|fall|to|pieces|.\nA|cockeyed|shot|all|the|way|.\nLush|and|beautifully|photographed|(|somebody|suggested|the|stills|might|make|a|nice|coffee|table|book|)|,|but|ultimately|you|'ll|leave|the|theater|wondering|why|these|people|mattered|.\nUnfortunately|,|One|Hour|Photo|lives|down|to|its|title|.\nThanks|largely|to|Williams|,|all|the|interesting|developments|are|processed|in|60|minutes|--|the|rest|is|just|an|overexposed|waste|of|film|.\nCold|,|Sterile|And|Lacking|Any|Color|Or|Warmth|.\nThe|film|is|undone|by|anachronistic|quick|edits|and|occasional|jarring|glimpses|of|a|modern|theater|audience|watching|the|events|unfold|.\nSeems|like|someone|going|through|the|motions|.\nFor|a|film|about|explosions|and|death|and|spies|,|``|Ballistic|:|Ecks|vs.|Sever|''|seems|as|safe|as|a|children|'s|film|.\nWell|,|in|some|of|those|,|the|mother|deer|even|dies|.\nWallace|gets|a|bit|heavy|handed|with|his|message|at|times|,|and|has|a|visual|flair|that|waxes|poetic|far|too|much|for|our|taste|.\nImpostor|does|n't|do|much|with|its|template|,|despite|a|remarkably|strong|cast|.\nWraps|itself|in|the|guise|of|a|dark|and|quirky|comedy|,|but|it|is|n't|as|quirky|as|it|thinks|it|is|and|its|comedy|is|generally|mean-spirited|.\nChoppy|,|overlong|documentary|about|`|The|Lifestyle|.|'\nOne|sloughs|one|'s|way|through|the|mire|of|this|alleged|psychological|thriller|in|search|of|purpose|or|even|a|plot|.\nA|film|which|presses|familiar|Herzog|tropes|into|the|service|of|a|limpid|and|conventional|historical|fiction|,|when|really|what|we|demand|of|the|director|is|to|be|mesmerised|.\nIt|'s|a|fanboy|`|what|if|?|'\nbrought|to|life|on|the|big|screen|.\nThe|story|itself|is|actually|quite|vapid|.\nIt|'s|a|hellish|,|numbing|experience|to|watch|,|and|it|does|n't|offer|any|insights|that|have|n't|been|thoroughly|debated|in|the|media|already|,|back|in|the|Dahmer|heyday|of|the|mid|-|'90s|.\nWait|for|pay|per|view|or|rental|but|do|n't|dismiss|BarberShop|out|of|hand|.\nA|few|zingers|aside|,|the|writing|is|indifferent|,|and|Jordan|Brady|'s|direction|is|prosaic|.\nEach|scene|drags|,|underscoring|the|obvious|,|and|sentiment|is|slathered|on|top|.\nWould|'ve|been|nice|if|the|screenwriters|had|trusted|audiences|to|understand|a|complex|story|,|and|left|off|the|film|'s|predictable|denouement|.\nThen|Nadia|'s|birthday|might|not|have|been|such|a|bad|day|after|all|.\nOne|of|those|staggeringly|well-produced|,|joylessly|extravagant|pictures|that|keep|whooshing|you|from|one|visual|marvel|to|the|next|,|hastily|,|emptily|.\nNair|just|does|n't|have|the|necessary|self-control|to|guide|a|loose|,|poorly|structured|film|through|the|pitfalls|of|incoherence|and|redundancy|.\nEnthusiastically|taking|up|the|current|teen|movie|concern|with|bodily|functions|,|Walt|Becker|'s|film|pushes|all|the|demographically|appropriate|comic|buttons|.\nIt|'s|the|funniest|American|comedy|since|Graffiti|Bridge|.\nThat|neither|protagonist|has|a|distinguishable|condition|hardly|matters|because|both|are|just|actory|concoctions|,|defined|by|childlike|dimness|and|a|handful|of|quirks|.\nWhat|starts|off|as|a|possible|Argentine|American|Beauty|reeks|like|a|room|stacked|with|pungent|flowers|.\nThe|project|'s|filmmakers|forgot|to|include|anything|even|halfway|scary|as|they|poorly|rejigger|Fatal|Attraction|into|a|high|school|setting|.\nIn|old-fashioned|screenwriting|parlance|,|Ms.|Shreve|'s|novel|proved|too|difficult|a|text|to|`|lick|,|'|despite|the|efforts|of|a|first-rate|cast|.\nSolondz|may|well|be|the|only|one|laughing|at|his|own|joke\nStitch|is|a|bad|mannered|,|ugly|and|destructive|little|\\*\\*\\*\\*|.\nNo|cute|factor|here|...|Not|that|I|mind|ugly|;|the|problem|is|he|has|no|character|,|loveable|or|otherwise|.\nDeep|down|,|I|realized|the|harsh|reality|of|my|situation|:|I|would|leave|the|theater|with|a|lower|I.Q.|than|when|I|had|entered|.\nA|really|funny|fifteen-minute|short|stretched|beyond|its|limits|to|fill|an|almost|feature-length|film|.\nAside|from|the|fact|that|the|film|idiotically|uses|the|website|feardotcom.com|or|the|improperly|hammy|performance|from|poor|Stephen|Rea|,|the|film|gets|added|disdain|for|the|fact|that|it|is|nearly|impossible|to|look|at|or|understand|.\nIt|is|bad|,|but|certainly|not|without|merit|as|entertainment|.\nFor|its|100|minutes|running|time|,|you|'ll|wait|in|vain|for|a|movie|to|happen|.\nA|work|that|lacks|both|a|purpose|and|a|strong|pulse|.\nA|faster|paced|family|flick|.\nUpper|Teens|may|get|cynical|.\nSmaller|numbered|kidlets|will|enjoy|.\nWhile|this|film|has|an|`|A|'|list|cast|and|some|strong|supporting|players|,|the|tale|--|like|its|central|figure|,|Vivi|--|is|just|a|little|bit|hard|to|love|.\nIt|'s|a|road-trip|drama|with|too|many|wrong|turns|.\nMost|fish|stories|are|a|little|peculiar|,|but|this|is|one|that|should|be|thrown|back|in|the|river|.\nIt|'s|all|gratuitous|before|long|,|as|if|Schwentke|were|fulfilling|a|gross-out|quota|for|an|anticipated|audience|demographic|instead|of|shaping|the|material|to|fit|the|story|.\n``|I|blame|all|men|for|war|,|''|(|the|warden|'s|daughter|)|tells|her|father|.\nThe|movie|is|about|as|deep|as|that|sentiment|.\nIt|'s|fitfully|funny|but|never|really|takes|off|.\nI|'ve|seen|some|bad|singer-turned|actors|,|but|Lil|Bow|Wow|takes|the|cake|.\nBy|halfway|through|this|picture|I|was|beginning|to|hate|it|,|and|,|of|course|,|feeling|guilty|for|it|...|Then|,|miracle|of|miracles|,|the|movie|does|a|flip-flop|.\nFor|all|the|complications|,|it|'s|all|surprisingly|predictable|.\nIt|'s|been|20|years|since|48|Hrs|.\nmade|Eddie|Murphy|a|movie|star|and|the|man|has|n't|aged|a|day|.\nBut|his|showboating|wise-cracker|stock|persona|sure|is|getting|old|.\nIf|Deuces|Wild|had|been|tweaked|up|a|notch|it|would|have|become|a|camp|adventure|,|one|of|those|movies|that|'s|so|bad|it|starts|to|become|good|.\nBut|it|was|n't|.\nFor|a|film|about|action|,|Ultimate|X|is|the|gabbiest|giant-screen|movie|ever|,|bogging|down|in|a|barrage|of|hype|.\n...|a|low|rate|Annie|featuring|some|kid|who|ca|n't|act|,|only|echoes|of|Jordan|,|and|weirdo|actor|Crispin|Glover|screwing|things|up|old|school|.\nIt|might|not|be|1970s|animation|,|but|everything|else|about|it|is|straight|from|the|Saturday|morning|cartoons|--|a|retread|story|,|bad|writing|,|and|the|same|old|silliness|.\nThe|picture|seems|uncertain|whether|it|wants|to|be|an|acidic|all-male|All|About|Eve|or|a|lush|,|swooning|melodrama|in|the|Intermezzo|strain|.\nA|nearly|21\\/2|hours|,|the|film|is|way|too|indulgent|.\nGorgeous|to|look|at|but|insufferably|tedious|and|turgid|...|a|curiously|constricted|epic|.\nIt|looks|much|more|like|a|cartoon|in|the|end|than|The|Simpsons|ever|has|.\nWith|a|tighter|editorial|process|and|firmer|direction|this|material|could|work|,|especially|since|the|actresses|in|the|lead|roles|are|all|more|than|competent|,|but|as|is|,|Personal|Velocity|seems|to|be|idling|in|neutral|.\nDoes|n't|really|add|up|to|much|.\nIt|'s|better|suited|for|the|history|or|biography|channel|,|but|there|'s|no|arguing|the|tone|of|the|movie|-|it|leaves|a|bad|taste|in|your|mouth|and|questions|on|your|mind|.\nAn|entertainment|so|in|love|with|its|overinflated|mythology|that|it|no|longer|recognizes|the|needs|of|moviegoers|for|real|characters|and|compelling|plots|.\nA|prolonged|extrusion|of|psychopathic|pulp|.\nBorrows|from|other|movies|like|it|in|the|most|ordinary|and|obvious|fashion|.\nIt|'s|surprisingly|bland|despite|the|heavy|doses|of|weird|performances|and|direction|.\nA|chilly|,|remote|,|emotionally|distant|piece|...|so|dull|that|its|tagline|should|be|:|`|In|space|,|no|one|can|hear|you|snore|.|'\nThe|characters|seem|one-dimensional|,|and|the|film|is|superficial|and|will|probably|be|of|interest|primarily|to|its|target|audience|.\nSorvino|makes|the|princess|seem|smug|and|cartoonish|,|and|the|film|only|really|comes|alive|when|poor|Hermocrates|and|Leontine|pathetically|compare|notes|about|their|budding|amours|.\nIt|'s|like|a|drive-by|.\nYou|can|drive|right|by|it|without|noticing|anything|special|,|save|for|a|few|comic|turns|,|intended|and|otherwise|.\nEverything|--|even|life|on|an|aircraft|carrier|--|is|sentimentalized|.\nThis|would-be|`|James|Bond|for|the|Extreme|Generation|'|pic|is|one|big|,|dumb|action|movie|.\nStress|`|dumb|.|'\nThe|movie|has|generic|virtues|,|and|despite|a|lot|of|involved|talent|,|seems|done|by|the|numbers|.\nWhen|your|subject|is|illusion|versus|reality|,|should|n't|the|reality|seem|at|least|passably|real|?\nIt|'s|a|terrible|movie|in|every|regard|,|and|utterly|painful|to|watch|.\nThis|is|rote|spookiness|,|with|nary|an|original|idea|(|or|role|,|or|edit|,|or|score|,|or|anything|,|really|)|in|sight|,|and|the|whole|of|the|proceedings|beg|the|question|`|Why|?|'\nA|fan|film|that|for|the|uninitiated|plays|better|on|video|with|the|sound|turned|down|.\nToo|infuriatingly|quirky|and|taken|with|its|own|style|.\nThere|'s|a|whole|heap|of|nothing|at|the|core|of|this|slight|coming-of-age\\/coming-out|tale|.\nAs|much|as|I|laughed|throughout|the|movie|,|I|can|not|mount|a|cogent|defense|of|the|film|as|entertainment|,|or|even|performance|art|,|although|the|movie|does|leave|you|marveling|at|these|guys|'|superhuman|capacity|to|withstand|pain|.\nThe|type|of|dumbed-down|exercise|in|stereotypes|that|gives|the|(|teen|comedy|)|genre|a|bad|name|.\nDistinctly|sub-par|...|more|likely|to|drown|a|viewer|in|boredom|than|to|send|any|shivers|down|his|spine|.\nPlays|like|a|bad|blend|of|an|overripe|episode|of|TV|'s|Dawson|'s|Creek|and|a|recycled|and|dumbed-down|version|of|Love|Story|.\nUnless|you|come|in|to|the|film|with|a|skateboard|under|your|arm|,|you|'re|going|to|feel|like|you|were|n't|invited|to|the|party|.\nWhen|the|casting|call|for|this|movie|went|out|,|it|must|have|read|`|seeking|anyone|with|acting|ambition|but|no|sense|of|pride|or|shame|.|'\nJust|is|n't|as|weird|as|it|ought|to|be|.\nA|``|Home|Alone|''|film|that|is|staged|like|``|Rosemary|'s|Baby|,|''|but|is|not|as|well-conceived|as|either|of|those|films|.\n(|Siegel|)|and|co-writers|Lisa|Bazadona|and|Grace|Woodard|have|relied|too|much|on|convention|in|creating|the|characters|who|surround|Frankie|.\nNo|film|could|possibly|be|more|contemptuous|of|the|single|female|population|.\n`|Hey|Arnold|!|'\nhas|some|visual|wit|...|but|little|imagination|elsewhere|.\nThey|'re|going|through|the|motions|,|but|the|zip|is|gone|.\nA|sluggish|pace|and|lack|of|genuine|narrative|hem|the|movie|in|every|bit|as|much|as|life|hems|in|the|spirits|of|these|young|women|.\nA|low-budget|affair|,|Tadpole|was|shot|on|digital|video|,|and|the|images|often|look|smeary|and|blurry|,|to|the|point|of|distraction|.\nThen|again|,|in|a|better|movie|,|you|might|not|have|noticed|.\nIt|'s|mindless|junk|like|this|that|makes|you|appreciate|original|romantic|comedies|like|Punch-Drunk|Love|.\nThe|movie|is|like|a|year|late|for|tapping|into|our|reality|tv|obsession|,|and|even|tardier|for|exploiting|the|novelty|of|the|``|webcast|.|''\ntale|will|be|all|too|familiar|for|anyone|who|'s|seen|George|Roy|Hill|'s|1973|film|,|``|The|Sting|.|''\nGets|the|look|and|the|period|trappings|right|,|but|it|otherwise|drowns|in|a|sea|of|visual|and|verbal|clichés|.\nIt|'s|hard|to|quibble|with|a|flick|boasting|this|many|genuine|cackles|,|but|Notorious|C.H.O.|still|feels|like|a|promising|work-in-progress|.\nAnyone|who|wants|to|start|writing|screenplays|can|just|follow|the|same|blueprint|from|hundreds|of|other|films|,|sell|it|to|the|highest|bidder|and|walk|away|without|anyone|truly|knowing|your|identity|.\nThe|problem|with|The|Bread|,|My|Sweet|is|that|it|'s|far|too|sentimental|.\nA|late-night|cable|sexploitation|romp|masquerading|as|a|thriller|about|the|ruthless|social|order|that|governs|college|cliques|.\nFalls|short|in|explaining|the|music|and|its|roots|.\nNever|inspires|more|than|an|interested|detachment|.\nWhat|might|have|emerged|as|hilarious|lunacy|in|the|hands|of|Woody|Allen|or|Mel|Brooks|(|at|least|during|their|'70s|heyday|)|comes|across|as|lame|and|sophomoric|in|this|debut|indie|feature|.\nDespite|slick|production|values|and|director|Roger|Michell|'s|tick-tock|pacing|,|the|final|effect|is|like|having|two|guys|yelling|in|your|face|for|two|hours|.\nPretty|much|sucks|,|but|has|a|funny|moment|or|two|.\nThey|do|a|good|job|of|painting|this|family|dynamic|for|the|audience|but|they|tried|to|squeeze|too|many|elements|into|the|film|.\nA|supernatural|mystery|that|does|n't|know|whether|it|wants|to|be|a|suspenseful|horror|movie|or|a|weepy|melodrama|.\nIt|ends|up|being|neither|,|and|fails|at|both|endeavors|.\nTwo|badly|interlocked|stories|drowned|by|all|too|clever|complexity|.\nIt|is|so|earnest|,|so|overwrought|and|so|wildly|implausible|that|it|begs|to|be|parodied|.\nThese|are|textbook|lives|of|quiet|desperation|.\nSwimfan|,|like|Fatal|Attraction|,|eventually|goes|overboard|with|a|loony|melodramatic|denouement|in|which|a|high|school|swimming|pool|substitutes|for|a|bathtub|.\nClaims|to|sort|the|bad|guys|from|the|good|,|which|is|its|essential|problem|.\nPurposefully|shocking|in|its|eroticized|gore|,|if|unintentionally|dull|in|its|lack|of|poetic|frissons|.\nFeels|like|pieces|a|bunch|of|other|,|better|movies|slapped|together|.\nAlmost|everything|about|the|film|is|unsettling|,|from|the|preposterous|hairpiece|worn|by|Lai|'s|villainous|father|to|the|endless|action|sequences|.\nWriter-director|Randall|Wallace|has|bitten|off|more|than|he|or|anyone|else|could|chew|,|and|his|movie|veers|like|a|drunken|driver|through|heavy|traffic|.\nIt|follows|the|Blair|Witch|formula|for|an|hour|,|in|which|we|'re|told|something|creepy|and|vague|is|in|the|works|,|and|then|it|goes|awry|in|the|final|30|minutes|.\nOne|ca|n't|shake|the|feeling|that|Crossroads|is|nothing|more|than|an|hour-and-a-half-long|commercial|for|Britney|'s|latest|album|.\nPhoned-in|business|as|usual|.\nThere|'s|an|epic|here|,|but|you|have|to|put|it|together|yourself|.\nWhat|little|atmosphere|is|generated|by|the|shadowy|lighting|,|macabre|sets|,|and|endless|rain|is|offset|by|the|sheer|ugliness|of|everything|else|.\nDirector-chef|Gabriele|Muccino|keeps|it|fast|--|zippy|,|comin|'|at|ya|--|as|if|fearing|that|his|film|is|molto|superficiale|.\nTartakovsky|'s|team|has|some|freakish|powers|of|visual|charm|,|but|the|five|writers|slip|into|the|modern|rut|of|narrative|banality|.\nThe|most|horrific|movie|experience|I|'ve|had|since|``|Ca|n't|Stop|The|Music|.|''\nIt|may|as|well|be|called|``|Jar-Jar|Binks|:|The|Movie|.|''\nIt|'s|that|painful|.\nGod|is|great|,|the|movie|'s|not|.\nLike|a|three-ring|circus|,|there|are|side|stories|aplenty|--|none|of|them|memorable|.\nWhen|in|doubt|,|the|film|ratchets|up|the|stirring|soundtrack|,|throws|in|a|fish-out-of-water|gag|and|lets|the|cliched|dialogue|rip|.\nOr|else|a|doggie|winks|.\nA|`|Girls|Gone|Wild|'|video|for|the|boho|art-house|crowd|,|The|Burning|Sensation|is|n't|a|definitive|counter-cultural|document|--|its|makers|are|n't|removed|and|inquisitive|enough|for|that|.\nAs|original|and|insightful|as|last|week|'s|episode|of|Behind|the|Music|.\nPlays|like|John|Le|Carré|with|a|couple|of|burnt-out|cylinders|.\nYou|may|be|galled|that|you|'ve|wasted|nearly|two|hours|of|your|own|precious|life|with|this|silly|little|puddle|of|a|movie|.\nIt|'s|neither|as|sappy|as|Big|Daddy|nor|as|anarchic|as|Happy|Gilmore|or|The|Waterboy|,|but|it|has|its|moments|.\nDespite|the|surface|attractions|--|Conrad|L.|Hall|'s|cinematography|will|likely|be|nominated|for|an|Oscar|next|year|--|there|'s|something|impressive|and|yet|lacking|about|everything|.\nA|smug|and|convoluted|action-comedy|that|does|n't|allow|an|earnest|moment|to|pass|without|reminding|audiences|that|it|'s|only|a|movie|.\n(|Crystal|and|De|Niro|)|manage|to|squeeze|out|some|good|laughs|but|not|enough|to|make|this|silly|con|job|sing|.\nWorthless|,|from|its|pseudo-rock-video|opening|to|the|idiocy|of|its|last|frames|.\nThe|Christ|allegory|does|n't|work|because|there|is|no|foundation|for|it\nGo|for|La|Salle|'s|performance|,|and|make|do|as|best|you|can|with|a|stuttering|script|.\nIt|'s|hard|to|care|about|a|film|that|proposes|as|epic|tragedy|the|plight|of|a|callow|rich|boy|who|is|forced|to|choose|between|his|beautiful|,|self-satisfied|22-year-old|girlfriend|and|an|equally|beautiful|,|self-satisfied|18-year-old|mistress|.\nTries|too|hard|to|be|funny|in|a|way|that|'s|too|loud|,|too|goofy|and|too|short|of|an|attention|span|.\nI|did|n't|find|much|fascination|in|the|swinging|.\nWhat|they|'re|doing|is|a|matter|of|plumbing|arrangements|and|mind|games|,|of|no|erotic|or|sensuous|charge|.\nBut|that|they|are|doing|it|is|thought-provoking|.\nThe|acting|is|just|fine|,|but|there|'s|not|enough|substance|here|to|sustain|interest|for|the|full|90|minutes|,|especially|with|the|weak|payoff|.\nAfter|Collateral|Damage|,|you|might|imagine|that|most|every|aggrieved|father|cliché|has|been|unturned|.\nBut|no.|.\nUltimately|the|,|yes|,|snail-like|pacing|and|lack|of|thematic|resonance|make|the|film|more|silly|than|scary|,|like|some|sort|of|Martha|Stewart|decorating|program|run|amok|.\nReleasing|a|film|with|the|word|`|dog|'|in|its|title|in|January|lends|itself|to|easy|jokes|and|insults|,|and|Snow|Dogs|deserves|every|single|one|of|them|.\nTedious|Norwegian|offering|which|somehow|snagged|an|Oscar|nomination|.\nIt|was|a|dark|and|stormy|night|...\nA|dark-as-pitch|comedy|that|frequently|veers|into|corny|sentimentality|,|probably|would|not|improve|much|after|a|therapeutic|zap|of|shock|treatment|.\nThis|sort|of|cute|and|cloying|material|is|far|from|Zhang|'s|forte|and|it|shows|.\nBray|is|completely|at|sea|;|with|nothing|but|a|Savage|Garden|music|video|on|his|resume|,|he|has|no|clue|about|making|a|movie|.\nFreundlich|'s|made|(|Crudup|)|a|suburban|architect|,|and|a|cipher|.\na|huge|disappointment|coming|,|as|it|does|,|from|filmmakers|and|performers|of|this|calibre\nThough|it|pretends|to|expose|the|life|of|male|hustlers|,|it|'s|exploitive|without|being|insightful|.\nAimed|squarely|at|the|least|demanding|of|demographic|groups|:|very|small|children|who|will|be|delighted|simply|to|spend|more|time|with|familiar|cartoon|characters|.\nWhat|starts|off|as|a|satisfying|kids|flck|becomes|increasingly|implausible|as|it|races|through|contrived|plot|points|.\nExhibits|the|shallow|sensationalism|characteristic|of|soap|opera|...|more|salacious|telenovela|than|serious|drama|.\nSeagal|is|painfully|foolish|in|trying|to|hold|onto|what|'s|left|of|his|passe|'|chopsocky|glory|.\nEven|with|Harris|'s|strong|effort|,|the|script|gives|him|little|to|effectively|probe|Lear|'s|soul-stripping|breakdown|.\nThe|story|is|bogus|and|its|characters|tissue-thin|.\nWhereas|the|extremely|competent|hitman|films|such|as|Pulp|Fiction|and|Get|Shorty|resonate|a|sardonic|verve|to|their|caustic|purpose|for|existing|,|Who|Is|Cletis|Tout|?\nis|an|inexpressible|and|drab|wannabe|looking|for|that|exact|niche|.\nWhile|American|Adobo|has|its|heart|(|and|its|palate|)|in|the|right|place|,|its|brain|is|a|little|scattered|--|ditsy|,|even|.\nImagine|a|film|that|begins|as|a|Seven|rip-off|,|only|to|switch|to|a|mix|of|The|Shining|,|The|Thing|,|and|any|naked|teenagers|horror|flick|from|the|1980s|.\nMost|of|the|dialogue|made|me|want|to|pack|raw|dough|in|my|ears|.\nCostner|'s|warm-milk|persona|is|just|as|ill-fitting|as|Shadyac|'s|perfunctory|directing|chops|,|and|some|of|the|more|overtly|silly|dialogue|would|sink|Laurence|Olivier|.\nIt|'s|coherent|,|well|shot|,|and|tartly|acted|,|but|it|wears|you|down|like|a|dinner|guest|showing|off|his|doctorate|.\nDirected|by|Kevin|Bray|,|whose|crisp|framing|,|edgy|camera|work|,|and|wholesale|ineptitude|with|acting|,|tone|and|pace|very|obviously|mark|him|as|a|video|helmer|making|his|feature|debut|.\nturns|a|potentially|interesting|idea|into|an|excruciating|film|school|experience|that|plays|better|only|for|the|film|'s|publicists|or|for|people|who|take|as|many|drugs|as|the|film|'s|characters\nRobin|Williams|departs|from|his|fun|friendly|demeanor|in|exchange|for|a|darker|unnerving|role|.\nHigh|Crimes|is|a|cinematic|misdemeanor|,|a|routine|crime|thriller|remarkable|only|for|its|lack|of|logic|and|misuse|of|two|fine|actors|,|Morgan|Freeman|and|Ashley|Judd|.\nSet|in|a|1986|Harlem|that|does|n't|look|much|like|anywhere|in|New|York|.\nThe|chocolate|factory|without|Charlie|.\nLong|on|twinkly-eyed|close-ups|and|short|on|shame|.\nHip-hop|rarely|comes|alive|as|its|own|fire-breathing|entity|in|this|picture|.\nA|dull|,|somnambulant|exercise|in|pretension|whose|pervasive|quiet|is|broken|by|frequent|outbursts|of|violence|and|noise|.\nDeserving|of|its|critical|backlash|and|more|.\nNeither|a|rousing|success|nor|a|blinding|embarrassment|.\nStill|,|it|just|sits|there|like|a|side|dish|no|one|ordered|.\nThe|Sum|of|All|Fears|is|remarkably|fuddled|about|motives|and|context|,|which|drains|it|of|the|dramatic|substance|that|would|shake|us|in|our|boots|(|or|cinema|seats|)|.\nThe|movie|spends|more|time|with|Schneider|than|with|newcomer|McAdams|,|even|though|her|performance|is|more|interesting|(|and|funnier|)|than|his|.\nThis|low-rent|--|and|even|lower-wit|--|rip-off|of|the|Farrelly|brothers|'|oeuvre|gets|way|too|mushy|--|and|in|a|relatively|short|amount|of|time|.\nIt|recycles|every|cliché|about|gays|in|what|is|essentially|an|extended|soap|opera|.\nI|'m|all|for|the|mentally|challenged|getting|their|fair|shot|in|the|movie|business|,|but|surely|it|does|n't|have|to|be|as|a|collection|of|keening|and|self-mutilating|sideshow|geeks|.\nMay|offend|viewers|not|amused|by|the|sick|sense|of|humor|.\nMany|of|Benjamins|'|elements|feel|like|they|'ve|been|patched|in|from|an|episode|of|Miami|Vice|.\nIt|aimlessly|and|unsuccessfully|attempts|to|fuse|at|least|three|dull|plots|into|one|good|one|.\nMost|folks|with|a|real|stake|in|the|American|sexual|landscape|will|find|it|either|moderately|amusing|or|just|plain|irrelevant|.\nIf|you|'re|not|fans|of|the|adventues|of|Steve|and|Terri|,|you|should|avoid|this|like|the|dreaded|King|Brown|snake|.\nPersonally|,|I|'d|rather|watch|them|on|the|Animal|Planet|.\nCherish|is|a|dud|--|a|romantic|comedy|that|'s|not|the|least|bit|romantic|and|only|mildly|funny|.\nFeels|as|if|the|inmates|have|actually|taken|over|the|asylum|.\nAll|of|the|filmmakers|'|calculations|ca|n't|rescue|Brown|Sugar|from|the|curse|of|blandness|.\nThe|movie|'s|gloomy|atmosphere|is|fascinating|,|though|,|even|if|the|movie|itself|does|n't|stand|a|ghost|of|a|chance|.\n...|post-September|11|,|``|The|Sum|Of|All|Fears|''|seems|more|tacky|and|reprehensible|,|manipulating|our|collective|fear|without|bestowing|the|subject|with|the|intelligence|or|sincerity|it|unequivocally|deserves|.\nThe|exclamation|point|seems|to|be|the|only|bit|of|glee|you|'ll|find|in|this|dreary|mess|.\nNo|matter|how|you|slice|it|,|Mark|Wahlberg|and|Thandie|Newton|are|not|Hepburn|and|Grant|,|two|cinematic|icons|with|chemistry|galore|.\nGodard|'s|ode|to|tackling|life|'s|wonderment|is|a|rambling|and|incoherent|manifesto|about|the|vagueness|of|topical|excess|...|In|Praise|of|Love|remains|a|ponderous|and|pretentious|endeavor|that|'s|unfocused|and|tediously|exasperating|.\nHumorless|,|self-conscious|art|drivel|,|made|without|a|glimmer|of|intelligence|or|invention|.\nThe|movie|'s|progression|into|rambling|incoherence|gives|new|meaning|to|the|phrase|`|fatal|script|error|.|'\nSolondz|may|be|convinced|that|he|has|something|significant|to|say|,|but|he|is|n't|talking|a|talk|that|appeals|to|me|.\nMore|tiring|than|anything|.\nNelson|'s|intentions|are|good|,|but|the|end|result|does|no|justice|to|the|story|itself|.\nIt|'s|horribly|depressing|and|not|very|well|done|.\n...|the|efforts|of|its|star|,|Kline|,|to|lend|some|dignity|to|a|dumb|story|are|for|naught|.\nA|good-natured|ensemble|comedy|that|tries|hard|to|make|the|most|of|a|bumper|cast|,|but|never|quite|gets|off|the|ground|.\nIs|n't|it|a|bit|early|in|his|career|for|director|Barry|Sonnenfeld|to|do|a|homage|to|himself|?\nAnd|it|'s|a|lousy|one|at|that|.\nOverly|long|and|worshipful|bio-doc|.\nI|'ll|go|out|on|a|limb|.\nIt|is|n't|quite|one|of|the|worst|movies|of|the|year|.\nIt|'s|just|merely|very|bad|.\nWriter-director|Ritchie|reduces|Wertmuller|'s|social|mores|and|politics|to|tiresome|jargon|.\nAbout|Amy|'s|cuteness|,|Amy|'s|career|success|(|she|'s|a|best-selling|writer|of|self-help|books|who|ca|n't|help|herself|)|,|and|Amy|'s|neuroses|when|it|comes|to|men|.\nEverything|about|Girls|Ca|n't|Swim|,|even|its|passages|of|sensitive|observation|,|feels|secondhand|,|familiar|--|and|not|in|a|good|way|.\nFeels|aimless|for|much|of|its|running|time|,|until|late|in|the|film|when|a|tidal|wave|of|plot|arrives|,|leaving|questions|in|its|wake|.\nIn|my|own|very|humble|opinion|,|In|Praise|of|Love|lacks|even|the|most|fragmented|charms|I|have|found|in|almost|all|of|his|previous|works|.\nThe|script|is|too|mainstream|and|the|psychology|too|textbook|to|intrigue|.\nMuddled|,|simplistic|and|more|than|a|little|pretentious|.\nMeandering|and|glacially|paced|,|and|often|just|plain|dull|.\nA|disaster|of|a|drama|,|saved|only|by|its|winged|assailants|.\nA|road|trip|that|will|get|you|thinking|,|`|Are|we|there|yet|?|'\nDirector|Elie|Chouraqui|,|who|co-wrote|the|script|,|catches|the|chaotic|horror|of|war|,|but|why|bother|if|you|'re|going|to|subjugate|truth|to|the|tear-jerking|demands|of|soap|opera|?\nDong|never|pushes|for|insights|beyond|the|superficial|tensions|of|the|dynamic|he|'s|dissecting|,|and|the|film|settles|too|easily|along|the|contours|of|expectation|.\nIf|there|was|any|doubt|that|Peter|O'Fallon|did|n't|have|an|original|bone|in|his|body|,|A|Rumor|of|Angels|should|dispel|it|.\nAn|occasionally|interesting|but|mostly|repetitive|look|at|a|slice|of|counterculture|that|might|be|best|forgotten|.\nWhat|could|have|been|right|at|home|as|a|nifty|plot|line|in|Steven|Soderbergh|'s|Traffic|fails|to|arrive|at|any|satisfying|destination|.\nThe|movie|is|like|Scorsese|'s|Mean|Streets|redone|by|someone|who|ignored|it|in|favor|of|old|`|juvenile|delinquent|'|paperbacks|with|titles|like|Leather|Warriors|and|Switchblade|Sexpot|.\nThis|pathetic|junk|is|barely|an|hour|long|.\nNevertheless|,|it|still|seems|endless|.\nIt|is|n't|that|Stealing|Harvard|is|a|horrible|movie|--|if|only|it|were|that|grand|a|failure|!\nIt|'s|just|that|it|'s|so|not-at-all-good|.\nAnd|I|expect|much|more|from|a|talent|as|outstanding|as|director|Bruce|McCulloch|.\nDolman|confines|himself|to|shtick|and|sentimentality|--|the|one|bald|and|the|other|sloppy|.\nIs|it|possible|for|a|documentary|to|be|utterly|entranced|by|its|subject|and|still|show|virtually|no|understanding|of|it|?\nIt|'s|supposed|to|be|a|romantic|comedy|-|it|suffers|from|too|much|Norma|Rae|and|not|enough|Pretty|Woman|.\nThe|leads|are|so|unmemorable|,|despite|several|attempts|at|lengthy|dialogue|scenes|,|that|one|eventually|resents|having|to|inhale|this|gutter|romancer|'s|secondhand|material|.\nStaggers|between|flaccid|satire|and|what|is|supposed|to|be|madcap|farce|.\nNot|that|any|of|us|should|be|complaining|when|a|film|clocks|in|around|90|minutes|these|days|,|but|the|plotting|here|leaves|a|lot|to|be|desired|.\nBrainy|,|artistic|and|muted|,|almost|to|the|point|of|suffocation|.\nPlays|like|the|old|disease-of-the-week|small-screen|melodramas|.\nLike|life|on|the|island|,|the|movie|grows|boring|despite|the|scenery|.\nThe|truth|about|Charlie|is|that|it|'s|a|brazenly|misguided|project|.\ndisplays|the|potential|for|a|better|movie|than|what|Bailly|manages|to|deliver\nSo|exaggerated|and|broad|that|it|comes|off|as|annoying|rather|than|charming|.\nAn|awkward|hybrid|of|genres|that|just|does|n't|work|.\nThe|latest|vapid|actor|'s|exercise|to|appropriate|the|structure|of|Arthur|Schnitzler|'s|Reigen|.\nSnipes|is|both|a|snore|and|utter|tripe|.\nRitchie|'s|film|is|easier|to|swallow|than|Wertmuller|'s|polemical|allegory|,|but|it|'s|self-defeatingly|decorous|.\nChalk|it|up|as|the|worst|kind|of|hubristic|folly|.\nIt|'s|the|kind|of|under-inspired|,|overblown|enterprise|that|gives|Hollywood|sequels|a|bad|name|.\nRosenthal|(|Halloween|II|)|seems|to|have|forgotten|everything|he|ever|knew|about|generating|suspense|.\nEven|Murphy|'s|expert|comic|timing|and|famed|charisma|ca|n't|rescue|this|effort|.\nRodriguez|...|was|unable|to|reproduce|the|special|spark|between|the|characters|that|made|the|first|film|such|a|delight|.\nA|sleek|advert|for|youthful|anomie|that|never|quite|equals|the|sum|of|its|pretensions|.\nSome|Body|smacks|of|exhibitionism|more|than|it|does|cathartic|truth|telling|.\nThis|is|n't|a|terrible|film|by|any|means|,|but|it|'s|also|far|from|being|a|realized|work|.\nApparently|,|romantic|comedy|with|a|fresh|point|of|view|just|does|n't|figure|in|the|present|Hollywood|program|.\nDepressingly|thin|and|exhaustingly|contrived|.\nOnly|masochistic|moviegoers|need|apply|.\nA|movie|that|'s|held|captive|by|mediocrity|.\nNot|bad|,|but|not|all|that|good|.\nBacon|keeps|things|interesting|,|but|do|n't|go|out|of|your|way|to|pay|full|price|.\nWhat|'s|next|?\nRob|Schneider|,|Dana|Carvey|and|Sarah|Michelle|Gellar|in|The|Philadelphia|Story|?\nDavid|Spade|as|Citizen|Kane|?\nCa|n't|seem|to|get|anywhere|near|the|story|'s|center|.\nThe|problem|,|amazingly|enough|,|is|the|screenplay|.\nIt|'s|a|Frankenstein-monster|of|a|film|that|does|n't|know|what|it|wants|to|be|.\nUpper|West|Sidey|exercise|in|narcissism|and|self-congratulation|disguised|as|a|tribute|.\nOn|its|icy|face|,|the|new|film|is|a|subzero|version|of|Monsters|,|Inc.|,|without|the|latter|'s|imagination|,|visual|charm|or|texture|.\nI|ca|n't|say|this|enough|:|This|movie|is|about|an|adult|male|dressed|in|pink|jammies|.\nIt|'s|a|mindless|action|flick|with|a|twist|--|far|better|suited|to|video-viewing|than|the|multiplex|.\nAfter|a|while|,|the|only|way|for|a|reasonably|intelligent|person|to|get|through|The|Country|Bears|is|to|ponder|how|a|whole|segment|of|pop-music|history|has|been|allowed|to|get|wet|,|fuzzy|and|sticky|.\nWe|get|light|showers|of|emotion|a|couple|of|times|,|but|then|--|strangely|--|these|wane|to|an|inconsistent|and|ultimately|unsatisfying|drizzle|.\nSummer|'s|far|too|fleeting|to|squander|on|offal|like|this|.\nThe|film|is|grossly|contradictory|in|conveying|its|social|message|,|if|indeed|there|is|one|.\nOften|lingers|just|as|long|on|the|irrelevant|as|on|the|engaging|,|which|gradually|turns|What|Time|Is|It|There|?\ninto|How|Long|Is|This|Movie|?\nToo|bad|Kramer|could|n't|make|a|guest|appearance|to|liven|things|up|.\nDeuces|Wild|is|an|encyclopedia|of|cliches|that|shoplifts|shamelessly|from|farewell-to-innocence|movies|like|The|Wanderers|and|A|Bronx|Tale|without|cribbing|any|of|their|intelligence|.\nIt|'s|a|barely|tolerable|slog|over|well-trod|ground|.\nEpps|has|neither|the|charisma|nor|the|natural|affability|that|has|made|Tucker|a|star|.\nIt|'s|sweet|...|but|just|a|little|bit|too|precious|at|the|start|and|a|little|too|familiar|at|the|end|.\nA|dull|,|dumb|and|derivative|horror|film|.\nAn|awkwardly|contrived|exercise|in|magic|realism|.\nDemme|gets|a|lot|of|flavor|and|spice|into|his|Charade|remake|,|but|he|ca|n't|disguise|that|he|'s|spiffing|up|leftovers|that|are|n't|so|substantial|or|fresh|.\nThis|is|a|heartfelt|story|...|it|just|is|n't|a|very|involving|one|.\nThese|self-styled|athletes|have|banged|their|brains|into|the|ground|so|frequently|and|furiously|,|their|capacity|to|explain|themselves|has|gone|the|same|way|as|their|natural|instinct|for|self-preservation|.\nThe|fact|that|the|`|best|part|'|of|the|movie|comes|from|a|60-second|homage|to|one|of|Demme|'s|good|films|does|n't|bode|well|for|the|rest|of|it|.\nRichard|Pryor|mined|his|personal|horrors|and|came|up|with|a|treasure|chest|of|material|,|but|Lawrence|gives|us|mostly|fool|'s|gold|.\nThe|band|performances|featured|in|Drumline|are|red|hot|...|(|but|)|from|a|mere|story|point|of|view|,|the|film|'s|ice|cold|.\n...|built|on|the|premise|that|middle-class|Arkansas|consists|of|monster|truck-loving|good|ol'|boys|and|peroxide|blond|honeys|whose|worldly|knowledge|comes|from|TV|reruns|and|supermarket|tabloids|.\nA|laughable|--|or|rather|,|unlaughable|--|excuse|for|a|film|.\nThe|sequel|is|everything|the|original|was|not|:|contrived|,|overblown|and|tie-in|ready|.\nLike|a|grinning|Jack|O|'|Lantern|,|its|apparent|glee|is|derived|from|a|lobotomy|,|having|had|all|its|vital|essence|scooped|out|and|discarded|.\nA|sentimental|hybrid|that|could|benefit|from|the|spice|of|specificity|.\n...|familiar|and|predictable|,|and|4\\/5ths|of|it|might|as|well|have|come|from|a|Xerox|machine|rather|than|(|writer-director|)|Franc|.\nReyes|'|word|processor|.\nGive|Shapiro|,|Goldman|,|and|Bolado|credit|for|good|intentions|,|but|there|'s|nothing|here|that|they|could|n't|have|done|in|half|an|hour|.\nIt|'s|so|devoid|of|joy|and|energy|it|makes|even|Jason|X|...|look|positively|Shakesperean|by|comparison|.\nA|little|objectivity|could|have|gone|a|long|way|.\nOne|of|the|worst|films|of|2002|.\nI|believe|Silberling|had|the|best|intentions|here|,|but|he|just|does|n't|have|the|restraint|to|fully|realize|them|.\nplays|like|an|unbalanced|mixture|of|graphic|combat|footage|and|almost|saccharine|domestic|interludes|that|are|pure|Hollywood|.\nMcTiernan|'s|remake|may|be|lighter|on|its|feet|--|the|sober-minded|original|was|as|graceful|as|a|tap-dancing|rhino|--|but|it|is|just|as|boring|and|as|obvious|.\nHigh|Crimes|carries|almost|no|organic|intrigue|as|a|government|\\/|Marine\\/legal|mystery|,|and|that|'s|because|the|movie|serves|up|all|of|that|stuff|,|nearly|subliminally|,|as|the|old-hat|province|of|male|intrigue|.\nThis|movie|is|about|the|worst|thing|Chan|has|done|in|the|United|States|.\nThe|explosion|essentially|ruined|--|or|,|rather|,|overpowered|--|the|fiction|of|the|movie|for|me|.\nThis|ludicrous|film|is|predictable|at|every|turn|.\nAn|incredibly|irritating|comedy|about|thoroughly|vacuous|people|...|manages|to|embody|the|worst|excesses|of|nouvelle|vague|without|any|of|its|sense|of|fun|or|energy|.\nThe|film|desperately|sinks|further|and|further|into|comedy|futility|.\nInstead|of|a|balanced|film|that|explains|the|zeitgeist|that|is|the|X|Games|,|we|get|a|cinematic|postcard|that|'s|superficial|and|unrealized|.\nThe|crassness|of|this|reactionary|thriller|is|matched|only|by|the|ridiculousness|of|its|premise|.\nI|wish|it|would|have|just|gone|more|over-the-top|instead|of|trying|to|have|it|both|ways|.\nThe|superior|plotline|is|n't|quite|enough|to|drag|along|the|dead|(|water|)|weight|of|the|other|.\nThe|film|does|n't|really|care|about|the|thousands|of|Americans|who|die|hideously|,|it|cares|about|how|Ryan|meets|his|future|wife|and|makes|his|start|at|the|CIA|.\nAdrift|,|Bentley|and|Hudson|stare|and|sniffle|,|respectively|,|as|Ledger|attempts|,|in|vain|,|to|prove|that|movie-star|intensity|can|overcome|bad|hair|design|.\nAfter|an|hour|and|a|half|of|wondering|--|sometimes|amusedly|,|sometimes|impatiently|--|just|what|this|strenuously|unconventional|movie|is|supposed|to|be|,|you|discover|that|the|answer|is|as|conventional|as|can|be|.\n`|Linklater|fans|,|or|pretentious|types|who|want|to|appear|avant-garde|will|suck|up|to|this|project|...|'\nA|woefully|dull|,|redundant|concept|that|bears|more|than|a|whiff|of|exploitation|,|despite|Iwai|'s|vaunted|empathy|.\nScreenwriter|Chris|ver|Weil|'s|directing|debut|is|good-natured|and|never|dull|,|but|its|virtues|are|small|and|easily|overshadowed|by|its|predictability|.\nIf|you|really|want|to|understand|what|this|story|is|really|all|about|,|you|'re|far|better|served|by|the|source|material|.\nIt|'s|mildly|sentimental|,|unabashedly|consumerist|...|studiously|inoffensive|and|completely|disposable|.\nLike|its|title|character|,|Esther|Kahn|is|unusual|but|unfortunately|also|irritating|.\nThe|star|who|helped|give|a|spark|to|``|Chasing|Amy|''|and|``|Changing|Lanes|''|falls|flat|as|thinking|man|CIA|agent|Jack|Ryan|in|this|summer|'s|new|action|film|,|``|The|Sum|of|All|Fears|.|''\nA|summary|of|the|plot|does|n't|quite|do|justice|to|the|awfulness|of|the|movie|,|for|that|comes|through|all|too|painfully|in|the|execution|.\nEvery|conceivable|mistake|a|director|could|make|in|filming|opera|has|been|perpetrated|here|.\nSnoots|will|no|doubt|rally|to|its|cause|,|trotting|out|threadbare|standbys|like|`|masterpiece|'|and|`|triumph|'|and|all|that|malarkey|,|but|rarely|does|an|established|filmmaker|so|ardently|waste|viewers|'|time|with|a|gobbler|like|this|.\n(|The|film|'s|)|taste|for|``|shock|humor|''|will|wear|thin|on|all|but|those|weaned|on|the|comedy|of|Tom|Green|and|the|Farrelly|Brothers|.\nAny|enjoyment|will|be|hinge|from|a|personal|threshold|of|watching|sad|but|endearing|characters|do|extremely|unconventional|things|.\nIf|legendary|shlockmeister|Ed|Wood|had|ever|made|a|movie|about|a|vampire|,|it|probably|would|look|a|lot|like|this|alarming|production|,|adapted|from|Anne|Rice|'s|novel|The|Vampire|Chronicles|.\nHardly|a|nuanced|portrait|of|a|young|woman|'s|breakdown|,|the|film|nevertheless|works|up|a|few|scares|.\nInterminably|bleak|,|to|say|nothing|of|boring|.\nThings|really|get|weird|,|though|not|particularly|scary|:|the|movie|is|all|portent|and|no|content|.\nIt|'s|difficult|to|discern|if|this|is|a|crazy|work|of|disturbed|genius|or|merely|90|minutes|of|post-adolescent|Electra|rebellion|.\nBogs|down|badly|as|we|absorb|Jia|'s|moody|,|bad-boy|behavior|which|he|portrays|himself|in|a|one-note|performance|.\nThe|camera|whirls|!\nThe|camera|twirls|!\nOh|,|look|at|that|clever|angle|!\nWow|,|a|jump|cut|!\nDemme|finally|succeeds|in|diminishing|his|stature|from|Oscar-winning|master|to|lowly|studio|hack|.\nThe|action|scenes|have|all|the|suspense|of|a|20-car|pileup|,|while|the|plot|holes|are|big|enough|for|a|train|car|to|drive|through|--|if|Kaos|had|n't|blown|them|all|up|.\nIt|almost|feels|as|if|the|movie|is|more|interested|in|entertaining|itself|than|in|amusing|us|.\nIt|puts|Washington|,|as|honest|working|man|John|Q.|Archibald|,|on|a|pedestal|,|then|keeps|lifting|the|pedestal|higher|.\nUltimately|,|the|film|amounts|to|being|lectured|to|by|tech-geeks|,|if|you|'re|up|for|that|sort|of|thing|.\nFar|more|enjoyable|than|its|predecessor|.\n(|Gayton|'s|script|)|telegraphs|every|discovery|and|layers|on|the|gloss|of|convenience|.\nFull|Frontal|,|which|opens|today|nationwide|,|could|almost|be|classified|as|a|movie-industry|satire|,|but|it|lacks|the|generous|inclusiveness|that|is|the|genre|'s|definitive|,|if|disingenuous|,|feature|.\nA|ragbag|of|cliches|.\nThis|rough|trade|Punch-and-Judy|act|did|n't|play|well|then|and|it|plays|worse|now|.\nThe|three|leads|produce|adequate|performances|,|but|what|'s|missing|from|this|material|is|any|depth|of|feeling|.\nIt|'s|possible|that|something|hip|and|transgressive|was|being|attempted|here|that|stubbornly|refused|to|gel|,|but|the|result|is|more|puzzling|than|unsettling|.\nThis|painfully|unfunny|farce|traffics|in|tired|stereotypes|and|encumbers|itself|with|complications|...|that|have|no|bearing|on|the|story|.\nShort|and|sweet|,|but|also|more|than|anything|else|slight|...|Tadpole|pulls|back|from|the|consequences|of|its|own|actions|and|revelations|.\nHas|its|moments|,|but|it|'s|pretty|far|from|a|treasure|.\nWhat|more|can|be|expected|from|a|college|comedy|that|'s|target|audience|has|n't|graduated|from|junior|high|school|?\nCollateral|Damage|offers|formula|payback|and|the|Big|Payoff|,|but|the|explosions|tend|to|simply|hit|their|marks|,|pyro-correctly|.\nThe|plan|to|make|Enough|into|`|an|inspiring|tale|of|survival|wrapped|in|the|heart-pounding|suspense|of|a|stylish|psychological|thriller|'|has|flopped|as|surely|as|a|soufflé|gone|wrong|.\nInstead|of|letting|the|laughs|come|as|they|may|,|Lawrence|unleashes|his|trademark|misogyny|--|er|,|comedy|--|like|a|human|volcano|or|an|overflowing|septic|tank|,|take|your|pick|.\nYou|know|that|ten|bucks|you|'d|spend|on|a|ticket|?\nJust|send|it|to|Cranky|.\nWe|do|n't|get|paid|enough|to|sit|through|crap|like|this|.\nAn|even|more|predictable|,|cliche-ridden|endeavor|than|its|predecessor|.\nThe|whole|thing|plays|like|a|tired|Tyco|ad|.\nThe|film|does|n't|show|enough|of|the|creative|process|or|even|of|what|was|created|for|the|non-fan|to|figure|out|what|makes|Wilco|a|big|deal|.\nThe|soupy|end|result|has|the|odd|distinction|of|being|playful|without|being|fun|,|too|.\nNo|,|I|do|n't|know|why|Steven|Seagal|is|considered|a|star|,|nor|why|he|keeps|being|cast|in|action|films|when|none|of|them|are|ever|any|good|or|make|any|money|.\nEven|by|the|intentionally|low|standards|of|frat-boy|humor|,|Sorority|Boys|is|a|bowser|.\nOne|well-timed|explosion|in|a|movie|can|be|a|knockout|,|but|a|hundred|of|them|can|be|numbing|.\nProof|of|this|is|Ballistic|:|Ecks|vs.|Sever|.\nHalfway|through|,|however|,|having|sucked|dry|the|undead|action|flick|formula|,|Blade|II|mutates|into|a|gross-out|monster|movie|with|effects|that|are|more|silly|than|scary|.\nWeighted|down|with|slow|,|uninvolving|storytelling|and|flat|acting|.\nWe|ca|n't|accuse|Kung|Pow|for|misfiring|,|since|it|is|exactly|what|it|wants|to|be|:|an|atrociously|,|mind-numbingly|,|indescribably|bad|movie|.\nUnfortunately|,|we|'d|prefer|a|simple|misfire|.\nThere|is|n't|one|moment|in|the|film|that|surprises|or|delights|.\n`|Would|n't|it|be|nice|if|all|guys|got|a|taste|of|what|it|'s|like|on|the|other|side|of|the|bra|?|'\nThe|movie|is|essentially|a|series|of|fleetingly|interesting|actors|'|moments|.\nMost|of|the|information|has|already|appeared|in|one|forum|or|another|and|,|no|matter|how|Broomfield|dresses|it|up|,|it|tends|to|speculation|,|conspiracy|theories|or|,|at|best|,|circumstantial|evidence|.\nThis|movie|,|a|certain|scene|in|particular|,|brought|me|uncomfortably|close|to|losing|my|lunch|.\nThe|secrets|of|time|travel|will|have|been|discovered|,|indulged|in|and|rejected|as|boring|before|I|see|this|piece|of|crap|again|.\nSmug|,|artificial|,|ill-constructed|and|fatally|overlong|...|it|never|finds|a|consistent|tone|and|lacks|bite|,|degenerating|into|a|pious|,|preachy|soap|opera|.\nChelsea|Walls|is|a|case|of|too|many|chefs|fussing|over|too|weak|a|recipe|.\nEvery|joke|is|repeated|at|least|four|times|.\nEvery|joke|is|repeated|at|least|four|times|.\nEvery|joke|is|repeated|at|least|--|annoying|,|is|n't|it|?\nComes|across|as|a|fairly|weak|retooling|.\nThe|lousy|lead|performances|...|keep|the|movie|from|ever|reaching|the|comic|heights|it|obviously|desired|.\nIts|and|pieces|of|The|Hot|Chick|are|so|hilarious|,|and|Schneider|'s|performance|is|so|fine|,|it|'s|a|real|shame|that|so|much|of|the|movie|--|again|,|as|in|The|Animal|--|is|a|slapdash|mess|.\n(|Creates|)|the|worst|kind|of|mythologizing|,|the|kind|that|sacrifices|real|heroism|and|abject|suffering|for|melodrama|.\nThe|movie|resolutely|avoids|all|the|comic|possibilities|of|its|situation|,|and|becomes|one|more|dumb|high|school|comedy|about|sex|gags|and|prom|dates|.\nEarnest|and|heartfelt|but|undernourished|and|plodding|.\nA|sugar-coated|Rocky|whose|valuable|messages|are|forgotten|10|minutes|after|the|last|trombone|honks|.\nRomanek|keeps|adding|flourishes|--|artsy|fantasy|sequences|--|that|simply|feel|wrong|.\nThey|cheapen|the|overall|effect|.\nHas|all|the|complexity|and|realistic|human|behavior|of|an|episode|of|General|Hospital|.\nAn|acceptable|way|to|pass|a|little|over|an|hour|with|moviegoers|ages|8-10|,|but|it|'s|unlikely|to|inspire|anything|more|than|a|visit|to|McDonald|'s|,|let|alone|some|savvy|street|activism|.\n(|Allen|'s|)|been|making|piffle|for|a|long|while|,|and|Hollywood|Ending|may|be|his|way|of|saying|that|piffle|is|all|that|the|airhead|movie|business|deserves|from|him|right|now|.\nAn|exercise|in|cynicism|every|bit|as|ugly|as|the|shabby|digital|photography|and|muddy|sound|.\nNot|good|enough|to|pass|for|a|litmus|test|of|the|generation|gap|and|not|bad|enough|to|repulse|any|generation|of|its|fans|.\nThe|movie|is|silly|beyond|comprehension|,|and|even|if|it|were|n't|silly|,|it|would|still|be|beyond|comprehension|.\nWatchable|up|until|the|point|where|the|situations|and|the|dialogue|spin|hopelessly|out|of|control|--|that|is|to|say|,|when|Carol|Kane|appears|on|the|screen|.\nThe|scriptwriters|are|no|less|a|menace|to|society|than|the|film|'s|characters|.\nMerchant|has|n't|directed|this|movie|so|much|as|produced|it|--|like|sausage|.\nThe|film|has|a|nearly|terminal|case|of|the|cutes|,|and|it|'s|neither|as|funny|nor|as|charming|as|it|thinks|it|is|.\nMore|a|gunfest|than|a|Rock|concert|.\nIt|'s|a|frightful|vanity|film|that|,|no|doubt|,|pays|off|what|debt|Miramax|felt|they|owed|to|Benigni|.\nA|muddy|psychological|thriller|rife|with|miscalculations|.\nIt|makes|me|say|the|obvious|:|Abandon|all|hope|of|a|good|movie|ye|who|enter|here|.\nIt|'s|not|original|enough|.\nA|listless|sci-fi|comedy|in|which|Eddie|Murphy|deploys|two|guises|and|elaborate|futuristic|sets|to|no|particularly|memorable|effect|.\nLittle|more|than|a|super-sized|infomercial|for|the|cable-sports|channel|and|its|Summer|X|Games|.\nA|generic|bloodbath|that|often|becomes|laughably|unbearable|when|it|is|n't|merely|offensive|.\nJulie|Davis|is|the|Kathie|Lee|Gifford|of|film|directors|,|sadly|proving|once|again|ego|does|n't|always|go|hand|in|hand|with|talent|.\nAn|unholy|mess|,|driven|by|the|pathetic|idea|that|if|you|shoot|something|on|crummy-looking|videotape|,|it|must|be|labelled|`|hip|'|,|`|innovative|'|and|`|realistic|'|.\nThe|story|'s|pathetic|and|the|gags|are|puerile|.|.\nCuriously|,|Super|Troopers|suffers|because|it|does|n't|have|enough|vices|to|merit|its|103-minute|length|.\nSo|bland|and|utterly|forgettable|that|it|might|as|well|have|been|titled|Generic|Jennifer|Lopez|Romantic|Comedy|.\nI|was|sent|a|copyof|this|film|to|review|on|DVD|.\nFor|free|.\nI|still|want|my|money|back|.\nIt|plods|along|methodically|,|somehow|under|the|assumption|that|its|``|dead|wife|communicating|from|beyond|the|grave|''|framework|is|even|remotely|new|or|interesting|.\nIt|'s|hard|to|believe|that|a|relationship|like|Holly|and|Marina|'s|could|survive|the|hothouse|emotions|of|teendom|,|and|its|longevity|gets|more|inexplicable|as|the|characterizations|turn|more|crassly|reductive|.\nAll|too|familiar|...|basically|the|sort|of|cautionary|tale|that|was|old|when|`|Angels|With|Dirty|Faces|'|appeared|in|1938|.\n...|passable|enough|for|a|shoot-out|in|the|o.k.|court|house|of|life|type|of|flick|.\nStrictly|middle|of|the|road|.\nAlthough|purportedly|a|study|in|modern|alienation|,|it|'s|really|little|more|than|a|particularly|slanted|,|gay|s\\/m|fantasy|,|enervating|and|deadeningly|drawn-out|.\nAfter|the|first|10|minutes|,|which|is|worth|seeing|,|the|movie|sinks|into|an|abyss|of|clichés|,|depression|and|bad|alternative|music|.\nNo|one|can|doubt|the|filmmakers|'|motives|,|but|The|Guys|still|feels|counterproductive|.\nA|very|slow|,|uneventful|ride|around|a|pretty|tattered|old|carousel|.\nWith|little|visible|talent|and|no|energy|,|Colin|Hanks|is|in|bad|need|of|major|acting|lessons|and|maybe|a|little|coffee|.\n``|Feardotcom|''|has|the|makings|of|an|interesting|meditation|on|the|ethereal|nature|of|the|internet|and|the|otherworldly|energies|it|could|channel|,|but|it|simply|becomes|a|routine|shocker|.\nA|Meatballs|for|the|bare-midriff|generation|.\nWell-meaning|to|a|fault|,|Antwone|Fisher|manages|the|dubious|feat|of|turning|one|man|'s|triumph|of|will|into|everyman|'s|romance|comedy|.\nSeemingly|disgusted|with|the|lazy|material|and|the|finished|product|'s|unshapely|look|,|director|Fisher|Stevens|inexplicably|dips|key|moments|from|the|film|in|Waking|Life|water|colors|.\nFormula|51|promises|a|new|kind|of|high|but|delivers|the|same|old|bad|trip|.\nEverything|that|was|right|about|Blade|is|wrong|in|its|sequel|.\nA|few|energetic|stunt|sequences|briefly|enliven|the|film|,|but|the|wheezing|terrorist|subplot|has|n't|the|stamina|for|the|100-minute|running|time|,|and|the|protagonists|'|bohemian|boorishness|mars|the|spirit|of|good|clean|fun|.\nThe|film|was|produced|by|Jerry|Bruckheimer|and|directed|by|Joel|Schumacher|,|and|reflects|the|worst|of|their|shallow|styles|:|wildly|overproduced|,|inadequately|motivated|every|step|of|the|way|and|demographically|targeted|to|please|every|one|(|and|no|one|)|.\nDisney|again|ransacks|its|archives|for|a|quick-buck|sequel|.\nCoarse|,|cliched|and|clunky|,|this|trifling|romantic|comedy|in|which|opposites|attract|for|no|better|reason|than|that|the|screenplay|demands|it|squanders|the|charms|of|stars|Hugh|Grant|and|Sandra|Bullock|.\nAnyone|who|suffers|through|this|film|deserves|,|at|the|very|least|,|a|big|box|of|consolation|candy|.\nHow|much|you|are|moved|by|the|emotional|tumult|of|(|François|and|Michèle|'s|)|relationship|depends|a|lot|on|how|interesting|and|likable|you|find|them|.\nThey|presume|their|audience|wo|n't|sit|still|for|a|sociology|lesson|,|however|entertainingly|presented|,|so|they|trot|out|the|conventional|science-fiction|elements|of|bug-eyed|monsters|and|futuristic|women|in|skimpy|clothes|.\nCollapses|after|30|minutes|into|a|slap-happy|series|of|adolescent|violence|.\nThe|following|things|are|not|at|all|entertaining|:|The|bad|sound|,|the|lack|of|climax|and|,|worst|of|all|,|watching|Seinfeld|(|who|is|also|one|of|the|film|'s|producers|)|do|everything|he|can|to|look|like|a|good|guy|.\nAttal|'s|hang-ups|surrounding|infidelity|are|so|old-fashioned|and|,|dare|I|say|,|outdated|,|it|'s|a|wonder|that|he|could|n't|have|brought|something|fresher|to|the|proceedings|simply|by|accident|.\nObvious|,|obnoxious|and|didactic|burlesque|.\nThe|most|surprising|thing|about|this|film|is|that|they|are|actually|releasing|it|into|theaters|.\nMichele|is|a|such|a|brainless|flibbertigibbet|that|it|'s|hard|to|take|her|spiritual|quest|at|all|seriously|.\nUltimately|,|clarity|matters|,|both|in|breaking|codes|and|making|movies|.\nEnigma|lacks|it|.\nPotty-mouthed|enough|for|PG-13|,|yet|not|as|hilariously|raunchy|as|South|Park|,|this|strangely|schizo|cartoon|seems|suited|neither|to|kids|or|adults|.\n...|has|its|moments|,|but|ultimately|,|its|curmudgeon|does|n't|quite|make|the|cut|of|being|placed|on|any|list|of|favorites|.\nA|distinctly|minor|effort|that|will|be|seen|to|better|advantage|on|cable|,|especially|considering|its|barely|feature-length|running|time|of|one|hour|.\nMost|of|the|movie|is|so|deadly|dull|that|watching|the|proverbial|paint|dry|would|be|a|welcome|improvement|.\nIn|the|end|,|Tuck|Everlasting|falls|victim|to|that|everlasting|conundrum|experienced|by|every|human|who|ever|lived|:|too|much|to|do|,|too|little|time|to|do|it|in|.\nRather|less|than|the|sum|of|its|underventilated|père-fils|confrontations|.\nMcKay|shows|crushingly|little|curiosity|about|,|or|is|ill-equipped|to|examine|,|the|interior|lives|of|the|characters|in|his|film|,|much|less|incorporate|them|into|his|narrative|.\nPlays|like|a|series|of|vignettes|--|clips|of|a|film|that|are|still|looking|for|a|common|through-line|.\nNew|Yorkers|always|seem|to|find|the|oddest|places|to|dwell|...\nAmid|the|shock|and|curiosity|factors|,|the|film|is|just|a|corny|examination|of|a|young|actress|trying|to|find|her|way|.\nYes|,|Spirited|Away|is|a|triumph|of|imagination|,|but|it|'s|also|a|failure|of|storytelling|.\nA|characteristically|engorged|and|sloppy|coming-of-age|movie|.\nA|somewhat|disappointing|and|meandering|saga|.\nWhenever|you|think|you|'ve|seen|the|end|of|the|movie|,|we|cut|to|a|new|scene|,|which|also|appears|to|be|the|end|.\nBut|,|no|,|we|get|another|scene|,|and|then|another|.\nYou|begin|to|long|for|the|end|credits|as|the|desert|does|for|rain|.\nAn|empty|,|ugly|exercise|in|druggy|trance-noir|and|trumped-up|street|credibility|.\nThe|screenplay|,|co-written|by|director|Imogen|Kimmel|,|lacks|the|wit|necessary|to|fully|exploit|the|comic|elements|of|the|premise|,|making|the|proceedings|more|bizarre|than|actually|amusing|.\nThe|milieu|is|wholly|unconvincing|...|and|the|histrionics|reach|a|truly|annoying|pitch|.\nUnfunny|comedy|with|a|lot|of|static|set|ups|,|not|much|camera|movement|,|and|most|of|the|scenes|take|place|indoors|in|formal|settings|with|motionless|characters|.\nEach|story|is|built|on|a|potentially|interesting|idea|,|but|the|first|two|are|ruined|by|amateurish|writing|and|acting|,|while|the|third|feels|limited|by|its|short|running|time|.\nExcept|for|Paymer|as|the|boss|who|ultimately|expresses|empathy|for|Bartleby|'s|pain|,|the|performances|are|so|stylized|as|to|be|drained|of|human|emotion|.\nWill|no|doubt|delight|Plympton|'s|legion|of|fans|;|others|may|find|80|minutes|of|these|shenanigans|exhausting|.\nThe|laughs|are|as|rare|as|snake|foo|yung|.\nFor|a|film|that|celebrates|radical|,|nonconformist|values|,|What|to|Do|in|Case|of|Fire|?\nlazily|and|glumly|settles|into|a|most|traditional|,|reserved|kind|of|filmmaking|.\nKnockaround|Guys|plays|like|a|student|film|by|two|guys|who|desperately|want|to|be|Quentin|Tarantino|when|they|grow|up|.\nBut|they|lack|their|idol|'s|energy|and|passion|for|detail|.\nMattei|so|completely|loses|himself|to|the|film|'s|circular|structure|to|ever|offer|any|insightful|discourse|on|,|well|,|Love|in|the|Time|of|Money|.\nIt|briefly|flirts|with|player|masochism|,|but|the|point|of|real|interest|-|--|audience|sadism|--|is|evaded|completely|.\nHolland|lets|things|peter|out|midway|,|but|it|'s|notably|better|acted|--|and|far|less|crass|-|than|some|other|recent|efforts|in|the|burgeoning|genre|of|films|about|black|urban|professionals|.\nFor|every|articulate|player|,|such|as|skateboarder|Tony|Hawk|or|BMX|rider|Mat|Hoffman|,|are|about|a|half|dozen|young|Turks|angling|to|see|how|many|times|they|can|work|the|words|``|radical|''|or|``|suck|''|into|a|sentence|.\nThere|'s|not|a|fresh|idea|at|the|core|of|this|tale|.\nAn|impenetrable|and|insufferable|ball|of|pseudo-philosophic|twaddle|.\nIt|'s|unfortunate|that|Wallace|,|who|wrote|Gibson|'s|Braveheart|as|well|as|the|recent|Pearl|Harbor|,|has|such|an|irrepressible|passion|for|sappy|situations|and|dialogue|.\nI|liked|the|movie|,|but|I|know|I|would|have|liked|it|more|if|it|had|just|gone|that|one|step|further|.\nI|'m|left|slightly|disappointed|that|it|did|n't|.\nDreary|tale|of|middle-class|angst\nFor|a|movie|about|the|power|of|poetry|and|passion|,|there|is|precious|little|of|either|.\n(|Jackson|and|Bledel|)|seem|to|have|been|picked|not|for|their|acting|chops|,|but|for|their|looks|and|appeal|to|the|pre-teen|crowd|.\nLillard|and|Cardellini|earn|their|Scooby|Snacks|,|but|not|anyone|else|.\nLike|Schindler|'s|List|,|The|Grey|Zone|attempts|to|be|grandiloquent|,|but|ends|up|merely|pretentious|--|in|a|grisly|sort|of|way|.\nAn|unremittingly|ugly|movie|to|look|at|,|listen|to|,|and|think|about|,|it|is|quite|possibly|the|sturdiest|example|yet|of|why|the|DV|revolution|has|cheapened|the|artistry|of|making|a|film|.\n(|Screenwriter|)|Pimental|took|the|Farrelly|Brothers|comedy|and|feminized|it|,|but|it|is|a|rather|poor|imitation|.\nIt|'s|kind|of|sad|that|so|many|people|put|so|much|time|and|energy|into|this|turkey|.\nFriday|After|Next|is|a|lot|more|bluster|than|bite|.\nIts|juxtaposition|of|overwrought|existentialism|and|stomach-churning|gore|will|have|you|forever|on|the|verge|of|either|cracking|up|or|throwing|up|.\nA|decidedly|mixed|bag|.\nThere|are|cheesy|backdrops|,|ridiculous|action|sequences|,|and|many|tired|jokes|about|men|in|heels|.\nIce|Cube|is|n't|quite|out|of|ripe|screwball|ideas|,|but|Friday|After|Next|spreads|them|pretty|thin|.\nNot|everything|in|the|film|works|,|including|its|somewhat|convenient|ending|.\nThe|characters|,|cast|in|impossibly|contrived|situations|,|are|totally|estranged|from|reality|.\nEverything|else|about|High|Crimes|is|,|like|the|military|system|of|justice|it|portrays|,|tiresomely|regimented|.\nJust|dreadful|.\nI|do|n't|blame|Eddie|Murphy|but|should|n't|Owen|Wilson|know|a|movie|must|have|a|story|and|a|script|?\nSweet|Home|Alabama|certainly|wo|n't|be|remembered|as|one|of|(|Witherspoon|'s|)|better|films|.\nhard|as|this|may|be|to|believe|,|Here|on|Earth|,|a|surprisingly|similar|teen|drama|,|was|a|better|film|.\nThis|is|just|lazy|writing|.\nEven|kids|deserve|better|.\nThe|pretensions|--|and|disposable|story|--|sink|the|movie|.\nAnd|Diesel|is|n't|the|actor|to|save|it|.\nBravo|reveals|the|true|intent|of|her|film|by|carefully|selecting|interview|subjects|who|will|construct|a|portrait|of|Castro|so|predominantly|charitable|it|can|only|be|seen|as|propaganda|.\n...|a|preachy|parable|stylized|with|a|touch|of|John|Woo|bullet|ballet|.\nFrank|Capra|played|this|story|straight|.\nBut|the|2002|film|does|n't|really|believe|in|it|,|and|breaks|the|mood|with|absurdly|inappropriate|`|comedy|'|scenes|.\nHow|about|starting|with|a|more|original|story|instead|of|just|slapping|extreme|humor|and|gross-out|gags|on|top|of|the|same|old|crap|?\nThe|problem|is|that|for|the|most|part|,|the|film|is|deadly|dull|.\nHandled|correctly|,|Wilde|'s|play|is|a|masterpiece|of|elegant|wit|and|artifice|.\nHere|,|alas|,|it|collapses|like|an|overcooked|soufflé|.\n``|Sorority|Boys|''|was|funnier|,|and|that|movie|was|pretty|bad|.\nA|bizarre|piece|of|work|,|with|premise|and|dialogue|at|the|level|of|kids|'|television|and|plot|threads|as|morose|as|teen|pregnancy|,|rape|and|suspected|murder\nPaul|Bettany|is|good|at|being|the|ultra-violent|gangster|wannabe|,|but|the|movie|is|certainly|not|number|1|.\nIt|'s|a|gag|that|'s|worn|a|bit|thin|over|the|years|,|though|Do|n't|Ask|still|finds|a|few|chuckles|.\nAn|uplifting|drama|...|What|Antwone|Fisher|is|n't|,|however|,|is|original|.\nOften|likable|,|but|just|as|often|it|'s|meandering|,|low|on|energy|,|and|too|eager|to|be|quirky|at|moments|when|a|little|old-fashioned|storytelling|would|come|in|handy|.\nCertain|to|be|distasteful|to|children|and|adults|alike|,|Eight|Crazy|Nights|is|a|total|misfire|.\nElaborate|special|effects|take|centre|screen|,|so|that|the|human|story|is|pushed|to|one|side|.\nShowtime|is|n't|particularly|assaultive|,|but|it|can|still|make|you|feel|that|you|never|want|to|see|another|car|chase|,|explosion|or|gunfight|again|.\nAll|the|characters|are|clinically|depressed|and|have|abandoned|their|slim|hopes|and|dreams|.\nThis|Tuxedo|...|should|have|been|sent|back|to|the|tailor|for|some|major|alterations|.\nI|have|no|problem|with|``|difficult|''|movies|,|or|movies|that|ask|the|audience|to|meet|them|halfway|and|connect|the|dots|instead|of|having|things|all|spelled|out|.\nBut|first|,|you|have|to|give|the|audience|a|reason|to|want|to|put|for|that|effort\nBeen|there|,|done|that|...|a|thousand|times|already|,|and|better|.\nWhat|'s|most|offensive|is|n't|the|waste|of|a|good|cast|,|but|the|film|'s|denial|of|sincere|grief|and|mourning|in|favor|of|bogus|spiritualism|.\nSunk|by|way|too|much|indulgence|of|scene-chewing|,|teeth-gnashing|actorliness|.\nFans|of|Plympton|'s|shorts|may|marginally|enjoy|the|film|,|but|it|is|doubtful|this|listless|feature|will|win|him|any|new|viewers|.\nBarrels|along|at|the|start|before|becoming|mired|in|sentimentality|.\nNone|of|this|sounds|promising|and|,|indeed|,|the|first|half|of|Sorority|Boys|is|as|appalling|as|any|`|comedy|'|to|ever|spill|from|a|projector|'s|lens|.\nThe|kind|of|movie|that|leaves|vague|impressions|and|a|nasty|aftertaste|but|little|clear|memory|of|its|operational|mechanics|.\n`|Punch-Drunk|Love|is|so|convinced|of|its|own|brilliance|that|,|if|it|were|a|person|,|you|'d|want|to|smash|its|face|in|.|'\nAt|once|overly|old-fashioned|in|its|sudsy|plotting|and|heavy-handed|in|its|effort|to|modernize|it|with|encomia|to|diversity|and|tolerance|.\nThe|trashy|teen-sleaze|equivalent|of|Showgirls|.\nWhile|the|production|details|are|lavish|,|film|has|little|insight|into|the|historical|period|and|its|artists|,|particularly|in|how|Sand|developed|a|notorious|reputation|.\nA|crass|and|insulting|homage|to|great|films|like|Some|Like|It|Hot|and|the|John|Wayne|classics|.\nWhat|'s|the|most|positive|thing|that|can|be|said|about|the|new|Rob|Schneider|vehicle|?\nWell|,|it|'s|not|as|pathetic|as|The|Animal|.\nWith|all|the|sympathy|,|empathy|and|pity|fogging|up|the|screen|...|His|Secret|Life|enters|the|land|of|unintentional|melodrama|and|tiresome|love|triangles|.\nThe|problematic|characters|and|overly|convenient|plot|twists|foul|up|Shum|'s|good|intentions|.\nWhat|`|Blade|Runner|'|would|'ve|looked|like|as|a|low-budget|series|on|a|UHF|channel|.\nHas|all|the|values|of|a|straight-to-video|movie|,|but|because|it|has|a|bigger-name|cast|,|it|gets|a|full|theatrical|release|.\nWith|its|lackadaisical|plotting|and|mindless|action|,|All|About|the|Benjamins|evokes|the|bottom|tier|of|blaxploitation|flicks|from|the|1970s|.\nIt|never|quite|makes|it|to|the|boiling|point|,|but|manages|to|sustain|a|good|simmer|for|most|of|its|running|time|.\nLoud|,|silly|,|stupid|and|pointless|.\nMandel|Holland|'s|direction|is|uninspired|,|and|his|scripting|unsurprising|,|but|the|performances|by|Phifer|and|Black|are|ultimately|winning|.\nYou|'ll|find|yourself|wishing|that|you|and|they|were|in|another|movie|.\nA|yawn-provoking|little|farm|melodrama|.\nDid|no|one|on|the|set|have|a|sense|of|humor|,|or|did|they|not|have|the|nerve|to|speak|up|?\nSeriously|,|rent|the|Disney|version|.\nAs|David|Letterman|and|The|Onion|have|proven|,|the|worst|of|tragedies|can|be|fertile|sources|of|humor|,|but|Lawrence|has|only|a|fleeting|grasp|of|how|to|develop|them|.\nLike|its|parade|of|predecessors|,|this|Halloween|is|a|gory|slash-fest|.\nIt|ca|n't|escape|its|past|,|and|it|does|n't|want|to|.\n``|Abandon|''|will|leave|you|wanting|to|abandon|the|theater|.\nProblem|is|,|we|have|no|idea|what|in|creation|is|going|on|.\nA|live-action|cartoon|,|a|fast-moving|and|cheerfully|simplistic|88|minutes|of|exaggerated|action|put|together|with|the|preteen|boy|in|mind|.\nA|loquacious|and|dreary|piece|of|business|.\nWhat|the|audience|feels|is|exhaustion|,|from|watching|a|movie|that|is|dark|(|dark|green|,|to|be|exact|)|,|sour|,|bloody|and|mean|.\ndirector|Hoffman|,|his|writer|and|Kline|'s|agent|should|serve|detention\nDodgy|mixture|of|cutesy|romance|,|dark|satire|and|murder|mystery|.\nMeticulously|mounted|,|exasperatingly|well-behaved|film|,|which|ticks|off|Kahlo|'s|lifetime|milestones|with|the|dutiful|precision|of|a|tax|accountant|.\nTime|of|Favor|could|have|given|audiences|the|time|of|day|by|concentrating|on|the|elements|of|a|revealing|alienation|among|a|culture|of|people|who|sadly|are|at|hostile|odds|with|one|another|through|recklessness|and|retaliation|.\nI|'m|not|sure|which|will|take|longer|to|heal|:|the|welt|on|Johnny|Knoxville|'s|stomach|from|a|riot-control|projectile|or|my|own|tortured|psyche|.\nWhile|Serving|Sara|does|have|a|long|way|to|go|before|it|reaches|the|level|of|crudity|in|the|latest|Austin|Powers|extravaganza|,|there|'s|nothing|here|to|match|that|movie|'s|intermittent|moments|of|inspiration|.\nI|'m|not|sure|which|is|worse|:|the|poor|acting|by|the|ensemble|cast|,|the|flat|dialogue|by|Vincent|R.|Nebrida|or|the|gutless|direction|by|Laurice|Guillen|.\nThe|only|reason|you|should|see|this|movie|is|if|you|have|a|case|of|masochism|and|an|hour|and|a|half|to|blow|.\nWhatever|about|warning|kids|about|the|dangers|of|ouija|boards|,|someone|should|dispense|the|same|advice|to|film|directors|.\nAs|with|so|many|merchandised-to-the-max|movies|of|this|type|,|more|time|appears|to|have|gone|into|recruiting|the|right|bands|for|the|playlist|and|the|costuming|of|the|stars|than|into|the|script|,|which|has|a|handful|of|smart|jokes|and|not|much|else|.\nThe|Irwins|'|scenes|are|fascinating|;|the|movie|as|a|whole|is|cheap|junk|and|an|insult|to|their|death-defying|efforts|.\nIf|routine|action|and|jokes|like|this|are|your|cup|of|tea|,|then|pay|your|$|8|and|get|ready|for|the|big|shear|.\nThis|is|one|baaaaaaaaad|movie|.\nA|man|leaving|the|screening|said|the|film|was|better|than|Saving|Private|Ryan|.\nHe|may|have|meant|the|Internet|short|Saving|Ryan|'s|Privates|.\nBut|Windtalkers|does|n't|beat|that|one|,|either|.\nMay|puzzle|his|most|ardent|fans|.\nStarts|as|a|tart|little|lemon|drop|of|a|movie|and|ends|up|as|a|bitter|pill|.\nWe|never|feel|anything|for|these|characters|,|and|as|a|result|the|film|is|basically|just|a|curiosity|.\nThose|unfamiliar|with|Mormon|traditions|may|find|The|Singles|Ward|occasionally|bewildering|.\nRitchie|may|not|have|a|novel|thought|in|his|head|,|but|he|knows|how|to|pose|Madonna|.\nThe|story|,|touching|though|it|is|,|does|not|quite|have|enough|emotional|resonance|or|variety|of|incident|to|sustain|a|feature|,|and|even|at|85|minutes|it|feels|a|bit|long|.\nFeels|like|the|work|of|an|artist|who|is|simply|tired|--|of|fighting|the|same|fights|,|of|putting|the|weight|of|the|world|on|his|shoulders|,|of|playing|with|narrative|form|.\nWhile|you|have|to|admit|it|'s|semi-amusing|to|watch|Robert|DeNiro|belt|out|``|When|you|'re|a|Jet|,|you|'re|a|Jet|all|the|way|,|''|it|'s|equally|distasteful|to|watch|him|sing|the|lyrics|to|``|Tonight|.|''\nThe|whole|mess|boils|down|to|a|transparently|hypocritical|work|that|feels|as|though|it|'s|trying|to|set|the|women|'s|liberation|movement|back|20|years|.|'\n...|the|cast|portrays|their|cartoon|counterparts|well|...|but|quite|frankly|,|Scoob|and|Shag|do|n't|eat|enough|during|the|film|.|'\nMore|of|the|same|old|garbage|Hollywood|has|been|trying|to|pass|off|as|acceptable|teen|entertainment|for|some|time|now|.\nTV|skit-com|material|fervently|deposited|on|the|big|screen|.\n(|Johnnie|To|and|Wai|Ka|Fai|are|)|sure|to|find|an|enthusiastic|audience|among|American|action-adventure|buffs|,|but|the|film|'s|interests|may|be|too|narrow|to|attract|crossover|viewers|.\nIf|there|was|ever|a|movie|where|the|upbeat|ending|feels|like|a|copout|,|this|is|the|one|.\nIt|'s|as|sorry|a|mess|as|its|director|'s|diabolical|debut|,|Mad|Cows|.\nAny|attempts|at|nuance|given|by|the|capable|cast|is|drowned|out|by|director|Jon|Purdy|'s|sledgehammer|sap|.\nIts|audacious|ambitions|sabotaged|by|pomposity|,|Steven|Soderbergh|'s|space|opera|emerges|as|a|numbingly|dull|experience|.\nDespite|some|strong|performances|,|never|rises|above|the|level|of|a|telanovela|.\nThis|is|a|picture|that|Maik|,|the|firebrand|turned|savvy|ad|man|,|would|be|envious|of|:|it|hijacks|the|heat|of|revolution|and|turns|it|into|a|sales|tool|.\nFeels|slight|,|as|if|it|were|an|extended|short|,|albeit|one|made|by|the|smartest|kids|in|class|.\nUnspeakable|,|of|course|,|barely|begins|to|describe|the|plot|and|its|complications|.\nVulgar|is|too|optimistic|a|title|.\nThe|actors|pull|out|all|the|stops|in|nearly|every|scene|,|but|to|diminishing|effect|.\nThe|characters|never|change|.\nIf|The|Last|Man|were|the|last|movie|left|on|earth|,|there|would|be|a|toss-up|between|presiding|over|the|end|of|cinema|as|we|know|it|and|another|night|of|delightful|hand|shadows|.\nWelles|groupie\\/scholar|Peter|Bogdanovich|took|a|long|time|to|do|it|,|but|he|'s|finally|provided|his|own|broadside|at|publishing|giant|William|Randolph|Hearst|.\nMakes|the|same|mistake|as|the|music|industry|it|criticizes|,|becoming|so|slick|and|watered-down|it|almost|loses|what|made|you|love|it|in|the|first|place|.\nEven|as|I|valiantly|struggled|to|remain|interested|,|or|at|least|conscious|,|I|could|feel|my|eyelids|...|getting|...|very|...|heavy|...\nA|bad|movie|that|happened|to|good|actors|.\nBoasts|eye-catching|art|direction|but|has|a|forcefully|quirky|tone|that|quickly|wears|out|its|limited|welcome|.\nScreenwriter|Dan|Schneider|and|director|Shawn|Levy|substitute|volume|and|primary|colors|for|humor|and|bite|.\nOversexed|,|at|times|overwrought|comedy\\/drama|that|offers|little|insight|into|the|experience|of|being|forty|,|female|and|single|.\nThat|such|a|horrible|movie|could|have|sprung|from|such|a|great|one|is|one|of|the|year|'s|worst|cinematic|tragedies|.\nIt|all|starts|to|smack|of|a|Hallmark|Hall|of|Fame|,|with|a|few|four|letter|words|thrown|in|that|are|generally|not|heard|on|television|.\nRarely|has|a|film|'s|title|served|such|dire|warning|.\nIf|you|saw|Benigni|'s|Pinocchio|at|a|public|park|,|you|'d|grab|your|kids|and|run|and|then|probably|call|the|police|.\nThe|animation|is|competent|,|and|some|of|the|gags|are|quite|funny|,|but|Jonah|...|never|shakes|the|oppressive|,|morally|superior|good-for-you|quality|that|almost|automatically|accompanies|didactic|entertainment|.\nThe|pace|of|the|film|is|very|slow|(|for|obvious|reasons|)|and|that|too|becomes|off-putting|.\nMr.|Wollter|and|Ms.|Seldhal|give|strong|and|convincing|performances|,|but|neither|reaches|into|the|deepest|recesses|of|the|character|to|unearth|the|quaking|essence|of|passion|,|grief|and|fear|.\nShafer|'s|feature|does|n't|offer|much|in|terms|of|plot|or|acting|.\nIn|his|role|of|observer|of|the|scene|,|Lawrence|sounds|whiny|and|defensive|,|as|if|his|life-altering|experiences|made|him|bitter|and|less|mature|.\n(|T|)|he|ideas|of|Revolution|#|9|are|more|compelling|than|the|execution\nThe|film|did|n't|convince|me|that|Calvin|Jr.|'s|Barbershop|represents|some|sort|of|beacon|of|hope|in|the|middle|of|Chicago|'s|South|Side|.\nWhat|happens|when|something|goes|bump|in|the|night|and|nobody|cares|?\nDespite|some|comic|sparks|,|Welcome|to|Collinwood|never|catches|fire|.\nDirector|George|Hickenlooper|has|had|some|success|with|documentaries|,|but|here|his|sense|of|story|and|his|juvenile|camera|movements|smack|of|a|film|school|undergrad|,|and|his|maudlin|ending|might|not|have|gotten|him|into|film|school|in|the|first|place|.\nShows|moments|of|promise|but|ultimately|succumbs|to|cliches|and|pat|storytelling|.\nEven|accepting|this|in|the|right|frame|of|mind|can|only|provide|it|with|so|much|leniency|.\nSome|Body|is|a|shaky|,|uncertain|film|that|nevertheless|touches|a|few|raw|nerves|.\nAll|the|small|moments|and|flashbacks|do|n't|add|up|to|much|more|than|trite|observations|on|the|human|condition|.\n(|A|)|stale|retread|of|the|'53|original|.\nOne|thing|'s|for|sure|--|if|George|Romero|had|directed|this|movie|,|it|would|n't|have|taken|the|protagonists|a|full|hour|to|determine|that|in|order|to|kill|a|zombie|you|must|shoot|it|in|the|head|.\nFor|dance|completists|only|.\nSpreads|itself|too|thin|,|leaving|these|actors|,|as|well|as|the|members|of|the|commune|,|short|of|profound|characterizations\nIt|would|n't|matter|so|much|that|this|arrogant|Richard|Pryor|wannabe|'s|routine|is|offensive|,|puerile|and|unimaginatively|foul-mouthed|if|it|was|at|least|funny|.\nThe|locale|...|remains|far|more|interesting|than|the|story|at|hand|.\nYo|,|it|'s|The|Days|Of|Our|Lives|meets|Electric|Boogaloo|.\nI|liked|the|original|short|story|but|this|movie|,|even|at|an|hour|and|twenty-some|minutes|,|it|'s|too|long|and|it|goes|nowhere|.\nThis|little|film|is|so|slovenly|done|,|so|primitive|in|technique|,|that|it|ca|n't|really|be|called|animation|.\nMakes|98|minutes|feel|like|three|hours|.\nHawke|'s|film|,|a|boring|,|pretentious|waste|of|nearly|two|hours|,|does|n't|tell|you|anything|except|that|the|Chelsea|Hotel|today|is|populated|by|whiny|,|pathetic|,|starving|and|untalented|artistes|.\nAspires|to|the|cracked|lunacy|of|The|Adventures|of|Buckaroo|Banzai|,|but|thanks|to|an|astonishingly|witless|script|ends|up|more|like|The|Adventures|of|Ford|Fairlane|.\nReal-life|strongman|Ahola|lacks|the|charisma|and|ability|to|carry|the|film|on|his|admittedly|broad|shoulders|.\nThe|title|,|alone|,|should|scare|any|sane|person|away|.\nLow|comedy|does|n't|come|much|lower|.\nAppropriately|cynical|social|commentary|aside|,|#|9|never|quite|ignites|.\nIt|'s|crap|on|a|leash|--|far|too|polite|to|scale|the|lunatic|heights|of|Joe|Dante|'s|similarly|styled|Gremlins|.\nOne|of|the|most|depressing|movie-going|experiences|I|can|think|of|is|to|sit|through|about|90|minutes|of|a|so-called|`|comedy|'|and|not|laugh|once|.\nThis|is|the|kind|of|movie|where|the|big|scene|is|a|man|shot|out|of|a|cannon|into|a|vat|of|ice|cream|.\nLet|'s|face|it|--|there|are|n't|many|reasons|anyone|would|want|to|see|Crossroads|if|they|'re|not|big|fans|of|teen|pop|kitten|Britney|Spears|.\nA|loud|,|brash|and|mainly|unfunny|high|school|comedy|.\nAn|exceptionally|dreary|and|overwrought|bit|of|work|,|every|bit|as|imperious|as|Katzenberg|'s|The|Prince|of|Egypt|from|1998|.\nThe|movie|is|so|resolutely|cobbled|together|out|of|older|movies|that|it|even|uses|a|totally|unnecessary|prologue|,|just|because|it|seems|obligatory|.\nThe|movie|'s|vision|of|a|white|American|zealously|spreading|a|Puritanical|brand|of|Christianity|to|South|Seas|islanders|is|one|only|a|true|believer|could|relish|.\nMaid|in|Manhattan|proves|that|it|'s|easier|to|change|the|sheets|than|to|change|hackneyed|concepts|when|it|comes|to|dreaming|up|romantic|comedies|.\nA|fairly|harmless|but|ultimately|lifeless|feature-length|afterschool|special|.\nI|ca|n't|remember|the|last|time|I|saw|a|movie|where|I|wanted|so|badly|for|the|protagonist|to|fail|.\n...|the|whole|thing|succeeded|only|in|making|me|groggy|.\nLike|most|of|Jaglom|'s|films|,|some|of|it|is|honestly|affecting|,|but|more|of|it|seems|contrived|and|secondhand|.\nOne|long|,|numbing|action|sequence|made|up|mostly|of|routine|stuff|Yuen|has|given|us|before|.\nForgettable|,|if|good-hearted|,|movie|.\nThe|film|'s|most|improbable|feat|?\nIt|did|n't|go|straight|to|video|.\n...|about|as|exciting|to|watch|as|two|last-place|basketball|teams|playing|one|another|on|the|final|day|of|the|season|.\nThe|Chateau|...|is|less|concerned|with|cultural|and|political|issues|than|doting|on|its|eccentric|characters|.\nCruel|and|inhuman|cinematic|punishment|...|simultaneously|degrades|its|characters|,|its|stars|and|its|audience|.\nIt|'s|not|too|fast|and|not|too|slow|.\nIt|'s|not|too|racy|and|it|'s|not|too|offensive|.\nIt|'s|not|too|much|of|anything|.\nThe|great|pity|is|that|those|responsible|did|n't|cut|their|losses|--|and|ours|--|and|retitle|it|The|Adventures|of|Direct-to-Video|Nash|,|and|send|it|to|its|proper|home|.\nAbout|as|original|as|a|gangster|sweating|bullets|while|worrying|about|a|contract|on|his|life|.\nAn|empty|shell|of|an|epic|rather|than|the|real|deal|.\nWe|could|have|expected|a|little|more|human|being|,|and|a|little|less|product|.\nInstead|of|using|George|and|Lucy|'s|most|obvious|differences|to|ignite|sparks|,|Lawrence|desperately|looks|elsewhere|,|seizing|on|George|'s|haplessness|and|Lucy|'s|personality|tics|.\nWhether|Quitting|will|prove|absorbing|to|American|audiences|is|debatable|.\nBecomes|a|bit|of|a|mishmash|:|a|tearjerker|that|does|n't|and|a|thriller|that|wo|n't|.\nFamily|togetherness|takes|a|back|seat|to|inter-family|rivalry|and|workplace|ambition|...|whole|subplots|have|no|explanation|or|even|plot|relevance|.\nGrant|is|n't|Cary|and|Bullock|is|n't|Katherine|.\nLike|a|fish|that|'s|lived|too|long|,|Austin|Powers|in|Goldmember|has|some|unnecessary|parts|and|is|kinda|wrong|in|places|.\nTwo|tedious|acts|light|on|great|scares|and|a|good|surprise|ending|.\nShyamalan|should|stop|trying|to|please|his|mom|.\nThe|entire|movie|is|in|need|of|a|scented|bath|.\nI|'m|sorry|to|say|that|this|should|seal|the|deal|-|Arnold|is|not|,|nor|will|he|be|,|back|.\nThe|story|of|Trouble|Every|Day|...|is|so|sketchy|it|amounts|to|little|more|than|preliminary|notes|for|a|science-fiction|horror|film|,|and|the|movie|'s|fragmentary|narrative|style|makes|piecing|the|story|together|frustrating|difficult|.\nA|Movie|to|Forget\nFor|all|of|its|insights|into|the|dream|world|of|teen|life|,|and|its|electronic|expression|through|cyber|culture|,|the|film|gives|no|quarter|to|anyone|seeking|to|pull|a|cohesive|story|out|of|its|2 1\\/2|-|hour|running|time|.\nEnough|is|not|a|bad|movie|,|just|mediocre|.\nThe|performances|are|so|overstated|,|the|effect|comes|off|as|self-parody|.\nIt|looks|good|,|but|it|is|essentially|empty|.\nThe|film|never|finds|its|tone|and|several|scenes|run|too|long|.\nThe|idea|is|more|interesting|than|the|screenplay|,|which|lags|badly|in|the|middle|and|lurches|between|not-very-funny|comedy|,|unconvincing|dramatics|and|some|last-minute|action|strongly|reminiscent|of|Run|Lola|Run|.\nVan|Wilder|has|a|built-in|audience|,|but|only|among|those|who|are|drying|out|from|spring|break|and|are|still|unconcerned|about|what|they|ingest|.\nIt|'s|hard|to|believe|that|something|so|short|could|be|so|flabby|.\nDo|we|really|need|another|film|that|praises|female|self-sacrifice|?\nThe|major|problem|with|Windtalkers|is|that|the|bulk|of|the|movie|centers|on|the|wrong|character|.\nTennessee|Williams|by|way|of|Oprah|'s|Book|Club|.\nSo|verbally|flatfooted|and|so|emotionally|predictable|or|bland|that|it|plays|like|the|standard|made-for-TV|movie|.\nThe|entire|point|of|a|shaggy|dog|story|,|of|course|,|is|that|it|goes|nowhere|,|and|this|is|classic|nowheresville|in|every|sense|.\nStale|and|clichéd|to|a|fault|.\nThis|film|is|too|busy|hitting|all|of|its|assigned|marks|to|take|on|any|life|of|its|own|.\nWatching|junk|like|this|induces|a|kind|of|abstract|guilt|,|as|if|you|were|paying|dues|for|good|books|unread|,|fine|music|never|heard|.\nThe|script|feels|as|if|it|started|to|explore|the|obvious|voyeuristic|potential|of|`|hypertime|'|but|then|backed|off|when|the|producers|saw|the|grosses|for|Spy|Kids|.\nStarts|off|witty|and|sophisticated|and|you|want|to|love|it|--|but|filmmaker|Yvan|Attal|quickly|writes|himself|into|a|corner|.\nSome|Like|It|Hot|on|the|Hardwood|proves|once|again|that|a|man|in|drag|is|not|in|and|of|himself|funny|.\nUnfortunately|,|contrived|plotting|,|stereotyped|characters|and|Woo|'s|over-the-top|instincts|as|a|director|undermine|the|moral|dilemma|at|the|movie|'s|heart|.\nWitless|and|utterly|pointless|.\nWhen|`|science|fiction|'|takes|advantage|of|the|fact|that|its|intended|audience|has|n't|yet|had|much|science|,|it|does|a|disservice|to|the|audience|and|to|the|genre|.\nShow|me|the|mugging|.\nRepresents|something|very|close|to|the|nadir|of|the|thriller\\/horror|genre|.\nVisually|sumptuous|but|intellectually|stultifying|.\nAs|a|feature-length|film|,|it|wears|out|its|welcome|as|tryingly|as|the|title|character|.\nA|guilty|pleasure|at|best|,|and|not|worth|seeing|unless|you|want|to|laugh|at|it|.\nA|sleep-inducing|thriller|with|a|single|twist|that|everyone|except|the|characters|in|it|can|see|coming|a|mile|away|.\nWith|a|``|Spy|Kids|''|sequel|opening|next|week|,|why|bother|with|a|contemptible|imitator|starring|a|``|SNL|''|has-been|acting|like|an|8-year-old|channeling|Roberto|Benigni|?\nIt|'s|just|rather|leaden|and|dull|.\nLacks|the|visual|flair|and|bouncing|bravado|that|characterizes|better|hip-hop|clips|and|is|content|to|recycle|images|and|characters|that|were|already|tired|10|years|ago|.\nStatham|employs|an|accent|that|I|think|is|supposed|to|be|an|attempt|at|hardass|American|but|sometimes|just|lapses|into|unhidden|British|.\nInstead|of|trying|to|bust|some|blondes|,|(|Diggs|)|should|be|probing|why|a|guy|with|his|talent|ended|up|in|a|movie|this|bad|.\nInitial|strangeness|inexorably|gives|way|to|rote|sentimentality|and|mystical|tenderness|becomes|narrative|expedience|.\nDe|Ayala|is|required|to|supply|too|much|of|the|energy|in|a|film|that|is|,|overall|,|far|too|staid|for|its|subject|matter|.\nDismally|dull|sci-fi|comedy|.\nThere|'s|surely|something|wrong|with|a|comedy|where|the|only|belly|laughs|come|from|the|selection|of|outtakes|tacked|onto|the|end|credits|.\nWhen|one|hears|Harry|Shearer|is|going|to|make|his|debut|as|a|film|director|,|one|would|hope|for|the|best\nThe|leads|we|are|given|here|are|simply|too|bland|to|be|interesting|.\n(|Toback|'s|)|fondness|for|fancy|split-screen|,|stuttering|editing|and|pompous|references|to|Wittgenstein|and|Kirkegaard|...|blends|uneasily|with|the|titillating|material|.\nAdam|Sandler|'s|8|Crazy|Nights|is|75|wasted|minutes|of|Sandler|as|the|voice-over|hero|in|Columbia|Pictures|'|perverse|idea|of|an|animated|holiday|movie|.\nessentially|``|Fatal|Attraction|''|remade|for|viewers|who|were|in|diapers|when|the|original|was|released|in|1987|.\n...|this|story|gets|sillier|,|not|scarier|,|as|it|goes|along|...\nEven|a|hardened|voyeur|would|require|the|patience|of|Job|to|get|through|this|interminable|,|shapeless|documentary|about|the|swinging|subculture|.\nThe|film|'s|hero|is|a|bore|and|his|innocence|soon|becomes|a|questionable|kind|of|inexcusable|dumb|innocence|.\nA|singularly|off-putting|romantic|comedy|.\nThis|is|an|exercise|not|in|biography|but|in|hero|worship|.\nIt|all|comes|down|to|whether|you|can|tolerate|Leon|Barlow|.\nI|ca|n't|.\nIn|the|spirit|of|the|season|,|I|assign|one|bright|shining|star|to|Roberto|Benigni|'s|Pinocchio|--|but|I|guarantee|that|no|wise|men|will|be|following|after|it|.\nCheck|your|brain|and|your|secret|agent|decoder|ring|at|the|door|because|you|do|n't|want|to|think|too|much|about|what|'s|going|on|.\nThe|movie|does|has|some|entertainment|value|-|how|much|depends|on|how|well|you|like|Chris|Rock|.\nA|movie|that|seems|motivated|more|by|a|desire|to|match|mortarboards|with|Dead|Poets|Society|and|Good|Will|Hunting|than|by|its|own|story|.\nA|culture|clash|comedy|only|half|as|clever|as|it|thinks|it|is|.\nThe|logic|of|it|all|will|be|Greek|to|anyone|not|predisposed|to|the|movie|'s|rude|and|crude|humor|.\nAs|self-aware|movies|go|,|Who|is|Cletis|Tout|?\nis|clever|enough|,|though|thin|writing|proves|its|undoing|.\nStarts|out|strongly|before|quickly|losing|its|focus|,|point|and|purpose|in|a|mess|of|mixed|messages|,|over-blown|drama|and|Bruce|Willis|with|a|scar|.\n...|a|fascinating|curiosity|piece|--|fascinating|,|that|is|,|for|about|ten|minutes|.\nAfter|that|it|becomes|long|and|tedious|like|a|classroom|play|in|a|college|history|course|.\nDirector|Jay|Russell|weighs|down|his|capricious|fairy-tale|with|heavy|sentiment|and|lightweight|meaning|.\nThere|are|many|things|that|solid|acting|can|do|for|a|movie|,|but|crafting|something|promising|from|a|mediocre|screenplay|is|not|one|of|them|.\nIts|screenplay|serves|as|auto-critique|,|and|its|clumsiness|as|its|own|most|damning|censure|.\nAt|times|,|it|actually|hurts|to|watch|.\nNemesis|suffers|from|a|paunchy|midsection|,|several|plodding|action|sequences|and|a|wickedly|undramatic|central|theme|.\nThe|jokes|are|telegraphed|so|far|in|advance|they|must|have|been|lost|in|the|mail|.\n(|Tries|)|to|parody|a|genre|that|'s|already|a|joke|in|the|United|States|.\nThe|movie|is|the|equivalent|of|French|hip-hop|,|which|also|seems|to|play|on|a|10-year|delay|.\nA|beyond-lame|satire|,|Teddy|Bears|'|Picnic|ranks|among|the|most|pitiful|directing|debuts|by|an|esteemed|writer-actor|.\nI|'ve|never|seen|(|a|remake|)|do|anything|as|stomach-turning|as|the|way|Adam|Sandler|'s|new|movie|rapes|,|pillages|and|incinerates|Frank|Capra|'s|classic|...\nHollywood|'s|answer|to|an|air|ball|.\nAnd|people|make|fun|of|me|for|liking|Showgirls|.\nSuch|a|wildly|uneven|hit-and-miss|enterprise|,|you|ca|n't|help|suspecting|that|it|was|improvised|on|a|day-to-day|basis|during|production|.\nA|weird|little|movie|that|'s|amusing|enough|while|you|watch|it|,|offering|fine|acting|moments|and|pungent|insights|into|modern|L.A.|'s|show-biz|and|media|subcultures|.\nBut|it|does|n't|leave|you|with|much|.\nI|'m|convinced|I|could|keep|a|family|of|five|blind|,|crippled|,|Amish|people|alive|in|this|situation|better|than|these|British|soldiers|do|at|keeping|themselves|kicking|.\nLike|Mike|is|a|slight|and|uninventive|movie|:|Like|the|exalted|Michael|Jordan|referred|to|in|the|title|,|many|can|aspire|but|none|can|equal|.\nThere|is|nothing|funny|in|this|every-joke-has|-|been-told-a|-|thousand-times|-|before|movie|.\nAlways|destined|to|be|measured|against|Anthony|Asquith|'s|acclaimed|1952|screen|adaptation|.\nThis|is|standard|crime|drama|fare|...|instantly|forgettable|and|thoroughly|dull|.\nThere|'s|some|outrageously|creative|action|in|The|Transporter|...|(|b|)|ut|by|the|time|Frank|parachutes|down|onto|a|moving|truck|,|it|'s|just|another|cartoon|with|an|unstoppable|superman|.\nOne|of|those|based-on-truth|stories|that|persuades|you|,|with|every|scene|,|that|it|could|never|really|have|happened|this|way|.\nFrom|its|nauseating|spinning|credits|sequence|to|a|very|talented|but|underutilized|supporting|cast|,|Bartleby|squanders|as|much|as|it|gives|out|.\nYet|another|genre|exercise|,|Gangster|No.|1|is|as|generic|as|its|title|.\nDespite|the|holes|in|the|story|and|the|somewhat|predictable|plot|,|moments|of|the|movie|caused|me|to|jump|in|my|chair|...\nThere|'s|an|admirable|rigor|to|Jimmy|'s|relentless|anger|,|and|to|the|script|'s|refusal|of|a|happy|ending|,|but|as|those|monologues|stretch|on|and|on|,|you|realize|there|'s|no|place|for|this|story|to|go|but|down|.\nOnce|again|,|the|intelligence|of|gay|audiences|has|been|grossly|underestimated|,|and|a|meaty|plot|and|well-developed|characters|have|been|sacrificed|for|skin|and|flash|that|barely|fizzle|.\nA|lightweight|,|uneven|action|comedy|that|freely|mingles|French|,|Japanese|and|Hollywood|cultures|.\nSuch|a|fine|idea|for|a|film|,|and|such|a|stultifying|,|lifeless|execution|.\n(|Allen|'s|)|best|works|understand|why|snobbery|is|a|better|satiric|target|than|middle-America|diversions|could|ever|be|.\nThis|overlong|infomercial|,|due|out|on|video|before|month|'s|end|,|is|tepid|and|tedious|.\nAn|ambitious|,|guilt-suffused|melodrama|crippled|by|poor|casting|.\nRarely|has|sex|on|screen|been|so|aggressively|anti-erotic|.\nA|dull|,|inconsistent|,|dishonest|female|bonding|picture|.\nSo|much|about|the|film|is|loopy|and|ludicrous|...|that|it|could|have|been|a|hoot|in|a|bad-movie|way|if|the|laborious|pacing|and|endless|exposition|had|been|tightened|.\nA|disappointment|for|a|movie|that|should|have|been|the|ultimate|IMAX|trip|.\nDoes|little|to|elaborate|the|conceit|of|setting|this|blood-soaked|tragedy|of|murderous|ambition|in|the|era|of|Richard|Nixon|.\nThis|Sade|is|hardly|a|perverse|,|dangerous|libertine|and|agitator|--|which|would|have|made|for|better|drama|.\nHe|'s|just|a|sad|aristocrat|in|tattered|finery|,|and|the|film|seems|as|deflated|as|he|does|.\nThe|film|'s|needlessly|opaque|intro|takes|its|doe-eyed|Crudup|out|of|pre-9|\\/|11|New|York|and|onto|a|cross-country|road|trip|of|the|Homeric|kind|.\nIt|'s|as|if|a|bored|Cage|spent|the|duration|of|the|film|'s|shooting|schedule|waiting|to|scream|:|``|Got|AIDS|yet|?|''\nIn|a|strange|way|,|Egoyan|has|done|too|much|.\nHe|'s|worked|too|hard|on|this|movie|.\nThe|film|has|the|thrown-together|feel|of|a|summer-camp|talent|show|:|hastily|written|,|underrehearsed|,|arbitrarily|plotted|and|filled|with|crude|humor|and|vulgar|innuendo|.\nThe|last|three|narcissists|left|on|earth|compete|for|each|others|'|affections|.\nA|clash|between|the|artificial|structure|of|the|story|and|the|more|contemporary|,|naturalistic|tone|of|the|film|...\nThe|movie|'s|messages|are|quite|admirable|,|but|the|story|is|just|too|clichéd|and|too|often|strains|credulity|.\nWhat|we|have|here|is|n't|a|disaster|,|exactly|,|but|a|very|handsomely|produced|let-down|.\nThe|script|was|reportedly|rewritten|a|dozen|times|--|either|11|times|too|many|or|else|too|few|.\nA|shoddy|male|hip|hop|fantasy|filled|with|guns|,|expensive|cars|,|lots|of|naked|women|and|Rocawear|clothing|.\nTo|the|filmmakers|,|Ivan|is|a|prince|of|a|fellow|,|but|he|comes|across|as|shallow|and|glib|though|not|mean-spirited|,|and|there|'s|no|indication|that|he|'s|been|responsible|for|putting|together|any|movies|of|particular|value|or|merit|.\nThis|is|a|movie|filled|with|unlikable|,|spiteful|idiots|;|whether|or|not|their|friendship|is|salvaged|makes|no|difference|in|the|least|.\nIt|'s|as|if|Allen|,|at|66|,|has|stopped|challenging|himself|.\nScotland|,|PA|is|entirely|too|straight-faced|to|transcend|its|clever|concept|.\nA|movie|that|the|less|charitable|might|describe|as|a|castrated|cross|between|Highlander|and|Lolita|.\nNot|only|does|LeBlanc|make|one|spectacularly|ugly-looking|broad|,|but|he|appears|miserable|throughout|as|he|swaggers|through|his|scenes|.\nThere|'s|little|to|recommend|Snow|Dogs|,|unless|one|considers|cliched|dialogue|and|perverse|escapism|a|source|of|high|hilarity|.\nIt|'s|deep-sixed|by|a|compulsion|to|catalog|every|bodily|fluids|gag|in|There|'s|Something|About|Mary|and|devise|a|parallel|clone-gag|.\nThe|film|rehashes|several|old|themes|and|is|capped|with|pointless|extremes|--|it|'s|insanely|violent|and|very|graphic|.\nSorority|Boys|,|which|is|as|bad|at|it|is|cruel|,|takes|every|potential|laugh|and|stiletto-stomps|the|life|out|of|it|.\nHere|the|love|scenes|all|end|in|someone|screaming|.\nMaybe|there|'s|a|metaphor|here|,|but|figuring|it|out|would|n't|make|Trouble|Every|Day|any|better|.\nThis|is|the|first|film|I|'ve|ever|seen|that|had|no|obvious|directing|involved|.\nFans|of|so-bad-they|'re|-|good|cinema|may|find|some|fun|in|this|jumbled|mess|.\nWeiss|and|Speck|never|make|a|convincing|case|for|the|relevance|of|these|two|20th-century|footnotes|.\nSheridan|is|painfully|bad|,|a|fourth-rate|Jim|Carrey|who|does|n't|understand|the|difference|between|dumb|fun|and|just|plain|dumb|.\nPresents|nothing|special|and|,|until|the|final|act|,|nothing|overtly|disagreeable|.\nThe|most|excruciating|86|minutes|one|might|sit|through|this|summer|that|do|not|involve|a|dentist|drill|.\nWas|that|movie|nothing|more|than|a|tepid|exercise|in|trotting|out|a|formula|that|worked|five|years|ago|but|has|since|lost|its|fizz|?\nIt|goes|on|for|too|long|and|bogs|down|in|a|surfeit|of|characters|and|unnecessary|subplots|.\nIt|'s|absolutely|amazing|how|first-time|director|Kevin|Donovan|managed|to|find|something|new|to|add|to|the|canon|of|Chan|.\nMake|Chan|'s|action|sequences|boring|.\nYou|...|get|a|sense|of|good|intentions|derailed|by|a|failure|to|seek|and|strike|just|the|right|tone|.\n`|In|this|poor|remake|of|such|a|well|loved|classic|,|Parker|exposes|the|limitations|of|his|skill|and|the|basic|flaws|in|his|vision|.|'\nIt|'s|the|movie|equivalent|of|a|sweaty|old|guy|in|a|rain|coat|shopping|for|cheap|porn|.\nThe|film|'s|final|hour|,|where|nearly|all|the|previous|unseen|material|resides|,|is|unconvincing|soap|opera|that|Tornatore|was|right|to|cut|.\nThe|movie|does|such|an|excellent|job|of|critiquing|itself|at|every|faltering|half-step|of|its|development|that|criticizing|feels|more|like|commiserating|.\nI|found|it|slow|,|predictable|and|not|very|amusing|.\nDirector|Yu|seems|far|more|interested|in|gross-out|humor|than|in|showing|us|well-thought|stunts|or|a|car|chase|that|we|have|n't|seen|10,000|times|.\nViewers|will|need|all|the|luck|they|can|muster|just|figuring|out|who|'s|who|in|this|pretentious|mess|.\nA|pint-sized|`|Goodfellas|'|designed|to|appeal|to|the|younger|set|,|it|'s|not|a|very|good|movie|in|any|objective|sense|,|but|it|does|mostly|hold|one|'s|interest|.\nGet|out|your|pooper-scoopers|.\nWhile|the|material|is|slight|,|the|movie|is|better|than|you|might|think|.\nIt|'s|definitely|not|made|for|kids|or|their|parents|,|for|that|matter|,|and|I|think|even|fans|of|Sandler|'s|comic|taste|may|find|it|uninteresting|.\nSheridan|seems|terrified|of|the|book|'s|irreverent|energy|,|and|scotches|most|of|its|élan|,|humor|,|bile|,|and|irony|.\nMore|busy|than|exciting|,|more|frantic|than|involving|,|more|chaotic|than|entertaining|.\nThere|are|more|shots|of|children|smiling|for|the|camera|than|typical|documentary|footage|which|hurts|the|overall|impact|of|the|film|.\nIt|'s|makes|a|better|travelogue|than|movie|.\nIt|'s|as|if|Solondz|had|two|ideas|for|two|movies|,|could|n't|really|figure|out|how|to|flesh|either|out|,|so|he|just|slopped|`|em|together|here|.\nThe|fourth|in|a|series|that|I|'ll|bet|most|parents|had|thought|--|hoped|!\n--|was|a|fad|that|had|long|since|vanished|.\nIt|'s|a|long|way|from|Orwell|'s|dark|,|intelligent|warning|cry|(|1984|)|to|the|empty|stud|knockabout|of|Equilibrium|,|and|what|once|was|conviction|is|now|affectation|.\nIts|premise|is|smart|,|but|the|execution|is|pretty|weary|.\nThe|holiday|message|of|the|37-minute|Santa|vs.|the|Snowman|leaves|a|lot|to|be|desired|.\nmore|precious|than|perspicacious\nIf|you|saw|it|on|TV|,|you|'d|probably|turn|it|off|,|convinced|that|you|had|already|seen|that|movie|.\n(|T|)|he|script|is|n't|up|to|the|level|of|the|direction|,|nor|are|the|uneven|performances|by|the|cast|members|,|who|seem|bound|and|determined|to|duplicate|Bela|Lugosi|'s|now-cliched|vampire|accent|.\nIf|this|is|cinema|,|I|pledge|allegiance|to|Cagney|and|Lacey|.\nEnigma|looks|great|,|has|solid|acting|and|a|neat|premise|.\nYet|why|it|fails|is|a|riddle|wrapped|in|a|mystery|inside|an|enigma|.\nMost|of|the|characters|come|off|as|pantomimesque|sterotypes|.\nStarts|promisingly|but|disintegrates|into|a|dreary|,|humorless|soap|opera|.\nWhile|there|'s|likely|very|little|crossover|appeal|to|those|without|much|interest|in|the|Elizabethans|(|as|well|as|rank|frustration|from|those|in|the|know|about|Rubbo|'s|dumbed-down|tactics|)|,|Much|Ado|About|Something|is|an|amicable|endeavor|.\nIt|'s|actually|too|sincere|--|the|crime|movie|equivalent|of|a|chick|flick|.\nMost|of|the|film|feels|conceived|and|shot|on|the|fly|--|like|between|lunch|breaks|for|Shearer|'s|radio|show|and|his|Simpson|voice-overs|.\nPerry|'s|good|and|his|is|an|interesting|character|,|but|``|Serving|Sara|''|has|n't|much|more|to|serve|than|silly|fluff|.\nNor|is|it|a|romantic|comedy|.\nCulkin|turns|his|character|into|what|is|basically|an|anti-Harry|Potter|--|right|down|to|the|Gryffindor|scarf|.\nMemorable|for|a|peculiar|malaise|that|renders|its|tension|flaccid|and|,|by|extension|,|its|surprises|limp|and|its|resolutions|ritual|.\nIt|'s|a|documentary|that|says|that|the|alternate|sexuality|meant|to|set|you|free|may|require|so|much|relationship|maintenance|that|celibacy|can|start|looking|good|.\nIn|the|not-too-distant|future|,|movies|like|Ghost|Ship|will|be|used|as|analgesic|balm|for|overstimulated|minds|.\nRight|now|,|they|'re|merely|signposts|marking|the|slow|,|lingering|death|of|imagination|.\nThe|movie|'s|biggest|shocks|come|from|seeing|former|nymphette|Juliette|Lewis|playing|a|salt-of-the-earth|mommy|named|Minnie|and|watching|Slim|travel|incognito|in|a|ridiculous|wig|no|respectable|Halloween|costume|shop|would|ever|try|to|sell|.\nLike|most|movies|about|the|pitfalls|of|bad|behavior|...|Circuit|gets|drawn|into|the|party|.\nIt|appears|as|if|even|the|filmmakers|did|n't|know|what|kind|of|movie|they|were|making|.\nBeneath|the|uncanny|,|inevitable|and|seemingly|shrewd|facade|of|movie-biz|farce|...|lies|a|plot|cobbled|together|from|largely|flat|and|uncreative|moments|.\nSnipes|relies|too|much|on|a|scorchingly|plotted|dramatic|scenario|for|its|own|good|.\nPiccoli|'s|performance|is|amazing|,|yes|,|but|the|symbols|of|loss|and|denial|and|life-at-arm|'s|-|length|in|the|film|seem|irritatingly|transparent|.\nStarts|out|mediocre|,|spirals|downward|,|and|thuds|to|the|bottom|of|the|pool|with|an|utterly|incompetent|conclusion|.\nNicolas|Cage|is|n't|the|first|actor|to|lead|a|group|of|talented|friends|astray|,|and|this|movie|wo|n't|create|a|ruffle|in|what|is|already|an|erratic|career|.\nIt|lacks|the|compassion|,|good-natured|humor|and|the|level|of|insight|that|made|(|Eyre|'s|)|first|film|something|of|a|sleeper|success|.\nThe|result|is|good|gossip|,|entertainingly|delivered|,|yet|with|a|distinctly|musty|odour|,|its|expiry|date|long|gone|.\nA|sustained|fest|of|self-congratulation|between|actor|and|director|that|leaves|scant|place|for|the|viewer|.\nAll|Analyze|That|proves|is|that|there|is|really|only|one|movie|'s|worth|of|decent|gags|to|be|gleaned|from|the|premise|.\nGreen|ruins|every|single|scene|he|'s|in|,|and|the|film|,|while|it|'s|not|completely|wreaked|,|is|seriously|compromised|by|that|.\nThere|'s|not|a|comedic|moment|in|this|romantic|comedy|.\nThe|story|is|predictable|,|the|jokes|are|typical|Sandler|fare|,|and|the|romance|with|Ryder|is|puzzling|.\nWallace|directs|with|such|patronising|reverence|,|it|turns|the|stomach|.\nResurrection|has|the|dubious|distinction|of|being|a|really|bad|imitation|of|the|really|bad|Blair|Witch|Project|.\nPoor|Ben|Bratt|could|n't|find|stardom|if|MapQuest|emailed|him|point-to-point|driving|directions|.\nPretend|like|your|SAT|scores|are|below|120|and|you|might|not|notice|the|flaws|.\nUnlike|Trey|Parker|,|Sandler|does|n't|understand|that|the|idea|of|exploiting|molestation|for|laughs|is|funny|,|not|actually|exploiting|it|yourself|.\nA|fake|street|drama|that|keeps|telling|you|things|instead|of|showing|them|.\nAn|empty|,|purposeless|exercise|.\nEarnest|and|tentative|even|when|it|aims|to|shock|.\nHaneke|'s|script|(|from|Elfriede|Jelinek|'s|novel|)|is|contrived|,|unmotivated|,|and|psychologically|unpersuasive|,|with|an|inconclusive|ending|.\nA|sometimes|incisive|and|sensitive|portrait|that|is|undercut|by|its|awkward|structure|and|a|final|veering|toward|melodrama|.\nThose|24-and-unders|looking|for|their|own|Caddyshack|to|adopt|as|a|generational|signpost|may|have|to|keep|on|looking|.\nA|distinctly|mixed|bag|,|the|occasional|bursts|of|sharp|writing|alternating|with|lots|of|sloppiness|and|the|obligatory|moments|of|sentimental|ooze|.\nWhat|begins|brightly|gets|bogged|down|over|140|minutes|.\nUltimately|,|Jane|learns|her|place|as|a|girl|,|softens|up|and|loses|some|of|the|intensity|that|made|her|an|interesting|character|to|begin|with|.\nAh-nuld|'s|action|hero|days|might|be|over|.\nIt|'s|clear|why|Deuces|Wild|,|which|was|shot|two|years|ago|,|has|been|gathering|dust|on|MGM|'s|shelf|.\nFeels|like|nothing|quite|so|much|as|a|middle-aged|moviemaker|'s|attempt|to|surround|himself|with|beautiful|,|half-naked|women|.\nWhen|the|precise|nature|of|Matthew|'s|predicament|finally|comes|into|sharp|focus|,|the|revelation|fails|to|justify|the|build-up|.\nThis|picture|is|murder|by|numbers|,|and|as|easy|to|be|bored|by|as|your|ABC|'s|,|despite|a|few|whopping|shootouts|.\nHilarious|musical|comedy|though|stymied|by|accents|thick|as|mud|.\nIf|you|are|into|splatter|movies|,|then|you|will|probably|have|a|reasonably|good|time|with|The|Salton|Sea|.\nA|dull|,|simple-minded|and|stereotypical|tale|of|drugs|,|death|and|mind-numbing|indifference|on|the|inner-city|streets|.\nThe|feature-length|stretch|...|strains|the|show|'s|concept|.\nThis|slender|plot|feels|especially|thin|stretched|over|the|nearly|80-minute|running|time|.\nA|film|that|will|probably|please|people|already|fascinated|by|Behan|but|leave|everyone|else|yawning|with|admiration|.\nDavis|the|performer|is|plenty|fetching|enough|,|but|she|needs|to|shake|up|the|mix|,|and|work|in|something|that|does|n't|feel|like|a|half-baked|stand-up|routine|.\nThe|densest|distillation|of|Roberts|'|movies|ever|made|.\nUltimately|,|the|film|never|recovers|from|the|clumsy|cliché|of|the|ugly|American|abroad|,|and|the|too-frosty|exterior|Ms.|Paltrow|employs|to|authenticate|her|British|persona|is|another|liability|.\nA|handsome|but|unfulfilling|suspense|drama|more|suited|to|a|quiet|evening|on|PBS|than|a|night|out|at|an|AMC|.\nTom|Green|and|an|Ivy|League|college|should|never|appear|together|on|a|marquee|,|especially|when|the|payoff|is|an|unschooled|comedy|like|Stealing|Harvard|,|which|fails|to|keep|80|minutes|from|seeming|like|800|.\n(|It|)|highlights|not|so|much|the|crime|lord|'s|messianic|bent|,|but|Spacey|'s|.\nMaster|of|Disguise|runs|for|only|71|minutes|and|feels|like|three|hours|.\nA|reworking|of|Die|Hard|and|Cliffhanger|but|it|'s|nowhere|near|as|exciting|as|either|.\nSuffers|from|unlikable|characters|and|a|self-conscious|sense|of|its|own|quirky|hipness|.\nA|film|without|surprise|geared|toward|maximum|comfort|and|familiarity|.\nFessenden|continues|to|do|interesting|work|,|and|it|would|be|nice|to|see|what|he|could|make|with|a|decent|budget|.\nBut|the|problem|with|Wendigo|,|for|all|its|effective|moments|,|is|n't|really|one|of|resources|.\nSpirit|is|a|visual|treat|,|and|it|takes|chances|that|are|bold|by|studio|standards|,|but|it|lacks|a|strong|narrative|.\nIt|stars|schticky|Chris|Rock|and|stolid|Anthony|Hopkins|,|who|seem|barely|in|the|same|movie|.\nTheir|contrast|is|neither|dramatic|nor|comic|--|it|'s|just|a|weird|fizzle|.\nThis|is|a|children|'s|film|in|the|truest|sense|.\nIt|'s|packed|with|adventure|and|a|worthwhile|environmental|message|,|so|it|'s|great|for|the|kids|.\nParents|,|on|the|other|hand|,|will|be|ahead|of|the|plot|at|all|times|,|and|there|is|n't|enough|clever|innuendo|to|fil\nThe|niftiest|trick|perpetrated|by|The|Importance|of|Being|Earnest|is|the|alchemical|transmogrification|of|Wilde|into|Austen|--|and|a|Hollywood-ized|Austen|at|that|.\nTykwer|'s|surface|flash|is|n't|just|a|poor|fit|with|Kieslowski|'s|lyrical|pessimism|;|it|completely|contradicts|everything|Kieslowski|'s|work|aspired|to|,|including|the|condition|of|art|.\nIce|Age|is|the|first|computer-generated|feature|cartoon|to|feel|like|other|movies|,|and|that|makes|for|some|glacial|pacing|early|on|.\nToo|slick|and|manufactured|to|claim|street|credibility|.\nCherry|Orchard|is|badly|edited|,|often|awkwardly|directed|and|suffers|from|the|addition|of|a|wholly|unnecessary|pre-credit|sequence|designed|to|give|some|of|the|characters|a|`|back|story|.|'\nWhat|ensues|are|much|blood-splattering|,|mass|drug-induced|bowel|evacuations|,|and|none-too-funny|commentary|on|the|cultural|distinctions|between|Americans|and|Brits|.\nA|dark|comedy|that|goes|for|sick|and|demented|humor|simply|to|do|so|.\nThe|movie|is|without|intent|.\nVisually|exciting|sci-fi|film|which|suffers|from|a|lackluster|screenplay|.\nWhile|Hollywood|Ending|has|its|share|of|belly|laughs|(|including|a|knockout|of|a|closing|line|)|,|the|movie|winds|up|feeling|like|a|great|missed|opportunity|.\nIf|The|Full|Monty|was|a|freshman|fluke|,|Lucky|Break|is|(|Cattaneo|)|sophomore|slump|.\nSandra|Bullock|and|Hugh|Grant|make|a|great|team|,|but|this|predictable|romantic|comedy|should|get|a|pink|slip|.\nAllegiance|to|Chekhov|,|which|director|Michael|Cacoyannis|displays|with|somber|earnestness|in|the|new|adaptation|of|The|Cherry|Orchard|,|is|a|particularly|vexing|handicap|.\nYou|expect|more|from|director|Michael|Apted|(|Enigma|)|and|screenwriter|Nicholas|Kazan|(|Reversal|of|Fortune|)|than|this|cliche|pileup|.\nThe|first|mistake|,|I|suspect|,|is|casting|Shatner|as|a|legendary|professor|and|Kunis|as|a|brilliant|college|student|--|where|'s|Pauly|Shore|as|the|rocket|scientist|?\nThe|dramatic|scenes|are|frequently|unintentionally|funny|,|and|the|action|sequences|--|clearly|the|main|event|--|are|surprisingly|uninvolving|.\nReplacing|John|Carpenter|'s|stylish|tracking|shots|is|degraded|,|handheld|Blair|Witch|video-cam|footage|.\nOf|all|the|Halloween|'s|,|this|is|the|most|visually|unappealing|.\nIt|has|the|requisite|faux-urban|vibe|and|hotter-two-years-ago|rap|and|R&B|names|and|references|.\nDespite|its|dry|wit|and|compassion|,|the|film|suffers|from|a|philosophical|emptiness|and|maddeningly|sedate|pacing|.\n...|feels|as|if|(|there|'s|)|a|choke|leash|around|your|neck|so|director|Nick|Cassavetes|can|give|it|a|good|,|hard|yank|whenever|he|wants|you|to|feel|something|.\nAttal|pushes|too|hard|to|make|this|a|comedy|or|serious|drama|.\nHe|seems|to|want|both|,|but|succeeds|in|making|neither|.\nI|could|have|used|my|two|hours|better|watching|Being|John|Malkovich|again|.\nIt|'s|not|a|bad|plot|;|but|,|unfortunately|,|the|movie|is|nowhere|near|as|refined|as|all|the|classic|dramas|it|borrows|from|.\nGirlfriends|are|bad|,|wives|are|worse|and|babies|are|the|kiss|of|death|in|this|bitter|Italian|comedy|.\nThe|only|young|people|who|possibly|will|enjoy|it|are|infants|...|who|might|be|distracted|by|the|movie|'s|quick|movements|and|sounds|.\nThe|film|boasts|at|least|a|few|good|ideas|and|features|some|decent|performances|,|but|the|result|is|disappointing|.\nNo|Such|Thing|breaks|no|new|ground|and|treads|old|turf|like|a|hippopotamus|ballerina|.\nUnfortunately|,|neither|Sendak|nor|the|directors|are|particularly|engaging|or|articulate|.\nA|wishy-washy|melodramatic|movie|that|shows|us|plenty|of|sturm|und|drung|,|but|explains|its|characters|'|decisions|only|unsatisfactorily|.\nBang|!\nZoom|!\nIt|'s|actually|pretty|funny|,|but|in|all|the|wrong|places|.\nLurid|and|less|than|lucid|work|.\nA|wannabe|comedy|of|manners|about|a|brainy|prep-school|kid|with|a|Mrs.|Robinson|complex|founders|on|its|own|preciousness|--|and|squanders|its|beautiful|women|.\nAt|a|brief|42|minutes|,|we|need|more|X|and|less|blab|.\nIf|anything|,|see|it|for|Karen|Black|,|who|camps|up|a|storm|as|a|fringe|feminist|conspiracy|theorist|named|Dirty|Dick|.\nThis|90-minute|dud|could|pass|for|Mike|Tyson|'s|E|!\nTrue|Hollywood|Story|.\nThis|is|surely|one|of|the|most|frantic|,|virulent|and|foul-natured|Christmas|season|pics|ever|delivered|by|a|Hollywood|studio|.\nOnce|the|expectation|of|laughter|has|been|quashed|by|whatever|obscenity|is|at|hand|,|even|the|funniest|idea|is|n't|funny|.\nA|porn|film|without|the|sex|scenes|.\nThe|connected|stories|of|Breitbart|and|Hanussen|are|actually|fascinating|,|but|the|filmmaking|in|Invincible|is|such|that|the|movie|does|not|do|them|justice|.\nA|depressingly|retrograde|,|`|post-feminist|'|romantic|comedy|that|takes|an|astonishingly|condescending|attitude|toward|women|.\nReturn|to|Never|Land|is|much|more|P.C.|than|the|original|version|(|no|more|racist|portraits|of|Indians|,|for|instance|)|,|but|the|excitement|is|missing|.\nBy|the|end|,|you|just|do|n't|care|whether|that|cold-hearted|snake|Petrovich|(|that|would|be|Reno|)|gets|his|comeuppance|.\nJust|bring|on|the|Battle|Bots|,|please|!\nWhile|it|'s|all|quite|tasteful|to|look|at|,|the|attention|process|tends|to|do|a|little|fleeing|of|its|own|.\nBroder|'s|screenplay|is|shallow|,|offensive|and|redundant|,|with|pitifully|few|real|laughs|.\nYes|they|can|swim|,|the|title|is|merely|Anne-Sophie|Birot|'s|off-handed|way|of|saying|girls|find|adolescence|difficult|to|wade|through|.\nDon|Michael|Paul|uses|quick-cuts|,|(|very|)|large|shadows|and|wide-angle|shots|taken|from|a|distance|to|hide|the|liberal|use|of|a|body|double|(|for|Seagal|)|.\nSlow|,|silly|and|unintentionally|hilarious|.\nThe|Sweetest|Thing|leaves|a|bitter|taste|.\nIn|a|big|corner|office|in|Hell|,|Satan|is|throwing|up|his|hands|in|surrender|,|is|firing|his|R&D|people|,|and|has|decided|he|will|just|screen|The|Master|of|Disguise|24\\/7|.\nFor|something|as|splendid-looking|as|this|particular|film|,|the|viewer|expects|something|special|but|instead|gets|(|sci-fi|)|rehash|.\nA|thriller|without|a|lot|of|thrills|.\nThis|stuck|pig|of|a|movie|flails|limply|between|bizarre|comedy|and|pallid|horror|.\nAh|,|the|travails|of|metropolitan|life|!\nAlas|,|another|breathless|movie|about|same|!\nIn|Moonlight|Mile|,|no|one|gets|shut|out|of|the|hug|cycle|.\nThough|uniformly|well|acted|,|especially|by|young|Ballesta|and|Galan|(|a|first-time|actor|)|,|writer\\/director|Achero|Manas|'s|film|is|schematic|and|obvious|.\nDone|in|mostly|by|a|weak|script|that|ca|n't|support|the|epic|treatment|.\nDespite|its|visual|virtuosity|,|`|Naqoyqatsi|'|is|banal|in|its|message|and|the|choice|of|material|to|convey|it|.\nSlap|her|-|she|'s|not|funny|!\nNo|French|people|were|harmed|during|the|making|of|this|movie|,|but|they|were|insulted|and|the|audience|was|put|through|torture|for|an|hour|and|a|half|.\nThough|its|rather|routine|script|is|loaded|with|familiar|situations|,|the|movie|has|a|cinematic|fluidity|and|sense|of|intelligence|that|makes|it|work|more|than|it|probably|should|.\n``|One|look|at|a|girl|in|tight|pants|and|big|tits|and|you|turn|stupid|?|''\nUm|...|is|n't|that|the|basis|for|the|entire|plot|?\n``|Not|really|as|bad|as|you|might|think|!|''\nStrident|and|inelegant|in|its|`|message-movie|'|posturing|.\nOne|regards|Reign|of|Fire|with|awe|.\nWhat|a|vast|enterprise|has|been|marshaled|in|the|service|of|such|a|minute|idea|.\nIt|has|the|right|approach|and|the|right|opening|premise|,|but|it|lacks|the|zest|and|it|goes|for|a|plot|twist|instead|of|trusting|the|material|.\nIts|impressive|images|of|crematorium|chimney|fires|and|stacks|of|dead|bodies|are|undermined|by|the|movie|'s|presentation|,|which|is|way|too|stagy|.\nSeeing|as|the|film|lacks|momentum|and|its|position|remains|mostly|undeterminable|,|the|director|'s|experiment|is|a|successful|one|.\nThe|plot|is|romantic|comedy|boilerplate|from|start|to|finish|.\nI|suspect|this|is|the|kind|of|production|that|would|have|been|funnier|if|the|director|had|released|the|outtakes|theatrically|and|used|the|film|as|a|bonus|feature|on|the|DVD|.\nAn|unfortunate|title|for|a|film|that|has|nothing|endearing|about|it|.\nNinety|minutes|of|Viva|Castro|!\ncan|be|as|tiresome|as|9|seconds|of|Jesse|Helms|'|anti-|Castro|rhetoric|,|which|are|included\nComes|off|as|a|long|,|laborious|whine|,|the|bellyaching|of|a|paranoid|and|unlikable|man|.\nIt|just|goes|to|show|,|an|intelligent|person|is|n't|necessarily|an|admirable|storyteller|.\nIn|a|102-minute|film|,|Aaliyah|gets|at|most|20|minutes|of|screen|time|.\n...|most|viewers|will|wish|there|had|been|more|of|the|``|Queen|''|and|less|of|the|``|Damned|.|''\nHopelessly|inane|,|humorless|and|under-inspired|.\nKapur|fails|to|give|his|audience|a|single|character|worth|rooting|for|(|or|worth|rooting|against|,|for|that|matter|)|.\nIt|reduces|the|complexities|to|bromides|and|slogans|and|it|gets|so|preachy-keen|and|so|tub-thumpingly|loud|it|makes|you|feel|like|a|chump|just|for|sitting|through|it|.\nNone|of|this|has|the|suavity|or|classical|familiarity|of|Bond|,|but|much|of|it|is|good|for|a|laugh|.\nThe|problem|with|``|XXX|''|is|that|its|own|action|is|n't|very|effective|.\nA|great|script|brought|down|by|lousy|direction|.\nSame|guy|with|both|hats|.\nBig|mistake|.\nA|mediocre|exercise|in|target|demographics|,|unaware|that|it|'s|the|butt|of|its|own|joke|.\nDirector|Kevin|Bray|excels|in|breaking|glass|and|marking|off|the|``|Miami|Vice|''|checklist|of|power|boats|,|Latin|music|and|dog|tracks|.\nHe|does|n't|,|however|,|deliver|nearly|enough|of|the|show|'s|trademark|style|and|flash|.\nIn|gleefully|,|thumpingly|hyperbolic|terms|,|it|covers|just|about|every|cliche|in|the|compendium|about|crass|,|jaded|movie|types|and|the|phony|baloney|movie|biz|.\nThe|Spalding|Gray|equivalent|of|a|teen|gross-out|comedy|.\nPerhaps|even|the|SLC|high|command|found|writer-director|Mitch|Davis|'s|wall|of|kitsch|hard|going|.\nAccording|to|Wendigo|,|`|nature|'|loves|the|members|of|the|upper|class|almost|as|much|as|they|love|themselves|.\nAn|encouraging|effort|from|McCrudden\nThe|romance|between|the|leads|is|n't|as|compelling|or|as|believable|as|it|should|be|.\nIf|I|could|have|looked|into|my|future|and|saw|how|bad|this|movie|was|,|I|would|go|back|and|choose|to|skip|it|.\nFortunately|,|you|still|have|that|option|.\nSupposedly|authentic|account|of|a|historical|event|that|'s|far|too|tragic|to|merit|such|superficial|treatment|.\nAdroit|but|finally|a|trifle|flat|,|Mad|Love|does|n't|galvanize|its|outrage|the|way|,|say|,|Jane|Campion|might|have|done|,|but|at|least|it|possesses|some|.\nTo|Blandly|Go|Where|We|Went|8|Movies|Ago|...\nA|slow-moving|police-procedural|thriller|that|takes|its|title|all|too|literally|.\nThis|u-boat|does|n't|have|a|captain|.\nWith|nary|a|glimmer|of|self-knowledge|,|(|Crane|)|becomes|more|specimen|than|character|--|and|Auto|Focus|remains|a|chilly|,|clinical|lab|report|.\nThis|one|aims|for|the|toilet|and|scores|a|direct|hit|.\nDull|,|a|road-trip|movie|that|'s|surprisingly|short|of|both|adventure|and|song|.\nI|walked|away|not|really|know|who|``|they|''|were|,|what|``|they|''|looked|like|.\nWhy|``|they|''|were|here|and|what|``|they|''|wanted|and|quite|honestly|,|I|did|n't|care|.\nAfter|several|scenes|of|this|tacky|nonsense|,|you|'ll|be|wistful|for|the|testosterone-charged|wizardry|of|Jerry|Bruckheimer|productions|,|especially|because|Half|Past|Dead|is|like|The|Rock|on|a|Wal-Mart|budget|.\nA|relatively|effective|little|potboiler|until|its|absurd|,|contrived|,|overblown|,|and|entirely|implausible|finale|.\nThe|Country|Bears|wastes|an|exceptionally|good|idea|.\nBut|the|movie|that|does|n't|really|deliver|for|country|music|fans|or|for|family|audiences\nAdults|will|certainly|want|to|spend|their|time|in|the|theater|thinking|up|grocery|lists|and|ways|to|tell|their|kids|how|not|to|act|like|Pinocchio|.\nAs|for|children|,|they|wo|n't|enjoy|the|movie|at|all|.\n...|you|can|be|forgiven|for|realizing|that|you|'ve|spent|the|past|20|minutes|looking|at|your|watch|and|waiting|for|Frida|to|just|die|already|.\nToo|bad|writer-director|Adam|Rifkin|situates|it|all|in|a|plot|as|musty|as|one|of|the|Golden|Eagle|'s|carpets|.\nIt|'s|lazy|for|a|movie|to|avoid|solving|one|problem|by|trying|to|distract|us|with|the|solution|to|another|.\nThe|movie|is|genial|but|never|inspired|,|and|little|about|it|will|stay|with|you|.\nThe|movie|obviously|seeks|to|re-create|the|excitement|of|such|'50s|flicks|as|Jules|Verne|'s|'|20,000|Leagues|Under|the|Sea|'|and|the|George|Pal|version|of|H.G.|Wells|'|`|The|Time|Machine|.|'\nBut|its|storytelling|prowess|and|special|effects|are|both|listless|.\nDespite|the|opulent|lushness|of|every|scene|,|the|characters|never|seem|to|match|the|power|of|their|surroundings|.\neven|after|90|minutes|of|playing|opposite|each|other|Bullock|and|Grant|still|look|ill|at|ease|sharing|the|same|scene|.\nWhat|should|have|been|a|painless|time-killer|becomes|instead|a|grating|endurance|test|.\nA|bland|,|obnoxious|88-minute|infomercial|for|Universal|Studios|and|its|ancillary|products|.|.|.\nlittle|action|,|almost|no|suspense|or|believable|tension|,|one-dimensional|characters|up|the|wazoo|and|sets|that|can|only|be|described|as|sci-fi|generic|.\nThe|movie|strains|to|stay|on|the|light|,|comic|side|of|the|issue|,|despite|the|difficulty|of|doing|so|when|dealing|with|the|destruction|of|property|and|,|potentially|,|of|life|itself|.\nThe|Master|of|Disguise|is|awful|.\nIt|'s|Pauly|Shore|awful|.\nDo|n't|say|you|were|n't|warned|.\nDisappointing|in|comparison|to|other|recent|war|movies|...|or|any|other|John|Woo|flick|for|that|matter|.\nThe|entire|movie|is|filled|with|deja|vu|moments|.\n`|Opening|up|'|the|play|more|has|partly|closed|it|down|.\nWhat|(|Frei|)|gives|us|...|is|a|man|who|uses|the|damage|of|war|--|far|more|often|than|the|warfare|itself|--|to|create|the|kind|of|art|shots|that|fill|gallery|shows|.\nAn|ugly|,|revolting|movie|.\nThe|film|is|way|too|full|of|itself|;|it|'s|stuffy|and|pretentious|in|a|give-me-an-Oscar|kind|of|way|.\nThe|movie|is|concocted|and|carried|out|by|folks|worthy|of|scorn|,|and|the|nicest|thing|I|can|say|is|that|I|ca|n't|remember|a|single|name|responsible|for|it|.\nWatching|``|Ending|''|is|too|often|like|looking|over|the|outdated|clothes|and|plastic|knickknacks|at|your|neighbor|'s|garage|sale|.\nYou|ca|n't|believe|anyone|would|really|buy|this|stuff|.\nCertainly|beautiful|to|look|at|,|but|its|not|very|informative|about|its|titular|character|and|no|more|challenging|than|your|average|television|biopic|.\nIt|desperately|wants|to|be|a|wacky|,|screwball|comedy|,|but|the|most|screwy|thing|here|is|how|so|many|talented|people|were|convinced|to|waste|their|time|.\nThe|skills|of|a|calculus|major|at|M.I.T.|are|required|to|balance|all|the|formulaic|equations|in|the|long-winded|heist|comedy|Who|Is|Cletis|Tout|?\nFrom|the|choppy|editing|to|the|annoying|score|to|`|special|effects|'|by|way|of|replacing|objects|in|a|character|'s|hands|below|the|camera|line|,|``|Besotted|''|is|misbegotten\nMy|advice|is|to|skip|the|film|and|pick|up|the|soundtrack|.\nA|film|that|presents|an|interesting|,|even|sexy|premise|then|ruins|itself|with|too|many|contrivances|and|goofy|situations|.\nFilled|with|low-brow|humor|,|gratuitous|violence|and|a|disturbing|disregard|for|life|.\ndirected|in|a|flashy|,|empty|sub-music|video|style|by|a|director|so|self-possessed|he|actually|adds|a|period|to|his|first|name\nThe|70-year-old|Godard|has|become|,|to|judge|from|In|Praise|of|Love|,|the|sort|of|bitter|old|crank|who|sits|behind|his|light|meter|and|harangues|the|supposed|injustices|of|the|artistic|world-at-large|without|doing|all|that|much|to|correct|them|.\nAn|unsophisticated|sci-fi|drama|that|takes|itself|all|too|seriously|.\nSolondz|is|without|doubt|an|artist|of|uncompromising|vision|,|but|that|vision|is|beginning|to|feel|,|if|not|morally|bankrupt|,|at|least|terribly|monotonous|.\nHarvard|Man|is|a|semi-throwback|,|a|reminiscence|without|nostalgia|or|sentimentality|.\nSupposedly|based|upon|real|,|or|at|least|soberly|reported|incidents|,|the|film|ends|with|a|large|human|tragedy|.\nAlas|,|getting|there|is|not|even|half|the|interest|.\nWhile|Hoffman|'s|performance|is|great|,|the|subject|matter|goes|nowhere|.\nThe|smash|'em|-|up|,|crash|'em|-|up|,|shoot|'em|-|up|ending|comes|out|of|nowhere|substituting|mayhem|for|suspense|.\nDeuces|Wild|treads|heavily|into|Romeo|and|Juliet\\/West|Side|Story|territory|,|where|it|plainly|has|no|business|going|.\nHart|'s|War|seems|to|want|to|be|a|character|study|,|but|apparently|ca|n't|quite|decide|which|character|.\nTheological|matters|aside|,|the|movie|is|so|clumsily|sentimental|and|ineptly|directed|it|may|leave|you|speaking|in|tongues|.\nThis|latest|installment|of|the|horror|film|franchise|that|is|apparently|as|invulnerable|as|its|trademark|villain|has|arrived|for|an|incongruous|summer|playoff|,|demonstrating|yet|again|that|the|era|of|the|intelligent|,|well-made|B|movie|is|long|gone|.\nNovak|contemplates|a|heartland|so|overwhelmed|by|its|lack|of|purpose|that|it|seeks|excitement|in|manufactured|high|drama|.\nBeen|there|,|done|that|,|liked|it|much|better|the|first|time|around|-|when|it|was|called|The|Professional|.\nThe|film|is|all|over|the|place|,|really|.\nIt|dabbles|all|around|,|never|gaining|much|momentum|.\nThe|beautiful|,|unusual|music|is|this|film|'s|chief|draw|,|but|its|dreaminess|may|lull|you|to|sleep|.\nThe|action|quickly|sinks|into|by-the-numbers|territory|.\nForages|for|audience|sympathy|like|a|temperamental|child|begging|for|attention|,|giving|audiences|no|reason|to|truly|care|for|its|decrepit|freaks|beyond|the|promise|of|a|reprieve|from|their|incessant|whining|.\nWhen|(|Reno|)|lets|her|radical|flag|fly|,|taking|angry|potshots|at|George|W.|Bush|,|Henry|Kissinger|,|Larry|King|,|et|al.|,|Reno|devolves|into|a|laugh-free|lecture|.\nSuch|a|premise|is|ripe|for|all|manner|of|lunacy|,|but|Kaufman|and|Gondry|rarely|seem|sure|of|where|it|should|go|.\nBurns|'|fifth|beer-soaked|film|feels|in|almost|every|possible|way|--|from|the|writing|and|direction|to|the|soggy|performances|--|tossed|off|.\nWhile|this|one|gets|off|with|a|good|natured|warning|,|future|Lizard|endeavors|will|need|to|adhere|more|closely|to|the|laws|of|laughter\nAnother|boorish|movie|from|the|I-heard-a-joke|-|at-a-frat-party|school|of|screenwriting|.\nToo|much|of|the|movie|feels|contrived|,|as|if|the|filmmakers|were|worried|the|story|would|n't|work|without|all|those|gimmicks|.\nIt|'s|hard|to|understand|why|anyone|in|his|right|mind|would|even|think|to|make|the|attraction|a|movie|.\nAnd|it|'s|harder|still|to|believe|that|anyone|in|his|right|mind|would|want|to|see|the|it|.\nThe|ethos|of|the|Chelsea|Hotel|may|shape|Hawke|'s|artistic|aspirations|,|but|he|has|n't|yet|coordinated|his|own|DV|poetry|with|the|Beat|he|hears|in|his|soul|.\nThe|sight|of|the|name|Bruce|Willis|brings|to|mind|images|of|a|violent|battlefield|action|picture|,|but|the|film|has|a|lot|more|on|its|mind|--|maybe|too|much|.\nWhy|sit|through|a|crummy|,|wannabe-hip|crime|comedy|that|refers|incessantly|to|old|movies|,|when|you|could|just|rent|those|movies|instead|,|let|alone|seek|out|a|respectable|new|one|?\nThe|obnoxious|special|effects|,|the|obligatory|outbursts|of|flatulence|and|the|incessant|,|so-five-minutes-ago|pop|music|on|the|soundtrack|overwhelm|what|is|left|of|the|scruffy|,|dopey|old|Hanna-Barbera|charm|.\nExploring|value|choices|is|a|worthwhile|topic|for|a|film|--|but|here|the|choices|are|as|contrived|and|artificial|as|Kerrigan|'s|platinum-blonde|hair|.\nThe|movie|'s|downfall|is|to|substitute|plot|for|personality|.\nIt|does|n't|really|know|or|care|about|the|characters|,|and|uses|them|as|markers|for|a|series|of|preordained|events|.\nAll|mood|and|no|movie|.\nPress|the|delete|key|.\nSimone|is|not|a|bad|film|.\nIt|just|does|n't|have|anything|really|interesting|to|say|.\nOnce|he|starts|learning|to|compromise|with|reality|enough|to|become|comparatively|sane|and|healthy|,|the|film|becomes|predictably|conventional|.\n...|hopefully|it|'ll|be|at|the|dollar|theatres|by|the|time|Christmas|rolls|around|.\nWait|to|see|it|then|.\nThere|'s|no|disguising|this|as|one|of|the|worst|films|of|the|summer|.\nOr|for|the|year|,|for|that|matter|.\nLacks|the|spirit|of|the|previous|two|,|and|makes|all|those|jokes|about|hos|and|even|more|unmentionable|subjects|seem|like|mere|splashing|around|in|the|muck|.\nThis|hastily|mounted|production|exists|only|to|capitalize|on|Hopkins|'|inclination|to|play|Hannibal|Lecter|again|,|even|though|Harris|has|no|immediate|inclination|to|provide|a|fourth|book|.\nDeath|to|Smoochy|tells|a|moldy-oldie|,|not-nearly|-|as-nasty|-|as-it|-|thinks-it-is|joke|.\nOver|and|over|again|.\nThe|threat|implied|in|the|title|Pokémon|4ever|is|terrifying|--|like|locusts|in|a|horde|these|things|will|keep|coming|.\nThe|film|never|gets|over|its|own|investment|in|conventional|arrangements|,|in|terms|of|love|,|age|,|gender|,|race|,|and|class|.\nTo|call|this|film|a|lump|of|coal|would|only|be|to|flatter|it|.\nEntertainment|more|disposable|than|Hanna-Barbera|'s|half-hour|cartoons|ever|were|.\nThe|film|falls|short|on|tension|,|eloquence|,|spiritual|challenge|--|things|that|have|made|the|original|New|Testament|stories|so|compelling|for|20|centuries|.\nBy|the|end|of|it|all|I|sort|of|loved|the|people|onscreen|,|even|though|I|could|not|stand|them|.\nPerhaps|the|film|should|be|seen|as|a|conversation|starter|.\nIt|'s|not|an|easy|one|to|review|.\nAt|best|this|is|a|film|for|the|under-7|crowd|.\nBut|it|would|be|better|to|wait|for|the|video|.\nAnd|a|very|rainy|day|.\nThe|whole|talking-animal|thing|is|grisly|.\nNever|Again|,|while|nothing|special|,|is|pleasant|,|diverting|and|modest|--|definitely|a|step|in|the|right|direction|.\nWould|n't|it|be|funny|if|a|bunch|of|Allied|soldiers|went|undercover|as|women|in|a|German|factory|during|World|War|II|?\nUm|,|no.|.\nBut|here|'s|a|movie|about|it|anyway|.\nHas|not|so|much|been|written|as|assembled|,|Frankenstein-like|,|out|of|other|,|marginally|better|shoot-em-ups|.\nThe|punch|lines|that|miss|,|unfortunately|,|outnumber|the|hits|by|three-to-one|.\nBut|Death|to|Smoochy|keeps|firing|until|the|bitter|end|.\nMushes|the|college-friends|genre|(|The|Big|Chill|)|together|with|the|contrivances|and|overwrought|emotion|of|soap|operas|.\nShowtime|'s|starry|cast|could|be|both|an|asset|and|a|detriment|.\nThose|who|trek|to|the|`|plex|predisposed|to|like|it|probably|will|enjoy|themselves|.\nBut|ticket-buyers|with|great|expectations|will|wind|up|as|glum|as|Mr.|De|Niro|.\nA|determined|,|ennui-hobbled|slog|that|really|does|n't|have|much|to|say|beyond|the|news|flash|that|loneliness|can|make|people|act|weird|.\nToo|daft|by|half|...|but|supremely|good|natured|.\nFails|in|making|this|character|understandable|,|in|getting|under|her|skin|,|in|exploring|motivation|...|Well|before|the|end|,|the|film|grows|as|dull|as|its|characters|,|about|whose|fate|it|is|hard|to|care|.\nIt|'s|a|shame|that|the|storyline|and|its|underlying|themes|...|finally|seem|so|impersonal|or|even|shallow|.\nWoody|,|what|happened|?\nJuliette|Binoche|'s|Sand|is|vivacious|,|but|it|'s|hard|to|sense|that|powerhouse|of|19th-century|prose|behind|her|childlike|smile|.\nIt|'s|supposed|to|be|post-feminist|breezy|but|ends|up|as|tedious|as|the|chatter|of|parrots|raised|on|Oprah|.\nYou|can|tell|almost|immediately|that|Welcome|to|Collinwood|is|n't|going|to|jell|.\nThroughout|all|the|tumult|,|a|question|comes|to|mind|:|So|why|is|this|so|boring|?\nCattaneo|reworks|the|formula|that|made|The|Full|Monty|a|smashing|success|...|but|neglects|to|add|the|magic|that|made|it|all|work|.\nRoutine|and|rather|silly|.\nA|rip-off|twice|removed|,|modeled|after|(|Seagal|'s|)|earlier|copycat|Under|Siege|,|sometimes|referred|to|as|Die|Hard|on|a|boat|.\nTotally|overwrought|,|deeply|biased|,|and|wholly|designed|to|make|you|feel|guilty|about|ignoring|what|the|filmmakers|clearly|believe|are|The|Greatest|Musicians|of|All|Time|.\nYou|can|practically|hear|George|Orwell|turning|over|.\nBehan|'s|memoir|is|great|material|for|a|film|--|rowdy|,|brawny|and|lyrical|in|the|best|Irish|sense|--|but|Sheridan|has|settled|for|a|lugubrious|romance|.\nWhile|Holm|is|terrific|as|both|men|and|Hjejle|quite|appealing|,|the|film|fails|to|make|the|most|out|of|the|intriguing|premise|.\nLazy|filmmaking|,|with|the|director|taking|a|hands-off|approach|when|he|should|have|shaped|the|story|to|show|us|why|it|'s|compelling|.\nIf|it|were|any|more|of|a|turkey|,|it|would|gobble|in|Dolby|Digital|stereo|.\nIf|nothing|else|,|``|Rollerball|''|2002|may|go|down|in|cinema|history|as|the|only|movie|ever|in|which|the|rest|of|the|cast|was|outshined|by|LL|Cool|J.\nA|movie|that|falls|victim|to|frazzled|wackiness|and|frayed|satire|.\nHow|do|you|make|a|movie|with|depth|about|a|man|who|lacked|any|?\nOn|the|evidence|before|us|,|the|answer|is|clear|:|Not|easily|and|,|in|the|end|,|not|well|enough|.\nThe|film|'s|trailer|also|looked|like|crap|,|so|crap|is|what|I|was|expecting|.\nMore|trifle|than|triumph|.\nThe|movie|is|almost|completely|lacking|in|suspense|,|surprise|and|consistent|emotional|conviction|.\nFesters|in|just|such|a|dungpile|that|you|'d|swear|you|were|watching|monkeys|flinging|their|feces|at|you|.\nLyne|'s|latest|,|the|erotic|thriller|Unfaithful|,|further|demonstrates|just|how|far|his|storytelling|skills|have|eroded|.\nIt|sounds|like|another|clever|if|pointless|excursion|into|the|abyss|,|and|that|'s|more|or|less|how|it|plays|out|.\nRumor|,|a|muddled|drama|about|coming|to|terms|with|death|,|feels|impersonal|,|almost|generic|.\nReport|card|:|Does|n't|live|up|to|the|exalted|tagline|-|there|'s|definite|room|for|improvement|.\nDoes|n't|deserve|a|passing|grade|(|even|on|a|curve|)|.\nThe|pacing|is|deadly|,|the|narration|helps|little|and|Naipaul|,|a|juicy|writer|,|is|negated|.\nAs|his|circle|of|friends|keeps|getting|smaller|one|of|the|characters|in|Long|Time|Dead|says|`|I|'m|telling|you|,|this|is|f|\\*\\*\\*|ed|'|.\nMaybe|he|was|reading|the|minds|of|the|audience|.\n...|if|it|had|been|only|half-an-hour|long|or|a|TV|special|,|the|humor|would|have|been|fast|and|furious|--|at|ninety|minutes|,|it|drags|.\nBean|drops|the|ball|too|many|times|...|hoping|the|nifty|premise|will|create|enough|interest|to|make|up|for|an|unfocused|screenplay|.\nA|well-acted|,|but|one-note|film|.\nBlood|Work|is|laughable|in|the|solemnity|with|which|it|tries|to|pump|life|into|overworked|elements|from|Eastwood|'s|Dirty|Harry|period|.\nThe|movie|is|too|amateurishly|square|to|make|the|most|of|its|own|ironic|implications|.\n(|Lee|)|treats|his|audience|the|same|way|that|Jim|Brown|treats|his|women|--|as|dumb|,|credulous|,|unassuming|,|subordinate|subjects|.\nAnd|Lee|seems|just|as|expectant|of|an|adoring|,|wide-smiling|reception|.\nThere|'s|not|one|decent|performance|from|the|cast|and|not|one|clever|line|of|dialogue|.\nNo|amount|of|burning|,|blasting|,|stabbing|,|and|shooting|can|hide|a|weak|script|.\nIt|'s|an|odd|show|,|pregnant|with|moods|,|stillborn|except|as|a|harsh|conceptual|exercise|.\nNearly|all|the|fundamentals|you|take|for|granted|in|most|films|are|mishandled|here|.\nThe|Armenian|genocide|deserves|a|more|engaged|and|honest|treatment|.\nEarnest|yet|curiously|tepid|and|choppy|recycling|in|which|predictability|is|the|only|winner|.\nUltimately|this|is|a|frustrating|patchwork|:|an|uneasy|marriage|of|Louis|Begley|'s|source|novel|(|About|Schmidt|)|and|an|old|Payne|screenplay|.\nThe|exploitative|,|clumsily|staged|violence|overshadows|everything|,|including|most|of|the|actors|.\nWe|started|to|wonder|if|...|some|unpaid|intern|had|just|typed|`|Chris|Rock|,|'|`|Anthony|Hopkins|'|and|`|terrorists|'|into|some|Univac-like|script|machine|.\nEven|when|Crush|departs|from|the|4W|formula|...|it|feels|like|a|glossy|rehash|.\nMore|likely|to|have|you|scratching|your|head|than|hiding|under|your|seat|.\nBears|is|even|worse|than|I|imagined|a|movie|ever|could|be|.\nWhen|you|find|yourself|rooting|for|the|monsters|in|a|horror|movie|,|you|know|the|picture|is|in|trouble|.\nThis|is|very|much|of|a|mixed|bag|,|with|enough|negatives|to|outweigh|the|positives|.\nMarinated|in|clichés|and|mawkish|dialogue|.\nWhether|it|'s|the|worst|movie|of|2002|,|I|ca|n't|say|for|sure|:|Memories|of|Rollerball|have|faded|,|and|I|skipped|Country|Bears|.\nBut|this|new|jangle|of|noise|,|mayhem|and|stupidity|must|be|a|serious|contender|for|the|title|.\n(|A|)|boldly|stroked|,|luridly|coloured|,|uni-dimensional|nonsense|machine|that|strokes|the|eyeballs|while|it|evaporates|like|so|much|crypt|mist|in|the|brain|.\nNot|once|in|the|rush|to|save|the|day|did|I|become|very|involved|in|the|proceedings|;|to|me|,|it|was|just|a|matter|of|`|eh|.|'\nRollerball|IS|as|bad|as|you|think|,|and|worse|than|you|can|imagine|.\nThe|first|question|to|ask|about|Bad|Company|is|why|Anthony|Hopkins|is|in|it|.\nWe|assume|he|had|a|bad|run|in|the|market|or|a|costly|divorce|,|because|there|is|no|earthly|reason|other|than|money|why|this|distinguished|actor|would|stoop|so|low|.\nNot|exaggerated|enough|to|be|a|parody|of|gross-out|flicks|,|college|flicks|,|or|even|flicks|in|general|.\nIt|merely|indulges|in|the|worst|elements|of|all|of|them|.\nShame|on|writer\\/director|Vicente|Aranda|for|making|a|florid|biopic|about|mad|queens|,|obsessive|relationships|,|and|rampant|adultery|so|dull|.\nSuffers|from|a|decided|lack|of|creative|storytelling|.\nViolent|,|vulgar|and|forgettably|entertaining|.\nNothing|happens|,|and|it|happens|to|flat|characters|.\nWith|a|completely|predictable|plot|,|you|'ll|swear|that|you|'ve|seen|it|all|before|,|even|if|you|'ve|never|come|within|a|mile|of|The|Longest|Yard|.\nRemember|back|when|thrillers|actually|thrilled|?\nWhen|the|twist|endings|were|actually|surprising|?\nWhen|the|violence|actually|shocked|?\nWhen|the|heroes|were|actually|under|40|?\nSadly|,|as|Blood|Work|proves|,|that|was|a|long|,|long|time|ago|.\nBlue|Crush|has|all|the|trappings|of|an|energetic|,|extreme-sports|adventure|,|but|ends|up|more|of|a|creaky|``|Pretty|Woman|''|retread|,|with|the|emphasis|on|self-empowering|schmaltz|and|big-wave|surfing|that|gives|pic|its|title|an|afterthought|.\nThis|movie|plays|like|an|extended|dialogue|exercise|in|Retard|101|.\nWhat|we|get|in|FearDotCom|is|more|like|something|from|a|bad|Clive|Barker|movie|.\nIn|other|words|,|it|'s|badder|than|bad|.\nIf|they|broke|out|into|elaborate|choreography|,|singing|and|finger|snapping|it|might|have|held|my|attention|,|but|as|it|stands|I|kept|looking|for|the|last|exit|from|Brooklyn|.\nA|sloppy|slapstick|throwback|to|long|gone|bottom-of-the-bill|fare|like|The|Ghost|and|Mr.|Chicken|.\nA|small|independent|film|suffering|from|a|severe|case|of|Hollywood-itis|.\nWhere|the|film|falters|is|in|its|tone|.\nThe|story|alone|could|force|you|to|scratch|a|hole|in|your|head|.\nUltimately|,|Sarah|'s|dedication|to|finding|her|husband|seems|more|psychotic|than|romantic|,|and|nothing|in|the|movie|makes|a|convincing|case|that|one|woman|'s|broken|heart|outweighs|all|the|loss|we|witness|.\nIt|'s|supposed|to|be|a|humorous|,|all-too-human|look|at|how|hope|can|breed|a|certain|kind|of|madness|--|and|strength|--|but|it|never|quite|adds|up|.\nFeels|more|like|a|rejected|X-Files|episode|than|a|credible|account|of|a|puzzling|real-life|happening|.\nSome|motion|pictures|portray|ultimate|passion|;|others|create|ultimate|thrills|.\nMen|in|Black|II|achieves|ultimate|insignificance|--|it|'s|the|sci-fi|comedy|spectacle|as|Whiffle-Ball|epic|.\nAn|enigmatic|film|that|'s|too|clever|for|its|own|good|,|it|'s|a|conundrum|not|worth|solving|.\nA|zombie|movie|in|every|sense|of|the|word|--|mindless|,|lifeless|,|meandering|,|loud|,|painful|,|obnoxious|.\nA|film|that|clearly|means|to|preach|exclusively|to|the|converted|.\nIt|does|n't|take|a|rocket|scientist|to|figure|out|that|this|is|a|Mormon|family|movie|,|and|a|sappy|,|preachy|one|at|that|.\nDefinitely|a|crowd-pleaser|,|but|then|,|so|was|the|Roman|Colosseum|.\nCertainly|not|a|good|movie|,|but|it|was|n't|horrible|either|.\nAlthough|it|starts|off|so|bad|that|you|feel|like|running|out|screaming|,|it|eventually|works|its|way|up|to|merely|bad|rather|than|painfully|awful|.\nThe|result|is|so|tame|that|even|slightly|wised-up|kids|would|quickly|change|the|channel|.\nIt|appears|to|have|been|modeled|on|the|worst|revenge-of-the-nerds|clichés|the|filmmakers|could|dredge|up|.\nNothing|but|an|episode|of|Smackdown|!\nin|period|costume|and|with|a|bigger|budget|.\nIt|takes|you|somewhere|you|'re|not|likely|to|have|seen|before|,|but|beneath|the|exotic|surface|(|and|exotic|dancing|)|it|'s|surprisingly|old-fashioned|.\nWhile|the|story|is|better-focused|than|the|incomprehensible|Anne|Rice|novel|it|'s|based|upon|,|Queen|Of|The|Damned|is|a|pointless|,|meandering|celebration|of|the|goth-vampire|,|tortured|woe-is-me|lifestyle|.\nIt|should|be|interesting|,|it|should|be|poignant|,|it|turns|out|to|be|affected|and|boring|.\nA|good-looking|but|ultimately|pointless|political|thriller|with|plenty|of|action|and|almost|no|substance|.\nA|tired|,|predictable|,|bordering|on|offensive|,|waste|of|time|,|money|and|celluloid|.\nIf|Hill|is|n't|quite|his|generation|'s|Don|Siegel|(|or|Robert|Aldrich|)|,|it|'s|because|there|'s|no|discernible|feeling|beneath|the|chest|hair|;|it|'s|all|bluster|and|cliché|.\nStealing|Harvard|will|dip|into|your|wallet|,|swipe|90|minutes|of|your|time|,|and|offer|you|precisely|this|in|recompense|:|A|few|early|laughs|scattered|around|a|plot|as|thin|as|it|is|repetitious|.\nThis|is|an|insultingly|inept|and|artificial|examination|of|grief|and|its|impacts|upon|the|relationships|of|the|survivors|.\nDoes|anyone|much|think|the|central|story|of|Brendan|Behan|is|that|he|was|a|bisexual|sweetheart|before|he|took|to|drink|?\n`|Martin|Lawrence|Live|'|is|so|self-pitying|,|I|almost|expected|there|to|be|a|collection|taken|for|the|comedian|at|the|end|of|the|show|.\nThe|dialogue|is|cumbersome|,|the|simpering|soundtrack|and|editing|more|so|.\nNever|decides|whether|it|wants|to|be|a|black|comedy|,|drama|,|melodrama|or|some|combination|of|the|three|.\nIt|has|become|apparent|that|the|franchise|'s|best|years|are|long|past|.\nDoes|what|should|seem|impossible|:|it|makes|serial|killer|Jeffrey|Dahmer|boring|.\nDo|n't|hate|El|Crimen|del|Padre|Amaro|because|it|'s|anti-Catholic|.\nHate|it|because|it|'s|lousy|.\n...|better|described|as|a|ghost|story|gone|badly|awry|.\nLike|a|bad|improvisation|exercise|,|the|superficially|written|characters|ramble|on|tediously|about|their|lives|,|loves|and|the|art|they|'re|struggling|to|create|.\nThe|filmmakers|are|playing|to|the|Big|Boys|in|New|York|and|L.A.|To|that|end|,|they|mock|the|kind|of|folks|they|do|n't|understand|,|ones|they|figure|the|power-lunchers|do|n't|care|to|understand|,|either|.\nCompetently|directed|but|terminally|cute|drama|.\nThe|big|finish|is|a|bit|like|getting|all|excited|about|a|chocolate|eclair|and|then|biting|into|it|and|finding|the|filling|missing|.\nNot|just|unlikable|.\nDisturbing|.\nDisgusting|.\nWithout|any|redeeming|value|whatsoever|.\nThis|thing|is|virtually|unwatchable|.\nThose|eternally|devoted|to|the|insanity|of|Black|will|have|an|intermittently|good|time|.\nFeel|free|to|go|get|popcorn|whenever|he|'s|not|onscreen|.\nThe|self-serious|Equilibrium|makes|its|point|too|well|;|a|movie|,|like|life|,|is|n't|much|fun|without|the|highs|and|lows|.\nThe|work|of|an|exhausted|,|desiccated|talent|who|ca|n't|get|out|of|his|own|way|.\nThe|main|characters|are|simply|named|The|Husband|,|The|Wife|and|The|Kidnapper|,|emphasizing|the|disappointingly|generic|nature|of|the|entire|effort|.\nIn|terms|of|execution|this|movie|is|careless|and|unfocused|.\nSwims|in|mediocrity|,|sticking|its|head|up|for|a|breath|of|fresh|air|now|and|then|.\nThe|only|type|of|lives|this|glossy|comedy-drama|resembles|are|ones|in|formulaic|mainstream|movies|.\nThe|characters|...|are|paper-thin|,|and|their|personalities|undergo|radical|changes|when|it|suits|the|script|.\nA|Sha-Na-Na|sketch|punctuated|with|graphic|violence|.\nThe|trouble|is|,|its|filmmakers|run|out|of|clever|ideas|and|visual|gags|about|halfway|through|.\nSpy-vs|.\n-|spy|action|flick|with|Antonio|Banderas|and|Lucy|Liu|never|comes|together|.\nA|so-so|,|made-for-TV|something|posing|as|a|real|movie|.\nThe|only|upside|to|all|of|this|unpleasantness|is|,|given|its|Labor|Day|weekend|upload|,|FearDotCom|should|log|a|minimal|number|of|hits|.\nWhether|this|is|art|imitating|life|or|life|imitating|art|,|it|'s|an|unhappy|situation|all|around|.\nAn|uneasy|mix|of|run-of-the-mill|raunchy|humor|and|seemingly|sincere|personal|reflection|.\nA|formula|family|tearjerker|told|with|a|heavy|Irish|brogue|...|accentuating|,|rather|than|muting|,|the|plot|'s|saccharine|thrust|.\nThis|is|Sandler|running|on|empty|,|repeating|what|he|'s|already|done|way|too|often|.\nThis|is|as|lax|and|limp|a|comedy|as|I|'ve|seen|in|a|while|,|a|meander|through|worn-out|material|.\nTime|literally|stops|on|a|dime|in|the|tries-so-hard-to-be-cool|``|Clockstoppers|,|''|but|that|does|n't|mean|it|still|wo|n't|feel|like|the|longest|90|minutes|of|your|movie-going|life|.\nThe|sort|of|picture|in|which|,|whenever|one|of|the|characters|has|some|serious|soul|searching|to|do|,|they|go|to|a|picture-perfect|beach|during|sunset|.\nAptly|named|,|this|shimmering|,|beautifully|costumed|and|filmed|production|does|n't|work|for|me|.\nA|preposterously|melodramatic|paean|to|gang-member|teens|in|Brooklyn|circa|1958|.\nHas|none|of|the|crackle|of|``|Fatal|Attraction|''|,|``|9|1\\/2|Weeks|''|,|or|even|``|Indecent|Proposal|''|,|and|feels|more|like|Lyne|'s|stolid|remake|of|``|Lolita|''|.\nEverything|its|title|implies|,|a|standard-issue|crime|drama|spat|out|from|the|Tinseltown|assembly|line|.\nAn|extraordinarily|silly|thriller|.\nA|rehash|of|every|gangster|movie|from|the|past|decade|.\nGaping|plot|holes|sink|this|`|sub|'|-|standard|thriller|and|drag|audience|enthusiasm|to|crush|depth|.\nTalkiness|is|n't|necessarily|bad|,|but|the|dialogue|frequently|misses|the|mark|.\nThe|beautiful|images|and|solemn|words|can|not|disguise|the|slack|complacency|of|(|Godard|'s|)|vision|,|any|more|than|the|gorgeous|piano|and|strings|on|the|soundtrack|can|drown|out|the|tinny|self-righteousness|of|his|voice|.\nThe|stunt|work|is|top-notch|;|the|dialogue|and|drama|often|food-spittingly|funny|.\nThe|movie|is|n't|painfully|bad|,|something|to|be|`|fully|experienced|'|;|it|'s|just|tediously|bad|,|something|to|be|fully|forgotten|.\nCharly|comes|off|as|emotionally|manipulative|and|sadly|imitative|of|innumerable|past|Love|Story|derisions|.\nWhat|a|great|shame|that|such|a|talented|director|as|Chen|Kaige|has|chosen|to|make|his|English-language|debut|with|a|film|so|poorly|plotted|and|scripted|.\nNo|amount|of|good|intentions|is|able|to|overcome|the|triviality|of|the|story|.\nThe|film|...|presents|classic|moral-condundrum|drama|:|What|would|you|have|done|to|survive|?\nThe|problem|with|the|film|is|whether|these|ambitions|,|laudable|in|themselves|,|justify|a|theatrical|simulation|of|the|death|camp|of|Auschwitz|II-Birkenau|.\n...|for|all|its|social|and|political|potential|,|State|Property|does|n't|end|up|being|very|inspiring|or|insightful|.\nA|film|really|has|to|be|exceptional|to|justify|a|three|hour|running|time|,|and|this|is|n't|.\nLittle|more|than|a|stylish|exercise|in|revisionism|whose|point|...|is|no|doubt|true|,|but|serves|as|a|rather|thin|moral|to|such|a|knowing|fable|.\nThe|nonstop|artifice|ultimately|proves|tiresome|,|with|the|surface|histrionics|failing|to|compensate|for|the|paper-thin|characterizations|and|facile|situations|.\nThis|is|a|monumental|achievement|in|practically|every|facet|of|inept|filmmaking|:|joyless|,|idiotic|,|annoying|,|heavy-handed|,|visually|atrocious|,|and|often|downright|creepy|.\nThis|off-putting|French|romantic|comedy|is|sure|to|test|severely|the|indulgence|of|fans|of|Amélie|.\noverburdened|with|complicated|plotting|and|banal|dialogue\nEnsemble|movies|,|like|soap|operas|,|depend|on|empathy|.\nIf|there|ai|n't|none|,|you|have|a|problem|.\nThe|Master|of|Disguise|falls|under|the|category|of|`|should|have|been|a|sketch|on|Saturday|Night|Live|.|'\nYet|another|self-consciously|overwritten|story|about|a|rag-tag|bunch|of|would-be|characters|that|team|up|for|a|ca|n't|-|miss|heist|--|only|to|have|it|all|go|wrong|.\nKoepp|'s|screenplay|is|n't|nearly|surprising|or|clever|enough|to|sustain|a|reasonable|degree|of|suspense|on|its|own|.\nIs|it|really|an|advantage|to|invest|such|subtlety|and|warmth|in|an|animatronic|bear|when|the|humans|are|acting|like|puppets|?\nMore|successful|at|relating|history|than|in|creating|an|emotionally|complex|,|dramatically|satisfying|heroine\nClumsy|,|obvious|,|preposterous|,|the|movie|will|likely|set|the|cause|of|woman|warriors|back|decades|.\nIt|'s|hard|to|pity|the|`|plain|'|girl|who|becomes|a|ravishing|waif|after|applying|a|smear|of|lip-gloss|.\nRather|,|pity|anyone|who|sees|this|mishmash|.\nA|banal|,|virulently|unpleasant|excuse|for|a|romantic|comedy|.\nThe|drama|discloses|almost|nothing|.\nA|minor-league|soccer|remake|of|The|Longest|Yard|.\nBelongs|in|the|too-hot-for-TV|direct-to-video\\/DVD|category|,|and|this|is|why|I|have|given|it|a|one-star|rating|.\nAs|earnest|as|a|community-college|advertisement|,|American|Chai|is|enough|to|make|you|put|away|the|guitar|,|sell|the|amp|,|and|apply|to|medical|school|.\nA|dim-witted|and|lazy|spin-off|of|the|Animal|Planet|documentary|series|,|Crocodile|Hunter|is|entertainment|opportunism|at|its|most|glaring|.\nThere|is|more|than|one|joke|about|putting|the|toilet|seat|down|.\nAnd|that|should|tell|you|everything|you|need|to|know|about|All|the|Queen|'s|Men|.\nEven|fans|of|Ismail|Merchant|'s|work|,|I|suspect|,|would|have|a|hard|time|sitting|through|this|one|.\nIt|'s|really|just|another|silly|Hollywood|action|film|,|one|among|a|multitude|of|simple-minded|,|yahoo-ing|death|shows|.\nIt|'s|not|a|particularly|good|film|,|but|neither|is|it|a|monsterous|one|.\nThe|world|needs|more|filmmakers|with|passionate|enthusiasms|like|Martin|Scorsese|.\nBut|it|does|n't|need|Gangs|of|New|York|.\nEnchanted|with|low-life|tragedy|and|liberally|seasoned|with|emotional|outbursts|...|What|is|sorely|missing|,|however|,|is|the|edge|of|wild|,|lunatic|invention|that|we|associate|with|Cage|'s|best|acting|.\nHarry|Potter|and|the|Chamber|of|Secrets|is|deja|vu|all|over|again|,|and|while|that|is|a|cliche|,|nothing|could|be|more|appropriate|.\nIt|'s|likely|that|whatever|you|thought|of|the|first|production|--|pro|or|con|--|you|'ll|likely|think|of|this|one|.\nSade|achieves|the|near-impossible|:|It|turns|the|Marquis|de|Sade|into|a|dullard|.\n(|Lin|Chung|'s|)|voice|is|rather|unexceptional|,|even|irritating|(|at|least|to|this|Western|ear|)|,|making|it|awfully|hard|to|buy|the|impetus|for|the|complicated|love|triangle|that|develops|between|the|three|central|characters|.\nOne|of|the|most|plain|,|unimaginative|romantic|comedies|I|'ve|ever|seen|.\nThough|there|'s|a|clarity|of|purpose|and|even-handedness|to|the|film|'s|direction|,|the|drama|feels|rigged|and|sluggish|.\nUnfortunately|,|the|experience|of|actually|watching|the|movie|is|less|compelling|than|the|circumstances|of|its|making|.\nUnless|there|are|zoning|ordinances|to|protect|your|community|from|the|dullest|science|fiction|,|Impostor|is|opening|today|at|a|theater|near|you|.\nIt|should|be|doing|a|lot|of|things|,|but|does|n't|.\nChen|films|the|resolutely|downbeat|Smokers|Only|with|every|indulgent|,|indie|trick|in|the|book|.\n...|a|rather|bland|affair|.\nFar-fetched|premise|,|convoluted|plot|,|and|thematic|mumbo|jumbo|about|destiny|and|redemptive|love|.\nThe|movie|tries|to|be|ethereal|,|but|ends|up|seeming|goofy|.\nI|was|hoping|that|it|would|be|sleazy|and|fun|,|but|it|was|neither|.\nHarris|is|supposed|to|be|the|star|of|the|story|,|but|comes|across|as|pretty|dull|and|wooden|.\nSoulless|and|--|even|more|damning|--|virtually|joyless|,|XXX|achieves|near|virtuosity|in|its|crapulence|.\nA|boring|masquerade|ball|where|normally|good|actors|,|even|Kingsley|,|are|made|to|look|bad|.\nAll|the|Queen|'s|Men|is|a|throwback|war|movie|that|fails|on|so|many|levels|,|it|should|pay|reparations|to|viewers|.\nThe|filmmakers|keep|pushing|the|jokes|at|the|expense|of|character|until|things|fall|apart|.\nRather|than|real|figures|,|Elling|and|Kjell|Bjarne|become|symbolic|characters|whose|actions|are|supposed|to|relate|something|about|the|naïf|'s|encounter|with|the|world|.\nMariah|Carey|gives|us|another|peek|at|some|of|the|magic|we|saw|in|Glitter|here|in|Wisegirls|.\nIt|'s|all|arty|and|jazzy|and|people|sit|and|stare|and|turn|away|from|one|another|instead|of|talking|and|it|'s|all|about|the|silences|and|if|you|'re|into|that|,|have|at|it|.\nI|suspect|that|you|'ll|be|as|bored|watching|Morvern|Callar|as|the|characters|are|in|it|.\nIf|you|go|,|pack|your|knitting|needles|.\nThe|lead|actors|share|no|chemistry|or|engaging|charisma|.\nWe|do|n't|even|like|their|characters|.\nSome|writer|dude|,|I|think|his|name|was|,|uh|,|Michael|Zaidan|,|was|supposed|to|have|like|written|the|screenplay|or|something|,|but|,|dude|,|the|only|thing|that|I|ever|saw|that|was|written|down|were|the|zeroes|on|my|paycheck|.\nThe|movie|does|n't|generate|a|lot|of|energy|.\nIt|is|dark|,|brooding|and|slow|,|and|takes|its|central|idea|way|too|seriously|.\nThis|feature|is|about|as|necessary|as|a|hole|in|the|head\nSpectators|will|indeed|sit|open-mouthed|before|the|screen|,|not|screaming|but|yawning|.\nIt|feels|like|very|light|Errol|Morris|,|focusing|on|eccentricity|but|failing|,|ultimately|,|to|make|something|bigger|out|of|its|scrapbook|of|oddballs|.\nA|period|story|about|a|Catholic|boy|who|tries|to|help|a|Jewish|friend|get|into|heaven|by|sending|the|audience|straight|to|hell|.\nThe|premise|itself|is|just|SOOOOO|tired|.\nPair|that|with|really|poor|comedic|writing|...|and|you|'ve|got|a|huge|mess|.\nProves|a|lovely|trifle|that|,|unfortunately|,|is|a|little|too|in|love|with|its|own|cuteness|.\nDid|we|really|need|a|remake|of|``|Charade|?|''\nSome|movies|can|get|by|without|being|funny|simply|by|structuring|the|scenes|as|if|they|were|jokes|:|a|setup|,|delivery|and|payoff|.\nStealing|Harvard|ca|n't|even|do|that|much|.\nEach|scene|immediately|succumbs|to|gravity|and|plummets|to|earth|.\nThe|only|fun|part|of|the|movie|is|playing|the|obvious|game|.\nYou|try|to|guess|the|order|in|which|the|kids|in|the|house|will|be|gored|.\nI|spied|with|my|little|eye|...|a|mediocre|collection|of|cookie-cutter|action|scenes|and|occasionally|inspired|dialogue|bits\nEntertains|not|so|much|because|of|its|music|or|comic|antics|,|but|through|the|perverse|pleasure|of|watching|Disney|scrape|the|bottom|of|its|own|cracker|barrel|.\nThe|satire|is|just|too|easy|to|be|genuinely|satisfying|.\nLess|funny|than|it|should|be|and|less|funny|than|it|thinks|it|is|.\nan|``|O|Bruin|,|Where|Art|Thou|?|''\n-|style|cross-country|adventure|...|it|has|sporadic|bursts|of|liveliness|,|some|so-so|slapstick|and|a|few|ear-pleasing|songs|on|its|soundtrack|.\nA|feeble|Tootsie|knockoff|.\nAn|awful|movie|that|will|only|satisfy|the|most|emotionally|malleable|of|filmgoers|.\n...|the|story|is|far-flung|,|illogical|,|and|plain|stupid|.\nThe|very|simple|story|seems|too|simple|and|the|working|out|of|the|plot|almost|arbitrary|.\nAn|allegory|concerning|the|chronically|mixed|signals|African|American|professionals|get|about|overachieving|could|be|intriguing|,|but|the|supernatural|trappings|only|obscure|the|message|.\nA|very|familiar|tale|,|one|that|'s|been|told|by|countless|filmmakers|about|Italian|-|,|Chinese|-|,|Irish|-|,|Latin|-|,|Indian|-|,|Russian|-|and|other|hyphenate|American|young|men|struggling|to|balance|conflicting|cultural|messages|.\nOne|key|problem|with|these|ardently|Christian|storylines|is|that|there|is|never|any|question|of|how|things|will|turn|out|.\nEssentially|,|the|film|is|weak|on|detail|and|strong|on|personality\nA|relentless|,|bombastic|and|ultimately|empty|World|War|II|action|flick|.\n(|Hell|is|)|looking|down|at|your|watch|and|realizing|Serving|Sara|is|n't|even|halfway|through|.\nToo|long|,|and|larded|with|exposition|,|this|somber|cop|drama|ultimately|feels|as|flat|as|the|scruffy|sands|of|its|titular|community|.\nLeaves|viewers|out|in|the|cold|and|undermines|some|phenomenal|performances|.\n...|a|ho-hum|affair|,|always|watchable|yet|hardly|memorable|.\nSwiftly|deteriorates|into|a|terribly|obvious|melodrama|and|rough-hewn|vanity|project|for|lead|actress|Andie|MacDowell|.\nThe|histrionic|muse|still|eludes|Madonna|and|,|playing|a|charmless|witch|,|she|is|merely|a|charmless|witch|.\nYou|have|no|affinity|for|most|of|the|characters|.\nNothing|about|them|is|attractive|.\nWhat|they|see|in|each|other|also|is|difficult|to|fathom|.\nDiaz|,|Applegate|,|Blair|and|Posey|are|suitably|kooky|which|should|appeal|to|women|and|they|strip|down|often|enough|to|keep|men|alert|,|if|not|amused|.\nA|technically|well-made|suspenser|...|but|its|abrupt|drop|in|IQ|points|as|it|races|to|the|finish|line|proves|simply|too|discouraging|to|let|slide|.\nAn|inept|,|tedious|spoof|of|'70s|kung|fu|pictures|,|it|contains|almost|enough|chuckles|for|a|three-minute|sketch|,|and|no|more|.\nIt|'s|a|mystery|how|the|movie|could|be|released|in|this|condition|.\nAbsolutely|(|and|unintentionally|)|terrifying|.\nEckstraordinarily|lame|and|Severely|boring|.\nEight|Legged|Freaks|falls|flat|as|a|spoof|.\nNo|matter|how|much|he|runs|around|and|acts|like|a|doofus|,|accepting|a|50-year-old|in|the|role|is|creepy|in|a|Michael|Jackson|sort|of|way|.\nYou|'ll|just|have|your|head|in|your|hands|wondering|why|Lee|'s|character|did|n't|just|go|to|a|bank|manager|and|save|everyone|the|misery|.\n`|Dragonfly|'|dwells|on|crossing-over|mumbo|jumbo|,|manipulative|sentimentality|,|and|sappy|dialogue|.\nIn|his|determination|to|lighten|the|heavy|subject|matter|,|Silberling|also|,|to|a|certain|extent|,|trivializes|the|movie|with|too|many|nervous|gags|and|pratfalls|.\nBlade|II|has|a|brilliant|director|and|charismatic|star|,|but|it|suffers|from|rampant|vampire|devaluation|.\nVeers|uncomfortably|close|to|pro-Serb|propaganda|.\nMovies|like|High|Crimes|flog|the|dead|horse|of|surprise|as|if|it|were|an|obligation|.\nHow|about|surprising|us|by|trying|something|new|?\nFinal|verdict|:|You|'ve|seen|it|all|before|.\nThrowing|in|everything|except|someone|pulling|the|pin|from|a|grenade|with|his|teeth|,|Windtalkers|seems|to|have|ransacked|every|old|World|War|II|movie|for|overly|familiar|material|.\nIf|A|Few|Good|Men|told|us|that|we|``|ca|n't|handle|the|truth|''|than|High|Crimes|poetically|states|at|one|point|in|this|movie|that|we|``|do|n't|care|about|the|truth|.|''\nFurther|sad|evidence|that|Tom|Tykwer|,|director|of|the|resonant|and|sense-spinning|Run|Lola|Run|,|has|turned|out|to|be|a|one-trick|pony|--|a|maker|of|softheaded|metaphysical|claptrap|.\nYou|'ll|trudge|out|of|the|theater|feeling|as|though|you|rode|the|Zipper|after|eating|a|corn|dog|and|an|extra-large|cotton|candy|.\nThe|movie|is|a|little|tired|;|maybe|the|original|inspiration|has|run|its|course|.\nThis|will|go|on|so|long|as|there|are|moviegoers|anxious|to|see|strange|young|guys|doing|strange|guy|things|.\nA|full-frontal|attack|on|audience|patience|.\nAny|intellectual|arguments|being|made|about|the|nature|of|God|are|framed|in|a|drama|so|clumsy|,|there|is|a|real|danger|less|sophisticated|audiences|will|mistake|it|for|an|endorsement|of|the|very|things|that|Bean|abhors|.\nIt|'s|a|big|idea|,|but|the|film|itself|is|small|and|shriveled|.\nDebut|effort|by|``|Project|Greenlight|''|winner|is|sappy|and|amateurish|.\nOne|gets|the|impression|the|creators|of|Do|n't|Ask|Do|n't|Tell|laughed|a|hell|of|a|lot|at|their|own|jokes|.\nToo|bad|none|of|it|is|funny|.\nThe|cast|has|a|high|time|,|but|de|Broca|has|little|enthusiasm|for|such|antique|pulp|.\nThe|film|,|like|Jimmy|'s|routines|,|could|use|a|few|good|laughs|.\nThe|film|has|too|many|spots|where|it|'s|on|slippery|footing|,|but|is|acceptable|entertainment|for|the|entire|family|and|one|that|'s|especially|fit|for|the|kiddies|.\nPurports|to|be|a|Hollywood|satire|but|winds|up|as|the|kind|of|film|that|should|be|the|target|of|something|deeper|and|more|engaging|.\nOh|,|and|more|entertaining|,|too|.\n...|in|the|pile|of|useless|actioners|from|MTV|schmucks|who|do|n't|know|how|to|tell|a|story|for|more|than|four|minutes|.\nThough|it|was|made|with|careful|attention|to|detail|and|is|well-acted|by|James|Spader|and|Maggie|Gyllenhaal|,|I|felt|disrespected|.\nHumor|in|I|Spy|is|so|anemic|.\nThe|film|is|strictly|routine|.\nSkillful|as|he|is|,|Mr.|Shyamalan|is|undone|by|his|pretensions|.\nWhile|the|new|film|is|much|more|eye-catching|than|its|blood-drenched|Stephen|Norrington-directed|predecessor|,|the|new|script|by|the|returning|David|S.|Goyer|is|much|sillier|.\nIn|addition|to|sporting|one|of|the|worst|titles|in|recent|cinematic|history|,|Ballistic|:|Ecks|Vs.|Sever|also|features|terrible|,|banal|dialogue|;|convenient|,|hole-ridden|plotting|;|superficial|characters|and|a|rather|dull|,|unimaginative|car|chase|.\nIt|shares|the|first|two|films|'|loose-jointed|structure|,|but|laugh-out-loud|bits|are|few|and|far|between|.\nThe|Santa|Clause|2|is|a|barely|adequate|babysitter|for|older|kids|,|but|I|'ve|got|to|give|it|thumbs|down|.\nYou|can|not|guess|why|the|cast|and|crew|did|n't|sign|a|pact|to|burn|the|negative|and|the|script|and|pretend|the|whole|thing|never|existed|.\nBarney|throws|away|the|goodwill|the|first|half|of|his|movie|generates|by|orchestrating|a|finale|that|is|impenetrable|and|dull|.\nIf|you|'re|really|renting|this|you|'re|not|interested|in|discretion|in|your|entertainment|choices|,|you|'re|interested|in|Anne|Geddes|,|John|Grisham|,|and|Thomas|Kincaid|.\nWe|get|the|comedy|we|settle|for|.\nThe|uneven|movie|does|have|its|charms|and|its|funny|moments|but|not|quite|enough|of|them|.\nTwo|hours|of|sepia-tinted|heavy|metal|images|and|surround|sound|effects|of|people|moaning|.\nA|word|of|advice|to|the|makers|of|The|Singles|Ward|:|Celebrity|cameos|do|not|automatically|equal|laughs|.\nAnd|neither|do|cliches|,|no|matter|how|`|inside|'|they|are|.\nThe|campy|results|make|Mel|Brooks|'|Borscht|Belt|schtick|look|sophisticated|.\nIts|appeal|will|probably|limited|to|LDS|Church|members|and|undemanding|armchair|tourists|.\nThe|Hanukkah|spirit|seems|fried|in|pork|.\nCherish|would|'ve|worked|a|lot|better|had|it|been|a|short|film|.\nManipulative|claptrap|,|a|period-piece|movie-of-the-week|,|plain|old|blarney|...|take|your|pick|.\nAll|three|descriptions|suit|Evelyn|,|a|besotted|and|obvious|drama|that|tells|us|nothing|new|.\nHey|Arnold|!\nis|now|stretched|to|barely|feature|length|,|with|a|little|more|attention|paid|to|the|animation|.\nStill|,|the|updated|Dickensian|sensibility|of|writer|Craig|Bartlett|'s|story|is|appealing|.\nTrue|to|its|title|,|it|traps|audiences|in|a|series|of|relentlessly|nasty|situations|that|we|would|pay|a|considerable|ransom|not|to|be|looking|at|.\nDoes|n't|come|close|to|justifying|the|hype|that|surrounded|its|debut|at|the|Sundance|Film|Festival|two|years|ago|.\nThe|plot|is|paper-thin|and|the|characters|are|n't|interesting|enough|to|watch|them|go|about|their|daily|activities|for|two|whole|hours|.\nKaufman|'s|script|is|never|especially|clever|and|often|is|rather|pretentious|.\nThe|film|did|n't|move|me|one|way|or|the|other|,|but|it|was|an|honest|effort|and|if|you|want|to|see|a|flick|about|telemarketers|this|one|will|due|.\nQueen|of|the|Damned|is|too|long|with|too|little|going|on|.\nIt|collapses|when|Mr.|Taylor|tries|to|shift|the|tone|to|a|thriller|'s|rush|.\nAny|film|that|does|n't|even|in|passing|mention|political|prisoners|,|poverty|and|the|boat|loads|of|people|who|try|to|escape|the|country|is|less|a|documentary|and|more|propaganda|by|way|of|a|valentine|sealed|with|a|kiss|.\n...|Blade|II|is|still|top-heavy|with|blazing|guns|,|cheatfully|filmed|martial|arts|,|disintegrating|bloodsucker|computer|effects|and|jagged|camera|moves|that|serve|no|other|purpose|than|to|call|attention|to|themselves|.\nThe|Rules|of|Attraction|gets|us|too|drunk|on|the|party|favors|to|sober|us|up|with|the|transparent|attempts|at|moralizing|.\nThough|there|are|many|tense|scenes|in|Trapped|,|they|prove|more|distressing|than|suspenseful|.\nIn|this|film|we|at|least|see|a|study|in|contrasts|;|the|wide|range|of|one|actor|,|and|the|limited|range|of|a|comedian|.\nFeels|strangely|hollow|at|its|emotional|core|.\nYou|have|once|again|entered|the|bizarre|realm|where|director|Adrian|Lyne|holds|sway|,|where|all|relationships|are|simultaneously|broadly|metaphorical|,|oddly|abstract|,|and|excruciatingly|literal|.\nThe|high-concept|scenario|soon|proves|preposterous|,|the|acting|is|robotically|italicized|,|and|truth-in-advertising|hounds|take|note|:|There|'s|very|little|hustling|on|view|.\nThis|director|'s|cut|--|which|adds|51|minutes|--|takes|a|great|film|and|turns|it|into|a|mundane|soap|opera|.\nCharacterisation|has|been|sacrificed|for|the|sake|of|spectacle|.\nthe|Venezuelans|say|things|like|``|si|,|pretty|much|''|and|``|por|favor|,|go|home|''|when|talking|to|Americans|.\nThat|'s|muy|loco|,|but|no|more|ridiculous|than|most|of|the|rest|of|``|Dragonfly|.|''\nIt|'s|a|movie|that|ends|with|Truckzilla|,|for|cryin|'|out|loud|.\nIf|that|does|n't|clue|you|in|that|something|'s|horribly|wrong|,|nothing|will|.\nDirector|Tom|Shadyac|and|star|Kevin|Costner|glumly|mishandle|the|story|'s|promising|premise|of|a|physician|who|needs|to|heal|himself|.\nIt|'s|difficult|to|imagine|that|a|more|confused|,|less|interesting|and|more|sloppily|made|film|could|possibly|come|down|the|road|in|2002|.\nLike|the|Tuck|family|themselves|,|this|movie|just|goes|on|and|on|and|on|and|on\nAs|pedestrian|as|they|come|.\nA|film|that|plays|things|so|nice|'n|safe|as|to|often|play|like|a|milquetoast|movie|of|the|week|blown|up|for|the|big|screen|.\nIt|'s|a|feel-bad|ending|for|a|depressing|story|that|throws|a|bunch|of|hot-button|items|in|the|viewer|'s|face|and|asks|to|be|seen|as|hip|,|winking|social|commentary|.\nPut|it|somewhere|between|Sling|Blade|and|South|of|Heaven|,|West|of|Hell|in|the|pantheon|of|Billy|Bob|'s|body|of|work|.\nMore|intellectually|scary|than|dramatically|involving|.\nAn|inconsequential|,|barely|there|bit|of|piffle|.\nThe|abiding|impression|,|despite|the|mild|hallucinogenic|buzz|,|is|of|overwhelming|waste|--|the|acres|of|haute|couture|ca|n't|quite|conceal|that|there|'s|nothing|resembling|a|spine|here|.\nAs|saccharine|as|it|is|disposable|.\nYou|come|away|thinking|not|only|that|Kate|is|n't|very|bright|,|but|that|she|has|n't|been|worth|caring|about|and|that|maybe|she|,|Janine|and|Molly|--|an|all-woman|dysfunctional|family|--|deserve|one|another|.\nThe|metaphors|are|provocative|,|but|too|often|,|the|viewer|is|left|puzzled|by|the|mechanics|of|the|delivery|.\nVery|much|a|home|video|,|and|so|devoid|of|artifice|and|purpose|that|it|appears|not|to|have|been|edited|at|all|.\nToo|much|power|,|not|enough|puff|.\nThe|attempt|to|build|up|a|pressure|cooker|of|horrified|awe|emerges|from|the|simple|fact|that|the|movie|has|virtually|nothing|to|show|.\nIt|'s|provocative|stuff|,|but|the|speculative|effort|is|hampered|by|Taylor|'s|cartoonish|performance|and|the|film|'s|ill-considered|notion|that|Hitler|'s|destiny|was|shaped|by|the|most|random|of|chances|.\nA|cellophane-pop|remake|of|the|punk|classic|Ladies|and|Gentlemen|,|The|Fabulous|Stains|...|Crossroads|is|never|much|worse|than|bland|or|better|than|inconsequential|.\nMuddled|,|trashy|and|incompetent\nFor|this|sort|of|thing|to|work|,|we|need|agile|performers|,|but|the|proficient|,|dull|Sorvino|has|no|light|touch|,|and|Rodan|is|out|of|his|league|.\nNarc|is|all|menace|and|atmosphere|.\nThough|excessively|tiresome|,|The|Uncertainty|Principle|,|as|verbally|pretentious|as|the|title|may|be|,|has|its|handful|of|redeeming|features|,|as|long|as|you|discount|its|ability|to|bore|.\nDespite|Juliet|Stevenon|'s|attempt|to|bring|cohesion|to|Pamela|'s|emotional|roller|coaster|life|,|it|is|not|enough|to|give|the|film|the|substance|it|so|desperately|needs|.\nIt|'s|tough|to|be|startled|when|you|'re|almost|dozing|.\nhis|(|Nelson|'s|)|screenplay|needs|some|serious|re-working|to|show|more|of|the|dilemma|,|rather|than|have|his|characters|stage|shouting|matches|about|it|.\nIt|'s|so|downbeat|and|nearly|humorless|that|it|becomes|a|chore|to|sit|through|--|despite|some|first-rate|performances|by|its|lead|.\nA|terrible|movie|that|some|people|will|nevertheless|find|moving|.\nThere|are|many|definitions|of|`|time|waster|'|but|this|movie|must|surely|be|one|of|them|.\nAs|it|stands|,|Crocodile|Hunter|has|the|hurried|,|badly|cobbled|look|of|the|1959|Godzilla|,|which|combined|scenes|of|a|Japanese|monster|flick|with|canned|shots|of|Raymond|Burr|commenting|on|the|monster|'s|path|of|destruction|.\nThe|thing|looks|like|a|made-for-home-video|quickie|.\nEnigma|is|well-made|,|but|it|'s|just|too|dry|and|too|placid|.\n``|Sweet|Home|Alabama|''|is|what|it|is|--|a|nice|,|harmless|date|film|...\nOne|of|the|best|,|most|understated|performances|of|(|Jack|Nicholson|'s|)|career|.\nThe|Dangerous|Lives|of|Altar|Boys|'|take|on|adolescence|feels|painfully|true|.\nIt|'s|a|masterpiece|.\nIt|may|not|be|``|Last|Tango|in|Paris|''|but|...\nThey|crush|each|other|under|cars|,|throw|each|other|out|windows|,|electrocute|and|dismember|their|victims|in|full|consciousness|.\nAnd|we|do|n't|avert|our|eyes|for|a|moment|.\nCharming|and|funny|(|but|ultimately|silly|)|movie|.\nThird|time|'s|the|charm|...|yeah|,|baby|!\nA|pleasant|,|if|forgettable|,|romp|of|a|film|.\nBy|the|end|of|the|movie|,|you|'re|definitely|convinced|that|these|women|are|spectacular|.\nBirot|creates|a|drama|with|such|a|well-defined|sense|of|place|and|age|--|as|in|,|15|years|old|--|that|the|torments|and|angst|become|almost|as|operatic|to|us|as|they|are|to|her|characters|.\n`|Stock|up|on|silver|bullets|for|director|Neil|Marshall|'s|intense|freight|train|of|a|film|.|'\nThe|film|delivers|what|it|promises|:|A|look|at|the|``|wild|ride|''|that|ensues|when|brash|young|men|set|out|to|conquer|the|online|world|with|laptops|,|cell|phones|and|sketchy|business|plans|.\nAs|a|film|director|,|LaBute|continues|to|improve|.\nWill|warm|your|heart|without|making|you|feel|guilty|about|it|.\nCatch|it|...|if|you|can|!\nWorse|than|`|Silence|of|the|Lambs|'|better|than|`|Hannibal|'\nAmerican|and|European|cinema|has|amassed|a|vast|Holocaust|literature|,|but|it|is|impossible|to|think|of|any|film|more|challenging|or|depressing|than|The|Grey|Zone|.\n`|Possession|,|'|based|on|the|book|by|A.S.|Byatt|,|demands|that|LaBute|deal|with|the|subject|of|love|head-on|;|trading|in|his|cynicism|for|reverence|and|a|little|wit\nIt|'s|the|kind|of|movie|that|,|aside|from|Robert|Altman|,|Spike|Lee|,|the|Coen|Brothers|and|a|few|others|,|our|moviemakers|do|n't|make|often|enough|.\nAlternates|between|deadpan|comedy|and|heartbreaking|loneliness|and|is|n't|afraid|to|provoke|introspection|in|both|its|characters|and|its|audience|.\nThe|script|is|smart|,|not|cloying|.\nVisually|,|`|Santa|Clause|2|'|is|wondrously|creative|.\nA|bittersweet|contemporary|comedy|about|benevolent|deception|,|which|,|while|it|may|not|rival|the|filmmaker|'s|period|pieces|,|is|still|very|much|worth|seeing|.\nOne|fantastic|(|and|educational|)|documentary|.\nAn|ambitious|`|what|if|?|'\nthat|works|.\n``|The|Dangerous|Lives|of|Altar|Boys|''|has|flaws|,|but|it|also|has|humor|and|heart|and|very|talented|young|actors\nNice|piece|of|work|.\n`|Stock|up|on|silver|bullets|for|director|Neil|Marshall|'s|intense|freight|train|of|a|film|.|'\nIt|'s|funny|,|as|the|old|saying|goes|,|because|it|'s|true|.\nThough|the|film|is|static|,|its|writer-director|'s|heart|is|in|the|right|place|,|his|plea|for|democracy|and|civic|action|laudable|.\nThe|filmmaker|'s|heart|is|in|the|right|place|...\nFrom|blushing|to|gushing|--|Imamura|squirts|the|screen|in|`|Warm|Water|Under|a|Red|Bridge|'\nApart|from|anything|else|,|this|is|one|of|the|best-sustained|ideas|I|have|ever|seen|on|the|screen|.\nNot|a|schlocky|creature|feature|but|something|far|more|stylish|and|cerebral|--|and|,|hence|,|more|chillingly|effective|.\nStupid|,|infantile|,|redundant|,|sloppy|,|over-the-top|,|and|amateurish|.\nYep|,|it|'s|``|Waking|up|in|Reno|.|''\nGo|back|to|sleep|.\nI|did|n't|laugh|.\nI|did|n't|smile|.\nI|survived|.\nThe|worst|film|of|the|year|.\nIn|the|book-on-tape|market|,|the|film|of|``|The|Kid|Stays|in|the|Picture|''|would|be|an|abridged|edition\nA|sour|attempt|at|making|a|Farrelly|Brothers-style|,|down-and-dirty|laugher|for|the|female|set|.\nEisenstein|lacks|considerable|brio|for|a|film|about|one|of|cinema|'s|directorial|giants|.\nTaken|as|a|whole|,|The|Tuxedo|does|n't|add|up|to|a|whole|lot|.\nThis|is|no|``|Waterboy|!|''\nSomething|has|been|lost|in|the|translation|...|another|routine|Hollywood|frightfest|in|which|the|slack|execution|italicizes|the|absurdity|of|the|premise|.\nThe|result|is|an|`|action|film|'|mired|in|stasis|.\n...|a|movie|that|,|quite|simply|,|should|n't|have|been|made|.\nBy|turns|pretentious|,|fascinating|,|ludicrous|,|provocative|and|vainglorious|.\nI|ca|n't|recommend|it|.\nBut|it|'s|surprisingly|harmless|.\nWhat|'s|next|?\nThe|Porky|'s|Revenge|:|Ultimate|Edition|?\nThe|script|is|a|dim-witted|pairing|of|teen-speak|and|animal|gibberish|.\nThere|'s|no|real|reason|to|see|it|,|and|no|real|reason|not|to|.\nIs|``|Ballistic|''|worth|the|price|of|admission|?\nAbsolutely|not|.\nIt|sucked|.\nWould|I|see|it|again|?\nPlease|see|previous|answer|.\nIt|'s|exactly|what|you|'d|expect|.\n``|The|Kid|Stays|in|the|Picture|''|is|a|great|story|,|terrifically|told|by|the|man|who|wrote|it|but|this|Cliff|Notes|edition|is|a|cheat|.\nA|prison|comedy|that|never|really|busts|out|of|its|comfy|little|cell|.\nThe|movie|is|obviously|a|labour|of|love|so|Howard|appears|to|have|had|free|rein|to|be|as|pretentious|as|he|wanted|.\nThis|is|n't|a|movie|;|it|'s|a|symptom|.\nWhat|we|have|is|a|character|faced|with|the|possibility|that|her|life|is|meaningless|,|vapid|and|devoid|of|substance|,|in|a|movie|that|is|definitely|meaningless|,|vapid|and|devoid|of|substance|.\nIf|only|it|were|,|well|,|funnier|.\nThe|script|?\nPlease|.\nDoes|n't|add|up|to|much|.\nOne|of|the|worst|movies|of|the|year|.\nA|complete|waste|of|time|.\nLong|before|it|'s|over|,|you|'ll|be|thinking|of|51|ways|to|leave|this|loser|.\nOne|of|the|worst|movies|of|the|year|.\n...|Watching|it|was|painful|.\nThe|cinematic|equivalent|of|patronizing|a|bar|favored|by|pretentious|,|untalented|artistes|who|enjoy|moaning|about|their|cruel|fate|.\nSpiderman|ROCKS\nA|compelling|coming-of-age|drama|about|the|arduous|journey|of|a|sensitive|young|girl|through|a|series|of|foster|homes|and|a|fierce|struggle|to|pull|free|from|her|dangerous|and|domineering|mother|'s|hold|over|her|.\nAn|imaginative|comedy\\/thriller|.\nThoroughly|enjoyable|.\n(|A|)|rare|,|beautiful|film|.\nFamily|fare|.\nBoisterous|,|heartfelt|comedy|.\n(|An|)|hilarious|romantic|comedy|.\nAn|exhilarating|experience|.\nNever|(|sinks|)|into|exploitation|.\nCompellingly|watchable|.\nTroubling|and|powerful|.\nOften|hilarious|.\nA|modest|masterpiece|.\nNever|once|predictable|.\nAn|uplifting|,|near-masterpiece|.\nWarm|and|exotic|.\n...|a|true|delight|.\nA|true|pleasure|.\nPolished|,|well-structured|film|.\nSexy|and|romantic|.\nPsychologically|savvy|.\ndelightfully|rendered\nFun|and|nimble|.\nFunny|and|touching|.\nSerious|and|thoughtful|.\nIt|strikes|hardest|...|when|it|reminds|you|how|pertinent|its|dynamics|remain|.\nFifty|years|after|the|fact|,|the|world|'s|political|situation|seems|little|different|,|and|(|director|Phillip|)|Noyce|brings|out|the|allegory|with|remarkable|skill|.\nOne-of-a-kind|near-masterpiece|.\nLightweight|but|appealing|.\nHighly|engaging|.\nFeral|and|uncomfortable|.\nA|gripping|drama|.\nBeautifully|produced|.\nSmart|and|taut|.\nHighly|watchable|stuff|.\nPsychologically|revealing|.\nA|fast|paced|and|suspenseful|Argentinian|thriller|about|the|shadow|side|of|play|.\n...|wise|and|elegiac|...\nSpare|yet|audacious|...\nSurprisingly|insightful\nAn|intoxicating|experience|.\nReassuring|,|retro|uplifter|.\nVisually|captivating|.\nLavishly|,|exhilaratingly|tasteless|.\nTouché|!\nAn|impressive|hybrid|.\nA|tasty|masala|.\nRefreshing|.\nFeatherweight|romantic|comedy|has|a|few|nice|twists|in|a|standard|plot|and|the|charisma|of|Hugh|Grant|and|Sandra|Bullock|.\nPoignant|and|funny|.\nSee|it|.\nDebate|it|.\nRemember|it|.\nMorvern|rocks|.\nIntelligent|and|moving|.\nGenuinely|unnerving|.\nA|compelling|film|.\nDeliciously|slow|.\nA|riveting|documentary|.\nAn|enjoyable|experience|.\nA|good|thriller|.\nA|glorious|mess|.\nNeatly|constructed|thriller|.\nIntimate|and|panoramic|.\nExciting|documentary|.\nGood|,|solid|storytelling|.\nInfidelity|drama|is|nicely|shot|,|well-edited|and|features|a|standout|performance|by|Diane|Lane|.\nAudacious-impossible|yet|compelling|...\nA|muted|freak-out\nMoving|and|vibrant|.\n...|quite|endearing|.\nHarmless|fun|.\nGood-naturedly|cornball|sequel|.\nOddly|compelling|.\nWitless|but|watchable|.\nMr.|Deeds|is|sure|to|give|you|a|lot|of|laughs|in|this|simple|,|sweet|and|romantic|comedy|.\nHard|to|resist|.\nA|true-blue|delight|.\nA|fun|ride|.\nWeird|.\nRewarding|.\nSleek|and|arty|.\nFantastic|!\nA|thought-provoking|picture|.\nA|stylish|thriller|.\nAlmost|peerlessly|unsettling|.\nDelirious|fun|.\nExciting|and|well-paced|.\nReally|quite|funny|.\nA|well-executed|spy-thriller|.\nIdiotic|and|ugly|.\nA|funny|film|.\n(|A|)|satisfying|niblet|.\nPoetic|,|heartbreaking|.\nFormuliac|,|but|fun|.\nFeels|untidily|honest|.\n``|Red|Dragon|''|never|cuts|corners|.\nFull|of|surprises|.\nQuietly|engaging|.\nDense|,|exhilarating|documentary|.\na|joyous|occasion\n(|An|)|absorbing|documentary|.\nA|genuine|mind-bender|.\nGreat|character|interaction|.\nIntriguing|and|stylish|.\nMany|insightful|moments|.\nEverything|is|off|.\nEarnest|but|heavy-handed|.\nOne|lousy|movie|.\n...|hypnotically|dull|.\nCalculated|swill|.\nThoroughly|awful|.\nTruly|terrible|.\nFluffy|and|disposible|.\nBy-the-numbers|yarn|.\nAan|opportunity|wasted|.\nStorytelling|feels|slight|.\nBad|company|.\nBad|movie|.\nJust|plain|bad|.\n(|A|)|soulless|,|stupid|sequel|...\nA|high-minded|snoozer|.\nExecrable|.\nAmazingly|dopey|.\nBanal|and|predictable|.\nCrikey|indeed|.\nBrisk|hack|job|.\n...|the|maudlin|way|its|story|unfolds|suggests|a|director|fighting|against|the|urge|to|sensationalize|his|material|.\n...|bibbidy-bobbidi-bland|.\nObvious|.\nIts|one-sidedness|...|flirts|with|propaganda|.\n...|a|pretentious|mess|...\n(|A|)|rather|thinly-conceived|movie|.\nSo-so|entertainment|.\nPunitively|affirmational|parable|.\nDecent|but|dull|.\nThin|period|piece|.\n(|A|)|stuporously|solemn|film|.\nWell-meant|but|unoriginal|.\nOdd|and|weird|.\nCinematic|poo|.\n...|stale|and|uninspired|.\nA|dreary|movie|.\nPompous|and|garbled|.\nUtter|mush|...|conceited|pap|.\nWell-meaning|but|inert|.\n...|overly|melodramatic|...\nExtremely|bad|.\nShrewd|but|pointless|.\nSluggish|,|tonally|uneven|.\nGeneric|thriller|junk|.\nTeens|only|.\nA|non-mystery|mystery|.\nWhat|an|embarrassment|.\nA|noble|failure|.\nWoefully|pretentious|.\n...|irritating|soul-searching|garbage|.\nA|relative|letdown|.\nWarmed-over|hash|.\nA|puzzling|experience|.\nStale|,|futile|scenario|.\nAggravating|and|tedious|.\nLacks|depth|.\nunder-rehearsed|and|lifeless\nLaughably|,|irredeemably|awful|.\nUnwieldy|contraption|.\nOverwrought|,|melodramatic|bodice-ripper|.\nAn|awful|snooze|.\nJust|plain|silly|.\nFeeble|comedy|.\n...|salaciously|simplistic|.\nShallow|.\nA|less-than-thrilling|thriller|.\nDisjointed|parody|.\n...|silly|humbuggery|...\nEh|.\nBlack-and-white|and|unrealistic|.\nTwo-bit|potboiler|.\n(|U|)|nrelentingly|stupid|.\nPainfully|padded|.\nAnemic|,|pretentious|.\nGrating|and|tedious|.\nIt|bites|hard|.\n(|A|)|mess|.\nDramatically|lackluster|.\nStay|away|.\nFar|away|.\n...|a|pretentious|mess|...\nPredictably|soulless|techno-tripe|.\nArty|gay|film|.\nIncoherence|reigns|.\nA|half-assed|film|.\nAbysmally|pathetic\n...|unbearably|lame|.\nBland|but|harmless|.\nDense|and|enigmatic|...|elusive|...|stagy|and|stilted\n(|L|)|ame|and|unnecessary|.\nA|dreary|indulgence|.\n(|A|)|crushing|disappointment|.\nTends|to|plod|.\nA|major|waste|...|generic|.\n...|a|confusing|drudgery|.\nA|well-crafted|letdown|.\nBoring|and|meandering|.\nLess|than|fresh|.\nA|lame|comedy|.\nA|reality-snubbing|hodgepodge|.\nMildly|amusing|.\nFairly|run-of-the-mill|.\nMildly|entertaining|.\nTerrible|.\nDegenerates|into|hogwash|.\nMeandering|and|confusing|.\nCrummy|.\nAn|opportunity|missed|.\nWishy-washy|.\nInconsequential|road-and-buddy|pic|.\nInsufferably|naive|.\nIll-considered|,|unholy|hokum|.\nAmazingly|lame|.\n(|A|)|slummer|.\n(|A|)|poorly|executed|comedy|.\n...|really|horrible|drek|.\nAn|intriguing|near-miss|.\nFlat|,|misguided|comedy|.\nPredictably|melodramatic|.\nRashomon-for-dipsticks|tale|.\nBearable|.\nBarely|.\nStaggeringly|dreadful|romance|.\nWell-made|but|mush-hearted|.\nA|real|snooze|.\nNo|surprises|.\nWe|'ve|seen|the|hippie-turned-yuppie|plot|before|,|but|there|'s|an|enthusiastic|charm|in|Fire|that|makes|the|formula|fresh|again|.\nHer|fans|walked|out|muttering|words|like|``|horrible|''|and|``|terrible|,|''|but|had|so|much|fun|dissing|the|film|that|they|did|n't|mind|the|ticket|cost|.\nIn|this|case|zero|.\n"
  },
  {
    "path": "a2/utils/datasets/stanfordSentimentTreebank/STree.txt",
    "content": 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  },
  {
    "path": "a2/utils/datasets/stanfordSentimentTreebank/datasetSentences.txt",
    "content": "sentence_index\tsentence\n1\tThe Rock is destined to be the 21st Century 's new `` Conan '' and that he 's going to make a splash even greater than Arnold Schwarzenegger , Jean-Claud Van Damme or Steven Segal .\n2\tThe gorgeously elaborate continuation of `` The Lord of the Rings '' trilogy is so huge that a column of words can not adequately describe co-writer\\/director Peter Jackson 's expanded vision of J.R.R. Tolkien 's Middle-earth .\n3\tEffective but too-tepid biopic\n4\tIf you sometimes like to go to the movies to have fun , Wasabi is a good place to start .\n5\tEmerges as something rare , an issue movie that 's so honest and keenly observed that it does n't feel like one .\n6\tThe film provides some great insight into the neurotic mindset of all comics -- even those who have reached the absolute top of the game .\n7\tOffers that rare combination of entertainment and education .\n8\tPerhaps no picture ever made has more literally showed that the road to hell is paved with good intentions .\n9\tSteers turns in a snappy screenplay that curls at the edges ; it 's so clever you want to hate it .\n10\tBut he somehow pulls it off .\n11\tTake Care of My Cat offers a refreshingly different slice of Asian cinema .\n12\tThis is a film well worth seeing , talking and singing heads and all .\n13\tWhat really surprises about Wisegirls is its low-key quality and genuine tenderness .\n14\t-LRB- Wendigo is -RRB- why we go to the cinema : to be fed through the eye , the heart , the mind .\n15\tOne of the greatest family-oriented , fantasy-adventure movies ever .\n16\tUltimately , it ponders the reasons we need stories so much .\n17\tAn utterly compelling ` who wrote it ' in which the reputation of the most famous author who ever lived comes into question .\n18\tIlluminating if overly talky documentary .\n19\tA masterpiece four years in the making .\n20\tThe movie 's ripe , enrapturing beauty will tempt those willing to probe its inscrutable mysteries .\n21\tOffers a breath of the fresh air of true sophistication .\n22\tA thoughtful , provocative , insistently humanizing film .\n23\tWith a cast that includes some of the top actors working in independent film , Lovely & Amazing involves us because it is so incisive , so bleakly amusing about how we go about our lives .\n24\tA disturbing and frighteningly evocative assembly of imagery and hypnotic music composed by Philip Glass .\n25\tNot for everyone , but for those with whom it will connect , it 's a nice departure from standard moviegoing fare .\n26\tScores a few points for doing what it does with a dedicated and good-hearted professionalism .\n27\tOccasionally melodramatic , it 's also extremely effective .\n28\tAn idealistic love story that brings out the latent 15-year-old romantic in everyone .\n29\tAt about 95 minutes , Treasure Planet maintains a brisk pace as it races through the familiar story .\n30\tHowever , it lacks grandeur and that epic quality often associated with Stevenson 's tale as well as with earlier Disney efforts .\n31\tIt helps that Lil Bow Wow ... tones down his pint-sized gangsta act to play someone who resembles a real kid .\n32\tGuaranteed to move anyone who ever shook , rattled , or rolled .\n33\tA masterful film from a master filmmaker , unique in its deceptive grimness , compelling in its fatalist worldview .\n34\tLight , cute and forgettable .\n35\tIf there 's a way to effectively teach kids about the dangers of drugs , I think it 's in projects like the -LRB- unfortunately R-rated -RRB- Paid .\n36\tWhile it would be easy to give Crush the new title of Two Weddings and a Funeral , it 's a far more thoughtful film than any slice of Hugh Grant whimsy .\n37\tThough everything might be literate and smart , it never took off and always seemed static .\n38\tCantet perfectly captures the hotel lobbies , two-lane highways , and roadside cafes that permeate Vincent 's days\n39\tMs. Fulford-Wierzbicki is almost spooky in her sulky , calculating Lolita turn .\n40\tThough it is by no means his best work , Laissez-Passer is a distinguished and distinctive effort by a bona-fide master , a fascinating film replete with rewards to be had by all willing to make the effort to reap them .\n41\tLike most Bond outings in recent years , some of the stunts are so outlandish that they border on being cartoonlike .\n42\tA heavy reliance on CGI technology is beginning to creep into the series .\n43\tNewton draws our attention like a magnet , and acts circles around her better known co-star , Mark Wahlberg .\n44\tThe story loses its bite in a last-minute happy ending that 's even less plausible than the rest of the picture .\n45\tMuch of the way , though , this is a refreshingly novel ride .\n46\tFuller would surely have called this gutsy and at times exhilarating movie a great yarn .\n47\tThe film makes a strong case for the importance of the musicians in creating the Motown sound .\n48\tKarmen moves like rhythm itself , her lips chanting to the beat , her long , braided hair doing little to wipe away the jeweled beads of sweat .\n49\tGosling provides an amazing performance that dwarfs everything else in the film .\n50\tA real movie , about real people , that gives us a rare glimpse into a culture most of us do n't know .\n51\tTender yet lacerating and darkly funny fable .\n52\tMay be spoofing an easy target -- those old ' 50 's giant creature features -- but ... it acknowledges and celebrates their cheesiness as the reason why people get a kick out of watching them today .\n53\tAn engaging overview of Johnson 's eccentric career .\n54\tIn its ragged , cheap and unassuming way , the movie works .\n55\tSome actors have so much charisma that you 'd be happy to listen to them reading the phone book .\n56\tHugh Grant and Sandra Bullock are two such likeable actors .\n57\tSandra Nettelbeck beautifully orchestrates the transformation of the chilly , neurotic , and self-absorbed Martha as her heart begins to open .\n58\tBehind the snow games and lovable Siberian huskies -LRB- plus one sheep dog -RRB- , the picture hosts a parka-wrapped dose of heart .\n59\tEverytime you think Undercover Brother has run out of steam , it finds a new way to surprise and amuse .\n60\tManages to be original , even though it rips off many of its ideas .\n61\tSinger\\/composer Bryan Adams contributes a slew of songs -- a few potential hits , a few more simply intrusive to the story -- but the whole package certainly captures the intended , er , spirit of the piece .\n62\tYou 'd think by now America would have had enough of plucky British eccentrics with hearts of gold .\n63\tYet the act is still charming here .\n64\tWhether or not you 're enlightened by any of Derrida 's lectures on `` the other '' and `` the self , '' Derrida is an undeniably fascinating and playful fellow .\n65\tA pleasant enough movie , held together by skilled ensemble actors .\n66\tThis is the best American movie about troubled teens since 1998 's Whatever .\n67\tDisney has always been hit-or-miss when bringing beloved kids ' books to the screen ... Tuck Everlasting is a little of both .\n68\tJust the labour involved in creating the layered richness of the imagery in this chiaroscuro of madness and light is astonishing .\n69\tThe animated subplot keenly depicts the inner struggles of our adolescent heroes - insecure , uncontrolled , and intense .\n70\tThe invincible Werner Herzog is alive and well and living in LA\n71\tMorton is a great actress portraying a complex character , but Morvern Callar grows less compelling the farther it meanders from its shocking start .\n72\tPart of the charm of Satin Rouge is that it avoids the obvious with humour and lightness .\n73\tSon of the Bride may be a good half-hour too long but comes replete with a flattering sense of mystery and quietness .\n74\tA simmering psychological drama in which the bursts of sudden violence are all the more startling for the slow buildup that has preceded them .\n75\tA taut , intelligent psychological drama .\n76\tA truly moving experience , and a perfect example of how art -- when done right -- can help heal , clarify , and comfort .\n77\tThis delicately observed story , deeply felt and masterfully stylized , is a triumph for its maverick director .\n78\tAt heart the movie is a deftly wrought suspense yarn whose richer shadings work as coloring rather than substance .\n79\tThe appearance of Treebeard and Gollum 's expanded role will either have you loving what you 're seeing , or rolling your eyes .\n80\tI loved it !\n81\tGollum 's ` performance ' is incredible !\n82\ta screenplay more ingeniously constructed than `` Memento ''\n83\tIf this movie were a book , it would be a page-turner , you ca n't wait to see what happens next .\n84\tHaneke challenges us to confront the reality of sexual aberration .\n85\tAbsorbing and disturbing -- perhaps more disturbing than originally intended -- but a little clarity would have gone a long way .\n86\tIt 's the best film of the year so far , the benchmark against which all other Best Picture contenders should be measured .\n87\tPainful to watch , but viewers willing to take a chance will be rewarded with two of the year 's most accomplished and riveting film performances .\n88\tThis is a startling film that gives you a fascinating , albeit depressing view of Iranian rural life close to the Iraqi border .\n89\tA few artsy flourishes aside , Narc is as gritty as a movie gets these days .\n90\tWhile The Isle is both preposterous and thoroughly misogynistic , its vistas are incredibly beautiful to look at .\n91\tTogether , Tok and O orchestrate a buoyant , darkly funny dance of death .\n92\tIn the process , they demonstrate that there 's still a lot of life in Hong Kong cinema .\n93\tDirector Kapur is a filmmaker with a real flair for epic landscapes and adventure , and this is a better film than his earlier English-language movie , the overpraised Elizabeth .\n94\tThe movie is a blast of educational energy , as bouncy animation and catchy songs escort you through the entire 85 minutes .\n95\tA sports movie with action that 's exciting on the field and a story you care about off it .\n96\tDoug Liman , the director of Bourne , directs the traffic well , gets a nice wintry look from his locations , absorbs us with the movie 's spycraft and uses Damon 's ability to be focused and sincere .\n97\tThe tenderness of the piece is still intact .\n98\tKatz uses archival footage , horrifying documents of lynchings , still photographs and charming old reel-to-reel recordings of Meeropol entertaining his children to create his song history , but most powerful of all is the song itself\n99\tLike the film 's almost anthropologically detailed realization of early - '80s suburbia , it 's significant without being overstated .\n100\tWhile McFarlane 's animation lifts the film firmly above the level of other coming-of-age films ... it 's also so jarring that it 's hard to get back into the boys ' story .\n101\tIf nothing else , this movie introduces a promising , unusual kind of psychological horror .\n102\tIn a normal screen process , these bromides would be barely enough to sustain an interstitial program on the Discovery Channel .\n103\tBut in Imax 3-D , the clichés disappear into the vertiginous perspectives opened up by the photography .\n104\tWriter-director Burger imaginatively fans the embers of a dormant national grief and curiosity that has calcified into chronic cynicism and fear .\n105\t... a roller-coaster ride of a movie\n106\tI enjoyed Time of Favor while I was watching it , but I was surprised at how quickly it faded from my memory .\n107\tChicago is sophisticated , brash , sardonic , completely joyful in its execution .\n108\tSteve Irwin 's method is Ernest Hemmingway at accelerated speed and volume .\n109\tA refreshing Korean film about five female high school friends who face an uphill battle when they try to take their relationships into deeper waters .\n110\tOn the surface , it 's a lovers-on-the-run crime flick , but it has a lot in common with Piesiewicz 's and Kieslowski 's earlier work , films like The Double Life of Veronique .\n111\tThe values that have held the Enterprise crew together through previous adventures and perils do so again-courage , self-sacrifice and patience under pressure .\n112\tIf it 's possible for a sequel to outshine the original , then SL2 does just that .\n113\tA romantic comedy that operates by the rules of its own self-contained universe .\n114\t4 friends , 2 couples , 2000 miles , and all the Pabst Blue Ribbon beer they can drink - it 's the ultimate redneck road-trip .\n115\tThe film is often filled with a sense of pure wonderment and excitement not often seen in today 's cinema du sarcasm\n116\tIt might be tempting to regard Mr. Andrew and his collaborators as oddballs , but Mr. Earnhart 's quizzical , charming movie allows us to see them , finally , as artists .\n117\tA feel-good picture in the best sense of the term .\n118\tEdited and shot with a syncopated style mimicking the work of his subjects , Pray turns the idea of the documentary on its head , making it rousing , invigorating fun lacking any MTV puffery .\n119\tA mostly intelligent , engrossing and psychologically resonant suspenser .\n120\tIt 's this memory-as-identity obviation that gives Secret Life its intermittent unease , reaffirming that long-held illusions are indeed reality , and that erasing them recasts the self .\n121\tHip-hop has a history , and it 's a metaphor for this love story .\n122\tIn scope , ambition and accomplishment , Children of the Century ... takes Kurys ' career to a whole new level .\n123\tThis may not have the dramatic gut-wrenching impact of other Holocaust films , but it 's a compelling story , mainly because of the way it 's told by the people who were there .\n124\tBetween the drama of Cube ?\n125\ts personal revelations regarding what the shop means in the big picture , iconic characters gambol fluidly through the story , with charming results .\n126\tA gentle , compassionate drama about grief and healing .\n127\tSomewhere short of Tremors on the modern B-scene : neither as funny nor as clever , though an agreeably unpretentious way to spend ninety minutes .\n128\tDigital-video documentary about stand-up comedians is a great glimpse into a very different world .\n129\tUnlike most teen flicks , Swimming takes its time to tell its story , casts mostly little-known performers in key roles , and introduces some intriguing ambiguity .\n130\tAn enthralling , playful film that constantly frustrates our desire to know the ` truth ' about this man , while deconstructing the very format of the biography in a manner that Derrida would doubtless give his blessing to .\n131\t`` Extreme Ops '' exceeds expectations .\n132\tGood fun , good action , good acting , good dialogue , good pace , good cinematography .\n133\tYou Should Pay Nine Bucks for This : Because you can hear about suffering Afghan refugees on the news and still be unaffected .\n134\tDramas like this make it human .\n135\tA thunderous ride at first , quiet cadences of pure finesse are few and far between ; their shortage dilutes the potency of otherwise respectable action .\n136\tStill , this flick is fun , and host to some truly excellent sequences .\n137\tIt 's obviously struck a responsive chord with many South Koreans , and should work its magic in other parts of the world .\n138\tRun , do n't walk , to see this barbed and bracing comedy on the big screen .\n139\tA classy item by a legend who may have nothing left to prove but still has the chops and drive to show how its done .\n140\tIt is nature against progress .\n141\tIn Fessenden 's horror trilogy , this theme has proved important to him and is especially so in the finale .\n142\tIt 's not exactly a gourmet meal but the fare is fair , even coming from the drive-thru .\n143\tThis is what IMAX was made for : Strap on a pair of 3-D goggles , shut out the real world , and take a vicarious voyage to the last frontier -- space .\n144\tMerely as a technical , logistical feat , Russian Ark marks a cinematic milestone .\n145\t-LRB- Schweiger is -RRB- talented and terribly charismatic , qualities essential to both movie stars and social anarchists .\n146\tIt 's a great deal of sizzle and very little steak .\n147\tBut what spectacular sizzle it is !\n148\t... In this incarnation its fizz is infectious .\n149\tAn original gem about an obsession with time .\n150\tIt will delight newcomers to the story and those who know it from bygone days .\n151\tGloriously goofy -LRB- and gory -RRB- midnight movie stuff .\n152\tThe film overcomes the regular minefield of coming-of-age cliches with potent doses of honesty and sensitivity .\n153\tIf your senses have n't been dulled by slasher films and gorefests , if you 're a connoisseur of psychological horror , this is your ticket .\n154\tIt 's a minor comedy that tries to balance sweetness with coarseness , while it paints a sad picture of the singles scene .\n155\tIt is intensely personal and yet -- unlike Quills -- deftly shows us the temper of the times .\n156\tAs lo-fi as the special effects are , the folks who cobbled Nemesis together indulge the force of humanity over hardware in a way that George Lucas has long forgotten .\n157\tLike Mike does n't win any points for originality .\n158\tIt does succeed by following a feel-good formula with a winning style , and by offering its target audience of urban kids some welcome role models and optimism .\n159\tIt 's a hoot and a half , and a great way for the American people to see what a candidate is like when he 's not giving the same 15-cent stump speech .\n160\tFar from perfect , but its heart is in the right place ... innocent and well-meaning .\n161\tA sad , superior human comedy played out on the back roads of life .\n162\tWaydowntown is by no means a perfect film , but its boasts a huge charm factor and smacks of originality .\n163\tTim Allen is great in his role but never hogs the scenes from his fellow cast , as there are plenty of laughs and good lines for everyone in this comedy .\n164\tMore a load of enjoyable , Conan-esque claptrap than the punishing , special-effects soul assaults the Mummy pictures represent .\n165\tEnormously likable , partly because it is aware of its own grasp of the absurd .\n166\tHere 's a British flick gleefully unconcerned with plausibility , yet just as determined to entertain you .\n167\tIt 's an old story , but a lively script , sharp acting and partially animated interludes make Just a Kiss seem minty fresh .\n168\tMust be seen to be believed .\n169\tRay Liotta and Jason Patric do some of their best work in their underwritten roles , but do n't be fooled : Nobody deserves any prizes here .\n170\tEverything that has to do with Yvan and Charlotte , and everything that has to do with Yvan 's rambunctious , Jewish sister and her non-Jew husband , feels funny and true .\n171\tThe year 's happiest surprise , a movie that deals with a real subject in an always surprising way .\n172\tFans of Behan 's work and of Irish movies in general will be rewarded by Borstal Boy .\n173\tIts mysteries are transparently obvious , and it 's too slowly paced to be a thriller .\n174\t-LRB- But it 's -RRB- worth recommending because of two marvelous performances by Michael Caine and Brendan Fraser .\n175\tThe film is faithful to what one presumes are the book 's twin premises -- that we become who we are on the backs of our parents , but we have no idea who they were at our age ; and that time is a fleeting and precious commodity no matter how old you are .\n176\tStephen Earnhart 's homespun documentary Mule Skinner Blues has nothing but love for its posse of trailer park denizens .\n177\tA solidly seaworthy chiller .\n178\tIf you can get past the fantastical aspects and harsh realities of `` The Isle '' you 'll get a sock-you-in-the-eye flick that is a visual tour-de-force and a story that is unlike any you will likely see anywhere else .\n179\tThere are as many misses as hits , but ultimately , it finds humor in the foibles of human behavior , and it 's a welcome return to the roots of a genre that should depend on surprises .\n180\tA well-made thriller with a certain level of intelligence and non-reactionary morality .\n181\tThere 's enough science to make it count as educational , and enough beauty to make it unforgettable .\n182\tRemains a solid , if somewhat heavy-handed , account of the near-disaster ... done up by Howard with a steady , if not very imaginative , hand .\n183\tMakmalbaf follows a resolutely realistic path in this uncompromising insight into the harsh existence of the Kurdish refugees of Iran 's borderlands .\n184\tFor a good chunk of its running time , Trapped is an effective and claustrophobic thriller .\n185\tMost of Crush is a clever and captivating romantic comedy with a welcome pinch of tartness .\n186\tNair does capture the complexity of a big family and its trials and tribulations ...\n187\tThe seaside splendor and shallow , beautiful people are nice to look at while you wait for the story to get going .\n188\tRare is the ` urban comedy ' that even attempts the insight and honesty of this disarming indie .\n189\tRanks among Willams ' best screen work .\n190\tEngagingly captures the maddening and magnetic ebb and flow of friendship .\n191\tAn experience so engrossing it is like being buried in a new environment .\n192\tIt 's traditional moviemaking all the way , but it 's done with a lot of careful period attention as well as some very welcome wit .\n193\tMaybe it 's just because this past year has seen the release of some of the worst film comedies in decades ... But honestly , Analyze That really is n't all that bad .\n194\tA droll , well-acted , character-driven comedy with unexpected deposits of feeling .\n195\tThis is simply the most fun you 'll ever have with a documentary !\n196\tA very funny movie .\n197\tWatching Haneke 's film is , aptly enough , a challenge and a punishment .\n198\tBut watching Huppert , a great actress tearing into a landmark role , is riveting .\n199\tA cop story that understands the medium amazingly well .\n200\tBritney has been delivered to the big screen safe and sound , the way we like our 20-year-old superstar girls to travel on the fame freeway .\n201\tThose outside show business will enjoy a close look at people they do n't really want to know .\n202\tThe kind of nervous film that will either give you a mild headache or exhilarate you .\n203\tWatching Beanie and his gang put together his slasher video from spare parts and borrowed materials is as much fun as it must have been for them to make it .\n204\tChildren may not understand everything that happens -- I 'm not sure even Miyazaki himself does -- but they will almost certainly be fascinated , and undoubtedly delighted .\n205\tA fascinating and fun film .\n206\tTadpole is a sophisticated , funny and good-natured treat , slight but a pleasure .\n207\tThis insightful , Oscar-nominated documentary , in which children on both sides of the ever-escalating conflict have their say away from watchful parental eyes , gives peace yet another chance .\n208\tI admired this work a lot .\n209\tWhether you 're moved and love it , or bored or frustrated by the film , you 'll still feel something .\n210\t... there are enough moments of heartbreaking honesty to keep one glued to the screen .\n211\tMy goodness , Queen Latifah has a lot to offer and she seemed to have no problem flaunting her natural gifts .\n212\tShe must have a very strong back .\n213\tA smart , sweet and playful romantic comedy .\n214\tAustralian actor\\/director John Polson and award-winning English cinematographer Giles Nuttgens make a terrific effort at disguising the obvious with energy and innovation .\n215\tWithout heavy-handedness , Dong provides perspective with his intelligent grasp of human foibles and contradictions .\n216\tSolid , lump-in-the-throat family entertainment that derives its power by sticking to the facts .\n217\tAs an entertainment , the movie keeps you diverted and best of all , it lightens your wallet without leaving a sting .\n218\tIt is interesting and fun to see Goodall and her chimpanzees on the bigger-than-life screen .\n219\tIt wo n't bust your gut -- and it 's not intended to -- it 's merely a blandly cinematic surgical examination of what makes a joke a joke .\n220\tA somewhat crudely constructed but gripping , questing look at a person so racked with self-loathing , he becomes an enemy to his own race .\n221\tIt extends the writings of Jean Genet and John Rechy , the films of Fassbinder , perhaps even the nocturnal works of Goya .\n222\tNarc may not get an ` A ' for originality , but it wears its B-movie heritage like a badge of honor .\n223\tWith the film 's striking ending , one realizes that we have a long way to go before we fully understand all the sexual permutations involved .\n224\t-LRB- Drumline -RRB- is entertaining for what it does , and admirable for what it does n't do .\n225\tAt its best early on as it plays the culture clashes between the brothers .\n226\tAn unabashedly schmaltzy and thoroughly enjoyable true story .\n227\tA thoughtful look at a painful incident that made headlines in 1995 .\n228\tYou walk out of The Good Girl with mixed emotions -- disapproval of Justine combined with a tinge of understanding for her actions .\n229\tTsai Ming-liang has taken his trademark style and refined it to a crystalline point .\n230\tPurely propaganda , a work of unabashed hero worship , it is nonetheless -- and likely inadvertently -- a timely and invaluable implicit reminder of the role that U.S. foreign policy has played in the rise of Castro .\n231\tNow trimmed by about 20 minutes , this lavish three-year-old production has enough grandeur and scale to satisfy as grown-up escapism .\n232\tWe get some truly unique character studies and a cross-section of Americana that Hollywood could n't possibly fictionalize and be believed .\n233\tThough this film can be clumsy , its ambitions are equally -- and admirably -- uncommercial .\n234\tDaring , mesmerizing and exceedingly hard to forget .\n235\tMoore 's performance impresses almost as much as her work with Haynes in 1995 's Safe .\n236\tVisits spy-movie territory like a novel you ca n't put down , examines a footnote to history seldom brought to light on the screen , and keeps you guessing from first frame to last .\n237\tAn absorbing , slice-of-depression life that touches nerves and rings true .\n238\tMr. Parker has brilliantly updated his source and grasped its essence , composing a sorrowful and hilarious tone poem about alienated labor , or an absurdist workplace sitcom .\n239\tThe result is something quite fresh and delightful .\n240\tAll but the most persnickety preteens should enjoy this nonthreatening but thrilling adventure .\n241\tDespite its many infuriating flaws -- not the least of which is Amy 's self-absorbed personality -- Amy 's O 's honesty will win you over .\n242\tThis is one of Polanski 's best films .\n243\tDay is not a great Bond movie , but it is a good Bond movie , which still makes it much better than your typical Bond knock-offs .\n244\tPolished Korean political-action film is just as good -- and bad -- as Hollywood action epics .\n245\tIs this progress ?\n246\tElling , portrayed with quiet fastidiousness by Per Christian Ellefsen , is a truly singular character , one whose frailties are only slightly magnified versions of the ones that vex nearly everyone .\n247\tDenis and co-writer Michele Petin 's impeccable screenplay penetrates with a rawness that that is both unflinching and tantalizing .\n248\tLead provocatuers Testud and Parmentier give superlative performances\n249\tAn absorbing trip into the minds and motivations of people under stress as well as a keen , unsentimental look at variations on the theme of motherhood .\n250\tI admired it , particularly that unexpected downer of an ending .\n251\tThe passions aroused by the discord between old and new cultures are set against the strange , stark beauty of the Mideast desert , so lovingly and perceptively filmed that you can almost taste the desiccated air .\n252\tRemarkably accessible and affecting .\n253\tNever mind whether you buy the stuff about Barris being a CIA hit man .\n254\tThe kooky yet shadowy vision Clooney sustains throughout is daring , inventive and impressive .\n255\tA triumph of art direction over narrative , but what art direction !\n256\tBehan himself knew how to spin a tale and one ca n't help but think he 'd appreciate this attempt to turn his life into art .\n257\tJirí Hubac 's script is a gem .\n258\tHis characters are engaging , intimate and the dialogue is realistic and greatly moving .\n259\tThe scope of the Silberstein family is large and we grow attached to their lives , full of strength , warmth and vitality . .\n260\tMoore 's complex and important film is also , believe it or not , immensely entertaining , a David and Goliath story that 's still very much playing itself out .\n261\tThe additional storyline is interesting and entertaining , but it does n't have the same magical quality as the beginning of the story .\n262\tI like the new footage and still love the old stuff .\n263\tThough Mama takes a bit too long to find its rhythm and a third-act plot development is somewhat melodramatic , its ribald humor and touching nostalgia are sure to please anyone in search of a Jules and Jim for the new millennium .\n264\tYou might not buy the ideas .\n265\tBut you 'll definitely want the T-shirt .\n266\tProvides an intriguing window into the imagination and hermetic analysis of Todd Solondz .\n267\tWindtalkers is shapelessly gratifying , the kind of movie that invites you to pick apart its faults even as you have to admit that somehow it hit you where you live .\n268\tPresents an astute appraisal of Middle American musical torpor and the desperate struggle to escape it .\n269\tJust what makes us happy , anyway ?\n270\tA thoughtful , moving piece that faces difficult issues with honesty and beauty .\n271\tOne of the greatest romantic comedies of the past decade .\n272\tYou would n't call The Good Girl a date movie -LRB- an anti-date movie is more like it -RRB- , but when it 's good , it 's good and horrid .\n273\tBenefits from a strong performance from Zhao , but it 's Dong Jie 's face you remember at the end .\n274\tThis is a film brimming with detail and nuance and one that speaks volumes about the ability of the human spirit to find solace in events that could easily crush it forever .\n275\tThe director , Steven Shainberg , has succeeded by focusing intently on his characters , making them quirky individuals rather than figures of fun .\n276\tIt ultimately stands forth as an important chronicle of the abuses of one of Latin America 's most oppressive regimes .\n277\tThe movie has a soft , percolating magic , a deadpan suspense .\n278\tA well-made and often lovely depiction of the mysteries of friendship .\n279\tUsing his audience as a figurative port-of-call , Dong pulls his even-handed ideological ship to their dock for unloading , before he continues his longer journey still ahead .\n280\t... understands that a generation defines its music as much as the music defines a generation .\n281\tThe Transporter is as lively and as fun as it is unapologetically dumb\n282\tAs a witness to several Greek-American weddings -- but , happily , a victim of none -- I can testify to the comparative accuracy of Ms. Vardalos ' memories and insights .\n283\tHas it ever been possible to say that Williams has truly inhabited a character ?\n284\tIt is now .\n285\tBy presenting an impossible romance in an impossible world , Pumpkin dares us to say why either is impossible -- which forces us to confront what 's possible and what we might do to make it so .\n286\tAn impressive debut for first-time writer-director Mark Romanek , especially considering his background is in music video .\n287\tAn incendiary , deeply thought-provoking look at one of the most peculiar -LRB- and peculiarly venomous -RRB- bigotries in our increasingly frightening theocracy\n288\tAll the performances are top notch and , once you get through the accents , All or Nothing becomes an emotional , though still positive , wrench of a sit .\n289\t`` its successes are also tempered with elements which prove the direct antithesis of what it gets right . ''\n290\tIt 's solid and affecting and exactly as thought-provoking as it should be .\n291\tThis is such a dazzlingly self-assured directorial debut that it 's hard to know what to praise first .\n292\tParker holds true to Wilde 's own vision of a pure comedy with absolutely no meaning , and no desire to be anything but a polished , sophisticated entertainment that is in love with its own cleverness .\n293\tMünch 's genuine insight makes the film 's occasional overindulgence forgivable .\n294\tThankfully , the film , which skirts that rapidly deteriorating line between fantasy and reality ... takes a tongue-in-cheek attitude even as it pushes the Croc Hunter agenda .\n295\tUltimately , the message of Trouble Every Day seems to be that all sexual desire disrupts life 's stasis .\n296\tIf you 're like me , a sucker for a good old fashion romance and someone who shamelessly loves to eat , then Mostly Martha offers all the perfect ingredients to more than satisfy your appetite .\n297\tThe film has just enough of everything -- re-enactments , archival footage , talking-head interviews -- and the music is simply sublime .\n298\tThere are a few stabs at absurdist comedy ... but mostly the humor is of the sweet , gentle and occasionally cloying kind that has become an Iranian specialty .\n299\tA wonderful character-based comedy .\n300\tIt would be interesting to hear from the other side , but in Talk to Her , the women are down for the count .\n301\tAn endearingly offbeat romantic comedy with a great meet-cute gimmick .\n302\tThe unique tug-of-war with viewer expectations is undeniable , if not a pleasure in its own right .\n303\tIt uses an old-time formula , it 's not terribly original and it 's rather messy -- but you just have to love the big , dumb , happy movie My Big Fat Greek Wedding .\n304\tIt 's almost impossible not to be moved by the movie 's depiction of sacrifice and its stirring epilogue in post-Soviet Russia .\n305\tWho knows what exactly Godard is on about in this film , but his words and images do n't have to add up to mesmerize you .\n306\tThe tone is balanced , reflective and reasonable .\n307\tThe principals in this cast are all fine , but Bishop and Stevenson are standouts .\n308\tIt could change America , not only because it is full of necessary discussion points , but because it is so accessible that it makes complex politics understandable to viewers looking for nothing but energetic entertainment .\n309\tWhat 's most striking about this largely celebratory film ... is the sense of isolation that permeates these bastions of individuality in an Ikea world .\n310\t... if you 're in a mind set for goofy comedy , the troopers will entertain with their gross outs , bawdy comedy and head games .\n311\tSomewhat blurred , but Kinnear 's performance is razor sharp .\n312\tAs a director , Mr. Ratliff wisely rejects the temptation to make fun of his subjects .\n313\tFor anyone who remembers the '60s or is interested in one man 's response to stroke , Ram Dass : Fierce Grace is worth seeking out .\n314\tIntriguing and beautiful film , but those of you who read the book are likely to be disappointed .\n315\tThe New Guy does have a heart .\n316\tNow , if it only had a brain .\n317\tA savvy exploration of paranoia and insecurity in America 's culture of fear .\n318\tLegendary Irish writer Brendan Behan 's memoir , Borstal Boy , has been given a loving screen transferral .\n319\tThe film 's greatest asset is how much it 's not just another connect-the-dots , spy-on-the-run picture .\n320\tThis clever caper movie has twists worthy of David Mamet and is enormous fun for thinking audiences .\n321\tIt 's one of the saddest films I have ever seen that still manages to be uplifting but not overly sentimental .\n322\tMorton is , as usual , brilliant .\n323\tEven with all those rough edges safely sanded down , the American Insomnia is still pretty darned good .\n324\tI do n't know precisely what to make of Steven Soderbergh 's Full Frontal , though that did n't stop me from enjoying much of it .\n325\tThe tug of war that ensues is as much a snapshot of modern China in microcosm as it is a crash course in movie mythology .\n326\tNearly surreal , dabbling in French , this is no simple movie , and you 'll be taking a risk if you choose to see it .\n327\tI enjoyed the ride -LRB- bumps and all -RRB- , creamy depth , and ultimate theme .\n328\tYou could say that it 's slow at times , you could say that a few of the characters act in ways that real people would n't , but one thing you could n't say is that Alias Betty is predictable .\n329\tAsia authors herself as Anna Battista , an Italian superstar and aspiring directress who just happens to be her own worst enemy .\n330\tRoman Coppola may never become the filmmaker his Dad was , but heck -- few filmmakers will .\n331\tBut based on CQ , I 'll certainly be keeping an eye out for his next project .\n332\tAn amusing , breezily apolitical documentary about life on the campaign trail .\n333\tHigh on melodrama .\n334\tBut it 's emotionally engrossing , too , thanks to strong , credible performances from the whole cast .\n335\tFinally , a genre movie that delivers -- in a couple of genres , no less .\n336\tIt 's not so much enjoyable to watch as it is enlightening to listen to new sides of a previous reality , and to visit with some of the people who were able to make an impact in the theater world .\n337\tSpielberg is the rare director who does not want to invite viewers to gawk at or applaud his special effects .\n338\tHe just wants them to be part of the action , the wallpaper of his chosen reality .\n339\tHere , thankfully , they are .\n340\tPost 9\\/11 the philosophical message of `` Personal Freedom First '' might not be as palatable as intended .\n341\tHu and Liu offer natural , matter-of-fact performances that glint with sorrow , longing and love .\n342\tThis bold and lyrical first feature from Raja Amari expands the pat notion that middle-aged women just wanna have fun into a rousing treatise of sensual empowerment .\n343\tEasier to respect than enthuse over , Andersson 's rigorous personal vision is not only distanced but distancing .\n344\tGirls gone wild and gone civil again\n345\t... Tunney is allowed to build an uncommonly human character , an almost real-live girl complete with trouble and hope .\n346\tWhile this film is not in the least surprising , it is still ultimately very satisfying .\n347\tThink of it as a sort of comfort food for the mind .\n348\tClever , brutal and strangely soulful movie .\n349\t... always remains movingly genuine .\n350\tAn intelligent fiction about learning through cultural clash .\n351\tWill grab your children by the imagination and amaze them and amuse them .\n352\tA remarkable 179-minute meditation on the nature of revolution .\n353\tThose who would follow Haneke on his creepy explorations ... are rewarded by brutal , committed performances from Huppert and Magimel .\n354\tAn involving true story of a Chinese actor who takes up drugs and winds up in an institution -- acted mostly by the actual people involved .\n355\tHands down the year 's most thought-provoking film .\n356\tBut it pays a price for its intricate intellectual gamesmanship .\n357\tIt 's a terrific American sports movie and Dennis Quaid is its athletic heart .\n358\tThis is such a high-energy movie where the drumming and the marching are so excellent , who cares if the story 's a little weak .\n359\tCompelling revenge thriller , though somewhat weakened by a miscast leading lady .\n360\tIt 's amazingly perceptive in its subtle , supportive but unsentimental look at the Marks family .\n361\tA whole lot foul , freaky and funny .\n362\tAttal mixes comedy with a serious exploration of ego and jealousy within a seemingly serene marriage .\n363\tThe diversity of the artists represented , both in terms of style and ethnicity , prevents the proceedings from feeling repetitious , as does the appropriately brief 40-minute running time .\n364\tThe Pianist is a fine valedictory work for Polanski , made richer by his own experiences , making his other movies somehow richer in the bargain .\n365\tFoster nails the role , giving a tight , focused performance illuminated by shards of feeling .\n366\tEven if you ca n't pronounce `` gyro '' correctly , you 'll appreciate much of Vardalos ' humor , which transcends ethnic boundaries .\n367\tIs office work really as alienating as ` Bartleby ' so effectively makes it ?\n368\tFarrell ... thankfully manages to outshine the role and successfully plays the foil to Willis 's world-weary colonel .\n369\tAudiences conditioned to getting weepy over saucer-eyed , downy-cheeked moppets and their empathetic caretakers will probably feel emotionally cheated by the film 's tart , sugar-free wit .\n370\tBennett 's dramatization of her personal descent into post-breakup perdition has a morbid appeal that 's tough to shake .\n371\tAn intriguing and entertaining introduction to Johnson .\n372\tAs expected , Sayles ' smart wordplay and clever plot contrivances are as sharp as ever , though they may be overshadowed by some strong performances .\n373\tA model of what films like this should be like .\n374\tAs Weber and Weissman demonstrate with such insight and celebratory verve , the Cockettes were n't as much about gender , sexual preference or political agitprop as they were simply a triumph of the indomitable human will to rebel , connect and create .\n375\tYeah , these flicks are just that damn good .\n376\tIs n't it great ?\n377\tAn unbelievably fun film just a leading man away from perfection .\n378\tOver-the-top and a bit ostentatious , this is a movie that 's got oodles of style and substance .\n379\t... a poignant and powerful narrative that reveals that reading writing and arithmetic are not the only subjects to learn in life .\n380\tNicely serves as an examination of a society in transition .\n381\tA tender and touching drama , based on the true story of a troubled African-American 's quest to come to terms with his origins , reveals the yearning we all have in our hearts for acceptance within the family circle .\n382\tAs a randy film about sexy people in gorgeous places being pushed and pulled -LRB- literally and figuratively -RRB- by desire ... -LRB- Sex and Lucía -RRB- makes for an arousing good time .\n383\tAbsorbing character study by André Turpin .\n384\tCelebrated at Sundance , this slight comedy of manners has winning performances and a glossy , glib charm that 's hard to beat .\n385\tRenner 's performance as Dahmer is unforgettable , deeply absorbing .\n386\tIf no one singles out any of these performances as award-worthy , it 's only because we would expect nothing less from this bunch .\n387\tIf you love reading and\\/or poetry , then by all means check it out .\n388\tYou 'll probably love it .\n389\tThough of particular interest to students and enthusiast of international dance and world music , the film is designed to make viewers of all ages , cultural backgrounds and rhythmic ability want to get up and dance .\n390\tEnergetic and boldly provocative .\n391\tStar Wars is back in a major way .\n392\tIt 's a movie -- and an album -- you wo n't want to miss .\n393\tIt 's rare to find a film that dazzles the eye , challenges the brain , AND satisfies our lust for fast-paced action , but Minority Report delivers all that and a whole lot more .\n394\tWhile not all transitions to adulthood are so fraught , there 's much truth and no small amount of poetry in Girls Ca n't Swim .\n395\tIf there 's nothing fresh about Wannabes , which was written by Mr. DeMeo , who produced and directed the film with Charles A. Addessi , much of the time the movie feels authentic .\n396\tJacquot 's Tosca is a treat .\n397\tBy the end of No Such Thing the audience , like Beatrice , has a watchful affection for the monster .\n398\tIf you liked such movies as Notting Hill , Four Weddings And A Funeral , Bridget Jones ' Diary or High Fidelity , then you wo n't want to miss About A Boy .\n399\t... the gentle melding of drama and comedy makes `` What Time Is It There ? ''\n400\tsomething the true film buff will enjoy .\n401\tRomanek keeps the film constantly taut ... reflecting the character 's instability with a metaphorical visual style and an unnerving , heartbeat-like score .\n402\tI whole-heartedly recommend that everyone see this movie -- for its historical significance alone .\n403\tHey , who else needs a shower ?\n404\tLongley has constructed a remarkably coherent , horrifically vivid snapshot of those turbulent days .\n405\tAlthough it bangs a very cliched drum at times , this crowd-pleaser 's fresh dialogue , energetic music , and good-natured spunk are often infectious .\n406\tOften gruelling and heartbreaking to witness , but Seldahl and Wollter 's sterling performances raise this far above the level of the usual maudlin disease movie .\n407\tGo see it and enjoy .\n408\tThe stunning , dreamlike visuals will impress even those viewers who have little patience for Euro-film pretension .\n409\tGeorge Clooney proves he 's quite a talented director and Sam Rockwell shows us he 's a world-class actor with Confessions of a Dangerous Mind .\n410\tThere 's a vastness implied in Metropolis that is just breathtaking .\n411\tMurderous Maids may well be the most comprehensive of these films and also strike closest to the truth .\n412\tThe people in Dogtown and Z-Boys are so funny , aggressive and alive , you have to watch them because you ca n't wait to see what they do next .\n413\tAs green-guts monster movies go , it 's a beaut .\n414\tAs Bundy , Michael Reilly Burke -LRB- Octopus 2 : River of Fear -RRB- has just the right amount of charisma and menace .\n415\tA deceivingly simple film , one that grows in power in retrospect .\n416\tAna is a vivid , vibrant individual and the movie 's focus upon her makes it successful and accessible .\n417\tA slick , skillful little horror film .\n418\tA very witty take on change , risk and romance , and the film uses humour to make its points about acceptance and growth .\n419\t-LRB- Anderson -RRB- uses a hit-or-miss aesthetic that hits often enough to keep the film entertaining even if none of it makes a lick of sense .\n420\tBubba Ho-Tep is a wonderful film with a bravura lead performance by Bruce Campbell that does n't deserve to leave the building until everyone is aware of it .\n421\tdespite the long running time , the pace never feels slack -- there 's no scene that screams `` bathroom break ! ''\n422\tBullock does a good job here of working against her natural likability .\n423\tA film of precious increments artfully camouflaged as everyday activities .\n424\tKinnear gives a tremendous performance .\n425\tThe best movie of its kind since ` Brazil . '\n426\tLucas , take notes .\n427\tThis is how you use special effects .\n428\t`` Frailty '' has been written so well , that even a simple `` Goddammit ! ''\n429\tnear the end takes on a whole other meaning .\n430\tOne Hour Photo is an intriguing snapshot of one man and his delusions ; it 's just too bad it does n't have more flashes of insight .\n431\tKaufman creates an eerie sense of not only being there at the time of these events but the very night Matthew was killed .\n432\tChalk it up to my adoration for both De Niro and Murphy , but I had a pretty good time with this movie - despite its myriad flaws .\n433\tIts scenes and sensibility are all more than familiar , but it exudes a kind of nostalgic spy-movie charm and , at the same time , is so fresh and free of the usual thriller nonsense that it all seems to be happening for the first time .\n434\tIt represents better-than-average movie-making that does n't demand a dumb , distracted audience .\n435\tA charming yet poignant tale of the irrevocable ties that bind .\n436\tAn enchanting spectacular for Potter fans anxious to ride the Hogwarts Express toward a new year of magic and mischief .\n437\tThe talents of the actors helps `` Moonlight Mile '' rise above its heart-on-its-sleeve writing .\n438\tIt 's a humble effort , but spiced with wry humor and genuine pathos , especially between Morgan and Redgrave .\n439\tThis examination of aquatic life off the shores of the Baja California peninsula of Mexico offers an engrossing way to demonstrate the virtues of the IMAX format .\n440\tDark and disturbing , but also surprisingly funny .\n441\tThe movie has an avalanche of eye-popping visual effects .\n442\tStarts off with a bang , but then fizzles like a wet stick of dynamite at the very end .\n443\tIt 's still worth a look .\n444\tMost impressive , though , is the film 's open-ended finale that refuses to entirely close its characters ' emotional wounds .\n445\tA hip ride into hyper-time , Clockstoppers is a lively and enjoyable adventure for all ages at any time .\n446\tGrenier is terrific , bringing an unforced , rapid-fire delivery to Toback 's Heidegger - and Nietzsche-referencing dialogue .\n447\t... a polished and relatively sincere piece of escapism .\n448\tThe story wraps back around on itself in the kind of elegant symmetry that 's rare in film today , but be warned : It 's a slow slog to get there .\n449\tThe whole cast looks to be having so much fun with the slapstick antics and silly street patois , tossing around obscure expressions like Bellini and Mullinski , that the compact 86 minutes breezes by .\n450\t... has freaky scenes where the crew wonder if they 're ghosts imagining themselves as alive .\n451\tIt 's a sly wink to The Others without becoming a postmodern joke , made creepy by its `` men in a sardine can '' warped logic .\n452\tLong after you leave Justine , you 'll be wondering what will happen to her and wishing her the best -- whatever that might mean .\n453\tStill pretentious and filled with subtext , but entertaining enough at ` face value ' to recommend to anyone looking for something different .\n454\tCall me a wimp , but I cried , not once , but three times in this animated sweet film .\n455\tNotorious C.H.O. has oodles of vulgar highlights .\n456\tAn inspiring and heart-affecting film about the desperate attempts of Vietnamese refugees living in U.S. relocation camps to keep their hopes alive in 1975 .\n457\tThe level of maturity displayed by this 33-year-old first-time feature director is astonishing , considering her inexperience and her subject matter .\n458\tA splendid entertainment , young in spirit but accomplished in all aspects with the fullness of spirit and sense of ease that comes only with experience .\n459\tDisney 's live-action division has a history of releasing cinematic flotsam , but this is one occasion when they have unearthed a rare gem .\n460\tIf the message seems more facile than the earlier films , the images have such a terrible beauty you may not care .\n461\tWhether Kiss is a future cult classic or destined to be completely forgotten is open to question , but the risk-takers in the crowd should check it out and form their own opinion .\n462\tThere are moments in this account of the life of artist Frida Kahlo that are among cinema 's finest this year .\n463\tUnfortunately , they 're sandwiched in between the most impossibly dry account of Kahlo 's life imaginable .\n464\tThere are moments it can be heart-rending in an honest and unaffected -LRB- and gentle -RRB- way .\n465\tStay clear of reminding yourself that it 's a `` true story '' and you 're likely to have one helluva time at the movies .\n466\tThere are just enough twists in the tale to make it far more satisfying than almost any horror film in recent memory .\n467\tThe Sundance Film Festival has become so buzz-obsessed that fans and producers descend upon Utah each January to ferret out The Next Great Thing .\n468\t` Tadpole ' was one of the films so declared this year , but it 's really more of The Next Pretty Good Thing .\n469\tWorking from Elliott 's memoir , Rohmer fashions the sort of delicate , articulate character - and - relationship study he 's favored for decades .\n470\tThe story feels more like a serious read , filled with heavy doses of always enticing Sayles dialogue .\n471\tWhen it really counts ... Bloody Sunday connects on a visceral level that transcends language .\n472\tThe crime matters less than the characters , although the filmmakers supply enough complications , close calls and double-crosses to satisfy us .\n473\tThe actors are fantastic .\n474\tThey are what makes it worth the trip to the theatre .\n475\tRanging from funny to shattering and featuring some of the year 's best acting , Personal Velocity gathers plenty of dramatic momentum .\n476\tI complain all the time about seeing the same ideas repeated in films over and over again , but The Bourne Identity proves that a fresh take is always possible .\n477\tRecalls quiet freak-outs like L'Avventura and Repulsion .\n478\tOnly an epic documentary could get it all down , and Spike Lee 's Jim Brown : All American at long last gives its subject a movie worthy of his talents .\n479\t... as the story congeals you feel the pieces of the Star Wars saga falling into place in a way that makes your spine tingle with revelation and excitement .\n480\tA great comedy filmmaker knows great comedy need n't always make us laugh .\n481\tTim Story 's not there yet - but ` Barbershop ' shows he 's on his way .\n482\tThe movie is one of the best examples of artful Large Format filmmaking you are likely to see anytime soon .\n483\tLends itself to the narcotizing bland -LRB- sinister , though not nearly so sinister as the biennial Disney girl movie -RRB- machinations of the biennial Disney boy movie .\n484\tWell-written , nicely acted and beautifully shot and scored , the film works on several levels , openly questioning social mores while ensnaring the audience with its emotional pull .\n485\tJason X has cheesy effects and a hoary plot , but its macabre , self-deprecating sense of humor makes up for a lot .\n486\t-LRB- Taymor -RRB- utilizes the idea of making Kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work .\n487\tThis is n't a new idea .\n488\tIt 's been done before but never so vividly or with so much passion .\n489\tAn impressive if flawed effort that indicates real talent .\n490\tTwo generations within one family test boundaries in this intelligent and restrained coming-of-age drama .\n491\tit sounds sick and twisted , but the miracle of Shainberg 's film is that it truly is romance\n492\tDisturbing and brilliant documentary .\n493\t... mesmerizing , an eye-opening tour of modern Beijing culture in a journey of rebellion , retreat into oblivion and return .\n494\tOne of the best examples of how to treat a subject , you 're not fully aware is being examined , much like a photo of yourself you did n't know was being taken .\n495\tNot too far below the gloss you can still feel director Denis Villeneuve 's beating heart and the fondness he has for his characters .\n496\tAs if to prove a female director can make a movie with no soft edges , Kathryn Bigelow offers no sugar-coating or interludes of lightness .\n497\tHer film is unrelentingly claustrophobic and unpleasant .\n498\t-LRB- Villeneuve -RRB- seems to realize intuitively that even morality is reduced to an option by the ultimate mysteries of life and death .\n499\tThe result is mesmerizing -- filled with menace and squalor .\n500\tFisher has bared his soul and confronted his own shortcomings here in a way ... that feels very human and very true to life .\n501\tIt 's fun , but the code-talk will fly right over everyone 's head\n502\tBourne , Jason Bourne .\n503\tHe can scale a building like a super hero , he can out-stealth any agent , he 'll get the girl .\n504\tHe 's Super Spy !\n505\tWhat makes the movie a comedy is the way it avoids the more serious emotions involved .\n506\tThis cuddly sequel to the 1999 hit is a little more visually polished , a little funnier , and a little more madcap .\n507\tThe pleasures of Super Troopers may be fleeting , but they 'll register strongly with anybody who still retains a soft spot for precollegiate humor .\n508\tThe film is exhilarating to watch because Sandler , liberated from the constraints of formula , reveals unexpected depths as an actor .\n509\tA distant , even sterile , yet compulsively watchable look at the sordid life of Hogan 's Heroes star Bob Crane .\n510\tThe film delivers not just the full assault of Reno 's immense wit and insight , but a time travel back to what it felt like during those unforgettably uncertain days .\n511\tWhat might have been a predictably heartwarming tale is suffused with complexity .\n512\tSound the trumpets : For the first time since Desperately Seeking Susan , Madonna does n't suck as an actress .\n513\tAlthough very much like the first movie based on J.K. Rowling 's phenomenal fantasy best sellers , this second go-round possesses a quite pleasing , headlong thrust and a likably delinquent attitude .\n514\t-LRB- `` Take Care of My Cat '' -RRB- is an honestly nice little film that takes us on an examination of young adult life in urban South Korea through the hearts and minds of the five principals .\n515\tAs the story moves inexorably through its seven day timeframe , the picture becomes increasingly mesmerizing .\n516\tMaguire is a surprisingly effective Peter\\/Spider-Man .\n517\tNot a cozy or ingratiating work , but it 's challenging , sometimes clever , and always interesting , and those are reasons enough to see it .\n518\tThe film runs on equal parts of innocence and wisdom -- wisdom that comes with experience .\n519\tIt has fun being grown up .\n520\tLike old myths and wonder tales spun afresh .\n521\tRarely do films come along that are as intelligent , exuberant , and moving as Monsoon Wedding .\n522\tOne scarcely needs the subtitles to enjoy this colorful action farce .\n523\tQuite funny for the type of movie it is ...\n524\tIt 's often infuriatingly glib and posturing , and yet it has been made with great evident care and manages to deliver up the man in a way to arouse further curiosity in even the most unknowing viewer .\n525\tOne of -LRB- Herzog 's -RRB- least inspired works .\n526\tThis boisterous comedy serves up a cruel reminder of the fate of hundreds of thousands of Chinese , one which can only qualify as a terrible tragedy .\n527\tElling really is about a couple of crazy guys , and it 's therapeutic to laugh along with them .\n528\tAn irresistible combination of a rousing good story set on a truly grand scale .\n529\tThere 's no denying the physically spectacular qualities of the film ... or the emotional integrity of the performances .\n530\tFew films this year have been as resolute in their emotional nakedness .\n531\tExquisitely acted and masterfully if preciously interwoven ... -LRB- the film -RRB- addresses in a fascinating , intelligent manner the intermingling of race , politics and local commerce .\n532\tStevenson 's performance is at once clueless and fiercely committed , a volatile combination .\n533\tThis is a very fine movie -- go see it .\n534\tAs shaky as the plot is , Kaufman 's script is still memorable for some great one-liners .\n535\tDespite its flaws , Secretary stays in your head and makes you question your own firmly held positions .\n536\tOne of those rare , exhilarating cinematic delights that gets even better in hindsight , as you mull over its every nuance in your mind .\n537\tNot everything works , but the average is higher than in Mary and most other recent comedies .\n538\tA byzantine melodrama that stimulates the higher brain functions as well as the libido .\n539\tA sensitive and expertly acted crowd-pleaser that is n't above a little broad comedy and a few unabashedly sentimental tears .\n540\tThe film 's sharp , often mischievous sense of humor will catch some off guard ...\n541\tDoes what a fine documentary does best : It extends a warm invitation into an unfamiliar world , then illuminates it fully and allows the larger implications of the journey to sink in unobtrusively .\n542\tAlmost every scene in this film is a gem that could stand alone , a perfectly realized observation of mood , behavior and intent .\n543\tA psychologically rich and suspenseful moral thriller with a stellar performance by Al Pacino .\n544\tYou wo n't believe much of it , but you will laugh at the audacity , at the who 's who casting and the sheer insanity of it all .\n545\tThis version 's no classic like its predecessor , but its pleasures are still plentiful .\n546\tThe Bourne Identity is what summer screen escapism used to be in the decades when it was geared more to grownups .\n547\tProvide -LRB- s -RRB- nail-biting suspense and credible characters without relying on technology-of-the-moment technique or pretentious dialogue .\n548\tIf it tried to do anything more , it would fail and perhaps explode , but at this level of manic whimsy , it is just about right .\n549\tToo sincere to exploit its subjects and too honest to manipulate its audience .\n550\tThe saturation bombing of Reggio 's images and Glass ' evocative music ... ultimately leaves viewers with the task of divining meaning .\n551\tFor all its serious sense of purpose ... -LRB- it -RRB- finds a way to lay bare the tragedies of its setting with a good deal of warmth and humor .\n552\tA depressing confirmation of everything those of us who do n't object to the description `` unelected '' have suspected all along : George W. Bush is an incurious , uncharismatic , overgrown frat boy with a mean streak a mile wide .\n553\tThis road movie gives you emotional whiplash , and you 'll be glad you went along for the ride .\n554\tSure , it 's more of the same , but as the film proves , that 's not always a bad thing .\n555\tA lighthearted , feel-good film that embraces the time-honored truth that the most powerful thing in life is love .\n556\tA bowel-curdling , heart-stopping recipe for terror .\n557\tDaughter from Danang is a film that should be seen by all , especially those who are n't aware of , or have forgotten about the unmentioned victims of war .\n558\tZhang Yimou delivers warm , genuine characters who lie not through dishonesty , but because they genuinely believe it 's the only way to bring happiness to their loved ones .\n559\t... breathes surprising new life into the familiar by amalgamating genres and adding true human complexity to its not-so-stock characters . '\n560\t... both hokey and super-cool , and definitely not in a hurry , so sit back , relax and have a few laughs while the little ones get a fuzzy treat . '\n561\tA pleasant romantic comedy .\n562\tIt 's a Count for our times .\n563\tGreengrass has delivered an undoubted stylistic tour-de-force , and has managed elements such as sound and cinematography with skill\n564\tSmith 's point is simple and obvious -- people 's homes are extensions of themselves , and particularly eccentric people have particularly eccentric living spaces -- but his subjects are charmers .\n565\tA romantic comedy , yes , but one with characters who think and talk about their goals , and are working on hard decisions .\n566\tVividly conveys both the pitfalls and the pleasures of over-the-top love .\n567\t... a weak , manipulative , pencil-thin story that is miraculously able to entertain anyway .\n568\tA pro-fat farce that overcomes much of its excessive moral baggage thanks to two appealing lead performances .\n569\tFor the first two-thirds of this sparklingly inventive and artful , always fast and furious tale , kids will go happily along for the ride .\n570\tMajidi 's poetic love story is a ravishing consciousness-raiser , if a bit draggy at times .\n571\tThe smartest bonehead comedy of the summer .\n572\tEffectively feeds our senses with the chilling sights and sounds from within the camp to create a completely numbing experience .\n573\tI love the way that it took chances and really asks you to take these great leaps of faith and pays off .\n574\tIn his debut as a film director , Denzel Washington delivers a lean and engaging work .\n575\tOnly two words will tell you what you know when deciding to see it : Anthony .\n576\tHopkins .\n577\tThe movie 's quiet affirmation of neighborhood values gives it an honest , lived-in glow .\n578\tA teasing drama whose relentless good-deed\\/bad-deed reversals are just interesting enough to make a sinner like me pray for an even more interesting , less symmetrical , less obviously cross-shaped creation .\n579\tHayek is stunning as Frida and ... a star-making project .\n580\tIt 's both a necessary political work and a fascinating documentary ...\n581\tHilarious , acidic Brit comedy .\n582\tAs a revenge thriller , the movie is serviceable , but it does n't really deliver the delicious guilty pleasure of the better film versions .\n583\tAn ironic speculation on democracy in a culture unaccustomed to it .\n584\tIt 's not life-affirming -- its vulgar and mean , but I liked it .\n585\tSeveral degrees shy of the gross-out contests one expects from current teen fare .\n586\tThe inherent strength of the material as well as the integrity of the filmmakers gives this coming-of-age story restraint as well as warmth .\n587\tLed by Griffin 's smartly nuanced performance and enthusiasm , the cast has a lot of fun with the material .\n588\tTuck Everlasting achieves a delicate balance of romantic innocence and philosophical depth .\n589\tA gentle blend of present day testimonials , surviving footage of Burstein and his family performing , historical archives , and telling stills .\n590\tA Generation X artifact , capturing a brief era of insanity in the sports arena that surely can not last .\n591\tPossession is Elizabeth Barrett Browning meets Nancy Drew , and it 's directed by ... Neil LaBute .\n592\tHmm .\n593\tAn uneven but intriguing drama that is part homage and part remake of the Italian masterpiece .\n594\tWindtalkers celebrates the human spirit and packs an emotional wallop .\n595\tHaving never been a huge fan of Dickens ' 800-page novel , it surprised me how much pleasure I had watching McGrath 's version .\n596\tThe best thing the film does is to show us not only what that mind looks like , but how the creative process itself operates .\n597\tFor all its failed connections , Divine Secrets of the Ya-Ya Sisterhood is nurturing , in a gauzy , dithering way .\n598\tThis is pretty dicey material .\n599\tBut some unexpected zigs and zags help .\n600\tThe filmmakers skillfully evoke the sense of menace that nature holds for many urban dwellers .\n601\tThe laser-projected paintings provide a spell-casting beauty , while Russell and Dreyfus are a romantic pairing of hearts , preciously exposed as history corners them .\n602\tYou do n't have to be an especially tough grader to give a charitable B-minus to The Emperor 's Club .\n603\tThis romantic thriller is steeped in the atmosphere of wartime England , and ably captures the speech patterns , moral codes and ideals of the 1940s .\n604\tDivine Secrets of the Ya-Ya Sisterhood may not be exactly divine , but it 's definitely -- defiantly -- ya ya , what with all of those terrific songs and spirited performances .\n605\tViewed on its own terms , Treasure Planet is better-than-average family entertainment , but true fans of the Stevenson 's novel will likely prefer Disney 's more faithful 1950 live-action swashbuckling classic .\n606\tA journey through memory , a celebration of living , and a sobering rumination on fatality , classism , and ignorance .\n607\tResourceful and ingenious entertainment .\n608\t`` Antwone Fisher '' is an earnest , by-the-numbers effort by Washington .\n609\tIt wo n't rock any boats but is solid meat-and-potatoes filmmaking .\n610\tA historical epic with the courage of its convictions about both scope and detail .\n611\tWe need -LRB- Moore 's -RRB- noisy , cocky energy , his passion and class consciousness ; we need his shticks , we need his stones .\n612\tAlthough the editing might have been tighter , Hush !\n613\tsympathetically captures the often futile lifestyle of young people in modern Japan .\n614\t-LRB- Gai -RRB- comes closer to any actress I can remember to personifying independence in its purest and , yes , most intimidating form .\n615\tThese are lives worth watching , paths worth following .\n616\tIt 's rather like a Lifetime special -- pleasant , sweet and forgettable .\n617\tA moody horror\\/thriller elevated by deft staging and the director 's well-known narrative gamesmanship .\n618\tAs a singular character study , it 's perfect .\n619\tIt 's also the year 's sweetest movie .\n620\tA graceful , contemplative film that gradually and artfully draws us into a world where the personal and the political get fatally intertwined .\n621\tWhile not as aggressively impressive as its American counterpart , `` In the Bedroom , '' Moretti 's film makes its own , quieter observations\n622\tThe experience of watching blobby old-school CGI animation in this superlarge format is just surreal enough to be diverting .\n623\tTime Changer may not be the most memorable cinema session but its profound self-evaluation message about our fragile existence and the absence of spiritual guidance should at least invade an abundance of mindsets\n624\t`` The Emperor 's New Clothes '' begins with a simple plan ... Well , at least that 's the plan .\n625\tHaynes has so fanatically fetishized every bizarre old-movie idiosyncrasy with such monastic devotion you 're not sure if you should applaud or look into having him committed .\n626\t-LRB- Director Peter -RRB- Jackson and his crew have so steeped themselves in the majesty of Tolkien 's writing that every frame produces new joys , whether you 're a fan of the books or not .\n627\tWhile the glass slipper does n't quite fit , Pumpkin is definitely a unique modern fairytale .\n628\tThe drama is played out with such aching beauty and truth that it brings tears to your eyes .\n629\tAn exciting and involving rock music doc , a smart and satisfying look inside that tumultuous world .\n630\tAn offbeat , sometimes gross and surprisingly appealing animated film about the true meaning of the holidays .\n631\tThis version incarnates the prophetic book in a way even its exacting author might admire .\n632\tSometimes , nothing satisfies like old-fashioned swashbuckling .\n633\tAnd in this regard , On Guard delivers .\n634\t... ambition is in short supply in the cinema , and Egoyan tackles his themes and explores his characters ' crises with seriousness and compassion .\n635\tAn impossible romance , but we root for the patronized Iranian lad .\n636\tLike Dickens with his passages , McGrath crafts quite moving scenes throughout his resolutely dramatic variation on the novel .\n637\tThere 's a disreputable air about the whole thing , and that 's what makes it irresistible .\n638\tan exceedingly clever piece of cinema .\n639\tanother great ` what you do n't see ' is much more terrifying than what you do see thriller , coupled with some arresting effects , incandescent tones and stupendous performances\n640\tA carefully structured scream of consciousness that is tortured and unsettling -- but unquestionably alive .\n641\tA quietly reflective and melancholy New Zealand film about an eventful summer in a 13-year-old girl 's life .\n642\tCute , funny , heartwarming digitally animated feature film with plenty of slapstick humor for the kids , lots of in-jokes for the adults and heart enough for everyone .\n643\tvery solid , very watchable first feature for director Peter Sheridan\n644\ta budget affair that exposes the generally sad existence of the Bedouins while providing a precious twinkle of insight into their lives .\n645\tIt suggests the wide-ranging effects of media manipulation , from the kind of reporting that is done by the supposedly liberal media ... to the intimate and ultimately tragic heartache of maverick individuals like Hatfield and Hicks .\n646\tWorkmanlike , maybe , but still a film with all the elements that made the other three great , scary times at the movies .\n647\tA pleasant enough comedy that should have found a summer place .\n648\tBranagh , in his most forceful non-Shakespeare screen performance , grounds even the softest moments in the angry revolt of his wit .\n649\tThough the violence is far less sadistic than usual , the film is typical Miike : fast , furious and full of off-the-cuff imaginative flourishes .\n650\tCompelling as it is exotic , Fast Runner has a plot that rivals Shakespeare for intrigue , treachery and murder .\n651\tWhat it lacks in originality it makes up for in intelligence and B-grade stylishness .\n652\tThe warm presence of Zhao Benshan makes the preposterous lying hero into something more than he reasonably should be .\n653\tThis is as powerful a set of evidence as you 'll ever find of why art matters , and how it can resonate far beyond museum walls and through to the most painfully marginal lives .\n654\tDirector Rob Marshall went out gunning to make a great one .\n655\tSkip work to see it at the first opportunity .\n656\tBow 's best moments are when he 's getting busy on the basketball court because that 's when he really scores .\n657\tOffers enough playful fun to entertain the preschool set while embracing a wholesome attitude .\n658\tIn the end , Punch-Drunk Love is one of those films that I wanted to like much more than I actually did .\n659\tSometimes , that 's enough .\n660\tAn intimate , good-humored ethnic comedy like numerous others but cuts deeper than expected .\n661\tIce Cube holds the film together with an engaging and warm performance ...\n662\tBoth deeply weird and charmingly dear .\n663\tAs blunt as it is in depicting child abuse , El Bola is a movie steeped in an ambiguity that lends its conflicts a symbolic resonance .\n664\tDespite a story predictable enough to make The Sound of Music play like a nail-biting thriller , its heart is so much in the right place it is difficult to get really peeved at it .\n665\tAn incredibly low-rent Danish film , it brings a group of people together in a sweet and charming way , if a little convenient\n666\tIt 's the cinematic equivalent of a good page-turner , and even if it 's nonsense , its claws dig surprisingly deep .\n667\tDirector Nalin Pan does n't do much to weigh any arguments one way or the other .\n668\tHe simply presents his point of view that Ayurveda works .\n669\tNo question .\n670\tWhat `` Empire '' lacks in depth it makes up for with its heart .\n671\tClaude Miller airs out a tight plot with an easy pace and a focus on character drama over crime-film complications .\n672\tWhat Full Frontal lacks in thematic coherence it largely makes up for as loosey-goosey , experimental entertainment .\n673\tStill , I 'm not quite sure what the point is ...\n674\tRich in detail , gorgeously shot and beautifully acted , Les Destinees is , in its quiet , epic way , daring , inventive and refreshingly unusual .\n675\t-LRB- A -RRB- Hollywood sheen bedevils the film from the very beginning ... -LRB- but -RRB- Lohman 's moist , deeply emotional eyes shine through this bogus veneer ...\n676\tDo we really need a 77-minute film to tell us exactly why a romantic relationship between a 15-year-old boy and a 40-year-old woman does n't work ?\n677\tFord deserves to be remembered at Oscar time for crafting this wonderful portrait of a conflicted soldier .\n678\tThe film 's 45-minute running time stops shy of overkill , though viewers may be more exhausted than the athletes onscreen .\n679\tDo n't expect any surprises in this checklist of teamwork cliches ...\n680\tAs adapted by Kevin Molony from Simon Leys ' novel `` The Death of Napoleon '' and directed by Alan Taylor , Napoleon 's journey is interesting but his Parisian rebirth is stillborn\n681\tThe movie addresses a hungry need for PG-rated , nonthreatening family movies , but it does n't go too much further .\n682\tThis warm and gentle romantic comedy has enough interesting characters to fill several movies , and its ample charms should win over the most hard-hearted cynics .\n683\tA yarn that respects the Marvel version without becoming ensnared by it .\n684\tThis is a happy throwback to the time when cartoons were cinema 's most idiosyncratic form instead of one of its most predictable .\n685\tComplex , affecting and uniquely Almodóvar , the film evokes strong emotions and pushes viewers to question their deepest notions of moral right and wrong .\n686\tGood ol' urban legend stuff .\n687\tNot so much a movie as a picture book for the big screen .\n688\tThis is n't my favorite in the series , still I enjoyed it enough to recommend .\n689\tIt 's one of the most honest films ever made about Hollywood .\n690\tIt is a film that will have people walking out halfway through , will encourage others to stand up and applaud , and will , undoubtedly , leave both camps engaged in a ferocious debate for years to come .\n691\tOn its own cinematic terms , it successfully showcases the passions of both the director and novelist Byatt .\n692\tLight , silly , photographed with colour and depth , and rather a good time .\n693\tPray 's film works well and will appeal even to those who are n't too familiar with turntablism .\n694\tGood movie .\n695\tGood actress .\n696\tBut if you expect light romantic comedy , good gosh , will you be shocked .\n697\tIt has the courage to wonder about big questions with sincerity and devotion .\n698\tIt risks seeming slow and pretentious , because it thinks the gamble is worth the promise .\n699\tWith youthful high spirits , Tautou remains captivating throughout Michele 's religious and romantic quests , and she is backed by a likable cast .\n700\tIt 's an example of sophisticated , challenging filmmaking that stands , despite its noticeable lack of emotional heft , in welcome contrast to the indulgent dead-end experimentation of the director 's previous Full Frontal .\n701\tA very funny look at how another culture handles the process of courting and marriage .\n702\tBut tongue-in-cheek preposterousness has always been part of For the most part Wilde 's droll whimsy helps `` Being Earnest '' overcome its weaknesses and Parker 's creative interference ...\n703\tMuch of the movie 's charm lies in the utter cuteness of Stuart and Margolo .\n704\tTheir computer-animated faces are very expressive .\n705\tThe path Ice Age follows most closely , though , is the one established by Warner Bros. giant Chuck Jones , who died a matter of weeks before the movie 's release .\n706\tAnchored by a terrific performance by Abbass , Satin Rouge shows that the idea of women 's self-actualization knows few continental divides .\n707\tAwkward but sincere and , ultimately , it wins you over .\n708\tSmith profiles five extraordinary American homes , and because the owners seem fully aware of the uses and abuses of fame , it 's a pleasure to enjoy their eccentricities .\n709\tThough the plot is predictable , the movie never feels formulaic , because the attention is on the nuances of the emotional development of the delicate characters .\n710\tSam Jones became a very lucky filmmaker the day Wilco got dropped from their record label , proving that one man 's ruin may be another 's fortune .\n711\tGoyer 's screenplay and direction are thankfully understated , and he has drawn excellent performances from his cast .\n712\tBinoche and Magimel are perfect in these roles .\n713\tWhen your leading ladies are a couple of screen-eating dominatrixes like Goldie Hawn and Susan Sarandon at their raunchy best , even hokum goes down easily .\n714\tWhile Undercover Brother is definitely one for the masses , it 's also full of sharp , smart satire .\n715\tGets under the skin of a man who has just lost his wife .\n716\tNo wonder they 're talking about `` Talk to Her . ''\n717\tIt 's astonishing .\n718\tFor its seriousness , high literary aspirations and stunning acting , the film can only be applauded .\n719\tLook , this is a terrific flick replete with dazzling camera-work , dancing and music .\n720\tIt is inspirational in characterizing how people from such diverse cultures share the same human and spiritual needs .\n721\tIt 's fairly self-aware in its dumbness .\n722\tA triumph , relentless and beautiful in its downbeat darkness .\n723\tTailored to entertain !\n724\tA compelling , moving film that respects its audience and its source material .\n725\thas a plot full of twists upon knots ... and a nonstop parade of mock-Tarantino scuzbag types that starts out clever but veers into overkill .\n726\tA work of astonishing delicacy and force .\n727\tThe film benefits greatly from a less manic tone than its predecessor , as Cho appears to have settled comfortably into her skin .\n728\tFor the first time in several years , Mr. Allen has surpassed himself with the magic he 's spun with the Hollywood empress of Ms. Leoni 's Ellie .\n729\tIs n't quite the equal of Woo 's best earlier work , but it 's easily his finest American film ... comes close to recapturing the brilliance of his Hong Kong films .\n730\tThe film hinges on its performances , and both leads are up to the task .\n731\tAn intelligent , earnest , intimate film that drops the ball only when it pauses for blunt exposition to make sure you 're getting its metaphysical point .\n732\tA modest pleasure that accomplishes its goals with ease and confidence .\n733\tA breezy , diverting , conventional , well-acted tale of two men locked in an ongoing game of cat-and-cat .\n734\tWhat Jackson has accomplished here is amazing on a technical level .\n735\tAs teen movies go , `` Orange County '' is a refreshing change\n736\tMakes S&M seem very romantic , and Maggie Gyllenhaal is a delight .\n737\tA deliciously mordant , bitter black comedy .\n738\tAlthough Life or Something Like It is very much in the mold of feel-good movies , the cast and director Stephen Herek 's polished direction pour delightfully piquant wine from aged bottles .\n739\tIt is risky , intelligent , romantic and rapturous from start to finish .\n740\tThe movie sticks much closer to Hornby 's drop-dead confessional tone than the film version of High Fidelity did .\n741\tA pleasant ramble through the sort of idoosyncratic terrain that Errol Morris has often dealt with ... it does possess a loose , lackadaisical charm .\n742\t... spiced with humor -LRB- ' I speak fluent flatula , ' advises Denlopp after a rather , er , bubbly exchange with an alien deckhand -RRB- and witty updatings -LRB- Silver 's parrot has been replaced with Morph , a cute alien creature who mimics everyone and everything around -RRB-\n743\tThis is a raw and disturbing tale that took five years to make , and the trio 's absorbing narrative is a heart-wrenching showcase indeed .\n744\tA beautiful and haunting examination of the stories we tell ourselves to make sense of the mundane horrors of the world .\n745\tAside from being the funniest movie of the year , Simone , Andrew Niccol 's brilliant anti-Hollywood satire , has a wickedly eccentric enchantment to it .\n746\tWatstein handily directs and edits around his screenplay 's sappier elements ... and sustains Off the Hook 's buildup with remarkable assuredness for a first-timer .\n747\tJust another fish-out-of-water story that barely stays afloat .\n748\tThere 's an energy to Y Tu Mamá También .\n749\tMuch of it comes from the brave , uninhibited performances by its lead actors .\n750\tIt 's the kind of pigeonhole-resisting romp that Hollywood too rarely provides .\n751\tReinforces the often forgotten fact of the world 's remarkably varying human population and mindset , and its capacity to heal using creative , natural and ancient antidotes .\n752\tYou can feel the heat that ignites this gripping tale , and the humor and humanity that root it in feeling .\n753\tIt 's hard not to be seduced by -LRB- Witherspoon 's -RRB- charisma , even in this run-of-the-mill vehicle , because this girl knows how to drive it to the max .\n754\tA movie for 11-year-old boys with sports dreams of their own and the preteen girls who worship Lil ' Bow Wow .\n755\tA refreshingly authentic coming-of-age tale .\n756\tIf you 're not into the Pokemon franchise , this fourth animated movie in four years wo n't convert you -- or even keep your eyes open .\n757\tBut fans should have fun meeting a brand-new Pokemon called Celebi .\n758\tFrom the big giant titles of the opening credits to Elmer Bernstein 's perfectly melodic score , Haynes gets just about everything right .\n759\tWhether seen on a 10-inch television screen or at your local multiplex , the edge-of-your-seat , educational antics of Steve Irwin are priceless entertainment .\n760\tHas a shambling charm ... a cheerfully inconsequential diversion .\n761\tFerrara directs the entire film with the kind of detachment that makes any given frame look like a family 's custom-made Christmas card .\n762\tThe movie has lots of dancing and fabulous music .\n763\tThere are slow and repetitive parts , but it has just enough spice to keep it interesting .\n764\tAn incredibly clever and superbly paced caper filled with scams within scams within scams .\n765\tThere 's not much more to this adaptation of the Nick Hornby novel than charm -- effortless , pleasurable , featherweight charm .\n766\tAs a belated nod to some neglected all-stars , Standing in the Shadows of Motown is cultural history of the best kind : informative , revealing and richly entertaining .\n767\tEven if the ride 's a little bumpy , with a final lap that 's all too suspiciously smooth , you gotta give director Roger Michell , best known for the superfluous Notting Hill , credit for trying .\n768\tNot as distinctive or even as humorous as its needs to be to stand out , but it has clearly been made with affection and care .\n769\tThis is Carion 's debut feature but his script and direction hums with a confidence that many spend entire careers trying to reach .\n770\tAn intelligent , moving and invigorating film .\n771\t... one of the most ingenious and entertaining thrillers I 've seen in quite a long time .\n772\tA clever blend of fact and fiction .\n773\tA vivid cinematic portrait .\n774\tHilarious , touching and wonderfully dyspeptic .\n775\tTheirs is a simple and heart-warming story , full of mirth that should charm all but the most cynical .\n776\tThe film is an enjoyable family film -- pretty much aimed at any youngster who loves horses .\n777\tA frisky and fresh romantic comedy exporing sexual politics and the challenges of friendships between women .\n778\tIt 's a good film -- not a classic , but odd , entertaining and authentic .\n779\tFlavorful and romantic , you could call this How Martha Got Her Groove Back -- assuming , that is , she ever had one to begin with .\n780\tHappily for Mr. Chin -- though unhappily for his subjects -- the invisible hand of the marketplace wrote a script that no human screenwriter could have hoped to match .\n781\tThurman and Lewis are hilarious throughout .\n782\tthe plot is so amusingly contrived and outlandish in its coincidences that no one could ever mistake it for anything resembling reality\n783\tHits one out of the park for the ` they do n't make 'em like that anymore ' department .\n784\tIt dares to be a little different , and that shading is what makes it worthwhile .\n785\t-LRB- Fessenden -RRB- is much more into ambiguity and creating mood than he is for on screen thrills\n786\tThe comic performances are all spot on , especially Lee Ross 's turn as Ken .\n787\ta compelling journey ... and `` His Best Friend Remembers '' is up there with the finest of specials .\n788\tAt nearly three hours , the whole of Safe Conduct is less than the sum of its parts .\n789\tThe Hours makes you examine your own life in much the same way its characters do , and the experience is profound .\n790\tThe Hours is what movies are supposed to be ...\n791\tA bold and subversive film that cuts across the grain of what is popular and powerful in this high-tech age , speaking its truths with spellbinding imagery and the entrancing music of Philip Glass .\n792\tPretty darn good , despite its smarty-pants aura .\n793\tSo young , so smart , such talent , such a wise \\*\\*\\* .\n794\tWoo 's fights have a distinct flair .\n795\tHis warriors collide in balletic explosion that implies an underlying order throughout the chaos .\n796\tBarney has created a tour de force that is weird , wacky and wonderful .\n797\tThe ending does leave you unfulfilled , but these are performances to enjoy in a memorable ensemble piece .\n798\t... an agreeable time-wasting device -- but George Pal 's low-tech 1960 version still rules the epochs .\n799\tIt 's a brave attempt to tap into the heartbeat of the world , a salute to the universal language of rhythm and a zippy sampling of sounds .\n800\tOffers an unusual opportunity to observe the inequities in the death penalty , not just the inherent immorality but also the haphazard administration of it and public misperception of how the whole thing works .\n801\tI do n't think I 've been as entranced and appalled by an Asian film since Shinya Tsukamoto 's Iron Man .\n802\tIt is so refreshing to see Robin Williams turn 180 degrees from the string of insultingly innocuous and sappy fiascoes he 's been making for the last several years .\n803\tDirector Benoit Jacquot , making his first opera-to-film translation with Tosca , conveys the heaving passion of Puccini 's famous love-jealousy - murder-suicide fandango with great cinematic innovation .\n804\tLilia 's transformation from strict mother to sensual siren is superficially preposterous , but Abbas infuses the role with an unimpeachable core of emotional truth .\n805\tFrida 's artistic brilliance is undeniable -- it 's among the most breathtakingly designed films I 've ever seen .\n806\tThe perfect film for those who like sick comedies that can be snide .\n807\t` Charly ' will divide its audience in two separate groups , those reaching for more tissues and those begging for mercy ...\n808\tNervy and sensitive , it taps into genuine artistic befuddlement , and at the same time presents a scathing indictment of what drives Hollywood .\n809\tA marvellous journey from childhood idealism to adolescent self-absorption .\n810\tThe film is just a big , gorgeous , mind-blowing , breath-taking mess .\n811\tSharp , lively , funny and ultimately sobering film .\n812\tThough the film 's scenario is certainly not earthshaking , this depiction of fluctuating female sexuality has two winning lead performances and charm to spare .\n813\tA worthy tribute to a great humanitarian and her vibrant ` co-stars . '\n814\tA recent favourite at Sundance , this white-trash satire will inspire the affection of even those unlucky people who never owned a cassette of Def Leppard 's Pyromania .\n815\tThe recording session is the only part of the film that is enlightening -- and how appreciative you are of this depends on your level of fandom .\n816\tOccasionally funny and consistently odd , and it works reasonably well as a star vehicle for Zhao .\n817\tBright seems alternately amused and disgusted with this material , and he ca n't help throwing in a few of his own touches .\n818\tThe 3D images only enhance the film 's otherworldly quality , giving it a strange combo of you-are-there closeness with the disorienting unreality of the seemingly broken-down fourth wall of the movie screen .\n819\tAndersson creates a world that 's at once surreal and disturbingly familiar ; absurd , yet tremendously sad .\n820\tIt 's predictable , but it jumps through the expected hoops with style and even some depth .\n821\tOften hilarious , well-shot and , importantly , entertaining , Hell House is a fascinating document of an event that has to be seen to be believed .\n822\tDe Oliveira creates an emotionally rich , poetically plump and visually fulsome , but never showy , film whose bittersweet themes are reinforced and brilliantly personified by Michel Piccoli .\n823\t... an inviting piece of film .\n824\tThe film 's real appeal wo n't be to Clooney fans or adventure buffs , but to moviegoers who enjoy thinking about compelling questions with no easy answers .\n825\tThe fact that The Rookie is a nearly impeccable cinematic experience -- and a wonderful all-ages triumph besides -- is a miracle akin to the story the film portrays .\n826\tA deviant topical comedy which is funny from start to finish .\n827\tA startling and fresh examination of how the bike still remains an ambiguous icon in Chinese society .\n828\tA highly intriguing thriller , coupled with some ingenious plot devices and some lavishly built settings . .\n829\tit 's a worthwhile tutorial in quantum physics and slash-dash\n830\tAs Hugh Grant says repeatedly throughout the movie , ` Lovely !\n831\tBrilliant ! '\n832\tCho 's fearless in picking apart human foibles , not afraid to lay her life bare in front of an audience .\n833\tHer delivery and timing are flawless .\n834\tWorks because , for the most part , it avoids the stupid cliches and formulaic potholes that befall its brethren .\n835\tAt its best , The Good Girl is a refreshingly adult take on adultery ...\n836\tAn amazing and incendiary movie that dives straight into the rough waters of contradiction .\n837\tAbout nowhere kids who appropriated turfs as they found them and become self-made celebrity athletes -- a low-down version of the American dream .\n838\tOccasionally , in the course of reviewing art-house obscurities and slam-bam action flicks , a jaded critic smacks into something truly new .\n839\tA miniscule little bleep on the film radar , but one that many more people should check out\n840\t`` 13 Conversations '' holds its goodwill close , but is relatively slow to come to the point .\n841\tA slick , well-oiled machine , exquisitely polished and upholstered .\n842\tDo n't plan on the perfect ending , but Sweet Home Alabama hits the mark with critics who escaped from a small town life .\n843\tIt has a subtle way of getting under your skin and sticking with you long after it 's over .\n844\tThe movie stays afloat thanks to its hallucinatory production design .\n845\tIt helps that the central performers are experienced actors , and that they know their roles so well .\n846\tA provocative movie about loss , anger , greed , jealousy , sickness and love .\n847\tWorth the effort to watch .\n848\tThat rara avis : the intelligent romantic comedy with actual ideas on its mind .\n849\tBoisterous and daft documentary .\n850\tHawke draws out the best from his large cast in beautifully articulated portrayals that are subtle and so expressive they can sustain the poetic flights in Burdette 's dialogue .\n851\tA work of the utmost subtlety and perception , it marks the outstanding feature debut of writer-director Eric Byler , who understands the power of the implicit and the virtues of simplicity and economy .\n852\tFull Frontal is the antidote for Soderbergh fans who think he 's gone too commercial since his two Oscar nominated films in 2000\n853\tIt turns out to be a cut above the norm , thanks to some clever writing and sprightly acting .\n854\tYou might not want to hang out with Samantha , but you 'll probably see a bit of yourself in her unfinished story .\n855\tA work of intricate elegance , literary lyricism and profound common sense .\n856\tIt 's as close as we 'll ever come to looking through a photographer 's viewfinder as he works .\n857\tThoughtful , provocative and entertaining .\n858\tWitty , touching and well paced .\n859\tLee Jeong-Hyang tells it so lovingly and films it so beautifully that I could n't help being captivated by it .\n860\tYou have to pay attention to follow all the stories , but they 're each interesting .\n861\tThe movie is well shot and very tragic , and one to ponder after the credits roll .\n862\tEnjoy it for what it is ; you can hate yourself later .\n863\tA map of the inner rhythms of love and jealousy and sacrifice drawn with a master 's steady stroke .\n864\tA psychological thriller with a smart script and an obsessive-compulsive 's attention to detail .\n865\tGrant gets to display his cadness to perfection , but also to show acting range that may surprise some who thought light-hearted comedy was his forte .\n866\tAt times funny and at other times candidly revealing , it 's an intriguing look at two performers who put themselves out there because they love what they do .\n867\tWestfeldt and Juergensen exude a chemistry and comfort level that 's both saucy and endearing .\n868\tHarsh , effective documentary on life in the Israeli-occupied Palestinian territories .\n869\tThe film is all a little Lit Crit 101 , but it 's extremely well played and often very funny .\n870\tEarns its laughs from stock redneck ` types ' and from the many , many moments when we recognize even without the Elizabethan prose , the play behind the thing .\n871\tA real story about real people living their lives concerned about the future of an elderly , mentally handicapped family member .\n872\tIt 's absolutely spooky how Lillard channels the Shagster right down to the original Casey Kasem-furnished voice .\n873\tA dream cast of solid female talent who build a seamless ensemble .\n874\tThere is n't a weak or careless performance amongst them .\n875\tSmart science fiction for grown-ups , with only a few false steps along the way .\n876\tIt 's a refreshing change from the self-interest and paranoia that shape most American representations of Castro .\n877\tOften moving and explores the discomfort inherent in the contacts between the American ` hosts ' and their ` guests . '\n878\tThough the controversial Korean filmmaker 's latest effort is not for all tastes , it offers gorgeous imagery , effective performances , and an increasingly unsettling sense of foreboding .\n879\tLathan and Diggs have considerable personal charm , and their screen rapport makes the old story seem new .\n880\tThe story may not be new , but Australian director John Polson , making his American feature debut , jazzes it up adroitly .\n881\tIt 's endearing to hear Madame D. refer to her husband as ` Jackie ' -- and he does make for excellent company , not least as a self-conscious performer .\n882\tThe film often achieves a mesmerizing poetry .\n883\tMore than makes up for its mawkish posing by offering rousing spates of genuine feeling .\n884\tIt 's neither as romantic nor as thrilling as it should be .\n885\tBut it offers plenty to ponder and chew on as its unusual relationship slowly unfolds .\n886\tOccasionally funny , always very colorful and enjoyably overblown in the traditional Almodóvar style .\n887\tMerchant effectively translates Naipaul 's lively mix of characters from the page to screen .\n888\tSome movies are like a tasty hors-d'oeuvre ; this one is a feast .\n889\tWhat could have become just another cautionary fable is allowed to play out as a clever , charming tale -- as pleasantly in its own way as its self-dramatizing characters .\n890\tDavis has filled out his cast with appealing fresh faces .\n891\tAchieves a sort of filmic epiphany that revels in the true potential of the medium .\n892\tOnce you get into its rhythm ... the movie becomes a heady experience .\n893\t`` Auto Focus '' works as an unusual biopic and document of male swingers in the Playboy era\n894\tIf Mr. Zhang 's subject matter is , to some degree at least , quintessentially American , his approach to storytelling might be called Iranian .\n895\tA fast-moving and remarkable film that appears destined to become a landmark in Japanese animation .\n896\t... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... The film 's ending has a `` What was it all for ? ''\n897\tfeeling to it , but like the 1920 's , the trip there is a great deal of fun .\n898\tA worthy entry into a very difficult genre .\n899\t-LRB- Broomfield -RRB- uncovers a story powerful enough to leave the screen sizzling with intrigue .\n900\tEight Crazy Nights is a showcase for Sandler 's many talents .\n901\tA sweet-natured reconsideration of one of San Francisco 's most vital , if least widely recognized , creative fountainheads .\n902\tThis is one of the most visually stunning and thematically moving epics in recent memory , and in spite of numerous minor flaws , Scorsese 's best in more than a decade .\n903\tEverywhere the camera looks there is something worth seeing .\n904\tA richly imagined and admirably mature work from a gifted director who definitely has something on his mind .\n905\tIt 's a nicely detailed world of pawns , bishops and kings , of wagers in dingy backrooms or pristine forests .\n906\tA charming , quirky and leisurely paced Scottish comedy -- except with an outrageous central gimmick that could have been a reject from Monty Python 's Meaning of Life .\n907\tIt never fails to engage us .\n908\tIts direction , its script , and Weaver 's performance as a vaguely discontented woman of substance make for a mildly entertaining 77 minutes , if that 's what you 're in the mood for .\n909\tA charming romantic comedy that is by far the lightest Dogme film and among the most enjoyable .\n910\tThis is the kind of movie that used to be right at home at the Saturday matinee , and it still is .\n911\tThe spark of special anime magic here is unmistakable and hard to resist .\n912\tLike its two predecessors , 1983 's Koyaanisqatsi and 1988 's Powaqqatsi , the cinematic collage Naqoyqatsi could be the most navel-gazing film ever .\n913\tBaran is n't the most transporting or gripping film from Iran -- or , indeed , by its director -- but it 's a worthy companion to the many fine , focused films emerging from that most surprising of nations .\n914\tThe visuals alone make Metropolis worth seeing .\n915\tDark , resonant , inventively detailed and packed with fleet turns of plot and a feast of visual amazement .\n916\tA picture that extols the virtues of comradeship and community in a spunky , spirited fashion .\n917\tA resonant tale of racism , revenge and retribution .\n918\tNoyce 's film is contemplative and mournfully reflective .\n919\tHere , Adrian Lyne comes as close to profundity as he is likely to get .\n920\tEvokes a little of the fear that parents have for the possible futures of their children -- and the sometimes bad choices mothers and fathers make in the interests of doing them good .\n921\tRain is a small treasure , enveloping the viewer in a literal and spiritual torpor that is anything but cathartic .\n922\tAn elegant , exquisitely modulated psychological thriller .\n923\tThis concoction , so bizarre to the adult mind , is actually a charming triumph where its intended under-12 audience is concerned .\n924\tDroll caper-comedy remake of `` Big Deal on Madonna Street '' that 's a sly , amusing , laugh-filled little gem in which the ultimate `` Bellini '' begins to look like a `` real Kaputschnik . ''\n925\tIt 's a beautifully accomplished lyrical meditation on a bunch of despondent and vulnerable characters living in the renown Chelsea Hotel ...\n926\tIs it a total success ?\n927\tNo. .\n928\tIs it something any true film addict will want to check out ?\n929\tYou bet .\n930\tZany , exuberantly irreverent animated space adventure .\n931\tDolgin and Franco fashion a fascinating portrait of a Vietnamese-born youngster who eagerly and easily assimilated as an all-American girl with a brand new name in southern Tennessee .\n932\tThe disarming cornball atmosphere has a way of infecting the entire crowd as the film rolls on .\n933\tA refreshingly honest and ultimately touching tale of the sort of people usually ignored in contemporary American film .\n934\tSearch it out .\n935\tEngrossing and affecting , if ultimately not quite satisfying .\n936\tThe story , like life , refuses to be simple , and the result is a compelling slice of awkward emotions .\n937\tA sly game of cat and mouse that 's intense and thrilling at times , but occasionally stretches believability to its limits and relies on predictable plot contrivances .\n938\tFunny and , at times , poignant , the film from director George Hickenlooper all takes place in Pasadena , `` a city where people still read . ''\n939\tThis horror-comedy does n't go for the usual obvious laughs at the expense of cheap-looking monsters -- unless you count Elvira 's hooters .\n940\tThe movie 's eventual success should be credited to Dennis Quaid , in fighting trim shape as an athlete as well as an actor\n941\tNot a bad journey at all .\n942\tSits uneasily as a horror picture ... but finds surprising depth in its look at the binds of a small family .\n943\tWindtalkers blows this way and that , but there 's no mistaking the filmmaker in the tall grass , true to himself .\n944\tThere is a refreshing absence of cynicism in Stuart Little 2 -- quite a rarity , even in the family film market .\n945\tEventually , it wins you over .\n946\tNoyce films it more as a shocking history lesson than as drama .\n947\tLike a south-of-the-border Melrose Place .\n948\tThose with an interest in new or singular sorts of film experiences will find What Time Is It There ?\n949\twell worth the time .\n950\tA wildly funny prison caper .\n951\tHuppert gives Erika a persona that is so intriguing that you find yourself staring hypnotically at her , trying to understand her and wondering if she 'll crack .\n952\tDespite what anyone believes about the goal of its makers , the show ... represents a spectacular piece of theater , and there 's no denying the talent of the creative forces behind it .\n953\tYou 'll be left with the sensation of having just witnessed a great performance and , perhaps , give in to the urge to get on your feet and shake it .\n954\tThe actors are so terrific at conveying their young angst , we do indeed feel for them .\n955\tThe reason this picture works better than its predecessors is that Myers is no longer simply spoofing the mini-mod-madness of '60s spy movies .\n956\tIt is a kickass , dense sci-fi action thriller hybrid that delivers and then some .\n957\tI have n't seen one in so long , no wonder I did n't recognize it at first .\n958\ta compelling portrait of moral emptiness\n959\tIn Adobo , ethnicity is not just the spice , but at the heart of more universal concerns .\n960\tIt is ridiculous , of course ... but it is also refreshing , disarming , and just outright enjoyable despite its ridiculousness .\n961\t... Blade II is more enjoyable than the original .\n962\tA film that takes you inside the rhythms of its subject : You experience it as you watch .\n963\tThe movie exists for its soccer action and its fine acting .\n964\tThe movie is saved from unbearable lightness by the simplicity of the storytelling and the authenticity of the performances .\n965\tThe film starts out as competent but unremarkable ... and gradually grows into something of considerable power .\n966\tNothing Denis has made before , like Beau Travil and Nenette et Boni , could prepare us for this gory , perverted , sex-soaked riff on the cannibal genre .\n967\tReinforces the talents of screenwriter Charlie Kaufman , creator of Adaptation and Being John Malkovich .\n968\tGreene delivers a typically solid performance in a role that is a bit of a departure from the noble characters he has played in the past , and he is matched by Schweig , who carries the film on his broad , handsome shoulders .\n969\tFinds a way to tell a simple story , perhaps the simplest story of all , in a way that seems compelling and even original .\n970\tA stunning piece of visual poetry that will , hopefully , be remembered as one of the most important stories to be told in Australia 's film history .\n971\tThis is art paying homage to art .\n972\t... a joke at once flaky and resonant , lightweight and bizarrely original .\n973\tInvincible is a wonderful movie .\n974\t... a cute and sometimes side-splittingly funny blend of Legally Blonde and Drop Dead Gorgeous , starring Piper Perabo in what could be her breakthrough role .\n975\tDazzling and sugar-sweet , a blast of shallow magnificence that only sex , scandal , and a chorus line of dangerous damsels can deliver .\n976\tOccasionally amateurishly made but a winsome cast and nice dialogue keeps it going .\n977\tJapan 's premier stylist of sex and blood hits audiences with what may be his most demented film to date .\n978\tCulkin , who 's in virtually every scene , shines as a young man who uses sarcastic lies like a shield .\n979\tCuts right through the B.S. giving a big middle-fingered `` shut up '' to those who talk up what is nothing more than two guys beating the hell outta one another .\n980\tThe AM-radio soundtrack and game cast -- Tierney and the inimitable Walken especially -- keep this unusual comedy from choking on its own conceit .\n981\t... does such a fine job of engulfing you in its world and allying you with its characters ' choices , good and ill , that its shortcomings are remembered only as an afterthought .\n982\tMarvelous , merry and , yes , melancholy film .\n983\tFrom spiritual rebirth to bruising defeat , Vincent 's odyssey resonates in a profound way , comparable to the classic films of Jean Renoir .\n984\tNovak manages to capture a cruelly hilarious vein of black comedy in the situation with his cast of non-actors and a gritty , no-budget approach .\n985\tInsomnia is involving .\n986\tStill , I thought it could have been more .\n987\tThere was time on that second round to see the subtleties of Ramsay 's portrait of grief .\n988\tWe can see the wheels turning , and we might resent it sometimes , but this is still a nice little picture , made by bright and friendly souls with a lot of good cheer .\n989\tA comprehensive and provocative film -- one that pushes the boundaries of biography , and challenges its audience .\n990\tThe way Coppola professes his love for movies -- both colorful pop junk and the classics that unequivocally qualify as art -- is giddily entertaining .\n991\tA worthwhile way to spend two hours .\n992\tFrancophiles will snicker knowingly and you 'll want to slap them .\n993\tSensitive , insightful and beautifully rendered film .\n994\tOne of the best of the year .\n995\tA love for films shines through each frame and the era is recreated with obvious affection , scored to perfection with some tasty boogaloo beats .\n996\tThrowing caution to the wind with an invitation to the hedonist in us all , Nair has constructed this motion picture in such a way that even the most cynical curmudgeon with find himself or herself smiling at one time or another .\n997\tMakes an aborbing if arguable case for the man 's greatness .\n998\tAn endlessly fascinating , landmark movie that is as bold as anything the cinema has seen in years .\n999\t... a haunting vision , with images that seem more like disturbing hallucinations .\n1000\tIt is not a mass-market entertainment but an uncompromising attempt by one artist to think about another .\n1001\tFrailty is n't as gory or explicit .\n1002\tBut in its child-centered , claustrophobic context , it can be just as frightening and disturbing -- even punishing .\n1003\tMixes likeable personalities , inventive photography and cutting , and wall-to-wall toe-tapping music to paint a picture of a subculture that is at once exhilarating , silly , perverse , hopeful and always fun .\n1004\tThe long-range appeal of `` Minority Report '' should transcend any awards it bags .\n1005\tThis is one for the ages .\n1006\t-LRB- A -RRB- superbly controlled , passionate adaptation of Graham Greene 's 1955 novel .\n1007\tMuch monkeyfun for all .\n1008\tAn enchanting film that presents an audacious tour of the past and takes within its warm embrace the bounties of cultural artifacts inside St. Petersburg 's Hermitage Museum .\n1009\t-LRB- Hawn 's character -RRB- is so bluntly written , without a trace of sentimentality , and so blisteringly defined , that every other character seems overlooked and underwritten .\n1010\tThe heightened symmetry of this new\\/old Cinema Paradiso makes the film a fuller experience , like an old friend haunted by the exigencies of time .\n1011\tThe Powers team has fashioned a comedy with more laughs than many , no question .\n1012\tBut this time there 's some mold on the gold .\n1013\tWhile surprisingly sincere , this average little story is adorned with some awesome action photography and surfing .\n1014\tIt is far from the worst , thanks to the topical issues it raises , the performances of Stewart and Hardy , and that essential feature -- a decent full-on space battle .\n1015\tA film that is a portrait of grace in an imperfect world .\n1016\tA pleasurably jacked-up piece of action moviemaking .\n1017\tNicolas Philibert observes life inside a one-room schoolhouse in northern France in his documentary To Be and to Have , easily one of the best films of the year .\n1018\tA perverse little truffle , dainty psychological terror on the outside with a creamy filling of familial jealousy and unrepentant domestic psychopathy .\n1019\tThis ecologically minded , wildlife friendly film teaches good ethics while entertaining with its unconventionally wacky but loving family\n1020\tAn enjoyably half-wit remake of the venerable Italian comedy Big Deal on Madonna Street .\n1021\tIt takes this never-ending confusion and hatred , puts a human face on it , evokes shame among all who are party to it and even promotes understanding .\n1022\tReign of Fire may be little more than another platter of reheated Aliens , but it 's still pretty tasty .\n1023\tThere are times when A Rumor of Angels plays like an extended episode of Touched by an Angel -- a little too much dancing , a few too many weeping scenes -- but I liked its heart and its spirit .\n1024\tTwo hours of melodramatic musical married to two hours of underdog sports intrigue , if the picture also shares the weaknesses of both genres , more 's the pity .\n1025\tThis cheery , down-to-earth film is warm with the cozy feeling of relaxing around old friends .\n1026\tThrilling , provocative and darkly funny , this timely sci-fi mystery works on so many different levels that it not only invites , it demands repeated viewings .\n1027\tA tale of horror and revenge that is nearly perfect in its relentless descent to the depths of one man 's tortured soul .\n1028\tAn epic of grandeur and scale that 's been decades gone from the popcorn pushing sound stages of Hollywood .\n1029\tGenuinely touching because it 's realistic about all kinds of love .\n1030\tLauren Ambrose comes alive under the attention from two strangers in town - with honest performances and realistic interaction between the characters , this is a coming-of-age story with a twist .\n1031\tThere has been much puzzlement among critics about what the election symbolizes .\n1032\tI believe the message is in the messenger : The agent is a woman .\n1033\tAn enjoyable film for the family , amusing and cute for both adults and kids .\n1034\t`` The Mothman Prophecies '' is a difficult film to shake from your conscience when night falls .\n1035\tThe second chapter of the Harry Potter series is even more magical than the first and simply the best family film of the year .\n1036\tMore honest about Alzheimer 's disease , I think , than Iris .\n1037\tThe acting alone is worth the price of admission .\n1038\tAn excellent romp that boasts both a heart and a mind .\n1039\tInteracting eyeball-to-eyeball and toe-to-toe , Hopkins and Norton are a winning combination -- but Fiennes steals ` Red Dragon ' right from under their noses .\n1040\tThis is a terrific character study , a probe into the life of a complex man .\n1041\tImpresses you with its open-endedness and surprises .\n1042\tThis is n't a narrative film -- I do n't know if it 's possible to make a narrative film about September 11th , though I 'm sure some will try -- but it 's as close as anyone has dared to come .\n1043\tMy oh my , is this an invigorating , electric movie .\n1044\tThe two leads chomp considerably more scenery with their acting than fire-breathing monsters barbecue with their breath ...\n1045\tCedar takes a very open-minded approach to this sensitive material , showing impressive control , both visually and in the writing .\n1046\tBiggie and Tupac is so single-mindedly daring , it puts far more polished documentaries to shame .\n1047\tSo many documentaries like this presuppose religious bigotry or zealous nuttiness of its antagonists , but Family Fundamentals displays a rare gift for unflinching impartiality .\n1048\tThe cast is uniformly excellent and relaxed .\n1049\tAfter making several adaptations of other writers ' work , Armenian-Canadian director Atom Egoyan broached an original treatment of a deeply personal subject .\n1050\tThe film is painfully authentic , and the performances of the young players are utterly convincing .\n1051\tIf it seems like a minor miracle that its septuagenarian star is young enough to be the nonagenarian filmmaker 's son , more incredible still are the clear-eyed boldness and quiet irony with which actor and director take on life 's urgent questions .\n1052\tA candid and often fascinating documentary about a Pentecostal church in Dallas that assembles an elaborate haunted house each year to scare teenagers into attending services .\n1053\tFans of the animated wildlife adventure show will be in warthog heaven ; others need not necessarily apply .\n1054\tWithout resorting to hyperbole , I can state that Kissing Jessica Stein may be the best same-sex romance I have seen .\n1055\tNolan bravely treads where few American films dare to delve -- into the world of ambivalence and ambiguity ...\n1056\tUnlike the nauseating fictions peddled by such ` Have-yourself-a-happy-little-Holocaust ' movies as Life Is Beautiful and Jakob the Liar , The Grey Zone is honest enough to deny the possibility of hope in Auschwitz .\n1057\tA potent allegorical love story .\n1058\tEven those who would like to dismiss the film outright should find much to mull and debate .\n1059\tThis is cool , slick stuff , ready to quench the thirst of an audience that misses the summer blockbusters .\n1060\tThe movie is full of fine performances , led by Josef Bierbichler as Brecht and Monica Bleibtreu as Helene Weigel , his wife .\n1061\tA captivating cross-cultural comedy of manners .\n1062\tAndy Garcia enjoys one of his richest roles in years and Mick Jagger gives his best movie performance since , well , Performance .\n1063\tThe movie is n't always easy to look at .\n1064\tBut if it is indeed a duty of art to reflect life , than Leigh has created a masterful piece of artistry right here .\n1065\tIt 's -LRB- Ricci 's -RRB- best work yet , this girl-woman who sincerely believes she can thwart the world 's misery with blind good will .\n1066\tHighlights are the terrific performances by Christopher Plummer , as the prime villain , and Nathan Lane as Vincent Crummles , the eccentric theater company manager .\n1067\t-LRB- Howard -RRB- so good as Leon Barlow ... that he hardly seems to be acting .\n1068\tSuperior genre storytelling , which gets under our skin simply by crossing the nuclear line .\n1069\tBy taking Entertainment Tonight subject matter and giving it humor and poignancy , Auto Focus becomes both gut-bustingly funny and crushingly depressing .\n1070\tIt 's a bittersweet and lyrical mix of elements .\n1071\tSubversive , meditative , clinical and poetic , The Piano Teacher is a daring work of genius .\n1072\tThe weakest of the four Harry Potter books has been transformed into the stronger of the two films by the thinnest of margins .\n1073\tIts gross-out gags and colorful set pieces ... are of course stultifyingly contrived and too stylized by half .\n1074\tStill , it gets the job done -- a sleepy afternoon rental .\n1075\tIt further declares its director , Zhang Yang of Shower , as a boldly experimental , contemporary stylist with a bright future .\n1076\tSmith 's approach is never to tease , except gently and in that way that makes us consider our own eccentricities and how they are expressed through our homes .\n1077\tFull of profound , real-life moments that anyone can relate to , it deserves a wide audience .\n1078\tA movie that will touch the hearts of both children and adults , as well as bring audiences to the edge of their seats .\n1079\tLeave it to Rohmer , now 82 , to find a way to bend current technique to the service of a vision of the past that is faithful to both architectural glories and commanding open spaces of the city as it was more than two centuries ago .\n1080\tFine acting but there is no sense of connecting the dots , just dots .\n1081\tAn extraordinary Swedish film about the soul adventure of marriage -- the kind of intimate and character-driven film that Bille August does best .\n1082\tA blessed gift to film geeks and historians .\n1083\tIf the ' 70 's were your idea of a good time at the movies , this will make you very happy .\n1084\tIt took 19 predecessors to get THIS ?\n1085\tThoughtful , even stinging at times , and lots of fun .\n1086\tOne of the most haunting , viciously honest coming-of-age films in recent memory .\n1087\tThe WWII drama is well plotted , visually striking and filled with enjoyably complex characters who are never what they first appear .\n1088\tIt 's a pleasure to see Seinfeld griping about the biz with buddies Chris Rock , Garry Shandling and Colin Quinn .\n1089\tIf you love Motown music , you 'll love this documentary .\n1090\tThis time out , -LRB- Sade -RRB- is an unsettlingly familiar figure -- in turns loyal and deceitful , responsible and reckless , idealistically selfless and coldly self-interested .\n1091\tHuman Resources was a good , straightforward tale , but Time Out is better .\n1092\tIt 's haunting .\n1093\tIt 's like a poem .\n1094\tTo the film 's credit , the acting is fresh and unselfconscious , and Munch is a marvel of reality versus sappy sentiment .\n1095\tChicago is , in many ways , an admirable achievement .\n1096\tShainberg weaves a carefully balanced scenario that is controlled by neither character , is weirdly sympathetic to both and manages to be tender and darkly comic .\n1097\tEven when foreign directors ... borrow stuff from Hollywood , they invariably shake up the formula and make it more interesting .\n1098\tA cockamamie tone poem pitched precipitously between swoony lyricism and violent catastrophe ... the most aggressively nerve-wracking and screamingly neurotic romantic comedy in cinema history .\n1099\tSturdy , entertaining period drama ... both Caine and Fraser have their moments .\n1100\tWhether -LRB- Binoche and Magimel -RRB- are being charming or angst-ridden , they easily fill their scenes and , fine judges both , never overcook the hysteria .\n1101\tA spunky , original take on a theme that will resonate with singles of many ages .\n1102\tIt 's a glorious groove that leaves you wanting more .\n1103\tMajidi gets uniformly engaging performances from his largely amateur cast .\n1104\t... a well-observed and disturbing little movie\n1105\tFans of Nijinsky will savor every minute of Cox 's work .\n1106\tEverything you loved about it in 1982 is still there , for everybody who wants to be a kid again , or show it to their own kids .\n1107\tJagger the actor is someone you want to see again .\n1108\tEscapism in its purest form .\n1109\tThere is a kind of attentive concern that Hoffman brings to his characters , as if he has been giving them private lessons , and now it is time for their first public recital .\n1110\tA comic gem with some serious sparkles .\n1111\tU.S. audiences may find -LRB- Attal and Gainsbourg 's -RRB- unfamiliar personas give the film an intimate and quaint reality that is a little closer to human nature than what Hollywood typically concocts .\n1112\t`` Cremaster 3 '' should come with the warning `` For serious film buffs only ! ''\n1113\tOnce again , director Jackson strikes a rewarding balance between emotion on the human scale and action\\/effects on the spectacular scale .\n1114\tA loving little film of considerable appeal .\n1115\tAlthough it 's a bit smug and repetitive , this documentary engages your brain in a way few current films do .\n1116\tFlawed but worthy look at life in U.S. relocation camps .\n1117\tIt 's a lovely film with lovely performances by Buy and Accorsi .\n1118\tNo one goes unindicted here , which is probably for the best .\n1119\tAnd if you 're not nearly moved to tears by a couple of scenes , you 've got ice water in your veins .\n1120\tA warm , funny , engaging film .\n1121\tUses sharp humor and insight into human nature to examine class conflict , adolescent yearning , the roots of friendship and sexual identity .\n1122\tHalf Submarine flick , Half Ghost Story , All in one criminally neglected film\n1123\tEntertains by providing good , lively company .\n1124\tDazzles with its fully-written characters , its determined stylishness -LRB- which always relates to characters and story -RRB- and Johnny Dankworth 's best soundtrack in years .\n1125\tVisually imaginative , thematically instructive and thoroughly delightful , it takes us on a roller-coaster ride from innocence to experience without even a hint of that typical kiddie-flick sentimentality .\n1126\tNothing 's at stake , just a twisty double-cross you can smell a mile away -- still , the derivative Nine Queens is lots of fun .\n1127\tUnlike the speedy wham-bam effect of most Hollywood offerings , character development -- and more importantly , character empathy -- is at the heart of Italian for Beginners .\n1128\tYou 'll gasp appalled and laugh outraged and possibly , watching the spectacle of a promising young lad treading desperately in a nasty sea , shed an errant tear .\n1129\tThe band 's courage in the face of official repression is inspiring , especially for aging hippies -LRB- this one included -RRB- .\n1130\tAlthough German cooking does not come readily to mind when considering the world 's best cuisine , Mostly Martha could make Deutchland a popular destination for hungry tourists .\n1131\tA beguiling splash of pastel colors and prankish comedy from Disney .\n1132\tAs surreal as a dream and as detailed as a photograph , as visually dexterous as it is at times imaginatively overwhelming .\n1133\t-LRB- Lawrence bounces -RRB- all over the stage , dancing , running , sweating , mopping his face and generally displaying the wacky talent that brought him fame in the first place .\n1134\tThe film serves as a valuable time capsule to remind us of the devastating horror suffered by an entire people .\n1135\tWhat 's surprising about Full Frontal is that despite its overt self-awareness , parts of the movie still manage to break past the artifice and thoroughly engage you .\n1136\tWhether you like rap music or loathe it , you ca n't deny either the tragic loss of two young men in the prime of their talent or the power of this movie .\n1137\t... an otherwise intense , twist-and-turn thriller that certainly should n't hurt talented young Gaghan 's resume .\n1138\tIt provides the grand , intelligent entertainment of a superior cast playing smart people amid a compelling plot .\n1139\tThere 's ... tremendous energy from the cast , a sense of playfulness and excitement that seems appropriate .\n1140\tIt moves quickly , adroitly , and without fuss ; it does n't give you time to reflect on the inanity -- and the Cold War datedness -- of its premise .\n1141\tA deep and meaningful film .\n1142\tThe film 's welcome breeziness and some unbelievably hilarious moments -- most portraying the idiocy of the film industry -- make it mostly worth the trip .\n1143\tIt 's a remarkably solid and subtly satirical tour de force .\n1144\tEnormously entertaining for moviegoers of any age .\n1145\tA poignant , artfully crafted meditation on mortality .\n1146\tA rarity among recent Iranian films : It 's a comedy full of gentle humor that chides the absurdity of its protagonist 's plight .\n1147\tNot only is Undercover Brother as funny , if not more so , than both Austin Powers films , but it 's also one of the smarter , savvier spoofs to come along in some time .\n1148\tIn a way , the film feels like a breath of fresh air , but only to those that allow it in .\n1149\tWoody Allen 's latest is an ambling , broad comedy about all there is to love -- and hate -- about the movie biz .\n1150\tIt 's a stunning lyrical work of considerable force and truth .\n1151\tThe inhospitability of the land emphasizes the spare precision of the narratives and helps to give them an atavistic power , as if they were tales that had been handed down since the beginning of time .\n1152\t-LRB- Næs -RRB- directed the stage version of Elling , and gets fine performances from his two leads who originated the characters on stage .\n1153\tMade me unintentionally famous -- as the queasy-stomached critic who staggered from the theater and blacked out in the lobby .\n1154\tBut believe it or not , it 's one of the most beautiful , evocative works I 've seen .\n1155\tA coda in every sense , The Pinochet Case splits time between a minute-by-minute account of the British court 's extradition chess game and the regime 's talking-head survivors .\n1156\tLike Mike is a winner for kids , and no doubt a winner for Lil Bow Wow , who can now add movies to the list of things he does well .\n1157\t-LRB- T -RRB- his beguiling Belgian fable , very much its own droll and delicate little film , has some touching things to say about what is important in life and why .\n1158\tHere 's yet another studio horror franchise mucking up its storyline with glitches casual fans could correct in their sleep .\n1159\tBut taken as a stylish and energetic one-shot , The Queen of the Damned can not be said to suck .\n1160\tYou wo n't like Roger , but you will quickly recognize him .\n1161\tAnd that 's a big part of why we go to the movies .\n1162\tWhile the stoically delivered hokum of Hart 's War is never fun , it 's still a worthy addition to the growing canon of post-Saving Private Ryan tributes to the greatest generation .\n1163\tWe know the plot 's a little crazy , but it held my interest from start to finish .\n1164\tA sober and affecting chronicle of the leveling effect of loss .\n1165\tA fast , funny , highly enjoyable movie .\n1166\tA celebration of quirkiness , eccentricity , and certain individuals ' tendency to let it all hang out , and damn the consequences .\n1167\tWriter\\/director Joe Carnahan 's grimy crime drama is a manual of precinct cliches , but it moves fast enough to cover its clunky dialogue and lapses in logic .\n1168\tA smart , witty follow-up .\n1169\tWhile the ideas about techno-saturation are far from novel , they 're presented with a wry dark humor .\n1170\tAn infectious cultural fable with a tasty balance of family drama and frenetic comedy .\n1171\tAlthough occasionally static to the point of resembling a stage play , the film delivers a solid mixture of sweetness and laughs .\n1172\tIt provides an honest look at a community striving to anchor itself in new grounds .\n1173\tAdd yet another hat to a talented head , Clooney 's a good director .\n1174\tBuilding slowly and subtly , the film , sporting a breezy spontaneity and realistically drawn characterizations , develops into a significant character study that is both moving and wise .\n1175\tUltimately feels empty and unsatisfying , like swallowing a Communion wafer without the wine .\n1176\tChilling , well-acted , and finely directed : David Jacobson 's Dahmer .\n1177\tA swashbuckling tale of love , betrayal , revenge and above all , faith .\n1178\tWithout ever becoming didactic , director Carlos Carrera expertly weaves this novelistic story of entangled interrelationships and complex morality .\n1179\tIt 's a coming-of-age story we 've all seen bits of in other films -- but it 's rarely been told with such affecting grace and cultural specificity .\n1180\tA literate presentation that wonderfully weaves a murderous event in 1873 with murderous rage in 2002 .\n1181\tMakes even the claustrophobic on-board quarters seem fun .\n1182\tThis is as respectful a film as Byatt fans could hope for , though lovers of the book may wonder why it 's necessary .\n1183\tOne of the best films of the year with its exploration of the obstacles to happiness faced by five contemporary individuals ... a psychological masterpiece .\n1184\tNot far beneath the surface , this reconfigured tale asks disturbing questions about those things we expect from military epics .\n1185\tFor the most part Stevens glides through on some solid performances and witty dialogue .\n1186\tBroomfield turns his distinctive ` blundering ' style into something that could really help clear up the case .\n1187\tAgainst all odds in heaven and hell , it creeped me out just fine .\n1188\tIt 's refreshing to see a girl-power movie that does n't feel it has to prove anything .\n1189\tIt 's worth seeing just on the basis of the wisdom , and at times , the startling optimism , of the children .\n1190\tA rigorously structured and exquisitely filmed drama about a father and son connection that is a brief shooting star of love .\n1191\tThis surreal Gilliam-esque film is also a troubling interpretation of Ecclesiastes .\n1192\tA rewarding work of art for only the most patient and challenge-hungry moviegoers .\n1193\tA quiet treasure -- a film to be savored .\n1194\tMay be far from the best of the series , but it 's assured , wonderfully respectful of its past and thrilling enough to make it abundantly clear that this movie phenomenon has once again reinvented itself for a new generation .\n1195\tA compelling Spanish film about the withering effects of jealousy in the life of a young monarch whose sexual passion for her husband becomes an obsession .\n1196\tHuston nails both the glad-handing and the choking sense of hollow despair .\n1197\tmay not have generated many sparks , but with his affection for Astoria and its people he has given his tale a warm glow .\n1198\tA delirious celebration of the female orgasm .\n1199\tExquisitely nuanced in mood tics and dialogue , this chamber drama is superbly acted by the deeply appealing veteran Bouquet and the chilling but quite human Berling .\n1200\tIt 's fascinating to see how Bettany and McDowell play off each other .\n1201\tThe film is beautifully mounted , but , more to the point , the issues are subtly presented , managing to walk a fine line with regard to the question of Joan 's madness .\n1202\tLeigh 's film is full of memorable performances from top to bottom .\n1203\tOne of the most significant moviegoing pleasures of the year .\n1204\tJose Campanella delivers a loosely autobiographical story brushed with sentimentality but brimming with gentle humor , bittersweet pathos , and lyric moments that linger like snapshots of memory .\n1205\tGenerally , Clockstoppers will fulfill your wildest fantasies about being a different kind of time traveler , while happily killing 94 minutes .\n1206\tThe movie is beautiful to behold and engages one in a sense of epic struggle -- inner and outer -- that 's all too rare in Hollywood 's hastier productions .\n1207\tNeither Parker nor Donovan is a typical romantic lead , but they bring a fresh , quirky charm to the formula .\n1208\tIt 's a much more emotional journey than what Shyamalan has given us in his past two movies , and Gibson , stepping in for Bruce Willis , is the perfect actor to take us on the trip .\n1209\tNot only are the special effects and narrative flow much improved , and Daniel Radcliffe more emotionally assertive this time around as Harry , but the film conjures the magic of author J.K. Rowling 's books .\n1210\tJaglom ... put -LRB- s -RRB- the audience in the privileged position of eavesdropping on his characters\n1211\tBeautifully observed , miraculously unsentimental comedy-drama .\n1212\tA must-see for the David Mamet enthusiast and for anyone who appreciates intelligent , stylish moviemaking .\n1213\tCrackerjack entertainment -- nonstop romance , music , suspense and action .\n1214\tThe acting , costumes , music , cinematography and sound are all astounding given the production 's austere locales .\n1215\tGarcía Bernal and Talancón are an immensely appealing couple , and even though their story is predictable , you 'll want things to work out .\n1216\tFar more imaginative and ambitious than the trivial , cash-in features Nickelodeon has made from its other animated TV series .\n1217\tThe very definition of the ` small ' movie , but it is a good stepping stone for director Sprecher .\n1218\tA gripping , searing portrait of a lost soul trying to find her way through life .\n1219\tSuffers from the lack of a compelling or comprehensible narrative .\n1220\tStill , as a visual treat , the film is almost unsurpassed .\n1221\tSo unassuming and pure of heart , you ca n't help but warmly extend your arms and yell ` Safe ! '\n1222\tAn intriguing cinematic omnibus and round-robin that occasionally is more interesting in concept than in execution .\n1223\tSo refreshingly incisive is Grant that for the first time he 'll probably appeal more to guys than to their girlfriends who drag them to this movie for the Hugh factor .\n1224\tAt a time when half the so-called real movies are little more than live-action cartoons , it 's refreshing to see a cartoon that knows what it is , and knows the form 's history .\n1225\tThe magic of the film lies not in the mysterious spring but in the richness of its performances .\n1226\tHoffman notches in the nuances of pain , but his smart , edgy voice and waddling profile -LRB- emphasized here -RRB- accent the humor of Wilson 's plight , and that saves his pathos from drippiness .\n1227\tWhat better message than ` love thyself ' could young women of any size receive ?\n1228\tThe second coming of Harry Potter is a film far superior to its predecessor .\n1229\tA movie that successfully crushes a best selling novel into a timeframe that mandates that you avoid the Godzilla sized soda .\n1230\t84 minutes of rolling musical back beat and supercharged cartoon warfare .\n1231\tIt 's also , clearly , great fun .\n1232\t... takes the beauty of baseball and melds it with a story that could touch anyone regardless of their familiarity with the sport\n1233\tSeldahl 's Barbara is a precise and moving portrait of someone whose world is turned upside down , first by passion and then by illness .\n1234\tA warm but realistic meditation on friendship , family and affection .\n1235\tByler reveals his characters in a way that intrigues and even fascinates us , and he never reduces the situation to simple melodrama .\n1236\tTurns potentially forgettable formula into something strangely diverting .\n1237\tBogdanovich tantalizes by offering a peep show into the lives of the era 's creme de la celluloid .\n1238\tPeople cinema at its finest .\n1239\tThe performances take the movie to a higher level .\n1240\twhat really makes it special is that it pulls us into its world , gives us a hero whose suffering and triumphs we can share , surrounds him with interesting characters and sends us out of the theater feeling we 've shared a great adventure .\n1241\t... a spoof comedy that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh .\n1242\tManages to transcend the sex , drugs and show-tunes plot into something far richer .\n1243\tDense with characters and contains some thrilling moments .\n1244\tLaPaglia 's ability to convey grief and hope works with Weaver 's sensitive reactions to make this a two-actor master class .\n1245\tReign of Fire looks as if it was made without much thought -- and is best watched that way .\n1246\tAltogether , this is successful as a film , while at the same time being a most touching reconsideration of the familiar masterpiece .\n1247\tWe root for -LRB- Clara and Paul -RRB- , even like them , though perhaps it 's an emotion closer to pity .\n1248\tThe best film about baseball to hit theaters since Field of Dreams .\n1249\tInstead of a hyperbolic beat-charged urban western , it 's an unpretentious , sociologically pointed slice of life .\n1250\tthe film tunes into a grief that could lead a man across centuries .\n1251\tIf The Count of Monte Cristo does n't transform Caviezel into a movie star , then the game is even more rigged than it was two centuries ago .\n1252\t-LRB- D -RRB- oes n't bother being as cloying or preachy as equivalent evangelical Christian movies -- maybe the filmmakers know that the likely audience will already be among the faithful .\n1253\tAs a tolerable diversion , the film suffices ; a Triumph , however , it is not .\n1254\tIf director Michael Dowse only superficially understands his characters , he does n't hold them in contempt .\n1255\tIf your taste runs to ` difficult ' films you absolutely ca n't miss it .\n1256\t-LRB- City -RRB- reminds us how realistically nuanced a Robert De Niro performance can be when he is not more lucratively engaged in the shameless self-caricature of ` Analyze This ' -LRB- 1999 -RRB- and ` Analyze That , ' promised -LRB- or threatened -RRB- for later this year .\n1257\t... a story we have n't seen on the big screen before , and it 's a story that we as Americans , and human beings , should know .\n1258\tLike Leon , it 's frustrating and still oddly likable .\n1259\tAll in all , The Count of Monte Cristo is okay , but it is surely no classic , like the novel upon which it is based .\n1260\tIf you can stomach the rough content , it 's worth checking out for the performances alone .\n1261\tLooking aristocratic , luminous yet careworn in Jane Hamilton 's exemplary costumes , Rampling gives a performance that could not be improved upon . '\n1262\t... Mafia , rap stars and hood rats butt their ugly heads in a regurgitation of cinematic violence that gives brutal birth to an unlikely , but likable , hero . '\n1263\tOn this tricky topic , Tadpole is very much a step in the right direction , with its blend of frankness , civility and compassion .\n1264\tFun , flip and terribly hip bit of cinematic entertainment .\n1265\tMontias ... pumps a lot of energy into his nicely nuanced narrative and surrounds himself with a cast of quirky -- but not stereotyped -- street characters .\n1266\tFalls neatly into the category of Good Stupid Fun .\n1267\tThe film 's performances are thrilling .\n1268\tEven in its most tedious scenes , Russian Ark is mesmerizing .\n1269\tThe continued good chemistry between Carmen and Juni is what keeps this slightly disappointing sequel going , with enough amusing banter -- blessedly curse-free -- to keep both kids and parents entertained .\n1270\tReggio 's continual visual barrage is absorbing as well as thought-provoking .\n1271\tUnfortunately , it appears that -LRB- Jackie -RRB- Chan 's US influence is starting to show in his Hong Kong films .\n1272\tIt all adds up to good fun .\n1273\tA big , gorgeous , sprawling swashbuckler that delivers its diversions in grand , uncomplicated fashion .\n1274\tThe wanton slipperiness of \\* Corpus and its amiable jerking and reshaping of physical time and space would make it a great piece to watch with kids and use to introduce video as art .\n1275\tA stunning and overwhelmingly cogent case for Kissinger as a calculating war criminal .\n1276\tSade is an engaging look at the controversial eponymous and fiercely atheistic hero .\n1277\ta quiet , pure , elliptical film\n1278\tKinnear does n't aim for our sympathy , but rather delivers a performance of striking skill and depth .\n1279\tThe subtle strength of `` Elling '' is that it never loses touch with the reality of the grim situation .\n1280\tA study in shades of gray , offering itself up in subtle plot maneuvers ...\n1281\tThe format gets used best ... to capture the dizzying heights achieved by motocross and BMX riders , whose balletic hotdogging occasionally ends in bone-crushing screwups .\n1282\tHas a lot of the virtues of Eastwood at his best .\n1283\tChilling but uncommercial look into the mind of Jeffrey Dahmer , serial killer .\n1284\tThough it 's become almost redundant to say so , major kudos go to Leigh for actually casting people who look working-class .\n1285\tIt deserves to be seen by anyone with even a passing interest in the events shaping the world beyond their own horizons .\n1286\tA movie that reminds us of just how exciting and satisfying the fantasy cinema can be when it 's approached with imagination and flair .\n1287\tThanks to Scott 's charismatic Roger and Eisenberg 's sweet nephew , Roger Dodger is one of the most compelling variations on In the Company of Men .\n1288\tNine Queens is not only than a frighteningly capable debut and genre piece , but also a snapshot of a dangerous political situation on the verge of coming to a head .\n1289\tIt 's the chemistry between the women and the droll scene-stealing wit and wolfish pessimism of Anna Chancellor that makes this `` Two Weddings and a Funeral '' fun .\n1290\tWill amuse and provoke adventurous adults in specialty venues .\n1291\tYou do n't have to know about music to appreciate the film 's easygoing blend of comedy and romance .\n1292\tA film about a young man finding God that is accessible and touching to the marrow .\n1293\tFor the first time in years , De Niro digs deep emotionally , perhaps because he 's been stirred by the powerful work of his co-stars .\n1294\tThe film 's snags and stumblings are more than compensated for by its wryly subversive tone .\n1295\tInside the film 's conflict-powered plot there is a decent moral trying to get out , but it 's not that , it 's the tension that keeps you in your seat .\n1296\tAffleck and Jackson are good sparring partners .\n1297\tThe old-world - meets-new mesh is incarnated in the movie 's soundtrack , a joyful effusion of disco Bollywood that , by the end of Monsoon Wedding , sent my spirit soaring out of the theater .\n1298\tAn effectively creepy , fear-inducing -LRB- not fear-reducing -RRB- film from Japanese director Hideo Nakata , who takes the superstitious curse on chain letters and actually applies it .\n1299\tHaving had the good sense to cast actors who are , generally speaking , adored by the movie-going public , Khouri then gets terrific performances from them all .\n1300\tA subtle and well-crafted -LRB- for the most part -RRB- chiller .\n1301\tWarm Water Under a Red Bridge is a quirky and poignant Japanese film that explores the fascinating connections between women , water , nature , and sexuality .\n1302\tAlthough laced with humor and a few fanciful touches , the film is a refreshingly serious look at young women .\n1303\tThe best revenge may just be living well because this film , unlike other Dumas adaptations , is far more likened to a treasure than a lengthy jail sentence .\n1304\tA delectable and intriguing thriller filled with surprises , Read My Lips is an original .\n1305\tThis is a story of two misfits who do n't stand a chance alone , but together they are magnificent .\n1306\tHighbrow self-appointed guardians of culture need not apply , but those who loved Cool as Ice have at last found a worthy follow-up .\n1307\tOne of creepiest , scariest movies to come along in a long , long time , easily rivaling Blair Witch or The Others .\n1308\tMaud and Roland 's search for an unknowable past makes for a haunting literary detective story , but LaBute pulls off a neater trick in Possession : He makes language sexy .\n1309\tPacino is brilliant as the sleep-deprived Dormer , his increasing weariness as much existential as it is physical .\n1310\tRare Birds has more than enough charm to make it memorable .\n1311\tManages to be sweet and wickedly satisfying at the same time .\n1312\tThis Nickleby thing might have more homosexual undertones than an Eddie Murphy film .\n1313\tAnd just when you think it ca n't get any more gay , in pops Nathan Lane .\n1314\tNo sophomore slump for director Sam Mendes , who segues from Oscar winner to Oscar-winning potential with a smooth sleight of hand .\n1315\tThe movie is n't just hilarious : It 's witty and inventive , too , and in hindsight , it is n't even all that dumb .\n1316\tOld-form moviemaking at its best .\n1317\tAhhhh ... revenge is sweet !\n1318\tYakusho and Shimizu ... create engaging characterizations in Imamura 's lively and enjoyable cultural mix .\n1319\tYou will emerge with a clearer view of how the gears of justice grind on and the death report comes to share airtime alongside the farm report .\n1320\tRuzowitzky has taken this mothball-y stuff and made a rather sturdy , old-fashioned entertainment out of it .\n1321\tIn spite of Good Housekeeping 's unsavory characters and WWF mentality , this white trash War of the Roses is a surprisingly engaging film .\n1322\tCollateral Damage finally delivers the goods for Schwarzenegger fans .\n1323\tThere has always been something likable about the Marquis de Sade .\n1324\tAs a first-time director , Paxton has tapped something in himself as an actor that provides Frailty with its dark soul .\n1325\tFor the most part , director Anne-Sophie Birot 's first feature is a sensitive , extraordinarily well-acted drama .\n1326\tBy the time we learn that Andrew 's Turnabout Is Fair Play is every bit as awful as Borchardt 's Coven , we can enjoy it anyway .\n1327\tThis riveting World War II moral suspense story deals with the shadow side of American culture : racial prejudice in its ugly and diverse forms .\n1328\tA tender , heartfelt family drama .\n1329\tA difficult , absorbing film that manages to convey more substance despite its repetitions and inconsistencies than do most films than are far more pointed and clear .\n1330\tFor the most part , it 's a work of incendiary genius , steering clear of knee-jerk reactions and quick solutions .\n1331\tIt has the charm of the original American road movies , feasting on the gorgeous , ramshackle landscape of the filmmaker 's motherland .\n1332\t-LRB- Chaiken 's -RRB- talent lies in an evocative , accurate observation of a distinctive milieu and in the lively , convincing dialogue she creates for her characters .\n1333\tIn all , this is a watchable movie that 's not quite the memorable experience it might have been .\n1334\tHuppert 's superbly controlled display of murderous vulnerability ensures that malice has a very human face .\n1335\tMy thoughts were focused on the characters .\n1336\tThat is a compliment to Kuras and Miller .\n1337\tIf I had been thinking about the visual medium , they would have been doing something wrong .\n1338\tOne of the more intelligent children 's movies to hit theaters this year .\n1339\tRemember the kind of movie we were hoping `` Ecks vs. Sever '' or `` xXx '' was going to be ?\n1340\tThis is it .\n1341\tNot for the prurient or squeamish , it 's a daring if overlong examination of an idolized culture , self-loathing and sexual politics .\n1342\tA cartoon that 's truly cinematic in scope , and a story that 's compelling and heartfelt -- even if the heart belongs to a big , four-legged herbivore .\n1343\tThe film 's almost unbearable portrait of sadness and grief transcends its specific story to speak to the ways in which need , history and presumption tangle , and sometimes destroy , blood ties .\n1344\tTravels a fascinating arc from hope and euphoria to reality and disillusionment .\n1345\tThere 's something auspicious , and daring , too , about the artistic instinct that pushes a majority-oriented director like Steven Spielberg to follow A.I. with this challenging report so liable to unnerve the majority .\n1346\tFor anyone unfamiliar with pentacostal practices in general and theatrical phenomenon of Hell Houses in particular , it 's an eye-opener .\n1347\tIt seems like I have been waiting my whole life for this movie and now I ca n't wait for the sequel .\n1348\tIt 's a bit disappointing that it only manages to be decent instead of dead brilliant .\n1349\tAn operatic , sprawling picture that 's entertainingly acted , magnificently shot and gripping enough to sustain most of its 170-minute length .\n1350\tThe far future may be awesome to consider , but from period detail to matters of the heart , this film is most transporting when it stays put in the past .\n1351\tIt inspires a continuing and deeply satisfying awareness of the best movies as monumental ` picture shows . '\n1352\tAwesome creatures , breathtaking scenery , and epic battle scenes add up to another ` spectacular spectacle . '\n1353\tBy candidly detailing the politics involved in the creation of an extraordinary piece of music , -LRB- Jones -RRB- calls our attention to the inherent conflict between commerce and creativity .\n1354\tIt 's unnerving to see Recoing 's bizzarre reaction to his unemployment .\n1355\tGood film , but very glum .\n1356\tMuch as we might be interested in gratuitous sexualization , Haneke has a different objective in mind -- namely the implications of our craving for fake stimulation .\n1357\tDazzling in its complexity , disturbing for its extraordinary themes , The Piano Teacher is a film that defies categorisation .\n1358\tIt haunts , horrifies , startles and fascinates ; it is impossible to look away .\n1359\tAh yes , and then there 's the music ...\n1360\tIt has charm to spare , and unlike many romantic comedies , it does not alienate either gender in the audience .\n1361\tAlthough Jackson is doubtless reserving the darkest hours for The Return of the King , we long for a greater sense of urgency in the here and now of The Two Towers .\n1362\tIt is great summer fun to watch Arnold and his buddy Gerald bounce off a quirky cast of characters .\n1363\tBleakly funny , its characters all the more touching for refusing to pity or memorialize themselves .\n1364\tIt will not appeal to the impatient , but those who like long books and movies will admire the way it accumulates power and depth .\n1365\tThis flick is about as cool and crowd-pleasing as a documentary can get .\n1366\t`` The Ring '' is pretty much an English-language copy of the film that inspired it , and it carries the same strengths and flaws .\n1367\tThe Wild Thornberrys Movie is a jolly surprise .\n1368\tGriffiths proves she 's that rare luminary who continually raises the standard of her profession .\n1369\tPrancing his way through the tailor-made part of a male hooker approaching the end of his vitality , Jagger obviously relishes every self-mocking moment .\n1370\tOffers much to enjoy ... and a lot to mull over in terms of love , loyalty and the nature of staying friends .\n1371\tAn important movie , a reminder of the power of film to move us and to make us examine our values .\n1372\tIs this love or is it masochism ?\n1373\tBinoche makes it interesting trying to find out .\n1374\tThe mesmerizing performances of the leads keep the film grounded and keep the audience riveted .\n1375\tWorth watching for Dong Jie 's performance -- and for the way it documents a culture in the throes of rapid change .\n1376\tTwo hours fly by -- opera 's a pleasure when you do n't have to endure intermissions -- and even a novice to the form comes away exhilarated .\n1377\tIt 's one heck of a character study -- not of Hearst or Davies but of the unique relationship between them .\n1378\tCandid Camera on methamphetamines .\n1379\tA subject like this should inspire reaction in its audience ; The Pianist does not .\n1380\tEquilibrium is what George Orwell might have imagined had today 's mood-altering drug therapy been envisioned by chemists in 1949 .\n1381\tCreepy , authentic and dark .\n1382\tThis disturbing bio-pic is hard to forget .\n1383\tMartin and Barbara are complex characters -- sometimes tender , sometimes angry -- and the delicate performances by Sven Wollter and Viveka Seldahl make their hopes and frustrations vivid .\n1384\tA twisty , moody slice of Southern Gothic ...\n1385\tIt 's so good that you can practically see the Hollywood ` suits ' trying to put together the cast and filmmaking team for the all-too - inevitable American remake .\n1386\tThe weight of the piece , the unerring professionalism of the chilly production , and the fascination embedded in the lurid topic prove recommendation enough .\n1387\tAn absurdist comedy about alienation , separation and loss .\n1388\t` They ' begins and ends with scenes so terrifying I 'm still stunned .\n1389\tAnd I 've decided to leave a light on every night from now on .\n1390\tThis tenth feature is a big deal , indeed -- at least the third-best , and maybe even a notch above the previous runner-up , Nicholas Meyer 's Star Trek VI : The Undiscovered Country .\n1391\t... with `` The Bourne Identity '' we return to the more traditional action genre .\n1392\tBeneath Clouds is a succinct low-budget film whose compelling characters and intelligent script are exactly what was missing from Rabbit-Proof Fence .\n1393\tThe film is a contrivance , as artificial as the video games Japanese teens play in a nightclub sequence , but it 's an enjoyable one .\n1394\tHolm ... embodies the character with an effortlessly regal charisma .\n1395\tIt is amusing , and that 's all it needs to be .\n1396\tAmong the year 's most intriguing explorations of alientation .\n1397\tA full world has been presented onscreen , not some series of carefully structured plot points building to a pat resolution .\n1398\tSeldom has a movie so closely matched the spirit of a man and his work .\n1399\tAudrey Tatou has a knack for picking roles that magnify her outrageous charm , and in this literate French comedy , she 's as morning-glory exuberant as she was in Amélie .\n1400\tThe movie has an infectious exuberance that will engage anyone with a passing interest in the skate\\/surf culture , the L.A. beach scene and the imaginative -LRB- and sometimes illegal -RRB- ways kids can make a playground out of the refuse of adults .\n1401\tEven if you do n't think -LRB- Kissinger 's -RRB- any more guilty of criminal activity than most contemporary statesmen , he 'd sure make a courtroom trial great fun to watch .\n1402\tThe story and structure are well-honed .\n1403\tFresnadillo 's dark and jolting images have a way of plying into your subconscious like the nightmare you had a week ago that wo n't go away .\n1404\tIt 's made with deftly unsettling genre flair .\n1405\tIt just may inspire a few younger moviegoers to read Stevenson 's book , which is a treasure in and of itself .\n1406\tFunny but perilously slight .\n1407\tOverall very good for what it 's trying to do .\n1408\tForgettable horror -- more gory than psychological -- with a highly satisfying quotient of Friday-night excitement and Milla power .\n1409\tRamsay , as in Ratcatcher , remains a filmmaker with an acid viewpoint and a real gift for teasing chilly poetry out of lives and settings that might otherwise seem drab and sordid .\n1410\tIt may seem long at 110 minutes if you 're not a fan , because it includes segments of 12 songs at a reunion concert .\n1411\tA lean , deftly shot , well-acted , weirdly retro thriller that recalls a raft of '60s and '70s European-set spy pictures .\n1412\tIt proves quite compelling as an intense , brooding character study .\n1413\tThe Son 's Room is a triumph of gentility that earns its moments of pathos .\n1414\tMorton uses her face and her body language to bring us Morvern 's soul , even though the character is almost completely deadpan .\n1415\tThe film may appear naked in its narrative form ... but it goes deeper than that , to fundamental choices that include the complexity of the Catholic doctrine\n1416\tA superbly acted and funny\\/gritty fable of the humanizing of one woman at the hands of the unseen forces of fate .\n1417\tOne of the smartest takes on singles culture I 've seen in a long time .\n1418\tThere is a fabric of complex ideas here , and feelings that profoundly deepen them .\n1419\tCQ 's reflection of artists and the love of cinema-and-self suggests nothing less than a new voice that deserves to be considered as a possible successor to the best European directors .\n1420\tThe emotions are raw and will strike a nerve with anyone who 's ever had family trauma .\n1421\tHoly mad maniac in a mask , Splat-Man !\n1422\tGood old-fashioned slash-and-hack is back !\n1423\tAs unseemly as its title suggests .\n1424\tThe French are rather good at this kind of thing , unlike the Americans , who have a passion for Musketeers , only to spoof them .\n1425\tThe fly-on-the-wall method used to document rural French school life is a refreshing departure from the now more prevalent technique of the docu-makers being a visible part of their work .\n1426\tIt 's an offbeat treat that pokes fun at the democratic exercise while also examining its significance for those who take part .\n1427\tAllows us to hope that Nolan is poised to embark a major career as a commercial yet inventive filmmaker .\n1428\tManeuvers skillfully through the plot 's hot brine -- until it 's undone by the sogginess of its contemporary characters , and actors .\n1429\tIt has the ability to offend and put off everyone , but it holds you with its outrageousness .\n1430\tAnchored by Friel and Williams 's exceptional performances , the film 's power lies in its complexity .\n1431\tNothing is black and white .\n1432\tIt 's a charming and often affecting journey .\n1433\tNo screen fantasy-adventure in recent memory has the showmanship of Clones ' last 45 minutes .\n1434\tA poignant and compelling story about relationships , Food of Love takes us on a bumpy but satisfying journey of the heart .\n1435\tThe Chateau cleverly probes the cross-cultural differences between Gauls and Yanks .\n1436\tNot since Tom Cruise in Risky Business has an actor made such a strong impression in his underwear .\n1437\tAside from minor tinkering , this is the same movie you probably loved in 1994 , except that it looks even better .\n1438\tUses high comedy to evoke surprising poignance .\n1439\tIt confirms Fincher 's status as a film maker who artfully bends technical know-how to the service of psychological insight .\n1440\tVera 's three actors -- Mollà , Gil and Bardem -- excel in insightful , empathetic performances .\n1441\tA marvel like none you 've seen .\n1442\tWith tightly organized efficiency , numerous flashbacks and a constant edge of tension , Miller 's film is one of 2002 's involvingly adult surprises .\n1443\tMr. Tsai is a very original artist in his medium , and What Time Is It There ?\n1444\tshould be seen at the very least for its spasms of absurdist humor .\n1445\tWriter\\/director Mark Romanek spotlights the underlying caste system in America .\n1446\tIt 's a scathing portrayal .\n1447\tThis is a good script , good dialogue , funny even for adults .\n1448\tThe characters are interesting and often very creatively constructed from figure to backstory .\n1449\tThe film will play equally well on both the standard and giant screens .\n1450\tMoody , heartbreaking , and filmed in a natural , unforced style that makes its characters seem entirely convincing even when its script is not .\n1451\tNot a film to rival To Live , but a fine little amuse-bouche to keep your appetite whetted .\n1452\tTrue tale of courage -- and complicity -- at Auschwitz is a harrowing drama that tries to tell of the unspeakable .\n1453\tGives you the steady pulse of life in a beautiful city viewed through the eyes of a character who , in spite of tragic loss and increasing decrepitude , knows in his bones that he is one of the luckiest men alive .\n1454\tMacDowell , whose wifty Southern charm has anchored lighter affairs ... brings an absolutely riveting conviction to her role .\n1455\tWhat Time Is It There ?\n1456\tis not easy .\n1457\tIt haunts you , you ca n't forget it , you admire its conception and are able to resolve some of the confusions you had while watching it .\n1458\tif you are an actor who can relate to the search for inner peace by dramatically depicting the lives of others onstage , then Esther 's story is a compelling quest for truth .\n1459\tAlthough the level of the comedy declines as the movie proceeds , there 's no denying the fun of watching De Niro and Crystal having fun .\n1460\tClaude Chabrol has here a thriller without thrills , but that 's okay .\n1461\tFor movie lovers as well as opera lovers , Tosca is a real treat .\n1462\tUnflinchingly bleak and desperate\n1463\tMoretti 's compelling anatomy of grief and the difficult process of adapting to loss .\n1464\tChallenging , intermittently engrossing and unflaggingly creative .\n1465\tBut it 's too long and too convoluted and it ends in a muddle .\n1466\tThe vivid lead performances sustain interest and empathy , but the journey is far more interesting than the final destination .\n1467\tA painfully funny ode to bad behavior .\n1468\t` Easily my choice for one of the year 's best films . '\n1469\tCharles ' entertaining film chronicles Seinfeld 's return to stand-up comedy after the wrap of his legendary sitcom , alongside wannabe comic Adams ' attempts to get his shot at the big time .\n1470\tThat dogged good will of the parents and ` vain ' Jia 's defoliation of ego , make the film touching despite some doldrums .\n1471\tThe movie is for fans who ca n't stop loving anime , and the fanatical excess built into it .\n1472\tThe volatile dynamics of female friendship is the subject of this unhurried , low-key film that is so off-Hollywood that it seems positively French in its rhythms and resonance .\n1473\tA densely constructed , highly referential film , and an audacious return to form that can comfortably sit among Jean-Luc Godard 's finest work .\n1474\tMichael Gerbosi 's script is economically packed with telling scenes .\n1475\tA strangely compelling and brilliantly acted psychological drama .\n1476\tCandid and comfortable ; a film that deftly balances action and reflection as it lets you grasp and feel the passion others have for their work .\n1477\tOpen-minded kids -- kids who read , kids who dream -- will be comforted by the way it deals with big issues like death and destiny .\n1478\tBennett 's naturalistic performance speaks volumes more truth than any ` reality ' show , and anybody contemplating their own drastic life changes should watch Some Body first .\n1479\t... a good , if not entirely fresh , look at war .\n1480\tThe film is powerful , accessible and funny .\n1481\tYou wo n't miss its messages , but you 'll be entertained as well .\n1482\t`` Frailty '' starts out like a typical Bible killer story , but it turns out to be significantly different -LRB- and better -RRB- than most films with this theme .\n1483\tIf you dig on David Mamet 's mind tricks ... rent this movie and enjoy !\n1484\tThe primitive force of this film seems to bubble up from the vast collective memory of the combatants .\n1485\tIt 's like watching a nightmare made flesh .\n1486\tIt is the sheer , selfish , wound-licking , bar-scrapping doggedness of Leon 's struggle to face and transmute his demons that makes the movie a spirited and touching occasion , despite its patchy construction .\n1487\tA gorgeous , high-spirited musical from India that exquisitely blends music , dance , song , and high drama .\n1488\tIt 's hard to imagine Alan Arkin being better than he is in this performance .\n1489\tFor those who pride themselves on sophisticated , discerning taste , this might not seem like the proper cup of tea , however it is almost guaranteed that even the stuffiest cinema goers will laugh their \\*\\*\\* off for an hour-and-a-half .\n1490\tDespite the 2-D animation , The Wild Thornberrys Movie makes for a surprisingly cinematic experience .\n1491\t... a fun little timewaster , helped especially by the cool presence of Jean Reno .\n1492\t-LRB- Majidi -RRB- makes us think twice about immigrants we see around us every day .\n1493\tThough only 60 minutes long , the film is packed with information and impressions .\n1494\tI have no way of knowing exactly how much is exaggeration , but I 've got a creepy feeling that the film is closer to the mark than I want to believe .\n1495\tImmersing us in the endlessly inventive , fiercely competitive world of hip-hop DJs , the project is sensational and revelatory , even if scratching makes you itch .\n1496\tFurther proof that the epicenter of cool , beautiful , thought-provoking foreign cinema is smack-dab in the middle of Dubya 's Axis of Evil .\n1497\tThere 's really only one good idea in this movie , but the director runs with it and presents it with an unforgettable visual panache .\n1498\tA simple , but gritty and well-acted ensemble drama that encompasses a potent metaphor for a country still dealing with its fascist past .\n1499\tLovely and poignant .\n1500\tPuts a human face on a land most Westerners are unfamiliar with .\n1501\tI ca n't say that I liked Homeboy ; it 'd be more accurate to say that I found it intriguing , bizarre , Dogma-like in spots - and quite truthful , in its way .\n1502\tDisplaying about equal amounts of naiveté , passion and talent , Beneath Clouds establishes Sen as a filmmaker of considerable potential .\n1503\tThe vitality of the actors keeps the intensity of the film high , even as the strafings blend together .\n1504\tNot since Japanese filmmaker Akira Kurosawa 's Ran have the savagery of combat and the specter of death been visualized with such operatic grandeur .\n1505\tWe learn a lot about dying coral and see a lot of life on the reef .\n1506\tIf the first Men in Black was money , the second is small change .\n1507\tBut it still jingles in the pocket .\n1508\tIt 's fun lite .\n1509\tPassable entertainment , but it 's the kind of motion picture that wo n't make much of a splash when it 's released , and will not be remembered long afterwards .\n1510\tI just loved every minute of this film .\n1511\tThis is a winning ensemble comedy that shows Canadians can put gentle laughs and equally gentle sentiments on the button , just as easily as their counterparts anywhere else in the world .\n1512\tJust as moving , uplifting and funny as ever .\n1513\tMy Wife Is an Actress is an utterly charming French comedy that feels so American in sensibility and style it 's virtually its own Hollywood remake .\n1514\tIt will grip even viewers who are n't interested in rap , as it cuts to the heart of American society in an unnerving way .\n1515\tA muckraking job , the cinematic equivalent of a legal indictment , and a fairly effective one at that .\n1516\tA tender , witty , captivating film about friendship , love , memory , trust and loyalty .\n1517\tBelongs to Daniel Day-Lewis as much as it belongs to Martin Scorsese ; it 's a memorable performance in a big , brassy , disturbing , unusual and highly successful film .\n1518\tAn exhilarating futuristic thriller-noir , Minority Report twists the best of technology around a gripping story , delivering a riveting , pulse intensifying escapist adventure of the first order\n1519\tA psychological thriller with a genuinely spooky premise and an above-average cast , actor Bill Paxton 's directing debut is a creepy slice of gothic rural Americana .\n1520\tWhile locals will get a kick out of spotting Cleveland sites , the rest of the world will enjoy a fast-paced comedy with quirks that might make the award-winning Coen brothers envious .\n1521\tPumpkin takes an admirable look at the hypocrisy of political correctness , but it does so with such an uneven tone that you never know when humor ends and tragedy begins .\n1522\tIf you 're hard up for raunchy college humor , this is your ticket right here .\n1523\tFew films capture so perfectly the hopes and dreams of little boys on baseball fields as well as the grown men who sit in the stands .\n1524\tCorny , schmaltzy and predictable , but still manages to be kind of heartwarming , nonetheless .\n1525\tIt 's the perfect kind of film to see when you do n't want to use your brain .\n1526\tAt all .\n1527\tWhile it regards 1967 as the key turning point of the 20th century , and returns again and again to images of dissidents in the streets , it 's alarmingly current .\n1528\tFeature debuter D.J. Caruso directs a crack ensemble cast , bringing screenwriter Tony Gayton 's narcotics noir to life .\n1529\tEvery dance becomes about seduction , where backstabbing and betrayals are celebrated , and sex is currency .\n1530\tHarris commands the screen , using his frailty to suggest the ravages of a life of corruption and ruthlessness .\n1531\tStephen Rea , Aidan Quinn , and Alan Bates play Desmond 's legal eagles , and when joined by Brosnan , the sight of this grandiloquent quartet lolling in pretty Irish settings is a pleasant enough thing , ` tis .\n1532\tDirector of photography Benoit Delhomme shot the movie in delicious colors , and the costumes and sets are grand .\n1533\tThe movie 's relatively simple plot and uncomplicated morality play well with the affable cast .\n1534\tThe film is quiet , threatening and unforgettable .\n1535\tThis illuminating documentary transcends our preconceived vision of the Holy Land and its inhabitants , revealing the human complexities beneath .\n1536\tdeliriously funny , fast and loose , accessible to the uninitiated , and full of surprises\n1537\tTrademark American triteness and simplicity are tossed out the window with the intelligent French drama that deftly explores the difficult relationship between a father and son .\n1538\tOne from the heart .\n1539\tMore concerned with Sade 's ideas than with his actions .\n1540\tThe movie achieves as great an impact by keeping these thoughts hidden as ... -LRB- Quills -RRB- did by showing them .\n1541\tAn entertaining , colorful , action-filled crime story with an intimate heart .\n1542\tWhile Undisputed is n't exactly a high , it is a gripping , tidy little movie that takes Mr. Hill higher than he 's been in a while .\n1543\tThe most compelling Wiseman epic of recent years .\n1544\tThe socio-histo-political treatise is told in earnest strides ... -LRB- and -RRB- personal illusion is deconstructed with poignancy .\n1545\tIt 's great escapist fun that recreates a place and time that will never happen again .\n1546\tGood car chases , great fight scenes , and a distinctive blend of European , American and Asian influences .\n1547\tLiotta put on 30 pounds for the role , and has completely transformed himself from his smooth , Goodfellas image .\n1548\tA woman 's pic directed with resonance by Ilya Chaiken .\n1549\t-LRB- Grant 's -RRB- bumbling magic takes over the film , and it turns out to be another winning star vehicle .\n1550\t... Brian De Palma is utterly mad : cinema mad , set-piece mad , style mad .\n1551\tIt 's a beautiful madness .\n1552\tGenerally provides its target audience of youngsters enough stimulating eye and ear candy to make its moral medicine go down .\n1553\tThere are some wonderfully fresh moments that smooth the moral stiffness with human kindness and hopefulness .\n1554\tA grimly competent and stolid and earnest military courtroom drama .\n1555\tEscaping the studio , Piccoli is warmly affecting and so is this adroitly minimalist movie .\n1556\tVery psychoanalytical -- provocatively so -- and also refreshingly literary .\n1557\tA gorgeous , witty , seductive movie .\n1558\tThe special effects and many scenes of weightlessness look as good or better than in the original , while the Oscar-winning sound and James Horner 's rousing score make good use of the hefty audio system .\n1559\tOn the heels of The Ring comes a similarly morose and humorless horror movie that , although flawed , is to be commended for its straight-ahead approach to creepiness .\n1560\tWith Rabbit-Proof Fence , Noyce has tailored an epic tale into a lean , economical movie .\n1561\t-LRB- A -RRB- n utterly charming and hilarious film that reminded me of the best of the Disney comedies from the 60s .\n1562\tPreaches to two completely different choirs at the same time , which is a pretty amazing accomplishment .\n1563\tThanks to Haynes ' absolute control of the film 's mood , and buoyed by three terrific performances , Far From Heaven actually pulls off this stylistic juggling act .\n1564\tBirthday Girl is an amusing joy ride , with some surprisingly violent moments .\n1565\tMore romantic , more emotional and ultimately more satisfying than the teary-eyed original .\n1566\tAn appealingly juvenile trifle that delivers its share of laughs and smiles .\n1567\tWriter-director 's Mehta 's effort has tons of charm and the whimsy is in the mixture , the intoxicating masala , of cultures and film genres .\n1568\tThe draw -LRB- for `` Big Bad Love '' -RRB- is a solid performance by Arliss Howard .\n1569\tIt gets onto the screen just about as much of the novella as one could reasonably expect , and is engrossing and moving in its own right .\n1570\tThe terrific and bewilderingly underrated Campbell Scott gives a star performance that is nothing short of mesmerizing .\n1571\tCool ?\n1572\tThis movie is a snow emergency .\n1573\tLike Mike is n't interested in recycling old cliches .\n1574\tIt wants to tweak them with a taste of tangy new humor .\n1575\tSmith is careful not to make fun of these curious owners of architectural oddities .\n1576\tInstead , he shows them the respect they are due .\n1577\tA mess when it comes to the characters and writing ... but works its way underneath the skin like few movies have in recent memory .\n1578\tDrops you into a dizzying , volatile , pressure-cooker of a situation that quickly snowballs out of control , while focusing on the what much more than the why .\n1579\tZhang ... has done an amazing job of getting realistic performances from his mainly nonprofessional cast .\n1580\tA solid examination of the male midlife crisis .\n1581\tIf you 're in the mood for a Bollywood film , here 's one for you .\n1582\tAs the two leads , Lathan and Diggs are charming and have chemistry both as friends and lovers .\n1583\tA beguiling , slow-moving parable about the collision of past and present on a remote seacoast in Iran .\n1584\tMy Big Fat Greek Wedding uses stereotypes in a delightful blend of sweet romance and lovingly dished out humor .\n1585\tKept aloft largely by a comically adept ensemble .\n1586\tThe sort of film that makes me miss Hitchcock , but also feel optimistic that there 's hope for popular cinema yet .\n1587\tFirst-time writer-director Serry shows a remarkable gift for storytelling with this moving , effective little film .\n1588\tIt cuts to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and to ride the big metaphorical wave that is life -- wherever it takes you .\n1589\tAtom Egoyan has conjured up a multilayered work that tackles any number of fascinating issues\n1590\tessentially an exceptionally well-written , well-edited , well-directed , well-acted , bald rip-off of Aliens .\n1591\t` De Niro ... is a veritable source of sincere passion that this Hollywood contrivance orbits around . '\n1592\tThe whole is quite entertaining , but despite its virtues , there is an unsettled feeling to the film .\n1593\tWhile its careful pace and seemingly opaque story may not satisfy every moviegoer 's appetite , the film 's final scene is soaringly , transparently moving .\n1594\tHardly a masterpiece , but it introduces viewers to a good charitable enterprise and some interesting real people .\n1595\tBased on a devilishly witty script by Heather McGowan and Niels Mueller , the film gets great laughs , but never at the expense of its characters\n1596\tIt 's somewhat clumsy and too lethargically paced -- but its story about a mysterious creature with psychic abilities offers a solid build-up , a terrific climax , and some nice chills along the way .\n1597\tIf you 've ever wondered what an ending without the input of studio executives or test audiences would look like , here it is .\n1598\tExciting and direct , with ghost imagery that shows just enough to keep us on our toes .\n1599\tWhether writer-director Anne Fontaine 's film is a ghost story , an account of a nervous breakdown , a trip down memory lane , all three or none of the above , it is as seductive as it is haunting .\n1600\tWhat the film lacks in general focus it makes up for in compassion , as Corcuera manages to find the seeds of hope in the form of collective action .\n1601\tIf you enjoy more thoughtful comedies with interesting conflicted characters ; this one is for you .\n1602\tThe quality of the art combined with the humor and intelligence of the script allow the filmmakers to present the biblical message of forgiveness without it ever becoming preachy or syrupy .\n1603\tThis film seems thirsty for reflection , itself taking on adolescent qualities .\n1604\tAnother one of those estrogen overdose movies like `` Divine Secrets of the Ya Ya Sisterhood , '' except that the writing , acting and character development are a lot better .\n1605\tA breezy romantic comedy that has the punch of a good sitcom , while offering exceptionally well-detailed characters .\n1606\tA romantic comedy enriched by a sharp eye for manners and mores .\n1607\tViewers of `` The Ring '' are more likely to remember the haunting images than the plot holes .\n1608\tA delightful coming-of-age story .\n1609\tOne of those energetic surprises , an original that pleases almost everyone who sees it .\n1610\tAn exquisitely crafted and acted tale .\n1611\tA taut psychological thriller that does n't waste a moment of its two-hour running time .\n1612\tJones ... does offer a brutal form of charisma .\n1613\tDespite its title , Punch-Drunk Love is never heavy-handed .\n1614\tThe jabs it employs are short , carefully placed and dead-center .\n1615\tThere 's a wickedly subversive bent to the best parts of Birthday Girl .\n1616\tLikely to expertly drum up repressed teenage memories in any viewer .\n1617\tBlanchett 's performance confirms her power once again .\n1618\t... a magnificent drama well worth tracking down .\n1619\tA good piece of work more often than not .\n1620\tThe movie understands like few others how the depth and breadth of emotional intimacy give the physical act all of its meaning and most of its pleasure .\n1621\tWhat distinguishes Time of Favor from countless other thrillers is its underlying concern with the consequences of words and with the complicated emotions fueling terrorist acts .\n1622\tSmart , provocative and blisteringly funny .\n1623\tNothing is sacred in this gut-buster .\n1624\tThe movie occasionally threatens to become didactic , but it 's too grounded in the reality of its characters to go over the edge .\n1625\tA touch of humor or an unexpected plot twist always pulls it back .\n1626\tFilmmakers who can deftly change moods are treasures and even marvels .\n1627\tSo , too , is this comedy about mild culture clashing in today 's New Delhi .\n1628\tIf Steven Soderbergh 's ` Solaris ' is a failure it is a glorious failure .\n1629\t`` Mostly Martha '' is a bright , light modern day family parable that wears its heart on its sleeve for all to see .\n1630\tIt 's a scattershot affair , but when it hits its mark it 's brilliant .\n1631\tA pleasant enough romance with intellectual underpinnings , the kind of movie that entertains even as it turns maddeningly predictable .\n1632\tFeaturing a dangerously seductive performance from the great Daniel Auteuil , `` Sade '' covers the same period as Kaufmann 's `` Quills '' with more unsettlingly realistic results .\n1633\tA spellbinding African film about the modern condition of rootlessness , a state experienced by millions around the globe .\n1634\tIt 's a work by an artist so in control of both his medium and his message that he can improvise like a jazzman .\n1635\tA moody , multi-dimensional love story and sci-fi mystery , Solaris is a thought-provoking , haunting film that allows the seeds of the imagination to germinate .\n1636\tA very well-made , funny and entertaining picture .\n1637\tA giggle-inducing comedy with snappy dialogue and winning performances by an unlikely team of Oscar-winners : Susan Sarandon and Goldie Hawn .\n1638\tIts maker , Steven Spielberg , has n't had so much fun in two decades , since he was schlepping Indiana Jones around the globe in search of a giant misplaced ashtray .\n1639\tOscar Wilde 's masterpiece , The Importance of Being Earnest , may be the best play of the 19th century .\n1640\tIt 's so good that its relentless , polished wit can withstand not only inept school productions , but even Oliver Parker 's movie adaptation .\n1641\tThe movie does a good job of laying out some of the major issues that we encounter as we journey through life .\n1642\tBrilliantly explores the conflict between following one 's heart and following the demands of tradition .\n1643\tThis remake gets all there is to get out of a peculiar premise with promise : Al Pacino loathing Robin Williams .\n1644\tThe next generation of mob movie .\n1645\tPart low rent Godfather .\n1646\tPart Three Stooges .\n1647\tLan Yu is at times too restrained , yet there are moments it captures the erotics of intimacy in a way that makes most American love stories look downright unfree .\n1648\tA thinly veiled look at different aspects of Chinese life clashing with each other .\n1649\tLight years \\/ several warp speeds \\/ levels and levels of dilithium crystals better than the pitiful Insurrection .\n1650\tWhich is n't to say that it 's the equal of some of its predecessors .\n1651\tIf this story must be told and retold -- and indeed it must -- then The Grey Zone is to be lauded for finding a new and ingenious angle .\n1652\tThe Lion King was a roaring success when it was released eight years ago , but on Imax it seems better , not just bigger .\n1653\tA gripping movie , played with performances that are all understated and touching .\n1654\tThe piece plays as well as it does thanks in large measure to Anspaugh 's three lead actresses .\n1655\tThe inspirational screenplay by Mike Rich covers a lot of ground , perhaps too much , but ties things together , neatly , by the end .\n1656\tNot the kind of film that will appeal to a mainstream American audience , but there is a certain charm about the film that makes it a suitable entry into the fest circuit .\n1657\tDirector Andrew Niccol ... demonstrates a wry understanding of the quirks of fame .\n1658\tHis healthy sense of satire is light and fun ...\n1659\tAbout a manga-like heroine who fights back at her abusers , it 's energetic and satisfying if not deep and psychological .\n1660\tThis is human comedy at its most amusing , interesting and confirming .\n1661\tAn artful , intelligent film that stays within the confines of a well-established genre .\n1662\tMajidi is an unconventional storyteller , capable of finding beauty in the most depressing places .\n1663\tRichard Gere and Diane Lane put in fine performances as does French actor Oliver Martinez .\n1664\tThe minor figures surrounding -LRB- Bobby -RRB- ... form a gritty urban mosaic .\n1665\tThis is wild surreal stuff , but brilliant and the camera just kind of sits there and lets you look at this and its like you 're going from one room to the next and none of them have any relation to the other .\n1666\tIt 's a demented kitsch mess -LRB- although the smeary digital video does match the muddled narrative -RRB- , but it 's savvy about celebrity and has more guts and energy than much of what will open this year .\n1667\tThere is nothing outstanding about this film , but it is good enough and will likely be appreciated most by sailors and folks who know their way around a submarine .\n1668\tAll-in-all , the film is an enjoyable and frankly told tale of a people who live among us , but not necessarily with us .\n1669\tAn interesting story with a pertinent -LRB- cinematically unique -RRB- message , told fairly well and scored to perfection , I found myself struggling to put my finger on that elusive `` missing thing . ''\n1670\tA movie with a real anarchic flair .\n1671\tA welcome relief from baseball movies that try too hard to be mythic , this one is a sweet and modest and ultimately winning story .\n1672\tA crisp psychological drama -LRB- and -RRB- a fascinating little thriller that would have been perfect for an old `` Twilight Zone '' episode .\n1673\tIt has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing .\n1674\tOpening with some contrived banter , cliches and some loose ends , the screenplay only comes into its own in the second half .\n1675\tAn uncluttered , resonant gem that relays its universal points without lectures or confrontations . '\n1676\t-LRB- The Cockettes -RRB- provides a window into a subculture hell-bent on expressing itself in every way imaginable . '\n1677\tA smart , steamy mix of road movie , coming-of-age story and political satire .\n1678\tThe modern-day royals have nothing on these guys when it comes to scandals .\n1679\tIt 's only in fairy tales that princesses that are married for political reason live happily ever after .\n1680\tA terrific B movie -- in fact , the best in recent memory .\n1681\t`` Birthday Girl '' is an actor 's movie first and foremost .\n1682\tI walked away from this new version of E.T. just as I hoped I would -- with moist eyes .\n1683\tFor devotees of French cinema , Safe Conduct is so rich with period minutiae it 's like dying and going to celluloid heaven .\n1684\tWhat 's really so appealing about the characters is their resemblance to everyday children .\n1685\tShamelessly resorting to pee-related sight gags that might even cause Tom Green a grimace ; still , Myer 's energy and the silliness of it all eventually prevail\n1686\tAn absurdist spider web .\n1687\tIf you 're as happy listening to movies as you are watching them , and the slow parade of human frailty fascinates you , then you 're at the right film .\n1688\tThis version moves beyond the original 's nostalgia for the communal film experiences of yesteryear to a deeper realization of cinema 's inability to stand in for true , lived experience .\n1689\tSome movies blend together as they become distant memories .\n1690\tMention `` Solaris '' five years from now and I 'm sure those who saw it will have an opinion to share .\n1691\tAllen 's funniest and most likeable movie in years .\n1692\tIt 's a glorious spectacle like those D.W. Griffith made in the early days of silent film .\n1693\tThis comic gem is as delightful as it is derivative .\n1694\tMore timely than its director could ever have dreamed , this quietly lyrical tale probes the ambiguous welcome extended by Iran to the Afghani refugees who streamed across its borders , desperate for work and food .\n1695\tThe leaping story line , shaped by director Peter Kosminsky into sharp slivers and cutting impressions , shows all the signs of rich detail condensed into a few evocative images and striking character traits .\n1696\tWith three excellent principal singers , a youthful and good-looking diva and tenor and richly handsome locations , it 's enough to make you wish Jacquot had left well enough alone and just filmed the opera without all these distortions of perspective .\n1697\tThe production has been made with an enormous amount of affection , so we believe these characters love each other .\n1698\tCertainly the performances are worthwhile .\n1699\tWinds up being both revelatory and narcissistic , achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars .\n1700\tWatching these eccentrics is both inspiring and pure joy .\n1701\tSteven Spielberg brings us another masterpiece\n1702\tFinally , the French-produced `` Read My Lips '' is a movie that understands characters must come first .\n1703\tMs. Seigner and Mr. Serrault bring fresh , unforced naturalism to their characters .\n1704\tAllen shows he can outgag any of those young whippersnappers making moving pictures today .\n1705\tA good film with a solid pedigree both in front of and , more specifically , behind the camera .\n1706\tBy no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act , it still comes off as a touching , transcendent love story .\n1707\tI encourage young and old alike to go see this unique and entertaining twist on the classic whale 's tale -- you wo n't be sorry !\n1708\tA literary detective story is still a detective story and aficionados of the whodunit wo n't be disappointed .\n1709\tHigh Crimes steals so freely from other movies and combines enough disparate types of films that it ca n't help but engage an audience .\n1710\tIf you 're a fan of the series you 'll love it and probably want to see it twice .\n1711\tI will be .\n1712\tIt celebrates the group 's playful spark of nonconformity , glancing vividly back at what Hibiscus grandly called his ` angels of light . '\n1713\tThe story ... is inspiring , ironic , and revelatory of just how ridiculous and money-oriented the record industry really is .\n1714\tIt is also a testament to the integrity and vision of the band .\n1715\tLaced with liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances , No Such Thing is a fascinating little tale .\n1716\tHuppert 's show to steal and she makes a meal of it , channeling Kathy Baker 's creepy turn as the repressed mother on Boston Public just as much as 8 Women 's Augustine .\n1717\tNair does n't treat the issues lightly .\n1718\tShe allows each character to confront their problems openly and honestly .\n1719\tOne of the best silly horror movies of recent memory , with some real shocks in store for unwary viewers .\n1720\tThe work of a filmmaker who has secrets buried at the heart of his story and knows how to take time revealing them .\n1721\tStrange occurrences build in the mind of the viewer and take on extreme urgency .\n1722\tHas a certain ghoulish fascination , and generates a fair amount of B-movie excitement .\n1723\tFamiliar but utterly delightful .\n1724\tA fascinating , dark thriller that keeps you hooked on the delicious pulpiness of its lurid fiction .\n1725\tThe film aims to be funny , uplifting and moving , sometimes all at once .\n1726\tThe extent to which it succeeds is impressive .\n1727\tThe film brilliantly shines on all the characters , as the direction is intelligently accomplished .\n1728\tWhile not for every taste , this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the National Lampoon film franchise , too long reduced to direct-to-video irrelevancy .\n1729\tAs broad and cartoonish as the screenplay is , there is an accuracy of observation in the work of the director , Frank Novak , that keeps the film grounded in an undeniable social realism .\n1730\tIn addition to Hoffman 's powerful acting clinic , this is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt , or will feel someday .\n1731\tJeffrey Tambor 's performance as the intelligent jazz-playing exterminator is Oscar-worthy .\n1732\tFrom the opening strains of the Average White Band 's `` Pick up the Pieces '' , you can feel the love .\n1733\tStevens ' vibrant creative instincts are the difference between this and countless other flicks about guys and dolls .\n1734\tthat it 'll probably be the best and most mature comedy of the 2002 summer season speaks more of the season than the picture\n1735\tOld people will love this movie , and I mean that in the nicest possible way : Last Orders will touch the heart of anyone old enough to have earned a 50-year friendship .\n1736\tMeyjes ' provocative film might be called an example of the haphazardness of evil .\n1737\tTian emphasizes the isolation of these characters by confining color to Liyan 's backyard .\n1738\tThe movie is pretty funny now and then without in any way demeaning its subjects .\n1739\timagine a scenario where Bergman approaches Swedish fatalism using Gary Larson 's Far Side humor\n1740\tToo damn weird to pass up , and for the blacklight crowd , way cheaper -LRB- and better -RRB- than Pink Floyd tickets .\n1741\tIt is most remarkable not because of its epic scope , but because of the startling intimacy it achieves despite that breadth .\n1742\tIt 's not a great monster movie .\n1743\tBut if you 've paid a matinee price and bought a big tub of popcorn , there 's guilty fun to be had here .\n1744\tChomp chomp !\n1745\tThe Grey Zone gives voice to a story that needs to be heard in the sea of Holocaust movies ... but the film suffers from its own difficulties .\n1746\tOthers , more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find Morrison 's iconoclastic uses of technology to be liberating .\n1747\tMiller tells this very compelling tale with little fuss or noise , expertly plucking tension from quiet .\n1748\tTime Out is existential drama without any of the pretension associated with the term .\n1749\tIt 's a sweet , laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth .\n1750\tWriter\\/director Alexander Payne -LRB- Election -RRB- and his co-writer Jim Taylor brilliantly employ their quirky and fearless ability to look American angst in the eye and end up laughing .\n1751\tA movie that at its best does n't just make the most out of its characters ' flaws but insists on the virtue of imperfection .\n1752\tIt 's tough to watch , but it 's a fantastic movie .\n1753\tThe best animated feature to hit theaters since Beauty and the Beast 11 years ago .\n1754\tWhat saves this deeply affecting film from being merely a collection of wrenching cases is Corcuera 's attention to detail .\n1755\tPacino is the best he 's been in years and Keener is marvelous .\n1756\tA solid , spooky entertainment worthy of the price of a ticket .\n1757\tBy turns fanciful , grisly and engagingly quixotic .\n1758\t... very funny , very enjoyable ...\n1759\tAdaptation is intricately constructed and in a strange way nails all of Orlean 's themes without being a true adaptation of her book .\n1760\tSo purely enjoyable that you might not even notice it 's a fairly straightforward remake of Hollywood comedies such as Father of the Bride .\n1761\tMoonlight Mile gives itself the freedom to feel contradictory things .\n1762\tIt is sentimental but feels free to offend , is analytical and then surrenders to the illogic of its characters , is about grief and yet permits laughter .\n1763\tThe real triumphs in Igby come from Philippe , who makes Oliver far more interesting than the character 's lines would suggest , and Sarandon , who could n't be better as a cruel but weirdly likable WASP matron .\n1764\tRobin Williams has thankfully ditched the saccharine sentimentality of Bicentennial Man in favour of an altogether darker side .\n1765\tIf you 're willing to have fun with it , you wo n't feel cheated by the high infidelity of Unfaithful .\n1766\tAustralia : Land Beyond Time is an enjoyable Big Movie primarily because Australia is a weirdly beautiful place .\n1767\tHoffman 's performance is authentic to the core of his being .\n1768\tTold just proficiently enough to trounce its overly comfortable trappings .\n1769\tAn enthralling aesthetic experience , one that 's steeped in mystery and a ravishing , baroque beauty .\n1770\tThe quirky drama touches the heart and the funnybone thanks to the energetic and always surprising performance by Rachel Griffiths .\n1771\tA captivating coming-of-age story that may also be the first narrative film to be truly informed by the wireless age .\n1772\tWhat could have been a daytime soap opera is actually a compelling look at a young woman 's tragic odyssey .\n1773\tDuvall is strong as always .\n1774\tA no-holds-barred cinematic treat .\n1775\tYou 'd have to be a most hard-hearted person not to be moved by this drama .\n1776\tAllen 's underestimated charm delivers more goodies than lumps of coal .\n1777\tMeasured against practically any like-themed film other than its Oscar-sweeping franchise predecessor The Silence of the Lambs , Red Dragon rates as an exceptional thriller .\n1778\tAn exhilarating serving of movie fluff .\n1779\tMaelstrom is strange and compelling , engrossing and different , a moral tale with a twisted sense of humor .\n1780\tIt makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film .\n1781\tDark and disturbing , yet compelling to watch .\n1782\tToo often , Son of the Bride becomes an exercise in trying to predict when a preordained `` big moment '' will occur and not `` if . ''\n1783\tThe picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life , but also acknowledging the places , and the people , from whence you came .\n1784\tA solid piece of journalistic work that draws a picture of a man for whom political expedience became a deadly foreign policy .\n1785\tA terrific insider look at the star-making machinery of tinseltown .\n1786\tIt 's a diverting enough hour-and-a-half for the family audience .\n1787\tA party-hearty teen flick that scalds like acid .\n1788\tAs giddy and whimsical and relevant today as it was 270 years ago .\n1789\tThe film offers an intriguing what-if premise .\n1790\tThe Pianist is the film Roman Polanski may have been born to make .\n1791\tThis version does justice both to Stevenson and to the sci-fi genre .\n1792\tPoignant and delicately complex .\n1793\tEnough may pander to our basest desires for payback , but unlike many revenge fantasies , it ultimately delivers .\n1794\tCho 's latest comic set is n't as sharp or as fresh as I 'm the One That I Want ... but it 's still damn funny stuff .\n1795\tIn The Pianist , Polanski is saying what he has long wanted to say , confronting the roots of his own preoccupations and obsessions , and he allows nothing to get in the way .\n1796\tDespite the film 's shortcomings , the stories are quietly moving .\n1797\tThose who love Cinema Paradiso will find the new scenes interesting , but few will find the movie improved .\n1798\tIf you come from a family that eats , meddles , argues , laughs , kibbitzes and fights together , then go see this delightful comedy .\n1799\tThis bracingly truthful antidote to Hollywood teenage movies that slather Clearasil over the blemishes of youth captures the combustible mixture of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty .\n1800\tThe reason to see `` Sade '' lay with the chemistry and complex relationship between the marquis -LRB- Auteil -RRB- and Emilie -LRB- Le Besco -RRB- .\n1801\tIt 's the filmmakers ' post-camp comprehension of what made old-time B movies good-bad that makes Eight Legged Freaks a perfectly entertaining summer diversion .\n1802\tThe film 's strength is n't in its details , but in the larger picture it paints - of a culture in conflict with itself , with the thin veneer of nationalism that covers our deepest , media-soaked fears .\n1803\t... best seen as speculative history , as much an exploration of the paranoid impulse as a creative sequel to the Warren Report .\n1804\tIt has its faults , but it is a kind , unapologetic , sweetheart of a movie , and Mandy Moore leaves a positive impression .\n1805\tThe Saigon of 1952 is an uneasy mix of sensual delights and simmering violence , and The Quiet American brings us right into the center of that world .\n1806\tDespite its shortcomings , Girls Ca n't Swim represents an engaging and intimate first feature by a talented director to watch , and it 's a worthy entry in the French coming-of-age genre .\n1807\tFlawed , but worth seeing for Ambrose 's performance .\n1808\tWith Dirty Deeds , David Caesar has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works on screen .\n1809\tThe humor and humanity of Monsoon Wedding are in perfect balance .\n1810\tLookin ' for sin , American-style ?\n1811\tTry Hell House , which documents the cautionary Christian spook-a-rama of the same name .\n1812\tA compelling motion picture that illustrates an American tragedy .\n1813\tAs comedic spotlights go , Notorious C.H.O. hits all the verbal marks it should .\n1814\tIt 's a day at the beach -- with air conditioning and popcorn .\n1815\tFrida is n't that much different from many a Hollywood romance .\n1816\tWhat sets it apart is the vision that Taymor , the avant garde director of Broadway 's The Lion King and the film Titus , brings .\n1817\tStevens has a flair for dialogue comedy , the film operates nicely off the element of surprise , and the large cast is solid .\n1818\tExtremely well acted by the four primary actors , this is a seriously intended movie that is not easily forgotten .\n1819\tThe film exudes the urbane sweetness that Woody Allen seems to have bitterly forsaken .\n1820\tK-19 : The Widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining .\n1821\tIt 's good , hard-edged stuff , violent and a bit exploitative but also nicely done , morally alert and street-smart .\n1822\tCineasts will revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of Miramax chief Harvey Weinstein 's bluff personal style to the stylistic rigors of Denmark 's Dogma movement .\n1823\tIt 's a rare window on an artistic collaboration .\n1824\t... begins with promise , but runs aground after being snared in its own tangled plot .\n1825\tPerhaps the best sports movie I 've ever seen .\n1826\tCho 's timing is priceless .\n1827\t... creates a visceral sense of its characters ' lives and conflicted emotions that carries it far above ... what could have been a melodramatic , Lifetime Channel-style anthology .\n1828\tA sensitive , moving , brilliantly constructed work .\n1829\tAn edgy thriller that delivers a surprising punch .\n1830\tA reasonably entertaining sequel to 1994 's surprise family hit that may strain adult credibility .\n1831\t-LRB- Reno -RRB- delivers a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion .\n1832\tthere is truth here\n1833\ta confident , richly acted , emotionally devastating piece of work and 2002 's first great film\n1834\tA touching , small-scale story of family responsibility and care in the community .\n1835\tArteta directs one of the best ensemble casts of the year\n1836\tThe casting of von Sydow ... is itself Intacto 's luckiest stroke .\n1837\tNo , it 's not as single-minded as John Carpenter 's original , but it 's sure a lot smarter and more unnerving than the sequels .\n1838\tA gem of a romantic crime comedy that turns out to be clever , amusing and unpredictable .\n1839\tStands as one of the year 's most intriguing movie experiences , letting its imagery speak for it while it forces you to ponder anew what a movie can be .\n1840\t... the first 2\\/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices -LRB- cool visual backmasking -RRB- , a solid cast , and some wickedly sick and twisted humor ...\n1841\tThis movie got me grinning .\n1842\tThere 's a part of us that can not help be entertained by the sight of someone getting away with something .\n1843\tAn old-fashioned drama of substance about a teacher 's slide down the slippery slope of dishonesty after an encounter with the rich and the powerful who have nothing but disdain for virtue .\n1844\tWhat 's not to like about a movie with a ` children 's ' song that includes the line ` My stepdad 's not mean , he 's just adjusting ' ?\n1845\tThis English-language version ... does full honor to Miyazaki 's teeming and often unsettling landscape , and to the conflicted complexity of his characters .\n1846\tThe pleasures that it does afford may be enough to keep many moviegoers occupied amidst some of the more serious-minded concerns of other year-end movies .\n1847\tNot everyone will welcome or accept The Trials of Henry Kissinger as faithful portraiture , but few can argue that the debate it joins is a necessary and timely one .\n1848\tThere are no special effects , and no Hollywood endings .\n1849\tLike the original , this version is raised a few notches above kiddie fantasy pablum by Allen 's astringent wit .\n1850\tDespite its Hawaiian setting , the science-fiction trimmings and some moments of rowdy slapstick , the basic plot of `` Lilo '' could have been pulled from a tear-stained vintage Shirley Temple script .\n1851\tA brutally honest documentary about a much anticipated family reunion that goes wrong thanks to culture shock and a refusal to empathize with others .\n1852\tFilled with honest performances and exceptional detail , Baran is a gentle film with dramatic punch , a haunting ode to humanity .\n1853\tSparkles in its deft portrait of Tinseltown 's seasoned veterans of gossip , wealth , paranoia , and celebrityhood .\n1854\tIn its dry and forceful way , it delivers the same message as Jiri Menzel 's Closely Watched Trains and Danis Tanovic 's No Man 's Land .\n1855\t... a triumph of emotionally and narratively complex filmmaking .\n1856\t-LRB- Haynes ' -RRB- homage to such films as `` All That Heaven Allows '' and `` Imitation of Life '' transcends them .\n1857\tSimply put , `` Far From Heaven '' is a masterpiece .\n1858\tAn intense and effective film about loneliness and the chilly anonymity of the environments where so many of us spend so much of our time .\n1859\tAlthough fairly involving as far as it goes , the film does n't end up having much that is fresh to say about growing up Catholic or , really , anything .\n1860\tProves mainly that South Korean filmmakers can make undemanding action movies with all the alacrity of their Hollywood counterparts .\n1861\tA very funny romantic comedy about two skittish New York middle-agers who stumble into a relationship and then struggle furiously with their fears and foibles .\n1862\tTop-notch action powers this romantic drama .\n1863\tBeresford nicely mixes in as much humor as pathos to take us on his sentimental journey of the heart .\n1864\tIt really is a shame that more wo n't get an opportunity to embrace small , sweet ` Evelyn . '\n1865\tI stopped thinking about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights .\n1866\tProbably the best case for Christianity since Chesterton and Lewis .\n1867\tA gently funny , sweetly adventurous film that makes you feel genuinely good , that is to say , entirely unconned by false sentiment or sharp , overmanipulative Hollywood practices .\n1868\tWould be an unendurable viewing experience for this ultra-provincial New Yorker if 26-year-old Reese Witherspoon were not on hand to inject her pure fantasy character , Melanie Carmichael , with a massive infusion of old-fashioned Hollywood magic .\n1869\tVisually fascinating ... an often intense character study about fathers and sons , loyalty and duty .\n1870\tA lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world .\n1871\tSchütte 's dramatic snapshot of the artist three days before his death offers an interesting bit of speculation as to the issues Brecht faced as his life drew to a close .\n1872\tA slick , engrossing melodrama .\n1873\tS1M0NE 's satire is not subtle , but it is effective .\n1874\tIt 's a quirky , off-beat project .\n1875\tWhile some will object to the idea of a Vietnam picture with such a rah-rah , patriotic tone , Soldiers ultimately achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation .\n1876\tEven if you do n't know the band or the album 's songs by heart , you will enjoy seeing how both evolve , and you will also learn a good deal about the state of the music business in the 21st Century .\n1877\tThe solid filmmaking and convincing characters makes this a high water mark for this genre .\n1878\tFilms about loss , grief and recovery are pretty valuable these days .\n1879\tSeen in that light , Moonlight Mile should strike a nerve in many .\n1880\tIt 's endlessly inventive , consistently intelligent and sickeningly savage .\n1881\tIt is definitely worth seeing .\n1882\tAn impeccable study in perversity .\n1883\tFar From Heaven is a dazzling conceptual feat , but more than that , it 's a work of enthralling drama .\n1884\tA movie that both thrills the eye and , in its over-the-top way , touches the heart .\n1885\tStuffed to the brim with ideas , American instigator Michael Moore 's film is a rambling examination of American gun culture that uses his usual modus operandi of crucifixion through juxtaposition .\n1886\tAffectionately reminds us that , in any language , the huge stuff in life can usually be traced back to the little things .\n1887\tA drama of great power , yet some members of the audience will leave the theater believing they have seen a comedy .\n1888\tThe large-frame IMAX camera lends itself beautifully to filming the teeming life on the reefs , making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers .\n1889\tThe result is more depressing than liberating , but it 's never boring .\n1890\tA story about intelligent high school students that deals with first love sweetly but also seriously .\n1891\tIt is also beautifully acted .\n1892\tIt is n't that the picture is unfamiliar , but that it manages to find new avenues of discourse on old problems .\n1893\tSame song , second verse , coulda been better , but it coulda been worse .\n1894\tIt 's a technically superb film , shining with all the usual Spielberg flair , expertly utilizing the talents of his top-notch creative team .\n1895\tWilco fans will have a great time , and the movie should win the band a few new converts , too .\n1896\tTsai has a well-deserved reputation as one of the cinema world 's great visual stylists , and in this film , every shot enhances the excellent performances .\n1897\tThe date movie that Franz Kafka would have made .\n1898\tThe fact is that the screen is most alive when it seems most likely that Broomfield 's interviewees , or even himself , will not be for much longer .\n1899\tLeguizamo and Jones are both excellent and the rest of the cast is uniformly superb .\n1900\tI liked this film a lot ...\n1901\t... there is enough originality in ` Life ' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens .\n1902\tA solid and refined piece of moviemaking imbued with passion and attitude .\n1903\tNettelbeck has crafted an engaging fantasy of flavours and emotions , one part romance novel , one part recipe book .\n1904\tWith or without the sex , a wonderful tale of love and destiny , told well by a master storyteller\n1905\tOn the surface a silly comedy , Scotland , PA would be forgettable if it were n't such a clever adaptation of the bard 's tragic play .\n1906\tA weird , arresting little ride .\n1907\tA fine film , but it would be a lot better if it stuck to Betty Fisher and left out the other stories .\n1908\tA first-class road movie that proves you can run away from home , but your ego and all your problems go with you .\n1909\tYou might want to take a reality check before you pay the full ticket price to see `` Simone , '' and consider a DVD rental instead .\n1910\tWell cast and well directed - a powerful drama with enough sardonic wit to keep it from being maudlin .\n1911\tA backstage must-see for true fans of comedy .\n1912\tThere 's back-stabbing , inter-racial desire and , most importantly , singing and dancing .\n1913\tThe film sounds like the stuff of lurid melodrama , but what makes it interesting as a character study is the fact that the story is told from Paul 's perspective .\n1914\tJones ... makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge heart .\n1915\tIn the disturbingly involving family dysfunctional drama How I Killed My Father , French director Anne Fontaine delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition\n1916\tBelow may not mark Mr. Twohy 's emergence into the mainstream , but his promise remains undiminished .\n1917\tThere 's no reason to miss Interview with the Assassin\n1918\tHappily stays close to the ground in a spare and simple manner and does n't pummel us with phony imagery or music .\n1919\tIts sheer dynamism is infectious .\n1920\tFor his first attempt at film noir , Spielberg presents a fascinating but flawed look at the near future .\n1921\tit somehow managed to make its way past my crappola radar and find a small place in my heart\n1922\tPerhaps it 's cliche to call the film ` refreshing , ' but it is .\n1923\t` Drumline ' shows a level of young , Black manhood that is funny , touching , smart and complicated .\n1924\tIt does give a taste of the Burning Man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity .\n1925\tThe limited sets and small confined and dark spaces also are homages to a classic low-budget film noir movie .\n1926\tThe movie is well done , but slow .\n1927\t-LRB- A -RRB- wonderfully loopy tale of love , longing , and voting .\n1928\tThe fascination comes in the power of the Huston performance , which seems so larger than life and yet so fragile , and in the way the Ivan character accepts the news of his illness so quickly but still finds himself unable to react .\n1929\tThe last scenes of the film are anguished , bitter and truthful .\n1930\tMr. Koshashvili is a director to watch .\n1931\tPredictable storyline and by-the-book scripting is all but washed away by sumptuous ocean visuals and the cinematic stylings of director John Stockwell .\n1932\tAntwone Fisher certainly does the trick of making us care about its protagonist and celebrate his victories but , with few exceptions , it rarely stoops to cheap manipulation or corny conventions to do it .\n1933\tOne feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early Italian neorealism .\n1934\tIt challenges , this nervy oddity , like modern art should .\n1935\tWhenever you think you 've figured out Late Marriage , it throws you for a loop .\n1936\tThe Pianist is Polanski 's best film .\n1937\tIt is a testament of quiet endurance , of common concern , of reconciled survival .\n1938\tThis Orange has some juice , but it 's far from fresh-squeezed .\n1939\tA sensitive , modest comic tragedy that works as both character study and symbolic examination of the huge economic changes sweeping modern China .\n1940\tHigh Crimes knows the mistakes that bad movies make and is determined not to make them , and maybe that is nobility of a sort .\n1941\tCusack 's just brilliant in this .\n1942\tKnows how to make our imagination wonder .\n1943\tJae-eun Jeong 's Take Care of My Cat brings a beguiling freshness to a coming-of-age story with such a buoyant , expressive flow of images that it emerges as another key contribution to the flowering of the South Korean cinema .\n1944\tThe overall fabric is hypnotic , and Mr. Mattei fosters moments of spontaneous intimacy .\n1945\tEvokes a palpable sense of disconnection , made all the more poignant by the incessant use of cell phones .\n1946\tMalcolm McDowell is cool .\n1947\tPaul Bettany is cool .\n1948\tPaul Bettany playing Malcolm McDowell ?\n1949\tCool .\n1950\tA touching , sophisticated film that almost seems like a documentary in the way it captures an Italian immigrant family on the brink of major changes .\n1951\t... a trashy little bit of fluff stuffed with enjoyable performances and a bewildering sense of self-importance\n1952\tAn inventive , absorbing movie that 's as hard to classify as it is hard to resist .\n1953\tIt made me want to get made-up and go see this movie with my sisters .\n1954\tI thought the relationships were wonderful , the comedy was funny , and the love ` real ' .\n1955\t-LRB- Caine -RRB- proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film .\n1956\tBogdanovich puts history in perspective and , via Kirsten Dunst 's remarkable performance , he showcases Davies as a young woman of great charm , generosity and diplomacy .\n1957\tThis breezy caper movie becomes a soulful , incisive meditation on the way we were , and the way we are .\n1958\tA captivating new film .\n1959\tThose who are n't put off by the film 's austerity will find it more than capable of rewarding them .\n1960\tIt 's a clear-eyed portrait of an intensely lived time , filled with nervous energy , moral ambiguity and great uncertainties .\n1961\tReveals how important our special talents can be when put in service of of others .\n1962\tIt also shows how deeply felt emotions can draw people together across the walls that might otherwise separate them .\n1963\tWith the same sort of good-natured fun found in films like Tremors , Eight Legged Freaks is prime escapist fare .\n1964\tA sharp , amusing study of the cult of celebrity .\n1965\tThe sentimental cliches mar an otherwise excellent film .\n1966\tA powerful performance from Mel Gibson and a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an M-16 .\n1967\tA graceful , moving tribute to the courage of New York 's finest and a nicely understated expression of the grief shared by the nation at their sacrifice .\n1968\tA coming-of-age tale from New Zealand whose boozy , languid air is balanced by a rich visual clarity and deeply felt performances across the board .\n1969\tMade to be Jaglomized is the Cannes Film Festival , the annual Riviera spree of flesh , buzz , blab and money .\n1970\tThe charming result is Festival in Cannes .\n1971\tIf you 're looking for something new and hoping for something entertaining , you 're in luck .\n1972\tA hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as Grant 's two best films -- Four Weddings and a Funeral and Bridget Jones 's Diary .\n1973\tA rip-roaring comedy action fest that 'll put hairs on your chest .\n1974\tIf there 's no art here , it 's still a good yarn -- which is nothing to sneeze at these days .\n1975\tSimultaneously heart-breaking and very funny , The Last Kiss is really all about performances .\n1976\tThere is a subversive element to this Disney cartoon , providing unexpected fizzability .\n1977\tAn unforgettable look at morality , family , and social expectation through the prism of that omnibus tradition called marriage .\n1978\tAn enjoyable , if occasionally flawed , experiment .\n1979\tMiyazaki is one of world cinema 's most wondrously gifted artists and storytellers .\n1980\tIf Ayurveda can help us return to a sane regimen of eating , sleeping and stress-reducing contemplation , it is clearly a good thing .\n1981\tMeeting , even exceeding expectations , it 's the best sequel since The Empire Strikes Back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth .\n1982\tLeigh is one of the rare directors who feels acting is the heart and soul of cinema .\n1983\tHe allows his cast members to make creative contributions to the story and dialogue .\n1984\tThis method almost never fails him , and it works superbly here .\n1985\tPoetry in motion captured on film .\n1986\tWhile it can be a bit repetitive , overall it 's an entertaining and informative documentary .\n1987\tDirecting with a sure and measured hand , -LRB- Haneke -RRB- steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology .\n1988\tThe entire movie establishes a wonderfully creepy mood .\n1989\tI found The Ring moderately absorbing , largely for its elegantly colorful look and sound .\n1990\tThe filmmakers want nothing else than to show us a good time , and in their cheap , B movie way , they succeed .\n1991\tAmari has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances .\n1992\tRabbit-Proof Fence will probably make you angry .\n1993\tBut it will just as likely make you weep , and it will do so in a way that does n't make you feel like a sucker .\n1994\tBoth heartbreaking and heartwarming ... just a simple fable done in an artless sytle , but it 's tremendously moving .\n1995\tThis masterfully calibrated psychological thriller thrives on its taut performances and creepy atmosphere even if the screenplay falls somewhat short .\n1996\tThe film 's sense of imagery gives it a terrible strength , but it 's propelled by the acting .\n1997\tThe Pianist -LRB- is -RRB- a supremely hopeful cautionary tale of war 's madness remembered that we , today , can prevent its tragic waste of life .\n1998\tHere is a divine monument to a single man 's struggle to regain his life , his dignity and his music .\n1999\tStrange it is , but delightfully so .\n2000\tElegant , mannered and teasing .\n2001\tAn average coming-of-age tale elevated by the wholesome twist of a pesky mother interfering during her son 's discovery of his homosexuality .\n2002\tThe ingenuity that Parker displays in freshening the play is almost in a class with that of Wilde himself .\n2003\tDecasia is what has happened already to so many silent movies , newsreels and the like .\n2004\tThe unexpected thing is that its dying , in this shower of black-and-white psychedelia , is quite beautiful .\n2005\tA droll , bitchy frolic which pokes fun at the price of popularity and small-town pretension in the Lone Star State .\n2006\tWith each of her three protagonists , Miller eloquently captures the moment when a woman 's life , out of a deep-seated , emotional need , is about to turn onto a different path .\n2007\tRyan Gosling ... is at 22 a powerful young actor .\n2008\tA minor work yet there 's no denying the potency of Miller 's strange , fleeting brew of hopeful perseverance and hopeless closure .\n2009\tAs an introduction to the man 's theories and influence , Derrida is all but useless ; as a portrait of the artist as an endlessly inquisitive old man , however , it 's invaluable .\n2010\tThe film is a verbal duel between two gifted performers .\n2011\tImperfect ?\n2012\tYes , but also intriguing and honorable , a worthwhile addition to a distinguished film legacy .\n2013\tYou 'll get the enjoyable basic minimum .\n2014\tBut not a whit more .\n2015\tWhat a great way to spend 4 units of your day .\n2016\tThe movie is hardly a masterpiece , but it does mark Ms. Bullock 's best work in some time .\n2017\tAs simple and innocent a movie as you can imagine .\n2018\tThis is a movie you can trust .\n2019\tPassionate , irrational , long-suffering but cruel as a tarantula , Helga figures prominently in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats .\n2020\t`` It 's all about the image . ''\n2021\tVividly conveys the passion , creativity , and fearlessness of one of Mexico 's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all .\n2022\tHollywood Ending is not show-stoppingly hilarious , but scathingly witty nonetheless .\n2023\tMaybe Thomas Wolfe was right : You ca n't go home again .\n2024\tA compelling yarn , but not quite a ripping one .\n2025\tOn the Granger Movie Gauge of 1 to 10 , The Powerpuff Girls is a fast , frenetic , funny , even punny 6 -- aimed specifically at a grade-school audience .\n2026\tThe film has several strong performances .\n2027\tI 've never bought from telemarketers , but I bought this movie .\n2028\tPerfectly pitched between comedy and tragedy , hope and despair , About Schmidt instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness .\n2029\tThe funny thing is , I did n't mind all this contrived nonsense a bit .\n2030\t-LRB- Shyamalan -RRB- turns the goose-pimple genre on its empty head and fills it with spirit , purpose and emotionally bruised characters who add up to more than body count .\n2031\tA sexy , peculiar and always entertaining costume drama set in Renaissance Spain , and the fact that it 's based on true events somehow makes it all the more compelling .\n2032\tAn entertaining documentary that freshly considers arguments the Bard 's immortal plays were written by somebody else .\n2033\tA highly spirited , imaginative kid 's movie that broaches neo-Augustinian theology : Is God stuck in Heaven because He 's afraid of His best-known creation ?\n2034\tCall it magic realism or surrealism , but Miss Wonton floats beyond reality with a certain degree of wit and dignity .\n2035\tRaimi and his team could n't have done any better in bringing the story of Spider-Man to the big screen .\n2036\tThe director explores all three sides of his story with a sensitivity and an inquisitiveness reminiscent of Truffaut .\n2037\tWell-acted , well-directed and , for all its moodiness , not too pretentious .\n2038\tIt 's a satisfying summer blockbuster and worth a look .\n2039\tBoomers and their kids will have a Barrie good time .\n2040\tReal Women Have Curves wears its empowerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by Ferrera and Ontiveros .\n2041\tUltimately , `` MIB II '' succeeds due to its rapid-fire delivery and enough inspired levity that it ca n't be dismissed as mindless .\n2042\tStage director Sam Mendes showcases Tom Hanks as a depression era hit-man in this dark tale of revenge .\n2043\tSitting in the third row of the IMAX cinema at Sydney 's Darling Harbour , but I sometimes felt as though I was in the tiny two seater plane that carried the giant camera around Australia , sweeping and gliding , banking and hovering over some of the most not\n2044\tThe real charm of this trifle is the deadpan comic face of its star , Jean Reno , who resembles Sly Stallone in a hot sake half-sleep .\n2045\tWhat 's so fun about this silly , outrageous , ingenious thriller is the director 's talent .\n2046\tWatching a Brian DePalma movie is like watching an Alfred Hitchcock movie after drinking twelve beers .\n2047\tStrip it of all its excess debris , and you 'd have a 90-minute , four-star movie .\n2048\tAs it is , it 's too long and unfocused .\n2049\tAn immensely entertaining look at some of the unsung heroes of 20th century pop music .\n2050\tThis familiar rise-and-fall tale is long on glamour and short on larger moralistic consequences , though it 's told with sharp ears and eyes for the tenor of the times .\n2051\tThis beautifully animated epic is never dull .\n2052\tBrian Tufano 's handsome widescreen photography and Paul Grabowsky 's excellent music turn this fairly parochial melodrama into something really rather special .\n2053\tIt makes compelling , provocative and prescient viewing .\n2054\tA thoroughly entertaining comedy that uses Grant 's own twist of acidity to prevent itself from succumbing to its own bathos .\n2055\tUsing a stock plot , About a Boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater .\n2056\tWhat Eric Schaeffer has accomplished with Never Again may not , strictly speaking , qualify as revolutionary .\n2057\tBut it 's defiantly and delightfully against the grain .\n2058\tThe hard-to-predict and absolutely essential chemistry between the down-to-earth Bullock and the nonchalant Grant proves to be sensational , and everything meshes in this elegant entertainment .\n2059\tA positively thrilling combination of ethnography and all the intrigue , betrayal , deceit and murder of a Shakespearean tragedy or a juicy soap opera .\n2060\tMr. Clooney , Mr. Kaufman and all their collaborators are entitled to take a deep bow for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster .\n2061\tDefinitely funny stuff , but it 's more of the ` laughing at ' variety than the ` laughing with . '\n2062\tEasily the most thoughtful fictional examination of the root causes of anti-Semitism ever seen on screen .\n2063\tA real winner -- smart , funny , subtle , and resonant .\n2064\tFamily portrait of need , neurosis and nervy negativity is a rare treat that shows the promise of digital filmmaking .\n2065\tThe pitch must have read like a discarded House Beautiful spread .\n2066\tUplifting as only a document of the worst possibilities of mankind can be , and among the best films of the year .\n2067\tDirector David Jacobson gives Dahmer a consideration that the murderer never game his victims .\n2068\tThe film has a terrific look and Salma Hayek has a feel for the character at all stages of her life .\n2069\tA decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies .\n2070\tThe performances are remarkable .\n2071\tIt 's Burns ' visuals , characters and his punchy dialogue , not his plot , that carry waydowntown .\n2072\tAs literary desecrations go , this makes for perfectly acceptable , occasionally very enjoyable children 's entertainment .\n2073\tYou 'll forget about it by Monday , though , and if they 're old enough to have developed some taste , so will your kids .\n2074\tWhile I ca n't say it 's on par with the first one , Stuart Little 2 is a light , fun cheese puff of a movie .\n2075\tStrange , funny , twisted , brilliant and macabre .\n2076\tA genuinely moving and wisely unsentimental drama .\n2077\tHeaven is a haunting dramatization of a couple 's moral ascension .\n2078\tThe Mothman Prophecies is best when illustrating the demons bedevilling the modern masculine journey .\n2079\tPlays out with a dogged and eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel .\n2080\tAn entertaining British hybrid of comedy , caper thrills and quirky romance .\n2081\tAlain Choquart 's camera barely stops moving , portraying both the turmoil of the time and giving Conduct a perpetual sense of urgency , which , for a film that takes nearly three hours to unspool , is both funny and irritating .\n2082\tMostly Martha could have used a little trimming -- 10 or 15 minutes could be cut and no one would notice -- but it 's a pleasurable trifle .\n2083\tThe only pain you 'll feel as the credits roll is your stomach grumbling for some tasty grub .\n2084\tHardly an objective documentary , but it 's great cinematic polemic ... love Moore or loathe him , you 've got to admire ... the intensity with which he 's willing to express his convictions .\n2085\tThe mark of a respectable summer blockbuster is one of two things : unadulterated thrills or genuine laughs .\n2086\tThe film is visually dazzling , the depicted events dramatic , funny and poignant .\n2087\tA directorial tour de force by Bernard Rose , ivans xtc .\n2088\tis one of this year 's very best pictures .\n2089\tWhat makes the movie work -- to an admittedly limited extent -- is the commitment of two genuinely engaging performers .\n2090\tWeaver and LaPaglia are both excellent , in the kind of low-key way that allows us to forget that they are actually movie folk .\n2091\tEven the digressions are funny .\n2092\tMr. Spielberg and his company just want you to enjoy yourselves without feeling conned .\n2093\tAnd they succeed merrily at their noble endeavor .\n2094\tMelodrama with a message .\n2095\tA perfectly pleasant if slightly pokey comedy .\n2096\tCoppola 's directorial debut is an incredibly layered and stylistic film that , despite a fairly slow paced , almost humdrum approach to character development , still manages at least a decent attempt at meaningful cinema .\n2097\tAt the end , when the now computerized Yoda finally reveals his martial artistry , the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside .\n2098\tWang Xiaoshuai directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men .\n2099\tIt 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as The Grey Zone , but it 's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started .\n2100\tBogdanovich taps deep into the Hearst mystique , entertainingly reenacting a historic scandal .\n2101\tA moving tale of love and destruction in unexpected places , unexamined lives .\n2102\tClooney directs this film always keeping the balance between the fantastic and the believable ...\n2103\tEven if you do n't understand what on earth is going on , this is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why .\n2104\t... a lesson in prehistoric hilarity .\n2105\tA fantastically vital movie that manages to invest real humor , sensuality , and sympathy into a story about two adolescent boys .\n2106\tLawrence plumbs personal tragedy and also the human comedy .\n2107\tThough a capable thriller , somewhere along the way K-19 jettisoned some crucial drama .\n2108\tJust about the surest bet for an all-around good time at the movies this summer .\n2109\tIt would be disingenuous to call Reno a great film , but you can say that about most of the flicks moving in and out of the multiplex .\n2110\tThis is a movie that is what it is : a pleasant distraction , a Friday night diversion , an excuse to eat popcorn .\n2111\tThere is a certain sense of experimentation and improvisation to this film that may not always work , but it is nevertheless compelling .\n2112\tThe Four Feathers has rewards , from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes .\n2113\tA delicious , quirky movie with a terrific screenplay and fanciful direction by Michael Gondry .\n2114\tThis story still seems timely and important .\n2115\tAnd there 's an element of heartbreak to watching it now , with older and wiser eyes , because we know what will happen after Greene 's story ends .\n2116\tThe bodily function jokes are about what you 'd expect , but there are rich veins of funny stuff in this movie .\n2117\tThe performances are amiable and committed , and the comedy more often than not hits the bullseye .\n2118\tThis time , the hype is quieter , and while the movie is slightly less successful than the first , it 's still a rollicking good time for the most part .\n2119\tThere 's plenty to enjoy -- in no small part thanks to Lau .\n2120\tWith a romantic comedy plotline straight from the ages , this Cinderella story does n't have a single surprise up its sleeve .\n2121\tBut it does somehow manage to get you under its spell .\n2122\tThough few will argue that it ranks with the best of Herzog 's works , Invincible shows he 's back in form , with an astoundingly rich film .\n2123\t`` Catch Me '' feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a Spielberg trademark .\n2124\tBy no means a great movie , but it is a refreshingly forthright one .\n2125\tThe casting of Raymond J. Barry as the ` assassin ' greatly enhances the quality of Neil Burger 's impressive fake documentary .\n2126\tDespite Besson 's high-profile name being Wasabi 's big selling point , there is no doubt that Krawczyk deserves a huge amount of the credit for the film 's thoroughly winning tone .\n2127\tThis documentary is a dazzling , remarkably unpretentious reminder of what -LRB- Evans -RRB- had , lost , and got back .\n2128\tA thoughtful movie , a movie that is concerned with souls and risk and schemes and the consequences of one 's actions .\n2129\tAs satisfyingly odd and intriguing a tale as it was a century and a half ago ... has a delightfully dour , deadpan tone and stylistic consistency .\n2130\tMethodical , measured , and gently tedious in its comedy , Secret Ballot is a purposefully reductive movie -- which may be why it 's so successful at lodging itself in the brain .\n2131\tA witty , trenchant , wildly unsentimental but flawed look at the ins and outs of modern moviemaking .\n2132\tFor most of the distance the picture provides a satisfyingly unsettling ride into the dark places of our national psyche .\n2133\tBy the standards of knucklehead swill , The Hot Chick is pretty damned funny .\n2134\tOne of the most gloriously unsubtle and adrenalized extreme shockers since The Evil Dead .\n2135\t-LRB- Reaches -RRB- wholly believable and heart-wrenching depths of despair .\n2136\tAn absorbing and unsettling psychological drama .\n2137\tThis movie may not have the highest production values you 've ever seen , but it 's the work of an artist , one whose view of America , history and the awkwardness of human life is generous and deep .\n2138\tThough it 's not very well shot or composed or edited , the score is too insistent and the dialogue is frequently overwrought and crudely literal , the film shatters you in waves .\n2139\tThe entire cast is extraordinarily good .\n2140\tYakusho , as always , is wonderful as the long-faced sad sack ... and his chemistry with Shimizu is very believable .\n2141\tYoung Hanks and Fisk , who vaguely resemble their celebrity parents , bring fresh good looks and an ease in front of the camera to the work .\n2142\tA captivatingly quirky hybrid of character portrait , romantic comedy and beat-the-clock thriller .\n2143\tThe film sparkles with the the wisdom and humor of its subjects .\n2144\tIf -LRB- Jaglom 's -RRB- latest effort is not the director at his most sparkling , some of its repartee is still worth hearing .\n2145\tLike The English Patient and The Unbearable Lightness of Being , The Hours is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right .\n2146\tJust about the best straight-up , old-school horror film of the last 15 years .\n2147\tA chilling tale of one of the great crimes of 20th Century France : the murder of two rich women by their servants in 1933 .\n2148\tAn oddity , to be sure , but one that you might wind up remembering with a degree of affection rather than revulsion .\n2149\tWhile the film is not entirely successful , it still manages to string together enough charming moments to work .\n2150\tA winning piece of work filled with love for the movies of the 1960s .\n2151\tE.T. works because its flabbergasting principals , 14-year-old Robert MacNaughton , 6-year-old Drew Barrymore and 10-year-old Henry Thomas , convince us of the existence of the wise , wizened visitor from a faraway planet .\n2152\tHelps to remind the First World that HIV\\/AIDS is far from being yesterday 's news .\n2153\tA heartening tale of small victories and enduring hope .\n2154\tThe vistas are sweeping and the acting is far from painful .\n2155\tJackson and co have brought back the value and respect for the term epic cinema .\n2156\tIt may be a somewhat backhanded compliment to say that the film makes the viewer feel like the movie 's various victimized audience members after a while , but it also happens to be the movie 's most admirable quality\n2157\tCharlotte Sometimes is a brilliant movie .\n2158\tIt is about irrational , unexplainable life and it seems so real because it does not attempt to filter out the complexity .\n2159\tA delightful stimulus for the optic nerves , so much that it 's forgivable that the plot feels like every other tale of a totalitarian tomorrow .\n2160\tDefies logic , the laws of physics and almost anyone 's willingness to believe in it .\n2161\tBut darned if it does n't also keep us riveted to our seats .\n2162\tA complex psychological drama about a father who returns to his son 's home after decades away .\n2163\tWriter and director Otar Iosseliani 's pleasant tale about a factory worker who escapes for a holiday in Venice reveals how we all need a playful respite from the grind to refresh our souls .\n2164\tThis is NOT a retread of `` Dead Poets ' Society . ''\n2165\tSweet and memorable film .\n2166\tA smart , arch and rather cold-blooded comedy .\n2167\tKeenly observed and refreshingly natural , Swimming gets the details right , from its promenade of barely clad bodies in Myrtle Beach , S.C. , to the adrenaline jolt of a sudden lunch rush at the diner .\n2168\t... begins on a high note and sustains it beautifully .\n2169\tDavis ... gets vivid performances from her cast and pulls off some deft Ally McBeal-style fantasy sequences .\n2170\t` it 's better to go in knowing full well what 's going to happen , but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists .\n2171\tCynics need not apply . '\n2172\tFunny , somber , absurd , and , finally , achingly sad , Bartleby is a fine , understated piece of filmmaking .\n2173\t`` Red Dragon '' is entertaining .\n2174\tAn obvious copy of one of the best films ever made , how could it not be ?\n2175\tBut it is entertaining on an inferior level .\n2176\tIt is a popcorn film , not a must-own , or even a must-see .\n2177\tSucceeds only because Bullock and Grant were made to share the silver screen .\n2178\tBoth flawed and delayed , Martin Scorcese 's Gangs of New York still emerges as his most vital work since GoodFellas .\n2179\tAs any creature-feature fan knows , when you cross toxic chemicals with a bunch of exotic creatures , you get a lot of running around , screaming and death .\n2180\tOn that score , the film certainly does n't disappoint .\n2181\tAs the movie traces Mr. Brown 's athletic exploits , it is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times .\n2182\tA moving and solidly entertaining comedy\\/drama that should bolster director and co-writer Juan José Campanella 's reputation in the United States .\n2183\tThanks to confident filmmaking and a pair of fascinating performances , the way to that destination is a really special walk in the woods .\n2184\tBeautifully shot , delicately scored and powered by a set of heartfelt performances , it 's a lyrical endeavour .\n2185\tA macabre and very stylized Swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters .\n2186\tA stylistic romp that 's always fun to watch .\n2187\tInformative , intriguing , observant , often touching ... gives a human face to what 's often discussed in purely abstract terms .\n2188\t... once the true impact of the day unfolds , the power of this movie is undeniable .\n2189\tAn honest , sensitive story from a Vietnamese point of view .\n2190\tA buoyant romantic comedy about friendship , love , and the truth that we 're all in this together .\n2191\tThe film 's intimate camera work and searing performances pull us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them .\n2192\tIt 's the perfect star vehicle for Grant , allowing him to finally move away from his usual bumbling , tongue-tied screen persona .\n2193\tGaunt , silver-haired and leonine , -LRB- Harris -RRB- brings a tragic dimension and savage full-bodied wit and cunning to the aging Sandeman .\n2194\tA disturbing examination of what appears to be the definition of a ` bad ' police shooting .\n2195\tIt 's been made with an innocent yet fervid conviction that our Hollywood has all but lost .\n2196\tNot only a reminder of how they used to make movies , but also how they sometimes still can be made .\n2197\tA three-hour cinema master class .\n2198\tEyre is on his way to becoming the American Indian Spike Lee .\n2199\tA witty , whimsical feature debut .\n2200\tWarm in its loving yet unforgivingly inconsistent depiction of everyday people , relaxed in its perfect quiet pace and proud in its message .\n2201\tI loved this film .\n2202\tIt provides a grim , upsetting glimpse at the lives of some of the 1.2 million Palestinians who live in the crowded cities and refugee camps of Gaza .\n2203\tClint Eastwood 's Blood Work is a lot like a well-made PB & J sandwich : familiar , fairly uneventful and boasting no real surprises -- but still quite tasty and inviting all the same .\n2204\tA movie that will surely be profane , politically charged music to the ears of Cho 's fans .\n2205\tMuch of this slick and sprightly CGI feature is sufficiently funny to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings .\n2206\tRarely , a movie is more than a movie .\n2207\tGo .\n2208\tJacquot 's strategy allows his cast the benefit of being able to give full performances ... while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself .\n2209\tQuitting delivers a sucker-punch , and its impact is all the greater beause director Zhang 's last film , the cuddly Shower , was a non-threatening multi-character piece centered around a public bath house .\n2210\tBy not averting his eyes , Solondz forces us to consider the unthinkable , the unacceptable , the unmentionable .\n2211\tOne Hour Photo may seem disappointing in its generalities , but it 's the little nuances that perhaps had to escape from director Mark Romanek 's self-conscious scrutiny to happen , that finally get under your skin .\n2212\tWhile general audiences might not come away with a greater knowledge of the facts of Cuban music , they 'll be treated to an impressive and highly entertaining celebration of its sounds .\n2213\tA fascinating documentary that provides a rounded and revealing overview of this ancient holistic healing system\n2214\tBirthday Girl lucks out with Chaplin and Kidman , who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story , but who can also negotiate the movie 's darker turns .\n2215\tAn interesting look behind the scenes of Chicago-based rock group Wilco ...\n2216\tSharp edges and a deep vein of sadness run through its otherwise comic narrative .\n2217\tThere 's lots of cool stuff packed into ESPN 's Ultimate X.\n2218\tRock solid family fun out of the gates , extremely imaginative through out , but wanes in the middle\n2219\tThe Ya-Ya 's have many secrets and one is - the books are better .\n2220\tTranslating complex characters from novels to the big screen is an impossible task but they are true to the essence of what it is to be Ya-Ya .\n2221\tThe touch is generally light enough and the performances , for the most part , credible .\n2222\tI liked About Schmidt a lot , but I have a feeling that I would have liked it much more if Harry & Tonto never existed .\n2223\tSteers has an unexpectedly adamant streak of warm-blooded empathy for all his disparate Manhattan denizens -- especially the a \\*\\* holes .\n2224\tThat Storytelling has value can not be denied .\n2225\tNot even Solondz 's thirst for controversy , sketchy characters and immature provocations can fully succeed at cheapening it .\n2226\tOnce the downward spiral comes to pass , Auto Focus bears out as your typical junkie opera ...\n2227\tA knowing sense of humor and a lot of warmth ignite Son of the Bride .\n2228\tA rich tale of our times , very well told with an appropriate minimum of means .\n2229\tThe characters are complex and quirky , but entirely believable as the remarkable ensemble cast brings them to life .\n2230\tIn all fairness , I must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks .\n2231\tAs gory as the scenes of torture and self-mutilation may be , they are pitted against shimmering cinematography that lends the setting the ethereal beauty of an Asian landscape painting .\n2232\tEfficient , suitably anonymous chiller .\n2233\tGorgeous scenes , masterful performances , but the sickly sweet gender normative narrative left an acrid test in this gourmet 's mouth .\n2234\tThe hot topics of the plot are relegated to the background -- a welcome step forward from the Sally Jesse Raphael atmosphere of films like Philadelphia and American Beauty .\n2235\tIt 's usually a bad sign when directors abandon their scripts and go where the moment takes them , but Olympia , Wash. , based filmmakers Anne de Marcken and Marilyn Freeman did just that and it 's what makes their project so interesting .\n2236\tA memorable experience that , like many of his works , presents weighty issues colorfully wrapped up in his own idiosyncratic strain of kitschy goodwill .\n2237\tExecuted with such gentle but insistent sincerity , with such good humor and appreciation of the daily grind that only the most hardhearted Scrooge could fail to respond .\n2238\tThe gentle comic treatment of adolescent sturm und drang should please fans of Chris Fuhrman 's posthumously published cult novel .\n2239\tDirector Claude Chabrol has become the master of innuendo .\n2240\tIt is not what you see , it is what you think you see .\n2241\tA deftly entertaining film , smartly played and smartly directed .\n2242\tA documentary to make the stones weep -- as shameful as it is scary .\n2243\tI hope the movie is widely seen and debated with appropriate ferocity and thoughtfulness .\n2244\tA thought-provoking look at how Western foreign policy - however well intentioned - can wreak havoc in other cultures .\n2245\tAsks what truth can be discerned from non-firsthand experience , and specifically questions cinema 's capability for recording truth .\n2246\tThe journey to the secret 's eventual discovery is a separate adventure , and thrill enough .\n2247\tA quiet , disquieting triumph .\n2248\tDarkly funny and frequently insightful .\n2249\t... the tale of her passionate , tumultuous affair with Musset unfolds as Sand 's masculine persona , with its love of life and beauty , takes form .\n2250\tIf you want to see a train wreck that you ca n't look away from , then look no further , because here it is .\n2251\tThere 's so much to look at in Metropolis you hate to tear your eyes away from the images long enough to read the subtitles .\n2252\tThe search for redemption makes for a touching love story , mainly because Blanchett and Ribisi compellingly tap into a spiritual aspect of their characters ' suffering .\n2253\tA film of ideas and wry comic mayhem .\n2254\tAt its worst the screenplay is callow , but at its best it is a young artist 's thoughtful consideration of fatherhood .\n2255\tA worthwhile documentary , whether you 're into rap or not , even if it may still leave you wanting more answers as the credits roll .\n2256\tFessenden 's narrative is just as much about the ownership and redefinition of myth as it is about a domestic unit finding their way to joy .\n2257\tThat the film opens with maggots crawling on a dead dog is not an out of place metaphor .\n2258\tStanley Kwan has directed not only one of the best gay love stories ever made , but one of the best love stories of any stripe .\n2259\tThe concert footage is stirring , the recording sessions are intriguing , and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers .\n2260\tNorton holds the film together .\n2261\t-LRB- There 's -RRB- quite a bit of heart , as you would expect from the directors of The Little Mermaid and Aladdin .\n2262\tYou wo n't have any trouble getting kids to eat up these Veggies .\n2263\tA creaky staircase gothic .\n2264\tEnjoyably dumb , sweet , and intermittently hilarious -- if you 've a taste for the quirky , steal a glimpse .\n2265\tA movie that sends you out of the theater feeling like you 've actually spent time living in another community .\n2266\tLight-years ahead of paint-by-number American blockbusters like Pearl Harbor , at least artistically .\n2267\tA fascinating documentary about the long and eventful spiritual journey of the guru who helped launch the New Age .\n2268\tIsabelle Huppert excels as the enigmatic Mika and Anna Mouglalis is a stunning new young talent in one of Chabrol 's most intense psychological mysteries .\n2269\tPerhaps not since Nelson Eddy crooned his Indian Love Call to Jeanette MacDonald has there been a movie so unabashedly Canadian , not afraid to risk American scorn or disinterest .\n2270\tWedding feels a bit anachronistic .\n2271\tStill , not every low-budget movie must be quirky or bleak , and a happy ending is no cinematic sin .\n2272\tIt 's still a comic book , but Maguire makes it a comic book with soul .\n2273\tBrings to a spectacular completion one of the most complex , generous and subversive artworks of the last decade .\n2274\tAn amusing and unexpectedly insightful examination of sexual jealousy , resentment and the fine line between passion and pretence .\n2275\tA fascinating , bombshell documentary that should shame Americans , regardless of whether or not ultimate blame finally lies with Kissinger .\n2276\tShould be required viewing for civics classes and would-be public servants alike .\n2277\tAdaptation 's success in engaging the audience in the travails of creating a screenplay is extraordinary .\n2278\tA polished and vastly entertaining caper film that puts the sting back into the con .\n2279\tIt 's no surprise that as a director Washington demands and receives excellent performances , from himself and from newcomer Derek Luke .\n2280\t... while each moment of this broken character study is rich in emotional texture , the journey does n't really go anywhere .\n2281\tThe film gets close to the chimps the same way Goodall did , with a serious minded patience , respect and affection .\n2282\tIt 's an often-cute film but either needs more substance to fill the time or some judicious editing .\n2283\tThis may be Burns 's strongest film since The Brothers McMullen .\n2284\tWhat makes this film special is Serry 's ability to take what is essentially a contained family conflict and put it into a much larger historical context .\n2285\tIt 's Quaid who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer .\n2286\tIt is OK for a movie to be something of a sitcom apparatus , if the lines work , the humor has point and the actors are humanly engaged .\n2287\tThough not for everyone , The Guys is a somber trip worth taking .\n2288\tA sly female empowerment movie , although not in a way anyone would expect .\n2289\tYou really have to salute writer-director Haneke -LRB- he adapted Elfriede Jelinek 's novel -RRB- for making a film that is n't nearly as graphic but much more powerful , brutally shocking and difficult to watch .\n2290\tIt 's a wonderful , sobering , heart-felt drama .\n2291\tRuns on the pure adrenalin of Pacino 's performance .\n2292\tThe Paradiso 's rusted-out ruin and ultimate collapse during the film 's final -LRB- restored -RRB- third ... emotionally belittle a cinema classic .\n2293\tSometimes shorter is better .\n2294\tPhillip Noyce and all of his actors -- as well as his cinematographer , Christopher Doyle -- understand the delicate forcefulness of Greene 's prose , and it 's there on the screen in their version of The Quiet American .\n2295\tThe film just might turn on many people to opera , in general , an art form at once visceral and spiritual , wonderfully vulgar and sublimely lofty -- and as emotionally grand as life .\n2296\tAs a vehicle to savour Binoche 's skill , the film is well worthwhile .\n2297\tThe huskies are beautiful , the border collie is funny and the overall feeling is genial and decent .\n2298\tWhatever complaints I might have , I 'd take -LRB- its -RRB- earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like Antwone Fisher or The Emperor 's Club any time .\n2299\tMastering its formidable arithmetic of cameras and souls , Group articulates a flood of emotion .\n2300\tA pretty decent kid-pleasing , tolerable-to-adults lark of a movie .\n2301\tEven during the climactic hourlong cricket match , boredom never takes hold .\n2302\tCombine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't Hollywood think of this sooner ?\n2303\tLike Kubrick , Soderbergh is n't afraid to try any genre and to do it his own way .\n2304\tNothing can detract from the affection of that moral favorite : friends will be friends through thick and thin .\n2305\tIf the film has a problem , its shortness disappoints : You want the story to go on and on .\n2306\tUnlike most anime , whose most ardent fans outside Japan seem to be introverted young men with fantasy fetishes , Metropolis never seems hopelessly juvenile .\n2307\tThe plot twists give I Am Trying to Break Your Heart an attraction it desperately needed .\n2308\tThe most brilliant and brutal UK crime film since Jack Carter went back to Newcastle , the first half of Gangster No. 1 drips with style and , at times , blood .\n2309\tLike its New England characters , most of whom wander about in thick clouds of denial , the movie eventually gets around to its real emotional business , striking deep chords of sadness .\n2310\tThe Bai brothers have taken an small slice of history and opened it up for all of us to understand , and they 've told a nice little story in the process .\n2311\tFlamboyant in some movies and artfully restrained in others , 65-year-old Jack Nicholson could be looking at his 12th Oscar nomination by proving that he 's now , more than ever , choosing his roles with the precision of the insurance actuary .\n2312\t... is there a deeper , more direct connection between these women , one that spans time and reveals meaning ?\n2313\tYou bet there is and it 's what makes this rather convoluted journey worth taking .\n2314\tThe most amazing super-sized dosage of goofball stunts any `` Jackass '' fan could want .\n2315\tReal Women may have many agendas , but it also will win you over , in a big way .\n2316\tYoung Everlyn Sampi , as the courageous Molly Craig , simply radiates star-power potential in this remarkable and memorable film .\n2317\tSurprisingly powerful and universal .\n2318\tApart from its own considerable achievement , Metropolis confirms Tezuka 's status as both the primary visual influence on the animé tradition and its defining philosophical conscience .\n2319\tI 'll put it this way : If you 're in the mood for a melodrama narrated by talking fish , this is the movie for you .\n2320\tMorvern Callar confirms Lynne Ramsay as an important , original talent in international cinema .\n2321\tWell-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process .\n2322\tA plethora of engaging diatribes on the meaning of ` home , ' delivered in grand passion by the members of the various households .\n2323\tIt 's technically sumptuous but also almost wildly alive .\n2324\tThis film puts Wang at the forefront of China 's Sixth Generation of film makers .\n2325\tit 's refreshing to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original .\n2326\tWiseman is patient and uncompromising , letting his camera observe and record the lives of women torn apart by a legacy of abuse .\n2327\tThere 's none of the happily-ever - after spangle of Monsoon Wedding in Late Marriage -- and that 's part of what makes Dover Kosashvili 's outstanding feature debut so potent .\n2328\tAn ingenious and often harrowing look at damaged people and how families can offer either despair or consolation .\n2329\tArguably the best script that Besson has written in years .\n2330\tIt 's no lie -- Big Fat Liar is a real charmer .\n2331\tInvigorating , surreal , and resonant with a rainbow of emotion .\n2332\tDirector Alfonso Cuaron gets vivid , convincing performances from a fine cast , and generally keeps things going at a rapid pace , occasionally using an omniscient voice-over narrator in the manner of French New Wave films .\n2333\tPray has really done his subject justice .\n2334\tAn unexpectedly sweet story of sisterhood .\n2335\tMaintains your sympathy for this otherwise challenging soul by letting you share her one-room world for a while .\n2336\tA subtle , humorous , illuminating study of politics , power and social mobility .\n2337\tEven if you have no interest in the gang-infested , East-vs .\n2338\t- West Coast rap wars , this modern mob music drama never fails to fascinate .\n2339\tNair 's attention to detail creates an impeccable sense of place , while Thurman and Lewis give what can easily be considered career-best performances .\n2340\tBerry 's saucy , full-bodied performance gives this aging series a much needed kick , making `` Die Another Day '' one of the most entertaining Bonds in years\n2341\tRed Dragon is less baroque and showy than Hannibal , and less emotionally affecting than Silence .\n2342\tBut , like Silence , it 's a movie that gets under your skin .\n2343\tCaviezel embodies the transformation of his character completely .\n2344\tA creepy , intermittently powerful study of a self-destructive man ... about as unsettling to watch as an exploratory medical procedure or an autopsy .\n2345\tPacino and Williams seem to keep upping the ante on each other , just as their characters do in the film .\n2346\tWhat results is the best performance from either in years .\n2347\tThe cast is top-notch and I predict there will be plenty of female audience members drooling over Michael Idemoto as Michael .\n2348\tBéart and Berling are both superb , while Huppert ... is magnificent .\n2349\tAll the actors are good in Pauline & Paulette but van der Groen , described as ` Belgium 's national treasure , ' is especially terrific as Pauline .\n2350\tMiyazaki has created such a vibrant , colorful world , it 's almost impossible not to be swept away by the sheer beauty of his images .\n2351\tMuccino seems to be exploring the idea of why human beings long for what they do n't have , and how this gets us in trouble .\n2352\tBut even while his characters are acting horribly , he is always sympathetic .\n2353\tWhether or not you buy Mr. Broomfield 's findings , the film acquires an undeniable entertainment value as the slight , pale Mr. Broomfield continues to force himself on people and into situations that would make lesser men run for cover .\n2354\tOzpetek joins the ranks of those gay filmmakers who have used the emigre experience to explore same-sex culture in ways that elude the more nationally settled .\n2355\t... an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller .\n2356\tI 've never seen or heard anything quite like this film , and I recommend it for its originality alone .\n2357\tNicole Kidman makes it a party worth attending .\n2358\tThe direction has a fluid , no-nonsense authority , and the performances by Harris , Phifer and Cam ` ron seal the deal .\n2359\tThe Komediant is a tale worth catching .\n2360\tThe writing is clever and the cast is appealing .\n2361\tThe simplicity of The Way Home has few equals this side of Aesop\n2362\tLife on the rez is no picnic : this picture shows you why .\n2363\tSpielberg has managed to marry science fiction with film noir and action flicks with philosophical inquiry .\n2364\tIt 's the type of film about growing up that we do n't see often enough these days : realistic , urgent , and not sugarcoated in the least .\n2365\tA taut , sobering film .\n2366\tExudes the fizz of a Busby Berkeley musical and the visceral excitement of a sports extravaganza .\n2367\tIt 's full of cheesy dialogue , but great trashy fun that finally returns De Palma to his pulpy thrillers of the early '80s .\n2368\tThe results , if not memorable , are at least interesting .\n2369\tA quietly moving look back at what it was to be Iranian-American in 1979 .\n2370\tLike a veteran head cutter , Barbershop is tuned in to its community .\n2371\tI 'm sure mainstream audiences will be baffled , but , for those with at least a minimal appreciation of Woolf and Clarissa Dalloway , The Hours represents two of those well spent .\n2372\tYou live the mood rather than savour the story .\n2373\tAngela Gheorghiu as famous prima donna Floria Tosca , Roberto Alagna as her lover Mario Cavaradossi , and Ruggero as the villainous , lecherous police chief Scarpia , all sing beautifully and act adequately .\n2374\tWhile there are times when the film 's reach exceeds its grasp , the production works more often than it does n't .\n2375\tWhile Scorsese 's bold images and generally smart casting ensure that `` Gangs '' is never lethargic , the movie is hindered by a central plot that 's peppered with false starts and populated by characters who are nearly impossible to care about .\n2376\tWatching this gentle , mesmerizing portrait of a man coming to terms with time , you barely realize your mind is being blown .\n2377\tThe beautifully choreographed kitchen ballet is simple but absorbing .\n2378\tThere 's ... an underlying Old World sexism to Monday Morning that undercuts its charm .\n2379\t`` The best Disney movie since the Lion King ''\n2380\tTranscends its agenda to deliver awe-inspiring , at times sublime , visuals and offer a fascinating glimpse into the subculture of extreme athletes whose derring-do puts the X into the games .\n2381\tThink of it as Gidget , only with muscles and a lot more smarts , but just as endearing and easy to watch .\n2382\tThere is no solace here , no entertainment value , merely a fierce lesson in where filmmaking can take us .\n2383\tGiggling at the absurdities and inconsistencies is part of the fun .\n2384\tBut the talented cast alone will keep you watching , as will the fight scenes .\n2385\tArteta paints a picture of lives lived in a state of quiet desperation .\n2386\tDrug abuse , infidelity and death are n't usually comedy fare , but Turpin 's film allows us to chuckle through the angst .\n2387\tWhile Insomnia is in many ways a conventional , even predictable remake , Nolan 's penetrating undercurrent of cerebral and cinemantic flair lends -LRB- it -RRB- stimulating depth .\n2388\tEfteriades gives the neighborhood -- scenery , vibe and all -- the cinematic equivalent of a big , tender hug .\n2389\tThis is a nicely handled affair , a film about human darkness but etched with a light -LRB- yet unsentimental -RRB- touch .\n2390\tAmazing !\n2391\tA college story that works even without vulgarity , sex scenes , and cussing !\n2392\tThe amazing film work is so convincing that by movies ' end you 'll swear you are wet in some places and feel sand creeping in others .\n2393\tA raunchy and frequently hilarious follow-up to the gifted Korean American stand-up 's I 'm the One That I Want .\n2394\tIf you ever wanted to be an astronaut , this is the ultimate movie experience - it 's informative and breathtakingly spectacular .\n2395\tWhile Parker and co-writer Catherine di Napoli are faithful to Melville 's plotline , they and a fully engaged supporting cast ... have made the old boy 's characters more quick-witted than any English Lit major would have thought possible .\n2396\tA smart , sassy and exceptionally charming romantic comedy .\n2397\tThere are flaws , but also stretches of impact and moments of awe ; we 're wrapped up in the characters , how they make their choices , and why .\n2398\tA gift to anyone who loves both dance and cinema\n2399\tIt seems Grant does n't need the floppy hair and the self-deprecating stammers after all .\n2400\tA reminder that beyond all the hype and recent digital glitz , Spielberg knows how to tell us about people .\n2401\tOne of the finest , most humane and important Holocaust movies ever made .\n2402\tAn engrossing and infectiously enthusiastic documentary .\n2403\tA beautiful , timeless and universal tale of heated passions -- jealousy , betrayal , forgiveness and murder .\n2404\tA culture-clash comedy that , in addition to being very funny , captures some of the discomfort and embarrassment of being a bumbling American in Europe .\n2405\tShattering , devastating documentary on two maladjusted teens in a downward narcotized spiral .\n2406\tExtraordinary debut from Josh Koury .\n2407\tThe most compelling performance of the year adds substantial depth to this shocking testament to anti-Semitism and neo-fascism .\n2408\tFor those who are intrigued by politics of the '70s , the film is every bit as fascinating as it is flawed .\n2409\tAll right , so it 's not a brilliant piece of filmmaking , but it is a funny -LRB- sometimes hilarious -RRB- comedy with a deft sense of humor about itself , a playful spirit and a game cast .\n2410\tDouglas McGrath 's Nicholas Nickleby does Dickens as it should be done cinematically .\n2411\tIt 's a lovely , eerie film that casts an odd , rapt spell .\n2412\tThe quirky and recessive charms of co-stars Martin Donovan and Mary-Louise Parker help overcome the problematic script .\n2413\tIt 's good to see Michael Caine whipping out the dirty words and punching people in the stomach again .\n2414\tYou just know something terrible is going to happen .\n2415\tBut when it does , you 're entirely unprepared .\n2416\tIt 's fun , wispy , wise and surprisingly inoffensive for a film about a teen in love with his stepmom .\n2417\tAble to provide insight into a fascinating part of theater history .\n2418\tAn unflinching , complex portrait of a modern Israel that is rarely seen on-screen .\n2419\tA Jewish WW II doc that is n't trying simply to out-shock , out-outrage or out-depress its potential audience !\n2420\tWho knew ...\n2421\tIt 's a familiar story , but one that is presented with great sympathy and intelligence .\n2422\tGently humorous and touching .\n2423\tIt wo n't hold up over the long haul , but in the moment , Finch 's tale provides the forgettable pleasures of a Saturday matinee .\n2424\tKinnear 's performance is a career-defining revelation .\n2425\tThe film is predictable in the reassuring manner of a beautifully sung holiday carol .\n2426\t... hits every cliche we 've come to expect , including the assumption that `` crazy '' people are innocent , childlike and inherently funny .\n2427\tThe strong subject matter continues to shock throughout the film .\n2428\tNot everyone will play the dark , challenging tune taught by The Piano Teacher .\n2429\tA certain sexiness underlines even the dullest tangents .\n2430\tYou may be captivated , as I was , by its moods , and by its subtly transformed star , and still wonder why Paul Thomas Anderson ever had the inclination to make the most sincere and artful movie in which Adam Sandler will probably ever appear .\n2431\tThere is no substitute for on-screen chemistry , and when Friel pulls the strings that make Williams sink into melancholia , the reaction in Williams is as visceral as a gut punch .\n2432\tThat old adage about women being unknowable gets an exhilarating new interpretation in Morvern Callar .\n2433\tA mix of gritty realism , crisp storytelling and radiant compassion that effortlessly draws you in .\n2434\tAfter watching it , you can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history .\n2435\tIn his U.S. debut , Mr. Schnitzler proves himself a deft pace master and stylist .\n2436\tUltimate X is a ride , basically the kind of greatest-hits reel that might come with a subscription to ESPN the Magazine .\n2437\tRich in shadowy metaphor and as sharp as a samurai sword , Jiang Wen 's Devils on the Doorstep is a wartime farce in the alternately comic and gut-wrenching style of Joseph Heller or Kurt Vonnegut .\n2438\tOffers a clear-eyed chronicle of a female friendship that is more complex and honest than anything represented in a Hollywood film .\n2439\tA winning comedy with its wry observations about long-lived friendships and the ways in which we all lose track of ourselves by trying to please others .\n2440\tIts cast full of caffeinated comedy performances more than make up for its logical loopholes , which fly by so fast there 's no time to think about them anyway .\n2441\tLohman adapts to the changes required of her , but the actress and director Peter Kosminsky never get the audience to break through the wall her character erects\n2442\tAlthough it includes a fair share of dumb drug jokes and predictable slapstick , `` Orange County '' is far funnier than it would seem to have any right to be .\n2443\tFor a movie audience , The Hours does n't connect in a neat way , but introduces characters who illuminate mysteries of sex , duty and love .\n2444\tA bright , inventive , thoroughly winning flight of revisionist fancy .\n2445\tOzpetek 's effort has the scope and shape of an especially well-executed television movie .\n2446\tAffirms the gifts of all involved , starting with Spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together .\n2447\tA delightful little film that revels in its own simplicity , Mostly Martha will leave you with a smile on your face and a grumble in your stomach .\n2448\tMakes one thing abundantly clear .\n2449\tAmerican musical comedy as we know it would n't exist without the precedent of Yiddish theater , whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of Broadway .\n2450\tDeepa Mehta provides an accessible introduction as well as some intelligent observations on the success of Bollywood in the Western world .\n2451\tIf anything , the film is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans .\n2452\tIn addition to gluing you to the edge of your seat , Changing Lanes is also a film of freshness , imagination and insight .\n2453\tPan Nalin 's exposition is beautiful and mysterious , and the interviews that follow , with the practitioners of this ancient Indian practice , are as subtle and as enigmatic .\n2454\tThe mood , look and tone of the film fit the incredible storyline to a T.\n2455\tIt 's crafty , energetic and smart -- the kid is sort of like a fourteen-year old Ferris Bueller .\n2456\tA work of extraordinary journalism , but it is also a work of deft and subtle poetry .\n2457\tIt 's funny and human and really pretty damned wonderful , all at once .\n2458\tAt 78 minutes it just zings along with vibrance and warmth .\n2459\tA strangely stirring experience that finds warmth in the coldest environment and makes each crumb of emotional comfort feel like a 10-course banquet .\n2460\tSometimes this ` Blood ' seems as tired as its protagonist ... Still , the pulse never disappears entirely , and the picture crosses the finish line winded but still game .\n2461\tThe stripped-down dramatic constructs , austere imagery and abstract characters are equal parts poetry and politics , obvious at times but evocative and heartfelt .\n2462\tDogtown and Z-Boys more than exposes the roots of the skateboarding boom that would become `` the punk kids ' revolution . ''\n2463\t... plenty of warmth to go around , with music and laughter and the love of family .\n2464\tIt 'll keep you wide awake and ... very tense .\n2465\tCould use a little more humanity , but it never lacks in eye-popping visuals .\n2466\t-LRB- Danny Huston gives -RRB- an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent 's smirk .\n2467\tThese three films form a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people .\n2468\tA funny and well-contructed black comedy where the old adage `` be careful what you wish for '' is given a full workout .\n2469\tIt reaffirms life as it looks in the face of death .\n2470\tThe film is reasonably entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy .\n2471\tThis is more fascinating -- being real -- than anything seen on Jerry Springer .\n2472\tA different movie -- sometimes tedious -- by a director many viewers would like to skip but film buffs should get to know .\n2473\tWilliams plays Sy , another of his open-faced , smiling madmen , like the killer in Insomnia .\n2474\tHe does this so well you do n't have the slightest difficulty accepting him in the role .\n2475\tTwist open the Ouzo !\n2476\tIt 's time to let your hair down -- Greek style .\n2477\tA vibrant whirlwind of love , family and all that goes with it , My Big Fat Greek Wedding is a non-stop funny feast of warmth , colour and cringe .\n2478\tThought-provoking and stylish , if also somewhat hermetic .\n2479\tBroomfield is energized by Volletta Wallace 's maternal fury , her fearlessness , and because of that , his film crackles .\n2480\tWhile it has definite weaknesses -- like a rather unbelievable love interest and a meandering ending -- this '60s caper film is a riveting , brisk delight .\n2481\tFunny in a sick , twisted sort of way .\n2482\tIf cinema had been around to capture the chaos of France in the 1790 's , one imagines the result would look like something like this .\n2483\tIt 's a talking head documentary , but a great one .\n2484\tThe Fast Runner ' transports the viewer into an unusual space\n2485\tUltimately engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of Chinese ` cultural revolution . '\n2486\t... a solid , well-formed satire .\n2487\tAs part of Mr. Dong 's continuing exploration of homosexuality in America , Family Fundamentals is an earnest study in despair .\n2488\tMost consumers of lo mein and General Tso 's chicken barely give a thought to the folks who prepare and deliver it , so , hopefully , this film will attach a human face to all those little steaming cartons .\n2489\tHatosy ... portrays young Brendan with his usual intelligence and subtlety , not to mention a convincing brogue .\n2490\tThe filmmakers ' eye for detail and the high standards of performance convey a strong sense of the girls ' environment .\n2491\tUneven , self-conscious but often hilarious spoof .\n2492\tEven bigger and more ambitious than the first installment , Spy Kids 2 looks as if it were made by a highly gifted 12-year-old instead of a grown man .\n2493\tThanks to The Château 's balance of whimsicality , narrative discipline and serious improvisation , almost every relationship and personality in the film yields surprises .\n2494\tAlan and his fellow survivors are idiosyncratic enough to lift the movie above its playwriting 101 premise .\n2495\tFresh and raw like a blown-out vein , Narc takes a walking-dead , cop-flick subgenre and beats new life into it .\n2496\tThe premise of Jason X is silly but strangely believable .\n2497\tIt 's a wise and powerful tale of race and culture forcefully told , with superb performances throughout .\n2498\tAn awfully good , achingly human picture .\n2499\tThe cast comes through even when the movie does n't .\n2500\tYou 'll laugh at either the obviousness of it all or its stupidity or maybe even its inventiveness , but the point is , you 'll laugh .\n2501\tDefinitely worth 95 minutes of your time .\n2502\tThe film jolts the laughs from the audience -- as if by cattle prod .\n2503\tA sexy , surprising romance ... Idemoto and Kim make a gorgeous pair ... their scenes brim with sexual possibility and emotional danger .\n2504\tToes the fine line between cheese and earnestness remarkably well ; everything is delivered with such conviction that it 's hard not to be carried away .\n2505\tWhereas Oliver Stone 's conspiracy thriller JFK was long , intricate , star-studded and visually flashy , Interview with the Assassin draws its considerable power from simplicity .\n2506\tFunny , sexy , devastating and incurably romantic .\n2507\tTriple X is a double agent , and he 's one bad dude .\n2508\tWhen you 've got the wildly popular Vin Diesel in the equation , it adds up to big box office bucks all but guaranteed .\n2509\tVery well-written and very well-acted .\n2510\tA powerful and telling story that examines forbidden love , racial tension , and other issues that are as valid today as they were in the 1950s .\n2511\tYou emerge dazed , confused as to whether you 've seen pornography or documentary .\n2512\tIt ai n't art , by a long shot , but unlike last year 's lame Musketeer , this Dumas adaptation entertains .\n2513\tlikeable thanks to its cast , its cuisine and its quirky tunes .\n2514\tChilling in its objective portrait of dreary , lost twenty-first century America .\n2515\tHighly recommended as an engrossing story about a horrifying historical event and the elements which contributed to it .\n2516\t... there 's enough cool fun here to warm the hearts of animation enthusiasts of all ages .\n2517\tIt manages to squeeze by on Angelina Jolie 's surprising flair for self-deprecating comedy .\n2518\tSecretary manages a neat trick , bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie .\n2519\tJudith and Zaza 's extended bedroom sequence ... is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics .\n2520\tPhotographed with melancholy richness and eloquently performed yet also decidedly uncinematic .\n2521\tA knowing look at female friendship , spiked with raw urban humor .\n2522\tAs I settled into my World War II memories , I found myself strangely moved by even the corniest and most hackneyed contrivances .\n2523\tThe overall effect is awe and affection -- and a strange urge to get on a board and , uh , shred , dude .\n2524\tIt 's that rare family movie -- genuine and sweet without relying on animation or dumb humor .\n2525\tThe Trinity Assembly approaches the endeavor with a shocking lack of irony , and George Ratliff 's documentary , Hell House , reflects their earnestness -- which makes for a terrifying film .\n2526\tConfessions may not be a straightforward bio , nor does it offer much in the way of Barris ' motivations , but the film is an oddly fascinating depiction of an architect of pop culture .\n2527\tA special kind of movie , this melancholic film noir reminded me a lot of Memento ...\n2528\tSimple , poignant and leavened with humor , it 's a film that affirms the nourishing aspects of love and companionship .\n2529\tTogether , Miller , Kuras and the actresses make Personal Velocity into an intricate , intimate and intelligent journey .\n2530\tThe wonder of Mostly Martha is the performance of Gedeck , who makes Martha enormously endearing .\n2531\tWith Notorious C.H.O. Cho proves she has the stuff to stand tall with Pryor , Carlin and Murphy .\n2532\tLess front-loaded and more shapely than the two-hour version released here in 1990 .\n2533\tWatching War Photographer , you come to believe that Nachtwey hates the wars he shows and empathizes with the victims he reveals .\n2534\t-LRB- A -RRB- real pleasure in its laid-back way .\n2535\tSome may choose to interpret the film 's end as hopeful or optimistic but I think Payne is after something darker .\n2536\tThough it runs 163 minutes , Safe Conduct is anything but languorous .\n2537\tIt 's packed to bursting with incident , and with scores of characters , some fictional , some from history .\n2538\tA much better documentary -- more revealing , more emotional and more surprising -- than its pedestrian English title would have you believe .\n2539\tNotwithstanding my problem with the movie 's final half hour , I 'm going to recommend SECRETARY , based on the wonderful acting clinic put on by Spader and Gyllenhaal , and also the unique way Shainberg goes about telling what at heart is a sweet little girl -\n2540\tA well-crafted film that is all the more remarkable because it achieves its emotional power and moments of revelation with restraint and a delicate ambiguity .\n2541\tThe film has the uncanny ability to right itself precisely when you think it 's in danger of going wrong .\n2542\tMy Big Fat Greek Wedding is that rare animal known as ' a perfect family film , ' because it 's about family .\n2543\twould make an excellent companion piece to the similarly themed ` The French Lieutenant 's Woman . '\n2544\t... with the gifted Pearce on hand to keep things on semi-stable ground dramatically , this retooled Machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself .\n2545\tA movie that 's just plain awful but still manages to entertain on a guilty-pleasure , so-bad-it 's - funny level .\n2546\tA disoriented but occasionally disarming saga packed with moments out of an Alice in Wonderland adventure , a stalker thriller , and a condensed season of TV 's Big Brother .\n2547\tFunctions as both a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing .\n2548\tWith a confrontational stance , Todd Solondz takes aim on political correctness and suburban families .\n2549\tA mess , but it 's a sincere mess .\n2550\tThis odd , distant Portuguese import more or less borrows from Bad Lieutenant and Les Vampires , and comes up with a kind of art-house gay porn film .\n2551\tFor a debut film , Skin of Man , Heart of Beast feels unusually assured .\n2552\tA photographic marvel of sorts , and it 's certainly an invaluable record of that special fishy community .\n2553\tIt 's soulful and unslick , and that 's apparently just what -LRB- Aniston -RRB- has always needed to grow into a movie career .\n2554\tAlthough Olivier Assayas ' elegantly appointed period drama seems , at times , padded with incident in the way of a too-conscientious adaptation ... its three-hour running time plays closer to two .\n2555\tA jaw-droppingly beautiful work that upends nearly every cliché of Japanese animation while delivering a more than satisfactory amount of carnage .\n2556\tTerry is a sort of geriatric Dirty Harry , which will please Eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man .\n2557\tParts seem like they were lifted from Terry Gilliam 's subconscious , pressed through Kafka 's meat grinder and into Buñuel 's casings\n2558\t` Like a child with an important message to tell ... -LRB- Skins ' -RRB- faults are easy to forgive because the intentions are lofty . '\n2559\tA delightful entree in the tradition of food movies .\n2560\tAn escapist confection that 's pure entertainment .\n2561\tThe Ring is worth a look , if you do n't demand much more than a few cheap thrills from your Halloween entertainment .\n2562\tThe movie ultimately relies a bit too heavily on grandstanding , emotional , Rocky-like moments ... but it 's such a warm and charming package that you 'll feel too happy to argue much .\n2563\tThrowing it all away for the fleeting joys of love 's brief moment .\n2564\tArmed with a game supporting cast , from the pitch-perfect Forster to the always hilarious Meara and Levy , Like Mike shoots and scores , doing its namesake proud .\n2565\tA decent-enough nail-biter that stands a good chance of being the big hit Franklin needs to stay afloat in Hollywood .\n2566\tBegins like a docu-drama but builds its multi-character story with a flourish .\n2567\tOne of the most genuinely sweet films to come along in quite some time .\n2568\tAfter an uncertain start , Murder hits and generally sustains a higher plateau with Bullock 's memorable first interrogation of Gosling .\n2569\tThe story ultimately takes hold and grips hard .\n2570\tA bit of a downer and a little over-dramatic at times , but this is a beautiful film for people who like their romances to have that French realism .\n2571\tAn emotionally strong and politically potent piece of cinema .\n2572\tEnticing and often funny documentary .\n2573\tGoing to this movie is a little like chewing whale blubber - it 's an acquired taste that takes time to enjoy , but it 's worth it , even if it does take 3 hours to get through .\n2574\tA portrait of hell so shattering it 's impossible to shake .\n2575\tAlmodovar is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what William James once called ` the gift of tears . '\n2576\tBetter than the tepid Star Trek : Insurrection ; falls short of First Contact because the villain could n't pick the lint off Borg Queen Alice Krige 's cape ; and finishes half a parsec -LRB- a nose -RRB- ahead of Generations .\n2577\tAt times a bit melodramatic and even a little dated -LRB- depending upon where you live -RRB- , Ignorant Fairies is still quite good-natured and not a bad way to spend an hour or two .\n2578\tTense , terrific , sweaty-palmed fun .\n2579\tMajidi 's direction has never been smoother or more confident .\n2580\tWhat a bewilderingly brilliant and entertaining movie this is .\n2581\tHard , endearing , caring , warm .\n2582\tBring tissues .\n2583\tA thriller with an edge -- which is to say that it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world .\n2584\t`` Me Without You '' is a probing examination of a female friendship set against a few dynamic decades .\n2585\tInherently caustic and oddly whimsical , the film chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss .\n2586\tThough Frodo 's quest remains unfulfilled , a hardy group of determined New Zealanders has proved its creative mettle .\n2587\tIt 's a square , sentimental drama that satisfies , as comfort food often can .\n2588\tPure cinematic intoxication , a wildly inventive mixture of comedy and melodrama , tastelessness and swooning elegance .\n2589\tRamsay is clearly extraordinarily talented , and based on three short films and two features , here 's betting her third feature will be something to behold .\n2590\tI was impressed by how many tit-for-tat retaliatory responses the filmmakers allow before pulling the plug on the conspirators and averting an American-Russian Armageddon .\n2591\tA classy , sprightly spin on film .\n2592\tfast , frantic and fun , but also soon forgotten\n2593\tA spiffy animated feature about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth .\n2594\tDevos and Cassel have tremendous chemistry -- their sexual and romantic tension , while never really vocalized , is palpable .\n2595\tFulfills the minimum requirement of Disney animation .\n2596\tA moving , if uneven , success .\n2597\tWith one exception , every blighter in this particular South London housing project digs into dysfunction like it 's a big , comforting jar of Marmite , to be slathered on crackers and served as a feast of bleakness .\n2598\tWickedly funny , visually engrossing , never boring , this movie challenges us to think about the ways we consume pop culture .\n2599\tThere 's plenty to impress about E.T.\n2600\tA chronicle not only of one man 's quest to be president , but of how that man single-handedly turned a plane full of hard-bitten , cynical journalists into what was essentially , by campaign 's end , an extended publicity department .\n2601\tUntil it goes off the rails in its final 10 or 15 minutes , Wendigo , Larry Fessenden 's spooky new thriller , is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films .\n2602\t-LRB- Woo 's -RRB- most resonant film since The Killer .\n2603\tCollateral Damage is trash , but it earns extra points by acting as if it were n't .\n2604\tA whole lot of fun and funny in the middle , though somewhat less hard-hitting at the start and finish .\n2605\tMaybe it is formula filmmaking , but there 's nothing wrong with that if the film is well-crafted and this one is .\n2606\t-LRB- Fincher 's -RRB- camera sense and assured pacing make it an above-average thriller .\n2607\tThe film is insightful about Kissinger 's background and history .\n2608\tAn engrossing portrait of a man whose engaging manner and flamboyant style made him a truly larger-than-life character .\n2609\tA lot of the credit for the film 's winning tone must go to Grant , who has n't lost a bit of the dry humor that first made audiences on both sides of the Atlantic love him .\n2610\tExploits -LRB- headbanger -RRB- stereotypes in good fun , while adding a bit of heart and unsettling subject matter .\n2611\tA journey that is as difficult for the audience to take as it is for the protagonist -- yet it 's potentially just as rewarding .\n2612\tRatliff 's two previous titles , Plutonium Circus and Purgatory County show his penchant for wry , contentious configurations , and this film is part of that delicate canon .\n2613\tFrom its invitingly upbeat overture to its pathos-filled but ultimately life-affirming finale , Martin is a masterfully conducted work .\n2614\tPassions , obsessions , and loneliest dark spots are pushed to their most virtuous limits , lending the narrative an unusually surreal tone .\n2615\tA comedy that swings and jostles to the rhythms of life .\n2616\tAt times Auto Focus feels so distant you might as well be watching it through a telescope .\n2617\tYet in its own aloof , unreachable way it 's so fascinating you wo n't be able to look away for a second .\n2618\tIf you 're part of her targeted audience , you 'll cheer .\n2619\tOtherwise , maybe .\n2620\tAs animation increasingly emphasizes the computer and the cool , this is a film that takes a stand in favor of tradition and warmth .\n2621\tBlade II merges bits and pieces from fighting games , wire fu , horror movies , mystery , James Bond , wrestling , sci-fi and anime into one big bloody stew .\n2622\tInstead of hitting the audience over the head with a moral , Schrader relies on subtle ironies and visual devices to convey point of view .\n2623\tK-19 will not go down in the annals of cinema as one of the great submarine stories , but it is an engaging and exciting narrative of Man confronting the Demons of his own fear and paranoia .\n2624\tContrived as this may sound , Mr. Rose 's updating works surprisingly well .\n2625\tA glib but bouncy bit of sixties-style slickness in which the hero might wind up caught but the audience gets pure escapism .\n2626\tYou do n't need to be a hip-hop fan to appreciate Scratch , and that 's the mark of a documentary that works .\n2627\tBetween bursts of automatic gunfire , the story offers a trenchant critique of capitalism .\n2628\tCombines improbable melodrama -LRB- gored bullfighters , comatose ballerinas -RRB- with subtly kinky bedside vigils and sensational denouements , and yet at the end , we are undeniably touched .\n2629\tWhile the story 's undeniably hard to follow , Iwai 's gorgeous visuals seduce .\n2630\tIf you can get past the taboo subject matter , it will be well worth your time .\n2631\tA lovely film ... elegant , witty and beneath a prim exterior unabashedly romantic ... hugely enjoyable in its own right though not really faithful to its source 's complexity .\n2632\tScooby Doo is surely everything its fans are hoping it will be , and in that sense is a movie that deserves recommendation .\n2633\t-LRB- A -RRB- devastatingly powerful and astonishingly vivid Holocaust drama .\n2634\tA solid cast , assured direction and complete lack of modern day irony .\n2635\tThese characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field , and I 'm all for that .\n2636\tA sun-drenched masterpiece , part parlor game , part psychological case study , part droll social satire .\n2637\tWorth a look as a curiosity .\n2638\tYou watch for that sense of openness , the little surprises .\n2639\tDirector Peter Kosminsky gives these women a forum to demonstrate their acting ` chops ' and they take full advantage .\n2640\tAuto Focus is not your standard Hollywood bio-pic .\n2641\tSchrader aims to present an unflinching look at one man 's downfall , brought about by his lack of self-awareness .\n2642\tThe Bourne Identity should n't be half as entertaining as it is , but director Doug Liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood .\n2643\tFor VeggieTales fans , this is more appetizing than a side dish of asparagus .\n2644\tIf you 're not a fan , it might be like trying to eat Brussels sprouts .\n2645\tRemove Spider-Man the movie from its red herring surroundings and it 's apparent that this is one summer film that satisfies .\n2646\tThe whole mildly pleasant outing -- the R rating is for brief nudity and a grisly corpse -- remains aloft not on its own self-referential hot air , but on the inspired performance of Tim Allen .\n2647\tA gorgeously strange movie , Heaven is deeply concerned with morality , but it refuses to spell things out for viewers .\n2648\tThe Emperor 's Club , ruthless in its own placid way , finds one of our most conservative and hidebound movie-making traditions and gives it new texture , new relevance , new reality .\n2649\tIt 's truly awful and heartbreaking subject matter , but one whose lessons are well worth revisiting as many times as possible .\n2650\tThough intrepid in exploring an attraction that crosses sexual identity , Ozpetek falls short in showing us Antonia 's true emotions ... But at the very least , His Secret Life will leave you thinking .\n2651\tThere is little question that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out .\n2652\tThe message of such reflections -- intentional or not -- is that while no art grows from a vacuum , many artists exist in one .\n2653\tGooding is the energetic frontman , and it 's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences .\n2654\tThe otherwise good-naturedness of Mr. Deeds , with its embrace of sheer goofiness and cameos of less - than-likely New York celebrities ... certainly raises the film above anything Sandler 's been attached to before .\n2655\tThe movie is brilliant , really .\n2656\tIt is philosophy , illustrated through everyday events .\n2657\tIt 's stylishly directed with verve ...\n2658\tGives an intriguing twist to the French coming-of-age genre .\n2659\tOffers an interesting look at the rapidly changing face of Beijing .\n2660\tA solid , psychological action film from Hong Kong .\n2661\tSee it now , before the inevitable Hollywood remake flattens out all its odd , intriguing wrinkles .\n2662\tHolm does his sly , intricate magic , and Iben Hjelje is entirely appealing as Pumpkin .\n2663\tAn enjoyable feel-good family comedy regardless of race .\n2664\tFeatures what is surely the funniest and most accurate depiction of writer 's block ever .\n2665\tIt would take a complete moron to foul up a screen adaptation of Oscar Wilde 's classic satire .\n2666\tIt 's bright , pristine style and bold colors make it as much fun as reading an oversized picture book before bedtime .\n2667\tIn the long , dishonorable history of quickie teen-pop exploitation , Like Mike stands out for its only partly synthetic decency .\n2668\tBravo for history rewritten , and for the uncompromising knowledge that the highest power of all is the power of love .\n2669\tLead actress Gaï , she of the impossibly long limbs and sweetly conspiratorial smile , is a towering siren .\n2670\tEven if you 've seen `` Stomp '' -LRB- the stage show -RRB- , you still have to see this !\n2671\t... a light , yet engrossing piece .\n2672\tLux , now in her eighties , does a great combination act as narrator , Jewish grandmother and subject -- taking us through a film that is part biography , part entertainment and part history .\n2673\tIt 's a setup so easy it borders on facile , but keeping the film from cheap-shot mediocrity is its crack cast .\n2674\tRife with the rueful , wry humor springing out of Yiddish culture and language .\n2675\tA time machine , a journey back to your childhood , when cares melted away in the dark theater , and films had the ability to mesmerize , astonish and entertain .\n2676\tRubbo 's humorously tendentious intervention into the who-wrote-Shakespeare controversy .\n2677\tCantet beautifully illuminates what it means sometimes to be inside looking out , and at other times outside looking in .\n2678\tK-19 : The Widowmaker is a great yarn .\n2679\tIt 's as raw and action-packed an experience as a ringside seat at a tough-man contest .\n2680\tEvokes the frustration , the awkwardness and the euphoria of growing up , without relying on the usual tropes .\n2681\tA brilliant gag at the expense of those who paid for it and those who pay to see it .\n2682\tVisually striking and viscerally repellent .\n2683\tOvercomes its visual hideousness with a sharp script and strong performances .\n2684\tAstonishingly skillful and moving ... it could become a historically significant work as well as a masterfully made one .\n2685\tBeautifully crafted and cooly unsettling ... recreates the atmosphere of the crime expertly .\n2686\tThe year 2002 has conjured up more coming-of-age stories than seem possible , but Take Care of My Cat emerges as the very best of them .\n2687\tAlthough it does n't always hang together -- violence and whimsy do n't combine easily -- `` Cherish '' certainly is n't dull .\n2688\tThe sight of the spaceship on the launching pad is duly impressive in IMAX dimensions , as are shots of the astronauts floating in their cabins .\n2689\tTime is a beautiful film to watch , an interesting and at times captivating take on loss and loneliness .\n2690\tAn intriguing look at the French film industry during the German occupation ; its most delightful moments come when various characters express their quirky inner selves .\n2691\tA fine documentary can be distinguished from a mediocre one by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience .\n2692\tJudging by those standards , ` Scratch ' is a pretty decent little documentary .\n2693\tFubar is very funny , but not always in a laugh-out-loud way .\n2694\tA diverse and astonishingly articulate cast of Palestinian and Israeli children .\n2695\tSlight but enjoyable documentary .\n2696\t` The film is stark , straightforward and deadly ... an unnatural calm that 's occasionally shaken by ... blasts of rage , and later , violent jealousy . '\n2697\tCall this The Full Monty on ice , the underdog sports team formula redux .\n2698\tUnfolds in a low-key , organic way that encourages you to accept it as life and go with its flow .\n2699\tA beguiling evocation of the quality that keeps Dickens evergreen : the exuberant openness with which he expresses our most basic emotions .\n2700\tThe heat of the moment prevails .\n2701\tIt cooks Conduct in a low , smoky and inviting sizzle .\n2702\tA riveting story well told .\n2703\tDenis forges out of the theories of class - based rage and sisterly obsession a razor-sided tuning fork that rings with cultural , sexual and social discord .\n2704\tA compelling pre-WWII drama with vivid characters and a warm , moving message .\n2705\tThe stars may be college kids , but the subject matter is as adult as you can get : the temptations of the flesh are unleashed by a slightly crazed , overtly determined young woman and a one-night swim turns into an ocean of trouble .\n2706\tPretty good little movie .\n2707\tBy turns touching , raucously amusing , uncomfortable , and , yes , even sexy , Never Again is a welcome and heartwarming addition to the romantic comedy genre .\n2708\tIf you have n't seen the film lately , you may be surprised at the variety of tones in Spielberg 's work .\n2709\tMuch of it is funny , but there are also some startling , surrealistic moments ...\n2710\t-LRB- The digital effects -RRB- reminded me of Terry Gilliam 's rudimentary old Monty Python cartoons , in which he would cut out figures from drawings and photographs and paste them together .\n2711\tAn entertaining mix of period drama and flat-out farce that should please history fans .\n2712\tCanada 's arctic light shines bright on this frozen tundra soap opera that breathes extraordinary life into the private existence of the Inuit people .\n2713\tThe fluid motion is astounding on any number of levels -- including the physical demands made on Büttner -- and it implies in its wake the intractable , irreversible flow of history .\n2714\tAlternately hilarious and sad , aggravating and soulful , scathing and joyous .\n2715\tIt 's a masterpeice .\n2716\tThe film 's messages of tolerance and diversity are n't particularly original , but one ca n't help but be drawn in by the sympathetic characters .\n2717\tThough it lacks the utter authority of a genre gem , there 's a certain robustness to this engaging mix of love and bloodletting .\n2718\tA conventional , but well-crafted film about a historic legal battle in Ireland over a man 's right to raise his own children .\n2719\tYes , it 's as good as you remember .\n2720\tIn fact , even better .\n2721\tHartley adds enough quirky and satirical touches in the screenplay to keep the film entertaining .\n2722\tAn uncomfortable movie , suffocating and sometimes almost senseless , The Grey Zone does have a center , though a morbid one .\n2723\tThis is a harrowing movie about how parents know where all the buttons are , and how to push them .\n2724\tA stirring road movie .\n2725\tOne of the best films I have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense .\n2726\tInsanely hilarious !\n2727\tI have n't laughed that hard in years !\n2728\tAnyone who 's ever suffered under a martinet music instructor has no doubt fantasized about what an unhappy , repressed and twisted personal life their tormentor deserved .\n2729\tThese people are really going to love The Piano Teacher .\n2730\tIt 's a tour de force , written and directed so quietly that it 's implosion rather than explosion you fear .\n2731\tIt may not be history -- but then again , what if it is ?\n2732\t-- but it makes for one of the most purely enjoyable and satisfying evenings at the movies I 've had in a while .\n2733\tIf `` Lilo & Stitch '' is n't the most edgy piece of Disney animation to hit the silver screen , then this first film to use a watercolor background since `` Dumbo '' certainly ranks as the most original in years .\n2734\tThis may be Dover Kosashvili 's feature directing debut , but it looks an awful lot like life -- gritty , awkward and ironic .\n2735\tThis ready-made midnight movie probably wo n't stand the cold light of day , but under the right conditions , it 's goofy -LRB- if not entirely wholesome -RRB- fun .\n2736\tSee Scratch for the history , see Scratch for the music , see Scratch for a lesson in scratching , but , most of all , see it for the passion .\n2737\t... `` Bowling for Columbine '' remains a disquieting and thought-provoking film ...\n2738\tEven though it is infused with the sensibility of a video director , it does n't make for completely empty entertainment\n2739\tBut even with the two-wrongs-make-a-right chemistry between Jolie and Burns ... this otherwise appealing picture loses its soul to Screenwriting For Dummies conformity .\n2740\tTalk to Her is so darned assured , we have absolutely no idea who the main characters are until the film is well under way -- and yet it 's hard to stop watching .\n2741\tStar\\/producer Salma Hayek and director Julie Taymor have infused Frida with a visual style unique and inherent to the titular character 's paintings and in the process created a masterful work of art of their own .\n2742\tA truly wonderful tale combined with stunning animation .\n2743\tA low-key labor of love that strikes a very resonant chord .\n2744\tAn average kid-empowerment fantasy with slightly above-average brains .\n2745\tConfessions is n't always coherent , but it 's sharply comic and surprisingly touching , so hold the gong .\n2746\tWhile Guzmán frustratingly refuses to give Pinochet 's crimes a political context , his distance from the material is mostly admirable .\n2747\t... a story , an old and scary one , about the monsters we make , and the vengeance they take .\n2748\tA sentimental but entirely irresistible portrait of three aging sisters .\n2749\tWhite Oleander may leave you rolling your eyes in the dark , but that does n't mean you wo n't like looking at it .\n2750\tIn painting an unabashedly romantic picture of a nation whose songs spring directly from the lives of the people , the movie exalts the Marxian dream of honest working folk , with little to show for their labor , living harmoniously , joined in song .\n2751\tThe most brilliant work in this genre since the 1984 uncut version of Sergio Leone 's flawed but staggering Once Upon a Time in America .\n2752\tIt looks closely , insightfully at fragile , complex relationships .\n2753\tNot a bad choice here , assuming that ... the air-conditioning in the theater is working properly .\n2754\tA fine effort , an interesting topic , some intriguing characters and a sad ending .\n2755\tCertainly the big finish was n't something Galinsky and Hawley could have planned for ... but part of being a good documentarian is being there when the rope snaps .\n2756\tIt must be the end of the world : the best film so far this year is a franchise sequel starring Wesley Snipes .\n2757\tThere are moments of hilarity to be had .\n2758\tA hypnotic portrait of this sad , compulsive life .\n2759\t-LRB- While The Last Metro -RRB- was more melodramatic , confined to a single theater company and its strategies and deceptions , while Tavernier is more concerned with the entire period of history .\n2760\tOne of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes of tenderness , loss , discontent , and yearning .\n2761\tReturn to Never Land is reliable , standard Disney animated fare , with enough creative energy and wit to entertain all ages .\n2762\tMichael Moore 's latest documentary about America 's thirst for violence is his best film yet ...\n2763\tSuffice to say that after seeing this movie in IMAX form , you 'll be more acquainted with the tiniest details of Tom Hanks ' face than his wife is .\n2764\tLike a Tarantino movie with heart , Alias Betty is richly detailed , deftly executed and utterly absorbing .\n2765\tMarvelously entertaining and deliriously joyous documentary .\n2766\tA brisk , reverent , and subtly different sequel .\n2767\tA movie I loved on first sight and , even more important , love in remembrance .\n2768\tDeserves a place of honor next to Nanook as a landmark in film history .\n2769\tMurderous Maids pulls no punches in its depiction of the lives of the Papin sister and the events that led to their notorious rise to infamy ...\n2770\tThis is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the American underground .\n2771\tThe Sweetest Thing , a romantic comedy with outrageous tendencies , may be a mess in a lot of ways .\n2772\tBut it does have one saving grace .\n2773\tA lot of its gags and observations reflect a woman 's point-of-view .\n2774\tThis is lightweight filmmaking , to be sure , but it 's pleasant enough -- and oozing with attractive men .\n2775\tAt its most basic , this cartoon adventure is that wind-in-the-hair exhilarating .\n2776\tFans of critics ' darling band Wilco will marvel at the sometimes murky , always brooding look of I Am Trying to Break Your Heart .\n2777\tThe film presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet .\n2778\t-LRB- Gosling 's -RRB- combination of explosive physical energy and convincing intelligence helps create a complex , unpredictable character .\n2779\tConfounding because it solemnly advances a daringly preposterous thesis .\n2780\tActing can not be acted .\n2781\tFulford-Wierzbicki ... deftly captures the wise-beyond-her-years teen .\n2782\tA wild ride juiced with enough energy and excitement for at least three films .\n2783\tIt 's a cool event for the whole family .\n2784\tMaybe not a classic , but a movie the kids will want to see over and over again .\n2785\tThe movie is not as terrible as the synergistic impulse that created it .\n2786\tA typically observant , carefully nuanced and intimate French coming-of-age film that is an encouraging debut feature but has a needlessly downbeat ending that is too heavy for all that has preceded it .\n2787\tLess an examination of neo-Nazism than a probe into the nature of faith itself .\n2788\tA moving and weighty depiction of one family 's attempts to heal after the death of a child .\n2789\tI do n't think most of the people who loved the 1989 Paradiso will prefer this new version .\n2790\tBut I do .\n2791\tA zinger-filled crowd-pleaser that open-minded Elvis fans -LRB- but by no means all -RRB- will have fun with .\n2792\tDiggs and Lathan are among the chief reasons Brown Sugar is such a sweet and sexy film .\n2793\tEntirely suspenseful , extremely well-paced and ultimately ... dare I say , entertaining !\n2794\tThe riveting performances by the incredibly flexible cast make Love a joy to behold .\n2795\tTerrific as Nadia , a Russian mail-order bride who comes to America speaking not a word of English , it 's Kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers .\n2796\tWith an unflappable air of decadent urbanity , Everett remains a perfect Wildean actor , and a relaxed Firth displays impeccable comic skill .\n2797\tThe re-release of Ron Howard 's Apollo 13 in the IMAX format proves absolutely that really , really , really good things can come in enormous packages .\n2798\tVery well written and directed with brutal honesty and respect for its audience .\n2799\tWonderful fencing scenes and an exciting plot make this an eminently engrossing film .\n2800\tIt 's pretty linear and only makeup-deep , but Bogdanovich ties it together with efficiency and an affection for the period .\n2801\tA surprisingly charming and even witty match for the best of Hollywood 's comic-book adaptations .\n2802\tThis is a superior horror flick .\n2803\tAdaptation is simply brilliant .\n2804\tSmart and alert , Thirteen Conversations About One Thing is a small gem .\n2805\tThe pleasure of Read My Lips is like seeing a series of perfect black pearls clicking together to form a string .\n2806\tWe 're drawn in by the dark luster .\n2807\tA haunting tale of murder and mayhem .\n2808\tI love the opening scenes of a wintry New York City in 1899 .\n2809\tCinematic poetry showcases the city 's old-world charm before machines change nearly everything .\n2810\tIt 's hard to imagine anyone managing to steal a movie not only from charismatic rising star Jake Gyllenhaal but also from accomplished Oscar winners Susan Sarandon , Dustin Hoffman and Holly Hunter , yet newcomer Ellen Pompeo pulls off the feat with aplomb .\n2811\tOne of the best rock documentaries ever .\n2812\tWilco is a phenomenal band with such an engrossing story that will capture the minds and hearts of many .\n2813\tIan Holm conquers France as an earthy Napoleon\n2814\tOffers big , fat , dumb laughs that may make you hate yourself for giving in .\n2815\tAh , what the hell .\n2816\t-LRB- Sports -RRB- admirable energy , full-bodied characterizations and narrative urgency .\n2817\tA portrait of an artist .\n2818\tDirectors Brett Morgen and Nanette Burstein have put together a bold biographical fantasia .\n2819\tThe subtitled costume drama is set in a remote African empire before cell phones , guns , and the internal combustion engine , but the politics that thump through it are as timely as tomorrow .\n2820\tA tremendous piece of work .\n2821\tA delightful , if minor , pastry of a movie .\n2822\tWhile obviously aimed at kids , The Country Bears ... should keep parents amused with its low groan-to-guffaw ratio .\n2823\tLaBute masterfully balances both Traditional or Modern stories together in a manner that one never overwhelms the other .\n2824\tSomething for everyone .\n2825\tIrwin is so earnest that it 's hard to resist his pleas to spare wildlife and respect their environs .\n2826\tThere are far worse messages to teach a young audience , which will probably be perfectly happy with the sloppy slapstick comedy .\n2827\tLeigh succeeds in delivering a dramatic slap in the face that 's simultaneously painful and refreshing .\n2828\tNot about scares but a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense .\n2829\t` Film aficionados can not help but love Cinema Paradiso , whether the original version or new Director 's Cut . '\n2830\tA fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists .\n2831\tIt 's one thing to read about or rail against the ongoing - and unprecedented - construction project going on over our heads .\n2832\tIt 's quite another to feel physically caught up in the process .\n2833\tContradicts everything we 've come to expect from movies nowadays .\n2834\tInstead of simply handling conventional material in a conventional way , Secretary takes the most unexpected material and handles it in the most unexpected way .\n2835\tCould I have been more geeked when I heard that Apollo 13 was going to be released in IMAX format ?\n2836\tIn a word : No. .\n2837\tMurderous Maids has a lot going for it , not least the brilliant performances by Testud ... and Parmentier .\n2838\tFilmmaker Stacy Peralta has a flashy editing style that does n't always jell with Sean Penn 's monotone narration , but he respects the material without sentimentalizing it .\n2839\tThere are a couple of things that elevate `` Glory '' above most of its ilk , most notably the mere presence of Duvall .\n2840\tIt 's light on the chills and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior -- yet I found it weirdly appealing .\n2841\t-LRB- Rises -RRB- above its oh-so-Hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism .\n2842\tA breezy blend of art , history , esoteric musings and philosophy .\n2843\tKids will love its fantasy and adventure , and grownups should appreciate its whimsical humor .\n2844\tTsai Ming-liang 's ghosts are painfully aware of their not-being .\n2845\tLeaping from one arresting image to another , Songs from the Second Floor has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time .\n2846\tSean Penn , you owe Nicolas Cage an apology .\n2847\tThe performances are uniformly good .\n2848\tShe 's all-powerful , a voice for a pop-cyber culture that feeds on her Bjorkness .\n2849\tIt 's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it .\n2850\tFor all its plot twists , and some of them verge on the bizarre as the film winds down , Blood Work is a strong , character-oriented piece .\n2851\tThe story line may be 127 years old , but El Crimen del Padre Amaro ... could n't be more timely in its despairing vision of corruption within the Catholic establishment .\n2852\tThis in-depth study of important developments of the computer industry should make it required viewing in university computer science departments for years to come .\n2853\tIt shows us a slice of life that 's very different from our own and yet instantly recognizable .\n2854\tA wonderfully speculative character study that made up for its rather slow beginning by drawing me into the picture .\n2855\tHas its share of arresting images .\n2856\tLeave it to John Sayles to take on developers , the Chamber of Commerce , tourism , historical pageants , and commercialism all in the same movie ... without neglecting character development for even one minute .\n2857\tReign of Fire just might go down as one of the all-time great apocalypse movies .\n2858\tA smart little indie .\n2859\tPayne has created a beautiful canvas , and Nicholson proves once again that he 's the best brush in the business .\n2860\tTry as you might to resist , if you 've got a place in your heart for Smokey Robinson , this movie will worm its way there .\n2861\tA riveting profile of law enforcement , and a visceral , nasty journey into an urban Hades .\n2862\tDirector Douglas McGrath takes on Nickleby with all the halfhearted zeal of an 8th grade boy delving into required reading .\n2863\tStands as a document of what it felt like to be a New Yorker -- or , really , to be a human being -- in the weeks after 9\\/11 .\n2864\tI am not generally a huge fan of cartoons derived from TV shows , but Hey Arnold !\n2865\tThe Movie is clever , offbeat and even gritty enough to overcome my resistance .\n2866\tWith not a lot of help from the screenplay -LRB- proficient , but singularly cursory -RRB- , -LRB- Testud -RRB- acts with the feral intensity of the young Bette Davis .\n2867\tIt 's a film that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics .\n2868\tSlow and ponderous , but Rohmer 's drama builds to an intense indoor drama about compassion , sacrifice , and Christian love in the face of political corruption .\n2869\tIf you 're not totally weirded - out by the notion of cinema as community-therapy spectacle , Quitting hits home with disorienting force .\n2870\tAustin Powers for the most part is extremely funny , the first part making up for any flaws that come later .\n2871\tWhile Tattoo borrows heavily from both Seven and The Silence of the Lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .\n2872\tCho continues her exploration of the outer limits of raunch with considerable brio .\n2873\tElvira fans could hardly ask for more .\n2874\tA canny , derivative , wildly gruesome portrait of a London sociopath who 's the scariest of sadists .\n2875\tThe movie should be credited with remembering his victims .\n2876\tFast-paced and wonderfully edited , the film is extremely thorough .\n2877\tA bracing , unblinking work that serves as a painful elegy and sobering cautionary tale .\n2878\tHashiguchi uses the situation to evoke a Japan bustling atop an undercurrent of loneliness and isolation .\n2879\tAs if trying to grab a lump of Play-Doh , the harder that Liman tries to squeeze his story , the more details slip out between his fingers .\n2880\tMy Big Fat Greek Wedding is not only the best date movie of the year , it 's also a -- dare I say it twice -- delightfully charming -- and totally American , I might add -- slice of comedic bliss .\n2881\tFew films have captured the chaos of an urban conflagration with such fury , and audience members will leave feeling as shaken as Nesbitt 's Cooper looks when the bullets stop flying .\n2882\tAnother love story in 2002 's remarkable procession of sweeping pictures that have reinvigorated the romance genre .\n2883\tIt 's another retelling of Alexandre Dumas ' classic .\n2884\tWhy ?\n2885\tWho knows , but it works under the direction of Kevin Reynolds .\n2886\t-LRB- F -RRB- rom the performances and the cinematography to the outstanding soundtrack and unconventional narrative , the film is blazingly alive and admirable on many levels .\n2887\tShiri is an action film that delivers on the promise of excitement , but it also has a strong dramatic and emotional pull that gradually sneaks up on the audience .\n2888\tProvides the kind of ` laugh therapy ' I need from movie comedies -- offbeat humor , amusing characters , and a happy ending .\n2889\tAfter seeing ` Analyze That , ' I feel better already .\n2890\tA penetrating , potent exploration of sanctimony , self-awareness , self-hatred and self-determination .\n2891\tThis is n't a retooled genre piece , the tale of a guy and his gun , but an amiably idiosyncratic work .\n2892\tOverall , it 's a very entertaining , thought-provoking film with a simple message : God is love .\n2893\tIt may not be a great piece of filmmaking , but its power comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case .\n2894\tAlthough mainstream American movies tend to exploit the familiar , every once in a while a film arrives from the margin that gives viewers a chance to learn , to grow , to travel .\n2895\tJeong-Hyang Lee 's film is deceptively simple , deeply satisfying .\n2896\tThe film is a hoot , and is just as good , if not better than much of what 's on Saturday morning TV especially the pseudo-educational stuff we all ca n't stand .\n2897\tGeorge Clooney , in his first directorial effort , presents this utterly ridiculous shaggy dog story as one of the most creative , energetic and original comedies to hit the screen in years .\n2898\tEven when it drags , we are forced to reflect that its visual imagination is breathtaking\n2899\tAlthough commentary on Nachtwey is provided ... it 's the image that really tells the tale .\n2900\tA life-size reenactment of those Jack Chick cartoon tracts that always ended with some hippie getting tossed into the lake of fire .\n2901\tGrainy photography mars an otherwise delightful comedy of errors .\n2902\tthis film is not a love letter for the slain rappers , it 's a taunt - a call for justice for two crimes from which many of us have not yet recovered .\n2903\tThe film is impressive for the sights and sounds of the wondrous beats the world has to offer .\n2904\tDaily struggles and simple pleasures usurp the preaching message so that , by the time the credits roll across the pat ending , a warm , fuzzy feeling prevails .\n2905\t... in no way original , or even all that memorable , but as downtown Saturday matinee brain candy , it does n't disappoint .\n2906\tClever and unflinching in its comic barbs , Slap Her is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up .\n2907\tCremaster 3 is at once a tough pill to swallow and a minor miracle of self-expression .\n2908\tSex is one of those films that aims to confuse .\n2909\tCompared to his series of spectacular belly flops both on and off the screen , RunTelDat is something of a triumph .\n2910\t-LRB- Moore 's -RRB- better at fingering problems than finding solutions .\n2911\tBut though he only scratches the surface , at least he provides a strong itch to explore more .\n2912\tThe powerful success of Read My Lips with such provocative material shows why , after only three films , director\\/co-writer Jacques Audiard , though little known in this country , belongs in the very top rank of French filmmakers .\n2913\tIn his debut as a director , Washington has a sure hand .\n2914\tHis work with actors is particularly impressive .\n2915\tA generous , inspiring film that unfolds with grace and humor and gradually becomes a testament to faith .\n2916\tDelivers the sexy razzle-dazzle that everyone , especially movie musical fans , has been hoping for .\n2917\tVincent Gallo is right at home in this French shocker playing his usual bad boy weirdo role .\n2918\tFierce , glaring and unforgettable .\n2919\tCletis is playful but highly studied and dependent for its success on a patient viewer .\n2920\tLike its predecessor , it 's no classic , but it provides a reasonably attractive holiday contraption , one that families looking for a clean , kid-friendly outing should investigate .\n2921\tCampanella gets the tone just right -- funny in the middle of sad in the middle of hopeful .\n2922\tEither a fascinating study of the relationship between mothers and their children or a disturbing story about sociopaths and their marks .\n2923\t... gripping and handsome execution , -LRB- but -RRB- there is n't much about K-19 that 's unique or memorable .\n2924\tEffective in all its aspects , Margarita Happy Hour represents an auspicious feature debut for Chaiken .\n2925\tThe delicious trimmings ... arrive early and stay late , filling nearly every minute ... with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability to triumph over a Scrooge or two .\n2926\tStanding by Yourself is haunting ... -LRB- It 's -RRB- what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction .\n2927\tNot the best Herzog perhaps , but unmistakably Herzog .\n2928\tEnjoyably fast-moving , hard-hitting documentary .\n2929\tRehearsals are frequently more fascinating than the results .\n2930\tLast Dance , whatever its flaws , fulfills one facet of its mission in making me want to find out whether , in this case , that 's true .\n2931\tThe film 's constant mood of melancholy and its unhurried narrative are masterfully controlled .\n2932\tBut ... in trying to capture the novel 's deeper intimate resonances , the film has -- ironically - distanced us from the characters .\n2933\tThis is a stunning film , a one-of-a-kind tour de force .\n2934\t-LRB- Cho 's face is -RRB- an amazing slapstick instrument , creating a scrapbook of living mug shots .\n2935\tIt 's about as convincing as any other Arnie musclefest , but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic .\n2936\tWhile not quite a comedy , the film tackles its relatively serious subject with an open mind and considerable good cheer , and is never less than engaging .\n2937\tAn extremely funny , ultimately heartbreaking look at life in contemporary China .\n2938\tYour response to its new sequel , Analyze That , may hinge on what you thought of the first film .\n2939\tDavis is funny , charming and quirky in her feature film acting debut as Amy .\n2940\tBloody Sunday has the grace to call for prevention rather than to place blame , making it one of the best war movies ever made .\n2941\tIt 's a movie that accomplishes so much that one viewing ca n't possibly be enough .\n2942\tA lively and engaging examination of how similar obsessions can dominate a family .\n2943\tIn the new release of Cinema Paradiso , the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned .\n2944\tFaithful without being forceful , sad without being shrill , `` A Walk to Remember '' succeeds through sincerity .\n2945\tThe film is a masterpiece of nuance and characterization , marred only by an inexplicable , utterly distracting blunder at the very end .\n2946\tThe film is full of charm .\n2947\tThe movie is well crafted , and well executed .\n2948\tIf you 're paying attention , the `` big twists '' are pretty easy to guess - but that does n't make the movie any less entertaining .\n2949\tOne of those unassuming films that sneaks up on you and stays with you long after you have left the theatre .\n2950\t... Pray does n't have a passion for the material .\n2951\tHe nonetheless appreciates the art and reveals a music scene that transcends culture and race .\n2952\tThe one-liners are snappy , the situations volatile and the comic opportunities richly rewarded .\n2953\tIt 's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother\\/daughter pair .\n2954\tFathers and sons , and the uneasy bonds between them , rarely have received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film .\n2955\tThis sci-fi techno-sex thriller starts out bizarre and just keeps getting weirder .\n2956\tLast Orders nurtures the multi-layers of its characters , allowing us to remember that life 's ultimately a gamble and last orders are to be embraced .\n2957\tIt 's affecting , amusing , sad and reflective .\n2958\tA slight but sweet film .\n2959\tWriter\\/director Walter Hill is in his hypermasculine element here , once again able to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable .\n2960\tIt is a happy , heady jumble of thought and storytelling , an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film .\n2961\tThis new Time Machine is hardly perfect ... yet it proves surprisingly serviceable .\n2962\tEven at its worst , it 's not half-bad .\n2963\tAlmost everyone growing up believes their family must look like `` The Addams Family '' to everyone looking in ... `` My Big Fat Greek Wedding '' comes from the heart ...\n2964\tOnce folks started hanging out at the barbershop , they never wanted to leave .\n2965\tChances are you wo n't , either .\n2966\tGeorge Lucas returns as a visionary with a tale full of nuance and character dimension .\n2967\tCan be viewed as pure composition and form -- film as music\n2968\tAn extraordinary dramatic experience .\n2969\tEvery individual will see the movie through the prism of his or her own beliefs and prejudices , but the one thing most will take away is the sense that peace is possible .\n2970\tThat , in itself , is extraordinary .\n2971\tIf you can tolerate the redneck-versus-blueblood cliches that the film trades in , Sweet Home Alabama is diverting in the manner of Jeff Foxworthy 's stand-up act .\n2972\tIt 's a treat watching Shaw , a British stage icon , melting under the heat of Phocion 's attentions .\n2973\tAll in all , an interesting look at the life of the campaign-trail press , especially ones that do n't really care for the candidate they 're forced to follow .\n2974\tNarc is a no-bull throwback to 1970s action films .\n2975\tIt zips along with B-movie verve while adding the rich details and go-for-broke acting that heralds something special .\n2976\tMe Without You has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like Divine Secrets of the Ya-Ya Sisterhood .\n2977\tIt 's a strange film , one that was hard for me to warm up to .\n2978\tGoes a long way on hedonistic gusto .\n2979\tThe result puts a human face on Derrida , and makes one of the great minds of our times interesting and accessible to people who normally could n't care less .\n2980\tThe Scorpion King is more fun than Conan the Barbarian .\n2981\tIf there 's one big point to Promises , it 's that nothing can change while physical and psychological barriers keep the sides from speaking even one word to each other .\n2982\tUnexpected moments of authentically impulsive humor are the hallmark of this bittersweet , uncommonly sincere movie that portrays the frank humanity of ... emotional recovery .\n2983\tJacquot has filmed the opera exactly as the libretto directs , ideally capturing the opera 's drama and lyricism .\n2984\tThis is a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies .\n2985\tI liked it because it was so endlessly , grotesquely , inventive .\n2986\tAudiard successfully maintains suspense on different levels throughout a film that is both gripping and compelling .\n2987\tCredit director Ramsay for taking the sometimes improbable story and making it feel realistic .\n2988\tThis is DiCaprio 's best performance in anything ever , and easily the most watchable film of the year .\n2989\tWitherspoon puts to rest her valley-girl image , but it 's Dench who really steals the show .\n2990\tEven when there are lulls , the emotions seem authentic , and the picture is so lovely toward the end ... you almost do n't notice the 129-minute running time .\n2991\tWhile dutifully pulling on heartstrings , directors Dean Deblois and Chris Sanders valiantly keep punching up the mix .\n2992\tAmbitious , unsettling psychodrama that takes full , chilling advantage of its rough-around-the-edges , low-budget constraints .\n2993\tEric Byler 's nuanced pic avoids easy sentiments and explanations ...\n2994\tManages to be wholesome and subversive at the same time .\n2995\tWhen it 's not wallowing in hormonal melodrama , `` Real Women Have Curves '' is a sweet , honest , and enjoyable comedy-drama about a young woman who wants many things in life , but fears she 'll become her mother before she gets to fulfill her dreams .\n2996\tThe film runs on a little longer than it needs to -- Muccino either does n't notice when his story ends or just ca n't tear himself away from the characters -- but it 's smooth and professional .\n2997\tBlithely anachronistic and slyly achronological .\n2998\tThis starts off with a 1950 's Doris Day feel and it gets very ugly , very fast .\n2999\tThe first five minutes will have you talking 'til the end of the year !\n3000\tTriumph of Love is a very silly movie , but the silliness has a pedigree .\n3001\tDiscursive but oddly riveting documentary .\n3002\tThe movie has no respect for laws , political correctness or common decency , but it displays something more important : respect for its flawed , crazy people .\n3003\tOn its own , Big Trouble could be considered a funny little film .\n3004\tAn undeniably gorgeous , terminally smitten document of a troubadour , his acolytes , and the triumph of his band .\n3005\tThis cinema verite speculation on the assassination of John F. Kennedy may have been inspired by Blair Witch , but it takes its techniques into such fresh territory that the film never feels derivative .\n3006\tA beautifully observed character piece .\n3007\tA coming-of-age movie that Hollywood would n't have the guts to make .\n3008\tIt is quite a vision .\n3009\tThere are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies .\n3010\tA bittersweet drama about the limbo of grief and how truth-telling can open the door to liberation .\n3011\tA strong and confident work which works so well for the first 89 minutes , but ends so horrendously confusing in the final two\n3012\tSalma goes native and she 's never been better in this colorful bio-pic of a Mexican icon .\n3013\tFilled with Alexandre Desplat 's haunting and sublime music , the movie completely transfixes the audience .\n3014\tAs chilling and fascinating as Philippe Mora 's modern Hitler-study , Snide and Prejudice .\n3015\tAn hour and a half of joyful solo performance .\n3016\tStrange and beautiful film .\n3017\tNo worse a film than Breaking Out , and Breaking Out was utterly charming .\n3018\tParker can not sustain the buoyant energy level of the film 's city beginnings into its country conclusion '\n3019\t... Despite lagging near the finish line , the movie runs a good race , one that will have you at the edge of your seat for long stretches . '\n3020\t... a guiltless film for nice evening out .\n3021\tDeflated ending aside , there 's much to recommend the film .\n3022\tIt 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score ... Grant and Bullock make it look as though they are having so much fun .\n3023\tPerformances all around are tops , with the two leads delivering Oscar-caliber performances .\n3024\tEverything about The Quiet American is good , except its timing .\n3025\tA savage John Waters-like humor that dances on the edge of tastelessness without ever quite falling over .\n3026\tAt once a testament to the divine calling of education and a demonstration of the painstaking process of imparting knowledge .\n3027\tMay seriously impair your ability to ever again maintain a straight face while speaking to a highway patrolman .\n3028\tIt 's an interesting effort -LRB- particularly for JFK conspiracy nuts -RRB- , and Barry 's cold-fish act makes the experience worthwhile .\n3029\tThey 're just a couple of cops in Copmovieland , these two , but in Narc , they find new routes through a familiar neighborhood .\n3030\tBrings awareness to an issue often overlooked -- women 's depression .\n3031\tIt 's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5 .\n3032\tIt has a caffeinated , sloppy brilliance , sparkling with ideas you wish had been developed with more care , but animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers to shame .\n3033\tYou can almost see Mendes and company getting together before a single frame had been shot and collectively vowing , ` This is going to be something really good . '\n3034\tAnd it is .\n3035\tFoster and Whitaker are especially fine .\n3036\tShe is a lioness , protecting her cub , and he a reluctant villain , incapable of controlling his crew .\n3037\tUndoubtedly the scariest movie ever made about tattoos .\n3038\tA movie that will wear you out and make you misty even when you do n't want to be .\n3039\tNot only better than its predecessor , it may rate as the most magical and most fun family fare of this or any recent holiday season .\n3040\tThough the story ... is hackneyed , the characters have a freshness and modesty that transcends their predicament .\n3041\tAlthough Frailty fits into a classic genre , in its script and execution it is a remarkably original work .\n3042\tIf this movie leaves you cool , it also leaves you intriguingly contemplative .\n3043\tThe climactic events are so well realized that you may forget all about the original conflict , just like the movie does\n3044\tA rude black comedy about the catalytic effect a holy fool has upon those around him in the cutthroat world of children 's television .\n3045\tAll comedy is subversive , but this unrelenting bleak insistence on opting out of any opportunity for finding meaning in relationships or work just becomes sad .\n3046\tIf a horror movie 's primary goal is to frighten and disturb , then They works spectacularly well ... A shiver-inducing , nerve-rattling ride .\n3047\tA playful Iranian parable about openness , particularly the need for people of diverse political perspectives to get along despite their ideological differences .\n3048\tBrilliantly written and well-acted , Yellow Asphalt is an uncompromising film .\n3049\tThat ` Alabama ' manages to be pleasant in spite of its predictability and occasional slowness is due primarily to the perkiness of Witherspoon -LRB- who is always a joy to watch , even when her material is not first-rate -RRB- ...\n3050\tPersonal Velocity has a no-frills docu-Dogma plainness , yet Miller lingers on invisible , nearly psychic nuances , leaping into digressions of memory and desire .\n3051\tShe boxes these women 's souls right open for us .\n3052\tA fascinating literary mystery story with multiple strands about the controversy of who really wrote Shakespeare 's plays .\n3053\tThroughout , Mr. Audiard 's direction is fluid and quick .\n3054\tA dashing and absorbing outing with one of France 's most inventive directors .\n3055\tIt 's a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance .\n3056\t... flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags .\n3057\tThe Trials of Henry Kissinger is a remarkable piece of filmmaking ... because you get it .\n3058\tNachtwey clears the cynicism right out of you .\n3059\tHe makes you realize that deep inside righteousness can be found a tough beauty .\n3060\tWhat it lacks in substance it makes up for in heart .\n3061\tRobert Harmon 's less-is-more approach delivers real bump-in - the-night chills -- his greatest triumph is keeping the creepy crawlies hidden in the film 's thick shadows .\n3062\tWith its hint of an awkward Hitchcockian theme in tact , Harmon 's daunting narrative promotes a reasonable landscape of conflict and pathos to support the scattershot terrorizing tone\n3063\tIn Auteil 's less dramatic but equally incisive performance , he 's a charismatic charmer likely to seduce and conquer .\n3064\tThe heart of the film is a touching reflection on aging , suffering and the prospect of death .\n3065\tWill you go ape over this movie ?\n3066\tWell , it probably wo n't have you swinging from the trees hooting it 's praises , but it 's definitely worth taking a look .\n3067\tIts director 's most substantial feature for some time .\n3068\tFontaine 's direction , especially her agreeably startling use of close-ups and her grace with a moving camera , creates sheerly cinematic appeal .\n3069\tThe Son Of The Bride 's humour is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues .\n3070\tThis movie is to be cherished .\n3071\t... a visually seductive , unrepentantly trashy take on Rice 's second installment of her Vampire Chronicles .\n3072\tThe story 's scope and pageantry are mesmerizing , and Mr. Day-Lewis roars with leonine power .\n3073\tP.T. Anderson understands the grandness of romance and how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible .\n3074\tTwenty years later , E.T. is still a cinematic touchstone .\n3075\tThis fascinating experiment plays as more of a poetic than a strict reality , creating an intriguing species of artifice that gives The Lady and the Duke something of a theatrical air .\n3076\tIt 's virtually impossible to like any of these despicable characters .\n3077\tThis is mostly well-constructed fluff , which is all it seems intended to be .\n3078\tEven through its flaws , Revolution # 9 proves to be a compelling , interestingly told film .\n3079\tThe best way to describe it is as a cross between Paul Thomas Anderson 's Magnolia and David Lynch 's Mulholland Dr.\n3080\tSchepisi , aided by a cast that seems to include every top-notch British actor who did not appear in Gosford Park -LRB- as well as one , Ms. Mirren , who did -RRB- , has succeeded beyond all expectation .\n3081\tWatching this film , one is left with the inescapable conclusion that Hitchens ' obsession with Kissinger is , at bottom , a sophisticated flower child 's desire to purge the world of the tooth and claw of human power .\n3082\tThere is no denying the power of Polanski 's film ...\n3083\tThe movie is amateurish , but it 's a minor treat .\n3084\tThis charming but slight tale has warmth , wit and interesting characters compassionately portrayed .\n3085\tOffers a persuasive look at a defeated but defiant nation in flux .\n3086\tA return to pure Disney magic and is enjoyable family fare .\n3087\tTakes a fresh and absorbing look at a figure whose legacy had begun to bronze .\n3088\tA triumph of pure craft and passionate heart .\n3089\tGosling creates a staggeringly compelling character , a young man whose sharp intellect is at the very root of his contradictory , self-hating , self-destructive ways .\n3090\tWitty and often surprising , a dark little morality tale disguised as a romantic comedy .\n3091\tEven as it pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators , Scratch is great fun , full of the kind of energy it 's documenting .\n3092\tGot a David Lynch jones ?\n3093\tThen you 'd do well to check this one out because it 's straight up Twin Peaks action ...\n3094\tAstonishing ... -LRB- frames -RRB- profound ethical and philosophical questions in the form of dazzling pop entertainment .\n3095\tTake Care is nicely performed by a quintet of actresses , but nonetheless it drags during its 112-minute length .\n3096\tIt 's hard to fairly judge a film like RINGU when you 've seen the remake first .\n3097\tMany of the effective horror elements are dampened through familiarity , -LRB- yet -RRB- are worthwhile .\n3098\tOne of the very best movies ever made about the life of moviemaking .\n3099\tRarely does such high-profile talent serve such literate material .\n3100\tAn elegant and sly deadpan comedy .\n3101\tThe way the roundelay of partners functions , and the interplay within partnerships and among partnerships and the general air of Gator-bashing are consistently delightful .\n3102\tLand , people and narrative flow together in a stark portrait of motherhood deferred and desire explored .\n3103\t` Blue Crush ' swims away with the Sleeper Movie of the Summer award .\n3104\tYou 're not merely watching history , you 're engulfed by it .\n3105\tA chick flick for guys .\n3106\tIt 's mildly entertaining , especially if you find comfort in familiarity .\n3107\tBut it 's hardly a necessary enterprise .\n3108\tThe Quiet American is n't a bad film , it 's just one that could easily wait for your pay per view dollar .\n3109\tAs home movie gone haywire , it 's pretty enjoyable , but as sexual manifesto , I 'd rather listen to old Tori Amos records .\n3110\tIn its treatment of the dehumanizing and ego-destroying process of unemployment , Time Out offers an exploration that is more accurate than anything I have seen in an American film .\n3111\tLike an episode of MTV 's Undressed , with 20 times the creativity but without any more substance ... indulgently entertaining but could have and should have been deeper .\n3112\tA sensitive , cultivated treatment of Greene 's work as well as a remarkably faithful one .\n3113\tIt 's not just a feel-good movie , it 's a feel movie .\n3114\tYou feel good , you feel sad , you feel pissed off , but in the end , you feel alive - which is what they did .\n3115\tIt 's a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety .\n3116\tWhat makes Barbershop so likable , with all its flaws , is that it has none of the pushiness and decibel volume of most contemporary comedies .\n3117\tWatching these two actors play against each other so intensely , but with restraint , is a treat .\n3118\tAn example of quiet , confident craftsmanship that tells a sweet , charming tale of intergalactic friendship .\n3119\tA meditation on faith and madness , Frailty is blood-curdling stuff .\n3120\tThe production design , score and choreography are simply intoxicating .\n3121\tA comedy that is warm , inviting , and surprising .\n3122\tSo vivid a portrait of a woman consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted Rembrandt .\n3123\tSuspend your disbelief here and now , or you 'll be shaking your head all the way to the credits .\n3124\tTrades run-of-the-mill revulsion for extreme unease .\n3125\t... one of the more influential works of the ` Korean New Wave ' .\n3126\tImplicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most American of businesses , and for that reason it may be the most oddly honest Hollywood document of all .\n3127\tA beautifully tooled action thriller about love and terrorism in Korea .\n3128\tDirector-writer Bille August ... depicts this relationship with economical grace , letting his superb actors convey Martin 's deterioration and Barbara 's sadness -- and , occasionally , anger .\n3129\tVictor Rosa is Leguizamo 's best movie work so far , a subtle and richly internalized performance .\n3130\tBirthday Girl does n't try to surprise us with plot twists , but rather seems to enjoy its own transparency .\n3131\tsmart , funny and just honest enough to provide the pleasures of a slightly naughty , just-above-average off - Broadway play .\n3132\tTopics that could make a sailor blush - but lots of laughs .\n3133\tMichael Moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making , and he 's got as potent a topic as ever here .\n3134\tA fine production with splendid singing by Angela Gheorghiu , Ruggero Raimondi , and Roberto Alagna .\n3135\tAbout a Boy vividly recalls the Cary Grant of Room for One More , Houseboat and Father Goose in its affectionate depiction of the gentle war between a reluctant , irresponsible man and the kid who latches onto him .\n3136\tNone of this is meaningful or memorable , but frosting is n't , either , and you would n't turn down a big bowl of that , would you ?\n3137\tThe film is a fierce dance of destruction .\n3138\tIts flame-like , roiling black-and-white inspires trembling and gratitude .\n3139\tMay lack the pungent bite of its title , but it 's an enjoyable trifle nonetheless .\n3140\t... manages to fall closer in quality to Silence than to the abysmal Hannibal .\n3141\tYou may think you have figured out the con and the players in this debut film by Argentine director Fabian Bielinsky , but while you were thinking someone made off with your wallet .\n3142\tDiane Lane works nothing short of a minor miracle in Unfaithful .\n3143\tTakashi Miike keeps pushing the envelope : Ichi the Killer\n3144\tA fantastic premise anchors this movie , but what it needs is either a more rigid , Blair Witch-style commitment to its mockumentary format , or a more straightforward , dramatic treatment , with all the grandiosity that that implies .\n3145\tExhilarating but blatantly biased .\n3146\tMuch of what we see is horrible but it 's also undeniably exceedingly clever .\n3147\tIt understands , in a way that speaks forcefully enough about the mechanisms of poverty to transcend the rather simplistic filmmaking .\n3148\tRamsay succeeds primarily with her typical blend of unsettling atmospherics , delivering a series of abrasive , stylized sequences that burn themselves upon the viewer 's memory .\n3149\t... a thoughtful what-if for the heart as well as the mind .\n3150\tLike its bizarre heroine , it irrigates our souls .\n3151\tHawn and Sarandon form an acting bond that makes The Banger Sisters a fascinating character study with laughs to spare .\n3152\tIt 's a fun adventure movie for kids -LRB- of all ages -RRB- that like adventure .\n3153\tA very capable nailbiter .\n3154\tBecause the genre is well established , what makes the movie fresh is smart writing , skewed characters , and the title performance by Kieran Culkin .\n3155\t`` White Oleander , '' the movie , is akin to a Reader 's Digest condensed version of the source material .\n3156\tIt 's like going to a house party and watching the host defend himself against a frothing ex-girlfriend .\n3157\tYou do n't want to call the cops .\n3158\tYou want to call Domino 's .\n3159\tWhat 's most refreshing about Real Women Have Curves is its unforced comedy-drama and its relaxed , natural-seeming actors .\n3160\tThe low-key direction is pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love .\n3161\tSecretary is just too original to be ignored .\n3162\tThat rare film whose real-life basis is , in fact , so interesting that no embellishment is needed .\n3163\tSmart and fun , but far more witty than it is wise .\n3164\tThis is n't a stand up and cheer flick ; it 's a sit down and ponder affair .\n3165\tAnd thanks to Kline 's superbly nuanced performance , that pondering is highly pleasurable .\n3166\tOriginality ai n't on the menu , but there 's never a dull moment in the giant spider invasion comic chiller .\n3167\tWalter Hill 's Undisputed is like a 1940s Warner Bros. .\n3168\tB picture , and I mean that as a compliment .\n3169\tThis one is not nearly as dreadful as expected .\n3170\tIn fact , it 's quite fun in places .\n3171\tWith elements cribbed from Lang 's Metropolis , Welles ' Kane , and Eisenstein 's Potemkin , the true wonder of Rintarô 's Metropolis is the number of lasting images all its own .\n3172\tA biopic about Crane 's life in the classic tradition but evolves into what has become of us all in the era of video .\n3173\tThe best of the Pierce Brosnan James Bond films to date .\n3174\tThanks to a small star with big heart , this family film sequel is plenty of fun for all .\n3175\tWhile the now 72-year-old Robert Evans been slowed down by a stroke , he has at least one more story to tell : his own .\n3176\tIt 's about individual moments of mood , and an aimlessness that 's actually sort of amazing .\n3177\tThe people in Jessica are so recognizable and true that , as in real life , we 're never sure how things will work out .\n3178\tA tone poem of transgression .\n3179\tCreeps you out in high style , even if Nakata did it better .\n3180\tRubbo runs through a remarkable amount of material in the film 's short 90 minutes .\n3181\tVisually engrossing , seldom hammy , honorably Mexican and burns its Kahlories with conviction .\n3182\tThis is Christmas Future for a lot of baby boomers .\n3183\tDespite a quieter middle section , involving Aragorn 's dreams of Arwen , this is even better than The Fellowship .\n3184\tThere are scenes of cinematic perfection that steal your heart away .\n3185\tSpider-Man is in the same category as X-Men - occasionally brilliant but mostly average , showing signs of potential for the sequels , but not giving us much this time around .\n3186\tThe obnoxious title character provides the drama that gives added clout to this doc .\n3187\tAnyone who welcomes a dash of the avant-garde fused with their humor should take pleasure in this crazed , joyous romp of a film .\n3188\tThe fun of the movie is the chance it affords to watch Jackson , who also served as executive producer , take his smooth , shrewd , powerful act abroad .\n3189\tSaddled with an unwieldy cast of characters and angles , but the payoff is powerful and revelatory .\n3190\tIt 's something of the ultimate Scorsese film , with all the stomach-turning violence , colorful New York gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas .\n3191\tMr. Caine and Mr. Fraser are the whole show here , with their memorable and resourceful performances .\n3192\tA frustrating yet deeply watchable melodrama that makes you think it 's a tougher picture than it is .\n3193\tA giddy and provocative sexual romp that has something to say .\n3194\t-LRB- Russell -RRB- makes good B movies -LRB- The Mask , The Blob -RRB- , and The Scorpion King more than ably meets those standards .\n3195\tOtto-Sallies has a real filmmaker 's eye .\n3196\tThis is a smart movie that knows its classical music , knows its Freud and knows its Sade .\n3197\tThe film has an infectious enthusiasm and we 're touched by the film 's conviction that all life centered on that place , that time and that sport .\n3198\tBeautifully reclaiming the story of Carmen and recreating it an in an African idiom .\n3199\tThe camera soars above the globe in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm .\n3200\tA flawed but engrossing thriller .\n3201\tDemonstrates the unusual power of thoughtful , subjective filmmaking .\n3202\tExpect no major discoveries , nor any stylish sizzle , but the film sits with square conviction and touching good sense on the experience of its women .\n3203\tThe success of Undercover Brother is found in its ability to spoof both black and white stereotypes equally .\n3204\tThis is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , but Ayres makes the right choices at every turn .\n3205\tCox creates a fluid and mesmerizing sequence of images to match the words of Nijinsky 's diaries .\n3206\tWhat Bloody Sunday lacks in clarity , it makes up for with a great , fiery passion .\n3207\tIts adult themes of familial separation and societal betrayal are head and shoulders above much of the director 's previous popcorn work .\n3208\tDirector Nancy Savoca 's no-frills record of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could .\n3209\tThe film grows on you .\n3210\tAnd how .\n3211\tOne thing you have to give them credit for : The message of the movie is consistent with the messages espoused in the company 's previous video work .\n3212\tHalloween : Resurrection is n't exactly quality cinema , but it is n't nearly as terrible as it cold have been .\n3213\tAs banal as the telling may be -- and at times , All My Loved Ones more than flirts with kitsch -- the tale commands attention .\n3214\tRomantic comedy and Dogme 95 filmmaking may seem odd bedfellows , but they turn out to be delightfully compatible here .\n3215\tThe most wondrous love story in years , it is a great film .\n3216\tSome movies suck you in despite their flaws , and Heaven is one such beast .\n3217\tMy Wife Is an Actress works as well as it does because -LRB- the leads -RRB- are such a companionable couple .\n3218\tWith Spy Kids 2 : The Island of Lost Dreams , however , Robert Rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .\n3219\tBased on Dave Barry 's popular book of the same name , the movie benefits from having a real writer plot out all of the characters ' moves and overlapping story .\n3220\tBouquet gives a performance that is masterly .\n3221\tA poignant comedy that offers food for thought .\n3222\t... a series of tales told with the intricate preciseness of the best short story writing .\n3223\tIf you 're content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director 's life , Eisenstein delivers .\n3224\tThis filmed Tosca -- not the first , by the way -- is a pretty good job , if it 's filmed Tosca that you want .\n3225\tI 'll stay with the stage versions , however , which bite cleaner , and deeper .\n3226\tWhile the path may be familiar , first-time director Denzel Washington and a top-notch cast manage to keep things interesting .\n3227\tAn engaging criminal romp that will have viewers guessing just who 's being conned right up to the finale .\n3228\tThe picture runs a mere 84 minutes , but it 's no glance .\n3229\tIt 's a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing .\n3230\tIt asks nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up .\n3231\tIt is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients .\n3232\t`` Barbershop '' is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story .\n3233\tTully is in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience .\n3234\tI like this movie a lot .\n3235\tI like that Smith , he 's not making fun of these people , he 's not laughing at them .\n3236\t... the implication is Kissinger may have decided that -- when it comes to truncheoning -- it 's better to give than to receive .\n3237\t` What 's the Russian word for Wow !? '\n3238\tKiarostami has crafted a deceptively casual ode to children and managed to convey a tiny sense of hope .\n3239\tI had more fun watching Spy than I had with most of the big summer movies .\n3240\tWhat Lee does so marvelously compelling is present Brown as a catalyst for the struggle of black manhood in restrictive and chaotic America ... sketchy but nevertheless gripping portrait of Jim Brown , a celebrated wonder in the spotlight\n3241\tMurder by Numbers ' is n't a great movie , but it 's a perfectly acceptable widget .\n3242\tFor those of an indulgent , slightly sunbaked and summery mind , Sex and Lucia may well prove diverting enough .\n3243\tWhat -LRB- Denis -RRB- accomplishes in his chilling , unnerving film is a double portrait of two young women whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned .\n3244\tA well-done film of a self-reflexive , philosophical nature .\n3245\tTexan director George Ratliff had unlimited access to families and church meetings , and he delivers fascinating psychological fare .\n3246\tThe rich performances by Friel -- and especially Williams , an American actress who becomes fully English -- round out the square edges .\n3247\tThe new Insomnia is a surprisingly faithful remake of its chilly predecessor , and when it does elect to head off in its own direction , it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities .\n3248\tA film in a class with Spike Lee 's masterful Do The Right Thing .\n3249\tJagger , Stoppard and director Michael Apted ... deliver a riveting and surprisingly romantic ride .\n3250\tGreengrass -LRB- working from Don Mullan 's script -RRB- forgoes the larger socio-political picture of the situation in Northern Ireland in favour of an approach that throws one in the pulsating thick of a truly frightening situation .\n3251\tA thought-provoking and often-funny drama about isolation .\n3252\tWhatever one makes of its political edge , this is beautiful filmmaking from one of French cinema 's master craftsmen .\n3253\tMama Africa pretty much delivers on that promise .\n3254\tIt does give you a peek .\n3255\tThe main problem being that it 's only a peek .\n3256\tRoman Polanski 's autobiographical gesture at redemption is better than ` Shindler 's List ' - it is more than merely a Holocaust movie .\n3257\tA perfectly respectable , perfectly inoffensive , easily forgettable film .\n3258\tRomanek 's themes are every bit as distinctive as his visuals .\n3259\tBeyond the cleverness , the weirdness and the pristine camerawork , One Hour Photo is a sobering meditation on why we take pictures .\n3260\tSeeing Seinfeld at home as he watches his own appearance on Letterman with a clinical eye reminds you that the key to stand-up is to always make it look easy , even though the reality is anything but .\n3261\tSpeaks eloquently about the symbiotic relationship between art and life .\n3262\tThe work of an artist tormented by his heritage , using his storytelling ability to honor the many faceless victims .\n3263\tThe audacity to view one of Shakespeare 's better known tragedies as a dark comedy is , by itself , deserving of discussion .\n3264\tThis is an exercise in chilling style , and Twohy films the sub , inside and out , with an eye on preserving a sense of mystery .\n3265\tAn uncomfortable experience , but one as brave and challenging as you could possibly expect these days from American cinema .\n3266\tHailed as a clever exercise in neo-Hitchcockianism , this clever and very satisfying picture is more accurately Chabrolian .\n3267\tFunny and also heartwarming without stooping to gooeyness .\n3268\tAt the film 's centre is a precisely layered performance by an actor in his mid-seventies , Michel Piccoli .\n3269\tThe viewer takes great pleasure in watching the resourceful Molly stay a step ahead of her pursuers .\n3270\tWith amazing finesse , the film shadows Heidi 's trip back to Vietnam and the city where her mother , Mai Thi Kim , still lives .\n3271\tDirector Charles Stone III applies more detail to the film 's music than to the story line ; what 's best about Drumline is its energy .\n3272\tA heroic tale of persistence that is sure to win viewers ' hearts .\n3273\tIt 's all a rather shapeless good time ...\n3274\thas far more energy , wit and warmth than should be expected from any movie with a `` 2 '' at the end of its title .\n3275\tA little better than Sorcerer 's Stone .\n3276\tA chilling movie without oppressive gore .\n3277\tA uniquely sensual metaphorical dramatization of sexual obsession that spends a bit too much time on its fairly ludicrous plot .\n3278\tIf you like peace , you 'll like Promises .\n3279\tBe prepared to cling to the edge of your seat , tense with suspense .\n3280\tThe Ring never lets you off the hook .\n3281\tThumbs up to Paxton for not falling into the Hollywood trap and making a vanity project with nothing new to offer .\n3282\tAt once disarmingly straightforward and strikingly devious .\n3283\tIf you like quirky , odd movies and\\/or the ironic , here 's a fun one .\n3284\tSensitive ensemble performances and good period reconstruction add up to a moving tragedy with some buoyant human moments .\n3285\tIt 's not the least of Afghan tragedies that this noble warlord would be consigned to the dustbin of history .\n3286\tIt 's a lovely , sad dance highlighted by Kwan 's unique directing style .\n3287\tThe script by David Koepp is perfectly serviceable and because he gives the story some soul ... he elevates the experience to a more mythic level .\n3288\tThis is a visually stunning rumination on love , memory , history and the war between art and commerce .\n3289\tShort-story quaint , touchingly mending a child 's pain for his dead mother via communication with an old woman straight out of Eudora Welty .\n3290\tIt 's always fascinating to watch Marker the essayist at work .\n3291\tA quiet family drama with a little bit of romance and a dose of darkness .\n3292\tThe tasteful little revision works wonders , enhancing the cultural and economic subtext , bringing richer meaning to the story 's morals .\n3293\tKosminsky ... puts enough salt into the wounds of the tortured and self-conscious material to make it sting .\n3294\tOne of the greatest films I 've ever seen .\n3295\tIts gentle , touching story creeps into your heart .\n3296\tAbout as big a crowdpleaser as they possibly come .\n3297\tBound to appeal to women looking for a howlingly trashy time .\n3298\tEven these tales of just seven children seem at times too many , although in reality they are not enough .\n3299\tEvery child 's story is what matters .\n3300\tThis film can only point the way -- but thank goodness for this signpost .\n3301\tA poignant and gently humorous parable that loves its characters and communicates something rather beautiful about human nature .\n3302\tReal Women Have Curves does n't offer any easy answers .\n3303\tVampire epic succeeds as spooky action-packed trash of the highest order .\n3304\tOne of the funniest motion pictures of the year , but ... also one of the most curiously depressing .\n3305\tWhile somewhat less than it might have been , the film is a good one , and you 've got to hand it to director George Clooney for biting off such a big job the first time out .\n3306\tLike the chilled breath of oral storytelling frozen onto film .\n3307\tA charmer from Belgium .\n3308\tA wild , endearing , masterful documentary .\n3309\tJackie Chan movies are a guilty pleasure - he 's easy to like and always leaves us laughing .\n3310\tBrown Sugar signals director Rick Famuyiwa 's emergence as an articulate , grown-up voice in African-American cinema .\n3311\tWith exquisite craftsmanship ... Olivier Assayas has fashioned an absorbing look at provincial bourgeois French society .\n3312\tIt 's rare for any movie to be as subtle and touching as The Son 's Room .\n3313\tIt has a way of seeping into your consciousness , with lingering questions about what the film is really getting at .\n3314\tMaelstrom is a deliberately unsteady mixture of stylistic elements .\n3315\t-LRB- Leigh -RRB- has a true talent for drawing wrenching performances from his actors -LRB- improvised over many months -RRB- and for conveying the way tiny acts of kindness make ordinary life survivable .\n3316\t-LRB- D -RRB- espite its familiar subject matter , Ice Age is consistently amusing and engrossing ...\n3317\tThe ingenious construction -LRB- adapted by David Hare from Michael Cunningham 's novel -RRB- constantly flows forwards and back , weaving themes among three strands which allow us to view events as if through a prism\n3318\tAssured , glossy and shot through with brittle desperation .\n3319\tThe bottom line is the piece works brilliantly .\n3320\tIt was only a matter of time before some savvy producer saw the potential success inherent in the mixture of Bullock Bubble and Hugh Goo .\n3321\tIt is Scott 's convincing portrayal of Roger the sad cad that really gives the film its oomph .\n3322\tWhile this movie , by necessity , lacks Fellowship 's heart , Two Towers outdoes its spectacle .\n3323\tMeyjes ... has done his homework and soaked up some jazzy new revisionist theories about the origins of Nazi politics and aesthetics .\n3324\tAside from Rohmer 's bold choices regarding point of view , The Lady and the Duke represents the filmmaker 's lifelong concern with formalist experimentation in cinematic art .\n3325\tWhat ` Dumb and Dumber ' would have been without the vulgarity and with an intelligent , life-affirming script .\n3326\t... a vivid , thoughtful , unapologetically raw coming-of-age tale full of sex , drugs and rock 'n' roll .\n3327\tYou would n't want to live waydowntown , but it is a hilarious place to visit .\n3328\tFilms are made of little moments .\n3329\tChanging Lanes tries for more .\n3330\tIt does n't reach them , but the effort is gratefully received .\n3331\tWhen the movie mixes the cornpone and the Cosa Nostra , it finds a nice rhythm .\n3332\tThe story is a rather simplistic one : grief drives her , love drives him , and a second chance to find love in the most unlikely place - it struck a chord in me .\n3333\tTerrific casting and solid execution give all three stories life .\n3334\tA hard look at one man 's occupational angst and its subsequent reinvention , a terrifying study of bourgeois desperation worthy of Claude Chabrol .\n3335\t-LRB- Ramsay -RRB- visually transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art , music and metaphor .\n3336\tFrequent flurries of creative belly laughs and genuinely enthusiastic performances ... keep the movie slaloming through its hackneyed elements with enjoyable ease .\n3337\tAt its best , this is grand-scale moviemaking for a larger-than-life figure , an artist who has been awarded mythic status in contemporary culture .\n3338\tThe plot of the comeback curlers is n't very interesting actually , but what I like about Men With Brooms and what is kind of special is how the film knows what 's unique and quirky about Canadians .\n3339\t10 minutes into the film you 'll be white-knuckled and unable to look away .\n3340\tIt 's a beautiful film , full of elaborate and twisted characters - and it 's also pretty funny .\n3341\tCould this be the first major studio production shot on video tape instead of film ?\n3342\tNot since Ghostbusters has a film used Manhattan 's architecture in such a gloriously goofy way .\n3343\tAs tricky and satisfying as any of David Mamet 's airless cinematic shell games .\n3344\tThe universal theme of becoming a better person through love has never been filmed more irresistibly than in ` Baran . '\n3345\tCube 's charisma and chemistry compensate for corniness and cliche .\n3346\tWith lesser talents , High Crimes would be entertaining , but forgettable .\n3347\tWith Freeman and Judd , I 'll at least remember their characters .\n3348\tAs a director , Paxton is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip .\n3349\tThe film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill .\n3350\tDaughter From Danang sticks with its subjects a little longer and tells a deeper story\n3351\tA coming-of-age film that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type -- the uncertain girl on the brink of womanhood .\n3352\tThe faithful will enjoy this sometimes wry adaptation of V.S. Naipaul 's novel , but newcomers may find themselves stifling a yawn or two during the first hour .\n3353\tA distinguished and thoughtful film , marked by acute writing and a host of splendid performances .\n3354\tBarry convinces us he 's a dangerous , secretly unhinged guy who could easily have killed a president because it made him feel powerful .\n3355\tTakes you by the face , strokes your cheeks and coos beseechingly at you : slow down , shake off your tensions and take this picture at its own breezy , distracted rhythms .\n3356\tI do n't feel the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served , even if it 's a dish that 's best served cold .\n3357\tIt 's a smart , solid , kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn .\n3358\tNothing overly original , mind you , but solidly entertaining .\n3359\tChanging Lanes is an anomaly for a Hollywood movie ; it 's a well-written and occasionally challenging social drama that actually has something interesting to say .\n3360\tborrows a bit from the classics `` Wait Until Dark '' and `` Extremities '' ... But in terms of its style , the movie is in a class by itself .\n3361\tBecause Eight Legged Freaks is partly an homage to Them , Tarantula and other low - budget B-movie thrillers of the 1950s and '60s , the movie is a silly -LRB- but not sophomoric -RRB- romp through horror and hellish conditions .\n3362\tPuts a refreshing and comical spin on the all-too-familiar saga of the contemporary single woman .\n3363\tIf you grew up on Scooby -- you 'll love this movie .\n3364\tMatthew Lillard is born to play Shaggy !\n3365\tThough filmed partly in Canada , Paid in Full has clever ways of capturing inner-city life during the Reagan years .\n3366\t`` Spider-man is better than any summer blockbuster we had to endure last summer , and hopefully , sets the tone for a summer of good stuff .\n3367\tIf you 're a comic fan , you ca n't miss it .\n3368\tIf you 're not , you 'll still have a good time . ''\n3369\tThis movie has a strong message about never giving up on a loved one , but it 's not an easy movie to watch and will probably disturb many who see it .\n3370\tThe movie is a trove of delights .\n3371\tExcellent performances from Jacqueline Bisset and Martha Plimpton grace this deeply touching melodrama .\n3372\tIn a summer of clones , Harvard Man is something rare and riveting : a wild ride that relies on more than special effects .\n3373\tWhile the humor is recognizably Plympton , he has actually bothered to construct a real story this time .\n3374\tJolting into Charleston rhythms , the story has the sizzle of old news that has finally found the right vent -LRB- accurate ?\n3375\tWho cares ? -RRB- .\n3376\tAn overly melodramatic but somewhat insightful French coming-of-age film ...\n3377\tMost thrillers send audiences out talking about specific scary scenes or startling moments ; `` Frailty '' leaves us with the terrifying message that the real horror may be waiting for us at home .\n3378\tClose enough in spirit to its freewheeling trash-cinema roots to be a breath of fresh air .\n3379\tSkillfully weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise .\n3380\tDamon brings the proper conviction to his role as -LRB- Jason Bourne -RRB- .\n3381\tFor the most part , it works beautifully as a movie without sacrificing the integrity of the opera .\n3382\tAs played by Ryan Gosling , Danny is a frighteningly fascinating contradiction .\n3383\tThis is not Chabrol 's best , but even his lesser works outshine the best some directors can offer .\n3384\tDespite its flaws , Crazy as Hell marks an encouraging new direction for La Salle .\n3385\tYou 'll end up moved .\n3386\tIf you ever wondered what it would be like to be smack in the middle of a war zone armed with nothing but a camera , this Oscar-nominated documentary takes you there .\n3387\tThe Woodman seems to have directly influenced this girl-meets-girl love story , but even more reassuring is how its makers actually seem to understand what made Allen 's romantic comedies so pertinent and enduring .\n3388\tI loved the look of this film .\n3389\tThose with a modicum of patience will find in these characters ' foibles a timeless and unique perspective .\n3390\tBeautiful to watch and holds a certain charm .\n3391\t13 Conversations may be a bit too enigmatic and overly ambitious to be fully successful , but Sprecher and her screenwriting partner and sister , Karen Sprecher , do n't seem ever to run out of ideas .\n3392\tThe movie is our story as much as it is Schmidt 's , no matter if it 's viewed as a self-reflection or cautionary tale .\n3393\tFoster breathes life into a roll that could have otherwise been bland and run of the mill .\n3394\tQuitting offers piercing domestic drama with spikes of sly humor .\n3395\tSome people want the ol' ball-and-chain and then there are those who just want the Ball and Chain .\n3396\t-LRB- Barry -RRB- gives Assassin a disquieting authority .\n3397\tIt 's refreshing to see a romance this smart .\n3398\tAt its best -LRB- and it does have some very funny sequences -RRB- Looking for Leonard reminds you just how comically subversive silence can be .\n3399\tAs improbable as this premise may seem , Abbass 's understated , shining performance offers us the sense that on some elemental level , Lilia deeply wants to break free of her old life .\n3400\tAnyone who ever fantasized about space travel but ca n't afford the $ 20 million ticket to ride a Russian rocket should catch this IMAX offering .\n3401\t`` The turntable is now outselling the electric guitar ... ''\n3402\tTransforms one of -LRB- Shakespeare 's -RRB- deepest tragedies into a smart new comedy .\n3403\tAn intelligent and deeply felt work about impossible , irrevocable choices and the price of making them .\n3404\tIt may sound like a mere disease-of - the-week TV movie , but A Song For Martin is made infinitely more wrenching by the performances of real-life spouses Seldahl and Wollter .\n3405\tSayles is making a statement about the inability of dreams and aspirations to carry forward into the next generation .\n3406\tAs Antonia is assimilated into this newfangled community , the film settles in and becomes compulsively watchable in a guilty-pleasure , daytime-drama sort of fashion .\n3407\tevery once in a while , a movie will come along that turns me into that annoying specimen of humanity that I usually dread encountering the most - The Fanboy\n3408\tOn its own staggeringly unoriginal terms , this gender-bending comedy is generally quite funny .\n3409\tIt 's never dull and always looks good .\n3410\tThe tonal shifts are jolting , and though Wen 's messages are profound and thoughtfully delivered , more thorough transitions would have made the film more cohesive .\n3411\tAs commander-in-chief of this film , Bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world .\n3412\tWith wit and empathy to spare , waydowntown acknowledges the silent screams of workaday inertia but stops short of indulging its characters ' striving solipsism .\n3413\tAll of it works smoothly under the direction of Spielberg , who does a convincing impersonation here of a director enjoying himself immensely .\n3414\tThe kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati .\n3415\tWith ` Bowling for Columbine , ' Michael Moore gives us the perfect starting point for a national conversation about guns , violence , and fear .\n3416\tOne of the year 's most weirdly engaging and unpredictable character pieces .\n3417\tOne of the best inside-show-biz yarns ever .\n3418\tNone of his actors stand out , but that 's less of a problem here than it would be in another film : Characterization matters less than atmosphere .\n3419\tA terrifically entertaining specimen of Spielbergian sci-fi .\n3420\tA rare and lightly entertaining look behind the curtain that separates comics from the people laughing in the crowd .\n3421\tSolondz is so intent on hammering home his message that he forgets to make it entertaining .\n3422\tWhatever heartwarming scene the impressively discreet filmmakers may have expected to record with their mini DV , they show a remarkable ability to document both sides of this emotional car-wreck .\n3423\tIt establishes its ominous mood and tension swiftly , and if the suspense never rises to a higher level , it is nevertheless maintained throughout .\n3424\tAlthough What Time offers Tsai 's usual style and themes , it has a more colorful , more playful tone than his other films .\n3425\tA moving and stark reminder that the casualties of war reach much further than we imagine .\n3426\tA thoroughly engaging , surprisingly touching British comedy .\n3427\tA sloppy , amusing comedy that proceeds from a stunningly unoriginal premise .\n3428\t... a rich and intelligent film that uses its pulpy core conceit to probe questions of attraction and interdependence and how the heart accomodates practical needs .\n3429\tIt is an unstinting look at a collaboration between damaged people that may or may not qual\n3430\tcaptures that perverse element of the Kafkaesque where identity , overnight , is robbed and replaced with a persecuted `` other . ''\n3431\tThe actors are simply too good , and the story too intriguing , for technical flaws to get in the way .\n3432\tAn estrogen opera so intensely feminine that it serves as the antidote -LRB- and cannier doppelganger -RRB- to Diesel 's XXX flex-a-thon .\n3433\tImamura has said that Warm Water Under a Red Bridge is a poem to the enduring strengths of women .\n3434\tIt may also be the best sex comedy about environmental pollution ever made .\n3435\tIt 's a ripper of a yarn and I for one enjoyed the thrill of the chill .\n3436\tNaomi Watts is terrific as Rachel ; her petite frame and vulnerable persona emphasising her plight and isolation .\n3437\tA family film that contains some hefty thematic material on time , death , eternity , and what is needed to live a rich and full life .\n3438\tWith Dickens ' words and writer-director Douglas McGrath 's even-toned direction , a ripping good yarn is told .\n3439\tExactly what its title implies : lusty , boisterous and utterly charming .\n3440\tThe film is darkly funny in its observation of just how much more grueling and time-consuming the illusion of work is than actual work .\n3441\tA smart , compelling drama .\n3442\tA must-see for fans of thoughtful war films and those interested in the sights and sounds of battle .\n3443\tI found myself liking the film , though in this case one man 's treasure could prove to be another man 's garbage .\n3444\t... Rogers 's mouth never stops shut about the war between the sexes and how to win the battle .\n3445\tDeliberately and skillfully uses ambiguity to suggest possibilities which imbue the theme with added depth and resonance .\n3446\tIt 's all entertaining enough , but do n't look for any hefty anti-establishment message in what is essentially a whip-crack of a buddy movie that ends with a whimper .\n3447\tNicholson 's understated performance is wonderful .\n3448\tAs Warren he stumbles in search of all the emotions and life experiences he 's neglected over the years .\n3449\tDespite its old-hat set-up and predictable plot , Empire still has enough moments to keep it entertaining .\n3450\tAnother entertaining romp from Robert Rodriguez .\n3451\tIt 's not a classic spy-action or buddy movie , but it 's entertaining enough and worth a look .\n3452\tI am more offended by his lack of faith in his audience than by anything on display here .\n3453\tA sharp satire of desperation and cinematic deception .\n3454\tTsai convincingly paints a specifically urban sense of disassociation here .\n3455\tIf you can swallow its absurdities and crudities Lagaan really is enormously good fun .\n3456\tAn unorthodox little film noir organized crime story that includes one of the strangest love stories you will ever see .\n3457\tA pleasing , often-funny comedy .\n3458\t-LRB- A -RRB- rare movie that makes us re-assess the basis for our lives and evaluate what is truly ours in a world of meaningless activity .\n3459\tAll three actresses are simply dazzling , particularly Balk , who 's finally been given a part worthy of her considerable talents .\n3460\tAn Asian neo-realist treasure .\n3461\tPlummer steals the show without resorting to camp as Nicholas ' wounded and wounding Uncle Ralph .\n3462\tIt 's a great performance and a reminder of Dickens ' grandeur .\n3463\t... less a story than an inexplicable nightmare , right down to the population 's shrugging acceptance to each new horror .\n3464\tI am highly amused by the idea that we have come to a point in society where it has been deemed important enough to make a film in which someone has to be hired to portray Richard Dawson .\n3465\tA compassionate , moving portrait of an American -LRB- and an America -RRB- always reaching for something just outside his grasp .\n3466\tAn original little film about one young woman 's education .\n3467\tThe film is about the relationships rather than about the outcome .\n3468\tAnd it sees those relationships , including that between the son and his wife , and the wife and the father , and between the two brothers , with incredible subtlety and acumen .\n3469\tOne of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then figures out how to make us share their enthusiasm .\n3470\tAn instance of an old dog not only learning but inventing a remarkable new trick .\n3471\tRodriguez has the chops of a smart-aleck film school brat and the imagination of a big kid ...\n3472\tAmy and Matthew have a bit of a phony relationship , but the film works in spite of it .\n3473\tGarcia and the other actors help make the wobbly premise work .\n3474\tIt 's surprisingly decent , particularly for a tenth installment in a series .\n3475\tA fascinating , unnerving examination of the delusions of one unstable man .\n3476\tIt 's no accident that The Accidental Spy is a solid action pic that returns the martial arts master to top form .\n3477\tLeave it to the French to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller , a dumb comedy or a sappy melodrama .\n3478\tThe director , Mark Pellington , does a terrific job conjuring up a sinister , menacing atmosphere though unfortunately all the story gives us is flashing red lights , a rattling noise , and a bump on the head .\n3479\tHeartwarming here relies less on forced air than on Petter Næss ' delicate , clever direction ... and a wonderful , imaginative script by Axel Hellstenius .\n3480\tMakes the case for a strong education and good teachers being more valuable in the way they help increase an average student 's self-esteem , and not strictly in the knowledge imparted .\n3481\tSteers refreshingly clear of the usual cliches .\n3482\t`` Home Movie '' is a sweet treasure and something well worth your time .\n3483\tHighly recommended viewing for its courage , ideas , technical proficiency and great acting .\n3484\tThe movie 's thesis -- elegant technology for the masses -- is surprisingly refreshing .\n3485\tScott delivers a terrific performance in this fascinating portrait of a modern Lothario .\n3486\t... Wallace is smart to vary the pitch of his movie , balancing deafening battle scenes with quieter domestic scenes of women back home receiving War Department telegrams .\n3487\tCombines sharp comedy , old-fashioned monster movie atmospherics , and genuine heart to create a film that 's not merely about kicking undead \\*\\*\\* , but also about dealing with regret and , ultimately , finding redemption .\n3488\tWhile most films these days are about nothing , this film seems to be about everything that 's plaguing the human spirit in a relentlessly globalizing world .\n3489\tMarshall puts a suspenseful spin on standard horror flick formula .\n3490\tAs lively an account as Seinfeld is deadpan .\n3491\tThough Lan Yu lacks a sense of dramatic urgency , the film makes up for it with a pleasing verisimilitude .\n3492\tYou may leave the theater with more questions than answers , but darned if your toes wo n't still be tapping .\n3493\tTake any 12-year-old boy to see this picture , and he 'll be your slave for a year .\n3494\tBut this is not a movie about an inhuman monster ; it 's about a very human one .\n3495\tAt times THE GUYS taps into some powerful emotions , but this kind of material is more effective on stage .\n3496\tIt 's not a motion picture ; it 's an utterly static picture .\n3497\tWhat makes it worth watching is Quaid 's performance .\n3498\tSoderbergh skims the fat from the 1972 film .\n3499\tWhat 's left is a rich stew of longing .\n3500\tIt 's the brilliant surfing photography bringing you right inside the massive waves that lifts Blue Crush into one of the summer 's most pleasurable movies .\n3501\tMore of the same from Taiwanese auteur Tsai Ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films .\n3502\tHatfield and Hicks make the oddest of couples , and in this sense the movie becomes a study of the gambles of the publishing world , offering a case study that exists apart from all the movie 's political ramifications .\n3503\tBest of all is Garcia , who perfectly portrays the desperation of a very insecure man .\n3504\tThe filmmakers try to balance pointed , often incisive satire and unabashed sweetness , with results that are sometimes bracing , sometimes baffling and quite often , and in unexpected ways , touching .\n3505\tA sobering and powerful documentary about the most severe kind of personal loss : rejection by one 's mother .\n3506\tOften overwrought and at times positively irritating , the film turns into an engrossing thriller almost in spite of itself .\n3507\tHumorous and heartfelt , Douglas McGrath 's version of ` Nicholas Nickleby ' left me feeling refreshed and hopeful .\n3508\tNot many movies have that kind of impact on me these days .\n3509\tA poignant lyricism runs through Balzac and the Little Chinese Seamstress that transforms this story about love and culture into a cinematic poem .\n3510\tThis is SO De Palma .\n3511\tIf you love him , you 'll like it .\n3512\tIf you do n't ... well , skip to another review .\n3513\tRouge is less about a superficial midlife crisis than it is about the need to stay in touch with your own skin , at 18 or 80 .\n3514\tThe moral shrapnel and mental shellshock will linger long after this film has ended .\n3515\tUnfolds in a series of achronological vignettes whose cumulative effect is chilling .\n3516\tThe movie enters a realm where few non-porn films venture , and comes across as darkly funny , energetic , and surprisingly gentle .\n3517\tAlthough the subject matter may still be too close to recent national events , the film works - mostly due to its superior cast of characters .\n3518\tIt 's not going to be everyone 's bag of popcorn , but it definitely gives you something to chew on .\n3519\tHuppert and Girardot give performances of exceptional honesty .\n3520\tIt has that rare quality of being able to creep the living hell out of you ...\n3521\tA cautionary tale about the grandiosity of a college student who sees himself as impervious to a fall .\n3522\tAn infinitely wittier version of the Home Alone formula .\n3523\tFeardotcom 's thrills are all cheap , but they mostly work .\n3524\t-LRB- Hayek -RRB- throws herself into this dream Hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with Molina and she gradually makes us believe she is Kahlo .\n3525\tMr. Deeds is , as comedy goes , very silly -- and in the best way .\n3526\tYou could love Safe Conduct -LRB- Laissez Passer -RRB- for being a subtitled French movie that is 170 minutes long .\n3527\tYou could hate it for the same reason .\n3528\tWith We Were Soldiers , Hollywood makes a valiant attempt to tell a story about the Vietnam War before the pathology set in .\n3529\t` Moore is like a progressive bull in a china shop , a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism . '\n3530\tBroomfield reveals an ironic manifestation of institutionalized slavery that ties a black-owned record label with a white-empowered police force .\n3531\tAt just over an hour , Home Movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face .\n3532\tStuart 's poor-me persona needs a whole bunch of Snowball 's cynicism to cut through the sugar coating .\n3533\tBut once the falcon arrives in the skies above Manhattan , the adventure is on red alert .\n3534\tThere is greatness here .\n3535\tBoasts enough funny dialogue and sharp characterizations to be mildly amusing .\n3536\tDirector Juan Jose Campanella could have turned this into an Argentine retread of `` Iris '' or `` American Beauty , '' but instead pulls a little from each film and creates something more beautiful than either of those films .\n3537\tIf you love the music , and I do , its hard to imagine having more fun watching a documentary ...\n3538\tNakata 's technique is to imply terror by suggestion , rather than the overuse of special effects .\n3539\t`` 13 Conversations About One Thing '' is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling .\n3540\tSatin Rouge is not a new , or inventive , journey , but it 's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity .\n3541\tThough an important political documentary , this does not really make the case the Kissinger should be tried as a war criminal .\n3542\tCannon 's confidence and laid-back good spirits are , with the drumming routines , among the film 's saving graces .\n3543\tIn its understanding , often funny way , it tells a story whose restatement is validated by the changing composition of the nation .\n3544\tShe may not be real , but the laughs are .\n3545\tA fiercely clever and subtle film , capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries .\n3546\tOK arthouse .\n3547\tThe power of this script , and the performances that come with it , is that the whole damned thing did n't get our moral hackles up .\n3548\tThe movie itself is far from disappointing , offering an original take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star Bruce Willis .\n3549\tAbout Schmidt is undoubtedly one of the finest films of the year .\n3550\tIf you 're not deeply touched by this movie , check your pulse .\n3551\tThe charm of Revolution OS is rather the way it introduces you to new , fervently held ideas and fanciful thinkers .\n3552\tUntil its final minutes this is a perceptive study of two families in crisis -- and of two girls whose friendship is severely tested by bad luck and their own immaturity .\n3553\tOffers the flash of rock videos fused with solid performances and eerie atmosphere .\n3554\tFilmmakers Dana Janklowicz-Mann and Amir Mann area headed east , Far East , in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of German Jewish refugees while the world 's democracie\n3555\tFor all its problems ... The Lady and the Duke surprisingly manages never to grow boring ... which proves that Rohmer still has a sense of his audience .\n3556\tAn edifying glimpse into the wit and revolutionary spirit of these performers and their era .\n3557\tCraig Bartlett and director Tuck Tucker should be commended for illustrating the merits of fighting hard for something that really matters .\n3558\tThe film is saved from are n't - kids-cute sentimentality by a warmth that is n't faked and a stately sense of composition .\n3559\tThis is one of the year 's best films .\n3560\tA fleet-footed and pleasingly upbeat family diversion .\n3561\tSorvino is delightful in the central role .\n3562\tShe nearly glows with enthusiasm , sensuality and a conniving wit .\n3563\tIt 's immensely ambitious , different than anything that 's been done before and amazingly successful in terms of what it 's trying to do .\n3564\tThe story , once it gets rolling , is nothing short of a great one .\n3565\tGreat performances , stylish cinematography and a gritty feel help make Gangster No. 1 a worthwhile moviegoing experience .\n3566\t`` Mr. Deeds '' is suitable summer entertainment that offers escapism without requiring a great deal of thought .\n3567\tIt 's an ambitious film , and as with all ambitious films , it has some problems .\n3568\tBut on the whole , you 're gonna like this movie .\n3569\tChaiken ably balances real-time rhythms with propulsive incident .\n3570\tThis is an extraordinary film , not least because it is Japanese and yet feels universal .\n3571\tIn a summer overrun with movies dominated by CGI aliens and super heroes , it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway .\n3572\tThere 's just something about watching a squad of psychopathic underdogs whale the tar out of unsuspecting lawmen that reaches across time and distance .\n3573\tA funny and touching film that is gorgeously acted by a British cast to rival Gosford Park 's .\n3574\tThere 's nothing more satisfying during a summer of event movies than a spy thriller like The Bourne Identity that 's packed with just as much intelligence as action .\n3575\tI 'm not generally a fan of vegetables but this batch is pretty cute .\n3576\tQutting may be a flawed film , but it is nothing if not sincere .\n3577\tBeautifully crafted , engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing .\n3578\tA thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people , seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause .\n3579\tA cultural wildcard experience : wacky , different , unusual , even nutty .\n3580\tDaughter From Danang reveals that efforts toward closure only open new wounds .\n3581\tIt does n't flinch from its unsettling prognosis , namely , that the legacy of war is a kind of perpetual pain .\n3582\tFor most of its footage , the new thriller proves that director M. Night Shyamalan can weave an eerie spell and that Mel Gibson can gasp , shudder and even tremble without losing his machismo .\n3583\tThis is not an easy film .\n3584\tBut it could be , by its art and heart , a necessary one .\n3585\tA very good film sits in the place where a masterpiece should be .\n3586\t... spellbinding fun and deliciously exploitative .\n3587\tIt 's Jagger 's bone-dry , mournfully brittle delivery that gives the film its bittersweet bite .\n3588\tImpossible as it may sound , this film 's heart is even more embracing than Monty , if only because it accepts nasty behavior and severe flaws as part of the human condition .\n3589\tDespite the predictable parent vs. child coming-of-age theme , first-class , natural acting and a look at `` the real Americans '' make this a charmer .\n3590\tOne of the smarter offerings the horror genre has produced in recent memory , even if it 's far tamer than advertised .\n3591\tOne of recent memory 's most thoughtful films about art , ethics , and the cost of moral compromise .\n3592\tthe film does n't sustain its initial promise with a jarring , new-agey tone creeping into the second half\n3593\tBlade II is as estrogen-free as movies get , so you might want to leave your date behind for this one , or she 's gonna make you feel like you owe her big-time .\n3594\tThe message is that even the most unlikely can link together to conquer all kinds of obstacles , whether they be of nature , of man or of one another .\n3595\tMany a parent and their teen -LRB- or preteen -RRB- kid could bond while watching A Walk To Remember .\n3596\tSo could young romantics out on a date .\n3597\tAll leather pants & augmented boobs , Hawn is hilarious as she tries to resuscitate the fun-loving libertine lost somewhere inside the conservative , handbag-clutching Sarandon .\n3598\tThe members manage to pronounce KOK exactly as you think they might , thus giving the cast ample opportunity to use that term as often as possible .\n3599\tIt 's very Beavis and Butthead , yet always seems to elicit a chuckle .\n3600\tWhile this gentle and affecting melodrama will have luvvies in raptures , it 's far too slight and introspective to appeal to anything wider than a niche audience .\n3601\tChicago offers much colorful eye candy , including the spectacle of Gere in his dancing shoes , hoofing and crooning with the best of them .\n3602\tA difficult but worthy film that bites off more than it can chew by linking the massacre of Armenians in 1915 with some difficult relationships in the present .\n3603\tBy and large this is Mr. Kilmer 's movie , and it 's his strongest performance since The Doors .\n3604\tSome of the most ravaging , gut-wrenching , frightening war scenes since `` Saving Private Ryan '' have been recreated by John Woo in this little-known story of Native Americans and their role in the second great war .\n3605\tA charming but slight comedy .\n3606\tHenry Bean 's thoughtful screenplay provides no easy answers , but offers a compelling investigation of faith versus intellect\n3607\tA great cast and a wonderful but sometimes confusing flashback movie about growing up in a dysfunctional family .\n3608\tPlaying a role of almost Bergmanesque intensity ... Bisset is both convincing and radiant .\n3609\tA smart , provocative drama that does the nearly impossible : It gets under the skin of a man we only know as an evil , monstrous lunatic .\n3610\tAn alternately fascinating and frustrating documentary .\n3611\tGriffin & Co. manage to be spectacularly outrageous .\n3612\tNair 's cast is so large it 's Altman-esque , but she deftly spins the multiple stories in a vibrant and intoxicating fashion .\n3613\tThe movie plays up the cartoon 's more obvious strength of snazziness while neglecting its less conspicuous writing strength .\n3614\tPoignant Japanese epic about adolescent anomie and heartbreak .\n3615\tWe 've seen it all before in one form or another , but director Hoffman , with great help from Kevin Kline , makes us care about this latest reincarnation of the world 's greatest teacher .\n3616\tSecretary is not a movie about fetishism .\n3617\tIt is a movie about passion .\n3618\tEven though it 's common knowledge that Park and his founding partner , Yong Kang , lost Kozmo in the end , you ca n't help but get caught up in the thrill of the company 's astonishing growth .\n3619\tAlthough some viewers will not be able to stomach so much tongue-in-cheek weirdness , those who do will have found a cult favorite to enjoy for a lifetime .\n3620\tWhat could have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking .\n3621\tA delightful surprise because despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving , is funny and looks professional .\n3622\tThe IMAX screen enhances the personal touch of manual animation .\n3623\tDoes an impressive job of relating the complicated history of the war and of filling in the background .\n3624\tIt 's all about Anakin ... and the lustrous polished visuals rich in color and creativity and , of course , special effect .\n3625\tLacks the inspiration of the original and has a bloated plot that stretches the running time about 10 minutes past a child 's interest and an adult 's patience .\n3626\tBut it also has many of the things that made the first one charming .\n3627\tIt 's funny , touching , dramatically forceful , and beautifully shot .\n3628\tIts rawness and vitality give it considerable punch .\n3629\tA live-wire film that never loses its ability to shock and amaze .\n3630\tThe year 's greatest adventure , and Jackson 's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate .\n3631\tIt 's fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark .\n3632\tBrims with passion : for words , for its eccentric , accident-prone characters , and for the crazy things that keep people going in this crazy life .\n3633\tIt 's secondary to American Psycho but still has claws enough to get inside you and stay there for a couple of hours .\n3634\tThe Hours , a delicately crafted film , is an impressive achievement in spite of a river of sadness that pours into every frame .\n3635\tFudges fact and fancy with such confidence that we feel as if we 're seeing something purer than the real thing .\n3636\tThis is unusual , food-for-thought cinema that 's as entertaining as it is instructive .\n3637\tWith an expressive face reminiscent of Gong Li and a vivid personality like Zhang Ziyi 's , Dong stakes out the emotional heart of Happy .\n3638\tNohe 's documentary about the event is sympathetic without being gullible : He is n't blind to the silliness , but also captures moments of spontaneous creativity and authentic co-operative interaction .\n3639\tIt may not be as cutting , as witty or as true as back in the glory days of Weekend and Two or Three Things I Know About Her , but who else engaged in filmmaking today is so cognizant of the cultural and moral issues involved in the process ?\n3640\tSecret Ballot is a funny , puzzling movie ambiguous enough to be engaging and oddly moving .\n3641\tAlthough devoid of objectivity and full of nostalgic comments from the now middle-aged participants , Dogtown and Z-Boys has a compelling story to tell .\n3642\tIt 's got some pretentious eye-rolling moments and it did n't entirely grab me , but there 's stuff here to like .\n3643\tBirthday Girl walks a tricky tightrope between being wickedly funny and just plain wicked .\n3644\tThe enjoyable Undercover Brother , a zany mix of Saturday Night Live-style parody , '70s Blaxploitation films and goofball action comedy gone wild , dishes out a ton of laughs that everyone can enjoy .\n3645\tBrings an irresistible blend of warmth and humor and a consistent embracing humanity in the face of life 's harshness .\n3646\tJackson is always watchable .\n3647\tTo the degree that ivans xtc .\n3648\tworks , it 's thanks to Huston 's revelatory performance .\n3649\tA wild ride of a movie that keeps throwing fastballs .\n3650\tConfessions is without a doubt a memorable directorial debut from King Hunk .\n3651\tWeird , vulgar comedy that 's definitely an acquired taste .\n3652\tA. . .\n3653\tcynical and serious look at teenage boys doing what they do best - being teenagers .\n3654\tThe film is a very good viewing alternative for young women .\n3655\tAustralian filmmaker David Flatman uses the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them .\n3656\tA dazzling dream of a documentary .\n3657\tA keep - 'em - guessing plot and an affectionate take on its screwed-up characters .\n3658\tBrave and sweetly rendered love story .\n3659\tThe film proves unrelentingly grim -- and equally engrossing .\n3660\tA hallmark film in an increasingly important film industry and worth the look .\n3661\tThe Last Kiss will probably never achieve the popularity of My Big Fat Greek Wedding , but its provocative central wedding sequence has far more impact .\n3662\tIf you like blood , guts and crazy beasts stalking men with guns though ... you will likely enjoy this monster .\n3663\tThe difference between Cho and most comics is that her confidence in her material is merited .\n3664\tSad to say -- it accurately reflects the rage and alienation that fuels the self-destructiveness of many young people .\n3665\tThere is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye .\n3666\t` Anyone with a passion for cinema , and indeed sex , should see it as soon as possible . '\n3667\tSeeks to transcend its genre with a curiously stylized , quasi-Shakespearean portrait of pure misogynist evil .\n3668\tMordantly funny and intimately knowing ...\n3669\tWhat makes the movie special is its utter sincerity .\n3670\tFast and funny , an action cartoon that 's suspenseful enough for older kids but not too scary for the school-age crowd .\n3671\tOne of those rare films that come by once in a while with flawless amounts of acting , direction , story and pace .\n3672\tThe AAA of action , XXX is a blast of adrenalin , rated EEE for excitement .\n3673\tAnd Vin Diesel is the man .\n3674\tEarnest , unsubtle and Hollywood-predictable , Green Dragon is still a deeply moving effort to put a human face on the travail of thousands of Vietnamese .\n3675\tAn ambitious movie that , like Shiner 's organizing of the big fight , pulls off enough of its effects to make up for the ones that do n't come off .\n3676\tNair and writer Laura Cahill dare to build a movie around some flawed but rather unexceptional women , emerging with a fine character study that 's short on plot but rich in the tiny revelations of real life .\n3677\tThe film 's unhurried pace is actually one of its strengths .\n3678\tEntirely appropriately , the tale unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn .\n3679\tDespite its floating narrative , this is a remarkably accessible and haunting film .\n3680\tVibrantly colored and beautifully designed , Metropolis is a feast for the eyes .\n3681\tSweetly sexy , funny and touching .\n3682\t... while Dark Water is n't a complete wash -LRB- no pun intended -RRB- , watched side-by-side with Ringu , it ultimately comes off as a pale successor .\n3683\tIs truth stranger than fiction ?\n3684\tIn -LRB- screenwriter -RRB- Charlie Kaufman 's world , truth and fiction are equally strange , and his for the taking .\n3685\tFor decades we 've marveled at Disney 's rendering of water , snow , flames and shadows in a hand-drawn animated world .\n3686\tPrepare to marvel again .\n3687\tA witty , low-key romantic comedy .\n3688\tMore good than great but Freeman and Judd make it work .\n3689\tIf you 're looking for a smart , nuanced look at de Sade and what might have happened at Picpus , Sade is your film .\n3690\tCould have been crisper and punchier , but it 's likely to please audiences who like movies that demand four hankies .\n3691\tTogether writer-director Danny Verete 's three tales comprise a powerful and reasonably fulfilling gestalt .\n3692\tBursting through the constraints of its source , this is one adapted - from-television movie that actually looks as if it belongs on the big screen .\n3693\tIts almost too-spectacular coastal setting distracts slightly from an eccentric and good-naturedly aimless story .\n3694\tIn other words , it 's just another sports drama\\/character study .\n3695\tYet this one makes up for in heart what it lacks in outright newness .\n3696\tPlus , like I already mentioned ... it 's Robert Duvall !\n3697\tC'mon !\n3698\tThis story of a determined woman 's courage to find her husband in a war zone offers winning performances and some effecting moments .\n3699\tLike Shrek , Spirit 's visual imagination reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world .\n3700\tA modestly made but profoundly moving documentary .\n3701\tIt irritates and saddens me that Martin Lawrence 's latest vehicle can explode obnoxiously into 2,500 screens while something of Bubba Ho-Tep 's clearly evident quality may end up languishing on a shelf somewhere .\n3702\tNot everything in this ambitious comic escapade works , but Coppola , along with his sister , Sofia , is a real filmmaker .\n3703\tIt must be in the genes .\n3704\tThe performers are so spot on , it is hard to conceive anyone else in their roles .\n3705\tThis slight premise ... works because of the ideal casting of the masterful British actor Ian Holm as the aged Napoleon .\n3706\tHashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the U.S. -- a major director is emerging in world cinema .\n3707\tAlthough the film boils down to a lightweight story about matchmaking , the characters make Italian for Beginners worth the journey\n3708\tThe dragons are the real stars of Reign of Fire and you wo n't be disappointed .\n3709\tKudos to the most enchanting film of the year .\n3710\tIt works well enough , since the thrills pop up frequently , and the dispatching of the cast is as often imaginative as it is gory .\n3711\tColorful and deceptively buoyant until it suddenly pulls the rug out from under you , Burkinabe filmmaker Dani Kouyate 's reworking of a folk story whose roots go back to 7th-century oral traditions is also a pointed political allegory .\n3712\tIt 's a powerful though flawed movie , guaranteed to put a lump in your throat while reaffirming Washington as possibly the best actor working in movies today .\n3713\tDirector Paul Cox 's unorthodox , abstract approach to visualizing Nijinsky 's diaries is both stimulating and demanding .\n3714\tFor 95 often hilarious minutes , -LRB- Cho -RRB- riffs on the diciness of colonics , on straight versus gay personal ads , on how men would act if they had periods , and on the perils of a certain outré sexual practice .\n3715\tMost of the things that made the original Men in Black such a pleasure are still there .\n3716\tMostly honest , this somber picture reveals itself slowly , intelligently , artfully .\n3717\tBest enjoyed as a work of fiction inspired by real-life events .\n3718\tThose seeking a definitive account of Eisenstein 's life would do better elsewhere .\n3719\t-LRB- Westbrook -RRB- makes a wonderful subject for the camera .\n3720\tA film that 's flawed and brilliant in equal measure .\n3721\tEven if Invincible is not quite the career peak that The Pianist is for Roman Polanski , it demonstrates that Werner Herzog can still leave us with a sense of wonder at the diverse , marvelously twisted shapes history has taken .\n3722\tUltimately too repellent to fully endear itself to American art house audiences , but it is notable for its stylistic austerity and forcefulness .\n3723\tHardly a film that comes along every day .\n3724\tA wild ride with eight boarders from Venice Beach that was a deserved co-winner of the Audience Award for documentaries at the Sundance Film Festival .\n3725\tThe film 's only missteps come from the script 's insistence on providing deep emotional motivation for each and every one of Abagnale 's antics .\n3726\tA sweet , tender sermon about a 12-year-old Welsh boy more curious about God than girls , who learns that believing in something does matter .\n3727\tthe film belongs to the marvelous Verdu , a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public\n3728\tMore intimate than spectacular , E.T. is carried less by wow factors than by its funny , moving yarn that holds up well after two decades .\n3729\tFor once , a movie does not proclaim the truth about two love-struck somebodies , but permits them time and space to convince us of that all on their own .\n3730\tIf you 're burnt out on It 's a Wonderful Life marathons and bored with A Christmas Carol , it might just be the movie you 're looking for .\n3731\tIt depends on how well flatulence gags fit into your holiday concept .\n3732\tMoonlight Mile does n't quite go the distance but the cast is impressive and they all give life to these broken characters who are trying to make their way through this tragedy .\n3733\tIt is an indelible epic American story about two families , one black and one white , facing change in both their inner and outer lives .\n3734\tNot as well-written as Sexy Beast , not as gloriously flippant as Lock , Stock and Two Smoking Barrels , but stylish and moody and exceptionally well-acted .\n3735\tQuite simply , a joy to watch and -- especially -- to listen to .\n3736\tA flawed film but an admirable one that tries to immerse us in a world of artistic abandon and political madness and very nearly succeeds .\n3737\tThe filmmakers wisely decided to let Crocodile Hunter Steve Irwin do what he does best , and fashion a story around him .\n3738\tA winning and wildly fascinating work .\n3739\tWe do get the distinct impression that this franchise is drawing to a close .\n3740\tWorth catching for Griffiths ' warm and winning central performance .\n3741\tThe tone errs on the shrill side , tempered by a soft southern gentility that speaks of beauty , grace and a closet full of skeletons .\n3742\tAn interesting psychological game of cat-and-mouse , three-dimensional characters and believable performances all add up to a satisfying crime drama .\n3743\tA meatier deeper beginning and\\/or ending would have easily tipped this film into the `` A '' range , as is , it 's a very very strong `` B + . ''\n3744\tI love the robust middle of this picture .\n3745\tThe power of Shanghai Ghetto , a documentary by Dana Janklowicz-Mann and Amir Mann , rests in the voices of men and women , now in their 70s , who lived there in the 1940s .\n3746\tMaintains your interest until the end and even leaves you with a few lingering animated thoughts .\n3747\tThere is a beautiful , aching sadness to it all .\n3748\tPaul Cox needed to show it .\n3749\tIt is up to you to decide if you need to see it .\n3750\tIf Divine Secrets of the Ya-Ya Sisterhood suffers from a ploddingly melodramatic structure , it comes to life in the performances .\n3751\tIf you ignore the cliches and concentrate on City by the Sea 's interpersonal drama , it ai n't half-bad .\n3752\tThere are n't too many films that can be as simultaneously funny , offbeat and heartwarming -LRB- without a thick shmear of the goo , at least -RRB- , but `` Elling '' manages to do all three quite well , making it one of the year 's most enjoyable releases .\n3753\tReign of Fire is hardly the most original fantasy film ever made -- beyond Road Warrior , it owes enormous debts to Aliens and every previous dragon drama -- but that barely makes it any less entertaining .\n3754\tAn earnest , roughshod document , it serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool .\n3755\tSamuel Beckett applied to the Iranian voting process .\n3756\tThe Bard as black comedy -- Willie would have loved it .\n3757\tAnother trumpet blast that there may be a New Mexican Cinema a-bornin ' . '\n3758\t... the film 's considered approach to its subject matter is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . '\n3759\tTadpole may be one of the most appealing movies ever made about an otherwise appalling , and downright creepy , subject -- a teenage boy in love with his stepmother .\n3760\tThis is a story that zings all the way through with originality , humour and pathos .\n3761\tAs underwater ghost stories go , Below casts its spooky net out into the Atlantic Ocean and spits it back , grizzled and charred , somewhere northwest of the Bermuda Triangle .\n3762\tIt is a challenging film , if not always a narratively cohesive one .\n3763\tTrapped wo n't score points for political correctness , but it may cause parents a few sleepless hours -- a sign of its effectiveness .\n3764\tA rock-solid gangster movie with a fair amount of suspense , intriguing characters and bizarre bank robberies , plus a heavy dose of father-and-son dynamics .\n3765\tIt 's incredible the number of stories the Holocaust has generated .\n3766\tJust when you think that every possible angle has been exhausted by documentarians , another new film emerges with yet another remarkable yet shockingly little-known perspective .\n3767\tAs they used to say in the 1950s sci-fi movies , Signs is a tribute to Shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project .\n3768\tThere 's no conversion effort , much of the writing is genuinely witty and both stars are appealing enough to probably have a good shot at a Hollywood career , if they want one .\n3769\tLike a skillful fisher , the director uses the last act to reel in the audience since its poignancy hooks us completely .\n3770\tA film with contemporary political resonance illustrated by a winning family story .\n3771\tKids five and up will be delighted with the fast , funny , and even touching story .\n3772\tParents may even find that it goes by quickly , because it has some of the funniest jokes of any movie this year , including those intended for adults .\n3773\tAn unsettling , memorable cinematic experience that does its predecessors proud .\n3774\tMaid in Manhattan might not look so appealing on third or fourth viewing down the road ... But as a high concept vehicle for two bright stars of the moment who can rise to fans ' lofty expectations , the movie passes inspection .\n3775\tMuch of All About Lily Chou-Chou is mesmerizing : some of its plaintiveness could make you weep .\n3776\tFerrara 's strongest and most touching movie of recent years .\n3777\tSpielberg 's first real masterpiece , it deserved all the hearts it won -- and wins still , 20 years later .\n3778\tThe screenwriters dig themselves in deeper every time they toss logic and science into what is essentially a `` Dungeons and Dragons '' fantasy with modern military weaponry ...\n3779\tMore than simply a portrait of early extreme sports , this peek into the 1970s skateboard revolution is a skateboard film as social anthropology ...\n3780\tWhat I saw , I enjoyed .\n3781\tThe level of acting elevates the material above pat inspirational status and gives it a sturdiness and solidity that we 've long associated with Washington the actor .\n3782\tA deft , delightful mix of sulky teen drama and overcoming-obstacles sports-movie triumph .\n3783\tDaringly perceptive , taut , piercing and feisty , Biggie and Tupac is undeniably subversive and involving in its bold presentation .\n3784\tDelivers more than its fair share of saucy hilarity .\n3785\tA fairly enjoyable mixture of Longest Yard ... and the 1999 Guy Ritchie caper Lock Stock and Two Smoking Barrels .\n3786\tHappily , some things are immune to the folly of changing taste and attitude .\n3787\tFor proof of that on the cinematic front , look no further than this 20th anniversary edition of the film that Spielberg calls , retrospectively , his most personal work yet .\n3788\tHugely entertaining from start to finish , featuring a fall from grace that still leaves shockwaves , it will gratify anyone who has ever suspected Hollywood of being overrun by corrupt and hedonistic weasels .\n3789\tIt 's not like having a real film of Nijinsky , but at least it 's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered .\n3790\tIt 's probably worth catching solely on its visual merits .\n3791\tIf only it had the story to match .\n3792\tLike other great documentaries ... this goes after one truth -LRB- the Ford administration 's complicity in tearing ` orphans ' from their mothers -RRB- and stumbles upon others even more compelling .\n3793\t... only Bond can save us from the latest eccentric , super-wealthy megalomaniac bent on world domination and destruction .\n3794\tThe first half bursts with a goofy energy previous Disney films only used for a few minutes here and there .\n3795\tIt 's quite diverting nonsense .\n3796\tAn old-fashioned scary movie , one that relies on lingering terror punctuated by sudden shocks and not constant bloodshed punctuated by flying guts .\n3797\tFor all the wit and hoopla , Festival In Cannes offers rare insight into the structure of relationships .\n3798\tWhat makes How I Killed My Father compelling , besides its terrific performances , is Fontaine 's willingness to wander into the dark areas of parent-child relationships without flinching .\n3799\tRenner ?\n3800\ts face is chillingly unemotive , yet he communicates a great deal in his performance .\n3801\tSee it for his performance if nothing else .\n3802\t... the kind of entertainment that parents love to have their kids see .\n3803\tIt 's a fine , focused piece of work that reopens an interesting controversy and never succumbs to sensationalism .\n3804\tIts engaging simplicity is driven by appealing leads .\n3805\tSwimming is above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings , it succeeds .\n3806\tA respectable venture on its own terms , lacking the broader vision that has seen certain Trek films ... cross over to a more mainstream audience .\n3807\tIt 's weird , wonderful , and not necessarily for kids .\n3808\tAn elegant film with often surprising twists and an intermingling of naiveté and sophistication .\n3809\tBlessed with two fine , nuanced lead performances .\n3810\tWhile this has the making of melodrama , the filmmaker cuts against this natural grain , producing a work that 's more interested in asking questions than in answering them .\n3811\tAs a girl-meets-girl romantic comedy , Kissing Jessica Steinis quirky , charming and often hilarious .\n3812\tYet it 's not quite the genre-busting film it 's been hyped to be because it plays everything too safe .\n3813\tYou do n't need to know your Ice-T 's from your Cool-J 's to realize that as far as these shootings are concerned , something is rotten in the state of California .\n3814\tTurturro is fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing\\/reappearing acts\n3815\tMeant for Star Wars fans .\n3816\tIt is there to give them a good time .\n3817\tFrom a deceptively simple premise , this deeply moving French drama develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times .\n3818\tSimply and eloquently articulates the tangled feelings of particular New Yorkers deeply touched by an unprecedented tragedy .\n3819\tProvides a very moving and revelatory footnote to the Holocaust .\n3820\tTerrific performances , great to look at , and funny .\n3821\tA little uneven to be the cat 's meow , but it 's good enough to be the purr .\n3822\tIt 's a compelling and horrifying story , and The Laramie Project is worthwhile for reminding us that this sort of thing does , in fact , still happen in America .\n3823\tI like it .\n3824\tThere is a freedom to watching stunts that are this crude , this fast-paced and this insane .\n3825\tThat rare documentary that incorporates so much of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film .\n3826\tThat rare movie that works on any number of levels -- as a film of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults .\n3827\tIt 's both degrading and strangely liberating to see people working so hard at leading lives of sexy intrigue , only to be revealed by the dispassionate Gantz brothers as ordinary , pasty lumpen .\n3828\tA sharp and quick documentary that is funny and pithy , while illuminating an era of theatrical comedy that , while past , really is n't .\n3829\tThe film does a solid job of slowly , steadily building up to the climactic burst of violence .\n3830\tFred Schepisi 's tale of four Englishmen facing the prospect of their own mortality views youthful affluence not as a lost ideal but a starting point .\n3831\tThe directive to protect the code at all costs also begins to blur as the importance of the man and the code merge\n3832\tOverall , Cletis Tout is a winning comedy that excites the imagination and tickles the funny bone .\n3833\tEasily one of the best and most exciting movies of the year .\n3834\tThe script manages the rare trick of seeming at once both refreshingly different and reassuringly familiar .\n3835\tAn engaging , formulaic sports drama that carries a charge of genuine excitement .\n3836\tInsomnia is one of the year 's best films and Pacino gives one of his most daring , and complicated , performances .\n3837\tLike Vardalos and Corbett , who play their roles with vibrant charm , the film , directed by Joel Zwick , is heartfelt and hilarious in ways you ca n't fake .\n3838\tI do n't know if Frailty will turn Bill Paxton into an A-list director , but he can rest contentedly with the knowledge that he 's made at least one damn fine horror movie .\n3839\tDespite its flaws ... Belinsky is still able to create an engaging story that keeps you guessing at almost every turn .\n3840\tEach punch seen through prison bars , the fights become not so much a struggle of man vs. man as Brother-Man vs. The Man .\n3841\tThe evocative imagery and gentle , lapping rhythms of this film are infectious -- it gets under our skin and draws us in long before the plot kicks into gear .\n3842\tLike the best of Godard 's movies ... it is visually ravishing , penetrating , impenetrable .\n3843\tHorns and Halos benefits from serendipity but also reminds us of our own responsibility to question what is told as the truth .\n3844\t-LRB- Has -RRB- an immediacy and an intimacy that sucks you in and dares you not to believe it 's all true .\n3845\tIt treats Ana 's journey with honesty that is tragically rare in the depiction of young women in film .\n3846\tCaptivates as it shows excess in business and pleasure , allowing us to find the small , human moments , and leaving off with a grand whimper .\n3847\tA refreshingly realistic , affectation-free coming-of-age tale .\n3848\tHow good this film might be , depends if you believe that the shocking conclusion is too much of a plunge or not .\n3849\tGreat fun both for sports aficionados and for ordinary louts whose idea of exercise is climbing the steps of a stadium-seat megaplex .\n3850\tFeatures one of the most affecting depictions of a love affair ever committed to film .\n3851\tTo honestly address the flaws inherent in how medical aid is made available to American workers , a more balanced or fair portrayal of both sides will be needed .\n3852\tOne of the best movies of the year .\n3853\tThe usual movie rah-rah , pleasantly and predictably delivered in low-key style by director Michael Apted and writer Tom Stoppard .\n3854\tA superlative B movie -- funny , sexy , and rousing .\n3855\tThose prone to indignation need not apply ; those susceptible to blue hilarity , step right up .\n3856\tLike Mike is n't going to make box office money that makes Michael Jordan jealous , but it has some cute moments , funny scenes , and hits the target audience -LRB- young Bow Wow fans -RRB- - with nothing but net .\n3857\t-LRB- Dong -RRB- makes a valiant effort to understand everyone 's point of view , and he does such a good job of it that Family Fundamentals gets you riled up .\n3858\tThe trick when watching Godard is to catch the pitch of his poetics , savor the pleasure of his sounds and images , and ponder the historical , philosophical , and ethical issues that intersect with them .\n3859\tAt its best , which occurs often , Michael Moore 's Bowling for Columbine rekindles the muckraking , soul-searching spirit of the ` Are we a sick society ? '\n3860\tjournalism of the 1960s .\n3861\tA modestly surprising movie .\n3862\tA headline-fresh thriller set among orthodox Jews on the West Bank , Joseph Cedar 's Time Of Favor manages not only to find a compelling dramatic means of addressing a complex situation , it does so without compromising that complexity .\n3863\tThere 's a spontaneity to The Chateau , a sense of light-heartedness , that makes it attractive throughout .\n3864\tThe first Tunisian film I have ever seen , and it 's also probably the most good-hearted yet sensual entertainment I 'm likely to see all year .\n3865\tLike any good romance , Son of the Bride , proves it 's never too late to learn .\n3866\t-LRB- Kline 's -RRB- utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code , and as a flawed human being who ca n't quite live up to it .\n3867\tThe film , while not exactly assured in its execution , is notable for its sheer audacity and openness .\n3868\tA thoroughly enjoyable , heartfelt coming-of-age comedy .\n3869\tFeeling like a dope has rarely been more fun than it is in Nine Queens .\n3870\tLeigh makes these lives count .\n3871\tAnd he allows a gawky actor like Spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range .\n3872\tA lot of fun , with an undeniable energy sparked by two actresses in their 50s working at the peak of their powers .\n3873\tPromises is one film that 's truly deserving of its Oscar nomination .\n3874\tWhat bubbles up out of John C. Walsh 's Pipe Dream is the distinct and very welcome sense of watching intelligent people making a movie they might actually want to watch .\n3875\tIf Reno is to the left of liberal on the political spectrum , her tough , funny , rather chaotic show is n't subversive so much as it is nit-picky about the hypocrisies of our time .\n3876\tBeautiful , angry and sad , with a curious sick poetry , as if the Marquis de Sade had gone in for pastel landscapes .\n3877\tMs. Hutchins is talented enough and charismatic enough to make us care about Zelda 's ultimate fate .\n3878\tMonte Cristo smartly emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds .\n3879\tA mesmerizing cinematic poem from the first frame to the last .\n3880\t-LRB- It 's -RRB- a clever thriller with enough unexpected twists to keep our interest .\n3881\tAn undeniably moving film to experience , and ultimately that 's what makes it worth a recommendation .\n3882\tNicole Kidman evolved from star to superstar some time over the past year , which means that Birthday Girl is the kind of quirkily appealing minor movie she might not make for a while .\n3883\tVividly conveys the shadow side of the 30-year friendship between two English women .\n3884\tThe story has some nice twists but the ending and some of the back-story is a little tired .\n3885\tThe performances are all solid ; it merely lacks originality to make it a great movie .\n3886\tManages to please its intended audience -- children -- without placing their parents in a coma-like state .\n3887\tWhen you think you 've figured out Bielinsky 's great game , that 's when you 're in the most trouble : He 's the con , and you 're just the mark .\n3888\tA strong first act and absolutely , inescapably gorgeous , skyscraper-trapeze motion of the amazing Spider-Man .\n3889\tDriven by a fantastic dual performance from Ian Holm ... the film is funny , insightfully human and a delightful lark for history buffs .\n3890\tA well-put-together piece of urban satire .\n3891\tIt 's the sweet Cinderella story that `` Pretty Woman '' wanted to be .\n3892\tIt will make you think twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster .\n3893\tWhat does n't this film have that an impressionable kid could n't stand to hear ?\n3894\tWhat saves it ... and makes it one of the better video-game-based flicks , is that the film acknowledges upfront that the plot makes no sense , such that the lack of linearity is the point of emotional and moral departure for protagonist Alice .\n3895\tA deeply felt and vividly detailed story about newcomers in a strange new world .\n3896\tIt 's a visual delight and a decent popcorn adventure , as long as you do n't try to look too deep into the story\n3897\tIt 's a feel-good movie about which you can actually feel good .\n3898\tA full experience , a love story and a murder mystery that expands into a meditation on the deep deceptions of innocence .\n3899\tThe Powerpuff Girls arrive on the big screen with their super-powers , their super-simple animation and their super-dooper-adorability intact .\n3900\t-LRB- Raimi 's -RRB- matured quite a bit with Spider-Man , even though it 's one of the most plain white toast comic book films you 'll ever see .\n3901\tA new film from Bill Plympton , the animation master , is always welcome .\n3902\tA devastating indictment of unbridled greed and materalism .\n3903\tWhat makes the film special is the refreshingly unhibited enthusiasm that the people , in spite of clearly evident poverty and hardship , bring to their music .\n3904\tThe film has a kind of hard , cold effect .\n3905\tThe gags are often a stitch .\n3906\tThe asylum material is gripping , as are the scenes of Jia with his family .\n3907\tA bonanza of wacky sight gags , outlandish color schemes , and corny visual puns that can be appreciated equally as an abstract Frank Tashlin comedy and as a playful recapitulation of the artist 's career .\n3908\tOne ca n't deny its seriousness and quality .\n3909\tGood performances and a realistic , non-exploitive approach make Paid in Full worth seeing .\n3910\tThis engrossing , characteristically complex Tom Clancy thriller is shifty in the manner in which it addresses current terrorism anxieties and sidesteps them at the same time .\n3911\tRyan Gosling is , in a word , brilliant as the conflicted Daniel .\n3912\t... somehow manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks .\n3913\tMuch of The Lady and the Duke is about quiet , decisive moments between members of the cultural elite as they determine how to proceed as the world implodes .\n3914\tTakes a simple premise and carries it to unexpected heights .\n3915\tWith few respites , Marshall keeps the energy humming , and his edits , unlike those in Moulin Rouge , are crisp and purposeful without overdoing it .\n3916\tIts metaphors are opaque enough to avoid didacticism , and the film succeeds as an emotionally accessible , almost mystical work .\n3917\tProvides a satisfactory overview of the bizarre world of extreme athletes as several daredevils express their own views .\n3918\tInventive , fun , intoxicatingly sexy , violent , self-indulgent and maddening .\n3919\tComedian , like its subjects , delivers the goods and audiences will have a fun , no-frills ride .\n3920\tA naturally funny film , Home Movie makes you crave Chris Smith 's next movie .\n3921\tPipe Dream does have its charms .\n3922\tThe leads are natural and lovely , the pace is serene , the humor wry and sprightly .\n3923\tThose who want to be jolted out of their gourd should drop everything and run to Ichi .\n3924\t... enthusiastically invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games .\n3925\tSheds light on a subject few are familiar with , and makes you care about music you may not have heard before .\n3926\tDespite the film 's bizarre developments , Hoffman keeps us riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity .\n3927\tTo get at the root psychology of this film would require many sessions on the couch of Dr. Freud .\n3928\tGreat over-the-top moviemaking if you 're in a slap-happy mood .\n3929\tViveka Seldahl and Sven Wollter will touch you to the core in a film you will never forget -- that you should never forget .\n3930\tThe magic -LRB- and original running time -RRB- of ace Japanimator Hayao Miyazaki 's Spirited Away survives intact in BV 's re-voiced version .\n3931\tFrom the dull , surreal ache of mortal awareness emerges a radiant character portrait .\n3932\tCaptures the raw comic energy of one of our most flamboyant female comics .\n3933\tIt 's not particularly subtle ... However , it still manages to build to a terrifying , if obvious , conclusion .\n3934\tThe auteur 's ear for the way fears and slights are telegraphed in the most blithe exchanges gives the film its lingering tug .\n3935\tBolstered by exceptional performances and a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness .\n3936\tThis enthralling documentary ... is at once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends .\n3937\tSome remarkable achival film about how Shanghai -LRB- of all places -RRB- served Jews who escaped the Holocaust .\n3938\tIn a movie full of surprises , the biggest is that Secret Ballot is a comedy , both gentle and biting .\n3939\tThe urban landscapes are detailed down to the signs on the kiosks , and the color palette , with lots of somber blues and pinks , is dreamy and evocative .\n3940\tA manically generous Christmas vaudeville .\n3941\tTony Gayton 's script does n't give us anything we have n't seen before , but director D.J. Caruso 's grimy visual veneer and Kilmer 's absorbing performance increase the gravitational pull considerably .\n3942\tA psychic journey deep into the very fabric of Iranian ... life .\n3943\tIt 's a smartly directed , grown-up film of ideas .\n3944\tWhile puerile men dominate the story , the women shine .\n3945\tUnlike lots of Hollywood fluff , this has layered , well-developed characters and some surprises .\n3946\tFor a film that 's being advertised as a comedy , Sweet Home Alabama is n't as funny as you 'd hoped .\n3947\tFor a film that 's being advertised as a comedy , Sweet Home Alabama is n't as funny as you 'd hoped .\n3948\tVera has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores .\n3949\tA French film with a more down-home flavor .\n3950\tDepending upon your reaction to this movie , you may never again be able to look at a red felt Sharpie pen without disgust , a thrill , or the giggles .\n3951\tWhile Bollywood\\/Hollywood will undoubtedly provide its keenest pleasures to those familiar with Bombay musicals , it also has plenty for those -LRB- like me -RRB- who are n't .\n3952\tThere are times when you wish that the movie had worked a little harder to conceal its contrivances , but Brown Sugar turns out to be a sweet and enjoyable fantasy .\n3953\tFontaine masterfully creates a portrait of two strong men in conflict , inextricably entwined through family history , each seeing himself in the other , neither liking what he sees .\n3954\tAs Janice , Eileen Walsh , an engaging , wide-eyed actress whose teeth are a little too big for her mouth , infuses the movie with much of its slender , glinting charm .\n3955\tSure , it 's contrived and predictable , but its performances are so well tuned that the film comes off winningly , even though it 's never as solid as you want it to be .\n3956\tDong shows how intolerance has the power to deform families , then tear them apart .\n3957\tThe Chateau belongs to Rudd , whose portrait of a therapy-dependent flakeball spouting French malapropisms ... is a nonstop hoot .\n3958\tThe cast , collectively a successful example of the lovable-loser protagonist , shows deft comic timing .\n3959\tIt trusts the story it sets out to tell .\n3960\tI could n't recommend this film more .\n3961\tAs a good old-fashioned adventure for kids , Spirit : Stallion of the Cimarron is a winner .\n3962\tAn effective portrait of a life in stasis -- of the power of inertia to arrest development in a dead-end existence .\n3963\tSucceeds as a well-made evocation of a subculture .\n3964\t... an interesting slice of history .\n3965\tMe no lika da accents so good , but I thoroughly enjoyed the love story .\n3966\tScott Baio is turning in some delightful work on indie projects .\n3967\tIt 's an experience in understanding a unique culture that is presented with universal appeal .\n3968\tWhat 's surprising is how well it holds up in an era in which computer-generated images are the norm .\n3969\tBrings together some of the biggest names in Japanese anime , with impressive results .\n3970\tWonder , hope and magic can never escape the heart of the boy when the right movie comes along , especially if it begins with the name of Star Wars\n3971\tA flick about our infantilized culture that is n't entirely infantile .\n3972\tAn exceptionally acted , quietly affecting cop drama .\n3973\tSensual , funny and , in the end , very touching .\n3974\tAngel presents events partly from the perspective of Aurelie and Christelle , and infuses the film with the sensibility of a particularly nightmarish fairytale .\n3975\tWho needs mind-bending drugs when they can see this , the final part of the ` qatsi ' trilogy , directed by Godfrey Reggio , with music by Philip Glass ?\n3976\t-LRB- A -RRB- smarter and much funnier version of the old Police Academy flicks .\n3977\tProof once again that if the filmmakers just follow the books , they ca n't go wrong .\n3978\tBetter effects , better acting and a hilarious Kenneth Branagh .\n3979\tAn excellent sequel .\n3980\tBoth a grand tour through 300 hundred years of Russian cultural identity and a stunning technical achievement .\n3981\tJust how these families interact may surprise you .\n3982\tProves that some movie formulas do n't need messing with -- like the big-bug movie .\n3983\tA surprisingly funny movie .\n3984\tThis new movie version of the Alexandre Dumas classic is the stuff of high romance , brought off with considerable wit .\n3985\tLike all of Egoyan 's work , Ararat is fiercely intelligent and uncommonly ambitious .\n3986\tIf a big musical number like ` Praise the Lord , He 's the God of Second Chances ' does n't put you off , this will be an enjoyable choice for younger kids .\n3987\t... fuses the events of her life with the imagery in her paintings so vividly that the artist 's work may take on a striking new significance for anyone who sees the film .\n3988\t-LRB- Clooney 's -RRB- debut can be accused of being a bit undisciplined , but it has a tremendous , offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him , especially the Coen brothers and Steven Soderbergh .\n3989\tAlthough made on a shoestring and unevenly acted , conjures a Lynch-like vision of the rotting underbelly of Middle America .\n3990\tA piquant meditation on the things that prevent people from reaching happiness .\n3991\tA timely look back at civil disobedience , anti-war movements and the power of strong voices .\n3992\tRifkin 's references are ... impeccable throughout .\n3993\tI 'd be lying if I said my ribcage did n't ache by the end of Kung Pow .\n3994\tMore than their unique residences , Home Movie is about the people who live in them , who have carved their own comfortable niche in the world and have been kind enough to share it .\n3995\tThe movie is ingenious fun .\n3996\tSee it .\n3997\tThe combination of lightness and strictness in this instance gives Italian for Beginners an amiable aimlessness that keeps it from seeming predictably formulaic .\n3998\tThe script is smart and dark - hallelujah for small favors .\n3999\tAn intelligent , multi-layered and profoundly humanist -LRB- not to mention gently political -RRB- meditation on the values of knowledge , education , and the affects of cultural and geographical displacement .\n4000\tMr. Polanski is in his element here : alone , abandoned , but still consoled by his art , which is more than he has ever revealed before about the source of his spiritual survival .\n4001\tSpectacular in every sense of the word , even if you don ' t know an Orc from a Uruk-Hai .\n4002\tThis is n't exactly profound cinema , but it 's good-natured and sometimes quite funny .\n4003\tThis is a finely written , superbly acted offbeat thriller .\n4004\tTres Greek writer and star Nia Vardalos has crafted here a worldly-wise and very funny script .\n4005\tA tasty appetizer that leaves you wanting more .\n4006\tIt gives devastating testimony to both people 's capacity for evil and their heroic capacity for good .\n4007\tThe film reminds me of a vastly improved Germanic version of My Big Fat Greek Wedding -- with better characters , some genuine quirkiness and at least a measure of style .\n4008\tThe difference is that I truly enjoyed most of Mostly Martha while I ne\n4009\tMorton deserves an Oscar nomination .\n4010\tA colorful , vibrant introduction to a universal human impulse , lushly photographed and beautifully recorded .\n4011\tThe screenplay never lets us forget that Bourne was once an amoral assassin just like the ones who are pursuing him ... There is never really a true `` us '' versus `` them '' .\n4012\tThe history is fascinating ; the action is dazzling .\n4013\tThey just do n't work in concert .\n4014\tFor those in search of something different , Wendigo is a genuinely bone-chilling tale .\n4015\tA lovely film for the holiday season .\n4016\tIt remains to be seen whether Statham can move beyond the crime-land action genre , but then again , who says he has to ?\n4017\tA hypnotic cyber hymn and a cruel story of youth culture .\n4018\tIt 's a fairy tale that comes from a renowned Indian film culture that allows Americans to finally revel in its splendor .\n4019\tAt once subtle and visceral , the film never succumbs to the trap of the maudlin or tearful , offering instead with its unflinching gaze a measure of faith in the future .\n4020\tThe performances of the children , untrained in acting , have an honesty and dignity that breaks your heart .\n4021\tDespite its lavish formalism and intellectual austerity , the film manages to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity .\n4022\tThis rush to profits has created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you had n't seen , which , in this day and age , is of course the point .\n4023\tAdams , with four scriptwriters , takes care with the characters , who are so believable that you feel what they feel .\n4024\tA completely spooky piece of business that gets under your skin and , some plot blips aside , stays there for the duration .\n4025\tSuperbly photographed and staged by Mendes with a series of riveting set pieces the likes of which mainstream audiences have rarely seen .\n4026\tThe ensemble cast turns in a collectively stellar performance , and the writing is tight and truthful , full of funny situations and honest observations .\n4027\tNot quite as miraculous as its DreamWorks makers would have you believe , but it more than adequately fills the eyes and stirs the emotions .\n4028\tA properly spooky film about the power of spirits to influence us whether we believe in them or not .\n4029\tThe lightest , most breezy movie Steven Spielberg has made in more than a decade .\n4030\tAnd the positive change in tone here seems to have recharged him .\n4031\tLike Edward Norton in American History X , Ryan Gosling -LRB- Murder By Numbers -RRB- delivers a magnetic performance .\n4032\tThis is a very funny , heartwarming film .\n4033\tIt has fun with the quirks of family life , but it also treats the subject with fondness and respect .\n4034\tRarely , indeed almost never , is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite , unfakable sense of cinema .\n4035\tThe leanest and meanest of Solondz 's misanthropic comedies .\n4036\tA dark , quirky road movie that constantly defies expectation .\n4037\tThere are some movies that hit you from the first scene and you know it 's going to be a trip .\n4038\tIgby Goes Down is one of those movies .\n4039\tOften messy and frustrating , but very pleasing at its best moments , it 's very much like life itself .\n4040\tA burst of color , music , and dance that only the most practiced curmudgeon could fail to crack a smile at .\n4041\tAn energetic , violent movie with a momentum that never lets up .\n4042\tLasker 's canny , meditative script distances sex and love , as Byron and Luther ... realize they ca n't get no satisfaction without the latter .\n4043\tIt turns out to be smarter and more diabolical than you could have guessed at the beginning .\n4044\tCage makes an unusual but pleasantly haunting debut behind the camera .\n4045\tNoyce has worked wonders with the material .\n4046\tIt 's mostly a pleasure to watch .\n4047\tAnd the reason for that is a self-aware , often self-mocking , intelligence .\n4048\tThe Chateau is a risky venture that never quite goes where you expect and often surprises you with unexpected comedy .\n4049\tA very well-meaning movie , and it will stand in future years as an eloquent memorial to the World Trade Center tragedy .\n4050\tThere are n't many conclusive answers in the film , but there is an interesting story of pointed personalities , courage , tragedy and the little guys vs. the big guys .\n4051\tVividly demonstrates that the director of such Hollywood blockbusters as Patriot Games can still turn out a small , personal film with an emotional wallop .\n4052\tA four star performance from Kevin Kline who unfortunately works with a two star script .\n4053\tDogtown & Z-Boys evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of James Dean .\n4054\tIf you do n't flee , you might be seduced .\n4055\tIf you do n't laugh , flee .\n4056\tPayne constructs a hilarious ode to middle America and middle age with this unlikely odyssey , featuring a pathetic , endearing hero who is all too human .\n4057\tKoury frighteningly and honestly exposes one teenager 's uncomfortable class resentment and , in turn , his self-inflicted retaliation .\n4058\tThe Santa Clause 2 proves itself a more streamlined and thought out encounter than the original could ever have hoped to be .\n4059\tNow as a former Gong Show addict , I 'll admit it , my only complaint is that we did n't get more re-creations of all those famous moments from the show .\n4060\tSucceeds where its recent predecessor miserably fails because it demands that you suffer the dreadfulness of war from both sides .\n4061\tThe first Bond movie in ages that is n't fake fun .\n4062\tThis odd , poetic road movie , spiked by jolts of pop music , pretty much takes place in Morton 's ever-watchful gaze -- and it 's a tribute to the actress , and to her inventive director , that the journey is such a mesmerizing one .\n4063\tA film centering on a traditional Indian wedding in contemporary New Delhi may not sound like specialized fare , but Mira Nair 's film is an absolute delight for all audiences .\n4064\tA weird and wonderful comedy .\n4065\tThe movie should jolt you out of your seat a couple of times , give you a few laughs , and leave you feeling like it was worth your seven bucks , even though it does turn out to be a bit of a cheat in the end .\n4066\tHas the capability of effecting change and inspiring hope .\n4067\tA first-class , thoroughly involving B movie that effectively combines two surefire , beloved genres -- the prison flick and the fight film .\n4068\tLaBute 's careful handling makes the material seem genuine rather than pandering .\n4069\tIn between all the emotional seesawing , it 's hard to figure the depth of these two literary figures , and even the times in which they lived .\n4070\tBut they fascinate in their recklessness .\n4071\tDeath to Smoochy is often very funny , but what 's even more remarkable is the integrity of DeVito 's misanthropic vision .\n4072\tA beautiful , entertaining two hours .\n4073\tYou get the idea , though , that Kapur intended the film to be more than that .\n4074\tA wonderful , ghastly film .\n4075\tAmid the new populist comedies that underscore the importance of family tradition and familial community , one would be hard-pressed to find a movie with a bigger , fatter heart than Barbershop .\n4076\tParris ' performance is credible and remarkably mature .\n4077\t` Enigma ' is the kind of engaging historical drama that Hollywood appears to have given up on in favor of sentimental war movies in the vein of ` We Were Soldiers . '\n4078\tMunch 's screenplay is tenderly observant of his characters .\n4079\tHe watches them as they float within the seas of their personalities .\n4080\tHis scenes are short and often unexpected .\n4081\tIt grabs you in the dark and shakes you vigorously for its duration .\n4082\tLeigh 's daring here is that without once denying the hardscrabble lives of people on the economic fringes of Margaret Thatcher 's ruinous legacy , he insists on the importance of those moments when people can connect and express their love for each other .\n4083\tHashiguchi vividly captures the way young Japanese live now , chafing against their culture 's manic mix of millennial brusqueness and undying , traditional politesse .\n4084\tUneven but a lot of fun .\n4085\tI know that I 'll never listen to Marvin Gaye or the Supremes the same way again\n4086\tThe two leads , nearly perfect in their roles , bring a heart and reality that buoy the film , and at times , elevate it to a superior crime movie .\n4087\tNot as good as The Full Monty , but a really strong second effort .\n4088\tWhenever it threatens to get bogged down in earnest dramaturgy , a stirring visual sequence like a surge through swirling rapids or a leap from pinnacle to pinnacle rouses us .\n4089\tIf horses could fly , this is surely what they 'd look like .\n4090\tUnfolds as one of the most politically audacious films of recent decades from any country , but especially from France .\n4091\tThis real-life Hollywood fairy-tale is more engaging than the usual fantasies Hollywood produces .\n4092\tThe graphic carnage and re-creation of war-torn Croatia is uncomfortably timely , relevant , and sickeningly real .\n4093\tLeft me with the visceral sensation of longing , lasting traces of Charlotte 's web of desire and desperation .\n4094\tThe characters are more deeply thought through than in most ` right-thinking ' films .\n4095\tCrammed with incident , and bristles with passion and energy .\n4096\tIt 's fun , splashy and entertainingly nasty .\n4097\tA simple tale of an unlikely friendship , but thanks to the gorgeous locales and exceptional lead performances , it has considerable charm .\n4098\tIt might be ` easier ' to watch on video at home , but that should n't stop die-hard French film connoisseurs from going out and enjoying the big-screen experience .\n4099\tThere 's very little sense to what 's going on here , but the makers serve up the cliches with considerable dash .\n4100\tWitty , contemplative , and sublimely beautiful .\n4101\tA surprisingly ` solid ' achievement by director Malcolm D. Lee and writer John Ridley .\n4102\tWoven together handsomely , recalling sixties ' rockumentary milestones from Lonely Boy to Do n't Look Back .\n4103\tThis is pure , exciting moviemaking .\n4104\tYou wo n't exactly know what 's happening but you 'll be blissfully exhausted .\n4105\tThe 1960s rebellion was misdirected : you ca n't fight your culture .\n4106\tWorks because Reno does n't become smug or sanctimonious towards the audience .\n4107\tNettelbeck ... has a pleasing way with a metaphor .\n4108\tA pure participatory event that malnourished intellectuals will gulp down in a frenzy .\n4109\tThe cast delivers without sham the raw-nerved story .\n4110\tSteven Soderbergh 's digital video experiment is a clever and cutting , quick and dirty look at modern living and movie life .\n4111\tThe film 's highlight is definitely its screenplay , both for the rhapsodic dialogue that jumps off the page , and for the memorable character creations .\n4112\tIt lets you brush up against the humanity of a psycho , without making him any less psycho .\n4113\tSillier , cuter , and shorter than the first -LRB- as best I remember -RRB- , but still a very good time at the cinema .\n4114\tThe film is bright and flashy in all the right ways .\n4115\tElegant and eloquent -LRB- meditation -RRB- on death and that most elusive of passions , love .\n4116\tCut through the layers of soap-opera emotion and you find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most .\n4117\tFilmmaker Tian Zhuangzhuang triumphantly returns to narrative filmmaking with a visually masterful work of quiet power .\n4118\tIt excels because , unlike so many other Hollywood movies of its ilk , it offers hope .\n4119\tShot in rich , shadowy black-and-white , Devils chronicles , with increasingly amused irony , the relationship between reluctant captors and befuddled captives .\n4120\tThere 's no clear picture of who killed Bob Crane .\n4121\tBut here 's a glimpse at his life .\n4122\tSpectacularly beautiful , not to mention mysterious , sensual , emotionally intense , and replete with virtuoso throat-singing .\n4123\tA summer entertainment adults can see without feeling embarrassed , but it could have been more .\n4124\tSparse but oddly compelling .\n4125\tA stirring , funny and finally transporting re-imagining of Beauty and the Beast and 1930s horror films\n4126\tThe Pinochet Case is a searing album of remembrance from those who , having survived , suffered most .\n4127\tA sweet-tempered comedy that forgoes the knee-jerk misogyny that passes for humor in so many teenage comedies .\n4128\tArgento , at only 26 , brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein and bled the raw film stock .\n4129\tWith so many bad romances out there , this is the kind of movie that deserves a chance to shine .\n4130\tBrash , intelligent and erotically perplexing , Haneke 's portrait of an upper class Austrian society and the suppression of its tucked away demons is uniquely felt with a sardonic jolt .\n4131\tThough Jackson does n't always succeed in integrating the characters in the foreground into the extraordinarily rich landscape , it must be said that he is an imaginative filmmaker who can see the forest for the trees .\n4132\t`` The Quiet American '' begins in Saigon in 1952 .\n4133\tThat 's its first sign of trouble .\n4134\tA dazzling thing to behold -- as long as you 're wearing the somewhat cumbersome 3D goggles the theater provides .\n4135\tBe patient with the lovely Hush !\n4136\tand your reward will be a thoughtful , emotional movie experience .\n4137\tThe large-format film is well suited to capture these musicians in full regalia and the incredible IMAX sound system lets you feel the beat down to your toes .\n4138\tGodard has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence .\n4139\tThe kind of movie that comes along only occasionally , one so unconventional , gutsy and perfectly executed it takes your breath away .\n4140\tUnlike most surf movies , Blue Crush thrillingly uses modern technology to take the viewer inside the wave .\n4141\tBy the end you ca n't help but feel ` stoked . '\n4142\tThe off-center humor is a constant , and the ensemble gives it a buoyant delivery .\n4143\tA tasty slice of droll whimsy .\n4144\tMike Leigh populates his movie with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life\n4145\tAwesome work : ineffable , elusive , yet inexplicably powerful\n4146\tSparkling , often hilarious romantic jealousy comedy ... Attal looks so much like a young Robert DeNiro that it seems the film should instead be called ` My Husband Is Travis Bickle ' .\n4147\tEven if you 're an agnostic carnivore , you can enjoy much of Jonah simply , and gratefully , as laugh-out-loud lunacy with a pronounced Monty Pythonesque flavor .\n4148\tWhere Bowling for Columbine is at its most valuable is in its examination of America 's culture of fear as a root cause of gun violence .\n4149\tThe result is somewhat satisfying -- it still comes from Spielberg , who has never made anything that was n't at least watchable .\n4150\tBut it 's also disappointing to a certain degree .\n4151\tThe all-French cast is marveilleux .\n4152\tThere 's a lot to recommend Read My Lips .\n4153\tA minor film with major pleasures from Portuguese master Manoel de Oliviera ...\n4154\tBrosnan gives a portrayal as solid and as perfect as his outstanding performance as Bond in Die Another Day .\n4155\tAudiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching , but otherwise the production is suitably elegant .\n4156\tThe movie is ... very funny as you peek at it through the fingers in front of your eyes .\n4157\tNicks sustains the level of exaggerated , stylized humor throughout by taking your expectations and twisting them just a bit .\n4158\tA refreshing change from the usual whoopee-cushion effort aimed at the youth market .\n4159\tIt finds its moviegoing pleasures in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice .\n4160\t... an enjoyably frothy ` date movie ' ...\n4161\tThe genius of the work speaks volumes , offering up a hallucinatory dreamscape that frustrates and captivates .\n4162\tTwo Weeks Notice has appeal beyond being a Sandra Bullock vehicle or a standard romantic comedy .\n4163\tThe movie 's seams may show ... but Pellington gives `` Mothman '' an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling .\n4164\tIf Mostly Martha is mostly unsurprising , it 's still a sweet , even delectable diversion .\n4165\tA wild comedy that could only spring from the demented mind of the writer of Being John Malkovich .\n4166\tSchnitzler does a fine job contrasting the sleekness of the film 's present with the playful paranoia of the film 's past . '\n4167\tA fresh-faced , big-hearted and frequently funny thrill ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand . '\n4168\tMana gives us compelling , damaged characters who we want to help -- or hurt .\n4169\tThe sentimental script has problems , but the actors pick up the slack .\n4170\tA good documentary can make interesting a subject you thought would leave you cold .\n4171\tA case in point : Doug Pray 's Scratch .\n4172\tAbderrahmane Sissako 's Heremakono -LRB- Waiting for Happiness -RRB- is an elegiac portrait of a transit city on the West African coast struggling against foreign influences .\n4173\tIn XXX , Diesel is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep .\n4174\tAn engrossing and grim portrait of hookers : what they think of themselves and their clients .\n4175\tIt all plays out ... like a high-end John Hughes comedy , a kind of Elder Bueller 's Time Out .\n4176\tThe film is enriched by an imaginatively mixed cast of antic spirits , headed by Christopher Plummer as the subtlest and most complexly evil Uncle Ralph I 've ever seen in the many film and stage adaptations of the work .\n4177\tThis is one of the rarest kinds of films : a family-oriented non-Disney film that is actually funny without hitting below the belt .\n4178\tIt is refreshingly undogmatic about its characters .\n4179\tA moving and important film .\n4180\tDeep intelligence and a warm , enveloping affection breathe out of every frame .\n4181\tFamuyiwa 's feature deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer .\n4182\tShowtime is a fine-looking film with a bouncy score and a clutch of lively songs for deft punctuation .\n4183\tSweet Home Alabama is n't going to win any Academy Awards , but this date-night diversion will definitely win some hearts .\n4184\ta cruelly funny twist on teen comedy packed with inventive cinematic tricks and an ironically killer soundtrack\n4185\tA gracious , eloquent film that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past forever lost .\n4186\tEven though many of these guys are less than adorable -LRB- their lamentations are pretty much self-centered -RRB- , there 's something vital about the movie .\n4187\tA tour de force drama about the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers .\n4188\tIt is a strength of a documentary to disregard available bias , especially as temptingly easy as it would have been with this premise .\n4189\tWhen twentysomething hotsies make movies about their lives , hard-driving narcissism is a given , but what a world we 'd live in if Argento 's Hollywood counterparts ... had this much imagination and nerve .\n4190\tMaryam is more timely now than ever .\n4191\tAn eloquent , reflective and beautifully acted meditation on both the profoundly devastating events of one year ago and the slow , painful healing process that has followed in their wake .\n4192\tPiccoli gives a superb performance full of deep feeling .\n4193\tWhat a concept , what an idea , what a thrill ride .\n4194\tThis is a more fascinating look at the future than `` Bladerunner '' and one of the most high-concept sci fi adventures attempted for the screen .\n4195\tThe rare movie that 's as crisp and to the point as the novel on which it 's based .\n4196\tA film of epic scale with an intimate feeling , a saga of the ups and downs of friendships .\n4197\tSayles has an eye for the ways people of different ethnicities talk to and about others outside the group .\n4198\t`` Nicholas Nickleby '' is a perfect family film to take everyone to since there 's no new `` A Christmas Carol '' out in the theaters this year .\n4199\tCharlie Hunnam has the twinkling eyes , repressed smile and determined face needed to carry out a Dickensian hero .\n4200\tNiccol the filmmaker merges his collaborators ' symbolic images with his words , insinuating , for example , that in Hollywood , only God speaks to the press\n4201\tKhouri manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum .\n4202\tImpresses as a skillfully assembled , highly polished and professional adaptation ... just about as chilling and unsettling as ` Manhunter ' was .\n4203\tIt 's a solid movie about people whose lives are anything but .\n4204\tThough a touch too Arthouse 101 in its poetic symbolism , Heaven proves to be a good match of the sensibilities of two directors .\n4205\tI simply ca n't recommend it enough .\n4206\tWiseman reveals the victims of domestic abuse in all of their pity and terror .\n4207\tMuccino , who directed from his own screenplay , is a canny crowd pleaser , and The Last Kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex .\n4208\tWe want the funk - and this movie 's got it .\n4209\tWow , so who knew Charles Dickens could be so light-hearted ?\n4210\tMany went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside , and I do n't think that A.C. will help this movie one bit .\n4211\tThe storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and the overall experience is awesome .\n4212\tA miraculous movie , I 'm Going Home is so slight , yet overflows with wisdom and emotion .\n4213\tBaran is shockingly devoid of your typical Majid Majidi shoe-loving , crippled children .\n4214\tEvery moment crackles with tension , and by the end of the flick , you 're on the edge of your seat .\n4215\tA fine , rousing , G-rated family film , aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats .\n4216\tThe series ' message about making the right choice in the face of tempting alternatives remains prominent , as do the girls ' amusing personalities .\n4217\tRichly entertaining and suggestive of any number of metaphorical readings .\n4218\tA compelling allegory about the last days of Germany 's democratic Weimar Republic .\n4219\tOffers a guilt-free trip into feel-good territory .\n4220\tA B-movie you can sit through , enjoy on a certain level and then forget .\n4221\tDevos delivers a perfect performance that captures the innocence and budding demons within a wallflower .\n4222\tDisappointingly , the characters are too strange and dysfunctional , Tom included , to ever get under the skin , but this is compensated in large part by the off-the-wall dialogue , visual playfulness and the outlandishness of the idea itself .\n4223\tDirector Todd Solondz has made a movie about critical reaction to his two previous movies , and about his responsibility to the characters that he creates .\n4224\tThe word that comes to mind , while watching Eric Rohmer 's tribute to a courageous Scottish lady , is painterly .\n4225\tA fascinating case study of flower-power liberation -- and the price that was paid for it .\n4226\tBluer than the Atlantic and more biologically detailed than an autopsy , the movie ... is , also , frequently hilarious .\n4227\tReally is a pan-American movie , with moments of genuine insight into the urban heart .\n4228\tAn overly familiar scenario is made fresh by an intelligent screenplay and gripping performances in this low-budget , video-shot , debut indie effort .\n4229\tPeppering this urban study with references to Norwegian folktales , Villeneuve creates in Maelstrom a world where the bizarre is credible and the real turns magical .\n4230\tOng 's promising debut is a warm and well-told tale of one recent Chinese immigrant 's experiences in New York City .\n4231\tThat the real Antwone Fisher was able to overcome his personal obstacles and become a good man is a wonderful thing ; that he has been able to share his story so compellingly with us is a minor miracle .\n4232\tThere 's not much to Fatale , outside of its stylish surprises ... but that 's OK .\n4233\tWhat redeems the film is the cast , particularly the Ya-Yas themselves .\n4234\tBeautiful , cold , oddly colorful and just plain otherworldly , a freaky bit of art that 's there to scare while we delight in the images .\n4235\tIt 's up to -LRB- Watts -RRB- to lend credibility to this strange scenario , and her presence succeeds in making us believe .\n4236\tThe film is darkly atmospheric , with Herrmann quietly suggesting the sadness and obsession beneath Hearst 's forced avuncular chortles .\n4237\tShyamalan takes a potentially trite and overused concept -LRB- aliens come to Earth -RRB- and infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion .\n4238\t... the story , like Ravel 's Bolero , builds to a crescendo that encompasses many more paths than we started with .\n4239\tIt 's plotless , shapeless -- and yet , it must be admitted , not entirely humorless .\n4240\tIndeed , the more outrageous bits achieve a shock-you-into-laughter intensity of almost Dadaist proportions .\n4241\tGondry 's direction is adequate ... but what gives Human Nature its unique feel is Kaufman 's script .\n4242\tThe film 's plot may be shallow , but you 've never seen the deep like you see it in these harrowing surf shots .\n4243\tWith a large cast representing a broad cross-section , Tavernier 's film bounds along with the rat-a-tat energy of `` His Girl Friday , '' maintaining a light touch while tackling serious themes .\n4244\tThe observations of this social\\/economic\\/urban environment are canny and spiced with irony .\n4245\tRenner carries much of the film with a creepy and dead-on performance .\n4246\tJarecki and Gibney do find enough material to bring Kissinger 's record into question and explain how the diplomat 's tweaked version of statecraft may have cost thousands and possibly millions of lives .\n4247\tThe spaniel-eyed Jean Reno infuses Hubert with a mixture of deadpan cool , wry humor and just the measure of tenderness required to give this comic slugfest some heart .\n4248\tAniston has at last decisively broken with her Friends image in an independent film of satiric fire and emotional turmoil .\n4249\tA mildly enjoyable if toothless adaptation of a much better book .\n4250\tUnexpected , and often contradictory , truths emerge .\n4251\t300 years of Russian history and culture compressed into an evanescent , seamless and sumptuous stream of consciousness .\n4252\tIntelligent , caustic take on a great writer and dubious human being .\n4253\tMay take its sweet time to get wherever it 's going , but if you have the patience for it , you wo n't feel like it 's wasted yours .\n4254\tLess the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling -LRB- though no less horrifying for it -RRB- .\n4255\tThe film is one of the year 's best .\n4256\tEerily accurate depiction of depression .\n4257\t... a delicious crime drama on par with the slickest of Mamet .\n4258\tCharming and witty , it 's also somewhat clumsy .\n4259\tDirected with purpose and finesse by England 's Roger Mitchell , who handily makes the move from pleasing , relatively lightweight commercial fare such as Notting Hill to commercial fare with real thematic heft .\n4260\tEscapes the precious trappings of most romantic comedies , infusing into the story very real , complicated emotions .\n4261\tThis big screen caper has a good bark , far from being a bow-wow .\n4262\t-LRB- Allen -RRB- manages to breathe life into this somewhat tired premise .\n4263\tI have two words to say about Reign of Fire .\n4264\tGreat dragons !\n4265\tBy surrounding us with hyper-artificiality , Haynes makes us see familiar issues , like racism and homophobia , in a fresh way .\n4266\tA deliberative account of a lifestyle characterized by its surface-obsession -- one that typifies the delirium of post , pre , and extant stardom .\n4267\tSuperb production values & Christian Bale 's charisma make up for a derivative plot .\n4268\tThe film has the courage of its convictions and excellent performances on its side .\n4269\tI know I should n't have laughed , but hey , those farts got to my inner nine-year-old .\n4270\tA movie that will thrill you , touch you and make you laugh as well .\n4271\tIt 's a smart , funny look at an arcane area of popular culture , and if it is n't entirely persuasive , it does give exposure to some talented performers .\n4272\tMore vaudeville show than well-constructed narrative , but on those terms it 's inoffensive and actually rather sweet .\n4273\tThe case is a convincing one , and should give anyone with a conscience reason to pause .\n4274\tThe actresses find their own rhythm and protect each other from the script 's bad ideas and awkwardness .\n4275\tDiverting French comedy in which a husband has to cope with the pesky moods of jealousy .\n4276\tCaptivates and shows how a skillful filmmaker can impart a message without bludgeoning the audience over the head .\n4277\tThere is a welcome lack of pretension about the film , which very simply sets out to entertain and ends up delivering in good measure .\n4278\tCoy but exhilarating , with really solid performances by Ving Rhames and Wesley Snipes .\n4279\tIt is a likable story , told with competence .\n4280\tNot only does Spider-Man deliver , but I suspect it might deliver again and again .\n4281\tTackles the difficult subject of grief and loss with such life-embracing spirit that the theme does n't drag an audience down .\n4282\tA small movie with a big impact .\n4283\tThe movie , despite its rough edges and a tendency to sag in certain places , is wry and engrossing .\n4284\tI admire the closing scenes of the film , which seem to ask whether our civilization offers a cure for Vincent 's complaint .\n4285\tLike Rudy Yellow Lodge , Eyre needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider .\n4286\ta delightful romantic comedy with plenty of bite .\n4287\tIt 's far from a frothy piece , and the characters are complex , laden with plenty of baggage and tinged with tragic undertones .\n4288\tUsing an endearing cast , writer\\/director Dover Kosashvili takes a slightly dark look at relationships , both sexual and kindred .\n4289\tWhen a movie has stuck around for this long , you know there 's something there .\n4290\tIt 's that good .\n4291\tSmart , sassy interpretation of the Oscar Wilde play .\n4292\tForget about one Oscar nomination for Julianne Moore this year - she should get all five .\n4293\tJapanese director Shohei Imamura 's latest film is an odd but ultimately satisfying blend of the sophomoric and the sublime .\n4294\tKwan is a master of shadow , quietude , and room noise , and Lan Yu is a disarmingly lived-in movie .\n4295\tWhile the plot follows a predictable connect-the-dots course ... director John Schultz colors the picture in some evocative shades .\n4296\tKatz 's documentary does n't have much panache , but with material this rich it does n't need it .\n4297\tWe get an image of Big Papa spanning history , rather than suspending it .\n4298\tEvelyn 's strong cast and surehanded direction make for a winning , heartwarming yarn .\n4299\tA conventional but heartwarming tale .\n4300\tThis is one of the outstanding thrillers of recent years .\n4301\tSkins has a desolate air , but Eyre , a Native American raised by white parents , manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor .\n4302\tA film of quiet power .\n4303\tMore concerned with overall feelings , broader ideas , and open-ended questions than concrete story and definitive answers , Soderbergh 's Solaris is a gorgeous and deceptively minimalist cinematic tone poem .\n4304\tAn intelligent romantic thriller of a very old-school kind of quality .\n4305\tThe sword fighting is well done and Auteuil is a goofy pleasure .\n4306\tYes , MIBII is rote work and predictable , but with a philosophical visual coming right at the end that extravagantly redeems it .\n4307\tFilm ca n't quite maintain its initial momentum , but remains sporadically funny throughout .\n4308\tO Fantasma is boldly , confidently orchestrated , aesthetically and sexually , and its impact is deeply and rightly disturbing .\n4309\tIt 's still Adam Sandler , and it 's not Little Nicky .\n4310\tAnd for many of us , that 's good enough .\n4311\tHere 's yet another cool crime movie that actually manages to bring something new into the mix .\n4312\tLee 's achievement extends to his supple understanding of the role that Brown played in American culture as an athlete , a movie star , and an image of black indomitability .\n4313\tKaufman and Jonze take huge risks to ponder the whole notion of passion -- our desire as human beings for passion in our lives and the emptiness one feels when it is missing .\n4314\tIt tends to remind one of a really solid Woody Allen film , with its excellent use of New York locales and sharp writing\n4315\tWhile centered on the life experiences of a particular theatrical family , this marvelous documentary touches -- ever so gracefully -- on the entire history of the Yiddish theater , both in America and Israel .\n4316\tThe film , despite the gratuitous cinematic distractions impressed upon it , is still good fun .\n4317\tThe immersive powers of the giant screen and its hyper-realistic images are put to perfect use in the breathtakingly beautiful outer-space documentary Space Station 3D .\n4318\tHas an unmistakable , easy joie de vivre .\n4319\tMore than anything else , Kissing Jessica Stein injects freshness and spirit into the romantic comedy genre , which has been held hostage by generic scripts that seek to remake Sleepless in Seattle again and again .\n4320\tThis movie has the usual impossible stunts ... But it has just as many scenes that are lean and tough enough to fit in any modern action movie .\n4321\tMostly works because of the universal themes , earnest performances ... and excellent use of music by India 's popular Gulzar and Jagjit Singh .\n4322\t... the one thing this Wild film has that other Imax films do n't : chimps , lots of chimps , all blown up to the size of a house .\n4323\tThat 's fun for kids of any age .\n4324\tWriter\\/director David Caesar ladles on the local flavour with a hugely enjoyable film about changing times , clashing cultures and the pleasures of a well-made pizza .\n4325\tRarely have I seen a film so willing to champion the fallibility of the human heart .\n4326\tHolofcener rejects patent solutions to dramatize life 's messiness from inside out , in all its strange quirks .\n4327\tLike The Full Monty , this is sure to raise audience 's spirits and leave them singing long after the credits roll .\n4328\t... a gleefully grungy , hilariously wicked black comedy ...\n4329\tKinnear and Dafoe give what may be the performances of their careers .\n4330\tAll in all , a great party .\n4331\tA moving story of determination and the human spirit .\n4332\t`` Brown Sugar '' admirably aspires to be more than another `` Best Man '' clone by weaving a theme throughout this funny film .\n4333\t-LRB- Gulpilil -RRB- is a commanding screen presence , and his character 's abundant humanism makes him the film 's moral compass .\n4334\tAn effortlessly accomplished and richly resonant work .\n4335\tIn some ways , Lagaan is quintessential Bollywood .\n4336\tExcept it 's much , much better .\n4337\tThough it never rises to its full potential as a film , still offers a great deal of insight into the female condition and the timeless danger of emotions repressed .\n4338\tScotland looks wonderful , the fans are often funny fanatics , the showdown sure beats a bad day of golf .\n4339\tWhat enlivens this film , beyond the astute direction of Cardoso and beautifully detailed performances by all of the actors , is a note of defiance over social dictates .\n4340\tThe emotion is impressively true for being so hot-blooded , and both leads are up to the task .\n4341\tAlthough it lacks the detail of the book , the film does pack some serious suspense .\n4342\tI 'd watch these two together again in a New York minute .\n4343\tThere 's nothing like love to give a movie a B-12 shot , and CQ shimmers with it .\n4344\tA moving essay about the specter of death , especially suicide .\n4345\tThis film is so different from The Apple and so striking that it can only encourage us to see Samira Makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success .\n4346\tLike a less dizzily gorgeous companion to Mr. Wong 's In the Mood for Love -- very much a Hong Kong movie despite its mainland setting .\n4347\t... a somber film , almost completely unrelieved by any comedy beyond the wistful everyday ironies of the working poor .\n4348\tCoral Reef Adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs -- and it lets the pictures do the punching .\n4349\tThe overall result is an intelligent , realistic portrayal of testing boundaries .\n4350\tPoignant and moving , A Walk to Remember is an inspirational love story , capturing the innocence and idealism of that first encounter .\n4351\tWorth a salute just for trying to be more complex than your average film .\n4352\tHandsome and sophisticated approach to the workplace romantic comedy .\n4353\tA shimmeringly lovely coming-of-age portrait , shot in artful , watery tones of blue , green and brown .\n4354\tWhile Cherish does n't completely survive its tonal transformation from dark comedy to suspense thriller , it 's got just enough charm and appealing character quirks to forgive that still serious problem .\n4355\tIn many ways , reminiscent of 1992 's Unforgiven which also utilized the scintillating force of its actors to draw out the menace of its sparse dialogue .\n4356\tWe admire this film for its harsh objectivity and refusal to seek our tears , our sympathies .\n4357\tAn often watchable , though goofy and lurid , blast of a costume drama set in the late 15th century .\n4358\tThe entire cast is first-rate , especially Sorvino .\n4359\tThe Cat 's Meow marks a return to form for director Peter Bogdanovich ...\n4360\tThis one is strictly a lightweight escapist film .\n4361\tThis sensitive , smart , savvy , compelling coming-of-age drama delves into the passive-aggressive psychology of co-dependence and the struggle for self-esteem .\n4362\tThe culmination of everyone 's efforts is given life when A Selection appears in its final form -LRB- in `` Last Dance '' -RRB- .\n4363\tIn questioning the election process , Payami graphically illustrates the problems of fledgling democracies , but also the strength and sense of freedom the Iranian people already possess , with or without access to the ballot box .\n4364\tA very charming and funny movie .\n4365\tThis is a film that manages to find greatness in the hue of its drastic iconography .\n4366\tStreamlined to a tight , brisk 85-minute screwball thriller , `` Big Trouble '' is funny , harmless and as substantial as a tub of popcorn with extra butter .\n4367\tConsummate actor Barry has done excellent work here .\n4368\tThe biggest problem with this movie is that it 's not nearly long enough .\n4369\tWhile not all that bad of a movie , it 's nowhere near as good as the original .\n4370\tAli 's graduation from little screen to big is far less painful than his opening scene encounter with an over-amorous terrier .\n4371\tI have always appreciated a smartly written motion picture , and , whatever flaws Igby Goes Down may possess , it is undeniably that .\n4372\tYou can sip your vintage wines and watch your Merchant Ivory productions ; I 'll settle for a nice cool glass of iced tea and a Jerry Bruckheimer flick any day of the week .\n4373\tMay be the most undeserving victim of critical overkill since Town and Country .\n4374\tA chilly , brooding but quietly resonant psychological study of domestic tension and unhappiness .\n4375\tThe movie does its best to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the Cotswolds .\n4376\tCold , nervy and memorable .\n4377\tBecomes a fascinating study of isolation and frustration that successfully recreates both the physical setting and emotional tensions of the Papin sisters .\n4378\tSpend your Benjamins on a matinee .\n4379\tAll in all , it 's a pretty good execution of a story that 's a lot richer than the ones Hollywood action screenwriters usually come up with on their own .\n4380\tWorth seeing just for Weaver and LaPaglia .\n4381\tA pleasant piece of escapist entertainment .\n4382\tAmong the many pleasures are the lively intelligence of the artists and their perceptiveness about their own situations .\n4383\tIt 's consistently funny , in an irresistible junior-high way , and consistently free of any gag that would force you to give it a millisecond of thought .\n4384\tIt 's the cute frissons of discovery and humor between Chaplin and Kidman that keep this nicely wound clock not just ticking , but humming .\n4385\tThe storytelling may be ordinary , but the cast is one of those all-star reunions that fans of Gosford Park have come to assume is just another day of Brit cinema .\n4386\tThere 's something about a marching band that gets me where I live .\n4387\tCuaron repeatedly , perversely undercuts the joie de vivre even as he creates it , giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective .\n4388\tIt 's definitely an improvement on the first Blade , since it does n't take itself so deadly seriously .\n4389\tA slam-bang extravaganza that is all about a wild-and-woolly , wall-to-wall good time .\n4390\tWhat 's infuriating about Full Frontal is that it 's too close to real life to make sense .\n4391\tWhat 's invigorating about it is that it does n't give a damn .\n4392\tIs Red Dragon worthy of a place alongside the other Hannibal movies ?\n4393\tAs Hannibal would say , yes , ` It 's like having an old friend for dinner ' .\n4394\tWriter-director Juan Carlos Fresnadillo makes a feature debut that is fully formed and remarkably assured .\n4395\tinsightfully written , delicately performed\n4396\tPerhaps the grossest movie ever made .\n4397\tFunny , though .\n4398\tThis 90-minute postmodern voyage was more diverting and thought-provoking than I 'd expected it to be .\n4399\tOne of those exceedingly rare films in which the talk alone is enough to keep us involved .\n4400\tA heartbreakingly thoughtful minor classic , the work of a genuine and singular artist .\n4401\tAn affectionately goofy satire that 's unafraid to throw elbows when necessary ...\n4402\tBetween them , De Niro and Murphy make Showtime the most savory and hilarious guilty pleasure of many a recent movie season .\n4403\tJackson tries to keep the plates spinning as best he can , but all the bouncing back and forth ca n't help but become a bit tedious -- even with the breathtaking landscapes and villainous varmints there to distract you from the ricocheting .\n4404\tFilmmakers David Weissman and Bill Weber benefit enormously from the Cockettes ' camera craziness -- not only did they film performances , but they did the same at home .\n4405\tInteresting both as a historical study and as a tragic love story .\n4406\tA stylish but steady , and ultimately very satisfying , piece of character-driven storytelling .\n4407\tIt picked me up , swung me around , and dropped me back in my seat with more emotional force than any other recent film .\n4408\tGraham Greene 's novel of colonialism and empire is elevated by Michael Caine 's performance as a weary journalist in a changing world .\n4409\tThough it 's equally solipsistic in tone , the movie has enough vitality to justify the notion of creating a screen adaptation of Evans ' saga of Hollywood excess .\n4410\tCompulsively watchable , no matter how degraded things get .\n4411\tDelivers roughly equal amounts of beautiful movement and inside information .\n4412\tBon appétit !\n4413\tJust like a splendid meal , Red Dragon satisfies -- from its ripe recipe , inspiring ingredients , certified cuisine and palatable presentation .\n4414\tThe structure is simple , but in its own way , Rabbit-Proof Fence is a quest story as grand as The Lord of the Rings .\n4415\tThis charming , thought-provoking New York fest of life and love has its rewards .\n4416\tSome people march to the beat of a different drum , and if you ever wondered what kind of houses those people live in , this documentary takes a look at 5 alternative housing options .\n4417\tPlayfully profound ... and crazier than Michael Jackson on the top floor of a skyscraper nursery surrounded by open windows .\n4418\tA film that will enthrall the whole family .\n4419\tThe charm of the first movie is still there , and the story feels like the logical , unforced continuation of the careers of a pair of spy kids .\n4420\tK 19 stays afloat as decent drama\\/action flick\n4421\tIt sends you away a believer again and quite cheered at just that .\n4422\tLike the best 60 Minutes exposé , the film -LRB- at 80 minutes -RRB- is actually quite entertaining .\n4423\tan 83 minute document of a project which started in a muddle , seesawed back and forth between controlling interests multiple times , then found its sweet spot\n4424\tAn emotionally and spiritually compelling journey seen through the right eyes , with the right actors and with the kind of visual flair that shows what great cinema can really do .\n4425\tNair does n't use -LRB- Monsoon Wedding -RRB- to lament the loss of culture .\n4426\tInstead , she sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions .\n4427\tBoth Grant and Hoult carry the movie because they are believable as people -- flawed , assured of the wrong things , and scared to admit how much they may really need the company of others .\n4428\tLeading a double life in an American film only comes to no good , but not here .\n4429\tMatters play out realistically if not always fairly .\n4430\tIn the affable Maid in Manhattan , Jennifer Lopez 's most aggressive and most sincere attempt to take movies by storm , the diva shrewdly surrounds herself with a company of strictly A-list players .\n4431\tLike Mike is a harmlessly naïve slice of b-ball fantasy , fit for filling in during the real NBA 's off-season .\n4432\tThough writer\\/director Bart Freundlich 's film ultimately becomes a simplistic story about a dysfunctional parent-child relationship , it has some special qualities and the soulful gravity of Crudup 's anchoring performance .\n4433\tWhat the movie lacks in action it more than makes up for in drama , suspense , revenge , and romance .\n4434\tJust offbeat enough to keep you interested without coming close to bowling you over .\n4435\tProbes in a light-hearted way the romantic problems of individuals for whom the yearning for passion spells discontent .\n4436\tWhat elevates the movie above the run-of-the-mill singles blender is its surreal sense of humor and technological finish .\n4437\tA film about female friendship that men can embrace and women will talk about for hours .\n4438\tThe directing and story are disjointed , flaws that have to be laid squarely on Taylor 's doorstep .\n4439\tBut the actors make this worth a peek .\n4440\tLight the candles , bring out the cake and do n't fret about the calories because there 's precious little substance in Birthday Girl -- it 's simply , and surprisingly , a nice , light treat .\n4441\tIt may be about drug dealers , kidnapping , and unsavory folks , but the tone and pacing are shockingly intimate .\n4442\tMassoud 's story is an epic , but also a tragedy , the record of a tenacious , humane fighter who was also the prisoner -LRB- and ultimately the victim -RRB- of history .\n4443\tIf villainous vampires are your cup of blood , Blade 2 is definitely a cut above the rest .\n4444\tDrumline ably captures the complicated relationships in a marching band .\n4445\tBecause the film deliberately lacks irony , it has a genuine dramatic impact ; it plays like a powerful 1957 drama we 've somehow never seen before .\n4446\tDoes point the way for adventurous Indian filmmakers toward a crossover into nonethnic markets .\n4447\tSeems based on ugly ideas instead of ugly behavior , as Happiness was ... Hence , Storytelling is far more appealing .\n4448\t`` Sum '' is Jack Ryan 's `` do-over . ''\n4449\tGive credit to everyone from Robinson down to the key grip that this bold move works .\n4450\tEspecially give credit to Affleck .\n4451\tAn intelligently made -LRB- and beautifully edited -RRB- picture that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the Hollywood pipeline without a hitch .\n4452\tA terrific date movie , whatever your orientation .\n4453\tNot all of the stories work and the ones that do are thin and scattered , but the film works well enough to make it worth watching .\n4454\tWhat it lacks in originality it makes up for in effective if cheap moments of fright and dread .\n4455\tThe pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by Charlie Kaufman and his twin brother , Donald , and directed by Spike Jonze .\n4456\tA gem of a movie .\n4457\tWitty , vibrant , and intelligent .\n4458\tIt 's all stitched together with energy , intelligence and verve , enhanced by a surplus of vintage archive footage .\n4459\tMiller comes at film with bracing intelligence and a vision both painterly and literary .\n4460\tThe film is moody , oozing , chilling and heart-warming all at once ... a twisting , unpredictable , cat-and-mouse thriller .\n4461\tEight Legged Freaks is clever and funny , is amused by its special effects , and leaves you feeling like you 've seen a movie instead of an endless trailer .\n4462\tThis is historical filmmaking without the balm of right-thinking ideology , either liberal or conservative .\n4463\tMr. Scorsese 's bravery and integrity in advancing this vision can hardly be underestimated .\n4464\tA thriller whose style , structure and rhythms are so integrated with the story , you can not separate them .\n4465\tIt 's a hoot watching The Rock chomp on jumbo ants , pull an arrow out of his back , and leap unscathed through raging fire !\n4466\tReturning director Rob Minkoff ... and screenwriter Bruce Joel Rubin ... have done a fine job of updating White 's dry wit to a new age .\n4467\tUnfolds with such a wallop of you-are-there immediacy that when the bullets start to fly , your first instinct is to duck .\n4468\tA strong script , powerful direction and splendid production design allows us to be transported into the life of Wladyslaw Szpilman , who is not only a pianist , but a good human being .\n4469\tAn unflinching look at the world 's dispossessed .\n4470\tIf the film fails to fulfill its own ambitious goals , it nonetheless sustains interest during the long build-up of expository material .\n4471\tPolanski has found the perfect material with which to address his own World War II experience in his signature style .\n4472\tIt is life affirming and heartbreaking , sweet without the decay factor , funny and sad .\n4473\tAn off-beat and fanciful film about the human need for monsters to blame for all that is amiss in the world .\n4474\tA colorful , joyous celebration of life ; a tapestry woven of romance , dancing , singing , and unforgettable characters .\n4475\tFrei assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him .\n4476\tNicely combines the enigmatic features of ` Memento ' with the hallucinatory drug culture of ` Requiem for a Dream . '\n4477\tA well paced and satisfying little drama that deserved better than a ` direct-to-video ' release .\n4478\tThe best part about `` Gangs '' was Daniel Day-Lewis .\n4479\tA treat for its depiction on not giving up on dreams when you 're a struggling nobody .\n4480\tOne of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them .\n4481\tA gripping documentary that reveals how deep the antagonism lies in war-torn Jerusalem .\n4482\tDirector Chris Wedge and screenwriters Michael Berg , Michael J. Wilson and Peter Ackerman create some episodes that rival vintage Looney Tunes for the most creative mayhem in a brief amount of time .\n4483\tOne of the film 's most effective aspects is its Tchaikovsky soundtrack of neurasthenic regret .\n4484\tSolondz creates some effective moments of discomfort for character and viewer alike .\n4485\tThe film 's appeal has a lot to do with the casting of Juliette Binoche as Sand , who brings to the role her pale , dark beauty and characteristic warmth .\n4486\tI was amused and entertained by the unfolding of Bielinsky 's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise .\n4487\tSomehow Ms. Griffiths and Mr. Pryce bring off this wild Welsh whimsy .\n4488\tMore mature than Fatal Attraction , more complete than Indecent Proposal and more relevant than 9 1\\/2 Weeks , Unfaithful is at once intimate and universal cinema .\n4489\tFor all the dolorous trim , Secretary is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop Freudianism .\n4490\tA fanciful drama about Napoleon 's last years and his surprising discovery of love and humility .\n4491\tA highly personal look at the effects of living a dysfunctionally privileged lifestyle , and by the end , we only wish we could have spent more time in its world .\n4492\tEric Schweig and Graham Greene both exude an air of dignity that 's perfect for the proud warrior that still lingers in the souls of these characters .\n4493\tLovely and Amazing is Holofcener 's deep , uncompromising curtsy to women she knows , and very likely is .\n4494\tWhen all is said and done , she loves them to pieces -- and so , I trust , will you .\n4495\tCampbell Scott finds the ideal outlet for his flick-knife diction in the role of Roger Swanson .\n4496\t-LRB- Fiji diver Rusi Vulakoro and the married couple Howard and Michelle Hall -RRB- show us the world they love and make us love it , too .\n4497\tRussian Ark is a new treasure of the Hermitage .\n4498\tThe animated sequences are well done and perfectly constructed to convey a sense of childhood imagination and creating adventure out of angst .\n4499\tIt 's definitely a step in the right direction .\n4500\tAs the princess , Sorvino glides gracefully from male persona to female without missing a beat .\n4501\tBen Kingsley is truly funny , playing a kind of Ghandi gone bad .\n4502\tOurside the theatre Roger might be intolerable company , but inside it he 's well worth spending some time with .\n4503\tA gem , captured in the unhurried , low-key style favored by many directors of the Iranian new wave .\n4504\tIn an era where big stars and high production values are standard procedure , Narc strikes a defiantly retro chord , and outpaces its contemporaries with daring and verve .\n4505\tRanges from laugh-out-loud hilarious to wonder-what - time-it-is tedious .\n4506\tThe film 's gamble to occasionally break up the live-action scenes with animated sequences pays off , as does its sensitive handling of some delicate subject matter .\n4507\tTalk To Her is not the perfect movie many have made it out to be , but it 's still quite worth seeing .\n4508\tBeating the Austin Powers films at their own game , this blaxploitation spoof downplays the raunch in favor of gags that rely on the strength of their own cleverness as opposed to the extent of their outrageousness .\n4509\tThis is a dark , gritty , sometimes funny little gem .\n4510\tFor all its visual panache and compelling supporting characters , the heart of the film rests in the relationship between Sullivan and his son .\n4511\tWhat makes Salton Sea surprisingly engrossing is that Caruso takes an atypically hypnotic approach to a world that 's often handled in fast-edit , hopped-up fashion .\n4512\tA hidden-agenda drama that shouts classic French nuance .\n4513\tWith Spy Kids 2 : The Island of Lost Dreams , the Spy Kids franchise establishes itself as a durable part of the movie landscape : a James Bond series for kids .\n4514\tAn invaluable historical document thanks to the filmmaker 's extraordinary access to Massoud , whose charm , cultivation and devotion to his people are readily apparent .\n4515\tThe performances of the four main actresses bring their characters to life .\n4516\tA little melodramatic , but with enough hope to keep you engaged .\n4517\tLan Yu seems altogether too slight to be called any kind of masterpiece .\n4518\tIt is , however , a completely honest , open-hearted film that should appeal to anyone willing to succumb to it .\n4519\tEveryone should be able to appreciate the wonderful cinematography and naturalistic acting .\n4520\tThis often-hilarious farce manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal .\n4521\tExpands the limits of what a film can be , taking us into the lives of women to whom we might not give a second look if we passed them on the street .\n4522\tThe farcical elements seemed too pat and familiar to hold my interest , yet its diverting grim message is a good one .\n4523\tShanghai Ghetto may not be as dramatic as Roman Polanski 's The Pianist , but its compassionate spirit soars every bit as high .\n4524\tDespite these annoyances , the capable Clayburgh and Tambor really do a great job of anchoring the characters in the emotional realities of middle age .\n4525\tThe underworld urban angst is derivative of Martin Scorsese 's Taxi Driver and Goodfellas , but this film speaks for itself .\n4526\tThe film 's heady yet far from impenetrable theory suggests that Russians take comfort in their closed-off nationalist reality .\n4527\tDespite modest aspirations its occasional charms are not to be dismissed .\n4528\tConstantly touching , surprisingly funny , semi-surrealist exploration of the creative act .\n4529\tThe journey is worth your time , especially if you have Ellen Pompeo sitting next to you for the ride .\n4530\tMerci pour le movie .\n4531\tFor every cheesy scene , though , there is a really cool bit -- the movie 's conception of a future-world holographic librarian -LRB- Orlando Jones -RRB- who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized .\n4532\tWhat sets Ms. Birot 's film apart from others in the genre is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents .\n4533\tAll three women deliver remarkable performances .\n4534\tClaire is a terrific role for someone like Judd , who really ought to be playing villains .\n4535\tIt 's clear that Mehta simply wanted to update her beloved genre for the thousands of Indians who fancy themselves too sophisticated for the cheese-laced spectacles that pack 'em in on the subcontinent .\n4536\tCompassionately explores the seemingly irreconcilable situation between conservative Christian parents and their estranged gay and lesbian children .\n4537\tThe soundtrack alone is worth the price of admission .\n4538\tRodriguez does a splendid job of racial profiling Hollywood style -- casting excellent Latin actors of all ages -- a trend long overdue .\n4539\tBeneath the film 's obvious determination to shock at any cost lies considerable skill and determination , backed by sheer nerve .\n4540\tBielinsky is a filmmaker of impressive talent .\n4541\tSo beautifully acted and directed , it 's clear that Washington most certainly has a new career ahead of him if he so chooses .\n4542\tA visual spectacle full of stunning images and effects .\n4543\tA gentle and engrossing character study .\n4544\tIt 's enough to watch Huppert scheming , with her small , intelligent eyes as steady as any noir villain , and to enjoy the perfectly pitched web of tension that Chabrol spins .\n4545\tAn engrossing portrait of uncompromising artists trying to create something original against the backdrop of a corporate music industry that only seems to care about the bottom line .\n4546\tA mischievous visual style and oodles of charm make ` Cherish ' a very good -LRB- but not great -RRB- movie .\n4547\tJust as the recent Argentine film Son of the Bride reminded us that a feel-good movie can still show real heart , Time of Favor presents us with an action movie that actually has a brain .\n4548\t-LRB- A -RRB- strong piece of work .\n4549\tA stirring tribute to the bravery and dedication of the world 's reporters who willingly walk into the nightmare of war not only to record the events for posterity , but to help us clearly see the world of our making .\n4550\tThe Importance of Being Earnest , so thick with wit it plays like a reading from Bartlett 's Familiar Quotations\n4551\tDaring and beautifully made .\n4552\tMade for teens and reviewed as such , this is recommended only for those under 20 years of age ... and then only as a very mild rental .\n4553\tImagine O. Henry 's The Gift of the Magi relocated to the scuzzy underbelly of NYC 's drug scene .\n4554\tMerry friggin ' Christmas !\n4555\tThe film does give a pretty good overall picture of the situation in Laramie following the murder of Matthew Shepard .\n4556\tBoth lead performances are Oscar-size .\n4557\tQuaid is utterly fearless as the tortured husband living a painful lie , and Moore wonderfully underplays the long-suffering heroine with an unflappable '50s dignity somewhere between Jane Wyman and June Cleaver .\n4558\tFerrara 's best film in years .\n4559\tA remarkably insightful look at the backstage angst of the stand-up comic .\n4560\tNothing short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil .\n4561\tDavis ' candid , archly funny and deeply authentic take on intimate relationships comes to fruition in her sophomore effort .\n4562\tIt 's more enjoyable than I expected , though , and that 's because the laughs come from fairly basic comedic constructs .\n4563\tCinematic pratfalls given a working over .\n4564\tThe cast is spot on and the mood is laid back .\n4565\tMatches neorealism 's impact by showing the humanity of a war-torn land filled with people who just want to live their lives .\n4566\tThose moviegoers who would automatically bypass a hip-hop documentary should give `` Scratch '' a second look .\n4567\tBaby-faced Renner is eerily convincing as this bland blank of a man with unimaginable demons within .\n4568\tRomantic , riveting and handsomely animated .\n4569\tA competent , unpretentious entertainment destined to fill the after-school slot at shopping mall theaters across the country .\n4570\tShot largely in small rooms , the film has a gentle , unforced intimacy that never becomes claustrophobic .\n4571\tWhere Janice Beard falters in its recycled aspects , implausibility , and sags in pace , it rises in its courageousness , and comedic employment .\n4572\tByler is too savvy a filmmaker to let this morph into a typical romantic triangle .\n4573\tInstead , he focuses on the anguish that can develop when one mulls leaving the familiar to traverse uncharted ground .\n4574\tMcGrath has deftly trimmed Dickens ' wonderfully sprawling soap opera , the better to focus on the hero 's odyssey from cowering poverty to courage and happiness .\n4575\tA chance to see three splendid actors turn a larky chase movie into an emotionally satisfying exploration of the very human need to be somebody , and to belong to somebody .\n4576\tMetaphors abound , but it is easy to take this film at face value and enjoy its slightly humorous and tender story .\n4577\tAs directed by Dani Kouyate of Burkina Faso , Sia lacks visual flair .\n4578\tBut Kouyate elicits strong performances from his cast , and he delivers a powerful commentary on how governments lie , no matter who runs them .\n4579\tThe best comedy concert movie I 've seen since Cho 's previous concert comedy film , I 'm the One That I Want , in 2000 .\n4580\tBroomfield reminds us that beneath the hype , the celebrity , the high life , the conspiracies and the mystery there were once a couple of bright young men -- promising , talented , charismatic and tragically doomed .\n4581\tOffers laughs and insight into one of the toughest ages a kid can go through .\n4582\tA perceptive , good-natured movie .\n4583\tAn amused indictment of Jaglom 's own profession .\n4584\tA small movie with a big heart .\n4585\tHugely accomplished slice of Hitchcockian suspense .\n4586\tThe formula is familiar but enjoyable .\n4587\tTells a fascinating , compelling story .\n4588\tA triumph , a film that hews out a world and carries us effortlessly from darkness to light .\n4589\tWhat begins as a conventional thriller evolves into a gorgeously atmospheric meditation on life-changing chance encounters .\n4590\tThe Lady and the Duke is a smart , romantic drama that dares to depict the French Revolution from the aristocrats ' perspective .\n4591\tMost haunting about `` Fence '' is its conclusion , when we hear the ultimate fate of these girls and realize , much to our dismay , that this really did happen .\n4592\tNoyce 's greatest mistake is thinking that we needed sweeping , dramatic , Hollywood moments to keep us\n4593\tWorld Traveler might not go anywhere new , or arrive anyplace special , but it 's certainly an honest attempt to get at something .\n4594\tThere 's much tongue in cheek in the film and there 's no doubt the filmmaker is having fun with it all .\n4595\tThere 's absolutely no reason why Blue Crush , a late-summer surfer girl entry , should be as entertaining as it is\n4596\tAn action\\/thriller of the finest kind , evoking memories of Day of the Jackal , The French Connection , and Heat .\n4597\tThe best movie in many a moon about the passions that sometimes fuel our best achievements and other times leave us stranded with nothing more than our lesser appetites .\n4598\tIn capturing the understated comedic agony of an ever-ruminating , genteel yet decadent aristocracy that can no longer pay its bills , the film could just as well be addressing the turn of the 20th century into the 21st .\n4599\tInsomnia does not become one of those rare remakes to eclipse the original , but it does n't disgrace it , either .\n4600\tclassic cinema served up with heart and humor\n4601\t-LRB- Stephen -RRB- Earnhart 's film is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones they currently have .\n4602\tThe events of the film are just so WEIRD that I honestly never knew what the hell was coming next .\n4603\tNicole Holofcener 's Lovely and Amazing , from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style .\n4604\tThat Jack Nicholson makes this man so watchable is a tribute not only to his craft , but to his legend .\n4605\tHas a solid emotional impact .\n4606\tSuccessfully blended satire , high camp and yet another sexual taboo into a really funny movie .\n4607\tMark Pellington 's latest pop thriller is as kooky and overeager as it is spooky and subtly in love with myth .\n4608\tWhile maintaining the appearance of clinical objectivity , this sad , occasionally horrifying but often inspiring film is among Wiseman 's warmest .\n4609\tRaimi crafted a complicated hero who is a welcome relief from the usual two-dimensional offerings .\n4610\tAn enjoyable above average summer diversion .\n4611\tThere is simply no doubt that this film asks the right questions at the right time in the history of our country .\n4612\tIf you 've the patience , there are great rewards here .\n4613\tAs a science fiction movie , `` Minority Report '' astounds .\n4614\tWatching E.T now , in an era dominated by cold , loud special-effects-laden extravaganzas , one is struck less by its lavish grandeur than by its intimacy and precision .\n4615\tVisually breathtaking , viscerally exciting , and dramatically moving , it 's the very definition of epic adventure .\n4616\tChris Columbus ' sequel is faster , livelier and a good deal funnier than his original .\n4617\tWatching this film , what we feel is n't mainly suspense or excitement .\n4618\tThe dominant feeling is something like nostalgia . '\n4619\t... a great , participatory spectator sport . '\n4620\tA rather brilliant little cult item : a pastiche of children 's entertainment , superhero comics , and Japanese animation .\n4621\tBelieves so fervently in humanity that it feels almost anachronistic , and it is too cute by half .\n4622\tBut arriving at a particularly dark moment in history , it offers flickering reminders of the ties that bind us .\n4623\tAdam SANDLER !\n4624\tIn an ART FILM !\n4625\tAs averse as I usually am to feel-good , follow-your-dream Hollywood fantasies , this one got to me .\n4626\tStone seems to have a knack for wrapping the theater in a cold blanket of urban desperation .\n4627\t... a funny yet dark and seedy clash of cultures and generations .\n4628\tThe hook is the drama within the drama , as an unsolved murder and an unresolved moral conflict jockey for the spotlight .\n4629\tOver the years , Hollywood has crafted a solid formula for successful animated movies , and Ice Age only improves on it , with terrific computer graphics , inventive action sequences and a droll sense of humor .\n4630\tLike Smoke Signals , the film is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama\n4631\tOne of those movies that make us pause and think of what we have given up to acquire the fast-paced contemporary society .\n4632\tOne of the most original American productions this year , you 'll find yourself remembering this refreshing visit to a Sunshine State .\n4633\tMelds derivative elements into something that is often quite rich and exciting , and always a beauty to behold .\n4634\tGives everyone something to shout about .\n4635\tThe entire movie has a truncated feeling , but what 's available is lovely and lovable .\n4636\t-LRB- A -RRB- thoughtful , visually graceful work .\n4637\tAdmirers of director Abel Ferrara may be relieved that his latest feature , R Xmas , marks a modest if encouraging return to form .\n4638\tThe slam-bang superheroics are kinetic enough to engross even the most antsy youngsters .\n4639\tA worthy addition to the cinematic canon , which , at last count , numbered 52 different versions .\n4640\tDeliciously mean-spirited and wryly observant .\n4641\tThe kind of primal storytelling that George Lucas can only dream of .\n4642\tEven if The Ring has a familiar ring , it 's still unusually crafty and intelligent for Hollywood horror .\n4643\tThe sheer joy and pride they took in their work -- and in each other -- shines through every frame .\n4644\tA solidly constructed , entertaining thriller that stops short of true inspiration .\n4645\tThe cast ... keeps this pretty watchable , and casting Mick Jagger as director of the escort service was inspired .\n4646\tAn entertaining , if somewhat standardized , action movie .\n4647\tIt has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story just complicated enough to let you bask in your own cleverness as you figure it out .\n4648\tAn enjoyable comedy of lingual and cultural differences ... The Château is a film -- full of life and small delights -- that has all the wiggling energy of young kitten .\n4649\tIntriguing and downright intoxicating .\n4650\tAn incredibly thoughtful , deeply meditative picture that neatly and effectively captures the debilitating grief felt in the immediate aftermath of the terrorist attacks .\n4651\tWith an obvious rapport with her actors and a striking style behind the camera , Hélène Angel is definitely a director to watch .\n4652\t... could easily be called the best Korean film of 2002 .\n4653\tFull of detail about the man and his country , and is well worth seeing .\n4654\tThe banter between Calvin and his fellow barbers feels like a streetwise McLaughlin Group ... and never fails to entertain .\n4655\tThoroughly engrossing and ultimately tragic .\n4656\tPeter Jackson and company once again dazzle and delight us , fulfilling practically every expectation either a longtime Tolkien fan or a movie-going neophyte could want .\n4657\tBill Morrison 's Decasia is uncompromising , difficult and unbearably beautiful .\n4658\tFull of bland hotels , highways , parking lots , with some glimpses of nature and family warmth , Time Out is a discreet moan of despair about entrapment in the maze of modern life .\n4659\tEven with all its botches , Enigma offers all the pleasure of a handsome and well-made entertainment .\n4660\tHis work transcends the boy-meets-girl posturing of typical love stories .\n4661\tIf the real-life story is genuinely inspirational , the movie stirs us as well .\n4662\tAn ebullient Tunisian film about the startling transformation of a tradition-bound widow who is drawn into the exotic world of belly dancing .\n4663\tThe dramatic crisis does n't always succeed in its quest to be taken seriously , but Huppert 's volatile performance makes for a riveting movie experience .\n4664\tHighly irritating at first , Mr. Koury 's passive technique eventually begins to yield some interesting results .\n4665\tAbout Schmidt belongs to Nicholson .\n4666\tGone are the flamboyant mannerisms that are the trademark of several of his performances .\n4667\tAs Schmidt , Nicholson walks with a slow , deliberate gait , chooses his words carefully and subdues his natural exuberance .\n4668\tThe powder blues and sun-splashed whites of Tunis make an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs .\n4669\tIt does n't make for great cinema , but it is interesting to see where one 's imagination will lead when given the opportunity .\n4670\tIt 's sobering , particularly if anyone still thinks this conflict can be resolved easily , or soon .\n4671\tIf it 's not entirely memorable , the movie is certainly easy to watch .\n4672\t... by the time it 's done with us , Mira Nair 's new movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is pretty much the same all over .\n4673\tBest indie of the year , so far .\n4674\t-LRB- Ferrera -RRB- has the charisma of a young woman who knows how to hold the screen .\n4675\t... the plot weaves us into a complex web .\n4676\tDo n't judge this one too soon - it 's a dark , gritty story but it takes off in totally unexpected directions and keeps on going .\n4677\tIn Death to Smoochy , we do n't get Williams ' usual tear and a smile , just sneers and bile , and the spectacle is nothing short of refreshing .\n4678\tA serviceable Euro-trash action extravaganza , with a decent sense of humor and plenty of things that go boom -- handguns , BMWs and seaside chateaus .\n4679\tFortunately , Elling never gets too cloying thanks to the actors ' perfect comic timing and sweet , genuine chemistry .\n4680\tIf you 've grown tired of going where no man has gone before , but several movies have - take heart .\n4681\tThis is the best Star Trek movie in a long time .\n4682\tGreg Kinnear gives a mesmerizing performance as a full-fledged sex addict who is in complete denial about his obsessive behavior .\n4683\tNot only a coming-of-age story and cautionary parable , but also a perfectly rendered period piece .\n4684\tou 've got to love a Disney pic with as little cleavage as this one has , and a heroine as feisty and principled as Jane .\n4685\tA funny , triumphant , and moving documentary .\n4686\tLathan and Diggs carry the film with their charisma , and both exhibit sharp comic timing that makes the more hackneyed elements of the film easier to digest .\n4687\tAbout Schmidt is Nicholson 's goofy , heartfelt , mesmerizing King Lear .\n4688\tA confluence of kiddie entertainment , sophisticated wit and symbolic graphic design .\n4689\tGay or straight , Kissing Jessica Stein is one of the greatest date movies in years .\n4690\tThis is a movie full of grace and , ultimately , hope .\n4691\tEven better than the first one !\n4692\tIts compelling mix of trial movie , escape movie and unexpected fable ensures the film never feels draggy .\n4693\tA must see for all sides of the political spectrum\n4694\t-LRB- Reynolds -RRB- takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch .\n4695\tThere are problems with this film that even 3 Oscar winners ca n't overcome , but it 's a nice girl-buddy movie once it gets rock-n-rolling .\n4696\tRich in atmosphere of the post-war art world , it manages to instruct without reeking of research library dust .\n4697\tHas the rare capability to soothe and break your heart with a single stroke .\n4698\tIt rapidly develops into a gut-wrenching examination of the way cultural differences and emotional expectations collide .\n4699\tThough it flirts with bathos and pathos and the further Oprahfication of the world as we know it , it still cuts all the way down to broken bone .\n4700\tThis humbling little film , fueled by the light comedic work of Zhao Benshan and the delicate ways of Dong Jie , is just the sort for those moviegoers who complain that ` they do n't make movies like they used to anymore . '\n4701\tIt will break your heart many times over .\n4702\tA straight-shooting family film which awards animals the respect they 've rarely been given .\n4703\tOverall , interesting as a documentary -- but not very Imaxy .\n4704\tThis is one of those war movies that focuses on human interaction rather than battle and action sequences ... and it 's all the stronger because of it .\n4705\t`` Secretary '' is owned by its costars , Spader and Gyllenhaal .\n4706\tMaggie G. makes an amazing breakthrough in her first starring role and eats up the screen .\n4707\tThe film fits into a genre that has been overexposed , redolent of a thousand cliches , and yet remains uniquely itself , vibrant with originality .\n4708\tNot only is it a charming , funny and beautifully crafted import , it uses very little dialogue , making it relatively effortless to read and follow the action at the same time .\n4709\tThe kind of sense of humor that derives from a workman 's grasp of pun and entendre and its attendant need to constantly draw attention to itself .\n4710\tToo much of Storytelling moves away from Solondz 's social critique , casting its audience as that of intellectual lector in contemplation of the auteur 's professional injuries .\n4711\tThe story is virtually impossible to follow here , but there 's a certain style and wit to the dialogue .\n4712\tThe music makes a nice album , the food is enticing and Italy beckons us all .\n4713\tThe film is an earnest try at beachcombing verismo , but it would be even more indistinct than it is were it not for the striking , quietly vulnerable personality of Ms. Ambrose .\n4714\tThe film is small in scope , yet perfectly formed .\n4715\tJones has delivered a solidly entertaining and moving family drama .\n4716\tHappy Times maintains an appealing veneer without becoming too cute about it .\n4717\tOliveira seems to pursue silent film representation with every mournful composition .\n4718\tOne of the pleasures in Walter 's documentary ... is the parade of veteran painters , confounded dealers , and miscellaneous bohos who expound upon the subject 's mysterious personality without ever explaining him .\n4719\tCaptures all the longing , anguish and ache , the confusing sexual messages and the wish to be a part of that elusive adult world .\n4720\tHe 's the scariest guy you 'll see all summer .\n4721\t`` Frailty '' offers chills much like those that you get when sitting around a campfire around midnight , telling creepy stories to give each other the willies .\n4722\tAnd , there 's no way you wo n't be talking about the film once you exit the theater .\n4723\tIf I have to choose between gorgeous animation and a lame story -LRB- like , say , Treasure Planet -RRB- or so-so animation and an exciting , clever story with a batch of appealing characters , I 'll take the latter every time .\n4724\tQuiet , adult and just about more stately than any contemporary movie this year ... a true study , a film with a questioning heart and mind that is n't afraid to admit it does n't have all the answers .\n4725\tIn the end , the film is less the cheap thriller you 'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and dangerously collide .\n4726\tSome of the visual flourishes are a little too obvious , but restrained and subtle storytelling , and fine performances make this delicate coming-of-age tale a treat .\n4727\tIt is hard not to be especially grateful for freedom after a film like this .\n4728\tThe dirty jokes provide the funniest moments in this oddly sweet comedy about jokester highway patrolmen .\n4729\tY Tu Mamá También is hilariously , gloriously alive , and quite often hotter than Georgia asphalt .\n4730\t... works on some levels and is certainly worth seeing at least once .\n4731\tYou come away from his film overwhelmed , hopeful and , perhaps paradoxically , illuminated .\n4732\tIf the material is slight and admittedly manipulative , Jacquot preserves Tosca 's intoxicating ardor through his use of the camera .\n4733\tThirteen Conversations About One Thing lays out a narrative puzzle that interweaves individual stories , and , like a Mobius strip , elliptically loops back to where it began .\n4734\tOverall , it 's a wacky and inspired little film that works effortlessly at delivering genuine , acerbic laughs .\n4735\tA must for fans of British cinema , if only because so many titans of the industry are along for the ride .\n4736\tTsai has managed to create an underplayed melodrama about family dynamics and dysfunction that harks back to the spare , unchecked heartache of Yasujiro Ozu .\n4737\tUntil -LRB- the -RRB- superfluous ... epilogue that leaks suspension of disbelief like a sieve , Die Another Day is as stimulating & heart-rate-raising as any James Bond thriller .\n4738\tIt 's a good film , but it falls short of its aspiration to be a true ` epic ' .\n4739\tAll the pieces fall together without much surprise , but little moments give it a boost .\n4740\tThe beauty of Alexander Payne 's ode to the Everyman is in the details .\n4741\tA touching drama about old age and grief with a tour de force performance by Michel Piccoli .\n4742\tThe ending feels at odds with the rest of the film .\n4743\tA tone of rueful compassion ... reverberates throughout this film , whose meaning and impact is sadly heightened by current world events .\n4744\tA beautiful paean to a time long past .\n4745\tDense and thoughtful and brimming with ideas that are too complex to be rapidly absorbed .\n4746\tIf you thought Tom Hanks was just an ordinary big-screen star , wait until you 've seen him eight stories tall .\n4747\tWith this masterful , flawless film , -LRB- Wang -RRB- emerges in the front ranks of China 's now numerous , world-renowned filmmakers .\n4748\tShyamalan offers copious hints along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to Earth for harvesting purposes .\n4749\tThis film is an act of spiritual faith -- an eloquent , deeply felt meditation on the nature of compassion .\n4750\tA different kind of love story - one that is dark , disturbing , painful to watch , yet compelling .\n4751\tSplendidly illustrates the ability of the human spirit to overcome adversity .\n4752\tA compelling , gut-clutching piece of advocacy cinema that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day .\n4753\tShe 's as rude and profane as ever , always hilarious and , most of the time , absolutely right in her stinging social observations .\n4754\tTo those who have not read the book , the film is a much better mother-daughter tale than last summer 's ` Divine Secrets of the Ya-Ya Sisterhood , ' but that 's not saying much .\n4755\tEven before it builds up to its insanely staged ballroom scene , in which 3000 actors appear in full regalia , it 's waltzed itself into the art film pantheon .\n4756\tA thoughtful , reverent portrait of what is essentially a subculture , with its own rules regarding love and family , governance and hierarchy .\n4757\tIt seems impossible that an epic four-hour Indian musical about a cricket game could be this good , but it is .\n4758\tWill certainly appeal to Asian cult cinema fans and Asiaphiles interested to see what all the fuss is about .\n4759\tTouches smartly and wistfully on a number of themes , not least the notion that the marginal members of society ... might benefit from a helping hand and a friendly kick in the pants .\n4760\tA wildly entertaining scan of Evans ' career .\n4761\tA mature , deeply felt fantasy of a director 's travel through 300 years of Russian history .\n4762\tBoldly engineering a collision between tawdry B-movie flamboyance and grandiose spiritual anomie , Rose 's film , true to its source material , provides a tenacious demonstration of death as the great equalizer .\n4763\tA finely tuned mood piece , a model of menacing atmosphere .\n4764\tThe Salton Sea has moments of inspired humour , though every scrap is of the darkest variety .\n4765\tBoth a beautifully made nature film and a tribute to a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes .\n4766\tAlthough shot with little style , Skins is heartfelt and achingly real .\n4767\tHarks back to a time when movies had more to do with imagination than market research .\n4768\tUpsetting and thought-provoking , the film has an odd purity that does n't bring you into the characters so much as it has you study them .\n4769\tA very pretty after-school special .\n4770\tIt 's an effort to watch this movie , but it eventually pays off and is effective if you stick with it .\n4771\tA harrowing account of a psychological breakdown .\n4772\tContinually challenges perceptions of guilt and innocence , of good guys and bad , and asks us whether a noble end can justify evil means .\n4773\tIt certainly wo n't win any awards in the plot department but it sets out with no pretensions and delivers big time .\n4774\tDog Soldiers does n't transcend genre -- it embraces it , energizes it and takes big bloody chomps out of it .\n4775\tAt once emotional and richly analytical , the Cosby-Seinfeld encounter alone confirms the serious weight behind this superficially loose , larky documentary .\n4776\tIt may scream low budget , but this charmer has a spirit that can not be denied .\n4777\t` Alice 's adventure through the looking glass and into zombie-land ' is filled with strange and wonderful creatures .\n4778\tWithout -LRB- De Niro -RRB- , City By The Sea would slip under the waves .\n4779\tHe drags it back , single-handed .\n4780\tA good music documentary , probably one of the best since The Last Waltz .\n4781\tIf the plot seems a bit on the skinny side , that 's because Panic Room is interested in nothing more than sucking you in ... and making you sweat .\n4782\t... -LRB- the film -RRB- works , due mostly to the tongue-in-cheek attitude of the screenplay .\n4783\tThe film becomes an overwhelming pleasure , and you find yourself rooting for Gai 's character to avoid the fate that has befallen every other Carmen before her .\n4784\tBroomfield has a rather unique approach to documentary .\n4785\tHe thinks the film is just as much a document about him as it is about the subject .\n4786\tAt its best when the guarded , resentful Betty and the manipulative yet needy Margot are front and center .\n4787\tGloriously straight from the vagina .\n4788\tIt 's excessively quirky and a little underconfident in its delivery , but otherwise this is the best ` old neighborhood ' project since Christopher Walken kinda romanced Cyndi Lauper in The Opportunists .\n4789\tThe film oozes craft .\n4790\tRobinson 's web of suspense matches the page-turning frenzy that Clancy creates .\n4791\tManages to be both hugely entertaining and uplifting .\n4792\tA classic fairy tale that perfectly captures the wonders and worries of childhood in a way that few movies have ever approached .\n4793\tIt 's the unsettling images of a war-ravaged land that prove more potent and riveting than the unlikely story of Sarah and Harrison .\n4794\ta wonderfully warm human drama that remains vividly in memory long after viewing\n4795\tJaunty fun , with its celeb-strewn backdrop well used .\n4796\tRecoing 's fantastic performance does n't exactly reveal what makes Vincent tick , but perhaps any definitive explanation for it would have felt like a cheat .\n4797\tWashington overcomes the script 's flaws and envelops the audience in his character 's anguish , anger and frustration .\n4798\tThe film fearlessly gets under the skin of the people involved ... This makes it not only a detailed historical document , but an engaging and moving portrait of a subculture .\n4799\tA searing , epic treatment of a nationwide blight that seems to be , horrifyingly , ever on the rise .\n4800\tNot a film for the faint of heart or conservative of spirit , but for the rest of us -- especially San Francisco lovers -- it 's a spirited film and a must-see .\n4801\tRead My Lips is to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love .\n4802\tThe color sense of Stuart Little 2 is its most immediate and most obvious pleasure , but it would count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is .\n4803\twhile -LRB- Roman Coppola -RRB- scores points for style , he staggers in terms of story .\n4804\tAny movie that makes hard work seem heroic deserves a look .\n4805\tIt may not be a huge cut of above the rest , but I enjoyed Barbershop .\n4806\tIt 's a funny little movie with clever dialogue and likeable characters .\n4807\tA different and emotionally reserved type of survival story -- a film less about refracting all of World War II through the specific conditions of one man , and more about that man lost in its midst .\n4808\tIt 's sweet , funny , charming , and completely delightful .\n4809\tA perfectly competent and often imaginative film that lacks what little Lilo & Stitch had in spades -- charisma .\n4810\tBeautifully shot against the frozen winter landscapes of Grenoble and Geneva , the film unfolds with all the mounting tension of an expert thriller , until the tragedy beneath it all gradually reveals itself .\n4811\tMedem may have disrobed most of the cast , leaving their bodies exposed , but the plot remains as guarded as a virgin with a chastity belt .\n4812\tThat 's why Sex and Lucia is so alluring .\n4813\tAn elegant work , Food of Love is as consistently engaging as it is revealing .\n4814\tAlthough largely a heavy-handed indictment of parental failings and the indifference of Spanish social workers and legal system towards child abuse , the film retains ambiguities that make it well worth watching .\n4815\tA behind the scenes look at the training and dedication that goes into becoming a world-class fencer and the champion that 's made a difference to NYC inner-city youth .\n4816\tA brain twister , less a movie-movie than a funny and weird meditation on Hollywood , success , artistic integrity and intellectual bankruptcy .\n4817\tA powerful , inflammatory film about religion that dares to question an ancient faith , and about hatred that offers no easy , comfortable resolution .\n4818\tIn its own floundering way , it gets to you .\n4819\tJust like Igby .\n4820\tReturn to Never Land may be another shameless attempt by Disney to rake in dough from baby boomer families , but it 's not half-bad .\n4821\tWise and deadpan humorous .\n4822\tGod bless Crudup and his aversion to taking the easy Hollywood road and cashing in on his movie-star gorgeousness .\n4823\tIf Signs is a good film , and it is , the essence of a great one is in there somewhere .\n4824\tVeterans of the dating wars will smirk uneasily at the film 's nightmare versions of everyday sex-in-the-city misadventures .\n4825\tSchrader examines Crane 's decline with unblinking candor .\n4826\tYou can watch , giggle and get an adrenaline boost without feeling like you 've completely lowered your entertainment standards .\n4827\tIt thankfully goes easy on the reel\\/real world dichotomy that -LRB- Jaglom -RRB- pursued with such enervating determination in Venice\\/Venice .\n4828\tThis rich , bittersweet Israeli documentary , about the life of song-and-dance-man Pasach ` ke Burstein and his family , transcends ethnic lines .\n4829\tSensitively examines general issues of race and justice among the poor , and specifically raises serious questions about the death penalty and asks what good the execution of a mentally challenged woman could possibly do .\n4830\tCool gadgets and creatures keep this fresh .\n4831\tNot as good as the original , but what is ...\n4832\tPresents a side of contemporary Chinese life that many outsiders will be surprised to know exists , and does so with an artistry that also smacks of revelation .\n4833\t-LRB- Jeff 's -RRB- gorgeous , fluid compositions , underlined by Neil Finn and Edmund McWilliams 's melancholy music , are charged with metaphor , but rarely easy , obvious or self-indulgent .\n4834\tEngages us in constant fits of laughter , until we find ourselves surprised at how much we care about the story , and end up walking out not only satisfied but also somewhat touched .\n4835\ta bilingual charmer , just like the woman who inspired it\n4836\tBlisteringly rude , scarily funny , sorrowfully sympathetic to the damage it surveys , the film has in Kieran Culkin a pitch-perfect Holden .\n4837\tThe fourth `` Pokemon '' is a diverting -- if predictable -- adventure suitable for a matinee , with a message that cautions children about disturbing the world 's delicate ecological balance .\n4838\tWhat one is left with , even after the most awful acts are committed , is an overwhelming sadness that feels as if it has made its way into your very bloodstream .\n4839\t-LRB- It -RRB- has the feel of a summer popcorn movie .\n4840\tNothing too deep or substantial .\n4841\tExplosions , jokes , and sexual innuendoes abound .\n4842\tMiyazaki 's nonstop images are so stunning , and his imagination so vivid , that the only possible complaint you could have about Spirited Away is that there is no rest period , no timeout .\n4843\t... a delightfully unpredictable , hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels .\n4844\tAssured , vital and well wrought , the film is , arguably , the most accomplished work to date from Hong Kong 's versatile Stanley Kwan .\n4845\tDelia , Greta , and Paula rank as three of the most multilayered and sympathetic female characters of the year .\n4846\tAs each of them searches for their place in the world , Miller digs into their very minds to find an unblinking , flawed humanity .\n4847\tA surprisingly sweet and gentle comedy .\n4848\tShanghai Ghetto , much stranger than any fiction , brings this unknown slice of history affectingly to life .\n4849\tIt 's not particularly well made , but since I found myself howling more than cringing , I 'd say the film works .\n4850\tBut this is Lohman 's film .\n4851\tHer performance moves between heartbreak and rebellion as she continually tries to accommodate to fit in and gain the unconditional love she seeks .\n4852\tThough its story is only surface deep , the visuals and enveloping sounds of Blue Crush make this surprisingly decent flick worth a summertime look-see .\n4853\tRyosuke has created a wry , winning , if languidly paced , meditation on the meaning and value of family .\n4854\tSometimes charming , sometimes infuriating , this Argentinean ` dramedy ' succeeds mainly on the shoulders of its actors .\n4855\tYou may feel compelled to watch the film twice or pick up a book on the subject .\n4856\tOften shocking but ultimately worthwhile exploration of motherhood and desperate mothers .\n4857\tA venturesome , beautifully realized psychological mood piece that reveals its first-time feature director 's understanding of the expressive power of the camera .\n4858\tLike The Rugrats movies , The Wild Thornberrys Movie does n't offer much more than the series , but its emphasis on caring for animals and respecting other cultures is particularly welcome .\n4859\tTaken outside the context of the current political climate -LRB- see : terrorists are more evil than ever ! -RRB-\n4860\t, The Sum of All Fears is simply a well-made and satisfying thriller .\n4861\tThe setting is so cool that it chills the characters , reducing our emotional stake in the outcome of `` Intacto 's '' dangerous and seductively stylish game .\n4862\tA lovely and beautifully photographed romance .\n4863\tOne of the most splendid entertainments to emerge from the French film industry in years .\n4864\tIts vision of that awkward age when sex threatens to overwhelm everything else is acute enough to make everyone who has been there squirm with recognition .\n4865\tFor almost the first two-thirds of Martin Scorsese 's 168-minute Gangs of New York , I was entranced .\n4866\tOpen-ended and composed of layer upon layer , Talk to Her is a cinephile 's feast , an invitation to countless interpretations .\n4867\tOne of the most slyly exquisite anti-adult movies ever made .\n4868\tWhat makes Esther Kahn so demanding is that it progresses in such a low-key manner that it risks monotony .\n4869\tBut it 's worth the concentration .\n4870\tNeither the funniest film that Eddie Murphy nor Robert De Niro has ever made , Showtime is nevertheless efficiently amusing for a good while .\n4871\tBefore it collapses into exactly the kind of buddy cop comedy it set out to lampoon , anyway .\n4872\tA clever script and skilled actors bring new energy to the familiar topic of office politics .\n4873\tThe determination of Pinochet 's victims to seek justice , and their often heartbreaking testimony , spoken directly into director Patricio Guzman 's camera , pack a powerful emotional wallop .\n4874\tDisney aficionados will notice distinct parallels between this story and the 1971 musical `` Bedknobs and Broomsticks , '' which also dealt with British children rediscovering the power of fantasy during wartime .\n4875\tIt 's ... worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles with a film whose very subject is , quite pointedly , about the peril of such efforts .\n4876\tDark and unrepentant , this excursion into the epicenter of percolating mental instability is not easily dismissed or forgotten .\n4877\tIt 's a rollicking adventure for you and all your mateys , regardless of their ages .\n4878\tBoasts a handful of virtuosic set pieces and offers a fair amount of trashy , kinky fun .\n4879\t... Myers has turned his franchise into the movie version of an adolescent dirty-joke book done up in post-Tarantino pop-culture riffs ...\n4880\tIf you 're down for a silly hack-and-slash flick , you can do no wrong with Jason X.\n4881\tThis is a very ambitious project for a fairly inexperienced filmmaker , but good actors , good poetry and good music help sustain it .\n4882\tThe modern master of the chase sequence returns with a chase to end all chases\n4883\tThe messy emotions raging throughout this three-hour effort are instantly recognizable , allowing the film to paradoxically feel familiar and foreign at the same time .\n4884\t... either you 're willing to go with this claustrophobic concept or you 're not .\n4885\tJust watch Bettany strut his stuff .\n4886\tYou 'll know a star when you see one .\n4887\tAustin Powers in Goldmember is a cinematic car wreck , a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride .\n4888\tYou can fire a torpedo through some of Clancy 's holes , and the scripters do n't deserve any Oscars .\n4889\tBut the nerve-raked acting , the crackle of lines , the impressive stagings of hardware , make for some robust and scary entertainment .\n4890\tcontrasting the original Ringu with the current Americanized adaptation is akin to comparing The Evil Dead with Evil Dead II\n4891\tA small gem of a movie that defies classification and is as thought-provoking as it is funny , scary and sad .\n4892\tFor a long time the film succeeds with its dark , delicate treatment of these characters and its unerring respect for them .\n4893\tIt 's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more .\n4894\tLate Marriage is an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love .\n4895\tAn ambitious and moving but bleak film .\n4896\tIt 's too harsh to work as a piece of storytelling , but as an intellectual exercise -- an unpleasant debate that 's been given the drive of a narrative and that 's been acted out -- The Believer is nothing less than a provocative piece of work .\n4897\tIt 's sweet .\n4898\tIt 's funny .\n4899\tIt wears its heart on the sleeve of its gaudy Hawaiian shirt .\n4900\tAnd , thanks to the presence of ` the King , ' it also rocks .\n4901\tIt 's never laugh-out-loud funny , but it is frequently amusing .\n4902\tA bittersweet film , simple in form but rich with human events .\n4903\tThe unexplored story opportunities of `` Punch-Drunk Love '' may have worked against the maker 's minimalist intent but it is an interesting exercise by talented writer\\/director Anderson .\n4904\t`` Punch-Drunk Love '' is a little like a chocolate milk moustache ...\n4905\t... digs beyond the usual portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motivations .\n4906\tThe beauty of the piece is that it counts heart as important as humor .\n4907\tPiercingly affecting ... while clearly a manipulative film , emerges as powerful rather than cloying .\n4908\tVery amusing , not the usual route in a thriller , and the performances are odd and pixilated and sometimes both .\n4909\tWhile the frequent allusions to gurus and doshas will strike some Westerners as verging on mumbo-jumbo ... broad streaks of common sense emerge with unimpeachable clarity .\n4910\tThe cast is phenomenal , especially the women .\n4911\tA marvel of production design .\n4912\tThe byplay and bickering between the now spy-savvy siblings , Carmen -LRB- Vega -RRB- and Juni -LRB- Sabara -RRB- Cortez , anchor the film in a very real and amusing give-and-take .\n4913\tGood actors have a radar for juicy roles -- there 's a plethora of characters in this picture , and not one of them is flat .\n4914\tThough in some ways similar to Catherine Breillat 's Fat Girl , Rain is the far superior film .\n4915\tIs not so much a work of entertainment as it is a unique , well-crafted psychological study of grief .\n4916\tRemarkable for its excellent storytelling , its economical , compressed characterisations and for its profound humanity , it 's an adventure story and history lesson all in one .\n4917\tColorful , energetic and sweetly whimsical ... the rare sequel that 's better than its predecessor .\n4918\tReno himself can take credit for most of the movie 's success .\n4919\tHe 's one of the few ` cool ' actors who never seems aware of his own coolness .\n4920\tSignificantly better than its 2002 children 's - movie competition .\n4921\tUB equally spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are .\n4922\tA lot smarter than your average Bond .\n4923\t... bright , intelligent , and humanly funny film .\n4924\tPainful , horrifying and oppressively tragic , this film should not be missed .\n4925\tPart of the film 's cheeky charm comes from its vintage schmaltz .\n4926\tSo unique and stubborn and charismatic that you want it to be better and more successful than it is .\n4927\tI wo n't argue with anyone who calls ` Slackers ' dumb , insulting , or childish ... but I laughed so much that I did n't mind .\n4928\tIt arrives with an impeccable pedigree , mongrel pep , and almost indecipherable plot complications .\n4929\tSo fiendishly cunning that even the most jaded cinema audiences will leave the auditorium feeling dizzy , confused , and totally disorientated .\n4930\tNot to mention absolutely refreshed .\n4931\tA vibrant , colorful , semimusical rendition .\n4932\tThe film sometimes flags ... but there is enough secondary action to keep things moving along at a brisk , amusing pace .\n4933\tIt 's a drawling , slobbering , lovable run-on sentence of a film , a Southern Gothic with the emotional arc of its raw blues soundtrack .\n4934\tNolan proves that he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure .\n4935\tIt is different from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches ; it primarily relies on character to tell its story .\n4936\tBoth a successful adaptation and an enjoyable film in its own right .\n4937\tAll the filmmakers are asking of us , is to believe in something that is improbable .\n4938\tIf the very concept makes you nervous ... you 'll have an idea of the film 's creepy , scary effectiveness .\n4939\tWorth a look by those on both sides of the issues , if only for the perspective it offers , one the public rarely sees .\n4940\tA mostly believable , refreshingly low-key and quietly inspirational little sports drama .\n4941\tMay be more genial than ingenious , but it gets the job done .\n4942\tA stylish cast and some clever scripting solutions help Chicago make the transition from stage to screen with considerable appeal intact .\n4943\tExhilarating , funny and fun .\n4944\tWhile not quite `` Shrek '' or `` Monsters , Inc. '' , it 's not too bad .\n4945\tIt 's worth taking the kids to .\n4946\tIn the end there is one word that best describes this film : honest .\n4947\tWriter-director David Jacobson and his star , Jeremy Renner , have made a remarkable film that explores the monster 's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted .\n4948\tThe action sequences are fun and reminiscent of combat scenes from the Star Wars series .\n4949\tNorton is magnetic as Graham .\n4950\tSavvy director Robert J. Siegel and his co-writers keep the story subtle and us in suspense .\n4951\tIt pulls the rug out from under you , just when you 're ready to hate one character , or really sympathize with another character , something happens to send you off in different direction .\n4952\tTwenty years after its first release , E.T. remains the most wondrous of all Hollywood fantasies -- and the apex of Steven Spielberg 's misunderstood career .\n4953\tIt says a lot about a filmmaker when he can be wacky without clobbering the audience over the head and still maintain a sense of urgency and suspense .\n4954\tGives us a lot to chew on , but not all of it has been properly digested .\n4955\tIt 's an exhilarating place to visit , this laboratory of laughter .\n4956\t`` Simone '' is a fun and funky look into an artificial creation in a world that thrives on artificiality .\n4957\tA great companion piece to other Napoleon films .\n4958\tTo some eyes this will seem like a recycling of clichés , an assassin 's greatest hits .\n4959\tTo others , it will remind them that Hong Kong action cinema is still alive and kicking .\n4960\tAt the end of the movie , my 6-year-old nephew said , `` I guess I come from a broken family , and my uncles are all aliens , too . ''\n4961\tCongrats Disney on a job well done , I enjoyed it just as much !\n4962\tA remarkably alluring film set in the constrictive Eisenhower era about one suburban woman 's yearning in the face of a loss that shatters her cheery and tranquil suburban life .\n4963\tBerling and Béart ... continue to impress , and Isabelle Huppert ... again shows uncanny skill in getting under the skin of her characters .\n4964\tUplifting , funny and wise .\n4965\tRemarkable for its intelligence and intensity .\n4966\tThe hypnotic imagery and fragmentary tale explore the connections between place and personal identity .\n4967\tBrosnan is more feral in this film than I 've seen him before and Halle Berry does her best to keep up with him .\n4968\tA film that begins with the everyday lives of naval personnel in San Diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times I saw the film .\n4969\t`` On Guard ! ''\n4970\two n't be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world 's best actors , Daniel Auteuil , have a whale of a good time .\n4971\tThe movie starts with a legend and ends with a story that is so far-fetched it would be impossible to believe if it were n't true .\n4972\tThis is the stuff that Disney movies are made of .\n4973\tLike all great films about a life you never knew existed , it offers much to absorb and even more to think about after the final frame .\n4974\tThat the e-graveyard holds as many good ideas as bad is the cold comfort that Chin 's film serves up with style and empathy .\n4975\tWhile we no longer possess the lack-of-attention span that we did at seventeen , we had no trouble sitting for Blade II .\n4976\tlike a poor man 's You Can Count On Me\n4977\t... a solid , unassuming drama .\n4978\tA seriocomic debut of extravagant promise by Georgian-Israeli director Dover Kosashvili .\n4979\tThanks to Ice Cube , Benjamins feels an awful lot like Friday in Miami .\n4980\tThe real star of this movie is the score , as in the songs translate well to film , and it 's really well directed .\n4981\tIt 's rare to find a film to which the adjective ` gentle ' applies , but the word perfectly describes Pauline & Paulette .\n4982\tMy Wife is an Actress has its moments in looking at the comic effects of jealousy .\n4983\tIn the end , though , it is only mildly amusing when it could have been so much more .\n4984\tBoth Garcia and Jagger turn in perfectly executed and wonderfully sympathetic characters , who are alternately touching and funny .\n4985\tHumorous , artsy , and even cute , in an off-kilter , dark , vaguely disturbing way .\n4986\tThe more you think about the movie , the more you will probably like it .\n4987\t... a powerful sequel and one of the best films of the year .\n4988\tFor the most part , the film does hold up pretty well .\n4989\tTogether -LRB- Time Out and Human Resources -RRB- establish Mr. Cantet as France 's foremost cinematic poet of the workplace .\n4990\tYou can take the grandkids or the grandparents and never worry about anyone being bored ... audience is a sea of constant smiles and frequent laughter .\n4991\tLike these Russo guys lookin ' for their Mamet instead found their Sturges .\n4992\tThere has been a string of ensemble cast romances recently ... but Peter Mattei 's Love in the Time of Money sets itself apart by forming a chain of relationships that come full circle to end on a positive -LRB- if tragic -RRB- note .\n4993\tBy applying definition to both sides of the man , the picture realizes a fullness that does not negate the subject .\n4994\tWho is the audience for Cletis Tout ?\n4995\tAnybody who enjoys quirky , fun , popcorn movies with a touch of silliness and a little bloodshed .\n4996\t-LRB- Cuarón has -RRB- created a substantive movie out of several cliched movie structures : the road movie , the coming-of-age movie , and the teenage sex comedy .\n4997\tPuts to rest any thought that the German film industry can not make a delightful comedy centering on food .\n4998\tWitty dialog between realistic characters showing honest emotions .\n4999\tIt 's touching and tender and proves that even in sorrow you can find humor .\n5000\tLike blended shades of lipstick , these components combine into one terrific story with lots of laughs .\n5001\tAsh Wednesday is not Edward Burns ' best film , but it is a good and ambitious film .\n5002\tAnd it marks him as one of the most interesting writer\\/directors working today .\n5003\tAfter one gets the feeling that the typical Hollywood disregard for historical truth and realism is at work here , it 's a matter of finding entertainment in the experiences of Zishe and the fiery presence of Hanussen .\n5004\tThe footage of the rappers at play and the prison interview with Suge Knight are just two of the elements that will grab you .\n5005\t... it 's as comprehensible as any Dummies guide , something even non-techies can enjoy .\n5006\tDo n't wait to see this terrific film with your kids -- if you do n't have kids borrow some .\n5007\tMoretti ... is the rare common-man artist who 's wise enough to recognize that there are few things in this world more complex -- and , as it turns out , more fragile -- than happiness .\n5008\tThe movie 's captivating details are all in the performances , from Foreman 's barking-mad Taylor to Thewlis 's smoothly sinister Freddie and Bettany\\/McDowell 's hard-eyed gangster .\n5009\tFeatures Fincher 's characteristically startling visual style and an almost palpable sense of intensity .\n5010\tPrecocious smarter-than-thou wayward teen struggles to rebel against his oppressive , right-wing , propriety-obsessed family .\n5011\tAnyone else seen this before ?\n5012\tMoore provides an invaluable service by sparking debate and encouraging thought .\n5013\tBetter still , he does all of this , and more , while remaining one of the most savagely hilarious social critics this side of Jonathan Swift .\n5014\tAlternating between facetious comic parody and pulp melodrama , this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life .\n5015\tA cutesy romantic tale with a twist .\n5016\tThis is a gorgeous film - vivid with color , music and life .\n5017\tDelight your senses and crash this wedding !\n5018\tA brutally dry satire of Middle American numbness .\n5019\tMore sophisticated and literate than such pictures usually are ... an amusing little catch .\n5020\tSmith examines the intimate , unguarded moments of folks who live in unusual homes -- which pop up in nearly every corner of the country .\n5021\tWith an admirably dark first script by Brent Hanley , Paxton , making his directorial feature debut , does strong , measured work .\n5022\tA compelling French psychological drama examining the encounter of an aloof father and his chilly son after 20 years apart .\n5023\t... even if you 've never heard of Chaplin , you 'll still be glued to the screen .\n5024\tYou have enough finely tuned acting to compensate for the movie 's failings .\n5025\tAs the dominant Christine , Sylvie Testud is icily brilliant .\n5026\tAlthough tender and touching , the movie would have benefited from a little more dramatic tension and some more editing .\n5027\tThe story that emerges has elements of romance , tragedy and even silent-movie comedy .\n5028\t-LRB- `` Safe Conduct '' -RRB- is a long movie at 163 minutes but it fills the time with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage .\n5029\tViva le Resistance !\n5030\tIt offers a glimpse of the Solomonic decision facing Jewish parents in those turbulent times : to save their children and yet to lose them .\n5031\tThe film is delicately narrated by Martin Landau and directed with sensitivity and skill by Dana Janklowicz-Mann .\n5032\tMartyr gets royally screwed and comes back for more .\n5033\tA virtual roller-coaster ride of glamour and sleaze .\n5034\tan admirable , sometimes exceptional film\n5035\tIf you like an extreme action-packed film with a hint of humor , then Triple X marks the spot .\n5036\tIf you 're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix , I have just one word for you - -- Decasia\n5037\tMay not be a breakthrough in filmmaking , but it is unwavering and arresting .\n5038\tThe film 's images give a backbone to the company and provide an emotional edge to its ultimate demise .\n5039\tA bodice-ripper for intellectuals .\n5040\tThe locations go from stark desert to gorgeous beaches .\n5041\tThe story plays out slowly , but the characters are intriguing and realistic .\n5042\tCount on his movie to work at the back of your neck long after you leave the theater .\n5043\tNeil Burger here succeeded in ... making the mystery of four decades back the springboard for a more immediate mystery in the present .\n5044\tThe complex , politically charged tapestry of contemporary Chinese life this exciting new filmmaker has brought to the screen is like nothing we Westerners have seen before .\n5045\tA thriller made from a completist 's checklist rather than with a cultist 's passion .\n5046\tTry as you might to scrutinize the ethics of Kaufman 's approach , somehow it all comes together to create a very compelling , sensitive , intelligent and almost cohesive piece of film entertainment .\n5047\tAs quiet , patient and tenacious as Mr. Lopez himself , who approaches his difficult , endless work with remarkable serenity and discipline .\n5048\tThough the film never veers from its comic course , its unintentional parallels might inadvertently evoke memories and emotions which are anything but humorous .\n5049\tEvokes the style and flash of the double-cross that made Mamet 's `` House of Games '' and last fall 's `` Heist '' so much fun .\n5050\tSo original in its base concept that you can not help but get caught up .\n5051\tIt may be a no-brainer , but at least it 's a funny no-brainer .\n5052\tA lot more dimensional and complex than its sunny disposition would lead you to believe .\n5053\tJeffs has created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness .\n5054\tUnderachieves only in not taking the Shakespeare parallels quite far enough .\n5055\tThe most audacious , outrageous , sexually explicit , psychologically probing , pure libido film of the year has arrived from Portugal .\n5056\tThe creative animation work may not look as fully ` rendered ' as Pixar 's industry standard , but it uses lighting effects and innovative backgrounds to an equally impressive degree .\n5057\tArt-house to the core , Read My Lips is a genre-curling crime story that revives the free-wheeling noir spirit of old French cinema .\n5058\tGrant is certainly amusing , but the very hollowness of the character he plays keeps him at arms length\n5059\tConceptually brilliant ... Plays like a living-room War Of The Worlds , gaining most of its unsettling force from the suggested and the unknown .\n5060\t... manages to deliver a fair bit of vampire fun .\n5061\tDrama of temptation , salvation and good intentions is a thoughtful examination of faith , love and power .\n5062\tThe strength of the film comes not from any cinematic razzle-dazzle but from its recovery of an historical episode that , in the simple telling , proves simultaneously harrowing and uplifting .\n5063\tThe performances are strong , though the subject matter demands acting that borders on hammy at times .\n5064\tA damn fine and a truly distinctive and a deeply pertinent film .\n5065\tStill rapturous after all these years , Cinema Paradiso stands as one of the great films about movie love .\n5066\tReggio and Glass put on an intoxicating show .\n5067\tMacDowell ... gives give a solid , anguished performance that eclipses nearly everything else she 's ever done .\n5068\tThe thing about guys like Evans is this : You 're never quite sure where self-promotion ends and the truth begins .\n5069\tBut as you watch the movie , you 're too interested to care .\n5070\tI liked a lot of the smaller scenes .\n5071\tThe film will appeal to Discovery Channel fans and will surely widen the perspective of those of us who see the continent through rose-colored glasses .\n5072\tAn eye-boggling blend of psychedelic devices , special effects and backgrounds , ` Spy Kids 2 ' is a visual treat for all audiences .\n5073\tStraightforward and old-fashioned in the best possible senses of both those words , Possession is a movie that puts itself squarely in the service of the lovers who inhabit it .\n5074\tIt may ... work as a jaunt down memory lane for teens and young adults who grew up on televised Scooby-Doo shows or reruns .\n5075\tOne of those movies that catches you up in something bigger than yourself , namely , an archetypal desire to enjoy good trash every now and then .\n5076\tThis harrowing journey into combat hell vividly captures the chaotic insanity and personal tragedies that are all too abundant when human hatred spews forth unchecked .\n5077\tFar more successful , if considerably less ambitious , than last year 's Kubrick-meets-Spielberg exercise .\n5078\tElling builds gradually until you feel fully embraced by this gentle comedy .\n5079\tA fascinating examination of the joyous , turbulent self-discovery made by a proper , middle-aged woman .\n5080\tHere is a VH1 Behind the Music special that has something a little more special behind it : music that did n't sell many records but helped change a nation .\n5081\tBuy popcorn .\n5082\tTake nothing seriously and enjoy the ride .\n5083\tCarrying off a spot-on Scottish burr , Duvall -LRB- also a producer -RRB- peels layers from this character that may well not have existed on paper .\n5084\tThe acting , for the most part , is terrific , although the actors must struggle with the fact that they 're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans .\n5085\tSome Body will take you places you have n't been , and also places you have .\n5086\tVereté has a whip-smart sense of narrative bluffs .\n5087\tParts of the film feel a bit too much like an infomercial for Ram Dass 's latest book aimed at the boomer demographic .\n5088\tBut mostly it 's a work that , with humor , warmth , and intelligence , captures a life interestingly lived .\n5089\tWere it not for a sentimental resolution that explains way more about Cal than does the movie or the character any good , Freundlich 's World Traveler might have been one of the more daring and surprising American movies of the year .\n5090\t`` Home Movie '' is the film equivalent of a lovingly rendered coffee table book .\n5091\tGraphic sex may be what 's attracting audiences to Unfaithful , but gripping performances by Lane and Gere are what will keep them awake .\n5092\tWhen compared to the usual , more somber festival entries , Davis ' highly personal brand of romantic comedy is a tart , smart breath of fresh air that stands out from the pack even if the picture itself is somewhat problematic .\n5093\tBoth damning and damned compelling .\n5094\tMuch has been written about those years when the psychedelic '60s grooved over into the gay '70s , but words do n't really do the era justice .\n5095\tYou have to see it .\n5096\tEven if it pushes its agenda too forcefully , this remains a film about something , one that attempts and often achieves a level of connection and concern .\n5097\tWhat lifts the film high above run-of-the-filth gangster flicks is its refusal to recognise any of the signposts , as if discovering a way through to the bitter end without a map .\n5098\tBoth an admirable reconstruction of terrible events , and a fitting memorial to the dead of that day , and of the thousands thereafter .\n5099\tA sly dissection of the inanities of the contemporary music business and a rather sad story of the difficulties of artistic collaboration .\n5100\tThe unique niche of self-critical , behind-the-scenes navel-gazing Kaufman has carved from Orleans ' story and his own infinite insecurity is a work of outstanding originality .\n5101\tLovingly photographed in the manner of a Golden Book sprung to life , Stuart Little 2 manages sweetness largely without stickiness .\n5102\tConsistently clever and suspenseful .\n5103\tIt 's like a `` Big Chill '' reunion of the Baader-Meinhof Gang , only these guys are more harmless pranksters than political activists .\n5104\tThe story gives ample opportunity for large-scale action and suspense , which director Shekhar Kapur supplies with tremendous skill .\n5105\tFresnadillo has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense .\n5106\tThrows in enough clever and unexpected twists to make the formula feel fresh .\n5107\tWeighty and ponderous but every bit as filling as the treat of the title .\n5108\tA real audience-pleaser that will strike a chord with anyone who 's ever waited in a doctor 's office , emergency room , hospital bed or insurance company office .\n5109\tGenerates an enormous feeling of empathy for its characters .\n5110\tExposing the ways we fool ourselves is One Hour Photo 's real strength .\n5111\tIt 's up to you to decide whether to admire these people 's dedication to their cause or be repelled by their dogmatism , manipulativeness and narrow , fearful view of American life .\n5112\tMostly , -LRB- Goldbacher -RRB- just lets her complicated characters be unruly , confusing and , through it all , human .\n5113\t... quite good at providing some good old fashioned spooks .\n5114\tAt its worst , the movie is pretty diverting ; the pity is that it rarely achieves its best .\n5115\tScherfig 's light-hearted profile of emotional desperation is achingly honest and delightfully cheeky .\n5116\tA journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes Holly and Marina tick , and our hearts go out to them as both continue to negotiate their imperfect , love-hate relationship .\n5117\tThe wonderfully lush Morvern Callar is pure punk existentialism , and Ms. Ramsay and her co-writer , Liana Dognini , have dramatized the Alan Warner novel , which itself felt like an answer to Irvine Welsh 's book Trainspotting .\n5118\tAs it turns out , you can go home again .\n5119\tYou 've already seen City by the Sea under a variety of titles , but it 's worth yet another visit .\n5120\tThis kind of hands-on storytelling is ultimately what makes Shanghai Ghetto move beyond a good , dry , reliable textbook and what allows it to rank with its worthy predecessors .\n5121\tMaking such a tragedy the backdrop to a love story risks trivializing it , though Chouraqui no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror .\n5122\tGrown-up quibbles are beside the point here .\n5123\tThe little girls understand , and McCracken knows that 's all that matters .\n5124\tA powerful , chilling , and affecting study of one man 's dying fall .\n5125\tThis is a fascinating film because there is no clear-cut hero and no all-out villain .\n5126\tA dreadful day in Irish history is given passionate , if somewhat flawed , treatment .\n5127\t... a good film that must have baffled the folks in the marketing department .\n5128\t... is funny in the way that makes you ache with sadness -LRB- the way Chekhov is funny -RRB- , profound without ever being self-important , warm without ever succumbing to sentimentality .\n5129\tDevotees of Star Trek II : The Wrath of Khan will feel a nagging sense of deja vu , and the grandeur of the best Next Generation episodes is lacking .\n5130\tA soul-stirring documentary about the Israeli\\/Palestinian conflict as revealed through the eyes of some children who remain curious about each other against all odds .\n5131\tWhat 's so striking about Jolie 's performance is that she never lets her character become a caricature -- not even with that radioactive hair .\n5132\tThe main story ... is compelling enough , but it 's difficult to shrug off the annoyance of that chatty fish .\n5133\tThe performances are immaculate , with Roussillon providing comic relief .\n5134\tKinnear ... gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers .\n5135\tHugh Grant , who has a good line in charm , has never been more charming than in About a Boy .\n5136\tThere 's a lot of tooth in Roger Dodger .\n5137\tBut what 's nice is that there 's a casual intelligence that permeates the script .\n5138\tReminiscent of Alfred Hitchcock 's thrillers , most of the scary parts in ` Signs ' occur while waiting for things to happen .\n5139\tOne of the best looking and stylish animated movies in quite a while ...\n5140\tIts use of the thriller form to examine the labyrinthine ways in which people 's lives cross and change , buffeted by events seemingly out of their control , is intriguing , provocative stuff .\n5141\tDenver should not get the first and last look at one of the most triumphant performances of Vanessa Redgrave 's career .\n5142\tIt deserves to be seen everywhere .\n5143\tYou need n't be steeped in '50s sociology , pop culture or movie lore to appreciate the emotional depth of Haynes ' work .\n5144\tThough Haynes ' style apes films from the period ... its message is not rooted in that decade .\n5145\tWaiting for Godard can be fruitful : ` In Praise of Love ' is the director 's epitaph for himself .\n5146\tA gangster movie with the capacity to surprise .\n5147\tThe film has a laundry list of minor shortcomings , but the numerous scenes of gory mayhem are worth the price of admission ... if `` gory mayhem '' is your idea of a good time .\n5148\tIf not a home run , then at least a solid base hit .\n5149\tGoldmember is funny enough to justify the embarrassment of bringing a barf bag to the moviehouse .\n5150\t... a fairly disposable yet still entertaining B picture .\n5151\tIt may not be particularly innovative , but the film 's crisp , unaffected style and air of gentle longing make it unexpectedly rewarding .\n5152\tThe film truly does rescue -LRB- the Funk Brothers -RRB- from Motown 's shadows .\n5153\tIt 's about time .\n5154\tDrawing on an irresistible , languid romanticism , Byler reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth .\n5155\tWorks because we 're never sure if Ohlinger 's on the level or merely a dying , delusional man trying to get into the history books before he croaks .\n5156\t-LRB- Scherfig -RRB- has made a movie that will leave you wondering about the characters ' lives after the clever credits roll .\n5157\tA heady , biting , be-bop ride through nighttime Manhattan , a loquacious videologue of the modern male and the lengths to which he 'll go to weave a protective cocoon around his own ego .\n5158\tSkin Of Man gets a few cheap shocks from its kids-in-peril theatrics , but it also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults .\n5159\tThe Piano Teacher is not an easy film .\n5160\tIt forces you to watch people doing unpleasant things to each other and themselves , and it maintains a cool distance from its material that is deliberately unsettling .\n5161\tAs refreshing as a drink from a woodland stream .\n5162\tWilliams absolutely nails Sy 's queasy infatuation and overall strangeness .\n5163\tCan I admit XXX is as deep as a Petri dish and as well-characterized as a telephone book but still say it was a guilty pleasure ?\n5164\tWhile it 's nothing we have n't seen before from Murphy , I Spy is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort .\n5165\tBy the time it ends in a rush of sequins , flashbulbs , blaring brass and back-stabbing babes , it has said plenty about how show business has infiltrated every corner of society -- and not always for the better .\n5166\tAn intimate contemplation of two marvelously messy lives .\n5167\tRarely has skin looked as beautiful , desirable , even delectable , as it does in Trouble Every Day .\n5168\tThis is one of those rare docs that paints a grand picture of an era and makes the journey feel like a party .\n5169\tPoignant if familiar story of a young person suspended between two cultures .\n5170\tA metaphor for a modern-day urban China searching for its identity .\n5171\tFor all its brooding quality , Ash Wednesday is suspenseful and ultimately unpredictable , with a sterling ensemble cast .\n5172\tAn odd drama set in the world of lingerie models and bar dancers in the Midwest that held my interest precisely because it did n't try to .\n5173\tThe film feels uncomfortably real , its language and locations bearing the unmistakable stamp of authority .\n5174\tDespite its faults , Gangs excels in spectacle and pacing .\n5175\tEntertaining despite its one-joke premise with the thesis that women from Venus and men from Mars can indeed get together .\n5176\tA tightly directed , highly professional film that 's old-fashioned in all the best possible ways .\n5177\tIt 's dark but has wonderfully funny moments ; you care about the characters ; and the action and special effects are first-rate .\n5178\tIn visual fertility Treasure Planet rivals the top Japanese animations of recent vintage .\n5179\tEnormously enjoyable , high-adrenaline documentary .\n5180\tBuy is an accomplished actress , and this is a big , juicy role .\n5181\tIt works its magic with such exuberance and passion that the film 's length becomes a part of its fun .\n5182\tBeautifully crafted and brutally honest , Promises offers an unexpected window into the complexities of the Middle East struggle and into the humanity of its people .\n5183\tAn old-fashioned but emotionally stirring adventure tale of the kind they rarely make anymore .\n5184\tCharlotte Sometimes is a gem .\n5185\tIt 's always enthralling .\n5186\tIn my opinion , Analyze That is not as funny or entertaining as Analyze This , but it is a respectable sequel .\n5187\tA remarkable film by Bernard Rose .\n5188\tZhuangzhuang creates delicate balance of style , text , and subtext that 's so simple and precise that anything discordant would topple the balance , but against all odds , nothing does .\n5189\tA much more successful translation than its most famous previous film adaptation , writer-director Anthony Friedman 's similarly updated 1970 British production .\n5190\tan original and highly cerebral examination of the psychopathic mind\n5191\tMichel Piccoli 's moving performance is this films reason for being .\n5192\tA captivating and intimate study about dying and loving ...\n5193\tThis is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice .\n5194\t-LRB- Grant -RRB- goes beyond his usual fluttering and stammering and captures the soul of a man in pain who gradually comes to recognize it and deal with it .\n5195\tA high-spirited buddy movie about the reunion of Berlin anarchists who face arrest 15 years after their crime .\n5196\tAbout the best thing you could say about Narc is that it 's a rock-solid little genre picture .\n5197\tWhether you like it or not is basically a matter of taste .\n5198\tAn involving , inspirational drama that sometimes falls prey to its sob-story trappings .\n5199\tSome of the most inventive silliness you are likely to witness in a movie theatre for some time .\n5200\tCanadian filmmaker Gary Burns ' inventive and mordantly humorous take on the soullessness of work in the city .\n5201\tA rollicking ride , with jaw-dropping action sequences , striking villains , a gorgeous color palette , astounding technology , stirring music and a boffo last hour that leads up to a strangely sinister happy ending .\n5202\tEveryone 's insecure in Lovely and Amazing , a poignant and wryly amusing film about mothers , daughters and their relationships .\n5203\tThe closest thing to the experience of space travel\n5204\tConnoisseurs of Chinese film will be pleased to discover that Tian 's meticulous talent has not withered during his enforced hiatus .\n5205\tIf you can push on through the slow spots , you 'll be rewarded with some fine acting .\n5206\tAn unusually dry-eyed , even analytical approach to material that is generally played for maximum moisture .\n5207\tSymbolically , Warm Water Under a Red Bridge is a celebration of feminine energy , a tribute to the power of women to heal .\n5208\tSpy Kids 2 also happens to be that rarity among sequels : It actually improves upon the original hit movie .\n5209\tExceptionally well acted by Diane Lane and Richard Gere .\n5210\tLike a precious and finely cut diamond , magnificent to behold in its sparkling beauty yet in reality it 's one tough rock .\n5211\tIn addition to scoring high for originality of plot -- putting together familiar themes of family , forgiveness and love in a new way -- Lilo & Stitch has a number of other assets to commend it to movie audiences both innocent and jaded .\n5212\tMiller has crafted an intriguing story of maternal instincts and misguided acts of affection .\n5213\tOne of the most exciting action films to come out of China in recent years .\n5214\tThis is a nervy , risky film , and Villeneuve has inspired Croze to give herself over completely to the tormented persona of Bibi .\n5215\tMY LITTLE EYE is the best little `` horror '' movie I 've seen in years .\n5216\tTunney , brimming with coltish , neurotic energy , holds the screen like a true star .\n5217\tEven if the Naipaul original remains the real masterpiece , the movie possesses its own languorous charm .\n5218\t-LRB- The film -RRB- tackles the topic of relationships in such a straightforward , emotionally honest manner that by the end , it 's impossible to ascertain whether the film is , at its core , deeply pessimistic or quietly hopeful .\n5219\tSometimes we feel as if the film careens from one colorful event to another without respite , but sometimes it must have seemed to Frida Kahlo as if her life did , too .\n5220\tThe strength of the film lies in its two central performances by Sven Wollter as the stricken composer and Viveka Seldahl as his desperate violinist wife .\n5221\tLike the series , the movie is funny , smart , visually inventive , and most of all , alive .\n5222\tIt was filled with shootings , beatings , and more cussing than you could shake a stick at .\n5223\tYou do n't know whether to admire the film 's stately nature and call it classicism or be exasperated by a noticeable lack of pace .\n5224\tOr both .\n5225\tSure , I hated myself in the morning .\n5226\tBut then again , I hate myself most mornings .\n5227\tI still like Moonlight Mile , better judgment be damned .\n5228\tTime Out is as serious as a pink slip .\n5229\tAnd more than that , it 's an observant , unfussily poetic meditation about identity and alienation .\n5230\tWill assuredly rank as one of the cleverest , most deceptively amusing comedies of the year .\n5231\tMaryam is a small film , but it offers large rewards .\n5232\tA highly watchable , giggly little story with a sweet edge to it .\n5233\tThe most consistently funny of the Austin Powers films .\n5234\tAna 's journey is not a stereotypical one of self-discovery , as she 's already comfortable enough in her own skin to be proud of her Rubenesque physique ...\n5235\tCockettes has the glorious , gaudy benefit of much stock footage of Those Days , featuring all manner of drag queen , bearded lady and lactating hippie .\n5236\tThere 's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us .\n5237\tThe comedy makes social commentary more palatable .\n5238\tAn ideal love story for those intolerant of the more common saccharine genre .\n5239\tOne funny popcorn flick .\n5240\tThis New Zealand coming-of-age movie is n't really about anything .\n5241\tWhen it 's this rich and luscious , who cares ?\n5242\tTully is worth a look for its true-to-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer Hilary Birmingham .\n5243\tThis gorgeous epic is guaranteed to lift the spirits of the whole family .\n5244\tThe Wild Thornberrys Movie is pleasant enough and the message of our close ties with animals can certainly not be emphasized enough .\n5245\tWilliams creates a stunning , Taxi Driver-esque portrayal of a man teetering on the edge of sanity .\n5246\tIf you 're in the right B-movie frame of mind , it may just scare the pants off you .\n5247\tA movie of riveting power and sadness .\n5248\tBoth a detective story and a romance spiced with the intrigue of academic skullduggery and politics .\n5249\tLudicrous , but director Carl Franklin adds enough flourishes and freak-outs to make it entertaining .\n5250\tDirector Roger Kumble offers just enough sweet and traditional romantic comedy to counter the crudity .\n5251\tAnd there 's the inimitable Diaz , holding it all together .\n5252\tSpielberg 's picture is smarter and subtler than -LRB- Total Recall and Blade Runner -RRB- , although its plot may prove too convoluted for fun-seeking summer audiences .\n5253\tIt 's got all the familiar Bruckheimer elements , and Schumacher does probably as good a job as anyone at bringing off the Hopkins\\/Rock collision of acting styles and onscreen personas .\n5254\tA grittily beautiful film that looks , sounds , and feels more like an extended , open-ended poem than a traditionally structured story .\n5255\tThe production values are of the highest and the performances attractive without being memorable .\n5256\tA well-rounded tribute to a man whose achievements -- and complexities -- reached far beyond the end zone .\n5257\tfinely crafted , finely written , exquisitely performed\n5258\tRamsay and Morton fill this character study with poetic force and buoyant feeling .\n5259\tThis submarine drama earns the right to be favorably compared to Das Boot .\n5260\tClaude Chabrol 's camera has a way of gently swaying back and forth as it cradles its characters , veiling tension beneath otherwise tender movements .\n5261\tThere 's a great deal of corny dialogue and preposterous moments .\n5262\tAnd yet , it still works .\n5263\tThe film was immensely enjoyable thanks to great performances by both Steve Buscemi and Rosario Dawson ...\n5264\tLike many Western action films , this thriller is too loud and thoroughly overbearing , but its heartfelt concern about North Korea 's recent past and South Korea 's future adds a much needed moral weight .\n5265\tSpecial P.O.V. camera mounts on bikes , skateboards , and motorcycles provide an intense experience when splashed across the immense IMAX screen .\n5266\tMike White 's deft combination of serious subject matter and dark , funny humor make `` The Good Girl '' a film worth watching .\n5267\tThis is a shrewd and effective film from a director who understands how to create and sustain a mood .\n5268\tMeant to reduce Blake 's philosophy into a tragic coming-of-age saga punctuated by bursts of animator Todd McFarlane 's superhero dystopia .\n5269\tAssayas ' ambitious , sometimes beautiful adaptation of Jacques Chardonne 's novel .\n5270\tAs ex-Marine Walter , who may or may not have shot Kennedy , actor Raymond J. Barry is perfectly creepy and believable .\n5271\tThose who do n't entirely ` get ' Godard 's distinctive discourse will still come away with a sense of his reserved but existential poignancy .\n5272\tPete 's screenplay manages to find that real natural , even-flowing tone that few movies are able to accomplish .\n5273\tLike Brosnan 's performance , Evelyn comes from the heart .\n5274\tIt uses some of the figures from the real-life story to portray themselves in the film .\n5275\tThe result is a powerful , naturally dramatic piece of low-budget filmmaking .\n5276\tIts spirit of iconoclastic abandon -- however canned -- makes for unexpectedly giddy viewing .\n5277\tThe early and middle passages are surprising in how much they engage and even touch us .\n5278\tThis is not a classical dramatic animated feature , nor a hip , contemporary , in-jokey one .\n5279\tIt 's sort of in-between , and it works .\n5280\tThis quiet , introspective and entertaining independent is worth seeking .\n5281\tWhether our action-and-popcorn obsessed culture will embrace this engaging and literate psychodrama is n't much of a mystery , unfortunately .\n5282\tWhether or not Ram Dass proves as clear and reliable an authority on that as he was about inner consciousness , Fierce Grace reassures us that he will once again be an honest and loving one .\n5283\tSly , sophisticated and surprising .\n5284\tSpare but quietly effective retelling .\n5285\tDemonstrates a vivid imagination and an impressive style that result in some terrific setpieces .\n5286\tBy its modest , straight-ahead standards , Undisputed scores a direct hit .\n5287\tIts story about a young Chinese woman , Ah Na , who has come to New York City to replace past tragedy with the American Dream is one that any art-house moviegoer is likely to find compelling .\n5288\tFor those who like quirky , slightly strange French films , this is a must !\n5289\tThere are so few films about the plight of American Indians in modern America that Skins comes as a welcome , if downbeat , missive from a forgotten front .\n5290\t-LRB- Shyamalan -RRB- continues to cut a swathe through mainstream Hollywood , while retaining an integrity and refusing to compromise his vision .\n5291\tA whale of a good time for both children and parents seeking Christian-themed fun .\n5292\tWhat begins as a film in the tradition of The Graduate quickly switches into something more recyclable than significant .\n5293\tMuch smarter and more attentive than it first sets out to be .\n5294\tThe story is smart and entirely charming in intent and execution .\n5295\tA movie of technical skill and rare depth of intellect and feeling .\n5296\tRepresents a worthy departure from the culture clash comedies that have marked an emerging Indian American cinema .\n5297\tDoes n't do more than expand a TV show to movie length .\n5298\tHowever , it 's pleasant enough and its ecological , pro-wildlife sentiments are certainly welcome .\n5299\tIf you 're looking for an intelligent movie in which you can release your pent up anger , ENOUGH is just the ticket you need .\n5300\tA pointed , often tender , examination of the pros and cons of unconditional love and familial duties .\n5301\tAs well-acted and well-intentioned as All or Nothing is , however , the film comes perilously close to being too bleak , too pessimistic and too unflinching for its own good .\n5302\tA comedy-drama of nearly epic proportions rooted in a sincere performance by the title character undergoing midlife crisis .\n5303\tIt 's about issues most adults have to face in marriage and I think that 's what I liked about it -- the real issues tucked between the silly and crude storyline .\n5304\tElegantly produced and expressively performed , the six musical numbers crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy .\n5305\tEnriched by a strong and unforced supporting cast .\n5306\tWriter \\/ director M. Night Shyamalan 's ability to pull together easily accessible stories that resonate with profundity is undeniable .\n5307\tIf you can keep your eyes open amid all the blood and gore , you 'll see Del Toro has brought unexpected gravity to Blade II .\n5308\tNot a strike against Yang 's similarly themed Yi Yi , but I found What Time ?\n5309\tto be more engaging on an emotional level , funnier , and on the whole less detached .\n5310\tA breathtaking adventure for all ages , Spirit tells its poignant and uplifting story in a stunning fusion of music and images .\n5311\tA charming and funny story of clashing cultures and a clashing mother\\/daughter relationship .\n5312\tNever lets go your emotions , taking them to surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving .\n5313\t`` ... something appears to have been lost in the translation this time .\n5314\tThe Importance of Being Earnest movie seems to be missing a great deal of the acerbic repartee of the play . ''\n5315\t-LRB- Washington 's -RRB- strong hand , keen eye , sweet spirit and good taste are reflected in almost every scene .\n5316\tShiner can certainly go the distance , but is n't world championship material\n5317\tThe film 's desire to be liked sometimes undermines the possibility for an exploration of the thornier aspects of the nature\\/nurture argument in regards to homosexuality .\n5318\t... a quietly introspective portrait of the self-esteem of employment and the shame of losing a job ...\n5319\tAffable if not timeless , Like Mike raises some worthwhile themes while delivering a wholesome fantasy for kids .\n5320\tA film of delicate interpersonal dances .\n5321\tCaine makes us watch as his character awakens to the notion that to be human is eventually to have to choose .\n5322\tIt 's a sight to behold .\n5323\tIt 's an unusual , thoughtful bio-drama with a rich subject and some fantastic moments and scenes .\n5324\tSaved from being merely way-cool by a basic , credible compassion .\n5325\tThe increasingly diverse French director has created a film that one can honestly describe as looking , sounding and simply feeling like no other film in recent history .\n5326\tGangs , despite the gravity of its subject matter , is often as fun to watch as a good spaghetti western .\n5327\tPeter Jackson has done the nearly impossible .\n5328\tHe has improved upon the first and taken it a step further , richer and deeper .\n5329\tWhat Jackson has done is proven that no amount of imagination , no creature , no fantasy story and no incredibly outlandish scenery\n5330\tThere has to be a few advantages to never growing old .\n5331\tLike being able to hit on a 15-year old when you 're over 100 .\n5332\tIce Age wo n't drop your jaw , but it will warm your heart , and I 'm giving it a strong thumbs up .\n5333\tLike Kissing Jessica Stein , Amy 's Orgasm has a key strength in its willingness to explore its principal characters with honesty , insight and humor .\n5334\tThe Lady and the Duke is Eric Rohmer 's economical antidote to the bloated costume drama\n5335\tOne of the year 's best films , featuring an Oscar-worthy performance by Julianne Moore .\n5336\tA small gem from Belgium .\n5337\tCombines a comically dismal social realism with a farcically bawdy fantasy of redemption and regeneration .\n5338\tA soap-opera quality twist in the last 20 minutes ... almost puts the kibosh on what is otherwise a sumptuous work of B-movie imagination .\n5339\tThe most ingenious film comedy since Being John Malkovich .\n5340\tThere 's something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers .\n5341\tA movie where story is almost an afterthought amidst a swirl of colors and inexplicable events .\n5342\tManages to accomplish what few sequels can -- it equals the original and in some ways even betters it .\n5343\tTo call this one an eventual cult classic would be an understatement , and woe is the horror fan who opts to overlook this goofily endearing and well-lensed gorefest .\n5344\tJolie gives it that extra little something that makes it worth checking out at theaters , especially if you 're in the mood for something more comfortable than challenging .\n5345\tAlthough melodramatic and predictable , this romantic comedy explores the friendship between five Filipino-Americans and their frantic efforts to find love .\n5346\tI have a new favorite musical -- and I 'm not even a fan of the genre\n5347\tIt 's unlikely we 'll see a better thriller this year .\n5348\tThere is a real subject here , and it is handled with intelligence and care .\n5349\tJason Patric and Ray Liotta make for one splendidly cast pair .\n5350\tNoyce creates a film of near-hypnotic physical beauty even as he tells a story as horrifying as any in the heart-breakingly extensive annals of white-on-black racism .\n5351\tStarts slowly , but Adrien Brody -- in the title role -- helps make the film 's conclusion powerful and satisfying .\n5352\tVery predictable but still entertaining\n5353\tNothing short of a masterpiece -- and a challenging one .\n5354\tPratfalls aside , Barbershop gets its greatest play from the timeless spectacle of people really talking to each other .\n5355\tThis amiable picture talks tough , but it 's all bluster -- in the end it 's as sweet as Greenfingers ...\n5356\tThis is one of Mr. Chabrol 's subtlest works , but also one of his most uncanny .\n5357\tAn engrossing Iranian film about two itinerant teachers and some lost and desolate people they encounter in a place where war has savaged the lives and liberties of the poor and the dispossessed .\n5358\tEven though we know the outcome , the seesawing of the general 's fate in the arguments of competing lawyers has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy .\n5359\tWatching Spirited Away is like watching an Eastern imagination explode .\n5360\tAs relationships shift , director Robert J. Siegel allows the characters to inhabit their world without cleaving to a narrative arc .\n5361\tTwohy knows how to inflate the mundane into the scarifying , and gets full mileage out of the rolling of a stray barrel or the unexpected blast of a phonograph record .\n5362\tWhile the story does seem pretty unbelievable at times , it 's awfully entertaining to watch .\n5363\tA smart and funny , albeit sometimes superficial , cautionary tale of a technology in search of an artist .\n5364\tExamines its explosive subject matter as nonjudgmentally as Wiseman 's previous studies of inner-city high schools , hospitals , courts and welfare centers .\n5365\tI prefer Soderbergh 's concentration on his two lovers over Tarkovsky 's mostly male , mostly patriarchal debating societies .\n5366\t` If you are in the mood for an intelligent weepy , it can easily worm its way into your heart . '\n5367\tIn IMAX in short , it 's just as wonderful on the big screen .\n5368\tDoes a good job of establishing a time and place , and of telling a fascinating character 's story .\n5369\tI 'm going to give it a marginal thumbs up .\n5370\tI liked it just enough .\n5371\tThose of you who do n't believe in Santa Claus probably also think that sequels can never capture the magic of the original .\n5372\tWell , this movie proves you wrong on both counts .\n5373\tA deliciously nonsensical comedy about a city coming apart at its seams .\n5374\tThe rare Imax movie that you 'll wish was longer than an hour .\n5375\tMy Wife 's plotting is nothing special ; it 's the delivery that matters here .\n5376\tI 've yet to find an actual Vietnam War combat movie actually produced by either the North or South Vietnamese , but at least now we 've got something pretty damn close .\n5377\tA moving and not infrequently breathtaking film .\n5378\tIt 's a sharp movie about otherwise dull subjects .\n5379\tIt 's like Rocky and Bullwinkle on Speed , but that 's neither completely enlightening , nor does it catch the intensity of the movie 's strangeness .\n5380\tAs action-adventure , this space-based homage to Robert Louis Stevenson 's Treasure Island fires on all plasma conduits .\n5381\tA melancholy , emotional film .\n5382\tWhile the filmmaking may be a bit disjointed , the subject matter is so fascinating that you wo n't care .\n5383\tIntensely romantic , thought-provoking and even an engaging mystery .\n5384\tGoofy , nutty , consistently funny .\n5385\tAnd educational !\n5386\tAnother in a long line of ultra-violent war movies , this one is not quite what it could have been as a film , but the story and theme make up for it .\n5387\tIt leaves little doubt that Kidman has become one of our best actors .\n5388\tThe film boasts dry humor and jarring shocks , plus moments of breathtaking mystery .\n5389\tBeautifully directed and convincingly acted .\n5390\tGambling and throwing a basketball game for money is n't a new plot -- in fact Toback himself used it in Black and White .\n5391\tBut Toback 's deranged immediacy makes it seem fresh again .\n5392\tIn the director 's cut , the film is not only a love song to the movies but it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes .\n5393\tBring on the sequel .\n5394\tGraced with the kind of social texture and realism that would be foreign in American teen comedies .\n5395\tIf we sometimes need comforting fantasies about mental illness , we also need movies like Tim McCann 's Revolution No. 9 .\n5396\tThe film occasionally tries the viewer 's patience with slow pacing and a main character who sometimes defies sympathy , but it ultimately satisfies with its moving story .\n5397\tA big-budget\\/all-star movie as unblinkingly pure as The Hours is a distinct rarity , and an event .\n5398\t... certainly an entertaining ride , despite many talky , slow scenes .\n5399\tBut something seems to be missing .\n5400\tA sense of real magic , perhaps .\n5401\tThat Haynes can both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace .\n5402\tThe movie worked for me right up to the final scene , and then it caved in .\n5403\t... one of the most entertaining monster movies in ages ...\n5404\tPlunges you into a reality that is , more often then not , difficult and sad , and then , without sentimentalizing it or denying its brutality , transforms that reality into a lyrical and celebratory vision .\n5405\tWould you laugh if a tuba-playing dwarf rolled down a hill in a trash can ?\n5406\tDo you chuckle at the thought of an ancient librarian whacking a certain part of a man 's body ?\n5407\tIf you answered yes , by all means enjoy The New Guy .\n5408\tThe film is ... determined to treat its characters , weak and strong , as fallible human beings , not caricatures , and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation .\n5409\tMissteps take what was otherwise a fascinating , riveting story and send it down the path of the mundane .\n5410\tAn indispensable peek at the art and the agony of making people laugh .\n5411\tSteadfastly uncinematic but powerfully dramatic .\n5412\tThe engagingly primitive animated special effects contribute to a mood that 's sustained through the surprisingly somber conclusion .\n5413\tMade-Up lampoons the moviemaking process itself , while shining a not particularly flattering spotlight on America 's skin-deep notions of pulchritude .\n5414\tEvokes the 19th century with a subtlety that is an object lesson in period filmmaking .\n5415\tYa-Yas everywhere will forgive the flaws and love the film .\n5416\tThe film 's best trick is the way that it treats conspiracy as a kind of political Blair Witch , a monstrous murk that haunts us precisely because it can never be seen .\n5417\tThe artwork is spectacular and unlike most animaton from Japan , the characters move with grace and panache .\n5418\tThe picture 's fascinating byways are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed .\n5419\tThe modern remake of Dumas 's story is long on narrative and -LRB- too -RRB- short on action .\n5420\tFred Schepisi 's film is paced at a speed that is slow to those of us in middle age and deathly slow to any teen .\n5421\tWith a cast of A-list Brit actors , it is worth searching out .\n5422\tSuffers from its timid parsing of the barn-side target of sons trying to breach gaps in their relationships with their fathers .\n5423\tNonchalantly freaky and uncommonly pleasurable , Warm Water may well be the year 's best and most unpredictable comedy .\n5424\tIt 's like an old Warner Bros. costumer jived with sex -- this could be the movie Errol Flynn always wanted to make , though Bette Davis , cast as Joan , would have killed him .\n5425\tIt 's a great American adventure and a wonderful film to bring to IMAX .\n5426\tSatisfyingly scarifying , fresh and old-fashioned at the same time .\n5427\tOh , James !\n5428\tYour 20th outing shows off a lot of stamina and vitality , and get this , Madonna 's cameo does n't suck !\n5429\tThat death is merely a transition is a common tenet in the world 's religions .\n5430\tThis deeply spiritual film taps into the meaning and consolation in afterlife communications .\n5431\tThere is something that is so meditative and lyrical about Babak Payami 's boldly quirky Iranian drama Secret Ballot ... a charming and evoking little ditty that manages to show the gentle and humane side of Middle Eastern world politics\n5432\tA huge box-office hit in Korea , Shiri is a must for genre fans .\n5433\tI 'm not a fan of the phrase ` life affirming ' because it usually means ` schmaltzy , ' but Real Women Have Curves truly is life affirming .\n5434\tThe symbols float like butterflies and the spinning styx sting like bees .\n5435\tI wanted more .\n5436\tIf it 's unnerving suspense you 're after -- you 'll find it with Ring , an indisputably spooky film ; with a screenplay to die for .\n5437\tThe art direction and costumes are gorgeous and finely detailed , and Kurys ' direction is clever and insightful .\n5438\tRed Dragon makes one appreciate Silence of the Lambs .\n5439\tProves a servicable World War II drama that ca n't totally hide its contrivances , but it at least calls attention to a problem Hollywood too long has ignored .\n5440\tLeigh is n't breaking new ground , but he knows how a daily grind can kill love .\n5441\tWhile Broomfield 's film does n't capture the effect of these tragic deaths on hip-hop culture , it succeeds as a powerful look at a failure of our justice system .\n5442\t... strips Bible stores of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults .\n5443\tLaugh-out-loud lines , adorably ditsy but heartfelt performances , and sparkling , bittersweet dialogue that cuts to the chase of the modern girl 's dilemma .\n5444\tTends to pile too many `` serious issues '' on its plate at times , yet remains fairly light , always entertaining , and smartly written .\n5445\tA solidly entertaining little film .\n5446\tIt 's an entertaining movie , and the effects , boosted to the size of a downtown hotel , will all but take you to outer space .\n5447\tSayles has a knack for casting , often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors .\n5448\tDespite an overwrought ending , the film works as well as it does because of the performances .\n5449\tA passionately inquisitive film determined to uncover the truth and hopefully inspire action .\n5450\tThough Nijinsky 's words grow increasingly disturbed , the film maintains a beguiling serenity and poise that make it accessible for a non-narrative feature .\n5451\tA muddle splashed with bloody beauty as vivid as any Scorsese has ever given us .\n5452\tFrom both a great and a terrible story , Mr. Nelson has made a film that is an undeniably worthy and devastating experience .\n5453\tSpider-Man is about growing strange hairs , getting a more mature body , and finding it necessary to hide new secretions from the parental units .\n5454\tThe first shocking thing about Sorority Boys is that it 's actually watchable .\n5455\tEven more baffling is that it 's funny .\n5456\tHighlighted by a gritty style and an excellent cast , it 's better than one might expect when you look at the list of movies starring Ice-T in a major role .\n5457\tNeither quite a comedy nor a romance , more of an impish divertissement of themes that interest Attal and Gainsbourg -- they live together -- the film has a lot of charm .\n5458\tFirst and foremost ... the reason to go see `` Blue Crush '' is the phenomenal , water-born cinematography by David Hennings .\n5459\tA visionary marvel , but it 's lacking a depth in storytelling usually found in anime like this .\n5460\tThe problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart .\n5461\tIn his latest effort , Storytelling , Solondz has finally made a movie that is n't just offensive -- it also happens to be good .\n5462\tHow I Killed My Father would be a rarity in Hollywood .\n5463\tIt 's an actor 's showcase that accomplishes its primary goal without the use of special effects , but rather by emphasizing the characters -- including the supporting ones .\n5464\tI just saw this movie ... well , it 's probably not accurate to call it a movie .\n5465\tWhat 's most memorable about Circuit is that it 's shot on digital video , whose tiny camera enables Shafer to navigate spaces both large ... and small ... with considerable aplomb .\n5466\tScherfig , the writer-director , has made a film so unabashedly hopeful that it actually makes the heart soar .\n5467\tYes , soar .\n5468\tA delicious and delicately funny look at the residents of a Copenhagen neighborhood coping with the befuddling complications life tosses at them .\n5469\t`` What really happened ? ''\n5470\tis a question for philosophers , not filmmakers ; all the filmmakers need to do is engage an audience .\n5471\tSoderbergh , like Kubrick before him , may not touch the planet 's skin , but understands the workings of its spirit .\n5472\tMuch credit must be given to the water-camera operating team of Don King , Sonny Miller , and Michael Stewart .\n5473\tTheir work is fantastic .\n5474\tCrush is so warm and fuzzy you might be able to forgive its mean-spirited second half .\n5475\tFranco is an excellent choice for the walled-off but combustible hustler , but he does not give the transcendent performance SONNY needs to overcome gaps in character development and story logic .\n5476\tTsai Ming-liang 's witty , wistful new film , What Time Is It There ?\n5477\t, is a temporal inquiry that shoulders its philosophical burden lightly .\n5478\tThe Pianist lacks the quick emotional connections of Steven Spielberg 's Schindler 's List .\n5479\tBut Mr. Polanski creates images even more haunting than those in Mr. Spielberg 's 1993 classic .\n5480\tSteers , in his feature film debut , has created a brilliant motion picture .\n5481\tA brilliant , absurd collection of vignettes that , in their own idiosyncratic way , sum up the strange horror of life in the new millennium .\n5482\tAs warm as it is wise , deftly setting off uproarious humor with an underlying seriousness that sneaks up on the viewer , providing an experience that is richer than anticipated .\n5483\tThe film may not hit as hard as some of the better drug-related pictures , but it still manages to get a few punches in .\n5484\tOld-fashioned but thoroughly satisfying entertainment .\n5485\tAn energizing , intoxicating documentary charting the rise of hip-hop culture in general and the art of scratching -LRB- or turntablism -RRB- in particular .\n5486\tA fun family movie that 's suitable for all ages -- a movie that will make you laugh , cry and realize , ` It 's never too late to believe in your dreams . '\n5487\tIf you open yourself up to Mr. Reggio 's theory of this imagery as the movie 's set ... it can impart an almost visceral sense of dislocation and change .\n5488\tI had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop , and its name was Earnest .\n5489\tEven though the film does n't manage to hit all of its marks , it 's still entertaining to watch the target practice .\n5490\tWhere This was lazy but enjoyable , a formula comedy redeemed by its stars , That is even lazier and far less enjoyable .\n5491\tThe 3-D vistas from orbit , with the space station suspended like a huge set of wind chimes over the great blue globe , are stanzas of breathtaking , awe-inspiring visual poetry .\n5492\tThe attraction between these two marginal characters is complex from the start -- and , refreshingly , stays that way .\n5493\tFans of the modern day Hong Kong action film finally have the worthy successor to A Better Tomorrow and The Killer which they have been patiently waiting for .\n5494\tEven when he 's not at his most critically insightful , Godard can still be smarter than any 50 other filmmakers still at work .\n5495\tWhat sets this romantic comedy apart from most Hollywood romantic comedies is its low-key way of tackling what seems like done-to-death material .\n5496\tHas enough wit , energy and geniality to please not only the fanatical adherents on either side , but also people who know nothing about the subject and think they 're not interested .\n5497\tThis seductive tease of a thriller gets the job done .\n5498\tIt 's a scorcher .\n5499\tBittersweet comedy\\/drama full of life , hand gestures , and some really adorable Italian guys .\n5500\tWorks as pretty contagious fun .\n5501\tThe best didacticism is one carried by a strong sense of humanism , and Bertrand Tavernier 's oft-brilliant Safe Conduct -LRB- `` Laissez-passer '' -RRB- wears its heart on its sleeve .\n5502\tA realistically terrifying movie that puts another notch in the belt of the long list of renegade-cop tales .\n5503\tA charming , banter-filled comedy ... one of those airy cinematic bon bons whose aims -- and by extension , accomplishments -- seem deceptively slight on the surface .\n5504\tA film with almost as many delights for adults as there are for children and dog lovers .\n5505\tSerious movie-goers embarking upon this journey will find that The Road to Perdition leads to a satisfying destination .\n5506\tHeartwarming and gently comic even as the film breaks your heart .\n5507\tCaruso sometimes descends into sub-Tarantino cuteness ... but for the most part he makes sure The Salton Sea works the way a good noir should , keeping it tight and nasty .\n5508\tA `` black Austin Powers ? ''\n5509\tI prefer to think of it as `` Pootie Tang with a budget . ''\n5510\tSa da TAY !\n5511\tOddly , the film is n't nearly as downbeat as it sounds , but strikes a tone that 's alternately melancholic , hopeful and strangely funny .\n5512\tI would be shocked if there was actually one correct interpretation , but that should n't make the movie or the discussion any less enjoyable .\n5513\tChouraqui brings documentary-like credibility to the horrors of the killing field and the barbarism of ` ethnic cleansing . '\n5514\tThe best thing I can say about this film is that I ca n't wait to see what the director does next .\n5515\tSmarter than its commercials make it seem .\n5516\tOne of the funnier movies in town .\n5517\tCampanella 's competent direction and his excellent cast overcome the obstacles of a predictable outcome and a screenplay that glosses over Rafael 's evolution .\n5518\tBy turns very dark and very funny .\n5519\tSteven Soderbergh does n't remake Andrei Tarkovsky 's Solaris so much as distill it .\n5520\tFor more than two decades Mr. Nachtwey has traveled to places in the world devastated by war , famine and poverty and documented the cruelty and suffering he has found with an devastating , eloquent clarity .\n5521\tSimultaneously heartbreakingly beautiful and exquisitely sad .\n5522\tThough overall an overwhelmingly positive portrayal , the film does n't ignore the more problematic aspects of Brown 's life .\n5523\tThe philosophical musings of the dialogue jar against the tawdry soap opera antics of the film 's action in a way that is surprisingly enjoyable .\n5524\tNot too fancy , not too filling , not too fluffy , but definitely tasty and sweet .\n5525\tDirector Lee has a true cinematic knack , but it 's also nice to see a movie with its heart so thoroughly , unabashedly on its sleeve .\n5526\tAs Allen 's execution date closes in , the documentary gives an especially poignant portrait of her friendship with the never flagging legal investigator David Presson .\n5527\tJones has tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers .\n5528\tA vivid , spicy footnote to history , and a movie that grips and holds you in rapt attention from start to finish .\n5529\tIf S&M seems like a strange route to true love , maybe it is , but it 's to this film 's -LRB- and its makers ' -RRB- credit that we believe that that 's exactly what these two people need to find each other -- and themselves .\n5530\tIf the film 's vision of sport as a secular religion is a bit cloying , its through-line of family and community is heartening in the same way that each season marks a new start .\n5531\tOne of the best of a growing strain of daring films ... that argue that any sexual relationship that does n't hurt anyone and works for its participants is a relationship that is worthy of our respect .\n5532\t... an adorably whimsical comedy that deserves more than a passing twinkle .\n5533\tAn engrossing story that combines psychological drama , sociological reflection , and high-octane thriller .\n5534\tIt 's easy to be cynical about documentaries in which underdogs beat the odds and the human spirit triumphs , but Westbrook 's foundation and Dalrymple 's film earn their uplift .\n5535\tMel Gibson fights the good fight in Vietnam in director Randall Wallace 's flag-waving war flick with a core of decency .\n5536\tThere 's real visual charge to the filmmaking , and a strong erotic spark to the most crucial lip-reading sequence .\n5537\tA brutal and funny work .\n5538\tNicole Holofcenter , the insightful writer\\/director responsible for this illuminating comedy does n't wrap the proceedings up neatly but the ideas tie together beautifully .\n5539\tThe film is a blunt indictment , part of a perhaps surreal campaign to bring Kissinger to trial for crimes against humanity .\n5540\tOne of the most important and exhilarating forms of animated filmmaking since old Walt doodled Steamboat Willie .\n5541\tMove over Bond ; this girl deserves a sequel .\n5542\tThe kind of trifle that date nights were invented for . .\n5543\tIt 's a testament to the film 's considerable charm that it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries .\n5544\tThere 's a sheer unbridled delight in the way the story unfurls ...\n5545\tTells -LRB- the story -RRB- with such atmospheric ballast that shrugging off the plot 's persnickety problems is simply a matter of -LRB- being -RRB- in a shrugging mood .\n5546\tThe film is hard to dismiss -- moody , thoughtful , and lit by flashes of mordant humor .\n5547\tIf The Man from Elysian Fields is doomed by its smallness , it is also elevated by it -- the kind of movie that you enjoy more because you 're one of the lucky few who sought it out .\n5548\tWhat emerges is an unsettling picture of childhood innocence combined with indoctrinated prejudice .\n5549\tPromises is a compelling piece that demonstrates just how well children can be trained to live out and carry on their parents ' anguish .\n5550\tMeticulously uncovers a trail of outrageous force and craven concealment .\n5551\tHey , Happy !\n5552\tis many things -- stoner midnight flick , sci-fi deconstruction , gay fantasia -- but above all it 's a love story as sanguine as its title .\n5553\tYou wo n't look at religious fanatics -- or backyard sheds -- the same way again .\n5554\tAt its best ... Festival in Cannes bubbles with the excitement of the festival in Cannes .\n5555\tThere is a general air of exuberance in All About The Benjamins that 's hard to resist .\n5556\tA lovably old-school Hollywood confection .\n5557\tI 'm happy to have seen it -- not as an alternate version , but as the ultimate exercise in viewing deleted scenes .\n5558\tBy turns gripping , amusing , tender and heart-wrenching , Laissez-passer has all the earmarks of French cinema at its best .\n5559\tThe warnings to resist temptation in this film ... are blunt and challenging and offer no easy rewards for staying clean .\n5560\tWonder of wonders -- a teen movie with a humanistic message .\n5561\tA quirky comedy set in Newfoundland that cleverly captures the dry wit that 's so prevalent on The Rock .\n5562\tPeppered with witty dialogue and inventive moments .\n5563\tI 'd rather watch a rerun of The Powerpuff Girls\n5564\tWith the prospect of films like Kangaroo Jack about to burst across America 's winter movie screens it 's a pleasure to have a film like The Hours as an alternative .\n5565\tThe wonderful combination of the sweetness and the extraordinary technical accomplishments of the first film are maintained , but its overall impact falls a little flat with a storyline that never quite delivers the original magic .\n5566\tLike its title character , this Nicholas Nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end .\n5567\tAs a thoughtful and unflinching examination of an alternative lifestyle , Sex with Strangers is a success .\n5568\tunpretentious , charming , quirky , original\n5569\tSpinning a web of dazzling entertainment may be overstating it , but `` Spider-Man '' certainly delivers the goods .\n5570\tOther than the slightly flawed -LRB- and fairly unbelievable -RRB- finale , everything else is top shelf .\n5571\tThis fascinating look at Israel in ferment feels as immediate as the latest news footage from Gaza and , because of its heightened , well-shaped dramas , twice as powerful .\n5572\tManages to delight without much of a story .\n5573\tThere 's no denying that Burns is a filmmaker with a bright future ahead of him .\n5574\tI have a confession to make : I did n't particularly like E.T. the first time I saw it as a young boy .\n5575\tThat is because - damn it !\n5576\t- I also wanted a little alien as a friend !\n5577\tFairy-tale formula , serves as a paper skeleton for some very good acting , dialogue , comedy , direction and especially charm .\n5578\tA genuinely funny ensemble comedy that also asks its audience -- in a heartwarming , nonjudgmental kind of way -- to consider what we value in our daily lives .\n5579\tThough the aboriginal aspect lends the ending an extraordinary poignancy , and the story itself could be played out in any working class community in the nation .\n5580\tAn energetic and engaging film that never pretends to be something it is n't .\n5581\tA violent initiation rite for the audience , as much as it is for Angelique , the -LRB- opening -RRB- dance guarantees Karmen 's enthronement among the cinema 's memorable women .\n5582\tAn animation landmark as monumental as Disney 's 1937 breakthrough Snow White and the Seven Dwarfs .\n5583\tAn entertaining , if ultimately minor , thriller .\n5584\tSex With Strangers is fascinating ...\n5585\tA subtle , poignant picture of goodness that is flawed , compromised and sad .\n5586\tA wry , affectionate delight .\n5587\tThe acting in Pauline And Paulette is good all round , but what really sets the film apart is Debrauwer 's refusal to push the easy emotional buttons .\n5588\tOne of those joyous films that leaps over national boundaries and celebrates universal human nature .\n5589\tA penetrating glimpse into the tissue-thin ego of the stand-up comic .\n5590\tKids should have a stirring time at this beautifully drawn movie .\n5591\tAnd adults will at least have a dream image of the West to savor whenever the film 's lamer instincts are in the saddle .\n5592\tPaid in Full is remarkably engaging despite being noticeably derivative of Goodfellas and at least a half dozen other trouble-in-the-ghetto flicks .\n5593\tLess cinematically powerful than quietly and deeply moving , which is powerful in itself .\n5594\twaydowntown manages to nail the spirit-crushing ennui of denuded urban living without giving in to it .\n5595\tEach of these stories has the potential for Touched by an Angel simplicity and sappiness , but Thirteen Conversations About One Thing , for all its generosity and optimism , never resorts to easy feel-good sentiments .\n5596\tIf Borstal Boy is n't especially realistic , it is an engaging nostalgia piece .\n5597\tOften demented in a good way , but it is an uneven film for the most part .\n5598\tThe script 's snazzy dialogue establishes a realistic atmosphere that involves us in the unfolding crisis , but the lazy plotting ensures that little of our emotional investment pays off .\n5599\tMaggie Smith as the Ya-Ya member with the O2-tank will absolutely crack you up with her crass , then gasp for gas , verbal deportment .\n5600\tThis is a movie that refreshes the mind and spirit along with the body , so original is its content , look , and style .\n5601\tAlthough I did n't hate this one , it 's not very good either .\n5602\tIt can be safely recommended as a video\\/DVD babysitter .\n5603\tAnother Best of the Year selection .\n5604\tThe film has the high-buffed gloss and high-octane jolts you expect of De Palma , but what makes it transporting is that it 's also one of the smartest , most pleasurable expressions of pure movie love to come from an American director in years .\n5605\tIt 's a very valuable film ...\n5606\tMax pokes , provokes , takes expressionistic license and hits a nerve ... as far as art is concerned , it 's mission accomplished .\n5607\tLiterary purists may not be pleased , but as far as mainstream matinee-style entertainment goes , it does a bang-up job of pleasing the crowds .\n5608\tHere Polanski looks back on those places he saw at childhood , and captures them by freeing them from artefact , and by showing them heartbreakingly drably .\n5609\tThe story itself it mostly told through on-camera interviews with several survivors , whose riveting memories are rendered with such clarity that it 's as if it all happened only yesterday .\n5610\tA compelling story of musical passion against governmental odds .\n5611\tWith `` Ichi the Killer '' , Takashi Miike , Japan 's wildest filmmaker gives us a crime fighter carrying more emotional baggage than Batman ...\n5612\tYou never know where Changing Lanes is going to take you but it 's a heck of a ride .\n5613\tSamuel L. Jackson is one of the best actors there is .\n5614\t-LRB- Breheny 's -RRB- lensing of the New Zealand and Cook Island locations captures both the beauty of the land and the people .\n5615\tAn almost unbearably morbid love story .\n5616\tThe Wild Thornberrys Movie has all the sibling rivalry and general family chaos to which anyone can relate .\n5617\tA forceful drama of an alienated executive who re-invents himself .\n5618\tSpielberg 's realization of a near-future America is masterful .\n5619\tThis makes Minority Report necessary viewing for sci-fi fans , as the film has some of the best special effects ever .\n5620\tThe gags that fly at such a furiously funny pace that the only rip off that we were aware of was the one we felt when the movie ended so damned soon .\n5621\tThe best film of the year 2002 .\n5622\tAn enthralling , entertaining feature .\n5623\tStripped almost entirely of such tools as nudity , profanity and violence , LaBute does manage to make a few points about modern man and his problematic quest for human connection .\n5624\tA remarkable movie with an unsatisfying ending , which is just the point .\n5625\tAll in all , Brown Sugar is a satisfying well-made romantic comedy that 's both charming and well acted .\n5626\tIt will guarantee to have you leaving the theater with a smile on your face .\n5627\tSmith finds amusing juxtapositions that justify his exercise .\n5628\tWorking from a surprisingly sensitive script co-written by Gianni Romoli ... Ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up .\n5629\tAn older cad instructs a younger lad in Zen and the art of getting laid in this prickly indie comedy of manners and misanthropy .\n5630\t`` Austin Powers in Goldmember '' has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end .\n5631\tOne of -LRB- Jaglom 's -RRB- better efforts -- a wry and sometime bitter movie about love .\n5632\tSchaeffer is n't in this film , which may be why it works as well as it does .\n5633\tA fresh , entertaining comedy that looks at relationships minus traditional gender roles .\n5634\tAlthough Estela Bravo 's documentary is cloyingly hagiographic in its portrait of Cuban leader Fidel Castro , it 's still a guilty pleasure to watch .\n5635\tSurprisingly , the film is a hilarious adventure and I shamelessly enjoyed it .\n5636\tThe Way Home is an ode to unconditional love and compassion garnered from years of seeing it all , a condition only the old are privy to , and ... often misconstrued as weakness .\n5637\tBrutally honest and told with humor and poignancy , which makes its message resonate .\n5638\tIf you can read the subtitles -LRB- the opera is sung in Italian -RRB- and you like ` Masterpiece Theatre ' type costumes , you 'll enjoy this movie .\n5639\tA pretty funny movie , with most of the humor coming , as before , from the incongruous but chemically perfect teaming of Crystal and De Niro .\n5640\tGangster No. 1 is solid , satisfying fare for adults .\n5641\tThis Chicago has hugely imaginative and successful casting to its great credit , as well as one terrific score and attitude to spare .\n5642\tHas enough gun battles and throwaway humor to cover up the yawning chasm where the plot should be .\n5643\tWith its jerky hand-held camera and documentary feel , Bloody Sunday is a sobering recount of a very bleak day in Derry .\n5644\tYou will likely prefer to keep on watching .\n5645\tInsomnia loses points when it surrenders to a formulaic bang-bang , shoot-em-up scene at the conclusion .\n5646\tBut the performances of Pacino , Williams , and Swank keep the viewer wide-awake all the way through .\n5647\tWhat might have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention takes a surprising , subtle turn at the midway point .\n5648\tAt a time when commercialism has squeezed the life out of whatever idealism American moviemaking ever had , Godfrey Reggio 's career shines like a lonely beacon .\n5649\tAn Inuit masterpiece that will give you goosebumps as its uncanny tale of love , communal discord , and justice unfolds .\n5650\tThis is popcorn movie fun with equal doses of action , cheese , ham and cheek -LRB- as well as a serious debt to The Road Warrior -RRB- , but it feels like unrealized potential\n5651\tIt 's a testament to De Niro and director Michael Caton-Jones that by movie 's end , we accept the characters and the film , flaws and all .\n5652\tPerformances are potent , and the women 's stories are ably intercut and involving .\n5653\tAn enormously entertaining movie , like nothing we 've ever seen before , and yet completely familiar .\n5654\tLan Yu is a genuine love story , full of traditional layers of awakening and ripening and separation and recovery .\n5655\tYour children will be occupied for 72 minutes .\n5656\tPull -LRB- s -RRB- off the rare trick of recreating not only the look of a certain era , but also the feel .\n5657\tTwohy 's a good yarn-spinner , and ultimately the story compels .\n5658\t` Tobey Maguire is a poster boy for the geek generation . '\n5659\t... a sweetly affecting story about four sisters who are coping , in one way or another , with life 's endgame .\n5660\tPassion , melodrama , sorrow , laugther , and tears cascade over the screen effortlessly ...\n5661\tRoad to Perdition does display greatness , and it 's worth seeing .\n5662\tBut it also comes with the laziness and arrogance of a thing that already knows it 's won .\n5663\tA marvelous performance by Allison Lohman as an identity-seeking foster child .\n5664\tArliss Howard 's ambitious , moving , and adventurous directorial debut , Big Bad Love , meets so many of the challenges it poses for itself that one can forgive the film its flaws .\n5665\tCritics need a good laugh , too , and this too-extreme-for-TV rendition of the notorious MTV show delivers the outrageous , sickening , sidesplitting goods in steaming , visceral heaps .\n5666\tWhat a dumb , fun , curiously adolescent movie this is .\n5667\tThe charms of the lead performances allow us to forget most of the film 's problems .\n5668\tA vivid , sometimes surreal , glimpse into the mysteries of human behavior .\n5669\tA tour de force of modern cinema .\n5670\tPeralta captures , in luminous interviews and amazingly evocative film from three decades ago , the essence of the Dogtown experience .\n5671\tThe lively appeal of The Last Kiss lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy .\n5672\tWithout resorting to camp or parody , Haynes -LRB- like Sirk , but differently -RRB- has transformed the rhetoric of Hollywood melodrama into something provocative , rich , and strange .\n5673\tThe performances are an absolute joy .\n5674\tA quasi-documentary by French filmmaker Karim Dridi that celebrates the hardy spirit of Cuban music .\n5675\tGrant carries the day with impeccable comic timing , raffish charm and piercing intellect .\n5676\tA sensitive and astute first feature by Anne-Sophie Birot .\n5677\tBoth exuberantly romantic and serenely melancholy , What Time Is It There ?\n5678\tmay prove to be -LRB- Tsai 's -RRB- masterpiece .\n5679\tMazel tov to a film about a family 's joyous life acting on the Yiddish stage .\n5680\tStanding in the Shadows of Motown is the best kind of documentary , one that makes a depleted yesterday feel very much like a brand-new tomorrow .\n5681\tIt 's nice to see Piscopo again after all these years , and Chaykin and Headly are priceless .\n5682\tProvides a porthole into that noble , trembling incoherence that defines us all .\n5683\tSimplistic , silly and tedious .\n5684\tIt 's so laddish and juvenile , only teenage boys could possibly find it funny .\n5685\tExploitative and largely devoid of the depth or sophistication that would make watching such a graphic treatment of the crimes bearable .\n5686\t-LRB- Garbus -RRB- discards the potential for pathological study , exhuming instead , the skewed melodrama of the circumstantial situation .\n5687\tA visually flashy but narratively opaque and emotionally vapid exercise in style and mystification .\n5688\tThe story is also as unoriginal as they come , already having been recycled more times than I 'd care to count .\n5689\tAbout the only thing to give the movie points for is bravado -- to take an entirely stale concept and push it through the audience 's meat grinder one more time .\n5690\tNot so much farcical as sour .\n5691\tUnfortunately the story and the actors are served with a hack script .\n5692\tAll the more disquieting for its relatively gore-free allusions to the serial murders , but it falls down in its attempts to humanize its subject .\n5693\tA sentimental mess that never rings true .\n5694\tWhile the performances are often engaging , this loose collection of largely improvised numbers would probably have worked better as a one-hour TV documentary .\n5695\tInteresting , but not compelling .\n5696\tOn a cutting room floor somewhere lies ... footage that might have made No Such Thing a trenchant , ironic cultural satire instead of a frustrating misfire .\n5697\tWhile the ensemble player who gained notice in Guy Ritchie 's Lock , Stock and Two Smoking Barrels and Snatch has the bod , he 's unlikely to become a household name on the basis of his first starring vehicle .\n5698\tThere is a difference between movies with the courage to go over the top and movies that do n't care about being stupid\n5699\tNothing here seems as funny as it did in Analyze This , not even Joe Viterelli as De Niro 's right-hand goombah .\n5700\tSuch master screenwriting comes courtesy of John Pogue , the Yale grad who previously gave us `` The Skulls '' and last year 's `` Rollerball . ''\n5701\tEnough said , except : Film overboard !\n5702\tHere , common sense flies out the window , along with the hail of bullets , none of which ever seem to hit Sascha .\n5703\tThis 100-minute movie only has about 25 minutes of decent material .\n5704\tThe execution is so pedestrian that the most positive comment we can make is that Rob Schneider actually turns in a pretty convincing performance as a prissy teenage girl .\n5705\tOn its own , it 's not very interesting .\n5706\tAs a remake , it 's a pale imitation .\n5707\tIt shows that some studios firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action .\n5708\tA farce of a parody of a comedy of a premise , it is n't a comparison to reality so much as it is a commentary about our knowledge of films .\n5709\tAs exciting as all this exoticism might sound to the typical Pax viewer , the rest of us will be lulled into a coma .\n5710\tThe party scenes deliver some tawdry kicks .\n5711\tThe rest of the film ... is dudsville .\n5712\tOur culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and I know this because I 've seen ` jackass : the movie . '\n5713\tThe criticism never rises above easy , cynical potshots at morally bankrupt characters ...\n5714\tThe movie 's something-borrowed construction feels less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story .\n5715\tKilling time , that 's all that 's going on here .\n5716\tSomewhere in the middle , the film compels , as Demme experiments he harvests a few movie moment gems , but the field of roughage dominates .\n5717\tThe action clichés just pile up .\n5718\tPayami tries to raise some serious issues about Iran 's electoral process , but the result is a film that 's about as subtle as a party political broadcast .\n5719\tThe only surprise is that heavyweights Joel Silver and Robert Zemeckis agreed to produce this ; I assume the director has pictures of them cavorting in ladies ' underwear .\n5720\tAnother useless recycling of a brutal mid - '70s American sports movie .\n5721\tPlease , someone , stop Eric Schaeffer before he makes another film .\n5722\tMost of the problems with the film do n't derive from the screenplay , but rather the mediocre performances by most of the actors involved\n5723\t... if you 're just in the mood for a fun -- but bad -- movie , you might want to catch Freaks as a matinee .\n5724\tCurling may be a unique sport but Men with Brooms is distinctly ordinary .\n5725\tThough the opera itself takes place mostly indoors , Jacquot seems unsure of how to evoke any sort of naturalism on the set .\n5726\tThere 's no getting around the fact that this is Revenge Of The Nerds Revisited -- again .\n5727\tThe effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable .\n5728\tAnalyze That regurgitates and waters down many of the previous film 's successes , with a few new swings thrown in .\n5729\tWith flashbulb editing as cover for the absence of narrative continuity , Undisputed is nearly incoherent , an excuse to get to the closing bout ... by which time it 's impossible to care who wins .\n5730\tStinks from start to finish , like a wet burlap sack of gloom .\n5731\tTo the civilized mind , a movie like Ballistic : Ecks Vs. Sever is more of an ordeal than an amusement .\n5732\tEqulibrium could pass for a thirteen-year-old 's book report on the totalitarian themes of 1984 and Farenheit 451 .\n5733\tThe lack of naturalness makes everything seem self-consciously poetic and forced ... It 's a pity that -LRB- Nelson 's -RRB- achievement does n't match his ambition .\n5734\tWhen Seagal appeared in an orange prison jumpsuit , I wanted to stand up in the theater and shout , ` Hey , Kool-Aid ! '\n5735\tAn easy watch , except for the annoying demeanour of its lead character .\n5736\tImagine the CleanFlicks version of ` Love Story , ' with Ali MacGraw 's profanities replaced by romance-novel platitudes .\n5737\tPC stability notwithstanding , the film suffers from a simplistic narrative and a pat , fairy-tale conclusion .\n5738\tForget the misleading title , what 's with the unexplained baboon cameo ?\n5739\tAn odd , haphazard , and inconsequential romantic comedy .\n5740\tThough her fans will assuredly have their funny bones tickled , others will find their humor-seeking dollars best spent elsewhere .\n5741\tPascale Bailly 's rom-com provides Amélie 's Audrey Tautou with another fabuleux destin -- i.e. , a banal spiritual quest .\n5742\tA static and sugary little half-hour , after-school special about interfaith understanding , stretched out to 90 minutes .\n5743\tWatching the chemistry between Freeman and Judd , however , almost makes this movie worth seeing .\n5744\tAlmost .\n5745\t... a pretentious and ultimately empty examination of a sick and evil woman .\n5746\tThe Country Bears has no scenes that will upset or frighten young viewers .\n5747\tUnfortunately , there is almost nothing in this flat effort that will amuse or entertain them , either .\n5748\tThe cumulative effect of watching this 65-minute trifle is rather like being trapped while some weird relative trots out the video he took of the family vacation to Stonehenge .\n5749\tBefore long , you 're desperate for the evening to end .\n5750\tThe characters are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach .\n5751\tMattei 's underdeveloped effort here is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from Stock Character camp -- a drowsy drama infatuated by its own pretentious self-examination .\n5752\tOnly in its final surprising shots does Rabbit-Proof Fence find the authority it 's looking for .\n5753\tIs n't as sharp as the original ... Despite some visual virtues , ` Blade II ' just does n't cut it .\n5754\t... plays like a badly edited , 91-minute trailer -LRB- and -RRB- the director ca n't seem to get a coherent rhythm going .\n5755\tIn fact , it does n't even seem like she tried .\n5756\tMaybe LeBlanc thought , `` Hey , the movie about the baseball-playing monkey was worse . ''\n5757\tWhat you expect is just what you get ... assuming the bar of expectations has n't been raised above sixth-grade height .\n5758\tBarry Sonnenfeld owes Frank the Pug big time\n5759\tThe biggest problem with Roger Avary 's uproar against the MPAA is that , even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything .\n5760\tSo riddled with unanswered questions that it requires gargantuan leaps of faith just to watch it plod along .\n5761\tI approached the usher and said that if she had to sit through it again , she should ask for a raise .\n5762\tIf Sinise 's character had a brain his ordeal would be over in five minutes but instead the plot goes out of its way to introduce obstacles for him to stumble over .\n5763\tToo slow for a younger crowd , too shallow for an older one .\n5764\tThere 's a reason the studio did n't offer an advance screening .\n5765\t`` The Adventures of Pluto Nash '' is a big time stinker .\n5766\tA punch line without a premise , a joke built entirely from musty memories of half-dimensional characters .\n5767\tTakes one character we do n't like and another we do n't believe , and puts them into a battle of wills that is impossible to care about and is n't very funny .\n5768\tThe things this movie tries to get the audience to buy just wo n't fly with most intelligent viewers .\n5769\tEven if the enticing prospect of a lot of nubile young actors in a film about campus depravity did n't fade amid the deliberate , tiresome ugliness , it would be rendered tedious by Avary 's failure to construct a story with even a trace of dramatic interest .\n5770\tSitting through the last reel -LRB- spoiler alert ! -RRB-\n5771\tis significantly less charming than listening to a four-year-old with a taste for exaggeration recount his Halloween trip to the Haunted House .\n5772\tConfuses its message with an ultimate desire to please , and contorting itself into an idea of expectation is the last thing any of these three actresses , nor their characters , deserve .\n5773\tDeadly dull , pointless meditation on losers in a gone-to-seed hotel .\n5774\tWith this new Rollerball , sense and sensibility have been overrun by what can only be characterized as robotic sentiment .\n5775\tOne can only assume that the jury who bestowed star Hoffman 's brother Gordy with the Waldo Salt Screenwriting award at 2002 's Sundance Festival were honoring an attempt to do something different over actually pulling it off\n5776\tA movie more to be prescribed than recommended -- as visually bland as a dentist 's waiting room , complete with soothing Muzak and a cushion of predictable narrative rhythms .\n5777\tSex ironically has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler .\n5778\tBut never mind all that ; the boobs are fantasti\n5779\tThe script covers huge , heavy topics in a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people .\n5780\tA portrait of alienation so perfect , it will certainly succeed in alienating most viewers .\n5781\tThe code talkers deserved better than a hollow tribute .\n5782\tSkip the film and buy the Philip Glass soundtrack CD .\n5783\tFeels like a cold old man going through the motions .\n5784\tDignified CEO 's meet at a rustic retreat and pee against a tree .\n5785\tCan you bear the laughter ?\n5786\tDull and mechanical , kinda like a very goofy museum exhibit\n5787\tThere 's no point of view , no contemporary interpretation of Joan 's prefeminist plight , so we 're left thinking the only reason to make the movie is because present standards allow for plenty of nudity .\n5788\tBeware the quirky Brit-com .\n5789\tThey can and will turn on a dime from oddly humorous to tediously sentimental .\n5790\tHas its moments -- and almost as many subplots .\n5791\tThe gags , and the script , are a mixed bag .\n5792\tCompletely awful Iranian drama ... as much fun as a grouchy ayatollah in a cold mosque .\n5793\tNarratively , Trouble Every Day is a plodding mess .\n5794\tThere 's no point in extracting the bare bones of Byatt 's plot for purposes of bland Hollywood romance .\n5795\tDirectors John Musker and Ron Clements , the team behind The Little Mermaid , have produced sparkling retina candy , but they are n't able to muster a lot of emotional resonance in the cold vacuum of space .\n5796\tAdam Sandler 's heart may be in the right place , but he needs to pull his head out of his butt\n5797\tThere 's no doubting that this is a highly ambitious and personal project for Egoyan , but it 's also one that , next to his best work , feels clumsy and convoluted .\n5798\tDespite engaging offbeat touches , Knockaround Guys rarely seems interested in kicking around a raison d'etre that 's as fresh-faced as its young-guns cast .\n5799\tIt 's all pretty tame .\n5800\tThe most offensive thing about the movie is that Hollywood expects people to pay to see it .\n5801\tThe movie is a mess from start to finish .\n5802\tThe trouble with making this queen a thoroughly modern maiden is that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mental illness .\n5803\tI 'm not saying that Ice Age does n't have some fairly pretty pictures , but there 's not enough substance in the story to actually give them life .\n5804\tIn the telling of a story largely untold , Bui chooses to produce something that is ultimately suspiciously familiar .\n5805\tThe plot is nothing but boilerplate clichés from start to finish , and the script assumes that not only would subtlety be lost on the target audience , but that it 's also too stupid to realize that they 've already seen this exact same movie a hundred times\n5806\tTerminally brain dead production .\n5807\tSome episodes work , some do n't .\n5808\tBeautifully filmed and well acted ... but admittedly problematic in its narrative specifics .\n5809\tJ. Lo will earn her share of the holiday box office pie , although this movie makes one thing perfectly clear : She 's a pretty woman , but she 's no working girl .\n5810\tRymer does n't trust laughs -- and does n't conjure proper respect for followers of the whole dead-undead genre , who deserve more from a vampire pic than a few shrieky special effects .\n5811\tNot only are the film 's Sopranos gags incredibly dated and unfunny , they also demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were .\n5812\tWow .\n5813\tI have not been this disappointed by a movie in a long time .\n5814\tOff the Hook is overlong and not well-acted , but credit writer-producer-director Adam Watstein with finishing it at all .\n5815\tIt 's a drag how Nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding .\n5816\tWatching Harris ham it up while physically and emotionally disintegrating over the course of the movie has a certain poignancy in light of his recent death , but Boyd 's film offers little else of consequence .\n5817\tIt 's also curious to note that this film , like the similarly ill-timed Antitrust , is easily as bad at a fraction the budget .\n5818\tWill probably be one of those movies barely registering a blip on the radar screen of 2002 .\n5819\tThe problem is not that it 's all derivative , because plenty of funny movies recycle old tropes .\n5820\tThe problem is that Van Wilder does little that is actually funny with the material .\n5821\tThere 's nothing interesting in Unfaithful whatsoever .\n5822\tNone of this is half as moving as the filmmakers seem to think .\n5823\tA processed comedy chop suey .\n5824\tAs spent screen series go , Star Trek : Nemesis is even more suggestive of a 65th class reunion mixer where only eight surviving members show up -- and there 's nothing to drink .\n5825\tFails as a dystopian movie , as a retooling of Fahrenheit 451 , and even as a rip-off of The Matrix .\n5826\tFull of the kind of obnoxious chitchat that only self-aware neurotics engage in .\n5827\tAn erotic thriller that 's neither too erotic nor very thrilling , either .\n5828\tThe movie , like Bartleby , is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes .\n5829\tWith its parade of almost perpetually wasted characters ... Margarita feels like a hazy high that takes too long to shake .\n5830\tIf you value your time and money , find an escape clause and avoid seeing this trite , predictable rehash .\n5831\tThe director and her capable cast appear to be caught in a heady whirl of New Age-inspired good intentions , but the spell they cast is n't the least bit mesmerizing .\n5832\tEverything is pegged into the groove of a New York dating comedy with ` issues ' to simplify .\n5833\tA dramatic comedy as pleasantly dishonest and pat as any Hollywood fluff .\n5834\tThe cameo-packed , M : I-2-spoofing title sequence is the funniest 5 minutes to date in this spy comedy franchise ... Then Mike Myers shows up and ruins everything .\n5835\tIt comes off as so silly that you would n't be surprised if BA , Murdock and rest of the A-Team were seen giving chase in a black and red van .\n5836\tThe 50-something lovebirds are too immature and unappealing to care about .\n5837\tSo genial is the conceit , this is one of those rare pictures that you root for throughout , dearly hoping that the rich promise of the script will be realized on the screen .\n5838\tIt never is , not fully .\n5839\tEven in the summertime , the most restless young audience deserves the dignity of an action hero motivated by something more than franchise possibilities .\n5840\tWhat with all the blanket statements and dime-store ruminations on vanity , the worries of the rich and sudden wisdom , the film becomes a sermon for most of its running time .\n5841\tAs gamely as the movie tries to make sense of its title character , there remains a huge gap between the film 's creepy , clean-cut Dahmer -LRB- Jeremy Renner -RRB- and fiendish acts that no amount of earnest textbook psychologizing can bridge .\n5842\tPlodding , peevish and gimmicky .\n5843\tThe Four Feathers is definitely horse feathers , but if you go in knowing that , you might have fun in this cinematic sandbox .\n5844\tOozes condescension from every pore .\n5845\t`` Solaris '' is a shapeless inconsequential move relying on the viewer to do most of the work .\n5846\tThe direction , by George Hickenlooper , has no snap to it , no wiseacre crackle or hard-bitten cynicism .\n5847\tThough this saga would be terrific to read about , it is dicey screen material that only a genius should touch .\n5848\tIt has plenty of laughs .\n5849\tIt just does n't have much else ... especially in a moral sense .\n5850\tAn awful lot like one of -LRB- Spears ' -RRB- music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it .\n5851\tConfusion is one of my least favourite emotions , especially when I have to put up with 146 minutes of it .\n5852\t-LRB- H -RRB- ad I suffered and bled on the hard ground of Ia Drang , I 'd want something a bit more complex than We Were Soldiers to be remembered by .\n5853\tOccasionally loud and offensive , but more often , it simply lulls you into a gentle waking coma .\n5854\tit may play well as a double feature with mainstream foreign mush like My Big Fat Greek Wedding\n5855\tBy the time you reach the finale , you 're likely wondering why you 've been watching all this strutting and posturing .\n5856\tJournalistically dubious , inept and often lethally dull .\n5857\tPutting the primitive murderer inside a high-tech space station unleashes a Pandora 's Box of special effects that run the gamut from cheesy to cheesier to cheesiest .\n5858\tAt its best , it 's Black Hawk Down with more heart .\n5859\tAt its worst , it 's Rambo - meets-John Ford .\n5860\tExactly what you 'd expect from a guy named Kaos .\n5861\tThis movie ... does n't deserve the energy it takes to describe how bad it is .\n5862\tWith or without ballast tanks , K-19 sinks to a Harrison Ford low .\n5863\tDirector Oliver Parker labors so hard to whip life into The Importance of Being Earnest that he probably pulled a muscle or two .\n5864\tYou might be shocked to discover that Seinfeld 's real life is boring .\n5865\tIt 's not nearly as fresh or enjoyable as its predecessor , but there are enough high points to keep this from being a complete waste of time .\n5866\tWalsh ca n't quite negotiate the many inconsistencies in Janice 's behavior or compensate for them by sheer force of charm .\n5867\tThis 10th film in the series looks and feels tired .\n5868\tIt leers , offering next to little insight into its intriguing subject .\n5869\tI found myself growing more and more frustrated and detached as Vincent became more and more abhorrent .\n5870\tOne of the oddest and most inexplicable sequels in movie history .\n5871\tThere 's nothing to gain from watching They .\n5872\tIt is n't scary .\n5873\tIt hates its characters .\n5874\tIt finds no way to entertain or inspire its viewers .\n5875\tFear permeates the whole of Stortelling , Todd Solondz ' oftentimes funny , yet ultimately cowardly autocritique .\n5876\tThe skirmishes for power waged among victims and predators settle into an undistinguished rhythm of artificial suspense .\n5877\t... Ice Age treads predictably along familiar territory , making it a passable family film that wo n't win many fans over the age of 12 .\n5878\tThough the film is well-intentioned , one could rent the original and get the same love story and parable .\n5879\tJust too silly and sophomoric to ensnare its target audience .\n5880\tThe video work is so grainy and rough , so dependent on being ` naturalistic ' rather than carefully lit and set up , that it 's exhausting to watch .\n5881\tA cleverly crafted but ultimately hollow mockumentary .\n5882\tIt gets bogged down by hit-and-miss topical humour before getting to the truly good stuff .\n5883\tAn achingly enthralling premise , the film is hindered by uneven dialogue and plot lapses .\n5884\tIt 's Tommy 's job to clean the peep booths surrounding her , and after viewing this one , you 'll feel like mopping up , too .\n5885\tRifkin no doubt fancies himself something of a Hubert Selby Jr. , but there is n't an ounce of honest poetry in his entire script ; it 's simply crude and unrelentingly exploitative .\n5886\tSuch a bad movie that its luckiest viewers will be seated next to one of those ignorant pinheads who talk throughout the show .\n5887\tIf you go into the theater expecting a scary , action-packed chiller , you might soon be looking for a sign .\n5888\tAn EXIT sign , that is .\n5889\tHolds limited appeal to those who like explosions , sadism and seeing people beat each other to a pulp .\n5890\tThe dialogue is very choppy and monosyllabic despite the fact that it is being dubbed .\n5891\tA feature-length , R-rated , road-trip version of Mama 's Family .\n5892\tWhat you end up getting is the Vertical Limit of surfing movies - memorable stunts with lots of downtime in between .\n5893\tStealing Harvard does n't care about cleverness , wit or any other kind of intelligent humor .\n5894\tBigelow handles the nuclear crisis sequences evenly but milks drama when she should be building suspense , and drags out too many scenes toward the end that should move quickly .\n5895\tThere 's undeniable enjoyment to be had from films crammed with movie references , but the fun wears thin -- then out -- when there 's nothing else happening .\n5896\tImagine Kevin Smith , the blasphemous bad boy of suburban Jersey , if he were stripped of most of his budget and all of his sense of humor .\n5897\tThe result might look like Vulgar .\n5898\tSuffers from a lack of clarity and audacity that a subject as monstrous and pathetic as Dahmer demands .\n5899\tWhat soured me on The Santa Clause 2 was that Santa bumps up against 21st century reality so hard , it 's icky .\n5900\tIt 's an 88-minute highlight reel that 's 86 minutes too long .\n5901\tThe film favors the scientific over the spectacular -LRB- visually speaking -RRB- .\n5902\tSuch an incomprehensible mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema .\n5903\tWith the exception of McCoist , the players do n't have a clue on the park .\n5904\tThe acting is n't much better .\n5905\tThe whole affair is as predictable as can be .\n5906\tA not-so-Divine Secrets of the Ya-Ya Sisterhood with a hefty helping of Re-Fried Green Tomatoes .\n5907\tThis cloying , voices-from-the-other-side story is hell .\n5908\tA suffocating rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers .\n5909\tStar Trek was kind of terrific once , but now it is a copy of a copy of a copy .\n5910\t-LRB- N -RRB- o matter how much good will the actors generate , Showtime eventually folds under its own thinness .\n5911\tEvery potential twist is telegraphed well in advance , every performance respectably muted ; the movie itself seems to have been made under the influence of Rohypnol .\n5912\tPuts on airs of a Hal Hartley wannabe film -- without the vital comic ingredient of the hilarious writer-director himself .\n5913\tVer Wiel 's desperate attempt at wit is lost , leaving the character of Critical Jim two-dimensional and pointless .\n5914\tDespite a performance of sustained intelligence from Stanford and another of subtle humour from Bebe Neuwirth , as an older woman who seduces Oscar , the film founders on its lack of empathy for the social milieu - rich New York intelligentsia - and its off\n5915\tAlthough Disney follows its standard formula in this animated adventure , it feels more forced than usual .\n5916\tGaghan ... has thrown every suspenseful cliché in the book at this nonsensical story .\n5917\tA sham construct based on theory , sleight-of-hand , and ill-wrought hypothesis .\n5918\t-LRB- P -RRB- artnering Murphy with Robert De Niro for the TV-cops comedy Showtime would seem to be surefire casting .\n5919\tThe catch is that they 're stuck with a script that prevents them from firing on all cylinders .\n5920\t` You 'll laugh for not quite and hour and a half , but come out feeling strangely unsatisfied .\n5921\tYou 'll feel like you ate a Reeses without the peanut butter ... '\n5922\tGooding offers a desperately ingratiating performance .\n5923\tParker should be commended for taking a fresh approach to familiar material , but his determination to remain true to the original text leads him to adopt a somewhat mannered tone ... that ultimately dulls the human tragedy at the story 's core .\n5924\tThe director has injected self-consciousness into the proceedings at every turn .\n5925\tThe results are far more alienating than involving .\n5926\tBogdanich is unashamedly pro-Serbian and makes little attempt to give voice to the other side .\n5927\tA lack of thesis makes Maryam , in the end , play out with the intellectual and emotional impact of an after-school special .\n5928\tWithout Shakespeare 's eloquent language , the update is dreary and sluggish .\n5929\tIf H.G. Wells had a time machine and could take a look at his kin 's reworked version , what would he say ?\n5930\t` It looks good , Sonny , but you missed the point . '\n5931\tDuring The Tuxedo 's 90 minutes of screen time , there is n't one true ` Chan moment ' .\n5932\tBisset delivers a game performance , but she is unable to save the movie .\n5933\tWatching Austin Powers in Goldmember is like binging on cotton candy .\n5934\tIt 's sweet and fluffy at the time , but it may leave you feeling a little sticky and unsatisfied .\n5935\tThe most anti-human big studio picture since 3000 Miles to Graceland .\n5936\tThe film can depress you about life itself .\n5937\tI 'm sure the filmmakers found this a remarkable and novel concept , but anybody who has ever seen an independent film can report that it is instead a cheap cliché .\n5938\tThe acting is fine but the script is about as interesting as a recording of conversations at the Wal-Mart checkout line .\n5939\tIts weighty themes are too grave for youngsters , but the story is too steeped in fairy tales and other childish things to appeal much to teenagers .\n5940\tThe plot plummets into a comedy graveyard before Janice comes racing to the rescue in the final reel .\n5941\tSometimes there are very , very good reasons for certain movies to be sealed in a jar and left on a remote shelf indefinitely .\n5942\tAt 90 minutes this movie is short , but it feels much longer .\n5943\tHere 's my advice , Kev .\n5944\tStart reading your scripts before signing that dotted line .\n5945\tAn alternately raucous and sappy ethnic sitcom ... you 'd be wise to send your regrets .\n5946\tAn ugly-duckling tale so hideously and clumsily told it feels accidental .\n5947\tUnfortunately , it 's also not very good .\n5948\tEspecially compared with the television series that inspired the movie .\n5949\tIt wraps up a classic mother\\/daughter struggle in recycled paper with a shiny new bow and while the audience can tell it 's not all new , at least it looks pretty .\n5950\tGlazed with a tawdry B-movie scum .\n5951\tThis is the kind of movie during which you want to bang your head on the seat in front of you , at its cluelessness , at its idiocy , at its utterly misplaced earnestness .\n5952\tIt winds up moving in many directions as it searches -LRB- vainly , I think -RRB- for something fresh to say .\n5953\tAll in all , Road to Perdition is more in love with strangeness than excellence .\n5954\tA big fat pain .\n5955\tA mimetic approximation of better films like Contempt and 8 1\\/2 .\n5956\tUnintelligible , poorly acted , brain-slappingly bad , Harvard Man is ludicrous enough that it could become a cult classic .\n5957\tWatching The Powerpuff Girls Movie , my mind kept returning to one anecdote for comparison : the cartoon in Japan that gave people seizures .\n5958\tAn inelegant combination of two unrelated shorts that falls far short of the director 's previous work in terms of both thematic content and narrative strength .\n5959\tTo build a feel-good fantasy around a vain dictator-madman is off-putting , to say the least , not to mention inappropriate and wildly undeserved .\n5960\tWith the cheesiest monsters this side of a horror spoof , which They is n't , it is more likely to induce sleep than fright .\n5961\tMild , meandering teen flick .\n5962\tThough its atmosphere is intriguing ... the drama is finally too predictable to leave much of an impression .\n5963\tThough this rude and crude film does deliver a few gut-busting laughs , its digs at modern society are all things we 've seen before .\n5964\tAlthough it tries to be much more , it 's really just another Major League .\n5965\tAstonishing is n't the word -- neither is incompetent , incoherent or just plain crap .\n5966\tIndeed , none of these words really gets at the very special type of badness that is Deuces Wild .\n5967\tOne thing is for sure : This movie does not tell you a whole lot about Lily Chou-Chou .\n5968\tWith a tone as variable as the cinematography , Schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm .\n5969\tTo better understand why this did n't connect with me would require another viewing , and I wo n't be sitting through this one again ... that in itself is commentary enough .\n5970\tCuba Gooding Jr. valiantly mugs his way through Snow Dogs , but even his boisterous energy fails to spark this leaden comedy .\n5971\tDiane Lane 's sophisticated performance ca n't rescue Adrian Lyne 's Unfaithful from its sleazy moralizing .\n5972\tNot at all clear what it 's trying to say and even if it were -- I doubt it would be all that interesting .\n5973\t-LRB- Swimfan -RRB- falls victim to sloppy plotting , an insultingly unbelievable final act and a villainess who is too crazy to be interesting .\n5974\tThis remake of Lina Wertmuller 's 1975 eroti-comedy might just be the biggest husband-and-wife disaster since John and Bo Derek made the ridiculous Bolero .\n5975\tSilly , loud and goofy .\n5976\tWhy spend $ 9 on the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby ?\n5977\tThe French director has turned out nearly 21\\/2 hours of unfocused , excruciatingly tedious cinema that , half an hour in , starts making water torture seem appealing .\n5978\tThe basic premise is intriguing but quickly becomes distasteful and downright creepy .\n5979\tThe Pool drowned me in boredom .\n5980\tIt 's like an all-star salute to Disney 's cheesy commercialism .\n5981\tIt 's hard to imagine any recent film , independent or otherwise , that makes as much of a mess as this one .\n5982\tSome of the computer animation is handsome , and various amusing sidekicks add much-needed levity to the otherwise bleak tale , but overall the film never rises above mediocrity .\n5983\tThere 's an excellent 90-minute film here ; unfortunately , it runs for 170 .\n5984\tAs saccharine movies go , this is likely to cause massive cardiac arrest if taken in large doses .\n5985\tDie Another Day is only intermittently entertaining but it 's hard not to be a sucker for its charms , or perhaps it 's just impossible not to feel nostalgia for movies you grew up with .\n5986\tAs is often the case with ambitious , eager first-time filmmakers , Mr. Murray , a prolific director of music videos , stuffs his debut with more plot than it can comfortably hold .\n5987\tThe mystery of Enigma is how a rich historical subject , combined with so much first-rate talent ... could have yielded such a flat , plodding picture .\n5988\tIt throws quirky characters , odd situations , and off-kilter dialogue at us , all as if to say , `` Look at this !\n5989\tThis is an interesting movie ! ''\n5990\tBut the film itself is ultimately quite unengaging .\n5991\tThe inherent limitations of using a video game as the source material movie are once again made all too clear in this schlocky horror\\/action hybrid .\n5992\tIt 's not only dull because we 've seen -LRB- Eddie -RRB- Murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed .\n5993\tAvary 's film never quite emerges from the shadow of Ellis ' book .\n5994\tA poorly scripted , preachy fable that forgets about unfolding a coherent , believable story in its zeal to spread propaganda .\n5995\tWhile it is interesting to witness the conflict from the Palestinian side , Longley 's film lacks balance ... and fails to put the struggle into meaningful historical context .\n5996\tWoo has as much right to make a huge action sequence as any director , but how long will filmmakers copy the `` Saving Private Ryan '' battle scenes before realizing Steven Spielberg got it right the first time ?\n5997\tIt 's sincere to a fault , but , unfortunately , not very compelling or much fun .\n5998\t... Jones , despite a definitely distinctive screen presence , just is n't able to muster for a movie that , its title notwithstanding , should have been a lot nastier if it wanted to fully capitalize on its lead 's specific gifts .\n5999\tThis follow-up seems so similar to the 1953 Disney classic that it makes one long for a geriatric Peter .\n6000\tWhy , you may ask , why should you buy the movie milk when the TV cow is free ?\n6001\tThere 's no good answer to that one .\n6002\tThis slow-moving Swedish film offers not even a hint of joy , preferring to focus on the humiliation of Martin as he defecates in bed and urinates on the plants at his own birthday party .\n6003\tA muddled limp biscuit of a movie , a vampire soap opera that does n't make much sense even on its own terms .\n6004\tThere 's the plot , and a maddeningly insistent and repetitive piano score that made me want to scream .\n6005\tThis is a movie so insecure about its capacity to excite that it churns up not one but two flagrantly fake thunderstorms to underscore the action .\n6006\tThis is amusing for about three minutes .\n6007\tKlein , charming in comedies like American Pie and dead-on in Election , delivers one of the saddest action hero performances ever witnessed .\n6008\tIt 's rare to see a movie that takes such a speedy swan dive from `` promising '' to `` interesting '' to `` familiar '' before landing squarely on `` stupid '' .\n6009\tThis is the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes .\n6010\tThe direction occasionally rises to the level of marginal competence , but for most of the film it is hard to tell who is chasing who or why .\n6011\tThere are few things more frustrating to a film buff than seeing an otherwise good movie marred beyond redemption by a disastrous ending .\n6012\tIt wo n't harm anyone , but neither can I think of a very good reason to rush right out and see it .\n6013\tAfter all , it 'll probably be in video stores by Christmas , and it might just be better suited to a night in the living room than a night at the movies .\n6014\tLooks more like a travel-agency video targeted at people who like to ride bikes topless and roll in the mud than a worthwhile glimpse of independent-community guiding lights .\n6015\tGiven too much time to consider the looseness of the piece , the picture begins to resemble the shapeless , grasping actors ' workshop that it is .\n6016\tThey kept much of the plot but jettisoned the stuff that would make this a moving experience for people who have n't read the book .\n6017\tJust because A Walk to Remember is shrewd enough to activate girlish tear ducts does n't mean it 's good enough for our girls .\n6018\t-LRB- Carvey 's -RRB- characters are both overplayed and exaggerated , but then again , subtlety has never been his trademark .\n6019\tIt 's mildly interesting to ponder the peculiar American style of justice that plays out here , but it 's so muddled and derivative that few will bother thinking it all through .\n6020\tThis dreadfully earnest inversion of the Concubine love triangle eschews the previous film 's historical panorama and roiling pathos for bug-eyed mugging and gay-niche condescension .\n6021\tBrown 's saga , like many before his , makes for snappy prose but a stumblebum of a movie .\n6022\tThe boys ' sparring , like the succession of blows dumped on Guei , wears down the story 's more cerebral , and likable , plot elements .\n6023\tThe script by Vincent R. Nebrida ... tries to cram too many ingredients into one small pot .\n6024\tThe story is so light and sugary that were it a Macy 's Thanksgiving Day Parade balloon , extra heavy-duty ropes would be needed to keep it from floating away .\n6025\tOedekerk mugs mercilessly , and the genuinely funny jokes are few and far between .\n6026\tSince Dahmer resorts to standard slasher flick thrills when it should be most in the mind of the killer , it misses a major opportunity to be truly revelatory about his psyche .\n6027\tOnly those most addicted to film violence in all its forms will find anything here to appreciate .\n6028\tCold and scattered , Minority Report commands interest almost solely as an exercise in gorgeous visuals .\n6029\tThat 's not vintage Spielberg and that , finally , is minimally satisfying .\n6030\tEvery now and again , a movie comes along to remind us of how very bad a motion picture can truly be .\n6031\tFrank McKlusky C.I. is that movie !\n6032\tIt 's not difficult to spot the culprit early-on in this predictable thriller .\n6033\t... a mostly boring affair with a confusing sudden finale that 's likely to irk viewers .\n6034\tThe trappings of I Spy are so familiar you might as well be watching a rerun .\n6035\tWhat starts off as a potentially incredibly twisting mystery becomes simply a monster chase film .\n6036\tIn the wake of Saving Private Ryan , Black Hawk Down and We Were Soldiers , you are likely to be as heartily sick of mayhem as Cage 's war-weary marine .\n6037\tIt is messy , uncouth , incomprehensible , vicious and absurd .\n6038\tReally does feel like a short stretched out to feature length .\n6039\tHampered -- no , paralyzed -- by a self-indulgent script ... that aims for poetry and ends up sounding like satire .\n6040\tCheap , vulgar dialogue and a plot that crawls along at a snail 's pace .\n6041\tAnd if you appreciate the one-sided theme to Lawrence 's over-indulgent tirade , then knock yourself out and enjoy the big screen postcard that is a self-glorified Martin Lawrence lovefest .\n6042\tIf you are willing to do this , then you so crazy !\n6043\tDirected without the expected flair or imagination by Hong Kong master John Woo , Windtalkers airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length .\n6044\tIt 's a very tasteful rock and roll movie .\n6045\tYou could put it on a coffee table anywhere .\n6046\tThe movie is loaded with good intentions , but in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the Holocaust escape story , Minac drains his movie of all individuality .\n6047\tAn infuriating film .\n6048\tJust when you think you are making sense of it , something happens that tells you there is no sense .\n6049\tThe entire movie is so formulaic and forgettable that it 's hardly over before it begins to fade from memory .\n6050\tThe setting turns out to be more interesting than any of the character dramas , which never reach satisfying conclusions .\n6051\tAs an entertainment destination for the general public , Kung Pow sets a new benchmark for lameness .\n6052\tThis misty-eyed Southern nostalgia piece , in treading the line between sappy and sanguine , winds up mired in tear-drenched quicksand .\n6053\tAs pure over-the-top trash , any John Waters movie has it beat by a country mile .\n6054\tWendigo wants to be a monster movie for the art-house crowd , but it falls into the trap of pretention almost every time .\n6055\tBigelow offers some flashy twists and turns that occasionally fortify this turgid fable .\n6056\tBut for the most part , The Weight of Water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness .\n6057\tThis film biggest problem ?\n6058\tNo laughs .\n6059\tLess-than-compelling documentary of a Yiddish theater clan .\n6060\tThat the Chuck Norris `` grenade gag '' occurs about 7 times during Windtalkers is a good indication of how serious-minded the film is .\n6061\tViewers are asked so often to suspend belief that were it not for Holm 's performance , the film would be a total washout .\n6062\tIt 's not exactly worth the bucks to expend the full price for a date , but when it comes out on video , it 's well worth a rental .\n6063\tI ca n't begin to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents ...\n6064\tEverybody loves a David and Goliath story , and this one is told almost entirely from David 's point of view .\n6065\tThrow Smoochy from the train !\n6066\tEventually , they will have a showdown , but , by then , your senses are as mushy as peas and you do n't care who fires the winning shot .\n6067\tIrwin and his director never come up with an adequate reason why we should pay money for what we can get on television for free .\n6068\tA light , engaging comedy that fumbles away almost all of its accumulated enjoyment with a crucial third act miscalculation .\n6069\tCedar somewhat defuses this provocative theme by submerging it in a hoary love triangle .\n6070\tTo paraphrase a line from another Dickens ' novel , Nicholas Nickleby is too much like a fragment of an underdone potato .\n6071\tThe actresses may have worked up a back story for the women they portray so convincingly , but viewers do n't get enough of that background for the characters to be involving as individuals rather than types .\n6072\tThe result , however well-intentioned , is ironically just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's Hollywood .\n6073\tAn extremely unpleasant film .\n6074\tA movie just for Friday fans , critics be damned .\n6075\tIf you already like this sort of thing , this is that sort of thing all over again .\n6076\tA sincere but dramatically conflicted gay coming-of-age tale .\n6077\tWait for it to hit cable .\n6078\tUltimately feels like just one more in the long line of films this year about the business of making movies .\n6079\tNothing but one relentlessly depressing situation after another for its entire running time , something that you could easily be dealing with right now in your lives .\n6080\t77 minutes of Pokemon may not last 4ever , it just seems like it does .\n6081\tMy only wish is that Celebi could take me back to a time before I saw this movie and I could just skip it .\n6082\tThe one not-so-small problem with Expecting is that the entire exercise has no real point .\n6083\tA movie you observe , rather than one you enter into .\n6084\t-LRB- At least -RRB- Moore is a real charmer .\n6085\tJohn Carlen 's script is full of unhappy , two-dimensional characters who are anything but compelling .\n6086\tLaBute ca n't avoid a fatal mistake in the modern era : He 's changed the male academic from a lower-class Brit to an American , a choice that upsets the novel 's exquisite balance and shreds the fabric of the film .\n6087\tThe notion of deleting emotion from people , even in an advanced Prozac Nation , is so insanely dysfunctional that the rampantly designed Equilibrium becomes a concept doofus .\n6088\tStale first act , Scrooge story , blatant product placement , some very good comedic songs , strong finish , dumb fart jokes .\n6089\tUnsurprisingly , the way this all works out makes the women look more like stereotypical caretakers and moral teachers , instead of serious athletes .\n6090\tA film that loses sight of its own story .\n6091\tAdam Sandler 's Eight Crazy Nights grows on you -- like a rash .\n6092\tThe big-screen Scooby makes the silly original cartoon seem smart and well-crafted in comparison .\n6093\tFew of the increasingly far-fetched events that first-time writer-director Neil Burger follows up with are terribly convincing , which is a pity , considering Barry 's terrific performance .\n6094\tGets better after Foster leaves that little room .\n6095\tThe movie is as padded as Allen 's jelly belly .\n6096\tResident Evil is n't a product of its cinematic predecessors so much as an MTV , sugar hysteria , and PlayStation cocktail .\n6097\tA rather average action film that benefits from several funny moments supplied by Epps .\n6098\t... unspeakably , unbearably dull , featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted .\n6099\tResembles a soft porn Brian De Palma pastiche .\n6100\tBluto Blutarsky , we miss you .\n6101\tInnocuous enough to make even Jean-Claude Van Damme look good .\n6102\tIt 's a glorified sitcom , and a long , unfunny one at that .\n6103\tWoody Allen can write and deliver a one liner as well as anybody .\n6104\tBut I had a lot of problems with this movie .\n6105\tDevoid of any of the qualities that made the first film so special .\n6106\tAll movie long , City by the Sea swings from one approach to the other , but in the end , it stays in formula -- which is a waste of De Niro , McDormand and the other good actors in the cast .\n6107\tPlotless collection of moronic stunts is by far the worst movie of the year .\n6108\tHowever sincere it may be , The Rising Place never quite justifies its own existence .\n6109\tParker updates the setting in an attempt to make the film relevant today , without fully understanding what it was that made the story relevant in the first place .\n6110\tIt 's sort of a 21st century morality play with a Latino hip hop beat .\n6111\tBut the second half of the movie really goes downhill .\n6112\tPaxton 's uneven directorial debut fails to unlock the full potential of what is in many ways a fresh and dramatically substantial spin on the genre .\n6113\tThe script becomes lifeless and falls apart like a cheap lawn chair .\n6114\tThe script falls back on too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy .\n6115\tThe film starts promisingly , but the ending is all too predictable and far too cliched to really work .\n6116\tLet 's issue a moratorium , effective immediately , on treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate .\n6117\tIt 's the element of condescension , as the filmmakers look down on their working-class subjects from their lofty perch , that finally makes Sex With Strangers , which opens today in the New York metropolitan area , so distasteful .\n6118\tAlternately frustrating and rewarding .\n6119\tIt 's impossible to even categorize this as a smutty guilty pleasure .\n6120\tDespite suffering a sense-of-humour failure , The Man Who Wrote Rocky does not deserve to go down with a ship as leaky as this .\n6121\tSwinging , the film makes it seem , is not a hobby that attracts the young and fit .\n6122\tOr intelligent .\n6123\tThe most memorable moment was when Green threw medical equipment at a window ; not because it was particularly funny , but because I had a serious urge to grab the old lady at the end of my aisle 's walker and toss it at the screen in frustration .\n6124\tSee Clockstoppers if you have nothing better to do with 94 minutes .\n6125\tBut be warned , you too may feel time has decided to stand still .\n6126\tOr that the battery on your watch has died .\n6127\tSuffers from over-familiarity since hit-hungry British filmmakers have strip-mined the Monty formula mercilessly since 1997 .\n6128\tThere are enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made A Walk to Remember a niche hit .\n6129\tYes , I have given this movie a rating of zero .\n6130\tBut fans of the show should not consider this a diss .\n6131\tConsider it ` perfection . '\n6132\tThe cumulative effect of the movie is repulsive and depressing .\n6133\tChildren and adults enamored of all things Pokemon wo n't be disappointed .\n6134\tI do n't even care that there 's no plot in this Antonio Banderas-Lucy Liu faceoff .\n6135\tIt 's still terrible !\n6136\tChildren of the Century , though well dressed and well made , ultimately falls prey to the contradiction that afflicts so many movies about writers .\n6137\tIt 's not so much a movie as a joint promotion for the National Basketball Association and teenaged rap and adolescent poster-boy Lil ' Bow Wow .\n6138\tPeralta 's mythmaking could have used some informed , adult hindsight .\n6139\tA close-to-solid espionage thriller with the misfortune of being released a few decades too late .\n6140\tCloaks a familiar anti-feminist equation -LRB- career - kids = misery -RRB- in tiresome romantic-comedy duds .\n6141\tThe Good Girl is a film in which the talent is undeniable but the results are underwhelming .\n6142\tJust a collection of this and that -- whatever fills time -- with no unified whole .\n6143\tThe animation and game phenomenon that peaked about three years ago is actually dying a slow death , if the poor quality of Pokemon 4 Ever is any indication .\n6144\tOnly about as sexy and dangerous as an actress in a role that reminds at every turn of Elizabeth Berkley 's flopping dolphin-gasm .\n6145\tKids who are into this Thornberry stuff will probably be in wedgie heaven .\n6146\tAnyone else who may , for whatever reason , be thinking about going to see this movie is hereby given fair warning .\n6147\tMr. Soderbergh 's direction and visual style struck me as unusually and unimpressively fussy and pretentious .\n6148\tDo you say `` hi '' to your lover when you wake up in the morning ?\n6149\tIt makes me feel weird \\/ Thinking about all the bad things in the world \\/ Like puppies with broken legs \\/ And butterflies that die \\/ And movies starring pop queens\n6150\tDirector Tom Dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut Shanghai Noon , but Showtime 's uninspired send-up of TV cop show cliches mostly leaves him shooting blanks .\n6151\t` Yes , that 's right : it 's Forrest Gump , Angel Of Death . '\n6152\tA wildly erratic drama with sequences that make you wince in embarrassment and others , thanks to the actors , that are quite touching .\n6153\tWhile easier to sit through than most of Jaglom 's self-conscious and gratingly irritating films , it 's still tainted by cliches , painful improbability and murky points .\n6154\tAbout as enjoyable , I would imagine , as searching for a quarter in a giant pile of elephant feces ... positively dreadful .\n6155\tA generic international version of a typical American horror film .\n6156\t... while certainly clever in spots , this too-long , spoofy update of Shakespeare 's Macbeth does n't sustain a high enough level of invention .\n6157\tLucas has in fact come closer than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s .\n6158\tThere 's a lot of good material here , but there 's also a lot of redundancy and unsuccessful crudeness accompanying it .\n6159\tAbsurdities and clichés accumulate like lint in a fat man 's navel .\n6160\tIf you think it 's a riot to see Rob Schneider in a young woman 's clothes , then you 'll enjoy The Hot Chick .\n6161\tThe sheer dumbness of the plot -LRB- other than its one good idea -RRB- and the movie 's inescapable air of sleaziness get you down .\n6162\tStrangely comes off as a kingdom more mild than wild .\n6163\tThe next big thing 's not-so-big -LRB- and not-so-hot -RRB- directorial debut .\n6164\tYet another iteration of what 's become one of the movies ' creepiest conventions , in which the developmentally disabled are portrayed with almost supernatural powers to humble , teach and ultimately redeem their mentally `` superior '' friends , family ...\n6165\tBond-inspired ?\n6166\tCertainly .\n6167\tLikely to have decades of life as a classic movie franchise ?\n6168\tLet 's hope not .\n6169\tThis flat run at a hip-hop Tootsie is so poorly paced you could fit all of Pootie Tang in between its punchlines .\n6170\tDavis has energy , but she does n't bother to make her heroine 's book sound convincing , the gender-war ideas original , or the comic scenes fly .\n6171\tSurprisingly , considering that Baird is a former film editor , the movie is rather choppy .\n6172\tNone of this is very original , and it is n't particularly funny .\n6173\t... a bland murder-on-campus yawner .\n6174\tA humorless journey into a philosophical void .\n6175\tThese two are generating about as much chemistry as an Iraqi factory poised to receive a UN inspector .\n6176\tJust as the lousy Tarantino imitations have subsided , here comes the first lousy Guy Ritchie imitation .\n6177\tA passable romantic comedy , in need of another couple of passes through the word processor .\n6178\tThe movie attempts to mine laughs from a genre -- the gangster\\/crime comedy -- that wore out its welcome with audiences several years ago , and its cutesy reliance on movie-specific cliches is n't exactly endearing .\n6179\tshows Holmes has the screen presence to become a major-league leading lady , -LRB- but -RRB- the movie itself is an underachiever , a psychological mystery that takes its sweet time building to a climax that 's scarcely a surprise by the time it arrives .\n6180\tUltimately ... the movie is too heady for children , and too preachy for adults .\n6181\tIt 's just a little too self-satisfied .\n6182\tClever but not especially compelling .\n6183\tMcKay seems embarrassed by his own invention and tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device he has put in service .\n6184\tA piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category : unembarrassing but unmemorable .\n6185\tLaBute was more fun when his characters were torturing each other psychologically and talking about their genitals in public .\n6186\tThe movie weighs no more than a glass of flat champagne .\n6187\tThe problem with ANTWONE FISHER is that it has a screenplay written by Antwone Fisher based on the book by Antwone Fisher .\n6188\tAlarms for Duvall 's throbbing sincerity and his elderly propensity for patting people while he talks .\n6189\tWhat little grace -LRB- Rifkin 's -RRB- tale of precarious skid-row dignity achieves is pushed into the margins by predictable plotting and tiresome histrionics .\n6190\tTries to work in the same vein as the brilliance of Animal House but instead comes closer to the failure of the third Revenge of the Nerds sequel .\n6191\tUnfortunately , Kapur modernizes A.E.W. Mason 's story to suit the sensibilities of a young American , a decision that plucks `` The Four Feathers '' bare .\n6192\t... what a banal bore the preachy Circuit turns out to be\n6193\tFalsehoods pile up , undermining the movie 's reality and stifling its creator 's comic voice .\n6194\tA mechanical action-comedy whose seeming purpose is to market the charismatic Jackie Chan to even younger audiences .\n6195\tOne of the most incoherent features in recent memory .\n6196\tLow rent from frame one .\n6197\tEight Legged Freaks ?\n6198\tNo big hairy deal .\n6199\tThe issues are presented in such a lousy way , complete with some of the year 's -LRB- unintentionally -RRB- funniest moments , that it 's impossible to care .\n6200\tLaggard drama wending its way to an uninspired philosophical epiphany .\n6201\tThe respective charms of Sandra Bullock and Hugh Grant have worn threadbare .\n6202\t` This movie sucks . '\n6203\tNone of this so-called satire has any sting to it , as if Woody is afraid of biting the hand that has finally , to some extent , warmed up to him .\n6204\tA few nonbelievers may rethink their attitudes when they see the joy the characters take in this creed , but skeptics are n't likely to enter the theater .\n6205\tBad in such a bizarre way that it 's almost worth seeing , if only to witness the crazy confluence of purpose and taste .\n6206\tThere 's more repetition than creativity throughout the movie .\n6207\tHugh Grant 's act is so consuming that sometimes it 's difficult to tell who the other actors in the movie are .\n6208\tAlthough the sequel has all the outward elements of the original , the first film 's lovely flakiness is gone , replaced by the forced funniness found in the dullest kiddie flicks .\n6209\tI 've had more interesting -- and , dare I say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama .\n6210\tWhat we get ... is Caddyshack crossed with the Loyal Order of Raccoons .\n6211\tThe jokes are flat , and the action looks fake .\n6212\tWhen a movie asks you to feel sorry for Mick Jagger 's sex life , it already has one strike against it .\n6213\tThere are now two signs that M. Night Shyamalan 's debut feature sucked up all he has to give to the mystic genres of cinema : Unbreakable and Signs .\n6214\t... hokey art house pretension .\n6215\t... a weak and ineffective ghost story without a conclusion or pay off .\n6216\tGussied up with so many distracting special effects and visual party tricks that it 's not clear whether we 're supposed to shriek or laugh .\n6217\tPlodding , poorly written , murky and weakly acted , the picture feels as if everyone making it lost their movie mojo .\n6218\tThis is a fudged opportunity of gigantic proportions -- a lunar mission with no signs of life .\n6219\tA baffling subplot involving smuggling drugs inside Danish cows falls flat , and if you 're going to alter the Bard 's ending , you 'd better have a good alternative .\n6220\tSoderbergh seems capable only of delivering artfully lighted , earnest inquiries that lack the kind of genuine depth that would make them redeemable .\n6221\tThe only thing that distinguishes a Randall Wallace film from any other is the fact that there is nothing distinguishing in a Randall Wallace film .\n6222\tSilly stuff , all mixed up together like a term paper from a kid who ca n't quite distinguish one sci-fi work from another .\n6223\tThere is so much plodding sensitivity .\n6224\tThe town has kind of an authentic feel , but each one of these people stand out and everybody else is in the background and it just seems manufactured to me and artificial .\n6225\t... too sappy for its own good .\n6226\tCircuit queens wo n't learn a thing , they 'll be too busy cursing the film 's strategically placed white sheets .\n6227\tAs an actress , Madonna is one helluva singer .\n6228\tAs the Mediterranean sparkles , ` Swept Away ' sinks .\n6229\tEvery so often a film comes along that is so insanely stupid , so awful in so many ways that watching it leaves you giddy .\n6230\tHalf Past Dead is just such an achievement .\n6231\tExpanded to 65 minutes for theatrical release , it still feels somewhat unfinished .\n6232\tIt all looks and plays like a $ 40 million version of a game you 're more likely to enjoy on a computer .\n6233\t-LRB- Javier Bardem is -RRB- one of the few reasons to watch the film , which director Gerardo Vera has drenched in swoony music and fever-pitched melodrama .\n6234\tFeels shrill , simple and soapy .\n6235\tAdults , other than the parents ... will be hard pressed to succumb to the call of the wild .\n6236\tBrady achieves the remarkable feat of squandering a topnotch foursome of actors ... by shoving them into every clichéd white-trash situation imaginable .\n6237\tIn the name of an allegedly inspiring and easily marketable flick , The Emperor 's Club turns a blind eye to the very history it pretends to teach .\n6238\tNo amount of blood and disintegrating vampire cadavers can obscure this movie 's lack of ideas .\n6239\tA direct-to-void release , heading nowhere .\n6240\tTypical animé , with cheapo animation -LRB- like Saturday morning TV in the '60s -RRB- , a complex sword-and-sorcery plot and characters who all have big round eyes and Japanese names .\n6241\tBelow is well below expectations .\n6242\tAt no point during K-19 : The Widowmaker did this viewer feel enveloped in a story that , though meant to be universal in its themes of loyalty , courage and dedication to a common goal , never seems to leave the lot .\n6243\t... standard guns versus martial arts cliche with little new added .\n6244\tEmpire ca n't make up its mind whether it wants to be a gangster flick or an art film .\n6245\tIt does n't work as either .\n6246\tGiven the fact that virtually no one is bound to show up at theatres for it , the project should have been made for the tube .\n6247\tPossession is in the end an honorable , interesting failure .\n6248\tIt falls far short of poetry , but it 's not bad prose .\n6249\tJonathan Parker 's Bartleby should have been the be-all-end-all of the modern-office anomie films .\n6250\tThere may have been a good film in `` Trouble Every Day , '' but it is not what is on the screen .\n6251\tUnfortunately , Carvey 's rubber-face routine is no match for the insipid script he has crafted with Harris Goldberg .\n6252\tViewed as a comedy , a romance , a fairy tale , or a drama , there 's nothing remotely triumphant about this motion picture .\n6253\tThere 's something unintentionally comic in the film 's drumbeat about authenticity , given the stale plot and pornographic way the film revels in swank apartments , clothes and parties .\n6254\tThe Master of Disguise is funny -- not `` ha ha '' funny , `` dead circus performer '' funny .\n6255\tAnd for all the wrong reasons besides .\n6256\tA zippy 96 minutes of mediocre special effects , hoary dialogue , fluxing accents , and -- worst of all -- silly-looking Morlocks .\n6257\tA 75-minute sample of puerile rubbish that is listless , witless , and devoid of anything resembling humor .\n6258\tYou leave feeling like you 've endured a long workout without your pulse ever racing .\n6259\tThe waterlogged script plumbs uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter .\n6260\tWith McConaughey in an entirely irony-free zone and Bale reduced mainly to batting his sensitive eyelids , there 's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd .\n6261\tIt 's the type of stunt the Academy loves : a powerful political message stuffed into an otherwise mediocre film .\n6262\tIn theory , a middle-aged romance pairing Clayburgh and Tambor sounds promising , but in practice it 's something else altogether -- clownish and offensive and nothing at all like real life .\n6263\tSo mind-numbingly awful that you hope Britney wo n't do it one more time , as far as movies are concerned .\n6264\tThe images are usually abbreviated in favor of mushy obviousness and telegraphed pathos , particularly where Whitaker 's misfit artist is concerned .\n6265\tIf Welles was unhappy at the prospect of the human race splitting in two , he probably would n't be too crazy with his great-grandson 's movie splitting up in pretty much the same way .\n6266\tSets animation back 30 years , musicals back 40 years and Judaism back at least 50 .\n6267\tWeirdly , Broomfield has compelling new material but he does n't unveil it until the end , after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car .\n6268\tMight best be enjoyed as a daytime soaper .\n6269\teventually arrives at its heart , as simple self-reflection meditation .\n6270\tA showcase for both the scenic splendor of the mountains and for legendary actor Michel Serrault , the film is less successful on other levels .\n6271\tBoy oh boy , it 's a howler .\n6272\tA few pieces of the film buzz and whir ; very little of it actually clicks .\n6273\tThe thing just never gets off the ground .\n6274\t... contains very few laughs and even less surprises .\n6275\tThe actors must indeed be good to recite some of this laughable dialogue with a straight face .\n6276\tMost of the storylines feel like time fillers between surf shots .\n6277\tThe movie is n't horrible , but you can see mediocre cresting on the next wave .\n6278\tHowever stale the material , Lawrence 's delivery remains perfect ; his great gift is that he can actually trick you into thinking some of this worn-out , pandering palaver is actually funny .\n6279\tThere 's nothing remotely topical or sexy here .\n6280\tThe Tuxedo was n't just bad ; it was , as my friend David Cross would call it , ` Hungry-Man portions of bad ' .\n6281\tBlue Crush is so prolonged and boring it is n't even close to being the barn-burningly bad movie it promised it would be .\n6282\tThe sequel plays out like a flimsy excuse to give Blade fans another look at Wesley Snipes ' iconic hero doing battle with dozens of bad guys -- at once .\n6283\tWhile Van Wilder may not be the worst National Lampoon film , it 's far from being this generation 's Animal House .\n6284\tSo devoid of pleasure or sensuality that it can not even be dubbed hedonistic .\n6285\tReeks of rot and hack work from start to finish .\n6286\tAn exhausting family drama about a porcelain empire and just as hard a flick as its subject matter .\n6287\tWoody Allen has really found his groove these days .\n6288\tThe problem is that it is one that allows him to churn out one mediocre movie after another .\n6289\tThe bland outweighs the nifty , and Cletis Tout never becomes the clever crime comedy it thinks it is .\n6290\tIt 's such a mechanical endeavor -LRB- that -RRB- it never bothers to question why somebody might devote time to see it .\n6291\tThe art direction is often exquisite , and the anthropomorphic animal characters are beautifully realized through clever makeup design , leaving one to hope that the eventual DVD release will offer subtitles and the original Italian-language soundtrack .\n6292\tIf the predictability of bland comfort food appeals to you , then the film is a pleasant enough dish .\n6293\tUltimately , in the history of the Academy , people may be wondering what all that jazz was about `` Chicago '' in 2002 .\n6294\tZellweger 's whiny pouty-lipped poof faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a\n6295\tA seriously bad film with seriously warped logic by writer-director Kurt Wimmer at the screenplay level .\n6296\tA pleasant and engaging enough sit , but in trying to have the best of both worlds it ends up falling short as a whole .\n6297\tIts plot and animation offer daytime TV serviceability , but little more .\n6298\tA tired , unimaginative and derivative variation of that already-shallow genre .\n6299\tHuman Nature , in short , is n't nearly as funny as it thinks it is ; neither is it as smart .\n6300\tA film with a great premise but only a great premise .\n6301\tInstead of building to a laugh riot we are left with a handful of disparate funny moments of no real consequence .\n6302\tKirshner and Monroe seem to be in a contest to see who can out-bad-act the other .\n6303\t-LRB- Kirshner wins , but it 's close . -RRB-\n6304\tA lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to get involved with her .\n6305\tWhat started out as a taut contest of wills between Bacon and Theron , deteriorates into a protracted and borderline silly chase sequence .\n6306\t-LRB- Sam 's -RRB- self-flagellation is more depressing than entertaining .\n6307\tAn ugly , pointless , stupid movie .\n6308\tSimply put , there should have been a more compelling excuse to pair Susan Sarandon and Goldie Hawn .\n6309\tThe Master of Disguise represents Adam Sandler 's latest attempt to dumb down the universe .\n6310\tThis is an ungainly movie , ill-fitting , with its elbows sticking out where the knees should be .\n6311\tToo silly to take seriously .\n6312\tThe inevitable double - and triple-crosses arise , but the only drama is in waiting to hear how John Malkovich 's reedy consigliere will pronounce his next line .\n6313\tEverything 's serious , poetic , earnest and -- sadly -- dull .\n6314\tI like it .\n6315\tNo , I hate it .\n6316\tNo , I love it ... hell , I dunno .\n6317\tThis mess of a movie is nothing short of a travesty of a transvestite comedy .\n6318\tIt 's clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long .\n6319\tA fifty car pileup of cliches .\n6320\tIt 's a stale , overused cocktail using the same olives since 1962 as garnish .\n6321\tNot only is entry number twenty the worst of the Brosnan bunch , it 's one of the worst of the entire franchise .\n6322\tWhat ultimately makes Windtalkers a disappointment is the superficial way it deals with its story .\n6323\tAs an actor 's showcase , Hart 's War has much to recommend it , even if the top-billed Willis is not the most impressive player .\n6324\tAs a story of dramatic enlightenment , the screenplay by Billy Ray and Terry George leaves something to be desired .\n6325\tA non-Britney person might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine .\n6326\tIt 's not hateful .\n6327\tIt 's simply stupid , irrelevant and deeply , truly , bottomlessly cynical .\n6328\tPossibly not since Grumpy Old Men have I heard a film so solidly connect with one demographic while striking out with another .\n6329\tThe drama was so uninspiring that even a story immersed in love , lust , and sin could n't keep my attention .\n6330\tA rather tired exercise in nostalgia .\n6331\tThe misery of these people becomes just another voyeuristic spectacle , to be consumed and forgotten .\n6332\tSome Body often looks like an episode of the TV show Blind Date , only less technically proficient and without the pop-up comments .\n6333\tBad Company has one of the most moronic screenplays of the year , full of holes that will be obvious even to those who are n't looking for them .\n6334\tPredecessors The Mummy and The Mummy Returns stand as intellectual masterpieces next to The Scorpion King .\n6335\tA markedly inactive film , City is conversational bordering on confessional .\n6336\tWhile kids will probably eat the whole thing up , most adults will be way ahead of the plot .\n6337\tDespite an impressive roster of stars and direction from Kathryn Bigelow , The Weight of Water is oppressively heavy .\n6338\tWe 've liked Klein 's other work but Rollerball left us cold .\n6339\tThey were afraid to show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn .\n6340\tThey were right .\n6341\tIt would be churlish to begrudge anyone for receiving whatever consolation that can be found in Dragonfly , yet it is impossible to find the film anything but appalling , shamelessly manipulative and contrived , and totally lacking in conviction .\n6342\tOffers no new insight on the matter , nor do its characters exactly spring to life .\n6343\tNohe has made a decent ` intro ' documentary , but he feels like a spectator and not a participant .\n6344\tApparently designed as a reverie about memory and regret , but the only thing you 'll regret is remembering the experience of sitting through it .\n6345\tA 94-minute travesty of unparalleled proportions , writer-director Parker seems to go out of his way to turn the legendary wit 's classic mistaken identity farce into brutally labored and unfunny hokum .\n6346\tGuy gets girl , guy loses girl , audience falls asleep .\n6347\tToo ordinary to restore -LRB- Harmon -RRB- to prominence , despite some creepy scenes that evoke childish night terrors , and a praiseworthy attempt to generate suspense rather than gross out the audience .\n6348\tStirs potentially enticing ingredients into an uneasy blend of Ghost and Close Encounters of the Third Kind .\n6349\tThe weird thing about The Santa Clause 2 , purportedly a children 's movie , is that there is nothing in it to engage children emotionally .\n6350\tIt 's pretentious in a way that verges on the amateurish .\n6351\tContains the humor , characterization , poignancy , and intelligence of a bad sitcom .\n6352\tIt does n't matter that the film is less than 90 minutes .\n6353\tIt still feels like a prison stretch .\n6354\tPartly a schmaltzy , by-the-numbers romantic comedy , partly a shallow rumination on the emptiness of success -- and entirely soulless .\n6355\tOng chooses to present Ah Na 's life as a slight , weightless fairy tale , whose most unpleasant details seem to melt away in the face of the character 's blank-faced optimism .\n6356\tThe overall feel is not unlike watching a glorified episode of `` 7th Heaven . ''\n6357\tJust a Kiss is a just a waste .\n6358\t... this is n't even a movie we can enjoy as mild escapism ; it is one in which fear and frustration are provoked to intolerable levels .\n6359\tFrankly , it 's kind of insulting , both to men and women .\n6360\tAnd it 's not that funny -- which is just generally insulting .\n6361\tAs if Drop Dead Gorgeous was n't enough , this equally derisive clunker is fixated on the spectacle of small-town competition .\n6362\tA wretched movie that reduces the Second World War to one man 's quest to find an old flame .\n6363\tThis is a remake by the numbers , linking a halfwit plot to a series of standup routines in which Wilson and Murphy show how funny they could have been in a more ambitious movie .\n6364\tIt 's better than mid-range Steven Seagal , but not as sharp as Jet Li on rollerblades .\n6365\tThere 's a reason why halftime is only fifteen minutes long .\n6366\tThe talk-heavy film plays like one of Robert Altman 's lesser works .\n6367\tAs happily glib and vicious as its characters .\n6368\tOne of those films that started with a great premise and then just fell apart .\n6369\tNo better or worse than ` Truth or Consequences , N.M. ' or any other interchangeable actioner with imbecilic Mafia toolbags botching a routine assignment in a Western backwater .\n6370\t-LRB- MacDowell -RRB- ventures beyond her abilities several times here and reveals how bad an actress she is .\n6371\tI can imagine this movie as a b & w British comedy , circa 1960 , with Peter Sellers , Kenneth Williams , et al. , but at this time , with this cast , this movie is hopeless .\n6372\tTalky , artificial and opaque ... an interesting technical exercise , but a tedious picture .\n6373\tKurys never shows why , of all the period 's volatile romantic lives , Sand and Musset are worth particular attention .\n6374\tAlmost nothing else -- raunchy and graphic as it may be in presentation -- is one-sided , outwardly sexist or mean-spirited .\n6375\tAnd in a sense , that 's a liability .\n6376\tIt 's easy to love Robin Tunney -- she 's pretty and she can act -- but it gets harder and harder to understand her choices .\n6377\tIf you 've got a house full of tots -- do n't worry , this will be on video long before they grow up and you can wait till then .\n6378\tThe new film of Anton Chekhov 's The Cherry Orchard puts the ` ick ' in ` classic . '\n6379\tHas an uppity musical beat that you can dance to , but its energy ca n't compare to the wit , humor and snappy dialogue of the original .\n6380\tIf I want music , I 'll buy the soundtrack .\n6381\tIf I want a real movie , I 'll buy the Criterion DVD .\n6382\tAn unremarkable , modern action\\/comedy buddy movie whose only nod to nostalgia is in the title .\n6383\tHas all the right elements but completely fails to gel together .\n6384\tWriter-director Stephen Gaghan has made the near-fatal mistake of being what the English call ` too clever by half . '\n6385\tSeagal ran out of movies years ago , and this is just the proof .\n6386\tThe movie is so contrived , nonsensical and formulaic that , come to think of it , the day-old shelf would be a more appropriate location to store it .\n6387\tAn awkwardly garish showcase that diverges from anything remotely probing or penetrating .\n6388\tThe name says it all .\n6389\tJackass is a vulgar and cheap-looking version of Candid Camera staged for the Marquis de Sade set .\n6390\tChildren , Christian or otherwise , deserve to hear the full story of Jonah 's despair -- in all its agonizing , Catch-22 glory -- even if they spend years trying to comprehend it .\n6391\tPleasant but not more than recycled jock piffle .\n6392\t... the kind of movie you see because the theater has air conditioning .\n6393\tWith Zoe Clarke-Williams 's lackluster thriller `` New Best Friend '' , who needs enemies ?\n6394\tJust another generic drama that has nothing going for it other than its exploitive array of obligatory cheap thrills .\n6395\tHip-hop prison thriller of stupefying absurdity .\n6396\tAn uneven mix of dark satire and childhood awakening .\n6397\taside from showing us in explicit detail how difficult it is to win over the two-drink-minimum crowd , there 's little to be learned from watching ` Comedian '\n6398\tA perfectly acceptable , perfectly bland , competently acted but by no means scary horror movie .\n6399\tThe film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based ` drama , ' but the emphasis on the latter leaves Blue Crush waterlogged .\n6400\tThe problem is the needlessly poor quality of its archival prints and film footage .\n6401\tThe images lack contrast , are murky and are frequently too dark to be decipherable .\n6402\tLike a soft drink that 's been sitting open too long : it 's too much syrup and not enough fizz .\n6403\tAs the movie dragged on , I thought I heard a mysterious voice , and felt myself powerfully drawn toward the light -- the light of the exit sign .\n6404\tI have returned from the beyond to warn you : this movie is 90 minutes long , and life is too short .\n6405\tThere are some fairly unsettling scenes , but they never succeed in really rattling the viewer .\n6406\tThe Emperor 's Club is one of those films that possesses all the good intentions in the world , but ...\n6407\tIn the end , The Weight of Water comes to resemble the kind of soft-core twaddle you 'd expect to see on Showtime 's ` Red Shoe Diaries . '\n6408\tA straight-ahead thriller that never rises above superficiality .\n6409\tGlizty but formulaic and silly ... Cagney 's ` top of the world ' has been replaced by the bottom of the barrel .\n6410\tThe re - enactments , however fascinating they may be as history , are too crude to serve the work especially well .\n6411\tIs anyone else out there getting tired of the whole slo-mo , double-pistoled , ballistic-pyrotechnic Hong Kong action aesthetic ?\n6412\tOnce again , director Chris Columbus takes a hat-in-hand approach to Rowling that stifles creativity and allows the film to drag on for nearly three hours .\n6413\tServing Sara is little more than a mall movie designed to kill time .\n6414\tToo smart to ignore but a little too smugly superior to like , this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot .\n6415\tA well-made but emotionally scattered film whose hero gives his heart only to the dog .\n6416\tThe most repugnant adaptation of a classic text since Roland Joffé and Demi Moore 's The Scarlet Letter .\n6417\tThe isolated moments of creative insanity finally are lost in the thin soup of canned humor .\n6418\tAs a movie , it never seems fresh and vital .\n6419\tIt never plays as dramatic even when dramatic things happen to people .\n6420\tIt labours as storytelling .\n6421\tThe Adventures of Pluto Nash is a whole lot of nada .\n6422\tA really good premise is frittered away in middle-of-the-road blandness .\n6423\tLawrence should stick to his day job .\n6424\tHe 's a better actor than a standup comedian .\n6425\tDespite the fact that this film was n't as bad as I thought it was going to be , it 's still not a good movie\n6426\tA well made indieflick in need of some trims and a more chemistry between its stars .\n6427\tI never thought I 'd say this , but I 'd much rather watch teens poking their genitals into fruit pies !\n6428\tA film neither bitter nor sweet , neither romantic nor comedic , neither warm nor fuzzy .\n6429\tTiresomely derivative and hammily acted .\n6430\tWe never truly come to care about the main characters and whether or not they 'll wind up together , and Michele 's spiritual quest is neither amusing nor dramatic enough to sustain interest .\n6431\tThe plot grows thin soon , and you find yourself praying for a quick resolution .\n6432\tToo bad Maggio could n't come up with a better script .\n6433\tMuch of the cast is stiff or just plain bad .\n6434\tRice is too pedestrian a filmmaker to bring any edge or personality to The Rising Place that would set it apart from other Deep South stories .\n6435\tAt best , Cletis Tout might inspire a trip to the video store -- in search of a better movie experience .\n6436\tWitless , pointless , tasteless and idiotic .\n6437\tNot really a thriller so much as a movie for teens to laugh , groan and hiss at .\n6438\tAs plain and pedestrian as catsup --\n6439\tAn improvement on the feeble examples of big-screen Poke-mania that have preceded it .\n6440\tI know we 're not supposed to take it seriously , but I ca n't shake the thought that Undercover Brother missed an opportunity to strongly present some profound social commentary .\n6441\tYour stomach for Heaven depends largely on your appetite for canned corn .\n6442\tA picture as erratic as its central character .\n6443\tWhatever satire Lucky Break was aiming for , it certainly got lost in the `` soon-to-be-forgettable '' section of the quirky rip-off prison romp pile .\n6444\tIt 's petty thievery like this that puts flimsy flicks like this behind bars\n6445\tThe package in which this fascinating -- and timely -- content comes wrapped is disappointingly generic .\n6446\tGuys say mean things and shoot a lot of bullets .\n6447\tSome of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , and , really , nobody in the viewing audience cares .\n6448\tWildly incompetent but brilliantly named Half Past Dead -- or for Seagal pessimists : Totally Past His Prime .\n6449\tJust another combination of bad animation and mindless violence ... lacking the slightest bit of wit or charm .\n6450\tAll the movie 's narrative gymnastics ca n't disguise the fact that it 's inauthentic at its core and that its story just is n't worth telling .\n6451\tMuch like its easily dismissive take on the upscale lifestyle , there is n't much there here .\n6452\tThe film ultimately offers nothing more than people in an urban jungle needing other people to survive ...\n6453\tFor all its shoot-outs , fistfights , and car chases , this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy film The Sum of All Fears , starring Ben Affleck , seem downright Hitchcockian .\n6454\tThis mild-mannered farce , directed by one of its writers , John C. Walsh , is corny in a way that bespeaks an expiration date passed a long time ago .\n6455\tA bit too eager to please .\n6456\tYou 'd be hard put to find a movie character more unattractive or odorous -LRB- than Leon -RRB- .\n6457\tKapur 's contradictory feelings about his material result in a movie that works against itself .\n6458\t`` the road paved with good intentions leads to the video store ''\n6459\tAnimated drivel meant to enhance the self-image of drooling idiots .\n6460\tOne scene after another in this supposedly funny movie falls to the floor with a sickening thud .\n6461\t` The Château is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot . '\n6462\tMeyjes focuses too much on Max when he should be filling the screen with this tortured , dull artist and monster-in-the - making .\n6463\tJacobi , the most fluent of actors , is given relatively dry material from Nijinsky 's writings to perform , and the visuals , even erotically frank ones , become dullingly repetitive .\n6464\tCrudup 's screen presence is the one thing that holds interest in the midst of a mushy , existential exploration of why men leave their families .\n6465\tThere is one surefire way to get a nomination for a best-foreign-film Oscar : Make a movie about whimsical folk who learn a nonchallenging , life-affirming lesson while walking around a foreign city with stunning architecture .\n6466\tDespite terrific special effects and funnier gags , Harry Potter and the Chamber of Secrets finds a way to make J.K. Rowling 's marvelous series into a deadly bore .\n6467\tAn incredibly narrow in-joke targeted to the tiniest segment of an already obscure demographic .\n6468\tThe only thing I laughed at were the people who paid to see it .\n6469\tAll of the elements are in place for a great film noir , but director George Hickenlooper 's approach to the material is too upbeat .\n6470\tThe hackneyed story about an affluent damsel in distress who decides to fight her bully of a husband is simply too overdone .\n6471\tthe phone rings and a voice tells you you 've got seven days left to live .\n6472\tThen you get another phone call warning you that if the video is n't back at Blockbuster before midnight , you 're going to face frightening late fees .\n6473\tO.K. , not really .\n6474\tPossibly the most irresponsible picture ever released by a major film studio .\n6475\tThe film 's overall mood and focus is interesting but constantly unfulfilling .\n6476\t... a cheap , ludicrous attempt at serious horror .\n6477\tThose of you who are not an eighth grade girl will most likely doze off during this one .\n6478\tBefuddled in its characterizations as it begins to seem as long as the two year affair which is its subject\n6479\tFrom beginning to end , this overheated melodrama plays like a student film .\n6480\tThe movie would seem less of a trifle if Ms. Sugarman followed through on her defiance of the saccharine .\n6481\tIt 's just not very smart .\n6482\tLike the excruciating End of Days , Collateral Damage presents Schwarzenegger as a tragic figure , but sympathy really belongs with any viewer forced to watch him try out so many complicated facial expressions .\n6483\tImagine -LRB- if possible -RRB- a Pasolini film without passion or politics , or an Almodovar movie without beauty or humor , and you have some idea of the glum , numb experience of watching O Fantasma .\n6484\tIn trying to be daring and original , it comes off as only occasionally satirical and never fresh .\n6485\t90 punitive minutes of eardrum-dicing gunplay , screeching-metal smashups , and flaccid odd-couple sniping .\n6486\tSadly , though many of the actors throw off a spark or two when they first appear , they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction .\n6487\tNever capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tolerance .\n6488\tAfter a while , Hoffman 's quirks and mannerisms , particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial .\n6489\tThis wretchedly unfunny wannabe comedy is inane and awful - no doubt , it 's the worst movie I 've seen this summer .\n6490\tIt 's drab .\n6491\tIt 's uninteresting .\n6492\tIt squanders Chan 's uniqueness ; it could even be said to squander Jennifer Love Hewitt !\n6493\tThe movie keeps coming back to the achingly unfunny Phonce and his several silly subplots .\n6494\tThis tale has been told and retold ; the races and rackets change , but the song remains the same .\n6495\tA surprisingly flat retread , hobbled by half-baked setups and sluggish pacing .\n6496\tForget the Psychology 101 study of romantic obsession and just watch the procession of costumes in castles and this wo n't seem like such a bore .\n6497\tA film that should be relegated to a dark video store corner is somehow making its way instead to theaters .\n6498\tIt 's hard to imagine acting that could be any flatter .\n6499\tNew ways of describing badness need to be invented to describe exactly how bad it is .\n6500\tLots of effort and intelligence are on display but in execution it is all awkward , static , and lifeless rumblings .\n6501\tWhen cowering and begging at the feet a scruffy Giannini , Madonna gives her best performance since Abel Ferrara had her beaten to a pulp in his Dangerous Game .\n6502\tI suspect that there are more interesting ways of dealing with the subject .\n6503\tThe film itself is about something very interesting and odd that would probably work better as a real documentary without the insinuation of mediocre acting or a fairly trite narrative .\n6504\tAn unintentional parody of every teen movie made in the last five years .\n6505\tOnly for young children , if them .\n6506\tTheir parents would do well to cram earplugs in their ears and put pillowcases over their heads for 87 minutes .\n6507\tFor all its violence , the movie is remarkably dull with only Caine making much of an impression .\n6508\tNo matter how firmly director John Stainton has his tongue in his cheek , the fact remains that a wacky concept does not a movie make .\n6509\tA sub-formulaic slap in the face to seasonal cheer .\n6510\tThe action is reasonably well-done ... yet story , character and comedy bits are too ragged to ever fit smoothly together .\n6511\tSeveral uninteresting , unlikeable people do bad things to and with each other in `` Unfaithful . ''\n6512\tWhy anyone who is not a character in this movie should care is beyond me .\n6513\tHill looks to be going through the motions , beginning with the pale script .\n6514\tHoward conjures the past via surrealist flourishes so overwrought you 'd swear he just stepped out of a Buñuel retrospective .\n6515\tThe best thing that can be said of the picture is that it does have a few cute moments .\n6516\tIt 's not a bad premise , just a bad movie .\n6517\tAn already thin story boils down to surviving invaders seeking an existent anti-virus .\n6518\tIf only there were one for this kind of movie .\n6519\tBy the time the surprise ending is revealed , interest can not be revived .\n6520\tThe heedless impetuousness of youth is on full , irritating display in -LRB- this -RRB- meandering and pointless French coming-of-age import from writer-director Anne-Sophie Birot .\n6521\tA peculiar misfire that even Tunney ca n't save .\n6522\tWatching Queen of the Damned is like reading a research paper , with special effects tossed in .\n6523\tI ca n't remember the last time I saw worse stunt editing or cheaper action movie production values than in Extreme Ops .\n6524\tToo much of Nemesis has a tired , talky feel .\n6525\tI felt trapped and with no obvious escape for the entire 100 minutes .\n6526\tWhen Mr. Hundert tells us in his narration that ` this is a story without surprises , ' we nod in agreement .\n6527\tLeaves us wondering less about its ideas and more about its characterization of Hitler and the contrived nature of its provocative conclusion .\n6528\tIt is that rare combination of bad writing , bad direction and bad acting -- the trifecta of badness .\n6529\tEach scene wreaks of routine ; the film never manages to generate a single threat of suspense .\n6530\tA soulless jumble of ineptly assembled cliches and pabulum that plays like a 95-minute commercial for NBA properties .\n6531\tBorstal Boy represents the worst kind of filmmaking , the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy .\n6532\tThe film 's lack of personality permeates all its aspects -- from the TV movie-esque , affected child acting to the dullest Irish pub scenes ever filmed .\n6533\tworks on the whodunit level as its larger themes get lost in the murk of its own making\n6534\tCrush could be the worst film a man has made about women since Valley of the Dolls .\n6535\t4Ever has the same sledgehammer appeal as Pokemon videos , but it breathes more on the big screen and induces headaches more slowly .\n6536\tFeels like the work of someone who may indeed have finally aged past his prime ... and , perhaps more than he realizes , just wants to be liked by the people who can still give him work .\n6537\tTrailer park Magnolia : too long , too cutesy , too sure of its own importance , and possessed of that peculiar tension of being too dense & about nothing at all .\n6538\tViewers of Barney 's crushingly self-indulgent spectacle will see nothing in it to match the ordeal of sitting through it .\n6539\t... its stupidities wind up sticking in one 's mind a lot more than the cool bits .\n6540\tSayles ... once again strands his superb performers in the same old story .\n6541\tThe Piano Teacher , like its title character , is repellantly out of control .\n6542\tI have to admit I walked out of Runteldat .\n6543\tI did go back and check out the last 10 minutes , but these were more repulsive than the first 30 or 40 minutes .\n6544\tThe filmmakers lack the nerve ... to fully exploit the script 's potential for sick humor .\n6545\tThe film was n't preachy , but it was feminism by the book .\n6546\t... the same tired old gags , modernized for the extreme sports generation .\n6547\tThere 's already been too many of these films ...\n6548\tSeveral of Steven Soderbergh 's earlier films were hailed as the works of an artist .\n6549\tSadly , Full Frontal plays like the work of a dilettante .\n6550\tClockstoppers is one of those crazy , mixed-up films that does n't know what it wants to be when it grows up .\n6551\tAlthough bright , well-acted and thought-provoking , Tuck Everlasting suffers from a laconic pace and a lack of traditional action .\n6552\t` The War of the Roses , ' trailer-trash style .\n6553\tEntertaining but like shooting fish in a barrel .\n6554\tSupposedly , Pokemon ca n't be killed , but Pokemon 4Ever practically assures that the pocket monster movie franchise is nearly ready to keel over .\n6555\tWhite has n't developed characters so much as caricatures , one-dimensional buffoons that get him a few laughs but nothing else .\n6556\tWhen you resurrect a dead man , Hard Copy should come a-knocking , no ?\n6557\tCattaneo should have followed the runaway success of his first film , The Full Monty , with something different .\n6558\tThe film feels formulaic , its plot and pacing typical Hollywood war-movie stuff , while the performances elicit more of a sense of deja vu than awe .\n6559\tThis overproduced piece of dreck is shockingly bad and absolutely unnecessary .\n6560\tHmmm ... might I suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener ?\n6561\tThe makers of Mothman Prophecies succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad .\n6562\tMr. Deeds is not really a film as much as it is a loose collection of not-so-funny gags , scattered moments of lazy humor .\n6563\tHow this one escaped the Lifetime network I 'll never know .\n6564\tCould n't someone take Rob Schneider and have him switch bodies with a funny person ?\n6565\tOne of these days Hollywood will come up with an original idea for a teen movie , but until then there 's always these rehashes to feed to the younger generations .\n6566\tFor all its brilliant touches , Dragon loses its fire midway , nearly flickering out by its perfunctory conclusion .\n6567\tI have to admit that I am baffled by Jason X.\n6568\tA mean-spirited film made by someone who surely read The Catcher in the Rye but clearly suffers from dyslexia\n6569\tInstead of a witty expose on the banality and hypocrisy of too much kid-vid , we get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many Barney videos .\n6570\tThis is a film living far too much in its own head .\n6571\tThe umpteenth summer skinny dip in Jerry Bruckheimer 's putrid pond of retread action twaddle .\n6572\tNational Lampoon 's Van Wilder may aim to be the next Animal House , but it more closely resembles this year 's version of Tomcats .\n6573\tThe film thrusts the inchoate but already eldritch Christian Right propaganda machine into national media circles .\n6574\tDogtown is hollow , self-indulgent , and - worst of all - boring .\n6575\tA movie so bad that it quickly enters the pantheon of wreckage that includes Battlefield Earth and Showgirls .\n6576\tMore of a career curio than a major work .\n6577\tIt 's just too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer , squad car pile-ups and the requisite screaming captain .\n6578\tCox is far more concerned with aggrandizing madness , not the man , and the results might drive you crazy .\n6579\tTo be influenced chiefly by humanity 's greatest shame , reality shows -- reality shows for God 's sake !\n6580\t-- is a crime that should be punishable by chainsaw .\n6581\tAs we have come to learn -- as many times as we have fingers to count on -- Jason is a killer who does n't know the meaning of the word ` quit . '\n6582\tThe filmmakers might want to look it up .\n6583\tA frustrating ` tweener ' -- too slick , contrived and exploitative for the art houses and too cynical , small and decadent for the malls .\n6584\tWhat 's surprising about this traditional thriller , moderately successful but not completely satisfying , is exactly how genteel and unsurprising the execution turns out to be .\n6585\tDrowning 's too good for this sucker .\n6586\tAn instantly forgettable snow-and-stuntwork extravaganza that likely will be upstaged by an avalanche of more appealing holiday-season product .\n6587\tFrankly , it 's pretty stupid .\n6588\tI had more fun with Ben Stiller 's Zoolander , which I thought was rather clever .\n6589\tBut there 's plenty to offend everyone ...\n6590\tLove Liza is a festival film that would have been better off staying on the festival circuit .\n6591\tThere are things to like about Murder By Numbers -- but , in the end , the disparate elements do n't gel .\n6592\t... tackling a low-budget movie in which inexperienced children play the two main characters might not be the best way to cut your teeth in the film industry .\n6593\tQuite frankly , I ca n't see why any actor of talent would ever work in a McCulloch production again if they looked at how this movie turned out .\n6594\tMy precious new Star Wars movie is a lumbering , wheezy drag ...\n6595\tThe innocence of holiday cheer ai n't what it used to be .\n6596\tToo campy to work as straight drama and too violent and sordid to function as comedy , Vulgar is , truly and thankfully , a one-of-a-kind work .\n6597\tHorrid little propaganda film with fascinating connections not only to the Serbs themselves but also to a network of American right-wing extremists .\n6598\tShould have gone straight to video .\n6599\tIt looks like an action movie , but it 's so poorly made , on all levels , that it does n't even qualify as a spoof of such .\n6600\tIt is supremely unfunny and unentertaining to watch middle-age and older men drink to excess , piss on trees , b.s. one another and put on a show in drag .\n6601\tConsider the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director I admire .\n6602\tA boring , pretentious muddle that uses a sensational , real-life 19th-Century crime as a metaphor for -- well , I 'm not exactly sure what -- and has all the dramatic weight of a raindrop .\n6603\tSheridan had a wonderful account to work from , but , curiously , he waters it down , turning grit and vulnerability into light reading .\n6604\tHeavy with flabby rolls of typical Toback machinations .\n6605\tIt is very difficult to care about the character , and that is the central flaw of the film .\n6606\tSnow Dogs finds its humour in a black man getting humiliated by a pack of dogs who are smarter than him\n6607\tWhole stretches of the film may be incomprehensible to moviegoers not already clad in basic black .\n6608\tReggio and Glass so rhapsodize cynicism , with repetition and languorous slo-mo sequences , that Glass 's dirgelike score becomes a fang-baring lullaby .\n6609\tEnds up offering nothing more than the latest Schwarzenegger or Stallone flick would .\n6610\tThe film makes strong arguments regarding the social status of America 's indigenous people , but really only exists to try to eke out an emotional tug of the heart , one which it fails to get .\n6611\tCharlize CHASES Kevin with a GUN .\n6612\tCourtney CHASES Stuart with a CELL PHONE .\n6613\tThe sound of GUNFIRE and cell phones RINGING .\n6614\tIf The Tuxedo actually were a suit , it would fit Chan like a $ 99 bargain-basement special .\n6615\tParents beware ; this is downright movie penance .\n6616\t... a complete shambles of a movie so sloppy , so uneven , so damn unpleasant that I ca n't believe any viewer , young or old , would have a good time here .\n6617\tHas nothing good to speak about other than the fact that it is relatively short , tries its best to hide the fact that Seagal 's overweight and out of shape .\n6618\tA pathetically inane and unimaginative cross between XXX and Vertical Limit .\n6619\tImpeccably filmed , sexually charged , but ultimately lacking in substance , not to mention dragged down by a leaden closing act .\n6620\tFeels at times like a giant commercial for Universal Studios , where much of the action takes place .\n6621\tWhile the mystery unravels , the characters respond by hitting on each other .\n6622\tBritney Spears ' phoniness is nothing compared to the movie 's contrived , lame screenplay and listless direction .\n6623\tEvery sequel you skip will be two hours gained .\n6624\tConsider this review life-affirming .\n6625\tIf the movie were all comedy , it might work better .\n6626\tBut it has an ambition to say something about its subjects , but not a willingness .\n6627\tThe movie , while beautiful , feels labored , with a hint of the writing exercise about it .\n6628\tTwenty-three movies into a mostly magnificent directorial career , Clint Eastwood 's efficiently minimalist style finally has failed him .\n6629\tBig time .\n6630\tThis heist flick about young Brooklyn hoods is off the shelf after two years to capitalize on the popularity of Vin Diesel , Seth Green and Barry Pepper .\n6631\tIt should have stayed there .\n6632\tThe film has a childlike quality about it .\n6633\tBut the feelings evoked in the film are lukewarm and quick to pass .\n6634\tThe most opaque , self-indulgent and just plain goofy an excuse for a movie as you can imagine .\n6635\tIt 's not a film to be taken literally on any level , but its focus always appears questionable .\n6636\tBig Fat Liar is little more than Home Alone raised to a new , self-deprecating level .\n6637\tThe movie is gorgeously made , but it is also somewhat shallow and art-conscious .\n6638\tThe only time 8 Crazy Nights comes close to hitting a comedic or satirical target is during the offbeat musical numbers .\n6639\tLoses its sense of humor in a vat of failed jokes , twitchy acting , and general boorishness .\n6640\tThere 's a delightfully quirky movie to be made from curling , but Brooms is n't it .\n6641\tThe story suffers a severe case of oversimplification , superficiality and silliness .\n6642\tChamber of Secrets will find millions of eager fans .\n6643\tBut if the essence of magic is its make-believe promise of life that soars above the material realm , this is the opposite of a truly magical movie .\n6644\tToo clever by about nine-tenths .\n6645\tHas all the hallmarks of a movie designed strictly for children 's home video , a market so insatiable it absorbs all manner of lame entertainment , as long as 3-year-olds find it diverting .\n6646\tBears about as much resemblance to the experiences of most battered women as Spider-Man does to the experiences of most teenagers .\n6647\tToward the end Sum of All Fears morphs into a mundane '70s disaster flick .\n6648\tDirector Carl Franklin , so crisp and economical in One False Move , bogs down in genre cliches here .\n6649\tMendes still does n't quite know how to fill a frame .\n6650\tLike the Hanks character , he 's a slow study : The action is stilted and the tabloid energy embalmed .\n6651\tThis thing is just garbage .\n6652\tAs crimes go , writer-director Michael Kalesniko 's How to Kill Your Neighbor 's Dog is slight but unendurable .\n6653\tThere must be an audience that enjoys the Friday series , but I would n't be interested in knowing any of them personally .\n6654\tA bold -LRB- and lovely -RRB- experiment that will almost certainly bore most audiences into their own brightly colored dreams .\n6655\tAn uplifting , largely bogus story .\n6656\tAn empty exercise , a florid but ultimately vapid crime melodrama with lots of surface flash but little emotional resonance .\n6657\tIf you are curious to see the darker side of what 's going on with young TV actors -LRB- Dawson Leery did what ?!? -RRB- , or see some interesting storytelling devices , you might want to check it out , but there 's nothing very attractive about this movie .\n6658\tMy own minority report is that it stinks .\n6659\tTrying to make head or tail of the story in the hip-hop indie Snipes is enough to give you brain strain -- and the pay-off is negligible .\n6660\tThe script is high on squaddie banter , low on shocks .\n6661\t... if you , like me , think an action film disguised as a war tribute is disgusting to begin with , then you 're in for a painful ride .\n6662\tWhile Solondz tries and tries hard , Storytelling fails to provide much more insight than the inside column of a torn book jacket .\n6663\tWith very little to add beyond the dark visions already relayed by superb recent predecessors like Swimming With Sharks and The Player , this latest skewering ... may put off insiders and outsiders alike .\n6664\t-LRB- Davis -RRB- wants to cause his audience an epiphany , yet he refuses to give us real situations and characters .\n6665\tWithout a fresh infusion of creativity , 4Ever is neither a promise nor a threat so much as wishful thinking .\n6666\t... unlike -LRB- Scorsese 's Mean Streets -RRB- , Ash Wednesday is essentially devoid of interesting characters or even a halfway intriguing plot .\n6667\tBeing unique does n't necessarily equate to being good , no matter how admirably the filmmakers have gone for broke .\n6668\tA few hours after you 've seen it , you forget you 've been to the movies .\n6669\twaydowntown may not be an important movie , or even a good one , but it provides a nice change of mindless pace in collision with the hot Oscar season currently underway .\n6670\tYes , I suppose it 's lovely that Cal works out his issues with his dad and comes to terms with his picture-perfect life -- but World Traveler gave me no reason to care , so I did n't .\n6671\tShadyac , who belongs with the damned for perpetrating Patch Adams , trots out every ghost trick from The Sixth Sense to The Mothman Prophecies .\n6672\tThe photographer 's show-don ` t-tell stance is admirable , but it can make him a problematic documentary subject .\n6673\tIt is not the first time that director Sara Sugarman stoops to having characters drop their pants for laughs and not the last time she fails to provoke them .\n6674\tI 'd be hard pressed to think of a film more cloyingly sappy than Evelyn this year .\n6675\tNothing more than an amiable but unfocused bagatelle that plays like a loosely-connected string of acting-workshop exercises .\n6676\tmeanders between its powerful moments .\n6677\tWhat remains is a variant of the nincompoop Benigni persona , here a more annoying , though less angry version of the irresponsible Sandlerian manchild , undercut by the voice of the star of Road Trip .\n6678\tA backhanded ode to female camaraderie penned by a man who has little clue about either the nature of women or of friendship .\n6679\tPure of intention and passably diverting , His Secret Life is light , innocuous and unremarkable .\n6680\t... delivers few moments of inspiration amid the bland animation and simplistic story .\n6681\tTake away the controversy , and it 's not much more watchable than a Mexican soap opera .\n6682\tIt 's got the brawn , but not the brains .\n6683\tMindless and boring martial arts and gunplay with too little excitement and zero compelling storyline .\n6684\tA lot of talent is wasted in this crass , low-wattage endeavor .\n6685\tTo show these characters in the act and give them no feelings of remorse -- and to cut repeatedly to the flashback of the original rape -- is overkill to the highest degree .\n6686\t-LRB- T -RRB- oo many of these gross out scenes ...\n6687\tAbout one in three gags in White 's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook .\n6688\tLittle is done to support the premise other than fling gags at it to see which ones shtick .\n6689\tReno does what he can in a thankless situation , the film ricochets from humor to violence and back again , and Ryoko Hirosue makes us wonder if she is always like that .\n6690\tIf Jews were Catholics , this would be Catechism\n6691\tOne of those films that seems tailor made to air on pay cable to offer some modest amusements when one has nothing else to watch .\n6692\tThe big ending surprise almost saves the movie .\n6693\tIt 's too bad that the rest is n't more compelling .\n6694\tCharming , if overly complicated ...\n6695\tSchneider 's mugging is relentless and his constant need to suddenly transpose himself into another character undermines the story 's continuity and progression .\n6696\tAll very stylish and beautifully photographed , but far more trouble than it 's worth , with fantasy mixing with reality and actors playing more than one role just to add to the confusion .\n6697\tIt 's probably not easy to make such a worthless film ...\n6698\tHope keeps arising that the movie will live up to the apparent skills of its makers and the talents of its actors , but it does n't .\n6699\tHas no reason to exist , other than to employ Hollywood kids and people who owe favors to their famous parents .\n6700\tFor a guy who has waited three years with breathless anticipation for a new Hal Hartley movie to pore over , No Such Thing is a big letdown .\n6701\tConstantly slips from the grasp of its maker .\n6702\tSmothered by its own solemnity .\n6703\t` Christian Bale 's Quinn -LRB- is -RRB- a leather clad grunge-pirate with a hairdo like Gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent . '\n6704\tMight be one of those vanity projects in which a renowned filmmaker attempts to show off his talent by surrounding himself with untalented people .\n6705\tAfter you laugh once -LRB- maybe twice -RRB- , you will have completely forgotten the movie by the time you get back to your car in the parking lot .\n6706\tNot one moment in the enterprise did n't make me want to lie down in a dark room with something cool to my brow .\n6707\tIn the era of The Sopranos , it feels painfully redundant and inauthentic .\n6708\tThe overall vibe is druggy and self-indulgent , like a spring-break orgy for pretentious arts majors .\n6709\tBreen 's script is sketchy with actorish notations on the margin of acting .\n6710\tThere 's no question that Epps scores once or twice , but it 's telling that his funniest moment comes when he falls about ten feet onto his head .\n6711\tIf only Merchant paid more attention the story .\n6712\tAt the one-hour mark , Herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion .\n6713\t... too contrived to be as naturally charming as it needs to be .\n6714\tA simpler , leaner treatment would have been preferable ; after all , being about nothing is sometimes funnier than being about something .\n6715\tThe characters are based on stock clichés , and the attempt to complicate the story only defies credibility .\n6716\tEverything about it from the bland songs to the colorful but flat drawings is completely serviceable and quickly forgettable .\n6717\tNot the Great American Comedy , but if you liked the previous movies in the series , you 'll have a good time with this one too .\n6718\tA domestic melodrama with weak dialogue and biopic cliches .\n6719\tMr. Goyer 's loose , unaccountable direction is technically sophisticated in the worst way .\n6720\tThe movie is so thoughtlessly assembled .\n6721\tBenigni presents himself as the boy puppet Pinocchio , complete with receding hairline , weathered countenance and American Breckin Meyer 's ridiculously inappropriate Valley Boy voice .\n6722\tplays like some corny television production from a bygone era\n6723\tThe end result is like cold porridge with only the odd enjoyably chewy lump .\n6724\tFor all the charm of Kevin Kline and a story that puts old-fashioned values under the microscope , there 's something creepy about this movie .\n6725\tI was feeling this movie until it veered off too far into the Exxon zone , and left me behind at the station looking for a return ticket to realism .\n6726\tProducer John Penotti surveyed high school students ... and came back with the astonishing revelation that `` they wanted to see something that did n't talk down to them . ''\n6727\tIgnoring that , he made Swimfan anyway\n6728\tNaipaul fans may be disappointed .\n6729\tThose who are not acquainted with the author 's work , on the other hand , may fall fast asleep .\n6730\tHoffman waits too long to turn his movie in an unexpected direction , and even then his tone retains a genteel , prep-school quality that feels dusty and leatherbound .\n6731\tIf you 're a Crocodile Hunter fan , you 'll enjoy at least the `` real '' portions of the film .\n6732\tIf you 're looking for a story , do n't bother .\n6733\tFull Frontal had no effect and elicited no sympathies for any of the characters .\n6734\tBy that measure , it is a failure .\n6735\tA baffling mixed platter of gritty realism and magic realism with a hard-to-swallow premise .\n6736\tAn affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer 's previous collaboration , Miss Congeniality .\n6737\tSometimes this modest little number clicks , and sometimes it does n't .\n6738\tLike a pack of dynamite sticks , built for controversy .\n6739\tThe film is explosive , but a few of those sticks are wet .\n6740\tHas its charming quirks and its dull spots .\n6741\tAn admitted egomaniac , Evans is no Hollywood villain , and yet this grating showcase almost makes you wish he 'd gone the way of Don Simpson .\n6742\tThe audience when I saw this one was chuckling at all the wrong times , and that 's a bad sign when they 're supposed to be having a collective heart attack .\n6743\tEveryone 's to blame here .\n6744\tYou get the impression that writer and director Burr Steers knows the territory ... but his sense of humor has yet to lose the smug self-satisfaction usually associated with the better private schools .\n6745\tLess a study in madness or love than a study in schoolgirl obsession .\n6746\tRice never clearly defines his characters or gives us a reason to care about them .\n6747\tIt 's a bizarre curiosity memorable mainly for the way it fritters away its potentially interesting subject matter via a banal script , unimpressive acting and indifferent direction .\n6748\tA slight and obvious effort , even for one whose target demographic is likely still in the single digits , age-wise .\n6749\tSex With Strangers will shock many with its unblinking frankness .\n6750\tBut what is missing from it all is a moral .\n6751\tWhat is the filmmakers ' point ?\n6752\tWhy did they deem it necessary to document all this emotional misery ?\n6753\tYou see Robin Williams and psycho killer , and you think , hmmmmm .\n6754\tYou see the movie and you think , zzzzzzzzz .\n6755\tDownright transparent is the script 's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a `` cooler '' PG-13 rating .\n6756\tThe movie slides downhill as soon as macho action conventions assert themselves .\n6757\tFormulaic to the 51st power , more like .\n6758\tDraggin ' about dragons\n6759\tHoward and his co-stars all give committed performances , but they 're often undone by Howard 's self-conscious attempts to find a ` literary ' filmmaking style to match his subject .\n6760\tA respectable but uninspired thriller that 's intelligent and considered in its details , but ultimately weak in its impact .\n6761\tJones helps breathe some life into the insubstantial plot , but even he is overwhelmed by predictability .\n6762\tThe movie just has too much on its plate to really stay afloat for its just under ninety minute running time .\n6763\tComes off more like a misdemeanor , a flat , unconvincing drama that never catches fire .\n6764\tOffers absolutely nothing I had n't already seen .\n6765\t`` Analyze That '' is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original .\n6766\tYou might say Tykwer has done all that Heaven allows , if you wanted to make as anti-Kieslowski a pun as possible .\n6767\tSuffice to say its total promise is left slightly unfulfilled .\n6768\tComplex , sinuously plotted and , somehow , off-puttingly cold .\n6769\tFirst-time writer-director Dylan Kidd also has a good ear for dialogue , and the characters sound like real people .\n6770\t... an airless , prepackaged Julia Roberts wannabe that stinks so badly of hard-sell image-mongering you 'll wonder if Lopez 's publicist should share screenwriting credit .\n6771\tGoldmember has none of the visual wit of the previous pictures , and it looks as though Jay Roach directed the film from the back of a taxicab .\n6772\tCould as easily have been called ` Under Siege 3 : In Alcatraz ' ... a cinematic corpse that never springs to life .\n6773\tIn comparison to his earlier films it seems a disappointingly thin slice of lower-class London life ; despite the title ... amounts to surprisingly little .\n6774\tLame Sweet Home leaves no Southern stereotype unturned .\n6775\tSlow , dry , poorly cast , but beautifully shot .\n6776\tThe jokes are sophomoric , stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious .\n6777\tWill give many ministers and Bible-study groups hours of material to discuss .\n6778\tBut mainstream audiences will find little of interest in this film , which is often preachy and poorly acted .\n6779\tIn its chicken heart , Crush goes to absurd lengths to duck the very issues it raises .\n6780\tThis long and relentlessly saccharine film is a clear case of preaching to the converted .\n6781\tThe film is flat .\n6782\tThe movie is a lumbering load of hokum but ... it 's at least watchable .\n6783\tIt 's a boom-box of a movie that might have been titled ` The Loud and the Ludicrous ' ... the pandering to a moviegoing audience dominated by young males is all too calculated .\n6784\tAn unbelievably stupid film , though occasionally fun enough to make you forget its absurdity .\n6785\tThe first Fatal Attraction was vile enough .\n6786\tDo we really need the Tiger Beat version ?\n6787\tThis Bond film goes off the beaten path , not necessarily for the better .\n6788\tThe problem is that the movie has no idea of it is serious or not .\n6789\tWhen the fire burns out , we 've only come face-to-face with a couple dragons and that 's where the film ultimately fails .\n6790\tIt would work much better as a one-hour TV documentary .\n6791\tThe elements were all there but lack of a pyschological center knocks it flat .\n6792\tAnemic chronicle of money grubbing New Yorkers and their serial loveless hook ups .\n6793\tSimply does n't have sufficient heft to justify its two-hour running time .\n6794\tAn unsuccessful attempt at a movie of ideas .\n6795\tQueen of the Damned as you might have guessed , makes sorry use of Aaliyah in her one and only starring role -- she does little here but point at things that explode into flame .\n6796\tThis toothless Dog , already on cable , loses all bite on the big screen .\n6797\tIt made me feel unclean , and I 'm the guy who liked There 's Something About Mary and both American Pie movies .\n6798\tOh , and Booty Call .\n6799\tNot only is it hokey , manipulative and as bland as Wonder Bread dipped in milk , but it also does the absolute last thing we need Hollywood doing to us : It preaches .\n6800\tIt 's so crammed with scenes and vistas and pretty moments that it 's left a few crucial things out , like character development and coherence .\n6801\tServing Sara should be served an eviction notice at every theater stuck with it .\n6802\tDirector Roger Michell does so many of the little things right that it 's difficult not to cuss him out severely for bungling the big stuff .\n6803\tA loud , low-budget and tired formula film that arrives cloaked in the euphemism ` urban drama . '\n6804\tThe movie has a script -LRB- by Paul Pender -RRB- made of wood , and it 's relentlessly folksy , a procession of stagy set pieces stacked with binary oppositions .\n6805\tA pathetic exploitation film that tries to seem sincere , and just seems worse for the effort .\n6806\tAt some point , all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill .\n6807\tDespite some charm and heart , this quirky soccer import is forgettable\n6808\tMeyjes 's movie , like Max Rothman 's future , does not work .\n6809\tWhat 's needed so badly but what is virtually absent here is either a saving dark humor or the feel of poetic tragedy .\n6810\tSchneidermeister ... Makin ' a fool of himself ... Losin ' his fan base ...\n6811\tAn ambitious , serious film that manages to do virtually everything wrong ; sitting through it is something akin to an act of cinematic penance .\n6812\tNot once does it come close to being exciting .\n6813\tA Frankenstein mishmash that careens from dark satire to cartoonish slapstick , Bartleby performs neither one very well .\n6814\tIt plays like a big-budget , after-school special with a generous cast , who at times lift the material from its well-meaning clunkiness .\n6815\tThere 's something not entirely convincing about The Quiet American .\n6816\tAnd that holds true for both the movie and the title character played by Brendan Fraser .\n6817\tOne of those strained caper movies that 's hardly any fun to watch and begins to vaporize from your memory minutes after it ends .\n6818\tNeeded a little less bling-bling and a lot more romance .\n6819\tThe ending does n't work ... but most of the movie works so well I 'm almost recommending it , anyway -- maybe not to everybody , but certainly to people with a curiosity about how a movie can go very right , and then step wrong .\n6820\tIt 's hard to believe these jokers are supposed to have pulled off four similar kidnappings before .\n6821\tI 'm not exactly sure what this movie thinks it is about .\n6822\tCal is an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes .\n6823\tSo brisk is Wang 's pacing that none of the excellent cast are given air to breathe .\n6824\tThe bottom line , at least in my opinion , is Imposter makes a better short story than it does a film .\n6825\tSome elements of it really blow the big one , but other parts are decent .\n6826\tIt is just too bad the film 's story does not live up to its style .\n6827\tUnless you 're a fanatic , the best advice is : ` Scooby ' do n't .\n6828\tA cautionary tale about the folly of superficiality that is itself endlessly superficial .\n6829\tFor single digits kidlets Stuart Little 2 is still a no brainer .\n6830\tIf you 're looking to rekindle the magic of the first film , you 'll need a stronger stomach than us .\n6831\tShreve 's graceful dual narrative gets clunky on the screen , and we keep getting torn away from the compelling historical tale to a less-compelling soap opera .\n6832\tContains a few big laughs but many more that graze the funny bone or miss it altogether , in part because the consciously dumbed-down approach wears thin .\n6833\tNothing more than a widget cranked out on an assembly line to see if stupid Americans will get a kick out of goofy Brits with cute accents performing ages-old slapstick and unfunny tricks .\n6834\tThis is a film tailor-made for those who when they were in high school would choose the Cliff-Notes over reading a full-length classic .\n6835\tThe movie is undone by a filmmaking methodology that 's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads .\n6836\tA jumbled fantasy comedy that did not figure out a coherent game plan at scripting , shooting or post-production stages .\n6837\tA sad and rote exercise in milking a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title would imply .\n6838\tPersonal Velocity ought to be exploring these women 's inner lives , but it never moves beyond their surfaces .\n6839\tWe hate -LRB- Madonna -RRB- within the film 's first five minutes , and she lacks the skill or presence to regain any ground .\n6840\tSounding like Arnold Schwarzenegger , with a physique to match , -LRB- Ahola -RRB- has a wooden delivery and encounters a substantial arc of change that does n't produce any real transformation .\n6841\tTwo big things are missing -- anything approaching a visceral kick , and anything approaching even a vague reason to sit through it all .\n6842\tA fascinating but choppy documentary .\n6843\tScarcely worth a mention apart from reporting on the number of tumbleweeds blowing through the empty theatres graced with its company .\n6844\tThe doofus-on - the-loose banter of Welcome to Collinwood has a cocky , after-hours loopiness to it .\n6845\tAnd as with most late-night bull sessions , eventually the content is n't nearly as captivating as the rowdy participants think it is .\n6846\tToo stagey , talky -- and long -- for its own good .\n6847\tApparently reassembled from the cutting-room floor of any given daytime soap .\n6848\tThe sinister inspiration that fuelled DeVito 's early work is confused in Death to Smoochy into something both ugly and mindless .\n6849\tDespite Auteuil 's performance , it 's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug .\n6850\tDirector Boris von Sychowski instead opts for a routine slasher film that was probably more fun to make than it is to sit through .\n6851\t... little more than a well-acted television melodrama shot for the big screen .\n6852\tNever comes together as a coherent whole .\n6853\tAn unintentionally surreal kid 's picture ... in which actors in bad bear suits enact a sort of inter-species parody of a VH1 Behind the Music episode .\n6854\tFirst , for a movie that tries to be smart , it 's kinda dumb .\n6855\tAnd second , what 's with all the shooting ?\n6856\tDo n't even bother to rent this on video .\n6857\tThere is something in Full Frontal , I guess , about artifice and acting and how it distorts reality for people who make movies and watch them , but like most movie riddles , it works only if you have an interest in the characters you see .\n6858\tThis is the kind of movie that gets a quick release before real contenders arrive in September .\n6859\tNot counting a few gross-out comedies I 've been trying to forget , this is the first film in a long time that made me want to bolt the theater in the first 10 minutes .\n6860\tPlays like one long , meandering sketch inspired by the works of John Waters and Todd Solondz , rather than a fully developed story .\n6861\tThe film does n't have enough innovation or pizazz to attract teenagers , and it lacks the novel charm that made Spy Kids a surprising winner with both adults and younger audiences .\n6862\tA mawkish self-parody that plays like some weird Masterpiece Theater sketch with neither a point of view nor a compelling reason for being .\n6863\tAn average B-movie with no aspirations to be anything more .\n6864\tBartlett 's hero remains a reactive cipher , when opening the man 's head and heart is the only imaginable reason for the film to be made .\n6865\tGibney and Jarecki just want to string the bastard up .\n6866\tThe plot is plastered with one Hollywood cliche after another , most of which involve precocious kids getting the better of obnoxious adults .\n6867\tLess worrying about covering all the drama in Frida 's life and more time spent exploring her process of turning pain into art would have made this a superior movie .\n6868\tA film that suffers because of its many excesses .\n6869\tToo bland and fustily tasteful to be truly prurient .\n6870\tIn any case , I would recommend Big Bad Love only to Winger fans who have missed her since 1995 's Forget Paris .\n6871\tBut even then , I 'd recommend waiting for DVD and just skipping straight to her scenes .\n6872\tDepicts the sorriest and most sordid of human behavior on the screen , then laughs at how clever it 's being .\n6873\tNijinsky says , ' I know how to suffer ' and if you see this film you 'll know too .\n6874\t` CQ may one day be fondly remembered as Roman Coppola 's brief pretentious period before going on to other films that actually tell a story worth caring about\n6875\tThe only thing scary about feardotcom is that the filmmakers and studio are brazen enough to attempt to pass this stinker off as a scary movie .\n6876\t... the story simply putters along looking for astute observations and coming up blank .\n6877\tInstead of contriving a climactic hero 's death for the beloved-major - character-who-shall - remain-nameless , why not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ?\n6878\tIt just did n't mean much to me and played too skewed to ever get a hold on -LRB- or be entertained by -RRB- .\n6879\tThis action-thriller\\/dark comedy is one of the most repellent things to pop up in a cinematic year already littered with celluloid garbage .\n6880\tMIB II is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and\\/or restroom and not feel as if he or she has missed anything .\n6881\tThat 's because relatively nothing happens .\n6882\tNo amount of arty theorizing -- the special effects are ` German-Expressionist , ' according to the press notes -- can render it anything but laughable .\n6883\tBlue Crush follows the formula , but throws in too many conflicts to keep the story compelling .\n6884\tBoyd 's screenplay -LRB- co-written with Guardian hack Nick Davies -RRB- has a florid turn of phrase that owes more to Guy Ritchie than the Bard of Avon .\n6885\tThere 's not a spark of new inspiration in it , just more of the same , done with noticeably less energy and imagination .\n6886\tJackson shamefully strolls through this mess with a smug grin , inexplicably wearing a kilt and carrying a bag of golf clubs over one shoulder .\n6887\tA moving picture that does not move .\n6888\tRuh-roh !\n6889\tRomething 's really wrong with this ricture !\n6890\tIts salient points are simultaneously buried , drowned and smothered in the excesses of writer-director Roger Avary .\n6891\tI 'm not sure these words have ever been together in the same sentence : This erotic cannibal movie is boring .\n6892\t` God help us , but Capra and Cooper are rolling over in their graves . '\n6893\t... an hour-and-a-half of inoffensive , unmemorable filler .\n6894\tIs it a comedy ?\n6895\tA drama ?\n6896\tA romance ?\n6897\tA cartoon ?\n6898\tZe movie starts out so funny , then she is nothing .\n6899\tDid the film inform and educate me ?\n6900\tYes .\n6901\tDid it move me to care about what happened in 1915 Armenia ?\n6902\tNo. .\n6903\tAnd that is where Ararat went astray .\n6904\tIt 's a bad sign in a thriller when you instantly know whodunit .\n6905\tHas a customarily jovial air but a deficit of flim-flam inventiveness .\n6906\tEight Legged Freaks wo n't join the pantheon of great monster\\/science fiction flicks that we have come to love ...\n6907\tIt gets the details of its time frame right but it completely misses its emotions .\n6908\tWho , exactly , is fighting whom here ?\n6909\tAh , yes , that would be me : fighting off the urge to doze .\n6910\tA kilted Jackson is an unsettling sight , and indicative of his , if you will , out-of-kilter character , who rambles aimlessly through ill-conceived action pieces .\n6911\tContrived , awkward and filled with unintended laughs , the film shows signs that someone other than the director got into the editing room and tried to improve things by making the movie go faster .\n6912\tStarts out with tremendous promise , introducing an intriguing and alluring premise , only to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter .\n6913\tThe film lapses too often into sugary sentiment and withholds delivery on the pell-mell pyrotechnics its punchy style promises .\n6914\tThe only question ... is to determine how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering .\n6915\tAverage , at best , I 'm afraid .\n6916\tThis movie is so bad , that it 's almost worth seeing because it 's so bad .\n6917\tA crisply made movie that is no more than mildly amusing .\n6918\tThis movie feel more like a non-stop cry for attention , than an attempt at any kind of satisfying entertainment .\n6919\tOverall , it 's a pretty mediocre family film .\n6920\tLove may have been in the air onscreen , but I certainly was n't feeling any of it .\n6921\tIn addition to the overcooked , ham-fisted direction , which has all the actors reaching for the back row , the dialogue sounds like horrible poetry .\n6922\tThe very definition of what critics have come to term an `` ambitious failure . ''\n6923\tIt 's as if De Palma spent an hour setting a fancy table and then served up Kraft Macaroni and Cheese .\n6924\tThe movie ends with outtakes in which most of the characters forget their lines and just utter ` uhhh , ' which is better than most of the writing in the movie .\n6925\tWorthy of the gong .\n6926\tWhile certainly more naturalistic than its Australian counterpart , Amari 's film falls short in building the drama of Lilia 's journey .\n6927\tI found the movie as divided against itself as the dysfunctional family it portrays .\n6928\tThe soul-searching deliberateness of the film , although leavened nicely with dry absurdist wit , eventually becomes too heavy for the plot .\n6929\tThe movie does n't add anything fresh to the myth .\n6930\tAs inept as big-screen remakes of The Avengers and The Wild Wild West .\n6931\tComes across as a relic from a bygone era , and its convolutions ... feel silly rather than plausible .\n6932\tMoves in such odd plot directions and descends into such message-mongering moralism that its good qualities are obscured .\n6933\tIt 's a very sincere work , but it would be better as a diary or documentary .\n6934\tOnce one experiences Mr. Haneke 's own sadistic tendencies toward his audience , one is left with a sour taste in one 's mouth , and little else .\n6935\tOops , she 's really done it this time .\n6936\tThat chirpy songbird Britney Spears has popped up with more mindless drivel .\n6937\tIt 's a loathsome movie , it really is and it makes absolutely no sense .\n6938\tA chiller resolutely without chills .\n6939\tFor those of us who respond more strongly to storytelling than computer-generated effects , the new Star Wars installment has n't escaped the rut dug by the last one .\n6940\tThe director mostly plays it straight , turning Leys ' fable into a listless climb down the social ladder .\n6941\t`` Bad '' is the operative word for `` Bad Company , '' and I do n't mean that in a good way .\n6942\tThough Frida is easier to swallow than Julie Taymor 's preposterous Titus , the eye candy here lacks considerable brio .\n6943\tDrumline is -- the mere suggestion , albeit a visually compelling one , of a fully realized story .\n6944\tThe whole movie is simply a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well .\n6945\tThe film affords us intriguing glimpses of the insights gleaned from a lifetime of spiritual inquiry , but Ram Dass : Fierce Grace does n't organize it with any particular insight .\n6946\tBilly Crystal and Robert De Niro sleepwalk through vulgarities in a sequel you can refuse .\n6947\tIt 's loud and boring ; watching it is like being trapped at a bad rock concert .\n6948\tMerely -LRB- and literally -RRB- tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense .\n6949\tIf you want a movie time trip , the 1960 version is a far smoother ride .\n6950\tTraffics in the kind of prechewed racial clichés that have already been through the corporate stand-up-comedy mill .\n6951\tThe story is -- forgive me -- a little thin , and the filmmaking clumsy and rushed .\n6952\t... grows decidedly flimsier with its many out-sized , out of character and logically porous action set pieces .\n6953\tI wish Windtalkers had had more faith in the dramatic potential of this true story .\n6954\tThis would have been better than the fiction it has concocted , and there still could have been room for the war scenes .\n6955\tAggressive self-glorification and a manipulative whitewash .\n6956\tStay for the credits and see a devastating comic impersonation by Dustin Hoffman that is revelatory .\n6957\tNone of the characters or plot-lines are fleshed-out enough to build any interest .\n6958\tAs social exposé , Skins has its heart in the right place , but that 's not much to hang a soap opera on .\n6959\tThe whole film has this sneaky feel to it -- as if the director is trying to dupe the viewer into taking it all as Very Important simply because the movie is ugly to look at and not a Hollywood product .\n6960\tThere 's a bit of thematic meat on the bones of Queen of the Damned , as its origins in an Anne Rice novel dictate , but generally , it 's a movie that emphasizes style over character and substance .\n6961\tThe only way to tolerate this insipid , brutally clueless film might be with a large dose of painkillers .\n6962\tThis one is certainly well-meaning , but it 's also simple-minded and contrived .\n6963\tCoppola has made a film of intoxicating atmosphere and little else .\n6964\tBad and baffling from the get-go .\n6965\tA series of immaculately composed shots of Patch Adams quietly freaking out does not make for much of a movie .\n6966\tAt a time when we 've learned the hard way just how complex international terrorism is , Collateral Damage paints an absurdly simplistic picture .\n6967\tThe impulses that produced this project ... are commendable , but the results are uneven .\n6968\tA well-acted movie that simply does n't gel .\n6969\tLike a can of 2-day old Coke .\n6970\tYou can taste it , but there 's no fizz .\n6971\tThere 's no excuse for following up a delightful , well-crafted family film with a computer-generated cold fish .\n6972\tBoth the crime story and the love story are unusual .\n6973\tBut they do n't fit well together and neither is well told .\n6974\tIt 's both sitcomishly predictable and cloying in its attempts to be poignant .\n6975\tOther than a mildly engaging central romance , Hospital is sickly entertainment at best and mind-destroying cinematic pollution at worst .\n6976\tJaglom offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar .\n6977\tOutside of Burger 's desire to make some kind of film , it 's really unclear why this project was undertaken\n6978\tWas I scared ?\n6979\tOnly at the prospect of Beck 's next project .\n6980\tLet 's see , a haunted house , a haunted ship , what 's next ... Ghost Blimp ?\n6981\tA fragile framework upon which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming .\n6982\tBy the time the plot grinds itself out in increasingly incoherent fashion , you might be wishing for a watch that makes time go faster rather than the other way around .\n6983\tSince Lee is a sentimentalist , the film is more worshipful than your random E !\n6984\tTrue Hollywood Story .\n6985\tWes Craven 's presence is felt ; not the Craven of ' A Nightmare on Elm Street ' or ` The Hills Have Eyes , ' but the sad schlock merchant of ` Deadly Friend . '\n6986\tSunshine State surveys the landscape and assesses the issues with a clear passion for sociology .\n6987\tBut the cinematography is cloudy , the picture making becalmed .\n6988\tIt 's one long bore .\n6989\tIt gets old quickly .\n6990\tWatch Barbershop again if you 're in need of a Cube fix -- this is n't worth sitting through .\n6991\tIt 's leaden and predictable , and laughs are lacking .\n6992\t... a cinematic disaster so inadvertently sidesplitting it 's worth the price of admission for the ridicule factor alone .\n6993\tSkip this dreck , rent Animal House and go back to the source .\n6994\tThe movie is a desperate miscalculation .\n6995\tIt gives poor Dana Carvey nothing to do that is really funny , and then expects us to laugh because he acts so goofy all the time .\n6996\tWe just do n't really care too much about this love story .\n6997\tIn that setting , their struggle is simply too ludicrous and borderline insulting .\n6998\tThe Transporter bombards the viewer with so many explosions and side snap kicks that it ends up being surprisingly dull .\n6999\tUzumaki 's interesting social parallel and defiant aesthetic seems a prostituted muse ...\n7000\t` Men in Black II creates a new threat for the MIB , but recycles the same premise .\n7001\tLarge budget notwithstanding , the movie is such a blip on the year 's radar screen that it 's tempting just to go with it for the ride .\n7002\tBut this time , the old MIB label stands for Milder Is n't Better .\n7003\tFeels familiar and tired .\n7004\tA retread of material already thoroughly plumbed by Martin Scorsese .\n7005\tInstead of making his own style , director Marcus Adams just copies from various sources -- good sources , bad mixture\n7006\tCriminal conspiracies and true romances move so easily across racial and cultural lines in the film that it makes My Big Fat Greek Wedding look like an apartheid drama .\n7007\tA bore that tends to hammer home every one of its points .\n7008\tA story which fails to rise above its disgusting source material .\n7009\tIt 's fitting that a movie as artificial and soulless as The Country Bears owes its genesis to an animatronic display at Disneyland .\n7010\tStarts as an intense political and psychological thriller but is sabotaged by ticking time bombs and other Hollywood-action cliches .\n7011\tCompletely creatively stillborn and executed in a manner that I 'm not sure could be a single iota worse ... a soulless hunk of exploitative garbage .\n7012\tAn uneven look into a grim future that does n't come close to the level of intelligence and visual splendour that can be seen in other films based on Philip K. Dick stories .\n7013\tHorrible .\n7014\tThe disjointed mess flows as naturally as Jolie 's hideous yellow ` do .\n7015\tBolstered by an astonishing voice cast -LRB- excepting Love Hewitt -RRB- , an interesting racial tension , and a storyline that I have n't encountered since at least Pete 's Dragon .\n7016\tAn authentically vague , but ultimately purposeless , study in total pandemonium .\n7017\tMakes a joke out of car chases for an hour and then gives us half an hour of car chases .\n7018\tAs the sulking , moody male hustler in the title role , -LRB- Franco -RRB- has all of Dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability .\n7019\tThe only thing to fear about `` Fear Dot Com '' is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film .\n7020\tIt 's too interested in jerking off in all its Byzantine incarnations to bother pleasuring its audience .\n7021\t` Synthetic ' is the best description of this well-meaning , beautifully produced film that sacrifices its promise for a high-powered star pedigree .\n7022\tIt concentrates far too much on the awkward interplay and utter lack of chemistry between Chan and Hewitt .\n7023\tImpostor ca n't think of a thing to do with these characters except have them run through dark tunnels , fight off various anonymous attackers , and evade elaborate surveillance technologies .\n7024\tJudd 's characters ought to pick up the durable best seller Smart Women , Foolish Choices for advice .\n7025\tThe script has less spice than a rat burger and The Rock 's fighting skills are more in line with Steven Seagal .\n7026\tThis ill-conceived and expensive project winds up looking like a bunch of talented thesps slumming it .\n7027\t... there 's a choppy , surface-effect feeling to the whole enterprise .\n7028\tDoes n't get the job done , running off the limited chemistry created by Ralph Fiennes and Jennifer Lopez .\n7029\tA particularly joyless , and exceedingly dull , period coming-of-age tale .\n7030\tIt 's impossible to indulge the fanciful daydreams of Janice Beard -LRB- Eileen Walsh -RRB- when her real-life persona is so charmless and vacant .\n7031\t... it was n't the subject matter that ultimately defeated the film ... It was the unfulfilling , incongruous , `` wait a second , did I miss something ? ''\n7032\tending .\n7033\tThis is a movie where the most notable observation is how long you 've been sitting still .\n7034\tPoor editing , bad bluescreen , and ultra-cheesy dialogue highlight the radical action .\n7035\tIt 's super - violent , super-serious and super-stupid .\n7036\tSo earnest and well-meaning , and so stocked with talent , that you almost forget the sheer , ponderous awfulness of its script .\n7037\tJust a string of stale gags , with no good inside dope , and no particular bite .\n7038\tIt 's Splash without the jokes .\n7039\tThe Château would have been benefited from a sharper , cleaner script before it went in front of the camera .\n7040\tNot to mention a sharper , cleaner camera lens .\n7041\tShallow , noisy and pretentious .\n7042\tMorrissette has performed a difficult task indeed - he 's taken one of the world 's most fascinating stories and made it dull , lifeless , and irritating .\n7043\tGranddad of Le Nouvelle Vague , Jean-Luc Godard continues to baffle the faithful with his games of hide-and-seek .\n7044\tThis loud and thoroughly obnoxious comedy about a pair of squabbling working-class spouses is a deeply unpleasant experience .\n7045\tIt 's better than The Phantom Menace .\n7046\tBut unless you 're an absolute raving Star Wars junkie , it is n't much fun .\n7047\tPhilosophically , intellectually and logistically a mess .\n7048\tA standard police-oriented drama that , were it not for De Niro 's participation , would have likely wound up a TNT Original .\n7049\tCoupling disgracefully written dialogue with flailing bodily movements that substitute for acting , Circuit is the awkwardly paced soap opera-ish story .\n7050\tHollywood Ending just is n't very funny .\n7051\tThough clearly well-intentioned , this cross-cultural soap opera is painfully formulaic and stilted .\n7052\tA technical triumph and an extraordinary bore .\n7053\tI can easily imagine Benigni 's Pinocchio becoming a Christmas perennial .\n7054\tCoal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings .\n7055\tTwo hours of junk .\n7056\tEnds up being mostly about ravishing costumes , eye-filling , wide-screen production design and Joan 's wacky decision to stand by her man , no matter how many times he demonstrates that he 's a disloyal satyr .\n7057\tSelf-congratulatory , misguided , and ill-informed , if nonetheless compulsively watchable .\n7058\tA clumsily manufactured exploitation flick , a style-free exercise in manipulation and mayhem .\n7059\tThe whole affair , true story or not , feels incredibly hokey ... -LRB- it -RRB- comes off like a Hallmark commercial .\n7060\tWhat 's missing is what we call the ` wow ' factor .\n7061\tThe nicest thing that can be said about Stealing Harvard -LRB- which might have been called Freddy Gets Molested by a Dog -RRB- is that it 's not as obnoxious as Tom Green 's Freddie Got Fingered .\n7062\t... Tara Reid plays a college journalist , but she looks like the six-time winner of the Miss Hawaiian Tropic Pageant , so I do n't know what she 's doing in here ...\n7063\tThe young stars are too cute ; the story and ensuing complications are too manipulative ; the message is too blatant ; the resolutions are too convenient .\n7064\tNormally , Rohmer 's talky films fascinate me , but when he moves his setting to the past , and relies on a historical text , he loses the richness of characterization that makes his films so memorable .\n7065\tI highly recommend Irwin , but not in the way this film showcases him .\n7066\tIt 's been 13 months and 295 preview screenings since I last walked out on a movie , but Resident Evil really earned my indignant , preemptive departure .\n7067\tThis picture is mostly a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer .\n7068\tMalone does have a gift for generating nightmarish images that will be hard to burn out of your brain .\n7069\tBut the movie 's narrative hook is way too muddled to be an effectively chilling guilty pleasure .\n7070\tThough it goes further than both , anyone who has seen The Hunger or Cat People will find little new here , but a tasty performance from Vincent Gallo lifts this tale of cannibal lust above the ordinary .\n7071\tA Blair Witch - style adventure that plays like a bad soap opera , with passable performances from everyone in the cast .\n7072\tDiaz wears out her welcome in her most charmless performance\n7073\tIt is too bad that this likable movie is n't more accomplished .\n7074\tThe actors try hard but come off too amateurish and awkward .\n7075\tThe plot has a number of holes , and at times it 's simply baffling .\n7076\tAn ill-conceived jumble that 's not scary , not smart and not engaging .\n7077\tBrainless , but enjoyably over-the-top , the retro gang melodrama , Deuces Wild represents fifties teen-gang machismo in a way that borders on rough-trade homo-eroticism .\n7078\tGets bogged down by an overly sillified plot and stop-and-start pacing .\n7079\t`` What John does is heroic , but we do n't condone it , '' one of the film 's stars recently said , a tortuous comment that perfectly illustrates the picture 's moral schizophrenia .\n7080\tLike coming into a long-running , well-written television series where you 've missed the first half-dozen episodes and probably wo n't see the next six .\n7081\tIts generic villains lack any intrigue -LRB- other than their funny accents -RRB- and the action scenes are poorly delivered .\n7082\tDripping with cliche and bypassing no opportunity to trivialize the material .\n7083\tHard-core slasher aficionados will find things to like ... but overall the Halloween series has lost its edge .\n7084\tStiff and schmaltzy and clumsily directed .\n7085\tThe story the movie tells is of Brian De Palma 's addiction to the junk-calorie suspense tropes that have all but ruined his career .\n7086\tToo many improbabilities and rose-colored situations temper what could 've been an impacting film .\n7087\tGeneric slasher-movie nonsense , but it 's not without style .\n7088\tWith tiny little jokes and nary an original idea , this sappy ethnic sleeper proves that not only blockbusters pollute the summer movie pool .\n7089\tIt sticks rigidly to the paradigm , rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived , well-worn situations .\n7090\tEver see one of those comedies that just seem like a bad idea from frame one ?\n7091\tOnce Ice-T sticks his mug in the window of the couple 's BMW and begins haranguing the wife in bad stage dialogue , all credibility flies out the window .\n7092\tThe best drug addition movies are usually depressing but rewarding .\n7093\tQuitting , however , manages just to be depressing , as the lead actor phones in his autobiographical performance .\n7094\tIt would be great to see this turd squashed under a truck , preferably a semi .\n7095\tIn the end , all you can do is admire the ensemble players and wonder what the point of it is .\n7096\tFor most movies , 84 minutes is short , but this one feels like a life sentence .\n7097\tWhile Glover , the irrepressible eccentric of River 's Edge , Dead Man and Back to the Future , is perfect casting for the role , he represents Bartleby 's main overall flaw .\n7098\tShatner is probably the funniest person in the film , which gives you an idea just how bad it was .\n7099\tTries so hard to be quirky and funny that the strain is all too evident .\n7100\tAs immaculate as Stuart Little 2 is , it could be a lot better if it were , well , more adventurous .\n7101\tSimply a re-hash of the other seven films .\n7102\tWith jump cuts , fast editing and lots of pyrotechnics , Yu clearly hopes to camouflage how bad his movie is .\n7103\tHe fails .\n7104\tI found myself more appreciative of what the director was trying to do than of what he had actually done .\n7105\tA very depressing movie of many missed opportunities .\n7106\tGoes on and on to the point of nausea .\n7107\tBy turns numbingly dull-witted and disquietingly creepy .\n7108\tBoy , has this franchise ever run out of gas .\n7109\tOne problem with the movie , directed by Joel Schumacher , is that it jams too many prefabricated story elements into the running time .\n7110\tThe comedy is nonexistent .\n7111\t... a bland , pretentious mess .\n7112\tIt 's a pedestrian , flat drama that screams out ` amateur ' in almost every frame .\n7113\tA bland animated sequel that hardly seems worth the effort .\n7114\tIt 's not just the vampires that are damned in Queen of the Damned -- the viewers will feel they suffer the same fate .\n7115\tIf religious films are n't your bailiwick , stay away .\n7116\tOtherwise , this could be a passable date film .\n7117\tThis is the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience .\n7118\tThe pace and the visuals are so hyped up that a curious sense of menace informs everything .\n7119\tStuffy , full of itself , morally ambiguous and nothing to shout about .\n7120\tIt is most of the things Costner movies are known for ; it 's sanctimonious , self-righteous and so eager to earn our love that you want to slap it .\n7121\tDo n't let the subtitles fool you ; the movie only proves that Hollywood no longer has a monopoly on mindless action .\n7122\tChai 's structure and pacing are disconcertingly slack .\n7123\tTo be oblivious to the existence of this film would be very sweet indeed .\n7124\tThe director , with his fake backdrops and stately pacing , never settles on a consistent tone .\n7125\tOne just waits grimly for the next shock without developing much attachment to the characters .\n7126\tInstead of panoramic sweep , Kapur gives us episodic choppiness , undermining the story 's emotional thrust .\n7127\tThe director seems to take an unseemly pleasure in -LRB- the characters ' -RRB- misery and at the same time to congratulate himself for having the guts to confront it .\n7128\tThis dubious product of a college-spawned -LRB- Colgate U. -RRB- comedy ensemble known as Broken Lizard plays like a mix of Cheech and Chong and CHiPs .\n7129\tThe movie does n't think much of its characters , its protagonist , or of us .\n7130\tSuper Troopers is an odd amalgam of comedy genres , existing somewhere between the often literal riffs of early Zucker Brothers\\/Abrahams films , and the decidedly foul stylings of their post-modern contemporaries , The Farrelly Brothers .\n7131\t... will always be remembered for the 9-11 terrorist attacks .\n7132\tAfter seeing the film , I can tell you that there 's no other reason why anyone should bother remembering it .\n7133\tMade me feel uneasy , even queasy , because -LRB- Solondz 's -RRB- cool compassion is on the border of bemused contempt .\n7134\tAs a kind of colorful , dramatized PBS program , Frida gets the job done .\n7135\tBut , for that , why not watch a documentary ?\n7136\tWith minimal imagination , you could restage the whole thing in your bathtub .\n7137\tNights feels more like a quickie TV special than a feature film ... It 's not even a TV special you 'd bother watching past the second commercial break .\n7138\tAlthough ... visually striking and slickly staged , it 's also cold , grey , antiseptic and emotionally desiccated .\n7139\tYou can see where Big Bad Love is trying to go , but it never quite gets there .\n7140\tFriday After Next is the kind of film that could only be made by African-Americans because of its broad racial insensitivity towards African-Americans .\n7141\tIt 's not as awful as some of the recent Hollywood trip tripe ... but it 's far from a groundbreaking endeavor .\n7142\tThe only thing `` swept away '' is the one hour and thirty-three minutes spent watching this waste of time .\n7143\tOne-sided documentary offers simplistic explanations to a very complex situation .\n7144\t... Stylistically , the movie is a disaster .\n7145\tThe corpse count ultimately overrides what little we learn along the way about vicarious redemption .\n7146\tAs violent , profane and exploitative as the most offensive action flick you 've ever seen .\n7147\tEgoyan 's work often elegantly considers various levels of reality and uses shifting points of view , but here he has constructed a film so labyrinthine that it defeats his larger purpose .\n7148\tLife or Something Like It has its share of high points , but it misses too many opportunities .\n7149\tThis is a truly , truly bad movie .\n7150\tDespite bearing the Paramount imprint , it 's a bargain-basement European pickup .\n7151\tWhat 's hard to understand is why anybody picked it up .\n7152\tWiser souls would have tactfully pretended not to see it and left it lying there\n7153\tBelievability was n't one of the film 's virtues .\n7154\tSewer rats could watch this movie and be so skeeved out that they 'd need a shower .\n7155\tThe Santa Clause 2 's plot may sound like it was co-written by Mattel executives and lobbyists for the tinsel industry .\n7156\tHis best film remains his shortest , The Hole , which makes many of the points that this film does but feels less repetitive .\n7157\tJust another disjointed , fairly predictable psychological thriller .\n7158\t... stumbles over every cheap trick in the book trying to make the outrage come even easier .\n7159\tEven the hastily and amateurishly drawn animation can not engage .\n7160\tKung Pow is Oedekerk 's realization of his childhood dream to be in a martial-arts flick , and proves that sometimes the dreams of youth should remain just that .\n7161\tBusy urban comedy is clearly not Zhang 's forte , his directorial touch is neither light nor magical enough to bring off this kind of whimsy .\n7162\tNot completely loveable -- but what underdog movie since The Bad News Bears has been ?\n7163\t-- but certainly hard to hate .\n7164\tA movie that ca n't get sufficient distance from Leroy 's delusions to escape their maudlin influence .\n7165\tIt 's Young Guns meets Goodfellas in this easily skippable hayseeds-vs .\n7166\t- greaseballs mob action-comedy .\n7167\tLouiso lets the movie dawdle in classic disaffected-indie-film mode , and brother Hoffman 's script stumbles over a late-inning twist that just does n't make sense .\n7168\tThe movie straddles the fence between escapism and social commentary , and on both sides it falls short .\n7169\tThe film is old-fashioned , occasionally charming and as subtle as boldface .\n7170\tCa n't get enough of libidinous young city dwellers ?\n7171\tTry this obscenely bad dark comedy , so crass that it makes Edward Burns ' Sidewalks of New York look like Oscar Wilde .\n7172\tIn The New Guy , even the bull gets recycled .\n7173\tLargely , this is a movie that also does it by the numbers .\n7174\tOn top of a foundering performance , -LRB- Madonna 's -RRB- denied her own athleticism by lighting that emphasizes every line and sag .\n7175\tThis is the first full scale WWII flick from Hong Kong 's John Woo .\n7176\tHe 's not good with people .\n7177\tPatchy combination of soap opera , low-tech magic realism and , at times , ploddingly sociological commentary .\n7178\t-LRB- Stevens is -RRB- so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits .\n7179\tSo boring that even its target audience talked all the way through it .\n7180\tOne of the more glaring signs of this movie 's servitude to its superstar is the way it skirts around any scenes that might have required genuine acting from Ms. Spears .\n7181\tHollywood Ending is the most disappointing Woody Allen movie ever .\n7182\tHe has a great cast and a great idea .\n7183\tBut the execution is a flop with the exception of about six gags that really work .\n7184\t... generically , forgettably pleasant from start to finish .\n7185\tIt 's just hard to believe that a life like this can sound so dull .\n7186\tWhen not wallowing in its characters ' frustrations , the movie is busy contriving false , sitcom-worthy solutions to their problems .\n7187\tAn overstylized , puréed mélange of sex , psychology , drugs and philosophy .\n7188\tSometimes entertaining , sometimes indulgent -- but never less than pure wankery .\n7189\t` Lovely and Amazing , ' unhappily , is neither ... excessively strained and contrived .\n7190\tRingu is a disaster of a story , full of holes and completely lacking in chills .\n7191\tIgnore the reputation , and ignore the film .\n7192\tThis one is a few bits funnier than Malle 's dud , if only because the cast is so engagingly messing around like Slob City reductions of Damon Runyon crooks .\n7193\t` It 's painful to watch Witherspoon 's talents wasting away inside unnecessary films like Legally Blonde and Sweet Home Abomination , I mean , Alabama . '\n7194\tA plodding teen remake that 's so mechanical you can smell the grease on the plot twists .\n7195\tTrying to figure out the rules of the Country Bear universe -- when are bears bears and when are they like humans , only hairier -- would tax Einstein 's brain .\n7196\tEven in terms of the low-grade cheese standards on which it operates , it never quite makes the grade as tawdry trash .\n7197\tAmidst the action , the script carries Arnold -LRB- and the viewers -RRB- into the forbidden zone of sympathizing with terrorist motivations by presenting the `` other side of the story . ''\n7198\tRife with nutty cliches and far too much dialogue .\n7199\tIt 's a 100-year old mystery that is constantly being interrupted by Elizabeth Hurley in a bathing suit .\n7200\t... one big laugh , three or four mild giggles , and a whole lot of not much else .\n7201\tToo intensely focused on the travails of being Hal Hartley to function as pastiche , No Such Thing is Hartley 's least accessible screed yet .\n7202\tKenneth Branagh 's energetic sweet-and-sour performance as a curmudgeonly British playwright grounds this overstuffed , erratic dramedy in which he and his improbably forbearing wife contend with craziness and child-rearing in Los Angeles .\n7203\tDirector Uwe Boll and writer Robert Dean Klein fail to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out , can not overcome blah characters .\n7204\tMs. Phoenix is completely lacking in charm and charisma , and is unable to project either Esther 's initial anomie or her eventual awakening .\n7205\tThe movie fails to portray its literarily talented and notorious subject as anything much more than a dirty old man .\n7206\tA clichéd and shallow cautionary tale about the hard-partying lives of gay men .\n7207\tThe fetid underbelly of fame has never looked uglier .\n7208\tA little weak -- and it is n't that funny .\n7209\tWhile it is welcome to see a Chinese film depict a homosexual relationship in a mature and frank fashion , Lan Yu never catches dramatic fire .\n7210\tThe script boasts some tart TV-insider humor , but the film has not a trace of humanity or empathy .\n7211\tDespite the pyrotechnics , Narc is strictly by the book .\n7212\tIn both the writing and cutting , it does not achieve the kind of dramatic unity that transports you .\n7213\tYou end up simply admiring this bit or that , this performance or that .\n7214\tCacoyannis is perhaps too effective in creating an atmosphere of dust-caked stagnation and labored gentility .\n7215\tWorth seeing once , but its charm quickly fades .\n7216\tThe original was n't a good movie but this remake makes it look like a masterpiece !\n7217\tOne suspects that Craven endorses They simply because this movie makes his own look much better by comparison .\n7218\tGere gives a good performance in a film that does n't merit it .\n7219\tYour appreciation of it will depend on what experiences you bring to it and what associations you choose to make .\n7220\tIncludes too much obvious padding .\n7221\tThere 's no palpable chemistry between Lopez and male lead Ralph Fiennes , plus the script by Working Girl scribe Kevin Wade is workmanlike in the extreme .\n7222\tI 'm not sure which half of Dragonfly is worse : The part where nothing 's happening , or the part where something 's happening , but it 's stupid .\n7223\tDo n't expect any subtlety from this latest entry in the increasingly threadbare gross-out comedy cycle .\n7224\tThe only camouflage Carvey should now be considering is a paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers .\n7225\tShot like a postcard and overacted with all the boozy self-indulgence that brings out the worst in otherwise talented actors ...\n7226\tSpain 's greatest star wattage does n't overcome the tumult of maudlin tragedy .\n7227\tConforms itself with creating a game of ` who 's who ' ... where the characters ' moves are often more predictable than their consequences .\n7228\tLooks and feels like a low-budget hybrid of Scarface or Carlito 's Way .\n7229\tThe script is a tired one , with few moments of joy rising above the stale material .\n7230\tSuffers from all the excesses of the genre .\n7231\tThe verdict : Two bodies and hardly a laugh between them .\n7232\tThe latest Adam Sandler assault and possibly the worst film of the year .\n7233\tDownbeat , period-perfect biopic hammers home a heavy-handed moralistic message .\n7234\tWhile the film is competent , it 's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires .\n7235\tThey ought to be a whole lot scarier than they are in this tepid genre offering .\n7236\tIt 's harmless , diverting fluff .\n7237\tBut it 's hard to imagine a more generic effort in the genre .\n7238\tIt 's just plain lurid when it is n't downright silly .\n7239\tComedy troupe Broken Lizard 's first movie is very funny but too concerned with giving us a plot .\n7240\tPap invested in undergraduate doubling subtexts and ridiculous stabs at existentialism reminding of the discovery of the wizard of God in the fifth Trek flick .\n7241\tA horror movie with seriously dumb characters , which somewhat dilutes the pleasure of watching them stalked by creepy-crawly bug things that live only in the darkness .\n7242\tIt 's a film with an idea buried somewhere inside its fabric , but never clearly seen or felt .\n7243\t` All in all , Reign of Fire will be a good -LRB- successful -RRB- rental . '\n7244\tOccasionally funny , sometimes inspiring , often boring .\n7245\tA movie in which two not very absorbing characters are engaged in a romance you ca n't wait to see end .\n7246\tThe predominantly amateur cast is painful to watch , so stilted and unconvincing are the performances .\n7247\tWho are ` they ' ?\n7248\tWell , they 're ` they ' .\n7249\tThey 're the unnamed , easily substitutable forces that serve as whatever terror the heroes of horror movies try to avoid .\n7250\tThey exist for hushed lines like `` They 're back ! ''\n7251\t, `` They 're out there ! ''\n7252\tand `` They 're coming ! ''\n7253\tElegantly crafted but emotionally cold , a puzzle whose intricate construction one can admire but is difficult to connect with on any deeper level .\n7254\tWere Dylan Thomas alive to witness first-time director Ethan Hawke 's strained Chelsea Walls , he might have been tempted to change his landmark poem to , ` Do Not Go Gentle Into That Good Theatre . '\n7255\tThe story has its redundancies , and the young actors , not very experienced , are sometimes inexpressive .\n7256\tI 'm sure the filmmaker would disagree , but , honestly , I do n't see the point .\n7257\tIt 's a visual Rorschach test and I must have failed .\n7258\tThe film is really closer to porn than a serious critique of what 's wrong with this increasingly pervasive aspect of gay culture .\n7259\tMurder by Numbers just does n't add up .\n7260\tClare Peploe 's airless movie adaptation could use a little American Pie-like irreverence .\n7261\tVideo games are more involving than this mess .\n7262\tClayburgh and Tambor are charming performers ; neither of them deserves Eric Schaeffer .\n7263\tA pale Xerox of other , better crime movies .\n7264\t... a hokey piece of nonsense that tries too hard to be emotional .\n7265\tIlliterate , often inert sci-fi action thriller .\n7266\tA perfect example of rancid , well-intentioned , but shamelessly manipulative movie making .\n7267\tThe adventure does n't contain half the excitement of Balto , or quarter the fun of Toy Story 2 .\n7268\tEssentially a collection of bits -- and they 're all naughty .\n7269\tA mess .\n7270\tThe screenplay does too much meandering , Norton has to recite bland police procedural details , Fiennes wanders around in an attempt to seem weird and distanced , Hopkins looks like a drag queen .\n7271\tThe screenplay by James Eric , James Horton and director Peter O'Fallon ... is so pat it makes your teeth hurt .\n7272\tBefore it takes a sudden turn and devolves into a bizarre sort of romantic comedy , Steven Shainberg 's adaptation of Mary Gaitskill 's harrowing short story ... is a brilliantly played , deeply unsettling experience .\n7273\tSolaris is rigid and evasive in ways that Soderbergh 's best films , `` Erin Brockovich , '' `` Out of Sight '' and `` Ocean 's Eleven , '' never were .\n7274\tSeems like something American and European gay movies were doing 20 years ago .\n7275\tIn the process of trimming the movie to an expeditious 84 minutes , director Roger Kumble seems to have dumped a whole lot of plot in favor of ... outrageous gags .\n7276\tYou can see the would-be surprises coming a mile away , and the execution of these twists is delivered with a hammer .\n7277\tThumbs down .\n7278\tThe characters are paper thin and the plot is so cliched and contrived that it makes your least favorite James Bond movie seem as cleverly plotted as The Usual Suspects .\n7279\t... del Toro maintains a dark mood that makes the film seem like something to endure instead of enjoy .\n7280\tThe movie eventually snaps under the strain of its plot contrivances and its need to reassure .\n7281\tThe real question this movie poses is not ` Who ? '\n7282\tbut ` Why ? '\n7283\tNow here 's a sadistic bike flick that would have made Vittorio De Sica proud .\n7284\tA movie that 's about as overbearing and over-the-top as the family it depicts .\n7285\tA movie in which laughter and self-exploitation merge into jolly soft-porn 'em powerment . '\n7286\tOccasionally interesting but essentially unpersuasive , a footnote to a still evolving story .\n7287\tIf we 're to slap protagonist Genevieve LePlouff because she 's French , do we have that same option to slap her creators because they 're clueless and inept ?\n7288\tMoretti plays Giovanni , a psychiatrist who predictably finds it difficult to sustain interest in his profession after the family tragedy .\n7289\tToo predictably , in fact .\n7290\tAlternative medicine obviously has its merits ... but Ayurveda does the field no favors .\n7291\tThis thing works on no level whatsoever for me .\n7292\tIt follows the basic plot trajectory of nearly every Schwarzenegger film : Someone crosses Arnie .\n7293\tArnie blows things up .\n7294\tIce Age posits a heretofore unfathomable question : Is it possible for computer-generated characters to go through the motions ?\n7295\tAn incoherent jumble of a film that 's rarely as entertaining as it could have been .\n7296\t... they missed the boat .\n7297\tMore dutiful than enchanting ... terribly episodic and lacking the spark of imagination that might have made it an exhilarating treat .\n7298\tLaconic and very stilted in its dialogue , this indie flick never found its audience , probably because it 's extremely hard to relate to any of the characters .\n7299\tThe comedy Death to Smoochy is a rancorous curiosity : a movie without an apparent audience .\n7300\tBarney 's ideas about creation and identity do n't really seem all that profound , at least by way of what can be gleaned from this three-hour endurance test built around an hour 's worth of actual material .\n7301\tAffleck merely creates an outline for a role he still needs to grow into , a role that Ford effortlessly filled with authority .\n7302\tCinematic pyrotechnics aside , the only thing Avary seems to care about are mean giggles and pulchritude .\n7303\tIt makes sense that he went back to school to check out the girls -- his film is a frat boy 's idea of a good time .\n7304\tThe narrative is so consistently unimaginative that probably the only way to have saved the film is with the aid of those wisecracking Mystery Science Theater 3000 guys .\n7305\tNothing more or less than an outright bodice-ripper -- it should have ditched the artsy pretensions and revelled in the entertaining shallows .\n7306\tA living testament to the power of the eccentric and the strange .\n7307\tThe fact that it is n't very good is almost beside the point .\n7308\tFeels less like a cousin to Blade Runner than like a bottom-feeder sequel in the Escape From New York series .\n7309\tWhat might have been acceptable on the printed page of Iles ' book does not translate well to the screen .\n7310\tIf Oscar had a category called Best Bad Film You Thought Was Going To Be Really Awful But Was n't , Guys would probably be duking it out with The Queen of the Damned for the honor .\n7311\tA poky and pseudo-serious exercise in sham actor workshops and an affected malaise .\n7312\tMediocre fable from Burkina Faso .\n7313\tFessenden has nurtured his metaphors at the expense of his narrative , but he does display an original talent .\n7314\tSince the movie is based on a Nicholas Sparks best seller , you know death is lurking around the corner , just waiting to spoil things .\n7315\tBottom-rung New Jack City wannabe .\n7316\tFincher takes no apparent joy in making movies , and he gives none to the audience .\n7317\tIt 's mildly amusing , but I certainly ca n't recommend it .\n7318\tNicholas Nickleby celebrates the human spirit with such unrelenting Dickensian decency that it turned me -LRB- horrors ! -RRB-\n7319\tinto Scrooge .\n7320\tFear Dot Com is more frustrating than a modem that disconnects every 10 seconds .\n7321\tFull of flatulence jokes and mild sexual references , Kung Pow !\n7322\tis the kind of movie that 's critic-proof , simply because it aims so low .\n7323\tMay cause you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists .\n7324\tThere are just too many characters saying too many clever things and getting into too many pointless situations .\n7325\tWhere 's the movie here ?\n7326\tA dark , dull thriller with a parting shot that misfires .\n7327\tLacking substance and soul , Crossroads comes up shorter than Britney 's cutoffs .\n7328\tCassavetes thinks he 's making Dog Day Afternoon with a cause , but all he 's done is to reduce everything he touches to a shrill , didactic cartoon .\n7329\tBuries an interesting storyline about morality and the choices we make underneath such a mountain of clichés and borrowed images that it might more accurately be titled Mr. Chips off the Old Block .\n7330\tAlthough sensitive to a fault , it 's often overwritten , with a surfeit of weighty revelations , flowery dialogue , and nostalgia for the past and roads not taken .\n7331\tIt 's so badly made on every level that I 'm actually having a hard time believing people were paid to make it .\n7332\tWithout non-stop techno or the existential overtones of a Kieslowski morality tale , Maelström is just another Winter Sleepers .\n7333\tNicks , seemingly uncertain what 's going to make people laugh , runs the gamut from stale parody to raunchy sex gags to formula romantic comedy .\n7334\t` A ' for creativity but comes across more as a sketch for a full-length comedy .\n7335\tIf there 's one thing this world needs less of , it 's movies about college that are written and directed by people who could n't pass an entrance exam .\n7336\tThe script kicks in , and Mr. Hartley 's distended pace and foot-dragging rhythms follow .\n7337\t-LRB- E -RRB- ventually , every idea in this film is flushed down the latrine of heroism .\n7338\tI am sorry that I was unable to get the full brunt of the comedy .\n7339\tNo telegraphing is too obvious or simplistic for this movie .\n7340\tLooks and feels like a project better suited for the small screen .\n7341\tIn its best moments , resembles a bad high school production of Grease , without benefit of song .\n7342\tIndifferently implausible popcorn programmer of a movie .\n7343\tIt 's inoffensive , cheerful , built to inspire the young people , set to an unending soundtrack of beach party pop numbers and aside from its remarkable camerawork and awesome scenery , it 's about as exciting as a sunburn .\n7344\tHis comedy premises are often hackneyed or just plain crude , calculated to provoke shocked laughter , without following up on a deeper level .\n7345\tChristina Ricci comedy about sympathy , hypocrisy and love is a misfire .\n7346\tAt times , the suspense is palpable , but by the end there 's a sense that the crux of the mystery hinges on a technicality that strains credulity and leaves the viewer haunted by the waste of potential .\n7347\tThey should have called it Gutterball .\n7348\tThekids will probably stay amused at the kaleidoscope of big , colorful characters .\n7349\tMom and Dad can catch some quality naptime along the way .\n7350\tIt 's too self-important and plodding to be funny , and too clipped and abbreviated to be an epic .\n7351\tThe best that can be said about the work here of Scottish director Ritchie ... is that he obviously does n't have his heart in it .\n7352\tLess dizzying than just dizzy , the jaunt is practically over before it begins .\n7353\tSlick piece of cross-promotion .\n7354\tTaylor appears to have blown his entire budget on soundtrack rights and had nothing left over for jokes .\n7355\tIt believes it 's revealing some great human truths , when , in reality , it 's churning ground that has long passed the point of being fertile .\n7356\tIt all drags on so interminably it 's like watching a miserable relationship unfold in real time .\n7357\tVilleneuve spends too much time wallowing in Bibi 's generic angst -LRB- there are a lot of shots of her gazing out windows -RRB- .\n7358\t-LRB- T -RRB- here 's only so much anyone can do with a florid , overplotted , Anne Rice rock 'n' roll vampire novel before the built-in silliness of the whole affair defeats them .\n7359\tIt 's another video movie photographed like a film , with the bad lighting that 's often written off as indie film naturalism .\n7360\tThe techno tux is good for a few laughs , as are Chan and Hewitt , but when such a good design turns out to be a cheap knockoff , we ca n't recommend anything but a rental for The Tuxedo .\n7361\tI got a headache watching this meaningless downer .\n7362\tApart from dazzling cinematography , we 've seen just about everything in Blue Crush in one form or the other .\n7363\tToo much of the humor falls flat .\n7364\tDetox is ultimately a pointless endeavor .\n7365\tVan Wilder does n't bring anything new to the proverbial table , but it does possess a coherence absent in recent crass-a-thons like Tomcats , Freddy Got Fingered , and Slackers .\n7366\tThe piquant story needs more dramatic meat on its bones .\n7367\tVery special effects , brilliantly bold colors and heightened reality ca n't hide the giant Achilles ' heel in `` Stuart Little 2 `` : There 's just no story , folks .\n7368\tThe plot combines The Blues Brothers and Almost Famous -LRB- but with bears , and a G rating -RRB- , with an excruciating dollop of Disney sentimentality mixed in for good measure .\n7369\tNo way I can believe this load of junk .\n7370\t`` Roger Michell -LRB- '' Notting Hill `` -RRB- directs a morality thriller . ''\n7371\tIt 's dumb , but more importantly , it 's just not scary .\n7372\tThere is no pleasure in watching a child suffer .\n7373\tJust embarrassment and a vague sense of shame .\n7374\tThe movie 's accumulated force still feels like an ugly knot tightening in your stomach .\n7375\tBut is that knot from dramatic tension or a symptom of artistic malnutrition ?\n7376\tEven with a green Mohawk and a sheet of fire-red flame tattoos covering his shoulder , however , Kilmer seems to be posing , rather than acting .\n7377\tAnd that leaves a hole in the center of The Salton Sea .\n7378\tThere 's just no currency in deriding James Bond for being a clichéd , doddering , misogynistic boy 's club .\n7379\tWhen the film ended , I felt tired and drained and wanted to lie on my own deathbed for a while .\n7380\tFull of witless jokes , dealing in broad stereotypes and outrageously unbelievable scenarios , and saddled with a general air of misogyny\n7381\tThe film 's hackneyed message is not helped by the thin characterizations , nonexistent plot and pretentious visual style .\n7382\tThe Iditarod lasts for days - this just felt like it did .\n7383\tIt feels like an after-school special gussied up with some fancy special effects , and watching its rote plot points connect is about as exciting as gazing at an egg timer for 93 minutes .\n7384\tThis movie is maddening .\n7385\tIt conveys a simple message in a visual style that is willfully overwrought .\n7386\tShould have been someone else -\n7387\tThe film is based on truth and yet there is something about it that feels incomplete , as if the real story starts just around the corner .\n7388\tWhy make a documentary about these marginal historical figures ?\n7389\tWould n't one about their famous dad , author of Death in Venice , etc. , be more valuable ?\n7390\tThe lower your expectations , the more you 'll enjoy it .\n7391\tRarely has leukemia looked so shimmering and benign .\n7392\t... is an arthritic attempt at directing by Callie Khouri .\n7393\tI had to look away - this was god awful .\n7394\tEven in this less-than-magic kingdom , Reese rules .\n7395\tVelocity represents everything wrong with '' independent film '' as a commodified , sold-out concept on the American filmmaking scene .\n7396\tJust one bad idea after another .\n7397\tBecause of an unnecessary and clumsy last scene , ` Swimfan ' left me with a very bad feeling .\n7398\tThough Moonlight Mile is replete with acclaimed actors and actresses and tackles a subject that 's potentially moving , the movie is too predictable and too self-conscious to reach a level of high drama .\n7399\tA movie that hovers somewhere between an acute character study and a trite power struggle .\n7400\tCorpus Collosum -- while undeniably interesting -- wore out its welcome well before the end credits rolled about 45 minutes in .\n7401\tThe last 20 minutes are somewhat redeeming , but most of the movie is the same teenage American road-trip drek we 've seen before - only this time you have to read the fart jokes\n7402\tIt 's hard to like a film about a guy who is utterly unlikeable , and Shiner , starring Michael Caine as an aging British boxing promoter desperate for a taste of fame and fortune , is certainly that .\n7403\tA by-the-numbers effort that wo n't do much to enhance the franchise .\n7404\tInvolves two mysteries -- one it gives away and the other featuring such badly drawn characters that its outcome hardly matters .\n7405\tOverall the film feels like a low-budget TV pilot that could not find a buyer to play it on the tube .\n7406\tIt 's of the quality of a lesser Harrison Ford movie - Six Days , Seven Nights , maybe , or that dreadful Sabrina remake .\n7407\tIt appears that something has been lost in the translation to the screen .\n7408\tDespite all evidence to the contrary , this clunker has somehow managed to pose as an actual feature movie , the kind that charges full admission and gets hyped on TV and purports to amuse small children and ostensible adults .\n7409\tAn unclassifiably awful study in self - and audience-abuse .\n7410\tThis movie is something of an impostor itself , stretching and padding its material in a blur of dead ends and distracting camera work .\n7411\tHey Arnold !\n7412\tThe Movie could have been made 40 years ago , and parents ' appreciation of it may depend on whether they consider that a good thing .\n7413\tThis one is definitely one to skip , even for horror movie fanatics .\n7414\tExcessive , profane , packed with cartoonish violence and comic-strip characters .\n7415\tOnce the 50 year old Benigni appears as the title character , we find ourselves longing for the block of wood to come back .\n7416\tA working class `` us vs. them '' opera that leaves no heartstring untugged and no liberal cause unplundered .\n7417\tIf the movie succeeds in instilling a wary sense of ` there but for the grace of God , ' it is far too self-conscious to draw you deeply into its world .\n7418\tThere are simply too many ideas floating around -- part farce , part Sliding Doors , part pop video -- and yet failing to exploit them .\n7419\tIt takes a strange kind of laziness to waste the talents of Robert Forster , Anne Meara , Eugene Levy , and Reginald VelJohnson all in the same movie .\n7420\tWe have n't seen such hilarity since Say It Is n't So !\n7421\tExpect the same-old , lame-old slasher nonsense , just with different scenery .\n7422\tThe Cold Turkey would 've been a far better title .\n7423\tThe idea of 49-year-old Roberto Benigni playing the wooden boy Pinocchio is scary enough .\n7424\tThe reality of the new live-action Pinocchio he directed , cowrote and starred in borders on the grotesque .\n7425\tThe ga-zillionth airhead movie about a wife in distress who resorts to desperate measures .\n7426\tZaidan 's script has barely enough plot to string the stunts together and not quite enough characterization to keep the faces straight .\n7427\tTry as I may , I ca n't think of a single good reason to see this movie , even though everyone in my group extemporaneously shouted , ` Thank you ! '\n7428\twhen Leguizamo finally plugged an irritating character late in the movie .\n7429\tWhile it 's nice to watch a movie that has n't been focus-grouped into tedium , Yu 's cinematic alchemy produces nearly as much lead as gold .\n7430\tIt treats women like idiots .\n7431\tThough Catch Me If You Can is n't badly made , the fun slowly leaks out of the movie .\n7432\tJust an average comedic dateflick but not a waste of time .\n7433\tA valueless kiddie paean to pro basketball underwritten by the NBA .\n7434\tImpostor has a handful of thrilling moments and a couple of good performances , but the movie does n't quite fly .\n7435\tFor starters , the story is just too slim .\n7436\tSo much facile technique , such cute ideas , so little movie .\n7437\tThe experience of going to a film festival is a rewarding one ; the experiencing of sampling one through this movie is not .\n7438\tThe film takes the materials of human tragedy and dresses them in lovely costumes , Southern California locations and star power .\n7439\tIt has its moments of swaggering camaraderie , but more often just feels generic , derivative and done to death .\n7440\tAlmost gags on its own gore .\n7441\tHow do you spell cliché ?\n7442\tIt 's sweet , harmless , dumb , occasionally funny and about as compelling as a fishing show .\n7443\tThe moviegoing equivalent of going to a dinner party and being forced to watch the host and hostess 's home video of their baby 's birth .\n7444\tWhile -LRB- Hill -RRB- has learned new tricks , the tricks alone are not enough to salvage this lifeless boxing film .\n7445\tIn the real world , an actor this uncharismatically beautiful would have a résumé loaded with credits like `` Girl in Bar # 3 . ''\n7446\tToo much of it feels unfocused and underdeveloped .\n7447\tUnder 15 ?\n7448\tA giggle a minute .\n7449\tOver age 15 ?\n7450\tBig Fat Waste of Time .\n7451\tHey Arnold !\n7452\tThe Movie is what happens when you blow up small potatoes to 10 times their natural size , and it ai n't pretty .\n7453\tSometimes seems less like storytelling than something the otherwise compelling director needed to get off his chest .\n7454\tThis is not the undisputed worst boxing movie ever , but it 's certainly not a champion - the big loser is the audience .\n7455\tYou really have to wonder how on earth anyone , anywhere could have thought they 'd make audiences guffaw with a script as utterly diabolical as this .\n7456\tIn the end , we are left with something like two ships passing in the night rather than any insights into gay love , Chinese society or the price one pays for being dishonest .\n7457\tChokes on its own depiction of upper-crust decorum .\n7458\tWell-nigh unendurable ... though the picture strains to become cinematic poetry , it remains depressingly prosaic and dull .\n7459\tI thought my own watch had stopped keeping time as I slogged my way through Clockstoppers .\n7460\tWhile much of the cast has charm -- especially Allodi and Nolden -- the performers are sunk by the film 's primitive approach to the mechanics of comedy .\n7461\tThis directorial debut from music video show-off Higuchinsky is all flash .\n7462\tYes , Ballistic is silly .\n7463\tUnfortunately , it 's not silly fun unless you enjoy really bad movies .\n7464\tThe twist that ends the movie is the one with the most emotional resonance , but twists are getting irritating , and this is the kind of material where the filmmakers should be very careful about raising eyebrows .\n7465\tThe longer the movie goes , the worse it gets , but it 's actually pretty good in the first few minutes .\n7466\tWhile it 's genuinely cool to hear characters talk about early rap records -LRB- Sugar Hill Gang , etc. -RRB- , the constant referencing of hip-hop arcana can alienate even the savviest audiences .\n7467\tNot only unfunny , but downright repellent .\n7468\tCare deftly captures the wonder and menace of growing up , but he never really embraces the joy of Fuhrman 's destructive escapism or the grace-in-rebellion found by his characters .\n7469\tForced , familiar and thoroughly condescending .\n7470\tDoes little more than play an innocuous game of fill-in - the-blanks with a tragic past .\n7471\tK-19 exploits our substantial collective fear of nuclear holocaust to generate cheap Hollywood tension .\n7472\tHas a long and clunky ending ... which forces the audience to fidget through ten pseudo-serious minutes while waiting for the ending credits and the deleted scenes montage to break the audience 's awkward silence\n7473\tA ragbag of promising ideas and failed narrative , of good acting and plain old bad filmmaking .\n7474\tWhaley 's determination to immerse you in sheer , unrelenting wretchedness is exhausting .\n7475\tUncommonly stylish but equally silly ... the picture fails to generate much suspense , nor does it ask searching enough questions to justify its pretensions .\n7476\tThe entire movie is about a boring , sad man being boring and sad .\n7477\tThe plot convolutions ultimately add up to nothing more than jerking the audience 's chain .\n7478\tConfirms the nagging suspicion that Ethan Hawke would be even worse behind the camera than he is in front of it .\n7479\tMade with no discernible craft and monstrously sanctimonious in dealing with childhood loss .\n7480\tIt 's a trifle of a movie , with a few laughs surrounding an unremarkable soft center .\n7481\tHolden Caulfield did it better .\n7482\tA synthesis of cliches and absurdities that seems positively decadent in its cinematic flash and emptiness .\n7483\tOh come on .\n7484\tLike you could n't smell this turkey rotting from miles away .\n7485\tIf it 's seldom boring , well , it 's also rarely coherent .\n7486\tSimplistic fluff-ball of whimsy .\n7487\tNot exactly the Bees Knees\n7488\tIt does nothing new with the old story , except to show fisticuffs in this sort of stop-go slow motion that makes the gang rumbles look like they 're being streamed over a 28K modem .\n7489\tThe kind of spectacularly misconceived enterprise that only a sophisticated cinephile could have perpetrated .\n7490\tMakes for some truly odd , at times confusing , kids entertainment ... but at least this time there 's some centered storytelling to go along with all the weird stuff .\n7491\tThe film contains no good jokes , no good scenes , barely a moment when Carvey 's Saturday Night Live-honed mimicry rises above the level of embarrassment .\n7492\tJacquot 's rendering of Puccini 's tale of devotion and double-cross is more than just a filmed opera .\n7493\tIn his first stab at the form , Jacquot takes a slightly anarchic approach that works only sporadically .\n7494\tChabrol has taken promising material for a black comedy and turned it instead into a somber chamber drama .\n7495\tIt 's as if you 're watching a movie that was made in 1978 but not released then because it was so weak , and it has been unearthed and released now , when it has become even weaker .\n7496\tThis is nothing but familiar territory .\n7497\tIn execution , this clever idea is far less funny than the original , Killers From Space .\n7498\tOne of the more irritating cartoons you will see this , or any , year .\n7499\tA broad , melodramatic estrogen opera that 's pretty toxic in its own right .\n7500\tToo slow , too long and too little happens .\n7501\tThe film 's few ideas are stretched to the point of evaporation ; the whole central section is one big chase that seems to have no goal and no urgency .\n7502\tIt 's just filler .\n7503\tSacrifices the value of its wealth of archival foot-age with its less-than-objective stance .\n7504\tUtterly lacking in charm , wit and invention , Roberto Benigni 's Pinocchio is an astonishingly bad film .\n7505\tA hamfisted romantic comedy that makes our girl the hapless facilitator of an extended cheap shot across the Mason-Dixon line .\n7506\tScores no points for originality , wit , or intelligence .\n7507\tIt 's a cookie-cutter movie , a cut-and-paste job .\n7508\tThey takes a long time to get to its gasp-inducing ending .\n7509\tBarely gets off the ground .\n7510\tEven on those rare occasions when the narrator stops yammering , Miller 's hand often feels unsure .\n7511\tPumpkin means to be an outrageous dark satire on fraternity life , but its ambitions far exceed the abilities of writer Adam Larson Broder and his co-director , Tony R. Abrams , in their feature debut .\n7512\tAt its best , Queen is campy fun like the Vincent Price horror classics of the '60s .\n7513\tAt its worst , it implodes in a series of very bad special effects .\n7514\tFrom the opening scenes , it 's clear that All About the Benjamins is a totally formulaic movie .\n7515\tIt takes a certain kind of horror movie to qualify as ` worse than expected , ' but Ghost Ship somehow manages to do exactly that .\n7516\tOn the bright side , it contains Jesse Ventura 's best work since the XFL .\n7517\tDespite impeccable acting ... and a script that takes some rather unexpected -LRB- even , at times , preposterous -RRB- turns , Love is just too , too precious in the end .\n7518\tA TV style murder mystery with a few big screen moments -LRB- including one that seems to be made for a different film altogether -RRB- .\n7519\tBy getting myself wrapped up in the visuals and eccentricities of many of the characters , I found myself confused when it came time to get to the heart of the movie .\n7520\tToo often , the viewer is n't reacting to humor so much as they are wincing back in repugnance .\n7521\tDilbert without the right-on satiric humor .\n7522\tManages to show life in all of its banality when the intention is quite the opposite .\n7523\tDo not see this film .\n7524\tMinority Report is exactly what the title indicates , a report .\n7525\tDelivers the same old same old , tarted up with Latin flava and turned out by Hollywood playas .\n7526\tIf you believe any of this , I can make you a real deal on leftover Enron stock that will double in value a week from Friday .\n7527\tTo call The Other Side of Heaven `` appalling '' would be to underestimate just how dangerous entertainments like it can be .\n7528\tIn exactly 89 minutes , most of which passed as slowly as if I 'd been sitting naked on an igloo , Formula 51 sank from quirky to jerky to utter turkey .\n7529\tIf only the story about a multi-million dollar con bothered to include the con .\n7530\tI 'd have to say the star and director are the big problems here .\n7531\tWithout the dark spookiness of Crystal Lake Camp , the horror concept completely loses its creepy menace .\n7532\tIt 's like every bad idea that 's ever gone into an after-school special compiled in one place , minus those daytime programs ' slickness and sophistication -LRB- and who knew they even had any ? -RRB- .\n7533\tWhile the Resident Evil games may have set new standards for thrills , suspense , and gore for video games , the movie really only succeeds in the third of these .\n7534\tFor close to two hours the audience is forced to endure three terminally depressed , mostly inarticulate , hyper dysfunctional families for the price of one .\n7535\tTo my taste , the film 's comic characters come perilously close to being Amoses and Andys for a new generation .\n7536\tWhat the director ca n't do is make either of Val Kilmer 's two personas interesting or worth caring about .\n7537\tIn an effort , I suspect , not to offend by appearing either too serious or too lighthearted , it offends by just being wishy-washy .\n7538\tIt 's difficult to imagine the process that produced such a script , but here 's guessing that spray cheese and underarm noises played a crucial role .\n7539\tHarland Williams is so funny in drag he should consider permanent sex-reassignment .\n7540\t... nothing scary here except for some awful acting and lame special effects .\n7541\tIt 's not that Kung Pow is n't funny some of the time -- it just is n't any funnier than bad martial arts movies are all by themselves , without all Oedekerk 's impish augmentation .\n7542\tA very long movie , dull in stretches , with entirely too much focus on meal preparation and igloo construction .\n7543\tNot an objectionable or dull film ; it merely lacks everything except good intentions .\n7544\tA science-fiction pastiche so lacking in originality that if you stripped away its inspirations there would be precious little left .\n7545\tOnce -LRB- Kim -RRB- begins to overplay the shock tactics and bait-and-tackle metaphors , you may decide it 's too high a price to pay for a shimmering picture postcard .\n7546\tThe words , ` Frankly , my dear , I do n't give a damn , ' have never been more appropriate .\n7547\tWhat 's next : `` My Mother the Car ? ''\n7548\tAll the amped-up Tony Hawk-style stunts and thrashing rap-metal ca n't disguise the fact that , really , we 've been here , done that .\n7549\tA sequel that 's much too big for its britches .\n7550\tSo unremittingly awful that labeling it a dog probably constitutes cruelty to canines .\n7551\tWhat was once original has been co-opted so frequently that it now seems pedestrian .\n7552\tA perplexing example of promise unfulfilled , despite many charming moments .\n7553\tFor all the writhing and wailing , tears , rage and opium overdoses , there 's no sense of actual passion being washed away in love 's dissolution .\n7554\tA coarse and stupid gross-out .\n7555\ta nightmare date with a half-formed wit done a great disservice by a lack of critical distance and a sad trust in liberal arts college bumper sticker platitudes .\n7556\tDoes n't offer much besides glib soullessness , raunchy language and a series of brutal set pieces ... that raise the bar on stylized screen violence .\n7557\tThere 's something with potential here , but the movie decides , like Lavinia , to go the conservative route .\n7558\tIt 's one pussy-ass world when even killer-thrillers revolve around group therapy sessions .\n7559\tThe stripped-down approach does give the film a certain timeless quality , but the measured pace and lack of dramatic inflection can also seem tedious .\n7560\tBut the power of these -LRB- subjects -RRB- is obscured by the majority of the film that shows a stationary camera on a subject that could be mistaken for giving a public oration , rather than contributing to a film 's narrative .\n7561\tRarely has so much money delivered so little entertainment .\n7562\tTries to add some spice to its quirky sentiments but the taste is all too familiar .\n7563\tPaid In Full is so stale , in fact , that its most vibrant scene is one that uses clips from Brian De Palma 's Scarface .\n7564\tThat 's a cheat .\n7565\tHarrison 's Flowers puts its heart in the right place , but its brains are in no particular place at all .\n7566\tThis re-do is so dumb and so exploitative in its violence that , ironically , it becomes everything that the rather clumsy original was railing against .\n7567\tA string of rehashed sight gags based in insipid vulgarity .\n7568\tThe movie is Dawn of the Dead crossed with John Carpenter 's Ghosts of Mars , with zombies not as ghoulish as the first and trains not as big as the second .\n7569\tBasically a static series of semi-improvised -LRB- and semi-coherent -RRB- raps between the stars .\n7570\tToo restrained to be a freak show , too mercenary and obvious to be cerebral , too dull and pretentious to be engaging ... The Isle defies an easy categorization .\n7571\tAn unpredictable blend of gal-pal smart talk , romantic comedy and dark tragedy that bites off considerably more than writer\\/director John McKay can swallow .\n7572\tIt 's one of those baseball pictures where the hero is stoic , the wife is patient , the kids are as cute as all get-out and the odds against success are long enough to intimidate , but short enough to make a dream seem possible .\n7573\t`` The Time Machine '' is a movie that has no interest in itself .\n7574\tIt does n't believe in itself , it has no sense of humor ... it 's just plain bored .\n7575\t... a hollow joke told by a cinematic gymnast having too much fun embellishing the misanthropic tale to actually engage it .\n7576\tA morose little soap opera about three vapid , insensitive people who take turns hurting each other .\n7577\tIt 's a feature-length adaptation of one of those `` Can This Marriage Be Saved ? ''\n7578\tcolumns from Ladies Home Journal ...\n7579\tThe film 's essentially over by the meet-cute .\n7580\tI 'm sure if you 're a Hartley fan , you might enjoy yourself ... Me , I did n't care for it .\n7581\tIt 's about following your dreams , no matter what your parents think .\n7582\tSocrates motions for hemlock .\n7583\tThe script is n't very good ; not even someone as gifted as Hoffman -LRB- the actor -RRB- can make it work .\n7584\tWalter Hill 's pulpy , stylized boxing melodrama Undisputed nearly overcomes its questionable in-the-ring match-up with solid fight choreography and gritty prison authenticity .\n7585\tIt has all the excitement of eating oatmeal .\n7586\tIt 's hard to know whether or not to recommend this film because for every thing it does right there 's at least one and occasionally two things it gets ever so wrong .\n7587\tAlthough there are several truly jolting scares , there 's also an abundance of hackneyed dialogue and more silly satanic business than you can shake a severed limb at .\n7588\tI 'll bet the video game is a lot more fun than the film .\n7589\tStar Trek : Nemesis meekly goes where nearly every Star Trek movie has gone before .\n7590\tWince-inducing dialogue , thrift-shop costumes , prosthetic makeup by Silly Putty and Kmart blue-light-special effects all conspire to test Trekkie loyalty .\n7591\tLike all abstract art , the film does not make this statement in an easily accessible way , and -- unless prewarned -- it would be very possible for a reasonably intelligent person to sit through its tidal wave of imagery and not get this vision at all .\n7592\tI do n't mind having my heartstrings pulled , but do n't treat me like a fool .\n7593\t... although this idea is `` new '' the results are tired .\n7594\tI 'm guessing the director is a magician .\n7595\tAfter all , he took three minutes of dialogue , 30 seconds of plot and turned them into a 90-minute movie that feels five hours long .\n7596\tAn unencouraging threefold expansion on the former MTV series , accompanying the stunt-hungry dimwits in a random series of collected gags , pranks , pratfalls , dares , injuries , etc. .\n7597\tIts well of thorn and vinegar -LRB- and simple humanity -RRB- has long been plundered by similar works featuring the insight and punch this picture so conspicuously lacks .\n7598\tFor all its impressive craftsmanship , and despite an overbearing series of third-act crescendos , Lily Chou-Chou never really builds up a head of emotional steam .\n7599\tDo n't be fooled by the impressive cast list - Eye See You is pure junk .\n7600\tNot since Freddy Got Fingered has a major release been so painful to sit through .\n7601\tThe documentary does little , apart from raising the topic , to further stoke the conversation .\n7602\tPlays like a volatile and overlong W magazine fashion spread .\n7603\tA better title , for all concerned , might be Swept Under the Rug .\n7604\tThis movie seems to have been written using Mad-libs .\n7605\tThere can be no other explanation .\n7606\tHilariously inept and ridiculous .\n7607\tVera 's technical prowess ends up selling his film short ; he smoothes over hard truths even as he uncovers them .\n7608\t-LRB- A -RRB- shapeless blob of desperate entertainment .\n7609\tFeels too formulaic and too familiar to produce the transgressive thrills of early underground work .\n7610\tGiven how heavy-handed and portent-heavy it is , this could be the worst thing Soderbergh has ever done .\n7611\ta by-the-numbers patient\\/doctor pic that covers all the usual ground\n7612\tA dumb movie with dumb characters doing dumb things and you have to be really dumb not to see where this is going .\n7613\tStealing Harvard aspires to comedic grand larceny but stands convicted of nothing more than petty theft of your time .\n7614\tPretension , in its own way , is a form of bravery .\n7615\tFor this reason and this reason only -- the power of its own steadfast , hoity-toity convictions -- Chelsea Walls deserves a medal .\n7616\tWith the exception of some fleetingly amusing improvisations by Cedric the Entertainer as Perry 's boss , there is n't a redeeming moment here .\n7617\tIt 's a grab bag of genres that do n't add up to a whole lot of sense .\n7618\tMovie fans , get ready to take off ... the other direction .\n7619\t-LRB- director -RRB- O'Fallon manages to put some lovely pictures up on the big screen , but his skill at telling a story -- he also contributed to the screenplay -- falls short .\n7620\tThe intent is almost exactly the same -LRB- as The Full Monty -RRB- .\n7621\tAll that 's missing is the spontaneity , originality and delight .\n7622\tNo one but a convict guilty of some truly heinous crime should have to sit through The Master of Disguise .\n7623\tEven the finest chef ca n't make a hotdog into anything more than a hotdog , and Robert De Niro ca n't make this movie anything more than a trashy cop buddy comedy .\n7624\tThere 's too much falseness to the second half , and what began as an intriguing look at youth fizzles into a dull , ridiculous attempt at heart-tugging .\n7625\tIt 's not without its pleasures , but I 'll stick with The Tune .\n7626\tMiller is playing so free with emotions , and the fact that children are hostages to fortune , that he makes the audience hostage to his swaggering affectation of seriousness .\n7627\tDespite the evocative aesthetics evincing the hollow state of modern love life , the film never percolates beyond a monotonous whine .\n7628\tMore maudlin than sharp .\n7629\tThis is an egotistical endeavor from the daughter of horror director Dario Argento -LRB- a producer here -RRB- , but her raw performance and utter fearlessness make it strangely magnetic .\n7630\tIt 's slow -- very , very slow .\n7631\tIt 's not the ultimate Depression-era gangster movie .\n7632\tThat 's pure PR hype .\n7633\tCharacters still need to function according to some set of believable and comprehensible impulses , no matter how many drugs they do or how much artistic license Avary employs .\n7634\tComes ... uncomfortably close to coasting in the treads of The Bicycle Thief .\n7635\tVisually rather stunning , but ultimately a handsome-looking bore , the true creativity would have been to hide Treasure Planet entirely and completely reimagine it .\n7636\tStealing Harvard is evidence that the Farrelly Bros. -- Peter and Bobby -- and their brand of screen comedy are wheezing to an end , along with Green 's half-hearted movie career .\n7637\tThere seems to be no clear path as to where the story 's going , or how long it 's going to take to get there .\n7638\tIf you 're a WWF fan , or you related to the people who watched the robots getting butchered in A.I. , you 'll probably like Rollerball .\n7639\tI do n't think I laughed out loud once .\n7640\tAnd when you 're talking about a slapstick comedy , that 's a pretty big problem .\n7641\tIt 's so mediocre , despite the dynamic duo on the marquee , that we just ca n't get no satisfaction .\n7642\tSlapstick buffoonery can tickle many a preschooler 's fancy , but when it costs a family of four about $ 40 to see a film in theaters , why spend money on a dog like this when you can rent a pedigree instead ?\n7643\t... turns so unforgivably trite in its last 10 minutes that anyone without a fortified sweet tooth will likely go into sugar shock .\n7644\tThe notion that bombing buildings is the funniest thing in the world goes entirely unexamined in this startlingly unfunny comedy .\n7645\tMy reaction in a word : disappointment .\n7646\tHis last movie was poetically romantic and full of indelible images , but his latest has nothing going for it .\n7647\tIt kinda works and qualifies as cool at times , but is just too lame to work or be cool at others .\n7648\tSustains its dreamlike glide through a succession of cheesy coincidences and voluptuous cheap effects , not the least of which is Rebecca Romijn-Stamos .\n7649\tIntriguing documentary which is emotionally diluted by focusing on the story 's least interesting subject .\n7650\tFeels haphazard , as if the writers mistakenly thought they could achieve an air of frantic spontaneity by simply tossing in lots of characters doing silly stuff and stirring the pot .\n7651\tFor each chuckle there are at least 10 complete misses , many coming from the amazingly lifelike Tara Reid , whose acting skills are comparable to a cardboard cutout .\n7652\tIn its own way , Joshua is as blasphemous and nonsensical as a Luis Buñuel film without the latter 's attendant intelligence , poetry , passion , and genius .\n7653\tI 've always dreamed of attending Cannes , but after seeing this film , it 's not that big a deal .\n7654\tThe vintage is pure ' 87 , with a halfhearted twist on its cautionary message : Fatal Attraction = do n't have an affair with a nutjob ; Unfaithful = do n't if you 're married to one .\n7655\tA workshop mentality prevails .\n7656\tIt can not be enjoyed , even on the level that one enjoys a bad slasher flick , primarily because it is dull .\n7657\tYes , dull .\n7658\tPumpkin wants to have it both ways .\n7659\tDirector Uwe Boll and the actors provide scant reason to care in this crude '70s throwback .\n7660\t-LRB- W -RRB- hile long on amiable monkeys and worthy environmentalism , Jane Goodall 's Wild Chimpanzees is short on the thrills the oversize medium demands .\n7661\tOuter-space buffs might love this film , but others will find its pleasures intermittent .\n7662\tThis piece of Channel 5 grade trash is , quite frankly , an insult to the intelligence of the true genre enthusiast .\n7663\tAn occasionally funny , but overall limp , fish-out-of-water story .\n7664\tA bloated gasbag thesis grotesquely impressed by its own gargantuan aura of self-importance ...\n7665\tIt 's mighty tedious for the viewer who has to contend with unpleasant characters , hit-and-miss performances and awkwardly staged scenes .\n7666\tAs A Rumor of Angels reveals itself to be a sudsy tub of supernatural hokum , not even Ms. Redgrave 's noblest efforts can redeem it from hopeless sentimentality .\n7667\tNew Best Friend 's Playboy-mansion presentation of college life is laugh-out-loud ludicrous .\n7668\tan appalling ` Ace Ventura ' rip-off that somehow manages to bring together Kevin Pollak , former wrestler Chyna and Dolly Parton .\n7669\tIf any of them list this ` credit ' on their resumes in the future , that 'll be much funnier than anything in the film ...\n7670\tThe humor is forced and heavy-handed , and occasionally simply unpleasant .\n7671\tScorsese at his best makes gangster films that are equally lovely but also relentlessly brutal and brutally intelligent ; Perdition , meanwhile , reads more like Driving Miss Daisy than GoodFellas .\n7672\tWhile the script starts promisingly , it loses steam towards the middle and never really develops beyond attacking obvious target .\n7673\tAs the latest bid in the TV-to-movie franchise game , I Spy makes its big-screen entry with little of the nervy originality of its groundbreaking small-screen progenitor .\n7674\tThis is n't even Madonna 's Swept Away .\n7675\tThis is her Blue Lagoon .\n7676\tThe director knows how to apply textural gloss , but his portrait of sex-as-war is strictly sitcom .\n7677\t... the film suffers from a lack of humor -LRB- something needed to balance out the violence -RRB- ...\n7678\tBurns never really harnesses to full effect the energetic cast .\n7679\tAn overemphatic , would-be wacky , ultimately tedious sex farce .\n7680\tHas all the depth of a wading pool .\n7681\tThis is the sort of burly action flick where one coincidence pummels another , narrative necessity is a drunken roundhouse , and whatever passes for logic is a factor of the last plot device left standing .\n7682\tThe so-inept - it 's - surreal dubbing -LRB- featuring the voices of Glenn Close , Regis Philbin and Breckin Meyer -RRB- brings back memories of cheesy old Godzilla flicks .\n7683\t... the movie is just a plain old monster .\n7684\tIf this disposable tissue has one wild card , it 's John Turturro , who 's simply fab as a Spanish butler with a foot fetish .\n7685\tOne long string of cliches .\n7686\tFancy a real downer ?\n7687\t-LRB- Leigh -RRB- lays it on so thick this time that it feels like a suicide race .\n7688\tProfessionally speaking , it 's tempting to jump ship in January to avoid ridiculous schlock like this shoddy suspense thriller .\n7689\tNelson 's brutally unsentimental approach ... sucks the humanity from the film , leaving behind an horrific but weirdly unemotional spectacle .\n7690\tWeaves a spell over you , with its disturbingly close-up look at damaged psyches and its subtle undercurrents of danger .\n7691\tBut its awkward structure keeps breaking the spell .\n7692\tAt once half-baked and overheated .\n7693\tThere 's a solid woman - finding-herself story somewhere in here , but you 'd have to dig pretty deep to uncover it .\n7694\tI still ca n't relate to Stuart : He 's a mouse , for cryin ' out loud , and all he does is milk it with despondent eyes and whine that nobody treats him human enough .\n7695\t-LRB- Serry -RRB- wants to blend politics and drama , an admirable ambition .\n7696\tIt 's too bad that the helping hand he uses to stir his ingredients is also a heavy one .\n7697\tBy the miserable standards to which the slasher genre has sunk , ... actually pretty good .\n7698\tOf course , by more objective measurements it 's still quite bad .\n7699\tThe only entertainment you 'll derive from this choppy and sloppy affair will be from unintentional giggles -- several of them .\n7700\tSam Mendes has become valedictorian at the School for Soft Landings and Easy Ways Out .\n7701\tExactly what it claims to be -- a simple diversion for the kids .\n7702\tIts story may be a thousand years old , but why did it have to seem like it took another thousand to tell it to us ?\n7703\tThe problem with this film is that it lacks focus .\n7704\tI sympathize with the plight of these families , but the movie does n't do a very good job conveying the issue at hand .\n7705\tA momentary escape from the summer heat and the sedentary doldrums that set in at this time of year .\n7706\t... think of it as American Pie On Valium .\n7707\tDull , lifeless , and amateurishly assembled .\n7708\tPuportedly `` Based on True Events , '' a convolution of language that suggests it 's impossible to claim that it is `` Based on a True Story '' with a straight face .\n7709\t... a plotline that 's as lumpy as two-day old porridge ... the filmmakers ' paws , sad to say , were all over this `` un-bear-able '' project !\n7710\tIt 's a bad thing when a movie has about as much substance as its end credits blooper reel .\n7711\tWith its dogged Hollywood naturalism and the inexorable passage of its characters toward sainthood , Windtalkers is nothing but a sticky-sweet soap .\n7712\tSome of it is clever , but it is never melodic \\/\n7713\tBetter to just call it ABC Kiarostami .\n7714\tFor AIDS and Africa are nothing more than part of the scenery .\n7715\tNo aspirations to social import inform the movie version .\n7716\tThis is a shameless sham , calculated to cash in on the popularity of its stars .\n7717\tManages to be somewhat well-acted , not badly art-directed and utterly unengaging no matter how hard it tries to be thrilling , touching or , yikes , uproarious .\n7718\tThis rather superficial arthouse middle-brow film knows how to please a crowd , and that 's about all it does well .\n7719\tIt 's clear the filmmakers were n't sure where they wanted their story to go , and even more clear that they lack the skills to get us to this undetermined destination .\n7720\tAs vulgar as it is banal .\n7721\tYou wonder why Enough was n't just a music video rather than a full-length movie .\n7722\tThe film 's tone and pacing are off almost from the get-go .\n7723\tThe talented and clever Robert Rodriguez perhaps put a little too much heart into his first film and did n't reserve enough for his second .\n7724\tMore whiny downer than corruscating commentary .\n7725\tTambor and Clayburgh make an appealing couple -- he 's understated and sardonic , she 's appealingly manic and energetic .\n7726\tBoth deserve better .\n7727\tSuffocated by its fussy script and uptight characters , this musty adaptation is all the more annoying since it 's been packaged and sold back to us by Hollywood .\n7728\tCoughs and sputters on its own postmodern conceit .\n7729\tA wildly inconsistent emotional experience .\n7730\tSit through this one , and you wo n't need a magic watch to stop time ; your DVD player will do it for you .\n7731\tA sometimes tedious film .\n7732\tTeen movies have really hit the skids .\n7733\tThere are plot holes big enough for Shamu the killer whale to swim through .\n7734\t... plays like somebody spliced random moments of a Chris Rock routine into what is otherwise a cliche-riddled but self-serious spy thriller .\n7735\tNasty , ugly , pointless and depressing , even if you hate clowns .\n7736\tWhat is 100 % missing here is a script of even the most elemental literacy , an inkling of genuine wit , and anything resembling acting .\n7737\tdoes paint some memorable images ... , but Makhmalbaf keeps her distance from the characters\n7738\tIt uses the pain and violence of war as background material for color .\n7739\tjust not campy enough\n7740\tThe movie , directed by Mick Jackson , leaves no cliche unturned , from the predictable plot to the characters straight out of central casting .\n7741\tIt 's everything you do n't go to the movies for .\n7742\tLike watching a dress rehearsal the week before the show goes up : everything 's in place but something 's just a little off-kilter .\n7743\tThe affectionate loopiness that once seemed congenital to Demme 's perspective has a tough time emerging from between the badly dated cutesy-pie mystery scenario and the newfangled Hollywood post-production effects .\n7744\tFor all its technical virtuosity , the film is so mired in juvenile and near-xenophobic pedagogy that it 's enough to make one pine for the day when Godard can no longer handle the rigors of filmmaking .\n7745\tAmerican Chai encourages rueful laughter at stereotypes only an Indian-American would recognize .\n7746\tAnd the lesson , in the end , is nothing new .\n7747\tIt made me want to wrench my eyes out of my head and toss them at the screen .\n7748\tDue to some script weaknesses and the casting of the director 's brother , the film trails off into inconsequentiality .\n7749\t... plot holes so large and obvious a marching band might as well be stomping through them in clown clothes , playing a college football fight song on untuned instruments .\n7750\tSo devoid of any kind of intelligible story that it makes films like XXX and Collateral Damage seem like thoughtful treatises\n7751\tCombining quick-cut editing and a blaring heavy metal much of the time , Beck seems to be under the illusion that he 's shooting the latest System of a Down video .\n7752\tDragonfly has no atmosphere , no tension -- nothing but Costner , flailing away .\n7753\tIt 's a buggy drag .\n7754\tWorks hard to establish rounded characters , but then has nothing fresh or particularly interesting to say about them .\n7755\tThe action switches between past and present , but the material link is too tenuous to anchor the emotional connections that purport to span a 125-year divide .\n7756\tNonsensical , dull `` cyber-horror '' flick is a grim , hollow exercise in flat scares and bad acting .\n7757\tInstead of hiding Pinocchio from critics , Miramax should have hidden it from everyone .\n7758\tManages to be both repulsively sadistic and mundane .\n7759\tA great ensemble cast ca n't lift this heartfelt enterprise out of the familiar .\n7760\tThere ought to be a directing license , so that Ed Burns can have his revoked .\n7761\tThe structure the film takes may find Matt Damon and Ben Affleck once again looking for residuals as this officially completes a Good Will Hunting trilogy that was never planned .\n7762\tWhereas last year 's exemplary Sexy Beast seemed to revitalize the British gangster movie , this equally brutal outing merely sustains it .\n7763\t... a boring parade of talking heads and technical gibberish that will do little to advance the Linux cause .\n7764\tGreen might want to hang onto that ski mask , as robbery may be the only way to pay for his next project .\n7765\tI can take infantile humor ... but this is the sort of infantile that makes you wonder about changing the director and writer 's diapers .\n7766\tThere is n't nearly enough fun here , despite the presence of some appealing ingredients .\n7767\tThe tale of Tok -LRB- Andy Lau -RRB- , a sleek sociopath on the trail of O -LRB- Takashi Sorimachi -RRB- , the most legendary of Asian hitmen , is too scattershot to take hold .\n7768\tDirected in a paint-by-numbers manner .\n7769\tA cheerful enough but imminently forgettable rip-off of -LRB- Besson 's -RRB- earlier work .\n7770\tA lackluster , unessential sequel to the classic Disney adaptation of J.M. Barrie 's Peter Pan .\n7771\tSamira Makhmalbaf 's new film Blackboards is much like the ethos of a stream of consciousness , although , it 's unfortunate for the viewer that the thoughts and reflections coming through are torpid and banal\n7772\t... routine , harmless diversion and little else .\n7773\tLate Marriage 's stiffness is unlikely to demonstrate the emotional clout to sweep U.S. viewers off their feet .\n7774\tThis time Mr. Burns is trying something in the Martin Scorsese street-realist mode , but his self-regarding sentimentality trips him up again .\n7775\tWhile there 's something intrinsically funny about Sir Anthony Hopkins saying ` Get in the car , bitch , ' this Jerry Bruckheimer production has little else to offer\n7776\tIt 's hampered by a Lifetime-channel kind of plot and a lead actress who is out of her depth .\n7777\tLet 's hope -- shall we ?\n7778\t-- that the ` true story ' by which All the Queen 's Men is allegedly `` inspired '' was a lot funnier and more deftly enacted than what 's been cobbled together onscreen .\n7779\tIs there a group of more self-absorbed women than the mother and daughters featured in this film ?\n7780\tI do n't think so .\n7781\tNothing wrong with performances here , but the whiney characters bugged me .\n7782\tThere is very little dread or apprehension , and though I like the creepy ideas , they are not executed with anything more than perfunctory skill .\n7783\tIf you 've ever entertained the notion of doing what the title of this film implies , what Sex With Strangers actually shows may put you off the idea forever .\n7784\tIn the end , the movie collapses on its shaky foundation despite the best efforts of director Joe Carnahan .\n7785\tAdults will wish the movie were less simplistic , obvious , clumsily plotted and shallowly characterized .\n7786\tBut what are adults doing in the theater at all ?\n7787\tSticky sweet sentimentality , clumsy plotting and a rosily myopic view of life in the WWII-era Mississippi Delta undermine this adaptation .\n7788\tIt 's another stale , kill-by-numbers flick , complete with blade-thin characters and terrible , pun-laden dialogue .\n7789\tEvery time you look , Sweet Home Alabama is taking another bummer of a wrong turn .\n7790\tPartway through watching this saccharine , Easter-egg-colored concoction , you realize that it is made up of three episodes of a rejected TV show .\n7791\tThe overall effect is less like a children 's movie than a recruitment film for future Hollywood sellouts .\n7792\tPortentous and pretentious , The Weight of Water is appropriately titled , given the heavy-handedness of it drama .\n7793\tA fitfully amusing romp that , if nothing else , will appeal to fans of Malcolm in the Middle and its pubescent star , Frankie Muniz .\n7794\tJason X is positively anti-Darwinian : nine sequels and 400 years later , the teens are none the wiser and Jason still kills on auto-pilot .\n7795\tTo say this was done better in Wilder 's Some Like It Hot is like saying the sun rises in the east .\n7796\tAt the very least , if you do n't know anything about Derrida when you walk into the theater , you wo n't know much more when you leave .\n7797\tThe actors are appealing , but Elysian Fields is idiotic and absurdly sentimental .\n7798\tAs ` chick flicks ' go , this one is pretty miserable , resorting to string-pulling rather than legitimate character development and intelligent plotting .\n7799\tThe only excitement comes when the credits finally roll and you get to leave the theater .\n7800\tThere 's no emotional pulse to Solaris .\n7801\tWith an emotional sterility to match its outer space setting , Soderbergh 's spectacular swing for the fence yields only a spectacular whiff .\n7802\tIt ca n't decide if it wants to be a mystery\\/thriller , a romance or a comedy .\n7803\tDenis O'Neill 's script avoids the prime sports cliche , a last-second goal to win the championship , but it neglects few others .\n7804\tThe character of ZigZag is not sufficiently developed to support a film constructed around him .\n7805\tOne of those pictures whose promising , if rather precious , premise is undercut by amateurish execution .\n7806\tServing Sara does n't serve up a whole lot of laughs .\n7807\tThe most hopelessly monotonous film of the year , noteworthy only for the gimmick of being filmed as a single unbroken 87-minute take .\n7808\tWith virtually no interesting elements for an audience to focus on , Chelsea Walls is a triple-espresso endurance challenge .\n7809\tDeadeningly dull , mired in convoluted melodrama , nonsensical jargon and stiff-upper-lip laboriousness .\n7810\tA misogynistic piece of filth that attempts to pass itself off as hip , young adult entertainment .\n7811\tLike the Chelsea 's denizens ... Burdette 's collage-form scenario tends to over-romanticize the spiritual desolation of the struggling artiste .\n7812\tIt 's basically an overlong episode of Tales from the Crypt .\n7813\tThe film makes a fatal mistake : It asks us to care about a young man whose only apparent virtue is that he is not quite as unpleasant as some of the people in his life .\n7814\tAnother in-your-face wallow in the lower depths made by people who have never sung those blues .\n7815\tShaky close-ups of turkey-on-rolls , stubbly chins , liver spots , red noses and the filmmakers new bobbed do draw easy chuckles but lead nowhere .\n7816\tI ca n't quite recommend it -- it 's too patched together -- but I almost can ; it 's the kind of movie that makes you want to like it .\n7817\tComplete lack of originality , cleverness or even visible effort\n7818\tThough Perry and Hurley make inspiring efforts to breathe life into the disjointed , haphazard script by Jay Scherick and David Ronn , neither the actors nor director Reginald Hudlin can make it more than fitfully entertaining .\n7819\tSomething akin to a Japanese Alice Through the Looking Glass , except that it seems to take itself far more seriously .\n7820\tIt takes talent to make a lifeless movie about the most heinous man who ever lived .\n7821\tOn the whole , the movie lacks wit , feeling and believability to compensate for its incessant coarseness and banality .\n7822\tThe story and the friendship proceeds in such a way that you 're watching a soap opera rather than a chronicle of the ups and downs that accompany lifelong friendships .\n7823\tOffers very little genuine romance and even fewer laughs ... a sad sitcom of a movie , largely devoid of charm .\n7824\tMakes for a pretty unpleasant viewing experience .\n7825\tThe movie fails to live up to the sum of its parts .\n7826\tAlthough Huppert 's intensity and focus has a raw exhilaration about it , The Piano Teacher is anything but fun .\n7827\tIt showcases Carvey 's talent for voices , but not nearly enough and not without taxing every drop of one 's patience to get to the good stuff .\n7828\tBad .\n7829\tVery bad .\n7830\tStultifyingly , dumbfoundingly , mind-numbingly bad .\n7831\tMay reawaken discussion of the Kennedy assassination but this fictional film looks made for cable rather than for the big screen .\n7832\tIf looking for a thrilling sci-fi cinematic ride , do n't settle for this Imposter .\n7833\tNot really bad so much as distasteful : We need kidnapping suspense dramas right now like we need doomsday thrillers .\n7834\tThe result is a gaudy bag of stale candy , something from a Halloween that died .\n7835\tDavis ... is so enamored of her own creation that she ca n't see how insufferable the character is .\n7836\tThe Man From Elysian Fields is a cold , bliss-less work that groans along thinking itself some important comment on how life throws us some beguiling curves .\n7837\tThe messages of compassion and mercy are clearly , squarely and specifically expounded via computer animated Old Testament tale of Jonah and the Whale .\n7838\tDetermined to be fun , and bouncy , with energetic musicals , the humor did n't quite engage this adult .\n7839\tHistorical dramas fused with love triangle is a well worn conceit .\n7840\tBut this films lacks the passion required to sell the material .\n7841\tLong Time Dead ?\n7842\tNot nearly long enough .\n7843\tNothing more substantial than a fitfully clever doodle .\n7844\tA solid film ... but more conscientious than it is truly stirring .\n7845\tThere 's not enough here to justify the almost two hours .\n7846\tThe X potion gives the quickly named Blossom , Bubbles and Buttercup supernatural powers that include extraordinary strength and laser-beam eyes , which unfortunately do n't enable them to discern flimsy screenplays .\n7847\tPerceptive in its vision of nascent industrialized world politics as a new art form , but far too clunky , didactic and saddled with scenes that seem simply an ill fit for this movie .\n7848\tVerbinski implements every hack-artist trick to give us the ooky-spookies .\n7849\tMcConaughey 's fun to watch , the dragons are okay , not much fire in the script .\n7850\tAn unwise amalgam of Broadcast News and Vibes .\n7851\tSkins has a right to yawp , and we have a right to our grains of salt .\n7852\tWho needs love like this ?\n7853\tHit and miss as far as the comedy goes and a big ole ' miss in the way of story .\n7854\tReturning aggressively to his formula of dimwitted comedy and even dimmer characters , Sandler , who also executive produces , has made a film that makes previous vehicles look smart and sassy .\n7855\tExists then as an occasionally insightful acting exercise .\n7856\tTrite , banal , cliched , mostly inoffensive .\n7857\tMattei is tiresomely grave and long-winded , as if circularity itself indicated profundity .\n7858\tIt 's not original , and , robbed of the element of surprise , it does n't have any huge laughs in its story of irresponsible cops who love to play pranks .\n7859\tWhenever its story is n't bogged down by idiocy involving the CIA and a lost U.S. satellite , Hunter -- starring Irwin and his American wife\\/colleague , Terri -- is a movie children should enjoy .\n7860\tIt offers little beyond the momentary joys of pretty and weightless intellectual entertainment .\n7861\tA sequence of ridiculous shoot - 'em - up scenes .\n7862\tNothing in Waking Up in Reno ever inspired me to think of its inhabitants as anything more than markers in a screenplay .\n7863\tI 'm just too bored to care .\n7864\tIrwin is a man with enough charisma and audacity to carry a dozen films , but this particular result is ultimately held back from being something greater .\n7865\tNot a stereotype is omitted nor a cliché left unsaid .\n7866\tAs befits its title , this PG-13-rated piffle is ultimately as threatening as the Snuggle Fabric Softener bear .\n7867\tAttempts by this ensemble film to impart a message are so heavy-handed that they instead pummel the audience .\n7868\tIt all feels like a Monty Python sketch gone horribly wrong .\n7869\tNervous breakdowns are not entertaining .\n7870\tScorsese does n't give us a character worth giving a damn about .\n7871\tA beautifully made piece of unwatchable drivel .\n7872\tLike being trapped at a perpetual frat party ... How can something so gross be so boring ?\n7873\tThis is so bad .\n7874\tEven film silliness needs a little gravity , beyond good hair and humping .\n7875\tI felt sad for Lise not so much because of what happens as because she was captured by this movie when she obviously belongs in something lighter and sunnier , by Rohmer , for example .\n7876\tPrurient playthings aside , there 's little to love about this English trifle .\n7877\tThis is a train wreck of an action film -- a stupefying attempt by the filmmakers to force-feed James Bond into the mindless XXX mold and throw 40 years of cinematic history down the toilet in favor of bright flashes and loud bangs .\n7878\tThe film flat lines when it should peak and is more missed opportunity and trifle than dark , decadent truffle .\n7879\tIt 's played in the most straight-faced fashion , with little humor to lighten things up .\n7880\tThe heavy-handed film is almost laughable as a consequence .\n7881\tVan Wilder brings a whole new meaning to the phrase ` comedy gag . '\n7882\tAt least one scene is so disgusting that viewers may be hard pressed to retain their lunch .\n7883\tA disappointment for those who love alternate versions of the Bard , particularly ones that involve deep fryers and hamburgers .\n7884\tThe film tries too hard to be funny and tries too hard to be hip .\n7885\tThe end result is a film that 's neither .\n7886\tEvery nanosecond of the The New Guy reminds you that you could be doing something else far more pleasurable .\n7887\tSomething like scrubbing the toilet .\n7888\tOr emptying rat traps .\n7889\tOr doing last year 's taxes with your ex-wife .\n7890\tScooby Dooby Doo \\/ And Shaggy too \\/ You both look and sound great .\n7891\t\\/ But Daphne , you 're too Buff \\/ Fred thinks he 's tough \\/ And Velma - wow , you 've lost weight !\n7892\tIs the time really ripe for a warmed-over James Bond adventure , with a village idiot as the 007 clone ?\n7893\tThere 's enough melodrama in this Magnolia Primavera to make PTA proud yet director Muccino 's characters are less worthy of Puccini than they are of daytime television .\n7894\tHowever it may please those who love movies that blare with pop songs , young science fiction fans will stomp away in disgust .\n7895\tThe humor is n't as sharp , the effects not as innovative , nor the story as imaginative as in the original .\n7896\tBut it could have been worse .\n7897\tSome of their jokes work , but most fail miserably and in the end , Pumpkin is far more offensive than it is funny .\n7898\tEven horror fans will most likely not find what they 're seeking with Trouble Every Day ; the movie lacks both thrills and humor .\n7899\tcomes off like a rejected ABC Afterschool Special , freshened up by the dunce of a Screenwriting 101 class .\n7900\t... Designed to provide a mix of smiles and tears , `` Crossroads '' instead provokes a handful of unintentional howlers and numerous yawns .\n7901\tit seems to me the film is about the art of ripping people off without ever letting them consciously know you have done so\n7902\tIt 's just disappointingly superficial -- a movie that has all the elements necessary to be a fascinating , involving character study , but never does more than scratch the surface .\n7903\tThe title not only describes its main characters , but the lazy people behind the camera as well .\n7904\tSometimes it feels as if it might have been made in the '70s or '80s , and starred Chevy Chase and Goldie Hawn .\n7905\tSchaeffer has to find some hook on which to hang his persistently useless movies , and it might as well be the resuscitation of the middle-aged character .\n7906\tDemands too much of most viewers .\n7907\tThe story drifts so inexorably into cliches about tortured -LRB- and torturing -RRB- artists and consuming but impossible love that you ca n't help but become more disappointed as each overwrought new sequence plods on .\n7908\tIt should be mentioned that the set design and interiors of the haunted vessel are more than effectively creepy and moodily lit .\n7909\tSo I just did .\n7910\tShamelessly sappy and , worse , runs away from its own provocative theme .\n7911\tThe Ring just left me cold and wet like I was out in the Seattle drizzle without rainwear .\n7912\tThe film seems a dead weight .\n7913\tThe lack of pace kills it , although , in a movie about cancer , this might be apt .\n7914\tFor anyone who grew up on Disney 's 1950 Treasure Island , or remembers the 1934 Victor Fleming classic , this one feels like an impostor .\n7915\tA clutchy , indulgent and pretentious travelogue and diatribe against ... well , just stuff .\n7916\tWatching Scarlet Diva , one is poised for titillation , raw insight or both .\n7917\tInstead , we just get messy anger , a movie as personal therapy .\n7918\tMeandering , sub-aquatic mess : It 's so bad it 's good , but only if you slide in on a freebie .\n7919\tThe ending is a cop-out .\n7920\tWhat happens to John Q ?\n7921\tI do n't have an I Am Sam clue .\n7922\tHas the feel of an unedited personal journal .\n7923\tRemember when Bond had more glamour than clamor ?\n7924\tNo more .\n7925\tCry havoc and let slip the dogs of cheese , indeed .\n7926\tThis charmless nonsense ensues amid clanging film references that make Jay and Silent Bob 's Excellent Adventure seem understated .\n7927\tIt does n't quite deserve the gong , but there are more fascinating acts than `` Confessions of a Dangerous Mind . ''\n7928\tThe subject of swinging still seems ripe for a documentary -- just not this one .\n7929\t... Hudlin is stuck trying to light a fire with soggy leaves .\n7930\tUnlike his directorial efforts , La Femme Nikita and The Professional , The Transporter lacks Besson 's perspective as a storyteller .\n7931\tThe overall effect is so completely inane that one would have to be mighty bored to even think of staying with this for more than , say , ten ... make that three minutes .\n7932\tMost of the supporting characters in Eastwood films are weak , as are most of the subplots .\n7933\tThis one 's weaker than most .\n7934\tAudiences will find no mention of political prisoners or persecutions that might paint the Castro regime in less than saintly tones .\n7935\tThe film takes too long getting to the good stuff , then takes too long figuring out what to do next .\n7936\tYou can practically smell the patchouli oil .\n7937\tTo say Analyze That is De Niro 's best film since Meet the Parents sums up the sad state of his recent career .\n7938\tThe actors do n't inhabit their roles -- they 're trapped by them , forced to change behavior in bizarre unjustified fashion and spout dialog that consists mostly of platitudes .\n7939\tAn often-deadly boring , strange reading of a classic whose witty dialogue is treated with a baffling casual approach\n7940\tThis film was made to get laughs from the slowest person in the audience -- just pure slapstick with lots of inane , inoffensive screaming and exaggerated facial expressions .\n7941\tConsists of a plot and jokes done too often by people far more talented than Ali G\n7942\tAnother week , another gross-out college comedy -- ugh .\n7943\tModerately involving despite bargain-basement photography and hackneyed romance .\n7944\tThere is no insight into the anguish of Heidi 's life -- only a depiction of pain , today 's version of Greek tragedy , the talk-show guest decrying her fate .\n7945\tThe editing is chaotic , the photography grainy and badly focused , the writing unintentionally hilarious , the direction unfocused , the performances as wooden .\n7946\tWhen -LRB- De Palma 's -RRB- bad , he 's really bad , and Femme Fatale ranks with the worst he has done .\n7947\tTadpole is emblematic of the witless ageism afflicting films : Young is cool , and too young is too cool .\n7948\tI doubt anyone will remember the picture by the time Christmas really rolls around , but maybe it 'll be on video by then .\n7949\tUncertain in tone ... a garbled exercise in sexual politics , a junior varsity Short Cuts by way of Very Bad Things .\n7950\tAll 's well that ends well , and rest assured , the consciousness-raising lessons are cloaked in gross-out gags .\n7951\tThe only thing worse than your substandard , run-of-the-mill Hollywood picture is an angst-ridden attempt to be profound .\n7952\tIf you think that Jennifer Lopez has shown poor judgment in planning to marry Ben Affleck , wait till you see Maid in Manhattan .\n7953\tStars Matthew Perry and Elizabeth Hurley illicit more than a chuckle , and more jokes land than crash , but ultimately Serving Sara does n't distinguish itself from the herd .\n7954\tIt 's best to avoid imprisonment with the dull , nerdy folks that inhabit Cherish .\n7955\tCulkin exudes none of the charm or charisma that might keep a more general audience even vaguely interested in his bratty character .\n7956\tIn the end , Ted Bundy 's only justification is the director 's common but unexplored fascination with the frustrated maniac ; there 's no larger point , and little social context .\n7957\t... -LRB- like -RRB- channel surfing between the Discovery Channel and a late-night made-for-cable action movie .\n7958\tA movie that , rather than skip along the Seine , more or less slogs its way through soggy Paris , tongue uncomfortably in cheek .\n7959\tShot perhaps ` artistically ' with handheld cameras and apparently no movie lights by Joaquin Baca-Asay , the low-budget production swings annoyingly between vertigo and opacity .\n7960\tImagine a really bad community theater production of West Side Story without the songs .\n7961\tSoul is what 's lacking in every character in this movie and , subsequently , the movie itself .\n7962\tA one-trick pony whose few T&A bits still ca n't save itself from being unoriginal , unfunny and unrecommendable .\n7963\tThe worst kind of independent ; the one where actors play dress down hicks and ponderously mope around trying to strike lightning as captured by their 1970s predecessors\n7964\tIt may be a prize winner , but Teacher is a bomb .\n7965\tThe production values are up there .\n7966\tThe use of CGI and digital ink-and-paint make the thing look really slick .\n7967\tThe voices are fine as well .\n7968\tThe problem , it is with most of these things , is the script .\n7969\tIt 's got its heart in the right place , but it also wilts after awhile .\n7970\tProves that a movie about goodness is not the same thing as a good movie .\n7971\tWell , it does go on forever .\n7972\tThis overproduced and generally disappointing effort is n't likely to rouse the Rush Hour crowd .\n7973\tTopkapi this is not .\n7974\tIf Shayamalan wanted to tell a story about a man who loses his faith , why did n't he just do it , instead of using bad sci-fi as window dressing ?\n7975\tEthan Hawke has always fancied himself the bastard child of the Beatnik generation and it 's all over his Chelsea Walls .\n7976\tEqual parts bodice-ripper and plodding costume drama .\n7977\tI 'm not suggesting that you actually see it , unless you 're the kind of person who has seen every Wim Wenders film of the '70s .\n7978\tWhile the film misfires at every level , the biggest downside is the paucity of laughter in what 's supposed to be a comedy .\n7979\tIf you liked the 1982 film then , you 'll still like it now .\n7980\tA 93-minute condensation of a 26-episode TV series , with all of the pitfalls of such you 'd expect .\n7981\tGuillen rarely gets beneath the surface of things .\n7982\tShe lists ingredients , but never mixes and stirs .\n7983\tAudiences can be expected to suspend their disbelief only so far -- and that does not include the 5 o'clock shadow on the tall wooden kid as he skips off to school .\n7984\tTo imagine the life of Harry Potter as a martial arts adventure told by a lobotomized Woody Allen is to have some idea of the fate that lies in store for moviegoers lured to the mediocrity that is Kung Pow : Enter the Fist .\n7985\tIt delivers some chills and sustained unease , but flounders in its quest for Deeper Meaning .\n7986\tCredibility levels are low and character development a non-starter .\n7987\tI would have preferred a transfer down the hall to Mr. Holland 's class for the music , or to Robin Williams 's lecture so I could listen to a teacher with humor , passion , and verve .\n7988\tFor the most part , the ingredients are there .\n7989\tBut an unwillingness to explore beyond the surfaces of her characters prevents Nettelbeck 's film from coming together .\n7990\tAn earnest , heartrending look at the divide between religious fundamentalists and their gay relatives .\n7991\tIt 's also heavy-handed and devotes too much time to bigoted views .\n7992\tA mawkish , implausible platonic romance that makes Chaplin 's City Lights seem dispassionate by comparison .\n7993\tYes , one enjoys seeing Joan grow from awkward young woman to strong , determined monarch , but her love for the philandering Philip only diminishes her stature .\n7994\tIt 's a film that hinges on its casting , and Glover really does n't fit the part .\n7995\tThis is a throwaway , junk-food movie whose rap soundtrack was better tended to than the film itself .\n7996\t... with the candy-like taste of it fading faster than 25-cent bubble gum , I realized this is a throwaway movie that wo n't stand the test of time .\n7997\tIt 's a trifle .\n7998\tLiterally nothing in The Pool is new , but if you grew up on the stalker flicks of the 1980 's this one should appease you for 90 minutes .\n7999\tArguably the year 's silliest and most incoherent movie .\n8000\tAnyway , for one reason or another , Crush turns into a dire drama partway through .\n8001\tAfter that , it just gets stupid and maudlin .\n8002\tToo bad , but thanks to some lovely comedic moments and several fine performances , it 's not a total loss .\n8003\tChao was Chen Kaige 's assistant for years in China .\n8004\tHe has not learnt that storytelling is what the movies are about .\n8005\tA mixed bag of a comedy that ca n't really be described as out of this world .\n8006\tThe film is a travesty of the genre and even as spoof takes itself too seriously .\n8007\tMarries the amateurishness of The Blair Witch Project with the illogic of Series 7 : The Contenders to create a completely crass and forgettable movie .\n8008\tThe Piano Teacher is the sort of movie that discourages American audiences from ever wanting to see another foreign film .\n8009\tIf it 's another regurgitated action movie you 're after , there 's no better film than Half Past Dead .\n8010\tSo what is the point ?\n8011\tLovingly choreographed bloodshed taking place in a pristine movie neverland , basically .\n8012\tThis is junk food cinema at its greasiest .\n8013\tWhen it 's all wet , Blue Crush is highly enjoyable .\n8014\tWhen it 's on dry land , though , this surfer-girl melodrama starts gasping like a beached grouper .\n8015\tMost new movies have a bright sheen .\n8016\tSome , like Ballistic , arrive stillborn ... looking like the beaten , well-worn video box cover of seven years into the future .\n8017\tThe story is naturally poignant , but first-time screenwriter Paul Pender overloads it with sugary bits of business .\n8018\tYou see Robert De Niro singing - and dancing to - West Side Story show tunes .\n8019\tChoose your reaction : A. -RRB- That sure is funny !\n8020\tB. -RRB- That sure is pathetic !\n8021\tA sermonizing and lifeless paean to teenage dullards .\n8022\tThis dramatically shaky contest of wills only reiterates the old Hollywood saw : Evil is interesting and good is boring .\n8023\tBefore long , the film starts playing like General Hospital crossed with a Saturday Night Live spoof of Dog Day Afternoon .\n8024\tThe charms of willful eccentricity , at least as evidenced by this latest cinematic essay , are beginning to wear a bit thin .\n8025\tInstead of accurately accounting a terrible true story , the film 's more determined to become the next Texas Chainsaw Massacre .\n8026\tBut what about the countless other people who 'd merely like to watch a solid tale about a universally interesting soul ?\n8027\tA silly , self-indulgent film about a silly , self-indulgent filmmaker .\n8028\tScarlet Diva has a voyeuristic tug , but all in all it 's a lot less sensational than it wants to be .\n8029\tThe character is too forced and overwritten to be funny or believable much of the time , and Clayburgh does n't always improve the over-the-top mix .\n8030\tFlashy , pretentious and as impenetrable as Morvern 's thick , working-class Scottish accent .\n8031\tA battle between bug-eye theatre and dead-eye matinee .\n8032\tThe movie is virtually without context -- journalistic or historical .\n8033\tWhat 's worse is that Pelosi knows it .\n8034\t... instead go rent `` Shakes The Clown '' , a much funnier film with a similar theme and an equally great Robin Williams performance .\n8035\tLame , haphazard teen comedy .\n8036\tIt 's the kind of movie that ends up festooning U.S. art house screens for no reason other than the fact that it 's in French -LRB- well , mostly -RRB- with English subtitles and is magically ` significant ' because of that .\n8037\tThis miserable excuse of a movie runs on empty , believing Flatbush machismo will get it through .\n8038\tExpect to be reminded of other , better films , especially Seven , which director William Malone slavishly copies .\n8039\tNair stuffs the film with dancing , henna , ornamentation , and group song , but her narrative clichés and telegraphed episodes smell of old soap opera .\n8040\tIt 's getting harder and harder to ignore the fact that Hollywood is n't laughing with us , folks .\n8041\tIt 's laughing at us .\n8042\tMight have been better off as a documentary , with less of Mr. Eyre 's uninspired dramatics and more of his sense of observation and outrage .\n8043\tEvery good actor needs to do his or her own Hamlet .\n8044\tFor Benigni it was n't Shakespeare whom he wanted to define his career with but Pinocchio .\n8045\tIt might as well have been Problem Child IV .\n8046\tArnold 's jump from little screen to big will leave frowns on more than a few faces .\n8047\tBoth awful and appealing .\n8048\tThe lack of opposing viewpoints soon grows tiresome -- the film feels more like a series of toasts at a testimonial dinner than a documentary .\n8049\tNothing plot-wise is worth e-mailing home about .\n8050\tWe are left with a superficial snapshot that , however engaging , is insufficiently enlightening and inviting .\n8051\tHelmer DeVito ... attempts to do too many things in this story about ethics , payola , vice , murder , kids ' TV and revenge .\n8052\tIt would n't be my preferred way of spending 100 minutes or $ 7.00 .\n8053\tI hated every minute of it .\n8054\t-LRB- T -RRB- hose same extremes prevent us from taking its message seriously , and the Stepford Wives mentality does n't work in a modern context .\n8055\tObvious politics and rudimentary animation reduce the chances that the appeal of Hey Arnold !\n8056\tThe Movie will reach far beyond its core demographic .\n8057\tThere 's no mistaking the fact that this hybrid misses the impact of the Disney classic , and even that of the excellent 1934 MGM version .\n8058\tA simple , sometimes maddeningly slow film that has just enough charm and good acting to make it interesting , but is ultimately pulled under by the pacing and lack of creativity within .\n8059\tRoger Michell , who did an appealing job directing Persuasion and Notting Hill in England , gets too artsy in his American debut .\n8060\tThere is an almost poignant dimension to the way that every major stunt Seagal 's character ... performs is shot from behind , as if it could fool us into thinking that we 're not watching a double .\n8061\tAnthony Hopkins ?\n8062\tBig deal !\n8063\tWe 've already seen the prequel to The Silence of the Lambs and Hannibal -- and it was better the first time .\n8064\tOstensibly celebrates middle-aged girl power , even as it presents friendship between women as pathetic , dysfunctional and destructive .\n8065\tIf this is an example of the type of project that Robert Redford 's lab is willing to lend its imprimatur to , then perhaps it 's time to rethink independent films .\n8066\tPumpkin sits in a patch somewhere between mirthless Todd Solondzian satire and callow student film .\n8067\tNot so much funny as aggressively sitcom-cute , it 's full of throwaway one-liners , not-quite jokes , and a determined TV amiability that Allen personifies .\n8068\tIt 's not that Waiting For Happiness is a bad film , because it is n't .\n8069\tIt 's just incredibly dull .\n8070\tThe sad thing about Knockaround Guys is its lame aspiration for grasping the coolness vibes when in fact the film is n't as flippant or slick as it thinks it is .\n8071\tA cumbersome and cliche-ridden movie greased with every emotional device known to man .\n8072\tDirector Ferzan Ozpetek creates an interesting dynamic with the members of this group , who live in the same apartment building .\n8073\tBut he loses his focus when he concentrates on any single person .\n8074\tEgoyan 's movie is too complicated to sustain involvement , and , if you 'll excuse a little critical heresy , too intellectually ambitious .\n8075\tIt wants to be thought of as a subversive little indie film , but it has all the qualities of a modern situation comedy .\n8076\tDespite apparent motives to the contrary , it ends up being , like -LRB- Seinfeld 's -RRB- revered TV show , about pretty much nothing .\n8077\tShadyac shoots his film like an M. Night Shyamalan movie , and he frequently maintains the same snail 's pace ; he just forgot to add any genuine tension .\n8078\tPlays less like a coming-of-age romance than an infomercial .\n8079\tThere are a few laughs and clever sight gags scattered about , but not enough to make this anything more than another big-budget bust .\n8080\tThe story 's so preposterous that I did n't believe it for a second , despite the best efforts of everyone involved .\n8081\tI 've heard that the fans of the first Men in Black have come away hating the second one .\n8082\tI wonder why .\n8083\tThey felt like the same movie to me .\n8084\tDespite her relentless vim and winsome facial symmetry , Witherspoon is just too dialed-up to be America 's Sweetheart .\n8085\tAn ultra-low-budget indie debut that smacks more of good intentions than talent .\n8086\tBirot is a competent enough filmmaker , but her story has nothing fresh or very exciting about it .\n8087\tDe Niro and McDormand give solid performances , but their screen time is sabotaged by the story 's inability to create interest .\n8088\tEven those of a single digit age will be able to recognize that this story is too goofy ... even for Disney .\n8089\tThat is essentially what 's missing from Blackboards -- the sense of something bigger , some ultimate point .\n8090\tA compendium of Solondz 's own worst instincts in under 90 minutes .\n8091\tIf the title is a Jeopardy question , then the answer might be `` How does Steven Seagal come across these days ? ''\n8092\tor maybe `` How will you feel after an 88-minute rip-off of The Rock with action confined to slo-mo gun firing and random glass-shattering ? ''\n8093\tIt is a comedy that 's not very funny and an action movie that is not very thrilling -LRB- and an uneasy alliance , at that -RRB- .\n8094\tThe story is familiar from its many predecessors ; like them , it eventually culminates in the not-exactly - stunning insight that crime does n't pay .\n8095\tYou 'll have more fun setting fire to yourself in the parking lot .\n8096\tYou 'll be more entertained getting hit by a bus .\n8097\tDissing a Bond movie is quite like calling a dog stupid , but when it has the temerity to run over two hours , you feel like winding up with a kick .\n8098\tRitchie 's treatment of the class reversal is majorly ham-fisted , from the repetitive manifestos that keep getting thrown in people 's faces to the fact Amber is such a joke .\n8099\tFlat , but with a revelatory performance by Michelle Williams .\n8100\tLittle more than a frothy vanity project .\n8101\tThe film goes from being an unusual sci-fi character study to a chase flick that detracts from its ending .\n8102\tVerbinski substitutes atmosphere for action , tedium for thrills .\n8103\tFor all its surface frenzy , High Crimes should be charged with loitering -- so much on view , so little to offer .\n8104\tThe Sum of All Fears is almost impossible to follow -- and there 's something cringe-inducing about seeing an American football stadium nuked as pop entertainment .\n8105\tAlex Nohe 's documentary plays like a travelogue for what mostly resembles a real-life , big-budget NC-17 version of Tank Girl .\n8106\tThe title Trapped turns out to be a pretty fair description of how you feel while you 're watching this ultra-manipulative thriller .\n8107\tThe appeal of the vulgar , sexist , racist humour went over my head or -- considering just how low brow it is -- perhaps it snuck under my feet .\n8108\tThe story really has no place to go since Simone is not real -- she ca n't provide any conflict .\n8109\tIHOPs do n't pile on this much syrup .\n8110\tFor the most part , I Spy was an amusing lark that will probably rank as one of Murphy 's better performances in one of his lesser-praised movies .\n8111\tfocuses on Joan 's raging hormones and sledgehammers the audience with Spanish inquisitions about her `` madness '' so much that I became mad that I wasted 123 minutes and $ 9.50 on this 21st century torture device .\n8112\tThis series should have died long ago , but they keep bringing it back another day as punishment for paying money to see the last James Bond movie .\n8113\tA bit of an unwieldy mess .\n8114\tWith a story as bizarre and mysterious as this , you do n't want to be worrying about whether the ineffectual Broomfield is going to have the courage to knock on that door .\n8115\tThe filmmakers juggle and juxtapose three story lines but fail to come up with one cogent point , unless it 's that life stinks , especially for sensitive married women who really love other women .\n8116\tThe movie feels like it 's going to be great , and it carries on feeling that way for a long time , but takeoff just never happens .\n8117\tA gimmick in search of a movie : how to get Carvey into as many silly costumes and deliver as many silly voices as possible , plot mechanics be damned .\n8118\t... the last time I saw a theater full of people constantly checking their watches was during my SATs .\n8119\t... fifty minutes of tedious adolescent melodramatics followed by thirty-five minutes of inflated nonsense .\n8120\t... lacks the punch and verve needed to make this genre soar .\n8121\tIt 's often faintly amusing , but the problems of the characters never become important to us , and the story never takes hold .\n8122\tIt 's tough , astringent , darkly funny and ... well , it 's also generic , untidy , condescending and mild of impact rather than stunning .\n8123\tLargely a for-fans artifact .\n8124\tThere 's no denying the elaborateness of the artist 's conceptions , nor his ability to depict them with outrageous elan , but really the whole series is so much pretentious nonsense , lavishly praised by those who equate obscurity with profundity .\n8125\tCharacters wander into predictably treacherous situations even though they should know better .\n8126\tThere 's plenty of style in Guillermo Del Toro 's sequel to the 1998 hit but why do we need 117 minutes to tell a tale that simply ca n't sustain more than 90 minutes .\n8127\t-LRB- I -RRB- f you 've been to more than one indie flick in your life , chances are you 've already seen this kind of thing .\n8128\tFirst-time director João Pedro Rodrigues ' unwillingness to define his hero 's background or motivations becomes more and more frustrating as the film goes on .\n8129\tNo reason for anyone to invest their hard-earned bucks into a movie which obviously did n't invest much into itself either .\n8130\tA strong first quarter , slightly less so second quarter , and average second half .\n8131\tA boring , wincingly cute and nauseatingly politically correct cartoon guaranteed to drive anyone much over age 4 screaming from the theater .\n8132\tThe vampire thriller Blade II starts off as a wild hoot and then sucks the blood out of its fun -- toward the end , you can feel your veins cringing from the workout .\n8133\tWhen the first few villians are introduced as `` Spider '' and `` Snake '' you know you 're in for a real winner , creativity at its peak .\n8134\tAn Afterschool Special without the courage of its convictions .\n8135\tThe final result makes for adequate entertainment , I suppose , but anyone who has seen Chicago on stage will leave the theater feeling they 've watched nothing but a pale imitation of the real deal .\n8136\t-LRB- Director -RRB- Byler may yet have a great movie in him , but Charlotte Sometimes is only half of one .\n8137\tSo few movies explore religion that it 's disappointing to see one reduce it to an idea that fits in a sampler .\n8138\tIt 's also clear from the start that The Transporter is running purely on adrenaline , and once the initial high wears off , the film 's shortcomings start to shine through .\n8139\tWatching it is rather like viewing a long soap opera in which only the first episode was any good .\n8140\tIt 's fun , but a psychological mess , with Austin Powers bumping his head on the way out of the closet .\n8141\tThere are touching moments in Etoiles , but for the most part this is a dull , dour documentary on what ought to be a joyful or at least fascinating subject .\n8142\tCould the whole plan here have been to produce something that makes Fatal Attraction look like a classic by comparison ?\n8143\tThat 's the only sane rationale I can think of for Swimfan 's existence .\n8144\tI did n't laugh at the ongoing efforts of Cube , and his skinny buddy Mike Epps , to make like Laurel and Hardy 'n the hood .\n8145\tThe only way this supernatural snore-fest could give anyone a case of the frights is if they were put to sleep by the movie and had a nightmare .\n8146\tI wonder what the reaction of Israelis will be to this supposedly evenhanded presentation .\n8147\tThe film would work much better as a video installation in a museum , where viewers would be free to leave .\n8148\tImmediately .\n8149\tHuman Nature initially succeeds by allowing itself to go crazy , but ultimately fails by spinning out of control .\n8150\t-LRB- It 's -RRB- a prison soccer movie starring charismatic tough guy Vinnie Jones , but it had too much spitting for me to enjoy .\n8151\tNot even the Hanson Brothers can save it\n8152\tThe thriller side of this movie is falling flat , as the stalker does n't do much stalking , and no cop or lawyer grasps the concept of actually investigating the case .\n8153\t... -LRB- a -RRB- strained comedy that jettisons all opportunities for Rock to make his mark by serving up the usual chaotic nonsense .\n8154\tA sour , nasty offering .\n8155\tFeels like one of those contrived , only-in - Hollywood productions where name actors deliver big performances created for the sole purpose of generating Oscar talk .\n8156\tObstacles are too easily overcome and there is n't much in the way of character development in the script .\n8157\tIt tells more than it shows .\n8158\tEarnest falls short of its Ideal predecessor largely due to Parker 's ill-advised meddling with the timeless source material .\n8159\tThe film might have been more satisfying if it had , in fact , been fleshed out a little more instead of going for easy smiles .\n8160\tPretentious editing ruins a potentially terrific flick .\n8161\tNot every animated film from Disney will become a classic , but forgive me if I 've come to expect more from this studio than some 79-minute after-school `` cartoon '' .\n8162\tDo not , under any circumstances , consider taking a child younger than middle school age to this wallow in crude humor .\n8163\tNothing debases a concept comedy quite like the grinding of bad ideas , and Showtime is crammed full of them .\n8164\tMuch-anticipated and ultimately lackluster movie .\n8165\tThis is really just another genre picture .\n8166\tEach story on its own could have been expanded and worked into a compelling single feature , but in its current incarnation , Storytelling never quite gets over its rather lopsided conception .\n8167\tWilliam Shatner , as a pompous professor , is the sole bright spot ...\n8168\tA trite psychological thriller designed to keep the audience guessing and guessing -- which is not to be confused with suspecting -- until it comes time to wrap things up and send the viewers home .\n8169\tNeither funny nor suspenseful nor particularly well-drawn .\n8170\tActing , particularly by Tambor , almost makes `` Never Again '' worthwhile , but -LRB- writer\\/director -RRB- Schaeffer should follow his titular advice\n8171\tBoth stars manage to be funny , but , like the recent I Spy , the star chemistry begs the question of whether random gags add up to a movie .\n8172\t`` Collateral Damage '' goes by the numbers and reps decent action entertainment -- until the silly showdown ending that forces the viewer to totally suspend disbelief\n8173\t` Enigma ' is a good name for a movie this delibrately obtuse and unapproachable .\n8174\tA waste of good performances .\n8175\tA dreary , incoherent , self-indulgent mess of a movie in which a bunch of pompous windbags drone on inanely for two hours ... a cacophony of pretentious , meaningless prattle .\n8176\tI kept thinking over and over again , ' I should be enjoying this . '\n8177\tBut I was n't .\n8178\tAs conceived by Mr. Schaeffer , Christopher and Grace are little more than collections of quirky traits lifted from a screenwriter 's outline and thrown at actors charged with the impossible task of making them jell .\n8179\tLike so many other allegedly scary movies , it gets so tangled up in The Twist that it chokes the energy right out of the very audience it seeks to frighten .\n8180\tThe essential problem in Orange County is that , having created an unusually vivid set of characters worthy of its strong cast , the film flounders when it comes to giving them something to do .\n8181\tJust like Hearst 's enormous yacht , it 's slow and unwieldy and takes a long time to reach its destination .\n8182\tThere is not a character in the movie with a shred of plausibility , not an event that is believable , not a confrontation that is not staged , not a moment that is not false .\n8183\tWhere last time jokes flowed out of Cho 's life story , which provided an engrossing dramatic through line , here the comedian hides behind obviously constructed routines .\n8184\tWhy come up with something even quasi-original , when you can pillage from Shirley Jackson , Richard Matheson ... and puke up something like ROSE RED ?\n8185\tA broadly played , lowbrow comedy in which the cast delivers mildly amusing performances and no farm animals were injured by any of the gags .\n8186\t... too gory to be a comedy and too silly to be an effective horror film .\n8187\tLacks heart , depth and , most of all , purpose .\n8188\tThough a bit of a patchwork in script and production , a glossy , rich green , environment almost makes the picture work .\n8189\tperfectly enjoyable , instantly forgettable , nothing to write home about .\n8190\tWasabi is slight fare indeed , with the entire project having the feel of something tossed off quickly -LRB- like one of Hubert 's punches -RRB- , but it should go down smoothly enough with popcorn .\n8191\tSomehow both wildly implausible and strangely conventional .\n8192\tThis ill-fitting Tuxedo is strictly off-the-rack .\n8193\tThe premise is in extremely bad taste , and the film 's supposed insights are so poorly thought-out and substance-free that even a high school senior taking his or her first psychology class could dismiss them .\n8194\tSets up a nice concept for its fiftysomething leading ladies , but fails loudly in execution .\n8195\tKidman is really the only thing that 's worth watching in Birthday Girl , a film by the stage-trained Jez Butterworth -LRB- Mojo -RRB- that serves as yet another example of the sad decline of British comedies in the post-Full Monty world .\n8196\tImagine the James Woods character from Videodrome making a home movie of Audrey Rose and showing it to the kid from The Sixth Sense and you 've imagined The Ring .\n8197\tThis time Kaufman 's imagination has failed him .\n8198\tAn intermittently pleasing but mostly routine effort .\n8199\tIt becomes gimmicky instead of compelling .\n8200\t`` Interview '' loses its overall sense of mystery and becomes a TV episode rather than a documentary that you actually buy into .\n8201\t` Unfaithful ' cheats on itself and retreats to comfortable territory .\n8202\tToo bad .\n8203\tFrenetic but not really funny .\n8204\tTaken individually or collectively , the stories never add up to as much as they promise .\n8205\tIf you 're not a prepubescent girl , you 'll be laughing at Britney Spears ' movie-starring debut whenever it does n't have you impatiently squinting at your watch .\n8206\tA didactic and dull documentary glorifying software anarchy .\n8207\tSluggishly directed by episodic TV veteran Joe Zwick , it 's a sitcom without the snap-crackle .\n8208\tYou could nap for an hour and not miss a thing .\n8209\tDirector Clare Kilner 's debut is never as daft as it should have been .\n8210\tNew Best Friend should n't have gone straight to video ; it should have gone straight to a Mystery Science Theater 3000 video .\n8211\tWallace seems less like he 's been burning to tell a war story than he 's been itching to somehow tack one together\n8212\tThe thrill is -LRB- long -RRB- gone .\n8213\tBegan life as a computer game , then morphed into a movie -- a bad one , of course .\n8214\tPart comedy , part drama , the movie winds up accomplishing neither in full , and leaves us feeling touched and amused by several moments and ideas , but nevertheless dissatisfied with the movie as a whole .\n8215\tGodawful boring slug of a movie .\n8216\tDull , if not devoid of wit , this shaggy dog longs to frisk through the back alleys of history , but scarcely manages more than a modest , snoozy charm .\n8217\tScene-by-scene , things happen , but you 'd be hard-pressed to say what or why .\n8218\t... an unimaginative , nasty , glibly cynical piece of work .\n8219\tIt is , by conventional standards , a fairly terrible movie ... but it is also weirdly fascinating , a ready-made Eurotrash cult object .\n8220\tIt is also , at times , curiously moving .\n8221\tThe tug-of-war at the core of Beijing Bicycle becomes weighed down with agonizing contrivances , overheated pathos and long , wistful gazes .\n8222\tVile and tacky are the two best adjectives to describe Ghost Ship .\n8223\tSome decent actors inflict big damage upon their reputations .\n8224\tBeing author Wells ' great-grandson , you 'd think filmmaker Simon Wells would have more reverence for the material .\n8225\tBut this costly dud is a far cry from either the book or the beloved film .\n8226\tOffensive in the way it exploits the hot-button issue of domestic abuse for cheap thrills and disgusting in the manner it repeatedly puts a small child in jeopardy , treating her as little more than a prop to be cruelly tormented .\n8227\tMark me down as a non-believer in werewolf films that are not serious and rely on stupidity as a substitute for humor .\n8228\tThoughtless , random , superficial humour and a lot of very bad Scouse accents\n8229\tAspires for the piquant but only really achieves a sort of ridiculous sourness .\n8230\tAccuracy and realism are terrific , but if your film becomes boring , and your dialogue is n't smart , then you need to use more poetic license .\n8231\tFor all its highfalutin title and corkscrew narrative , the movie turns out to be not much more than a shaggy human tale .\n8232\tA soggy , cliche-bound epic-horror yarn that ends up being even dumber than its title .\n8233\tOne groan-inducing familiarity begets another .\n8234\tAlthough based on a real-life person , John , in the movie , is a rather dull person to be stuck with for two hours .\n8235\tGreat story , bad idea for a movie .\n8236\tWith Spy Kids 2 : The Island of Lost Dreams writer\\/director\\/producer Robert Rodriguez has cobbled together a film that feels like a sugar high gone awry .\n8237\tThere is no entry portal in The Rules of Attraction , and I spent most of the movie feeling depressed by the shallow , selfish , greedy characters .\n8238\tIt 's hard to tell with all the crashing and banging where the salesmanship ends and the movie begins .\n8239\t`` My god , I 'm behaving like an idiot ! ''\n8240\tYes , you are , Ben Kingsley .\n8241\tA dreadful live-action movie .\n8242\tDivertingly ridiculous , headbangingly noisy .\n8243\tAn earnest racial-issues picture that might have gotten respectful critical praise in a different era -- say , the '60s .\n8244\tA hideous , confusing spectacle , one that may well put the nail in the coffin of any future Rice adaptations .\n8245\tAll I can say is fuhgeddaboutit .\n8246\tBetween bedroom scenes , viewers may find themselves wishing they could roll over and take a nap .\n8247\tIf you collected all the moments of coherent dialogue , they still would n't add up to the time required to boil a four - minute egg .\n8248\tDespite all the talking , by the time the bloody climax arrives we still do n't feel enough of an attachment to these guys to care one way or another .\n8249\tEvery bit as bogus as most Disney live action family movies are -- no real plot , no real conflict , no real point .\n8250\tA sensual performance from Abbass buoys the flimsy story , but her inner journey is largely unexplored and we 're left wondering about this exotic-looking woman whose emotional depths are only hinted at .\n8251\tNever engaging , utterly predictable and completely void of anything remotely interesting or suspenseful .\n8252\tSpousal abuse is a major problem in contemporary society , but the film reduces this domestic tragedy to florid melodrama .\n8253\tOedekerk wrote Patch Adams , for which he should not be forgiven .\n8254\tWhy he was given free reign over this project -- he wrote , directed , starred and produced -- is beyond me .\n8255\tThe creaking , rusty ship makes a fine backdrop , but the ghosts ' haunting is routine .\n8256\tWhatever Eyre 's failings as a dramatist , he deserves credit for bringing audiences into this hard and bitter place .\n8257\tScotland , PA. blurs the line between black comedy and black hole .\n8258\tIt tries too hard , and overreaches the logic of its own world .\n8259\tThe whole damn thing is ripe for the Jerry Springer crowd .\n8260\tIt 's all pretty cynical and condescending , too .\n8261\tI cry for I Spy -- or I would if this latest and laziest imaginable of all vintage-TV spinoffs were capable of engendering an emotional response of any kind .\n8262\tA boring , formulaic mix of serial killers and stalk 'n' slash .\n8263\tWhat you would end up with if you took Orwell , Bradbury , Kafka , George Lucas and the Wachowski Brothers and threw them into a blender .\n8264\tBut that 's just the problem with it - the director has n't added enough of his own ingredients .\n8265\tWith recent tensions rekindled by the Kathleen Soliah trial and the upcoming trial of SLA members Emily and William Harris , not to mention Sept. 11 , its difficult these days to appreciate Fire 's bright side .\n8266\tFlaunts its quirky excesses like a New Year 's Eve drunk sporting a paper party hat .\n8267\tWrithing under dialogue like ` You 're from two different worlds ' and ` Tonight the maid is a lie and this , this is who you are , ' this schlock-filled fairy tale hits new depths of unoriginality and predictability .\n8268\t... too slow , too boring , and occasionally annoying .\n8269\tIs there enough material to merit a documentary on the making of Wilco 's last album ?\n8270\tFaultlessly professional but finally slight .\n8271\tSchmaltzy and unfunny , Adam Sandler 's cartoon about Hanukkah is numbingly bad , Little Nicky bad , 10 Worst List bad .\n8272\tIt 's really yet another anemic and formulaic Lethal Weapon-derived buddy-cop movie , trying to pass off its lack of imagination as hip knowingness .\n8273\tScotland , Pa. is a strangely drab romp .\n8274\tSome studio pizazz might have helped .\n8275\tWhen Perry fists a bull at the Moore Farm , it 's only a matter of time before he gets the upper hand in matters of the heart .\n8276\tThere 's more scatological action in 8 Crazy Nights than a proctologist is apt to encounter in an entire career .\n8277\tToo loud , too long and too frantic by half , Die Another Day suggests that the Bond franchise has run into a creative wall that 007 can not fly over , tunnel under or barrel through .\n8278\tThe cartoon is about as true to the spirit of the Festival of Lights as Mr. Deeds was to that of Frank Capra .\n8279\t... the sum of the parts equals largely a confused mediocrity .\n8280\tThe tone shifts abruptly from tense to celebratory to soppy .\n8281\tIf we do n't demand a standard of quality for the art that we choose , we deserve the trash that we get .\n8282\tA modest and messy metaphysical thriller offering more questions than answers .\n8283\tJulia is played with exasperating blandness by Laura Regan .\n8284\tMorrissette 's script and direction show a fair amount of intelligence and wit -- but it does n't signify a whole lot either .\n8285\tThere 's suspension of disbelief and then there 's bad screenwriting ... this film packs a wallop of the latter .\n8286\tAll Ms. Jovovich , as the sanctified heroine , has to do is look radiant , grimly purposeful and mildly alarmed while forcing open doors , wielding wrenches and fleeing monsters .\n8287\tMocking kung fu pictures when they were a staple of exploitation theater programming was witty .\n8288\tMocking them now is an exercise in pointlessness .\n8289\tThis is a particularly toxic little bonbon , palatable to only a chosen and very jaundiced few .\n8290\tThis is n't just the CliffsNotes version of Nicholas Nickleby , it 's the CliffsNotes with pages missing .\n8291\tConsidering the harsh locations and demanding stunts , this must have been a difficult shoot , but the movie proves rough going for the audience as well .\n8292\tBetter at putting you to sleep than a sound machine .\n8293\tSo clichéd that , at one point , they literally upset an apple cart .\n8294\tIt 's a decent glimpse into a time period , and an outcast , that is no longer accessible , but it does n't necessarily shed more light on its subject than the popular predecessor .\n8295\tIt might be the first sci-fi comedy that could benefit from a Three 's Company-style laugh track .\n8296\tWhen the plot kicks in , the film loses credibility .\n8297\tCredibility sinks into a mire of sentiment .\n8298\tThe movie takes itself too seriously and , as a result , it makes for only intermittent fun .\n8299\t-LRB- Davis -RRB- has a bright , chipper style that keeps things moving , while never quite managing to connect her wish-fulfilling characters to the human race .\n8300\tDoes n't amount to much of anything .\n8301\tBullock 's complete lack of focus and ability quickly derails the film\n8302\tSo stupid , so ill-conceived , so badly drawn , it created whole new levels of ugly .\n8303\tThe truth is that The Truth About Charlie gets increasingly tiresome .\n8304\tEnduring love but exhausting cinema .\n8305\tSome of Seagal 's action pictures are guilty pleasures , but this one is so formulaic that it seems to be on auto-pilot .\n8306\tA ponderous meditation on love that feels significantly longer than its relatively scant 97 minutes .\n8307\tA long-winded and stagy session of romantic contrivances that never really gels like the shrewd feminist fairy tale it could have been .\n8308\tA little too pat for its own good .\n8309\tThere are films that try the patience of even the most cinema-besotted critic -- and this was one of them .\n8310\tWatching Trouble Every Day , at least if you do n't know what 's coming , is like biting into what looks like a juicy , delicious plum on a hot summer day and coming away with your mouth full of rotten pulp and living worms .\n8311\tWell-intentioned though it may be , its soap-opera morality tales have the antiseptic , preprogrammed feel of an after-school special .\n8312\tWhat would Jesus do if He was a film director ?\n8313\tHe 'd create a movie better than this .\n8314\tWhen a set of pre-shooting guidelines a director came up with for his actors turns out to be cleverer , better written and of considerable more interest than the finished film , that 's a bad sign .\n8315\tA very bad sign .\n8316\tIt 's a deeply serious movie that cares passionately about its subject , but too often becomes ponderous in its teaching of history , or lost in the intricate connections and multiple timelines of its story .\n8317\tCa n't kick about the assembled talent and the Russos show genuine promise as comic filmmakers .\n8318\tStill , this thing feels flimsy and ephemeral .\n8319\tDiane Lane shines in Unfaithful .\n8320\tAlmost everything else is wan .\n8321\tI 'm afraid you wo n't get through this frankly fantastical by-the-numbers B-flick with just a suspension of disbelief .\n8322\tRather , you 'll have to wrestle disbelief to the ground and then apply the chloroform-soaked handkerchief .\n8323\tSo relentlessly wholesome it made me want to swipe something .\n8324\tThe title helpfully offers the most succinct review of it you 'll read anywhere .\n8325\tThe makers of Divine Secrets of the Ya-Ya Sisterhood should offer a free ticket -LRB- second prize , of course , two free tickets -RRB- to anyone who can locate a genuinely honest moment in their movie .\n8326\tGod help the poor woman if Attal is this insecure in real life : his fictional Yvan 's neuroses are aggravating enough to exhaust the patience of even the most understanding spouse .\n8327\tLet 's cut to the consumer-advice bottom line : Stay home .\n8328\tUndercover Brother does n't go far enough .\n8329\tIt 's just a silly black genre spoof .\n8330\tThe film 's implicit premise is that the faith of the Tonga people is in every way inferior to that of John .\n8331\tRates an ` E ' for effort -- and a ` B ' for boring .\n8332\tYou 've already seen Heartbreak if you 've watched the far superior Nurse Betty or Sunset Boulevard .\n8333\tEven the unwatchable Soapdish is more original .\n8334\tPlays like one of those conversations that Comic Book Guy on `` The Simpsons '' has .\n8335\tA journey that 's too random and inconclusive to be compelling , but which Hoffman 's brilliance almost makes worth taking .\n8336\tThe movie bounces all over the map .\n8337\tBut buying into sham truths and routine `` indie '' filmmaking , Freundlich has made just another safe movie .\n8338\tIt 's not horrible , just horribly mediocre .\n8339\tNot always too whimsical for its own good -LRB- but enough to do harm -RRB- , this strange hybrid of crime thriller , quirky character study , third-rate romance and female empowerment fantasy never really finds the tonal or thematic glue it needs .\n8340\t`` Juwanna Mann ? ''\n8341\tNo thanks .\n8342\tWewannour money back , actually .\n8343\tIt 's a sometimes interesting remake that does n't compare to the brilliant original .\n8344\tYou 're too conscious of the effort it takes to be this spontaneous .\n8345\tFeel bad for King , who 's honestly trying , and Schwartzman , who 's shot himself in the foot .\n8346\tSome actors steal scenes .\n8347\tTom Green just gives them a bad odor .\n8348\tThis self-infatuated goofball is far from the only thing wrong with the clumsy comedy Stealing Harvard , but he 's the most obvious one .\n8349\tSometimes , fond memories should stay in the past : a lesson this film teaches all too well .\n8350\tThe enormous comic potential of an oafish idiot impersonating an aristocrat remains sadly unrealized .\n8351\tBegins as a promising meditation on one of America 's most durable obsessions but winds up as a slender cinematic stunt .\n8352\tA monster combat thriller as impersonal in its relentlessness as the videogame series that inspired it .\n8353\tProof that a thriller can be sleekly shot , expertly cast , paced with crisp professionalism ... and still be a letdown if its twists and turns hold no more surprise than yesterday 's weather report .\n8354\tThe reason we keep seeing the same movie with roughly the same people every year is because so many of us keep going and then , out of embarrassment or stupidity , not warning anyone .\n8355\tThere 's not much going on in this movie unless you simply decide to buy into the notion that something inexplicably strange once happened in Point Pleasant .\n8356\tIn the second half of the film , Frei 's control loosens in direct proportion to the amount of screen time he gives Nachtwey for self-analysis .\n8357\tDirector Barry Skolnick and his screenwriters glibly tick off every point of `` The Longest Yard '' playbook like a checklist .\n8358\tThe furious coherence that -LRB- DeNiro -RRB- brings to this part only underscores the fuzzy sentimentality of the movie itself , which feels , as it plods toward the end , less like a movie than like the filmed reading of a script in need of polishing .\n8359\tOh , it 's extreme , all right .\n8360\tExtremely dumb .\n8361\tExtremely confusing .\n8362\tExtremely boring .\n8363\tWe never really feel involved with the story , as all of its ideas remain just that : abstract ideas .\n8364\tFor a shoot - 'em - up , Ballistic is oddly lifeless .\n8365\tOne minute , you think you 're watching a serious actioner ; the next , it 's as though clips from The Pink Panther Strikes Again and\\/or Sailor Moon have been spliced in .\n8366\tWhat happened with Pluto Nash ?\n8367\tHow did it ever get made ?\n8368\tWe may never think of band camp as a geeky or nerdy thing again .\n8369\tOpens as promising as any war\\/adventure film you 'll ever see and dissolves into a routine courtroom drama , better suited for a movie titled `` Glory : A Soldier 's Story . ''\n8370\tThe result is solemn and horrifying , yet strangely detached .\n8371\tThese spiders can outrun a motorcycle and wrap a person in a sticky cocoon in seconds , but they fall short of being interesting or entertaining .\n8372\tA long slog for anyone but the most committed Pokemon fan .\n8373\tMatthew McConaughey tries , and fails , to control the screen with swaggering machismo and over-the-top lunacy .\n8374\tHow on earth , or anywhere else , did director Ron Underwood manage to blow $ 100 million on this ?\n8375\tEveryone connected to this movie seems to be part of an insider clique , which tends to breed formulaic films rather than fresh ones .\n8376\tWith a story inspired by the tumultuous surroundings of Los Angeles , where feelings of marginalization loom for every dreamer with a burst bubble , The Dogwalker has a few characters and ideas , but it never manages to put them on the same path .\n8377\tIts lack of quality earns it a place alongside those other two recent Dumas botch-jobs , The Man in the Iron Mask and The Musketeer .\n8378\tA benign but forgettable sci-fi diversion .\n8379\tThe plot grinds on with yawn-provoking dullness .\n8380\tIt 's never a good sign when a film 's star spends the entirety of the film in a coma .\n8381\tIt 's a worse sign when you begin to envy her condition .\n8382\tIt does n't help that the director and cinematographer Stephen Kazmierski shoot on grungy video , giving the whole thing a dirty , tasteless feel .\n8383\tDesperately unfunny when it tries to makes us laugh and desperately unsuspenseful when it tries to make us jump out of our seats .\n8384\tThis film 's relationship to actual tension is the same as what Christmas-tree flocking in a spray can is to actual snow : a poor -- if durable -- imitation .\n8385\tJohn McTiernan 's botched remake may be subtler than Norman Jewison 's 1975 ultraviolent futuristic corporate-sports saga .\n8386\tIt 's also stupider .\n8387\tDirector Dirk Shafer and co-writer Greg Hinton ride the dubious divide where gay porn reaches for serious drama .\n8388\tBorrows from so many literary and cinematic sources that this future world feels absolutely deja vu .\n8389\tAs -LRB- the characters -RRB- get more depressed , the story gets more tiresome , especially as it continues to mount a conspicuous effort to be profound .\n8390\tThe acting by the over-25s lacks spark , with Csokas particularly unconnected .\n8391\tThough Howard demonstrates a great eye as a director , this Southern Gothic drama is sadly a tough sit , with an undeveloped narrative and enough flashbacks and heavy-handed metaphors to choke a horse -- or at least slow him down to a canter .\n8392\tFalters when it takes itself too seriously and when it depends too heavily on its otherwise talented cast to clown in situations that are n't funny .\n8393\tThe fight scenes are fun , but it grows tedious .\n8394\tAnyone who can count to five -LRB- the film 's target market ? -RRB-\n8395\tcan see where this dumbed-down concoction is going .\n8396\tAll this turns out to be neither funny nor provocative - only dull .\n8397\tDemme 's loose approach kills the suspense .\n8398\tThis idea has lost its originality ... and neither star appears very excited at rehashing what was basically a one-joke picture .\n8399\t-LRB- Plays -RRB- in broad outline as pandering middle-age buddy-comedy .\n8400\tThe film is itself a sort of cinematic high crime , one that brings military courtroom dramas down very , very low .\n8401\tNothing more than a mediocre trifle .\n8402\tA turgid little history lesson , humourless and dull .\n8403\tToo silly to be frightening , too stolid to be funny , it projects the same lazy affability as its nominal star , David Arquette .\n8404\tIf Kaufman kept Cameron Diaz a prisoner in a cage with her ape , in his latest , he 'd have them mate .\n8405\tTrivial where it should be profound , and hyper-cliched where it should be sincere .\n8406\tIt would be hard to think of a recent movie that has worked this hard to achieve this little fun .\n8407\tTheology aside , why put someone who ultimately does n't learn at the center of a kids ' story ?\n8408\tAll that -LRB- Powerpuff Girls -RRB- charm is present in the movie , but it 's spread too thin .\n8409\tSometimes smart but more often sophomoric .\n8410\tThe ill-conceived modern-day ending falls flat where it should deliver a moral punch .\n8411\tCollateral Damage is , despite its alleged provocation post-9 \\/ 11 , an antique , in the end .\n8412\tAs are its star , its attitude and its obliviousness .\n8413\tDawdles and drags when it should pop ; it does n't even have the virtue of enough mindless violence to break up the tedium of all its generational bonding .\n8414\tIts save-the-planet message clashes with its crass marketing .\n8415\tA great idea becomes a not-great movie .\n8416\t... watching this film nearly provoked me to take my own life .\n8417\tAnd if The Hours wins ` Best Picture ' I just might .\n8418\tBy the end , I was looking for something hard with which to bludgeon myself unconscious .\n8419\tNot a movie but a live-action agitprop cartoon so shameless and coarse , it 's almost funny .\n8420\tFeels like six different movies fighting each other for attention .\n8421\tLife is a crock -- or something like it .\n8422\tMade by jackasses for jackasses .\n8423\tDespite a powerful portrayal by Binoche , it 's a period romance that suffers from an overly deliberate pace and uneven narrative momentum .\n8424\tThe picture is a primer on what happens when lack of know-how mixes with lack of give-a-damn .\n8425\tBartleby is a one-joke movie , and a bad joke at that .\n8426\tGiven that both movies expect us to root for convicted violent felons over those assigned to protect us from same , we need every bit of sympathy the cons can muster ; this time , there is n't much .\n8427\tA bravura exercise in emptiness .\n8428\tPhilip K. Dick must be turning in his grave , along with my stomach .\n8429\tDespite the premise of a good story ... it wastes all its star power on cliched or meaningless roles .\n8430\tAll prints of this film should be sent to and buried on Pluto .\n8431\tNot only does the movie fail to make us part of its reality , it fails the most basic relevancy test as well .\n8432\tFirst good , then bothersome .\n8433\tExcellent acting and direction .\n8434\tThis goofy gangster yarn never really elevates itself from being yet another earnestly generic crime-busting comic vehicle -- a well-intentioned remake that shows some spunk and promise but fails to register as anything distinctive or daring\n8435\tIt 's difficult to say whether The Tuxedo is more boring or embarrassing -- I 'm prepared to call it a draw .\n8436\tEven as lame horror flicks go , this is lame .\n8437\tSo routine , familiar and predictable , it raises the possibility that it wrote itself as a newly automated Final Draft computer program .\n8438\tSunshine State lacks the kind of dynamic that Limbo offers , and in some ways is a rather indulgent piece .\n8439\tEven legends like Alfred Hitchcock and John Huston occasionally directed trifles ... so it 's no surprise to see a world-class filmmaker like Zhang Yimou behind the camera for a yarn that 's ultimately rather inconsequential .\n8440\tA long-winded , predictable scenario .\n8441\tToo close to Phantom Menace for comfort .\n8442\tAlthough trying to balance self-referential humor and a normal ol' slasher plot seemed like a decent endeavor , the result does n't fully satisfy either the die-hard Jason fans or those who can take a good joke .\n8443\tToo clunky and too busy ribbing itself to be truly entertaining .\n8444\tThis movie is about lying , cheating , but loving the friends you betray .\n8445\tIt smacks of purely commercial motivation , with no great love for the original .\n8446\tMelanie eventually slugs the Yankee .\n8447\tToo bad the former Murphy Brown does n't pop Reese back .\n8448\tAt the bottom rung of the series ' entries .\n8449\tA real clunker .\n8450\tA well-made , thoughtful , well-acted clunker , but a clunker nonetheless .\n8451\tA dreary rip-off of Goodfellas that serves as a muddled and offensive cautionary tale for Hispanic Americans .\n8452\tThe picture , scored by a perversely cheerful Marcus Miller accordion\\/harmonica\\/banjo abomination , is a monument to bad in all its florid variety .\n8453\tGood for a few unintentional laughs , `` Extreme Ops '' was obviously made for the `` XXX '' crowd , people who enjoy mindless action without the benefit of decent acting , writing , and direction .\n8454\t... a big , baggy , sprawling carnival of a movie , stretching out before us with little rhyme or reason .\n8455\tA frustrating combination of strained humor and heavy-handed sentimentality .\n8456\tLawrence preaches strictly to the converted .\n8457\tAs written by Michael Berg and Michael J. Wilson from a story by Wilson , this relentless , all-wise-guys-all-the-time approach tries way too hard and gets tiring in no time at all .\n8458\tWill probably stay in the shadow of its two older , more accessible Qatsi siblings .\n8459\tJust when the movie seems confident enough to handle subtlety , it dives into soapy bathos .\n8460\tChoppy editing and too many repetitive scenes spoil what could have been an important documentary about stand-up comedy .\n8461\t... the film falls back on the same old formula of teen sex , outrageous pranks and scenes designed to push the envelope of bad taste for laughs .\n8462\tThe only thing in Pauline and Paulette that you have n't seen before is a scene featuring a football field-sized Oriental rug crafted out of millions of vibrant flowers .\n8463\tIf you 're looking for comedy to be served up , better look elsewhere .\n8464\tIt virtually defines a comedy that 's strongly mediocre , with funny bits surfacing every once in a while .\n8465\tAn instant candidate for worst movie of the year .\n8466\tDespite its title , Amy 's Orgasm is not a porno , though it is as tedious as one .\n8467\tLike a tone-deaf singer at a benefit concert , John Q. is a bad movie appearing on behalf of a good cause .\n8468\tAdam Sandler is to Gary Cooper what a gnat is to a racehorse .\n8469\tWhat kids will discover is a new collectible .\n8470\tWhat parents will suspect is that they 're watching a 76-minute commercial .\n8471\tBeers , who , when she 's given the right lines , can charm the paint off the wall ... -LRB- but -RRB- the script goes wrong at several key junctures .\n8472\tWithout September 11 , Collateral Damage would have been just another bad movie .\n8473\tNow it 's a bad , embarrassing movie .\n8474\tDrags along in a dazed and enervated , drenched-in-the - past numbness .\n8475\tThere 's a disturbing ` Great White Hope ' undertone to The Other Side of Heaven that subtly undermines its message of Christian love and compassion .\n8476\tUnless you are in dire need of a Diesel fix , there is no real reason to see it .\n8477\tWait for video -- and then do n't rent it .\n8478\tThe attempt is courageous , even if the result is wildly uneven .\n8479\tThere 's something fundamental missing from this story : something or someone to care about .\n8480\tToo much of this well-acted but dangerously slow thriller feels like a preamble to a bigger , more complicated story , one that never materializes .\n8481\tWhen a film is created SOLELY because it 's a marketable product , soulless and ugly movies like this are the result .\n8482\tLet your silly childhood nostalgia slumber unmolested .\n8483\tUnfortunately , Heartbreak Hospital wants to convey the same kind of haughtiness in its own sketchy material but this territory has already been explored previously with better aplomb and sardonic wit .\n8484\tThe more Kevin Costner rests on his pretty-boy laurels , the public is , regrettably , going to have tepid films like Dragonfly tossed at them .\n8485\t-LRB- It 's -RRB- difficult to get beyond the overall blandness of American Chai , despite its likable performances and refreshingly naive point of view .\n8486\tThe latest installment in the Pokemon canon , Pokemon 4ever is surprising less moldy and trite than the last two , likely because much of the Japanese anime is set in a scenic forest where Pokemon graze in peace .\n8487\tTaken purely as an exercise in style , this oppressively gloomy techno-horror clambake is impossible to ignore .\n8488\tBut as a movie , it 's a humorless , disjointed mess .\n8489\tIf Myers decides to make another Austin Powers movie , maybe he should just stick with Austin and Dr Evil .\n8490\tThe backyard battles you staged with your green plastic army men were more exciting and almost certainly made more sense .\n8491\tToo stupid to be satire , too obviously hateful to be classified otherwise , Frank Novak 's irritating slice of lumpen life is as reliably soul-killing as its title is nearly meaningless .\n8492\tOverly stylized with lots of flash black - & - white freeze frames reminiscent of a pseudo-hip luxury car commercial , -LRB- it 's -RRB- at its worst when it 's actually inside the ring .\n8493\tWhat is captured during the conceptual process does n't add up to a sufficient explanation of what the final dance work , The Selection , became in its final form .\n8494\tIf this is satire , it 's the smug and self-congratulatory kind that lets the audience completely off the hook .\n8495\tHad the film boasted a clearer , more memorable , the creepiness would have gotten under the skin .\n8496\tThese people would n't know subtle characterization if it put on a giant furry monster costume and then gave them a lapdance .\n8497\tImagine if you will a Tony Hawk skating video interspliced with footage from Behind Enemy Lines and set to Jersey shore techno .\n8498\tIt does n't quite work , but there 's enough here to make us look forward to the Russos ' next offering .\n8499\tAny film featuring young children threatened by a terrorist bomb can no longer pass as mere entertainment .\n8500\tThe director 's twitchy sketchbook style and adroit perspective shifts grow wearisome amid leaden pacing and indifferent craftsmanship -LRB- most notably wretched sound design -RRB- .\n8501\tAbout as satisfying and predictable as the fare at your local drive through .\n8502\tApparently kissing leads to suicide attempts and tragic deaths .\n8503\tMarisa Tomei is good , but Just A Kiss is just a mess .\n8504\tOpens at a funeral , ends on the protagonist 's death bed and does n't get much livelier in the three hours in between .\n8505\tThe noble tradition of men in drag hits an all-time low in Sorority Boys , whose makers apparently believe that women 's clothing can cover up any deficiency in acting , writing or direction .\n8506\tTo portray modern women the way director Davis has done is just unthinkable .\n8507\tToo simple for its own good .\n8508\tFlaccid drama and exasperatingly slow journey .\n8509\tA chaotic panorama that 's too busy flying a lot of metaphoric flags .\n8510\tSuffers from rambling , repetitive dialogue and the visual drabness endemic to digital video .\n8511\tThe screenplay sabotages the movie 's strengths at almost every juncture .\n8512\tAll the characters are stereotypes , and their interaction is numbingly predictable .\n8513\tA trashy , exploitative , thoroughly unpleasant experience .\n8514\tNewcomer helmer Kevin Donovan is hamstrung by a badly handled screenplay of what is really an amusing concept -- a high-tech tux that transforms its wearer into a superman .\n8515\tShould n't have been allowed to use the word `` new '' in its title , because there 's not an original character , siuation or joke in the entire movie .\n8516\tOften silly -- and gross -- but it 's rarely as moronic as some campus gross-out films .\n8517\tThe advantage of a postapocalyptic setting is that it can be made on the cheap .\n8518\tAny rock pile will do for a set .\n8519\tReign of Fire has the disadvantage of also looking cheap .\n8520\tThe performances are so leaden , Michael Rymer 's direction is so bloodless and the dialogue is so corny that the audience laughs out loud .\n8521\tA subtle variation on I Spit On Your Grave in which our purported heroine pathologically avenges a hatred for men .\n8522\tReggio 's trippy , ambitious downer can also sometimes come across like nothing more than a glorified Nike ad .\n8523\tAs Tweedy talks about canning his stockbroker and repairing his pool , you yearn for a few airborne TV sets or nude groupies on the nod to liven things up .\n8524\tIf somebody was bored and ... decided to make a dull , pretentious version of Jesus ' Son , they 'd come up with something like Bart Freundlich 's World Traveler .\n8525\tThe best you can say about it is it 's so uninspired , it barely gives one pause when considering some of the other dreck out there right now .\n8526\tA tough go , but Leigh 's depth and rigor , and his skill at inspiring accomplished portrayals that are all the more impressive for their lack of showiness , offsets to a notable degree the film 's often-mined and despairing milieu .\n8527\tAn overstuffed compendium of teen-Catholic-movie dogma .\n8528\tToo leisurely paced and visually drab for its own good , it succeeds in being only sporadically amusing .\n8529\tBen Affleck as Jack Ryan , Tom Clancy 's intrepid hero ?\n8530\tRidiculous .\n8531\tWhat 's next ?\n8532\tD.J. Qualls as Indiana Jones ?\n8533\tOr Tom Green as Han Solo ?\n8534\tThe movie 's biggest offense is its complete and utter lack of tension .\n8535\tThe film is directed by Wally Wolodarsky from a script by Joe Jarvis and Greg Coolidge .\n8536\tThese are names to remember , in order to avoid them in the future .\n8537\tIf this is the resurrection of the Halloween franchise , it would have been better off dead .\n8538\tThis formulaic chiller will do little to boost Stallone 's career .\n8539\tI saw Knockaround Guys yesterday , and already the details have faded like photographs from the Spanish-American War ... It 's so unmemorable that it turned my ballpoint notes to invisible ink .\n8540\tThough Avary has done his best to make something out of Ellis ' nothing novel , in the end , his Rules is barely worth following .\n8541\tThe average local news columnist has a bigger rant on the war between modern landscape architecture and small-town America .\n8542\tNo worse than a lot of the crap we 've been offered this summer , and slightly better than Men in Black 2 as far as slapdash extraterrestrial comedies go .\n8543\tThe plot is so predictable and sentimental that viewers are likely to lose interest before Sandrine and her goats walk off into the sunset .\n8544\tAt first , the sight of a blind man directing a film is hilarious , but as the film goes on , the joke wears thin .\n8545\tNever Again swings between false sentiment and unfunny madcap comedy and , along the way , expects the audience to invest in the central relationship as some kind of marriage of true minds .\n8546\tthe story itself is uninteresting , and the songs are painfully undistinguished : They Might Be Giants ' So to Be One of Us may be the most tuneless tune ever composed .\n8547\tTechnically , the film is about as interesting as an insurance commercial .\n8548\tThe title 's lameness should clue you in on how bad the movie is .\n8549\tThe parts are better than the whole -LRB- bizarre , funny , tragic - like love in New York -RRB- .\n8550\tWhile the film shuns the glamour or glitz that an American movie might demand , Scherfig tosses us a romantic scenario that is just as simplistic as a Hollywood production .\n8551\tThe humor is hinged on the belief that knees in the crotch , elbows in the face and spit in the eye are inherently funny .\n8552\tIt 's a movie forged in the fires of Chick Flick Hell .\n8553\tIts characters are thinner than cardboard -- or even comic-book paper .\n8554\tAny one episode of The Sopranos would send this ill-conceived folly to sleep with the fishes .\n8555\tFeels like the grittiest movie that was ever made for the Lifetime cable television network .\n8556\tLanie 's professional success means she must be a failure at life , because she 's driven by ambition and Does n't Know How to Have Fun .\n8557\tCredit must be given to Harland Williams , Michael Rosenbaum and Barry Watson , who inject far more good-natured spirit and talent into this project than it deserves\n8558\tDenzel Washington 's efforts are sunk by all the sanctimony .\n8559\tIf this holiday movie is supposed to be a gift , somebody unwrapped it early , took out all the good stuff , and left behind the crap -LRB- literally -RRB- .\n8560\tSo faithful to the doldrums of the not-quite-urban , not-quite-suburban milieu as to have viewers recoiling from the reality check .\n8561\tRambles on in a disjointed , substandard fashion from one poorly executed action sequence to the next .\n8562\tThere 's an audience for it , but it could have been funnier and more innocent .\n8563\tI can only imagine one thing worse than Kevin Spacey trying on an Irish accent , and that 's sultry Linda Fiorentino doing the same thing .\n8564\tAn awkward and indigestible movie .\n8565\tThe movie has very little to offer besides unintentional laughs .\n8566\tHaneke keeps us at arm 's length .\n8567\tGuided more by intellect than heart , his story flattens instead of sharpens .\n8568\tAll the well-meaningness in the world ca n't erase the fact that The Believer feels like a 12-Step Program for the Jewish Nazi .\n8569\tLike most sequels , it takes what worked last time , repeats it and adds more characters , more stunts , more stuff in attempt to camouflage its sameness .\n8570\tThere 's no way to sort out the mess in our heads and deconstruct where it all went wrong .\n8571\tThis is an hour and a half of daydreaming .\n8572\tMessage movie or an action-packed submarine spectacular ?\n8573\tAlas , it 's neither .\n8574\tNo movement , no yuks , not much of anything .\n8575\t` Dragonfly ' is a movie about a bus wreck that turns into a film wreck .\n8576\tThirty years ago , it would have been groundbreaking .\n8577\tNow it 's just tired .\n8578\tHeavy-handed exercise in time-vaulting literary pretension .\n8579\tThe movie is too cute to take itself too seriously , but it still feels like it was made by some very stoned college students .\n8580\tA thinly veiled excuse for Wilson to play his self-deprecating act against Murphy 's well-honed prima donna shtick .\n8581\tA minor picture with a major identity crisis -- it 's sort of true and it 's sort of bogus and it 's ho-hum all the way through .\n8582\tThe movie succumbs to being nothing more than a formulaic chase in the dark .\n8583\tPlays as hollow catharsis , with lots of tears but very little in the way of insights .\n8584\tIt will come as no surprise that the movie is n't scary .\n8585\tBut here 's the real damn : It is n't funny , either .\n8586\tQuick : who wants to see a comedy about shoddy airport security ?\n8587\tThe reason I found myself finally unmoved by this film , which is immaculately produced and has serious things to say , is that it comes across rather too plainly as allegory .\n8588\tWhat you get with Empire is a movie you 've seen many times before , repackaged as new material because there is a Latino in the lead .\n8589\tCho 's fans are sure to be entertained ; it 's only fair in the interest of full disclosure to say that -- on the basis of this film alone -- I 'm not one of them .\n8590\tLooks awfully like one long tourist spot for a Mississippi that may never have existed outside of a scriptwriter 's imagination .\n8591\tThe period -- swinging London in the time of the mods and the rockers -- gets the once-over once again in Gangster No. 1 , but falls apart long before the end .\n8592\tHigh Crimes miscasts nearly every leading character .\n8593\tThe overall feel of the film is pretty cheesy , but there 's still a real sense that the Star Trek tradition has been honored as best it can , given the embarrassing script and weak direction .\n8594\tDe Niro looks bored , Murphy recycles Murphy , and you mentally add Showtime to the pile of Hollywood dreck that represents nothing more than the art of the deal .\n8595\tI did n't believe for a moment in these villains or their plot .\n8596\tAnother rent installment for the Ian Fleming estate .\n8597\tWith Danilo Donati 's witty designs and Dante Spinotti 's luscious cinematography , this might have made a decent children 's movie -- if only Benigni had n't insisted on casting himself in the title role .\n8598\tSo lazy and slipshod it confuses the mere flashing of kinky soft-core imagery with naughty fun .\n8599\tThough it draws several decent laughs , it 's low-cal Woody at best .\n8600\tHas little on its mind aside from scoring points with drag gags .\n8601\tBritney 's performance can not be faulted .\n8602\tLucy 's a dull girl , that 's all .\n8603\tWell-shot but badly written tale set in a future ravaged by dragons .\n8604\tSadly , Hewitt 's forte is leaning forward while wearing low-cut gowns , not making snappy comebacks .\n8605\tIf Melville is creatively a great whale , this film is canned tuna .\n8606\tThis film is so slick , superficial and trend-hoppy , that it 's easy to imagine that a new software program spit out the screenplay .\n8607\tJust one more collection of penis , breast and flatulence gags in search of a story .\n8608\tOr a profit .\n8609\tOr some damn thing .\n8610\tThe acting is stiff , the story lacks all trace of wit , the sets look like they were borrowed from Gilligan 's Island -- and the CGI Scooby might well be the worst special-effects creation of the year .\n8611\tEnough trivializes an important crisis , reduces it to an almost comic embarrassment .\n8612\tThe makers have forsaken the entertaining elements of the original and , instead , rehash old jokes and leave any life at the doorstep .\n8613\tI like Frank the Pug , though .\n8614\tA restrained Ribisi convinces as an Italian , though if ever a movie needed one of the actor 's whiny jags to pump it up , this has to be among the rare ones .\n8615\tGee , a second assassin shot Kennedy ?\n8616\tMoot point .\n8617\tA hysterical yet humorless disquisition on the thin line between sucking face and literally sucking face .\n8618\tNeedless to say , the dramatics that follow are utter hooey .\n8619\tThe problem is that rather than dramatizing this premise , Mr. Desplechin is content to state it .\n8620\tMadonna still ca n't act a lick .\n8621\tEven the imaginative gore ca n't hide the musty scent of Todd Farmer 's screenplay , which is a simple retread of the 1979 Alien , with a plucky heroine battling a monster loose in a spaceship .\n8622\tIf you pitch your expectations at an all time low , you could do worse than this oddly cheerful -- but not particularly funny -- body-switching farce .\n8623\tThe episodic film makes valid points about the depersonalization of modern life .\n8624\tBut the characters tend to be cliches whose lives are never fully explored .\n8625\tSerry does a fine job of capturing the climate of the times and , perhaps unwittingly , relating it to what is happening in America in 2002 .\n8626\tBut hard-to-believe plot twists force the movie off track in its final half hour .\n8627\tDo n't let your festive spirit go this far .\n8628\tThough the book runs only about 300 pages , it is so densely packed ... that even an ambitious adaptation and elaborate production like Mr. Schepisi 's seems skimpy and unclear .\n8629\tHey , at least the title of this film lets you know exactly where it 's heading .\n8630\tIntended to be a comedy about relationships , this wretched work falls flat in just about every conceivable area .\n8631\tSensitive though not quite revelatory documentary .\n8632\tDirector Brian Levant , who never strays far from his sitcom roots , skates blithely from one implausible situation to another , pausing only to tie up loose ends with more bows than you 'll find on a French poodle .\n8633\t... perhaps the heaviest , most joyless movie ever made about giant dragons taking over the world .\n8634\tSuggests puns about ingredients and soup and somebody being off their noodle , but let 's just say the ingredients do n't quite add up to a meal .\n8635\tI 'd give real money to see the perpetrators of Chicago torn apart by dingoes .\n8636\tMovies like this are selling the old European candor , the old wink of ` bold ' revelation .\n8637\tBut in 2002 , such revelations wilt .\n8638\tThe timing in nearly every scene seems a half beat off .\n8639\tI admire it and yet can not recommend it , because it overstays its natural running time .\n8640\tA fairly by-the-books blend of action and romance with sprinklings of intentional and unintentional comedy .\n8641\tFlounders due to the general sense that no two people working on the production had exactly the same thing in mind .\n8642\tEven if you feel like you 've seen this movie a thousand times before , it is kind of enjoyable thanks mainly to Belushi 's easy-going likableness .\n8643\tThe story bogs down in a mess of purposeless violence .\n8644\tDespite some gulps the film is a fuzzy huggy .\n8645\tMcKay deflates his piece of puffery with a sour cliche and heavy doses of mean-spiritedness\n8646\tA recipe for cinematic disaster ... part Quentin Tarantino , part Guy Ritchie , and part 1960s spy spoof , it 's all bad .\n8647\tThe cumulative effect of the relentless horror on parade numbs the movie 's power as a work of drama .\n8648\tAnother big , dumb action movie in the vein of XXX , The Transporter is riddled with plot holes big enough for its titular hero to drive his sleek black BMW through .\n8649\tAaliyah rarely dampens her diva persona enough to spark genuine chemistry with Townsend .\n8650\tWhen she speaks , her creepy Egyptian demigod voice is as computer processed and overproduced as it was in her music .\n8651\tOutrageousness is all Plympton seemed to be going for this time .\n8652\tWe miss the quirky amazement that used to come along for an integral part of the ride .\n8653\tMuch of what is meant to be ` inspirational ' and ` uplifting ' is simply distasteful to audiences not already sharing -LRB- the movie 's -RRB- mindset .\n8654\tWell before it 's over , Beijing Bicycle begins spinning its wheels .\n8655\tHome Alone goes Hollywood , a funny premise until the kids start pulling off stunts not even Steven Spielberg would know how to do .\n8656\tBesides , real movie producers are n't this nice .\n8657\t-LRB- Nelson 's -RRB- movie about morally compromised figures leaves viewers feeling compromised , unable to find their way out of the fog and the ashes .\n8658\tPassion , lip-synching , tragedy , and lots of really really high notes .\n8659\tFor me , this opera is n't a favorite , so it 's a long time before the fat lady sings .\n8660\tLooks like a high school film project completed the day before it was due .\n8661\tTruth to tell , if you 've seen more than half-a-dozen horror films , there 's nothing here you have n't seen before .\n8662\tAbandons all pretense of creating historical context and waltzes off into a hectic soap about the ups and downs of the heavy breathing between the two artists .\n8663\tEven die-hard fans of Japanese animation ... will find this one a challenge .\n8664\tFilmmakers have to dig deep to sink this low .\n8665\tFortunately for all involved , this movie is likely to disappear as quickly as an ice cube thrown into a pot of boiling water .\n8666\tThe movie gets muted and routine .\n8667\tThe issue of faith is not explored very deeply\n8668\tIt 's a bad sign when you 're rooting for the film to hurry up and get to its subjects ' deaths just so the documentary will be over , but it 's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest .\n8669\tThe situations and jokes are as predictable and as lowbrow as the endless pratfalls the boys take in their high heels .\n8670\tIt 's frustrating to see these guys -- who are obviously pretty clever -- waste their talent on parodies of things they probably thought were funniest when they were high .\n8671\tI was perplexed to watch it unfold with an astonishing lack of passion or uniqueness .\n8672\tK-19 may not hold a lot of water as a submarine epic , but it holds even less when it turns into an elegiacally soggy Saving Private Ryanovich .\n8673\tA very stylish but ultimately extremely silly tale ... a slick piece of nonsense but nothing more .\n8674\tAutomatically pegs itself for the straight-to-video sci-fi rental shelf .\n8675\tThe film is like a series of beginnings and middles that never take off .\n8676\tFeels less like it 's about teenagers , than it was written by teenagers .\n8677\tJa Rule and Kurupt should have gotten to rap .\n8678\tIt would have benefitted the dialogue .\n8679\tA standard haunted house tale transplanted to the high seas .\n8680\tElicits more groans from the audience than Jar Jar Binks , Scrappy Doo and Scooby Dumb , all wrapped up into one .\n8681\tIt 's badly acted , blandly directed , and could have been scripted by someone who just graduated from elementary school .\n8682\tIn the end , White Oleander is n't an adaptation of a novel .\n8683\tIt 's a flashy , star-splashed reduction .\n8684\tThis film , starring Anthony Hopkins and Chris Rock , is your typical ` fish out of water ' story .\n8685\tYou 've seen them a million times .\n8686\tJust one problem : Fish out of water usually die .\n8687\tThis one does .\n8688\tThe angst-ridden , affluent slacker characters are more grating than engaging .\n8689\tA soggy , shapeless mess ... just a dumb excuse for a waterlogged equivalent of a haunted-house movie .\n8690\tMen in Black II has sequel-itis something fierce .\n8691\tAn ungainly , comedy-deficient , B-movie rush job ...\n8692\tA combination of standard , stiff TV-style animation and snazzy-looking digital effects that do little to disguise the fact that the characters barely move .\n8693\tAn unsatisfying hybrid of Blair Witch and typical stalk-and-slash fare , where the most conservative protagonist is always the last one living .\n8694\tSay this for the soundtrack , it drowns out the lousy dialogue .\n8695\tAfter seeing SWEPT AWAY , I feel sorry for Madonna .\n8696\tInstead of kicking off the intrigue and suspense and mystery of the whole thing , Hart 's War , like the St. Louis Rams in the Super Bowl , waits until after halftime to get started .\n8697\tA gob of drivel so sickly sweet , even the eager consumers of Moore 's pasteurized ditties will retch it up like rancid crème brûlée .\n8698\tMaudlin and melodramatic we expected .\n8699\tBoring we did n't .\n8700\tNever quite transcends jokester status ... and the punchline does n't live up to Barry 's dead-eyed , perfectly chilled delivery .\n8701\tThe film 's bathos often overwhelms what could have been a more multifaceted look at this interesting time and place .\n8702\tIt almost plays like Solaris , but with guns and jokes .\n8703\tA baffling misfire , and possibly the weakest movie -LRB- Woody Allen -RRB- has made in the last twenty years .\n8704\tIt wo n't be long before you 'll spy I Spy at a video store near you .\n8705\tThis film looks like it was produced in 1954 , shelved for 48 years , and repackaged for a 2002 audience .\n8706\tPropelled not by characters but by caricatures .\n8707\tThere is not an ounce of honesty in the entire production .\n8708\tThis extremely unfunny film clocks in at 80 minutes , but feels twice as long .\n8709\tEarnest but earthbound ... a slow , soggy , soporific , visually dank crime melodrama\\/character study that would be more at home on the small screen but for its stellar cast .\n8710\tThe pivotal narrative point is so ripe the film ca n't help but go soft and stinky .\n8711\tFor all its alleged youthful fire , XXX is no less subservient to Bond 's tired formula of guns , girls and gadgets while brandishing a new action hero .\n8712\tA predictable and stereotypical little B-movie .\n8713\tIf I Spy were funny -LRB- enough -RRB- or exciting -LRB- enough -RRB- then it would be fairly simple to forgive the financial extortion it 's trying to reap from the moviegoing public .\n8714\tFrustratingly , Dridi tells us nothing about El Gallo other than what emerges through his music .\n8715\tPlaces a slightly believable love triangle in a difficult-to-swallow setting , and then disappointingly moves the story into the realm of an improbable thriller .\n8716\tStephen Earnhart 's documentary is a decomposition of healthy eccentric inspiration and ambition -- wearing a cloak of unsentimental , straightforward text -- when it 's really an exercise in gross romanticization of the delusional personality type .\n8717\tA very average science fiction film .\n8718\tUndone by its overly complicated and derivative screenplay , the glacier-paced direction and the stereotypical characters .\n8719\tHow anyone over the age of 2 can stomach the touchy-feely message this preachy produce promotes is beyond us .\n8720\tThe sort of movie that gives tastelessness a bad rap .\n8721\tThe cold and dreary weather is a perfect metaphor for the movie itself , which contains few laughs and not much drama .\n8722\tThe plot is straight off the shelf , the performances are television - caliber and the message of providing solace through deception is a little creepy .\n8723\tordinary melodrama that is heavy on religious symbols but wafer-thin on dramatic substance\n8724\tA whimsical if predictable time-travel fable marred by a willful single-mindedness .\n8725\tThose who managed to avoid the Deconstructionist theorizing of French philosopher Jacques Derrida in college can now take an 85-minute brush-up course with the documentary Derrida .\n8726\tOr , you can do something fun tonight .\n8727\tJolie 's performance vanishes somewhere between her hair and her lips .\n8728\tAs with too many studio pics , plot mechanics get in the way of what should be the lighter-than-air adventure .\n8729\tStatic , repetitive , muddy and blurry , Hey Arnold !\n8730\twould seem to have a lock on the title of ugliest movie of the year .\n8731\tFor all of the contemporary post-colonialist consciousness that Kapur tries to bring to The Four Feathers , the oddest thing about the movie is how it winds up affirming the same damn moldy values the material has always held dear .\n8732\tWhen it comes to entertainment , children deserve better than Pokemon 4Ever .\n8733\tWhat The Four Feathers lacks is genuine sweep or feeling or even a character worth caring about .\n8734\tWhile Benigni -LRB- who stars and co-wrote -RRB- seems to be having a wonderful time , he might be alone in that .\n8735\tYes , 4Ever is harmless in the extreme and it 'll mute your kids for nearly 80 minutes , but why not just treat the little yard apes to the real deal and take them to Spirited Away ?\n8736\tPreposterous and tedious , Sonny is spiked with unintentional laughter that , unfortunately , occurs too infrequently to make the film even a guilty pleasure .\n8737\tCalling this movie brainless would be paying it a compliment : it 's more like entertainment for trolls .\n8738\tNone of these characters resembles anyone you 've ever met in real life , unless you happen to know annoyingly self-involved people who speak in glib sentences that could have only come from the pen of a screenwriter .\n8739\t... just a big mess of a movie , full of images and events , but no tension or surprise .\n8740\tAs elegantly crafted as it often is , Anderson 's movie is essentially a one-trick pony that , hampered by an undeveloped script , ultimately pulls up lame .\n8741\tSplashes its drama all over the screen , subjecting its audience and characters to action that feels not only manufactured , but also so false you can see the filmmakers ' puppet strings .\n8742\t... has virtually no script at all ...\n8743\tWill only satisfy those who ca n't tell the difference between the good , the bad and the ugly .\n8744\tThis kind of dark comedy requires a delicate , surgical touch .\n8745\tBut director Danny DeVito and screenwriter Adam Resnick -LRB- remember Cabin Boy ? -RRB-\n8746\tjust pound away .\n8747\tAt times , however , Dogtown and Z-Boys lapses into an insider 's lingo and mindset that the uninitiated may find hard to follow , or care about .\n8748\tRather quickly , the film falls into a soothing formula of brotherly conflict and reconciliation .\n8749\tScreenwriters Scott Abbott and Michael Petroni have turned Rice 's complex Akasha into a cartoon monster .\n8750\tThe writers , director Wally Wolodarsky , and all the actors should start their own coeducational fraternity : Kappa Rho Alpha Phi .\n8751\tBad beyond belief and ridiculous beyond description .\n8752\tThe new faces are interesting , but the old story is n't , especially when it starts to seem more improvised than scripted .\n8753\tMost of the action setups are incoherent .\n8754\tLiman , of Swingers and Go , makes his big-budget action film debut something of a clunker as he delivers a long , low-heat chase , interrupted by a middling car chase .\n8755\t... surprisingly inert for a movie in which the main character travels back and forth between epochs .\n8756\tThe problem is n't that the movie hits so close to home so much as that it hits close to home while engaging in such silliness as that snake-down-the-throat business and the inevitable shot of Schwarzenegger outrunning a fireball .\n8757\tDreary , highly annoying ... ` Some Body ' will appeal to No One .\n8758\tThere 's something deeply creepy about Never Again , a new arrow in Schaeffer 's quiver of ineptitudes .\n8759\tThe problem with concept films is that if the concept is a poor one , there 's no saving the movie .\n8760\tSorry , Charlie\n8761\tA painfully leaden film destined for pre-dawn cable television slots .\n8762\tBlessed with immense physical prowess he may well be , but Ahola is simply not an actor .\n8763\tAnd in truth , cruel as it may sound , he makes Arnold Schwarzenegger look like Spencer Tracy .\n8764\tThe cartoon that is n't really good enough to be on afternoon TV is now a movie that is n't really good enough to be in theaters .\n8765\tShocking only in that it reveals the filmmaker 's bottomless pit of self-absorption .\n8766\tThis pep-talk for faith , hope and charity does little to offend , but if saccharine earnestness were a crime , the film 's producers would be in the clink for life .\n8767\tAll ends well , sort of , but the frenzied comic moments never click .\n8768\tIf this is the Danish idea of a good time , prospective tourists might want to consider a different destination -- some jolly country embroiled in a bloody civil war , perhaps .\n8769\tFormula 51 is so trite that even Yu 's high-energy action stylings ca n't break through the stupor .\n8770\tOnly a few minutes elapse before the daddy of all slashers arrives , still with the boiler suit and white mask , which look remarkably clean for a guy who has been mass-murdering since 1978 but has never been seen doing laundry .\n8771\tWhen the painted backdrops in a movie are more alive than its characters , you know you 're in trouble .\n8772\t-LRB- Two -RRB- fairly dull -- contrasting and interlocking stories about miserable Scandinavian settlers in 18th-century Canada , and yuppie sailboaters in the here and now .\n8773\tThe film is really not so much bad as bland .\n8774\tThe central story lacks punch .\n8775\tThough Ganesh is successful in a midlevel sort of way , there 's nothing so striking or fascinating or metaphorically significant about his career as to rate two hours of our attention .\n8776\tThis may be the dumbest , sketchiest movie on record about an aspiring writer 's coming-of-age .\n8777\tSuccumbs to the same kind of maudlin , sentimental mysticism that mars the Touched by an Angel school of non-God spiritual-uplift movies .\n8778\tA harmless and mildly amusing family comedy .\n8779\tWhat was subtle and mystifying in the novella is now broad and farcical .\n8780\tThe kids often appear to be reading the lines and are incapable of conveying any emotion .\n8781\t`` Men in Black II , '' has all the earmarks of a sequel .\n8782\tThe story is less vibrant , the jokes are a little lukewarm , but will anyone really care ?\n8783\tSucking all the ` classic ' out of Robert Louis Stevenson 's Treasure Island and filling the void with sci-fi video game graphics and Disney-fied adolescent angst ...\n8784\tThis 72-minute film does have some exciting scenes , but it 's a tad slow .\n8785\tWhile Super Troopers is above Academy standards , its quintet of writers could still use some more schooling .\n8786\tA mix of velocity and idiocy , this ruinous remake lacks the brawn -- and the brains -- of the 1970s original .\n8787\tThe low-budget Full Frontal was one of the year 's murkiest , intentionally obscure and self-indulgent pictures , and Solaris is its big-budget brother .\n8788\tThe plot is very clever , but Boyd weighs it down with too many characters and events , all intertwined and far too complicated to keep track of .\n8789\tThe film seems all but destined to pop up on a television screen in the background of a scene in a future Quentin Tarantino picture\n8790\tA free-for-all of half-baked thoughts , clumsily used visual tricks and self-indulgent actor moments .\n8791\tApallingly absurd ... the chemistry or lack thereof between Newton and Wahlberg could turn an Imax theater into a 9 '' black and white portable TV .\n8792\tA well acted and well intentioned snoozer .\n8793\tThe smug , oily demeanor that Donovan adopts throughout the stupidly named Pipe Dream is just repulsive .\n8794\tMust-see viewing for anyone involved in the high-tech industry .\n8795\tOthers may find it migraine-inducing , despite Moore 's attempts at whimsy and spoon feeding .\n8796\tDespite its good nature and some genuinely funny moments , Super Troopers suffers from a bad case of arrested development .\n8797\tIt 's hard not to feel you 've just watched a feature-length video game with some really heavy back story .\n8798\tI watched the brainless insanity of No Such Thing with mounting disbelief .\n8799\tThis limp gender-bender-baller from a first-time director and rookie screenwriter steals wholesale from that 1982 's Tootsie , forgetting only to retain a single laugh .\n8800\tKwan makes the mix-and - match metaphors intriguing , while lulling us into torpor with his cultivated allergy to action .\n8801\tWhile obviously an extremely personal work , it remains inextricably stuck in an emotionally unavailable rut .\n8802\tAny movie this boring should be required to have ushers in the theater that hand you a cup of coffee every few minutes .\n8803\tLike a marathon runner trying to finish a race , you need a constant influx of liquid just to get through it .\n8804\tI loved looking at this movie .\n8805\tI just did n't care as much for the story .\n8806\tHas all the poignancy of a Hallmark card and all the comedy of a Gallagher stand-up act .\n8807\tIt does n't do the original any particular dishonor , but neither does it exude any charm or personality .\n8808\tfear dot com is so rambling and disconnected it never builds any suspense .\n8809\tA gorgeous , somnolent show that is splendidly mummified and thoroughly unsurprising .\n8810\tA semi-autobiographical film that 's so sloppily written and cast that you can not believe anyone more central to the creation of Bugsy than the caterer had anything to do with it .\n8811\tIt feels like a community theater production of a great Broadway play : Even at its best , it will never hold a candle to the original .\n8812\tThe film apparently takes place in a fantasy world where people in hotel hallways recite poetry in voice-over instead of speaking to each other .\n8813\tThe element of surprise might be the only thing Femme Fatale has going for it .\n8814\tIt 's the kind of movie you ca n't quite recommend because it is all windup and not much of a pitch , yet you ca n't bring yourself to dislike it .\n8815\tMaybe it 's asking too much , but if a movie is truly going to inspire me , I want a little more than this .\n8816\tA graceless , witless attempt at mating Some Like It Hot with the WWII espionage thriller .\n8817\tThe story and characters are nowhere near gripping enough .\n8818\tBased on a David Leavitt story , the film shares that writer 's usual blend of observant cleverness , too-facile coincidence and slightly noxious preciousness .\n8819\tJust like every other Seagal movie , only louder and without that silly ponytail .\n8820\tTo enjoy this movie 's sharp dialogue and delightful performance by Jolie and Burns , you have to gloss over the no sense ending .\n8821\tNational Lampoon 's Van Wilder could be the worst thing to come out of National Lampoon since Class Reunion\n8822\tThis is a great subject for a movie , but Hollywood has squandered the opportunity , using it as a prop for warmed-over melodrama and the kind of choreographed mayhem that director John Woo has built his career on .\n8823\tEcks this one off your must-see list .\n8824\tOverall , the film misses the brilliance of Jelinek 's novel by some way .\n8825\tIt settles for being merely grim .\n8826\tThe Irwins emerge unscathed , but the fictional footage is unconvincing and criminally badly acted .\n8827\tIt 's not thirsty , consuming passion which drives this movie .\n8828\tNo , it 's the repetition of said behavior , and so Children of the Century is more mindless love than mad , more grating and boring than anything else .\n8829\tJust because it really happened to you , honey , does n't mean that it 's interesting to anyone else .\n8830\tJust like the deli sandwich : lots of ham , lots of cheese , with a sickly sweet coating to disguise its excrescence until just after -LRB- or during -RRB- consumption of its second half .\n8831\tEvery so often a movie comes along that confirms one 's worse fears about civilization as we know it .\n8832\tThe New Guy is one of them .\n8833\tThis is n't a `` Friday '' worth waiting for .\n8834\tEverything that 's worthwhile about Collision Course can already be seen on television .\n8835\tIf this movie belonged to a sorority , it would be called Beta Alpha Delta .\n8836\tNot a cheap slasher flick , as the subject matter would suggest , but is a little like a nature film , showing a patient predator and his foolish prey .\n8837\tUneasy mishmash of styles and genres .\n8838\tHerzog is obviously looking for a moral to his fable , but the notion that a strong , unified showing among Germany and Eastern European Jews might have changed 20th-Century history is undermined by Ahola 's inadequate performance .\n8839\tAll in all , there 's only one thing to root for : expulsion for everyone .\n8840\tBeyond a handful of mildly amusing lines ... there just is n't much to laugh at .\n8841\tSecret Ballot is too contemplative to be really funny .\n8842\tThe film 's center will not hold .\n8843\tMyers never knows when to let a gag die ; thus , we 're subjected to one mind-numbingly lengthy riff on poo and pee jokes after another .\n8844\tToo lazy to take advantage of its semi-humorous premise .\n8845\tA great ending does n't make up for a weak movie , and Crazy as Hell does n't even have a great ending .\n8846\tDialogue-heavy and too cerebral for its own good -- or , at any rate , too cerebral for its racy subject matter .\n8847\tIts over-reliance on genre conventions , character types and formulaic conflict resolutions crushes all the goodwill it otherwise develops .\n8848\tAs an actor , The Rock is aptly named .\n8849\tA mostly tired retread of several other mob tales .\n8850\tI wish I could say `` Thank God It 's Friday '' , but the truth of the matter is I was glad when it was over .\n8851\tNothing about it fits .\n8852\tAs it abruptly crosscuts among the five friends , it fails to lend the characters ' individual stories enough dramatic resonance to make us care about them .\n8853\tSomehow we 're meant to buy that this doting mother would shun her kids , travel to one of the most dangerous parts of the world , don fatigues and become G.I. Jane .\n8854\tThe cast is so low-wattage that none of the characters comes off as big ... and the setting remains indistinct .\n8855\tConsider the title 's clunk-on-the-head that suggests the overtime someone put in to come up with an irritatingly unimaginative retread concept .\n8856\tThe movie quickly drags on becoming boring and predictable .\n8857\tI tried to read the time on my watch .\n8858\tThe film makes a tragic error by going on for too long , trying to mirror every subsequent event in Chinese history : war , revolution , Communism , etc. .\n8859\tJohnson has , in his first film , set himself a task he is not nearly up to .\n8860\tUltimately the project comes across as clinical , detached , uninvolving , possibly prompting audience members to wonder , ` What 's the point ? '\n8861\tThe two leads are almost good enough to camouflage the dopey plot , but so much naturalistic small talk , delivered in almost muffled exchanges , eventually has a lulling effect .\n8862\tThe film meant well in its horse tale about freedom , but was n't able to reach the heart because it was too overbearing .\n8863\tThe movie is as far as you can get from racy , to the point where it almost stops the blood flow to your brain ; it has a dull , costumey feel .\n8864\tOnce the audience figure out what 's being said , the filmmaker 's relative passivity will make it tough for them to really care .\n8865\tThere 's nothing provocative about this film save for the ways in which it studiously avoids provoking thought .\n8866\tIt seems just a long , convoluted ploy to get men into drag -- period drag , no less .\n8867\tThe premise for this kegger comedy probably sounded brilliant four six-packs and a pitcher of margaritas in , but the film must have been written ... in the thrall of a vicious hangover .\n8868\tEven by dumb action-movie standards , Ballistic : Ecks vs. Sever is a dumb action movie .\n8869\tThe film equivalent of a toy chest whose contents get scattered over the course of 80 minutes .\n8870\tJust a bloody mess .\n8871\tCreepy but ultimately unsatisfying thriller .\n8872\tYou would be better off investing in the worthy EMI recording that serves as the soundtrack , or the home video of the 1992 Malfitano-Domingo production .\n8873\tHas something to say ... but it is a statement and issue worthy of a much more thoughtfulness and insight than a melodramatic and wholly predictable thriller .\n8874\tBears is bad .\n8875\tNot ` terrible filmmaking ' bad , but more like , ' I once had a nightmare like this , and it 's now coming true ' bad .\n8876\tAs is most commonly case with projects such noble and lofty ambitions , the film is less poetic than simply pretentious .\n8877\tGeorge , hire a real director and good writers for the next installment , please .\n8878\tFor a film about two mismatched buddies , Crystal and De Niro share little screen time and even less chemistry .\n8879\tHowever clever Nelson has been in providing variation within the confines of her structure and staging , the question remains whether this should , indeed , have been presented as a theatrical release .\n8880\tExtreme Oops - oops , ops , no matter how you spell it , it 's still a mistake to go see it .\n8881\tWhat could and should have been biting and droll is instead a tepid waste of time and talent .\n8882\tWhat will , most likely , turn out to be the most repellent movie of 2002 .\n8883\t... too dull to enjoy .\n8884\tA morality tale whose thought-provoking potential is hampered by a made-for-TV look , rigid performances and an asinine ` twist ' that brazenly rips off The Sixth Sense .\n8885\tHere 's a self-congratulatory 3D IMAX rah-rah .\n8886\tEastwood is an icon of moviemaking , one of the best actors , directors and producers around , responsible for some excellent work .\n8887\tBut even a hero can stumble sometimes .\n8888\tA sophomoric exploration of ` life problems ' most people solved long ago -- or at least got tired of hearing people kvetch about .\n8889\tIt 's all very cute , though not terribly funny if you 're more than six years old .\n8890\tThe impact of the Armenian genocide is diluted by too much stage business in the modern day .\n8891\tGoing to the website may be just as fun -LRB- and scary -RRB- as going to the film .\n8892\tLacking gravitas , MacDowell is a placeholder for grief , and ergo this sloppy drama is an empty vessel .\n8893\tLeave these Flowers unpicked -- they 're dead on the vine .\n8894\tAdmirable , certainly , but not much fun to watch .\n8895\tFor Caine Lovers only .\n8896\tA shambles of a movie -- visually unattractive , unbearably loud and utterly silly ... its hilarity is completely unintentional .\n8897\tDe Niro may enjoy the same free ride from critics afforded to Clint Eastwood in the lazy Bloodwork .\n8898\tBut like Bruce Springsteen 's gone-to-pot Asbury Park , New Jersey , this sad-sack waste of a movie is a City of ruins .\n8899\tNo , it 's not nearly as good as any of its influences .\n8900\tA reasonably efficient mechanism , but it offers few surprises and finds its stars slumming in territory they should have avoided .\n8901\tThe rest of the plot is impossible to explain without blowing whatever tension there is , although it 's more comedy than suspense De Palma creates .\n8902\tHuman Nature talks the talk , but it fails to walk the silly walk that distinguishes the merely quirky from the surreal .\n8903\tCity by the Sea is the cinematic equivalent of defensive driving : It 's careful , conscientious and makes no major mistakes .\n8904\tBut what saves lives on the freeway does not necessarily make for persuasive viewing .\n8905\tThe Marquis de Sade could n't have been as dull a person as this film makes him out to be .\n8906\tWhat could have been a neat little story about believing in yourself is swamped by heavy-handed melodrama .\n8907\tThe cast is uniformly excellent ... but the film itself is merely mildly charming .\n8908\tDrives for the same kind of bittersweet , conciliatory tone that Three Seasons achieved but loses its way in rhetorical excess and blatant sentimentality .\n8909\tA bigger holiday downer than your end-of-year 401 -LRB- k -RRB- statement .\n8910\tThe whole thing plays out with the drowsy heaviness of synchronized swimmer wearing a wool wetsuit .\n8911\tFairly successful at faking some pretty cool stunts but a complete failure at trying to create some pretty cool characters .\n8912\tAnd forget about any attempt at a plot !\n8913\tIt will probably prove interesting to Ram Dass fans , but to others it may feel like a parody of the mellow , peace-and-love side of the '60s counterculture .\n8914\tTake away all the cliches and the carbon copy scenes from every drug movie we 've seen and all you have left are John Leguizamo 's cool jackets .\n8915\tIt 's so full of wrong choices that all you can do is shake your head in disbelief -- and worry about what classic Oliver Parker intends to mangle next time .\n8916\tShowtime is closer to Slowtime .\n8917\tIt may be an easy swipe to take , but this Barbershop just does n't make the cut .\n8918\tThe Weight of Water uses water as a metaphor for subconscious desire , but this leaky script barely stays afloat .\n8919\t` How many more voyages can this limping but dearly-loved franchise survive ? '\n8920\tDespite a blue-chip cast and a provocative title , writer-director Peter Mattei 's first feature microwaves dull leftover romantic motifs basted in faux-contemporary gravy .\n8921\tFans of the TV series will be disappointed , and everyone else will be slightly bored .\n8922\tThe only element of suspense is whether the movie will change titles or distributors again before the closing credits roll .\n8923\tBarely goes beyond comic book status .\n8924\tIt 's disappointing when filmmakers throw a few big-name actors and cameos at a hokey script .\n8925\tI Spy is an embarrassment , a monotonous , disjointed jumble of borrowed plot points and situations .\n8926\tIt 's as flat as an open can of pop left sitting in the sun .\n8927\tAn eccentric little comic\\/thriller deeply in love with its own quirky personality .\n8928\tAfraid to pitch into farce , yet only half-hearted in its spy mechanics , All the Queen 's Men is finally just one long drag .\n8929\tMaybe it 's the star power of the cast or the redundant messages , but something aboul `` Full Frontal '' seems , well , contrived .\n8930\t-LRB- Morgan -RRB- , Judd and Franklin ca n't save the script , rooted in a novel by Joseph Finder , from some opportunism .\n8931\tPassably entertaining but also mechanical and joyless .\n8932\tSafe Conduct , however ambitious and well-intentioned , fails to hit the entertainment bull 's - eye .\n8933\tMy response to the film is best described as lukewarm .\n8934\tMaybe I found the proceedings a little bit too conventional .\n8935\tToo timid to bring a sense of closure to an ugly chapter of the twentieth century .\n8936\tIt 's push-the-limits teen comedy , the type written by people who ca n't come up with legitimate funny , and it 's used so extensively that good bits are hopelessly overshadowed .\n8937\tIt 's too long , too repetitive , and takes way too many years to resolve to be a total winner .\n8938\tA sudsy cautionary tale .\n8939\tA movie that tries to fuse the two ` woods ' but winds up a Bolly-Holly masala mess .\n8940\tMr. Wedge and Mr. Saldanha handle the mix of verbal jokes and slapstick well .\n8941\tTheir film falters , however , in its adherence to the Disney philosophy of required poignancy , a salute that I 'd hoped the movie would avoid .\n8942\tLeaves you with a knot in your stomach , its power is undercut by its own head-banging obviousness .\n8943\tWatching it is rather like an overlong visit from a large group of your relatives .\n8944\tAs your relatives swap one mundane story after another , you begin to wonder if they are ever going to depart .\n8945\tUnfortunately , as a writer , Mr. Montias is n't nearly as good to his crew as he is as a director or actor .\n8946\tOn the right track to something that 's creepy and effective ... It 's just going to take more than a man in a Bullwinkle costume to get there .\n8947\tThe only thing that could possibly make them less interesting than they already are is for them to get full montied into a scrappy , jovial team .\n8948\tOne of those movies where you walk out of the theater not feeling cheated exactly , but feeling pandered to , which , in the end , might be all the more infuriating .\n8949\t... this movie has a glossy coat of action movie excess while remaining heartless at its core .\n8950\tMurder By Numbers is like a couple of mediocre TV-movie - of-the-week films clumsily stuck together .\n8951\tThe film is surprisingly well-directed by Brett Ratner , who keeps things moving well -- at least until the problematic third act .\n8952\tWarmed-over Tarantino by way of wannabe Elmore Leonard .\n8953\t-LRB- Sen 's -RRB- soap opera-ish approach undermines his good intentions .\n8954\tShowtime is one of the hapless victims of the arrogant `` if we put together a wry white man and a chatty black man and give them guns , the movie will be funny '' syndrome .\n8955\tSushi for the connoisseurs of the macabre .\n8956\tDo n't waste your money .\n8957\tThough certainly original in form , Altar Boys requires a taste for Swamp Thing-type animation , doubled with a deafening score .\n8958\tThere are n't many laughs in this interesting study of the cultural mores of Georgian Jews in Tel Aviv .\n8959\tThere 's not enough to sustain the comedy .\n8960\tLike those to Rome , all roads in The Banger Sisters inevitably lead to a joke about Hawn 's breasts , which constantly threaten to upstage the woman sporting them .\n8961\tWe may get the full visceral impact of a ruthless army on the warpath but no sense of the devilish complexity of the Balkans conflict .\n8962\tYou 're better off staying home and watching The X-Files .\n8963\tChaotic , self-indulgent and remarkably ugly to look at , it 's ... like a series of pretentiously awful student films strung together into one feature-length horror .\n8964\tBears resemblance to , and shares the weaknesses of , too many recent action-fantasy extravaganzas in which special effects overpower cogent story-telling and visual clarity during the big action sequences .\n8965\tThis is the type of movie best enjoyed by frat boys and college kids while sucking on the bong and downing one alcoholic beverage after another .\n8966\tFriday After Next has the same problem that Next Friday did -- it 's called Where 's Chris Tucker When You Need Him ?\n8967\tThis film is full of rabbits .\n8968\tBrimful .\n8969\tBut like most rabbits , it seems to lack substance .\n8970\tI weep for the future when a good portion of the respected critical community in this country consider Blue Crush to be an intelligent film about young women .\n8971\tI kept wishing I was watching a documentary about the wartime Navajos and what they accomplished instead of all this specious Hollywood hoo-ha .\n8972\tNo number of fantastic sets , extras , costumes and spectacular locales can disguise the emptiness at the center of the story .\n8973\tA movie far more cynical and lazy than anything a fictitious Charlie Kaufman might object to .\n8974\tCould The Country Bears really be as bad as its trailers ?\n8975\tIn a word -- yes .\n8976\tIf High Crimes were any more generic it would have a universal product code instead of a title .\n8977\tReggio falls victim to relying on the very digital technology that he fervently scorns , creating a meandering , inarticulate and ultimately disappointing film .\n8978\tThe movie makes absolutely no sense .\n8979\tIts underlying mythology is a hodgepodge of inconsistencies that pose the question : Since when did dumb entertainment have to be this dumb ?\n8980\tThe problem with this film is that it 's forced to make its characters idiots in order to advance the plot .\n8981\tHad anyone here done anything remotely intelligent , we all could have stopped watching long ago .\n8982\tDespite the authenticity of the trappings , the film is overblown in its plotting , hackneyed in its dialogue and anachronistic in its style .\n8983\tMurder and mayhem of this sort quickly becomes monotonous .\n8984\tThe journey toward redemption feels more like a cinematic experiment than a full-blown movie .\n8985\tThat Zhang would make such a strainingly cute film -- with a blind orphan at its center , no less -- indicates where his ambitions have wandered .\n8986\tThe Gantzes ' interviews tend to let the guys off the hook .\n8987\tThe streets , shot by cinematographer Michael Ballhaus , may be as authentic as they are mean , but it is nearly impossible to care about what happens on them .\n8988\tThis is a good movie in spurts , but when it does n't work , it 's at important times .\n8989\tParker probably thinks he 's shaking up a classic the way Kenneth Branagh and Baz Luhrmann have , but this half-hearted messing-about just makes us miss Wilde 's still-contemporary play .\n8990\tFlotsam in the sea of moviemaking , not big enough for us to worry about it causing significant harm and not smelly enough to bother despising .\n8991\tA TV episode inflated past its natural length .\n8992\tInvolving at times , but lapses quite casually into the absurd .\n8993\tAll these developments and challenges facing Santa weigh down the plot so heavily that they drain all the film of its energy and needlessly strain credibility .\n8994\tThere are weird resonances between actor and role here , and they 're not exactly flattering .\n8995\tThe unceasing sadism is so graphically excessive , the director just ends up exposing his own obsession .\n8996\tThe story ... is moldy and obvious .\n8997\tIt 's drained of life in an attempt to be sober and educational , and yet it 's so devoid of realism that its lack of whistles and bells just makes it obnoxious and stiff .\n8998\tSuffocated at conception by its Munchausen-by-proxy mum .\n8999\tPunish the vehicle to adore the star .\n9000\tEven if Britney Spears is really cute , her movie is really bad .\n9001\tBig Fat Liar is just futile silliness looking to tap into the kiddie sensibilities .\n9002\tUsually when I get this much syrup , I like pancakes to go with it .\n9003\tAll the necessary exposition prevents the picture from rising above your generic sand 'n' sandal adventure .\n9004\tGlib , satirical documentary that fudges facts , makes facile points and engages in the cinematic equivalent of tabloid journalism .\n9005\tGangs of New York is an unapologetic mess , whose only saving grace is that it ends by blowing just about everything up .\n9006\tAn overblown clunker full of bad jokes , howling cliches and by-the-numbers action sequences .\n9007\tWithout a strong script and energetic acting , Dogma films can produce the same sleep-inducing effects as watching your neighbor 's home videos .\n9008\tA mild , reluctant , thumbs down .\n9009\tStrong setup and ambitious goals fade as the film descends into unsophisticated scare tactics and B-film thuggery .\n9010\tSchindler 's List it ai n't .\n9011\tA cinematic sleeping pill of impressive potency .\n9012\tIt 's an awfully derivative story .\n9013\tThe movie barely makes sense , with its unbelievable naïveté and arbitrary flashbacks .\n9014\tIt 's an earnest debut full of heartfelt performances , but is ultimately let down by a story that is all too predictable .\n9015\tAbout as cutting-edge as Pet Rock : The Movie .\n9016\tWith generic sets and B-grade special effects , Jason is about as convincing on the sci-fi front as TV 's defunct Cleopatra 2525 .\n9017\tNot sweet enough to liven up its predictable story and will leave even fans of hip-hop sorely disappointed .\n9018\tWinds up feeling like lots of other quirky movies that try to score hipness points with young adults .\n9019\tOft-described as the antidote to American Pie-type sex comedies , it actually has a bundle in common with them , as the film diffuses every opportunity for a breakthrough\n9020\tThe pacing is glacial , the screenplay is stiff as a board , and things heat up only in the movie 's final scenes .\n9021\tThe premise is overshadowed by the uberviolence of the Clericks as this becomes just another kung-fu sci-fi movie with silly action sequences .\n9022\tWith its hints of a greater intelligence lurking somewhere , The Ring makes its stupidity more than obvious .\n9023\tIt 's painful .\n9024\tPumpkin struts about with `` courage '' pinned to its huckster lapel while a yellow streak a mile wide decorates its back .\n9025\tAn uneven film dealing with too many problems to be taken seriously .\n9026\tSheridan ... smoothes over sources of conflict that could have lent the film a bit more depth .\n9027\tAn atonal estrogen opera that demonizes feminism while gifting the most sympathetic male of the piece with a nice vomit bath at his wedding .\n9028\tHalf of it is composed of snappy patter and pseudo-sophisticated cultural observations , while the remainder ... would be more at home on a daytime television serial .\n9029\tWriter\\/director John McKay ignites some charming chemistry between Kate and Jed but , when he veers into sodden melodrama , punctuated by violins , it 's disastrous and Kate 's jealous female friends become downright despicable .\n9030\t-LRB- Newton -RRB- wanders through CHARLIE completely unaware she needs to show some presence and star quality .\n9031\tUnfortunately , the picture failed to capture me .\n9032\tI found it slow , drab , and bordering on melodramatic .\n9033\tA lousy movie that 's not merely unwatchable , but also unlistenable .\n9034\tThe best way to hope for any chance of enjoying this film is by lowering your expectations .\n9035\tThen lower them a bit more .\n9036\tWhen not obscured by the booming bass-heavy soundtrack , the conversation presents the kind of linguistic fumbling not heard since Macy Gray 's game of Chinese whispers with Mr Bean .\n9037\tCliches are as thick as the cigarette smoke .\n9038\tA woozy , roisterous , exhausting mess , and the off-beat casting of its two leads turns out to be as ill-starred as you might expect .\n9039\t` Abandon all hope , ye who enter here ' ... you should definitely let Dante 's gloomy words be your guide .\n9040\tWhat begins as a seemingly brainless , bubbly romantic comedy becomes a cliche-drenched melodrama by mid-film and , by film 's end , a feminist action fantasy .\n9041\tA grim , flat and boring werewolf movie that refuses to develop an energy level .\n9042\tBirot 's directorial debut -LRB- she co-wrote the script with Christophe Honoré -RRB- is n't so much bad as it is bland .\n9043\tWatching the film is like reading a Times Portrait of Grief that keeps shifting focus to the journalist who wrote it .\n9044\tEnough similarities to Gymkata and Howie Long 's Firestorm that my fingernails instinctively crawled towards my long-suffering eyeballs .\n9045\tSucceeds in providing a disquiet world the long-dreaded completion of the Police Academy series .\n9046\tChristians sensitive to a reductionist view of their Lord as a luv-spreading Dr. Feelgood or omnipotent slacker will feel vastly more affronted than secularists , who might even praise God for delivering such an instant camp classic .\n9047\tIf this dud had been made in the '70s , it would have been called The Hills Have Antlers and played for about three weeks in drive-ins .\n9048\tA frantic search for laughs , with a hit-to-miss ratio that does n't exactly favour the audience .\n9049\tLike a documentary version of Fight Club , shorn of social insight , intellectual pretension and cinematic interest .\n9050\t`` An entire film about researchers quietly reading dusty old letters . ''\n9051\tPryor Lite , with half the demons , half the daring , much less talent , many fewer laughs .\n9052\tWhat 's at stake in this film is nothing more than an obsolete , if irritating , notion of class .\n9053\tThe stories here suffer from the chosen format .\n9054\tWhile the mystery surrounding the nature of the boat 's malediction remains intriguing enough to sustain mild interest , the picture refuses to offer much accompanying sustenance in the way of characterization , humor or plain old popcorn fun .\n9055\tJust how extreme are these ops ?\n9056\tI regret to report that these ops are just not extreme enough .\n9057\tThe actors are forced to grapple with hazy motivations that never come into focus .\n9058\tJohn Leguizamo may be a dramatic actor -- just not in this movie .\n9059\tThe sequel has turned completely and irrevocably bizarre to the point of utter nonsense .\n9060\tHardly makes the kind of points Egoyan wanted to make , nor does it exist as the kind of monument he wanted to build , to victims whose voices have never gained the ears of the world .\n9061\tBuild some robots , haul 'em to the theatre with you for the late show , and put on your own Mystery Science Theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year .\n9062\tRainy days and movies about the disintegration of families always get me down .\n9063\t... has about 3\\/4th the fun of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity .\n9064\tThe Master Of Disaster - it 's a piece of dreck disguised as comedy .\n9065\tThe film has a few cute ideas and several modest chuckles but it is n't exactly kiddie-friendly ... Alas , Santa is more ho-hum than ho-ho-ho and the Snowman -LRB- who never gets to play that flute -RRB- has all the charm of a meltdown .\n9066\tThe stupidest , most insulting movie of 2002 's first quarter .\n9067\tIt 's so underwritten that you ca n't figure out just where the other characters , including Ana 's father and grandfather , come down on the issue of Ana 's future .\n9068\tA film so tedious that it is impossible to care whether that boast is true or not .\n9069\tNone of this violates the letter of Behan 's book , but missing is its spirit , its ribald , full-throated humor .\n9070\tBad Company leaves a bad taste , not only because of its bad-luck timing , but also the staleness of its script .\n9071\tEven if it ultimately disappoints , the picture does have about a matinee admission 's worth of funny to keep it afloat .\n9072\tFails to bring as much to the table .\n9073\tA film made with as little wit , interest , and professionalism as artistically possible for a slummy Hollywood caper flick .\n9074\tDisturbingly superficial in its approach to the material .\n9075\tIf you 're not the target demographic ... this movie is one long chick-flick slog .\n9076\tI hate this movie\n9077\tIt 's tough to tell which is in more abundant supply in this woefully hackneyed movie , directed by Scott Kalvert , about street gangs and turf wars in 1958 Brooklyn -- stale cliches , gratuitous violence , or empty machismo .\n9078\tGooding and Coburn are both Oscar winners , a fact which , as you watch them clumsily mugging their way through Snow Dogs , seems inconceivable .\n9079\tAt every opportunity to do something clever , the film goes right over the edge and kills every sense of believability ... all you have left is a no-surprise series of explosions and violence while Banderas looks like he 's not trying to laugh at how bad it\n9080\t... pitiful , slapdash disaster .\n9081\tA DOA dud from frame one .\n9082\tJaw-droppingly superficial , straining to get by on humor that is not even as daring as John Ritter 's glory days on Three 's Company .\n9083\tThere are plenty of scenes in Frida that do work , but rarely do they involve the title character herself .\n9084\tAlthough God Is Great addresses interesting matters of identity and heritage , it 's hard to shake the feeling that it was intended to be a different kind of film .\n9085\tThe dark and bittersweet twist feels strange as things turn nasty and tragic during the final third of the film .\n9086\tFirst-timer John McKay is never able to pull it back on course .\n9087\tDistances you by throwing out so many red herrings , so many false scares , that the genuine ones barely register .\n9088\tGodard uses his characters -- if that 's not too glorified a term -- as art things , mouthpieces , visual motifs , blanks .\n9089\tThe movie generates plot points with a degree of randomness usually achieved only by lottery drawing .\n9090\tA predictable , manipulative stinker .\n9091\tThe story passes time until it 's time for an absurd finale of twisted metal , fireballs and revenge .\n9092\tEastwood winces , clutches his chest and gasps for breath .\n9093\tIt 's a spectacular performance - ahem , we hope it 's only acting .\n9094\tThe movie suffers from two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected .\n9095\tIt 's just weirdness for the sake of weirdness , and where Human Nature should be ingratiating , it 's just grating .\n9096\tAn ambitiously naturalistic , albeit half-baked , drama about an abused , inner-city autistic teen .\n9097\tonce she lets her love depraved leads meet , -LRB- Denis ' -RRB- story becomes a hopeless , unsatisfying muddle\n9098\tThe dose is strong and funny , for the first 15 minutes anyway ; after that , the potency wanes dramatically .\n9099\tThe people in ABC Africa are treated as docile , mostly wordless ethnographic extras .\n9100\tWhat 's really sad is to see two Academy Award winning actresses -LRB- and one Academy Award winning actor -RRB- succumb to appearing in this junk that 's TV sitcom material at best .\n9101\tNo doubt the star and everyone else involved had their hearts in the right place .\n9102\tWhere their heads were is anyone 's guess .\n9103\tCall me a cynic , but there 's something awfully deadly about any movie with a life-affirming message .\n9104\tA gratingly unfunny groaner littered with zero-dimensional , unlikable characters and hackneyed , threadbare comic setups .\n9105\tGot some good , organic character work , lots of obvious political insights and little room for engaging , imaginative filmmaking in its nearly 2 1\\/2 - hour , dissipated length .\n9106\tA painfully slow cliche-ridden film filled with more holes than Clyde Barrow 's car .\n9107\tLike leafing through an album of photos accompanied by the sketchiest of captions .\n9108\tI guess it just goes to show that if you give a filmmaker an unlimited amount of phony blood , nothing good can happen .\n9109\tGaghan captures the half-lit , sometimes creepy intimacy of college dorm rooms , a subtlety that makes the silly , over-the-top coda especially disappointing .\n9110\tFeels less like a change in -LRB- Herzog 's -RRB- personal policy than a half-hearted fluke .\n9111\tOne of the most unpleasant things the studio has ever produced .\n9112\tWill anyone who is n't a Fangoria subscriber be excited that it has n't gone straight to video ?\n9113\tA selection of scenes in search of a movie .\n9114\t-LRB- Janey -RRB- forgets about her other obligations , leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies .\n9115\tWill undoubtedly play well in European markets , where Mr. Besson is a brand name , and in Asia , where Ms. Shu is an institution , but American audiences will probably find it familiar and insufficiently cathartic .\n9116\tTrue to its animatronic roots : ... as stiff , ponderous and charmless as a mechanical apparatus ... ` The Country Bears ' should never have been brought out of hibernation .\n9117\t-LRB- Evans is -RRB- a fascinating character , and deserves a better vehicle than this facetious smirk of a movie .\n9118\tThe script 's judgment and sense of weight is way , way off .\n9119\tYou come away wishing , though , that the movie spent a lot less time trying to make a credible case for reports from the afterlife and a lot more time on the romantic urgency that 's at the center of the story .\n9120\tEvelyn may be based on a true and historically significant story , but the filmmakers have made every effort to disguise it as an unimaginative screenwriter 's invention .\n9121\tA derivative collection of horror and sci-fi cliches .\n9122\tLoosely speaking , we 're in All of Me territory again , and , strictly speaking , Schneider is no Steve Martin .\n9123\tAs aimless as an old pickup skidding completely out of control on a long patch of black ice , the movie makes two hours feel like four .\n9124\tLimps along on a squirm-inducing fish-out-of-water formula that goes nowhere and goes there very , very slowly .\n9125\tJust the sort of lazy tearjerker that gives movies about ordinary folk a bad name .\n9126\tThe redeeming feature of Chan 's films has always been the action , but the stunts in The Tuxedo seem tired and , what 's worse , routine .\n9127\tWhile The Importance of Being Earnest offers opportunities for occasional smiles and chuckles , it does n't give us a reason to be in the theater beyond Wilde 's wit and the actors ' performances .\n9128\tHas all the scenic appeal of a cesspool .\n9129\tA rambling ensemble piece with loosely connected characters and plots that never quite gel .\n9130\tA Lifetime movie about men .\n9131\tThe Balkans provide the obstacle course for the love of a good woman .\n9132\tIt 's hard to say who might enjoy this , are there Tolstoy groupies out there ?\n9133\tIt 's dark and tragic , and lets the business of the greedy talent agents get in the way of saying something meaningful about facing death\n9134\tThis is a movie that starts out like Heathers , then becomes Bring it On , then becomes unwatchable .\n9135\tThe screenplay flounders under the weight of too many story lines .\n9136\tI think it was Plato who said , ' I think , therefore I know better than to rush to the theatre for this one . '\n9137\tIf Damon and Affleck attempt another Project Greenlight , next time out they might try paying less attention to the miniseries and more attention to the film it is about .\n9138\tThis is rote drivel aimed at Mom and Dad 's wallet .\n9139\tContrived , maudlin and cliche-ridden ... if this sappy script was the best the contest received , those rejected must have been astronomically bad .\n9140\tI hate the feeling of having been slimed in the name of High Art .\n9141\tThis is more a case of ` Sacre bleu ! '\n9142\tthan ` Magnifique ' .\n9143\tThe kids in the audience at the preview screening seemed bored , cheering the pratfalls but little else ; their parents , wise folks that they are , read books .\n9144\tWhether Jason X is this bad on purpose is never clear .\n9145\tBut one thing 's for sure : It never comes close to being either funny or scary .\n9146\tYet another weepy Southern bore-athon .\n9147\tI like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material , but they 're treading water at best in this forgettable effort .\n9148\tPerhaps the most annoying thing about Who Is Cletis Tout ?\n9149\tis that it 's a crime movie made by someone who obviously knows nothing about crime .\n9150\tExcept as an acting exercise or an exceptionally dark joke , you wonder what anyone saw in this film that allowed it to get made .\n9151\tThis insufferable movie is meant to make you think about existential suffering .\n9152\tInstead , it 'll only put you to sleep .\n9153\tWho is this movie for ?\n9154\tNot kids , who do n't need the lesson in repugnance .\n9155\tIt 's also not smart or barbed enough for older viewers -- not everyone thinks poo-poo jokes are ` edgy . '\n9156\tA sleep-inducingly slow-paced crime drama with clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set of plot devices .\n9157\tIt 's so tedious that it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in Bridget Jones 's Diary .\n9158\tAlmost as offensive as `` Freddy Got Fingered . ''\n9159\tThe gifted Crudup has the perfect face to play a handsome blank yearning to find himself , and his cipherlike personality and bad behavior would play fine if the movie knew what to do with him .\n9160\tIt is depressing , ruthlessly pained and depraved , the movie equivalent of staring into an open wound .\n9161\tPonderous , plodding soap opera disguised as a feature film .\n9162\tCold , pretentious , thoroughly dislikable study in sociopathy .\n9163\tFor the future , one hopes Mr. Plympton will find room for one more member of his little band , a professional screenwriter .\n9164\tA cheap scam put together by some cynical creeps at Revolution Studios and Imagine Entertainment to make the suckers out there surrender $ 9 and 93 minutes of unrecoverable life .\n9165\tReign of Fire never comes close to recovering from its demented premise , but it does sustain an enjoyable level of ridiculousness .\n9166\tHuman Nature is a goofball movie , in the way that Malkovich was , but it tries too hard .\n9167\tOriginality is sorely lacking .\n9168\tThe plot 's clearly mythic structure may owe more to Disney 's strong sense of formula than to the original story .\n9169\tBut while the highly predictable narrative falls short , Treasure Planet is truly gorgeous to behold .\n9170\tThough there are entertaining and audacious moments , the movie 's wildly careening tone and an extremely flat lead performance do little to salvage this filmmaker 's flailing reputation .\n9171\tRam Dass Fierce Grace moulds itself as an example to up-and-coming documentarians , of the overlooked pitfalls of such an endeavour .\n9172\tLucky Break is perfectly inoffensive and harmless , but it 's also drab and inert .\n9173\tFor a story set at sea , Ghost Ship is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . '\n9174\tThere might be some sort of credible gender-provoking philosophy submerged here , but who the hell cares ?\n9175\tNothing more than a stifling morality tale dressed up in peekaboo clothing .\n9176\tI like my Christmas movies with more elves and snow and less pimps and ho 's .\n9177\tIt all seemed wasted like DeNiro 's once promising career and the once grand Long Beach boardwalk .\n9178\t-LRB- I -RRB- t 's certainly laudable that the movie deals with hot-button issues in a comedic context , but Barbershop is n't as funny as it should be .\n9179\tUnfortunately , a cast of competent performers from movies , television and the theater are cast adrift in various New York City locations with no unifying rhythm or visual style .\n9180\tJust entertaining enough not to hate , too mediocre to love .\n9181\t` Sophisticated ' viewers who refuse to admit that they do n't like it will likely call it ` challenging ' to their fellow sophisticates .\n9182\tEquilibrium the movie , as opposed to the manifesto , is really , really stupid .\n9183\tExcruciatingly unfunny and pitifully unromantic .\n9184\tThe film 's thoroughly recycled plot and tiresome jokes ... drag the movie down .\n9185\tIt does n't offer audiences any way of gripping what its point is , or even its attitude toward its subject .\n9186\tThis kiddie-oriented stinker is so bad that I even caught the gum stuck under my seat trying to sneak out of the theater\n9187\tThough Impostor deviously adopts the guise of a modern motion picture , it too is a bomb .\n9188\tCox offers plenty of glimpses at existing photos , but there are no movies of Nijinsky , so instead the director treats us to an aimless hodgepodge .\n9189\tEvery note rings false .\n9190\tWhen the screenwriter responsible for one of the worst movies of one year directs an equally miserable film the following year , you 'd have a hard time believing it was just coincidence .\n9191\tIt never rises to its clever what-if concept .\n9192\tAdmirably ambitious but self-indulgent .\n9193\tThis story of unrequited love does n't sustain interest beyond the first half-hour .\n9194\tThis angst-ridden territory was covered earlier and much better in Ordinary People .\n9195\tThe entire film is one big excuse to play one lewd scene after another .\n9196\tAbout half of them are funny , a few are sexy and none are useful in telling the story , which is paper-thin and decidedly unoriginal .\n9197\tA big , loud , bang-the-drum bore .\n9198\t-LRB- Less a movie than -RRB- an appalling , odoriferous thing ... so rotten in almost every single facet of production that you 'll want to crawl up your own \\*\\*\\* in embarrassment .\n9199\tThe concept behind Kung Pow : Enter the Fist is hilarious .\n9200\tIt 's too bad nothing else is .\n9201\tHardman is a grating , mannered onscreen presence , which is especially unfortunate in light of the fine work done by most of the rest of her cast .\n9202\tEl Crimen Del Padre Amaro would likely be most effective if used as a tool to rally anti-Catholic protestors .\n9203\tInteresting and thoroughly unfaithful version of Carmen\n9204\tA serious movie with serious ideas .\n9205\tBut seriously , folks , it does n't work .\n9206\tThere 's nothing exactly wrong here , but there 's not nearly enough that 's right .\n9207\tThe action here is unusually tame , the characters are too simplistic to maintain interest , and the plot offers few surprises .\n9208\tI could n't help but feel the wasted potential of this slapstick comedy .\n9209\tWhat Madonna does here ca n't properly be called acting -- more accurately , it 's moving and it 's talking and it 's occasionally gesturing , sometimes all at once .\n9210\t-LRB- A -RRB- painfully flat gross-out comedy ...\n9211\tEven if you 're an Elvis person , you wo n't find anything to get excited about on this DVD .\n9212\tThe movie certainly has its share of clever moments and biting dialogue , but there 's just not much lurking below its abstract surface .\n9213\tIt 's bedeviled by labored writing and slack direction .\n9214\tI 'm sure there 's a teenage boy out there somewhere who 's dying for this kind of entertainment .\n9215\tThe Tuxedo miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life .\n9216\tThe film is a confusing melange of tones and styles , one moment a romantic trifle and the next a turgid drama .\n9217\tObviously , a lot of people wasted a lot of their time -LRB- including mine -RRB- on something very inconsequential .\n9218\tThere 's a little violence and lots of sex in a bid to hold our attention , but it grows monotonous after a while , as do Joan and Philip 's repetitive arguments , schemes and treachery .\n9219\tIt drowns in sap .\n9220\tDeliberately and devotedly constructed , Far from Heaven is too picture postcard perfect , too neat and new pin-like , too obviously a recreation to resonate .\n9221\tIt 's rare that a movie can be as intelligent as this one is in every regard except its storyline ; everything that 's good is ultimately scuttled by a plot that 's just too boring and obvious .\n9222\tI 'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment .\n9223\tThere 's got to be a more graceful way of portraying the devastation of this disease .\n9224\tThe good thing -- the only good thing -- about Extreme Ops is that it 's so inane that it gave me plenty of time to ponder my Thanksgiving to-do list .\n9225\tThe modern-day characters are nowhere near as vivid as the 19th-century ones .\n9226\tBlessed with a searing lead performance by Ryan Gosling -LRB- Murder by Numbers -RRB- , the movie is powerful and provocative .\n9227\tIt 's also built on a faulty premise , one it follows into melodrama and silliness .\n9228\tUneven performances and a spotty script add up to a biting satire that has no teeth .\n9229\tDirector Jay Russell stomps in hobnail boots over Natalie Babbitt 's gentle , endearing 1975 children 's novel .\n9230\tBenigni 's Pinocchio is extremely straight and mind-numbingly stilted , its episodic pacing keeping the film from developing any storytelling flow .\n9231\tThe troubling thing about Clockstoppers is that it does n't make any sense .\n9232\tWith its paint fights , motorized scooter chases and dewy-eyed sentiment , it 's a pretty listless collection of kid-movie clichés .\n9233\tMostly the film is just hectic and homiletic : two parts exhausting Men in Black mayhem to one part family values .\n9234\tKicks off with an inauspicious premise , mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper .\n9235\tA rote exercise in both animation and storytelling .\n9236\tThe material and the production itself are little more than routine .\n9237\tThe movie 's major and most devastating flaw is its reliance on formula , though , and it 's quite enough to lessen the overall impact the movie could have had .\n9238\tNot even Steven Spielberg has dreamed up such blatant and sickening product placement in a movie .\n9239\tIt 's all surface psychodramatics .\n9240\tThe Mothman Prophecies , which is mostly a bore , seems to exist only for its climactic setpiece .\n9241\tThat frenetic spectacle -LRB- on the TV show -RRB- has usually been leavened by a charm that 's conspicuously missing from the Girls ' big-screen blowout .\n9242\tKitschy , flashy , overlong soap opera .\n9243\tFor all the time we spend with these people , we never really get inside of them .\n9244\tYet another Arnold vehicle that fails to make adequate use of his particular talents .\n9245\tSandra Bullock , despite downplaying her good looks , carries a little too much ai n't - she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff .\n9246\tAn undistinguished attempt to make a classic theater piece cinematic .\n9247\ttoo many scenarios in which the hero might have an opportunity to triumphantly sermonize , and too few that allow us to wonder for ourselves if things will turn out okay .\n9248\tThere is simply not enough of interest onscreen to sustain its seventy-minute running time .\n9249\tA wordy wisp of a comedy .\n9250\tBroomfield 's style of journalism is hardly journalism at all , and even those with an avid interest in the subject will grow impatient .\n9251\t-LRB- Seagal 's -RRB- strenuous attempt at a change in expression could very well clinch him this year 's Razzie .\n9252\tHas the disjointed feel of a bunch of strung-together TV episodes .\n9253\tA series of escapades demonstrating the adage that what is good for the goose is also good for the gander , some of which occasionally amuses but none of which amounts to much of a story .\n9254\tOzpetek offers an AIDS subtext , skims over the realities of gay sex , and presents yet another tired old vision of the gay community as an all-inclusive world where uptight , middle class bores like Antonia can feel good about themselves .\n9255\tA dopey movie clothed in excess layers of hipness .\n9256\tThe Sweetest Thing is expressly for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance .\n9257\tSinks so low in a poorly played game of absurd plot twists , idiotic court maneuvers and stupid characters that even Freeman ca n't save it .\n9258\tI realized that no matter how fantastic Reign of Fire looked , its story was making no sense at all .\n9259\tIt made me realize that we really have n't had a good cheesy B-movie playing in theaters since ... well ... since last week 's Reign of Fire .\n9260\tSome movies were made for the big screen , some for the small screen , and some , like Ballistic : Ecks vs. Sever , were made for the palm screen .\n9261\tSC2 is an autopilot Hollywood concoction lacking in imagination and authentic Christmas spirit , yet it 's geared toward an audience full of masters of both .\n9262\tAfter all the big build-up , the payoff for the audience , as well as the characters , is messy , murky , unsatisfying .\n9263\tSeems content to dog-paddle in the mediocre end of the pool , and it 's a sad , sick sight .\n9264\tIt 's refreshing that someone understands the need for the bad boy ; Diesel , with his brawny frame and cool , composed delivery , fits the bill perfectly .\n9265\tIf all of Eight Legged Freaks was as entertaining as the final hour , I would have no problem giving it an unqualified recommendation .\n9266\tSuffers from a flat script and a low budget .\n9267\tThere are deeply religious and spiritual people in this world who would argue that entering a church , synagogue or temple does n't mean you have to check your brain at the door .\n9268\tThe same should go for movie theaters .\n9269\tSeemingly a vehicle to showcase the Canadian 's inane ramblings , Stealing Harvard is a smorgasbord of soliloquies about nothing delivered by the former Mr. Drew Barrymore .\n9270\tThe film tries to touch on spousal abuse but veers off course and becomes just another revenge film .\n9271\tAs it stands it 's an opera movie for the buffs .\n9272\tThis franchise has not spawned a single good film .\n9273\tThe crap continues .\n9274\tIts inescapable absurdities are tantamount to insulting the intelligence of anyone who has n't been living under a rock -LRB- since Sept. 11 -RRB- .\n9275\tHigh drama , Disney-style - a wing and a prayer and a hunky has-been pursuing his castle in the sky .\n9276\tLike its script , which nurses plot holes gaping enough to pilot an entire Olympic swim team through , the characters in Swimfan seem motivated by nothing short of dull , brain-deadening hangover .\n9277\tOne big blustery movie where nothing really happens .\n9278\tWhen it comes out on video , then it 's the perfect cure for insomnia .\n9279\tLike a comedian who starts off promisingly but then proceeds to flop , Comedian runs out of steam after a half hour .\n9280\tThe pairing does sound promising in theory ... but their lack of chemistry makes Eddie Murphy and Robert DeNiro in Showtime look like old , familiar vaudeville partners .\n9281\tDirector Chris Eyre is going through the paces again with his usual high melodramatic style of filmmaking .\n9282\tAs it stands , there 's some fine sex onscreen , and some tense arguing , but not a whole lot more .\n9283\tI could just feel the screenwriter at every moment ` Tap , tap , tap , tap , tapping away ' on this screenplay .\n9284\tThe picture does n't know it 's a comedy .\n9285\tA stupid , derivative horror film that substitutes extreme gore for suspense .\n9286\tThe rollerball sequences feel sanitised and stagey .\n9287\tRoman Polanski directs The Pianist like a surgeon mends a broken heart ; very meticulously but without any passion .\n9288\tNothing more than a run-of-the-mill action flick .\n9289\tLan Yu is certainly a serviceable melodrama , but it does n't even try for the greatness that Happy Together shoots for -LRB- and misses -RRB- .\n9290\tThis is an action movie with an action icon who 's been all but decommissioned .\n9291\tEven if it is generally amusing from time to time , I Spy has all the same problems the majority of action comedies have .\n9292\tMuch like Robin Williams , Death to Smoochy has already reached its expiration date .\n9293\tAn annoying orgy of excess and exploitation that has no point and goes nowhere .\n9294\tA tired , unnecessary retread ... a stale copy of a picture that was n't all that great to begin with .\n9295\tAn often unfunny romp .\n9296\tA worthy idea , but the uninspired scripts , acting and direction never rise above the level of an after-school TV special .\n9297\tTwenty years later , Reggio still knows how to make a point with poetic imagery , but his ability to startle has been stifled by the very prevalence of the fast-forward technology that he so stringently takes to task .\n9298\tEar-splitting exercise in formula crash-and-bash action .\n9299\tWe have an actor who is great fun to watch performing in a film that is only mildly diverting .\n9300\tDespite Hoffman 's best efforts , Wilson remains a silent , lumpish cipher ; his encounters reveal nothing about who he is or who he was before .\n9301\tThere 's a thin line between likably old-fashioned and fuddy-duddy , and The Count of Monte Cristo ... never quite settles on either side .\n9302\tThe emotional overload of female angst irreparably drags the film down .\n9303\tSchaefer 's ... determination to inject farcical raunch ... drowns out the promise of the romantic angle .\n9304\tLike Showgirls and Glitter , the most entertaining moments here are unintentional .\n9305\tWhile some of the camera work is interesting , the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work .\n9306\tThe origin story is well told , and the characters will not disappoint anyone who values the original comic books .\n9307\tIt 's in the action scenes that things fall apart .\n9308\tImpostor is a step down for director Gary Fleder .\n9309\tSeagal , who looks more like Danny Aiello these days , mumbles his way through the movie .\n9310\tThe movie is a negligible work of manipulation , an exploitation piece doing its usual worst to guilt-trip parents .\n9311\tLacks dramatic punch and depth .\n9312\tThere are moments of real pleasure to be found in Sara Sugarman 's whimsical comedy Very Annie-Mary but not enough to sustain the film .\n9313\tI can analyze this movie in three words : Thumbs Friggin ' Down .\n9314\tSadly , ` Garth ' has n't progressed as nicely as ` Wayne . '\n9315\tMake like the title and dodge this one .\n9316\tThis is not one of the movies you 'd want to watch if you only had a week to live .\n9317\tThe first hour is tedious though Ford and Neeson capably hold our interest , but its just not a thrilling movie .\n9318\tHere 's a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior .\n9319\tIt 's obvious -LRB- Je-Gyu is -RRB- trying for poetry ; what he gets instead has all the lyricism of a limerick scrawled in a public restroom .\n9320\tSweet Home Alabama is one dumb movie , but its stupidity is so relentlessly harmless that it almost wins you over in the end .\n9321\t-LRB- Green is -RRB- the comedy equivalent of Saddam Hussein , and I 'm just about ready to go to the U.N. and ask permission for a preemptive strike .\n9322\tNo amount of good acting is enough to save Oleander 's uninspired story .\n9323\tA vile , incoherent mess ... a scummy ripoff of David Cronenberg 's brilliant ` Videodrome . '\n9324\tMurphy and Wilson actually make a pretty good team ... but the project surrounding them is distressingly rote .\n9325\tDespite its raucous intent , XXX is as conventional as a Nike ad and as rebellious as spring break .\n9326\tThink The Lion King redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs by Bryan Adams , the world 's most generic rock star .\n9327\tIt is one more celluloid testimonial to the cruelties experienced by Southern blacks as distilled through a Caucasian perspective .\n9328\tIt 's tough being a black man in America , especially when the Man has taken away your car , your work-hours and denied you health insurance .\n9329\tA small fortune in salaries and stunt cars might have been saved if the director , Tom Dey , had spliced together bits and pieces of Midnight Run and 48 Hours -LRB- and , for that matter , Shrek -RRB- .\n9330\tAn amateurish , quasi-improvised acting exercise shot on ugly digital video .\n9331\tThe holes in this film remain agape -- holes punched through by an inconsistent , meandering , and sometimes dry plot .\n9332\tWould Benigni 's Italian Pinocchio have been any easier to sit through than this hastily dubbed disaster ?\n9333\tUnofficially , National Lampoon 's Van Wilder is Son of Animal House .\n9334\tOfficially , it is twice as bestial but half as funny .\n9335\tThis is a fragmented film , once a good idea that was followed by the bad idea to turn it into a movie .\n9336\tMindless yet impressively lean spinoff of last summer 's bloated effects fest The Mummy Returns .\n9337\tHalfway through the movie , the humor dwindles .\n9338\tIt 's replaced by some dramatic scenes that are jarring and deeply out of place in what could have -LRB- and probably should have -RRB- been a lighthearted comedy .\n9339\twill be far more interesting to the Soderbergh faithful than it will be to the casual moviegoer who might be lured in by Julia Roberts ...\n9340\tAuthentic , and at times endearing , humorous , spooky , educational , but at other times as bland as a block of snow .\n9341\tControl-Alt-Delete Simone as quickly as possible\n9342\tFollows the original film virtually scene for scene and yet manages to bleed it almost completely dry of humor , verve and fun .\n9343\tThe filmmaker ascends , literally , to the Olympus of the art world , but he would have done well to end this flawed , dazzling series with the raising of something other than his own cremaster .\n9344\tThe screenplay comes across , rather unintentionally , as Hip-Hop Scooby-Doo .\n9345\tHas lost some of the dramatic conviction that underlies the best of comedies ...\n9346\tVaguely interesting , but it 's just too too much .\n9347\t... no charm , no laughs , no fun , no reason to watch .\n9348\tA generic family comedy unlikely to be appreciated by anyone outside the under-10 set .\n9349\tKung Pow seems like some futile concoction that was developed hastily after Oedekerk and his fellow moviemakers got through crashing a college keg party .\n9350\tKurys seems intimidated by both her subject matter and the period trappings of this debut venture into the heritage business .\n9351\tThe film virtually chokes on its own self-consciousness .\n9352\tA manipulative feminist empowerment tale thinly posing as a serious drama about spousal abuse .\n9353\tEverything in Maid in Manhattan is exceedingly pleasant , designed not to offend .\n9354\tIt goes down easy , leaving virtually no aftertaste .\n9355\tA profoundly stupid affair , populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility .\n9356\t... pays tribute to heroes the way Julia Roberts hands out awards -- with phony humility barely camouflaging grotesque narcissism .\n9357\tTime stands still in more ways that one in Clockstoppers , a sci-fi thriller as lazy as it is interminable .\n9358\tAs a director , Eastwood is off his game -- there 's no real sense of suspense , and none of the plot ` surprises ' are really surprising .\n9359\tEccentric enough to stave off doldrums , Caruso 's self-conscious debut is also eminently forgettable .\n9360\tTo work , love stories require the full emotional involvement and support of a viewer .\n9361\tThat is made almost impossible by events that set the plot in motion .\n9362\tAlthough Barbershop boasts some of today 's hottest and hippest acts from the world of television , music and stand-up comedy , this movie strangely enough has the outdated swagger of a shameless ` 70s blaxploitation shuck-and-jive sitcom .\n9363\tA puzzle whose pieces do not fit .\n9364\tSome are fascinating and others are not , and in the end , it is almost a good movie .\n9365\tWould that Greengrass had gone a tad less for grit and a lot more for intelligibility .\n9366\tThe good is very , very good ... The rest runs from mildly unimpressive to despairingly awful .\n9367\t` Butterfingered ' is the word for the big-fisted direction of Jez Butterworth , who manages to blast even the smallest sensitivities from the romance with his clamorous approach .\n9368\tBe forewarned , if you 're depressed about anything before watching this film , you may just end up trying to drown yourself in a lake afterwards .\n9369\ta terrible adaptation of a play that only ever walked the delicate tightrope between farcical and loathsome .\n9370\tIn the wrong hands , i.e. Peploe 's , it 's simply unbearable\n9371\tAn inexperienced director , Mehta has much to learn .\n9372\tA limp Eddie Murphy vehicle that even he seems embarrassed to be part of .\n9373\tSo muddled , repetitive and ragged that it says far less about the horrifying historical reality than about the filmmaker 's characteristic style .\n9374\tA gushy episode of `` M \\* A \\* S \\* H '' only this time from an Asian perspective .\n9375\t`` Looking For Leonard '' just seems to kinda sit in neutral , hoping for a stiff wind to blow it uphill or something .\n9376\tNothing more than four or five mild chuckles surrounded by 86 minutes of overly-familiar and poorly-constructed comedy .\n9377\tDefinitely in the guilty pleasure B-movie category , Reign of Fire is so incredibly inane that it is laughingly enjoyable .\n9378\tGood-looking but relentlessly lowbrow outing plays like Clueless Does South Fork .\n9379\tentertaining enough , but nothing new\n9380\t... one resurrection too many .\n9381\tThis is a film about the irksome , tiresome nature of complacency that remains utterly satisfied to remain the same throughout .\n9382\tEven as the hero of the story rediscovers his passion in life , the mood remains oddly detached .\n9383\tDeMeo is not without talent ; he just needs better material .\n9384\tIn spite of featuring a script credited to no fewer than five writers , apparently nobody here bothered to check it twice .\n9385\tNo one involved , save Dash , shows the slightest aptitude for acting , and the script , credited to director Abdul Malik Abbott and Ernest ` Tron ' Anderson , seems entirely improvised .\n9386\tInitially gripping , eventually cloying POW drama .\n9387\tA timid , soggy near miss .\n9388\tWorks better in the conception than it does in the execution ... winds up seeming just a little too clever .\n9389\tTo the vast majority of more casual filmgoers , it will probably be a talky bore .\n9390\tObservant intelligence constantly vies with pretension -- and sometimes plain wacky implausibility -- throughout Maelstrom .\n9391\tThis version of H.G. Wells ' Time Machine was directed by H.G. Wells ' great-grandson .\n9392\tThey should have found Orson Welles ' great-grandson .\n9393\tShunji Iwai 's All About Lily Chou Chou is a beautifully shot , but ultimately flawed film about growing up in Japan .\n9394\tWith more character development this might have been an eerie thriller ; with better payoffs , it could have been a thinking man 's monster movie .\n9395\tThriller directorial debut for Traffic scribe Gaghan has all the right parts , but the pieces do n't quite fit together .\n9396\t... would be a total loss if not for two supporting performances taking place at the movie 's edges .\n9397\tThere 's not a single jump-in-your-seat moment and believe it or not , Jason actually takes a backseat in his own film to special effects .\n9398\tGoldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... but she and writing partner Laurence Coriat do n't manage an equally assured narrative coinage .\n9399\tThough Harris is affecting at times , he can not overcome the sense that Pumpkin is a mere plot pawn for two directors with far less endearing disabilities .\n9400\tThe documentary is much too conventional -- lots of boring talking heads , etc. -- to do the subject matter justice .\n9401\tThe movie itself appears to be running on hypertime in reverse as the truly funny bits get further and further apart .\n9402\tThis is not a Jackie Chan movie .\n9403\tIt 's just a movie that happens to have Jackie Chan in it .\n9404\tAnd that makes all the difference .\n9405\tFar too clever by half , Howard 's film is really a series of strung-together moments , with all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another .\n9406\tThe problem with movies about angels is they have a tendency to slip into hokum .\n9407\tA Rumor of Angels does n't just slip -- it avalanches into forced fuzziness .\n9408\tNo big whoop , nothing new to see , zero thrills , too many flashbacks and a choppy ending make for a bad film .\n9409\tI do n't think this movie loves women at all .\n9410\tShankman ... and screenwriter Karen Janszen bungle their way through the narrative as if it were a series of Bible parables and not an actual story .\n9411\tA negligible British comedy .\n9412\tFails to convince the audience that these brats will ever be anything more than losers .\n9413\tSlack and uninspired , and peopled mainly by characters so unsympathetic that you 're left with a sour taste in your mouth .\n9414\tSkip this turd and pick your nose instead because you 're sure to get more out of the latter experience .\n9415\tWhat can one say about a balding 50-year-old actor playing an innocent boy carved from a log ?\n9416\tTrailer trash cinema so uncool the only thing missing is the `` Gadzooks ! ''\n9417\tHer film is like a beautiful food entrée that is n't heated properly , so that it ends up a bit cold and relatively flavorless .\n9418\tLike the world of his film , Hartley created a monster but did n't know how to handle it .\n9419\tNo new plot conceptions or environmental changes , just different bodies for sharp objects to rip through .\n9420\tNeeds more impressionistic cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and quick-cut edits that often detract from the athleticism .\n9421\tIn the end , there is n't much to it .\n9422\tA waste of fearless purity in the acting craft .\n9423\tThe film is ultimately about as inspiring as a Hallmark card .\n9424\tAnyone not into high-tech splatterfests is advised to take the warning literally , and log on to something more user-friendly .\n9425\tDisreputable doings and exquisite trappings are dampened by a lackluster script and substandard performances .\n9426\tYou could easily mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time .\n9427\tDirectors Harry Gantz and Joe Gantz have chosen a fascinating subject matter , but the couples exposing themselves are n't all that interesting .\n9428\tYet another entry in the sentimental oh-those-wacky-Brits genre that was ushered in by The Full Monty and is still straining to produce another smash hit .\n9429\tfor those for whom the name Woody Allen was once a guarantee of something fresh , sometimes funny , and usually genuinely worthwhile , Hollywood Ending is a depressing experience\n9430\tFemme Fatale offers nothing more than a bait-and-switch that is beyond playing fair with the audience .\n9431\tAre we dealing with dreams , visions or being told what actually happened as if it were the third ending of Clue ?\n9432\tIt could have been something special , but two things drag it down to mediocrity -- director Clare Peploe 's misunderstanding of Marivaux 's rhythms , and Mira Sorvino 's limitations as a classical actress .\n9433\tFluffy neo-noir hiding behind cutesy film references .\n9434\tImagine Susan Sontag falling in love with Howard Stern .\n9435\tLike being trapped inside a huge video game , where exciting , inane images keep popping past your head and the same illogical things keep happening over and over again .\n9436\tShould have been worth cheering as a breakthrough but is devoid of wit and humor .\n9437\tThe best thing about the movie is its personable , amusing cast .\n9438\tThese guys seem great to knock back a beer with but they 're simply not funny performers .\n9439\tEverything was as superficial as the forced New Jersey lowbrow accent Uma had .\n9440\tDirector David Fincher and writer David Koepp ca n't sustain it .\n9441\tFinally coming down off of Miramax 's deep shelves after a couple of aborted attempts , Waking Up in Reno makes a strong case for letting sleeping dogs lie .\n9442\tA movie that feels like the pilot episode of a new teen-targeted action TV series .\n9443\tOne of the most highly-praised disappointments I 've had the misfortune to watch in quite some time .\n9444\tThe animation and backdrops are lush and inventive , yet Return to Neverland never manages to take us to that elusive , lovely place where we suspend our disbelief .\n9445\tDirector Shekhar Kapur and screenwriters Michael Schiffer and Hossein Amini have tried hard to modernize and reconceptualize things , but the barriers finally prove to be too great .\n9446\tStrong filmmaking requires a clear sense of purpose , and in that oh-so-important category , The Four Feathers comes up short .\n9447\tThe thought of watching this film with an audience full of teenagers fixating on its body humour and reinforcement of stereotypes -LRB- of which they 'll get plenty -RRB- fills me with revulsion .\n9448\tDevolves into the derivative , leaning on badly-rendered CGI effects .\n9449\tAnyone who gets chills from movies with giant plot holes will find plenty to shake and shiver about in ` The Ring . '\n9450\tA grand fart coming from a director beginning to resemble someone 's crazy French grandfather .\n9451\tThe script is a disaster , with cloying messages and irksome characters .\n9452\tboth overstuffed and undernourished ... The film ca n't be called a solid success , although there 's plenty of evidence here to indicate Clooney might have better luck next time .\n9453\tPlods along , minus the twisted humor and eye-popping visuals that have made Miike ... a cult hero .\n9454\tHollywood has taken quite a nosedive from Alfred Hitchcock 's imaginative flight to Shyamalan 's self-important summer fluff .\n9455\tThe film 's maudlin focus on the young woman 's infirmity and her naive dreams play like the worst kind of Hollywood heart-string plucking .\n9456\tI firmly believe that a good video game movie is going to show up soon .\n9457\tI also believe that Resident Evil is not it .\n9458\tIt has the air of a surprisingly juvenile lark , a pop-influenced prank whose charms are immediately apparent and wear thin with repetition .\n9459\tThe plot meanders from gripping to plodding and back .\n9460\tThis is cruel , misanthropic stuff with only weak claims to surrealism and black comedy .\n9461\tNo amount of nostalgia for Carvey 's glory days can disguise the fact that the new film is a lame kiddie flick and that Carvey 's considerable talents are wasted in it .\n9462\tBest described as I Know What You Did Last Winter .\n9463\t-LRB- Taylor -RRB- takes us on a ride that 's consistently surprising , easy to watch -- but , oh , so dumb .\n9464\tIt 's difficult for a longtime admirer of his work to not be swept up in Invincible and overlook its drawbacks .\n9465\tLazily directed by Charles Stone III ... from a leaden script by Matthew Cirulnick and novelist Thulani Davis .\n9466\tThough Jones and Snipes are enthralling , the movie bogs down in rhetoric and cliché .\n9467\tThe most remarkable -LRB- and frustrating -RRB- thing about World Traveler , which opens today in Manhattan , is that its protagonist , after being an object of intense scrutiny for 104 minutes , remains a complete blank .\n9468\tAn artsploitation movie with too much exploitation and too little art .\n9469\tThe pacing is often way off and there are too many bona fide groaners among too few laughs .\n9470\tWith lines that feel like long soliloquies -- even as they are being framed in conversation -- Max is static , stilted .\n9471\tBarely manages for but a few seconds over its seemingly eternal running time to pique your interest , your imagination , your empathy or anything , really , save your disgust and your indifference .\n9472\tWriter\\/director Burr Steers emphasizes the Q in Quirky , with mixed results .\n9473\tOne senses in World Traveler and in his earlier film that Freundlich bears a grievous but obscure complaint against fathers , and circles it obsessively , without making contact .\n9474\tIn between the icy stunts , the actors spout hilarious dialogue about following your dream and ` just letting the mountain tell you what to do . '\n9475\tThe obligatory break-ups and hook-ups do n't seem to have much emotional impact on the characters .\n9476\tMake no mistake , ivans xtc .\n9477\tis a mess .\n9478\tHypnotically dull , relentlessly downbeat , laughably predictable wail pitched to the cadence of a depressed fifteen-year-old 's suicidal poetry .\n9479\tThe concept is a hoot .\n9480\tThe trailer is a riot .\n9481\tThe movie is a dud .\n9482\tIt 's a boring movie about a boring man , made watchable by a bravura performance from a consummate actor incapable of being boring .\n9483\tBecause the intelligence level of the characters must be low , very low , very very low , for the masquerade to work , the movie contains no wit , only labored gags .\n9484\tIt 's hard to imagine another director ever making his wife look so bad in a major movie .\n9485\tSome stunning visuals -- and some staggeringly boring cinema .\n9486\tThese characters become wearisome .\n9487\tA hit - and-miss affair , consistently amusing but not as outrageous or funny as Cho may have intended or as imaginative as one might have hoped .\n9488\tThis may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar .\n9489\tKim Ki-Deok seems to have in mind an -LRB- emotionally at least -RRB- adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested .\n9490\tA sterling film - a cross between Boys Do n't Cry , Deliverance , and Ode to Billy Joe - lies somewhere in the story of Matthew Shepard , but that film is yet to be made .\n9491\tAfter sitting through this sloppy , made-for-movie comedy special , it makes me wonder if Lawrence hates criticism so much that he refuses to evaluate his own work .\n9492\tContrived pastiche of caper clichés .\n9493\tMany shallower movies these days seem too long , but this one is egregiously short .\n9494\tJust a Kiss wants desperately to come off as a fanciful film about the typical problems of average people .\n9495\tBut it is set in a world that is very , very far from the one most of us inhabit .\n9496\tThe most ill-conceived animated comedy since the 1991 dog Rover Dangerfield .\n9497\tLike shave ice without the topping , this cinematic snow cone is as innocuous as it is flavorless .\n9498\tDespite its sincere acting , Signs is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype .\n9499\tYet another movie which presumes that high school social groups are at war , let alone conscious of each other 's existence .\n9500\tLoud , chaotic and largely unfunny .\n9501\tI ca n't remember the last time I saw an audience laugh so much during a movie , but there 's only one problem ... it 's supposed to be a drama .\n9502\tQualities that were once amusing are becoming irritating .\n9503\tWell , Jason 's gone to Manhattan and Hell , I guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels -LRB- hey , do n't shoot the messenger -RRB- .\n9504\tDonovan ... squanders his main asset , Jackie Chan , and fumbles the vital action sequences .\n9505\tThere is no psychology here , and no real narrative logic -- just a series of carefully choreographed atrocities , which become strangely impersonal and abstract .\n9506\tBread , My Sweet has so many flaws it would be easy for critics to shred it .\n9507\tIt may even fall into the category of Films You Love to Hate .\n9508\tI admit it , I hate to like it .\n9509\tFrida is certainly no disaster , but neither is it the Kahlo movie Frida fans have been looking for .\n9510\tLeaks treacle from every pore .\n9511\tThe characters are so generic and the plot so bland that even as rogue CIA assassins working for Chris Cooper 's agency boss close in on the resourceful amnesiac , we do n't feel much for Damon\\/Bourne or his predicament .\n9512\tKapur weighs down the tale with bogus profundities .\n9513\tWhile we want MacDowell 's character to retrieve her husband , we have to ask whether her personal odyssey trumps the carnage that claims so many lives around her .\n9514\tBlue Crush is as predictable as the tides .\n9515\t... The movie feels stitched together from stock situations and characters from other movies .\n9516\tIf you enjoy being rewarded by a script that assumes you are n't very bright , then Blood Work is for you .\n9517\tTrouble Every Day is a success in some sense , but it 's hard to like a film so cold and dead .\n9518\tThe film 's stagecrafts are intimate and therefore bolder than the otherwise calculated artifice that defines and overwhelms the film 's production design .\n9519\tA well-intentioned effort that 's still too burdened by the actor 's offbeat sensibilities for the earnest emotional core to emerge with any degree of accessibility .\n9520\tA family-friendly fantasy that ends up doing very little with its imaginative premise .\n9521\tA plodding look at the French Revolution through the eyes of aristocrats .\n9522\tTom Shadyac has learned a bit more craft since directing Adams , but he still lingers over every point until the slowest viewer grasps it .\n9523\tUnspools like a highbrow , low-key , 102-minute infomercial , blending entrepreneurial zeal with the testimony of satisfied customers .\n9524\tA fast-paced , glitzy but extremely silly piece .\n9525\tAny reasonably creative eighth-grader could have written a more credible script , though with the same number of continuity errors .\n9526\t... while the humor aspects of ` Jason X ' were far more entertaining than I had expected , everything else about the film tanks .\n9527\tYour taste for Jonah - A Veggie Tales Movie may well depend on your threshold for pop manifestations of the Holy Spirit .\n9528\tLike an Afterschool Special with costumes by Gianni Versace , Mad Love looks better than it feels .\n9529\tWhile certain cues , like the happy music , suggest that this movie is supposed to warm our hearts , Jeong-Hyang Lee 's film is just as likely to blacken that organ with cold vengefulness .\n9530\tThe script , the gags , the characters are all direct-to-video stuff , and that 's where this film should have remained .\n9531\tA thriller without thrills and a mystery devoid of urgent questions .\n9532\tA collage of clichés and a dim echo of allusions to other films .\n9533\tThe film is hampered by its predictable plot and paper-thin supporting characters .\n9534\tJonah is only so-so ... the addition of a biblical message will either improve the film for you , or it will lessen it .\n9535\tAn excruciating demonstration of the unsalvageability of a movie saddled with an amateurish screenplay .\n9536\tHow many more times will indie filmmakers subject us to boring , self-important stories of how horrible we are to ourselves and each other ?\n9537\tThere are some laughs in this movie , but Williams ' anarchy gets tiresome , the satire is weak .\n9538\tAs steamy as last week 's pork dumplings .\n9539\tThe somber pacing and lack of dramatic fireworks make Green Dragon seem more like medicine than entertainment .\n9540\tThe filmmakers needed more emphasis on the storytelling and less on the glamorous machine that thrusts the audience into a future they wo n't much care about .\n9541\tAnother wholly unnecessary addition to the growing , moldering pile of , well , extreme stunt pictures .\n9542\tThis strenuously unfunny Showtime deserves the hook .\n9543\tThe whole thing 's fairly lame , making it par for the course for Disney sequels .\n9544\t... its solemn pretension prevents us from sharing the awe in which it holds itself .\n9545\t... the good and different idea -LRB- of middle-aged romance -RRB- is not handled well and , except for the fine star performances , there is little else to recommend `` Never Again . ''\n9546\tIf Disney 's Cinderella proved that ' a dream is a wish your heart makes , ' then Cinderella II proves that a nightmare is a wish a studio 's wallet makes .\n9547\tFeatures nonsensical and laughable plotting , wooden performances , ineptly directed action sequences and some of the worst dialogue in recent memory .\n9548\tWith Rare Birds , as with The Shipping News before it , an attempt is made to transplant a Hollywood star into Newfoundland 's wild soil -- and The Rock once again resists the intrusion .\n9549\tNothing about this movie works .\n9550\tIf the idea of the white man arriving on foreign shores to show wary natives the true light is abhorrent to you , the simplistic Heaven will quite likely be more like hell .\n9551\tA spooky yarn of demonic doings on the high seas that works better the less the brain is engaged .\n9552\tNone of Birthday Girl 's calculated events take us by surprise ...\n9553\tAre monsters born , or made ?\n9554\tLisa Rinzler 's cinematography may be lovely , but Love Liza 's tale itself virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension .\n9555\tThe narrator and the other characters try to convince us that acting transfigures Esther , but she 's never seen speaking on stage ; one feels cheated , and Esther seems to remain an unchanged dullard .\n9556\tIt 's exactly the kind of movie Toback 's detractors always accuse him of making .\n9557\tWith the dog days of August upon us , think of this dog of a movie as the cinematic equivalent of high humidity .\n9558\tLess about Shakespeare than the spawn of fools who saw Quentin Tarantino 's handful of raucous gangster films and branched out into their own pseudo-witty copycat interpretations .\n9559\tThe film is like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables .\n9560\tThis rather unfocused , all-over-the-map movie would be a lot better if it pared down its plots and characters to a few rather than dozens ... or if it were subtler ... or if it had a sense of humor .\n9561\tTakes a clunky TV-movie approach to detailing a chapter in the life of the celebrated Irish playwright , poet and drinker .\n9562\tNot only does the thoroughly formulaic film represent totally exemplify middle-of-the-road mainstream , it also represents glossy Hollywood at its laziest .\n9563\tA shame that Stealing Harvard is too busy getting in its own way to be anything but frustrating , boring , and forgettable .\n9564\tNearly every attempt at humor here is DOA .\n9565\tCollapses under its own meager weight .\n9566\tThis is mild-mannered , been-there material given a pedestrian spin by a director who needed a touch of the flamboyant , the outrageous .\n9567\tIf you adored The Full Monty so resoundingly that you 're dying to see the same old thing in a tired old setting , then this should keep you reasonably entertained .\n9568\tTechnically and artistically inept .\n9569\tThose who are only mildly curious , I fear , will be put to sleep or bewildered by the artsy and often pointless visuals .\n9570\tThough Tom Shadyac 's film kicks off spookily enough , around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance .\n9571\tA long , dull procession of despair , set to cello music culled from a minimalist funeral .\n9572\tCall me a cold-hearted curmudgeon for not being able to enjoy a mindless action movie , but I believe a movie can be mindless without being the peak of all things insipid .\n9573\tDeath might be a release .\n9574\t`` -LRB- Hopkins -RRB- does n't so much phone in his performance as fax it .\n9575\tNo , even that 's too committed .\n9576\tHe gets his secretary to fax it . ''\n9577\tSodden and glum , even in those moments where it 's supposed to feel funny and light .\n9578\tPriggish , lethargically paced parable of renewal .\n9579\tA beautifully shot but dull and ankle-deep ` epic . '\n9580\tEven with its $ 50-million US budget , Pinocchio never quite achieves the feel of a fanciful motion picture .\n9581\tThis is a third-person story now , told by Hollywood , and much more ordinary for it .\n9582\tThe filmmakers know how to please the eye , but it is not always the prettiest pictures that tell the best story .\n9583\tWritten , flatly , by David Kendall and directed , barely , by There 's Something About Mary co-writer Ed Decter .\n9584\tThe characters are interesting and the relationship between Yosuke and Saeko is worth watching as it develops , but there 's not enough to the story to fill two hours .\n9585\tVery well made , but does n't generate a lot of tension .\n9586\tLike being invited to a classy dinner soiree and not knowing anyone .\n9587\tYou leave the same way you came -- a few tasty morsels under your belt , but no new friends .\n9588\tIt 's depressing to see how far Herzog has fallen .\n9589\tThe question hanging over The Time Machine is not , as the main character suggests , ` what if ? '\n9590\tbut rather , ` How can you charge money for this ? '\n9591\tMillions of dollars heaped upon a project of such vast proportions need to reap more rewards than spiffy bluescreen technique and stylish weaponry .\n9592\t`` Freaky Friday , '' it 's not .\n9593\tPerhaps a better celebration of these unfairly dismissed heroes would be a film that is n't this painfully forced , false and fabricated .\n9594\tAlthough no pastry is violated , this nasty comedy pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success .\n9595\tIn this film , Aussie David Caesar channels the not-quite-dead career of Guy Ritchie .\n9596\tMaybe you 'll be lucky , and there 'll be a power outage during your screening so you can get your money back .\n9597\tThe characterizations and dialogue lack depth or complexity , with the ironic exception of Scooter .\n9598\tThis film was made by and for those folks who collect the serial killer cards and are fascinated by the mere suggestion of serial killers .\n9599\tFor the rest of us , sitting through Dahmer 's two hours amounts to little more than punishment .\n9600\tNarc can only remind us of brilliant crime dramas without becoming one itself .\n9601\tSomewhere inside the mess that is World Traveler , there is a mediocre movie trying to get out .\n9602\tA tedious parable about honesty and good sportsmanship .\n9603\tIts strengths and weaknesses play off each other virtually to a stand-off , with the unfortunate trump card being the dreary mid-section of the film .\n9604\tAn artful yet depressing film that makes a melodramatic mountain out of the molehill of a missing bike .\n9605\tThe movie 's ultimate point -- that everyone should be themselves -- is trite , but the screenwriter and director Michel Gondry restate it to the point of ridiculousness .\n9606\tA glossy knock-off of a B-movie revenge flick .\n9607\t... expands the horizons of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape .\n9608\tIt 's just plain boring .\n9609\tSad nonsense , this .\n9610\tBut not without cheesy fun factor .\n9611\tOne of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time .\n9612\tReally dumb but occasionally really funny .\n9613\tThe movie wavers between Hallmark card sentimentality and goofy , life-affirming moments straight out of a cellular phone commercial .\n9614\tThe director 's many dodges and turns add up to little more than a screenful of gamesmanship that 's low on both suspense and payoff .\n9615\tWhile the transgressive trappings -LRB- especially the frank sex scenes -RRB- ensure that the film is never dull , Rodrigues 's beast-within metaphor is ultimately rather silly and overwrought , making the ambiguous ending seem goofy rather than provocative .\n9616\tThe satire is unfocused , while the story goes nowhere .\n9617\tThey threw loads of money at an idea that should 've been so much more even if it was only made for teenage boys and wrestling fans .\n9618\tIt 's mired in a shabby script that piles layer upon layer of Action Man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of -LRB- Woo 's -RRB- best work .\n9619\tReyes ' directorial debut has good things to offer , but ultimately it 's undone by a sloppy script\n9620\tIf you 're over 25 , have an IQ over 90 , and have a driver 's license , you should be able to find better entertainment .\n9621\tThe darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and the sparse instances of humor meant to shine through the gloomy film noir veil .\n9622\t... the picture 's cleverness is ironically muted by the very people who are intended to make it shine .\n9623\tNever does `` Lilo & Stitch '' reach the emotion or timelessness of Disney 's great past , or even that of more recent successes such as `` Mulan '' or `` Tarzan . ''\n9624\tOne of those so-so films that could have been much better .\n9625\tCrossroads feels like a teenybopper Ed Wood film , replete with the pubescent scandalous innuendo and the high-strung but flaccid drama .\n9626\tFails to satisfactorily exploit its gender politics , genre thrills or inherent humor .\n9627\tInterview With the Assassin is structured less as a documentary and more as a found relic , and as such the film has a difficult time shaking its Blair Witch Project real-time roots .\n9628\tCacoyannis ' vision is far less mature , interpreting the play as a call for pity and sympathy for anachronistic phantasms haunting the imagined glory of their own pasts .\n9629\tIt has more in common with a fireworks display than a movie , which normally is expected to have characters and a storyline .\n9630\tIt appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept .\n9631\tLess a heartfelt appeal for the handicapped than a nice Belgian waffle .\n9632\tIt 's not helpful to listen to extremist name-calling , regardless of whether you think Kissinger was a calculating fiend or just a slippery self-promoter .\n9633\tAbandon spends 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed .\n9634\tThe only problem is that , by the end , no one in the audience or the film seems to really care .\n9635\tNo Such Thing is sort of a minimalist Beauty and the Beast , but in this case the Beast should definitely get top billing .\n9636\tRobert John Burke as The Monster horns in and steals the show .\n9637\tDue to stodgy , soap opera-ish dialogue , the rest of the cast comes across as stick figures reading lines from a TelePrompTer .\n9638\t-LRB- T -RRB- he film is never sure to make a clear point -- even if it seeks to rely on an ambiguous presentation .\n9639\tWhile it may not add up to the sum of its parts , Holofcener 's film offers just enough insight to keep it from being simpleminded , and the ensemble cast is engaging enough to keep you from shifting in your chair too often .\n9640\tAn overwrought Taiwanese soaper about three people and their mixed-up relationship .\n9641\tNobody seems to have cared much about any aspect of it , from its cheesy screenplay to the grayish quality of its lighting to its last-minute , haphazard theatrical release .\n9642\tA thoroughly awful movie -- dumb , narratively chaotic , visually sloppy ... a weird amalgam of ` The Thing ' and a geriatric ` Scream . '\n9643\t... another example of how Sandler is losing his touch .\n9644\tNothing sticks , really , except a lingering creepiness one feels from being dragged through a sad , sordid universe of guns , drugs , avarice and damaged dreams .\n9645\tWhat goes on for the 110 minutes of `` Panic Room '' is a battle of witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals .\n9646\tThe plot 's contrivances are uncomfortably strained .\n9647\tGuilty of the worst sin of attributable to a movie like this : it 's not scary in the slightest .\n9648\tSchnieder bounces around with limp wrists , wearing tight tummy tops and hip huggers , twirling his hair on his finger and assuming that 's enough to sustain laughs ...\n9649\tIts simplicity puts an exclamation point on the fact that this is n't something to be taken seriously , but it also wrecks any chance of the movie rising above similar fare .\n9650\tBy the final whistle you 're convinced that this Mean Machine was a decent TV outing that just does n't have big screen magic .\n9651\tTo say that this vapid vehicle is downright doltish and uneventful is just as obvious as telling a country skunk that he has severe body odor .\n9652\tA film of empty , fetishistic violence in which murder is casual and fun .\n9653\tPretend it 's a werewolf itself by avoiding eye contact and walking slowly away .\n9654\tIt 's fun , but it 's a real howler .\n9655\tSome fine acting , but ultimately a movie with no reason for being .\n9656\tIt 's difficult to feel anything much while watching this movie , beyond mild disturbance or detached pleasure at the acting .\n9657\tA waterlogged version of ` Fatal Attraction ' for the teeny-bopper set ... a sad , soggy potboiler that wastes the talents of its attractive young leads .\n9658\tIt tells its story in a flat manner and leaves you with the impression that you should have gotten more out of it than you did .\n9659\tSweet gentle Jesus , did the screenwriters just do a cut-and-paste of every bad action-movie line in history ?\n9660\tIt 's not the worst comedy of the year , but it certainly wo n't win any honors .\n9661\tThis is for the most part a useless movie , even with a great director at the helm .\n9662\tA loud , witless mess that has none of the charm and little of the intrigue from the TV series .\n9663\tEven on its own ludicrous terms , The Sum of All Fears generates little narrative momentum , and invites unflattering comparisons to other installments in the Ryan series .\n9664\tThough it inspires some -LRB- out-of-field -RRB- creative thought , the film is -- to its own detriment -- much more a cinematic collage than a polemical tract .\n9665\tAs predictable as the outcome of a Globetrotters-Generals game , Juwanna Mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre , and a personal low for everyone involved .\n9666\tSinks into the usual cafeteria goulash of fart jokes , masturbation jokes , and racist Japanese jokes .\n9667\tWhere Tom Green stages his gags as assaults on America 's knee-jerk moral sanctimony , Jackass lacks aspirations of social upheaval .\n9668\tMore of an intriguing curiosity than a gripping thriller .\n9669\tThe April 2002 instalment of the American War for Independence , complete with loads of CGI and bushels of violence , but not a drop of human blood .\n9670\tContains all the substance of a Twinkie -- easy to swallow , but scarcely nourishing .\n9671\tReturn to Neverland manages to straddle the line between another classic for the company and just another run-of-the-mill Disney sequel intended for the home video market .\n9672\tRarely does a film so graceless and devoid of merit as this one come along .\n9673\tIt 's a thin notion , repetitively stretched out to feature length , awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue .\n9674\tOn a certain base level , Blue Crush delivers what it promises , just not well enough to recommend it .\n9675\tThe colorful Masseur wastes its time on mood rather than riding with the inherent absurdity of Ganesh 's rise up the social ladder .\n9676\t... an incredibly heavy-handed , manipulative dud that feels all too familiar .\n9677\tWimps out by going for that PG-13 rating , so the more graphic violence is mostly off-screen and the sexuality is muted .\n9678\tTrapped presents a frightening and compelling ` What if ? '\n9679\tscenario that will give most parents pause ... Then , something terrible happens .\n9680\tMadonna has made herself over so often now , there 's apparently nothing left to work with , sort of like Michael Jackson 's nose .\n9681\tNever having seen the first two films in the series , I ca n't compare Friday After Next to them , but nothing would change the fact that what we have here is a load of clams left in the broiling sun for a good three days .\n9682\tThe story is lacking any real emotional impact , and the plot is both contrived and cliched .\n9683\tA depraved , incoherent , instantly disposable piece of hackery .\n9684\tIt 's a bad action movie because there 's no rooting interest and the spectacle is grotesque and boring .\n9685\t-LRB- Soderbergh -RRB- tends to place most of the psychological and philosophical material in italics rather than trust an audience 's intelligence , and he creates an overall sense of brusqueness .\n9686\tHandsome and sincere but slightly awkward in its combination of entertainment and evangelical boosterism .\n9687\tSo aggressively cheery that Pollyana would reach for a barf bag .\n9688\tScooby-Doo does n't know if it wants to be a retro-refitting exercise in campy recall for older fans or a silly , Nickelodeon-esque kiddie flick .\n9689\tRussell lacks the visual panache , the comic touch , and perhaps the budget of Sommers 's title-bout features .\n9690\tHighly uneven and inconsistent ... Margarita Happy Hour kinda resembles the el cheapo margaritas served within .\n9691\tVery stupid and annoying .\n9692\tThe Sum of All Fears pretends to be a serious exploration of nuclear terrorism , but it 's really nothing more than warmed-over Cold War paranoia .\n9693\tA listless and desultory affair .\n9694\tRepresents the depths to which the girls-behaving-badly film has fallen .\n9695\tHow inept is Serving Sara ?\n9696\tIt makes even Elizabeth Hurley seem graceless and ugly .\n9697\tJam-packed with literally bruising jokes .\n9698\tEvery five minutes or so , someone gets clocked .\n9699\tWins my vote for ` The 2002 Enemy of Cinema ' Award .\n9700\tAny Chekhov is better than no Chekhov , but it would be a shame if this was your introduction to one of the greatest plays of the last 100 years .\n9701\tHelmer Hudlin tries to make a hip comedy , but his dependence on slapstick defeats the possibility of creating a more darkly edged tome .\n9702\tLazy , miserable and smug .\n9703\tThis is one of the biggest disappointments of the year .\n9704\tFormula 51 has dulled your senses faster and deeper than any recreational drug on the market .\n9705\tEvery visual joke is milked , every set-up obvious and lengthy , every punchline predictable .\n9706\tThere 's no energy .\n9707\tApparently writer-director Attal thought he need only cast himself and his movie-star wife sitting around in their drawers to justify a film .\n9708\tAfter the setup , the air leaks out of the movie , flattening its momentum with about an hour to go .\n9709\tThis is a poster movie , a mediocre tribute to films like Them !\n9710\tAt three hours and with very little story or character development , there is plenty of room for editing , and a much shorter cut surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue .\n9711\tA bit too derivative to stand on its own as the psychological thriller it purports to be .\n9712\tA crude teen-oriented variation on a theme that the playwright Craig Lucas explored with infinitely more grace and eloquence in his Prelude to a Kiss .\n9713\tThe film 's darker moments become smoothed over by an overwhelming need to tender inspirational tidings , especially in the last few cloying moments .\n9714\tIf you recognize Zeus -LRB- the dog from Snatch -RRB- it will make you wish you were at home watching that movie instead of in the theater watching this one .\n9715\tThis is the kind of movie that you only need to watch for about thirty seconds before you say to yourself , ` Ah , yes , here we have a bad , bad , bad movie . '\n9716\tShanghai Ghetto should be applauded for finding a new angle on a tireless story , but you might want to think twice before booking passage .\n9717\tPlays like a checklist of everything Rob Reiner and his cast were sending up .\n9718\tThere 's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present .\n9719\tIt 's at once laughable and compulsively watchable , in its committed dumbness .\n9720\tAll the sensuality , all the eroticism of a good vampire tale has been , pardon the pun , sucked out and replaced by goth goofiness .\n9721\tA cross between Blow and Boyz N The Hood , this movie strives to be more , but does n't quite get there .\n9722\tGood performances keep it from being a total rehash .\n9723\tThe screenplay is hugely overwritten , with tons and tons of dialogue -- most of it given to children .\n9724\tTroll the cult section of your local video store for the real deal .\n9725\tAt times , the movie looks genuinely pretty .\n9726\tYour nightmares , on the other hand , will be anything but .\n9727\tNot even Felinni would know what to make of this Italian freakshow .\n9728\tElmo touts his drug as being 51 times stronger than coke .\n9729\tIf you 're looking for a tale of Brits behaving badly , watch Snatch again .\n9730\tIt 's 51 times better than this .\n9731\tIt 's difficult to conceive of anyone who has reached puberty actually finding the characters in Slackers or their antics amusing , let alone funny .\n9732\tDespite its promising cast of characters , Big Trouble remains a loosely tied series of vignettes which only prove that ` zany ' does n't necessarily mean ` funny . '\n9733\tBoth shrill and soporific , and because everything is repeated five or six times , it can seem tiresomely simpleminded .\n9734\tDoes not go far enough in its humor or stock ideas to stand out as particularly memorable or even all that funny .\n9735\tNeither revelatory nor truly edgy -- merely crassly flamboyant and comedically labored .\n9736\tJust about everyone involved here seems to be coasting .\n9737\tThere are a few modest laughs , but certainly no thrills .\n9738\tFails so fundamentally on every conventional level that it achieves some kind of goofy grandeur .\n9739\tThere 's a persistent theatrical sentiment and a woozy quality to the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title .\n9740\tWhile Howard 's appreciation of Brown and his writing is clearly well-meaning and sincere , the movie would be impossible to sit through were it not for the supporting cast .\n9741\tA preposterous , prurient whodunit .\n9742\tGo , girls , right down the reality drain .\n9743\tBoasting some of the most poorly staged and lit action in memory , Impostor is as close as you can get to an imitation movie .\n9744\tCan be classified as one of those ` alternate reality ' movies ... except that it would have worked so much better dealing in only one reality .\n9745\tPredictable and cloying , though Brown Sugar is so earnest in its yearning for the days before rap went nihilistic that it summons more spirit and bite than your average formulaic romantic quadrangle .\n9746\t... unlikable , uninteresting , unfunny , and completely , utterly inept .\n9747\tThe film is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own .\n9748\tAn imponderably stilted and self-consciously arty movie .\n9749\tMuddled , melodramatic paranormal romance is an all-time low for Kevin Costner .\n9750\tToo clumsy in key moments ... to make a big splash .\n9751\tJust a bunch of good actors flailing around in a caper that 's neither original nor terribly funny .\n9752\t` Matrix ' - style massacres erupt throughout ... but the movie has a tougher time balancing its violence with Kafka-inspired philosophy .\n9753\tAt least it 's a fairly impressive debut from the director , Charles Stone III .\n9754\tIt all unfolds predictably , and the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense .\n9755\tWanker Goths are on the loose !\n9756\tRun for your lives !\n9757\tWhy would anyone cast the magnificent Jackie Chan in a movie full of stunt doubles and special effects ?\n9758\tA grating , emaciated flick .\n9759\tUnambitious writing emerges in the movie , using a plot that could have come from an animated-movie screenwriting textbook .\n9760\tPresents a good case while failing to provide a reason for us to care beyond the very basic dictums of human decency .\n9761\tWe have poignancy jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except , maybe , that it looks neat .\n9762\tAccording to the script , Grant and Bullock 's characters are made for each other .\n9763\tBut you 'd never guess that from the performances .\n9764\tThe animation merely serves up a predictable , maudlin story that swipes heavily from Bambi and The Lion King , yet lacks the emotional resonance of either of those movies .\n9765\tArarat feels like a book report\n9766\tSteve Oedekerk is , alas , no Woody Allen .\n9767\tA lot like the imaginary sport it projects onto the screen -- loud , violent and mindless .\n9768\tAn amalgam of The Fugitive , Blade Runner , and Total Recall , only without much energy or tension .\n9769\tThe acting is amateurish , the cinematography is atrocious , the direction is clumsy , the writing is insipid and the violence is at once luridly graphic and laughably unconvincing .\n9770\tShows that Jackie Chan is getting older , and that 's something I would rather live in denial about\n9771\tWith miscast leads , banal dialogue and an absurdly overblown climax , Killing Me Softly belongs firmly in the so-bad-it 's - good camp .\n9772\tAlas , the black-and-white archival footage of their act showcases pretty mediocre shtick .\n9773\tThe slapstick is labored , and the bigger setpieces flat .\n9774\tThis is the kind of movie where people who have never picked a lock do so easily after a few tries and become expert fighters after a few weeks .\n9775\tThe problem with the mayhem in Formula 51 is not that it 's offensive , but that it 's boring .\n9776\tMuch of the digitally altered footage appears jagged , as if filmed directly from a television monitor , while the extensive use of stock footage quickly becomes a tiresome cliché .\n9777\tthe film never rises above a conventional , two dimension tale\n9778\tMark Wahlberg ... may look classy in a '60s - homage pokepie hat , but as a character he 's dry , dry , dry .\n9779\tTold in scattered fashion , the movie only intermittently lives up to the stories and faces and music of the men who are its subject .\n9780\tThe irony is that this film 's cast is uniformly superb ; their performances could have -- should have -- been allowed to stand on their own .\n9781\tNow I can see why people thought I was too hard on `` The Mothman Prophecies '' .\n9782\tIf ever a concept came handed down from the movie gods on a silver platter , this is it .\n9783\tIf ever such a dependable concept was botched in execution , this is it .\n9784\tWith an unusual protagonist -LRB- a kilt-wearing Jackson -RRB- and subject matter , the improbable `` Formula 51 '' is somewhat entertaining , but it could have been much stronger .\n9785\tSandra Bullock 's best dramatic performance to date -LRB- is -RRB- almost enough to lift -LRB- this -RRB- thrill-kill cat-and-mouser ... above its paint-by-numbers plot .\n9786\tA feel-good movie that does n't give you enough to feel good about .\n9787\tAdolescents will be adequately served by the movie 's sophomoric blend of shenanigans and slapstick , although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service . '\n9788\tThis mistaken-identity picture is so film-culture referential that the final product is a ghost .\n9789\tThe picture emerges as a surprisingly anemic disappointment .\n9790\tDe Niro cries .\n9791\tYou 'll cry for your money back .\n9792\tSlap me , I saw this movie .\n9793\t-LRB- The kid 's -RRB- just too bratty for sympathy , and as the film grows to its finale , his little changes ring hollow .\n9794\tBehind the glitz , Hollywood is sordid and disgusting .\n9795\tQuelle surprise !\n9796\tScherfig , who has had a successful career in TV , tackles more than she can handle .\n9797\tJust consider what New Best Friend does not have , beginning with the minor omission of a screenplay .\n9798\tOscar caliber cast does n't live up to material\n9799\tThe problems of the people in Love in the Time of Money are hardly specific to their era .\n9800\tThey just have problems , which are neither original nor are presented in convincing way .\n9801\tCarrying this wafer-thin movie on his nimble shoulders , Chan wades through putrid writing , direction and timing with a smile that says , ` If I stay positive , maybe I can channel one of my greatest pictures , Drunken Master . '\n9802\tSo putrid it is not worth the price of the match that should be used to burn every print of the film .\n9803\tIn the end , the movie bogs down in insignificance , saying nothing about Kennedy 's assassination and revealing nothing about the pathology it pretends to investigate .\n9804\tStarts out ballsy and stylish but fails to keep it up and settles into clichés .\n9805\tSometimes makes less sense than the Bruckheimeresque American action flicks it emulates .\n9806\tOne of those films where the characters inhabit that special annex of hell where adults behave like kids , children behave like adults and everyone screams at the top of their lungs no matter what the situation .\n9807\tThere 's only one way to kill Michael Myers for good : stop buying tickets to these movies .\n9808\t` Rare Birds ' tries to force its quirkiness upon the audience .\n9809\tThe movie is about as humorous as watching your favorite pet get buried alive .\n9810\tResident Evil is what comes from taking John Carpenter 's Ghosts of Mars and eliminating the beheadings .\n9811\tIn other words , about as bad a film you 're likely to see all year .\n9812\tFive screenwriters are credited with the cliché-laden screenplay ; it seems as if each watered down the version of the one before .\n9813\tThe whole thing comes off like a particularly amateurish episode of Bewitched that takes place during Spring Break .\n9814\tWell made but uninvolving , Bloodwork is n't a terrible movie , just a stultifyingly obvious one -- an unrewarding collar for a murder mystery .\n9815\tSo we got Ten Little Indians meets Friday the 13th by way of Clean and Sober , filmed on the set of Carpenter 's The Thing and loaded with actors you 're most likely to find on the next inevitable incarnation of The Love Boat .\n9816\tThe movie 's blatant derivativeness is one reason it 's so lackluster .\n9817\tKids do n't mind crappy movies as much as adults , provided there 's lots of cute animals and clumsy people .\n9818\t` Snow Dogs ' has both .\n9819\tIt 's almost as if it 's an elaborate dare more than a full-blooded film .\n9820\tWobbly Senegalese updating of `` Carmen '' which is best for the stunning star turn by Djeinaba Diop Gai\n9821\tIt 's the humanizing stuff that will probably sink the film for anyone who does n't think about percentages all day long .\n9822\tKen Russell would love this .\n9823\tIn one scene , we get a stab at soccer hooliganism , a double-barreled rip-off of Quentin Tarantino 's climactic shootout -- and Meat Loaf explodes .\n9824\tBella is the picture of health with boundless energy until a few days before she dies .\n9825\tThis is absolutely and completely ridiculous and an insult to every family whose mother has suffered through the horrible pains of a death by cancer .\n9826\tThe premise of `` Abandon '' holds promise , ... but its delivery is a complete mess .\n9827\tWhat could have been a pointed little chiller about the frightening seductiveness of new technology loses faith in its own viability and succumbs to joyless special-effects excess .\n9828\tA little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , Monsoon Wedding serves mostly to whet one 's appetite for the Bollywood films .\n9829\tUnless Bob Crane is someone of particular interest to you , this film 's impressive performances and adept direction are n't likely to leave a lasting impression .\n9830\tThe Rock has a great presence but one battle after another is not the same as one battle followed by killer CGI effects .\n9831\tThe bottom line with Nemesis is the same as it has been with all the films in the series : Fans will undoubtedly enjoy it , and the uncommitted need n't waste their time on it .\n9832\tThe lousy John Q all but spits out Denzel Washington 's fine performance in the title role .\n9833\tThe whole thing feels like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas .\n9834\tWhat a stiflingly unfunny and unoriginal mess this is !\n9835\tThe film is so packed with subplots involving the various Silbersteins that it feels more like the pilot episode of a TV series than a feature film .\n9836\tOpera on film is never satisfactory .\n9837\tThe art demands live viewing .\n9838\tThe innate theatrics that provide its thrills and extreme emotions lose their luster when flattened onscreen .\n9839\tDespite all the closed-door hanky-panky , the film is essentially juiceless .\n9840\tIt is parochial , accessible to a chosen few , standoffish to everyone else , and smugly suggests a superior moral tone is more important than filmmaking skill\n9841\tThe Sweetest Thing leaves an awful sour taste .\n9842\tIt 's lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay .\n9843\tTerminally bland , painfully slow and needlessly confusing ... The movie , shot on digital videotape rather than film , is frequently indecipherable .\n9844\tAs dumb and cheesy as they may be , the cartoons look almost Shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy , supposed family-friendly comedy .\n9845\tAloof and lacks any real raw emotion , which is fatal for a film that relies on personal relationships .\n9846\tA low-rent retread of the Alien pictures .\n9847\tServiceable at best , slightly less than serviceable at worst .\n9848\tIts initial excitement settles into a warmed over pastiche .\n9849\tA big meal of cliches that the talented cast generally chokes on .\n9850\tThe story has little wit and no surprises .\n9851\tThe Merchant-Ivory team continues to systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage .\n9852\tWhat should have been a cutting Hollywood satire is instead about as fresh as last week 's issue of Variety .\n9853\tHey everybody , wanna watch a movie in which a guy dressed as a children 's party clown gets violently gang-raped ?\n9854\tI did n't think so .\n9855\tA little more intensity and a little less charm would have saved this film a world of hurt .\n9856\t-LRB- T -RRB- his slop does n't even have potential as a cult film , as it 's too loud to shout insults at the screen .\n9857\tThe movie 's plot is almost entirely witless and inane , carrying every gag two or three times beyond its limit to sustain a laugh .\n9858\t... may work as an addictive guilty pleasure but the material never overcomes its questionable satirical ambivalence .\n9859\tThis Scarlet 's letter is A. . .\n9860\tas in aimless , arduous , and arbitrary .\n9861\tPlays like a glossy melodrama that occasionally verges on camp .\n9862\tThe central character is n't complex enough to hold our interest .\n9863\tA modestly comic , modestly action-oriented World War II adventure that , in terms of authenticity , is one of those films that requires the enemy to never shoot straight .\n9864\tA puppy dog so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks .\n9865\tJust about all of the film is confusing on one level or another , making Ararat far more demanding than it needs to be .\n9866\tA little less extreme than in the past , with longer exposition sequences between them , and with fewer gags to break the tedium .\n9867\tThere 's a heavy stench of ` been there , done that ' hanging over the film .\n9868\tIt 's everything you 'd expect -- but nothing more .\n9869\tThe biggest problem with Satin Rouge is Lilia herself .\n9870\tShe 's a cipher , played by an actress who smiles and frowns but does n't reveal an inner life .\n9871\tA quaint , romanticized rendering .\n9872\tWhat with the incessant lounge music playing in the film 's background , you may mistake Love Liza for an Adam Sandler Chanukah song .\n9873\tThe movie 's heavy-handed screenplay navigates a fast fade into pomposity and pretentiousness .\n9874\tA potentially good comic premise and excellent cast are terribly wasted .\n9875\tWoody Allen used to ridicule movies like Hollywood Ending .\n9876\tNow he makes them .\n9877\tShe 's not yet an actress , not quite a singer ...\n9878\tNot a bad premise , but the execution is lackluster at best .\n9879\tBeen there done that .\n9880\tThere is only so much baked cardboard I need to chew .\n9881\tA movie like The Guys is why film criticism can be considered work .\n9882\tSchnitzler 's film has a great hook , some clever bits and well-drawn , if standard issue , characters , but is still only partly satisfying .\n9883\tEven if it made its original release date last fall , it would 've reeked of a been-there , done-that sameness .\n9884\tOnly two-fifths of a satisfying movie experience .\n9885\tA loud , ugly , irritating movie without any of its satirical salvos hitting a discernible target .\n9886\tA movie version of a paint-by-numbers picture .\n9887\tWe can tell what it is supposed to be , but ca n't really call it a work of art .\n9888\tIt 's a brilliant , honest performance by Nicholson , but the film is an agonizing bore except when the fantastic Kathy Bates turns up .\n9889\tBravado Kathy !\n9890\t... Liotta is put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario .\n9891\tToo bad .\n9892\tYou can thank me for this .\n9893\tI saw Juwanna Mann so you do n't have to .\n9894\tUnfunny and lacking any sense of commitment to or affection for its characters , the Reginald Hudlin comedy relies on toilet humor , ethnic slurs .\n9895\tBasically , it 's pretty but dumb .\n9896\tThis romantic\\/comedy asks the question how much souvlaki can you take before indigestion sets in .\n9897\tSquandering his opportunity to make absurdist observations , Burns gets caught up in the rush of slapstick thoroughfare .\n9898\tThere 's a neat twist , subtly rendered , that could have wrapped things up at 80 minutes , but Kang tacks on three or four more endings .\n9899\tReeboir varies between a sweet smile and an angry bark , while Said attempts to wear down possible pupils through repetition .\n9900\tIt has no affect on the Kurds , but it wore me down .\n9901\tThe actors improvise and scream their way around this movie directionless , lacking any of the rollicking dark humor so necessary to make this kind of idea work on screen .\n9902\tCo-writer\\/director Jonathan Parker 's attempts to fashion a Brazil-like , hyper-real satire fall dreadfully short .\n9903\tIf this silly little cartoon can inspire a few kids not to grow up to be greedy bastards , more power to it .\n9904\tA superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : Everyone has shown up at the appointed time and place , but visible enthusiasm is mighty hard to find .\n9905\tIf there 's a heaven for bad movies , Deuces Wild is on its way .\n9906\tComes off like a bad imitation of the Bard .\n9907\tWhat 's missing in Murder by Numbers is any real psychological grounding for the teens ' deviant behaviour .\n9908\tBeing latently gay and liking to read are hardly enough .\n9909\tAn uninspired preachy and clichéd war film .\n9910\tHorrendously amateurish filmmaking that is plainly dull and visually ugly when it is n't incomprehensible .\n9911\tA movie that harps on media-constructed ` issues ' like whether compromise is the death of self ... this Orgasm -LRB- wo n't be an -RRB- exceedingly memorable one for most people .\n9912\tSlackers ' jokey approach to college education is disappointingly simplistic -- the film 's biggest problem -- and there are no unforgettably stupid stunts or uproariously rude lines of dialogue to remember it by .\n9913\tIf Festival in Cannes nails hard - boiled Hollywood argot with a bracingly nasty accuracy , much about the film , including some of its casting , is frustratingly unconvincing .\n9914\tThe movie is too impressed with its own solemn insights to work up much entertainment value .\n9915\tI have n't seen such self-amused trash since Freddy Got Fingered .\n9916\tLittle more than a well-mounted history lesson .\n9917\tRob Schneider 's infantile cross-dressing routines fill The Hot Chick , the latest gimmick from this unimaginative comedian .\n9918\tA horrible , 99-minute stink bomb .\n9919\tThe film is weighed down by supporting characters who are either too goodly , wise and knowing or downright comically evil .\n9920\tThe film is so bad it does n't improve upon the experience of staring at a blank screen .\n9921\tSheridan 's take on the author 's schoolboy memoir ... is a rather toothless take on a hard young life .\n9922\tIt jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier .\n9923\tHow I Killed My Father is one of those art house films that makes you feel like you 're watching an iceberg melt -- only it never melts .\n9924\tWhen it comes to the battle of Hollywood vs. Woo , it looks like Woo 's a P.O.W.\n9925\tThere are a few chuckles , but not a single gag sequence that really scores , and the stars seem to be in two different movies .\n9926\tThe Chateau has one very funny joke and a few other decent ones , but all it amounts to is a mildly funny , sometimes tedious , ultimately insignificant film .\n9927\tIt 's dull , spiritless , silly and monotonous : an ultra-loud blast of pointless mayhem , going nowhere fast .\n9928\tThe mushy finale turns John Q into a movie-of-the-week tearjerker .\n9929\tContent merely to lionize its title character and exploit his anger - all for easy sanctimony , formulaic thrills and a ham-fisted sermon on the need for national health insurance .\n9930\tThe movie turns out to be -LRB- Assayas ' -RRB- homage to the Gallic ` tradition of quality , ' in all its fusty squareness .\n9931\tIts message has merit and , in the hands of a brutally honest individual like Prophet Jack , might have made a point or two regarding life .\n9932\t-LRB- Seems -RRB- even more uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels .\n9933\tIt 's hard to imagine that even very small children will be impressed by this tired retread .\n9934\tNeither as scary-funny as Tremors nor demented-funny as Starship Troopers , the movie is n't tough to take as long as you 've paid a matinee price .\n9935\tIf swimfan does catch on , it may be because teens are looking for something to make them laugh .\n9936\tWhat might 've been an exhilarating exploration of an odd love triangle becomes a sprawl of uncoordinated vectors .\n9937\tThe Master of Disguise may have made a great Saturday Night Live sketch , but a great movie it is not .\n9938\tIt 's quite an achievement to set and shoot a movie at the Cannes Film Festival and yet fail to capture its visual appeal or its atmosphere .\n9939\tBoll uses a lot of quick cutting and blurry step-printing to goose things up , but dopey dialogue and sometimes inadequate performances kill the effect .\n9940\tIt 's always disappointing when a documentary fails to live up to -- or offer any new insight into -- its chosen topic .\n9941\tUnfortunately , that 's precisely what Arthur Dong 's Family Fundamentals does .\n9942\tHas the marks of a septuagenarian ; it 's a crusty treatment of a clever gimmick .\n9943\tLike a medium-grade network sitcom -- mostly inoffensive , fitfully amusing , but ultimately so weightless that a decent draft in the auditorium might blow it off the screen .\n9944\tSomething must have been lost in the translation .\n9945\tBecomes the last thing you would expect from a film with this title or indeed from any Plympton film : boring .\n9946\tIn the end , the film feels homogenized and a bit contrived , as if we 're looking back at a tattered and ugly past with rose-tinted glasses .\n9947\tChan 's stunts are limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy .\n9948\tRock 's stand-up magic wanes .\n9949\tHopkins , squarely fills the screen .\n9950\tAction - mechanical .\n9951\t`` The Tuxedo '' should have been the vehicle for Chan that `` The Mask '' was for Jim Carrey .\n9952\tAlas , it 's the man that makes the clothes .\n9953\tFor casual moviegoers who stumble into Rules expecting a slice of American Pie hijinks starring the kid from Dawson 's Creek , they 'll probably run out screaming .\n9954\tThe biggest problem I have -LRB- other than the very sluggish pace -RRB- is we never really see her Esther blossom as an actress , even though her talent is supposed to be growing .\n9955\tWhat puzzles me is the lack of emphasis on music in Britney Spears ' first movie .\n9956\tPlot , characters , drama , emotions , ideas -- all are irrelevant to the experience of seeing The Scorpion King .\n9957\tCity by the Sea is a gritty police thriller with all the dysfunctional family dynamics one could wish for .\n9958\tBut how it washed out despite all of that is the project 's prime mystery .\n9959\tWhatever the movie 's sentimental , hypocritical lessons about sexism , its true colors come out in various wet T-shirt and shower scenes .\n9960\tAs a hybrid teen thriller and murder mystery , Murder by Numbers fits the profile too closely .\n9961\tThere ai n't a lot more painful than an unfunny movie that thinks it 's hilarious .\n9962\tI enjoyed the movie in a superficial way , while never sure what its purpose was .\n9963\tWhat a pity ... that the material is so second-rate .\n9964\tDoes n't deliver a great story , nor is the action as gripping as in past Seagal films .\n9965\tThe kind of film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly executed idea .\n9966\tNicks refuses to let Slackers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy .\n9967\tNothing about the film -- with the possible exception of Elizabeth Hurley 's breasts -- is authentic .\n9968\tAmid the cliché and foreshadowing , Cage manages a degree of casual realism ... that is routinely dynamited by Blethyn .\n9969\tMostly , Shafer and co-writer Gregory Hinton lack a strong-minded viewpoint , or a sense of humor .\n9970\tNo cliche escapes the perfervid treatment of gang warfare called ces Wild .\n9971\tEddie Murphy and Owen Wilson have a cute partnership in I Spy , but the movie around them is so often nearly nothing that their charm does n't do a load of good .\n9972\tStrictly a ` guy 's film ' in the worst sense of the expression .\n9973\tThere 's some good material in their story about a retail clerk wanting more out of life , but the movie too often spins its wheels with familiar situations and repetitive scenes .\n9974\tIt 's a lot to ask people to sit still for two hours and change watching such a character , especially when rendered in as flat and impassive a manner as Phoenix 's .\n9975\tThere 's something fishy about a seasonal holiday kids ' movie ... that derives its moment of most convincing emotional gravity from a scene where Santa gives gifts to grownups .\n9976\tWe 're left with a story that tries to grab us , only to keep letting go at all the wrong moments .\n9977\tLike many such biographical melodramas , it suffers from the awkwardness that results from adhering to the messiness of true stories .\n9978\tThere is nothing redeeming about this movie .\n9979\tThe film has -LRB- its -RRB- moments , but they are few and far between .\n9980\tI was trying to decide what annoyed me most about God is Great ... I 'm Not , and then I realized that I just did n't care .\n9981\tDerailed by bad writing and possibly also by some of that extensive post-production reworking to aim the film at young males in the throes of their first full flush of testosterone .\n9982\tDeserves high marks for political courage but barely gets by on its artistic merits .\n9983\t... comes alive only when it switches gears to the sentimental .\n9984\tBrosnan 's finest non-Bondish performance yet fails to overcome the film 's manipulative sentimentality and annoying stereotypes .\n9985\tA film that will be best appreciated by those willing to endure its extremely languorous rhythms , Waiting for Happiness is ultimately thoughtful without having much dramatic impact .\n9986\tTo me , it sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy .\n9987\tTsai may be ploughing the same furrow once too often .\n9988\tFlashy gadgets and whirling fight sequences may look cool , but they ca n't distract from the flawed support structure holding Equilibrium up .\n9989\tZigZag might have been richer and more observant if it were less densely plotted .\n9990\tHow can such a cold movie claim to express warmth and longing ?\n9991\tIn truth , it has all the heart of a porno flick -LRB- but none of the sheer lust -RRB- .\n9992\tNicks and Steinberg match their own creations for pure venality -- that 's giving it the old college try .\n9993\tEpisode II -- Attack of the Clones is a technological exercise that lacks juice and delight .\n9994\tThe problem with all of this : It 's not really funny .\n9995\t-LRB- Denis ' -RRB- bare-bones narrative more closely resembles an outline for a '70s exploitation picture than the finished product .\n9996\tWanders all over the map thematically and stylistically , and borrows heavily from Lynch , Jeunet , and von Trier while failing to find a spark of its own .\n9997\tViewing this underdramatized but overstated film is like watching a transcript of a therapy session brought to humdrum life by some Freudian puppet .\n9998\tOverall tomfoolery like this is a matter of taste .\n9999\tThe mantra behind the project seems to have been ` it 's just a kids ' flick . '\n10000\tTranslation : ` We do n't need to try very hard . '\n10001\tIn all the annals of the movies , few films have been this odd , inexplicable and unpleasant .\n10002\tIt takes a really long , slow and dreary time to dope out what TUCK EVERLASTING is about .\n10003\tSo here it is : It 's about a family of sour immortals .\n10004\tan essentially awkward version of the lightweight female empowerment picture we 've been watching for decades\n10005\tThe author 's devotees will probably find it fascinating ; others may find it baffling .\n10006\tWriter-director Walter Hill and co-writer David Giler try to create characters out of the obvious cliches , but wind up using them as punching bags .\n10007\tThere 's a scientific law to be discerned here that producers would be well to heed : Mediocre movies start to drag as soon as the action speeds up ; when the explosions start , they fall to pieces .\n10008\tA cockeyed shot all the way .\n10009\tLush and beautifully photographed -LRB- somebody suggested the stills might make a nice coffee table book -RRB- , but ultimately you 'll leave the theater wondering why these people mattered .\n10010\tUnfortunately , One Hour Photo lives down to its title .\n10011\tThanks largely to Williams , all the interesting developments are processed in 60 minutes -- the rest is just an overexposed waste of film .\n10012\tCold , Sterile And Lacking Any Color Or Warmth .\n10013\tThe film is undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold .\n10014\tSeems like someone going through the motions .\n10015\tFor a film about explosions and death and spies , `` Ballistic : Ecks vs. Sever '' seems as safe as a children 's film .\n10016\tWell , in some of those , the mother deer even dies .\n10017\tWallace gets a bit heavy handed with his message at times , and has a visual flair that waxes poetic far too much for our taste .\n10018\tImpostor does n't do much with its template , despite a remarkably strong cast .\n10019\tWraps itself in the guise of a dark and quirky comedy , but it is n't as quirky as it thinks it is and its comedy is generally mean-spirited .\n10020\tChoppy , overlong documentary about ` The Lifestyle . '\n10021\tOne sloughs one 's way through the mire of this alleged psychological thriller in search of purpose or even a plot .\n10022\tA film which presses familiar Herzog tropes into the service of a limpid and conventional historical fiction , when really what we demand of the director is to be mesmerised .\n10023\tIt 's a fanboy ` what if ? '\n10024\tbrought to life on the big screen .\n10025\tThe story itself is actually quite vapid .\n10026\tIt 's a hellish , numbing experience to watch , and it does n't offer any insights that have n't been thoroughly debated in the media already , back in the Dahmer heyday of the mid - '90s .\n10027\tWait for pay per view or rental but do n't dismiss BarberShop out of hand .\n10028\tA few zingers aside , the writing is indifferent , and Jordan Brady 's direction is prosaic .\n10029\tEach scene drags , underscoring the obvious , and sentiment is slathered on top .\n10030\tWould 've been nice if the screenwriters had trusted audiences to understand a complex story , and left off the film 's predictable denouement .\n10031\tThen Nadia 's birthday might not have been such a bad day after all .\n10032\tOne of those staggeringly well-produced , joylessly extravagant pictures that keep whooshing you from one visual marvel to the next , hastily , emptily .\n10033\tNair just does n't have the necessary self-control to guide a loose , poorly structured film through the pitfalls of incoherence and redundancy .\n10034\tEnthusiastically taking up the current teen movie concern with bodily functions , Walt Becker 's film pushes all the demographically appropriate comic buttons .\n10035\tIt 's the funniest American comedy since Graffiti Bridge .\n10036\tThat neither protagonist has a distinguishable condition hardly matters because both are just actory concoctions , defined by childlike dimness and a handful of quirks .\n10037\tWhat starts off as a possible Argentine American Beauty reeks like a room stacked with pungent flowers .\n10038\tThe project 's filmmakers forgot to include anything even halfway scary as they poorly rejigger Fatal Attraction into a high school setting .\n10039\tIn old-fashioned screenwriting parlance , Ms. Shreve 's novel proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast .\n10040\tSolondz may well be the only one laughing at his own joke\n10041\tStitch is a bad mannered , ugly and destructive little \\*\\*\\*\\* .\n10042\tNo cute factor here ... Not that I mind ugly ; the problem is he has no character , loveable or otherwise .\n10043\tDeep down , I realized the harsh reality of my situation : I would leave the theater with a lower I.Q. than when I had entered .\n10044\tA really funny fifteen-minute short stretched beyond its limits to fill an almost feature-length film .\n10045\tAside from the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor Stephen Rea , the film gets added disdain for the fact that it is nearly impossible to look at or understand .\n10046\tIt is bad , but certainly not without merit as entertainment .\n10047\tFor its 100 minutes running time , you 'll wait in vain for a movie to happen .\n10048\tA work that lacks both a purpose and a strong pulse .\n10049\tA faster paced family flick .\n10050\tUpper Teens may get cynical .\n10051\tSmaller numbered kidlets will enjoy .\n10052\tWhile this film has an ` A ' list cast and some strong supporting players , the tale -- like its central figure , Vivi -- is just a little bit hard to love .\n10053\tIt 's a road-trip drama with too many wrong turns .\n10054\tMost fish stories are a little peculiar , but this is one that should be thrown back in the river .\n10055\tIt 's all gratuitous before long , as if Schwentke were fulfilling a gross-out quota for an anticipated audience demographic instead of shaping the material to fit the story .\n10056\t`` I blame all men for war , '' -LRB- the warden 's daughter -RRB- tells her father .\n10057\tThe movie is about as deep as that sentiment .\n10058\tIt 's fitfully funny but never really takes off .\n10059\tI 've seen some bad singer-turned actors , but Lil Bow Wow takes the cake .\n10060\tBy halfway through this picture I was beginning to hate it , and , of course , feeling guilty for it ... Then , miracle of miracles , the movie does a flip-flop .\n10061\tFor all the complications , it 's all surprisingly predictable .\n10062\tIt 's been 20 years since 48 Hrs .\n10063\tmade Eddie Murphy a movie star and the man has n't aged a day .\n10064\tBut his showboating wise-cracker stock persona sure is getting old .\n10065\tIf Deuces Wild had been tweaked up a notch it would have become a camp adventure , one of those movies that 's so bad it starts to become good .\n10066\tBut it was n't .\n10067\tFor a film about action , Ultimate X is the gabbiest giant-screen movie ever , bogging down in a barrage of hype .\n10068\t... a low rate Annie featuring some kid who ca n't act , only echoes of Jordan , and weirdo actor Crispin Glover screwing things up old school .\n10069\tIt might not be 1970s animation , but everything else about it is straight from the Saturday morning cartoons -- a retread story , bad writing , and the same old silliness .\n10070\tThe picture seems uncertain whether it wants to be an acidic all-male All About Eve or a lush , swooning melodrama in the Intermezzo strain .\n10071\tA nearly 21\\/2 hours , the film is way too indulgent .\n10072\tGorgeous to look at but insufferably tedious and turgid ... a curiously constricted epic .\n10073\tIt looks much more like a cartoon in the end than The Simpsons ever has .\n10074\tWith a tighter editorial process and firmer direction this material could work , especially since the actresses in the lead roles are all more than competent , but as is , Personal Velocity seems to be idling in neutral .\n10075\tDoes n't really add up to much .\n10076\tIt 's better suited for the history or biography channel , but there 's no arguing the tone of the movie - it leaves a bad taste in your mouth and questions on your mind .\n10077\tAn entertainment so in love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots .\n10078\tA prolonged extrusion of psychopathic pulp .\n10079\tBorrows from other movies like it in the most ordinary and obvious fashion .\n10080\tIt 's surprisingly bland despite the heavy doses of weird performances and direction .\n10081\tA chilly , remote , emotionally distant piece ... so dull that its tagline should be : ` In space , no one can hear you snore . '\n10082\tThe characters seem one-dimensional , and the film is superficial and will probably be of interest primarily to its target audience .\n10083\tSorvino makes the princess seem smug and cartoonish , and the film only really comes alive when poor Hermocrates and Leontine pathetically compare notes about their budding amours .\n10084\tIt 's like a drive-by .\n10085\tYou can drive right by it without noticing anything special , save for a few comic turns , intended and otherwise .\n10086\tEverything -- even life on an aircraft carrier -- is sentimentalized .\n10087\tThis would-be ` James Bond for the Extreme Generation ' pic is one big , dumb action movie .\n10088\tStress ` dumb . '\n10089\tThe movie has generic virtues , and despite a lot of involved talent , seems done by the numbers .\n10090\tWhen your subject is illusion versus reality , should n't the reality seem at least passably real ?\n10091\tIt 's a terrible movie in every regard , and utterly painful to watch .\n10092\tThis is rote spookiness , with nary an original idea -LRB- or role , or edit , or score , or anything , really -RRB- in sight , and the whole of the proceedings beg the question ` Why ? '\n10093\tA fan film that for the uninitiated plays better on video with the sound turned down .\n10094\tToo infuriatingly quirky and taken with its own style .\n10095\tThere 's a whole heap of nothing at the core of this slight coming-of-age\\/coming-out tale .\n10096\tAs much as I laughed throughout the movie , I can not mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain .\n10097\tThe type of dumbed-down exercise in stereotypes that gives the -LRB- teen comedy -RRB- genre a bad name .\n10098\tDistinctly sub-par ... more likely to drown a viewer in boredom than to send any shivers down his spine .\n10099\tPlays like a bad blend of an overripe episode of TV 's Dawson 's Creek and a recycled and dumbed-down version of Love Story .\n10100\tUnless you come in to the film with a skateboard under your arm , you 're going to feel like you were n't invited to the party .\n10101\tWhen the casting call for this movie went out , it must have read ` seeking anyone with acting ambition but no sense of pride or shame . '\n10102\tJust is n't as weird as it ought to be .\n10103\tA `` Home Alone '' film that is staged like `` Rosemary 's Baby , '' but is not as well-conceived as either of those films .\n10104\t-LRB- Siegel -RRB- and co-writers Lisa Bazadona and Grace Woodard have relied too much on convention in creating the characters who surround Frankie .\n10105\tNo film could possibly be more contemptuous of the single female population .\n10106\t` Hey Arnold ! '\n10107\thas some visual wit ... but little imagination elsewhere .\n10108\tThey 're going through the motions , but the zip is gone .\n10109\tA sluggish pace and lack of genuine narrative hem the movie in every bit as much as life hems in the spirits of these young women .\n10110\tA low-budget affair , Tadpole was shot on digital video , and the images often look smeary and blurry , to the point of distraction .\n10111\tThen again , in a better movie , you might not have noticed .\n10112\tIt 's mindless junk like this that makes you appreciate original romantic comedies like Punch-Drunk Love .\n10113\tThe movie is like a year late for tapping into our reality tv obsession , and even tardier for exploiting the novelty of the `` webcast . ''\n10114\ttale will be all too familiar for anyone who 's seen George Roy Hill 's 1973 film , `` The Sting . ''\n10115\tGets the look and the period trappings right , but it otherwise drowns in a sea of visual and verbal clichés .\n10116\tIt 's hard to quibble with a flick boasting this many genuine cackles , but Notorious C.H.O. still feels like a promising work-in-progress .\n10117\tAnyone who wants to start writing screenplays can just follow the same blueprint from hundreds of other films , sell it to the highest bidder and walk away without anyone truly knowing your identity .\n10118\tThe problem with The Bread , My Sweet is that it 's far too sentimental .\n10119\tA late-night cable sexploitation romp masquerading as a thriller about the ruthless social order that governs college cliques .\n10120\tFalls short in explaining the music and its roots .\n10121\tNever inspires more than an interested detachment .\n10122\tWhat might have emerged as hilarious lunacy in the hands of Woody Allen or Mel Brooks -LRB- at least during their '70s heyday -RRB- comes across as lame and sophomoric in this debut indie feature .\n10123\tDespite slick production values and director Roger Michell 's tick-tock pacing , the final effect is like having two guys yelling in your face for two hours .\n10124\tPretty much sucks , but has a funny moment or two .\n10125\tThey do a good job of painting this family dynamic for the audience but they tried to squeeze too many elements into the film .\n10126\tA supernatural mystery that does n't know whether it wants to be a suspenseful horror movie or a weepy melodrama .\n10127\tIt ends up being neither , and fails at both endeavors .\n10128\tTwo badly interlocked stories drowned by all too clever complexity .\n10129\tIt is so earnest , so overwrought and so wildly implausible that it begs to be parodied .\n10130\tThese are textbook lives of quiet desperation .\n10131\tSwimfan , like Fatal Attraction , eventually goes overboard with a loony melodramatic denouement in which a high school swimming pool substitutes for a bathtub .\n10132\tClaims to sort the bad guys from the good , which is its essential problem .\n10133\tPurposefully shocking in its eroticized gore , if unintentionally dull in its lack of poetic frissons .\n10134\tFeels like pieces a bunch of other , better movies slapped together .\n10135\tAlmost everything about the film is unsettling , from the preposterous hairpiece worn by Lai 's villainous father to the endless action sequences .\n10136\tWriter-director Randall Wallace has bitten off more than he or anyone else could chew , and his movie veers like a drunken driver through heavy traffic .\n10137\tIt follows the Blair Witch formula for an hour , in which we 're told something creepy and vague is in the works , and then it goes awry in the final 30 minutes .\n10138\tOne ca n't shake the feeling that Crossroads is nothing more than an hour-and-a-half-long commercial for Britney 's latest album .\n10139\tPhoned-in business as usual .\n10140\tThere 's an epic here , but you have to put it together yourself .\n10141\tWhat little atmosphere is generated by the shadowy lighting , macabre sets , and endless rain is offset by the sheer ugliness of everything else .\n10142\tDirector-chef Gabriele Muccino keeps it fast -- zippy , comin ' at ya -- as if fearing that his film is molto superficiale .\n10143\tTartakovsky 's team has some freakish powers of visual charm , but the five writers slip into the modern rut of narrative banality .\n10144\tThe most horrific movie experience I 've had since `` Ca n't Stop The Music . ''\n10145\tIt may as well be called `` Jar-Jar Binks : The Movie . ''\n10146\tIt 's that painful .\n10147\tGod is great , the movie 's not .\n10148\tLike a three-ring circus , there are side stories aplenty -- none of them memorable .\n10149\tWhen in doubt , the film ratchets up the stirring soundtrack , throws in a fish-out-of-water gag and lets the cliched dialogue rip .\n10150\tOr else a doggie winks .\n10151\tA ` Girls Gone Wild ' video for the boho art-house crowd , The Burning Sensation is n't a definitive counter-cultural document -- its makers are n't removed and inquisitive enough for that .\n10152\tAs original and insightful as last week 's episode of Behind the Music .\n10153\tPlays like John Le Carré with a couple of burnt-out cylinders .\n10154\tYou may be galled that you 've wasted nearly two hours of your own precious life with this silly little puddle of a movie .\n10155\tIt 's neither as sappy as Big Daddy nor as anarchic as Happy Gilmore or The Waterboy , but it has its moments .\n10156\tDespite the surface attractions -- Conrad L. Hall 's cinematography will likely be nominated for an Oscar next year -- there 's something impressive and yet lacking about everything .\n10157\tA smug and convoluted action-comedy that does n't allow an earnest moment to pass without reminding audiences that it 's only a movie .\n10158\t-LRB- Crystal and De Niro -RRB- manage to squeeze out some good laughs but not enough to make this silly con job sing .\n10159\tWorthless , from its pseudo-rock-video opening to the idiocy of its last frames .\n10160\tThe Christ allegory does n't work because there is no foundation for it\n10161\tGo for La Salle 's performance , and make do as best you can with a stuttering script .\n10162\tIt 's hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful , self-satisfied 22-year-old girlfriend and an equally beautiful , self-satisfied 18-year-old mistress .\n10163\tTries too hard to be funny in a way that 's too loud , too goofy and too short of an attention span .\n10164\tI did n't find much fascination in the swinging .\n10165\tWhat they 're doing is a matter of plumbing arrangements and mind games , of no erotic or sensuous charge .\n10166\tBut that they are doing it is thought-provoking .\n10167\tThe acting is just fine , but there 's not enough substance here to sustain interest for the full 90 minutes , especially with the weak payoff .\n10168\tAfter Collateral Damage , you might imagine that most every aggrieved father cliché has been unturned .\n10169\tBut no. .\n10170\tUltimately the , yes , snail-like pacing and lack of thematic resonance make the film more silly than scary , like some sort of Martha Stewart decorating program run amok .\n10171\tReleasing a film with the word ` dog ' in its title in January lends itself to easy jokes and insults , and Snow Dogs deserves every single one of them .\n10172\tTedious Norwegian offering which somehow snagged an Oscar nomination .\n10173\tIt was a dark and stormy night ...\n10174\tA dark-as-pitch comedy that frequently veers into corny sentimentality , probably would not improve much after a therapeutic zap of shock treatment .\n10175\tThis sort of cute and cloying material is far from Zhang 's forte and it shows .\n10176\tBray is completely at sea ; with nothing but a Savage Garden music video on his resume , he has no clue about making a movie .\n10177\tFreundlich 's made -LRB- Crudup -RRB- a suburban architect , and a cipher .\n10178\ta huge disappointment coming , as it does , from filmmakers and performers of this calibre\n10179\tThough it pretends to expose the life of male hustlers , it 's exploitive without being insightful .\n10180\tAimed squarely at the least demanding of demographic groups : very small children who will be delighted simply to spend more time with familiar cartoon characters .\n10181\tWhat starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points .\n10182\tExhibits the shallow sensationalism characteristic of soap opera ... more salacious telenovela than serious drama .\n10183\tSeagal is painfully foolish in trying to hold onto what 's left of his passe ' chopsocky glory .\n10184\tEven with Harris 's strong effort , the script gives him little to effectively probe Lear 's soul-stripping breakdown .\n10185\tThe story is bogus and its characters tissue-thin .\n10186\tWhereas the extremely competent hitman films such as Pulp Fiction and Get Shorty resonate a sardonic verve to their caustic purpose for existing , Who Is Cletis Tout ?\n10187\tis an inexpressible and drab wannabe looking for that exact niche .\n10188\tWhile American Adobo has its heart -LRB- and its palate -RRB- in the right place , its brain is a little scattered -- ditsy , even .\n10189\tImagine a film that begins as a Seven rip-off , only to switch to a mix of The Shining , The Thing , and any naked teenagers horror flick from the 1980s .\n10190\tMost of the dialogue made me want to pack raw dough in my ears .\n10191\tCostner 's warm-milk persona is just as ill-fitting as Shadyac 's perfunctory directing chops , and some of the more overtly silly dialogue would sink Laurence Olivier .\n10192\tIt 's coherent , well shot , and tartly acted , but it wears you down like a dinner guest showing off his doctorate .\n10193\tDirected by Kevin Bray , whose crisp framing , edgy camera work , and wholesale ineptitude with acting , tone and pace very obviously mark him as a video helmer making his feature debut .\n10194\tturns a potentially interesting idea into an excruciating film school experience that plays better only for the film 's publicists or for people who take as many drugs as the film 's characters\n10195\tRobin Williams departs from his fun friendly demeanor in exchange for a darker unnerving role .\n10196\tHigh Crimes is a cinematic misdemeanor , a routine crime thriller remarkable only for its lack of logic and misuse of two fine actors , Morgan Freeman and Ashley Judd .\n10197\tSet in a 1986 Harlem that does n't look much like anywhere in New York .\n10198\tThe chocolate factory without Charlie .\n10199\tLong on twinkly-eyed close-ups and short on shame .\n10200\tHip-hop rarely comes alive as its own fire-breathing entity in this picture .\n10201\tA dull , somnambulant exercise in pretension whose pervasive quiet is broken by frequent outbursts of violence and noise .\n10202\tDeserving of its critical backlash and more .\n10203\tNeither a rousing success nor a blinding embarrassment .\n10204\tStill , it just sits there like a side dish no one ordered .\n10205\tThe Sum of All Fears is remarkably fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots -LRB- or cinema seats -RRB- .\n10206\tThe movie spends more time with Schneider than with newcomer McAdams , even though her performance is more interesting -LRB- and funnier -RRB- than his .\n10207\tThis low-rent -- and even lower-wit -- rip-off of the Farrelly brothers ' oeuvre gets way too mushy -- and in a relatively short amount of time .\n10208\tIt recycles every cliché about gays in what is essentially an extended soap opera .\n10209\tI 'm all for the mentally challenged getting their fair shot in the movie business , but surely it does n't have to be as a collection of keening and self-mutilating sideshow geeks .\n10210\tMay offend viewers not amused by the sick sense of humor .\n10211\tMany of Benjamins ' elements feel like they 've been patched in from an episode of Miami Vice .\n10212\tIt aimlessly and unsuccessfully attempts to fuse at least three dull plots into one good one .\n10213\tMost folks with a real stake in the American sexual landscape will find it either moderately amusing or just plain irrelevant .\n10214\tIf you 're not fans of the adventues of Steve and Terri , you should avoid this like the dreaded King Brown snake .\n10215\tPersonally , I 'd rather watch them on the Animal Planet .\n10216\tCherish is a dud -- a romantic comedy that 's not the least bit romantic and only mildly funny .\n10217\tFeels as if the inmates have actually taken over the asylum .\n10218\tAll of the filmmakers ' calculations ca n't rescue Brown Sugar from the curse of blandness .\n10219\tThe movie 's gloomy atmosphere is fascinating , though , even if the movie itself does n't stand a ghost of a chance .\n10220\t... post-September 11 , `` The Sum Of All Fears '' seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves .\n10221\tThe exclamation point seems to be the only bit of glee you 'll find in this dreary mess .\n10222\tNo matter how you slice it , Mark Wahlberg and Thandie Newton are not Hepburn and Grant , two cinematic icons with chemistry galore .\n10223\tGodard 's ode to tackling life 's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess ... In Praise of Love remains a ponderous and pretentious endeavor that 's unfocused and tediously exasperating .\n10224\tHumorless , self-conscious art drivel , made without a glimmer of intelligence or invention .\n10225\tThe movie 's progression into rambling incoherence gives new meaning to the phrase ` fatal script error . '\n10226\tSolondz may be convinced that he has something significant to say , but he is n't talking a talk that appeals to me .\n10227\tMore tiring than anything .\n10228\tNelson 's intentions are good , but the end result does no justice to the story itself .\n10229\tIt 's horribly depressing and not very well done .\n10230\t... the efforts of its star , Kline , to lend some dignity to a dumb story are for naught .\n10231\tA good-natured ensemble comedy that tries hard to make the most of a bumper cast , but never quite gets off the ground .\n10232\tIs n't it a bit early in his career for director Barry Sonnenfeld to do a homage to himself ?\n10233\tAnd it 's a lousy one at that .\n10234\tOverly long and worshipful bio-doc .\n10235\tI 'll go out on a limb .\n10236\tIt is n't quite one of the worst movies of the year .\n10237\tIt 's just merely very bad .\n10238\tWriter-director Ritchie reduces Wertmuller 's social mores and politics to tiresome jargon .\n10239\tAbout Amy 's cuteness , Amy 's career success -LRB- she 's a best-selling writer of self-help books who ca n't help herself -RRB- , and Amy 's neuroses when it comes to men .\n10240\tEverything about Girls Ca n't Swim , even its passages of sensitive observation , feels secondhand , familiar -- and not in a good way .\n10241\tFeels aimless for much of its running time , until late in the film when a tidal wave of plot arrives , leaving questions in its wake .\n10242\tIn my own very humble opinion , In Praise of Love lacks even the most fragmented charms I have found in almost all of his previous works .\n10243\tThe script is too mainstream and the psychology too textbook to intrigue .\n10244\tMuddled , simplistic and more than a little pretentious .\n10245\tMeandering and glacially paced , and often just plain dull .\n10246\tA disaster of a drama , saved only by its winged assailants .\n10247\tA road trip that will get you thinking , ` Are we there yet ? '\n10248\tDirector Elie Chouraqui , who co-wrote the script , catches the chaotic horror of war , but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera ?\n10249\tDong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting , and the film settles too easily along the contours of expectation .\n10250\tIf there was any doubt that Peter O'Fallon did n't have an original bone in his body , A Rumor of Angels should dispel it .\n10251\tAn occasionally interesting but mostly repetitive look at a slice of counterculture that might be best forgotten .\n10252\tWhat could have been right at home as a nifty plot line in Steven Soderbergh 's Traffic fails to arrive at any satisfying destination .\n10253\tThe movie is like Scorsese 's Mean Streets redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like Leather Warriors and Switchblade Sexpot .\n10254\tThis pathetic junk is barely an hour long .\n10255\tNevertheless , it still seems endless .\n10256\tIt is n't that Stealing Harvard is a horrible movie -- if only it were that grand a failure !\n10257\tIt 's just that it 's so not-at-all-good .\n10258\tAnd I expect much more from a talent as outstanding as director Bruce McCulloch .\n10259\tDolman confines himself to shtick and sentimentality -- the one bald and the other sloppy .\n10260\tIs it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it ?\n10261\tIt 's supposed to be a romantic comedy - it suffers from too much Norma Rae and not enough Pretty Woman .\n10262\tThe leads are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material .\n10263\tStaggers between flaccid satire and what is supposed to be madcap farce .\n10264\tNot that any of us should be complaining when a film clocks in around 90 minutes these days , but the plotting here leaves a lot to be desired .\n10265\tBrainy , artistic and muted , almost to the point of suffocation .\n10266\tPlays like the old disease-of-the-week small-screen melodramas .\n10267\tLike life on the island , the movie grows boring despite the scenery .\n10268\tThe truth about Charlie is that it 's a brazenly misguided project .\n10269\tdisplays the potential for a better movie than what Bailly manages to deliver\n10270\tSo exaggerated and broad that it comes off as annoying rather than charming .\n10271\tAn awkward hybrid of genres that just does n't work .\n10272\tThe latest vapid actor 's exercise to appropriate the structure of Arthur Schnitzler 's Reigen .\n10273\tSnipes is both a snore and utter tripe .\n10274\tRitchie 's film is easier to swallow than Wertmuller 's polemical allegory , but it 's self-defeatingly decorous .\n10275\tChalk it up as the worst kind of hubristic folly .\n10276\tIt 's the kind of under-inspired , overblown enterprise that gives Hollywood sequels a bad name .\n10277\tRosenthal -LRB- Halloween II -RRB- seems to have forgotten everything he ever knew about generating suspense .\n10278\tEven Murphy 's expert comic timing and famed charisma ca n't rescue this effort .\n10279\tRodriguez ... was unable to reproduce the special spark between the characters that made the first film such a delight .\n10280\tA sleek advert for youthful anomie that never quite equals the sum of its pretensions .\n10281\tSome Body smacks of exhibitionism more than it does cathartic truth telling .\n10282\tThis is n't a terrible film by any means , but it 's also far from being a realized work .\n10283\tApparently , romantic comedy with a fresh point of view just does n't figure in the present Hollywood program .\n10284\tDepressingly thin and exhaustingly contrived .\n10285\tOnly masochistic moviegoers need apply .\n10286\tA movie that 's held captive by mediocrity .\n10287\tNot bad , but not all that good .\n10288\tBacon keeps things interesting , but do n't go out of your way to pay full price .\n10289\tWhat 's next ?\n10290\tRob Schneider , Dana Carvey and Sarah Michelle Gellar in The Philadelphia Story ?\n10291\tDavid Spade as Citizen Kane ?\n10292\tCa n't seem to get anywhere near the story 's center .\n10293\tThe problem , amazingly enough , is the screenplay .\n10294\tIt 's a Frankenstein-monster of a film that does n't know what it wants to be .\n10295\tUpper West Sidey exercise in narcissism and self-congratulation disguised as a tribute .\n10296\tOn its icy face , the new film is a subzero version of Monsters , Inc. , without the latter 's imagination , visual charm or texture .\n10297\tI ca n't say this enough : This movie is about an adult male dressed in pink jammies .\n10298\tIt 's a mindless action flick with a twist -- far better suited to video-viewing than the multiplex .\n10299\tAfter a while , the only way for a reasonably intelligent person to get through The Country Bears is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky .\n10300\tWe get light showers of emotion a couple of times , but then -- strangely -- these wane to an inconsistent and ultimately unsatisfying drizzle .\n10301\tSummer 's far too fleeting to squander on offal like this .\n10302\tThe film is grossly contradictory in conveying its social message , if indeed there is one .\n10303\tOften lingers just as long on the irrelevant as on the engaging , which gradually turns What Time Is It There ?\n10304\tinto How Long Is This Movie ?\n10305\tToo bad Kramer could n't make a guest appearance to liven things up .\n10306\tDeuces Wild is an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like The Wanderers and A Bronx Tale without cribbing any of their intelligence .\n10307\tIt 's a barely tolerable slog over well-trod ground .\n10308\tEpps has neither the charisma nor the natural affability that has made Tucker a star .\n10309\tIt 's sweet ... but just a little bit too precious at the start and a little too familiar at the end .\n10310\tA dull , dumb and derivative horror film .\n10311\tAn awkwardly contrived exercise in magic realism .\n10312\tDemme gets a lot of flavor and spice into his Charade remake , but he ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh .\n10313\tThis is a heartfelt story ... it just is n't a very involving one .\n10314\tThese self-styled athletes have banged their brains into the ground so frequently and furiously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation .\n10315\tThe fact that the ` best part ' of the movie comes from a 60-second homage to one of Demme 's good films does n't bode well for the rest of it .\n10316\tRichard Pryor mined his personal horrors and came up with a treasure chest of material , but Lawrence gives us mostly fool 's gold .\n10317\tThe band performances featured in Drumline are red hot ... -LRB- but -RRB- from a mere story point of view , the film 's ice cold .\n10318\t... built on the premise that middle-class Arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from TV reruns and supermarket tabloids .\n10319\tA laughable -- or rather , unlaughable -- excuse for a film .\n10320\tThe sequel is everything the original was not : contrived , overblown and tie-in ready .\n10321\tLike a grinning Jack O ' Lantern , its apparent glee is derived from a lobotomy , having had all its vital essence scooped out and discarded .\n10322\tA sentimental hybrid that could benefit from the spice of specificity .\n10323\t... familiar and predictable , and 4\\/5ths of it might as well have come from a Xerox machine rather than -LRB- writer-director -RRB- Franc .\n10324\tReyes ' word processor .\n10325\tGive Shapiro , Goldman , and Bolado credit for good intentions , but there 's nothing here that they could n't have done in half an hour .\n10326\tIt 's so devoid of joy and energy it makes even Jason X ... look positively Shakesperean by comparison .\n10327\tA little objectivity could have gone a long way .\n10328\tOne of the worst films of 2002 .\n10329\tI believe Silberling had the best intentions here , but he just does n't have the restraint to fully realize them .\n10330\tplays like an unbalanced mixture of graphic combat footage and almost saccharine domestic interludes that are pure Hollywood .\n10331\tMcTiernan 's remake may be lighter on its feet -- the sober-minded original was as graceful as a tap-dancing rhino -- but it is just as boring and as obvious .\n10332\tHigh Crimes carries almost no organic intrigue as a government \\/ Marine\\/legal mystery , and that 's because the movie serves up all of that stuff , nearly subliminally , as the old-hat province of male intrigue .\n10333\tThis movie is about the worst thing Chan has done in the United States .\n10334\tThe explosion essentially ruined -- or , rather , overpowered -- the fiction of the movie for me .\n10335\tThis ludicrous film is predictable at every turn .\n10336\tAn incredibly irritating comedy about thoroughly vacuous people ... manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy .\n10337\tThe film desperately sinks further and further into comedy futility .\n10338\tInstead of a balanced film that explains the zeitgeist that is the X Games , we get a cinematic postcard that 's superficial and unrealized .\n10339\tThe crassness of this reactionary thriller is matched only by the ridiculousness of its premise .\n10340\tI wish it would have just gone more over-the-top instead of trying to have it both ways .\n10341\tThe superior plotline is n't quite enough to drag along the dead -LRB- water -RRB- weight of the other .\n10342\tThe film does n't really care about the thousands of Americans who die hideously , it cares about how Ryan meets his future wife and makes his start at the CIA .\n10343\tAdrift , Bentley and Hudson stare and sniffle , respectively , as Ledger attempts , in vain , to prove that movie-star intensity can overcome bad hair design .\n10344\tAfter an hour and a half of wondering -- sometimes amusedly , sometimes impatiently -- just what this strenuously unconventional movie is supposed to be , you discover that the answer is as conventional as can be .\n10345\t` Linklater fans , or pretentious types who want to appear avant-garde will suck up to this project ... '\n10346\tA woefully dull , redundant concept that bears more than a whiff of exploitation , despite Iwai 's vaunted empathy .\n10347\tScreenwriter Chris ver Weil 's directing debut is good-natured and never dull , but its virtues are small and easily overshadowed by its predictability .\n10348\tIf you really want to understand what this story is really all about , you 're far better served by the source material .\n10349\tIt 's mildly sentimental , unabashedly consumerist ... studiously inoffensive and completely disposable .\n10350\tLike its title character , Esther Kahn is unusual but unfortunately also irritating .\n10351\tThe star who helped give a spark to `` Chasing Amy '' and `` Changing Lanes '' falls flat as thinking man CIA agent Jack Ryan in this summer 's new action film , `` The Sum of All Fears . ''\n10352\tA summary of the plot does n't quite do justice to the awfulness of the movie , for that comes through all too painfully in the execution .\n10353\tEvery conceivable mistake a director could make in filming opera has been perpetrated here .\n10354\tSnoots will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this .\n10355\t-LRB- The film 's -RRB- taste for `` shock humor '' will wear thin on all but those weaned on the comedy of Tom Green and the Farrelly Brothers .\n10356\tAny enjoyment will be hinge from a personal threshold of watching sad but endearing characters do extremely unconventional things .\n10357\tIf legendary shlockmeister Ed Wood had ever made a movie about a vampire , it probably would look a lot like this alarming production , adapted from Anne Rice 's novel The Vampire Chronicles .\n10358\tHardly a nuanced portrait of a young woman 's breakdown , the film nevertheless works up a few scares .\n10359\tInterminably bleak , to say nothing of boring .\n10360\tThings really get weird , though not particularly scary : the movie is all portent and no content .\n10361\tIt 's difficult to discern if this is a crazy work of disturbed genius or merely 90 minutes of post-adolescent Electra rebellion .\n10362\tBogs down badly as we absorb Jia 's moody , bad-boy behavior which he portrays himself in a one-note performance .\n10363\tThe camera whirls !\n10364\tThe camera twirls !\n10365\tOh , look at that clever angle !\n10366\tWow , a jump cut !\n10367\tDemme finally succeeds in diminishing his stature from Oscar-winning master to lowly studio hack .\n10368\tThe action scenes have all the suspense of a 20-car pileup , while the plot holes are big enough for a train car to drive through -- if Kaos had n't blown them all up .\n10369\tIt almost feels as if the movie is more interested in entertaining itself than in amusing us .\n10370\tIt puts Washington , as honest working man John Q. Archibald , on a pedestal , then keeps lifting the pedestal higher .\n10371\tUltimately , the film amounts to being lectured to by tech-geeks , if you 're up for that sort of thing .\n10372\tFar more enjoyable than its predecessor .\n10373\t-LRB- Gayton 's script -RRB- telegraphs every discovery and layers on the gloss of convenience .\n10374\tFull Frontal , which opens today nationwide , could almost be classified as a movie-industry satire , but it lacks the generous inclusiveness that is the genre 's definitive , if disingenuous , feature .\n10375\tA ragbag of cliches .\n10376\tThis rough trade Punch-and-Judy act did n't play well then and it plays worse now .\n10377\tThe three leads produce adequate performances , but what 's missing from this material is any depth of feeling .\n10378\tIt 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel , but the result is more puzzling than unsettling .\n10379\tThis painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ... that have no bearing on the story .\n10380\tShort and sweet , but also more than anything else slight ... Tadpole pulls back from the consequences of its own actions and revelations .\n10381\tHas its moments , but it 's pretty far from a treasure .\n10382\tWhat more can be expected from a college comedy that 's target audience has n't graduated from junior high school ?\n10383\tCollateral Damage offers formula payback and the Big Payoff , but the explosions tend to simply hit their marks , pyro-correctly .\n10384\tThe plan to make Enough into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller ' has flopped as surely as a soufflé gone wrong .\n10385\tInstead of letting the laughs come as they may , Lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick .\n10386\tYou know that ten bucks you 'd spend on a ticket ?\n10387\tJust send it to Cranky .\n10388\tWe do n't get paid enough to sit through crap like this .\n10389\tAn even more predictable , cliche-ridden endeavor than its predecessor .\n10390\tThe whole thing plays like a tired Tyco ad .\n10391\tThe film does n't show enough of the creative process or even of what was created for the non-fan to figure out what makes Wilco a big deal .\n10392\tThe soupy end result has the odd distinction of being playful without being fun , too .\n10393\tNo , I do n't know why Steven Seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money .\n10394\tEven by the intentionally low standards of frat-boy humor , Sorority Boys is a bowser .\n10395\tOne well-timed explosion in a movie can be a knockout , but a hundred of them can be numbing .\n10396\tProof of this is Ballistic : Ecks vs. Sever .\n10397\tHalfway through , however , having sucked dry the undead action flick formula , Blade II mutates into a gross-out monster movie with effects that are more silly than scary .\n10398\tWeighted down with slow , uninvolving storytelling and flat acting .\n10399\tWe ca n't accuse Kung Pow for misfiring , since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie .\n10400\tUnfortunately , we 'd prefer a simple misfire .\n10401\tThere is n't one moment in the film that surprises or delights .\n10402\t` Would n't it be nice if all guys got a taste of what it 's like on the other side of the bra ? '\n10403\tThe movie is essentially a series of fleetingly interesting actors ' moments .\n10404\tMost of the information has already appeared in one forum or another and , no matter how Broomfield dresses it up , it tends to speculation , conspiracy theories or , at best , circumstantial evidence .\n10405\tThis movie , a certain scene in particular , brought me uncomfortably close to losing my lunch .\n10406\tThe secrets of time travel will have been discovered , indulged in and rejected as boring before I see this piece of crap again .\n10407\tSmug , artificial , ill-constructed and fatally overlong ... it never finds a consistent tone and lacks bite , degenerating into a pious , preachy soap opera .\n10408\tChelsea Walls is a case of too many chefs fussing over too weak a recipe .\n10409\tEvery joke is repeated at least four times .\n10410\tEvery joke is repeated at least four times .\n10411\tEvery joke is repeated at least -- annoying , is n't it ?\n10412\tComes across as a fairly weak retooling .\n10413\tThe lousy lead performances ... keep the movie from ever reaching the comic heights it obviously desired .\n10414\tIts and pieces of The Hot Chick are so hilarious , and Schneider 's performance is so fine , it 's a real shame that so much of the movie -- again , as in The Animal -- is a slapdash mess .\n10415\t-LRB- Creates -RRB- the worst kind of mythologizing , the kind that sacrifices real heroism and abject suffering for melodrama .\n10416\tThe movie resolutely avoids all the comic possibilities of its situation , and becomes one more dumb high school comedy about sex gags and prom dates .\n10417\tEarnest and heartfelt but undernourished and plodding .\n10418\tA sugar-coated Rocky whose valuable messages are forgotten 10 minutes after the last trombone honks .\n10419\tRomanek keeps adding flourishes -- artsy fantasy sequences -- that simply feel wrong .\n10420\tThey cheapen the overall effect .\n10421\tHas all the complexity and realistic human behavior of an episode of General Hospital .\n10422\tAn acceptable way to pass a little over an hour with moviegoers ages 8-10 , but it 's unlikely to inspire anything more than a visit to McDonald 's , let alone some savvy street activism .\n10423\t-LRB- Allen 's -RRB- been making piffle for a long while , and Hollywood Ending may be his way of saying that piffle is all that the airhead movie business deserves from him right now .\n10424\tAn exercise in cynicism every bit as ugly as the shabby digital photography and muddy sound .\n10425\tNot good enough to pass for a litmus test of the generation gap and not bad enough to repulse any generation of its fans .\n10426\tThe movie is silly beyond comprehension , and even if it were n't silly , it would still be beyond comprehension .\n10427\tWatchable up until the point where the situations and the dialogue spin hopelessly out of control -- that is to say , when Carol Kane appears on the screen .\n10428\tThe scriptwriters are no less a menace to society than the film 's characters .\n10429\tMerchant has n't directed this movie so much as produced it -- like sausage .\n10430\tThe film has a nearly terminal case of the cutes , and it 's neither as funny nor as charming as it thinks it is .\n10431\tMore a gunfest than a Rock concert .\n10432\tIt 's a frightful vanity film that , no doubt , pays off what debt Miramax felt they owed to Benigni .\n10433\tA muddy psychological thriller rife with miscalculations .\n10434\tIt makes me say the obvious : Abandon all hope of a good movie ye who enter here .\n10435\tIt 's not original enough .\n10436\tA listless sci-fi comedy in which Eddie Murphy deploys two guises and elaborate futuristic sets to no particularly memorable effect .\n10437\tLittle more than a super-sized infomercial for the cable-sports channel and its Summer X Games .\n10438\tA generic bloodbath that often becomes laughably unbearable when it is n't merely offensive .\n10439\tJulie Davis is the Kathie Lee Gifford of film directors , sadly proving once again ego does n't always go hand in hand with talent .\n10440\tAn unholy mess , driven by the pathetic idea that if you shoot something on crummy-looking videotape , it must be labelled ` hip ' , ` innovative ' and ` realistic ' .\n10441\tThe story 's pathetic and the gags are puerile . .\n10442\tCuriously , Super Troopers suffers because it does n't have enough vices to merit its 103-minute length .\n10443\tSo bland and utterly forgettable that it might as well have been titled Generic Jennifer Lopez Romantic Comedy .\n10444\tI was sent a copyof this film to review on DVD .\n10445\tFor free .\n10446\tI still want my money back .\n10447\tIt plods along methodically , somehow under the assumption that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting .\n10448\tIt 's hard to believe that a relationship like Holly and Marina 's could survive the hothouse emotions of teendom , and its longevity gets more inexplicable as the characterizations turn more crassly reductive .\n10449\tAll too familiar ... basically the sort of cautionary tale that was old when ` Angels With Dirty Faces ' appeared in 1938 .\n10450\t... passable enough for a shoot-out in the o.k. court house of life type of flick .\n10451\tStrictly middle of the road .\n10452\tAlthough purportedly a study in modern alienation , it 's really little more than a particularly slanted , gay s\\/m fantasy , enervating and deadeningly drawn-out .\n10453\tAfter the first 10 minutes , which is worth seeing , the movie sinks into an abyss of clichés , depression and bad alternative music .\n10454\tNo one can doubt the filmmakers ' motives , but The Guys still feels counterproductive .\n10455\tA very slow , uneventful ride around a pretty tattered old carousel .\n10456\tWith little visible talent and no energy , Colin Hanks is in bad need of major acting lessons and maybe a little coffee .\n10457\t`` Feardotcom '' has the makings of an interesting meditation on the ethereal nature of the internet and the otherworldly energies it could channel , but it simply becomes a routine shocker .\n10458\tA Meatballs for the bare-midriff generation .\n10459\tWell-meaning to a fault , Antwone Fisher manages the dubious feat of turning one man 's triumph of will into everyman 's romance comedy .\n10460\tSeemingly disgusted with the lazy material and the finished product 's unshapely look , director Fisher Stevens inexplicably dips key moments from the film in Waking Life water colors .\n10461\tFormula 51 promises a new kind of high but delivers the same old bad trip .\n10462\tEverything that was right about Blade is wrong in its sequel .\n10463\tA few energetic stunt sequences briefly enliven the film , but the wheezing terrorist subplot has n't the stamina for the 100-minute running time , and the protagonists ' bohemian boorishness mars the spirit of good clean fun .\n10464\tThe film was produced by Jerry Bruckheimer and directed by Joel Schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one -LRB- and no one -RRB- .\n10465\tDisney again ransacks its archives for a quick-buck sequel .\n10466\tCoarse , cliched and clunky , this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it squanders the charms of stars Hugh Grant and Sandra Bullock .\n10467\tAnyone who suffers through this film deserves , at the very least , a big box of consolation candy .\n10468\tHow much you are moved by the emotional tumult of -LRB- François and Michèle 's -RRB- relationship depends a lot on how interesting and likable you find them .\n10469\tThey presume their audience wo n't sit still for a sociology lesson , however entertainingly presented , so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes .\n10470\tCollapses after 30 minutes into a slap-happy series of adolescent violence .\n10471\tThe following things are not at all entertaining : The bad sound , the lack of climax and , worst of all , watching Seinfeld -LRB- who is also one of the film 's producers -RRB- do everything he can to look like a good guy .\n10472\tAttal 's hang-ups surrounding infidelity are so old-fashioned and , dare I say , outdated , it 's a wonder that he could n't have brought something fresher to the proceedings simply by accident .\n10473\tObvious , obnoxious and didactic burlesque .\n10474\tThe most surprising thing about this film is that they are actually releasing it into theaters .\n10475\tMichele is a such a brainless flibbertigibbet that it 's hard to take her spiritual quest at all seriously .\n10476\tUltimately , clarity matters , both in breaking codes and making movies .\n10477\tEnigma lacks it .\n10478\tPotty-mouthed enough for PG-13 , yet not as hilariously raunchy as South Park , this strangely schizo cartoon seems suited neither to kids or adults .\n10479\t... has its moments , but ultimately , its curmudgeon does n't quite make the cut of being placed on any list of favorites .\n10480\tA distinctly minor effort that will be seen to better advantage on cable , especially considering its barely feature-length running time of one hour .\n10481\tMost of the movie is so deadly dull that watching the proverbial paint dry would be a welcome improvement .\n10482\tIn the end , Tuck Everlasting falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in .\n10483\tRather less than the sum of its underventilated père-fils confrontations .\n10484\tMcKay shows crushingly little curiosity about , or is ill-equipped to examine , the interior lives of the characters in his film , much less incorporate them into his narrative .\n10485\tPlays like a series of vignettes -- clips of a film that are still looking for a common through-line .\n10486\tNew Yorkers always seem to find the oddest places to dwell ...\n10487\tAmid the shock and curiosity factors , the film is just a corny examination of a young actress trying to find her way .\n10488\tYes , Spirited Away is a triumph of imagination , but it 's also a failure of storytelling .\n10489\tA characteristically engorged and sloppy coming-of-age movie .\n10490\tA somewhat disappointing and meandering saga .\n10491\tWhenever you think you 've seen the end of the movie , we cut to a new scene , which also appears to be the end .\n10492\tBut , no , we get another scene , and then another .\n10493\tYou begin to long for the end credits as the desert does for rain .\n10494\tAn empty , ugly exercise in druggy trance-noir and trumped-up street credibility .\n10495\tThe screenplay , co-written by director Imogen Kimmel , lacks the wit necessary to fully exploit the comic elements of the premise , making the proceedings more bizarre than actually amusing .\n10496\tThe milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch .\n10497\tUnfunny comedy with a lot of static set ups , not much camera movement , and most of the scenes take place indoors in formal settings with motionless characters .\n10498\tEach story is built on a potentially interesting idea , but the first two are ruined by amateurish writing and acting , while the third feels limited by its short running time .\n10499\tExcept for Paymer as the boss who ultimately expresses empathy for Bartleby 's pain , the performances are so stylized as to be drained of human emotion .\n10500\tWill no doubt delight Plympton 's legion of fans ; others may find 80 minutes of these shenanigans exhausting .\n10501\tThe laughs are as rare as snake foo yung .\n10502\tFor a film that celebrates radical , nonconformist values , What to Do in Case of Fire ?\n10503\tlazily and glumly settles into a most traditional , reserved kind of filmmaking .\n10504\tKnockaround Guys plays like a student film by two guys who desperately want to be Quentin Tarantino when they grow up .\n10505\tBut they lack their idol 's energy and passion for detail .\n10506\tMattei so completely loses himself to the film 's circular structure to ever offer any insightful discourse on , well , Love in the Time of Money .\n10507\tIt briefly flirts with player masochism , but the point of real interest - -- audience sadism -- is evaded completely .\n10508\tHolland lets things peter out midway , but it 's notably better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals .\n10509\tFor every articulate player , such as skateboarder Tony Hawk or BMX rider Mat Hoffman , are about a half dozen young Turks angling to see how many times they can work the words `` radical '' or `` suck '' into a sentence .\n10510\tThere 's not a fresh idea at the core of this tale .\n10511\tAn impenetrable and insufferable ball of pseudo-philosophic twaddle .\n10512\tIt 's unfortunate that Wallace , who wrote Gibson 's Braveheart as well as the recent Pearl Harbor , has such an irrepressible passion for sappy situations and dialogue .\n10513\tI liked the movie , but I know I would have liked it more if it had just gone that one step further .\n10514\tI 'm left slightly disappointed that it did n't .\n10515\tDreary tale of middle-class angst\n10516\tFor a movie about the power of poetry and passion , there is precious little of either .\n10517\t-LRB- Jackson and Bledel -RRB- seem to have been picked not for their acting chops , but for their looks and appeal to the pre-teen crowd .\n10518\tLillard and Cardellini earn their Scooby Snacks , but not anyone else .\n10519\tLike Schindler 's List , The Grey Zone attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way .\n10520\tAn unremittingly ugly movie to look at , listen to , and think about , it is quite possibly the sturdiest example yet of why the DV revolution has cheapened the artistry of making a film .\n10521\t-LRB- Screenwriter -RRB- Pimental took the Farrelly Brothers comedy and feminized it , but it is a rather poor imitation .\n10522\tIt 's kind of sad that so many people put so much time and energy into this turkey .\n10523\tFriday After Next is a lot more bluster than bite .\n10524\tIts juxtaposition of overwrought existentialism and stomach-churning gore will have you forever on the verge of either cracking up or throwing up .\n10525\tA decidedly mixed bag .\n10526\tThere are cheesy backdrops , ridiculous action sequences , and many tired jokes about men in heels .\n10527\tIce Cube is n't quite out of ripe screwball ideas , but Friday After Next spreads them pretty thin .\n10528\tNot everything in the film works , including its somewhat convenient ending .\n10529\tThe characters , cast in impossibly contrived situations , are totally estranged from reality .\n10530\tEverything else about High Crimes is , like the military system of justice it portrays , tiresomely regimented .\n10531\tJust dreadful .\n10532\tI do n't blame Eddie Murphy but should n't Owen Wilson know a movie must have a story and a script ?\n10533\tSweet Home Alabama certainly wo n't be remembered as one of -LRB- Witherspoon 's -RRB- better films .\n10534\thard as this may be to believe , Here on Earth , a surprisingly similar teen drama , was a better film .\n10535\tThis is just lazy writing .\n10536\tEven kids deserve better .\n10537\tThe pretensions -- and disposable story -- sink the movie .\n10538\tAnd Diesel is n't the actor to save it .\n10539\tBravo reveals the true intent of her film by carefully selecting interview subjects who will construct a portrait of Castro so predominantly charitable it can only be seen as propaganda .\n10540\t... a preachy parable stylized with a touch of John Woo bullet ballet .\n10541\tFrank Capra played this story straight .\n10542\tBut the 2002 film does n't really believe in it , and breaks the mood with absurdly inappropriate ` comedy ' scenes .\n10543\tHow about starting with a more original story instead of just slapping extreme humor and gross-out gags on top of the same old crap ?\n10544\tThe problem is that for the most part , the film is deadly dull .\n10545\tHandled correctly , Wilde 's play is a masterpiece of elegant wit and artifice .\n10546\tHere , alas , it collapses like an overcooked soufflé .\n10547\t`` Sorority Boys '' was funnier , and that movie was pretty bad .\n10548\tA bizarre piece of work , with premise and dialogue at the level of kids ' television and plot threads as morose as teen pregnancy , rape and suspected murder\n10549\tPaul Bettany is good at being the ultra-violent gangster wannabe , but the movie is certainly not number 1 .\n10550\tIt 's a gag that 's worn a bit thin over the years , though Do n't Ask still finds a few chuckles .\n10551\tAn uplifting drama ... What Antwone Fisher is n't , however , is original .\n10552\tOften likable , but just as often it 's meandering , low on energy , and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy .\n10553\tCertain to be distasteful to children and adults alike , Eight Crazy Nights is a total misfire .\n10554\tElaborate special effects take centre screen , so that the human story is pushed to one side .\n10555\tShowtime is n't particularly assaultive , but it can still make you feel that you never want to see another car chase , explosion or gunfight again .\n10556\tAll the characters are clinically depressed and have abandoned their slim hopes and dreams .\n10557\tThis Tuxedo ... should have been sent back to the tailor for some major alterations .\n10558\tI have no problem with `` difficult '' movies , or movies that ask the audience to meet them halfway and connect the dots instead of having things all spelled out .\n10559\tBut first , you have to give the audience a reason to want to put for that effort\n10560\tBeen there , done that ... a thousand times already , and better .\n10561\tWhat 's most offensive is n't the waste of a good cast , but the film 's denial of sincere grief and mourning in favor of bogus spiritualism .\n10562\tSunk by way too much indulgence of scene-chewing , teeth-gnashing actorliness .\n10563\tFans of Plympton 's shorts may marginally enjoy the film , but it is doubtful this listless feature will win him any new viewers .\n10564\tBarrels along at the start before becoming mired in sentimentality .\n10565\tNone of this sounds promising and , indeed , the first half of Sorority Boys is as appalling as any ` comedy ' to ever spill from a projector 's lens .\n10566\tThe kind of movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics .\n10567\t` Punch-Drunk Love is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . '\n10568\tAt once overly old-fashioned in its sudsy plotting and heavy-handed in its effort to modernize it with encomia to diversity and tolerance .\n10569\tThe trashy teen-sleaze equivalent of Showgirls .\n10570\tWhile the production details are lavish , film has little insight into the historical period and its artists , particularly in how Sand developed a notorious reputation .\n10571\tA crass and insulting homage to great films like Some Like It Hot and the John Wayne classics .\n10572\tWhat 's the most positive thing that can be said about the new Rob Schneider vehicle ?\n10573\tWell , it 's not as pathetic as The Animal .\n10574\tWith all the sympathy , empathy and pity fogging up the screen ... His Secret Life enters the land of unintentional melodrama and tiresome love triangles .\n10575\tThe problematic characters and overly convenient plot twists foul up Shum 's good intentions .\n10576\tWhat ` Blade Runner ' would 've looked like as a low-budget series on a UHF channel .\n10577\tHas all the values of a straight-to-video movie , but because it has a bigger-name cast , it gets a full theatrical release .\n10578\tWith its lackadaisical plotting and mindless action , All About the Benjamins evokes the bottom tier of blaxploitation flicks from the 1970s .\n10579\tIt never quite makes it to the boiling point , but manages to sustain a good simmer for most of its running time .\n10580\tLoud , silly , stupid and pointless .\n10581\tMandel Holland 's direction is uninspired , and his scripting unsurprising , but the performances by Phifer and Black are ultimately winning .\n10582\tYou 'll find yourself wishing that you and they were in another movie .\n10583\tA yawn-provoking little farm melodrama .\n10584\tDid no one on the set have a sense of humor , or did they not have the nerve to speak up ?\n10585\tSeriously , rent the Disney version .\n10586\tAs David Letterman and The Onion have proven , the worst of tragedies can be fertile sources of humor , but Lawrence has only a fleeting grasp of how to develop them .\n10587\tLike its parade of predecessors , this Halloween is a gory slash-fest .\n10588\tIt ca n't escape its past , and it does n't want to .\n10589\t`` Abandon '' will leave you wanting to abandon the theater .\n10590\tProblem is , we have no idea what in creation is going on .\n10591\tA live-action cartoon , a fast-moving and cheerfully simplistic 88 minutes of exaggerated action put together with the preteen boy in mind .\n10592\tA loquacious and dreary piece of business .\n10593\tWhat the audience feels is exhaustion , from watching a movie that is dark -LRB- dark green , to be exact -RRB- , sour , bloody and mean .\n10594\tdirector Hoffman , his writer and Kline 's agent should serve detention\n10595\tDodgy mixture of cutesy romance , dark satire and murder mystery .\n10596\tMeticulously mounted , exasperatingly well-behaved film , which ticks off Kahlo 's lifetime milestones with the dutiful precision of a tax accountant .\n10597\tTime of Favor could have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation .\n10598\tI 'm not sure which will take longer to heal : the welt on Johnny Knoxville 's stomach from a riot-control projectile or my own tortured psyche .\n10599\tWhile Serving Sara does have a long way to go before it reaches the level of crudity in the latest Austin Powers extravaganza , there 's nothing here to match that movie 's intermittent moments of inspiration .\n10600\tI 'm not sure which is worse : the poor acting by the ensemble cast , the flat dialogue by Vincent R. Nebrida or the gutless direction by Laurice Guillen .\n10601\tThe only reason you should see this movie is if you have a case of masochism and an hour and a half to blow .\n10602\tWhatever about warning kids about the dangers of ouija boards , someone should dispense the same advice to film directors .\n10603\tAs with so many merchandised-to-the-max movies of this type , more time appears to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else .\n10604\tThe Irwins ' scenes are fascinating ; the movie as a whole is cheap junk and an insult to their death-defying efforts .\n10605\tIf routine action and jokes like this are your cup of tea , then pay your $ 8 and get ready for the big shear .\n10606\tThis is one baaaaaaaaad movie .\n10607\tA man leaving the screening said the film was better than Saving Private Ryan .\n10608\tHe may have meant the Internet short Saving Ryan 's Privates .\n10609\tBut Windtalkers does n't beat that one , either .\n10610\tMay puzzle his most ardent fans .\n10611\tStarts as a tart little lemon drop of a movie and ends up as a bitter pill .\n10612\tWe never feel anything for these characters , and as a result the film is basically just a curiosity .\n10613\tThose unfamiliar with Mormon traditions may find The Singles Ward occasionally bewildering .\n10614\tRitchie may not have a novel thought in his head , but he knows how to pose Madonna .\n10615\tThe story , touching though it is , does not quite have enough emotional resonance or variety of incident to sustain a feature , and even at 85 minutes it feels a bit long .\n10616\tFeels like the work of an artist who is simply tired -- of fighting the same fights , of putting the weight of the world on his shoulders , of playing with narrative form .\n10617\tWhile you have to admit it 's semi-amusing to watch Robert DeNiro belt out `` When you 're a Jet , you 're a Jet all the way , '' it 's equally distasteful to watch him sing the lyrics to `` Tonight . ''\n10618\tThe whole mess boils down to a transparently hypocritical work that feels as though it 's trying to set the women 's liberation movement back 20 years . '\n10619\t... the cast portrays their cartoon counterparts well ... but quite frankly , Scoob and Shag do n't eat enough during the film . '\n10620\tMore of the same old garbage Hollywood has been trying to pass off as acceptable teen entertainment for some time now .\n10621\tTV skit-com material fervently deposited on the big screen .\n10622\t-LRB- Johnnie To and Wai Ka Fai are -RRB- sure to find an enthusiastic audience among American action-adventure buffs , but the film 's interests may be too narrow to attract crossover viewers .\n10623\tIf there was ever a movie where the upbeat ending feels like a copout , this is the one .\n10624\tIt 's as sorry a mess as its director 's diabolical debut , Mad Cows .\n10625\tAny attempts at nuance given by the capable cast is drowned out by director Jon Purdy 's sledgehammer sap .\n10626\tIts audacious ambitions sabotaged by pomposity , Steven Soderbergh 's space opera emerges as a numbingly dull experience .\n10627\tDespite some strong performances , never rises above the level of a telanovela .\n10628\tThis is a picture that Maik , the firebrand turned savvy ad man , would be envious of : it hijacks the heat of revolution and turns it into a sales tool .\n10629\tFeels slight , as if it were an extended short , albeit one made by the smartest kids in class .\n10630\tUnspeakable , of course , barely begins to describe the plot and its complications .\n10631\tVulgar is too optimistic a title .\n10632\tThe actors pull out all the stops in nearly every scene , but to diminishing effect .\n10633\tThe characters never change .\n10634\tIf The Last Man were the last movie left on earth , there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows .\n10635\tWelles groupie\\/scholar Peter Bogdanovich took a long time to do it , but he 's finally provided his own broadside at publishing giant William Randolph Hearst .\n10636\tMakes the same mistake as the music industry it criticizes , becoming so slick and watered-down it almost loses what made you love it in the first place .\n10637\tEven as I valiantly struggled to remain interested , or at least conscious , I could feel my eyelids ... getting ... very ... heavy ...\n10638\tA bad movie that happened to good actors .\n10639\tBoasts eye-catching art direction but has a forcefully quirky tone that quickly wears out its limited welcome .\n10640\tScreenwriter Dan Schneider and director Shawn Levy substitute volume and primary colors for humor and bite .\n10641\tOversexed , at times overwrought comedy\\/drama that offers little insight into the experience of being forty , female and single .\n10642\tThat such a horrible movie could have sprung from such a great one is one of the year 's worst cinematic tragedies .\n10643\tIt all starts to smack of a Hallmark Hall of Fame , with a few four letter words thrown in that are generally not heard on television .\n10644\tRarely has a film 's title served such dire warning .\n10645\tIf you saw Benigni 's Pinocchio at a public park , you 'd grab your kids and run and then probably call the police .\n10646\tThe animation is competent , and some of the gags are quite funny , but Jonah ... never shakes the oppressive , morally superior good-for-you quality that almost automatically accompanies didactic entertainment .\n10647\tThe pace of the film is very slow -LRB- for obvious reasons -RRB- and that too becomes off-putting .\n10648\tMr. Wollter and Ms. Seldhal give strong and convincing performances , but neither reaches into the deepest recesses of the character to unearth the quaking essence of passion , grief and fear .\n10649\tShafer 's feature does n't offer much in terms of plot or acting .\n10650\tIn his role of observer of the scene , Lawrence sounds whiny and defensive , as if his life-altering experiences made him bitter and less mature .\n10651\t-LRB- T -RRB- he ideas of Revolution # 9 are more compelling than the execution\n10652\tThe film did n't convince me that Calvin Jr. 's Barbershop represents some sort of beacon of hope in the middle of Chicago 's South Side .\n10653\tWhat happens when something goes bump in the night and nobody cares ?\n10654\tDespite some comic sparks , Welcome to Collinwood never catches fire .\n10655\tDirector George Hickenlooper has had some success with documentaries , but here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place .\n10656\tShows moments of promise but ultimately succumbs to cliches and pat storytelling .\n10657\tEven accepting this in the right frame of mind can only provide it with so much leniency .\n10658\tSome Body is a shaky , uncertain film that nevertheless touches a few raw nerves .\n10659\tAll the small moments and flashbacks do n't add up to much more than trite observations on the human condition .\n10660\t-LRB- A -RRB- stale retread of the '53 original .\n10661\tOne thing 's for sure -- if George Romero had directed this movie , it would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head .\n10662\tFor dance completists only .\n10663\tSpreads itself too thin , leaving these actors , as well as the members of the commune , short of profound characterizations\n10664\tIt would n't matter so much that this arrogant Richard Pryor wannabe 's routine is offensive , puerile and unimaginatively foul-mouthed if it was at least funny .\n10665\tThe locale ... remains far more interesting than the story at hand .\n10666\tYo , it 's The Days Of Our Lives meets Electric Boogaloo .\n10667\tI liked the original short story but this movie , even at an hour and twenty-some minutes , it 's too long and it goes nowhere .\n10668\tThis little film is so slovenly done , so primitive in technique , that it ca n't really be called animation .\n10669\tMakes 98 minutes feel like three hours .\n10670\tHawke 's film , a boring , pretentious waste of nearly two hours , does n't tell you anything except that the Chelsea Hotel today is populated by whiny , pathetic , starving and untalented artistes .\n10671\tAspires to the cracked lunacy of The Adventures of Buckaroo Banzai , but thanks to an astonishingly witless script ends up more like The Adventures of Ford Fairlane .\n10672\tReal-life strongman Ahola lacks the charisma and ability to carry the film on his admittedly broad shoulders .\n10673\tThe title , alone , should scare any sane person away .\n10674\tLow comedy does n't come much lower .\n10675\tAppropriately cynical social commentary aside , # 9 never quite ignites .\n10676\tIt 's crap on a leash -- far too polite to scale the lunatic heights of Joe Dante 's similarly styled Gremlins .\n10677\tOne of the most depressing movie-going experiences I can think of is to sit through about 90 minutes of a so-called ` comedy ' and not laugh once .\n10678\tThis is the kind of movie where the big scene is a man shot out of a cannon into a vat of ice cream .\n10679\tLet 's face it -- there are n't many reasons anyone would want to see Crossroads if they 're not big fans of teen pop kitten Britney Spears .\n10680\tA loud , brash and mainly unfunny high school comedy .\n10681\tAn exceptionally dreary and overwrought bit of work , every bit as imperious as Katzenberg 's The Prince of Egypt from 1998 .\n10682\tThe movie is so resolutely cobbled together out of older movies that it even uses a totally unnecessary prologue , just because it seems obligatory .\n10683\tThe movie 's vision of a white American zealously spreading a Puritanical brand of Christianity to South Seas islanders is one only a true believer could relish .\n10684\tMaid in Manhattan proves that it 's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies .\n10685\tA fairly harmless but ultimately lifeless feature-length afterschool special .\n10686\tI ca n't remember the last time I saw a movie where I wanted so badly for the protagonist to fail .\n10687\t... the whole thing succeeded only in making me groggy .\n10688\tLike most of Jaglom 's films , some of it is honestly affecting , but more of it seems contrived and secondhand .\n10689\tOne long , numbing action sequence made up mostly of routine stuff Yuen has given us before .\n10690\tForgettable , if good-hearted , movie .\n10691\tThe film 's most improbable feat ?\n10692\tIt did n't go straight to video .\n10693\t... about as exciting to watch as two last-place basketball teams playing one another on the final day of the season .\n10694\tThe Chateau ... is less concerned with cultural and political issues than doting on its eccentric characters .\n10695\tCruel and inhuman cinematic punishment ... simultaneously degrades its characters , its stars and its audience .\n10696\tIt 's not too fast and not too slow .\n10697\tIt 's not too racy and it 's not too offensive .\n10698\tIt 's not too much of anything .\n10699\tThe great pity is that those responsible did n't cut their losses -- and ours -- and retitle it The Adventures of Direct-to-Video Nash , and send it to its proper home .\n10700\tAbout as original as a gangster sweating bullets while worrying about a contract on his life .\n10701\tAn empty shell of an epic rather than the real deal .\n10702\tWe could have expected a little more human being , and a little less product .\n10703\tInstead of using George and Lucy 's most obvious differences to ignite sparks , Lawrence desperately looks elsewhere , seizing on George 's haplessness and Lucy 's personality tics .\n10704\tWhether Quitting will prove absorbing to American audiences is debatable .\n10705\tBecomes a bit of a mishmash : a tearjerker that does n't and a thriller that wo n't .\n10706\tFamily togetherness takes a back seat to inter-family rivalry and workplace ambition ... whole subplots have no explanation or even plot relevance .\n10707\tGrant is n't Cary and Bullock is n't Katherine .\n10708\tLike a fish that 's lived too long , Austin Powers in Goldmember has some unnecessary parts and is kinda wrong in places .\n10709\tTwo tedious acts light on great scares and a good surprise ending .\n10710\tShyamalan should stop trying to please his mom .\n10711\tThe entire movie is in need of a scented bath .\n10712\tI 'm sorry to say that this should seal the deal - Arnold is not , nor will he be , back .\n10713\tThe story of Trouble Every Day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , and the movie 's fragmentary narrative style makes piecing the story together frustrating difficult .\n10714\tA Movie to Forget\n10715\tFor all of its insights into the dream world of teen life , and its electronic expression through cyber culture , the film gives no quarter to anyone seeking to pull a cohesive story out of its 2 1\\/2 - hour running time .\n10716\tEnough is not a bad movie , just mediocre .\n10717\tThe performances are so overstated , the effect comes off as self-parody .\n10718\tIt looks good , but it is essentially empty .\n10719\tThe film never finds its tone and several scenes run too long .\n10720\tThe idea is more interesting than the screenplay , which lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of Run Lola Run .\n10721\tVan Wilder has a built-in audience , but only among those who are drying out from spring break and are still unconcerned about what they ingest .\n10722\tIt 's hard to believe that something so short could be so flabby .\n10723\tDo we really need another film that praises female self-sacrifice ?\n10724\tThe major problem with Windtalkers is that the bulk of the movie centers on the wrong character .\n10725\tTennessee Williams by way of Oprah 's Book Club .\n10726\tSo verbally flatfooted and so emotionally predictable or bland that it plays like the standard made-for-TV movie .\n10727\tThe entire point of a shaggy dog story , of course , is that it goes nowhere , and this is classic nowheresville in every sense .\n10728\tStale and clichéd to a fault .\n10729\tThis film is too busy hitting all of its assigned marks to take on any life of its own .\n10730\tWatching junk like this induces a kind of abstract guilt , as if you were paying dues for good books unread , fine music never heard .\n10731\tThe script feels as if it started to explore the obvious voyeuristic potential of ` hypertime ' but then backed off when the producers saw the grosses for Spy Kids .\n10732\tStarts off witty and sophisticated and you want to love it -- but filmmaker Yvan Attal quickly writes himself into a corner .\n10733\tSome Like It Hot on the Hardwood proves once again that a man in drag is not in and of himself funny .\n10734\tUnfortunately , contrived plotting , stereotyped characters and Woo 's over-the-top instincts as a director undermine the moral dilemma at the movie 's heart .\n10735\tWitless and utterly pointless .\n10736\tWhen ` science fiction ' takes advantage of the fact that its intended audience has n't yet had much science , it does a disservice to the audience and to the genre .\n10737\tShow me the mugging .\n10738\tRepresents something very close to the nadir of the thriller\\/horror genre .\n10739\tVisually sumptuous but intellectually stultifying .\n10740\tAs a feature-length film , it wears out its welcome as tryingly as the title character .\n10741\tA guilty pleasure at best , and not worth seeing unless you want to laugh at it .\n10742\tA sleep-inducing thriller with a single twist that everyone except the characters in it can see coming a mile away .\n10743\tWith a `` Spy Kids '' sequel opening next week , why bother with a contemptible imitator starring a `` SNL '' has-been acting like an 8-year-old channeling Roberto Benigni ?\n10744\tIt 's just rather leaden and dull .\n10745\tLacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago .\n10746\tStatham employs an accent that I think is supposed to be an attempt at hardass American but sometimes just lapses into unhidden British .\n10747\tInstead of trying to bust some blondes , -LRB- Diggs -RRB- should be probing why a guy with his talent ended up in a movie this bad .\n10748\tInitial strangeness inexorably gives way to rote sentimentality and mystical tenderness becomes narrative expedience .\n10749\tDe Ayala is required to supply too much of the energy in a film that is , overall , far too staid for its subject matter .\n10750\tDismally dull sci-fi comedy .\n10751\tThere 's surely something wrong with a comedy where the only belly laughs come from the selection of outtakes tacked onto the end credits .\n10752\tWhen one hears Harry Shearer is going to make his debut as a film director , one would hope for the best\n10753\tThe leads we are given here are simply too bland to be interesting .\n10754\t-LRB- Toback 's -RRB- fondness for fancy split-screen , stuttering editing and pompous references to Wittgenstein and Kirkegaard ... blends uneasily with the titillating material .\n10755\tAdam Sandler 's 8 Crazy Nights is 75 wasted minutes of Sandler as the voice-over hero in Columbia Pictures ' perverse idea of an animated holiday movie .\n10756\tessentially `` Fatal Attraction '' remade for viewers who were in diapers when the original was released in 1987 .\n10757\t... this story gets sillier , not scarier , as it goes along ...\n10758\tEven a hardened voyeur would require the patience of Job to get through this interminable , shapeless documentary about the swinging subculture .\n10759\tThe film 's hero is a bore and his innocence soon becomes a questionable kind of inexcusable dumb innocence .\n10760\tA singularly off-putting romantic comedy .\n10761\tThis is an exercise not in biography but in hero worship .\n10762\tIt all comes down to whether you can tolerate Leon Barlow .\n10763\tI ca n't .\n10764\tIn the spirit of the season , I assign one bright shining star to Roberto Benigni 's Pinocchio -- but I guarantee that no wise men will be following after it .\n10765\tCheck your brain and your secret agent decoder ring at the door because you do n't want to think too much about what 's going on .\n10766\tThe movie does has some entertainment value - how much depends on how well you like Chris Rock .\n10767\tA movie that seems motivated more by a desire to match mortarboards with Dead Poets Society and Good Will Hunting than by its own story .\n10768\tA culture clash comedy only half as clever as it thinks it is .\n10769\tThe logic of it all will be Greek to anyone not predisposed to the movie 's rude and crude humor .\n10770\tAs self-aware movies go , Who is Cletis Tout ?\n10771\tis clever enough , though thin writing proves its undoing .\n10772\tStarts out strongly before quickly losing its focus , point and purpose in a mess of mixed messages , over-blown drama and Bruce Willis with a scar .\n10773\t... a fascinating curiosity piece -- fascinating , that is , for about ten minutes .\n10774\tAfter that it becomes long and tedious like a classroom play in a college history course .\n10775\tDirector Jay Russell weighs down his capricious fairy-tale with heavy sentiment and lightweight meaning .\n10776\tThere are many things that solid acting can do for a movie , but crafting something promising from a mediocre screenplay is not one of them .\n10777\tIts screenplay serves as auto-critique , and its clumsiness as its own most damning censure .\n10778\tAt times , it actually hurts to watch .\n10779\tNemesis suffers from a paunchy midsection , several plodding action sequences and a wickedly undramatic central theme .\n10780\tThe jokes are telegraphed so far in advance they must have been lost in the mail .\n10781\t-LRB- Tries -RRB- to parody a genre that 's already a joke in the United States .\n10782\tThe movie is the equivalent of French hip-hop , which also seems to play on a 10-year delay .\n10783\tA beyond-lame satire , Teddy Bears ' Picnic ranks among the most pitiful directing debuts by an esteemed writer-actor .\n10784\tI 've never seen -LRB- a remake -RRB- do anything as stomach-turning as the way Adam Sandler 's new movie rapes , pillages and incinerates Frank Capra 's classic ...\n10785\tHollywood 's answer to an air ball .\n10786\tAnd people make fun of me for liking Showgirls .\n10787\tSuch a wildly uneven hit-and-miss enterprise , you ca n't help suspecting that it was improvised on a day-to-day basis during production .\n10788\tA weird little movie that 's amusing enough while you watch it , offering fine acting moments and pungent insights into modern L.A. 's show-biz and media subcultures .\n10789\tBut it does n't leave you with much .\n10790\tI 'm convinced I could keep a family of five blind , crippled , Amish people alive in this situation better than these British soldiers do at keeping themselves kicking .\n10791\tLike Mike is a slight and uninventive movie : Like the exalted Michael Jordan referred to in the title , many can aspire but none can equal .\n10792\tThere is nothing funny in this every-joke-has - been-told-a - thousand-times - before movie .\n10793\tAlways destined to be measured against Anthony Asquith 's acclaimed 1952 screen adaptation .\n10794\tThis is standard crime drama fare ... instantly forgettable and thoroughly dull .\n10795\tThere 's some outrageously creative action in The Transporter ... -LRB- b -RRB- ut by the time Frank parachutes down onto a moving truck , it 's just another cartoon with an unstoppable superman .\n10796\tOne of those based-on-truth stories that persuades you , with every scene , that it could never really have happened this way .\n10797\tFrom its nauseating spinning credits sequence to a very talented but underutilized supporting cast , Bartleby squanders as much as it gives out .\n10798\tYet another genre exercise , Gangster No. 1 is as generic as its title .\n10799\tDespite the holes in the story and the somewhat predictable plot , moments of the movie caused me to jump in my chair ...\n10800\tThere 's an admirable rigor to Jimmy 's relentless anger , and to the script 's refusal of a happy ending , but as those monologues stretch on and on , you realize there 's no place for this story to go but down .\n10801\tOnce again , the intelligence of gay audiences has been grossly underestimated , and a meaty plot and well-developed characters have been sacrificed for skin and flash that barely fizzle .\n10802\tA lightweight , uneven action comedy that freely mingles French , Japanese and Hollywood cultures .\n10803\tSuch a fine idea for a film , and such a stultifying , lifeless execution .\n10804\t-LRB- Allen 's -RRB- best works understand why snobbery is a better satiric target than middle-America diversions could ever be .\n10805\tThis overlong infomercial , due out on video before month 's end , is tepid and tedious .\n10806\tAn ambitious , guilt-suffused melodrama crippled by poor casting .\n10807\tRarely has sex on screen been so aggressively anti-erotic .\n10808\tA dull , inconsistent , dishonest female bonding picture .\n10809\tSo much about the film is loopy and ludicrous ... that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened .\n10810\tA disappointment for a movie that should have been the ultimate IMAX trip .\n10811\tDoes little to elaborate the conceit of setting this blood-soaked tragedy of murderous ambition in the era of Richard Nixon .\n10812\tThis Sade is hardly a perverse , dangerous libertine and agitator -- which would have made for better drama .\n10813\tHe 's just a sad aristocrat in tattered finery , and the film seems as deflated as he does .\n10814\tThe film 's needlessly opaque intro takes its doe-eyed Crudup out of pre-9 \\/ 11 New York and onto a cross-country road trip of the Homeric kind .\n10815\tIt 's as if a bored Cage spent the duration of the film 's shooting schedule waiting to scream : `` Got AIDS yet ? ''\n10816\tIn a strange way , Egoyan has done too much .\n10817\tHe 's worked too hard on this movie .\n10818\tThe film has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted and filled with crude humor and vulgar innuendo .\n10819\tThe last three narcissists left on earth compete for each others ' affections .\n10820\tA clash between the artificial structure of the story and the more contemporary , naturalistic tone of the film ...\n10821\tThe movie 's messages are quite admirable , but the story is just too clichéd and too often strains credulity .\n10822\tWhat we have here is n't a disaster , exactly , but a very handsomely produced let-down .\n10823\tThe script was reportedly rewritten a dozen times -- either 11 times too many or else too few .\n10824\tA shoddy male hip hop fantasy filled with guns , expensive cars , lots of naked women and Rocawear clothing .\n10825\tTo the filmmakers , Ivan is a prince of a fellow , but he comes across as shallow and glib though not mean-spirited , and there 's no indication that he 's been responsible for putting together any movies of particular value or merit .\n10826\tThis is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged makes no difference in the least .\n10827\tIt 's as if Allen , at 66 , has stopped challenging himself .\n10828\tScotland , PA is entirely too straight-faced to transcend its clever concept .\n10829\tA movie that the less charitable might describe as a castrated cross between Highlander and Lolita .\n10830\tNot only does LeBlanc make one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes .\n10831\tThere 's little to recommend Snow Dogs , unless one considers cliched dialogue and perverse escapism a source of high hilarity .\n10832\tIt 's deep-sixed by a compulsion to catalog every bodily fluids gag in There 's Something About Mary and devise a parallel clone-gag .\n10833\tThe film rehashes several old themes and is capped with pointless extremes -- it 's insanely violent and very graphic .\n10834\tSorority Boys , which is as bad at it is cruel , takes every potential laugh and stiletto-stomps the life out of it .\n10835\tHere the love scenes all end in someone screaming .\n10836\tMaybe there 's a metaphor here , but figuring it out would n't make Trouble Every Day any better .\n10837\tThis is the first film I 've ever seen that had no obvious directing involved .\n10838\tFans of so-bad-they 're - good cinema may find some fun in this jumbled mess .\n10839\tWeiss and Speck never make a convincing case for the relevance of these two 20th-century footnotes .\n10840\tSheridan is painfully bad , a fourth-rate Jim Carrey who does n't understand the difference between dumb fun and just plain dumb .\n10841\tPresents nothing special and , until the final act , nothing overtly disagreeable .\n10842\tThe most excruciating 86 minutes one might sit through this summer that do not involve a dentist drill .\n10843\tWas that movie nothing more than a tepid exercise in trotting out a formula that worked five years ago but has since lost its fizz ?\n10844\tIt goes on for too long and bogs down in a surfeit of characters and unnecessary subplots .\n10845\tIt 's absolutely amazing how first-time director Kevin Donovan managed to find something new to add to the canon of Chan .\n10846\tMake Chan 's action sequences boring .\n10847\tYou ... get a sense of good intentions derailed by a failure to seek and strike just the right tone .\n10848\t` In this poor remake of such a well loved classic , Parker exposes the limitations of his skill and the basic flaws in his vision . '\n10849\tIt 's the movie equivalent of a sweaty old guy in a rain coat shopping for cheap porn .\n10850\tThe film 's final hour , where nearly all the previous unseen material resides , is unconvincing soap opera that Tornatore was right to cut .\n10851\tThe movie does such an excellent job of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating .\n10852\tI found it slow , predictable and not very amusing .\n10853\tDirector Yu seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times .\n10854\tViewers will need all the luck they can muster just figuring out who 's who in this pretentious mess .\n10855\tA pint-sized ` Goodfellas ' designed to appeal to the younger set , it 's not a very good movie in any objective sense , but it does mostly hold one 's interest .\n10856\tGet out your pooper-scoopers .\n10857\tWhile the material is slight , the movie is better than you might think .\n10858\tIt 's definitely not made for kids or their parents , for that matter , and I think even fans of Sandler 's comic taste may find it uninteresting .\n10859\tSheridan seems terrified of the book 's irreverent energy , and scotches most of its élan , humor , bile , and irony .\n10860\tMore busy than exciting , more frantic than involving , more chaotic than entertaining .\n10861\tThere are more shots of children smiling for the camera than typical documentary footage which hurts the overall impact of the film .\n10862\tIt 's makes a better travelogue than movie .\n10863\tIt 's as if Solondz had two ideas for two movies , could n't really figure out how to flesh either out , so he just slopped ` em together here .\n10864\tThe fourth in a series that I 'll bet most parents had thought -- hoped !\n10865\t-- was a fad that had long since vanished .\n10866\tIt 's a long way from Orwell 's dark , intelligent warning cry -LRB- 1984 -RRB- to the empty stud knockabout of Equilibrium , and what once was conviction is now affectation .\n10867\tIts premise is smart , but the execution is pretty weary .\n10868\tThe holiday message of the 37-minute Santa vs. the Snowman leaves a lot to be desired .\n10869\tmore precious than perspicacious\n10870\tIf you saw it on TV , you 'd probably turn it off , convinced that you had already seen that movie .\n10871\t-LRB- T -RRB- he script is n't up to the level of the direction , nor are the uneven performances by the cast members , who seem bound and determined to duplicate Bela Lugosi 's now-cliched vampire accent .\n10872\tIf this is cinema , I pledge allegiance to Cagney and Lacey .\n10873\tEnigma looks great , has solid acting and a neat premise .\n10874\tYet why it fails is a riddle wrapped in a mystery inside an enigma .\n10875\tMost of the characters come off as pantomimesque sterotypes .\n10876\tStarts promisingly but disintegrates into a dreary , humorless soap opera .\n10877\tWhile there 's likely very little crossover appeal to those without much interest in the Elizabethans -LRB- as well as rank frustration from those in the know about Rubbo 's dumbed-down tactics -RRB- , Much Ado About Something is an amicable endeavor .\n10878\tIt 's actually too sincere -- the crime movie equivalent of a chick flick .\n10879\tMost of the film feels conceived and shot on the fly -- like between lunch breaks for Shearer 's radio show and his Simpson voice-overs .\n10880\tPerry 's good and his is an interesting character , but `` Serving Sara '' has n't much more to serve than silly fluff .\n10881\tNor is it a romantic comedy .\n10882\tCulkin turns his character into what is basically an anti-Harry Potter -- right down to the Gryffindor scarf .\n10883\tMemorable for a peculiar malaise that renders its tension flaccid and , by extension , its surprises limp and its resolutions ritual .\n10884\tIt 's a documentary that says that the alternate sexuality meant to set you free may require so much relationship maintenance that celibacy can start looking good .\n10885\tIn the not-too-distant future , movies like Ghost Ship will be used as analgesic balm for overstimulated minds .\n10886\tRight now , they 're merely signposts marking the slow , lingering death of imagination .\n10887\tThe movie 's biggest shocks come from seeing former nymphette Juliette Lewis playing a salt-of-the-earth mommy named Minnie and watching Slim travel incognito in a ridiculous wig no respectable Halloween costume shop would ever try to sell .\n10888\tLike most movies about the pitfalls of bad behavior ... Circuit gets drawn into the party .\n10889\tIt appears as if even the filmmakers did n't know what kind of movie they were making .\n10890\tBeneath the uncanny , inevitable and seemingly shrewd facade of movie-biz farce ... lies a plot cobbled together from largely flat and uncreative moments .\n10891\tSnipes relies too much on a scorchingly plotted dramatic scenario for its own good .\n10892\tPiccoli 's performance is amazing , yes , but the symbols of loss and denial and life-at-arm 's - length in the film seem irritatingly transparent .\n10893\tStarts out mediocre , spirals downward , and thuds to the bottom of the pool with an utterly incompetent conclusion .\n10894\tNicolas Cage is n't the first actor to lead a group of talented friends astray , and this movie wo n't create a ruffle in what is already an erratic career .\n10895\tIt lacks the compassion , good-natured humor and the level of insight that made -LRB- Eyre 's -RRB- first film something of a sleeper success .\n10896\tThe result is good gossip , entertainingly delivered , yet with a distinctly musty odour , its expiry date long gone .\n10897\tA sustained fest of self-congratulation between actor and director that leaves scant place for the viewer .\n10898\tAll Analyze That proves is that there is really only one movie 's worth of decent gags to be gleaned from the premise .\n10899\tGreen ruins every single scene he 's in , and the film , while it 's not completely wreaked , is seriously compromised by that .\n10900\tThere 's not a comedic moment in this romantic comedy .\n10901\tThe story is predictable , the jokes are typical Sandler fare , and the romance with Ryder is puzzling .\n10902\tWallace directs with such patronising reverence , it turns the stomach .\n10903\tResurrection has the dubious distinction of being a really bad imitation of the really bad Blair Witch Project .\n10904\tPoor Ben Bratt could n't find stardom if MapQuest emailed him point-to-point driving directions .\n10905\tPretend like your SAT scores are below 120 and you might not notice the flaws .\n10906\tUnlike Trey Parker , Sandler does n't understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself .\n10907\tA fake street drama that keeps telling you things instead of showing them .\n10908\tAn empty , purposeless exercise .\n10909\tEarnest and tentative even when it aims to shock .\n10910\tHaneke 's script -LRB- from Elfriede Jelinek 's novel -RRB- is contrived , unmotivated , and psychologically unpersuasive , with an inconclusive ending .\n10911\tA sometimes incisive and sensitive portrait that is undercut by its awkward structure and a final veering toward melodrama .\n10912\tThose 24-and-unders looking for their own Caddyshack to adopt as a generational signpost may have to keep on looking .\n10913\tA distinctly mixed bag , the occasional bursts of sharp writing alternating with lots of sloppiness and the obligatory moments of sentimental ooze .\n10914\tWhat begins brightly gets bogged down over 140 minutes .\n10915\tUltimately , Jane learns her place as a girl , softens up and loses some of the intensity that made her an interesting character to begin with .\n10916\tAh-nuld 's action hero days might be over .\n10917\tIt 's clear why Deuces Wild , which was shot two years ago , has been gathering dust on MGM 's shelf .\n10918\tFeels like nothing quite so much as a middle-aged moviemaker 's attempt to surround himself with beautiful , half-naked women .\n10919\tWhen the precise nature of Matthew 's predicament finally comes into sharp focus , the revelation fails to justify the build-up .\n10920\tThis picture is murder by numbers , and as easy to be bored by as your ABC 's , despite a few whopping shootouts .\n10921\tHilarious musical comedy though stymied by accents thick as mud .\n10922\tIf you are into splatter movies , then you will probably have a reasonably good time with The Salton Sea .\n10923\tA dull , simple-minded and stereotypical tale of drugs , death and mind-numbing indifference on the inner-city streets .\n10924\tThe feature-length stretch ... strains the show 's concept .\n10925\tThis slender plot feels especially thin stretched over the nearly 80-minute running time .\n10926\tA film that will probably please people already fascinated by Behan but leave everyone else yawning with admiration .\n10927\tDavis the performer is plenty fetching enough , but she needs to shake up the mix , and work in something that does n't feel like a half-baked stand-up routine .\n10928\tThe densest distillation of Roberts ' movies ever made .\n10929\tUltimately , the film never recovers from the clumsy cliché of the ugly American abroad , and the too-frosty exterior Ms. Paltrow employs to authenticate her British persona is another liability .\n10930\tA handsome but unfulfilling suspense drama more suited to a quiet evening on PBS than a night out at an AMC .\n10931\tTom Green and an Ivy League college should never appear together on a marquee , especially when the payoff is an unschooled comedy like Stealing Harvard , which fails to keep 80 minutes from seeming like 800 .\n10932\t-LRB- It -RRB- highlights not so much the crime lord 's messianic bent , but Spacey 's .\n10933\tMaster of Disguise runs for only 71 minutes and feels like three hours .\n10934\tA reworking of Die Hard and Cliffhanger but it 's nowhere near as exciting as either .\n10935\tSuffers from unlikable characters and a self-conscious sense of its own quirky hipness .\n10936\tA film without surprise geared toward maximum comfort and familiarity .\n10937\tFessenden continues to do interesting work , and it would be nice to see what he could make with a decent budget .\n10938\tBut the problem with Wendigo , for all its effective moments , is n't really one of resources .\n10939\tSpirit is a visual treat , and it takes chances that are bold by studio standards , but it lacks a strong narrative .\n10940\tIt stars schticky Chris Rock and stolid Anthony Hopkins , who seem barely in the same movie .\n10941\tTheir contrast is neither dramatic nor comic -- it 's just a weird fizzle .\n10942\tThis is a children 's film in the truest sense .\n10943\tIt 's packed with adventure and a worthwhile environmental message , so it 's great for the kids .\n10944\tParents , on the other hand , will be ahead of the plot at all times , and there is n't enough clever innuendo to fil\n10945\tThe niftiest trick perpetrated by The Importance of Being Earnest is the alchemical transmogrification of Wilde into Austen -- and a Hollywood-ized Austen at that .\n10946\tTykwer 's surface flash is n't just a poor fit with Kieslowski 's lyrical pessimism ; it completely contradicts everything Kieslowski 's work aspired to , including the condition of art .\n10947\tIce Age is the first computer-generated feature cartoon to feel like other movies , and that makes for some glacial pacing early on .\n10948\tToo slick and manufactured to claim street credibility .\n10949\tCherry Orchard is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story . '\n10950\tWhat ensues are much blood-splattering , mass drug-induced bowel evacuations , and none-too-funny commentary on the cultural distinctions between Americans and Brits .\n10951\tA dark comedy that goes for sick and demented humor simply to do so .\n10952\tThe movie is without intent .\n10953\tVisually exciting sci-fi film which suffers from a lackluster screenplay .\n10954\tWhile Hollywood Ending has its share of belly laughs -LRB- including a knockout of a closing line -RRB- , the movie winds up feeling like a great missed opportunity .\n10955\tIf The Full Monty was a freshman fluke , Lucky Break is -LRB- Cattaneo -RRB- sophomore slump .\n10956\tSandra Bullock and Hugh Grant make a great team , but this predictable romantic comedy should get a pink slip .\n10957\tAllegiance to Chekhov , which director Michael Cacoyannis displays with somber earnestness in the new adaptation of The Cherry Orchard , is a particularly vexing handicap .\n10958\tYou expect more from director Michael Apted -LRB- Enigma -RRB- and screenwriter Nicholas Kazan -LRB- Reversal of Fortune -RRB- than this cliche pileup .\n10959\tThe first mistake , I suspect , is casting Shatner as a legendary professor and Kunis as a brilliant college student -- where 's Pauly Shore as the rocket scientist ?\n10960\tThe dramatic scenes are frequently unintentionally funny , and the action sequences -- clearly the main event -- are surprisingly uninvolving .\n10961\tReplacing John Carpenter 's stylish tracking shots is degraded , handheld Blair Witch video-cam footage .\n10962\tOf all the Halloween 's , this is the most visually unappealing .\n10963\tIt has the requisite faux-urban vibe and hotter-two-years-ago rap and R&B names and references .\n10964\tDespite its dry wit and compassion , the film suffers from a philosophical emptiness and maddeningly sedate pacing .\n10965\t... feels as if -LRB- there 's -RRB- a choke leash around your neck so director Nick Cassavetes can give it a good , hard yank whenever he wants you to feel something .\n10966\tAttal pushes too hard to make this a comedy or serious drama .\n10967\tHe seems to want both , but succeeds in making neither .\n10968\tI could have used my two hours better watching Being John Malkovich again .\n10969\tIt 's not a bad plot ; but , unfortunately , the movie is nowhere near as refined as all the classic dramas it borrows from .\n10970\tGirlfriends are bad , wives are worse and babies are the kiss of death in this bitter Italian comedy .\n10971\tThe only young people who possibly will enjoy it are infants ... who might be distracted by the movie 's quick movements and sounds .\n10972\tThe film boasts at least a few good ideas and features some decent performances , but the result is disappointing .\n10973\tNo Such Thing breaks no new ground and treads old turf like a hippopotamus ballerina .\n10974\tUnfortunately , neither Sendak nor the directors are particularly engaging or articulate .\n10975\tA wishy-washy melodramatic movie that shows us plenty of sturm und drung , but explains its characters ' decisions only unsatisfactorily .\n10976\tBang !\n10977\tZoom !\n10978\tIt 's actually pretty funny , but in all the wrong places .\n10979\tLurid and less than lucid work .\n10980\tA wannabe comedy of manners about a brainy prep-school kid with a Mrs. Robinson complex founders on its own preciousness -- and squanders its beautiful women .\n10981\tAt a brief 42 minutes , we need more X and less blab .\n10982\tIf anything , see it for Karen Black , who camps up a storm as a fringe feminist conspiracy theorist named Dirty Dick .\n10983\tThis 90-minute dud could pass for Mike Tyson 's E !\n10984\tTrue Hollywood Story .\n10985\tThis is surely one of the most frantic , virulent and foul-natured Christmas season pics ever delivered by a Hollywood studio .\n10986\tOnce the expectation of laughter has been quashed by whatever obscenity is at hand , even the funniest idea is n't funny .\n10987\tA porn film without the sex scenes .\n10988\tThe connected stories of Breitbart and Hanussen are actually fascinating , but the filmmaking in Invincible is such that the movie does not do them justice .\n10989\tA depressingly retrograde , ` post-feminist ' romantic comedy that takes an astonishingly condescending attitude toward women .\n10990\tReturn to Never Land is much more P.C. than the original version -LRB- no more racist portraits of Indians , for instance -RRB- , but the excitement is missing .\n10991\tBy the end , you just do n't care whether that cold-hearted snake Petrovich -LRB- that would be Reno -RRB- gets his comeuppance .\n10992\tJust bring on the Battle Bots , please !\n10993\tWhile it 's all quite tasteful to look at , the attention process tends to do a little fleeing of its own .\n10994\tBroder 's screenplay is shallow , offensive and redundant , with pitifully few real laughs .\n10995\tYes they can swim , the title is merely Anne-Sophie Birot 's off-handed way of saying girls find adolescence difficult to wade through .\n10996\tDon Michael Paul uses quick-cuts , -LRB- very -RRB- large shadows and wide-angle shots taken from a distance to hide the liberal use of a body double -LRB- for Seagal -RRB- .\n10997\tSlow , silly and unintentionally hilarious .\n10998\tThe Sweetest Thing leaves a bitter taste .\n10999\tIn a big corner office in Hell , Satan is throwing up his hands in surrender , is firing his R&D people , and has decided he will just screen The Master of Disguise 24\\/7 .\n11000\tFor something as splendid-looking as this particular film , the viewer expects something special but instead gets -LRB- sci-fi -RRB- rehash .\n11001\tA thriller without a lot of thrills .\n11002\tThis stuck pig of a movie flails limply between bizarre comedy and pallid horror .\n11003\tAh , the travails of metropolitan life !\n11004\tAlas , another breathless movie about same !\n11005\tIn Moonlight Mile , no one gets shut out of the hug cycle .\n11006\tThough uniformly well acted , especially by young Ballesta and Galan -LRB- a first-time actor -RRB- , writer\\/director Achero Manas 's film is schematic and obvious .\n11007\tDone in mostly by a weak script that ca n't support the epic treatment .\n11008\tDespite its visual virtuosity , ` Naqoyqatsi ' is banal in its message and the choice of material to convey it .\n11009\tSlap her - she 's not funny !\n11010\tNo French people were harmed during the making of this movie , but they were insulted and the audience was put through torture for an hour and a half .\n11011\tThough its rather routine script is loaded with familiar situations , the movie has a cinematic fluidity and sense of intelligence that makes it work more than it probably should .\n11012\t`` One look at a girl in tight pants and big tits and you turn stupid ? ''\n11013\tUm ... is n't that the basis for the entire plot ?\n11014\t`` Not really as bad as you might think ! ''\n11015\tStrident and inelegant in its ` message-movie ' posturing .\n11016\tOne regards Reign of Fire with awe .\n11017\tWhat a vast enterprise has been marshaled in the service of such a minute idea .\n11018\tIt has the right approach and the right opening premise , but it lacks the zest and it goes for a plot twist instead of trusting the material .\n11019\tIts impressive images of crematorium chimney fires and stacks of dead bodies are undermined by the movie 's presentation , which is way too stagy .\n11020\tSeeing as the film lacks momentum and its position remains mostly undeterminable , the director 's experiment is a successful one .\n11021\tThe plot is romantic comedy boilerplate from start to finish .\n11022\tI suspect this is the kind of production that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the DVD .\n11023\tAn unfortunate title for a film that has nothing endearing about it .\n11024\tNinety minutes of Viva Castro !\n11025\tcan be as tiresome as 9 seconds of Jesse Helms ' anti- Castro rhetoric , which are included\n11026\tComes off as a long , laborious whine , the bellyaching of a paranoid and unlikable man .\n11027\tIt just goes to show , an intelligent person is n't necessarily an admirable storyteller .\n11028\tIn a 102-minute film , Aaliyah gets at most 20 minutes of screen time .\n11029\t... most viewers will wish there had been more of the `` Queen '' and less of the `` Damned . ''\n11030\tHopelessly inane , humorless and under-inspired .\n11031\tKapur fails to give his audience a single character worth rooting for -LRB- or worth rooting against , for that matter -RRB- .\n11032\tIt reduces the complexities to bromides and slogans and it gets so preachy-keen and so tub-thumpingly loud it makes you feel like a chump just for sitting through it .\n11033\tNone of this has the suavity or classical familiarity of Bond , but much of it is good for a laugh .\n11034\tThe problem with `` XXX '' is that its own action is n't very effective .\n11035\tA great script brought down by lousy direction .\n11036\tSame guy with both hats .\n11037\tBig mistake .\n11038\tA mediocre exercise in target demographics , unaware that it 's the butt of its own joke .\n11039\tDirector Kevin Bray excels in breaking glass and marking off the `` Miami Vice '' checklist of power boats , Latin music and dog tracks .\n11040\tHe does n't , however , deliver nearly enough of the show 's trademark style and flash .\n11041\tIn gleefully , thumpingly hyperbolic terms , it covers just about every cliche in the compendium about crass , jaded movie types and the phony baloney movie biz .\n11042\tThe Spalding Gray equivalent of a teen gross-out comedy .\n11043\tPerhaps even the SLC high command found writer-director Mitch Davis 's wall of kitsch hard going .\n11044\tAccording to Wendigo , ` nature ' loves the members of the upper class almost as much as they love themselves .\n11045\tAn encouraging effort from McCrudden\n11046\tThe romance between the leads is n't as compelling or as believable as it should be .\n11047\tIf I could have looked into my future and saw how bad this movie was , I would go back and choose to skip it .\n11048\tFortunately , you still have that option .\n11049\tSupposedly authentic account of a historical event that 's far too tragic to merit such superficial treatment .\n11050\tAdroit but finally a trifle flat , Mad Love does n't galvanize its outrage the way , say , Jane Campion might have done , but at least it possesses some .\n11051\tTo Blandly Go Where We Went 8 Movies Ago ...\n11052\tA slow-moving police-procedural thriller that takes its title all too literally .\n11053\tThis u-boat does n't have a captain .\n11054\tWith nary a glimmer of self-knowledge , -LRB- Crane -RRB- becomes more specimen than character -- and Auto Focus remains a chilly , clinical lab report .\n11055\tThis one aims for the toilet and scores a direct hit .\n11056\tDull , a road-trip movie that 's surprisingly short of both adventure and song .\n11057\tI walked away not really know who `` they '' were , what `` they '' looked like .\n11058\tWhy `` they '' were here and what `` they '' wanted and quite honestly , I did n't care .\n11059\tAfter several scenes of this tacky nonsense , you 'll be wistful for the testosterone-charged wizardry of Jerry Bruckheimer productions , especially because Half Past Dead is like The Rock on a Wal-Mart budget .\n11060\tA relatively effective little potboiler until its absurd , contrived , overblown , and entirely implausible finale .\n11061\tThe Country Bears wastes an exceptionally good idea .\n11062\tBut the movie that does n't really deliver for country music fans or for family audiences\n11063\tAdults will certainly want to spend their time in the theater thinking up grocery lists and ways to tell their kids how not to act like Pinocchio .\n11064\tAs for children , they wo n't enjoy the movie at all .\n11065\t... you can be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for Frida to just die already .\n11066\tToo bad writer-director Adam Rifkin situates it all in a plot as musty as one of the Golden Eagle 's carpets .\n11067\tIt 's lazy for a movie to avoid solving one problem by trying to distract us with the solution to another .\n11068\tThe movie is genial but never inspired , and little about it will stay with you .\n11069\tThe movie obviously seeks to re-create the excitement of such '50s flicks as Jules Verne 's ' 20,000 Leagues Under the Sea ' and the George Pal version of H.G. Wells ' ` The Time Machine . '\n11070\tBut its storytelling prowess and special effects are both listless .\n11071\tDespite the opulent lushness of every scene , the characters never seem to match the power of their surroundings .\n11072\teven after 90 minutes of playing opposite each other Bullock and Grant still look ill at ease sharing the same scene .\n11073\tWhat should have been a painless time-killer becomes instead a grating endurance test .\n11074\tA bland , obnoxious 88-minute infomercial for Universal Studios and its ancillary products . . .\n11075\tlittle action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets that can only be described as sci-fi generic .\n11076\tThe movie strains to stay on the light , comic side of the issue , despite the difficulty of doing so when dealing with the destruction of property and , potentially , of life itself .\n11077\tThe Master of Disguise is awful .\n11078\tIt 's Pauly Shore awful .\n11079\tDo n't say you were n't warned .\n11080\tDisappointing in comparison to other recent war movies ... or any other John Woo flick for that matter .\n11081\tThe entire movie is filled with deja vu moments .\n11082\t` Opening up ' the play more has partly closed it down .\n11083\tWhat -LRB- Frei -RRB- gives us ... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows .\n11084\tAn ugly , revolting movie .\n11085\tThe film is way too full of itself ; it 's stuffy and pretentious in a give-me-an-Oscar kind of way .\n11086\tThe movie is concocted and carried out by folks worthy of scorn , and the nicest thing I can say is that I ca n't remember a single name responsible for it .\n11087\tWatching `` Ending '' is too often like looking over the outdated clothes and plastic knickknacks at your neighbor 's garage sale .\n11088\tYou ca n't believe anyone would really buy this stuff .\n11089\tCertainly beautiful to look at , but its not very informative about its titular character and no more challenging than your average television biopic .\n11090\tIt desperately wants to be a wacky , screwball comedy , but the most screwy thing here is how so many talented people were convinced to waste their time .\n11091\tThe skills of a calculus major at M.I.T. are required to balance all the formulaic equations in the long-winded heist comedy Who Is Cletis Tout ?\n11092\tFrom the choppy editing to the annoying score to ` special effects ' by way of replacing objects in a character 's hands below the camera line , `` Besotted '' is misbegotten\n11093\tMy advice is to skip the film and pick up the soundtrack .\n11094\tA film that presents an interesting , even sexy premise then ruins itself with too many contrivances and goofy situations .\n11095\tFilled with low-brow humor , gratuitous violence and a disturbing disregard for life .\n11096\tdirected in a flashy , empty sub-music video style by a director so self-possessed he actually adds a period to his first name\n11097\tThe 70-year-old Godard has become , to judge from In Praise of Love , the sort of bitter old crank who sits behind his light meter and harangues the supposed injustices of the artistic world-at-large without doing all that much to correct them .\n11098\tAn unsophisticated sci-fi drama that takes itself all too seriously .\n11099\tSolondz is without doubt an artist of uncompromising vision , but that vision is beginning to feel , if not morally bankrupt , at least terribly monotonous .\n11100\tHarvard Man is a semi-throwback , a reminiscence without nostalgia or sentimentality .\n11101\tSupposedly based upon real , or at least soberly reported incidents , the film ends with a large human tragedy .\n11102\tAlas , getting there is not even half the interest .\n11103\tWhile Hoffman 's performance is great , the subject matter goes nowhere .\n11104\tThe smash 'em - up , crash 'em - up , shoot 'em - up ending comes out of nowhere substituting mayhem for suspense .\n11105\tDeuces Wild treads heavily into Romeo and Juliet\\/West Side Story territory , where it plainly has no business going .\n11106\tHart 's War seems to want to be a character study , but apparently ca n't quite decide which character .\n11107\tTheological matters aside , the movie is so clumsily sentimental and ineptly directed it may leave you speaking in tongues .\n11108\tThis latest installment of the horror film franchise that is apparently as invulnerable as its trademark villain has arrived for an incongruous summer playoff , demonstrating yet again that the era of the intelligent , well-made B movie is long gone .\n11109\tNovak contemplates a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama .\n11110\tBeen there , done that , liked it much better the first time around - when it was called The Professional .\n11111\tThe film is all over the place , really .\n11112\tIt dabbles all around , never gaining much momentum .\n11113\tThe beautiful , unusual music is this film 's chief draw , but its dreaminess may lull you to sleep .\n11114\tThe action quickly sinks into by-the-numbers territory .\n11115\tForages for audience sympathy like a temperamental child begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining .\n11116\tWhen -LRB- Reno -RRB- lets her radical flag fly , taking angry potshots at George W. Bush , Henry Kissinger , Larry King , et al. , Reno devolves into a laugh-free lecture .\n11117\tSuch a premise is ripe for all manner of lunacy , but Kaufman and Gondry rarely seem sure of where it should go .\n11118\tBurns ' fifth beer-soaked film feels in almost every possible way -- from the writing and direction to the soggy performances -- tossed off .\n11119\tWhile this one gets off with a good natured warning , future Lizard endeavors will need to adhere more closely to the laws of laughter\n11120\tAnother boorish movie from the I-heard-a-joke - at-a-frat-party school of screenwriting .\n11121\tToo much of the movie feels contrived , as if the filmmakers were worried the story would n't work without all those gimmicks .\n11122\tIt 's hard to understand why anyone in his right mind would even think to make the attraction a movie .\n11123\tAnd it 's harder still to believe that anyone in his right mind would want to see the it .\n11124\tThe ethos of the Chelsea Hotel may shape Hawke 's artistic aspirations , but he has n't yet coordinated his own DV poetry with the Beat he hears in his soul .\n11125\tThe sight of the name Bruce Willis brings to mind images of a violent battlefield action picture , but the film has a lot more on its mind -- maybe too much .\n11126\tWhy sit through a crummy , wannabe-hip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let alone seek out a respectable new one ?\n11127\tThe obnoxious special effects , the obligatory outbursts of flatulence and the incessant , so-five-minutes-ago pop music on the soundtrack overwhelm what is left of the scruffy , dopey old Hanna-Barbera charm .\n11128\tExploring value choices is a worthwhile topic for a film -- but here the choices are as contrived and artificial as Kerrigan 's platinum-blonde hair .\n11129\tThe movie 's downfall is to substitute plot for personality .\n11130\tIt does n't really know or care about the characters , and uses them as markers for a series of preordained events .\n11131\tAll mood and no movie .\n11132\tPress the delete key .\n11133\tSimone is not a bad film .\n11134\tIt just does n't have anything really interesting to say .\n11135\tOnce he starts learning to compromise with reality enough to become comparatively sane and healthy , the film becomes predictably conventional .\n11136\t... hopefully it 'll be at the dollar theatres by the time Christmas rolls around .\n11137\tWait to see it then .\n11138\tThere 's no disguising this as one of the worst films of the summer .\n11139\tOr for the year , for that matter .\n11140\tLacks the spirit of the previous two , and makes all those jokes about hos and even more unmentionable subjects seem like mere splashing around in the muck .\n11141\tThis hastily mounted production exists only to capitalize on Hopkins ' inclination to play Hannibal Lecter again , even though Harris has no immediate inclination to provide a fourth book .\n11142\tDeath to Smoochy tells a moldy-oldie , not-nearly - as-nasty - as-it - thinks-it-is joke .\n11143\tOver and over again .\n11144\tThe threat implied in the title Pokémon 4ever is terrifying -- like locusts in a horde these things will keep coming .\n11145\tThe film never gets over its own investment in conventional arrangements , in terms of love , age , gender , race , and class .\n11146\tTo call this film a lump of coal would only be to flatter it .\n11147\tEntertainment more disposable than Hanna-Barbera 's half-hour cartoons ever were .\n11148\tThe film falls short on tension , eloquence , spiritual challenge -- things that have made the original New Testament stories so compelling for 20 centuries .\n11149\tBy the end of it all I sort of loved the people onscreen , even though I could not stand them .\n11150\tPerhaps the film should be seen as a conversation starter .\n11151\tIt 's not an easy one to review .\n11152\tAt best this is a film for the under-7 crowd .\n11153\tBut it would be better to wait for the video .\n11154\tAnd a very rainy day .\n11155\tThe whole talking-animal thing is grisly .\n11156\tNever Again , while nothing special , is pleasant , diverting and modest -- definitely a step in the right direction .\n11157\tWould n't it be funny if a bunch of Allied soldiers went undercover as women in a German factory during World War II ?\n11158\tUm , no. .\n11159\tBut here 's a movie about it anyway .\n11160\tHas not so much been written as assembled , Frankenstein-like , out of other , marginally better shoot-em-ups .\n11161\tThe punch lines that miss , unfortunately , outnumber the hits by three-to-one .\n11162\tBut Death to Smoochy keeps firing until the bitter end .\n11163\tMushes the college-friends genre -LRB- The Big Chill -RRB- together with the contrivances and overwrought emotion of soap operas .\n11164\tShowtime 's starry cast could be both an asset and a detriment .\n11165\tThose who trek to the ` plex predisposed to like it probably will enjoy themselves .\n11166\tBut ticket-buyers with great expectations will wind up as glum as Mr. De Niro .\n11167\tA determined , ennui-hobbled slog that really does n't have much to say beyond the news flash that loneliness can make people act weird .\n11168\tToo daft by half ... but supremely good natured .\n11169\tFails in making this character understandable , in getting under her skin , in exploring motivation ... Well before the end , the film grows as dull as its characters , about whose fate it is hard to care .\n11170\tIt 's a shame that the storyline and its underlying themes ... finally seem so impersonal or even shallow .\n11171\tWoody , what happened ?\n11172\tJuliette Binoche 's Sand is vivacious , but it 's hard to sense that powerhouse of 19th-century prose behind her childlike smile .\n11173\tIt 's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on Oprah .\n11174\tYou can tell almost immediately that Welcome to Collinwood is n't going to jell .\n11175\tThroughout all the tumult , a question comes to mind : So why is this so boring ?\n11176\tCattaneo reworks the formula that made The Full Monty a smashing success ... but neglects to add the magic that made it all work .\n11177\tRoutine and rather silly .\n11178\tA rip-off twice removed , modeled after -LRB- Seagal 's -RRB- earlier copycat Under Siege , sometimes referred to as Die Hard on a boat .\n11179\tTotally overwrought , deeply biased , and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe are The Greatest Musicians of All Time .\n11180\tYou can practically hear George Orwell turning over .\n11181\tBehan 's memoir is great material for a film -- rowdy , brawny and lyrical in the best Irish sense -- but Sheridan has settled for a lugubrious romance .\n11182\tWhile Holm is terrific as both men and Hjejle quite appealing , the film fails to make the most out of the intriguing premise .\n11183\tLazy filmmaking , with the director taking a hands-off approach when he should have shaped the story to show us why it 's compelling .\n11184\tIf it were any more of a turkey , it would gobble in Dolby Digital stereo .\n11185\tIf nothing else , `` Rollerball '' 2002 may go down in cinema history as the only movie ever in which the rest of the cast was outshined by LL Cool J.\n11186\tA movie that falls victim to frazzled wackiness and frayed satire .\n11187\tHow do you make a movie with depth about a man who lacked any ?\n11188\tOn the evidence before us , the answer is clear : Not easily and , in the end , not well enough .\n11189\tThe film 's trailer also looked like crap , so crap is what I was expecting .\n11190\tMore trifle than triumph .\n11191\tThe movie is almost completely lacking in suspense , surprise and consistent emotional conviction .\n11192\tFesters in just such a dungpile that you 'd swear you were watching monkeys flinging their feces at you .\n11193\tLyne 's latest , the erotic thriller Unfaithful , further demonstrates just how far his storytelling skills have eroded .\n11194\tIt sounds like another clever if pointless excursion into the abyss , and that 's more or less how it plays out .\n11195\tRumor , a muddled drama about coming to terms with death , feels impersonal , almost generic .\n11196\tReport card : Does n't live up to the exalted tagline - there 's definite room for improvement .\n11197\tDoes n't deserve a passing grade -LRB- even on a curve -RRB- .\n11198\tThe pacing is deadly , the narration helps little and Naipaul , a juicy writer , is negated .\n11199\tAs his circle of friends keeps getting smaller one of the characters in Long Time Dead says ` I 'm telling you , this is f \\*\\*\\* ed ' .\n11200\tMaybe he was reading the minds of the audience .\n11201\t... if it had been only half-an-hour long or a TV special , the humor would have been fast and furious -- at ninety minutes , it drags .\n11202\tBean drops the ball too many times ... hoping the nifty premise will create enough interest to make up for an unfocused screenplay .\n11203\tA well-acted , but one-note film .\n11204\tBlood Work is laughable in the solemnity with which it tries to pump life into overworked elements from Eastwood 's Dirty Harry period .\n11205\tThe movie is too amateurishly square to make the most of its own ironic implications .\n11206\t-LRB- Lee -RRB- treats his audience the same way that Jim Brown treats his women -- as dumb , credulous , unassuming , subordinate subjects .\n11207\tAnd Lee seems just as expectant of an adoring , wide-smiling reception .\n11208\tThere 's not one decent performance from the cast and not one clever line of dialogue .\n11209\tNo amount of burning , blasting , stabbing , and shooting can hide a weak script .\n11210\tIt 's an odd show , pregnant with moods , stillborn except as a harsh conceptual exercise .\n11211\tNearly all the fundamentals you take for granted in most films are mishandled here .\n11212\tThe Armenian genocide deserves a more engaged and honest treatment .\n11213\tEarnest yet curiously tepid and choppy recycling in which predictability is the only winner .\n11214\tUltimately this is a frustrating patchwork : an uneasy marriage of Louis Begley 's source novel -LRB- About Schmidt -RRB- and an old Payne screenplay .\n11215\tThe exploitative , clumsily staged violence overshadows everything , including most of the actors .\n11216\tWe started to wonder if ... some unpaid intern had just typed ` Chris Rock , ' ` Anthony Hopkins ' and ` terrorists ' into some Univac-like script machine .\n11217\tEven when Crush departs from the 4W formula ... it feels like a glossy rehash .\n11218\tMore likely to have you scratching your head than hiding under your seat .\n11219\tBears is even worse than I imagined a movie ever could be .\n11220\tWhen you find yourself rooting for the monsters in a horror movie , you know the picture is in trouble .\n11221\tThis is very much of a mixed bag , with enough negatives to outweigh the positives .\n11222\tMarinated in clichés and mawkish dialogue .\n11223\tWhether it 's the worst movie of 2002 , I ca n't say for sure : Memories of Rollerball have faded , and I skipped Country Bears .\n11224\tBut this new jangle of noise , mayhem and stupidity must be a serious contender for the title .\n11225\t-LRB- A -RRB- boldly stroked , luridly coloured , uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain .\n11226\tNot once in the rush to save the day did I become very involved in the proceedings ; to me , it was just a matter of ` eh . '\n11227\tRollerball IS as bad as you think , and worse than you can imagine .\n11228\tThe first question to ask about Bad Company is why Anthony Hopkins is in it .\n11229\tWe assume he had a bad run in the market or a costly divorce , because there is no earthly reason other than money why this distinguished actor would stoop so low .\n11230\tNot exaggerated enough to be a parody of gross-out flicks , college flicks , or even flicks in general .\n11231\tIt merely indulges in the worst elements of all of them .\n11232\tShame on writer\\/director Vicente Aranda for making a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull .\n11233\tSuffers from a decided lack of creative storytelling .\n11234\tViolent , vulgar and forgettably entertaining .\n11235\tNothing happens , and it happens to flat characters .\n11236\tWith a completely predictable plot , you 'll swear that you 've seen it all before , even if you 've never come within a mile of The Longest Yard .\n11237\tRemember back when thrillers actually thrilled ?\n11238\tWhen the twist endings were actually surprising ?\n11239\tWhen the violence actually shocked ?\n11240\tWhen the heroes were actually under 40 ?\n11241\tSadly , as Blood Work proves , that was a long , long time ago .\n11242\tBlue Crush has all the trappings of an energetic , extreme-sports adventure , but ends up more of a creaky `` Pretty Woman '' retread , with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought .\n11243\tThis movie plays like an extended dialogue exercise in Retard 101 .\n11244\tWhat we get in FearDotCom is more like something from a bad Clive Barker movie .\n11245\tIn other words , it 's badder than bad .\n11246\tIf they broke out into elaborate choreography , singing and finger snapping it might have held my attention , but as it stands I kept looking for the last exit from Brooklyn .\n11247\tA sloppy slapstick throwback to long gone bottom-of-the-bill fare like The Ghost and Mr. Chicken .\n11248\tA small independent film suffering from a severe case of Hollywood-itis .\n11249\tWhere the film falters is in its tone .\n11250\tThe story alone could force you to scratch a hole in your head .\n11251\tUltimately , Sarah 's dedication to finding her husband seems more psychotic than romantic , and nothing in the movie makes a convincing case that one woman 's broken heart outweighs all the loss we witness .\n11252\tIt 's supposed to be a humorous , all-too-human look at how hope can breed a certain kind of madness -- and strength -- but it never quite adds up .\n11253\tFeels more like a rejected X-Files episode than a credible account of a puzzling real-life happening .\n11254\tSome motion pictures portray ultimate passion ; others create ultimate thrills .\n11255\tMen in Black II achieves ultimate insignificance -- it 's the sci-fi comedy spectacle as Whiffle-Ball epic .\n11256\tAn enigmatic film that 's too clever for its own good , it 's a conundrum not worth solving .\n11257\tA zombie movie in every sense of the word -- mindless , lifeless , meandering , loud , painful , obnoxious .\n11258\tA film that clearly means to preach exclusively to the converted .\n11259\tIt does n't take a rocket scientist to figure out that this is a Mormon family movie , and a sappy , preachy one at that .\n11260\tDefinitely a crowd-pleaser , but then , so was the Roman Colosseum .\n11261\tCertainly not a good movie , but it was n't horrible either .\n11262\tAlthough it starts off so bad that you feel like running out screaming , it eventually works its way up to merely bad rather than painfully awful .\n11263\tThe result is so tame that even slightly wised-up kids would quickly change the channel .\n11264\tIt appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up .\n11265\tNothing but an episode of Smackdown !\n11266\tin period costume and with a bigger budget .\n11267\tIt takes you somewhere you 're not likely to have seen before , but beneath the exotic surface -LRB- and exotic dancing -RRB- it 's surprisingly old-fashioned .\n11268\tWhile the story is better-focused than the incomprehensible Anne Rice novel it 's based upon , Queen Of The Damned is a pointless , meandering celebration of the goth-vampire , tortured woe-is-me lifestyle .\n11269\tIt should be interesting , it should be poignant , it turns out to be affected and boring .\n11270\tA good-looking but ultimately pointless political thriller with plenty of action and almost no substance .\n11271\tA tired , predictable , bordering on offensive , waste of time , money and celluloid .\n11272\tIf Hill is n't quite his generation 's Don Siegel -LRB- or Robert Aldrich -RRB- , it 's because there 's no discernible feeling beneath the chest hair ; it 's all bluster and cliché .\n11273\tStealing Harvard will dip into your wallet , swipe 90 minutes of your time , and offer you precisely this in recompense : A few early laughs scattered around a plot as thin as it is repetitious .\n11274\tThis is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors .\n11275\tDoes anyone much think the central story of Brendan Behan is that he was a bisexual sweetheart before he took to drink ?\n11276\t` Martin Lawrence Live ' is so self-pitying , I almost expected there to be a collection taken for the comedian at the end of the show .\n11277\tThe dialogue is cumbersome , the simpering soundtrack and editing more so .\n11278\tNever decides whether it wants to be a black comedy , drama , melodrama or some combination of the three .\n11279\tIt has become apparent that the franchise 's best years are long past .\n11280\tDoes what should seem impossible : it makes serial killer Jeffrey Dahmer boring .\n11281\tDo n't hate El Crimen del Padre Amaro because it 's anti-Catholic .\n11282\tHate it because it 's lousy .\n11283\t... better described as a ghost story gone badly awry .\n11284\tLike a bad improvisation exercise , the superficially written characters ramble on tediously about their lives , loves and the art they 're struggling to create .\n11285\tThe filmmakers are playing to the Big Boys in New York and L.A. To that end , they mock the kind of folks they do n't understand , ones they figure the power-lunchers do n't care to understand , either .\n11286\tCompetently directed but terminally cute drama .\n11287\tThe big finish is a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing .\n11288\tNot just unlikable .\n11289\tDisturbing .\n11290\tDisgusting .\n11291\tWithout any redeeming value whatsoever .\n11292\tThis thing is virtually unwatchable .\n11293\tThose eternally devoted to the insanity of Black will have an intermittently good time .\n11294\tFeel free to go get popcorn whenever he 's not onscreen .\n11295\tThe self-serious Equilibrium makes its point too well ; a movie , like life , is n't much fun without the highs and lows .\n11296\tThe work of an exhausted , desiccated talent who ca n't get out of his own way .\n11297\tThe main characters are simply named The Husband , The Wife and The Kidnapper , emphasizing the disappointingly generic nature of the entire effort .\n11298\tIn terms of execution this movie is careless and unfocused .\n11299\tSwims in mediocrity , sticking its head up for a breath of fresh air now and then .\n11300\tThe only type of lives this glossy comedy-drama resembles are ones in formulaic mainstream movies .\n11301\tThe characters ... are paper-thin , and their personalities undergo radical changes when it suits the script .\n11302\tA Sha-Na-Na sketch punctuated with graphic violence .\n11303\tThe trouble is , its filmmakers run out of clever ideas and visual gags about halfway through .\n11304\tSpy-vs .\n11305\t- spy action flick with Antonio Banderas and Lucy Liu never comes together .\n11306\tA so-so , made-for-TV something posing as a real movie .\n11307\tThe only upside to all of this unpleasantness is , given its Labor Day weekend upload , FearDotCom should log a minimal number of hits .\n11308\tWhether this is art imitating life or life imitating art , it 's an unhappy situation all around .\n11309\tAn uneasy mix of run-of-the-mill raunchy humor and seemingly sincere personal reflection .\n11310\tA formula family tearjerker told with a heavy Irish brogue ... accentuating , rather than muting , the plot 's saccharine thrust .\n11311\tThis is Sandler running on empty , repeating what he 's already done way too often .\n11312\tThis is as lax and limp a comedy as I 've seen in a while , a meander through worn-out material .\n11313\tTime literally stops on a dime in the tries-so-hard-to-be-cool `` Clockstoppers , '' but that does n't mean it still wo n't feel like the longest 90 minutes of your movie-going life .\n11314\tThe sort of picture in which , whenever one of the characters has some serious soul searching to do , they go to a picture-perfect beach during sunset .\n11315\tAptly named , this shimmering , beautifully costumed and filmed production does n't work for me .\n11316\tA preposterously melodramatic paean to gang-member teens in Brooklyn circa 1958 .\n11317\tHas none of the crackle of `` Fatal Attraction '' , `` 9 1\\/2 Weeks '' , or even `` Indecent Proposal '' , and feels more like Lyne 's stolid remake of `` Lolita '' .\n11318\tEverything its title implies , a standard-issue crime drama spat out from the Tinseltown assembly line .\n11319\tAn extraordinarily silly thriller .\n11320\tA rehash of every gangster movie from the past decade .\n11321\tGaping plot holes sink this ` sub ' - standard thriller and drag audience enthusiasm to crush depth .\n11322\tTalkiness is n't necessarily bad , but the dialogue frequently misses the mark .\n11323\tThe beautiful images and solemn words can not disguise the slack complacency of -LRB- Godard 's -RRB- vision , any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice .\n11324\tThe stunt work is top-notch ; the dialogue and drama often food-spittingly funny .\n11325\tThe movie is n't painfully bad , something to be ` fully experienced ' ; it 's just tediously bad , something to be fully forgotten .\n11326\tCharly comes off as emotionally manipulative and sadly imitative of innumerable past Love Story derisions .\n11327\tWhat a great shame that such a talented director as Chen Kaige has chosen to make his English-language debut with a film so poorly plotted and scripted .\n11328\tNo amount of good intentions is able to overcome the triviality of the story .\n11329\tThe film ... presents classic moral-condundrum drama : What would you have done to survive ?\n11330\tThe problem with the film is whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of Auschwitz II-Birkenau .\n11331\t... for all its social and political potential , State Property does n't end up being very inspiring or insightful .\n11332\tA film really has to be exceptional to justify a three hour running time , and this is n't .\n11333\tLittle more than a stylish exercise in revisionism whose point ... is no doubt true , but serves as a rather thin moral to such a knowing fable .\n11334\tThe nonstop artifice ultimately proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations .\n11335\tThis is a monumental achievement in practically every facet of inept filmmaking : joyless , idiotic , annoying , heavy-handed , visually atrocious , and often downright creepy .\n11336\tThis off-putting French romantic comedy is sure to test severely the indulgence of fans of Amélie .\n11337\toverburdened with complicated plotting and banal dialogue\n11338\tEnsemble movies , like soap operas , depend on empathy .\n11339\tIf there ai n't none , you have a problem .\n11340\tThe Master of Disguise falls under the category of ` should have been a sketch on Saturday Night Live . '\n11341\tYet another self-consciously overwritten story about a rag-tag bunch of would-be characters that team up for a ca n't - miss heist -- only to have it all go wrong .\n11342\tKoepp 's screenplay is n't nearly surprising or clever enough to sustain a reasonable degree of suspense on its own .\n11343\tIs it really an advantage to invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets ?\n11344\tMore successful at relating history than in creating an emotionally complex , dramatically satisfying heroine\n11345\tClumsy , obvious , preposterous , the movie will likely set the cause of woman warriors back decades .\n11346\tIt 's hard to pity the ` plain ' girl who becomes a ravishing waif after applying a smear of lip-gloss .\n11347\tRather , pity anyone who sees this mishmash .\n11348\tA banal , virulently unpleasant excuse for a romantic comedy .\n11349\tThe drama discloses almost nothing .\n11350\tA minor-league soccer remake of The Longest Yard .\n11351\tBelongs in the too-hot-for-TV direct-to-video\\/DVD category , and this is why I have given it a one-star rating .\n11352\tAs earnest as a community-college advertisement , American Chai is enough to make you put away the guitar , sell the amp , and apply to medical school .\n11353\tA dim-witted and lazy spin-off of the Animal Planet documentary series , Crocodile Hunter is entertainment opportunism at its most glaring .\n11354\tThere is more than one joke about putting the toilet seat down .\n11355\tAnd that should tell you everything you need to know about All the Queen 's Men .\n11356\tEven fans of Ismail Merchant 's work , I suspect , would have a hard time sitting through this one .\n11357\tIt 's really just another silly Hollywood action film , one among a multitude of simple-minded , yahoo-ing death shows .\n11358\tIt 's not a particularly good film , but neither is it a monsterous one .\n11359\tThe world needs more filmmakers with passionate enthusiasms like Martin Scorsese .\n11360\tBut it does n't need Gangs of New York .\n11361\tEnchanted with low-life tragedy and liberally seasoned with emotional outbursts ... What is sorely missing , however , is the edge of wild , lunatic invention that we associate with Cage 's best acting .\n11362\tHarry Potter and the Chamber of Secrets is deja vu all over again , and while that is a cliche , nothing could be more appropriate .\n11363\tIt 's likely that whatever you thought of the first production -- pro or con -- you 'll likely think of this one .\n11364\tSade achieves the near-impossible : It turns the Marquis de Sade into a dullard .\n11365\t-LRB- Lin Chung 's -RRB- voice is rather unexceptional , even irritating -LRB- at least to this Western ear -RRB- , making it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters .\n11366\tOne of the most plain , unimaginative romantic comedies I 've ever seen .\n11367\tThough there 's a clarity of purpose and even-handedness to the film 's direction , the drama feels rigged and sluggish .\n11368\tUnfortunately , the experience of actually watching the movie is less compelling than the circumstances of its making .\n11369\tUnless there are zoning ordinances to protect your community from the dullest science fiction , Impostor is opening today at a theater near you .\n11370\tIt should be doing a lot of things , but does n't .\n11371\tChen films the resolutely downbeat Smokers Only with every indulgent , indie trick in the book .\n11372\t... a rather bland affair .\n11373\tFar-fetched premise , convoluted plot , and thematic mumbo jumbo about destiny and redemptive love .\n11374\tThe movie tries to be ethereal , but ends up seeming goofy .\n11375\tI was hoping that it would be sleazy and fun , but it was neither .\n11376\tHarris is supposed to be the star of the story , but comes across as pretty dull and wooden .\n11377\tSoulless and -- even more damning -- virtually joyless , XXX achieves near virtuosity in its crapulence .\n11378\tA boring masquerade ball where normally good actors , even Kingsley , are made to look bad .\n11379\tAll the Queen 's Men is a throwback war movie that fails on so many levels , it should pay reparations to viewers .\n11380\tThe filmmakers keep pushing the jokes at the expense of character until things fall apart .\n11381\tRather than real figures , Elling and Kjell Bjarne become symbolic characters whose actions are supposed to relate something about the naïf 's encounter with the world .\n11382\tMariah Carey gives us another peek at some of the magic we saw in Glitter here in Wisegirls .\n11383\tIt 's all arty and jazzy and people sit and stare and turn away from one another instead of talking and it 's all about the silences and if you 're into that , have at it .\n11384\tI suspect that you 'll be as bored watching Morvern Callar as the characters are in it .\n11385\tIf you go , pack your knitting needles .\n11386\tThe lead actors share no chemistry or engaging charisma .\n11387\tWe do n't even like their characters .\n11388\tSome writer dude , I think his name was , uh , Michael Zaidan , was supposed to have like written the screenplay or something , but , dude , the only thing that I ever saw that was written down were the zeroes on my paycheck .\n11389\tThe movie does n't generate a lot of energy .\n11390\tIt is dark , brooding and slow , and takes its central idea way too seriously .\n11391\tThis feature is about as necessary as a hole in the head\n11392\tSpectators will indeed sit open-mouthed before the screen , not screaming but yawning .\n11393\tIt feels like very light Errol Morris , focusing on eccentricity but failing , ultimately , to make something bigger out of its scrapbook of oddballs .\n11394\tA period story about a Catholic boy who tries to help a Jewish friend get into heaven by sending the audience straight to hell .\n11395\tThe premise itself is just SOOOOO tired .\n11396\tPair that with really poor comedic writing ... and you 've got a huge mess .\n11397\tProves a lovely trifle that , unfortunately , is a little too in love with its own cuteness .\n11398\tDid we really need a remake of `` Charade ? ''\n11399\tSome movies can get by without being funny simply by structuring the scenes as if they were jokes : a setup , delivery and payoff .\n11400\tStealing Harvard ca n't even do that much .\n11401\tEach scene immediately succumbs to gravity and plummets to earth .\n11402\tThe only fun part of the movie is playing the obvious game .\n11403\tYou try to guess the order in which the kids in the house will be gored .\n11404\tI spied with my little eye ... a mediocre collection of cookie-cutter action scenes and occasionally inspired dialogue bits\n11405\tEntertains not so much because of its music or comic antics , but through the perverse pleasure of watching Disney scrape the bottom of its own cracker barrel .\n11406\tThe satire is just too easy to be genuinely satisfying .\n11407\tLess funny than it should be and less funny than it thinks it is .\n11408\tan `` O Bruin , Where Art Thou ? ''\n11409\t- style cross-country adventure ... it has sporadic bursts of liveliness , some so-so slapstick and a few ear-pleasing songs on its soundtrack .\n11410\tA feeble Tootsie knockoff .\n11411\tAn awful movie that will only satisfy the most emotionally malleable of filmgoers .\n11412\t... the story is far-flung , illogical , and plain stupid .\n11413\tThe very simple story seems too simple and the working out of the plot almost arbitrary .\n11414\tAn allegory concerning the chronically mixed signals African American professionals get about overachieving could be intriguing , but the supernatural trappings only obscure the message .\n11415\tA very familiar tale , one that 's been told by countless filmmakers about Italian - , Chinese - , Irish - , Latin - , Indian - , Russian - and other hyphenate American young men struggling to balance conflicting cultural messages .\n11416\tOne key problem with these ardently Christian storylines is that there is never any question of how things will turn out .\n11417\tEssentially , the film is weak on detail and strong on personality\n11418\tA relentless , bombastic and ultimately empty World War II action flick .\n11419\t-LRB- Hell is -RRB- looking down at your watch and realizing Serving Sara is n't even halfway through .\n11420\tToo long , and larded with exposition , this somber cop drama ultimately feels as flat as the scruffy sands of its titular community .\n11421\tLeaves viewers out in the cold and undermines some phenomenal performances .\n11422\t... a ho-hum affair , always watchable yet hardly memorable .\n11423\tSwiftly deteriorates into a terribly obvious melodrama and rough-hewn vanity project for lead actress Andie MacDowell .\n11424\tThe histrionic muse still eludes Madonna and , playing a charmless witch , she is merely a charmless witch .\n11425\tYou have no affinity for most of the characters .\n11426\tNothing about them is attractive .\n11427\tWhat they see in each other also is difficult to fathom .\n11428\tDiaz , Applegate , Blair and Posey are suitably kooky which should appeal to women and they strip down often enough to keep men alert , if not amused .\n11429\tA technically well-made suspenser ... but its abrupt drop in IQ points as it races to the finish line proves simply too discouraging to let slide .\n11430\tAn inept , tedious spoof of '70s kung fu pictures , it contains almost enough chuckles for a three-minute sketch , and no more .\n11431\tIt 's a mystery how the movie could be released in this condition .\n11432\tAbsolutely -LRB- and unintentionally -RRB- terrifying .\n11433\tEckstraordinarily lame and Severely boring .\n11434\tEight Legged Freaks falls flat as a spoof .\n11435\tNo matter how much he runs around and acts like a doofus , accepting a 50-year-old in the role is creepy in a Michael Jackson sort of way .\n11436\tYou 'll just have your head in your hands wondering why Lee 's character did n't just go to a bank manager and save everyone the misery .\n11437\t` Dragonfly ' dwells on crossing-over mumbo jumbo , manipulative sentimentality , and sappy dialogue .\n11438\tIn his determination to lighten the heavy subject matter , Silberling also , to a certain extent , trivializes the movie with too many nervous gags and pratfalls .\n11439\tBlade II has a brilliant director and charismatic star , but it suffers from rampant vampire devaluation .\n11440\tVeers uncomfortably close to pro-Serb propaganda .\n11441\tMovies like High Crimes flog the dead horse of surprise as if it were an obligation .\n11442\tHow about surprising us by trying something new ?\n11443\tFinal verdict : You 've seen it all before .\n11444\tThrowing in everything except someone pulling the pin from a grenade with his teeth , Windtalkers seems to have ransacked every old World War II movie for overly familiar material .\n11445\tIf A Few Good Men told us that we `` ca n't handle the truth '' than High Crimes poetically states at one point in this movie that we `` do n't care about the truth . ''\n11446\tFurther sad evidence that Tom Tykwer , director of the resonant and sense-spinning Run Lola Run , has turned out to be a one-trick pony -- a maker of softheaded metaphysical claptrap .\n11447\tYou 'll trudge out of the theater feeling as though you rode the Zipper after eating a corn dog and an extra-large cotton candy .\n11448\tThe movie is a little tired ; maybe the original inspiration has run its course .\n11449\tThis will go on so long as there are moviegoers anxious to see strange young guys doing strange guy things .\n11450\tA full-frontal attack on audience patience .\n11451\tAny intellectual arguments being made about the nature of God are framed in a drama so clumsy , there is a real danger less sophisticated audiences will mistake it for an endorsement of the very things that Bean abhors .\n11452\tIt 's a big idea , but the film itself is small and shriveled .\n11453\tDebut effort by `` Project Greenlight '' winner is sappy and amateurish .\n11454\tOne gets the impression the creators of Do n't Ask Do n't Tell laughed a hell of a lot at their own jokes .\n11455\tToo bad none of it is funny .\n11456\tThe cast has a high time , but de Broca has little enthusiasm for such antique pulp .\n11457\tThe film , like Jimmy 's routines , could use a few good laughs .\n11458\tThe film has too many spots where it 's on slippery footing , but is acceptable entertainment for the entire family and one that 's especially fit for the kiddies .\n11459\tPurports to be a Hollywood satire but winds up as the kind of film that should be the target of something deeper and more engaging .\n11460\tOh , and more entertaining , too .\n11461\t... in the pile of useless actioners from MTV schmucks who do n't know how to tell a story for more than four minutes .\n11462\tThough it was made with careful attention to detail and is well-acted by James Spader and Maggie Gyllenhaal , I felt disrespected .\n11463\tHumor in I Spy is so anemic .\n11464\tThe film is strictly routine .\n11465\tSkillful as he is , Mr. Shyamalan is undone by his pretensions .\n11466\tWhile the new film is much more eye-catching than its blood-drenched Stephen Norrington-directed predecessor , the new script by the returning David S. Goyer is much sillier .\n11467\tIn addition to sporting one of the worst titles in recent cinematic history , Ballistic : Ecks Vs. Sever also features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase .\n11468\tIt shares the first two films ' loose-jointed structure , but laugh-out-loud bits are few and far between .\n11469\tThe Santa Clause 2 is a barely adequate babysitter for older kids , but I 've got to give it thumbs down .\n11470\tYou can not guess why the cast and crew did n't sign a pact to burn the negative and the script and pretend the whole thing never existed .\n11471\tBarney throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull .\n11472\tIf you 're really renting this you 're not interested in discretion in your entertainment choices , you 're interested in Anne Geddes , John Grisham , and Thomas Kincaid .\n11473\tWe get the comedy we settle for .\n11474\tThe uneven movie does have its charms and its funny moments but not quite enough of them .\n11475\tTwo hours of sepia-tinted heavy metal images and surround sound effects of people moaning .\n11476\tA word of advice to the makers of The Singles Ward : Celebrity cameos do not automatically equal laughs .\n11477\tAnd neither do cliches , no matter how ` inside ' they are .\n11478\tThe campy results make Mel Brooks ' Borscht Belt schtick look sophisticated .\n11479\tIts appeal will probably limited to LDS Church members and undemanding armchair tourists .\n11480\tThe Hanukkah spirit seems fried in pork .\n11481\tCherish would 've worked a lot better had it been a short film .\n11482\tManipulative claptrap , a period-piece movie-of-the-week , plain old blarney ... take your pick .\n11483\tAll three descriptions suit Evelyn , a besotted and obvious drama that tells us nothing new .\n11484\tHey Arnold !\n11485\tis now stretched to barely feature length , with a little more attention paid to the animation .\n11486\tStill , the updated Dickensian sensibility of writer Craig Bartlett 's story is appealing .\n11487\tTrue to its title , it traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at .\n11488\tDoes n't come close to justifying the hype that surrounded its debut at the Sundance Film Festival two years ago .\n11489\tThe plot is paper-thin and the characters are n't interesting enough to watch them go about their daily activities for two whole hours .\n11490\tKaufman 's script is never especially clever and often is rather pretentious .\n11491\tThe film did n't move me one way or the other , but it was an honest effort and if you want to see a flick about telemarketers this one will due .\n11492\tQueen of the Damned is too long with too little going on .\n11493\tIt collapses when Mr. Taylor tries to shift the tone to a thriller 's rush .\n11494\tAny film that does n't even in passing mention political prisoners , poverty and the boat loads of people who try to escape the country is less a documentary and more propaganda by way of a valentine sealed with a kiss .\n11495\t... Blade II is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves .\n11496\tThe Rules of Attraction gets us too drunk on the party favors to sober us up with the transparent attempts at moralizing .\n11497\tThough there are many tense scenes in Trapped , they prove more distressing than suspenseful .\n11498\tIn this film we at least see a study in contrasts ; the wide range of one actor , and the limited range of a comedian .\n11499\tFeels strangely hollow at its emotional core .\n11500\tYou have once again entered the bizarre realm where director Adrian Lyne holds sway , where all relationships are simultaneously broadly metaphorical , oddly abstract , and excruciatingly literal .\n11501\tThe high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note : There 's very little hustling on view .\n11502\tThis director 's cut -- which adds 51 minutes -- takes a great film and turns it into a mundane soap opera .\n11503\tCharacterisation has been sacrificed for the sake of spectacle .\n11504\tthe Venezuelans say things like `` si , pretty much '' and `` por favor , go home '' when talking to Americans .\n11505\tThat 's muy loco , but no more ridiculous than most of the rest of `` Dragonfly . ''\n11506\tIt 's a movie that ends with Truckzilla , for cryin ' out loud .\n11507\tIf that does n't clue you in that something 's horribly wrong , nothing will .\n11508\tDirector Tom Shadyac and star Kevin Costner glumly mishandle the story 's promising premise of a physician who needs to heal himself .\n11509\tIt 's difficult to imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002 .\n11510\tLike the Tuck family themselves , this movie just goes on and on and on and on\n11511\tAs pedestrian as they come .\n11512\tA film that plays things so nice 'n safe as to often play like a milquetoast movie of the week blown up for the big screen .\n11513\tIt 's a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer 's face and asks to be seen as hip , winking social commentary .\n11514\tPut it somewhere between Sling Blade and South of Heaven , West of Hell in the pantheon of Billy Bob 's body of work .\n11515\tMore intellectually scary than dramatically involving .\n11516\tAn inconsequential , barely there bit of piffle .\n11517\tThe abiding impression , despite the mild hallucinogenic buzz , is of overwhelming waste -- the acres of haute couture ca n't quite conceal that there 's nothing resembling a spine here .\n11518\tAs saccharine as it is disposable .\n11519\tYou come away thinking not only that Kate is n't very bright , but that she has n't been worth caring about and that maybe she , Janine and Molly -- an all-woman dysfunctional family -- deserve one another .\n11520\tThe metaphors are provocative , but too often , the viewer is left puzzled by the mechanics of the delivery .\n11521\tVery much a home video , and so devoid of artifice and purpose that it appears not to have been edited at all .\n11522\tToo much power , not enough puff .\n11523\tThe attempt to build up a pressure cooker of horrified awe emerges from the simple fact that the movie has virtually nothing to show .\n11524\tIt 's provocative stuff , but the speculative effort is hampered by Taylor 's cartoonish performance and the film 's ill-considered notion that Hitler 's destiny was shaped by the most random of chances .\n11525\tA cellophane-pop remake of the punk classic Ladies and Gentlemen , The Fabulous Stains ... Crossroads is never much worse than bland or better than inconsequential .\n11526\tMuddled , trashy and incompetent\n11527\tFor this sort of thing to work , we need agile performers , but the proficient , dull Sorvino has no light touch , and Rodan is out of his league .\n11528\tNarc is all menace and atmosphere .\n11529\tThough excessively tiresome , The Uncertainty Principle , as verbally pretentious as the title may be , has its handful of redeeming features , as long as you discount its ability to bore .\n11530\tDespite Juliet Stevenon 's attempt to bring cohesion to Pamela 's emotional roller coaster life , it is not enough to give the film the substance it so desperately needs .\n11531\tIt 's tough to be startled when you 're almost dozing .\n11532\this -LRB- Nelson 's -RRB- screenplay needs some serious re-working to show more of the dilemma , rather than have his characters stage shouting matches about it .\n11533\tIt 's so downbeat and nearly humorless that it becomes a chore to sit through -- despite some first-rate performances by its lead .\n11534\tA terrible movie that some people will nevertheless find moving .\n11535\tThere are many definitions of ` time waster ' but this movie must surely be one of them .\n11536\tAs it stands , Crocodile Hunter has the hurried , badly cobbled look of the 1959 Godzilla , which combined scenes of a Japanese monster flick with canned shots of Raymond Burr commenting on the monster 's path of destruction .\n11537\tThe thing looks like a made-for-home-video quickie .\n11538\tEnigma is well-made , but it 's just too dry and too placid .\n11539\t`` Sweet Home Alabama '' is what it is -- a nice , harmless date film ...\n11540\tOne of the best , most understated performances of -LRB- Jack Nicholson 's -RRB- career .\n11541\tThe Dangerous Lives of Altar Boys ' take on adolescence feels painfully true .\n11542\tIt 's a masterpiece .\n11543\tIt may not be `` Last Tango in Paris '' but ...\n11544\tThey crush each other under cars , throw each other out windows , electrocute and dismember their victims in full consciousness .\n11545\tAnd we do n't avert our eyes for a moment .\n11546\tCharming and funny -LRB- but ultimately silly -RRB- movie .\n11547\tThird time 's the charm ... yeah , baby !\n11548\tA pleasant , if forgettable , romp of a film .\n11549\tBy the end of the movie , you 're definitely convinced that these women are spectacular .\n11550\tBirot creates a drama with such a well-defined sense of place and age -- as in , 15 years old -- that the torments and angst become almost as operatic to us as they are to her characters .\n11551\t` Stock up on silver bullets for director Neil Marshall 's intense freight train of a film . '\n11552\tThe film delivers what it promises : A look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans .\n11553\tAs a film director , LaBute continues to improve .\n11554\tWill warm your heart without making you feel guilty about it .\n11555\tCatch it ... if you can !\n11556\tWorse than ` Silence of the Lambs ' better than ` Hannibal '\n11557\tAmerican and European cinema has amassed a vast Holocaust literature , but it is impossible to think of any film more challenging or depressing than The Grey Zone .\n11558\t` Possession , ' based on the book by A.S. Byatt , demands that LaBute deal with the subject of love head-on ; trading in his cynicism for reverence and a little wit\n11559\tIt 's the kind of movie that , aside from Robert Altman , Spike Lee , the Coen Brothers and a few others , our moviemakers do n't make often enough .\n11560\tAlternates between deadpan comedy and heartbreaking loneliness and is n't afraid to provoke introspection in both its characters and its audience .\n11561\tThe script is smart , not cloying .\n11562\tVisually , ` Santa Clause 2 ' is wondrously creative .\n11563\tA bittersweet contemporary comedy about benevolent deception , which , while it may not rival the filmmaker 's period pieces , is still very much worth seeing .\n11564\tOne fantastic -LRB- and educational -RRB- documentary .\n11565\tAn ambitious ` what if ? '\n11566\tthat works .\n11567\t`` The Dangerous Lives of Altar Boys '' has flaws , but it also has humor and heart and very talented young actors\n11568\tNice piece of work .\n11569\t` Stock up on silver bullets for director Neil Marshall 's intense freight train of a film . '\n11570\tIt 's funny , as the old saying goes , because it 's true .\n11571\tThough the film is static , its writer-director 's heart is in the right place , his plea for democracy and civic action laudable .\n11572\tThe filmmaker 's heart is in the right place ...\n11573\tFrom blushing to gushing -- Imamura squirts the screen in ` Warm Water Under a Red Bridge '\n11574\tApart from anything else , this is one of the best-sustained ideas I have ever seen on the screen .\n11575\tNot a schlocky creature feature but something far more stylish and cerebral -- and , hence , more chillingly effective .\n11576\tStupid , infantile , redundant , sloppy , over-the-top , and amateurish .\n11577\tYep , it 's `` Waking up in Reno . ''\n11578\tGo back to sleep .\n11579\tI did n't laugh .\n11580\tI did n't smile .\n11581\tI survived .\n11582\tThe worst film of the year .\n11583\tIn the book-on-tape market , the film of `` The Kid Stays in the Picture '' would be an abridged edition\n11584\tA sour attempt at making a Farrelly Brothers-style , down-and-dirty laugher for the female set .\n11585\tEisenstein lacks considerable brio for a film about one of cinema 's directorial giants .\n11586\tTaken as a whole , The Tuxedo does n't add up to a whole lot .\n11587\tThis is no `` Waterboy ! ''\n11588\tSomething has been lost in the translation ... another routine Hollywood frightfest in which the slack execution italicizes the absurdity of the premise .\n11589\tThe result is an ` action film ' mired in stasis .\n11590\t... a movie that , quite simply , should n't have been made .\n11591\tBy turns pretentious , fascinating , ludicrous , provocative and vainglorious .\n11592\tI ca n't recommend it .\n11593\tBut it 's surprisingly harmless .\n11594\tWhat 's next ?\n11595\tThe Porky 's Revenge : Ultimate Edition ?\n11596\tThe script is a dim-witted pairing of teen-speak and animal gibberish .\n11597\tThere 's no real reason to see it , and no real reason not to .\n11598\tIs `` Ballistic '' worth the price of admission ?\n11599\tAbsolutely not .\n11600\tIt sucked .\n11601\tWould I see it again ?\n11602\tPlease see previous answer .\n11603\tIt 's exactly what you 'd expect .\n11604\t`` The Kid Stays in the Picture '' is a great story , terrifically told by the man who wrote it but this Cliff Notes edition is a cheat .\n11605\tA prison comedy that never really busts out of its comfy little cell .\n11606\tThe movie is obviously a labour of love so Howard appears to have had free rein to be as pretentious as he wanted .\n11607\tThis is n't a movie ; it 's a symptom .\n11608\tWhat we have is a character faced with the possibility that her life is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance .\n11609\tIf only it were , well , funnier .\n11610\tThe script ?\n11611\tPlease .\n11612\tDoes n't add up to much .\n11613\tOne of the worst movies of the year .\n11614\tA complete waste of time .\n11615\tLong before it 's over , you 'll be thinking of 51 ways to leave this loser .\n11616\tOne of the worst movies of the year .\n11617\t... Watching it was painful .\n11618\tThe cinematic equivalent of patronizing a bar favored by pretentious , untalented artistes who enjoy moaning about their cruel fate .\n11619\tSpiderman ROCKS\n11620\tA compelling coming-of-age drama about the arduous journey of a sensitive young girl through a series of foster homes and a fierce struggle to pull free from her dangerous and domineering mother 's hold over her .\n11621\tAn imaginative comedy\\/thriller .\n11622\tThoroughly enjoyable .\n11623\t-LRB- A -RRB- rare , beautiful film .\n11624\tFamily fare .\n11625\tBoisterous , heartfelt comedy .\n11626\t-LRB- An -RRB- hilarious romantic comedy .\n11627\tAn exhilarating experience .\n11628\tNever -LRB- sinks -RRB- into exploitation .\n11629\tCompellingly watchable .\n11630\tTroubling and powerful .\n11631\tOften hilarious .\n11632\tA modest masterpiece .\n11633\tNever once predictable .\n11634\tAn uplifting , near-masterpiece .\n11635\tWarm and exotic .\n11636\t... a true delight .\n11637\tA true pleasure .\n11638\tPolished , well-structured film .\n11639\tSexy and romantic .\n11640\tPsychologically savvy .\n11641\tdelightfully rendered\n11642\tFun and nimble .\n11643\tFunny and touching .\n11644\tSerious and thoughtful .\n11645\tIt strikes hardest ... when it reminds you how pertinent its dynamics remain .\n11646\tFifty years after the fact , the world 's political situation seems little different , and -LRB- director Phillip -RRB- Noyce brings out the allegory with remarkable skill .\n11647\tOne-of-a-kind near-masterpiece .\n11648\tLightweight but appealing .\n11649\tHighly engaging .\n11650\tFeral and uncomfortable .\n11651\tA gripping drama .\n11652\tBeautifully produced .\n11653\tSmart and taut .\n11654\tHighly watchable stuff .\n11655\tPsychologically revealing .\n11656\tA fast paced and suspenseful Argentinian thriller about the shadow side of play .\n11657\t... wise and elegiac ...\n11658\tSpare yet audacious ...\n11659\tSurprisingly insightful\n11660\tAn intoxicating experience .\n11661\tReassuring , retro uplifter .\n11662\tVisually captivating .\n11663\tLavishly , exhilaratingly tasteless .\n11664\tTouché !\n11665\tAn impressive hybrid .\n11666\tA tasty masala .\n11667\tRefreshing .\n11668\tFeatherweight romantic comedy has a few nice twists in a standard plot and the charisma of Hugh Grant and Sandra Bullock .\n11669\tPoignant and funny .\n11670\tSee it .\n11671\tDebate it .\n11672\tRemember it .\n11673\tMorvern rocks .\n11674\tIntelligent and moving .\n11675\tGenuinely unnerving .\n11676\tA compelling film .\n11677\tDeliciously slow .\n11678\tA riveting documentary .\n11679\tAn enjoyable experience .\n11680\tA good thriller .\n11681\tA glorious mess .\n11682\tNeatly constructed thriller .\n11683\tIntimate and panoramic .\n11684\tExciting documentary .\n11685\tGood , solid storytelling .\n11686\tInfidelity drama is nicely shot , well-edited and features a standout performance by Diane Lane .\n11687\tAudacious-impossible yet compelling ...\n11688\tA muted freak-out\n11689\tMoving and vibrant .\n11690\t... quite endearing .\n11691\tHarmless fun .\n11692\tGood-naturedly cornball sequel .\n11693\tOddly compelling .\n11694\tWitless but watchable .\n11695\tMr. Deeds is sure to give you a lot of laughs in this simple , sweet and romantic comedy .\n11696\tHard to resist .\n11697\tA true-blue delight .\n11698\tA fun ride .\n11699\tWeird .\n11700\tRewarding .\n11701\tSleek and arty .\n11702\tFantastic !\n11703\tA thought-provoking picture .\n11704\tA stylish thriller .\n11705\tAlmost peerlessly unsettling .\n11706\tDelirious fun .\n11707\tExciting and well-paced .\n11708\tReally quite funny .\n11709\tA well-executed spy-thriller .\n11710\tIdiotic and ugly .\n11711\tA funny film .\n11712\t-LRB- A -RRB- satisfying niblet .\n11713\tPoetic , heartbreaking .\n11714\tFormuliac , but fun .\n11715\tFeels untidily honest .\n11716\t`` Red Dragon '' never cuts corners .\n11717\tFull of surprises .\n11718\tQuietly engaging .\n11719\tDense , exhilarating documentary .\n11720\ta joyous occasion\n11721\t-LRB- An -RRB- absorbing documentary .\n11722\tA genuine mind-bender .\n11723\tGreat character interaction .\n11724\tIntriguing and stylish .\n11725\tMany insightful moments .\n11726\tEverything is off .\n11727\tEarnest but heavy-handed .\n11728\tOne lousy movie .\n11729\t... hypnotically dull .\n11730\tCalculated swill .\n11731\tThoroughly awful .\n11732\tTruly terrible .\n11733\tFluffy and disposible .\n11734\tBy-the-numbers yarn .\n11735\tAan opportunity wasted .\n11736\tStorytelling feels slight .\n11737\tBad company .\n11738\tBad movie .\n11739\tJust plain bad .\n11740\t-LRB- A -RRB- soulless , stupid sequel ...\n11741\tA high-minded snoozer .\n11742\tExecrable .\n11743\tAmazingly dopey .\n11744\tBanal and predictable .\n11745\tCrikey indeed .\n11746\tBrisk hack job .\n11747\t... the maudlin way its story unfolds suggests a director fighting against the urge to sensationalize his material .\n11748\t... bibbidy-bobbidi-bland .\n11749\tObvious .\n11750\tIts one-sidedness ... flirts with propaganda .\n11751\t... a pretentious mess ...\n11752\t-LRB- A -RRB- rather thinly-conceived movie .\n11753\tSo-so entertainment .\n11754\tPunitively affirmational parable .\n11755\tDecent but dull .\n11756\tThin period piece .\n11757\t-LRB- A -RRB- stuporously solemn film .\n11758\tWell-meant but unoriginal .\n11759\tOdd and weird .\n11760\tCinematic poo .\n11761\t... stale and uninspired .\n11762\tA dreary movie .\n11763\tPompous and garbled .\n11764\tUtter mush ... conceited pap .\n11765\tWell-meaning but inert .\n11766\t... overly melodramatic ...\n11767\tExtremely bad .\n11768\tShrewd but pointless .\n11769\tSluggish , tonally uneven .\n11770\tGeneric thriller junk .\n11771\tTeens only .\n11772\tA non-mystery mystery .\n11773\tWhat an embarrassment .\n11774\tA noble failure .\n11775\tWoefully pretentious .\n11776\t... irritating soul-searching garbage .\n11777\tA relative letdown .\n11778\tWarmed-over hash .\n11779\tA puzzling experience .\n11780\tStale , futile scenario .\n11781\tAggravating and tedious .\n11782\tLacks depth .\n11783\tunder-rehearsed and lifeless\n11784\tLaughably , irredeemably awful .\n11785\tUnwieldy contraption .\n11786\tOverwrought , melodramatic bodice-ripper .\n11787\tAn awful snooze .\n11788\tJust plain silly .\n11789\tFeeble comedy .\n11790\t... salaciously simplistic .\n11791\tShallow .\n11792\tA less-than-thrilling thriller .\n11793\tDisjointed parody .\n11794\t... silly humbuggery ...\n11795\tEh .\n11796\tBlack-and-white and unrealistic .\n11797\tTwo-bit potboiler .\n11798\t-LRB- U -RRB- nrelentingly stupid .\n11799\tPainfully padded .\n11800\tAnemic , pretentious .\n11801\tGrating and tedious .\n11802\tIt bites hard .\n11803\t-LRB- A -RRB- mess .\n11804\tDramatically lackluster .\n11805\tStay away .\n11806\tFar away .\n11807\t... a pretentious mess ...\n11808\tPredictably soulless techno-tripe .\n11809\tArty gay film .\n11810\tIncoherence reigns .\n11811\tA half-assed film .\n11812\tAbysmally pathetic\n11813\t... unbearably lame .\n11814\tBland but harmless .\n11815\tDense and enigmatic ... elusive ... stagy and stilted\n11816\t-LRB- L -RRB- ame and unnecessary .\n11817\tA dreary indulgence .\n11818\t-LRB- A -RRB- crushing disappointment .\n11819\tTends to plod .\n11820\tA major waste ... generic .\n11821\t... a confusing drudgery .\n11822\tA well-crafted letdown .\n11823\tBoring and meandering .\n11824\tLess than fresh .\n11825\tA lame comedy .\n11826\tA reality-snubbing hodgepodge .\n11827\tMildly amusing .\n11828\tFairly run-of-the-mill .\n11829\tMildly entertaining .\n11830\tTerrible .\n11831\tDegenerates into hogwash .\n11832\tMeandering and confusing .\n11833\tCrummy .\n11834\tAn opportunity missed .\n11835\tWishy-washy .\n11836\tInconsequential road-and-buddy pic .\n11837\tInsufferably naive .\n11838\tIll-considered , unholy hokum .\n11839\tAmazingly lame .\n11840\t-LRB- A -RRB- slummer .\n11841\t-LRB- A -RRB- poorly executed comedy .\n11842\t... really horrible drek .\n11843\tAn intriguing near-miss .\n11844\tFlat , misguided comedy .\n11845\tPredictably melodramatic .\n11846\tRashomon-for-dipsticks tale .\n11847\tBearable .\n11848\tBarely .\n11849\tStaggeringly dreadful romance .\n11850\tWell-made but mush-hearted .\n11851\tA real snooze .\n11852\tNo surprises .\n11853\tWe 've seen the hippie-turned-yuppie plot before , but there 's an enthusiastic charm in Fire that makes the formula fresh again .\n11854\tHer fans walked out muttering words like `` horrible '' and `` terrible , '' but had so much fun dissing the film that they did n't mind the ticket cost .\n11855\tIn this case zero .\n"
  },
  {
    "path": "a2/utils/datasets/stanfordSentimentTreebank/datasetSplit.txt",
    "content": "sentence_index,splitset_label\n1,1\n2,1\n3,2\n4,2\n5,2\n6,2\n7,2\n8,2\n9,2\n10,2\n11,2\n12,2\n13,2\n14,2\n15,2\n16,2\n17,2\n18,2\n19,2\n20,2\n21,2\n22,2\n23,2\n24,2\n25,2\n26,2\n27,2\n28,2\n29,2\n30,2\n31,2\n32,2\n33,2\n34,2\n35,2\n36,2\n37,2\n38,2\n39,2\n40,2\n41,2\n42,2\n43,2\n44,2\n45,2\n46,2\n47,2\n48,2\n49,2\n50,2\n51,2\n52,2\n53,2\n54,2\n55,2\n56,2\n57,2\n58,2\n59,2\n60,2\n61,1\n62,1\n63,1\n64,1\n65,2\n66,2\n67,2\n68,1\n69,2\n70,2\n71,2\n72,1\n73,2\n74,2\n75,2\n76,2\n77,2\n78,2\n79,2\n80,2\n81,2\n82,1\n83,2\n84,2\n85,2\n86,2\n87,2\n88,2\n89,2\n90,2\n91,2\n92,2\n93,2\n94,2\n95,2\n96,2\n97,2\n98,2\n99,2\n100,2\n101,2\n102,2\n103,2\n104,2\n105,2\n106,2\n107,2\n108,2\n109,2\n110,2\n111,2\n112,2\n113,2\n114,2\n115,2\n116,2\n117,2\n118,2\n119,2\n120,2\n121,2\n122,2\n123,2\n124,2\n125,2\n126,2\n127,2\n128,2\n129,2\n130,2\n131,1\n132,1\n133,1\n134,1\n135,1\n136,1\n137,2\n138,2\n139,2\n140,2\n141,2\n142,2\n143,2\n144,2\n145,2\n146,2\n147,2\n148,2\n149,2\n150,2\n151,2\n152,2\n153,2\n154,2\n155,2\n156,2\n157,2\n158,2\n159,2\n160,2\n161,2\n162,2\n163,2\n164,2\n165,2\n166,2\n167,2\n168,2\n169,2\n170,2\n171,2\n172,2\n173,2\n174,2\n175,2\n176,2\n177,2\n178,2\n179,2\n180,2\n181,2\n182,2\n183,2\n184,2\n185,2\n186,2\n187,2\n188,2\n189,2\n190,2\n191,2\n192,2\n193,2\n194,2\n195,2\n196,2\n197,2\n198,2\n199,2\n200,2\n201,2\n202,2\n203,2\n204,2\n205,2\n206,2\n207,2\n208,2\n209,2\n210,2\n211,2\n212,2\n213,2\n214,1\n215,2\n216,2\n217,2\n218,2\n219,2\n220,2\n221,2\n222,2\n223,2\n224,2\n225,2\n226,2\n227,2\n228,1\n229,2\n230,2\n231,2\n232,2\n233,2\n234,2\n235,2\n236,2\n237,2\n238,2\n239,2\n240,2\n241,2\n242,2\n243,2\n244,2\n245,2\n246,2\n247,2\n248,2\n249,2\n250,2\n251,2\n252,2\n253,2\n254,2\n255,2\n256,2\n257,2\n258,2\n259,2\n260,2\n261,2\n262,2\n263,2\n264,2\n265,2\n266,2\n267,2\n268,2\n269,2\n270,2\n271,2\n272,2\n273,2\n274,2\n275,2\n276,2\n277,2\n278,2\n279,2\n280,2\n281,2\n282,2\n283,2\n284,2\n285,2\n286,2\n287,2\n288,2\n289,2\n290,2\n291,2\n292,2\n293,2\n294,2\n295,2\n296,2\n297,2\n298,2\n299,2\n300,2\n301,2\n302,2\n303,2\n304,2\n305,2\n306,2\n307,2\n308,2\n309,2\n310,2\n311,2\n312,2\n313,2\n314,2\n315,2\n316,2\n317,2\n318,2\n319,2\n320,2\n321,2\n322,2\n323,2\n324,2\n325,2\n326,2\n327,2\n328,2\n329,2\n330,2\n331,2\n332,2\n333,2\n334,2\n335,2\n336,2\n337,2\n338,2\n339,2\n340,1\n341,2\n342,2\n343,2\n344,2\n345,2\n346,2\n347,2\n348,2\n349,2\n350,2\n351,2\n352,2\n353,2\n354,2\n355,2\n356,2\n357,2\n358,2\n359,2\n360,2\n361,2\n362,2\n363,2\n364,2\n365,2\n366,2\n367,2\n368,2\n369,2\n370,2\n371,2\n372,2\n373,2\n374,2\n375,2\n376,2\n377,2\n378,2\n379,2\n380,2\n381,2\n382,2\n383,1\n384,2\n385,2\n386,2\n387,1\n388,1\n389,2\n390,2\n391,2\n392,2\n393,2\n394,2\n395,2\n396,2\n397,2\n398,2\n399,2\n400,2\n401,2\n402,2\n403,2\n404,2\n405,2\n406,2\n407,2\n408,2\n409,2\n410,2\n411,2\n412,2\n413,2\n414,2\n415,2\n416,2\n417,2\n418,2\n419,2\n420,2\n421,2\n422,2\n423,2\n424,2\n425,2\n426,2\n427,2\n428,1\n429,1\n430,2\n431,2\n432,2\n433,2\n434,2\n435,2\n436,2\n437,2\n438,2\n439,2\n440,2\n441,2\n442,2\n443,2\n444,2\n445,2\n446,1\n447,2\n448,2\n449,2\n450,2\n451,2\n452,2\n453,2\n454,2\n455,2\n456,2\n457,2\n458,2\n459,2\n460,2\n461,2\n462,2\n463,2\n464,2\n465,2\n466,2\n467,1\n468,1\n469,2\n470,2\n471,2\n472,2\n473,1\n474,1\n475,2\n476,2\n477,2\n478,2\n479,2\n480,2\n481,2\n482,2\n483,2\n484,2\n485,2\n486,1\n487,1\n488,1\n489,2\n490,2\n491,2\n492,2\n493,2\n494,2\n495,2\n496,2\n497,2\n498,2\n499,2\n500,2\n501,2\n502,2\n503,2\n504,2\n505,2\n506,2\n507,2\n508,2\n509,2\n510,2\n511,2\n512,2\n513,2\n514,1\n515,2\n516,2\n517,2\n518,2\n519,2\n520,2\n521,2\n522,2\n523,2\n524,2\n525,2\n526,2\n527,2\n528,2\n529,2\n530,2\n531,2\n532,2\n533,2\n534,2\n535,2\n536,2\n537,2\n538,2\n539,2\n540,2\n541,2\n542,2\n543,2\n544,2\n545,2\n546,2\n547,2\n548,2\n549,2\n550,2\n551,2\n552,2\n553,2\n554,2\n555,2\n556,2\n557,2\n558,2\n559,2\n560,2\n561,2\n562,2\n563,2\n564,2\n565,2\n566,2\n567,2\n568,2\n569,2\n570,2\n571,2\n572,2\n573,2\n574,2\n575,2\n576,2\n577,2\n578,2\n579,2\n580,2\n581,2\n582,2\n583,2\n584,1\n585,2\n586,2\n587,2\n588,2\n589,2\n590,2\n591,2\n592,2\n593,2\n594,2\n595,2\n596,2\n597,2\n598,2\n599,2\n600,2\n601,2\n602,2\n603,2\n604,2\n605,2\n606,2\n607,2\n608,2\n609,2\n610,2\n611,2\n612,2\n613,2\n614,2\n615,2\n616,2\n617,2\n618,2\n619,2\n620,2\n621,2\n622,2\n623,2\n624,2\n625,2\n626,2\n627,2\n628,2\n629,2\n630,2\n631,2\n632,2\n633,2\n634,2\n635,2\n636,2\n637,2\n638,2\n639,2\n640,2\n641,2\n642,2\n643,2\n644,2\n645,2\n646,2\n647,2\n648,2\n649,2\n650,2\n651,2\n652,2\n653,2\n654,2\n655,2\n656,2\n657,2\n658,2\n659,2\n660,2\n661,2\n662,2\n663,2\n664,2\n665,2\n666,2\n667,2\n668,2\n669,2\n670,1\n671,2\n672,2\n673,2\n674,2\n675,2\n676,2\n677,2\n678,2\n679,2\n680,2\n681,2\n682,2\n683,2\n684,2\n685,2\n686,2\n687,2\n688,2\n689,2\n690,2\n691,2\n692,1\n693,2\n694,2\n695,2\n696,2\n697,2\n698,2\n699,2\n700,2\n701,2\n702,1\n703,1\n704,1\n705,1\n706,2\n707,2\n708,2\n709,2\n710,2\n711,2\n712,2\n713,2\n714,2\n715,2\n716,2\n717,2\n718,2\n719,2\n720,2\n721,2\n722,2\n723,2\n724,2\n725,2\n726,2\n727,2\n728,2\n729,2\n730,2\n731,2\n732,2\n733,2\n734,2\n735,2\n736,2\n737,2\n738,2\n739,2\n740,2\n741,2\n742,1\n743,2\n744,2\n745,2\n746,2\n747,2\n748,1\n749,1\n750,2\n751,2\n752,2\n753,2\n754,2\n755,2\n756,2\n757,2\n758,2\n759,2\n760,2\n761,2\n762,2\n763,2\n764,2\n765,2\n766,2\n767,2\n768,2\n769,2\n770,2\n771,2\n772,2\n773,2\n774,2\n775,2\n776,2\n777,2\n778,2\n779,2\n780,2\n781,2\n782,2\n783,2\n784,2\n785,2\n786,2\n787,2\n788,2\n789,2\n790,2\n791,2\n792,2\n793,2\n794,2\n795,2\n796,2\n797,2\n798,2\n799,2\n800,2\n801,2\n802,2\n803,2\n804,2\n805,2\n806,2\n807,2\n808,2\n809,2\n810,2\n811,2\n812,2\n813,2\n814,2\n815,2\n816,2\n817,2\n818,2\n819,2\n820,2\n821,2\n822,2\n823,2\n824,2\n825,2\n826,2\n827,2\n828,2\n829,2\n830,2\n831,2\n832,2\n833,2\n834,2\n835,2\n836,2\n837,2\n838,2\n839,2\n840,1\n841,2\n842,2\n843,2\n844,2\n845,2\n846,2\n847,2\n848,2\n849,2\n850,2\n851,2\n852,2\n853,2\n854,2\n855,2\n856,2\n857,2\n858,2\n859,2\n860,2\n861,2\n862,2\n863,2\n864,2\n865,2\n866,2\n867,2\n868,2\n869,2\n870,2\n871,2\n872,2\n873,2\n874,2\n875,2\n876,2\n877,2\n878,2\n879,2\n880,2\n881,2\n882,2\n883,2\n884,2\n885,2\n886,2\n887,2\n888,2\n889,2\n890,2\n891,2\n892,2\n893,1\n894,1\n895,2\n896,1\n897,1\n898,2\n899,2\n900,2\n901,2\n902,2\n903,2\n904,2\n905,2\n906,2\n907,2\n908,2\n909,2\n910,2\n911,2\n912,2\n913,2\n914,2\n915,2\n916,2\n917,2\n918,2\n919,2\n920,2\n921,2\n922,2\n923,2\n924,2\n925,2\n926,2\n927,2\n928,2\n929,2\n930,2\n931,2\n932,2\n933,2\n934,2\n935,2\n936,2\n937,2\n938,2\n939,2\n940,2\n941,2\n942,2\n943,2\n944,2\n945,2\n946,2\n947,2\n948,2\n949,2\n950,2\n951,2\n952,2\n953,2\n954,2\n955,2\n956,2\n957,2\n958,2\n959,2\n960,2\n961,2\n962,2\n963,2\n964,2\n965,2\n966,2\n967,2\n968,2\n969,2\n970,2\n971,2\n972,2\n973,2\n974,2\n975,2\n976,2\n977,2\n978,2\n979,2\n980,2\n981,2\n982,2\n983,2\n984,2\n985,2\n986,2\n987,2\n988,2\n989,2\n990,2\n991,2\n992,2\n993,2\n994,2\n995,2\n996,2\n997,2\n998,2\n999,2\n1000,2\n1001,2\n1002,2\n1003,2\n1004,2\n1005,2\n1006,2\n1007,2\n1008,2\n1009,2\n1010,2\n1011,2\n1012,2\n1013,2\n1014,2\n1015,2\n1016,2\n1017,2\n1018,2\n1019,2\n1020,2\n1021,2\n1022,2\n1023,2\n1024,2\n1025,2\n1026,2\n1027,2\n1028,2\n1029,2\n1030,2\n1031,2\n1032,2\n1033,2\n1034,2\n1035,2\n1036,2\n1037,2\n1038,2\n1039,2\n1040,2\n1041,2\n1042,2\n1043,2\n1044,2\n1045,2\n1046,2\n1047,2\n1048,2\n1049,2\n1050,2\n1051,2\n1052,2\n1053,2\n1054,2\n1055,2\n1056,2\n1057,2\n1058,2\n1059,2\n1060,2\n1061,2\n1062,2\n1063,2\n1064,2\n1065,2\n1066,2\n1067,2\n1068,2\n1069,2\n1070,2\n1071,2\n1072,2\n1073,2\n1074,2\n1075,2\n1076,2\n1077,2\n1078,2\n1079,2\n1080,2\n1081,2\n1082,2\n1083,2\n1084,2\n1085,2\n1086,2\n1087,2\n1088,2\n1089,2\n1090,2\n1091,2\n1092,2\n1093,2\n1094,2\n1095,2\n1096,2\n1097,2\n1098,2\n1099,2\n1100,2\n1101,2\n1102,2\n1103,2\n1104,2\n1105,2\n1106,2\n1107,2\n1108,2\n1109,2\n1110,2\n1111,2\n1112,1\n1113,2\n1114,2\n1115,2\n1116,2\n1117,3\n1118,3\n1119,3\n1120,3\n1121,3\n1122,3\n1123,3\n1124,3\n1125,3\n1126,3\n1127,3\n1128,3\n1129,3\n1130,3\n1131,3\n1132,3\n1133,3\n1134,3\n1135,3\n1136,3\n1137,3\n1138,3\n1139,3\n1140,3\n1141,3\n1142,3\n1143,3\n1144,3\n1145,3\n1146,3\n1147,3\n1148,3\n1149,3\n1150,3\n1151,3\n1152,3\n1153,1\n1154,1\n1155,3\n1156,3\n1157,3\n1158,3\n1159,3\n1160,3\n1161,3\n1162,3\n1163,3\n1164,3\n1165,3\n1166,3\n1167,3\n1168,3\n1169,3\n1170,3\n1171,3\n1172,3\n1173,3\n1174,3\n1175,3\n1176,3\n1177,3\n1178,3\n1179,3\n1180,3\n1181,3\n1182,3\n1183,3\n1184,3\n1185,3\n1186,3\n1187,3\n1188,3\n1189,3\n1190,3\n1191,3\n1192,3\n1193,3\n1194,3\n1195,3\n1196,3\n1197,3\n1198,3\n1199,3\n1200,3\n1201,3\n1202,3\n1203,3\n1204,3\n1205,3\n1206,3\n1207,3\n1208,3\n1209,3\n1210,3\n1211,3\n1212,3\n1213,3\n1214,3\n1215,1\n1216,3\n1217,3\n1218,3\n1219,3\n1220,3\n1221,3\n1222,3\n1223,3\n1224,3\n1225,3\n1226,3\n1227,3\n1228,3\n1229,3\n1230,3\n1231,3\n1232,3\n1233,3\n1234,3\n1235,3\n1236,3\n1237,3\n1238,3\n1239,3\n1240,3\n1241,1\n1242,3\n1243,3\n1244,3\n1245,3\n1246,3\n1247,3\n1248,3\n1249,3\n1250,3\n1251,3\n1252,3\n1253,3\n1254,3\n1255,3\n1256,1\n1257,3\n1258,3\n1259,3\n1260,3\n1261,3\n1262,3\n1263,3\n1264,3\n1265,3\n1266,3\n1267,3\n1268,3\n1269,3\n1270,3\n1271,3\n1272,3\n1273,3\n1274,1\n1275,3\n1276,3\n1277,3\n1278,3\n1279,3\n1280,3\n1281,3\n1282,3\n1283,3\n1284,3\n1285,3\n1286,3\n1287,3\n1288,3\n1289,3\n1290,3\n1291,3\n1292,3\n1293,3\n1294,3\n1295,3\n1296,3\n1297,3\n1298,3\n1299,3\n1300,3\n1301,3\n1302,3\n1303,3\n1304,3\n1305,3\n1306,3\n1307,3\n1308,3\n1309,3\n1310,3\n1311,3\n1312,3\n1313,3\n1314,3\n1315,3\n1316,3\n1317,3\n1318,3\n1319,3\n1320,3\n1321,3\n1322,3\n1323,3\n1324,3\n1325,3\n1326,3\n1327,3\n1328,3\n1329,3\n1330,3\n1331,3\n1332,3\n1333,3\n1334,3\n1335,3\n1336,3\n1337,3\n1338,3\n1339,3\n1340,3\n1341,3\n1342,3\n1343,3\n1344,3\n1345,3\n1346,3\n1347,3\n1348,3\n1349,3\n1350,3\n1351,3\n1352,3\n1353,3\n1354,3\n1355,3\n1356,3\n1357,3\n1358,3\n1359,3\n1360,3\n1361,3\n1362,3\n1363,3\n1364,3\n1365,3\n1366,3\n1367,3\n1368,3\n1369,3\n1370,3\n1371,3\n1372,3\n1373,3\n1374,3\n1375,3\n1376,3\n1377,3\n1378,3\n1379,3\n1380,3\n1381,3\n1382,3\n1383,3\n1384,3\n1385,3\n1386,3\n1387,3\n1388,3\n1389,3\n1390,3\n1391,3\n1392,3\n1393,3\n1394,3\n1395,3\n1396,3\n1397,3\n1398,3\n1399,3\n1400,3\n1401,3\n1402,3\n1403,3\n1404,3\n1405,3\n1406,3\n1407,3\n1408,3\n1409,3\n1410,3\n1411,3\n1412,3\n1413,3\n1414,3\n1415,3\n1416,3\n1417,3\n1418,3\n1419,3\n1420,3\n1421,3\n1422,3\n1423,3\n1424,3\n1425,3\n1426,3\n1427,3\n1428,3\n1429,3\n1430,3\n1431,3\n1432,3\n1433,3\n1434,3\n1435,3\n1436,3\n1437,3\n1438,3\n1439,3\n1440,3\n1441,3\n1442,3\n1443,3\n1444,3\n1445,3\n1446,3\n1447,3\n1448,3\n1449,3\n1450,3\n1451,3\n1452,3\n1453,3\n1454,3\n1455,3\n1456,3\n1457,3\n1458,3\n1459,3\n1460,3\n1461,3\n1462,3\n1463,3\n1464,3\n1465,3\n1466,3\n1467,3\n1468,3\n1469,3\n1470,3\n1471,3\n1472,3\n1473,3\n1474,3\n1475,3\n1476,3\n1477,3\n1478,3\n1479,3\n1480,3\n1481,3\n1482,1\n1483,3\n1484,3\n1485,3\n1486,3\n1487,3\n1488,3\n1489,1\n1490,3\n1491,3\n1492,3\n1493,3\n1494,3\n1495,3\n1496,3\n1497,3\n1498,3\n1499,3\n1500,3\n1501,3\n1502,3\n1503,3\n1504,3\n1505,3\n1506,3\n1507,3\n1508,3\n1509,3\n1510,3\n1511,3\n1512,3\n1513,3\n1514,3\n1515,3\n1516,3\n1517,3\n1518,3\n1519,3\n1520,3\n1521,3\n1522,3\n1523,3\n1524,3\n1525,3\n1526,3\n1527,3\n1528,3\n1529,3\n1530,3\n1531,3\n1532,3\n1533,3\n1534,3\n1535,3\n1536,3\n1537,3\n1538,3\n1539,3\n1540,3\n1541,3\n1542,3\n1543,3\n1544,3\n1545,3\n1546,3\n1547,3\n1548,3\n1549,3\n1550,3\n1551,3\n1552,3\n1553,3\n1554,3\n1555,3\n1556,3\n1557,3\n1558,3\n1559,3\n1560,3\n1561,3\n1562,3\n1563,3\n1564,3\n1565,3\n1566,3\n1567,3\n1568,3\n1569,3\n1570,3\n1571,3\n1572,3\n1573,3\n1574,3\n1575,3\n1576,3\n1577,3\n1578,3\n1579,3\n1580,3\n1581,3\n1582,3\n1583,3\n1584,3\n1585,3\n1586,3\n1587,3\n1588,1\n1589,3\n1590,3\n1591,3\n1592,3\n1593,3\n1594,3\n1595,3\n1596,3\n1597,3\n1598,3\n1599,3\n1600,3\n1601,3\n1602,3\n1603,3\n1604,3\n1605,3\n1606,3\n1607,3\n1608,3\n1609,3\n1610,3\n1611,3\n1612,3\n1613,3\n1614,3\n1615,3\n1616,3\n1617,3\n1618,3\n1619,3\n1620,3\n1621,3\n1622,3\n1623,3\n1624,3\n1625,3\n1626,3\n1627,3\n1628,3\n1629,3\n1630,3\n1631,3\n1632,3\n1633,3\n1634,3\n1635,3\n1636,3\n1637,3\n1638,3\n1639,3\n1640,3\n1641,3\n1642,3\n1643,3\n1644,3\n1645,3\n1646,3\n1647,3\n1648,3\n1649,3\n1650,3\n1651,3\n1652,3\n1653,3\n1654,3\n1655,3\n1656,3\n1657,3\n1658,3\n1659,3\n1660,3\n1661,3\n1662,3\n1663,3\n1664,3\n1665,3\n1666,3\n1667,3\n1668,3\n1669,3\n1670,3\n1671,1\n1672,1\n1673,1\n1674,1\n1675,1\n1676,1\n1677,1\n1678,1\n1679,1\n1680,1\n1681,1\n1682,1\n1683,1\n1684,1\n1685,1\n1686,1\n1687,1\n1688,1\n1689,1\n1690,1\n1691,1\n1692,1\n1693,1\n1694,1\n1695,1\n1696,1\n1697,1\n1698,1\n1699,1\n1700,1\n1701,1\n1702,1\n1703,1\n1704,1\n1705,1\n1706,1\n1707,1\n1708,1\n1709,1\n1710,1\n1711,1\n1712,1\n1713,1\n1714,1\n1715,1\n1716,1\n1717,1\n1718,1\n1719,1\n1720,1\n1721,1\n1722,1\n1723,1\n1724,1\n1725,1\n1726,1\n1727,1\n1728,1\n1729,1\n1730,1\n1731,1\n1732,1\n1733,1\n1734,1\n1735,1\n1736,1\n1737,1\n1738,1\n1739,1\n1740,1\n1741,1\n1742,1\n1743,1\n1744,1\n1745,1\n1746,1\n1747,1\n1748,1\n1749,1\n1750,1\n1751,1\n1752,1\n1753,1\n1754,1\n1755,1\n1756,1\n1757,1\n1758,1\n1759,1\n1760,1\n1761,1\n1762,1\n1763,1\n1764,1\n1765,1\n1766,1\n1767,1\n1768,1\n1769,1\n1770,1\n1771,1\n1772,1\n1773,1\n1774,1\n1775,1\n1776,1\n1777,1\n1778,1\n1779,1\n1780,1\n1781,1\n1782,1\n1783,1\n1784,1\n1785,1\n1786,1\n1787,1\n1788,1\n1789,1\n1790,1\n1791,1\n1792,1\n1793,1\n1794,1\n1795,1\n1796,1\n1797,1\n1798,1\n1799,1\n1800,1\n1801,1\n1802,1\n1803,1\n1804,1\n1805,1\n1806,1\n1807,1\n1808,1\n1809,1\n1810,1\n1811,1\n1812,1\n1813,1\n1814,1\n1815,1\n1816,1\n1817,1\n1818,1\n1819,1\n1820,1\n1821,1\n1822,1\n1823,1\n1824,1\n1825,1\n1826,1\n1827,1\n1828,1\n1829,1\n1830,1\n1831,1\n1832,1\n1833,1\n1834,1\n1835,1\n1836,1\n1837,1\n1838,1\n1839,1\n1840,1\n1841,1\n1842,1\n1843,1\n1844,1\n1845,1\n1846,1\n1847,1\n1848,1\n1849,1\n1850,1\n1851,1\n1852,1\n1853,1\n1854,1\n1855,1\n1856,1\n1857,1\n1858,1\n1859,1\n1860,1\n1861,1\n1862,1\n1863,1\n1864,1\n1865,1\n1866,1\n1867,1\n1868,1\n1869,1\n1870,1\n1871,1\n1872,1\n1873,1\n1874,1\n1875,1\n1876,1\n1877,1\n1878,1\n1879,1\n1880,1\n1881,1\n1882,1\n1883,1\n1884,1\n1885,1\n1886,1\n1887,1\n1888,1\n1889,1\n1890,1\n1891,1\n1892,1\n1893,1\n1894,1\n1895,1\n1896,1\n1897,1\n1898,1\n1899,1\n1900,1\n1901,1\n1902,1\n1903,1\n1904,1\n1905,1\n1906,1\n1907,1\n1908,1\n1909,1\n1910,1\n1911,1\n1912,1\n1913,1\n1914,1\n1915,1\n1916,1\n1917,1\n1918,1\n1919,1\n1920,1\n1921,1\n1922,1\n1923,1\n1924,1\n1925,1\n1926,1\n1927,1\n1928,1\n1929,1\n1930,1\n1931,1\n1932,1\n1933,1\n1934,1\n1935,1\n1936,1\n1937,1\n1938,1\n1939,1\n1940,1\n1941,1\n1942,1\n1943,1\n1944,1\n1945,1\n1946,1\n1947,1\n1948,1\n1949,1\n1950,1\n1951,1\n1952,1\n1953,1\n1954,1\n1955,1\n1956,1\n1957,1\n1958,1\n1959,1\n1960,1\n1961,1\n1962,1\n1963,1\n1964,1\n1965,1\n1966,1\n1967,1\n1968,1\n1969,1\n1970,1\n1971,1\n1972,1\n1973,1\n1974,1\n1975,1\n1976,1\n1977,1\n1978,1\n1979,1\n1980,1\n1981,1\n1982,1\n1983,1\n1984,1\n1985,1\n1986,1\n1987,1\n1988,1\n1989,1\n1990,1\n1991,1\n1992,1\n1993,1\n1994,1\n1995,1\n1996,1\n1997,1\n1998,1\n1999,1\n2000,1\n2001,1\n2002,1\n2003,1\n2004,1\n2005,1\n2006,1\n2007,1\n2008,1\n2009,1\n201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    "content": "The Rock is destined to be the 21st Century's new ``Conan'' and that he's going to make a splash even greater than Arnold Schwarzenegger, Jean-Claud Van Damme or Steven Segal.\nThe gorgeously elaborate continuation of ``The Lord of the Rings'' trilogy is so huge that a column of words cannot adequately describe co-writer/director Peter Jackson's expanded vision of J.R.R. Tolkien's Middle-earth.\nEffective but too-tepid biopic\nIf you sometimes like to go to the movies to have fun, Wasabi is a good place to start.\nEmerges as something rare, an issue movie that's so honest and keenly observed that it doesn't feel like one.\nThe film provides some great insight into the neurotic mindset of all comics -- even those who have reached the absolute top of the game.\nOffers that rare combination of entertainment and education.\nPerhaps no picture ever made has more literally showed that the road to hell is paved with good intentions.\nSteers turns in a snappy screenplay that curls at the edges; it's so clever you want to hate it. But he somehow pulls it off.\nTake Care of My Cat offers a refreshingly different slice of Asian cinema.\nThis is a film well worth seeing, talking and singing heads and all.\nWhat really surprises about Wisegirls is its low-key quality and genuine tenderness.\n(Wendigo is) why we go to the cinema: to be fed through the eye, the heart, the mind.\nOne of the greatest family-oriented, fantasy-adventure movies ever.\nUltimately, it ponders the reasons we need stories so much.\nAn utterly compelling 'who wrote it' in which the reputation of the most famous author who ever lived comes into question.\nIlluminating if overly talky documentary.\nA masterpiece four years in the making.\nThe movie's ripe, enrapturing beauty will tempt those willing to probe its inscrutable mysteries.\nOffers a breath of the fresh air of true sophistication.\nA thoughtful, provocative, insistently humanizing film.\nWith a cast that includes some of the top actors working in independent film, Lovely & Amazing involves us because it is so incisive, so bleakly amusing about how we go about our lives.\nA disturbing and frighteningly evocative assembly of imagery and hypnotic music composed by Philip Glass.\nNot for everyone, but for those with whom it will connect, it's a nice departure from standard moviegoing fare.\nScores a few points for doing what it does with a dedicated and good-hearted professionalism.\nOccasionally melodramatic, it's also extremely effective.\nAn idealistic love story that brings out the latent 15-year-old romantic in everyone.\nAt about 95 minutes, Treasure Planet maintains a brisk pace as it races through the familiar story. However, it lacks grandeur and that epic quality often associated with Stevenson's tale as well as with earlier Disney efforts.\nIt helps that Lil Bow Wow ... tones down his pint-sized gangsta act to play someone who resembles a real kid.\nGuaranteed to move anyone who ever shook, rattled, or rolled.\nA masterful film from a master filmmaker, unique in its deceptive grimness, compelling in its fatalist worldview.\nLight, cute and forgettable.\nIf there's a way to effectively teach kids about the dangers of drugs, I think it's in projects like the (unfortunately R-rated) Paid.\nWhile it would be easy to give Crush the new title of Two Weddings and a Funeral, it's a far more thoughtful film than any slice of Hugh Grant whimsy.\nThough everything might be literate and smart, it never took off and always seemed static.\nCantet perfectly captures the hotel lobbies, two-lane highways, and roadside cafes that permeate Vincent's days\nMs. Fulford-Wierzbicki is almost spooky in her sulky, calculating Lolita turn.\nThough it is by no means his best work, Laissez-Passer is a distinguished and distinctive effort by a bona-fide master, a fascinating film replete with rewards to be had by all willing to make the effort to reap them.\nLike most Bond outings in recent years, some of the stunts are so outlandish that they border on being cartoonlike. A heavy reliance on CGI technology is beginning to creep into the series.\nNewton draws our attention like a magnet, and acts circles around her better known co-star, Mark Wahlberg.\nThe story loses its bite in a last-minute happy ending that's even less plausible than the rest of the picture. Much of the way, though, this is a refreshingly novel ride.\nFuller would surely have called this gutsy and at times exhilarating movie a great yarn.\nThe film makes a strong case for the importance of the musicians in creating the Motown sound.\nKarmen moves like rhythm itself, her lips chanting to the beat, her long, braided hair doing little to wipe away the jeweled beads of sweat.\nGosling provides an amazing performance that dwarfs everything else in the film.\nA real movie, about real people, that gives us a rare glimpse into a culture most of us don't know.\nTender yet lacerating and darkly funny fable.\nMay be spoofing an easy target -- those old '50's giant creature features -- but ... it acknowledges and celebrates their cheesiness as the reason why people get a kick out of watching them today.\nAn engaging overview of Johnson's eccentric career.\nIn its ragged, cheap and unassuming way, the movie works.\nSome actors have so much charisma that you'd be happy to listen to them reading the phone book. Hugh Grant and Sandra Bullock are two such likeable actors.\nSandra Nettelbeck beautifully orchestrates the transformation of the chilly, neurotic, and self-absorbed Martha as her heart begins to open.\nBehind the snow games and lovable Siberian huskies (plus one sheep dog), the picture hosts a parka-wrapped dose of heart.\nEverytime you think Undercover Brother has run out of steam, it finds a new way to surprise and amuse.\nManages to be original, even though it rips off many of its ideas.\nSinger/composer Bryan Adams contributes a slew of songs -- a few potential hits, a few more simply intrusive to the story -- but the whole package certainly captures the intended, er, spirit of the piece.\nYou'd think by now America would have had enough of plucky British eccentrics with hearts of gold. Yet the act is still charming here.\nWhether or not you're enlightened by any of Derrida's lectures on ``the other'' and ``the self,'' Derrida is an undeniably fascinating and playful fellow.\nA pleasant enough movie, held together by skilled ensemble actors.\nThis is the best American movie about troubled teens since 1998's Whatever.\nDisney has always been hit-or-miss when bringing beloved kids' books to the screen...Tuck Everlasting is a little of both.\nJust the labour involved in creating the layered richness of the imagery in this chiaroscuro of madness and light is astonishing.\nThe animated subplot keenly depicts the inner struggles of our adolescent heroes - insecure, uncontrolled, and intense.\nThe invincible Werner Herzog is alive and well and living in LA\nMorton is a great actress portraying a complex character, but Morvern Callar grows less compelling the farther it meanders from its shocking start.\nPart of the charm of Satin Rouge is that it avoids the obvious with humour and lightness.\nSon of the Bride may be a good half-hour too long but comes replete with a flattering sense of mystery and quietness.\nA simmering psychological drama in which the bursts of sudden violence are all the more startling for the slow buildup that has preceded them.\nA taut, intelligent psychological drama.\nA truly moving experience, and a perfect example of how art -- when done right -- can help heal, clarify, and comfort.\nThis delicately observed story, deeply felt and masterfully stylized, is a triumph for its maverick director.\nAt heart the movie is a deftly wrought suspense yarn whose richer shadings work as coloring rather than substance.\nThe appearance of Treebeard and Gollum's expanded role will either have you loving what you're seeing, or rolling your eyes. I loved it! Gollum's 'performance' is incredible!\na screenplay more ingeniously constructed than ``Memento''\nIf this movie were a book, it would be a page-turner, you can't wait to see what happens next.\nHaneke challenges us to confront the reality of sexual aberration.\nAbsorbing and disturbing -- perhaps more disturbing than originally intended -- but a little clarity would have gone a long way.\nIt's the best film of the year so far, the benchmark against which all other Best Picture contenders should be measured.\nPainful to watch, but viewers willing to take a chance will be rewarded with two of the year's most accomplished and riveting film performances.\nThis is a startling film that gives you a fascinating, albeit depressing view of Iranian rural life close to the Iraqi border.\nA few artsy flourishes aside, Narc is as gritty as a movie gets these days.\nWhile The Isle is both preposterous and thoroughly misogynistic, its vistas are incredibly beautiful to look at.\nTogether, Tok and O orchestrate a buoyant, darkly funny dance of death. In the process, they demonstrate that there's still a lot of life in Hong Kong cinema.\nDirector Kapur is a filmmaker with a real flair for epic landscapes and adventure, and this is a better film than his earlier English-language movie, the overpraised Elizabeth.\nThe movie is a blast of educational energy, as bouncy animation and catchy songs escort you through the entire 85 minutes.\nA sports movie with action that's exciting on the field and a story you care about off it.\nDoug Liman, the director of Bourne, directs the traffic well, gets a nice wintry look from his locations, absorbs us with the movie's spycraft and uses Damon's ability to be focused and sincere.\nThe tenderness of the piece is still intact.\nKatz uses archival footage, horrifying documents of lynchings, still photographs and charming old reel-to-reel recordings of Meeropol entertaining his children to create his song history, but most powerful of all is the song itself\nLike the film's almost anthropologically detailed realization of early-'80s suburbia, it's significant without being overstated.\nWhile McFarlane's animation lifts the film firmly above the level of other coming-of-age films ... it's also so jarring that it's hard to get back into the boys' story.\nIf nothing else, this movie introduces a promising, unusual kind of psychological horror.\nIn a normal screen process, these bromides would be barely enough to sustain an interstitial program on the Discovery Channel. But in Imax 3-D, the clichés disappear into the vertiginous perspectives opened up by the photography.\nWriter-director Burger imaginatively fans the embers of a dormant national grief and curiosity that has calcified into chronic cynicism and fear.\n...a roller-coaster ride of a movie\nI enjoyed Time of Favor while I was watching it, but I was surprised at how quickly it faded from my memory.\nChicago is sophisticated, brash, sardonic, completely joyful in its execution.\nSteve Irwin's method is Ernest Hemmingway at accelerated speed and volume.\nA refreshing Korean film about five female high school friends who face an uphill battle when they try to take their relationships into deeper waters.\nOn the surface, it's a lovers-on-the-run crime flick, but it has a lot in common with Piesiewicz's and Kieslowski's earlier work, films like The Double Life of Veronique.\nThe values that have held the Enterprise crew together through previous adventures and perils do so again-courage, self-sacrifice and patience under pressure.\nIf it's possible for a sequel to outshine the original, then SL2 does just that.\nA romantic comedy that operates by the rules of its own self-contained universe.\n4 friends, 2 couples, 2000 miles, and all the Pabst Blue Ribbon beer they can drink - it's the ultimate redneck road-trip.\nThe film is often filled with a sense of pure wonderment and excitement not often seen in today's cinema du sarcasm\nIt might be tempting to regard Mr. Andrew and his collaborators as oddballs, but Mr. Earnhart's quizzical, charming movie allows us to see them, finally, as artists.\nA feel-good picture in the best sense of the term.\nEdited and shot with a syncopated style mimicking the work of his subjects, Pray turns the idea of the documentary on its head, making it rousing, invigorating fun lacking any MTV puffery.\nA mostly intelligent, engrossing and psychologically resonant suspenser.\nIt's this memory-as-identity obviation that gives Secret Life its intermittent unease, reaffirming that long-held illusions are indeed reality, and that erasing them recasts the self.\nHip-hop has a history, and it's a metaphor for this love story.\nIn scope, ambition and accomplishment, Children of the Century ... takes Kurys' career to a whole new level.\nThis may not have the dramatic gut-wrenching impact of other Holocaust films, but it's a compelling story, mainly because of the way it's told by the people who were there.\nBetween the drama of Cube?s personal revelations regarding what the shop means in the big picture, iconic characters gambol fluidly through the story, with charming results.\nA gentle, compassionate drama about grief and healing.\nSomewhere short of Tremors on the modern B-scene: neither as funny nor as clever, though an agreeably unpretentious way to spend ninety minutes.\nDigital-video documentary about stand-up comedians is a great glimpse into a very different world.\nUnlike most teen flicks, Swimming takes its time to tell its story, casts mostly little-known performers in key roles, and introduces some intriguing ambiguity.\nAn enthralling, playful film that constantly frustrates our desire to know the 'truth' about this man, while deconstructing the very format of the biography in a manner that Derrida would doubtless give his blessing to.\n``Extreme Ops'' exceeds expectations. Good fun, good action, good acting, good dialogue, good pace, good cinematography.\nYou Should Pay Nine Bucks for This: Because you can hear about suffering Afghan refugees on the news and still be unaffected. Dramas like this make it human.\nA thunderous ride at first, quiet cadences of pure finesse are few and far between; their shortage dilutes the potency of otherwise respectable action. Still, this flick is fun, and host to some truly excellent sequences.\nIt's obviously struck a responsive chord with many South Koreans, and should work its magic in other parts of the world.\nRun, don't walk, to see this barbed and bracing comedy on the big screen.\nA classy item by a legend who may have nothing left to prove but still has the chops and drive to show how its done.\nIt is nature against progress. In Fessenden's horror trilogy, this theme has proved important to him and is especially so in the finale.\nIt's not exactly a gourmet meal but the fare is fair, even coming from the drive-thru.\nThis is what IMAX was made for: Strap on a pair of 3-D goggles, shut out the real world, and take a vicarious voyage to the last frontier -- space.\nMerely as a technical, logistical feat, Russian Ark marks a cinematic milestone.\n(Schweiger is) talented and terribly charismatic, qualities essential to both movie stars and social anarchists.\nIt's a great deal of sizzle and very little steak. But what spectacular sizzle it is!...In this incarnation its fizz is infectious.\nAn original gem about an obsession with time.\nIt will delight newcomers to the story and those who know it from bygone days.\nGloriously goofy (and gory) midnight movie stuff.\nThe film overcomes the regular minefield of coming-of-age cliches with potent doses of honesty and sensitivity.\nIf your senses haven't been dulled by slasher films and gorefests, if you're a connoisseur of psychological horror, this is your ticket.\nIt's a minor comedy that tries to balance sweetness with coarseness, while it paints a sad picture of the singles scene.\nIt is intensely personal and yet -- unlike Quills -- deftly shows us the temper of the times.\nAs lo-fi as the special effects are, the folks who cobbled Nemesis together indulge the force of humanity over hardware in a way that George Lucas has long forgotten.\nLike Mike doesn't win any points for originality. It does succeed by following a feel-good formula with a winning style, and by offering its target audience of urban kids some welcome role models and optimism.\nIt's a hoot and a half, and a great way for the American people to see what a candidate is like when he's not giving the same 15-cent stump speech.\nFar from perfect, but its heart is in the right place...innocent and well-meaning.\nA sad, superior human comedy played out on the back roads of life.\nWaydowntown is by no means a perfect film, but its boasts a huge charm factor and smacks of originality.\nTim Allen is great in his role but never hogs the scenes from his fellow cast, as there are plenty of laughs and good lines for everyone in this comedy.\nMore a load of enjoyable, Conan-esque claptrap than the punishing, special-effects soul assaults the Mummy pictures represent.\nEnormously likable, partly because it is aware of its own grasp of the absurd.\nHere's a British flick gleefully unconcerned with plausibility, yet just as determined to entertain you.\nIt's an old story, but a lively script, sharp acting and partially animated interludes make Just a Kiss seem minty fresh.\nMust be seen to be believed.\nRay Liotta and Jason Patric do some of their best work in their underwritten roles, but don't be fooled: Nobody deserves any prizes here.\nEverything that has to do with Yvan and Charlotte, and everything that has to do with Yvan's rambunctious, Jewish sister and her non-Jew husband, feels funny and true.\nThe year's happiest surprise, a movie that deals with a real subject in an always surprising way.\nFans of Behan's work and of Irish movies in general will be rewarded by Borstal Boy.\nIts mysteries are transparently obvious, and it's too slowly paced to be a thriller. (But it's) worth recommending because of two marvelous performances by Michael Caine and Brendan Fraser.\nThe film is faithful to what one presumes are the book's twin premises -- that we become who we are on the backs of our parents, but we have no idea who they were at our age; and that time is a fleeting and precious commodity no matter how old you are.\nStephen Earnhart's homespun documentary Mule Skinner Blues has nothing but love for its posse of trailer park denizens.\nA solidly seaworthy chiller.\nIf you can get past the fantastical aspects and harsh realities of ``The Isle'' you'll get a sock-you-in-the-eye flick that is a visual tour-de-force and a story that is unlike any you will likely see anywhere else.\nThere are as many misses as hits, but ultimately, it finds humor in the foibles of human behavior, and it's a welcome return to the roots of a genre that should depend on surprises.\nA well-made thriller with a certain level of intelligence and non-reactionary morality.\nThere's enough science to make it count as educational, and enough beauty to make it unforgettable.\nRemains a solid, if somewhat heavy-handed, account of the near-disaster...done up by Howard with a steady, if not very imaginative, hand.\nMakmalbaf follows a resolutely realistic path in this uncompromising insight into the harsh existence of the Kurdish refugees of Iran's borderlands.\nFor a good chunk of its running time, Trapped is an effective and claustrophobic thriller.\nMost of Crush is a clever and captivating romantic comedy with a welcome pinch of tartness.\nNair does capture the complexity of a big family and its trials and tribulations...\nThe seaside splendor and shallow, beautiful people are nice to look at while you wait for the story to get going.\nRare is the 'urban comedy' that even attempts the insight and honesty of this disarming indie.\nRanks among Willams' best screen work.\nEngagingly captures the maddening and magnetic ebb and flow of friendship.\nAn experience so engrossing it is like being buried in a new environment.\nIt's traditional moviemaking all the way, but it's done with a lot of careful period attention as well as some very welcome wit.\nMaybe it's just because this past year has seen the release of some of the worst film comedies in decades ... But honestly, Analyze That really isn't all that bad.\nA droll, well-acted, character-driven comedy with unexpected deposits of feeling.\nThis is simply the most fun you'll ever have with a documentary!\nA very funny movie.\nWatching Haneke's film is, aptly enough, a challenge and a punishment. But watching Huppert, a great actress tearing into a landmark role, is riveting.\nA cop story that understands the medium amazingly well.\nBritney has been delivered to the big screen safe and sound, the way we like our 20-year-old superstar girls to travel on the fame freeway.\nThose outside show business will enjoy a close look at people they don't really want to know.\nThe kind of nervous film that will either give you a mild headache or exhilarate you.\nWatching Beanie and his gang put together his slasher video from spare parts and borrowed materials is as much fun as it must have been for them to make it.\nChildren may not understand everything that happens -- I'm not sure even Miyazaki himself does -- but they will almost certainly be fascinated, and undoubtedly delighted.\nA fascinating and fun film.\nTadpole is a sophisticated, funny and good-natured treat, slight but a pleasure.\nThis insightful, Oscar-nominated documentary, in which children on both sides of the ever-escalating conflict have their say away from watchful parental eyes, gives peace yet another chance.\nI admired this work a lot.\nWhether you're moved and love it, or bored or frustrated by the film, you'll still feel something.\n...there are enough moments of heartbreaking honesty to keep one glued to the screen.\nMy goodness, Queen Latifah has a lot to offer and she seemed to have no problem flaunting her natural gifts. She must have a very strong back.\nA smart, sweet and playful romantic comedy.\nAustralian actor/director John Polson and award-winning English cinematographer Giles Nuttgens make a terrific effort at disguising the obvious with energy and innovation.\nWithout heavy-handedness, Dong provides perspective with his intelligent grasp of human foibles and contradictions.\nSolid, lump-in-the-throat family entertainment that derives its power by sticking to the facts.\nAs an entertainment, the movie keeps you diverted and best of all, it lightens your wallet without leaving a sting.\nIt is interesting and fun to see Goodall and her chimpanzees on the bigger-than-life screen.\nIt won't bust your gut -- and it's not intended to -- it's merely a blandly cinematic surgical examination of what makes a joke a joke.\nA somewhat crudely constructed but gripping, questing look at a person so racked with self-loathing, he becomes an enemy to his own race.\nIt extends the writings of Jean Genet and John Rechy, the films of Fassbinder, perhaps even the nocturnal works of Goya.\nNarc may not get an 'A' for originality, but it wears its B-movie heritage like a badge of honor.\nWith the film's striking ending, one realizes that we have a long way to go before we fully understand all the sexual permutations involved.\n(Drumline) is entertaining for what it does, and admirable for what it doesn't do.\nAt its best early on as it plays the culture clashes between the brothers.\nAn unabashedly schmaltzy and thoroughly enjoyable true story.\nA thoughtful look at a painful incident that made headlines in 1995.\nYou walk out of The Good Girl with mixed emotions -- disapproval of Justine combined with a tinge of understanding for her actions.\nTsai Ming-liang has taken his trademark style and refined it to a crystalline point.\nPurely propaganda, a work of unabashed hero worship, it is nonetheless -- and likely inadvertently -- a timely and invaluable implicit reminder of the role that U.S. foreign policy has played in the rise of Castro.\nNow trimmed by about 20 minutes, this lavish three-year-old production has enough grandeur and scale to satisfy as grown-up escapism.\nWe get some truly unique character studies and a cross-section of Americana that Hollywood couldn't possibly fictionalize and be believed.\nThough this film can be clumsy, its ambitions are equally -- and admirably -- uncommercial.\nDaring, mesmerizing and exceedingly hard to forget.\nMoore's performance impresses almost as much as her work with Haynes in 1995's Safe.\nVisits spy-movie territory like a novel you can't put down, examines a footnote to history seldom brought to light on the screen, and keeps you guessing from first frame to last.\nAn absorbing, slice-of-depression life that touches nerves and rings true.\nMr. Parker has brilliantly updated his source and grasped its essence, composing a sorrowful and hilarious tone poem about alienated labor, or an absurdist workplace sitcom.\nThe result is something quite fresh and delightful.\nAll but the most persnickety preteens should enjoy this nonthreatening but thrilling adventure.\nDespite its many infuriating flaws -- not the least of which is Amy's self-absorbed personality -- Amy's O's honesty will win you over.\nThis is one of Polanski's best films.\nDay is not a great Bond movie, but it is a good Bond movie, which still makes it much better than your typical Bond knock-offs.\nPolished Korean political-action film is just as good -- and bad -- as Hollywood action epics. Is this progress?\nElling, portrayed with quiet fastidiousness by Per Christian Ellefsen, is a truly singular character, one whose frailties are only slightly magnified versions of the ones that vex nearly everyone.\nDenis and co-writer Michele Petin's impeccable screenplay penetrates with a rawness that that is both unflinching and tantalizing. Lead provocatuers Testud and Parmentier give superlative performances\nAn absorbing trip into the minds and motivations of people under stress as well as a keen, unsentimental look at variations on the theme of motherhood.\nI admired it, particularly that unexpected downer of an ending.\nThe passions aroused by the discord between old and new cultures are set against the strange, stark beauty of the Mideast desert, so lovingly and perceptively filmed that you can almost taste the desiccated air.\nRemarkably accessible and affecting.\nNever mind whether you buy the stuff about Barris being a CIA hit man. The kooky yet shadowy vision Clooney sustains throughout is daring, inventive and impressive.\nA triumph of art direction over narrative, but what art direction!\nBehan himself knew how to spin a tale and one can't help but think he'd appreciate this attempt to turn his life into art.\nJirí Hubac's script is a gem. His characters are engaging, intimate and the dialogue is realistic and greatly moving. The scope of the Silberstein family is large and we grow attached to their lives, full of strength, warmth and vitality..\nMoore's complex and important film is also, believe it or not, immensely entertaining, a David and Goliath story that's still very much playing itself out.\nThe additional storyline is interesting and entertaining, but it doesn't have the same magical quality as the beginning of the story. I like the new footage and still love the old stuff.\nThough Mama takes a bit too long to find its rhythm and a third-act plot development is somewhat melodramatic, its ribald humor and touching nostalgia are sure to please anyone in search of a Jules and Jim for the new millennium.\nYou might not buy the ideas. But you'll definitely want the T-shirt.\nProvides an intriguing window into the imagination and hermetic analysis of Todd Solondz.\nWindtalkers is shapelessly gratifying, the kind of movie that invites you to pick apart its faults even as you have to admit that somehow it hit you where you live.\nPresents an astute appraisal of Middle American musical torpor and the desperate struggle to escape it.\nJust what makes us happy, anyway?\nA thoughtful, moving piece that faces difficult issues with honesty and beauty.\nOne of the greatest romantic comedies of the past decade.\nYou wouldn't call The Good Girl a date movie (an anti-date movie is more like it), but when it's good, it's good and horrid.\nBenefits from a strong performance from Zhao, but it's Dong Jie's face you remember at the end.\nThis is a film brimming with detail and nuance and one that speaks volumes about the ability of the human spirit to find solace in events that could easily crush it forever.\nThe director, Steven Shainberg, has succeeded by focusing intently on his characters, making them quirky individuals rather than figures of fun.\nIt ultimately stands forth as an important chronicle of the abuses of one of Latin America's most oppressive regimes.\nThe movie has a soft, percolating magic, a deadpan suspense.\nA well-made and often lovely depiction of the mysteries of friendship.\nUsing his audience as a figurative port-of-call, Dong pulls his even-handed ideological ship to their dock for unloading, before he continues his longer journey still ahead.\n... understands that a generation defines its music as much as the music defines a generation.\nThe Transporter is as lively and as fun as it is unapologetically dumb\nAs a witness to several Greek-American weddings -- but, happily, a victim of none -- I can testify to the comparative accuracy of Ms. Vardalos' memories and insights.\nHas it ever been possible to say that Williams has truly inhabited a character? It is now.\nBy presenting an impossible romance in an impossible world, Pumpkin dares us to say why either is impossible -- which forces us to confront what's possible and what we might do to make it so.\nAn impressive debut for first-time writer-director Mark Romanek, especially considering his background is in music video.\nAn incendiary, deeply thought-provoking look at one of the most peculiar (and peculiarly venomous) bigotries in our increasingly frightening theocracy\nAll the performances are top notch and, once you get through the accents, All or Nothing becomes an emotional, though still positive, wrench of a sit.\n``its successes are also tempered with elements which prove the direct antithesis of what it gets right.''\nIt's solid and affecting and exactly as thought-provoking as it should be.\nThis is such a dazzlingly self-assured directorial debut that it's hard to know what to praise first.\nParker holds true to Wilde's own vision of a pure comedy with absolutely no meaning, and no desire to be anything but a polished, sophisticated entertainment that is in love with its own cleverness.\nMünch's genuine insight makes the film's occasional overindulgence forgivable.\nThankfully, the film, which skirts that rapidly deteriorating line between fantasy and reality ... takes a tongue-in-cheek attitude even as it pushes the Croc Hunter agenda.\nUltimately, the message of Trouble Every Day seems to be that all sexual desire disrupts life's stasis.\nIf you're like me, a sucker for a good old fashion romance and someone who shamelessly loves to eat, then Mostly Martha offers all the perfect ingredients to more than satisfy your appetite.\nThe film has just enough of everything -- re-enactments, archival footage, talking-head interviews -- and the music is simply sublime.\nThere are a few stabs at absurdist comedy ... but mostly the humor is of the sweet, gentle and occasionally cloying kind that has become an Iranian specialty.\nA wonderful character-based comedy.\nIt would be interesting to hear from the other side, but in Talk to Her, the women are down for the count.\nAn endearingly offbeat romantic comedy with a great meet-cute gimmick.\nThe unique tug-of-war with viewer expectations is undeniable, if not a pleasure in its own right.\nIt uses an old-time formula, it's not terribly original and it's rather messy -- but you just have to love the big, dumb, happy movie My Big Fat Greek Wedding.\nIt's almost impossible not to be moved by the movie's depiction of sacrifice and its stirring epilogue in post-Soviet Russia.\nWho knows what exactly Godard is on about in this film, but his words and images don't have to add up to mesmerize you.\nThe tone is balanced, reflective and reasonable.\nThe principals in this cast are all fine, but Bishop and Stevenson are standouts.\nIt could change America, not only because it is full of necessary discussion points, but because it is so accessible that it makes complex politics understandable to viewers looking for nothing but energetic entertainment.\nWhat's most striking about this largely celebratory film ... is the sense of isolation that permeates these bastions of individuality in an Ikea world.\n...if you're in a mind set for goofy comedy, the troopers will entertain with their gross outs, bawdy comedy and head games.\nSomewhat blurred, but Kinnear's performance is razor sharp.\nAs a director, Mr. Ratliff wisely rejects the temptation to make fun of his subjects.\nFor anyone who remembers the '60s or is interested in one man's response to stroke, Ram Dass: Fierce Grace is worth seeking out.\nIntriguing and beautiful film, but those of you who read the book are likely to be disappointed.\nThe New Guy does have a heart. Now, if it only had a brain.\nA savvy exploration of paranoia and insecurity in America's culture of fear.\nLegendary Irish writer Brendan Behan's memoir, Borstal Boy, has been given a loving screen transferral.\nThe film's greatest asset is how much it's not just another connect-the-dots, spy-on-the-run picture.\nThis clever caper movie has twists worthy of David Mamet and is enormous fun for thinking audiences.\nIt's one of the saddest films I have ever seen that still manages to be uplifting but not overly sentimental.\nMorton is, as usual, brilliant.\nEven with all those rough edges safely sanded down, the American Insomnia is still pretty darned good.\nI don't know precisely what to make of Steven Soderbergh's Full Frontal, though that didn't stop me from enjoying much of it.\nThe tug of war that ensues is as much a snapshot of modern China in microcosm as it is a crash course in movie mythology.\nNearly surreal, dabbling in French, this is no simple movie, and you'll be taking a risk if you choose to see it. I enjoyed the ride (bumps and all), creamy depth, and ultimate theme.\nYou could say that it's slow at times, you could say that a few of the characters act in ways that real people wouldn't, but one thing you couldn't say is that Alias Betty is predictable.\nAsia authors herself as Anna Battista, an Italian superstar and aspiring directress who just happens to be her own worst enemy.\nRoman Coppola may never become the filmmaker his Dad was, but heck – few filmmakers will. But based on CQ, I'll certainly be keeping an eye out for his next project.\nAn amusing, breezily apolitical documentary about life on the campaign trail.\nHigh on melodrama. But it's emotionally engrossing, too, thanks to strong, credible performances from the whole cast.\nFinally, a genre movie that delivers -- in a couple of genres, no less.\nIt's not so much enjoyable to watch as it is enlightening to listen to new sides of a previous reality, and to visit with some of the people who were able to make an impact in the theater world.\nSpielberg is the rare director who does not want to invite viewers to gawk at or applaud his special effects. He just wants them to be part of the action, the wallpaper of his chosen reality. Here, thankfully, they are.\nPost 9/11 the philosophical message of ``Personal Freedom First'' might not be as palatable as intended.\nHu and Liu offer natural, matter-of-fact performances that glint with sorrow, longing and love.\nThis bold and lyrical first feature from Raja Amari expands the pat notion that middle-aged women just wanna have fun into a rousing treatise of sensual empowerment.\nEasier to respect than enthuse over, Andersson's rigorous personal vision is not only distanced but distancing.\nGirls gone wild and gone civil again\n...Tunney is allowed to build an uncommonly human character, an almost real-live girl complete with trouble and hope.\nWhile this film is not in the least surprising, it is still ultimately very satisfying. Think of it as a sort of comfort food for the mind.\nClever, brutal and strangely soulful movie.\n... always remains movingly genuine.\nAn intelligent fiction about learning through cultural clash.\nWill grab your children by the imagination and amaze them and amuse them.\nA remarkable 179-minute meditation on the nature of revolution.\nThose who would follow Haneke on his creepy explorations ... are rewarded by brutal, committed performances from Huppert and Magimel.\nAn involving true story of a Chinese actor who takes up drugs and winds up in an institution--acted mostly by the actual people involved.\nHands down the year's most thought-provoking film. But it pays a price for its intricate intellectual gamesmanship.\nIt's a terrific American sports movie and Dennis Quaid is its athletic heart.\nThis is such a high-energy movie where the drumming and the marching are so excellent, who cares if the story's a little weak.\nCompelling revenge thriller, though somewhat weakened by a miscast leading lady.\nIt's amazingly perceptive in its subtle, supportive but unsentimental look at the Marks family.\nA whole lot foul, freaky and funny.\nAttal mixes comedy with a serious exploration of ego and jealousy within a seemingly serene marriage.\nThe diversity of the artists represented, both in terms of style and ethnicity, prevents the proceedings from feeling repetitious, as does the appropriately brief 40-minute running time.\nThe Pianist is a fine valedictory work for Polanski, made richer by his own experiences, making his other movies somehow richer in the bargain.\nFoster nails the role, giving a tight, focused performance illuminated by shards of feeling.\nEven if you can't pronounce ``gyro'' correctly, you'll appreciate much of Vardalos' humor, which transcends ethnic boundaries.\nIs office work really as alienating as 'Bartleby' so effectively makes it?\nFarrell ... thankfully manages to outshine the role and successfully plays the foil to Willis's world-weary colonel.\nAudiences conditioned to getting weepy over saucer-eyed, downy-cheeked moppets and their empathetic caretakers will probably feel emotionally cheated by the film's tart, sugar-free wit.\nBennett's dramatization of her personal descent into post-breakup perdition has a morbid appeal that's tough to shake.\nAn intriguing and entertaining introduction to Johnson.\nAs expected, Sayles' smart wordplay and clever plot contrivances are as sharp as ever, though they may be overshadowed by some strong performances.\nA model of what films like this should be like.\nAs Weber and Weissman demonstrate with such insight and celebratory verve, the Cockettes weren't as much about gender, sexual preference or political agitprop as they were simply a triumph of the indomitable human will to rebel, connect and create.\nYeah, these flicks are just that damn good. Isn't it great?\nAn unbelievably fun film just a leading man away from perfection.\nOver-the-top and a bit ostentatious, this is a movie that's got oodles of style and substance.\n...a poignant and powerful narrative that reveals that reading writing and arithmetic are not the only subjects to learn in life.\nNicely serves as an examination of a society in transition.\nA tender and touching drama, based on the true story of a troubled African-American's quest to come to terms with his origins, reveals the yearning we all have in our hearts for acceptance within the family circle.\nAs a randy film about sexy people in gorgeous places being pushed and pulled (literally and figuratively) by desire ... (Sex and Lucía) makes for an arousing good time.\nAbsorbing character study by André Turpin.\nCelebrated at Sundance, this slight comedy of manners has winning performances and a glossy, glib charm that's hard to beat.\nRenner's performance as Dahmer is unforgettable, deeply absorbing.\nIf no one singles out any of these performances as award-worthy, it's only because we would expect nothing less from this bunch.\nIf you love reading and/or poetry, then by all means check it out. You'll probably love it.\nThough of particular interest to students and enthusiast of international dance and world music, the film is designed to make viewers of all ages, cultural backgrounds and rhythmic ability want to get up and dance.\nEnergetic and boldly provocative.\nStar Wars is back in a major way.\nIt's a movie -- and an album -- you won't want to miss.\nIt's rare to find a film that dazzles the eye, challenges the brain, AND satisfies our lust for fast-paced action, but Minority Report delivers all that and a whole lot more.\nWhile not all transitions to adulthood are so fraught, there's much truth and no small amount of poetry in Girls Can't Swim.\nIf there's nothing fresh about Wannabes, which was written by Mr. DeMeo, who produced and directed the film with Charles A. Addessi, much of the time the movie feels authentic.\nJacquot's Tosca is a treat.\nBy the end of No Such Thing the audience, like Beatrice, has a watchful affection for the monster.\nIf you liked such movies as Notting Hill, Four Weddings And A Funeral, Bridget Jones' Diary or High Fidelity, then you won't want to miss About A Boy.\n...the gentle melding of drama and comedy makes ``What Time Is It There?'' something the true film buff will enjoy.\nRomanek keeps the film constantly taut...reflecting the character's instability with a metaphorical visual style and an unnerving, heartbeat-like score.\nI whole-heartedly recommend that everyone see this movie-- for its historical significance alone.\nHey, who else needs a shower?\nLongley has constructed a remarkably coherent, horrifically vivid snapshot of those turbulent days.\nAlthough it bangs a very cliched drum at times, this crowd-pleaser's fresh dialogue, energetic music, and good-natured spunk are often infectious.\nOften gruelling and heartbreaking to witness, but Seldahl and Wollter's sterling performances raise this far above the level of the usual maudlin disease movie.\nGo see it and enjoy.\nThe stunning, dreamlike visuals will impress even those viewers who have little patience for Euro-film pretension.\nGeorge Clooney proves he's quite a talented director and Sam Rockwell shows us he's a world-class actor with Confessions of a Dangerous Mind.\nThere's a vastness implied in Metropolis that is just breathtaking.\nMurderous Maids may well be the most comprehensive of these films and also strike closest to the truth.\nThe people in Dogtown and Z-Boys are so funny, aggressive and alive, you have to watch them because you can't wait to see what they do next.\nAs green-guts monster movies go, it's a beaut.\nAs Bundy, Michael Reilly Burke (Octopus 2: River of Fear) has just the right amount of charisma and menace.\nA deceivingly simple film, one that grows in power in retrospect.\nAna is a vivid, vibrant individual and the movie's focus upon her makes it successful and accessible.\nA slick, skillful little horror film.\nA very witty take on change, risk and romance, and the film uses humour to make its points about acceptance and growth.\n(Anderson) uses a hit-or-miss aesthetic that hits often enough to keep the film entertaining even if none of it makes a lick of sense.\nBubba Ho-Tep is a wonderful film with a bravura lead performance by Bruce Campbell that doesn't deserve to leave the building until everyone is aware of it.\ndespite the long running time, the pace never feels slack -- there's no scene that screams ``bathroom break!''\nBullock does a good job here of working against her natural likability.\nA film of precious increments artfully camouflaged as everyday activities.\nKinnear gives a tremendous performance.\nThe best movie of its kind since 'Brazil.' Lucas, take notes. This is how you use special effects.\n``Frailty'' has been written so well, that even a simple ``Goddammit!'' near the end takes on a whole other meaning.\nOne Hour Photo is an intriguing snapshot of one man and his delusions; it's just too bad it doesn't have more flashes of insight.\nKaufman creates an eerie sense of not only being there at the time of these events but the very night Matthew was killed.\nChalk it up to my adoration for both De Niro and Murphy, but I had a pretty good time with this movie - despite its myriad flaws.\nIts scenes and sensibility are all more than familiar, but it exudes a kind of nostalgic spy-movie charm and, at the same time, is so fresh and free of the usual thriller nonsense that it all seems to be happening for the first time.\nIt represents better-than-average movie-making that doesn't demand a dumb, distracted audience.\nA charming yet poignant tale of the irrevocable ties that bind.\nAn enchanting spectacular for Potter fans anxious to ride the Hogwarts Express toward a new year of magic and mischief.\nThe talents of the actors helps ``Moonlight Mile'' rise above its heart-on-its-sleeve writing.\nIt's a humble effort, but spiced with wry humor and genuine pathos, especially between Morgan and Redgrave.\nThis examination of aquatic life off the shores of the Baja California peninsula of Mexico offers an engrossing way to demonstrate the virtues of the IMAX format.\nDark and disturbing, but also surprisingly funny.\nThe movie has an avalanche of eye-popping visual effects.\nStarts off with a bang, but then fizzles like a wet stick of dynamite at the very end. It's still worth a look.\nMost impressive, though, is the film's open-ended finale that refuses to entirely close its characters' emotional wounds.\nA hip ride into hyper-time, Clockstoppers is a lively and enjoyable adventure for all ages at any time.\nGrenier is terrific, bringing an unforced, rapid-fire delivery to Toback's Heidegger- and Nietzsche-referencing dialogue.\n... a polished and relatively sincere piece of escapism.\nThe story wraps back around on itself in the kind of elegant symmetry that's rare in film today, but be warned: It's a slow slog to get there.\nThe whole cast looks to be having so much fun with the slapstick antics and silly street patois, tossing around obscure expressions like Bellini and Mullinski, that the compact 86 minutes breezes by.\n...has freaky scenes where the crew wonder if they're ghosts imagining themselves as alive. It's a sly wink to The Others without becoming a postmodern joke, made creepy by its ``men in a sardine can'' warped logic.\nLong after you leave Justine, you'll be wondering what will happen to her and wishing her the best -- whatever that might mean.\nStill pretentious and filled with subtext, but entertaining enough at 'face value' to recommend to anyone looking for something different.\nCall me a wimp, but I cried, not once, but three times in this animated sweet film.\nNotorious C.H.O. has oodles of vulgar highlights.\nAn inspiring and heart-affecting film about the desperate attempts of Vietnamese refugees living in U.S. relocation camps to keep their hopes alive in 1975.\nThe level of maturity displayed by this 33-year-old first-time feature director is astonishing, considering her inexperience and her subject matter.\nA splendid entertainment, young in spirit but accomplished in all aspects with the fullness of spirit and sense of ease that comes only with experience.\nDisney's live-action division has a history of releasing cinematic flotsam, but this is one occasion when they have unearthed a rare gem.\nIf the message seems more facile than the earlier films, the images have such a terrible beauty you may not care.\nWhether Kiss is a future cult classic or destined to be completely forgotten is open to question, but the risk-takers in the crowd should check it out and form their own opinion.\nThere are moments in this account of the life of artist Frida Kahlo that are among cinema's finest this year. Unfortunately, they're sandwiched in between the most impossibly dry account of Kahlo's life imaginable.\nThere are moments it can be heart-rending in an honest and unaffected (and gentle) way.\nStay clear of reminding yourself that it's a ``true story'' and you're likely to have one helluva time at the movies.\nThere are just enough twists in the tale to make it far more satisfying than almost any horror film in recent memory.\nThe Sundance Film Festival has become so buzz-obsessed that fans and producers descend upon Utah each January to ferret out The Next Great Thing. 'Tadpole' was one of the films so declared this year, but it's really more of The Next Pretty Good Thing.\nWorking from Elliott's memoir, Rohmer fashions the sort of delicate, articulate character- and- relationship study he's favored for decades.\nThe story feels more like a serious read, filled with heavy doses of always enticing Sayles dialogue.\nWhen it really counts ... Bloody Sunday connects on a visceral level that transcends language.\nThe crime matters less than the characters, although the filmmakers supply enough complications, close calls and double-crosses to satisfy us.\nThe actors are fantastic. They are what makes it worth the trip to the theatre.\nRanging from funny to shattering and featuring some of the year's best acting, Personal Velocity gathers plenty of dramatic momentum.\nI complain all the time about seeing the same ideas repeated in films over and over again, but The Bourne Identity proves that a fresh take is always possible.\nRecalls quiet freak-outs like L'Avventura and Repulsion.\nOnly an epic documentary could get it all down, and Spike Lee's Jim Brown: All American at long last gives its subject a movie worthy of his talents.\n...as the story congeals you feel the pieces of the Star Wars saga falling into place in a way that makes your spine tingle with revelation and excitement.\nA great comedy filmmaker knows great comedy needn't always make us laugh. Tim Story's not there yet - but 'Barbershop' shows he's on his way.\nThe movie is one of the best examples of artful Large Format filmmaking you are likely to see anytime soon.\nLends itself to the narcotizing bland (sinister, though not nearly so sinister as the biennial Disney girl movie) machinations of the biennial Disney boy movie.\nWell-written, nicely acted and beautifully shot and scored, the film works on several levels, openly questioning social mores while ensnaring the audience with its emotional pull.\nJason X has cheesy effects and a hoary plot, but its macabre, self-deprecating sense of humor makes up for a lot.\n(Taymor) utilizes the idea of making Kahlo's art a living, breathing part of the movie, often catapulting the artist into her own work. This isn't a new idea. It's been done before but never so vividly or with so much passion.\nAn impressive if flawed effort that indicates real talent.\nTwo generations within one family test boundaries in this intelligent and restrained coming-of-age drama.\nit sounds sick and twisted, but the miracle of Shainberg's film is that it truly is romance\nDisturbing and brilliant documentary.\n... mesmerizing, an eye-opening tour of modern Beijing culture in a journey of rebellion, retreat into oblivion and return.\nOne of the best examples of how to treat a subject, you're not fully aware is being examined, much like a photo of yourself you didn't know was being taken.\nNot too far below the gloss you can still feel director Denis Villeneuve's beating heart and the fondness he has for his characters.\nAs if to prove a female director can make a movie with no soft edges, Kathryn Bigelow offers no sugar-coating or interludes of lightness. Her film is unrelentingly claustrophobic and unpleasant.\n(Villeneuve) seems to realize intuitively that even morality is reduced to an option by the ultimate mysteries of life and death.\nThe result is mesmerizing -- filled with menace and squalor.\nFisher has bared his soul and confronted his own shortcomings here in a way...that feels very human and very true to life.\nIt's fun, but the code-talk will fly right over everyone's head\nBourne, Jason Bourne. He can scale a building like a super hero, he can out-stealth any agent, he'll get the girl. He's Super Spy!\nWhat makes the movie a comedy is the way it avoids the more serious emotions involved.\nThis cuddly sequel to the 1999 hit is a little more visually polished, a little funnier, and a little more madcap.\nThe pleasures of Super Troopers may be fleeting, but they'll register strongly with anybody who still retains a soft spot for precollegiate humor.\nThe film is exhilarating to watch because Sandler, liberated from the constraints of formula, reveals unexpected depths as an actor.\nA distant, even sterile, yet compulsively watchable look at the sordid life of Hogan's Heroes star Bob Crane.\nThe film delivers not just the full assault of Reno's immense wit and insight, but a time travel back to what it felt like during those unforgettably uncertain days.\nWhat might have been a predictably heartwarming tale is suffused with complexity.\nSound the trumpets: For the first time since Desperately Seeking Susan, Madonna doesn't suck as an actress.\nAlthough very much like the first movie based on J.K. Rowling's phenomenal fantasy best sellers, this second go-round possesses a quite pleasing, headlong thrust and a likably delinquent attitude.\n(``Take Care of My Cat'') is an honestly nice little film that takes us on an examination of young adult life in urban South Korea through the hearts and minds of the five principals.\nAs the story moves inexorably through its seven day timeframe, the picture becomes increasingly mesmerizing.\nMaguire is a surprisingly effective Peter/Spider-Man.\nNot a cozy or ingratiating work, but it's challenging, sometimes clever, and always interesting, and those are reasons enough to see it.\nThe film runs on equal parts of innocence and wisdom -- wisdom that comes with experience. It has fun being grown up.\nLike old myths and wonder tales spun afresh.\nRarely do films come along that are as intelligent, exuberant, and moving as Monsoon Wedding.\nOne scarcely needs the subtitles to enjoy this colorful action farce.\nQuite funny for the type of movie it is...\nIt's often infuriatingly glib and posturing, and yet it has been made with great evident care and manages to deliver up the man in a way to arouse further curiosity in even the most unknowing viewer.\nOne of (Herzog's) least inspired works.\nThis boisterous comedy serves up a cruel reminder of the fate of hundreds of thousands of Chinese, one which can only qualify as a terrible tragedy.\nElling really is about a couple of crazy guys, and it's therapeutic to laugh along with them.\nAn irresistible combination of a rousing good story set on a truly grand scale.\nThere's no denying the physically spectacular qualities of the film ... or the emotional integrity of the performances.\nFew films this year have been as resolute in their emotional nakedness.\nExquisitely acted and masterfully if preciously interwoven... (the film) addresses in a fascinating, intelligent manner the intermingling of race, politics and local commerce.\nStevenson's performance is at once clueless and fiercely committed, a volatile combination.\nThis is a very fine movie -- go see it.\nAs shaky as the plot is, Kaufman's script is still memorable for some great one-liners.\nDespite its flaws, Secretary stays in your head and makes you question your own firmly held positions.\nOne of those rare, exhilarating cinematic delights that gets even better in hindsight, as you mull over its every nuance in your mind.\nNot everything works, but the average is higher than in Mary and most other recent comedies.\nA byzantine melodrama that stimulates the higher brain functions as well as the libido.\nA sensitive and expertly acted crowd-pleaser that isn't above a little broad comedy and a few unabashedly sentimental tears.\nThe film's sharp, often mischievous sense of humor will catch some off guard...\nDoes what a fine documentary does best: It extends a warm invitation into an unfamiliar world, then illuminates it fully and allows the larger implications of the journey to sink in unobtrusively.\nAlmost every scene in this film is a gem that could stand alone, a perfectly realized observation of mood, behavior and intent.\nA psychologically rich and suspenseful moral thriller with a stellar performance by Al Pacino.\nYou won't believe much of it, but you will laugh at the audacity, at the who's who casting and the sheer insanity of it all.\nThis version's no classic like its predecessor, but its pleasures are still plentiful.\nThe Bourne Identity is what summer screen escapism used to be in the decades when it was geared more to grownups.\nProvide(s) nail-biting suspense and credible characters without relying on technology-of-the-moment technique or pretentious dialogue.\nIf it tried to do anything more, it would fail and perhaps explode, but at this level of manic whimsy, it is just about right.\nToo sincere to exploit its subjects and too honest to manipulate its audience.\nThe saturation bombing of Reggio's images and Glass' evocative music ... ultimately leaves viewers with the task of divining meaning.\nFor all its serious sense of purpose ... (it) finds a way to lay bare the tragedies of its setting with a good deal of warmth and humor.\nA depressing confirmation of everything those of us who don't object to the description ``unelected'' have suspected all along: George W. Bush is an incurious, uncharismatic, overgrown frat boy with a mean streak a mile wide.\nThis road movie gives you emotional whiplash, and you'll be glad you went along for the ride.\nSure, it's more of the same, but as the film proves, that's not always a bad thing.\nA lighthearted, feel-good film that embraces the time-honored truth that the most powerful thing in life is love.\nA bowel-curdling, heart-stopping recipe for terror.\nDaughter from Danang is a film that should be seen by all, especially those who aren't aware of, or have forgotten about the unmentioned victims of war.\nZhang Yimou delivers warm, genuine characters who lie not through dishonesty, but because they genuinely believe it's the only way to bring happiness to their loved ones.\n...breathes surprising new life into the familiar by amalgamating genres and adding true human complexity to its not-so-stock characters.\n'...both hokey and super-cool, and definitely not in a hurry, so sit back, relax and have a few laughs while the little ones get a fuzzy treat.'\nA pleasant romantic comedy.\nIt's a Count for our times.\nGreengrass has delivered an undoubted stylistic tour-de-force, and has managed elements such as sound and cinematography with skill\nSmith's point is simple and obvious -- people's homes are extensions of themselves, and particularly eccentric people have particularly eccentric living spaces -- but his subjects are charmers.\nA romantic comedy, yes, but one with characters who think and talk about their goals, and are working on hard decisions.\nVividly conveys both the pitfalls and the pleasures of over-the-top love.\n...a weak, manipulative, pencil-thin story that is miraculously able to entertain anyway.\nA pro-fat farce that overcomes much of its excessive moral baggage thanks to two appealing lead performances.\nFor the first two-thirds of this sparklingly inventive and artful, always fast and furious tale, kids will go happily along for the ride.\nMajidi's poetic love story is a ravishing consciousness-raiser, if a bit draggy at times.\nThe smartest bonehead comedy of the summer.\nEffectively feeds our senses with the chilling sights and sounds from within the camp to create a completely numbing experience.\nI love the way that it took chances and really asks you to take these great leaps of faith and pays off.\nIn his debut as a film director, Denzel Washington delivers a lean and engaging work.\nOnly two words will tell you what you know when deciding to see it: Anthony. Hopkins.\nThe movie's quiet affirmation of neighborhood values gives it an honest, lived-in glow.\nA teasing drama whose relentless good-deed/bad-deed reversals are just interesting enough to make a sinner like me pray for an even more interesting, less symmetrical, less obviously cross-shaped creation.\nHayek is stunning as Frida and...a star-making project.\nIt's both a necessary political work and a fascinating documentary...\nHilarious, acidic Brit comedy.\nAs a revenge thriller, the movie is serviceable, but it doesn't really deliver the delicious guilty pleasure of the better film versions.\nAn ironic speculation on democracy in a culture unaccustomed to it.\nIt's not life-affirming -- its vulgar and mean, but I liked it.\nSeveral degrees shy of the gross-out contests one expects from current teen fare.\nThe inherent strength of the material as well as the integrity of the filmmakers gives this coming-of-age story restraint as well as warmth.\nLed by Griffin's smartly nuanced performance and enthusiasm, the cast has a lot of fun with the material.\nTuck Everlasting achieves a delicate balance of romantic innocence and philosophical depth.\nA gentle blend of present day testimonials, surviving footage of Burstein and his family performing, historical archives, and telling stills.\nA Generation X artifact, capturing a brief era of insanity in the sports arena that surely cannot last.\nPossession is Elizabeth Barrett Browning meets Nancy Drew, and it's directed by... Neil LaBute. Hmm.\nAn uneven but intriguing drama that is part homage and part remake of the Italian masterpiece.\nWindtalkers celebrates the human spirit and packs an emotional wallop.\nHaving never been a huge fan of Dickens' 800-page novel, it surprised me how much pleasure I had watching McGrath's version.\nThe best thing the film does is to show us not only what that mind looks like, but how the creative process itself operates.\nFor all its failed connections, Divine Secrets of the Ya-Ya Sisterhood is nurturing, in a gauzy, dithering way.\nThis is pretty dicey material. But some unexpected zigs and zags help.\nThe filmmakers skillfully evoke the sense of menace that nature holds for many urban dwellers.\nThe laser-projected paintings provide a spell-casting beauty, while Russell and Dreyfus are a romantic pairing of hearts, preciously exposed as history corners them.\nYou don't have to be an especially tough grader to give a charitable B-minus to The Emperor's Club.\nThis romantic thriller is steeped in the atmosphere of wartime England, and ably captures the speech patterns, moral codes and ideals of the 1940s.\nDivine Secrets of the Ya-Ya Sisterhood may not be exactly divine, but it's definitely -- defiantly -- ya ya, what with all of those terrific songs and spirited performances.\nViewed on its own terms, Treasure Planet is better-than-average family entertainment, but true fans of the Stevenson's novel will likely prefer Disney's more faithful 1950 live-action swashbuckling classic.\nA journey through memory, a celebration of living, and a sobering rumination on fatality, classism, and ignorance.\nResourceful and ingenious entertainment.\n``Antwone Fisher'' is an earnest, by-the-numbers effort by Washington. It won't rock any boats but is solid meat-and-potatoes filmmaking.\nA historical epic with the courage of its convictions about both scope and detail.\nWe need (Moore's) noisy, cocky energy, his passion and class consciousness; we need his shticks, we need his stones.\nAlthough the editing might have been tighter, Hush! sympathetically captures the often futile lifestyle of young people in modern Japan.\n(Gai) comes closer to any actress I can remember to personifying independence in its purest and, yes, most intimidating form.\nThese are lives worth watching, paths worth following.\nIt's rather like a Lifetime special -- pleasant, sweet and forgettable.\nA moody horror/thriller elevated by deft staging and the director's well-known narrative gamesmanship.\nAs a singular character study, it's perfect. It's also the year's sweetest movie.\nA graceful, contemplative film that gradually and artfully draws us into a world where the personal and the political get fatally intertwined.\nWhile not as aggressively impressive as its American counterpart, ``In the Bedroom,'' Moretti's film makes its own, quieter observations\nThe experience of watching blobby old-school CGI animation in this superlarge format is just surreal enough to be diverting.\nTime Changer may not be the most memorable cinema session but its profound self-evaluation message about our fragile existence and the absence of spiritual guidance should at least invade an abundance of mindsets\n``The Emperor's New Clothes'' begins with a simple plan....Well, at least that's the plan.\nHaynes has so fanatically fetishized every bizarre old-movie idiosyncrasy with such monastic devotion you're not sure if you should applaud or look into having him committed.\n(Director Peter) Jackson and his crew have so steeped themselves in the majesty of Tolkien's writing that every frame produces new joys, whether you're a fan of the books or not.\nWhile the glass slipper doesn't quite fit, Pumpkin is definitely a unique modern fairytale.\nThe drama is played out with such aching beauty and truth that it brings tears to your eyes.\nAn exciting and involving rock music doc, a smart and satisfying look inside that tumultuous world.\nAn offbeat, sometimes gross and surprisingly appealing animated film about the true meaning of the holidays.\nThis version incarnates the prophetic book in a way even its exacting author might admire.\nSometimes, nothing satisfies like old-fashioned swashbuckling. And in this regard, On Guard delivers.\n... ambition is in short supply in the cinema, and Egoyan tackles his themes and explores his characters' crises with seriousness and compassion.\nAn impossible romance, but we root for the patronized Iranian lad.\nLike Dickens with his passages, McGrath crafts quite moving scenes throughout his resolutely dramatic variation on the novel.\nThere's a disreputable air about the whole thing, and that's what makes it irresistible.\nan exceedingly clever piece of cinema.another great `what you don't see' is much more terrifying than what you do see thriller, coupled with some arresting effects, incandescent tones and stupendous performances\nA carefully structured scream of consciousness that is tortured and unsettling--but unquestionably alive.\nA quietly reflective and melancholy New Zealand film about an eventful summer in a 13-year-old girl's life.\nCute, funny, heartwarming digitally animated feature film with plenty of slapstick humor for the kids, lots of in-jokes for the adults and heart enough for everyone.\nvery solid, very watchable first feature for director Peter Sheridan\na budget affair that exposes the generally sad existence of the Bedouins while providing a precious twinkle of insight into their lives.\nIt suggests the wide-ranging effects of media manipulation, from the kind of reporting that is done by the supposedly liberal media ... to the intimate and ultimately tragic heartache of maverick individuals like Hatfield and Hicks.\nWorkmanlike, maybe, but still a film with all the elements that made the other three great, scary times at the movies.\nA pleasant enough comedy that should have found a summer place.\nBranagh, in his most forceful non-Shakespeare screen performance, grounds even the softest moments in the angry revolt of his wit.\nThough the violence is far less sadistic than usual, the film is typical Miike: fast, furious and full of off-the-cuff imaginative flourishes.\nCompelling as it is exotic, Fast Runner has a plot that rivals Shakespeare for intrigue, treachery and murder.\nWhat it lacks in originality it makes up for in intelligence and B-grade stylishness.\nThe warm presence of Zhao Benshan makes the preposterous lying hero into something more than he reasonably should be.\nThis is as powerful a set of evidence as you'll ever find of why art matters, and how it can resonate far beyond museum walls and through to the most painfully marginal lives.\nDirector Rob Marshall went out gunning to make a great one.\nSkip work to see it at the first opportunity.\nBow's best moments are when he's getting busy on the basketball court because that's when he really scores.\nOffers enough playful fun to entertain the preschool set while embracing a wholesome attitude.\nIn the end, Punch-Drunk Love is one of those films that I wanted to like much more than I actually did. Sometimes, that's enough.\nAn intimate, good-humored ethnic comedy like numerous others but cuts deeper than expected.\nIce Cube holds the film together with an engaging and warm performance...\nBoth deeply weird and charmingly dear.\nAs blunt as it is in depicting child abuse, El Bola is a movie steeped in an ambiguity that lends its conflicts a symbolic resonance.\nDespite a story predictable enough to make The Sound of Music play like a nail-biting thriller, its heart is so much in the right place it is difficult to get really peeved at it.\nAn incredibly low-rent Danish film, it brings a group of people together in a sweet and charming way, if a little convenient\nIt's the cinematic equivalent of a good page-turner, and even if it's nonsense, its claws dig surprisingly deep.\nDirector Nalin Pan doesn't do much to weigh any arguments one way or the other. He simply presents his point of view that Ayurveda works. No question.\nWhat ``Empire'' lacks in depth it makes up for with its heart.\nClaude Miller airs out a tight plot with an easy pace and a focus on character drama over crime-film complications.\nWhat Full Frontal lacks in thematic coherence it largely makes up for as loosey-goosey, experimental entertainment. Still, I'm not quite sure what the point is...\nRich in detail, gorgeously shot and beautifully acted, Les Destinees is, in its quiet, epic way, daring, inventive and refreshingly unusual.\n(A) Hollywood sheen bedevils the film from the very beginning...(but) Lohman's moist, deeply emotional eyes shine through this bogus veneer...\nDo we really need a 77-minute film to tell us exactly why a romantic relationship between a 15-year-old boy and a 40-year-old woman doesn't work?\nFord deserves to be remembered at Oscar time for crafting this wonderful portrait of a conflicted soldier.\nThe film's 45-minute running time stops shy of overkill, though viewers may be more exhausted than the athletes onscreen.\nDon't expect any surprises in this checklist of teamwork cliches...\nAs adapted by Kevin Molony from Simon Leys' novel ``The Death of Napoleon'' and directed by Alan Taylor, Napoleon's journey is interesting but his Parisian rebirth is stillborn\nThe movie addresses a hungry need for PG-rated, nonthreatening family movies, but it doesn't go too much further.\nThis warm and gentle romantic comedy has enough interesting characters to fill several movies, and its ample charms should win over the most hard-hearted cynics.\nA yarn that respects the Marvel version without becoming ensnared by it.\nThis is a happy throwback to the time when cartoons were cinema's most idiosyncratic form instead of one of its most predictable.\nComplex, affecting and uniquely Almodóvar, the film evokes strong emotions and pushes viewers to question their deepest notions of moral right and wrong.\nGood ol' urban legend stuff.\nNot so much a movie as a picture book for the big screen. This isn't my favorite in the series, still I enjoyed it enough to recommend.\nIt's one of the most honest films ever made about Hollywood.\nIt is a film that will have people walking out halfway through, will encourage others to stand up and applaud, and will, undoubtedly, leave both camps engaged in a ferocious debate for years to come.\nOn its own cinematic terms, it successfully showcases the passions of both the director and novelist Byatt.\nLight, silly, photographed with colour and depth, and rather a good time.\nPray's film works well and will appeal even to those who aren't too familiar with turntablism.\nGood movie. Good actress. But if you expect light romantic comedy, good gosh, will you be shocked.\nIt has the courage to wonder about big questions with sincerity and devotion. It risks seeming slow and pretentious, because it thinks the gamble is worth the promise.\nWith youthful high spirits, Tautou remains captivating throughout Michele's religious and romantic quests, and she is backed by a likable cast.\nIt's an example of sophisticated, challenging filmmaking that stands, despite its noticeable lack of emotional heft, in welcome contrast to the indulgent dead-end experimentation of the director's previous Full Frontal.\nA very funny look at how another culture handles the process of courting and marriage.\nBut tongue-in-cheek preposterousness has always been part of For the most part Wilde's droll whimsy helps ``Being Earnest'' overcome its weaknesses and Parker's creative interference...\nMuch of the movie's charm lies in the utter cuteness of Stuart and Margolo. Their computer-animated faces are very expressive.\nThe path Ice Age follows most closely, though, is the one established by Warner Bros. giant Chuck Jones, who died a matter of weeks before the movie's release.\nAnchored by a terrific performance by Abbass, Satin Rouge shows that the idea of women's self-actualization knows few continental divides.\nAwkward but sincere and, ultimately, it wins you over.\nSmith profiles five extraordinary American homes, and because the owners seem fully aware of the uses and abuses of fame, it's a pleasure to enjoy their eccentricities.\nThough the plot is predictable, the movie never feels formulaic, because the attention is on the nuances of the emotional development of the delicate characters.\nSam Jones became a very lucky filmmaker the day Wilco got dropped from their record label, proving that one man's ruin may be another's fortune.\nGoyer's screenplay and direction are thankfully understated, and he has drawn excellent performances from his cast.\nBinoche and Magimel are perfect in these roles.\nWhen your leading ladies are a couple of screen-eating dominatrixes like Goldie Hawn and Susan Sarandon at their raunchy best, even hokum goes down easily.\nWhile Undercover Brother is definitely one for the masses, it's also full of sharp, smart satire.\nGets under the skin of a man who has just lost his wife.\nNo wonder they're talking about ``Talk to Her.'' It's astonishing.\nFor its seriousness, high literary aspirations and stunning acting, the film can only be applauded.\nLook, this is a terrific flick replete with dazzling camera-work, dancing and music.\nIt is inspirational in characterizing how people from such diverse cultures share the same human and spiritual needs.\nIt's fairly self-aware in its dumbness.\nA triumph, relentless and beautiful in its downbeat darkness.\nTailored to entertain!\nA compelling, moving film that respects its audience and its source material.\nhas a plot full of twists upon knots...and a nonstop parade of mock-Tarantino scuzbag types that starts out clever but veers into overkill.\nA work of astonishing delicacy and force.\nThe film benefits greatly from a less manic tone than its predecessor, as Cho appears to have settled comfortably into her skin.\nFor the first time in several years, Mr. Allen has surpassed himself with the magic he's spun with the Hollywood empress of Ms. Leoni's Ellie.\nIsn't quite the equal of Woo's best earlier work, but it's easily his finest American film...comes close to recapturing the brilliance of his Hong Kong films.\nThe film hinges on its performances, and both leads are up to the task.\nAn intelligent, earnest, intimate film that drops the ball only when it pauses for blunt exposition to make sure you're getting its metaphysical point.\nA modest pleasure that accomplishes its goals with ease and confidence.\nA breezy, diverting, conventional, well-acted tale of two men locked in an ongoing game of cat-and-cat.\nWhat Jackson has accomplished here is amazing on a technical level.\nAs teen movies go, ``Orange County'' is a refreshing change\nMakes S&M seem very romantic, and Maggie Gyllenhaal is a delight.\nA deliciously mordant, bitter black comedy.\nAlthough Life or Something Like It is very much in the mold of feel-good movies, the cast and director Stephen Herek's polished direction pour delightfully piquant wine from aged bottles.\nIt is risky, intelligent, romantic and rapturous from start to finish.\nThe movie sticks much closer to Hornby's drop-dead confessional tone than the film version of High Fidelity did.\nA pleasant ramble through the sort of idoosyncratic terrain that Errol Morris has often dealt with...it does possess a loose, lackadaisical charm.\n...spiced with humor ('I speak fluent flatula,' advises Denlopp after a rather, er, bubbly exchange with an alien deckhand) and witty updatings (Silver's parrot has been replaced with Morph, a cute alien creature who mimics everyone and everything around)\nThis is a raw and disturbing tale that took five years to make, and the trio's absorbing narrative is a heart-wrenching showcase indeed.\nA beautiful and haunting examination of the stories we tell ourselves to make sense of the mundane horrors of the world.\nAside from being the funniest movie of the year, Simone, Andrew Niccol's brilliant anti-Hollywood satire, has a wickedly eccentric enchantment to it.\nWatstein handily directs and edits around his screenplay's sappier elements ... and sustains Off the Hook's buildup with remarkable assuredness for a first-timer.\nJust another fish-out-of-water story that barely stays afloat.\nThere's an energy to Y Tu Mamá También. Much of it comes from the brave, uninhibited performances by its lead actors.\nIt's the kind of pigeonhole-resisting romp that Hollywood too rarely provides.\nReinforces the often forgotten fact of the world's remarkably varying human population and mindset, and its capacity to heal using creative, natural and ancient antidotes.\nYou can feel the heat that ignites this gripping tale, and the humor and humanity that root it in feeling.\nIt's hard not to be seduced by (Witherspoon's) charisma, even in this run-of-the-mill vehicle, because this girl knows how to drive it to the max.\nA movie for 11-year-old boys with sports dreams of their own and the preteen girls who worship Lil' Bow Wow.\nA refreshingly authentic coming-of-age tale.\nIf you're not into the Pokemon franchise, this fourth animated movie in four years won't convert you -- or even keep your eyes open. But fans should have fun meeting a brand-new Pokemon called Celebi.\nFrom the big giant titles of the opening credits to Elmer Bernstein's perfectly melodic score, Haynes gets just about everything right.\nWhether seen on a 10-inch television screen or at your local multiplex, the edge-of-your-seat, educational antics of Steve Irwin are priceless entertainment.\nHas a shambling charm...a cheerfully inconsequential diversion.\nFerrara directs the entire film with the kind of detachment that makes any given frame look like a family's custom-made Christmas card.\nThe movie has lots of dancing and fabulous music. There are slow and repetitive parts, but it has just enough spice to keep it interesting.\nAn incredibly clever and superbly paced caper filled with scams within scams within scams.\nThere's not much more to this adaptation of the Nick Hornby novel than charm -- effortless, pleasurable, featherweight charm.\nAs a belated nod to some neglected all-stars, Standing in the Shadows of Motown is cultural history of the best kind: informative, revealing and richly entertaining.\nEven if the ride's a little bumpy, with a final lap that's all too suspiciously smooth, you gotta give director Roger Michell, best known for the superfluous Notting Hill, credit for trying.\nNot as distinctive or even as humorous as its needs to be to stand out, but it has clearly been made with affection and care.\nThis is Carion's debut feature but his script and direction hums with a confidence that many spend entire careers trying to reach.\nAn intelligent, moving and invigorating film.\n... one of the most ingenious and entertaining thrillers I've seen in quite a long time.\nA clever blend of fact and fiction.\nA vivid cinematic portrait.\nHilarious, touching and wonderfully dyspeptic.\nTheirs is a simple and heart-warming story, full of mirth that should charm all but the most cynical.\nThe film is an enjoyable family film -- pretty much aimed at any youngster who loves horses.\nA frisky and fresh romantic comedy exporing sexual politics and the challenges of friendships between women.\nIt's a good film -- not a classic, but odd, entertaining and authentic.\nFlavorful and romantic, you could call this How Martha Got Her Groove Back -- assuming, that is, she ever had one to begin with.\nHappily for Mr. Chin -- though unhappily for his subjects -- the invisible hand of the marketplace wrote a script that no human screenwriter could have hoped to match.\nThurman and Lewis are hilarious throughout.\nthe plot is so amusingly contrived and outlandish in its coincidences that no one could ever mistake it for anything resembling reality\nHits one out of the park for the 'they don't make 'em like that anymore' department.\nIt dares to be a little different, and that shading is what makes it worthwhile.\n(Fessenden) is much more into ambiguity and creating mood than he is for on screen thrills\nThe comic performances are all spot on, especially Lee Ross's turn as Ken.\na compelling journey...and ``His Best Friend Remembers'' is up there with the finest of specials.\nAt nearly three hours, the whole of Safe Conduct is less than the sum of its parts.\nThe Hours makes you examine your own life in much the same way its characters do, and the experience is profound. The Hours is what movies are supposed to be...\nA bold and subversive film that cuts across the grain of what is popular and powerful in this high-tech age, speaking its truths with spellbinding imagery and the entrancing music of Philip Glass.\nPretty darn good, despite its smarty-pants aura.\nSo young, so smart, such talent, such a wise ***.\nWoo's fights have a distinct flair. His warriors collide in balletic explosion that implies an underlying order throughout the chaos.\nBarney has created a tour de force that is weird, wacky and wonderful.\nThe ending does leave you unfulfilled, but these are performances to enjoy in a memorable ensemble piece.\n... an agreeable time-wasting device -- but George Pal's low-tech 1960 version still rules the epochs.\nIt's a brave attempt to tap into the heartbeat of the world, a salute to the universal language of rhythm and a zippy sampling of sounds.\nOffers an unusual opportunity to observe the inequities in the death penalty, not just the inherent immorality but also the haphazard administration of it and public misperception of how the whole thing works.\nI don't think I've been as entranced and appalled by an Asian film since Shinya Tsukamoto's Iron Man.\nIt is so refreshing to see Robin Williams turn 180 degrees from the string of insultingly innocuous and sappy fiascoes he's been making for the last several years.\nDirector Benoit Jacquot, making his first opera-to-film translation with Tosca, conveys the heaving passion of Puccini's famous love-jealousy- murder-suicide fandango with great cinematic innovation.\nLilia's transformation from strict mother to sensual siren is superficially preposterous, but Abbas infuses the role with an unimpeachable core of emotional truth.\nFrida's artistic brilliance is undeniable -- it's among the most breathtakingly designed films I've ever seen.\nThe perfect film for those who like sick comedies that can be snide.\n'Charly' will divide its audience in two separate groups, those reaching for more tissues and those begging for mercy...\nNervy and sensitive, it taps into genuine artistic befuddlement, and at the same time presents a scathing indictment of what drives Hollywood.\nA marvellous journey from childhood idealism to adolescent self-absorption.\nThe film is just a big, gorgeous, mind-blowing, breath-taking mess.\nSharp, lively, funny and ultimately sobering film.\nThough the film's scenario is certainly not earthshaking, this depiction of fluctuating female sexuality has two winning lead performances and charm to spare.\nA worthy tribute to a great humanitarian and her vibrant 'co-stars.'\nA recent favourite at Sundance, this white-trash satire will inspire the affection of even those unlucky people who never owned a cassette of Def Leppard's Pyromania.\nThe recording session is the only part of the film that is enlightening -- and how appreciative you are of this depends on your level of fandom.\nOccasionally funny and consistently odd, and it works reasonably well as a star vehicle for Zhao.\nBright seems alternately amused and disgusted with this material, and he can't help throwing in a few of his own touches.\nThe 3D images only enhance the film's otherworldly quality, giving it a strange combo of you-are-there closeness with the disorienting unreality of the seemingly broken-down fourth wall of the movie screen.\nAndersson creates a world that's at once surreal and disturbingly familiar; absurd, yet tremendously sad.\nIt's predictable, but it jumps through the expected hoops with style and even some depth.\nOften hilarious, well-shot and, importantly, entertaining, Hell House is a fascinating document of an event that has to be seen to be believed.\nDe Oliveira creates an emotionally rich, poetically plump and visually fulsome, but never showy, film whose bittersweet themes are reinforced and brilliantly personified by Michel Piccoli.\n...an inviting piece of film.\nThe film's real appeal won't be to Clooney fans or adventure buffs, but to moviegoers who enjoy thinking about compelling questions with no easy answers.\nThe fact that The Rookie is a nearly impeccable cinematic experience -- and a wonderful all-ages triumph besides -- is a miracle akin to the story the film portrays.\nA deviant topical comedy which is funny from start to finish.\nA startling and fresh examination of how the bike still remains an ambiguous icon in Chinese society.\nA highly intriguing thriller, coupled with some ingenious plot devices and some lavishly built settings..it's a worthwhile tutorial in quantum physics and slash-dash\nAs Hugh Grant says repeatedly throughout the movie, 'Lovely! Brilliant!'\nCho's fearless in picking apart human foibles, not afraid to lay her life bare in front of an audience. Her delivery and timing are flawless.\nWorks because, for the most part, it avoids the stupid cliches and formulaic potholes that befall its brethren.\nAt its best, The Good Girl is a refreshingly adult take on adultery...\nAn amazing and incendiary movie that dives straight into the rough waters of contradiction.\nAbout nowhere kids who appropriated turfs as they found them and become self-made celebrity athletes -- a low-down version of the American dream.\nOccasionally, in the course of reviewing art-house obscurities and slam-bam action flicks, a jaded critic smacks into something truly new.\nA miniscule little bleep on the film radar, but one that many more people should check out\n``13 Conversations'' holds its goodwill close, but is relatively slow to come to the point.\nA slick, well-oiled machine, exquisitely polished and upholstered.\nDon't plan on the perfect ending, but Sweet Home Alabama hits the mark with critics who escaped from a small town life.\nIt has a subtle way of getting under your skin and sticking with you long after it's over.\nThe movie stays afloat thanks to its hallucinatory production design.\nIt helps that the central performers are experienced actors, and that they know their roles so well.\nA provocative movie about loss, anger, greed, jealousy, sickness and love.\nWorth the effort to watch.\nThat rara avis: the intelligent romantic comedy with actual ideas on its mind.\nBoisterous and daft documentary.\nHawke draws out the best from his large cast in beautifully articulated portrayals that are subtle and so expressive they can sustain the poetic flights in Burdette's dialogue.\nA work of the utmost subtlety and perception, it marks the outstanding feature debut of writer-director Eric Byler, who understands the power of the implicit and the virtues of simplicity and economy.\nFull Frontal is the antidote for Soderbergh fans who think he's gone too commercial since his two Oscar nominated films in 2000\nIt turns out to be a cut above the norm, thanks to some clever writing and sprightly acting.\nYou might not want to hang out with Samantha, but you'll probably see a bit of yourself in her unfinished story.\nA work of intricate elegance, literary lyricism and profound common sense.\nIt's as close as we'll ever come to looking through a photographer's viewfinder as he works.\nThoughtful, provocative and entertaining.\nWitty, touching and well paced.\nLee Jeong-Hyang tells it so lovingly and films it so beautifully that I couldn't help being captivated by it.\nYou have to pay attention to follow all the stories, but they're each interesting. The movie is well shot and very tragic, and one to ponder after the credits roll.\nEnjoy it for what it is; you can hate yourself later.\nA map of the inner rhythms of love and jealousy and sacrifice drawn with a master's steady stroke.\nA psychological thriller with a smart script and an obsessive-compulsive's attention to detail.\nGrant gets to display his cadness to perfection, but also to show acting range that may surprise some who thought light-hearted comedy was his forte.\nAt times funny and at other times candidly revealing, it's an intriguing look at two performers who put themselves out there because they love what they do.\nWestfeldt and Juergensen exude a chemistry and comfort level that's both saucy and endearing.\nHarsh, effective documentary on life in the Israeli-occupied Palestinian territories.\nThe film is all a little Lit Crit 101, but it's extremely well played and often very funny.\nEarns its laughs from stock redneck 'types' and from the many, many moments when we recognize even without the Elizabethan prose, the play behind the thing.\nA real story about real people living their lives concerned about the future of an elderly, mentally handicapped family member.\nIt's absolutely spooky how Lillard channels the Shagster right down to the original Casey Kasem-furnished voice.\nA dream cast of solid female talent who build a seamless ensemble. There isn't a weak or careless performance amongst them.\nSmart science fiction for grown-ups, with only a few false steps along the way.\nIt's a refreshing change from the self-interest and paranoia that shape most American representations of Castro.\nOften moving and explores the discomfort inherent in the contacts between the American 'hosts' and their 'guests.'\nThough the controversial Korean filmmaker's latest effort is not for all tastes, it offers gorgeous imagery, effective performances, and an increasingly unsettling sense of foreboding.\nLathan and Diggs have considerable personal charm, and their screen rapport makes the old story seem new.\nThe story may not be new, but Australian director John Polson, making his American feature debut, jazzes it up adroitly.\nIt's endearing to hear Madame D. refer to her husband as 'Jackie' -- and he does make for excellent company, not least as a self-conscious performer.\nThe film often achieves a mesmerizing poetry.\nMore than makes up for its mawkish posing by offering rousing spates of genuine feeling.\nIt's neither as romantic nor as thrilling as it should be. But it offers plenty to ponder and chew on as its unusual relationship slowly unfolds.\nOccasionally funny, always very colorful and enjoyably overblown in the traditional Almodóvar style.\nMerchant effectively translates Naipaul's lively mix of characters from the page to screen.\nSome movies are like a tasty hors-d'oeuvre; this one is a feast.\nWhat could have become just another cautionary fable is allowed to play out as a clever, charming tale – as pleasantly in its own way as its self-dramatizing characters.\nDavis has filled out his cast with appealing fresh faces.\nAchieves a sort of filmic epiphany that revels in the true potential of the medium.\nOnce you get into its rhythm ... the movie becomes a heady experience.\n``Auto Focus'' works as an unusual biopic and document of male swingers in the Playboy era\nIf Mr. Zhang's subject matter is, to some degree at least, quintessentially American, his approach to storytelling might be called Iranian.\nA fast-moving and remarkable film that appears destined to become a landmark in Japanese animation.\n...a sour little movie at its core; an exploration of the emptiness that underlay the relentless gaiety of the 1920's ...The film's ending has a ``What was it all for?'' feeling to it, but like the 1920's, the trip there is a great deal of fun.\nA worthy entry into a very difficult genre.\n(Broomfield) uncovers a story powerful enough to leave the screen sizzling with intrigue.\nEight Crazy Nights is a showcase for Sandler's many talents.\nA sweet-natured reconsideration of one of San Francisco's most vital, if least widely recognized, creative fountainheads.\nThis is one of the most visually stunning and thematically moving epics in recent memory, and in spite of numerous minor flaws, Scorsese's best in more than a decade.\nEverywhere the camera looks there is something worth seeing.\nA richly imagined and admirably mature work from a gifted director who definitely has something on his mind.\nIt's a nicely detailed world of pawns, bishops and kings, of wagers in dingy backrooms or pristine forests.\nA charming, quirky and leisurely paced Scottish comedy -- except with an outrageous central gimmick that could have been a reject from Monty Python's Meaning of Life.\nIt never fails to engage us.\nIts direction, its script, and Weaver's performance as a vaguely discontented woman of substance make for a mildly entertaining 77 minutes, if that's what you're in the mood for.\nA charming romantic comedy that is by far the lightest Dogme film and among the most enjoyable.\nThis is the kind of movie that used to be right at home at the Saturday matinee, and it still is.\nThe spark of special anime magic here is unmistakable and hard to resist.\nLike its two predecessors, 1983's Koyaanisqatsi and 1988's Powaqqatsi, the cinematic collage Naqoyqatsi could be the most navel-gazing film ever.\nBaran isn't the most transporting or gripping film from Iran -- or, indeed, by its director -- but it's a worthy companion to the many fine, focused films emerging from that most surprising of nations.\nThe visuals alone make Metropolis worth seeing.\nDark, resonant, inventively detailed and packed with fleet turns of plot and a feast of visual amazement.\nA picture that extols the virtues of comradeship and community in a spunky, spirited fashion.\nA resonant tale of racism, revenge and retribution.\nNoyce's film is contemplative and mournfully reflective.\nHere, Adrian Lyne comes as close to profundity as he is likely to get.\nEvokes a little of the fear that parents have for the possible futures of their children--and the sometimes bad choices mothers and fathers make in the interests of doing them good.\nRain is a small treasure, enveloping the viewer in a literal and spiritual torpor that is anything but cathartic.\nAn elegant, exquisitely modulated psychological thriller.\nThis concoction, so bizarre to the adult mind, is actually a charming triumph where its intended under-12 audience is concerned.\nDroll caper-comedy remake of ``Big Deal on Madonna Street'' that's a sly, amusing, laugh-filled little gem in which the ultimate ``Bellini'' begins to look like a ``real Kaputschnik.''\nIt's a beautifully accomplished lyrical meditation on a bunch of despondent and vulnerable characters living in the renown Chelsea Hotel ...\nIs it a total success? No. Is it something any true film addict will want to check out? You bet.\nZany, exuberantly irreverent animated space adventure.\nDolgin and Franco fashion a fascinating portrait of a Vietnamese-born youngster who eagerly and easily assimilated as an all-American girl with a brand new name in southern Tennessee.\nThe disarming cornball atmosphere has a way of infecting the entire crowd as the film rolls on.\nA refreshingly honest and ultimately touching tale of the sort of people usually ignored in contemporary American film. Search it out.\nEngrossing and affecting, if ultimately not quite satisfying.\nThe story, like life, refuses to be simple, and the result is a compelling slice of awkward emotions.\nA sly game of cat and mouse that's intense and thrilling at times, but occasionally stretches believability to its limits and relies on predictable plot contrivances.\nFunny and, at times, poignant, the film from director George Hickenlooper all takes place in Pasadena, ``a city where people still read.''\nThis horror-comedy doesn't go for the usual obvious laughs at the expense of cheap-looking monsters -- unless you count Elvira's hooters.\nThe movie's eventual success should be credited to Dennis Quaid, in fighting trim shape as an athlete as well as an actor\nNot a bad journey at all.\nSits uneasily as a horror picture ... but finds surprising depth in its look at the binds of a small family.\nWindtalkers blows this way and that, but there's no mistaking the filmmaker in the tall grass, true to himself.\nThere is a refreshing absence of cynicism in Stuart Little 2--quite a rarity, even in the family film market. Eventually, it wins you over.\nNoyce films it more as a shocking history lesson than as drama.\nLike a south-of-the-border Melrose Place.\nThose with an interest in new or singular sorts of film experiences will find What Time Is It There? well worth the time.\nA wildly funny prison caper.\nHuppert gives Erika a persona that is so intriguing that you find yourself staring hypnotically at her, trying to understand her and wondering if she'll crack.\nDespite what anyone believes about the goal of its makers, the show ... represents a spectacular piece of theater, and there's no denying the talent of the creative forces behind it.\nYou'll be left with the sensation of having just witnessed a great performance and, perhaps, give in to the urge to get on your feet and shake it.\nThe actors are so terrific at conveying their young angst, we do indeed feel for them.\nThe reason this picture works better than its predecessors is that Myers is no longer simply spoofing the mini-mod-madness of '60s spy movies.\nIt is a kickass, dense sci-fi action thriller hybrid that delivers and then some. I haven't seen one in so long, no wonder I didn't recognize it at first.\na compelling portrait of moral emptiness\nIn Adobo, ethnicity is not just the spice, but at the heart of more universal concerns.\nIt is ridiculous, of course... but it is also refreshing, disarming, and just outright enjoyable despite its ridiculousness.\n... Blade II is more enjoyable than the original.\nA film that takes you inside the rhythms of its subject: You experience it as you watch.\nThe movie exists for its soccer action and its fine acting.\nThe movie is saved from unbearable lightness by the simplicity of the storytelling and the authenticity of the performances.\nThe film starts out as competent but unremarkable ... and gradually grows into something of considerable power.\nNothing Denis has made before, like Beau Travil and Nenette et Boni, could prepare us for this gory, perverted, sex-soaked riff on the cannibal genre.\nReinforces the talents of screenwriter Charlie Kaufman, creator of Adaptation and Being John Malkovich.\nGreene delivers a typically solid performance in a role that is a bit of a departure from the noble characters he has played in the past, and he is matched by Schweig, who carries the film on his broad, handsome shoulders.\nFinds a way to tell a simple story, perhaps the simplest story of all, in a way that seems compelling and even original.\nA stunning piece of visual poetry that will, hopefully, be remembered as one of the most important stories to be told in Australia's film history.\nThis is art paying homage to art.\n... a joke at once flaky and resonant, lightweight and bizarrely original.\nInvincible is a wonderful movie.\n... a cute and sometimes side-splittingly funny blend of Legally Blonde and Drop Dead Gorgeous, starring Piper Perabo in what could be her breakthrough role.\nDazzling and sugar-sweet, a blast of shallow magnificence that only sex, scandal, and a chorus line of dangerous damsels can deliver.\nOccasionally amateurishly made but a winsome cast and nice dialogue keeps it going.\nJapan's premier stylist of sex and blood hits audiences with what may be his most demented film to date.\nCulkin, who's in virtually every scene, shines as a young man who uses sarcastic lies like a shield.\nCuts right through the B.S. giving a big middle-fingered ``shut up'' to those who talk up what is nothing more than two guys beating the hell outta one another.\nThe AM-radio soundtrack and game cast -- Tierney and the inimitable Walken especially -- keep this unusual comedy from choking on its own conceit.\n...does such a fine job of engulfing you in its world and allying you with its characters' choices, good and ill, that its shortcomings are remembered only as an afterthought.\nMarvelous, merry and, yes, melancholy film.\nFrom spiritual rebirth to bruising defeat, Vincent's odyssey resonates in a profound way, comparable to the classic films of Jean Renoir.\nNovak manages to capture a cruelly hilarious vein of black comedy in the situation with his cast of non-actors and a gritty, no-budget approach.\nInsomnia is involving. Still, I thought it could have been more.\nThere was time on that second round to see the subtleties of Ramsay's portrait of grief.\nWe can see the wheels turning, and we might resent it sometimes, but this is still a nice little picture, made by bright and friendly souls with a lot of good cheer.\nA comprehensive and provocative film -- one that pushes the boundaries of biography, and challenges its audience.\nThe way Coppola professes his love for movies -- both colorful pop junk and the classics that unequivocally qualify as art -- is giddily entertaining.\nA worthwhile way to spend two hours.\nFrancophiles will snicker knowingly and you'll want to slap them.\nSensitive, insightful and beautifully rendered film. One of the best of the year.\nA love for films shines through each frame and the era is recreated with obvious affection, scored to perfection with some tasty boogaloo beats.\nThrowing caution to the wind with an invitation to the hedonist in us all, Nair has constructed this motion picture in such a way that even the most cynical curmudgeon with find himself or herself smiling at one time or another.\nMakes an aborbing if arguable case for the man's greatness.\nAn endlessly fascinating, landmark movie that is as bold as anything the cinema has seen in years.\n...a haunting vision, with images that seem more like disturbing hallucinations.\nIt is not a mass-market entertainment but an uncompromising attempt by one artist to think about another.\nFrailty isn't as gory or explicit. But in its child-centered, claustrophobic context, it can be just as frightening and disturbing -- even punishing.\nMixes likeable personalities, inventive photography and cutting, and wall-to-wall toe-tapping music to paint a picture of a subculture that is at once exhilarating, silly, perverse, hopeful and always fun.\nThe long-range appeal of ``Minority Report'' should transcend any awards it bags. This is one for the ages.\n(A) superbly controlled, passionate adaptation of Graham Greene's 1955 novel.\nMuch monkeyfun for all.\nAn enchanting film that presents an audacious tour of the past and takes within its warm embrace the bounties of cultural artifacts inside St.Petersburg's Hermitage Museum.\n(Hawn's character)is so bluntly written, without a trace of sentimentality, and so blisteringly defined, that every other character seems overlooked and underwritten.\nThe heightened symmetry of this new/old Cinema Paradiso makes the film a fuller experience, like an old friend haunted by the exigencies of time.\nThe Powers team has fashioned a comedy with more laughs than many, no question. But this time there's some mold on the gold.\nWhile surprisingly sincere, this average little story is adorned with some awesome action photography and surfing.\nIt is far from the worst, thanks to the topical issues it raises, the performances of Stewart and Hardy, and that essential feature -- a decent full-on space battle.\nA film that is a portrait of grace in an imperfect world.\nA pleasurably jacked-up piece of action moviemaking.\nNicolas Philibert observes life inside a one-room schoolhouse in northern France in his documentary To Be and to Have, easily one of the best films of the year.\nA perverse little truffle, dainty psychological terror on the outside with a creamy filling of familial jealousy and unrepentant domestic psychopathy.\nThis ecologically minded, wildlife friendly film teaches good ethics while entertaining with its unconventionally wacky but loving family\nAn enjoyably half-wit remake of the venerable Italian comedy Big Deal on Madonna Street.\nIt takes this never-ending confusion and hatred, puts a human face on it, evokes shame among all who are party to it and even promotes understanding.\nReign of Fire may be little more than another platter of reheated Aliens, but it's still pretty tasty.\nThere are times when A Rumor of Angels plays like an extended episode of Touched by an Angel -- a little too much dancing, a few too many weeping scenes -- but I liked its heart and its spirit.\nTwo hours of melodramatic musical married to two hours of underdog sports intrigue, if the picture also shares the weaknesses of both genres, more's the pity.\nThis cheery, down-to-earth film is warm with the cozy feeling of relaxing around old friends.\nThrilling, provocative and darkly funny, this timely sci-fi mystery works on so many different levels that it not only invites, it demands repeated viewings.\nA tale of horror and revenge that is nearly perfect in its relentless descent to the depths of one man's tortured soul.\nAn epic of grandeur and scale that's been decades gone from the popcorn pushing sound stages of Hollywood.\nGenuinely touching because it's realistic about all kinds of love.\nLauren Ambrose comes alive under the attention from two strangers in town - with honest performances and realistic interaction between the characters, this is a coming-of-age story with a twist.\nThere has been much puzzlement among critics about what the election symbolizes. I believe the message is in the messenger: The agent is a woman.\nAn enjoyable film for the family, amusing and cute for both adults and kids.\n``The Mothman Prophecies'' is a difficult film to shake from your conscience when night falls.\nThe second chapter of the Harry Potter series is even more magical than the first and simply the best family film of the year.\nMore honest about Alzheimer's disease, I think, than Iris.\nThe acting alone is worth the price of admission.\nAn excellent romp that boasts both a heart and a mind.\nInteracting eyeball-to-eyeball and toe-to-toe, Hopkins and Norton are a winning combination -- but Fiennes steals 'Red Dragon' right from under their noses.\nThis is a terrific character study, a probe into the life of a complex man.\nImpresses you with its open-endedness and surprises.\nThis isn't a narrative film -- I don't know if it's possible to make a narrative film about September 11th, though I'm sure some will try -- but it's as close as anyone has dared to come.\nMy oh my, is this an invigorating, electric movie.\nThe two leads chomp considerably more scenery with their acting than fire-breathing monsters barbecue with their breath...\nCedar takes a very open-minded approach to this sensitive material, showing impressive control, both visually and in the writing.\nBiggie and Tupac is so single-mindedly daring, it puts far more polished documentaries to shame.\nSo many documentaries like this presuppose religious bigotry or zealous nuttiness of its antagonists, but Family Fundamentals displays a rare gift for unflinching impartiality.\nThe cast is uniformly excellent and relaxed.\nAfter making several adaptations of other writers' work, Armenian-Canadian director Atom Egoyan broached an original treatment of a deeply personal subject.\nThe film is painfully authentic, and the performances of the young players are utterly convincing.\nIf it seems like a minor miracle that its septuagenarian star is young enough to be the nonagenarian filmmaker's son, more incredible still are the clear-eyed boldness and quiet irony with which actor and director take on life's urgent questions.\nA candid and often fascinating documentary about a Pentecostal church in Dallas that assembles an elaborate haunted house each year to scare teenagers into attending services.\nFans of the animated wildlife adventure show will be in warthog heaven; others need not necessarily apply.\nWithout resorting to hyperbole, I can state that Kissing Jessica Stein may be the best same-sex romance I have seen.\nNolan bravely treads where few American films dare to delve -- into the world of ambivalence and ambiguity...\nUnlike the nauseating fictions peddled by such 'Have-yourself-a-happy-little-Holocaust' movies as Life Is Beautiful and Jakob the Liar, The Grey Zone is honest enough to deny the possibility of hope in Auschwitz.\nA potent allegorical love story.\nEven those who would like to dismiss the film outright should find much to mull and debate.\nThis is cool, slick stuff, ready to quench the thirst of an audience that misses the summer blockbusters.\nThe movie is full of fine performances, led by Josef Bierbichler as Brecht and Monica Bleibtreu as Helene Weigel, his wife.\nA captivating cross-cultural comedy of manners.\nAndy Garcia enjoys one of his richest roles in years and Mick Jagger gives his best movie performance since, well, Performance.\nThe movie isn't always easy to look at. But if it is indeed a duty of art to reflect life, than Leigh has created a masterful piece of artistry right here.\nIt's (Ricci's) best work yet, this girl-woman who sincerely believes she can thwart the world's misery with blind good will.\nHighlights are the terrific performances by Christopher Plummer, as the prime villain, and Nathan Lane as Vincent Crummles, the eccentric theater company manager.\n(Howard) so good as Leon Barlow ... that he hardly seems to be acting.\nSuperior genre storytelling, which gets under our skin simply by crossing the nuclear line.\nBy taking Entertainment Tonight subject matter and giving it humor and poignancy, Auto Focus becomes both gut-bustingly funny and crushingly depressing.\nIt's a bittersweet and lyrical mix of elements.\nSubversive, meditative, clinical and poetic, The Piano Teacher is a daring work of genius.\nThe weakest of the four Harry Potter books has been transformed into the stronger of the two films by the thinnest of margins.\nIts gross-out gags and colorful set pieces... are of course stultifyingly contrived and too stylized by half. Still, it gets the job done -- a sleepy afternoon rental.\nIt further declares its director, Zhang Yang of Shower, as a boldly experimental, contemporary stylist with a bright future.\nSmith's approach is never to tease, except gently and in that way that makes us consider our own eccentricities and how they are expressed through our homes.\nFull of profound, real-life moments that anyone can relate to, it deserves a wide audience.\nA movie that will touch the hearts of both children and adults, as well as bring audiences to the edge of their seats.\nLeave it to Rohmer, now 82, to find a way to bend current technique to the service of a vision of the past that is faithful to both architectural glories and commanding open spaces of the city as it was more than two centuries ago.\nFine acting but there is no sense of connecting the dots, just dots.\nAn extraordinary Swedish film about the soul adventure of marriage -- the kind of intimate and character-driven film that Bille August does best.\nA blessed gift to film geeks and historians. If the '70's were your idea of a good time at the movies, this will make you very happy.\nIt took 19 predecessors to get THIS?\nThoughtful, even stinging at times, and lots of fun.\nOne of the most haunting, viciously honest coming-of-age films in recent memory.\nThe WWII drama is well plotted, visually striking and filled with enjoyably complex characters who are never what they first appear.\nIt's a pleasure to see Seinfeld griping about the biz with buddies Chris Rock, Garry Shandling and Colin Quinn.\nIf you love Motown music, you'll love this documentary.\nThis time out, (Sade) is an unsettlingly familiar figure -- in turns loyal and deceitful, responsible and reckless, idealistically selfless and coldly self-interested.\nHuman Resources was a good, straightforward tale, but Time Out is better. It's haunting. It's like a poem.\nTo the film's credit, the acting is fresh and unselfconscious, and Munch is a marvel of reality versus sappy sentiment.\nChicago is, in many ways, an admirable achievement.\nShainberg weaves a carefully balanced scenario that is controlled by neither character, is weirdly sympathetic to both and manages to be tender and darkly comic.\nEven when foreign directors ... borrow stuff from Hollywood, they invariably shake up the formula and make it more interesting.\nA cockamamie tone poem pitched precipitously between swoony lyricism and violent catastrophe... the most aggressively nerve-wracking and screamingly neurotic romantic comedy in cinema history.\nSturdy, entertaining period drama ... both Caine and Fraser have their moments.\nWhether (Binoche and Magimel) are being charming or angst-ridden, they easily fill their scenes and, fine judges both, never overcook the hysteria.\nA spunky, original take on a theme that will resonate with singles of many ages.\nIt's a glorious groove that leaves you wanting more.\nMajidi gets uniformly engaging performances from his largely amateur cast.\n...a well-observed and disturbing little movie\nFans of Nijinsky will savor every minute of Cox's work.\nEverything you loved about it in 1982 is still there, for everybody who wants to be a kid again, or show it to their own kids.\nJagger the actor is someone you want to see again.\nEscapism in its purest form.\nThere is a kind of attentive concern that Hoffman brings to his characters, as if he has been giving them private lessons, and now it is time for their first public recital.\nA comic gem with some serious sparkles.\nU.S. audiences may find (Attal and Gainsbourg's) unfamiliar personas give the film an intimate and quaint reality that is a little closer to human nature than what Hollywood typically concocts.\n``Cremaster 3'' should come with the warning ``For serious film buffs only!''\nOnce again, director Jackson strikes a rewarding balance between emotion on the human scale and action/effects on the spectacular scale.\nA loving little film of considerable appeal.\nAlthough it's a bit smug and repetitive, this documentary engages your brain in a way few current films do.\nFlawed but worthy look at life in U.S. relocation camps.\nIt's a lovely film with lovely performances by Buy and Accorsi.\nNo one goes unindicted here, which is probably for the best. And if you're not nearly moved to tears by a couple of scenes, you've got ice water in your veins.\nA warm, funny, engaging film.\nUses sharp humor and insight into human nature to examine class conflict, adolescent yearning, the roots of friendship and sexual identity.\nHalf Submarine flick, Half Ghost Story, All in one criminally neglected film\nEntertains by providing good, lively company.\nDazzles with its fully-written characters, its determined stylishness (which always relates to characters and story) and Johnny Dankworth's best soundtrack in years.\nVisually imaginative, thematically instructive and thoroughly delightful, it takes us on a roller-coaster ride from innocence to experience without even a hint of that typical kiddie-flick sentimentality.\nNothing's at stake, just a twisty double-cross you can smell a mile away--still, the derivative Nine Queens is lots of fun.\nUnlike the speedy wham-bam effect of most Hollywood offerings, character development -- and more importantly, character empathy -- is at the heart of Italian for Beginners.\nYou'll gasp appalled and laugh outraged and possibly, watching the spectacle of a promising young lad treading desperately in a nasty sea, shed an errant tear.\nThe band's courage in the face of official repression is inspiring, especially for aging hippies (this one included).\nAlthough German cooking does not come readily to mind when considering the world's best cuisine, Mostly Martha could make Deutchland a popular destination for hungry tourists.\nA beguiling splash of pastel colors and prankish comedy from Disney.\nAs surreal as a dream and as detailed as a photograph, as visually dexterous as it is at times imaginatively overwhelming.\n(Lawrence bounces) all over the stage, dancing, running, sweating, mopping his face and generally displaying the wacky talent that brought him fame in the first place.\nThe film serves as a valuable time capsule to remind us of the devastating horror suffered by an entire people.\nWhat's surprising about Full Frontal is that despite its overt self-awareness, parts of the movie still manage to break past the artifice and thoroughly engage you.\nWhether you like rap music or loathe it, you can't deny either the tragic loss of two young men in the prime of their talent or the power of this movie.\n... an otherwise intense, twist-and-turn thriller that certainly shouldn't hurt talented young Gaghan's resume.\nIt provides the grand, intelligent entertainment of a superior cast playing smart people amid a compelling plot.\nThere's ... tremendous energy from the cast, a sense of playfulness and excitement that seems appropriate.\nIt moves quickly, adroitly, and without fuss; it doesn't give you time to reflect on the inanity -- and the Cold War datedness -- of its premise.\nA deep and meaningful film.\nThe film's welcome breeziness and some unbelievably hilarious moments -- most portraying the idiocy of the film industry -- make it mostly worth the trip.\nIt's a remarkably solid and subtly satirical tour de force.\nEnormously entertaining for moviegoers of any age.\nA poignant, artfully crafted meditation on mortality.\nA rarity among recent Iranian films: It's a comedy full of gentle humor that chides the absurdity of its protagonist's plight.\nNot only is Undercover Brother as funny, if not more so, than both Austin Powers films, but it's also one of the smarter, savvier spoofs to come along in some time.\nIn a way, the film feels like a breath of fresh air, but only to those that allow it in.\nWoody Allen's latest is an ambling, broad comedy about all there is to love -- and hate -- about the movie biz.\nIt's a stunning lyrical work of considerable force and truth.\nThe inhospitability of the land emphasizes the spare precision of the narratives and helps to give them an atavistic power, as if they were tales that had been handed down since the beginning of time.\n(Næs) directed the stage version of Elling, and gets fine performances from his two leads who originated the characters on stage.\nMade me unintentionally famous -- as the queasy-stomached critic who staggered from the theater and blacked out in the lobby. But believe it or not, it's one of the most beautiful, evocative works I've seen.\nA coda in every sense, The Pinochet Case splits time between a minute-by-minute account of the British court's extradition chess game and the regime's talking-head survivors.\nLike Mike is a winner for kids, and no doubt a winner for Lil Bow Wow, who can now add movies to the list of things he does well.\n(T)his beguiling Belgian fable, very much its own droll and delicate little film, has some touching things to say about what is important in life and why.\nHere's yet another studio horror franchise mucking up its storyline with glitches casual fans could correct in their sleep. But taken as a stylish and energetic one-shot, The Queen of the Damned cannot be said to suck.\nYou won't like Roger, but you will quickly recognize him. And that's a big part of why we go to the movies.\nWhile the stoically delivered hokum of Hart's War is never fun, it's still a worthy addition to the growing canon of post-Saving Private Ryan tributes to the greatest generation.\nWe know the plot's a little crazy, but it held my interest from start to finish.\nA sober and affecting chronicle of the leveling effect of loss.\nA fast, funny, highly enjoyable movie.\nA celebration of quirkiness, eccentricity, and certain individuals' tendency to let it all hang out, and damn the consequences.\nWriter/director Joe Carnahan's grimy crime drama is a manual of precinct cliches, but it moves fast enough to cover its clunky dialogue and lapses in logic.\nA smart, witty follow-up.\nWhile the ideas about techno-saturation are far from novel, they're presented with a wry dark humor.\nAn infectious cultural fable with a tasty balance of family drama and frenetic comedy.\nAlthough occasionally static to the point of resembling a stage play, the film delivers a solid mixture of sweetness and laughs.\nIt provides an honest look at a community striving to anchor itself in new grounds.\nAdd yet another hat to a talented head, Clooney's a good director.\nBuilding slowly and subtly, the film, sporting a breezy spontaneity and realistically drawn characterizations, develops into a significant character study that is both moving and wise.\nUltimately feels empty and unsatisfying, like swallowing a Communion wafer without the wine.\nChilling, well-acted, and finely directed: David Jacobson's Dahmer.\nA swashbuckling tale of love, betrayal, revenge and above all, faith.\nWithout ever becoming didactic, director Carlos Carrera expertly weaves this novelistic story of entangled interrelationships and complex morality.\nIt's a coming-of-age story we've all seen bits of in other films -- but it's rarely been told with such affecting grace and cultural specificity.\nA literate presentation that wonderfully weaves a murderous event in 1873 with murderous rage in 2002.\nMakes even the claustrophobic on-board quarters seem fun.\nThis is as respectful a film as Byatt fans could hope for, though lovers of the book may wonder why it's necessary.\nOne of the best films of the year with its exploration of the obstacles to happiness faced by five contemporary individuals...a psychological masterpiece.\nNot far beneath the surface, this reconfigured tale asks disturbing questions about those things we expect from military epics.\nFor the most part Stevens glides through on some solid performances and witty dialogue.\nBroomfield turns his distinctive 'blundering' style into something that could really help clear up the case.\nAgainst all odds in heaven and hell, it creeped me out just fine.\nIt's refreshing to see a girl-power movie that doesn't feel it has to prove anything.\nIt's worth seeing just on the basis of the wisdom, and at times, the startling optimism, of the children.\nA rigorously structured and exquisitely filmed drama about a father and son connection that is a brief shooting star of love.\nThis surreal Gilliam-esque film is also a troubling interpretation of Ecclesiastes. A rewarding work of art for only the most patient and challenge-hungry moviegoers.\nA quiet treasure -- a film to be savored.\nMay be far from the best of the series, but it's assured, wonderfully respectful of its past and thrilling enough to make it abundantly clear that this movie phenomenon has once again reinvented itself for a new generation.\nA compelling Spanish film about the withering effects of jealousy in the life of a young monarch whose sexual passion for her husband becomes an obsession.\nHuston nails both the glad-handing and the choking sense of hollow despair.\nmay not have generated many sparks, but with his affection for Astoria and its people he has given his tale a warm glow.\nA delirious celebration of the female orgasm.\nExquisitely nuanced in mood tics and dialogue, this chamber drama is superbly acted by the deeply appealing veteran Bouquet and the chilling but quite human Berling.\nIt's fascinating to see how Bettany and McDowell play off each other.\nThe film is beautifully mounted, but, more to the point, the issues are subtly presented, managing to walk a fine line with regard to the question of Joan's madness.\nLeigh's film is full of memorable performances from top to bottom.\nOne of the most significant moviegoing pleasures of the year.\nJose Campanella delivers a loosely autobiographical story brushed with sentimentality but brimming with gentle humor, bittersweet pathos, and lyric moments that linger like snapshots of memory.\nGenerally, Clockstoppers will fulfill your wildest fantasies about being a different kind of time traveler, while happily killing 94 minutes.\nThe movie is beautiful to behold and engages one in a sense of epic struggle -- inner and outer -- that's all too rare in Hollywood's hastier productions.\nNeither Parker nor Donovan is a typical romantic lead, but they bring a fresh, quirky charm to the formula.\nIt's a much more emotional journey than what Shyamalan has given us in his past two movies, and Gibson, stepping in for Bruce Willis, is the perfect actor to take us on the trip.\nNot only are the special effects and narrative flow much improved, and Daniel Radcliffe more emotionally assertive this time around as Harry, but the film conjures the magic of author J.K. Rowling's books.\nJaglom ... put(s) the audience in the privileged position of eavesdropping on his characters\nBeautifully observed, miraculously unsentimental comedy-drama.\nA must-see for the David Mamet enthusiast and for anyone who appreciates intelligent, stylish moviemaking.\nCrackerjack entertainment -- nonstop romance, music, suspense and action.\nThe acting, costumes, music, cinematography and sound are all astounding given the production's austere locales.\nGarcía Bernal and Talancón are an immensely appealing couple, and even though their story is predictable, you'll want things to work out.\nFar more imaginative and ambitious than the trivial, cash-in features Nickelodeon has made from its other animated TV series.\nThe very definition of the 'small' movie, but it is a good stepping stone for director Sprecher.\nA gripping, searing portrait of a lost soul trying to find her way through life.\nSuffers from the lack of a compelling or comprehensible narrative. Still, as a visual treat, the film is almost unsurpassed.\nSo unassuming and pure of heart, you can't help but warmly extend your arms and yell 'Safe!'\nAn intriguing cinematic omnibus and round-robin that occasionally is more interesting in concept than in execution.\nSo refreshingly incisive is Grant that for the first time he'll probably appeal more to guys than to their girlfriends who drag them to this movie for the Hugh factor.\nAt a time when half the so-called real movies are little more than live-action cartoons, it's refreshing to see a cartoon that knows what it is, and knows the form's history.\nThe magic of the film lies not in the mysterious spring but in the richness of its performances.\nHoffman notches in the nuances of pain, but his smart, edgy voice and waddling profile (emphasized here) accent the humor of Wilson's plight, and that saves his pathos from drippiness.\nWhat better message than 'love thyself' could young women of any size receive?\nThe second coming of Harry Potter is a film far superior to its predecessor. A movie that successfully crushes a best selling novel into a timeframe that mandates that you avoid the Godzilla sized soda.\n84 minutes of rolling musical back beat and supercharged cartoon warfare. It's also, clearly, great fun.\n...takes the beauty of baseball and melds it with a story that could touch anyone regardless of their familiarity with the sport\nSeldahl's Barbara is a precise and moving portrait of someone whose world is turned upside down, first by passion and then by illness.\nA warm but realistic meditation on friendship, family and affection.\nByler reveals his characters in a way that intrigues and even fascinates us, and he never reduces the situation to simple melodrama.\nTurns potentially forgettable formula into something strangely diverting.\nBogdanovich tantalizes by offering a peep show into the lives of the era's creme de la celluloid.\nPeople cinema at its finest.\nThe performances take the movie to a higher level.\nwhat really makes it special is that it pulls us into its world, gives us a hero whose suffering and triumphs we can share, surrounds him with interesting characters and sends us out of the theater feeling we've shared a great adventure.\n...a spoof comedy that carries its share of laughs – sometimes a chuckle, sometimes a guffaw and, to my great pleasure, the occasional belly laugh.\nManages to transcend the sex, drugs and show-tunes plot into something far richer.\nDense with characters and contains some thrilling moments.\nLaPaglia's ability to convey grief and hope works with Weaver's sensitive reactions to make this a two-actor master class.\nReign of Fire looks as if it was made without much thought -- and is best watched that way.\nAltogether, this is successful as a film, while at the same time being a most touching reconsideration of the familiar masterpiece.\nWe root for (Clara and Paul), even like them, though perhaps it's an emotion closer to pity.\nThe best film about baseball to hit theaters since Field of Dreams.\nInstead of a hyperbolic beat-charged urban western, it's an unpretentious, sociologically pointed slice of life.\nthe film tunes into a grief that could lead a man across centuries.\nIf The Count of Monte Cristo doesn't transform Caviezel into a movie star, then the game is even more rigged than it was two centuries ago.\n(D)oesn't bother being as cloying or preachy as equivalent evangelical Christian movies -- maybe the filmmakers know that the likely audience will already be among the faithful.\nAs a tolerable diversion, the film suffices; a Triumph, however, it is not.\nIf director Michael Dowse only superficially understands his characters, he doesn't hold them in contempt.\nIf your taste runs to 'difficult' films you absolutely can't miss it.\n(City) reminds us how realistically nuanced a Robert De Niro performance can be when he is not more lucratively engaged in the shameless self-caricature of 'Analyze This' (1999) and 'Analyze That,' promised (or threatened) for later this year.\n... a story we haven't seen on the big screen before, and it's a story that we as Americans, and human beings, should know.\nLike Leon, it's frustrating and still oddly likable.\nAll in all, The Count of Monte Cristo is okay, but it is surely no classic, like the novel upon which it is based.\nIf you can stomach the rough content, it's worth checking out for the performances alone.\nLooking aristocratic, luminous yet careworn in Jane Hamilton's exemplary costumes, Rampling gives a performance that could not be improved upon.\n'...Mafia, rap stars and hood rats butt their ugly heads in a regurgitation of cinematic violence that gives brutal birth to an unlikely, but likable, hero.'\nOn this tricky topic, Tadpole is very much a step in the right direction, with its blend of frankness, civility and compassion.\nFun, flip and terribly hip bit of cinematic entertainment.\nMontias ... pumps a lot of energy into his nicely nuanced narrative and surrounds himself with a cast of quirky -- but not stereotyped -- street characters.\nFalls neatly into the category of Good Stupid Fun.\nThe film's performances are thrilling.\nEven in its most tedious scenes, Russian Ark is mesmerizing.\nThe continued good chemistry between Carmen and Juni is what keeps this slightly disappointing sequel going, with enough amusing banter -- blessedly curse-free -- to keep both kids and parents entertained.\nReggio's continual visual barrage is absorbing as well as thought-provoking.\nUnfortunately, it appears that (Jackie) Chan's US influence is starting to show in his Hong Kong films.\nIt all adds up to good fun.\nA big, gorgeous, sprawling swashbuckler that delivers its diversions in grand, uncomplicated fashion.\nThe wanton slipperiness of *Corpus and its amiable jerking and reshaping of physical time and space would make it a great piece to watch with kids and use to introduce video as art.\nA stunning and overwhelmingly cogent case for Kissinger as a calculating war criminal.\nSade is an engaging look at the controversial eponymous and fiercely atheistic hero.\na quiet, pure, elliptical film\nKinnear doesn't aim for our sympathy, but rather delivers a performance of striking skill and depth.\nThe subtle strength of ``Elling'' is that it never loses touch with the reality of the grim situation.\nA study in shades of gray, offering itself up in subtle plot maneuvers...\nThe format gets used best ... to capture the dizzying heights achieved by motocross and BMX riders, whose balletic hotdogging occasionally ends in bone-crushing screwups.\nHas a lot of the virtues of Eastwood at his best.\nChilling but uncommercial look into the mind of Jeffrey Dahmer, serial killer.\nThough it's become almost redundant to say so, major kudos go to Leigh for actually casting people who look working-class.\nIt deserves to be seen by anyone with even a passing interest in the events shaping the world beyond their own horizons.\nA movie that reminds us of just how exciting and satisfying the fantasy cinema can be when it's approached with imagination and flair.\nThanks to Scott's charismatic Roger and Eisenberg's sweet nephew, Roger Dodger is one of the most compelling variations on In the Company of Men.\nNine Queens is not only than a frighteningly capable debut and genre piece, but also a snapshot of a dangerous political situation on the verge of coming to a head.\nIt's the chemistry between the women and the droll scene-stealing wit and wolfish pessimism of Anna Chancellor that makes this ``Two Weddings and a Funeral'' fun.\nWill amuse and provoke adventurous adults in specialty venues.\nYou don't have to know about music to appreciate the film's easygoing blend of comedy and romance.\nA film about a young man finding God that is accessible and touching to the marrow.\nFor the first time in years, De Niro digs deep emotionally, perhaps because he's been stirred by the powerful work of his co-stars.\nThe film's snags and stumblings are more than compensated for by its wryly subversive tone.\nInside the film's conflict-powered plot there is a decent moral trying to get out, but it's not that, it's the tension that keeps you in your seat. Affleck and Jackson are good sparring partners.\nThe old-world- meets-new mesh is incarnated in the movie's soundtrack, a joyful effusion of disco Bollywood that, by the end of Monsoon Wedding, sent my spirit soaring out of the theater.\nAn effectively creepy, fear-inducing (not fear-reducing) film from Japanese director Hideo Nakata, who takes the superstitious curse on chain letters and actually applies it.\nHaving had the good sense to cast actors who are, generally speaking, adored by the movie-going public, Khouri then gets terrific performances from them all.\nA subtle and well-crafted (for the most part) chiller.\nWarm Water Under a Red Bridge is a quirky and poignant Japanese film that explores the fascinating connections between women, water, nature, and sexuality.\nAlthough laced with humor and a few fanciful touches, the film is a refreshingly serious look at young women.\nThe best revenge may just be living well because this film, unlike other Dumas adaptations, is far more likened to a treasure than a lengthy jail sentence.\nA delectable and intriguing thriller filled with surprises, Read My Lips is an original. This is a story of two misfits who don't stand a chance alone, but together they are magnificent.\nHighbrow self-appointed guardians of culture need not apply, but those who loved Cool as Ice have at last found a worthy follow-up.\nOne of creepiest, scariest movies to come along in a long, long time, easily rivaling Blair Witch or The Others.\nMaud and Roland's search for an unknowable past makes for a haunting literary detective story, but LaBute pulls off a neater trick in Possession: He makes language sexy.\nPacino is brilliant as the sleep-deprived Dormer, his increasing weariness as much existential as it is physical.\nRare Birds has more than enough charm to make it memorable.\nManages to be sweet and wickedly satisfying at the same time.\nThis Nickleby thing might have more homosexual undertones than an Eddie Murphy film. And just when you think it can't get any more gay, in pops Nathan Lane.\nNo sophomore slump for director Sam Mendes, who segues from Oscar winner to Oscar-winning potential with a smooth sleight of hand.\nThe movie isn't just hilarious: It's witty and inventive, too, and in hindsight, it isn't even all that dumb.\nOld-form moviemaking at its best.\nAhhhh ... revenge is sweet!\nYakusho and Shimizu ... create engaging characterizations in Imamura's lively and enjoyable cultural mix.\nYou will emerge with a clearer view of how the gears of justice grind on and the death report comes to share airtime alongside the farm report.\nRuzowitzky has taken this mothball-y stuff and made a rather sturdy, old-fashioned entertainment out of it.\nIn spite of Good Housekeeping's unsavory characters and WWF mentality, this white trash War of the Roses is a surprisingly engaging film.\nCollateral Damage finally delivers the goods for Schwarzenegger fans.\nThere has always been something likable about the Marquis de Sade.\nAs a first-time director, Paxton has tapped something in himself as an actor that provides Frailty with its dark soul.\nFor the most part, director Anne-Sophie Birot's first feature is a sensitive, extraordinarily well-acted drama.\nBy the time we learn that Andrew's Turnabout Is Fair Play is every bit as awful as Borchardt's Coven, we can enjoy it anyway.\nThis riveting World War II moral suspense story deals with the shadow side of American culture: racial prejudice in its ugly and diverse forms.\nA tender, heartfelt family drama.\nA difficult, absorbing film that manages to convey more substance despite its repetitions and inconsistencies than do most films than are far more pointed and clear.\nFor the most part, it's a work of incendiary genius, steering clear of knee-jerk reactions and quick solutions.\nIt has the charm of the original American road movies, feasting on the gorgeous, ramshackle landscape of the filmmaker's motherland.\n(Chaiken's) talent lies in an evocative, accurate observation of a distinctive milieu and in the lively, convincing dialogue she creates for her characters.\nIn all, this is a watchable movie that's not quite the memorable experience it might have been.\nHuppert's superbly controlled display of murderous vulnerability ensures that malice has a very human face.\nMy thoughts were focused on the characters. That is a compliment to Kuras and Miller. If I had been thinking about the visual medium, they would have been doing something wrong.\nOne of the more intelligent children's movies to hit theaters this year.\nRemember the kind of movie we were hoping ``Ecks vs. Sever'' or ``xXx'' was going to be? This is it.\nNot for the prurient or squeamish, it's a daring if overlong examination of an idolized culture, self-loathing and sexual politics.\nA cartoon that's truly cinematic in scope, and a story that's compelling and heartfelt -- even if the heart belongs to a big, four-legged herbivore.\nThe film's almost unbearable portrait of sadness and grief transcends its specific story to speak to the ways in which need, history and presumption tangle, and sometimes destroy, blood ties.\nTravels a fascinating arc from hope and euphoria to reality and disillusionment.\nThere's something auspicious, and daring, too, about the artistic instinct that pushes a majority-oriented director like Steven Spielberg to follow A.I. with this challenging report so liable to unnerve the majority.\nFor anyone unfamiliar with pentacostal practices in general and theatrical phenomenon of Hell Houses in particular, it's an eye-opener.\nIt seems like I have been waiting my whole life for this movie and now I can't wait for the sequel.\nIt's a bit disappointing that it only manages to be decent instead of dead brilliant.\nAn operatic, sprawling picture that's entertainingly acted, magnificently shot and gripping enough to sustain most of its 170-minute length.\nThe far future may be awesome to consider, but from period detail to matters of the heart, this film is most transporting when it stays put in the past.\nIt inspires a continuing and deeply satisfying awareness of the best movies as monumental 'picture shows.'\nAwesome creatures, breathtaking scenery, and epic battle scenes add up to another 'spectacular spectacle.'\nBy candidly detailing the politics involved in the creation of an extraordinary piece of music, (Jones) calls our attention to the inherent conflict between commerce and creativity.\nIt's unnerving to see Recoing's bizzarre reaction to his unemployment. Good film, but very glum.\nMuch as we might be interested in gratuitous sexualization, Haneke has a different objective in mind--namely the implications of our craving for fake stimulation.\nDazzling in its complexity, disturbing for its extraordinary themes, The Piano Teacher is a film that defies categorisation. It haunts, horrifies, startles and fascinates; it is impossible to look away. Ah yes, and then there's the music...\nIt has charm to spare, and unlike many romantic comedies, it does not alienate either gender in the audience.\nAlthough Jackson is doubtless reserving the darkest hours for The Return of the King, we long for a greater sense of urgency in the here and now of The Two Towers.\nIt is great summer fun to watch Arnold and his buddy Gerald bounce off a quirky cast of characters.\nBleakly funny, its characters all the more touching for refusing to pity or memorialize themselves.\nIt will not appeal to the impatient, but those who like long books and movies will admire the way it accumulates power and depth.\nThis flick is about as cool and crowd-pleasing as a documentary can get.\n``The Ring'' is pretty much an English-language copy of the film that inspired it, and it carries the same strengths and flaws.\nThe Wild Thornberrys Movie is a jolly surprise.\nGriffiths proves she's that rare luminary who continually raises the standard of her profession.\nPrancing his way through the tailor-made part of a male hooker approaching the end of his vitality, Jagger obviously relishes every self-mocking moment.\nOffers much to enjoy ... and a lot to mull over in terms of love, loyalty and the nature of staying friends.\nAn important movie, a reminder of the power of film to move us and to make us examine our values.\nIs this love or is it masochism? Binoche makes it interesting trying to find out.\nThe mesmerizing performances of the leads keep the film grounded and keep the audience riveted.\nWorth watching for Dong Jie's performance -- and for the way it documents a culture in the throes of rapid change.\nTwo hours fly by -- opera's a pleasure when you don't have to endure intermissions -- and even a novice to the form comes away exhilarated.\nIt's one heck of a character study -- not of Hearst or Davies but of the unique relationship between them.\nCandid Camera on methamphetamines.\nA subject like this should inspire reaction in its audience; The Pianist does not.\nEquilibrium is what George Orwell might have imagined had today's mood-altering drug therapy been envisioned by chemists in 1949.\nCreepy, authentic and dark.This disturbing bio-pic is hard to forget.\nMartin and Barbara are complex characters -- sometimes tender, sometimes angry -- and the delicate performances by Sven Wollter and Viveka Seldahl make their hopes and frustrations vivid.\nA twisty, moody slice of Southern Gothic...\nIt's so good that you can practically see the Hollywood 'suits' trying to put together the cast and filmmaking team for the all-too -inevitable American remake.\nThe weight of the piece, the unerring professionalism of the chilly production, and the fascination embedded in the lurid topic prove recommendation enough.\nAn absurdist comedy about alienation, separation and loss.\n'They' begins and ends with scenes so terrifying I'm still stunned. And I've decided to leave a light on every night from now on.\nThis tenth feature is a big deal, indeed -- at least the third-best, and maybe even a notch above the previous runner-up, Nicholas Meyer's Star Trek VI: The Undiscovered Country.\n...with ``The Bourne Identity'' we return to the more traditional action genre.\nBeneath Clouds is a succinct low-budget film whose compelling characters and intelligent script are exactly what was missing from Rabbit-Proof Fence.\nThe film is a contrivance, as artificial as the video games Japanese teens play in a nightclub sequence, but it's an enjoyable one.\nHolm ... embodies the character with an effortlessly regal charisma.\nIt is amusing, and that's all it needs to be.\nAmong the year's most intriguing explorations of alientation.\nA full world has been presented onscreen, not some series of carefully structured plot points building to a pat resolution.\nSeldom has a movie so closely matched the spirit of a man and his work.\nAudrey Tatou has a knack for picking roles that magnify her outrageous charm, and in this literate French comedy, she's as morning-glory exuberant as she was in Amélie.\nThe movie has an infectious exuberance that will engage anyone with a passing interest in the skate/surf culture, the L.A. beach scene and the imaginative (and sometimes illegal) ways kids can make a playground out of the refuse of adults.\nEven if you don't think (Kissinger's) any more guilty of criminal activity than most contemporary statesmen, he'd sure make a courtroom trial great fun to watch.\nThe story and structure are well-honed. Fresnadillo's dark and jolting images have a way of plying into your subconscious like the nightmare you had a week ago that won't go away.\nIt's made with deftly unsettling genre flair.\nIt just may inspire a few younger moviegoers to read Stevenson's book, which is a treasure in and of itself.\nFunny but perilously slight.\nOverall very good for what it's trying to do.\nForgettable horror -- more gory than psychological -- with a highly satisfying quotient of Friday-night excitement and Milla power.\nRamsay, as in Ratcatcher, remains a filmmaker with an acid viewpoint and a real gift for teasing chilly poetry out of lives and settings that might otherwise seem drab and sordid.\nIt may seem long at 110 minutes if you're not a fan, because it includes segments of 12 songs at a reunion concert.\nA lean, deftly shot, well-acted, weirdly retro thriller that recalls a raft of '60s and '70s European-set spy pictures.\nIt proves quite compelling as an intense, brooding character study.\nThe Son's Room is a triumph of gentility that earns its moments of pathos.\nMorton uses her face and her body language to bring us Morvern's soul, even though the character is almost completely deadpan.\nThe film may appear naked in its narrative form... but it goes deeper than that, to fundamental choices that include the complexity of the Catholic doctrine\nA superbly acted and funny/gritty fable of the humanizing of one woman at the hands of the unseen forces of fate.\nOne of the smartest takes on singles culture I've seen in a long time.\nThere is a fabric of complex ideas here, and feelings that profoundly deepen them.\nCQ's reflection of artists and the love of cinema-and-self suggests nothing less than a new voice that deserves to be considered as a possible successor to the best European directors.\nThe emotions are raw and will strike a nerve with anyone who's ever had family trauma.\nHoly mad maniac in a mask, Splat-Man! Good old-fashioned slash-and-hack is back!\nAs unseemly as its title suggests.\nThe French are rather good at this kind of thing, unlike the Americans, who have a passion for Musketeers, only to spoof them.\nThe fly-on-the-wall method used to document rural French school life is a refreshing departure from the now more prevalent technique of the docu-makers being a visible part of their work.\nIt's an offbeat treat that pokes fun at the democratic exercise while also examining its significance for those who take part.\nAllows us to hope that Nolan is poised to embark a major career as a commercial yet inventive filmmaker.\nManeuvers skillfully through the plot's hot brine -- until it's undone by the sogginess of its contemporary characters, and actors.\nIt has the ability to offend and put off everyone, but it holds you with its outrageousness.\nAnchored by Friel and Williams's exceptional performances, the film's power lies in its complexity. Nothing is black and white.\nIt's a charming and often affecting journey.\nNo screen fantasy-adventure in recent memory has the showmanship of Clones' last 45 minutes.\nA poignant and compelling story about relationships, Food of Love takes us on a bumpy but satisfying journey of the heart.\nThe Chateau cleverly probes the cross-cultural differences between Gauls and Yanks.\nNot since Tom Cruise in Risky Business has an actor made such a strong impression in his underwear.\nAside from minor tinkering, this is the same movie you probably loved in 1994, except that it looks even better.\nUses high comedy to evoke surprising poignance.\nIt confirms Fincher's status as a film maker who artfully bends technical know-how to the service of psychological insight.\nVera's three actors -- Mollà, Gil and Bardem -- excel in insightful, empathetic performances.\nA marvel like none you've seen.\nWith tightly organized efficiency, numerous flashbacks and a constant edge of tension, Miller's film is one of 2002's involvingly adult surprises.\nMr. Tsai is a very original artist in his medium, and What Time Is It There? should be seen at the very least for its spasms of absurdist humor.\nWriter/director Mark Romanek spotlights the underlying caste system in America. It's a scathing portrayal.\nThis is a good script, good dialogue, funny even for adults. The characters are interesting and often very creatively constructed from figure to backstory. The film will play equally well on both the standard and giant screens.\nMoody, heartbreaking, and filmed in a natural, unforced style that makes its characters seem entirely convincing even when its script is not.\nNot a film to rival To Live, but a fine little amuse-bouche to keep your appetite whetted.\nTrue tale of courage -- and complicity -- at Auschwitz is a harrowing drama that tries to tell of the unspeakable.\nGives you the steady pulse of life in a beautiful city viewed through the eyes of a character who, in spite of tragic loss and increasing decrepitude, knows in his bones that he is one of the luckiest men alive.\nMacDowell, whose wifty Southern charm has anchored lighter affairs ... brings an absolutely riveting conviction to her role.\nWhat Time Is It There? is not easy. It haunts you, you can't forget it, you admire its conception and are able to resolve some of the confusions you had while watching it.\nif you are an actor who can relate to the search for inner peace by dramatically depicting the lives of others onstage, then Esther's story is a compelling quest for truth.\nAlthough the level of the comedy declines as the movie proceeds, there's no denying the fun of watching De Niro and Crystal having fun.\nClaude Chabrol has here a thriller without thrills, but that's okay.\nFor movie lovers as well as opera lovers, Tosca is a real treat.\nUnflinchingly bleak and desperate\nMoretti's compelling anatomy of grief and the difficult process of adapting to loss.\nChallenging, intermittently engrossing and unflaggingly creative. But it's too long and too convoluted and it ends in a muddle.\nThe vivid lead performances sustain interest and empathy, but the journey is far more interesting than the final destination.\nA painfully funny ode to bad behavior.\n'Easily my choice for one of the year's best films.'\nCharles' entertaining film chronicles Seinfeld's return to stand-up comedy after the wrap of his legendary sitcom, alongside wannabe comic Adams' attempts to get his shot at the big time.\nThat dogged good will of the parents and `vain' Jia's defoliation of ego, make the film touching despite some doldrums.\nThe movie is for fans who can't stop loving anime, and the fanatical excess built into it.\nThe volatile dynamics of female friendship is the subject of this unhurried, low-key film that is so off-Hollywood that it seems positively French in its rhythms and resonance.\nA densely constructed, highly referential film, and an audacious return to form that can comfortably sit among Jean-Luc Godard's finest work.\nMichael Gerbosi's script is economically packed with telling scenes.\nA strangely compelling and brilliantly acted psychological drama.\nCandid and comfortable; a film that deftly balances action and reflection as it lets you grasp and feel the passion others have for their work.\nOpen-minded kids -- kids who read, kids who dream -- will be comforted by the way it deals with big issues like death and destiny.\nBennett's naturalistic performance speaks volumes more truth than any 'reality' show, and anybody contemplating their own drastic life changes should watch Some Body first.\n... a good, if not entirely fresh, look at war.\nThe film is powerful, accessible and funny. You won't miss its messages, but you'll be entertained as well.\n``Frailty'' starts out like a typical Bible killer story, but it turns out to be significantly different (and better) than most films with this theme.\nIf you dig on David Mamet's mind tricks...rent this movie and enjoy!\nThe primitive force of this film seems to bubble up from the vast collective memory of the combatants. It's like watching a nightmare made flesh.\nIt is the sheer, selfish, wound-licking, bar-scrapping doggedness of Leon's struggle to face and transmute his demons that makes the movie a spirited and touching occasion, despite its patchy construction.\nA gorgeous, high-spirited musical from India that exquisitely blends music, dance, song, and high drama.\nIt's hard to imagine Alan Arkin being better than he is in this performance.\nFor those who pride themselves on sophisticated, discerning taste, this might not seem like the proper cup of tea, however it is almost guaranteed that even the stuffiest cinema goers will laugh their *** off for an hour-and-a-half.\nDespite the 2-D animation, The Wild Thornberrys Movie makes for a surprisingly cinematic experience.\n... a fun little timewaster, helped especially by the cool presence of Jean Reno.\n(Majidi) makes us think twice about immigrants we see around us every day.\nThough only 60 minutes long, the film is packed with information and impressions.\nI have no way of knowing exactly how much is exaggeration, but I've got a creepy feeling that the film is closer to the mark than I want to believe.\nImmersing us in the endlessly inventive, fiercely competitive world of hip-hop DJs, the project is sensational and revelatory, even if scratching makes you itch.\nFurther proof that the epicenter of cool, beautiful, thought-provoking foreign cinema is smack-dab in the middle of Dubya's Axis of Evil.\nThere's really only one good idea in this movie, but the director runs with it and presents it with an unforgettable visual panache.\nA simple, but gritty and well-acted ensemble drama that encompasses a potent metaphor for a country still dealing with its fascist past.\nLovely and poignant. Puts a human face on a land most Westerners are unfamiliar with.\nI can't say that I liked Homeboy; it'd be more accurate to say that I found it intriguing, bizarre, Dogma-like in spots - and quite truthful, in its way.\nDisplaying about equal amounts of naiveté, passion and talent, Beneath Clouds establishes Sen as a filmmaker of considerable potential.\nThe vitality of the actors keeps the intensity of the film high, even as the strafings blend together.\nNot since Japanese filmmaker Akira Kurosawa's Ran have the savagery of combat and the specter of death been visualized with such operatic grandeur.\nWe learn a lot about dying coral and see a lot of life on the reef.\nIf the first Men in Black was money, the second is small change. But it still jingles in the pocket. It's fun lite.\nPassable entertainment, but it's the kind of motion picture that won't make much of a splash when it's released, and will not be remembered long afterwards.\nI just loved every minute of this film.\nThis is a winning ensemble comedy that shows Canadians can put gentle laughs and equally gentle sentiments on the button, just as easily as their counterparts anywhere else in the world.\nJust as moving, uplifting and funny as ever.\nMy Wife Is an Actress is an utterly charming French comedy that feels so American in sensibility and style it's virtually its own Hollywood remake.\nIt will grip even viewers who aren't interested in rap, as it cuts to the heart of American society in an unnerving way.\nA muckraking job, the cinematic equivalent of a legal indictment, and a fairly effective one at that.\nA tender, witty, captivating film about friendship, love, memory, trust and loyalty.\nBelongs to Daniel Day-Lewis as much as it belongs to Martin Scorsese; it's a memorable performance in a big, brassy, disturbing, unusual and highly successful film.\nAn exhilarating futuristic thriller-noir, Minority Report twists the best of technology around a gripping story, delivering a riveting, pulse intensifying escapist adventure of the first order\nA psychological thriller with a genuinely spooky premise and an above-average cast, actor Bill Paxton's directing debut is a creepy slice of gothic rural Americana.\nWhile locals will get a kick out of spotting Cleveland sites, the rest of the world will enjoy a fast-paced comedy with quirks that might make the award-winning Coen brothers envious.\nPumpkin takes an admirable look at the hypocrisy of political correctness, but it does so with such an uneven tone that you never know when humor ends and tragedy begins.\nIf you're hard up for raunchy college humor, this is your ticket right here.\nFew films capture so perfectly the hopes and dreams of little boys on baseball fields as well as the grown men who sit in the stands.\nCorny, schmaltzy and predictable, but still manages to be kind of heartwarming, nonetheless. It's the perfect kind of film to see when you don't want to use your brain. At all.\nWhile it regards 1967 as the key turning point of the 20th century, and returns again and again to images of dissidents in the streets, it's alarmingly current.\nFeature debuter D.J. Caruso directs a crack ensemble cast, bringing screenwriter Tony Gayton's narcotics noir to life.\nEvery dance becomes about seduction, where backstabbing and betrayals are celebrated, and sex is currency.\nHarris commands the screen, using his frailty to suggest the ravages of a life of corruption and ruthlessness.\nStephen Rea, Aidan Quinn, and Alan Bates play Desmond's legal eagles, and when joined by Brosnan, the sight of this grandiloquent quartet lolling in pretty Irish settings is a pleasant enough thing, 'tis.\nDirector of photography Benoit Delhomme shot the movie in delicious colors, and the costumes and sets are grand.\nThe movie's relatively simple plot and uncomplicated morality play well with the affable cast.\nThe film is quiet, threatening and unforgettable.\nThis illuminating documentary transcends our preconceived vision of the Holy Land and its inhabitants, revealing the human complexities beneath.\ndeliriously funny, fast and loose, accessible to the uninitiated, and full of surprises\nTrademark American triteness and simplicity are tossed out the window with the intelligent French drama that deftly explores the difficult relationship between a father and son.\nOne from the heart.\nMore concerned with Sade's ideas than with his actions. The movie achieves as great an impact by keeping these thoughts hidden as... (Quills) did by showing them.\nAn entertaining, colorful, action-filled crime story with an intimate heart.\nWhile Undisputed isn't exactly a high, it is a gripping, tidy little movie that takes Mr. Hill higher than he's been in a while.\nThe most compelling Wiseman epic of recent years.\nThe socio-histo-political treatise is told in earnest strides... (and) personal illusion is deconstructed with poignancy.\nIt's great escapist fun that recreates a place and time that will never happen again.\nGood car chases, great fight scenes, and a distinctive blend of European, American and Asian influences.\nLiotta put on 30 pounds for the role, and has completely transformed himself from his smooth, Goodfellas image.\nA woman's pic directed with resonance by Ilya Chaiken.\n(Grant's) bumbling magic takes over the film, and it turns out to be another winning star vehicle.\n...Brian De Palma is utterly mad: cinema mad, set-piece mad, style mad. It's a beautiful madness.\nGenerally provides its target audience of youngsters enough stimulating eye and ear candy to make its moral medicine go down.\nThere are some wonderfully fresh moments that smooth the moral stiffness with human kindness and hopefulness.\nA grimly competent and stolid and earnest military courtroom drama.\nEscaping the studio, Piccoli is warmly affecting and so is this adroitly minimalist movie.\nVery psychoanalytical -- provocatively so -- and also refreshingly literary.\nA gorgeous, witty, seductive movie.\nThe special effects and many scenes of weightlessness look as good or better than in the original, while the Oscar-winning sound and James Horner's rousing score make good use of the hefty audio system.\nOn the heels of The Ring comes a similarly morose and humorless horror movie that, although flawed, is to be commended for its straight-ahead approach to creepiness.\nWith Rabbit-Proof Fence, Noyce has tailored an epic tale into a lean, economical movie.\n(A)n utterly charming and hilarious film that reminded me of the best of the Disney comedies from the 60s.\nPreaches to two completely different choirs at the same time, which is a pretty amazing accomplishment.\nThanks to Haynes' absolute control of the film's mood, and buoyed by three terrific performances, Far From Heaven actually pulls off this stylistic juggling act.\nBirthday Girl is an amusing joy ride, with some surprisingly violent moments.\nMore romantic, more emotional and ultimately more satisfying than the teary-eyed original.\nAn appealingly juvenile trifle that delivers its share of laughs and smiles.\nWriter-director's Mehta's effort has tons of charm and the whimsy is in the mixture, the intoxicating masala, of cultures and film genres.\nThe draw (for ``Big Bad Love'') is a solid performance by Arliss Howard.\nIt gets onto the screen just about as much of the novella as one could reasonably expect, and is engrossing and moving in its own right.\nThe terrific and bewilderingly underrated Campbell Scott gives a star performance that is nothing short of mesmerizing.\nCool? This movie is a snow emergency.\nLike Mike isn't interested in recycling old cliches. It wants to tweak them with a taste of tangy new humor.\nSmith is careful not to make fun of these curious owners of architectural oddities. Instead, he shows them the respect they are due.\nA mess when it comes to the characters and writing...but works its way underneath the skin like few movies have in recent memory.\nDrops you into a dizzying, volatile, pressure-cooker of a situation that quickly snowballs out of control, while focusing on the what much more than the why.\nZhang ... has done an amazing job of getting realistic performances from his mainly nonprofessional cast.\nA solid examination of the male midlife crisis.\nIf you're in the mood for a Bollywood film, here's one for you.\nAs the two leads, Lathan and Diggs are charming and have chemistry both as friends and lovers.\nA beguiling, slow-moving parable about the collision of past and present on a remote seacoast in Iran.\nMy Big Fat Greek Wedding uses stereotypes in a delightful blend of sweet romance and lovingly dished out humor.\nKept aloft largely by a comically adept ensemble.\nThe sort of film that makes me miss Hitchcock, but also feel optimistic that there's hope for popular cinema yet.\nFirst-time writer-director Serry shows a remarkable gift for storytelling with this moving, effective little film.\nIt cuts to the core of what it actually means to face your fears, to be a girl in a world of boys, to be a boy truly in love with a girl, and to ride the big metaphorical wave that is life -- wherever it takes you.\nAtom Egoyan has conjured up a multilayered work that tackles any number of fascinating issues\nessentially an exceptionally well-written, well-edited, well-directed, well-acted, bald rip-off of Aliens.\n'De Niro...is a veritable source of sincere passion that this Hollywood contrivance orbits around.'\nThe whole is quite entertaining, but despite its virtues, there is an unsettled feeling to the film.\nWhile its careful pace and seemingly opaque story may not satisfy every moviegoer's appetite, the film's final scene is soaringly, transparently moving.\nHardly a masterpiece, but it introduces viewers to a good charitable enterprise and some interesting real people.\nBased on a devilishly witty script by Heather McGowan and Niels Mueller, the film gets great laughs, but never at the expense of its characters\nIt's somewhat clumsy and too lethargically paced -- but its story about a mysterious creature with psychic abilities offers a solid build-up, a terrific climax, and some nice chills along the way.\nIf you've ever wondered what an ending without the input of studio executives or test audiences would look like, here it is.\nExciting and direct, with ghost imagery that shows just enough to keep us on our toes.\nWhether writer-director Anne Fontaine's film is a ghost story, an account of a nervous breakdown, a trip down memory lane, all three or none of the above, it is as seductive as it is haunting.\nWhat the film lacks in general focus it makes up for in compassion, as Corcuera manages to find the seeds of hope in the form of collective action.\nIf you enjoy more thoughtful comedies with interesting conflicted characters; this one is for you.\nThe quality of the art combined with the humor and intelligence of the script allow the filmmakers to present the biblical message of forgiveness without it ever becoming preachy or syrupy.\nThis film seems thirsty for reflection, itself taking on adolescent qualities.\nAnother one of those estrogen overdose movies like ``Divine Secrets of the Ya Ya Sisterhood,'' except that the writing, acting and character development are a lot better.\nA breezy romantic comedy that has the punch of a good sitcom, while offering exceptionally well-detailed characters.\nA romantic comedy enriched by a sharp eye for manners and mores.\nViewers of ``The Ring'' are more likely to remember the haunting images than the plot holes.\nA delightful coming-of-age story.\nOne of those energetic surprises, an original that pleases almost everyone who sees it.\nAn exquisitely crafted and acted tale.\nA taut psychological thriller that doesn't waste a moment of its two-hour running time.\nJones ... does offer a brutal form of charisma.\nDespite its title, Punch-Drunk Love is never heavy-handed. The jabs it employs are short, carefully placed and dead-center.\nThere's a wickedly subversive bent to the best parts of Birthday Girl.\nLikely to expertly drum up repressed teenage memories in any viewer.\nBlanchett's performance confirms her power once again.\n...a magnificent drama well worth tracking down.\nA good piece of work more often than not.\nThe movie understands like few others how the depth and breadth of emotional intimacy give the physical act all of its meaning and most of its pleasure.\nWhat distinguishes Time of Favor from countless other thrillers is its underlying concern with the consequences of words and with the complicated emotions fueling terrorist acts.\nSmart, provocative and blisteringly funny.\nNothing is sacred in this gut-buster.\nThe movie occasionally threatens to become didactic, but it's too grounded in the reality of its characters to go over the edge. A touch of humor or an unexpected plot twist always pulls it back.\nFilmmakers who can deftly change moods are treasures and even marvels. So, too, is this comedy about mild culture clashing in today's New Delhi.\nIf Steven Soderbergh's 'Solaris' is a failure it is a glorious failure.\n``Mostly Martha'' is a bright, light modern day family parable that wears its heart on its sleeve for all to see.\nIt's a scattershot affair, but when it hits its mark it's brilliant.\nA pleasant enough romance with intellectual underpinnings, the kind of movie that entertains even as it turns maddeningly predictable.\nFeaturing a dangerously seductive performance from the great Daniel Auteuil, ``Sade'' covers the same period as Kaufmann's ``Quills'' with more unsettlingly realistic results.\nA spellbinding African film about the modern condition of rootlessness, a state experienced by millions around the globe.\nIt's a work by an artist so in control of both his medium and his message that he can improvise like a jazzman.\nA moody, multi-dimensional love story and sci-fi mystery, Solaris is a thought-provoking, haunting film that allows the seeds of the imagination to germinate.\nA very well-made, funny and entertaining picture.\nA giggle-inducing comedy with snappy dialogue and winning performances by an unlikely team of Oscar-winners: Susan Sarandon and Goldie Hawn.\nIts maker, Steven Spielberg, hasn't had so much fun in two decades, since he was schlepping Indiana Jones around the globe in search of a giant misplaced ashtray.\nOscar Wilde's masterpiece, The Importance of Being Earnest, may be the best play of the 19th century. It's so good that its relentless, polished wit can withstand not only inept school productions, but even Oliver Parker's movie adaptation.\nThe movie does a good job of laying out some of the major issues that we encounter as we journey through life.\nBrilliantly explores the conflict between following one's heart and following the demands of tradition.\nThis remake gets all there is to get out of a peculiar premise with promise: Al Pacino loathing Robin Williams.\nThe next generation of mob movie. Part low rent Godfather. Part Three Stooges.\nLan Yu is at times too restrained, yet there are moments it captures the erotics of intimacy in a way that makes most American love stories look downright unfree.\nA thinly veiled look at different aspects of Chinese life clashing with each other.\nLight years/ several warp speeds/ levels and levels of dilithium crystals better than the pitiful Insurrection. Which isn't to say that it's the equal of some of its predecessors.\nIf this story must be told and retold -- and indeed it must -- then The Grey Zone is to be lauded for finding a new and ingenious angle.\nThe Lion King was a roaring success when it was released eight years ago, but on Imax it seems better, not just bigger.\nA gripping movie, played with performances that are all understated and touching.\nThe piece plays as well as it does thanks in large measure to Anspaugh's three lead actresses.\nThe inspirational screenplay by Mike Rich covers a lot of ground, perhaps too much, but ties things together, neatly, by the end.\nNot the kind of film that will appeal to a mainstream American audience, but there is a certain charm about the film that makes it a suitable entry into the fest circuit.\nDirector Andrew Niccol...demonstrates a wry understanding of the quirks of fame. His healthy sense of satire is light and fun....\nAbout a manga-like heroine who fights back at her abusers, it's energetic and satisfying if not deep and psychological.\nThis is human comedy at its most amusing, interesting and confirming.\nAn artful, intelligent film that stays within the confines of a well-established genre.\nMajidi is an unconventional storyteller, capable of finding beauty in the most depressing places.\nRichard Gere and Diane Lane put in fine performances as does French actor Oliver Martinez.\nThe minor figures surrounding (Bobby) ... form a gritty urban mosaic.\nThis is wild surreal stuff, but brilliant and the camera just kind of sits there and lets you look at this and its like you're going from one room to the next and none of them have any relation to the other.\nIt's a demented kitsch mess (although the smeary digital video does match the muddled narrative), but it's savvy about celebrity and has more guts and energy than much of what will open this year.\nThere is nothing outstanding about this film, but it is good enough and will likely be appreciated most by sailors and folks who know their way around a submarine.\nAll-in-all, the film is an enjoyable and frankly told tale of a people who live among us, but not necessarily with us.\nAn interesting story with a pertinent (cinematically unique) message, told fairly well and scored to perfection, I found myself struggling to put my finger on that elusive ``missing thing.''\nA movie with a real anarchic flair.\nA welcome relief from baseball movies that try too hard to be mythic, this one is a sweet and modest and ultimately winning story.\nA crisp psychological drama (and) a fascinating little thriller that would have been perfect for an old ``Twilight Zone'' episode.\nIt has more than a few moments that are insightful enough to be fondly remembered in the endlessly challenging maze of moviegoing.\nOpening with some contrived banter, cliches and some loose ends, the screenplay only comes into its own in the second half.\nAn uncluttered, resonant gem that relays its universal points without lectures or confrontations.\n'(The Cockettes) provides a window into a subculture hell-bent on expressing itself in every way imaginable.'\nA smart, steamy mix of road movie, coming-of-age story and political satire.\nThe modern-day royals have nothing on these guys when it comes to scandals. It's only in fairy tales that princesses that are married for political reason live happily ever after.\nA terrific B movie -- in fact, the best in recent memory.\n``Birthday Girl'' is an actor's movie first and foremost.\nI walked away from this new version of E.T. just as I hoped I would -- with moist eyes.\nFor devotees of French cinema, Safe Conduct is so rich with period minutiae it's like dying and going to celluloid heaven.\nWhat's really so appealing about the characters is their resemblance to everyday children.\nShamelessly resorting to pee-related sight gags that might even cause Tom Green a grimace; still, Myer's energy and the silliness of it all eventually prevail\nAn absurdist spider web.\nIf you're as happy listening to movies as you are watching them, and the slow parade of human frailty fascinates you, then you're at the right film.\nThis version moves beyond the original's nostalgia for the communal film experiences of yesteryear to a deeper realization of cinema's inability to stand in for true, lived experience.\nSome movies blend together as they become distant memories. Mention ``Solaris'' five years from now and I'm sure those who saw it will have an opinion to share.\nAllen's funniest and most likeable movie in years.\nIt's a glorious spectacle like those D.W. Griffith made in the early days of silent film.\nThis comic gem is as delightful as it is derivative.\nMore timely than its director could ever have dreamed, this quietly lyrical tale probes the ambiguous welcome extended by Iran to the Afghani refugees who streamed across its borders, desperate for work and food.\nThe leaping story line, shaped by director Peter Kosminsky into sharp slivers and cutting impressions, shows all the signs of rich detail condensed into a few evocative images and striking character traits.\nWith three excellent principal singers, a youthful and good-looking diva and tenor and richly handsome locations, it's enough to make you wish Jacquot had left well enough alone and just filmed the opera without all these distortions of perspective.\nThe production has been made with an enormous amount of affection, so we believe these characters love each other.\nCertainly the performances are worthwhile.\nWinds up being both revelatory and narcissistic, achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines, precious circumstances and beautiful stars.\nWatching these eccentrics is both inspiring and pure joy.\nSteven Spielberg brings us another masterpiece\nFinally, the French-produced ``Read My Lips'' is a movie that understands characters must come first.\nMs. Seigner and Mr. Serrault bring fresh, unforced naturalism to their characters.\nAllen shows he can outgag any of those young whippersnappers making moving pictures today.\nA good film with a solid pedigree both in front of and, more specifically, behind the camera.\nBy no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act, it still comes off as a touching, transcendent love story.\nI encourage young and old alike to go see this unique and entertaining twist on the classic whale's tale -- you won't be sorry!\nA literary detective story is still a detective story and aficionados of the whodunit won't be disappointed.\nHigh Crimes steals so freely from other movies and combines enough disparate types of films that it can't help but engage an audience.\nIf you're a fan of the series you'll love it and probably want to see it twice. I will be.\nIt celebrates the group's playful spark of nonconformity, glancing vividly back at what Hibiscus grandly called his 'angels of light.'\nThe story ... is inspiring, ironic, and revelatory of just how ridiculous and money-oriented the record industry really is. It is also a testament to the integrity and vision of the band.\nLaced with liberal doses of dark humor, gorgeous exterior photography, and a stable-full of solid performances, No Such Thing is a fascinating little tale.\nHuppert's show to steal and she makes a meal of it, channeling Kathy Baker's creepy turn as the repressed mother on Boston Public just as much as 8 Women's Augustine.\nNair doesn't treat the issues lightly. She allows each character to confront their problems openly and honestly.\nOne of the best silly horror movies of recent memory, with some real shocks in store for unwary viewers.\nThe work of a filmmaker who has secrets buried at the heart of his story and knows how to take time revealing them. Strange occurrences build in the mind of the viewer and take on extreme urgency.\nHas a certain ghoulish fascination, and generates a fair amount of B-movie excitement.\nFamiliar but utterly delightful.\nA fascinating, dark thriller that keeps you hooked on the delicious pulpiness of its lurid fiction.\nThe film aims to be funny, uplifting and moving, sometimes all at once. The extent to which it succeeds is impressive.\nThe film brilliantly shines on all the characters, as the direction is intelligently accomplished.\nWhile not for every taste, this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the National Lampoon film franchise, too long reduced to direct-to-video irrelevancy.\nAs broad and cartoonish as the screenplay is, there is an accuracy of observation in the work of the director, Frank Novak, that keeps the film grounded in an undeniable social realism.\nIn addition to Hoffman's powerful acting clinic, this is that rare drama that offers a thoughtful and rewarding glimpse into the sort of heartache everyone has felt, or will feel someday.\nJeffrey Tambor's performance as the intelligent jazz-playing exterminator is Oscar-worthy.\nFrom the opening strains of the Average White Band's ``Pick up the Pieces'', you can feel the love.\nStevens' vibrant creative instincts are the difference between this and countless other flicks about guys and dolls.\nthat it'll probably be the best and most mature comedy of the 2002 summer season speaks more of the season than the picture\nOld people will love this movie, and I mean that in the nicest possible way: Last Orders will touch the heart of anyone old enough to have earned a 50-year friendship.\nMeyjes' provocative film might be called an example of the haphazardness of evil.\nTian emphasizes the isolation of these characters by confining color to Liyan's backyard.\nThe movie is pretty funny now and then without in any way demeaning its subjects.\nimagine a scenario where Bergman approaches Swedish fatalism using Gary Larson's Far Side humor\nToo damn weird to pass up, and for the blacklight crowd, way cheaper (and better) than Pink Floyd tickets.\nIt is most remarkable not because of its epic scope, but because of the startling intimacy it achieves despite that breadth.\nIt's not a great monster movie. But if you've paid a matinee price and bought a big tub of popcorn, there's guilty fun to be had here. Chomp chomp!\nThe Grey Zone gives voice to a story that needs to be heard in the sea of Holocaust movies...but the film suffers from its own difficulties.\nOthers, more attuned to the anarchist maxim that 'the urge to destroy is also a creative urge', or more willing to see with their own eyes, will find Morrison's iconoclastic uses of technology to be liberating.\nMiller tells this very compelling tale with little fuss or noise, expertly plucking tension from quiet.\nTime Out is existential drama without any of the pretension associated with the term.\nIt's a sweet, laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth.\nWriter/director Alexander Payne (Election)and his co-writer Jim Taylor brilliantly employ their quirky and fearless ability to look American angst in the eye and end up laughing.\nA movie that at its best doesn't just make the most out of its characters' flaws but insists on the virtue of imperfection.\nIt's tough to watch, but it's a fantastic movie.\nThe best animated feature to hit theaters since Beauty and the Beast 11 years ago.\nWhat saves this deeply affecting film from being merely a collection of wrenching cases is Corcuera's attention to detail.\nPacino is the best he's been in years and Keener is marvelous.\nA solid, spooky entertainment worthy of the price of a ticket.\nBy turns fanciful, grisly and engagingly quixotic.\n... very funny, very enjoyable ...\nAdaptation is intricately constructed and in a strange way nails all of Orlean's themes without being a true adaptation of her book.\nSo purely enjoyable that you might not even notice it's a fairly straightforward remake of Hollywood comedies such as Father of the Bride.\nMoonlight Mile gives itself the freedom to feel contradictory things. It is sentimental but feels free to offend, is analytical and then surrenders to the illogic of its characters, is about grief and yet permits laughter.\nThe real triumphs in Igby come from Philippe, who makes Oliver far more interesting than the character's lines would suggest, and Sarandon, who couldn't be better as a cruel but weirdly likable WASP matron.\nRobin Williams has thankfully ditched the saccharine sentimentality of Bicentennial Man in favour of an altogether darker side.\nIf you're willing to have fun with it, you won't feel cheated by the high infidelity of Unfaithful.\nAustralia: Land Beyond Time is an enjoyable Big Movie primarily because Australia is a weirdly beautiful place.\nHoffman's performance is authentic to the core of his being.\nTold just proficiently enough to trounce its overly comfortable trappings.\nAn enthralling aesthetic experience, one that's steeped in mystery and a ravishing, baroque beauty.\nThe quirky drama touches the heart and the funnybone thanks to the energetic and always surprising performance by Rachel Griffiths.\nA captivating coming-of-age story that may also be the first narrative film to be truly informed by the wireless age.\nWhat could have been a daytime soap opera is actually a compelling look at a young woman's tragic odyssey.\nDuvall is strong as always.\nA no-holds-barred cinematic treat.\nYou'd have to be a most hard-hearted person not to be moved by this drama.\nAllen's underestimated charm delivers more goodies than lumps of coal.\nMeasured against practically any like-themed film other than its Oscar-sweeping franchise predecessor The Silence of the Lambs, Red Dragon rates as an exceptional thriller.\nAn exhilarating serving of movie fluff.\nMaelstrom is strange and compelling, engrossing and different, a moral tale with a twisted sense of humor.\nIt makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film.\nDark and disturbing, yet compelling to watch.\nToo often, Son of the Bride becomes an exercise in trying to predict when a preordained ``big moment'' will occur and not ``if.''\nThe picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life, but also acknowledging the places, and the people, from whence you came.\nA solid piece of journalistic work that draws a picture of a man for whom political expedience became a deadly foreign policy.\nA terrific insider look at the star-making machinery of tinseltown.\nIt's a diverting enough hour-and-a-half for the family audience.\nA party-hearty teen flick that scalds like acid.\nAs giddy and whimsical and relevant today as it was 270 years ago.\nThe film offers an intriguing what-if premise.\nThe Pianist is the film Roman Polanski may have been born to make.\nThis version does justice both to Stevenson and to the sci-fi genre.\nPoignant and delicately complex.\nEnough may pander to our basest desires for payback, but unlike many revenge fantasies, it ultimately delivers.\nCho's latest comic set isn't as sharp or as fresh as I'm the One That I Want... but it's still damn funny stuff.\nIn The Pianist, Polanski is saying what he has long wanted to say, confronting the roots of his own preoccupations and obsessions, and he allows nothing to get in the way.\nDespite the film's shortcomings, the stories are quietly moving.\nThose who love Cinema Paradiso will find the new scenes interesting, but few will find the movie improved.\nIf you come from a family that eats, meddles, argues, laughs, kibbitzes and fights together, then go see this delightful comedy.\nThis bracingly truthful antidote to Hollywood teenage movies that slather Clearasil over the blemishes of youth captures the combustible mixture of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty.\nThe reason to see ``Sade'' lay with the chemistry and complex relationship between the marquis (Auteil) and Emilie (Le Besco).\nIt's the filmmakers' post-camp comprehension of what made old-time B movies good-bad that makes Eight Legged Freaks a perfectly entertaining summer diversion.\nThe film's strength isn't in its details, but in the larger picture it paints - of a culture in conflict with itself, with the thin veneer of nationalism that covers our deepest, media-soaked fears.\n...best seen as speculative history, as much an exploration of the paranoid impulse as a creative sequel to the Warren Report.\nIt has its faults, but it is a kind, unapologetic, sweetheart of a movie, and Mandy Moore leaves a positive impression.\nThe Saigon of 1952 is an uneasy mix of sensual delights and simmering violence, and The Quiet American brings us right into the center of that world.\nDespite its shortcomings, Girls Can't Swim represents an engaging and intimate first feature by a talented director to watch, and it's a worthy entry in the French coming-of-age genre.\nFlawed, but worth seeing for Ambrose's performance.\nWith Dirty Deeds, David Caesar has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim and with every cinematic tool well under his control -- driven by a natural sense for what works on screen.\nThe humor and humanity of Monsoon Wedding are in perfect balance.\nLookin' for sin, American-style? Try Hell House, which documents the cautionary Christian spook-a-rama of the same name.\nA compelling motion picture that illustrates an American tragedy.\nAs comedic spotlights go, Notorious C.H.O. hits all the verbal marks it should.\nIt's a day at the beach -- with air conditioning and popcorn.\nFrida isn't that much different from many a Hollywood romance. What sets it apart is the vision that Taymor, the avant garde director of Broadway's The Lion King and the film Titus, brings.\nStevens has a flair for dialogue comedy, the film operates nicely off the element of surprise, and the large cast is solid.\nExtremely well acted by the four primary actors, this is a seriously intended movie that is not easily forgotten.\nThe film exudes the urbane sweetness that Woody Allen seems to have bitterly forsaken.\nK-19: The Widowmaker is derivative, overlong, and bombastic -- yet surprisingly entertaining.\nIt's good, hard-edged stuff, violent and a bit exploitative but also nicely done, morally alert and street-smart.\nCineasts will revel in those visual in-jokes, as in the film's verbal pokes at everything from the likes of Miramax chief Harvey Weinstein's bluff personal style to the stylistic rigors of Denmark's Dogma movement.\nIt's a rare window on an artistic collaboration.\n...begins with promise, but runs aground after being snared in its own tangled plot.\nPerhaps the best sports movie I've ever seen.\nCho's timing is priceless.\n...creates a visceral sense of its characters' lives and conflicted emotions that carries it far above...what could have been a melodramatic, Lifetime Channel-style anthology.\nA sensitive, moving, brilliantly constructed work.\nAn edgy thriller that delivers a surprising punch.\nA reasonably entertaining sequel to 1994's surprise family hit that may strain adult credibility.\n(Reno) delivers a monologue that manages to incorporate both the horror and the absurdity of the situation in a well-balanced fashion.\nthere is truth here\na confident, richly acted, emotionally devastating piece of work and 2002's first great film\nA touching, small-scale story of family responsibility and care in the community.\nArteta directs one of the best ensemble casts of the year\nThe casting of von Sydow ... is itself Intacto's luckiest stroke.\nNo, it's not as single-minded as John Carpenter's original, but it's sure a lot smarter and more unnerving than the sequels.\nA gem of a romantic crime comedy that turns out to be clever, amusing and unpredictable.\nStands as one of the year's most intriguing movie experiences, letting its imagery speak for it while it forces you to ponder anew what a movie can be.\n...the first 2/3 of the film are incredibly captivating and insanely funny, thanks in part to interesting cinematic devices ( cool visual backmasking), a solid cast, and some wickedly sick and twisted humor...\nThis movie got me grinning. There's a part of us that cannot help be entertained by the sight of someone getting away with something.\nAn old-fashioned drama of substance about a teacher's slide down the slippery slope of dishonesty after an encounter with the rich and the powerful who have nothing but disdain for virtue.\nWhat's not to like about a movie with a 'children's' song that includes the line 'My stepdad's not mean, he's just adjusting'?\nThis English-language version ... does full honor to Miyazaki's teeming and often unsettling landscape, and to the conflicted complexity of his characters.\nThe pleasures that it does afford may be enough to keep many moviegoers occupied amidst some of the more serious-minded concerns of other year-end movies.\nNot everyone will welcome or accept The Trials of Henry Kissinger as faithful portraiture, but few can argue that the debate it joins is a necessary and timely one.\nThere are no special effects, and no Hollywood endings.\nLike the original, this version is raised a few notches above kiddie fantasy pablum by Allen's astringent wit.\nDespite its Hawaiian setting, the science-fiction trimmings and some moments of rowdy slapstick, the basic plot of ``Lilo'' could have been pulled from a tear-stained vintage Shirley Temple script.\nA brutally honest documentary about a much anticipated family reunion that goes wrong thanks to culture shock and a refusal to empathize with others.\nFilled with honest performances and exceptional detail, Baran is a gentle film with dramatic punch, a haunting ode to humanity.\nSparkles in its deft portrait of Tinseltown's seasoned veterans of gossip, wealth, paranoia, and celebrityhood.\nIn its dry and forceful way, it delivers the same message as Jiri Menzel's Closely Watched Trains and Danis Tanovic's No Man's Land.\n...a triumph of emotionally and narratively complex filmmaking.\n(Haynes') homage to such films as ``All That Heaven Allows'' and ``Imitation of Life'' transcends them. Simply put, ``Far From Heaven'' is a masterpiece.\nAn intense and effective film about loneliness and the chilly anonymity of the environments where so many of us spend so much of our time.\nAlthough fairly involving as far as it goes, the film doesn't end up having much that is fresh to say about growing up Catholic or, really, anything.\nProves mainly that South Korean filmmakers can make undemanding action movies with all the alacrity of their Hollywood counterparts.\nA very funny romantic comedy about two skittish New York middle-agers who stumble into a relationship and then struggle furiously with their fears and foibles.\nTop-notch action powers this romantic drama.\nBeresford nicely mixes in as much humor as pathos to take us on his sentimental journey of the heart. It really is a shame that more won't get an opportunity to embrace small, sweet 'Evelyn.'\nI stopped thinking about how good it all was, and started doing nothing but reacting to it - feeling a part of its grand locations, thinking urgently as the protagonists struggled, feeling at the mercy of its inventiveness, gasping at its visual delights.\nProbably the best case for Christianity since Chesterton and Lewis.\nA gently funny, sweetly adventurous film that makes you feel genuinely good, that is to say, entirely unconned by false sentiment or sharp, overmanipulative Hollywood practices.\nWould be an unendurable viewing experience for this ultra-provincial New Yorker if 26-year-old Reese Witherspoon were not on hand to inject her pure fantasy character, Melanie Carmichael, with a massive infusion of old-fashioned Hollywood magic.\nVisually fascinating ... an often intense character study about fathers and sons, loyalty and duty.\nA lyrical metaphor for cultural and personal self-discovery and a picaresque view of a little-remembered world.\nSchütte's dramatic snapshot of the artist three days before his death offers an interesting bit of speculation as to the issues Brecht faced as his life drew to a close.\nA slick, engrossing melodrama.\nS1M0NE's satire is not subtle, but it is effective. It's a quirky, off-beat project.\nWhile some will object to the idea of a Vietnam picture with such a rah-rah, patriotic tone, Soldiers ultimately achieves its main strategic objective: dramatizing the human cost of the conflict that came to define a generation.\nEven if you don't know the band or the album's songs by heart, you will enjoy seeing how both evolve, and you will also learn a good deal about the state of the music business in the 21st Century.\nThe solid filmmaking and convincing characters makes this a high water mark for this genre.\nFilms about loss, grief and recovery are pretty valuable these days. Seen in that light, Moonlight Mile should strike a nerve in many.\nIt's endlessly inventive, consistently intelligent and sickeningly savage.\nIt is definitely worth seeing.\nAn impeccable study in perversity.\nFar From Heaven is a dazzling conceptual feat, but more than that, it's a work of enthralling drama.\nA movie that both thrills the eye and, in its over-the-top way, touches the heart.\nStuffed to the brim with ideas, American instigator Michael Moore's film is a rambling examination of American gun culture that uses his usual modus operandi of crucifixion through juxtaposition.\nAffectionately reminds us that, in any language, the huge stuff in life can usually be traced back to the little things.\nA drama of great power, yet some members of the audience will leave the theater believing they have seen a comedy.\nThe large-frame IMAX camera lends itself beautifully to filming the teeming life on the reefs, making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers.\nThe result is more depressing than liberating, but it's never boring.\nA story about intelligent high school students that deals with first love sweetly but also seriously. It is also beautifully acted.\nIt isn't that the picture is unfamiliar, but that it manages to find new avenues of discourse on old problems.\nSame song, second verse, coulda been better, but it coulda been worse.\nIt's a technically superb film, shining with all the usual Spielberg flair, expertly utilizing the talents of his top-notch creative team.\nWilco fans will have a great time, and the movie should win the band a few new converts, too.\nTsai has a well-deserved reputation as one of the cinema world's great visual stylists, and in this film, every shot enhances the excellent performances.\nThe date movie that Franz Kafka would have made.\nThe fact is that the screen is most alive when it seems most likely that Broomfield's interviewees, or even himself, will not be for much longer.\nLeguizamo and Jones are both excellent and the rest of the cast is uniformly superb.\nI liked this film a lot...\n...there is enough originality in 'Life' to distance it from the pack of paint-by-number romantic comedies that so often end up on cinema screens.\nA solid and refined piece of moviemaking imbued with passion and attitude.\nNettelbeck has crafted an engaging fantasy of flavours and emotions, one part romance novel, one part recipe book.\nWith or without the sex, a wonderful tale of love and destiny, told well by a master storyteller\nOn the surface a silly comedy, Scotland, PA would be forgettable if it weren't such a clever adaptation of the bard's tragic play.\nA weird, arresting little ride.\nA fine film, but it would be a lot better if it stuck to Betty Fisher and left out the other stories.\nA first-class road movie that proves you can run away from home, but your ego and all your problems go with you.\nYou might want to take a reality check before you pay the full ticket price to see ``Simone,'' and consider a DVD rental instead.\nWell cast and well directed - a powerful drama with enough sardonic wit to keep it from being maudlin.\nA backstage must-see for true fans of comedy.\nThere's back-stabbing, inter-racial desire and, most importantly, singing and dancing.\nThe film sounds like the stuff of lurid melodrama, but what makes it interesting as a character study is the fact that the story is told from Paul's perspective.\nJones ... makes a great impression as the writer-director of this little $1.8 million charmer, which may not be cutting-edge indie filmmaking but has a huge heart.\nIn the disturbingly involving family dysfunctional drama How I Killed My Father, French director Anne Fontaine delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition\nBelow may not mark Mr. Twohy's emergence into the mainstream, but his promise remains undiminished.\nThere's no reason to miss Interview with the Assassin\nHappily stays close to the ground in a spare and simple manner and doesn't pummel us with phony imagery or music.\nIts sheer dynamism is infectious.\nFor his first attempt at film noir, Spielberg presents a fascinating but flawed look at the near future.\nit somehow managed to make its way past my crappola radar and find a small place in my heart\nPerhaps it's cliche to call the film 'refreshing,' but it is. 'Drumline' shows a level of young, Black manhood that is funny, touching, smart and complicated.\nIt does give a taste of the Burning Man ethos, an appealing blend of counter-cultural idealism and hedonistic creativity.\nThe limited sets and small confined and dark spaces also are homages to a classic low-budget film noir movie.\nThe movie is well done, but slow.\n(A) wonderfully loopy tale of love, longing, and voting.\nThe fascination comes in the power of the Huston performance, which seems so larger than life and yet so fragile, and in the way the Ivan character accepts the news of his illness so quickly but still finds himself unable to react.\nThe last scenes of the film are anguished, bitter and truthful. Mr. Koshashvili is a director to watch.\nPredictable storyline and by-the-book scripting is all but washed away by sumptuous ocean visuals and the cinematic stylings of director John Stockwell.\nAntwone Fisher certainly does the trick of making us care about its protagonist and celebrate his victories but, with few exceptions, it rarely stoops to cheap manipulation or corny conventions to do it.\nOne feels the dimming of a certain ambition, but in its place a sweetness, clarity and emotional openness that recalls the classics of early Italian neorealism.\nIt challenges, this nervy oddity, like modern art should.\nWhenever you think you've figured out Late Marriage, it throws you for a loop.\nThe Pianist is Polanski's best film.\nIt is a testament of quiet endurance, of common concern, of reconciled survival.\nThis Orange has some juice, but it's far from fresh-squeezed.\nA sensitive, modest comic tragedy that works as both character study and symbolic examination of the huge economic changes sweeping modern China.\nHigh Crimes knows the mistakes that bad movies make and is determined not to make them, and maybe that is nobility of a sort.\nCusack's just brilliant in this.\nKnows how to make our imagination wonder.\nJae-eun Jeong's Take Care of My Cat brings a beguiling freshness to a coming-of-age story with such a buoyant, expressive flow of images that it emerges as another key contribution to the flowering of the South Korean cinema.\nThe overall fabric is hypnotic, and Mr. Mattei fosters moments of spontaneous intimacy.\nEvokes a palpable sense of disconnection, made all the more poignant by the incessant use of cell phones.\nMalcolm McDowell is cool. Paul Bettany is cool. Paul Bettany playing Malcolm McDowell? Cool.\nA touching, sophisticated film that almost seems like a documentary in the way it captures an Italian immigrant family on the brink of major changes.\n...a trashy little bit of fluff stuffed with enjoyable performances and a bewildering sense of self-importance\nAn inventive, absorbing movie that's as hard to classify as it is hard to resist.\nIt made me want to get made-up and go see this movie with my sisters. I thought the relationships were wonderful, the comedy was funny, and the love 'real'.\n(Caine) proves once again he hasn't lost his touch, bringing off a superb performance in an admittedly middling film.\nBogdanovich puts history in perspective and, via Kirsten Dunst's remarkable performance, he showcases Davies as a young woman of great charm, generosity and diplomacy.\nThis breezy caper movie becomes a soulful, incisive meditation on the way we were, and the way we are.\nA captivating new film.\nThose who aren't put off by the film's austerity will find it more than capable of rewarding them.\nIt's a clear-eyed portrait of an intensely lived time, filled with nervous energy, moral ambiguity and great uncertainties.\nReveals how important our special talents can be when put in service of of others. It also shows how deeply felt emotions can draw people together across the walls that might otherwise separate them.\nWith the same sort of good-natured fun found in films like Tremors, Eight Legged Freaks is prime escapist fare.\nA sharp, amusing study of the cult of celebrity.\nThe sentimental cliches mar an otherwise excellent film. A powerful performance from Mel Gibson and a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an M-16.\nA graceful, moving tribute to the courage of New York's finest and a nicely understated expression of the grief shared by the nation at their sacrifice.\nA coming-of-age tale from New Zealand whose boozy, languid air is balanced by a rich visual clarity and deeply felt performances across the board.\nMade to be Jaglomized is the Cannes Film Festival, the annual Riviera spree of flesh, buzz, blab and money. The charming result is Festival in Cannes.\nIf you're looking for something new and hoping for something entertaining, you're in luck.\nA hugely rewarding experience that's every bit as enlightening, insightful and entertaining as Grant's two best films -- Four Weddings and a Funeral and Bridget Jones's Diary.\nA rip-roaring comedy action fest that'll put hairs on your chest.\nIf there's no art here, it's still a good yarn -- which is nothing to sneeze at these days.\nSimultaneously heart-breaking and very funny, The Last Kiss is really all about performances.\nThere is a subversive element to this Disney cartoon, providing unexpected fizzability.\nAn unforgettable look at morality, family, and social expectation through the prism of that omnibus tradition called marriage.\nAn enjoyable, if occasionally flawed, experiment.\nMiyazaki is one of world cinema's most wondrously gifted artists and storytellers.\nIf Ayurveda can help us return to a sane regimen of eating, sleeping and stress-reducing contemplation, it is clearly a good thing.\nMeeting, even exceeding expectations, it's the best sequel since The Empire Strikes Back ... a majestic achievement, an epic of astonishing grandeur and surprising emotional depth.\nLeigh is one of the rare directors who feels acting is the heart and soul of cinema. He allows his cast members to make creative contributions to the story and dialogue. This method almost never fails him, and it works superbly here.\nPoetry in motion captured on film. While it can be a bit repetitive, overall it's an entertaining and informative documentary.\nDirecting with a sure and measured hand, (Haneke) steers clear of the sensational and offers instead an unflinching and objective look at a decidedly perverse pathology.\nThe entire movie establishes a wonderfully creepy mood.\nI found The Ring moderately absorbing, largely for its elegantly colorful look and sound.\nThe filmmakers want nothing else than to show us a good time, and in their cheap, B movie way, they succeed.\nAmari has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances.\nRabbit-Proof Fence will probably make you angry. But it will just as likely make you weep, and it will do so in a way that doesn't make you feel like a sucker.\nBoth heartbreaking and heartwarming...just a simple fable done in an artless sytle, but it's tremendously moving.\nThis masterfully calibrated psychological thriller thrives on its taut performances and creepy atmosphere even if the screenplay falls somewhat short.\nThe film's sense of imagery gives it a terrible strength, but it's propelled by the acting.\nThe Pianist (is) a supremely hopeful cautionary tale of war's madness remembered that we, today, can prevent its tragic waste of life. Here is a divine monument to a single man's struggle to regain his life, his dignity and his music.\nStrange it is, but delightfully so.\nElegant, mannered and teasing.\nAn average coming-of-age tale elevated by the wholesome twist of a pesky mother interfering during her son's discovery of his homosexuality.\nThe ingenuity that Parker displays in freshening the play is almost in a class with that of Wilde himself.\nDecasia is what has happened already to so many silent movies, newsreels and the like. The unexpected thing is that its dying, in this shower of black-and-white psychedelia, is quite beautiful.\nA droll, bitchy frolic which pokes fun at the price of popularity and small-town pretension in the Lone Star State.\nWith each of her three protagonists, Miller eloquently captures the moment when a woman's life, out of a deep-seated, emotional need, is about to turn onto a different path.\nRyan Gosling ... is at 22 a powerful young actor.\nA minor work yet there's no denying the potency of Miller's strange, fleeting brew of hopeful perseverance and hopeless closure.\nAs an introduction to the man's theories and influence, Derrida is all but useless; as a portrait of the artist as an endlessly inquisitive old man, however, it's invaluable.\nThe film is a verbal duel between two gifted performers.\nImperfect? Yes, but also intriguing and honorable, a worthwhile addition to a distinguished film legacy.\nYou'll get the enjoyable basic minimum. But not a whit more.\nWhat a great way to spend 4 units of your day.\nThe movie is hardly a masterpiece, but it does mark Ms. Bullock's best work in some time.\nAs simple and innocent a movie as you can imagine. This is a movie you can trust.\nPassionate, irrational, long-suffering but cruel as a tarantula, Helga figures prominently in this movie, and helps keep the proceedings as funny for grown-ups as for rugrats.\n``It's all about the image.''\nVividly conveys the passion, creativity, and fearlessness of one of Mexico's most colorful and controversial artists -- a captivating drama that will speak to the nonconformist in us all.\nHollywood Ending is not show-stoppingly hilarious, but scathingly witty nonetheless.\nMaybe Thomas Wolfe was right: You can't go home again.\nA compelling yarn, but not quite a ripping one.\nOn the Granger Movie Gauge of 1 to 10, The Powerpuff Girls is a fast, frenetic, funny, even punny 6 -- aimed specifically at a grade-school audience.\nThe film has several strong performances.\nI've never bought from telemarketers, but I bought this movie.\nPerfectly pitched between comedy and tragedy, hope and despair, About Schmidt instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness.\nThe funny thing is, I didn't mind all this contrived nonsense a bit.\n(Shyamalan) turns the goose-pimple genre on its empty head and fills it with spirit, purpose and emotionally bruised characters who add up to more than body count.\nA sexy, peculiar and always entertaining costume drama set in Renaissance Spain, and the fact that it's based on true events somehow makes it all the more compelling.\nAn entertaining documentary that freshly considers arguments the Bard's immortal plays were written by somebody else.\nA highly spirited, imaginative kid's movie that broaches neo-Augustinian theology: Is God stuck in Heaven because He's afraid of His best-known creation?\nCall it magic realism or surrealism, but Miss Wonton floats beyond reality with a certain degree of wit and dignity.\nRaimi and his team couldn't have done any better in bringing the story of Spider-Man to the big screen.\nThe director explores all three sides of his story with a sensitivity and an inquisitiveness reminiscent of Truffaut.\nWell-acted, well-directed and, for all its moodiness, not too pretentious.\nIt's a satisfying summer blockbuster and worth a look.\nBoomers and their kids will have a Barrie good time.\nReal Women Have Curves wears its empowerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by Ferrera and Ontiveros.\nUltimately, ``MIB II'' succeeds due to its rapid-fire delivery and enough inspired levity that it can't be dismissed as mindless.\nStage director Sam Mendes showcases Tom Hanks as a depression era hit-man in this dark tale of revenge.\nSitting in the third row of the IMAX cinema at Sydney's Darling Harbour, but I sometimes felt as though I was in the tiny two seater plane that carried the giant camera around Australia, sweeping and gliding, banking and hovering over some of the most not\nThe real charm of this trifle is the deadpan comic face of its star, Jean Reno, who resembles Sly Stallone in a hot sake half-sleep.\nWhat's so fun about this silly, outrageous, ingenious thriller is the director's talent. Watching a Brian DePalma movie is like watching an Alfred Hitchcock movie after drinking twelve beers.\nStrip it of all its excess debris, and you'd have a 90-minute, four-star movie. As it is, it's too long and unfocused.\nAn immensely entertaining look at some of the unsung heroes of 20th century pop music.\nThis familiar rise-and-fall tale is long on glamour and short on larger moralistic consequences, though it's told with sharp ears and eyes for the tenor of the times.\nThis beautifully animated epic is never dull.\nBrian Tufano's handsome widescreen photography and Paul Grabowsky's excellent music turn this fairly parochial melodrama into something really rather special.\nIt makes compelling, provocative and prescient viewing.\nA thoroughly entertaining comedy that uses Grant's own twist of acidity to prevent itself from succumbing to its own bathos.\nUsing a stock plot, About a Boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater.\nWhat Eric Schaeffer has accomplished with Never Again may not, strictly speaking, qualify as revolutionary. But it's defiantly and delightfully against the grain.\nThe hard-to-predict and absolutely essential chemistry between the down-to-earth Bullock and the nonchalant Grant proves to be sensational, and everything meshes in this elegant entertainment.\nA positively thrilling combination of ethnography and all the intrigue, betrayal, deceit and murder of a Shakespearean tragedy or a juicy soap opera.\nMr. Clooney, Mr. Kaufman and all their collaborators are entitled to take a deep bow for fashioning an engrossing entertainment out of an almost sure-fire prescription for a critical and commercial disaster.\nDefinitely funny stuff, but it's more of the 'laughing at' variety than the 'laughing with.'\nEasily the most thoughtful fictional examination of the root causes of anti-Semitism ever seen on screen.\nA real winner -- smart, funny, subtle, and resonant.\nFamily portrait of need, neurosis and nervy negativity is a rare treat that shows the promise of digital filmmaking.\nThe pitch must have read like a discarded House Beautiful spread.\nUplifting as only a document of the worst possibilities of mankind can be, and among the best films of the year.\nDirector David Jacobson gives Dahmer a consideration that the murderer never game his victims.\nThe film has a terrific look and Salma Hayek has a feel for the character at all stages of her life.\nA decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies.\nThe performances are remarkable.\nIt's Burns' visuals, characters and his punchy dialogue, not his plot, that carry waydowntown.\nAs literary desecrations go, this makes for perfectly acceptable, occasionally very enjoyable children's entertainment. You'll forget about it by Monday, though, and if they're old enough to have developed some taste, so will your kids.\nWhile I can't say it's on par with the first one, Stuart Little 2 is a light, fun cheese puff of a movie.\nStrange, funny, twisted, brilliant and macabre.\nA genuinely moving and wisely unsentimental drama.\nHeaven is a haunting dramatization of a couple's moral ascension.\nThe Mothman Prophecies is best when illustrating the demons bedevilling the modern masculine journey.\nPlays out with a dogged and eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel.\nAn entertaining British hybrid of comedy, caper thrills and quirky romance.\nAlain Choquart's camera barely stops moving, portraying both the turmoil of the time and giving Conduct a perpetual sense of urgency, which, for a film that takes nearly three hours to unspool, is both funny and irritating.\nMostly Martha could have used a little trimming -- 10 or 15 minutes could be cut and no one would notice -- but it's a pleasurable trifle. The only pain you'll feel as the credits roll is your stomach grumbling for some tasty grub.\nHardly an objective documentary, but it's great cinematic polemic...love Moore or loathe him, you've got to admire...the intensity with which he's willing to express his convictions.\nThe mark of a respectable summer blockbuster is one of two things: unadulterated thrills or genuine laughs.\nThe film is visually dazzling, the depicted events dramatic, funny and poignant.\nA directorial tour de force by Bernard Rose, ivans xtc. is one of this year's very best pictures.\nWhat makes the movie work -- to an admittedly limited extent -- is the commitment of two genuinely engaging performers. Weaver and LaPaglia are both excellent, in the kind of low-key way that allows us to forget that they are actually movie folk.\nEven the digressions are funny.\nMr. Spielberg and his company just want you to enjoy yourselves without feeling conned. And they succeed merrily at their noble endeavor.\nMelodrama with a message.\nA perfectly pleasant if slightly pokey comedy.\nCoppola's directorial debut is an incredibly layered and stylistic film that, despite a fairly slow paced, almost humdrum approach to character development, still manages at least a decent attempt at meaningful cinema.\nAt the end, when the now computerized Yoda finally reveals his martial artistry, the film ascends to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside.\nWang Xiaoshuai directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men.\nIt's hard to imagine anybody ever being ``in the mood'' to view a movie as harrowing and painful as The Grey Zone, but it's equally hard to imagine anybody being able to tear their eyes away from the screen once it's started.\nBogdanovich taps deep into the Hearst mystique, entertainingly reenacting a historic scandal.\nA moving tale of love and destruction in unexpected places, unexamined lives.\nClooney directs this film always keeping the balance between the fantastic and the believable...\nEven if you don't understand what on earth is going on, this is a movie that will stimulate hours of post viewing discussion, if only to be reminded of who did what to whom and why.\n... a lesson in prehistoric hilarity.\nA fantastically vital movie that manages to invest real humor, sensuality, and sympathy into a story about two adolescent boys.\nLawrence plumbs personal tragedy and also the human comedy.\nThough a capable thriller, somewhere along the way K-19 jettisoned some crucial drama.\nJust about the surest bet for an all-around good time at the movies this summer.\nIt would be disingenuous to call Reno a great film, but you can say that about most of the flicks moving in and out of the multiplex. This is a movie that is what it is: a pleasant distraction, a Friday night diversion, an excuse to eat popcorn.\nThere is a certain sense of experimentation and improvisation to this film that may not always work, but it is nevertheless compelling.\nThe Four Feathers has rewards, from the exoticism of its seas of sand to the fierce grandeur of its sweeping battle scenes.\nA delicious, quirky movie with a terrific screenplay and fanciful direction by Michael Gondry.\nThis story still seems timely and important. And there's an element of heartbreak to watching it now, with older and wiser eyes, because we know what will happen after Greene's story ends.\nThe bodily function jokes are about what you'd expect, but there are rich veins of funny stuff in this movie.\nThe performances are amiable and committed, and the comedy more often than not hits the bullseye.\nThis time, the hype is quieter, and while the movie is slightly less successful than the first, it's still a rollicking good time for the most part.\nThere's plenty to enjoy -- in no small part thanks to Lau.\nWith a romantic comedy plotline straight from the ages, this Cinderella story doesn't have a single surprise up its sleeve. But it does somehow manage to get you under its spell.\nThough few will argue that it ranks with the best of Herzog's works, Invincible shows he's back in form, with an astoundingly rich film.\n``Catch Me'' feels capable of charming the masses with star power, a pop-induced score and sentimental moments that have become a Spielberg trademark.\nBy no means a great movie, but it is a refreshingly forthright one.\nThe casting of Raymond J. Barry as the 'assassin' greatly enhances the quality of Neil Burger's impressive fake documentary.\nDespite Besson's high-profile name being Wasabi's big selling point, there is no doubt that Krawczyk deserves a huge amount of the credit for the film's thoroughly winning tone.\nThis documentary is a dazzling, remarkably unpretentious reminder of what (Evans) had, lost, and got back.\nA thoughtful movie, a movie that is concerned with souls and risk and schemes and the consequences of one's actions.\nAs satisfyingly odd and intriguing a tale as it was a century and a half ago...has a delightfully dour, deadpan tone and stylistic consistency.\nMethodical, measured, and gently tedious in its comedy, Secret Ballot is a purposefully reductive movie -- which may be why it's so successful at lodging itself in the brain.\nA witty, trenchant, wildly unsentimental but flawed look at the ins and outs of modern moviemaking.\nFor most of the distance the picture provides a satisfyingly unsettling ride into the dark places of our national psyche.\nBy the standards of knucklehead swill, The Hot Chick is pretty damned funny.\nOne of the most gloriously unsubtle and adrenalized extreme shockers since The Evil Dead.\n(Reaches) wholly believable and heart-wrenching depths of despair.\nAn absorbing and unsettling psychological drama.\nThis movie may not have the highest production values you've ever seen, but it's the work of an artist, one whose view of America, history and the awkwardness of human life is generous and deep.\nThough it's not very well shot or composed or edited, the score is too insistent and the dialogue is frequently overwrought and crudely literal, the film shatters you in waves.\nThe entire cast is extraordinarily good.\nYakusho, as always, is wonderful as the long-faced sad sack ... and his chemistry with Shimizu is very believable.\nYoung Hanks and Fisk, who vaguely resemble their celebrity parents, bring fresh good looks and an ease in front of the camera to the work.\nA captivatingly quirky hybrid of character portrait, romantic comedy and beat-the-clock thriller.\nThe film sparkles with the the wisdom and humor of its subjects.\nIf (Jaglom's) latest effort is not the director at his most sparkling, some of its repartee is still worth hearing.\nLike The English Patient and The Unbearable Lightness of Being, The Hours is one of those reputedly ``unfilmable'' novels that has bucked the odds to emerge as an exquisite motion picture in its own right.\nJust about the best straight-up, old-school horror film of the last 15 years.\nA chilling tale of one of the great crimes of 20th Century France: the murder of two rich women by their servants in 1933.\nAn oddity, to be sure, but one that you might wind up remembering with a degree of affection rather than revulsion.\nWhile the film is not entirely successful, it still manages to string together enough charming moments to work.\nA winning piece of work filled with love for the movies of the 1960s.\nE.T. works because its flabbergasting principals, 14-year-old Robert MacNaughton, 6-year-old Drew Barrymore and 10-year-old Henry Thomas, convince us of the existence of the wise, wizened visitor from a faraway planet.\nHelps to remind the First World that HIV/AIDS is far from being yesterday's news.\nA heartening tale of small victories and enduring hope.\nThe vistas are sweeping and the acting is far from painful.\nJackson and co have brought back the value and respect for the term epic cinema.\nIt may be a somewhat backhanded compliment to say that the film makes the viewer feel like the movie's various victimized audience members after a while, but it also happens to be the movie's most admirable quality\nCharlotte Sometimes is a brilliant movie. It is about irrational, unexplainable life and it seems so real because it does not attempt to filter out the complexity.\nA delightful stimulus for the optic nerves, so much that it's forgivable that the plot feels like every other tale of a totalitarian tomorrow.\nDefies logic, the laws of physics and almost anyone's willingness to believe in it. But darned if it doesn't also keep us riveted to our seats.\nA complex psychological drama about a father who returns to his son's home after decades away.\nWriter and director Otar Iosseliani's pleasant tale about a factory worker who escapes for a holiday in Venice reveals how we all need a playful respite from the grind to refresh our souls.\nThis is NOT a retread of ``Dead Poets' Society.''\nSweet and memorable film.\nA smart, arch and rather cold-blooded comedy.\nKeenly observed and refreshingly natural, Swimming gets the details right, from its promenade of barely clad bodies in Myrtle Beach, S.C., to the adrenaline jolt of a sudden lunch rush at the diner.\n...begins on a high note and sustains it beautifully.\nDavis ... gets vivid performances from her cast and pulls off some deft Ally McBeal-style fantasy sequences.\n'it's better to go in knowing full well what's going to happen, but willing to let the earnestness of its execution and skill of its cast take you down a familiar road with a few twists. Cynics need not apply.'\nFunny, somber, absurd, and, finally, achingly sad, Bartleby is a fine, understated piece of filmmaking.\n``Red Dragon'' is entertaining. An obvious copy of one of the best films ever made, how could it not be? But it is entertaining on an inferior level. It is a popcorn film, not a must-own, or even a must-see.\nSucceeds only because Bullock and Grant were made to share the silver screen.\nBoth flawed and delayed, Martin Scorcese's Gangs of New York still emerges as his most vital work since GoodFellas.\nAs any creature-feature fan knows, when you cross toxic chemicals with a bunch of exotic creatures, you get a lot of running around, screaming and death. On that score, the film certainly doesn't disappoint.\nAs the movie traces Mr. Brown's athletic exploits, it is impossible not to be awed by the power and grace of one of the greatest natural sportsmen of modern times.\nA moving and solidly entertaining comedy/drama that should bolster director and co-writer Juan José Campanella's reputation in the United States.\nThanks to confident filmmaking and a pair of fascinating performances, the way to that destination is a really special walk in the woods.\nBeautifully shot, delicately scored and powered by a set of heartfelt performances, it's a lyrical endeavour.\nA macabre and very stylized Swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters.\nA stylistic romp that's always fun to watch.\nInformative, intriguing, observant, often touching...gives a human face to what's often discussed in purely abstract terms.\n...once the true impact of the day unfolds, the power of this movie is undeniable.\nAn honest, sensitive story from a Vietnamese point of view.\nA buoyant romantic comedy about friendship, love, and the truth that we're all in this together.\nThe film's intimate camera work and searing performances pull us deep into the girls' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that's opened between them.\nIt's the perfect star vehicle for Grant, allowing him to finally move away from his usual bumbling, tongue-tied screen persona.\nGaunt, silver-haired and leonine, (Harris) brings a tragic dimension and savage full-bodied wit and cunning to the aging Sandeman.\nA disturbing examination of what appears to be the definition of a 'bad' police shooting.\nIt's been made with an innocent yet fervid conviction that our Hollywood has all but lost.\nNot only a reminder of how they used to make movies, but also how they sometimes still can be made.\nA three-hour cinema master class.\nEyre is on his way to becoming the American Indian Spike Lee.\nA witty, whimsical feature debut.\nWarm in its loving yet unforgivingly inconsistent depiction of everyday people, relaxed in its perfect quiet pace and proud in its message. I loved this film.\nIt provides a grim, upsetting glimpse at the lives of some of the 1.2 million Palestinians who live in the crowded cities and refugee camps of Gaza.\nClint Eastwood's Blood Work is a lot like a well-made PB& J sandwich: familiar, fairly uneventful and boasting no real surprises – but still quite tasty and inviting all the same.\nA movie that will surely be profane, politically charged music to the ears of Cho's fans.\nMuch of this slick and sprightly CGI feature is sufficiently funny to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings.\nRarely, a movie is more than a movie. Go.\nJacquot's strategy allows his cast the benefit of being able to give full performances ... while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself.\nQuitting delivers a sucker-punch, and its impact is all the greater beause director Zhang's last film, the cuddly Shower, was a non-threatening multi-character piece centered around a public bath house.\nBy not averting his eyes, Solondz forces us to consider the unthinkable, the unacceptable, the unmentionable.\nOne Hour Photo may seem disappointing in its generalities, but it's the little nuances that perhaps had to escape from director Mark Romanek's self-conscious scrutiny to happen, that finally get under your skin.\nWhile general audiences might not come away with a greater knowledge of the facts of Cuban music, they'll be treated to an impressive and highly entertaining celebration of its sounds.\nA fascinating documentary that provides a rounded and revealing overview of this ancient holistic healing system\nBirthday Girl lucks out with Chaplin and Kidman, who are capable of anteing up some movie star charisma when they need it to sell us on this twisted love story, but who can also negotiate the movie's darker turns.\nAn interesting look behind the scenes of Chicago-based rock group Wilco...\nSharp edges and a deep vein of sadness run through its otherwise comic narrative.\nThere's lots of cool stuff packed into ESPN's Ultimate X.\nRock solid family fun out of the gates, extremely imaginative through out, but wanes in the middle\nThe Ya-Ya's have many secrets and one is - the books are better. Translating complex characters from novels to the big screen is an impossible task but they are true to the essence of what it is to be Ya-Ya.\nThe touch is generally light enough and the performances, for the most part, credible.\nI liked About Schmidt a lot, but I have a feeling that I would have liked it much more if Harry & Tonto never existed.\nSteers has an unexpectedly adamant streak of warm-blooded empathy for all his disparate Manhattan denizens--especially the a**holes.\nThat Storytelling has value cannot be denied. Not even Solondz's thirst for controversy, sketchy characters and immature provocations can fully succeed at cheapening it.\nOnce the downward spiral comes to pass, Auto Focus bears out as your typical junkie opera...\nA knowing sense of humor and a lot of warmth ignite Son of the Bride.\nA rich tale of our times, very well told with an appropriate minimum of means.\nThe characters are complex and quirky, but entirely believable as the remarkable ensemble cast brings them to life.\nIn all fairness, I must report that the children of varying ages in my audience never coughed, fidgeted or romped up and down the aisles for bathroom breaks.\nAs gory as the scenes of torture and self-mutilation may be, they are pitted against shimmering cinematography that lends the setting the ethereal beauty of an Asian landscape painting.\nEfficient, suitably anonymous chiller.\nGorgeous scenes, masterful performances, but the sickly sweet gender normative narrative left an acrid test in this gourmet's mouth.\nThe hot topics of the plot are relegated to the background -- a welcome step forward from the Sally Jesse Raphael atmosphere of films like Philadelphia and American Beauty.\nIt's usually a bad sign when directors abandon their scripts and go where the moment takes them, but Olympia, Wash., based filmmakers Anne de Marcken and Marilyn Freeman did just that and it's what makes their project so interesting.\nA memorable experience that, like many of his works, presents weighty issues colorfully wrapped up in his own idiosyncratic strain of kitschy goodwill.\nExecuted with such gentle but insistent sincerity, with such good humor and appreciation of the daily grind that only the most hardhearted Scrooge could fail to respond.\nThe gentle comic treatment of adolescent sturm und drang should please fans of Chris Fuhrman's posthumously published cult novel.\nDirector Claude Chabrol has become the master of innuendo. It is not what you see, it is what you think you see.\nA deftly entertaining film, smartly played and smartly directed.\nA documentary to make the stones weep -- as shameful as it is scary.\nI hope the movie is widely seen and debated with appropriate ferocity and thoughtfulness.\nA thought-provoking look at how Western foreign policy - however well intentioned - can wreak havoc in other cultures.\nAsks what truth can be discerned from non-firsthand experience, and specifically questions cinema's capability for recording truth.\nThe journey to the secret's eventual discovery is a separate adventure, and thrill enough.\nA quiet, disquieting triumph.\nDarkly funny and frequently insightful.\n...the tale of her passionate, tumultuous affair with Musset unfolds as Sand's masculine persona, with its love of life and beauty, takes form.\nIf you want to see a train wreck that you can't look away from, then look no further, because here it is.\nThere's so much to look at in Metropolis you hate to tear your eyes away from the images long enough to read the subtitles.\nThe search for redemption makes for a touching love story, mainly because Blanchett and Ribisi compellingly tap into a spiritual aspect of their characters' suffering.\nA film of ideas and wry comic mayhem.\nAt its worst the screenplay is callow, but at its best it is a young artist's thoughtful consideration of fatherhood.\nA worthwhile documentary, whether you're into rap or not, even if it may still leave you wanting more answers as the credits roll.\nFessenden's narrative is just as much about the ownership and redefinition of myth as it is about a domestic unit finding their way to joy.\nThat the film opens with maggots crawling on a dead dog is not an out of place metaphor.\nStanley Kwan has directed not only one of the best gay love stories ever made, but one of the best love stories of any stripe.\nThe concert footage is stirring, the recording sessions are intriguing, and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers.\nNorton holds the film together.\n(There's) quite a bit of heart, as you would expect from the directors of The Little Mermaid and Aladdin.\nYou won't have any trouble getting kids to eat up these Veggies.\nA creaky staircase gothic.\nEnjoyably dumb, sweet, and intermittently hilarious -- if you've a taste for the quirky, steal a glimpse.\nA movie that sends you out of the theater feeling like you've actually spent time living in another community.\nLight-years ahead of paint-by-number American blockbusters like Pearl Harbor, at least artistically.\nA fascinating documentary about the long and eventful spiritual journey of the guru who helped launch the New Age.\nIsabelle Huppert excels as the enigmatic Mika and Anna Mouglalis is a stunning new young talent in one of Chabrol's most intense psychological mysteries.\nPerhaps not since Nelson Eddy crooned his Indian Love Call to Jeanette MacDonald has there been a movie so unabashedly Canadian, not afraid to risk American scorn or disinterest.\nWedding feels a bit anachronistic. Still, not every low-budget movie must be quirky or bleak, and a happy ending is no cinematic sin.\nIt's still a comic book, but Maguire makes it a comic book with soul.\nBrings to a spectacular completion one of the most complex, generous and subversive artworks of the last decade.\nAn amusing and unexpectedly insightful examination of sexual jealousy, resentment and the fine line between passion and pretence.\nA fascinating, bombshell documentary that should shame Americans, regardless of whether or not ultimate blame finally lies with Kissinger. Should be required viewing for civics classes and would-be public servants alike.\nAdaptation's success in engaging the audience in the travails of creating a screenplay is extraordinary.\nA polished and vastly entertaining caper film that puts the sting back into the con.\nIt's no surprise that as a director Washington demands and receives excellent performances, from himself and from newcomer Derek Luke.\n... while each moment of this broken character study is rich in emotional texture, the journey doesn't really go anywhere.\nThe film gets close to the chimps the same way Goodall did, with a serious minded patience, respect and affection.\nIt's an often-cute film but either needs more substance to fill the time or some judicious editing.\nThis may be Burns's strongest film since The Brothers McMullen.\nWhat makes this film special is Serry's ability to take what is essentially a contained family conflict and put it into a much larger historical context.\nIt's Quaid who anchors the film with his effortless performance and that trademark grin of his -- so perfect for a ballplayer.\nIt is OK for a movie to be something of a sitcom apparatus, if the lines work, the humor has point and the actors are humanly engaged.\nThough not for everyone, The Guys is a somber trip worth taking.\nA sly female empowerment movie, although not in a way anyone would expect.\nYou really have to salute writer-director Haneke (he adapted Elfriede Jelinek's novel) for making a film that isn't nearly as graphic but much more powerful, brutally shocking and difficult to watch.\nIt's a wonderful, sobering, heart-felt drama.\nRuns on the pure adrenalin of Pacino's performance.\nThe Paradiso's rusted-out ruin and ultimate collapse during the film's final (restored) third...emotionally belittle a cinema classic. Sometimes shorter is better.\nPhillip Noyce and all of his actors -- as well as his cinematographer, Christopher Doyle -- understand the delicate forcefulness of Greene's prose, and it's there on the screen in their version of The Quiet American.\nThe film just might turn on many people to opera, in general, an art form at once visceral and spiritual, wonderfully vulgar and sublimely lofty -- and as emotionally grand as life.\nAs a vehicle to savour Binoche's skill, the film is well worthwhile.\nThe huskies are beautiful, the border collie is funny and the overall feeling is genial and decent.\nWhatever complaints I might have, I'd take (its) earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like Antwone Fisher or The Emperor's Club any time.\nMastering its formidable arithmetic of cameras and souls, Group articulates a flood of emotion.\nA pretty decent kid-pleasing, tolerable-to-adults lark of a movie.\nEven during the climactic hourlong cricket match, boredom never takes hold.\nCombine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why didn't Hollywood think of this sooner?\nLike Kubrick, Soderbergh isn't afraid to try any genre and to do it his own way.\nNothing can detract from the affection of that moral favorite: friends will be friends through thick and thin.\nIf the film has a problem, its shortness disappoints: You want the story to go on and on.\nUnlike most anime, whose most ardent fans outside Japan seem to be introverted young men with fantasy fetishes, Metropolis never seems hopelessly juvenile.\nThe plot twists give I Am Trying to Break Your Heart an attraction it desperately needed.\nThe most brilliant and brutal UK crime film since Jack Carter went back to Newcastle, the first half of Gangster No. 1 drips with style and, at times, blood.\nLike its New England characters, most of whom wander about in thick clouds of denial, the movie eventually gets around to its real emotional business, striking deep chords of sadness.\nThe Bai brothers have taken an small slice of history and opened it up for all of us to understand, and they've told a nice little story in the process.\nFlamboyant in some movies and artfully restrained in others, 65-year-old Jack Nicholson could be looking at his 12th Oscar nomination by proving that he's now, more than ever, choosing his roles with the precision of the insurance actuary.\n...is there a deeper, more direct connection between these women, one that spans time and reveals meaning? You bet there is and it's what makes this rather convoluted journey worth taking.\nThe most amazing super-sized dosage of goofball stunts any ``Jackass'' fan could want.\nReal Women may have many agendas, but it also will win you over, in a big way.\nYoung Everlyn Sampi, as the courageous Molly Craig, simply radiates star-power potential in this remarkable and memorable film.\nSurprisingly powerful and universal.\nApart from its own considerable achievement, Metropolis confirms Tezuka's status as both the primary visual influence on the animé tradition and its defining philosophical conscience.\nI'll put it this way: If you're in the mood for a melodrama narrated by talking fish, this is the movie for you.\nMorvern Callar confirms Lynne Ramsay as an important, original talent in international cinema.\nWell-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process.\nA plethora of engaging diatribes on the meaning of 'home,' delivered in grand passion by the members of the various households.\nIt's technically sumptuous but also almost wildly alive.\nThis film puts Wang at the forefront of China's Sixth Generation of film makers.\nit's refreshing to see a movie that embraces its old-fashioned themes and in the process comes out looking like something wholly original.\nWiseman is patient and uncompromising, letting his camera observe and record the lives of women torn apart by a legacy of abuse.\nThere's none of the happily-ever -after spangle of Monsoon Wedding in Late Marriage -- and that's part of what makes Dover Kosashvili's outstanding feature debut so potent.\nAn ingenious and often harrowing look at damaged people and how families can offer either despair or consolation.\nArguably the best script that Besson has written in years.\nIt's no lie -- Big Fat Liar is a real charmer.\nInvigorating, surreal, and resonant with a rainbow of emotion.\nDirector Alfonso Cuaron gets vivid, convincing performances from a fine cast, and generally keeps things going at a rapid pace, occasionally using an omniscient voice-over narrator in the manner of French New Wave films.\nPray has really done his subject justice.\nAn unexpectedly sweet story of sisterhood.\nMaintains your sympathy for this otherwise challenging soul by letting you share her one-room world for a while.\nA subtle, humorous, illuminating study of politics, power and social mobility.\nEven if you have no interest in the gang-infested, East-vs.-West Coast rap wars, this modern mob music drama never fails to fascinate.\nNair's attention to detail creates an impeccable sense of place, while Thurman and Lewis give what can easily be considered career-best performances.\nBerry's saucy, full-bodied performance gives this aging series a much needed kick, making ``Die Another Day'' one of the most entertaining Bonds in years\nRed Dragon is less baroque and showy than Hannibal, and less emotionally affecting than Silence. But, like Silence, it's a movie that gets under your skin.\nCaviezel embodies the transformation of his character completely.\nA creepy, intermittently powerful study of a self-destructive man...about as unsettling to watch as an exploratory medical procedure or an autopsy.\nPacino and Williams seem to keep upping the ante on each other, just as their characters do in the film. What results is the best performance from either in years.\nThe cast is top-notch and I predict there will be plenty of female audience members drooling over Michael Idemoto as Michael.\nBéart and Berling are both superb, while Huppert ... is magnificent.\nAll the actors are good in Pauline & Paulette but van der Groen, described as 'Belgium's national treasure,' is especially terrific as Pauline.\nMiyazaki has created such a vibrant, colorful world, it's almost impossible not to be swept away by the sheer beauty of his images.\nMuccino seems to be exploring the idea of why human beings long for what they don't have, and how this gets us in trouble. But even while his characters are acting horribly, he is always sympathetic.\nWhether or not you buy Mr. Broomfield's findings, the film acquires an undeniable entertainment value as the slight, pale Mr. Broomfield continues to force himself on people and into situations that would make lesser men run for cover.\nOzpetek joins the ranks of those gay filmmakers who have used the emigre experience to explore same-sex culture in ways that elude the more nationally settled.\n...an eerily suspenseful, deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller.\nI've never seen or heard anything quite like this film, and I recommend it for its originality alone.\nNicole Kidman makes it a party worth attending.\nThe direction has a fluid, no-nonsense authority, and the performances by Harris, Phifer and Cam'ron seal the deal.\nThe Komediant is a tale worth catching.\nThe writing is clever and the cast is appealing.\nThe simplicity of The Way Home has few equals this side of Aesop\nLife on the rez is no picnic: this picture shows you why.\nSpielberg has managed to marry science fiction with film noir and action flicks with philosophical inquiry.\nIt's the type of film about growing up that we don't see often enough these days: realistic, urgent, and not sugarcoated in the least.\nA taut, sobering film.\nExudes the fizz of a Busby Berkeley musical and the visceral excitement of a sports extravaganza.\nIt's full of cheesy dialogue, but great trashy fun that finally returns De Palma to his pulpy thrillers of the early '80s.\nThe results, if not memorable, are at least interesting.\nA quietly moving look back at what it was to be Iranian-American in 1979.\nLike a veteran head cutter, Barbershop is tuned in to its community.\nI'm sure mainstream audiences will be baffled, but, for those with at least a minimal appreciation of Woolf and Clarissa Dalloway, The Hours represents two of those well spent.\nYou live the mood rather than savour the story.\nAngela Gheorghiu as famous prima donna Floria Tosca, Roberto Alagna as her lover Mario Cavaradossi, and Ruggero as the villainous, lecherous police chief Scarpia, all sing beautifully and act adequately.\nWhile there are times when the film's reach exceeds its grasp, the production works more often than it doesn't.\nWhile Scorsese's bold images and generally smart casting ensure that ``Gangs'' is never lethargic, the movie is hindered by a central plot that's peppered with false starts and populated by characters who are nearly impossible to care about.\nWatching this gentle, mesmerizing portrait of a man coming to terms with time, you barely realize your mind is being blown.\nThe beautifully choreographed kitchen ballet is simple but absorbing.\nThere's...an underlying Old World sexism to Monday Morning that undercuts its charm.\n``The best Disney movie since the Lion King''\nTranscends its agenda to deliver awe-inspiring, at times sublime, visuals and offer a fascinating glimpse into the subculture of extreme athletes whose derring-do puts the X into the games.\nThink of it as Gidget, only with muscles and a lot more smarts, but just as endearing and easy to watch.\nThere is no solace here, no entertainment value, merely a fierce lesson in where filmmaking can take us.\nGiggling at the absurdities and inconsistencies is part of the fun. But the talented cast alone will keep you watching, as will the fight scenes.\nArteta paints a picture of lives lived in a state of quiet desperation.\nDrug abuse, infidelity and death aren't usually comedy fare, but Turpin's film allows us to chuckle through the angst.\nWhile Insomnia is in many ways a conventional, even predictable remake, Nolan's penetrating undercurrent of cerebral and cinemantic flair lends (it) stimulating depth.\nEfteriades gives the neighborhood -- scenery, vibe and all -- the cinematic equivalent of a big, tender hug.\nThis is a nicely handled affair, a film about human darkness but etched with a light (yet unsentimental) touch.\nAmazing! A college story that works even without vulgarity, sex scenes, and cussing!\nThe amazing film work is so convincing that by movies' end you'll swear you are wet in some places and feel sand creeping in others.\nA raunchy and frequently hilarious follow-up to the gifted Korean American stand-up's I'm the One That I Want.\nIf you ever wanted to be an astronaut, this is the ultimate movie experience - it's informative and breathtakingly spectacular.\nWhile Parker and co-writer Catherine di Napoli are faithful to Melville's plotline, they and a fully engaged supporting cast ... have made the old boy's characters more quick-witted than any English Lit major would have thought possible.\nA smart, sassy and exceptionally charming romantic comedy.\nThere are flaws, but also stretches of impact and moments of awe; we're wrapped up in the characters, how they make their choices, and why.\nA gift to anyone who loves both dance and cinema\nIt seems Grant doesn't need the floppy hair and the self-deprecating stammers after all.\nA reminder that beyond all the hype and recent digital glitz, Spielberg knows how to tell us about people.\nOne of the finest, most humane and important Holocaust movies ever made.\nAn engrossing and infectiously enthusiastic documentary.\nA beautiful, timeless and universal tale of heated passions -- jealousy, betrayal, forgiveness and murder.\nA culture-clash comedy that, in addition to being very funny, captures some of the discomfort and embarrassment of being a bumbling American in Europe.\nShattering, devastating documentary on two maladjusted teens in a downward narcotized spiral. Extraordinary debut from Josh Koury.\nThe most compelling performance of the year adds substantial depth to this shocking testament to anti-Semitism and neo-fascism.\nFor those who are intrigued by politics of the '70s, the film is every bit as fascinating as it is flawed.\nAll right, so it's not a brilliant piece of filmmaking, but it is a funny (sometimes hilarious) comedy with a deft sense of humor about itself, a playful spirit and a game cast.\nDouglas McGrath's Nicholas Nickleby does Dickens as it should be done cinematically.\nIt's a lovely, eerie film that casts an odd, rapt spell.\nThe quirky and recessive charms of co-stars Martin Donovan and Mary-Louise Parker help overcome the problematic script.\nIt's good to see Michael Caine whipping out the dirty words and punching people in the stomach again.\nYou just know something terrible is going to happen. But when it does, you're entirely unprepared.\nIt's fun, wispy, wise and surprisingly inoffensive for a film about a teen in love with his stepmom.\nAble to provide insight into a fascinating part of theater history.\nAn unflinching, complex portrait of a modern Israel that is rarely seen on-screen.\nA Jewish WW II doc that isn't trying simply to out-shock, out-outrage or out-depress its potential audience! Who knew...\nIt's a familiar story, but one that is presented with great sympathy and intelligence.\nGently humorous and touching.\nIt won't hold up over the long haul, but in the moment, Finch's tale provides the forgettable pleasures of a Saturday matinee.\nKinnear's performance is a career-defining revelation.\nThe film is predictable in the reassuring manner of a beautifully sung holiday carol.\n...hits every cliche we've come to expect, including the assumption that ``crazy'' people are innocent, childlike and inherently funny.\nThe strong subject matter continues to shock throughout the film. Not everyone will play the dark, challenging tune taught by The Piano Teacher.\nA certain sexiness underlines even the dullest tangents.\nYou may be captivated, as I was, by its moods, and by its subtly transformed star, and still wonder why Paul Thomas Anderson ever had the inclination to make the most sincere and artful movie in which Adam Sandler will probably ever appear.\nThere is no substitute for on-screen chemistry, and when Friel pulls the strings that make Williams sink into melancholia, the reaction in Williams is as visceral as a gut punch.\nThat old adage about women being unknowable gets an exhilarating new interpretation in Morvern Callar.\nA mix of gritty realism, crisp storytelling and radiant compassion that effortlessly draws you in.\nAfter watching it, you can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history.\nIn his U.S. debut, Mr. Schnitzler proves himself a deft pace master and stylist.\nUltimate X is a ride, basically the kind of greatest-hits reel that might come with a subscription to ESPN the Magazine.\nRich in shadowy metaphor and as sharp as a samurai sword, Jiang Wen's Devils on the Doorstep is a wartime farce in the alternately comic and gut-wrenching style of Joseph Heller or Kurt Vonnegut.\nOffers a clear-eyed chronicle of a female friendship that is more complex and honest than anything represented in a Hollywood film.\nA winning comedy with its wry observations about long-lived friendships and the ways in which we all lose track of ourselves by trying to please others.\nIts cast full of caffeinated comedy performances more than make up for its logical loopholes, which fly by so fast there's no time to think about them anyway.\nLohman adapts to the changes required of her, but the actress and director Peter Kosminsky never get the audience to break through the wall her character erects\nAlthough it includes a fair share of dumb drug jokes and predictable slapstick, ``Orange County'' is far funnier than it would seem to have any right to be.\nFor a movie audience, The Hours doesn't connect in a neat way, but introduces characters who illuminate mysteries of sex, duty and love.\nA bright, inventive, thoroughly winning flight of revisionist fancy.\nOzpetek's effort has the scope and shape of an especially well-executed television movie.\nAffirms the gifts of all involved, starting with Spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together.\nA delightful little film that revels in its own simplicity, Mostly Martha will leave you with a smile on your face and a grumble in your stomach.\nMakes one thing abundantly clear. American musical comedy as we know it wouldn't exist without the precedent of Yiddish theater, whose jolly, fun-for-fun's-sake communal spirit goes to the essence of Broadway.\nDeepa Mehta provides an accessible introduction as well as some intelligent observations on the success of Bollywood in the Western world.\nIf anything, the film is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans.\nIn addition to gluing you to the edge of your seat, Changing Lanes is also a film of freshness, imagination and insight.\nPan Nalin's exposition is beautiful and mysterious, and the interviews that follow, with the practitioners of this ancient Indian practice, are as subtle and as enigmatic.\nThe mood, look and tone of the film fit the incredible storyline to a T.\nIt's crafty, energetic and smart -- the kid is sort of like a fourteen-year old Ferris Bueller.\nA work of extraordinary journalism, but it is also a work of deft and subtle poetry.\nIt's funny and human and really pretty damned wonderful, all at once.\nAt 78 minutes it just zings along with vibrance and warmth.\nA strangely stirring experience that finds warmth in the coldest environment and makes each crumb of emotional comfort feel like a 10-course banquet.\nSometimes this 'Blood' seems as tired as its protagonist...Still, the pulse never disappears entirely, and the picture crosses the finish line winded but still game.\nThe stripped-down dramatic constructs, austere imagery and abstract characters are equal parts poetry and politics, obvious at times but evocative and heartfelt.\nDogtown and Z-Boys more than exposes the roots of the skateboarding boom that would become ``the punk kids' revolution.''\n...plenty of warmth to go around, with music and laughter and the love of family.\nIt'll keep you wide awake and ... very tense.\nCould use a little more humanity, but it never lacks in eye-popping visuals.\n(Danny Huston gives) an astounding performance that deftly, gradually reveals a real human soul buried beneath a spellbinding serpent's smirk.\nThese three films form a remarkably cohesive whole, both visually and thematically, through their consistently sensitive and often exciting treatment of an ignored people.\nA funny and well-contructed black comedy where the old adage ``be careful what you wish for'' is given a full workout.\nIt reaffirms life as it looks in the face of death.\nThe film is reasonably entertaining, though it begins to drag two-thirds through, when the melodramatic aspects start to overtake the comedy.\nThis is more fascinating -- being real -- than anything seen on Jerry Springer.\nA different movie -- sometimes tedious -- by a director many viewers would like to skip but film buffs should get to know.\nWilliams plays Sy, another of his open-faced, smiling madmen, like the killer in Insomnia. He does this so well you don't have the slightest difficulty accepting him in the role.\nTwist open the Ouzo! It's time to let your hair down – Greek style. A vibrant whirlwind of love, family and all that goes with it, My Big Fat Greek Wedding is a non-stop funny feast of warmth, colour and cringe.\nThought-provoking and stylish, if also somewhat hermetic.\nBroomfield is energized by Volletta Wallace's maternal fury, her fearlessness, and because of that, his film crackles.\nWhile it has definite weaknesses -- like a rather unbelievable love interest and a meandering ending -- this '60s caper film is a riveting, brisk delight.\nFunny in a sick, twisted sort of way.\nIf cinema had been around to capture the chaos of France in the 1790's, one imagines the result would look like something like this.\nIt's a talking head documentary, but a great one.\nThe Fast Runner' transports the viewer into an unusual space\nUltimately engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of Chinese 'cultural revolution.'\n...a solid, well-formed satire.\nAs part of Mr. Dong's continuing exploration of homosexuality in America, Family Fundamentals is an earnest study in despair.\nMost consumers of lo mein and General Tso's chicken barely give a thought to the folks who prepare and deliver it, so, hopefully, this film will attach a human face to all those little steaming cartons.\nHatosy ... portrays young Brendan with his usual intelligence and subtlety, not to mention a convincing brogue.\nThe filmmakers' eye for detail and the high standards of performance convey a strong sense of the girls' environment.\nUneven, self-conscious but often hilarious spoof.\nEven bigger and more ambitious than the first installment, Spy Kids 2 looks as if it were made by a highly gifted 12-year-old instead of a grown man.\nThanks to The Château's balance of whimsicality, narrative discipline and serious improvisation, almost every relationship and personality in the film yields surprises.\nAlan and his fellow survivors are idiosyncratic enough to lift the movie above its playwriting 101 premise.\nFresh and raw like a blown-out vein, Narc takes a walking-dead, cop-flick subgenre and beats new life into it.\nThe premise of Jason X is silly but strangely believable.\nIt's a wise and powerful tale of race and culture forcefully told, with superb performances throughout.\nAn awfully good, achingly human picture.\nThe cast comes through even when the movie doesn't.\nYou'll laugh at either the obviousness of it all or its stupidity or maybe even its inventiveness, but the point is, you'll laugh.\nDefinitely worth 95 minutes of your time.\nThe film jolts the laughs from the audience--as if by cattle prod.\nA sexy, surprising romance... Idemoto and Kim make a gorgeous pair... their scenes brim with sexual possibility and emotional danger.\nToes the fine line between cheese and earnestness remarkably well; everything is delivered with such conviction that it's hard not to be carried away.\nWhereas Oliver Stone's conspiracy thriller JFK was long, intricate, star-studded and visually flashy, Interview with the Assassin draws its considerable power from simplicity.\nFunny, sexy, devastating and incurably romantic.\nTriple X is a double agent, and he's one bad dude. When you've got the wildly popular Vin Diesel in the equation, it adds up to big box office bucks all but guaranteed.\nVery well-written and very well-acted.\nA powerful and telling story that examines forbidden love, racial tension, and other issues that are as valid today as they were in the 1950s.\nYou emerge dazed, confused as to whether you've seen pornography or documentary.\nIt ain't art, by a long shot, but unlike last year's lame Musketeer, this Dumas adaptation entertains.\nlikeable thanks to its cast, its cuisine and its quirky tunes.\nChilling in its objective portrait of dreary, lost twenty-first century America.\nHighly recommended as an engrossing story about a horrifying historical event and the elements which contributed to it.\n... there's enough cool fun here to warm the hearts of animation enthusiasts of all ages.\nIt manages to squeeze by on Angelina Jolie's surprising flair for self-deprecating comedy.\nSecretary manages a neat trick, bundling the flowers of perversity, comedy and romance into a strangely tempting bouquet of a movie.\nJudith and Zaza's extended bedroom sequence ... is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics.\nPhotographed with melancholy richness and eloquently performed yet also decidedly uncinematic.\nA knowing look at female friendship, spiked with raw urban humor.\nAs I settled into my World War II memories, I found myself strangely moved by even the corniest and most hackneyed contrivances.\nThe overall effect is awe and affection -- and a strange urge to get on a board and, uh, shred, dude.\nIt's that rare family movie -- genuine and sweet without relying on animation or dumb humor.\nThe Trinity Assembly approaches the endeavor with a shocking lack of irony, and George Ratliff's documentary, Hell House, reflects their earnestness -- which makes for a terrifying film.\nConfessions may not be a straightforward bio, nor does it offer much in the way of Barris' motivations, but the film is an oddly fascinating depiction of an architect of pop culture.\nA special kind of movie, this melancholic film noir reminded me a lot of Memento...\nSimple, poignant and leavened with humor, it's a film that affirms the nourishing aspects of love and companionship.\nTogether, Miller, Kuras and the actresses make Personal Velocity into an intricate, intimate and intelligent journey.\nThe wonder of Mostly Martha is the performance of Gedeck, who makes Martha enormously endearing.\nWith Notorious C.H.O. Cho proves she has the stuff to stand tall with Pryor, Carlin and Murphy.\nLess front-loaded and more shapely than the two-hour version released here in 1990.\nWatching War Photographer, you come to believe that Nachtwey hates the wars he shows and empathizes with the victims he reveals.\n(A) real pleasure in its laid-back way.\nSome may choose to interpret the film's end as hopeful or optimistic but I think Payne is after something darker.\nThough it runs 163 minutes, Safe Conduct is anything but languorous. It's packed to bursting with incident, and with scores of characters, some fictional, some from history.\nA much better documentary -- more revealing, more emotional and more surprising -- than its pedestrian English title would have you believe.\nNotwithstanding my problem with the movie's final half hour, I'm going to recommend SECRETARY, based on the wonderful acting clinic put on by Spader and Gyllenhaal, and also the unique way Shainberg goes about telling what at heart is a sweet little girl-\nA well-crafted film that is all the more remarkable because it achieves its emotional power and moments of revelation with restraint and a delicate ambiguity.\nThe film has the uncanny ability to right itself precisely when you think it's in danger of going wrong.\nMy Big Fat Greek Wedding is that rare animal known as 'a perfect family film,' because it's about family.\nwould make an excellent companion piece to the similarly themed 'The French Lieutenant's Woman.'\n... with the gifted Pearce on hand to keep things on semi-stable ground dramatically, this retooled Machine is ultimately effective enough at achieving the modest, crowd-pleasing goals it sets for itself.\nA movie that's just plain awful but still manages to entertain on a guilty-pleasure, so-bad-it's-funny level.\nA disoriented but occasionally disarming saga packed with moments out of an Alice in Wonderland adventure, a stalker thriller, and a condensed season of TV's Big Brother.\nFunctions as both a revealing look at the collaborative process and a timely, tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing.\nWith a confrontational stance, Todd Solondz takes aim on political correctness and suburban families.\nA mess, but it's a sincere mess.\nThis odd, distant Portuguese import more or less borrows from Bad Lieutenant and Les Vampires, and comes up with a kind of art-house gay porn film.\nFor a debut film, Skin of Man, Heart of Beast feels unusually assured.\nA photographic marvel of sorts, and it's certainly an invaluable record of that special fishy community.\nIt's soulful and unslick, and that's apparently just what (Aniston) has always needed to grow into a movie career.\nAlthough Olivier Assayas' elegantly appointed period drama seems, at times, padded with incident in the way of a too-conscientious adaptation ... its three-hour running time plays closer to two.\nA jaw-droppingly beautiful work that upends nearly every cliché of Japanese animation while delivering a more than satisfactory amount of carnage.\nTerry is a sort of geriatric Dirty Harry, which will please Eastwood's loyal fans -- and suits the story, wherein our hero must ride roughshod over incompetent cops to get his man.\nParts seem like they were lifted from Terry Gilliam's subconscious, pressed through Kafka's meat grinder and into Buñuel's casings\n'Like a child with an important message to tell...(Skins') faults are easy to forgive because the intentions are lofty.'\nA delightful entree in the tradition of food movies.\nAn escapist confection that's pure entertainment.\nThe Ring is worth a look, if you don't demand much more than a few cheap thrills from your Halloween entertainment.\nThe movie ultimately relies a bit too heavily on grandstanding, emotional, Rocky-like moments ... but it's such a warm and charming package that you'll feel too happy to argue much.\nThrowing it all away for the fleeting joys of love's brief moment.\nArmed with a game supporting cast, from the pitch-perfect Forster to the always hilarious Meara and Levy, Like Mike shoots and scores, doing its namesake proud.\nA decent-enough nail-biter that stands a good chance of being the big hit Franklin needs to stay afloat in Hollywood.\nBegins like a docu-drama but builds its multi-character story with a flourish.\nOne of the most genuinely sweet films to come along in quite some time.\nAfter an uncertain start, Murder hits and generally sustains a higher plateau with Bullock's memorable first interrogation of Gosling.\nThe story ultimately takes hold and grips hard.\nA bit of a downer and a little over-dramatic at times, but this is a beautiful film for people who like their romances to have that French realism.\nAn emotionally strong and politically potent piece of cinema.\nEnticing and often funny documentary.\nGoing to this movie is a little like chewing whale blubber - it's an acquired taste that takes time to enjoy, but it's worth it, even if it does take 3 hours to get through.\nA portrait of hell so shattering it's impossible to shake.\nAlmodovar is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what William James once called 'the gift of tears.'\nBetter than the tepid Star Trek: Insurrection; falls short of First Contact because the villain couldn't pick the lint off Borg Queen Alice Krige's cape; and finishes half a parsec (a nose) ahead of Generations.\nAt times a bit melodramatic and even a little dated (depending upon where you live), Ignorant Fairies is still quite good-natured and not a bad way to spend an hour or two.\nTense, terrific, sweaty-palmed fun.\nMajidi's direction has never been smoother or more confident.\nWhat a bewilderingly brilliant and entertaining movie this is.\nHard, endearing, caring, warm. Bring tissues.\nA thriller with an edge -- which is to say that it doesn't follow the stale, standard, connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world.\n``Me Without You'' is a probing examination of a female friendship set against a few dynamic decades.\nInherently caustic and oddly whimsical, the film chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss.\nThough Frodo's quest remains unfulfilled, a hardy group of determined New Zealanders has proved its creative mettle.\nIt's a square, sentimental drama that satisfies, as comfort food often can.\nPure cinematic intoxication, a wildly inventive mixture of comedy and melodrama, tastelessness and swooning elegance.\nRamsay is clearly extraordinarily talented, and based on three short films and two features, here's betting her third feature will be something to behold.\nI was impressed by how many tit-for-tat retaliatory responses the filmmakers allow before pulling the plug on the conspirators and averting an American-Russian Armageddon.\nA classy, sprightly spin on film.\nfast, frantic and fun, but also soon forgotten\nA spiffy animated feature about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth.\nDevos and Cassel have tremendous chemistry -- their sexual and romantic tension, while never really vocalized, is palpable.\nFulfills the minimum requirement of Disney animation.\nA moving, if uneven, success.\nWith one exception, every blighter in this particular South London housing project digs into dysfunction like it's a big, comforting jar of Marmite, to be slathered on crackers and served as a feast of bleakness.\nWickedly funny, visually engrossing, never boring, this movie challenges us to think about the ways we consume pop culture.\nThere's plenty to impress about E.T.\nA chronicle not only of one man's quest to be president, but of how that man single-handedly turned a plane full of hard-bitten, cynical journalists into what was essentially, by campaign's end, an extended publicity department.\nUntil it goes off the rails in its final 10 or 15 minutes, Wendigo, Larry Fessenden's spooky new thriller, is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films.\n(Woo's) most resonant film since The Killer.\nCollateral Damage is trash, but it earns extra points by acting as if it weren't.\nA whole lot of fun and funny in the middle, though somewhat less hard-hitting at the start and finish.\nMaybe it is formula filmmaking, but there's nothing wrong with that if the film is well-crafted and this one is.\n(Fincher's) camera sense and assured pacing make it an above-average thriller.\nThe film is insightful about Kissinger's background and history.\nAn engrossing portrait of a man whose engaging manner and flamboyant style made him a truly larger-than-life character.\nA lot of the credit for the film's winning tone must go to Grant, who hasn't lost a bit of the dry humor that first made audiences on both sides of the Atlantic love him.\nExploits (headbanger) stereotypes in good fun, while adding a bit of heart and unsettling subject matter.\nA journey that is as difficult for the audience to take as it is for the protagonist -- yet it's potentially just as rewarding.\nRatliff's two previous titles, Plutonium Circus and Purgatory County show his penchant for wry, contentious configurations, and this film is part of that delicate canon.\nFrom its invitingly upbeat overture to its pathos-filled but ultimately life-affirming finale, Martin is a masterfully conducted work.\nPassions, obsessions, and loneliest dark spots are pushed to their most virtuous limits, lending the narrative an unusually surreal tone.\nA comedy that swings and jostles to the rhythms of life.\nAt times Auto Focus feels so distant you might as well be watching it through a telescope. Yet in its own aloof, unreachable way it's so fascinating you won't be able to look away for a second.\nIf you're part of her targeted audience, you'll cheer. Otherwise, maybe.\nAs animation increasingly emphasizes the computer and the cool, this is a film that takes a stand in favor of tradition and warmth.\nBlade II merges bits and pieces from fighting games, wire fu, horror movies, mystery, James Bond, wrestling, sci-fi and anime into one big bloody stew.\nInstead of hitting the audience over the head with a moral, Schrader relies on subtle ironies and visual devices to convey point of view.\nK-19 will not go down in the annals of cinema as one of the great submarine stories, but it is an engaging and exciting narrative of Man confronting the Demons of his own fear and paranoia.\nContrived as this may sound, Mr. Rose's updating works surprisingly well.\nA glib but bouncy bit of sixties-style slickness in which the hero might wind up caught but the audience gets pure escapism.\nYou don't need to be a hip-hop fan to appreciate Scratch, and that's the mark of a documentary that works.\nBetween bursts of automatic gunfire, the story offers a trenchant critique of capitalism.\nCombines improbable melodrama (gored bullfighters, comatose ballerinas) with subtly kinky bedside vigils and sensational denouements, and yet at the end, we are undeniably touched.\nWhile the story's undeniably hard to follow, Iwai's gorgeous visuals seduce.\nIf you can get past the taboo subject matter, it will be well worth your time.\nA lovely film...elegant, witty and beneath a prim exterior unabashedly romantic...hugely enjoyable in its own right though not really faithful to its source's complexity.\nScooby Doo is surely everything its fans are hoping it will be, and in that sense is a movie that deserves recommendation.\n(A) devastatingly powerful and astonishingly vivid Holocaust drama.\nA solid cast, assured direction and complete lack of modern day irony.\nThese characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field, and I'm all for that.\nA sun-drenched masterpiece, part parlor game, part psychological case study, part droll social satire.\nWorth a look as a curiosity.\nYou watch for that sense of openness, the little surprises.\nDirector Peter Kosminsky gives these women a forum to demonstrate their acting 'chops' and they take full advantage.\nAuto Focus is not your standard Hollywood bio-pic. Schrader aims to present an unflinching look at one man's downfall, brought about by his lack of self-awareness.\nThe Bourne Identity shouldn't be half as entertaining as it is, but director Doug Liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood.\nFor VeggieTales fans, this is more appetizing than a side dish of asparagus. If you're not a fan, it might be like trying to eat Brussels sprouts.\nRemove Spider-Man the movie from its red herring surroundings and it's apparent that this is one summer film that satisfies.\nThe whole mildly pleasant outing -- the R rating is for brief nudity and a grisly corpse -- remains aloft not on its own self-referential hot air, but on the inspired performance of Tim Allen.\nA gorgeously strange movie, Heaven is deeply concerned with morality, but it refuses to spell things out for viewers.\nThe Emperor's Club, ruthless in its own placid way, finds one of our most conservative and hidebound movie-making traditions and gives it new texture, new relevance, new reality.\nIt's truly awful and heartbreaking subject matter, but one whose lessons are well worth revisiting as many times as possible.\nThough intrepid in exploring an attraction that crosses sexual identity, Ozpetek falls short in showing us Antonia's true emotions ... But at the very least, His Secret Life will leave you thinking.\nThere is little question that this is a serious work by an important director who has something new to say about how, in the flip-flop of courtship, we often reel in when we should be playing out.\nThe message of such reflections--intentional or not--is that while no art grows from a vacuum, many artists exist in one.\nGooding is the energetic frontman, and it's hard to resist his enthusiasm, even if the filmmakers come up with nothing original in the way of slapstick sequences.\nThe otherwise good-naturedness of Mr. Deeds, with its embrace of sheer goofiness and cameos of less- than-likely New York celebrities ... certainly raises the film above anything Sandler's been attached to before.\nThe movie is brilliant, really. It is philosophy, illustrated through everyday events.\nIt's stylishly directed with verve...\nGives an intriguing twist to the French coming-of-age genre.\nOffers an interesting look at the rapidly changing face of Beijing.\nA solid, psychological action film from Hong Kong.\nSee it now, before the inevitable Hollywood remake flattens out all its odd, intriguing wrinkles.\nHolm does his sly, intricate magic, and Iben Hjelje is entirely appealing as Pumpkin.\nAn enjoyable feel-good family comedy regardless of race.\nFeatures what is surely the funniest and most accurate depiction of writer's block ever.\nIt would take a complete moron to foul up a screen adaptation of Oscar Wilde's classic satire.\nIt's bright, pristine style and bold colors make it as much fun as reading an oversized picture book before bedtime.\nIn the long, dishonorable history of quickie teen-pop exploitation, Like Mike stands out for its only partly synthetic decency.\nBravo for history rewritten, and for the uncompromising knowledge that the highest power of all is the power of love.\nLead actress Gaï, she of the impossibly long limbs and sweetly conspiratorial smile, is a towering siren.\nEven if you've seen ``Stomp'' (the stage show), you still have to see this!\n... a light, yet engrossing piece. Lux, now in her eighties, does a great combination act as narrator, Jewish grandmother and subject – taking us through a film that is part biography, part entertainment and part history.\nIt's a setup so easy it borders on facile, but keeping the film from cheap-shot mediocrity is its crack cast.\nRife with the rueful, wry humor springing out of Yiddish culture and language.\nA time machine, a journey back to your childhood, when cares melted away in the dark theater, and films had the ability to mesmerize, astonish and entertain.\nRubbo's humorously tendentious intervention into the who-wrote-Shakespeare controversy.\nCantet beautifully illuminates what it means sometimes to be inside looking out, and at other times outside looking in.\nK-19: The Widowmaker is a great yarn.\nIt's as raw and action-packed an experience as a ringside seat at a tough-man contest.\nEvokes the frustration, the awkwardness and the euphoria of growing up, without relying on the usual tropes.\nA brilliant gag at the expense of those who paid for it and those who pay to see it.\nVisually striking and viscerally repellent.\nOvercomes its visual hideousness with a sharp script and strong performances.\nAstonishingly skillful and moving...it could become a historically significant work as well as a masterfully made one.\nBeautifully crafted and cooly unsettling...recreates the atmosphere of the crime expertly.\nThe year 2002 has conjured up more coming-of-age stories than seem possible, but Take Care of My Cat emerges as the very best of them.\nAlthough it doesn't always hang together -- violence and whimsy don't combine easily -- ``Cherish'' certainly isn't dull.\nThe sight of the spaceship on the launching pad is duly impressive in IMAX dimensions, as are shots of the astronauts floating in their cabins.\nTime is a beautiful film to watch, an interesting and at times captivating take on loss and loneliness.\nAn intriguing look at the French film industry during the German occupation; its most delightful moments come when various characters express their quirky inner selves.\nA fine documentary can be distinguished from a mediocre one by the better film's ability to make its subject interesting to those who aren't part of its supposed target audience. Judging by those standards, 'Scratch' is a pretty decent little documentary.\nFubar is very funny, but not always in a laugh-out-loud way.\nA diverse and astonishingly articulate cast of Palestinian and Israeli children.\nSlight but enjoyable documentary.\n'The film is stark, straightforward and deadly... an unnatural calm that's occasionally shaken by...blasts of rage, and later, violent jealousy.'\nCall this The Full Monty on ice, the underdog sports team formula redux.\nUnfolds in a low-key, organic way that encourages you to accept it as life and go with its flow.\nA beguiling evocation of the quality that keeps Dickens evergreen: the exuberant openness with which he expresses our most basic emotions.\nThe heat of the moment prevails. It cooks Conduct in a low, smoky and inviting sizzle.\nA riveting story well told.\nDenis forges out of the theories of class- based rage and sisterly obsession a razor-sided tuning fork that rings with cultural, sexual and social discord.\nA compelling pre-WWII drama with vivid characters and a warm, moving message.\nThe stars may be college kids, but the subject matter is as adult as you can get: the temptations of the flesh are unleashed by a slightly crazed, overtly determined young woman and a one-night swim turns into an ocean of trouble.\nPretty good little movie.\nBy turns touching, raucously amusing, uncomfortable, and, yes, even sexy, Never Again is a welcome and heartwarming addition to the romantic comedy genre.\nIf you haven't seen the film lately, you may be surprised at the variety of tones in Spielberg's work. Much of it is funny, but there are also some startling, surrealistic moments...\n(The digital effects) reminded me of Terry Gilliam's rudimentary old Monty Python cartoons, in which he would cut out figures from drawings and photographs and paste them together.\nAn entertaining mix of period drama and flat-out farce that should please history fans.\nCanada's arctic light shines bright on this frozen tundra soap opera that breathes extraordinary life into the private existence of the Inuit people.\nThe fluid motion is astounding on any number of levels -- including the physical demands made on Büttner -- and it implies in its wake the intractable, irreversible flow of history.\nAlternately hilarious and sad, aggravating and soulful, scathing and joyous. It's a masterpeice.\nThe film's messages of tolerance and diversity aren't particularly original, but one can't help but be drawn in by the sympathetic characters.\nThough it lacks the utter authority of a genre gem, there's a certain robustness to this engaging mix of love and bloodletting.\nA conventional, but well-crafted film about a historic legal battle in Ireland over a man's right to raise his own children.\nYes, it's as good as you remember. In fact, even better.\nHartley adds enough quirky and satirical touches in the screenplay to keep the film entertaining.\nAn uncomfortable movie, suffocating and sometimes almost senseless, The Grey Zone does have a center, though a morbid one.\nThis is a harrowing movie about how parents know where all the buttons are, and how to push them.\nA stirring road movie.\nOne of the best films I have ever seen, constantly pulling the rug from underneath us, seeing things from new sides, plunging deeper, getting more intense.\nInsanely hilarious! I haven't laughed that hard in years!\nAnyone who's ever suffered under a martinet music instructor has no doubt fantasized about what an unhappy, repressed and twisted personal life their tormentor deserved. These people are really going to love The Piano Teacher.\nIt's a tour de force, written and directed so quietly that it's implosion rather than explosion you fear.\nIt may not be history – but then again, what if it is? – but it makes for one of the most purely enjoyable and satisfying evenings at the movies I've had in a while.\nIf ``Lilo & Stitch'' isn't the most edgy piece of Disney animation to hit the silver screen, then this first film to use a watercolor background since ``Dumbo'' certainly ranks as the most original in years.\nThis may be Dover Kosashvili's feature directing debut, but it looks an awful lot like life -- gritty, awkward and ironic.\nThis ready-made midnight movie probably won't stand the cold light of day, but under the right conditions, it's goofy (if not entirely wholesome) fun.\nSee Scratch for the history, see Scratch for the music, see Scratch for a lesson in scratching, but, most of all, see it for the passion.\n...``Bowling for Columbine'' remains a disquieting and thought-provoking film...\nEven though it is infused with the sensibility of a video director, it doesn't make for completely empty entertainment\nBut even with the two-wrongs-make-a-right chemistry between Jolie and Burns...this otherwise appealing picture loses its soul to Screenwriting For Dummies conformity.\nTalk to Her is so darned assured, we have absolutely no idea who the main characters are until the film is well under way -- and yet it's hard to stop watching.\nStar/producer Salma Hayek and director Julie Taymor have infused Frida with a visual style unique and inherent to the titular character's paintings and in the process created a masterful work of art of their own.\nA truly wonderful tale combined with stunning animation.\nA low-key labor of love that strikes a very resonant chord.\nAn average kid-empowerment fantasy with slightly above-average brains.\nConfessions isn't always coherent, but it's sharply comic and surprisingly touching, so hold the gong.\nWhile Guzmán frustratingly refuses to give Pinochet's crimes a political context, his distance from the material is mostly admirable.\n... a story, an old and scary one, about the monsters we make, and the vengeance they take.\nA sentimental but entirely irresistible portrait of three aging sisters.\nWhite Oleander may leave you rolling your eyes in the dark, but that doesn't mean you won't like looking at it.\nIn painting an unabashedly romantic picture of a nation whose songs spring directly from the lives of the people, the movie exalts the Marxian dream of honest working folk, with little to show for their labor, living harmoniously, joined in song.\nThe most brilliant work in this genre since the 1984 uncut version of Sergio Leone's flawed but staggering Once Upon a Time in America.\nIt looks closely, insightfully at fragile, complex relationships.\nNot a bad choice here, assuming that... the air-conditioning in the theater is working properly.\nA fine effort, an interesting topic, some intriguing characters and a sad ending. Certainly the big finish wasn't something Galinsky and Hawley could have planned for... but part of being a good documentarian is being there when the rope snaps.\nIt must be the end of the world: the best film so far this year is a franchise sequel starring Wesley Snipes.\nThere are moments of hilarity to be had.\nA hypnotic portrait of this sad, compulsive life.\n(While The Last Metro) was more melodramatic, confined to a single theater company and its strategies and deceptions, while Tavernier is more concerned with the entire period of history.\nOne of the best films of the year with its exquisite acting, inventive screenplay, mesmerizing music, and many inimitable scenes of tenderness, loss, discontent, and yearning.\nReturn to Never Land is reliable, standard Disney animated fare, with enough creative energy and wit to entertain all ages.\nMichael Moore's latest documentary about America's thirst for violence is his best film yet...\nSuffice to say that after seeing this movie in IMAX form, you'll be more acquainted with the tiniest details of Tom Hanks' face than his wife is.\nLike a Tarantino movie with heart, Alias Betty is richly detailed, deftly executed and utterly absorbing.\nMarvelously entertaining and deliriously joyous documentary.\nA brisk, reverent, and subtly different sequel.\nA movie I loved on first sight and, even more important, love in remembrance.\nDeserves a place of honor next to Nanook as a landmark in film history.\nMurderous Maids pulls no punches in its depiction of the lives of the Papin sister and the events that led to their notorious rise to infamy...\nThis is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the American underground.\nThe Sweetest Thing, a romantic comedy with outrageous tendencies, may be a mess in a lot of ways. But it does have one saving grace. A lot of its gags and observations reflect a woman's point-of-view.\nThis is lightweight filmmaking, to be sure, but it's pleasant enough -- and oozing with attractive men.\nAt its most basic, this cartoon adventure is that wind-in-the-hair exhilarating.\nFans of critics' darling band Wilco will marvel at the sometimes murky, always brooding look of I Am Trying to Break Your Heart.\nThe film presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet.\n(Gosling's) combination of explosive physical energy and convincing intelligence helps create a complex, unpredictable character.\nConfounding because it solemnly advances a daringly preposterous thesis. Acting cannot be acted.\nFulford-Wierzbicki ... deftly captures the wise-beyond-her-years teen.\nA wild ride juiced with enough energy and excitement for at least three films.\nIt's a cool event for the whole family. Maybe not a classic, but a movie the kids will want to see over and over again.\nThe movie is not as terrible as the synergistic impulse that created it.\nA typically observant, carefully nuanced and intimate French coming-of-age film that is an encouraging debut feature but has a needlessly downbeat ending that is too heavy for all that has preceded it.\nLess an examination of neo-Nazism than a probe into the nature of faith itself.\nA moving and weighty depiction of one family's attempts to heal after the death of a child.\nI don't think most of the people who loved the 1989 Paradiso will prefer this new version. But I do.\nA zinger-filled crowd-pleaser that open-minded Elvis fans (but by no means all) will have fun with.\nDiggs and Lathan are among the chief reasons Brown Sugar is such a sweet and sexy film.\nEntirely suspenseful, extremely well-paced and ultimately... dare I say, entertaining!\nThe riveting performances by the incredibly flexible cast make Love a joy to behold.\nTerrific as Nadia, a Russian mail-order bride who comes to America speaking not a word of English, it's Kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers.\nWith an unflappable air of decadent urbanity, Everett remains a perfect Wildean actor, and a relaxed Firth displays impeccable comic skill.\nThe re-release of Ron Howard's Apollo 13 in the IMAX format proves absolutely that really, really, really good things can come in enormous packages.\nVery well written and directed with brutal honesty and respect for its audience.\nWonderful fencing scenes and an exciting plot make this an eminently engrossing film.\nIt's pretty linear and only makeup-deep, but Bogdanovich ties it together with efficiency and an affection for the period.\nA surprisingly charming and even witty match for the best of Hollywood's comic-book adaptations.\nThis is a superior horror flick.\nAdaptation is simply brilliant.\nSmart and alert, Thirteen Conversations About One Thing is a small gem.\nThe pleasure of Read My Lips is like seeing a series of perfect black pearls clicking together to form a string. We're drawn in by the dark luster.\nA haunting tale of murder and mayhem.\nI love the opening scenes of a wintry New York City in 1899. Cinematic poetry showcases the city's old-world charm before machines change nearly everything.\nIt's hard to imagine anyone managing to steal a movie not only from charismatic rising star Jake Gyllenhaal but also from accomplished Oscar winners Susan Sarandon, Dustin Hoffman and Holly Hunter, yet newcomer Ellen Pompeo pulls off the feat with aplomb.\nOne of the best rock documentaries ever. Wilco is a phenomenal band with such an engrossing story that will capture the minds and hearts of many.\nIan Holm conquers France as an earthy Napoleon\nOffers big, fat, dumb laughs that may make you hate yourself for giving in. Ah, what the hell.\n(Sports) admirable energy, full-bodied characterizations and narrative urgency.\nA portrait of an artist.\nDirectors Brett Morgen and Nanette Burstein have put together a bold biographical fantasia.\nThe subtitled costume drama is set in a remote African empire before cell phones, guns, and the internal combustion engine, but the politics that thump through it are as timely as tomorrow.\nA tremendous piece of work.\nA delightful, if minor, pastry of a movie.\nWhile obviously aimed at kids, The Country Bears ... should keep parents amused with its low groan-to-guffaw ratio.\nLaBute masterfully balances both Traditional or Modern stories together in a manner that one never overwhelms the other. Something for everyone.\nIrwin is so earnest that it's hard to resist his pleas to spare wildlife and respect their environs. There are far worse messages to teach a young audience, which will probably be perfectly happy with the sloppy slapstick comedy.\nLeigh succeeds in delivering a dramatic slap in the face that's simultaneously painful and refreshing.\nNot about scares but a mood in which an ominous, pervasive, and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense.\n'Film aficionados cannot help but love Cinema Paradiso, whether the original version or new Director's Cut.'\nA fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists.\nIt's one thing to read about or rail against the ongoing - and unprecedented - construction project going on over our heads. It's quite another to feel physically caught up in the process.\nContradicts everything we've come to expect from movies nowadays. Instead of simply handling conventional material in a conventional way, Secretary takes the most unexpected material and handles it in the most unexpected way.\nCould I have been more geeked when I heard that Apollo 13 was going to be released in IMAX format? In a word: No.\nMurderous Maids has a lot going for it, not least the brilliant performances by Testud ... and Parmentier.\nFilmmaker Stacy Peralta has a flashy editing style that doesn't always jell with Sean Penn's monotone narration, but he respects the material without sentimentalizing it.\nThere are a couple of things that elevate ``Glory'' above most of its ilk, most notably the mere presence of Duvall.\nIt's light on the chills and heavy on the atmospheric weirdness, and there are moments of jaw-droppingly odd behavior -- yet I found it weirdly appealing.\n(Rises) above its oh-so-Hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism.\nA breezy blend of art, history, esoteric musings and philosophy.\nKids will love its fantasy and adventure, and grownups should appreciate its whimsical humor.\nTsai Ming-liang's ghosts are painfully aware of their not-being.\nLeaping from one arresting image to another, Songs from the Second Floor has all the enjoyable randomness of a very lively dream and so manages to be compelling, amusing and unsettling at the same time.\nSean Penn, you owe Nicolas Cage an apology.\nThe performances are uniformly good.\nShe's all-powerful, a voice for a pop-cyber culture that feeds on her Bjorkness.\nIt's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it.\nFor all its plot twists, and some of them verge on the bizarre as the film winds down, Blood Work is a strong, character-oriented piece.\nThe story line may be 127 years old, but El Crimen del Padre Amaro ... couldn't be more timely in its despairing vision of corruption within the Catholic establishment.\nThis in-depth study of important developments of the computer industry should make it required viewing in university computer science departments for years to come.\nIt shows us a slice of life that's very different from our own and yet instantly recognizable.\nA wonderfully speculative character study that made up for its rather slow beginning by drawing me into the picture.\nHas its share of arresting images.\nLeave it to John Sayles to take on developers, the Chamber of Commerce, tourism, historical pageants, and commercialism all in the same movie ... without neglecting character development for even one minute.\nReign of Fire just might go down as one of the all-time great apocalypse movies.\nA smart little indie.\nPayne has created a beautiful canvas, and Nicholson proves once again that he's the best brush in the business.\nTry as you might to resist, if you've got a place in your heart for Smokey Robinson, this movie will worm its way there.\nA riveting profile of law enforcement, and a visceral, nasty journey into an urban Hades.\nDirector Douglas McGrath takes on Nickleby with all the halfhearted zeal of an 8th grade boy delving into required reading.\nStands as a document of what it felt like to be a New Yorker -- or, really, to be a human being -- in the weeks after 9/11.\nI am not generally a huge fan of cartoons derived from TV shows, but Hey Arnold! The Movie is clever, offbeat and even gritty enough to overcome my resistance.\nWith not a lot of help from the screenplay (proficient, but singularly cursory), (Testud) acts with the feral intensity of the young Bette Davis.\nIt's a film that's destined to win a wide summer audience through word-of-mouth reviews and, not far down the line, to find a place among the studio's animated classics.\nSlow and ponderous, but Rohmer's drama builds to an intense indoor drama about compassion, sacrifice, and Christian love in the face of political corruption.\nIf you're not totally weirded- out by the notion of cinema as community-therapy spectacle, Quitting hits home with disorienting force.\nAustin Powers for the most part is extremely funny, the first part making up for any flaws that come later.\nWhile Tattoo borrows heavily from both Seven and The Silence of the Lambs, it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in.\nCho continues her exploration of the outer limits of raunch with considerable brio.\nElvira fans could hardly ask for more.\nA canny, derivative, wildly gruesome portrait of a London sociopath who's the scariest of sadists.\nThe movie should be credited with remembering his victims.\nFast-paced and wonderfully edited, the film is extremely thorough.\nA bracing, unblinking work that serves as a painful elegy and sobering cautionary tale.\nHashiguchi uses the situation to evoke a Japan bustling atop an undercurrent of loneliness and isolation.\nAs if trying to grab a lump of Play-Doh, the harder that Liman tries to squeeze his story, the more details slip out between his fingers.\nMy Big Fat Greek Wedding is not only the best date movie of the year, it's also a -- dare I say it twice -- delightfully charming -- and totally American, I might add -- slice of comedic bliss.\nFew films have captured the chaos of an urban conflagration with such fury, and audience members will leave feeling as shaken as Nesbitt's Cooper looks when the bullets stop flying.\nAnother love story in 2002's remarkable procession of sweeping pictures that have reinvigorated the romance genre.\nIt's another retelling of Alexandre Dumas' classic. Why? Who knows, but it works under the direction of Kevin Reynolds.\n(F)rom the performances and the cinematography to the outstanding soundtrack and unconventional narrative, the film is blazingly alive and admirable on many levels.\nShiri is an action film that delivers on the promise of excitement, but it also has a strong dramatic and emotional pull that gradually sneaks up on the audience.\nProvides the kind of 'laugh therapy' I need from movie comedies -- offbeat humor, amusing characters, and a happy ending. After seeing 'Analyze That,' I feel better already.\nA penetrating, potent exploration of sanctimony, self-awareness, self-hatred and self-determination.\nThis isn't a retooled genre piece, the tale of a guy and his gun, but an amiably idiosyncratic work.\nOverall, it's a very entertaining, thought-provoking film with a simple message: God is love.\nIt may not be a great piece of filmmaking, but its power comes from its soul's-eye view of how well-meaning patronizing masked a social injustice, at least as represented by this case.\nAlthough mainstream American movies tend to exploit the familiar, every once in a while a film arrives from the margin that gives viewers a chance to learn, to grow, to travel.\nJeong-Hyang Lee's film is deceptively simple, deeply satisfying.\nThe film is a hoot, and is just as good, if not better than much of what's on Saturday morning TV especially the pseudo-educational stuff we all can't stand.\nGeorge Clooney, in his first directorial effort, presents this utterly ridiculous shaggy dog story as one of the most creative, energetic and original comedies to hit the screen in years.\nEven when it drags, we are forced to reflect that its visual imagination is breathtaking\nAlthough commentary on Nachtwey is provided ... it's the image that really tells the tale.\nA life-size reenactment of those Jack Chick cartoon tracts that always ended with some hippie getting tossed into the lake of fire.\nGrainy photography mars an otherwise delightful comedy of errors.\nthis film is not a love letter for the slain rappers, it's a taunt -a call for justice for two crimes from which many of us have not yet recovered.\nThe film is impressive for the sights and sounds of the wondrous beats the world has to offer.\nDaily struggles and simple pleasures usurp the preaching message so that, by the time the credits roll across the pat ending, a warm, fuzzy feeling prevails.\n...in no way original, or even all that memorable, but as downtown Saturday matinee brain candy, it doesn't disappoint.\nClever and unflinching in its comic barbs, Slap Her is a small but rewarding comedy that takes aim at contemporary southern adolescence and never lets up.\nCremaster 3 is at once a tough pill to swallow and a minor miracle of self-expression.\nSex is one of those films that aims to confuse.\nCompared to his series of spectacular belly flops both on and off the screen, RunTelDat is something of a triumph.\n(Moore's) better at fingering problems than finding solutions. But though he only scratches the surface, at least he provides a strong itch to explore more.\nThe powerful success of Read My Lips with such provocative material shows why, after only three films, director/co-writer Jacques Audiard, though little known in this country, belongs in the very top rank of French filmmakers.\nIn his debut as a director, Washington has a sure hand. His work with actors is particularly impressive.\nA generous, inspiring film that unfolds with grace and humor and gradually becomes a testament to faith.\nDelivers the sexy razzle-dazzle that everyone, especially movie musical fans, has been hoping for.\nVincent Gallo is right at home in this French shocker playing his usual bad boy weirdo role.\nFierce, glaring and unforgettable.\nCletis is playful but highly studied and dependent for its success on a patient viewer.\nLike its predecessor, it's no classic, but it provides a reasonably attractive holiday contraption, one that families looking for a clean, kid-friendly outing should investigate.\nCampanella gets the tone just right -- funny in the middle of sad in the middle of hopeful.\nEither a fascinating study of the relationship between mothers and their children or a disturbing story about sociopaths and their marks.\n...gripping and handsome execution, (but) there isn't much about K-19 that's unique or memorable.\nEffective in all its aspects, Margarita Happy Hour represents an auspicious feature debut for Chaiken.\nThe delicious trimmings...arrive early and stay late, filling nearly every minute...with a lighthearted glow, some impudent snickers, and a glorious dose of humankind's liberating ability to triumph over a Scrooge or two.\nStanding by Yourself is haunting...(It's) what punk rock music used to be, and what the video medium could use more of: spirit, perception, conviction.\nNot the best Herzog perhaps, but unmistakably Herzog.\nEnjoyably fast-moving, hard-hitting documentary.\nRehearsals are frequently more fascinating than the results. Last Dance, whatever its flaws, fulfills one facet of its mission in making me want to find out whether, in this case, that's true.\nThe film's constant mood of melancholy and its unhurried narrative are masterfully controlled. But ... in trying to capture the novel's deeper intimate resonances, the film has – ironically - distanced us from the characters.\nThis is a stunning film, a one-of-a-kind tour de force.\n(Cho's face is) an amazing slapstick instrument, creating a scrapbook of living mug shots.\nIt's about as convincing as any other Arnie musclefest, but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic.\nWhile not quite a comedy, the film tackles its relatively serious subject with an open mind and considerable good cheer, and is never less than engaging.\nAn extremely funny, ultimately heartbreaking look at life in contemporary China.\nYour response to its new sequel, Analyze That, may hinge on what you thought of the first film.\nDavis is funny, charming and quirky in her feature film acting debut as Amy.\nBloody Sunday has the grace to call for prevention rather than to place blame, making it one of the best war movies ever made. It's a movie that accomplishes so much that one viewing can't possibly be enough.\nA lively and engaging examination of how similar obsessions can dominate a family.\nIn the new release of Cinema Paradiso, the tale has turned from sweet to bittersweet, and when the tears come during that final, beautiful scene, they finally feel absolutely earned.\nFaithful without being forceful, sad without being shrill, ``A Walk to Remember'' succeeds through sincerity.\nThe film is a masterpiece of nuance and characterization, marred only by an inexplicable, utterly distracting blunder at the very end.\nThe film is full of charm.\nThe movie is well crafted, and well executed. If you're paying attention, the ``big twists'' are pretty easy to guess - but that doesn't make the movie any less entertaining.\nOne of those unassuming films that sneaks up on you and stays with you long after you have left the theatre.\n...Pray doesn't have a passion for the material. He nonetheless appreciates the art and reveals a music scene that transcends culture and race.\nThe one-liners are snappy, the situations volatile and the comic opportunities richly rewarded.\nIt's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair.\nFathers and sons, and the uneasy bonds between them, rarely have received such a sophisticated and unsentimental treatment on the big screen as they do in this marvelous film.\nThis sci-fi techno-sex thriller starts out bizarre and just keeps getting weirder.\nLast Orders nurtures the multi-layers of its characters, allowing us to remember that life's ultimately a gamble and last orders are to be embraced. It's affecting, amusing, sad and reflective.\nA slight but sweet film.\nWriter/director Walter Hill is in his hypermasculine element here, once again able to inject some real vitality and even art into a pulpy concept that, in many other hands would be completely forgettable.\nIt is a happy, heady jumble of thought and storytelling, an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film.\nThis new Time Machine is hardly perfect... yet it proves surprisingly serviceable. Even at its worst, it's not half-bad.\nAlmost everyone growing up believes their family must look like ``The Addams Family'' to everyone looking in... ``My Big Fat Greek Wedding'' comes from the heart...\nOnce folks started hanging out at the barbershop, they never wanted to leave. Chances are you won't, either.\nGeorge Lucas returns as a visionary with a tale full of nuance and character dimension.\nCan be viewed as pure composition and form -- film as music\nAn extraordinary dramatic experience.\nEvery individual will see the movie through the prism of his or her own beliefs and prejudices, but the one thing most will take away is the sense that peace is possible. That, in itself, is extraordinary.\nIf you can tolerate the redneck-versus-blueblood cliches that the film trades in, Sweet Home Alabama is diverting in the manner of Jeff Foxworthy's stand-up act.\nIt's a treat watching Shaw, a British stage icon, melting under the heat of Phocion's attentions.\nAll in all, an interesting look at the life of the campaign-trail press, especially ones that don't really care for the candidate they're forced to follow.\nNarc is a no-bull throwback to 1970s action films. It zips along with B-movie verve while adding the rich details and go-for-broke acting that heralds something special.\nMe Without You has a bracing truth that's refreshing after the phoniness of female-bonding pictures like Divine Secrets of the Ya-Ya Sisterhood.\nIt's a strange film, one that was hard for me to warm up to.\nGoes a long way on hedonistic gusto.\nThe result puts a human face on Derrida, and makes one of the great minds of our times interesting and accessible to people who normally couldn't care less.\nThe Scorpion King is more fun than Conan the Barbarian.\nIf there's one big point to Promises, it's that nothing can change while physical and psychological barriers keep the sides from speaking even one word to each other.\nUnexpected moments of authentically impulsive humor are the hallmark of this bittersweet, uncommonly sincere movie that portrays the frank humanity of...emotional recovery.\nJacquot has filmed the opera exactly as the libretto directs, ideally capturing the opera's drama and lyricism.\nThis is a sincerely crafted picture that deserves to emerge from the traffic jam of holiday movies.\nI liked it because it was so endlessly, grotesquely, inventive.\nAudiard successfully maintains suspense on different levels throughout a film that is both gripping and compelling.\nCredit director Ramsay for taking the sometimes improbable story and making it feel realistic.\nThis is DiCaprio's best performance in anything ever, and easily the most watchable film of the year.\nWitherspoon puts to rest her valley-girl image, but it's Dench who really steals the show.\nEven when there are lulls, the emotions seem authentic, and the picture is so lovely toward the end ... you almost don't notice the 129-minute running time.\nWhile dutifully pulling on heartstrings, directors Dean Deblois and Chris Sanders valiantly keep punching up the mix.\nAmbitious, unsettling psychodrama that takes full, chilling advantage of its rough-around-the-edges, low-budget constraints.\nEric Byler's nuanced pic avoids easy sentiments and explanations ...\nManages to be wholesome and subversive at the same time.\nWhen it's not wallowing in hormonal melodrama, ``Real Women Have Curves'' is a sweet, honest, and enjoyable comedy-drama about a young woman who wants many things in life, but fears she'll become her mother before she gets to fulfill her dreams.\nThe film runs on a little longer than it needs to -- Muccino either doesn't notice when his story ends or just can't tear himself away from the characters -- but it's smooth and professional.\nBlithely anachronistic and slyly achronological.\nThis starts off with a 1950's Doris Day feel and it gets very ugly, very fast. The first five minutes will have you talking 'til the end of the year!\nTriumph of Love is a very silly movie, but the silliness has a pedigree.\nDiscursive but oddly riveting documentary.\nThe movie has no respect for laws, political correctness or common decency, but it displays something more important: respect for its flawed, crazy people.\nOn its own, Big Trouble could be considered a funny little film.\nAn undeniably gorgeous, terminally smitten document of a troubadour, his acolytes, and the triumph of his band.\nThis cinema verite speculation on the assassination of John F. Kennedy may have been inspired by Blair Witch, but it takes its techniques into such fresh territory that the film never feels derivative.\nA beautifully observed character piece.\nA coming-of-age movie that Hollywood wouldn't have the guts to make.\nIt is quite a vision.\nThere are laughs aplenty, and, as a bonus, viewers don't have to worry about being subjected to farts, urine, feces, semen, or any of the other foul substances that have overrun modern-day comedies.\nA bittersweet drama about the limbo of grief and how truth-telling can open the door to liberation.\nA strong and confident work which works so well for the first 89 minutes, but ends so horrendously confusing in the final two\nSalma goes native and she's never been better in this colorful bio-pic of a Mexican icon.\nFilled with Alexandre Desplat's haunting and sublime music, the movie completely transfixes the audience.\nAs chilling and fascinating as Philippe Mora's modern Hitler-study, Snide and Prejudice.\nAn hour and a half of joyful solo performance.\nStrange and beautiful film.\nNo worse a film than Breaking Out, and Breaking Out was utterly charming.\nParker cannot sustain the buoyant energy level of the film's city beginnings into its country conclusion\n'... Despite lagging near the finish line, the movie runs a good race, one that will have you at the edge of your seat for long stretches.'\n...a guiltless film for nice evening out.\nDeflated ending aside, there's much to recommend the film.\nIt's a treat – a delightful, witty, improbable romantic comedy with a zippy jazzy score... Grant and Bullock make it look as though they are having so much fun.\nPerformances all around are tops, with the two leads delivering Oscar-caliber performances.\nEverything about The Quiet American is good, except its timing.\nA savage John Waters-like humor that dances on the edge of tastelessness without ever quite falling over.\nAt once a testament to the divine calling of education and a demonstration of the painstaking process of imparting knowledge.\nMay seriously impair your ability to ever again maintain a straight face while speaking to a highway patrolman.\nIt's an interesting effort (particularly for JFK conspiracy nuts), and Barry's cold-fish act makes the experience worthwhile.\nThey're just a couple of cops in Copmovieland, these two, but in Narc, they find new routes through a familiar neighborhood.\nBrings awareness to an issue often overlooked -- women's depression.\nIt's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5.\nIt has a caffeinated, sloppy brilliance, sparkling with ideas you wish had been developed with more care, but animated by an energy that puts the dutiful efforts of more disciplined grade-grubbers to shame.\nYou can almost see Mendes and company getting together before a single frame had been shot and collectively vowing, 'This is going to be something really good.' And it is.\nFoster and Whitaker are especially fine. She is a lioness, protecting her cub, and he a reluctant villain, incapable of controlling his crew.\nUndoubtedly the scariest movie ever made about tattoos.\nA movie that will wear you out and make you misty even when you don't want to be.\nNot only better than its predecessor, it may rate as the most magical and most fun family fare of this or any recent holiday season.\nThough the story ... is hackneyed, the characters have a freshness and modesty that transcends their predicament.\nAlthough Frailty fits into a classic genre, in its script and execution it is a remarkably original work.\nIf this movie leaves you cool, it also leaves you intriguingly contemplative.\nThe climactic events are so well realized that you may forget all about the original conflict, just like the movie does\nA rude black comedy about the catalytic effect a holy fool has upon those around him in the cutthroat world of children's television.\nAll comedy is subversive, but this unrelenting bleak insistence on opting out of any opportunity for finding meaning in relationships or work just becomes sad.\nIf a horror movie's primary goal is to frighten and disturb, then They works spectacularly well...A shiver-inducing, nerve-rattling ride.\nA playful Iranian parable about openness, particularly the need for people of diverse political perspectives to get along despite their ideological differences.\nBrilliantly written and well-acted, Yellow Asphalt is an uncompromising film.\nThat 'Alabama' manages to be pleasant in spite of its predictability and occasional slowness is due primarily to the perkiness of Witherspoon (who is always a joy to watch, even when her material is not first-rate)...\nPersonal Velocity has a no-frills docu-Dogma plainness, yet Miller lingers on invisible, nearly psychic nuances, leaping into digressions of memory and desire. She boxes these women's souls right open for us.\nA fascinating literary mystery story with multiple strands about the controversy of who really wrote Shakespeare's plays.\nThroughout, Mr. Audiard's direction is fluid and quick.\nA dashing and absorbing outing with one of France's most inventive directors.\nIt's a fine, old-fashioned-movie movie, which is to say it's unburdened by pretensions to great artistic significance.\n...flat-out amusing, sometimes endearing and often fabulous, with a solid cast, noteworthy characters, delicious dialogue and a wide supply of effective sight gags.\nThe Trials of Henry Kissinger is a remarkable piece of filmmaking ... because you get it.\nNachtwey clears the cynicism right out of you. He makes you realize that deep inside righteousness can be found a tough beauty.\nWhat it lacks in substance it makes up for in heart.\nRobert Harmon's less-is-more approach delivers real bump-in -the-night chills -- his greatest triumph is keeping the creepy crawlies hidden in the film's thick shadows.\nWith its hint of an awkward Hitchcockian theme in tact, Harmon's daunting narrative promotes a reasonable landscape of conflict and pathos to support the scattershot terrorizing tone\nIn Auteil's less dramatic but equally incisive performance, he's a charismatic charmer likely to seduce and conquer.\nThe heart of the film is a touching reflection on aging, suffering and the prospect of death.\nWill you go ape over this movie? Well, it probably won't have you swinging from the trees hooting it's praises, but it's definitely worth taking a look.\nIts director's most substantial feature for some time.\nFontaine's direction, especially her agreeably startling use of close-ups and her grace with a moving camera, creates sheerly cinematic appeal.\nThe Son Of The Bride's humour is born out of an engaging storyline, which also isn't embarrassed to make you reach for the tissues. This movie is to be cherished.\n... a visually seductive, unrepentantly trashy take on Rice's second installment of her Vampire Chronicles.\nThe story's scope and pageantry are mesmerizing, and Mr. Day-Lewis roars with leonine power.\nP.T. Anderson understands the grandness of romance and how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible.\nTwenty years later, E.T. is still a cinematic touchstone.\nThis fascinating experiment plays as more of a poetic than a strict reality, creating an intriguing species of artifice that gives The Lady and the Duke something of a theatrical air.\nIt's virtually impossible to like any of these despicable characters.\nThis is mostly well-constructed fluff, which is all it seems intended to be.\nEven through its flaws, Revolution #9 proves to be a compelling, interestingly told film.\nThe best way to describe it is as a cross between Paul Thomas Anderson's Magnolia and David Lynch's Mulholland Dr.\nSchepisi, aided by a cast that seems to include every top-notch British actor who did not appear in Gosford Park (as well as one, Ms. Mirren, who did), has succeeded beyond all expectation.\nWatching this film, one is left with the inescapable conclusion that Hitchens' obsession with Kissinger is, at bottom, a sophisticated flower child's desire to purge the world of the tooth and claw of human power.\nThere is no denying the power of Polanski's film...\nThe movie is amateurish, but it's a minor treat.\nThis charming but slight tale has warmth, wit and interesting characters compassionately portrayed.\nOffers a persuasive look at a defeated but defiant nation in flux.\nA return to pure Disney magic and is enjoyable family fare.\nTakes a fresh and absorbing look at a figure whose legacy had begun to bronze.\nA triumph of pure craft and passionate heart.\nGosling creates a staggeringly compelling character, a young man whose sharp intellect is at the very root of his contradictory, self-hating, self-destructive ways.\nWitty and often surprising, a dark little morality tale disguised as a romantic comedy.\nEven as it pays earnest homage to turntablists and beat jugglers, old schoolers and current innovators, Scratch is great fun, full of the kind of energy it's documenting.\nGot a David Lynch jones? Then you'd do well to check this one out because it's straight up Twin Peaks action...\nAstonishing...(frames) profound ethical and philosophical questions in the form of dazzling pop entertainment.\nTake Care is nicely performed by a quintet of actresses, but nonetheless it drags during its 112-minute length.\nIt's hard to fairly judge a film like RINGU when you've seen the remake first. Many of the effective horror elements are dampened through familiarity, (yet) are worthwhile.\nOne of the very best movies ever made about the life of moviemaking.\nRarely does such high-profile talent serve such literate material.\nAn elegant and sly deadpan comedy.\nThe way the roundelay of partners functions, and the interplay within partnerships and among partnerships and the general air of Gator-bashing are consistently delightful.\nLand, people and narrative flow together in a stark portrait of motherhood deferred and desire explored.\n'Blue Crush' swims away with the Sleeper Movie of the Summer award.\nYou're not merely watching history, you're engulfed by it.\nA chick flick for guys.\nIt's mildly entertaining, especially if you find comfort in familiarity. But it's hardly a necessary enterprise.\nThe Quiet American isn't a bad film, it's just one that could easily wait for your pay per view dollar.\nAs home movie gone haywire, it's pretty enjoyable, but as sexual manifesto, I'd rather listen to old Tori Amos records.\nIn its treatment of the dehumanizing and ego-destroying process of unemployment, Time Out offers an exploration that is more accurate than anything I have seen in an American film.\nLike an episode of MTV's Undressed, with 20 times the creativity but without any more substance...indulgently entertaining but could have and should have been deeper.\nA sensitive, cultivated treatment of Greene's work as well as a remarkably faithful one.\nIt's not just a feel-good movie, it's a feel movie. You feel good, you feel sad, you feel pissed off, but in the end, you feel alive - which is what they did.\nIt's a piece of handiwork that shows its indie tatters and self-conscious seams in places, but has some quietly moving moments and an intelligent subtlety.\nWhat makes Barbershop so likable, with all its flaws, is that it has none of the pushiness and decibel volume of most contemporary comedies.\nWatching these two actors play against each other so intensely, but with restraint, is a treat.\nAn example of quiet, confident craftsmanship that tells a sweet, charming tale of intergalactic friendship.\nA meditation on faith and madness, Frailty is blood-curdling stuff.\nThe production design, score and choreography are simply intoxicating.\nA comedy that is warm, inviting, and surprising.\nSo vivid a portrait of a woman consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted Rembrandt.\nSuspend your disbelief here and now, or you'll be shaking your head all the way to the credits.\nTrades run-of-the-mill revulsion for extreme unease.\n...one of the more influential works of the 'Korean New Wave'.\nImplicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most American of businesses, and for that reason it may be the most oddly honest Hollywood document of all.\nA beautifully tooled action thriller about love and terrorism in Korea.\nDirector-writer Bille August ... depicts this relationship with economical grace, letting his superb actors convey Martin's deterioration and Barbara's sadness -- and, occasionally, anger.\nVictor Rosa is Leguizamo's best movie work so far, a subtle and richly internalized performance.\nBirthday Girl doesn't try to surprise us with plot twists, but rather seems to enjoy its own transparency.\nsmart, funny and just honest enough to provide the pleasures of a slightly naughty, just-above-average off- Broadway play.\nTopics that could make a sailor blush - but lots of laughs.\nMichael Moore has perfected the art of highly entertaining, self-aggrandizing, politically motivated documentary-making, and he's got as potent a topic as ever here.\nA fine production with splendid singing by Angela Gheorghiu, Ruggero Raimondi, and Roberto Alagna.\nAbout a Boy vividly recalls the Cary Grant of Room for One More, Houseboat and Father Goose in its affectionate depiction of the gentle war between a reluctant, irresponsible man and the kid who latches onto him.\nNone of this is meaningful or memorable, but frosting isn't, either, and you wouldn't turn down a big bowl of that, would you?\nThe film is a fierce dance of destruction. Its flame-like, roiling black-and-white inspires trembling and gratitude.\nMay lack the pungent bite of its title, but it's an enjoyable trifle nonetheless.\n... manages to fall closer in quality to Silence than to the abysmal Hannibal.\nYou may think you have figured out the con and the players in this debut film by Argentine director Fabian Bielinsky, but while you were thinking someone made off with your wallet.\nDiane Lane works nothing short of a minor miracle in Unfaithful.\nTakashi Miike keeps pushing the envelope: Ichi the Killer\nA fantastic premise anchors this movie, but what it needs is either a more rigid, Blair Witch-style commitment to its mockumentary format, or a more straightforward, dramatic treatment, with all the grandiosity that that implies.\nExhilarating but blatantly biased.\nMuch of what we see is horrible but it's also undeniably exceedingly clever.\nIt understands, in a way that speaks forcefully enough about the mechanisms of poverty to transcend the rather simplistic filmmaking.\nRamsay succeeds primarily with her typical blend of unsettling atmospherics, delivering a series of abrasive, stylized sequences that burn themselves upon the viewer's memory.\n... a thoughtful what-if for the heart as well as the mind.\nLike its bizarre heroine, it irrigates our souls.\nHawn and Sarandon form an acting bond that makes The Banger Sisters a fascinating character study with laughs to spare.\nIt's a fun adventure movie for kids (of all ages) that like adventure.\nA very capable nailbiter.\nBecause the genre is well established, what makes the movie fresh is smart writing, skewed characters, and the title performance by Kieran Culkin.\n``White Oleander,'' the movie, is akin to a Reader's Digest condensed version of the source material.\nIt's like going to a house party and watching the host defend himself against a frothing ex-girlfriend. You don't want to call the cops. You want to call Domino's.\nWhat's most refreshing about Real Women Have Curves is its unforced comedy-drama and its relaxed, natural-seeming actors.\nThe low-key direction is pleasingly emphatic in this properly intense, claustrophobic tale of obsessive love.\nSecretary is just too original to be ignored.\nThat rare film whose real-life basis is, in fact, so interesting that no embellishment is needed.\nSmart and fun, but far more witty than it is wise.\nThis isn't a stand up and cheer flick; it's a sit down and ponder affair. And thanks to Kline's superbly nuanced performance, that pondering is highly pleasurable.\nOriginality ain't on the menu, but there's never a dull moment in the giant spider invasion comic chiller.\nWalter Hill's Undisputed is like a 1940s Warner Bros. B picture, and I mean that as a compliment.\nThis one is not nearly as dreadful as expected. In fact, it's quite fun in places.\nWith elements cribbed from Lang's Metropolis, Welles' Kane, and Eisenstein's Potemkin, the true wonder of Rintarô's Metropolis is the number of lasting images all its own.\nA biopic about Crane's life in the classic tradition but evolves into what has become of us all in the era of video.\nThe best of the Pierce Brosnan James Bond films to date.\nThanks to a small star with big heart, this family film sequel is plenty of fun for all.\nWhile the now 72-year-old Robert Evans been slowed down by a stroke, he has at least one more story to tell: his own.\nIt's about individual moments of mood, and an aimlessness that's actually sort of amazing.\nThe people in Jessica are so recognizable and true that, as in real life, we're never sure how things will work out.\nA tone poem of transgression.\nCreeps you out in high style, even if Nakata did it better.\nRubbo runs through a remarkable amount of material in the film's short 90 minutes.\nVisually engrossing, seldom hammy, honorably Mexican and burns its Kahlories with conviction.\nThis is Christmas Future for a lot of baby boomers.\nDespite a quieter middle section, involving Aragorn's dreams of Arwen, this is even better than The Fellowship. There are scenes of cinematic perfection that steal your heart away.\nSpider-Man is in the same category as X-Men - occasionally brilliant but mostly average, showing signs of potential for the sequels, but not giving us much this time around.\nThe obnoxious title character provides the drama that gives added clout to this doc.\nAnyone who welcomes a dash of the avant-garde fused with their humor should take pleasure in this crazed, joyous romp of a film.\nThe fun of the movie is the chance it affords to watch Jackson, who also served as executive producer, take his smooth, shrewd, powerful act abroad.\nSaddled with an unwieldy cast of characters and angles, but the payoff is powerful and revelatory.\nIt's something of the ultimate Scorsese film, with all the stomach-turning violence, colorful New York gang lore and other hallmarks of his personal cinema painted on their largest-ever historical canvas.\nMr. Caine and Mr. Fraser are the whole show here, with their memorable and resourceful performances.\nA frustrating yet deeply watchable melodrama that makes you think it's a tougher picture than it is.\nA giddy and provocative sexual romp that has something to say.\n(Russell) makes good B movies (The Mask, The Blob), and The Scorpion King more than ably meets those standards.\nOtto-Sallies has a real filmmaker's eye.\nThis is a smart movie that knows its classical music, knows its Freud and knows its Sade.\nThe film has an infectious enthusiasm and we're touched by the film's conviction that all life centered on that place, that time and that sport.\nBeautifully reclaiming the story of Carmen and recreating it an in an African idiom.\nThe camera soars above the globe in dazzling panoramic shots that make the most of the large-screen format, before swooping down on a string of exotic locales, scooping the whole world up in a joyous communal festival of rhythm.\nA flawed but engrossing thriller.\nDemonstrates the unusual power of thoughtful, subjective filmmaking.\nExpect no major discoveries, nor any stylish sizzle, but the film sits with square conviction and touching good sense on the experience of its women.\nThe success of Undercover Brother is found in its ability to spoof both black and white stereotypes equally.\nThis is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker, but Ayres makes the right choices at every turn.\nCox creates a fluid and mesmerizing sequence of images to match the words of Nijinsky's diaries.\nWhat Bloody Sunday lacks in clarity, it makes up for with a great, fiery passion.\nIts adult themes of familial separation and societal betrayal are head and shoulders above much of the director's previous popcorn work.\nDirector Nancy Savoca's no-frills record of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could.\nThe film grows on you. And how.\nOne thing you have to give them credit for: The message of the movie is consistent with the messages espoused in the company's previous video work.\nHalloween: Resurrection isn't exactly quality cinema, but it isn't nearly as terrible as it cold have been.\nAs banal as the telling may be -- and at times, All My Loved Ones more than flirts with kitsch -- the tale commands attention.\nRomantic comedy and Dogme 95 filmmaking may seem odd bedfellows, but they turn out to be delightfully compatible here.\nThe most wondrous love story in years, it is a great film.\nSome movies suck you in despite their flaws, and Heaven is one such beast.\nMy Wife Is an Actress works as well as it does because (the leads) are such a companionable couple.\nWith Spy Kids 2: The Island of Lost Dreams, however, Robert Rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking.\nBased on Dave Barry's popular book of the same name, the movie benefits from having a real writer plot out all of the characters' moves and overlapping story.\nBouquet gives a performance that is masterly.\nA poignant comedy that offers food for thought.\n...a series of tales told with the intricate preciseness of the best short story writing.\nIf you're content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director's life, Eisenstein delivers.\nThis filmed Tosca -- not the first, by the way -- is a pretty good job, if it's filmed Tosca that you want. I'll stay with the stage versions, however, which bite cleaner, and deeper.\nWhile the path may be familiar, first-time director Denzel Washington and a top-notch cast manage to keep things interesting.\nAn engaging criminal romp that will have viewers guessing just who's being conned right up to the finale.\nThe picture runs a mere 84 minutes, but it's no glance. It's a head-turner -- thoughtfully written, beautifully read and, finally, deeply humanizing.\nIt asks nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up.\nIt is as uncompromising as it is nonjudgmental, and makes clear that a prostitute can be as lonely and needy as any of the clients.\n``Barbershop'' is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story.\nTully is in many ways the perfect festival film: a calm, self-assured portrait of small town regret, love, duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience.\nI like this movie a lot. I like that Smith, he's not making fun of these people, he's not laughing at them.\n...the implication is Kissinger may have decided that -- when it comes to truncheoning -- it's better to give than to receive.\n'What's the Russian word for Wow!?'\nKiarostami has crafted a deceptively casual ode to children and managed to convey a tiny sense of hope.\nI had more fun watching Spy than I had with most of the big summer movies.\nWhat Lee does so marvelously compelling is present Brown as a catalyst for the struggle of black manhood in restrictive and chaotic America...sketchy but nevertheless gripping portrait of Jim Brown, a celebrated wonder in the spotlight\nMurder by Numbers' isn't a great movie, but it's a perfectly acceptable widget.\nFor those of an indulgent, slightly sunbaked and summery mind, Sex and Lucia may well prove diverting enough.\nWhat (Denis) accomplishes in his chilling, unnerving film is a double portrait of two young women whose lives were as claustrophic, suffocating and chilly as the attics to which they were inevitably consigned.\nA well-done film of a self-reflexive, philosophical nature.\nTexan director George Ratliff had unlimited access to families and church meetings, and he delivers fascinating psychological fare.\nThe rich performances by Friel -- and especially Williams, an American actress who becomes fully English -- round out the square edges.\nThe new Insomnia is a surprisingly faithful remake of its chilly predecessor, and when it does elect to head off in its own direction, it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities.\nA film in a class with Spike Lee's masterful Do The Right Thing.\nJagger, Stoppard and director Michael Apted ... deliver a riveting and surprisingly romantic ride.\nGreengrass (working from Don Mullan's script) forgoes the larger socio-political picture of the situation in Northern Ireland in favour of an approach that throws one in the pulsating thick of a truly frightening situation.\nA thought-provoking and often-funny drama about isolation.\nWhatever one makes of its political edge, this is beautiful filmmaking from one of French cinema's master craftsmen.\nMama Africa pretty much delivers on that promise. It does give you a peek. The main problem being that it's only a peek.\nRoman Polanski's autobiographical gesture at redemption is better than 'Shindler's List' - it is more than merely a Holocaust movie.\nA perfectly respectable, perfectly inoffensive, easily forgettable film.\nRomanek's themes are every bit as distinctive as his visuals. Beyond the cleverness, the weirdness and the pristine camerawork, One Hour Photo is a sobering meditation on why we take pictures.\nSeeing Seinfeld at home as he watches his own appearance on Letterman with a clinical eye reminds you that the key to stand-up is to always make it look easy, even though the reality is anything but.\nSpeaks eloquently about the symbiotic relationship between art and life.\nThe work of an artist tormented by his heritage, using his storytelling ability to honor the many faceless victims.\nThe audacity to view one of Shakespeare's better known tragedies as a dark comedy is, by itself, deserving of discussion.\nThis is an exercise in chilling style, and Twohy films the sub, inside and out, with an eye on preserving a sense of mystery.\nAn uncomfortable experience, but one as brave and challenging as you could possibly expect these days from American cinema.\nHailed as a clever exercise in neo-Hitchcockianism, this clever and very satisfying picture is more accurately Chabrolian.\nFunny and also heartwarming without stooping to gooeyness.\nAt the film's centre is a precisely layered performance by an actor in his mid-seventies, Michel Piccoli.\nThe viewer takes great pleasure in watching the resourceful Molly stay a step ahead of her pursuers.\nWith amazing finesse, the film shadows Heidi's trip back to Vietnam and the city where her mother, Mai Thi Kim, still lives.\nDirector Charles Stone III applies more detail to the film's music than to the story line; what's best about Drumline is its energy.\nA heroic tale of persistence that is sure to win viewers' hearts.\nIt's all a rather shapeless good time...\nhas far more energy, wit and warmth than should be expected from any movie with a ``2'' at the end of its title.\nA little better than Sorcerer's Stone.\nA chilling movie without oppressive gore.\nA uniquely sensual metaphorical dramatization of sexual obsession that spends a bit too much time on its fairly ludicrous plot.\nIf you like peace, you'll like Promises.\nBe prepared to cling to the edge of your seat, tense with suspense. The Ring never lets you off the hook.\nThumbs up to Paxton for not falling into the Hollywood trap and making a vanity project with nothing new to offer.\nAt once disarmingly straightforward and strikingly devious.\nIf you like quirky, odd movies and/or the ironic, here's a fun one.\nSensitive ensemble performances and good period reconstruction add up to a moving tragedy with some buoyant human moments.\nIt's not the least of Afghan tragedies that this noble warlord would be consigned to the dustbin of history.\nIt's a lovely, sad dance highlighted by Kwan's unique directing style.\nThe script by David Koepp is perfectly serviceable and because he gives the story some soul ... he elevates the experience to a more mythic level.\nThis is a visually stunning rumination on love, memory, history and the war between art and commerce.\nShort-story quaint, touchingly mending a child's pain for his dead mother via communication with an old woman straight out of Eudora Welty.\nIt's always fascinating to watch Marker the essayist at work.\nA quiet family drama with a little bit of romance and a dose of darkness.\nThe tasteful little revision works wonders, enhancing the cultural and economic subtext, bringing richer meaning to the story's morals.\nKosminsky ... puts enough salt into the wounds of the tortured and self-conscious material to make it sting.\nOne of the greatest films I've ever seen.\nIts gentle, touching story creeps into your heart.\nAbout as big a crowdpleaser as they possibly come.\nBound to appeal to women looking for a howlingly trashy time.\nEven these tales of just seven children seem at times too many, although in reality they are not enough. Every child's story is what matters. This film can only point the way -- but thank goodness for this signpost.\nA poignant and gently humorous parable that loves its characters and communicates something rather beautiful about human nature.\nReal Women Have Curves doesn't offer any easy answers.\nVampire epic succeeds as spooky action-packed trash of the highest order.\nOne of the funniest motion pictures of the year, but...also one of the most curiously depressing.\nWhile somewhat less than it might have been, the film is a good one, and you've got to hand it to director George Clooney for biting off such a big job the first time out.\nLike the chilled breath of oral storytelling frozen onto film.\nA charmer from Belgium.\nA wild, endearing, masterful documentary.\nJackie Chan movies are a guilty pleasure - he's easy to like and always leaves us laughing.\nBrown Sugar signals director Rick Famuyiwa's emergence as an articulate, grown-up voice in African-American cinema.\nWith exquisite craftsmanship ... Olivier Assayas has fashioned an absorbing look at provincial bourgeois French society.\nIt's rare for any movie to be as subtle and touching as The Son's Room.\nIt has a way of seeping into your consciousness, with lingering questions about what the film is really getting at.\nMaelstrom is a deliberately unsteady mixture of stylistic elements.\n(Leigh) has a true talent for drawing wrenching performances from his actors (improvised over many months) and for conveying the way tiny acts of kindness make ordinary life survivable.\n(D)espite its familiar subject matter, Ice Age is consistently amusing and engrossing ...\nThe ingenious construction (adapted by David Hare from Michael Cunningham's novel) constantly flows forwards and back, weaving themes among three strands which allow us to view events as if through a prism\nAssured, glossy and shot through with brittle desperation.\nThe bottom line is the piece works brilliantly.\nIt was only a matter of time before some savvy producer saw the potential success inherent in the mixture of Bullock Bubble and Hugh Goo.\nIt is Scott's convincing portrayal of Roger the sad cad that really gives the film its oomph.\nWhile this movie, by necessity, lacks Fellowship's heart, Two Towers outdoes its spectacle.\nMeyjes ... has done his homework and soaked up some jazzy new revisionist theories about the origins of Nazi politics and aesthetics.\nAside from Rohmer's bold choices regarding point of view, The Lady and the Duke represents the filmmaker's lifelong concern with formalist experimentation in cinematic art.\nWhat 'Dumb and Dumber' would have been without the vulgarity and with an intelligent, life-affirming script.\n...a vivid, thoughtful, unapologetically raw coming-of-age tale full of sex, drugs and rock 'n' roll.\nYou wouldn't want to live waydowntown, but it is a hilarious place to visit.\nFilms are made of little moments. Changing Lanes tries for more. It doesn't reach them, but the effort is gratefully received.\nWhen the movie mixes the cornpone and the Cosa Nostra, it finds a nice rhythm.\nThe story is a rather simplistic one: grief drives her, love drives him, and a second chance to find love in the most unlikely place - it struck a chord in me.\nTerrific casting and solid execution give all three stories life.\nA hard look at one man's occupational angst and its subsequent reinvention, a terrifying study of bourgeois desperation worthy of Claude Chabrol.\n(Ramsay) visually transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art, music and metaphor.\nFrequent flurries of creative belly laughs and genuinely enthusiastic performances...keep the movie slaloming through its hackneyed elements with enjoyable ease.\nAt its best, this is grand-scale moviemaking for a larger-than-life figure, an artist who has been awarded mythic status in contemporary culture.\nThe plot of the comeback curlers isn't very interesting actually, but what I like about Men With Brooms and what is kind of special is how the film knows what's unique and quirky about Canadians.\n10 minutes into the film you'll be white-knuckled and unable to look away.\nIt's a beautiful film, full of elaborate and twisted characters - and it's also pretty funny.\nCould this be the first major studio production shot on video tape instead of film?\nNot since Ghostbusters has a film used Manhattan's architecture in such a gloriously goofy way.\nAs tricky and satisfying as any of David Mamet's airless cinematic shell games.\nThe universal theme of becoming a better person through love has never been filmed more irresistibly than in 'Baran.'\nCube's charisma and chemistry compensate for corniness and cliche.\nWith lesser talents, High Crimes would be entertaining, but forgettable. With Freeman and Judd, I'll at least remember their characters.\nAs a director, Paxton is surprisingly brilliant, deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip.\nThe film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders, but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill.\nDaughter From Danang sticks with its subjects a little longer and tells a deeper story\nA coming-of-age film that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type -- the uncertain girl on the brink of womanhood.\nThe faithful will enjoy this sometimes wry adaptation of V.S. Naipaul's novel, but newcomers may find themselves stifling a yawn or two during the first hour.\nA distinguished and thoughtful film, marked by acute writing and a host of splendid performances.\nBarry convinces us he's a dangerous, secretly unhinged guy who could easily have killed a president because it made him feel powerful.\nTakes you by the face, strokes your cheeks and coos beseechingly at you: slow down, shake off your tensions and take this picture at its own breezy, distracted rhythms.\nI don't feel the least bit ashamed in admitting that my enjoyment came at the expense of seeing justice served, even if it's a dish that's best served cold.\nIt's a smart, solid, kinetically-charged spy flick worthy of a couple hours of summertime and a bucket of popcorn. Nothing overly original, mind you, but solidly entertaining.\nChanging Lanes is an anomaly for a Hollywood movie; it's a well-written and occasionally challenging social drama that actually has something interesting to say.\nborrows a bit from the classics ``Wait Until Dark'' and ``Extremities'' ... But in terms of its style, the movie is in a class by itself.\nBecause Eight Legged Freaks is partly an homage to Them, Tarantula and other low- budget B-movie thrillers of the 1950s and '60s, the movie is a silly (but not sophomoric) romp through horror and hellish conditions.\nPuts a refreshing and comical spin on the all-too-familiar saga of the contemporary single woman.\nIf you grew up on Scooby -- you'll love this movie. Matthew Lillard is born to play Shaggy!\nThough filmed partly in Canada, Paid in Full has clever ways of capturing inner-city life during the Reagan years.\n``Spider-man is better than any summer blockbuster we had to endure last summer, and hopefully, sets the tone for a summer of good stuff. If you're a comic fan, you can't miss it. If you're not, you'll still have a good time.''\nThis movie has a strong message about never giving up on a loved one, but it's not an easy movie to watch and will probably disturb many who see it.\nThe movie is a trove of delights.\nExcellent performances from Jacqueline Bisset and Martha Plimpton grace this deeply touching melodrama.\nIn a summer of clones, Harvard Man is something rare and riveting: a wild ride that relies on more than special effects.\nWhile the humor is recognizably Plympton, he has actually bothered to construct a real story this time.\nJolting into Charleston rhythms, the story has the sizzle of old news that has finally found the right vent (accurate? Who cares?).\nAn overly melodramatic but somewhat insightful French coming-of-age film ...\nMost thrillers send audiences out talking about specific scary scenes or startling moments; ``Frailty'' leaves us with the terrifying message that the real horror may be waiting for us at home.\nClose enough in spirit to its freewheeling trash-cinema roots to be a breath of fresh air.\nSkillfully weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise.\nDamon brings the proper conviction to his role as (Jason Bourne).\nFor the most part, it works beautifully as a movie without sacrificing the integrity of the opera.\nAs played by Ryan Gosling, Danny is a frighteningly fascinating contradiction.\nThis is not Chabrol's best, but even his lesser works outshine the best some directors can offer.\nDespite its flaws, Crazy as Hell marks an encouraging new direction for La Salle.\nYou'll end up moved.\nIf you ever wondered what it would be like to be smack in the middle of a war zone armed with nothing but a camera, this Oscar-nominated documentary takes you there.\nThe Woodman seems to have directly influenced this girl-meets-girl love story, but even more reassuring is how its makers actually seem to understand what made Allen's romantic comedies so pertinent and enduring.\nI loved the look of this film.\nThose with a modicum of patience will find in these characters' foibles a timeless and unique perspective.\nBeautiful to watch and holds a certain charm.\n13 Conversations may be a bit too enigmatic and overly ambitious to be fully successful, but Sprecher and her screenwriting partner and sister, Karen Sprecher, don't seem ever to run out of ideas.\nThe movie is our story as much as it is Schmidt's, no matter if it's viewed as a self-reflection or cautionary tale.\nFoster breathes life into a roll that could have otherwise been bland and run of the mill.\nQuitting offers piercing domestic drama with spikes of sly humor.\nSome people want the ol' ball-and-chain and then there are those who just want the Ball and Chain.\n(Barry) gives Assassin a disquieting authority.\nIt's refreshing to see a romance this smart.\nAt its best (and it does have some very funny sequences) Looking for Leonard reminds you just how comically subversive silence can be.\nAs improbable as this premise may seem, Abbass's understated, shining performance offers us the sense that on some elemental level, Lilia deeply wants to break free of her old life.\nAnyone who ever fantasized about space travel but can't afford the $20 million ticket to ride a Russian rocket should catch this IMAX offering.\n``The turntable is now outselling the electric guitar...''\nTransforms one of (Shakespeare's) deepest tragedies into a smart new comedy.\nAn intelligent and deeply felt work about impossible, irrevocable choices and the price of making them.\nIt may sound like a mere disease-of- the-week TV movie, but A Song For Martin is made infinitely more wrenching by the performances of real-life spouses Seldahl and Wollter.\nSayles is making a statement about the inability of dreams and aspirations to carry forward into the next generation.\nAs Antonia is assimilated into this newfangled community, the film settles in and becomes compulsively watchable in a guilty-pleasure, daytime-drama sort of fashion.\nevery once in a while, a movie will come along that turns me into that annoying specimen of humanity that I usually dread encountering the most - The Fanboy\nOn its own staggeringly unoriginal terms, this gender-bending comedy is generally quite funny.\nIt's never dull and always looks good.\nThe tonal shifts are jolting, and though Wen's messages are profound and thoughtfully delivered, more thorough transitions would have made the film more cohesive.\nAs commander-in-chief of this film, Bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world.\nWith wit and empathy to spare, waydowntown acknowledges the silent screams of workaday inertia but stops short of indulging its characters' striving solipsism.\nAll of it works smoothly under the direction of Spielberg, who does a convincing impersonation here of a director enjoying himself immensely.\nThe kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati.\nWith 'Bowling for Columbine,' Michael Moore gives us the perfect starting point for a national conversation about guns, violence, and fear.\nOne of the year's most weirdly engaging and unpredictable character pieces.\nOne of the best inside-show-biz yarns ever.\nNone of his actors stand out, but that's less of a problem here than it would be in another film: Characterization matters less than atmosphere.\nA terrifically entertaining specimen of Spielbergian sci-fi.\nA rare and lightly entertaining look behind the curtain that separates comics from the people laughing in the crowd.\nSolondz is so intent on hammering home his message that he forgets to make it entertaining.\nWhatever heartwarming scene the impressively discreet filmmakers may have expected to record with their mini DV, they show a remarkable ability to document both sides of this emotional car-wreck.\nIt establishes its ominous mood and tension swiftly, and if the suspense never rises to a higher level, it is nevertheless maintained throughout.\nAlthough What Time offers Tsai's usual style and themes, it has a more colorful, more playful tone than his other films.\nA moving and stark reminder that the casualties of war reach much further than we imagine.\nA thoroughly engaging, surprisingly touching British comedy.\nA sloppy, amusing comedy that proceeds from a stunningly unoriginal premise.\n...a rich and intelligent film that uses its pulpy core conceit to probe questions of attraction and interdependence and how the heart accomodates practical needs. It is an unstinting look at a collaboration between damaged people that may or may not qual\ncaptures that perverse element of the Kafkaesque where identity, overnight, is robbed and replaced with a persecuted ``other.''\nThe actors are simply too good, and the story too intriguing, for technical flaws to get in the way.\nAn estrogen opera so intensely feminine that it serves as the antidote (and cannier doppelganger) to Diesel's XXX flex-a-thon.\nImamura has said that Warm Water Under a Red Bridge is a poem to the enduring strengths of women. It may also be the best sex comedy about environmental pollution ever made.\nIt's a ripper of a yarn and I for one enjoyed the thrill of the chill. Naomi Watts is terrific as Rachel; her petite frame and vulnerable persona emphasising her plight and isolation.\nA family film that contains some hefty thematic material on time, death, eternity, and what is needed to live a rich and full life.\nWith Dickens' words and writer-director Douglas McGrath's even-toned direction, a ripping good yarn is told.\nExactly what its title implies: lusty, boisterous and utterly charming.\nThe film is darkly funny in its observation of just how much more grueling and time-consuming the illusion of work is than actual work.\nA smart, compelling drama.\nA must-see for fans of thoughtful war films and those interested in the sights and sounds of battle.\nI found myself liking the film, though in this case one man's treasure could prove to be another man's garbage.\n...Rogers's mouth never stops shut about the war between the sexes and how to win the battle.\nDeliberately and skillfully uses ambiguity to suggest possibilities which imbue the theme with added depth and resonance.\nIt's all entertaining enough, but don't look for any hefty anti-establishment message in what is essentially a whip-crack of a buddy movie that ends with a whimper.\nNicholson's understated performance is wonderful. As Warren he stumbles in search of all the emotions and life experiences he's neglected over the years.\nDespite its old-hat set-up and predictable plot, Empire still has enough moments to keep it entertaining.\nAnother entertaining romp from Robert Rodriguez.\nIt's not a classic spy-action or buddy movie, but it's entertaining enough and worth a look.\nI am more offended by his lack of faith in his audience than by anything on display here.\nA sharp satire of desperation and cinematic deception.\nTsai convincingly paints a specifically urban sense of disassociation here.\nIf you can swallow its absurdities and crudities Lagaan really is enormously good fun.\nAn unorthodox little film noir organized crime story that includes one of the strangest love stories you will ever see.\nA pleasing, often-funny comedy.\n(A) rare movie that makes us re-assess the basis for our lives and evaluate what is truly ours in a world of meaningless activity.\nAll three actresses are simply dazzling, particularly Balk, who's finally been given a part worthy of her considerable talents.\nAn Asian neo-realist treasure.\nPlummer steals the show without resorting to camp as Nicholas' wounded and wounding Uncle Ralph. It's a great performance and a reminder of Dickens' grandeur.\n... less a story than an inexplicable nightmare, right down to the population's shrugging acceptance to each new horror.\nI am highly amused by the idea that we have come to a point in society where it has been deemed important enough to make a film in which someone has to be hired to portray Richard Dawson.\nA compassionate, moving portrait of an American (and an America) always reaching for something just outside his grasp.\nAn original little film about one young woman's education.\nThe film is about the relationships rather than about the outcome. And it sees those relationships, including that between the son and his wife, and the wife and the father, and between the two brothers, with incredible subtlety and acumen.\nOne of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then figures out how to make us share their enthusiasm.\nAn instance of an old dog not only learning but inventing a remarkable new trick.\nRodriguez has the chops of a smart-aleck film school brat and the imagination of a big kid...\nAmy and Matthew have a bit of a phony relationship, but the film works in spite of it.\nGarcia and the other actors help make the wobbly premise work.\nIt's surprisingly decent, particularly for a tenth installment in a series.\nA fascinating, unnerving examination of the delusions of one unstable man.\nIt's no accident that The Accidental Spy is a solid action pic that returns the martial arts master to top form.\nLeave it to the French to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller, a dumb comedy or a sappy melodrama.\nThe director, Mark Pellington, does a terrific job conjuring up a sinister, menacing atmosphere though unfortunately all the story gives us is flashing red lights, a rattling noise, and a bump on the head.\nHeartwarming here relies less on forced air than on Petter Næss' delicate, clever direction ... and a wonderful, imaginative script by Axel Hellstenius.\nMakes the case for a strong education and good teachers being more valuable in the way they help increase an average student's self-esteem, and not strictly in the knowledge imparted.\nSteers refreshingly clear of the usual cliches.\n``Home Movie'' is a sweet treasure and something well worth your time.\nHighly recommended viewing for its courage, ideas, technical proficiency and great acting.\nThe movie's thesis -- elegant technology for the masses -- is surprisingly refreshing.\nScott delivers a terrific performance in this fascinating portrait of a modern Lothario.\n... Wallace is smart to vary the pitch of his movie, balancing deafening battle scenes with quieter domestic scenes of women back home receiving War Department telegrams.\nCombines sharp comedy, old-fashioned monster movie atmospherics, and genuine heart to create a film that's not merely about kicking undead ***, but also about dealing with regret and, ultimately, finding redemption.\nWhile most films these days are about nothing, this film seems to be about everything that's plaguing the human spirit in a relentlessly globalizing world.\nMarshall puts a suspenseful spin on standard horror flick formula.\nAs lively an account as Seinfeld is deadpan.\nThough Lan Yu lacks a sense of dramatic urgency, the film makes up for it with a pleasing verisimilitude.\nYou may leave the theater with more questions than answers, but darned if your toes won't still be tapping.\nTake any 12-year-old boy to see this picture, and he'll be your slave for a year.\nBut this is not a movie about an inhuman monster; it's about a very human one.\nAt times THE GUYS taps into some powerful emotions, but this kind of material is more effective on stage. It's not a motion picture; it's an utterly static picture.\nWhat makes it worth watching is Quaid's performance.\nSoderbergh skims the fat from the 1972 film. What's left is a rich stew of longing.\nIt's the brilliant surfing photography bringing you right inside the massive waves that lifts Blue Crush into one of the summer's most pleasurable movies.\nMore of the same from Taiwanese auteur Tsai Ming-liang, which is good news to anyone who's fallen under the sweet, melancholy spell of this unique director's previous films.\nHatfield and Hicks make the oddest of couples, and in this sense the movie becomes a study of the gambles of the publishing world, offering a case study that exists apart from all the movie's political ramifications.\nBest of all is Garcia, who perfectly portrays the desperation of a very insecure man.\nThe filmmakers try to balance pointed, often incisive satire and unabashed sweetness, with results that are sometimes bracing, sometimes baffling and quite often, and in unexpected ways, touching.\nA sobering and powerful documentary about the most severe kind of personal loss: rejection by one's mother.\nOften overwrought and at times positively irritating, the film turns into an engrossing thriller almost in spite of itself.\nHumorous and heartfelt, Douglas McGrath's version of 'Nicholas Nickleby' left me feeling refreshed and hopeful. Not many movies have that kind of impact on me these days.\nA poignant lyricism runs through Balzac and the Little Chinese Seamstress that transforms this story about love and culture into a cinematic poem.\nThis is SO De Palma. If you love him, you'll like it. If you don't...well, skip to another review.\nRouge is less about a superficial midlife crisis than it is about the need to stay in touch with your own skin, at 18 or 80.\nThe moral shrapnel and mental shellshock will linger long after this film has ended.\nUnfolds in a series of achronological vignettes whose cumulative effect is chilling.\nThe movie enters a realm where few non-porn films venture, and comes across as darkly funny, energetic, and surprisingly gentle.\nAlthough the subject matter may still be too close to recent national events, the film works - mostly due to its superior cast of characters.\nIt's not going to be everyone's bag of popcorn, but it definitely gives you something to chew on.\nHuppert and Girardot give performances of exceptional honesty.\nIt has that rare quality of being able to creep the living hell out of you...\nA cautionary tale about the grandiosity of a college student who sees himself as impervious to a fall.\nAn infinitely wittier version of the Home Alone formula.\nFeardotcom's thrills are all cheap, but they mostly work.\n(Hayek) throws herself into this dream Hispanic role with a teeth-clenching gusto, she strikes a potent chemistry with Molina and she gradually makes us believe she is Kahlo.\nMr. Deeds is, as comedy goes, very silly -- and in the best way.\nYou could love Safe Conduct (Laissez Passer) for being a subtitled French movie that is 170 minutes long. You could hate it for the same reason.\nWith We Were Soldiers, Hollywood makes a valiant attempt to tell a story about the Vietnam War before the pathology set in.\n'Moore is like a progressive bull in a china shop, a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism.'\nBroomfield reveals an ironic manifestation of institutionalized slavery that ties a black-owned record label with a white-empowered police force.\nAt just over an hour, Home Movie will leave you wanting more, not to mention leaving you with some laughs and a smile on your face.\nStuart's poor-me persona needs a whole bunch of Snowball's cynicism to cut through the sugar coating. But once the falcon arrives in the skies above Manhattan, the adventure is on red alert.\nThere is greatness here.\nBoasts enough funny dialogue and sharp characterizations to be mildly amusing.\nDirector Juan Jose Campanella could have turned this into an Argentine retread of ``Iris'' or ``American Beauty,'' but instead pulls a little from each film and creates something more beautiful than either of those films.\nIf you love the music, and I do, its hard to imagine having more fun watching a documentary ...\nNakata's technique is to imply terror by suggestion, rather than the overuse of special effects.\n``13 Conversations About One Thing'' is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling.\nSatin Rouge is not a new, or inventive, journey, but it's encouraging to see a three-dimensional, average, middle-aged woman's experience of self-discovery handled with such sensitivity.\nThough an important political documentary, this does not really make the case the Kissinger should be tried as a war criminal.\nCannon's confidence and laid-back good spirits are, with the drumming routines, among the film's saving graces.\nIn its understanding, often funny way, it tells a story whose restatement is validated by the changing composition of the nation.\nShe may not be real, but the laughs are.\nA fiercely clever and subtle film, capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries.\nOK arthouse. The power of this script, and the performances that come with it, is that the whole damned thing didn't get our moral hackles up.\nThe movie itself is far from disappointing, offering an original take on courtroom movies, a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star Bruce Willis.\nAbout Schmidt is undoubtedly one of the finest films of the year. If you're not deeply touched by this movie, check your pulse.\nThe charm of Revolution OS is rather the way it introduces you to new, fervently held ideas and fanciful thinkers.\nUntil its final minutes this is a perceptive study of two families in crisis -- and of two girls whose friendship is severely tested by bad luck and their own immaturity.\nOffers the flash of rock videos fused with solid performances and eerie atmosphere.\nFilmmakers Dana Janklowicz-Mann and Amir Mann area headed east, Far East, in retelling a historically significant, and personal, episode detailing how one international city welcomed tens of thousands of German Jewish refugees while the world's democracie\nFor all its problems ... The Lady and the Duke surprisingly manages never to grow boring... which proves that Rohmer still has a sense of his audience.\nAn edifying glimpse into the wit and revolutionary spirit of these performers and their era.\nCraig Bartlett and director Tuck Tucker should be commended for illustrating the merits of fighting hard for something that really matters.\nThe film is saved from aren't-kids-cute sentimentality by a warmth that isn't faked and a stately sense of composition.\nThis is one of the year's best films.\nA fleet-footed and pleasingly upbeat family diversion.\nSorvino is delightful in the central role. She nearly glows with enthusiasm, sensuality and a conniving wit.\nIt's immensely ambitious, different than anything that's been done before and amazingly successful in terms of what it's trying to do.\nThe story, once it gets rolling, is nothing short of a great one.\nGreat performances, stylish cinematography and a gritty feel help make Gangster No. 1 a worthwhile moviegoing experience.\n``Mr. Deeds'' is suitable summer entertainment that offers escapism without requiring a great deal of thought.\nIt's an ambitious film, and as with all ambitious films, it has some problems. But on the whole, you're gonna like this movie.\nChaiken ably balances real-time rhythms with propulsive incident.\nThis is an extraordinary film, not least because it is Japanese and yet feels universal.\nIn a summer overrun with movies dominated by CGI aliens and super heroes, it revigorates the mind to see a feature that concentrates on people, a project in which the script and characters hold sway.\nThere's just something about watching a squad of psychopathic underdogs whale the tar out of unsuspecting lawmen that reaches across time and distance.\nA funny and touching film that is gorgeously acted by a British cast to rival Gosford Park's.\nThere's nothing more satisfying during a summer of event movies than a spy thriller like The Bourne Identity that's packed with just as much intelligence as action.\nI'm not generally a fan of vegetables but this batch is pretty cute.\nQutting may be a flawed film, but it is nothing if not sincere.\nBeautifully crafted, engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic, twisty yarn that will keep them guessing.\nA thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people, seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause.\nA cultural wildcard experience: wacky, different, unusual, even nutty.\nDaughter From Danang reveals that efforts toward closure only open new wounds. It doesn't flinch from its unsettling prognosis, namely, that the legacy of war is a kind of perpetual pain.\nFor most of its footage, the new thriller proves that director M. Night Shyamalan can weave an eerie spell and that Mel Gibson can gasp, shudder and even tremble without losing his machismo.\nThis is not an easy film. But it could be, by its art and heart, a necessary one.\nA very good film sits in the place where a masterpiece should be.\n...spellbinding fun and deliciously exploitative.\nIt's Jagger's bone-dry, mournfully brittle delivery that gives the film its bittersweet bite.\nImpossible as it may sound, this film's heart is even more embracing than Monty, if only because it accepts nasty behavior and severe flaws as part of the human condition.\nDespite the predictable parent vs. child coming-of-age theme, first-class, natural acting and a look at ``the real Americans'' make this a charmer.\nOne of the smarter offerings the horror genre has produced in recent memory, even if it's far tamer than advertised.\nOne of recent memory's most thoughtful films about art, ethics, and the cost of moral compromise.\nthe film doesn't sustain its initial promise with a jarring, new-agey tone creeping into the second half\nBlade II is as estrogen-free as movies get, so you might want to leave your date behind for this one, or she's gonna make you feel like you owe her big-time.\nThe message is that even the most unlikely can link together to conquer all kinds of obstacles, whether they be of nature, of man or of one another.\nMany a parent and their teen (or preteen) kid could bond while watching A Walk To Remember. So could young romantics out on a date.\nAll leather pants & augmented boobs, Hawn is hilarious as she tries to resuscitate the fun-loving libertine lost somewhere inside the conservative, handbag-clutching Sarandon.\nThe members manage to pronounce KOK exactly as you think they might, thus giving the cast ample opportunity to use that term as often as possible. It's very Beavis and Butthead, yet always seems to elicit a chuckle.\nWhile this gentle and affecting melodrama will have luvvies in raptures, it's far too slight and introspective to appeal to anything wider than a niche audience.\nChicago offers much colorful eye candy, including the spectacle of Gere in his dancing shoes, hoofing and crooning with the best of them.\nA difficult but worthy film that bites off more than it can chew by linking the massacre of Armenians in 1915 with some difficult relationships in the present.\nBy and large this is Mr. Kilmer's movie, and it's his strongest performance since The Doors.\nSome of the most ravaging, gut-wrenching, frightening war scenes since ``Saving Private Ryan'' have been recreated by John Woo in this little-known story of Native Americans and their role in the second great war.\nA charming but slight comedy.\nHenry Bean's thoughtful screenplay provides no easy answers, but offers a compelling investigation of faith versus intellect\nA great cast and a wonderful but sometimes confusing flashback movie about growing up in a dysfunctional family.\nPlaying a role of almost Bergmanesque intensity ... Bisset is both convincing and radiant.\nA smart, provocative drama that does the nearly impossible: It gets under the skin of a man we only know as an evil, monstrous lunatic.\nAn alternately fascinating and frustrating documentary.\nGriffin & Co. manage to be spectacularly outrageous.\nNair's cast is so large it's Altman-esque, but she deftly spins the multiple stories in a vibrant and intoxicating fashion.\nThe movie plays up the cartoon's more obvious strength of snazziness while neglecting its less conspicuous writing strength.\nPoignant Japanese epic about adolescent anomie and heartbreak.\nWe've seen it all before in one form or another, but director Hoffman, with great help from Kevin Kline, makes us care about this latest reincarnation of the world's greatest teacher.\nSecretary is not a movie about fetishism. It is a movie about passion.\nEven though it's common knowledge that Park and his founding partner, Yong Kang, lost Kozmo in the end, you can't help but get caught up in the thrill of the company's astonishing growth.\nAlthough some viewers will not be able to stomach so much tongue-in-cheek weirdness, those who do will have found a cult favorite to enjoy for a lifetime.\nWhat could have easily become a cold, calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking.\nA delightful surprise because despite all the backstage drama, this is a movie that tells stories that work -- is charming, is moving, is funny and looks professional.\nThe IMAX screen enhances the personal touch of manual animation.\nDoes an impressive job of relating the complicated history of the war and of filling in the background.\nIt's all about Anakin ... and the lustrous polished visuals rich in color and creativity and, of course, special effect.\nLacks the inspiration of the original and has a bloated plot that stretches the running time about 10 minutes past a child's interest and an adult's patience. But it also has many of the things that made the first one charming.\nIt's funny, touching, dramatically forceful, and beautifully shot.\nIts rawness and vitality give it considerable punch.\nA live-wire film that never loses its ability to shock and amaze.\nThe year's greatest adventure, and Jackson's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate.\nIt's fairly solid--not to mention well edited so that it certainly doesn't feel like a film that strays past the two and a half mark.\nBrims with passion: for words, for its eccentric, accident-prone characters, and for the crazy things that keep people going in this crazy life.\nIt's secondary to American Psycho but still has claws enough to get inside you and stay there for a couple of hours.\nThe Hours, a delicately crafted film, is an impressive achievement in spite of a river of sadness that pours into every frame.\nFudges fact and fancy with such confidence that we feel as if we're seeing something purer than the real thing.\nThis is unusual, food-for-thought cinema that's as entertaining as it is instructive.\nWith an expressive face reminiscent of Gong Li and a vivid personality like Zhang Ziyi's, Dong stakes out the emotional heart of Happy.\nNohe's documentary about the event is sympathetic without being gullible: He isn't blind to the silliness, but also captures moments of spontaneous creativity and authentic co-operative interaction.\nIt may not be as cutting, as witty or as true as back in the glory days of Weekend and Two or Three Things I Know About Her, but who else engaged in filmmaking today is so cognizant of the cultural and moral issues involved in the process?\nSecret Ballot is a funny, puzzling movie ambiguous enough to be engaging and oddly moving.\nAlthough devoid of objectivity and full of nostalgic comments from the now middle-aged participants, Dogtown and Z-Boys has a compelling story to tell.\nIt's got some pretentious eye-rolling moments and it didn't entirely grab me, but there's stuff here to like.\nBirthday Girl walks a tricky tightrope between being wickedly funny and just plain wicked.\nThe enjoyable Undercover Brother, a zany mix of Saturday Night Live-style parody, '70s Blaxploitation films and goofball action comedy gone wild, dishes out a ton of laughs that everyone can enjoy.\nBrings an irresistible blend of warmth and humor and a consistent embracing humanity in the face of life's harshness.\nJackson is always watchable.\nTo the degree that ivans xtc. works, it's thanks to Huston's revelatory performance.\nA wild ride of a movie that keeps throwing fastballs.\nConfessions is without a doubt a memorable directorial debut from King Hunk.\nWeird, vulgar comedy that's definitely an acquired taste.\nA...cynical and serious look at teenage boys doing what they do best - being teenagers.\nThe film is a very good viewing alternative for young women.\nAustralian filmmaker David Flatman uses the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them.\nA dazzling dream of a documentary.\nA keep-'em-guessing plot and an affectionate take on its screwed-up characters.\nBrave and sweetly rendered love story.\nThe film proves unrelentingly grim -- and equally engrossing.\nA hallmark film in an increasingly important film industry and worth the look.\nThe Last Kiss will probably never achieve the popularity of My Big Fat Greek Wedding, but its provocative central wedding sequence has far more impact.\nIf you like blood, guts and crazy beasts stalking men with guns though... you will likely enjoy this monster.\nThe difference between Cho and most comics is that her confidence in her material is merited.\nSad to say -- it accurately reflects the rage and alienation that fuels the self-destructiveness of many young people.\nThere is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye.\n'Anyone with a passion for cinema, and indeed sex, should see it as soon as possible.'\nSeeks to transcend its genre with a curiously stylized, quasi-Shakespearean portrait of pure misogynist evil.\nMordantly funny and intimately knowing ...\nWhat makes the movie special is its utter sincerity.\nFast and funny, an action cartoon that's suspenseful enough for older kids but not too scary for the school-age crowd.\nOne of those rare films that come by once in a while with flawless amounts of acting, direction, story and pace.\nThe AAA of action, XXX is a blast of adrenalin, rated EEE for excitement. And Vin Diesel is the man.\nEarnest, unsubtle and Hollywood-predictable, Green Dragon is still a deeply moving effort to put a human face on the travail of thousands of Vietnamese.\nAn ambitious movie that, like Shiner's organizing of the big fight, pulls off enough of its effects to make up for the ones that don't come off.\nNair and writer Laura Cahill dare to build a movie around some flawed but rather unexceptional women, emerging with a fine character study that's short on plot but rich in the tiny revelations of real life.\nThe film's unhurried pace is actually one of its strengths. Entirely appropriately, the tale unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn.\nDespite its floating narrative, this is a remarkably accessible and haunting film.\nVibrantly colored and beautifully designed, Metropolis is a feast for the eyes.\nSweetly sexy, funny and touching.\n...while Dark Water isn't a complete wash (no pun intended), watched side-by-side with Ringu, it ultimately comes off as a pale successor.\nIs truth stranger than fiction? In (screenwriter) Charlie Kaufman's world, truth and fiction are equally strange, and his for the taking.\nFor decades we've marveled at Disney's rendering of water, snow, flames and shadows in a hand-drawn animated world. Prepare to marvel again.\nA witty, low-key romantic comedy.\nMore good than great but Freeman and Judd make it work.\nIf you're looking for a smart, nuanced look at de Sade and what might have happened at Picpus, Sade is your film.\nCould have been crisper and punchier, but it's likely to please audiences who like movies that demand four hankies.\nTogether writer-director Danny Verete's three tales comprise a powerful and reasonably fulfilling gestalt.\nBursting through the constraints of its source, this is one adapted- from-television movie that actually looks as if it belongs on the big screen.\nIts almost too-spectacular coastal setting distracts slightly from an eccentric and good-naturedly aimless story.\nIn other words, it's just another sports drama/character study. Yet this one makes up for in heart what it lacks in outright newness. Plus, like I already mentioned...it's Robert Duvall! C'mon!\nThis story of a determined woman's courage to find her husband in a war zone offers winning performances and some effecting moments.\nLike Shrek, Spirit's visual imagination reminds you of why animation is such a perfect medium for children, because of the way it allows the mind to enter and accept another world.\nA modestly made but profoundly moving documentary.\nIt irritates and saddens me that Martin Lawrence's latest vehicle can explode obnoxiously into 2,500 screens while something of Bubba Ho-Tep's clearly evident quality may end up languishing on a shelf somewhere.\nNot everything in this ambitious comic escapade works, but Coppola, along with his sister, Sofia, is a real filmmaker. It must be in the genes.\nThe performers are so spot on, it is hard to conceive anyone else in their roles.\nThis slight premise ... works because of the ideal casting of the masterful British actor Ian Holm as the aged Napoleon.\nHashiguchi covers this territory with wit and originality, suggesting that with his fourth feature -- the first to be released in the U.S. -- a major director is emerging in world cinema.\nAlthough the film boils down to a lightweight story about matchmaking, the characters make Italian for Beginners worth the journey\nThe dragons are the real stars of Reign of Fire and you won't be disappointed.\nKudos to the most enchanting film of the year.\nIt works well enough, since the thrills pop up frequently, and the dispatching of the cast is as often imaginative as it is gory.\nColorful and deceptively buoyant until it suddenly pulls the rug out from under you, Burkinabe filmmaker Dani Kouyate's reworking of a folk story whose roots go back to 7th-century oral traditions is also a pointed political allegory.\nIt's a powerful though flawed movie, guaranteed to put a lump in your throat while reaffirming Washington as possibly the best actor working in movies today.\nDirector Paul Cox's unorthodox, abstract approach to visualizing Nijinsky's diaries is both stimulating and demanding.\nFor 95 often hilarious minutes, (Cho) riffs on the diciness of colonics, on straight versus gay personal ads, on how men would act if they had periods, and on the perils of a certain outré sexual practice.\nMost of the things that made the original Men in Black such a pleasure are still there.\nMostly honest, this somber picture reveals itself slowly, intelligently, artfully.\nBest enjoyed as a work of fiction inspired by real-life events. Those seeking a definitive account of Eisenstein's life would do better elsewhere.\n(Westbrook) makes a wonderful subject for the camera.\nA film that's flawed and brilliant in equal measure.\nEven if Invincible is not quite the career peak that The Pianist is for Roman Polanski, it demonstrates that Werner Herzog can still leave us with a sense of wonder at the diverse, marvelously twisted shapes history has taken.\nUltimately too repellent to fully endear itself to American art house audiences, but it is notable for its stylistic austerity and forcefulness.\nHardly a film that comes along every day.\nA wild ride with eight boarders from Venice Beach that was a deserved co-winner of the Audience Award for documentaries at the Sundance Film Festival.\nThe film's only missteps come from the script's insistence on providing deep emotional motivation for each and every one of Abagnale's antics.\nA sweet, tender sermon about a 12-year-old Welsh boy more curious about God than girls, who learns that believing in something does matter.\nthe film belongs to the marvelous Verdu, a sexy slip of an earth mother who mourns her tragedies in private and embraces life in public\nMore intimate than spectacular, E.T. is carried less by wow factors than by its funny, moving yarn that holds up well after two decades.\nFor once, a movie does not proclaim the truth about two love-struck somebodies, but permits them time and space to convince us of that all on their own.\nIf you're burnt out on It's a Wonderful Life marathons and bored with A Christmas Carol, it might just be the movie you're looking for. It depends on how well flatulence gags fit into your holiday concept.\nMoonlight Mile doesn't quite go the distance but the cast is impressive and they all give life to these broken characters who are trying to make their way through this tragedy.\nIt is an indelible epic American story about two families, one black and one white, facing change in both their inner and outer lives.\nNot as well-written as Sexy Beast, not as gloriously flippant as Lock, Stock and Two Smoking Barrels, but stylish and moody and exceptionally well-acted.\nQuite simply, a joy to watch and--especially--to listen to.\nA flawed film but an admirable one that tries to immerse us in a world of artistic abandon and political madness and very nearly succeeds.\nThe filmmakers wisely decided to let Crocodile Hunter Steve Irwin do what he does best, and fashion a story around him.\nA winning and wildly fascinating work.\nWe do get the distinct impression that this franchise is drawing to a close.\nWorth catching for Griffiths' warm and winning central performance.\nThe tone errs on the shrill side, tempered by a soft southern gentility that speaks of beauty, grace and a closet full of skeletons.\nAn interesting psychological game of cat-and-mouse, three-dimensional characters and believable performances all add up to a satisfying crime drama.\nA meatier deeper beginning and/or ending would have easily tipped this film into the ``A'' range, as is, it's a very very strong ``B+.'' I love the robust middle of this picture.\nThe power of Shanghai Ghetto, a documentary by Dana Janklowicz-Mann and Amir Mann, rests in the voices of men and women, now in their 70s, who lived there in the 1940s.\nMaintains your interest until the end and even leaves you with a few lingering animated thoughts.\nThere is a beautiful, aching sadness to it all. Paul Cox needed to show it. It is up to you to decide if you need to see it.\nIf Divine Secrets of the Ya-Ya Sisterhood suffers from a ploddingly melodramatic structure, it comes to life in the performances.\nIf you ignore the cliches and concentrate on City by the Sea's interpersonal drama, it ain't half-bad.\nThere aren't too many films that can be as simultaneously funny, offbeat and heartwarming (without a thick shmear of the goo, at least), but ``Elling'' manages to do all three quite well, making it one of the year's most enjoyable releases.\nReign of Fire is hardly the most original fantasy film ever made -- beyond Road Warrior, it owes enormous debts to Aliens and every previous dragon drama -- but that barely makes it any less entertaining.\nAn earnest, roughshod document, it serves as a workable primer for the region's recent history, and would make a terrific 10th-grade learning tool.\nSamuel Beckett applied to the Iranian voting process.\nThe Bard as black comedy -- Willie would have loved it.\nAnother trumpet blast that there may be a New Mexican Cinema a-bornin'.\n'...the film's considered approach to its subject matter is too calm and thoughtful for agitprop, and the thinness of its characterizations makes it a failure as straight drama.'\nTadpole may be one of the most appealing movies ever made about an otherwise appalling, and downright creepy, subject -- a teenage boy in love with his stepmother.\nThis is a story that zings all the way through with originality, humour and pathos.\nAs underwater ghost stories go, Below casts its spooky net out into the Atlantic Ocean and spits it back, grizzled and charred, somewhere northwest of the Bermuda Triangle.\nIt is a challenging film, if not always a narratively cohesive one.\nTrapped won't score points for political correctness, but it may cause parents a few sleepless hours -- a sign of its effectiveness.\nA rock-solid gangster movie with a fair amount of suspense, intriguing characters and bizarre bank robberies, plus a heavy dose of father-and-son dynamics.\nIt's incredible the number of stories the Holocaust has generated. Just when you think that every possible angle has been exhausted by documentarians, another new film emerges with yet another remarkable yet shockingly little-known perspective.\nAs they used to say in the 1950s sci-fi movies, Signs is a tribute to Shyamalan's gifts, which are such that we'll keep watching the skies for his next project.\nThere's no conversion effort, much of the writing is genuinely witty and both stars are appealing enough to probably have a good shot at a Hollywood career, if they want one.\nLike a skillful fisher, the director uses the last act to reel in the audience since its poignancy hooks us completely.\nA film with contemporary political resonance illustrated by a winning family story.\nKids five and up will be delighted with the fast, funny, and even touching story. Parents may even find that it goes by quickly, because it has some of the funniest jokes of any movie this year, including those intended for adults.\nAn unsettling, memorable cinematic experience that does its predecessors proud.\nMaid in Manhattan might not look so appealing on third or fourth viewing down the road ... But as a high concept vehicle for two bright stars of the moment who can rise to fans' lofty expectations, the movie passes inspection.\nMuch of All About Lily Chou-Chou is mesmerizing: some of its plaintiveness could make you weep.\nFerrara's strongest and most touching movie of recent years.\nSpielberg's first real masterpiece, it deserved all the hearts it won -- and wins still, 20 years later.\nThe screenwriters dig themselves in deeper every time they toss logic and science into what is essentially a ``Dungeons and Dragons'' fantasy with modern military weaponry...\nMore than simply a portrait of early extreme sports, this peek into the 1970s skateboard revolution is a skateboard film as social anthropology...\nWhat I saw, I enjoyed.\nThe level of acting elevates the material above pat inspirational status and gives it a sturdiness and solidity that we've long associated with Washington the actor.\nA deft, delightful mix of sulky teen drama and overcoming-obstacles sports-movie triumph.\nDaringly perceptive, taut, piercing and feisty, Biggie and Tupac is undeniably subversive and involving in its bold presentation.\nDelivers more than its fair share of saucy hilarity.\nA fairly enjoyable mixture of Longest Yard ... and the 1999 Guy Ritchie caper Lock Stock and Two Smoking Barrels.\nHappily, some things are immune to the folly of changing taste and attitude. For proof of that on the cinematic front, look no further than this 20th anniversary edition of the film that Spielberg calls, retrospectively, his most personal work yet.\nHugely entertaining from start to finish, featuring a fall from grace that still leaves shockwaves, it will gratify anyone who has ever suspected Hollywood of being overrun by corrupt and hedonistic weasels.\nIt's not like having a real film of Nijinsky, but at least it's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered.\nIt's probably worth catching solely on its visual merits. If only it had the story to match.\nLike other great documentaries ... this goes after one truth (the Ford administration's complicity in tearing 'orphans' from their mothers) and stumbles upon others even more compelling.\n...only Bond can save us from the latest eccentric, super-wealthy megalomaniac bent on world domination and destruction.\nThe first half bursts with a goofy energy previous Disney films only used for a few minutes here and there.\nIt's quite diverting nonsense.\nAn old-fashioned scary movie, one that relies on lingering terror punctuated by sudden shocks and not constant bloodshed punctuated by flying guts.\nFor all the wit and hoopla, Festival In Cannes offers rare insight into the structure of relationships.\nWhat makes How I Killed My Father compelling, besides its terrific performances, is Fontaine's willingness to wander into the dark areas of parent-child relationships without flinching.\nRenner?s face is chillingly unemotive, yet he communicates a great deal in his performance. See it for his performance if nothing else.\n...the kind of entertainment that parents love to have their kids see.\nIt's a fine, focused piece of work that reopens an interesting controversy and never succumbs to sensationalism.\nIts engaging simplicity is driven by appealing leads.\nSwimming is above all about a young woman's face, and by casting an actress whose face projects that woman's doubts and yearnings, it succeeds.\nA respectable venture on its own terms, lacking the broader vision that has seen certain Trek films ... cross over to a more mainstream audience.\nIt's weird, wonderful, and not necessarily for kids.\nAn elegant film with often surprising twists and an intermingling of naiveté and sophistication.\nBlessed with two fine, nuanced lead performances.\nWhile this has the making of melodrama, the filmmaker cuts against this natural grain, producing a work that's more interested in asking questions than in answering them.\nAs a girl-meets-girl romantic comedy, Kissing Jessica Steinis quirky, charming and often hilarious. Yet it's not quite the genre-busting film it's been hyped to be because it plays everything too safe.\nYou don't need to know your Ice-T's from your Cool-J's to realize that as far as these shootings are concerned, something is rotten in the state of California.\nTurturro is fabulously funny and over the top as a 'very sneaky' butler who excels in the art of impossible disappearing/reappearing acts\nMeant for Star Wars fans. It is there to give them a good time.\nFrom a deceptively simple premise, this deeply moving French drama develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times.\nSimply and eloquently articulates the tangled feelings of particular New Yorkers deeply touched by an unprecedented tragedy.\nProvides a very moving and revelatory footnote to the Holocaust.\nTerrific performances, great to look at, and funny. A little uneven to be the cat's meow, but it's good enough to be the purr.\nIt's a compelling and horrifying story, and The Laramie Project is worthwhile for reminding us that this sort of thing does, in fact, still happen in America.\nI like it. There is a freedom to watching stunts that are this crude, this fast-paced and this insane.\nThat rare documentary that incorporates so much of human experience -- drama, conflict, tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film.\nThat rare movie that works on any number of levels -- as a film of magic and whimsy for children, a heartfelt romance for teenagers and a compelling argument about death, both pro and con, for adults.\nIt's both degrading and strangely liberating to see people working so hard at leading lives of sexy intrigue, only to be revealed by the dispassionate Gantz brothers as ordinary, pasty lumpen.\nA sharp and quick documentary that is funny and pithy, while illuminating an era of theatrical comedy that, while past, really isn't.\nThe film does a solid job of slowly, steadily building up to the climactic burst of violence.\nFred Schepisi's tale of four Englishmen facing the prospect of their own mortality views youthful affluence not as a lost ideal but a starting point.\nThe directive to protect the code at all costs also begins to blur as the importance of the man and the code merge\nOverall, Cletis Tout is a winning comedy that excites the imagination and tickles the funny bone.\nEasily one of the best and most exciting movies of the year.\nThe script manages the rare trick of seeming at once both refreshingly different and reassuringly familiar.\nAn engaging, formulaic sports drama that carries a charge of genuine excitement.\nInsomnia is one of the year's best films and Pacino gives one of his most daring, and complicated, performances.\nLike Vardalos and Corbett, who play their roles with vibrant charm, the film, directed by Joel Zwick, is heartfelt and hilarious in ways you can't fake.\nI don't know if Frailty will turn Bill Paxton into an A-list director, but he can rest contentedly with the knowledge that he's made at least one damn fine horror movie.\nDespite its flaws ... Belinsky is still able to create an engaging story that keeps you guessing at almost every turn.\nEach punch seen through prison bars, the fights become not so much a struggle of man vs. man as Brother-Man vs. The Man.\nThe evocative imagery and gentle, lapping rhythms of this film are infectious -- it gets under our skin and draws us in long before the plot kicks into gear.\nLike the best of Godard's movies ... it is visually ravishing, penetrating, impenetrable.\nHorns and Halos benefits from serendipity but also reminds us of our own responsibility to question what is told as the truth.\n(Has) an immediacy and an intimacy that sucks you in and dares you not to believe it's all true.\nIt treats Ana's journey with honesty that is tragically rare in the depiction of young women in film.\nCaptivates as it shows excess in business and pleasure, allowing us to find the small, human moments, and leaving off with a grand whimper.\nA refreshingly realistic, affectation-free coming-of-age tale.\nHow good this film might be, depends if you believe that the shocking conclusion is too much of a plunge or not.\nGreat fun both for sports aficionados and for ordinary louts whose idea of exercise is climbing the steps of a stadium-seat megaplex.\nFeatures one of the most affecting depictions of a love affair ever committed to film.\nTo honestly address the flaws inherent in how medical aid is made available to American workers, a more balanced or fair portrayal of both sides will be needed.\nOne of the best movies of the year.\nThe usual movie rah-rah, pleasantly and predictably delivered in low-key style by director Michael Apted and writer Tom Stoppard.\nA superlative B movie -- funny, sexy, and rousing.\nThose prone to indignation need not apply; those susceptible to blue hilarity, step right up.\nLike Mike isn't going to make box office money that makes Michael Jordan jealous, but it has some cute moments, funny scenes, and hits the target audience (young Bow Wow fans) - with nothing but net.\n(Dong) makes a valiant effort to understand everyone's point of view, and he does such a good job of it that Family Fundamentals gets you riled up.\nThe trick when watching Godard is to catch the pitch of his poetics, savor the pleasure of his sounds and images, and ponder the historical, philosophical, and ethical issues that intersect with them.\nAt its best, which occurs often, Michael Moore's Bowling for Columbine rekindles the muckraking, soul-searching spirit of the 'Are we a sick society?' journalism of the 1960s.\nA modestly surprising movie.\nA headline-fresh thriller set among orthodox Jews on the West Bank, Joseph Cedar's Time Of Favor manages not only to find a compelling dramatic means of addressing a complex situation, it does so without compromising that complexity.\nThere's a spontaneity to The Chateau, a sense of light-heartedness, that makes it attractive throughout.\nThe first Tunisian film I have ever seen, and it's also probably the most good-hearted yet sensual entertainment I'm likely to see all year.\nLike any good romance, Son of the Bride, proves it's never too late to learn.\n(Kline's) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code, and as a flawed human being who can't quite live up to it.\nThe film, while not exactly assured in its execution, is notable for its sheer audacity and openness.\nA thoroughly enjoyable, heartfelt coming-of-age comedy.\nFeeling like a dope has rarely been more fun than it is in Nine Queens.\nLeigh makes these lives count. And he allows a gawky actor like Spall -- who could too easily become comic relief in any other film -- to reveal his impressively delicate range.\nA lot of fun, with an undeniable energy sparked by two actresses in their 50s working at the peak of their powers.\nPromises is one film that's truly deserving of its Oscar nomination.\nWhat bubbles up out of John C. Walsh's Pipe Dream is the distinct and very welcome sense of watching intelligent people making a movie they might actually want to watch.\nIf Reno is to the left of liberal on the political spectrum, her tough, funny, rather chaotic show isn't subversive so much as it is nit-picky about the hypocrisies of our time.\nBeautiful, angry and sad, with a curious sick poetry, as if the Marquis de Sade had gone in for pastel landscapes.\nMs. Hutchins is talented enough and charismatic enough to make us care about Zelda's ultimate fate.\nMonte Cristo smartly emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds.\nA mesmerizing cinematic poem from the first frame to the last.\n(It's) a clever thriller with enough unexpected twists to keep our interest.\nAn undeniably moving film to experience, and ultimately that's what makes it worth a recommendation.\nNicole Kidman evolved from star to superstar some time over the past year, which means that Birthday Girl is the kind of quirkily appealing minor movie she might not make for a while.\nVividly conveys the shadow side of the 30-year friendship between two English women.\nThe story has some nice twists but the ending and some of the back-story is a little tired. The performances are all solid; it merely lacks originality to make it a great movie.\nManages to please its intended audience -- children -- without placing their parents in a coma-like state.\nWhen you think you've figured out Bielinsky's great game, that's when you're in the most trouble: He's the con, and you're just the mark.\nA strong first act and absolutely, inescapably gorgeous, skyscraper-trapeze motion of the amazing Spider-Man.\nDriven by a fantastic dual performance from Ian Holm...the film is funny, insightfully human and a delightful lark for history buffs.\nA well-put-together piece of urban satire.\nIt's the sweet Cinderella story that ``Pretty Woman'' wanted to be.\nIt will make you think twice about what might be going on inside each trailer park you drive past -- even if it chiefly inspires you to drive a little faster.\nWhat doesn't this film have that an impressionable kid couldn't stand to hear?\nWhat saves it ... and makes it one of the better video-game-based flicks, is that the film acknowledges upfront that the plot makes no sense, such that the lack of linearity is the point of emotional and moral departure for protagonist Alice.\nA deeply felt and vividly detailed story about newcomers in a strange new world.\nIt's a visual delight and a decent popcorn adventure, as long as you don't try to look too deep into the story\nIt's a feel-good movie about which you can actually feel good.\nA full experience, a love story and a murder mystery that expands into a meditation on the deep deceptions of innocence.\nThe Powerpuff Girls arrive on the big screen with their super-powers, their super-simple animation and their super-dooper-adorability intact.\n(Raimi's) matured quite a bit with Spider-Man, even though it's one of the most plain white toast comic book films you'll ever see.\nA new film from Bill Plympton, the animation master, is always welcome.\nA devastating indictment of unbridled greed and materalism.\nWhat makes the film special is the refreshingly unhibited enthusiasm that the people, in spite of clearly evident poverty and hardship, bring to their music.\nThe film has a kind of hard, cold effect.\nThe gags are often a stitch.\nThe asylum material is gripping, as are the scenes of Jia with his family.\nA bonanza of wacky sight gags, outlandish color schemes, and corny visual puns that can be appreciated equally as an abstract Frank Tashlin comedy and as a playful recapitulation of the artist's career.\nOne can't deny its seriousness and quality.\nGood performances and a realistic, non-exploitive approach make Paid in Full worth seeing.\nThis engrossing, characteristically complex Tom Clancy thriller is shifty in the manner in which it addresses current terrorism anxieties and sidesteps them at the same time.\nRyan Gosling is, in a word, brilliant as the conflicted Daniel.\n...somehow manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks.\nMuch of The Lady and the Duke is about quiet, decisive moments between members of the cultural elite as they determine how to proceed as the world implodes.\nTakes a simple premise and carries it to unexpected heights.\nWith few respites, Marshall keeps the energy humming, and his edits, unlike those in Moulin Rouge, are crisp and purposeful without overdoing it.\nIts metaphors are opaque enough to avoid didacticism, and the film succeeds as an emotionally accessible, almost mystical work.\nProvides a satisfactory overview of the bizarre world of extreme athletes as several daredevils express their own views.\nInventive, fun, intoxicatingly sexy, violent, self-indulgent and maddening.\nComedian, like its subjects, delivers the goods and audiences will have a fun, no-frills ride.\nA naturally funny film, Home Movie makes you crave Chris Smith's next movie.\nPipe Dream does have its charms. The leads are natural and lovely, the pace is serene, the humor wry and sprightly.\nThose who want to be jolted out of their gourd should drop everything and run to Ichi.\n...enthusiastically invokes the percussion rhythm, the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games.\nSheds light on a subject few are familiar with, and makes you care about music you may not have heard before.\nDespite the film's bizarre developments, Hoffman keeps us riveted with every painful nuance, unexpected flashes of dark comedy and the character's gripping humanity.\nTo get at the root psychology of this film would require many sessions on the couch of Dr. Freud.\nGreat over-the-top moviemaking if you're in a slap-happy mood.\nViveka Seldahl and Sven Wollter will touch you to the core in a film you will never forget -- that you should never forget.\nThe magic (and original running time) of ace Japanimator Hayao Miyazaki's Spirited Away survives intact in BV's re-voiced version.\nFrom the dull, surreal ache of mortal awareness emerges a radiant character portrait.\nCaptures the raw comic energy of one of our most flamboyant female comics.\nIt's not particularly subtle ... However, it still manages to build to a terrifying, if obvious, conclusion.\nThe auteur's ear for the way fears and slights are telegraphed in the most blithe exchanges gives the film its lingering tug.\nBolstered by exceptional performances and a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness.\nThis enthralling documentary ... is at once playful and haunting, an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends.\nSome remarkable achival film about how Shanghai (of all places) served Jews who escaped the Holocaust.\nIn a movie full of surprises, the biggest is that Secret Ballot is a comedy, both gentle and biting.\nThe urban landscapes are detailed down to the signs on the kiosks, and the color palette, with lots of somber blues and pinks, is dreamy and evocative.\nA manically generous Christmas vaudeville.\nTony Gayton's script doesn't give us anything we haven't seen before, but director D.J. Caruso's grimy visual veneer and Kilmer's absorbing performance increase the gravitational pull considerably.\nA psychic journey deep into the very fabric of Iranian ... life.\nIt's a smartly directed, grown-up film of ideas.\nWhile puerile men dominate the story, the women shine.\nUnlike lots of Hollywood fluff, this has layered, well-developed characters and some surprises.\nFor a film that's being advertised as a comedy, Sweet Home Alabama isn't as funny as you'd hoped. For a film that's being advertised as a comedy, Sweet Home Alabama isn't as funny as you'd hoped.\nVera has created a provocative, absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores.\nA French film with a more down-home flavor.\nDepending upon your reaction to this movie, you may never again be able to look at a red felt Sharpie pen without disgust, a thrill, or the giggles.\nWhile Bollywood/Hollywood will undoubtedly provide its keenest pleasures to those familiar with Bombay musicals, it also has plenty for those (like me) who aren't.\nThere are times when you wish that the movie had worked a little harder to conceal its contrivances, but Brown Sugar turns out to be a sweet and enjoyable fantasy.\nFontaine masterfully creates a portrait of two strong men in conflict, inextricably entwined through family history, each seeing himself in the other, neither liking what he sees.\nAs Janice, Eileen Walsh, an engaging, wide-eyed actress whose teeth are a little too big for her mouth, infuses the movie with much of its slender, glinting charm.\nSure, it's contrived and predictable, but its performances are so well tuned that the film comes off winningly, even though it's never as solid as you want it to be.\nDong shows how intolerance has the power to deform families, then tear them apart.\nThe Chateau belongs to Rudd, whose portrait of a therapy-dependent flakeball spouting French malapropisms ... is a nonstop hoot.\nThe cast, collectively a successful example of the lovable-loser protagonist, shows deft comic timing.\nIt trusts the story it sets out to tell.\nI couldn't recommend this film more.\nAs a good old-fashioned adventure for kids, Spirit: Stallion of the Cimarron is a winner.\nAn effective portrait of a life in stasis -- of the power of inertia to arrest development in a dead-end existence.\nSucceeds as a well-made evocation of a subculture.\n...an interesting slice of history.\nMe no lika da accents so good, but I thoroughly enjoyed the love story. Scott Baio is turning in some delightful work on indie projects.\nIt's an experience in understanding a unique culture that is presented with universal appeal.\nWhat's surprising is how well it holds up in an era in which computer-generated images are the norm.\nBrings together some of the biggest names in Japanese anime, with impressive results.\nWonder, hope and magic can never escape the heart of the boy when the right movie comes along, especially if it begins with the name of Star Wars\nA flick about our infantilized culture that isn't entirely infantile.\nAn exceptionally acted, quietly affecting cop drama.\nSensual, funny and, in the end, very touching.\nAngel presents events partly from the perspective of Aurelie and Christelle, and infuses the film with the sensibility of a particularly nightmarish fairytale.\nWho needs mind-bending drugs when they can see this, the final part of the 'qatsi' trilogy, directed by Godfrey Reggio, with music by Philip Glass?\n(A) smarter and much funnier version of the old Police Academy flicks.\nProof once again that if the filmmakers just follow the books, they can't go wrong. Better effects, better acting and a hilarious Kenneth Branagh. An excellent sequel.\nBoth a grand tour through 300 hundred years of Russian cultural identity and a stunning technical achievement.\nJust how these families interact may surprise you.\nProves that some movie formulas don't need messing with -- like the big-bug movie.\nA surprisingly funny movie.\nThis new movie version of the Alexandre Dumas classic is the stuff of high romance, brought off with considerable wit.\nLike all of Egoyan's work, Ararat is fiercely intelligent and uncommonly ambitious.\nIf a big musical number like 'Praise the Lord, He's the God of Second Chances' doesn't put you off, this will be an enjoyable choice for younger kids.\n...fuses the events of her life with the imagery in her paintings so vividly that the artist's work may take on a striking new significance for anyone who sees the film.\n(Clooney's) debut can be accused of being a bit undisciplined, but it has a tremendous, offbeat sense of style and humor that suggests he was influenced by some of the filmmakers who have directed him, especially the Coen brothers and Steven Soderbergh.\nAlthough made on a shoestring and unevenly acted, conjures a Lynch-like vision of the rotting underbelly of Middle America.\nA piquant meditation on the things that prevent people from reaching happiness.\nA timely look back at civil disobedience, anti-war movements and the power of strong voices.\nRifkin's references are ... impeccable throughout.\nI'd be lying if I said my ribcage didn't ache by the end of Kung Pow.\nMore than their unique residences, Home Movie is about the people who live in them, who have carved their own comfortable niche in the world and have been kind enough to share it.\nThe movie is ingenious fun. See it.\nThe combination of lightness and strictness in this instance gives Italian for Beginners an amiable aimlessness that keeps it from seeming predictably formulaic.\nThe script is smart and dark - hallelujah for small favors.\nAn intelligent, multi-layered and profoundly humanist (not to mention gently political) meditation on the values of knowledge, education, and the affects of cultural and geographical displacement.\nMr. Polanski is in his element here: alone, abandoned, but still consoled by his art, which is more than he has ever revealed before about the source of his spiritual survival.\nSpectacular in every sense of the word, even if you don' t know an Orc from a Uruk-Hai.\nThis isn't exactly profound cinema, but it's good-natured and sometimes quite funny.\nThis is a finely written, superbly acted offbeat thriller.\nTres Greek writer and star Nia Vardalos has crafted here a worldly-wise and very funny script.\nA tasty appetizer that leaves you wanting more.\nIt gives devastating testimony to both people's capacity for evil and their heroic capacity for good.\nThe film reminds me of a vastly improved Germanic version of My Big Fat Greek Wedding -- with better characters, some genuine quirkiness and at least a measure of style. The difference is that I truly enjoyed most of Mostly Martha while I ne\nMorton deserves an Oscar nomination.\nA colorful, vibrant introduction to a universal human impulse, lushly photographed and beautifully recorded.\nThe screenplay never lets us forget that Bourne was once an amoral assassin just like the ones who are pursuing him ... There is never really a true ``us'' versus ``them''.\nThe history is fascinating; the action is dazzling. They just don't work in concert.\nFor those in search of something different, Wendigo is a genuinely bone-chilling tale.\nA lovely film for the holiday season.\nIt remains to be seen whether Statham can move beyond the crime-land action genre, but then again, who says he has to?\nA hypnotic cyber hymn and a cruel story of youth culture.\nIt's a fairy tale that comes from a renowned Indian film culture that allows Americans to finally revel in its splendor.\nAt once subtle and visceral, the film never succumbs to the trap of the maudlin or tearful, offering instead with its unflinching gaze a measure of faith in the future.\nThe performances of the children, untrained in acting, have an honesty and dignity that breaks your heart.\nDespite its lavish formalism and intellectual austerity, the film manages to keep you at the edge of your seat with its shape-shifting perils, political intrigue and brushes with calamity.\nThis rush to profits has created a predictably efficient piece of business notable largely for its overwhelming creepiness, for an eagerness to create images you wish you hadn't seen, which, in this day and age, is of course the point.\nAdams, with four scriptwriters, takes care with the characters, who are so believable that you feel what they feel.\nA completely spooky piece of business that gets under your skin and, some plot blips aside, stays there for the duration.\nSuperbly photographed and staged by Mendes with a series of riveting set pieces the likes of which mainstream audiences have rarely seen.\nThe ensemble cast turns in a collectively stellar performance, and the writing is tight and truthful, full of funny situations and honest observations.\nNot quite as miraculous as its DreamWorks makers would have you believe, but it more than adequately fills the eyes and stirs the emotions.\nA properly spooky film about the power of spirits to influence us whether we believe in them or not.\nThe lightest, most breezy movie Steven Spielberg has made in more than a decade. And the positive change in tone here seems to have recharged him.\nLike Edward Norton in American History X, Ryan Gosling (Murder By Numbers) delivers a magnetic performance.\nThis is a very funny, heartwarming film. It has fun with the quirks of family life, but it also treats the subject with fondness and respect.\nRarely, indeed almost never, is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite, unfakable sense of cinema.\nThe leanest and meanest of Solondz's misanthropic comedies.\nA dark, quirky road movie that constantly defies expectation.\nThere are some movies that hit you from the first scene and you know it's going to be a trip. Igby Goes Down is one of those movies.\nOften messy and frustrating, but very pleasing at its best moments, it's very much like life itself.\nA burst of color, music, and dance that only the most practiced curmudgeon could fail to crack a smile at.\nAn energetic, violent movie with a momentum that never lets up.\nLasker's canny, meditative script distances sex and love, as Byron and Luther ... realize they can't get no satisfaction without the latter.\nIt turns out to be smarter and more diabolical than you could have guessed at the beginning.\nCage makes an unusual but pleasantly haunting debut behind the camera.\nNoyce has worked wonders with the material.\nIt's mostly a pleasure to watch. And the reason for that is a self-aware, often self-mocking, intelligence.\nThe Chateau is a risky venture that never quite goes where you expect and often surprises you with unexpected comedy.\nA very well-meaning movie, and it will stand in future years as an eloquent memorial to the World Trade Center tragedy.\nThere aren't many conclusive answers in the film, but there is an interesting story of pointed personalities, courage, tragedy and the little guys vs. the big guys.\nVividly demonstrates that the director of such Hollywood blockbusters as Patriot Games can still turn out a small, personal film with an emotional wallop.\nA four star performance from Kevin Kline who unfortunately works with a two star script.\nDogtown & Z-Boys evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of James Dean.\nIf you don't flee, you might be seduced. If you don't laugh, flee.\nPayne constructs a hilarious ode to middle America and middle age with this unlikely odyssey, featuring a pathetic, endearing hero who is all too human.\nKoury frighteningly and honestly exposes one teenager's uncomfortable class resentment and, in turn, his self-inflicted retaliation.\nThe Santa Clause 2 proves itself a more streamlined and thought out encounter than the original could ever have hoped to be.\nNow as a former Gong Show addict, I'll admit it, my only complaint is that we didn't get more re-creations of all those famous moments from the show.\nSucceeds where its recent predecessor miserably fails because it demands that you suffer the dreadfulness of war from both sides.\nThe first Bond movie in ages that isn't fake fun.\nThis odd, poetic road movie, spiked by jolts of pop music, pretty much takes place in Morton's ever-watchful gaze -- and it's a tribute to the actress, and to her inventive director, that the journey is such a mesmerizing one.\nA film centering on a traditional Indian wedding in contemporary New Delhi may not sound like specialized fare, but Mira Nair's film is an absolute delight for all audiences.\nA weird and wonderful comedy.\nThe movie should jolt you out of your seat a couple of times, give you a few laughs, and leave you feeling like it was worth your seven bucks, even though it does turn out to be a bit of a cheat in the end.\nHas the capability of effecting change and inspiring hope.\nA first-class, thoroughly involving B movie that effectively combines two surefire, beloved genres -- the prison flick and the fight film.\nLaBute's careful handling makes the material seem genuine rather than pandering.\nIn between all the emotional seesawing, it's hard to figure the depth of these two literary figures, and even the times in which they lived. But they fascinate in their recklessness.\nDeath to Smoochy is often very funny, but what's even more remarkable is the integrity of DeVito's misanthropic vision.\nA beautiful, entertaining two hours. You get the idea, though, that Kapur intended the film to be more than that.\nA wonderful, ghastly film.\nAmid the new populist comedies that underscore the importance of family tradition and familial community, one would be hard-pressed to find a movie with a bigger, fatter heart than Barbershop.\nParris' performance is credible and remarkably mature.\n'Enigma' is the kind of engaging historical drama that Hollywood appears to have given up on in favor of sentimental war movies in the vein of 'We Were Soldiers.'\nMunch's screenplay is tenderly observant of his characters. He watches them as they float within the seas of their personalities. His scenes are short and often unexpected.\nIt grabs you in the dark and shakes you vigorously for its duration.\nLeigh's daring here is that without once denying the hardscrabble lives of people on the economic fringes of Margaret Thatcher's ruinous legacy, he insists on the importance of those moments when people can connect and express their love for each other.\nHashiguchi vividly captures the way young Japanese live now, chafing against their culture's manic mix of millennial brusqueness and undying, traditional politesse.\nUneven but a lot of fun.\nI know that I'll never listen to Marvin Gaye or the Supremes the same way again\nThe two leads, nearly perfect in their roles, bring a heart and reality that buoy the film, and at times, elevate it to a superior crime movie.\nNot as good as The Full Monty, but a really strong second effort.\nWhenever it threatens to get bogged down in earnest dramaturgy, a stirring visual sequence like a surge through swirling rapids or a leap from pinnacle to pinnacle rouses us. If horses could fly, this is surely what they'd look like.\nUnfolds as one of the most politically audacious films of recent decades from any country, but especially from France.\nThis real-life Hollywood fairy-tale is more engaging than the usual fantasies Hollywood produces.\nThe graphic carnage and re-creation of war-torn Croatia is uncomfortably timely, relevant, and sickeningly real.\nLeft me with the visceral sensation of longing, lasting traces of Charlotte's web of desire and desperation.\nThe characters are more deeply thought through than in most 'right-thinking' films.\nCrammed with incident, and bristles with passion and energy.\nIt's fun, splashy and entertainingly nasty.\nA simple tale of an unlikely friendship, but thanks to the gorgeous locales and exceptional lead performances, it has considerable charm.\nIt might be 'easier' to watch on video at home, but that shouldn't stop die-hard French film connoisseurs from going out and enjoying the big-screen experience.\nThere's very little sense to what's going on here, but the makers serve up the cliches with considerable dash.\nWitty, contemplative, and sublimely beautiful.\nA surprisingly 'solid' achievement by director Malcolm D. Lee and writer John Ridley.\nWoven together handsomely, recalling sixties' rockumentary milestones from Lonely Boy to Don't Look Back.\nThis is pure, exciting moviemaking. You won't exactly know what's happening but you'll be blissfully exhausted.\nThe 1960s rebellion was misdirected: you can't fight your culture.\nWorks because Reno doesn't become smug or sanctimonious towards the audience.\nNettelbeck ... has a pleasing way with a metaphor.\nA pure participatory event that malnourished intellectuals will gulp down in a frenzy.\nThe cast delivers without sham the raw-nerved story.\nSteven Soderbergh's digital video experiment is a clever and cutting, quick and dirty look at modern living and movie life.\nThe film's highlight is definitely its screenplay, both for the rhapsodic dialogue that jumps off the page, and for the memorable character creations.\nIt lets you brush up against the humanity of a psycho, without making him any less psycho.\nSillier, cuter, and shorter than the first (as best I remember), but still a very good time at the cinema.\nThe film is bright and flashy in all the right ways.\nElegant and eloquent (meditation) on death and that most elusive of passions, love.\nCut through the layers of soap-opera emotion and you find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most.\nFilmmaker Tian Zhuangzhuang triumphantly returns to narrative filmmaking with a visually masterful work of quiet power.\nIt excels because, unlike so many other Hollywood movies of its ilk, it offers hope.\nShot in rich, shadowy black-and-white, Devils chronicles, with increasingly amused irony, the relationship between reluctant captors and befuddled captives.\nThere's no clear picture of who killed Bob Crane. But here's a glimpse at his life.\nSpectacularly beautiful, not to mention mysterious, sensual, emotionally intense, and replete with virtuoso throat-singing.\nA summer entertainment adults can see without feeling embarrassed, but it could have been more.\nSparse but oddly compelling.\nA stirring, funny and finally transporting re-imagining of Beauty and the Beast and 1930s horror films\nThe Pinochet Case is a searing album of remembrance from those who, having survived, suffered most.\nA sweet-tempered comedy that forgoes the knee-jerk misogyny that passes for humor in so many teenage comedies.\nArgento, at only 26, brings a youthful, out-to-change-the-world aggressiveness to the project, as if she's cut open a vein and bled the raw film stock.\nWith so many bad romances out there, this is the kind of movie that deserves a chance to shine.\nBrash, intelligent and erotically perplexing, Haneke's portrait of an upper class Austrian society and the suppression of its tucked away demons is uniquely felt with a sardonic jolt.\nThough Jackson doesn't always succeed in integrating the characters in the foreground into the extraordinarily rich landscape, it must be said that he is an imaginative filmmaker who can see the forest for the trees.\n``The Quiet American'' begins in Saigon in 1952. That's its first sign of trouble.\nA dazzling thing to behold -- as long as you're wearing the somewhat cumbersome 3D goggles the theater provides.\nBe patient with the lovely Hush! and your reward will be a thoughtful, emotional movie experience.\nThe large-format film is well suited to capture these musicians in full regalia and the incredible IMAX sound system lets you feel the beat down to your toes.\nGodard has never made a more sheerly beautiful film than this unexpectedly moving meditation on love, history, memory, resistance and artistic transcendence.\nThe kind of movie that comes along only occasionally, one so unconventional, gutsy and perfectly executed it takes your breath away.\nUnlike most surf movies, Blue Crush thrillingly uses modern technology to take the viewer inside the wave. By the end you can't help but feel 'stoked.'\nThe off-center humor is a constant, and the ensemble gives it a buoyant delivery.\nA tasty slice of droll whimsy.\nMike Leigh populates his movie with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life\nAwesome work: ineffable, elusive, yet inexplicably powerful\nSparkling, often hilarious romantic jealousy comedy... Attal looks so much like a young Robert DeNiro that it seems the film should instead be called 'My Husband Is Travis Bickle'.\nEven if you're an agnostic carnivore, you can enjoy much of Jonah simply, and gratefully, as laugh-out-loud lunacy with a pronounced Monty Pythonesque flavor.\nWhere Bowling for Columbine is at its most valuable is in its examination of America's culture of fear as a root cause of gun violence.\nThe result is somewhat satisfying -- it still comes from Spielberg, who has never made anything that wasn't at least watchable. But it's also disappointing to a certain degree.\nThe all-French cast is marveilleux.\nThere's a lot to recommend Read My Lips.\nA minor film with major pleasures from Portuguese master Manoel de Oliviera...\nBrosnan gives a portrayal as solid and as perfect as his outstanding performance as Bond in Die Another Day.\nAudiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching, but otherwise the production is suitably elegant.\nThe movie is ... very funny as you peek at it through the fingers in front of your eyes.\nNicks sustains the level of exaggerated, stylized humor throughout by taking your expectations and twisting them just a bit.\nA refreshing change from the usual whoopee-cushion effort aimed at the youth market.\nIt finds its moviegoing pleasures in the tiny events that could make a person who has lived her life half-asleep suddenly wake up and take notice.\n... an enjoyably frothy 'date movie'...\nThe genius of the work speaks volumes, offering up a hallucinatory dreamscape that frustrates and captivates.\nTwo Weeks Notice has appeal beyond being a Sandra Bullock vehicle or a standard romantic comedy.\nThe movie's seams may show...but Pellington gives ``Mothman'' an irresistibly uncanny ambience that goes a long way toward keeping the picture compelling.\nIf Mostly Martha is mostly unsurprising, it's still a sweet, even delectable diversion.\nA wild comedy that could only spring from the demented mind of the writer of Being John Malkovich.\nSchnitzler does a fine job contrasting the sleekness of the film's present with the playful paranoia of the film's past.\n'A fresh-faced, big-hearted and frequently funny thrill ride for the kiddies, with enough eye candy and cheeky wit to keep parents away from the concession stand.'\nMana gives us compelling, damaged characters who we want to help -- or hurt.\nThe sentimental script has problems, but the actors pick up the slack.\nA good documentary can make interesting a subject you thought would leave you cold. A case in point: Doug Pray's Scratch.\nAbderrahmane Sissako's Heremakono (Waiting for Happiness) is an elegiac portrait of a transit city on the West African coast struggling against foreign influences.\nIn XXX, Diesel is that rare creature -- an action hero with table manners, and one who proves that elegance is more than tattoo deep.\nAn engrossing and grim portrait of hookers: what they think of themselves and their clients.\nIt all plays out ... like a high-end John Hughes comedy, a kind of Elder Bueller's Time Out.\nThe film is enriched by an imaginatively mixed cast of antic spirits, headed by Christopher Plummer as the subtlest and most complexly evil Uncle Ralph I've ever seen in the many film and stage adaptations of the work.\nThis is one of the rarest kinds of films: a family-oriented non-Disney film that is actually funny without hitting below the belt.\nIt is refreshingly undogmatic about its characters.\nA moving and important film.\nDeep intelligence and a warm, enveloping affection breathe out of every frame.\nFamuyiwa's feature deals with its subject matter in a tasteful, intelligent manner, rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer.\nShowtime is a fine-looking film with a bouncy score and a clutch of lively songs for deft punctuation.\nSweet Home Alabama isn't going to win any Academy Awards, but this date-night diversion will definitely win some hearts.\na cruelly funny twist on teen comedy packed with inventive cinematic tricks and an ironically killer soundtrack\nA gracious, eloquent film that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past forever lost.\nEven though many of these guys are less than adorable (their lamentations are pretty much self-centered), there's something vital about the movie.\nA tour de force drama about the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers.\nIt is a strength of a documentary to disregard available bias, especially as temptingly easy as it would have been with this premise.\nWhen twentysomething hotsies make movies about their lives, hard-driving narcissism is a given, but what a world we'd live in if Argento's Hollywood counterparts ... had this much imagination and nerve.\nMaryam is more timely now than ever.\nAn eloquent, reflective and beautifully acted meditation on both the profoundly devastating events of one year ago and the slow, painful healing process that has followed in their wake.\nPiccoli gives a superb performance full of deep feeling.\nWhat a concept, what an idea, what a thrill ride. This is a more fascinating look at the future than ``Bladerunner'' and one of the most high-concept sci fi adventures attempted for the screen.\nThe rare movie that's as crisp and to the point as the novel on which it's based.\nA film of epic scale with an intimate feeling, a saga of the ups and downs of friendships.\nSayles has an eye for the ways people of different ethnicities talk to and about others outside the group.\n``Nicholas Nickleby'' is a perfect family film to take everyone to since there's no new ``A Christmas Carol'' out in the theaters this year. Charlie Hunnam has the twinkling eyes, repressed smile and determined face needed to carry out a Dickensian hero.\nNiccol the filmmaker merges his collaborators' symbolic images with his words, insinuating, for example, that in Hollywood, only God speaks to the press\nKhouri manages, with terrific flair, to keep the extremes of screwball farce and blood-curdling family intensity on one continuum.\nImpresses as a skillfully assembled, highly polished and professional adaptation...just about as chilling and unsettling as 'Manhunter' was.\nIt's a solid movie about people whose lives are anything but.\nThough a touch too Arthouse 101 in its poetic symbolism, Heaven proves to be a good match of the sensibilities of two directors.\nI simply can't recommend it enough.\nWiseman reveals the victims of domestic abuse in all of their pity and terror.\nMuccino, who directed from his own screenplay, is a canny crowd pleaser, and The Last Kiss ... provides more than enough sentimental catharsis for a satisfying evening at the multiplex.\nWe want the funk - and this movie's got it.\nWow, so who knew Charles Dickens could be so light-hearted?\nMany went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside, and I don't think that A.C. will help this movie one bit.\nThe storylines are woven together skilfully, the magnificent swooping aerial shots are breathtaking, and the overall experience is awesome.\nA miraculous movie, I'm Going Home is so slight, yet overflows with wisdom and emotion.\nBaran is shockingly devoid of your typical Majid Majidi shoe-loving, crippled children.\nEvery moment crackles with tension, and by the end of the flick, you're on the edge of your seat.\nA fine, rousing, G-rated family film, aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats.\nThe series' message about making the right choice in the face of tempting alternatives remains prominent, as do the girls' amusing personalities.\nRichly entertaining and suggestive of any number of metaphorical readings.\nA compelling allegory about the last days of Germany's democratic Weimar Republic.\nOffers a guilt-free trip into feel-good territory.\nA B-movie you can sit through, enjoy on a certain level and then forget.\nDevos delivers a perfect performance that captures the innocence and budding demons within a wallflower.\nDisappointingly, the characters are too strange and dysfunctional, Tom included, to ever get under the skin, but this is compensated in large part by the off-the-wall dialogue, visual playfulness and the outlandishness of the idea itself.\nDirector Todd Solondz has made a movie about critical reaction to his two previous movies, and about his responsibility to the characters that he creates.\nThe word that comes to mind, while watching Eric Rohmer's tribute to a courageous Scottish lady, is painterly.\nA fascinating case study of flower-power liberation -- and the price that was paid for it.\nBluer than the Atlantic and more biologically detailed than an autopsy, the movie ... is, also, frequently hilarious.\nReally is a pan-American movie, with moments of genuine insight into the urban heart.\nAn overly familiar scenario is made fresh by an intelligent screenplay and gripping performances in this low-budget, video-shot, debut indie effort.\nPeppering this urban study with references to Norwegian folktales, Villeneuve creates in Maelstrom a world where the bizarre is credible and the real turns magical.\nOng's promising debut is a warm and well-told tale of one recent Chinese immigrant's experiences in New York City.\nThat the real Antwone Fisher was able to overcome his personal obstacles and become a good man is a wonderful thing; that he has been able to share his story so compellingly with us is a minor miracle.\nThere's not much to Fatale, outside of its stylish surprises... but that's OK.\nWhat redeems the film is the cast, particularly the Ya-Yas themselves.\nBeautiful, cold, oddly colorful and just plain otherworldly, a freaky bit of art that's there to scare while we delight in the images.\nIt's up to (Watts) to lend credibility to this strange scenario, and her presence succeeds in making us believe.\nThe film is darkly atmospheric, with Herrmann quietly suggesting the sadness and obsession beneath Hearst's forced avuncular chortles.\nShyamalan takes a potentially trite and overused concept (aliens come to Earth) and infuses it into a rustic, realistic, and altogether creepy tale of hidden invasion.\n...the story, like Ravel's Bolero, builds to a crescendo that encompasses many more paths than we started with.\nIt's plotless, shapeless -- and yet, it must be admitted, not entirely humorless. Indeed, the more outrageous bits achieve a shock-you-into-laughter intensity of almost Dadaist proportions.\nGondry's direction is adequate ... but what gives Human Nature its unique feel is Kaufman's script.\nThe film's plot may be shallow, but you've never seen the deep like you see it in these harrowing surf shots.\nWith a large cast representing a broad cross-section, Tavernier's film bounds along with the rat-a-tat energy of ``His Girl Friday,'' maintaining a light touch while tackling serious themes.\nThe observations of this social/economic/urban environment are canny and spiced with irony.\nRenner carries much of the film with a creepy and dead-on performance.\nJarecki and Gibney do find enough material to bring Kissinger's record into question and explain how the diplomat's tweaked version of statecraft may have cost thousands and possibly millions of lives.\nThe spaniel-eyed Jean Reno infuses Hubert with a mixture of deadpan cool, wry humor and just the measure of tenderness required to give this comic slugfest some heart.\nAniston has at last decisively broken with her Friends image in an independent film of satiric fire and emotional turmoil.\nA mildly enjoyable if toothless adaptation of a much better book.\nUnexpected, and often contradictory, truths emerge.\n300 years of Russian history and culture compressed into an evanescent, seamless and sumptuous stream of consciousness.\nIntelligent, caustic take on a great writer and dubious human being.\nMay take its sweet time to get wherever it's going, but if you have the patience for it, you won't feel like it's wasted yours.\nLess the sensational true-crime hell-jaunt purists might like and more experimental in its storytelling (though no less horrifying for it).\nThe film is one of the year's best.\nEerily accurate depiction of depression.\n...a delicious crime drama on par with the slickest of Mamet.\nCharming and witty, it's also somewhat clumsy.\nDirected with purpose and finesse by England's Roger Mitchell, who handily makes the move from pleasing, relatively lightweight commercial fare such as Notting Hill to commercial fare with real thematic heft.\nEscapes the precious trappings of most romantic comedies, infusing into the story very real, complicated emotions.\nThis big screen caper has a good bark, far from being a bow-wow.\n(Allen) manages to breathe life into this somewhat tired premise.\nI have two words to say about Reign of Fire. Great dragons!\nBy surrounding us with hyper-artificiality, Haynes makes us see familiar issues, like racism and homophobia, in a fresh way.\nA deliberative account of a lifestyle characterized by its surface-obsession – one that typifies the delirium of post, pre, and extant stardom.\nSuperb production values & Christian Bale's charisma make up for a derivative plot.\nThe film has the courage of its convictions and excellent performances on its side.\nI know I shouldn't have laughed, but hey, those farts got to my inner nine-year-old.\nA movie that will thrill you, touch you and make you laugh as well.\nIt's a smart, funny look at an arcane area of popular culture, and if it isn't entirely persuasive, it does give exposure to some talented performers.\nMore vaudeville show than well-constructed narrative, but on those terms it's inoffensive and actually rather sweet.\nThe case is a convincing one, and should give anyone with a conscience reason to pause.\nThe actresses find their own rhythm and protect each other from the script's bad ideas and awkwardness.\nDiverting French comedy in which a husband has to cope with the pesky moods of jealousy.\nCaptivates and shows how a skillful filmmaker can impart a message without bludgeoning the audience over the head.\nThere is a welcome lack of pretension about the film, which very simply sets out to entertain and ends up delivering in good measure.\nCoy but exhilarating, with really solid performances by Ving Rhames and Wesley Snipes.\nIt is a likable story, told with competence.\nNot only does Spider-Man deliver, but I suspect it might deliver again and again.\nTackles the difficult subject of grief and loss with such life-embracing spirit that the theme doesn't drag an audience down.\nA small movie with a big impact.\nThe movie, despite its rough edges and a tendency to sag in certain places, is wry and engrossing.\nI admire the closing scenes of the film, which seem to ask whether our civilization offers a cure for Vincent's complaint.\nLike Rudy Yellow Lodge, Eyre needs to take a good sweat to clarify his cinematic vision before his next creation and remember the lessons of the trickster spider.\na delightful romantic comedy with plenty of bite. It's far from a frothy piece, and the characters are complex, laden with plenty of baggage and tinged with tragic undertones.\nUsing an endearing cast, writer/director Dover Kosashvili takes a slightly dark look at relationships, both sexual and kindred.\nWhen a movie has stuck around for this long, you know there's something there. It's that good.\nSmart, sassy interpretation of the Oscar Wilde play.\nForget about one Oscar nomination for Julianne Moore this year - she should get all five.\nJapanese director Shohei Imamura's latest film is an odd but ultimately satisfying blend of the sophomoric and the sublime.\nKwan is a master of shadow, quietude, and room noise, and Lan Yu is a disarmingly lived-in movie.\nWhile the plot follows a predictable connect-the-dots course... director John Schultz colors the picture in some evocative shades.\nKatz's documentary doesn't have much panache, but with material this rich it doesn't need it.\nWe get an image of Big Papa spanning history, rather than suspending it.\nEvelyn's strong cast and surehanded direction make for a winning, heartwarming yarn.\nA conventional but heartwarming tale.\nThis is one of the outstanding thrillers of recent years.\nSkins has a desolate air, but Eyre, a Native American raised by white parents, manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor.\nA film of quiet power.\nMore concerned with overall feelings, broader ideas, and open-ended questions than concrete story and definitive answers, Soderbergh's Solaris is a gorgeous and deceptively minimalist cinematic tone poem.\nAn intelligent romantic thriller of a very old-school kind of quality.\nThe sword fighting is well done and Auteuil is a goofy pleasure.\nYes, MIBII is rote work and predictable, but with a philosophical visual coming right at the end that extravagantly redeems it.\nFilm can't quite maintain its initial momentum, but remains sporadically funny throughout.\nO Fantasma is boldly, confidently orchestrated, aesthetically and sexually, and its impact is deeply and rightly disturbing.\nIt's still Adam Sandler, and it's not Little Nicky. And for many of us, that's good enough.\nHere's yet another cool crime movie that actually manages to bring something new into the mix.\nLee's achievement extends to his supple understanding of the role that Brown played in American culture as an athlete, a movie star, and an image of black indomitability.\nKaufman and Jonze take huge risks to ponder the whole notion of passion -- our desire as human beings for passion in our lives and the emptiness one feels when it is missing.\nIt tends to remind one of a really solid Woody Allen film, with its excellent use of New York locales and sharp writing\nWhile centered on the life experiences of a particular theatrical family, this marvelous documentary touches -- ever so gracefully -- on the entire history of the Yiddish theater, both in America and Israel.\nThe film, despite the gratuitous cinematic distractions impressed upon it, is still good fun.\nThe immersive powers of the giant screen and its hyper-realistic images are put to perfect use in the breathtakingly beautiful outer-space documentary Space Station 3D.\nHas an unmistakable, easy joie de vivre.\nMore than anything else, Kissing Jessica Stein injects freshness and spirit into the romantic comedy genre, which has been held hostage by generic scripts that seek to remake Sleepless in Seattle again and again.\nThis movie has the usual impossible stunts ... But it has just as many scenes that are lean and tough enough to fit in any modern action movie.\nMostly works because of the universal themes, earnest performances ... and excellent use of music by India's popular Gulzar and Jagjit Singh.\n...the one thing this Wild film has that other Imax films don't: chimps, lots of chimps, all blown up to the size of a house. That's fun for kids of any age.\nWriter/director David Caesar ladles on the local flavour with a hugely enjoyable film about changing times, clashing cultures and the pleasures of a well-made pizza.\nRarely have I seen a film so willing to champion the fallibility of the human heart.\nHolofcener rejects patent solutions to dramatize life's messiness from inside out, in all its strange quirks.\nLike The Full Monty, this is sure to raise audience's spirits and leave them singing long after the credits roll.\n... a gleefully grungy, hilariously wicked black comedy ...\nKinnear and Dafoe give what may be the performances of their careers.\nAll in all, a great party.\nA moving story of determination and the human spirit.\n``Brown Sugar'' admirably aspires to be more than another ``Best Man'' clone by weaving a theme throughout this funny film.\n(Gulpilil) is a commanding screen presence, and his character's abundant humanism makes him the film's moral compass.\nAn effortlessly accomplished and richly resonant work.\nIn some ways, Lagaan is quintessential Bollywood. Except it's much, much better.\nThough it never rises to its full potential as a film, still offers a great deal of insight into the female condition and the timeless danger of emotions repressed.\nScotland looks wonderful, the fans are often funny fanatics, the showdown sure beats a bad day of golf.\nWhat enlivens this film, beyond the astute direction of Cardoso and beautifully detailed performances by all of the actors, is a note of defiance over social dictates.\nThe emotion is impressively true for being so hot-blooded, and both leads are up to the task.\nAlthough it lacks the detail of the book, the film does pack some serious suspense.\nI'd watch these two together again in a New York minute.\nThere's nothing like love to give a movie a B-12 shot, and CQ shimmers with it.\nA moving essay about the specter of death, especially suicide.\nThis film is so different from The Apple and so striking that it can only encourage us to see Samira Makhmalbaf as a very distinctive sensibility, working to develop her own film language with conspicuous success.\nLike a less dizzily gorgeous companion to Mr. Wong's In the Mood for Love -- very much a Hong Kong movie despite its mainland setting.\n...a somber film, almost completely unrelieved by any comedy beyond the wistful everyday ironies of the working poor.\nCoral Reef Adventure is a heavyweight film that fights a good fight on behalf of the world's endangered reefs -- and it lets the pictures do the punching.\nThe overall result is an intelligent, realistic portrayal of testing boundaries.\nPoignant and moving, A Walk to Remember is an inspirational love story, capturing the innocence and idealism of that first encounter.\nWorth a salute just for trying to be more complex than your average film.\nHandsome and sophisticated approach to the workplace romantic comedy.\nA shimmeringly lovely coming-of-age portrait, shot in artful, watery tones of blue, green and brown.\nWhile Cherish doesn't completely survive its tonal transformation from dark comedy to suspense thriller, it's got just enough charm and appealing character quirks to forgive that still serious problem.\nIn many ways, reminiscent of 1992's Unforgiven which also utilized the scintillating force of its actors to draw out the menace of its sparse dialogue.\nWe admire this film for its harsh objectivity and refusal to seek our tears, our sympathies.\nAn often watchable, though goofy and lurid, blast of a costume drama set in the late 15th century.\nThe entire cast is first-rate, especially Sorvino.\nThe Cat's Meow marks a return to form for director Peter Bogdanovich ...\nThis one is strictly a lightweight escapist film.\nThis sensitive, smart, savvy, compelling coming-of-age drama delves into the passive-aggressive psychology of co-dependence and the struggle for self-esteem.\nThe culmination of everyone's efforts is given life when A Selection appears in its final form (in ``Last Dance'').\nIn questioning the election process, Payami graphically illustrates the problems of fledgling democracies, but also the strength and sense of freedom the Iranian people already possess, with or without access to the ballot box.\nA very charming and funny movie.\nThis is a film that manages to find greatness in the hue of its drastic iconography.\nStreamlined to a tight, brisk 85-minute screwball thriller, ``Big Trouble'' is funny, harmless and as substantial as a tub of popcorn with extra butter.\nConsummate actor Barry has done excellent work here.\nThe biggest problem with this movie is that it's not nearly long enough.\nWhile not all that bad of a movie, it's nowhere near as good as the original.\nAli's graduation from little screen to big is far less painful than his opening scene encounter with an over-amorous terrier.\nI have always appreciated a smartly written motion picture, and, whatever flaws Igby Goes Down may possess, it is undeniably that.\nYou can sip your vintage wines and watch your Merchant Ivory productions; I'll settle for a nice cool glass of iced tea and a Jerry Bruckheimer flick any day of the week.\nMay be the most undeserving victim of critical overkill since Town and Country.\nA chilly, brooding but quietly resonant psychological study of domestic tension and unhappiness.\nThe movie does its best to work us over, with second helpings of love, romance, tragedy, false dawns, real dawns, comic relief, two separate crises during marriage ceremonies, and the lush scenery of the Cotswolds.\nCold, nervy and memorable.\nBecomes a fascinating study of isolation and frustration that successfully recreates both the physical setting and emotional tensions of the Papin sisters.\nSpend your Benjamins on a matinee.\nAll in all, it's a pretty good execution of a story that's a lot richer than the ones Hollywood action screenwriters usually come up with on their own.\nWorth seeing just for Weaver and LaPaglia.\nA pleasant piece of escapist entertainment.\nAmong the many pleasures are the lively intelligence of the artists and their perceptiveness about their own situations.\nIt's consistently funny, in an irresistible junior-high way, and consistently free of any gag that would force you to give it a millisecond of thought.\nIt's the cute frissons of discovery and humor between Chaplin and Kidman that keep this nicely wound clock not just ticking, but humming.\nThe storytelling may be ordinary, but the cast is one of those all-star reunions that fans of Gosford Park have come to assume is just another day of Brit cinema.\nThere's something about a marching band that gets me where I live.\nCuaron repeatedly, perversely undercuts the joie de vivre even as he creates it, giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective.\nIt's definitely an improvement on the first Blade, since it doesn't take itself so deadly seriously.\nA slam-bang extravaganza that is all about a wild-and-woolly, wall-to-wall good time.\nWhat's infuriating about Full Frontal is that it's too close to real life to make sense. What's invigorating about it is that it doesn't give a damn.\nIs Red Dragon worthy of a place alongside the other Hannibal movies? As Hannibal would say, yes, 'It's like having an old friend for dinner'.\nWriter-director Juan Carlos Fresnadillo makes a feature debut that is fully formed and remarkably assured.\ninsightfully written, delicately performed\nPerhaps the grossest movie ever made. Funny, though.\nThis 90-minute postmodern voyage was more diverting and thought-provoking than I'd expected it to be.\nOne of those exceedingly rare films in which the talk alone is enough to keep us involved.\nA heartbreakingly thoughtful minor classic, the work of a genuine and singular artist.\nAn affectionately goofy satire that's unafraid to throw elbows when necessary...\nBetween them, De Niro and Murphy make Showtime the most savory and hilarious guilty pleasure of many a recent movie season.\nJackson tries to keep the plates spinning as best he can, but all the bouncing back and forth can't help but become a bit tedious -- even with the breathtaking landscapes and villainous varmints there to distract you from the ricocheting.\nFilmmakers David Weissman and Bill Weber benefit enormously from the Cockettes' camera craziness -- not only did they film performances, but they did the same at home.\nInteresting both as a historical study and as a tragic love story.\nA stylish but steady, and ultimately very satisfying, piece of character-driven storytelling.\nIt picked me up, swung me around, and dropped me back in my seat with more emotional force than any other recent film.\nGraham Greene's novel of colonialism and empire is elevated by Michael Caine's performance as a weary journalist in a changing world.\nThough it's equally solipsistic in tone, the movie has enough vitality to justify the notion of creating a screen adaptation of Evans' saga of Hollywood excess.\nCompulsively watchable, no matter how degraded things get.\nDelivers roughly equal amounts of beautiful movement and inside information.\nBon appétit! Just like a splendid meal, Red Dragon satisfies – from its ripe recipe, inspiring ingredients, certified cuisine and palatable presentation.\nThe structure is simple, but in its own way, Rabbit-Proof Fence is a quest story as grand as The Lord of the Rings.\nThis charming, thought-provoking New York fest of life and love has its rewards.\nSome people march to the beat of a different drum, and if you ever wondered what kind of houses those people live in, this documentary takes a look at 5 alternative housing options.\nPlayfully profound... and crazier than Michael Jackson on the top floor of a skyscraper nursery surrounded by open windows.\nA film that will enthrall the whole family.\nThe charm of the first movie is still there, and the story feels like the logical, unforced continuation of the careers of a pair of spy kids.\nK 19 stays afloat as decent drama/action flick\nIt sends you away a believer again and quite cheered at just that.\nLike the best 60 Minutes exposé, the film (at 80 minutes) is actually quite entertaining.\nan 83 minute document of a project which started in a muddle, seesawed back and forth between controlling interests multiple times, then found its sweet spot\nAn emotionally and spiritually compelling journey seen through the right eyes, with the right actors and with the kind of visual flair that shows what great cinema can really do.\nNair doesn't use (Monsoon Wedding) to lament the loss of culture. Instead, she sees it as a chance to revitalize what is and always has been remarkable about clung-to traditions.\nBoth Grant and Hoult carry the movie because they are believable as people -- flawed, assured of the wrong things, and scared to admit how much they may really need the company of others.\nLeading a double life in an American film only comes to no good, but not here. Matters play out realistically if not always fairly.\nIn the affable Maid in Manhattan, Jennifer Lopez's most aggressive and most sincere attempt to take movies by storm, the diva shrewdly surrounds herself with a company of strictly A-list players.\nLike Mike is a harmlessly naïve slice of b-ball fantasy, fit for filling in during the real NBA's off-season.\nThough writer/director Bart Freundlich's film ultimately becomes a simplistic story about a dysfunctional parent-child relationship, it has some special qualities and the soulful gravity of Crudup's anchoring performance.\nWhat the movie lacks in action it more than makes up for in drama, suspense, revenge, and romance.\nJust offbeat enough to keep you interested without coming close to bowling you over.\nProbes in a light-hearted way the romantic problems of individuals for whom the yearning for passion spells discontent.\nWhat elevates the movie above the run-of-the-mill singles blender is its surreal sense of humor and technological finish.\nA film about female friendship that men can embrace and women will talk about for hours.\nThe directing and story are disjointed, flaws that have to be laid squarely on Taylor's doorstep. But the actors make this worth a peek.\nLight the candles, bring out the cake and don't fret about the calories because there's precious little substance in Birthday Girl -- it's simply, and surprisingly, a nice, light treat.\nIt may be about drug dealers, kidnapping, and unsavory folks, but the tone and pacing are shockingly intimate.\nMassoud's story is an epic, but also a tragedy, the record of a tenacious, humane fighter who was also the prisoner (and ultimately the victim) of history.\nIf villainous vampires are your cup of blood, Blade 2 is definitely a cut above the rest.\nDrumline ably captures the complicated relationships in a marching band.\nBecause the film deliberately lacks irony, it has a genuine dramatic impact; it plays like a powerful 1957 drama we've somehow never seen before.\nDoes point the way for adventurous Indian filmmakers toward a crossover into nonethnic markets.\nSeems based on ugly ideas instead of ugly behavior, as Happiness was... Hence, Storytelling is far more appealing.\n``Sum'' is Jack Ryan's ``do-over.'' Give credit to everyone from Robinson down to the key grip that this bold move works. Especially give credit to Affleck.\nAn intelligently made (and beautifully edited) picture that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the Hollywood pipeline without a hitch.\nA terrific date movie, whatever your orientation.\nNot all of the stories work and the ones that do are thin and scattered, but the film works well enough to make it worth watching.\nWhat it lacks in originality it makes up for in effective if cheap moments of fright and dread.\nThe pain, loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating, biting and witty feature written by Charlie Kaufman and his twin brother, Donald, and directed by Spike Jonze.\nA gem of a movie.\nWitty, vibrant, and intelligent.\nIt's all stitched together with energy, intelligence and verve, enhanced by a surplus of vintage archive footage.\nMiller comes at film with bracing intelligence and a vision both painterly and literary.\nThe film is moody, oozing, chilling and heart-warming all at once...a twisting, unpredictable, cat-and-mouse thriller.\nEight Legged Freaks is clever and funny, is amused by its special effects, and leaves you feeling like you've seen a movie instead of an endless trailer.\nThis is historical filmmaking without the balm of right-thinking ideology, either liberal or conservative. Mr. Scorsese's bravery and integrity in advancing this vision can hardly be underestimated.\nA thriller whose style, structure and rhythms are so integrated with the story, you cannot separate them.\nIt's a hoot watching The Rock chomp on jumbo ants, pull an arrow out of his back, and leap unscathed through raging fire!\nReturning director Rob Minkoff ... and screenwriter Bruce Joel Rubin ... have done a fine job of updating White's dry wit to a new age.\nUnfolds with such a wallop of you-are-there immediacy that when the bullets start to fly, your first instinct is to duck.\nA strong script, powerful direction and splendid production design allows us to be transported into the life of Wladyslaw Szpilman, who is not only a pianist, but a good human being.\nAn unflinching look at the world's dispossessed.\nIf the film fails to fulfill its own ambitious goals, it nonetheless sustains interest during the long build-up of expository material.\nPolanski has found the perfect material with which to address his own World War II experience in his signature style.\nIt is life affirming and heartbreaking, sweet without the decay factor, funny and sad.\nAn off-beat and fanciful film about the human need for monsters to blame for all that is amiss in the world.\nA colorful, joyous celebration of life; a tapestry woven of romance, dancing, singing, and unforgettable characters.\nFrei assembles a fascinating profile of a deeply humanistic artist who, in spite of all that he's witnessed, remains surprisingly idealistic, and retains an extraordinary faith in the ability of images to communicate the truth of the world around him.\nNicely combines the enigmatic features of `Memento' with the hallucinatory drug culture of `Requiem for a Dream.'\nA well paced and satisfying little drama that deserved better than a `direct-to-video' release.\nThe best part about ``Gangs'' was Daniel Day-Lewis.\nA treat for its depiction on not giving up on dreams when you're a struggling nobody.\nOne of those rare films that seems as though it was written for no one, but somehow manages to convince almost everyone that it was put on the screen, just for them.\nA gripping documentary that reveals how deep the antagonism lies in war-torn Jerusalem.\nDirector Chris Wedge and screenwriters Michael Berg, Michael J. Wilson and Peter Ackerman create some episodes that rival vintage Looney Tunes for the most creative mayhem in a brief amount of time.\nOne of the film's most effective aspects is its Tchaikovsky soundtrack of neurasthenic regret.\nSolondz creates some effective moments of discomfort for character and viewer alike.\nThe film's appeal has a lot to do with the casting of Juliette Binoche as Sand, who brings to the role her pale, dark beauty and characteristic warmth.\nI was amused and entertained by the unfolding of Bielinsky's cleverly constructed scenario, and greatly impressed by the skill of the actors involved in the enterprise.\nSomehow Ms. Griffiths and Mr. Pryce bring off this wild Welsh whimsy.\nMore mature than Fatal Attraction, more complete than Indecent Proposal and more relevant than 9 ½ Weeks, Unfaithful is at once intimate and universal cinema.\nFor all the dolorous trim, Secretary is a genial romance that maintains a surprisingly buoyant tone throughout, notwithstanding some of the writers' sporadic dips into pop Freudianism.\nA fanciful drama about Napoleon's last years and his surprising discovery of love and humility.\nA highly personal look at the effects of living a dysfunctionally privileged lifestyle, and by the end, we only wish we could have spent more time in its world.\nEric Schweig and Graham Greene both exude an air of dignity that's perfect for the proud warrior that still lingers in the souls of these characters.\nLovely and Amazing is Holofcener's deep, uncompromising curtsy to women she knows, and very likely is. When all is said and done, she loves them to pieces -- and so, I trust, will you.\nCampbell Scott finds the ideal outlet for his flick-knife diction in the role of Roger Swanson.\n(Fiji diver Rusi Vulakoro and the married couple Howard and Michelle Hall) show us the world they love and make us love it, too.\nRussian Ark is a new treasure of the Hermitage.\nThe animated sequences are well done and perfectly constructed to convey a sense of childhood imagination and creating adventure out of angst.\nIt's definitely a step in the right direction.\nAs the princess, Sorvino glides gracefully from male persona to female without missing a beat. Ben Kingsley is truly funny, playing a kind of Ghandi gone bad.\nOurside the theatre Roger might be intolerable company, but inside it he's well worth spending some time with.\nA gem, captured in the unhurried, low-key style favored by many directors of the Iranian new wave.\nIn an era where big stars and high production values are standard procedure, Narc strikes a defiantly retro chord, and outpaces its contemporaries with daring and verve.\nRanges from laugh-out-loud hilarious to wonder-what- time-it-is tedious.\nThe film's gamble to occasionally break up the live-action scenes with animated sequences pays off, as does its sensitive handling of some delicate subject matter.\nTalk To Her is not the perfect movie many have made it out to be, but it's still quite worth seeing.\nBeating the Austin Powers films at their own game, this blaxploitation spoof downplays the raunch in favor of gags that rely on the strength of their own cleverness as opposed to the extent of their outrageousness.\nThis is a dark, gritty, sometimes funny little gem.\nFor all its visual panache and compelling supporting characters, the heart of the film rests in the relationship between Sullivan and his son.\nWhat makes Salton Sea surprisingly engrossing is that Caruso takes an atypically hypnotic approach to a world that's often handled in fast-edit, hopped-up fashion.\nA hidden-agenda drama that shouts classic French nuance.\nWith Spy Kids 2: The Island of Lost Dreams, the Spy Kids franchise establishes itself as a durable part of the movie landscape: a James Bond series for kids.\nAn invaluable historical document thanks to the filmmaker's extraordinary access to Massoud, whose charm, cultivation and devotion to his people are readily apparent.\nThe performances of the four main actresses bring their characters to life. A little melodramatic, but with enough hope to keep you engaged.\nLan Yu seems altogether too slight to be called any kind of masterpiece. It is, however, a completely honest, open-hearted film that should appeal to anyone willing to succumb to it.\nEveryone should be able to appreciate the wonderful cinematography and naturalistic acting.\nThis often-hilarious farce manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal.\nExpands the limits of what a film can be, taking us into the lives of women to whom we might not give a second look if we passed them on the street.\nThe farcical elements seemed too pat and familiar to hold my interest, yet its diverting grim message is a good one.\nShanghai Ghetto may not be as dramatic as Roman Polanski's The Pianist, but its compassionate spirit soars every bit as high.\nDespite these annoyances, the capable Clayburgh and Tambor really do a great job of anchoring the characters in the emotional realities of middle age.\nThe underworld urban angst is derivative of Martin Scorsese's Taxi Driver and Goodfellas, but this film speaks for itself.\nThe film's heady yet far from impenetrable theory suggests that Russians take comfort in their closed-off nationalist reality.\nDespite modest aspirations its occasional charms are not to be dismissed.\nConstantly touching, surprisingly funny, semi-surrealist exploration of the creative act.\nThe journey is worth your time, especially if you have Ellen Pompeo sitting next to you for the ride.\nMerci pour le movie.\nFor every cheesy scene, though, there is a really cool bit -- the movie's conception of a future-world holographic librarian (Orlando Jones) who knows everything and answers all questions, is visually smart, cleverly written, and nicely realized.\nWhat sets Ms. Birot's film apart from others in the genre is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents.\nAll three women deliver remarkable performances.\nClaire is a terrific role for someone like Judd, who really ought to be playing villains.\nIt's clear that Mehta simply wanted to update her beloved genre for the thousands of Indians who fancy themselves too sophisticated for the cheese-laced spectacles that pack 'em in on the subcontinent.\nCompassionately explores the seemingly irreconcilable situation between conservative Christian parents and their estranged gay and lesbian children.\nThe soundtrack alone is worth the price of admission.\nRodriguez does a splendid job of racial profiling Hollywood style--casting excellent Latin actors of all ages--a trend long overdue.\nBeneath the film's obvious determination to shock at any cost lies considerable skill and determination, backed by sheer nerve.\nBielinsky is a filmmaker of impressive talent.\nSo beautifully acted and directed, it's clear that Washington most certainly has a new career ahead of him if he so chooses.\nA visual spectacle full of stunning images and effects.\nA gentle and engrossing character study.\nIt's enough to watch Huppert scheming, with her small, intelligent eyes as steady as any noir villain, and to enjoy the perfectly pitched web of tension that Chabrol spins.\nAn engrossing portrait of uncompromising artists trying to create something original against the backdrop of a corporate music industry that only seems to care about the bottom line.\nA mischievous visual style and oodles of charm make 'Cherish' a very good (but not great) movie.\nJust as the recent Argentine film Son of the Bride reminded us that a feel-good movie can still show real heart, Time of Favor presents us with an action movie that actually has a brain.\n(A) strong piece of work.\nA stirring tribute to the bravery and dedication of the world's reporters who willingly walk into the nightmare of war not only to record the events for posterity, but to help us clearly see the world of our making.\nThe Importance of Being Earnest, so thick with wit it plays like a reading from Bartlett's Familiar Quotations\nDaring and beautifully made.\nMade for teens and reviewed as such, this is recommended only for those under 20 years of age...and then only as a very mild rental.\nImagine O. Henry's The Gift of the Magi relocated to the scuzzy underbelly of NYC's drug scene. Merry friggin' Christmas!\nThe film does give a pretty good overall picture of the situation in Laramie following the murder of Matthew Shepard.\nBoth lead performances are Oscar-size. Quaid is utterly fearless as the tortured husband living a painful lie, and Moore wonderfully underplays the long-suffering heroine with an unflappable '50s dignity somewhere between Jane Wyman and June Cleaver.\nFerrara's best film in years.\nA remarkably insightful look at the backstage angst of the stand-up comic.\nNothing short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil.\nDavis' candid, archly funny and deeply authentic take on intimate relationships comes to fruition in her sophomore effort.\nIt's more enjoyable than I expected, though, and that's because the laughs come from fairly basic comedic constructs. Cinematic pratfalls given a working over. The cast is spot on and the mood is laid back.\nMatches neorealism's impact by showing the humanity of a war-torn land filled with people who just want to live their lives.\nThose moviegoers who would automatically bypass a hip-hop documentary should give ``Scratch'' a second look.\nBaby-faced Renner is eerily convincing as this bland blank of a man with unimaginable demons within.\nRomantic, riveting and handsomely animated.\nA competent, unpretentious entertainment destined to fill the after-school slot at shopping mall theaters across the country.\nShot largely in small rooms, the film has a gentle, unforced intimacy that never becomes claustrophobic.\nWhere Janice Beard falters in its recycled aspects, implausibility, and sags in pace, it rises in its courageousness, and comedic employment.\nByler is too savvy a filmmaker to let this morph into a typical romantic triangle. Instead, he focuses on the anguish that can develop when one mulls leaving the familiar to traverse uncharted ground.\nMcGrath has deftly trimmed Dickens' wonderfully sprawling soap opera, the better to focus on the hero's odyssey from cowering poverty to courage and happiness.\nA chance to see three splendid actors turn a larky chase movie into an emotionally satisfying exploration of the very human need to be somebody, and to belong to somebody.\nMetaphors abound, but it is easy to take this film at face value and enjoy its slightly humorous and tender story.\nAs directed by Dani Kouyate of Burkina Faso, Sia lacks visual flair. But Kouyate elicits strong performances from his cast, and he delivers a powerful commentary on how governments lie, no matter who runs them.\nThe best comedy concert movie I've seen since Cho's previous concert comedy film, I'm the One That I Want, in 2000.\nBroomfield reminds us that beneath the hype, the celebrity, the high life, the conspiracies and the mystery there were once a couple of bright young men -- promising, talented, charismatic and tragically doomed.\nOffers laughs and insight into one of the toughest ages a kid can go through.\nA perceptive, good-natured movie.\nAn amused indictment of Jaglom's own profession.\nA small movie with a big heart.\nHugely accomplished slice of Hitchcockian suspense.\nThe formula is familiar but enjoyable.\nTells a fascinating, compelling story.\nA triumph, a film that hews out a world and carries us effortlessly from darkness to light.\nWhat begins as a conventional thriller evolves into a gorgeously atmospheric meditation on life-changing chance encounters.\nThe Lady and the Duke is a smart, romantic drama that dares to depict the French Revolution from the aristocrats' perspective.\nMost haunting about ``Fence'' is its conclusion, when we hear the ultimate fate of these girls and realize, much to our dismay, that this really did happen. Noyce's greatest mistake is thinking that we needed sweeping, dramatic, Hollywood moments to keep us\nWorld Traveler might not go anywhere new, or arrive anyplace special, but it's certainly an honest attempt to get at something.\nThere's much tongue in cheek in the film and there's no doubt the filmmaker is having fun with it all.\nThere's absolutely no reason why Blue Crush, a late-summer surfer girl entry, should be as entertaining as it is\nAn action/thriller of the finest kind, evoking memories of Day of the Jackal, The French Connection, and Heat.\nThe best movie in many a moon about the passions that sometimes fuel our best achievements and other times leave us stranded with nothing more than our lesser appetites.\nIn capturing the understated comedic agony of an ever-ruminating, genteel yet decadent aristocracy that can no longer pay its bills, the film could just as well be addressing the turn of the 20th century into the 21st.\nInsomnia does not become one of those rare remakes to eclipse the original, but it doesn't disgrace it, either.\nclassic cinema served up with heart and humor\n(Stephen) Earnhart's film is more about the optimism of a group of people who are struggling to give themselves a better lot in life than the ones they currently have.\nThe events of the film are just so WEIRD that I honestly never knew what the hell was coming next.\nNicole Holofcener's Lovely and Amazing, from her own screenplay, jumps to the head of the class of women's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style.\nThat Jack Nicholson makes this man so watchable is a tribute not only to his craft, but to his legend.\nHas a solid emotional impact.\nSuccessfully blended satire, high camp and yet another sexual taboo into a really funny movie.\nMark Pellington's latest pop thriller is as kooky and overeager as it is spooky and subtly in love with myth.\nWhile maintaining the appearance of clinical objectivity, this sad, occasionally horrifying but often inspiring film is among Wiseman's warmest.\nRaimi crafted a complicated hero who is a welcome relief from the usual two-dimensional offerings.\nAn enjoyable above average summer diversion.\nThere is simply no doubt that this film asks the right questions at the right time in the history of our country.\nIf you've the patience, there are great rewards here.\nAs a science fiction movie, ``Minority Report'' astounds.\nWatching E.T now, in an era dominated by cold, loud special-effects-laden extravaganzas, one is struck less by its lavish grandeur than by its intimacy and precision.\nVisually breathtaking, viscerally exciting, and dramatically moving, it's the very definition of epic adventure.\nChris Columbus' sequel is faster, livelier and a good deal funnier than his original.\nWatching this film, what we feel isn't mainly suspense or excitement. The dominant feeling is something like nostalgia.\n'...a great, participatory spectator sport.'\nA rather brilliant little cult item: a pastiche of children's entertainment, superhero comics, and Japanese animation.\nBelieves so fervently in humanity that it feels almost anachronistic, and it is too cute by half. But arriving at a particularly dark moment in history, it offers flickering reminders of the ties that bind us.\nAdam SANDLER! In an ART FILM!\nAs averse as I usually am to feel-good, follow-your-dream Hollywood fantasies, this one got to me.\nStone seems to have a knack for wrapping the theater in a cold blanket of urban desperation.\n...a funny yet dark and seedy clash of cultures and generations.\nThe hook is the drama within the drama, as an unsolved murder and an unresolved moral conflict jockey for the spotlight.\nOver the years, Hollywood has crafted a solid formula for successful animated movies, and Ice Age only improves on it, with terrific computer graphics, inventive action sequences and a droll sense of humor.\nLike Smoke Signals, the film is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama\nOne of those movies that make us pause and think of what we have given up to acquire the fast-paced contemporary society.\nOne of the most original American productions this year, you'll find yourself remembering this refreshing visit to a Sunshine State.\nMelds derivative elements into something that is often quite rich and exciting, and always a beauty to behold.\nGives everyone something to shout about.\nThe entire movie has a truncated feeling, but what's available is lovely and lovable.\n(A) thoughtful, visually graceful work.\nAdmirers of director Abel Ferrara may be relieved that his latest feature, R Xmas, marks a modest if encouraging return to form.\nThe slam-bang superheroics are kinetic enough to engross even the most antsy youngsters.\nA worthy addition to the cinematic canon, which, at last count, numbered 52 different versions.\nDeliciously mean-spirited and wryly observant.\nThe kind of primal storytelling that George Lucas can only dream of.\nEven if The Ring has a familiar ring, it's still unusually crafty and intelligent for Hollywood horror.\nThe sheer joy and pride they took in their work -- and in each other -- shines through every frame.\nA solidly constructed, entertaining thriller that stops short of true inspiration.\nThe cast ... keeps this pretty watchable, and casting Mick Jagger as director of the escort service was inspired.\nAn entertaining, if somewhat standardized, action movie.\nIt has a dashing and resourceful hero; a lisping, reptilian villain; big fights; big hair; lavish period scenery; and a story just complicated enough to let you bask in your own cleverness as you figure it out.\nAn enjoyable comedy of lingual and cultural differences... The Château is a film -- full of life and small delights -- that has all the wiggling energy of young kitten.\nIntriguing and downright intoxicating.\nAn incredibly thoughtful, deeply meditative picture that neatly and effectively captures the debilitating grief felt in the immediate aftermath of the terrorist attacks.\nWith an obvious rapport with her actors and a striking style behind the camera, Hélène Angel is definitely a director to watch.\n...could easily be called the best Korean film of 2002.\nFull of detail about the man and his country, and is well worth seeing.\nThe banter between Calvin and his fellow barbers feels like a streetwise McLaughlin Group ... and never fails to entertain.\nThoroughly engrossing and ultimately tragic.\nPeter Jackson and company once again dazzle and delight us, fulfilling practically every expectation either a longtime Tolkien fan or a movie-going neophyte could want.\nBill Morrison's Decasia is uncompromising, difficult and unbearably beautiful.\nFull of bland hotels, highways, parking lots, with some glimpses of nature and family warmth, Time Out is a discreet moan of despair about entrapment in the maze of modern life.\nEven with all its botches, Enigma offers all the pleasure of a handsome and well-made entertainment.\nHis work transcends the boy-meets-girl posturing of typical love stories.\nIf the real-life story is genuinely inspirational, the movie stirs us as well.\nAn ebullient Tunisian film about the startling transformation of a tradition-bound widow who is drawn into the exotic world of belly dancing.\nThe dramatic crisis doesn't always succeed in its quest to be taken seriously, but Huppert's volatile performance makes for a riveting movie experience.\nHighly irritating at first, Mr. Koury's passive technique eventually begins to yield some interesting results.\nAbout Schmidt belongs to Nicholson. Gone are the flamboyant mannerisms that are the trademark of several of his performances. As Schmidt, Nicholson walks with a slow, deliberate gait, chooses his words carefully and subdues his natural exuberance.\nThe powder blues and sun-splashed whites of Tunis make an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs.\nIt doesn't make for great cinema, but it is interesting to see where one's imagination will lead when given the opportunity.\nIt's sobering, particularly if anyone still thinks this conflict can be resolved easily, or soon.\nIf it's not entirely memorable, the movie is certainly easy to watch.\n... by the time it's done with us, Mira Nair's new movie has its audience giddy with the delight of discovery, of having been immersed in a foreign culture only to find that human nature is pretty much the same all over.\nBest indie of the year, so far.\n(Ferrera) has the charisma of a young woman who knows how to hold the screen.\n...the plot weaves us into a complex web.\nDon't judge this one too soon - it's a dark, gritty story but it takes off in totally unexpected directions and keeps on going.\nIn Death to Smoochy, we don't get Williams' usual tear and a smile, just sneers and bile, and the spectacle is nothing short of refreshing.\nA serviceable Euro-trash action extravaganza, with a decent sense of humor and plenty of things that go boom -- handguns, BMWs and seaside chateaus.\nFortunately, Elling never gets too cloying thanks to the actors' perfect comic timing and sweet, genuine chemistry.\nIf you've grown tired of going where no man has gone before, but several movies have - take heart. This is the best Star Trek movie in a long time.\nGreg Kinnear gives a mesmerizing performance as a full-fledged sex addict who is in complete denial about his obsessive behavior.\nNot only a coming-of-age story and cautionary parable, but also a perfectly rendered period piece.\nou've got to love a Disney pic with as little cleavage as this one has, and a heroine as feisty and principled as Jane.\nA funny, triumphant, and moving documentary.\nLathan and Diggs carry the film with their charisma, and both exhibit sharp comic timing that makes the more hackneyed elements of the film easier to digest.\nAbout Schmidt is Nicholson's goofy, heartfelt, mesmerizing King Lear.\nA confluence of kiddie entertainment, sophisticated wit and symbolic graphic design.\nGay or straight, Kissing Jessica Stein is one of the greatest date movies in years.\nThis is a movie full of grace and, ultimately, hope.\nEven better than the first one!\nIts compelling mix of trial movie, escape movie and unexpected fable ensures the film never feels draggy.\nA must see for all sides of the political spectrum\n(Reynolds) takes a classic story, casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch.\nThere are problems with this film that even 3 Oscar winners can't overcome, but it's a nice girl-buddy movie once it gets rock-n-rolling.\nRich in atmosphere of the post-war art world, it manages to instruct without reeking of research library dust.\nHas the rare capability to soothe and break your heart with a single stroke.\nIt rapidly develops into a gut-wrenching examination of the way cultural differences and emotional expectations collide.\nThough it flirts with bathos and pathos and the further Oprahfication of the world as we know it, it still cuts all the way down to broken bone.\nThis humbling little film, fueled by the light comedic work of Zhao Benshan and the delicate ways of Dong Jie, is just the sort for those moviegoers who complain that 'they don't make movies like they used to anymore.'\nIt will break your heart many times over.\nA straight-shooting family film which awards animals the respect they've rarely been given.\nOverall, interesting as a documentary -- but not very Imaxy.\nThis is one of those war movies that focuses on human interaction rather than battle and action sequences ... and it's all the stronger because of it.\n``Secretary'' is owned by its costars, Spader and Gyllenhaal. Maggie G. makes an amazing breakthrough in her first starring role and eats up the screen.\nThe film fits into a genre that has been overexposed, redolent of a thousand cliches, and yet remains uniquely itself, vibrant with originality.\nNot only is it a charming, funny and beautifully crafted import, it uses very little dialogue, making it relatively effortless to read and follow the action at the same time.\nThe kind of sense of humor that derives from a workman's grasp of pun and entendre and its attendant need to constantly draw attention to itself.\nToo much of Storytelling moves away from Solondz's social critique, casting its audience as that of intellectual lector in contemplation of the auteur's professional injuries.\nThe story is virtually impossible to follow here, but there's a certain style and wit to the dialogue.\nThe music makes a nice album, the food is enticing and Italy beckons us all.\nThe film is an earnest try at beachcombing verismo, but it would be even more indistinct than it is were it not for the striking, quietly vulnerable personality of Ms. Ambrose.\nThe film is small in scope, yet perfectly formed.\nJones has delivered a solidly entertaining and moving family drama.\nHappy Times maintains an appealing veneer without becoming too cute about it.\nOliveira seems to pursue silent film representation with every mournful composition.\nOne of the pleasures in Walter's documentary ... is the parade of veteran painters, confounded dealers, and miscellaneous bohos who expound upon the subject's mysterious personality without ever explaining him.\nCaptures all the longing, anguish and ache, the confusing sexual messages and the wish to be a part of that elusive adult world.\nHe's the scariest guy you'll see all summer.\n``Frailty'' offers chills much like those that you get when sitting around a campfire around midnight, telling creepy stories to give each other the willies. And, there's no way you won't be talking about the film once you exit the theater.\nIf I have to choose between gorgeous animation and a lame story (like, say, Treasure Planet) or so-so animation and an exciting, clever story with a batch of appealing characters, I'll take the latter every time.\nQuiet, adult and just about more stately than any contemporary movie this year... a true study, a film with a questioning heart and mind that isn't afraid to admit it doesn't have all the answers.\nIn the end, the film is less the cheap thriller you'd expect than it is a fairly revealing study of its two main characters -- damaged-goods people whose orbits will inevitably and dangerously collide.\nSome of the visual flourishes are a little too obvious, but restrained and subtle storytelling, and fine performances make this delicate coming-of-age tale a treat.\nIt is hard not to be especially grateful for freedom after a film like this.\nThe dirty jokes provide the funniest moments in this oddly sweet comedy about jokester highway patrolmen.\nY Tu Mamá También is hilariously, gloriously alive, and quite often hotter than Georgia asphalt.\n... works on some levels and is certainly worth seeing at least once.\nYou come away from his film overwhelmed, hopeful and, perhaps paradoxically, illuminated.\nIf the material is slight and admittedly manipulative, Jacquot preserves Tosca's intoxicating ardor through his use of the camera.\nThirteen Conversations About One Thing lays out a narrative puzzle that interweaves individual stories, and, like a Mobius strip, elliptically loops back to where it began.\nOverall, it's a wacky and inspired little film that works effortlessly at delivering genuine, acerbic laughs.\nA must for fans of British cinema, if only because so many titans of the industry are along for the ride.\nTsai has managed to create an underplayed melodrama about family dynamics and dysfunction that harks back to the spare, unchecked heartache of Yasujiro Ozu.\nUntil (the) superfluous...epilogue that leaks suspension of disbelief like a sieve, Die Another Day is as stimulating & heart-rate-raising as any James Bond thriller.\nIt's a good film, but it falls short of its aspiration to be a true 'epic'.\nAll the pieces fall together without much surprise, but little moments give it a boost.\nThe beauty of Alexander Payne's ode to the Everyman is in the details.\nA touching drama about old age and grief with a tour de force performance by Michel Piccoli.\nThe ending feels at odds with the rest of the film.\nA tone of rueful compassion ... reverberates throughout this film, whose meaning and impact is sadly heightened by current world events.\nA beautiful paean to a time long past.\nDense and thoughtful and brimming with ideas that are too complex to be rapidly absorbed.\nIf you thought Tom Hanks was just an ordinary big-screen star, wait until you've seen him eight stories tall.\nWith this masterful, flawless film, (Wang) emerges in the front ranks of China's now numerous, world-renowned filmmakers.\nShyamalan offers copious hints along the way -- myriad signs, if you will -- that beneath the familiar, funny surface is a far bigger, far more meaningful story than one in which little green men come to Earth for harvesting purposes.\nThis film is an act of spiritual faith -- an eloquent, deeply felt meditation on the nature of compassion.\nA different kind of love story - one that is dark, disturbing, painful to watch, yet compelling.\nSplendidly illustrates the ability of the human spirit to overcome adversity.\nA compelling, gut-clutching piece of advocacy cinema that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day.\nShe's as rude and profane as ever, always hilarious and, most of the time, absolutely right in her stinging social observations.\nTo those who have not read the book, the film is a much better mother-daughter tale than last summer's 'Divine Secrets of the Ya-Ya Sisterhood,' but that's not saying much.\nEven before it builds up to its insanely staged ballroom scene, in which 3000 actors appear in full regalia, it's waltzed itself into the art film pantheon.\nA thoughtful, reverent portrait of what is essentially a subculture, with its own rules regarding love and family, governance and hierarchy.\nIt seems impossible that an epic four-hour Indian musical about a cricket game could be this good, but it is.\nWill certainly appeal to Asian cult cinema fans and Asiaphiles interested to see what all the fuss is about.\nTouches smartly and wistfully on a number of themes, not least the notion that the marginal members of society ... might benefit from a helping hand and a friendly kick in the pants.\nA wildly entertaining scan of Evans' career.\nA mature, deeply felt fantasy of a director's travel through 300 years of Russian history.\nBoldly engineering a collision between tawdry B-movie flamboyance and grandiose spiritual anomie, Rose's film, true to its source material, provides a tenacious demonstration of death as the great equalizer.\nA finely tuned mood piece, a model of menacing atmosphere.\nThe Salton Sea has moments of inspired humour, though every scrap is of the darkest variety.\nBoth a beautifully made nature film and a tribute to a woman whose passion for this region and its inhabitants still shines in her quiet blue eyes.\nAlthough shot with little style, Skins is heartfelt and achingly real.\nHarks back to a time when movies had more to do with imagination than market research.\nUpsetting and thought-provoking, the film has an odd purity that doesn't bring you into the characters so much as it has you study them.\nA very pretty after-school special. It's an effort to watch this movie, but it eventually pays off and is effective if you stick with it.\nA harrowing account of a psychological breakdown.\nContinually challenges perceptions of guilt and innocence, of good guys and bad, and asks us whether a noble end can justify evil means.\nIt certainly won't win any awards in the plot department but it sets out with no pretensions and delivers big time.\nDog Soldiers doesn't transcend genre -- it embraces it, energizes it and takes big bloody chomps out of it.\nAt once emotional and richly analytical, the Cosby-Seinfeld encounter alone confirms the serious weight behind this superficially loose, larky documentary.\nIt may scream low budget, but this charmer has a spirit that cannot be denied.\n'Alice's adventure through the looking glass and into zombie-land' is filled with strange and wonderful creatures.\nWithout (De Niro), City By The Sea would slip under the waves. He drags it back, single-handed.\nA good music documentary, probably one of the best since The Last Waltz.\nIf the plot seems a bit on the skinny side, that's because Panic Room is interested in nothing more than sucking you in...and making you sweat.\n...(the film) works, due mostly to the tongue-in-cheek attitude of the screenplay.\nThe film becomes an overwhelming pleasure, and you find yourself rooting for Gai's character to avoid the fate that has befallen every other Carmen before her.\nBroomfield has a rather unique approach to documentary. He thinks the film is just as much a document about him as it is about the subject.\nAt its best when the guarded, resentful Betty and the manipulative yet needy Margot are front and center.\nGloriously straight from the vagina.\nIt's excessively quirky and a little underconfident in its delivery, but otherwise this is the best 'old neighborhood' project since Christopher Walken kinda romanced Cyndi Lauper in The Opportunists.\nThe film oozes craft.\nRobinson's web of suspense matches the page-turning frenzy that Clancy creates.\nManages to be both hugely entertaining and uplifting.\nA classic fairy tale that perfectly captures the wonders and worries of childhood in a way that few movies have ever approached.\nIt's the unsettling images of a war-ravaged land that prove more potent and riveting than the unlikely story of Sarah and Harrison.\na wonderfully warm human drama that remains vividly in memory long after viewing\nJaunty fun, with its celeb-strewn backdrop well used.\nRecoing's fantastic performance doesn't exactly reveal what makes Vincent tick, but perhaps any definitive explanation for it would have felt like a cheat.\nWashington overcomes the script's flaws and envelops the audience in his character's anguish, anger and frustration.\nThe film fearlessly gets under the skin of the people involved ... This makes it not only a detailed historical document, but an engaging and moving portrait of a subculture.\nA searing, epic treatment of a nationwide blight that seems to be, horrifyingly, ever on the rise.\nNot a film for the faint of heart or conservative of spirit, but for the rest of us -- especially San Francisco lovers -- it's a spirited film and a must-see.\nRead My Lips is to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love.\nThe color sense of Stuart Little 2 is its most immediate and most obvious pleasure, but it would count for very little if the movie weren't as beautifully shaped and as delicately calibrated in tone as it is.\nwhile (Roman Coppola) scores points for style, he staggers in terms of story.\nAny movie that makes hard work seem heroic deserves a look.\nIt may not be a huge cut of above the rest, but I enjoyed Barbershop. It's a funny little movie with clever dialogue and likeable characters.\nA different and emotionally reserved type of survival story -- a film less about refracting all of World War II through the specific conditions of one man, and more about that man lost in its midst.\nIt's sweet, funny, charming, and completely delightful.\nA perfectly competent and often imaginative film that lacks what little Lilo & Stitch had in spades -- charisma.\nBeautifully shot against the frozen winter landscapes of Grenoble and Geneva, the film unfolds with all the mounting tension of an expert thriller, until the tragedy beneath it all gradually reveals itself.\nMedem may have disrobed most of the cast, leaving their bodies exposed, but the plot remains as guarded as a virgin with a chastity belt. That's why Sex and Lucia is so alluring.\nAn elegant work, Food of Love is as consistently engaging as it is revealing.\nAlthough largely a heavy-handed indictment of parental failings and the indifference of Spanish social workers and legal system towards child abuse, the film retains ambiguities that make it well worth watching.\nA behind the scenes look at the training and dedication that goes into becoming a world-class fencer and the champion that's made a difference to NYC inner-city youth.\nA brain twister, less a movie-movie than a funny and weird meditation on Hollywood, success, artistic integrity and intellectual bankruptcy.\nA powerful, inflammatory film about religion that dares to question an ancient faith, and about hatred that offers no easy, comfortable resolution.\nIn its own floundering way, it gets to you. Just like Igby.\nReturn to Never Land may be another shameless attempt by Disney to rake in dough from baby boomer families, but it's not half-bad.\nWise and deadpan humorous.\nGod bless Crudup and his aversion to taking the easy Hollywood road and cashing in on his movie-star gorgeousness.\nIf Signs is a good film, and it is, the essence of a great one is in there somewhere.\nVeterans of the dating wars will smirk uneasily at the film's nightmare versions of everyday sex-in-the-city misadventures.\nSchrader examines Crane's decline with unblinking candor.\nYou can watch, giggle and get an adrenaline boost without feeling like you've completely lowered your entertainment standards.\nIt thankfully goes easy on the reel/real world dichotomy that (Jaglom) pursued with such enervating determination in Venice/Venice.\nThis rich, bittersweet Israeli documentary, about the life of song-and-dance-man Pasach'ke Burstein and his family, transcends ethnic lines.\nSensitively examines general issues of race and justice among the poor, and specifically raises serious questions about the death penalty and asks what good the execution of a mentally challenged woman could possibly do.\nCool gadgets and creatures keep this fresh. Not as good as the original, but what is...\nPresents a side of contemporary Chinese life that many outsiders will be surprised to know exists, and does so with an artistry that also smacks of revelation.\n(Jeff's) gorgeous, fluid compositions, underlined by Neil Finn and Edmund McWilliams's melancholy music, are charged with metaphor, but rarely easy, obvious or self-indulgent.\nEngages us in constant fits of laughter, until we find ourselves surprised at how much we care about the story, and end up walking out not only satisfied but also somewhat touched.\na bilingual charmer, just like the woman who inspired it\nBlisteringly rude, scarily funny, sorrowfully sympathetic to the damage it surveys, the film has in Kieran Culkin a pitch-perfect Holden.\nThe fourth ``Pokemon'' is a diverting--if predictable--adventure suitable for a matinee, with a message that cautions children about disturbing the world's delicate ecological balance.\nWhat one is left with, even after the most awful acts are committed, is an overwhelming sadness that feels as if it has made its way into your very bloodstream.\n(It) has the feel of a summer popcorn movie. Nothing too deep or substantial. Explosions, jokes, and sexual innuendoes abound.\nMiyazaki's nonstop images are so stunning, and his imagination so vivid, that the only possible complaint you could have about Spirited Away is that there is no rest period, no timeout.\n... a delightfully unpredictable, hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels.\nAssured, vital and well wrought, the film is, arguably, the most accomplished work to date from Hong Kong's versatile Stanley Kwan.\nDelia, Greta, and Paula rank as three of the most multilayered and sympathetic female characters of the year. As each of them searches for their place in the world, Miller digs into their very minds to find an unblinking, flawed humanity.\nA surprisingly sweet and gentle comedy.\nShanghai Ghetto, much stranger than any fiction, brings this unknown slice of history affectingly to life.\nIt's not particularly well made, but since I found myself howling more than cringing, I'd say the film works.\nBut this is Lohman's film. Her performance moves between heartbreak and rebellion as she continually tries to accommodate to fit in and gain the unconditional love she seeks.\nThough its story is only surface deep, the visuals and enveloping sounds of Blue Crush make this surprisingly decent flick worth a summertime look-see.\nRyosuke has created a wry, winning, if languidly paced, meditation on the meaning and value of family.\nSometimes charming, sometimes infuriating, this Argentinean 'dramedy' succeeds mainly on the shoulders of its actors.\nYou may feel compelled to watch the film twice or pick up a book on the subject.\nOften shocking but ultimately worthwhile exploration of motherhood and desperate mothers.\nA venturesome, beautifully realized psychological mood piece that reveals its first-time feature director's understanding of the expressive power of the camera.\nLike The Rugrats movies, The Wild Thornberrys Movie doesn't offer much more than the series, but its emphasis on caring for animals and respecting other cultures is particularly welcome.\nTaken outside the context of the current political climate (see: terrorists are more evil than ever!), The Sum of All Fears is simply a well-made and satisfying thriller.\nThe setting is so cool that it chills the characters, reducing our emotional stake in the outcome of ``Intacto's'' dangerous and seductively stylish game.\nA lovely and beautifully photographed romance.\nOne of the most splendid entertainments to emerge from the French film industry in years.\nIts vision of that awkward age when sex threatens to overwhelm everything else is acute enough to make everyone who has been there squirm with recognition.\nFor almost the first two-thirds of Martin Scorsese's 168-minute Gangs of New York, I was entranced.\nOpen-ended and composed of layer upon layer, Talk to Her is a cinephile's feast, an invitation to countless interpretations.\nOne of the most slyly exquisite anti-adult movies ever made.\nWhat makes Esther Kahn so demanding is that it progresses in such a low-key manner that it risks monotony. But it's worth the concentration.\nNeither the funniest film that Eddie Murphy nor Robert De Niro has ever made, Showtime is nevertheless efficiently amusing for a good while. Before it collapses into exactly the kind of buddy cop comedy it set out to lampoon, anyway.\nA clever script and skilled actors bring new energy to the familiar topic of office politics.\nThe determination of Pinochet's victims to seek justice, and their often heartbreaking testimony, spoken directly into director Patricio Guzman's camera, pack a powerful emotional wallop.\nDisney aficionados will notice distinct parallels between this story and the 1971 musical ``Bedknobs and Broomsticks,'' which also dealt with British children rediscovering the power of fantasy during wartime.\nIt's ... worth the extra effort to see an artist, still committed to growth in his ninth decade, change while remaining true to his principles with a film whose very subject is, quite pointedly, about the peril of such efforts.\nDark and unrepentant, this excursion into the epicenter of percolating mental instability is not easily dismissed or forgotten.\nIt's a rollicking adventure for you and all your mateys, regardless of their ages.\nBoasts a handful of virtuosic set pieces and offers a fair amount of trashy, kinky fun.\n...Myers has turned his franchise into the movie version of an adolescent dirty-joke book done up in post-Tarantino pop-culture riffs...\nIf you're down for a silly hack-and-slash flick, you can do no wrong with Jason X.\nThis is a very ambitious project for a fairly inexperienced filmmaker, but good actors, good poetry and good music help sustain it.\nThe modern master of the chase sequence returns with a chase to end all chases\nThe messy emotions raging throughout this three-hour effort are instantly recognizable, allowing the film to paradoxically feel familiar and foreign at the same time.\n...either you're willing to go with this claustrophobic concept or you're not.\nJust watch Bettany strut his stuff. You'll know a star when you see one.\nAustin Powers in Goldmember is a cinematic car wreck, a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride.\nYou can fire a torpedo through some of Clancy's holes, and the scripters don't deserve any Oscars. But the nerve-raked acting, the crackle of lines, the impressive stagings of hardware, make for some robust and scary entertainment.\ncontrasting the original Ringu with the current Americanized adaptation is akin to comparing The Evil Dead with Evil Dead II\nA small gem of a movie that defies classification and is as thought-provoking as it is funny, scary and sad.\nFor a long time the film succeeds with its dark, delicate treatment of these characters and its unerring respect for them.\nIt's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just can't take it any more.\nLate Marriage is an in-your-face family drama and black comedy that is filled with raw emotions conveying despair and love.\nAn ambitious and moving but bleak film.\nIt's too harsh to work as a piece of storytelling, but as an intellectual exercise -- an unpleasant debate that's been given the drive of a narrative and that's been acted out -- The Believer is nothing less than a provocative piece of work.\nIt's sweet. It's funny. It wears its heart on the sleeve of its gaudy Hawaiian shirt. And, thanks to the presence of 'the King,' it also rocks.\nIt's never laugh-out-loud funny, but it is frequently amusing.\nA bittersweet film, simple in form but rich with human events.\nThe unexplored story opportunities of ``Punch-Drunk Love'' may have worked against the maker's minimalist intent but it is an interesting exercise by talented writer/director Anderson.\n``Punch-Drunk Love'' is a little like a chocolate milk moustache...\n... digs beyond the usual portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motivations.\nThe beauty of the piece is that it counts heart as important as humor.\nPiercingly affecting...while clearly a manipulative film, emerges as powerful rather than cloying.\nVery amusing, not the usual route in a thriller, and the performances are odd and pixilated and sometimes both.\nWhile the frequent allusions to gurus and doshas will strike some Westerners as verging on mumbo-jumbo ... broad streaks of common sense emerge with unimpeachable clarity.\nThe cast is phenomenal, especially the women.\nA marvel of production design.\nThe byplay and bickering between the now spy-savvy siblings, Carmen (Vega) and Juni (Sabara) Cortez, anchor the film in a very real and amusing give-and-take.\nGood actors have a radar for juicy roles -- there's a plethora of characters in this picture, and not one of them is flat.\nThough in some ways similar to Catherine Breillat's Fat Girl, Rain is the far superior film.\nIs not so much a work of entertainment as it is a unique, well-crafted psychological study of grief.\nRemarkable for its excellent storytelling, its economical, compressed characterisations and for its profound humanity, it's an adventure story and history lesson all in one.\nColorful, energetic and sweetly whimsical...the rare sequel that's better than its predecessor.\nReno himself can take credit for most of the movie's success. He's one of the few 'cool' actors who never seems aware of his own coolness.\nSignificantly better than its 2002 children's-movie competition.\nUB equally spoofs and celebrates the more outre aspects of 'black culture' and the dorkier aspects of 'white culture,' even as it points out how inseparable the two are.\nA lot smarter than your average Bond.\n...bright, intelligent, and humanly funny film.\nPainful, horrifying and oppressively tragic, this film should not be missed.\nPart of the film's cheeky charm comes from its vintage schmaltz.\nSo unique and stubborn and charismatic that you want it to be better and more successful than it is.\nI won't argue with anyone who calls 'Slackers' dumb, insulting, or childish... but I laughed so much that I didn't mind.\nIt arrives with an impeccable pedigree, mongrel pep, and almost indecipherable plot complications.\nSo fiendishly cunning that even the most jaded cinema audiences will leave the auditorium feeling dizzy, confused, and totally disorientated. Not to mention absolutely refreshed.\nA vibrant, colorful, semimusical rendition.\nThe film sometimes flags...but there is enough secondary action to keep things moving along at a brisk, amusing pace.\nIt's a drawling, slobbering, lovable run-on sentence of a film, a Southern Gothic with the emotional arc of its raw blues soundtrack.\nNolan proves that he can cross swords with the best of them and helm a more traditionally plotted popcorn thriller while surrendering little of his intellectual rigor or creative composure.\nIt is different from others in its genre in that it is does not rely on dumb gags, anatomical humor, or character cliches; it primarily relies on character to tell its story.\nBoth a successful adaptation and an enjoyable film in its own right.\nAll the filmmakers are asking of us, is to believe in something that is improbable.\nIf the very concept makes you nervous ... you'll have an idea of the film's creepy, scary effectiveness.\nWorth a look by those on both sides of the issues, if only for the perspective it offers, one the public rarely sees.\nA mostly believable, refreshingly low-key and quietly inspirational little sports drama.\nMay be more genial than ingenious, but it gets the job done.\nA stylish cast and some clever scripting solutions help Chicago make the transition from stage to screen with considerable appeal intact.\nExhilarating, funny and fun.\nWhile not quite ``Shrek'' or ``Monsters, Inc.'', it's not too bad. It's worth taking the kids to.\nIn the end there is one word that best describes this film: honest.\nWriter-director David Jacobson and his star, Jeremy Renner, have made a remarkable film that explores the monster's psychology not in order to excuse him but rather to demonstrate that his pathology evolved from human impulses that grew hideously twisted.\nThe action sequences are fun and reminiscent of combat scenes from the Star Wars series.\nNorton is magnetic as Graham.\nSavvy director Robert J. Siegel and his co-writers keep the story subtle and us in suspense.\nIt pulls the rug out from under you, just when you're ready to hate one character, or really sympathize with another character, something happens to send you off in different direction.\nTwenty years after its first release, E.T. remains the most wondrous of all Hollywood fantasies -- and the apex of Steven Spielberg's misunderstood career.\nIt says a lot about a filmmaker when he can be wacky without clobbering the audience over the head and still maintain a sense of urgency and suspense.\nGives us a lot to chew on, but not all of it has been properly digested.\nIt's an exhilarating place to visit, this laboratory of laughter.\n``Simone'' is a fun and funky look into an artificial creation in a world that thrives on artificiality.\nA great companion piece to other Napoleon films.\nTo some eyes this will seem like a recycling of clichés, an assassin's greatest hits. To others, it will remind them that Hong Kong action cinema is still alive and kicking.\nAt the end of the movie, my 6-year-old nephew said, ``I guess I come from a broken family, and my uncles are all aliens, too.'' Congrats Disney on a job well done, I enjoyed it just as much!\nA remarkably alluring film set in the constrictive Eisenhower era about one suburban woman's yearning in the face of a loss that shatters her cheery and tranquil suburban life.\nBerling and Béart ... continue to impress, and Isabelle Huppert ... again shows uncanny skill in getting under the skin of her characters.\nUplifting, funny and wise.\nRemarkable for its intelligence and intensity.\nThe hypnotic imagery and fragmentary tale explore the connections between place and personal identity.\nBrosnan is more feral in this film than I've seen him before and Halle Berry does her best to keep up with him.\nA film that begins with the everyday lives of naval personnel in San Diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times I saw the film.\n``On Guard!'' won't be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world's best actors, Daniel Auteuil, have a whale of a good time.\nThe movie starts with a legend and ends with a story that is so far-fetched it would be impossible to believe if it weren't true. This is the stuff that Disney movies are made of.\nLike all great films about a life you never knew existed, it offers much to absorb and even more to think about after the final frame.\nThat the e-graveyard holds as many good ideas as bad is the cold comfort that Chin's film serves up with style and empathy.\nWhile we no longer possess the lack-of-attention span that we did at seventeen, we had no trouble sitting for Blade II.\nlike a poor man's You Can Count On Me\n...a solid, unassuming drama.\nA seriocomic debut of extravagant promise by Georgian-Israeli director Dover Kosashvili.\nThanks to Ice Cube, Benjamins feels an awful lot like Friday in Miami.\nThe real star of this movie is the score, as in the songs translate well to film, and it's really well directed.\nIt's rare to find a film to which the adjective 'gentle' applies, but the word perfectly describes Pauline & Paulette.\nMy Wife is an Actress has its moments in looking at the comic effects of jealousy. In the end, though, it is only mildly amusing when it could have been so much more.\nBoth Garcia and Jagger turn in perfectly executed and wonderfully sympathetic characters, who are alternately touching and funny.\nHumorous, artsy, and even cute, in an off-kilter, dark, vaguely disturbing way.\nThe more you think about the movie, the more you will probably like it.\n...a powerful sequel and one of the best films of the year.\nFor the most part, the film does hold up pretty well.\nTogether (Time Out and Human Resources) establish Mr. Cantet as France's foremost cinematic poet of the workplace.\nYou can take the grandkids or the grandparents and never worry about anyone being bored ... audience is a sea of constant smiles and frequent laughter.\nLike these Russo guys lookin' for their Mamet instead found their Sturges.\nThere has been a string of ensemble cast romances recently ... but Peter Mattei's Love in the Time of Money sets itself apart by forming a chain of relationships that come full circle to end on a positive (if tragic) note.\nBy applying definition to both sides of the man, the picture realizes a fullness that does not negate the subject.\nWho is the audience for Cletis Tout? Anybody who enjoys quirky, fun, popcorn movies with a touch of silliness and a little bloodshed.\n(Cuarón has) created a substantive movie out of several cliched movie structures: the road movie, the coming-of-age movie, and the teenage sex comedy.\nPuts to rest any thought that the German film industry cannot make a delightful comedy centering on food.\nWitty dialog between realistic characters showing honest emotions. It's touching and tender and proves that even in sorrow you can find humor. Like blended shades of lipstick, these components combine into one terrific story with lots of laughs.\nAsh Wednesday is not Edward Burns' best film, but it is a good and ambitious film. And it marks him as one of the most interesting writer/directors working today.\nAfter one gets the feeling that the typical Hollywood disregard for historical truth and realism is at work here, it's a matter of finding entertainment in the experiences of Zishe and the fiery presence of Hanussen.\nThe footage of the rappers at play and the prison interview with Suge Knight are just two of the elements that will grab you.\n... it's as comprehensible as any Dummies guide, something even non-techies can enjoy.\nDon't wait to see this terrific film with your kids -- if you don't have kids borrow some.\nMoretti ... is the rare common-man artist who's wise enough to recognize that there are few things in this world more complex -- and, as it turns out, more fragile -- than happiness.\nThe movie's captivating details are all in the performances, from Foreman's barking-mad Taylor to Thewlis's smoothly sinister Freddie and Bettany/McDowell's hard-eyed gangster.\nFeatures Fincher's characteristically startling visual style and an almost palpable sense of intensity.\nPrecocious smarter-than-thou wayward teen struggles to rebel against his oppressive, right-wing, propriety-obsessed family. Anyone else seen this before?\nMoore provides an invaluable service by sparking debate and encouraging thought. Better still, he does all of this, and more, while remaining one of the most savagely hilarious social critics this side of Jonathan Swift.\nAlternating between facetious comic parody and pulp melodrama, this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life.\nA cutesy romantic tale with a twist.\nThis is a gorgeous film - vivid with color, music and life. Delight your senses and crash this wedding!\nA brutally dry satire of Middle American numbness.\nMore sophisticated and literate than such pictures usually are...an amusing little catch.\nSmith examines the intimate, unguarded moments of folks who live in unusual homes -- which pop up in nearly every corner of the country.\nWith an admirably dark first script by Brent Hanley, Paxton, making his directorial feature debut, does strong, measured work.\nA compelling French psychological drama examining the encounter of an aloof father and his chilly son after 20 years apart.\n...even if you've never heard of Chaplin, you'll still be glued to the screen.\nYou have enough finely tuned acting to compensate for the movie's failings.\nAs the dominant Christine, Sylvie Testud is icily brilliant.\nAlthough tender and touching, the movie would have benefited from a little more dramatic tension and some more editing.\nThe story that emerges has elements of romance, tragedy and even silent-movie comedy.\n(``Safe Conduct'') is a long movie at 163 minutes but it fills the time with drama, romance, tragedy, bravery, political intrigue, partisans and sabotage. Viva le Resistance!\nIt offers a glimpse of the Solomonic decision facing Jewish parents in those turbulent times: to save their children and yet to lose them.\nThe film is delicately narrated by Martin Landau and directed with sensitivity and skill by Dana Janklowicz-Mann.\nMartyr gets royally screwed and comes back for more.\nA virtual roller-coaster ride of glamour and sleaze.\nan admirable, sometimes exceptional film\nIf you like an extreme action-packed film with a hint of humor, then Triple X marks the spot.\nIf you're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix, I have just one word for you -– Decasia\nMay not be a breakthrough in filmmaking, but it is unwavering and arresting.\nThe film's images give a backbone to the company and provide an emotional edge to its ultimate demise.\nA bodice-ripper for intellectuals.\nThe locations go from stark desert to gorgeous beaches. The story plays out slowly, but the characters are intriguing and realistic.\nCount on his movie to work at the back of your neck long after you leave the theater.\nNeil Burger here succeeded in ... making the mystery of four decades back the springboard for a more immediate mystery in the present.\nThe complex, politically charged tapestry of contemporary Chinese life this exciting new filmmaker has brought to the screen is like nothing we Westerners have seen before.\nA thriller made from a completist's checklist rather than with a cultist's passion.\nTry as you might to scrutinize the ethics of Kaufman's approach, somehow it all comes together to create a very compelling, sensitive, intelligent and almost cohesive piece of film entertainment.\nAs quiet, patient and tenacious as Mr. Lopez himself, who approaches his difficult, endless work with remarkable serenity and discipline.\nThough the film never veers from its comic course, its unintentional parallels might inadvertently evoke memories and emotions which are anything but humorous.\nEvokes the style and flash of the double-cross that made Mamet's ``House of Games'' and last fall's ``Heist'' so much fun.\nSo original in its base concept that you cannot help but get caught up.\nIt may be a no-brainer, but at least it's a funny no-brainer.\nA lot more dimensional and complex than its sunny disposition would lead you to believe.\nJeffs has created a breathtakingly assured and stylish work of spare dialogue and acute expressiveness.\nUnderachieves only in not taking the Shakespeare parallels quite far enough.\nThe most audacious, outrageous, sexually explicit, psychologically probing, pure libido film of the year has arrived from Portugal.\nThe creative animation work may not look as fully 'rendered' as Pixar's industry standard, but it uses lighting effects and innovative backgrounds to an equally impressive degree.\nArt-house to the core, Read My Lips is a genre-curling crime story that revives the free-wheeling noir spirit of old French cinema.\nGrant is certainly amusing, but the very hollowness of the character he plays keeps him at arms length\nConceptually brilliant...Plays like a living-room War Of The Worlds, gaining most of its unsettling force from the suggested and the unknown.\n... manages to deliver a fair bit of vampire fun.\nDrama of temptation, salvation and good intentions is a thoughtful examination of faith, love and power.\nThe strength of the film comes not from any cinematic razzle-dazzle but from its recovery of an historical episode that, in the simple telling, proves simultaneously harrowing and uplifting.\nThe performances are strong, though the subject matter demands acting that borders on hammy at times.\nA damn fine and a truly distinctive and a deeply pertinent film.\nStill rapturous after all these years, Cinema Paradiso stands as one of the great films about movie love.\nReggio and Glass put on an intoxicating show.\nMacDowell ... gives give a solid, anguished performance that eclipses nearly everything else she's ever done.\nThe thing about guys like Evans is this: You're never quite sure where self-promotion ends and the truth begins. But as you watch the movie, you're too interested to care.\nI liked a lot of the smaller scenes.\nThe film will appeal to Discovery Channel fans and will surely widen the perspective of those of us who see the continent through rose-colored glasses.\nAn eye-boggling blend of psychedelic devices, special effects and backgrounds, 'Spy Kids 2' is a visual treat for all audiences.\nStraightforward and old-fashioned in the best possible senses of both those words, Possession is a movie that puts itself squarely in the service of the lovers who inhabit it.\nIt may ... work as a jaunt down memory lane for teens and young adults who grew up on televised Scooby-Doo shows or reruns.\nOne of those movies that catches you up in something bigger than yourself, namely, an archetypal desire to enjoy good trash every now and then.\nThis harrowing journey into combat hell vividly captures the chaotic insanity and personal tragedies that are all too abundant when human hatred spews forth unchecked.\nFar more successful, if considerably less ambitious, than last year's Kubrick-meets-Spielberg exercise.\nElling builds gradually until you feel fully embraced by this gentle comedy.\nA fascinating examination of the joyous, turbulent self-discovery made by a proper, middle-aged woman.\nHere is a VH1 Behind the Music special that has something a little more special behind it: music that didn't sell many records but helped change a nation.\nBuy popcorn. Take nothing seriously and enjoy the ride.\nCarrying off a spot-on Scottish burr, Duvall (also a producer) peels layers from this character that may well not have existed on paper.\nThe acting, for the most part, is terrific, although the actors must struggle with the fact that they're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans.\nSome Body will take you places you haven't been, and also places you have.\nVereté has a whip-smart sense of narrative bluffs.\nParts of the film feel a bit too much like an infomercial for Ram Dass's latest book aimed at the boomer demographic. But mostly it's a work that, with humor, warmth, and intelligence, captures a life interestingly lived.\nWere it not for a sentimental resolution that explains way more about Cal than does the movie or the character any good, Freundlich's World Traveler might have been one of the more daring and surprising American movies of the year.\n``Home Movie'' is the film equivalent of a lovingly rendered coffee table book.\nGraphic sex may be what's attracting audiences to Unfaithful, but gripping performances by Lane and Gere are what will keep them awake.\nWhen compared to the usual, more somber festival entries, Davis' highly personal brand of romantic comedy is a tart, smart breath of fresh air that stands out from the pack even if the picture itself is somewhat problematic.\nBoth damning and damned compelling.\nMuch has been written about those years when the psychedelic '60s grooved over into the gay '70s, but words don't really do the era justice. You have to see it.\nEven if it pushes its agenda too forcefully, this remains a film about something, one that attempts and often achieves a level of connection and concern.\nWhat lifts the film high above run-of-the-filth gangster flicks is its refusal to recognise any of the signposts, as if discovering a way through to the bitter end without a map.\nBoth an admirable reconstruction of terrible events, and a fitting memorial to the dead of that day, and of the thousands thereafter.\nA sly dissection of the inanities of the contemporary music business and a rather sad story of the difficulties of artistic collaboration.\nThe unique niche of self-critical, behind-the-scenes navel-gazing Kaufman has carved from Orleans' story and his own infinite insecurity is a work of outstanding originality.\nLovingly photographed in the manner of a Golden Book sprung to life, Stuart Little 2 manages sweetness largely without stickiness.\nConsistently clever and suspenseful.\nIt's like a ``Big Chill'' reunion of the Baader-Meinhof Gang, only these guys are more harmless pranksters than political activists.\nThe story gives ample opportunity for large-scale action and suspense, which director Shekhar Kapur supplies with tremendous skill.\nFresnadillo has something serious to say about the ways in which extravagant chance can distort our perspective and throw us off the path of good sense.\nThrows in enough clever and unexpected twists to make the formula feel fresh.\nWeighty and ponderous but every bit as filling as the treat of the title.\nA real audience-pleaser that will strike a chord with anyone who's ever waited in a doctor's office, emergency room, hospital bed or insurance company office.\nGenerates an enormous feeling of empathy for its characters.\nExposing the ways we fool ourselves is One Hour Photo's real strength.\nIt's up to you to decide whether to admire these people's dedication to their cause or be repelled by their dogmatism, manipulativeness and narrow, fearful view of American life.\nMostly, (Goldbacher) just lets her complicated characters be unruly, confusing and, through it all, human.\n...quite good at providing some good old fashioned spooks.\nAt its worst, the movie is pretty diverting; the pity is that it rarely achieves its best.\nScherfig's light-hearted profile of emotional desperation is achingly honest and delightfully cheeky.\nA journey spanning nearly three decades of bittersweet camaraderie and history, in which we feel that we truly know what makes Holly and Marina tick, and our hearts go out to them as both continue to negotiate their imperfect, love-hate relationship.\nThe wonderfully lush Morvern Callar is pure punk existentialism, and Ms. Ramsay and her co-writer, Liana Dognini, have dramatized the Alan Warner novel, which itself felt like an answer to Irvine Welsh's book Trainspotting.\nAs it turns out, you can go home again.\nYou've already seen City by the Sea under a variety of titles, but it's worth yet another visit.\nThis kind of hands-on storytelling is ultimately what makes Shanghai Ghetto move beyond a good, dry, reliable textbook and what allows it to rank with its worthy predecessors.\nMaking such a tragedy the backdrop to a love story risks trivializing it, though Chouraqui no doubt intended the film to affirm love's power to help people endure almost unimaginable horror.\nGrown-up quibbles are beside the point here. The little girls understand, and McCracken knows that's all that matters.\nA powerful, chilling, and affecting study of one man's dying fall.\nThis is a fascinating film because there is no clear-cut hero and no all-out villain.\nA dreadful day in Irish history is given passionate, if somewhat flawed, treatment.\n...a good film that must have baffled the folks in the marketing department.\n...is funny in the way that makes you ache with sadness (the way Chekhov is funny), profound without ever being self-important, warm without ever succumbing to sentimentality.\nDevotees of Star Trek II: The Wrath of Khan will feel a nagging sense of deja vu, and the grandeur of the best Next Generation episodes is lacking.\nA soul-stirring documentary about the Israeli/Palestinian conflict as revealed through the eyes of some children who remain curious about each other against all odds.\nWhat's so striking about Jolie's performance is that she never lets her character become a caricature -- not even with that radioactive hair.\nThe main story ... is compelling enough, but it's difficult to shrug off the annoyance of that chatty fish.\nThe performances are immaculate, with Roussillon providing comic relief.\nKinnear ... gives his best screen performance with an oddly winning portrayal of one of life's ultimate losers.\nHugh Grant, who has a good line in charm, has never been more charming than in About a Boy.\nThere's a lot of tooth in Roger Dodger. But what's nice is that there's a casual intelligence that permeates the script.\nReminiscent of Alfred Hitchcock's thrillers, most of the scary parts in 'Signs' occur while waiting for things to happen.\nOne of the best looking and stylish animated movies in quite a while ...\nIts use of the thriller form to examine the labyrinthine ways in which people's lives cross and change, buffeted by events seemingly out of their control, is intriguing, provocative stuff.\nDenver should not get the first and last look at one of the most triumphant performances of Vanessa Redgrave's career. It deserves to be seen everywhere.\nYou needn't be steeped in '50s sociology, pop culture or movie lore to appreciate the emotional depth of Haynes' work. Though Haynes' style apes films from the period ... its message is not rooted in that decade.\nWaiting for Godard can be fruitful: 'In Praise of Love' is the director's epitaph for himself.\nA gangster movie with the capacity to surprise.\nThe film has a laundry list of minor shortcomings, but the numerous scenes of gory mayhem are worth the price of admission...if ``gory mayhem'' is your idea of a good time.\nIf not a home run, then at least a solid base hit.\nGoldmember is funny enough to justify the embarrassment of bringing a barf bag to the moviehouse.\n...a fairly disposable yet still entertaining B picture.\nIt may not be particularly innovative, but the film's crisp, unaffected style and air of gentle longing make it unexpectedly rewarding.\nThe film truly does rescue (the Funk Brothers) from Motown's shadows. It's about time.\nDrawing on an irresistible, languid romanticism, Byler reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth.\nWorks because we're never sure if Ohlinger's on the level or merely a dying, delusional man trying to get into the history books before he croaks.\n(Scherfig) has made a movie that will leave you wondering about the characters' lives after the clever credits roll.\nA heady, biting, be-bop ride through nighttime Manhattan, a loquacious videologue of the modern male and the lengths to which he'll go to weave a protective cocoon around his own ego.\nSkin Of Man gets a few cheap shocks from its kids-in-peril theatrics, but it also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults.\nThe Piano Teacher is not an easy film. It forces you to watch people doing unpleasant things to each other and themselves, and it maintains a cool distance from its material that is deliberately unsettling.\nAs refreshing as a drink from a woodland stream.\nWilliams absolutely nails Sy's queasy infatuation and overall strangeness.\nCan I admit XXX is as deep as a Petri dish and as well-characterized as a telephone book but still say it was a guilty pleasure?\nWhile it's nothing we haven't seen before from Murphy, I Spy is still fun and enjoyable and so aggressively silly that it's more than a worthwhile effort.\nBy the time it ends in a rush of sequins, flashbulbs, blaring brass and back-stabbing babes, it has said plenty about how show business has infiltrated every corner of society -- and not always for the better.\nAn intimate contemplation of two marvelously messy lives.\nRarely has skin looked as beautiful, desirable, even delectable, as it does in Trouble Every Day.\nThis is one of those rare docs that paints a grand picture of an era and makes the journey feel like a party.\nPoignant if familiar story of a young person suspended between two cultures.\nA metaphor for a modern-day urban China searching for its identity.\nFor all its brooding quality, Ash Wednesday is suspenseful and ultimately unpredictable, with a sterling ensemble cast.\nAn odd drama set in the world of lingerie models and bar dancers in the Midwest that held my interest precisely because it didn't try to.\nThe film feels uncomfortably real, its language and locations bearing the unmistakable stamp of authority.\nDespite its faults, Gangs excels in spectacle and pacing.\nEntertaining despite its one-joke premise with the thesis that women from Venus and men from Mars can indeed get together.\nA tightly directed, highly professional film that's old-fashioned in all the best possible ways.\nIt's dark but has wonderfully funny moments; you care about the characters; and the action and special effects are first-rate.\nIn visual fertility Treasure Planet rivals the top Japanese animations of recent vintage.\nEnormously enjoyable, high-adrenaline documentary.\nBuy is an accomplished actress, and this is a big, juicy role.\nIt works its magic with such exuberance and passion that the film's length becomes a part of its fun.\nBeautifully crafted and brutally honest, Promises offers an unexpected window into the complexities of the Middle East struggle and into the humanity of its people.\nAn old-fashioned but emotionally stirring adventure tale of the kind they rarely make anymore.\nCharlotte Sometimes is a gem. It's always enthralling.\nIn my opinion, Analyze That is not as funny or entertaining as Analyze This, but it is a respectable sequel.\nA remarkable film by Bernard Rose.\nZhuangzhuang creates delicate balance of style, text, and subtext that's so simple and precise that anything discordant would topple the balance, but against all odds, nothing does.\nA much more successful translation than its most famous previous film adaptation, writer-director Anthony Friedman's similarly updated 1970 British production.\nan original and highly cerebral examination of the psychopathic mind\nMichel Piccoli's moving performance is this films reason for being.\nA captivating and intimate study about dying and loving...\nThis is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that doesn't reveal even a hint of artifice.\n(Grant) goes beyond his usual fluttering and stammering and captures the soul of a man in pain who gradually comes to recognize it and deal with it.\nA high-spirited buddy movie about the reunion of Berlin anarchists who face arrest 15 years after their crime.\nAbout the best thing you could say about Narc is that it's a rock-solid little genre picture. Whether you like it or not is basically a matter of taste.\nAn involving, inspirational drama that sometimes falls prey to its sob-story trappings.\nSome of the most inventive silliness you are likely to witness in a movie theatre for some time.\nCanadian filmmaker Gary Burns' inventive and mordantly humorous take on the soullessness of work in the city.\nA rollicking ride, with jaw-dropping action sequences, striking villains, a gorgeous color palette, astounding technology, stirring music and a boffo last hour that leads up to a strangely sinister happy ending.\nEveryone's insecure in Lovely and Amazing, a poignant and wryly amusing film about mothers, daughters and their relationships.\nThe closest thing to the experience of space travel\nConnoisseurs of Chinese film will be pleased to discover that Tian's meticulous talent has not withered during his enforced hiatus.\nIf you can push on through the slow spots, you'll be rewarded with some fine acting.\nAn unusually dry-eyed, even analytical approach to material that is generally played for maximum moisture.\nSymbolically, Warm Water Under a Red Bridge is a celebration of feminine energy, a tribute to the power of women to heal.\nSpy Kids 2 also happens to be that rarity among sequels: It actually improves upon the original hit movie.\nExceptionally well acted by Diane Lane and Richard Gere.\nLike a precious and finely cut diamond, magnificent to behold in its sparkling beauty yet in reality it's one tough rock.\nIn addition to scoring high for originality of plot -- putting together familiar themes of family, forgiveness and love in a new way -- Lilo & Stitch has a number of other assets to commend it to movie audiences both innocent and jaded.\nMiller has crafted an intriguing story of maternal instincts and misguided acts of affection.\nOne of the most exciting action films to come out of China in recent years.\nThis is a nervy, risky film, and Villeneuve has inspired Croze to give herself over completely to the tormented persona of Bibi.\nMY LITTLE EYE is the best little ``horror'' movie I've seen in years.\nTunney, brimming with coltish, neurotic energy, holds the screen like a true star.\nEven if the Naipaul original remains the real masterpiece, the movie possesses its own languorous charm.\n(The film) tackles the topic of relationships in such a straightforward, emotionally honest manner that by the end, it's impossible to ascertain whether the film is, at its core, deeply pessimistic or quietly hopeful.\nSometimes we feel as if the film careens from one colorful event to another without respite, but sometimes it must have seemed to Frida Kahlo as if her life did, too.\nThe strength of the film lies in its two central performances by Sven Wollter as the stricken composer and Viveka Seldahl as his desperate violinist wife.\nLike the series, the movie is funny, smart, visually inventive, and most of all, alive.\nIt was filled with shootings, beatings, and more cussing than you could shake a stick at.\nYou don't know whether to admire the film's stately nature and call it classicism or be exasperated by a noticeable lack of pace. Or both.\nSure, I hated myself in the morning. But then again, I hate myself most mornings. I still like Moonlight Mile, better judgment be damned.\nTime Out is as serious as a pink slip. And more than that, it's an observant, unfussily poetic meditation about identity and alienation.\nWill assuredly rank as one of the cleverest, most deceptively amusing comedies of the year.\nMaryam is a small film, but it offers large rewards.\nA highly watchable, giggly little story with a sweet edge to it.\nThe most consistently funny of the Austin Powers films.\nAna's journey is not a stereotypical one of self-discovery, as she's already comfortable enough in her own skin to be proud of her Rubenesque physique...\nCockettes has the glorious, gaudy benefit of much stock footage of Those Days, featuring all manner of drag queen, bearded lady and lactating hippie.\nThere's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us.\nThe comedy makes social commentary more palatable.\nAn ideal love story for those intolerant of the more common saccharine genre.\nOne funny popcorn flick.\nThis New Zealand coming-of-age movie isn't really about anything. When it's this rich and luscious, who cares?\nTully is worth a look for its true-to-life characters, its sensitive acting, its unadorned view of rural life and the subtle direction of first-timer Hilary Birmingham.\nThis gorgeous epic is guaranteed to lift the spirits of the whole family.\nThe Wild Thornberrys Movie is pleasant enough and the message of our close ties with animals can certainly not be emphasized enough.\nWilliams creates a stunning, Taxi Driver-esque portrayal of a man teetering on the edge of sanity.\nIf you're in the right B-movie frame of mind, it may just scare the pants off you.\nA movie of riveting power and sadness.\nBoth a detective story and a romance spiced with the intrigue of academic skullduggery and politics.\nLudicrous, but director Carl Franklin adds enough flourishes and freak-outs to make it entertaining.\nDirector Roger Kumble offers just enough sweet and traditional romantic comedy to counter the crudity. And there's the inimitable Diaz, holding it all together.\nSpielberg's picture is smarter and subtler than (Total Recall and Blade Runner), although its plot may prove too convoluted for fun-seeking summer audiences.\nIt's got all the familiar Bruckheimer elements, and Schumacher does probably as good a job as anyone at bringing off the Hopkins/Rock collision of acting styles and onscreen personas.\nA grittily beautiful film that looks, sounds, and feels more like an extended, open-ended poem than a traditionally structured story.\nThe production values are of the highest and the performances attractive without being memorable.\nA well-rounded tribute to a man whose achievements -- and complexities -- reached far beyond the end zone.\nfinely crafted, finely written, exquisitely performed\nRamsay and Morton fill this character study with poetic force and buoyant feeling.\nThis submarine drama earns the right to be favorably compared to Das Boot.\nClaude Chabrol's camera has a way of gently swaying back and forth as it cradles its characters, veiling tension beneath otherwise tender movements.\nThere's a great deal of corny dialogue and preposterous moments. And yet, it still works.\nThe film was immensely enjoyable thanks to great performances by both Steve Buscemi and Rosario Dawson...\nLike many Western action films, this thriller is too loud and thoroughly overbearing, but its heartfelt concern about North Korea's recent past and South Korea's future adds a much needed moral weight.\nSpecial P.O.V. camera mounts on bikes, skateboards, and motorcycles provide an intense experience when splashed across the immense IMAX screen.\nMike White's deft combination of serious subject matter and dark, funny humor make ``The Good Girl'' a film worth watching.\nThis is a shrewd and effective film from a director who understands how to create and sustain a mood.\nMeant to reduce Blake's philosophy into a tragic coming-of-age saga punctuated by bursts of animator Todd McFarlane's superhero dystopia.\nAssayas' ambitious, sometimes beautiful adaptation of Jacques Chardonne's novel.\nAs ex-Marine Walter, who may or may not have shot Kennedy, actor Raymond J. Barry is perfectly creepy and believable.\nThose who don't entirely 'get' Godard's distinctive discourse will still come away with a sense of his reserved but existential poignancy.\nPete's screenplay manages to find that real natural, even-flowing tone that few movies are able to accomplish.\nLike Brosnan's performance, Evelyn comes from the heart.\nIt uses some of the figures from the real-life story to portray themselves in the film. The result is a powerful, naturally dramatic piece of low-budget filmmaking.\nIts spirit of iconoclastic abandon -- however canned -- makes for unexpectedly giddy viewing.\nThe early and middle passages are surprising in how much they engage and even touch us. This is not a classical dramatic animated feature, nor a hip, contemporary, in-jokey one. It's sort of in-between, and it works.\nThis quiet, introspective and entertaining independent is worth seeking.\nWhether our action-and-popcorn obsessed culture will embrace this engaging and literate psychodrama isn't much of a mystery, unfortunately.\nWhether or not Ram Dass proves as clear and reliable an authority on that as he was about inner consciousness, Fierce Grace reassures us that he will once again be an honest and loving one.\nSly, sophisticated and surprising.\nSpare but quietly effective retelling.\nDemonstrates a vivid imagination and an impressive style that result in some terrific setpieces.\nBy its modest, straight-ahead standards, Undisputed scores a direct hit.\nIts story about a young Chinese woman, Ah Na, who has come to New York City to replace past tragedy with the American Dream is one that any art-house moviegoer is likely to find compelling.\nFor those who like quirky, slightly strange French films, this is a must!\nThere are so few films about the plight of American Indians in modern America that Skins comes as a welcome, if downbeat, missive from a forgotten front.\n(Shyamalan) continues to cut a swathe through mainstream Hollywood, while retaining an integrity and refusing to compromise his vision.\nA whale of a good time for both children and parents seeking Christian-themed fun.\nWhat begins as a film in the tradition of The Graduate quickly switches into something more recyclable than significant.\nMuch smarter and more attentive than it first sets out to be.\nThe story is smart and entirely charming in intent and execution.\nA movie of technical skill and rare depth of intellect and feeling.\nRepresents a worthy departure from the culture clash comedies that have marked an emerging Indian American cinema.\nDoesn't do more than expand a TV show to movie length. However, it's pleasant enough and its ecological, pro-wildlife sentiments are certainly welcome.\nIf you're looking for an intelligent movie in which you can release your pent up anger, ENOUGH is just the ticket you need.\nA pointed, often tender, examination of the pros and cons of unconditional love and familial duties.\nAs well-acted and well-intentioned as All or Nothing is, however, the film comes perilously close to being too bleak, too pessimistic and too unflinching for its own good.\nA comedy-drama of nearly epic proportions rooted in a sincere performance by the title character undergoing midlife crisis.\nIt's about issues most adults have to face in marriage and I think that's what I liked about it -- the real issues tucked between the silly and crude storyline.\nElegantly produced and expressively performed, the six musical numbers crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy.\nEnriched by a strong and unforced supporting cast.\nWriter/ director M. Night Shyamalan's ability to pull together easily accessible stories that resonate with profundity is undeniable.\nIf you can keep your eyes open amid all the blood and gore, you'll see Del Toro has brought unexpected gravity to Blade II.\nNot a strike against Yang's similarly themed Yi Yi, but I found What Time? to be more engaging on an emotional level, funnier, and on the whole less detached.\nA breathtaking adventure for all ages, Spirit tells its poignant and uplifting story in a stunning fusion of music and images.\nA charming and funny story of clashing cultures and a clashing mother/daughter relationship.\nNever lets go your emotions, taking them to surprising highs, sorrowful lows and hidden impulsive niches...gorgeous, passionate, and at times uncommonly moving.\n``...something appears to have been lost in the translation this time. The Importance of Being Earnest movie seems to be missing a great deal of the acerbic repartee of the play.''\n(Washington's) strong hand, keen eye, sweet spirit and good taste are reflected in almost every scene.\nShiner can certainly go the distance, but isn't world championship material\nThe film's desire to be liked sometimes undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards to homosexuality.\n...a quietly introspective portrait of the self-esteem of employment and the shame of losing a job...\nAffable if not timeless, Like Mike raises some worthwhile themes while delivering a wholesome fantasy for kids.\nA film of delicate interpersonal dances. Caine makes us watch as his character awakens to the notion that to be human is eventually to have to choose. It's a sight to behold.\nIt's an unusual, thoughtful bio-drama with a rich subject and some fantastic moments and scenes.\nSaved from being merely way-cool by a basic, credible compassion.\nThe increasingly diverse French director has created a film that one can honestly describe as looking, sounding and simply feeling like no other film in recent history.\nGangs, despite the gravity of its subject matter, is often as fun to watch as a good spaghetti western.\nPeter Jackson has done the nearly impossible. He has improved upon the first and taken it a step further, richer and deeper. What Jackson has done is proven that no amount of imagination, no creature, no fantasy story and no incredibly outlandish scenery\nThere has to be a few advantages to never growing old. Like being able to hit on a 15-year old when you're over 100.\nIce Age won't drop your jaw, but it will warm your heart, and I'm giving it a strong thumbs up.\nLike Kissing Jessica Stein, Amy's Orgasm has a key strength in its willingness to explore its principal characters with honesty, insight and humor.\nThe Lady and the Duke is Eric Rohmer's economical antidote to the bloated costume drama\nOne of the year's best films, featuring an Oscar-worthy performance by Julianne Moore.\nA small gem from Belgium.\nCombines a comically dismal social realism with a farcically bawdy fantasy of redemption and regeneration.\nA soap-opera quality twist in the last 20 minutes...almost puts the kibosh on what is otherwise a sumptuous work of B-movie imagination.\nThe most ingenious film comedy since Being John Malkovich.\nThere's something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers.\nA movie where story is almost an afterthought amidst a swirl of colors and inexplicable events.\nManages to accomplish what few sequels can -- it equals the original and in some ways even betters it.\nTo call this one an eventual cult classic would be an understatement, and woe is the horror fan who opts to overlook this goofily endearing and well-lensed gorefest.\nJolie gives it that extra little something that makes it worth checking out at theaters, especially if you're in the mood for something more comfortable than challenging.\nAlthough melodramatic and predictable, this romantic comedy explores the friendship between five Filipino-Americans and their frantic efforts to find love.\nI have a new favorite musical -- and I'm not even a fan of the genre\nIt's unlikely we'll see a better thriller this year.\nThere is a real subject here, and it is handled with intelligence and care.\nJason Patric and Ray Liotta make for one splendidly cast pair.\nNoyce creates a film of near-hypnotic physical beauty even as he tells a story as horrifying as any in the heart-breakingly extensive annals of white-on-black racism.\nStarts slowly, but Adrien Brody – in the title role – helps make the film's conclusion powerful and satisfying.\nVery predictable but still entertaining\nNothing short of a masterpiece -- and a challenging one.\nPratfalls aside, Barbershop gets its greatest play from the timeless spectacle of people really talking to each other.\nThis amiable picture talks tough, but it's all bluster -- in the end it's as sweet as Greenfingers ...\nThis is one of Mr. Chabrol's subtlest works, but also one of his most uncanny.\nAn engrossing Iranian film about two itinerant teachers and some lost and desolate people they encounter in a place where war has savaged the lives and liberties of the poor and the dispossessed.\nEven though we know the outcome, the seesawing of the general's fate in the arguments of competing lawyers has the stomach-knotting suspense of a legal thriller, while the testimony of witnesses lends the film a resonant undertone of tragedy.\nWatching Spirited Away is like watching an Eastern imagination explode.\nAs relationships shift, director Robert J. Siegel allows the characters to inhabit their world without cleaving to a narrative arc.\nTwohy knows how to inflate the mundane into the scarifying, and gets full mileage out of the rolling of a stray barrel or the unexpected blast of a phonograph record.\nWhile the story does seem pretty unbelievable at times, it's awfully entertaining to watch.\nA smart and funny, albeit sometimes superficial, cautionary tale of a technology in search of an artist.\nExamines its explosive subject matter as nonjudgmentally as Wiseman's previous studies of inner-city high schools, hospitals, courts and welfare centers.\nI prefer Soderbergh's concentration on his two lovers over Tarkovsky's mostly male, mostly patriarchal debating societies.\n'If you are in the mood for an intelligent weepy, it can easily worm its way into your heart.'\nIn IMAX in short, it's just as wonderful on the big screen.\nDoes a good job of establishing a time and place, and of telling a fascinating character's story.\nI'm going to give it a marginal thumbs up. I liked it just enough.\nThose of you who don't believe in Santa Claus probably also think that sequels can never capture the magic of the original. Well, this movie proves you wrong on both counts.\nA deliciously nonsensical comedy about a city coming apart at its seams.\nThe rare Imax movie that you'll wish was longer than an hour.\nMy Wife's plotting is nothing special; it's the delivery that matters here.\nI've yet to find an actual Vietnam War combat movie actually produced by either the North or South Vietnamese, but at least now we've got something pretty damn close.\nA moving and not infrequently breathtaking film.\nIt's a sharp movie about otherwise dull subjects.\nIt's like Rocky and Bullwinkle on Speed, but that's neither completely enlightening, nor does it catch the intensity of the movie's strangeness.\nAs action-adventure, this space-based homage to Robert Louis Stevenson's Treasure Island fires on all plasma conduits.\nA melancholy, emotional film.\nWhile the filmmaking may be a bit disjointed, the subject matter is so fascinating that you won't care.\nIntensely romantic, thought-provoking and even an engaging mystery.\nGoofy, nutty, consistently funny. And educational!\nAnother in a long line of ultra-violent war movies, this one is not quite what it could have been as a film, but the story and theme make up for it.\nIt leaves little doubt that Kidman has become one of our best actors.\nThe film boasts dry humor and jarring shocks, plus moments of breathtaking mystery.\nBeautifully directed and convincingly acted.\nGambling and throwing a basketball game for money isn't a new plot -- in fact Toback himself used it in Black and White. But Toback's deranged immediacy makes it seem fresh again.\nIn the director's cut, the film is not only a love song to the movies but it also is more fully an example of the kind of lush, all-enveloping movie experience it rhapsodizes.\nBring on the sequel.\nGraced with the kind of social texture and realism that would be foreign in American teen comedies.\nIf we sometimes need comforting fantasies about mental illness, we also need movies like Tim McCann's Revolution No. 9.\nThe film occasionally tries the viewer's patience with slow pacing and a main character who sometimes defies sympathy, but it ultimately satisfies with its moving story.\nA big-budget/all-star movie as unblinkingly pure as The Hours is a distinct rarity, and an event.\n... certainly an entertaining ride, despite many talky, slow scenes. But something seems to be missing. A sense of real magic, perhaps.\nThat Haynes can both maintain and dismantle the facades that his genre and his character construct is a wonderous accomplishment of veracity and narrative grace.\nThe movie worked for me right up to the final scene, and then it caved in.\n...one of the most entertaining monster movies in ages...\nPlunges you into a reality that is, more often then not, difficult and sad, and then, without sentimentalizing it or denying its brutality, transforms that reality into a lyrical and celebratory vision.\nWould you laugh if a tuba-playing dwarf rolled down a hill in a trash can? Do you chuckle at the thought of an ancient librarian whacking a certain part of a man's body? If you answered yes, by all means enjoy The New Guy.\nThe film is ... determined to treat its characters, weak and strong, as fallible human beings, not caricatures, and to carefully delineate the cost of the inevitable conflicts between human urges and an institution concerned with self-preservation.\nMissteps take what was otherwise a fascinating, riveting story and send it down the path of the mundane.\nAn indispensable peek at the art and the agony of making people laugh.\nSteadfastly uncinematic but powerfully dramatic.\nThe engagingly primitive animated special effects contribute to a mood that's sustained through the surprisingly somber conclusion.\nMade-Up lampoons the moviemaking process itself, while shining a not particularly flattering spotlight on America's skin-deep notions of pulchritude.\nEvokes the 19th century with a subtlety that is an object lesson in period filmmaking.\nYa-Yas everywhere will forgive the flaws and love the film.\nThe film's best trick is the way that it treats conspiracy as a kind of political Blair Witch, a monstrous murk that haunts us precisely because it can never be seen.\nThe artwork is spectacular and unlike most animaton from Japan, the characters move with grace and panache.\nThe picture's fascinating byways are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed.\nThe modern remake of Dumas's story is long on narrative and (too) short on action.\nFred Schepisi's film is paced at a speed that is slow to those of us in middle age and deathly slow to any teen. With a cast of A-list Brit actors, it is worth searching out.\nSuffers from its timid parsing of the barn-side target of sons trying to breach gaps in their relationships with their fathers.\nNonchalantly freaky and uncommonly pleasurable, Warm Water may well be the year's best and most unpredictable comedy.\nIt's like an old Warner Bros. costumer jived with sex -- this could be the movie Errol Flynn always wanted to make, though Bette Davis, cast as Joan, would have killed him.\nIt's a great American adventure and a wonderful film to bring to IMAX.\nSatisfyingly scarifying, fresh and old-fashioned at the same time.\nOh, James! Your 20th outing shows off a lot of stamina and vitality, and get this, Madonna's cameo doesn't suck!\nThat death is merely a transition is a common tenet in the world's religions. This deeply spiritual film taps into the meaning and consolation in afterlife communications.\nThere is something that is so meditative and lyrical about Babak Payami's boldly quirky Iranian drama Secret Ballot...a charming and evoking little ditty that manages to show the gentle and humane side of Middle Eastern world politics\nA huge box-office hit in Korea, Shiri is a must for genre fans.\nI'm not a fan of the phrase 'life affirming' because it usually means 'schmaltzy,' but Real Women Have Curves truly is life affirming.\nThe symbols float like butterflies and the spinning styx sting like bees. I wanted more.\nIf it's unnerving suspense you're after -- you'll find it with Ring, an indisputably spooky film; with a screenplay to die for.\nThe art direction and costumes are gorgeous and finely detailed, and Kurys' direction is clever and insightful.\nRed Dragon makes one appreciate Silence of the Lambs.\nProves a servicable World War II drama that can't totally hide its contrivances, but it at least calls attention to a problem Hollywood too long has ignored.\nLeigh isn't breaking new ground, but he knows how a daily grind can kill love.\nWhile Broomfield's film doesn't capture the effect of these tragic deaths on hip-hop culture, it succeeds as a powerful look at a failure of our justice system.\n...strips Bible stores of the potential for sanctimoniousness, making them meaningful for both kids and church-wary adults.\nLaugh-out-loud lines, adorably ditsy but heartfelt performances, and sparkling, bittersweet dialogue that cuts to the chase of the modern girl's dilemma.\nTends to pile too many ``serious issues'' on its plate at times, yet remains fairly light, always entertaining, and smartly written.\nA solidly entertaining little film.\nIt's an entertaining movie, and the effects, boosted to the size of a downtown hotel, will all but take you to outer space.\nSayles has a knack for casting, often resurrecting performers who rarely work in movies now ... and drawing flavorful performances from bland actors.\nDespite an overwrought ending, the film works as well as it does because of the performances.\nA passionately inquisitive film determined to uncover the truth and hopefully inspire action.\nThough Nijinsky's words grow increasingly disturbed, the film maintains a beguiling serenity and poise that make it accessible for a non-narrative feature.\nA muddle splashed with bloody beauty as vivid as any Scorsese has ever given us.\nFrom both a great and a terrible story, Mr. Nelson has made a film that is an undeniably worthy and devastating experience.\nSpider-Man is about growing strange hairs, getting a more mature body, and finding it necessary to hide new secretions from the parental units.\nThe first shocking thing about Sorority Boys is that it's actually watchable. Even more baffling is that it's funny.\nHighlighted by a gritty style and an excellent cast, it's better than one might expect when you look at the list of movies starring Ice-T in a major role.\nNeither quite a comedy nor a romance, more of an impish divertissement of themes that interest Attal and Gainsbourg -- they live together -- the film has a lot of charm.\nFirst and foremost...the reason to go see ``Blue Crush'' is the phenomenal, water-born cinematography by David Hennings.\nA visionary marvel, but it's lacking a depth in storytelling usually found in anime like this.\nThe problems and characters it reveals are universal and involving, and the film itself -- as well its delightful cast -- is so breezy, pretty and gifted, it really won my heart.\nIn his latest effort, Storytelling, Solondz has finally made a movie that isn't just offensive -- it also happens to be good.\nHow I Killed My Father would be a rarity in Hollywood. It's an actor's showcase that accomplishes its primary goal without the use of special effects, but rather by emphasizing the characters -- including the supporting ones.\nI just saw this movie... well, it's probably not accurate to call it a movie.\nWhat's most memorable about Circuit is that it's shot on digital video, whose tiny camera enables Shafer to navigate spaces both large ... and small ... with considerable aplomb.\nScherfig, the writer-director, has made a film so unabashedly hopeful that it actually makes the heart soar. Yes, soar.\nA delicious and delicately funny look at the residents of a Copenhagen neighborhood coping with the befuddling complications life tosses at them.\n``What really happened?'' is a question for philosophers, not filmmakers; all the filmmakers need to do is engage an audience.\nSoderbergh, like Kubrick before him, may not touch the planet's skin, but understands the workings of its spirit.\nMuch credit must be given to the water-camera operating team of Don King, Sonny Miller, and Michael Stewart. Their work is fantastic.\nCrush is so warm and fuzzy you might be able to forgive its mean-spirited second half.\nFranco is an excellent choice for the walled-off but combustible hustler, but he does not give the transcendent performance SONNY needs to overcome gaps in character development and story logic.\nTsai Ming-liang's witty, wistful new film, What Time Is It There?, is a temporal inquiry that shoulders its philosophical burden lightly.\nThe Pianist lacks the quick emotional connections of Steven Spielberg's Schindler's List. But Mr. Polanski creates images even more haunting than those in Mr. Spielberg's 1993 classic.\nSteers, in his feature film debut, has created a brilliant motion picture.\nA brilliant, absurd collection of vignettes that, in their own idiosyncratic way, sum up the strange horror of life in the new millennium.\nAs warm as it is wise, deftly setting off uproarious humor with an underlying seriousness that sneaks up on the viewer, providing an experience that is richer than anticipated.\nThe film may not hit as hard as some of the better drug-related pictures, but it still manages to get a few punches in.\nOld-fashioned but thoroughly satisfying entertainment.\nAn energizing, intoxicating documentary charting the rise of hip-hop culture in general and the art of scratching (or turntablism) in particular.\nA fun family movie that's suitable for all ages -- a movie that will make you laugh, cry and realize, 'It's never too late to believe in your dreams.'\nIf you open yourself up to Mr. Reggio's theory of this imagery as the movie's set ... it can impart an almost visceral sense of dislocation and change.\nI had a dream that a smart comedy would come along to rescue me from a summer of teen-driven, toilet-humor codswallop, and its name was Earnest.\nEven though the film doesn't manage to hit all of its marks, it's still entertaining to watch the target practice.\nWhere This was lazy but enjoyable, a formula comedy redeemed by its stars, That is even lazier and far less enjoyable.\nThe 3-D vistas from orbit, with the space station suspended like a huge set of wind chimes over the great blue globe, are stanzas of breathtaking, awe-inspiring visual poetry.\nThe attraction between these two marginal characters is complex from the start -- and, refreshingly, stays that way.\nFans of the modern day Hong Kong action film finally have the worthy successor to A Better Tomorrow and The Killer which they have been patiently waiting for.\nEven when he's not at his most critically insightful, Godard can still be smarter than any 50 other filmmakers still at work.\nWhat sets this romantic comedy apart from most Hollywood romantic comedies is its low-key way of tackling what seems like done-to-death material.\nHas enough wit, energy and geniality to please not only the fanatical adherents on either side, but also people who know nothing about the subject and think they're not interested.\nThis seductive tease of a thriller gets the job done. It's a scorcher.\nBittersweet comedy/drama full of life, hand gestures, and some really adorable Italian guys.\nWorks as pretty contagious fun.\nThe best didacticism is one carried by a strong sense of humanism, and Bertrand Tavernier's oft-brilliant Safe Conduct (``Laissez-passer'') wears its heart on its sleeve.\nA realistically terrifying movie that puts another notch in the belt of the long list of renegade-cop tales.\nA charming, banter-filled comedy... one of those airy cinematic bon bons whose aims -- and by extension, accomplishments -- seem deceptively slight on the surface.\nA film with almost as many delights for adults as there are for children and dog lovers.\nSerious movie-goers embarking upon this journey will find that The Road to Perdition leads to a satisfying destination.\nHeartwarming and gently comic even as the film breaks your heart.\nCaruso sometimes descends into sub-Tarantino cuteness ... but for the most part he makes sure The Salton Sea works the way a good noir should, keeping it tight and nasty.\nA ``black Austin Powers?'' I prefer to think of it as ``Pootie Tang with a budget.'' Sa da TAY!\nOddly, the film isn't nearly as downbeat as it sounds, but strikes a tone that's alternately melancholic, hopeful and strangely funny.\nI would be shocked if there was actually one correct interpretation, but that shouldn't make the movie or the discussion any less enjoyable.\nChouraqui brings documentary-like credibility to the horrors of the killing field and the barbarism of 'ethnic cleansing.'\nThe best thing I can say about this film is that I can't wait to see what the director does next.\nSmarter than its commercials make it seem.\nOne of the funnier movies in town.\nCampanella's competent direction and his excellent cast overcome the obstacles of a predictable outcome and a screenplay that glosses over Rafael's evolution.\nBy turns very dark and very funny.\nSteven Soderbergh doesn't remake Andrei Tarkovsky's Solaris so much as distill it.\nFor more than two decades Mr. Nachtwey has traveled to places in the world devastated by war, famine and poverty and documented the cruelty and suffering he has found with an devastating, eloquent clarity.\nSimultaneously heartbreakingly beautiful and exquisitely sad.\nThough overall an overwhelmingly positive portrayal, the film doesn't ignore the more problematic aspects of Brown's life.\nThe philosophical musings of the dialogue jar against the tawdry soap opera antics of the film's action in a way that is surprisingly enjoyable.\nNot too fancy, not too filling, not too fluffy, but definitely tasty and sweet.\nDirector Lee has a true cinematic knack, but it's also nice to see a movie with its heart so thoroughly, unabashedly on its sleeve.\nAs Allen's execution date closes in, the documentary gives an especially poignant portrait of her friendship with the never flagging legal investigator David Presson.\nJones has tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers.\nA vivid, spicy footnote to history, and a movie that grips and holds you in rapt attention from start to finish.\nIf S&M seems like a strange route to true love, maybe it is, but it's to this film's (and its makers') credit that we believe that that's exactly what these two people need to find each other -- and themselves.\nIf the film's vision of sport as a secular religion is a bit cloying, its through-line of family and community is heartening in the same way that each season marks a new start.\nOne of the best of a growing strain of daring films ... that argue that any sexual relationship that doesn't hurt anyone and works for its participants is a relationship that is worthy of our respect.\n...an adorably whimsical comedy that deserves more than a passing twinkle.\nAn engrossing story that combines psychological drama, sociological reflection, and high-octane thriller.\nIt's easy to be cynical about documentaries in which underdogs beat the odds and the human spirit triumphs, but Westbrook's foundation and Dalrymple's film earn their uplift.\nMel Gibson fights the good fight in Vietnam in director Randall Wallace's flag-waving war flick with a core of decency.\nThere's real visual charge to the filmmaking, and a strong erotic spark to the most crucial lip-reading sequence.\nA brutal and funny work. Nicole Holofcenter, the insightful writer/director responsible for this illuminating comedy doesn't wrap the proceedings up neatly but the ideas tie together beautifully.\nThe film is a blunt indictment, part of a perhaps surreal campaign to bring Kissinger to trial for crimes against humanity.\nOne of the most important and exhilarating forms of animated filmmaking since old Walt doodled Steamboat Willie.\nMove over Bond; this girl deserves a sequel.\nThe kind of trifle that date nights were invented for.\n. It's a testament to the film's considerable charm that it succeeds in entertaining, despite playing out like a feature-length sitcom replete with stereotypical familial quandaries. There's a sheer unbridled delight in the way the story unfurls...\nTells (the story) with such atmospheric ballast that shrugging off the plot's persnickety problems is simply a matter of (being) in a shrugging mood.\nThe film is hard to dismiss -- moody, thoughtful, and lit by flashes of mordant humor.\nIf The Man from Elysian Fields is doomed by its smallness, it is also elevated by it--the kind of movie that you enjoy more because you're one of the lucky few who sought it out.\nWhat emerges is an unsettling picture of childhood innocence combined with indoctrinated prejudice. Promises is a compelling piece that demonstrates just how well children can be trained to live out and carry on their parents' anguish.\nMeticulously uncovers a trail of outrageous force and craven concealment.\nHey, Happy! is many things -- stoner midnight flick, sci-fi deconstruction, gay fantasia -- but above all it's a love story as sanguine as its title.\nYou won't look at religious fanatics -- or backyard sheds -- the same way again.\nAt its best ... Festival in Cannes bubbles with the excitement of the festival in Cannes.\nThere is a general air of exuberance in All About The Benjamins that's hard to resist.\nA lovably old-school Hollywood confection.\nI'm happy to have seen it -- not as an alternate version, but as the ultimate exercise in viewing deleted scenes.\nBy turns gripping, amusing, tender and heart-wrenching, Laissez-passer has all the earmarks of French cinema at its best.\nThe warnings to resist temptation in this film ... are blunt and challenging and offer no easy rewards for staying clean.\nWonder of wonders -- a teen movie with a humanistic message.\nA quirky comedy set in Newfoundland that cleverly captures the dry wit that's so prevalent on The Rock.\nPeppered with witty dialogue and inventive moments.\nI'd rather watch a rerun of The Powerpuff Girls\nWith the prospect of films like Kangaroo Jack about to burst across America's winter movie screens it's a pleasure to have a film like The Hours as an alternative.\nThe wonderful combination of the sweetness and the extraordinary technical accomplishments of the first film are maintained, but its overall impact falls a little flat with a storyline that never quite delivers the original magic.\nLike its title character, this Nicholas Nickleby finds itself in reduced circumstances -- and, also like its hero, it remains brightly optimistic, coming through in the end.\nAs a thoughtful and unflinching examination of an alternative lifestyle, Sex with Strangers is a success.\nunpretentious, charming, quirky, original\nSpinning a web of dazzling entertainment may be overstating it, but ``Spider-Man'' certainly delivers the goods.\nOther than the slightly flawed (and fairly unbelievable) finale, everything else is top shelf.\nThis fascinating look at Israel in ferment feels as immediate as the latest news footage from Gaza and, because of its heightened, well-shaped dramas, twice as powerful.\nManages to delight without much of a story.\nThere's no denying that Burns is a filmmaker with a bright future ahead of him.\nI have a confession to make: I didn't particularly like E.T. the first time I saw it as a young boy. That is because - damn it! - I also wanted a little alien as a friend!\nFairy-tale formula, serves as a paper skeleton for some very good acting, dialogue, comedy, direction and especially charm.\nA genuinely funny ensemble comedy that also asks its audience -- in a heartwarming, nonjudgmental kind of way -- to consider what we value in our daily lives.\nThough the aboriginal aspect lends the ending an extraordinary poignancy, and the story itself could be played out in any working class community in the nation.\nAn energetic and engaging film that never pretends to be something it isn't.\nA violent initiation rite for the audience, as much as it is for Angelique, the (opening) dance guarantees Karmen's enthronement among the cinema's memorable women.\nAn animation landmark as monumental as Disney's 1937 breakthrough Snow White and the Seven Dwarfs.\nAn entertaining, if ultimately minor, thriller.\nSex With Strangers is fascinating ...\nA subtle, poignant picture of goodness that is flawed, compromised and sad.\nA wry, affectionate delight.\nThe acting in Pauline And Paulette is good all round, but what really sets the film apart is Debrauwer's refusal to push the easy emotional buttons.\nOne of those joyous films that leaps over national boundaries and celebrates universal human nature.\nA penetrating glimpse into the tissue-thin ego of the stand-up comic.\nKids should have a stirring time at this beautifully drawn movie. And adults will at least have a dream image of the West to savor whenever the film's lamer instincts are in the saddle.\nPaid in Full is remarkably engaging despite being noticeably derivative of Goodfellas and at least a half dozen other trouble-in-the-ghetto flicks.\nLess cinematically powerful than quietly and deeply moving, which is powerful in itself.\nwaydowntown manages to nail the spirit-crushing ennui of denuded urban living without giving in to it.\nEach of these stories has the potential for Touched by an Angel simplicity and sappiness, but Thirteen Conversations About One Thing, for all its generosity and optimism, never resorts to easy feel-good sentiments.\nIf Borstal Boy isn't especially realistic, it is an engaging nostalgia piece.\nOften demented in a good way, but it is an uneven film for the most part.\nThe script's snazzy dialogue establishes a realistic atmosphere that involves us in the unfolding crisis, but the lazy plotting ensures that little of our emotional investment pays off.\nMaggie Smith as the Ya-Ya member with the O2-tank will absolutely crack you up with her crass, then gasp for gas, verbal deportment.\nThis is a movie that refreshes the mind and spirit along with the body, so original is its content, look, and style.\nAlthough I didn't hate this one, it's not very good either. It can be safely recommended as a video/DVD babysitter.\nAnother Best of the Year selection.\nThe film has the high-buffed gloss and high-octane jolts you expect of De Palma, but what makes it transporting is that it's also one of the smartest, most pleasurable expressions of pure movie love to come from an American director in years.\nIt's a very valuable film...\nMax pokes, provokes, takes expressionistic license and hits a nerve...as far as art is concerned, it's mission accomplished.\nLiterary purists may not be pleased, but as far as mainstream matinee-style entertainment goes, it does a bang-up job of pleasing the crowds.\nHere Polanski looks back on those places he saw at childhood, and captures them by freeing them from artefact, and by showing them heartbreakingly drably.\nThe story itself it mostly told through on-camera interviews with several survivors, whose riveting memories are rendered with such clarity that it's as if it all happened only yesterday.\nA compelling story of musical passion against governmental odds.\nWith ``Ichi the Killer'', Takashi Miike, Japan's wildest filmmaker gives us a crime fighter carrying more emotional baggage than Batman...\nYou never know where Changing Lanes is going to take you but it's a heck of a ride. Samuel L. Jackson is one of the best actors there is.\n(Breheny's) lensing of the New Zealand and Cook Island locations captures both the beauty of the land and the people.\nAn almost unbearably morbid love story.\nThe Wild Thornberrys Movie has all the sibling rivalry and general family chaos to which anyone can relate.\nA forceful drama of an alienated executive who re-invents himself.\nSpielberg's realization of a near-future America is masterful. This makes Minority Report necessary viewing for sci-fi fans, as the film has some of the best special effects ever.\nThe gags that fly at such a furiously funny pace that the only rip off that we were aware of was the one we felt when the movie ended so damned soon.\nThe best film of the year 2002.\nAn enthralling, entertaining feature.\nStripped almost entirely of such tools as nudity, profanity and violence, LaBute does manage to make a few points about modern man and his problematic quest for human connection.\nA remarkable movie with an unsatisfying ending, which is just the point.\nAll in all, Brown Sugar is a satisfying well-made romantic comedy that's both charming and well acted. It will guarantee to have you leaving the theater with a smile on your face.\nSmith finds amusing juxtapositions that justify his exercise.\nWorking from a surprisingly sensitive script co-written by Gianni Romoli ... Ozpetek avoids most of the pitfalls you'd expect in such a potentially sudsy set-up.\nAn older cad instructs a younger lad in Zen and the art of getting laid in this prickly indie comedy of manners and misanthropy.\n``Austin Powers in Goldmember'' has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end.\nOne of (Jaglom's) better efforts -- a wry and sometime bitter movie about love.\nSchaeffer isn't in this film, which may be why it works as well as it does.\nA fresh, entertaining comedy that looks at relationships minus traditional gender roles.\nAlthough Estela Bravo's documentary is cloyingly hagiographic in its portrait of Cuban leader Fidel Castro, it's still a guilty pleasure to watch.\nSurprisingly, the film is a hilarious adventure and I shamelessly enjoyed it.\nThe Way Home is an ode to unconditional love and compassion garnered from years of seeing it all, a condition only the old are privy to, and...often misconstrued as weakness.\nBrutally honest and told with humor and poignancy, which makes its message resonate.\nIf you can read the subtitles (the opera is sung in Italian) and you like 'Masterpiece Theatre' type costumes, you'll enjoy this movie.\nA pretty funny movie, with most of the humor coming, as before, from the incongruous but chemically perfect teaming of Crystal and De Niro.\nGangster No. 1 is solid, satisfying fare for adults.\nThis Chicago has hugely imaginative and successful casting to its great credit, as well as one terrific score and attitude to spare.\nHas enough gun battles and throwaway humor to cover up the yawning chasm where the plot should be.\nWith its jerky hand-held camera and documentary feel, Bloody Sunday is a sobering recount of a very bleak day in Derry.\nYou will likely prefer to keep on watching.\nInsomnia loses points when it surrenders to a formulaic bang-bang, shoot-em-up scene at the conclusion. But the performances of Pacino, Williams, and Swank keep the viewer wide-awake all the way through.\nWhat might have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention takes a surprising, subtle turn at the midway point.\nAt a time when commercialism has squeezed the life out of whatever idealism American moviemaking ever had, Godfrey Reggio's career shines like a lonely beacon.\nAn Inuit masterpiece that will give you goosebumps as its uncanny tale of love, communal discord, and justice unfolds.\nThis is popcorn movie fun with equal doses of action, cheese, ham and cheek (as well as a serious debt to The Road Warrior), but it feels like unrealized potential\nIt's a testament to De Niro and director Michael Caton-Jones that by movie's end, we accept the characters and the film, flaws and all.\nPerformances are potent, and the women's stories are ably intercut and involving.\nAn enormously entertaining movie, like nothing we've ever seen before, and yet completely familiar.\nLan Yu is a genuine love story, full of traditional layers of awakening and ripening and separation and recovery.\nYour children will be occupied for 72 minutes.\nPull(s) off the rare trick of recreating not only the look of a certain era, but also the feel.\nTwohy's a good yarn-spinner, and ultimately the story compels.\n'Tobey Maguire is a poster boy for the geek generation.'\n... a sweetly affecting story about four sisters who are coping, in one way or another, with life's endgame.\nPassion, melodrama, sorrow, laugther, and tears cascade over the screen effortlessly...\nRoad to Perdition does display greatness, and it's worth seeing. But it also comes with the laziness and arrogance of a thing that already knows it's won.\nA marvelous performance by Allison Lohman as an identity-seeking foster child.\nArliss Howard's ambitious, moving, and adventurous directorial debut, Big Bad Love, meets so many of the challenges it poses for itself that one can forgive the film its flaws.\nCritics need a good laugh, too, and this too-extreme-for-TV rendition of the notorious MTV show delivers the outrageous, sickening, sidesplitting goods in steaming, visceral heaps.\nWhat a dumb, fun, curiously adolescent movie this is.\nThe charms of the lead performances allow us to forget most of the film's problems.\nA vivid, sometimes surreal, glimpse into the mysteries of human behavior.\nA tour de force of modern cinema.\nPeralta captures, in luminous interviews and amazingly evocative film from three decades ago, the essence of the Dogtown experience.\nThe lively appeal of The Last Kiss lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy.\nWithout resorting to camp or parody, Haynes (like Sirk, but differently) has transformed the rhetoric of Hollywood melodrama into something provocative, rich, and strange.\nThe performances are an absolute joy.\nA quasi-documentary by French filmmaker Karim Dridi that celebrates the hardy spirit of Cuban music.\nGrant carries the day with impeccable comic timing, raffish charm and piercing intellect.\nA sensitive and astute first feature by Anne-Sophie Birot.\nBoth exuberantly romantic and serenely melancholy, What Time Is It There? may prove to be (Tsai's) masterpiece.\nMazel tov to a film about a family's joyous life acting on the Yiddish stage.\nStanding in the Shadows of Motown is the best kind of documentary, one that makes a depleted yesterday feel very much like a brand-new tomorrow.\nIt's nice to see Piscopo again after all these years, and Chaykin and Headly are priceless.\nProvides a porthole into that noble, trembling incoherence that defines us all.\nSimplistic, silly and tedious.\nIt's so laddish and juvenile, only teenage boys could possibly find it funny.\nExploitative and largely devoid of the depth or sophistication that would make watching such a graphic treatment of the crimes bearable.\n(Garbus) discards the potential for pathological study, exhuming instead, the skewed melodrama of the circumstantial situation.\nA visually flashy but narratively opaque and emotionally vapid exercise in style and mystification.\nThe story is also as unoriginal as they come, already having been recycled more times than I'd care to count.\nAbout the only thing to give the movie points for is bravado -- to take an entirely stale concept and push it through the audience's meat grinder one more time.\nNot so much farcical as sour.\nUnfortunately the story and the actors are served with a hack script.\nAll the more disquieting for its relatively gore-free allusions to the serial murders, but it falls down in its attempts to humanize its subject.\nA sentimental mess that never rings true.\nWhile the performances are often engaging, this loose collection of largely improvised numbers would probably have worked better as a one-hour TV documentary.\nInteresting, but not compelling.\nOn a cutting room floor somewhere lies...footage that might have made No Such Thing a trenchant, ironic cultural satire instead of a frustrating misfire.\nWhile the ensemble player who gained notice in Guy Ritchie's Lock, Stock and Two Smoking Barrels and Snatch has the bod, he's unlikely to become a household name on the basis of his first starring vehicle.\nThere is a difference between movies with the courage to go over the top and movies that don't care about being stupid\nNothing here seems as funny as it did in Analyze This, not even Joe Viterelli as De Niro's right-hand goombah.\nSuch master screenwriting comes courtesy of John Pogue, the Yale grad who previously gave us ``The Skulls'' and last year's ``Rollerball.'' Enough said, except: Film overboard!\nHere, common sense flies out the window, along with the hail of bullets, none of which ever seem to hit Sascha.\nThis 100-minute movie only has about 25 minutes of decent material.\nThe execution is so pedestrian that the most positive comment we can make is that Rob Schneider actually turns in a pretty convincing performance as a prissy teenage girl.\nOn its own, it's not very interesting. As a remake, it's a pale imitation.\nIt shows that some studios firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there's a little girl-on-girl action.\nA farce of a parody of a comedy of a premise, it isn't a comparison to reality so much as it is a commentary about our knowledge of films.\nAs exciting as all this exoticism might sound to the typical Pax viewer, the rest of us will be lulled into a coma.\nThe party scenes deliver some tawdry kicks. The rest of the film ... is dudsville.\nOur culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender -- and I know this because I've seen 'jackass: the movie.'\nThe criticism never rises above easy, cynical potshots at morally bankrupt characters...\nThe movie's something-borrowed construction feels less the product of loving, well integrated homage and more like a mere excuse for the wan, thinly sketched story. Killing time, that's all that's going on here.\nSomewhere in the middle, the film compels, as Demme experiments he harvests a few movie moment gems, but the field of roughage dominates.\nThe action clichés just pile up.\nPayami tries to raise some serious issues about Iran's electoral process, but the result is a film that's about as subtle as a party political broadcast.\nThe only surprise is that heavyweights Joel Silver and Robert Zemeckis agreed to produce this; I assume the director has pictures of them cavorting in ladies' underwear.\nAnother useless recycling of a brutal mid-'70s American sports movie.\nPlease, someone, stop Eric Schaeffer before he makes another film.\nMost of the problems with the film don't derive from the screenplay, but rather the mediocre performances by most of the actors involved\n...if you're just in the mood for a fun -- but bad -- movie, you might want to catch Freaks as a matinee.\nCurling may be a unique sport but Men with Brooms is distinctly ordinary.\nThough the opera itself takes place mostly indoors, Jacquot seems unsure of how to evoke any sort of naturalism on the set.\nThere's no getting around the fact that this is Revenge Of The Nerds Revisited -- again.\nThe effort is sincere and the results are honest, but the film is so bleak that it's hardly watchable.\nAnalyze That regurgitates and waters down many of the previous film's successes, with a few new swings thrown in.\nWith flashbulb editing as cover for the absence of narrative continuity, Undisputed is nearly incoherent, an excuse to get to the closing bout ... by which time it's impossible to care who wins.\nStinks from start to finish, like a wet burlap sack of gloom.\nTo the civilized mind, a movie like Ballistic: Ecks Vs. Sever is more of an ordeal than an amusement.\nEqulibrium could pass for a thirteen-year-old's book report on the totalitarian themes of 1984 and Farenheit 451.\nThe lack of naturalness makes everything seem self-consciously poetic and forced...It's a pity that (Nelson's) achievement doesn't match his ambition.\nWhen Seagal appeared in an orange prison jumpsuit, I wanted to stand up in the theater and shout, 'Hey, Kool-Aid!'\nAn easy watch, except for the annoying demeanour of its lead character.\nImagine the CleanFlicks version of 'Love Story,' with Ali MacGraw's profanities replaced by romance-novel platitudes.\nPC stability notwithstanding, the film suffers from a simplistic narrative and a pat, fairy-tale conclusion.\nForget the misleading title, what's with the unexplained baboon cameo?\nAn odd, haphazard, and inconsequential romantic comedy.\nThough her fans will assuredly have their funny bones tickled, others will find their humor-seeking dollars best spent elsewhere.\nPascale Bailly's rom-com provides Amélie's Audrey Tautou with another fabuleux destin -- i.e., a banal spiritual quest.\nA static and sugary little half-hour, after-school special about interfaith understanding, stretched out to 90 minutes.\nWatching the chemistry between Freeman and Judd, however, almost makes this movie worth seeing. Almost.\n... a pretentious and ultimately empty examination of a sick and evil woman.\nThe Country Bears has no scenes that will upset or frighten young viewers. Unfortunately, there is almost nothing in this flat effort that will amuse or entertain them, either.\nThe cumulative effect of watching this 65-minute trifle is rather like being trapped while some weird relative trots out the video he took of the family vacation to Stonehenge. Before long, you're desperate for the evening to end.\nThe characters are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach.\nMattei's underdeveloped effort here is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from Stock Character camp -- a drowsy drama infatuated by its own pretentious self-examination.\nOnly in its final surprising shots does Rabbit-Proof Fence find the authority it's looking for.\nIsn't as sharp as the original...Despite some visual virtues, 'Blade II' just doesn't cut it.\n...plays like a badly edited, 91-minute trailer (and) the director can't seem to get a coherent rhythm going. In fact, it doesn't even seem like she tried.\nMaybe LeBlanc thought, ``Hey, the movie about the baseball-playing monkey was worse.''\nWhat you expect is just what you get...assuming the bar of expectations hasn't been raised above sixth-grade height.\nBarry Sonnenfeld owes Frank the Pug big time\nThe biggest problem with Roger Avary's uproar against the MPAA is that, even in all its director's cut glory, he's made a film that's barely shocking, barely interesting and most of all, barely anything.\nSo riddled with unanswered questions that it requires gargantuan leaps of faith just to watch it plod along.\nI approached the usher and said that if she had to sit through it again, she should ask for a raise.\nIf Sinise's character had a brain his ordeal would be over in five minutes but instead the plot goes out of its way to introduce obstacles for him to stumble over.\nToo slow for a younger crowd, too shallow for an older one.\nThere's a reason the studio didn't offer an advance screening. ``The Adventures of Pluto Nash'' is a big time stinker.\nA punch line without a premise, a joke built entirely from musty memories of half-dimensional characters.\nTakes one character we don't like and another we don't believe, and puts them into a battle of wills that is impossible to care about and isn't very funny.\nThe things this movie tries to get the audience to buy just won't fly with most intelligent viewers.\nEven if the enticing prospect of a lot of nubile young actors in a film about campus depravity didn't fade amid the deliberate, tiresome ugliness, it would be rendered tedious by Avary's failure to construct a story with even a trace of dramatic interest.\nSitting through the last reel (spoiler alert!) is significantly less charming than listening to a four-year-old with a taste for exaggeration recount his Halloween trip to the Haunted House.\nConfuses its message with an ultimate desire to please, and contorting itself into an idea of expectation is the last thing any of these three actresses, nor their characters, deserve.\nDeadly dull, pointless meditation on losers in a gone-to-seed hotel.\nWith this new Rollerball, sense and sensibility have been overrun by what can only be characterized as robotic sentiment.\nOne can only assume that the jury who bestowed star Hoffman's brother Gordy with the Waldo Salt Screenwriting award at 2002's Sundance Festival were honoring an attempt to do something different over actually pulling it off\nA movie more to be prescribed than recommended -- as visually bland as a dentist's waiting room, complete with soothing Muzak and a cushion of predictable narrative rhythms.\nSex ironically has little to do with the story, which becomes something about how lame it is to try and evade your responsibilities and that you should never, ever, leave a large dog alone with a toddler. But never mind all that; the boobs are fantasti\nThe script covers huge, heavy topics in a bland, surfacey way that doesn't offer any insight into why, for instance, good things happen to bad people.\nA portrait of alienation so perfect, it will certainly succeed in alienating most viewers.\nThe code talkers deserved better than a hollow tribute.\nSkip the film and buy the Philip Glass soundtrack CD.\nFeels like a cold old man going through the motions.\nDignified CEO's meet at a rustic retreat and pee against a tree. Can you bear the laughter?\nDull and mechanical, kinda like a very goofy museum exhibit\nThere's no point of view, no contemporary interpretation of Joan's prefeminist plight, so we're left thinking the only reason to make the movie is because present standards allow for plenty of nudity.\nBeware the quirky Brit-com. They can and will turn on a dime from oddly humorous to tediously sentimental.\nHas its moments -- and almost as many subplots.\nThe gags, and the script, are a mixed bag.\nCompletely awful Iranian drama...as much fun as a grouchy ayatollah in a cold mosque.\nNarratively, Trouble Every Day is a plodding mess.\nThere's no point in extracting the bare bones of Byatt's plot for purposes of bland Hollywood romance.\nDirectors John Musker and Ron Clements, the team behind The Little Mermaid, have produced sparkling retina candy, but they aren't able to muster a lot of emotional resonance in the cold vacuum of space.\nAdam Sandler's heart may be in the right place, but he needs to pull his head out of his butt\nThere's no doubting that this is a highly ambitious and personal project for Egoyan, but it's also one that, next to his best work, feels clumsy and convoluted.\nDespite engaging offbeat touches, Knockaround Guys rarely seems interested in kicking around a raison d'etre that's as fresh-faced as its young-guns cast.\nIt's all pretty tame. The most offensive thing about the movie is that Hollywood expects people to pay to see it.\nThe movie is a mess from start to finish.\nThe trouble with making this queen a thoroughly modern maiden is that it also makes her appear foolish and shallow rather than, as was more likely, a victim of mental illness.\nI'm not saying that Ice Age doesn't have some fairly pretty pictures, but there's not enough substance in the story to actually give them life.\nIn the telling of a story largely untold, Bui chooses to produce something that is ultimately suspiciously familiar.\nThe plot is nothing but boilerplate clichés from start to finish, and the script assumes that not only would subtlety be lost on the target audience, but that it's also too stupid to realize that they've already seen this exact same movie a hundred times\nTerminally brain dead production.\nSome episodes work, some don't.\nBeautifully filmed and well acted... but admittedly problematic in its narrative specifics.\nJ. Lo will earn her share of the holiday box office pie, although this movie makes one thing perfectly clear: She's a pretty woman, but she's no working girl.\nRymer doesn't trust laughs -- and doesn't conjure proper respect for followers of the whole dead-undead genre, who deserve more from a vampire pic than a few shrieky special effects.\nNot only are the film's Sopranos gags incredibly dated and unfunny, they also demonstrate how desperate the makers of this 'we're -doing-it-for -the-cash' sequel were.\nWow. I have not been this disappointed by a movie in a long time.\nOff the Hook is overlong and not well-acted, but credit writer-producer-director Adam Watstein with finishing it at all.\nIt's a drag how Nettelbeck sees working women -- or at least this working woman -- for whom she shows little understanding.\nWatching Harris ham it up while physically and emotionally disintegrating over the course of the movie has a certain poignancy in light of his recent death, but Boyd's film offers little else of consequence.\nIt's also curious to note that this film, like the similarly ill-timed Antitrust, is easily as bad at a fraction the budget.\nWill probably be one of those movies barely registering a blip on the radar screen of 2002.\nThe problem is not that it's all derivative, because plenty of funny movies recycle old tropes. The problem is that Van Wilder does little that is actually funny with the material.\nThere's nothing interesting in Unfaithful whatsoever.\nNone of this is half as moving as the filmmakers seem to think.\nA processed comedy chop suey.\nAs spent screen series go, Star Trek: Nemesis is even more suggestive of a 65th class reunion mixer where only eight surviving members show up -- and there's nothing to drink.\nFails as a dystopian movie, as a retooling of Fahrenheit 451, and even as a rip-off of The Matrix.\nFull of the kind of obnoxious chitchat that only self-aware neurotics engage in.\nAn erotic thriller that's neither too erotic nor very thrilling, either.\nThe movie, like Bartleby, is something of a stiff -- an extra-dry office comedy that seems twice as long as its 83 minutes.\nWith its parade of almost perpetually wasted characters ... Margarita feels like a hazy high that takes too long to shake.\nIf you value your time and money, find an escape clause and avoid seeing this trite, predictable rehash.\nThe director and her capable cast appear to be caught in a heady whirl of New Age-inspired good intentions, but the spell they cast isn't the least bit mesmerizing.\nEverything is pegged into the groove of a New York dating comedy with 'issues' to simplify.\nA dramatic comedy as pleasantly dishonest and pat as any Hollywood fluff.\nThe cameo-packed, M:I-2-spoofing title sequence is the funniest 5 minutes to date in this spy comedy franchise...Then Mike Myers shows up and ruins everything.\nIt comes off as so silly that you wouldn't be surprised if BA, Murdock and rest of the A-Team were seen giving chase in a black and red van.\nThe 50-something lovebirds are too immature and unappealing to care about.\nSo genial is the conceit, this is one of those rare pictures that you root for throughout, dearly hoping that the rich promise of the script will be realized on the screen. It never is, not fully.\nEven in the summertime, the most restless young audience deserves the dignity of an action hero motivated by something more than franchise possibilities.\nWhat with all the blanket statements and dime-store ruminations on vanity, the worries of the rich and sudden wisdom, the film becomes a sermon for most of its running time.\nAs gamely as the movie tries to make sense of its title character, there remains a huge gap between the film's creepy, clean-cut Dahmer (Jeremy Renner) and fiendish acts that no amount of earnest textbook psychologizing can bridge.\nPlodding, peevish and gimmicky.\nThe Four Feathers is definitely horse feathers, but if you go in knowing that, you might have fun in this cinematic sandbox.\nOozes condescension from every pore.\n``Solaris'' is a shapeless inconsequential move relying on the viewer to do most of the work.\nThe direction, by George Hickenlooper, has no snap to it, no wiseacre crackle or hard-bitten cynicism.\nThough this saga would be terrific to read about, it is dicey screen material that only a genius should touch.\nIt has plenty of laughs. It just doesn't have much else... especially in a moral sense.\nAn awful lot like one of (Spears') music videos in content -- except that it goes on for at least 90 more minutes and, worse, that you have to pay if you want to see it.\nConfusion is one of my least favourite emotions, especially when I have to put up with 146 minutes of it.\n(H)ad I suffered and bled on the hard ground of Ia Drang, I'd want something a bit more complex than We Were Soldiers to be remembered by.\nOccasionally loud and offensive, but more often, it simply lulls you into a gentle waking coma.\nit may play well as a double feature with mainstream foreign mush like My Big Fat Greek Wedding\nBy the time you reach the finale, you're likely wondering why you've been watching all this strutting and posturing.\nJournalistically dubious, inept and often lethally dull.\nPutting the primitive murderer inside a high-tech space station unleashes a Pandora's Box of special effects that run the gamut from cheesy to cheesier to cheesiest.\nAt its best, it's Black Hawk Down with more heart. At its worst, it's Rambo- meets-John Ford.\nExactly what you'd expect from a guy named Kaos.\nThis movie ... doesn't deserve the energy it takes to describe how bad it is.\nWith or without ballast tanks, K-19 sinks to a Harrison Ford low.\nDirector Oliver Parker labors so hard to whip life into The Importance of Being Earnest that he probably pulled a muscle or two.\nYou might be shocked to discover that Seinfeld's real life is boring.\nIt's not nearly as fresh or enjoyable as its predecessor, but there are enough high points to keep this from being a complete waste of time.\nWalsh can't quite negotiate the many inconsistencies in Janice's behavior or compensate for them by sheer force of charm.\nThis 10th film in the series looks and feels tired.\nIt leers, offering next to little insight into its intriguing subject.\nI found myself growing more and more frustrated and detached as Vincent became more and more abhorrent.\nOne of the oddest and most inexplicable sequels in movie history.\nThere's nothing to gain from watching They. It isn't scary. It hates its characters. It finds no way to entertain or inspire its viewers.\nFear permeates the whole of Stortelling, Todd Solondz' oftentimes funny, yet ultimately cowardly autocritique.\nThe skirmishes for power waged among victims and predators settle into an undistinguished rhythm of artificial suspense.\n... Ice Age treads predictably along familiar territory, making it a passable family film that won't win many fans over the age of 12.\nThough the film is well-intentioned, one could rent the original and get the same love story and parable.\nJust too silly and sophomoric to ensnare its target audience.\nThe video work is so grainy and rough, so dependent on being 'naturalistic' rather than carefully lit and set up, that it's exhausting to watch.\nA cleverly crafted but ultimately hollow mockumentary.\nIt gets bogged down by hit-and-miss topical humour before getting to the truly good stuff.\nAn achingly enthralling premise, the film is hindered by uneven dialogue and plot lapses.\nIt's Tommy's job to clean the peep booths surrounding her, and after viewing this one, you'll feel like mopping up, too.\nRifkin no doubt fancies himself something of a Hubert Selby Jr., but there isn't an ounce of honest poetry in his entire script; it's simply crude and unrelentingly exploitative.\nSuch a bad movie that its luckiest viewers will be seated next to one of those ignorant pinheads who talk throughout the show.\nIf you go into the theater expecting a scary, action-packed chiller, you might soon be looking for a sign. An EXIT sign, that is.\nHolds limited appeal to those who like explosions, sadism and seeing people beat each other to a pulp.\nThe dialogue is very choppy and monosyllabic despite the fact that it is being dubbed.\nA feature-length, R-rated, road-trip version of Mama's Family.\nWhat you end up getting is the Vertical Limit of surfing movies - memorable stunts with lots of downtime in between.\nStealing Harvard doesn't care about cleverness, wit or any other kind of intelligent humor.\nBigelow handles the nuclear crisis sequences evenly but milks drama when she should be building suspense, and drags out too many scenes toward the end that should move quickly.\nThere's undeniable enjoyment to be had from films crammed with movie references, but the fun wears thin -- then out -- when there's nothing else happening.\nImagine Kevin Smith, the blasphemous bad boy of suburban Jersey, if he were stripped of most of his budget and all of his sense of humor. The result might look like Vulgar.\nSuffers from a lack of clarity and audacity that a subject as monstrous and pathetic as Dahmer demands.\nWhat soured me on The Santa Clause 2 was that Santa bumps up against 21st century reality so hard, it's icky.\nIt's an 88-minute highlight reel that's 86 minutes too long.\nThe film favors the scientific over the spectacular (visually speaking).\nSuch an incomprehensible mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema.\nWith the exception of McCoist, the players don't have a clue on the park. The acting isn't much better.\nThe whole affair is as predictable as can be.\nA not-so-Divine Secrets of the Ya-Ya Sisterhood with a hefty helping of Re-Fried Green Tomatoes.\nThis cloying, voices-from-the-other-side story is hell.\nA suffocating rape-payback horror show that hinges on the subgenre's most enabling victim ... and an ebullient affection for industrial-model meat freezers.\nStar Trek was kind of terrific once, but now it is a copy of a copy of a copy.\n(N)o matter how much good will the actors generate, Showtime eventually folds under its own thinness.\nEvery potential twist is telegraphed well in advance, every performance respectably muted; the movie itself seems to have been made under the influence of Rohypnol.\nPuts on airs of a Hal Hartley wannabe film -- without the vital comic ingredient of the hilarious writer-director himself.\nVer Wiel's desperate attempt at wit is lost, leaving the character of Critical Jim two-dimensional and pointless.\nDespite a performance of sustained intelligence from Stanford and another of subtle humour from Bebe Neuwirth, as an older woman who seduces Oscar, the film founders on its lack of empathy for the social milieu - rich New York intelligentsia - and its off\nAlthough Disney follows its standard formula in this animated adventure, it feels more forced than usual.\nGaghan ... has thrown every suspenseful cliché in the book at this nonsensical story.\nA sham construct based on theory, sleight-of-hand, and ill-wrought hypothesis.\n(P)artnering Murphy with Robert De Niro for the TV-cops comedy Showtime would seem to be surefire casting. The catch is that they're stuck with a script that prevents them from firing on all cylinders.\n'You'll laugh for not quite and hour and a half, but come out feeling strangely unsatisfied. You'll feel like you ate a Reeses without the peanut butter...'\nGooding offers a desperately ingratiating performance.\nParker should be commended for taking a fresh approach to familiar material, but his determination to remain true to the original text leads him to adopt a somewhat mannered tone ... that ultimately dulls the human tragedy at the story's core.\nThe director has injected self-consciousness into the proceedings at every turn. The results are far more alienating than involving.\nBogdanich is unashamedly pro-Serbian and makes little attempt to give voice to the other side.\nA lack of thesis makes Maryam, in the end, play out with the intellectual and emotional impact of an after-school special.\nWithout Shakespeare's eloquent language, the update is dreary and sluggish.\nIf H.G. Wells had a time machine and could take a look at his kin's reworked version, what would he say? 'It looks good, Sonny, but you missed the point.'\nDuring The Tuxedo's 90 minutes of screen time, there isn't one true 'Chan moment'.\nBisset delivers a game performance, but she is unable to save the movie.\nWatching Austin Powers in Goldmember is like binging on cotton candy. It's sweet and fluffy at the time, but it may leave you feeling a little sticky and unsatisfied.\nThe most anti-human big studio picture since 3000 Miles to Graceland.\nThe film can depress you about life itself.\nI'm sure the filmmakers found this a remarkable and novel concept, but anybody who has ever seen an independent film can report that it is instead a cheap cliché.\nThe acting is fine but the script is about as interesting as a recording of conversations at the Wal-Mart checkout line.\nIts weighty themes are too grave for youngsters, but the story is too steeped in fairy tales and other childish things to appeal much to teenagers.\nThe plot plummets into a comedy graveyard before Janice comes racing to the rescue in the final reel.\nSometimes there are very, very good reasons for certain movies to be sealed in a jar and left on a remote shelf indefinitely.\nAt 90 minutes this movie is short, but it feels much longer.\nHere's my advice, Kev. Start reading your scripts before signing that dotted line.\nAn alternately raucous and sappy ethnic sitcom...you'd be wise to send your regrets.\nAn ugly-duckling tale so hideously and clumsily told it feels accidental.\nUnfortunately, it's also not very good. Especially compared with the television series that inspired the movie.\nIt wraps up a classic mother/daughter struggle in recycled paper with a shiny new bow and while the audience can tell it's not all new, at least it looks pretty.\nGlazed with a tawdry B-movie scum.\nThis is the kind of movie during which you want to bang your head on the seat in front of you, at its cluelessness, at its idiocy, at its utterly misplaced earnestness.\nIt winds up moving in many directions as it searches (vainly, I think) for something fresh to say.\nAll in all, Road to Perdition is more in love with strangeness than excellence.\nA big fat pain.\nA mimetic approximation of better films like Contempt and 8 1/2.\nUnintelligible, poorly acted, brain-slappingly bad, Harvard Man is ludicrous enough that it could become a cult classic.\nWatching The Powerpuff Girls Movie, my mind kept returning to one anecdote for comparison: the cartoon in Japan that gave people seizures.\nAn inelegant combination of two unrelated shorts that falls far short of the director's previous work in terms of both thematic content and narrative strength.\nTo build a feel-good fantasy around a vain dictator-madman is off-putting, to say the least, not to mention inappropriate and wildly undeserved.\nWith the cheesiest monsters this side of a horror spoof, which They isn't, it is more likely to induce sleep than fright.\nMild, meandering teen flick.\nThough its atmosphere is intriguing ... the drama is finally too predictable to leave much of an impression.\nThough this rude and crude film does deliver a few gut-busting laughs, its digs at modern society are all things we've seen before.\nAlthough it tries to be much more, it's really just another Major League.\nAstonishing isn't the word -- neither is incompetent, incoherent or just plain crap. Indeed, none of these words really gets at the very special type of badness that is Deuces Wild.\nOne thing is for sure: This movie does not tell you a whole lot about Lily Chou-Chou.\nWith a tone as variable as the cinematography, Schaeffer's film never settles into the light-footed enchantment the material needs, and the characters' quirks and foibles never jell into charm.\nTo better understand why this didn't connect with me would require another viewing, and I won't be sitting through this one again...that in itself is commentary enough.\nCuba Gooding Jr. valiantly mugs his way through Snow Dogs, but even his boisterous energy fails to spark this leaden comedy.\nDiane Lane's sophisticated performance can't rescue Adrian Lyne's Unfaithful from its sleazy moralizing.\nNot at all clear what it's trying to say and even if it were – I doubt it would be all that interesting.\n(Swimfan) falls victim to sloppy plotting, an insultingly unbelievable final act and a villainess who is too crazy to be interesting.\nThis remake of Lina Wertmuller's 1975 eroti-comedy might just be the biggest husband-and-wife disaster since John and Bo Derek made the ridiculous Bolero.\nSilly, loud and goofy.\nWhy spend $9 on the same stuff you can get for a buck or so in that greasy little vidgame pit in the theater lobby?\nThe French director has turned out nearly 21/2 hours of unfocused, excruciatingly tedious cinema that, half an hour in, starts making water torture seem appealing.\nThe basic premise is intriguing but quickly becomes distasteful and downright creepy.\nThe Pool drowned me in boredom.\nIt's like an all-star salute to Disney's cheesy commercialism.\nIt's hard to imagine any recent film, independent or otherwise, that makes as much of a mess as this one.\nSome of the computer animation is handsome, and various amusing sidekicks add much-needed levity to the otherwise bleak tale, but overall the film never rises above mediocrity.\nThere's an excellent 90-minute film here; unfortunately, it runs for 170.\nAs saccharine movies go, this is likely to cause massive cardiac arrest if taken in large doses.\nDie Another Day is only intermittently entertaining but it's hard not to be a sucker for its charms, or perhaps it's just impossible not to feel nostalgia for movies you grew up with.\nAs is often the case with ambitious, eager first-time filmmakers, Mr. Murray, a prolific director of music videos, stuffs his debut with more plot than it can comfortably hold.\nThe mystery of Enigma is how a rich historical subject, combined with so much first-rate talent ... could have yielded such a flat, plodding picture.\nIt throws quirky characters, odd situations, and off-kilter dialogue at us, all as if to say, ``Look at this! This is an interesting movie!'' But the film itself is ultimately quite unengaging.\nThe inherent limitations of using a video game as the source material movie are once again made all too clear in this schlocky horror/action hybrid.\nIt's not only dull because we've seen (Eddie) Murphy do the genial-rogue shtick to death, but because the plot is equally hackneyed.\nAvary's film never quite emerges from the shadow of Ellis' book.\nA poorly scripted, preachy fable that forgets about unfolding a coherent, believable story in its zeal to spread propaganda.\nWhile it is interesting to witness the conflict from the Palestinian side, Longley's film lacks balance ... and fails to put the struggle into meaningful historical context.\nWoo has as much right to make a huge action sequence as any director, but how long will filmmakers copy the ``Saving Private Ryan'' battle scenes before realizing Steven Spielberg got it right the first time?\nIt's sincere to a fault, but, unfortunately, not very compelling or much fun.\n... Jones, despite a definitely distinctive screen presence, just isn't able to muster for a movie that, its title notwithstanding, should have been a lot nastier if it wanted to fully capitalize on its lead's specific gifts.\nThis follow-up seems so similar to the 1953 Disney classic that it makes one long for a geriatric Peter.\nWhy, you may ask, why should you buy the movie milk when the TV cow is free? There's no good answer to that one.\nThis slow-moving Swedish film offers not even a hint of joy, preferring to focus on the humiliation of Martin as he defecates in bed and urinates on the plants at his own birthday party.\nA muddled limp biscuit of a movie, a vampire soap opera that doesn't make much sense even on its own terms.\nThere's the plot, and a maddeningly insistent and repetitive piano score that made me want to scream.\nThis is a movie so insecure about its capacity to excite that it churns up not one but two flagrantly fake thunderstorms to underscore the action.\nThis is amusing for about three minutes.\nKlein, charming in comedies like American Pie and dead-on in Election, delivers one of the saddest action hero performances ever witnessed.\nIt's rare to see a movie that takes such a speedy swan dive from ``promising'' to ``interesting'' to ``familiar'' before landing squarely on ``stupid''.\nThis is the sort of low-grade dreck that usually goes straight to video --with a lousy script, inept direction, pathetic acting, poorly dubbed dialogue and murky cinematography, complete with visible boom mikes.\nThe direction occasionally rises to the level of marginal competence, but for most of the film it is hard to tell who is chasing who or why.\nThere are few things more frustrating to a film buff than seeing an otherwise good movie marred beyond redemption by a disastrous ending.\nIt won't harm anyone, but neither can I think of a very good reason to rush right out and see it. After all, it'll probably be in video stores by Christmas, and it might just be better suited to a night in the living room than a night at the movies.\nLooks more like a travel-agency video targeted at people who like to ride bikes topless and roll in the mud than a worthwhile glimpse of independent-community guiding lights.\nGiven too much time to consider the looseness of the piece, the picture begins to resemble the shapeless, grasping actors' workshop that it is.\nThey kept much of the plot but jettisoned the stuff that would make this a moving experience for people who haven't read the book.\nJust because A Walk to Remember is shrewd enough to activate girlish tear ducts doesn't mean it's good enough for our girls.\n(Carvey's) characters are both overplayed and exaggerated, but then again, subtlety has never been his trademark.\nIt's mildly interesting to ponder the peculiar American style of justice that plays out here, but it's so muddled and derivative that few will bother thinking it all through.\nThis dreadfully earnest inversion of the Concubine love triangle eschews the previous film's historical panorama and roiling pathos for bug-eyed mugging and gay-niche condescension.\nBrown's saga, like many before his, makes for snappy prose but a stumblebum of a movie.\nThe boys' sparring, like the succession of blows dumped on Guei, wears down the story's more cerebral, and likable, plot elements.\nThe script by Vincent R. Nebrida ... tries to cram too many ingredients into one small pot.\nThe story is so light and sugary that were it a Macy's Thanksgiving Day Parade balloon, extra heavy-duty ropes would be needed to keep it from floating away.\nOedekerk mugs mercilessly, and the genuinely funny jokes are few and far between.\nSince Dahmer resorts to standard slasher flick thrills when it should be most in the mind of the killer, it misses a major opportunity to be truly revelatory about his psyche.\nOnly those most addicted to film violence in all its forms will find anything here to appreciate.\nCold and scattered, Minority Report commands interest almost solely as an exercise in gorgeous visuals. That's not vintage Spielberg and that, finally, is minimally satisfying.\nEvery now and again, a movie comes along to remind us of how very bad a motion picture can truly be. Frank McKlusky C.I. is that movie!\nIt's not difficult to spot the culprit early-on in this predictable thriller.\n...a mostly boring affair with a confusing sudden finale that's likely to irk viewers.\nThe trappings of I Spy are so familiar you might as well be watching a rerun.\nWhat starts off as a potentially incredibly twisting mystery becomes simply a monster chase film.\nIn the wake of Saving Private Ryan, Black Hawk Down and We Were Soldiers, you are likely to be as heartily sick of mayhem as Cage's war-weary marine.\nIt is messy, uncouth, incomprehensible, vicious and absurd.\nReally does feel like a short stretched out to feature length.\nHampered -- no, paralyzed -- by a self-indulgent script ... that aims for poetry and ends up sounding like satire.\nCheap, vulgar dialogue and a plot that crawls along at a snail's pace.\nAnd if you appreciate the one-sided theme to Lawrence's over-indulgent tirade, then knock yourself out and enjoy the big screen postcard that is a self-glorified Martin Lawrence lovefest. If you are willing to do this, then you so crazy!\nDirected without the expected flair or imagination by Hong Kong master John Woo, Windtalkers airs just about every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length.\nIt's a very tasteful rock and roll movie. You could put it on a coffee table anywhere.\nThe movie is loaded with good intentions, but in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the Holocaust escape story, Minac drains his movie of all individuality.\nAn infuriating film. Just when you think you are making sense of it, something happens that tells you there is no sense.\nThe entire movie is so formulaic and forgettable that it's hardly over before it begins to fade from memory.\nThe setting turns out to be more interesting than any of the character dramas, which never reach satisfying conclusions.\nAs an entertainment destination for the general public, Kung Pow sets a new benchmark for lameness.\nThis misty-eyed Southern nostalgia piece, in treading the line between sappy and sanguine, winds up mired in tear-drenched quicksand.\nAs pure over-the-top trash, any John Waters movie has it beat by a country mile.\nWendigo wants to be a monster movie for the art-house crowd, but it falls into the trap of pretention almost every time.\nBigelow offers some flashy twists and turns that occasionally fortify this turgid fable. But for the most part, The Weight of Water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness.\nThis film biggest problem? No laughs.\nLess-than-compelling documentary of a Yiddish theater clan.\nThat the Chuck Norris ``grenade gag'' occurs about 7 times during Windtalkers is a good indication of how serious-minded the film is.\nViewers are asked so often to suspend belief that were it not for Holm's performance, the film would be a total washout.\nIt's not exactly worth the bucks to expend the full price for a date, but when it comes out on video, it's well worth a rental.\nI can't begin to tell you how tedious, how resolutely unamusing, how thoroughly unrewarding all of this is, and what a reckless squandering of four fine acting talents...\nEverybody loves a David and Goliath story, and this one is told almost entirely from David's point of view.\nThrow Smoochy from the train!\nEventually, they will have a showdown, but, by then, your senses are as mushy as peas and you don't care who fires the winning shot.\nIrwin and his director never come up with an adequate reason why we should pay money for what we can get on television for free.\nA light, engaging comedy that fumbles away almost all of its accumulated enjoyment with a crucial third act miscalculation.\nCedar somewhat defuses this provocative theme by submerging it in a hoary love triangle.\nTo paraphrase a line from another Dickens' novel, Nicholas Nickleby is too much like a fragment of an underdone potato.\nThe actresses may have worked up a back story for the women they portray so convincingly, but viewers don't get enough of that background for the characters to be involving as individuals rather than types.\nThe result, however well-intentioned, is ironically just the sort of disposable, kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today's Hollywood.\nAn extremely unpleasant film.\nA movie just for Friday fans, critics be damned. If you already like this sort of thing, this is that sort of thing all over again.\nA sincere but dramatically conflicted gay coming-of-age tale.\nWait for it to hit cable.\nUltimately feels like just one more in the long line of films this year about the business of making movies.\nNothing but one relentlessly depressing situation after another for its entire running time, something that you could easily be dealing with right now in your lives.\n77 minutes of Pokemon may not last 4ever, it just seems like it does. My only wish is that Celebi could take me back to a time before I saw this movie and I could just skip it.\nThe one not-so-small problem with Expecting is that the entire exercise has no real point.\nA movie you observe, rather than one you enter into.\n(At least) Moore is a real charmer.\nJohn Carlen's script is full of unhappy, two-dimensional characters who are anything but compelling.\nLaBute can't avoid a fatal mistake in the modern era: He's changed the male academic from a lower-class Brit to an American, a choice that upsets the novel's exquisite balance and shreds the fabric of the film.\nThe notion of deleting emotion from people, even in an advanced Prozac Nation, is so insanely dysfunctional that the rampantly designed Equilibrium becomes a concept doofus.\nStale first act, Scrooge story, blatant product placement, some very good comedic songs, strong finish, dumb fart jokes.\nUnsurprisingly, the way this all works out makes the women look more like stereotypical caretakers and moral teachers, instead of serious athletes.\nA film that loses sight of its own story.\nAdam Sandler's Eight Crazy Nights grows on you -- like a rash.\nThe big-screen Scooby makes the silly original cartoon seem smart and well-crafted in comparison.\nFew of the increasingly far-fetched events that first-time writer-director Neil Burger follows up with are terribly convincing, which is a pity, considering Barry's terrific performance.\nGets better after Foster leaves that little room.\nThe movie is as padded as Allen's jelly belly.\nResident Evil isn't a product of its cinematic predecessors so much as an MTV, sugar hysteria, and PlayStation cocktail.\nA rather average action film that benefits from several funny moments supplied by Epps.\n...unspeakably, unbearably dull, featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted.\nResembles a soft porn Brian De Palma pastiche.\nBluto Blutarsky, we miss you.\nInnocuous enough to make even Jean-Claude Van Damme look good.\nIt's a glorified sitcom, and a long, unfunny one at that.\nWoody Allen can write and deliver a one liner as well as anybody. But I had a lot of problems with this movie.\nDevoid of any of the qualities that made the first film so special.\nAll movie long, City by the Sea swings from one approach to the other, but in the end, it stays in formula -- which is a waste of De Niro, McDormand and the other good actors in the cast.\nPlotless collection of moronic stunts is by far the worst movie of the year.\nHowever sincere it may be, The Rising Place never quite justifies its own existence.\nParker updates the setting in an attempt to make the film relevant today, without fully understanding what it was that made the story relevant in the first place.\nIt's sort of a 21st century morality play with a Latino hip hop beat. But the second half of the movie really goes downhill.\nPaxton's uneven directorial debut fails to unlock the full potential of what is in many ways a fresh and dramatically substantial spin on the genre.\nThe script becomes lifeless and falls apart like a cheap lawn chair.\nThe script falls back on too many tried-and-true shenanigans that hardly distinguish it from the next teen comedy.\nThe film starts promisingly, but the ending is all too predictable and far too cliched to really work.\nLet's issue a moratorium, effective immediately, on treacly films about inspirational prep-school professors and the children they so heartwarmingly motivate.\nIt's the element of condescension, as the filmmakers look down on their working-class subjects from their lofty perch, that finally makes Sex With Strangers, which opens today in the New York metropolitan area, so distasteful.\nAlternately frustrating and rewarding.\nIt's impossible to even categorize this as a smutty guilty pleasure.\nDespite suffering a sense-of-humour failure, The Man Who Wrote Rocky does not deserve to go down with a ship as leaky as this.\nSwinging, the film makes it seem, is not a hobby that attracts the young and fit. Or intelligent.\nThe most memorable moment was when Green threw medical equipment at a window; not because it was particularly funny, but because I had a serious urge to grab the old lady at the end of my aisle's walker and toss it at the screen in frustration.\nSee Clockstoppers if you have nothing better to do with 94 minutes. But be warned, you too may feel time has decided to stand still. Or that the battery on your watch has died.\nSuffers from over-familiarity since hit-hungry British filmmakers have strip-mined the Monty formula mercilessly since 1997.\nThere are enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made A Walk to Remember a niche hit.\nYes, I have given this movie a rating of zero. But fans of the show should not consider this a diss. Consider it 'perfection.'\nThe cumulative effect of the movie is repulsive and depressing.\nChildren and adults enamored of all things Pokemon won't be disappointed.\nI don't even care that there's no plot in this Antonio Banderas-Lucy Liu faceoff. It's still terrible!\nChildren of the Century, though well dressed and well made, ultimately falls prey to the contradiction that afflicts so many movies about writers.\nIt's not so much a movie as a joint promotion for the National Basketball Association and teenaged rap and adolescent poster-boy Lil' Bow Wow.\nPeralta's mythmaking could have used some informed, adult hindsight.\nA close-to-solid espionage thriller with the misfortune of being released a few decades too late.\nCloaks a familiar anti-feminist equation (career - kids = misery) in tiresome romantic-comedy duds.\nThe Good Girl is a film in which the talent is undeniable but the results are underwhelming.\nJust a collection of this and that -- whatever fills time -- with no unified whole.\nThe animation and game phenomenon that peaked about three years ago is actually dying a slow death, if the poor quality of Pokemon 4 Ever is any indication.\nOnly about as sexy and dangerous as an actress in a role that reminds at every turn of Elizabeth Berkley's flopping dolphin-gasm.\nKids who are into this Thornberry stuff will probably be in wedgie heaven. Anyone else who may, for whatever reason, be thinking about going to see this movie is hereby given fair warning.\nMr. Soderbergh's direction and visual style struck me as unusually and unimpressively fussy and pretentious.\nDo you say ``hi'' to your lover when you wake up in the morning?\nIt makes me feel weird / Thinking about all the bad things in the world / Like puppies with broken legs / And butterflies that die / And movies starring pop queens\nDirector Tom Dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut Shanghai Noon, but Showtime's uninspired send-up of TV cop show cliches mostly leaves him shooting blanks.\n'Yes, that's right: it's Forrest Gump, Angel Of Death.'\nA wildly erratic drama with sequences that make you wince in embarrassment and others, thanks to the actors, that are quite touching.\nWhile easier to sit through than most of Jaglom's self-conscious and gratingly irritating films, it's still tainted by cliches, painful improbability and murky points.\nAbout as enjoyable, I would imagine, as searching for a quarter in a giant pile of elephant feces...positively dreadful.\nA generic international version of a typical American horror film.\n... while certainly clever in spots, this too-long, spoofy update of Shakespeare's Macbeth doesn't sustain a high enough level of invention.\nLucas has in fact come closer than anyone could desire to the cheap, graceless, hackneyed sci-fi serials of the '30s and '40s.\nThere's a lot of good material here, but there's also a lot of redundancy and unsuccessful crudeness accompanying it.\nAbsurdities and clichés accumulate like lint in a fat man's navel.\nIf you think it's a riot to see Rob Schneider in a young woman's clothes, then you'll enjoy The Hot Chick.\nThe sheer dumbness of the plot (other than its one good idea) and the movie's inescapable air of sleaziness get you down.\nStrangely comes off as a kingdom more mild than wild.\nThe next big thing's not-so-big (and not-so-hot) directorial debut.\nYet another iteration of what's become one of the movies' creepiest conventions, in which the developmentally disabled are portrayed with almost supernatural powers to humble, teach and ultimately redeem their mentally ``superior'' friends, family...\nBond-inspired? Certainly. Likely to have decades of life as a classic movie franchise? Let's hope not.\nThis flat run at a hip-hop Tootsie is so poorly paced you could fit all of Pootie Tang in between its punchlines.\nDavis has energy, but she doesn't bother to make her heroine's book sound convincing, the gender-war ideas original, or the comic scenes fly.\nSurprisingly, considering that Baird is a former film editor, the movie is rather choppy.\nNone of this is very original, and it isn't particularly funny.\n...a bland murder-on-campus yawner.\nA humorless journey into a philosophical void.\nThese two are generating about as much chemistry as an Iraqi factory poised to receive a UN inspector.\nJust as the lousy Tarantino imitations have subsided, here comes the first lousy Guy Ritchie imitation.\nA passable romantic comedy, in need of another couple of passes through the word processor.\nThe movie attempts to mine laughs from a genre -- the gangster/crime comedy -- that wore out its welcome with audiences several years ago, and its cutesy reliance on movie-specific cliches isn't exactly endearing.\nshows Holmes has the screen presence to become a major-league leading lady, (but) the movie itself is an underachiever, a psychological mystery that takes its sweet time building to a climax that's scarcely a surprise by the time it arrives.\nUltimately ... the movie is too heady for children, and too preachy for adults.\nIt's just a little too self-satisfied.\nClever but not especially compelling.\nMcKay seems embarrassed by his own invention and tries to rush through the intermediary passages, apparently hoping that the audience will not notice the glaring triteness of the plot device he has put in service.\nA piece of mildly entertaining, inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category: unembarrassing but unmemorable.\nLaBute was more fun when his characters were torturing each other psychologically and talking about their genitals in public.\nThe movie weighs no more than a glass of flat champagne.\nThe problem with ANTWONE FISHER is that it has a screenplay written by Antwone Fisher based on the book by Antwone Fisher.\nAlarms for Duvall's throbbing sincerity and his elderly propensity for patting people while he talks.\nWhat little grace (Rifkin's) tale of precarious skid-row dignity achieves is pushed into the margins by predictable plotting and tiresome histrionics.\nTries to work in the same vein as the brilliance of Animal House but instead comes closer to the failure of the third Revenge of the Nerds sequel.\nUnfortunately, Kapur modernizes A.E.W. Mason's story to suit the sensibilities of a young American, a decision that plucks ``The Four Feathers'' bare.\n...what a banal bore the preachy Circuit turns out to be\nFalsehoods pile up, undermining the movie's reality and stifling its creator's comic voice.\nA mechanical action-comedy whose seeming purpose is to market the charismatic Jackie Chan to even younger audiences.\nOne of the most incoherent features in recent memory.\nLow rent from frame one.\nEight Legged Freaks? No big hairy deal.\nThe issues are presented in such a lousy way, complete with some of the year's (unintentionally) funniest moments, that it's impossible to care.\nLaggard drama wending its way to an uninspired philosophical epiphany.\nThe respective charms of Sandra Bullock and Hugh Grant have worn threadbare.\n'This movie sucks.'\nNone of this so-called satire has any sting to it, as if Woody is afraid of biting the hand that has finally, to some extent, warmed up to him.\nA few nonbelievers may rethink their attitudes when they see the joy the characters take in this creed, but skeptics aren't likely to enter the theater.\nBad in such a bizarre way that it's almost worth seeing, if only to witness the crazy confluence of purpose and taste.\nThere's more repetition than creativity throughout the movie.\nHugh Grant's act is so consuming that sometimes it's difficult to tell who the other actors in the movie are.\nAlthough the sequel has all the outward elements of the original, the first film's lovely flakiness is gone, replaced by the forced funniness found in the dullest kiddie flicks.\nI've had more interesting -- and, dare I say, thematically complex -- bowel movements than this long-on-the-shelf, point-and-shoot exercise in gimmicky crime drama.\nWhat we get ... is Caddyshack crossed with the Loyal Order of Raccoons.\nThe jokes are flat, and the action looks fake.\nWhen a movie asks you to feel sorry for Mick Jagger's sex life, it already has one strike against it.\nThere are now two signs that M. Night Shyamalan's debut feature sucked up all he has to give to the mystic genres of cinema: Unbreakable and Signs.\n...hokey art house pretension.\n... a weak and ineffective ghost story without a conclusion or pay off.\nGussied up with so many distracting special effects and visual party tricks that it's not clear whether we're supposed to shriek or laugh.\nPlodding, poorly written, murky and weakly acted, the picture feels as if everyone making it lost their movie mojo.\nThis is a fudged opportunity of gigantic proportions -- a lunar mission with no signs of life.\nA baffling subplot involving smuggling drugs inside Danish cows falls flat, and if you're going to alter the Bard's ending, you'd better have a good alternative.\nSoderbergh seems capable only of delivering artfully lighted, earnest inquiries that lack the kind of genuine depth that would make them redeemable.\nThe only thing that distinguishes a Randall Wallace film from any other is the fact that there is nothing distinguishing in a Randall Wallace film.\nSilly stuff, all mixed up together like a term paper from a kid who can't quite distinguish one sci-fi work from another.\nThere is so much plodding sensitivity.\nThe town has kind of an authentic feel, but each one of these people stand out and everybody else is in the background and it just seems manufactured to me and artificial.\n...too sappy for its own good.\nCircuit queens won't learn a thing, they'll be too busy cursing the film's strategically placed white sheets.\nAs an actress, Madonna is one helluva singer. As the Mediterranean sparkles, 'Swept Away' sinks.\nEvery so often a film comes along that is so insanely stupid, so awful in so many ways that watching it leaves you giddy. Half Past Dead is just such an achievement.\nExpanded to 65 minutes for theatrical release, it still feels somewhat unfinished.\nIt all looks and plays like a $40 million version of a game you're more likely to enjoy on a computer.\n(Javier Bardem is) one of the few reasons to watch the film, which director Gerardo Vera has drenched in swoony music and fever-pitched melodrama.\nFeels shrill, simple and soapy.\nAdults, other than the parents...will be hard pressed to succumb to the call of the wild.\nBrady achieves the remarkable feat of squandering a topnotch foursome of actors ... by shoving them into every clichéd white-trash situation imaginable.\nIn the name of an allegedly inspiring and easily marketable flick, The Emperor's Club turns a blind eye to the very history it pretends to teach.\nNo amount of blood and disintegrating vampire cadavers can obscure this movie's lack of ideas.\nA direct-to-void release, heading nowhere.\nTypical animé, with cheapo animation (like Saturday morning TV in the '60s), a complex sword-and-sorcery plot and characters who all have big round eyes and Japanese names.\nBelow is well below expectations.\nAt no point during K-19:The Widowmaker did this viewer feel enveloped in a story that, though meant to be universal in its themes of loyalty, courage and dedication to a common goal, never seems to leave the lot.\n...standard guns versus martial arts cliche with little new added.\nEmpire can't make up its mind whether it wants to be a gangster flick or an art film. It doesn't work as either.\nGiven the fact that virtually no one is bound to show up at theatres for it, the project should have been made for the tube.\nPossession is in the end an honorable, interesting failure. It falls far short of poetry, but it's not bad prose.\nJonathan Parker's Bartleby should have been the be-all-end-all of the modern-office anomie films.\nThere may have been a good film in ``Trouble Every Day,'' but it is not what is on the screen.\nUnfortunately, Carvey's rubber-face routine is no match for the insipid script he has crafted with Harris Goldberg.\nViewed as a comedy, a romance, a fairy tale, or a drama, there's nothing remotely triumphant about this motion picture.\nThere's something unintentionally comic in the film's drumbeat about authenticity, given the stale plot and pornographic way the film revels in swank apartments, clothes and parties.\nThe Master of Disguise is funny--not ``ha ha'' funny, ``dead circus performer'' funny. And for all the wrong reasons besides.\nA zippy 96 minutes of mediocre special effects, hoary dialogue, fluxing accents, and -- worst of all -- silly-looking Morlocks.\nA 75-minute sample of puerile rubbish that is listless, witless, and devoid of anything resembling humor.\nYou leave feeling like you've endured a long workout without your pulse ever racing.\nThe waterlogged script plumbs uncharted depths of stupidity, incoherence and sub-sophomoric sexual banter.\nWith McConaughey in an entirely irony-free zone and Bale reduced mainly to batting his sensitive eyelids, there's not enough intelligence, wit or innovation on the screen to attract and sustain an older crowd.\nIt's the type of stunt the Academy loves: a powerful political message stuffed into an otherwise mediocre film.\nIn theory, a middle-aged romance pairing Clayburgh and Tambor sounds promising, but in practice it's something else altogether -- clownish and offensive and nothing at all like real life.\nSo mind-numbingly awful that you hope Britney won't do it one more time, as far as movies are concerned.\nThe images are usually abbreviated in favor of mushy obviousness and telegraphed pathos, particularly where Whitaker's misfit artist is concerned.\nIf Welles was unhappy at the prospect of the human race splitting in two, he probably wouldn't be too crazy with his great-grandson's movie splitting up in pretty much the same way.\nSets animation back 30 years, musicals back 40 years and Judaism back at least 50.\nWeirdly, Broomfield has compelling new material but he doesn't unveil it until the end, after endless scenes of him wheedling reluctant witnesses and pointing his camera through the smeared windshield of his rental car.\nMight best be enjoyed as a daytime soaper.\neventually arrives at its heart, as simple self-reflection meditation.\nA showcase for both the scenic splendor of the mountains and for legendary actor Michel Serrault, the film is less successful on other levels.\nBoy oh boy, it's a howler.\nA few pieces of the film buzz and whir; very little of it actually clicks. The thing just never gets off the ground.\n...contains very few laughs and even less surprises.\nThe actors must indeed be good to recite some of this laughable dialogue with a straight face.\nMost of the storylines feel like time fillers between surf shots. The movie isn't horrible, but you can see mediocre cresting on the next wave.\nHowever stale the material, Lawrence's delivery remains perfect; his great gift is that he can actually trick you into thinking some of this worn-out, pandering palaver is actually funny.\nThere's nothing remotely topical or sexy here.\nThe Tuxedo wasn't just bad; it was, as my friend David Cross would call it, 'Hungry-Man portions of bad'.\nBlue Crush is so prolonged and boring it isn't even close to being the barn-burningly bad movie it promised it would be.\nThe sequel plays out like a flimsy excuse to give Blade fans another look at Wesley Snipes' iconic hero doing battle with dozens of bad guys -- at once.\nWhile Van Wilder may not be the worst National Lampoon film, it's far from being this generation's Animal House.\nSo devoid of pleasure or sensuality that it cannot even be dubbed hedonistic.\nReeks of rot and hack work from start to finish.\nAn exhausting family drama about a porcelain empire and just as hard a flick as its subject matter.\nWoody Allen has really found his groove these days. The problem is that it is one that allows him to churn out one mediocre movie after another.\nThe bland outweighs the nifty, and Cletis Tout never becomes the clever crime comedy it thinks it is.\nIt's such a mechanical endeavor (that) it never bothers to question why somebody might devote time to see it.\nThe art direction is often exquisite, and the anthropomorphic animal characters are beautifully realized through clever makeup design, leaving one to hope that the eventual DVD release will offer subtitles and the original Italian-language soundtrack.\nIf the predictability of bland comfort food appeals to you, then the film is a pleasant enough dish.\nUltimately, in the history of the Academy, people may be wondering what all that jazz was about ``Chicago'' in 2002. Zellweger's whiny pouty-lipped poof faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a\nA seriously bad film with seriously warped logic by writer-director Kurt Wimmer at the screenplay level.\nA pleasant and engaging enough sit, but in trying to have the best of both worlds it ends up falling short as a whole.\nIts plot and animation offer daytime TV serviceability, but little more.\nA tired, unimaginative and derivative variation of that already-shallow genre.\nHuman Nature, in short, isn't nearly as funny as it thinks it is; neither is it as smart.\nA film with a great premise but only a great premise.\nInstead of building to a laugh riot we are left with a handful of disparate funny moments of no real consequence.\nKirshner and Monroe seem to be in a contest to see who can out-bad-act the other. (Kirshner wins, but it's close.)\nA lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to get involved with her.\nWhat started out as a taut contest of wills between Bacon and Theron, deteriorates into a protracted and borderline silly chase sequence.\n(Sam's) self-flagellation is more depressing than entertaining.\nAn ugly, pointless, stupid movie.\nSimply put, there should have been a more compelling excuse to pair Susan Sarandon and Goldie Hawn.\nThe Master of Disguise represents Adam Sandler's latest attempt to dumb down the universe.\nThis is an ungainly movie, ill-fitting, with its elbows sticking out where the knees should be.\nToo silly to take seriously.\nThe inevitable double- and triple-crosses arise, but the only drama is in waiting to hear how John Malkovich's reedy consigliere will pronounce his next line.\nEverything's serious, poetic, earnest and -- sadly -- dull.\nI like it. No, I hate it. No, I love it...hell, I dunno.\nThis mess of a movie is nothing short of a travesty of a transvestite comedy.\nIt's clotted with heavy-handed symbolism, dime-store psychology and endless scenic shots that make 105 minutes seem twice as long.\nA fifty car pileup of cliches.\nIt's a stale, overused cocktail using the same olives since 1962 as garnish. Not only is entry number twenty the worst of the Brosnan bunch, it's one of the worst of the entire franchise.\nWhat ultimately makes Windtalkers a disappointment is the superficial way it deals with its story.\nAs an actor's showcase, Hart's War has much to recommend it, even if the top-billed Willis is not the most impressive player. As a story of dramatic enlightenment, the screenplay by Billy Ray and Terry George leaves something to be desired.\nA non-Britney person might survive a screening with little harm done, except maybe for the last 15 minutes, which are as maudlin as any after-school special you can imagine.\nIt's not hateful. It's simply stupid, irrelevant and deeply, truly, bottomlessly cynical.\nPossibly not since Grumpy Old Men have I heard a film so solidly connect with one demographic while striking out with another.\nThe drama was so uninspiring that even a story immersed in love, lust, and sin couldn't keep my attention.\nA rather tired exercise in nostalgia.\nThe misery of these people becomes just another voyeuristic spectacle, to be consumed and forgotten.\nSome Body often looks like an episode of the TV show Blind Date, only less technically proficient and without the pop-up comments.\nBad Company has one of the most moronic screenplays of the year, full of holes that will be obvious even to those who aren't looking for them.\nPredecessors The Mummy and The Mummy Returns stand as intellectual masterpieces next to The Scorpion King.\nA markedly inactive film, City is conversational bordering on confessional.\nWhile kids will probably eat the whole thing up, most adults will be way ahead of the plot.\nDespite an impressive roster of stars and direction from Kathryn Bigelow, The Weight of Water is oppressively heavy.\nWe've liked Klein's other work but Rollerball left us cold.\nThey were afraid to show this movie to reviewers before its opening, afraid of the bad reviews they thought they'd earn. They were right.\nIt would be churlish to begrudge anyone for receiving whatever consolation that can be found in Dragonfly, yet it is impossible to find the film anything but appalling, shamelessly manipulative and contrived, and totally lacking in conviction.\nOffers no new insight on the matter, nor do its characters exactly spring to life.\nNohe has made a decent 'intro' documentary, but he feels like a spectator and not a participant.\nApparently designed as a reverie about memory and regret, but the only thing you'll regret is remembering the experience of sitting through it.\nA 94-minute travesty of unparalleled proportions, writer-director Parker seems to go out of his way to turn the legendary wit's classic mistaken identity farce into brutally labored and unfunny hokum.\nGuy gets girl, guy loses girl, audience falls asleep.\nToo ordinary to restore (Harmon) to prominence, despite some creepy scenes that evoke childish night terrors, and a praiseworthy attempt to generate suspense rather than gross out the audience.\nStirs potentially enticing ingredients into an uneasy blend of Ghost and Close Encounters of the Third Kind.\nThe weird thing about The Santa Clause 2, purportedly a children's movie, is that there is nothing in it to engage children emotionally.\nIt's pretentious in a way that verges on the amateurish.\nContains the humor, characterization, poignancy, and intelligence of a bad sitcom.\nIt doesn't matter that the film is less than 90 minutes. It still feels like a prison stretch.\nPartly a schmaltzy, by-the-numbers romantic comedy, partly a shallow rumination on the emptiness of success -- and entirely soulless.\nOng chooses to present Ah Na's life as a slight, weightless fairy tale, whose most unpleasant details seem to melt away in the face of the character's blank-faced optimism.\nThe overall feel is not unlike watching a glorified episode of ``7th Heaven.''\nJust a Kiss is a just a waste.\n...this isn't even a movie we can enjoy as mild escapism; it is one in which fear and frustration are provoked to intolerable levels.\nFrankly, it's kind of insulting, both to men and women. And it's not that funny -- which is just generally insulting.\nAs if Drop Dead Gorgeous wasn't enough, this equally derisive clunker is fixated on the spectacle of small-town competition.\nA wretched movie that reduces the Second World War to one man's quest to find an old flame.\nThis is a remake by the numbers, linking a halfwit plot to a series of standup routines in which Wilson and Murphy show how funny they could have been in a more ambitious movie.\nIt's better than mid-range Steven Seagal, but not as sharp as Jet Li on rollerblades.\nThere's a reason why halftime is only fifteen minutes long.\nThe talk-heavy film plays like one of Robert Altman's lesser works.\nAs happily glib and vicious as its characters.\nOne of those films that started with a great premise and then just fell apart.\nNo better or worse than 'Truth or Consequences, N.M.' or any other interchangeable actioner with imbecilic Mafia toolbags botching a routine assignment in a Western backwater.\n(MacDowell) ventures beyond her abilities several times here and reveals how bad an actress she is.\nI can imagine this movie as a b&w British comedy, circa 1960, with Peter Sellers, Kenneth Williams, et al., but at this time, with this cast, this movie is hopeless.\nTalky, artificial and opaque...an interesting technical exercise, but a tedious picture.\nKurys never shows why, of all the period's volatile romantic lives, Sand and Musset are worth particular attention.\nAlmost nothing else -- raunchy and graphic as it may be in presentation -- is one-sided, outwardly sexist or mean-spirited. And in a sense, that's a liability.\nIt's easy to love Robin Tunney -- she's pretty and she can act -- but it gets harder and harder to understand her choices.\nIf you've got a house full of tots -- don't worry, this will be on video long before they grow up and you can wait till then.\nThe new film of Anton Chekhov's The Cherry Orchard puts the 'ick' in 'classic.'\nHas an uppity musical beat that you can dance to, but its energy can't compare to the wit, humor and snappy dialogue of the original. If I want music, I'll buy the soundtrack. If I want a real movie, I'll buy the Criterion DVD.\nAn unremarkable, modern action/comedy buddy movie whose only nod to nostalgia is in the title.\nHas all the right elements but completely fails to gel together.\nWriter-director Stephen Gaghan has made the near-fatal mistake of being what the English call 'too clever by half.'\nSeagal ran out of movies years ago, and this is just the proof.\nThe movie is so contrived, nonsensical and formulaic that, come to think of it, the day-old shelf would be a more appropriate location to store it.\nAn awkwardly garish showcase that diverges from anything remotely probing or penetrating.\nThe name says it all. Jackass is a vulgar and cheap-looking version of Candid Camera staged for the Marquis de Sade set.\nChildren, Christian or otherwise, deserve to hear the full story of Jonah's despair -- in all its agonizing, Catch-22 glory -- even if they spend years trying to comprehend it.\nPleasant but not more than recycled jock piffle.\n...the kind of movie you see because the theater has air conditioning.\nWith Zoe Clarke-Williams's lackluster thriller ``New Best Friend'', who needs enemies? Just another generic drama that has nothing going for it other than its exploitive array of obligatory cheap thrills.\nHip-hop prison thriller of stupefying absurdity.\nAn uneven mix of dark satire and childhood awakening.\naside from showing us in explicit detail how difficult it is to win over the two-drink-minimum crowd, there's little to be learned from watching 'Comedian'\nA perfectly acceptable, perfectly bland, competently acted but by no means scary horror movie.\nThe film would have been more enjoyable had the balance shifted in favor of water-bound action over the land-based 'drama,' but the emphasis on the latter leaves Blue Crush waterlogged.\nThe problem is the needlessly poor quality of its archival prints and film footage. The images lack contrast, are murky and are frequently too dark to be decipherable.\nLike a soft drink that's been sitting open too long: it's too much syrup and not enough fizz.\nAs the movie dragged on, I thought I heard a mysterious voice, and felt myself powerfully drawn toward the light -- the light of the exit sign. I have returned from the beyond to warn you: this movie is 90 minutes long, and life is too short.\nThere are some fairly unsettling scenes, but they never succeed in really rattling the viewer.\nThe Emperor's Club is one of those films that possesses all the good intentions in the world, but ...\nIn the end, The Weight of Water comes to resemble the kind of soft-core twaddle you'd expect to see on Showtime's 'Red Shoe Diaries.'\nA straight-ahead thriller that never rises above superficiality.\nGlizty but formulaic and silly...Cagney's 'top of the world' has been replaced by the bottom of the barrel.\nThe re- enactments, however fascinating they may be as history, are too crude to serve the work especially well.\nIs anyone else out there getting tired of the whole slo-mo, double-pistoled, ballistic-pyrotechnic Hong Kong action aesthetic?\nOnce again, director Chris Columbus takes a hat-in-hand approach to Rowling that stifles creativity and allows the film to drag on for nearly three hours.\nServing Sara is little more than a mall movie designed to kill time.\nToo smart to ignore but a little too smugly superior to like, this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot.\nA well-made but emotionally scattered film whose hero gives his heart only to the dog.\nThe most repugnant adaptation of a classic text since Roland Joffé and Demi Moore's The Scarlet Letter.\nThe isolated moments of creative insanity finally are lost in the thin soup of canned humor.\nAs a movie, it never seems fresh and vital. It never plays as dramatic even when dramatic things happen to people. It labours as storytelling.\nThe Adventures of Pluto Nash is a whole lot of nada.\nA really good premise is frittered away in middle-of-the-road blandness.\nLawrence should stick to his day job. He's a better actor than a standup comedian.\nDespite the fact that this film wasn't as bad as I thought it was going to be, it's still not a good movie\nA well made indieflick in need of some trims and a more chemistry between its stars.\nI never thought I'd say this, but I'd much rather watch teens poking their genitals into fruit pies!\nA film neither bitter nor sweet, neither romantic nor comedic, neither warm nor fuzzy.\nTiresomely derivative and hammily acted.\nWe never truly come to care about the main characters and whether or not they'll wind up together, and Michele's spiritual quest is neither amusing nor dramatic enough to sustain interest.\nThe plot grows thin soon, and you find yourself praying for a quick resolution.\nToo bad Maggio couldn't come up with a better script.\nMuch of the cast is stiff or just plain bad.\nRice is too pedestrian a filmmaker to bring any edge or personality to The Rising Place that would set it apart from other Deep South stories.\nAt best, Cletis Tout might inspire a trip to the video store -- in search of a better movie experience.\nWitless, pointless, tasteless and idiotic.\nNot really a thriller so much as a movie for teens to laugh, groan and hiss at.\nAs plain and pedestrian as catsup--\nAn improvement on the feeble examples of big-screen Poke-mania that have preceded it.\nI know we're not supposed to take it seriously, but I can't shake the thought that Undercover Brother missed an opportunity to strongly present some profound social commentary.\nYour stomach for Heaven depends largely on your appetite for canned corn.\nA picture as erratic as its central character.\nWhatever satire Lucky Break was aiming for, it certainly got lost in the ``soon-to-be-forgettable'' section of the quirky rip-off prison romp pile. It's petty thievery like this that puts flimsy flicks like this behind bars\nThe package in which this fascinating -- and timely -- content comes wrapped is disappointingly generic.\nGuys say mean things and shoot a lot of bullets. Some of the characters die and others don't, and the film pretends that those living have learned some sort of lesson, and, really, nobody in the viewing audience cares.\nWildly incompetent but brilliantly named Half Past Dead -- or for Seagal pessimists: Totally Past His Prime.\nJust another combination of bad animation and mindless violence...lacking the slightest bit of wit or charm.\nAll the movie's narrative gymnastics can't disguise the fact that it's inauthentic at its core and that its story just isn't worth telling.\nMuch like its easily dismissive take on the upscale lifestyle, there isn't much there here.\nThe film ultimately offers nothing more than people in an urban jungle needing other people to survive...\nFor all its shoot-outs, fistfights, and car chases, this movie is a phlegmatic bore, so tedious it makes the silly spy vs. spy film The Sum of All Fears, starring Ben Affleck, seem downright Hitchcockian.\nThis mild-mannered farce, directed by one of its writers, John C. Walsh, is corny in a way that bespeaks an expiration date passed a long time ago.\nA bit too eager to please.\nYou'd be hard put to find a movie character more unattractive or odorous (than Leon).\nKapur's contradictory feelings about his material result in a movie that works against itself.\n``the road paved with good intentions leads to the video store''\nAnimated drivel meant to enhance the self-image of drooling idiots.\nOne scene after another in this supposedly funny movie falls to the floor with a sickening thud.\n'The Château is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot.'\nMeyjes focuses too much on Max when he should be filling the screen with this tortured, dull artist and monster-in-the- making.\nJacobi, the most fluent of actors, is given relatively dry material from Nijinsky's writings to perform, and the visuals, even erotically frank ones, become dullingly repetitive.\nCrudup's screen presence is the one thing that holds interest in the midst of a mushy, existential exploration of why men leave their families.\nThere is one surefire way to get a nomination for a best-foreign-film Oscar: Make a movie about whimsical folk who learn a nonchallenging, life-affirming lesson while walking around a foreign city with stunning architecture.\nDespite terrific special effects and funnier gags, Harry Potter and the Chamber of Secrets finds a way to make J.K. Rowling's marvelous series into a deadly bore.\nAn incredibly narrow in-joke targeted to the tiniest segment of an already obscure demographic.\nThe only thing I laughed at were the people who paid to see it.\nAll of the elements are in place for a great film noir, but director George Hickenlooper's approach to the material is too upbeat.\nThe hackneyed story about an affluent damsel in distress who decides to fight her bully of a husband is simply too overdone.\nthe phone rings and a voice tells you you've got seven days left to live. Then you get another phone call warning you that if the video isn't back at Blockbuster before midnight, you're going to face frightening late fees. O.K., not really.\nPossibly the most irresponsible picture ever released by a major film studio.\nThe film's overall mood and focus is interesting but constantly unfulfilling.\n...a cheap, ludicrous attempt at serious horror.\nThose of you who are not an eighth grade girl will most likely doze off during this one.\nBefuddled in its characterizations as it begins to seem as long as the two year affair which is its subject\nFrom beginning to end, this overheated melodrama plays like a student film.\nThe movie would seem less of a trifle if Ms. Sugarman followed through on her defiance of the saccharine.\nIt's just not very smart.\nLike the excruciating End of Days, Collateral Damage presents Schwarzenegger as a tragic figure, but sympathy really belongs with any viewer forced to watch him try out so many complicated facial expressions.\nImagine (if possible) a Pasolini film without passion or politics, or an Almodovar movie without beauty or humor, and you have some idea of the glum, numb experience of watching O Fantasma.\nIn trying to be daring and original, it comes off as only occasionally satirical and never fresh.\n90 punitive minutes of eardrum-dicing gunplay, screeching-metal smashups, and flaccid odd-couple sniping.\nSadly, though many of the actors throw off a spark or two when they first appear, they can't generate enough heat in this cold vacuum of a comedy to start a reaction.\nNever capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tolerance.\nAfter a while, Hoffman's quirks and mannerisms, particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial.\nThis wretchedly unfunny wannabe comedy is inane and awful - no doubt, it's the worst movie I've seen this summer.\nIt's drab. It's uninteresting. It squanders Chan's uniqueness; it could even be said to squander Jennifer Love Hewitt!\nThe movie keeps coming back to the achingly unfunny Phonce and his several silly subplots.\nThis tale has been told and retold; the races and rackets change, but the song remains the same.\nA surprisingly flat retread, hobbled by half-baked setups and sluggish pacing.\nForget the Psychology 101 study of romantic obsession and just watch the procession of costumes in castles and this won't seem like such a bore.\nA film that should be relegated to a dark video store corner is somehow making its way instead to theaters. It's hard to imagine acting that could be any flatter.\nNew ways of describing badness need to be invented to describe exactly how bad it is.\nLots of effort and intelligence are on display but in execution it is all awkward, static, and lifeless rumblings.\nWhen cowering and begging at the feet a scruffy Giannini, Madonna gives her best performance since Abel Ferrara had her beaten to a pulp in his Dangerous Game.\nI suspect that there are more interesting ways of dealing with the subject.\nThe film itself is about something very interesting and odd that would probably work better as a real documentary without the insinuation of mediocre acting or a fairly trite narrative.\nAn unintentional parody of every teen movie made in the last five years.\nOnly for young children, if them. Their parents would do well to cram earplugs in their ears and put pillowcases over their heads for 87 minutes.\nFor all its violence, the movie is remarkably dull with only Caine making much of an impression.\nNo matter how firmly director John Stainton has his tongue in his cheek, the fact remains that a wacky concept does not a movie make.\nA sub-formulaic slap in the face to seasonal cheer.\nThe action is reasonably well-done ... yet story, character and comedy bits are too ragged to ever fit smoothly together.\nSeveral uninteresting, unlikeable people do bad things to and with each other in ``Unfaithful.'' Why anyone who is not a character in this movie should care is beyond me.\nHill looks to be going through the motions, beginning with the pale script.\nHoward conjures the past via surrealist flourishes so overwrought you'd swear he just stepped out of a Buñuel retrospective.\nThe best thing that can be said of the picture is that it does have a few cute moments.\nIt's not a bad premise, just a bad movie.\nAn already thin story boils down to surviving invaders seeking an existent anti-virus. If only there were one for this kind of movie.\nBy the time the surprise ending is revealed, interest cannot be revived.\nThe heedless impetuousness of youth is on full, irritating display in (this) meandering and pointless French coming-of-age import from writer-director Anne-Sophie Birot.\nA peculiar misfire that even Tunney can't save.\nWatching Queen of the Damned is like reading a research paper, with special effects tossed in.\nI can't remember the last time I saw worse stunt editing or cheaper action movie production values than in Extreme Ops.\nToo much of Nemesis has a tired, talky feel.\nI felt trapped and with no obvious escape for the entire 100 minutes.\nWhen Mr. Hundert tells us in his narration that 'this is a story without surprises,' we nod in agreement.\nLeaves us wondering less about its ideas and more about its characterization of Hitler and the contrived nature of its provocative conclusion.\nIt is that rare combination of bad writing, bad direction and bad acting -- the trifecta of badness.\nEach scene wreaks of routine; the film never manages to generate a single threat of suspense.\nA soulless jumble of ineptly assembled cliches and pabulum that plays like a 95-minute commercial for NBA properties.\nBorstal Boy represents the worst kind of filmmaking, the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy.\nThe film's lack of personality permeates all its aspects -- from the TV movie-esque, affected child acting to the dullest Irish pub scenes ever filmed.\nworks on the whodunit level as its larger themes get lost in the murk of its own making\nCrush could be the worst film a man has made about women since Valley of the Dolls.\n4Ever has the same sledgehammer appeal as Pokemon videos, but it breathes more on the big screen and induces headaches more slowly.\nFeels like the work of someone who may indeed have finally aged past his prime ... and, perhaps more than he realizes, just wants to be liked by the people who can still give him work.\nTrailer park Magnolia: too long, too cutesy, too sure of its own importance, and possessed of that peculiar tension of being too dense & about nothing at all.\nViewers of Barney's crushingly self-indulgent spectacle will see nothing in it to match the ordeal of sitting through it.\n...its stupidities wind up sticking in one's mind a lot more than the cool bits.\nSayles ... once again strands his superb performers in the same old story.\nThe Piano Teacher, like its title character, is repellantly out of control.\nI have to admit I walked out of Runteldat. I did go back and check out the last 10 minutes, but these were more repulsive than the first 30 or 40 minutes.\nThe filmmakers lack the nerve ... to fully exploit the script's potential for sick humor.\nThe film wasn't preachy, but it was feminism by the book.\n... the same tired old gags, modernized for the extreme sports generation. There's already been too many of these films...\nSeveral of Steven Soderbergh's earlier films were hailed as the works of an artist. Sadly, Full Frontal plays like the work of a dilettante.\nClockstoppers is one of those crazy, mixed-up films that doesn't know what it wants to be when it grows up.\nAlthough bright, well-acted and thought-provoking, Tuck Everlasting suffers from a laconic pace and a lack of traditional action.\n'The War of the Roses,' trailer-trash style. Entertaining but like shooting fish in a barrel.\nSupposedly, Pokemon can't be killed, but Pokemon 4Ever practically assures that the pocket monster movie franchise is nearly ready to keel over.\nWhite hasn't developed characters so much as caricatures, one-dimensional buffoons that get him a few laughs but nothing else.\nWhen you resurrect a dead man, Hard Copy should come a-knocking, no?\nCattaneo should have followed the runaway success of his first film, The Full Monty, with something different.\nThe film feels formulaic, its plot and pacing typical Hollywood war-movie stuff, while the performances elicit more of a sense of deja vu than awe.\nThis overproduced piece of dreck is shockingly bad and absolutely unnecessary. Hmmm...might I suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener?\nThe makers of Mothman Prophecies succeed in producing that most frightening of all movies -- a mediocre horror film too bad to be good and too good to be bad.\nMr. Deeds is not really a film as much as it is a loose collection of not-so-funny gags, scattered moments of lazy humor.\nHow this one escaped the Lifetime network I'll never know.\nCouldn't someone take Rob Schneider and have him switch bodies with a funny person?\nOne of these days Hollywood will come up with an original idea for a teen movie, but until then there's always these rehashes to feed to the younger generations.\nFor all its brilliant touches, Dragon loses its fire midway, nearly flickering out by its perfunctory conclusion.\nI have to admit that I am baffled by Jason X.\nA mean-spirited film made by someone who surely read The Catcher in the Rye but clearly suffers from dyslexia\nInstead of a witty expose on the banality and hypocrisy of too much kid-vid, we get an ugly, mean-spirited lashing out by an adult who's apparently been forced by his kids to watch too many Barney videos.\nThis is a film living far too much in its own head.\nThe umpteenth summer skinny dip in Jerry Bruckheimer's putrid pond of retread action twaddle.\nNational Lampoon's Van Wilder may aim to be the next Animal House, but it more closely resembles this year's version of Tomcats.\nThe film thrusts the inchoate but already eldritch Christian Right propaganda machine into national media circles.\nDogtown is hollow, self-indulgent, and - worst of all - boring.\nA movie so bad that it quickly enters the pantheon of wreckage that includes Battlefield Earth and Showgirls.\nMore of a career curio than a major work.\nIt's just too bad the screenwriters eventually shoot themselves in the feet with cop flick cliches like an oily arms dealer, squad car pile-ups and the requisite screaming captain.\nCox is far more concerned with aggrandizing madness, not the man, and the results might drive you crazy.\nTo be influenced chiefly by humanity's greatest shame, reality shows -- reality shows for God's sake! -- is a crime that should be punishable by chainsaw.\nAs we have come to learn -- as many times as we have fingers to count on -- Jason is a killer who doesn't know the meaning of the word 'quit.' The filmmakers might want to look it up.\nA frustrating 'tweener' -- too slick, contrived and exploitative for the art houses and too cynical, small and decadent for the malls.\nWhat's surprising about this traditional thriller, moderately successful but not completely satisfying, is exactly how genteel and unsurprising the execution turns out to be.\nDrowning's too good for this sucker.\nAn instantly forgettable snow-and-stuntwork extravaganza that likely will be upstaged by an avalanche of more appealing holiday-season product.\nFrankly, it's pretty stupid. I had more fun with Ben Stiller's Zoolander, which I thought was rather clever. But there's plenty to offend everyone...\nLove Liza is a festival film that would have been better off staying on the festival circuit.\nThere are things to like about Murder By Numbers -- but, in the end, the disparate elements don't gel.\n...tackling a low-budget movie in which inexperienced children play the two main characters might not be the best way to cut your teeth in the film industry.\nQuite frankly, I can't see why any actor of talent would ever work in a McCulloch production again if they looked at how this movie turned out.\nMy precious new Star Wars movie is a lumbering, wheezy drag...\nThe innocence of holiday cheer ain't what it used to be.\nToo campy to work as straight drama and too violent and sordid to function as comedy, Vulgar is, truly and thankfully, a one-of-a-kind work.\nHorrid little propaganda film with fascinating connections not only to the Serbs themselves but also to a network of American right-wing extremists.\nShould have gone straight to video. It looks like an action movie, but it's so poorly made, on all levels, that it doesn't even qualify as a spoof of such.\nIt is supremely unfunny and unentertaining to watch middle-age and older men drink to excess, piss on trees, b.s. one another and put on a show in drag.\nConsider the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director I admire.\nA boring, pretentious muddle that uses a sensational, real-life 19th-Century crime as a metaphor for -- well, I'm not exactly sure what -- and has all the dramatic weight of a raindrop.\nSheridan had a wonderful account to work from, but, curiously, he waters it down, turning grit and vulnerability into light reading.\nHeavy with flabby rolls of typical Toback machinations.\nIt is very difficult to care about the character, and that is the central flaw of the film.\nSnow Dogs finds its humour in a black man getting humiliated by a pack of dogs who are smarter than him\nWhole stretches of the film may be incomprehensible to moviegoers not already clad in basic black.\nReggio and Glass so rhapsodize cynicism, with repetition and languorous slo-mo sequences, that Glass's dirgelike score becomes a fang-baring lullaby.\nEnds up offering nothing more than the latest Schwarzenegger or Stallone flick would.\nThe film makes strong arguments regarding the social status of America's indigenous people, but really only exists to try to eke out an emotional tug of the heart, one which it fails to get.\nCharlize CHASES Kevin with a GUN. Courtney CHASES Stuart with a CELL PHONE. The sound of GUNFIRE and cell phones RINGING.\nIf The Tuxedo actually were a suit, it would fit Chan like a $99 bargain-basement special.\nParents beware; this is downright movie penance.\n...a complete shambles of a movie so sloppy, so uneven, so damn unpleasant that I can't believe any viewer, young or old, would have a good time here.\nHas nothing good to speak about other than the fact that it is relatively short, tries its best to hide the fact that Seagal's overweight and out of shape.\nA pathetically inane and unimaginative cross between XXX and Vertical Limit.\nImpeccably filmed, sexually charged, but ultimately lacking in substance, not to mention dragged down by a leaden closing act.\nFeels at times like a giant commercial for Universal Studios, where much of the action takes place.\nWhile the mystery unravels, the characters respond by hitting on each other.\nBritney Spears' phoniness is nothing compared to the movie's contrived, lame screenplay and listless direction.\nEvery sequel you skip will be two hours gained. Consider this review life-affirming.\nIf the movie were all comedy, it might work better. But it has an ambition to say something about its subjects, but not a willingness.\nThe movie, while beautiful, feels labored, with a hint of the writing exercise about it.\nTwenty-three movies into a mostly magnificent directorial career, Clint Eastwood's efficiently minimalist style finally has failed him. Big time.\nThis heist flick about young Brooklyn hoods is off the shelf after two years to capitalize on the popularity of Vin Diesel, Seth Green and Barry Pepper. It should have stayed there.\nThe film has a childlike quality about it. But the feelings evoked in the film are lukewarm and quick to pass.\nThe most opaque, self-indulgent and just plain goofy an excuse for a movie as you can imagine.\nIt's not a film to be taken literally on any level, but its focus always appears questionable.\nBig Fat Liar is little more than Home Alone raised to a new, self-deprecating level.\nThe movie is gorgeously made, but it is also somewhat shallow and art-conscious.\nThe only time 8 Crazy Nights comes close to hitting a comedic or satirical target is during the offbeat musical numbers.\nLoses its sense of humor in a vat of failed jokes, twitchy acting, and general boorishness.\nThere's a delightfully quirky movie to be made from curling, but Brooms isn't it.\nThe story suffers a severe case of oversimplification, superficiality and silliness.\nChamber of Secrets will find millions of eager fans. But if the essence of magic is its make-believe promise of life that soars above the material realm, this is the opposite of a truly magical movie.\nToo clever by about nine-tenths.\nHas all the hallmarks of a movie designed strictly for children's home video, a market so insatiable it absorbs all manner of lame entertainment, as long as 3-year-olds find it diverting.\nBears about as much resemblance to the experiences of most battered women as Spider-Man does to the experiences of most teenagers.\nToward the end Sum of All Fears morphs into a mundane '70s disaster flick.\nDirector Carl Franklin, so crisp and economical in One False Move, bogs down in genre cliches here.\nMendes still doesn't quite know how to fill a frame. Like the Hanks character, he's a slow study: The action is stilted and the tabloid energy embalmed.\nThis thing is just garbage.\nAs crimes go, writer-director Michael Kalesniko's How to Kill Your Neighbor's Dog is slight but unendurable.\nThere must be an audience that enjoys the Friday series, but I wouldn't be interested in knowing any of them personally.\nA bold (and lovely) experiment that will almost certainly bore most audiences into their own brightly colored dreams.\nAn uplifting, largely bogus story.\nAn empty exercise, a florid but ultimately vapid crime melodrama with lots of surface flash but little emotional resonance.\nIf you are curious to see the darker side of what's going on with young TV actors (Dawson Leery did what?!?), or see some interesting storytelling devices, you might want to check it out, but there's nothing very attractive about this movie.\nMy own minority report is that it stinks.\nTrying to make head or tail of the story in the hip-hop indie Snipes is enough to give you brain strain -- and the pay-off is negligible.\nThe script is high on squaddie banter, low on shocks.\n...if you, like me, think an action film disguised as a war tribute is disgusting to begin with, then you're in for a painful ride.\nWhile Solondz tries and tries hard, Storytelling fails to provide much more insight than the inside column of a torn book jacket.\nWith very little to add beyond the dark visions already relayed by superb recent predecessors like Swimming With Sharks and The Player, this latest skewering ... may put off insiders and outsiders alike.\n(Davis) wants to cause his audience an epiphany, yet he refuses to give us real situations and characters.\nWithout a fresh infusion of creativity, 4Ever is neither a promise nor a threat so much as wishful thinking.\n...unlike (Scorsese's Mean Streets), Ash Wednesday is essentially devoid of interesting characters or even a halfway intriguing plot.\nBeing unique doesn't necessarily equate to being good, no matter how admirably the filmmakers have gone for broke.\nA few hours after you've seen it, you forget you've been to the movies.\nwaydowntown may not be an important movie, or even a good one, but it provides a nice change of mindless pace in collision with the hot Oscar season currently underway.\nYes, I suppose it's lovely that Cal works out his issues with his dad and comes to terms with his picture-perfect life -- but World Traveler gave me no reason to care, so I didn't.\nShadyac, who belongs with the damned for perpetrating Patch Adams, trots out every ghost trick from The Sixth Sense to The Mothman Prophecies.\nThe photographer's show-don't-tell stance is admirable, but it can make him a problematic documentary subject.\nIt is not the first time that director Sara Sugarman stoops to having characters drop their pants for laughs and not the last time she fails to provoke them.\nI'd be hard pressed to think of a film more cloyingly sappy than Evelyn this year.\nNothing more than an amiable but unfocused bagatelle that plays like a loosely-connected string of acting-workshop exercises.\nmeanders between its powerful moments.\nWhat remains is a variant of the nincompoop Benigni persona, here a more annoying, though less angry version of the irresponsible Sandlerian manchild, undercut by the voice of the star of Road Trip.\nA backhanded ode to female camaraderie penned by a man who has little clue about either the nature of women or of friendship.\nPure of intention and passably diverting, His Secret Life is light, innocuous and unremarkable.\n...delivers few moments of inspiration amid the bland animation and simplistic story.\nTake away the controversy, and it's not much more watchable than a Mexican soap opera.\nIt's got the brawn, but not the brains.\nMindless and boring martial arts and gunplay with too little excitement and zero compelling storyline.\nA lot of talent is wasted in this crass, low-wattage endeavor.\nTo show these characters in the act and give them no feelings of remorse -- and to cut repeatedly to the flashback of the original rape -- is overkill to the highest degree.\n(T)oo many of these gross out scenes...\nAbout one in three gags in White's intermittently wise script hits its mark; the rest are padding unashamedly appropriated from the teen-exploitation playbook.\nLittle is done to support the premise other than fling gags at it to see which ones shtick.\nReno does what he can in a thankless situation, the film ricochets from humor to violence and back again, and Ryoko Hirosue makes us wonder if she is always like that.\nIf Jews were Catholics, this would be Catechism\nOne of those films that seems tailor made to air on pay cable to offer some modest amusements when one has nothing else to watch.\nThe big ending surprise almost saves the movie. It's too bad that the rest isn't more compelling.\nCharming, if overly complicated...\nSchneider's mugging is relentless and his constant need to suddenly transpose himself into another character undermines the story's continuity and progression.\nAll very stylish and beautifully photographed, but far more trouble than it's worth, with fantasy mixing with reality and actors playing more than one role just to add to the confusion.\nIt's probably not easy to make such a worthless film ...\nHope keeps arising that the movie will live up to the apparent skills of its makers and the talents of its actors, but it doesn't.\nHas no reason to exist, other than to employ Hollywood kids and people who owe favors to their famous parents.\nFor a guy who has waited three years with breathless anticipation for a new Hal Hartley movie to pore over, No Such Thing is a big letdown.\nConstantly slips from the grasp of its maker.\nSmothered by its own solemnity.\n'Christian Bale's Quinn (is) a leather clad grunge-pirate with a hairdo like Gandalf in a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent.'\nMight be one of those vanity projects in which a renowned filmmaker attempts to show off his talent by surrounding himself with untalented people.\nAfter you laugh once (maybe twice), you will have completely forgotten the movie by the time you get back to your car in the parking lot.\nNot one moment in the enterprise didn't make me want to lie down in a dark room with something cool to my brow.\nIn the era of The Sopranos, it feels painfully redundant and inauthentic.\nThe overall vibe is druggy and self-indulgent, like a spring-break orgy for pretentious arts majors.\nBreen's script is sketchy with actorish notations on the margin of acting.\nThere's no question that Epps scores once or twice, but it's telling that his funniest moment comes when he falls about ten feet onto his head.\nIf only Merchant paid more attention the story.\nAt the one-hour mark, Herzog simply runs out of ideas and the pace turns positively leaden as the movie sputters to its inevitable tragic conclusion.\n...too contrived to be as naturally charming as it needs to be.\nA simpler, leaner treatment would have been preferable; after all, being about nothing is sometimes funnier than being about something.\nThe characters are based on stock clichés, and the attempt to complicate the story only defies credibility.\nEverything about it from the bland songs to the colorful but flat drawings is completely serviceable and quickly forgettable.\nNot the Great American Comedy, but if you liked the previous movies in the series, you'll have a good time with this one too.\nA domestic melodrama with weak dialogue and biopic cliches.\nMr. Goyer's loose, unaccountable direction is technically sophisticated in the worst way.\nThe movie is so thoughtlessly assembled.\nBenigni presents himself as the boy puppet Pinocchio, complete with receding hairline, weathered countenance and American Breckin Meyer's ridiculously inappropriate Valley Boy voice.\nplays like some corny television production from a bygone era\nThe end result is like cold porridge with only the odd enjoyably chewy lump.\nFor all the charm of Kevin Kline and a story that puts old-fashioned values under the microscope, there's something creepy about this movie.\nI was feeling this movie until it veered off too far into the Exxon zone, and left me behind at the station looking for a return ticket to realism.\nProducer John Penotti surveyed high school students...and came back with the astonishing revelation that ``they wanted to see something that didn't talk down to them.'' Ignoring that, he made Swimfan anyway\nNaipaul fans may be disappointed. Those who are not acquainted with the author's work, on the other hand, may fall fast asleep.\nHoffman waits too long to turn his movie in an unexpected direction, and even then his tone retains a genteel, prep-school quality that feels dusty and leatherbound.\nIf you're a Crocodile Hunter fan, you'll enjoy at least the ``real'' portions of the film. If you're looking for a story, don't bother.\nFull Frontal had no effect and elicited no sympathies for any of the characters. By that measure, it is a failure.\nA baffling mixed platter of gritty realism and magic realism with a hard-to-swallow premise.\nAn affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer's previous collaboration, Miss Congeniality.\nSometimes this modest little number clicks, and sometimes it doesn't.\nLike a pack of dynamite sticks, built for controversy. The film is explosive, but a few of those sticks are wet.\nHas its charming quirks and its dull spots.\nAn admitted egomaniac, Evans is no Hollywood villain, and yet this grating showcase almost makes you wish he'd gone the way of Don Simpson.\nThe audience when I saw this one was chuckling at all the wrong times, and that's a bad sign when they're supposed to be having a collective heart attack.\nEveryone's to blame here.\nYou get the impression that writer and director Burr Steers knows the territory ... but his sense of humor has yet to lose the smug self-satisfaction usually associated with the better private schools.\nLess a study in madness or love than a study in schoolgirl obsession.\nRice never clearly defines his characters or gives us a reason to care about them.\nIt's a bizarre curiosity memorable mainly for the way it fritters away its potentially interesting subject matter via a banal script, unimpressive acting and indifferent direction.\nA slight and obvious effort, even for one whose target demographic is likely still in the single digits, age-wise.\nSex With Strangers will shock many with its unblinking frankness. But what is missing from it all is a moral. What is the filmmakers' point? Why did they deem it necessary to document all this emotional misery?\nYou see Robin Williams and psycho killer, and you think, hmmmmm. You see the movie and you think, zzzzzzzzz.\nDownright transparent is the script's endless assault of embarrassingly ham-fisted sex jokes that reek of a script rewrite designed to garner the film a ``cooler'' PG-13 rating.\nThe movie slides downhill as soon as macho action conventions assert themselves.\nFormulaic to the 51st power, more like.\nDraggin' about dragons\nHoward and his co-stars all give committed performances, but they're often undone by Howard's self-conscious attempts to find a 'literary' filmmaking style to match his subject.\nA respectable but uninspired thriller that's intelligent and considered in its details, but ultimately weak in its impact.\nJones helps breathe some life into the insubstantial plot, but even he is overwhelmed by predictability.\nThe movie just has too much on its plate to really stay afloat for its just under ninety minute running time.\nComes off more like a misdemeanor, a flat, unconvincing drama that never catches fire.\nOffers absolutely nothing I hadn't already seen.\n``Analyze That'' is one of those crass, contrived sequels that not only fails on its own, but makes you second-guess your affection for the original.\nYou might say Tykwer has done all that Heaven allows, if you wanted to make as anti-Kieslowski a pun as possible. Suffice to say its total promise is left slightly unfulfilled.\nComplex, sinuously plotted and, somehow, off-puttingly cold.\nFirst-time writer-director Dylan Kidd also has a good ear for dialogue, and the characters sound like real people.\n...an airless, prepackaged Julia Roberts wannabe that stinks so badly of hard-sell image-mongering you'll wonder if Lopez's publicist should share screenwriting credit.\nGoldmember has none of the visual wit of the previous pictures, and it looks as though Jay Roach directed the film from the back of a taxicab.\nCould as easily have been called 'Under Siege 3: In Alcatraz'...a cinematic corpse that never springs to life.\nIn comparison to his earlier films it seems a disappointingly thin slice of lower-class London life; despite the title...amounts to surprisingly little.\nLame Sweet Home leaves no Southern stereotype unturned.\nSlow, dry, poorly cast, but beautifully shot.\nThe jokes are sophomoric, stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious.\nWill give many ministers and Bible-study groups hours of material to discuss. But mainstream audiences will find little of interest in this film, which is often preachy and poorly acted.\nIn its chicken heart, Crush goes to absurd lengths to duck the very issues it raises.\nThis long and relentlessly saccharine film is a clear case of preaching to the converted.\nThe film is flat.\nThe movie is a lumbering load of hokum but ... it's at least watchable.\nIt's a boom-box of a movie that might have been titled 'The Loud and the Ludicrous'...the pandering to a moviegoing audience dominated by young males is all too calculated.\nAn unbelievably stupid film, though occasionally fun enough to make you forget its absurdity.\nThe first Fatal Attraction was vile enough. Do we really need the Tiger Beat version?\nThis Bond film goes off the beaten path, not necessarily for the better.\nThe problem is that the movie has no idea of it is serious or not.\nWhen the fire burns out, we've only come face-to-face with a couple dragons and that's where the film ultimately fails.\nIt would work much better as a one-hour TV documentary.\nThe elements were all there but lack of a pyschological center knocks it flat.\nAnemic chronicle of money grubbing New Yorkers and their serial loveless hook ups.\nSimply doesn't have sufficient heft to justify its two-hour running time.\nAn unsuccessful attempt at a movie of ideas.\nQueen of the Damned as you might have guessed, makes sorry use of Aaliyah in her one and only starring role -- she does little here but point at things that explode into flame.\nThis toothless Dog, already on cable, loses all bite on the big screen.\nIt made me feel unclean, and I'm the guy who liked There's Something About Mary and both American Pie movies. Oh, and Booty Call.\nNot only is it hokey, manipulative and as bland as Wonder Bread dipped in milk, but it also does the absolute last thing we need Hollywood doing to us: It preaches.\nIt's so crammed with scenes and vistas and pretty moments that it's left a few crucial things out, like character development and coherence.\nServing Sara should be served an eviction notice at every theater stuck with it.\nDirector Roger Michell does so many of the little things right that it's difficult not to cuss him out severely for bungling the big stuff.\nA loud, low-budget and tired formula film that arrives cloaked in the euphemism 'urban drama.'\nThe movie has a script (by Paul Pender) made of wood, and it's relentlessly folksy, a procession of stagy set pieces stacked with binary oppositions.\nA pathetic exploitation film that tries to seem sincere, and just seems worse for the effort.\nAt some point, all this visual trickery stops being clever and devolves into flashy, vaguely silly overkill.\nDespite some charm and heart, this quirky soccer import is forgettable\nMeyjes's movie, like Max Rothman's future, does not work.\nWhat's needed so badly but what is virtually absent here is either a saving dark humor or the feel of poetic tragedy.\nSchneidermeister... Makin' a fool of himself... Losin' his fan base...\nAn ambitious, serious film that manages to do virtually everything wrong; sitting through it is something akin to an act of cinematic penance.\nNot once does it come close to being exciting.\nA Frankenstein mishmash that careens from dark satire to cartoonish slapstick, Bartleby performs neither one very well.\nIt plays like a big-budget, after-school special with a generous cast, who at times lift the material from its well-meaning clunkiness.\nThere's something not entirely convincing about The Quiet American. And that holds true for both the movie and the title character played by Brendan Fraser.\nOne of those strained caper movies that's hardly any fun to watch and begins to vaporize from your memory minutes after it ends.\nNeeded a little less bling-bling and a lot more romance.\nThe ending doesn't work ... but most of the movie works so well I'm almost recommending it, anyway -- maybe not to everybody, but certainly to people with a curiosity about how a movie can go very right, and then step wrong.\nIt's hard to believe these jokers are supposed to have pulled off four similar kidnappings before.\nI'm not exactly sure what this movie thinks it is about.\nCal is an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes.\nSo brisk is Wang's pacing that none of the excellent cast are given air to breathe.\nThe bottom line, at least in my opinion, is Imposter makes a better short story than it does a film.\nSome elements of it really blow the big one, but other parts are decent.\nIt is just too bad the film's story does not live up to its style.\nUnless you're a fanatic, the best advice is: 'Scooby' don't.\nA cautionary tale about the folly of superficiality that is itself endlessly superficial.\nFor single digits kidlets Stuart Little 2 is still a no brainer. If you're looking to rekindle the magic of the first film, you'll need a stronger stomach than us.\nShreve's graceful dual narrative gets clunky on the screen, and we keep getting torn away from the compelling historical tale to a less-compelling soap opera.\nContains a few big laughs but many more that graze the funny bone or miss it altogether, in part because the consciously dumbed-down approach wears thin.\nNothing more than a widget cranked out on an assembly line to see if stupid Americans will get a kick out of goofy Brits with cute accents performing ages-old slapstick and unfunny tricks.\nThis is a film tailor-made for those who when they were in high school would choose the Cliff-Notes over reading a full-length classic.\nThe movie is undone by a filmmaking methodology that's just experimental enough to alienate the mainstream audience while ringing cliched to hardened indie-heads.\nA jumbled fantasy comedy that did not figure out a coherent game plan at scripting, shooting or post-production stages.\nA sad and rote exercise in milking a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title would imply.\nPersonal Velocity ought to be exploring these women's inner lives, but it never moves beyond their surfaces.\nWe hate (Madonna) within the film's first five minutes, and she lacks the skill or presence to regain any ground.\nSounding like Arnold Schwarzenegger, with a physique to match, (Ahola) has a wooden delivery and encounters a substantial arc of change that doesn't produce any real transformation.\nTwo big things are missing -- anything approaching a visceral kick, and anything approaching even a vague reason to sit through it all.\nA fascinating but choppy documentary.\nScarcely worth a mention apart from reporting on the number of tumbleweeds blowing through the empty theatres graced with its company.\nThe doofus-on- the-loose banter of Welcome to Collinwood has a cocky, after-hours loopiness to it. And as with most late-night bull sessions, eventually the content isn't nearly as captivating as the rowdy participants think it is.\nToo stagey, talky -- and long -- for its own good.\nApparently reassembled from the cutting-room floor of any given daytime soap.\nThe sinister inspiration that fuelled DeVito's early work is confused in Death to Smoochy into something both ugly and mindless.\nDespite Auteuil's performance, it's a rather listless amble down the middle of the road, where the thematic ironies are too obvious and the sexual politics too smug.\nDirector Boris von Sychowski instead opts for a routine slasher film that was probably more fun to make than it is to sit through.\n...little more than a well-acted television melodrama shot for the big screen.\nNever comes together as a coherent whole.\nAn unintentionally surreal kid's picture ... in which actors in bad bear suits enact a sort of inter-species parody of a VH1 Behind the Music episode.\nFirst, for a movie that tries to be smart, it's kinda dumb. And second, what's with all the shooting?\nDon't even bother to rent this on video.\nThere is something in Full Frontal, I guess, about artifice and acting and how it distorts reality for people who make movies and watch them, but like most movie riddles, it works only if you have an interest in the characters you see.\nThis is the kind of movie that gets a quick release before real contenders arrive in September.\nNot counting a few gross-out comedies I've been trying to forget, this is the first film in a long time that made me want to bolt the theater in the first 10 minutes.\nPlays like one long, meandering sketch inspired by the works of John Waters and Todd Solondz, rather than a fully developed story.\nThe film doesn't have enough innovation or pizazz to attract teenagers, and it lacks the novel charm that made Spy Kids a surprising winner with both adults and younger audiences.\nA mawkish self-parody that plays like some weird Masterpiece Theater sketch with neither a point of view nor a compelling reason for being.\nAn average B-movie with no aspirations to be anything more.\nBartlett's hero remains a reactive cipher, when opening the man's head and heart is the only imaginable reason for the film to be made.\nGibney and Jarecki just want to string the bastard up.\nThe plot is plastered with one Hollywood cliche after another, most of which involve precocious kids getting the better of obnoxious adults.\nLess worrying about covering all the drama in Frida's life and more time spent exploring her process of turning pain into art would have made this a superior movie.\nA film that suffers because of its many excesses.\nToo bland and fustily tasteful to be truly prurient.\nIn any case, I would recommend Big Bad Love only to Winger fans who have missed her since 1995's Forget Paris. But even then, I'd recommend waiting for DVD and just skipping straight to her scenes.\nDepicts the sorriest and most sordid of human behavior on the screen, then laughs at how clever it's being.\nNijinsky says, 'I know how to suffer' and if you see this film you'll know too.\n'CQ may one day be fondly remembered as Roman Coppola's brief pretentious period before going on to other films that actually tell a story worth caring about\nThe only thing scary about feardotcom is that the filmmakers and studio are brazen enough to attempt to pass this stinker off as a scary movie.\n...the story simply putters along looking for astute observations and coming up blank.\nInstead of contriving a climactic hero's death for the beloved-major- character-who-shall- remain-nameless, why not invite some genuine spontaneity into the film by having the evil aliens' laser guns actually hit something for once?\nIt just didn't mean much to me and played too skewed to ever get a hold on (or be entertained by).\nThis action-thriller/dark comedy is one of the most repellent things to pop up in a cinematic year already littered with celluloid garbage.\nMIB II is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything. That's because relatively nothing happens.\nNo amount of arty theorizing -- the special effects are 'German-Expressionist,' according to the press notes -- can render it anything but laughable.\nBlue Crush follows the formula, but throws in too many conflicts to keep the story compelling.\nBoyd's screenplay (co-written with Guardian hack Nick Davies) has a florid turn of phrase that owes more to Guy Ritchie than the Bard of Avon.\nThere's not a spark of new inspiration in it, just more of the same, done with noticeably less energy and imagination.\nJackson shamefully strolls through this mess with a smug grin, inexplicably wearing a kilt and carrying a bag of golf clubs over one shoulder.\nA moving picture that does not move.\nRuh-roh! Romething's really wrong with this ricture!\nIts salient points are simultaneously buried, drowned and smothered in the excesses of writer-director Roger Avary.\nI'm not sure these words have ever been together in the same sentence: This erotic cannibal movie is boring.\n'God help us, but Capra and Cooper are rolling over in their graves.'\n...an hour-and-a-half of inoffensive, unmemorable filler.\nIs it a comedy? A drama? A romance? A cartoon?\nZe movie starts out so funny, then she is nothing.\nDid the film inform and educate me? Yes. Did it move me to care about what happened in 1915 Armenia? No. And that is where Ararat went astray.\nIt's a bad sign in a thriller when you instantly know whodunit.\nHas a customarily jovial air but a deficit of flim-flam inventiveness.\nEight Legged Freaks won't join the pantheon of great monster/science fiction flicks that we have come to love...\nIt gets the details of its time frame right but it completely misses its emotions.\nWho, exactly, is fighting whom here? Ah, yes, that would be me: fighting off the urge to doze.\nA kilted Jackson is an unsettling sight, and indicative of his, if you will, out-of-kilter character, who rambles aimlessly through ill-conceived action pieces.\nContrived, awkward and filled with unintended laughs, the film shows signs that someone other than the director got into the editing room and tried to improve things by making the movie go faster.\nStarts out with tremendous promise, introducing an intriguing and alluring premise, only to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter.\nThe film lapses too often into sugary sentiment and withholds delivery on the pell-mell pyrotechnics its punchy style promises.\nThe only question ... is to determine how well the schmaltz is manufactured -- to assess the quality of the manipulative engineering. Average, at best, I'm afraid.\nThis movie is so bad, that it's almost worth seeing because it's so bad.\nA crisply made movie that is no more than mildly amusing.\nThis movie feel more like a non-stop cry for attention, than an attempt at any kind of satisfying entertainment.\nOverall, it's a pretty mediocre family film.\nLove may have been in the air onscreen, but I certainly wasn't feeling any of it.\nIn addition to the overcooked, ham-fisted direction, which has all the actors reaching for the back row, the dialogue sounds like horrible poetry.\nThe very definition of what critics have come to term an ``ambitious failure.''\nIt's as if De Palma spent an hour setting a fancy table and then served up Kraft Macaroni and Cheese.\nThe movie ends with outtakes in which most of the characters forget their lines and just utter 'uhhh,' which is better than most of the writing in the movie.\nWorthy of the gong.\nWhile certainly more naturalistic than its Australian counterpart, Amari's film falls short in building the drama of Lilia's journey.\nI found the movie as divided against itself as the dysfunctional family it portrays.\nThe soul-searching deliberateness of the film, although leavened nicely with dry absurdist wit, eventually becomes too heavy for the plot.\nThe movie doesn't add anything fresh to the myth.\nAs inept as big-screen remakes of The Avengers and The Wild Wild West.\nComes across as a relic from a bygone era, and its convolutions...feel silly rather than plausible.\nMoves in such odd plot directions and descends into such message-mongering moralism that its good qualities are obscured.\nIt's a very sincere work, but it would be better as a diary or documentary.\nOnce one experiences Mr. Haneke's own sadistic tendencies toward his audience, one is left with a sour taste in one's mouth, and little else.\nOops, she's really done it this time. That chirpy songbird Britney Spears has popped up with more mindless drivel.\nIt's a loathsome movie, it really is and it makes absolutely no sense.\nA chiller resolutely without chills.\nFor those of us who respond more strongly to storytelling than computer-generated effects, the new Star Wars installment hasn't escaped the rut dug by the last one.\nThe director mostly plays it straight, turning Leys' fable into a listless climb down the social ladder.\n``Bad'' is the operative word for ``Bad Company,'' and I don't mean that in a good way.\nThough Frida is easier to swallow than Julie Taymor's preposterous Titus, the eye candy here lacks considerable brio.\nDrumline is -- the mere suggestion, albeit a visually compelling one, of a fully realized story.\nThe whole movie is simply a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well.\nThe film affords us intriguing glimpses of the insights gleaned from a lifetime of spiritual inquiry, but Ram Dass: Fierce Grace doesn't organize it with any particular insight.\nBilly Crystal and Robert De Niro sleepwalk through vulgarities in a sequel you can refuse.\nIt's loud and boring; watching it is like being trapped at a bad rock concert.\nMerely (and literally) tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes, most at women's expense.\nIf you want a movie time trip, the 1960 version is a far smoother ride.\nTraffics in the kind of prechewed racial clichés that have already been through the corporate stand-up-comedy mill.\nThe story is -- forgive me -- a little thin, and the filmmaking clumsy and rushed.\n...grows decidedly flimsier with its many out-sized, out of character and logically porous action set pieces.\nI wish Windtalkers had had more faith in the dramatic potential of this true story. This would have been better than the fiction it has concocted, and there still could have been room for the war scenes.\nAggressive self-glorification and a manipulative whitewash. Stay for the credits and see a devastating comic impersonation by Dustin Hoffman that is revelatory.\nNone of the characters or plot-lines are fleshed-out enough to build any interest.\nAs social exposé, Skins has its heart in the right place, but that's not much to hang a soap opera on.\nThe whole film has this sneaky feel to it – as if the director is trying to dupe the viewer into taking it all as Very Important simply because the movie is ugly to look at and not a Hollywood product.\nThere's a bit of thematic meat on the bones of Queen of the Damned, as its origins in an Anne Rice novel dictate, but generally, it's a movie that emphasizes style over character and substance.\nThe only way to tolerate this insipid, brutally clueless film might be with a large dose of painkillers.\nThis one is certainly well-meaning, but it's also simple-minded and contrived.\nCoppola has made a film of intoxicating atmosphere and little else.\nBad and baffling from the get-go.\nA series of immaculately composed shots of Patch Adams quietly freaking out does not make for much of a movie.\nAt a time when we've learned the hard way just how complex international terrorism is, Collateral Damage paints an absurdly simplistic picture.\nThe impulses that produced this project ... are commendable, but the results are uneven.\nA well-acted movie that simply doesn't gel.\nLike a can of 2-day old Coke. You can taste it, but there's no fizz.\nThere's no excuse for following up a delightful, well-crafted family film with a computer-generated cold fish.\nBoth the crime story and the love story are unusual. But they don't fit well together and neither is well told.\nIt's both sitcomishly predictable and cloying in its attempts to be poignant.\nOther than a mildly engaging central romance, Hospital is sickly entertainment at best and mind-destroying cinematic pollution at worst.\nJaglom offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar.\nOutside of Burger's desire to make some kind of film, it's really unclear why this project was undertaken\nWas I scared? Only at the prospect of Beck's next project. Let's see, a haunted house, a haunted ship, what's next ... Ghost Blimp?\nA fragile framework upon which to hang broad, mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming.\nBy the time the plot grinds itself out in increasingly incoherent fashion, you might be wishing for a watch that makes time go faster rather than the other way around.\nSince Lee is a sentimentalist, the film is more worshipful than your random E! True Hollywood Story.\nWes Craven's presence is felt; not the Craven of 'A Nightmare on Elm Street' or 'The Hills Have Eyes,' but the sad schlock merchant of 'Deadly Friend.'\nSunshine State surveys the landscape and assesses the issues with a clear passion for sociology. But the cinematography is cloudy, the picture making becalmed.\nIt's one long bore.\nIt gets old quickly. Watch Barbershop again if you're in need of a Cube fix--this isn't worth sitting through.\nIt's leaden and predictable, and laughs are lacking.\n...a cinematic disaster so inadvertently sidesplitting it's worth the price of admission for the ridicule factor alone.\nSkip this dreck, rent Animal House and go back to the source.\nThe movie is a desperate miscalculation. It gives poor Dana Carvey nothing to do that is really funny, and then expects us to laugh because he acts so goofy all the time.\nWe just don't really care too much about this love story. In that setting, their struggle is simply too ludicrous and borderline insulting.\nThe Transporter bombards the viewer with so many explosions and side snap kicks that it ends up being surprisingly dull.\nUzumaki's interesting social parallel and defiant aesthetic seems a prostituted muse...\n'Men in Black II creates a new threat for the MIB, but recycles the same premise.\nLarge budget notwithstanding, the movie is such a blip on the year's radar screen that it's tempting just to go with it for the ride. But this time, the old MIB label stands for Milder Isn't Better.\nFeels familiar and tired.\nA retread of material already thoroughly plumbed by Martin Scorsese.\nInstead of making his own style, director Marcus Adams just copies from various sources – good sources, bad mixture\nCriminal conspiracies and true romances move so easily across racial and cultural lines in the film that it makes My Big Fat Greek Wedding look like an apartheid drama.\nA bore that tends to hammer home every one of its points.\nA story which fails to rise above its disgusting source material.\nIt's fitting that a movie as artificial and soulless as The Country Bears owes its genesis to an animatronic display at Disneyland.\nStarts as an intense political and psychological thriller but is sabotaged by ticking time bombs and other Hollywood-action cliches.\nCompletely creatively stillborn and executed in a manner that I'm not sure could be a single iota worse... a soulless hunk of exploitative garbage.\nAn uneven look into a grim future that doesn't come close to the level of intelligence and visual splendour that can be seen in other films based on Philip K. Dick stories.\nHorrible.\nThe disjointed mess flows as naturally as Jolie's hideous yellow 'do.\nBolstered by an astonishing voice cast (excepting Love Hewitt), an interesting racial tension, and a storyline that I haven't encountered since at least Pete's Dragon.\nAn authentically vague, but ultimately purposeless, study in total pandemonium.\nMakes a joke out of car chases for an hour and then gives us half an hour of car chases.\nAs the sulking, moody male hustler in the title role, (Franco) has all of Dean's mannerisms and self-indulgence, but none of his sweetness and vulnerability.\nThe only thing to fear about ``Fear Dot Com'' is hitting your head on the theater seat in front of you when you doze off thirty minutes into the film.\nIt's too interested in jerking off in all its Byzantine incarnations to bother pleasuring its audience.\n'Synthetic' is the best description of this well-meaning, beautifully produced film that sacrifices its promise for a high-powered star pedigree.\nIt concentrates far too much on the awkward interplay and utter lack of chemistry between Chan and Hewitt.\nImpostor can't think of a thing to do with these characters except have them run through dark tunnels, fight off various anonymous attackers, and evade elaborate surveillance technologies.\nJudd's characters ought to pick up the durable best seller Smart Women, Foolish Choices for advice.\nThe script has less spice than a rat burger and The Rock's fighting skills are more in line with Steven Seagal.\nThis ill-conceived and expensive project winds up looking like a bunch of talented thesps slumming it.\n... there's a choppy, surface-effect feeling to the whole enterprise.\nDoesn't get the job done, running off the limited chemistry created by Ralph Fiennes and Jennifer Lopez.\nA particularly joyless, and exceedingly dull, period coming-of-age tale.\nIt's impossible to indulge the fanciful daydreams of Janice Beard (Eileen Walsh) when her real-life persona is so charmless and vacant.\n...it wasn't the subject matter that ultimately defeated the film...It was the unfulfilling, incongruous, ``wait a second, did I miss something?'' ending.\nThis is a movie where the most notable observation is how long you've been sitting still.\nPoor editing, bad bluescreen, and ultra-cheesy dialogue highlight the radical action.\nIt's super- violent, super-serious and super-stupid.\nSo earnest and well-meaning, and so stocked with talent, that you almost forget the sheer, ponderous awfulness of its script.\nJust a string of stale gags, with no good inside dope, and no particular bite.\nIt's Splash without the jokes.\nThe Château would have been benefited from a sharper, cleaner script before it went in front of the camera. Not to mention a sharper, cleaner camera lens.\nShallow, noisy and pretentious.\nMorrissette has performed a difficult task indeed - he's taken one of the world's most fascinating stories and made it dull, lifeless, and irritating.\nGranddad of Le Nouvelle Vague, Jean-Luc Godard continues to baffle the faithful with his games of hide-and-seek.\nThis loud and thoroughly obnoxious comedy about a pair of squabbling working-class spouses is a deeply unpleasant experience.\nIt's better than The Phantom Menace. But unless you're an absolute raving Star Wars junkie, it isn't much fun.\nPhilosophically, intellectually and logistically a mess.\nA standard police-oriented drama that, were it not for De Niro's participation, would have likely wound up a TNT Original.\nCoupling disgracefully written dialogue with flailing bodily movements that substitute for acting, Circuit is the awkwardly paced soap opera-ish story.\nHollywood Ending just isn't very funny.\nThough clearly well-intentioned, this cross-cultural soap opera is painfully formulaic and stilted.\nA technical triumph and an extraordinary bore.\nI can easily imagine Benigni's Pinocchio becoming a Christmas perennial. Coal isn't as easy to come by as it used to be and this would be a worthy substitute for naughty children's stockings.\nTwo hours of junk.\nEnds up being mostly about ravishing costumes, eye-filling, wide-screen production design and Joan's wacky decision to stand by her man, no matter how many times he demonstrates that he's a disloyal satyr.\nSelf-congratulatory, misguided, and ill-informed, if nonetheless compulsively watchable.\nA clumsily manufactured exploitation flick, a style-free exercise in manipulation and mayhem.\nThe whole affair, true story or not, feels incredibly hokey... (it) comes off like a Hallmark commercial.\nWhat's missing is what we call the 'wow' factor.\nThe nicest thing that can be said about Stealing Harvard (which might have been called Freddy Gets Molested by a Dog) is that it's not as obnoxious as Tom Green's Freddie Got Fingered.\n... Tara Reid plays a college journalist, but she looks like the six-time winner of the Miss Hawaiian Tropic Pageant, so I don't know what she's doing in here ...\nThe young stars are too cute; the story and ensuing complications are too manipulative; the message is too blatant; the resolutions are too convenient.\nNormally, Rohmer's talky films fascinate me, but when he moves his setting to the past, and relies on a historical text, he loses the richness of characterization that makes his films so memorable.\nI highly recommend Irwin, but not in the way this film showcases him.\nIt's been 13 months and 295 preview screenings since I last walked out on a movie, but Resident Evil really earned my indignant, preemptive departure.\nThis picture is mostly a lump of run-of-the-mill profanity sprinkled with a few remarks so geared toward engendering audience sympathy that you might think he was running for office -- or trying to win over a probation officer.\nMalone does have a gift for generating nightmarish images that will be hard to burn out of your brain. But the movie's narrative hook is way too muddled to be an effectively chilling guilty pleasure.\nThough it goes further than both, anyone who has seen The Hunger or Cat People will find little new here, but a tasty performance from Vincent Gallo lifts this tale of cannibal lust above the ordinary.\nA Blair Witch- style adventure that plays like a bad soap opera, with passable performances from everyone in the cast.\nDiaz wears out her welcome in her most charmless performance\nIt is too bad that this likable movie isn't more accomplished. The actors try hard but come off too amateurish and awkward.\nThe plot has a number of holes, and at times it's simply baffling.\nAn ill-conceived jumble that's not scary, not smart and not engaging.\nBrainless, but enjoyably over-the-top, the retro gang melodrama, Deuces Wild represents fifties teen-gang machismo in a way that borders on rough-trade homo-eroticism.\nGets bogged down by an overly sillified plot and stop-and-start pacing.\n``What John does is heroic, but we don't condone it,'' one of the film's stars recently said, a tortuous comment that perfectly illustrates the picture's moral schizophrenia.\nLike coming into a long-running, well-written television series where you've missed the first half-dozen episodes and probably won't see the next six.\nIts generic villains lack any intrigue (other than their funny accents) and the action scenes are poorly delivered.\nDripping with cliche and bypassing no opportunity to trivialize the material.\nHard-core slasher aficionados will find things to like ... but overall the Halloween series has lost its edge.\nStiff and schmaltzy and clumsily directed.\nThe story the movie tells is of Brian De Palma's addiction to the junk-calorie suspense tropes that have all but ruined his career.\nToo many improbabilities and rose-colored situations temper what could've been an impacting film.\nGeneric slasher-movie nonsense, but it's not without style.\nWith tiny little jokes and nary an original idea, this sappy ethnic sleeper proves that not only blockbusters pollute the summer movie pool.\nIt sticks rigidly to the paradigm, rarely permitting its characters more than two obvious dimensions and repeatedly placing them in contrived, well-worn situations.\nEver see one of those comedies that just seem like a bad idea from frame one?\nOnce Ice-T sticks his mug in the window of the couple's BMW and begins haranguing the wife in bad stage dialogue, all credibility flies out the window.\nThe best drug addition movies are usually depressing but rewarding. Quitting, however, manages just to be depressing, as the lead actor phones in his autobiographical performance.\nIt would be great to see this turd squashed under a truck, preferably a semi.\nIn the end, all you can do is admire the ensemble players and wonder what the point of it is.\nFor most movies, 84 minutes is short, but this one feels like a life sentence.\nWhile Glover, the irrepressible eccentric of River's Edge, Dead Man and Back to the Future, is perfect casting for the role, he represents Bartleby's main overall flaw.\nShatner is probably the funniest person in the film, which gives you an idea just how bad it was.\nTries so hard to be quirky and funny that the strain is all too evident.\nAs immaculate as Stuart Little 2 is, it could be a lot better if it were, well, more adventurous.\nSimply a re-hash of the other seven films.\nWith jump cuts, fast editing and lots of pyrotechnics, Yu clearly hopes to camouflage how bad his movie is. He fails.\nI found myself more appreciative of what the director was trying to do than of what he had actually done.\nA very depressing movie of many missed opportunities.\nGoes on and on to the point of nausea.\nBy turns numbingly dull-witted and disquietingly creepy.\nBoy, has this franchise ever run out of gas.\nOne problem with the movie, directed by Joel Schumacher, is that it jams too many prefabricated story elements into the running time.\nThe comedy is nonexistent.\n...a bland, pretentious mess.\nIt's a pedestrian, flat drama that screams out 'amateur' in almost every frame.\nA bland animated sequel that hardly seems worth the effort.\nIt's not just the vampires that are damned in Queen of the Damned -- the viewers will feel they suffer the same fate.\nIf religious films aren't your bailiwick, stay away. Otherwise, this could be a passable date film.\nThis is the case of a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience.\nThe pace and the visuals are so hyped up that a curious sense of menace informs everything.\nStuffy, full of itself, morally ambiguous and nothing to shout about.\nIt is most of the things Costner movies are known for; it's sanctimonious, self-righteous and so eager to earn our love that you want to slap it.\nDon't let the subtitles fool you; the movie only proves that Hollywood no longer has a monopoly on mindless action.\nChai's structure and pacing are disconcertingly slack.\nTo be oblivious to the existence of this film would be very sweet indeed.\nThe director, with his fake backdrops and stately pacing, never settles on a consistent tone.\nOne just waits grimly for the next shock without developing much attachment to the characters.\nInstead of panoramic sweep, Kapur gives us episodic choppiness, undermining the story's emotional thrust.\nThe director seems to take an unseemly pleasure in (the characters') misery and at the same time to congratulate himself for having the guts to confront it.\nThis dubious product of a college-spawned (Colgate U.) comedy ensemble known as Broken Lizard plays like a mix of Cheech and Chong and CHiPs.\nThe movie doesn't think much of its characters, its protagonist, or of us.\nSuper Troopers is an odd amalgam of comedy genres, existing somewhere between the often literal riffs of early Zucker Brothers/Abrahams films, and the decidedly foul stylings of their post-modern contemporaries, The Farrelly Brothers.\n...will always be remembered for the 9-11 terrorist attacks. After seeing the film, I can tell you that there's no other reason why anyone should bother remembering it.\nMade me feel uneasy, even queasy, because (Solondz's) cool compassion is on the border of bemused contempt.\nAs a kind of colorful, dramatized PBS program, Frida gets the job done. But, for that, why not watch a documentary?\nWith minimal imagination, you could restage the whole thing in your bathtub.\nNights feels more like a quickie TV special than a feature film... It's not even a TV special you'd bother watching past the second commercial break.\nAlthough...visually striking and slickly staged, it's also cold,grey, antiseptic and emotionally desiccated.\nYou can see where Big Bad Love is trying to go, but it never quite gets there.\nFriday After Next is the kind of film that could only be made by African-Americans because of its broad racial insensitivity towards African-Americans.\nIt's not as awful as some of the recent Hollywood trip tripe ... but it's far from a groundbreaking endeavor.\nThe only thing ``swept away'' is the one hour and thirty-three minutes spent watching this waste of time.\nOne-sided documentary offers simplistic explanations to a very complex situation. ... Stylistically, the movie is a disaster.\nThe corpse count ultimately overrides what little we learn along the way about vicarious redemption.\nAs violent, profane and exploitative as the most offensive action flick you've ever seen.\nEgoyan's work often elegantly considers various levels of reality and uses shifting points of view, but here he has constructed a film so labyrinthine that it defeats his larger purpose.\nLife or Something Like It has its share of high points, but it misses too many opportunities.\nThis is a truly, truly bad movie.\nDespite bearing the Paramount imprint, it's a bargain-basement European pickup. What's hard to understand is why anybody picked it up. Wiser souls would have tactfully pretended not to see it and left it lying there\nBelievability wasn't one of the film's virtues.\nSewer rats could watch this movie and be so skeeved out that they'd need a shower.\nThe Santa Clause 2's plot may sound like it was co-written by Mattel executives and lobbyists for the tinsel industry.\nHis best film remains his shortest, The Hole, which makes many of the points that this film does but feels less repetitive.\nJust another disjointed, fairly predictable psychological thriller.\n...stumbles over every cheap trick in the book trying to make the outrage come even easier.\nEven the hastily and amateurishly drawn animation cannot engage.\nKung Pow is Oedekerk's realization of his childhood dream to be in a martial-arts flick, and proves that sometimes the dreams of youth should remain just that.\nBusy urban comedy is clearly not Zhang's forte, his directorial touch is neither light nor magical enough to bring off this kind of whimsy.\nNot completely loveable -- but what underdog movie since The Bad News Bears has been? -- but certainly hard to hate.\nA movie that can't get sufficient distance from Leroy's delusions to escape their maudlin influence.\nIt's Young Guns meets Goodfellas in this easily skippable hayseeds-vs.-greaseballs mob action-comedy.\nLouiso lets the movie dawdle in classic disaffected-indie-film mode, and brother Hoffman's script stumbles over a late-inning twist that just doesn't make sense.\nThe movie straddles the fence between escapism and social commentary, and on both sides it falls short.\nThe film is old-fashioned, occasionally charming and as subtle as boldface.\nCan't get enough of libidinous young city dwellers? Try this obscenely bad dark comedy, so crass that it makes Edward Burns' Sidewalks of New York look like Oscar Wilde.\nIn The New Guy, even the bull gets recycled.\nLargely, this is a movie that also does it by the numbers.\nOn top of a foundering performance, (Madonna's) denied her own athleticism by lighting that emphasizes every line and sag.\nThis is the first full scale WWII flick from Hong Kong's John Woo. He's not good with people.\nPatchy combination of soap opera, low-tech magic realism and, at times, ploddingly sociological commentary.\n(Stevens is) so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits.\nSo boring that even its target audience talked all the way through it.\nOne of the more glaring signs of this movie's servitude to its superstar is the way it skirts around any scenes that might have required genuine acting from Ms. Spears.\nHollywood Ending is the most disappointing Woody Allen movie ever. He has a great cast and a great idea. But the execution is a flop with the exception of about six gags that really work.\n... generically, forgettably pleasant from start to finish.\nIt's just hard to believe that a life like this can sound so dull.\nWhen not wallowing in its characters' frustrations, the movie is busy contriving false, sitcom-worthy solutions to their problems.\nAn overstylized, puréed mélange of sex, psychology, drugs and philosophy. Sometimes entertaining, sometimes indulgent -- but never less than pure wankery.\n'Lovely and Amazing,' unhappily, is neither...excessively strained and contrived.\nRingu is a disaster of a story, full of holes and completely lacking in chills. Ignore the reputation, and ignore the film.\nThis one is a few bits funnier than Malle's dud, if only because the cast is so engagingly messing around like Slob City reductions of Damon Runyon crooks.\n'It's painful to watch Witherspoon's talents wasting away inside unnecessary films like Legally Blonde and Sweet Home Abomination, I mean, Alabama.'\nA plodding teen remake that's so mechanical you can smell the grease on the plot twists.\nTrying to figure out the rules of the Country Bear universe -- when are bears bears and when are they like humans, only hairier -- would tax Einstein's brain.\nEven in terms of the low-grade cheese standards on which it operates, it never quite makes the grade as tawdry trash.\nAmidst the action, the script carries Arnold (and the viewers) into the forbidden zone of sympathizing with terrorist motivations by presenting the ``other side of the story.''\nRife with nutty cliches and far too much dialogue.\nIt's a 100-year old mystery that is constantly being interrupted by Elizabeth Hurley in a bathing suit.\n...one big laugh, three or four mild giggles, and a whole lot of not much else.\nToo intensely focused on the travails of being Hal Hartley to function as pastiche, No Such Thing is Hartley's least accessible screed yet.\nKenneth Branagh's energetic sweet-and-sour performance as a curmudgeonly British playwright grounds this overstuffed, erratic dramedy in which he and his improbably forbearing wife contend with craziness and child-rearing in Los Angeles.\nDirector Uwe Boll and writer Robert Dean Klein fail to generate any interest in an unsympathetic hero caught up in an intricate plot that while cleverly worked out, cannot overcome blah characters.\nMs. Phoenix is completely lacking in charm and charisma, and is unable to project either Esther's initial anomie or her eventual awakening.\nThe movie fails to portray its literarily talented and notorious subject as anything much more than a dirty old man.\nA clichéd and shallow cautionary tale about the hard-partying lives of gay men.\nThe fetid underbelly of fame has never looked uglier.\nA little weak -- and it isn't that funny.\nWhile it is welcome to see a Chinese film depict a homosexual relationship in a mature and frank fashion, Lan Yu never catches dramatic fire.\nThe script boasts some tart TV-insider humor, but the film has not a trace of humanity or empathy.\nDespite the pyrotechnics, Narc is strictly by the book.\nIn both the writing and cutting, it does not achieve the kind of dramatic unity that transports you. You end up simply admiring this bit or that, this performance or that.\nCacoyannis is perhaps too effective in creating an atmosphere of dust-caked stagnation and labored gentility.\nWorth seeing once, but its charm quickly fades.\nThe original wasn't a good movie but this remake makes it look like a masterpiece!\nOne suspects that Craven endorses They simply because this movie makes his own look much better by comparison.\nGere gives a good performance in a film that doesn't merit it.\nYour appreciation of it will depend on what experiences you bring to it and what associations you choose to make.\nIncludes too much obvious padding.\nThere's no palpable chemistry between Lopez and male lead Ralph Fiennes, plus the script by Working Girl scribe Kevin Wade is workmanlike in the extreme.\nI'm not sure which half of Dragonfly is worse: The part where nothing's happening, or the part where something's happening, but it's stupid.\nDon't expect any subtlety from this latest entry in the increasingly threadbare gross-out comedy cycle.\nThe only camouflage Carvey should now be considering is a paper bag to wear over his head when he goes out into public, to avoid being recognized as the man who bilked unsuspecting moviegoers.\nShot like a postcard and overacted with all the boozy self-indulgence that brings out the worst in otherwise talented actors...\nSpain's greatest star wattage doesn't overcome the tumult of maudlin tragedy.\nConforms itself with creating a game of 'who's who' ... where the characters' moves are often more predictable than their consequences.\nLooks and feels like a low-budget hybrid of Scarface or Carlito's Way.\nThe script is a tired one, with few moments of joy rising above the stale material.\nSuffers from all the excesses of the genre.\nThe verdict: Two bodies and hardly a laugh between them.\nThe latest Adam Sandler assault and possibly the worst film of the year.\nDownbeat, period-perfect biopic hammers home a heavy-handed moralistic message.\nWhile the film is competent, it's also uninspired, lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires.\nThey ought to be a whole lot scarier than they are in this tepid genre offering.\nIt's harmless, diverting fluff. But it's hard to imagine a more generic effort in the genre.\nIt's just plain lurid when it isn't downright silly.\nComedy troupe Broken Lizard's first movie is very funny but too concerned with giving us a plot.\nPap invested in undergraduate doubling subtexts and ridiculous stabs at existentialism reminding of the discovery of the wizard of God in the fifth Trek flick.\nA horror movie with seriously dumb characters, which somewhat dilutes the pleasure of watching them stalked by creepy-crawly bug things that live only in the darkness.\nIt's a film with an idea buried somewhere inside its fabric, but never clearly seen or felt.\n'All in all, Reign of Fire will be a good (successful) rental.'\nOccasionally funny, sometimes inspiring, often boring.\nA movie in which two not very absorbing characters are engaged in a romance you can't wait to see end.\nThe predominantly amateur cast is painful to watch, so stilted and unconvincing are the performances.\nWho are 'they'? Well, they're 'they'. They're the unnamed, easily substitutable forces that serve as whatever terror the heroes of horror movies try to avoid. They exist for hushed lines like ``They're back!'', ``They're out there!'' and ``They're coming!''\nElegantly crafted but emotionally cold, a puzzle whose intricate construction one can admire but is difficult to connect with on any deeper level.\nWere Dylan Thomas alive to witness first-time director Ethan Hawke's strained Chelsea Walls, he might have been tempted to change his landmark poem to, 'Do Not Go Gentle Into That Good Theatre.'\nThe story has its redundancies, and the young actors, not very experienced, are sometimes inexpressive.\nI'm sure the filmmaker would disagree, but, honestly, I don't see the point. It's a visual Rorschach test and I must have failed.\nThe film is really closer to porn than a serious critique of what's wrong with this increasingly pervasive aspect of gay culture.\nMurder by Numbers just doesn't add up.\nClare Peploe's airless movie adaptation could use a little American Pie-like irreverence.\nVideo games are more involving than this mess.\nClayburgh and Tambor are charming performers; neither of them deserves Eric Schaeffer.\nA pale Xerox of other, better crime movies.\n...a hokey piece of nonsense that tries too hard to be emotional.\nIlliterate, often inert sci-fi action thriller.\nA perfect example of rancid, well-intentioned, but shamelessly manipulative movie making.\nThe adventure doesn't contain half the excitement of Balto, or quarter the fun of Toy Story 2.\nEssentially a collection of bits -- and they're all naughty.\nA mess. The screenplay does too much meandering, Norton has to recite bland police procedural details, Fiennes wanders around in an attempt to seem weird and distanced, Hopkins looks like a drag queen.\nThe screenplay by James Eric, James Horton and director Peter O'Fallon ... is so pat it makes your teeth hurt.\nBefore it takes a sudden turn and devolves into a bizarre sort of romantic comedy, Steven Shainberg's adaptation of Mary Gaitskill's harrowing short story ... is a brilliantly played, deeply unsettling experience.\nSolaris is rigid and evasive in ways that Soderbergh's best films, ``Erin Brockovich,'' ``Out of Sight'' and ``Ocean's Eleven,'' never were.\nSeems like something American and European gay movies were doing 20 years ago.\nIn the process of trimming the movie to an expeditious 84 minutes, director Roger Kumble seems to have dumped a whole lot of plot in favor of...outrageous gags.\nYou can see the would-be surprises coming a mile away, and the execution of these twists is delivered with a hammer. Thumbs down.\nThe characters are paper thin and the plot is so cliched and contrived that it makes your least favorite James Bond movie seem as cleverly plotted as The Usual Suspects.\n... del Toro maintains a dark mood that makes the film seem like something to endure instead of enjoy.\nThe movie eventually snaps under the strain of its plot contrivances and its need to reassure.\nThe real question this movie poses is not 'Who?' but 'Why?'\nNow here's a sadistic bike flick that would have made Vittorio De Sica proud.\nA movie that's about as overbearing and over-the-top as the family it depicts.\nA movie in which laughter and self-exploitation merge into jolly soft-porn 'empowerment.'\nOccasionally interesting but essentially unpersuasive, a footnote to a still evolving story.\nIf we're to slap protagonist Genevieve LePlouff because she's French, do we have that same option to slap her creators because they're clueless and inept?\nMoretti plays Giovanni, a psychiatrist who predictably finds it difficult to sustain interest in his profession after the family tragedy. Too predictably, in fact.\nAlternative medicine obviously has its merits ... but Ayurveda does the field no favors.\nThis thing works on no level whatsoever for me.\nIt follows the basic plot trajectory of nearly every Schwarzenegger film: Someone crosses Arnie. Arnie blows things up.\nIce Age posits a heretofore unfathomable question: Is it possible for computer-generated characters to go through the motions?\nAn incoherent jumble of a film that's rarely as entertaining as it could have been.\n...they missed the boat.\nMore dutiful than enchanting...terribly episodic and lacking the spark of imagination that might have made it an exhilarating treat.\nLaconic and very stilted in its dialogue, this indie flick never found its audience, probably because it's extremely hard to relate to any of the characters.\nThe comedy Death to Smoochy is a rancorous curiosity: a movie without an apparent audience.\nBarney's ideas about creation and identity don't really seem all that profound, at least by way of what can be gleaned from this three-hour endurance test built around an hour's worth of actual material.\nAffleck merely creates an outline for a role he still needs to grow into, a role that Ford effortlessly filled with authority.\nCinematic pyrotechnics aside, the only thing Avary seems to care about are mean giggles and pulchritude. It makes sense that he went back to school to check out the girls -- his film is a frat boy's idea of a good time.\nThe narrative is so consistently unimaginative that probably the only way to have saved the film is with the aid of those wisecracking Mystery Science Theater 3000 guys.\nNothing more or less than an outright bodice-ripper -- it should have ditched the artsy pretensions and revelled in the entertaining shallows.\nA living testament to the power of the eccentric and the strange. The fact that it isn't very good is almost beside the point.\nFeels less like a cousin to Blade Runner than like a bottom-feeder sequel in the Escape From New York series.\nWhat might have been acceptable on the printed page of Iles' book does not translate well to the screen.\nIf Oscar had a category called Best Bad Film You Thought Was Going To Be Really Awful But Wasn't, Guys would probably be duking it out with The Queen of the Damned for the honor.\nA poky and pseudo-serious exercise in sham actor workshops and an affected malaise.\nMediocre fable from Burkina Faso.\nFessenden has nurtured his metaphors at the expense of his narrative, but he does display an original talent.\nSince the movie is based on a Nicholas Sparks best seller, you know death is lurking around the corner, just waiting to spoil things.\nBottom-rung New Jack City wannabe.\nFincher takes no apparent joy in making movies, and he gives none to the audience.\nIt's mildly amusing, but I certainly can't recommend it.\nNicholas Nickleby celebrates the human spirit with such unrelenting Dickensian decency that it turned me (horrors!) into Scrooge.\nFear Dot Com is more frustrating than a modem that disconnects every 10 seconds.\nFull of flatulence jokes and mild sexual references, Kung Pow! is the kind of movie that's critic-proof, simply because it aims so low.\nMay cause you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists.\nThere are just too many characters saying too many clever things and getting into too many pointless situations. Where's the movie here?\nA dark, dull thriller with a parting shot that misfires.\nLacking substance and soul, Crossroads comes up shorter than Britney's cutoffs.\nCassavetes thinks he's making Dog Day Afternoon with a cause, but all he's done is to reduce everything he touches to a shrill, didactic cartoon.\nBuries an interesting storyline about morality and the choices we make underneath such a mountain of clichés and borrowed images that it might more accurately be titled Mr. Chips off the Old Block.\nAlthough sensitive to a fault, it's often overwritten, with a surfeit of weighty revelations, flowery dialogue, and nostalgia for the past and roads not taken.\nIt's so badly made on every level that I'm actually having a hard time believing people were paid to make it.\nWithout non-stop techno or the existential overtones of a Kieslowski morality tale, Maelström is just another Winter Sleepers.\nNicks, seemingly uncertain what's going to make people laugh, runs the gamut from stale parody to raunchy sex gags to formula romantic comedy.\n'A' for creativity but comes across more as a sketch for a full-length comedy.\nIf there's one thing this world needs less of, it's movies about college that are written and directed by people who couldn't pass an entrance exam.\nThe script kicks in, and Mr. Hartley's distended pace and foot-dragging rhythms follow.\n(E)ventually, every idea in this film is flushed down the latrine of heroism.\nI am sorry that I was unable to get the full brunt of the comedy.\nNo telegraphing is too obvious or simplistic for this movie.\nLooks and feels like a project better suited for the small screen.\nIn its best moments, resembles a bad high school production of Grease, without benefit of song.\nIndifferently implausible popcorn programmer of a movie.\nIt's inoffensive, cheerful, built to inspire the young people, set to an unending soundtrack of beach party pop numbers and aside from its remarkable camerawork and awesome scenery, it's about as exciting as a sunburn.\nHis comedy premises are often hackneyed or just plain crude, calculated to provoke shocked laughter, without following up on a deeper level.\nChristina Ricci comedy about sympathy, hypocrisy and love is a misfire.\nAt times, the suspense is palpable, but by the end there's a sense that the crux of the mystery hinges on a technicality that strains credulity and leaves the viewer haunted by the waste of potential.\nThey should have called it Gutterball.\nThekids will probably stay amused at the kaleidoscope of big, colorful characters. Mom and Dad can catch some quality naptime along the way.\nIt's too self-important and plodding to be funny, and too clipped and abbreviated to be an epic.\nThe best that can be said about the work here of Scottish director Ritchie ... is that he obviously doesn't have his heart in it.\nLess dizzying than just dizzy, the jaunt is practically over before it begins.\nSlick piece of cross-promotion.\nTaylor appears to have blown his entire budget on soundtrack rights and had nothing left over for jokes.\nIt believes it's revealing some great human truths, when, in reality, it's churning ground that has long passed the point of being fertile.\nIt all drags on so interminably it's like watching a miserable relationship unfold in real time.\nVilleneuve spends too much time wallowing in Bibi's generic angst (there are a lot of shots of her gazing out windows).\n(T)here's only so much anyone can do with a florid, overplotted, Anne Rice rock 'n' roll vampire novel before the built-in silliness of the whole affair defeats them.\nIt's another video movie photographed like a film, with the bad lighting that's often written off as indie film naturalism.\nThe techno tux is good for a few laughs, as are Chan and Hewitt, but when such a good design turns out to be a cheap knockoff, we can't recommend anything but a rental for The Tuxedo.\nI got a headache watching this meaningless downer.\nApart from dazzling cinematography, we've seen just about everything in Blue Crush in one form or the other.\nToo much of the humor falls flat.\nDetox is ultimately a pointless endeavor.\nVan Wilder doesn't bring anything new to the proverbial table, but it does possess a coherence absent in recent crass-a-thons like Tomcats, Freddy Got Fingered, and Slackers.\nThe piquant story needs more dramatic meat on its bones.\nVery special effects, brilliantly bold colors and heightened reality can't hide the giant Achilles' heel in ``Stuart Little 2``: There's just no story, folks.\nThe plot combines The Blues Brothers and Almost Famous (but with bears, and a G rating), with an excruciating dollop of Disney sentimentality mixed in for good measure.\nNo way I can believe this load of junk.\n``Roger Michell (''Notting Hill``) directs a morality thriller.''\nIt's dumb, but more importantly, it's just not scary.\nThere is no pleasure in watching a child suffer. Just embarrassment and a vague sense of shame.\nThe movie's accumulated force still feels like an ugly knot tightening in your stomach. But is that knot from dramatic tension or a symptom of artistic malnutrition?\nEven with a green Mohawk and a sheet of fire-red flame tattoos covering his shoulder, however, Kilmer seems to be posing, rather than acting. And that leaves a hole in the center of The Salton Sea.\nThere's just no currency in deriding James Bond for being a clichéd, doddering, misogynistic boy's club.\nWhen the film ended, I felt tired and drained and wanted to lie on my own deathbed for a while.\nFull of witless jokes, dealing in broad stereotypes and outrageously unbelievable scenarios, and saddled with a general air of misogyny\nThe film's hackneyed message is not helped by the thin characterizations, nonexistent plot and pretentious visual style.\nThe Iditarod lasts for days - this just felt like it did.\nIt feels like an after-school special gussied up with some fancy special effects, and watching its rote plot points connect is about as exciting as gazing at an egg timer for 93 minutes.\nThis movie is maddening. It conveys a simple message in a visual style that is willfully overwrought.\nShould have been someone else-\nThe film is based on truth and yet there is something about it that feels incomplete, as if the real story starts just around the corner.\nWhy make a documentary about these marginal historical figures? Wouldn't one about their famous dad, author of Death in Venice, etc., be more valuable?\nThe lower your expectations, the more you'll enjoy it.\nRarely has leukemia looked so shimmering and benign.\n... is an arthritic attempt at directing by Callie Khouri. I had to look away - this was god awful.\nEven in this less-than-magic kingdom, Reese rules.\nVelocity represents everything wrong with ''independent film'' as a commodified, sold-out concept on the American filmmaking scene.\nJust one bad idea after another.\nBecause of an unnecessary and clumsy last scene, 'Swimfan' left me with a very bad feeling.\nThough Moonlight Mile is replete with acclaimed actors and actresses and tackles a subject that's potentially moving, the movie is too predictable and too self-conscious to reach a level of high drama.\nA movie that hovers somewhere between an acute character study and a trite power struggle.\nCorpus Collosum -- while undeniably interesting -- wore out its welcome well before the end credits rolled about 45 minutes in.\nThe last 20 minutes are somewhat redeeming, but most of the movie is the same teenage American road-trip drek we've seen before - only this time you have to read the fart jokes\nIt's hard to like a film about a guy who is utterly unlikeable, and Shiner, starring Michael Caine as an aging British boxing promoter desperate for a taste of fame and fortune, is certainly that.\nA by-the-numbers effort that won't do much to enhance the franchise.\nInvolves two mysteries -- one it gives away and the other featuring such badly drawn characters that its outcome hardly matters.\nOverall the film feels like a low-budget TV pilot that could not find a buyer to play it on the tube.\nIt's of the quality of a lesser Harrison Ford movie - Six Days, Seven Nights, maybe, or that dreadful Sabrina remake.\nIt appears that something has been lost in the translation to the screen.\nDespite all evidence to the contrary, this clunker has somehow managed to pose as an actual feature movie, the kind that charges full admission and gets hyped on TV and purports to amuse small children and ostensible adults.\nAn unclassifiably awful study in self- and audience-abuse.\nThis movie is something of an impostor itself, stretching and padding its material in a blur of dead ends and distracting camera work.\nHey Arnold! The Movie could have been made 40 years ago, and parents' appreciation of it may depend on whether they consider that a good thing.\nThis one is definitely one to skip, even for horror movie fanatics.\nExcessive, profane, packed with cartoonish violence and comic-strip characters.\nOnce the 50 year old Benigni appears as the title character, we find ourselves longing for the block of wood to come back.\nA working class ``us vs. them'' opera that leaves no heartstring untugged and no liberal cause unplundered.\nIf the movie succeeds in instilling a wary sense of 'there but for the grace of God,' it is far too self-conscious to draw you deeply into its world.\nThere are simply too many ideas floating around -- part farce, part Sliding Doors, part pop video -- and yet failing to exploit them.\nIt takes a strange kind of laziness to waste the talents of Robert Forster, Anne Meara, Eugene Levy, and Reginald VelJohnson all in the same movie.\nWe haven't seen such hilarity since Say It Isn't So!\nExpect the same-old, lame-old slasher nonsense, just with different scenery.\nThe Cold Turkey would've been a far better title.\nThe idea of 49-year-old Roberto Benigni playing the wooden boy Pinocchio is scary enough. The reality of the new live-action Pinocchio he directed, cowrote and starred in borders on the grotesque.\nThe ga-zillionth airhead movie about a wife in distress who resorts to desperate measures.\nZaidan's script has barely enough plot to string the stunts together and not quite enough characterization to keep the faces straight.\nTry as I may, I can't think of a single good reason to see this movie, even though everyone in my group extemporaneously shouted, 'Thank you!' when Leguizamo finally plugged an irritating character late in the movie.\nWhile it's nice to watch a movie that hasn't been focus-grouped into tedium, Yu's cinematic alchemy produces nearly as much lead as gold.\nIt treats women like idiots.\nThough Catch Me If You Can isn't badly made, the fun slowly leaks out of the movie.\nJust an average comedic dateflick but not a waste of time.\nA valueless kiddie paean to pro basketball underwritten by the NBA.\nImpostor has a handful of thrilling moments and a couple of good performances, but the movie doesn't quite fly. For starters, the story is just too slim.\nSo much facile technique, such cute ideas, so little movie.\nThe experience of going to a film festival is a rewarding one; the experiencing of sampling one through this movie is not.\nThe film takes the materials of human tragedy and dresses them in lovely costumes, Southern California locations and star power.\nIt has its moments of swaggering camaraderie, but more often just feels generic, derivative and done to death.\nAlmost gags on its own gore.\nHow do you spell cliché?\nIt's sweet, harmless, dumb, occasionally funny and about as compelling as a fishing show.\nThe moviegoing equivalent of going to a dinner party and being forced to watch the host and hostess's home video of their baby's birth.\nWhile (Hill) has learned new tricks, the tricks alone are not enough to salvage this lifeless boxing film.\nIn the real world, an actor this uncharismatically beautiful would have a résumé loaded with credits like ``Girl in Bar #3.''\nToo much of it feels unfocused and underdeveloped.\nUnder 15? A giggle a minute. Over age 15? Big Fat Waste of Time.\nHey Arnold! The Movie is what happens when you blow up small potatoes to 10 times their natural size, and it ain't pretty.\nSometimes seems less like storytelling than something the otherwise compelling director needed to get off his chest.\nThis is not the undisputed worst boxing movie ever, but it's certainly not a champion - the big loser is the audience.\nYou really have to wonder how on earth anyone, anywhere could have thought they'd make audiences guffaw with a script as utterly diabolical as this.\nIn the end, we are left with something like two ships passing in the night rather than any insights into gay love, Chinese society or the price one pays for being dishonest.\nChokes on its own depiction of upper-crust decorum.\nWell-nigh unendurable...though the picture strains to become cinematic poetry, it remains depressingly prosaic and dull.\nI thought my own watch had stopped keeping time as I slogged my way through Clockstoppers.\nWhile much of the cast has charm -- especially Allodi and Nolden -- the performers are sunk by the film's primitive approach to the mechanics of comedy.\nThis directorial debut from music video show-off Higuchinsky is all flash.\nYes, Ballistic is silly. Unfortunately, it's not silly fun unless you enjoy really bad movies.\nThe twist that ends the movie is the one with the most emotional resonance, but twists are getting irritating, and this is the kind of material where the filmmakers should be very careful about raising eyebrows.\nThe longer the movie goes, the worse it gets, but it's actually pretty good in the first few minutes.\nWhile it's genuinely cool to hear characters talk about early rap records (Sugar Hill Gang, etc.), the constant referencing of hip-hop arcana can alienate even the savviest audiences.\nNot only unfunny, but downright repellent.\nCare deftly captures the wonder and menace of growing up, but he never really embraces the joy of Fuhrman's destructive escapism or the grace-in-rebellion found by his characters.\nForced, familiar and thoroughly condescending.\nDoes little more than play an innocuous game of fill-in- the-blanks with a tragic past.\nK-19 exploits our substantial collective fear of nuclear holocaust to generate cheap Hollywood tension.\nHas a long and clunky ending ... which forces the audience to fidget through ten pseudo-serious minutes while waiting for the ending credits and the deleted scenes montage to break the audience's awkward silence\nA ragbag of promising ideas and failed narrative, of good acting and plain old bad filmmaking.\nWhaley's determination to immerse you in sheer, unrelenting wretchedness is exhausting.\nUncommonly stylish but equally silly...the picture fails to generate much suspense, nor does it ask searching enough questions to justify its pretensions.\nThe entire movie is about a boring, sad man being boring and sad.\nThe plot convolutions ultimately add up to nothing more than jerking the audience's chain.\nConfirms the nagging suspicion that Ethan Hawke would be even worse behind the camera than he is in front of it.\nMade with no discernible craft and monstrously sanctimonious in dealing with childhood loss.\nIt's a trifle of a movie, with a few laughs surrounding an unremarkable soft center.\nHolden Caulfield did it better.\nA synthesis of cliches and absurdities that seems positively decadent in its cinematic flash and emptiness.\nOh come on. Like you couldn't smell this turkey rotting from miles away.\nIf it's seldom boring, well, it's also rarely coherent.\nSimplistic fluff-ball of whimsy.\nNot exactly the Bees Knees\nIt does nothing new with the old story, except to show fisticuffs in this sort of stop-go slow motion that makes the gang rumbles look like they're being streamed over a 28K modem.\nThe kind of spectacularly misconceived enterprise that only a sophisticated cinephile could have perpetrated.\nMakes for some truly odd, at times confusing, kids entertainment ... but at least this time there's some centered storytelling to go along with all the weird stuff.\nThe film contains no good jokes, no good scenes, barely a moment when Carvey's Saturday Night Live-honed mimicry rises above the level of embarrassment.\nJacquot's rendering of Puccini's tale of devotion and double-cross is more than just a filmed opera. In his first stab at the form, Jacquot takes a slightly anarchic approach that works only sporadically.\nChabrol has taken promising material for a black comedy and turned it instead into a somber chamber drama.\nIt's as if you're watching a movie that was made in 1978 but not released then because it was so weak, and it has been unearthed and released now, when it has become even weaker.\nThis is nothing but familiar territory.\nIn execution, this clever idea is far less funny than the original, Killers From Space.\nOne of the more irritating cartoons you will see this, or any, year.\nA broad, melodramatic estrogen opera that's pretty toxic in its own right.\nToo slow, too long and too little happens.\nThe film's few ideas are stretched to the point of evaporation; the whole central section is one big chase that seems to have no goal and no urgency. It's just filler.\nSacrifices the value of its wealth of archival foot-age with its less-than-objective stance.\nUtterly lacking in charm, wit and invention, Roberto Benigni's Pinocchio is an astonishingly bad film.\nA hamfisted romantic comedy that makes our girl the hapless facilitator of an extended cheap shot across the Mason-Dixon line.\nScores no points for originality, wit, or intelligence. It's a cookie-cutter movie, a cut-and-paste job.\nThey takes a long time to get to its gasp-inducing ending.\nBarely gets off the ground.\nEven on those rare occasions when the narrator stops yammering, Miller's hand often feels unsure.\nPumpkin means to be an outrageous dark satire on fraternity life, but its ambitions far exceed the abilities of writer Adam Larson Broder and his co-director, Tony R. Abrams, in their feature debut.\nAt its best, Queen is campy fun like the Vincent Price horror classics of the '60s. At its worst, it implodes in a series of very bad special effects.\nFrom the opening scenes, it's clear that All About the Benjamins is a totally formulaic movie.\nIt takes a certain kind of horror movie to qualify as 'worse than expected,' but Ghost Ship somehow manages to do exactly that.\nOn the bright side, it contains Jesse Ventura's best work since the XFL.\nDespite impeccable acting ... and a script that takes some rather unexpected (even, at times, preposterous) turns, Love is just too, too precious in the end.\nA TV style murder mystery with a few big screen moments (including one that seems to be made for a different film altogether).\nBy getting myself wrapped up in the visuals and eccentricities of many of the characters, I found myself confused when it came time to get to the heart of the movie.\nToo often, the viewer isn't reacting to humor so much as they are wincing back in repugnance.\nDilbert without the right-on satiric humor.\nManages to show life in all of its banality when the intention is quite the opposite.\nDo not see this film.\nMinority Report is exactly what the title indicates, a report.\nDelivers the same old same old, tarted up with Latin flava and turned out by Hollywood playas.\nIf you believe any of this, I can make you a real deal on leftover Enron stock that will double in value a week from Friday.\nTo call The Other Side of Heaven ``appalling'' would be to underestimate just how dangerous entertainments like it can be.\nIn exactly 89 minutes, most of which passed as slowly as if I'd been sitting naked on an igloo, Formula 51 sank from quirky to jerky to utter turkey.\nIf only the story about a multi-million dollar con bothered to include the con.\nI'd have to say the star and director are the big problems here.\nWithout the dark spookiness of Crystal Lake Camp, the horror concept completely loses its creepy menace.\nIt's like every bad idea that's ever gone into an after-school special compiled in one place, minus those daytime programs' slickness and sophistication (and who knew they even had any?).\nWhile the Resident Evil games may have set new standards for thrills, suspense, and gore for video games, the movie really only succeeds in the third of these.\nFor close to two hours the audience is forced to endure three terminally depressed, mostly inarticulate, hyper dysfunctional families for the price of one.\nTo my taste, the film's comic characters come perilously close to being Amoses and Andys for a new generation.\nWhat the director can't do is make either of Val Kilmer's two personas interesting or worth caring about.\nIn an effort, I suspect, not to offend by appearing either too serious or too lighthearted, it offends by just being wishy-washy.\nIt's difficult to imagine the process that produced such a script, but here's guessing that spray cheese and underarm noises played a crucial role.\nHarland Williams is so funny in drag he should consider permanent sex-reassignment.\n...nothing scary here except for some awful acting and lame special effects.\nIt's not that Kung Pow isn't funny some of the time -- it just isn't any funnier than bad martial arts movies are all by themselves, without all Oedekerk's impish augmentation.\nA very long movie, dull in stretches, with entirely too much focus on meal preparation and igloo construction.\nNot an objectionable or dull film; it merely lacks everything except good intentions.\nA science-fiction pastiche so lacking in originality that if you stripped away its inspirations there would be precious little left.\nOnce (Kim) begins to overplay the shock tactics and bait-and-tackle metaphors, you may decide it's too high a price to pay for a shimmering picture postcard.\nThe words, 'Frankly, my dear, I don't give a damn,' have never been more appropriate.\nWhat's next: ``My Mother the Car?''\nAll the amped-up Tony Hawk-style stunts and thrashing rap-metal can't disguise the fact that, really, we've been here, done that.\nA sequel that's much too big for its britches.\nSo unremittingly awful that labeling it a dog probably constitutes cruelty to canines.\nWhat was once original has been co-opted so frequently that it now seems pedestrian.\nA perplexing example of promise unfulfilled, despite many charming moments.\nFor all the writhing and wailing, tears, rage and opium overdoses, there's no sense of actual passion being washed away in love's dissolution.\nA coarse and stupid gross-out.\na nightmare date with a half-formed wit done a great disservice by a lack of critical distance and a sad trust in liberal arts college bumper sticker platitudes.\nDoesn't offer much besides glib soullessness, raunchy language and a series of brutal set pieces ... that raise the bar on stylized screen violence.\nThere's something with potential here, but the movie decides, like Lavinia, to go the conservative route.\nIt's one pussy-ass world when even killer-thrillers revolve around group therapy sessions.\nThe stripped-down approach does give the film a certain timeless quality, but the measured pace and lack of dramatic inflection can also seem tedious.\nBut the power of these (subjects) is obscured by the majority of the film that shows a stationary camera on a subject that could be mistaken for giving a public oration, rather than contributing to a film's narrative.\nRarely has so much money delivered so little entertainment.\nTries to add some spice to its quirky sentiments but the taste is all too familiar.\nPaid In Full is so stale, in fact, that its most vibrant scene is one that uses clips from Brian De Palma's Scarface. That's a cheat.\nHarrison's Flowers puts its heart in the right place, but its brains are in no particular place at all.\nThis re-do is so dumb and so exploitative in its violence that, ironically, it becomes everything that the rather clumsy original was railing against.\nA string of rehashed sight gags based in insipid vulgarity.\nThe movie is Dawn of the Dead crossed with John Carpenter's Ghosts of Mars, with zombies not as ghoulish as the first and trains not as big as the second.\nBasically a static series of semi-improvised (and semi-coherent) raps between the stars.\nToo restrained to be a freak show, too mercenary and obvious to be cerebral, too dull and pretentious to be engaging...The Isle defies an easy categorization.\nAn unpredictable blend of gal-pal smart talk, romantic comedy and dark tragedy that bites off considerably more than writer/director John McKay can swallow.\nIt's one of those baseball pictures where the hero is stoic, the wife is patient, the kids are as cute as all get-out and the odds against success are long enough to intimidate, but short enough to make a dream seem possible.\n``The Time Machine'' is a movie that has no interest in itself. It doesn't believe in itself, it has no sense of humor...it's just plain bored.\n... a hollow joke told by a cinematic gymnast having too much fun embellishing the misanthropic tale to actually engage it.\nA morose little soap opera about three vapid, insensitive people who take turns hurting each other. It's a feature-length adaptation of one of those ``Can This Marriage Be Saved?'' columns from Ladies Home Journal...\nThe film's essentially over by the meet-cute.\nI'm sure if you're a Hartley fan, you might enjoy yourself... Me, I didn't care for it.\nIt's about following your dreams, no matter what your parents think. Socrates motions for hemlock.\nThe script isn't very good; not even someone as gifted as Hoffman (the actor) can make it work.\nWalter Hill's pulpy, stylized boxing melodrama Undisputed nearly overcomes its questionable in-the-ring match-up with solid fight choreography and gritty prison authenticity.\nIt has all the excitement of eating oatmeal.\nIt's hard to know whether or not to recommend this film because for every thing it does right there's at least one and occasionally two things it gets ever so wrong.\nAlthough there are several truly jolting scares, there's also an abundance of hackneyed dialogue and more silly satanic business than you can shake a severed limb at.\nI'll bet the video game is a lot more fun than the film.\nStar Trek: Nemesis meekly goes where nearly every Star Trek movie has gone before. Wince-inducing dialogue, thrift-shop costumes, prosthetic makeup by Silly Putty and Kmart blue-light-special effects all conspire to test Trekkie loyalty.\nLike all abstract art, the film does not make this statement in an easily accessible way, and -- unless prewarned -- it would be very possible for a reasonably intelligent person to sit through its tidal wave of imagery and not get this vision at all.\nI don't mind having my heartstrings pulled, but don't treat me like a fool.\n...although this idea is ``new'' the results are tired.\nI'm guessing the director is a magician. After all, he took three minutes of dialogue, 30 seconds of plot and turned them into a 90-minute movie that feels five hours long.\nAn unencouraging threefold expansion on the former MTV series, accompanying the stunt-hungry dimwits in a random series of collected gags, pranks, pratfalls, dares, injuries, etc.\nIts well of thorn and vinegar (and simple humanity) has long been plundered by similar works featuring the insight and punch this picture so conspicuously lacks.\nFor all its impressive craftsmanship, and despite an overbearing series of third-act crescendos, Lily Chou-Chou never really builds up a head of emotional steam.\nDon't be fooled by the impressive cast list - Eye See You is pure junk.\nNot since Freddy Got Fingered has a major release been so painful to sit through.\nThe documentary does little, apart from raising the topic, to further stoke the conversation.\nPlays like a volatile and overlong W magazine fashion spread.\nA better title, for all concerned, might be Swept Under the Rug.\nThis movie seems to have been written using Mad-libs. There can be no other explanation. Hilariously inept and ridiculous.\nVera's technical prowess ends up selling his film short; he smoothes over hard truths even as he uncovers them.\n(A) shapeless blob of desperate entertainment.\nFeels too formulaic and too familiar to produce the transgressive thrills of early underground work.\nGiven how heavy-handed and portent-heavy it is, this could be the worst thing Soderbergh has ever done.\na by-the-numbers patient/doctor pic that covers all the usual ground\nA dumb movie with dumb characters doing dumb things and you have to be really dumb not to see where this is going.\nStealing Harvard aspires to comedic grand larceny but stands convicted of nothing more than petty theft of your time.\nPretension, in its own way, is a form of bravery. For this reason and this reason only -- the power of its own steadfast, hoity-toity convictions -- Chelsea Walls deserves a medal.\nWith the exception of some fleetingly amusing improvisations by Cedric the Entertainer as Perry's boss, there isn't a redeeming moment here.\nIt's a grab bag of genres that don't add up to a whole lot of sense.\nMovie fans, get ready to take off...the other direction.\n(director) O'Fallon manages to put some lovely pictures up on the big screen, but his skill at telling a story -- he also contributed to the screenplay -- falls short.\nThe intent is almost exactly the same (as The Full Monty). All that's missing is the spontaneity, originality and delight.\nNo one but a convict guilty of some truly heinous crime should have to sit through The Master of Disguise.\nEven the finest chef can't make a hotdog into anything more than a hotdog, and Robert De Niro can't make this movie anything more than a trashy cop buddy comedy.\nThere's too much falseness to the second half, and what began as an intriguing look at youth fizzles into a dull, ridiculous attempt at heart-tugging.\nIt's not without its pleasures, but I'll stick with The Tune.\nMiller is playing so free with emotions, and the fact that children are hostages to fortune, that he makes the audience hostage to his swaggering affectation of seriousness.\nDespite the evocative aesthetics evincing the hollow state of modern love life, the film never percolates beyond a monotonous whine.\nMore maudlin than sharp.\nThis is an egotistical endeavor from the daughter of horror director Dario Argento (a producer here), but her raw performance and utter fearlessness make it strangely magnetic.\nIt's slow -- very, very slow. It's not the ultimate Depression-era gangster movie. That's pure PR hype.\nCharacters still need to function according to some set of believable and comprehensible impulses, no matter how many drugs they do or how much artistic license Avary employs.\nComes ... uncomfortably close to coasting in the treads of The Bicycle Thief.\nVisually rather stunning, but ultimately a handsome-looking bore, the true creativity would have been to hide Treasure Planet entirely and completely reimagine it.\nStealing Harvard is evidence that the Farrelly Bros. -- Peter and Bobby -- and their brand of screen comedy are wheezing to an end, along with Green's half-hearted movie career.\nThere seems to be no clear path as to where the story's going, or how long it's going to take to get there.\nIf you're a WWF fan, or you related to the people who watched the robots getting butchered in A.I., you'll probably like Rollerball.\nI don't think I laughed out loud once. And when you're talking about a slapstick comedy, that's a pretty big problem.\nIt's so mediocre, despite the dynamic duo on the marquee, that we just can't get no satisfaction.\nSlapstick buffoonery can tickle many a preschooler's fancy, but when it costs a family of four about $40 to see a film in theaters, why spend money on a dog like this when you can rent a pedigree instead?\n...turns so unforgivably trite in its last 10 minutes that anyone without a fortified sweet tooth will likely go into sugar shock.\nThe notion that bombing buildings is the funniest thing in the world goes entirely unexamined in this startlingly unfunny comedy.\nMy reaction in a word: disappointment. His last movie was poetically romantic and full of indelible images, but his latest has nothing going for it.\nIt kinda works and qualifies as cool at times, but is just too lame to work or be cool at others.\nSustains its dreamlike glide through a succession of cheesy coincidences and voluptuous cheap effects, not the least of which is Rebecca Romijn-Stamos.\nIntriguing documentary which is emotionally diluted by focusing on the story's least interesting subject.\nFeels haphazard, as if the writers mistakenly thought they could achieve an air of frantic spontaneity by simply tossing in lots of characters doing silly stuff and stirring the pot.\nFor each chuckle there are at least 10 complete misses, many coming from the amazingly lifelike Tara Reid, whose acting skills are comparable to a cardboard cutout.\nIn its own way, Joshua is as blasphemous and nonsensical as a Luis Buñuel film without the latter's attendant intelligence, poetry, passion, and genius.\nI've always dreamed of attending Cannes, but after seeing this film, it's not that big a deal.\nThe vintage is pure '87, with a halfhearted twist on its cautionary message: Fatal Attraction = don't have an affair with a nutjob; Unfaithful = don't if you're married to one.\nA workshop mentality prevails.\nIt cannot be enjoyed, even on the level that one enjoys a bad slasher flick, primarily because it is dull. Yes, dull.\nPumpkin wants to have it both ways.\nDirector Uwe Boll and the actors provide scant reason to care in this crude '70s throwback.\n(W)hile long on amiable monkeys and worthy environmentalism, Jane Goodall's Wild Chimpanzees is short on the thrills the oversize medium demands.\nOuter-space buffs might love this film, but others will find its pleasures intermittent.\nThis piece of Channel 5 grade trash is, quite frankly, an insult to the intelligence of the true genre enthusiast.\nAn occasionally funny, but overall limp, fish-out-of-water story.\nA bloated gasbag thesis grotesquely impressed by its own gargantuan aura of self-importance...\nIt's mighty tedious for the viewer who has to contend with unpleasant characters, hit-and-miss performances and awkwardly staged scenes.\nAs A Rumor of Angels reveals itself to be a sudsy tub of supernatural hokum, not even Ms. Redgrave's noblest efforts can redeem it from hopeless sentimentality.\nNew Best Friend's Playboy-mansion presentation of college life is laugh-out-loud ludicrous.\nan appalling 'Ace Ventura' rip-off that somehow manages to bring together Kevin Pollak, former wrestler Chyna and Dolly Parton. If any of them list this 'credit' on their resumes in the future, that'll be much funnier than anything in the film...\nThe humor is forced and heavy-handed, and occasionally simply unpleasant.\nScorsese at his best makes gangster films that are equally lovely but also relentlessly brutal and brutally intelligent; Perdition, meanwhile, reads more like Driving Miss Daisy than GoodFellas.\nWhile the script starts promisingly, it loses steam towards the middle and never really develops beyond attacking obvious target.\nAs the latest bid in the TV-to-movie franchise game, I Spy makes its big-screen entry with little of the nervy originality of its groundbreaking small-screen progenitor.\nThis isn't even Madonna's Swept Away. This is her Blue Lagoon.\nThe director knows how to apply textural gloss, but his portrait of sex-as-war is strictly sitcom.\n...the film suffers from a lack of humor (something needed to balance out the violence)...\nBurns never really harnesses to full effect the energetic cast.\nAn overemphatic, would-be wacky, ultimately tedious sex farce.\nHas all the depth of a wading pool.\nThis is the sort of burly action flick where one coincidence pummels another, narrative necessity is a drunken roundhouse, and whatever passes for logic is a factor of the last plot device left standing.\nThe so-inept- it's-surreal dubbing (featuring the voices of Glenn Close, Regis Philbin and Breckin Meyer) brings back memories of cheesy old Godzilla flicks.\n... the movie is just a plain old monster.\nIf this disposable tissue has one wild card, it's John Turturro, who's simply fab as a Spanish butler with a foot fetish.\nOne long string of cliches.\nFancy a real downer? (Leigh) lays it on so thick this time that it feels like a suicide race.\nProfessionally speaking, it's tempting to jump ship in January to avoid ridiculous schlock like this shoddy suspense thriller.\nNelson's brutally unsentimental approach ... sucks the humanity from the film, leaving behind an horrific but weirdly unemotional spectacle.\nWeaves a spell over you, with its disturbingly close-up look at damaged psyches and its subtle undercurrents of danger. But its awkward structure keeps breaking the spell.\nAt once half-baked and overheated.\nThere's a solid woman- finding-herself story somewhere in here, but you'd have to dig pretty deep to uncover it.\nI still can't relate to Stuart: He's a mouse, for cryin' out loud, and all he does is milk it with despondent eyes and whine that nobody treats him human enough.\n(Serry) wants to blend politics and drama, an admirable ambition. It's too bad that the helping hand he uses to stir his ingredients is also a heavy one.\nBy the miserable standards to which the slasher genre has sunk,...actually pretty good. Of course, by more objective measurements it's still quite bad.\nThe only entertainment you'll derive from this choppy and sloppy affair will be from unintentional giggles – several of them.\nSam Mendes has become valedictorian at the School for Soft Landings and Easy Ways Out.\nExactly what it claims to be -- a simple diversion for the kids.\nIts story may be a thousand years old, but why did it have to seem like it took another thousand to tell it to us?\nThe problem with this film is that it lacks focus. I sympathize with the plight of these families, but the movie doesn't do a very good job conveying the issue at hand.\nA momentary escape from the summer heat and the sedentary doldrums that set in at this time of year.\n... think of it as American Pie On Valium.\nDull, lifeless, and amateurishly assembled.\nPuportedly ``Based on True Events,'' a convolution of language that suggests it's impossible to claim that it is ``Based on a True Story'' with a straight face.\n...a plotline that's as lumpy as two-day old porridge...the filmmakers' paws, sad to say, were all over this ``un-bear-able'' project!\nIt's a bad thing when a movie has about as much substance as its end credits blooper reel.\nWith its dogged Hollywood naturalism and the inexorable passage of its characters toward sainthood, Windtalkers is nothing but a sticky-sweet soap.\nSome of it is clever, but it is never melodic/\nBetter to just call it ABC Kiarostami. For AIDS and Africa are nothing more than part of the scenery.\nNo aspirations to social import inform the movie version. This is a shameless sham, calculated to cash in on the popularity of its stars.\nManages to be somewhat well-acted, not badly art-directed and utterly unengaging no matter how hard it tries to be thrilling, touching or, yikes, uproarious.\nThis rather superficial arthouse middle-brow film knows how to please a crowd, and that's about all it does well.\nIt's clear the filmmakers weren't sure where they wanted their story to go, and even more clear that they lack the skills to get us to this undetermined destination.\nAs vulgar as it is banal.\nYou wonder why Enough wasn't just a music video rather than a full-length movie.\nThe film's tone and pacing are off almost from the get-go.\nThe talented and clever Robert Rodriguez perhaps put a little too much heart into his first film and didn't reserve enough for his second.\nMore whiny downer than corruscating commentary.\nTambor and Clayburgh make an appealing couple -- he's understated and sardonic, she's appealingly manic and energetic. Both deserve better.\nSuffocated by its fussy script and uptight characters, this musty adaptation is all the more annoying since it's been packaged and sold back to us by Hollywood.\nCoughs and sputters on its own postmodern conceit.\nA wildly inconsistent emotional experience.\nSit through this one, and you won't need a magic watch to stop time; your DVD player will do it for you.\nA sometimes tedious film.\nTeen movies have really hit the skids.\nThere are plot holes big enough for Shamu the killer whale to swim through.\n...plays like somebody spliced random moments of a Chris Rock routine into what is otherwise a cliche-riddled but self-serious spy thriller.\nNasty, ugly, pointless and depressing, even if you hate clowns.\nWhat is 100% missing here is a script of even the most elemental literacy, an inkling of genuine wit, and anything resembling acting.\ndoes paint some memorable images ..., but Makhmalbaf keeps her distance from the characters\nIt uses the pain and violence of war as background material for color.\njust not campy enough\nThe movie, directed by Mick Jackson, leaves no cliche unturned, from the predictable plot to the characters straight out of central casting.\nIt's everything you don't go to the movies for.\nLike watching a dress rehearsal the week before the show goes up: everything's in place but something's just a little off-kilter.\nThe affectionate loopiness that once seemed congenital to Demme's perspective has a tough time emerging from between the badly dated cutesy-pie mystery scenario and the newfangled Hollywood post-production effects.\nFor all its technical virtuosity, the film is so mired in juvenile and near-xenophobic pedagogy that it's enough to make one pine for the day when Godard can no longer handle the rigors of filmmaking.\nAmerican Chai encourages rueful laughter at stereotypes only an Indian-American would recognize. And the lesson, in the end, is nothing new.\nIt made me want to wrench my eyes out of my head and toss them at the screen.\nDue to some script weaknesses and the casting of the director's brother, the film trails off into inconsequentiality.\n...plot holes so large and obvious a marching band might as well be stomping through them in clown clothes, playing a college football fight song on untuned instruments.\nSo devoid of any kind of intelligible story that it makes films like XXX and Collateral Damage seem like thoughtful treatises\nCombining quick-cut editing and a blaring heavy metal much of the time, Beck seems to be under the illusion that he's shooting the latest System of a Down video.\nDragonfly has no atmosphere, no tension -- nothing but Costner, flailing away. It's a buggy drag.\nWorks hard to establish rounded characters, but then has nothing fresh or particularly interesting to say about them.\nThe action switches between past and present, but the material link is too tenuous to anchor the emotional connections that purport to span a 125-year divide.\nNonsensical, dull ``cyber-horror'' flick is a grim, hollow exercise in flat scares and bad acting.\nInstead of hiding Pinocchio from critics, Miramax should have hidden it from everyone.\nManages to be both repulsively sadistic and mundane.\nA great ensemble cast can't lift this heartfelt enterprise out of the familiar.\nThere ought to be a directing license, so that Ed Burns can have his revoked.\nThe structure the film takes may find Matt Damon and Ben Affleck once again looking for residuals as this officially completes a Good Will Hunting trilogy that was never planned.\nWhereas last year's exemplary Sexy Beast seemed to revitalize the British gangster movie, this equally brutal outing merely sustains it.\n... a boring parade of talking heads and technical gibberish that will do little to advance the Linux cause.\nGreen might want to hang onto that ski mask, as robbery may be the only way to pay for his next project.\nI can take infantile humor ... but this is the sort of infantile that makes you wonder about changing the director and writer's diapers.\nThere isn't nearly enough fun here, despite the presence of some appealing ingredients.\nThe tale of Tok (Andy Lau), a sleek sociopath on the trail of O (Takashi Sorimachi), the most legendary of Asian hitmen, is too scattershot to take hold.\nDirected in a paint-by-numbers manner.\nA cheerful enough but imminently forgettable rip-off of (Besson's) earlier work.\nA lackluster, unessential sequel to the classic Disney adaptation of J.M. Barrie's Peter Pan.\nSamira Makhmalbaf's new film Blackboards is much like the ethos of a stream of consciousness, although, it's unfortunate for the viewer that the thoughts and reflections coming through are torpid and banal\n...routine, harmless diversion and little else.\nLate Marriage's stiffness is unlikely to demonstrate the emotional clout to sweep U.S. viewers off their feet.\nThis time Mr. Burns is trying something in the Martin Scorsese street-realist mode, but his self-regarding sentimentality trips him up again.\nWhile there's something intrinsically funny about Sir Anthony Hopkins saying 'Get in the car, bitch,' this Jerry Bruckheimer production has little else to offer\nIt's hampered by a Lifetime-channel kind of plot and a lead actress who is out of her depth.\nLet's hope -- shall we? -- that the 'true story' by which All the Queen's Men is allegedly ``inspired'' was a lot funnier and more deftly enacted than what's been cobbled together onscreen.\nIs there a group of more self-absorbed women than the mother and daughters featured in this film? I don't think so. Nothing wrong with performances here, but the whiney characters bugged me.\nThere is very little dread or apprehension, and though I like the creepy ideas, they are not executed with anything more than perfunctory skill.\nIf you've ever entertained the notion of doing what the title of this film implies, what Sex With Strangers actually shows may put you off the idea forever.\nIn the end, the movie collapses on its shaky foundation despite the best efforts of director Joe Carnahan.\nAdults will wish the movie were less simplistic, obvious, clumsily plotted and shallowly characterized. But what are adults doing in the theater at all?\nSticky sweet sentimentality, clumsy plotting and a rosily myopic view of life in the WWII-era Mississippi Delta undermine this adaptation.\nIt's another stale, kill-by-numbers flick, complete with blade-thin characters and terrible, pun-laden dialogue.\nEvery time you look, Sweet Home Alabama is taking another bummer of a wrong turn.\nPartway through watching this saccharine, Easter-egg-colored concoction, you realize that it is made up of three episodes of a rejected TV show.\nThe overall effect is less like a children's movie than a recruitment film for future Hollywood sellouts.\nPortentous and pretentious, The Weight of Water is appropriately titled, given the heavy-handedness of it drama.\nA fitfully amusing romp that, if nothing else, will appeal to fans of Malcolm in the Middle and its pubescent star, Frankie Muniz.\nJason X is positively anti-Darwinian: nine sequels and 400 years later, the teens are none the wiser and Jason still kills on auto-pilot.\nTo say this was done better in Wilder's Some Like It Hot is like saying the sun rises in the east.\nAt the very least, if you don't know anything about Derrida when you walk into the theater, you won't know much more when you leave.\nThe actors are appealing, but Elysian Fields is idiotic and absurdly sentimental.\nAs 'chick flicks' go, this one is pretty miserable, resorting to string-pulling rather than legitimate character development and intelligent plotting.\nThe only excitement comes when the credits finally roll and you get to leave the theater.\nThere's no emotional pulse to Solaris. With an emotional sterility to match its outer space setting, Soderbergh's spectacular swing for the fence yields only a spectacular whiff.\nIt can't decide if it wants to be a mystery/thriller, a romance or a comedy.\nDenis O'Neill's script avoids the prime sports cliche, a last-second goal to win the championship, but it neglects few others.\nThe character of ZigZag is not sufficiently developed to support a film constructed around him.\nOne of those pictures whose promising, if rather precious, premise is undercut by amateurish execution.\nServing Sara doesn't serve up a whole lot of laughs.\nThe most hopelessly monotonous film of the year, noteworthy only for the gimmick of being filmed as a single unbroken 87-minute take.\nWith virtually no interesting elements for an audience to focus on, Chelsea Walls is a triple-espresso endurance challenge.\nDeadeningly dull, mired in convoluted melodrama, nonsensical jargon and stiff-upper-lip laboriousness.\nA misogynistic piece of filth that attempts to pass itself off as hip, young adult entertainment.\nLike the Chelsea's denizens ... Burdette's collage-form scenario tends to over-romanticize the spiritual desolation of the struggling artiste.\nIt's basically an overlong episode of Tales from the Crypt.\nThe film makes a fatal mistake: It asks us to care about a young man whose only apparent virtue is that he is not quite as unpleasant as some of the people in his life.\nAnother in-your-face wallow in the lower depths made by people who have never sung those blues.\nShaky close-ups of turkey-on-rolls, stubbly chins, liver spots, red noses and the filmmakers new bobbed do draw easy chuckles but lead nowhere.\nI can't quite recommend it -- it's too patched together -- but I almost can; it's the kind of movie that makes you want to like it.\nComplete lack of originality, cleverness or even visible effort\nThough Perry and Hurley make inspiring efforts to breathe life into the disjointed, haphazard script by Jay Scherick and David Ronn, neither the actors nor director Reginald Hudlin can make it more than fitfully entertaining.\nSomething akin to a Japanese Alice Through the Looking Glass, except that it seems to take itself far more seriously.\nIt takes talent to make a lifeless movie about the most heinous man who ever lived.\nOn the whole, the movie lacks wit, feeling and believability to compensate for its incessant coarseness and banality.\nThe story and the friendship proceeds in such a way that you're watching a soap opera rather than a chronicle of the ups and downs that accompany lifelong friendships.\nOffers very little genuine romance and even fewer laughs...a sad sitcom of a movie, largely devoid of charm.\nMakes for a pretty unpleasant viewing experience.\nThe movie fails to live up to the sum of its parts.\nAlthough Huppert's intensity and focus has a raw exhilaration about it, The Piano Teacher is anything but fun.\nIt showcases Carvey's talent for voices, but not nearly enough and not without taxing every drop of one's patience to get to the good stuff.\nBad. Very bad. Stultifyingly, dumbfoundingly, mind-numbingly bad.\nMay reawaken discussion of the Kennedy assassination but this fictional film looks made for cable rather than for the big screen.\nIf looking for a thrilling sci-fi cinematic ride, don't settle for this Imposter.\nNot really bad so much as distasteful: We need kidnapping suspense dramas right now like we need doomsday thrillers.\nThe result is a gaudy bag of stale candy, something from a Halloween that died.\nDavis ... is so enamored of her own creation that she can't see how insufferable the character is.\nThe Man From Elysian Fields is a cold, bliss-less work that groans along thinking itself some important comment on how life throws us some beguiling curves.\nThe messages of compassion and mercy are clearly, squarely and specifically expounded via computer animated Old Testament tale of Jonah and the Whale. Determined to be fun, and bouncy, with energetic musicals, the humor didn't quite engage this adult.\nHistorical dramas fused with love triangle is a well worn conceit. But this films lacks the passion required to sell the material.\nLong Time Dead? Not nearly long enough.\nNothing more substantial than a fitfully clever doodle.\nA solid film...but more conscientious than it is truly stirring.\nThere's not enough here to justify the almost two hours.\nThe X potion gives the quickly named Blossom, Bubbles and Buttercup supernatural powers that include extraordinary strength and laser-beam eyes, which unfortunately don't enable them to discern flimsy screenplays.\nPerceptive in its vision of nascent industrialized world politics as a new art form, but far too clunky, didactic and saddled with scenes that seem simply an ill fit for this movie.\nVerbinski implements every hack-artist trick to give us the ooky-spookies.\nMcConaughey's fun to watch, the dragons are okay, not much fire in the script.\nAn unwise amalgam of Broadcast News and Vibes.\nSkins has a right to yawp, and we have a right to our grains of salt.\nWho needs love like this?\nHit and miss as far as the comedy goes and a big ole' miss in the way of story.\nReturning aggressively to his formula of dimwitted comedy and even dimmer characters, Sandler, who also executive produces, has made a film that makes previous vehicles look smart and sassy.\nExists then as an occasionally insightful acting exercise.\nTrite, banal, cliched, mostly inoffensive.\nMattei is tiresomely grave and long-winded, as if circularity itself indicated profundity.\nIt's not original, and, robbed of the element of surprise, it doesn't have any huge laughs in its story of irresponsible cops who love to play pranks.\nWhenever its story isn't bogged down by idiocy involving the CIA and a lost U.S. satellite, Hunter -- starring Irwin and his American wife/colleague, Terri -- is a movie children should enjoy.\nIt offers little beyond the momentary joys of pretty and weightless intellectual entertainment.\nA sequence of ridiculous shoot-'em-up scenes.\nNothing in Waking Up in Reno ever inspired me to think of its inhabitants as anything more than markers in a screenplay.\nI'm just too bored to care.\nIrwin is a man with enough charisma and audacity to carry a dozen films, but this particular result is ultimately held back from being something greater.\nNot a stereotype is omitted nor a cliché left unsaid.\nAs befits its title, this PG-13-rated piffle is ultimately as threatening as the Snuggle Fabric Softener bear.\nAttempts by this ensemble film to impart a message are so heavy-handed that they instead pummel the audience.\nIt all feels like a Monty Python sketch gone horribly wrong.\nNervous breakdowns are not entertaining.\nScorsese doesn't give us a character worth giving a damn about.\nA beautifully made piece of unwatchable drivel.\nLike being trapped at a perpetual frat party...How can something so gross be so boring?\nThis is so bad.\nEven film silliness needs a little gravity, beyond good hair and humping.\nI felt sad for Lise not so much because of what happens as because she was captured by this movie when she obviously belongs in something lighter and sunnier, by Rohmer, for example.\nPrurient playthings aside, there's little to love about this English trifle.\nThis is a train wreck of an action film -- a stupefying attempt by the filmmakers to force-feed James Bond into the mindless XXX mold and throw 40 years of cinematic history down the toilet in favor of bright flashes and loud bangs.\nThe film flat lines when it should peak and is more missed opportunity and trifle than dark, decadent truffle.\nIt's played in the most straight-faced fashion, with little humor to lighten things up. The heavy-handed film is almost laughable as a consequence.\nVan Wilder brings a whole new meaning to the phrase 'comedy gag.' At least one scene is so disgusting that viewers may be hard pressed to retain their lunch.\nA disappointment for those who love alternate versions of the Bard, particularly ones that involve deep fryers and hamburgers.\nThe film tries too hard to be funny and tries too hard to be hip. The end result is a film that's neither.\nEvery nanosecond of the The New Guy reminds you that you could be doing something else far more pleasurable. Something like scrubbing the toilet. Or emptying rat traps. Or doing last year's taxes with your ex-wife.\nScooby Dooby Doo / And Shaggy too / You both look and sound great. / But Daphne, you're too Buff / Fred thinks he's tough / And Velma - wow, you've lost weight!\nIs the time really ripe for a warmed-over James Bond adventure, with a village idiot as the 007 clone?\nThere's enough melodrama in this Magnolia Primavera to make PTA proud yet director Muccino's characters are less worthy of Puccini than they are of daytime television.\nHowever it may please those who love movies that blare with pop songs, young science fiction fans will stomp away in disgust.\nThe humor isn't as sharp, the effects not as innovative, nor the story as imaginative as in the original. But it could have been worse.\nSome of their jokes work, but most fail miserably and in the end, Pumpkin is far more offensive than it is funny.\nEven horror fans will most likely not find what they're seeking with Trouble Every Day; the movie lacks both thrills and humor.\ncomes off like a rejected ABC Afterschool Special, freshened up by the dunce of a Screenwriting 101 class. ...Designed to provide a mix of smiles and tears, ``Crossroads'' instead provokes a handful of unintentional howlers and numerous yawns.\nit seems to me the film is about the art of ripping people off without ever letting them consciously know you have done so\nIt's just disappointingly superficial -- a movie that has all the elements necessary to be a fascinating, involving character study, but never does more than scratch the surface.\nThe title not only describes its main characters, but the lazy people behind the camera as well.\nSometimes it feels as if it might have been made in the '70s or '80s, and starred Chevy Chase and Goldie Hawn.\nSchaeffer has to find some hook on which to hang his persistently useless movies, and it might as well be the resuscitation of the middle-aged character.\nDemands too much of most viewers.\nThe story drifts so inexorably into cliches about tortured (and torturing) artists and consuming but impossible love that you can't help but become more disappointed as each overwrought new sequence plods on.\nIt should be mentioned that the set design and interiors of the haunted vessel are more than effectively creepy and moodily lit. So I just did.\nShamelessly sappy and, worse, runs away from its own provocative theme.\nThe Ring just left me cold and wet like I was out in the Seattle drizzle without rainwear.\nThe film seems a dead weight. The lack of pace kills it, although, in a movie about cancer, this might be apt.\nFor anyone who grew up on Disney's 1950 Treasure Island, or remembers the 1934 Victor Fleming classic, this one feels like an impostor.\nA clutchy, indulgent and pretentious travelogue and diatribe against... well, just stuff. Watching Scarlet Diva, one is poised for titillation, raw insight or both. Instead, we just get messy anger, a movie as personal therapy.\nMeandering, sub-aquatic mess: It's so bad it's good, but only if you slide in on a freebie.\nThe ending is a cop-out. What happens to John Q? I don't have an I Am Sam clue.\nHas the feel of an unedited personal journal.\nRemember when Bond had more glamour than clamor? No more.\nCry havoc and let slip the dogs of cheese, indeed.\nThis charmless nonsense ensues amid clanging film references that make Jay and Silent Bob's Excellent Adventure seem understated.\nIt doesn't quite deserve the gong, but there are more fascinating acts than ``Confessions of a Dangerous Mind.''\nThe subject of swinging still seems ripe for a documentary -- just not this one.\n... Hudlin is stuck trying to light a fire with soggy leaves.\nUnlike his directorial efforts, La Femme Nikita and The Professional, The Transporter lacks Besson's perspective as a storyteller.\nThe overall effect is so completely inane that one would have to be mighty bored to even think of staying with this for more than, say, ten... make that three minutes.\nMost of the supporting characters in Eastwood films are weak, as are most of the subplots. This one's weaker than most.\nAudiences will find no mention of political prisoners or persecutions that might paint the Castro regime in less than saintly tones.\nThe film takes too long getting to the good stuff, then takes too long figuring out what to do next.\nYou can practically smell the patchouli oil.\nTo say Analyze That is De Niro's best film since Meet the Parents sums up the sad state of his recent career.\nThe actors don't inhabit their roles -- they're trapped by them, forced to change behavior in bizarre unjustified fashion and spout dialog that consists mostly of platitudes.\nAn often-deadly boring, strange reading of a classic whose witty dialogue is treated with a baffling casual approach\nThis film was made to get laughs from the slowest person in the audience -- just pure slapstick with lots of inane, inoffensive screaming and exaggerated facial expressions.\nConsists of a plot and jokes done too often by people far more talented than Ali G\nAnother week, another gross-out college comedy--ugh.\nModerately involving despite bargain-basement photography and hackneyed romance.\nThere is no insight into the anguish of Heidi's life -- only a depiction of pain, today's version of Greek tragedy, the talk-show guest decrying her fate.\nThe editing is chaotic, the photography grainy and badly focused, the writing unintentionally hilarious, the direction unfocused, the performances as wooden.\nWhen (De Palma's) bad, he's really bad, and Femme Fatale ranks with the worst he has done.\nTadpole is emblematic of the witless ageism afflicting films: Young is cool, and too young is too cool.\nI doubt anyone will remember the picture by the time Christmas really rolls around, but maybe it'll be on video by then.\nUncertain in tone... a garbled exercise in sexual politics, a junior varsity Short Cuts by way of Very Bad Things.\nAll's well that ends well, and rest assured, the consciousness-raising lessons are cloaked in gross-out gags.\nThe only thing worse than your substandard, run-of-the-mill Hollywood picture is an angst-ridden attempt to be profound.\nIf you think that Jennifer Lopez has shown poor judgment in planning to marry Ben Affleck, wait till you see Maid in Manhattan.\nStars Matthew Perry and Elizabeth Hurley illicit more than a chuckle, and more jokes land than crash, but ultimately Serving Sara doesn't distinguish itself from the herd.\nIt's best to avoid imprisonment with the dull, nerdy folks that inhabit Cherish.\nCulkin exudes none of the charm or charisma that might keep a more general audience even vaguely interested in his bratty character.\nIn the end, Ted Bundy's only justification is the director's common but unexplored fascination with the frustrated maniac; there's no larger point, and little social context.\n... (like)channel surfing between the Discovery Channel and a late-night made-for-cable action movie.\nA movie that, rather than skip along the Seine, more or less slogs its way through soggy Paris, tongue uncomfortably in cheek.\nShot perhaps 'artistically' with handheld cameras and apparently no movie lights by Joaquin Baca-Asay, the low-budget production swings annoyingly between vertigo and opacity.\nImagine a really bad community theater production of West Side Story without the songs.\nSoul is what's lacking in every character in this movie and, subsequently, the movie itself.\nA one-trick pony whose few T&A bits still can't save itself from being unoriginal, unfunny and unrecommendable.\nThe worst kind of independent; the one where actors play dress down hicks and ponderously mope around trying to strike lightning as captured by their 1970s predecessors\nIt may be a prize winner, but Teacher is a bomb.\nThe production values are up there. The use of CGI and digital ink-and-paint make the thing look really slick. The voices are fine as well. The problem, it is with most of these things, is the script.\nIt's got its heart in the right place, but it also wilts after awhile.\nProves that a movie about goodness is not the same thing as a good movie.\nWell, it does go on forever.\nThis overproduced and generally disappointing effort isn't likely to rouse the Rush Hour crowd.\nTopkapi this is not.\nIf Shayamalan wanted to tell a story about a man who loses his faith, why didn't he just do it, instead of using bad sci-fi as window dressing?\nEthan Hawke has always fancied himself the bastard child of the Beatnik generation and it's all over his Chelsea Walls.\nEqual parts bodice-ripper and plodding costume drama.\nI'm not suggesting that you actually see it, unless you're the kind of person who has seen every Wim Wenders film of the '70s.\nWhile the film misfires at every level, the biggest downside is the paucity of laughter in what's supposed to be a comedy.\nIf you liked the 1982 film then, you'll still like it now.\nA 93-minute condensation of a 26-episode TV series, with all of the pitfalls of such you'd expect.\nGuillen rarely gets beneath the surface of things. She lists ingredients, but never mixes and stirs.\nAudiences can be expected to suspend their disbelief only so far -- and that does not include the 5 o'clock shadow on the tall wooden kid as he skips off to school.\nTo imagine the life of Harry Potter as a martial arts adventure told by a lobotomized Woody Allen is to have some idea of the fate that lies in store for moviegoers lured to the mediocrity that is Kung Pow: Enter the Fist.\nIt delivers some chills and sustained unease, but flounders in its quest for Deeper Meaning.\nCredibility levels are low and character development a non-starter.\nI would have preferred a transfer down the hall to Mr. Holland's class for the music, or to Robin Williams's lecture so I could listen to a teacher with humor, passion, and verve.\nFor the most part, the ingredients are there. But an unwillingness to explore beyond the surfaces of her characters prevents Nettelbeck's film from coming together.\nAn earnest, heartrending look at the divide between religious fundamentalists and their gay relatives. It's also heavy-handed and devotes too much time to bigoted views.\nA mawkish, implausible platonic romance that makes Chaplin's City Lights seem dispassionate by comparison.\nYes, one enjoys seeing Joan grow from awkward young woman to strong, determined monarch, but her love for the philandering Philip only diminishes her stature.\nIt's a film that hinges on its casting, and Glover really doesn't fit the part.\nThis is a throwaway, junk-food movie whose rap soundtrack was better tended to than the film itself.\n...with the candy-like taste of it fading faster than 25-cent bubble gum, I realized this is a throwaway movie that won't stand the test of time. It's a trifle.\nLiterally nothing in The Pool is new, but if you grew up on the stalker flicks of the 1980's this one should appease you for 90 minutes.\nArguably the year's silliest and most incoherent movie.\nAnyway, for one reason or another, Crush turns into a dire drama partway through. After that, it just gets stupid and maudlin. Too bad, but thanks to some lovely comedic moments and several fine performances, it's not a total loss.\nChao was Chen Kaige's assistant for years in China. He has not learnt that storytelling is what the movies are about.\nA mixed bag of a comedy that can't really be described as out of this world.\nThe film is a travesty of the genre and even as spoof takes itself too seriously.\nMarries the amateurishness of The Blair Witch Project with the illogic of Series 7: The Contenders to create a completely crass and forgettable movie.\nThe Piano Teacher is the sort of movie that discourages American audiences from ever wanting to see another foreign film.\nIf it's another regurgitated action movie you're after, there's no better film than Half Past Dead.\nSo what is the point? Lovingly choreographed bloodshed taking place in a pristine movie neverland, basically.\nThis is junk food cinema at its greasiest.\nWhen it's all wet, Blue Crush is highly enjoyable. When it's on dry land, though, this surfer-girl melodrama starts gasping like a beached grouper.\nMost new movies have a bright sheen. Some, like Ballistic, arrive stillborn... looking like the beaten, well-worn video box cover of seven years into the future.\nThe story is naturally poignant, but first-time screenwriter Paul Pender overloads it with sugary bits of business.\nYou see Robert De Niro singing - and dancing to - West Side Story show tunes. Choose your reaction: A.) That sure is funny! B.) That sure is pathetic!\nA sermonizing and lifeless paean to teenage dullards.\nThis dramatically shaky contest of wills only reiterates the old Hollywood saw: Evil is interesting and good is boring.\nBefore long, the film starts playing like General Hospital crossed with a Saturday Night Live spoof of Dog Day Afternoon.\nThe charms of willful eccentricity, at least as evidenced by this latest cinematic essay, are beginning to wear a bit thin.\nInstead of accurately accounting a terrible true story, the film's more determined to become the next Texas Chainsaw Massacre. But what about the countless other people who'd merely like to watch a solid tale about a universally interesting soul?\nA silly, self-indulgent film about a silly, self-indulgent filmmaker.\nScarlet Diva has a voyeuristic tug, but all in all it's a lot less sensational than it wants to be.\nThe character is too forced and overwritten to be funny or believable much of the time, and Clayburgh doesn't always improve the over-the-top mix.\nFlashy, pretentious and as impenetrable as Morvern's thick, working-class Scottish accent.\nA battle between bug-eye theatre and dead-eye matinee.\nThe movie is virtually without context -- journalistic or historical. What's worse is that Pelosi knows it.\n... instead go rent ``Shakes The Clown'', a much funnier film with a similar theme and an equally great Robin Williams performance.\nLame, haphazard teen comedy.\nIt's the kind of movie that ends up festooning U.S. art house screens for no reason other than the fact that it's in French (well, mostly) with English subtitles and is magically 'significant' because of that.\nThis miserable excuse of a movie runs on empty, believing Flatbush machismo will get it through.\nExpect to be reminded of other, better films, especially Seven, which director William Malone slavishly copies.\nNair stuffs the film with dancing, henna, ornamentation, and group song, but her narrative clichés and telegraphed episodes smell of old soap opera.\nIt's getting harder and harder to ignore the fact that Hollywood isn't laughing with us, folks. It's laughing at us.\nMight have been better off as a documentary, with less of Mr. Eyre's uninspired dramatics and more of his sense of observation and outrage.\nEvery good actor needs to do his or her own Hamlet. For Benigni it wasn't Shakespeare whom he wanted to define his career with but Pinocchio. It might as well have been Problem Child IV.\nArnold's jump from little screen to big will leave frowns on more than a few faces.\nBoth awful and appealing.\nThe lack of opposing viewpoints soon grows tiresome -- the film feels more like a series of toasts at a testimonial dinner than a documentary.\nNothing plot-wise is worth e-mailing home about.\nWe are left with a superficial snapshot that, however engaging, is insufficiently enlightening and inviting.\nHelmer DeVito...attempts to do too many things in this story about ethics, payola, vice, murder, kids' TV and revenge.\nIt wouldn't be my preferred way of spending 100 minutes or $7.00.\nI hated every minute of it.\n(T)hose same extremes prevent us from taking its message seriously, and the Stepford Wives mentality doesn't work in a modern context.\nObvious politics and rudimentary animation reduce the chances that the appeal of Hey Arnold! The Movie will reach far beyond its core demographic.\nThere's no mistaking the fact that this hybrid misses the impact of the Disney classic, and even that of the excellent 1934 MGM version.\nA simple, sometimes maddeningly slow film that has just enough charm and good acting to make it interesting, but is ultimately pulled under by the pacing and lack of creativity within.\nRoger Michell, who did an appealing job directing Persuasion and Notting Hill in England, gets too artsy in his American debut.\nThere is an almost poignant dimension to the way that every major stunt Seagal's character ... performs is shot from behind, as if it could fool us into thinking that we're not watching a double.\nAnthony Hopkins? Big deal! We've already seen the prequel to The Silence of the Lambs and Hannibal -- and it was better the first time.\nOstensibly celebrates middle-aged girl power, even as it presents friendship between women as pathetic, dysfunctional and destructive.\nIf this is an example of the type of project that Robert Redford's lab is willing to lend its imprimatur to, then perhaps it's time to rethink independent films.\nPumpkin sits in a patch somewhere between mirthless Todd Solondzian satire and callow student film.\nNot so much funny as aggressively sitcom-cute, it's full of throwaway one-liners, not-quite jokes, and a determined TV amiability that Allen personifies.\nIt's not that Waiting For Happiness is a bad film, because it isn't. It's just incredibly dull.\nThe sad thing about Knockaround Guys is its lame aspiration for grasping the coolness vibes when in fact the film isn't as flippant or slick as it thinks it is.\nA cumbersome and cliche-ridden movie greased with every emotional device known to man.\nDirector Ferzan Ozpetek creates an interesting dynamic with the members of this group, who live in the same apartment building. But he loses his focus when he concentrates on any single person.\nEgoyan's movie is too complicated to sustain involvement, and, if you'll excuse a little critical heresy, too intellectually ambitious.\nIt wants to be thought of as a subversive little indie film, but it has all the qualities of a modern situation comedy.\nDespite apparent motives to the contrary, it ends up being, like (Seinfeld's) revered TV show, about pretty much nothing.\nShadyac shoots his film like an M. Night Shyamalan movie, and he frequently maintains the same snail's pace; he just forgot to add any genuine tension.\nPlays less like a coming-of-age romance than an infomercial.\nThere are a few laughs and clever sight gags scattered about, but not enough to make this anything more than another big-budget bust.\nThe story's so preposterous that I didn't believe it for a second, despite the best efforts of everyone involved.\nI've heard that the fans of the first Men in Black have come away hating the second one. I wonder why. They felt like the same movie to me.\nDespite her relentless vim and winsome facial symmetry, Witherspoon is just too dialed-up to be America's Sweetheart.\nAn ultra-low-budget indie debut that smacks more of good intentions than talent.\nBirot is a competent enough filmmaker, but her story has nothing fresh or very exciting about it.\nDe Niro and McDormand give solid performances, but their screen time is sabotaged by the story's inability to create interest.\nEven those of a single digit age will be able to recognize that this story is too goofy... even for Disney.\nThat is essentially what's missing from Blackboards -- the sense of something bigger, some ultimate point.\nA compendium of Solondz's own worst instincts in under 90 minutes.\nIf the title is a Jeopardy question, then the answer might be ``How does Steven Seagal come across these days?'' or maybe ``How will you feel after an 88-minute rip-off of The Rock with action confined to slo-mo gun firing and random glass-shattering?''\nIt is a comedy that's not very funny and an action movie that is not very thrilling (and an uneasy alliance, at that).\nThe story is familiar from its many predecessors; like them, it eventually culminates in the not-exactly -stunning insight that crime doesn't pay.\nYou'll have more fun setting fire to yourself in the parking lot. You'll be more entertained getting hit by a bus.\nDissing a Bond movie is quite like calling a dog stupid, but when it has the temerity to run over two hours, you feel like winding up with a kick.\nRitchie's treatment of the class reversal is majorly ham-fisted, from the repetitive manifestos that keep getting thrown in people's faces to the fact Amber is such a joke.\nFlat, but with a revelatory performance by Michelle Williams.\nLittle more than a frothy vanity project.\nThe film goes from being an unusual sci-fi character study to a chase flick that detracts from its ending.\nVerbinski substitutes atmosphere for action, tedium for thrills.\nFor all its surface frenzy, High Crimes should be charged with loitering -- so much on view, so little to offer.\nThe Sum of All Fears is almost impossible to follow -- and there's something cringe-inducing about seeing an American football stadium nuked as pop entertainment.\nAlex Nohe's documentary plays like a travelogue for what mostly resembles a real-life, big-budget NC-17 version of Tank Girl.\nThe title Trapped turns out to be a pretty fair description of how you feel while you're watching this ultra-manipulative thriller.\nThe appeal of the vulgar, sexist, racist humour went over my head or -- considering just how low brow it is -- perhaps it snuck under my feet.\nThe story really has no place to go since Simone is not real--she can't provide any conflict.\nIHOPs don't pile on this much syrup.\nFor the most part, I Spy was an amusing lark that will probably rank as one of Murphy's better performances in one of his lesser-praised movies.\nfocuses on Joan's raging hormones and sledgehammers the audience with Spanish inquisitions about her ``madness'' so much that I became mad that I wasted 123 minutes and $9.50 on this 21st century torture device.\nThis series should have died long ago, but they keep bringing it back another day as punishment for paying money to see the last James Bond movie.\nA bit of an unwieldy mess.\nWith a story as bizarre and mysterious as this, you don't want to be worrying about whether the ineffectual Broomfield is going to have the courage to knock on that door.\nThe filmmakers juggle and juxtapose three story lines but fail to come up with one cogent point, unless it's that life stinks, especially for sensitive married women who really love other women.\nThe movie feels like it's going to be great, and it carries on feeling that way for a long time, but takeoff just never happens.\nA gimmick in search of a movie: how to get Carvey into as many silly costumes and deliver as many silly voices as possible, plot mechanics be damned.\n...the last time I saw a theater full of people constantly checking their watches was during my SATs.\n...fifty minutes of tedious adolescent melodramatics followed by thirty-five minutes of inflated nonsense.\n...lacks the punch and verve needed to make this genre soar.\nIt's often faintly amusing, but the problems of the characters never become important to us, and the story never takes hold.\nIt's tough, astringent, darkly funny and... well, it's also generic, untidy, condescending and mild of impact rather than stunning.\nLargely a for-fans artifact.\nThere's no denying the elaborateness of the artist's conceptions, nor his ability to depict them with outrageous elan, but really the whole series is so much pretentious nonsense, lavishly praised by those who equate obscurity with profundity.\nCharacters wander into predictably treacherous situations even though they should know better.\nThere's plenty of style in Guillermo Del Toro's sequel to the 1998 hit but why do we need 117 minutes to tell a tale that simply can't sustain more than 90 minutes.\n(I)f you've been to more than one indie flick in your life, chances are you've already seen this kind of thing.\nFirst-time director João Pedro Rodrigues' unwillingness to define his hero's background or motivations becomes more and more frustrating as the film goes on.\nNo reason for anyone to invest their hard-earned bucks into a movie which obviously didn't invest much into itself either.\nA strong first quarter, slightly less so second quarter, and average second half.\nA boring, wincingly cute and nauseatingly politically correct cartoon guaranteed to drive anyone much over age 4 screaming from the theater.\nThe vampire thriller Blade II starts off as a wild hoot and then sucks the blood out of its fun – toward the end, you can feel your veins cringing from the workout.\nWhen the first few villians are introduced as ``Spider'' and ``Snake'' you know you're in for a real winner, creativity at its peak.\nAn Afterschool Special without the courage of its convictions.\nThe final result makes for adequate entertainment, I suppose, but anyone who has seen Chicago on stage will leave the theater feeling they've watched nothing but a pale imitation of the real deal.\n(Director) Byler may yet have a great movie in him, but Charlotte Sometimes is only half of one.\nSo few movies explore religion that it's disappointing to see one reduce it to an idea that fits in a sampler.\nIt's also clear from the start that The Transporter is running purely on adrenaline, and once the initial high wears off, the film's shortcomings start to shine through.\nWatching it is rather like viewing a long soap opera in which only the first episode was any good.\nIt's fun, but a psychological mess, with Austin Powers bumping his head on the way out of the closet.\nThere are touching moments in Etoiles, but for the most part this is a dull, dour documentary on what ought to be a joyful or at least fascinating subject.\nCould the whole plan here have been to produce something that makes Fatal Attraction look like a classic by comparison? That's the only sane rationale I can think of for Swimfan's existence.\nI didn't laugh at the ongoing efforts of Cube, and his skinny buddy Mike Epps, to make like Laurel and Hardy 'n the hood.\nThe only way this supernatural snore-fest could give anyone a case of the frights is if they were put to sleep by the movie and had a nightmare.\nI wonder what the reaction of Israelis will be to this supposedly evenhanded presentation.\nThe film would work much better as a video installation in a museum, where viewers would be free to leave. Immediately.\nHuman Nature initially succeeds by allowing itself to go crazy, but ultimately fails by spinning out of control.\n(It's) a prison soccer movie starring charismatic tough guy Vinnie Jones, but it had too much spitting for me to enjoy.\nNot even the Hanson Brothers can save it\nThe thriller side of this movie is falling flat, as the stalker doesn't do much stalking, and no cop or lawyer grasps the concept of actually investigating the case.\n...(a) strained comedy that jettisons all opportunities for Rock to make his mark by serving up the usual chaotic nonsense.\nA sour, nasty offering.\nFeels like one of those contrived, only-in -Hollywood productions where name actors deliver big performances created for the sole purpose of generating Oscar talk.\nObstacles are too easily overcome and there isn't much in the way of character development in the script.\nIt tells more than it shows.\nEarnest falls short of its Ideal predecessor largely due to Parker's ill-advised meddling with the timeless source material.\nThe film might have been more satisfying if it had, in fact, been fleshed out a little more instead of going for easy smiles.\nPretentious editing ruins a potentially terrific flick.\nNot every animated film from Disney will become a classic, but forgive me if I've come to expect more from this studio than some 79-minute after-school ``cartoon''.\nDo not, under any circumstances, consider taking a child younger than middle school age to this wallow in crude humor.\nNothing debases a concept comedy quite like the grinding of bad ideas, and Showtime is crammed full of them.\nMuch-anticipated and ultimately lackluster movie.\nThis is really just another genre picture.\nEach story on its own could have been expanded and worked into a compelling single feature, but in its current incarnation, Storytelling never quite gets over its rather lopsided conception.\nWilliam Shatner, as a pompous professor, is the sole bright spot...\nA trite psychological thriller designed to keep the audience guessing and guessing -- which is not to be confused with suspecting -- until it comes time to wrap things up and send the viewers home.\nNeither funny nor suspenseful nor particularly well-drawn.\nActing, particularly by Tambor, almost makes ``Never Again'' worthwhile, but (writer/director) Schaeffer should follow his titular advice\nBoth stars manage to be funny, but, like the recent I Spy, the star chemistry begs the question of whether random gags add up to a movie.\n``Collateral Damage'' goes by the numbers and reps decent action entertainment – until the silly showdown ending that forces the viewer to totally suspend disbelief\n'Enigma' is a good name for a movie this delibrately obtuse and unapproachable. A waste of good performances.\nA dreary, incoherent, self-indulgent mess of a movie in which a bunch of pompous windbags drone on inanely for two hours...a cacophony of pretentious, meaningless prattle.\nI kept thinking over and over again, 'I should be enjoying this.' But I wasn't.\nAs conceived by Mr. Schaeffer, Christopher and Grace are little more than collections of quirky traits lifted from a screenwriter's outline and thrown at actors charged with the impossible task of making them jell.\nLike so many other allegedly scary movies, it gets so tangled up in The Twist that it chokes the energy right out of the very audience it seeks to frighten.\nThe essential problem in Orange County is that, having created an unusually vivid set of characters worthy of its strong cast, the film flounders when it comes to giving them something to do.\nJust like Hearst's enormous yacht, it's slow and unwieldy and takes a long time to reach its destination.\nThere is not a character in the movie with a shred of plausibility, not an event that is believable, not a confrontation that is not staged, not a moment that is not false.\nWhere last time jokes flowed out of Cho's life story, which provided an engrossing dramatic through line, here the comedian hides behind obviously constructed routines.\nWhy come up with something even quasi-original, when you can pillage from Shirley Jackson, Richard Matheson ... and puke up something like ROSE RED?\nA broadly played, lowbrow comedy in which the cast delivers mildly amusing performances and no farm animals were injured by any of the gags.\n... too gory to be a comedy and too silly to be an effective horror film.\nLacks heart, depth and, most of all, purpose.\nThough a bit of a patchwork in script and production, a glossy, rich green, environment almost makes the picture work.\nperfectly enjoyable, instantly forgettable, nothing to write home about.\nWasabi is slight fare indeed, with the entire project having the feel of something tossed off quickly (like one of Hubert's punches), but it should go down smoothly enough with popcorn.\nSomehow both wildly implausible and strangely conventional.\nThis ill-fitting Tuxedo is strictly off-the-rack.\nThe premise is in extremely bad taste, and the film's supposed insights are so poorly thought-out and substance-free that even a high school senior taking his or her first psychology class could dismiss them.\nSets up a nice concept for its fiftysomething leading ladies, but fails loudly in execution.\nKidman is really the only thing that's worth watching in Birthday Girl, a film by the stage-trained Jez Butterworth (Mojo) that serves as yet another example of the sad decline of British comedies in the post-Full Monty world.\nImagine the James Woods character from Videodrome making a home movie of Audrey Rose and showing it to the kid from The Sixth Sense and you've imagined The Ring.\nThis time Kaufman's imagination has failed him.\nAn intermittently pleasing but mostly routine effort.\nIt becomes gimmicky instead of compelling. ``Interview'' loses its overall sense of mystery and becomes a TV episode rather than a documentary that you actually buy into.\n'Unfaithful' cheats on itself and retreats to comfortable territory. Too bad.\nFrenetic but not really funny.\nTaken individually or collectively, the stories never add up to as much as they promise.\nIf you're not a prepubescent girl, you'll be laughing at Britney Spears' movie-starring debut whenever it doesn't have you impatiently squinting at your watch.\nA didactic and dull documentary glorifying software anarchy.\nSluggishly directed by episodic TV veteran Joe Zwick, it's a sitcom without the snap-crackle.\nYou could nap for an hour and not miss a thing.\nDirector Clare Kilner's debut is never as daft as it should have been.\nNew Best Friend shouldn't have gone straight to video; it should have gone straight to a Mystery Science Theater 3000 video.\nWallace seems less like he's been burning to tell a war story than he's been itching to somehow tack one together\nThe thrill is (long) gone.\nBegan life as a computer game, then morphed into a movie -- a bad one, of course.\nPart comedy, part drama, the movie winds up accomplishing neither in full, and leaves us feeling touched and amused by several moments and ideas, but nevertheless dissatisfied with the movie as a whole.\nGodawful boring slug of a movie.\nDull, if not devoid of wit, this shaggy dog longs to frisk through the back alleys of history, but scarcely manages more than a modest, snoozy charm.\nScene-by-scene, things happen, but you'd be hard-pressed to say what or why.\n... an unimaginative, nasty, glibly cynical piece of work.\nIt is, by conventional standards, a fairly terrible movie ... but it is also weirdly fascinating, a ready-made Eurotrash cult object. It is also, at times, curiously moving.\nThe tug-of-war at the core of Beijing Bicycle becomes weighed down with agonizing contrivances, overheated pathos and long, wistful gazes.\nVile and tacky are the two best adjectives to describe Ghost Ship.\nSome decent actors inflict big damage upon their reputations.\nBeing author Wells' great-grandson, you'd think filmmaker Simon Wells would have more reverence for the material. But this costly dud is a far cry from either the book or the beloved film.\nOffensive in the way it exploits the hot-button issue of domestic abuse for cheap thrills and disgusting in the manner it repeatedly puts a small child in jeopardy, treating her as little more than a prop to be cruelly tormented.\nMark me down as a non-believer in werewolf films that are not serious and rely on stupidity as a substitute for humor.\nThoughtless, random, superficial humour and a lot of very bad Scouse accents\nAspires for the piquant but only really achieves a sort of ridiculous sourness.\nAccuracy and realism are terrific, but if your film becomes boring, and your dialogue isn't smart, then you need to use more poetic license.\nFor all its highfalutin title and corkscrew narrative, the movie turns out to be not much more than a shaggy human tale.\nA soggy, cliche-bound epic-horror yarn that ends up being even dumber than its title.\nOne groan-inducing familiarity begets another.\nAlthough based on a real-life person, John, in the movie, is a rather dull person to be stuck with for two hours.\nGreat story, bad idea for a movie.\nWith Spy Kids 2: The Island of Lost Dreams writer/director/producer Robert Rodriguez has cobbled together a film that feels like a sugar high gone awry.\nThere is no entry portal in The Rules of Attraction, and I spent most of the movie feeling depressed by the shallow, selfish, greedy characters.\nIt's hard to tell with all the crashing and banging where the salesmanship ends and the movie begins.\n``My god, I'm behaving like an idiot!'' Yes, you are, Ben Kingsley.\nA dreadful live-action movie.\nDivertingly ridiculous, headbangingly noisy.\nAn earnest racial-issues picture that might have gotten respectful critical praise in a different era -- say, the '60s.\nA hideous, confusing spectacle, one that may well put the nail in the coffin of any future Rice adaptations.\nAll I can say is fuhgeddaboutit.\nBetween bedroom scenes, viewers may find themselves wishing they could roll over and take a nap.\nIf you collected all the moments of coherent dialogue, they still wouldn't add up to the time required to boil a four- minute egg.\nDespite all the talking, by the time the bloody climax arrives we still don't feel enough of an attachment to these guys to care one way or another.\nEvery bit as bogus as most Disney live action family movies are -- no real plot, no real conflict, no real point.\nA sensual performance from Abbass buoys the flimsy story, but her inner journey is largely unexplored and we're left wondering about this exotic-looking woman whose emotional depths are only hinted at.\nNever engaging, utterly predictable and completely void of anything remotely interesting or suspenseful.\nSpousal abuse is a major problem in contemporary society, but the film reduces this domestic tragedy to florid melodrama.\nOedekerk wrote Patch Adams, for which he should not be forgiven. Why he was given free reign over this project -- he wrote, directed, starred and produced -- is beyond me.\nThe creaking, rusty ship makes a fine backdrop, but the ghosts' haunting is routine.\nWhatever Eyre's failings as a dramatist, he deserves credit for bringing audiences into this hard and bitter place.\nScotland, PA. blurs the line between black comedy and black hole.\nIt tries too hard, and overreaches the logic of its own world.\nThe whole damn thing is ripe for the Jerry Springer crowd. It's all pretty cynical and condescending, too.\nI cry for I Spy -- or I would if this latest and laziest imaginable of all vintage-TV spinoffs were capable of engendering an emotional response of any kind.\nA boring, formulaic mix of serial killers and stalk'n'slash.\nWhat you would end up with if you took Orwell, Bradbury, Kafka, George Lucas and the Wachowski Brothers and threw them into a blender. But that's just the problem with it - the director hasn't added enough of his own ingredients.\nWith recent tensions rekindled by the Kathleen Soliah trial and the upcoming trial of SLA members Emily and William Harris, not to mention Sept. 11, its difficult these days to appreciate Fire's bright side.\nFlaunts its quirky excesses like a New Year's Eve drunk sporting a paper party hat.\nWrithing under dialogue like 'You're from two different worlds' and 'Tonight the maid is a lie and this, this is who you are,' this schlock-filled fairy tale hits new depths of unoriginality and predictability.\n...too slow, too boring, and occasionally annoying.\nIs there enough material to merit a documentary on the making of Wilco's last album?\nFaultlessly professional but finally slight.\nSchmaltzy and unfunny, Adam Sandler's cartoon about Hanukkah is numbingly bad, Little Nicky bad, 10 Worst List bad.\nIt's really yet another anemic and formulaic Lethal Weapon-derived buddy-cop movie, trying to pass off its lack of imagination as hip knowingness.\nScotland, Pa. is a strangely drab romp. Some studio pizazz might have helped.\nWhen Perry fists a bull at the Moore Farm, it's only a matter of time before he gets the upper hand in matters of the heart.\nThere's more scatological action in 8 Crazy Nights than a proctologist is apt to encounter in an entire career.\nToo loud, too long and too frantic by half, Die Another Day suggests that the Bond franchise has run into a creative wall that 007 cannot fly over, tunnel under or barrel through.\nThe cartoon is about as true to the spirit of the Festival of Lights as Mr. Deeds was to that of Frank Capra.\n...the sum of the parts equals largely a confused mediocrity.\nThe tone shifts abruptly from tense to celebratory to soppy.\nIf we don't demand a standard of quality for the art that we choose, we deserve the trash that we get.\nA modest and messy metaphysical thriller offering more questions than answers.\nJulia is played with exasperating blandness by Laura Regan.\nMorrissette's script and direction show a fair amount of intelligence and wit -- but it doesn't signify a whole lot either.\nThere's suspension of disbelief and then there's bad screenwriting...this film packs a wallop of the latter.\nAll Ms. Jovovich, as the sanctified heroine, has to do is look radiant, grimly purposeful and mildly alarmed while forcing open doors, wielding wrenches and fleeing monsters.\nMocking kung fu pictures when they were a staple of exploitation theater programming was witty. Mocking them now is an exercise in pointlessness.\nThis is a particularly toxic little bonbon, palatable to only a chosen and very jaundiced few.\nThis isn't just the CliffsNotes version of Nicholas Nickleby, it's the CliffsNotes with pages missing.\nConsidering the harsh locations and demanding stunts, this must have been a difficult shoot, but the movie proves rough going for the audience as well.\nBetter at putting you to sleep than a sound machine.\nSo clichéd that, at one point, they literally upset an apple cart.\nIt's a decent glimpse into a time period, and an outcast, that is no longer accessible, but it doesn't necessarily shed more light on its subject than the popular predecessor.\nIt might be the first sci-fi comedy that could benefit from a Three's Company-style laugh track.\nWhen the plot kicks in, the film loses credibility.\nCredibility sinks into a mire of sentiment.\nThe movie takes itself too seriously and, as a result, it makes for only intermittent fun.\n(Davis) has a bright, chipper style that keeps things moving, while never quite managing to connect her wish-fulfilling characters to the human race.\nDoesn't amount to much of anything.\nBullock's complete lack of focus and ability quickly derails the film\nSo stupid, so ill-conceived, so badly drawn, it created whole new levels of ugly.\nThe truth is that The Truth About Charlie gets increasingly tiresome.\nEnduring love but exhausting cinema.\nSome of Seagal's action pictures are guilty pleasures, but this one is so formulaic that it seems to be on auto-pilot.\nA ponderous meditation on love that feels significantly longer than its relatively scant 97 minutes.\nA long-winded and stagy session of romantic contrivances that never really gels like the shrewd feminist fairy tale it could have been.\nA little too pat for its own good.\nThere are films that try the patience of even the most cinema-besotted critic -- and this was one of them.\nWatching Trouble Every Day, at least if you don't know what's coming, is like biting into what looks like a juicy, delicious plum on a hot summer day and coming away with your mouth full of rotten pulp and living worms.\nWell-intentioned though it may be, its soap-opera morality tales have the antiseptic, preprogrammed feel of an after-school special.\nWhat would Jesus do if He was a film director? He'd create a movie better than this.\nWhen a set of pre-shooting guidelines a director came up with for his actors turns out to be cleverer, better written and of considerable more interest than the finished film, that's a bad sign. A very bad sign.\nIt's a deeply serious movie that cares passionately about its subject, but too often becomes ponderous in its teaching of history, or lost in the intricate connections and multiple timelines of its story.\nCan't kick about the assembled talent and the Russos show genuine promise as comic filmmakers. Still, this thing feels flimsy and ephemeral.\nDiane Lane shines in Unfaithful. Almost everything else is wan.\nI'm afraid you won't get through this frankly fantastical by-the-numbers B-flick with just a suspension of disbelief. Rather, you'll have to wrestle disbelief to the ground and then apply the chloroform-soaked handkerchief.\nSo relentlessly wholesome it made me want to swipe something.\nThe title helpfully offers the most succinct review of it you'll read anywhere.\nThe makers of Divine Secrets of the Ya-Ya Sisterhood should offer a free ticket (second prize, of course, two free tickets) to anyone who can locate a genuinely honest moment in their movie.\nGod help the poor woman if Attal is this insecure in real life: his fictional Yvan's neuroses are aggravating enough to exhaust the patience of even the most understanding spouse.\nLet's cut to the consumer-advice bottom line: Stay home.\nUndercover Brother doesn't go far enough. It's just a silly black genre spoof.\nThe film's implicit premise is that the faith of the Tonga people is in every way inferior to that of John.\nRates an 'E' for effort -- and a 'B' for boring.\nYou've already seen Heartbreak if you've watched the far superior Nurse Betty or Sunset Boulevard. Even the unwatchable Soapdish is more original.\nPlays like one of those conversations that Comic Book Guy on ``The Simpsons'' has.\nA journey that's too random and inconclusive to be compelling, but which Hoffman's brilliance almost makes worth taking.\nThe movie bounces all over the map.\nBut buying into sham truths and routine ``indie'' filmmaking, Freundlich has made just another safe movie. It's not horrible, just horribly mediocre.\nNot always too whimsical for its own good (but enough to do harm), this strange hybrid of crime thriller, quirky character study, third-rate romance and female empowerment fantasy never really finds the tonal or thematic glue it needs.\n``Juwanna Mann?'' No thanks. Wewannour money back, actually.\nIt's a sometimes interesting remake that doesn't compare to the brilliant original.\nYou're too conscious of the effort it takes to be this spontaneous.\nFeel bad for King, who's honestly trying, and Schwartzman, who's shot himself in the foot.\nSome actors steal scenes. Tom Green just gives them a bad odor. This self-infatuated goofball is far from the only thing wrong with the clumsy comedy Stealing Harvard, but he's the most obvious one.\nSometimes, fond memories should stay in the past: a lesson this film teaches all too well.\nThe enormous comic potential of an oafish idiot impersonating an aristocrat remains sadly unrealized.\nBegins as a promising meditation on one of America's most durable obsessions but winds up as a slender cinematic stunt.\nA monster combat thriller as impersonal in its relentlessness as the videogame series that inspired it.\nProof that a thriller can be sleekly shot, expertly cast, paced with crisp professionalism... and still be a letdown if its twists and turns hold no more surprise than yesterday's weather report.\nThe reason we keep seeing the same movie with roughly the same people every year is because so many of us keep going and then, out of embarrassment or stupidity, not warning anyone.\nThere's not much going on in this movie unless you simply decide to buy into the notion that something inexplicably strange once happened in Point Pleasant.\nIn the second half of the film, Frei's control loosens in direct proportion to the amount of screen time he gives Nachtwey for self-analysis.\nDirector Barry Skolnick and his screenwriters glibly tick off every point of ``The Longest Yard'' playbook like a checklist.\nThe furious coherence that (DeNiro) brings to this part only underscores the fuzzy sentimentality of the movie itself, which feels, as it plods toward the end, less like a movie than like the filmed reading of a script in need of polishing.\nOh, it's extreme, all right. Extremely dumb. Extremely confusing. Extremely boring.\nWe never really feel involved with the story, as all of its ideas remain just that: abstract ideas.\nFor a shoot-'em-up, Ballistic is oddly lifeless.\nOne minute, you think you're watching a serious actioner; the next, it's as though clips from The Pink Panther Strikes Again and/or Sailor Moon have been spliced in.\nWhat happened with Pluto Nash? How did it ever get made?\nWe may never think of band camp as a geeky or nerdy thing again.\nOpens as promising as any war/adventure film you'll ever see and dissolves into a routine courtroom drama, better suited for a movie titled ``Glory: A Soldier's Story.''\nThe result is solemn and horrifying, yet strangely detached.\nThese spiders can outrun a motorcycle and wrap a person in a sticky cocoon in seconds, but they fall short of being interesting or entertaining.\nA long slog for anyone but the most committed Pokemon fan.\nMatthew McConaughey tries, and fails, to control the screen with swaggering machismo and over-the-top lunacy.\nHow on earth, or anywhere else, did director Ron Underwood manage to blow $100 million on this?\nEveryone connected to this movie seems to be part of an insider clique, which tends to breed formulaic films rather than fresh ones.\nWith a story inspired by the tumultuous surroundings of Los Angeles, where feelings of marginalization loom for every dreamer with a burst bubble, The Dogwalker has a few characters and ideas, but it never manages to put them on the same path.\nIts lack of quality earns it a place alongside those other two recent Dumas botch-jobs, The Man in the Iron Mask and The Musketeer.\nA benign but forgettable sci-fi diversion.\nThe plot grinds on with yawn-provoking dullness.\nIt's never a good sign when a film's star spends the entirety of the film in a coma. It's a worse sign when you begin to envy her condition.\nIt doesn't help that the director and cinematographer Stephen Kazmierski shoot on grungy video, giving the whole thing a dirty, tasteless feel.\nDesperately unfunny when it tries to makes us laugh and desperately unsuspenseful when it tries to make us jump out of our seats.\nThis film's relationship to actual tension is the same as what Christmas-tree flocking in a spray can is to actual snow: a poor -- if durable -- imitation.\nJohn McTiernan's botched remake may be subtler than Norman Jewison's 1975 ultraviolent futuristic corporate-sports saga. It's also stupider.\nDirector Dirk Shafer and co-writer Greg Hinton ride the dubious divide where gay porn reaches for serious drama.\nBorrows from so many literary and cinematic sources that this future world feels absolutely deja vu.\nAs (the characters) get more depressed, the story gets more tiresome, especially as it continues to mount a conspicuous effort to be profound.\nThe acting by the over-25s lacks spark, with Csokas particularly unconnected.\nThough Howard demonstrates a great eye as a director, this Southern Gothic drama is sadly a tough sit, with an undeveloped narrative and enough flashbacks and heavy-handed metaphors to choke a horse -- or at least slow him down to a canter.\nFalters when it takes itself too seriously and when it depends too heavily on its otherwise talented cast to clown in situations that aren't funny.\nThe fight scenes are fun, but it grows tedious.\nAnyone who can count to five (the film's target market?) can see where this dumbed-down concoction is going.\nAll this turns out to be neither funny nor provocative - only dull.\nDemme's loose approach kills the suspense.\nThis idea has lost its originality ... and neither star appears very excited at rehashing what was basically a one-joke picture.\n(Plays) in broad outline as pandering middle-age buddy-comedy.\nThe film is itself a sort of cinematic high crime, one that brings military courtroom dramas down very, very low.\nNothing more than a mediocre trifle.\nA turgid little history lesson, humourless and dull.\nToo silly to be frightening, too stolid to be funny, it projects the same lazy affability as its nominal star, David Arquette.\nIf Kaufman kept Cameron Diaz a prisoner in a cage with her ape, in his latest, he'd have them mate.\nTrivial where it should be profound, and hyper-cliched where it should be sincere.\nIt would be hard to think of a recent movie that has worked this hard to achieve this little fun.\nTheology aside, why put someone who ultimately doesn't learn at the center of a kids' story?\nAll that (Powerpuff Girls) charm is present in the movie, but it's spread too thin.\nSometimes smart but more often sophomoric.\nThe ill-conceived modern-day ending falls flat where it should deliver a moral punch.\nCollateral Damage is, despite its alleged provocation post-9/11, an antique, in the end. As are its star, its attitude and its obliviousness.\nDawdles and drags when it should pop; it doesn't even have the virtue of enough mindless violence to break up the tedium of all its generational bonding.\nIts save-the-planet message clashes with its crass marketing.\nA great idea becomes a not-great movie.\n...watching this film nearly provoked me to take my own life. And if The Hours wins 'Best Picture' I just might.\nBy the end, I was looking for something hard with which to bludgeon myself unconscious.\nNot a movie but a live-action agitprop cartoon so shameless and coarse, it's almost funny.\nFeels like six different movies fighting each other for attention.\nLife is a crock -- or something like it.\nMade by jackasses for jackasses.\nDespite a powerful portrayal by Binoche, it's a period romance that suffers from an overly deliberate pace and uneven narrative momentum.\nThe picture is a primer on what happens when lack of know-how mixes with lack of give-a-damn.\nBartleby is a one-joke movie, and a bad joke at that.\nGiven that both movies expect us to root for convicted violent felons over those assigned to protect us from same, we need every bit of sympathy the cons can muster; this time, there isn't much.\nA bravura exercise in emptiness.\nPhilip K. Dick must be turning in his grave, along with my stomach.\nDespite the premise of a good story ... it wastes all its star power on cliched or meaningless roles.\nAll prints of this film should be sent to and buried on Pluto.\nNot only does the movie fail to make us part of its reality, it fails the most basic relevancy test as well.\nFirst good, then bothersome. Excellent acting and direction.\nThis goofy gangster yarn never really elevates itself from being yet another earnestly generic crime-busting comic vehicle -- a well-intentioned remake that shows some spunk and promise but fails to register as anything distinctive or daring\nIt's difficult to say whether The Tuxedo is more boring or embarrassing--I'm prepared to call it a draw.\nEven as lame horror flicks go, this is lame.\nSo routine, familiar and predictable, it raises the possibility that it wrote itself as a newly automated Final Draft computer program.\nSunshine State lacks the kind of dynamic that Limbo offers, and in some ways is a rather indulgent piece.\nEven legends like Alfred Hitchcock and John Huston occasionally directed trifles... so it's no surprise to see a world-class filmmaker like Zhang Yimou behind the camera for a yarn that's ultimately rather inconsequential.\nA long-winded, predictable scenario.\nToo close to Phantom Menace for comfort.\nAlthough trying to balance self-referential humor and a normal ol' slasher plot seemed like a decent endeavor, the result doesn't fully satisfy either the die-hard Jason fans or those who can take a good joke.\nToo clunky and too busy ribbing itself to be truly entertaining.\nThis movie is about lying, cheating, but loving the friends you betray.\nIt smacks of purely commercial motivation, with no great love for the original.\nMelanie eventually slugs the Yankee. Too bad the former Murphy Brown doesn't pop Reese back.\nAt the bottom rung of the series' entries.\nA real clunker. A well-made, thoughtful, well-acted clunker, but a clunker nonetheless.\nA dreary rip-off of Goodfellas that serves as a muddled and offensive cautionary tale for Hispanic Americans.\nThe picture, scored by a perversely cheerful Marcus Miller accordion/harmonica/banjo abomination, is a monument to bad in all its florid variety.\nGood for a few unintentional laughs, ``Extreme Ops'' was obviously made for the ``XXX'' crowd, people who enjoy mindless action without the benefit of decent acting, writing, and direction.\n...a big, baggy, sprawling carnival of a movie, stretching out before us with little rhyme or reason.\nA frustrating combination of strained humor and heavy-handed sentimentality.\nLawrence preaches strictly to the converted.\nAs written by Michael Berg and Michael J. Wilson from a story by Wilson, this relentless, all-wise-guys-all-the-time approach tries way too hard and gets tiring in no time at all.\nWill probably stay in the shadow of its two older, more accessible Qatsi siblings.\nJust when the movie seems confident enough to handle subtlety, it dives into soapy bathos.\nChoppy editing and too many repetitive scenes spoil what could have been an important documentary about stand-up comedy.\n...the film falls back on the same old formula of teen sex, outrageous pranks and scenes designed to push the envelope of bad taste for laughs.\nThe only thing in Pauline and Paulette that you haven't seen before is a scene featuring a football field-sized Oriental rug crafted out of millions of vibrant flowers.\nIf you're looking for comedy to be served up, better look elsewhere.\nIt virtually defines a comedy that's strongly mediocre, with funny bits surfacing every once in a while.\nAn instant candidate for worst movie of the year.\nDespite its title, Amy's Orgasm is not a porno, though it is as tedious as one.\nLike a tone-deaf singer at a benefit concert, John Q. is a bad movie appearing on behalf of a good cause.\nAdam Sandler is to Gary Cooper what a gnat is to a racehorse.\nWhat kids will discover is a new collectible. What parents will suspect is that they're watching a 76-minute commercial.\nBeers, who, when she's given the right lines, can charm the paint off the wall ... (but) the script goes wrong at several key junctures.\nWithout September 11, Collateral Damage would have been just another bad movie. Now it's a bad, embarrassing movie.\nDrags along in a dazed and enervated, drenched-in-the- past numbness.\nThere's a disturbing 'Great White Hope' undertone to The Other Side of Heaven that subtly undermines its message of Christian love and compassion.\nUnless you are in dire need of a Diesel fix, there is no real reason to see it. Wait for video -- and then don't rent it.\nThe attempt is courageous, even if the result is wildly uneven.\nThere's something fundamental missing from this story: something or someone to care about.\nToo much of this well-acted but dangerously slow thriller feels like a preamble to a bigger, more complicated story, one that never materializes.\nWhen a film is created SOLELY because it's a marketable product, soulless and ugly movies like this are the result. Let your silly childhood nostalgia slumber unmolested.\nUnfortunately, Heartbreak Hospital wants to convey the same kind of haughtiness in its own sketchy material but this territory has already been explored previously with better aplomb and sardonic wit.\nThe more Kevin Costner rests on his pretty-boy laurels, the public is, regrettably, going to have tepid films like Dragonfly tossed at them.\n(It's) difficult to get beyond the overall blandness of American Chai, despite its likable performances and refreshingly naive point of view.\nThe latest installment in the Pokemon canon, Pokemon 4ever is surprising less moldy and trite than the last two, likely because much of the Japanese anime is set in a scenic forest where Pokemon graze in peace.\nTaken purely as an exercise in style, this oppressively gloomy techno-horror clambake is impossible to ignore. But as a movie, it's a humorless, disjointed mess.\nIf Myers decides to make another Austin Powers movie, maybe he should just stick with Austin and Dr Evil.\nThe backyard battles you staged with your green plastic army men were more exciting and almost certainly made more sense.\nToo stupid to be satire, too obviously hateful to be classified otherwise, Frank Novak's irritating slice of lumpen life is as reliably soul-killing as its title is nearly meaningless.\nOverly stylized with lots of flash black-&-white freeze frames reminiscent of a pseudo-hip luxury car commercial, (it's) at its worst when it's actually inside the ring.\nWhat is captured during the conceptual process doesn't add up to a sufficient explanation of what the final dance work, The Selection, became in its final form.\nIf this is satire, it's the smug and self-congratulatory kind that lets the audience completely off the hook.\nHad the film boasted a clearer, more memorable, the creepiness would have gotten under the skin.\nThese people wouldn't know subtle characterization if it put on a giant furry monster costume and then gave them a lapdance.\nImagine if you will a Tony Hawk skating video interspliced with footage from Behind Enemy Lines and set to Jersey shore techno.\nIt doesn't quite work, but there's enough here to make us look forward to the Russos' next offering.\nAny film featuring young children threatened by a terrorist bomb can no longer pass as mere entertainment.\nThe director's twitchy sketchbook style and adroit perspective shifts grow wearisome amid leaden pacing and indifferent craftsmanship (most notably wretched sound design).\nAbout as satisfying and predictable as the fare at your local drive through.\nApparently kissing leads to suicide attempts and tragic deaths. Marisa Tomei is good, but Just A Kiss is just a mess.\nOpens at a funeral, ends on the protagonist's death bed and doesn't get much livelier in the three hours in between.\nThe noble tradition of men in drag hits an all-time low in Sorority Boys, whose makers apparently believe that women's clothing can cover up any deficiency in acting, writing or direction.\nTo portray modern women the way director Davis has done is just unthinkable.\nToo simple for its own good.\nFlaccid drama and exasperatingly slow journey.\nA chaotic panorama that's too busy flying a lot of metaphoric flags.\nSuffers from rambling, repetitive dialogue and the visual drabness endemic to digital video.\nThe screenplay sabotages the movie's strengths at almost every juncture. All the characters are stereotypes, and their interaction is numbingly predictable.\nA trashy, exploitative, thoroughly unpleasant experience.\nNewcomer helmer Kevin Donovan is hamstrung by a badly handled screenplay of what is really an amusing concept – a high-tech tux that transforms its wearer into a superman.\nShouldn't have been allowed to use the word ``new'' in its title, because there's not an original character, siuation or joke in the entire movie.\nOften silly – and gross – but it's rarely as moronic as some campus gross-out films.\nThe advantage of a postapocalyptic setting is that it can be made on the cheap. Any rock pile will do for a set. Reign of Fire has the disadvantage of also looking cheap.\nThe performances are so leaden, Michael Rymer's direction is so bloodless and the dialogue is so corny that the audience laughs out loud.\nA subtle variation on I Spit On Your Grave in which our purported heroine pathologically avenges a hatred for men.\nReggio's trippy, ambitious downer can also sometimes come across like nothing more than a glorified Nike ad.\nAs Tweedy talks about canning his stockbroker and repairing his pool, you yearn for a few airborne TV sets or nude groupies on the nod to liven things up.\nIf somebody was bored and ... decided to make a dull, pretentious version of Jesus' Son, they'd come up with something like Bart Freundlich's World Traveler.\nThe best you can say about it is it's so uninspired, it barely gives one pause when considering some of the other dreck out there right now.\nA tough go, but Leigh's depth and rigor, and his skill at inspiring accomplished portrayals that are all the more impressive for their lack of showiness, offsets to a notable degree the film's often-mined and despairing milieu.\nAn overstuffed compendium of teen-Catholic-movie dogma.\nToo leisurely paced and visually drab for its own good, it succeeds in being only sporadically amusing.\nBen Affleck as Jack Ryan, Tom Clancy's intrepid hero? Ridiculous. What's next? D.J. Qualls as Indiana Jones? Or Tom Green as Han Solo?\nThe movie's biggest offense is its complete and utter lack of tension.\nThe film is directed by Wally Wolodarsky from a script by Joe Jarvis and Greg Coolidge. These are names to remember, in order to avoid them in the future.\nIf this is the resurrection of the Halloween franchise, it would have been better off dead.\nThis formulaic chiller will do little to boost Stallone's career.\nI saw Knockaround Guys yesterday, and already the details have faded like photographs from the Spanish-American War ... It's so unmemorable that it turned my ballpoint notes to invisible ink.\nThough Avary has done his best to make something out of Ellis' nothing novel, in the end, his Rules is barely worth following.\nThe average local news columnist has a bigger rant on the war between modern landscape architecture and small-town America.\nNo worse than a lot of the crap we've been offered this summer, and slightly better than Men in Black 2 as far as slapdash extraterrestrial comedies go.\nThe plot is so predictable and sentimental that viewers are likely to lose interest before Sandrine and her goats walk off into the sunset.\nAt first, the sight of a blind man directing a film is hilarious, but as the film goes on, the joke wears thin.\nNever Again swings between false sentiment and unfunny madcap comedy and, along the way, expects the audience to invest in the central relationship as some kind of marriage of true minds.\nthe story itself is uninteresting, and the songs are painfully undistinguished: They Might Be Giants' So to Be One of Us may be the most tuneless tune ever composed.\nTechnically, the film is about as interesting as an insurance commercial.\nThe title's lameness should clue you in on how bad the movie is.\nThe parts are better than the whole (bizarre, funny, tragic - like love in New York).\nWhile the film shuns the glamour or glitz that an American movie might demand, Scherfig tosses us a romantic scenario that is just as simplistic as a Hollywood production.\nThe humor is hinged on the belief that knees in the crotch, elbows in the face and spit in the eye are inherently funny.\nIt's a movie forged in the fires of Chick Flick Hell.\nIts characters are thinner than cardboard -- or even comic-book paper.\nAny one episode of The Sopranos would send this ill-conceived folly to sleep with the fishes.\nFeels like the grittiest movie that was ever made for the Lifetime cable television network.\nLanie's professional success means she must be a failure at life, because she's driven by ambition and Doesn't Know How to Have Fun.\nCredit must be given to Harland Williams, Michael Rosenbaum and Barry Watson, who inject far more good-natured spirit and talent into this project than it deserves\nDenzel Washington's efforts are sunk by all the sanctimony.\nIf this holiday movie is supposed to be a gift, somebody unwrapped it early, took out all the good stuff, and left behind the crap (literally).\nSo faithful to the doldrums of the not-quite-urban, not-quite-suburban milieu as to have viewers recoiling from the reality check.\nRambles on in a disjointed, substandard fashion from one poorly executed action sequence to the next.\nThere's an audience for it, but it could have been funnier and more innocent.\nI can only imagine one thing worse than Kevin Spacey trying on an Irish accent, and that's sultry Linda Fiorentino doing the same thing.\nAn awkward and indigestible movie.\nThe movie has very little to offer besides unintentional laughs.\nHaneke keeps us at arm's length. Guided more by intellect than heart, his story flattens instead of sharpens.\nAll the well-meaningness in the world can't erase the fact that The Believer feels like a 12-Step Program for the Jewish Nazi.\nLike most sequels, it takes what worked last time, repeats it and adds more characters, more stunts, more stuff in attempt to camouflage its sameness.\nThere's no way to sort out the mess in our heads and deconstruct where it all went wrong. This is an hour and a half of daydreaming.\nMessage movie or an action-packed submarine spectacular? Alas, it's neither.\nNo movement, no yuks, not much of anything.\n'Dragonfly' is a movie about a bus wreck that turns into a film wreck.\nThirty years ago, it would have been groundbreaking. Now it's just tired.\nHeavy-handed exercise in time-vaulting literary pretension.\nThe movie is too cute to take itself too seriously, but it still feels like it was made by some very stoned college students.\nA thinly veiled excuse for Wilson to play his self-deprecating act against Murphy's well-honed prima donna shtick.\nA minor picture with a major identity crisis -- it's sort of true and it's sort of bogus and it's ho-hum all the way through.\nThe movie succumbs to being nothing more than a formulaic chase in the dark.\nPlays as hollow catharsis, with lots of tears but very little in the way of insights.\nIt will come as no surprise that the movie isn't scary. But here's the real damn: It isn't funny, either.\nQuick: who wants to see a comedy about shoddy airport security?\nThe reason I found myself finally unmoved by this film, which is immaculately produced and has serious things to say, is that it comes across rather too plainly as allegory.\nWhat you get with Empire is a movie you've seen many times before, repackaged as new material because there is a Latino in the lead.\nCho's fans are sure to be entertained; it's only fair in the interest of full disclosure to say that -- on the basis of this film alone -- I'm not one of them.\nLooks awfully like one long tourist spot for a Mississippi that may never have existed outside of a scriptwriter's imagination.\nThe period -- swinging London in the time of the mods and the rockers -- gets the once-over once again in Gangster No. 1, but falls apart long before the end.\nHigh Crimes miscasts nearly every leading character.\nThe overall feel of the film is pretty cheesy, but there's still a real sense that the Star Trek tradition has been honored as best it can, given the embarrassing script and weak direction.\nDe Niro looks bored, Murphy recycles Murphy, and you mentally add Showtime to the pile of Hollywood dreck that represents nothing more than the art of the deal.\nI didn't believe for a moment in these villains or their plot.\nAnother rent installment for the Ian Fleming estate.\nWith Danilo Donati's witty designs and Dante Spinotti's luscious cinematography, this might have made a decent children's movie -- if only Benigni hadn't insisted on casting himself in the title role.\nSo lazy and slipshod it confuses the mere flashing of kinky soft-core imagery with naughty fun.\nThough it draws several decent laughs, it's low-cal Woody at best.\nHas little on its mind aside from scoring points with drag gags.\nBritney's performance cannot be faulted. Lucy's a dull girl, that's all.\nWell-shot but badly written tale set in a future ravaged by dragons.\nSadly, Hewitt's forte is leaning forward while wearing low-cut gowns, not making snappy comebacks.\nIf Melville is creatively a great whale, this film is canned tuna.\nThis film is so slick, superficial and trend-hoppy, that it's easy to imagine that a new software program spit out the screenplay.\nJust one more collection of penis, breast and flatulence gags in search of a story. Or a profit. Or some damn thing.\nThe acting is stiff, the story lacks all trace of wit, the sets look like they were borrowed from Gilligan's Island -- and the CGI Scooby might well be the worst special-effects creation of the year.\nEnough trivializes an important crisis, reduces it to an almost comic embarrassment.\nThe makers have forsaken the entertaining elements of the original and, instead, rehash old jokes and leave any life at the doorstep. I like Frank the Pug, though.\nA restrained Ribisi convinces as an Italian, though if ever a movie needed one of the actor's whiny jags to pump it up, this has to be among the rare ones.\nGee, a second assassin shot Kennedy? Moot point.\nA hysterical yet humorless disquisition on the thin line between sucking face and literally sucking face.\nNeedless to say, the dramatics that follow are utter hooey.\nThe problem is that rather than dramatizing this premise, Mr. Desplechin is content to state it.\nMadonna still can't act a lick.\nEven the imaginative gore can't hide the musty scent of Todd Farmer's screenplay, which is a simple retread of the 1979 Alien, with a plucky heroine battling a monster loose in a spaceship.\nIf you pitch your expectations at an all time low, you could do worse than this oddly cheerful -- but not particularly funny -- body-switching farce.\nThe episodic film makes valid points about the depersonalization of modern life. But the characters tend to be cliches whose lives are never fully explored.\nSerry does a fine job of capturing the climate of the times and, perhaps unwittingly, relating it to what is happening in America in 2002. But hard-to-believe plot twists force the movie off track in its final half hour.\nDon't let your festive spirit go this far.\nThough the book runs only about 300 pages, it is so densely packed ... that even an ambitious adaptation and elaborate production like Mr. Schepisi's seems skimpy and unclear.\nHey, at least the title of this film lets you know exactly where it's heading.\nIntended to be a comedy about relationships, this wretched work falls flat in just about every conceivable area.\nSensitive though not quite revelatory documentary.\nDirector Brian Levant, who never strays far from his sitcom roots, skates blithely from one implausible situation to another, pausing only to tie up loose ends with more bows than you'll find on a French poodle.\n...perhaps the heaviest, most joyless movie ever made about giant dragons taking over the world.\nSuggests puns about ingredients and soup and somebody being off their noodle, but let's just say the ingredients don't quite add up to a meal.\nI'd give real money to see the perpetrators of Chicago torn apart by dingoes.\nMovies like this are selling the old European candor, the old wink of 'bold' revelation. But in 2002, such revelations wilt.\nThe timing in nearly every scene seems a half beat off.\nI admire it and yet cannot recommend it, because it overstays its natural running time.\nA fairly by-the-books blend of action and romance with sprinklings of intentional and unintentional comedy.\nFlounders due to the general sense that no two people working on the production had exactly the same thing in mind.\nEven if you feel like you've seen this movie a thousand times before, it is kind of enjoyable thanks mainly to Belushi's easy-going likableness.\nThe story bogs down in a mess of purposeless violence.\nDespite some gulps the film is a fuzzy huggy.\nMcKay deflates his piece of puffery with a sour cliche and heavy doses of mean-spiritedness\nA recipe for cinematic disaster...part Quentin Tarantino, part Guy Ritchie, and part 1960s spy spoof, it's all bad.\nThe cumulative effect of the relentless horror on parade numbs the movie's power as a work of drama.\nAnother big, dumb action movie in the vein of XXX, The Transporter is riddled with plot holes big enough for its titular hero to drive his sleek black BMW through.\nAaliyah rarely dampens her diva persona enough to spark genuine chemistry with Townsend. When she speaks, her creepy Egyptian demigod voice is as computer processed and overproduced as it was in her music.\nOutrageousness is all Plympton seemed to be going for this time. We miss the quirky amazement that used to come along for an integral part of the ride.\nMuch of what is meant to be 'inspirational' and 'uplifting' is simply distasteful to audiences not already sharing (the movie's) mindset.\nWell before it's over, Beijing Bicycle begins spinning its wheels.\nHome Alone goes Hollywood, a funny premise until the kids start pulling off stunts not even Steven Spielberg would know how to do. Besides, real movie producers aren't this nice.\n(Nelson's) movie about morally compromised figures leaves viewers feeling compromised, unable to find their way out of the fog and the ashes.\nPassion, lip-synching, tragedy, and lots of really really high notes. For me, this opera isn't a favorite, so it's a long time before the fat lady sings.\nLooks like a high school film project completed the day before it was due.\nTruth to tell, if you've seen more than half-a-dozen horror films, there's nothing here you haven't seen before.\nAbandons all pretense of creating historical context and waltzes off into a hectic soap about the ups and downs of the heavy breathing between the two artists.\nEven die-hard fans of Japanese animation ... will find this one a challenge.\nFilmmakers have to dig deep to sink this low. Fortunately for all involved, this movie is likely to disappear as quickly as an ice cube thrown into a pot of boiling water.\nThe movie gets muted and routine.\nThe issue of faith is not explored very deeply\nIt's a bad sign when you're rooting for the film to hurry up and get to its subjects' deaths just so the documentary will be over, but it's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest.\nThe situations and jokes are as predictable and as lowbrow as the endless pratfalls the boys take in their high heels.\nIt's frustrating to see these guys -- who are obviously pretty clever -- waste their talent on parodies of things they probably thought were funniest when they were high.\nI was perplexed to watch it unfold with an astonishing lack of passion or uniqueness.\nK-19 may not hold a lot of water as a submarine epic, but it holds even less when it turns into an elegiacally soggy Saving Private Ryanovich.\nA very stylish but ultimately extremely silly tale...a slick piece of nonsense but nothing more.\nAutomatically pegs itself for the straight-to-video sci-fi rental shelf.\nThe film is like a series of beginnings and middles that never take off.\nFeels less like it's about teenagers, than it was written by teenagers.\nJa Rule and Kurupt should have gotten to rap. It would have benefitted the dialogue.\nA standard haunted house tale transplanted to the high seas.\nElicits more groans from the audience than Jar Jar Binks, Scrappy Doo and Scooby Dumb, all wrapped up into one.\nIt's badly acted, blandly directed, and could have been scripted by someone who just graduated from elementary school.\nIn the end, White Oleander isn't an adaptation of a novel. It's a flashy, star-splashed reduction.\nThis film, starring Anthony Hopkins and Chris Rock, is your typical 'fish out of water' story. You've seen them a million times. Just one problem: Fish out of water usually die. This one does.\nThe angst-ridden, affluent slacker characters are more grating than engaging.\nA soggy, shapeless mess...just a dumb excuse for a waterlogged equivalent of a haunted-house movie.\nMen in Black II has sequel-itis something fierce. An ungainly, comedy-deficient, B-movie rush job...\nA combination of standard, stiff TV-style animation and snazzy-looking digital effects that do little to disguise the fact that the characters barely move.\nAn unsatisfying hybrid of Blair Witch and typical stalk-and-slash fare, where the most conservative protagonist is always the last one living.\nSay this for the soundtrack, it drowns out the lousy dialogue.\nAfter seeing SWEPT AWAY, I feel sorry for Madonna.\nInstead of kicking off the intrigue and suspense and mystery of the whole thing, Hart's War, like the St. Louis Rams in the Super Bowl, waits until after halftime to get started.\nA gob of drivel so sickly sweet, even the eager consumers of Moore's pasteurized ditties will retch it up like rancid crème brûlée.\nMaudlin and melodramatic we expected. Boring we didn't.\nNever quite transcends jokester status ... and the punchline doesn't live up to Barry's dead-eyed, perfectly chilled delivery.\nThe film's bathos often overwhelms what could have been a more multifaceted look at this interesting time and place.\nIt almost plays like Solaris, but with guns and jokes.\nA baffling misfire, and possibly the weakest movie (Woody Allen) has made in the last twenty years.\nIt won't be long before you'll spy I Spy at a video store near you.\nThis film looks like it was produced in 1954, shelved for 48 years, and repackaged for a 2002 audience.\nPropelled not by characters but by caricatures.\nThere is not an ounce of honesty in the entire production.\nThis extremely unfunny film clocks in at 80 minutes, but feels twice as long.\nEarnest but earthbound...a slow, soggy, soporific, visually dank crime melodrama/character study that would be more at home on the small screen but for its stellar cast.\nThe pivotal narrative point is so ripe the film can't help but go soft and stinky.\nFor all its alleged youthful fire, XXX is no less subservient to Bond's tired formula of guns, girls and gadgets while brandishing a new action hero.\nA predictable and stereotypical little B-movie.\nIf I Spy were funny (enough) or exciting (enough) then it would be fairly simple to forgive the financial extortion it's trying to reap from the moviegoing public.\nFrustratingly, Dridi tells us nothing about El Gallo other than what emerges through his music.\nPlaces a slightly believable love triangle in a difficult-to-swallow setting, and then disappointingly moves the story into the realm of an improbable thriller.\nStephen Earnhart's documentary is a decomposition of healthy eccentric inspiration and ambition – wearing a cloak of unsentimental, straightforward text – when it's really an exercise in gross romanticization of the delusional personality type.\nA very average science fiction film.\nUndone by its overly complicated and derivative screenplay, the glacier-paced direction and the stereotypical characters.\nHow anyone over the age of 2 can stomach the touchy-feely message this preachy produce promotes is beyond us.\nThe sort of movie that gives tastelessness a bad rap.\nThe cold and dreary weather is a perfect metaphor for the movie itself, which contains few laughs and not much drama.\nThe plot is straight off the shelf, the performances are television- caliber and the message of providing solace through deception is a little creepy.\nordinary melodrama that is heavy on religious symbols but wafer-thin on dramatic substance\nA whimsical if predictable time-travel fable marred by a willful single-mindedness.\nThose who managed to avoid the Deconstructionist theorizing of French philosopher Jacques Derrida in college can now take an 85-minute brush-up course with the documentary Derrida. Or, you can do something fun tonight.\nJolie's performance vanishes somewhere between her hair and her lips.\nAs with too many studio pics, plot mechanics get in the way of what should be the lighter-than-air adventure.\nStatic, repetitive, muddy and blurry, Hey Arnold! would seem to have a lock on the title of ugliest movie of the year.\nFor all of the contemporary post-colonialist consciousness that Kapur tries to bring to The Four Feathers, the oddest thing about the movie is how it winds up affirming the same damn moldy values the material has always held dear.\nWhen it comes to entertainment, children deserve better than Pokemon 4Ever.\nWhat The Four Feathers lacks is genuine sweep or feeling or even a character worth caring about.\nWhile Benigni (who stars and co-wrote) seems to be having a wonderful time, he might be alone in that.\nYes, 4Ever is harmless in the extreme and it'll mute your kids for nearly 80 minutes, but why not just treat the little yard apes to the real deal and take them to Spirited Away?\nPreposterous and tedious, Sonny is spiked with unintentional laughter that, unfortunately, occurs too infrequently to make the film even a guilty pleasure.\nCalling this movie brainless would be paying it a compliment: it's more like entertainment for trolls.\nNone of these characters resembles anyone you've ever met in real life, unless you happen to know annoyingly self-involved people who speak in glib sentences that could have only come from the pen of a screenwriter.\n... just a big mess of a movie, full of images and events, but no tension or surprise.\nAs elegantly crafted as it often is, Anderson's movie is essentially a one-trick pony that, hampered by an undeveloped script, ultimately pulls up lame.\nSplashes its drama all over the screen, subjecting its audience and characters to action that feels not only manufactured, but also so false you can see the filmmakers' puppet strings.\n... has virtually no script at all ...\nWill only satisfy those who can't tell the difference between the good, the bad and the ugly.\nThis kind of dark comedy requires a delicate, surgical touch. But director Danny DeVito and screenwriter Adam Resnick (remember Cabin Boy?) just pound away.\nAt times, however, Dogtown and Z-Boys lapses into an insider's lingo and mindset that the uninitiated may find hard to follow, or care about.\nRather quickly, the film falls into a soothing formula of brotherly conflict and reconciliation.\nScreenwriters Scott Abbott and Michael Petroni have turned Rice's complex Akasha into a cartoon monster.\nThe writers, director Wally Wolodarsky, and all the actors should start their own coeducational fraternity: Kappa Rho Alpha Phi.\nBad beyond belief and ridiculous beyond description.\nThe new faces are interesting, but the old story isn't, especially when it starts to seem more improvised than scripted.\nMost of the action setups are incoherent.\nLiman, of Swingers and Go, makes his big-budget action film debut something of a clunker as he delivers a long, low-heat chase, interrupted by a middling car chase.\n... surprisingly inert for a movie in which the main character travels back and forth between epochs.\nThe problem isn't that the movie hits so close to home so much as that it hits close to home while engaging in such silliness as that snake-down-the-throat business and the inevitable shot of Schwarzenegger outrunning a fireball.\nDreary, highly annoying...'Some Body' will appeal to No One.\nThere's something deeply creepy about Never Again, a new arrow in Schaeffer's quiver of ineptitudes.\nThe problem with concept films is that if the concept is a poor one, there's no saving the movie. Sorry, Charlie\nA painfully leaden film destined for pre-dawn cable television slots.\nBlessed with immense physical prowess he may well be, but Ahola is simply not an actor. And in truth, cruel as it may sound, he makes Arnold Schwarzenegger look like Spencer Tracy.\nThe cartoon that isn't really good enough to be on afternoon TV is now a movie that isn't really good enough to be in theaters.\nShocking only in that it reveals the filmmaker's bottomless pit of self-absorption.\nThis pep-talk for faith, hope and charity does little to offend, but if saccharine earnestness were a crime, the film's producers would be in the clink for life.\nAll ends well, sort of, but the frenzied comic moments never click.\nIf this is the Danish idea of a good time, prospective tourists might want to consider a different destination -- some jolly country embroiled in a bloody civil war, perhaps.\nFormula 51 is so trite that even Yu's high-energy action stylings can't break through the stupor.\nOnly a few minutes elapse before the daddy of all slashers arrives, still with the boiler suit and white mask, which look remarkably clean for a guy who has been mass-murdering since 1978 but has never been seen doing laundry.\nWhen the painted backdrops in a movie are more alive than its characters, you know you're in trouble.\n(Two) fairly dull -- contrasting and interlocking stories about miserable Scandinavian settlers in 18th-century Canada, and yuppie sailboaters in the here and now.\nThe film is really not so much bad as bland.\nThe central story lacks punch.\nThough Ganesh is successful in a midlevel sort of way, there's nothing so striking or fascinating or metaphorically significant about his career as to rate two hours of our attention.\nThis may be the dumbest, sketchiest movie on record about an aspiring writer's coming-of-age.\nSuccumbs to the same kind of maudlin, sentimental mysticism that mars the Touched by an Angel school of non-God spiritual-uplift movies.\nA harmless and mildly amusing family comedy.\nWhat was subtle and mystifying in the novella is now broad and farcical.\nThe kids often appear to be reading the lines and are incapable of conveying any emotion.\n``Men in Black II,'' has all the earmarks of a sequel. The story is less vibrant, the jokes are a little lukewarm, but will anyone really care?\nSucking all the 'classic' out of Robert Louis Stevenson's Treasure Island and filling the void with sci-fi video game graphics and Disney-fied adolescent angst...\nThis 72-minute film does have some exciting scenes, but it's a tad slow.\nWhile Super Troopers is above Academy standards, its quintet of writers could still use some more schooling.\nA mix of velocity and idiocy, this ruinous remake lacks the brawn -- and the brains -- of the 1970s original.\nThe low-budget Full Frontal was one of the year's murkiest, intentionally obscure and self-indulgent pictures, and Solaris is its big-budget brother.\nThe plot is very clever, but Boyd weighs it down with too many characters and events, all intertwined and far too complicated to keep track of.\nThe film seems all but destined to pop up on a television screen in the background of a scene in a future Quentin Tarantino picture\nA free-for-all of half-baked thoughts, clumsily used visual tricks and self-indulgent actor moments.\nApallingly absurd...the chemistry or lack thereof between Newton and Wahlberg could turn an Imax theater into a 9\" black and white portable TV.\nA well acted and well intentioned snoozer.\nThe smug, oily demeanor that Donovan adopts throughout the stupidly named Pipe Dream is just repulsive.\nMust-see viewing for anyone involved in the high-tech industry. Others may find it migraine-inducing, despite Moore's attempts at whimsy and spoon feeding.\nDespite its good nature and some genuinely funny moments, Super Troopers suffers from a bad case of arrested development.\nIt's hard not to feel you've just watched a feature-length video game with some really heavy back story.\nI watched the brainless insanity of No Such Thing with mounting disbelief.\nThis limp gender-bender-baller from a first-time director and rookie screenwriter steals wholesale from that 1982's Tootsie, forgetting only to retain a single laugh.\nKwan makes the mix-and- match metaphors intriguing, while lulling us into torpor with his cultivated allergy to action.\nWhile obviously an extremely personal work, it remains inextricably stuck in an emotionally unavailable rut.\nAny movie this boring should be required to have ushers in the theater that hand you a cup of coffee every few minutes. Like a marathon runner trying to finish a race, you need a constant influx of liquid just to get through it.\nI loved looking at this movie. I just didn't care as much for the story.\nHas all the poignancy of a Hallmark card and all the comedy of a Gallagher stand-up act.\nIt doesn't do the original any particular dishonor, but neither does it exude any charm or personality.\nfear dot com is so rambling and disconnected it never builds any suspense.\nA gorgeous, somnolent show that is splendidly mummified and thoroughly unsurprising.\nA semi-autobiographical film that's so sloppily written and cast that you cannot believe anyone more central to the creation of Bugsy than the caterer had anything to do with it.\nIt feels like a community theater production of a great Broadway play: Even at its best, it will never hold a candle to the original.\nThe film apparently takes place in a fantasy world where people in hotel hallways recite poetry in voice-over instead of speaking to each other.\nThe element of surprise might be the only thing Femme Fatale has going for it.\nIt's the kind of movie you can't quite recommend because it is all windup and not much of a pitch, yet you can't bring yourself to dislike it.\nMaybe it's asking too much, but if a movie is truly going to inspire me, I want a little more than this.\nA graceless, witless attempt at mating Some Like It Hot with the WWII espionage thriller.\nThe story and characters are nowhere near gripping enough.\nBased on a David Leavitt story, the film shares that writer's usual blend of observant cleverness, too-facile coincidence and slightly noxious preciousness.\nJust like every other Seagal movie, only louder and without that silly ponytail.\nTo enjoy this movie's sharp dialogue and delightful performance by Jolie and Burns, you have to gloss over the no sense ending.\nNational Lampoon's Van Wilder could be the worst thing to come out of National Lampoon since Class Reunion\nThis is a great subject for a movie, but Hollywood has squandered the opportunity, using it as a prop for warmed-over melodrama and the kind of choreographed mayhem that director John Woo has built his career on.\nEcks this one off your must-see list.\nOverall, the film misses the brilliance of Jelinek's novel by some way. It settles for being merely grim.\nThe Irwins emerge unscathed, but the fictional footage is unconvincing and criminally badly acted.\nIt's not thirsty, consuming passion which drives this movie. No, it's the repetition of said behavior, and so Children of the Century is more mindless love than mad, more grating and boring than anything else.\nJust because it really happened to you, honey, doesn't mean that it's interesting to anyone else.\nJust like the deli sandwich: lots of ham, lots of cheese, with a sickly sweet coating to disguise its excrescence until just after (or during) consumption of its second half.\nEvery so often a movie comes along that confirms one's worse fears about civilization as we know it. The New Guy is one of them.\nThis isn't a ``Friday'' worth waiting for.\nEverything that's worthwhile about Collision Course can already be seen on television.\nIf this movie belonged to a sorority, it would be called Beta Alpha Delta.\nNot a cheap slasher flick, as the subject matter would suggest, but is a little like a nature film, showing a patient predator and his foolish prey.\nUneasy mishmash of styles and genres.\nHerzog is obviously looking for a moral to his fable, but the notion that a strong, unified showing among Germany and Eastern European Jews might have changed 20th-Century history is undermined by Ahola's inadequate performance.\nAll in all, there's only one thing to root for: expulsion for everyone.\nBeyond a handful of mildly amusing lines ... there just isn't much to laugh at.\nSecret Ballot is too contemplative to be really funny.\nThe film's center will not hold.\nMyers never knows when to let a gag die; thus, we're subjected to one mind-numbingly lengthy riff on poo and pee jokes after another.\nToo lazy to take advantage of its semi-humorous premise.\nA great ending doesn't make up for a weak movie, and Crazy as Hell doesn't even have a great ending.\nDialogue-heavy and too cerebral for its own good -- or, at any rate, too cerebral for its racy subject matter.\nIts over-reliance on genre conventions, character types and formulaic conflict resolutions crushes all the goodwill it otherwise develops.\nAs an actor, The Rock is aptly named.\nA mostly tired retread of several other mob tales.\nI wish I could say ``Thank God It's Friday'', but the truth of the matter is I was glad when it was over.\nNothing about it fits.\nAs it abruptly crosscuts among the five friends, it fails to lend the characters' individual stories enough dramatic resonance to make us care about them.\nSomehow we're meant to buy that this doting mother would shun her kids, travel to one of the most dangerous parts of the world, don fatigues and become G.I. Jane.\nThe cast is so low-wattage that none of the characters comes off as big ... and the setting remains indistinct.\nConsider the title's clunk-on-the-head that suggests the overtime someone put in to come up with an irritatingly unimaginative retread concept.\nThe movie quickly drags on becoming boring and predictable. I tried to read the time on my watch.\nThe film makes a tragic error by going on for too long, trying to mirror every subsequent event in Chinese history: war, revolution, Communism, etc.\nJohnson has, in his first film, set himself a task he is not nearly up to.\nUltimately the project comes across as clinical, detached, uninvolving, possibly prompting audience members to wonder, 'What's the point?'\nThe two leads are almost good enough to camouflage the dopey plot, but so much naturalistic small talk, delivered in almost muffled exchanges, eventually has a lulling effect.\nThe film meant well in its horse tale about freedom, but wasn't able to reach the heart because it was too overbearing.\nThe movie is as far as you can get from racy, to the point where it almost stops the blood flow to your brain; it has a dull, costumey feel.\nOnce the audience figure out what's being said, the filmmaker's relative passivity will make it tough for them to really care.\nThere's nothing provocative about this film save for the ways in which it studiously avoids provoking thought.\nIt seems just a long, convoluted ploy to get men into drag -- period drag, no less.\nThe premise for this kegger comedy probably sounded brilliant four six-packs and a pitcher of margaritas in, but the film must have been written ... in the thrall of a vicious hangover.\nEven by dumb action-movie standards, Ballistic: Ecks vs. Sever is a dumb action movie.\nThe film equivalent of a toy chest whose contents get scattered over the course of 80 minutes.\nJust a bloody mess.\nCreepy but ultimately unsatisfying thriller.\nYou would be better off investing in the worthy EMI recording that serves as the soundtrack, or the home video of the 1992 Malfitano-Domingo production.\nHas something to say... but it is a statement and issue worthy of a much more thoughtfulness and insight than a melodramatic and wholly predictable thriller.\nBears is bad. Not 'terrible filmmaking' bad, but more like, 'I once had a nightmare like this, and it's now coming true' bad.\nAs is most commonly case with projects such noble and lofty ambitions, the film is less poetic than simply pretentious.\nGeorge, hire a real director and good writers for the next installment, please.\nFor a film about two mismatched buddies, Crystal and De Niro share little screen time and even less chemistry.\nHowever clever Nelson has been in providing variation within the confines of her structure and staging, the question remains whether this should, indeed, have been presented as a theatrical release.\nExtreme Oops - oops, ops, no matter how you spell it, it's still a mistake to go see it.\nWhat could and should have been biting and droll is instead a tepid waste of time and talent.\nWhat will, most likely, turn out to be the most repellent movie of 2002.\n...too dull to enjoy.\nA morality tale whose thought-provoking potential is hampered by a made-for-TV look, rigid performances and an asinine 'twist' that brazenly rips off The Sixth Sense.\nHere's a self-congratulatory 3D IMAX rah-rah.\nEastwood is an icon of moviemaking, one of the best actors, directors and producers around, responsible for some excellent work. But even a hero can stumble sometimes.\nA sophomoric exploration of 'life problems' most people solved long ago -- or at least got tired of hearing people kvetch about.\nIt's all very cute, though not terribly funny if you're more than six years old.\nThe impact of the Armenian genocide is diluted by too much stage business in the modern day.\nGoing to the website may be just as fun (and scary) as going to the film.\nLacking gravitas, MacDowell is a placeholder for grief, and ergo this sloppy drama is an empty vessel. Leave these Flowers unpicked -- they're dead on the vine.\nAdmirable, certainly, but not much fun to watch. For Caine Lovers only.\nA shambles of a movie--visually unattractive, unbearably loud and utterly silly...its hilarity is completely unintentional.\nDe Niro may enjoy the same free ride from critics afforded to Clint Eastwood in the lazy Bloodwork. But like Bruce Springsteen's gone-to-pot Asbury Park, New Jersey, this sad-sack waste of a movie is a City of ruins.\nNo, it's not nearly as good as any of its influences.\nA reasonably efficient mechanism, but it offers few surprises and finds its stars slumming in territory they should have avoided.\nThe rest of the plot is impossible to explain without blowing whatever tension there is, although it's more comedy than suspense De Palma creates.\nHuman Nature talks the talk, but it fails to walk the silly walk that distinguishes the merely quirky from the surreal.\nCity by the Sea is the cinematic equivalent of defensive driving: It's careful, conscientious and makes no major mistakes. But what saves lives on the freeway does not necessarily make for persuasive viewing.\nThe Marquis de Sade couldn't have been as dull a person as this film makes him out to be.\nWhat could have been a neat little story about believing in yourself is swamped by heavy-handed melodrama.\nThe cast is uniformly excellent ... but the film itself is merely mildly charming.\nDrives for the same kind of bittersweet, conciliatory tone that Three Seasons achieved but loses its way in rhetorical excess and blatant sentimentality.\nA bigger holiday downer than your end-of-year 401(k) statement.\nThe whole thing plays out with the drowsy heaviness of synchronized swimmer wearing a wool wetsuit.\nFairly successful at faking some pretty cool stunts but a complete failure at trying to create some pretty cool characters. And forget about any attempt at a plot!\nIt will probably prove interesting to Ram Dass fans, but to others it may feel like a parody of the mellow, peace-and-love side of the '60s counterculture.\nTake away all the cliches and the carbon copy scenes from every drug movie we've seen and all you have left are John Leguizamo's cool jackets.\nIt's so full of wrong choices that all you can do is shake your head in disbelief -- and worry about what classic Oliver Parker intends to mangle next time.\nShowtime is closer to Slowtime.\nIt may be an easy swipe to take, but this Barbershop just doesn't make the cut.\nThe Weight of Water uses water as a metaphor for subconscious desire, but this leaky script barely stays afloat.\n'How many more voyages can this limping but dearly-loved franchise survive?'\nDespite a blue-chip cast and a provocative title, writer-director Peter Mattei's first feature microwaves dull leftover romantic motifs basted in faux-contemporary gravy.\nFans of the TV series will be disappointed, and everyone else will be slightly bored.\nThe only element of suspense is whether the movie will change titles or distributors again before the closing credits roll.\nBarely goes beyond comic book status.\nIt's disappointing when filmmakers throw a few big-name actors and cameos at a hokey script.\nI Spy is an embarrassment, a monotonous, disjointed jumble of borrowed plot points and situations. It's as flat as an open can of pop left sitting in the sun.\nAn eccentric little comic/thriller deeply in love with its own quirky personality.\nAfraid to pitch into farce, yet only half-hearted in its spy mechanics, All the Queen's Men is finally just one long drag.\nMaybe it's the star power of the cast or the redundant messages, but something aboul ``Full Frontal'' seems, well, contrived.\n(Morgan), Judd and Franklin can't save the script, rooted in a novel by Joseph Finder, from some opportunism.\nPassably entertaining but also mechanical and joyless.\nSafe Conduct, however ambitious and well-intentioned, fails to hit the entertainment bull's-eye.\nMy response to the film is best described as lukewarm. Maybe I found the proceedings a little bit too conventional.\nToo timid to bring a sense of closure to an ugly chapter of the twentieth century.\nIt's push-the-limits teen comedy, the type written by people who can't come up with legitimate funny, and it's used so extensively that good bits are hopelessly overshadowed.\nIt's too long, too repetitive, and takes way too many years to resolve to be a total winner.\nA sudsy cautionary tale.\nA movie that tries to fuse the two 'woods' but winds up a Bolly-Holly masala mess.\nMr. Wedge and Mr. Saldanha handle the mix of verbal jokes and slapstick well. Their film falters, however, in its adherence to the Disney philosophy of required poignancy, a salute that I'd hoped the movie would avoid.\nLeaves you with a knot in your stomach, its power is undercut by its own head-banging obviousness.\nWatching it is rather like an overlong visit from a large group of your relatives. As your relatives swap one mundane story after another, you begin to wonder if they are ever going to depart.\nUnfortunately, as a writer, Mr. Montias isn't nearly as good to his crew as he is as a director or actor.\nOn the right track to something that's creepy and effective ... It's just going to take more than a man in a Bullwinkle costume to get there.\nThe only thing that could possibly make them less interesting than they already are is for them to get full montied into a scrappy, jovial team.\nOne of those movies where you walk out of the theater not feeling cheated exactly, but feeling pandered to, which, in the end, might be all the more infuriating.\n...this movie has a glossy coat of action movie excess while remaining heartless at its core.\nMurder By Numbers is like a couple of mediocre TV-movie -of-the-week films clumsily stuck together.\nThe film is surprisingly well-directed by Brett Ratner, who keeps things moving well -- at least until the problematic third act.\nWarmed-over Tarantino by way of wannabe Elmore Leonard.\n(Sen's) soap opera-ish approach undermines his good intentions.\nShowtime is one of the hapless victims of the arrogant ``if we put together a wry white man and a chatty black man and give them guns, the movie will be funny'' syndrome.\nSushi for the connoisseurs of the macabre.\nDon't waste your money.\nThough certainly original in form, Altar Boys requires a taste for Swamp Thing-type animation, doubled with a deafening score.\nThere aren't many laughs in this interesting study of the cultural mores of Georgian Jews in Tel Aviv.\nThere's not enough to sustain the comedy.\nLike those to Rome, all roads in The Banger Sisters inevitably lead to a joke about Hawn's breasts, which constantly threaten to upstage the woman sporting them.\nWe may get the full visceral impact of a ruthless army on the warpath but no sense of the devilish complexity of the Balkans conflict.\nYou're better off staying home and watching The X-Files.\nChaotic, self-indulgent and remarkably ugly to look at, it's...like a series of pretentiously awful student films strung together into one feature-length horror.\nBears resemblance to, and shares the weaknesses of, too many recent action-fantasy extravaganzas in which special effects overpower cogent story-telling and visual clarity during the big action sequences.\nThis is the type of movie best enjoyed by frat boys and college kids while sucking on the bong and downing one alcoholic beverage after another.\nFriday After Next has the same problem that Next Friday did -- it's called Where's Chris Tucker When You Need Him?\nThis film is full of rabbits. Brimful. But like most rabbits, it seems to lack substance.\nI weep for the future when a good portion of the respected critical community in this country consider Blue Crush to be an intelligent film about young women.\nI kept wishing I was watching a documentary about the wartime Navajos and what they accomplished instead of all this specious Hollywood hoo-ha.\nNo number of fantastic sets, extras, costumes and spectacular locales can disguise the emptiness at the center of the story.\nA movie far more cynical and lazy than anything a fictitious Charlie Kaufman might object to.\nCould The Country Bears really be as bad as its trailers? In a word -- yes.\nIf High Crimes were any more generic it would have a universal product code instead of a title.\nReggio falls victim to relying on the very digital technology that he fervently scorns, creating a meandering, inarticulate and ultimately disappointing film.\nThe movie makes absolutely no sense. Its underlying mythology is a hodgepodge of inconsistencies that pose the question: Since when did dumb entertainment have to be this dumb?\nThe problem with this film is that it's forced to make its characters idiots in order to advance the plot. Had anyone here done anything remotely intelligent, we all could have stopped watching long ago.\nDespite the authenticity of the trappings, the film is overblown in its plotting, hackneyed in its dialogue and anachronistic in its style.\nMurder and mayhem of this sort quickly becomes monotonous.\nThe journey toward redemption feels more like a cinematic experiment than a full-blown movie.\nThat Zhang would make such a strainingly cute film -- with a blind orphan at its center, no less -- indicates where his ambitions have wandered.\nThe Gantzes' interviews tend to let the guys off the hook.\nThe streets, shot by cinematographer Michael Ballhaus, may be as authentic as they are mean, but it is nearly impossible to care about what happens on them.\nThis is a good movie in spurts, but when it doesn't work, it's at important times.\nParker probably thinks he's shaking up a classic the way Kenneth Branagh and Baz Luhrmann have, but this half-hearted messing-about just makes us miss Wilde's still-contemporary play.\nFlotsam in the sea of moviemaking, not big enough for us to worry about it causing significant harm and not smelly enough to bother despising.\nA TV episode inflated past its natural length.\nInvolving at times, but lapses quite casually into the absurd.\nAll these developments and challenges facing Santa weigh down the plot so heavily that they drain all the film of its energy and needlessly strain credibility.\nThere are weird resonances between actor and role here, and they're not exactly flattering.\nThe unceasing sadism is so graphically excessive, the director just ends up exposing his own obsession.\nThe story ... is moldy and obvious.\nIt's drained of life in an attempt to be sober and educational, and yet it's so devoid of realism that its lack of whistles and bells just makes it obnoxious and stiff.\nSuffocated at conception by its Munchausen-by-proxy mum. Punish the vehicle to adore the star.\nEven if Britney Spears is really cute, her movie is really bad.\nBig Fat Liar is just futile silliness looking to tap into the kiddie sensibilities.\nUsually when I get this much syrup, I like pancakes to go with it.\nAll the necessary exposition prevents the picture from rising above your generic sand 'n' sandal adventure.\nGlib, satirical documentary that fudges facts, makes facile points and engages in the cinematic equivalent of tabloid journalism.\nGangs of New York is an unapologetic mess, whose only saving grace is that it ends by blowing just about everything up.\nAn overblown clunker full of bad jokes, howling cliches and by-the-numbers action sequences.\nWithout a strong script and energetic acting, Dogma films can produce the same sleep-inducing effects as watching your neighbor's home videos.\nA mild, reluctant, thumbs down.\nStrong setup and ambitious goals fade as the film descends into unsophisticated scare tactics and B-film thuggery.\nSchindler's List it ain't.\nA cinematic sleeping pill of impressive potency.\nIt's an awfully derivative story.\nThe movie barely makes sense, with its unbelievable naïveté and arbitrary flashbacks.\nIt's an earnest debut full of heartfelt performances, but is ultimately let down by a story that is all too predictable.\nAbout as cutting-edge as Pet Rock: The Movie.\nWith generic sets and B-grade special effects, Jason is about as convincing on the sci-fi front as TV's defunct Cleopatra 2525.\nNot sweet enough to liven up its predictable story and will leave even fans of hip-hop sorely disappointed.\nWinds up feeling like lots of other quirky movies that try to score hipness points with young adults.\nOft-described as the antidote to American Pie-type sex comedies, it actually has a bundle in common with them, as the film diffuses every opportunity for a breakthrough\nThe pacing is glacial, the screenplay is stiff as a board, and things heat up only in the movie's final scenes.\nThe premise is overshadowed by the uberviolence of the Clericks as this becomes just another kung-fu sci-fi movie with silly action sequences.\nWith its hints of a greater intelligence lurking somewhere, The Ring makes its stupidity more than obvious. It's painful.\nPumpkin struts about with ``courage'' pinned to its huckster lapel while a yellow streak a mile wide decorates its back.\nAn uneven film dealing with too many problems to be taken seriously.\nSheridan ... smoothes over sources of conflict that could have lent the film a bit more depth.\nAn atonal estrogen opera that demonizes feminism while gifting the most sympathetic male of the piece with a nice vomit bath at his wedding.\nHalf of it is composed of snappy patter and pseudo-sophisticated cultural observations, while the remainder...would be more at home on a daytime television serial.\nWriter/director John McKay ignites some charming chemistry between Kate and Jed but, when he veers into sodden melodrama, punctuated by violins, it's disastrous and Kate's jealous female friends become downright despicable.\n(Newton)wanders through CHARLIE completely unaware she needs to show some presence and star quality.\nUnfortunately, the picture failed to capture me. I found it slow, drab, and bordering on melodramatic.\nA lousy movie that's not merely unwatchable, but also unlistenable.\nThe best way to hope for any chance of enjoying this film is by lowering your expectations. Then lower them a bit more.\nWhen not obscured by the booming bass-heavy soundtrack, the conversation presents the kind of linguistic fumbling not heard since Macy Gray's game of Chinese whispers with Mr Bean.\nCliches are as thick as the cigarette smoke.\nA woozy, roisterous, exhausting mess, and the off-beat casting of its two leads turns out to be as ill-starred as you might expect.\n'Abandon all hope, ye who enter here'...you should definitely let Dante's gloomy words be your guide.\nWhat begins as a seemingly brainless, bubbly romantic comedy becomes a cliche-drenched melodrama by mid-film and, by film's end, a feminist action fantasy.\nA grim, flat and boring werewolf movie that refuses to develop an energy level.\nBirot's directorial debut (she co-wrote the script with Christophe Honoré) isn't so much bad as it is bland.\nWatching the film is like reading a Times Portrait of Grief that keeps shifting focus to the journalist who wrote it.\nEnough similarities to Gymkata and Howie Long's Firestorm that my fingernails instinctively crawled towards my long-suffering eyeballs.\nSucceeds in providing a disquiet world the long-dreaded completion of the Police Academy series.\nChristians sensitive to a reductionist view of their Lord as a luv-spreading Dr. Feelgood or omnipotent slacker will feel vastly more affronted than secularists, who might even praise God for delivering such an instant camp classic.\nIf this dud had been made in the '70s, it would have been called The Hills Have Antlers and played for about three weeks in drive-ins.\nA frantic search for laughs, with a hit-to-miss ratio that doesn't exactly favour the audience.\nLike a documentary version of Fight Club, shorn of social insight, intellectual pretension and cinematic interest.\n``An entire film about researchers quietly reading dusty old letters.''\nPryor Lite, with half the demons, half the daring, much less talent, many fewer laughs.\nWhat's at stake in this film is nothing more than an obsolete, if irritating, notion of class.\nThe stories here suffer from the chosen format.\nWhile the mystery surrounding the nature of the boat's malediction remains intriguing enough to sustain mild interest, the picture refuses to offer much accompanying sustenance in the way of characterization, humor or plain old popcorn fun.\nJust how extreme are these ops? I regret to report that these ops are just not extreme enough.\nThe actors are forced to grapple with hazy motivations that never come into focus.\nJohn Leguizamo may be a dramatic actor -- just not in this movie.\nThe sequel has turned completely and irrevocably bizarre to the point of utter nonsense.\nHardly makes the kind of points Egoyan wanted to make, nor does it exist as the kind of monument he wanted to build, to victims whose voices have never gained the ears of the world.\nBuild some robots, haul 'em to the theatre with you for the late show, and put on your own Mystery Science Theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year.\nRainy days and movies about the disintegration of families always get me down.\n...has about 3/4th the fun of its spry 2001 predecessor -- but it's a rushed, slapdash, sequel-for-the-sake- of-a-sequel with less than half the plot and ingenuity.\nThe Master Of Disaster - it's a piece of dreck disguised as comedy.\nThe film has a few cute ideas and several modest chuckles but it isn't exactly kiddie-friendly... Alas, Santa is more ho-hum than ho-ho-ho and the Snowman (who never gets to play that flute) has all the charm of a meltdown.\nThe stupidest, most insulting movie of 2002's first quarter.\nIt's so underwritten that you can't figure out just where the other characters, including Ana's father and grandfather, come down on the issue of Ana's future.\nA film so tedious that it is impossible to care whether that boast is true or not.\nNone of this violates the letter of Behan's book, but missing is its spirit, its ribald, full-throated humor.\nBad Company leaves a bad taste, not only because of its bad-luck timing, but also the staleness of its script.\nEven if it ultimately disappoints, the picture does have about a matinee admission's worth of funny to keep it afloat.\nFails to bring as much to the table.\nA film made with as little wit, interest, and professionalism as artistically possible for a slummy Hollywood caper flick.\nDisturbingly superficial in its approach to the material.\nIf you're not the target demographic ... this movie is one long chick-flick slog.\nI hate this movie\nIt's tough to tell which is in more abundant supply in this woefully hackneyed movie, directed by Scott Kalvert, about street gangs and turf wars in 1958 Brooklyn -- stale cliches, gratuitous violence, or empty machismo.\nGooding and Coburn are both Oscar winners, a fact which, as you watch them clumsily mugging their way through Snow Dogs, seems inconceivable.\nAt every opportunity to do something clever, the film goes right over the edge and kills every sense of believability... all you have left is a no-surprise series of explosions and violence while Banderas looks like he's not trying to laugh at how bad it\n...pitiful, slapdash disaster. A DOA dud from frame one.\nJaw-droppingly superficial, straining to get by on humor that is not even as daring as John Ritter's glory days on Three's Company.\nThere are plenty of scenes in Frida that do work, but rarely do they involve the title character herself.\nAlthough God Is Great addresses interesting matters of identity and heritage, it's hard to shake the feeling that it was intended to be a different kind of film.\nThe dark and bittersweet twist feels strange as things turn nasty and tragic during the final third of the film. First-timer John McKay is never able to pull it back on course.\nDistances you by throwing out so many red herrings, so many false scares, that the genuine ones barely register.\nGodard uses his characters -- if that's not too glorified a term -- as art things, mouthpieces, visual motifs, blanks.\nThe movie generates plot points with a degree of randomness usually achieved only by lottery drawing.\nA predictable, manipulative stinker. The story passes time until it's time for an absurd finale of twisted metal, fireballs and revenge.\nEastwood winces, clutches his chest and gasps for breath. It's a spectacular performance - ahem, we hope it's only acting.\nThe movie suffers from two fatal ailments -- a dearth of vitality and a story that's shapeless and uninflected.\nIt's just weirdness for the sake of weirdness, and where Human Nature should be ingratiating, it's just grating.\nAn ambitiously naturalistic, albeit half-baked, drama about an abused, inner-city autistic teen.\nonce she lets her love depraved leads meet, (Denis') story becomes a hopeless, unsatisfying muddle\nThe dose is strong and funny, for the first 15 minutes anyway; after that, the potency wanes dramatically.\nThe people in ABC Africa are treated as docile, mostly wordless ethnographic extras.\nWhat's really sad is to see two Academy Award winning actresses (and one Academy Award winning actor) succumb to appearing in this junk that's TV sitcom material at best.\nNo doubt the star and everyone else involved had their hearts in the right place. Where their heads were is anyone's guess.\nCall me a cynic, but there's something awfully deadly about any movie with a life-affirming message.\nA gratingly unfunny groaner littered with zero-dimensional, unlikable characters and hackneyed, threadbare comic setups.\nGot some good, organic character work, lots of obvious political insights and little room for engaging, imaginative filmmaking in its nearly 2 1/2-hour, dissipated length.\nA painfully slow cliche-ridden film filled with more holes than Clyde Barrow's car.\nLike leafing through an album of photos accompanied by the sketchiest of captions.\nI guess it just goes to show that if you give a filmmaker an unlimited amount of phony blood, nothing good can happen.\nGaghan captures the half-lit, sometimes creepy intimacy of college dorm rooms, a subtlety that makes the silly, over-the-top coda especially disappointing.\nFeels less like a change in (Herzog's) personal policy than a half-hearted fluke.\nOne of the most unpleasant things the studio has ever produced.\nWill anyone who isn't a Fangoria subscriber be excited that it hasn't gone straight to video?\nA selection of scenes in search of a movie.\n(Janey) forgets about her other obligations, leading to a tragedy which is somehow guessable from the first few minutes, maybe because it echoes the by now intolerable morbidity of so many recent movies.\nWill undoubtedly play well in European markets, where Mr. Besson is a brand name, and in Asia, where Ms. Shu is an institution, but American audiences will probably find it familiar and insufficiently cathartic.\nTrue to its animatronic roots:...as stiff, ponderous and charmless as a mechanical apparatus...'The Country Bears' should never have been brought out of hibernation.\n(Evans is) a fascinating character, and deserves a better vehicle than this facetious smirk of a movie.\nThe script's judgment and sense of weight is way, way off.\nYou come away wishing, though, that the movie spent a lot less time trying to make a credible case for reports from the afterlife and a lot more time on the romantic urgency that's at the center of the story.\nEvelyn may be based on a true and historically significant story, but the filmmakers have made every effort to disguise it as an unimaginative screenwriter's invention.\nA derivative collection of horror and sci-fi cliches.\nLoosely speaking, we're in All of Me territory again, and, strictly speaking, Schneider is no Steve Martin.\nAs aimless as an old pickup skidding completely out of control on a long patch of black ice, the movie makes two hours feel like four.\nLimps along on a squirm-inducing fish-out-of-water formula that goes nowhere and goes there very, very slowly.\nJust the sort of lazy tearjerker that gives movies about ordinary folk a bad name.\nThe redeeming feature of Chan's films has always been the action, but the stunts in The Tuxedo seem tired and, what's worse, routine.\nWhile The Importance of Being Earnest offers opportunities for occasional smiles and chuckles, it doesn't give us a reason to be in the theater beyond Wilde's wit and the actors' performances.\nHas all the scenic appeal of a cesspool.\nA rambling ensemble piece with loosely connected characters and plots that never quite gel.\nA Lifetime movie about men.\nThe Balkans provide the obstacle course for the love of a good woman.\nIt's hard to say who might enjoy this, are there Tolstoy groupies out there? It's dark and tragic, and lets the business of the greedy talent agents get in the way of saying something meaningful about facing death\nThis is a movie that starts out like Heathers, then becomes Bring it On, then becomes unwatchable.\nThe screenplay flounders under the weight of too many story lines.\nI think it was Plato who said, 'I think, therefore I know better than to rush to the theatre for this one.'\nIf Damon and Affleck attempt another Project Greenlight, next time out they might try paying less attention to the miniseries and more attention to the film it is about.\nThis is rote drivel aimed at Mom and Dad's wallet.\nContrived, maudlin and cliche-ridden...if this sappy script was the best the contest received, those rejected must have been astronomically bad.\nI hate the feeling of having been slimed in the name of High Art.\nThis is more a case of 'Sacre bleu!' than 'Magnifique'.\nThe kids in the audience at the preview screening seemed bored, cheering the pratfalls but little else; their parents, wise folks that they are, read books.\nWhether Jason X is this bad on purpose is never clear. But one thing's for sure: It never comes close to being either funny or scary.\nYet another weepy Southern bore-athon.\nI like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material, but they're treading water at best in this forgettable effort.\nPerhaps the most annoying thing about Who Is Cletis Tout? is that it's a crime movie made by someone who obviously knows nothing about crime.\nExcept as an acting exercise or an exceptionally dark joke, you wonder what anyone saw in this film that allowed it to get made.\nThis insufferable movie is meant to make you think about existential suffering. Instead, it'll only put you to sleep.\nWho is this movie for? Not kids, who don't need the lesson in repugnance. It's also not smart or barbed enough for older viewers -- not everyone thinks poo-poo jokes are 'edgy.'\nA sleep-inducingly slow-paced crime drama with clumsy dialogue, heavy-handed phoney-feeling sentiment, and an overly-familiar set of plot devices.\nIt's so tedious that it makes you forgive every fake, dishonest, entertaining and, ultimately, more perceptive moment in Bridget Jones's Diary.\nAlmost as offensive as ``Freddy Got Fingered.''\nThe gifted Crudup has the perfect face to play a handsome blank yearning to find himself, and his cipherlike personality and bad behavior would play fine if the movie knew what to do with him.\nIt is depressing, ruthlessly pained and depraved, the movie equivalent of staring into an open wound.\nPonderous, plodding soap opera disguised as a feature film.\nCold, pretentious, thoroughly dislikable study in sociopathy.\nFor the future, one hopes Mr. Plympton will find room for one more member of his little band, a professional screenwriter.\nA cheap scam put together by some cynical creeps at Revolution Studios and Imagine Entertainment to make the suckers out there surrender $9 and 93 minutes of unrecoverable life.\nReign of Fire never comes close to recovering from its demented premise, but it does sustain an enjoyable level of ridiculousness.\nHuman Nature is a goofball movie, in the way that Malkovich was, but it tries too hard.\nOriginality is sorely lacking.\nThe plot's clearly mythic structure may owe more to Disney's strong sense of formula than to the original story. But while the highly predictable narrative falls short, Treasure Planet is truly gorgeous to behold.\nThough there are entertaining and audacious moments, the movie's wildly careening tone and an extremely flat lead performance do little to salvage this filmmaker's flailing reputation.\nRam Dass Fierce Grace moulds itself as an example to up-and-coming documentarians, of the overlooked pitfalls of such an endeavour.\nLucky Break is perfectly inoffensive and harmless, but it's also drab and inert.\nFor a story set at sea, Ghost Ship is pretty landbound, with its leaden acting, dull exposition and telegraphed 'surprises.'\nThere might be some sort of credible gender-provoking philosophy submerged here, but who the hell cares?\nNothing more than a stifling morality tale dressed up in peekaboo clothing.\nI like my Christmas movies with more elves and snow and less pimps and ho's.\nIt all seemed wasted like DeNiro's once promising career and the once grand Long Beach boardwalk.\n(I)t's certainly laudable that the movie deals with hot-button issues in a comedic context, but Barbershop isn't as funny as it should be.\nUnfortunately, a cast of competent performers from movies, television and the theater are cast adrift in various New York City locations with no unifying rhythm or visual style.\nJust entertaining enough not to hate, too mediocre to love.\n'Sophisticated' viewers who refuse to admit that they don't like it will likely call it 'challenging' to their fellow sophisticates.\nEquilibrium the movie, as opposed to the manifesto, is really, really stupid.\nExcruciatingly unfunny and pitifully unromantic.\nThe film's thoroughly recycled plot and tiresome jokes ... drag the movie down.\nIt doesn't offer audiences any way of gripping what its point is, or even its attitude toward its subject.\nThis kiddie-oriented stinker is so bad that I even caught the gum stuck under my seat trying to sneak out of the theater\nThough Impostor deviously adopts the guise of a modern motion picture, it too is a bomb.\nCox offers plenty of glimpses at existing photos, but there are no movies of Nijinsky, so instead the director treats us to an aimless hodgepodge.\nEvery note rings false.\nWhen the screenwriter responsible for one of the worst movies of one year directs an equally miserable film the following year, you'd have a hard time believing it was just coincidence.\nIt never rises to its clever what-if concept.\nAdmirably ambitious but self-indulgent.\nThis story of unrequited love doesn't sustain interest beyond the first half-hour.\nThis angst-ridden territory was covered earlier and much better in Ordinary People.\nThe entire film is one big excuse to play one lewd scene after another. About half of them are funny, a few are sexy and none are useful in telling the story, which is paper-thin and decidedly unoriginal.\nA big, loud, bang-the-drum bore.\n(Less a movie than) an appalling, odoriferous thing... so rotten in almost every single facet of production that you'll want to crawl up your own *** in embarrassment.\nThe concept behind Kung Pow: Enter the Fist is hilarious. It's too bad nothing else is.\nHardman is a grating, mannered onscreen presence, which is especially unfortunate in light of the fine work done by most of the rest of her cast.\nEl Crimen Del Padre Amaro would likely be most effective if used as a tool to rally anti-Catholic protestors.\nInteresting and thoroughly unfaithful version of Carmen\nA serious movie with serious ideas. But seriously, folks, it doesn't work.\nThere's nothing exactly wrong here, but there's not nearly enough that's right.\nThe action here is unusually tame, the characters are too simplistic to maintain interest, and the plot offers few surprises.\nI couldn't help but feel the wasted potential of this slapstick comedy.\nWhat Madonna does here can't properly be called acting -- more accurately, it's moving and it's talking and it's occasionally gesturing, sometimes all at once.\n(A) painfully flat gross-out comedy ...\nEven if you're an Elvis person, you won't find anything to get excited about on this DVD.\nThe movie certainly has its share of clever moments and biting dialogue, but there's just not much lurking below its abstract surface.\nIt's bedeviled by labored writing and slack direction.\nI'm sure there's a teenage boy out there somewhere who's dying for this kind of entertainment.\nThe Tuxedo miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life.\nThe film is a confusing melange of tones and styles, one moment a romantic trifle and the next a turgid drama.\nObviously, a lot of people wasted a lot of their time (including mine) on something very inconsequential.\nThere's a little violence and lots of sex in a bid to hold our attention, but it grows monotonous after a while, as do Joan and Philip's repetitive arguments, schemes and treachery.\nIt drowns in sap.\nDeliberately and devotedly constructed, Far from Heaven is too picture postcard perfect, too neat and new pin-like, too obviously a recreation to resonate.\nIt's rare that a movie can be as intelligent as this one is in every regard except its storyline; everything that's good is ultimately scuttled by a plot that's just too boring and obvious.\nI'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment. There's got to be a more graceful way of portraying the devastation of this disease.\nThe good thing -- the only good thing -- about Extreme Ops is that it's so inane that it gave me plenty of time to ponder my Thanksgiving to-do list.\nThe modern-day characters are nowhere near as vivid as the 19th-century ones.\nBlessed with a searing lead performance by Ryan Gosling (Murder by Numbers), the movie is powerful and provocative. It's also built on a faulty premise, one it follows into melodrama and silliness.\nUneven performances and a spotty script add up to a biting satire that has no teeth.\nDirector Jay Russell stomps in hobnail boots over Natalie Babbitt's gentle, endearing 1975 children's novel.\nBenigni's Pinocchio is extremely straight and mind-numbingly stilted, its episodic pacing keeping the film from developing any storytelling flow.\nThe troubling thing about Clockstoppers is that it doesn't make any sense.\nWith its paint fights, motorized scooter chases and dewy-eyed sentiment, it's a pretty listless collection of kid-movie clichés.\nMostly the film is just hectic and homiletic: two parts exhausting Men in Black mayhem to one part family values.\nKicks off with an inauspicious premise, mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper.\nA rote exercise in both animation and storytelling.\nThe material and the production itself are little more than routine.\nThe movie's major and most devastating flaw is its reliance on formula, though, and it's quite enough to lessen the overall impact the movie could have had.\nNot even Steven Spielberg has dreamed up such blatant and sickening product placement in a movie.\nIt's all surface psychodramatics.\nThe Mothman Prophecies, which is mostly a bore, seems to exist only for its climactic setpiece.\nThat frenetic spectacle (on the TV show) has usually been leavened by a charm that's conspicuously missing from the Girls' big-screen blowout.\nKitschy, flashy, overlong soap opera.\nFor all the time we spend with these people, we never really get inside of them.\nYet another Arnold vehicle that fails to make adequate use of his particular talents.\nSandra Bullock, despite downplaying her good looks, carries a little too much ain't- she-cute baggage into her lead role as a troubled and determined homicide cop to quite pull off the heavy stuff.\nAn undistinguished attempt to make a classic theater piece cinematic.\ntoo many scenarios in which the hero might have an opportunity to triumphantly sermonize, and too few that allow us to wonder for ourselves if things will turn out okay.\nThere is simply not enough of interest onscreen to sustain its seventy-minute running time.\nA wordy wisp of a comedy.\nBroomfield's style of journalism is hardly journalism at all, and even those with an avid interest in the subject will grow impatient.\n(Seagal's) strenuous attempt at a change in expression could very well clinch him this year's Razzie.\nHas the disjointed feel of a bunch of strung-together TV episodes.\nA series of escapades demonstrating the adage that what is good for the goose is also good for the gander, some of which occasionally amuses but none of which amounts to much of a story.\nOzpetek offers an AIDS subtext, skims over the realities of gay sex, and presents yet another tired old vision of the gay community as an all-inclusive world where uptight, middle class bores like Antonia can feel good about themselves.\nA dopey movie clothed in excess layers of hipness.\nThe Sweetest Thing is expressly for idiots who don't care what kind of sewage they shovel into their mental gullets to simulate sustenance.\nSinks so low in a poorly played game of absurd plot twists, idiotic court maneuvers and stupid characters that even Freeman can't save it.\nI realized that no matter how fantastic Reign of Fire looked, its story was making no sense at all.\nIt made me realize that we really haven't had a good cheesy B-movie playing in theaters since... well... since last week's Reign of Fire.\nSome movies were made for the big screen, some for the small screen, and some, like Ballistic: Ecks vs. Sever, were made for the palm screen.\nSC2 is an autopilot Hollywood concoction lacking in imagination and authentic Christmas spirit, yet it's geared toward an audience full of masters of both.\nAfter all the big build-up, the payoff for the audience, as well as the characters, is messy, murky, unsatisfying.\nSeems content to dog-paddle in the mediocre end of the pool, and it's a sad, sick sight.\nIt's refreshing that someone understands the need for the bad boy; Diesel, with his brawny frame and cool, composed delivery, fits the bill perfectly.\nIf all of Eight Legged Freaks was as entertaining as the final hour, I would have no problem giving it an unqualified recommendation.\nSuffers from a flat script and a low budget.\nThere are deeply religious and spiritual people in this world who would argue that entering a church, synagogue or temple doesn't mean you have to check your brain at the door. The same should go for movie theaters.\nSeemingly a vehicle to showcase the Canadian's inane ramblings, Stealing Harvard is a smorgasbord of soliloquies about nothing delivered by the former Mr. Drew Barrymore.\nThe film tries to touch on spousal abuse but veers off course and becomes just another revenge film.\nAs it stands it's an opera movie for the buffs.\nThis franchise has not spawned a single good film. The crap continues.\nIts inescapable absurdities are tantamount to insulting the intelligence of anyone who hasn't been living under a rock (since Sept. 11).\nHigh drama, Disney-style - a wing and a prayer and a hunky has-been pursuing his castle in the sky.\nLike its script, which nurses plot holes gaping enough to pilot an entire Olympic swim team through, the characters in Swimfan seem motivated by nothing short of dull, brain-deadening hangover.\nOne big blustery movie where nothing really happens. When it comes out on video, then it's the perfect cure for insomnia.\nLike a comedian who starts off promisingly but then proceeds to flop, Comedian runs out of steam after a half hour.\nThe pairing does sound promising in theory...but their lack of chemistry makes Eddie Murphy and Robert DeNiro in Showtime look like old, familiar vaudeville partners.\nDirector Chris Eyre is going through the paces again with his usual high melodramatic style of filmmaking.\nAs it stands, there's some fine sex onscreen, and some tense arguing, but not a whole lot more.\nI could just feel the screenwriter at every moment 'Tap, tap, tap, tap, tapping away' on this screenplay.\nThe picture doesn't know it's a comedy.\nA stupid, derivative horror film that substitutes extreme gore for suspense.\nThe rollerball sequences feel sanitised and stagey.\nRoman Polanski directs The Pianist like a surgeon mends a broken heart; very meticulously but without any passion.\nNothing more than a run-of-the-mill action flick.\nLan Yu is certainly a serviceable melodrama, but it doesn't even try for the greatness that Happy Together shoots for (and misses).\nThis is an action movie with an action icon who's been all but decommissioned.\nEven if it is generally amusing from time to time, I Spy has all the same problems the majority of action comedies have.\nMuch like Robin Williams, Death to Smoochy has already reached its expiration date.\nAn annoying orgy of excess and exploitation that has no point and goes nowhere.\nA tired, unnecessary retread...a stale copy of a picture that wasn't all that great to begin with.\nAn often unfunny romp.\nA worthy idea, but the uninspired scripts, acting and direction never rise above the level of an after-school TV special.\nTwenty years later, Reggio still knows how to make a point with poetic imagery, but his ability to startle has been stifled by the very prevalence of the fast-forward technology that he so stringently takes to task.\nEar-splitting exercise in formula crash-and-bash action.\nWe have an actor who is great fun to watch performing in a film that is only mildly diverting.\nDespite Hoffman's best efforts, Wilson remains a silent, lumpish cipher; his encounters reveal nothing about who he is or who he was before.\nThere's a thin line between likably old-fashioned and fuddy-duddy, and The Count of Monte Cristo ... never quite settles on either side.\nThe emotional overload of female angst irreparably drags the film down.\nSchaefer's...determination to inject farcical raunch...drowns out the promise of the romantic angle.\nLike Showgirls and Glitter, the most entertaining moments here are unintentional.\nWhile some of the camera work is interesting, the film's mid-to-low budget is betrayed by the surprisingly shoddy makeup work.\nThe origin story is well told, and the characters will not disappoint anyone who values the original comic books. It's in the action scenes that things fall apart.\nImpostor is a step down for director Gary Fleder.\nSeagal, who looks more like Danny Aiello these days, mumbles his way through the movie.\nThe movie is a negligible work of manipulation, an exploitation piece doing its usual worst to guilt-trip parents.\nLacks dramatic punch and depth.\nThere are moments of real pleasure to be found in Sara Sugarman's whimsical comedy Very Annie-Mary but not enough to sustain the film.\nI can analyze this movie in three words: Thumbs Friggin' Down.\nSadly, 'Garth' hasn't progressed as nicely as 'Wayne.'\nMake like the title and dodge this one.\nThis is not one of the movies you'd want to watch if you only had a week to live.\nThe first hour is tedious though Ford and Neeson capably hold our interest, but its just not a thrilling movie.\nHere's a case of two actors who do everything humanly possible to create characters who are sweet and believable, and are defeated by a screenplay that forces them into bizarre, implausible behavior.\nIt's obvious (Je-Gyu is) trying for poetry; what he gets instead has all the lyricism of a limerick scrawled in a public restroom.\nSweet Home Alabama is one dumb movie, but its stupidity is so relentlessly harmless that it almost wins you over in the end.\n(Green is) the comedy equivalent of Saddam Hussein, and I'm just about ready to go to the U.N. and ask permission for a preemptive strike.\nNo amount of good acting is enough to save Oleander's uninspired story.\nA vile, incoherent mess...a scummy ripoff of David Cronenberg's brilliant 'Videodrome.'\nMurphy and Wilson actually make a pretty good team... but the project surrounding them is distressingly rote.\nDespite its raucous intent, XXX is as conventional as a Nike ad and as rebellious as spring break.\nThink The Lion King redone for horses, with fewer deliberate laughs, more inadvertent ones and stunningly trite songs by Bryan Adams, the world's most generic rock star.\nIt is one more celluloid testimonial to the cruelties experienced by Southern blacks as distilled through a Caucasian perspective.\nIt's tough being a black man in America, especially when the Man has taken away your car, your work-hours and denied you health insurance.\nA small fortune in salaries and stunt cars might have been saved if the director, Tom Dey, had spliced together bits and pieces of Midnight Run and 48 Hours (and, for that matter, Shrek).\nAn amateurish, quasi-improvised acting exercise shot on ugly digital video.\nThe holes in this film remain agape -- holes punched through by an inconsistent, meandering, and sometimes dry plot.\nWould Benigni's Italian Pinocchio have been any easier to sit through than this hastily dubbed disaster?\nUnofficially, National Lampoon's Van Wilder is Son of Animal House. Officially, it is twice as bestial but half as funny.\nThis is a fragmented film, once a good idea that was followed by the bad idea to turn it into a movie.\nMindless yet impressively lean spinoff of last summer's bloated effects fest The Mummy Returns.\nHalfway through the movie, the humor dwindles. It's replaced by some dramatic scenes that are jarring and deeply out of place in what could have (and probably should have) been a lighthearted comedy.\nwill be far more interesting to the Soderbergh faithful than it will be to the casual moviegoer who might be lured in by Julia Roberts...\nAuthentic, and at times endearing, humorous, spooky, educational, but at other times as bland as a block of snow.\nControl-Alt-Delete Simone as quickly as possible\nFollows the original film virtually scene for scene and yet manages to bleed it almost completely dry of humor, verve and fun.\nThe filmmaker ascends, literally, to the Olympus of the art world, but he would have done well to end this flawed, dazzling series with the raising of something other than his own cremaster.\nThe screenplay comes across, rather unintentionally, as Hip-Hop Scooby-Doo.\nHas lost some of the dramatic conviction that underlies the best of comedies...\nVaguely interesting, but it's just too too much.\n...no charm, no laughs, no fun, no reason to watch.\nA generic family comedy unlikely to be appreciated by anyone outside the under-10 set.\nKung Pow seems like some futile concoction that was developed hastily after Oedekerk and his fellow moviemakers got through crashing a college keg party.\nKurys seems intimidated by both her subject matter and the period trappings of this debut venture into the heritage business.\nThe film virtually chokes on its own self-consciousness.\nA manipulative feminist empowerment tale thinly posing as a serious drama about spousal abuse.\nEverything in Maid in Manhattan is exceedingly pleasant, designed not to offend. It goes down easy, leaving virtually no aftertaste.\nA profoundly stupid affair, populating its hackneyed and meanspirited storyline with cardboard characters and performers who value cash above credibility.\n...pays tribute to heroes the way Julia Roberts hands out awards--with phony humility barely camouflaging grotesque narcissism.\nTime stands still in more ways that one in Clockstoppers, a sci-fi thriller as lazy as it is interminable.\nAs a director, Eastwood is off his game -- there's no real sense of suspense, and none of the plot 'surprises' are really surprising.\nEccentric enough to stave off doldrums, Caruso's self-conscious debut is also eminently forgettable.\nTo work, love stories require the full emotional involvement and support of a viewer. That is made almost impossible by events that set the plot in motion.\nAlthough Barbershop boasts some of today's hottest and hippest acts from the world of television, music and stand-up comedy, this movie strangely enough has the outdated swagger of a shameless `70s blaxploitation shuck-and-jive sitcom.\nA puzzle whose pieces do not fit. Some are fascinating and others are not, and in the end, it is almost a good movie.\nWould that Greengrass had gone a tad less for grit and a lot more for intelligibility.\nThe good is very, very good... The rest runs from mildly unimpressive to despairingly awful.\n'Butterfingered' is the word for the big-fisted direction of Jez Butterworth, who manages to blast even the smallest sensitivities from the romance with his clamorous approach.\nBe forewarned, if you're depressed about anything before watching this film, you may just end up trying to drown yourself in a lake afterwards.\na terrible adaptation of a play that only ever walked the delicate tightrope between farcical and loathsome. In the wrong hands, i.e. Peploe's, it's simply unbearable\nAn inexperienced director, Mehta has much to learn.\nA limp Eddie Murphy vehicle that even he seems embarrassed to be part of.\nSo muddled, repetitive and ragged that it says far less about the horrifying historical reality than about the filmmaker's characteristic style.\nA gushy episode of ``M*A*S*H'' only this time from an Asian perspective.\n``Looking For Leonard'' just seems to kinda sit in neutral, hoping for a stiff wind to blow it uphill or something.\nNothing more than four or five mild chuckles surrounded by 86 minutes of overly-familiar and poorly-constructed comedy.\nDefinitely in the guilty pleasure B-movie category, Reign of Fire is so incredibly inane that it is laughingly enjoyable.\nGood-looking but relentlessly lowbrow outing plays like Clueless Does South Fork.\nentertaining enough, but nothing new\n...one resurrection too many.\nThis is a film about the irksome, tiresome nature of complacency that remains utterly satisfied to remain the same throughout. Even as the hero of the story rediscovers his passion in life, the mood remains oddly detached.\nDeMeo is not without talent; he just needs better material.\nIn spite of featuring a script credited to no fewer than five writers, apparently nobody here bothered to check it twice.\nNo one involved, save Dash, shows the slightest aptitude for acting, and the script, credited to director Abdul Malik Abbott and Ernest 'Tron' Anderson, seems entirely improvised.\nInitially gripping, eventually cloying POW drama.\nA timid, soggy near miss.\nWorks better in the conception than it does in the execution...winds up seeming just a little too clever.\nTo the vast majority of more casual filmgoers, it will probably be a talky bore.\nObservant intelligence constantly vies with pretension -- and sometimes plain wacky implausibility -- throughout Maelstrom.\nThis version of H.G. Wells' Time Machine was directed by H.G. Wells' great-grandson. They should have found Orson Welles' great-grandson.\nShunji Iwai's All About Lily Chou Chou is a beautifully shot, but ultimately flawed film about growing up in Japan.\nWith more character development this might have been an eerie thriller; with better payoffs, it could have been a thinking man's monster movie.\nThriller directorial debut for Traffic scribe Gaghan has all the right parts, but the pieces don't quite fit together.\n...would be a total loss if not for two supporting performances taking place at the movie's edges.\nThere's not a single jump-in-your-seat moment and believe it or not, Jason actually takes a backseat in his own film to special effects.\nGoldbacher draws on an elegant visual sense and a talent for easy, seductive pacing ... but she and writing partner Laurence Coriat don't manage an equally assured narrative coinage.\nThough Harris is affecting at times, he cannot overcome the sense that Pumpkin is a mere plot pawn for two directors with far less endearing disabilities.\nThe documentary is much too conventional -- lots of boring talking heads, etc. -- to do the subject matter justice.\nThe movie itself appears to be running on hypertime in reverse as the truly funny bits get further and further apart.\nThis is not a Jackie Chan movie. It's just a movie that happens to have Jackie Chan in it. And that makes all the difference.\nFar too clever by half, Howard's film is really a series of strung-together moments, with all the spaces in between filled with fantasies, daydreams, memories and one fantastic visual trope after another.\nThe problem with movies about angels is they have a tendency to slip into hokum. A Rumor of Angels doesn't just slip -- it avalanches into forced fuzziness.\nNo big whoop, nothing new to see, zero thrills, too many flashbacks and a choppy ending make for a bad film.\nI don't think this movie loves women at all.\nShankman ... and screenwriter Karen Janszen bungle their way through the narrative as if it were a series of Bible parables and not an actual story.\nA negligible British comedy.\nFails to convince the audience that these brats will ever be anything more than losers.\nSlack and uninspired, and peopled mainly by characters so unsympathetic that you're left with a sour taste in your mouth.\nSkip this turd and pick your nose instead because you're sure to get more out of the latter experience.\nWhat can one say about a balding 50-year-old actor playing an innocent boy carved from a log?\nTrailer trash cinema so uncool the only thing missing is the ``Gadzooks!''\nHer film is like a beautiful food entrée that isn't heated properly, so that it ends up a bit cold and relatively flavorless.\nLike the world of his film, Hartley created a monster but didn't know how to handle it.\nNo new plot conceptions or environmental changes, just different bodies for sharp objects to rip through.\nNeeds more impressionistic cinematography and exhilarating point-of-view shots and fewer slow-motion 'grandeur' shots and quick-cut edits that often detract from the athleticism.\nIn the end, there isn't much to it.\nA waste of fearless purity in the acting craft.\nThe film is ultimately about as inspiring as a Hallmark card.\nAnyone not into high-tech splatterfests is advised to take the warning literally, and log on to something more user-friendly.\nDisreputable doings and exquisite trappings are dampened by a lackluster script and substandard performances.\nYou could easily mistake it for a sketchy work-in-progress that was inexplicably rushed to the megaplexes before its time.\nDirectors Harry Gantz and Joe Gantz have chosen a fascinating subject matter, but the couples exposing themselves aren't all that interesting.\nYet another entry in the sentimental oh-those-wacky-Brits genre that was ushered in by The Full Monty and is still straining to produce another smash hit.\nfor those for whom the name Woody Allen was once a guarantee of something fresh, sometimes funny, and usually genuinely worthwhile, Hollywood Ending is a depressing experience\nFemme Fatale offers nothing more than a bait-and-switch that is beyond playing fair with the audience. Are we dealing with dreams, visions or being told what actually happened as if it were the third ending of Clue?\nIt could have been something special, but two things drag it down to mediocrity -- director Clare Peploe's misunderstanding of Marivaux's rhythms, and Mira Sorvino's limitations as a classical actress.\nFluffy neo-noir hiding behind cutesy film references.\nImagine Susan Sontag falling in love with Howard Stern.\nLike being trapped inside a huge video game, where exciting, inane images keep popping past your head and the same illogical things keep happening over and over again.\nShould have been worth cheering as a breakthrough but is devoid of wit and humor.\nThe best thing about the movie is its personable, amusing cast.\nThese guys seem great to knock back a beer with but they're simply not funny performers.\nEverything was as superficial as the forced New Jersey lowbrow accent Uma had.\nDirector David Fincher and writer David Koepp can't sustain it.\nFinally coming down off of Miramax's deep shelves after a couple of aborted attempts, Waking Up in Reno makes a strong case for letting sleeping dogs lie.\nA movie that feels like the pilot episode of a new teen-targeted action TV series.\nOne of the most highly-praised disappointments I've had the misfortune to watch in quite some time.\nThe animation and backdrops are lush and inventive, yet Return to Neverland never manages to take us to that elusive, lovely place where we suspend our disbelief.\nDirector Shekhar Kapur and screenwriters Michael Schiffer and Hossein Amini have tried hard to modernize and reconceptualize things, but the barriers finally prove to be too great.\nStrong filmmaking requires a clear sense of purpose, and in that oh-so-important category, The Four Feathers comes up short.\nThe thought of watching this film with an audience full of teenagers fixating on its body humour and reinforcement of stereotypes (of which they'll get plenty) fills me with revulsion.\nDevolves into the derivative, leaning on badly-rendered CGI effects.\nAnyone who gets chills from movies with giant plot holes will find plenty to shake and shiver about in 'The Ring.'\nA grand fart coming from a director beginning to resemble someone's crazy French grandfather.\nThe script is a disaster, with cloying messages and irksome characters.\nboth overstuffed and undernourished... The film can't be called a solid success, although there's plenty of evidence here to indicate Clooney might have better luck next time.\nPlods along, minus the twisted humor and eye-popping visuals that have made Miike ... a cult hero.\nHollywood has taken quite a nosedive from Alfred Hitchcock's imaginative flight to Shyamalan's self-important summer fluff.\nThe film's maudlin focus on the young woman's infirmity and her naive dreams play like the worst kind of Hollywood heart-string plucking.\nI firmly believe that a good video game movie is going to show up soon. I also believe that Resident Evil is not it.\nIt has the air of a surprisingly juvenile lark, a pop-influenced prank whose charms are immediately apparent and wear thin with repetition.\nThe plot meanders from gripping to plodding and back.\nThis is cruel, misanthropic stuff with only weak claims to surrealism and black comedy.\nNo amount of nostalgia for Carvey's glory days can disguise the fact that the new film is a lame kiddie flick and that Carvey's considerable talents are wasted in it.\nBest described as I Know What You Did Last Winter.\n(Taylor) takes us on a ride that's consistently surprising, easy to watch -- but, oh, so dumb.\nIt's difficult for a longtime admirer of his work to not be swept up in Invincible and overlook its drawbacks.\nLazily directed by Charles Stone III ... from a leaden script by Matthew Cirulnick and novelist Thulani Davis.\nThough Jones and Snipes are enthralling, the movie bogs down in rhetoric and cliché.\nThe most remarkable (and frustrating) thing about World Traveler, which opens today in Manhattan, is that its protagonist, after being an object of intense scrutiny for 104 minutes, remains a complete blank.\nAn artsploitation movie with too much exploitation and too little art.\nThe pacing is often way off and there are too many bona fide groaners among too few laughs.\nWith lines that feel like long soliloquies -- even as they are being framed in conversation -- Max is static, stilted.\nBarely manages for but a few seconds over its seemingly eternal running time to pique your interest, your imagination, your empathy or anything, really, save your disgust and your indifference.\nWriter/director Burr Steers emphasizes the Q in Quirky, with mixed results.\nOne senses in World Traveler and in his earlier film that Freundlich bears a grievous but obscure complaint against fathers, and circles it obsessively, without making contact.\nIn between the icy stunts, the actors spout hilarious dialogue about following your dream and 'just letting the mountain tell you what to do.'\nThe obligatory break-ups and hook-ups don't seem to have much emotional impact on the characters.\nMake no mistake, ivans xtc. is a mess.\nHypnotically dull, relentlessly downbeat, laughably predictable wail pitched to the cadence of a depressed fifteen-year-old's suicidal poetry.\nThe concept is a hoot. The trailer is a riot. The movie is a dud.\nIt's a boring movie about a boring man, made watchable by a bravura performance from a consummate actor incapable of being boring.\nBecause the intelligence level of the characters must be low, very low, very very low, for the masquerade to work, the movie contains no wit, only labored gags.\nIt's hard to imagine another director ever making his wife look so bad in a major movie.\nSome stunning visuals -- and some staggeringly boring cinema.\nThese characters become wearisome.\nA hit- and-miss affair, consistently amusing but not as outrageous or funny as Cho may have intended or as imaginative as one might have hoped.\nThis may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar.\nKim Ki-Deok seems to have in mind an (emotionally at least) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested.\nA sterling film - a cross between Boys Don't Cry, Deliverance, and Ode to Billy Joe - lies somewhere in the story of Matthew Shepard, but that film is yet to be made.\nAfter sitting through this sloppy, made-for-movie comedy special, it makes me wonder if Lawrence hates criticism so much that he refuses to evaluate his own work.\nContrived pastiche of caper clichés.\nMany shallower movies these days seem too long, but this one is egregiously short.\nJust a Kiss wants desperately to come off as a fanciful film about the typical problems of average people. But it is set in a world that is very, very far from the one most of us inhabit.\nThe most ill-conceived animated comedy since the 1991 dog Rover Dangerfield.\nLike shave ice without the topping, this cinematic snow cone is as innocuous as it is flavorless.\nDespite its sincere acting, Signs is just another unoriginal run of the mill sci-fi film with a flimsy ending and lots of hype.\nYet another movie which presumes that high school social groups are at war, let alone conscious of each other's existence.\nLoud, chaotic and largely unfunny.\nI can't remember the last time I saw an audience laugh so much during a movie, but there's only one problem...it's supposed to be a drama.\nQualities that were once amusing are becoming irritating.\nWell, Jason's gone to Manhattan and Hell, I guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels (hey, don't shoot the messenger).\nDonovan ... squanders his main asset, Jackie Chan, and fumbles the vital action sequences.\nThere is no psychology here, and no real narrative logic -- just a series of carefully choreographed atrocities, which become strangely impersonal and abstract.\nBread, My Sweet has so many flaws it would be easy for critics to shred it. It may even fall into the category of Films You Love to Hate. I admit it, I hate to like it.\nFrida is certainly no disaster, but neither is it the Kahlo movie Frida fans have been looking for.\nLeaks treacle from every pore.\nThe characters are so generic and the plot so bland that even as rogue CIA assassins working for Chris Cooper's agency boss close in on the resourceful amnesiac, we don't feel much for Damon/Bourne or his predicament.\nKapur weighs down the tale with bogus profundities.\nWhile we want MacDowell's character to retrieve her husband, we have to ask whether her personal odyssey trumps the carnage that claims so many lives around her.\nBlue Crush is as predictable as the tides. ... The movie feels stitched together from stock situations and characters from other movies.\nIf you enjoy being rewarded by a script that assumes you aren't very bright, then Blood Work is for you.\nTrouble Every Day is a success in some sense, but it's hard to like a film so cold and dead.\nThe film's stagecrafts are intimate and therefore bolder than the otherwise calculated artifice that defines and overwhelms the film's production design.\nA well-intentioned effort that's still too burdened by the actor's offbeat sensibilities for the earnest emotional core to emerge with any degree of accessibility.\nA family-friendly fantasy that ends up doing very little with its imaginative premise.\nA plodding look at the French Revolution through the eyes of aristocrats.\nTom Shadyac has learned a bit more craft since directing Adams, but he still lingers over every point until the slowest viewer grasps it.\nUnspools like a highbrow, low-key, 102-minute infomercial, blending entrepreneurial zeal with the testimony of satisfied customers.\nA fast-paced, glitzy but extremely silly piece.\nAny reasonably creative eighth-grader could have written a more credible script, though with the same number of continuity errors.\n...while the humor aspects of 'Jason X' were far more entertaining than I had expected, everything else about the film tanks.\nYour taste for Jonah - A Veggie Tales Movie may well depend on your threshold for pop manifestations of the Holy Spirit.\nLike an Afterschool Special with costumes by Gianni Versace, Mad Love looks better than it feels.\nWhile certain cues, like the happy music, suggest that this movie is supposed to warm our hearts, Jeong-Hyang Lee's film is just as likely to blacken that organ with cold vengefulness.\nThe script, the gags, the characters are all direct-to-video stuff, and that's where this film should have remained.\nA thriller without thrills and a mystery devoid of urgent questions.\nA collage of clichés and a dim echo of allusions to other films.\nThe film is hampered by its predictable plot and paper-thin supporting characters.\nJonah is only so-so... the addition of a biblical message will either improve the film for you, or it will lessen it.\nAn excruciating demonstration of the unsalvageability of a movie saddled with an amateurish screenplay.\nHow many more times will indie filmmakers subject us to boring, self-important stories of how horrible we are to ourselves and each other?\nThere are some laughs in this movie, but Williams' anarchy gets tiresome, the satire is weak.\nAs steamy as last week's pork dumplings.\nThe somber pacing and lack of dramatic fireworks make Green Dragon seem more like medicine than entertainment.\nThe filmmakers needed more emphasis on the storytelling and less on the glamorous machine that thrusts the audience into a future they won't much care about.\nAnother wholly unnecessary addition to the growing, moldering pile of, well, extreme stunt pictures.\nThis strenuously unfunny Showtime deserves the hook.\nThe whole thing's fairly lame, making it par for the course for Disney sequels.\n...its solemn pretension prevents us from sharing the awe in which it holds itself.\n...the good and different idea (of middle-aged romance) is not handled well and, except for the fine star performances, there is little else to recommend ``Never Again.''\nIf Disney's Cinderella proved that 'a dream is a wish your heart makes,' then Cinderella II proves that a nightmare is a wish a studio's wallet makes.\nFeatures nonsensical and laughable plotting, wooden performances, ineptly directed action sequences and some of the worst dialogue in recent memory.\nWith Rare Birds, as with The Shipping News before it, an attempt is made to transplant a Hollywood star into Newfoundland's wild soil -- and The Rock once again resists the intrusion.\nNothing about this movie works.\nIf the idea of the white man arriving on foreign shores to show wary natives the true light is abhorrent to you, the simplistic Heaven will quite likely be more like hell.\nA spooky yarn of demonic doings on the high seas that works better the less the brain is engaged.\nNone of Birthday Girl's calculated events take us by surprise...\nAre monsters born, or made?\nLisa Rinzler's cinematography may be lovely, but Love Liza's tale itself virtually collapses into an inhalant blackout, maintaining consciousness just long enough to achieve callow pretension.\nThe narrator and the other characters try to convince us that acting transfigures Esther, but she's never seen speaking on stage; one feels cheated, and Esther seems to remain an unchanged dullard.\nIt's exactly the kind of movie Toback's detractors always accuse him of making.\nWith the dog days of August upon us, think of this dog of a movie as the cinematic equivalent of high humidity.\nLess about Shakespeare than the spawn of fools who saw Quentin Tarantino's handful of raucous gangster films and branched out into their own pseudo-witty copycat interpretations.\nThe film is like sitting in a downtown café, overhearing a bunch of typical late-twenty-somethings natter on about nothing, and desperately wishing you could change tables.\nThis rather unfocused, all-over-the-map movie would be a lot better if it pared down its plots and characters to a few rather than dozens... or if it were subtler... or if it had a sense of humor.\nTakes a clunky TV-movie approach to detailing a chapter in the life of the celebrated Irish playwright, poet and drinker.\nNot only does the thoroughly formulaic film represent totally exemplify middle-of-the-road mainstream, it also represents glossy Hollywood at its laziest.\nA shame that Stealing Harvard is too busy getting in its own way to be anything but frustrating, boring, and forgettable.\nNearly every attempt at humor here is DOA.\nCollapses under its own meager weight.\nThis is mild-mannered, been-there material given a pedestrian spin by a director who needed a touch of the flamboyant, the outrageous.\nIf you adored The Full Monty so resoundingly that you're dying to see the same old thing in a tired old setting, then this should keep you reasonably entertained.\nTechnically and artistically inept.\nThose who are only mildly curious, I fear, will be put to sleep or bewildered by the artsy and often pointless visuals.\nThough Tom Shadyac's film kicks off spookily enough, around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance.\nA long, dull procession of despair, set to cello music culled from a minimalist funeral.\nCall me a cold-hearted curmudgeon for not being able to enjoy a mindless action movie, but I believe a movie can be mindless without being the peak of all things insipid.\nDeath might be a release.\n``(Hopkins)doesn't so much phone in his performance as fax it. No, even that's too committed. He gets his secretary to fax it.''\nSodden and glum, even in those moments where it's supposed to feel funny and light.\nPriggish, lethargically paced parable of renewal.\nA beautifully shot but dull and ankle-deep 'epic.'\nEven with its $50-million US budget, Pinocchio never quite achieves the feel of a fanciful motion picture.\nThis is a third-person story now, told by Hollywood, and much more ordinary for it.\nThe filmmakers know how to please the eye, but it is not always the prettiest pictures that tell the best story.\nWritten, flatly, by David Kendall and directed, barely, by There's Something About Mary co-writer Ed Decter.\nThe characters are interesting and the relationship between Yosuke and Saeko is worth watching as it develops, but there's not enough to the story to fill two hours.\nVery well made, but doesn't generate a lot of tension.\nLike being invited to a classy dinner soiree and not knowing anyone. You leave the same way you came -- a few tasty morsels under your belt, but no new friends.\nIt's depressing to see how far Herzog has fallen.\nThe question hanging over The Time Machine is not, as the main character suggests, 'what if?' but rather, 'How can you charge money for this?'\nMillions of dollars heaped upon a project of such vast proportions need to reap more rewards than spiffy bluescreen technique and stylish weaponry.\n``Freaky Friday,'' it's not.\nPerhaps a better celebration of these unfairly dismissed heroes would be a film that isn't this painfully forced, false and fabricated.\nAlthough no pastry is violated, this nasty comedy pokes fun at the same easy targets as other rowdy raunch-fests -- farts, boobs, unmentionables -- without much success.\nIn this film, Aussie David Caesar channels the not-quite-dead career of Guy Ritchie.\nMaybe you'll be lucky, and there'll be a power outage during your screening so you can get your money back.\nThe characterizations and dialogue lack depth or complexity, with the ironic exception of Scooter.\nThis film was made by and for those folks who collect the serial killer cards and are fascinated by the mere suggestion of serial killers. For the rest of us, sitting through Dahmer's two hours amounts to little more than punishment.\nNarc can only remind us of brilliant crime dramas without becoming one itself.\nSomewhere inside the mess that is World Traveler, there is a mediocre movie trying to get out.\nA tedious parable about honesty and good sportsmanship.\nIts strengths and weaknesses play off each other virtually to a stand-off, with the unfortunate trump card being the dreary mid-section of the film.\nAn artful yet depressing film that makes a melodramatic mountain out of the molehill of a missing bike.\nThe movie's ultimate point -- that everyone should be themselves -- is trite, but the screenwriter and director Michel Gondry restate it to the point of ridiculousness.\nA glossy knock-off of a B-movie revenge flick.\n... expands the horizons of boredom to the point of collapse, turning into a black hole of dullness, from which no interesting concept can escape.\nIt's just plain boring.\nSad nonsense, this. But not without cheesy fun factor.\nOne of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time.\nReally dumb but occasionally really funny.\nThe movie wavers between Hallmark card sentimentality and goofy, life-affirming moments straight out of a cellular phone commercial.\nThe director's many dodges and turns add up to little more than a screenful of gamesmanship that's low on both suspense and payoff.\nWhile the transgressive trappings (especially the frank sex scenes) ensure that the film is never dull, Rodrigues's beast-within metaphor is ultimately rather silly and overwrought, making the ambiguous ending seem goofy rather than provocative.\nThe satire is unfocused, while the story goes nowhere.\nThey threw loads of money at an idea that should've been so much more even if it was only made for teenage boys and wrestling fans.\nIt's mired in a shabby script that piles layer upon layer of Action Man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of (Woo's) best work.\nReyes' directorial debut has good things to offer, but ultimately it's undone by a sloppy script\nIf you're over 25, have an IQ over 90, and have a driver's license, you should be able to find better entertainment.\nThe darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and the sparse instances of humor meant to shine through the gloomy film noir veil.\n...the picture's cleverness is ironically muted by the very people who are intended to make it shine.\nNever does ``Lilo & Stitch'' reach the emotion or timelessness of Disney's great past, or even that of more recent successes such as ``Mulan'' or ``Tarzan.''\nOne of those so-so films that could have been much better.\nCrossroads feels like a teenybopper Ed Wood film, replete with the pubescent scandalous innuendo and the high-strung but flaccid drama.\nFails to satisfactorily exploit its gender politics, genre thrills or inherent humor.\nInterview With the Assassin is structured less as a documentary and more as a found relic, and as such the film has a difficult time shaking its Blair Witch Project real-time roots.\nCacoyannis' vision is far less mature, interpreting the play as a call for pity and sympathy for anachronistic phantasms haunting the imagined glory of their own pasts.\nIt has more in common with a fireworks display than a movie, which normally is expected to have characters and a storyline.\nIt appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept.\nLess a heartfelt appeal for the handicapped than a nice Belgian waffle.\nIt's not helpful to listen to extremist name-calling, regardless of whether you think Kissinger was a calculating fiend or just a slippery self-promoter.\nAbandon spends 90 minutes trying figure out whether or not some cocky pseudo-intellectual kid has intentionally left college or was killed. The only problem is that, by the end, no one in the audience or the film seems to really care.\nNo Such Thing is sort of a minimalist Beauty and the Beast, but in this case the Beast should definitely get top billing. Robert John Burke as The Monster horns in and steals the show.\nDue to stodgy, soap opera-ish dialogue, the rest of the cast comes across as stick figures reading lines from a TelePrompTer.\n(T)he film is never sure to make a clear point – even if it seeks to rely on an ambiguous presentation.\nWhile it may not add up to the sum of its parts, Holofcener's film offers just enough insight to keep it from being simpleminded, and the ensemble cast is engaging enough to keep you from shifting in your chair too often.\nAn overwrought Taiwanese soaper about three people and their mixed-up relationship.\nNobody seems to have cared much about any aspect of it, from its cheesy screenplay to the grayish quality of its lighting to its last-minute, haphazard theatrical release.\nA thoroughly awful movie--dumb, narratively chaotic, visually sloppy...a weird amalgam of 'The Thing' and a geriatric 'Scream.'\n...another example of how Sandler is losing his touch.\nNothing sticks, really, except a lingering creepiness one feels from being dragged through a sad, sordid universe of guns, drugs, avarice and damaged dreams.\nWhat goes on for the 110 minutes of ``Panic Room'' is a battle of witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals.\nThe plot's contrivances are uncomfortably strained.\nGuilty of the worst sin of attributable to a movie like this: it's not scary in the slightest.\nSchnieder bounces around with limp wrists, wearing tight tummy tops and hip huggers, twirling his hair on his finger and assuming that's enough to sustain laughs...\nIts simplicity puts an exclamation point on the fact that this isn't something to be taken seriously, but it also wrecks any chance of the movie rising above similar fare.\nBy the final whistle you're convinced that this Mean Machine was a decent TV outing that just doesn't have big screen magic.\nTo say that this vapid vehicle is downright doltish and uneventful is just as obvious as telling a country skunk that he has severe body odor.\nA film of empty, fetishistic violence in which murder is casual and fun.\nPretend it's a werewolf itself by avoiding eye contact and walking slowly away. It's fun, but it's a real howler.\nSome fine acting, but ultimately a movie with no reason for being.\nIt's difficult to feel anything much while watching this movie, beyond mild disturbance or detached pleasure at the acting.\nA waterlogged version of 'Fatal Attraction' for the teeny-bopper set...a sad, soggy potboiler that wastes the talents of its attractive young leads.\nIt tells its story in a flat manner and leaves you with the impression that you should have gotten more out of it than you did.\nSweet gentle Jesus, did the screenwriters just do a cut-and-paste of every bad action-movie line in history?\nIt's not the worst comedy of the year, but it certainly won't win any honors.\nThis is for the most part a useless movie, even with a great director at the helm.\nA loud, witless mess that has none of the charm and little of the intrigue from the TV series.\nEven on its own ludicrous terms, The Sum of All Fears generates little narrative momentum, and invites unflattering comparisons to other installments in the Ryan series.\nThough it inspires some (out-of-field) creative thought, the film is -- to its own detriment -- much more a cinematic collage than a polemical tract.\nAs predictable as the outcome of a Globetrotters-Generals game, Juwanna Mann is even more ludicrous than you'd expect from the guy-in-a-dress genre, and a personal low for everyone involved.\nSinks into the usual cafeteria goulash of fart jokes, masturbation jokes, and racist Japanese jokes.\nWhere Tom Green stages his gags as assaults on America's knee-jerk moral sanctimony, Jackass lacks aspirations of social upheaval.\nMore of an intriguing curiosity than a gripping thriller.\nThe April 2002 instalment of the American War for Independence, complete with loads of CGI and bushels of violence, but not a drop of human blood.\nContains all the substance of a Twinkie -- easy to swallow, but scarcely nourishing.\nReturn to Neverland manages to straddle the line between another classic for the company and just another run-of-the-mill Disney sequel intended for the home video market.\nRarely does a film so graceless and devoid of merit as this one come along.\nIt's a thin notion, repetitively stretched out to feature length, awash in self-consciously flashy camera effects, droning house music and flat, flat dialogue.\nOn a certain base level, Blue Crush delivers what it promises, just not well enough to recommend it.\nThe colorful Masseur wastes its time on mood rather than riding with the inherent absurdity of Ganesh's rise up the social ladder.\n... an incredibly heavy-handed, manipulative dud that feels all too familiar.\nWimps out by going for that PG-13 rating, so the more graphic violence is mostly off-screen and the sexuality is muted.\nTrapped presents a frightening and compelling 'What if?' scenario that will give most parents pause... Then, something terrible happens.\nMadonna has made herself over so often now, there's apparently nothing left to work with, sort of like Michael Jackson's nose.\nNever having seen the first two films in the series, I can't compare Friday After Next to them, but nothing would change the fact that what we have here is a load of clams left in the broiling sun for a good three days.\nThe story is lacking any real emotional impact, and the plot is both contrived and cliched.\nA depraved, incoherent, instantly disposable piece of hackery.\nIt's a bad action movie because there's no rooting interest and the spectacle is grotesque and boring.\n(Soderbergh) tends to place most of the psychological and philosophical material in italics rather than trust an audience's intelligence, and he creates an overall sense of brusqueness.\nHandsome and sincere but slightly awkward in its combination of entertainment and evangelical boosterism.\nSo aggressively cheery that Pollyana would reach for a barf bag.\nScooby-Doo doesn't know if it wants to be a retro-refitting exercise in campy recall for older fans or a silly, Nickelodeon-esque kiddie flick.\nRussell lacks the visual panache, the comic touch, and perhaps the budget of Sommers's title-bout features.\nHighly uneven and inconsistent ... Margarita Happy Hour kinda resembles the el cheapo margaritas served within.\nVery stupid and annoying.\nThe Sum of All Fears pretends to be a serious exploration of nuclear terrorism, but it's really nothing more than warmed-over Cold War paranoia.\nA listless and desultory affair.\nRepresents the depths to which the girls-behaving-badly film has fallen.\nHow inept is Serving Sara? It makes even Elizabeth Hurley seem graceless and ugly.\nJam-packed with literally bruising jokes. Every five minutes or so, someone gets clocked.\nWins my vote for 'The 2002 Enemy of Cinema' Award.\nAny Chekhov is better than no Chekhov, but it would be a shame if this was your introduction to one of the greatest plays of the last 100 years.\nHelmer Hudlin tries to make a hip comedy, but his dependence on slapstick defeats the possibility of creating a more darkly edged tome.\nLazy, miserable and smug. This is one of the biggest disappointments of the year.\nFormula 51 has dulled your senses faster and deeper than any recreational drug on the market.\nEvery visual joke is milked, every set-up obvious and lengthy, every punchline predictable. There's no energy.\nApparently writer-director Attal thought he need only cast himself and his movie-star wife sitting around in their drawers to justify a film.\nAfter the setup, the air leaks out of the movie, flattening its momentum with about an hour to go.\nThis is a poster movie, a mediocre tribute to films like Them!\nAt three hours and with very little story or character development, there is plenty of room for editing, and a much shorter cut surely would have resulted in a smoother, more focused narrative without sacrificing any of the cultural intrigue.\nA bit too derivative to stand on its own as the psychological thriller it purports to be.\nA crude teen-oriented variation on a theme that the playwright Craig Lucas explored with infinitely more grace and eloquence in his Prelude to a Kiss.\nThe film's darker moments become smoothed over by an overwhelming need to tender inspirational tidings, especially in the last few cloying moments.\nIf you recognize Zeus (the dog from Snatch) it will make you wish you were at home watching that movie instead of in the theater watching this one.\nThis is the kind of movie that you only need to watch for about thirty seconds before you say to yourself, 'Ah, yes, here we have a bad, bad, bad movie.'\nShanghai Ghetto should be applauded for finding a new angle on a tireless story, but you might want to think twice before booking passage.\nPlays like a checklist of everything Rob Reiner and his cast were sending up.\nThere's too much forced drama in this wildly uneven movie, about a young man's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present.\nIt's at once laughable and compulsively watchable, in its committed dumbness.\nAll the sensuality, all the eroticism of a good vampire tale has been, pardon the pun, sucked out and replaced by goth goofiness.\nA cross between Blow and Boyz N The Hood, this movie strives to be more, but doesn't quite get there. Good performances keep it from being a total rehash.\nThe screenplay is hugely overwritten, with tons and tons of dialogue -- most of it given to children.\nTroll the cult section of your local video store for the real deal.\nAt times, the movie looks genuinely pretty. Your nightmares, on the other hand, will be anything but. Not even Felinni would know what to make of this Italian freakshow.\nElmo touts his drug as being 51 times stronger than coke. If you're looking for a tale of Brits behaving badly, watch Snatch again. It's 51 times better than this.\nIt's difficult to conceive of anyone who has reached puberty actually finding the characters in Slackers or their antics amusing, let alone funny.\nDespite its promising cast of characters, Big Trouble remains a loosely tied series of vignettes which only prove that 'zany' doesn't necessarily mean 'funny.'\nBoth shrill and soporific, and because everything is repeated five or six times, it can seem tiresomely simpleminded.\nDoes not go far enough in its humor or stock ideas to stand out as particularly memorable or even all that funny.\nNeither revelatory nor truly edgy--merely crassly flamboyant and comedically labored.\nJust about everyone involved here seems to be coasting. There are a few modest laughs, but certainly no thrills.\nFails so fundamentally on every conventional level that it achieves some kind of goofy grandeur.\nThere's a persistent theatrical sentiment and a woozy quality to the manner of the storytelling, which undercuts the devastatingly telling impact of utter loss personified in the film's simple title.\nWhile Howard's appreciation of Brown and his writing is clearly well-meaning and sincere, the movie would be impossible to sit through were it not for the supporting cast.\nA preposterous, prurient whodunit.\nGo, girls, right down the reality drain.\nBoasting some of the most poorly staged and lit action in memory, Impostor is as close as you can get to an imitation movie.\nCan be classified as one of those 'alternate reality' movies... except that it would have worked so much better dealing in only one reality.\nPredictable and cloying, though Brown Sugar is so earnest in its yearning for the days before rap went nihilistic that it summons more spirit and bite than your average formulaic romantic quadrangle.\n...unlikable, uninteresting, unfunny, and completely, utterly inept.\nThe film is so busy making reference to other films and trying to be other films that it fails to have a heart, mind or humor of its own.\nAn imponderably stilted and self-consciously arty movie.\nMuddled, melodramatic paranormal romance is an all-time low for Kevin Costner.\nToo clumsy in key moments ... to make a big splash.\nJust a bunch of good actors flailing around in a caper that's neither original nor terribly funny.\n`Matrix'-style massacres erupt throughout...but the movie has a tougher time balancing its violence with Kafka-inspired philosophy.\nAt least it's a fairly impressive debut from the director, Charles Stone III.\nIt all unfolds predictably, and the adventures that happen along the way seem repetitive and designed to fill time, providing no real sense of suspense.\nWanker Goths are on the loose! Run for your lives!\nWhy would anyone cast the magnificent Jackie Chan in a movie full of stunt doubles and special effects?\nA grating, emaciated flick.\nUnambitious writing emerges in the movie, using a plot that could have come from an animated-movie screenwriting textbook.\nPresents a good case while failing to provide a reason for us to care beyond the very basic dictums of human decency.\nWe have poignancy jostling against farce, thoughtful dialogue elbowed aside by one-liners, and a visual style that incorporates rotoscope animation for no apparent reason except, maybe, that it looks neat.\nAccording to the script, Grant and Bullock's characters are made for each other. But you'd never guess that from the performances.\nThe animation merely serves up a predictable, maudlin story that swipes heavily from Bambi and The Lion King, yet lacks the emotional resonance of either of those movies.\nArarat feels like a book report\nSteve Oedekerk is, alas, no Woody Allen.\nA lot like the imaginary sport it projects onto the screen -- loud, violent and mindless.\nAn amalgam of The Fugitive, Blade Runner, and Total Recall, only without much energy or tension.\nThe acting is amateurish, the cinematography is atrocious, the direction is clumsy, the writing is insipid and the violence is at once luridly graphic and laughably unconvincing.\nShows that Jackie Chan is getting older, and that's something I would rather live in denial about\nWith miscast leads, banal dialogue and an absurdly overblown climax, Killing Me Softly belongs firmly in the so-bad-it's-good camp.\nAlas, the black-and-white archival footage of their act showcases pretty mediocre shtick.\nThe slapstick is labored, and the bigger setpieces flat.\nThis is the kind of movie where people who have never picked a lock do so easily after a few tries and become expert fighters after a few weeks.\nThe problem with the mayhem in Formula 51 is not that it's offensive, but that it's boring.\nMuch of the digitally altered footage appears jagged, as if filmed directly from a television monitor, while the extensive use of stock footage quickly becomes a tiresome cliché.\nthe film never rises above a conventional, two dimension tale\nMark Wahlberg...may look classy in a '60s-homage pokepie hat, but as a character he's dry, dry, dry.\nTold in scattered fashion, the movie only intermittently lives up to the stories and faces and music of the men who are its subject.\nThe irony is that this film's cast is uniformly superb; their performances could have -- should have -- been allowed to stand on their own.\nNow I can see why people thought I was too hard on ``The Mothman Prophecies''.\nIf ever a concept came handed down from the movie gods on a silver platter, this is it. If ever such a dependable concept was botched in execution, this is it.\nWith an unusual protagonist (a kilt-wearing Jackson) and subject matter, the improbable ``Formula 51'' is somewhat entertaining, but it could have been much stronger.\nSandra Bullock's best dramatic performance to date (is) almost enough to lift (this) thrill-kill cat-and-mouser...above its paint-by-numbers plot.\nA feel-good movie that doesn't give you enough to feel good about.\nAdolescents will be adequately served by the movie's sophomoric blend of shenanigans and slapstick, although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a 'topless tutorial service.'\nThis mistaken-identity picture is so film-culture referential that the final product is a ghost.\nThe picture emerges as a surprisingly anemic disappointment.\nDe Niro cries. You'll cry for your money back.\nSlap me, I saw this movie.\n(The kid's) just too bratty for sympathy, and as the film grows to its finale, his little changes ring hollow.\nBehind the glitz, Hollywood is sordid and disgusting. Quelle surprise!\nScherfig, who has had a successful career in TV, tackles more than she can handle.\nJust consider what New Best Friend does not have, beginning with the minor omission of a screenplay.\nOscar caliber cast doesn't live up to material\nThe problems of the people in Love in the Time of Money are hardly specific to their era. They just have problems, which are neither original nor are presented in convincing way.\nCarrying this wafer-thin movie on his nimble shoulders, Chan wades through putrid writing, direction and timing with a smile that says, 'If I stay positive, maybe I can channel one of my greatest pictures, Drunken Master.'\nSo putrid it is not worth the price of the match that should be used to burn every print of the film.\nIn the end, the movie bogs down in insignificance, saying nothing about Kennedy's assassination and revealing nothing about the pathology it pretends to investigate.\nStarts out ballsy and stylish but fails to keep it up and settles into clichés.\nSometimes makes less sense than the Bruckheimeresque American action flicks it emulates.\nOne of those films where the characters inhabit that special annex of hell where adults behave like kids, children behave like adults and everyone screams at the top of their lungs no matter what the situation.\nThere's only one way to kill Michael Myers for good: stop buying tickets to these movies.\n'Rare Birds' tries to force its quirkiness upon the audience.\nThe movie is about as humorous as watching your favorite pet get buried alive.\nResident Evil is what comes from taking John Carpenter's Ghosts of Mars and eliminating the beheadings. In other words, about as bad a film you're likely to see all year.\nFive screenwriters are credited with the cliché-laden screenplay; it seems as if each watered down the version of the one before.\nThe whole thing comes off like a particularly amateurish episode of Bewitched that takes place during Spring Break.\nWell made but uninvolving, Bloodwork isn't a terrible movie, just a stultifyingly obvious one -- an unrewarding collar for a murder mystery.\nSo we got Ten Little Indians meets Friday the 13th by way of Clean and Sober, filmed on the set of Carpenter's The Thing and loaded with actors you're most likely to find on the next inevitable incarnation of The Love Boat.\nThe movie's blatant derivativeness is one reason it's so lackluster.\nKids don't mind crappy movies as much as adults, provided there's lots of cute animals and clumsy people. 'Snow Dogs' has both.\nIt's almost as if it's an elaborate dare more than a full-blooded film.\nWobbly Senegalese updating of ``Carmen'' which is best for the stunning star turn by Djeinaba Diop Gai\nIt's the humanizing stuff that will probably sink the film for anyone who doesn't think about percentages all day long.\nKen Russell would love this. In one scene, we get a stab at soccer hooliganism, a double-barreled rip-off of Quentin Tarantino's climactic shootout -- and Meat Loaf explodes.\nBella is the picture of health with boundless energy until a few days before she dies. This is absolutely and completely ridiculous and an insult to every family whose mother has suffered through the horrible pains of a death by cancer.\nThe premise of ``Abandon'' holds promise,... but its delivery is a complete mess.\nWhat could have been a pointed little chiller about the frightening seductiveness of new technology loses faith in its own viability and succumbs to joyless special-effects excess.\nA little too ponderous to work as shallow entertainment, not remotely incisive enough to qualify as drama, Monsoon Wedding serves mostly to whet one's appetite for the Bollywood films.\nUnless Bob Crane is someone of particular interest to you, this film's impressive performances and adept direction aren't likely to leave a lasting impression.\nThe Rock has a great presence but one battle after another is not the same as one battle followed by killer CGI effects.\nThe bottom line with Nemesis is the same as it has been with all the films in the series: Fans will undoubtedly enjoy it, and the uncommitted needn't waste their time on it.\nThe lousy John Q all but spits out Denzel Washington's fine performance in the title role.\nThe whole thing feels like a ruse, a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or, worse yet, nonexistent -- ideas.\nWhat a stiflingly unfunny and unoriginal mess this is!\nThe film is so packed with subplots involving the various Silbersteins that it feels more like the pilot episode of a TV series than a feature film.\nOpera on film is never satisfactory. The art demands live viewing. The innate theatrics that provide its thrills and extreme emotions lose their luster when flattened onscreen.\nDespite all the closed-door hanky-panky, the film is essentially juiceless.\nIt is parochial, accessible to a chosen few, standoffish to everyone else, and smugly suggests a superior moral tone is more important than filmmaking skill\nThe Sweetest Thing leaves an awful sour taste.\nIt's lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay.\nTerminally bland, painfully slow and needlessly confusing ... The movie, shot on digital videotape rather than film, is frequently indecipherable.\nAs dumb and cheesy as they may be, the cartoons look almost Shakespearean -- both in depth and breadth -- after watching this digital-effects-heavy, supposed family-friendly comedy.\nAloof and lacks any real raw emotion, which is fatal for a film that relies on personal relationships.\nA low-rent retread of the Alien pictures.\nServiceable at best, slightly less than serviceable at worst.\nIts initial excitement settles into a warmed over pastiche.\nA big meal of cliches that the talented cast generally chokes on.\nThe story has little wit and no surprises.\nThe Merchant-Ivory team continues to systematically destroy everything we hold dear about cinema, only now it's begun to split up so that it can do even more damage.\nWhat should have been a cutting Hollywood satire is instead about as fresh as last week's issue of Variety.\nHey everybody, wanna watch a movie in which a guy dressed as a children's party clown gets violently gang-raped? I didn't think so.\nA little more intensity and a little less charm would have saved this film a world of hurt.\n(T)his slop doesn't even have potential as a cult film, as it's too loud to shout insults at the screen.\nThe movie's plot is almost entirely witless and inane, carrying every gag two or three times beyond its limit to sustain a laugh.\n...may work as an addictive guilty pleasure but the material never overcomes its questionable satirical ambivalence. This Scarlet's letter is A...as in aimless, arduous, and arbitrary.\nPlays like a glossy melodrama that occasionally verges on camp.\nThe central character isn't complex enough to hold our interest.\nA modestly comic, modestly action-oriented World War II adventure that, in terms of authenticity, is one of those films that requires the enemy to never shoot straight.\nA puppy dog so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks.\nJust about all of the film is confusing on one level or another, making Ararat far more demanding than it needs to be.\nA little less extreme than in the past, with longer exposition sequences between them, and with fewer gags to break the tedium.\nThere's a heavy stench of 'been there, done that' hanging over the film. It's everything you'd expect -- but nothing more.\nThe biggest problem with Satin Rouge is Lilia herself. She's a cipher, played by an actress who smiles and frowns but doesn't reveal an inner life.\nA quaint, romanticized rendering.\nWhat with the incessant lounge music playing in the film's background, you may mistake Love Liza for an Adam Sandler Chanukah song.\nThe movie's heavy-handed screenplay navigates a fast fade into pomposity and pretentiousness.\nA potentially good comic premise and excellent cast are terribly wasted.\nWoody Allen used to ridicule movies like Hollywood Ending. Now he makes them.\nShe's not yet an actress, not quite a singer...\nNot a bad premise, but the execution is lackluster at best.\nBeen there done that.\nThere is only so much baked cardboard I need to chew.\nA movie like The Guys is why film criticism can be considered work.\nSchnitzler's film has a great hook, some clever bits and well-drawn, if standard issue, characters, but is still only partly satisfying.\nEven if it made its original release date last fall, it would've reeked of a been-there, done-that sameness.\nOnly two-fifths of a satisfying movie experience.\nA loud, ugly, irritating movie without any of its satirical salvos hitting a discernible target.\nA movie version of a paint-by-numbers picture. We can tell what it is supposed to be, but can't really call it a work of art.\nIt's a brilliant, honest performance by Nicholson, but the film is an agonizing bore except when the fantastic Kathy Bates turns up. Bravado Kathy!\n...Liotta is put in an impossible spot because his character's deceptions ultimately undo him and the believability of the entire scenario. Too bad.\nYou can thank me for this. I saw Juwanna Mann so you don't have to.\nUnfunny and lacking any sense of commitment to or affection for its characters, the Reginald Hudlin comedy relies on toilet humor, ethnic slurs.\nBasically, it's pretty but dumb.\nThis romantic/comedy asks the question how much souvlaki can you take before indigestion sets in.\nSquandering his opportunity to make absurdist observations, Burns gets caught up in the rush of slapstick thoroughfare.\nThere's a neat twist, subtly rendered, that could have wrapped things up at 80 minutes, but Kang tacks on three or four more endings.\nReeboir varies between a sweet smile and an angry bark, while Said attempts to wear down possible pupils through repetition. It has no affect on the Kurds, but it wore me down.\nThe actors improvise and scream their way around this movie directionless, lacking any of the rollicking dark humor so necessary to make this kind of idea work on screen.\nCo-writer/director Jonathan Parker's attempts to fashion a Brazil-like, hyper-real satire fall dreadfully short.\nIf this silly little cartoon can inspire a few kids not to grow up to be greedy bastards, more power to it.\nA superfluous sequel...plagued by that old familiar feeling of 'let's get this thing over with': Everyone has shown up at the appointed time and place, but visible enthusiasm is mighty hard to find.\nIf there's a heaven for bad movies, Deuces Wild is on its way.\nComes off like a bad imitation of the Bard.\nWhat's missing in Murder by Numbers is any real psychological grounding for the teens' deviant behaviour. Being latently gay and liking to read are hardly enough.\nAn uninspired preachy and clichéd war film.\nHorrendously amateurish filmmaking that is plainly dull and visually ugly when it isn't incomprehensible.\nA movie that harps on media-constructed 'issues' like whether compromise is the death of self... this Orgasm (won't be an) exceedingly memorable one for most people.\nSlackers' jokey approach to college education is disappointingly simplistic -- the film's biggest problem -- and there are no unforgettably stupid stunts or uproariously rude lines of dialogue to remember it by.\nIf Festival in Cannes nails hard- boiled Hollywood argot with a bracingly nasty accuracy, much about the film, including some of its casting, is frustratingly unconvincing.\nThe movie is too impressed with its own solemn insights to work up much entertainment value.\nI haven't seen such self-amused trash since Freddy Got Fingered.\nLittle more than a well-mounted history lesson.\nRob Schneider's infantile cross-dressing routines fill The Hot Chick, the latest gimmick from this unimaginative comedian.\nA horrible, 99-minute stink bomb.\nThe film is weighed down by supporting characters who are either too goodly, wise and knowing or downright comically evil.\nThe film is so bad it doesn't improve upon the experience of staring at a blank screen.\nSheridan's take on the author's schoolboy memoir ... is a rather toothless take on a hard young life.\nIt jumps around with little logic or continuity, presenting backstage bytes of information that never amount to a satisfying complete picture of this particular, anciently demanding métier.\nHow I Killed My Father is one of those art house films that makes you feel like you're watching an iceberg melt -- only it never melts.\nWhen it comes to the battle of Hollywood vs. Woo, it looks like Woo's a P.O.W.\nThere are a few chuckles, but not a single gag sequence that really scores, and the stars seem to be in two different movies.\nThe Chateau has one very funny joke and a few other decent ones, but all it amounts to is a mildly funny, sometimes tedious, ultimately insignificant film.\nIt's dull, spiritless, silly and monotonous: an ultra-loud blast of pointless mayhem, going nowhere fast.\nThe mushy finale turns John Q into a movie-of-the-week tearjerker.\nContent merely to lionize its title character and exploit his anger - all for easy sanctimony, formulaic thrills and a ham-fisted sermon on the need for national health insurance.\nThe movie turns out to be (Assayas') homage to the Gallic 'tradition of quality,' in all its fusty squareness.\nIts message has merit and, in the hands of a brutally honest individual like Prophet Jack, might have made a point or two regarding life.\n(Seems) even more uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels.\nIt's hard to imagine that even very small children will be impressed by this tired retread.\nNeither as scary-funny as Tremors nor demented-funny as Starship Troopers, the movie isn't tough to take as long as you've paid a matinee price.\nIf swimfan does catch on, it may be because teens are looking for something to make them laugh.\nWhat might've been an exhilarating exploration of an odd love triangle becomes a sprawl of uncoordinated vectors.\nThe Master of Disguise may have made a great Saturday Night Live sketch, but a great movie it is not.\nIt's quite an achievement to set and shoot a movie at the Cannes Film Festival and yet fail to capture its visual appeal or its atmosphere.\nBoll uses a lot of quick cutting and blurry step-printing to goose things up, but dopey dialogue and sometimes inadequate performances kill the effect.\nIt's always disappointing when a documentary fails to live up to -- or offer any new insight into -- its chosen topic. Unfortunately, that's precisely what Arthur Dong's Family Fundamentals does.\nHas the marks of a septuagenarian; it's a crusty treatment of a clever gimmick.\nLike a medium-grade network sitcom--mostly inoffensive, fitfully amusing, but ultimately so weightless that a decent draft in the auditorium might blow it off the screen.\nSomething must have been lost in the translation.\nBecomes the last thing you would expect from a film with this title or indeed from any Plympton film: boring.\nIn the end, the film feels homogenized and a bit contrived, as if we're looking back at a tattered and ugly past with rose-tinted glasses.\nChan's stunts are limited and so embellished by editing that there's really not much of a sense of action or even action-comedy.\nRock's stand-up magic wanes. Hopkins, squarely fills the screen. Action - mechanical.\n``The Tuxedo'' should have been the vehicle for Chan that ``The Mask'' was for Jim Carrey. Alas, it's the man that makes the clothes.\nFor casual moviegoers who stumble into Rules expecting a slice of American Pie hijinks starring the kid from Dawson's Creek, they'll probably run out screaming.\nThe biggest problem I have (other than the very sluggish pace) is we never really see her Esther blossom as an actress, even though her talent is supposed to be growing.\nWhat puzzles me is the lack of emphasis on music in Britney Spears' first movie.\nPlot, characters, drama, emotions, ideas -- all are irrelevant to the experience of seeing The Scorpion King.\nCity by the Sea is a gritty police thriller with all the dysfunctional family dynamics one could wish for. But how it washed out despite all of that is the project's prime mystery.\nWhatever the movie's sentimental, hypocritical lessons about sexism, its true colors come out in various wet T-shirt and shower scenes.\nAs a hybrid teen thriller and murder mystery, Murder by Numbers fits the profile too closely.\nThere ain't a lot more painful than an unfunny movie that thinks it's hilarious.\nI enjoyed the movie in a superficial way, while never sure what its purpose was.\nWhat a pity ... that the material is so second-rate.\nDoesn't deliver a great story, nor is the action as gripping as in past Seagal films.\nThe kind of film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly executed idea.\nNicks refuses to let Slackers be seen as just another teen movie, which means he can be forgiven for frequently pandering to fans of the gross-out comedy.\nNothing about the film -- with the possible exception of Elizabeth Hurley's breasts -- is authentic.\nAmid the cliché and foreshadowing, Cage manages a degree of casual realism ... that is routinely dynamited by Blethyn.\nMostly, Shafer and co-writer Gregory Hinton lack a strong-minded viewpoint, or a sense of humor.\nNo cliche escapes the perfervid treatment of gang warfare called ces Wild.\nEddie Murphy and Owen Wilson have a cute partnership in I Spy, but the movie around them is so often nearly nothing that their charm doesn't do a load of good.\nStrictly a 'guy's film' in the worst sense of the expression.\nThere's some good material in their story about a retail clerk wanting more out of life, but the movie too often spins its wheels with familiar situations and repetitive scenes.\nIt's a lot to ask people to sit still for two hours and change watching such a character, especially when rendered in as flat and impassive a manner as Phoenix's.\nThere's something fishy about a seasonal holiday kids' movie ... that derives its moment of most convincing emotional gravity from a scene where Santa gives gifts to grownups.\nWe're left with a story that tries to grab us, only to keep letting go at all the wrong moments.\nLike many such biographical melodramas, it suffers from the awkwardness that results from adhering to the messiness of true stories.\nThere is nothing redeeming about this movie.\nThe film has (its) moments, but they are few and far between.\nI was trying to decide what annoyed me most about God is Great... I'm Not, and then I realized that I just didn't care.\nDerailed by bad writing and possibly also by some of that extensive post-production reworking to aim the film at young males in the throes of their first full flush of testosterone.\nDeserves high marks for political courage but barely gets by on its artistic merits.\n... comes alive only when it switches gears to the sentimental.\nBrosnan's finest non-Bondish performance yet fails to overcome the film's manipulative sentimentality and annoying stereotypes.\nA film that will be best appreciated by those willing to endure its extremely languorous rhythms, Waiting for Happiness is ultimately thoughtful without having much dramatic impact.\nTo me, it sounds like a cruel deception carried out by men of marginal intelligence, with reactionary ideas about women and a total lack of empathy.\nTsai may be ploughing the same furrow once too often.\nFlashy gadgets and whirling fight sequences may look cool, but they can't distract from the flawed support structure holding Equilibrium up.\nZigZag might have been richer and more observant if it were less densely plotted.\nHow can such a cold movie claim to express warmth and longing? In truth, it has all the heart of a porno flick (but none of the sheer lust).\nNicks and Steinberg match their own creations for pure venality -- that's giving it the old college try.\nEpisode II-- Attack of the Clones is a technological exercise that lacks juice and delight.\nThe problem with all of this: It's not really funny.\n(Denis') bare-bones narrative more closely resembles an outline for a '70s exploitation picture than the finished product.\nWanders all over the map thematically and stylistically, and borrows heavily from Lynch, Jeunet, and von Trier while failing to find a spark of its own.\nViewing this underdramatized but overstated film is like watching a transcript of a therapy session brought to humdrum life by some Freudian puppet.\nOverall tomfoolery like this is a matter of taste.\nThe mantra behind the project seems to have been 'it's just a kids' flick.' Translation: 'We don't need to try very hard.'\nIn all the annals of the movies, few films have been this odd, inexplicable and unpleasant.\nIt takes a really long, slow and dreary time to dope out what TUCK EVERLASTING is about. So here it is: It's about a family of sour immortals.\nan essentially awkward version of the lightweight female empowerment picture we've been watching for decades\nThe author's devotees will probably find it fascinating; others may find it baffling.\nWriter-director Walter Hill and co-writer David Giler try to create characters out of the obvious cliches, but wind up using them as punching bags.\nThere's a scientific law to be discerned here that producers would be well to heed: Mediocre movies start to drag as soon as the action speeds up; when the explosions start, they fall to pieces.\nA cockeyed shot all the way.\nLush and beautifully photographed (somebody suggested the stills might make a nice coffee table book), but ultimately you'll leave the theater wondering why these people mattered.\nUnfortunately, One Hour Photo lives down to its title. Thanks largely to Williams, all the interesting developments are processed in 60 minutes -- the rest is just an overexposed waste of film.\nCold, Sterile And Lacking Any Color Or Warmth.\nThe film is undone by anachronistic quick edits and occasional jarring glimpses of a modern theater audience watching the events unfold.\nSeems like someone going through the motions.\nFor a film about explosions and death and spies, ``Ballistic: Ecks vs. Sever'' seems as safe as a children's film. Well, in some of those, the mother deer even dies.\nWallace gets a bit heavy handed with his message at times, and has a visual flair that waxes poetic far too much for our taste.\nImpostor doesn't do much with its template, despite a remarkably strong cast.\nWraps itself in the guise of a dark and quirky comedy, but it isn't as quirky as it thinks it is and its comedy is generally mean-spirited.\nChoppy, overlong documentary about 'The Lifestyle.'\nOne sloughs one's way through the mire of this alleged psychological thriller in search of purpose or even a plot.\nA film which presses familiar Herzog tropes into the service of a limpid and conventional historical fiction, when really what we demand of the director is to be mesmerised.\nIt's a fanboy 'what if?' brought to life on the big screen.\nThe story itself is actually quite vapid.\nIt's a hellish, numbing experience to watch, and it doesn't offer any insights that haven't been thoroughly debated in the media already, back in the Dahmer heyday of the mid-'90s.\nWait for pay per view or rental but don't dismiss BarberShop out of hand.\nA few zingers aside, the writing is indifferent, and Jordan Brady's direction is prosaic.\nEach scene drags, underscoring the obvious, and sentiment is slathered on top.\nWould've been nice if the screenwriters had trusted audiences to understand a complex story, and left off the film's predictable denouement. Then Nadia's birthday might not have been such a bad day after all.\nOne of those staggeringly well-produced, joylessly extravagant pictures that keep whooshing you from one visual marvel to the next, hastily, emptily.\nNair just doesn't have the necessary self-control to guide a loose, poorly structured film through the pitfalls of incoherence and redundancy.\nEnthusiastically taking up the current teen movie concern with bodily functions, Walt Becker's film pushes all the demographically appropriate comic buttons.\nIt's the funniest American comedy since Graffiti Bridge.\nThat neither protagonist has a distinguishable condition hardly matters because both are just actory concoctions, defined by childlike dimness and a handful of quirks.\nWhat starts off as a possible Argentine American Beauty reeks like a room stacked with pungent flowers.\nThe project's filmmakers forgot to include anything even halfway scary as they poorly rejigger Fatal Attraction into a high school setting.\nIn old-fashioned screenwriting parlance, Ms. Shreve's novel proved too difficult a text to 'lick,' despite the efforts of a first-rate cast.\nSolondz may well be the only one laughing at his own joke\nStitch is a bad mannered, ugly and destructive little ****. No cute factor here.... Not that I mind ugly; the problem is he has no character, loveable or otherwise.\nDeep down, I realized the harsh reality of my situation: I would leave the theater with a lower I.Q. than when I had entered.\nA really funny fifteen-minute short stretched beyond its limits to fill an almost feature-length film.\nAside from the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor Stephen Rea, the film gets added disdain for the fact that it is nearly impossible to look at or understand.\nIt is bad, but certainly not without merit as entertainment.\nFor its 100 minutes running time, you'll wait in vain for a movie to happen.\nA work that lacks both a purpose and a strong pulse.\nA faster paced family flick. Upper Teens may get cynical. Smaller numbered kidlets will enjoy.\nWhile this film has an 'A' list cast and some strong supporting players, the tale -- like its central figure, Vivi -- is just a little bit hard to love.\nIt's a road-trip drama with too many wrong turns.\nMost fish stories are a little peculiar, but this is one that should be thrown back in the river.\nIt's all gratuitous before long, as if Schwentke were fulfilling a gross-out quota for an anticipated audience demographic instead of shaping the material to fit the story.\n``I blame all men for war,'' (the warden's daughter) tells her father. The movie is about as deep as that sentiment.\nIt's fitfully funny but never really takes off.\nI've seen some bad singer-turned actors, but Lil Bow Wow takes the cake.\nBy halfway through this picture I was beginning to hate it, and, of course, feeling guilty for it.... Then, miracle of miracles, the movie does a flip-flop.\nFor all the complications, it's all surprisingly predictable.\nIt's been 20 years since 48 Hrs. made Eddie Murphy a movie star and the man hasn't aged a day. But his showboating wise-cracker stock persona sure is getting old.\nIf Deuces Wild had been tweaked up a notch it would have become a camp adventure, one of those movies that's so bad it starts to become good. But it wasn't.\nFor a film about action, Ultimate X is the gabbiest giant-screen movie ever, bogging down in a barrage of hype.\n...a low rate Annie featuring some kid who can't act, only echoes of Jordan, and weirdo actor Crispin Glover screwing things up old school.\nIt might not be 1970s animation, but everything else about it is straight from the Saturday morning cartoons – a retread story, bad writing, and the same old silliness.\nThe picture seems uncertain whether it wants to be an acidic all-male All About Eve or a lush, swooning melodrama in the Intermezzo strain.\nA nearly 21/2 hours, the film is way too indulgent.\nGorgeous to look at but insufferably tedious and turgid...a curiously constricted epic.\nIt looks much more like a cartoon in the end than The Simpsons ever has.\nWith a tighter editorial process and firmer direction this material could work, especially since the actresses in the lead roles are all more than competent, but as is, Personal Velocity seems to be idling in neutral.\nDoesn't really add up to much.\nIt's better suited for the history or biography channel, but there's no arguing the tone of the movie - it leaves a bad taste in your mouth and questions on your mind.\nAn entertainment so in love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots.\nA prolonged extrusion of psychopathic pulp.\nBorrows from other movies like it in the most ordinary and obvious fashion.\nIt's surprisingly bland despite the heavy doses of weird performances and direction.\nA chilly, remote, emotionally distant piece...so dull that its tagline should be: 'In space, no one can hear you snore.'\nThe characters seem one-dimensional, and the film is superficial and will probably be of interest primarily to its target audience.\nSorvino makes the princess seem smug and cartoonish, and the film only really comes alive when poor Hermocrates and Leontine pathetically compare notes about their budding amours.\nIt's like a drive-by. You can drive right by it without noticing anything special, save for a few comic turns, intended and otherwise.\nEverything -- even life on an aircraft carrier -- is sentimentalized.\nThis would-be 'James Bond for the Extreme Generation' pic is one big, dumb action movie. Stress 'dumb.'\nThe movie has generic virtues, and despite a lot of involved talent, seems done by the numbers.\nWhen your subject is illusion versus reality, shouldn't the reality seem at least passably real?\nIt's a terrible movie in every regard, and utterly painful to watch.\nThis is rote spookiness, with nary an original idea (or role, or edit, or score, or anything, really) in sight, and the whole of the proceedings beg the question 'Why?'\nA fan film that for the uninitiated plays better on video with the sound turned down.\nToo infuriatingly quirky and taken with its own style.\nThere's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale.\nAs much as I laughed throughout the movie, I cannot mount a cogent defense of the film as entertainment, or even performance art, although the movie does leave you marveling at these guys' superhuman capacity to withstand pain.\nThe type of dumbed-down exercise in stereotypes that gives the (teen comedy) genre a bad name.\nDistinctly sub-par...more likely to drown a viewer in boredom than to send any shivers down his spine.\nPlays like a bad blend of an overripe episode of TV's Dawson's Creek and a recycled and dumbed-down version of Love Story.\nUnless you come in to the film with a skateboard under your arm, you're going to feel like you weren't invited to the party.\nWhen the casting call for this movie went out, it must have read 'seeking anyone with acting ambition but no sense of pride or shame.'\nJust isn't as weird as it ought to be.\nA ``Home Alone'' film that is staged like ``Rosemary's Baby,'' but is not as well-conceived as either of those films.\n(Siegel) and co-writers Lisa Bazadona and Grace Woodard have relied too much on convention in creating the characters who surround Frankie.\nNo film could possibly be more contemptuous of the single female population.\n`Hey Arnold!' has some visual wit ... but little imagination elsewhere.\nThey're going through the motions, but the zip is gone.\nA sluggish pace and lack of genuine narrative hem the movie in every bit as much as life hems in the spirits of these young women.\nA low-budget affair, Tadpole was shot on digital video, and the images often look smeary and blurry, to the point of distraction. Then again, in a better movie, you might not have noticed.\nIt's mindless junk like this that makes you appreciate original romantic comedies like Punch-Drunk Love.\nThe movie is like a year late for tapping into our reality tv obsession, and even tardier for exploiting the novelty of the ``webcast.''\ntale will be all too familiar for anyone who's seen George Roy Hill's 1973 film, ``The Sting.''\nGets the look and the period trappings right, but it otherwise drowns in a sea of visual and verbal clichés.\nIt's hard to quibble with a flick boasting this many genuine cackles, but Notorious C.H.O. still feels like a promising work-in-progress.\nAnyone who wants to start writing screenplays can just follow the same blueprint from hundreds of other films, sell it to the highest bidder and walk away without anyone truly knowing your identity.\nThe problem with The Bread, My Sweet is that it's far too sentimental.\nA late-night cable sexploitation romp masquerading as a thriller about the ruthless social order that governs college cliques.\nFalls short in explaining the music and its roots.\nNever inspires more than an interested detachment.\nWhat might have emerged as hilarious lunacy in the hands of Woody Allen or Mel Brooks (at least during their '70s heyday) comes across as lame and sophomoric in this debut indie feature.\nDespite slick production values and director Roger Michell's tick-tock pacing, the final effect is like having two guys yelling in your face for two hours.\nPretty much sucks, but has a funny moment or two.\nThey do a good job of painting this family dynamic for the audience but they tried to squeeze too many elements into the film.\nA supernatural mystery that doesn't know whether it wants to be a suspenseful horror movie or a weepy melodrama. It ends up being neither, and fails at both endeavors.\nTwo badly interlocked stories drowned by all too clever complexity.\nIt is so earnest, so overwrought and so wildly implausible that it begs to be parodied.\nThese are textbook lives of quiet desperation.\nSwimfan, like Fatal Attraction, eventually goes overboard with a loony melodramatic denouement in which a high school swimming pool substitutes for a bathtub.\nClaims to sort the bad guys from the good, which is its essential problem.\nPurposefully shocking in its eroticized gore, if unintentionally dull in its lack of poetic frissons.\nFeels like pieces a bunch of other, better movies slapped together.\nAlmost everything about the film is unsettling, from the preposterous hairpiece worn by Lai's villainous father to the endless action sequences.\nWriter-director Randall Wallace has bitten off more than he or anyone else could chew, and his movie veers like a drunken driver through heavy traffic.\nIt follows the Blair Witch formula for an hour, in which we're told something creepy and vague is in the works, and then it goes awry in the final 30 minutes.\nOne can't shake the feeling that Crossroads is nothing more than an hour-and-a-half-long commercial for Britney's latest album.\nPhoned-in business as usual.\nThere's an epic here, but you have to put it together yourself.\nWhat little atmosphere is generated by the shadowy lighting, macabre sets, and endless rain is offset by the sheer ugliness of everything else.\nDirector-chef Gabriele Muccino keeps it fast -- zippy, comin' at ya -- as if fearing that his film is molto superficiale.\nTartakovsky's team has some freakish powers of visual charm, but the five writers slip into the modern rut of narrative banality.\nThe most horrific movie experience I've had since ``Can't Stop The Music.'' It may as well be called ``Jar-Jar Binks: The Movie.'' It's that painful.\nGod is great, the movie's not.\nLike a three-ring circus, there are side stories aplenty -- none of them memorable.\nWhen in doubt, the film ratchets up the stirring soundtrack, throws in a fish-out-of-water gag and lets the cliched dialogue rip. Or else a doggie winks.\nA 'Girls Gone Wild' video for the boho art-house crowd, The Burning Sensation isn't a definitive counter-cultural document -- its makers aren't removed and inquisitive enough for that.\nAs original and insightful as last week's episode of Behind the Music.\nPlays like John Le Carré with a couple of burnt-out cylinders.\nYou may be galled that you've wasted nearly two hours of your own precious life with this silly little puddle of a movie.\nIt's neither as sappy as Big Daddy nor as anarchic as Happy Gilmore or The Waterboy, but it has its moments.\nDespite the surface attractions -- Conrad L. Hall's cinematography will likely be nominated for an Oscar next year -- there's something impressive and yet lacking about everything.\nA smug and convoluted action-comedy that doesn't allow an earnest moment to pass without reminding audiences that it's only a movie.\n(Crystal and De Niro) manage to squeeze out some good laughs but not enough to make this silly con job sing.\nWorthless, from its pseudo-rock-video opening to the idiocy of its last frames.\nThe Christ allegory doesn't work because there is no foundation for it\nGo for La Salle's performance, and make do as best you can with a stuttering script.\nIt's hard to care about a film that proposes as epic tragedy the plight of a callow rich boy who is forced to choose between his beautiful, self-satisfied 22-year-old girlfriend and an equally beautiful, self-satisfied 18-year-old mistress.\nTries too hard to be funny in a way that's too loud, too goofy and too short of an attention span.\nI didn't find much fascination in the swinging. What they're doing is a matter of plumbing arrangements and mind games, of no erotic or sensuous charge. But that they are doing it is thought-provoking.\nThe acting is just fine, but there's not enough substance here to sustain interest for the full 90 minutes, especially with the weak payoff.\nAfter Collateral Damage, you might imagine that most every aggrieved father cliché has been unturned. But no.\nUltimately the, yes, snail-like pacing and lack of thematic resonance make the film more silly than scary, like some sort of Martha Stewart decorating program run amok.\nReleasing a film with the word 'dog' in its title in January lends itself to easy jokes and insults, and Snow Dogs deserves every single one of them.\nTedious Norwegian offering which somehow snagged an Oscar nomination.\nIt was a dark and stormy night...\nA dark-as-pitch comedy that frequently veers into corny sentimentality, probably would not improve much after a therapeutic zap of shock treatment.\nThis sort of cute and cloying material is far from Zhang's forte and it shows.\nBray is completely at sea; with nothing but a Savage Garden music video on his resume, he has no clue about making a movie.\nFreundlich's made (Crudup) a suburban architect, and a cipher.\na huge disappointment coming, as it does, from filmmakers and performers of this calibre\nThough it pretends to expose the life of male hustlers, it's exploitive without being insightful.\nAimed squarely at the least demanding of demographic groups: very small children who will be delighted simply to spend more time with familiar cartoon characters.\nWhat starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points.\nExhibits the shallow sensationalism characteristic of soap opera...more salacious telenovela than serious drama.\nSeagal is painfully foolish in trying to hold onto what's left of his passe' chopsocky glory.\nEven with Harris's strong effort, the script gives him little to effectively probe Lear's soul-stripping breakdown.\nThe story is bogus and its characters tissue-thin.\nWhereas the extremely competent hitman films such as Pulp Fiction and Get Shorty resonate a sardonic verve to their caustic purpose for existing, Who Is Cletis Tout? is an inexpressible and drab wannabe looking for that exact niche.\nWhile American Adobo has its heart (and its palate) in the right place, its brain is a little scattered -- ditsy, even.\nImagine a film that begins as a Seven rip-off, only to switch to a mix of The Shining, The Thing, and any naked teenagers horror flick from the 1980s.\nMost of the dialogue made me want to pack raw dough in my ears.\nCostner's warm-milk persona is just as ill-fitting as Shadyac's perfunctory directing chops, and some of the more overtly silly dialogue would sink Laurence Olivier.\nIt's coherent, well shot, and tartly acted, but it wears you down like a dinner guest showing off his doctorate.\nDirected by Kevin Bray, whose crisp framing, edgy camera work, and wholesale ineptitude with acting, tone and pace very obviously mark him as a video helmer making his feature debut.\nturns a potentially interesting idea into an excruciating film school experience that plays better only for the film's publicists or for people who take as many drugs as the film's characters\nRobin Williams departs from his fun friendly demeanor in exchange for a darker unnerving role.\nHigh Crimes is a cinematic misdemeanor, a routine crime thriller remarkable only for its lack of logic and misuse of two fine actors, Morgan Freeman and Ashley Judd.\nSet in a 1986 Harlem that doesn't look much like anywhere in New York.\nThe chocolate factory without Charlie.\nLong on twinkly-eyed close-ups and short on shame.\nHip-hop rarely comes alive as its own fire-breathing entity in this picture.\nA dull, somnambulant exercise in pretension whose pervasive quiet is broken by frequent outbursts of violence and noise.\nDeserving of its critical backlash and more.\nNeither a rousing success nor a blinding embarrassment. Still, it just sits there like a side dish no one ordered.\nThe Sum of All Fears is remarkably fuddled about motives and context, which drains it of the dramatic substance that would shake us in our boots (or cinema seats).\nThe movie spends more time with Schneider than with newcomer McAdams, even though her performance is more interesting (and funnier) than his.\nThis low-rent -- and even lower-wit -- rip-off of the Farrelly brothers' oeuvre gets way too mushy -- and in a relatively short amount of time.\nIt recycles every cliché about gays in what is essentially an extended soap opera.\nI'm all for the mentally challenged getting their fair shot in the movie business, but surely it doesn't have to be as a collection of keening and self-mutilating sideshow geeks.\nMay offend viewers not amused by the sick sense of humor.\nMany of Benjamins' elements feel like they've been patched in from an episode of Miami Vice.\nIt aimlessly and unsuccessfully attempts to fuse at least three dull plots into one good one.\nMost folks with a real stake in the American sexual landscape will find it either moderately amusing or just plain irrelevant.\nIf you're not fans of the adventues of Steve and Terri, you should avoid this like the dreaded King Brown snake. Personally, I'd rather watch them on the Animal Planet.\nCherish is a dud -- a romantic comedy that's not the least bit romantic and only mildly funny.\nFeels as if the inmates have actually taken over the asylum.\nAll of the filmmakers' calculations can't rescue Brown Sugar from the curse of blandness.\nThe movie's gloomy atmosphere is fascinating, though, even if the movie itself doesn't stand a ghost of a chance.\n...post-September 11, ``The Sum Of All Fears'' seems more tacky and reprehensible, manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves.\nThe exclamation point seems to be the only bit of glee you'll find in this dreary mess.\nNo matter how you slice it, Mark Wahlberg and Thandie Newton are not Hepburn and Grant, two cinematic icons with chemistry galore.\nGodard's ode to tackling life's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess...In Praise of Love remains a ponderous and pretentious endeavor that's unfocused and tediously exasperating.\nHumorless, self-conscious art drivel, made without a glimmer of intelligence or invention.\nThe movie's progression into rambling incoherence gives new meaning to the phrase 'fatal script error.'\nSolondz may be convinced that he has something significant to say, but he isn't talking a talk that appeals to me.\nMore tiring than anything.\nNelson's intentions are good, but the end result does no justice to the story itself. It's horribly depressing and not very well done.\n...the efforts of its star, Kline, to lend some dignity to a dumb story are for naught.\nA good-natured ensemble comedy that tries hard to make the most of a bumper cast, but never quite gets off the ground.\nIsn't it a bit early in his career for director Barry Sonnenfeld to do a homage to himself? And it's a lousy one at that.\nOverly long and worshipful bio-doc.\nI'll go out on a limb. It isn't quite one of the worst movies of the year. It's just merely very bad.\nWriter-director Ritchie reduces Wertmuller's social mores and politics to tiresome jargon.\nAbout Amy's cuteness, Amy's career success (she's a best-selling writer of self-help books who can't help herself), and Amy's neuroses when it comes to men.\nEverything about Girls Can't Swim, even its passages of sensitive observation, feels secondhand, familiar -- and not in a good way.\nFeels aimless for much of its running time, until late in the film when a tidal wave of plot arrives, leaving questions in its wake.\nIn my own very humble opinion, In Praise of Love lacks even the most fragmented charms I have found in almost all of his previous works.\nThe script is too mainstream and the psychology too textbook to intrigue.\nMuddled, simplistic and more than a little pretentious.\nMeandering and glacially paced, and often just plain dull.\nA disaster of a drama, saved only by its winged assailants.\nA road trip that will get you thinking, 'Are we there yet?'\nDirector Elie Chouraqui, who co-wrote the script, catches the chaotic horror of war, but why bother if you're going to subjugate truth to the tear-jerking demands of soap opera?\nDong never pushes for insights beyond the superficial tensions of the dynamic he's dissecting, and the film settles too easily along the contours of expectation.\nIf there was any doubt that Peter O'Fallon didn't have an original bone in his body, A Rumor of Angels should dispel it.\nAn occasionally interesting but mostly repetitive look at a slice of counterculture that might be best forgotten.\nWhat could have been right at home as a nifty plot line in Steven Soderbergh's Traffic fails to arrive at any satisfying destination.\nThe movie is like Scorsese's Mean Streets redone by someone who ignored it in favor of old 'juvenile delinquent' paperbacks with titles like Leather Warriors and Switchblade Sexpot.\nThis pathetic junk is barely an hour long. Nevertheless, it still seems endless.\nIt isn't that Stealing Harvard is a horrible movie--if only it were that grand a failure! It's just that it's so not-at-all-good. And I expect much more from a talent as outstanding as director Bruce McCulloch.\nDolman confines himself to shtick and sentimentality -- the one bald and the other sloppy.\nIs it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it?\nIt's supposed to be a romantic comedy - it suffers from too much Norma Rae and not enough Pretty Woman.\nThe leads are so unmemorable, despite several attempts at lengthy dialogue scenes, that one eventually resents having to inhale this gutter romancer's secondhand material.\nStaggers between flaccid satire and what is supposed to be madcap farce.\nNot that any of us should be complaining when a film clocks in around 90 minutes these days, but the plotting here leaves a lot to be desired.\nBrainy, artistic and muted, almost to the point of suffocation.\nPlays like the old disease-of-the-week small-screen melodramas.\nLike life on the island, the movie grows boring despite the scenery.\nThe truth about Charlie is that it's a brazenly misguided project.\ndisplays the potential for a better movie than what Bailly manages to deliver\nSo exaggerated and broad that it comes off as annoying rather than charming.\nAn awkward hybrid of genres that just doesn't work.\nThe latest vapid actor's exercise to appropriate the structure of Arthur Schnitzler's Reigen.\nSnipes is both a snore and utter tripe.\nRitchie's film is easier to swallow than Wertmuller's polemical allegory, but it's self-defeatingly decorous.\nChalk it up as the worst kind of hubristic folly.\nIt's the kind of under-inspired, overblown enterprise that gives Hollywood sequels a bad name.\nRosenthal (Halloween II) seems to have forgotten everything he ever knew about generating suspense.\nEven Murphy's expert comic timing and famed charisma can't rescue this effort.\nRodriguez...was unable to reproduce the special spark between the characters that made the first film such a delight.\nA sleek advert for youthful anomie that never quite equals the sum of its pretensions.\nSome Body smacks of exhibitionism more than it does cathartic truth telling.\nThis isn't a terrible film by any means, but it's also far from being a realized work.\nApparently, romantic comedy with a fresh point of view just doesn't figure in the present Hollywood program.\nDepressingly thin and exhaustingly contrived. Only masochistic moviegoers need apply.\nA movie that's held captive by mediocrity. Not bad, but not all that good. Bacon keeps things interesting, but don't go out of your way to pay full price.\nWhat's next? Rob Schneider, Dana Carvey and Sarah Michelle Gellar in The Philadelphia Story? David Spade as Citizen Kane?\nCan't seem to get anywhere near the story's center.\nThe problem, amazingly enough, is the screenplay.\nIt's a Frankenstein-monster of a film that doesn't know what it wants to be.\nUpper West Sidey exercise in narcissism and self-congratulation disguised as a tribute.\nOn its icy face, the new film is a subzero version of Monsters, Inc., without the latter's imagination, visual charm or texture.\nI can't say this enough: This movie is about an adult male dressed in pink jammies.\nIt's a mindless action flick with a twist -- far better suited to video-viewing than the multiplex.\nAfter a while, the only way for a reasonably intelligent person to get through The Country Bears is to ponder how a whole segment of pop-music history has been allowed to get wet, fuzzy and sticky.\nWe get light showers of emotion a couple of times, but then -- strangely -- these wane to an inconsistent and ultimately unsatisfying drizzle.\nSummer's far too fleeting to squander on offal like this.\nThe film is grossly contradictory in conveying its social message, if indeed there is one.\nOften lingers just as long on the irrelevant as on the engaging, which gradually turns What Time Is It There? into How Long Is This Movie?\nToo bad Kramer couldn't make a guest appearance to liven things up.\nDeuces Wild is an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like The Wanderers and A Bronx Tale without cribbing any of their intelligence.\nIt's a barely tolerable slog over well-trod ground.\nEpps has neither the charisma nor the natural affability that has made Tucker a star.\nIt's sweet... but just a little bit too precious at the start and a little too familiar at the end.\nA dull, dumb and derivative horror film.\nAn awkwardly contrived exercise in magic realism.\nDemme gets a lot of flavor and spice into his Charade remake, but he can't disguise that he's spiffing up leftovers that aren't so substantial or fresh.\nThis is a heartfelt story ... it just isn't a very involving one.\nThese self-styled athletes have banged their brains into the ground so frequently and furiously, their capacity to explain themselves has gone the same way as their natural instinct for self-preservation.\nThe fact that the 'best part' of the movie comes from a 60-second homage to one of Demme's good films doesn't bode well for the rest of it.\nRichard Pryor mined his personal horrors and came up with a treasure chest of material, but Lawrence gives us mostly fool's gold.\nThe band performances featured in Drumline are red hot... (but) from a mere story point of view, the film's ice cold.\n... built on the premise that middle-class Arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from TV reruns and supermarket tabloids.\nA laughable -- or rather, unlaughable -- excuse for a film.\nThe sequel is everything the original was not: contrived, overblown and tie-in ready.\nLike a grinning Jack O' Lantern, its apparent glee is derived from a lobotomy, having had all its vital essence scooped out and discarded.\nA sentimental hybrid that could benefit from the spice of specificity.\n...familiar and predictable, and 4/5ths of it might as well have come from a Xerox machine rather than (writer-director) Franc. Reyes' word processor.\nGive Shapiro, Goldman, and Bolado credit for good intentions, but there's nothing here that they couldn't have done in half an hour.\nIt's so devoid of joy and energy it makes even Jason X ... look positively Shakesperean by comparison.\nA little objectivity could have gone a long way.\nOne of the worst films of 2002.\nI believe Silberling had the best intentions here, but he just doesn't have the restraint to fully realize them.\nplays like an unbalanced mixture of graphic combat footage and almost saccharine domestic interludes that are pure Hollywood.\nMcTiernan's remake may be lighter on its feet -- the sober-minded original was as graceful as a tap-dancing rhino -- but it is just as boring and as obvious.\nHigh Crimes carries almost no organic intrigue as a government/ Marine/legal mystery, and that's because the movie serves up all of that stuff, nearly subliminally, as the old-hat province of male intrigue.\nThis movie is about the worst thing Chan has done in the United States.\nThe explosion essentially ruined -- or, rather, overpowered -- the fiction of the movie for me.\nThis ludicrous film is predictable at every turn.\nAn incredibly irritating comedy about thoroughly vacuous people...manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy.\nThe film desperately sinks further and further into comedy futility.\nInstead of a balanced film that explains the zeitgeist that is the X Games, we get a cinematic postcard that's superficial and unrealized.\nThe crassness of this reactionary thriller is matched only by the ridiculousness of its premise.\nI wish it would have just gone more over-the-top instead of trying to have it both ways.\nThe superior plotline isn't quite enough to drag along the dead (water) weight of the other.\nThe film doesn't really care about the thousands of Americans who die hideously, it cares about how Ryan meets his future wife and makes his start at the CIA.\nAdrift, Bentley and Hudson stare and sniffle, respectively, as Ledger attempts, in vain, to prove that movie-star intensity can overcome bad hair design.\nAfter an hour and a half of wondering -- sometimes amusedly, sometimes impatiently -- just what this strenuously unconventional movie is supposed to be, you discover that the answer is as conventional as can be.\n'Linklater fans, or pretentious types who want to appear avant-garde will suck up to this project...'\nA woefully dull, redundant concept that bears more than a whiff of exploitation, despite Iwai's vaunted empathy.\nScreenwriter Chris ver Weil's directing debut is good-natured and never dull, but its virtues are small and easily overshadowed by its predictability.\nIf you really want to understand what this story is really all about, you're far better served by the source material.\nIt's mildly sentimental, unabashedly consumerist ... studiously inoffensive and completely disposable.\nLike its title character, Esther Kahn is unusual but unfortunately also irritating.\nThe star who helped give a spark to ``Chasing Amy'' and ``Changing Lanes'' falls flat as thinking man CIA agent Jack Ryan in this summer's new action film, ``The Sum of All Fears.''\nA summary of the plot doesn't quite do justice to the awfulness of the movie, for that comes through all too painfully in the execution.\nEvery conceivable mistake a director could make in filming opera has been perpetrated here.\nSnoots will no doubt rally to its cause, trotting out threadbare standbys like 'masterpiece' and 'triumph' and all that malarkey, but rarely does an established filmmaker so ardently waste viewers' time with a gobbler like this.\n(The film's) taste for ``shock humor'' will wear thin on all but those weaned on the comedy of Tom Green and the Farrelly Brothers.\nAny enjoyment will be hinge from a personal threshold of watching sad but endearing characters do extremely unconventional things.\nIf legendary shlockmeister Ed Wood had ever made a movie about a vampire, it probably would look a lot like this alarming production, adapted from Anne Rice's novel The Vampire Chronicles.\nHardly a nuanced portrait of a young woman's breakdown, the film nevertheless works up a few scares.\nInterminably bleak, to say nothing of boring.\nThings really get weird, though not particularly scary: the movie is all portent and no content.\nIt's difficult to discern if this is a crazy work of disturbed genius or merely 90 minutes of post-adolescent Electra rebellion.\nBogs down badly as we absorb Jia's moody, bad-boy behavior which he portrays himself in a one-note performance.\nThe camera whirls! The camera twirls! Oh, look at that clever angle! Wow, a jump cut!\nDemme finally succeeds in diminishing his stature from Oscar-winning master to lowly studio hack.\nThe action scenes have all the suspense of a 20-car pileup, while the plot holes are big enough for a train car to drive through -- if Kaos hadn't blown them all up.\nIt almost feels as if the movie is more interested in entertaining itself than in amusing us.\nIt puts Washington, as honest working man John Q. Archibald, on a pedestal, then keeps lifting the pedestal higher.\nUltimately, the film amounts to being lectured to by tech-geeks, if you're up for that sort of thing.\nFar more enjoyable than its predecessor.\n(Gayton's script) telegraphs every discovery and layers on the gloss of convenience.\nFull Frontal, which opens today nationwide, could almost be classified as a movie-industry satire, but it lacks the generous inclusiveness that is the genre's definitive, if disingenuous, feature.\nA ragbag of cliches.\nThis rough trade Punch-and-Judy act didn't play well then and it plays worse now.\nThe three leads produce adequate performances, but what's missing from this material is any depth of feeling.\nIt's possible that something hip and transgressive was being attempted here that stubbornly refused to gel, but the result is more puzzling than unsettling.\nThis painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ... that have no bearing on the story.\nShort and sweet, but also more than anything else slight... Tadpole pulls back from the consequences of its own actions and revelations.\nHas its moments, but it's pretty far from a treasure.\nWhat more can be expected from a college comedy that's target audience hasn't graduated from junior high school?\nCollateral Damage offers formula payback and the Big Payoff, but the explosions tend to simply hit their marks, pyro-correctly.\nThe plan to make Enough into `an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller' has flopped as surely as a soufflé gone wrong.\nInstead of letting the laughs come as they may, Lawrence unleashes his trademark misogyny -- er, comedy -- like a human volcano or an overflowing septic tank, take your pick.\nYou know that ten bucks you'd spend on a ticket? Just send it to Cranky. We don't get paid enough to sit through crap like this.\nAn even more predictable, cliche-ridden endeavor than its predecessor.\nThe whole thing plays like a tired Tyco ad.\nThe film doesn't show enough of the creative process or even of what was created for the non-fan to figure out what makes Wilco a big deal.\nThe soupy end result has the odd distinction of being playful without being fun, too.\nNo, I don't know why Steven Seagal is considered a star, nor why he keeps being cast in action films when none of them are ever any good or make any money.\nEven by the intentionally low standards of frat-boy humor, Sorority Boys is a bowser.\nOne well-timed explosion in a movie can be a knockout, but a hundred of them can be numbing. Proof of this is Ballistic: Ecks vs. Sever.\nHalfway through, however, having sucked dry the undead action flick formula, Blade II mutates into a gross-out monster movie with effects that are more silly than scary.\nWeighted down with slow, uninvolving storytelling and flat acting.\nWe can't accuse Kung Pow for misfiring, since it is exactly what it wants to be: an atrociously, mind-numbingly, indescribably bad movie. Unfortunately, we'd prefer a simple misfire.\nThere isn't one moment in the film that surprises or delights.\n'Wouldn't it be nice if all guys got a taste of what it's like on the other side of the bra?'\nThe movie is essentially a series of fleetingly interesting actors' moments.\nMost of the information has already appeared in one forum or another and, no matter how Broomfield dresses it up, it tends to speculation, conspiracy theories or, at best, circumstantial evidence.\nThis movie, a certain scene in particular, brought me uncomfortably close to losing my lunch.\nThe secrets of time travel will have been discovered, indulged in and rejected as boring before I see this piece of crap again.\nSmug, artificial, ill-constructed and fatally overlong...it never finds a consistent tone and lacks bite, degenerating into a pious, preachy soap opera.\nChelsea Walls is a case of too many chefs fussing over too weak a recipe.\nEvery joke is repeated at least four times. Every joke is repeated at least four times. Every joke is repeated at least--annoying, isn't it?\nComes across as a fairly weak retooling.\nThe lousy lead performances... keep the movie from ever reaching the comic heights it obviously desired.\nIts and pieces of The Hot Chick are so hilarious, and Schneider's performance is so fine, it's a real shame that so much of the movie -- again, as in The Animal -- is a slapdash mess.\n(Creates) the worst kind of mythologizing, the kind that sacrifices real heroism and abject suffering for melodrama.\nThe movie resolutely avoids all the comic possibilities of its situation, and becomes one more dumb high school comedy about sex gags and prom dates.\nEarnest and heartfelt but undernourished and plodding.\nA sugar-coated Rocky whose valuable messages are forgotten 10 minutes after the last trombone honks.\nRomanek keeps adding flourishes -- artsy fantasy sequences -- that simply feel wrong. They cheapen the overall effect.\nHas all the complexity and realistic human behavior of an episode of General Hospital.\nAn acceptable way to pass a little over an hour with moviegoers ages 8-10, but it's unlikely to inspire anything more than a visit to McDonald's, let alone some savvy street activism.\n(Allen's) been making piffle for a long while, and Hollywood Ending may be his way of saying that piffle is all that the airhead movie business deserves from him right now.\nAn exercise in cynicism every bit as ugly as the shabby digital photography and muddy sound.\nNot good enough to pass for a litmus test of the generation gap and not bad enough to repulse any generation of its fans.\nThe movie is silly beyond comprehension, and even if it weren't silly, it would still be beyond comprehension.\nWatchable up until the point where the situations and the dialogue spin hopelessly out of control -- that is to say, when Carol Kane appears on the screen.\nThe scriptwriters are no less a menace to society than the film's characters.\nMerchant hasn't directed this movie so much as produced it -- like sausage.\nThe film has a nearly terminal case of the cutes, and it's neither as funny nor as charming as it thinks it is.\nMore a gunfest than a Rock concert.\nIt's a frightful vanity film that, no doubt, pays off what debt Miramax felt they owed to Benigni.\nA muddy psychological thriller rife with miscalculations. It makes me say the obvious: Abandon all hope of a good movie ye who enter here.\nIt's not original enough.\nA listless sci-fi comedy in which Eddie Murphy deploys two guises and elaborate futuristic sets to no particularly memorable effect.\nLittle more than a super-sized infomercial for the cable-sports channel and its Summer X Games.\nA generic bloodbath that often becomes laughably unbearable when it isn't merely offensive.\nJulie Davis is the Kathie Lee Gifford of film directors, sadly proving once again ego doesn't always go hand in hand with talent.\nAn unholy mess, driven by the pathetic idea that if you shoot something on crummy-looking videotape, it must be labelled 'hip', 'innovative' and 'realistic'.\nThe story's pathetic and the gags are puerile.\n. Curiously, Super Troopers suffers because it doesn't have enough vices to merit its 103-minute length.\nSo bland and utterly forgettable that it might as well have been titled Generic Jennifer Lopez Romantic Comedy.\nI was sent a copyof this film to review on DVD. For free. I still want my money back.\nIt plods along methodically, somehow under the assumption that its ``dead wife communicating from beyond the grave'' framework is even remotely new or interesting.\nIt's hard to believe that a relationship like Holly and Marina's could survive the hothouse emotions of teendom, and its longevity gets more inexplicable as the characterizations turn more crassly reductive.\nAll too familiar...basically the sort of cautionary tale that was old when 'Angels With Dirty Faces' appeared in 1938.\n...passable enough for a shoot-out in the o.k. court house of life type of flick. Strictly middle of the road.\nAlthough purportedly a study in modern alienation, it's really little more than a particularly slanted, gay s/m fantasy, enervating and deadeningly drawn-out.\nAfter the first 10 minutes, which is worth seeing, the movie sinks into an abyss of clichés, depression and bad alternative music.\nNo one can doubt the filmmakers' motives, but The Guys still feels counterproductive.\nA very slow, uneventful ride around a pretty tattered old carousel.\nWith little visible talent and no energy, Colin Hanks is in bad need of major acting lessons and maybe a little coffee.\n``Feardotcom'' has the makings of an interesting meditation on the ethereal nature of the internet and the otherworldly energies it could channel, but it simply becomes a routine shocker.\nA Meatballs for the bare-midriff generation.\nWell-meaning to a fault, Antwone Fisher manages the dubious feat of turning one man's triumph of will into everyman's romance comedy.\nSeemingly disgusted with the lazy material and the finished product's unshapely look, director Fisher Stevens inexplicably dips key moments from the film in Waking Life water colors.\nFormula 51 promises a new kind of high but delivers the same old bad trip.\nEverything that was right about Blade is wrong in its sequel.\nA few energetic stunt sequences briefly enliven the film, but the wheezing terrorist subplot hasn't the stamina for the 100-minute running time, and the protagonists' bohemian boorishness mars the spirit of good clean fun.\nThe film was produced by Jerry Bruckheimer and directed by Joel Schumacher, and reflects the worst of their shallow styles: wildly overproduced, inadequately motivated every step of the way and demographically targeted to please every one (and no one).\nDisney again ransacks its archives for a quick-buck sequel.\nCoarse, cliched and clunky, this trifling romantic comedy in which opposites attract for no better reason than that the screenplay demands it squanders the charms of stars Hugh Grant and Sandra Bullock.\nAnyone who suffers through this film deserves, at the very least, a big box of consolation candy.\nHow much you are moved by the emotional tumult of (François and Michèle's) relationship depends a lot on how interesting and likable you find them.\nThey presume their audience won't sit still for a sociology lesson, however entertainingly presented, so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes.\nCollapses after 30 minutes into a slap-happy series of adolescent violence.\nThe following things are not at all entertaining: The bad sound, the lack of climax and, worst of all, watching Seinfeld (who is also one of the film's producers) do everything he can to look like a good guy.\nAttal's hang-ups surrounding infidelity are so old-fashioned and, dare I say, outdated, it's a wonder that he couldn't have brought something fresher to the proceedings simply by accident.\nObvious, obnoxious and didactic burlesque.\nThe most surprising thing about this film is that they are actually releasing it into theaters.\nMichele is a such a brainless flibbertigibbet that it's hard to take her spiritual quest at all seriously.\nUltimately, clarity matters, both in breaking codes and making movies. Enigma lacks it.\nPotty-mouthed enough for PG-13, yet not as hilariously raunchy as South Park, this strangely schizo cartoon seems suited neither to kids or adults.\n... has its moments, but ultimately, its curmudgeon doesn't quite make the cut of being placed on any list of favorites.\nA distinctly minor effort that will be seen to better advantage on cable, especially considering its barely feature-length running time of one hour.\nMost of the movie is so deadly dull that watching the proverbial paint dry would be a welcome improvement.\nIn the end, Tuck Everlasting falls victim to that everlasting conundrum experienced by every human who ever lived: too much to do, too little time to do it in.\nRather less than the sum of its underventilated père-fils confrontations.\nMcKay shows crushingly little curiosity about, or is ill-equipped to examine, the interior lives of the characters in his film, much less incorporate them into his narrative.\nPlays like a series of vignettes -- clips of a film that are still looking for a common through-line.\nNew Yorkers always seem to find the oddest places to dwell...\nAmid the shock and curiosity factors, the film is just a corny examination of a young actress trying to find her way.\nYes, Spirited Away is a triumph of imagination, but it's also a failure of storytelling.\nA characteristically engorged and sloppy coming-of-age movie.\nA somewhat disappointing and meandering saga.\nWhenever you think you've seen the end of the movie, we cut to a new scene, which also appears to be the end. But, no, we get another scene, and then another. You begin to long for the end credits as the desert does for rain.\nAn empty, ugly exercise in druggy trance-noir and trumped-up street credibility.\nThe screenplay, co-written by director Imogen Kimmel, lacks the wit necessary to fully exploit the comic elements of the premise, making the proceedings more bizarre than actually amusing.\nThe milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch.\nUnfunny comedy with a lot of static set ups, not much camera movement, and most of the scenes take place indoors in formal settings with motionless characters.\nEach story is built on a potentially interesting idea, but the first two are ruined by amateurish writing and acting, while the third feels limited by its short running time.\nExcept for Paymer as the boss who ultimately expresses empathy for Bartleby's pain, the performances are so stylized as to be drained of human emotion.\nWill no doubt delight Plympton's legion of fans; others may find 80 minutes of these shenanigans exhausting.\nThe laughs are as rare as snake foo yung.\nFor a film that celebrates radical, nonconformist values, What to Do in Case of Fire? lazily and glumly settles into a most traditional, reserved kind of filmmaking.\nKnockaround Guys plays like a student film by two guys who desperately want to be Quentin Tarantino when they grow up. But they lack their idol's energy and passion for detail.\nMattei so completely loses himself to the film's circular structure to ever offer any insightful discourse on, well, Love in the Time of Money.\nIt briefly flirts with player masochism, but the point of real interest -– audience sadism -- is evaded completely.\nHolland lets things peter out midway, but it's notably better acted -- and far less crass - than some other recent efforts in the burgeoning genre of films about black urban professionals.\nFor every articulate player, such as skateboarder Tony Hawk or BMX rider Mat Hoffman, are about a half dozen young Turks angling to see how many times they can work the words ``radical'' or ``suck'' into a sentence.\nThere's not a fresh idea at the core of this tale.\nAn impenetrable and insufferable ball of pseudo-philosophic twaddle.\nIt's unfortunate that Wallace, who wrote Gibson's Braveheart as well as the recent Pearl Harbor, has such an irrepressible passion for sappy situations and dialogue.\nI liked the movie, but I know I would have liked it more if it had just gone that one step further. I'm left slightly disappointed that it didn't.\nDreary tale of middle-class angst\nFor a movie about the power of poetry and passion, there is precious little of either.\n(Jackson and Bledel) seem to have been picked not for their acting chops, but for their looks and appeal to the pre-teen crowd.\nLillard and Cardellini earn their Scooby Snacks, but not anyone else.\nLike Schindler's List, The Grey Zone attempts to be grandiloquent, but ends up merely pretentious -- in a grisly sort of way.\nAn unremittingly ugly movie to look at, listen to, and think about, it is quite possibly the sturdiest example yet of why the DV revolution has cheapened the artistry of making a film.\n(Screenwriter) Pimental took the Farrelly Brothers comedy and feminized it, but it is a rather poor imitation.\nIt's kind of sad that so many people put so much time and energy into this turkey.\nFriday After Next is a lot more bluster than bite.\nIts juxtaposition of overwrought existentialism and stomach-churning gore will have you forever on the verge of either cracking up or throwing up.\nA decidedly mixed bag.\nThere are cheesy backdrops, ridiculous action sequences, and many tired jokes about men in heels.\nIce Cube isn't quite out of ripe screwball ideas, but Friday After Next spreads them pretty thin.\nNot everything in the film works, including its somewhat convenient ending.\nThe characters, cast in impossibly contrived situations, are totally estranged from reality.\nEverything else about High Crimes is, like the military system of justice it portrays, tiresomely regimented.\nJust dreadful. I don't blame Eddie Murphy but shouldn't Owen Wilson know a movie must have a story and a script?\nSweet Home Alabama certainly won't be remembered as one of (Witherspoon's) better films.\nhard as this may be to believe, Here on Earth, a surprisingly similar teen drama, was a better film.\nThis is just lazy writing. Even kids deserve better.\nThe pretensions -- and disposable story -- sink the movie. And Diesel isn't the actor to save it.\nBravo reveals the true intent of her film by carefully selecting interview subjects who will construct a portrait of Castro so predominantly charitable it can only be seen as propaganda.\n... a preachy parable stylized with a touch of John Woo bullet ballet.\nFrank Capra played this story straight. But the 2002 film doesn't really believe in it, and breaks the mood with absurdly inappropriate 'comedy' scenes.\nHow about starting with a more original story instead of just slapping extreme humor and gross-out gags on top of the same old crap?\nThe problem is that for the most part, the film is deadly dull.\nHandled correctly, Wilde's play is a masterpiece of elegant wit and artifice. Here, alas, it collapses like an overcooked soufflé.\n``Sorority Boys'' was funnier, and that movie was pretty bad.\nA bizarre piece of work, with premise and dialogue at the level of kids' television and plot threads as morose as teen pregnancy, rape and suspected murder\nPaul Bettany is good at being the ultra-violent gangster wannabe, but the movie is certainly not number 1.\nIt's a gag that's worn a bit thin over the years, though Don't Ask still finds a few chuckles.\nAn uplifting drama ... What Antwone Fisher isn't, however, is original.\nOften likable, but just as often it's meandering, low on energy, and too eager to be quirky at moments when a little old-fashioned storytelling would come in handy.\nCertain to be distasteful to children and adults alike, Eight Crazy Nights is a total misfire.\nElaborate special effects take centre screen, so that the human story is pushed to one side.\nShowtime isn't particularly assaultive, but it can still make you feel that you never want to see another car chase, explosion or gunfight again.\nAll the characters are clinically depressed and have abandoned their slim hopes and dreams.\nThis Tuxedo ... should have been sent back to the tailor for some major alterations.\nI have no problem with ``difficult'' movies, or movies that ask the audience to meet them halfway and connect the dots instead of having things all spelled out. But first, you have to give the audience a reason to want to put for that effort\nBeen there, done that... a thousand times already, and better.\nWhat's most offensive isn't the waste of a good cast, but the film's denial of sincere grief and mourning in favor of bogus spiritualism.\nSunk by way too much indulgence of scene-chewing, teeth-gnashing actorliness.\nFans of Plympton's shorts may marginally enjoy the film, but it is doubtful this listless feature will win him any new viewers.\nBarrels along at the start before becoming mired in sentimentality.\nNone of this sounds promising and, indeed, the first half of Sorority Boys is as appalling as any 'comedy' to ever spill from a projector's lens.\nThe kind of movie that leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics.\n'Punch-Drunk Love is so convinced of its own brilliance that, if it were a person, you'd want to smash its face in.'\nAt once overly old-fashioned in its sudsy plotting and heavy-handed in its effort to modernize it with encomia to diversity and tolerance.\nThe trashy teen-sleaze equivalent of Showgirls.\nWhile the production details are lavish, film has little insight into the historical period and its artists, particularly in how Sand developed a notorious reputation.\nA crass and insulting homage to great films like Some Like It Hot and the John Wayne classics.\nWhat's the most positive thing that can be said about the new Rob Schneider vehicle? Well, it's not as pathetic as The Animal.\nWith all the sympathy, empathy and pity fogging up the screen...His Secret Life enters the land of unintentional melodrama and tiresome love triangles.\nThe problematic characters and overly convenient plot twists foul up Shum's good intentions.\nWhat 'Blade Runner' would've looked like as a low-budget series on a UHF channel.\nHas all the values of a straight-to-video movie, but because it has a bigger-name cast, it gets a full theatrical release.\nWith its lackadaisical plotting and mindless action, All About the Benjamins evokes the bottom tier of blaxploitation flicks from the 1970s.\nIt never quite makes it to the boiling point, but manages to sustain a good simmer for most of its running time.\nLoud, silly, stupid and pointless.\nMandel Holland's direction is uninspired, and his scripting unsurprising, but the performances by Phifer and Black are ultimately winning. You'll find yourself wishing that you and they were in another movie.\nA yawn-provoking little farm melodrama.\nDid no one on the set have a sense of humor, or did they not have the nerve to speak up?\nSeriously, rent the Disney version.\nAs David Letterman and The Onion have proven, the worst of tragedies can be fertile sources of humor, but Lawrence has only a fleeting grasp of how to develop them.\nLike its parade of predecessors, this Halloween is a gory slash-fest. It can't escape its past, and it doesn't want to.\n``Abandon'' will leave you wanting to abandon the theater.\nProblem is, we have no idea what in creation is going on.\nA live-action cartoon, a fast-moving and cheerfully simplistic 88 minutes of exaggerated action put together with the preteen boy in mind.\nA loquacious and dreary piece of business.\nWhat the audience feels is exhaustion, from watching a movie that is dark (dark green, to be exact), sour, bloody and mean.\ndirector Hoffman, his writer and Kline's agent should serve detention\nDodgy mixture of cutesy romance, dark satire and murder mystery.\nMeticulously mounted, exasperatingly well-behaved film, which ticks off Kahlo's lifetime milestones with the dutiful precision of a tax accountant.\nTime of Favor could have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation.\nI'm not sure which will take longer to heal: the welt on Johnny Knoxville's stomach from a riot-control projectile or my own tortured psyche.\nWhile Serving Sara does have a long way to go before it reaches the level of crudity in the latest Austin Powers extravaganza, there's nothing here to match that movie's intermittent moments of inspiration.\nI'm not sure which is worse: the poor acting by the ensemble cast, the flat dialogue by Vincent R. Nebrida or the gutless direction by Laurice Guillen.\nThe only reason you should see this movie is if you have a case of masochism and an hour and a half to blow.\nWhatever about warning kids about the dangers of ouija boards, someone should dispense the same advice to film directors.\nAs with so many merchandised-to-the-max movies of this type, more time appears to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script, which has a handful of smart jokes and not much else.\nThe Irwins' scenes are fascinating; the movie as a whole is cheap junk and an insult to their death-defying efforts.\nIf routine action and jokes like this are your cup of tea, then pay your $8 and get ready for the big shear. This is one baaaaaaaaad movie.\nA man leaving the screening said the film was better than Saving Private Ryan. He may have meant the Internet short Saving Ryan's Privates. But Windtalkers doesn't beat that one, either.\nMay puzzle his most ardent fans.\nStarts as a tart little lemon drop of a movie and ends up as a bitter pill.\nWe never feel anything for these characters, and as a result the film is basically just a curiosity.\nThose unfamiliar with Mormon traditions may find The Singles Ward occasionally bewildering.\nRitchie may not have a novel thought in his head, but he knows how to pose Madonna.\nThe story, touching though it is, does not quite have enough emotional resonance or variety of incident to sustain a feature, and even at 85 minutes it feels a bit long.\nFeels like the work of an artist who is simply tired -- of fighting the same fights, of putting the weight of the world on his shoulders, of playing with narrative form.\nWhile you have to admit it's semi-amusing to watch Robert DeNiro belt out ``When you're a Jet, you're a Jet all the way,'' it's equally distasteful to watch him sing the lyrics to ``Tonight.''\nThe whole mess boils down to a transparently hypocritical work that feels as though it's trying to set the women's liberation movement back 20 years.\n'...the cast portrays their cartoon counterparts well...but quite frankly, Scoob and Shag don't eat enough during the film.'\nMore of the same old garbage Hollywood has been trying to pass off as acceptable teen entertainment for some time now.\nTV skit-com material fervently deposited on the big screen.\n(Johnnie To and Wai Ka Fai are) sure to find an enthusiastic audience among American action-adventure buffs, but the film's interests may be too narrow to attract crossover viewers.\nIf there was ever a movie where the upbeat ending feels like a copout, this is the one.\nIt's as sorry a mess as its director's diabolical debut, Mad Cows.\nAny attempts at nuance given by the capable cast is drowned out by director Jon Purdy's sledgehammer sap.\nIts audacious ambitions sabotaged by pomposity, Steven Soderbergh's space opera emerges as a numbingly dull experience.\nDespite some strong performances, never rises above the level of a telanovela.\nThis is a picture that Maik, the firebrand turned savvy ad man, would be envious of: it hijacks the heat of revolution and turns it into a sales tool.\nFeels slight, as if it were an extended short, albeit one made by the smartest kids in class.\nUnspeakable, of course, barely begins to describe the plot and its complications. Vulgar is too optimistic a title.\nThe actors pull out all the stops in nearly every scene, but to diminishing effect. The characters never change.\nIf The Last Man were the last movie left on earth, there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows.\nWelles groupie/scholar Peter Bogdanovich took a long time to do it, but he's finally provided his own broadside at publishing giant William Randolph Hearst.\nMakes the same mistake as the music industry it criticizes, becoming so slick and watered-down it almost loses what made you love it in the first place.\nEven as I valiantly struggled to remain interested, or at least conscious, I could feel my eyelids ... getting ... very ... heavy ...\nA bad movie that happened to good actors.\nBoasts eye-catching art direction but has a forcefully quirky tone that quickly wears out its limited welcome.\nScreenwriter Dan Schneider and director Shawn Levy substitute volume and primary colors for humor and bite.\nOversexed, at times overwrought comedy/drama that offers little insight into the experience of being forty, female and single.\nThat such a horrible movie could have sprung from such a great one is one of the year's worst cinematic tragedies.\nIt all starts to smack of a Hallmark Hall of Fame, with a few four letter words thrown in that are generally not heard on television.\nRarely has a film's title served such dire warning.\nIf you saw Benigni's Pinocchio at a public park, you'd grab your kids and run and then probably call the police.\nThe animation is competent, and some of the gags are quite funny, but Jonah ... never shakes the oppressive, morally superior good-for-you quality that almost automatically accompanies didactic entertainment.\nThe pace of the film is very slow (for obvious reasons) and that too becomes off-putting.\nMr. Wollter and Ms. Seldhal give strong and convincing performances, but neither reaches into the deepest recesses of the character to unearth the quaking essence of passion, grief and fear.\nShafer's feature doesn't offer much in terms of plot or acting.\nIn his role of observer of the scene, Lawrence sounds whiny and defensive, as if his life-altering experiences made him bitter and less mature.\n(T)he ideas of Revolution #9 are more compelling than the execution\nThe film didn't convince me that Calvin Jr.'s Barbershop represents some sort of beacon of hope in the middle of Chicago's South Side.\nWhat happens when something goes bump in the night and nobody cares?\nDespite some comic sparks, Welcome to Collinwood never catches fire.\nDirector George Hickenlooper has had some success with documentaries, but here his sense of story and his juvenile camera movements smack of a film school undergrad, and his maudlin ending might not have gotten him into film school in the first place.\nShows moments of promise but ultimately succumbs to cliches and pat storytelling.\nEven accepting this in the right frame of mind can only provide it with so much leniency.\nSome Body is a shaky, uncertain film that nevertheless touches a few raw nerves.\nAll the small moments and flashbacks don't add up to much more than trite observations on the human condition.\n(A) stale retread of the '53 original.\nOne thing's for sure--if George Romero had directed this movie, it wouldn't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head.\nFor dance completists only.\nSpreads itself too thin, leaving these actors, as well as the members of the commune, short of profound characterizations\nIt wouldn't matter so much that this arrogant Richard Pryor wannabe's routine is offensive, puerile and unimaginatively foul-mouthed if it was at least funny.\nThe locale ... remains far more interesting than the story at hand.\nYo, it's The Days Of Our Lives meets Electric Boogaloo.\nI liked the original short story but this movie, even at an hour and twenty-some minutes, it's too long and it goes nowhere.\nThis little film is so slovenly done, so primitive in technique, that it can't really be called animation.\nMakes 98 minutes feel like three hours.\nHawke's film, a boring, pretentious waste of nearly two hours, doesn't tell you anything except that the Chelsea Hotel today is populated by whiny, pathetic, starving and untalented artistes.\nAspires to the cracked lunacy of The Adventures of Buckaroo Banzai, but thanks to an astonishingly witless script ends up more like The Adventures of Ford Fairlane.\nReal-life strongman Ahola lacks the charisma and ability to carry the film on his admittedly broad shoulders.\nThe title, alone, should scare any sane person away.\nLow comedy doesn't come much lower.\nAppropriately cynical social commentary aside, #9 never quite ignites.\nIt's crap on a leash--far too polite to scale the lunatic heights of Joe Dante's similarly styled Gremlins.\nOne of the most depressing movie-going experiences I can think of is to sit through about 90 minutes of a so-called 'comedy' and not laugh once.\nThis is the kind of movie where the big scene is a man shot out of a cannon into a vat of ice cream.\nLet's face it -- there aren't many reasons anyone would want to see Crossroads if they're not big fans of teen pop kitten Britney Spears.\nA loud, brash and mainly unfunny high school comedy.\nAn exceptionally dreary and overwrought bit of work, every bit as imperious as Katzenberg's The Prince of Egypt from 1998.\nThe movie is so resolutely cobbled together out of older movies that it even uses a totally unnecessary prologue, just because it seems obligatory.\nThe movie's vision of a white American zealously spreading a Puritanical brand of Christianity to South Seas islanders is one only a true believer could relish.\nMaid in Manhattan proves that it's easier to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies.\nA fairly harmless but ultimately lifeless feature-length afterschool special.\nI can't remember the last time I saw a movie where I wanted so badly for the protagonist to fail.\n...the whole thing succeeded only in making me groggy.\nLike most of Jaglom's films, some of it is honestly affecting, but more of it seems contrived and secondhand.\nOne long, numbing action sequence made up mostly of routine stuff Yuen has given us before.\nForgettable, if good-hearted, movie.\nThe film's most improbable feat? It didn't go straight to video.\n...about as exciting to watch as two last-place basketball teams playing one another on the final day of the season.\nThe Chateau... is less concerned with cultural and political issues than doting on its eccentric characters.\nCruel and inhuman cinematic punishment... simultaneously degrades its characters, its stars and its audience.\nIt's not too fast and not too slow. It's not too racy and it's not too offensive. It's not too much of anything.\nThe great pity is that those responsible didn't cut their losses – and ours – and retitle it The Adventures of Direct-to-Video Nash, and send it to its proper home.\nAbout as original as a gangster sweating bullets while worrying about a contract on his life.\nAn empty shell of an epic rather than the real deal.\nWe could have expected a little more human being, and a little less product.\nInstead of using George and Lucy's most obvious differences to ignite sparks, Lawrence desperately looks elsewhere, seizing on George's haplessness and Lucy's personality tics.\nWhether Quitting will prove absorbing to American audiences is debatable.\nBecomes a bit of a mishmash: a tearjerker that doesn't and a thriller that won't.\nFamily togetherness takes a back seat to inter-family rivalry and workplace ambition... whole subplots have no explanation or even plot relevance.\nGrant isn't Cary and Bullock isn't Katherine.\nLike a fish that's lived too long, Austin Powers in Goldmember has some unnecessary parts and is kinda wrong in places.\nTwo tedious acts light on great scares and a good surprise ending.\nShyamalan should stop trying to please his mom.\nThe entire movie is in need of a scented bath.\nI'm sorry to say that this should seal the deal - Arnold is not, nor will he be, back.\nThe story of Trouble Every Day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film, and the movie's fragmentary narrative style makes piecing the story together frustrating difficult.\nA Movie to Forget\nFor all of its insights into the dream world of teen life, and its electronic expression through cyber culture, the film gives no quarter to anyone seeking to pull a cohesive story out of its 2 1/2-hour running time.\nEnough is not a bad movie, just mediocre. The performances are so overstated, the effect comes off as self-parody.\nIt looks good, but it is essentially empty.\nThe film never finds its tone and several scenes run too long.\nThe idea is more interesting than the screenplay, which lags badly in the middle and lurches between not-very-funny comedy, unconvincing dramatics and some last-minute action strongly reminiscent of Run Lola Run.\nVan Wilder has a built-in audience, but only among those who are drying out from spring break and are still unconcerned about what they ingest.\nIt's hard to believe that something so short could be so flabby.\nDo we really need another film that praises female self-sacrifice?\nThe major problem with Windtalkers is that the bulk of the movie centers on the wrong character.\nTennessee Williams by way of Oprah's Book Club.\nSo verbally flatfooted and so emotionally predictable or bland that it plays like the standard made-for-TV movie.\nThe entire point of a shaggy dog story, of course, is that it goes nowhere, and this is classic nowheresville in every sense.\nStale and clichéd to a fault.\nThis film is too busy hitting all of its assigned marks to take on any life of its own.\nWatching junk like this induces a kind of abstract guilt, as if you were paying dues for good books unread, fine music never heard.\nThe script feels as if it started to explore the obvious voyeuristic potential of 'hypertime' but then backed off when the producers saw the grosses for Spy Kids.\nStarts off witty and sophisticated and you want to love it -- but filmmaker Yvan Attal quickly writes himself into a corner.\nSome Like It Hot on the Hardwood proves once again that a man in drag is not in and of himself funny.\nUnfortunately, contrived plotting, stereotyped characters and Woo's over-the-top instincts as a director undermine the moral dilemma at the movie's heart.\nWitless and utterly pointless.\nWhen 'science fiction' takes advantage of the fact that its intended audience hasn't yet had much science, it does a disservice to the audience and to the genre.\nShow me the mugging.\nRepresents something very close to the nadir of the thriller/horror genre.\nVisually sumptuous but intellectually stultifying.\nAs a feature-length film, it wears out its welcome as tryingly as the title character.\nA guilty pleasure at best, and not worth seeing unless you want to laugh at it.\nA sleep-inducing thriller with a single twist that everyone except the characters in it can see coming a mile away.\nWith a ``Spy Kids'' sequel opening next week, why bother with a contemptible imitator starring a ``SNL'' has-been acting like an 8-year-old channeling Roberto Benigni?\nIt's just rather leaden and dull.\nLacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago.\nStatham employs an accent that I think is supposed to be an attempt at hardass American but sometimes just lapses into unhidden British.\nInstead of trying to bust some blondes, (Diggs) should be probing why a guy with his talent ended up in a movie this bad.\nInitial strangeness inexorably gives way to rote sentimentality and mystical tenderness becomes narrative expedience.\nDe Ayala is required to supply too much of the energy in a film that is, overall, far too staid for its subject matter.\nDismally dull sci-fi comedy.\nThere's surely something wrong with a comedy where the only belly laughs come from the selection of outtakes tacked onto the end credits.\nWhen one hears Harry Shearer is going to make his debut as a film director, one would hope for the best\nThe leads we are given here are simply too bland to be interesting.\n(Toback's) fondness for fancy split-screen, stuttering editing and pompous references to Wittgenstein and Kirkegaard ... blends uneasily with the titillating material.\nAdam Sandler's 8 Crazy Nights is 75 wasted minutes of Sandler as the voice-over hero in Columbia Pictures' perverse idea of an animated holiday movie.\nessentially ``Fatal Attraction'' remade for viewers who were in diapers when the original was released in 1987. ...this story gets sillier, not scarier, as it goes along...\nEven a hardened voyeur would require the patience of Job to get through this interminable, shapeless documentary about the swinging subculture.\nThe film's hero is a bore and his innocence soon becomes a questionable kind of inexcusable dumb innocence.\nA singularly off-putting romantic comedy.\nThis is an exercise not in biography but in hero worship.\nIt all comes down to whether you can tolerate Leon Barlow. I can't.\nIn the spirit of the season, I assign one bright shining star to Roberto Benigni's Pinocchio -- but I guarantee that no wise men will be following after it.\nCheck your brain and your secret agent decoder ring at the door because you don't want to think too much about what's going on. The movie does has some entertainment value - how much depends on how well you like Chris Rock.\nA movie that seems motivated more by a desire to match mortarboards with Dead Poets Society and Good Will Hunting than by its own story.\nA culture clash comedy only half as clever as it thinks it is.\nThe logic of it all will be Greek to anyone not predisposed to the movie's rude and crude humor.\nAs self-aware movies go, Who is Cletis Tout? is clever enough, though thin writing proves its undoing.\nStarts out strongly before quickly losing its focus, point and purpose in a mess of mixed messages, over-blown drama and Bruce Willis with a scar.\n... a fascinating curiosity piece -- fascinating, that is, for about ten minutes. After that it becomes long and tedious like a classroom play in a college history course.\nDirector Jay Russell weighs down his capricious fairy-tale with heavy sentiment and lightweight meaning.\nThere are many things that solid acting can do for a movie, but crafting something promising from a mediocre screenplay is not one of them.\nIts screenplay serves as auto-critique, and its clumsiness as its own most damning censure.\nAt times, it actually hurts to watch.\nNemesis suffers from a paunchy midsection, several plodding action sequences and a wickedly undramatic central theme.\nThe jokes are telegraphed so far in advance they must have been lost in the mail.\n(Tries) to parody a genre that's already a joke in the United States. The movie is the equivalent of French hip-hop, which also seems to play on a 10-year delay.\nA beyond-lame satire, Teddy Bears' Picnic ranks among the most pitiful directing debuts by an esteemed writer-actor.\nI've never seen (a remake) do anything as stomach-turning as the way Adam Sandler's new movie rapes, pillages and incinerates Frank Capra's classic...\nHollywood's answer to an air ball.\nAnd people make fun of me for liking Showgirls.\nSuch a wildly uneven hit-and-miss enterprise, you can't help suspecting that it was improvised on a day-to-day basis during production.\nA weird little movie that's amusing enough while you watch it, offering fine acting moments and pungent insights into modern L.A.'s show-biz and media subcultures. But it doesn't leave you with much.\nI'm convinced I could keep a family of five blind, crippled, Amish people alive in this situation better than these British soldiers do at keeping themselves kicking.\nLike Mike is a slight and uninventive movie: Like the exalted Michael Jordan referred to in the title, many can aspire but none can equal.\nThere is nothing funny in this every-joke-has- been-told-a- thousand-times- before movie.\nAlways destined to be measured against Anthony Asquith's acclaimed 1952 screen adaptation.\nThis is standard crime drama fare... instantly forgettable and thoroughly dull.\nThere's some outrageously creative action in The Transporter ... (b)ut by the time Frank parachutes down onto a moving truck, it's just another cartoon with an unstoppable superman.\nOne of those based-on-truth stories that persuades you, with every scene, that it could never really have happened this way.\nFrom its nauseating spinning credits sequence to a very talented but underutilized supporting cast, Bartleby squanders as much as it gives out.\nYet another genre exercise, Gangster No. 1 is as generic as its title.\nDespite the holes in the story and the somewhat predictable plot, moments of the movie caused me to jump in my chair...\nThere's an admirable rigor to Jimmy's relentless anger, and to the script's refusal of a happy ending, but as those monologues stretch on and on, you realize there's no place for this story to go but down.\nOnce again, the intelligence of gay audiences has been grossly underestimated, and a meaty plot and well-developed characters have been sacrificed for skin and flash that barely fizzle.\nA lightweight, uneven action comedy that freely mingles French, Japanese and Hollywood cultures.\nSuch a fine idea for a film, and such a stultifying, lifeless execution.\n(Allen's) best works understand why snobbery is a better satiric target than middle-America diversions could ever be.\nThis overlong infomercial, due out on video before month's end, is tepid and tedious.\nAn ambitious, guilt-suffused melodrama crippled by poor casting.\nRarely has sex on screen been so aggressively anti-erotic.\nA dull, inconsistent, dishonest female bonding picture.\nSo much about the film is loopy and ludicrous ... that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened.\nA disappointment for a movie that should have been the ultimate IMAX trip.\nDoes little to elaborate the conceit of setting this blood-soaked tragedy of murderous ambition in the era of Richard Nixon.\nThis Sade is hardly a perverse, dangerous libertine and agitator -- which would have made for better drama. He's just a sad aristocrat in tattered finery, and the film seems as deflated as he does.\nThe film's needlessly opaque intro takes its doe-eyed Crudup out of pre-9/11 New York and onto a cross-country road trip of the Homeric kind.\nIt's as if a bored Cage spent the duration of the film's shooting schedule waiting to scream: ``Got AIDS yet?''\nIn a strange way, Egoyan has done too much. He's worked too hard on this movie.\nThe film has the thrown-together feel of a summer-camp talent show: hastily written, underrehearsed, arbitrarily plotted and filled with crude humor and vulgar innuendo.\nThe last three narcissists left on earth compete for each others' affections.\nA clash between the artificial structure of the story and the more contemporary, naturalistic tone of the film ...\nThe movie's messages are quite admirable, but the story is just too clichéd and too often strains credulity.\nWhat we have here isn't a disaster, exactly, but a very handsomely produced let-down.\nThe script was reportedly rewritten a dozen times -- either 11 times too many or else too few.\nA shoddy male hip hop fantasy filled with guns, expensive cars, lots of naked women and Rocawear clothing.\nTo the filmmakers, Ivan is a prince of a fellow, but he comes across as shallow and glib though not mean-spirited, and there's no indication that he's been responsible for putting together any movies of particular value or merit.\nThis is a movie filled with unlikable, spiteful idiots; whether or not their friendship is salvaged makes no difference in the least.\nIt's as if Allen, at 66, has stopped challenging himself.\nScotland, PA is entirely too straight-faced to transcend its clever concept.\nA movie that the less charitable might describe as a castrated cross between Highlander and Lolita.\nNot only does LeBlanc make one spectacularly ugly-looking broad, but he appears miserable throughout as he swaggers through his scenes.\nThere's little to recommend Snow Dogs, unless one considers cliched dialogue and perverse escapism a source of high hilarity.\nIt's deep-sixed by a compulsion to catalog every bodily fluids gag in There's Something About Mary and devise a parallel clone-gag.\nThe film rehashes several old themes and is capped with pointless extremes -- it's insanely violent and very graphic.\nSorority Boys, which is as bad at it is cruel, takes every potential laugh and stiletto-stomps the life out of it.\nHere the love scenes all end in someone screaming. Maybe there's a metaphor here, but figuring it out wouldn't make Trouble Every Day any better.\nThis is the first film I've ever seen that had no obvious directing involved.\nFans of so-bad-they're-good cinema may find some fun in this jumbled mess.\nWeiss and Speck never make a convincing case for the relevance of these two 20th-century footnotes.\nSheridan is painfully bad, a fourth-rate Jim Carrey who doesn't understand the difference between dumb fun and just plain dumb.\nPresents nothing special and, until the final act, nothing overtly disagreeable.\nThe most excruciating 86 minutes one might sit through this summer that do not involve a dentist drill.\nWas that movie nothing more than a tepid exercise in trotting out a formula that worked five years ago but has since lost its fizz?\nIt goes on for too long and bogs down in a surfeit of characters and unnecessary subplots.\nIt's absolutely amazing how first-time director Kevin Donovan managed to find something new to add to the canon of Chan. Make Chan's action sequences boring.\nYou ... get a sense of good intentions derailed by a failure to seek and strike just the right tone.\n'In this poor remake of such a well loved classic, Parker exposes the limitations of his skill and the basic flaws in his vision.'\nIt's the movie equivalent of a sweaty old guy in a rain coat shopping for cheap porn.\nThe film's final hour, where nearly all the previous unseen material resides, is unconvincing soap opera that Tornatore was right to cut.\nThe movie does such an excellent job of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating.\nI found it slow, predictable and not very amusing.\nDirector Yu seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we haven't seen 10,000 times.\nViewers will need all the luck they can muster just figuring out who's who in this pretentious mess.\nA pint-sized 'Goodfellas' designed to appeal to the younger set, it's not a very good movie in any objective sense, but it does mostly hold one's interest.\nGet out your pooper-scoopers.\nWhile the material is slight, the movie is better than you might think.\nIt's definitely not made for kids or their parents, for that matter, and I think even fans of Sandler's comic taste may find it uninteresting.\nSheridan seems terrified of the book's irreverent energy, and scotches most of its élan, humor, bile, and irony.\nMore busy than exciting, more frantic than involving, more chaotic than entertaining.\nThere are more shots of children smiling for the camera than typical documentary footage which hurts the overall impact of the film. It's makes a better travelogue than movie.\nIt's as if Solondz had two ideas for two movies, couldn't really figure out how to flesh either out, so he just slopped `em together here.\nThe fourth in a series that I'll bet most parents had thought --hoped! -- was a fad that had long since vanished.\nIt's a long way from Orwell's dark, intelligent warning cry (1984) to the empty stud knockabout of Equilibrium, and what once was conviction is now affectation.\nIts premise is smart, but the execution is pretty weary.\nThe holiday message of the 37-minute Santa vs. the Snowman leaves a lot to be desired.\nmore precious than perspicacious\nIf you saw it on TV, you'd probably turn it off, convinced that you had already seen that movie.\n(T)he script isn't up to the level of the direction, nor are the uneven performances by the cast members, who seem bound and determined to duplicate Bela Lugosi's now-cliched vampire accent.\nIf this is cinema, I pledge allegiance to Cagney and Lacey.\nEnigma looks great, has solid acting and a neat premise. Yet why it fails is a riddle wrapped in a mystery inside an enigma.\nMost of the characters come off as pantomimesque sterotypes.\nStarts promisingly but disintegrates into a dreary, humorless soap opera.\nWhile there's likely very little crossover appeal to those without much interest in the Elizabethans (as well as rank frustration from those in the know about Rubbo's dumbed-down tactics), Much Ado About Something is an amicable endeavor.\nIt's actually too sincere -- the crime movie equivalent of a chick flick.\nMost of the film feels conceived and shot on the fly -- like between lunch breaks for Shearer's radio show and his Simpson voice-overs.\nPerry's good and his is an interesting character, but ``Serving Sara'' hasn't much more to serve than silly fluff. Nor is it a romantic comedy.\nCulkin turns his character into what is basically an anti-Harry Potter -- right down to the Gryffindor scarf.\nMemorable for a peculiar malaise that renders its tension flaccid and, by extension, its surprises limp and its resolutions ritual.\nIt's a documentary that says that the alternate sexuality meant to set you free may require so much relationship maintenance that celibacy can start looking good.\nIn the not-too-distant future, movies like Ghost Ship will be used as analgesic balm for overstimulated minds. Right now, they're merely signposts marking the slow, lingering death of imagination.\nThe movie's biggest shocks come from seeing former nymphette Juliette Lewis playing a salt-of-the-earth mommy named Minnie and watching Slim travel incognito in a ridiculous wig no respectable Halloween costume shop would ever try to sell.\nLike most movies about the pitfalls of bad behavior ... Circuit gets drawn into the party.\nIt appears as if even the filmmakers didn't know what kind of movie they were making.\nBeneath the uncanny, inevitable and seemingly shrewd facade of movie-biz farce...lies a plot cobbled together from largely flat and uncreative moments.\nSnipes relies too much on a scorchingly plotted dramatic scenario for its own good.\nPiccoli's performance is amazing, yes, but the symbols of loss and denial and life-at-arm's-length in the film seem irritatingly transparent.\nStarts out mediocre, spirals downward, and thuds to the bottom of the pool with an utterly incompetent conclusion.\nNicolas Cage isn't the first actor to lead a group of talented friends astray, and this movie won't create a ruffle in what is already an erratic career.\nIt lacks the compassion, good-natured humor and the level of insight that made (Eyre's) first film something of a sleeper success.\nThe result is good gossip, entertainingly delivered, yet with a distinctly musty odour, its expiry date long gone.\nA sustained fest of self-congratulation between actor and director that leaves scant place for the viewer.\nAll Analyze That proves is that there is really only one movie's worth of decent gags to be gleaned from the premise.\nGreen ruins every single scene he's in, and the film, while it's not completely wreaked, is seriously compromised by that.\nThere's not a comedic moment in this romantic comedy.\nThe story is predictable, the jokes are typical Sandler fare, and the romance with Ryder is puzzling.\nWallace directs with such patronising reverence, it turns the stomach.\nResurrection has the dubious distinction of being a really bad imitation of the really bad Blair Witch Project.\nPoor Ben Bratt couldn't find stardom if MapQuest emailed him point-to-point driving directions.\nPretend like your SAT scores are below 120 and you might not notice the flaws.\nUnlike Trey Parker, Sandler doesn't understand that the idea of exploiting molestation for laughs is funny, not actually exploiting it yourself.\nA fake street drama that keeps telling you things instead of showing them.\nAn empty, purposeless exercise.\nEarnest and tentative even when it aims to shock.\nHaneke's script (from Elfriede Jelinek's novel) is contrived, unmotivated, and psychologically unpersuasive, with an inconclusive ending.\nA sometimes incisive and sensitive portrait that is undercut by its awkward structure and a final veering toward melodrama.\nThose 24-and-unders looking for their own Caddyshack to adopt as a generational signpost may have to keep on looking.\nA distinctly mixed bag, the occasional bursts of sharp writing alternating with lots of sloppiness and the obligatory moments of sentimental ooze.\nWhat begins brightly gets bogged down over 140 minutes.\nUltimately, Jane learns her place as a girl, softens up and loses some of the intensity that made her an interesting character to begin with.\nAh-nuld's action hero days might be over.\nIt's clear why Deuces Wild, which was shot two years ago, has been gathering dust on MGM's shelf.\nFeels like nothing quite so much as a middle-aged moviemaker's attempt to surround himself with beautiful, half-naked women.\nWhen the precise nature of Matthew's predicament finally comes into sharp focus, the revelation fails to justify the build-up.\nThis picture is murder by numbers, and as easy to be bored by as your ABC's, despite a few whopping shootouts.\nHilarious musical comedy though stymied by accents thick as mud.\nIf you are into splatter movies, then you will probably have a reasonably good time with The Salton Sea.\nA dull, simple-minded and stereotypical tale of drugs, death and mind-numbing indifference on the inner-city streets.\nThe feature-length stretch ... strains the show's concept.\nThis slender plot feels especially thin stretched over the nearly 80-minute running time.\nA film that will probably please people already fascinated by Behan but leave everyone else yawning with admiration.\nDavis the performer is plenty fetching enough, but she needs to shake up the mix, and work in something that doesn't feel like a half-baked stand-up routine.\nThe densest distillation of Roberts' movies ever made.\nUltimately, the film never recovers from the clumsy cliché of the ugly American abroad, and the too-frosty exterior Ms. Paltrow employs to authenticate her British persona is another liability.\nA handsome but unfulfilling suspense drama more suited to a quiet evening on PBS than a night out at an AMC.\nTom Green and an Ivy League college should never appear together on a marquee, especially when the payoff is an unschooled comedy like Stealing Harvard, which fails to keep 80 minutes from seeming like 800.\n(It) highlights not so much the crime lord's messianic bent, but Spacey's.\nMaster of Disguise runs for only 71 minutes and feels like three hours.\nA reworking of Die Hard and Cliffhanger but it's nowhere near as exciting as either.\nSuffers from unlikable characters and a self-conscious sense of its own quirky hipness.\nA film without surprise geared toward maximum comfort and familiarity.\nFessenden continues to do interesting work, and it would be nice to see what he could make with a decent budget. But the problem with Wendigo, for all its effective moments, isn't really one of resources.\nSpirit is a visual treat, and it takes chances that are bold by studio standards, but it lacks a strong narrative.\nIt stars schticky Chris Rock and stolid Anthony Hopkins, who seem barely in the same movie. Their contrast is neither dramatic nor comic -- it's just a weird fizzle.\nThis is a children's film in the truest sense. It's packed with adventure and a worthwhile environmental message, so it's great for the kids. Parents, on the other hand, will be ahead of the plot at all times, and there isn't enough clever innuendo to fil\nThe niftiest trick perpetrated by The Importance of Being Earnest is the alchemical transmogrification of Wilde into Austen--and a Hollywood-ized Austen at that.\nTykwer's surface flash isn't just a poor fit with Kieslowski's lyrical pessimism; it completely contradicts everything Kieslowski's work aspired to, including the condition of art.\nIce Age is the first computer-generated feature cartoon to feel like other movies, and that makes for some glacial pacing early on.\nToo slick and manufactured to claim street credibility.\nCherry Orchard is badly edited, often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a 'back story.'\nWhat ensues are much blood-splattering, mass drug-induced bowel evacuations, and none-too-funny commentary on the cultural distinctions between Americans and Brits.\nA dark comedy that goes for sick and demented humor simply to do so. The movie is without intent.\nVisually exciting sci-fi film which suffers from a lackluster screenplay.\nWhile Hollywood Ending has its share of belly laughs (including a knockout of a closing line), the movie winds up feeling like a great missed opportunity.\nIf The Full Monty was a freshman fluke, Lucky Break is (Cattaneo) sophomore slump.\nSandra Bullock and Hugh Grant make a great team, but this predictable romantic comedy should get a pink slip.\nAllegiance to Chekhov, which director Michael Cacoyannis displays with somber earnestness in the new adaptation of The Cherry Orchard, is a particularly vexing handicap.\nYou expect more from director Michael Apted (Enigma) and screenwriter Nicholas Kazan (Reversal of Fortune) than this cliche pileup.\nThe first mistake, I suspect, is casting Shatner as a legendary professor and Kunis as a brilliant college student--where's Pauly Shore as the rocket scientist?\nThe dramatic scenes are frequently unintentionally funny, and the action sequences -- clearly the main event -- are surprisingly uninvolving.\nReplacing John Carpenter's stylish tracking shots is degraded, handheld Blair Witch video-cam footage. Of all the Halloween's, this is the most visually unappealing.\nIt has the requisite faux-urban vibe and hotter-two-years-ago rap and R&B names and references.\nDespite its dry wit and compassion, the film suffers from a philosophical emptiness and maddeningly sedate pacing.\n...feels as if (there's) a choke leash around your neck so director Nick Cassavetes can give it a good, hard yank whenever he wants you to feel something.\nAttal pushes too hard to make this a comedy or serious drama. He seems to want both, but succeeds in making neither.\nI could have used my two hours better watching Being John Malkovich again.\nIt's not a bad plot; but, unfortunately, the movie is nowhere near as refined as all the classic dramas it borrows from.\nGirlfriends are bad, wives are worse and babies are the kiss of death in this bitter Italian comedy.\nThe only young people who possibly will enjoy it are infants... who might be distracted by the movie's quick movements and sounds.\nThe film boasts at least a few good ideas and features some decent performances, but the result is disappointing.\nNo Such Thing breaks no new ground and treads old turf like a hippopotamus ballerina.\nUnfortunately, neither Sendak nor the directors are particularly engaging or articulate.\nA wishy-washy melodramatic movie that shows us plenty of sturm und drung, but explains its characters' decisions only unsatisfactorily.\nBang! Zoom! It's actually pretty funny, but in all the wrong places.\nLurid and less than lucid work.\nA wannabe comedy of manners about a brainy prep-school kid with a Mrs. Robinson complex founders on its own preciousness -- and squanders its beautiful women.\nAt a brief 42 minutes, we need more X and less blab.\nIf anything, see it for Karen Black, who camps up a storm as a fringe feminist conspiracy theorist named Dirty Dick.\nThis 90-minute dud could pass for Mike Tyson's E! True Hollywood Story.\nThis is surely one of the most frantic, virulent and foul-natured Christmas season pics ever delivered by a Hollywood studio.\nOnce the expectation of laughter has been quashed by whatever obscenity is at hand, even the funniest idea isn't funny.\nA porn film without the sex scenes.\nThe connected stories of Breitbart and Hanussen are actually fascinating, but the filmmaking in Invincible is such that the movie does not do them justice.\nA depressingly retrograde, 'post-feminist' romantic comedy that takes an astonishingly condescending attitude toward women.\nReturn to Never Land is much more P.C. than the original version (no more racist portraits of Indians, for instance), but the excitement is missing.\nBy the end, you just don't care whether that cold-hearted snake Petrovich (that would be Reno) gets his comeuppance. Just bring on the Battle Bots, please!\nWhile it's all quite tasteful to look at, the attention process tends to do a little fleeing of its own.\nBroder's screenplay is shallow, offensive and redundant, with pitifully few real laughs.\nYes they can swim, the title is merely Anne-Sophie Birot's off-handed way of saying girls find adolescence difficult to wade through.\nDon Michael Paul uses quick-cuts, (very) large shadows and wide-angle shots taken from a distance to hide the liberal use of a body double (for Seagal).\nSlow, silly and unintentionally hilarious.\nThe Sweetest Thing leaves a bitter taste.\nIn a big corner office in Hell, Satan is throwing up his hands in surrender, is firing his R&D people, and has decided he will just screen The Master of Disguise 24/7.\nFor something as splendid-looking as this particular film, the viewer expects something special but instead gets (sci-fi) rehash.\nA thriller without a lot of thrills.\nThis stuck pig of a movie flails limply between bizarre comedy and pallid horror.\nAh, the travails of metropolitan life! Alas, another breathless movie about same!\nIn Moonlight Mile, no one gets shut out of the hug cycle.\nThough uniformly well acted, especially by young Ballesta and Galan (a first-time actor), writer/director Achero Manas's film is schematic and obvious.\nDone in mostly by a weak script that can't support the epic treatment.\nDespite its visual virtuosity, 'Naqoyqatsi' is banal in its message and the choice of material to convey it.\nSlap her - she's not funny! No French people were harmed during the making of this movie, but they were insulted and the audience was put through torture for an hour and a half.\nThough its rather routine script is loaded with familiar situations, the movie has a cinematic fluidity and sense of intelligence that makes it work more than it probably should.\n``One look at a girl in tight pants and big tits and you turn stupid?'' Um.....isn't that the basis for the entire plot?\n``Not really as bad as you might think!''\nStrident and inelegant in its 'message-movie' posturing.\nOne regards Reign of Fire with awe. What a vast enterprise has been marshaled in the service of such a minute idea.\nIt has the right approach and the right opening premise, but it lacks the zest and it goes for a plot twist instead of trusting the material.\nIts impressive images of crematorium chimney fires and stacks of dead bodies are undermined by the movie's presentation, which is way too stagy.\nSeeing as the film lacks momentum and its position remains mostly undeterminable, the director's experiment is a successful one.\nThe plot is romantic comedy boilerplate from start to finish.\nI suspect this is the kind of production that would have been funnier if the director had released the outtakes theatrically and used the film as a bonus feature on the DVD.\nAn unfortunate title for a film that has nothing endearing about it.\nNinety minutes of Viva Castro! can be as tiresome as 9 seconds of Jesse Helms' anti- Castro rhetoric, which are included\nComes off as a long, laborious whine, the bellyaching of a paranoid and unlikable man.\nIt just goes to show, an intelligent person isn't necessarily an admirable storyteller.\nIn a 102-minute film, Aaliyah gets at most 20 minutes of screen time. ... most viewers will wish there had been more of the ``Queen'' and less of the ``Damned.''\nHopelessly inane, humorless and under-inspired.\nKapur fails to give his audience a single character worth rooting for (or worth rooting against, for that matter).\nIt reduces the complexities to bromides and slogans and it gets so preachy-keen and so tub-thumpingly loud it makes you feel like a chump just for sitting through it.\nNone of this has the suavity or classical familiarity of Bond, but much of it is good for a laugh. The problem with ``XXX'' is that its own action isn't very effective.\nA great script brought down by lousy direction. Same guy with both hats. Big mistake.\nA mediocre exercise in target demographics, unaware that it's the butt of its own joke.\nDirector Kevin Bray excels in breaking glass and marking off the ``Miami Vice'' checklist of power boats, Latin music and dog tracks. He doesn't, however, deliver nearly enough of the show's trademark style and flash.\nIn gleefully, thumpingly hyperbolic terms, it covers just about every cliche in the compendium about crass, jaded movie types and the phony baloney movie biz.\nThe Spalding Gray equivalent of a teen gross-out comedy.\nPerhaps even the SLC high command found writer-director Mitch Davis's wall of kitsch hard going.\nAccording to Wendigo, 'nature' loves the members of the upper class almost as much as they love themselves.\nAn encouraging effort from McCrudden\nThe romance between the leads isn't as compelling or as believable as it should be.\nIf I could have looked into my future and saw how bad this movie was, I would go back and choose to skip it. Fortunately, you still have that option.\nSupposedly authentic account of a historical event that's far too tragic to merit such superficial treatment.\nAdroit but finally a trifle flat, Mad Love doesn't galvanize its outrage the way, say, Jane Campion might have done, but at least it possesses some.\nTo Blandly Go Where We Went 8 Movies Ago ...\nA slow-moving police-procedural thriller that takes its title all too literally.\nThis u-boat doesn't have a captain.\nWith nary a glimmer of self-knowledge, (Crane) becomes more specimen than character -- and Auto Focus remains a chilly, clinical lab report.\nThis one aims for the toilet and scores a direct hit.\nDull, a road-trip movie that's surprisingly short of both adventure and song.\nI walked away not really know who ``they'' were, what ``they'' looked like. Why ``they'' were here and what ``they'' wanted and quite honestly, I didn't care.\nAfter several scenes of this tacky nonsense, you'll be wistful for the testosterone-charged wizardry of Jerry Bruckheimer productions, especially because Half Past Dead is like The Rock on a Wal-Mart budget.\nA relatively effective little potboiler until its absurd, contrived, overblown, and entirely implausible finale.\nThe Country Bears wastes an exceptionally good idea. But the movie that doesn't really deliver for country music fans or for family audiences\nAdults will certainly want to spend their time in the theater thinking up grocery lists and ways to tell their kids how not to act like Pinocchio. As for children, they won't enjoy the movie at all.\n...you can be forgiven for realizing that you've spent the past 20 minutes looking at your watch and waiting for Frida to just die already.\nToo bad writer-director Adam Rifkin situates it all in a plot as musty as one of the Golden Eagle's carpets.\nIt's lazy for a movie to avoid solving one problem by trying to distract us with the solution to another.\nThe movie is genial but never inspired, and little about it will stay with you.\nThe movie obviously seeks to re-create the excitement of such '50s flicks as Jules Verne's '20,000 Leagues Under the Sea' and the George Pal version of H.G. Wells' 'The Time Machine.' But its storytelling prowess and special effects are both listless.\nDespite the opulent lushness of every scene, the characters never seem to match the power of their surroundings.\neven after 90 minutes of playing opposite each other Bullock and Grant still look ill at ease sharing the same scene. What should have been a painless time-killer becomes instead a grating endurance test.\nA bland, obnoxious 88-minute infomercial for Universal Studios and its ancillary products.\n..little action, almost no suspense or believable tension, one-dimensional characters up the wazoo and sets that can only be described as sci-fi generic.\nThe movie strains to stay on the light, comic side of the issue, despite the difficulty of doing so when dealing with the destruction of property and, potentially, of life itself.\nThe Master of Disguise is awful. It's Pauly Shore awful. Don't say you weren't warned.\nDisappointing in comparison to other recent war movies...or any other John Woo flick for that matter.\nThe entire movie is filled with deja vu moments.\n'Opening up' the play more has partly closed it down.\nWhat (Frei) gives us ... is a man who uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows.\nAn ugly, revolting movie.\nThe film is way too full of itself; it's stuffy and pretentious in a give-me-an-Oscar kind of way.\nThe movie is concocted and carried out by folks worthy of scorn, and the nicest thing I can say is that I can't remember a single name responsible for it.\nWatching ``Ending'' is too often like looking over the outdated clothes and plastic knickknacks at your neighbor's garage sale. You can't believe anyone would really buy this stuff.\nCertainly beautiful to look at, but its not very informative about its titular character and no more challenging than your average television biopic.\nIt desperately wants to be a wacky, screwball comedy, but the most screwy thing here is how so many talented people were convinced to waste their time.\nThe skills of a calculus major at M.I.T. are required to balance all the formulaic equations in the long-winded heist comedy Who Is Cletis Tout?\nFrom the choppy editing to the annoying score to 'special effects' by way of replacing objects in a character's hands below the camera line, ``Besotted'' is misbegotten\nMy advice is to skip the film and pick up the soundtrack.\nA film that presents an interesting, even sexy premise then ruins itself with too many contrivances and goofy situations.\nFilled with low-brow humor, gratuitous violence and a disturbing disregard for life.\ndirected in a flashy, empty sub-music video style by a director so self-possessed he actually adds a period to his first name\nThe 70-year-old Godard has become, to judge from In Praise of Love, the sort of bitter old crank who sits behind his light meter and harangues the supposed injustices of the artistic world-at-large without doing all that much to correct them.\nAn unsophisticated sci-fi drama that takes itself all too seriously.\nSolondz is without doubt an artist of uncompromising vision, but that vision is beginning to feel, if not morally bankrupt, at least terribly monotonous.\nHarvard Man is a semi-throwback, a reminiscence without nostalgia or sentimentality.\nSupposedly based upon real, or at least soberly reported incidents, the film ends with a large human tragedy. Alas, getting there is not even half the interest.\nWhile Hoffman's performance is great, the subject matter goes nowhere.\nThe smash 'em-up, crash 'em-up, shoot 'em-up ending comes out of nowhere substituting mayhem for suspense.\nDeuces Wild treads heavily into Romeo and Juliet/West Side Story territory, where it plainly has no business going.\nHart's War seems to want to be a character study, but apparently can't quite decide which character.\nTheological matters aside, the movie is so clumsily sentimental and ineptly directed it may leave you speaking in tongues.\nThis latest installment of the horror film franchise that is apparently as invulnerable as its trademark villain has arrived for an incongruous summer playoff, demonstrating yet again that the era of the intelligent, well-made B movie is long gone.\nNovak contemplates a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama.\nBeen there, done that, liked it much better the first time around - when it was called The Professional.\nThe film is all over the place, really. It dabbles all around, never gaining much momentum.\nThe beautiful, unusual music is this film's chief draw, but its dreaminess may lull you to sleep.\nThe action quickly sinks into by-the-numbers territory.\nForages for audience sympathy like a temperamental child begging for attention, giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining.\nWhen (Reno) lets her radical flag fly, taking angry potshots at George W. Bush, Henry Kissinger, Larry King, et al., Reno devolves into a laugh-free lecture.\nSuch a premise is ripe for all manner of lunacy, but Kaufman and Gondry rarely seem sure of where it should go.\nBurns' fifth beer-soaked film feels in almost every possible way -- from the writing and direction to the soggy performances -- tossed off.\nWhile this one gets off with a good natured warning, future Lizard endeavors will need to adhere more closely to the laws of laughter\nAnother boorish movie from the I-heard-a-joke- at-a-frat-party school of screenwriting.\nToo much of the movie feels contrived, as if the filmmakers were worried the story wouldn't work without all those gimmicks.\nIt's hard to understand why anyone in his right mind would even think to make the attraction a movie. And it's harder still to believe that anyone in his right mind would want to see the it.\nThe ethos of the Chelsea Hotel may shape Hawke's artistic aspirations, but he hasn't yet coordinated his own DV poetry with the Beat he hears in his soul.\nThe sight of the name Bruce Willis brings to mind images of a violent battlefield action picture, but the film has a lot more on its mind--maybe too much.\nWhy sit through a crummy, wannabe-hip crime comedy that refers incessantly to old movies, when you could just rent those movies instead, let alone seek out a respectable new one?\nThe obnoxious special effects, the obligatory outbursts of flatulence and the incessant, so-five-minutes-ago pop music on the soundtrack overwhelm what is left of the scruffy, dopey old Hanna-Barbera charm.\nExploring value choices is a worthwhile topic for a film -- but here the choices are as contrived and artificial as Kerrigan's platinum-blonde hair.\nThe movie's downfall is to substitute plot for personality. It doesn't really know or care about the characters, and uses them as markers for a series of preordained events.\nAll mood and no movie.\nPress the delete key.\nSimone is not a bad film. It just doesn't have anything really interesting to say.\nOnce he starts learning to compromise with reality enough to become comparatively sane and healthy, the film becomes predictably conventional.\n...hopefully it'll be at the dollar theatres by the time Christmas rolls around. Wait to see it then.\nThere's no disguising this as one of the worst films of the summer. Or for the year, for that matter.\nLacks the spirit of the previous two, and makes all those jokes about hos and even more unmentionable subjects seem like mere splashing around in the muck.\nThis hastily mounted production exists only to capitalize on Hopkins' inclination to play Hannibal Lecter again, even though Harris has no immediate inclination to provide a fourth book.\nDeath to Smoochy tells a moldy-oldie, not-nearly -as-nasty -as-it- thinks-it-is joke. Over and over again.\nThe threat implied in the title Pokémon 4ever is terrifying – like locusts in a horde these things will keep coming.\nThe film never gets over its own investment in conventional arrangements, in terms of love, age, gender, race, and class.\nTo call this film a lump of coal would only be to flatter it.\nEntertainment more disposable than Hanna-Barbera's half-hour cartoons ever were.\nThe film falls short on tension, eloquence, spiritual challenge -- things that have made the original New Testament stories so compelling for 20 centuries.\nBy the end of it all I sort of loved the people onscreen, even though I could not stand them. Perhaps the film should be seen as a conversation starter. It's not an easy one to review.\nAt best this is a film for the under-7 crowd. But it would be better to wait for the video. And a very rainy day.\nThe whole talking-animal thing is grisly.\nNever Again, while nothing special, is pleasant, diverting and modest -- definitely a step in the right direction.\nWouldn't it be funny if a bunch of Allied soldiers went undercover as women in a German factory during World War II? Um, no. But here's a movie about it anyway.\nHas not so much been written as assembled, Frankenstein-like, out of other, marginally better shoot-em-ups.\nThe punch lines that miss, unfortunately, outnumber the hits by three-to-one. But Death to Smoochy keeps firing until the bitter end.\nMushes the college-friends genre (The Big Chill) together with the contrivances and overwrought emotion of soap operas.\nShowtime's starry cast could be both an asset and a detriment. Those who trek to the 'plex predisposed to like it probably will enjoy themselves. But ticket-buyers with great expectations will wind up as glum as Mr. De Niro.\nA determined, ennui-hobbled slog that really doesn't have much to say beyond the news flash that loneliness can make people act weird.\nToo daft by half ... but supremely good natured.\nFails in making this character understandable, in getting under her skin, in exploring motivation...Well before the end, the film grows as dull as its characters, about whose fate it is hard to care.\nIt's a shame that the storyline and its underlying themes ... finally seem so impersonal or even shallow.\nWoody, what happened?\nJuliette Binoche's Sand is vivacious, but it's hard to sense that powerhouse of 19th-century prose behind her childlike smile.\nIt's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on Oprah.\nYou can tell almost immediately that Welcome to Collinwood isn't going to jell.\nThroughout all the tumult, a question comes to mind: So why is this so boring?\nCattaneo reworks the formula that made The Full Monty a smashing success ... but neglects to add the magic that made it all work.\nRoutine and rather silly.\nA rip-off twice removed, modeled after (Seagal's) earlier copycat Under Siege, sometimes referred to as Die Hard on a boat.\nTotally overwrought, deeply biased, and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe are The Greatest Musicians of All Time.\nYou can practically hear George Orwell turning over.\nBehan's memoir is great material for a film -- rowdy, brawny and lyrical in the best Irish sense -- but Sheridan has settled for a lugubrious romance.\nWhile Holm is terrific as both men and Hjejle quite appealing, the film fails to make the most out of the intriguing premise.\nLazy filmmaking, with the director taking a hands-off approach when he should have shaped the story to show us why it's compelling.\nIf it were any more of a turkey, it would gobble in Dolby Digital stereo. If nothing else, ``Rollerball'' 2002 may go down in cinema history as the only movie ever in which the rest of the cast was outshined by LL Cool J.\nA movie that falls victim to frazzled wackiness and frayed satire.\nHow do you make a movie with depth about a man who lacked any? On the evidence before us, the answer is clear: Not easily and, in the end, not well enough.\nThe film's trailer also looked like crap, so crap is what I was expecting.\nMore trifle than triumph.\nThe movie is almost completely lacking in suspense, surprise and consistent emotional conviction.\nFesters in just such a dungpile that you'd swear you were watching monkeys flinging their feces at you.\nLyne's latest, the erotic thriller Unfaithful, further demonstrates just how far his storytelling skills have eroded.\nIt sounds like another clever if pointless excursion into the abyss, and that's more or less how it plays out.\nRumor, a muddled drama about coming to terms with death, feels impersonal, almost generic.\nReport card: Doesn't live up to the exalted tagline - there's definite room for improvement. Doesn't deserve a passing grade (even on a curve).\nThe pacing is deadly, the narration helps little and Naipaul, a juicy writer, is negated.\nAs his circle of friends keeps getting smaller one of the characters in Long Time Dead says 'I'm telling you, this is f***ed'. Maybe he was reading the minds of the audience.\n...if it had been only half-an-hour long or a TV special, the humor would have been fast and furious-- at ninety minutes, it drags.\nBean drops the ball too many times... hoping the nifty premise will create enough interest to make up for an unfocused screenplay.\nA well-acted, but one-note film.\nBlood Work is laughable in the solemnity with which it tries to pump life into overworked elements from Eastwood's Dirty Harry period.\nThe movie is too amateurishly square to make the most of its own ironic implications.\n(Lee) treats his audience the same way that Jim Brown treats his women -- as dumb, credulous, unassuming, subordinate subjects. And Lee seems just as expectant of an adoring, wide-smiling reception.\nThere's not one decent performance from the cast and not one clever line of dialogue.\nNo amount of burning, blasting, stabbing, and shooting can hide a weak script.\nIt's an odd show, pregnant with moods, stillborn except as a harsh conceptual exercise.\nNearly all the fundamentals you take for granted in most films are mishandled here.\nThe Armenian genocide deserves a more engaged and honest treatment.\nEarnest yet curiously tepid and choppy recycling in which predictability is the only winner.\nUltimately this is a frustrating patchwork: an uneasy marriage of Louis Begley's source novel (About Schmidt) and an old Payne screenplay.\nThe exploitative, clumsily staged violence overshadows everything, including most of the actors.\nWe started to wonder if ... some unpaid intern had just typed 'Chris Rock,' 'Anthony Hopkins' and 'terrorists' into some Univac-like script machine.\nEven when Crush departs from the 4W formula ... it feels like a glossy rehash.\nMore likely to have you scratching your head than hiding under your seat.\nBears is even worse than I imagined a movie ever could be.\nWhen you find yourself rooting for the monsters in a horror movie, you know the picture is in trouble.\nThis is very much of a mixed bag, with enough negatives to outweigh the positives.\nMarinated in clichés and mawkish dialogue.\nWhether it's the worst movie of 2002, I can't say for sure: Memories of Rollerball have faded, and I skipped Country Bears. But this new jangle of noise, mayhem and stupidity must be a serious contender for the title.\n(A) boldly stroked, luridly coloured, uni-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypt mist in the brain.\nNot once in the rush to save the day did I become very involved in the proceedings; to me, it was just a matter of 'eh.'\nRollerball IS as bad as you think, and worse than you can imagine.\nThe first question to ask about Bad Company is why Anthony Hopkins is in it. We assume he had a bad run in the market or a costly divorce, because there is no earthly reason other than money why this distinguished actor would stoop so low.\nNot exaggerated enough to be a parody of gross-out flicks, college flicks, or even flicks in general. It merely indulges in the worst elements of all of them.\nShame on writer/director Vicente Aranda for making a florid biopic about mad queens, obsessive relationships, and rampant adultery so dull.\nSuffers from a decided lack of creative storytelling.\nViolent, vulgar and forgettably entertaining.\nNothing happens, and it happens to flat characters.\nWith a completely predictable plot, you'll swear that you've seen it all before, even if you've never come within a mile of The Longest Yard.\nRemember back when thrillers actually thrilled? When the twist endings were actually surprising? When the violence actually shocked? When the heroes were actually under 40? Sadly, as Blood Work proves, that was a long, long time ago.\nBlue Crush has all the trappings of an energetic, extreme-sports adventure, but ends up more of a creaky ``Pretty Woman'' retread, with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought.\nThis movie plays like an extended dialogue exercise in Retard 101.\nWhat we get in FearDotCom is more like something from a bad Clive Barker movie. In other words, it's badder than bad.\nIf they broke out into elaborate choreography, singing and finger snapping it might have held my attention, but as it stands I kept looking for the last exit from Brooklyn.\nA sloppy slapstick throwback to long gone bottom-of-the-bill fare like The Ghost and Mr. Chicken.\nA small independent film suffering from a severe case of Hollywood-itis.\nWhere the film falters is in its tone.\nThe story alone could force you to scratch a hole in your head.\nUltimately, Sarah's dedication to finding her husband seems more psychotic than romantic, and nothing in the movie makes a convincing case that one woman's broken heart outweighs all the loss we witness.\nIt's supposed to be a humorous, all-too-human look at how hope can breed a certain kind of madness -- and strength -- but it never quite adds up.\nFeels more like a rejected X-Files episode than a credible account of a puzzling real-life happening.\nSome motion pictures portray ultimate passion; others create ultimate thrills. Men in Black II achieves ultimate insignificance -- it's the sci-fi comedy spectacle as Whiffle-Ball epic.\nAn enigmatic film that's too clever for its own good, it's a conundrum not worth solving.\nA zombie movie in every sense of the word--mindless, lifeless, meandering, loud, painful, obnoxious.\nA film that clearly means to preach exclusively to the converted.\nIt doesn't take a rocket scientist to figure out that this is a Mormon family movie, and a sappy, preachy one at that.\nDefinitely a crowd-pleaser, but then, so was the Roman Colosseum.\nCertainly not a good movie, but it wasn't horrible either.\nAlthough it starts off so bad that you feel like running out screaming, it eventually works its way up to merely bad rather than painfully awful.\nThe result is so tame that even slightly wised-up kids would quickly change the channel.\nIt appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up.\nNothing but an episode of Smackdown! in period costume and with a bigger budget.\nIt takes you somewhere you're not likely to have seen before, but beneath the exotic surface (and exotic dancing) it's surprisingly old-fashioned.\nWhile the story is better-focused than the incomprehensible Anne Rice novel it's based upon, Queen Of The Damned is a pointless, meandering celebration of the goth-vampire, tortured woe-is-me lifestyle.\nIt should be interesting, it should be poignant, it turns out to be affected and boring.\nA good-looking but ultimately pointless political thriller with plenty of action and almost no substance.\nA tired, predictable, bordering on offensive, waste of time, money and celluloid.\nIf Hill isn't quite his generation's Don Siegel (or Robert Aldrich), it's because there's no discernible feeling beneath the chest hair; it's all bluster and cliché.\nStealing Harvard will dip into your wallet, swipe 90 minutes of your time, and offer you precisely this in recompense: A few early laughs scattered around a plot as thin as it is repetitious.\nThis is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors.\nDoes anyone much think the central story of Brendan Behan is that he was a bisexual sweetheart before he took to drink?\n`Martin Lawrence Live' is so self-pitying, I almost expected there to be a collection taken for the comedian at the end of the show.\nThe dialogue is cumbersome, the simpering soundtrack and editing more so.\nNever decides whether it wants to be a black comedy, drama, melodrama or some combination of the three.\nIt has become apparent that the franchise's best years are long past.\nDoes what should seem impossible: it makes serial killer Jeffrey Dahmer boring.\nDon't hate El Crimen del Padre Amaro because it's anti-Catholic. Hate it because it's lousy.\n... better described as a ghost story gone badly awry.\nLike a bad improvisation exercise, the superficially written characters ramble on tediously about their lives, loves and the art they're struggling to create.\nThe filmmakers are playing to the Big Boys in New York and L.A. To that end, they mock the kind of folks they don't understand, ones they figure the power-lunchers don't care to understand, either.\nCompetently directed but terminally cute drama.\nThe big finish is a bit like getting all excited about a chocolate eclair and then biting into it and finding the filling missing.\nNot just unlikable. Disturbing. Disgusting. Without any redeeming value whatsoever.\nThis thing is virtually unwatchable.\nThose eternally devoted to the insanity of Black will have an intermittently good time. Feel free to go get popcorn whenever he's not onscreen.\nThe self-serious Equilibrium makes its point too well; a movie, like life, isn't much fun without the highs and lows.\nThe work of an exhausted, desiccated talent who can't get out of his own way.\nThe main characters are simply named The Husband, The Wife and The Kidnapper, emphasizing the disappointingly generic nature of the entire effort.\nIn terms of execution this movie is careless and unfocused.\nSwims in mediocrity, sticking its head up for a breath of fresh air now and then.\nThe only type of lives this glossy comedy-drama resembles are ones in formulaic mainstream movies.\nThe characters ... are paper-thin, and their personalities undergo radical changes when it suits the script.\nA Sha-Na-Na sketch punctuated with graphic violence.\nThe trouble is, its filmmakers run out of clever ideas and visual gags about halfway through.\nSpy-vs.-spy action flick with Antonio Banderas and Lucy Liu never comes together.\nA so-so, made-for-TV something posing as a real movie.\nThe only upside to all of this unpleasantness is, given its Labor Day weekend upload, FearDotCom should log a minimal number of hits.\nWhether this is art imitating life or life imitating art, it's an unhappy situation all around.\nAn uneasy mix of run-of-the-mill raunchy humor and seemingly sincere personal reflection.\nA formula family tearjerker told with a heavy Irish brogue...accentuating, rather than muting, the plot's saccharine thrust.\nThis is Sandler running on empty, repeating what he's already done way too often.\nThis is as lax and limp a comedy as I've seen in a while, a meander through worn-out material.\nTime literally stops on a dime in the tries-so-hard-to-be-cool ``Clockstoppers,'' but that doesn't mean it still won't feel like the longest 90 minutes of your movie-going life.\nThe sort of picture in which, whenever one of the characters has some serious soul searching to do, they go to a picture-perfect beach during sunset.\nAptly named, this shimmering, beautifully costumed and filmed production doesn't work for me.\nA preposterously melodramatic paean to gang-member teens in Brooklyn circa 1958.\nHas none of the crackle of ``Fatal Attraction'', ``9 ½ Weeks'', or even ``Indecent Proposal'', and feels more like Lyne's stolid remake of ``Lolita''.\nEverything its title implies, a standard-issue crime drama spat out from the Tinseltown assembly line.\nAn extraordinarily silly thriller.\nA rehash of every gangster movie from the past decade.\nGaping plot holes sink this 'sub'-standard thriller and drag audience enthusiasm to crush depth.\nTalkiness isn't necessarily bad, but the dialogue frequently misses the mark.\nThe beautiful images and solemn words cannot disguise the slack complacency of (Godard's) vision, any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice.\nThe stunt work is top-notch; the dialogue and drama often food-spittingly funny.\nThe movie isn't painfully bad, something to be 'fully experienced'; it's just tediously bad, something to be fully forgotten.\nCharly comes off as emotionally manipulative and sadly imitative of innumerable past Love Story derisions.\nWhat a great shame that such a talented director as Chen Kaige has chosen to make his English-language debut with a film so poorly plotted and scripted.\nNo amount of good intentions is able to overcome the triviality of the story.\nThe film ... presents classic moral-condundrum drama: What would you have done to survive? The problem with the film is whether these ambitions, laudable in themselves, justify a theatrical simulation of the death camp of Auschwitz II-Birkenau.\n... for all its social and political potential, State Property doesn't end up being very inspiring or insightful.\nA film really has to be exceptional to justify a three hour running time, and this isn't.\nLittle more than a stylish exercise in revisionism whose point ... is no doubt true, but serves as a rather thin moral to such a knowing fable.\nThe nonstop artifice ultimately proves tiresome, with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations.\nThis is a monumental achievement in practically every facet of inept filmmaking: joyless, idiotic, annoying, heavy-handed, visually atrocious, and often downright creepy.\nThis off-putting French romantic comedy is sure to test severely the indulgence of fans of Amélie.\noverburdened with complicated plotting and banal dialogue\nEnsemble movies, like soap operas, depend on empathy. If there ain't none, you have a problem.\nThe Master of Disguise falls under the category of 'should have been a sketch on Saturday Night Live.'\nYet another self-consciously overwritten story about a rag-tag bunch of would-be characters that team up for a can't-miss heist -- only to have it all go wrong.\nKoepp's screenplay isn't nearly surprising or clever enough to sustain a reasonable degree of suspense on its own.\nIs it really an advantage to invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets?\nMore successful at relating history than in creating an emotionally complex, dramatically satisfying heroine\nClumsy, obvious, preposterous, the movie will likely set the cause of woman warriors back decades.\nIt's hard to pity the 'plain' girl who becomes a ravishing waif after applying a smear of lip-gloss. Rather, pity anyone who sees this mishmash.\nA banal, virulently unpleasant excuse for a romantic comedy.\nThe drama discloses almost nothing.\nA minor-league soccer remake of The Longest Yard.\nBelongs in the too-hot-for-TV direct-to-video/DVD category, and this is why I have given it a one-star rating.\nAs earnest as a community-college advertisement, American Chai is enough to make you put away the guitar, sell the amp, and apply to medical school.\nA dim-witted and lazy spin-off of the Animal Planet documentary series, Crocodile Hunter is entertainment opportunism at its most glaring.\nThere is more than one joke about putting the toilet seat down. And that should tell you everything you need to know about All the Queen's Men.\nEven fans of Ismail Merchant's work, I suspect, would have a hard time sitting through this one.\nIt's really just another silly Hollywood action film, one among a multitude of simple-minded, yahoo-ing death shows.\nIt's not a particularly good film, but neither is it a monsterous one.\nThe world needs more filmmakers with passionate enthusiasms like Martin Scorsese. But it doesn't need Gangs of New York.\nEnchanted with low-life tragedy and liberally seasoned with emotional outbursts ... What is sorely missing, however, is the edge of wild, lunatic invention that we associate with Cage's best acting.\nHarry Potter and the Chamber of Secrets is deja vu all over again, and while that is a cliche, nothing could be more appropriate. It's likely that whatever you thought of the first production -- pro or con -- you'll likely think of this one.\nSade achieves the near-impossible: It turns the Marquis de Sade into a dullard.\n(Lin Chung's) voice is rather unexceptional, even irritating (at least to this Western ear), making it awfully hard to buy the impetus for the complicated love triangle that develops between the three central characters.\nOne of the most plain, unimaginative romantic comedies I've ever seen.\nThough there's a clarity of purpose and even-handedness to the film's direction, the drama feels rigged and sluggish.\nUnfortunately, the experience of actually watching the movie is less compelling than the circumstances of its making.\nUnless there are zoning ordinances to protect your community from the dullest science fiction, Impostor is opening today at a theater near you.\nIt should be doing a lot of things, but doesn't.\nChen films the resolutely downbeat Smokers Only with every indulgent, indie trick in the book.\n...a rather bland affair.\nFar-fetched premise, convoluted plot, and thematic mumbo jumbo about destiny and redemptive love.\nThe movie tries to be ethereal, but ends up seeming goofy.\nI was hoping that it would be sleazy and fun, but it was neither.\nHarris is supposed to be the star of the story, but comes across as pretty dull and wooden.\nSoulless and -- even more damning -- virtually joyless, XXX achieves near virtuosity in its crapulence.\nA boring masquerade ball where normally good actors, even Kingsley, are made to look bad.\nAll the Queen's Men is a throwback war movie that fails on so many levels, it should pay reparations to viewers.\nThe filmmakers keep pushing the jokes at the expense of character until things fall apart.\nRather than real figures, Elling and Kjell Bjarne become symbolic characters whose actions are supposed to relate something about the naïf's encounter with the world.\nMariah Carey gives us another peek at some of the magic we saw in Glitter here in Wisegirls.\nIt's all arty and jazzy and people sit and stare and turn away from one another instead of talking and it's all about the silences and if you're into that, have at it.\nI suspect that you'll be as bored watching Morvern Callar as the characters are in it. If you go, pack your knitting needles.\nThe lead actors share no chemistry or engaging charisma. We don't even like their characters.\nSome writer dude, I think his name was, uh, Michael Zaidan, was supposed to have like written the screenplay or something, but, dude, the only thing that I ever saw that was written down were the zeroes on my paycheck.\nThe movie doesn't generate a lot of energy. It is dark, brooding and slow, and takes its central idea way too seriously.\nThis feature is about as necessary as a hole in the head\nSpectators will indeed sit open-mouthed before the screen, not screaming but yawning.\nIt feels like very light Errol Morris, focusing on eccentricity but failing, ultimately, to make something bigger out of its scrapbook of oddballs.\nA period story about a Catholic boy who tries to help a Jewish friend get into heaven by sending the audience straight to hell.\nThe premise itself is just SOOOOO tired. Pair that with really poor comedic writing...and you've got a huge mess.\nProves a lovely trifle that, unfortunately, is a little too in love with its own cuteness.\nDid we really need a remake of ``Charade?''\nSome movies can get by without being funny simply by structuring the scenes as if they were jokes: a setup, delivery and payoff. Stealing Harvard can't even do that much. Each scene immediately succumbs to gravity and plummets to earth.\nThe only fun part of the movie is playing the obvious game. You try to guess the order in which the kids in the house will be gored.\nI spied with my little eye...a mediocre collection of cookie-cutter action scenes and occasionally inspired dialogue bits\nEntertains not so much because of its music or comic antics, but through the perverse pleasure of watching Disney scrape the bottom of its own cracker barrel.\nThe satire is just too easy to be genuinely satisfying.\nLess funny than it should be and less funny than it thinks it is.\nan ``O Bruin, Where Art Thou?''-style cross-country adventure... it has sporadic bursts of liveliness, some so-so slapstick and a few ear-pleasing songs on its soundtrack.\nA feeble Tootsie knockoff.\nAn awful movie that will only satisfy the most emotionally malleable of filmgoers.\n...the story is far-flung, illogical, and plain stupid.\nThe very simple story seems too simple and the working out of the plot almost arbitrary.\nAn allegory concerning the chronically mixed signals African American professionals get about overachieving could be intriguing, but the supernatural trappings only obscure the message.\nA very familiar tale, one that's been told by countless filmmakers about Italian-, Chinese-, Irish-, Latin-, Indian-, Russian- and other hyphenate American young men struggling to balance conflicting cultural messages.\nOne key problem with these ardently Christian storylines is that there is never any question of how things will turn out.\nEssentially, the film is weak on detail and strong on personality\nA relentless, bombastic and ultimately empty World War II action flick.\n(Hell is) looking down at your watch and realizing Serving Sara isn't even halfway through.\nToo long, and larded with exposition, this somber cop drama ultimately feels as flat as the scruffy sands of its titular community.\nLeaves viewers out in the cold and undermines some phenomenal performances.\n...a ho-hum affair, always watchable yet hardly memorable.\nSwiftly deteriorates into a terribly obvious melodrama and rough-hewn vanity project for lead actress Andie MacDowell.\nThe histrionic muse still eludes Madonna and, playing a charmless witch, she is merely a charmless witch.\nYou have no affinity for most of the characters. Nothing about them is attractive. What they see in each other also is difficult to fathom.\nDiaz, Applegate, Blair and Posey are suitably kooky which should appeal to women and they strip down often enough to keep men alert, if not amused.\nA technically well-made suspenser...but its abrupt drop in IQ points as it races to the finish line proves simply too discouraging to let slide.\nAn inept, tedious spoof of '70s kung fu pictures, it contains almost enough chuckles for a three-minute sketch, and no more.\nIt's a mystery how the movie could be released in this condition.\nAbsolutely (and unintentionally) terrifying.\nEckstraordinarily lame and Severely boring.\nEight Legged Freaks falls flat as a spoof.\nNo matter how much he runs around and acts like a doofus, accepting a 50-year-old in the role is creepy in a Michael Jackson sort of way.\nYou'll just have your head in your hands wondering why Lee's character didn't just go to a bank manager and save everyone the misery.\n'Dragonfly' dwells on crossing-over mumbo jumbo, manipulative sentimentality, and sappy dialogue.\nIn his determination to lighten the heavy subject matter, Silberling also, to a certain extent, trivializes the movie with too many nervous gags and pratfalls.\nBlade II has a brilliant director and charismatic star, but it suffers from rampant vampire devaluation.\nVeers uncomfortably close to pro-Serb propaganda.\nMovies like High Crimes flog the dead horse of surprise as if it were an obligation. How about surprising us by trying something new?\nFinal verdict: You've seen it all before.\nThrowing in everything except someone pulling the pin from a grenade with his teeth, Windtalkers seems to have ransacked every old World War II movie for overly familiar material.\nIf A Few Good Men told us that we ``can't handle the truth'' than High Crimes poetically states at one point in this movie that we ``don't care about the truth.''\nFurther sad evidence that Tom Tykwer, director of the resonant and sense-spinning Run Lola Run, has turned out to be a one-trick pony -- a maker of softheaded metaphysical claptrap.\nYou'll trudge out of the theater feeling as though you rode the Zipper after eating a corn dog and an extra-large cotton candy.\nThe movie is a little tired; maybe the original inspiration has run its course.\nThis will go on so long as there are moviegoers anxious to see strange young guys doing strange guy things.\nA full-frontal attack on audience patience.\nAny intellectual arguments being made about the nature of God are framed in a drama so clumsy, there is a real danger less sophisticated audiences will mistake it for an endorsement of the very things that Bean abhors.\nIt's a big idea, but the film itself is small and shriveled.\nDebut effort by ``Project Greenlight'' winner is sappy and amateurish.\nOne gets the impression the creators of Don't Ask Don't Tell laughed a hell of a lot at their own jokes. Too bad none of it is funny.\nThe cast has a high time, but de Broca has little enthusiasm for such antique pulp.\nThe film, like Jimmy's routines, could use a few good laughs.\nThe film has too many spots where it's on slippery footing, but is acceptable entertainment for the entire family and one that's especially fit for the kiddies.\nPurports to be a Hollywood satire but winds up as the kind of film that should be the target of something deeper and more engaging. Oh, and more entertaining, too.\n...in the pile of useless actioners from MTV schmucks who don't know how to tell a story for more than four minutes.\nThough it was made with careful attention to detail and is well-acted by James Spader and Maggie Gyllenhaal, I felt disrespected.\nHumor in I Spy is so anemic.\nThe film is strictly routine.\nSkillful as he is, Mr. Shyamalan is undone by his pretensions.\nWhile the new film is much more eye-catching than its blood-drenched Stephen Norrington-directed predecessor, the new script by the returning David S. Goyer is much sillier.\nIn addition to sporting one of the worst titles in recent cinematic history, Ballistic: Ecks Vs. Sever also features terrible, banal dialogue; convenient, hole-ridden plotting; superficial characters and a rather dull, unimaginative car chase.\nIt shares the first two films' loose-jointed structure, but laugh-out-loud bits are few and far between.\nThe Santa Clause 2 is a barely adequate babysitter for older kids, but I've got to give it thumbs down.\nYou cannot guess why the cast and crew didn't sign a pact to burn the negative and the script and pretend the whole thing never existed.\nBarney throws away the goodwill the first half of his movie generates by orchestrating a finale that is impenetrable and dull.\nIf you're really renting this you're not interested in discretion in your entertainment choices, you're interested in Anne Geddes, John Grisham, and Thomas Kincaid.\nWe get the comedy we settle for.\nThe uneven movie does have its charms and its funny moments but not quite enough of them.\nTwo hours of sepia-tinted heavy metal images and surround sound effects of people moaning.\nA word of advice to the makers of The Singles Ward: Celebrity cameos do not automatically equal laughs. And neither do cliches, no matter how 'inside' they are.\nThe campy results make Mel Brooks' Borscht Belt schtick look sophisticated.\nIts appeal will probably limited to LDS Church members and undemanding armchair tourists.\nThe Hanukkah spirit seems fried in pork.\nCherish would've worked a lot better had it been a short film.\nManipulative claptrap, a period-piece movie-of-the-week, plain old blarney... take your pick. All three descriptions suit Evelyn, a besotted and obvious drama that tells us nothing new.\nHey Arnold! is now stretched to barely feature length, with a little more attention paid to the animation. Still, the updated Dickensian sensibility of writer Craig Bartlett's story is appealing.\nTrue to its title, it traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at.\nDoesn't come close to justifying the hype that surrounded its debut at the Sundance Film Festival two years ago.\nThe plot is paper-thin and the characters aren't interesting enough to watch them go about their daily activities for two whole hours.\nKaufman's script is never especially clever and often is rather pretentious.\nThe film didn't move me one way or the other, but it was an honest effort and if you want to see a flick about telemarketers this one will due.\nQueen of the Damned is too long with too little going on.\nIt collapses when Mr. Taylor tries to shift the tone to a thriller's rush.\nAny film that doesn't even in passing mention political prisoners, poverty and the boat loads of people who try to escape the country is less a documentary and more propaganda by way of a valentine sealed with a kiss.\n... Blade II is still top-heavy with blazing guns, cheatfully filmed martial arts, disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves.\nThe Rules of Attraction gets us too drunk on the party favors to sober us up with the transparent attempts at moralizing.\nThough there are many tense scenes in Trapped, they prove more distressing than suspenseful.\nIn this film we at least see a study in contrasts; the wide range of one actor, and the limited range of a comedian.\nFeels strangely hollow at its emotional core.\nYou have once again entered the bizarre realm where director Adrian Lyne holds sway, where all relationships are simultaneously broadly metaphorical, oddly abstract, and excruciatingly literal.\nThe high-concept scenario soon proves preposterous, the acting is robotically italicized, and truth-in-advertising hounds take note: There's very little hustling on view.\nThis director's cut -- which adds 51 minutes -- takes a great film and turns it into a mundane soap opera.\nCharacterisation has been sacrificed for the sake of spectacle.\nthe Venezuelans say things like ``si, pretty much'' and ``por favor, go home'' when talking to Americans. That's muy loco, but no more ridiculous than most of the rest of ``Dragonfly.''\nIt's a movie that ends with Truckzilla, for cryin' out loud. If that doesn't clue you in that something's horribly wrong, nothing will.\nDirector Tom Shadyac and star Kevin Costner glumly mishandle the story's promising premise of a physician who needs to heal himself.\nIt's difficult to imagine that a more confused, less interesting and more sloppily made film could possibly come down the road in 2002.\nLike the Tuck family themselves, this movie just goes on and on and on and on\nAs pedestrian as they come.\nA film that plays things so nice 'n safe as to often play like a milquetoast movie of the week blown up for the big screen.\nIt's a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer's face and asks to be seen as hip, winking social commentary.\nPut it somewhere between Sling Blade and South of Heaven, West of Hell in the pantheon of Billy Bob's body of work.\nMore intellectually scary than dramatically involving.\nAn inconsequential, barely there bit of piffle.\nThe abiding impression, despite the mild hallucinogenic buzz, is of overwhelming waste -- the acres of haute couture can't quite conceal that there's nothing resembling a spine here.\nAs saccharine as it is disposable.\nYou come away thinking not only that Kate isn't very bright, but that she hasn't been worth caring about and that maybe she, Janine and Molly -- an all-woman dysfunctional family -- deserve one another.\nThe metaphors are provocative, but too often, the viewer is left puzzled by the mechanics of the delivery.\nVery much a home video, and so devoid of artifice and purpose that it appears not to have been edited at all.\nToo much power, not enough puff.\nThe attempt to build up a pressure cooker of horrified awe emerges from the simple fact that the movie has virtually nothing to show.\nIt's provocative stuff, but the speculative effort is hampered by Taylor's cartoonish performance and the film's ill-considered notion that Hitler's destiny was shaped by the most random of chances.\nA cellophane-pop remake of the punk classic Ladies and Gentlemen, The Fabulous Stains...Crossroads is never much worse than bland or better than inconsequential.\nMuddled, trashy and incompetent\nFor this sort of thing to work, we need agile performers, but the proficient, dull Sorvino has no light touch, and Rodan is out of his league.\nNarc is all menace and atmosphere.\nThough excessively tiresome, The Uncertainty Principle, as verbally pretentious as the title may be, has its handful of redeeming features, as long as you discount its ability to bore.\nDespite Juliet Stevenon's attempt to bring cohesion to Pamela's emotional roller coaster life, it is not enough to give the film the substance it so desperately needs.\nIt's tough to be startled when you're almost dozing.\nhis (Nelson's) screenplay needs some serious re-working to show more of the dilemma, rather than have his characters stage shouting matches about it.\nIt's so downbeat and nearly humorless that it becomes a chore to sit through -- despite some first-rate performances by its lead.\nA terrible movie that some people will nevertheless find moving.\nThere are many definitions of 'time waster' but this movie must surely be one of them.\nAs it stands, Crocodile Hunter has the hurried, badly cobbled look of the 1959 Godzilla, which combined scenes of a Japanese monster flick with canned shots of Raymond Burr commenting on the monster's path of destruction.\nThe thing looks like a made-for-home-video quickie.\nEnigma is well-made, but it's just too dry and too placid.\n``Sweet Home Alabama'' is what it is – a nice, harmless date film...\nOne of the best, most understated performances of (Jack Nicholson's) career.\nThe Dangerous Lives of Altar Boys' take on adolescence feels painfully true.\nIt's a masterpiece.\nIt may not be ``Last Tango in Paris'' but...\nThey crush each other under cars, throw each other out windows, electrocute and dismember their victims in full consciousness. And we don't avert our eyes for a moment.\nCharming and funny (but ultimately silly) movie.\nThird time's the charm...yeah, baby!\nA pleasant, if forgettable, romp of a film.\nBy the end of the movie, you're definitely convinced that these women are spectacular.\nBirot creates a drama with such a well-defined sense of place and age -- as in, 15 years old -- that the torments and angst become almost as operatic to us as they are to her characters.\n'Stock up on silver bullets for director Neil Marshall's intense freight train of a film.'\nThe film delivers what it promises: A look at the ``wild ride'' that ensues when brash young men set out to conquer the online world with laptops, cell phones and sketchy business plans.\nAs a film director, LaBute continues to improve.\nWill warm your heart without making you feel guilty about it.\nCatch it... if you can!\nWorse than 'Silence of the Lambs' better than 'Hannibal'\nAmerican and European cinema has amassed a vast Holocaust literature, but it is impossible to think of any film more challenging or depressing than The Grey Zone.\n'Possession,' based on the book by A.S. Byatt, demands that LaBute deal with the subject of love head-on; trading in his cynicism for reverence and a little wit\nIt's the kind of movie that, aside from Robert Altman, Spike Lee, the Coen Brothers and a few others, our moviemakers don't make often enough.\nAlternates between deadpan comedy and heartbreaking loneliness and isn't afraid to provoke introspection in both its characters and its audience.\nThe script is smart, not cloying.\nVisually, 'Santa Clause 2' is wondrously creative.\nA bittersweet contemporary comedy about benevolent deception, which, while it may not rival the filmmaker's period pieces, is still very much worth seeing.\nOne fantastic (and educational) documentary.\nAn ambitious 'what if?' that works.\n``The Dangerous Lives of Altar Boys'' has flaws, but it also has humor and heart and very talented young actors\nNice piece of work.\n'Stock up on silver bullets for director Neil Marshall's intense freight train of a film.'\nIt's funny, as the old saying goes, because it's true.\nThough the film is static, its writer-director's heart is in the right place, his plea for democracy and civic action laudable.\nThe filmmaker's heart is in the right place...\nFrom blushing to gushing---Imamura squirts the screen in `Warm Water Under a Red Bridge'\nApart from anything else, this is one of the best-sustained ideas I have ever seen on the screen.\nNot a schlocky creature feature but something far more stylish and cerebral--and, hence, more chillingly effective.\nStupid, infantile, redundant, sloppy, over-the-top, and amateurish. Yep, it's ``Waking up in Reno.'' Go back to sleep.\nI didn't laugh. I didn't smile. I survived.\nThe worst film of the year.\nIn the book-on-tape market, the film of ``The Kid Stays in the Picture'' would be an abridged edition\nA sour attempt at making a Farrelly Brothers-style, down-and-dirty laugher for the female set.\nEisenstein lacks considerable brio for a film about one of cinema's directorial giants.\nTaken as a whole, The Tuxedo doesn't add up to a whole lot.\nThis is no ``Waterboy!''\nSomething has been lost in the translation...another routine Hollywood frightfest in which the slack execution italicizes the absurdity of the premise.\nThe result is an 'action film' mired in stasis.\n...a movie that, quite simply, shouldn't have been made.\nBy turns pretentious, fascinating, ludicrous, provocative and vainglorious.\nI can't recommend it. But it's surprisingly harmless.\nWhat's next? The Porky's Revenge: Ultimate Edition?\nThe script is a dim-witted pairing of teen-speak and animal gibberish.\nThere's no real reason to see it, and no real reason not to.\nIs ``Ballistic'' worth the price of admission? Absolutely not. It sucked. Would I see it again? Please see previous answer.\nIt's exactly what you'd expect.\n``The Kid Stays in the Picture'' is a great story, terrifically told by the man who wrote it but this Cliff Notes edition is a cheat.\nA prison comedy that never really busts out of its comfy little cell.\nThe movie is obviously a labour of love so Howard appears to have had free rein to be as pretentious as he wanted.\nThis isn't a movie; it's a symptom.\nWhat we have is a character faced with the possibility that her life is meaningless, vapid and devoid of substance, in a movie that is definitely meaningless, vapid and devoid of substance.\nIf only it were, well, funnier.\nThe script? Please.\nDoesn't add up to much.\nOne of the worst movies of the year.\nA complete waste of time.\nLong before it's over, you'll be thinking of 51 ways to leave this loser.\nOne of the worst movies of the year. ... Watching it was painful.\nThe cinematic equivalent of patronizing a bar favored by pretentious, untalented artistes who enjoy moaning about their cruel fate.\nSpiderman ROCKS\nA compelling coming-of-age drama about the arduous journey of a sensitive young girl through a series of foster homes and a fierce struggle to pull free from her dangerous and domineering mother's hold over her.\nAn imaginative comedy/thriller.\nThoroughly enjoyable.\n(A) rare, beautiful film.\nFamily fare.\nBoisterous, heartfelt comedy.\n(An) hilarious romantic comedy.\nAn exhilarating experience.\nNever (sinks) into exploitation.\nCompellingly watchable.\nTroubling and powerful.\nOften hilarious.\nA modest masterpiece.\nNever once predictable.\nAn uplifting, near-masterpiece.\nWarm and exotic.\n...a true delight.\nA true pleasure.\nPolished, well-structured film.\nSexy and romantic.\nPsychologically savvy.\ndelightfully rendered\nFun and nimble.\nFunny and touching.\nSerious and thoughtful.\nIt strikes hardest... when it reminds you how pertinent its dynamics remain. Fifty years after the fact, the world's political situation seems little different, and (director Phillip) Noyce brings out the allegory with remarkable skill.\nOne-of-a-kind near-masterpiece.\nLightweight but appealing.\nHighly engaging.\nFeral and uncomfortable.\nA gripping drama.\nBeautifully produced.\nSmart and taut.\nHighly watchable stuff.\nPsychologically revealing.\nA fast paced and suspenseful Argentinian thriller about the shadow side of play.\n... wise and elegiac ...\nSpare yet audacious...\nSurprisingly insightful\nAn intoxicating experience.\nReassuring, retro uplifter.\nVisually captivating.\nLavishly, exhilaratingly tasteless.\nTouché!\nAn impressive hybrid.\nA tasty masala.\nRefreshing.\nFeatherweight romantic comedy has a few nice twists in a standard plot and the charisma of Hugh Grant and Sandra Bullock.\nPoignant and funny.\nSee it. Debate it. Remember it.\nMorvern rocks.\nIntelligent and moving.\nGenuinely unnerving.\nA compelling film.\nDeliciously slow.\nA riveting documentary.\nAn enjoyable experience.\nA good thriller.\nA glorious mess.\nNeatly constructed thriller.\nIntimate and panoramic.\nExciting documentary.\nGood, solid storytelling.\nInfidelity drama is nicely shot, well-edited and features a standout performance by Diane Lane.\nAudacious-impossible yet compelling...\nA muted freak-out\nMoving and vibrant.\n...quite endearing.\nHarmless fun.\nGood-naturedly cornball sequel.\nOddly compelling.\nWitless but watchable.\nMr. Deeds is sure to give you a lot of laughs in this simple, sweet and romantic comedy.\nHard to resist.\nA true-blue delight.\nA fun ride.\nWeird. Rewarding.\nSleek and arty.\nFantastic!\nA thought-provoking picture.\nA stylish thriller.\nAlmost peerlessly unsettling.\nDelirious fun.\nExciting and well-paced.\nReally quite funny.\nA well-executed spy-thriller.\nIdiotic and ugly.\nA funny film.\n(A) satisfying niblet.\nPoetic, heartbreaking.\nFormuliac, but fun.\nFeels untidily honest.\n``Red Dragon'' never cuts corners.\nFull of surprises.\nQuietly engaging.\nDense, exhilarating documentary.\na joyous occasion\n(An) absorbing documentary.\nA genuine mind-bender.\nGreat character interaction.\nIntriguing and stylish.\nMany insightful moments.\nEverything is off.\nEarnest but heavy-handed.\nOne lousy movie.\n...hypnotically dull.\nCalculated swill.\nThoroughly awful.\nTruly terrible.\nFluffy and disposible.\nBy-the-numbers yarn.\nAan opportunity wasted.\nStorytelling feels slight.\nBad company. Bad movie. Just plain bad.\n(A) soulless, stupid sequel ...\nA high-minded snoozer.\nExecrable.\nAmazingly dopey.\nBanal and predictable.\nCrikey indeed.\nBrisk hack job.\n...the maudlin way its story unfolds suggests a director fighting against the urge to sensationalize his material.\n...bibbidy-bobbidi-bland.\nObvious.\nIts one-sidedness ... flirts with propaganda.\n...a pretentious mess...\n(A) rather thinly-conceived movie.\nSo-so entertainment.\nPunitively affirmational parable.\nDecent but dull.\nThin period piece.\n(A) stuporously solemn film.\nWell-meant but unoriginal.\nOdd and weird.\nCinematic poo.\n...stale and uninspired.\nA dreary movie.\nPompous and garbled.\nUtter mush... conceited pap.\nWell-meaning but inert.\n...overly melodramatic...\nExtremely bad.\nShrewd but pointless.\nSluggish, tonally uneven.\nGeneric thriller junk. Teens only.\nA non-mystery mystery.\nWhat an embarrassment.\nA noble failure.\nWoefully pretentious.\n...irritating soul-searching garbage.\nA relative letdown.\nWarmed-over hash.\nA puzzling experience.\nStale, futile scenario.\nAggravating and tedious.\nLacks depth.\nunder-rehearsed and lifeless\nLaughably, irredeemably awful.\nUnwieldy contraption.\nOverwrought, melodramatic bodice-ripper.\nAn awful snooze.\nJust plain silly.\nFeeble comedy.\n...salaciously simplistic.\nShallow.\nA less-than-thrilling thriller.\nDisjointed parody.\n...silly humbuggery...\nEh.\nBlack-and-white and unrealistic.\nTwo-bit potboiler.\n(U)nrelentingly stupid.\nPainfully padded.\nAnemic, pretentious.\nGrating and tedious.\nIt bites hard.\n(A) mess.\nDramatically lackluster.\nStay away. Far away.\n...a pretentious mess...\nPredictably soulless techno-tripe.\nArty gay film.\nIncoherence reigns.\nA half-assed film.\nAbysmally pathetic\n...unbearably lame.\nBland but harmless.\nDense and enigmatic...elusive...stagy and stilted\n(L)ame and unnecessary.\nA dreary indulgence.\n(A) crushing disappointment.\nTends to plod.\nA major waste...generic.\n... a confusing drudgery.\nA well-crafted letdown.\nBoring and meandering.\nLess than fresh.\nA lame comedy.\nA reality-snubbing hodgepodge.\nMildly amusing.\nFairly run-of-the-mill.\nMildly entertaining.\nTerrible.\nDegenerates into hogwash.\nMeandering and confusing.\nCrummy.\nAn opportunity missed.\nWishy-washy.\nInconsequential road-and-buddy pic.\nInsufferably naive.\nIll-considered, unholy hokum.\nAmazingly lame.\n(A) slummer.\n(A) poorly executed comedy.\n...really horrible drek.\nAn intriguing near-miss.\nFlat, misguided comedy.\nPredictably melodramatic.\nRashomon-for-dipsticks tale.\nBearable. Barely.\nStaggeringly dreadful romance.\nWell-made but mush-hearted.\nA real snooze.\nNo surprises.\nWe’ve seen the hippie-turned-yuppie plot before, but there’s an enthusiastic charm in Fire that makes the formula fresh again.\nHer fans walked out muttering words like ``horrible'' and ``terrible,'' but had so much fun dissing the film that they didn't mind the ticket cost. In this case zero.\n"
  },
  {
    "path": "a2/utils/datasets/stanfordSentimentTreebank/sentiment_labels.txt",
    "content": "phrase ids|sentiment values\n0|0.5\n1|0.5\n2|0.44444\n3|0.5\n4|0.42708\n5|0.375\n6|0.41667\n7|0.54167\n8|0.33333\n9|0.45833\n10|0.47222\n11|0.59722\n12|0.33333\n13|0.93056\n14|0.80556\n15|0.81944\n16|0.76389\n17|0.5\n18|0.5\n19|0.69444\n20|0.5\n21|0.75\n22|0.29167\n23|0.31944\n24|0.73611\n25|0.77778\n26|0.59722\n27|0.58333\n28|0.68056\n29|0.48611\n30|0.52778\n31|0.23611\n32|0.29167\n33|0.56944\n34|0.375\n35|0.47222\n36|0.29167\n37|0.375\n38|0.30556\n39|0.52778\n40|0.18056\n41|0.61111\n42|0.59722\n43|0.72222\n44|0.33333\n45|0.52778\n46|0.40278\n47|0.22222\n48|0.31944\n49|0.29167\n50|0.66667\n51|0.61111\n52|0.43056\n53|0.77778\n54|0.40278\n55|0.55556\n56|0.55556\n57|0.76389\n58|0.18056\n59|0.43056\n60|0.36111\n61|0.47222\n62|0.33333\n63|0.31944\n64|0.5\n65|0.48611\n66|0.33333\n67|0.25\n68|0.30556\n69|0.5\n70|0.5\n71|0.69444\n72|0.52778\n73|0.66667\n74|0.5\n75|0.51389\n76|0.44444\n77|0.55556\n78|0.5\n79|0.34722\n80|0.30556\n81|0.5\n82|0.26389\n83|0.29167\n84|0.5\n85|0.5\n86|0.72222\n87|0.61111\n88|0.76389\n89|0.77778\n90|0.5\n91|0.5\n92|0.5\n93|0.44444\n94|0.54167\n95|0.5\n96|0.45833\n97|0.5\n98|0.5\n99|0.5\n100|0.65278\n101|0.54167\n102|0.69444\n103|0.77778\n104|0.13889\n105|0.055556\n106|0.22222\n107|0.19444\n108|0.5\n109|0.54167\n110|0.66667\n111|0.69444\n112|0.77778\n113|0.84722\n114|0.58333\n115|0.069444\n116|0.54167\n117|0.63889\n118|0.38889\n119|0.93056\n120|0.77778\n121|0.77778\n122|0.88889\n123|0.83333\n124|0.875\n125|0.52778\n126|0.52778\n127|0.5\n128|0.55556\n129|0.55556\n130|0.77778\n131|0.63889\n132|0.30556\n133|0.47222\n134|0.45833\n135|0.44444\n136|0.55556\n137|0.61111\n138|0.55556\n139|0.5\n140|0.45833\n141|0.72222\n142|0.61111\n143|0.72222\n144|0.625\n145|0.65278\n146|0.63889\n147|0.77778\n148|0.75\n149|0.30556\n150|0.33333\n151|0.19444\n152|0.29167\n153|0.66667\n154|0.69444\n155|0.31944\n156|0.29167\n157|0.19444\n158|0.38889\n159|0.25\n160|0.16667\n161|0.5\n162|0.5\n163|0.55556\n164|0.875\n165|0.63889\n166|0.65278\n167|0.70833\n168|0.59722\n169|0.56944\n170|0.61111\n171|0.77778\n172|0.66667\n173|0.69444\n174|0.63889\n175|0.80556\n176|0.83333\n177|0.77778\n178|0.66667\n179|0.69444\n180|0.83333\n181|0.93056\n182|0.76389\n183|0.77778\n184|0.5\n185|0.5\n186|0.5\n187|0.56944\n188|0.52778\n189|0.55556\n190|0.5\n191|0.52778\n192|0.47222\n193|0.625\n194|0.54167\n195|0.5\n196|0.19444\n197|0.44444\n198|0.375\n199|0.61111\n200|0.70833\n201|0.65278\n202|0.77778\n203|0.80556\n204|0.5\n205|0.27778\n206|0.33333\n207|0.34722\n208|0.55556\n209|0.66667\n210|0.5\n211|0.5\n212|0.29167\n213|0.20833\n214|0.5\n215|0.5\n216|0.38889\n217|0.29167\n218|0.52778\n219|0.29167\n220|0.38889\n221|0.18056\n222|0.20833\n223|0.41667\n224|0.27778\n225|0.43056\n226|0.72222\n227|0.94444\n228|0.86111\n229|0.81944\n230|0.88889\n231|0.77778\n232|0.68056\n233|0.77778\n234|0.66667\n235|0.80556\n236|0.52778\n237|0.69444\n238|0.51389\n239|0.27778\n240|0.375\n241|0.36111\n242|0.56944\n243|0.33333\n244|0.47222\n245|0.41667\n246|0.23611\n247|0.25\n248|0.33333\n249|0.48611\n250|0.55556\n251|0.56944\n252|0.54167\n253|0.45833\n254|0.5\n255|0.40278\n256|0.41667\n257|0.26389\n258|0.56944\n259|0.15278\n260|0.44444\n261|0.58333\n262|0.43056\n263|0.55556\n264|0.375\n265|0.66667\n266|0.80556\n267|0.76389\n268|0.79167\n269|0.70833\n270|0.63889\n271|0.40278\n272|0.375\n273|0.625\n274|0.59722\n275|0.5\n276|0.40278\n277|0.65278\n278|0.80556\n279|0.81944\n280|0.68056\n281|0.44444\n282|0.47222\n283|0.70833\n284|0.73611\n285|0.83333\n286|0.81944\n287|0.59722\n288|0.73611\n289|0.73611\n290|0.73611\n291|0.52778\n292|0.875\n293|0.93056\n294|0.76389\n295|0.36111\n296|0.55556\n297|0.61111\n298|0.5\n299|0.5\n300|0.5\n301|0.55556\n302|0.34722\n303|0.63889\n304|0.90278\n305|0.5\n306|0.56944\n307|0.5\n308|0.44444\n309|0.55556\n310|0.56944\n311|0.69444\n312|0.54167\n313|0.43056\n314|0.5\n315|0.52778\n316|0.375\n317|0.36111\n318|0.72222\n319|0.20833\n320|0.22222\n321|0.55556\n322|0.51389\n323|0.5\n324|0.55556\n325|0.56944\n326|0.5\n327|0.61111\n328|0.54167\n329|0.30556\n330|0.33333\n331|0.38889\n332|0.5\n333|0.59722\n334|0.77778\n335|0.81944\n336|0.63889\n337|0.69444\n338|0.47222\n339|0.54167\n340|0.44444\n341|0.19444\n342|0.11111\n343|0.61111\n344|0.47222\n345|0.5\n346|0.40278\n347|0.66667\n348|0.30556\n349|0.47222\n350|0.5\n351|0.5\n352|0.5\n353|0.44444\n354|0.31944\n355|0.52778\n356|0.56944\n357|0.5\n358|0.52778\n359|0.5\n360|0.77778\n361|0.44444\n362|0.625\n363|0.5\n364|0.55556\n365|0.66667\n366|0.5\n367|0.5\n368|0.33333\n369|0.5\n370|0.47222\n371|0.54167\n372|0.79167\n373|0.61111\n374|0.51389\n375|0.54167\n376|0.54167\n377|0.72222\n378|0.47222\n379|0.48611\n380|0.33333\n381|0.73611\n382|0.55556\n383|0.70833\n384|0.5\n385|0.31944\n386|0.38889\n387|0.72222\n388|0.625\n389|0.65278\n390|0.625\n391|0.54167\n392|0.72222\n393|0.73611\n394|0.81944\n395|0.5\n396|0.27778\n397|0.73611\n398|0.69444\n399|0.51389\n400|0.41667\n401|0.58333\n402|0.52778\n403|0.51389\n404|0.19444\n405|0.19444\n406|0.27778\n407|0.44444\n408|0.5\n409|0.5\n410|0.81944\n411|0.55556\n412|0.56944\n413|0.66667\n414|0.5\n41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0.55556\n1602|0.68056\n1603|0.79167\n1604|0.45833\n1605|0.5\n1606|0.51389\n1607|0.5\n1608|0.59722\n1609|0.30556\n1610|0.34722\n1611|0.5\n1612|0.77778\n1613|0.76389\n1614|0.52778\n1615|0.5\n1616|0.38889\n1617|0.30556\n1618|0.375\n1619|0.5\n1620|0.5\n1621|0.47222\n1622|0.68056\n1623|0.72222\n1624|0.38889\n1625|0.55556\n1626|0.72222\n1627|0.48611\n1628|0.5\n1629|0.5\n1630|0.47222\n1631|0.34722\n1632|0.5\n1633|0.51389\n1634|0.33333\n1635|0.13889\n1636|0.5\n1637|0.56944\n1638|0.66667\n1639|0.52778\n1640|0.88889\n1641|0.90278\n1642|0.55556\n1643|0.65278\n1644|0.47222\n1645|0.83333\n1646|0.84722\n1647|0.88889\n1648|0.73611\n1649|0.72222\n1650|0.86111\n1651|0.69444\n1652|0.58333\n1653|0.44444\n1654|0.58333\n1655|0.55556\n1656|0.43056\n1657|0.40278\n1658|0.61111\n1659|0.375\n1660|0.375\n1661|0.5\n1662|0.36111\n1663|0.5\n1664|0.54167\n1665|0.61111\n1666|0.63889\n1667|0.51389\n1668|0.52778\n1669|0.54167\n1670|0.5\n1671|0.51389\n1672|0.68056\n1673|0.83333\n1674|0.5\n1675|0.26389\n1676|0.34722\n1677|0.58333\n1678|0.52778\n1679|0.52778\n1680|0.44444\n1681|0.27778\n1682|0.36111\n1683|0.33333\n1684|0.29167\n1685|0.26389\n1686|0.72222\n1687|0.5\n1688|0.55556\n1689|0.63889\n1690|0.55556\n1691|0.65278\n1692|0.30556\n1693|0.54167\n1694|0.5\n1695|0.5\n1696|0.5\n1697|0.55556\n1698|0.55556\n1699|0.56944\n1700|0.58333\n1701|0.38889\n1702|0.26389\n1703|0.51389\n1704|0.90278\n1705|0.88889\n1706|0.56944\n1707|0.16667\n1708|0.5\n1709|0.47222\n1710|0.5\n1711|0.5\n1712|0.26389\n1713|0.16667\n1714|0.33333\n1715|0.23611\n1716|0.29167\n1717|0.66667\n1718|0.26389\n1719|0.52778\n1720|0.43056\n1721|0.26389\n1722|0.5\n1723|0.30556\n1724|0.51389\n1725|0.38889\n1726|0.34722\n1727|0.54167\n1728|0.5\n1729|0.5\n1730|0.5\n1731|0.27778\n1732|0.55556\n1733|0.44444\n1734|0.59722\n1735|0.38889\n1736|0.23611\n1737|0.5\n1738|0.38889\n1739|0.41667\n1740|0.36111\n1741|0.81944\n1742|0.66667\n1743|0.47222\n1744|0.59722\n1745|0.41667\n1746|0.5\n1747|0.45833\n1748|0.44444\n1749|0.375\n1750|0.33333\n1751|0.125\n1752|0.5\n1753|0.69444\n1754|0.61111\n1755|0.5\n1756|0.59722\n1757|0.69444\n1758|0.59722\n1759|0.70833\n1760|0.55556\n1761|0.55556\n1762|0.63889\n1763|0.72222\n1764|0.55556\n1765|0.43056\n1766|0.63889\n1767|0.625\n1768|0.16667\n1769|0.5\n1770|0.55556\n1771|0.52778\n1772|0.51389\n1773|0.52778\n1774|0.70833\n1775|0.48611\n1776|0.5\n1777|0.5\n1778|0.5\n1779|0.5\n1780|0.5\n1781|0.56944\n1782|0.51389\n1783|0.5\n1784|0.5\n1785|0.29167\n1786|0.51389\n1787|0.30556\n1788|0.79167\n1789|0.625\n1790|0.70833\n1791|0.77778\n1792|0.79167\n1793|0.72222\n1794|0.5\n1795|0.94444\n1796|0.83333\n1797|0.83333\n1798|0.72222\n1799|0.81944\n1800|0.65278\n1801|0.27778\n1802|0.5\n1803|0.55556\n1804|0.41667\n1805|0.41667\n1806|0.45833\n1807|0.88889\n1808|0.81944\n1809|0.52778\n1810|0.44444\n1811|0.41667\n1812|0.55556\n1813|0.5\n1814|0.54167\n1815|0.625\n1816|0.30556\n1817|0.43056\n1818|0.52778\n1819|0.48611\n1820|0.5\n1821|0.44444\n1822|0.44444\n1823|0.55556\n1824|0.5\n1825|0.33333\n1826|0.5\n1827|0.43056\n1828|0.70833\n1829|0.52778\n1830|0.58333\n1831|0.5\n1832|0.19444\n1833|0.30556\n1834|0.5\n1835|0.29167\n1836|0.55556\n1837|0.625\n1838|0.22222\n1839|0.375\n1840|0.44444\n1841|0.36111\n1842|0.5\n1843|0.31944\n1844|0.54167\n1845|0.5\n1846|0.31944\n1847|0.68056\n1848|0.625\n1849|0.68056\n1850|0.20833\n1851|0.20833\n1852|0.40278\n1853|0.26389\n1854|0.47222\n1855|0.5\n1856|0.23611\n1857|0.52778\n1858|0.59722\n1859|0.72222\n1860|0.77778\n1861|0.68056\n1862|0.38889\n1863|0.40278\n1864|0.31944\n1865|0.30556\n1866|0.30556\n1867|0.22222\n1868|0.38889\n1869|0.375\n1870|0.61111\n1871|0.5\n1872|0.44444\n1873|0.63889\n1874|0.48611\n1875|0.72222\n1876|0.375\n1877|0.5\n1878|0.5\n1879|0.44444\n1880|0.5\n1881|0.33333\n1882|0.79167\n1883|0.27778\n1884|0.625\n1885|0.47222\n1886|0.65278\n1887|0.50694\n1888|0.68056\n1889|0.5\n1890|0.45833\n1891|0.52778\n1892|0.41667\n1893|0.5\n1894|0.45833\n1895|0.5\n1896|0.51389\n1897|0.52778\n1898|0.5\n1899|0.36111\n1900|0.5\n1901|0.58333\n1902|0.5\n1903|0.51389\n1904|0.5\n1905|0.5\n1906|0.5\n1907|0.45833\n1908|0.5\n1909|0.52778\n1910|0.5\n1911|0.59722\n1912|0.58333\n1913|0.5\n1914|0.61111\n1915|0.5\n1916|0.47222\n1917|0.55556\n1918|0.54167\n1919|0.47222\n1920|0.51389\n1921|0.58333\n1922|0.65278\n1923|0.41667\n1924|0.58333\n1925|0.61111\n1926|0.34722\n1927|0.52778\n1928|0.51389\n1929|0.51389\n1930|0.15278\n1931|0.25\n1932|0.5\n1933|0.40278\n1934|0.38889\n1935|0.33333\n1936|0.5\n1937|0.55556\n1938|0.47222\n1939|0.5\n1940|0.27778\n1941|0.52778\n1942|0.66667\n1943|0.31944\n1944|0.51389\n1945|0.61111\n1946|0.375\n1947|0.43056\n1948|0.23611\n1949|0.33333\n1950|0.52778\n1951|0.59722\n1952|0.5\n1953|0.34722\n1954|0.38889\n1955|0.5\n1956|0.5\n1957|0.40278\n1958|0.5\n1959|0.25\n1960|0.68056\n1961|0.80556\n1962|0.47222\n1963|0.44444\n1964|0.55556\n1965|0.5\n1966|0.44444\n1967|0.56944\n1968|0.38889\n1969|0.43056\n1970|0.30556\n1971|0.40278\n1972|0.44444\n1973|0.61111\n1974|0.61111\n1975|0.51389\n1976|0.66667\n1977|0.5\n1978|0.61111\n1979|0.5\n1980|0.5\n1981|0.5\n1982|0.59722\n1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19668|0.5\n19669|0.5\n19670|0.52083\n19671|0.77778\n19672|0.51389\n19673|0.5\n19674|0.93056\n19675|0.81944\n19676|0.54167\n19677|0.5\n19678|0.72222\n19679|0.55556\n19680|0.44444\n19681|0.59722\n19682|0.84722\n19683|0.5\n19684|0.5\n19685|0.5\n19686|0.80556\n19687|0.51389\n19688|0.44444\n19689|0.23611\n19690|0.68056\n19691|0.5\n19692|0.55556\n19693|0.61111\n19694|0.55556\n19695|0.55556\n19696|0.55556\n19697|0.5\n19698|0.56944\n19699|0.41667\n19700|0.63889\n19701|0.80556\n19702|0.91667\n19703|0.56944\n19704|0.52778\n19705|0.77778\n19706|0.5\n19707|0.5\n19708|0.55556\n19709|0.875\n19710|0.65278\n19711|0.52778\n19712|0.38889\n19713|0.48611\n19714|0.81944\n19715|0.59722\n19716|0.80556\n19717|0.34722\n19718|0.77778\n19719|0.93056\n19720|0.80556\n19721|0.76389\n19722|0.79167\n19723|0.90278\n19724|0.55556\n19725|0.625\n19726|0.80556\n19727|0.86111\n19728|0.33333\n19729|0.72222\n19730|0.75\n19731|0.36111\n19732|0.29167\n19733|0.5\n19734|0.59722\n19735|0.22222\n19736|0.125\n19737|0.375\n19738|0.86111\n19739|0.72222\n19740|0.54167\n19741|0.61111\n19742|0.44444\n19743|0.84722\n19744|0.44444\n19745|0.55556\n19746|0.75\n19747|0.69444\n19748|0.44444\n19749|0.70833\n19750|0.5\n19751|0.5\n19752|0.5\n19753|0.38889\n19754|0.59722\n19755|0.55556\n19756|0.875\n19757|0.65278\n19758|0.5\n19759|0.44444\n19760|0.45833\n19761|0.47222\n19762|0.5\n19763|0.83333\n19764|0.61458\n19765|0.73611\n19766|0.84722\n19767|0.55556\n19768|0.55556\n19769|0.77778\n19770|0.75\n19771|0.44444\n19772|0.5\n19773|0.77778\n19774|0.66667\n19775|0.65278\n19776|0.5\n19777|0.5\n19778|0.5\n19779|0.5\n19780|0.5\n19781|0.5\n19782|0.5\n19783|0.5\n19784|0.55556\n19785|0.5\n19786|0.5\n19787|0.5\n19788|0.77778\n19789|0.5\n19790|0.5\n19791|0.38889\n19792|0.5\n19793|0.88889\n19794|0.27778\n19795|0.5\n19796|0.70833\n19797|0.65278\n19798|0.61111\n19799|0.72222\n19800|0.55556\n19801|0.76389\n19802|0.55556\n19803|0.5\n19804|0.72222\n19805|0.55556\n19806|0.76389\n19807|0.19444\n19808|0.22222\n19809|0.55556\n19810|0.86111\n19811|0.73611\n19812|0.55556\n19813|0.68056\n19814|0.70833\n19815|0.5\n19816|0.51389\n19817|0.51389\n19818|0.5\n19819|0.80556\n19820|0.5\n19821|0.66667\n19822|0.77778\n19823|0.77778\n19824|0.55556\n19825|0.5\n19826|0.70833\n19827|0.5\n19828|0.5\n19829|0.5\n19830|0.68056\n19831|0.80556\n19832|0.55556\n19833|0.5\n19834|0.84722\n19835|0.61111\n19836|0.83333\n19837|0.5\n19838|0.44444\n19839|0.48611\n19840|0.5\n19841|0.88889\n19842|0.45833\n19843|0.68056\n19844|0.055556\n19845|0.5\n19846|0.56944\n19847|0.75\n19848|0.33333\n19849|0.65278\n19850|0.70833\n19851|0.88889\n19852|0.72222\n19853|0.77778\n19854|0.38889\n19855|0.77778\n19856|0.5\n19857|0.70833\n19858|0.5\n19859|0.5\n19860|0.5\n19861|0.55556\n19862|0.56944\n19863|0.36111\n19864|0.5\n19865|0.52778\n19866|0.38889\n19867|0.84722\n19868|0.5\n19869|0.73611\n19870|0.45833\n19871|0.72222\n19872|0.76389\n19873|0.63889\n19874|0.5\n19875|0.52778\n19876|0.80556\n19877|0.73611\n19878|0.61111\n19879|0.5\n19880|0.56944\n19881|0.73611\n19882|0.55556\n19883|0.41667\n19884|0.5\n19885|0.72222\n19886|0.77778\n19887|0.61111\n19888|0.70833\n19889|0.73611\n19890|0.38889\n19891|0.83333\n19892|0.75\n19893|0.5\n19894|0.5\n19895|0.83333\n19896|0.55556\n19897|0.81944\n19898|0.68056\n19899|0.75\n19900|0.69444\n19901|0.55556\n19902|0.55556\n19903|0.65278\n19904|0.55556\n19905|0.5\n19906|0.625\n19907|0.52778\n19908|0.18056\n19909|0.47222\n19910|0.30556\n19911|0.30556\n19912|0.33333\n19913|0.41667\n19914|0.63889\n19915|0.77778\n19916|0.5\n19917|0.93056\n19918|0.5\n19919|0.72222\n19920|0.5\n19921|0.5\n19922|0.56944\n19923|0.5\n19924|0.5\n19925|0.54167\n19926|0.53125\n19927|0.66667\n19928|0.79167\n19929|0.5\n19930|0.66667\n19931|0.54167\n19932|0.51389\n19933|0.58333\n19934|0.65278\n19935|0.5\n19936|0.5\n19937|0.54167\n19938|0.5\n19939|0.5\n19940|0.52778\n19941|0.66667\n19942|0.66667\n19943|0.43056\n19944|0.70833\n19945|0.58333\n19946|0.44444\n19947|0.76389\n19948|0.72222\n19949|0.81944\n19950|0.93056\n19951|0.11111\n19952|0.16667\n19953|0.5\n19954|0.5\n19955|0.72222\n19956|0.58333\n19957|0.27778\n19958|0.63889\n19959|0.73611\n19960|0.81944\n19961|0.90278\n19962|0.83333\n19963|0.66667\n19964|0.75\n19965|0.875\n19966|0.83333\n19967|0.5\n19968|0.47222\n19969|0.80556\n19970|0.72222\n19971|0.83333\n19972|0.77778\n19973|0.875\n19974|0.5\n19975|0.72222\n19976|0.61111\n19977|0.38889\n19978|0.33333\n19979|0.58333\n19980|0.68056\n19981|0.5\n19982|0.65278\n19983|0.61111\n19984|0.77778\n19985|0.52778\n19986|0.5\n19987|0.52778\n19988|0.72222\n19989|0.54167\n19990|0.5\n19991|0.5\n19992|0.5\n19993|0.54167\n19994|0.61111\n19995|0.5\n19996|0.5\n19997|0.52778\n19998|0.70833\n19999|0.25\n20000|0.5\n20001|0.68056\n20002|0.61111\n20003|0.83333\n20004|0.625\n20005|0.52778\n20006|0.79167\n20007|0.45833\n20008|0.84722\n20009|0.52778\n20010|0.54167\n20011|0.73611\n20012|0.75\n20013|0.52778\n20014|0.55556\n20015|0.77778\n20016|0.70833\n20017|0.5\n20018|0.48611\n20019|0.66667\n20020|0.69444\n20021|0.44444\n20022|0.30556\n20023|0.77778\n20024|0.59722\n20025|0.73611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1|0.48611\n22882|0.5\n22883|0.90278\n22884|0.70833\n22885|0.5\n22886|0.51389\n22887|0.5\n22888|0.5\n22889|0.5\n22890|0.66667\n22891|0.79167\n22892|0.72222\n22893|0.48611\n22894|0.68056\n22895|0.41667\n22896|0.77778\n22897|0.23611\n22898|0.80556\n22899|0.75\n22900|0.79167\n22901|0.72222\n22902|0.51389\n22903|0.5\n22904|0.47222\n22905|0.33333\n22906|0.66667\n22907|0.59722\n22908|0.88889\n22909|0.73611\n22910|0.58333\n22911|0.56944\n22912|0.5\n22913|0.36111\n22914|0.31944\n22915|0.5\n22916|0.76389\n22917|0.83333\n22918|0.86111\n22919|0.90278\n22920|0.875\n22921|0.40278\n22922|0.51389\n22923|0.55556\n22924|0.5\n22925|0.52778\n22926|0.68056\n22927|0.55556\n22928|0.5\n22929|0.90278\n22930|0.88889\n22931|0.84722\n22932|0.5\n22933|0.5\n22934|0.40278\n22935|0.52778\n22936|0.86111\n22937|1\n22938|0.48611\n22939|0.83333\n22940|0.5\n22941|0.5\n22942|0.56944\n22943|0.5\n22944|0.5\n22945|0.55556\n22946|0.40278\n22947|0.65278\n22948|0.61111\n22949|0.61111\n22950|0.5\n22951|0.75\n22952|0.38889\n22953|0.33333\n22954|0.5\n22955|0.48611\n22956|0.625\n22957|0.43056\n22958|0.52778\n22959|0.34722\n22960|0.66667\n22961|0.79167\n22962|0.5\n22963|0.5\n22964|0.33333\n22965|0.5\n22966|0.625\n22967|0.59722\n22968|0.75\n22969|0.54167\n22970|0.58333\n22971|0.5\n22972|0.52778\n22973|0.66667\n22974|0.69444\n22975|0.5\n22976|0.70833\n22977|0.71875\n22978|0.70833\n22979|0.72222\n22980|0.29167\n22981|0.27778\n22982|0.81944\n22983|0.19444\n22984|0.83333\n22985|0.38889\n22986|0.55556\n22987|0.5\n22988|0.5\n22989|0.5\n22990|0.61111\n22991|0.76389\n22992|0.90278\n22993|0.94444\n22994|0.5\n22995|0.55556\n22996|0.55556\n22997|0.55556\n22998|0.5\n22999|0.83333\n23000|0.83333\n23001|0.56944\n23002|0.625\n23003|0.55556\n23004|0.25\n23005|0.18056\n23006|0.38889\n23007|0.5\n23008|0.5\n23009|0.66667\n23010|0.55556\n23011|0.54167\n23012|0.51389\n23013|0.5\n23014|0.80556\n23015|0.44444\n23016|0.27778\n23017|0.33333\n23018|0.29167\n23019|0.72222\n23020|0.83333\n23021|0.45833\n23022|0.33333\n23023|0.33333\n23024|0.55556\n23025|0.76389\n23026|0.91667\n23027|0.83333\n23028|0.88889\n23029|0.5\n23030|0.51389\n23031|0.77778\n23032|0.54167\n23033|0.5\n23034|0.52778\n23035|0.77778\n23036|0.55556\n23037|0.5\n23038|0.55556\n23039|0.72222\n23040|0.79167\n23041|0.20833\n23042|0.68056\n23043|0.41667\n23044|0.72222\n23045|0.76389\n23046|0.68056\n23047|0.44444\n23048|0.29167\n23049|0.94444\n23050|1\n23051|0.69444\n23052|0.80556\n23053|0.65278\n23054|0.68056\n23055|0.38889\n23056|0.45833\n23057|0.86111\n23058|0.82292\n23059|0.84722\n23060|0.65278\n23061|0.69444\n23062|0.69444\n23063|0.77778\n23064|0.67708\n23065|0.63889\n23066|0.75\n23067|0.79167\n23068|0.75\n23069|0.66667\n23070|0.68056\n23071|0.875\n23072|0.80556\n23073|0.81944\n23074|0.86111\n23075|0.55556\n23076|0.72222\n23077|0.65278\n23078|0.55556\n23079|0.5\n23080|0.43056\n23081|0.77778\n23082|0.91667\n23083|0.79167\n23084|0.83333\n23085|0.88889\n23086|0.88889\n23087|0.98611\n23088|0.66667\n23089|0.63889\n23090|0.77778\n23091|0.75\n23092|0.81944\n23093|0.54167\n23094|0.83333\n23095|0.73611\n23096|0.79167\n23097|0.68056\n23098|0.73611\n23099|0.81944\n23100|0.59722\n23101|0.63889\n23102|0.36111\n23103|0.58333\n23104|0.5\n23105|0.5\n23106|0.77778\n23107|0.90278\n23108|0.5\n23109|0.83333\n23110|0.79167\n23111|0.83333\n23112|0.94444\n23113|0.47222\n23114|0.88889\n23115|0.875\n23116|0.55556\n23117|0.5\n23118|0.88889\n23119|0.54167\n23120|0.44444\n23121|0.61111\n23122|0.625\n23123|0.58333\n23124|0.79167\n23125|0.5\n23126|0.73611\n23127|0.69444\n23128|0.68056\n23129|0.58333\n23130|0.31944\n23131|0.77778\n23132|0.73611\n23133|0.5\n23134|0.81944\n23135|0.5\n23136|0.5\n23137|0.69444\n23138|0.5\n23139|0.47222\n23140|0.33333\n23141|0.375\n23142|0.875\n23143|0.86111\n23144|0.75\n23145|0.34722\n23146|0.61111\n23147|0.59722\n23148|0.66667\n23149|0.79167\n23150|0.36111\n23151|0.33333\n23152|0.61111\n23153|0.88889\n23154|0.75\n23155|0.5\n23156|0.875\n23157|0.90278\n23158|0.38889\n23159|0.45833\n23160|0.73611\n23161|0.59722\n23162|0.56944\n23163|0.56944\n23164|0.73611\n23165|0.59722\n23166|0.77778\n23167|0.70833\n23168|0.48611\n23169|0.54167\n23170|0.76389\n23171|0.81944\n23172|0.52778\n23173|0.38889\n23174|0.73611\n23175|0.73958\n23176|0.88889\n23177|0.66667\n23178|0.69444\n23179|0.58333\n23180|0.5\n23181|0.31944\n23182|0.5\n23183|0.80556\n23184|0.66667\n23185|0.5\n23186|0.33333\n23187|0.77778\n23188|0.65278\n23189|0.59722\n23190|0.43056\n23191|0.69444\n23192|0.76389\n23193|0.70833\n23194|0.66667\n23195|0.70833\n23196|0.33333\n23197|0.125\n23198|0.43056\n23199|0.66667\n23200|0.48611\n23201|0.48611\n23202|0.5\n23203|0.94444\n23204|0.55556\n23205|0.66667\n23206|0.75\n23207|0.47222\n23208|0.625\n23209|0.81944\n23210|0.5\n23211|0.88889\n23212|0.5\n23213|0.80556\n23214|0.69444\n23215|0.66667\n23216|0.91667\n23217|0.5\n23218|0.45833\n23219|0.68056\n23220|0.79167\n23221|0.65278\n23222|0.5\n23223|0.88889\n23224|0.5\n23225|0.625\n23226|0.5\n23227|0.73611\n23228|0.5\n23229|0.47222\n23230|0.40278\n23231|0.5\n23232|0.5\n23233|0.70833\n23234|0.8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0.26389\n51729|0.5\n51730|0.36111\n51731|0.44444\n51732|0.20833\n51733|0.20833\n51734|0.125\n51735|0.51389\n51736|0.51389\n51737|0.58333\n51738|0.16667\n51739|0.23611\n51740|0.51389\n51741|0.5\n51742|0.70833\n51743|0.68056\n51744|0.48611\n51745|0.36111\n51746|0.79167\n51747|0.41667\n51748|0.5\n51749|0.5\n51750|0.5\n51751|0.48611\n51752|0.54167\n51753|0.56944\n51754|0.52778\n51755|0.73611\n51756|0.55556\n51757|0.66667\n51758|0.44444\n51759|0.77778\n51760|0.72222\n51761|0.5\n51762|0.56944\n51763|0.54167\n51764|0.5\n51765|0.5\n51766|0.5\n51767|0.5\n51768|0.55556\n51769|0.52778\n51770|0.36111\n51771|0.11111\n51772|0.36111\n51773|0.55556\n51774|0.63889\n51775|0.5\n51776|0.5\n51777|0.83333\n51778|0.72222\n51779|0.45833\n51780|0.44444\n51781|0.75\n51782|0.52778\n51783|0.38889\n51784|0.69444\n51785|0.55556\n51786|0.65278\n51787|0.40278\n51788|0.79167\n51789|0.375\n51790|0.72222\n51791|0.41667\n51792|0.61111\n51793|0.5\n51794|0.52778\n51795|0.55556\n51796|0.79167\n51797|0.75\n51798|0.36111\n51799|0.73611\n51800|0.54167\n51801|0.55556\n51802|0.90278\n51803|0.44444\n51804|0.69444\n51805|0.83333\n51806|0.51389\n51807|0.54167\n51808|0.45833\n51809|0.5\n51810|0.54167\n51811|0.56944\n51812|0.52778\n51813|0.54167\n51814|0.72222\n51815|0.68056\n51816|0.5\n51817|0.61111\n51818|0.61111\n51819|0.55556\n51820|0.69444\n51821|0.54167\n51822|0.625\n51823|0.51389\n51824|0.55556\n51825|0.51389\n51826|0.66667\n51827|0.5\n51828|0.5\n51829|0.5\n51830|0.54167\n51831|0.5\n51832|0.5\n51833|0.55556\n51834|0.5\n51835|0.61111\n51836|0.55556\n51837|0.51389\n51838|0.5\n51839|0.5\n51840|0.5\n51841|0.58333\n51842|0.63889\n51843|0.59722\n51844|0.44444\n51845|0.59722\n51846|0.44444\n51847|0.5\n51848|0.43056\n51849|0.55556\n51850|0.44444\n51851|0.63889\n51852|0.5\n51853|0.72222\n51854|0.56944\n51855|0.25\n51856|0.22222\n51857|0.41667\n51858|0.27778\n51859|0.33333\n51860|0.56944\n51861|0.625\n51862|0.88889\n51863|0.41667\n51864|0.55556\n51865|0.56944\n51866|0.44444\n51867|0.52778\n51868|0.5\n51869|0.70833\n51870|0.69444\n51871|0.66667\n51872|0.5\n51873|0.77778\n51874|0.72222\n51875|0.5\n51876|0.30556\n51877|0.375\n51878|0.36111\n51879|0.5\n51880|0.51389\n51881|0.5\n51882|0.48611\n51883|0.94444\n51884|0.41667\n51885|0.66667\n51886|0.61111\n51887|0.44444\n51888|0.55556\n51889|0.41667\n51890|0.66667\n51891|0.80556\n51892|0.59722\n51893|0.72222\n51894|0.73611\n51895|0.33333\n51896|0.58333\n51897|0.76389\n51898|0.55556\n51899|0.66667\n51900|0.59722\n51901|0.69444\n51902|0.5\n51903|0.54167\n51904|0.625\n51905|0.68056\n51906|0.54167\n51907|0.83333\n51908|0.66667\n51909|0.72222\n51910|0.59722\n51911|0.5\n51912|0.51389\n51913|0.73611\n51914|0.5\n51915|0.75\n51916|0.5\n51917|0.5\n51918|0.51389\n51919|0.63889\n51920|0.5\n51921|0.36111\n51922|0.47222\n51923|0.47222\n51924|0.44444\n51925|0.55556\n51926|0.38889\n51927|0.5\n51928|0.59722\n51929|0.5\n51930|0.40278\n51931|0.51389\n51932|0.30556\n51933|0.52778\n51934|0.51389\n51935|0.72222\n51936|0.55556\n51937|0.66667\n51938|0.5\n51939|0.66667\n51940|0.52778\n51941|0.55556\n51942|0.5\n51943|0.48611\n51944|0.44444\n51945|0.52778\n51946|0.59722\n51947|0.55556\n51948|0.51389\n51949|0.40278\n51950|0.44444\n51951|0.45833\n51952|0.5\n51953|0.63889\n51954|0.61111\n51955|0.5\n51956|0.55556\n51957|0.59722\n51958|0.5\n51959|0.61111\n51960|0.43056\n51961|0.5\n51962|0.63889\n51963|0.55556\n51964|0.48611\n51965|0.61111\n51966|0.5\n51967|0.5\n51968|0.5\n51969|0.26389\n51970|0.36111\n51971|0.65278\n51972|0.29167\n51973|0.83333\n51974|0.72222\n51975|0.75\n51976|0.55556\n51977|0.84722\n51978|0.55556\n51979|0.51389\n51980|0.73611\n51981|0.44444\n51982|0.5\n51983|0.83333\n51984|0.76389\n51985|0.86111\n51986|0.86111\n51987|0.63889\n51988|0.73611\n51989|0.66667\n51990|0.76389\n51991|0.77778\n51992|0.72222\n51993|0.5\n51994|0.45833\n51995|0.5\n51996|0.72222\n51997|0.55556\n51998|0.77778\n51999|0.76389\n52000|0.80556\n52001|0.93056\n52002|0.66667\n52003|0.72222\n52004|0.76389\n52005|0.80556\n52006|0.73611\n52007|0.80556\n52008|0.79167\n52009|0.80556\n52010|0.76389\n52011|0.73611\n52012|0.83333\n52013|0.83333\n52014|0.88889\n52015|0.77778\n52016|0.56944\n52017|0.875\n52018|0.76389\n52019|0.81944\n52020|0.72222\n52021|0.69444\n52022|0.63889\n52023|0.69444\n52024|0.75\n52025|0.70833\n52026|0.69444\n52027|0.45833\n52028|0.38889\n52029|0.58333\n52030|0.61111\n52031|0.5\n52032|0.51389\n52033|0.27778\n52034|0.52778\n52035|0.73611\n52036|0.61111\n52037|0.44444\n52038|0.5\n52039|0.48611\n52040|0.61111\n52041|0.55556\n52042|0.5\n52043|0.33333\n52044|0.5\n52045|0.5\n52046|0.63889\n52047|0.5\n52048|0.44444\n52049|0.68056\n52050|0.58333\n52051|0.72222\n52052|0.69444\n52053|0.76389\n52054|0.43056\n52055|0.5\n52056|0.625\n52057|0.61111\n52058|0.70833\n52059|0.56944\n52060|0.625\n52061|0.73611\n52062|0.66667\n52063|0.68056\n52064|0.75\n52065|0.70833\n52066|0.72222\n52067|0.84722\n52068|0.81944\n52069|0.34722\n52070|0.86111\n52071|0.80556\n52072|0.77778\n52073|0.76389\n52074|0.81944\n52075|0.61111\n52076|0.66667\n52077|0.66667\n52078|0.56944\n52079|0.6666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3|0.5\n111174|0.33333\n111175|0.68056\n111176|0.5\n111177|0.65278\n111178|0.66667\n111179|0.5\n111180|0.5\n111181|0.61111\n111182|0.56944\n111183|0.34722\n111184|0.20833\n111185|0.5\n111186|0.75\n111187|0.48611\n111188|0.43056\n111189|0.36111\n111190|0.11111\n111191|0.72222\n111192|0.68056\n111193|0.20833\n111194|0.68056\n111195|0.875\n111196|0.70833\n111197|0.875\n111198|0.375\n111199|0.25\n111200|0.48611\n111201|0.40278\n111202|0.30556\n111203|0.27778\n111204|0.47222\n111205|0.30556\n111206|0.16667\n111207|0.125\n111208|0.38889\n111209|0.25\n111210|0.55556\n111211|0.76389\n111212|0.66667\n111213|0.94444\n111214|0.66667\n111215|0.52778\n111216|0.20833\n111217|0.38889\n111218|0.45833\n111219|0.625\n111220|0.58333\n111221|0.15278\n111222|0.22222\n111223|0.34722\n111224|0.65278\n111225|0.81944\n111226|0.31944\n111227|0.31944\n111228|0.36111\n111229|0.25\n111230|0.79167\n111231|0.72222\n111232|0.72222\n111233|0.66667\n111234|0.68056\n111235|0.72222\n111236|0.65278\n111237|0.47222\n111238|0.80556\n111239|0.625\n111240|0.45833\n111241|0.25\n111242|0.80556\n111243|0.18056\n111244|0.52778\n111245|0.70833\n111246|0.61111\n111247|0.61111\n111248|0.70833\n111249|0.81944\n111250|0.70833\n111251|0.80556\n111252|0.75\n111253|0.73611\n111254|0.48611\n111255|0.5\n111256|0.22222\n111257|0.44444\n111258|0.34722\n111259|0.5\n111260|0.76389\n111261|0.72222\n111262|0.5\n111263|0.52778\n111264|0.54167\n111265|0.76389\n111266|0.54167\n111267|0.72222\n111268|0.5\n111269|0.69444\n111270|0.59722\n111271|0.30556\n111272|0.44444\n111273|0.5\n111274|0.65278\n111275|0.61111\n111276|0.66667\n111277|0.52778\n111278|0.5\n111279|0.5\n111280|0.5\n111281|0.88889\n111282|0.54167\n111283|0.33333\n111284|0.47222\n111285|0.52778\n111286|0.5\n111287|0.5\n111288|0.56944\n111289|0.65278\n111290|0.48611\n111291|0.77778\n111292|0.5\n111293|0.63889\n111294|0.54167\n111295|0.5\n111296|0.5\n111297|0.5\n111298|0.19444\n111299|0.44444\n111300|0.23611\n111301|0.20833\n111302|0.16667\n111303|0.13889\n111304|0.58333\n111305|0.66667\n111306|0.47222\n111307|0.5\n111308|0.54167\n111309|0.44444\n111310|0.36111\n111311|0.5\n111312|0.54167\n111313|0.63889\n111314|0.44444\n111315|0.56944\n111316|0.25\n111317|0.375\n111318|0.65278\n111319|0.72222\n111320|0.52778\n111321|0.66667\n111322|0.5\n111323|0.38889\n111324|0.25\n111325|0.43056\n111326|0.58333\n111327|0.69444\n111328|0.38889\n111329|0.5\n111330|0.36111\n111331|0.66667\n111332|0.65278\n111333|0.59722\n111334|0.31944\n111335|0.25\n111336|0.48611\n111337|0.16667\n111338|0.25\n111339|0.76389\n111340|0.58333\n111341|0.77778\n111342|0.81944\n111343|0.88889\n111344|0.88889\n111345|0.66667\n111346|0.73611\n111347|0.54167\n111348|0.44444\n111349|0.55556\n111350|0.95833\n111351|0.26389\n111352|0.73611\n111353|0.45833\n111354|0.73611\n111355|0.69444\n111356|0.83333\n111357|0.54167\n111358|0.80556\n111359|0.52778\n111360|0.875\n111361|0.86111\n111362|0.76389\n111363|0.56944\n111364|0.44444\n111365|0.61111\n111366|0.5\n111367|0.58333\n111368|0.45833\n111369|0.72222\n111370|0.44444\n111371|0.51389\n111372|0.45833\n111373|0.5\n111374|0.625\n111375|0.5\n111376|0.5\n111377|0.79167\n111378|0.97222\n111379|0.77778\n111380|0.77778\n111381|0.61111\n111382|0.5\n111383|0.5\n111384|0.5\n111385|0.25\n111386|0.27778\n111387|0.19444\n111388|0.38889\n111389|0.55556\n111390|0.5\n111391|0.5\n111392|0.45833\n111393|0.63889\n111394|0.58333\n111395|0.45833\n111396|0.5\n111397|0.44444\n111398|0.36111\n111399|0.51389\n111400|0.5\n111401|0.72222\n111402|0.5\n111403|0.33333\n111404|0.54167\n111405|0.73611\n111406|0.34722\n111407|0.55556\n111408|0.52778\n111409|0.19444\n111410|0.70833\n111411|0.56944\n111412|0.5\n111413|0.51389\n111414|0.61111\n111415|0.44444\n111416|0.51389\n111417|0.5\n111418|0.61111\n111419|0.375\n111420|0.5\n111421|0.055556\n111422|0.5\n111423|0.38889\n111424|0.041667\n111425|0.51389\n111426|0.47222\n111427|0.5\n111428|0.45833\n111429|0.63889\n111430|0.33333\n111431|0.44444\n111432|0.5\n111433|0.44444\n111434|0.59722\n111435|0.5\n111436|0.55556\n111437|0.58333\n111438|0.70833\n111439|0.5\n111440|0.26389\n111441|0.5\n111442|0.58333\n111443|0.625\n111444|0.75\n111445|0.56944\n111446|0.63889\n111447|0.61111\n111448|0.5\n111449|0.94444\n111450|0.45833\n111451|0.5\n111452|0.5\n111453|0.5\n111454|0.34722\n111455|0.375\n111456|0.5\n111457|0.86111\n111458|0.45833\n111459|0.52778\n111460|0.44444\n111461|0.375\n111462|0.41667\n111463|0.36111\n111464|0.5\n111465|0.54167\n111466|0.52778\n111467|0.33333\n111468|0.15278\n111469|0.36111\n111470|0.5\n111471|0.5\n111472|0.5\n111473|0.61111\n111474|0.44444\n111475|0.5\n111476|0.77778\n111477|0.59722\n111478|0.48611\n111479|0.44444\n111480|0.625\n111481|0.5\n111482|0.27778\n111483|0.5\n111484|0.65278\n111485|0.61111\n111486|0.55556\n111487|0.52778\n111488|0.5\n111489|0.5\n111490|0.36111\n111491|0.625\n111492|0.5\n111493|0.58333\n111494|0.5\n111495|0.055556\n111496|0.5\n111497|0.38889\n111498|0.47222\n111499|0.5\n111500|0.40278\n111501|0.5\n111502|0.5\n111503|0.68056\n111504|0.55556\n111505|0.5\n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72222\n111833|0.63889\n111834|0.73611\n111835|0.55556\n111836|0.48611\n111837|0.40278\n111838|0.48611\n111839|0.5\n111840|0.5\n111841|0.43056\n111842|0.54167\n111843|0.61111\n111844|0.69444\n111845|0.68056\n111846|0.65278\n111847|0.72222\n111848|0.34722\n111849|0.61111\n111850|0.69444\n111851|0.625\n111852|0.625\n111853|0.58333\n111854|0.40278\n111855|0.65278\n111856|0.16667\n111857|0.45833\n111858|0.51389\n111859|0.65278\n111860|0.38889\n111861|0.47222\n111862|0.80556\n111863|0.77778\n111864|0.54167\n111865|0.47222\n111866|0.47222\n111867|0.41667\n111868|0.56944\n111869|0.90278\n111870|0.86111\n111871|0.65278\n111872|0.86111\n111873|0.73611\n111874|0.80556\n111875|0.25\n111876|0.5\n111877|0.40278\n111878|0.44444\n111879|0.44444\n111880|0.76389\n111881|0.79167\n111882|0.56944\n111883|0.26389\n111884|0.625\n111885|0.40278\n111886|0.31944\n111887|0.45833\n111888|0.61111\n111889|0.5\n111890|0.76389\n111891|0.36111\n111892|0.76389\n111893|0.625\n111894|0.65278\n111895|0.5\n111896|0.45833\n111897|0.5\n111898|0.5\n111899|0.65278\n111900|0.69444\n111901|0.43056\n111902|0.65278\n111903|0.55556\n111904|0.625\n111905|0.5\n111906|0.55556\n111907|0.55556\n111908|0.51389\n111909|0.34722\n111910|0.80556\n111911|0.38889\n111912|0.56944\n111913|0.5\n111914|0.5\n111915|0.54167\n111916|0.72222\n111917|0.73611\n111918|0.81944\n111919|0.33333\n111920|0.083333\n111921|0.86111\n111922|0.65278\n111923|0.58333\n111924|0.51389\n111925|0.72222\n111926|0.56944\n111927|0.47222\n111928|0.79167\n111929|0.77778\n111930|0.55556\n111931|0.26389\n111932|0.51389\n111933|0.40278\n111934|0.33333\n111935|0.33333\n111936|0.18056\n111937|0.5\n111938|0.51389\n111939|0.47222\n111940|0.5\n111941|0.31944\n111942|0.63889\n111943|0.70833\n111944|0.41667\n111945|0.5\n111946|0.52778\n111947|0.44444\n111948|0.48611\n111949|0.5\n111950|0.23611\n111951|0.5\n111952|0.5\n111953|0.65278\n111954|0.88889\n111955|0.69444\n111956|0.76389\n111957|0.84722\n111958|0.63889\n111959|0.58333\n111960|0.58333\n111961|0.5\n111962|0.27778\n111963|0.18056\n111964|0.34722\n111965|0.23611\n111966|0.20833\n111967|0.40278\n111968|0.72222\n111969|0.69444\n111970|0.34722\n111971|0.59722\n111972|0.58333\n111973|0.72222\n111974|0.52778\n111975|0.61111\n111976|0.59722\n111977|0.66667\n111978|0.72222\n111979|0.70833\n111980|0.79167\n111981|0.70833\n111982|0.52778\n111983|0.65278\n111984|0.63889\n111985|0.47222\n111986|0.55556\n111987|0.47222\n111988|0.5\n111989|0.52778\n111990|0.68056\n111991|0.76389\n111992|0.66667\n111993|0.54167\n111994|0.36111\n111995|0.58333\n111996|0.59722\n111997|0.66667\n111998|0.63889\n111999|0.69444\n112000|0.54167\n112001|0.26389\n112002|0.76389\n112003|0.79167\n112004|0.29167\n112005|0.81944\n112006|0.77778\n112007|0.80556\n112008|0.36111\n112009|0.41667\n112010|0.33333\n112011|0.48611\n112012|0.055556\n112013|0.16667\n112014|0.16667\n112015|0.5\n112016|0.27778\n112017|0.68056\n112018|0.54167\n112019|0.58333\n112020|0.18056\n112021|0.48611\n112022|0.26389\n112023|0.29167\n112024|0.33333\n112025|0.11111\n112026|0.5\n112027|0.54167\n112028|0.63889\n112029|0.77778\n112030|0.73611\n112031|0.90278\n112032|0.70833\n112033|0.70833\n112034|0.65278\n112035|0.625\n112036|0.72222\n112037|0.75\n112038|0.68056\n112039|0.68056\n112040|0.61111\n112041|0.56944\n112042|0.81944\n112043|0.79167\n112044|0.63889\n112045|0.5\n112046|0.58333\n112047|0.83333\n112048|0.83333\n112049|0.55556\n112050|0.73611\n112051|0.80556\n112052|0.72222\n112053|0.44444\n112054|0.76389\n112055|0.81944\n112056|0.66667\n112057|0.83333\n112058|0.61111\n112059|0.20833\n112060|0.43056\n112061|0.77778\n112062|0.77778\n112063|0.81944\n112064|0.56944\n112065|0.30556\n112066|0.61111\n112067|0.70833\n112068|0.54167\n112069|0.43056\n112070|0.88889\n112071|0.56944\n112072|0.38889\n112073|0.44444\n112074|0.41667\n112075|0.58333\n112076|0.66667\n112077|0.58333\n112078|0.59722\n112079|0.68056\n112080|0.31944\n112081|0.43056\n112082|0.48611\n112083|0.63889\n112084|0.34722\n112085|0.66667\n112086|0.20833\n112087|0.625\n112088|0.48611\n112089|0.68056\n112090|0.90278\n112091|0.22222\n112092|0.47222\n112093|0.73611\n112094|0.51389\n112095|0.61111\n112096|0.86111\n112097|0.81944\n112098|0.73611\n112099|0.375\n112100|0.5\n112101|0.34722\n112102|0.31944\n112103|0.5\n112104|0.75\n112105|0.75\n112106|0.76389\n112107|0.61111\n112108|0.81944\n112109|0.56944\n112110|0.55556\n112111|0.625\n112112|0.41667\n112113|0.54167\n112114|0.69444\n112115|0.5\n112116|0.625\n112117|0.61111\n112118|0.22222\n112119|0.61111\n112120|0.72222\n112121|0.56944\n112122|0.75\n112123|0.58333\n112124|0.76389\n112125|0.52778\n112126|0.375\n112127|0.5\n112128|0.625\n112129|0.61111\n112130|0.65278\n112131|0.34722\n112132|0.43056\n112133|0.25\n112134|0.55556\n112135|0.56944\n112136|0.5\n112137|0.58333\n112138|0.58333\n112139|0.58333\n112140|0.44444\n112141|0.5\n112142|0.55556\n112143|0.5\n112144|0.41667\n112145|0.54167\n112146|0.55556\n112147|0.5\n112148|0.56944\n112149|0.72222\n112150|0.43056\n112151|0.83333\n112152|0.54167\n112153|0.54167\n112154|0.5138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42|0.19444\n121043|0.5\n121044|0.625\n121045|0.5\n121046|0.26389\n121047|0.30556\n121048|0.56944\n121049|0.36111\n121050|0.31944\n121051|0.61111\n121052|0.5\n121053|0.56944\n121054|0.80556\n121055|0.52778\n121056|0.61111\n121057|0.79167\n121058|0.55556\n121059|0.47222\n121060|0.48611\n121061|0.23611\n121062|0.69444\n121063|0.38889\n121064|0.44444\n121065|0.5\n121066|0.5\n121067|0.41667\n121068|0.27778\n121069|0.5\n121070|0.31944\n121071|0.79167\n121072|0.625\n121073|0.77778\n121074|0.5\n121075|0.36111\n121076|0.69444\n121077|0.65278\n121078|0.68056\n121079|0.69444\n121080|0.65278\n121081|0.27778\n121082|0.27778\n121083|0.38889\n121084|0.44444\n121085|0.5\n121086|0.23611\n121087|0.73611\n121088|0.76389\n121089|0.55556\n121090|0.72222\n121091|0.36111\n121092|0.73611\n121093|0.72222\n121094|0.59722\n121095|0.68056\n121096|0.5\n121097|0.34722\n121098|0.375\n121099|0.34722\n121100|0.52778\n121101|0.18056\n121102|0.72222\n121103|0.54167\n121104|0.5\n121105|0.43056\n121106|0.59722\n121107|0.34722\n121108|0.59722\n121109|0.625\n121110|0.51389\n121111|0.68056\n121112|0.56944\n121113|0.61111\n121114|0.55556\n121115|0.56944\n121116|0.63889\n121117|0.55556\n121118|0.5\n121119|0.61111\n121120|0.45833\n121121|0.59722\n121122|0.59722\n121123|0.5\n121124|0.47222\n121125|0.33333\n121126|0.5\n121127|0.61111\n121128|0.52778\n121129|0.73611\n121130|0.59722\n121131|0.69444\n121132|0.76389\n121133|0.61111\n121134|0.68056\n121135|0.54167\n121136|0.52778\n121137|0.38889\n121138|0.55556\n121139|0.61111\n121140|0.5\n121141|0.51389\n121142|0.66667\n121143|0.625\n121144|0.5\n121145|0.59722\n121146|0.61111\n121147|0.77778\n121148|0.47222\n121149|0.52778\n121150|0.44444\n121151|0.51389\n121152|0.58333\n121153|0.51389\n121154|0.54167\n121155|0.61111\n121156|0.55556\n121157|0.48611\n121158|0.47222\n121159|0.625\n121160|0.44444\n121161|0.76389\n121162|0.31944\n121163|0.61111\n121164|0.51389\n121165|0.375\n121166|0.5\n121167|0.41667\n121168|0.18056\n121169|0.5\n121170|0.027778\n121171|0.61111\n121172|0.48611\n121173|0.79167\n121174|0.75\n121175|0.69444\n121176|0.65278\n121177|0.61111\n121178|0.84722\n121179|0.77778\n121180|0.61111\n121181|0.81944\n121182|0.75\n121183|0.69444\n121184|0.81944\n121185|0.61111\n121186|0.58333\n121187|0.91667\n121188|0.79167\n121189|0.68056\n121190|0.875\n121191|0.81944\n121192|0.79167\n121193|0.69444\n121194|0.55556\n121195|0.51389\n121196|0.76389\n121197|0.55556\n121198|0.47222\n121199|0.5\n121200|0.5\n121201|0.5\n121202|0.875\n121203|0.47222\n121204|0.41667\n121205|0.55556\n121206|0.25\n121207|0.5\n121208|0.59722\n121209|0.83333\n121210|0.84722\n121211|0.81944\n121212|0.81944\n121213|0.86111\n121214|0.625\n121215|0.55556\n121216|0.5\n121217|0.33333\n121218|0.625\n121219|0.55556\n121220|0.31944\n121221|0.80556\n121222|0.59722\n121223|0.48611\n121224|0.31944\n121225|0.56944\n121226|0.625\n121227|0.5\n121228|0.48611\n121229|0.18056\n121230|0.18056\n121231|0.38889\n121232|0.77778\n121233|0.61111\n121234|0.45833\n121235|0.54167\n121236|0.5\n121237|0.43056\n121238|0.52778\n121239|0.43056\n121240|0.27778\n121241|0.5\n121242|0.47222\n121243|0.36111\n121244|0.54167\n121245|0.43056\n121246|0.69444\n121247|0.72222\n121248|0.69444\n121249|0.79167\n121250|0.59722\n121251|0.26389\n121252|0.52778\n121253|0.52778\n121254|0.70833\n121255|0.59722\n121256|0.5\n121257|0.48611\n121258|0.5\n121259|0.48611\n121260|0.44444\n121261|0.30556\n121262|0.43056\n121263|0.38889\n121264|0.48611\n121265|0.083333\n121266|0.30556\n121267|0.27778\n121268|0.5\n121269|0.45833\n121270|0.5\n121271|0.58333\n121272|0.29167\n121273|0.66667\n121274|0.56944\n121275|0.5\n121276|0.18056\n121277|0.40278\n121278|0.5\n121279|0.5\n121280|0.70833\n121281|0.55556\n121282|0.29167\n121283|0.5\n121284|0.44444\n121285|0.44444\n121286|0.72222\n121287|0.61111\n121288|0.52778\n121289|0.68056\n121290|0.66667\n121291|0.65278\n121292|0.75\n121293|0.84722\n121294|0.81944\n121295|0.77778\n121296|0.68056\n121297|0.77778\n121298|0.81944\n121299|0.5\n121300|0.55556\n121301|0.79167\n121302|0.61111\n121303|0.77778\n121304|0.68056\n121305|0.5\n121306|0.23611\n121307|0.48611\n121308|0.58333\n121309|0.5\n121310|0.80556\n121311|0.65278\n121312|0.83333\n121313|0.72222\n121314|0.77778\n121315|0.65278\n121316|0.75\n121317|0.69444\n121318|0.69444\n121319|0.76389\n121320|0.61111\n121321|0.52778\n121322|0.68056\n121323|0.70833\n121324|0.73611\n121325|0.63889\n121326|0.51389\n121327|0.18056\n121328|0.56944\n121329|0.59722\n121330|0.72222\n121331|0.30556\n121332|0.69444\n121333|0.94444\n121334|0.45833\n121335|0.61111\n121336|0.65278\n121337|0.5\n121338|0.81944\n121339|0.86111\n121340|0.86111\n121341|0.75\n121342|0.75\n121343|0.55556\n121344|0.31944\n121345|0.45833\n121346|0.58333\n121347|0.68056\n121348|0.70833\n121349|0.81944\n121350|0.73611\n121351|0.65278\n121352|0.625\n121353|0.80556\n121354|0.76389\n121355|0.44444\n121356|0.33333\n121357|0.45833\n121358|0.61111\n121359|0.54167\n121360|0.79167\n121361|0.26389\n121362|0.375\n121363|0.625\n121364|0.54167\n121365|0.31944\n121366|0.875\n121367|0.61111\n121368|0.5\n121369|0.5\n121370|0.5\n121371|0.5\n121372|0.61111\n121373|0.56944\n121374|0.43056\n121375|0.73611\n121376|0.73611\n121377|0.59722\n121378|0.34722\n121379|0.54167\n121380|0.5\n121381|0.59722\n121382|0.44444\n121383|0.44444\n121384|0.5\n121385|0.61111\n121386|0.55556\n121387|0.52778\n121388|0.5\n121389|0.68056\n121390|0.52778\n121391|0.41667\n121392|0.47222\n121393|0.38889\n121394|0.59722\n121395|0.59722\n121396|0.33333\n121397|0.44444\n121398|0.55556\n121399|0.38889\n121400|0.31944\n121401|0.5\n121402|0.40278\n121403|0.20833\n121404|0.69444\n121405|0.77778\n121406|0.61111\n121407|0.56944\n121408|0.72222\n121409|0.76389\n121410|0.90278\n121411|0.76389\n121412|0.66667\n121413|0.65278\n121414|0.84722\n121415|0.84722\n121416|0.5\n121417|0.5\n121418|0.41667\n121419|0.875\n121420|0.83333\n121421|0.90278\n121422|0.40278\n121423|0.86111\n121424|0.38889\n121425|0.38889\n121426|0.5\n121427|0.5\n121428|0.56944\n121429|0.36111\n121430|0.83333\n121431|0.83333\n121432|0.84722\n121433|0.61111\n121434|0.5\n121435|0.88889\n121436|0.56944\n121437|0.52778\n121438|0.55556\n121439|0.5\n121440|0.75\n121441|0.79167\n121442|0.66667\n121443|0.75\n121444|0.55556\n121445|0.52778\n121446|0.5\n121447|0.25\n121448|0.63889\n121449|0.36111\n121450|0.5\n121451|0.52778\n121452|0.5\n121453|0.22222\n121454|0.26389\n121455|0.41667\n121456|0.48611\n121457|0.31944\n121458|0.44444\n121459|0.45833\n121460|0.63889\n121461|0.48611\n121462|0.61111\n121463|0.47222\n121464|0.48611\n121465|0.61111\n121466|0.44444\n121467|0.625\n121468|0.44444\n121469|0.44444\n121470|0.66667\n121471|0.66667\n121472|0.34722\n121473|0.19444\n121474|0.29167\n121475|0.33333\n121476|0.69444\n121477|0.55556\n121478|0.5\n121479|0.5\n121480|0.65278\n121481|0.76389\n121482|0.83333\n121483|0.65278\n121484|0.72222\n121485|0.86111\n121486|0.47222\n121487|0.59722\n121488|0.55556\n121489|0.5\n121490|0.5\n121491|0.65278\n121492|0.59722\n121493|0.45833\n121494|0.55556\n121495|0.5\n121496|0.5\n121497|0.44444\n121498|0.70833\n121499|0.55556\n121500|0.47222\n121501|0.61111\n121502|0.625\n121503|0.48611\n121504|0.5\n121505|0.5\n121506|0.61111\n121507|0.77778\n121508|0.61111\n121509|0.66667\n121510|0.75\n121511|0.5\n121512|0.43056\n121513|0.58333\n121514|0.54167\n121515|0.52778\n121516|0.27778\n121517|0.38889\n121518|0.44444\n121519|0.52778\n121520|0.20833\n121521|0.38889\n121522|0.54167\n121523|0.5\n121524|0.44444\n121525|0.27778\n121526|0.5\n121527|0.5\n121528|0.48611\n121529|0.68056\n121530|0.61111\n121531|0.51389\n121532|0.5\n121533|0.5\n121534|0.66667\n121535|0.75\n121536|0.18056\n121537|0.61111\n121538|0.5\n121539|0.38889\n121540|0.16667\n121541|0.29167\n121542|0.58333\n121543|0.70833\n121544|0.375\n121545|0.125\n121546|0.52778\n121547|0.58333\n121548|0.5\n121549|0.48611\n121550|0.55556\n121551|0.5\n121552|0.5\n121553|0.65278\n121554|0.56944\n121555|0.58333\n121556|0.27778\n121557|0.5\n121558|0.5\n121559|0.5\n121560|0.5\n121561|0.5\n121562|0.38889\n121563|0.375\n121564|0.18056\n121565|0.38889\n121566|0.48611\n121567|0.23611\n121568|0.47222\n121569|0.63889\n121570|0.27778\n121571|0.16667\n121572|0.52778\n121573|0.47222\n121574|0.47222\n121575|0.5\n121576|0.63889\n121577|0.5\n121578|0.44444\n121579|0.48611\n121580|0.5\n121581|0.5\n121582|0.34722\n121583|0.5\n121584|0.61111\n121585|0.51389\n121586|0.59722\n121587|0.77778\n121588|0.5\n121589|0.44444\n121590|0.54167\n121591|0.44444\n121592|0.56944\n121593|0.41667\n121594|0.16667\n121595|0.34722\n121596|0.5\n121597|0.625\n121598|0.86111\n121599|0.33333\n121600|0.5\n121601|0.5\n121602|0.5\n121603|0.58333\n121604|0.72222\n121605|0.69444\n121606|0.5\n121607|0.5\n121608|0.73611\n121609|0.58333\n121610|0.66667\n121611|0.73611\n121612|0.33333\n121613|0.34722\n121614|0.41667\n121615|0.36111\n121616|0.72222\n121617|0\n121618|0.15278\n121619|0.44444\n121620|0.31944\n121621|0.58333\n121622|0.43056\n121623|0.52778\n121624|0.58333\n121625|0.38889\n121626|0.19444\n121627|0.47222\n121628|0.5\n121629|0.40278\n121630|0.22222\n121631|0.59722\n121632|0.20833\n121633|0.59722\n121634|0.58333\n121635|0.55556\n121636|0.48611\n121637|0.38889\n121638|0.68056\n121639|0.72222\n121640|0.76389\n121641|0.52778\n121642|0.59722\n121643|0.54167\n121644|0.75\n121645|0.5\n121646|0.65278\n121647|0.47222\n121648|0.45833\n121649|0.61111\n121650|0.72222\n121651|0.81944\n121652|0.88889\n121653|0.75\n121654|0.54167\n121655|0.70833\n121656|0.79167\n121657|0.66667\n121658|0.73611\n121659|0.79167\n121660|0.70833\n121661|0.69444\n121662|0.33333\n121663|0.79167\n121664|0.81944\n121665|0.70833\n121666|0.81944\n121667|0.75\n121668|0.63889\n121669|0.73611\n121670|0.61111\n121671|0.73611\n121672|0.59722\n121673|0.25\n121674|0.15278\n121675|0.79167\n121676|0.54167\n121677|0.65278\n121678|0.68056\n121679|0.76389\n121680|0.73611\n121681|0.375\n121682|0.75\n121683|0.55556\n121684|0.5\n121685|0.20833\n121686|0.84722\n121687|0.72222\n121688|0.63889\n121689|0.61111\n121690|0.61111\n121691|0.5\n121692|0.55556\n121693|0.65278\n121694|0.45833\n121695|0.625\n121696|0.44444\n1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4|0.66667\n131255|0.5\n131256|0.5\n131257|0.44444\n131258|0.52778\n131259|0.41667\n131260|0.5\n131261|0.22222\n131262|0.15278\n131263|0.59722\n131264|0.56944\n131265|0.625\n131266|0.58333\n131267|0.58333\n131268|0.55556\n131269|0.61111\n131270|0.63889\n131271|0.63889\n131272|0.73611\n131273|0.47222\n131274|0.5\n131275|0.41667\n131276|0.625\n131277|0.44444\n131278|0.43056\n131279|0.51389\n131280|0.52778\n131281|0.5\n131282|0.33333\n131283|0.52778\n131284|0.59722\n131285|0.33333\n131286|0.58333\n131287|0.5\n131288|0.76389\n131289|0.76389\n131290|0.59722\n131291|0.63889\n131292|0.68056\n131293|0.41667\n131294|0.79167\n131295|0.76389\n131296|0.83333\n131297|0.84722\n131298|0.86111\n131299|0.76389\n131300|0.65278\n131301|0.34722\n131302|0.59722\n131303|0.84722\n131304|0.69444\n131305|0.81944\n131306|0.5\n131307|0.69444\n131308|0.58333\n131309|0.75\n131310|0.69444\n131311|0.5\n131312|0.38889\n131313|0.5\n131314|0.79167\n131315|0.86111\n131316|0.94444\n131317|0.86111\n131318|0.81944\n131319|0.68056\n131320|0.80556\n131321|0.11111\n131322|0.83333\n131323|0.70833\n131324|0.16667\n131325|0.56944\n131326|0.68056\n131327|0.59722\n131328|0.5\n131329|0.63889\n131330|0.055556\n131331|0.5\n131332|0.84722\n131333|0.5\n131334|0.27778\n131335|0.59722\n131336|0.47222\n131337|0.43056\n131338|0.5\n131339|0.5\n131340|0.40278\n131341|0.38889\n131342|0.38889\n131343|0.75\n131344|0.5\n131345|0.54167\n131346|0.5\n131347|0.51389\n131348|0.72222\n131349|0.55556\n131350|0.5\n131351|0.48611\n131352|0.44444\n131353|0.45833\n131354|0.5\n131355|0.5\n131356|0.375\n131357|0.40278\n131358|0.36111\n131359|0.43056\n131360|0.40278\n131361|0.58333\n131362|0.38889\n131363|0.47222\n131364|0.48611\n131365|0.5\n131366|0.56944\n131367|0.38889\n131368|0.43056\n131369|0.18056\n131370|0.25\n131371|0.125\n131372|0.43056\n131373|0.5\n131374|0.44444\n131375|0.23611\n131376|0.125\n131377|0.22222\n131378|0.097222\n131379|0.5\n131380|0.47222\n131381|0.15278\n131382|0.19444\n131383|0.11111\n131384|0.41667\n131385|0.51389\n131386|0.16667\n131387|0.52778\n131388|0.48611\n131389|0.375\n131390|0.41667\n131391|0.5\n131392|0.5\n131393|0.45833\n131394|0.30556\n131395|0.47222\n131396|0.23611\n131397|0.5\n131398|0.36111\n131399|0.5\n131400|0.40278\n131401|0.29167\n131402|0.5\n131403|0.66667\n131404|0.41667\n131405|0.48611\n131406|0.34722\n131407|0.26389\n131408|0.56944\n131409|0.52778\n131410|0.59722\n131411|0.68056\n131412|0.58333\n131413|0.5\n131414|0.68056\n131415|0.5\n131416|0.34722\n131417|0.13889\n131418|0.25\n131419|0.11111\n131420|0.54167\n131421|0.59722\n131422|0.36111\n131423|0.51389\n131424|0.54167\n131425|0.31944\n131426|0.5\n131427|0.69444\n131428|0.63889\n131429|0.70833\n131430|0.76389\n131431|0.59722\n131432|0.56944\n131433|0.5\n131434|0.5\n131435|0.625\n131436|0.43056\n131437|0.36111\n131438|0.5\n131439|0.56944\n131440|0.72222\n131441|0.54167\n131442|0.63889\n131443|0.56944\n131444|0.31944\n131445|0.70833\n131446|0.5\n131447|0.5\n131448|0.19444\n131449|0.29167\n131450|0.48611\n131451|0.45833\n131452|0.65278\n131453|0.5\n131454|0.48611\n131455|0.55556\n131456|0.55556\n131457|0.61111\n131458|0.43056\n131459|0.625\n131460|0.54167\n131461|0.61111\n131462|0.51389\n131463|0.65278\n131464|0.55556\n131465|0.69444\n131466|0.80556\n131467|0.76389\n131468|0.81944\n131469|0.5\n131470|0.41667\n131471|0.75\n131472|0.52778\n131473|0.66667\n131474|0.5\n131475|0.5\n131476|0.41667\n131477|0.56944\n131478|0.38889\n131479|0.041667\n131480|0.22222\n131481|0.27778\n131482|0.5\n131483|0.51389\n131484|0.40278\n131485|0.59722\n131486|0.44444\n131487|0.52778\n131488|0.38889\n131489|0.25\n131490|0.73611\n131491|0.54167\n131492|0.40278\n131493|0.56944\n131494|0.45833\n131495|0.56944\n131496|0.13889\n131497|0.48611\n131498|0.55556\n131499|0.55556\n131500|0.70833\n131501|0.63889\n131502|0.625\n131503|0.59722\n131504|0.66667\n131505|0.625\n131506|0.5\n131507|0.5\n131508|0.5\n131509|0.66667\n131510|0.48611\n131511|0.44444\n131512|0.55556\n131513|0.73611\n131514|0.45833\n131515|0.44444\n131516|0.59722\n131517|0.44444\n131518|0.48611\n131519|0.5\n131520|0.33333\n131521|0.47222\n131522|0.23611\n131523|0.5\n131524|0.48611\n131525|0.66667\n131526|0.65278\n131527|0.76389\n131528|0.75\n131529|0.63889\n131530|0.80556\n131531|0.66667\n131532|0.66667\n131533|0.73611\n131534|0.66667\n131535|0.55556\n131536|0.5\n131537|0.5\n131538|0.5\n131539|0.5\n131540|0.11111\n131541|0.33333\n131542|0.5\n131543|0.76389\n131544|0.84722\n131545|0.88889\n131546|0.44444\n131547|0.63889\n131548|0.625\n131549|0.33333\n131550|0.45833\n131551|0.20833\n131552|0.56944\n131553|0.44444\n131554|0.72222\n131555|0.63889\n131556|0.66667\n131557|0.51389\n131558|0.51389\n131559|0.5\n131560|0.44444\n131561|0.5\n131562|0.375\n131563|0.44444\n131564|0.43056\n131565|0.30556\n131566|0.59722\n131567|0.58333\n131568|0.5\n131569|0.44444\n131570|0.20833\n131571|0.38889\n131572|0.48611\n131573|0.5\n131574|0.70833\n131575|0.77778\n131576|0.54167\n131577|0.61111\n131578|0.80556\n131579|0.81944\n131580|0.43056\n131581|0.40278\n131582|0.40278\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|0.5\n141803|0.23611\n141804|0.61111\n141805|0.45833\n141806|0.55556\n141807|0.375\n141808|0.5\n141809|0.59722\n141810|0.5\n141811|0.33333\n141812|0.5\n141813|0.44444\n141814|0.5\n141815|0.63889\n141816|0.23611\n141817|0.44444\n141818|0.069444\n141819|0.375\n141820|0.29167\n141821|0.38889\n141822|0.27778\n141823|0.33333\n141824|0.5\n141825|0.55556\n141826|0.29167\n141827|0.29167\n141828|0.25\n141829|0.34722\n141830|0.5\n141831|0.069444\n141832|0.51389\n141833|0.54167\n141834|0.375\n141835|0.55556\n141836|0.5\n141837|0.23611\n141838|0.33333\n141839|0.13889\n141840|0.5\n141841|0.36111\n141842|0.41667\n141843|0.5\n141844|0.16667\n141845|0.54167\n141846|0.5\n141847|0.34722\n141848|0.40278\n141849|0.5\n141850|0.45833\n141851|0.5\n141852|0.375\n141853|0.31944\n141854|0.44444\n141855|0.5\n141856|0.70833\n141857|0.27778\n141858|0.40278\n141859|0.54167\n141860|0.41667\n141861|0.40278\n141862|0.5\n141863|0.63889\n141864|0.77778\n141865|0.76389\n141866|0.27778\n141867|0.18056\n141868|0.5\n141869|0.31944\n141870|0.5\n141871|0.55556\n141872|0.44444\n141873|0.36111\n141874|0.5\n141875|0.44444\n141876|0.5\n141877|0.5\n141878|0.54167\n141879|0.44444\n141880|0.5\n141881|0.5\n141882|0.44444\n141883|0.45833\n141884|0.25\n141885|0.54167\n141886|0.52778\n141887|0.44444\n141888|0.5\n141889|0.44444\n141890|0.51389\n141891|0.44444\n141892|0.5\n141893|0.73611\n141894|0.5\n141895|0.47222\n141896|0.27778\n141897|0.40278\n141898|0.5\n141899|0.51389\n141900|0.55556\n141901|0.38889\n141902|0.66667\n141903|0.5\n141904|0.52778\n141905|0.47222\n141906|0.54167\n141907|0.47222\n141908|0.5\n141909|0.47222\n141910|0.25\n141911|0.55556\n141912|0.5\n141913|0.31944\n141914|0.26389\n141915|0.44444\n141916|0.56944\n141917|0.51389\n141918|0.5\n141919|0.25\n141920|0.5\n141921|0.5\n141922|0.041667\n141923|0.23611\n141924|0.72222\n141925|0.44444\n141926|0.18056\n141927|0.22222\n141928|0.5\n141929|0.47222\n141930|0.48611\n141931|0.27778\n141932|0.5\n141933|0.45833\n141934|0.5\n141935|0.63889\n141936|0.055556\n141937|0.27778\n141938|0.29167\n141939|0.19444\n141940|0.097222\n141941|0.33333\n141942|0.58333\n141943|0.38889\n141944|0.15278\n141945|0.43056\n141946|0.44444\n141947|0.25\n141948|0.40278\n141949|0.5\n141950|0.875\n141951|0.75\n141952|0.55556\n141953|0.55556\n141954|0.44444\n141955|0.25\n141956|0.30556\n141957|0.27778\n141958|0.15278\n141959|0.15278\n141960|0.375\n141961|0.36111\n141962|0.5\n141963|0.097222\n141964|0.18056\n141965|0.27778\n141966|0.30556\n141967|0.45833\n141968|0.15278\n141969|0.15278\n141970|0.31944\n141971|0.63889\n141972|0.72222\n141973|0.51389\n141974|0.40278\n141975|0.5\n141976|0.59722\n141977|0.33333\n141978|0.20833\n141979|0.26389\n141980|0.66667\n141981|0.19444\n141982|0.44444\n141983|0.44444\n141984|0.66667\n141985|0.25\n141986|0.31944\n141987|0.33333\n141988|0.33333\n141989|0.23611\n141990|0.11111\n141991|0.38889\n141992|0.375\n141993|0.13889\n141994|0.31944\n141995|0.5\n141996|0.5\n141997|0.27778\n141998|0.5\n141999|0.30556\n142000|0.44444\n142001|0.22222\n142002|0.31944\n142003|0.38889\n142004|0.36111\n142005|0.375\n142006|0.47222\n142007|0.125\n142008|0.19444\n142009|0.5\n142010|0.22222\n142011|0.23611\n142012|0.30556\n142013|0.36111\n142014|0.66667\n142015|0.51389\n142016|0.30556\n142017|0.44444\n142018|0.11111\n142019|0.5\n142020|0.33333\n142021|0.47222\n142022|0.47222\n142023|0.375\n142024|0.34722\n142025|0.52778\n142026|0.34722\n142027|0.26389\n142028|0.63889\n142029|0.69444\n142030|0.20833\n142031|0.81944\n142032|0.40278\n142033|0.54167\n142034|0.31944\n142035|0.59722\n142036|0.43056\n142037|0.29167\n142038|0.875\n142039|0.33333\n142040|0.27778\n142041|0.31944\n142042|0.59722\n142043|0.41667\n142044|0.34722\n142045|0.013889\n142046|0.48611\n142047|0.375\n142048|0.38889\n142049|0.29167\n142050|0.22222\n142051|0.25\n142052|0.27778\n142053|0.47222\n142054|0.40278\n142055|0.26389\n142056|0.097222\n142057|0.16667\n142058|0.16667\n142059|0.59722\n142060|0.33333\n142061|0.5\n142062|0.44444\n142063|0.38889\n142064|0.47222\n142065|0.34722\n142066|0.33333\n142067|0.65278\n142068|0.29167\n142069|0.34722\n142070|0.43056\n142071|0.30556\n142072|0.5\n142073|0.45833\n142074|0.44444\n142075|0.65278\n142076|0.58333\n142077|0.61111\n142078|0.31944\n142079|0.41667\n142080|0.43056\n142081|0.5\n142082|0.23611\n142083|0.45833\n142084|0.44444\n142085|0.34722\n142086|0.52778\n142087|0.27778\n142088|0.51389\n142089|0.86111\n142090|0.5\n142091|0.19444\n142092|0.36111\n142093|0.36111\n142094|0.47222\n142095|0.77778\n142096|0.54167\n142097|0.36111\n142098|0.5\n142099|0.375\n142100|0.40278\n142101|0.34722\n142102|0.44444\n142103|0.65278\n142104|0.11111\n142105|0.625\n142106|0.58333\n142107|0.15278\n142108|0.40278\n142109|0.58333\n142110|0.5\n142111|0.15278\n142112|0.375\n142113|0.56944\n142114|0.5\n142115|0.19444\n142116|0.72222\n142117|0.16667\n142118|0.5\n142119|0.33333\n142120|0.55556\n142121|0.47222\n142122|0.31944\n142123|0.31944\n142124|0.25\n142125|0.73611\n142126|0.19444\n142127|0.30556\n142128|0.375\n142129|0.44444\n142130|0.22222\n142131|0.41667\n142132|0.36111\n142133|0.45833\n142134|0.23611\n142135|0.47222\n142136|0.76389\n142137|0.5\n142138|0.26389\n142139|0.69444\n142140|0.68056\n142141|0.48611\n142142|0.41667\n142143|0.31944\n142144|0.22222\n142145|0.097222\n142146|0.38889\n142147|0.22222\n142148|0.11111\n142149|0.20833\n142150|0.45833\n142151|0.25\n142152|0.45833\n142153|0.41667\n142154|0.33333\n142155|0.20833\n142156|0.16667\n142157|0.30556\n142158|0.097222\n142159|0.31944\n142160|0.5\n142161|0.375\n142162|0.5\n142163|0.5\n142164|0.43056\n142165|0.44444\n142166|0.5\n142167|0.36111\n142168|0.19444\n142169|0.083333\n142170|0.625\n142171|0.33333\n142172|0.041667\n142173|0.375\n142174|0.5\n142175|0.18056\n142176|0.31944\n142177|0.40278\n142178|0.47222\n142179|0.23611\n142180|0.59722\n142181|0.33333\n142182|0.22222\n142183|0.66667\n142184|0.30556\n142185|0.5\n142186|0.44444\n142187|0.44444\n142188|0.41667\n142189|0.41667\n142190|0.27778\n142191|0.33333\n142192|0.61111\n142193|0.44444\n142194|0.33333\n142195|0.48611\n142196|0.33333\n142197|0.34722\n142198|0.5\n142199|0.55556\n142200|0.34722\n142201|0.40278\n142202|0.19444\n142203|0.26389\n142204|0.33333\n142205|0.54167\n142206|0.27778\n142207|0.18056\n142208|0.34722\n142209|0.13889\n142210|0.45833\n142211|0.34722\n142212|0.5\n142213|0.5\n142214|0.31944\n142215|0.54167\n142216|0.61111\n142217|0.41667\n142218|0.18056\n142219|0.36111\n142220|0.68056\n142221|0.5\n142222|0.31944\n142223|0.52778\n142224|0.40278\n142225|0.55556\n142226|0.41667\n142227|0.19444\n142228|0.41667\n142229|0.47222\n142230|0.375\n142231|0.11111\n142232|0.41667\n142233|0.43056\n142234|0.5\n142235|0.15278\n142236|0.33333\n142237|0.5\n142238|0.30556\n142239|0.30556\n142240|0.20833\n142241|0.36111\n142242|0.22222\n142243|0.13889\n142244|0.34722\n142245|0.23611\n142246|0.5\n142247|0.125\n142248|0.80556\n142249|0.22222\n142250|0.16667\n142251|0.33333\n142252|0.26389\n142253|0.22222\n142254|0.22222\n142255|0.34722\n142256|0.26389\n142257|0.41667\n142258|0.20833\n142259|0.19444\n142260|0.30556\n142261|0.11111\n142262|0.5\n142263|0.36111\n142264|0.31944\n142265|0.30556\n142266|0.069444\n142267|0.20833\n142268|0.29167\n142269|0.30556\n142270|0.44444\n142271|0.29167\n142272|0.5\n142273|0.26389\n142274|0.20833\n142275|0.44444\n142276|0.33333\n142277|0.72222\n142278|0.23611\n142279|0.125\n142280|0.125\n142281|0.19444\n142282|0.36111\n142283|0.55556\n142284|0.43056\n142285|0.23611\n142286|0.33333\n142287|0.70833\n142288|0.22222\n142289|0.083333\n142290|0.23611\n142291|0.26389\n142292|0.52778\n142293|0.29167\n142294|0.38889\n142295|0.31944\n142296|0.33333\n142297|0.25\n142298|0.25\n142299|0.43056\n142300|0.26389\n142301|0.68056\n142302|0.25\n142303|0.41667\n142304|0.44444\n142305|0.20833\n142306|0.52778\n142307|0.30556\n142308|0.16667\n142309|0.23611\n142310|0.55556\n142311|0.26389\n142312|0.43056\n142313|0.22222\n142314|0.43056\n142315|0.23611\n142316|0.18056\n142317|0.56944\n142318|0.5\n142319|0.13889\n142320|0.54167\n142321|0.65278\n142322|0.22222\n142323|0.30556\n142324|0.33333\n142325|0.13889\n142326|0.68056\n142327|0.44444\n142328|0.36111\n142329|0.55556\n142330|0.45833\n142331|0.20833\n142332|0.38889\n142333|0.48611\n142334|0.29167\n142335|0.125\n142336|0.29167\n142337|0.31944\n142338|0.36111\n142339|0.31944\n142340|0.40278\n142341|0.41667\n142342|0.25\n142343|0.36111\n142344|0.36111\n142345|0.41667\n142346|0.27778\n142347|0.47222\n142348|0.54167\n142349|0.52778\n142350|0.5\n142351|0.45833\n142352|0.29167\n142353|0.34722\n142354|0.25\n142355|0.33333\n142356|0.5\n142357|0.5\n142358|0.27778\n142359|0.33333\n142360|0.44444\n142361|0.27778\n142362|0.40278\n142363|0.44444\n142364|0.38889\n142365|0.34722\n142366|0.44444\n142367|0.19444\n142368|0.26389\n142369|0.44444\n142370|0.36111\n142371|0.20833\n142372|0.5\n142373|0.40278\n142374|0.61111\n142375|0.30556\n142376|0.54167\n142377|0.13889\n142378|0.5\n142379|0.5\n142380|0.16667\n142381|0.5\n142382|0.76389\n142383|0.5\n142384|0.31944\n142385|0.40278\n142386|0.58333\n142387|0.55556\n142388|0.63889\n142389|0.51389\n142390|0.38889\n142391|0.45833\n142392|0.15278\n142393|0.41667\n142394|0.5\n142395|0.5\n142396|0.29167\n142397|0.27778\n142398|0.34722\n142399|0.51389\n142400|0.055556\n142401|0.27778\n142402|0.055556\n142403|0.27778\n142404|0.29167\n142405|0.51389\n142406|0.19444\n142407|0.29167\n142408|0.51389\n142409|0.29167\n142410|0.38889\n142411|0.29167\n142412|0.16667\n142413|0.65278\n142414|0.33333\n142415|0.26389\n142416|0.38889\n142417|0.43056\n142418|0.5\n142419|0.55556\n142420|0.23611\n142421|0.34722\n142422|0.45833\n142423|0.65278\n142424|0.56944\n142425|0.31944\n142426|0.33333\n142427|0.20833\n142428|0.44444\n142429|0.29167\n142430|0.5\n142431|0.58333\n142432|0.30556\n142433|0.54167\n142434|0.125\n142435|0.34722\n142436|0.44444\n142437|0.48611\n142438|0.055556\n142439|0.5\n142440|0.70833\n142441|0.19444\n142442|0.27778\n142443|0.27778\n142444|0.11111\n142445|0.54167\n142446|0.5\n142447|0.29167\n142448|0.375\n142449|0.5\n142450|0.41667\n142451|0.54167\n142452|0.34722\n14245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56\n151754|0.69444\n151755|0.43056\n151756|0.43056\n151757|0.52778\n151758|0.34722\n151759|0.5\n151760|0.55556\n151761|0.47222\n151762|0.5\n151763|0.31944\n151764|0.59722\n151765|0.40278\n151766|0.30556\n151767|0.33333\n151768|0.18056\n151769|0.61111\n151770|0.5\n151771|0.59722\n151772|0.26389\n151773|0.76389\n151774|0.875\n151775|0.54167\n151776|0.56944\n151777|0.63889\n151778|0.58333\n151779|0.47222\n151780|0.70833\n151781|0.38889\n151782|0.5\n151783|0.54167\n151784|0.55556\n151785|0.48611\n151786|0.5\n151787|0.29167\n151788|0.40278\n151789|0.47222\n151790|0.375\n151791|0.31944\n151792|0.125\n151793|0.29167\n151794|0.27778\n151795|0.44444\n151796|0.20833\n151797|0.76389\n151798|0.76389\n151799|0.34722\n151800|0.73611\n151801|0.77778\n151802|0.40278\n151803|0.16667\n151804|0.75\n151805|0.73611\n151806|0.52778\n151807|0.31944\n151808|0.54167\n151809|0.45833\n151810|0.69444\n151811|0.65278\n151812|0.66667\n151813|0.59722\n151814|0.73611\n151815|0.65278\n151816|0.52778\n151817|0.81944\n151818|0.77778\n151819|0.52778\n151820|0.58333\n151821|0.13889\n151822|0.375\n151823|0.65278\n151824|0.58333\n151825|0.80556\n151826|0.68056\n151827|0.43056\n151828|0.27778\n151829|0.86111\n151830|0.83333\n151831|0.70833\n151832|0.69444\n151833|0.23611\n151834|0.80556\n151835|0.73611\n151836|0.83333\n151837|0.73611\n151838|0.80556\n151839|0.65278\n151840|0.5\n151841|0.625\n151842|0.55556\n151843|0.5\n151844|0.5\n151845|0.41667\n151846|0.51389\n151847|0.29167\n151848|0.097222\n151849|0.27778\n151850|0.27778\n151851|0.48611\n151852|0.5\n151853|0.26389\n151854|0.375\n151855|0.52778\n151856|0.43056\n151857|0.41667\n151858|0.31944\n151859|0.36111\n151860|0.56944\n151861|0.5\n151862|0.38889\n151863|0.65278\n151864|0.31944\n151865|0.65278\n151866|0.375\n151867|0.61111\n151868|0.44444\n151869|0.40278\n151870|0.56944\n151871|0.30556\n151872|0.55556\n151873|0.59722\n151874|0.375\n151875|0.43056\n151876|0.59722\n151877|0.36111\n151878|0.40278\n151879|0.38889\n151880|0.5\n151881|0.33333\n151882|0.52778\n151883|0.44444\n151884|0.5\n151885|0.75\n151886|0.5\n151887|0.47222\n151888|0.33333\n151889|0.59722\n151890|0.27778\n151891|0.29167\n151892|0.125\n151893|0.18056\n151894|0.125\n151895|0.30556\n151896|0.41667\n151897|0.45833\n151898|0.5\n151899|0.29167\n151900|0.38889\n151901|0.47222\n151902|0.5\n151903|0.55556\n151904|0.55556\n151905|0.65278\n151906|0.55556\n151907|0.36111\n151908|0.5\n151909|0.48611\n151910|0.36111\n151911|0.48611\n151912|0.45833\n151913|0.79167\n151914|0.68056\n151915|0.76389\n151916|0.375\n151917|0.38889\n151918|0.72222\n151919|0.5\n151920|0.5\n151921|0.34722\n151922|0.47222\n151923|0.38889\n151924|0.48611\n151925|0.30556\n151926|0.43056\n151927|0.20833\n151928|0.38889\n151929|0.38889\n151930|0.44444\n151931|0.22222\n151932|0.51389\n151933|0.375\n151934|0.5\n151935|0.56944\n151936|0.625\n151937|0.5\n151938|0.33333\n151939|0.5\n151940|0.61111\n151941|0.68056\n151942|0.23611\n151943|0.083333\n151944|0.26389\n151945|0.5\n151946|0.26389\n151947|0.48611\n151948|0.38889\n151949|0.33333\n151950|0.23611\n151951|0.38889\n151952|0.51389\n151953|0.40278\n151954|0.43056\n151955|0.51389\n151956|0.45833\n151957|0.5\n151958|0.23611\n151959|0.30556\n151960|0.66667\n151961|0.47222\n151962|0.43056\n151963|0.30556\n151964|0.47222\n151965|0.22222\n151966|0.52778\n151967|0.38889\n151968|0.33333\n151969|0.40278\n151970|0.36111\n151971|0.51389\n151972|0.40278\n151973|0.5\n151974|0.69444\n151975|0.375\n151976|0.52778\n151977|0.5\n151978|0.34722\n151979|0.40278\n151980|0.56944\n151981|0.5\n151982|0.11111\n151983|0.25\n151984|0.5\n151985|0.069444\n151986|0.30556\n151987|0.47222\n151988|0.29167\n151989|0.20833\n151990|0.23611\n151991|0.375\n151992|0.30556\n151993|0.083333\n151994|0.33333\n151995|0.5\n151996|0.41667\n151997|0.31944\n151998|0.56944\n151999|0.26389\n152000|0.30556\n152001|0.79167\n152002|0.48611\n152003|0.34722\n152004|0.31944\n152005|0.48611\n152006|0.26389\n152007|0.27778\n152008|0.33333\n152009|0.25\n152010|0.30556\n152011|0.34722\n152012|0.51389\n152013|0.38889\n152014|0.25\n152015|0.29167\n152016|0.25\n152017|0.51389\n152018|0.58333\n152019|0.58333\n152020|0.33333\n152021|0.40278\n152022|0.52778\n152023|0.48611\n152024|0.22222\n152025|0.55556\n152026|0.51389\n152027|0.43056\n152028|0.27778\n152029|0.375\n152030|0.72222\n152031|0.63889\n152032|0.81944\n152033|0.26389\n152034|0.5\n152035|0.5\n152036|0.66667\n152037|0.625\n152038|0.375\n152039|0.43056\n152040|0.48611\n152041|0.47222\n152042|0.55556\n152043|0.63889\n152044|0.125\n152045|0.31944\n152046|0.52778\n152047|0.34722\n152048|0.30556\n152049|0.54167\n152050|0.43056\n152051|0.41667\n152052|0.36111\n152053|0.51389\n152054|0.58333\n152055|0.55556\n152056|0.5\n152057|0.5\n152058|0.43056\n152059|0.44444\n152060|0.56944\n152061|0.44444\n152062|0.44444\n152063|0.26389\n152064|0.30556\n152065|0.30556\n152066|0.48611\n152067|0.30556\n152068|0.5\n152069|0.5\n152070|0.76389\n152071|0.5\n152072|0.34722\n152073|0.45833\n152074|0.52778\n152075|0.47222\n152076|0.51389\n152077|0.58333\n1520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61111\n161669|0.19444\n161670|0.5\n161671|0.63889\n161672|0.55556\n161673|0.79167\n161674|0.097222\n161675|0.875\n161676|0.83333\n161677|0.63889\n161678|0.86111\n161679|0.38889\n161680|0.33333\n161681|0.5\n161682|0.45833\n161683|0.38889\n161684|0.375\n161685|0.5\n161686|0.18056\n161687|0.45833\n161688|0.5\n161689|0.15278\n161690|0.52778\n161691|0.5\n161692|0.73611\n161693|0.75\n161694|0.54167\n161695|0.52778\n161696|0.20833\n161697|0.44444\n161698|0.36111\n161699|0.30556\n161700|0.44444\n161701|0.65278\n161702|0.61111\n161703|0.48611\n161704|0.51389\n161705|0.30556\n161706|0.69444\n161707|0.66667\n161708|0.51389\n161709|0.72222\n161710|0.44444\n161711|0.5\n161712|0.38889\n161713|0.45833\n161714|0.59722\n161715|0.36111\n161716|0.33333\n161717|0.36111\n161718|0.48611\n161719|0.33333\n161720|0.5\n161721|0.5\n161722|0.61111\n161723|0.56944\n161724|0.38889\n161725|0.44444\n161726|0.5\n161727|0.47222\n161728|0.54167\n161729|0.5\n161730|0.5\n161731|0.38889\n161732|0.27778\n161733|0.5\n161734|0.5\n161735|0.375\n161736|0.51389\n161737|0.5\n161738|0.52778\n161739|0.44444\n161740|0.5\n161741|0.19444\n161742|0.5\n161743|0.5\n161744|0.5\n161745|0.5\n161746|0.5\n161747|0.5\n161748|0.54167\n161749|0.5\n161750|0.59722\n161751|0.54167\n161752|0.5\n161753|0.5\n161754|0.43056\n161755|0.5\n161756|0.52778\n161757|0.5\n161758|0.45833\n161759|0.5\n161760|0.23611\n161761|0.5\n161762|0.097222\n161763|0.52778\n161764|0.45833\n161765|0.5\n161766|0.5\n161767|0.56944\n161768|0.5\n161769|0.5\n161770|0.55556\n161771|0.56944\n161772|0.5\n161773|0.47222\n161774|0.15278\n161775|0.41667\n161776|0.22222\n161777|0.43056\n161778|0.5\n161779|0.31944\n161780|0.33333\n161781|0.47222\n161782|0.52778\n161783|0.52778\n161784|0.18056\n161785|0.5\n161786|0.56944\n161787|0.23611\n161788|0.48611\n161789|0.65278\n161790|0.56944\n161791|0.5\n161792|0.40278\n161793|0.55556\n161794|0.5\n161795|0.48611\n161796|0.30556\n161797|0.61111\n161798|0.375\n161799|0.58333\n161800|0.52778\n161801|0.5\n161802|0.5\n161803|0.125\n161804|0.48611\n161805|0.51389\n161806|0.5\n161807|0.41667\n161808|0.33333\n161809|0.44444\n161810|0.125\n161811|0.5\n161812|0.5\n161813|0.44444\n161814|0.58333\n161815|0.375\n161816|0.48611\n161817|0.40278\n161818|0.5\n161819|0.38889\n161820|0.44444\n161821|0.31944\n161822|0.58333\n161823|0.61111\n161824|0.36111\n161825|0.5\n161826|0.5\n161827|0.43056\n161828|0.19444\n161829|0.34722\n161830|0.59722\n161831|0.34722\n161832|0.30556\n161833|0.5\n161834|0.34722\n161835|0.58333\n161836|0.72222\n161837|0.52778\n161838|0.52778\n161839|0.52778\n161840|0.47222\n161841|0.5\n161842|0.55556\n161843|0.5\n161844|0.5\n161845|0.44444\n161846|0.38889\n161847|0.45833\n161848|0.38889\n161849|0.5\n161850|0.31944\n161851|0.61111\n161852|0.55556\n161853|0.47222\n161854|0.18056\n161855|0.44444\n161856|0.5\n161857|0.25\n161858|0.54167\n161859|0.097222\n161860|0.27778\n161861|0.5\n161862|0.55556\n161863|0.5\n161864|0.31944\n161865|0.54167\n161866|0.48611\n161867|0.54167\n161868|0.41667\n161869|0.33333\n161870|0.38889\n161871|0.51389\n161872|0.5\n161873|0.5\n161874|0.5\n161875|0.5\n161876|0.5\n161877|0.5\n161878|0.47222\n161879|0.63889\n161880|0.38889\n161881|0.25\n161882|0.5\n161883|0.5\n161884|0.5\n161885|0.5\n161886|0.5\n161887|0.16667\n161888|0.29167\n161889|0.5\n161890|0.18056\n161891|0.5\n161892|0.61111\n161893|0.36111\n161894|0.58333\n161895|0.51389\n161896|0.36111\n161897|0.59722\n161898|0.5\n161899|0.5\n161900|0.56944\n161901|0.41667\n161902|0.44444\n161903|0.5\n161904|0.5\n161905|0.56944\n161906|0.5\n161907|0.51389\n161908|0.5\n161909|0.5\n161910|0.5\n161911|0.15278\n161912|0.38889\n161913|0.22222\n161914|0.5\n161915|0.44444\n161916|0.43056\n161917|0.56944\n161918|0.5\n161919|0.48611\n161920|0.58333\n161921|0.63889\n161922|0.51389\n161923|0.52778\n161924|0.38889\n161925|0.63889\n161926|0.5\n161927|0.27778\n161928|0.5\n161929|0.48611\n161930|0.375\n161931|0.44444\n161932|0.30556\n161933|0.45833\n161934|0.61111\n161935|0.20833\n161936|0.54167\n161937|0.5\n161938|0.55556\n161939|0.5\n161940|0.52778\n161941|0.44444\n161942|0.59722\n161943|0.5\n161944|0.31944\n161945|0.66667\n161946|0.47222\n161947|0.56944\n161948|0.29167\n161949|0.16667\n161950|0.55556\n161951|0.54167\n161952|0.16667\n161953|0.43056\n161954|0.45833\n161955|0.27778\n161956|0.48611\n161957|0.55556\n161958|0.38889\n161959|0.34722\n161960|0.5\n161961|0.33333\n161962|0.5\n161963|0.30556\n161964|0.18056\n161965|0.31944\n161966|0.54167\n161967|0.625\n161968|0.52778\n161969|0.22222\n161970|0.5\n161971|0.52778\n161972|0.36111\n161973|0.16667\n161974|0.26389\n161975|0.51389\n161976|0.47222\n161977|0.5\n161978|0.5\n161979|0.51389\n161980|0.47222\n161981|0.48611\n161982|0.59722\n161983|0.54167\n161984|0.52778\n161985|0.48611\n161986|0.5\n161987|0.59722\n161988|0.48611\n161989|0.47222\n161990|0.5\n161991|0.61111\n161992|0.63889\n161993|0.375\n161994|0.44444\n161995|0.40278\n161996|0.29167\n161997|0.5\n161998|0.59722\n161999|0.5\n162000|0.25\n162001|0.22222\n162002|0.33333\n162003|0.5\n162004|0.44444\n162005|0.44444\n162006|0.44444\n162007|0.41667\n162008|0.27778\n162009|0.5\n162010|0.36111\n162011|0.5\n162012|0.20833\n162013|0.43056\n162014|0.5\n162015|0.56944\n162016|0.44444\n162017|0.44444\n162018|0.47222\n162019|0.5\n162020|0.27778\n162021|0.40278\n162022|0.5\n162023|0.5\n162024|0.5\n162025|0.43056\n162026|0.44444\n162027|0.38889\n162028|0.5\n162029|0.36111\n162030|0.48611\n162031|0.5\n162032|0.5\n162033|0.55556\n162034|0.51389\n162035|0.5\n162036|0.54167\n162037|0.41667\n162038|0.5\n162039|0.5\n162040|0.5\n162041|0.5\n162042|0.44444\n162043|0.22222\n162044|0.5\n162045|0.59722\n162046|0.59722\n162047|0.5\n162048|0.68056\n162049|0.58333\n162050|0.63889\n162051|0.5\n162052|0.5\n162053|0.5\n162054|0.5\n162055|0.5\n162056|0.48611\n162057|0.5\n162058|0.23611\n162059|0.27778\n162060|0.25\n162061|0.66667\n162062|0.34722\n162063|0.59722\n162064|0.30556\n162065|0.125\n162066|0.5\n162067|0.36111\n162068|0.58333\n162069|0.27778\n162070|0.5\n162071|0.54167\n162072|0.16667\n162073|0.5\n162074|0.27778\n162075|0.54167\n162076|0.51389\n162077|0.31944\n162078|0.61111\n162079|0.56944\n162080|0.34722\n162081|0.041667\n162082|0.41667\n162083|0.48611\n162084|0.29167\n162085|0.63889\n162086|0.34722\n162087|0.47222\n162088|0.55556\n162089|0.625\n162090|0.41667\n162091|0.48611\n162092|0.30556\n162093|0.5\n162094|0.5\n162095|0.5\n162096|0.47222\n162097|0.45833\n162098|0.33333\n162099|0.23611\n162100|0.23611\n162101|0.30556\n162102|0.33333\n162103|0.11111\n162104|0.40278\n162105|0.13889\n162106|0.30556\n162107|0.29167\n162108|0.5\n162109|0.31944\n162110|0.27778\n162111|0.5\n162112|0.36111\n162113|0.48611\n162114|0.5\n162115|0.43056\n162116|0.47222\n162117|0.16667\n162118|0.15278\n162119|0.19444\n162120|0.45833\n162121|0.33333\n162122|0.5\n162123|0.38889\n162124|0.25\n162125|0.20833\n162126|0.56944\n162127|0.44444\n162128|0.38889\n162129|0.44444\n162130|0.27778\n162131|0.22222\n162132|0.23611\n162133|0.55556\n162134|0.48611\n162135|0.41667\n162136|0.40278\n162137|0.44444\n162138|0.625\n162139|0.43056\n162140|0.56944\n162141|0.45833\n162142|0.47222\n162143|0.47222\n162144|0.5\n162145|0.54167\n162146|0.41667\n162147|0.45833\n162148|0.27778\n162149|0.59722\n162150|0.5\n162151|0.5\n162152|0.36111\n162153|0.23611\n162154|0.375\n162155|0.56944\n162156|0.5\n162157|0.58333\n162158|0.5\n162159|0.30556\n162160|0.5\n162161|0.29167\n162162|0.45833\n162163|0.5\n162164|0.20833\n162165|0.33333\n162166|0.30556\n162167|0.20833\n162168|0.27778\n162169|0.41667\n162170|0.19444\n162171|0.31944\n162172|0.45833\n162173|0.36111\n162174|0.30556\n162175|0.5\n162176|0.61111\n162177|0.44444\n162178|0.36111\n162179|0.26389\n162180|0.16667\n162181|0\n162182|0.51389\n162183|0.34722\n162184|0.54167\n162185|0.36111\n162186|0.25\n162187|0.20833\n162188|0.23611\n162189|0.58333\n162190|0.5\n162191|0.41667\n162192|0.27778\n162193|0.29167\n162194|0.5\n162195|0.54167\n162196|0.5\n162197|0.59722\n162198|0.61111\n162199|0.5\n162200|0.51389\n162201|0.58333\n162202|0.5\n162203|0.63889\n162204|0.5\n162205|0.68056\n162206|0.51389\n162207|0.625\n162208|0.66667\n162209|0.59722\n162210|0.34722\n162211|0.33333\n162212|0.59722\n162213|0.70833\n162214|0.44444\n162215|0.41667\n162216|0.5\n162217|0.44444\n162218|0.52778\n162219|0.5\n162220|0.5\n162221|0.5\n162222|0.45833\n162223|0.44444\n162224|0.55556\n162225|0.52778\n162226|0.72222\n162227|0.44444\n162228|0.38889\n162229|0.48611\n162230|0.36111\n162231|0.5\n162232|0.27778\n162233|0.44444\n162234|0.41667\n162235|0.25\n162236|0.54167\n162237|0.5\n162238|0.5\n162239|0.55556\n162240|0.5\n162241|0.23611\n162242|0.097222\n162243|0.34722\n162244|0.45833\n162245|0.5\n162246|0.56944\n162247|0.5\n162248|0.66667\n162249|0.70833\n162250|0.68056\n162251|0.61111\n162252|0.56944\n162253|0.44444\n162254|0.29167\n162255|0.79167\n162256|0.72222\n162257|0.5\n162258|0.5\n162259|0.77778\n162260|0.5\n162261|0.36111\n162262|0.56944\n162263|0.40278\n162264|0.36111\n162265|0.33333\n162266|0.43056\n162267|0.41667\n162268|0.52778\n162269|0.41667\n162270|0.34722\n162271|0.18056\n162272|0.5\n162273|0.16667\n162274|0.59722\n162275|0.44444\n162276|0.43056\n162277|0.5\n162278|0.11111\n162279|0.5\n162280|0.27778\n162281|0.25\n162282|0.19444\n162283|0.27778\n162284|0.33333\n162285|0.31944\n162286|0.33333\n162287|0.16667\n162288|0.19444\n162289|0.47222\n162290|0.55556\n162291|0.65278\n162292|0.16667\n162293|0.63889\n162294|0.41667\n162295|0.56944\n162296|0.54167\n162297|0.5\n162298|0.625\n162299|0.43056\n162300|0.16667\n162301|0.625\n162302|0.76389\n162303|0.63889\n162304|0.68056\n162305|0.41667\n162306|0.55556\n162307|0.63889\n162308|0.52778\n162309|0.44444\n162310|0.81944\n162311|0.48611\n162312|0.48611\n162313|0.41667\n162314|0.47222\n162315|0.38889\n162316|0.5\n162317|0.20833\n162318|0.61111\n162319|0.51389\n162320|0.52778\n162321|0.19444\n162322|0.79167\n162323|0.43056\n162324|0.72222\n162325|0.65278\n162326|0.54167\n162327|0.56944\n162328|0.69444\n162329|0.5\n162330|0.59722\n162331|0.625\n162332|0.72222\n162333|0.61111\n162334|0.69444\n162335|0.5\n162336|0.72222\n1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667\n162664|0.19444\n162665|0.56944\n162666|0.73611\n162667|0.41667\n162668|0.41667\n162669|0.125\n162670|0.41667\n162671|0.15278\n162672|0.44444\n162673|0.33333\n162674|0.375\n162675|0.375\n162676|0.36111\n162677|0.16667\n162678|0.27778\n162679|0.16667\n162680|0.34722\n162681|0.31944\n162682|0.40278\n162683|0.30556\n162684|0.30556\n162685|0.11111\n162686|0.15278\n162687|0.22222\n162688|0.19444\n162689|0.38889\n162690|0.48611\n162691|0\n162692|0.20833\n162693|0.61111\n162694|0.66667\n162695|0.33333\n162696|0.19444\n162697|0.44444\n162698|0.40278\n162699|0.125\n162700|0.22222\n162701|0.41667\n162702|0.65278\n162703|0.44444\n162704|0.56944\n162705|0.45833\n162706|0.5\n162707|0.38889\n162708|0.65278\n162709|0.27778\n162710|0.44444\n162711|0.44444\n162712|0.55556\n162713|0.40278\n162714|0.31944\n162715|0.29167\n162716|0.18056\n162717|0.25\n162718|0.45833\n162719|0.34722\n162720|0.375\n162721|0.20833\n162722|0.27778\n162723|0.51389\n162724|0.5\n162725|0.45833\n162726|0.43056\n162727|0.41667\n162728|0.44444\n162729|0.38889\n162730|0.33333\n162731|0.19444\n162732|0.27778\n162733|0.56944\n162734|0.65278\n162735|0.43056\n162736|0.65278\n162737|0.72222\n162738|0.54167\n162739|0.69444\n162740|0.5\n162741|0.55556\n162742|0.33333\n162743|0.33333\n162744|0.27778\n162745|0.44444\n162746|0.22222\n162747|0.25\n162748|0.22222\n162749|0.43056\n162750|0.041667\n162751|0.027778\n162752|0.083333\n162753|0.47222\n162754|0.15278\n162755|0.34722\n162756|0.41667\n162757|0.47222\n162758|0.56944\n162759|0.15278\n162760|0.23611\n162761|0.41667\n162762|0.88889\n162763|0.95833\n162764|0.65278\n162765|0.72222\n162766|0.63889\n162767|0.51389\n162768|0.16667\n162769|0.38889\n162770|0.30556\n162771|0.097222\n162772|0.25\n162773|0.51389\n162774|0.23611\n162775|0.19444\n162776|0.5\n162777|0.55556\n162778|0.38889\n162779|0.5\n162780|0.52778\n162781|0.5\n162782|0.5\n162783|0.61111\n162784|0.25\n162785|0.5\n162786|0.33333\n162787|0.16667\n162788|0.18056\n162789|0.34722\n162790|0.31944\n162791|0.33333\n162792|0.30556\n162793|0.43056\n162794|0.31944\n162795|0.34722\n162796|0.25\n162797|0.54167\n162798|0.55556\n162799|0.30556\n162800|0.23611\n162801|0.26389\n162802|0.375\n162803|0.61111\n162804|0.59722\n162805|0.54167\n162806|0.47222\n162807|0.33333\n162808|0.39583\n162809|0.44444\n162810|0.23611\n162811|0.52778\n162812|0.125\n162813|0.25\n162814|0.16667\n162815|0.20833\n162816|0.22222\n162817|0.33333\n162818|0.40278\n162819|0.45833\n162820|0.65278\n162821|0.66667\n162822|0.22222\n162823|0.22222\n162824|0.20833\n162825|0.29167\n162826|0.30556\n162827|0.31944\n162828|0.43056\n162829|0.47222\n162830|0.625\n162831|0.61111\n162832|0.16667\n162833|0.29167\n162834|0.34722\n162835|0.069444\n162836|0.11111\n162837|0.69444\n162838|0.375\n162839|0.41667\n162840|0.19444\n162841|0.25\n162842|0.61111\n162843|0.375\n162844|0.5\n162845|0.61111\n162846|0.70833\n162847|0.65278\n162848|0.55556\n162849|0.43056\n162850|0.30556\n162851|0.63889\n162852|0.69444\n162853|0.5\n162854|0.125\n162855|0.22222\n162856|0.41667\n162857|0.30556\n162858|0.26389\n162859|0.31944\n162860|0.041667\n162861|0.22222\n162862|0.16667\n162863|0.5\n162864|0.5\n162865|0.54167\n162866|0.61111\n162867|0.29167\n162868|0.23611\n162869|0.16667\n162870|0.22222\n162871|0.58333\n162872|0.41667\n162873|0.13889\n162874|0.41667\n162875|0.40278\n162876|0.47222\n162877|0.125\n162878|0.31944\n162879|0.31944\n162880|0.31944\n162881|0.29167\n162882|0.61111\n162883|0.38889\n162884|0.15278\n162885|0.54167\n162886|0.30556\n162887|0.27778\n162888|0.31944\n162889|0.38889\n162890|0.31944\n162891|0.29167\n162892|0.375\n162893|0.26389\n162894|0.25\n162895|0.16667\n162896|0.11111\n162897|0.20833\n162898|0.33333\n162899|0.48611\n162900|0.41667\n162901|0.51389\n162902|0.23611\n162903|0.25\n162904|0.055556\n162905|0.055556\n162906|0.20833\n162907|0.47222\n162908|0.13889\n162909|0.52778\n162910|0.45833\n162911|0.31944\n162912|0.25\n162913|0.43056\n162914|0.5\n162915|0.51389\n162916|0.65278\n162917|0.20833\n162918|0.47222\n162919|0.52778\n162920|0.5\n162921|0.59722\n162922|0.80556\n162923|0.63889\n162924|0.88889\n162925|0.27778\n162926|0.31944\n162927|0.125\n162928|0.069444\n162929|0.26389\n162930|0.19444\n162931|0.5\n162932|0.22222\n162933|0.51389\n162934|0.26389\n162935|0.90278\n162936|0.30556\n162937|0.59722\n162938|0.58333\n162939|0.5\n162940|0.33333\n162941|0.20833\n162942|0.5\n162943|0.25\n162944|0.18056\n162945|0.48611\n162946|0.22222\n162947|0.80556\n162948|0.30556\n162949|0.48611\n162950|0.25\n162951|0.48611\n162952|0.19444\n162953|0.45833\n162954|0.66667\n162955|0.76389\n162956|0\n162957|0.30556\n162958|0.52778\n162959|0.5\n162960|0.18056\n162961|0.27778\n162962|0.38889\n162963|0.5\n162964|0.45833\n162965|0.41667\n162966|0.31944\n162967|0.19444\n162968|0.11111\n162969|0.16667\n162970|0.47222\n162971|0.5\n162972|0.61111\n162973|0.66667\n162974|0.27778\n162975|0.30556\n162976|0.29167\n162977|0.26389\n162978|0.52778\n162979|0.29167\n162980|0.5\n162981|0.44444\n162982|0.55556\n162983|0.58333\n162984|0.66667\n162985|0.2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6|0.58333\n168917|0.65278\n168918|0.5\n168919|0.5\n168920|0.44444\n168921|0.45833\n168922|0.55556\n168923|0.5\n168924|0.41667\n168925|0.44444\n168926|0.25\n168927|0.36111\n168928|0.31944\n168929|0.66667\n168930|0.40278\n168931|0.26389\n168932|0.5\n168933|0.38889\n168934|0.40278\n168935|0.22222\n168936|0.54167\n168937|0.55556\n168938|0.55556\n168939|0.38889\n168940|0.27778\n168941|0.59722\n168942|0.625\n168943|0.16667\n168944|0.16667\n168945|0.15278\n168946|0.47222\n168947|0.48611\n168948|0.5\n168949|0.55556\n168950|0.5\n168951|0.23611\n168952|0.41667\n168953|0.27778\n168954|0.51389\n168955|0.29167\n168956|0.33333\n168957|0.15278\n168958|0.5\n168959|0.52778\n168960|0.86111\n168961|0.70833\n168962|0.59722\n168963|0.625\n168964|0.34722\n168965|0.58333\n168966|0.36111\n168967|0.26389\n168968|0.5\n168969|0.66667\n168970|0.69444\n168971|0.76389\n168972|0.75\n168973|0.61111\n168974|0.40278\n168975|0.27778\n168976|0.375\n168977|0.25\n168978|0.52778\n168979|0.30556\n168980|0.31944\n168981|0.5\n168982|0.33333\n168983|0.33333\n168984|0.22222\n168985|0.18056\n168986|0.23611\n168987|0.15278\n168988|0.34722\n168989|0.5\n168990|0.38889\n168991|0.25\n168992|0.27778\n168993|0.45833\n168994|0.5\n168995|0.5\n168996|0.54167\n168997|0.45833\n168998|0.58333\n168999|0.5\n169000|0.25\n169001|0.45833\n169002|0.55556\n169003|0.44444\n169004|0.48611\n169005|0.48611\n169006|0.43056\n169007|0.375\n169008|0.5\n169009|0.51389\n169010|0.38889\n169011|0.23611\n169012|0.80556\n169013|0.66667\n169014|0.5\n169015|0.38889\n169016|0.22222\n169017|0.11111\n169018|0.44444\n169019|0.23611\n169020|0.5\n169021|0.52778\n169022|0.55556\n169023|0.54167\n169024|0.55556\n169025|0.66667\n169026|0.55556\n169027|0.375\n169028|0.52778\n169029|0.5\n169030|0.48611\n169031|0.58333\n169032|0.5\n169033|0.5\n169034|0.61111\n169035|0.41667\n169036|0.58333\n169037|0.5\n169038|0.44444\n169039|0.70833\n169040|0.69444\n169041|0.38889\n169042|0.45833\n169043|0.33333\n169044|0.31944\n169045|0.27778\n169046|0.16667\n169047|0.055556\n169048|0.47222\n169049|0.375\n169050|0.375\n169051|0.40278\n169052|0.5\n169053|0.5\n169054|0.26389\n169055|0.45833\n169056|0.51389\n169057|0.25\n169058|0.44444\n169059|0.33333\n169060|0.33333\n169061|0.38889\n169062|0.45833\n169063|0.54167\n169064|0.45833\n169065|0.097222\n169066|0.5\n169067|0.5\n169068|0.40278\n169069|0.47222\n169070|0.16667\n169071|0.5\n169072|0.58333\n169073|0.55556\n169074|0.56944\n169075|0.5\n169076|0.22222\n169077|0.75\n169078|0.5\n169079|0.56944\n169080|0.33333\n169081|0.44444\n169082|0.40278\n169083|0.56944\n169084|0.45833\n169085|0.5\n169086|0.44444\n169087|0.5\n169088|0.58333\n169089|0.59722\n169090|0.33333\n169091|0.5\n169092|0.55556\n169093|0.26389\n169094|0.5\n169095|0.47222\n169096|0.5\n169097|0.5\n169098|0.5\n169099|0.5\n169100|0.44444\n169101|0.36111\n169102|0.43056\n169103|0.48611\n169104|0.30556\n169105|0.76389\n169106|0.68056\n169107|0.54167\n169108|0.30556\n169109|0.5\n169110|0.5\n169111|0.59722\n169112|0.5\n169113|0.51389\n169114|0.58333\n169115|0.5\n169116|0.19444\n169117|0.18056\n169118|0.11111\n169119|0.069444\n169120|0.069444\n169121|0.43056\n169122|0.5\n169123|0.5\n169124|0.5\n169125|0.56944\n169126|0.40278\n169127|0.5\n169128|0.5\n169129|0.52778\n169130|0.5\n169131|0.5\n169132|0.5\n169133|0.5\n169134|0.375\n169135|0.625\n169136|0.63889\n169137|0.625\n169138|0.72222\n169139|0.66667\n169140|0.44444\n169141|0.5\n169142|0.44444\n169143|0.5\n169144|0.76389\n169145|0.5\n169146|0.22222\n169147|0.44444\n169148|0.45833\n169149|0.81944\n169150|0.625\n169151|0.31944\n169152|0.5\n169153|0.5\n169154|0.5\n169155|0.625\n169156|0.5\n169157|0.33333\n169158|0.5\n169159|0.43056\n169160|0.5\n169161|0.5\n169162|0.44444\n169163|0.43056\n169164|0.36111\n169165|0.38889\n169166|0.48611\n169167|0.5\n169168|0.33333\n169169|0.61111\n169170|0.47222\n169171|0.55556\n169172|0.47222\n169173|0.55556\n169174|0.375\n169175|0.38889\n169176|0.41667\n169177|0.33333\n169178|0.22222\n169179|0.34722\n169180|0.25\n169181|0.38889\n169182|0.40278\n169183|0.375\n169184|0.41667\n169185|0.5\n169186|0.38889\n169187|0.19444\n169188|0.31944\n169189|0.29167\n169190|0.45833\n169191|0.43056\n169192|0.375\n169193|0.38889\n169194|0.5\n169195|0.52778\n169196|0.52778\n169197|0.38889\n169198|0.44444\n169199|0.5\n169200|0.45833\n169201|0.54167\n169202|0.22222\n169203|0.5\n169204|0.25\n169205|0.45833\n169206|0.54167\n169207|0.5\n169208|0.40278\n169209|0.41667\n169210|0.47222\n169211|0.33333\n169212|0.47222\n169213|0.5\n169214|0.54167\n169215|0.73611\n169216|0.5\n169217|0.48611\n169218|0.5\n169219|0.5\n169220|0.48611\n169221|0.18056\n169222|0.38889\n169223|0.45833\n169224|0.5\n169225|0.44444\n169226|0.38889\n169227|0.33333\n169228|0.5\n169229|0.38889\n169230|0.125\n169231|0.34722\n169232|0.26389\n169233|0.20833\n169234|0.16667\n169235|0.11111\n169236|0.23611\n169237|0.22222\n169238|0.48611\n169239|0.25\n169240|0.47222\n169241|0.38889\n169242|0.15278\n169243|0.13889\n169244|0.56944\n169245|0.47222\n169246|0.61111\n169247|0.43056\n169248|0.48611\n169249|0.625\n1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667\n171880|0.27778\n171881|0.22222\n171882|0.22222\n171883|0.27778\n171884|0.22222\n171885|0.22222\n171886|0.38889\n171887|0.34722\n171888|0.5\n171889|0.5\n171890|0.52778\n171891|0.5\n171892|0.43056\n171893|0.5\n171894|0.58333\n171895|0.40278\n171896|0.48611\n171897|0.66667\n171898|0.5\n171899|0.23611\n171900|0.29167\n171901|0.19444\n171902|0.44444\n171903|0.54167\n171904|0.5\n171905|0.20833\n171906|0.27778\n171907|0.68056\n171908|0.68056\n171909|0.55556\n171910|0.77778\n171911|0.5\n171912|0.45833\n171913|0.51389\n171914|0.56944\n171915|0.5\n171916|0.54167\n171917|0.375\n171918|0.5\n171919|0.5\n171920|0.5\n171921|0.58333\n171922|0.58333\n171923|0.52778\n171924|0.58333\n171925|0.5\n171926|0.66667\n171927|0.5\n171928|0.63889\n171929|0.13889\n171930|0.27778\n171931|0.31944\n171932|0.5\n171933|0.5\n171934|0.59722\n171935|0.375\n171936|0.23611\n171937|0.44444\n171938|0.54167\n171939|0.58333\n171940|0.66667\n171941|0.43056\n171942|0.41667\n171943|0.5\n171944|0.5\n171945|0.38889\n171946|0.72222\n171947|0.375\n171948|0.30556\n171949|0.45833\n171950|0.5\n171951|0.30556\n171952|0.38889\n171953|0.5\n171954|0.5\n171955|0.43056\n171956|0.61111\n171957|0.5\n171958|0.34722\n171959|0.43056\n171960|0.23611\n171961|0.34722\n171962|0.55556\n171963|0.625\n171964|0.38889\n171965|0.33333\n171966|0.36111\n171967|0.59722\n171968|0.48611\n171969|0.45833\n171970|0.5\n171971|0.40278\n171972|0.34722\n171973|0.44444\n171974|0.5\n171975|0.5\n171976|0.22222\n171977|0.40278\n171978|0.43056\n171979|0.375\n171980|0.33333\n171981|0.083333\n171982|0.38889\n171983|0.52778\n171984|0.44444\n171985|0.22222\n171986|0.16667\n171987|0.45833\n171988|0.36111\n171989|0.13889\n171990|0.34722\n171991|0.22222\n171992|0.36111\n171993|0.30556\n171994|0.55556\n171995|0.54167\n171996|0.22222\n171997|0.22222\n171998|0.38889\n171999|0.27778\n172000|0.47222\n172001|0.23611\n172002|0.68056\n172003|0.45833\n172004|0.5\n172005|0.25\n172006|0.41667\n172007|0.069444\n172008|0.16667\n172009|0.29167\n172010|0.5\n172011|0.54167\n172012|0.56944\n172013|0.5\n172014|0.5\n172015|0.5\n172016|0.55556\n172017|0.58333\n172018|0.5\n172019|0.34722\n172020|0.34722\n172021|0.41667\n172022|0.5\n172023|0.5\n172024|0.22222\n172025|0.5\n172026|0.5\n172027|0.5\n172028|0.45833\n172029|0.40278\n172030|0.38889\n172031|0.61111\n172032|0.44444\n172033|0.38889\n172034|0.5\n172035|0.44444\n172036|0.375\n172037|0.16667\n172038|0.22222\n172039|0.29167\n172040|0.22222\n172041|0.44444\n172042|0.23611\n172043|0.44444\n172044|0.41667\n172045|0.5\n172046|0.44444\n172047|0.40278\n172048|0.19444\n172049|0.5\n172050|0.36111\n172051|0.44444\n172052|0.5\n172053|0.19444\n172054|0.18056\n172055|0.59722\n172056|0.47222\n172057|0.61111\n172058|0.5\n172059|0.5\n172060|0.44444\n172061|0.47222\n172062|0.44444\n172063|0.5\n172064|0.44444\n172065|0.34722\n172066|0.31944\n172067|0.125\n172068|0.29167\n172069|0.44444\n172070|0.44444\n172071|0.16667\n172072|0.31944\n172073|0.18056\n172074|0.23611\n172075|0.25\n172076|0.19444\n172077|0.43056\n172078|0.41667\n172079|0.45833\n172080|0.66667\n172081|0.63889\n172082|0.375\n172083|0.52778\n172084|0.5\n172085|0.45833\n172086|0.58333\n172087|0.41667\n172088|0.43056\n172089|0.56944\n172090|0.43056\n172091|0.58333\n172092|0.51389\n172093|0.55556\n172094|0.27778\n172095|0.5\n172096|0.5\n172097|0.375\n172098|0.36111\n172099|0.23611\n172100|0.51389\n172101|0.5\n172102|0.41667\n172103|0.54167\n172104|0.79167\n172105|0.48611\n172106|0.52778\n172107|0.72222\n172108|0.33333\n172109|0.083333\n172110|0.38889\n172111|0.34722\n172112|0.38889\n172113|0.56944\n172114|0.29167\n172115|0.45833\n172116|0.29167\n172117|0.29167\n172118|0.5\n172119|0.625\n172120|0.44444\n172121|0.41667\n172122|0.25\n172123|0.33333\n172124|0.33333\n172125|0.75\n172126|0.70833\n172127|0.66667\n172128|0.77778\n172129|0.66667\n172130|0.5\n172131|0.29167\n172132|0.52778\n172133|0.5\n172134|0.48611\n172135|0.44444\n172136|0.52778\n172137|0.29167\n172138|0.52778\n172139|0.51389\n172140|0.38889\n172141|0.59722\n172142|0.45833\n172143|0.5\n172144|0.30556\n172145|0.5\n172146|0.11111\n172147|0.13889\n172148|0.43056\n172149|0.5\n172150|0.5\n172151|0.65278\n172152|0.52778\n172153|0.30556\n172154|0.54167\n172155|0.43056\n172156|0.20833\n172157|0.20833\n172158|0.25\n172159|0.76389\n172160|0.68056\n172161|0.44444\n172162|0.43056\n172163|0.22222\n172164|0.33333\n172165|0.34722\n172166|0.26389\n172167|0.22222\n172168|0.097222\n172169|0.083333\n172170|0.027778\n172171|0.22222\n172172|0.23611\n172173|0.27778\n172174|0.38889\n172175|0.54167\n172176|0.23611\n172177|0.55556\n172178|0.54167\n172179|0.5\n172180|0.36111\n172181|0.58333\n172182|0.27778\n172183|0.55556\n172184|0.5\n172185|0.625\n172186|0.55556\n172187|0.44444\n172188|0.63889\n172189|0.5\n172190|0.18056\n172191|0.55556\n172192|0.41667\n172193|0.069444\n172194|0.54167\n172195|0.44444\n172196|0.20833\n172197|0.5\n172198|0.55556\n172199|0.41667\n172200|0.5\n172201|0.5\n172202|0.65278\n172203|0.375\n172204|0.55556\n172205|0.61111\n172206|0.18056\n172207|0.22222\n172208|0.25\n17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n173194|0.30556\n173195|0.5\n173196|0.51389\n173197|0.72222\n173198|0.20833\n173199|0.34722\n173200|0.5\n173201|0.33333\n173202|0.375\n173203|0.13889\n173204|0.875\n173205|0.25\n173206|0.45833\n173207|0.44444\n173208|0.31944\n173209|0.22222\n173210|0.18056\n173211|0.5\n173212|0.29167\n173213|0.16667\n173214|0.375\n173215|0.51389\n173216|0.33333\n173217|0.27778\n173218|0.75\n173219|0.38889\n173220|0.76389\n173221|0.25\n173222|0.36111\n173223|0.097222\n173224|0.56944\n173225|0.26389\n173226|0.26389\n173227|0.56944\n173228|0.375\n173229|0.34722\n173230|0.33333\n173231|0.55556\n173232|0.38889\n173233|0.43056\n173234|0.61111\n173235|0.41667\n173236|0.26389\n173237|0.45833\n173238|0.31944\n173239|0.52778\n173240|0.22222\n173241|0.25\n173242|0.36111\n173243|0.44444\n173244|0.33333\n173245|0.16667\n173246|0.40278\n173247|0.30556\n173248|0.47222\n173249|0.34722\n173250|0.55556\n173251|0.26389\n173252|0.44444\n173253|0.34722\n173254|0.40278\n173255|0.58333\n173256|0.31944\n173257|0.11111\n173258|0.51389\n173259|0.25\n173260|0.15278\n173261|0.55556\n173262|0.069444\n173263|0.45833\n173264|0.23611\n173265|0.26389\n173266|0.26389\n173267|0.5\n173268|0.23611\n173269|0.52778\n173270|0.22222\n173271|0.5\n173272|0.44444\n173273|0.5\n173274|0.5\n173275|0.65278\n173276|0.22222\n173277|0.31944\n173278|0.33333\n173279|0.30556\n173280|0.43056\n173281|0.70833\n173282|0.5\n173283|0.26389\n173284|0.375\n173285|0.5\n173286|0.36111\n173287|0.41667\n173288|0.61111\n173289|0.5\n173290|0.41667\n173291|0.59722\n173292|0.61111\n173293|0.44444\n173294|0.54167\n173295|0.375\n173296|0.44444\n173297|0.5\n173298|0.22222\n173299|0.097222\n173300|0.5\n173301|0.5\n173302|0.36111\n173303|0.48611\n173304|0.52778\n173305|0.52778\n173306|0.52778\n173307|0.65278\n173308|0.5\n173309|0.47222\n173310|0.58333\n173311|0.5\n173312|0.5\n173313|0.52778\n173314|0.44444\n173315|0.5\n173316|0.5\n173317|0.45833\n173318|0.5\n173319|0.5\n173320|0.52778\n173321|0.51389\n173322|0.52778\n173323|0.5\n173324|0.5\n173325|0.43056\n173326|0.5\n173327|0.5\n173328|0.5\n173329|0.5\n173330|0.77778\n173331|0.5\n173332|0.48611\n173333|0.23611\n173334|0.5\n173335|0.5\n173336|0.25\n173337|0.43056\n173338|0.51389\n173339|0.5\n173340|0.56944\n173341|0.54167\n173342|0.5\n173343|0.54167\n173344|0.5\n173345|0.5\n173346|0.41667\n173347|0.30556\n173348|0.52778\n173349|0.5\n173350|0.625\n173351|0.5\n173352|0.58333\n173353|0.48611\n173354|0.5\n173355|0.52778\n173356|0.58333\n173357|0.5\n173358|0.40278\n173359|0.75\n173360|0.56944\n173361|0.33333\n173362|0.51389\n173363|0.56944\n173364|0.5\n173365|0.20833\n173366|0.5\n173367|0.5\n173368|0.5\n173369|0.5\n173370|0.5\n173371|0.54167\n173372|0.27778\n173373|0.5\n173374|0.69444\n173375|0.5\n173376|0.47222\n173377|0.5\n173378|0.5\n173379|0.19444\n173380|0.38889\n173381|0.5\n173382|0.5\n173383|0.45833\n173384|0.5\n173385|0.5\n173386|0.5\n173387|0.5\n173388|0.43056\n173389|0.5\n173390|0.625\n173391|0.5\n173392|0.5\n173393|0.54167\n173394|0.5\n173395|0.5\n173396|0.5\n173397|0.54167\n173398|0.5\n173399|0.5\n173400|0.5\n173401|0.5\n173402|0.38889\n173403|0.5\n173404|0.5\n173405|0.48611\n173406|0.48611\n173407|0.55556\n173408|0.5\n173409|0.51389\n173410|0.58333\n173411|0.5\n173412|0.44444\n173413|0.5\n173414|0.5\n173415|0.48611\n173416|0.51389\n173417|0.48611\n173418|0.22222\n173419|0.44444\n173420|0.625\n173421|0.5\n173422|0.52778\n173423|0.68056\n173424|0.47222\n173425|0.25\n173426|0.61111\n173427|0.47222\n173428|0.51389\n173429|0.5\n173430|0.5\n173431|0.5\n173432|0.5\n173433|0.48611\n173434|0.52778\n173435|0.51389\n173436|0.5\n173437|0.5\n173438|0.61111\n173439|0.5\n173440|0.55556\n173441|0.51389\n173442|0.52778\n173443|0.5\n173444|0.44444\n173445|0.34722\n173446|0.375\n173447|0.51389\n173448|0.5\n173449|0.56944\n173450|0.5\n173451|0.44444\n173452|0.38889\n173453|0.33333\n173454|0.41667\n173455|0.23611\n173456|0.54167\n173457|0.38889\n173458|0.30556\n173459|0.5\n173460|0.47222\n173461|0.44444\n173462|0.41667\n173463|0.5\n173464|0.56944\n173465|0.5\n173466|0.5\n173467|0.27778\n173468|0.11111\n173469|0.72222\n173470|0.54167\n173471|0.36111\n173472|0.5\n173473|0.48611\n173474|0.59722\n173475|0.5\n173476|0.19444\n173477|0.22222\n173478|0.5\n173479|0.55556\n173480|0.73611\n173481|0.22222\n173482|0.30556\n173483|0.56944\n173484|0.5\n173485|0.41667\n173486|0.5\n173487|0.5\n173488|0.5\n173489|0.5\n173490|0.22222\n173491|0.5\n173492|0.43056\n173493|0.45833\n173494|0.41667\n173495|0.36111\n173496|0.30556\n173497|0.25\n173498|0.59722\n173499|0.083333\n173500|0.72222\n173501|0.40278\n173502|0.20833\n173503|0.43056\n173504|0.59722\n173505|0.5\n173506|0.45833\n173507|0.5\n173508|0.51389\n173509|0.34722\n173510|0.27778\n173511|0.18056\n173512|0.20833\n173513|0.19444\n173514|0.55556\n173515|0.48611\n173516|0.36111\n173517|0.5\n173518|0.27778\n173519|0.48611\n173520|0.34722\n173521|0.56944\n173522|0.44444\n173523|0.5\n173524|0.5\n173525|0.36111\n173526|0.56944\n173527|0.80556\n173528|0.5\n173529|0.70833\n173530|0.75\n173531|0.77778\n173532|0.80556\n173533|0.94444\n1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54167\n181784|0.65278\n181785|0.65278\n181786|0.40278\n181787|0.19444\n181788|0.19444\n181789|0.11111\n181790|0.11111\n181791|0.61111\n181792|0.51389\n181793|0.625\n181794|0.59722\n181795|0.33333\n181796|0.43056\n181797|0.38889\n181798|0.22222\n181799|0.19444\n181800|0.27778\n181801|0.11111\n181802|0.13889\n181803|0.16667\n181804|0.055556\n181805|0.097222\n181806|0.20833\n181807|0.11111\n181808|0.31944\n181809|0.51389\n181810|0.33333\n181811|0.41667\n181812|0.36111\n181813|0.43056\n181814|0.23611\n181815|0.22222\n181816|0.30556\n181817|0.29167\n181818|0.31944\n181819|0.5\n181820|0.40278\n181821|0.31944\n181822|0.25\n181823|0.22222\n181824|0.27778\n181825|0.55556\n181826|0.20833\n181827|0.23611\n181828|0.27778\n181829|0.36111\n181830|0.26389\n181831|0.38889\n181832|0.44444\n181833|0.30556\n181834|0.66667\n181835|0.61111\n181836|0.61111\n181837|0.70833\n181838|0.58333\n181839|0.52778\n181840|0.5\n181841|0.27778\n181842|0.69444\n181843|0.43056\n181844|0.30556\n181845|0.43056\n181846|0.55556\n181847|0.30556\n181848|0.43056\n181849|0.51389\n181850|0.44444\n181851|0.31944\n181852|0.38889\n181853|0.48611\n181854|0.51389\n181855|0.38889\n181856|0.23611\n181857|0.5\n181858|0.11111\n181859|0.125\n181860|0.33333\n181861|0.22222\n181862|0.34722\n181863|0.20833\n181864|0.34722\n181865|0.22222\n181866|0.25\n181867|0.33333\n181868|0.40278\n181869|0.20833\n181870|0.097222\n181871|0.43056\n181872|0.44444\n181873|0.5\n181874|0.44444\n181875|0.31944\n181876|0.375\n181877|0.11111\n181878|0.33333\n181879|0.5\n181880|0.5\n181881|0.15278\n181882|0.66667\n181883|0.61111\n181884|0.22222\n181885|0.18056\n181886|0.5\n181887|0.54167\n181888|0.48611\n181889|0.63889\n181890|0.44444\n181891|0.5\n181892|0.48611\n181893|0.44444\n181894|0.41667\n181895|0.48611\n181896|0.43056\n181897|0.48611\n181898|0.66667\n181899|0.72222\n181900|0.76389\n181901|0.23611\n181902|0.20833\n181903|0.097222\n181904|0.18056\n181905|0.055556\n181906|0.20833\n181907|0.18056\n181908|0.20833\n181909|0.16667\n181910|0.27778\n181911|0.31944\n181912|0.51389\n181913|0.5\n181914|0.27778\n181915|0.33333\n181916|0.23611\n181917|0.097222\n181918|0.41667\n181919|0.097222\n181920|0.29167\n181921|0.5\n181922|0.33333\n181923|0.31944\n181924|0.5\n181925|0.30556\n181926|0.40278\n181927|0.31944\n181928|0.23611\n181929|0.20833\n181930|0.34722\n181931|0.48611\n181932|0.61111\n181933|0.61111\n181934|0.625\n181935|0.80556\n181936|0.69444\n181937|0.20833\n181938|0.18056\n181939|0.52778\n181940|0.25\n181941|0.22222\n181942|0.83333\n181943|0.48611\n181944|0.27778\n181945|0.25\n181946|0.44444\n181947|0.25\n181948|0.5\n181949|0.54167\n181950|0.069444\n181951|0.22222\n181952|0.44444\n181953|0.33333\n181954|0.40278\n181955|0.22222\n181956|0.22222\n181957|0.27778\n181958|0.48611\n181959|0.18056\n181960|0.48611\n181961|0.19444\n181962|0.51389\n181963|0.41667\n181964|0.27778\n181965|0.43056\n181966|0.56944\n181967|0.30556\n181968|0.29167\n181969|0.5\n181970|0.43056\n181971|0.33333\n181972|0.30556\n181973|0.61111\n181974|0.5\n181975|0.76389\n181976|0.5\n181977|0.33333\n181978|0.66667\n181979|0.59722\n181980|0.33333\n181981|0.11111\n181982|0.16667\n181983|0.34722\n181984|0.27778\n181985|0.61111\n181986|0.66667\n181987|0.38889\n181988|0.055556\n181989|0.16667\n181990|0.23611\n181991|0.13889\n181992|0.25\n181993|0.055556\n181994|0.11111\n181995|0.34722\n181996|0.20833\n181997|0.375\n181998|0.36111\n181999|0.36111\n182000|0.48611\n182001|0.16667\n182002|0.29167\n182003|0.54167\n182004|0.36111\n182005|0.26389\n182006|0.55556\n182007|0.44444\n182008|0.38889\n182009|0.43056\n182010|0.16667\n182011|0.43056\n182012|0.13889\n182013|0.625\n182014|0.59722\n182015|0.36111\n182016|0.20833\n182017|0.45833\n182018|0.375\n182019|0.19444\n182020|0.25\n182021|0.54167\n182022|0.25\n182023|0.375\n182024|0.75\n182025|0.59722\n182026|0.083333\n182027|0.20833\n182028|0.11111\n182029|0.375\n182030|0.25\n182031|0.25\n182032|0.5\n182033|0.5\n182034|0.11111\n182035|0.19444\n182036|0.375\n182037|0.33333\n182038|0.22222\n182039|0.16667\n182040|0.097222\n182041|0.16667\n182042|0.33333\n182043|0.20833\n182044|0.55556\n182045|0.25\n182046|0.23611\n182047|0.34722\n182048|0.875\n182049|0.40278\n182050|0.30556\n182051|0.5\n182052|0.055556\n182053|0.18056\n182054|0.18056\n182055|0.5\n182056|0.27778\n182057|0.13889\n182058|0.20833\n182059|0.125\n182060|0.33333\n182061|0.41667\n182062|0.41667\n182063|0.29167\n182064|0.34722\n182065|0.29167\n182066|0.055556\n182067|0.11111\n182068|0.15278\n182069|0.083333\n182070|0.125\n182071|0.51389\n182072|0.51389\n182073|0.44444\n182074|0.5\n182075|0.25\n182076|0.25\n182077|0.11111\n182078|0.083333\n182079|0.33333\n182080|0.40278\n182081|0.26389\n182082|0.30556\n182083|0.41667\n182084|0.22222\n182085|0.41667\n182086|0.27778\n182087|0.38889\n182088|0.22222\n182089|0.22222\n182090|0.25\n182091|0.51389\n182092|0.77778\n182093|0.59722\n182094|0.69444\n182095|0.59722\n182096|0.63889\n182097|0.48611\n182098|0.58333\n182099|0.52778\n182100|0.54167\n182101|0.63889\n182102|0.31944\n182103|0.36111\n182104|0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333\n189433|0.48611\n189434|0.41667\n189435|0.48611\n189436|0.5\n189437|0.69444\n189438|0.5\n189439|0.38889\n189440|0.38889\n189441|0.26389\n189442|0.45833\n189443|0.44444\n189444|0.5\n189445|0.54167\n189446|0.5\n189447|0.5\n189448|0.72222\n189449|0.5\n189450|0.19444\n189451|0.26389\n189452|0.097222\n189453|0.5\n189454|0.63889\n189455|0.63889\n189456|0.61111\n189457|0.375\n189458|0.31944\n189459|0.19444\n189460|0.16667\n189461|0.26389\n189462|0.5\n189463|0.5\n189464|0.55556\n189465|0.125\n189466|0.15278\n189467|0.19444\n189468|0.19444\n189469|0.26389\n189470|0.5\n189471|0.5\n189472|0.56944\n189473|0.23611\n189474|0.44444\n189475|0.25\n189476|0.055556\n189477|0.52778\n189478|0.5\n189479|0.31944\n189480|0.097222\n189481|0.47222\n189482|0.59722\n189483|0.51389\n189484|0.55556\n189485|0.16667\n189486|0.43056\n189487|0.34722\n189488|0.52778\n189489|0.30556\n189490|0.16667\n189491|0.26389\n189492|0.22222\n189493|0.25\n189494|0.27778\n189495|0.5\n189496|0.54167\n189497|0.26389\n189498|0.27778\n189499|0.33333\n189500|0.29167\n189501|0.23611\n189502|0.16667\n189503|0.15278\n189504|0.5\n189505|0.5\n189506|0.5\n189507|0.625\n189508|0.5\n189509|0.51389\n189510|0.45833\n189511|0.38889\n189512|0.27778\n189513|0.27778\n189514|0.41667\n189515|0.40278\n189516|0.38889\n189517|0.58333\n189518|0.45833\n189519|0.48611\n189520|0.44444\n189521|0.41667\n189522|0.5\n189523|0.44444\n189524|0.66667\n189525|0.61111\n189526|0.5\n189527|0.5\n189528|0.5\n189529|0.375\n189530|0.51389\n189531|0.51389\n189532|0.41667\n189533|0.31944\n189534|0.5\n189535|0.5\n189536|0.375\n189537|0.15278\n189538|0.33333\n189539|0.19444\n189540|0.20833\n189541|0.20833\n189542|0.44444\n189543|0.055556\n189544|0.65278\n189545|0.26389\n189546|0.27778\n189547|0.48611\n189548|0.23611\n189549|0.58333\n189550|0.44444\n189551|0.5\n189552|0.68056\n189553|0.5\n189554|0.33333\n189555|0.22222\n189556|0.45833\n189557|0.40278\n189558|0.36111\n189559|0.20833\n189560|0.26389\n189561|0.44444\n189562|0.625\n189563|0.33333\n189564|0.18056\n189565|0.16667\n189566|0.33333\n189567|0.25\n189568|0.22222\n189569|0.055556\n189570|0.26389\n189571|0.63889\n189572|0.27778\n189573|0.48611\n189574|0.61111\n189575|0.44444\n189576|0.31944\n189577|0.43056\n189578|0.19444\n189579|0.44444\n189580|0.30556\n189581|0.25\n189582|0.66667\n189583|0.31944\n189584|0.33333\n189585|0.5\n189586|0.23611\n189587|0.48611\n189588|0.29167\n189589|0.54167\n189590|0.15278\n189591|0.36111\n189592|0.59722\n189593|0.45833\n189594|0.81944\n189595|0.43056\n189596|0.16667\n189597|0.51389\n189598|0.097222\n189599|0.40278\n189600|0.40278\n189601|0.125\n189602|0.33333\n189603|0.097222\n189604|0.26389\n189605|0.5\n189606|0.27778\n189607|0.33333\n189608|0.34722\n189609|0.36111\n189610|0.23611\n189611|0\n189612|0.51389\n189613|0.34722\n189614|0.51389\n189615|0.055556\n189616|0.33333\n189617|0.48611\n189618|0.54167\n189619|0.5\n189620|0.40278\n189621|0.375\n189622|0.20833\n189623|0.5\n189624|0.20833\n189625|0.25\n189626|0.25\n189627|0.5\n189628|0.13889\n189629|0.5\n189630|0.5\n189631|0.27778\n189632|0.52778\n189633|0.61111\n189634|0.51389\n189635|0.26389\n189636|0.5\n189637|0.5\n189638|0.43056\n189639|0.055556\n189640|0.36111\n189641|0.34722\n189642|0.5\n189643|0.5\n189644|0.625\n189645|0.44444\n189646|0.097222\n189647|0.48611\n189648|0.27778\n189649|0.5\n189650|0.34722\n189651|0.22222\n189652|0.44444\n189653|0.44444\n189654|0.27778\n189655|0.34722\n189656|0.61111\n189657|0.44444\n189658|0.29167\n189659|0.20833\n189660|0.18056\n189661|0.61111\n189662|0.55556\n189663|0.40278\n189664|0.15278\n189665|0.16667\n189666|0.083333\n189667|0.055556\n189668|0.45833\n189669|0.20833\n189670|0.5\n189671|0.55556\n189672|0.70833\n189673|0.375\n189674|0.75\n189675|0.55556\n189676|0.70833\n189677|0.29167\n189678|0.72222\n189679|0.47222\n189680|0.52778\n189681|0.16667\n189682|0.44444\n189683|0.51389\n189684|0.43056\n189685|0.66667\n189686|0.38889\n189687|0.48611\n189688|0.40278\n189689|0.56944\n189690|0.26389\n189691|0.36111\n189692|0.69444\n189693|0.61111\n189694|0.29167\n189695|0.41667\n189696|0.73611\n189697|0.56944\n189698|0.43056\n189699|0.65278\n189700|0.38889\n189701|0.54167\n189702|0.13889\n189703|0.70833\n189704|0.27778\n189705|0.36111\n189706|0.68056\n189707|0.63889\n189708|0.36111\n189709|0.54167\n189710|0.36111\n189711|0.5\n189712|0.44444\n189713|0.72222\n189714|0.63889\n189715|0.27778\n189716|0.45833\n189717|0.5\n189718|0.27778\n189719|0.125\n189720|0.45833\n189721|0.5\n189722|0.5\n189723|0.055556\n189724|0.23611\n189725|0.58333\n189726|0.5\n189727|0.5\n189728|0.70833\n189729|0.56944\n189730|0.61111\n189731|0.59722\n189732|0.59722\n189733|0.5\n189734|0.48611\n189735|0.44444\n189736|0.22222\n189737|0.68056\n189738|0.61111\n189739|0.31944\n189740|0.51389\n189741|0.625\n189742|0.59722\n189743|0.58333\n189744|0.56944\n189745|0.48611\n189746|0.90278\n189747|0.51389\n189748|0.48611\n189749|0.26389\n189750|0.30556\n189751|0.34722\n189752|0.30556\n189753|0.47222\n189754|0.36111\n189755|0.26389\n189756|0.19444\n189757|0.5\n189758|0.31944\n1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66667\n197029|0.70833\n197030|0.5\n197031|0.5\n197032|0.59722\n197033|0.5\n197034|0.51389\n197035|0.52778\n197036|0.5\n197037|0.125\n197038|0.5\n197039|0.5\n197040|0.38889\n197041|0.36111\n197042|0.16667\n197043|0.68056\n197044|0.5\n197045|0.33333\n197046|0.15278\n197047|0.25\n197048|0.27778\n197049|0.16667\n197050|0.26389\n197051|0.31944\n197052|0.11111\n197053|0.19444\n197054|0.34722\n197055|0.48611\n197056|0.15278\n197057|0.48611\n197058|0.5\n197059|0.375\n197060|0.5\n197061|0.5\n197062|0.5\n197063|0.31944\n197064|0.375\n197065|0.47222\n197066|0.5\n197067|0.47222\n197068|0.45833\n197069|0.375\n197070|0.52778\n197071|0.56944\n197072|0.56944\n197073|0.79167\n197074|0.56944\n197075|0.20833\n197076|0.51389\n197077|0.5\n197078|0.38889\n197079|0.26389\n197080|0.30556\n197081|0.13889\n197082|0.22222\n197083|0.45833\n197084|0.083333\n197085|0.22222\n197086|0.33333\n197087|0.30556\n197088|0.29167\n197089|0.083333\n197090|0.38889\n197091|0.27778\n197092|0.30556\n197093|0.27778\n197094|0.26389\n197095|0.26389\n197096|0.25\n197097|0.5\n197098|0.41667\n197099|0.15278\n197100|0.25\n197101|0.083333\n197102|0.5\n197103|0.48611\n197104|0.5\n197105|0.5\n197106|0.63889\n197107|0.25\n197108|0.5\n197109|0.61111\n197110|0.33333\n197111|0.33333\n197112|0.47222\n197113|0.41667\n197114|0.31944\n197115|0.36111\n197116|0.30556\n197117|0.44444\n197118|0.40278\n197119|0.58333\n197120|0.40278\n197121|0.54167\n197122|0.5\n197123|0.25\n197124|0.33333\n197125|0.5\n197126|0.48611\n197127|0.34722\n197128|0.54167\n197129|0.61111\n197130|0.51389\n197131|0.23611\n197132|0.375\n197133|0.44444\n197134|0.47222\n197135|0.5\n197136|0.33333\n197137|0.27778\n197138|0.25\n197139|0.38889\n197140|0.38889\n197141|0.54167\n197142|0.25\n197143|0.44444\n197144|0.5\n197145|0.59722\n197146|0.44444\n197147|0.5\n197148|0.69444\n197149|0.5\n197150|0.44444\n197151|0.41667\n197152|0.5\n197153|0.43056\n197154|0.54167\n197155|0.69444\n197156|0.61111\n197157|0.47222\n197158|0.31944\n197159|0.625\n197160|0.15278\n197161|0.43056\n197162|0.125\n197163|0.25\n197164|0.055556\n197165|0.31944\n197166|0.33333\n197167|0.44444\n197168|0.38889\n197169|0.45833\n197170|0.5\n197171|0.20833\n197172|0.52778\n197173|0.51389\n197174|0.54167\n197175|0.5\n197176|0.61111\n197177|0.77778\n197178|0.11111\n197179|0.18056\n197180|0.11111\n197181|0.15278\n197182|0.33333\n197183|0.5\n197184|0.52778\n197185|0.54167\n197186|0.27778\n197187|0.34722\n197188|0.72222\n197189|0.5\n197190|0.30556\n197191|0.33333\n197192|0.29167\n197193|0.375\n197194|0.055556\n197195|0.55556\n197196|0.34722\n197197|0.58333\n197198|0.41667\n197199|0.51389\n197200|0.43056\n197201|0.23611\n197202|0.22222\n197203|0.27778\n197204|0.5\n197205|0.23611\n197206|0.30556\n197207|0.48611\n197208|0.16667\n197209|0.13889\n197210|0.51389\n197211|0.22222\n197212|0.5\n197213|0.375\n197214|0.48611\n197215|0.27778\n197216|0.18056\n197217|0.31944\n197218|0.33333\n197219|0.33333\n197220|0.30556\n197221|0.44444\n197222|0.20833\n197223|0.48611\n197224|0.40278\n197225|0.33333\n197226|0.5\n197227|0.44444\n197228|0.38889\n197229|0.36111\n197230|0.34722\n197231|0.34722\n197232|0.40278\n197233|0.54167\n197234|0.55556\n197235|0.5\n197236|0.29167\n197237|0.61111\n197238|0.40278\n197239|0.52778\n197240|0.5\n197241|0.5\n197242|0.51389\n197243|0.5\n197244|0.55556\n197245|0.45833\n197246|0.45833\n197247|0.31944\n197248|0.18056\n197249|0.29167\n197250|0.44444\n197251|0.22222\n197252|0.5\n197253|0.5\n197254|0.5\n197255|0.61111\n197256|0.27778\n197257|0.45833\n197258|0.56944\n197259|0.43056\n197260|0.5\n197261|0.44444\n197262|0.5\n197263|0.27778\n197264|0.26389\n197265|0.33333\n197266|0.22222\n197267|0.18056\n197268|0.16667\n197269|0.083333\n197270|0.48611\n197271|0.61111\n197272|0.59722\n197273|0.26389\n197274|0.51389\n197275|0.625\n197276|0.69444\n197277|0.44444\n197278|0.375\n197279|0.45833\n197280|0.48611\n197281|0.5\n197282|0.65278\n197283|0.52778\n197284|0.51389\n197285|0.19444\n197286|0.34722\n197287|0.29167\n197288|0.26389\n197289|0.44444\n197290|0.38889\n197291|0.48611\n197292|0.375\n197293|0.56944\n197294|0.36111\n197295|0.27778\n197296|0.33333\n197297|0.22222\n197298|0.25\n197299|0.27778\n197300|0.19444\n197301|0.20833\n197302|0.44444\n197303|0.25\n197304|0.36111\n197305|0.79167\n197306|0.34722\n197307|0.44444\n197308|0.47222\n197309|0.22222\n197310|0.27778\n197311|0.48611\n197312|0.27778\n197313|0.51389\n197314|0.23611\n197315|0.38889\n197316|0.51389\n197317|0.41667\n197318|0.33333\n197319|0.33333\n197320|0.27778\n197321|0.30556\n197322|0.16667\n197323|0.16667\n197324|0.40278\n197325|0.26389\n197326|0.47222\n197327|0.58333\n197328|0.26389\n197329|0.30556\n197330|0.26389\n197331|0.33333\n197332|0.38889\n197333|0.33333\n197334|0.26389\n197335|0.44444\n197336|0.16667\n197337|0.43056\n197338|0.36111\n197339|0.45833\n197340|0.375\n197341|0.40278\n197342|0.25\n197343|0.19444\n197344|0.22222\n197345|0.19444\n197346|0.13889\n197347|0.097222\n197348|0.27778\n197349|0.20833\n197350|0.375\n197351|0.31944\n197352|0.26389\n197353|0.41667\n197354|0.375\n197355|0.25\n197356|0.27778\n197357|0.47222\n197358|0.40278\n197359|0.27778\n197360|0.44444\n197361|0.30556\n197362|0.16667\n197363|0.22222\n197364|0.25\n197365|0.22222\n197366|0.19444\n197367|0.13889\n197368|0.27778\n197369|0.11111\n197370|0.18056\n197371|0.47222\n197372|0.36111\n197373|0.125\n197374|0.16667\n197375|0.27778\n197376|0.19444\n197377|0.30556\n197378|0.29167\n197379|0.25\n197380|0.30556\n197381|0.43056\n197382|0.61111\n197383|0.41667\n197384|0.36111\n197385|0.45833\n197386|0.40278\n197387|0.69444\n197388|0.48611\n197389|0.38889\n197390|0.68056\n197391|0.33333\n197392|0.43056\n197393|0.5\n197394|0.58333\n197395|0.47222\n197396|0.5\n197397|0.5\n197398|0.22222\n197399|0.61111\n197400|0.5\n197401|0.43056\n197402|0.40278\n197403|0.43056\n197404|0.55556\n197405|0.31944\n197406|0.48611\n197407|0.38889\n197408|0.38889\n197409|0.31944\n197410|0.5\n197411|0.22222\n197412|0.27778\n197413|0.23611\n197414|0.5\n197415|0.38889\n197416|0.38889\n197417|0.20833\n197418|0.47222\n197419|0.45833\n197420|0.41667\n197421|0.51389\n197422|0.33333\n197423|0.15278\n197424|0.55556\n197425|0.45833\n197426|0.29167\n197427|0.72222\n197428|0.15278\n197429|0.41667\n197430|0.43056\n197431|0.45833\n197432|0.5\n197433|0.27778\n197434|0.19444\n197435|0.23611\n197436|0.20833\n197437|0.27778\n197438|0.34722\n197439|0.5\n197440|0.5\n197441|0.58333\n197442|0.5\n197443|0.16667\n197444|0.5\n197445|0.48611\n197446|0.56944\n197447|0.38889\n197448|0.36111\n197449|0.45833\n197450|0.29167\n197451|0.34722\n197452|0.34722\n197453|0.55556\n197454|0.375\n197455|0.5\n197456|0.5\n197457|0.33333\n197458|0.29167\n197459|0.375\n197460|0.27778\n197461|0.36111\n197462|0.63889\n197463|0.41667\n197464|0.43056\n197465|0.375\n197466|0.43056\n197467|0.55556\n197468|0.54167\n197469|0.16667\n197470|0.5\n197471|0.30556\n197472|0.36111\n197473|0.27778\n197474|0.36111\n197475|0.44444\n197476|0.19444\n197477|0.19444\n197478|0.19444\n197479|0.29167\n197480|0.31944\n197481|0.45833\n197482|0.22222\n197483|0.44444\n197484|0.16667\n197485|0.23611\n197486|0.27778\n197487|0.25\n197488|0.26389\n197489|0.61111\n197490|0.30556\n197491|0.5\n197492|0.44444\n197493|0.36111\n197494|0.59722\n197495|0.58333\n197496|0.38889\n197497|0.38889\n197498|0.75\n197499|0.69444\n197500|0.59722\n197501|0.51389\n197502|0.58333\n197503|0.80556\n197504|0.83333\n197505|0.36111\n197506|0.51389\n197507|0.45833\n197508|0.54167\n197509|0.375\n197510|0.80556\n197511|0.83333\n197512|0.26389\n197513|0.47222\n197514|0.36111\n197515|0.56944\n197516|0.61111\n197517|0.23611\n197518|0.22222\n197519|0.66667\n197520|0.5\n197521|0.45833\n197522|0.61111\n197523|0.65278\n197524|0.5\n197525|0.15278\n197526|0.27778\n197527|0.20833\n197528|0.25\n197529|0.22222\n197530|0.27778\n197531|0.375\n197532|0.31944\n197533|0.13889\n197534|0.5\n197535|0.48611\n197536|0.5\n197537|0.45833\n197538|0.55556\n197539|0.51389\n197540|0.56944\n197541|0.40278\n197542|0.31944\n197543|0.19444\n197544|0.5\n197545|0.5\n197546|0.5\n197547|0.34722\n197548|0.38889\n197549|0.29167\n197550|0.43056\n197551|0.52778\n197552|0.22222\n197553|0.26389\n197554|0.25\n197555|0.375\n197556|0.055556\n197557|0.51389\n197558|0.38889\n197559|0.20833\n197560|0.19444\n197561|0.54167\n197562|0.19444\n197563|0.44444\n197564|0.30556\n197565|0.5\n197566|0.33333\n197567|0.43056\n197568|0.41667\n197569|0.5\n197570|0.54167\n197571|0.36111\n197572|0.51389\n197573|0.375\n197574|0.29167\n197575|0.66667\n197576|0.51389\n197577|0.33333\n197578|0.5\n197579|0.5\n197580|0.51389\n197581|0.51389\n197582|0.5\n197583|0.47222\n197584|0.15278\n197585|0.11111\n197586|0.26389\n197587|0.13889\n197588|0.19444\n197589|0.16667\n197590|0.25\n197591|0.097222\n197592|0.18056\n197593|0.27778\n197594|0.16667\n197595|0.22222\n197596|0.33333\n197597|0.22222\n197598|0.18056\n197599|0.38889\n197600|0.22222\n197601|0.33333\n197602|0.34722\n197603|0.31944\n197604|0.29167\n197605|0.19444\n197606|0.34722\n197607|0.16667\n197608|0.125\n197609|0.5\n197610|0.31944\n197611|0.38889\n197612|0.58333\n197613|0.33333\n197614|0.20833\n197615|0.45833\n197616|0.5\n197617|0.20833\n197618|0.22222\n197619|0.68056\n197620|0.5\n197621|0.44444\n197622|0.45833\n197623|0.45833\n197624|0.5\n197625|0.51389\n197626|0.5\n197627|0.5\n197628|0.5\n197629|0.5\n197630|0.5\n197631|0.5\n197632|0.5\n197633|0.66667\n197634|0.5\n197635|0.66667\n197636|0.22222\n197637|0.18056\n197638|0.25\n197639|0.81944\n197640|0.34722\n197641|0.70833\n197642|0.51389\n197643|0.44444\n197644|0.5\n197645|0.51389\n197646|0.51389\n197647|0.5\n197648|0.5\n197649|0.44444\n197650|0.27778\n197651|0.66667\n197652|0.45833\n197653|0.5\n197654|0.5\n197655|0.23611\n197656|0.68056\n197657|0.69444\n197658|0.58333\n197659|0.55556\n197660|0.30556\n197661|0.5\n197662|0.5\n197663|0.43056\n197664|0.66667\n197665|0.5\n197666|0.5\n197667|0.34722\n197668|0.63889\n197669|0.625\n197670|0.54167\n197671|0.40278\n197672|0.30556\n197673|0.41667\n197674|0.68056\n197675|0.72222\n197676|0.5\n197677|0.36111\n197678|0.58333\n197679|0.30556\n197680|0.47222\n197681|0.59722\n197682|0.3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4444\n201309|0.5\n201310|0.44444\n201311|0.5\n201312|0.5\n201313|0.34722\n201314|0.63889\n201315|0.81944\n201316|0.69444\n201317|0.63889\n201318|0.61111\n201319|0.55556\n201320|0.36111\n201321|0.25\n201322|0.73611\n201323|0.51389\n201324|0.54167\n201325|0.52778\n201326|0.55556\n201327|0.55556\n201328|0.48611\n201329|0.59722\n201330|0.51389\n201331|0.5\n201332|0.51389\n201333|0.41667\n201334|0.63889\n201335|0.52778\n201336|0.61111\n201337|0.097222\n201338|0.26389\n201339|0.22222\n201340|0.33333\n201341|0.23611\n201342|0.63889\n201343|0.5\n201344|0.26389\n201345|0.5\n201346|0.11111\n201347|0.013889\n201348|0.125\n201349|0.083333\n201350|0.055556\n201351|0.18056\n201352|0.30556\n201353|0.13889\n201354|0.055556\n201355|0.30556\n201356|0.41667\n201357|0.55556\n201358|0.5\n201359|0.5\n201360|0.5\n201361|0.41667\n201362|0.48611\n201363|0.38889\n201364|0.44444\n201365|0.40278\n201366|0.5\n201367|0.41667\n201368|0.72222\n201369|0.5\n201370|0.43056\n201371|0.5\n201372|0.44444\n201373|0.44444\n201374|0.36111\n201375|0.5\n201376|0.44444\n201377|0.41667\n201378|0.5\n201379|0.31944\n201380|0.5\n201381|0.52778\n201382|0.5\n201383|0.55556\n201384|0.5\n201385|0.48611\n201386|0.33333\n201387|0.5\n201388|0.44444\n201389|0.44444\n201390|0.15278\n201391|0.83333\n201392|0.5\n201393|0.33333\n201394|0.22222\n201395|0.61111\n201396|0.18056\n201397|0.27778\n201398|0.76389\n201399|0.56944\n201400|0.5\n201401|0.36111\n201402|0.44444\n201403|0.31944\n201404|0.52778\n201405|0.13889\n201406|0.38889\n201407|0.11111\n201408|0.125\n201409|0.5\n201410|0.5\n201411|0.5\n201412|0.56944\n201413|0.5\n201414|0.5\n201415|0.45833\n201416|0.51389\n201417|0.5\n201418|0.5\n201419|0.11111\n201420|0.68056\n201421|0.59722\n201422|0.63889\n201423|0.63889\n201424|0.52778\n201425|0.33333\n201426|0.41667\n201427|0.13889\n201428|0.11111\n201429|0.56944\n201430|0.18056\n201431|0.5\n201432|0.5\n201433|0.58333\n201434|0.66667\n201435|0.44444\n201436|0.68056\n201437|0.61111\n201438|0.41667\n201439|0.43056\n201440|0.29167\n201441|0.48611\n201442|0.55556\n201443|0.79167\n201444|0.65278\n201445|0.84722\n201446|0.72222\n201447|0.70833\n201448|0.72222\n201449|0.76389\n201450|0.44444\n201451|0.5\n201452|0.54167\n201453|0.51389\n201454|0.23611\n201455|0.43056\n201456|0.15278\n201457|0.86111\n201458|0.69444\n201459|0.5\n201460|0.52778\n201461|0.30556\n201462|0.40278\n201463|0.20833\n201464|0.38889\n201465|0.31944\n201466|0.36111\n201467|0.41667\n201468|0.5\n201469|0.48611\n201470|0.48611\n201471|0.58333\n201472|0.54167\n201473|0.56944\n201474|0.45833\n201475|0.5\n201476|0.5\n201477|0.36111\n201478|0.43056\n201479|0.58333\n201480|0.375\n201481|0.25\n201482|0.5\n201483|0.20833\n201484|0.5\n201485|0.58333\n201486|0.5\n201487|0.70833\n201488|0.5\n201489|0.5\n201490|0.52778\n201491|0.5\n201492|0.27778\n201493|0.27778\n201494|0.27778\n201495|0.31944\n201496|0.5\n201497|0.5\n201498|0.5\n201499|0.5\n201500|0.48611\n201501|0.44444\n201502|0.31944\n201503|0.5\n201504|0.5\n201505|0.48611\n201506|0.30556\n201507|0.33333\n201508|0.25\n201509|0.097222\n201510|0.40278\n201511|0.29167\n201512|0.61111\n201513|0.61111\n201514|0.58333\n201515|0.51389\n201516|0.375\n201517|0.375\n201518|0.48611\n201519|0.625\n201520|0.20833\n201521|0.44444\n201522|0.27778\n201523|0.23611\n201524|0.36111\n201525|0.51389\n201526|0.33333\n201527|0.25\n201528|0.26389\n201529|0.33333\n201530|0.69444\n201531|0.70833\n201532|0.40278\n201533|0.5\n201534|0.33333\n201535|0.41667\n201536|0.47222\n201537|0.48611\n201538|0.43056\n201539|0.31944\n201540|0.29167\n201541|0.61111\n201542|0.63889\n201543|0.5\n201544|0.47222\n201545|0.41667\n201546|0.31944\n201547|0.19444\n201548|0.47222\n201549|0.36111\n201550|0.40278\n201551|0.40278\n201552|0.5\n201553|0.15278\n201554|0.44444\n201555|0.375\n201556|0.44444\n201557|0.48611\n201558|0.41667\n201559|0.48611\n201560|0.33333\n201561|0.40278\n201562|0.41667\n201563|0.48611\n201564|0.33333\n201565|0.44444\n201566|0.52778\n201567|0.18056\n201568|0.41667\n201569|0.27778\n201570|0.48611\n201571|0.5\n201572|0.63889\n201573|0.58333\n201574|0.26389\n201575|0.33333\n201576|0.44444\n201577|0.27778\n201578|0.44444\n201579|0.36111\n201580|0.25\n201581|0.34722\n201582|0.38889\n201583|0.55556\n201584|0.44444\n201585|0.33333\n201586|0.38889\n201587|0.55556\n201588|0.27778\n201589|0.45833\n201590|0.11111\n201591|0.13889\n201592|0.72222\n201593|0.33333\n201594|0.45833\n201595|0.40278\n201596|0.58333\n201597|0.5\n201598|0.45833\n201599|0.375\n201600|0.52778\n201601|0.54167\n201602|0.5\n201603|0.26389\n201604|0.34722\n201605|0.41667\n201606|0.34722\n201607|0.43056\n201608|0.20833\n201609|0.38889\n201610|0.66667\n201611|0.40278\n201612|0.54167\n201613|0.61111\n201614|0.5\n201615|0.38889\n201616|0.19444\n201617|0.29167\n201618|0.56944\n201619|0.31944\n201620|0.27778\n201621|0.33333\n201622|0.27778\n201623|0.38889\n201624|0.31944\n201625|0.11111\n201626|0.13889\n201627|0.36111\n201628|0.26389\n201629|0.43056\n201630|0.33333\n201631|0.40278\n201632|0.55556\n201633|0.44444\n201634|0.48611\n201635|0.27778\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11\n230090|0.75\n230091|0.48611\n230092|0.56944\n230093|0.55556\n230094|0.58333\n230095|0.5\n230096|0.45833\n230097|0.5\n230098|0.51389\n230099|0.66667\n230100|0.59722\n230101|0.44444\n230102|0.11111\n230103|0.5\n230104|0.33333\n230105|0.5\n230106|0.72222\n230107|0.63889\n230108|0.5\n230109|0.44444\n230110|0.5\n230111|0.5\n230112|0.36111\n230113|0.75\n230114|0.15278\n230115|0.5\n230116|0.59722\n230117|0.81944\n230118|0.66667\n230119|0.29167\n230120|0.22222\n230121|0.61111\n230122|0.13889\n230123|0.5\n230124|0.52778\n230125|0.41667\n230126|0.5\n230127|0.72222\n230128|0.31944\n230129|0.80556\n230130|0.79167\n230131|0.5\n230132|0.625\n230133|0.83333\n230134|0.86111\n230135|0.91667\n230136|0.44444\n230137|0.44444\n230138|0.48611\n230139|0.625\n230140|0.81944\n230141|0.83333\n230142|0.76389\n230143|0.75\n230144|0.72222\n230145|0.54167\n230146|0.44444\n230147|0.5\n230148|0.61111\n230149|0.75\n230150|0.75\n230151|0.66667\n230152|0.48611\n230153|0.38889\n230154|0.5\n230155|0.44444\n230156|0.59722\n230157|0.16667\n230158|0.55556\n230159|0.5\n230160|0.44444\n230161|0.5\n230162|0.54167\n230163|0.5\n230164|0.63889\n230165|0.33333\n230166|0.41667\n230167|0.5\n230168|0.36111\n230169|0.56944\n230170|0.94444\n230171|0.44444\n230172|0.44444\n230173|0.47222\n230174|0.5\n230175|0.80556\n230176|0.875\n230177|0.79167\n230178|0.80556\n230179|0.22222\n230180|0.36111\n230181|0.56944\n230182|0.44444\n230183|0.44444\n230184|0.25\n230185|0.5\n230186|0.5\n230187|0.63889\n230188|0.44444\n230189|0.5\n230190|0.34722\n230191|0.375\n230192|0.31944\n230193|0.55556\n230194|0.5\n230195|0.51389\n230196|0.5\n230197|0.5\n230198|0.27778\n230199|0.26389\n230200|0.33333\n230201|0.29167\n230202|0.55556\n230203|0.26389\n230204|0.33333\n230205|0.5\n230206|0.75\n230207|0.38889\n230208|0.34722\n230209|0.30556\n230210|0.18056\n230211|0.38889\n230212|0.5\n230213|0.26389\n230214|0.40278\n230215|0.34722\n230216|0.55556\n230217|0.40278\n230218|0.33333\n230219|0.23611\n230220|0.5\n230221|0.625\n230222|0.61111\n230223|0.43056\n230224|0.38889\n230225|0.5\n230226|0.33333\n230227|0.33333\n230228|0.48611\n230229|0.5\n230230|0.55556\n230231|0.5\n230232|0.5\n230233|0.5\n230234|0.54167\n230235|0.5\n230236|0.5\n230237|0.5\n230238|0.52778\n230239|0.76389\n230240|0.79167\n230241|0.51389\n230242|0.51389\n230243|0.5\n230244|0.70833\n230245|0.5\n230246|0.5\n230247|0.5\n230248|0.66667\n230249|0.65278\n230250|0.20833\n230251|0.40278\n230252|0.44444\n230253|0.51389\n230254|0.69444\n230255|0.38889\n230256|0.40278\n230257|0.33333\n230258|0.56944\n230259|0.65278\n230260|0.38889\n230261|0.23611\n230262|0.29167\n230263|0.22222\n230264|0.11111\n230265|0.31944\n230266|0.41667\n230267|0.23611\n230268|0.36111\n230269|0.375\n230270|0.23611\n230271|0.20833\n230272|0.79167\n230273|0.59722\n230274|0.65278\n230275|0.83333\n230276|0.27778\n230277|0.70833\n230278|0.69444\n230279|0.61111\n230280|0.5\n230281|0.88889\n230282|0.097222\n230283|0.5\n230284|0.55556\n230285|0.69444\n230286|0.72222\n230287|0.83333\n230288|0.5\n230289|0.47222\n230290|0.45833\n230291|0.44444\n230292|0.47222\n230293|0.5\n230294|0.43056\n230295|0.79167\n230296|0.40278\n230297|0.36111\n230298|0.65278\n230299|0.55556\n230300|0.069444\n230301|0.27778\n230302|0.40278\n230303|0.375\n230304|0.26389\n230305|0.41667\n230306|0.23611\n230307|0.29167\n230308|0.15278\n230309|0.125\n230310|0.27778\n230311|0.25\n230312|0.40278\n230313|0.38889\n230314|0.72222\n230315|0.81944\n230316|0.5\n230317|0.5\n230318|0.5\n230319|0.5\n230320|0.34722\n230321|0.54167\n230322|0.625\n230323|0.375\n230324|0.5\n230325|0.5\n230326|0.5\n230327|0.45833\n230328|0.5\n230329|0.38889\n230330|0.5\n230331|0.61111\n230332|0.44444\n230333|0.73611\n230334|0.68056\n230335|0.58333\n230336|1\n230337|0.79167\n230338|0.5\n230339|0.56944\n230340|0.51389\n230341|0.40278\n230342|0.48611\n230343|0.80556\n230344|0.72222\n230345|0.47222\n230346|0.44444\n230347|0.76389\n230348|0.5\n230349|0.36111\n230350|0.36111\n230351|0.27778\n230352|0.23611\n230353|0.40278\n230354|0.19444\n230355|0.33333\n230356|0.30556\n230357|0.43056\n230358|0.22222\n230359|0.5\n230360|0.36111\n230361|0.375\n230362|0.22222\n230363|0.15278\n230364|0.16667\n230365|0.375\n230366|0.23611\n230367|0.27778\n230368|0.30556\n230369|0.22222\n230370|0.18056\n230371|0.40278\n230372|0.29167\n230373|0.55556\n230374|0.65278\n230375|0.69444\n230376|0.79167\n230377|0.22222\n230378|0.18056\n230379|0.33333\n230380|0.5\n230381|0.30556\n230382|0.27778\n230383|0.43056\n230384|0.47222\n230385|0.44444\n230386|0.76389\n230387|0.44444\n230388|0.45833\n230389|0.61111\n230390|0.61111\n230391|0.41667\n230392|0.44444\n230393|0.5\n230394|0.22222\n230395|0.27778\n230396|0.31944\n230397|0.33333\n230398|0.27778\n230399|0.15278\n230400|0.20833\n230401|0.66667\n230402|0.069444\n230403|0.61111\n230404|0.69444\n230405|0.45833\n230406|0.56944\n230407|0.5\n230408|0.47222\n230409|0.65278\n230410|0.44444\n230411|0.33333\n230412|0.38889\n230413|0.5\n230414|0.055556\n230415|0.41667\n230416|0.19444\n230417|0.33333\n230418|0.19444\n230419|0.40278\n23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5278\n231084|0.83333\n231085|0.875\n231086|0.73611\n231087|0.84722\n231088|0.44444\n231089|0.40278\n231090|0.47222\n231091|0.45833\n231092|0.18056\n231093|0.48611\n231094|0.18056\n231095|0.27778\n231096|0.5\n231097|0.013889\n231098|0.65278\n231099|0.48611\n231100|0.5\n231101|0.5\n231102|0.40278\n231103|0.25\n231104|0.44444\n231105|0.44444\n231106|0.41667\n231107|0.44444\n231108|0.45833\n231109|0.38889\n231110|0.84722\n231111|0.68056\n231112|0.83333\n231113|0.59722\n231114|0.75\n231115|0.77778\n231116|0.875\n231117|0.77778\n231118|0.47222\n231119|0.44444\n231120|0.94444\n231121|0.44444\n231122|0.27778\n231123|0.41667\n231124|0.48611\n231125|0.44444\n231126|0.33333\n231127|0.43056\n231128|0.5\n231129|0.58333\n231130|0.51389\n231131|0.5\n231132|0.55556\n231133|0.36111\n231134|0.63889\n231135|0.56944\n231136|0.44444\n231137|0.22222\n231138|0.5\n231139|0.30556\n231140|0.79167\n231141|0.625\n231142|0.5\n231143|0.41667\n231144|0.66667\n231145|0.5\n231146|0.5\n231147|0.26389\n231148|0.31944\n231149|0.22222\n231150|0.41667\n231151|0.22222\n231152|0.125\n231153|0.79167\n231154|0.61111\n231155|0.52778\n231156|0.40278\n231157|0.52778\n231158|0.48611\n231159|0.29167\n231160|0.23611\n231161|0.58333\n231162|0.44444\n231163|0.45833\n231164|0.27778\n231165|0.48611\n231166|0.48611\n231167|0.38889\n231168|0.375\n231169|0.41667\n231170|0.44444\n231171|0.44444\n231172|0.34722\n231173|0.73611\n231174|0.41667\n231175|0.5\n231176|0.5\n231177|0.68056\n231178|0.52778\n231179|0.44444\n231180|0.5\n231181|0.58333\n231182|0.63889\n231183|0.625\n231184|0.55556\n231185|0.54167\n231186|0.125\n231187|0.30556\n231188|0.27778\n231189|0.23611\n231190|0.69444\n231191|0.51389\n231192|0.33333\n231193|0.51389\n231194|0.55556\n231195|0.44444\n231196|0.5\n231197|0.83333\n231198|0.52778\n231199|0.36111\n231200|0.43056\n231201|0.51389\n231202|0.5\n231203|0.52778\n231204|0.5\n231205|0.77778\n231206|0.875\n231207|0.38889\n231208|0.30556\n231209|0.26389\n231210|0.625\n231211|0.25\n231212|0.77778\n231213|0.58333\n231214|0.75\n231215|0.29167\n231216|0.20833\n231217|0.48611\n231218|0.5\n231219|0.33333\n231220|0.81944\n231221|0.83333\n231222|0.5\n231223|0.59722\n231224|0.56944\n231225|0.70833\n231226|0.77778\n231227|0.375\n231228|0.30556\n231229|0.58333\n231230|0.34722\n231231|0.15278\n231232|0.45833\n231233|0.40278\n231234|0.375\n231235|0.66667\n231236|0.47222\n231237|0.5\n231238|0.5\n231239|0.31944\n231240|0.41667\n231241|0.44444\n231242|0.5\n231243|0.40278\n231244|0.69444\n231245|0.72222\n231246|0.59722\n231247|0.44444\n231248|0.25\n231249|0.33333\n231250|0.34722\n231251|0.31944\n231252|0.30556\n231253|0.29167\n231254|0.51389\n231255|0.22222\n231256|0.5\n231257|0.30556\n231258|0.31944\n231259|0.31944\n231260|0.875\n231261|0.5\n231262|0.48611\n231263|0.66667\n231264|0.52778\n231265|0.22222\n231266|0.44444\n231267|0.80556\n231268|0.83333\n231269|0.81944\n231270|0.88889\n231271|0.81944\n231272|0.81944\n231273|0.86111\n231274|0.94444\n231275|0.77778\n231276|0.77778\n231277|0.18056\n231278|0.70833\n231279|0.51389\n231280|0.27778\n231281|0.72222\n231282|0.88889\n231283|0.5\n231284|0.5\n231285|0.72222\n231286|0.29167\n231287|0.16667\n231288|0.77778\n231289|0.76389\n231290|0.40278\n231291|0.56944\n231292|0.44444\n231293|0.47222\n231294|0.5\n231295|0.33333\n231296|0.61111\n231297|0.51389\n231298|0.59722\n231299|0.54167\n231300|0.5\n231301|0.083333\n231302|0.72222\n231303|0.88889\n231304|0.81944\n231305|0.70833\n231306|0.15278\n231307|0.51389\n231308|0.5\n231309|0.59722\n231310|0.80556\n231311|0.5\n231312|0.31944\n231313|0.27778\n231314|0.33333\n231315|0.44444\n231316|0.375\n231317|0.36111\n231318|0.58333\n231319|0.69444\n231320|0.38889\n231321|0.25\n231322|0.44444\n231323|0.055556\n231324|0.75\n231325|0.5\n231326|0.66667\n231327|0.70833\n231328|0.61111\n231329|0.41667\n231330|0.55556\n231331|0.68056\n231332|0.52778\n231333|0.55556\n231334|0.34722\n231335|0.36111\n231336|0.055556\n231337|0.16667\n231338|0.055556\n231339|0.5\n231340|0.48611\n231341|0.48611\n231342|0.45833\n231343|0.5\n231344|0.27778\n231345|0.56944\n231346|0.5\n231347|0.54167\n231348|0.375\n231349|0.625\n231350|0.55556\n231351|0.55556\n231352|0.15278\n231353|0.375\n231354|0.5\n231355|0.20833\n231356|0.125\n231357|0.30556\n231358|0.26389\n231359|0.38889\n231360|0.93056\n231361|0.5\n231362|0.5\n231363|0.5\n231364|0.5\n231365|0.5\n231366|0.5\n231367|0.63889\n231368|0.66667\n231369|0.40278\n231370|0.43056\n231371|0.5\n231372|0.5\n231373|0.55556\n231374|0.375\n231375|0.30556\n231376|0.33333\n231377|0.5\n231378|0.59722\n231379|0.47222\n231380|0.44444\n231381|0.5\n231382|0.27778\n231383|0.36111\n231384|0.19444\n231385|0.15278\n231386|0.5\n231387|0.22222\n231388|0.29167\n231389|0.61111\n231390|0.33333\n231391|0.40278\n231392|0.61111\n231393|0.47222\n231394|0.52778\n231395|0.29167\n231396|0.27778\n231397|0.13889\n231398|0.65278\n231399|0.76389\n231400|0.73611\n231401|0.86111\n231402|0.80556\n231403|0.16667\n231404|0.13889\n231405|0.56944\n231406|0.54167\n231407|0.16667\n231408|0.18056\n231409|0.26389\n231410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  },
  {
    "path": "a2/utils/gradcheck.py",
    "content": "#!/usr/bin/env python\n\nimport numpy as np\nimport random\n\n\n# First implement a gradient checker by filling in the following functions\ndef gradcheck_naive(f, x, gradientText):\n    \"\"\" Gradient check for a function f.\n    Arguments:\n    f -- a function that takes a single argument and outputs the\n         loss and its gradients\n    x -- the point (numpy array) to check the gradient at\n    gradientText -- a string detailing some context about the gradient computation\n\n    Notes:\n    Note that gradient checking is a sanity test that only checks whether the\n    gradient and loss values produced by your implementation are consistent with\n    each other. Gradient check passing on its own doesn’t guarantee that you\n    have the correct gradients. It will pass, for example, if both the loss and\n    gradient values produced by your implementation are 0s (as is the case when\n    you have not implemented anything). Here is a detailed explanation of what\n    gradient check is doing if you would like some further clarification:\n    http://ufldl.stanford.edu/tutorial/supervised/DebuggingGradientChecking/. \n    \"\"\"\n    rndstate = random.getstate()\n    random.setstate(rndstate)\n    fx, grad = f(x) # Evaluate function value at original point\n    h = 1e-4        # Do not change this!\n\n    # Iterate over all indexes ix in x to check the gradient.\n    it = np.nditer(x, flags=['multi_index'], op_flags=['readwrite'])\n    while not it.finished:\n        ix = it.multi_index\n\n        x[ix] += h # increment by h\n        random.setstate(rndstate)\n        fxh, _ = f(x) # evalute f(x + h)\n        x[ix] -= 2 * h # restore to previous value (very important!)\n        random.setstate(rndstate)\n        fxnh, _ = f(x)\n        x[ix] += h\n        numgrad = (fxh - fxnh) / 2 / h\n\n        # Compare gradients\n        reldiff = abs(numgrad - grad[ix]) / max(1, abs(numgrad), abs(grad[ix]))\n        if reldiff > 1e-5:\n            print(\"Gradient check failed for %s.\" % gradientText)\n            print(\"First gradient error found at index %s in the vector of gradients\" % str(ix))\n            print(\"Your gradient: %f \\t Numerical gradient: %f\" % (\n                grad[ix], numgrad))\n            return\n\n        it.iternext() # Step to next dimension\n\n    print(\"Gradient check passed!. Read the docstring of the `gradcheck_naive`\"\n    \" method in utils.gradcheck.py to understand what the gradient check does.\")\n\n\ndef grad_tests_softmax(skipgram, dummy_tokens, dummy_vectors, dataset):\n    print (\"======Skip-Gram with naiveSoftmaxLossAndGradient Test Cases======\")\n\n    # first test\n    output_loss, output_gradCenterVecs, output_gradOutsideVectors = \\\n                skipgram(\"c\", 3, [\"a\", \"b\", \"e\", \"d\", \"b\", \"c\"],\n                dummy_tokens, dummy_vectors[:5,:], dummy_vectors[5:,:], dataset)\n\n    assert np.allclose(output_loss, 11.16610900153398), \\\n           \"Your loss does not match expected loss.\"\n    expected_gradCenterVecs = [[ 0.,          0.,          0.        ],\n                               [ 0.,          0.,          0.        ],\n                               [-1.26947339, -1.36873189,  2.45158957],\n                               [ 0.,          0.,          0.        ],\n                               [ 0.,          0.,          0.        ]]\n    expected_gradOutsideVectors = [[-0.41045956,  0.18834851,  1.43272264],\n                                   [ 0.38202831, -0.17530219, -1.33348241],\n                                   [ 0.07009355, -0.03216399, -0.24466386],\n                                   [ 0.09472154, -0.04346509, -0.33062865],\n                                   [-0.13638384,  0.06258276,  0.47605228]]\n                     \n    assert np.allclose(output_gradCenterVecs, expected_gradCenterVecs), \\\n           \"Your gradCenterVecs do not match expected gradCenterVecs.\"\n    assert np.allclose(output_gradOutsideVectors, expected_gradOutsideVectors), \\\n           \"Your gradOutsideVectors do not match expected gradOutsideVectors.\"\n    print(\"The first test passed!\")\n\n    # second test\n    output_loss, output_gradCenterVecs, output_gradOutsideVectors = \\\n                skipgram(\"b\", 3, [\"a\", \"b\", \"e\", \"d\", \"b\", \"c\"],\n                dummy_tokens, dummy_vectors[:5,:], dummy_vectors[5:,:], dataset)\n    assert np.allclose(output_loss, 9.87714910003414), \\\n           \"Your loss does not match expected loss.\"\n    expected_gradCenterVecs = [[ 0.,          0.,          0.        ],\n                               [-0.14586705, -1.34158321, -0.29291951],\n                               [ 0.,          0.,          0.        ],\n                               [ 0.,          0.,          0.        ],\n                               [ 0.,          0.,          0.        ]]\n    expected_gradOutsideVectors = [[-0.30342672,  0.19808298,  0.19587419],\n                                   [-0.41359958,  0.27000601,  0.26699522],\n                                   [-0.08192272,  0.05348078,  0.05288442],\n                                   [ 0.6981188,  -0.4557458,  -0.45066387],\n                                   [ 0.10083022, -0.06582396, -0.06508997]]\n                     \n    assert np.allclose(output_gradCenterVecs, expected_gradCenterVecs), \\\n           \"Your gradCenterVecs do not match expected gradCenterVecs.\"\n    assert np.allclose(output_gradOutsideVectors, expected_gradOutsideVectors), \\\n           \"Your gradOutsideVectors do not match expected gradOutsideVectors.\"\n    print(\"The second test passed!\")\n\n    # third test\n    output_loss, output_gradCenterVecs, output_gradOutsideVectors = \\\n                skipgram(\"a\", 3, [\"a\", \"b\", \"e\", \"d\", \"b\", \"c\"],\n                dummy_tokens, dummy_vectors[:5,:], dummy_vectors[5:,:], dataset)\n\n    assert np.allclose(output_loss, 10.810758628593335), \\\n           \"Your loss does not match expected loss.\"\n    expected_gradCenterVecs = [[-1.1790274,  -1.35861865,  1.53590492],\n                               [ 0.,          0.,          0.        ],\n                               [ 0.,          0.,          0.        ],\n                               [ 0.,          0.,          0.        ],\n                               [ 0.,          0.,          0.        ]]\n    expected_gradOutsideVectors = [[-7.96035953e-01, -1.79609012e-02,  2.07761330e-01],\n                                   [ 1.40175316e+00,  3.16276545e-02, -3.65850437e-01],\n                                   [-1.99691259e-01, -4.50561933e-03,  5.21184016e-02],\n                                   [ 2.02560028e-02,  4.57034715e-04, -5.28671357e-03],\n                                   [-4.26281954e-01, -9.61816867e-03,  1.11257419e-01]]\n                                                     \n    assert np.allclose(output_gradCenterVecs, expected_gradCenterVecs), \\\n           \"Your gradCenterVecs do not match expected gradCenterVecs.\"\n    assert np.allclose(output_gradOutsideVectors, expected_gradOutsideVectors), \\\n           \"Your gradOutsideVectors do not match expected gradOutsideVectors.\"\n    print(\"The third test passed!\")\n\n    print(\"All 3 tests passed!\")\n\n\ndef grad_tests_negsamp(skipgram, dummy_tokens, dummy_vectors, dataset, negSamplingLossAndGradient):\n    print (\"======Skip-Gram with negSamplingLossAndGradient======\")  \n\n    # first test\n    output_loss, output_gradCenterVecs, output_gradOutsideVectors = \\\n                skipgram(\"c\", 1, [\"a\", \"b\"], dummy_tokens, dummy_vectors[:5,:],\n                dummy_vectors[5:,:], dataset, negSamplingLossAndGradient)\n\n    assert np.allclose(output_loss, 16.15119285363322), \\\n           \"Your loss does not match expected loss.\"\n    expected_gradCenterVecs = [[ 0.,          0.,          0.        ],\n                               [ 0.,          0.,          0.        ],\n                               [-4.54650789, -1.85942252,  0.76397441],\n                               [ 0.,          0.,          0.        ],\n                               [ 0.,          0.,          0.        ]]\n    expected_gradOutsideVectors = [[-0.69148188,  0.31730185,  2.41364029],\n                                   [-0.22716495,  0.10423969,  0.79292674],\n                                   [-0.45528438,  0.20891737,  1.58918512],\n                                   [-0.31602611,  0.14501561,  1.10309954],\n                                   [-0.80620296,  0.36994417,  2.81407799]]\n                     \n    assert np.allclose(output_gradCenterVecs, expected_gradCenterVecs), \\\n           \"Your gradCenterVecs do not match expected gradCenterVecs.\"\n    assert np.allclose(output_gradOutsideVectors, expected_gradOutsideVectors), \\\n           \"Your gradOutsideVectors do not match expected gradOutsideVectors.\"\n    print(\"The first test passed!\")\n\n    # second test\n    output_loss, output_gradCenterVecs, output_gradOutsideVectors = \\\n                skipgram(\"c\", 2, [\"a\", \"b\", \"c\", \"a\"], dummy_tokens, dummy_vectors[:5,:],\n                dummy_vectors[5:,:], dataset, negSamplingLossAndGradient)\n    assert np.allclose(output_loss, 28.653567707668795), \\\n           \"Your loss does not match expected loss.\"\n    expected_gradCenterVecs = [  [ 0.,          0.,          0.        ],\n                                 [ 0.,          0.,          0.        ],\n                                 [-6.42994865, -2.16396482, -1.89240934],\n                                 [ 0.,          0.,          0.        ],\n                                 [ 0.,          0.,          0.        ]]\n    expected_gradOutsideVectors = [  [-0.80413277,  0.36899421,  2.80685192],\n                                     [-0.9277269,   0.42570813,  3.23826131],\n                                     [-0.7511534,   0.34468345,  2.62192569],\n                                     [-0.94807832,  0.43504684,  3.30929863],\n                                     [-1.12868414,  0.51792184,  3.93970919]]\n                     \n    assert np.allclose(output_gradCenterVecs, expected_gradCenterVecs), \\\n           \"Your gradCenterVecs do not match expected gradCenterVecs.\"\n    assert np.allclose(output_gradOutsideVectors, expected_gradOutsideVectors), \\\n           \"Your gradOutsideVectors do not match expected gradOutsideVectors.\"\n    print(\"The second test passed!\")\n\n    # third test\n    output_loss, output_gradCenterVecs, output_gradOutsideVectors = \\\n                skipgram(\"a\", 3, [\"a\", \"b\", \"e\", \"d\", \"b\", \"c\"],\n                dummy_tokens, dummy_vectors[:5,:], \n                dummy_vectors[5:,:], dataset, negSamplingLossAndGradient)\n    assert np.allclose(output_loss, 60.648705494891914), \\\n           \"Your loss does not match expected loss.\"\n    expected_gradCenterVecs = [  [-17.89425315,  -7.36940626,  -1.23364121],\n                                 [  0.,           0.,           0.        ],\n                                 [  0.,           0.,           0.        ],\n                                 [  0.,           0.,           0.        ],\n                                 [  0.,           0.,           0.        ]]\n    expected_gradOutsideVectors = [[-6.4780819,  -0.14616449,  1.69074639],\n                                   [-0.86337952, -0.01948037,  0.22533766],\n                                   [-9.59525734, -0.21649709,  2.5043133 ],\n                                   [-6.02261515, -0.13588783,  1.57187189],\n                                   [-9.69010072, -0.21863704,  2.52906694]]\n                                                     \n    assert np.allclose(output_gradCenterVecs, expected_gradCenterVecs), \\\n           \"Your gradCenterVecs do not match expected gradCenterVecs.\"\n    assert np.allclose(output_gradOutsideVectors, expected_gradOutsideVectors), \\\n           \"Your gradOutsideVectors do not match expected gradOutsideVectors.\"\n    print(\"The third test passed!\")\n\n    print(\"All 3 tests passed!\")\n"
  },
  {
    "path": "a2/utils/treebank.py",
    "content": "#!/usr/bin/env python\n# -*- coding: utf-8 -*-\n\nimport pickle\nimport numpy as np\nimport os\nimport random\n\nclass StanfordSentiment:\n    def __init__(self, path=None, tablesize = 1000000):\n        if not path:\n            path = \"utils/datasets/stanfordSentimentTreebank\"\n\n        self.path = path\n        self.tablesize = tablesize\n\n    def tokens(self):\n        if hasattr(self, \"_tokens\") and self._tokens:\n            return self._tokens\n\n        tokens = dict()\n        tokenfreq = dict()\n        wordcount = 0\n        revtokens = []\n        idx = 0\n\n        for sentence in self.sentences():\n            for w in sentence:\n                wordcount += 1\n                if not w in tokens:\n                    tokens[w] = idx\n                    revtokens += [w]\n                    tokenfreq[w] = 1\n                    idx += 1\n                else:\n                    tokenfreq[w] += 1\n\n        tokens[\"UNK\"] = idx\n        revtokens += [\"UNK\"]\n        tokenfreq[\"UNK\"] = 1\n        wordcount += 1\n\n        self._tokens = tokens\n        self._tokenfreq = tokenfreq\n        self._wordcount = wordcount\n        self._revtokens = revtokens\n        return self._tokens\n\n    def sentences(self):\n        if hasattr(self, \"_sentences\") and self._sentences:\n            return self._sentences\n\n        sentences = []\n        with open(self.path + \"/datasetSentences.txt\", \"r\") as f:\n            first = True\n            for line in f:\n                if first:\n                    first = False\n                    continue\n\n                splitted = line.strip().split()[1:]\n                # Deal with some peculiar encoding issues with this file\n                sentences += [[w.lower() for w in splitted]]\n\n        self._sentences = sentences\n        self._sentlengths = np.array([len(s) for s in sentences])\n        self._cumsentlen = np.cumsum(self._sentlengths)\n\n        return self._sentences\n\n    def numSentences(self):\n        if hasattr(self, \"_numSentences\") and self._numSentences:\n            return self._numSentences\n        else:\n            self._numSentences = len(self.sentences())\n            return self._numSentences\n\n    def allSentences(self):\n        if hasattr(self, \"_allsentences\") and self._allsentences:\n            return self._allsentences\n\n        sentences = self.sentences()\n        rejectProb = self.rejectProb()\n        tokens = self.tokens()\n        allsentences = [[w for w in s\n            if 0 >= rejectProb[tokens[w]] or random.random() >= rejectProb[tokens[w]]]\n            for s in sentences * 30]\n\n        allsentences = [s for s in allsentences if len(s) > 1]\n\n        self._allsentences = allsentences\n\n        return self._allsentences\n\n    def getRandomContext(self, C=5):\n        allsent = self.allSentences()\n        sentID = random.randint(0, len(allsent) - 1)\n        sent = allsent[sentID]\n        wordID = random.randint(0, len(sent) - 1)\n\n        context = sent[max(0, wordID - C):wordID]\n        if wordID+1 < len(sent):\n            context += sent[wordID+1:min(len(sent), wordID + C + 1)]\n\n        centerword = sent[wordID]\n        context = [w for w in context if w != centerword]\n\n        if len(context) > 0:\n            return centerword, context\n        else:\n            return self.getRandomContext(C)\n\n    def sent_labels(self):\n        if hasattr(self, \"_sent_labels\") and self._sent_labels:\n            return self._sent_labels\n\n        dictionary = dict()\n        phrases = 0\n        with open(self.path + \"/dictionary.txt\", \"r\") as f:\n            for line in f:\n                line = line.strip()\n                if not line: continue\n                splitted = line.split(\"|\")\n                dictionary[splitted[0].lower()] = int(splitted[1])\n                phrases += 1\n\n        labels = [0.0] * phrases\n        with open(self.path + \"/sentiment_labels.txt\", \"r\") as f:\n            first = True\n            for line in f:\n                if first:\n                    first = False\n                    continue\n\n                line = line.strip()\n                if not line: continue\n                splitted = line.split(\"|\")\n                labels[int(splitted[0])] = float(splitted[1])\n\n        sent_labels = [0.0] * self.numSentences()\n        sentences = self.sentences()\n        for i in range(self.numSentences()):\n            sentence = sentences[i]\n            full_sent = \" \".join(sentence).replace('-lrb-', '(').replace('-rrb-', ')')\n            sent_labels[i] = labels[dictionary[full_sent]]\n\n        self._sent_labels = sent_labels\n        return self._sent_labels\n\n    def dataset_split(self):\n        if hasattr(self, \"_split\") and self._split:\n            return self._split\n\n        split = [[] for i in range(3)]\n        with open(self.path + \"/datasetSplit.txt\", \"r\") as f:\n            first = True\n            for line in f:\n                if first:\n                    first = False\n                    continue\n\n                splitted = line.strip().split(\",\")\n                split[int(splitted[1]) - 1] += [int(splitted[0]) - 1]\n\n        self._split = split\n        return self._split\n\n    def getRandomTrainSentence(self):\n        split = self.dataset_split()\n        sentId = split[0][random.randint(0, len(split[0]) - 1)]\n        return self.sentences()[sentId], self.categorify(self.sent_labels()[sentId])\n\n    def categorify(self, label):\n        if label <= 0.2:\n            return 0\n        elif label <= 0.4:\n            return 1\n        elif label <= 0.6:\n            return 2\n        elif label <= 0.8:\n            return 3\n        else:\n            return 4\n\n    def getDevSentences(self):\n        return self.getSplitSentences(2)\n\n    def getTestSentences(self):\n        return self.getSplitSentences(1)\n\n    def getTrainSentences(self):\n        return self.getSplitSentences(0)\n\n    def getSplitSentences(self, split=0):\n        ds_split = self.dataset_split()\n        return [(self.sentences()[i], self.categorify(self.sent_labels()[i])) for i in ds_split[split]]\n\n    def sampleTable(self):\n        if hasattr(self, '_sampleTable') and self._sampleTable is not None:\n            return self._sampleTable\n\n        nTokens = len(self.tokens())\n        samplingFreq = np.zeros((nTokens,))\n        self.allSentences()\n        i = 0\n        for w in range(nTokens):\n            w = self._revtokens[i]\n            if w in self._tokenfreq:\n                freq = 1.0 * self._tokenfreq[w]\n                # Reweigh\n                freq = freq ** 0.75\n            else:\n                freq = 0.0\n            samplingFreq[i] = freq\n            i += 1\n\n        samplingFreq /= np.sum(samplingFreq)\n        samplingFreq = np.cumsum(samplingFreq) * self.tablesize\n\n        self._sampleTable = [0] * self.tablesize\n\n        j = 0\n        for i in range(self.tablesize):\n            while i > samplingFreq[j]:\n                j += 1\n            self._sampleTable[i] = j\n\n        return self._sampleTable\n\n    def rejectProb(self):\n        if hasattr(self, '_rejectProb') and self._rejectProb is not None:\n            return self._rejectProb\n\n        threshold = 1e-5 * self._wordcount\n\n        nTokens = len(self.tokens())\n        rejectProb = np.zeros((nTokens,))\n        for i in range(nTokens):\n            w = self._revtokens[i]\n            freq = 1.0 * self._tokenfreq[w]\n            # Reweigh\n            rejectProb[i] = max(0, 1 - np.sqrt(threshold / freq))\n\n        self._rejectProb = rejectProb\n        return self._rejectProb\n\n    def sampleTokenIdx(self):\n        return self.sampleTable()[random.randint(0, self.tablesize - 1)]"
  },
  {
    "path": "a2/utils/utils.py",
    "content": "#!/usr/bin/env python\n\nimport numpy as np\n\ndef normalizeRows(x):\n    \"\"\" Row normalization function\n\n    Implement a function that normalizes each row of a matrix to have\n    unit length.\n    \"\"\"\n    N = x.shape[0]\n    x /= np.sqrt(np.sum(x**2, axis=1)).reshape((N,1)) + 1e-30\n    return x\n\ndef softmax(x):\n    \"\"\"Compute the softmax function for each row of the input x.\n    It is crucial that this function is optimized for speed because\n    it will be used frequently in later code. \n\n    Arguments:\n    x -- A D dimensional vector or N x D dimensional numpy matrix.\n    Return:\n    x -- You are allowed to modify x in-place\n    \"\"\"\n    orig_shape = x.shape\n\n    if len(x.shape) > 1:\n        # Matrix\n        tmp = np.max(x, axis=1)\n        x -= tmp.reshape((x.shape[0], 1))\n        x = np.exp(x)\n        tmp = np.sum(x, axis=1)\n        x /= tmp.reshape((x.shape[0], 1))\n    else:\n        # Vector\n        tmp = np.max(x)\n        x -= tmp\n        x = np.exp(x)\n        tmp = np.sum(x)\n        x /= tmp\n\n    assert x.shape == orig_shape\n    return x"
  },
  {
    "path": "a2/word2vec.py",
    "content": "#!/usr/bin/env python\n\nimport argparse\nimport numpy as np\nimport random\n\nfrom utils.gradcheck import gradcheck_naive, grad_tests_softmax, grad_tests_negsamp\nfrom utils.utils import normalizeRows, softmax\n\n\ndef sigmoid(x):\n    \"\"\"\n    Compute the sigmoid function for the input here.\n    Arguments:\n    x -- A scalar or numpy array.\n    Return:\n    s -- sigmoid(x)\n    \"\"\"\n\n    ### YOUR CODE HERE (~1 Line)\n    s = 1 / (1 + np.exp(-x))\n    ### END YOUR CODE\n\n    return s\n\n\ndef naiveSoftmaxLossAndGradient(\n    centerWordVec,\n    outsideWordIdx,\n    outsideVectors,\n    dataset\n):\n    \"\"\" Naive Softmax loss & gradient function for word2vec models\n\n    Implement the naive softmax loss and gradients between a center word's \n    embedding and an outside word's embedding. This will be the building block\n    for our word2vec models. For those unfamiliar with numpy notation, note \n    that a numpy ndarray with a shape of (x, ) is a one-dimensional array, which\n    you can effectively treat as a vector with length x.\n\n    Arguments:\n    centerWordVec -- numpy ndarray, center word's embedding\n                    in shape (word vector length, )\n                    (v_c in the pdf handout)\n    outsideWordIdx -- integer, the index of the outside word\n                    (o of u_o in the pdf handout)\n    outsideVectors -- outside vectors is\n                    in shape (num words in vocab, word vector length) \n                    for all words in vocab (tranpose of U in the pdf handout)\n    dataset -- needed for negative sampling, unused here.\n\n    Return:\n    loss -- naive softmax loss\n    gradCenterVec -- the gradient with respect to the center word vector\n                     in shape (word vector length, )\n                     (dJ / dv_c in the pdf handout)\n    gradOutsideVecs -- the gradient with respect to all the outside word vectors\n                    in shape (num words in vocab, word vector length) \n                    (dJ / dU)\n    \"\"\"\n\n    ### YOUR CODE HERE (~6-8 Lines)\n\n    ### Please use the provided softmax function (imported earlier in this file)\n    ### This numerically stable implementation helps you avoid issues pertaining\n    ### to integer overflow. \n    \n    gradOutsideVecs = np.zeros_like(outsideVectors)\n    # obtain y_hat (i.e., the conditional probability distribution p(O = o | C = c))\n    # by taking vector dot products and applying softmax\n    y_hat = softmax(np.dot(outsideVectors, centerWordVec)) # (N,) N x 1\n    # can also get y_hat in a single line: y_hat = softmax(outsideVectors @ centerWordVec)\n\n    # for a single pair of words c and o, the loss is given by:\n    # J(v_c, o, U) = -log P(O = o | C = c) = -log [y_hat[o]]\n    loss = -np.log(y_hat[outsideWordIdx])\n\n    # grad calc\n    # generate the ground-truth one-hot vector, [..., 0, outsideWordIdx=1, 0, ...]\n    y = np.zeros_like(y_hat)\n    y[outsideWordIdx] = 1\n    # can also get loss as -np.dot(y, np.log(y_hat))    \n    \n    gradCenterVec = np.dot(y_hat - y, outsideVectors) # inner product results in a scalar\n    # or gradCenterVec = np.dot(outsideVectors.T, y_hat - y)\n    \n    gradOutsideVecs = np.outer(y_hat - y, centerWordVec) # outer product results in a matrix\n    # or gradOutsideVecs = np.dot((y_hat - y)[:, np.newaxis], centerWordVec[np.newaxis, :]) \n    \n    # sanity check the dimensions\n    assert gradCenterVec.shape == centerWordVec.shape\n    assert gradOutsideVecs.shape == outsideVectors.shape  \n\n    ### END YOUR CODE\n\n    return loss, gradCenterVec, gradOutsideVecs\n\n\ndef getNegativeSamples(outsideWordIdx, dataset, K):\n    \"\"\" Samples K indexes which are not the outsideWordIdx \"\"\"\n\n    negSampleWordIndices = [None] * K\n    for k in range(K):\n        newidx = dataset.sampleTokenIdx()\n        while newidx == outsideWordIdx:\n            newidx = dataset.sampleTokenIdx()\n        negSampleWordIndices[k] = newidx\n    return negSampleWordIndices\n\n\ndef negSamplingLossAndGradient(\n    centerWordVec,\n    outsideWordIdx,\n    outsideVectors,\n    dataset,\n    K=10\n):\n    \"\"\" Negative sampling loss function for word2vec models\n\n    Implement the negative sampling loss and gradients for a centerWordVec\n    and a outsideWordIdx word vector as a building block for word2vec\n    models. K is the number of negative samples to take.\n\n    Note: The same word may be negatively sampled multiple times. For\n    example if an outside word is sampled twice, you shall have to\n    double count the gradient with respect to this word. Thrice if\n    it was sampled three times, and so forth.\n\n    Arguments/Return Specifications: same as naiveSoftmaxLossAndGradient\n    \"\"\"\n\n    # Negative sampling of words is done for you. Do not modify this if you\n    # wish to match the autograder and receive points!\n    negSampleWordIndices = getNegativeSamples(outsideWordIdx, dataset, K)\n    indices = [outsideWordIdx] + negSampleWordIndices\n\n    ### YOUR CODE HERE (~10 Lines)\n\n    ### Please use your implementation of sigmoid in here.\n    \n    gradOutsideVecs = np.zeros(outsideVectors.shape)\n    \n    # Calculate the first term\n    y_hat = sigmoid(np.dot(outsideVectors[outsideWordIdx], centerWordVec))\n    loss = -np.log(y_hat)\n    \n    gradCenterVec = np.dot(y_hat - 1, outsideVectors[outsideWordIdx])\n    gradOutsideVecs[outsideWordIdx] = np.dot(y_hat - 1, centerWordVec)\n\n    # Calculate the second term\n    for i in range(K):\n        w_k = indices[i+1]\n        y_k_hat = sigmoid(-np.dot(outsideVectors[w_k], centerWordVec))\n        loss += -np.log(y_k_hat)\n        gradOutsideVecs[w_k] += np.dot(1.0 - y_k_hat, centerWordVec)\n        gradCenterVec += np.dot(1.0 - y_k_hat, outsideVectors[w_k])\n\n    ### END YOUR CODE\n\n    return loss, gradCenterVec, gradOutsideVecs\n\n\ndef skipgram(currentCenterWord, windowSize, outsideWords, word2Ind,\n             centerWordVectors, outsideVectors, dataset,\n             word2vecLossAndGradient=naiveSoftmaxLossAndGradient):\n    \"\"\" Skip-gram model in word2vec\n\n    Implement the skip-gram model in this function.\n\n    Arguments:\n    currentCenterWord -- a string of the current center word\n    windowSize -- integer, context window size\n    outsideWords -- list of no more than 2*windowSize strings, the outside words\n    word2Ind -- a dictionary that maps words to their indices in\n              the word vector list\n    centerWordVectors -- center word vectors (as rows) is in shape \n                        (num words in vocab, word vector length) \n                        for all words in vocab (V in pdf handout)\n    outsideVectors -- outside vectors is in shape \n                        (num words in vocab, word vector length) \n                        for all words in vocab (transpose of U in the pdf handout)\n    word2vecLossAndGradient -- the loss and gradient function for\n                               a prediction vector given the outsideWordIdx\n                               word vectors, could be one of the two\n                               loss functions you implemented above.\n\n    Return:\n    loss -- the loss function value for the skip-gram model\n            (J in the pdf handout)\n    gradCenterVec -- the gradient with respect to the center word vector\n                     in shape (word vector length, )\n                     (dJ / dv_c in the pdf handout)\n    gradOutsideVecs -- the gradient with respect to all the outside word vectors\n                    in shape (num words in vocab, word vector length) \n                    (dJ / dU)\n    \"\"\"\n\n    loss = 0.0\n    gradCenterVecs = np.zeros(centerWordVectors.shape)\n    gradOutsideVectors = np.zeros(outsideVectors.shape)\n\n    ### YOUR CODE HERE (~8 Lines)\n    \n    # skip-gram model predicts outside words from the center word\n    \n    # get center word vec first from currentCenterWord\n    centerWordIdx = word2Ind[currentCenterWord]\n    centerWordVec = centerWordVectors[centerWordIdx]\n\n    for outsideWord in outsideWords:\n        outsideWordIdx = word2Ind[outsideWord]\n        stepLoss, gradCenter, gradOutside = word2vecLossAndGradient(centerWordVec,\n                                                                    outsideWordIdx,\n                                                                    outsideVectors,\n                                                                    dataset)\n\n        loss += stepLoss\n        gradCenterVecs[centerWordIdx] += gradCenter\n        gradOutsideVectors += gradOutside    \n\n    ### END YOUR CODE\n    \n    return loss, gradCenterVecs, gradOutsideVectors\n\n\n#############################################\n# Testing functions below. DO NOT MODIFY!   #\n#############################################\n\ndef word2vec_sgd_wrapper(word2vecModel, word2Ind, wordVectors, dataset,\n                         windowSize,\n                         word2vecLossAndGradient=naiveSoftmaxLossAndGradient):\n    batchsize = 50\n    loss = 0.0\n    grad = np.zeros(wordVectors.shape)\n    N = wordVectors.shape[0]\n    centerWordVectors = wordVectors[:int(N/2),:]\n    outsideVectors = wordVectors[int(N/2):,:]\n    for i in range(batchsize):\n        windowSize1 = random.randint(1, windowSize)\n        centerWord, context = dataset.getRandomContext(windowSize1)\n\n        c, gin, gout = word2vecModel(\n            centerWord, windowSize1, context, word2Ind, centerWordVectors,\n            outsideVectors, dataset, word2vecLossAndGradient\n        )\n        loss += c / batchsize\n        grad[:int(N/2), :] += gin / batchsize\n        grad[int(N/2):, :] += gout / batchsize\n\n    return loss, grad\n\ndef test_sigmoid():\n    \"\"\" Test sigmoid function \"\"\"\n    print(\"=== Sanity check for sigmoid ===\")\n    assert sigmoid(0) == 0.5\n    assert np.allclose(sigmoid(np.array([0])), np.array([0.5]))\n    assert np.allclose(sigmoid(np.array([1,2,3])), np.array([0.73105858, 0.88079708, 0.95257413]))\n    print(\"Tests for sigmoid passed!\")\n\ndef getDummyObjects():\n    \"\"\" Helper method for naiveSoftmaxLossAndGradient and negSamplingLossAndGradient tests \"\"\"\n\n    def dummySampleTokenIdx():\n        return random.randint(0, 4)\n\n    def getRandomContext(C):\n        tokens = [\"a\", \"b\", \"c\", \"d\", \"e\"]\n        return tokens[random.randint(0,4)], \\\n            [tokens[random.randint(0,4)] for i in range(2*C)]\n\n    dataset = type('dummy', (), {})()\n    dataset.sampleTokenIdx = dummySampleTokenIdx\n    dataset.getRandomContext = getRandomContext\n\n    random.seed(31415)\n    np.random.seed(9265)\n    dummy_vectors = normalizeRows(np.random.randn(10,3))\n    dummy_tokens = dict([(\"a\",0), (\"b\",1), (\"c\",2),(\"d\",3),(\"e\",4)])\n\n    return dataset, dummy_vectors, dummy_tokens\n\ndef test_naiveSoftmaxLossAndGradient():\n    \"\"\" Test naiveSoftmaxLossAndGradient \"\"\"\n    dataset, dummy_vectors, dummy_tokens = getDummyObjects()\n\n    print(\"==== Gradient check for naiveSoftmaxLossAndGradient ====\")\n    def temp(vec):\n        loss, gradCenterVec, gradOutsideVecs = naiveSoftmaxLossAndGradient(vec, 1, dummy_vectors, dataset)\n        return loss, gradCenterVec\n    gradcheck_naive(temp, np.random.randn(3), \"naiveSoftmaxLossAndGradient gradCenterVec\")\n\n    centerVec = np.random.randn(3)\n    def temp(vec):\n        loss, gradCenterVec, gradOutsideVecs = naiveSoftmaxLossAndGradient(centerVec, 1, vec, dataset)\n        return loss, gradOutsideVecs\n    gradcheck_naive(temp, dummy_vectors, \"naiveSoftmaxLossAndGradient gradOutsideVecs\")\n\ndef test_negSamplingLossAndGradient():\n    \"\"\" Test negSamplingLossAndGradient \"\"\"\n    dataset, dummy_vectors, dummy_tokens = getDummyObjects()\n\n    print(\"==== Gradient check for negSamplingLossAndGradient ====\")\n    def temp(vec):\n        loss, gradCenterVec, gradOutsideVecs = negSamplingLossAndGradient(vec, 1, dummy_vectors, dataset)\n        return loss, gradCenterVec\n    gradcheck_naive(temp, np.random.randn(3), \"negSamplingLossAndGradient gradCenterVec\")\n\n    centerVec = np.random.randn(3)\n    def temp(vec):\n        loss, gradCenterVec, gradOutsideVecs = negSamplingLossAndGradient(centerVec, 1, vec, dataset)\n        return loss, gradOutsideVecs\n    gradcheck_naive(temp, dummy_vectors, \"negSamplingLossAndGradient gradOutsideVecs\")\n\ndef test_skipgram():\n    \"\"\" Test skip-gram with naiveSoftmaxLossAndGradient \"\"\"\n    dataset, dummy_vectors, dummy_tokens = getDummyObjects()\n\n    print(\"==== Gradient check for skip-gram with naiveSoftmaxLossAndGradient ====\")\n    gradcheck_naive(lambda vec: word2vec_sgd_wrapper(\n        skipgram, dummy_tokens, vec, dataset, 5, naiveSoftmaxLossAndGradient),\n        dummy_vectors, \"naiveSoftmaxLossAndGradient Gradient\")\n    grad_tests_softmax(skipgram, dummy_tokens, dummy_vectors, dataset)\n\n    print(\"==== Gradient check for skip-gram with negSamplingLossAndGradient ====\")\n    gradcheck_naive(lambda vec: word2vec_sgd_wrapper(\n        skipgram, dummy_tokens, vec, dataset, 5, negSamplingLossAndGradient),\n        dummy_vectors, \"negSamplingLossAndGradient Gradient\")\n    grad_tests_negsamp(skipgram, dummy_tokens, dummy_vectors, dataset, negSamplingLossAndGradient)\n\ndef test_word2vec():\n    \"\"\" Test the two word2vec implementations, before running on Stanford Sentiment Treebank \"\"\"\n    test_sigmoid()\n    test_naiveSoftmaxLossAndGradient()\n    test_negSamplingLossAndGradient()\n    test_skipgram()\n\nif __name__ == \"__main__\":\n    parser = argparse.ArgumentParser(description='Test your implementations.')\n    parser.add_argument('function', nargs='?', type=str, default='all',\n                        help='Name of the function you would like to test.')\n\n    args = parser.parse_args()\n    if args.function == 'sigmoid':\n        test_sigmoid()\n    elif args.function == 'naiveSoftmaxLossAndGradient':\n        test_naiveSoftmaxLossAndGradient()\n    elif args.function == 'negSamplingLossAndGradient':\n        test_negSamplingLossAndGradient()\n    elif args.function == 'skipgram':\n        test_skipgram()\n    elif args.function == 'all':\n        test_word2vec()\n"
  },
  {
    "path": "a3/README.txt",
    "content": "Welcome to Assignment 3!\n\nWe'll be using PyTorch for this assignment. If you're not familiar with PyTorch, or if you would like to review some of the fundamentals of PyTorch, the PyTorch review session is posted on Canvas under Course Videos.  \n\nIf you want to continue using your cs224n environment from assignment 1 for this assignment, please make sure you have all the dependencies listed in local_env.yml. To do so, please run: \n\n# 1. Activate your old environment:\n\n    conda activate cs224n\n\n# 2. Install docopt\n\n    conda install docopt\n\n# 3. Install pytorch, torchvision, and tqdm\n\n    conda install pytorch torchvision -c pytorch\n    conda install -c anaconda tqdm\n\n\nIf you would like to instead create a new environment for this assignment, please run:\n\n# 1. Create an environment with dependencies specified in local_env.yml (note that this can take some time depending on your laptop):\n    \n    conda env create -f local_env.yml\n\n# 2. Activate the new environment:\n    \n    conda activate cs224n_a3\n    \n\n# To deactivate an active environment, use\n    \n    conda deactivate\n"
  },
  {
    "path": "a3/collect_submission.sh",
    "content": "rm -f assignment3.zip\nzip -r assignment3.zip *.py ./data ./utils\n"
  },
  {
    "path": "a3/data/dev.conll",
    "content": 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subj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tstay\t_\tVERB\tVB\t_\t10\tccomp\t_\t_\n14\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tmarket\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n17\tor\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n18\teven\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\tplunge\t_\tVERB\tNN\t_\t13\tconj\t_\t_\n21\tin\t_\tADP\tIN\t_\t20\tcompound:prt\t_\t_\n22\twith\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tFidelity\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tUnderneath\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\theadline\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n4\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n5\tDiversification\t_\tNOUN\tNN\t_\t3\tdep\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n8\tit\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tcounsels\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n12\tBased\t_\tVERB\tVBN\t_\t15\tcase\t_\t_\n13\ton\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tevents\t_\tNOUN\tNNS\t_\t23\tadvcl\t_\t_\n16\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tpast\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tweek\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n21\tall\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tinvestors\t_\tNOUN\tNNS\t_\t23\tnsubj\t_\t_\n23\tneed\t_\tVERB\tVBP\t_\t9\tccomp\t_\t_\n24\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n25\tknow\t_\tVERB\tVB\t_\t23\txcomp\t_\t_\n26\ttheir\t_\tPRON\tPRP$\t_\t27\tnmod:poss\t_\t_\n27\tportfolios\t_\tNOUN\tNNS\t_\t29\tnsubjpass\t_\t_\n28\tare\t_\tAUX\tVBP\t_\t29\tauxpass\t_\t_\n29\tbalanced\t_\tVERB\tVBN\t_\t25\tccomp\t_\t_\n30\tto\t_\tPART\tTO\t_\t31\tmark\t_\t_\n31\thelp\t_\tVERB\tVB\t_\t29\txcomp\t_\t_\n32\tprotect\t_\tVERB\tVB\t_\t31\tccomp\t_\t_\n33\tthem\t_\tPRON\tPRP\t_\t32\tdobj\t_\t_\n34\tagainst\t_\tADP\tIN\t_\t38\tcase\t_\t_\n35\tthe\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tmarket\t_\tNOUN\tNN\t_\t38\tnmod:poss\t_\t_\n37\t's\t_\tPART\tPOS\t_\t36\tcase\t_\t_\n38\tvolatility\t_\tNOUN\tNN\t_\t32\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n40\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tgoes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\ton\t_\tADV\tIN\t_\t2\tadvmod\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tplug\t_\tVERB\tVB\t_\t2\txcomp\t_\t_\n6\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n7\tfew\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n8\tdiversified\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n9\tFidelity\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tfunds\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n11\tby\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tname\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tPaineWebber\t_\tNOUN\tNNP\t_\t4\tnsubj\t_\t_\n2\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t4\tcop\t_\t_\n4\table\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tgear\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\tup\t_\tADP\tRP\t_\t6\tcompound:prt\t_\t_\n8\tquickly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n9\tthanks\t_\tNOUN\tNNS\t_\t4\tnmod:npmod\t_\t_\n10\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\t1987\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\tcrash\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\taftermath\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n4\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\t1987\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n7\tdebacle\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tbrokerage\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tfirm\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n12\tbegan\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\ttaping\t_\tVERB\tVBG\t_\t12\txcomp\t_\t_\n14\tcommercials\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n15\tin-house\t_\tADJ\tJJ\t_\t13\tadvmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n17\tultimately\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n18\tgetting\t_\tVERB\tVBG\t_\t12\txcomp\t_\t_\n19\tits\t_\tPRON\tPRP$\t_\t20\tnmod:poss\t_\t_\n20\ttiming\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n21\tdown\t_\tADP\tRP\t_\t18\tcompound:prt\t_\t_\n22\tfast\t_\tADJ\tRB\t_\t23\tadvmod\t_\t_\n23\tenough\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n24\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n25\ttape\t_\tVERB\tVB\t_\t23\tdep\t_\t_\n26\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tcommercial\t_\tNOUN\tJJ\t_\t25\tdobj\t_\t_\n28\tafter\t_\tSCONJ\tIN\t_\t31\tmark\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tmarket\t_\tNOUN\tNN\t_\t31\tnsubj\t_\t_\n31\tclosed\t_\tVERB\tVBD\t_\t25\tadvcl\t_\t_\n32\tand\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n33\trush\t_\tVERB\tVB\t_\t25\tconj\t_\t_\n34\tit\t_\tPRON\tPRP\t_\t33\tdobj\t_\t_\n35\ton\t_\tADP\tIN\t_\t37\tcase\t_\t_\n36\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tair\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n38\tthat\t_\tDET\tWDT\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\tPROPN\tNNP\t_\t45\tcompound\t_\t_\n45\tDodgers\t_\tPROPN\tNNPS\t_\t38\tnmod\t_\t_\n46\tand\t_\tCONJ\tCC\t_\t45\tcc\t_\t_\n47\tOrel\t_\tPROPN\tNNP\t_\t48\tcompound\t_\t_\n48\tHershiser\t_\tPROPN\tNNP\t_\t45\tconj\t_\t_\n49\tin\t_\tADP\tIN\t_\t53\tcase\t_\t_\n50\tlast\t_\tADJ\tJJ\t_\t51\tamod\t_\t_\n51\tyear\t_\tNOUN\tNN\t_\t53\tnmod:poss\t_\t_\n52\t's\t_\tPART\tPOS\t_\t51\tcase\t_\t_\n53\ttournament\t_\tNOUN\tNN\t_\t38\tnmod\t_\t_\n54\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tMorever\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n3\tmuch\t_\tADJ\tRB\t_\t8\tnsubjpass\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tdamage\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\twas\t_\tAUX\tVBD\t_\t8\tauxpass\t_\t_\n8\taccomplished\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tA\t_\tPROPN\tDT\t_\t11\tcompound\t_\t_\n11\t's\t_\tPROPN\tPOS\t_\t8\tnmod\t_\t_\n12\twho\t_\tPRON\tWP\t_\t13\tnsubj\t_\t_\n13\thad\t_\tVERB\tVBD\t_\t11\tacl:relcl\t_\t_\n14\tsome\t_\tDET\tDT\t_\t13\tdobj\t_\t_\n15\tcatching\t_\tVERB\tVBG\t_\t14\tamod\t_\t_\n16\tup\t_\tADP\tRP\t_\t14\tdep\t_\t_\n17\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n18\tdo\t_\tVERB\tVB\t_\t14\tacl\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tgame\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n3\ttwo\t_\tNUM\tCD\t_\t2\tnummod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n5\ton\t_\tADP\tIN\t_\t9\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tcool\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\tSunday\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tevening\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n10\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthis\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tland\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tperpetual\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tautumn\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tlot\t_\tNOUN\tNN\t_\t24\tnsubjpass\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t18\tnmod\t_\t_\n21\tcatching\t_\tVERB\tVBG\t_\t20\tamod\t_\t_\n22\tup\t_\tADP\tRP\t_\t20\tdep\t_\t_\n23\twas\t_\tAUX\tVBD\t_\t24\tauxpass\t_\t_\n24\tdone\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n25\tby\t_\tADP\tIN\t_\t29\tcase\t_\t_\n26\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n27\tA\t_\tPROPN\tNN\t_\t29\tcompound\t_\t_\n28\t's\t_\tPROPN\tPOS\t_\t29\tcompound\t_\t_\n29\tcatcher\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n31\tTerry\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tSteinbach\t_\tPROPN\tNNP\t_\t29\tappos\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\thit\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\t2-0\t_\tNUM\tJJ\t_\t5\tnummod\t_\t_\n5\tpitch\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n6\tfrom\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tRick\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tReuschel\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\tinto\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tleft-field\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tstands\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n13\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tinning\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n15\tfour\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n16\tto\t_\tPART\tTO\t_\t17\tmark\t_\t_\n17\tstretch\t_\tVERB\tVB\t_\t2\tadvcl\t_\t_\n18\this\t_\tPRON\tPRP$\t_\t19\tnmod:poss\t_\t_\n19\tteam\t_\tNOUN\tNN\t_\t21\tnmod:poss\t_\t_\n20\t's\t_\tPART\tPOS\t_\t19\tcase\t_\t_\n21\tlead\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n22\tfrom\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\t2-1\t_\tNUM\tCD\t_\t17\tnmod\t_\t_\n24\tto\t_\tADP\tTO\t_\t27\tcase\t_\t_\n25\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n26\tdecisive\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\t5-1\t_\tNUM\tCD\t_\t17\tnmod\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n29\twhere\t_\tADV\tWRB\t_\t31\tadvmod\t_\t_\n30\tit\t_\tPRON\tPRP\t_\t31\tnsubj\t_\t_\n31\tstayed\t_\tVERB\tVBD\t_\t27\tacl:relcl\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tSo\t_\tADV\tRB\t_\t0\troot\t_\t_\n2\twhat\t_\tPRON\tWP\t_\t1\tdep\t_\t_\n3\tif\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n4\tSteinbach\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n5\thad\t_\tAUX\tVBD\t_\t6\taux\t_\t_\n6\tstruck\t_\tVERB\tVBN\t_\t1\tdep\t_\t_\n7\tjust\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n8\tseven\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n9\thome\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\truns\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n11\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\t130\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n13\tregular-season\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tgames\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n17\tbatted\t_\tVERB\tVBN\t_\t6\tconj\t_\t_\n18\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tseventh\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tposition\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n22\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n24\tA\t_\tPROPN\tNN\t_\t26\tcompound\t_\t_\n25\t's\t_\tPROPN\tPOS\t_\t26\tcompound\t_\t_\n26\tlineup\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n2\tIf\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n3\tyou\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tget\t_\tVERB\tVB\t_\t16\tadvcl\t_\t_\n5\tyour\t_\tPRON\tPRP$\t_\t6\tnmod:poss\t_\t_\n6\tpitch\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n9\ttake\t_\tVERB\tVB\t_\t4\tconj\t_\t_\n10\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tgood\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tswing\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n14\tanything\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n15\tcan\t_\tAUX\tMD\t_\t16\taux\t_\t_\n16\thappen\t_\tVERB\tVB\t_\t21\tccomp\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n19\the\t_\tPRON\tPRP\t_\t21\tnsubj\t_\t_\n20\tlater\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n21\tremarked\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\tOn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tSaturday\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tnight\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n5\tquite\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tfew\t_\tADJ\tJJ\t_\t15\tnsubj\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tboys\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n11\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tgreen\t_\tNOUN\tJJ\t_\t10\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\tgold\t_\tNOUN\tJJ\t_\t12\tconj\t_\t_\n15\tsalted\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n16\taway\t_\tADP\tRB\t_\t15\tcompound:prt\t_\t_\n17\tsuccesses\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\tsalve\t_\tVERB\tVB\t_\t15\tadvcl\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tpain\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n22\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n23\tpast\t_\tADJ\tJJ\t_\t29\tdep\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t29\tcc\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n26\tno\t_\tDET\tDT\t_\t27\tneg\t_\t_\n27\tdoubt\t_\tNOUN\tNN\t_\t29\tdep\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n29\tfuture\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\tdroughts\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tMark\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tMcGwire\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n5\tbig\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n7\tred-haired\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n8\tOakland\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n9\tfirst\t_\tADJ\tRB\t_\t10\tamod\t_\t_\n10\tbaseman\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n12\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tthree\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\thits\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n15\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tfour\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n17\tat\t_\tNOUN\tIN\t_\t18\tcompound\t_\t_\n18\tbats\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n20\ttwo\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\tmore\t_\tADJ\tJJR\t_\t12\tdobj\t_\t_\n22\tthan\t_\tSCONJ\tIN\t_\t25\tmark\t_\t_\n23\the\t_\tPRON\tPRP\t_\t25\tnsubj\t_\t_\n24\t'd\t_\tAUX\tMD\t_\t25\taux\t_\t_\n25\thad\t_\tVERB\tVBD\t_\t21\tadvcl\t_\t_\n26\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n28\tfive-game\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n29\tDodger\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tseries\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n31\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n32\twhich\t_\tPRON\tWDT\t_\t35\tnmod\t_\t_\n33\the\t_\tPRON\tPRP\t_\t35\tnsubj\t_\t_\n34\t'd\t_\tAUX\tMD\t_\t35\taux\t_\t_\n35\tgone\t_\tVERB\tVBN\t_\t30\tacl:relcl\t_\t_\n36\t1-for-17\t_\tNOUN\tJJ\t_\t35\tadvmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tA-men\t_\tNOUN\tJJ\t_\t18\tnsubj\t_\t_\n3\tbatting\t_\tVERB\tNN\t_\t2\tacl\t_\t_\n4\tNos.\t_\tNOUN\tNNP\t_\t3\tdobj\t_\t_\n5\t6\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n6\tthrough\t_\tADP\tIN\t_\t4\tamod\t_\t_\n7\t9\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n9\ta.k.a.\t_\tADJ\tIN\t_\t12\tdep\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n12\tbottom\t_\tNOUN\tNN\t_\t4\tdep\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\torder\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n18\tgot\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\tseven\t_\tNUM\tCD\t_\t18\tdobj\t_\t_\n20\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n21\ttheir\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n22\tteam\t_\tNOUN\tNN\t_\t25\tnmod:poss\t_\t_\n23\t's\t_\tPART\tPOS\t_\t22\tcase\t_\t_\n24\t11\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n25\thits\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n27\tscored\t_\tVERB\tVBD\t_\t18\tconj\t_\t_\n28\tfour\t_\tNUM\tCD\t_\t27\tdobj\t_\t_\n29\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n30\tits\t_\tPRON\tPRP$\t_\t31\tnmod:poss\t_\t_\n31\truns\t_\tNOUN\tNNS\t_\t28\tnmod\t_\t_\n32\tin\t_\tADP\tIN\t_\t35\tcase\t_\t_\n33\ta\t_\tDET\tDT\t_\t35\tdet\t_\t_\n34\t5-0\t_\tNUM\tCD\t_\t35\tnummod\t_\t_\n35\tdecision\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tRight-hander\t_\tADJ\tNN\t_\t3\tamod\t_\t_\n2\tDave\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tStewart\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\theld\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tGiants\t_\tPROPN\tNNPS\t_\t4\tdobj\t_\t_\n7\tto\t_\tADP\tTO\t_\t9\tcase\t_\t_\n8\tfive\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\thits\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\taccount\t_\tVERB\tVB\t_\t4\tadvcl\t_\t_\n12\tfor\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tzero\t_\tNOUN\tCD\t_\t11\tnmod\t_\t_\n15\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tother\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tside\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tSaturday\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tledger\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThat\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n2\the\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n4\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n5\tA\t_\tPROPN\tNN\t_\t8\tcompound\t_\t_\n6\t's\t_\tPROPN\tPOS\t_\t8\tcompound\t_\t_\n7\twinningest\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tpitcher\t_\tNOUN\tNN\t_\t28\tcsubj\t_\t_\n9\tduring\t_\tADP\tIN\t_\t13\tcase\t_\t_\n10\tits\t_\tPRON\tPRP$\t_\t13\tnmod:poss\t_\t_\n11\tAmerican\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n12\tLeague\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tcampaign\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n14\twith\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\t21-9\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\tmark\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tplus\t_\tADP\tCC\t_\t17\tamod\t_\t_\n20\ttwo\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\twins\t_\tNOUN\tNNS\t_\t17\tdep\t_\t_\n22\tover\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tToronto\t_\tPROPN\tNNP\t_\t21\tnmod\t_\t_\n24\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tplayoffs\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n28\tindicates\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n29\the\t_\tPRON\tPRP\t_\t31\tnsubj\t_\t_\n30\tmay\t_\tAUX\tMD\t_\t31\taux\t_\t_\n31\thave\t_\tVERB\tVB\t_\t28\tccomp\t_\t_\n32\tsome\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tevening\t_\tNOUN\tNN\t_\t31\tdobj\t_\t_\n34\tup\t_\tADP\tRP\t_\t33\tdep\t_\t_\n35\tcoming\t_\tVERB\tVBG\t_\t33\tacl\t_\t_\n36\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n37\tbut\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n38\twith\t_\tADP\tIN\t_\t40\tcase\t_\t_\n39\tthe\t_\tDET\tDT\t_\t40\tdet\t_\t_\n40\tway\t_\tNOUN\tNN\t_\t50\tnmod\t_\t_\n41\this\t_\tPRON\tPRP$\t_\t43\tnmod:poss\t_\t_\n42\tsplit-fingered\t_\tADJ\tJJ\t_\t43\tamod\t_\t_\n43\tfastball\t_\tNOUN\tNN\t_\t45\tnsubj\t_\t_\n44\tis\t_\tAUX\tVBZ\t_\t45\taux\t_\t_\n45\tbehaving\t_\tVERB\tVBG\t_\t40\tacl:relcl\t_\t_\n46\t,\t_\tPUNCT\t,\t_\t50\tpunct\t_\t_\n47\tthat\t_\tADP\tWDT\t_\t50\tnsubj\t_\t_\n48\tmight\t_\tAUX\tMD\t_\t50\taux\t_\t_\n49\tnot\t_\tPART\tRB\t_\t50\tneg\t_\t_\n50\tbe\t_\tVERB\tVB\t_\t28\tconj\t_\t_\n51\tthis\t_\tDET\tDT\t_\t52\tdet\t_\t_\n52\tweek\t_\tNOUN\tNN\t_\t50\tnmod:tmod\t_\t_\n53\t.\t_\tPUNCT\t.\t_\t28\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tsame\t_\tADJ\tJJ\t_\t3\tnsubj\t_\t_\n3\tgoes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tMike\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tMoore\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tanother\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tveteran\t_\tNOUN\tNN\t_\t6\tappos\t_\t_\n10\twho\t_\tPRON\tWP\t_\t11\tnsubj\t_\t_\n11\tovercame\t_\tVERB\tVBD\t_\t9\tacl:relcl\t_\t_\n12\tearly\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tstruggles\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tpermit\t_\tVERB\tVB\t_\t11\tadvcl\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tGiants\t_\tPROPN\tNNPS\t_\t15\tiobj\t_\t_\n18\tbut\t_\tADV\tCC\t_\t20\tadvmod\t_\t_\n19\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\trun\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tfour\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n23\thits\t_\tNOUN\tNNS\t_\t20\tconj\t_\t_\n24\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tseven\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n26\tinnings\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n27\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n28\tSunday\t_\tPROPN\tNNP\t_\t30\tnmod:poss\t_\t_\n29\t's\t_\tPART\tPOS\t_\t28\tcase\t_\t_\n30\tcontest\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tEvery\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\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PRP\t_\t29\tnsubj\t_\t_\n28\t's\t_\tVERB\tVBZ\t_\t29\tcop\t_\t_\n29\tpossible\t_\tADJ\tJJ\t_\t16\tdep\t_\t_\n30\t-RRB-\t_\tPUNCT\t-RRB-\t_\t29\tpunct\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n32\tyou\t_\tPRON\tPRP\t_\t34\tnsubj\t_\t_\n33\t'd\t_\tAUX\tMD\t_\t34\taux\t_\t_\n34\tneed\t_\tVERB\tVB\t_\t4\tccomp\t_\t_\n35\tuniformed\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\tpolice\t_\tNOUN\tNNS\t_\t34\tdobj\t_\t_\n37\tin\t_\tADP\tIN\t_\t40\tcase\t_\t_\n38\tevery\t_\tDET\tDT\t_\t40\tdet\t_\t_\n39\tother\t_\tADJ\tJJ\t_\t40\tamod\t_\t_\n40\tseat\t_\tNOUN\tNN\t_\t34\tnmod\t_\t_\n41\tto\t_\tPART\tTO\t_\t42\tmark\t_\t_\n42\tseparate\t_\tVERB\tJJ\t_\t34\tadvcl\t_\t_\n43\topposing\t_\tVERB\tVBG\t_\t44\tamod\t_\t_\n44\tfans\t_\tNOUN\tNNS\t_\t42\tdobj\t_\t_\n45\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n46\tand\t_\tCONJ\tCC\t_\t34\tcc\t_\t_\n47\tonly\t_\tADV\tRB\t_\t49\tadvmod\t_\t_\n48\tthe\t_\tDET\tDT\t_\t49\tdet\t_\t_\n49\tsuicidal\t_\tADJ\tJJ\t_\t51\tnsubj\t_\t_\n50\twould\t_\tAUX\tMD\t_\t51\taux\t_\t_\n51\tbifurcate\t_\tVERB\tVB\t_\t34\tconj\t_\t_\n52\ttheir\t_\tPRON\tPRP$\t_\t53\tnmod:poss\t_\t_\n53\tbonnets\t_\tNOUN\tNNS\t_\t51\tdobj\t_\t_\n54\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tAnyway\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tA\t_\tPROPN\tNN\t_\t5\tcompound\t_\t_\n5\t's\t_\tPROPN\tPOS\t_\t6\tnsubj\t_\t_\n6\tgave\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tyou\t_\tPRON\tPRP\t_\t6\tiobj\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tlot\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\theroes\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\troot\t_\tVERB\tVB\t_\t11\tacl\t_\t_\n14\tfor\t_\tADP\tIN\t_\t13\tadvcl\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\topening\t_\tADJ\tNN\t_\t4\tamod\t_\t_\n4\tgame\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n6\tbesides\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tSteinbach\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tStewart\t_\tPROPN\tNNP\t_\t7\tconj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n11\tthere\t_\tPRON\tEX\t_\t12\texpl\t_\t_\n12\twas\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tWalt\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tWeiss\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n17\ttwiggy-looking\t_\tADJ\tNN\t_\t20\tamod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n19\tsecond-year\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tshortstop\t_\tNOUN\tNN\t_\t14\tappos\t_\t_\n21\twho\t_\tPRON\tWP\t_\t23\tnsubj\t_\t_\n22\thad\t_\tAUX\tVBD\t_\t23\taux\t_\t_\n23\tlost\t_\tVERB\tVBN\t_\t20\tacl:relcl\t_\t_\n24\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tcouple\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tmonths\t_\tNOUN\tNNS\t_\t23\tdobj\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tseason\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n30\tto\t_\tADP\tTO\t_\t32\tcase\t_\t_\n31\tknee\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n32\tsurgery\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t3\tcop\t_\t_\n3\tflawless\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n4\tafield\t_\tADV\tNN\t_\t3\tadvmod\t_\t_\n5\t-LRB-\t_\tPUNCT\t-LRB-\t_\t6\tpunct\t_\t_\n6\tditto\t_\tNOUN\tNN\t_\t3\tdep\t_\t_\n7\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tgame\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\ttwo\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n10\t-RRB-\t_\tPUNCT\t-RRB-\t_\t6\tpunct\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n12\tmoved\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n13\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\trunner\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n15\talong\t_\tADP\tIN\t_\t12\tadvmod\t_\t_\n16\tin\t_\tADP\tIN\t_\t22\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n18\tA\t_\tPROPN\tNN\t_\t22\tcompound\t_\t_\n19\t's\t_\tPROPN\tPOS\t_\t22\tcompound\t_\t_\n20\tthree-run\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n21\tsecond\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tinning\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n25\thomered\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n26\tfor\t_\tADP\tIN\t_\t31\tcase\t_\t_\n27\this\t_\tPRON\tPRP$\t_\t28\tnmod:poss\t_\t_\n28\tteam\t_\tNOUN\tNN\t_\t31\tnmod:poss\t_\t_\n29\t's\t_\tPART\tPOS\t_\t28\tcase\t_\t_\n30\tfinal\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31\ttally\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tSuch\t_\tADJ\tJJ\t_\t2\tdep\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\this\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n4\treputation\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n5\tamong\t_\tADP\tIN\t_\t9\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tEast\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tBay\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tBashers\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n11\twhen\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n12\the\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\thit\t_\tVERB\tVBD\t_\t27\tadvcl\t_\t_\n14\this\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n15\tfirst\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n16\tcareer\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\thome\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\trun\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n19\tlast\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tseason\t_\tNOUN\tNN\t_\t13\tnmod:tmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tfan\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n24\twho\t_\tPRON\tWP\t_\t25\tnsubj\t_\t_\n25\tcaught\t_\tVERB\tVBD\t_\t23\tacl:relcl\t_\t_\n26\tit\t_\tPRON\tPRP\t_\t25\tdobj\t_\t_\n27\tagreed\t_\tVERB\tVBD\t_\t2\tdep\t_\t_\n28\tto\t_\tPART\tTO\t_\t29\tmark\t_\t_\n29\tturn\t_\tVERB\tVB\t_\t27\txcomp\t_\t_\n30\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tball\t_\tNOUN\tNN\t_\t29\tdobj\t_\t_\n32\tover\t_\tADP\tIN\t_\t29\tcompound:prt\t_\t_\n33\tto\t_\tADP\tTO\t_\t34\tcase\t_\t_\n34\thim\t_\tPRON\tPRP\t_\t29\tnmod\t_\t_\n35\tin\t_\tADP\tIN\t_\t36\tcase\t_\t_\n36\treturn\t_\tNOUN\tNN\t_\t29\tnmod\t_\t_\n37\tfor\t_\tADP\tIN\t_\t39\tcase\t_\t_\n38\tan\t_\tDET\tDT\t_\t39\tdet\t_\t_\n39\tautograph\t_\tNOUN\tVBP\t_\t36\tnmod\t_\t_\n40\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNot\t_\tADV\tRB\t_\t3\tneg\t_\t_\n2\this\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tautograph\t_\tNOUN\tVB\t_\t0\troot\t_\t_\n4\t;\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n5\tpower-hitter\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tMcGwire\t_\tNOUN\tNNP\t_\t3\tnmod:poss\t_\t_\n7\t's\t_\tPART\tPOS\t_\t6\tcase\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAn\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tA\t_\tPROPN\tNN\t_\t4\tcompound\t_\t_\n3\t's\t_\tPROPN\tPOS\t_\t4\tcompound\t_\t_\n4\tco-hero\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n5\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tsecond\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tgame\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\twas\t_\tVERB\tVBD\t_\t11\tcop\t_\t_\n10\tRickey\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tHenderson\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\twho\t_\tPRON\tWP\t_\t14\tnsubj\t_\t_\n14\texemplifies\t_\tVERB\tVBZ\t_\t11\tacl:relcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\thot\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tside\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n18\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\thot-cold\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tequation\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsmoked\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tToronto\t_\tPROPN\tNNP\t_\t2\tdobj\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tplayoffs\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n7\twith\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tsix\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\thits\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tseven\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\twalks\t_\tNOUN\tVBZ\t_\t9\tconj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n14\teight\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n15\tstolen\t_\tVERB\tVBN\t_\t16\tamod\t_\t_\n16\tbases\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n17\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\t22\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n19\tat\t_\tADP\tIN\t_\t20\tamod\t_\t_\n20\tbats\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n22\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n23\tcontinued\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n24\tthat\t_\tPRON\tIN\t_\t23\tdobj\t_\t_\n25\tby\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n26\tgoing\t_\tVERB\tVBG\t_\t23\tadvcl\t_\t_\n27\t3-for-3\t_\tADJ\tNN\t_\t26\tadvmod\t_\t_\n28\tat\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tplate\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n31\tSunday\t_\tPROPN\tNNP\t_\t26\tnmod:tmod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t26\tpunct\t_\t_\n33\talong\t_\tADP\tIN\t_\t26\tcc\t_\t_\n34\twith\t_\tADP\tIN\t_\t33\tdep\t_\t_\n35\twalking\t_\tVERB\tNN\t_\t26\tconj\t_\t_\n36\t,\t_\tPUNCT\t,\t_\t35\tpunct\t_\t_\n37\tstealing\t_\tVERB\tVBG\t_\t35\tconj\t_\t_\n38\ta\t_\tDET\tDT\t_\t39\tdet\t_\t_\n39\tbase\t_\tNOUN\tNN\t_\t37\tdobj\t_\t_\n40\tand\t_\tCONJ\tCC\t_\t35\tcc\t_\t_\n41\tscoring\t_\tVERB\tVBG\t_\t35\tconj\t_\t_\n42\ta\t_\tDET\tDT\t_\t43\tdet\t_\t_\n43\trun\t_\tNOUN\tNN\t_\t41\tdobj\t_\t_\n44\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n2\tWhen\t_\tADV\tWRB\t_\t7\tadvmod\t_\t_\n3\tyou\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n4\t're\t_\tVERB\tVBP\t_\t7\tcop\t_\t_\n5\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tgroove\t_\tNOUN\tNN\t_\t10\tadvcl\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\tyou\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\tsee\t_\tVERB\tVBP\t_\t17\tccomp\t_\t_\n11\tevery\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tball\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\ttremendously\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n16\the\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n17\tlectured\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tcold\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tguys\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tset\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\twere\t_\tVERB\tVBD\t_\t9\tcop\t_\t_\n8\tWill\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tClark\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tKevin\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tMitchell\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n14\tMatt\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tWilliams\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tGiants\t_\tPROPN\tNNP\t_\t21\tnmod:poss\t_\t_\n19\t'\t_\tPART\tPOS\t_\t18\tcase\t_\t_\n20\t3-4-5\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\thitters\t_\tNOUN\tNNS\t_\t9\tappos\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tcombined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tfor\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\t25\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\thits\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tsix\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n8\thome\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\truns\t_\tNOUN\tNNS\t_\t5\tconj\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n11\t24\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\truns\t_\tNOUN\tNNS\t_\t5\tconj\t_\t_\n13\tbatted\t_\tVERB\tVBN\t_\t12\tacl\t_\t_\n14\tin\t_\tADP\tIN\t_\t13\tcompound:prt\t_\t_\n15\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tfive\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\tgames\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n19\tagainst\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tCubs\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\twent\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tcollective\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\t5-for-24\t_\tNUM\tNN\t_\t2\tdobj\t_\t_\n6\there\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n8\twith\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tzero\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\thomers\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n12\tribbies\t_\tNOUN\tNNS\t_\t10\tconj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n2\t's\t_\tPART\tVBZ\t_\t5\tdep\t_\t_\n3\tthat\t_\tDET\tIN\t_\t5\tdet\t_\t_\n4\tlast\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tset\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tnumbers\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\tas\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tmuch\t_\tADJ\tRB\t_\t5\tdep\t_\t_\n11\tas\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tanything\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n13\telse\t_\tADV\tRB\t_\t12\tamod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n15\tthat\t_\tPRON\tIN\t_\t16\tnsubj\t_\t_\n16\tgives\t_\tVERB\tVBZ\t_\t5\tdep\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tGiants\t_\tPROPN\tNNP\t_\t16\tiobj\t_\t_\n19\thope\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n20\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n22\tSeries\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tgames\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n24\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n25\tcome\t_\tVERB\tVB\t_\t23\tacl\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tbelieve\t_\tVERB\tVBP\t_\t11\tccomp\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tlaw\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\taverages\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n11\tdeclared\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tSan\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n13\tFrancisco\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n14\tbatting\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n15\tcoach\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n16\tDusty\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tBaker\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n18\tafter\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tgame\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n20\ttwo\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t'd\t_\tAUX\tMD\t_\t5\taux\t_\t_\n4\trather\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tsee\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tso-so\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\thitter\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n9\twho\t_\tPRON\tWP\t_\t11\tnsubj\t_\t_\n10\t's\t_\tVERB\tVBZ\t_\t11\tcop\t_\t_\n11\thot\t_\tADJ\tJJ\t_\t8\tacl:relcl\t_\t_\n12\tcome\t_\tVERB\tVBN\t_\t5\tccomp\t_\t_\n13\tup\t_\tADP\tRP\t_\t12\tcompound:prt\t_\t_\n14\tfor\t_\tADP\t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unct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t7\tcase\t_\t_\n2\tNew\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n3\tYork\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n4\tStock\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n5\tExchange\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tcomposite\t_\tNOUN\tJJ\t_\t7\tcompound\t_\t_\n7\ttrading\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n8\tyesterday\t_\tNOUN\tNN\t_\t12\tnmod:tmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\tNCR\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tshares\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n12\tfell\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\t75\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\tcents\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\tclose\t_\tVERB\tVB\t_\t12\tadvcl\t_\t_\n17\tat\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\t$\t_\tSYM\t$\t_\t19\tdep\t_\t_\n19\t57\t_\tNUM\tCD\t_\t16\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tConcerning\t_\tVERB\tVBG\t_\t20\tdep\t_\t_\n2\tyour\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n3\tSept.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\t19\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\tarticle\t_\tNOUN\tNN\t_\t1\tdobj\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n7\tWall\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tStreet\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tFirms\t_\tPROPN\tNNPS\t_\t10\tnsubj\t_\t_\n10\tLink\t_\tVERB\tNNP\t_\t5\tdep\t_\t_\n11\tAnalysts\t_\tPROPN\tNNS\t_\t13\tnmod:poss\t_\t_\n12\t'\t_\tPART\tPOS\t_\t11\tcase\t_\t_\n13\tPay\t_\tNOUN\tVB\t_\t10\tdobj\t_\t_\n14\tto\t_\tADP\tTO\t_\t15\tcase\t_\t_\n15\tPerformance\t_\tNOUN\tNNP\t_\t10\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n18\tI\t_\tPRON\tPRP\t_\t20\tnsubjpass\t_\t_\n19\t'm\t_\tVERB\tVBP\t_\t20\tauxpass\t_\t_\n20\tdelighted\t_\tVERB\tJJ\t_\t0\troot\t_\t_\n21\tthat\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n22\tWall\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tStreet\t_\tPROPN\tNNP\t_\t26\tnsubj\t_\t_\n24\tis\t_\tAUX\tVBZ\t_\t26\taux\t_\t_\n25\tfinally\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\ttuning\t_\tVERB\tNN\t_\t20\tccomp\t_\t_\n27\tin\t_\tADP\tIN\t_\t26\tcompound:prt\t_\t_\n28\tto\t_\tADP\tTO\t_\t33\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n30\thard\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t33\tpunct\t_\t_\n32\tcold\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n33\tfacts\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n34\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n35\tthe\t_\tDET\tDT\t_\t38\tdet\t_\t_\n36\treal\t_\tADJ\tJJ\t_\t38\tamod\t_\t_\n37\tworking\t_\tNOUN\tJJ\t_\t38\tcompound\t_\t_\n38\tworld\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\tIf\t_\tSCONJ\tIN\t_\t5\tmark\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tfirms\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n4\tare\t_\tVERB\tVBP\t_\t5\tcop\t_\t_\n5\tserious\t_\tADJ\tJJ\t_\t10\tdep\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n7\thowever\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\twhy\t_\tADV\tWRB\t_\t10\tadvmod\t_\t_\n10\tlimit\t_\tVERB\tNN\t_\t0\troot\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tpractice\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n15\tpoor\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n17\tmaligned\t_\tVERB\tJJ\t_\t18\tamod\t_\t_\n18\tanalysts\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n19\twhose\t_\tPRON\tWP$\t_\t20\tnmod:poss\t_\t_\n20\tability\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\tsee\t_\tVERB\tVB\t_\t20\tdep\t_\t_\n23\tinto\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tfuture\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n26\tis\t_\tVERB\tVBZ\t_\t27\tcop\t_\t_\n27\tfragile\t_\tADJ\tJJ\t_\t18\tacl:relcl\t_\t_\n28\tat\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tbest\t_\tADV\tJJS\t_\t27\tnmod\t_\t_\n30\t?\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tWhy\t_\tADV\tWRB\t_\t2\tadvmod\t_\t_\n2\tnot\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\textend\t_\tVERB\tVB\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tsame\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tharsh\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tstandards\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n8\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tsales\t_\tNOUN\tNNS\t_\t11\tcompound\t_\t_\n11\tforce\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n14\tpay\t_\tVERB\tNN\t_\t3\tconj\t_\t_\n15\tbrokers\t_\tNOUN\tNNS\t_\t14\tiobj\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tbase\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tsalary\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n19\twith\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tannual\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tbonus\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n22\tbased\t_\tVERB\tVBN\t_\t21\tacl\t_\t_\n23\ton\t_\tSCONJ\tIN\t_\t28\tmark\t_\t_\n24\thow\t_\tADV\tWRB\t_\t25\tadvmod\t_\t_\n25\tmuch\t_\tADJ\tJJ\t_\t26\tadvmod\t_\t_\n26\tmoney\t_\tNOUN\tNN\t_\t28\tdobj\t_\t_\n27\tthey\t_\tPRON\tPRP\t_\t28\tnsubj\t_\t_\n28\tmade\t_\tVERB\tVBD\t_\t22\tadvcl\t_\t_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_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n36\t100\t_\tNUM\tCD\t_\t38\tnummod\t_\t_\n37\tShare\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n38\tIndex\t_\tPROPN\tNNP\t_\t30\tdep\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\tRed\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tfigures\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n3\ton\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tscreens\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\tindicated\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tfalling\t_\tVERB\tVBG\t_\t8\tamod\t_\t_\n8\tstocks\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n9\t;\t_\tPUNCT\t:\t_\t6\tpunct\t_\t_\n10\tblue\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tfigures\t_\tNOUN\tNNS\t_\t14\tdep\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n13\trising\t_\tVERB\tVBG\t_\t14\tamod\t_\t_\n14\tstocks\t_\tNOUN\tNNS\t_\t6\tparataxis\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tRight\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n2\taway\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\treds\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n6\toutnumbered\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tblues\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n10\t80\t_\tNUM\tCD\t_\t12\tdep\t_\t_\n11\tto\t_\tADP\tTO\t_\t12\tdep\t_\t_\n12\t20\t_\tNUM\tCD\t_\t6\tadvmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n14\tas\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tindex\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n17\topened\t_\tVERB\tVBD\t_\t6\tadvcl\t_\t_\n18\tat\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\t2076.8\t_\tNUM\tCD\t_\t17\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n21\toff\t_\tADP\tRB\t_\t23\tcase\t_\t_\n22\t157.1\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n23\tpoints\t_\tNOUN\tNNS\t_\t17\tadvmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n25\tor\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n26\t7\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n27\t%\t_\tSYM\tNN\t_\t23\tconj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tsee\t_\tVERB\tVBP\t_\t15\tccomp\t_\t_\n4\tconcern\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n6\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n7\tI\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n8\tdo\t_\tAUX\tVBP\t_\t10\taux\t_\t_\n9\tn't\t_\tPART\tRB\t_\t10\tneg\t_\t_\n10\tsee\t_\tVERB\tVB\t_\t3\tconj\t_\t_\n11\tany\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tpanic\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\tMr.\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tPalamara\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\ta\t_\tDET\tDT\t_\t25\tdet\t_\t_\n20\tbig\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n22\tgood-humored\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n23\tNew\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n24\tYork\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tnative\t_\tNOUN\tNN\t_\t17\tappos\t_\t_\n26\twho\t_\tPRON\tWP\t_\t27\tnsubj\t_\t_\n27\truns\t_\tVERB\tVBZ\t_\t25\tacl:relcl\t_\t_\n28\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\t15-trader\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\toffice\t_\tNOUN\tNN\t_\t27\tdobj\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tJefferies\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\toffice\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tbranch\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n7\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n9\tLos\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tAngeles-based\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tfirm\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n13\tplayed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tit\t_\tPRON\tPRP\t_\t13\tdobj\t_\t_\n15\tconservatively\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n17\tseeking\t_\tVERB\tVBG\t_\t13\tadvcl\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\tavoid\t_\tVERB\tVB\t_\t17\txcomp\t_\t_\n20\trisk\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t6\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n4\tnot\t_\tPART\tRB\t_\t6\tneg\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tsort\t_\tNOUN\tNN\t_\t17\tccomp\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tmarket\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\thave\t_\tVERB\tVB\t_\t6\tacl\t_\t_\n11\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tbig\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tposition\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n14\tin\t_\tADP\tIN\t_\t10\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n17\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n18\tDavid\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tSmith\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_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tbut\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tindex\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n15\thad\t_\tAUX\tVBD\t_\t16\taux\t_\t_\n16\trecovered\t_\tVERB\tVBN\t_\t10\tconj\t_\t_\n17\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tfew\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tpoints\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n21\twas\t_\tVERB\tVBD\t_\t16\tconj\t_\t_\n22\toff\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n23\tabout\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n24\t140\t_\tNUM\tCD\t_\t22\tnmod:npmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tBecause\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n3\tTokyo\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n4\tdid\t_\tAUX\tVBD\t_\t6\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n6\tcollapse\t_\tVERB\tNN\t_\t8\tadvcl\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n8\tlet\t_\tVERB\tVB\t_\t19\tccomp\t_\t_\n9\t's\t_\tPART\tPOS\t_\t10\tnsubj\t_\t_\n10\tpick\t_\tVERB\tVB\t_\t8\tccomp\t_\t_\n11\tup\t_\tADP\tRP\t_\t10\tcompound:prt\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tlittle\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tstock\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n17\tMr.\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tSmith\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n19\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\ttargeted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\t7,500\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tshares\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n5\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tReuters\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n8\tpunched\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n9\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tbutton\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n12\tcall\t_\tVERB\tVB\t_\t8\tadvcl\t_\t_\n13\tup\t_\tADP\tRP\t_\t12\tcompound:prt\t_\t_\n14\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\this\t_\tPRON\tPRP$\t_\t16\tnmod:poss\t_\t_\n16\tscreen\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n17\tother\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tdealers\t_\tNOUN\tNNS\t_\t21\tnmod:poss\t_\t_\n19\t'\t_\tPART\tPOS\t_\t18\tcase\t_\t_\n20\tprice\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tquotes\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tvivid\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n3\tyellow\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tfigures\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tshowed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tbest\t_\tADJ\tJJS\t_\t8\tamod\t_\t_\n8\tprice\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tat\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\t845\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tpence\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\t-LRB-\t_\tPUNCT\t-LRB-\t_\t15\tpunct\t_\t_\n14\t$\t_\tSYM\t$\t_\t15\tdep\t_\t_\n15\t13.27\t_\tNUM\tCD\t_\t11\tappos\t_\t_\n16\t-RRB-\t_\tPUNCT\t-RRB-\t_\t15\tpunct\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n18\tMr.\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tSmith\t_\tPROPN\tNNP\t_\t21\tnmod:poss\t_\t_\n20\t's\t_\tPART\tPOS\t_\t19\tcase\t_\t_\n21\ttraders\t_\tNOUN\tNNS\t_\t22\tnsubj\t_\t_\n22\tstarted\t_\tVERB\tVBD\t_\t5\tconj\t_\t_\n23\tputting\t_\tVERB\tVBG\t_\t22\txcomp\t_\t_\n24\tout\t_\tADP\tRP\t_\t23\tcompound:prt\t_\t_\n25\tfeelers\t_\tNOUN\tNNS\t_\t23\tdobj\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tmarket\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tsensed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tserious\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tbuyer\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n8\ton\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tday\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\tdominated\t_\tVERB\tVBN\t_\t10\tacl\t_\t_\n12\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tselling\t_\tNOUN\tVBG\t_\t11\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tquotes\t_\tNOUN\tNNS\t_\t19\tnsubj\t_\t_\n18\timmediately\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\tjumped\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n20\tto\t_\tADP\tTO\t_\t22\tcase\t_\t_\n21\t850\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n22\tpence\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t22\tpunct\t_\t_\n2\tWhen\t_\tADV\tWRB\t_\t4\tadvmod\t_\t_\n3\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\twant\t_\tVERB\tVBP\t_\t9\tadvcl\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tbuy\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\tthey\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\trun\t_\tVERB\tVBP\t_\t22\tccomp\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tyou\t_\tPRON\tPRP\t_\t9\tnmod\t_\t_\n12\t--\t_\tPUNCT\t:\t_\t9\tpunct\t_\t_\n13\tthey\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n14\tkeep\t_\tVERB\tVBP\t_\t9\tparataxis\t_\t_\n15\tchanging\t_\tVERB\tVBG\t_\t14\txcomp\t_\t_\n16\ttheir\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n17\tprices\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t22\tpunct\t_\t_\n20\tMr.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tSmith\t_\tPROPN\tNNP\t_\t22\tnsubj\t_\t_\n22\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n4\tvery\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tfrustrating\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\ttemporarily\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tabandoned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\this\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n5\tsearch\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tReuters\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tshares\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tBy\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthis\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\ttime\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n7\t4:30\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\ta.m.\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tNew\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tYork\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n14\tMr.\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tSmith\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n16\tfielded\t_\tVERB\tVBD\t_\t8\tconj\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tcall\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tfrom\t_\tADP\tIN\t_\t23\tcase\t_\t_\n20\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n21\tNew\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n22\tYork\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tcustomer\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n24\twanting\t_\tVERB\tVBG\t_\t23\tacl\t_\t_\n25\tan\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\topinion\t_\tNOUN\tNN\t_\t24\tdobj\t_\t_\n27\ton\t_\tADP\tIN\t_\t31\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n29\tBritish\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n30\tstock\t_\tNOUN\tNN\t_\t31\tcompound\t_\t_\n31\tmarket\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\twhich\t_\tPRON\tWDT\t_\t36\tnsubj\t_\t_\n34\thad\t_\tAUX\tVBD\t_\t36\taux\t_\t_\n35\tbeen\t_\tAUX\tVBN\t_\t36\taux\t_\t_\n36\thaving\t_\tVERB\tVBG\t_\t31\tacl:relcl\t_\t_\n37\ttroubles\t_\tNOUN\tNNS\t_\t36\tdobj\t_\t_\n38\tof\t_\tADP\tIN\t_\t40\tcase\t_\t_\n39\tits\t_\tPRON\tPRP$\t_\t40\tnmod:poss\t_\t_\n40\town\t_\tADJ\tJJ\t_\t37\tnmod\t_\t_\n41\teven\t_\tADV\tRB\t_\t48\tadvmod\t_\t_\n42\tbefore\t_\tADP\tIN\t_\t48\tcase\t_\t_\n43\tFriday\t_\tPROPN\tNNP\t_\t48\tnmod:poss\t_\t_\n44\t's\t_\tPART\tPOS\t_\t43\tcase\t_\t_\n45\tNew\t_\tPROPN\tNNP\t_\t48\tcompound\t_\t_\n46\tYork\t_\tPROPN\tNNP\t_\t48\tcompound\t_\t_\n47\tmarket\t_\tNOUN\tNN\t_\t48\tcompound\t_\t_\n48\tbreak\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n49\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tFundamentally\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tdangerous\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n4\t...\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n6\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n7\tMr.\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tSmith\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n9\tsaid\t_\tVERB\tVBD\t_\t3\tdep\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\talmost\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\twhisper\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n17\t...\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n19\tfundamentally\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n20\tweak\t_\tADJ\tJJ\t_\t3\tdep\t_\t_\n21\t...\t_\tPUNCT\t:\t_\t20\tpunct\t_\t_\n22\tfairly\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n23\tvulnerable\t_\tADJ\tJJ\t_\t20\tdep\t_\t_\n24\tstill\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n25\t...\t_\tPUNCT\t:\t_\t20\tpunct\t_\t_\n26\textremely\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n27\tdangerously\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n28\tpoised\t_\tVERB\tVBN\t_\t20\tdep\t_\t_\n29\t...\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\twe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n2\t're\t_\tVERB\tVBP\t_\t6\tcop\t_\t_\n3\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tlot\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tturbulence\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\t...\t_\tPUNCT\t:\t_\t6\tpunct\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t3\tcop\t_\t_\n3\tright\t_\tADJ\tRB\t_\t0\troot\t_\t_\n4\t.\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ase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tTrump\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tbid\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n15\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tAMR\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n17\tis\t_\tVERB\tVBZ\t_\t19\tcop\t_\t_\n18\tn't\t_\tPART\tRB\t_\t19\tneg\t_\t_\n19\tlikely\t_\tADJ\tJJ\t_\t8\tccomp\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tdeflate\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\tefforts\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\tpush\t_\tVERB\tVB\t_\t22\tacl\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tlegislation\t_\tNOUN\tNN\t_\t24\tdobj\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n4\tstill\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n5\ton\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tfast\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\ttrack\t_\tNOUN\tNN\t_\t18\tccomp\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\twe\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n11\tstill\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\twant\t_\tVERB\tVBP\t_\t8\tconj\t_\t_\n13\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n14\tdo\t_\tVERB\tVB\t_\t12\txcomp\t_\t_\n15\tit\t_\tPRON\tPRP\t_\t14\tdobj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n18\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\tone\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n20\tSenate\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\taide\t_\tNOUN\tNN\t_\t18\tnsubj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tbill\t_\tNOUN\tNN\t_\t4\tnsubjpass\t_\t_\n3\tis\t_\tAUX\tVBZ\t_\t4\tauxpass\t_\t_\n4\taimed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tat\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n6\taddressing\t_\tVERB\tVBG\t_\t4\tadvcl\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tconcern\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tthat\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n10\tan\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tairline\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n12\tmight\t_\tAUX\tMD\t_\t13\taux\t_\t_\n13\tsacrifice\t_\tVERB\tVB\t_\t8\tccomp\t_\t_\n14\tcostly\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tsafety\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tmeasures\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n17\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n18\tpay\t_\tVERB\tVB\t_\t13\tadvcl\t_\t_\n19\toff\t_\tADP\tRP\t_\t18\tcompound:prt\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tdebt\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n22\tincurred\t_\tVERB\tVBN\t_\t21\tacl\t_\t_\n23\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tleveraged\t_\tVERB\tJJ\t_\t26\tamod\t_\t_\n26\tbuy-out\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tCurrently\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\ttransportation\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tsecretary\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\tdoes\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n8\thave\t_\tVERB\tVB\t_\t0\troot\t_\t_\n9\tclearly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\testablished\t_\tVERB\tVBN\t_\t11\tamod\t_\t_\n11\tauthority\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n13\tblock\t_\tNOUN\tVB\t_\t14\tcompound\t_\t_\n14\tmergers\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n16\tbut\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n17\tcan\t_\tAUX\tMD\t_\t18\taux\t_\t_\n18\ttake\t_\tVERB\tVB\t_\t8\tconj\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tdrastic\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tstep\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n22\tof\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n23\trevoking\t_\tVERB\tVBG\t_\t21\tacl\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\toperating\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tcertificate\t_\tNOUN\tNN\t_\t23\tdobj\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tany\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tcarrier\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n30\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tofficial\t_\tNOUN\tNN\t_\t32\tnsubj\t_\t_\n32\tconsiders\t_\tVERB\tVBZ\t_\t29\tacl:relcl\t_\t_\n33\tunfit\t_\tADJ\tJJ\t_\t32\txcomp\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tSupporters\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n2\tof\t_\tADP\tIN\t_\t4\tcase\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tlegislation\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n5\tview\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tbill\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n8\tas\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tan\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\teffort\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n11\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n12\tadd\t_\tVERB\tVB\t_\t10\tdep\t_\t_\n13\tstability\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tcertainty\t_\tNOUN\tNN\t_\t13\tconj\t_\t_\n16\tto\t_\tADP\tTO\t_\t19\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tairline-acquisition\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tprocess\t_\tNOUN\tNN\t_\t12\tnmod\t_\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.\t_\t16\tpunct\t_\t_\n\n1\tDPC\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tholds\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n4\t7.8\t_\tNUM\tCD\t_\t5\tcompound\t_\t_\n5\t%\t_\tSYM\tNN\t_\t6\tamod\t_\t_\n6\tstake\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n7\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tDataproducts\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n10\tmade\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n11\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\t$\t_\tSYM\t$\t_\t14\tamod\t_\t_\n13\t15-a-share\t_\tADJ\tJJ\t_\t12\tdep\t_\t_\n14\tbid\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n15\tfor\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tcompany\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n18\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tMay\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n21\tbut\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n22\tDataproducts\t_\tPROPN\tNNPS\t_\t23\tcompound\t_\t_\n23\tmanagement\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n24\tconsidered\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n25\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n26\t$\t_\tSYM\t$\t_\t29\tamod\t_\t_\n27\t283.7\t_\tNUM\tCD\t_\t28\tcompound\t_\t_\n28\tmillion\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n29\tproposal\t_\tNOUN\tNN\t_\t30\tnsubj\t_\t_\n30\tunacceptable\t_\tADJ\tJJ\t_\t24\txcomp\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tDPC\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tspokesman\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tdeclined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\telaborate\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\ton\t_\tADP\tIN\t_\t12\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tgroup\t_\tNOUN\tNN\t_\t12\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tnew\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tplan\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t6\tcase\t_\t_\n2\tAmerican\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n3\tStock\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n4\tExchange\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n5\tcomposite\t_\tNOUN\tJJ\t_\t6\tcompound\t_\t_\n6\ttrading\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n7\tyesterday\t_\tNOUN\tNN\t_\t11\tnmod:tmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\tDataproducts\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tshares\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n11\tjumped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\t62.5\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\tcents\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tclose\t_\tVERB\tVB\t_\t11\tadvcl\t_\t_\n16\tat\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\t$\t_\tSYM\t$\t_\t18\tdep\t_\t_\n18\t9.375\t_\tNUM\tCD\t_\t15\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tDataproducts\t_\tPROPN\tNNPS\t_\t13\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\twhich\t_\tPRON\tWDT\t_\t6\tnsubj\t_\t_\n4\thad\t_\tAUX\tVBD\t_\t6\taux\t_\t_\n5\tbeen\t_\tAUX\tVBN\t_\t6\taux\t_\t_\n6\tseeking\t_\tVERB\tVBG\t_\t1\tacl:relcl\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tbuyer\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tseveral\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tmonths\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n13\tannounced\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\trestructuring\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tplan\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n17\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tSeptember\t_\tPROPN\tNNP\t_\t13\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n20\ttook\t_\tVERB\tVBD\t_\t13\tconj\t_\t_\n21\titself\t_\tPRON\tPRP\t_\t20\tdobj\t_\t_\n22\toff\t_\tADP\tRP\t_\t25\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tauction\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tblock\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t4\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\trestructuring\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\tincludes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\tplans\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tsplit\t_\tVERB\tVB\t_\t6\tdep\t_\t_\n9\tinto\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthree\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tsectors\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n13\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n14\tphase\t_\tNOUN\tVB\t_\t8\tconj\t_\t_\n15\tout\t_\tADP\tRP\t_\t14\tcompound:prt\t_\t_\n16\tdomestic\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n17\tprinter\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n18\tmanufacturing\t_\tVERB\tNN\t_\t19\tamod\t_\t_\n19\toperations\t_\tNOUN\tNNS\t_\t14\tdobj\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\tsell\t_\tVERB\tVB\t_\t8\tconj\t_\t_\n23\tits\t_\tPRON\tPRP$\t_\t26\tnmod:poss\t_\t_\n24\tNew\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n25\tEngland\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tsubsidiary\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t5\tpunct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_\n8\t203.56\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\tpoints\t_\tNOUN\tNNS\t_\t7\tnmod:npmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tBy\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tcomparison\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n4\ttwo\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\tyears\t_\tNOUN\tNNS\t_\t6\tnmod:npmod\t_\t_\n6\tago\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n7\ton\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tBlack\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tMonday\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tnew\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tindex\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n14\twould\t_\tAUX\tMD\t_\t16\taux\t_\t_\n15\thave\t_\tAUX\tVB\t_\t16\taux\t_\t_\n16\tdropped\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n17\t9.4\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\t%\t_\tSYM\tNN\t_\t16\tdobj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n20\taccording\t_\tVERB\tVBG\t_\t23\tcase\t_\t_\n21\tto\t_\tADP\tTO\t_\t20\tmwe\t_\t_\n22\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tprojection\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n24\tby\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\texchange\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tInvestors\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n2\tmay\t_\tAUX\tMD\t_\t4\taux\t_\t_\n3\thave\t_\tAUX\tVB\t_\t4\taux\t_\t_\n4\treacted\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tso\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tstrongly\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n7\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n8\tFriday\t_\tPROPN\tNNP\t_\t13\tnmod:poss\t_\t_\n9\t's\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\tU.S.\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n11\tstock\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n12\tmarket\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tloss\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n14\tbecause\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n15\tthey\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\thad\t_\tVERB\tVBD\t_\t4\tadvcl\t_\t_\n17\tvivid\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tmemories\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n19\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tFrankfurt\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\texchange\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\t's\t_\tPART\tPOS\t_\t22\tcase\t_\t_\n24\tlosing\t_\tVERB\tVBG\t_\t22\tdep\t_\t_\n25\t35\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n26\t%\t_\tSYM\tNN\t_\t24\tdobj\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tits\t_\tPRON\tPRP$\t_\t29\tnmod:poss\t_\t_\n29\tvalue\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n30\tin\t_\tADP\tIN\t_\t33\tcase\t_\t_\n31\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n32\t1987\t_\tNUM\tCD\t_\t33\tnummod\t_\t_\n33\tcrash\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n34\tand\t_\tCONJ\tCC\t_\t33\tcc\t_\t_\n35\tits\t_\tPRON\tPRP$\t_\t36\tnmod:poss\t_\t_\n36\twake\t_\tNOUN\tNN\t_\t33\tconj\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThis\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\ttime\t_\tNOUN\tNN\t_\t12\tnmod:tmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n4\thowever\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n6\tmany\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tsmall\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tinvestors\t_\tNOUN\tNNS\t_\t12\tnsubjpass\t_\t_\n9\tmay\t_\tAUX\tMD\t_\t12\taux\t_\t_\n10\thave\t_\tAUX\tVB\t_\t12\taux\t_\t_\n11\tbeen\t_\tAUX\tVBN\t_\t12\tauxpass\t_\t_\n12\thurt\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n13\tby\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n14\tacting\t_\tVERB\tVBG\t_\t12\tadvcl\t_\t_\n15\tso\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tswiftly\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n2\tThey\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tall\t_\tDET\tDT\t_\t2\tdet\t_\t_\n4\twent\t_\tVERB\tVBD\t_\t11\tccomp\t_\t_\n5\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\twrong\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tdirection\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tAndreas\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tInsam\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\tan\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tinvestment\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tadviser\t_\tNOUN\tNN\t_\t13\tappos\t_\t_\n18\tfor\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tBank\t_\tPROPN\tNNP\t_\t17\tnmod\t_\t_\n21\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n22\tLiechtenstein\t_\tPROPN\tNNP\t_\t25\tnmod:poss\t_\t_\n23\t's\t_\tPART\tPOS\t_\t22\tcase\t_\t_\n24\tFrankfurt\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tbranch\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\the\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\ttold\t_\tVERB\tVBD\t_\t2\tccomp\t_\t_\n5\tclients\t_\tNOUN\tNNS\t_\t4\tdobj\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tbuy\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n8\tselected\t_\tVERB\tVBN\t_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_\t_\n23\tperiod\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIncome\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n2\tfrom\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tsources\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n4\tother\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n5\tthan\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tinterest\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\tclimbed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\t12\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\t%\t_\tSYM\tNN\t_\t7\tdobj\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t7\tnmod\t_\t_\n12\t414\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tmillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n15\treflecting\t_\tVERB\tVBG\t_\t7\tadvcl\t_\t_\n16\thigher\t_\tADJ\tJJR\t_\t20\tamod\t_\t_\n17\tcorporate-finance\t_\tNOUN\tJJ\t_\t20\tcompound\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\tother\t_\tADJ\tJJ\t_\t17\tconj\t_\t_\n20\tfees\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tgains\t_\tNOUN\tNNS\t_\t20\tconj\t_\t_\n23\ton\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tsales\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n25\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tinvestment\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tsecurities\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tThese\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tincreases\t_\tNOUN\tNNS\t_\t6\tnsubjpass\t_\t_\n4\twere\t_\tAUX\tVBD\t_\t6\tauxpass\t_\t_\n5\tpartly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\toffset\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n7\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n8\tlower\t_\tADJ\tJJR\t_\t11\tamod\t_\t_\n9\ttrading-related\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n11\tincome\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tbank\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tNon-interest\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\texpenses\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tgrew\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\t16\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\t%\t_\tSYM\tNN\t_\t3\tdobj\t_\t_\n6\tto\t_\tADP\tTO\t_\t7\tcase\t_\t_\n7\t$\t_\tSYM\t$\t_\t3\tnmod\t_\t_\n8\t496\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\tmillion\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tNCNB\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCorp\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNCNB\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCorp.\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\tnet\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tincome\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\tmore\t_\tADV\tRBR\t_\t8\tadvmod\t_\t_\n7\tthan\t_\tADP\tIN\t_\t6\tcase\t_\t_\n8\tdoubled\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tperiod\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n13\tlargely\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n14\tbecause\t_\tADP\tIN\t_\t18\tcase\t_\t_\n15\tof\t_\tADP\tIN\t_\t14\tmwe\t_\t_\n16\tcontinued\t_\tVERB\tVBN\t_\t18\tamod\t_\t_\n17\tstrong\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tperformance\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n19\tby\t_\tADP\tIN\t_\t24\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tbank\t_\tNOUN\tNN\t_\t24\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tTexas\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\toperations\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n2\tCharlotte\t_\tPROPN\tNNP\t_\t6\tdep\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tN.C.\t_\tPROPN\tNNP\t_\t2\tdep\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n6\tcompany\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tearnings\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n9\trose\t_\tVERB\tVBD\t_\t7\tccomp\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t9\tnmod\t_\t_\n12\t143.6\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tmillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n15\tor\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n16\t$\t_\tSYM\t$\t_\t17\tdep\t_\t_\n17\t1.45\t_\tNUM\tCD\t_\t11\tconj\t_\t_\n18\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tshare\t_\tNOUN\tNN\t_\t17\tnmod:npmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n21\tfrom\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\t$\t_\tSYM\t$\t_\t9\tnmod\t_\t_\n23\t58.9\t_\tNUM\tCD\t_\t24\tcompound\t_\t_\n24\tmillion\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n26\tor\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n27\t69\t_\tNUM\tCD\t_\t28\tnummod\t_\t_\n28\tcents\t_\tNOUN\tNNS\t_\t22\tconj\t_\t_\n29\ta\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tshare\t_\tNOUN\tNN\t_\t28\tnmod:npmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n32\ta\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tyear\t_\tNOUN\tNN\t_\t34\tnmod:npmod\t_\t_\n34\tearlier\t_\tADV\tRBR\t_\t22\tadvmod\t_\t_\n35\t.\t_\tPUNC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ina\t_\tNOUN\tNNP\t_\t21\tnsubj\t_\t_\n18\twould\t_\tAUX\tMD\t_\t21\taux\t_\t_\n19\tbe\t_\tVERB\tVB\t_\t21\tcop\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tcenter\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n22\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n23\ttoday\t_\tNOUN\tNN\t_\t26\tnmod:poss\t_\t_\n24\t's\t_\tPART\tPOS\t_\t23\tcase\t_\t_\n25\tglobal\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\teconomy\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\tBSN\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCorp.\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\twill\t_\tAUX\tMD\t_\t6\taux\t_\t_\n6\tbegin\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n7\tan\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\toffer\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\ttomorrow\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\texchange\t_\tVERB\tVB\t_\t6\tadvcl\t_\t_\n12\tup\t_\tADP\tRP\t_\t15\tdep\t_\t_\n13\tto\t_\tADP\tTO\t_\t12\tmwe\t_\t_\n14\tone\t_\tNUM\tCD\t_\t15\tcompound\t_\t_\n15\tmillion\t_\tNUM\tCD\t_\t11\tdobj\t_\t_\n16\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tits\t_\tPRON\tPRP$\t_\t19\tnmod:poss\t_\t_\n18\tcommon\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tshares\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n21\tall\t_\tDET\tDT\t_\t15\tconj\t_\t_\n22\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tits\t_\tPRON\tPRP$\t_\t24\tnmod:poss\t_\t_\n24\t$\t_\tSYM\t$\t_\t21\tnmod\t_\t_\n25\t16.6\t_\tNUM\tCD\t_\t26\tcompound\t_\t_\n26\tmillion\t_\tNUM\tCD\t_\t24\tnummod\t_\t_\n27\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n28\t7\t_\tNUM\tCD\t_\t29\tcompound\t_\t_\n29\t3/4\t_\tNUM\tCD\t_\t30\tdep\t_\t_\n30\t%\t_\tSYM\tNN\t_\t32\tdep\t_\t_\n31\tconvertible\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tdebentures\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n33\tdue\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n34\t2001\t_\tNUM\tCD\t_\t33\tnmod:tmod\t_\t_\n35\tfor\t_\tADP\tIN\t_\t37\tcase\t_\t_\n36\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tpackage\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n38\tof\t_\tADP\tIN\t_\t40\tcase\t_\t_\n39\tnew\t_\tADJ\tJJ\t_\t40\tamod\t_\t_\n40\tdebt\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n41\tand\t_\tCONJ\tCC\t_\t40\tcc\t_\t_\n42\tcommon\t_\tADJ\tJJ\t_\t44\tamod\t_\t_\n43\tstock\t_\tNOUN\tNN\t_\t44\tcompound\t_\t_\n44\twarrants\t_\tNOUN\tNNS\t_\t40\tconj\t_\t_\n45\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tUnder\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tterms\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\toffer\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n7\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\tsporting\t_\tNOUN\tVBG\t_\t10\tcompound\t_\t_\n9\tgoods\t_\tNOUN\tNNS\t_\t10\tcompound\t_\t_\n10\tmaker\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n11\twill\t_\tAUX\tMD\t_\t12\taux\t_\t_\n12\tswap\t_\tVERB\tVB\t_\t0\troot\t_\t_\n13\t$\t_\tSYM\t$\t_\t16\tamod\t_\t_\n14\t9\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n15\tface\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tamount\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n17\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n18\t9\t_\tNUM\tCD\t_\t19\tcompound\t_\t_\n19\t1/4\t_\tNUM\tCD\t_\t20\tdep\t_\t_\n20\t%\t_\tSYM\tNN\t_\t22\tdep\t_\t_\n21\tsubordinated\t_\tVERB\tVBN\t_\t22\tamod\t_\t_\n22\tnotes\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n23\tdue\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n24\t1996\t_\tNUM\tCD\t_\t23\tnmod:tmod\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n26\tone\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n27\twarrant\t_\tNOUN\tNN\t_\t16\tconj\t_\t_\n28\tfor\t_\tADP\tIN\t_\t31\tcase\t_\t_\n29\teach\t_\tDET\tDT\t_\t31\tdet\t_\t_\n30\tcommon\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31\tshare\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tEach\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\twarrant\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tallows\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tholder\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tbuy\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n8\tone\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n9\tBSN\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tshare\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n11\tfor\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\t$\t_\tSYM\t$\t_\t13\tdep\t_\t_\n13\t10.75\t_\tNUM\tCD\t_\t7\tnmod\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tshare\t_\tNOUN\tNN\t_\t13\tnmod:npmod\t_\t_\n16\tat\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tany\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\ttime\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n19\tover\t_\tADP\tIN\t_\t23\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n21\tnext\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\tseven\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n23\tyears\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tBSN\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n2\tcurrently\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\thas\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\t4.6\t_\tNUM\tCD\t_\t5\tcompound\t_\t_\n5\tmillion\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n6\tcommon\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tshares\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n8\toutstanding\t_\tADJ\tJJ\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tcompound\t_\t_\n14\tbillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tfirm\t_\tNOUN\tNN\t_\t4\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\tdrop\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tnet\t_\tADJ\tJJ\t_\t4\tnmod\t_\t_\n7\treflected\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tweaker\t_\tADJ\tJJR\t_\t9\tamod\t_\t_\n9\trevenue\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\ttransactions\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n12\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tits\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n14\town\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\taccount\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n16\t--\t_\tPUNCT\t:\t_\t9\tpunct\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tdecline\t_\tNOUN\tNN\t_\t9\tdep\t_\t_\n19\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\t19\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\t%\t_\tSYM\tNN\t_\t18\tnmod\t_\t_\n22\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n23\t$\t_\tSYM\t$\t_\t18\tnmod\t_\t_\n24\t314.6\t_\tNUM\tCD\t_\t25\tcompound\t_\t_\n25\tmillion\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n26\ton\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\treduced\t_\tVERB\tVBN\t_\t28\tamod\t_\t_\n28\trevenue\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n29\tfrom\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n30\ttrading\t_\tVERB\tVBG\t_\t28\tacl\t_\t_\n31\tfixed-income\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tsecurities\t_\tNOUN\tNNS\t_\t30\tdobj\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tInvestment\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n2\tbanking\t_\tVERB\tNN\t_\t3\tamod\t_\t_\n3\trevenue\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tfell\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\t22\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n6\t%\t_\tSYM\tNN\t_\t4\tdobj\t_\t_\n7\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n8\t$\t_\tSYM\t$\t_\t4\tnmod\t_\t_\n9\t296.6\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\tmillion\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n11\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n12\tfewer\t_\tADJ\tJJR\t_\t16\tamod\t_\t_\n13\tequity\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tmunicipal\t_\tADJ\tJJ\t_\t13\tconj\t_\t_\n16\tunderwritings\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tMerrill\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tLynch\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\tcommission\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\trevenue\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\tgrew\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\t21\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\t%\t_\tSYM\tNN\t_\t6\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n10\thowever\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n12\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n13\t$\t_\tSYM\t$\t_\t6\tnmod\t_\t_\n14\t462.8\t_\tNUM\tCD\t_\t15\tcompound\t_\t_\n15\tmillion\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n17\ton\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\thigher\t_\tADJ\tJJR\t_\t20\tamod\t_\t_\n19\tshare\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tprices\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tvolume\t_\tNOUN\tNN\t_\t20\tconj\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n24\ton\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tstrong\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tsales\t_\tNOUN\tNNS\t_\t20\tconj\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tmutual\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tfunds\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tRevenue\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n2\tderived\t_\tVERB\tVBN\t_\t1\tacl\t_\t_\n3\tfrom\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\tinterest\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\tdividends\t_\tNOUN\tNNS\t_\t4\tconj\t_\t_\n7\tjumped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\t30\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\t%\t_\tSYM\tNN\t_\t7\tdobj\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t7\tnmod\t_\t_\n12\t1.4\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tbillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tAsset-management\t_\tADJ\tNN\t_\t3\tamod\t_\t_\n2\tfee\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\trevenue\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tgrew\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\t12\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n6\t%\t_\tSYM\tNN\t_\t4\tdobj\t_\t_\n7\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n8\t$\t_\tSYM\t$\t_\t4\tnmod\t_\t_\n9\t151\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\tmillion\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tbrokerage\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\treported\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tloss\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\t$\t_\tSYM\t$\t_\t6\tnmod\t_\t_\n9\t2.2\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\tmillion\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n11\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13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\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tVA\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n14\tFmHA\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n15\tare\t_\tVERB\tVBP\t_\t16\tcop\t_\t_\n16\tawash\t_\tADV\tJJ\t_\t0\troot\t_\t_\n17\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tred\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tink\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tFHA\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\talone\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n4\tlost\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\t$\t_\tSYM\t$\t_\t4\tdobj\t_\t_\n6\t4.2\t_\tNUM\tCD\t_\t7\tcompound\t_\t_\n7\tbillion\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n8\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tfiscal\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\t1988\t_\tNUM\tCD\t_\t4\tnmod\t_\t_\n11\t;\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tgovernment\t_\tNOUN\tNN\t_\t15\tnmod:poss\t_\t_\n14\t's\t_\tPART\tPOS\t_\t13\tcase\t_\t_\n15\tequity\t_\tNOUN\tNN\t_\t25\tnsubj\t_\t_\n16\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tagency\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n20\tessentially\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n21\tits\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n22\treserve\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tfund\t_\tNOUN\tNN\t_\t15\tappos\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n25\tfell\t_\tVERB\tVBD\t_\t4\tparataxis\t_\t_\n26\tto\t_\tADP\tTO\t_\t28\tcase\t_\t_\n27\tminus\t_\tADP\tCC\t_\t28\tamod\t_\t_\n28\t$\t_\tSYM\t$\t_\t25\tnmod\t_\t_\n29\t2.9\t_\tNUM\tCD\t_\t30\tcompound\t_\t_\n30\tbillion\t_\tNUM\tCD\t_\t28\tnummod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tfederal\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tgovernment\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\thad\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tpump\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\tin\t_\tADP\tIN\t_\t7\tcompound:prt\t_\t_\n9\t$\t_\tSYM\t$\t_\t7\tdobj\t_\t_\n10\t2.28\t_\tNUM\tCD\t_\t11\tcompound\t_\t_\n11\tbillion\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n12\tinto\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n14\tVA\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n15\thousing\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tprogram\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n17\tsince\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\t1984\t_\tNUM\tCD\t_\t7\tnmod\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\tkeep\t_\tVERB\tVB\t_\t7\tadvcl\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tfund\t_\tNOUN\tNN\t_\t23\tnsubj\t_\t_\n23\tafloat\t_\tADV\tRB\t_\t20\txcomp\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tVA\t_\tPROPN\tNNP\t_\t27\tnsubj\t_\t_\n27\trequested\t_\tVERB\tVBD\t_\t5\tconj\t_\t_\n28\tan\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\tadditional\t_\tADJ\tJJ\t_\t30\tadvmod\t_\t_\n30\t$\t_\tSYM\t$\t_\t27\tdobj\t_\t_\n31\t120\t_\tNUM\tCD\t_\t32\tcompound\t_\t_\n32\tmillion\t_\tNUM\tCD\t_\t30\tnummod\t_\t_\n33\tfor\t_\tADP\tIN\t_\t36\tcase\t_\t_\n34\tthe\t_\tDET\tDT\t_\t36\tdet\t_\t_\n35\tfiscal\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\tyear\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n37\tjust\t_\tADV\tRB\t_\t38\tadvmod\t_\t_\n38\tended\t_\tVERB\tVBD\t_\t36\tacl\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tAll\t_\tDET\tDT\t_\t8\tadvmod\t_\t_\n2\ttold\t_\tVERB\tVBD\t_\t1\tdep\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tfederal\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tgovernment\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n7\talready\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\tguarantees\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n9\tmore\t_\tADJ\tJJR\t_\t11\tadvmod\t_\t_\n10\tthan\t_\tADP\tIN\t_\t9\tmwe\t_\t_\n11\t$\t_\tSYM\t$\t_\t8\tdobj\t_\t_\n12\t900\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tbillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tmortgages\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tits\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n3\tnicely\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tproduced\t_\tVERB\tVBN\t_\t5\tamod\t_\t_\n5\tpublication\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n7\tWhere\t_\tADV\tWRB\t_\t11\tadvmod\t_\t_\n8\tWill\t_\tAUX\tMD\t_\t11\taux\t_\t_\n9\tOur\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n10\tChildren\t_\tNOUN\tNNP\t_\t11\tnsubj\t_\t_\n11\tLive\t_\tVERB\tNNP\t_\t5\tdep\t_\t_\n12\t?\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tNAHB\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n16\tdoes\t_\tAUX\tVBZ\t_\t17\taux\t_\t_\n17\tacknowledge\t_\tVERB\tVB\t_\t0\troot\t_\t_\n18\tthat\t_\tSCONJ\tIN\t_\t32\tmark\t_\t_\n19\t``\t_\tPUNCT\t``\t_\t32\tpunct\t_\t_\n20\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tcourse\t_\tNOUN\tNN\t_\t32\tnmod\t_\t_\n22\t,\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od\t_\t_\n4\tinterests\t_\tNOUN\tNNS\t_\t8\tnsubjpass\t_\t_\n5\tare\t_\tAUX\tVBP\t_\t8\tauxpass\t_\t_\n6\tmuch\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tbetter\t_\tADV\tJJR\t_\t8\tadvmod\t_\t_\n8\tserved\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tallowing\t_\tVERB\tVBG\t_\t8\txcomp\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tprivate\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tinterests\t_\tNOUN\tNNS\t_\t20\tnsubj\t_\t_\n13\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tbankers\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\tinvestors\t_\tNOUN\tNNS\t_\t14\tconj\t_\t_\n17\tbe\t_\tVERB\tVB\t_\t20\tcop\t_\t_\n18\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tultimate\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tjudges\t_\tNOUN\tNNS\t_\t9\tccomp\t_\t_\n21\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tinvestment\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\tquality\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n25\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n26\tvarious\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n27\tLBO\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n28\tdeals\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n29\tand\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n30\tleveraged\t_\tVERB\tJJ\t_\t31\tamod\t_\t_\n31\trestructurings\t_\tNOUN\tNNS\t_\t28\tconj\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\trecent\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tdifficulties\t_\tNOUN\tNNS\t_\t17\tnsubj\t_\t_\n4\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tjunk-bond\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tmarkets\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tscarcity\t_\tNOUN\tNN\t_\t3\tconj\t_\t_\n11\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tbank\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tcapital\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\trecent\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tdeals\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n17\tunderscores\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\twisdom\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n20\tof\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n21\tletting\t_\tVERB\tVBG\t_\t19\tacl\t_\t_\n22\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tfree\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tmarkets\t_\tNOUN\tNNS\t_\t25\tnsubj\t_\t_\n25\toperate\t_\tVERB\tVBP\t_\t21\tccomp\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tIf\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n2\ttakeover\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tpremiums\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n4\tbecome\t_\tVERB\tVBP\t_\t19\tadvcl\t_\t_\n5\texcessive\t_\tADJ\tJJ\t_\t4\txcomp\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n7\tif\t_\tSCONJ\tIN\t_\t10\tmark\t_\t_\n8\tLBO\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tdealmakers\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n10\tbecome\t_\tVERB\tVBP\t_\t19\tdep\t_\t_\n11\ttoo\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\taggressive\t_\tADJ\tJJ\t_\t10\txcomp\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n14\tthen\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tprivate\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tmarket\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n18\twill\t_\tAUX\tMD\t_\t19\taux\t_\t_\n19\trecognize\t_\tVERB\tVB\t_\t0\troot\t_\t_\n20\tthese\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tproblems\t_\tNOUN\tNNS\t_\t19\tdobj\t_\t_\n22\tmore\t_\tADV\tRBR\t_\t23\tadvmod\t_\t_\n23\tquickly\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n25\taccurately\t_\tADV\tRB\t_\t23\tconj\t_\t_\n26\tthan\t_\tSCONJ\tIN\t_\t27\tdep\t_\t_\n27\twill\t_\tAUX\tMD\t_\t23\tadvcl\t_\t_\n28\tpolicy\t_\tNOUN\tNN\t_\t29\tcompound\t_\t_\n29\tmakers\t_\tNOUN\tNNS\t_\t27\tnsubj\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n31\tand\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tmarkets\t_\tNOUN\tNNS\t_\t35\tnsubj\t_\t_\n34\twill\t_\tAUX\tMD\t_\t35\taux\t_\t_\n35\tmove\t_\tVERB\tVB\t_\t19\tconj\t_\t_\n36\twith\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tlightning\t_\tNOUN\tNN\t_\t38\tcompound\t_\t_\n38\tspeed\t_\tNOUN\tNN\t_\t35\tnmod\t_\t_\n39\tto\t_\tPART\tTO\t_\t40\tmark\t_\t_\n40\timpose\t_\tVERB\tVB\t_\t35\txcomp\t_\t_\n41\tappropriate\t_\tADJ\tJJ\t_\t42\tamod\t_\t_\n42\tsanctions\t_\tNOUN\tNNS\t_\t40\tdobj\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tYes\t_\tINTJ\tUH\t_\t7\tdiscourse\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tbroader\t_\tADJ\tJJR\t_\t5\tamod\t_\t_\n5\texchanges\t_\tNOUN\tNNS\t_\t7\tnsubjpass\t_\t_\n6\tgot\t_\tAUX\tVBD\t_\t7\tauxpass\t_\t_\n7\tcaught\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tup\t_\tADP\tRP\t_\t7\tcompound:prt\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tspiral\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n13\tbut\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n14\tthey\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\trode\t_\tVERB\tVBD\t_\t7\tconj\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\ttiger\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\tup\t_\tADV\tIN\t_\t15\tadvmod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_\t11\tdet\t_\t_\n11\tthing\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n12\tpassed\t_\tVERB\tVBD\t_\t8\tadvcl\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tinitiative\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tbars\t_\tVERB\tNNS\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tsale\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tany\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tcrops\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n9\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tCalifornia\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n11\tthat\t_\tPRON\tWDT\t_\t14\tnsubj\t_\t_\n12\tdo\t_\tAUX\tVBP\t_\t14\taux\t_\t_\n13\tn't\t_\tPART\tRB\t_\t14\tneg\t_\t_\n14\tmeet\t_\tVERB\tVB\t_\t5\tacl:relcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tinitiative\t_\tNOUN\tNN\t_\t18\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tstandards\t_\tNOUN\tNNS\t_\t14\tdobj\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tKansas\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\twheat\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tfarmers\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n4\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tFlorida\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tfruit\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tgrowers\t_\tNOUN\tNNS\t_\t3\tconj\t_\t_\n8\twould\t_\tAUX\tMD\t_\t9\taux\t_\t_\n9\thave\t_\tVERB\tVB\t_\t0\troot\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\tadjust\t_\tVERB\tVB\t_\t9\txcomp\t_\t_\n12\tor\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\tgive\t_\tVERB\tVB\t_\t11\tconj\t_\t_\n14\tup\t_\tADP\tRP\t_\t13\tcompound:prt\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tCalifornia\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tmarket\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tother\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\twords\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tCalifornia\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n6\tis\t_\tAUX\tVBZ\t_\t7\taux\t_\t_\n7\tpresuming\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\ttake\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n10\tcontrol\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n11\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tnation\t_\tNOUN\tNN\t_\t16\tnmod:poss\t_\t_\n14\t's\t_\tPART\tPOS\t_\t13\tcase\t_\t_\n15\tfarm\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tpolicy\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tAs\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tusual\t_\tADV\tJJ\t_\t9\tadvcl\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tgreen\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tlobby\t_\tNOUN\tNN\t_\t7\tnmod:poss\t_\t_\n6\t's\t_\tPART\tPOS\t_\t5\tcase\t_\t_\n7\tproposal\t_\tNOUN\tNN\t_\t9\tnsubjpass\t_\t_\n8\tis\t_\tAUX\tVBZ\t_\t9\tauxpass\t_\t_\n9\tdisconnected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tscientific\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\treality\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tConsider\t_\tVERB\tVB\t_\t0\troot\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tgreenhouse-effect\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tprovision\t_\tNOUN\tNN\t_\t1\tdobj\t_\t_\n5\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tproposed\t_\tVERB\tVBN\t_\t3\tamod\t_\t_\n3\tinitiative\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\twould\t_\tAUX\tMD\t_\t5\taux\t_\t_\n5\tmandate\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\treduction\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tcarbon\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tdioxide\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\t40\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\t%\t_\tSYM\tNN\t_\t7\tnmod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tEven\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\tif\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n3\tone\t_\tPRON\tCD\t_\t4\tnsubj\t_\t_\n4\tbuys\t_\tVERB\tVBZ\t_\t13\tadvcl\t_\t_\n5\tinto\t_\tADP\tIN\t_\t9\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\twhole\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\tgreenhouse\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\ttheory\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n12\tis\t_\tVERB\tVBZ\t_\t13\tcop\t_\t_\n13\tinconceivable\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n14\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n15\treductions\t_\tNOUN\tNNS\t_\t21\tnsubj\t_\t_\n16\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tsingle\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tstate\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n20\tcould\t_\tAUX\tMD\t_\t21\taux\t_\t_\n21\thave\t_\tVERB\tVB\t_\t13\tccomp\t_\t_\n22\tany\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\timpact\t_\tNOUN\tNN\t_\t21\tdobj\t_\t_\n24\ton\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n25\twhat\t_\tPRON\tWP\t_\t27\tnsubjpass\t_\t_\n26\tis\t_\tAUX\tVBZ\t_\t27\tauxpass\t_\t_\n27\tbilled\t_\tVERB\tVBN\t_\t23\tacl\t_\t_\n28\tas\t_\tADP\tIN\t_\t31\tcase\t_\t_\n29\ta\t_\tDET\tDT\t_\t31\tdet\t_\t_\n3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oot\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tdo\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tthink\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tanyone\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\tleft\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tplace\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\twhistling\t_\tVERB\tVBG\t_\t6\txcomp\t_\t_\n10\tDixie\t_\tPROPN\tNNP\t_\t9\tdobj\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\trally\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tgave\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tcredence\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n6\tat\t_\tADP\tIN\t_\t3\tadvmod\t_\t_\n7\tleast\t_\tADJ\tJJS\t_\t6\tmwe\t_\t_\n8\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tnow\t_\tADV\tRB\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tpre-trading\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tdeclaration\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n15\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n16\tBig\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n17\tBoard\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n18\tChairman\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n19\tJohn\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n20\tJ.\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tPhelan\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tJr.\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n23\tthat\t_\tSCONJ\tWDT\t_\t32\tmark\t_\t_\n24\tFriday\t_\tPROPN\tNNP\t_\t27\tnmod:poss\t_\t_\n25\t's\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\tmarket\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tdebacle\t_\tNOUN\tNN\t_\t32\tnsubj\t_\t_\n28\twas\t_\tVERB\tVBD\t_\t32\tcop\t_\t_\n29\t``\t_\tPUNCT\t``\t_\t32\tpunct\t_\t_\n30\tan\t_\tDET\tDT\t_\t32\tdet\t_\t_\n31\tabnormal\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tcondition\t_\tNOUN\tNN\t_\t14\tdep\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n34\tand\t_\tCONJ\tCC\t_\t32\tcc\t_\t_\n35\tnot\t_\tADV\tRB\t_\t37\tneg\t_\t_\n36\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tdisaster\t_\tNOUN\tNN\t_\t32\tconj\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n39\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\tto\t_\tADP\tTO\t_\t3\tcase\t_\t_\n3\ttraders\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tlooked\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tlike\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tdisaster\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\ton\t_\tADP\tIN\t_\t14\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n11\t9:30\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n12\ta.m.\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n13\topening\t_\tVERB\tNN\t_\t14\tamod\t_\t_\n14\tbell\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\tDow\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n3\tJones\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tIndustrial\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tAverage\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\topened\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tdown\t_\tADV\tRP\t_\t6\tadvmod\t_\t_\n8\t1.64\t_\tNUM\tCD\t_\t7\tnmod:npmod\t_\t_\n9\tshortly\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n10\tafter\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\t9:30\t_\tNUM\tCD\t_\t6\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n2\tmost\t_\tADJ\tJJS\t_\t21\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\t30\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n6\tblue-chip\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tstocks\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n8\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\taverage\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n12\tincluding\t_\tVERB\tVBG\t_\t14\tcase\t_\t_\n13\tEastman\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tKodak\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\tGeneral\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tMotors\t_\tPROPN\tNNPS\t_\t14\tconj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n19\tcould\t_\tAUX\tMD\t_\t21\taux\t_\t_\n20\tn't\t_\tPART\tRB\t_\t21\tneg\t_\t_\n21\ttrade\t_\tVERB\tVB\t_\t0\troot\t_\t_\n22\tbecause\t_\tADV\tIN\t_\t26\tcase\t_\t_\n23\tof\t_\tADP\tIN\t_\t22\tmwe\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\theavy\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tbacklog\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tsell\t_\tNOUN\tNN\t_\t29\tcompound\t_\t_\n29\torders\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n30\tleft\t_\tVERB\tVBD\t_\t29\tacl\t_\t_\n31\tover\t_\tADP\tRP\t_\t30\tcompound:prt\t_\t_\n32\tfrom\t_\tADP\tIN\t_\t36\tcase\t_\t_\n33\tFriday\t_\tPROPN\tNNP\t_\t36\tnmod:poss\t_\t_\n34\t's\t_\tPART\tPOS\t_\t33\tcase\t_\t_\n35\tlate-afternoon\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\trout\t_\tNOUN\tNN\t_\t30\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\t9:45\t_\tNUM\tCD\t_\t18\tnmod\t_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ubj\t_\t_\n18\tsoon\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\texpected\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tget\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\thigher\t_\tADJ\tJJR\t_\t23\tamod\t_\t_\n23\tprices\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n24\tfor\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\ttheir\t_\tPRON\tPRP$\t_\t26\tnmod:poss\t_\t_\n26\tshares\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t4\tcop\t_\t_\n4\tbedlam\t_\tNOUN\tNN\t_\t10\tccomp\t_\t_\n5\ton\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tupside\t_\tADJ\tNN\t_\t4\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n10\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tone\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n12\tBig\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n13\tBoard\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tspecialist\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tnot\t_\tADV\tRB\t_\t3\tneg\t_\t_\n3\teverybody\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n5\tmaking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n6\tmoney\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcarnage\t_\tNOUN\tNN\t_\t18\tnsubj\t_\t_\n3\ton\t_\tADP\tIN\t_\t8\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n5\tChicago\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n6\tBoard\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tOptions\t_\tPROPN\tNNPS\t_\t8\tcompound\t_\t_\n8\tExchange\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tnation\t_\tNOUN\tNN\t_\t15\tnmod:poss\t_\t_\n12\t's\t_\tPART\tPOS\t_\t11\tcase\t_\t_\n13\tmajor\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\toptions\t_\tNOUN\tNNS\t_\t15\tcompound\t_\t_\n15\tmarket\t_\tNOUN\tNN\t_\t8\tappos\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n17\twas\t_\tVERB\tVBD\t_\t18\tcop\t_\t_\n18\theavy\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n19\tafter\t_\tSCONJ\tIN\t_\t28\tmark\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\ttrading\t_\tNOUN\tNN\t_\t28\tnsubjpass\t_\t_\n22\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n23\tS&P\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n24\t100\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n25\tstock-index\t_\tADJ\tNN\t_\t26\tamod\t_\t_\n26\toptions\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n27\twas\t_\tAUX\tVBD\t_\t28\tauxpass\t_\t_\n28\thalted\t_\tVERB\tVBN\t_\t18\tadvcl\t_\t_\n29\tFriday\t_\tPROPN\tNNP\t_\t28\tnmod:tmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tMany\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tmarket\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tmakers\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n4\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n6\tS&P\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n7\t100\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n8\tindex\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n9\toptions\t_\tNOUN\tNNS\t_\t10\tcompound\t_\t_\n10\tcontract\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n11\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tbullish\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tpositions\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\tFriday\t_\tPROPN\tNNP\t_\t11\tnmod:tmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n17\twhen\t_\tADV\tWRB\t_\t20\tadvmod\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tshutdown\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n20\tcame\t_\tVERB\tVBD\t_\t23\tadvcl\t_\t_\n21\tthey\t_\tPRON\tPRP\t_\t23\tnsubjpass\t_\t_\n22\twere\t_\tAUX\tVBD\t_\t23\tauxpass\t_\t_\n23\tfrozen\t_\tVERB\tVBN\t_\t11\tconj\t_\t_\n24\twith\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\thuge\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tlosses\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tOver\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tweekend\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tclearing\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tfirms\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\ttold\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n9\tChicago\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tmarket\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tmakers\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tget\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n14\tout\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\ttheir\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n17\tpositions\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n18\tat\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tany\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tcost\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n21\tMonday\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tmorning\t_\tNOUN\tNN\t_\t13\tnmod:tmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tThey\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\twere\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n4\tabsolutely\t_\tADV\tRB\t_\t5\tadvmod\t_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OUN\tNN\t_\t25\tnmod:tmod\t_\t_\n34\tamid\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tflood\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n37\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n38\tselling\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n39\tby\t_\tADP\tIN\t_\t41\tcase\t_\t_\n40\tother\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tinvestors\t_\tNOUN\tNNS\t_\t38\tnmod\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tinstitutions\t_\tNOUN\tNNS\t_\t7\tnsubjpass\t_\t_\n4\tca\t_\tAUX\tMD\t_\t7\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t7\tneg\t_\t_\n6\tbe\t_\tAUX\tVB\t_\t7\tauxpass\t_\t_\n7\tcriticized\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n8\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\ttheir\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n10\tbehavior\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n13\tMr.\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tDaPuzzo\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tan\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tinterview\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t5\tcop\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\topposite\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tof\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n7\twhat\t_\tPRON\tWP\t_\t8\tnsubj\t_\t_\n8\thappened\t_\tVERB\tVBD\t_\t5\tacl\t_\t_\n9\ton\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tOct.\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n11\t19\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tused\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ttheir\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n4\tjudgment\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tdid\t_\tAUX\tVBD\t_\t4\taux\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tpanic\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n5\tduring\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tfirst\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tround\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tselling\t_\tNOUN\tVBG\t_\t8\tnmod\t_\t_\n11\tthis\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tmorning\t_\tNOUN\tNN\t_\t4\tnmod:tmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tInstead\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\tthey\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tbought\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\ton\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tweakness\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n8\tsold\t_\tVERB\tVBN\t_\t4\tconj\t_\t_\n9\tinto\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tstrength\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n13\twhich\t_\tPRON\tWDT\t_\t14\tnsubj\t_\t_\n14\tkept\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tmarket\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n17\torderly\t_\tADJ\tJJ\t_\t14\txcomp\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tMaybe\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n2\tthey\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tlearned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tfrom\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\texperience\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tPhelan\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tperformance\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tspecialists\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n8\tduring\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tFriday\t_\tPROPN\tNNP\t_\t11\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tplunge\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n12\twas\t_\tVERB\tVBD\t_\t13\tcop\t_\t_\n13\tadmirable\t_\tADJ\tJJ\t_\t3\tccomp\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\tbecause\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n16\tout\t_\tADP\tIN\t_\t22\tcase\t_\t_\n17\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n18\t1,640\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n19\tBig\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n20\tBoard\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tcommon\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tstocks\t_\tNOUN\tNNS\t_\t30\tnmod\t_\t_\n23\ttraded\t_\tVERB\tVBN\t_\t22\tacl\t_\t_\n24\tduring\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tday\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n27\tonly\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n28\tseven\t_\tNUM\tCD\t_\t30\tnsubjpass\t_\t_\n29\twere\t_\tAUX\tVBD\t_\t30\tauxpass\t_\t_\n30\tclosed\t_\tVERB\tVBN\t_\t13\tadvcl\t_\t_\n31\tand\t_\tCONJ\tCC\t_\t30\tcc\t_\t_\n32\twere\t_\tAUX\tVBD\t_\t34\tauxpass\t_\t_\n33\tn't\t_\tPART\tRB\t_\t34\tneg\t_\t_\n34\treopened\t_\tVERB\tVBN\t_\t30\tconj\t_\t_\n35\tbefore\t_\tADP\tIN\t_\t37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ond\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n6\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\texample\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n8\trose\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tone\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\tpoint\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tearly\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tJapanese\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\ttrading\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n15\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\treaction\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n17\tto\t_\tADP\tTO\t_\t21\tcase\t_\t_\n18\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n19\tquick\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n20\t600-point\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tdrop\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n22\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n24\tTokyo\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n25\tstock\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tmarket\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n2\tas\t_\tSCONJ\tIN\t_\t5\tmark\t_\t_\n3\tJapanese\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tstocks\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\trebounded\t_\tVERB\tVBD\t_\t8\tadvcl\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n7\tTreasurys\t_\tPROPN\tNNPS\t_\t8\tnsubj\t_\t_\n8\tretreated\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tended\t_\tVERB\tVBD\t_\t8\tconj\t_\t_\n11\tjust\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n12\tmodestly\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\thigher\t_\tADV\tJJR\t_\t10\tadvmod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tMany\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n2\tU.S.\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\ttrading\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\toperations\t_\tNOUN\tNNS\t_\t27\tnsubjpass\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\twanting\t_\tVERB\tVBG\t_\t4\tacl\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tkeep\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\twatchful\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\teye\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\ton\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tJapanese\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\ttrading\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n15\tas\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tan\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tindication\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n18\tof\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n19\twhere\t_\tADV\tWRB\t_\t23\tadvmod\t_\t_\n20\tU.S.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\ttrading\t_\tNOUN\tNN\t_\t23\tnsubj\t_\t_\n22\twould\t_\tAUX\tMD\t_\t23\taux\t_\t_\n23\tbegin\t_\tVERB\tVB\t_\t17\tacl\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n25\twere\t_\tAUX\tVBD\t_\t27\tauxpass\t_\t_\n26\tfully\t_\tADV\tRB\t_\t27\tadvmod\t_\t_\n27\tstaffed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n28\tduring\t_\tADP\tIN\t_\t32\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n30\tTokyo\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n31\ttrading\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n32\tsession\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tMost\t_\tADJ\tJJS\t_\t10\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\taction\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t10\tcop\t_\t_\n7\tduring\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tnight\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tsession\t_\tNOUN\tNN\t_\t13\tdep\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n13\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tMichael\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tMoore\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\ttrading\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tmanager\t_\tNOUN\tNN\t_\t15\tappos\t_\t_\n19\tat\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tContinental\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tBank\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tJay\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tGoldinger\t_\tPROPN\tNNP\t_\t18\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\twho\t_\tPRON\tWP\t_\t6\tnsubj\t_\t_\n5\toften\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\ttrades\t_\tVERB\tVBZ\t_\t2\tacl:relcl\t_\t_\n7\tovernight\t_\tADV\tJJ\t_\t6\tadvmod\t_\t_\n8\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tCapital\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tInsight\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tInc.\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\tBeverly\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tHills\t_\tPROPN\tNNP\t_\t11\tappos\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\tCalif.\t_\tPROPN\tNNP\t_\t14\tappos\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n18\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\ttrading\t_\tNOUN\tNN\t_\t25\tnsubj\t_\t_\n20\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tTokyo\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n22\twas\t_\tVERB\tVBD\t_\t25\tcop\t_\t_\n23\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n24\tvery\t_\tADV\tRB\t_\t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_\n3\tyields\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n4\twere\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tup\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n6\tabout\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\t0.05\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n8\tpercentage\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tpoint\t_\tNOUN\tNN\t_\t5\tnmod:npmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBMA\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCorp.\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tKansas\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tCity\t_\tPROPN\tNNP\t_\t2\tappos\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tMo.\t_\tPROPN\tNNP\t_\t5\tappos\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n9\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tit\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n11\t's\t_\tAUX\tVBZ\t_\t12\taux\t_\t_\n12\tweighing\t_\tVERB\tVBG\t_\t9\tccomp\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n14\tstrategic\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\talternatives\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n18\tfor\t_\tADP\tIN\t_\t25\tcase\t_\t_\n19\tits\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n20\tBusiness\t_\tPROPN\tNN\t_\t21\tcompound\t_\t_\n21\tMen\t_\tPROPN\tNN\t_\t25\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tAssurance\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n24\tCo.\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tunit\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n27\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n28\tis\t_\tAUX\tVBZ\t_\t29\taux\t_\t_\n29\tcontacting\t_\tVERB\tVBG\t_\t12\tconj\t_\t_\n30\tpossible\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31\tbuyers\t_\tNOUN\tNNS\t_\t29\tdobj\t_\t_\n32\tof\t_\tADP\tIN\t_\t34\tcase\t_\t_\n33\tthe\t_\tDET\tDT\t_\t34\tdet\t_\t_\n34\tlife\t_\tNOUN\tNN\t_\t31\tnmod\t_\t_\n35\tand\t_\tCONJ\tCC\t_\t34\tcc\t_\t_\n36\thealth\t_\tNOUN\tNN\t_\t38\tcompound\t_\t_\n37\tinsurance\t_\tNOUN\tNN\t_\t38\tcompound\t_\t_\n38\toperation\t_\tNOUN\tNN\t_\t34\tconj\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tBMA\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tspokesman\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n6\trunaway\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tmedical\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tcosts\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n10\thave\t_\tAUX\tVBP\t_\t11\taux\t_\t_\n11\tmade\t_\tVERB\tVBN\t_\t4\tdep\t_\t_\n12\thealth\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tinsurance\t_\tNOUN\tNN\t_\t17\tdep\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n15\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tsignificant\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tchallenge\t_\tNOUN\tNN\t_\t11\txcomp\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n21\tmargins\t_\tNOUN\tNNS\t_\t25\tnsubjpass\t_\t_\n22\talso\t_\tADV\tRB\t_\t25\tadvmod\t_\t_\n23\thave\t_\tAUX\tVBP\t_\t25\taux\t_\t_\n24\tbeen\t_\tAUX\tVBN\t_\t25\tauxpass\t_\t_\n25\tpinched\t_\tVERB\tVBN\t_\t11\tconj\t_\t_\n26\tby\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\tchanges\t_\tNOUN\tNNS\t_\t25\tnmod\t_\t_\n28\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tmix\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n31\tof\t_\tADP\tIN\t_\t33\tcase\t_\t_\n32\tlife-insurance\t_\tADJ\tNN\t_\t33\tamod\t_\t_\n33\tproducts\t_\tNOUN\tNNS\t_\t30\tnmod\t_\t_\n34\tconsumers\t_\tNOUN\tNNS\t_\t36\tnsubj\t_\t_\n35\tnow\t_\tADV\tRB\t_\t36\tadvmod\t_\t_\n36\tdemand\t_\tVERB\tVBP\t_\t33\tacl:relcl\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tBusiness\t_\tPROPN\tNN\t_\t3\tcompound\t_\t_\n3\tMen\t_\tPROPN\tNN\t_\t6\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tAssurance\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tunit\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n7\trepresented\t_\tVERB\tVBD\t_\t35\tccomp\t_\t_\n8\tabout\t_\tADV\tIN\t_\t9\tadvmod\t_\t_\n9\t$\t_\tSYM\t$\t_\t7\tdobj\t_\t_\n10\t288\t_\tNUM\tCD\t_\t11\tcompound\t_\t_\n11\tmillion\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n12\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tcompany\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n15\t's\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\t$\t_\tSYM\t$\t_\t14\tnummod\t_\t_\n17\t488\t_\tNUM\tCD\t_\t18\tcompound\t_\t_\n18\tmillion\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n19\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\t1988\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\trevenue\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tunit\t_\tNOUN\tNN\t_\t28\tnmod:poss\t_\t_\n26\t's\t_\tPART\tPOS\t_\t25\tcase\t_\t_\n27\toperating\t_\tVERB\tNN\t_\t28\tamod\t_\t_\n28\tincome\t_\tNOUN\tNN\t_\t31\tnsubj\t_\t_\n29\twas\t_\tVERB\tVBD\t_\t31\tcop\t_\t_\n30\tabout\t_\tADV\tIN\t_\t31\tadvmod\t_\t_\n31\t$\t_\tSYM\t$\t_\t7\tconj\t_\t_\n32\t10\t_\tNUM\tCD\t_\t33\tcompound\t_\t_\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acl\t_\t_\n33\tmore\t_\tADJ\tJJR\t_\t35\tadvmod\t_\t_\n34\tthan\t_\tADP\tIN\t_\t33\tmwe\t_\t_\n35\t30\t_\tNUM\tCD\t_\t36\tnummod\t_\t_\n36\t%\t_\tSYM\tNN\t_\t32\tdobj\t_\t_\n37\tto\t_\tPART\tTO\t_\t38\tmark\t_\t_\n38\textend\t_\tVERB\tVB\t_\t29\txcomp\t_\t_\n39\tan\t_\tDET\tDT\t_\t40\tdet\t_\t_\n40\toffer\t_\tNOUN\tNN\t_\t38\tdobj\t_\t_\n41\tto\t_\tADP\tTO\t_\t43\tcase\t_\t_\n42\tthe\t_\tDET\tDT\t_\t43\tdet\t_\t_\n43\trest\t_\tNOUN\tNN\t_\t38\tnmod\t_\t_\n44\tof\t_\tADP\tIN\t_\t48\tcase\t_\t_\n45\tthe\t_\tDET\tDT\t_\t46\tdet\t_\t_\n46\tcompany\t_\tNOUN\tNN\t_\t48\tnmod:poss\t_\t_\n47\t's\t_\tPART\tPOS\t_\t46\tcase\t_\t_\n48\tshareholders\t_\tNOUN\tNNS\t_\t43\tnmod\t_\t_\n49\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tADT\t_\tPROPN\tNN\t_\t10\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tsecurity\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tservices\t_\tNOUN\tNNS\t_\t1\tappos\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tauctions\t_\tNOUN\tNNS\t_\t8\tcompound\t_\t_\n8\tcompany\t_\tNOUN\tNN\t_\t5\tconj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n10\ttrades\t_\tVERB\tNNS\t_\t0\troot\t_\t_\n11\ton\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\tLondon\t_\tPROPN\tNNP\t_\t15\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tStock\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tExchange\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tLaidlaw\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t3\tcop\t_\t_\n3\t47%-controlled\t_\tNUM\tJJ\t_\t0\troot\t_\t_\n4\tby\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tCanadian\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tPacific\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tLtd.\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n10\tMontreal\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n11\ttransportation\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n13\tresources\t_\tNOUN\tNNS\t_\t7\tappos\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tindustrial\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\tholding\t_\tVERB\tNN\t_\t17\tamod\t_\t_\n17\tconcern\t_\tNOUN\tNN\t_\t13\tconj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tNintendo\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCo.\t_\tPROPN\tNNP\t_\t18\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tJapanese\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tmaker\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tvideo\t_\tADJ\tNN\t_\t9\tamod\t_\t_\n9\tgames\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\telectronic\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tinformation\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tsystems\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n15\tplaying\t_\tNOUN\tVBG\t_\t16\tcompound\t_\t_\n16\tcards\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n18\tposted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n20\t23\t_\tNUM\tCD\t_\t21\tcompound\t_\t_\n21\t%\t_\tSYM\tNN\t_\t23\tamod\t_\t_\n22\tunconsolidated\t_\tVERB\tJJ\t_\t23\tamod\t_\t_\n23\tsurge\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n24\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tpretax\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tprofit\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n27\tto\t_\tADP\tTO\t_\t30\tcase\t_\t_\n28\t61.41\t_\tNUM\tCD\t_\t29\tcompound\t_\t_\n29\tbillion\t_\tNUM\tCD\t_\t30\tnummod\t_\t_\n30\tyen\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n31\t-LRB-\t_\tPUNCT\t-LRB-\t_\t30\tpunct\t_\t_\n32\t$\t_\tSYM\t$\t_\t30\tdep\t_\t_\n33\t429\t_\tNUM\tCD\t_\t34\tcompound\t_\t_\n34\tmillion\t_\tNUM\tCD\t_\t32\tnummod\t_\t_\n35\t-RRB-\t_\tPUNCT\t-RRB-\t_\t30\tpunct\t_\t_\n36\tfrom\t_\tADP\tIN\t_\t39\tcase\t_\t_\n37\t50\t_\tNUM\tCD\t_\t38\tcompound\t_\t_\n38\tbillion\t_\tNUM\tCD\t_\t39\tnummod\t_\t_\n39\tyen\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n40\t-LRB-\t_\tPUNCT\t-LRB-\t_\t39\tpunct\t_\t_\n41\t$\t_\tSYM\t$\t_\t39\tdep\t_\t_\n42\t349.9\t_\tNUM\tCD\t_\t43\tcompound\t_\t_\n43\tmillion\t_\tNUM\tCD\t_\t41\tnummod\t_\t_\n44\t-RRB-\t_\tPUNCT\t-RRB-\t_\t39\tpunct\t_\t_\n45\tfor\t_\tADP\tIN\t_\t48\tcase\t_\t_\n46\tthe\t_\tDET\tDT\t_\t48\tdet\t_\t_\n47\tfiscal\t_\tADJ\tJJ\t_\t48\tamod\t_\t_\n48\tyear\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n49\tended\t_\tVERB\tVBN\t_\t48\tacl\t_\t_\n50\tAug.\t_\tPROPN\tNNP\t_\t49\tnmod:tmod\t_\t_\n51\t31\t_\tNUM\tCD\t_\t50\tnummod\t_\t_\n52\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tSales\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tsurged\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\t40\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\t%\t_\tSYM\tNN\t_\t2\tdobj\t_\t_\n5\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n6\t250.17\t_\tNUM\tCD\t_\t7\tcompound\t_\t_\n7\tbillion\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\tyen\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n9\tfrom\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\t178.61\t_\tNUM\tCD\t_\t11\tcompound\t_\t_\n11\tbillion\t_\tNUM\tCD\t_\t2\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNet\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tincome\t_\tNOUN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NP\t_\t16\tnmod\t_\t_\n21\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n22\tNov.\t_\tVERB\tNNP\t_\t23\tdep\t_\t_\n23\t15\t_\tNUM\tCD\t_\t7\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tU.S.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tBanknote\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n5\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n6\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tnegotiations\t_\tNOUN\tNNS\t_\t3\tdep\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tsell\t_\tVERB\tVB\t_\t7\tacl\t_\t_\n10\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n11\tcertain\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tfacilities\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n15\twhich\t_\tPRON\tWDT\t_\t19\tdobj\t_\t_\n16\tit\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n17\tdid\t_\tAUX\tVBD\t_\t19\taux\t_\t_\n18\tn't\t_\tPART\tRB\t_\t19\tneg\t_\t_\n19\tname\t_\tVERB\tNN\t_\t12\tacl:relcl\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n21\tto\t_\tADP\tTO\t_\t24\tcase\t_\t_\n22\ta\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tthird\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tparty\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n27\tit\t_\tPRON\tPRP\t_\t28\tnsubj\t_\t_\n28\tneeds\t_\tVERB\tVBZ\t_\t7\tconj\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\textension\t_\tNOUN\tNN\t_\t28\tdobj\t_\t_\n31\tto\t_\tPART\tTO\t_\t32\tmark\t_\t_\n32\ttry\t_\tVERB\tVB\t_\t28\tadvcl\t_\t_\n33\tto\t_\tPART\tTO\t_\t34\tmark\t_\t_\n34\treach\t_\tVERB\tVB\t_\t32\txcomp\t_\t_\n35\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n36\tdefinitive\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n37\tagreement\t_\tNOUN\tNN\t_\t34\tdobj\t_\t_\n38\ton\t_\tADP\tIN\t_\t40\tcase\t_\t_\n39\tthe\t_\tDET\tDT\t_\t40\tdet\t_\t_\n40\tsale\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n41\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tU.S.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tBanknote\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\tbelieves\t_\tVERB\tVBZ\t_\t3\tccomp\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tsale\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n9\tif\t_\tSCONJ\tIN\t_\t10\tmark\t_\t_\n10\tcompleted\t_\tVERB\tVBN\t_\t14\tdep\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n12\tapparently\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n13\twould\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\tsatisfy\t_\tVERB\tVB\t_\t5\tccomp\t_\t_\n15\tantitrust\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tissues\t_\tNOUN\tNNS\t_\t14\tdobj\t_\t_\n17\traised\t_\tVERB\tVBN\t_\t16\tacl\t_\t_\n18\tby\t_\tADP\tIN\t_\t22\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n20\tU.S.\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tJustice\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tDepartment\t_\tPROPN\tNNP\t_\t17\tnmod\t_\t_\n23\tabout\t_\tADP\tIN\t_\t27\tcase\t_\t_\n24\tU.S.\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tBanknote\t_\tPROPN\tNNP\t_\t27\tnmod:poss\t_\t_\n26\t's\t_\tPART\tPOS\t_\t25\tcase\t_\t_\n27\toffer\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n28\tto\t_\tPART\tTO\t_\t29\tmark\t_\t_\n29\tbuy\t_\tVERB\tVB\t_\t27\tacl\t_\t_\n30\tInternational\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tBanknote\t_\tPROPN\tNNP\t_\t29\tdobj\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tBoth\t_\tDET\tDT\t_\t7\tnsubj\t_\t_\n2\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n3\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n4\tNew\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n5\tYork-based\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tcompanies\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n7\tprint\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n8\tstock\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tcertificates\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tcurrency\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tU.S.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tBanknote\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n5\tthere\t_\tPRON\tEX\t_\t9\texpl\t_\t_\n6\tcan\t_\tAUX\tMD\t_\t9\taux\t_\t_\n7\tbe\t_\tVERB\tVB\t_\t9\tcop\t_\t_\n8\tno\t_\tDET\tDT\t_\t9\tneg\t_\t_\n9\tassurance\t_\tNOUN\tNN\t_\t3\tccomp\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n11\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tsale\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tagreement\t_\tNOUN\tNN\t_\t16\tnsubjpass\t_\t_\n14\twould\t_\tAUX\tMD\t_\t16\taux\t_\t_\n15\tbe\t_\tAUX\tVB\t_\t16\tauxpass\t_\t_\n16\tconcluded\t_\tVERB\tVBN\t_\t9\tccomp\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\talso\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\ttender\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\toffer\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n7\twould\t_\tAUX\tMD\t_\t9\taux\t_\t_\n8\tprobably\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\thave\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n10\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n11\tbe\t_\tAUX\tVB\t_\t12\tauxpass\t_\t_\n12\textend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_\t_\n6\tup\t_\tADP\tRP\t_\t5\tcompound:prt\t_\t_\n7\tbeing\t_\tAUX\tVBG\t_\t8\tauxpass\t_\t_\n8\tphotographed\t_\tVERB\tVBN\t_\t5\txcomp\t_\t_\n9\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tcolor\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n12\tblack\t_\tNOUN\tJJ\t_\t15\tnsubj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\twhite\t_\tNOUN\tJJ\t_\t12\tconj\t_\t_\n15\tseems\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\teye-catching\t_\tADJ\tJJ\t_\t15\txcomp\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\texotic\t_\tADJ\tJJ\t_\t16\tconj\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\thas\t_\tVERB\tVBZ\t_\t14\tdep\t_\t_\n4\tan\t_\tDET\tDT\t_\t9\tdet\t_\t_\n5\tarchival\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n7\talmost\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\tnostalgic\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tquality\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t9\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n14\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n15\tOwen\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tB.\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tButler\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tchairman\t_\tNOUN\tNN\t_\t17\tappos\t_\t_\n21\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n23\tapplied\t_\tVERB\tVBN\t_\t25\tamod\t_\t_\n24\tphotography\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tdepartment\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n26\tat\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\tRochester\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n28\tInstitute\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n29\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\tTechnology\t_\tPROPN\tNNP\t_\t28\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tYou\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tcan\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\tshift\t_\tVERB\tVB\t_\t15\tdep\t_\t_\n5\tout\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\treality\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\twith\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tblack\t_\tNOUN\tJJ\t_\t4\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\twhite\t_\tNOUN\tJJ\t_\t9\tconj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n14\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\tadds\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tSuch\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tfeatures\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n3\thave\t_\tAUX\tVBP\t_\t6\taux\t_\t_\n4\tbeen\t_\tVERB\tVBN\t_\t6\tcop\t_\t_\n5\tespecially\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tattractive\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n7\tto\t_\tADP\tTO\t_\t9\tcase\t_\t_\n8\tprofessional\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tphotographers\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tmarketing\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\texecutives\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n14\twho\t_\tPRON\tWP\t_\t18\tnsubj\t_\t_\n15\thave\t_\tAUX\tVBP\t_\t18\taux\t_\t_\n16\tbeen\t_\tAUX\tVBN\t_\t18\taux\t_\t_\n17\tsteadily\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n18\tincreasing\t_\tVERB\tVBG\t_\t9\tacl:relcl\t_\t_\n19\ttheir\t_\tPRON\tPRP$\t_\t20\tnmod:poss\t_\t_\n20\tuse\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n21\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tblack\t_\tNOUN\tJJ\t_\t20\tnmod\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\twhite\t_\tNOUN\tJJ\t_\t22\tconj\t_\t_\n25\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tadvertising\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tProcessing\t_\tVERB\tNN\t_\t6\tnsubj\t_\t_\n2\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n3\tblack-and-white\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tcommercial\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tfilm\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n6\tjumped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\t24\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\t%\t_\tSYM\tNN\t_\t6\tdobj\t_\t_\n9\tlast\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tyear\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n11\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n12\t18.7\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tmillion\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\trolls\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tConsider\t_\tVERB\tVB\t_\t0\troot\t_\t_\n2\tGap\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tInc.\t_\tPROPN\tNNP\t_\t1\tdobj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\twhose\t_\tPRON\tWP$\t_\t8\tnmod:poss\t_\t_\n6\tlatest\t_\tADJ\tJJS\t_\t8\tamod\t_\t_\n7\tad\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tcampaign\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n9\tfeatures\t_\tVERB\tVBZ\t_\t3\tacl:relcl\t_\t_\n10\tblack-and-white\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tshots\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n12\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tHollywood\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tstars\t_\tNOUN\tNNS\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\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tstronger\t_\tADJ\tJJR\t_\t11\tamod\t_\t_\n11\tstatement\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n14\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n15\tMarc\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tL.\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tHauser\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tChicago\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tphotographer\t_\tNOUN\tNNP\t_\t17\tappos\t_\t_\n22\twho\t_\tPRON\tWP\t_\t24\tnsubj\t_\t_\n23\tis\t_\tAUX\tVBZ\t_\t24\taux\t_\t_\n24\tworking\t_\tVERB\tVBG\t_\t21\tacl:relcl\t_\t_\n25\ton\t_\tADP\tIN\t_\t29\tcase\t_\t_\n26\ta\t_\tDET\tDT\t_\t29\tdet\t_\t_\n27\tblack-and-white\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n28\tprint\t_\tNOUN\tNN\t_\t29\tcompound\t_\t_\n29\tad\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n30\tfor\t_\tADP\tIN\t_\t36\tcase\t_\t_\n31\tStouffer\t_\tPROPN\tNNP\t_\t33\tcompound\t_\t_\n32\tFood\t_\tPROPN\tNNP\t_\t33\tcompound\t_\t_\n33\tCorp.\t_\tPROPN\tNNP\t_\t36\tnmod:poss\t_\t_\n34\t's\t_\tPART\tPOS\t_\t33\tcase\t_\t_\n35\tLean\t_\tPROPN\tVB\t_\t36\tcompound\t_\t_\n36\tCuisine\t_\tPROPN\tNNP\t_\t29\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tOther\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tcompanies\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n3\tthat\t_\tPRON\tWDT\t_\t6\tnsubj\t_\t_\n4\tare\t_\tAUX\tVBP\t_\t6\taux\t_\t_\n5\tcurrently\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tusing\t_\tVERB\tVBG\t_\t2\tacl:relcl\t_\t_\n7\ttwo-tone\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tads\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n9\tinclude\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n10\tAmerican\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n11\tExpress\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tCo.\t_\tPROPN\tNNP\t_\t9\tdobj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\tEpson\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n15\tAmerica\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tInc\t_\tPROPN\tNNP\t_\t12\tconj\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tPortrait\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\tstudios\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n3\thave\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\talso\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tlatched\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tonto\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\ttrend\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tUsing\t_\tVERB\tVBG\t_\t9\tdep\t_\t_\n2\tblack\t_\tNOUN\tJJ\t_\t1\tdobj\t_\t_\n3\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\twhite\t_\tNOUN\tJJ\t_\t2\tconj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n7\twe\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n8\tcan\t_\tAUX\tMD\t_\t9\taux\t_\t_\n9\tmake\t_\tVERB\tVB\t_\t16\tdep\t_\t_\n10\thousewives\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n11\tlook\t_\tVERB\tVB\t_\t9\tccomp\t_\t_\n12\tlike\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tstars\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n16\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n17\tJohn\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tPerrin\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tHis\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n2\tOn-Broadway\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tPhotography\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tstudio\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tPortland\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tOre.\t_\tPROPN\tNNP\t_\t6\tappos\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n10\tdoubled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tits\t_\tPRON\tPRP$\t_\t12\tnmod:poss\t_\t_\n12\tbusiness\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\tlast\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tyear\t_\tNOUN\tNN\t_\t10\tnmod:tmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n17\the\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n18\tsays\t_\tVERB\tVBZ\t_\t10\tparataxis\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n20\tis\t_\tAUX\tVBZ\t_\t21\tauxpass\t_\t_\n21\tbooked\t_\tVERB\tVBN\t_\t10\tconj\t_\t_\n22\tsolid\t_\tADJ\tJJ\t_\t21\txcomp\t_\t_\n23\tfor\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tnext\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tfive\t_\tNUM\tCD\t_\t21\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tOne\t_\tNUM\tCD\t_\t2\tnummod\t_\t_\n2\tcustomer\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tDayna\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tBrunsdon\t_\tPROPN\tNNP\t_\t2\tappos\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n7\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\tshe\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tspurned\t_\tVERB\tVBD\t_\t7\tccomp\t_\t_\n10\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tcolor\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tportrait\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n13\tfor\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tblack\t_\tADJ\tJJ\t_\t9\tnmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n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_\t11\tnmod\t_\t_\n17\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tthird-quarter\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tprofit\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\tto\t_\tADP\tTO\t_\t21\tcase\t_\t_\n21\t$\t_\tSYM\t$\t_\t16\tnmod\t_\t_\n22\t8.8\t_\tNUM\tCD\t_\t23\tcompound\t_\t_\n23\tmillion\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n25\tor\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n26\t31\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n27\tcents\t_\tNOUN\tNNS\t_\t21\tconj\t_\t_\n28\ta\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tshare\t_\tNOUN\tNN\t_\t27\tnmod:npmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n31\tfrom\t_\tADP\tIN\t_\t32\tcase\t_\t_\n32\t$\t_\tSYM\t$\t_\t16\tnmod\t_\t_\n33\t7.2\t_\tNUM\tCD\t_\t34\tcompound\t_\t_\n34\tmillion\t_\tNUM\tCD\t_\t32\tnummod\t_\t_\n35\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n36\tor\t_\tCONJ\tCC\t_\t32\tcc\t_\t_\n37\t25\t_\tNUM\tCD\t_\t38\tnummod\t_\t_\n38\tcents\t_\tNOUN\tNNS\t_\t32\tconj\t_\t_\n39\ta\t_\tDET\tDT\t_\t40\tdet\t_\t_\n40\tshare\t_\tNOUN\tNN\t_\t38\tnmod:npmod\t_\t_\n41\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tSales\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\trose\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tmore\t_\tADV\tJJR\t_\t5\tadvmod\t_\t_\n4\tthan\t_\tADP\tIN\t_\t3\tmwe\t_\t_\n5\t7\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n6\t%\t_\tSYM\tNN\t_\t2\tdobj\t_\t_\n7\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n8\t$\t_\tSYM\t$\t_\t2\tnmod\t_\t_\n9\t94.9\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\tmillion\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n11\tfrom\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\t$\t_\tSYM\t$\t_\t2\tnmod\t_\t_\n13\t88.3\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\tmillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n2\tSacramento\t_\tPROPN\tNNP\t_\t6\tdep\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tCalif.\t_\tPROPN\tNNP\t_\t2\tdep\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n6\tcompany\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n7\talso\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\tattributed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\timproved\t_\tVERB\tJJ\t_\t10\tamod\t_\t_\n10\tperformance\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tto\t_\tADP\tTO\t_\t16\tcase\t_\t_\n12\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n13\tlower\t_\tADJ\tJJR\t_\t16\tamod\t_\t_\n14\teffective\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\ttax\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\trate\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\thigher\t_\tADJ\tJJR\t_\t20\tamod\t_\t_\n19\tinterest\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tincome\t_\tNOUN\tNN\t_\t16\tconj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tnine\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tmonths\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tnewspaper\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tchain\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n9\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\talmost\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n11\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\t23\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\t%\t_\tSYM\tNN\t_\t14\tamod\t_\t_\n14\tincrease\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n15\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tprofit\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n17\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n18\t$\t_\tSYM\t$\t_\t14\tnmod\t_\t_\n19\t23.6\t_\tNUM\tCD\t_\t20\tcompound\t_\t_\n20\tmillion\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n22\tor\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n23\t83\t_\tNUM\tCD\t_\t24\tnummod\t_\t_\n24\tcents\t_\tNOUN\tNNS\t_\t18\tconj\t_\t_\n25\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tshare\t_\tNOUN\tNN\t_\t24\tnmod:npmod\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n28\tfrom\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\t$\t_\tSYM\t$\t_\t14\tnmod\t_\t_\n30\t19.2\t_\tNUM\tCD\t_\t31\tcompound\t_\t_\n31\tmillion\t_\tNUM\tCD\t_\t29\tnummod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n33\tor\t_\tCONJ\tCC\t_\t29\tcc\t_\t_\n34\t68\t_\tNUM\tCD\t_\t35\tnummod\t_\t_\n35\tcents\t_\tNOUN\tNNS\t_\t29\tconj\t_\t_\n36\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tshare\t_\tNOUN\tNN\t_\t35\tnmod:npmod\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tSales\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tgrew\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\talmost\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\t7\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\t%\t_\tSYM\tNN\t_\t2\tdobj\t_\t_\n6\tto\t_\tADP\tTO\t_\t7\tcase\t_\t_\n7\t$\t_\tSYM\t$\t_\t2\tnmod\t_\t_\n8\t279.1\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\tmillion\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t2\tnmod\t_\t_\n12\t261.3\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tmillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tMcClatchy\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tpublishes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n4\tSacramento\t_\tPROPN\tNNP\t_\t9\tdep\t_\t_\n5\t-LRB-\t_\tPUNCT\t-LRB-\t_\t4\tpunct\t_\t_\n6\tCalif\t_\tPROPN\tNNP\t_\t4\tdep\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t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_\t12\tamod\t_\t_\n11\tsales\t_\tNOUN\tNNS\t_\t12\tcompound\t_\t_\n12\tvolume\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tmake\t_\tVERB\tVB\t_\t8\tconj\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tpositive\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tcontribution\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n19\tto\t_\tADP\tTO\t_\t21\tcase\t_\t_\n20\tour\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n21\tearnings\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n22\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\t1990\t_\tNUM\tCD\t_\t15\tdep\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n25\tbeyond\t_\tADP\tIN\t_\t23\tconj\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n27\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\t1988\t_\tNUM\tCD\t_\t6\tnmod\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tCincinnati\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tcompany\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\tearned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\t$\t_\tSYM\t$\t_\t6\tdobj\t_\t_\n8\t3.1\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\tmillion\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n11\tor\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n12\t32\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\tcents\t_\tNOUN\tNNS\t_\t7\tconj\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tshare\t_\tNOUN\tNN\t_\t13\tnmod:npmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n17\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\trevenue\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\t$\t_\tSYM\t$\t_\t18\tnmod\t_\t_\n21\t148.5\t_\tNUM\tCD\t_\t22\tcompound\t_\t_\n22\tmillion\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tOmnicare\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tdivision\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\toperates\t_\tVERB\tVBZ\t_\t2\tccomp\t_\t_\n6\tunder\t_\tADP\tIN\t_\t10\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\ttrade\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n9\tname\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tACCO\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n12\tsupplies\t_\tVERB\tVBZ\t_\t5\tconj\t_\t_\n13\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n14\tmedical\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\tdental\t_\tADJ\tJJ\t_\t14\tconj\t_\t_\n17\tmarkets\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tbusiness\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tbased\t_\tVERB\tVBN\t_\t2\tacl\t_\t_\n5\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tSt.\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tLouis\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n9\thad\t_\tVERB\tVBD\t_\t26\tccomp\t_\t_\n10\tsales\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n11\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tmore\t_\tADJ\tJJR\t_\t14\tadvmod\t_\t_\n13\tthan\t_\tADP\tIN\t_\t12\tmwe\t_\t_\n14\t$\t_\tSYM\t$\t_\t10\tnmod\t_\t_\n15\t14\t_\tNUM\tCD\t_\t16\tcompound\t_\t_\n16\tmillion\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n17\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tfiscal\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tyear\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n21\tended\t_\tVERB\tVBD\t_\t20\tacl\t_\t_\n22\tMarch\t_\tPROPN\tNNP\t_\t21\tnmod:tmod\t_\t_\n23\t31\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t26\tpunct\t_\t_\n25\tOmnicare\t_\tPROPN\tNNP\t_\t26\tnsubj\t_\t_\n26\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t26\tpunct\t_\t_\n\n1\tBurmah\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tOil\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tPLC\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\tBritish\t_\tPROPN\tJJ\t_\t8\tcompound\t_\t_\n7\tindependent\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\toil\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tspecialty\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n11\tchemicals\t_\tNOUN\tNNS\t_\t13\tcompound\t_\t_\n12\tmarketing\t_\tNOUN\tVBG\t_\t13\tcompound\t_\t_\n13\tconcern\t_\tNOUN\tNN\t_\t8\tconj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\tSHV\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n17\tHoldings\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tN.V.\t_\tPROPN\tNNP\t_\t23\tnsubj\t_\t_\n19\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tNetherlands\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n22\thas\t_\tAUX\tVBZ\t_\t23\taux\t_\t_\n23\tbuilt\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n24\tup\t_\tADP\tRP\t_\t23\tcompound:prt\t_\t_\n25\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n26\t6.7\t_\tNUM\tCD\t_\t27\tcompound\t_\t_\n27\t%\t_\tSYM\tNN\t_\t28\tamod\t_\t_\n28\tstake\t_\tNOUN\tNN\t_\t23\tdobj\t_\t_\n29\tin\t_\tADP\tIN\t_\t31\tcase\t_\t_\n30\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tcompany\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tJames\t_\tPROPN\tNNP\t_\t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unct\t_\t_\n18\tsole\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n20\tauthentic\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\trepresentative\t_\tNOUN\tNN\t_\t14\txcomp\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n23\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\tNamibia\t_\tPROPN\tNNP\t_\t26\tnmod:poss\t_\t_\n25\t's\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\tpeople\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n27\tin\t_\tADP\tIN\t_\t21\tdep\t_\t_\n\n1\tLast\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tyear\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tU.S.\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tbrokered\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tpeace\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tsettlement\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\tremove\t_\tVERB\tVB\t_\t6\tadvcl\t_\t_\n12\tCuba\t_\tPROPN\tNNP\t_\t16\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n15\tAfrika\t_\tPROPN\tFW\t_\t16\tcompound\t_\t_\n16\tKorps\t_\tPROPN\tFW\t_\t11\tdobj\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n18\tfrom\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tAngola\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n21\thold\t_\tVERB\tVB\t_\t11\tconj\t_\t_\n22\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n23\tfree\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n25\tfair\t_\tADJ\tJJ\t_\t23\tconj\t_\t_\n26\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n27\telections\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n28\tthat\t_\tPRON\tWDT\t_\t30\tnsubj\t_\t_\n29\twould\t_\tAUX\tMD\t_\t30\taux\t_\t_\n30\tend\t_\tVERB\tVB\t_\t27\tacl:relcl\t_\t_\n31\tSouth\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tAfrica\t_\tPROPN\tNNP\t_\t34\tnmod:poss\t_\t_\n33\t's\t_\tPART\tPOS\t_\t32\tcase\t_\t_\n34\tcontrol\t_\tNOUN\tNN\t_\t30\tdobj\t_\t_\n35\tof\t_\tADP\tIN\t_\t36\tcase\t_\t_\n36\tNamibia\t_\tPROPN\tNNP\t_\t34\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\telections\t_\tNOUN\tNNS\t_\t4\tnsubjpass\t_\t_\n3\tare\t_\tAUX\tVBP\t_\t4\tauxpass\t_\t_\n4\tset\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tNov.\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n7\t7\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tJuly\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n4\tMr.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tStanley\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\teditor\t_\tNOUN\tNN\t_\t5\tappos\t_\t_\n8\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tAmerican\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tPress\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tInternational\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n14\tWashington\t_\tPROPN\tNNP\t_\t15\tamod\t_\t_\n15\tD.C.-based\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n16\tconservative\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\twire\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tservice\t_\tNOUN\tNN\t_\t11\tappos\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n20\tvisited\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n21\tNamibia\t_\tPROPN\tNNP\t_\t20\tdobj\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\treport\t_\tVERB\tVB\t_\t20\tadvcl\t_\t_\n24\ton\t_\tADP\tIN\t_\t28\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n26\tU.N.-monitored\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n27\telection\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n28\tcampaign\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tinterviewed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tMr.\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tO'Linn\t_\tPROPN\tNNP\t_\t2\tdobj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\thead\t_\tNOUN\tNN\t_\t4\tappos\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcommission\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\tcharged\t_\tVERB\tVBN\t_\t9\tacl\t_\t_\n11\twith\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n12\tinvestigating\t_\tVERB\tVBG\t_\t10\tadvcl\t_\t_\n13\telectoral\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tintimidation\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n17\treported\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n18\tthat\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n19\tMr.\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tO'Linn\t_\tPROPN\tNNP\t_\t23\tnsubj\t_\t_\n21\twas\t_\tVERB\tVBD\t_\t23\tcop\t_\t_\n22\topenly\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n23\tsympathetic\t_\tADJ\tJJ\t_\t17\tccomp\t_\t_\n24\tto\t_\tADP\tTO\t_\t25\tcase\t_\t_\n25\tSWAPO\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n27\tindeed\t_\tADV\tRB\t_\t29\tadvmod\t_\t_\n28\thad\t_\tAUX\tVBD\t_\t29\taux\t_\t_\n29\tdefended\t_\tVERB\tVBN\t_\t23\tconj\t_\t_\n30\tits\t_\tPRON\tPRP$\t_\t31\tnmod:poss\t_\t_\n31\tleaders\t_\tNOUN\tNNS\t_\t29\tdobj\t_\t_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ockstep\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\twith\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tdollar\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n20\trising\t_\tVERB\tVBG\t_\t12\tdep\t_\t_\n21\tearly\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n22\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tday\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n25\tas\t_\tSCONJ\tIN\t_\t28\tmark\t_\t_\n26\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tcurrency\t_\tNOUN\tNN\t_\t28\tnsubj\t_\t_\n28\tfell\t_\tVERB\tVBD\t_\t20\tadvcl\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n30\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n31\tthen\t_\tADV\tRB\t_\t32\tadvmod\t_\t_\n32\tgiving\t_\tVERB\tVBG\t_\t20\tconj\t_\t_\n33\tup\t_\tADP\tRP\t_\t32\tcompound:prt\t_\t_\n34\tsome\t_\tDET\tDT\t_\t32\tdobj\t_\t_\n35\tof\t_\tADP\tIN\t_\t37\tcase\t_\t_\n36\tits\t_\tPRON\tPRP$\t_\t37\tnmod:poss\t_\t_\n37\tgains\t_\tNOUN\tNNS\t_\t34\tnmod\t_\t_\n38\tas\t_\tSCONJ\tIN\t_\t41\tmark\t_\t_\n39\tthe\t_\tDET\tDT\t_\t40\tdet\t_\t_\n40\tdollar\t_\tNOUN\tNN\t_\t41\tnsubj\t_\t_\n41\trecovered\t_\tVERB\tVBD\t_\t32\tadvcl\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tCopper\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n2\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\tcrude\t_\tNOUN\tJJ\t_\t4\tcompound\t_\t_\n4\toil\t_\tNOUN\tNN\t_\t1\tconj\t_\t_\n5\treacted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tsharply\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n7\tto\t_\tADP\tTO\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tconcern\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tcrash\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n13\tyesterday\t_\tNOUN\tNN\t_\t15\tnmod:tmod\t_\t_\n14\tcould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\thave\t_\tVERB\tVB\t_\t9\tccomp\t_\t_\n16\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n17\tpotentially\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n18\tdevastating\t_\tVERB\tJJ\t_\t19\tamod\t_\t_\n19\teffect\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n20\ton\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\teconomy\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tCopper\t_\tPROPN\tNN\t_\t2\tnsubj\t_\t_\n2\tfell\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\tshowed\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n5\tlittle\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\trebound\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tthrough\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tday\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n10\tas\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n11\tone\t_\tNUM\tCD\t_\t22\tnsubj\t_\t_\n12\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n14\tmajor\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tsupply\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tproblems\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n17\tthat\t_\tPRON\tWDT\t_\t20\tnsubj\t_\t_\n18\thad\t_\tAUX\tVBD\t_\t20\taux\t_\t_\n19\tbeen\t_\tAUX\tVBN\t_\t20\taux\t_\t_\n20\tsupporting\t_\tVERB\tVBG\t_\t11\tacl:relcl\t_\t_\n21\tprices\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n22\tappeared\t_\tVERB\tVBD\t_\t4\tadvcl\t_\t_\n23\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n24\tbe\t_\tAUX\tVB\t_\t25\tauxpass\t_\t_\n25\tsolved\t_\tVERB\tVBN\t_\t22\txcomp\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tCrude\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\toil\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tdeclined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tearly\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n6\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n7\tas\t_\tSCONJ\tIN\t_\t11\tmark\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tstock\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tmarket\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n11\tretained\t_\tVERB\tVBD\t_\t19\tadvcl\t_\t_\n12\tearly\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tgains\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n15\tit\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n17\ttoo\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n19\tbecame\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n20\tstronger\t_\tADJ\tJJR\t_\t19\txcomp\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n22\tending\t_\tVERB\tVBG\t_\t19\txcomp\t_\t_\n23\twith\t_\tADP\tIN\t_\t27\tcase\t_\t_\n24\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n25\tsmall\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\tnet\t_\tNOUN\tJJ\t_\t27\tcompound\t_\t_\n27\tloss\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tTrading\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n2\tin\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tcotton\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n4\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tsugar\t_\tNOUN\tNN\t_\t3\tconj\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t7\tcop\t_\t_\n7\tnervous\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tshowed\t_\tVERB\tVBD\t_\t7\tconj\t_\t_\n10\tsmall\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tdeclines\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tChicago\t_\tPROPN\tNNP\t_\t8\tnmod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pair\t_\tNOUN\tNN\t_\t54\tcompound\t_\t_\n54\tcenters\t_\tNOUN\tNNS\t_\t49\tnmod\t_\t_\n55\tby\t_\tADP\tIN\t_\t56\tcase\t_\t_\n56\tspring\t_\tNOUN\tNN\t_\t49\tnmod\t_\t_\n57\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tEarlier\t_\tADJ\tJJR\t_\t2\tamod\t_\t_\n2\trepairs\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tvented\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tCFCs\t_\tNOUN\tNNP\t_\t3\tdobj\t_\t_\n6\tout\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\thome\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\tthrough\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\those\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n13\tdirectly\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n14\tinto\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tatmosphere\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tCFCs\t_\tNOUN\tNNS\t_\t4\tnsubjpass\t_\t_\n2\tare\t_\tAUX\tVBP\t_\t4\tauxpass\t_\t_\n3\twidely\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tused\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tas\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tsolvents\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tcoolants\t_\tNOUN\tNNS\t_\t6\tconj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n10\tfire\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tsuppressants\t_\tNOUN\tNNS\t_\t6\tconj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\ttheir\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tuse\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n5\tbeen\t_\tAUX\tVBN\t_\t6\tauxpass\t_\t_\n6\tlinked\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n9\tpotentially\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tdangerous\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tdepletion\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tEarth\t_\tPROPN\tNNP\t_\t17\tnmod:poss\t_\t_\n15\t's\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tozone\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tlayer\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n20\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tnumber\t_\tNOUN\tNN\t_\t25\tnsubj\t_\t_\n22\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tcompanies\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n24\tare\t_\tAUX\tVBP\t_\t25\taux\t_\t_\n25\tseeking\t_\tVERB\tVBG\t_\t6\tconj\t_\t_\n26\tto\t_\tPART\tTO\t_\t27\tmark\t_\t_\n27\tcurtail\t_\tVERB\tVB\t_\t25\txcomp\t_\t_\n28\tuse\t_\tNOUN\tNN\t_\t27\tdobj\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n30\tor\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n31\tat\t_\tADP\tIN\t_\t32\tcase\t_\t_\n32\tleast\t_\tADJ\tJJS\t_\t33\tadvmod\t_\t_\n33\temission\t_\tNOUN\tNN\t_\t28\tconj\t_\t_\n34\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n35\tof\t_\tADP\tIN\t_\t37\tcase\t_\t_\n36\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tsubstance\t_\tNOUN\tNN\t_\t28\tconj\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tWhirpool\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n5\tWe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tsee\t_\tVERB\tVBP\t_\t2\tccomp\t_\t_\n7\tthis\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tprocess\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tas\t_\tADP\tIN\t_\t14\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n11\tsmall\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n12\tbut\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\timportant\t_\tADJ\tJJ\t_\t11\tconj\t_\t_\n14\tstep\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n15\ttoward\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\teventual\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\telimination\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tCFC\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tuse\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n21\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tappliance\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tmanufacture\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tMaxus\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tEnergy\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCorp.\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tDallas\t_\tPROPN\tNNP\t_\t3\tappos\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tit\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tdiscovered\t_\tVERB\tVBD\t_\t7\tccomp\t_\t_\n10\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n11\tnew\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\toil\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tfield\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n14\tnortheast\t_\tNOUN\tNN\t_\t9\tadvmod\t_\t_\n15\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n16\tits\t_\tPRON\tPRP$\t_\t20\tnmod:poss\t_\t_\n17\tpreviously\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n18\tdiscovered\t_\tVERB\tVBN\t_\t20\tamod\t_\t_\n19\tIntan\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tField\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n21\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n23\tsou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\tcompound\t_\t_\n8\tMarket\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tIndex\t_\tPROPN\tNNP\t_\t27\tnsubj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n12\tChicago\t_\tPROPN\tNNP\t_\t16\tdep\t_\t_\n13\tBoard\t_\tPROPN\tNNP\t_\t12\tdep\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tTrade\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n16\tfutures\t_\tNOUN\tNNS\t_\t9\tappos\t_\t_\n17\tcontract\t_\tVERB\tNN\t_\t16\tdep\t_\t_\n18\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\t20\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n20\tstocks\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n21\tdesigned\t_\tVERB\tVBN\t_\t20\tacl\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\tmimic\t_\tVERB\tVB\t_\t21\txcomp\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tDJIA\t_\tPROPN\tNNP\t_\t23\tdobj\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n27\texploded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n28\tupward\t_\tADV\tRB\t_\t27\tadvmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\tStock\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\ttraders\t_\tNOUN\tNNS\t_\t4\tnsubjpass\t_\t_\n3\twere\t_\tAUX\tVBD\t_\t4\tauxpass\t_\t_\n4\tbuoyed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\t--\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n6\tbecause\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n7\tan\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tupturn\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tMMI\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\thad\t_\tAUX\tVBD\t_\t14\taux\t_\t_\n13\talso\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tstarted\t_\tVERB\tVBN\t_\t4\tadvcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\trecovery\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tstocks\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n19\ton\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tTuesday\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n22\tfollowing\t_\tNOUN\tVBG\t_\t24\tdep\t_\t_\n23\tBlack\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tMonday\t_\tPROPN\tNNP\t_\t21\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tMMI\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\tgone\t_\tVERB\tVBN\t_\t9\tdep\t_\t_\n6\tbetter\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n9\tshouted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\ttrader\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n12\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tLondon\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\toffice\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n16\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tShearson\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n18\tLehman\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tHutton\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tShearson\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tLondon\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\ttrading\t_\tVERB\tNN\t_\t5\tamod\t_\t_\n5\troom\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\twent\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\twild\t_\tADJ\tJJ\t_\t6\txcomp\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tTraders\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tshouted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tout\t_\tADP\tRP\t_\t2\tcompound:prt\t_\t_\n4\tas\t_\tADV\tIN\t_\t12\tadvmod\t_\t_\n5\ttheir\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n6\tReuters\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tQuotron\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n10\tTelerate\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n11\tscreens\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n12\tposted\t_\tVERB\tVBD\t_\t2\tccomp\t_\t_\n13\tan\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tever-narrowing\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tloss\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tWall\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tStreet\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThen\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n3\tnine\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tminutes\t_\tNOUN\tNNS\t_\t5\tnmod:npmod\t_\t_\n5\tlater\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n7\tWall\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tStreet\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n9\tsuddenly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\trebounded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tgain\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tday\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n2\tRally\t_\tVERB\tNNP\t_\t9\tdep\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\trally\t_\tVERB\tNN\t_\t2\tdep\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n6\trally\t_\tVERB\tNN\t_\t2\tdep\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n9\tshouted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tShearson\t_\tPROPN\tNNP\t_\t13\tnmod:poss\t_\t_\n11\t's\t_\tPART\tPOS\t_\t10\tcase\t_\t_\n12\tAndy\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tRosen\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t5\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n4\tpanic\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tbuying\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tMajor\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tblue-chip\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tstocks\t_\tNOUN\tNNS\t_\t14\tnsubj\t_\t_\n4\tlike\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tPhilip\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tMorris\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tGeneral\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tMotors\t_\tPROPN\tNNPS\t_\t6\tconj\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n11\tProctor\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n12\t&\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\tGamble\t_\tPROPN\tNNP\t_\t11\tconj\t_\t_\n14\tled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\trally\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tJapanese\t_\tPROPN\tJJ\t_\t3\tnsubjpass\t_\t_\n2\twere\t_\tAUX\tVBD\t_\t3\tauxpass\t_\t_\n3\tsaid\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n5\tbe\t_\tVERB\tVB\t_\t7\tcop\t_\t_\n6\theavy\t_\tNOUN\tJJ\t_\t7\tcompound\t_\t_\n7\tbuyers\t_\tNOUN\tNNS\t_\t3\txcomp\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tGerman\t_\tPROPN\tJJ\t_\t4\tamod\t_\t_\n2\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\tDutch\t_\tPROPN\tJJ\t_\t1\tconj\t_\t_\n4\tinvestors\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n5\treportedly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tloaded\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tup\t_\tADP\tRP\t_\t6\tcompound:prt\t_\t_\n8\ton\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tKellogg\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tCo\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tThen\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\ttraders\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n4\tsay\t_\tVERB\tVBP\t_\t11\tparataxis\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tcorporations\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n7\twith\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tshare\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n9\tbuy-back\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tprograms\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n11\tkicked\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tinto\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\thigh\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tgear\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n16\ttriggering\t_\tVERB\tVBG\t_\t11\txcomp\t_\t_\n17\tgains\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n18\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n20\tamong\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tother\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tissues\t_\tNOUN\tNNS\t_\t25\tdep\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n24\tAlcan\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tAluminium\t_\tPROPN\tNNP\t_\t17\tnmod\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n27\tMcDonald\t_\tPROPN\tNNP\t_\t25\tconj\t_\t_\n28\t's\t_\tPART\tPOS\t_\t27\tcase\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tWalt\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tDisney\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCo.\t_\tPROPN\tNNP\t_\t30\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\twhich\t_\tPRON\tWDT\t_\t6\tnsubj\t_\t_\n6\thad\t_\tVERB\tVBD\t_\t3\tacl:relcl\t_\t_\n7\tone\t_\tNOUN\tCD\t_\t6\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tbiggest\t_\tADJ\tJJS\t_\t12\tamod\t_\t_\n11\tsell-order\t_\tADJ\tNN\t_\t12\tamod\t_\t_\n12\timbalances\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n13\ton\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tFriday\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n16\twas\t_\tVERB\tVBD\t_\t17\tcop\t_\t_\n17\tone\t_\tNUM\tCD\t_\t6\tconj\t_\t_\n18\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tseven\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n20\tstocks\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n21\tthat\t_\tPRON\tWDT\t_\t22\tnsubj\t_\t_\n22\thalted\t_\tVERB\tVBD\t_\t20\tacl:relcl\t_\t_\n23\ttrading\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n25\tnever\t_\tADV\tRB\t_\t26\tneg\t_\t_\n26\treopened\t_\tVERB\tVBD\t_\t22\tconj\t_\t_\n27\tthat\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tday\t_\tNOUN\tNN\t_\t26\tnmod:tmod\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n30\topened\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n31\tyesterday\t_\tNOUN\tNN\t_\t30\tnmod:tmod\t_\t_\n32\tlate\t_\tADV\tRB\t_\t30\tadvmod\t_\t_\n33\tat\t_\tADP\tIN\t_\t34\tcase\t_\t_\n34\t114.5\t_\tNUM\tCD\t_\t30\tnmod\t_\t_\n35\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n36\tdown\t_\tADV\tRB\t_\t30\tadvmod\t_\t_\n37\t8.5\t_\tNUM\tCD\t_\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_\t24\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tannouncement\t_\tNOUN\tNN\t_\t24\tnsubjpass\t_\t_\n5\tthat\t_\tSCONJ\tWDT\t_\t15\tmark\t_\t_\n6\treal\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\testate\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tmagnate\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tsometime\t_\tADJ\tRB\t_\t13\tamod\t_\t_\n11\traider\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n12\tDonald\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tTrump\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n14\twas\t_\tAUX\tVBD\t_\t15\taux\t_\t_\n15\twithdrawing\t_\tVERB\tVBG\t_\t4\tccomp\t_\t_\n16\this\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n17\toffer\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\tfor\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tAMR\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tCorp.\t_\tPROPN\tNNP\t_\t17\tnmod\t_\t_\n21\tmight\t_\tAUX\tMD\t_\t24\taux\t_\t_\n22\thave\t_\tAUX\tVB\t_\t24\taux\t_\t_\n23\tbeen\t_\tAUX\tVBN\t_\t24\tauxpass\t_\t_\n24\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n25\tto\t_\tPART\tTO\t_\t26\tmark\t_\t_\n26\trattle\t_\tVERB\tVB\t_\t24\txcomp\t_\t_\n27\ttraders\t_\tNOUN\tNNS\t_\t26\tdobj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\tInstead\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\trally\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n5\tonly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tpaused\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tabout\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\t25\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\tminutes\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n12\tthen\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\tsteamed\t_\tVERB\tVBD\t_\t6\tconj\t_\t_\n14\tforward\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n15\tas\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n16\tinstitutions\t_\tNOUN\tNNS\t_\t17\tnsubj\t_\t_\n17\tresumed\t_\tVERB\tVBD\t_\t13\tadvcl\t_\t_\n18\tbuying\t_\tVERB\tNN\t_\t17\tdobj\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tmarket\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tclosed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tminutes\t_\tNOUN\tNNS\t_\t3\tnmod:tmod\t_\t_\n5\tafter\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n6\treaching\t_\tVERB\tVBG\t_\t4\tacl\t_\t_\n7\tits\t_\tPRON\tPRP$\t_\t8\tnmod:poss\t_\t_\n8\thigh\t_\tNOUN\tJJ\t_\t6\tdobj\t_\t_\n9\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tday\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t8\tdep\t_\t_\n\n1\tAcross\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tcountry\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tmany\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tpeople\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\ttook\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tyesterday\t_\tNOUN\tNN\t_\t10\tnmod:poss\t_\t_\n9\t's\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\tevents\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n11\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tstride\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n14\twhile\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n15\tremaining\t_\tVERB\tVBG\t_\t7\tadvcl\t_\t_\n16\tgenerally\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\tuneasy\t_\tADJ\tJJ\t_\t15\txcomp\t_\t_\n18\tabout\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tstock\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tmarket\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n22\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tgeneral\t_\tNOUN\tJJ\t_\t21\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tSays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n2\tJames\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tNorman\t_\tPROPN\tNNP\t_\t1\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tmayor\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tAva\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tMo.\t_\tPROPN\tNNP\t_\t8\tappos\t_\t_\n11\t:\t_\tPUNCT\t:\t_\t1\tpunct\t_\t_\n12\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n13\tI\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n14\tdo\t_\tAUX\tVBP\t_\t16\taux\t_\t_\n15\tn't\t_\tPART\tRB\t_\t16\tneg\t_\t_\n16\tinvest\t_\tVERB\tVB\t_\t1\tdep\t_\t_\n17\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tstocks\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\tmuch\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tprefer\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tmoney\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n5\tI\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n6\tcan\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tput\t_\tVERB\tVB\t_\t4\tacl:relcl\t_\t_\n8\tmy\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n9\thands\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\ton\t_\tADP\tIN\t_\t7\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tWhile\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n2\tMayor\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tNorman\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tfound\t_\tVERB\tVBD\t_\t16\tadvcl\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tmarket\t_\tNOUN\tNN\t_\t8\tnmod:poss\t_\t_\n7\t's\t_\tPART\tPOS\t_\t6\tcase\t_\t_\n8\tperformance\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n9\tMonday\t_\tPROPN\tNNP\t_\t10\tnmod:tmod\t_\t_\n10\treassuring\t_\tVERB\tVBG\t_\t4\tdep\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n12\the\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\tsays\t_\tVERB\tVBZ\t_\t16\tparataxis\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\the\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\tremains\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n17\tuneasy\t_\tADJ\tJJ\t_\t16\txcomp\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\thave\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\thalf\t_\tDET\tPDT\t_\t6\tdet:predet\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\texperts\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\tsaying\t_\tVERB\tVBG\t_\t3\txcomp\t_\t_\n8\tone\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\tthing\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n11\thalf\t_\tNOUN\tPDT\t_\t13\tdep\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tother\t_\tADJ\tJJ\t_\t7\tconj\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n15\tabout\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tcourse\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\teconomy\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tRalph\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tHolzfaster\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tfarmer\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tfarm-supply\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\tstore\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\toperator\t_\tNOUN\tNN\t_\t5\tconj\t_\t_\n10\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tOgallala\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\tNeb.\t_\tPROPN\tNNP\t_\t11\tappos\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n18\tlast\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tfew\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n20\tdays\t_\tNOUN\tNNS\t_\t21\tcompound\t_\t_\n21\tevents\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n23\t``\t_\tPUNCT\t``\t_\t34\tpunct\t_\t_\n24\tIf\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n25\tanything\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n26\tgood\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n27\tcomes\t_\tVERB\tVBZ\t_\t34\tadvcl\t_\t_\n28\tout\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\tthis\t_\tPRON\tDT\t_\t27\tnmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n32\tit\t_\tPRON\tPRP\t_\t34\tnsubj\t_\t_\n33\tmight\t_\tAUX\tMD\t_\t34\taux\t_\t_\n34\tbe\t_\tVERB\tVB\t_\t15\tccomp\t_\t_\n35\tthat\t_\tSCONJ\tIN\t_\t37\tmark\t_\t_\n36\tit\t_\tPRON\tPRP\t_\t37\tnsubj\t_\t_\n37\tputs\t_\tVERB\tVBZ\t_\t34\tccomp\t_\t_\n38\tsome\t_\tDET\tDT\t_\t37\tdobj\t_\t_\n39\tof\t_\tADP\tIN\t_\t41\tcase\t_\t_\n40\tthese\t_\tDET\tDT\t_\t41\tdet\t_\t_\n41\tLBOs\t_\tNOUN\tNNS\t_\t38\tnmod\t_\t_\n42\ton\t_\tADP\tIN\t_\t44\tcase\t_\t_\n43\tthe\t_\tDET\tDT\t_\t44\tdet\t_\t_\n44\tskids\t_\tNOUN\tNNS\t_\t37\tnmod\t_\t_\n45\t.\t_\tPUNCT\t.\t_\t34\tpunct\t_\t_\n46\t''\t_\tPUNCT\t''\t_\t34\tpunct\t_\t_\n\n1\tSays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n2\tGordon\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tFines\t_\tPROPN\tNNP\t_\t1\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tmoney\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tmanager\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n8\tat\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tIDS\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tFinancial\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tServices\t_\tPROPN\tNNPS\t_\t7\tnmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tMinneapolis\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n15\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n16\tYou\t_\tPRON\tPRP\t_\t21\tnsubj\t_\t_\n17\t're\t_\tVERB\tVBP\t_\t21\tcop\t_\t_\n18\ton\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\troller\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tcoaster\t_\tNOUN\tNN\t_\t1\tccomp\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n24\tthat\t_\tPRON\tDT\t_\t26\tnsubj\t_\t_\n25\tmay\t_\tAUX\tMD\t_\t26\taux\t_\t_\n26\tlast\t_\tVERB\tVB\t_\t21\tconj\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tpublic\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n4\tstill\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tcautious\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tSkipper\t_\tPROPN\tNNP\t_\t3\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tInc.\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tBellevue\t_\tPROPN\tNNP\t_\t3\tappos\t_\t_\n6\t,\t_\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mod\t_\t_\n23\texecutive\t_\tNOUN\tNN\t_\t20\tconj\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tCluett\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t5\tcop\t_\t_\n3\tan\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tindependent\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tcompany\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tuntil\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n7\tWest\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tPoint-Pepperell\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n9\tacquired\t_\tVERB\tVBD\t_\t5\tadvcl\t_\t_\n10\tit\t_\tPRON\tPRP\t_\t9\tdobj\t_\t_\n11\tfor\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\t$\t_\tSYM\t$\t_\t9\tnmod\t_\t_\n13\t375\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\tmillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tcash\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\tstock\t_\tNOUN\tNN\t_\t16\tconj\t_\t_\n19\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\t1986\t_\tNUM\tCD\t_\t9\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tfiscal\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tyear\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n5\tended\t_\tVERB\tVBN\t_\t4\tacl\t_\t_\n6\tSept.\t_\tPROPN\tNNP\t_\t5\tnmod:tmod\t_\t_\n7\t30\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n9\t1988\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n11\tCluett\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n12\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\toperating\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tprofit\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n15\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\t$\t_\tSYM\t$\t_\t14\tnmod\t_\t_\n17\t37\t_\tNUM\tCD\t_\t18\tcompound\t_\t_\n18\tmillion\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n19\ton\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tsales\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n21\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\t$\t_\tSYM\t$\t_\t20\tnmod\t_\t_\n23\t757\t_\tNUM\tCD\t_\t24\tcompound\t_\t_\n24\tmillion\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tBidermann\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsells\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tclothes\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n4\tunder\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tvarious\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tlabels\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tincluding\t_\tVERB\tVBG\t_\t11\tcase\t_\t_\n9\tYves\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tSaint\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tLaurent\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\tBill\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tRobinson\t_\tPROPN\tNNP\t_\t11\tconj\t_\t_\n15\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tmen\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n18\tRalph\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tLauren\t_\tPROPN\tNNP\t_\t11\tconj\t_\t_\n20\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\twomen\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tspokesman\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tcompany\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\thad\t_\tVERB\tVBD\t_\t3\tccomp\t_\t_\n7\tsales\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\t$\t_\tSYM\t$\t_\t7\tnmod\t_\t_\n10\t400\t_\tNUM\tCD\t_\t11\tcompound\t_\t_\n11\tmillion\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n12\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\t1988\t_\tNUM\tCD\t_\t6\tnmod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t7\tcase\t_\t_\n2\tNew\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n3\tYork\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n4\tStock\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n5\tExchange\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tcomposite\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\ttrading\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\tWest\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tPoint-Pepperell\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n11\tfell\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\t25\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\tcents\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\tto\t_\tADP\tTO\t_\t16\tcase\t_\t_\n15\t$\t_\tSYM\t$\t_\t16\tdep\t_\t_\n16\t53.875\t_\tNUM\tCD\t_\t11\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tBritain\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tBlue\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tArrow\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tPLC\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tintends\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tchange\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\tits\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n10\tname\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n12\tManpower\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tPLC\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n15\twrite\t_\tVERB\tVB\t_\t8\tconj\t_\t_\n16\toff\t_\tADP\tRP\t_\t15\tcompound:prt\t_\t_\n17\t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\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tStrong\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tearnings\t_\tNOUN\tNNS\t_\t3\tcompound\t_\t_\n3\tgrowth\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\thelped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tachieve\t_\tVERB\tVB\t_\t4\tccomp\t_\t_\n6\tthat\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tprice\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n8\tfar\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tahead\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tschedule\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n13\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tAugust\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n15\t1988\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tstock\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n3\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n4\tsince\t_\tADP\tIN\t_\t5\tadvmod\t_\t_\n5\tsoftened\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\ttrading\t_\tVERB\tVBG\t_\t5\tccomp\t_\t_\n8\taround\t_\tADV\tIN\t_\t9\tadvmod\t_\t_\n9\t$\t_\tSYM\t$\t_\t7\tdobj\t_\t_\n10\t25\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tshare\t_\tNOUN\tNN\t_\t9\tnmod:npmod\t_\t_\n13\tlast\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tweek\t_\tNOUN\tNN\t_\t7\tnmod:tmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n16\tclosing\t_\tVERB\tNN\t_\t7\tconj\t_\t_\n17\tyesterday\t_\tNOUN\tNN\t_\t16\tnmod:tmod\t_\t_\n18\tat\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\t$\t_\tSYM\t$\t_\t20\tdep\t_\t_\n20\t23.00\t_\tNUM\tCD\t_\t16\tnmod\t_\t_\n21\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tnational\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n23\tover-the-counter\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\ttrading\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tMr.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tSim\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\tset\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tfresh\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\ttarget\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\t$\t_\tSYM\t$\t_\t11\tdep\t_\t_\n11\t50\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tshare\t_\tNOUN\tNN\t_\t11\tnmod:npmod\t_\t_\n14\tby\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tend\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n17\tof\t_\tADP\tIN\t_\t16\tdep\t_\t_\n\n1\tReaching\t_\tVERB\tVBG\t_\t17\tcsubj\t_\t_\n2\tthat\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tgoal\t_\tNOUN\tNN\t_\t1\tdobj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n5\tsays\t_\tVERB\tVBZ\t_\t17\tparataxis\t_\t_\n6\tRobert\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tT.\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tFoote\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tApplied\t_\tPROPN\tNNP\t_\t14\tnmod:poss\t_\t_\n11\t's\t_\tPART\tPOS\t_\t10\tcase\t_\t_\n12\tchief\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tfinancial\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tofficer\t_\tNOUN\tNN\t_\t8\tappos\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n16\twill\t_\tAUX\tMD\t_\t17\taux\t_\t_\n17\trequire\t_\tVERB\tVB\t_\t0\troot\t_\t_\n18\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n19\tefficient\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\treinvestment\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n21\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n22\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tcash\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n24\tby\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tApplied\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n27\tcontinuation\t_\tNOUN\tNN\t_\t20\tconj\t_\t_\n28\tof\t_\tADP\tIN\t_\t33\tcase\t_\t_\n29\tits\t_\tPRON\tPRP$\t_\t33\tnmod:poss\t_\t_\n30\thealthy\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n31\t19\t_\tNUM\tCD\t_\t32\tcompound\t_\t_\n32\t%\t_\tSYM\tNN\t_\t33\tamod\t_\t_\n33\trate\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n34\tof\t_\tADP\tIN\t_\t35\tcase\t_\t_\n35\treturn\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n36\ton\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\toperating\t_\tNOUN\tNN\t_\t38\tcompound\t_\t_\n38\tcapital\t_\tNOUN\tNN\t_\t35\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tBarry\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tWright\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tMr.\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tSim\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tsees\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tsituation\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n11\tvery\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tsimilar\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n14\tto\t_\tADP\tTO\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tone\t_\tNUM\tNN\t_\t12\tnmod\t_\t_\n17\the\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n18\tfaced\t_\tVERB\tVBD\t_\t16\tacl:relcl\t_\t_\n19\twhen\t_\tADV\tWRB\t_\t21\tadvmod\t_\t_\n20\the\t_\tPRON\tPRP\t_\t21\tnsubj\t_\t_\n21\tjoined\t_\tVERB\tVBD\t_\t18\tadvcl\t_\t_\n22\tApplied\t_\tPROPN\tNNP\t_\t21\tdobj\t_\t_\n23\tas\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tpresident\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n26\tchief\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n27\toperating\t_\tVERB\tVBG\t_\t28\tamod\t_\t_\n28\tofficer\t_\tNOUN\tNN\t_\t24\tconj\t_\t_\n29\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\t1985\t_\tNUM\tCD\t_\t21\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tApplied\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n3\tthen\t_\tADV\tRB\t_\t7\tdep\t_\t_\n4\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tclosely\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\theld\t_\tVERB\tVBN\t_\t7\tamod\t_\t_\n7\tcompany\t_\tNOUN\tNN\t_\t1\tdep\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\twas\t_\tAUX\tVBD\t_\t10\taux\t_\t_\n10\tstagnating\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n11\tunder\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tmanagement\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tits\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n16\tcontrolling\t_\tVERB\tVBG\t_\t17\tamod\t_\t_\n17\tfamily\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tWhile\t_\tSCONJ\tIN\t_\t2\tmark\t_\t_\n2\tprofitable\t_\tADJ\tJJ\t_\t8\tadvcl\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n6\twas\t_\tAUX\tVBD\t_\t8\taux\t_\t_\n7\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n8\tgrowing\t_\tVERB\tVBG\t_\t22\tdep\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\twas\t_\tAUX\tVBD\t_\t12\taux\t_\t_\n11\tn't\t_\tPART\tRB\t_\t12\tneg\t_\t_\n12\tproviding\t_\tVERB\tVBG\t_\t8\tconj\t_\t_\n13\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tsatisfactory\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\treturn\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tinvested\t_\tVERB\tVBN\t_\t18\tamod\t_\t_\n18\tcapital\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n21\the\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n22\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tSim\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t4\tcop\t_\t_\n4\tconfident\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n5\tthat\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tdrive\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tdominate\t_\tVERB\tVB\t_\t7\tacl\t_\t_\n10\tcertain\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\tniche\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tmarkets\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n13\twill\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\twork\t_\tVERB\tVB\t_\t4\tccomp\t_\t_\n15\tat\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tBarry\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tWright\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n18\tas\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n19\tit\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n20\thas\t_\tAUX\tVBZ\t_\t22\taux\t_\t_\n21\tat\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tApplied\t_\tPROPN\tNNP\t_\t14\tadvcl\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\talso\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tprofesses\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tan\t_\tDET\tDT\t_\t8\tdet\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n6\tevangelical\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n8\tfervor\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tdevelop\t_\tVERB\tVB\t_\t8\tacl\t_\t_\n11\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tcorporate\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tculture\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n14\tthat\t_\tPRON\tWDT\t_\t15\tnsubj\t_\t_\n15\trewards\t_\tVERB\tVBZ\t_\t13\tacl:relcl\t_\t_\n16\tmanagers\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n17\twho\t_\tPRON\tWP\t_\t18\tnsubj\t_\t_\n18\tproduce\t_\tVERB\tVBP\t_\t16\tacl:relcl\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n20\twhere\t_\tADV\tWRB\t_\t23\tadvmod\t_\t_\n21\tdecision-making\t_\tNOUN\tNN\t_\t23\tnsubjpass\t_\t_\n22\tis\t_\tAUX\tVBZ\t_\t23\tauxpass\t_\t_\n23\tshared\t_\tVERB\tVBN\t_\t15\tconj\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tSim\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tconsiders\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tnew\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tunit\t_\tNOUN\tNN\t_\t8\tnmod:poss\t_\t_\n7\t's\t_\tPART\tPOS\t_\t6\tcase\t_\t_\n8\toperations\t_\tNOUN\tNNS\t_\t11\tdep\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n10\tfundamentally\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\tsound\t_\tADJ\tJJ\t_\t3\txcomp\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n14\tadds\t_\tVERB\tVBZ\t_\t3\tconj\t_\t_\n15\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n16\tBarry\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tWright\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n18\thas\t_\tAUX\tVBZ\t_\t21\taux\t_\t_\n19\tbeen\t_\tVERB\tVBN\t_\t21\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  },
  {
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    "content": 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_\n3\twould\t_\tAUX\tMD\t_\t5\taux\t_\t_\n4\tbe\t_\tAUX\tVB\t_\t5\tauxpass\t_\t_\n5\tpaid\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\toff\t_\tADP\tRP\t_\t5\tcompound:prt\t_\t_\n7\tas\t_\tSCONJ\tIN\t_\t11\tmark\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tassets\t_\tNOUN\tNNS\t_\t11\tnsubjpass\t_\t_\n10\tare\t_\tAUX\tVBP\t_\t11\tauxpass\t_\t_\n11\tsold\t_\tVERB\tVBN\t_\t5\tadvcl\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n13\tleaving\t_\tVERB\tVBG\t_\t5\txcomp\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\ttotal\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tspending\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n17\tfor\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tbailout\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\tat\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\t$\t_\tSYM\t$\t_\t13\tnmod\t_\t_\n22\t50\t_\tNUM\tCD\t_\t23\tcompound\t_\t_\n23\tbillion\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n25\tor\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n26\t$\t_\tSYM\t$\t_\t21\tconj\t_\t_\n27\t166\t_\tNUM\tCD\t_\t28\tcompound\t_\t_\n28\tbillion\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n29\tincluding\t_\tVERB\tVBG\t_\t30\tcase\t_\t_\n30\tinterest\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n31\tover\t_\tADP\tIN\t_\t33\tcase\t_\t_\n32\t10\t_\tNUM\tCD\t_\t33\tnummod\t_\t_\n33\tyears\t_\tNOUN\tNNS\t_\t30\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tproblem\t_\tNOUN\tNN\t_\t14\tccomp\t_\t_\n6\tthat\t_\tPRON\tWDT\t_\t8\tnsubj\t_\t_\n7\tclearly\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\thas\t_\tVERB\tVBZ\t_\t5\tacl:relcl\t_\t_\n9\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n10\tbe\t_\tAUX\tVB\t_\t11\tauxpass\t_\t_\n11\tresolved\t_\tVERB\tVBN\t_\t8\txcomp\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n14\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\tDavid\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tCooke\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n18\texecutive\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tdirector\t_\tNOUN\tNN\t_\t16\tappos\t_\t_\n20\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tRTC\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tagency\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n3\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n4\talready\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tspent\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\troughly\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\t$\t_\tSYM\t$\t_\t5\tdobj\t_\t_\n8\t19\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\tbillion\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n10\tselling\t_\tVERB\tVBG\t_\t5\txcomp\t_\t_\n11\t34\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n12\tinsolvent\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tS&Ls\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n16\tit\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n17\tis\t_\tVERB\tVBZ\t_\t18\tcop\t_\t_\n18\tlikely\t_\tADJ\tJJ\t_\t5\tconj\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\tsell\t_\tVERB\tVB\t_\t18\txcomp\t_\t_\n21\tor\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tmerge\t_\tVERB\tVB\t_\t20\tconj\t_\t_\n23\t600\t_\tNUM\tCD\t_\t20\tdobj\t_\t_\n24\tby\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\ttime\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tbailout\t_\tNOUN\tNN\t_\t29\tnsubj\t_\t_\n29\tconcludes\t_\tVERB\tVBZ\t_\t26\tacl:relcl\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tAbsent\t_\tVERB\tVB\t_\t13\tdep\t_\t_\n2\tother\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n3\tworking\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tcapital\t_\tNOUN\tNN\t_\t1\tdep\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n6\the\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t13\tparataxis\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tRTC\t_\tPROPN\tNNP\t_\t13\tnsubjpass\t_\t_\n11\twould\t_\tAUX\tMD\t_\t13\taux\t_\t_\n12\tbe\t_\tAUX\tVB\t_\t13\tauxpass\t_\t_\n13\tforced\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tdelay\t_\tVERB\tVB\t_\t13\txcomp\t_\t_\n16\tother\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\tthrift\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tresolutions\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n19\tuntil\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n20\tcash\t_\tNOUN\tNN\t_\t23\tnsubjpass\t_\t_\n21\tcould\t_\tAUX\tMD\t_\t23\taux\t_\t_\n22\tbe\t_\tAUX\tVB\t_\t23\tauxpass\t_\t_\n23\traised\t_\tVERB\tVBN\t_\t15\tadvcl\t_\t_\n24\tby\t_\tSCONJ\tIN\t_\t25\tmark\t_\t_\n25\tselling\t_\tVERB\tVBG\t_\t23\tadvcl\t_\t_\n26\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n27\tbad\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tassets\t_\tNOUN\tNNS\t_\t25\tdobj\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t22\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\twould\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\thave\t_\tVERB\tVB\t_\t22\tccomp\t_\t_\n5\tto\t_\tPART\tTO\t_\t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P\t_\t2\tnsubj\t_\t_\n2\tconsidered\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tan\t_\tDET\tDT\t_\t6\tdet\t_\t_\n4\teven\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tharder\t_\tADJ\tJJR\t_\t6\tamod\t_\t_\n6\tsell\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\trecommending\t_\tVERB\tVBG\t_\t6\tdep\t_\t_\n9\tspecific\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tstocks\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tInstead\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\tit\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tsettled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\ton\t_\tADP\tRP\t_\t7\tdep\t_\t_\n6\tjust\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\turging\t_\tVERB\tVBG\t_\t4\tadvcl\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tclients\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\twho\t_\tPRON\tWP\t_\t13\tnsubj\t_\t_\n11\tare\t_\tVERB\tVBP\t_\t13\tcop\t_\t_\n12\tits\t_\tPRON\tPRP$\t_\t13\tnmod:poss\t_\t_\n13\tlifeline\t_\tNOUN\tNN\t_\t9\tacl:relcl\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tkeep\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n16\tthat\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tmoney\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tmarket\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t32\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t're\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n4\tsaying\t_\tVERB\tVBG\t_\t32\tccomp\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tworst\t_\tADJ\tJJS\t_\t7\tamod\t_\t_\n7\tthing\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n8\tthat\t_\tADP\tIN\t_\t11\tdobj\t_\t_\n9\tanyone\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n10\tcan\t_\tAUX\tMD\t_\t11\taux\t_\t_\n11\tdo\t_\tVERB\tVB\t_\t7\tacl:relcl\t_\t_\n12\tis\t_\tVERB\tVBZ\t_\t4\tccomp\t_\t_\n13\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n14\tsee\t_\tVERB\tVB\t_\t12\txcomp\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tmarket\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n17\tgo\t_\tVERB\tVB\t_\t14\tccomp\t_\t_\n18\tdown\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n20\tdump\t_\tVERB\tVB\t_\t17\tconj\t_\t_\n21\teverything\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n23\twhich\t_\tPRON\tWDT\t_\t25\tnsubj\t_\t_\n24\tjust\t_\tADV\tRB\t_\t25\tadvmod\t_\t_\n25\tdrives\t_\tVERB\tVBZ\t_\t17\tccomp\t_\t_\n26\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tprices\t_\tNOUN\tNNS\t_\t25\tdobj\t_\t_\n28\tdown\t_\tADP\tIN\t_\t25\tadvmod\t_\t_\n29\tfurther\t_\tADV\tRBR\t_\t25\tadvmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n31\t''\t_\tPUNCT\t''\t_\t32\tpunct\t_\t_\n32\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n33\tJohn\t_\tPROPN\tNNP\t_\t34\tcompound\t_\t_\n34\tLampe\t_\tPROPN\tNNP\t_\t32\tnsubj\t_\t_\n35\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n36\tPaineWebber\t_\tPROPN\tNNP\t_\t38\tnmod:poss\t_\t_\n37\t's\t_\tPART\tPOS\t_\t36\tcase\t_\t_\n38\tdirector\t_\tNOUN\tNN\t_\t34\tappos\t_\t_\n39\tof\t_\tADP\tIN\t_\t40\tcase\t_\t_\n40\tadvertising\t_\tNOUN\tNN\t_\t38\tnmod\t_\t_\n41\t.\t_\tPUNCT\t.\t_\t32\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n2\tIf\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n3\tyou\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\towned\t_\tVERB\tVBD\t_\t16\tadvcl\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t4\tdobj\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n7\tliked\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n8\tit\t_\tPRON\tPRP\t_\t7\tdobj\t_\t_\n9\tFriday\t_\tPROPN\tNNP\t_\t4\tnmod:tmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\ttrue\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tvalue\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n14\thas\t_\tAUX\tVBZ\t_\t16\taux\t_\t_\n15\tn't\t_\tPART\tRB\t_\t16\tneg\t_\t_\n16\tchanged\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tadds\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\t``\t_\tPUNCT\t``\t_\t2\tpunct\t_\t_\n5\tThis\t_\tPRON\tDT\t_\t8\tnsubj\t_\t_\n6\tis\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n7\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n8\t1987\t_\tNUM\tCD\t_\t2\tccomp\t_\t_\n9\trevisited\t_\tVERB\tVBN\t_\t8\tacl\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n\n1\tWith\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tmarket\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tfluctuating\t_\tVERB\tVBG\t_\t17\tadvcl\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\tthen\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tclosing\t_\tVERB\tVBG\t_\t4\tconj\t_\t_\n8\tup\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n9\tmore\t_\tADV\tRBR\t_\t11\tadvmod\t_\t_\n10\tthan\t_\tADP\tIN\t_\t9\tmwe\t_\t_\n11\t88\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\tpoints\t_\tNOUN\tNNS\t_\t8\tnmod:npmod\t_\t_\n13\tyesterday\t_\tNOUN\tNN\t_\t17\tnmod:tmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n15\tinvestment\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tfirms\t_\tNOUN\tNNS\t_\t17\tnsubj\t_\t_\n17\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n18\tto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\t_\tPROPN\tNNP\t_\t45\tcompound\t_\t_\n45\tDodgers\t_\tPROPN\tNNP\t_\t38\tnmod\t_\t_\n46\tand\t_\tCONJ\tCC\t_\t45\tcc\t_\t_\n47\tOrel\t_\tPROPN\tNNP\t_\t48\tcompound\t_\t_\n48\tHershiser\t_\tPROPN\tNNP\t_\t45\tconj\t_\t_\n49\tin\t_\tADP\tIN\t_\t53\tcase\t_\t_\n50\tlast\t_\tADJ\tJJ\t_\t51\tamod\t_\t_\n51\tyear\t_\tNOUN\tNN\t_\t53\tnmod:poss\t_\t_\n52\t's\t_\tPART\tPOS\t_\t51\tcase\t_\t_\n53\ttournament\t_\tNOUN\tNN\t_\t38\tnmod\t_\t_\n54\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tMorever\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n3\tmuch\t_\tADJ\tJJ\t_\t8\tnsubjpass\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tdamage\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\twas\t_\tAUX\tVBD\t_\t8\tauxpass\t_\t_\n8\taccomplished\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tA\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\t's\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\twho\t_\tPRON\tWP\t_\t13\tnsubj\t_\t_\n13\thad\t_\tVERB\tVBD\t_\t11\tacl:relcl\t_\t_\n14\tsome\t_\tDET\tDT\t_\t13\tdobj\t_\t_\n15\tcatching\t_\tVERB\tVBG\t_\t14\tamod\t_\t_\n16\tup\t_\tADP\tRP\t_\t14\tdep\t_\t_\n17\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n18\tdo\t_\tVERB\tVB\t_\t14\tacl\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tgame\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n3\ttwo\t_\tNUM\tCD\t_\t2\tnummod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n5\ton\t_\tADP\tIN\t_\t9\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tcool\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\tSunday\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tevening\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n10\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthis\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tland\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tperpetual\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tautumn\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tlot\t_\tNOUN\tNN\t_\t24\tnsubjpass\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t18\tnmod\t_\t_\n21\tcatching\t_\tVERB\tVBG\t_\t20\tamod\t_\t_\n22\tup\t_\tADP\tRP\t_\t20\tdep\t_\t_\n23\twas\t_\tAUX\tVBD\t_\t24\tauxpass\t_\t_\n24\tdone\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n25\tby\t_\tADP\tIN\t_\t29\tcase\t_\t_\n26\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n27\tA\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n28\t's\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tcatcher\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n31\tTerry\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tSteinbach\t_\tPROPN\tNNP\t_\t29\tappos\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\thit\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\t2-0\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\tpitch\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n6\tfrom\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tRick\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tReuschel\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\tinto\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tleft-field\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tstands\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n13\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tinning\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n15\tfour\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n16\tto\t_\tPART\tTO\t_\t17\tmark\t_\t_\n17\tstretch\t_\tVERB\tVB\t_\t2\tadvcl\t_\t_\n18\this\t_\tPRON\tPRP$\t_\t19\tnmod:poss\t_\t_\n19\tteam\t_\tNOUN\tNN\t_\t21\tnmod:poss\t_\t_\n20\t's\t_\tPART\tPOS\t_\t19\tcase\t_\t_\n21\tlead\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n22\tfrom\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\t2-1\t_\tNUM\tCD\t_\t17\tnmod\t_\t_\n24\tto\t_\tADP\tTO\t_\t27\tcase\t_\t_\n25\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n26\tdecisive\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\t5-1\t_\tNUM\tCD\t_\t17\tnmod\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n29\twhere\t_\tADV\tWRB\t_\t31\tadvmod\t_\t_\n30\tit\t_\tPRON\tPRP\t_\t31\tnsubj\t_\t_\n31\tstayed\t_\tVERB\tVBD\t_\t27\tacl:relcl\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tSo\t_\tADV\tRB\t_\t0\troot\t_\t_\n2\twhat\t_\tPRON\tWP\t_\t1\tdep\t_\t_\n3\tif\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n4\tSteinbach\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n5\thad\t_\tAUX\tVBD\t_\t6\taux\t_\t_\n6\tstruck\t_\tVERB\tVBN\t_\t1\tdep\t_\t_\n7\tjust\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n8\tseven\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n9\thome\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\truns\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n11\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\t130\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n13\tregular-season\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tgames\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n17\tbatted\t_\tVERB\tVBD\t_\t6\tconj\t_\t_\n18\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tseventh\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tposition\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n22\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n24\tA\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n25\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\t_\n9\tbut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n10\tonly\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n11\tbecause\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n12\tthey\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\tlost\t_\tVERB\tVBD\t_\t6\tadvcl\t_\t_\n14\tyesterday\t_\tNOUN\tNN\t_\t13\tnmod:tmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tlove\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\t'em\t_\tPRON\tPRP\t_\t2\tdobj\t_\t_\n4\tboth\t_\tDET\tDT\t_\t3\tdet\t_\t_\n5\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tonly\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tthing\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n4\tI\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\t'm\t_\tAUX\tVBP\t_\t6\taux\t_\t_\n6\trooting\t_\tVERB\tVBG\t_\t3\tacl:relcl\t_\t_\n7\tfor\t_\tADP\tIN\t_\t6\tnmod\t_\t_\n8\tis\t_\tVERB\tVBZ\t_\t18\tccomp\t_\t_\n9\tfor\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tSeries\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tgo\t_\tVERB\tVB\t_\t8\tadvcl\t_\t_\n14\tseven\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n15\tgames\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n18\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\tDavid\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tWilliams\t_\tPROPN\tNNP\t_\t18\tnsubj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n22\ta\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tSacramento\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tseptuagenarian\t_\tNOUN\tNN\t_\t20\tappos\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n26\tat\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tColiseum\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n29\tbefore\t_\tADP\tIN\t_\t32\tcase\t_\t_\n30\tSunday\t_\tPROPN\tNNP\t_\t32\tnmod:poss\t_\t_\n31\t's\t_\tPART\tPOS\t_\t30\tcase\t_\t_\n32\tgo\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tabove\t_\tADJ\tJJ\t_\t3\tnsubj\t_\t_\n3\trepresents\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\ttriumph\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\teither\t_\tDET\tDT\t_\t8\tcc:preconj\t_\t_\n8\tapathy\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\tor\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tcivility\t_\tNOUN\tNN\t_\t8\tconj\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tchoose\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\tto\t_\tPART\tTO\t_\t4\tmark\t_\t_\n4\tbelieve\t_\tVERB\tVB\t_\t2\txcomp\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n6\t's\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tlatter\t_\tADJ\tJJ\t_\t4\tccomp\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n10\talthough\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n12\tprobably\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\tsprings\t_\tVERB\tVBZ\t_\t2\tadvcl\t_\t_\n14\tfrom\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tfact\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n17\tthat\t_\tSCONJ\tIN\t_\t35\tmark\t_\t_\n18\tjust\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n19\tabout\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n20\teveryone\t_\tNOUN\tNN\t_\t35\tnsubj\t_\t_\n21\tout\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\there\t_\tADV\tRB\t_\t20\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n24\tincluding\t_\tVERB\tVBG\t_\t27\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n26\tA\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\t's\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n28\tand\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n29\tGiants\t_\tPROPN\tNNP\t_\t27\tconj\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n31\tis\t_\tVERB\tVBZ\t_\t35\tcop\t_\t_\n32\toriginally\t_\tADV\tRB\t_\t35\tadvmod\t_\t_\n33\tfrom\t_\tADP\tIN\t_\t35\tcase\t_\t_\n34\tsomewhere\t_\tADV\tRB\t_\t35\tadvmod\t_\t_\n35\telse\t_\tADV\tRB\t_\t16\tccomp\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tSuffice\t_\tVERB\tVB\t_\t0\troot\t_\t_\n2\tit\t_\tPRON\tPRP\t_\t1\tdobj\t_\t_\n3\tto\t_\tPART\tTO\t_\t4\tmark\t_\t_\n4\tsay\t_\tVERB\tVB\t_\t1\tadvcl\t_\t_\n5\tthat\t_\tSCONJ\tIN\t_\t34\tmark\t_\t_\n6\tif\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n7\tthis\t_\tPRON\tDT\t_\t13\tnsubj\t_\t_\n8\twere\t_\tVERB\tVBD\t_\t13\tcop\t_\t_\n9\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n10\tNew\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n11\tYork\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n12\tYankees-Mets\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tseries\t_\tNOUN\tNN\t_\t34\tadvcl\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\tor\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n16\tone\t_\tNUM\tCD\t_\t13\tconj\t_\t_\n17\tbetween\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tChicago\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tCubs\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tWhite\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tSox\t_\tPROPN\tNNP\t_\t20\tconj\t_\t_\n24\t-LRB-\t_\tPUNCT\t-LRB-\t_\t29\tpunct\t_\t_\n25\they\t_\tINTJ\tUH\t_\t29\tdiscourse\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n27\tit\t_\tPRON\tPRP\t_\t29\tnsubj\t_\t_\n28\t's\t_\tVERB\tVBZ\t_\t29\tcop\t_\t_\n29\tpossible\t_\tADJ\tJJ\t_\t16\tdep\t_\t_\n30\t-RRB-\t_\tPUNCT\t-RRB-\t_\t29\tpunct\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n32\tyou\t_\tPRON\tPRP\t_\t34\tnsubj\t_\t_\n33\t'd\t_\tAUX\tMD\t_\t34\taux\t_\t_\n34\tneed\t_\tVERB\tVB\t_\t4\tccomp\t_\t_\n35\tuniformed\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\tpolice\t_\tNOUN\tNNS\t_\t34\tdobj\t_\t_\n37\tin\t_\tADP\tIN\t_\t40\tcase\t_\t_\n38\tevery\t_\tDET\tDT\t_\t40\tdet\t_\t_\n39\tother\t_\tADJ\tJJ\t_\t40\tamod\t_\t_\n40\tseat\t_\tNOUN\tNN\t_\t34\tnmod\t_\t_\n41\tto\t_\tPART\tTO\t_\t42\tmark\t_\t_\n42\tseparate\t_\tVERB\tVB\t_\t34\tadvcl\t_\t_\n43\topposing\t_\tVERB\tVBG\t_\t44\tamod\t_\t_\n44\tfans\t_\tNOUN\tNNS\t_\t42\tdobj\t_\t_\n45\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n46\tand\t_\tCONJ\tCC\t_\t34\tcc\t_\t_\n47\tonly\t_\tADV\tRB\t_\t49\tadvmod\t_\t_\n48\tthe\t_\tDET\tDT\t_\t49\tdet\t_\t_\n49\tsuicidal\t_\tADJ\tJJ\t_\t51\tnsubj\t_\t_\n50\twould\t_\tAUX\tMD\t_\t51\taux\t_\t_\n51\tbifurcate\t_\tVERB\tVB\t_\t34\tconj\t_\t_\n52\ttheir\t_\tPRON\tPRP$\t_\t53\tnmod:poss\t_\t_\n53\tbonnets\t_\tNOUN\tNNS\t_\t51\tdobj\t_\t_\n54\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tAnyway\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tA\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\t's\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tgave\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tyou\t_\tPRON\tPRP\t_\t6\tiobj\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tlot\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\theroes\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\troot\t_\tVERB\tVB\t_\t11\tacl\t_\t_\n14\tfor\t_\tADP\tRP\t_\t13\tadvcl\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\topening\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tgame\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n6\tbesides\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tSteinbach\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tStewart\t_\tPROPN\tNNP\t_\t7\tconj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n11\tthere\t_\tPRON\tEX\t_\t12\texpl\t_\t_\n12\twas\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tWalt\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tWeiss\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n17\ttwiggy-looking\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n19\tsecond-year\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tshortstop\t_\tNOUN\tNN\t_\t14\tappos\t_\t_\n21\twho\t_\tPRON\tWP\t_\t23\tnsubj\t_\t_\n22\thad\t_\tAUX\tVBD\t_\t23\taux\t_\t_\n23\tlost\t_\tVERB\tVBN\t_\t20\tacl:relcl\t_\t_\n24\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tcouple\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tmonths\t_\tNOUN\tNNS\t_\t23\tdobj\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tseason\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n30\tto\t_\tADP\tTO\t_\t32\tcase\t_\t_\n31\tknee\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n32\tsurgery\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t3\tcop\t_\t_\n3\tflawless\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n4\tafield\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\t-LRB-\t_\tPUNCT\t-LRB-\t_\t6\tpunct\t_\t_\n6\tditto\t_\tNOUN\tNN\t_\t3\tdep\t_\t_\n7\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tgame\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\ttwo\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n10\t-RRB-\t_\tPUNCT\t-RRB-\t_\t6\tpunct\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n12\tmoved\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n13\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\trunner\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n15\talong\t_\tADP\tIN\t_\t12\tadvmod\t_\t_\n16\tin\t_\tADP\tIN\t_\t22\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n18\tA\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n19\t's\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n20\tthree-run\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n21\tsecond\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tinning\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n25\thomered\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n26\tfor\t_\tADP\tIN\t_\t31\tcase\t_\t_\n27\this\t_\tPRON\tPRP$\t_\t28\tnmod:poss\t_\t_\n28\tteam\t_\tNOUN\tNN\t_\t31\tnmod:poss\t_\t_\n29\t's\t_\tPART\tPOS\t_\t28\tcase\t_\t_\n30\tfinal\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31\ttally\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tSuch\t_\tADJ\tJJ\t_\t2\tdep\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\this\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n4\treputation\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n5\tamong\t_\tADP\tIN\t_\t9\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tEast\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tBay\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tBashers\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n11\twhen\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n12\the\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\thit\t_\tVERB\tVBD\t_\t27\tadvcl\t_\t_\n14\this\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n15\tfirst\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n16\tcareer\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\thome\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\trun\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n19\tlast\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tseason\t_\tNOUN\tNN\t_\t13\tnmod:tmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tfan\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n24\twho\t_\tPRON\tWP\t_\t25\tnsubj\t_\t_\n25\tcaught\t_\tVERB\tVBD\t_\t23\tacl:relcl\t_\t_\n26\tit\t_\tPRON\tPRP\t_\t25\tdobj\t_\t_\n27\tagreed\t_\tVERB\tVBD\t_\t2\tdep\t_\t_\n28\tto\t_\tPART\tTO\t_\t29\tmark\t_\t_\n29\tturn\t_\tVERB\tVB\t_\t27\txcomp\t_\t_\n30\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tball\t_\tNOUN\tNN\t_\t29\tdobj\t_\t_\n32\tover\t_\tADP\tRP\t_\t29\tcompound:prt\t_\t_\n33\tto\t_\tADP\tTO\t_\t34\tcase\t_\t_\n34\thim\t_\tPRON\tPRP\t_\t29\tnmod\t_\t_\n35\tin\t_\tADP\tIN\t_\t36\tcase\t_\t_\n36\treturn\t_\tNOUN\tNN\t_\t29\tnmod\t_\t_\n37\tfor\t_\tADP\tIN\t_\t39\tcase\t_\t_\n38\tan\t_\tDET\tDT\t_\t39\tdet\t_\t_\n39\tautograph\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n40\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNot\t_\tADV\tRB\t_\t3\tneg\t_\t_\n2\this\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tautograph\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n4\t;\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n5\tpower-hitter\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tMcGwire\t_\tNOUN\tNN\t_\t3\tnmod:poss\t_\t_\n7\t's\t_\tPART\tPOS\t_\t6\tcase\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAn\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tA\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\t's\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tco-hero\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n5\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tsecond\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tgame\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\twas\t_\tVERB\tVBD\t_\t11\tcop\t_\t_\n10\tRickey\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tHenderson\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\twho\t_\tPRON\tWP\t_\t14\tnsubj\t_\t_\n14\texemplifies\t_\tVERB\tVBZ\t_\t11\tacl:relcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\thot\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tside\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n18\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\thot-cold\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tequation\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsmoked\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tToronto\t_\tPROPN\tNNP\t_\t2\tdobj\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tplayoffs\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n7\twith\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tsix\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\thits\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tseven\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\twalks\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n14\teight\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n15\tstolen\t_\tVERB\tVBN\t_\t16\tamod\t_\t_\n16\tbases\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n17\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\t22\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n19\tat\t_\tADP\tIN\t_\t20\tamod\t_\t_\n20\tbats\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n22\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n23\tcontinued\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n24\tthat\t_\tPRON\tDT\t_\t23\tdobj\t_\t_\n25\tby\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n26\tgoing\t_\tVERB\tVBG\t_\t23\tadvcl\t_\t_\n27\t3-for-3\t_\tADJ\tJJ\t_\t26\tadvmod\t_\t_\n28\tat\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tplate\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n31\tSunday\t_\tPROPN\tNNP\t_\t26\tnmod:tmod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t26\tpunct\t_\t_\n33\talong\t_\tADP\tIN\t_\t26\tcc\t_\t_\n34\twith\t_\tADP\tIN\t_\t33\tdep\t_\t_\n35\twalking\t_\tVERB\tVBG\t_\t26\tconj\t_\t_\n36\t,\t_\tPUNCT\t,\t_\t35\tpunct\t_\t_\n37\tstealing\t_\tVERB\tVBG\t_\t35\tconj\t_\t_\n38\ta\t_\tDET\tDT\t_\t39\tdet\t_\t_\n39\tbase\t_\tNOUN\tNN\t_\t37\tdobj\t_\t_\n40\tand\t_\tCONJ\tCC\t_\t35\tcc\t_\t_\n41\tscoring\t_\tVERB\tVBG\t_\t35\tconj\t_\t_\n42\ta\t_\tDET\tDT\t_\t43\tdet\t_\t_\n43\trun\t_\tNOUN\tNN\t_\t41\tdobj\t_\t_\n44\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n2\tWhen\t_\tADV\tWRB\t_\t7\tadvmod\t_\t_\n3\tyou\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n4\t're\t_\tVERB\tVBP\t_\t7\tcop\t_\t_\n5\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tgroove\t_\tNOUN\tNN\t_\t10\tadvcl\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\tyou\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\tsee\t_\tVERB\tVBP\t_\t17\tccomp\t_\t_\n11\tevery\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tball\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\ttremendously\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n16\the\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n17\tlectured\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tcold\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tguys\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tset\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\twere\t_\tVERB\tVBD\t_\t9\tcop\t_\t_\n8\tWill\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tClark\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tKevin\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tMitchell\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n14\tMatt\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tWilliams\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tGiants\t_\tPROPN\tNNP\t_\t21\tnmod:poss\t_\t_\n19\t'\t_\tPART\tPOS\t_\t18\tcase\t_\t_\n20\t3-4-5\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\thitters\t_\tNOUN\tNNS\t_\t9\tappos\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tcombined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tfor\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\t25\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\thits\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tsix\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n8\thome\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\truns\t_\tNOUN\tNNS\t_\t5\tconj\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n11\t24\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\truns\t_\tNOUN\tNNS\t_\t5\tconj\t_\t_\n13\tbatted\t_\tVERB\tVBN\t_\t12\tacl\t_\t_\n14\tin\t_\tADP\tRP\t_\t13\tcompound:prt\t_\t_\n15\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tfive\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\tgames\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n19\tagainst\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tCubs\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\twent\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tcollective\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\t5-for-24\t_\tNUM\tCD\t_\t2\tdobj\t_\t_\n6\there\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n8\twith\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tzero\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\thomers\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n12\tribbies\t_\tNOUN\tNNS\t_\t10\tconj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n2\t's\t_\tPART\tPOS\t_\t5\tdep\t_\t_\n3\tthat\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tlast\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tset\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tnumbers\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\tas\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tmuch\t_\tADJ\tJJ\t_\t5\tdep\t_\t_\n11\tas\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tanything\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n13\telse\t_\tADV\tRB\t_\t12\tamod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n15\tthat\t_\tPRON\tWDT\t_\t16\tnsubj\t_\t_\n16\tgives\t_\tVERB\tVBZ\t_\t5\tdep\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tGiants\t_\tPROPN\tNNP\t_\t16\tiobj\t_\t_\n19\thope\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n20\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n22\tSeries\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tgames\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n24\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n25\tcome\t_\tVERB\tVB\t_\t23\tacl\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tbelieve\t_\tVERB\tVBP\t_\t11\tccomp\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tlaw\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\taverages\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n11\tdeclared\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tSan\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n13\tFrancisco\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n14\tbatting\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n15\tcoach\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n16\tDusty\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tBaker\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n18\tafter\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tgame\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n20\ttwo\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t'd\t_\tAUX\tMD\t_\t5\taux\t_\t_\n4\trather\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tsee\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tso-so\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\thitter\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n9\twho\t_\tPRON\tWP\t_\t11\tnsubj\t_\t_\n10\t's\t_\tVERB\tVBZ\t_\t11\tcop\t_\t_\n11\thot\t_\tADJ\tJJ\t_\t8\tacl:relcl\t_\t_\n12\tcome\t_\tVERB\tVB\t_\t5\tccomp\t_\t_\n13\tup\t_\tADP\tRP\t_\t12\tcompound:prt\t_\t_\n14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nct\t_\t_\n12\tbut\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tindex\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n15\thad\t_\tAUX\tVBD\t_\t16\taux\t_\t_\n16\trecovered\t_\tVERB\tVBN\t_\t10\tconj\t_\t_\n17\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tfew\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tpoints\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n21\twas\t_\tVERB\tVBD\t_\t16\tconj\t_\t_\n22\toff\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n23\tabout\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n24\t140\t_\tNUM\tCD\t_\t22\tnmod:npmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tBecause\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n3\tTokyo\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n4\tdid\t_\tAUX\tVBD\t_\t6\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n6\tcollapse\t_\tVERB\tVB\t_\t8\tadvcl\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n8\tlet\t_\tVERB\tVB\t_\t19\tccomp\t_\t_\n9\t's\t_\tPART\tPOS\t_\t10\tnsubj\t_\t_\n10\tpick\t_\tVERB\tVB\t_\t8\tccomp\t_\t_\n11\tup\t_\tADP\tRP\t_\t10\tcompound:prt\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tlittle\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tstock\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n17\tMr.\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tSmith\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n19\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\ttargeted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\t7,500\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tshares\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n5\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tReuters\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n8\tpunched\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n9\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tbutton\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n12\tcall\t_\tVERB\tVB\t_\t8\tadvcl\t_\t_\n13\tup\t_\tADP\tRP\t_\t12\tcompound:prt\t_\t_\n14\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\this\t_\tPRON\tPRP$\t_\t16\tnmod:poss\t_\t_\n16\tscreen\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n17\tother\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tdealers\t_\tNOUN\tNNS\t_\t21\tnmod:poss\t_\t_\n19\t'\t_\tPART\tPOS\t_\t18\tcase\t_\t_\n20\tprice\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tquotes\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tvivid\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n3\tyellow\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tfigures\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tshowed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tbest\t_\tADJ\tJJS\t_\t8\tamod\t_\t_\n8\tprice\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tat\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\t845\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tpence\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\t-LRB-\t_\tPUNCT\t-LRB-\t_\t15\tpunct\t_\t_\n14\t$\t_\tSYM\t$\t_\t15\tdep\t_\t_\n15\t13.27\t_\tNUM\tCD\t_\t11\tappos\t_\t_\n16\t-RRB-\t_\tPUNCT\t-RRB-\t_\t15\tpunct\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n18\tMr.\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tSmith\t_\tPROPN\tNNP\t_\t21\tnmod:poss\t_\t_\n20\t's\t_\tPART\tPOS\t_\t19\tcase\t_\t_\n21\ttraders\t_\tNOUN\tNNS\t_\t22\tnsubj\t_\t_\n22\tstarted\t_\tVERB\tVBD\t_\t5\tconj\t_\t_\n23\tputting\t_\tVERB\tVBG\t_\t22\txcomp\t_\t_\n24\tout\t_\tADP\tRP\t_\t23\tcompound:prt\t_\t_\n25\tfeelers\t_\tNOUN\tNNS\t_\t23\tdobj\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tmarket\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tsensed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tserious\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tbuyer\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n8\ton\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tday\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\tdominated\t_\tVERB\tVBN\t_\t10\tacl\t_\t_\n12\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tselling\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tquotes\t_\tNOUN\tNNS\t_\t19\tnsubj\t_\t_\n18\timmediately\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\tjumped\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n20\tto\t_\tADP\tTO\t_\t22\tcase\t_\t_\n21\t850\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n22\tpence\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t22\tpunct\t_\t_\n2\tWhen\t_\tADV\tWRB\t_\t4\tadvmod\t_\t_\n3\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\twant\t_\tVERB\tVBP\t_\t9\tadvcl\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tbuy\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\tthey\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\trun\t_\tVERB\tVBP\t_\t22\tccomp\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tyou\t_\tPRON\tPRP\t_\t9\tnmod\t_\t_\n12\t--\t_\tPUNCT\t:\t_\t9\tpunct\t_\t_\n13\tthey\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n14\tkeep\t_\tVERB\tVBP\t_\t9\tparataxis\t_\t_\n15\tchanging\t_\tVERB\tVBG\t_\t14\txcomp\t_\t_\n16\ttheir\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n17\tprices\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t22\tpunct\t_\t_\n20\tMr.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tSmith\t_\tPROPN\tNNP\t_\t22\tnsubj\t_\t_\n22\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n4\tvery\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tfrustrating\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\ttemporarily\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tabandoned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\this\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n5\tsearch\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tReuters\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tshares\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tBy\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthis\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\ttime\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n7\t4:30\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\ta.m.\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tNew\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tYork\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n14\tMr.\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tSmith\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n16\tfielded\t_\tVERB\tVBD\t_\t8\tconj\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tcall\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tfrom\t_\tADP\tIN\t_\t23\tcase\t_\t_\n20\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n21\tNew\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n22\tYork\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tcustomer\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n24\twanting\t_\tVERB\tVBG\t_\t23\tacl\t_\t_\n25\tan\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\topinion\t_\tNOUN\tNN\t_\t24\tdobj\t_\t_\n27\ton\t_\tADP\tIN\t_\t31\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n29\tBritish\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n30\tstock\t_\tNOUN\tNN\t_\t31\tcompound\t_\t_\n31\tmarket\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\twhich\t_\tPRON\tWDT\t_\t36\tnsubj\t_\t_\n34\thad\t_\tAUX\tVBD\t_\t36\taux\t_\t_\n35\tbeen\t_\tAUX\tVBN\t_\t36\taux\t_\t_\n36\thaving\t_\tVERB\tVBG\t_\t31\tacl:relcl\t_\t_\n37\ttroubles\t_\tNOUN\tNNS\t_\t36\tdobj\t_\t_\n38\tof\t_\tADP\tIN\t_\t40\tcase\t_\t_\n39\tits\t_\tPRON\tPRP$\t_\t40\tnmod:poss\t_\t_\n40\town\t_\tADJ\tJJ\t_\t37\tnmod\t_\t_\n41\teven\t_\tADV\tRB\t_\t48\tadvmod\t_\t_\n42\tbefore\t_\tADP\tIN\t_\t48\tcase\t_\t_\n43\tFriday\t_\tPROPN\tNNP\t_\t48\tnmod:poss\t_\t_\n44\t's\t_\tPART\tPOS\t_\t43\tcase\t_\t_\n45\tNew\t_\tPROPN\tNNP\t_\t48\tcompound\t_\t_\n46\tYork\t_\tPROPN\tNNP\t_\t48\tcompound\t_\t_\n47\tmarket\t_\tNOUN\tNN\t_\t48\tcompound\t_\t_\n48\tbreak\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n49\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tFundamentally\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tdangerous\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n4\t...\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n6\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n7\tMr.\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tSmith\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n9\tsaid\t_\tVERB\tVBD\t_\t3\tdep\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\talmost\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\twhisper\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n17\t...\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n19\tfundamentally\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n20\tweak\t_\tADJ\tJJ\t_\t3\tdep\t_\t_\n21\t...\t_\tPUNCT\t:\t_\t20\tpunct\t_\t_\n22\tfairly\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n23\tvulnerable\t_\tADJ\tJJ\t_\t20\tdep\t_\t_\n24\tstill\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n25\t...\t_\tPUNCT\t:\t_\t20\tpunct\t_\t_\n26\textremely\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n27\tdangerously\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n28\tpoised\t_\tVERB\tVBN\t_\t20\tdep\t_\t_\n29\t...\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\twe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n2\t're\t_\tVERB\tVBP\t_\t6\tcop\t_\t_\n3\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tlot\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tturbulence\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\t...\t_\tPUNCT\t:\t_\t6\tpunct\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t3\tcop\t_\t_\n3\tright\t_\tADJ\tJJ\t_\t0\troot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_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tdumped\t_\tVERB\tVBD\t_\t19\tadvcl\t_\t_\n6\tAmerican\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tDepositary\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tReceipts\t_\tPROPN\tNNP\t_\t5\tdobj\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tJaguar\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tPLC\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n13\tMr.\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tStreeter\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\ttrader\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\tSam\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tRuiz\t_\tPROPN\tNNP\t_\t14\tconj\t_\t_\n19\tbought\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\tthem\t_\tPRON\tPRP\t_\t19\tdobj\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\tresell\t_\tVERB\tVB\t_\t19\tadvcl\t_\t_\n23\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tU.K\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tInvestors\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n2\there\t_\tADV\tRB\t_\t1\tadvmod\t_\t_\n3\tstill\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\texpect\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tFord\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tMotor\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tCo.\t_\tPROPN\tNNP\t_\t4\tdobj\t_\t_\n8\tor\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tGeneral\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tMotors\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tCorp.\t_\tPROPN\tNNP\t_\t7\tconj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tbid\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n14\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tJaguar\t_\tPROPN\tNNP\t_\t13\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tSuddenly\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n3\tafter\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tabout\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\t45\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n6\tminutes\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tU.S.\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tmarkets\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n11\trallied\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tMMI\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\tgone\t_\tVERB\tVBN\t_\t9\tccomp\t_\t_\n6\tbetter\t_\tADV\tRBR\t_\t5\txcomp\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n9\tshouted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tone\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\ttrader\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n12\tat\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tabout\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n14\t3:15\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n15\tLondon\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\ttime\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n18\tas\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n19\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n20\tU.S.\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n21\tMajor\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n22\tMarkets\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n23\tIndex\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tcontract\t_\tNOUN\tNN\t_\t26\tnsubj\t_\t_\n25\tsuddenly\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\tindicated\t_\tVERB\tVBD\t_\t9\tdep\t_\t_\n27\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tturnabout\t_\tNOUN\tNN\t_\t26\tdobj\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tAs\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n2\tWall\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tStreet\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tstrengthened\t_\tVERB\tVBD\t_\t10\tadvcl\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tLondon\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\ttrading\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\troom\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n10\twent\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\twild\t_\tADJ\tJJ\t_\t10\txcomp\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tTraders\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tshouted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tas\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n4\ttheir\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n5\tscreens\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n6\tposted\t_\tVERB\tVBD\t_\t2\tadvcl\t_\t_\n7\tan\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tever-narrowing\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tloss\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\ton\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tWall\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tStreet\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThen\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n3\tnine\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tminutes\t_\tNOUN\tNNS\t_\t5\tnmod:npmod\t_\t_\n5\tlater\t_\tADV\tRBR\t_\t10\tadvmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n7\tWall\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tStreet\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n9\tsuddenly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\trebounded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tgain\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tday\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n2\tRally\t_\tNOUN\tNN\t_\t9\tdep\t_\t_\n3\t!\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n4\tRally\t_\tNOUN\tNN\t_\t2\tdep\t_\t_\n5\t!\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n6\tRally\t_\tNOUN\tNN\t_\t2\tdep\t_\t_\n7\t!\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n9\tshouted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tShearson\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n11\ttrader\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n12\tAndy\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tRosen\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n15\tselling\t_\tVERB\tVBG\t_\t9\tadvcl\t_\t_\n16\tmore\t_\tADJ\tJJR\t_\t18\tamod\t_\t_\n17\tJaguar\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tshares\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t5\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n4\tpanic\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tbuying\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\t!\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tAs\t_\tSCONJ\tIN\t_\t5\tmark\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tLondon\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tmarket\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\trallied\t_\tVERB\tVBD\t_\t8\tadvcl\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n7\tsome\t_\tDET\tDT\t_\t8\tnsubj\t_\t_\n8\twondered\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\twhether\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tweekend\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n12\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tworrying\t_\tVERB\tVBG\t_\t11\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tjitters\t_\tNOUN\tNNS\t_\t13\tconj\t_\t_\n16\thad\t_\tAUX\tVBD\t_\t19\taux\t_\t_\n17\tbeen\t_\tVERB\tVBN\t_\t19\tcop\t_\t_\n18\tworth\t_\tADJ\tJJ\t_\t19\tcase\t_\t_\n19\tit\t_\tPRON\tPRP\t_\t8\tccomp\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tLondon\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tindex\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tclosed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tat\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\t2163.4\t_\tNUM\tCD\t_\t4\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tits\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n9\thigh\t_\tNOUN\tNN\t_\t6\tappos\t_\t_\n10\tfor\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tday\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n14\toff\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\t70.5\t_\tNUM\tCD\t_\t4\tadvmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\tor\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n18\tabout\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\t3.3\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n20\t%\t_\tSYM\tNN\t_\t15\tconj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tAmbassador\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tPaul\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tNitze\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tstatement\t_\tNOUN\tNN\t_\t53\tnsubj\t_\t_\n6\t-LRB-\t_\tPUNCT\t-LRB-\t_\t7\tpunct\t_\t_\n7\tNotable\t_\tPROPN\tNNP\t_\t5\tdep\t_\t_\n8\t&\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tQuotable\t_\tPROPN\tNNP\t_\t7\tconj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n11\tSept.\t_\tPROPN\tNNP\t_\t7\tnmod:tmod\t_\t_\n12\t20\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n13\t-RRB-\t_\tPUNCT\t-RRB-\t_\t7\tpunct\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n15\t``\t_\tPUNCT\t``\t_\t7\tpunct\t_\t_\n16\tIf\t_\tSCONJ\tIN\t_\t18\tmark\t_\t_\n17\tyou\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n18\thave\t_\tVERB\tVBP\t_\t40\tadvcl\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tmillion\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\tpeople\t_\tNOUN\tNNS\t_\t18\tdobj\t_\t_\n22\tworking\t_\tVERB\tVBG\t_\t21\tacl\t_\t_\n23\tfor\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tyou\t_\tPRON\tPRP\t_\t22\tnmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t40\tpunct\t_\t_\n26\tevery\t_\tDET\tDT\t_\t28\tdet\t_\t_\n27\tbad\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tthing\t_\tNOUN\tNN\t_\t40\tnsubj\t_\t_\n29\tthat\t_\tPRON\tWDT\t_\t30\tnsubj\t_\t_\n30\thas\t_\tVERB\tVBZ\t_\t28\tacl:relcl\t_\t_\n31\tone\t_\tNUM\tCD\t_\t32\tnummod\t_\t_\n32\tchance\t_\tNOUN\tNN\t_\t30\tdobj\t_\t_\n33\tin\t_\tADP\tIN\t_\t35\tcase\t_\t_\n34\ta\t_\tDET\tDT\t_\t35\tdet\t_\t_\n35\tmillion\t_\tNUM\tCD\t_\t32\tnmod\t_\t_\n36\tof\t_\tSCONJ\tIN\t_\t37\tmark\t_\t_\n37\tgoing\t_\tVERB\tVBG\t_\t32\tacl\t_\t_\n38\twrong\t_\tNOUN\tNN\t_\t37\tadvmod\t_\t_\n39\twill\t_\tAUX\tMD\t_\t40\taux\t_\t_\n40\tgo\t_\tVERB\tVB\t_\t5\tdep\t_\t_\n41\twrong\t_\tADJ\tJJ\t_\t40\tadvmod\t_\t_\n42\tat\t_\tADP\tIN\t_\t46\tadvmod\t_\t_\n43\tleast\t_\tADJ\tJJS\t_\t42\tmwe\t_\t_\n44\tonce\t_\tADP\tIN\t_\t46\tcase\t_\t_\n45\ta\t_\tDET\tDT\t_\t46\tdet\t_\t_\n46\tyear\t_\tNOUN\tNN\t_\t40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amod\t_\t_\n23\tperiod\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIncome\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n2\tfrom\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tsources\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n4\tother\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n5\tthan\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tinterest\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\tclimbed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\t12\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\t%\t_\tSYM\tNN\t_\t7\tdobj\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t7\tnmod\t_\t_\n12\t414\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tmillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n15\treflecting\t_\tVERB\tVBG\t_\t7\tadvcl\t_\t_\n16\thigher\t_\tADJ\tJJR\t_\t20\tamod\t_\t_\n17\tcorporate-finance\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\tother\t_\tADJ\tJJ\t_\t17\tconj\t_\t_\n20\tfees\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tgains\t_\tNOUN\tNNS\t_\t20\tconj\t_\t_\n23\ton\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tsales\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n25\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tinvestment\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tsecurities\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tThese\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tincreases\t_\tNOUN\tNNS\t_\t6\tnsubjpass\t_\t_\n4\twere\t_\tAUX\tVBD\t_\t6\tauxpass\t_\t_\n5\tpartly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\toffset\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n7\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n8\tlower\t_\tADJ\tJJR\t_\t11\tamod\t_\t_\n9\ttrading-related\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n11\tincome\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tbank\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tNon-interest\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\texpenses\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tgrew\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\t16\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\t%\t_\tSYM\tNN\t_\t3\tdobj\t_\t_\n6\tto\t_\tADP\tTO\t_\t7\tcase\t_\t_\n7\t$\t_\tSYM\t$\t_\t3\tnmod\t_\t_\n8\t496\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\tmillion\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tNCNB\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCorp\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNCNB\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCorp.\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\tnet\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tincome\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\tmore\t_\tADV\tRBR\t_\t8\tadvmod\t_\t_\n7\tthan\t_\tADP\tIN\t_\t6\tcase\t_\t_\n8\tdoubled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tperiod\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n13\tlargely\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n14\tbecause\t_\tADP\tIN\t_\t18\tcase\t_\t_\n15\tof\t_\tADP\tIN\t_\t14\tmwe\t_\t_\n16\tcontinued\t_\tVERB\tVBN\t_\t18\tamod\t_\t_\n17\tstrong\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tperformance\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n19\tby\t_\tADP\tIN\t_\t24\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tbank\t_\tNOUN\tNN\t_\t24\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tTexas\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\toperations\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n2\tCharlotte\t_\tPROPN\tNNP\t_\t6\tdep\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tN.C.\t_\tPROPN\tNNP\t_\t2\tdep\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n6\tcompany\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tearnings\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n9\trose\t_\tVERB\tVBD\t_\t7\tccomp\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t9\tnmod\t_\t_\n12\t143.6\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tmillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n15\tor\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n16\t$\t_\tSYM\t$\t_\t17\tdep\t_\t_\n17\t1.45\t_\tNUM\tCD\t_\t11\tconj\t_\t_\n18\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tshare\t_\tNOUN\tNN\t_\t17\tnmod:npmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n21\tfrom\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\t$\t_\tSYM\t$\t_\t9\tnmod\t_\t_\n23\t58.9\t_\tNUM\tCD\t_\t24\tcompound\t_\t_\n24\tmillion\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n26\tor\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n27\t69\t_\tNUM\tCD\t_\t28\tnummod\t_\t_\n28\tcents\t_\tNOUN\tNNS\t_\t22\tconj\t_\t_\n29\ta\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tshare\t_\tNOUN\tNN\t_\t28\tnmod:npmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n32\ta\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tyear\t_\tNOUN\tNN\t_\t34\tnmod:npmod\t_\t_\n34\tearlier\t_\tADV\tRBR\t_\t22\tadvmod\t_\t_\n35\t.\t_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ase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tmost\t_\tADV\tRBS\t_\t8\tadvmod\t_\t_\n8\trecent\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tquarter\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n10\tis\t_\tAUX\tVBZ\t_\t1\tauxpass\t_\t_\n11\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n12\t$\t_\tSYM\t$\t_\t15\tamod\t_\t_\n13\t33\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\tmillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\tloan\t_\tNOUN\tNN\t_\t1\tnsubjpass\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\twhich\t_\tPRON\tWDT\t_\t19\tdobj\t_\t_\n18\tNCNB\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n19\tsaid\t_\tVERB\tVBD\t_\t15\tacl:relcl\t_\t_\n20\tit\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n21\t``\t_\tPUNCT\t``\t_\t22\tpunct\t_\t_\n22\texpects\t_\tVERB\tVBZ\t_\t19\tccomp\t_\t_\n23\tto\t_\tPART\tTO\t_\t26\tmark\t_\t_\n24\tbe\t_\tAUX\tVB\t_\t26\tauxpass\t_\t_\n25\tfully\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\trepaid\t_\tVERB\tVBN\t_\t22\txcomp\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t26\tpunct\t_\t_\n28\twith\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tno\t_\tDET\tDT\t_\t30\tneg\t_\t_\n30\tloss\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t26\tpunct\t_\t_\n32\tearly\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n33\tin\t_\tADP\tIN\t_\t36\tcase\t_\t_\n34\tthe\t_\tDET\tDT\t_\t36\tdet\t_\t_\n35\tfourth\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\tquarter\t_\tNOUN\tNN\t_\t32\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n38\t''\t_\tPUNCT\t''\t_\t1\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tdeterioration\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n3\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tcredit\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tquality\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\toffset\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tstrong\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\tloan\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tgrowth\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\t17\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\t%\t_\tSYM\tNN\t_\t9\tnmod\t_\t_\n13\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n14\tNCNB\t_\tPROPN\tNNP\t_\t17\tnmod:poss\t_\t_\n15\t's\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tSoutheast\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\toperations\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n19\tas\t_\tADV\tRB\t_\t9\tcc\t_\t_\n20\twell\t_\tADV\tRB\t_\t19\tmwe\t_\t_\n21\tas\t_\tADP\tIN\t_\t19\tmwe\t_\t_\n22\ta\t_\tDET\tDT\t_\t25\tdet\t_\t_\n23\t28\t_\tNUM\tCD\t_\t24\tcompound\t_\t_\n24\t%\t_\tSYM\tNN\t_\t25\tamod\t_\t_\n25\tgrowth\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n26\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\tdeposits\t_\tNOUN\tNNS\t_\t25\tnmod\t_\t_\n28\tresulting\t_\tVERB\tVBG\t_\t25\tacl\t_\t_\n29\tfrom\t_\tADP\tIN\t_\t33\tcase\t_\t_\n30\tan\t_\tDET\tDT\t_\t33\tdet\t_\t_\n31\taggressive\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n32\tmarketing\t_\tNOUN\tNN\t_\t33\tcompound\t_\t_\n33\tcampaign\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\thigher\t_\tADJ\tJJR\t_\t3\tamod\t_\t_\n3\trates\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n4\tpaid\t_\tVERB\tVBN\t_\t3\tacl\t_\t_\n5\ton\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tdeposits\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n7\talso\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\thelped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tsqueeze\t_\tVERB\tVB\t_\t8\tccomp\t_\t_\n10\tNCNB\t_\tPROPN\tNNP\t_\t14\tnmod:poss\t_\t_\n11\t's\t_\tPART\tPOS\t_\t10\tcase\t_\t_\n12\tnet\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tinterest\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tmargin\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n15\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tSoutheast\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n18\tto\t_\tADP\tTO\t_\t20\tcase\t_\t_\n19\t3.38\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n20\t%\t_\tSYM\tNN\t_\t9\tnmod\t_\t_\n21\tfrom\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\t3.80\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n23\t%\t_\tSYM\tNN\t_\t9\tnmod\t_\t_\n24\ta\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tyear\t_\tNOUN\tNN\t_\t26\tnmod:npmod\t_\t_\n26\tearlier\t_\tADV\tRBR\t_\t23\tadvmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tBig\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n3\tBoard\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tcomposite\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\ttrading\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n6\tyesterday\t_\tNOUN\tNN\t_\t9\tnmod:tmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\tNCNB\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n9\tjumped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\t$\t_\tSYM\t$\t_\t11\tdep\t_\t_\n11\t3.50\t_\tNUM\tCD\t_\t9\tdobj\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tshare\t_\tNOUN\tNN\t_\t11\tnmod:npmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n15\tto\t_\tADP\tTO\t_\t17\tcase\t_\t_\n16\t$\t_\tSYM\t$\t_\t17\tdep\t_\t_\n17\t51\t_\tNUM\tCD\t_\t9\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tResults\t_\tNOUN\tNNS\t_\t3\tnsubjpass\t_\t_\n2\twere\t_\tAUX\tVBD\t_\t3\tauxpass\t_\t_\n3\treleased\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n4\tafter\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tmarket\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n7\tclosed\t_\tVER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ound\t_\t_\n14\tbillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tfirm\t_\tNOUN\tNN\t_\t4\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\tdrop\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tnet\t_\tADJ\tJJ\t_\t4\tnmod\t_\t_\n7\treflected\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tweaker\t_\tADJ\tJJR\t_\t9\tamod\t_\t_\n9\trevenue\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\ttransactions\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n12\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tits\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n14\town\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\taccount\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n16\t--\t_\tPUNCT\t:\t_\t9\tpunct\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tdecline\t_\tNOUN\tNN\t_\t9\tdep\t_\t_\n19\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\t19\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\t%\t_\tSYM\tNN\t_\t18\tnmod\t_\t_\n22\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n23\t$\t_\tSYM\t$\t_\t18\tnmod\t_\t_\n24\t314.6\t_\tNUM\tCD\t_\t25\tcompound\t_\t_\n25\tmillion\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n26\ton\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\treduced\t_\tVERB\tVBN\t_\t28\tamod\t_\t_\n28\trevenue\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n29\tfrom\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n30\ttrading\t_\tVERB\tVBG\t_\t28\tacl\t_\t_\n31\tfixed-income\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tsecurities\t_\tNOUN\tNNS\t_\t30\tdobj\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tInvestment\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n2\tbanking\t_\tVERB\tVBG\t_\t3\tamod\t_\t_\n3\trevenue\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tfell\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\t22\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n6\t%\t_\tSYM\tNN\t_\t4\tdobj\t_\t_\n7\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n8\t$\t_\tSYM\t$\t_\t4\tnmod\t_\t_\n9\t296.6\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\tmillion\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n11\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n12\tfewer\t_\tADJ\tJJR\t_\t16\tamod\t_\t_\n13\tequity\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tmunicipal\t_\tADJ\tJJ\t_\t13\tconj\t_\t_\n16\tunderwritings\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tMerrill\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tLynch\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\tcommission\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\trevenue\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\tgrew\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\t21\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\t%\t_\tSYM\tNN\t_\t6\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n10\thowever\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n12\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n13\t$\t_\tSYM\t$\t_\t6\tnmod\t_\t_\n14\t462.8\t_\tNUM\tCD\t_\t15\tcompound\t_\t_\n15\tmillion\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n17\ton\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\thigher\t_\tADJ\tJJR\t_\t20\tamod\t_\t_\n19\tshare\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tprices\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tvolume\t_\tNOUN\tNN\t_\t20\tconj\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n24\ton\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tstrong\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tsales\t_\tNOUN\tNNS\t_\t20\tconj\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tmutual\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tfunds\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tRevenue\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n2\tderived\t_\tVERB\tVBN\t_\t1\tacl\t_\t_\n3\tfrom\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\tinterest\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\tdividends\t_\tNOUN\tNNS\t_\t4\tconj\t_\t_\n7\tjumped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\t30\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\t%\t_\tSYM\tNN\t_\t7\tdobj\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t7\tnmod\t_\t_\n12\t1.4\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tbillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tAsset-management\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tfee\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\trevenue\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tgrew\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\t12\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n6\t%\t_\tSYM\tNN\t_\t4\tdobj\t_\t_\n7\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n8\t$\t_\tSYM\t$\t_\t4\tnmod\t_\t_\n9\t151\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\tmillion\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tbrokerage\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\treported\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tloss\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\t$\t_\tSYM\t$\t_\t6\tnmod\t_\t_\n9\t2.2\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\tmillion\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n11\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tdi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_\t_\n19\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n20\tease\t_\tNOUN\tNN\t_\t15\tconj\t_\t_\n21\tin\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n22\tmoving\t_\tVERB\tVBG\t_\t20\tacl\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\tfinding\t_\tVERB\tVBG\t_\t22\tconj\t_\t_\n25\tworkers\t_\tNOUN\tNNS\t_\t24\tdobj\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tCLUBBING\t_\tVERB\tVBG\t_\t10\tcsubj\t_\t_\n2\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tFAN\t_\tNOUN\tNN\t_\t1\tdobj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t10\tcop\t_\t_\n5\tn't\t_\tPART\tRB\t_\t10\tneg\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tBaltimore\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tOrioles\t_\tPROPN\tNNP\t_\t10\tnmod:poss\t_\t_\n9\t'\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\tfault\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tSo\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tfederal\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tjudge\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n7\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcase\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n10\tinvolving\t_\tVERB\tVBG\t_\t9\tacl\t_\t_\n11\ttwo\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\tplayers\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n13\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n15\tminor\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n16\tleague\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n17\tBluefield\t_\tPROPN\tNNP\t_\t21\tdep\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tVa.\t_\tPROPN\tNNP\t_\t17\tdep\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n21\tOrioles\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n24\tBaltimore\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n25\tfarm\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tteam\t_\tNOUN\tNN\t_\t21\tappos\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tplayers\t_\tNOUN\tNNS\t_\t4\tnsubjpass\t_\t_\n3\twere\t_\tAUX\tVBD\t_\t4\tauxpass\t_\t_\n4\theckled\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tby\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tpatron\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tduring\t_\tADP\tIN\t_\t15\tcase\t_\t_\n9\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n10\tJuly\t_\tPROPN\tNNP\t_\t15\tdep\t_\t_\n11\t4\t_\tNUM\tCD\t_\t10\tdep\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n13\t1988\t_\tNUM\tCD\t_\t10\tdep\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n15\tgame\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n16\twith\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tMartinsville\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tPhillies\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tLike\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tits\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tparent\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n4\tthat\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tyear\t_\tNOUN\tNN\t_\t3\tnmod:tmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n7\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n8\tBluefield\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n9\twas\t_\tAUX\tVBD\t_\t11\taux\t_\t_\n10\tnot\t_\tPART\tRB\t_\t11\tneg\t_\t_\n11\thaving\t_\tVERB\tVBG\t_\t19\tccomp\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tgood\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tyear\t_\tNOUN\tNN\t_\t11\tnmod:tmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tjudge\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n19\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tAfter\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tgame\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n4\t-LRB-\t_\tPUNCT\t-LRB-\t_\t21\tpunct\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n6\tBluefield\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tlost\t_\tVERB\tVBD\t_\t21\tccomp\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\t9-8\t_\tNUM\tCD\t_\t7\tadvmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n11\tstranding\t_\tVERB\tVBG\t_\t7\txcomp\t_\t_\n12\tthree\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\trunners\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\t...\t_\tPUNCT\t:\t_\t17\tpunct\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tninth\t_\tADJ\tJJ\t_\t11\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n20\the\t_\tPRON\tPRP\t_\t21\tnsubj\t_\t_\n21\tnoted\t_\tVERB\tVBD\t_\t25\tparataxis\t_\t_\n22\t-RRB-\t_\tPUNCT\t-RRB-\t_\t21\tpunct\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n24\ttrouble\t_\tNOUN\tNN\t_\t25\tnsubj\t_\t_\n25\tbegan\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tMore\t_\tADJ\tJJR\t_\t2\tamod\t_\t_\n2\ttaunting\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n3\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tparking\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tlot\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n8\tth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cl\t_\t_\n34\tby\t_\tADP\tIN\t_\t37\tcase\t_\t_\n35\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n36\tdisposal\t_\tNOUN\tNN\t_\t37\tcompound\t_\t_\n37\tsite\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tFederal\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tExpress\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tDow\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tChemical\t_\tPROPN\tNNP\t_\t2\tconj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n7\tFord\t_\tPROPN\tNNP\t_\t2\tconj\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n9\tNational\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tCity\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tCorp.\t_\tPROPN\tNNP\t_\t2\tconj\t_\t_\n12\twill\t_\tAUX\tMD\t_\t13\taux\t_\t_\n13\tbuy\t_\tVERB\tVB\t_\t0\troot\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\thome\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tor\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n17\tlet\t_\tVERB\tVB\t_\t13\tconj\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tworker\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n20\tsell\t_\tVERB\tVB\t_\t17\tccomp\t_\t_\n21\tto\t_\tADP\tTO\t_\t24\tcase\t_\t_\n22\tan\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\toutside\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tfirm\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n26\tbut\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n27\tusually\t_\tADV\tRB\t_\t30\tadvmod\t_\t_\n28\two\t_\tAUX\tMD\t_\t30\taux\t_\t_\n29\tn't\t_\tPART\tRB\t_\t30\tneg\t_\t_\n30\tcover\t_\tVERB\tVB\t_\t13\tconj\t_\t_\n31\ta\t_\tDET\tDT\t_\t32\tdet\t_\t_\n32\tloss\t_\tNOUN\tNN\t_\t30\tdobj\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tSince\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\t1984\t_\tNUM\tCD\t_\t14\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n4\tfirms\t_\tNOUN\tNNS\t_\t14\tnsubj\t_\t_\n5\toffering\t_\tVERB\tVBG\t_\t4\tacl\t_\t_\n6\tprepurchase\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\thouse\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tappraisals\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\tdeter\t_\tVERB\tVB\t_\t5\tadvcl\t_\t_\n12\toverpaying\t_\tVERB\tVBG\t_\t11\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n14\trose\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\tto\t_\tADP\tTO\t_\t17\tcase\t_\t_\n16\t40\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\t%\t_\tSYM\tNN\t_\t14\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tthose\t_\tPRON\tDT\t_\t17\tnmod\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tcouncil\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n22\tpolled\t_\tVERB\tVBD\t_\t19\tacl:relcl\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n24\tfrom\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\t28\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n26\t%\t_\tSYM\tNN\t_\t14\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tTHE\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tCHECKOFF\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n3\t:\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n4\tThe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tNational\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tAcademy\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tEngineering\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n9\tgives\t_\tVERB\tVBZ\t_\t2\tparataxis\t_\t_\n10\ttwo\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tinventors\t_\tNOUN\tNNS\t_\t9\tiobj\t_\t_\n12\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tsemiconductor\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tmicrochip\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n16\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n17\t$\t_\tSYM\t$\t_\t20\tamod\t_\t_\n18\t350,000\t_\tNUM\tCD\t_\t17\tcompound\t_\t_\n19\tachievement\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\taward\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n21\t...\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t5\tdiscourse\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n3\tthat\t_\tPRON\tDT\t_\t5\tnsubj\t_\t_\n4\t's\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n5\treactionary\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\t:\t_\tPUNCT\t:\t_\t5\tpunct\t_\t_\n7\tLetter\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n8\tCarriers\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n9\tunion\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n10\tpresident\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n11\tVincent\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tSombrotto\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n13\taccuses\t_\tVERB\tVBZ\t_\t5\tparataxis\t_\t_\n14\tPhiladelphia\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n15\tpostmaster\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n16\tCharles\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tJames\t_\tPROPN\tNNP\t_\t13\tdobj\t_\t_\n18\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n19\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n20\t12th\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n21\tcentury\t_\tNOUN\tNN\t_\t23\tnmod:npmod\t_\t_\n22\t...\t_\tPUNCT\t:\t_\t23\tpunct\t_\t_\n23\toppressive\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n24\tmanagement\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\ttactics\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tYesterday\t_\tNOUN\tNN\t_\t29\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t29\tcop\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunc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_\t29\tcase\t_\t_\n29\tchicken\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tNew\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tmanagement\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n3\tat\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tKentucky\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n5\tFried\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tChicken\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tunit\t_\tNOUN\tNN\t_\t6\tappos\t_\t_\n10\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tPepsiCo\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tInc.\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n14\thas\t_\tAUX\tVBZ\t_\t15\taux\t_\t_\n15\tfought\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n16\tback\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n17\twith\t_\tADP\tIN\t_\t23\tcase\t_\t_\n18\tnew\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n19\tmedium\t_\tNOUN\tNN\t_\t23\tamod\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n21\tlarge\t_\tADJ\tJJ\t_\t19\tconj\t_\t_\n22\tchicken\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tsandwiches\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n24\tfor\t_\tADP\tIN\t_\t27\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n26\tlunch\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tcrowd\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tchain\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\tis\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\ttesting\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n6\tproducts\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n7\tthat\t_\tPRON\tWDT\t_\t10\tnsubjpass\t_\t_\n8\tare\t_\tAUX\tVBP\t_\t10\tauxpass\t_\t_\n9\tn't\t_\tPART\tRB\t_\t10\tneg\t_\t_\n10\tfried\t_\tVERB\tVBN\t_\t6\tacl:relcl\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n12\tsuch\t_\tADJ\tJJ\t_\t17\tcase\t_\t_\n13\tas\t_\tADP\tIN\t_\t12\tmwe\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n15\tchar-grilled\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n17\tchicken\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\ttry\t_\tVERB\tVB\t_\t5\tadvcl\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\twin\t_\tVERB\tVB\t_\t20\txcomp\t_\t_\n23\thealth-conscious\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tconsumers\t_\tNOUN\tNNS\t_\t22\tdobj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tKentucky\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tFried\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tChicken\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n4\talso\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n5\tis\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n6\ttesting\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n7\thome-delivery\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tchicken\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n11\twhich\t_\tPRON\tWDT\t_\t15\tnsubj\t_\t_\n12\tcould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n13\tbe\t_\tVERB\tVB\t_\t15\tcop\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\thit\t_\tNOUN\tNN\t_\t7\tacl:relcl\t_\t_\n16\twith\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tstay-at-home\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tdiners\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\tsome\t_\tDET\tDT\t_\t5\tdet\t_\t_\n3\tfast-food\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n4\tindustry\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tanalysts\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n6\tsay\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n7\tproblems\t_\tNOUN\tNNS\t_\t16\tnsubjpass\t_\t_\n8\twith\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n9\tkeeping\t_\tVERB\tVBG\t_\t7\tacl\t_\t_\n10\tchicken\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n11\twarm\t_\tADJ\tJJ\t_\t9\txcomp\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\tfresh\t_\tADJ\tJJ\t_\t11\tconj\t_\t_\n14\tmust\t_\tAUX\tMD\t_\t16\taux\t_\t_\n15\tbe\t_\tAUX\tVB\t_\t16\tauxpass\t_\t_\n16\tsolved\t_\tVERB\tVBN\t_\t6\tccomp\t_\t_\n17\tfirst\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\tKentucky\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n3\tFried\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tChicken\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tspokesman\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n7\thowever\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n9\tdisputed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tnotion\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n12\tthat\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tdelivery\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tservice\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n16\texperienced\t_\tVERB\tVBD\t_\t11\tccomp\t_\t_\n17\tproblems\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n18\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tsome\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tmarkets\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n21\twhere\t_\tADV\tWRB\t_\t25\tadvmod\t_\t_\n22\ttesting\t_\tNOUN\tNN\t_\t25\tnsubjpass\t_\t_\n23\thas\t_\tAUX\tVBZ\t_\t25\taux\t_\t_\n24\tbeen\t_\tAUX\tVBN\t_\t25\tauxpass\t_\t_\n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.\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tgrocery\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tchain\t_\tNOUN\tNN\t_\t4\tappos\t_\t_\n9\tbased\t_\tVERB\tVBN\t_\t8\tacl\t_\t_\n10\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tSan\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tDiego\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n14\tplans\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\tdisplay\t_\tVERB\tVB\t_\t14\txcomp\t_\t_\n17\tshelf\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tcards\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n20\tdistribute\t_\tVERB\tVB\t_\t16\tconj\t_\t_\n21\tpamphlets\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n22\trecommending\t_\tVERB\tVBG\t_\t16\tdep\t_\t_\n23\tproducts\t_\tNOUN\tNNS\t_\t22\tdobj\t_\t_\n24\tdeemed\t_\tVERB\tVBN\t_\t23\tacl\t_\t_\n25\tsafe\t_\tADJ\tJJ\t_\t24\txcomp\t_\t_\n26\tfor\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tenvironment\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tchoices\t_\tNOUN\tNNS\t_\t5\tnsubjpass\t_\t_\n3\twill\t_\tAUX\tMD\t_\t5\taux\t_\t_\n4\tbe\t_\tAUX\tVB\t_\t5\tauxpass\t_\t_\n5\tbased\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\ton\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tresearch\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n8\tby\t_\tADP\tIN\t_\t14\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n10\tSan\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n11\tDiego\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n12\tEnvironmental\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n13\tHealth\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tCoalition\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n16\twill\t_\tAUX\tMD\t_\t17\taux\t_\t_\n17\tinclude\t_\tVERB\tVB\t_\t5\tconj\t_\t_\n18\tproducts\t_\tNOUN\tNNS\t_\t17\tdobj\t_\t_\n19\tlike\t_\tADP\tIN\t_\t23\tcase\t_\t_\n20\tMurphy\t_\tPROPN\tNNP\t_\t23\tnmod:poss\t_\t_\n21\t's\t_\tPART\tPOS\t_\t20\tcase\t_\t_\n22\tOil\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tSoap\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n25\tother\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\tnoncorrosive\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\tcleaners\t_\tNOUN\tNNS\t_\t23\tconj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tchain\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n4\tis\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n5\tquickly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\trealizing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tpitfalls\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tsuch\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tendorsements\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\texample\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\trecommends\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\tnonchlorinated\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tdishwasher\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tdetergent\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n10\tputs\t_\tVERB\tVBZ\t_\t5\tconj\t_\t_\n11\tSunlight\t_\tPROPN\tNNP\t_\t10\tdobj\t_\t_\n12\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tits\t_\tPRON\tPRP$\t_\t16\tnmod:poss\t_\t_\n14\tenvironmentally\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n15\tsafe\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tlist\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThat\t_\tPRON\tDT\t_\t4\tnsubj\t_\t_\n2\tdoes\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tthrill\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tProcter\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n6\t&\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tGamble\t_\tPROPN\tNNP\t_\t5\tconj\t_\t_\n8\tCo.\t_\tPROPN\tNNP\t_\t4\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tmaker\t_\tNOUN\tNN\t_\t8\tappos\t_\t_\n11\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tCascade\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n13\tdishwasher\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tdetergent\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tspokesman\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tquestioned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tvalidity\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tlist\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n11\tnoting\t_\tVERB\tVBG\t_\t4\tadvcl\t_\t_\n12\tthat\t_\tDET\tDT\t_\t15\tmark\t_\t_\n13\tchlorine\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n14\tis\t_\tVERB\tVBZ\t_\t15\tcop\t_\t_\n15\tpresent\t_\tADJ\tJJ\t_\t11\tccomp\t_\t_\n16\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n17\tall\t_\tDET\tDT\t_\t20\tdet\t_\t_\n18\tmajor\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n19\tdishwasher\t_\tNOUN\tNN\t_\t2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_\n34\trates\t_\tNOUN\tNNS\t_\t20\tconj\t_\t_\n35\t--\t_\tPUNCT\t:\t_\t20\tpunct\t_\t_\n36\tthat\t_\tDET\tDT\t_\t41\tnsubj\t_\t_\n37\twill\t_\tAUX\tMD\t_\t41\taux\t_\t_\n38\tbe\t_\tVERB\tVB\t_\t41\tcop\t_\t_\n39\t``\t_\tPUNCT\t``\t_\t41\tpunct\t_\t_\n40\tvery\t_\tADV\tRB\t_\t41\tadvmod\t_\t_\n41\tdifficult\t_\tADJ\tJJ\t_\t17\tacl:relcl\t_\t_\n42\t''\t_\tPUNCT\t''\t_\t41\tpunct\t_\t_\n43\tto\t_\tPART\tTO\t_\t44\tmark\t_\t_\n44\tsolve\t_\tVERB\tVB\t_\t41\txcomp\t_\t_\n45\t``\t_\tPUNCT\t``\t_\t44\tpunct\t_\t_\n46\twithout\t_\tADP\tIN\t_\t49\tcase\t_\t_\n47\texpanded\t_\tVERB\tVBN\t_\t49\tamod\t_\t_\n48\tfederal\t_\tADJ\tJJ\t_\t49\tamod\t_\t_\n49\tresources\t_\tNOUN\tNNS\t_\t44\tnmod\t_\t_\n50\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n51\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n\n1\tThere\t_\tPRON\tEX\t_\t2\texpl\t_\t_\n2\t's\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tnothing\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n4\tunusual\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n5\tabout\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tbusiness\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tgroups\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n8\tpushing\t_\tVERB\tVBG\t_\t7\tacl\t_\t_\n9\tfor\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tmore\t_\tADJ\tJJR\t_\t12\tamod\t_\t_\n11\tgovernment\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tspending\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tNAHB\t_\tPROPN\tNNP\t_\t5\tnsubjpass\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t5\tauxpass\t_\t_\n5\tcreated\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\t1943\t_\tNUM\tCD\t_\t5\tnmod\t_\t_\n8\tout\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tan\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\torganization\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n12\tthat\t_\tPRON\tWDT\t_\t13\tnsubj\t_\t_\n13\tmade\t_\tVERB\tVBD\t_\t11\tacl:relcl\t_\t_\n14\tits\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n15\tname\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tfighting\t_\tVERB\tVBG\t_\t13\txcomp\t_\t_\n17\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n18\tRoosevelt\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n19\tadministration\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tproposal\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\ttake\t_\tVERB\tVB\t_\t20\tacl\t_\t_\n23\tover\t_\tADP\tRP\t_\t27\tdep\t_\t_\n24\tall\t_\tDET\tDT\t_\t27\tdet\t_\t_\n25\tdefense\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n26\thousing\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tproduction\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThrough\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tyears\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tassociation\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t10\taux\t_\t_\n7\tbeen\t_\tVERB\tVBN\t_\t10\tcop\t_\t_\n8\tan\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tactive\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tmember\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n11\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\ttaxpayer\t_\tNOUN\tNN\t_\t15\tnmod:poss\t_\t_\n14\t's\t_\tPART\tPOS\t_\t13\tcase\t_\t_\n15\tcoalition\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n17\tpushing\t_\tVERB\tVBG\t_\t10\tadvcl\t_\t_\n18\tfor\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tsuch\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tinitiatives\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n21\tas\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tbalanced-budget\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tamendment\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tYet\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n2\ton\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tmatters\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n4\tclose\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n5\tto\t_\tADP\tTO\t_\t9\tcase\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n7\ter\t_\tINTJ\tUH\t_\t9\tdiscourse\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n9\thome\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n10\t...\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tHUD\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tbudget\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n5\thas\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n6\tdropped\t_\tVERB\tVBN\t_\t16\tccomp\t_\t_\n7\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n8\tmore\t_\tADJ\tJJ\t_\t10\tadvmod\t_\t_\n9\tthan\t_\tADP\tIN\t_\t10\tadvmod\t_\t_\n10\t70\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\t%\t_\tSYM\tNN\t_\t6\tnmod\t_\t_\n12\tsince\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\t1980\t_\tNUM\tCD\t_\t6\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n16\targues\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n17\tMr.\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tColton\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t've\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n4\ttaken\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tmore\t_\tADJ\tJJR\t_\t4\td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e\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tsmall\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tinvestor\t_\tNOUN\tNN\t_\t10\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n18\tas\t_\tADV\tRB\t_\t30\tadvmod\t_\t_\n19\ttheir\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n20\thighly\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n21\tmargined\t_\tVERB\tVBN\t_\t22\tamod\t_\t_\n22\tinvestments\t_\tNOUN\tNNS\t_\t30\tnsubjpass\t_\t_\n23\tin\t_\tADP\tIN\t_\t28\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n25\t``\t_\tPUNCT\t``\t_\t28\tpunct\t_\t_\n26\tdeal\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n27\t''\t_\tPUNCT\t''\t_\t28\tpunct\t_\t_\n28\tstocks\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n29\tare\t_\tAUX\tVBP\t_\t30\tauxpass\t_\t_\n30\tjeopardized\t_\tVERB\tVBN\t_\t3\tdep\t_\t_\n31\tby\t_\tADP\tIN\t_\t33\tcase\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tunexpected\t_\tADJ\tJJ\t_\t30\tnmod\t_\t_\n34\tdrying\t_\tVERB\tVBG\t_\t33\tamod\t_\t_\n35\tup\t_\tADP\tRP\t_\t33\tdep\t_\t_\n36\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tthe\t_\tDET\tDT\t_\t38\tdet\t_\t_\n38\tlubricant\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n39\tfor\t_\tADP\tIN\t_\t41\tcase\t_\t_\n40\tdeal\t_\tNOUN\tNN\t_\t41\tcompound\t_\t_\n41\tfinancing\t_\tNOUN\tNN\t_\t38\tnmod\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tDeal\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\tstocks\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tmarket\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tdown\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n7\tas\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n8\tthey\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tabsorbed\t_\tVERB\tVBD\t_\t3\tadvcl\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\theaviest\t_\tADJ\tJJS\t_\t12\tamod\t_\t_\n12\tlosses\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tUAL\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\twhich\t_\tPRON\tWDT\t_\t4\tnsubj\t_\t_\n4\ttriggered\t_\tVERB\tVBD\t_\t1\tacl:relcl\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tslide\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n8\topened\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tMonday\t_\tPROPN\tNNP\t_\t8\tnmod:tmod\t_\t_\n10\tat\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t12\tdep\t_\t_\n12\t224\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n14\tdown\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n15\tabout\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\t20\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\t%\t_\tSYM\tNN\t_\t14\tnmod:npmod\t_\t_\n18\tfrom\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tThursday\t_\tPROPN\tNNP\t_\t21\tnmod:poss\t_\t_\n20\t's\t_\tPART\tPOS\t_\t19\tcase\t_\t_\n21\tclose\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tAMR\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\topened\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tMonday\t_\tPROPN\tNNP\t_\t2\tnmod:tmod\t_\t_\n4\tat\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\t$\t_\tSYM\t$\t_\t6\tdep\t_\t_\n6\t80\t_\tNUM\tCD\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n8\tdown\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n9\tnearly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\t20\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\t%\t_\tSYM\tNN\t_\t8\tnmod:npmod\t_\t_\n12\tfrom\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tThursday\t_\tPROPN\tNNP\t_\t15\tnmod:poss\t_\t_\n14\t's\t_\tPART\tPOS\t_\t13\tcase\t_\t_\n15\tclose\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t-LRB-\t_\tPUNCT\t-LRB-\t_\t3\tpunct\t_\t_\n2\tBoth\t_\tDET\tDT\t_\t3\tnsubj\t_\t_\n3\ttook\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tfurther\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\thits\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n6\tyesterday\t_\tNOUN\tNN\t_\t3\tnmod:tmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n8\t-RRB-\t_\tPUNCT\t-RRB-\t_\t3\tpunct\t_\t_\n\n1\tHilton\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tlost\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\t20\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\t%\t_\tSYM\tNN\t_\t2\tdobj\t_\t_\n5\ton\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tFriday\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n7\t;\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n8\tParamount\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n9\tlost\t_\tVERB\tVBD\t_\t2\tparataxis\t_\t_\n10\talmost\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\t11\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\t%\t_\tSYM\tNN\t_\t9\tdobj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tcareful\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tlook\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\treveals\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tthat\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n6\twhere\t_\tADV\tWRB\t_\t11\tadvmod\t_\t_\n7\tdeal\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tfinancing\t_\tNOUN\tNN\t_\t11\tnsubjpass\t_\t_\n9\thas\t_\tAUX\tVBZ\t_\t11\taux\t_\t_\n10\tbeen\t_\tAUX\tVBN\t_\t11\tauxpass\t_\t_\n11\tsecured\t_\tVERB\tVBN\t_\t20\tadvcl\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\ttarget\t_\tNOUN\tNN\t_\t17\tnmod:poss\t_\t_\n15\t's\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tstock\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tprice\t_\tNOUN\tNN\t_\t20\tnsubjpas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obuto\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tYasuda\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tdirector\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n6\tat\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tYamaichi\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tInvestment\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tTrust\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n10\t&\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tManagement\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tCo.\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n14\tcalled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\tyesterday\t_\tNOUN\tNN\t_\t17\tnmod:poss\t_\t_\n16\t's\t_\tPART\tPOS\t_\t15\tcase\t_\t_\n17\tsession\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n18\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tgood\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tscenario\t_\tNOUN\tNN\t_\t14\txcomp\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n23\tfor\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tJapan\t_\tPROPN\tNNP\t_\t21\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n2\tNow\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n3\twe\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\tare\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n5\tlooking\t_\tVERB\tVBG\t_\t16\tccomp\t_\t_\n6\tfor\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\ttime\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tplace\t_\tVERB\tVB\t_\t8\tacl\t_\t_\n11\tbuy\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\torders\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n15\the\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tFor\t_\tADP\tIN\t_\t5\tcase\t_\t_\n3\tus\t_\tPRON\tPRP\t_\t5\tdep\t_\t_\n4\tinstitutional\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tinvestors\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tchance\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n9\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tbuying\t_\tVERB\tVBG\t_\t8\tnmod\t_\t_\n11\thas\t_\tAUX\tVBZ\t_\t12\taux\t_\t_\n12\tcome\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n\n1\tIsao\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tUshikubo\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tgeneral\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tmanager\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n6\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\tinvestment\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n9\tresearch\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tdepartment\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n11\tat\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tToyo\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tTrust\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n14\t&\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tBanking\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tCo.\t_\tPROPN\tNNP\t_\t13\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n18\talso\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n19\twas\t_\tVERB\tVBD\t_\t20\tcop\t_\t_\n20\toptimistic\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tdescribed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tFriday\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tplunge\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n6\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tU.S.\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\tas\t_\tADP\tIN\t_\t14\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n11\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n12\tfleeting\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n14\tevent\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n15\tresulting\t_\tVERB\tVBG\t_\t14\tacl\t_\t_\n16\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tpart\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n18\tfrom\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\texcessive\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tmerger\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tacquisition\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tactivity\t_\tNOUN\tNN\t_\t20\tconj\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t26\tpunct\t_\t_\n2\tUnless\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n3\tthere\t_\tPRON\tEX\t_\t4\texpl\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t9\tadvcl\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tpanic\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\tthis\t_\tPRON\tDT\t_\t9\tnsubj\t_\t_\n9\tis\t_\tVERB\tVBZ\t_\t26\tccomp\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tbest\t_\tADJ\tJJS\t_\t12\tamod\t_\t_\n12\ttime\t_\tNOUN\tNN\t_\t9\tdep\t_\t_\n13\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n14\tbuy\t_\tVERB\tVB\t_\t12\tacl\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n16\tas\t_\tSCONJ\tIN\t_\t19\tdep\t_\t_\n17\twas\t_\tVERB\tVBD\t_\t19\tdep\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\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,\t_\t11\tpunct\t_\t_\n13\tan\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\taccount\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\texecutive\t_\tNOUN\tNN\t_\t11\tappos\t_\t_\n16\tfor\t_\tADP\tIN\t_\t23\tcase\t_\t_\n17\tDrexel\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n18\tBurnham\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n19\tLambert\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n20\t-LRB-\t_\tPUNCT\t-LRB-\t_\t21\tpunct\t_\t_\n21\tHK\t_\tPROPN\tNNP\t_\t23\tappos\t_\t_\n22\t-RRB-\t_\tPUNCT\t-RRB-\t_\t21\tpunct\t_\t_\n23\tLtd.\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n24\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tHong\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tKong\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n2\tMarkets\t_\tNOUN\tNNS\t_\t9\tnsubjpass\t_\t_\n3\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthis\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tregion\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\tare\t_\tAUX\tVBP\t_\t9\tauxpass\t_\t_\n7\tn't\t_\tPART\tRB\t_\t9\tneg\t_\t_\n8\tso\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tgeared\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n10\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n11\tleveraged\t_\tVERB\tVBN\t_\t12\tamod\t_\t_\n12\tbuy-outs\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n15\ttheir\t_\tPRON\tPRP$\t_\t16\tnmod:poss\t_\t_\n16\teconomies\t_\tNOUN\tNNS\t_\t21\tnsubj\t_\t_\n17\tgenerally\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n18\tare\t_\tVERB\tVBP\t_\t21\tcop\t_\t_\n19\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tgood\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tshape\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n23\tbut\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n24\tthere\t_\tPRON\tEX\t_\t25\texpl\t_\t_\n25\t's\t_\tVERB\tVBZ\t_\t9\tconj\t_\t_\n26\tno\t_\tDET\tDT\t_\t27\tneg\t_\t_\n27\tdoubt\t_\tNOUN\tNN\t_\t25\tnsubj\t_\t_\n28\tthat\t_\tDET\tDT\t_\t32\tmark\t_\t_\n29\tAsia\t_\tPROPN\tNNP\t_\t32\tnsubj\t_\t_\n30\tis\t_\tAUX\tVBZ\t_\t32\taux\t_\t_\n31\tstill\t_\tADV\tRB\t_\t32\tadvmod\t_\t_\n32\tfollowing\t_\tVERB\tVBG\t_\t27\tccomp\t_\t_\n33\tAmerica\t_\tPROPN\tNNP\t_\t35\tnmod:poss\t_\t_\n34\t's\t_\tPART\tPOS\t_\t33\tcase\t_\t_\n35\tlead\t_\tNOUN\tNN\t_\t32\tdobj\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n37\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n\n1\tSeveral\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tanalysts\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tMalaysia\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\tSingapore\t_\tPROPN\tNNP\t_\t4\tconj\t_\t_\n7\thad\t_\tVERB\tVBD\t_\t3\tccomp\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tbiggest\t_\tADJ\tJJS\t_\t10\tamod\t_\t_\n10\tlosses\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n11\tbecause\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n12\tthey\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n13\tare\t_\tVERB\tVBP\t_\t15\tcop\t_\t_\n14\trelatively\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n15\topen\t_\tADJ\tJJ\t_\t7\tadvcl\t_\t_\n16\tto\t_\tADP\tTO\t_\t19\tcase\t_\t_\n17\trapid\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\tcash\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tflows\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tHong\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tKong\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t10\tcop\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tregion\t_\tNOUN\tNN\t_\t10\tnmod:poss\t_\t_\n6\t's\t_\tPART\tPOS\t_\t5\tcase\t_\t_\n7\tnext\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\tmost\t_\tADV\tRBS\t_\t9\tadvmod\t_\t_\n9\topen\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tmarket\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\tbut\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n13\tmany\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\tforeign\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tinvestors\t_\tNOUN\tNNS\t_\t18\tnsubj\t_\t_\n16\thave\t_\tAUX\tVBP\t_\t18\taux\t_\t_\n17\tbeen\t_\tAUX\tVBN\t_\t18\taux\t_\t_\n18\tstaying\t_\tVERB\tVBG\t_\t10\tconj\t_\t_\n19\taway\t_\tADP\tRP\t_\t18\tcompound:prt\t_\t_\n20\tfrom\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tit\t_\tPRON\tPRP\t_\t18\tnmod\t_\t_\n22\tsince\t_\tSCONJ\tIN\t_\t24\tmark\t_\t_\n23\tit\t_\tPRON\tPRP\t_\t24\tnsubj\t_\t_\n24\tplunged\t_\tVERB\tVBD\t_\t18\tadvcl\t_\t_\n25\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tJune\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n27\tamid\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tpolitical\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tturmoil\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n30\tin\t_\tADP\tIN\t_\t31\tcase\t_\t_\n31\tChina\t_\tPROPN\tNNP\t_\t29\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t24\tpunct\t_\t_\n2\tSingapore\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\ttook\t_\tVERB\tVBD\t_\t24\tccomp\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\thit\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tbecause\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n7\twhen\t_\tADV\tWRB\t_\t9\tadvmod\t_\t_\n8\tpeople\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n9\twant\t_\tVERB\tVBP\t_\t15\tadvcl\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\tget\t_\tVERB\tVB\t_\t9\txcomp\t_\t_\n12\tout\t_\tADP\tRP\t_\t11\tcompound:prt\t_\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_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\ton\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tclose\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\t1969\t_\tNUM\tCD\t_\t13\tnmod\t_\t_\n16\tequaling\t_\tVERB\tVBG\t_\t10\tadvcl\t_\t_\n17\t100\t_\tNUM\tCD\t_\t16\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tpercentage\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tchange\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n5\tsince\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tyear-end\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tFrank\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tLloyd\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tWright\t_\tPROPN\tNNP\t_\t5\tnsubjpass\t_\t_\n4\tis\t_\tAUX\tVBZ\t_\t5\tauxpass\t_\t_\n5\treported\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n7\thave\t_\tAUX\tVB\t_\t8\taux\t_\t_\n8\tsaid\t_\tVERB\tVBD\t_\t5\txcomp\t_\t_\n9\tonce\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n11\tif\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n12\tyou\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\ttipped\t_\tVERB\tVBD\t_\t23\tadvcl\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tworld\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tits\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n18\tside\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n20\teverything\t_\tNOUN\tNN\t_\t23\tnsubj\t_\t_\n21\tloose\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n22\twould\t_\tAUX\tMD\t_\t23\taux\t_\t_\n23\tend\t_\tVERB\tVB\t_\t8\tccomp\t_\t_\n24\tup\t_\tADP\tRP\t_\t23\tcompound:prt\t_\t_\n25\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tCalifornia\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\t've\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\talways\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tthought\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tthat\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n6\tMr.\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tWright\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n8\tunderestimated\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n9\tCalifornia\t_\tPROPN\tNNP\t_\t11\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tvitality\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n13\tbut\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n14\tmaybe\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tstate\t_\tNOUN\tNN\t_\t19\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tla-la\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tfactions\t_\tNOUN\tNNS\t_\t21\tnsubj\t_\t_\n20\tare\t_\tAUX\tVBP\t_\t21\taux\t_\t_\n21\tstarting\t_\tVERB\tVBG\t_\t4\tconj\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\toverwhelm\t_\tVERB\tVB\t_\t21\txcomp\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tforces\t_\tNOUN\tNNS\t_\t23\tdobj\t_\t_\n26\tthat\t_\tPRON\tWDT\t_\t27\tnsubj\t_\t_\n27\tmade\t_\tVERB\tVBD\t_\t25\tacl:relcl\t_\t_\n28\tit\t_\tPRON\tPRP\t_\t32\tnsubj\t_\t_\n29\tsuch\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n30\ta\t_\tDET\tDT\t_\t32\tdet\t_\t_\n31\tsignificant\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tplace\t_\tNOUN\tNN\t_\t27\txcomp\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tWhat\t_\tPRON\tWP\t_\t0\troot\t_\t_\n2\telse\t_\tADV\tRB\t_\t1\tadvmod\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t1\tcop\t_\t_\n4\tone\t_\tPRON\tPRP\t_\t1\tnsubj\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tmake\t_\tVERB\tVB\t_\t1\tadvcl\t_\t_\n7\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n9\twhacky\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\tsave-the-earth\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tinitiative\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\tjust\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\tproposed\t_\tVERB\tVBN\t_\t11\tdep\t_\t_\n14\tby\t_\tADP\tIN\t_\t18\tcase\t_\t_\n15\tseveral\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n16\tmajor\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\tenvironmental\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tgroups\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n20\torganized\t_\tVERB\tVBN\t_\t13\tconj\t_\t_\n21\tby\t_\tADP\tIN\t_\t26\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tstate\t_\tNOUN\tNN\t_\t26\tnmod:poss\t_\t_\n24\t's\t_\tPART\tPOS\t_\t23\tcase\t_\t_\n25\tattorney\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tgeneral\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n27\t?\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tIf\t_\tSCONJ\tIN\t_\t2\tmark\t_\t_\n2\tpassed\t_\tVERB\tVBN\t_\t12\tadvcl\t_\t_\n3\tby\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tvoters\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n7\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\trecently\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tannounced\t_\tVERB\tVBN\t_\t10\tamod\t_\t_\n10\tinitiative\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n11\twould\t_\tAUX\tMD\t_\t12\taux\t_\t_\n12\tphase\t_\tVERB\tVB\t_\t0\troot\t_\t_\n13\tout\t_\tADP\tRP\t_\t12\tcompound:prt\t_\t_\n14\tmajor\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tp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_\t7\tconj\t_\t_\n18\tso\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n19\teven\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n20\tfaster\t_\tADV\tRBR\t_\t17\tadvmod\t_\t_\n21\tthan\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tearly-morning\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tfall\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n2\tthis\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\ttime\t_\tNOUN\tNN\t_\t11\tnmod:tmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t11\tcop\t_\t_\n7\tn't\t_\tPART\tRB\t_\t11\tneg\t_\t_\n8\tjust\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tprogram\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\ttraders\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n12\twho\t_\tPRON\tWP\t_\t14\tnsubj\t_\t_\n13\twere\t_\tVERB\tVBD\t_\t14\tcop\t_\t_\n14\tresponsible\t_\tADJ\tJJ\t_\t11\tacl:relcl\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tAll\t_\tDET\tDT\t_\t3\tdet:predet\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tselling\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\thad\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n5\tpushed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tstocks\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n7\tto\t_\tADP\tTO\t_\t10\tcase\t_\t_\n8\tsuch\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n9\tcheap\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tvalues\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n11\tthat\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n12\tbig\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tinvestment\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tbanks\t_\tNOUN\tNNS\t_\t20\tnsubj\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\tmajor\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n17\tmoney\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n18\tmanagement\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tfirms\t_\tNOUN\tNNS\t_\t14\tconj\t_\t_\n20\tstarted\t_\tVERB\tVBD\t_\t10\tdep\t_\t_\n21\tbuying\t_\tVERB\tVBG\t_\t20\txcomp\t_\t_\n22\tstocks\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n23\theavily\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tprogram\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\ttraders\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n4\twere\t_\tVERB\tVBD\t_\t6\tcop\t_\t_\n5\tin\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tthere\t_\tADV\tRB\t_\t0\troot\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\ttoo\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tcourse\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n2\taccording\t_\tVERB\tVBG\t_\t5\tcase\t_\t_\n3\tto\t_\tADP\tTO\t_\t2\tmwe\t_\t_\n4\tone\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\ttrader\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tprogrammers\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n10\tdid\t_\tAUX\tVBD\t_\t12\taux\t_\t_\n11\tn't\t_\tPART\tRB\t_\t12\tneg\t_\t_\n12\tlook\t_\tVERB\tVB\t_\t0\troot\t_\t_\n13\tas\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tdominant\t_\tADJ\tJJ\t_\t12\txcomp\t_\t_\n15\ton\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tupside\t_\tADV\tRB\t_\t14\tnmod\t_\t_\n18\tas\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\ton\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tdownside\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n22\tbecause\t_\tSCONJ\tIN\t_\t24\tmark\t_\t_\n23\tthere\t_\tPRON\tEX\t_\t24\texpl\t_\t_\n24\twas\t_\tVERB\tVBD\t_\t12\tadvcl\t_\t_\n25\t-LCB-\t_\tPUNCT\t-LRB-\t_\t24\tpunct\t_\t_\n26\talso\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n27\t-RCB-\t_\tPUNCT\t-RRB-\t_\t24\tpunct\t_\t_\n28\ta\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tlot\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n30\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n31\tbargain-hunting\t_\tNOUN\tNN\t_\t29\tnmod\t_\t_\n32\t''\t_\tPUNCT\t''\t_\t31\tpunct\t_\t_\n33\tby\t_\tADP\tIN\t_\t34\tcase\t_\t_\n34\tinstitutions\t_\tNOUN\tNNS\t_\t31\tnmod\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tRoland\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tM.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tMachold\t_\tPROPN\tNNP\t_\t22\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tdirector\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n6\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\tNew\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n9\tJersey\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tDivision\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tInvestment\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n14\twhich\t_\tPRON\tWDT\t_\t15\tnsubj\t_\t_\n15\toversees\t_\tVERB\tVBZ\t_\t10\tacl:relcl\t_\t_\n16\t$\t_\tSYM\t$\t_\t15\tdobj\t_\t_\n17\t29\t_\tNUM\tCD\t_\t18\tcompound\t_\t_\n18\tbillion\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n19\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tinvestments\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n22\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n23\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\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_\t_\n18\tsoon\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\texpected\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tget\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\thigher\t_\tADJ\tJJR\t_\t23\tamod\t_\t_\n23\tprices\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n24\tfor\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\ttheir\t_\tPRON\tPRP$\t_\t26\tnmod:poss\t_\t_\n26\tshares\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t4\tcop\t_\t_\n4\tbedlam\t_\tNOUN\tNN\t_\t10\tccomp\t_\t_\n5\ton\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tupside\t_\tADJ\tJJ\t_\t4\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n10\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tone\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n12\tBig\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n13\tBoard\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tspecialist\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tnot\t_\tADV\tRB\t_\t3\tneg\t_\t_\n3\teverybody\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n5\tmaking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n6\tmoney\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcarnage\t_\tNOUN\tNN\t_\t18\tnsubj\t_\t_\n3\ton\t_\tADP\tIN\t_\t8\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n5\tChicago\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n6\tBoard\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tOptions\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tExchange\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tnation\t_\tNOUN\tNN\t_\t15\tnmod:poss\t_\t_\n12\t's\t_\tPART\tPOS\t_\t11\tcase\t_\t_\n13\tmajor\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\toptions\t_\tNOUN\tNNS\t_\t15\tcompound\t_\t_\n15\tmarket\t_\tNOUN\tNN\t_\t8\tappos\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n17\twas\t_\tVERB\tVBD\t_\t18\tcop\t_\t_\n18\theavy\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n19\tafter\t_\tSCONJ\tIN\t_\t28\tmark\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\ttrading\t_\tNOUN\tNN\t_\t28\tnsubjpass\t_\t_\n22\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n23\tS&P\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n24\t100\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n25\tstock-index\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\toptions\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n27\twas\t_\tAUX\tVBD\t_\t28\tauxpass\t_\t_\n28\thalted\t_\tVERB\tVBN\t_\t18\tadvcl\t_\t_\n29\tFriday\t_\tPROPN\tNNP\t_\t28\tnmod:tmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tMany\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tmarket\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tmakers\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n4\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n6\tS&P\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n7\t100\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n8\tindex\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n9\toptions\t_\tNOUN\tNNS\t_\t10\tcompound\t_\t_\n10\tcontract\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n11\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tbullish\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tpositions\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\tFriday\t_\tPROPN\tNNP\t_\t11\tnmod:tmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n17\twhen\t_\tADV\tWRB\t_\t20\tadvmod\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tshutdown\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n20\tcame\t_\tVERB\tVBD\t_\t23\tadvcl\t_\t_\n21\tthey\t_\tPRON\tPRP\t_\t23\tnsubjpass\t_\t_\n22\twere\t_\tAUX\tVBD\t_\t23\tauxpass\t_\t_\n23\tfrozen\t_\tVERB\tVBN\t_\t11\tconj\t_\t_\n24\twith\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\thuge\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tlosses\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tOver\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tweekend\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tclearing\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tfirms\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\ttold\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n9\tChicago\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tmarket\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tmakers\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tget\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n14\tout\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\ttheir\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n17\tpositions\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n18\tat\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tany\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tcost\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n21\tMonday\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tmorning\t_\tNOUN\tNN\t_\t13\tnmod:tmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tThey\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\twere\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n4\tabsolutely\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5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_\t25\tnmod:tmod\t_\t_\n34\tamid\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tflood\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n37\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n38\tselling\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n39\tby\t_\tADP\tIN\t_\t41\tcase\t_\t_\n40\tother\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tinvestors\t_\tNOUN\tNNS\t_\t38\tnmod\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tinstitutions\t_\tNOUN\tNNS\t_\t7\tnsubjpass\t_\t_\n4\tca\t_\tAUX\tMD\t_\t7\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t7\tneg\t_\t_\n6\tbe\t_\tAUX\tVB\t_\t7\tauxpass\t_\t_\n7\tcriticized\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n8\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\ttheir\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n10\tbehavior\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n13\tMr.\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tDaPuzzo\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tan\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tinterview\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t5\tcop\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\topposite\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tof\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n7\twhat\t_\tPRON\tWP\t_\t8\tnsubj\t_\t_\n8\thappened\t_\tVERB\tVBD\t_\t5\tacl\t_\t_\n9\ton\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tOct.\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n11\t19\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tused\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ttheir\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n4\tjudgment\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tdid\t_\tAUX\tVBD\t_\t4\taux\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tpanic\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n5\tduring\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tfirst\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tround\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tselling\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n11\tthis\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tmorning\t_\tNOUN\tNN\t_\t4\tnmod:tmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tInstead\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\tthey\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tbought\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\ton\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tweakness\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n8\tsold\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n9\tinto\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tstrength\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n13\twhich\t_\tPRON\tWDT\t_\t14\tnsubj\t_\t_\n14\tkept\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tmarket\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n17\torderly\t_\tADJ\tJJ\t_\t14\txcomp\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tMaybe\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n2\tthey\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tlearned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tfrom\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\texperience\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tPhelan\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tperformance\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tspecialists\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n8\tduring\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tFriday\t_\tPROPN\tNNP\t_\t11\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tplunge\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n12\twas\t_\tVERB\tVBD\t_\t13\tcop\t_\t_\n13\tadmirable\t_\tADJ\tJJ\t_\t3\tccomp\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\tbecause\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n16\tout\t_\tADP\tIN\t_\t22\tcase\t_\t_\n17\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n18\t1,640\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n19\tBig\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n20\tBoard\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tcommon\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tstocks\t_\tNOUN\tNNS\t_\t30\tnmod\t_\t_\n23\ttraded\t_\tVERB\tVBN\t_\t22\tacl\t_\t_\n24\tduring\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tday\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n27\tonly\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n28\tseven\t_\tNUM\tCD\t_\t30\tnsubjpass\t_\t_\n29\twere\t_\tAUX\tVBD\t_\t30\tauxpass\t_\t_\n30\tclosed\t_\tVERB\tVBN\t_\t13\tadvcl\t_\t_\n31\tand\t_\tCONJ\tCC\t_\t30\tcc\t_\t_\n32\twere\t_\tAUX\tVBD\t_\t34\tauxpass\t_\t_\n33\tn't\t_\tPART\tRB\t_\t34\tneg\t_\t_\n34\treopened\t_\tVERB\tVBN\t_\t30\tconj\t_\t_\n35\tbefore\t_\tADP\tIN\t_\t37\tcase\t_\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_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tCarolina\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tMajority\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tWhip\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tWilliam\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tGray\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\towes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tpolitical\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tdebt\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n10\tSouthern\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\tagriculture\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tlawmakers\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n13\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\this\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n15\trise\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n16\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tHouse\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n21\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n22\tPhiladelphia\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tDemocrat\t_\tPROPN\tNNP\t_\t24\tnsubj\t_\t_\n24\tused\t_\tVERB\tVBD\t_\t5\tconj\t_\t_\n25\this\t_\tPRON\tPRP$\t_\t26\tnmod:poss\t_\t_\n26\tposition\t_\tNOUN\tNN\t_\t24\tdobj\t_\t_\n27\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tconference\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n30\tto\t_\tPART\tTO\t_\t31\tmark\t_\t_\n31\tsalvage\t_\tVERB\tVB\t_\t24\tadvcl\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\texemption\t_\tNOUN\tNN\t_\t31\tdobj\t_\t_\n34\tfrom\t_\tADP\tIN\t_\t37\tcase\t_\t_\n35\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n36\ttotal\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n37\tban\t_\tNOUN\tNN\t_\t31\tnmod\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tAlthough\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tsmoking\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tprovision\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n5\thas\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n6\tattracted\t_\tVERB\tVBN\t_\t17\tadvcl\t_\t_\n7\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\tmost\t_\tADV\tRBS\t_\t10\tadvmod\t_\t_\n9\tpublic\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tinterest\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tunderlying\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tbill\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n15\twas\t_\tVERB\tVBD\t_\t17\tcop\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tsubject\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n18\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tbehind-the-scenes\t_\tADJ\tJJ\t_\t17\tnmod\t_\t_\n20\tlobbying\t_\tVERB\tVBG\t_\t19\tamod\t_\t_\n21\tbecause\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tof\t_\tADP\tIN\t_\t21\tmwe\t_\t_\n23\tits\t_\tPRON\tPRP$\t_\t24\tnmod:poss\t_\t_\n24\timpact\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n25\ton\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tair\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\ttransportation\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n28\tand\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n29\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n30\tmore\t_\tADV\tRBR\t_\t31\tadvmod\t_\t_\n31\tmundane\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\tbut\t_\tCONJ\tCC\t_\t31\tcc\t_\t_\n34\tpolitically\t_\tADV\tRB\t_\t35\tadvmod\t_\t_\n35\timportant\t_\tADJ\tJJ\t_\t31\tconj\t_\t_\n36\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n37\tprojects\t_\tNOUN\tNNS\t_\t27\tconj\t_\t_\n38\tof\t_\tADP\tIN\t_\t39\tcase\t_\t_\n39\tmembers\t_\tNOUN\tNNS\t_\t37\tnmod\t_\t_\n40\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\ta\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tstark\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tlesson\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n5\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tpower\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tappropriations\t_\tNOUN\tNNS\t_\t11\tcompound\t_\t_\n11\tcommittees\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tHouse\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n15\tdeliberately\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tkilled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\thandful\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tprojects\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n21\tbacked\t_\tVERB\tVBN\t_\t20\tacl\t_\t_\n22\tby\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tlawmakers\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n24\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tFlorida\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n27\tIllinois\t_\tPROPN\tNNP\t_\t25\tconj\t_\t_\n28\tand\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n29\tPennsylvania\t_\tPROPN\tNNP\t_\t25\tconj\t_\t_\n30\twho\t_\tPRON\tWP\t_\t32\tnsubj\t_\t_\n31\thad\t_\tAUX\tVBD\t_\t32\taux\t_\t_\n32\tvoted\t_\tVERB\tVBN\t_\t23\tacl:relcl\t_\t_\n33\tagainst\t_\tADP\tIN\t_\t36\tcase\t_\t_\n34\tthe\t_\tDET\tDT\t_\t36\tdet\t_\t_\n35\tpanel\t_\tNOUN\tNN\t_\t36\tcompound\t_\t_\n36\tleader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unct\t_\t_\n35\tas\t_\tADV\tRB\t_\t23\tcc\t_\t_\n36\twell\t_\tADV\tRB\t_\t35\tmwe\t_\t_\n37\tas\t_\tADP\tIN\t_\t35\tmwe\t_\t_\n38\tthe\t_\tDET\tDT\t_\t40\tdet\t_\t_\n39\tbox-office\t_\tNOUN\tNN\t_\t40\tcompound\t_\t_\n40\tsmash\t_\tNOUN\tNN\t_\t23\tconj\t_\t_\n41\t``\t_\tPUNCT\t``\t_\t40\tpunct\t_\t_\n42\tBatman\t_\tPROPN\tNNP\t_\t40\tdep\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tgroup\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n3\tincluding\t_\tVERB\tVBG\t_\t6\tcase\t_\t_\n4\tJon\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n5\tM.\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tHuntsman\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n7\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tSalt\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n9\tLake\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tCity\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tit\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n14\tboosted\t_\tVERB\tVBD\t_\t12\tccomp\t_\t_\n15\tits\t_\tPRON\tPRP$\t_\t16\tnmod:poss\t_\t_\n16\tstake\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tAristech\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n19\tChemical\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tCorp.\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n21\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n22\t8.36\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n23\t%\t_\tSYM\tNN\t_\t14\tnmod\t_\t_\n24\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t28\tdet:predet\t_\t_\n26\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n27\tcommon\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tshares\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n29\toutstanding\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tAs\t_\tSCONJ\tIN\t_\t3\tmark\t_\t_\n2\tpreviously\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\treported\t_\tVERB\tVBN\t_\t21\tadvcl\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n5\tHuntsman\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tHoldings\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tCorp.\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\towned\t_\tVERB\tVBN\t_\t7\tacl\t_\t_\n10\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tJon\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n12\tM.\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tHuntsman\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tother\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tmembers\t_\tNOUN\tNNS\t_\t13\tconj\t_\t_\n17\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\this\t_\tPRON\tPRP$\t_\t19\tnmod:poss\t_\t_\n19\tfamily\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n21\tproposed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n22\tthat\t_\tSCONJ\tIN\t_\t32\tmark\t_\t_\n23\tBanstar\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tCorp.\t_\tPROPN\tNNP\t_\t32\tnsubj\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n26\tan\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\taffiliate\t_\tNOUN\tNN\t_\t24\tappos\t_\t_\n28\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tHuntsman\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tHoldings\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n32\tacquire\t_\tVERB\tVB\t_\t21\tccomp\t_\t_\n33\tAristech\t_\tPROPN\tNNP\t_\t32\tdobj\t_\t_\n34\tin\t_\tADP\tIN\t_\t37\tcase\t_\t_\n35\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n36\tfriendly\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n37\ttransaction\t_\tNOUN\tNN\t_\t32\tnmod\t_\t_\n38\tfor\t_\tADP\tIN\t_\t40\tcase\t_\t_\n39\t$\t_\tSYM\t$\t_\t40\tdep\t_\t_\n40\t25-a-share\t_\tADJ\tJJ\t_\t32\tnmod\t_\t_\n41\tin\t_\tADP\tIN\t_\t42\tcase\t_\t_\n42\tcash\t_\tNOUN\tNN\t_\t40\tnmod\t_\t_\n43\t,\t_\tPUNCT\t,\t_\t40\tpunct\t_\t_\n44\tor\t_\tCONJ\tCC\t_\t40\tcc\t_\t_\n45\t$\t_\tSYM\t$\t_\t40\tconj\t_\t_\n46\t817.5\t_\tNUM\tCD\t_\t47\tcompound\t_\t_\n47\tmillion\t_\tNUM\tCD\t_\t45\tnummod\t_\t_\n48\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\ta\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tfiling\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n4\twith\t_\tADP\tIN\t_\t9\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n6\tSecurities\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tExchange\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n9\tCommission\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tHuntsman\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tgroup\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n14\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\tit\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\tcontrols\t_\tVERB\tVBZ\t_\t14\tccomp\t_\t_\n17\t2,720,675\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n18\tAristech\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n19\tcommon\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tshares\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n22\tincluding\t_\tVERB\tVBG\t_\t24\tcase\t_\t_\n23\t306,000\t_\tNUM\tCD\t_\t24\tnummod\t_\t_\n24\tshares\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n25\tbought\t_\tVERB\tVBN\t_\t24\tacl\t_\t_\n26\tfrom\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\tAug.\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n28\t21\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n29\tto\t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_\tPART\tTO\t_\t7\tmark\t_\t_\n6\thave\t_\tAUX\tVB\t_\t7\taux\t_\t_\n7\tdeclined\t_\tVERB\tVBN\t_\t4\txcomp\t_\t_\n8\t0.2\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\t%\t_\tSYM\tNN\t_\t7\tdobj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n11\taccording\t_\tVERB\tVBG\t_\t14\tcase\t_\t_\n12\tto\t_\tADP\tTO\t_\t11\tmwe\t_\t_\n13\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tconsensus\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n15\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\teconomists\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n17\tsurveyed\t_\tVERB\tVBN\t_\t16\tacl\t_\t_\n18\tby\t_\tADP\tIN\t_\t23\tcase\t_\t_\n19\tDow\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n20\tJones\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n21\tCapital\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n22\tMarkets\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tReport\t_\tPROPN\tNNP\t_\t17\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tAugust\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\ttrade\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tdeficit\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n5\tis\t_\tAUX\tVBZ\t_\t6\tauxpass\t_\t_\n6\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n8\thave\t_\tAUX\tVB\t_\t9\taux\t_\t_\n9\twidened\t_\tVERB\tVBN\t_\t6\txcomp\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t9\tnmod\t_\t_\n12\t9.1\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tbillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\tfrom\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\t$\t_\tSYM\t$\t_\t9\tnmod\t_\t_\n16\t7.58\t_\tNUM\tCD\t_\t17\tcompound\t_\t_\n17\tbillion\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n18\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tJuly\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\twidening\t_\tNOUN\tNN\t_\t18\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthat\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tmagnitude\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t18\tparataxis\t_\t_\n8\tone\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n9\tNew\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tYork\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\ttrader\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n13\tis\t_\tVERB\tVBZ\t_\t18\tcop\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n15\tnot\t_\tADV\tRB\t_\t18\tneg\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tfavorable\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tnumber\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n19\t...\t_\tPUNCT\t:\t_\t18\tpunct\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\tcould\t_\tAUX\tMD\t_\t3\taux\t_\t_\n3\tdo\t_\tVERB\tVB\t_\t0\troot\t_\t_\n4\tdamage\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n5\tto\t_\tADP\tTO\t_\t6\tcase\t_\t_\n6\tus\t_\tPRON\tPRP\t_\t4\tnmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tMeanwhile\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n3\tagency\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tsupply\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n5\tis\t_\tAUX\tVBZ\t_\t6\tauxpass\t_\t_\n6\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tweigh\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\theavily\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\ton\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tmarket\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\ttoday\t_\tNOUN\tNN\t_\t8\tnmod:tmod\t_\t_\n14\twhen\t_\tADV\tWRB\t_\t20\tadvmod\t_\t_\n15\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n16\tFederal\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n17\tHome\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n18\tLoan\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tBank\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n20\tprices\t_\tVERB\tVBZ\t_\t13\tacl:relcl\t_\t_\n21\ta\t_\tDET\tDT\t_\t25\tdet\t_\t_\n22\t$\t_\tSYM\t$\t_\t25\tamod\t_\t_\n23\t2.3\t_\tNUM\tCD\t_\t24\tcompound\t_\t_\n24\tbillion\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n25\toffering\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n26\tof\t_\tADP\tIN\t_\t34\tcase\t_\t_\n27\tone-year\t_\tADJ\tJJ\t_\t34\tamod\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n29\tthree-year\t_\tADJ\tJJ\t_\t27\tconj\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n31\tfive-year\t_\tADJ\tJJ\t_\t27\tconj\t_\t_\n32\tand\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n33\t10-year\t_\tADJ\tJJ\t_\t27\tconj\t_\t_\n34\tmaturities\t_\tNOUN\tNNS\t_\t25\tnmod\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tTomorrow\t_\tNOUN\tNN\t_\t8\tnmod:tmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n4\tResolution\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n5\tFunding\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tCorp.\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n7\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\tprovide\t_\tVERB\tVB\t_\t0\troot\t_\t_\n9\tdetails\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\tits\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n12\tfirst\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tbond\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tissue\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\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VBD\t_\t2\tccomp\t_\t_\n6\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n7\tbe\t_\tAUX\tVB\t_\t8\taux\t_\t_\n8\thugging\t_\tVERB\tVBG\t_\t5\txcomp\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tsidelines\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n11\tuntil\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tmeasure\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tvolatility\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n16\tis\t_\tAUX\tVBZ\t_\t17\taux\t_\t_\n17\twrung\t_\tVERB\tVB\t_\t8\tadvcl\t_\t_\n18\tout\t_\tADP\tRP\t_\t17\tcompound:prt\t_\t_\n19\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tmarket\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNew\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tJersey\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tTurnpike\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tAuthority\t_\tPROPN\tNNP\t_\t8\tnmod:poss\t_\t_\n5\t's\t_\tPART\tPOS\t_\t4\tcase\t_\t_\n6\t7.20\t_\tNUM\tCD\t_\t7\tcompound\t_\t_\n7\t%\t_\tSYM\tNN\t_\t8\tamod\t_\t_\n8\tissue\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n9\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\t2018\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n11\twas\t_\tVERB\tVBD\t_\t17\tcop\t_\t_\n12\toff\t_\tADJ\tJJ\t_\t17\tadvmod\t_\t_\n13\t3/4\t_\tNUM\tCD\t_\t12\tdep\t_\t_\n14\tat\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\t98\t_\tNUM\tCD\t_\t16\tcompound\t_\t_\n16\t1/2\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\tbid\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tyielding\t_\tVERB\tVBG\t_\t17\txcomp\t_\t_\n20\t7.32\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\t%\t_\tSYM\tNN\t_\t19\tdobj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n23\tup\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n24\t0.07\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n25\tpercentage\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tpoint\t_\tNOUN\tNN\t_\t23\tnmod:npmod\t_\t_\n27\tfrom\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tlate\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tFriday\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tFlorida\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tBoard\t_\tPROPN\tNNP\t_\t9\tnmod:poss\t_\t_\n3\tof\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\tEducation\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n5\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n6\t7\t_\tNUM\tCD\t_\t7\tcompound\t_\t_\n7\t1/4\t_\tNUM\tCD\t_\t8\tdep\t_\t_\n8\t%\t_\tSYM\tNN\t_\t9\tdep\t_\t_\n9\tissue\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\t2023\t_\tNUM\tCD\t_\t9\tnmod\t_\t_\n12\twas\t_\tVERB\tVBD\t_\t15\tcop\t_\t_\n13\t5/8\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\tpoint\t_\tNOUN\tNN\t_\t15\tnmod:npmod\t_\t_\n15\tweaker\t_\tADJ\tJJR\t_\t0\troot\t_\t_\n16\tat\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\t99\t_\tNUM\tCD\t_\t18\tcompound\t_\t_\n18\t1/2\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\tbid\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\t7\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\t1/8\t_\tNUM\tCD\t_\t4\tdep\t_\t_\n4\t%\t_\tSYM\tNN\t_\t5\tdep\t_\t_\n5\tissue\t_\tNOUN\tNN\t_\t25\tnsubj\t_\t_\n6\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tTriborough\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tBridge\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tTunnel\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tAuthority\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n12\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tNew\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tYork\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n16\tdue\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n17\t2019\t_\tNUM\tCD\t_\t16\tnmod:tmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n19\twas\t_\tVERB\tVBD\t_\t25\tcop\t_\t_\n20\toff\t_\tADJ\tJJ\t_\t25\tadvmod\t_\t_\n21\t5/8\t_\tNUM\tCD\t_\t20\tdep\t_\t_\n22\tat\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\t98\t_\tNUM\tCD\t_\t24\tcompound\t_\t_\n24\t1/8\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n25\tbid\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n2\tFairfax\t_\tPROPN\tNNP\t_\t8\tdep\t_\t_\n3\tCounty\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n5\tVa.\t_\tPROPN\tNNP\t_\t2\tdep\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n7\tWater\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tAuthority\t_\tPROPN\tNNP\t_\t13\tnmod:poss\t_\t_\n9\t's\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\t7\t_\tNUM\tCD\t_\t11\tcompound\t_\t_\n11\t1/4\t_\tNUM\tCD\t_\t12\tdep\t_\t_\n12\t%\t_\tSYM\tNN\t_\t13\tdep\t_\t_\n13\tissue\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\t2027\t_\tNUM\tCD\t_\t13\tnmod\t_\t_\n16\twas\t_\tVERB\tVBD\t_\t22\tcop\t_\t_\n17\tdown\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n18\t3/4\t_\tNUM\tCD\t_\t17\tnmod:npmod\t_\t_\n19\tat\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\t99\t_\tNUM\tCD\t_\t21\tcompound\t_\t_\n21\t7/8\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n22\tbid\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tSerial\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tbond\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tyields\t_\tNOU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nmod:npmod\t_\t_\n28\tearlier\t_\tADV\tRBR\t_\t23\tadvmod\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n30\the\t_\tPRON\tPRP\t_\t31\tnsubj\t_\t_\n31\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t31\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tthird-quarter\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\testimate\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\tindicates\t_\tVERB\tVBZ\t_\t2\tccomp\t_\t_\n7\tprofit\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n8\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tnine\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tmonths\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\t$\t_\tSYM\t$\t_\t14\tdep\t_\t_\n14\t4.65\t_\tNUM\tCD\t_\t7\tnmod\t_\t_\n15\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tshare\t_\tNOUN\tNN\t_\t14\tnmod:npmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n18\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n19\talmost\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n20\tequal\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n21\tto\t_\tADP\tTO\t_\t25\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n23\tfull-year\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n24\t1988\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n25\tearnings\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n26\t''\t_\tPUNCT\t''\t_\t25\tpunct\t_\t_\n27\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\t$\t_\tSYM\t$\t_\t25\tnmod\t_\t_\n29\t108.6\t_\tNUM\tCD\t_\t30\tcompound\t_\t_\n30\tmillion\t_\tNUM\tCD\t_\t28\tnummod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n32\tor\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n33\t$\t_\tSYM\t$\t_\t34\tdep\t_\t_\n34\t4.81\t_\tNUM\tCD\t_\t28\tconj\t_\t_\n35\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tshare\t_\tNOUN\tNN\t_\t34\tnmod:npmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n3\tfirst\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tnine\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\tmonths\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\t1988\t_\tNUM\tCD\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\tnet\t_\tADJ\tJJ\t_\t11\tnsubj\t_\t_\n10\twas\t_\tVERB\tVBD\t_\t11\tcop\t_\t_\n11\t$\t_\tSYM\t$\t_\t0\troot\t_\t_\n12\t85\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tmillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n15\tor\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n16\t$\t_\tSYM\t$\t_\t17\tdep\t_\t_\n17\t3.76\t_\tNUM\tCD\t_\t11\tconj\t_\t_\n18\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tshare\t_\tNOUN\tNN\t_\t17\tnmod:npmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tSimmons\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tthird-quarter\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tresults\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\treflect\t_\tVERB\tVBP\t_\t3\tccomp\t_\t_\n8\tcontinued\t_\tVERB\tVBN\t_\t9\tamod\t_\t_\n9\timprovements\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\tproductivity\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\toperating\t_\tNOUN\tNN\t_\t11\tconj\t_\t_\n14\tmargins\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tcapital\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tspending\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n5\tnext\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tyear\t_\tNOUN\tNN\t_\t4\tnmod:tmod\t_\t_\n7\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\trise\t_\tVERB\tVB\t_\t2\tccomp\t_\t_\n9\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n10\tabout\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\t$\t_\tSYM\t$\t_\t8\tnmod\t_\t_\n12\t45\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tmillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\tfrom\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tabout\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\t$\t_\tSYM\t$\t_\t8\tnmod\t_\t_\n17\t35\t_\tNUM\tCD\t_\t18\tcompound\t_\t_\n18\tmillion\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n19\tthis\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tyear\t_\tNOUN\tNN\t_\t16\tnmod:tmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tU.S.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tBanknote\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCo.\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n6\tagain\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\textended\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\texpiration\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tdate\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n11\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n12\tits\t_\tPRON\tPRP$\t_\t16\tnmod:poss\t_\t_\n13\t$\t_\tSYM\t$\t_\t16\tamod\t_\t_\n14\t7-a-share\t_\tADJ\tJJ\t_\t13\tdep\t_\t_\n15\ttender\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\toffer\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n17\tfor\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tInternational\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n19\tBanknote\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tCo.\t_\tPROPN\tNNP\t_\t16\tnmo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N\t_\t9\txcomp\t_\t_\n13\tfurther\t_\tADV\tRBR\t_\t12\tadvmod\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tcomplete\t_\tVERB\tVB\t_\t12\txcomp\t_\t_\n16\tfinancing\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tarrangements\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tU.S.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tBanknote\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tCitibank\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\textended\t_\tVERB\tVBD\t_\t3\tccomp\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\texpiration\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tdate\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tits\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n11\tcommitment\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tsenior\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\tsecured\t_\tVERB\tVBN\t_\t15\tamod\t_\t_\n15\tfinancing\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n16\tto\t_\tADP\tTO\t_\t17\tcase\t_\t_\n17\tNov.\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n18\t15\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\toffer\t_\tNOUN\tNN\t_\t10\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tmade\t_\tVERB\tVBD\t_\t2\tacl\t_\t_\n5\tJune\t_\tPROPN\tNNP\t_\t4\tnmod:tmod\t_\t_\n6\t1\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n8\thas\t_\tAUX\tVBZ\t_\t10\taux\t_\t_\n9\tbeen\t_\tAUX\tVBN\t_\t10\tauxpass\t_\t_\n10\textended\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\tseveral\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\ttimes\t_\tNOUN\tNNS\t_\t10\tnmod:tmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tClosely\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n2\theld\t_\tVERB\tVBN\t_\t4\tamod\t_\t_\n3\tU.S.\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tBanknote\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\toffered\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\t$\t_\tSYM\t$\t_\t8\tdep\t_\t_\n8\t7\t_\tNUM\tCD\t_\t5\tdobj\t_\t_\n9\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tshare\t_\tNOUN\tNN\t_\t8\tnmod:npmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n12\tor\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n13\t$\t_\tSYM\t$\t_\t8\tconj\t_\t_\n14\t126\t_\tNUM\tCD\t_\t15\tcompound\t_\t_\n15\tmillion\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n17\tfor\t_\tADP\tIN\t_\t23\tcase\t_\t_\n18\tas\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n19\tmany\t_\tADJ\tJJ\t_\t22\tadvmod\t_\t_\n20\tas\t_\tADP\tIN\t_\t22\tadvmod\t_\t_\n21\t14.9\t_\tNUM\tCD\t_\t22\tcompound\t_\t_\n22\tmillion\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n23\tshares\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n25\tor\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n26\t78.6\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n27\t%\t_\tSYM\tNN\t_\t23\tconj\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n29\tof\t_\tADP\tIN\t_\t33\tcase\t_\t_\n30\tInternational\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tBanknote\t_\tPROPN\tNNP\t_\t33\tnmod:poss\t_\t_\n32\t's\t_\tPART\tPOS\t_\t31\tcase\t_\t_\n33\tshares\t_\tNOUN\tNNS\t_\t23\tconj\t_\t_\n34\toutstanding\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tU.S.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tBanknote\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthat\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n5\tas\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tOct.\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n8\t13\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n10\t16.1\t_\tNUM\tCD\t_\t11\tcompound\t_\t_\n11\tmillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\tshares\t_\tNOUN\tNNS\t_\t27\tnsubjpass\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\tor\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n15\tabout\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\t84.3\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\t%\t_\tSYM\tNN\t_\t12\tconj\t_\t_\n18\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n20\tfully\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n21\tdiluted\t_\tVERB\tVBN\t_\t22\tamod\t_\t_\n22\tshares\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n23\toutstanding\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n25\thad\t_\tAUX\tVBD\t_\t27\taux\t_\t_\n26\tbeen\t_\tAUX\tVBN\t_\t27\tauxpass\t_\t_\n27\ttendered\t_\tVERB\tVBN\t_\t3\tccomp\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tGitano\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tGroup\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tInc.\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tagreed\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tbuy\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\t50\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\t%\t_\tSYM\tNN\t_\t8\tdobj\t_\t_\n11\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tRegatta\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n13\tSport\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tLtd.\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\ta\t_\tDET\tDT\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subj\t_\t_\n3\tincluded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n5\t$\t_\tSYM\t$\t_\t8\tamod\t_\t_\n6\t2.7\t_\tNUM\tCD\t_\t7\tcompound\t_\t_\n7\tmillion\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n8\tcharge\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n9\trelated\t_\tVERB\tVBN\t_\t8\tacl\t_\t_\n10\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tretirement\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tdebt\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\ta\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\trelated\t_\tVERB\tVBN\t_\t4\tamod\t_\t_\n4\tmove\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n6\tEnron\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tit\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tincreased\t_\tVERB\tVBD\t_\t7\tccomp\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tnumber\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n12\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tpartnership\t_\tNOUN\tNN\t_\t16\tnmod:poss\t_\t_\n15\t's\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tunits\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n17\tit\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n18\twill\t_\tAUX\tMD\t_\t19\taux\t_\t_\n19\toffer\t_\tVERB\tVB\t_\t16\tacl:relcl\t_\t_\n20\tto\t_\tADP\tTO\t_\t21\tcase\t_\t_\n21\t6,930,000\t_\tNUM\tCD\t_\t9\tnmod\t_\t_\n22\tfrom\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\t5,500,000\t_\tNUM\tCD\t_\t9\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\told\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n3\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\trevised\t_\tVERB\tVBN\t_\t2\tconj\t_\t_\n5\tnumbers\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n6\tboth\t_\tDET\tDT\t_\t5\tdep\t_\t_\n7\tinclude\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n8\tover-allotment\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tprovisions\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tEnron\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\teach\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tunit\t_\tNOUN\tNN\t_\t7\tnsubjpass\t_\t_\n5\twill\t_\tAUX\tMD\t_\t7\taux\t_\t_\n6\tbe\t_\tAUX\tVB\t_\t7\tauxpass\t_\t_\n7\tpriced\t_\tVERB\tVBN\t_\t2\tccomp\t_\t_\n8\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\t$\t_\tSYM\t$\t_\t12\tamod\t_\t_\n11\t19-to-$21\t_\tADJ\tJJ\t_\t10\tdep\t_\t_\n12\trange\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n14\twill\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\trepresent\t_\tVERB\tVB\t_\t7\tconj\t_\t_\n16\tabout\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\t80\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\t%\t_\tSYM\tNN\t_\t15\tdobj\t_\t_\n19\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tpartnership\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\tequity\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNet\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tproceeds\t_\tNOUN\tNNS\t_\t7\tnsubjpass\t_\t_\n3\tfrom\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\toffering\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\tare\t_\tAUX\tVBP\t_\t7\tauxpass\t_\t_\n7\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n9\tbe\t_\tVERB\tVB\t_\t10\tcop\t_\t_\n10\tclose\t_\tADJ\tJJ\t_\t7\txcomp\t_\t_\n11\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n12\t$\t_\tSYM\t$\t_\t10\tnmod\t_\t_\n13\t200\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\tmillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tGoldman\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\tSachs\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n4\t&\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n5\tCo.\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n8\tDrexel\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n9\tBurnham\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tLambert\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tInc.\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n12\tare\t_\tVERB\tVBP\t_\t14\tcop\t_\t_\n13\tlead\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tunderwriters\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tArthur\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tM.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tGoldberg\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\the\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\textended\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n7\this\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n8\tunsolicited\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n9\ttender\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\toffer\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n11\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\t$\t_\tSYM\t$\t_\t13\tdep\t_\t_\n13\t32\t_\tNUM\tCD\t_\t10\tnmod\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tshare\t_\tNOUN\tNN\t_\t13\tnmod:npmod\t_\t_\n16\ttender\t_\tNOUN\tNN\t_\t17\tdep\t_\t_\n17\toffer\t_\tNOUN\tNN\t_\t15\tdep\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n19\tor\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n20\t$\t_\tSYM\t$\t_\t13\tconj\t_\t_\n21\t154.3\t_\tNUM\tCD\t_\t22\tcompound\t_\t_\n22\tmillion\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n24\tfor\t_\tADP\tIN\t_\t27\tcase\t_\t_\n25\tDi\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n26\tGiorgio\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tCorp.\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n28\tto\t_\tADP\tTO\t_\t29\tcase\t_\t_\n29\tNov.\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n30\t1\t_\tNUM\tCD\t_\t29\tnummod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tDIG\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tAcquisition\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCorp.\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\tNew\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tJersey\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tinvestor\t_\tNOUN\tNN\t_\t11\tnmod:poss\t_\t_\n9\t's\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\tacquisition\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tvehicle\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n13\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tthat\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n15\tas\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tclose\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tbusiness\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n21\tyesterday\t_\tNOUN\tNN\t_\t18\tnmod:tmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n23\t560,839\t_\tNUM\tCD\t_\t24\tnummod\t_\t_\n24\tshares\t_\tNOUN\tNNS\t_\t27\tnsubjpass\t_\t_\n25\thad\t_\tAUX\tVBD\t_\t27\taux\t_\t_\n26\tbeen\t_\tAUX\tVBN\t_\t27\tauxpass\t_\t_\n27\ttendered\t_\tVERB\tVBN\t_\t13\tccomp\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tIncluding\t_\tVERB\tVBG\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tstake\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n4\tDIG\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n5\talready\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\theld\t_\tVERB\tVBD\t_\t3\tacl:relcl\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\tDIG\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n9\tholds\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\ttotal\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n12\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tabout\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\t25\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n15\t%\t_\tSYM\tNN\t_\t11\tnmod\t_\t_\n16\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n17\tDi\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tGiorgio\t_\tPROPN\tNNP\t_\t20\tnmod:poss\t_\t_\n19\t's\t_\tPART\tPOS\t_\t18\tcase\t_\t_\n20\tshares\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n21\ton\t_\tADP\tIN\t_\t25\tcase\t_\t_\n22\ta\t_\tDET\tDT\t_\t25\tdet\t_\t_\n23\tfully\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n24\tdiluted\t_\tVERB\tVBN\t_\t25\tamod\t_\t_\n25\tbasis\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\toffer\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\twhich\t_\tPRON\tWDT\t_\t6\tnsubj\t_\t_\n5\talso\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tincludes\t_\tVERB\tVBZ\t_\t2\tacl:relcl\t_\t_\n7\tcommon\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tpreferred\t_\tVERB\tVBN\t_\t7\tconj\t_\t_\n10\tstock\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n11\tpurchase\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\trights\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n14\twas\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\texpire\t_\tVERB\tVB\t_\t14\txcomp\t_\t_\n17\tlast\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tnight\t_\tNOUN\tNN\t_\t16\tnmod:tmod\t_\t_\n19\tat\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tmidnight\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tnew\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n3\texpiration\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tdate\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n5\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tdate\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n8\ton\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\twhich\t_\tPRON\tWDT\t_\t22\tnmod\t_\t_\n10\tDIG\t_\tPROPN\tNNP\t_\t13\tnmod:poss\t_\t_\n11\t's\t_\tPART\tPOS\t_\t10\tcase\t_\t_\n12\tfinancing\t_\tVERB\tVBG\t_\t13\tamod\t_\t_\n13\tcommitments\t_\tNOUN\tNNS\t_\t22\tnsubj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\twhich\t_\tPRON\tWDT\t_\t16\tnsubj\t_\t_\n16\ttotal\t_\tVERB\tVBP\t_\t13\tacl:relcl\t_\t_\n17\tabout\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n18\t$\t_\tSYM\t$\t_\t16\tdobj\t_\t_\n19\t240\t_\tNUM\tCD\t_\t20\tcompound\t_\t_\n20\tmillion\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n22\tare\t_\tVERB\tVBP\t_\t7\tacl:relcl\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\texpire\t_\tVERB\tVB\t_\t22\txcomp\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tDIG\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t4\tcop\t_\t_\n3\ta\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tunit\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n5\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tDI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_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\tartists\t_\tNOUN\tNNS\t_\t14\tconj\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n18\tother\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\twell-known\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tpersonalities\t_\tNOUN\tNNS\t_\t14\tconj\t_\t_\n21\tmodeling\t_\tVERB\tVBG\t_\t14\tacl\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tretailer\t_\tNOUN\tNN\t_\t25\tnmod:poss\t_\t_\n24\t's\t_\tPART\tPOS\t_\t23\tcase\t_\t_\n25\tjeans\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n27\tT-shirts\t_\tNOUN\tNNS\t_\t25\tconj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tRichard\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCrisman\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\taccount\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tmanager\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n7\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcampaign\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n11\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n12\tGap\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n13\tdid\t_\tAUX\tVBD\t_\t16\taux\t_\t_\n14\tn't\t_\tPART\tRB\t_\t16\tneg\t_\t_\n15\tintentionally\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tchoose\t_\tVERB\tVB\t_\t11\tccomp\t_\t_\n17\tblack\t_\tADJ\tJJ\t_\t16\tdobj\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\twhite\t_\tADJ\tJJ\t_\t17\tconj\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tdistinguish\t_\tVERB\tVB\t_\t16\txcomp\t_\t_\n22\tits\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n23\tads\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n24\tfrom\t_\tADP\tIN\t_\t27\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n26\tcolor\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tspreads\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n28\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tcompetitors\t_\tNOUN\tNNS\t_\t27\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\twanted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\thighlight\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tindividual\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tnot\t_\tADV\tRB\t_\t11\tneg\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tenvironment\t_\tNOUN\tNN\t_\t7\tappos\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n14\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t3\tdep\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n17\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n19\tblack\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n21\twhite\t_\tNOUN\tNN\t_\t19\tconj\t_\t_\n22\tallows\t_\tVERB\tVBZ\t_\t3\tconj\t_\t_\n23\tyou\t_\tPRON\tPRP\t_\t22\tdobj\t_\t_\n24\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n25\tdo\t_\tVERB\tVB\t_\t22\txcomp\t_\t_\n26\tthat\t_\tPRON\tDT\t_\t25\tdobj\t_\t_\n27\tbetter\t_\tADV\tRBR\t_\t25\tadvmod\t_\t_\n28\tthan\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tcolor\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n31\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcampaign\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\twon\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tCleo\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\taward\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n7\tas\t_\tADP\tIN\t_\t12\tcase\t_\t_\n8\tthis\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tyear\t_\tNOUN\tNN\t_\t12\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tbest\t_\tADJ\tJJS\t_\t12\tamod\t_\t_\n12\tad\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n13\tby\t_\tADP\tIN\t_\t16\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tspecialty\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tretailer\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tEven\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n2\tfood\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tproducts\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n4\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tautomobiles\t_\tNOUN\tNNS\t_\t3\tconj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n7\twhich\t_\tPRON\tWDT\t_\t10\tnsubj\t_\t_\n8\thave\t_\tAUX\tVBP\t_\t10\taux\t_\t_\n9\tlong\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tdepended\t_\tVERB\tVBN\t_\t3\tacl:relcl\t_\t_\n11\ton\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tcolor\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n14\tare\t_\tAUX\tVBP\t_\t15\taux\t_\t_\n15\tmaking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tswitch\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tCompanies\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n2\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n3\tfeel\t_\tVERB\tVBP\t_\t14\tdep\t_\t_\n4\tblack\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\twhite\t_\tNOUN\tNN\t_\t4\tconj\t_\t_\n7\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\tconvey\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n9\ta\t_\tDET\tDT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_\tADJ\tJJ\t_\t30\tamod\t_\t_\n29\tblack-and-white\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\tphotographs\t_\tNOUN\tNNS\t_\t26\tdobj\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tkit\t_\tNOUN\tNN\t_\t21\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\twhich\t_\tPRON\tWDT\t_\t5\tnsubj\t_\t_\n5\thas\t_\tVERB\tVBZ\t_\t2\tacl:relcl\t_\t_\n6\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tsuggested\t_\tVERB\tVBN\t_\t9\tamod\t_\t_\n8\tretail\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tprice\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t12\tdep\t_\t_\n12\t250\t_\tNUM\tCD\t_\t9\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n14\thas\t_\tAUX\tVBZ\t_\t16\taux\t_\t_\n15\talready\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tbecome\t_\tVERB\tVBN\t_\t5\tconj\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tbestseller\t_\tNOUN\tNN\t_\t16\txcomp\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n20\twas\t_\tAUX\tVBD\t_\t21\tauxpass\t_\t_\n21\tintroduced\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n22\tafter\t_\tSCONJ\tIN\t_\t24\tmark\t_\t_\n23\tretailers\t_\tNOUN\tNNS\t_\t24\tnsubj\t_\t_\n24\tnoticed\t_\tVERB\tVBD\t_\t21\tadvcl\t_\t_\n25\tnumerous\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\trequests\t_\tNOUN\tNNS\t_\t24\tdobj\t_\t_\n27\tfrom\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\tparents\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n29\tfor\t_\tADP\tIN\t_\t33\tcase\t_\t_\n30\tchildren\t_\tNOUN\tNNS\t_\t33\tnmod:poss\t_\t_\n31\t's\t_\tPART\tPOS\t_\t30\tcase\t_\t_\n32\tphotography\t_\tNOUN\tNN\t_\t33\tcompound\t_\t_\n33\tequipment\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tseems\t_\tVERB\tVBZ\t_\t11\tdep\t_\t_\n4\tcomputers\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n5\tas\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\thobbies\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n7\thave\t_\tAUX\tVBP\t_\t8\taux\t_\t_\n8\twaned\t_\tVERB\tVBN\t_\t3\tccomp\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n11\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n12\tIan\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tBrightman\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\tBeseler\t_\tPROPN\tNNP\t_\t17\tnmod:poss\t_\t_\n16\t's\t_\tPART\tPOS\t_\t15\tcase\t_\t_\n17\tchairman\t_\tNOUN\tNN\t_\t13\tappos\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\tchief\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n20\texecutive\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tofficer\t_\tNOUN\tNN\t_\t17\tconj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tsome\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tindustry\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tobservers\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tbelieve\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tresurgence\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n8\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tblack\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\twhite\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n12\tis\t_\tVERB\tVBZ\t_\t15\tcop\t_\t_\n13\tonly\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tfad\t_\tNOUN\tNN\t_\t5\tccomp\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tcite\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\temergence\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tstill\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\telectronic\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tphotography\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n10\tmore\t_\tADJ\tJJR\t_\t11\tamod\t_\t_\n11\tnewspapers\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n12\tturning\t_\tVERB\tVBG\t_\t4\tconj\t_\t_\n13\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n14\tcolor\t_\tVERB\tVB\t_\t12\tnmod\t_\t_\n15\ton\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\ttheir\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n17\tpages\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n19\tmeasurable\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\timprovements\t_\tNOUN\tNNS\t_\t4\tconj\t_\t_\n21\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tquality\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n24\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tcolor\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tprints\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tBlack\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n3\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\twhite\t_\tNOUN\tNN\t_\t2\tconj\t_\t_\n5\thas\t_\tAUX\tVBZ\t_\t7\taux\t_\t_\n6\tn't\t_\tPART\tRB\t_\t7\tneg\t_\t_\n7\tmade\t_\tVERB\tVBD\t_\t19\tccomp\t_\t_\n8\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n9\tsame\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\tquantum\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tleaps\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\ttechnological\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tdevelopment\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n15\tas\t_\tADP\t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_\t_\n30\tChapter\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n31\t11\t_\tNUM\tCD\t_\t30\tnummod\t_\t_\n32\tof\t_\tADP\tIN\t_\t36\tcase\t_\t_\n33\tthe\t_\tDET\tDT\t_\t36\tdet\t_\t_\n34\tfederal\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n35\tBankruptcy\t_\tPROPN\tNNP\t_\t36\tcompound\t_\t_\n36\tCode\t_\tPROPN\tNNP\t_\t30\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tCENTRUST\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tSAVINGS\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tBANK\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t-LRB-\t_\tPUNCT\t-LRB-\t_\t5\tpunct\t_\t_\n5\tMiami\t_\tPROPN\tNNP\t_\t3\tappos\t_\t_\n6\t-RRB-\t_\tPUNCT\t-RRB-\t_\t5\tpunct\t_\t_\n7\t--\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\tMoody\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tInvestors\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tService\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tInc.\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tdowngraded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tits\t_\tPRON\tPRP$\t_\t8\tnmod:poss\t_\t_\n8\tratings\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n9\ton\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tsubordinated\t_\tVERB\tVBN\t_\t12\tamod\t_\t_\n12\tdebt\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tCenTrust\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n15\tto\t_\tADP\tTO\t_\t16\tcase\t_\t_\n16\tCaa\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n17\tfrom\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tB-3\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\trating\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tagency\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\talso\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\treduced\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tratings\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n8\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tlong-term\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tdeposits\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n11\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n12\tB-3\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n13\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tBa-3\t_\tNUM\tCD\t_\t5\tnmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n16\tfor\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tpreferred\t_\tVERB\tVBN\t_\t18\tamod\t_\t_\n18\tstock\t_\tNOUN\tNN\t_\t5\tconj\t_\t_\n19\tto\t_\tADP\tTO\t_\t20\tcase\t_\t_\n20\tCa\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n21\tfrom\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tCaa\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\trating\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tagency\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tabout\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\t$\t_\tSYM\t$\t_\t12\tnsubjpass\t_\t_\n7\t85\t_\tNUM\tCD\t_\t8\tcompound\t_\t_\n8\tmillion\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n9\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tsecurities\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n11\twas\t_\tAUX\tVBD\t_\t12\tauxpass\t_\t_\n12\taffected\t_\tVERB\tVBN\t_\t4\tccomp\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tdowngrades\t_\tNOUN\tNNS\t_\t4\tnsubjpass\t_\t_\n3\twere\t_\tAUX\tVBD\t_\t4\tauxpass\t_\t_\n4\tprompted\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tMoody\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n7\t's\t_\tPART\tPOS\t_\t6\tcase\t_\t_\n8\tsaid\t_\tVERB\tVBD\t_\t4\tparataxis\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n10\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tcontinuing\t_\tVERB\tVBG\t_\t13\tamod\t_\t_\n13\tturmoil\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n14\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n16\tjunk\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\tbond\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tmarket\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tsuspension\t_\tNOUN\tNN\t_\t13\tconj\t_\t_\n22\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tdividends\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n24\ton\t_\tADP\tIN\t_\t28\tcase\t_\t_\n25\tCenTrust\t_\tPROPN\tNNP\t_\t28\tnmod:poss\t_\t_\n26\t's\t_\tPART\tPOS\t_\t25\tcase\t_\t_\n27\tpreferred\t_\tVERB\tVBN\t_\t28\tamod\t_\t_\n28\tstock\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tMoody\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tbelieved\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tproposed\t_\tVERB\tVBN\t_\t9\tamod\t_\t_\n9\tsale\t_\tNOUN\tNN\t_\t23\tnsubj\t_\t_\n10\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\t63\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n12\tCenTrust\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tbranches\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n14\tto\t_\tADP\tTO\t_\t17\tcase\t_\t_\n15\tGreat\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\tWestern\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tBank\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n18\tcould\t_\t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ound\t_\t_\n30\toperations\t_\tNOUN\tNNS\t_\t26\tconj\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t5\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\tremaining\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tbusiness\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\tis\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tmanufacture\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tsale\t_\tNOUN\tNN\t_\t8\tconj\t_\t_\n11\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\tengine\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\ttransmissions\t_\tNOUN\tNNS\t_\t12\tconj\t_\t_\n15\tproducts\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n16\tfor\t_\tADP\tIN\t_\t20\tcase\t_\t_\n17\tindustrial\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\ttransportation\t_\tNOUN\tNN\t_\t17\tconj\t_\t_\n20\tapplications\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tCiting\t_\tVERB\tVBG\t_\t15\tadvcl\t_\t_\n2\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n3\t$\t_\tSYM\t$\t_\t6\tamod\t_\t_\n4\t3.1\t_\tNUM\tCD\t_\t5\tcompound\t_\t_\n5\tmillion\t_\tNUM\tCD\t_\t3\tnummod\t_\t_\n6\tprovision\t_\tNOUN\tNN\t_\t1\tdobj\t_\t_\n7\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tdoubtful\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\taccounts\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n11\tDallas-based\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n12\tNational\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n13\tHeritage\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tInc.\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n15\tposted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tloss\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tits\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n20\tfourth\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tquarter\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n22\tended\t_\tVERB\tVBN\t_\t21\tacl\t_\t_\n23\tJune\t_\tPROPN\tNNP\t_\t22\tnmod:tmod\t_\t_\n24\t30\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tunit\t_\tNOUN\tNN\t_\t16\tccomp\t_\t_\n3\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\ttroubled\t_\tVERB\tVBN\t_\t6\tamod\t_\t_\n5\tSouthmark\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tCorp.\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\toperator\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n10\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tnursing\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\thomes\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\tretirement\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tcenters\t_\tNOUN\tNNS\t_\t12\tconj\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\tit\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n18\tsustained\t_\tVERB\tVBD\t_\t16\tccomp\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tnet\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tloss\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n22\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\t$\t_\tSYM\t$\t_\t21\tnmod\t_\t_\n24\t1.6\t_\tNUM\tCD\t_\t25\tcompound\t_\t_\n25\tmillion\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n27\tor\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n28\tnine\t_\tNUM\tCD\t_\t29\tnummod\t_\t_\n29\tcents\t_\tNOUN\tNNS\t_\t23\tconj\t_\t_\n30\ta\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tshare\t_\tNOUN\tNN\t_\t29\tnmod:npmod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n33\tcompared\t_\tVERB\tVBN\t_\t36\tcase\t_\t_\n34\twith\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\tnet\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\tincome\t_\tNOUN\tNN\t_\t18\tadvcl\t_\t_\n37\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n38\t$\t_\tSYM\t$\t_\t36\tnmod\t_\t_\n39\t1.3\t_\tNUM\tCD\t_\t40\tcompound\t_\t_\n40\tmillion\t_\tNUM\tCD\t_\t38\tnummod\t_\t_\n41\t,\t_\tPUNCT\t,\t_\t38\tpunct\t_\t_\n42\tor\t_\tCONJ\tCC\t_\t38\tcc\t_\t_\n43\teight\t_\tNUM\tCD\t_\t44\tnummod\t_\t_\n44\tcents\t_\tNOUN\tNNS\t_\t38\tconj\t_\t_\n45\ta\t_\tDET\tDT\t_\t46\tdet\t_\t_\n46\tshare\t_\tNOUN\tNN\t_\t44\tnmod:npmod\t_\t_\n47\t,\t_\tPUNCT\t,\t_\t38\tpunct\t_\t_\n48\ta\t_\tDET\tDT\t_\t49\tdet\t_\t_\n49\tyear\t_\tNOUN\tNN\t_\t50\tnmod:npmod\t_\t_\n50\tearlier\t_\tADV\tRBR\t_\t38\tadvmod\t_\t_\n51\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tOperating\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\trevenue\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\trose\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\t13\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\t%\t_\tSYM\tNN\t_\t3\tdobj\t_\t_\n6\tto\t_\tADP\tTO\t_\t7\tcase\t_\t_\n7\t$\t_\tSYM\t$\t_\t3\tnmod\t_\t_\n8\t22.2\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\tmillion\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\t$\t_\tSYM\t$\t_\t3\tnmod\t_\t_\n12\t19.7\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tmillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tyear-earlier\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tquarter\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n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d\t_\t_\n15\tlockstep\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\twith\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tdollar\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n20\trising\t_\tVERB\tVBG\t_\t12\tdep\t_\t_\n21\tearly\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n22\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tday\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n25\tas\t_\tSCONJ\tIN\t_\t28\tmark\t_\t_\n26\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tcurrency\t_\tNOUN\tNN\t_\t28\tnsubj\t_\t_\n28\tfell\t_\tVERB\tVBD\t_\t20\tadvcl\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n30\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n31\tthen\t_\tADV\tRB\t_\t32\tadvmod\t_\t_\n32\tgiving\t_\tVERB\tVBG\t_\t20\tconj\t_\t_\n33\tup\t_\tADP\tRP\t_\t32\tcompound:prt\t_\t_\n34\tsome\t_\tDET\tDT\t_\t32\tdobj\t_\t_\n35\tof\t_\tADP\tIN\t_\t37\tcase\t_\t_\n36\tits\t_\tPRON\tPRP$\t_\t37\tnmod:poss\t_\t_\n37\tgains\t_\tNOUN\tNNS\t_\t34\tnmod\t_\t_\n38\tas\t_\tSCONJ\tIN\t_\t41\tmark\t_\t_\n39\tthe\t_\tDET\tDT\t_\t40\tdet\t_\t_\n40\tdollar\t_\tNOUN\tNN\t_\t41\tnsubj\t_\t_\n41\trecovered\t_\tVERB\tVBD\t_\t32\tadvcl\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tCopper\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n2\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\tcrude\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\toil\t_\tNOUN\tNN\t_\t1\tconj\t_\t_\n5\treacted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tsharply\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n7\tto\t_\tADP\tTO\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tconcern\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tcrash\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n13\tyesterday\t_\tNOUN\tNN\t_\t15\tnmod:tmod\t_\t_\n14\tcould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\thave\t_\tVERB\tVB\t_\t9\tccomp\t_\t_\n16\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n17\tpotentially\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n18\tdevastating\t_\tVERB\tVBG\t_\t19\tamod\t_\t_\n19\teffect\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n20\ton\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\teconomy\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tCopper\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tfell\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\tshowed\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n5\tlittle\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\trebound\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tthrough\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tday\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n10\tas\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n11\tone\t_\tNUM\tCD\t_\t22\tnsubj\t_\t_\n12\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n14\tmajor\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tsupply\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tproblems\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n17\tthat\t_\tPRON\tWDT\t_\t20\tnsubj\t_\t_\n18\thad\t_\tAUX\tVBD\t_\t20\taux\t_\t_\n19\tbeen\t_\tAUX\tVBN\t_\t20\taux\t_\t_\n20\tsupporting\t_\tVERB\tVBG\t_\t11\tacl:relcl\t_\t_\n21\tprices\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n22\tappeared\t_\tVERB\tVBD\t_\t4\tadvcl\t_\t_\n23\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n24\tbe\t_\tAUX\tVB\t_\t25\tauxpass\t_\t_\n25\tsolved\t_\tVERB\tVBN\t_\t22\txcomp\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tCrude\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\toil\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tdeclined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tearly\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n6\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n7\tas\t_\tSCONJ\tIN\t_\t11\tmark\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tstock\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tmarket\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n11\tretained\t_\tVERB\tVBD\t_\t19\tadvcl\t_\t_\n12\tearly\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tgains\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n15\tit\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n17\ttoo\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n19\tbecame\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n20\tstronger\t_\tADJ\tJJR\t_\t19\txcomp\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n22\tending\t_\tVERB\tVBG\t_\t19\txcomp\t_\t_\n23\twith\t_\tADP\tIN\t_\t27\tcase\t_\t_\n24\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n25\tsmall\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\tnet\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tloss\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tTrading\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n2\tin\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tcotton\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n4\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tsugar\t_\tNOUN\tNN\t_\t3\tconj\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t7\tcop\t_\t_\n7\tnervous\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tshowed\t_\tVERB\tVBD\t_\t7\tconj\t_\t_\n10\tsmall\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tdeclines\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tChicago\t_\tPROPN\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_\t_\n8\tpound\t_\tNOUN\tNN\t_\t6\tnmod:npmod\t_\t_\n9\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n10\t$\t_\tSYM\t$\t_\t11\tdep\t_\t_\n11\t1.2745\t_\tNUM\tCD\t_\t4\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tPrices\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n2\twere\t_\tVERB\tVBD\t_\t6\tcop\t_\t_\n3\tdown\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n4\tfrom\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\toutset\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\ttrading\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\ton\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tconcern\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n11\tthat\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tdrop\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n14\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tstock\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tmarket\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\tmight\t_\tAUX\tMD\t_\t19\taux\t_\t_\n19\tcreate\t_\tVERB\tVB\t_\t10\tccomp\t_\t_\n20\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tweakened\t_\tVERB\tVBN\t_\t22\tamod\t_\t_\n22\teconomy\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tconsequent\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\treduction\t_\tNOUN\tNN\t_\t22\tconj\t_\t_\n27\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tcopper\t_\tNOUN\tNN\t_\t29\tcompound\t_\t_\n29\tuse\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\trecovery\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n4\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tstock\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tmarket\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n8\tprovided\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tlittle\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\thelp\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tfor\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tcopper\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n13\tas\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n14\tword\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n15\tspread\t_\tVERB\tVBD\t_\t8\tadvcl\t_\t_\n16\tthat\t_\tSCONJ\tIN\t_\t28\tmark\t_\t_\n17\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tthree-month\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tstrike\t_\tNOUN\tNN\t_\t28\tnsubj\t_\t_\n20\tat\t_\tADP\tIN\t_\t24\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n22\tHighland\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n23\tValley\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tmine\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n25\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tBritish\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tColumbia\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n28\twas\t_\tVERB\tVBD\t_\t15\tccomp\t_\t_\n29\tabout\t_\tADV\tRB\t_\t30\tadvmod\t_\t_\n30\tover\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n32\taccording\t_\tVERB\tVBG\t_\t35\tcase\t_\t_\n33\tto\t_\tADP\tTO\t_\t32\tmwe\t_\t_\n34\tan\t_\tDET\tDT\t_\t35\tdet\t_\t_\n35\tanalyst\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tHighland\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tValley\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n4\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tlarge\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tCanadian\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tproducer\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tprincipal\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tsupplier\t_\tNOUN\tNN\t_\t7\tconj\t_\t_\n11\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n12\tJapan\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n14\twhich\t_\tPRON\tWDT\t_\t16\tnsubj\t_\t_\n15\trecently\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tbegan\t_\tVERB\tVBD\t_\t7\tacl:relcl\t_\t_\n17\tseeking\t_\tVERB\tVBG\t_\t16\txcomp\t_\t_\n18\tcopper\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n19\telsewhere\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n20\tas\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n21\tits\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n22\tinventories\t_\tNOUN\tNNS\t_\t23\tnsubj\t_\t_\n23\tshrank\t_\tVERB\tVBD\t_\t17\tadvcl\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tLast\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tweek\t_\tNOUN\tNN\t_\t5\tnmod:tmod\t_\t_\n3\tit\t_\tPRON\tPRP\t_\t5\tnsubjpass\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t5\tauxpass\t_\t_\n5\treported\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tthat\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n7\tcompany\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tunion\t_\tNOUN\tNN\t_\t7\tconj\t_\t_\n10\tnegotiations\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n11\thad\t_\tAUX\tVBD\t_\t12\taux\t_\t_\n12\tovercome\t_\tVERB\tVBN\t_\t5\tccomp\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tmajor\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\thurdle\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tcontracting\t_\tNOUN\tNN\t_\t15\tappos\t_\t_\n19\tout\t_\tADP\tRP\t_\t18\tdep\t_\t_\n20\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\twork\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n22\tby\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tcompany\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tanalyst\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\tsaid\t_\tVERB\tVBD\t_\t10\tparataxis\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tonly\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n8\tminor\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tpoints\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n10\tremain\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n11\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n12\tbe\t_\tAUX\tVB\t_\t13\tauxpass\t_\t_\n13\tcleaned\t_\tVERB\tVBN\t_\t10\txcomp\t_\t_\n14\tup\t_\tADP\tRP\t_\t13\tcompound:prt\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tFor\t_\tADP\tIN\t_\t4\tcase\t_\t_\n3\tall\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tintents\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\tpurposes\t_\tNOUN\tNNS\t_\t4\tconj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n8\tan\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tagreement\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n10\tappears\t_\tVERB\tVBZ\t_\t18\tccomp\t_\t_\n11\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n12\thave\t_\tAUX\tVB\t_\t14\taux\t_\t_\n13\tbeen\t_\tAUX\tVBN\t_\t14\tauxpass\t_\t_\n14\tachieved\t_\tVERB\tVBN\t_\t10\txcomp\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n17\the\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n18\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tCopper\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\tinventories\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n3\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n4\tNew\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tYork\t_\tPROPN\tNNP\t_\t9\tnmod:poss\t_\t_\n6\t's\t_\tPART\tPOS\t_\t5\tcase\t_\t_\n7\tCommodity\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tExchange\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\twarehouses\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n10\trose\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tyesterday\t_\tNOUN\tNN\t_\t10\tnmod:tmod\t_\t_\n12\tby\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\t516\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\ttons\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n16\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n17\t10,004\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\ttons\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tLondon\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n2\tMetal\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n3\tExchange\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tcopper\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tinventories\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n6\tlast\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tweek\t_\tNOUN\tNN\t_\t8\tnmod:tmod\t_\t_\n8\tdeclined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\t13,575\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\ttons\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n12\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n13\t89,300\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\ttons\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tLME\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tstocks\t_\tNOUN\tNNS\t_\t4\tcompound\t_\t_\n4\tdecline\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\twas\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tabout\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n7\tas\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\texpected\t_\tVERB\tVBN\t_\t5\tccomp\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n10\tbut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tComex\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tgain\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n14\twas\t_\tVERB\tVBD\t_\t5\tconj\t_\t_\n15\tn't\t_\tPART\tRB\t_\t14\tneg\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tHowever\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n3\tthis\t_\tPRON\tDT\t_\t5\tnsubjpass\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t5\tauxpass\t_\t_\n5\tbrushed\t_\tVERB\tVBN\t_\t16\tccomp\t_\t_\n6\taside\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n7\tby\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tconcern\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\tover\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tstock\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tmarket\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tanalyst\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tone\t_\tNUM\tCD\t_\t3\tnummod\t_\t_\n3\tpoint\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tfutures\t_\tNOUN\tNNS\t_\t6\tcompound\t_\t_\n6\ttrading\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n8\tas\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tstock\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tmarket\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n12\tfirmed\t_\tVERB\tVBD\t_\t17\tadvcl\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tD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,\t_\t30\tpunct\t_\t_\n29\t''\t_\tPUNCT\t''\t_\t30\tpunct\t_\t_\n30\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n31\tJudith\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tGanes\t_\tPROPN\tNNP\t_\t30\tnsubj\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n34\tanalyst\t_\tNOUN\tNN\t_\t32\tappos\t_\t_\n35\tfor\t_\tADP\tIN\t_\t38\tcase\t_\t_\n36\tShearson\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n37\tLehman\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n38\tHutton\t_\tPROPN\tNNP\t_\t34\tnmod\t_\t_\n39\t,\t_\tPUNCT\t,\t_\t38\tpunct\t_\t_\n40\tNew\t_\tPROPN\tNNP\t_\t41\tcompound\t_\t_\n41\tYork\t_\tPROPN\tNNP\t_\t38\tappos\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t30\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tany\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\trate\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n5\tshe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tadded\t_\tVERB\tVBD\t_\t10\tdep\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n9\tIndia\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n10\tneeds\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tsugar\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n14\tso\t_\tADP\tIN\t_\t17\tdep\t_\t_\n15\tit\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n16\twill\t_\tAUX\tMD\t_\t17\taux\t_\t_\n17\tbe\t_\tVERB\tVB\t_\t10\tparataxis\t_\t_\n18\tin\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n19\tsooner\t_\tADV\tRBR\t_\t17\tadvmod\t_\t_\n20\tor\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n21\tlater\t_\tADV\tRBR\t_\t19\tconj\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\tbuy\t_\tVERB\tVB\t_\t17\txcomp\t_\t_\n24\tit\t_\tPRON\tPRP\t_\t23\tdobj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n26\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n\n1\tFARM\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\tPRODUCTS\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n3\t:\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tprices\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\tcattle\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\thog\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n7\tfutures\t_\tNOUN\tNNS\t_\t8\tcompound\t_\t_\n8\tcontracts\t_\tNOUN\tNNS\t_\t4\tconj\t_\t_\n9\tdropped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tsharply\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n11\tbecause\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n12\ttraders\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n13\tspeculated\t_\tVERB\tVBD\t_\t9\tadvcl\t_\t_\n14\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n15\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n16\tstock\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\tmarket\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tplunge\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n19\tFriday\t_\tPROPN\tNNP\t_\t21\tnmod:tmod\t_\t_\n20\twill\t_\tAUX\tMD\t_\t21\taux\t_\t_\n21\tlinger\t_\tVERB\tVB\t_\t13\tccomp\t_\t_\n22\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tminds\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n25\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tU.S.\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tconsumers\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n28\tlong\t_\tADV\tRB\t_\t29\tadvmod\t_\t_\n29\tenough\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n30\tto\t_\tPART\tTO\t_\t31\tmark\t_\t_\n31\tprompt\t_\tVERB\tVB\t_\t29\tdep\t_\t_\n32\tthem\t_\tPRON\tPRP\t_\t31\tdobj\t_\t_\n33\tto\t_\tPART\tTO\t_\t34\tmark\t_\t_\n34\trein\t_\tVERB\tVB\t_\t31\txcomp\t_\t_\n35\tin\t_\tADP\tIN\t_\t34\tnmod\t_\t_\n36\ttheir\t_\tPRON\tPRP$\t_\t37\tnmod:poss\t_\t_\n37\tspending\t_\tNOUN\tNN\t_\t34\tdobj\t_\t_\n38\tat\t_\tADP\tIN\t_\t40\tcase\t_\t_\n39\tthe\t_\tDET\tDT\t_\t40\tdet\t_\t_\n40\tsupermarket\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n41\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n42\twhich\t_\tPRON\tWDT\t_\t44\tnsubj\t_\t_\n43\twould\t_\tAUX\tMD\t_\t44\taux\t_\t_\n44\thurt\t_\tVERB\tVB\t_\t34\tdep\t_\t_\n45\tdemand\t_\tNOUN\tNN\t_\t44\tdobj\t_\t_\n46\tfor\t_\tADP\tIN\t_\t47\tcase\t_\t_\n47\tbeef\t_\tNOUN\tNN\t_\t45\tnmod\t_\t_\n48\tand\t_\tCONJ\tCC\t_\t47\tcc\t_\t_\n49\tpork\t_\tNOUN\tNN\t_\t47\tconj\t_\t_\n50\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tprice\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\thog\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tcontract\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n7\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tOctober\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tdelivery\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\tdropped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tits\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n12\tmaximum\t_\tNOUN\tNN\t_\t13\tnmod:npmod\t_\t_\n13\tpermissible\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\tdaily\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tlimit\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n16\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\t1.5\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\tcents\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n19\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tpound\t_\tNOUN\tNN\t_\t18\tnmod:npmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tprices\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n3\tof\t_\tADP\tIN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cl\t_\t_\n42\ton\t_\tADP\tIN\t_\t44\tcase\t_\t_\n43\tthat\t_\tDET\tDT\t_\t44\tdet\t_\t_\n44\tdate\t_\tNOUN\tNN\t_\t41\tnmod\t_\t_\n45\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tDD\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tAcquisition\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthat\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n6\talready\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\towns\t_\tVERB\tVBZ\t_\t3\tccomp\t_\t_\n8\t15\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\t%\t_\tSYM\tNN\t_\t7\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tcommon\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tshares\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n14\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n16\tdoughnut\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\tshop\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tchain\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n20\tthat\t_\tSCONJ\tIN\t_\t34\tmark\t_\t_\n21\tas\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n22\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tclose\t_\tNOUN\tNN\t_\t34\tadvcl\t_\t_\n25\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tbusiness\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n27\tFriday\t_\tPROPN\tNNP\t_\t24\tnmod:tmod\t_\t_\n28\tan\t_\tDET\tDT\t_\t31\tdet\t_\t_\n29\tadditional\t_\tADJ\tJJ\t_\t30\tadvmod\t_\t_\n30\t11\t_\tNUM\tCD\t_\t31\tnummod\t_\t_\n31\t%\t_\tSYM\tNN\t_\t34\tnsubjpass\t_\t_\n32\thad\t_\tAUX\tVBD\t_\t34\taux\t_\t_\n33\tbeen\t_\tAUX\tVBN\t_\t34\tauxpass\t_\t_\n34\ttendered\t_\tVERB\tVBN\t_\t7\tconj\t_\t_\n35\tto\t_\tADP\tTO\t_\t37\tcase\t_\t_\n36\tits\t_\tPRON\tPRP$\t_\t37\tnmod:poss\t_\t_\n37\toffer\t_\tNOUN\tNN\t_\t34\tnmod\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tDunkin\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\t'\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n3\tDonuts\t_\tPROPN\tNNP\t_\t5\tnsubjpass\t_\t_\n4\tis\t_\tAUX\tVBZ\t_\t5\tauxpass\t_\t_\n5\tbased\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tRandolph\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tMass\t_\tPROPN\tNNP\t_\t7\tappos\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tCara\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tOperations\t_\tPROPN\tNNP\t_\t27\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tfood\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n6\tservices\t_\tNOUN\tNNS\t_\t7\tcompound\t_\t_\n7\tconcern\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n10\tUnicorp\t_\tPROPN\tNNP\t_\t2\tconj\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tholding\t_\tVERB\tVBG\t_\t14\tamod\t_\t_\n14\tcompany\t_\tNOUN\tNN\t_\t10\tappos\t_\t_\n15\twith\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tinterests\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n17\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n18\toil\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tnatural\t_\tADJ\tJJ\t_\t18\tconj\t_\t_\n21\tgas\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n22\tand\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n23\tfinancial\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tservices\t_\tNOUN\tNNS\t_\t21\tconj\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n26\tare\t_\tAUX\tVBP\t_\t27\tauxpass\t_\t_\n27\tbased\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n28\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tToronto\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\tGolden\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tWest\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tFinancial\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tCorp.\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\triding\t_\tVERB\tVBG\t_\t4\tacl\t_\t_\n7\tabove\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tturbulence\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\tthat\t_\tPRON\tWDT\t_\t12\tnsubj\t_\t_\n11\thas\t_\tAUX\tVBZ\t_\t12\taux\t_\t_\n12\ttroubled\t_\tVERB\tVBN\t_\t9\tacl:relcl\t_\t_\n13\tmost\t_\tADJ\tJJS\t_\t12\tdobj\t_\t_\n14\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tthrift\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tindustry\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n19\tposted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n21\t16\t_\tNUM\tCD\t_\t22\tcompound\t_\t_\n22\t%\t_\tSYM\tNN\t_\t23\tamod\t_\t_\n23\tincrease\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n24\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tthird-quarter\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tearnings\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n27\tto\t_\tADP\tTO\t_\t28\tcase\t_\t_\n28\t$\t_\tSYM\t$\t_\t19\tnmod\t_\t_\n29\t41.8\t_\tNUM\tCD\t_\t28\tcompound\t_\t_\n30\tmillon\t_\tNOUN\tNN\t_\t28\tdep\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n32\tor\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n33\t66\t_\tNUM\tCD\t_\t34\tnummod\t_\t_\n34\tcents\t_\tNOUN\tNNS\t_\t28\tconj\t_\t_\n35\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tshare\t_\tNOUN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mod\t_\t_\n53\trepair\t_\tNOUN\tNN\t_\t54\tcompound\t_\t_\n54\tcenters\t_\tNOUN\tNNS\t_\t49\tnmod\t_\t_\n55\tby\t_\tADP\tIN\t_\t56\tcase\t_\t_\n56\tspring\t_\tNOUN\tNN\t_\t49\tnmod\t_\t_\n57\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tEarlier\t_\tADJ\tJJR\t_\t2\tamod\t_\t_\n2\trepairs\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tvented\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tCFCs\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n6\tout\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\thome\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\tthrough\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\those\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n13\tdirectly\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n14\tinto\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tatmosphere\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tCFCs\t_\tNOUN\tNNS\t_\t4\tnsubjpass\t_\t_\n2\tare\t_\tAUX\tVBP\t_\t4\tauxpass\t_\t_\n3\twidely\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tused\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tas\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tsolvents\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tcoolants\t_\tNOUN\tNNS\t_\t6\tconj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n10\tfire\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tsuppressants\t_\tNOUN\tNNS\t_\t6\tconj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\ttheir\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tuse\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n5\tbeen\t_\tAUX\tVBN\t_\t6\tauxpass\t_\t_\n6\tlinked\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n9\tpotentially\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tdangerous\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tdepletion\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tEarth\t_\tPROPN\tNNP\t_\t17\tnmod:poss\t_\t_\n15\t's\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tozone\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tlayer\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n20\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tnumber\t_\tNOUN\tNN\t_\t25\tnsubj\t_\t_\n22\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tcompanies\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n24\tare\t_\tAUX\tVBP\t_\t25\taux\t_\t_\n25\tseeking\t_\tVERB\tVBG\t_\t6\tconj\t_\t_\n26\tto\t_\tPART\tTO\t_\t27\tmark\t_\t_\n27\tcurtail\t_\tVERB\tVB\t_\t25\txcomp\t_\t_\n28\tuse\t_\tNOUN\tNN\t_\t27\tdobj\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n30\tor\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n31\tat\t_\tADP\tIN\t_\t32\tcase\t_\t_\n32\tleast\t_\tADJ\tJJS\t_\t33\tadvmod\t_\t_\n33\temission\t_\tNOUN\tNN\t_\t28\tconj\t_\t_\n34\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n35\tof\t_\tADP\tIN\t_\t37\tcase\t_\t_\n36\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tsubstance\t_\tNOUN\tNN\t_\t28\tconj\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tWhirpool\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n5\tWe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tsee\t_\tVERB\tVBP\t_\t2\tccomp\t_\t_\n7\tthis\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tprocess\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tas\t_\tADP\tIN\t_\t14\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n11\tsmall\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n12\tbut\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\timportant\t_\tADJ\tJJ\t_\t11\tconj\t_\t_\n14\tstep\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n15\ttoward\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\teventual\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\telimination\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tCFC\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tuse\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n21\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tappliance\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tmanufacture\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tMaxus\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tEnergy\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCorp.\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tDallas\t_\tPROPN\tNNP\t_\t3\tappos\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tit\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tdiscovered\t_\tVERB\tVBD\t_\t7\tccomp\t_\t_\n10\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n11\tnew\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\toil\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tfield\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n14\tnortheast\t_\tNOUN\tNN\t_\t9\tadvmod\t_\t_\n15\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n16\tits\t_\tPRON\tPRP$\t_\t20\tnmod:poss\t_\t_\n17\tpreviously\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n18\tdiscovered\t_\tVERB\tVBN\t_\t20\tamod\t_\t_\n19\tIntan\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tField\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n21\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n23\tsoutheast\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n24\tSumatra\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tarea\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n26\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\tIndonesia\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tMaxus\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n4\tdid\t_\tAUX\tVBD\t_\t6\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n6\trun\t_\tVERB\tVB\t_\t2\tccomp\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tproduction\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\ttest\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\ton\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\tthree\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n13\tdiscovery\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\twells\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n15\tit\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\tdrilled\t_\tVERB\tVBD\t_\t14\tacl:relcl\t_\t_\n17\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tfield\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n21\twhich\t_\tPRON\tWDT\t_\t25\tnsubj\t_\t_\n22\tis\t_\tVERB\tVBZ\t_\t25\tcop\t_\t_\n23\tabout\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n24\t1.6\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n25\tmiles\t_\tNOUN\tNNS\t_\t19\tacl:relcl\t_\t_\n26\tfrom\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n28\tIntan\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tField\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n31\tbecause\t_\tSCONJ\tIN\t_\t35\tmark\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\twells\t_\tNOUN\tNNS\t_\t35\tnsubj\t_\t_\n34\tare\t_\tVERB\tVBP\t_\t35\tcop\t_\t_\n35\tsimilar\t_\tADJ\tJJ\t_\t6\tadvcl\t_\t_\n36\tto\t_\tADP\tTO\t_\t37\tcase\t_\t_\n37\tothers\t_\tNOUN\tNNS\t_\t35\tnmod\t_\t_\n38\tdrilled\t_\tVERB\tVBN\t_\t37\tacl\t_\t_\n39\tat\t_\tADP\tIN\t_\t41\tcase\t_\t_\n40\tits\t_\tPRON\tPRP$\t_\t41\tnmod:poss\t_\t_\n41\tIntan\t_\tPROPN\tNNP\t_\t38\tnmod\t_\t_\n42\tand\t_\tCONJ\tCC\t_\t41\tcc\t_\t_\n43\tWiduri\t_\tPROPN\tNNP\t_\t44\tcompound\t_\t_\n44\tfields\t_\tNOUN\tNNS\t_\t41\tconj\t_\t_\n45\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tHowever\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\tMaxus\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tbelieves\t_\tVERB\tVBZ\t_\t4\tccomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\treserves\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tfield\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tare\t_\tVERB\tVBP\t_\t16\tcop\t_\t_\n13\tabout\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n14\t10\t_\tNUM\tCD\t_\t15\tcompound\t_\t_\n15\tmillion\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\tbarrels\t_\tNOUN\tNNS\t_\t6\tccomp\t_\t_\n17\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\toil\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tIntan\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tField\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\testimated\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\treserves\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\t50\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\tmillion\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\tbarrels\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tWiduri\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tField\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n15\thas\t_\tAUX\tVBZ\t_\t16\taux\t_\t_\n16\testimated\t_\tVERB\tVBN\t_\t5\tconj\t_\t_\n17\treserves\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n18\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\t225\t_\tNUM\tCD\t_\t20\tcompound\t_\t_\n20\tmillion\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\tbarrels\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tMaxus\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\tan\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tindependent\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\toil\t_\tNOUN\tNN\t_\t1\tappos\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tgas\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tconcern\t_\tNOUN\tNN\t_\t5\tconj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n10\tis\t_\tVERB\tVBZ\t_\t12\tcop\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\toperator\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\towns\t_\tVERB\tVBZ\t_\t12\tconj\t_\t_\n15\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n16\t56\t_\tNUM\tCD\t_\t17\tcompound\t_\t_\n17\t%\t_\tSYM\tNN\t_\t18\tamod\t_\t_\n18\tinterest\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n19\tin\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tnew\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tfield\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n24\tcalled\t_\tVERB\tVBD\t_\t22\tacl\t_\t_\n25\tNortheast\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tIntan\t_\tPROPN\t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B\t_\t12\txcomp\t_\t_\n15\tthis\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tcalamity\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\tout\t_\tADP\tRP\t_\t14\tcompound:prt\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t9\tcase\t_\t_\n2\tMerrill\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tLynch\t_\tPROPN\tNNP\t_\t9\tnmod:poss\t_\t_\n4\t&\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tCo.\t_\tPROPN\tNNP\t_\t3\tconj\t_\t_\n6\t's\t_\tPART\tPOS\t_\t5\tcase\t_\t_\n7\tTokyo\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\ttrading\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\troom\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n11\tsome\t_\tDET\tDT\t_\t12\tadvmod\t_\t_\n12\t40\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\ttraders\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tassistants\t_\tNOUN\tNNS\t_\t13\tconj\t_\t_\n16\tsat\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\tquietly\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n19\twith\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tfew\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\torders\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n22\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n23\tprocess\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tClients\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n2\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n3\tare\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tall\t_\tDET\tDT\t_\t5\tdep\t_\t_\n5\tstaying\t_\tVERB\tVBG\t_\t15\tccomp\t_\t_\n6\tout\t_\tADP\tIN\t_\t10\tcase\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tmarket\t_\tNOUN\tNN\t_\t5\tadvcl\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n12\tone\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n13\tMerrill\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\ttrader\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\trelative\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tcalm\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n4\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tTokyo\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n6\tproved\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tlittle\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tcomfort\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tto\t_\tADP\tTO\t_\t10\tcase\t_\t_\n10\tmarkets\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n11\topening\t_\tVERB\tVBG\t_\t10\tacl\t_\t_\n12\tup\t_\tADP\tRP\t_\t11\tcompound:prt\t_\t_\n13\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tEurope\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tFrankfurt\t_\tPROPN\tNNP\t_\t3\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\topening\t_\tNOUN\tNN\t_\t5\tnsubjpass\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t5\tauxpass\t_\t_\n5\tdelayed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\thalf\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\thour\t_\tNOUN\tNN\t_\t5\tnmod:tmod\t_\t_\n9\tbecause\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tof\t_\tADP\tIN\t_\t9\tmwe\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tcrush\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tsell\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\torders\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tbeginning\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t5\tcop\t_\t_\n5\tchaotic\t_\tADJ\tJJ\t_\t8\tdep\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n8\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n9\tNigel\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tLongley\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tbroker\t_\tNOUN\tNN\t_\t10\tappos\t_\t_\n14\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tCommerzbank\t_\tPROPN\tNNP\t_\t13\tnmod\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tLondon\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tview\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n6\tfrom\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\ttrading\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tfloor\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n10\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\tan\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\tAmerican\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tsecurities\t_\tNOUN\tNNS\t_\t14\tcompound\t_\t_\n14\tfirm\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\tJefferies\t_\tPROPN\tNNP\t_\t14\tappos\t_\t_\n17\t&\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\tCo.\t_\tPROPN\tNNP\t_\t16\tconj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n20\talso\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n21\twas\t_\tVERB\tVBD\t_\t22\tcop\t_\t_\n22\ttroubling\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tcomputer\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tscreen\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n4\tdisplaying\t_\tVERB\tVBG\t_\t3\tacl\t_\t_\n5\t100\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n6\t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or\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tMarket\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tIndex\t_\tPROPN\tNNP\t_\t27\tnsubj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n12\tChicago\t_\tPROPN\tNNP\t_\t16\tdep\t_\t_\n13\tBoard\t_\tPROPN\tNNP\t_\t12\tdep\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tTrade\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n16\tfutures\t_\tNOUN\tNNS\t_\t9\tappos\t_\t_\n17\tcontract\t_\tVERB\tVB\t_\t16\tdep\t_\t_\n18\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\t20\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n20\tstocks\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n21\tdesigned\t_\tVERB\tVBN\t_\t20\tacl\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\tmimic\t_\tVERB\tVB\t_\t21\txcomp\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tDJIA\t_\tPROPN\tNNP\t_\t23\tdobj\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n27\texploded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n28\tupward\t_\tADV\tRB\t_\t27\tadvmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\tStock\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\ttraders\t_\tNOUN\tNNS\t_\t4\tnsubjpass\t_\t_\n3\twere\t_\tAUX\tVBD\t_\t4\tauxpass\t_\t_\n4\tbuoyed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\t--\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n6\tbecause\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n7\tan\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tupturn\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tMMI\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\thad\t_\tAUX\tVBD\t_\t14\taux\t_\t_\n13\talso\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tstarted\t_\tVERB\tVBN\t_\t4\tadvcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\trecovery\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tstocks\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n19\ton\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tTuesday\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n22\tfollowing\t_\tNOUN\tNN\t_\t24\tdep\t_\t_\n23\tBlack\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tMonday\t_\tPROPN\tNNP\t_\t21\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tMMI\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\tgone\t_\tVERB\tVBN\t_\t9\tdep\t_\t_\n6\tbetter\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n9\tshouted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\ttrader\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n12\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tLondon\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\toffice\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n16\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tShearson\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n18\tLehman\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tHutton\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tShearson\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tLondon\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\ttrading\t_\tVERB\tVBG\t_\t5\tamod\t_\t_\n5\troom\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\twent\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\twild\t_\tADJ\tJJ\t_\t6\txcomp\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tTraders\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tshouted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tout\t_\tADP\tRP\t_\t2\tcompound:prt\t_\t_\n4\tas\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n5\ttheir\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n6\tReuters\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tQuotron\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n10\tTelerate\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n11\tscreens\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n12\tposted\t_\tVERB\tVBD\t_\t2\tccomp\t_\t_\n13\tan\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tever-narrowing\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tloss\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tWall\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tStreet\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThen\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n3\tnine\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tminutes\t_\tNOUN\tNNS\t_\t5\tnmod:npmod\t_\t_\n5\tlater\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n7\tWall\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tStreet\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n9\tsuddenly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\trebounded\t_\tVERB\tVB\t_\t0\troot\t_\t_\n11\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tgain\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tday\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n2\tRally\t_\tVERB\tVB\t_\t9\tdep\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\trally\t_\tVERB\tVB\t_\t2\tdep\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n6\trally\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JJ\t_\t12\tamod\t_\t_\n12\tgrowth\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tSkipper\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tpreviously\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tturned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tdown\t_\tADP\tRP\t_\t4\tcompound:prt\t_\t_\n6\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\t$\t_\tSYM\t$\t_\t9\tamod\t_\t_\n8\t10-a-share\t_\tADJ\tJJ\t_\t7\tdep\t_\t_\n9\tproposal\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tNational\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tPizza\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n14\tPizza\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n15\tHut\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tInc.\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n17\tquestioned\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n18\twhether\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tpurchase\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n21\twould\t_\tAUX\tMD\t_\t22\taux\t_\t_\n22\tviolate\t_\tVERB\tVB\t_\t17\tccomp\t_\t_\n23\tNational\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tPizza\t_\tPROPN\tNNP\t_\t27\tnmod:poss\t_\t_\n25\t's\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\tfranchise\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tagreements\t_\tNOUN\tNNS\t_\t22\tdobj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tNational\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tPizza\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\tsettled\t_\tVERB\tVBD\t_\t3\tccomp\t_\t_\n6\tits\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n7\tdispute\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n8\twith\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tPizza\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tHut\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n12\tallowing\t_\tVERB\tVBG\t_\t5\tadvcl\t_\t_\n13\tit\t_\tPRON\tPRP\t_\t12\tdobj\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tmake\t_\tVERB\tVB\t_\t12\txcomp\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tpurchase\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAlso\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n3\tSkipper\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tresults\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n6\tbegan\t_\tVERB\tVBD\t_\t18\tccomp\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tturn\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\taround\t_\tADP\tRP\t_\t8\tcompound:prt\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n11\tpermitting\t_\tVERB\tVBG\t_\t8\txcomp\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\thigher\t_\tADJ\tJJR\t_\t14\tamod\t_\t_\n14\toffer\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n16\tNational\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tPizza\t_\tPROPN\tNNP\t_\t18\tnsubj\t_\t_\n18\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\t12\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tweeks\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n5\tended\t_\tVERB\tVBN\t_\t4\tacl\t_\t_\n6\tSept.\t_\tPROPN\tNNP\t_\t5\tnmod:tmod\t_\t_\n7\t3\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\tSkipper\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tnet\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tincome\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n14\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\t$\t_\tSYM\t$\t_\t16\tdep\t_\t_\n16\t361,000\t_\tNUM\tCD\t_\t13\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n18\tor\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n19\t13\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n20\tcents\t_\tNOUN\tNNS\t_\t16\tconj\t_\t_\n21\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tshare\t_\tNOUN\tNN\t_\t20\tnmod:npmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n24\tcompared\t_\tVERB\tVBN\t_\t28\tcase\t_\t_\n25\twith\t_\tADP\tIN\t_\t28\tcase\t_\t_\n26\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n27\tnet\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tloss\t_\tNOUN\tNN\t_\t11\tadvcl\t_\t_\n29\ta\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tyear\t_\tNOUN\tNN\t_\t31\tnmod:npmod\t_\t_\n31\tearlier\t_\tADV\tRBR\t_\t28\tadvmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tRevenue\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t3\tcop\t_\t_\n3\t$\t_\tSYM\t$\t_\t0\troot\t_\t_\n4\t19.9\t_\tNUM\tCD\t_\t5\tcompound\t_\t_\n5\tmillion\t_\tNUM\tCD\t_\t3\tnummod\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tEAST\t_\tNOUN\tNNS\t_\t2\tcompound\t_\t_\n2\tGERMANS\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tRALLIED\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tas\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n5\tofficials\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n6\treportedly\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tsought\t_\tVERB\tVBD\t_\t3\tadvcl\t_\t_\n8\tHonecker\t_\tPROPN\tNNP\t_\t10\tnmod:poss\t_\t_\n9\t's\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\touster\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_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_\n4\tSoviet\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tUnion\t_\tPROPN\tNNP\t_\t7\tnmod:poss\t_\t_\n6\t's\t_\tPART\tPOS\t_\t5\tcase\t_\t_\n7\tpress\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n8\tfor\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n9\tcontributing\t_\tVERB\tVBG\t_\t2\tadvcl\t_\t_\n10\tto\t_\tADP\tTO\t_\t15\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tnation\t_\tNOUN\tNN\t_\t15\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tmounting\t_\tVERB\tVBG\t_\t15\tamod\t_\t_\n15\tproblems\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\ta\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tmeeting\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n4\tFriday\t_\tPROPN\tNNP\t_\t9\tnmod:tmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tKremlin\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tleader\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n9\tcomplained\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tabout\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\trecent\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tarticles\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n13\tthat\t_\tPRON\tWDT\t_\t14\tnsubj\t_\t_\n14\traised\t_\tVERB\tVBD\t_\t12\tacl:relcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tpossiblity\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tcivil\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tunrest\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n22\taccused\t_\tVERB\tVBD\t_\t9\tconj\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tmedia\t_\tNOUN\tNNS\t_\t22\tdobj\t_\t_\n25\tof\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n26\tfueling\t_\tVERB\tVBG\t_\t24\tacl\t_\t_\n27\tpanic\t_\tNOUN\tNN\t_\t26\tdobj\t_\t_\n28\tbuying\t_\tVERB\tVBG\t_\t27\tamod\t_\t_\n29\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\tgoods\t_\tNOUN\tNNS\t_\t27\tnmod\t_\t_\n31\tby\t_\tSCONJ\tIN\t_\t32\tmark\t_\t_\n32\tpublishing\t_\tVERB\tVBG\t_\t26\tadvcl\t_\t_\n33\tstories\t_\tNOUN\tNNS\t_\t32\tdobj\t_\t_\n34\tabout\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\timpending\t_\tVERB\tVBG\t_\t36\tamod\t_\t_\n36\tshortages\t_\tNOUN\tNNS\t_\t33\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tHouse-Senate\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tconferees\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tapproved\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tpermanent\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tsmoking\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tban\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n8\ton\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tdomestic\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\tairline\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\troutes\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\twithin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tcontinental\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tU.S.\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n17\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tflights\t_\tNOUN\tNNS\t_\t11\tconj\t_\t_\n19\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n20\tless\t_\tADJ\tJJR\t_\t22\tadvmod\t_\t_\n21\tthan\t_\tADP\tIN\t_\t20\tmwe\t_\t_\n22\tsix\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n23\thours\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n24\tto\t_\tADP\tTO\t_\t25\tcase\t_\t_\n25\tAlaska\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n27\tHawaii\t_\tPROPN\tNNP\t_\t25\tconj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcurbs\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n3\twould\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\tcover\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tall\t_\tDET\tDT\t_\t4\tdobj\t_\t_\n6\tbut\t_\tCONJ\tCC\t_\t9\tcase\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tsmall\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tpercentage\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tflights\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n14\trepresent\t_\tVERB\tVB\t_\t4\tconj\t_\t_\n15\tan\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\texpansion\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tcurrent\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tban\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n21\ton\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tflights\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n23\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n24\tless\t_\tADJ\tJJR\t_\t26\tadvmod\t_\t_\n25\tthan\t_\tADP\tIN\t_\t24\tmwe\t_\t_\n26\ttwo\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n27\thours\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tE.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tRobert\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tWallach\t_\tPROPN\tNNP\t_\t5\tnsubjpass\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t5\tauxpass\t_\t_\n5\tsentenced\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tby\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tU.S.\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tjudge\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n10\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tNew\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tYork\t_\tPRO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_\tADV\tRBR\t_\t22\tadvcl\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tChicago\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tinvestor\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n3\tWilliam\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tFarley\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\tagreed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tsell\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\tthree\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\tdivisions\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tCluett\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tPeabody\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\t&\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\tCo.\t_\tPROPN\tNNP\t_\t12\tconj\t_\t_\n15\tfor\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tabout\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\t$\t_\tSYM\t$\t_\t7\tnmod\t_\t_\n18\t600\t_\tNUM\tCD\t_\t19\tcompound\t_\t_\n19\tmillion\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n20\tto\t_\tADP\tTO\t_\t22\tcase\t_\t_\n21\tBidermann\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tS.A.\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n24\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n25\tclosely\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\theld\t_\tVERB\tVBN\t_\t28\tamod\t_\t_\n27\tclothing\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n28\tmaker\t_\tNOUN\tNN\t_\t22\tappos\t_\t_\n29\tbased\t_\tVERB\tVBN\t_\t28\tacl\t_\t_\n30\tin\t_\tADP\tIN\t_\t31\tcase\t_\t_\n31\tParis\t_\tPROPN\tNNP\t_\t29\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tShortly\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n2\tafter\t_\tSCONJ\tIN\t_\t3\tmark\t_\t_\n3\tcompleting\t_\tVERB\tVBG\t_\t25\tadvcl\t_\t_\n4\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n5\t$\t_\tSYM\t$\t_\t8\tamod\t_\t_\n6\t1.56\t_\tNUM\tCD\t_\t7\tcompound\t_\t_\n7\tbillion\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n8\tacquisition\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tWest\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n11\tPoint-Pepperell\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tInc.\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n13\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tApril\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n16\tMr.\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tFarley\t_\tPROPN\tNNP\t_\t20\tnmod:poss\t_\t_\n18\t's\t_\tPART\tPOS\t_\t17\tcase\t_\t_\n19\tholding\t_\tVERB\tVBG\t_\t20\tamod\t_\t_\n20\tcompany\t_\tNOUN\tNN\t_\t25\tnsubj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n22\tFarley\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tInc.\t_\tPROPN\tNNP\t_\t20\tappos\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n25\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n26\tit\t_\tPRON\tPRP\t_\t28\tnsubj\t_\t_\n27\twas\t_\tAUX\tVBD\t_\t28\taux\t_\t_\n28\tconsidering\t_\tVERB\tVBG\t_\t25\tccomp\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tsale\t_\tNOUN\tNN\t_\t28\tdobj\t_\t_\n31\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n32\tCluett\t_\tPROPN\tNNP\t_\t30\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n34\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n35\tleading\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n36\tshirt\t_\tNOUN\tNN\t_\t37\tcompound\t_\t_\n37\tmaker\t_\tNOUN\tNN\t_\t32\tappos\t_\t_\n38\tand\t_\tCONJ\tCC\t_\t37\tcc\t_\t_\n39\tone\t_\tNUM\tCD\t_\t37\tconj\t_\t_\n40\tof\t_\tADP\tIN\t_\t45\tcase\t_\t_\n41\tWest\t_\tPROPN\tNNP\t_\t42\tcompound\t_\t_\n42\tPoint-Pepperell\t_\tPROPN\tNNP\t_\t45\tnmod:poss\t_\t_\n43\t's\t_\tPART\tPOS\t_\t42\tcase\t_\t_\n44\tbiggest\t_\tADJ\tJJS\t_\t45\tamod\t_\t_\n45\tunits\t_\tNOUN\tNNS\t_\t39\tnmod\t_\t_\n46\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tIncluded\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n2\tin\t_\tADP\tIN\t_\t4\tcase\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tsale\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n5\tare\t_\tAUX\tVBP\t_\t1\tauxpass\t_\t_\n6\tCluett\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tunits\t_\tNOUN\tNNS\t_\t1\tnsubjpass\t_\t_\n8\tthat\t_\tPRON\tWDT\t_\t9\tnsubj\t_\t_\n9\tmake\t_\tVERB\tVBP\t_\t7\tacl:relcl\t_\t_\n10\tmen\t_\tNOUN\tNNS\t_\t12\tnmod:poss\t_\t_\n11\t's\t_\tPART\tPOS\t_\t10\tcase\t_\t_\n12\tshirts\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n13\tunder\t_\tADP\tIN\t_\t16\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tArrow\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tname\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n18\tsocks\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n19\tunder\t_\tADP\tIN\t_\t23\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n21\tGold\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n22\tToe\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tname\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n25\tmenswear\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n26\tthrough\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n28\tSchoeneman\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tdivision\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompanies\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tagreement\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n6\tis\t_\tVERB\tVBZ\t_\t7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\n21\tjoined\t_\tVERB\tVBD\t_\t18\tadvcl\t_\t_\n22\tApplied\t_\tPROPN\tNNP\t_\t21\tdobj\t_\t_\n23\tas\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tpresident\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n26\tchief\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n27\toperating\t_\tVERB\tVBG\t_\t28\tamod\t_\t_\n28\tofficer\t_\tNOUN\tNN\t_\t24\tconj\t_\t_\n29\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\t1985\t_\tNUM\tCD\t_\t21\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tApplied\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n3\tthen\t_\tADV\tRB\t_\t7\tdep\t_\t_\n4\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tclosely\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\theld\t_\tVERB\tVBN\t_\t7\tamod\t_\t_\n7\tcompany\t_\tNOUN\tNN\t_\t1\tdep\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\twas\t_\tAUX\tVBD\t_\t10\taux\t_\t_\n10\tstagnating\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n11\tunder\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tmanagement\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tits\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n16\tcontrolling\t_\tVERB\tVBG\t_\t17\tamod\t_\t_\n17\tfamily\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tWhile\t_\tSCONJ\tIN\t_\t2\tmark\t_\t_\n2\tprofitable\t_\tADJ\tJJ\t_\t8\tadvcl\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n6\twas\t_\tAUX\tVBD\t_\t8\taux\t_\t_\n7\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n8\tgrowing\t_\tVERB\tVBG\t_\t22\tdep\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\twas\t_\tAUX\tVBD\t_\t12\taux\t_\t_\n11\tn't\t_\tPART\tRB\t_\t12\tneg\t_\t_\n12\tproviding\t_\tVERB\tVBG\t_\t8\tconj\t_\t_\n13\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tsatisfactory\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\treturn\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tinvested\t_\tVERB\tVBN\t_\t18\tamod\t_\t_\n18\tcapital\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n21\the\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n22\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tSim\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t4\tcop\t_\t_\n4\tconfident\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n5\tthat\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tdrive\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tdominate\t_\tVERB\tVB\t_\t7\tacl\t_\t_\n10\tcertain\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\tniche\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tmarkets\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n13\twill\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\twork\t_\tVERB\tVB\t_\t4\tccomp\t_\t_\n15\tat\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tBarry\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tWright\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n18\tas\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n19\tit\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n20\thas\t_\tAUX\tVBZ\t_\t22\taux\t_\t_\n21\tat\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tApplied\t_\tPROPN\tNNP\t_\t14\tadvcl\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\talso\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tprofesses\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tan\t_\tDET\tDT\t_\t8\tdet\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n6\tevangelical\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n8\tfervor\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tdevelop\t_\tVERB\tVB\t_\t8\tacl\t_\t_\n11\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tcorporate\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tculture\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n14\tthat\t_\tPRON\tWDT\t_\t15\tnsubj\t_\t_\n15\trewards\t_\tVERB\tVBZ\t_\t13\tacl:relcl\t_\t_\n16\tmanagers\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n17\twho\t_\tPRON\tWP\t_\t18\tnsubj\t_\t_\n18\tproduce\t_\tVERB\tVBP\t_\t16\tacl:relcl\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n20\twhere\t_\tADV\tWRB\t_\t23\tadvmod\t_\t_\n21\tdecision-making\t_\tNOUN\tNN\t_\t23\tnsubjpass\t_\t_\n22\tis\t_\tAUX\tVBZ\t_\t23\tauxpass\t_\t_\n23\tshared\t_\tVERB\tVBN\t_\t15\tconj\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tSim\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tconsiders\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tnew\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tunit\t_\tNOUN\tNN\t_\t8\tnmod:poss\t_\t_\n7\t's\t_\tPART\tPOS\t_\t6\tcase\t_\t_\n8\toperations\t_\tNOUN\tNNS\t_\t11\tdep\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n10\tfundamentally\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\tsound\t_\tADJ\tJJ\t_\t3\txcomp\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n14\tadds\t_\tVERB\tVBZ\t_\t3\tconj\t_\t_\n15\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n16\tBarry\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tWright\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n18\thas\t_\tAUX\tVBZ\t_\t21\taux\t_\t_\n19\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  },
  {
    "path": "a3/data/test.conll",
    "content": 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_\t2\tnmod\t_\t_\n9\ton\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tfloor\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tBig\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tBoard\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n17\twhere\t_\tADV\tWRB\t_\t20\tadvmod\t_\t_\n18\the\t_\tPRON\tPRP\t_\t20\tnsubj\t_\t_\n19\tcould\t_\tAUX\tMD\t_\t20\taux\t_\t_\n20\twatch\t_\tVERB\tVB\t_\t8\tacl:relcl\t_\t_\n21\tupdates\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n22\ton\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tprices\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n25\tpending\t_\tVERB\tVBG\t_\t27\tamod\t_\t_\n26\tstock\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\torders\t_\tNOUN\tNNS\t_\t23\tconj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tabout\t_\tADV\tIN\t_\t5\tadvmod\t_\t_\n3\t3:30\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n4\tp.m.\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tEDT\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n7\tS&P\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tfutures\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n9\tresumed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\ttrading\t_\tVERB\tNN\t_\t9\txcomp\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n13\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tbrief\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\ttime\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tfutures\t_\tNOUN\tNNS\t_\t22\tnsubj\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tstock\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tmarkets\t_\tNOUN\tNNS\t_\t18\tconj\t_\t_\n22\tstarted\t_\tVERB\tVBD\t_\t9\tconj\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\tcome\t_\tVERB\tVB\t_\t22\txcomp\t_\t_\n25\tback\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n26\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\tline\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tBuyers\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tstepped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tin\t_\tADP\tIN\t_\t2\tadvmod\t_\t_\n4\tto\t_\tADP\tTO\t_\t7\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tfutures\t_\tNOUN\tNNS\t_\t7\tcompound\t_\t_\n7\tpit\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tbuild-up\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n5\tS&P\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n6\tfutures\t_\tNOUN\tNNS\t_\t8\tcompound\t_\t_\n7\tsell\t_\tNOUN\tVBP\t_\t8\tcompound\t_\t_\n8\torders\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n9\tweighed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\ton\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tmarket\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tlink\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n17\twith\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tstocks\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n19\tbegan\t_\tVERB\tVBD\t_\t9\tconj\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tfray\t_\tVERB\tNN\t_\t19\txcomp\t_\t_\n22\tagain\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tabout\t_\tADV\tIN\t_\t3\tadvmod\t_\t_\n3\t3:45\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tS&P\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tmarket\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n8\tcareened\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n10\tstill\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\tanother\t_\tDET\tDT\t_\t12\tamod\t_\t_\n12\tlimit\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\t30\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\tpoints\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n17\tdown\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n20\ttrading\t_\tNOUN\tNN\t_\t22\tnsubjpass\t_\t_\n21\twas\t_\tAUX\tVBD\t_\t22\tauxpass\t_\t_\n22\tlocked\t_\tVERB\tVBN\t_\t8\tconj\t_\t_\n23\tagain\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tFutures\t_\tNOUN\tNNS\t_\t2\tcompound\t_\t_\n2\ttraders\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tsay\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tS&P\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n6\twas\t_\tAUX\tVBD\t_\t7\taux\t_\t_\n7\tsignaling\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n8\tthat\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tDow\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n11\tcould\t_\tAUX\tMD\t_\t12\taux\t_\t_\n12\tfall\t_\tVERB\tVB\t_\t7\tccomp\t_\t_\n13\tas\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tmuch\t_\tADJ\tJJ\t_\t12\tdobj\t_\t_\n15\tas\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\t200\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\tpoin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_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n14\tthink\t_\tVERB\tVBP\t_\t10\tacl:relcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tdealer-community\t_\tADJ\tNN\t_\t17\tamod\t_\t_\n17\tobligations\t_\tNOUN\tNNS\t_\t20\tnsubjpass\t_\t_\n18\twere\t_\tAUX\tVBD\t_\t20\tauxpass\t_\t_\n19\tn't\t_\tPART\tRB\t_\t20\tneg\t_\t_\n20\tmet\t_\tVERB\tVBN\t_\t14\tccomp\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t24\tpunct\t_\t_\n23\the\t_\tPRON\tPRP\t_\t24\tnsubj\t_\t_\n24\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\t-LRB-\t_\tPUNCT\t-LRB-\t_\t2\tpunct\t_\t_\n2\tSee\t_\tVERB\tVB\t_\t0\troot\t_\t_\n3\trelated\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tstory\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\t:\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n7\tFed\t_\tPROPN\tNNP\t_\t8\tdep\t_\t_\n8\tReady\t_\tADJ\tNNP\t_\t15\tdep\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tInject\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n11\tBig\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tFunds\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n14\t--\t_\tPUNCT\t:\t_\t15\tpunct\t_\t_\n15\tWSJ\t_\tPROPN\tNNP\t_\t4\tdep\t_\t_\n16\tOct.\t_\tPROPN\tNNP\t_\t15\tnmod:tmod\t_\t_\n17\t16\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n19\t1989\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n20\t-RRB-\t_\tPUNCT\t-RRB-\t_\t2\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n2\tspecialists\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tcomplain\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tprivately\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\tthat\t_\tSCONJ\tIN\t_\t33\tmark\t_\t_\n6\tjust\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n7\tas\t_\tADP\tRB\t_\t6\tcase\t_\t_\n8\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\t1987\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tcrash\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t33\tpunct\t_\t_\n13\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n15\tupstairs\t_\tADJ\tNN\t_\t17\tamod\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n17\tfirms\t_\tNOUN\tNNS\t_\t33\tnsubj\t_\t_\n18\t--\t_\tPUNCT\t:\t_\t17\tpunct\t_\t_\n19\tbig\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n20\tinvestment\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tbanks\t_\tNOUN\tNNS\t_\t17\tdep\t_\t_\n22\tthat\t_\tPRON\tWDT\t_\t23\tnsubj\t_\t_\n23\tsupport\t_\tVERB\tVBP\t_\t21\tacl:relcl\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tmarket\t_\tNOUN\tNN\t_\t23\tdobj\t_\t_\n26\tby\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n27\ttrading\t_\tVERB\tVBG\t_\t23\tadvcl\t_\t_\n28\tbig\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tblocks\t_\tNOUN\tNNS\t_\t27\tdobj\t_\t_\n30\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n31\tstock\t_\tNOUN\tNN\t_\t29\tnmod\t_\t_\n32\t--\t_\tPUNCT\t:\t_\t17\tpunct\t_\t_\n33\tstayed\t_\tVERB\tVBD\t_\t3\tccomp\t_\t_\n34\ton\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\tthe\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tsidelines\t_\tNOUN\tNNS\t_\t33\tnmod\t_\t_\n37\tduring\t_\tADP\tIN\t_\t40\tcase\t_\t_\n38\tFriday\t_\tPROPN\tNNP\t_\t40\tnmod:poss\t_\t_\n39\t's\t_\tPART\tPOS\t_\t38\tcase\t_\t_\n40\tblood-letting\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n41\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tPhelan\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n6\tIt\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n7\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\ttake\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n9\tanother\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tday\t_\tNOUN\tNN\t_\t8\tnmod:tmod\t_\t_\n11\tor\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n12\ttwo\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tanalyze\t_\tVERB\tVB\t_\t8\tadvcl\t_\t_\n16\twho\t_\tPRON\tWP\t_\t18\tnsubj\t_\t_\n17\twas\t_\tAUX\tVBD\t_\t18\taux\t_\t_\n18\tbuying\t_\tVERB\tVBG\t_\t15\tccomp\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tselling\t_\tVERB\tVBG\t_\t18\tconj\t_\t_\n21\tFriday\t_\tPROPN\tNNP\t_\t18\tnmod:tmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tConcerning\t_\tVERB\tVBG\t_\t6\tcase\t_\t_\n2\tyour\t_\tPRON\tPRP$\t_\t6\tnmod:poss\t_\t_\n3\tSept.\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n4\t21\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n5\tpage-one\t_\tADJ\tNN\t_\t6\tamod\t_\t_\n6\tarticle\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n7\ton\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tPrince\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tCharles\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tleeches\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n13\t:\t_\tPUNCT\t:\t_\t19\tpunct\t_\t_\n14\tIt\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n15\t's\t_\tVERB\tVBZ\t_\t19\tcop\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tadvmod\t_\t_\n17\tfew\t_\tADJ\tJJ\t_\t18\tadvmod\t_\t_\n18\thundred\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\tyears\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n20\tsince\t_\tSCONJ\tIN\t_\t25\tmark\t_\t_\n21\tEngland\t_\tPROPN\tNNP\t_\t25\tnsubj\t_\t_\n22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_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\tS.C.\t_\tPROPN\tNNP\t_\t21\tappos\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n26\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n27\t700,000\t_\tNUM\tCD\t_\t32\tnummod\t_\t_\n28\tsquare-foot\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n29\tThornton\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n30\tTown\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n31\tCenter\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tmall\t_\tNOUN\tNN\t_\t10\tconj\t_\t_\n33\tin\t_\tADP\tIN\t_\t34\tcase\t_\t_\n34\tThornton\t_\tPROPN\tNNP\t_\t32\tnmod\t_\t_\n35\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n36\tColo\t_\tPROPN\tNNP\t_\t34\tappos\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tThornton\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tmall\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\topened\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tSept.\t_\tPROPN\tNNP\t_\t4\tnmod:tmod\t_\t_\n6\t19\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n7\twith\t_\tADP\tIN\t_\t11\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n9\tBigg\t_\tPROPN\tNNP\t_\t11\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\thypermarket\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n12\tas\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tits\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n14\tanchor\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n15\t;\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tColumbia\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tmall\t_\tNOUN\tNN\t_\t20\tnsubjpass\t_\t_\n19\tis\t_\tAUX\tVBZ\t_\t20\tauxpass\t_\t_\n20\texpected\t_\tVERB\tVBN\t_\t4\tparataxis\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\topen\t_\tVERB\tVB\t_\t20\txcomp\t_\t_\n23\tNov.\t_\tPROPN\tNNP\t_\t22\tnmod:tmod\t_\t_\n24\t15\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tOther\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tHooker\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tproperties\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n4\tincluded\t_\tVERB\tVBD\t_\t3\tacl\t_\t_\n5\tare\t_\tVERB\tVBP\t_\t9\tcop\t_\t_\n6\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\t20-story\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\toffice\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\ttower\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n10\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tmidtown\t_\tADJ\tNN\t_\t12\tamod\t_\t_\n12\tAtlanta\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n14\texpected\t_\tVERB\tVBN\t_\t9\tacl\t_\t_\n15\tto\t_\tPART\tTO\t_\t17\tmark\t_\t_\n16\tbe\t_\tAUX\tVB\t_\t17\tauxpass\t_\t_\n17\tcompleted\t_\tVERB\tVBN\t_\t14\txcomp\t_\t_\n18\tnext\t_\tADP\tJJ\t_\t19\tamod\t_\t_\n19\tFebruary\t_\tPROPN\tNNP\t_\t17\tnmod:tmod\t_\t_\n20\t;\t_\tPUNCT\t:\t_\t9\tpunct\t_\t_\n21\tvacant\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\tland\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tsites\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n24\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tFlorida\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n27\tOhio\t_\tPROPN\tNNP\t_\t25\tconj\t_\t_\n28\t;\t_\tPUNCT\t:\t_\t9\tpunct\t_\t_\n29\tL.J.\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n30\tHooker\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tInternational\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n34\tcommercial\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n35\treal-estate\t_\tNOUN\tNN\t_\t37\tcompound\t_\t_\n36\tbrokerage\t_\tNOUN\tNN\t_\t37\tcompound\t_\t_\n37\tcompany\t_\tNOUN\tNN\t_\t31\tappos\t_\t_\n38\tthat\t_\tPRON\tWDT\t_\t40\tnsubj\t_\t_\n39\tonce\t_\tADV\tRB\t_\t40\tadvmod\t_\t_\n40\tdid\t_\tVERB\tVBD\t_\t37\tacl:relcl\t_\t_\n41\tbusiness\t_\tNOUN\tNN\t_\t40\tdobj\t_\t_\n42\tas\t_\tADP\tIN\t_\t47\tcase\t_\t_\n43\tMerrill\t_\tPROPN\tNNP\t_\t47\tcompound\t_\t_\n44\tLynch\t_\tPROPN\tNNP\t_\t47\tcompound\t_\t_\n45\tCommercial\t_\tPROPN\tNNP\t_\t47\tcompound\t_\t_\n46\tReal\t_\tPROPN\tNNP\t_\t47\tcompound\t_\t_\n47\tEstate\t_\tPROPN\tNNP\t_\t40\tnmod\t_\t_\n48\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n49\tplus\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n50\tother\t_\tADJ\tJJ\t_\t52\tamod\t_\t_\n51\tshopping\t_\tNOUN\tNN\t_\t52\tcompound\t_\t_\n52\tcenters\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n53\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tconsortium\t_\tNOUN\tNN\t_\t4\tnsubjpass\t_\t_\n3\twas\t_\tAUX\tVBD\t_\t4\tauxpass\t_\t_\n4\tput\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\ttogether\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n6\tby\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tHoare\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tGovett\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n11\tLondon-based\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n12\tinvestment\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n13\tbanking\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tcompany\t_\tNOUN\tNN\t_\t8\tappos\t_\t_\n15\tthat\t_\tPRON\tWDT\t_\t18\tnsubj\t_\t_\n16\tis\t_\tVERB\tVBZ\t_\t18\tcop\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tsubsidiary\t_\tNOUN\tNN\t_\t14\tacl:relcl\t_\t_\n19\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tSecurity\t_\tPROPN\tNNP\t_\t22\tcompo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fter\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tstock\t_\tNOUN\tNN\t_\t20\tnsubjpass\t_\t_\n19\tgot\t_\tAUX\tVBD\t_\t20\tauxpass\t_\t_\n20\thammered\t_\tVERB\tVBN\t_\t10\tadvcl\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tIf\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tmarket\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tdrops\t_\tVERB\tVBZ\t_\t9\tadvcl\t_\t_\n5\tfurther\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n6\ttoday\t_\tNOUN\tNN\t_\t4\tnmod:tmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\the\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\the\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n11\t'll\t_\tAUX\tMD\t_\t13\taux\t_\t_\n12\tbe\t_\tAUX\tVB\t_\t13\taux\t_\t_\n13\tbuying\t_\tVERB\tVBG\t_\t9\tccomp\t_\t_\n14\tblue\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tchips\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n16\tsuch\t_\tADJ\tJJ\t_\t18\tcase\t_\t_\n17\tas\t_\tADP\tIN\t_\t16\tmwe\t_\t_\n18\tBristol-Myers\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tKellogg\t_\tPROPN\tNNP\t_\t18\tconj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n2\tIf\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n3\tthey\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tcroak\t_\tVERB\tVBP\t_\t14\tadvcl\t_\t_\n5\tstocks\t_\tNOUN\tNNS\t_\t4\tdobj\t_\t_\n6\tlike\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tthat\t_\tPRON\tDT\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n10\the\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t14\tparataxis\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\tit\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n14\tpresents\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n15\tan\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\topportunity\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\tthat\t_\tPRON\tWDT\t_\t21\tnsubj\t_\t_\n18\tis\t_\tVERB\tVBZ\t_\t21\tcop\t_\t_\n19\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tkind\t_\tNOUN\tNN\t_\t16\tacl:relcl\t_\t_\n22\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tthing\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n24\tyou\t_\tPRON\tPRP\t_\t25\tnsubj\t_\t_\n25\tdream\t_\tVERB\tVBP\t_\t21\tacl:relcl\t_\t_\n26\tabout\t_\tADP\tRB\t_\t25\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n28\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n\n1\tMajor\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tmutual-fund\t_\tNOUN\tJJ\t_\t3\tcompound\t_\t_\n3\tgroups\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tphone\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tcalls\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n7\twere\t_\tAUX\tVBD\t_\t8\taux\t_\t_\n8\tarriving\t_\tVERB\tVBG\t_\t4\tccomp\t_\t_\n9\tat\t_\tADP\tIN\t_\t14\tcase\t_\t_\n10\ttwice\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n11\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\tnormal\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tweekend\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tpace\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n15\tyesterday\t_\tNOUN\tNN\t_\t8\tnmod:tmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tmost\t_\tADJ\tJJS\t_\t3\tamod\t_\t_\n3\tinvestors\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n4\twere\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n5\tseeking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n6\tshare\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tprices\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tother\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tinformation\t_\tNOUN\tNN\t_\t7\tconj\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tTrading\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\tvolume\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t6\tcop\t_\t_\n4\tonly\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tmodestly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\thigher\t_\tADJ\tJJR\t_\t0\troot\t_\t_\n7\tthan\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tnormal\t_\tADJ\tJJ\t_\t6\tnmod\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tStill\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n3\tfund\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tgroups\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n5\tare\t_\tAUX\tVBP\t_\t7\taux\t_\t_\n6\tn't\t_\tPART\tRB\t_\t7\tneg\t_\t_\n7\ttaking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n8\tany\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tchances\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\thope\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\tto\t_\tPART\tTO\t_\t4\tmark\t_\t_\n4\tavoid\t_\tVERB\tVB\t_\t2\txcomp\t_\t_\n5\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\tjammed\t_\tADJ\tVBN\t_\t8\tamod\t_\t_\n7\tphone\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tlines\t_\tNOUN\tNNS\t_\t4\tdobj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tother\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tsnags\t_\tNOUN\tNNS\t_\t8\tconj\t_\t_\n12\tthat\t_\tPRON\tWDT\t_\t13\tnsubj\t_\t_\n13\tinfuriated\t_\tVERB\tVBD\t_\t8\tacl:relcl\t_\t_\n14\tsome\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tfund\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tinvestors\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n17\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tOctober\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ubj\t_\t_\n8\treceived\t_\tVERB\tVBD\t_\t6\tccomp\t_\t_\n9\tan\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\torder\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tfrom\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tMartinair\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tHolland\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n14\tfor\t_\tADP\tIN\t_\t19\tcase\t_\t_\n15\tfour\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n16\tmodel\t_\tADJ\tNN\t_\t19\tamod\t_\t_\n17\t767-300\t_\tPROPN\tCD\t_\t19\tcompound\t_\t_\n18\twide-body\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tjetliners\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n20\tvalued\t_\tVERB\tVBN\t_\t19\tacl\t_\t_\n21\tat\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\ttotal\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n24\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tabout\t_\tADV\tIN\t_\t26\tadvmod\t_\t_\n26\t$\t_\tSYM\t$\t_\t23\tnmod\t_\t_\n27\t326\t_\tNUM\tCD\t_\t28\tcompound\t_\t_\n28\tmillion\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tplanes\t_\tNOUN\tNNS\t_\t14\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tlong\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\trange\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tversions\t_\tNOUN\tNNS\t_\t2\tappos\t_\t_\n7\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tmedium-haul\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\ttwin-jet\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n12\twill\t_\tAUX\tMD\t_\t14\taux\t_\t_\n13\tbe\t_\tAUX\tVB\t_\t14\tauxpass\t_\t_\n14\tdelivered\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n15\twith\t_\tADP\tIN\t_\t20\tcase\t_\t_\n16\tPratt\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n17\t&\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\tWhitney\t_\tPROPN\tNNP\t_\t16\tconj\t_\t_\n19\tPW4060\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tengines\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tPratt\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n2\t&\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\tWhitney\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tunit\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tUnited\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n9\tTechnologies\t_\tPROPN\tNNPS\t_\t10\tcompound\t_\t_\n10\tInc\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tMartinair\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tHolland\t_\tPROPN\tNNP\t_\t4\tnsubjpass\t_\t_\n3\tis\t_\tAUX\tVBZ\t_\t4\tauxpass\t_\t_\n4\tbased\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tAmsterdam\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tBoeing\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tspokeswoman\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tdelivery\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tdate\t_\tNOUN\tNN\t_\t14\tnsubjpass\t_\t_\n8\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tplanes\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n11\tis\t_\tAUX\tVBZ\t_\t14\taux\t_\t_\n12\tstill\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n13\tbeing\t_\tAUX\tVBG\t_\t14\tauxpass\t_\t_\n14\tworked\t_\tVERB\tVBN\t_\t4\tccomp\t_\t_\n15\tout\t_\tADP\tRP\t_\t14\tcompound:prt\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n17\tfor\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tvariety\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\treasons\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n23\tbut\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n24\tnot\t_\tADV\tRB\t_\t28\tneg\t_\t_\n25\tbecause\t_\tADP\tIN\t_\t28\tcase\t_\t_\n26\tof\t_\tADP\tIN\t_\t25\tmwe\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tstrike\t_\tNOUN\tNN\t_\t19\tconj\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n30\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tBridget\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tO'Brian\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tcontributed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tto\t_\tADP\tTO\t_\t6\tcase\t_\t_\n5\tthis\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tarticle\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAtco\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tLtd.\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tits\t_\tPRON\tPRP$\t_\t6\tnmod:poss\t_\t_\n5\tutilities\t_\tNOUN\tNNS\t_\t6\tcompound\t_\t_\n6\tarm\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n7\tis\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n8\tconsidering\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n9\tbuilding\t_\tVERB\tVBG\t_\t8\tadvcl\t_\t_\n10\tnew\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n11\telectric\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tpower\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tplants\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\tsome\t_\tDET\tDT\t_\t13\tappos\t_\t_\n16\tvalued\t_\tVERB\tVBN\t_\t15\tacl\t_\t_\n17\tat\t_\tADP\tIN\t_\t23\tcase\t_\t_\n18\tmore\t_\tADJ\tJJR\t_\t21\tadvmod\t_\t_\n19\tthan\t_\tADP\tIN\t_\t18\tmwe\t_\t_\n20\tone\t_\tNUM\tCD\t_\t21\tcompound\t_\t_\n21\tbillion\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n22\tCanadian\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tdollars\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n24\t-LRB-\t_\tPUNCT\t-LRB-\t_\t25\tpunct\t_\t_\n25\tUS$\t_\tSYM\t$\t_\t23\tdep\t_\t_\n26\t851\t_\tNUM\tCD\t_\t27\tcompound\t_\t_\n27\tmillion\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n28\t-RRB-\t_\tPUNCT\t-RRB-\t_\t25\tpunct\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n30\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n31\tGreat\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tBritain\t_\tPROPN\tNNP\t_\t13\tnmod\t_\t_\n33\tand\t_\tCONJ\tCC\t_\t32\tcc\t_\t_\n34\telsewhere\t_\tADV\tRB\t_\t32\tconj\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tC.S.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tRichardson\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tAtco\t_\tPROPN\tNNP\t_\t8\tnmod:poss\t_\t_\n5\t's\t_\tPART\tPOS\t_\t4\tcase\t_\t_\n6\tsenior\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tvice\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tpresident\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tfinance\t_\tNOUN\tNN\t_\t8\tappos\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tits\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n14\t50.1%-owned\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n15\tCanadian\t_\tPROPN\tJJ\t_\t18\tcompound\t_\t_\n16\tUtilities\t_\tPROPN\tNNS\t_\t18\tcompound\t_\t_\n17\tLtd.\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tunit\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n19\tis\t_\tAUX\tVBZ\t_\t20\taux\t_\t_\n20\treviewing\t_\tVERB\tVBG\t_\t12\tccomp\t_\t_\n21\tcogeneration\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\tprojects\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n23\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\teastern\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tCanada\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n27\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n28\tconventional\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n29\telectric\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n30\tpower\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n31\tgenerating\t_\tNOUN\tVBG\t_\t32\tcompound\t_\t_\n32\tplants\t_\tNOUN\tNNS\t_\t22\tconj\t_\t_\n33\telsewhere\t_\tADV\tRB\t_\t32\tadvmod\t_\t_\n34\t,\t_\tPUNCT\t,\t_\t33\tpunct\t_\t_\n35\tincluding\t_\tVERB\tVBG\t_\t36\tcase\t_\t_\n36\tBritain\t_\tPROPN\tNNP\t_\t33\tnmod\t_\t_\n37\t,\t_\tPUNCT\t,\t_\t36\tpunct\t_\t_\n38\twhere\t_\tADV\tWRB\t_\t42\tadvmod\t_\t_\n39\tthe\t_\tDET\tDT\t_\t41\tdet\t_\t_\n40\tBritish\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tgovernment\t_\tNOUN\tNN\t_\t42\tnsubj\t_\t_\n42\tplans\t_\tNOUN\tNNS\t_\t36\tacl:relcl\t_\t_\n43\tto\t_\tPART\tTO\t_\t44\tmark\t_\t_\n44\tallow\t_\tVERB\tVB\t_\t42\txcomp\t_\t_\n45\tlimited\t_\tADJ\tJJ\t_\t46\tamod\t_\t_\n46\tcompetition\t_\tNOUN\tNN\t_\t44\tdobj\t_\t_\n47\tin\t_\tADP\tIN\t_\t49\tcase\t_\t_\n48\telectrical\t_\tADJ\tJJ\t_\t49\tamod\t_\t_\n49\tgeneration\t_\tNOUN\tNN\t_\t46\tnmod\t_\t_\n50\tfrom\t_\tADP\tIN\t_\t52\tcase\t_\t_\n51\tprivate-sector\t_\tADJ\tJJ\t_\t52\tamod\t_\t_\n52\tsuppliers\t_\tNOUN\tNNS\t_\t46\tnmod\t_\t_\n53\tas\t_\tADP\tIN\t_\t54\tcase\t_\t_\n54\tpart\t_\tNOUN\tNN\t_\t42\tnmod\t_\t_\n55\tof\t_\tADP\tIN\t_\t58\tcase\t_\t_\n56\tits\t_\tPRON\tPRP$\t_\t58\tnmod:poss\t_\t_\n57\tprivatization\t_\tNOUN\tNN\t_\t58\tcompound\t_\t_\n58\tprogram\t_\tNOUN\tNN\t_\t54\tnmod\t_\t_\n59\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tprojects\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n4\tare\t_\tVERB\tVBP\t_\t5\tcop\t_\t_\n5\tbig\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tcan\t_\tAUX\tMD\t_\t4\taux\t_\t_\n3\tbe\t_\tVERB\tVB\t_\t4\tcop\t_\t_\n4\tC$\t_\tSYM\t$\t_\t12\tccomp\t_\t_\n5\t1\t_\tNUM\tCD\t_\t6\tcompound\t_\t_\n6\tbillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n7\tplus\t_\tADV\tCC\t_\t4\tadvmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n10\tMr.\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tRichardson\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t23\tpunct\t_\t_\n2\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n3\twe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n4\twould\t_\tAUX\tMD\t_\t6\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n6\tgo\t_\tVERB\tVB\t_\t23\tccomp\t_\t_\n7\tinto\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tthem\t_\tPRON\tPRP\t_\t6\tnmod\t_\t_\n9\talone\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n13\tCanadian\t_\tPROPN\tJJ\t_\t14\tcompound\t_\t_\n14\tUtilities\t_\tPROPN\tNNS\t_\t17\tnmod:poss\t_\t_\n15\t'\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tequity\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tstake\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n18\twould\t_\tAUX\tMD\t_\t20\taux\t_\t_\n19\tbe\t_\tVERB\tVB\t_\t20\tcop\t_\t_\n20\tsmall\t_\tADJ\tJJ\t_\t6\tconj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n22\the\t_\tPRON\tPRP\t_\t23\tnsubj\t_\t_\n23\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n2\tIdeally\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\twe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\t'd\t_\tAUX\tMD\t_\t6\taux\t_\t_\n6\tlike\t_\tVERB\tVB\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n8\tbe\t_\tVERB\tVB\t_\t10\tcop\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\toperator\t_\tNOUN\tNN\t_\t6\txcomp\t_\t_\n11\t-LCB-\t_\tPUNCT\t-LRB-\t_\t14\tpunct\t_\t_\n12\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tproject\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n15\t-RCB-\t_\tPUNCT\t-RRB-\t_\t14\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n17\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n18\tmodest\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n19\tequity\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tinvestor\t_\tNOUN\tNN\t_\t10\tconj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tOur\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n2\tlong\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tsuit\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n5\tour\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n6\tproven\t_\tADJ\tVBN\t_\t7\tamod\t_\t_\n7\tability\t_\tNOUN\tNN\t_\t15\tccomp\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\toperate\t_\tVERB\tVB\t_\t7\tacl\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n11\tpower\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tplants\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n14\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tRichardson\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n3\twould\t_\tAUX\tMD\t_\t5\taux\t_\t_\n4\tn't\t_\tPART\tRB\t_\t5\tneg\t_\t_\n5\toffer\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tspecifics\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n7\tregarding\t_\tVERB\tVBG\t_\t6\tacl\t_\t_\n8\tAtco\t_\tPROPN\tNNP\t_\t12\tnmod:poss\t_\t_\n9\t's\t_\tVERB\tPOS\t_\t8\tcase\t_\t_\n10\tproposed\t_\tVERB\tVBN\t_\t12\tamod\t_\t_\n11\tBritish\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tproject\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n14\tbut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n15\the\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t5\tconj\t_\t_\n17\tit\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n18\twould\t_\tAUX\tMD\t_\t19\taux\t_\t_\n19\tcompete\t_\tVERB\tVB\t_\t16\tccomp\t_\t_\n20\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tcustomers\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n22\twith\t_\tADP\tIN\t_\t28\tcase\t_\t_\n23\ttwo\t_\tNUM\tCD\t_\t28\tnummod\t_\t_\n24\thuge\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n25\tBritish\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n26\tpower\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n27\tgenerating\t_\tNOUN\tVBG\t_\t28\tcompound\t_\t_\n28\tcompanies\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n29\tthat\t_\tPRON\tWDT\t_\t32\tnsubjpass\t_\t_\n30\twould\t_\tAUX\tMD\t_\t32\taux\t_\t_\n31\tbe\t_\tAUX\tVB\t_\t32\tauxpass\t_\t_\n32\tformed\t_\tVERB\tVBN\t_\t28\tacl:relcl\t_\t_\n33\tunder\t_\tADP\tIN\t_\t37\tcase\t_\t_\n34\tthe\t_\tDET\tDT\t_\t35\tdet\t_\t_\n35\tcountry\t_\tNOUN\tNN\t_\t37\tnmod:poss\t_\t_\n36\t's\t_\tPART\tPOS\t_\t35\tcase\t_\t_\n37\tplan\t_\tNOUN\tNN\t_\t32\tnmod\t_\t_\n38\tto\t_\tPART\tTO\t_\t39\tmark\t_\t_\n39\tprivatize\t_\tVERB\tVB\t_\t37\tacl\t_\t_\n40\tits\t_\tPRON\tPRP$\t_\t45\tnmod:poss\t_\t_\n41\tmassive\t_\tADJ\tJJ\t_\t45\tamod\t_\t_\n42\twater\t_\tNOUN\tNN\t_\t45\tcompound\t_\t_\n43\tand\t_\tCONJ\tCC\t_\t42\tcc\t_\t_\n44\telectric\t_\tADJ\tJJ\t_\t42\tconj\t_\t_\n45\tutilities\t_\tNOUN\tNNS\t_\t39\tdobj\t_\t_\n46\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBritain\t_\tPROPN\tNNP\t_\t3\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tgovernment\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tplans\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\traise\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\tabout\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n8\t#\t_\tSYM\t#\t_\t10\tcompound\t_\t_\n9\t20\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\tbillion\t_\tNUM\tCD\t_\t6\tdobj\t_\t_\n11\t-LRB-\t_\tPUNCT\t-LRB-\t_\t12\tpunct\t_\t_\n12\t$\t_\tSYM\t$\t_\t10\tdep\t_\t_\n13\t31.05\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\tbillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\t-RRB-\t_\tPUNCT\t-RRB-\t_\t12\tpunct\t_\t_\n16\tfrom\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tsale\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tmost\t_\tADJ\tJJS\t_\t18\tnmod\t_\t_\n21\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n22\tits\t_\tPRON\tPRP$\t_\t27\tnmod:poss\t_\t_\n23\tgiant\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n24\twater\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n26\telectric\t_\tADJ\tJJ\t_\t24\tconj\t_\t_\n27\tutilities\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n29\tbeginning\t_\tVERB\tVBG\t_\t31\tcase\t_\t_\n30\tnext\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31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aux\t_\t_\n41\tprosper\t_\tVERB\tVB\t_\t20\tccomp\t_\t_\n42\tthrough\t_\tADP\tIN\t_\t45\tcase\t_\t_\n43\tits\t_\tPRON\tPRP$\t_\t45\tnmod:poss\t_\t_\n44\tnew\t_\tADJ\tJJ\t_\t45\tamod\t_\t_\n45\tdirection\t_\tNOUN\tNN\t_\t41\tnmod\t_\t_\n46\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tQuantum\t_\tPROPN\tNNP\t_\t3\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tlot\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n4\tis\t_\tAUX\tVBZ\t_\t6\tauxpass\t_\t_\n5\tmostly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\ttied\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tto\t_\tADP\tTO\t_\t9\tcase\t_\t_\n8\tpolyethylene\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tresin\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tused\t_\tVERB\tVBN\t_\t9\tacl\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tmake\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n14\tgarbage\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tbags\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\tmilk\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tjugs\t_\tNOUN\tNNS\t_\t15\tconj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n20\thousewares\t_\tNOUN\tNNS\t_\t15\tconj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n22\ttoys\t_\tNOUN\tNNS\t_\t15\tconj\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n24\tmeat\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tpackaging\t_\tNOUN\tNN\t_\t15\tconj\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n27\tamong\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tother\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\titems\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n3\tU.S.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tpolyethylene\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tmarket\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n7\tQuantum\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n8\thas\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n9\tclaimed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tlargest\t_\tADJ\tJJS\t_\t12\tamod\t_\t_\n12\tshare\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\tabout\t_\tADV\tIN\t_\t15\tadvmod\t_\t_\n15\t20\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\t%\t_\tSYM\tNN\t_\t12\tappos\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n2\tits\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tcompetitors\t_\tNOUN\tNNS\t_\t18\tnsubj\t_\t_\n4\t--\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n5\tincluding\t_\tVERB\tVBG\t_\t8\tcase\t_\t_\n6\tDow\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tChemical\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tCo.\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tUnion\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n11\tCarbide\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tCorp.\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n14\tseveral\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\toil\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tgiants\t_\tNOUN\tNNS\t_\t8\tconj\t_\t_\n17\t--\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n18\thave\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n19\tmuch\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n20\tbroader\t_\tADJ\tJJR\t_\t22\tamod\t_\t_\n21\tbusiness\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\tinterests\t_\tNOUN\tNNS\t_\t18\tdobj\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n24\tso\t_\tADV\tRB\t_\t18\tcc\t_\t_\n25\tare\t_\tAUX\tVBP\t_\t27\tauxpass\t_\t_\n26\tbetter\t_\tADV\tRBR\t_\t27\tadvmod\t_\t_\n27\tcushioned\t_\tVERB\tVBN\t_\t18\tconj\t_\t_\n28\tagainst\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tprice\t_\tNOUN\tNN\t_\t30\tcompound\t_\t_\n30\tswings\t_\tNOUN\tNNS\t_\t27\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tWhen\t_\tADV\tWRB\t_\t6\tadvmod\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tprice\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tpolyethylene\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n6\tmoves\t_\tVERB\tVBZ\t_\t17\tadvcl\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tmere\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tpenny\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tpound\t_\tNOUN\tNN\t_\t9\tnmod:npmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n13\tQuantum\t_\tPROPN\tNNP\t_\t16\tnmod:poss\t_\t_\n14\t's\t_\tPART\tPOS\t_\t13\tcase\t_\t_\n15\tannual\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tprofit\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n17\tfluctuates\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n18\tby\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tabout\t_\tADV\tIN\t_\t20\tadvmod\t_\t_\n20\t85\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\tcents\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n22\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tshare\t_\tNOUN\tNN\t_\t21\tnmod:npmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n25\tprovided\t_\tVERB\tVBD\t_\t30\tmark\t_\t_\n26\tno\t_\tDET\tDT\t_\t28\tneg\t_\t_\n27\tother\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tvariables\t_\tNOUN\tNNS\t_\t30\tnsubj\t_\t_\n29\tare\t_\tAUX\tVBP\t_\t30\taux\t_\t_\n30\tchanging\t_\tVERB\tVBG\t_\t17\tadvcl\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\t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12\tcc\t_\t_\n14\tinsurer\t_\tNOUN\tNN\t_\t12\tconj\t_\t_\n15\t--\t_\tPUNCT\t:\t_\t5\tpunct\t_\t_\n16\twhen\t_\tADV\tWRB\t_\t19\tadvmod\t_\t_\n17\tdemand\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n18\tis\t_\tAUX\tVBZ\t_\t19\taux\t_\t_\n19\tshifting\t_\tVERB\tVBG\t_\t4\tadvcl\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n2\tYou\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tsay\t_\tVERB\tVBP\t_\t20\tccomp\t_\t_\n4\tyou\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n5\tcould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n6\thave\t_\tAUX\tVB\t_\t7\taux\t_\t_\n7\tsold\t_\tVERB\tVBN\t_\t3\tccomp\t_\t_\n8\tX\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tpercent\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthis\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tproduct\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n14\tY\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tpercent\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n16\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tthat\t_\tPRON\tDT\t_\t15\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n20\trecalls\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n21\tTheodore\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tSemegran\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n24\tan\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tanalyst\t_\tNOUN\tNN\t_\t22\tappos\t_\t_\n26\tat\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tShearson\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n28\tLehman\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tHutton\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n30\twho\t_\tPRON\tWP\t_\t31\tnsubj\t_\t_\n31\twent\t_\tVERB\tVBD\t_\t25\tacl:relcl\t_\t_\n32\tthrough\t_\tADP\tIN\t_\t34\tcase\t_\t_\n33\tthis\t_\tDET\tDT\t_\t34\tdet\t_\t_\n34\texercise\t_\tNOUN\tNN\t_\t31\tnmod\t_\t_\n35\tduring\t_\tADP\tIN\t_\t38\tcase\t_\t_\n36\this\t_\tPRON\tPRP$\t_\t38\tnmod:poss\t_\t_\n37\tformer\t_\tADJ\tJJ\t_\t38\tamod\t_\t_\n38\tcareer\t_\tNOUN\tNN\t_\t31\tnmod\t_\t_\n39\tas\t_\tADP\tIN\t_\t42\tcase\t_\t_\n40\ta\t_\tDET\tDT\t_\t42\tdet\t_\t_\n41\tchemical\t_\tADJ\tNN\t_\t42\tamod\t_\t_\n42\tengineer\t_\tNOUN\tNN\t_\t38\tnmod\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n2\tAnd\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n3\tthen\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n4\tyou\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\tstill\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\thave\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tnegotiate\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n\n1\tQuantum\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\thopes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tMorris\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tplant\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\twhere\t_\tADV\tWRB\t_\t10\tadvmod\t_\t_\n8\tlimited\t_\tVERB\tJJ\t_\t9\tamod\t_\t_\n9\tproduction\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n10\tgot\t_\tVERB\tVBD\t_\t5\tacl:relcl\t_\t_\n11\tunder\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tway\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n13\tlast\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tweek\t_\tNOUN\tNN\t_\t10\tnmod:tmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n16\twill\t_\tAUX\tMD\t_\t17\taux\t_\t_\n17\tresume\t_\tVERB\tVB\t_\t2\tccomp\t_\t_\n18\tfull\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\toperation\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n20\tby\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tyear\t_\tNOUN\tNN\t_\t23\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tend\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tplant\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\tusually\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\taccounts\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n6\t20\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n7\t%\t_\tSYM\tNN\t_\t10\tdep\t_\t_\n8\tto\t_\tADP\tTO\t_\t10\tdep\t_\t_\n9\t25\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\t%\t_\tSYM\tNN\t_\t4\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\tQuantum\t_\tPROPN\tNNP\t_\t15\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tpolyethylene\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tproduction\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n17\t50\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\t%\t_\tSYM\tNN\t_\t10\tconj\t_\t_\n19\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tits\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n21\tethylene\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\tproduction\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tNot\t_\tADV\tRB\t_\t2\tneg\t_\t_\n2\teverything\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tlooks\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tgrim\t_\tADJ\tJJ\t_\t3\txcomp\t_\t_\n5\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tQuantum\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tplant\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\texpansion\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\tshould\t_\tAUX\tMD\t_\t5\taux\t_\t_\n5\tstrengthen\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tcompany\t_\tNOUN\tNN\t_\t9\tnmod:poss\t_\t_\n8\t's\t_\tPART\tPOS\t_\t7\tcase\t_\t_\n9\tsway\t_\tNOUN\tVB\t_\t5\tdobj\t_\t_\n10\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tpolyethylene\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tbusiness\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\twhere\t_\tADV\tWRB\t_\t20\tadvmod\t_\t_\n16\tmarket\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tshare\t_\tNOUN\tNN\t_\t20\tnsubjpass\t_\t_\n18\tis\t_\tAUX\tVBZ\t_\t20\tauxpass\t_\t_\n19\toften\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n20\ttaken\t_\tVERB\tVBN\t_\t13\tacl:relcl\t_\t_\n21\tthrough\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tsheer\t_\tNOUN\tJJ\t_\t23\tcompound\t_\t_\n23\tcapacity\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBy\t_\tSCONJ\tIN\t_\t2\tmark\t_\t_\n2\tlifting\t_\tVERB\tVBG\t_\t10\tadvcl\t_\t_\n3\tethylene\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tproduction\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\texpansion\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n8\twill\t_\tAUX\tMD\t_\t10\taux\t_\t_\n9\talso\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tlower\t_\tVERB\tVB\t_\t0\troot\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tcompany\t_\tNOUN\tNN\t_\t16\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\traw\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tmaterial\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tcosts\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tQuantum\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n2\tis\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n3\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\ttightening\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\tits\t_\tPRON\tPRP$\t_\t6\tnmod:poss\t_\t_\n6\tgrip\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\ton\t_\tADP\tIN\t_\t11\tcase\t_\t_\n8\tits\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n9\tone\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n10\tlarge\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tbusiness\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\toutside\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tchemicals\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n15\tpropane\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tmarketing\t_\tNOUN\tNN\t_\t11\tappos\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThrough\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\ta\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tventure\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n4\twith\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tits\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n6\tinvestment\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tbanker\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tFirst\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tBoston\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tCorp.\t_\tPROPN\tNNP\t_\t7\tappos\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n13\tQuantum\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n14\tcompleted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tAugust\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n17\tan\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tacquisition\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n19\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tPetrolane\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tInc.\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n22\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\ta\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\ttransaction\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n25\tvalued\t_\tVERB\tVBN\t_\t24\tacl\t_\t_\n26\tat\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\t$\t_\tSYM\t$\t_\t25\tnmod\t_\t_\n28\t1.18\t_\tNUM\tCD\t_\t29\tcompound\t_\t_\n29\tbillion\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tPetrolane\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n3\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n4\tsecond-largest\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tpropane\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tdistributor\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tU.S.\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tlargest\t_\tADJ\tJJS\t_\t9\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tSuburban\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tPropane\t_\tPROPN\tNNP\t_\t2\tappos\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n7\twas\t_\tAUX\tVBD\t_\t9\tauxpass\t_\t_\n8\talready\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\towned\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n10\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tQuantum\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tStill\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\tQuantum\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\thas\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tcrisis\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tget\t_\tVERB\tVB\t_\t6\tacl\t_\t_\n9\tpast\t_\tADP\tJJ\t_\t8\tnmod\t_\t_\n10\tright\t_\tADV\tRB\t_\t11\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\t_\n28\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\twashing\t_\tNOUN\tVBG\t_\t30\tcompound\t_\t_\n30\tmachine\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n32\tbelieving\t_\tVERB\tVBG\t_\t21\txcomp\t_\t_\n33\tthat\t_\tSCONJ\tIN\t_\t35\tmark\t_\t_\n34\tit\t_\tPRON\tPRP\t_\t35\tnsubj\t_\t_\n35\ttakes\t_\tVERB\tVBZ\t_\t32\tccomp\t_\t_\n36\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tcup\t_\tNOUN\tNN\t_\t35\tdobj\t_\t_\n38\tof\t_\tADP\tIN\t_\t39\tcase\t_\t_\n39\tpowder\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n40\tto\t_\tPART\tTO\t_\t42\tmark\t_\t_\n41\treally\t_\tADV\tRB\t_\t42\tadvmod\t_\t_\n42\tclean\t_\tVERB\tVB\t_\t35\tadvcl\t_\t_\n43\tthe\t_\tDET\tDT\t_\t44\tdet\t_\t_\n44\tlaundry\t_\tNOUN\tNN\t_\t42\tdobj\t_\t_\n45\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tearly\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\t1980s\t_\tNOUN\tCD\t_\t7\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n6\tP&G\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\ttried\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tlaunch\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n10\there\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n11\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tconcentrated\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tdetergent\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n14\tunder\t_\tADP\tIN\t_\t18\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n16\tAriel\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n17\tbrand\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tname\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n19\tthat\t_\tADP\tIN\t_\t21\tdobj\t_\t_\n20\tit\t_\tPRON\tPRP\t_\t21\tnsubj\t_\t_\n21\tmarkets\t_\tVERB\tVBZ\t_\t18\tacl:relcl\t_\t_\n22\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tEurope\t_\tPROPN\tNNP\t_\t21\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tproduct\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\twhich\t_\tPRON\tWDT\t_\t9\tnsubj\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t9\tcop\t_\t_\n7\tn't\t_\tPART\tRB\t_\t9\tneg\t_\t_\n8\tas\t_\tADV\tIN\t_\t9\tadvmod\t_\t_\n9\tconcentrated\t_\tADJ\tJJ\t_\t3\tacl:relcl\t_\t_\n10\tas\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tnew\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tCheer\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n15\tbombed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n16\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tmarket\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\ttest\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n20\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tDenver\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n22\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n23\twas\t_\tAUX\tVBD\t_\t24\tauxpass\t_\t_\n24\tdropped\t_\tVERB\tVBN\t_\t15\tconj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tP&G\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n2\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\tothers\t_\tNOUN\tNNS\t_\t1\tconj\t_\t_\n4\talso\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n5\thave\t_\tAUX\tVBP\t_\t6\taux\t_\t_\n6\ttried\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\trepeatedly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\thook\t_\tVERB\tNN\t_\t6\txcomp\t_\t_\n10\tconsumers\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n11\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n12\tdetergent\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\tfabric\t_\tNOUN\tNN\t_\t12\tconj\t_\t_\n15\tsoftener\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tcombinations\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n17\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tpouches\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n20\tbut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n21\tthey\t_\tPRON\tPRP\t_\t24\tnsubj\t_\t_\n22\thave\t_\tAUX\tVBP\t_\t24\taux\t_\t_\n23\tn't\t_\tPART\tRB\t_\t24\tneg\t_\t_\n24\tsold\t_\tVERB\tVBN\t_\t6\tconj\t_\t_\n25\twell\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n27\tdespite\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tconvenience\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n2\tP&G\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tcontends\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tnew\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tCheer\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n7\tis\t_\tVERB\tVBZ\t_\t10\tcop\t_\t_\n8\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tunique\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tformula\t_\tNOUN\tNN\t_\t3\tccomp\t_\t_\n11\tthat\t_\tPRON\tWDT\t_\t13\tnsubj\t_\t_\n12\talso\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\toffers\t_\tVERB\tVBZ\t_\t10\tacl:relcl\t_\t_\n14\tan\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tingredient\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tthat\t_\tPRON\tWDT\t_\t17\tnsubj\t_\t_\n17\tprevents\t_\tVERB\tVBZ\t_\t15\tacl:relcl\t_\t_\n18\tcolors\t_\tNOUN\tNNS\t_\t17\tdobj\t_\t_\n19\tfrom\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n20\tfading\t_\tVERB\tJJ\t_\t17\tadvcl\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAnd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_\tVERB\tVB\t_\t3\tcop\t_\t_\n3\tsure\t_\tADJ\tJJ\t_\t8\tadvcl\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\tKao\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n6\twould\t_\tAUX\tMD\t_\t8\taux\t_\t_\n7\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n8\thave\t_\tVERB\tVB\t_\t0\troot\t_\t_\n9\tan\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\teasy\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\ttime\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\ttaking\t_\tVERB\tVBG\t_\t11\tdep\t_\t_\n13\tU.S.\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n14\tmarket\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tshare\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\taway\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n17\tfrom\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tmighty\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tP&G\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n22\twhich\t_\tPRON\tWDT\t_\t23\tnsubj\t_\t_\n23\thas\t_\tVERB\tVBZ\t_\t20\tacl:relcl\t_\t_\n24\tabout\t_\tADV\tRB\t_\t25\tadvmod\t_\t_\n25\t23\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n26\t%\t_\tSYM\tNN\t_\t23\tdobj\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tmarket\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tKao\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tofficials\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n3\tpreviously\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n4\thave\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n5\tsaid\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tthey\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n7\tare\t_\tVERB\tVBP\t_\t8\tcop\t_\t_\n8\tinterested\t_\tADJ\tJJ\t_\t5\tccomp\t_\t_\n9\tin\t_\tSCONJ\tIN\t_\t10\tmark\t_\t_\n10\tselling\t_\tVERB\tVBG\t_\t8\tadvcl\t_\t_\n11\tdetergents\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tU.S.\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n16\tbut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n17\tso\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n18\tfar\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tcompany\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n21\thas\t_\tAUX\tVBZ\t_\t22\taux\t_\t_\n22\tfocused\t_\tVERB\tVBN\t_\t5\tconj\t_\t_\n23\ton\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tacquisitions\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n26\tsuch\t_\tADJ\tJJ\t_\t31\tcase\t_\t_\n27\tas\t_\tADP\tIN\t_\t26\tmwe\t_\t_\n28\tlast\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tyear\t_\tNOUN\tNN\t_\t31\tnmod:poss\t_\t_\n30\t's\t_\tPART\tPOS\t_\t29\tcase\t_\t_\n31\tpurchase\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n32\tof\t_\tADP\tIN\t_\t35\tcase\t_\t_\n33\tAndrew\t_\tPROPN\tNNP\t_\t35\tcompound\t_\t_\n34\tJergens\t_\tPROPN\tNNP\t_\t35\tcompound\t_\t_\n35\tCo.\t_\tPROPN\tNNP\t_\t31\tnmod\t_\t_\n36\t,\t_\tPUNCT\t,\t_\t35\tpunct\t_\t_\n37\ta\t_\tDET\tDT\t_\t40\tdet\t_\t_\n38\tCincinnati\t_\tPROPN\tNNP\t_\t40\tcompound\t_\t_\n39\thand-lotion\t_\tNOUN\tNN\t_\t40\tcompound\t_\t_\n40\tmaker\t_\tNOUN\tNN\t_\t35\tappos\t_\t_\n41\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\talso\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\thas\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tproduct-testing\t_\tNOUN\tJJ\t_\t6\tcompound\t_\t_\n6\tfacility\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n7\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tCalifornia\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tSome\t_\tDET\tDT\t_\t2\tnsubj\t_\t_\n2\tbelieve\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\tP&G\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tinterest\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n6\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tsuperconcentrated\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tdetergent\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n10\tgoes\t_\tVERB\tVBZ\t_\t2\tccomp\t_\t_\n11\tbeyond\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tconcern\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tJapanese\t_\tPROPN\tJJ\t_\t13\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t4\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t4\tcop\t_\t_\n4\tsomething\t_\tNOUN\tNN\t_\t14\tccomp\t_\t_\n5\tP&G\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n6\twould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tdo\t_\tVERB\tVB\t_\t4\tacl:relcl\t_\t_\n8\twith\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tor\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\twithout\t_\tADP\tIN\t_\t8\tconj\t_\t_\n11\tKao\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n14\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n15\tMr.\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tZurkuhlen\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tWith\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n2\teconomic\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\ttension\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n4\tbetween\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tU.S.\t_\t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det\t_\t_\n42\tBush\t_\tPROPN\tNNP\t_\t43\tcompound\t_\t_\n43\tadministration\t_\tNOUN\tNN\t_\t34\tnmod\t_\t_\n44\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n45\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n\n1\tYet\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n2\tmore\t_\tADJ\tJJR\t_\t4\tadvmod\t_\t_\n3\tthan\t_\tADP\tIN\t_\t2\tmwe\t_\t_\n4\tone\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n5\tAmerican\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tofficial\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n7\twho\t_\tPRON\tWP\t_\t8\tnsubj\t_\t_\n8\tsat\t_\tVERB\tVBD\t_\t6\tacl:relcl\t_\t_\n9\tin\t_\tADP\tIN\t_\t8\tcompound:prt\t_\t_\n10\twith\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\ther\t_\tPRON\tPRP$\t_\t8\tnmod\t_\t_\n12\tduring\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthree\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\tdays\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n15\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\ttalks\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n17\twith\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tJapanese\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tofficials\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n20\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n21\ther\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n22\ttone\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n23\toften\t_\tADV\tRB\t_\t27\tadvmod\t_\t_\n24\twas\t_\tVERB\tVBD\t_\t27\tcop\t_\t_\n25\tsurprisingly\t_\tADV\tRB\t_\t27\tadvmod\t_\t_\n26\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n27\tconciliatory\t_\tADJ\tJJ\t_\t20\tccomp\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n29\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthink\t_\tVERB\tVBP\t_\t14\tccomp\t_\t_\n4\tmy\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n5\tline\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n7\tbeen\t_\tVERB\tVBN\t_\t9\tcop\t_\t_\n8\tvery\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tconsistent\t_\tADJ\tJJ\t_\t3\tccomp\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n12\tMrs.\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tHills\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n14\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\tat\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tnews\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tconference\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n19\tSaturday\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tafternoon\t_\tNOUN\tNN\t_\t14\tnmod:tmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t4\tnsubjpass\t_\t_\n3\tam\t_\tAUX\tVBP\t_\t4\tauxpass\t_\t_\n4\tpainted\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tsometimes\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n6\tas\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tferocious\t_\tADJ\tJJ\t_\t4\tadvcl\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n9\tperhaps\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n10\tbecause\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n11\tI\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\thave\t_\tVERB\tVBP\t_\t4\tadvcl\t_\t_\n13\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tferocious\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tlist\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tstatutes\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\timplement\t_\tVERB\tVB\t_\t15\tacl\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tdo\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tfeel\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tvery\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tferocious\t_\tADJ\tJJ\t_\t4\txcomp\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tdo\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tfeel\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\teither\t_\tCONJ\tRB\t_\t6\tcc:preconj\t_\t_\n6\thard\t_\tADJ\tJJ\t_\t4\txcomp\t_\t_\n7\tor\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tsoft\t_\tADJ\tJJ\t_\t6\tconj\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tfeel\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\tcommitted\t_\tADJ\tVBN\t_\t2\txcomp\t_\t_\n4\tto\t_\tADP\tTO\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tprogram\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\tof\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n8\topening\t_\tVERB\tVBG\t_\t6\tacl\t_\t_\n9\tmarkets\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n11\texpanding\t_\tVERB\tVBG\t_\t8\tconj\t_\t_\n12\ttrade\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n\n1\tWhen\t_\tADV\tWRB\t_\t3\tadvmod\t_\t_\n2\tshe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tmet\t_\tVERB\tVBD\t_\t17\tadvcl\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tlocal\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tpress\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n7\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tfirst\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\ttime\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n11\ton\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tFriday\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n14\tMrs.\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tHills\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n16\tfirmly\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\treiterated\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tneed\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n20\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tprogress\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n22\tin\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n23\tremoving\t_\tVERB\tVBG\t_\t21\tacl\t_\t_\n24\tbarriers\t_\tNOUN\tNNS\t_\t23\tdobj\t_\t_\n25\tto\t_\tADP\tTO\t_\t26\tcase\t_\t_\n26\ttrade\t_\tNOUN\tVB\t_\t24\tnmod\t_\t_\n27\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tforest\t_\tNOUN\tNN\t_\t29\tcompound\t_\t_\n29\tproducts\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n31\tsatellites\t_\tNOUN\tNNS\t_\t29\tconj\t_\t_\n32\tand\t_\tCONJ\tCC\t_\t29\tcc\t_\t_\n33\tsupercomputers\t_\tNOUN\tNNS\t_\t29\tconj\t_\t_\n34\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n35\tthree\t_\tNUM\tCD\t_\t36\tnummod\t_\t_\n36\tareas\t_\tNOUN\tNNS\t_\t29\tappos\t_\t_\n37\ttargeted\t_\tVERB\tVBN\t_\t36\tacl\t_\t_\n38\tunder\t_\tADP\tIN\t_\t42\tcase\t_\t_\n39\tthe\t_\tDET\tDT\t_\t42\tdet\t_\t_\n40\tSuper\t_\tPROPN\tNNP\t_\t42\tcompound\t_\t_\n41\t301\t_\tPROPN\tCD\t_\t42\tcompound\t_\t_\n42\tprovision\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n43\tof\t_\tADP\tIN\t_\t47\tcase\t_\t_\n44\tthe\t_\tDET\tDT\t_\t47\tdet\t_\t_\n45\t1988\t_\tNUM\tCD\t_\t47\tnummod\t_\t_\n46\ttrade\t_\tNOUN\tNN\t_\t47\tcompound\t_\t_\n47\tbill\t_\tNOUN\tNN\t_\t42\tnmod\t_\t_\n48\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tShe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\thighlighted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\texclusionary\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tbusiness\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tpractices\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n6\tthat\t_\tADP\tIN\t_\t11\tdobj\t_\t_\n7\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tU.S.\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tgovernment\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n10\thas\t_\tAUX\tVBZ\t_\t11\taux\t_\t_\n11\tidentified\t_\tVERB\tVBN\t_\t5\tacl:relcl\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\ther\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n3\tmain\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tthrust\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\twas\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tpromote\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\timportance\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tworld-wide\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tfree\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\ttrade\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\topen\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tcompetition\t_\tNOUN\tNN\t_\t13\tconj\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tShe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\ttrade\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\timbalance\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n7\tmainly\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\tdue\t_\tADJ\tJJ\t_\t2\tccomp\t_\t_\n9\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n10\tmacroeconomic\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tfactors\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n13\tshould\t_\tAUX\tMD\t_\t16\taux\t_\t_\n14\tn't\t_\tPART\tRB\t_\t16\tneg\t_\t_\n15\tbe\t_\tAUX\tVB\t_\t16\tauxpass\t_\t_\n16\ttackled\t_\tVERB\tVBN\t_\t8\tconj\t_\t_\n17\tby\t_\tSCONJ\tIN\t_\t18\tmark\t_\t_\n18\tsetting\t_\tVERB\tVBG\t_\t16\tadvcl\t_\t_\n19\tquantitative\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\ttargets\t_\tNOUN\tNNS\t_\t18\tdobj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\ther\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n3\tnews\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tconference\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n5\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tJapanese\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\treporters\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n9\tone\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n10\teconomics\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tjournalist\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n12\tsummed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tup\t_\tADP\tRP\t_\t12\tcompound:prt\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tJapanese\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tsense\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n17\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\trelief\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n2\tMy\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\timpression\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t16\tccomp\t_\t_\n5\tthat\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n6\tyou\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n7\twould\t_\tAUX\tMD\t_\t12\taux\t_\t_\n8\tbe\t_\tVERB\tVB\t_\t12\tcop\t_\t_\n9\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tscary\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\told\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tlady\t_\tNOUN\tNN\t_\t4\tccomp\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n14\t''\t_\tPUNCT\t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,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n13\tI\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n14\tbelieve\t_\tVERB\tVBP\t_\t10\tccomp\t_\t_\n15\twe\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n16\tcan\t_\tAUX\tMD\t_\t17\taux\t_\t_\n17\tdo\t_\tVERB\tVB\t_\t14\tccomp\t_\t_\n18\tmuch\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\tbetter\t_\tADV\tJJR\t_\t17\tadvmod\t_\t_\n20\tthan\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\t20\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n22\t%\t_\tSYM\tNN\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n24\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n2\tshe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tstressed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n6\tI\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n7\tam\t_\tVERB\tVBP\t_\t10\tcop\t_\t_\n8\tagainst\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tmanaged\t_\tADJ\tVBN\t_\t10\tamod\t_\t_\n10\ttrade\t_\tNOUN\tNN\t_\t3\tccomp\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\twill\t_\tAUX\tMD\t_\t4\taux\t_\t_\n3\tnot\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tenter\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tinto\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tan\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tagreement\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tthat\t_\tPRON\tWDT\t_\t9\tnsubj\t_\t_\n9\tstipulates\t_\tVERB\tVBZ\t_\t7\tacl:relcl\t_\t_\n10\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tpercentage\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tmarket\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tTraditional\t_\tPROPN\tJJ\t_\t3\tcompound\t_\t_\n2\tIndustries\t_\tPROPN\tNNPS\t_\t3\tcompound\t_\t_\n3\tInc.\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\texpects\t_\tVERB\tVBZ\t_\t4\tccomp\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\treport\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tnet\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tloss\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tfourth\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tquarter\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n16\tthat\t_\tPRON\tWDT\t_\t17\tnsubj\t_\t_\n17\tended\t_\tVERB\tVBD\t_\t15\tacl:relcl\t_\t_\n18\tJune\t_\tPROPN\tNNP\t_\t17\tnmod:tmod\t_\t_\n19\t30\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n21\tis\t_\tAUX\tVBZ\t_\t22\taux\t_\t_\n22\tseeking\t_\tVERB\tVBG\t_\t6\tconj\t_\t_\n23\tnew\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tfinancing\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tseller\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tphotographic\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tproducts\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tservices\t_\tNOUN\tNNS\t_\t5\tconj\t_\t_\n8\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tit\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n10\tis\t_\tAUX\tVBZ\t_\t11\taux\t_\t_\n11\tconsidering\t_\tVERB\tVBG\t_\t8\tccomp\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tnumber\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n14\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tfinancing\t_\tNOUN\tVBG\t_\t16\tcompound\t_\t_\n16\talternatives\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n18\tincluding\t_\tVERB\tVBG\t_\t19\tcase\t_\t_\n19\tseeking\t_\tVERB\tVBG\t_\t13\tacl\t_\t_\n20\tincreases\t_\tNOUN\tNNS\t_\t19\tdobj\t_\t_\n21\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tits\t_\tPRON\tPRP$\t_\t24\tnmod:poss\t_\t_\n23\tcredit\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\tlines\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tTraditional\t_\tPROPN\tJJ\t_\t2\tnsubj\t_\t_\n2\tdeclined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tto\t_\tPART\tTO\t_\t4\tmark\t_\t_\n4\testimate\t_\tVERB\tVB\t_\t2\txcomp\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tamount\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tloss\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n11\twould\t_\tAUX\tMD\t_\t13\taux\t_\t_\n12\tn't\t_\tPART\tRB\t_\t13\tneg\t_\t_\n13\tsay\t_\tVERB\tVB\t_\t2\tconj\t_\t_\n14\tif\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n15\tit\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\texpects\t_\tVERB\tVBZ\t_\t13\tadvcl\t_\t_\n17\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n18\tshow\t_\tVERB\tVB\t_\t16\txcomp\t_\t_\n19\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tprofit\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n21\tfor\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tyear\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tyear\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n4\tended\t_\tVERB\tVBD\t_\t3\tacl\t_\t_\n5\tJune\t_\t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od\t_\t_\n21\tauthorities\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAlthough\t_\tSCONJ\tIN\t_\t11\tmark\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tlegality\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthese\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tsales\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n7\tis\t_\tVERB\tVBZ\t_\t11\tcop\t_\t_\n8\tstill\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n9\tan\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\topen\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tquestion\t_\tNOUN\tNN\t_\t19\tadvcl\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tdisclosure\t_\tNOUN\tNN\t_\t19\tnsubjpass\t_\t_\n15\tcould\t_\tAUX\tMD\t_\t19\taux\t_\t_\n16\tn't\t_\tPART\tRB\t_\t19\tneg\t_\t_\n17\tbe\t_\tAUX\tVB\t_\t19\tauxpass\t_\t_\n18\tbetter\t_\tADV\tJJR\t_\t19\tadvmod\t_\t_\n19\ttimed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tsupport\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tposition\t_\tNOUN\tNN\t_\t21\tdobj\t_\t_\n24\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\texport-control\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\thawks\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n27\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tPentagon\t_\tPROPN\tNNP\t_\t26\tnmod\t_\t_\n30\tand\t_\tCONJ\tCC\t_\t29\tcc\t_\t_\n31\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n32\tintelligence\t_\tNOUN\tNN\t_\t33\tcompound\t_\t_\n33\tcommunity\t_\tNOUN\tNN\t_\t29\tconj\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tseems\t_\tVERB\tVBZ\t_\t20\tccomp\t_\t_\n4\tto\t_\tADP\tTO\t_\t5\tcase\t_\t_\n5\tme\t_\tPRON\tPRP\t_\t3\tnmod\t_\t_\n6\tthat\t_\tSCONJ\tIN\t_\t11\tmark\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tstory\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n9\tlike\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tthis\t_\tPRON\tDT\t_\t8\tnmod\t_\t_\n11\tbreaks\t_\tVERB\tNNS\t_\t3\tccomp\t_\t_\n12\tjust\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n13\tbefore\t_\tADP\tIN\t_\t17\tcase\t_\t_\n14\tevery\t_\tDET\tDT\t_\t17\tdet\t_\t_\n15\timportant\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\tCocom\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tmeeting\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n20\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n21\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n22\tWashington\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tlobbyist\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n24\tfor\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tnumber\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n27\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n28\tU.S.\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n29\tcomputer\t_\tNOUN\tNN\t_\t30\tcompound\t_\t_\n30\tcompanies\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tBush\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tadministration\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\tsent\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tconflicting\t_\tADJ\tVBG\t_\t7\tamod\t_\t_\n7\tsignals\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n8\tabout\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tits\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n10\texport-control\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tpolicies\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n13\treflecting\t_\tVERB\tVBG\t_\t5\tadvcl\t_\t_\n14\tunhealed\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tdivisions\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n16\tamong\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tseveral\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\tcompeting\t_\tVERB\tVBG\t_\t19\tamod\t_\t_\n19\tagencies\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tLast\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tsummer\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tMr.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tBush\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tmoved\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tadministration\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tdirection\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tgradual\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tliberalization\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n15\twhen\t_\tADV\tWRB\t_\t17\tadvmod\t_\t_\n16\the\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n17\ttold\t_\tVERB\tVBD\t_\t6\tadvcl\t_\t_\n18\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n19\tNorth\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n20\tAtlantic\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n21\tTreaty\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n22\tOrganization\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tmeeting\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n24\tthat\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n25\the\t_\tPRON\tPRP\t_\t27\tnsubj\t_\t_\n26\twould\t_\tAUX\tMD\t_\t27\taux\t_\t_\n27\tallow\t_\tVERB\tVB\t_\t17\tccomp\t_\t_\n28\tsome\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tex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_\n5\t&\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\tRubicam\t_\tPROPN\tNNP\t_\t4\tconj\t_\t_\n7\tInc.\t_\tPROPN\tNNP\t_\t18\tnsubj\t_\t_\n8\talong\t_\tADP\tIN\t_\t7\tadvmod\t_\t_\n9\twith\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\ttwo\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n11\tsenior\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\texecutives\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tformer\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\temployee\t_\tNOUN\tNN\t_\t12\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n18\tpleaded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\tnot\t_\tADV\tRB\t_\t20\tneg\t_\t_\n20\tguilty\t_\tADJ\tJJ\t_\t18\txcomp\t_\t_\n21\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tfederal\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tcourt\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n24\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tNew\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tHaven\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t26\tpunct\t_\t_\n28\tConn.\t_\tPROPN\tNNP\t_\t26\tappos\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t26\tpunct\t_\t_\n30\tto\t_\tADP\tTO\t_\t34\tcase\t_\t_\n31\tconspiracy\t_\tNOUN\tNN\t_\t34\tcompound\t_\t_\n32\tand\t_\tCONJ\tCC\t_\t31\tcc\t_\t_\n33\tracketeering\t_\tNOUN\tNN\t_\t31\tconj\t_\t_\n34\tcharges\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tgovernment\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\thas\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\tcharged\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tthat\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n6\tthey\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n7\tbribed\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n8\tJamaican\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tofficials\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\twin\t_\tVERB\tVB\t_\t7\tadvcl\t_\t_\n12\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n13\tJamaica\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n14\tTourist\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n15\tBoard\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tad\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\taccount\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n18\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\t1981\t_\tNUM\tCD\t_\t7\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tspokesman\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n3\tfor\t_\tADP\tIN\t_\t8\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tU.S.\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tAttorney\t_\tPROPN\tNNP\t_\t8\tnmod:poss\t_\t_\n7\t's\t_\tPART\tPOS\t_\t6\tcase\t_\t_\n8\toffice\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n9\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\textradition\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tproceedings\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n12\tare\t_\tAUX\tVBP\t_\t15\taux\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n14\tjust\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n15\tbeginning\t_\tVERB\tVBG\t_\t9\tccomp\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n17\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n19\tother\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n20\ttwo\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\tdefendants\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n22\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tcase\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n26\tEric\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n27\tAnthony\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n28\tAbrahams\t_\tPROPN\tNNP\t_\t21\tappos\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n30\tformer\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n31\tJamaican\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n32\ttourism\t_\tNOUN\tNN\t_\t33\tcompound\t_\t_\n33\tminister\t_\tNOUN\tNN\t_\t28\tappos\t_\t_\n34\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n35\tand\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n36\tJamaican\t_\tADJ\tJJ\t_\t40\tamod\t_\t_\n37\tbusinessman\t_\tNOUN\tNN\t_\t40\tcompound\t_\t_\n38\tArnold\t_\tPROPN\tNNP\t_\t40\tcompound\t_\t_\n39\tFoote\t_\tPROPN\tNNP\t_\t40\tcompound\t_\t_\n40\tJr\t_\tPROPN\tNNP\t_\t28\tconj\t_\t_\n41\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tKOREAN\t_\tADJ\tNNP\t_\t2\tamod\t_\t_\n2\tAGENCY\t_\tNOUN\tNNP\t_\t0\troot\t_\t_\n3\t:\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tSamsung\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tGroup\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n4\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tBozell\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tInc.\t_\tPROPN\tNNP\t_\t3\tconj\t_\t_\n7\tagreed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\testablish\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n10\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n11\tjoint\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n12\tventure\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n13\tadvertising\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tagency\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n15\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tSouth\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tKorea\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tBozell\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tCheil\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCorp.\t_\tP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_\tADP\tIN\t_\t15\tcase\t_\t_\n12\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n14\tfirst-phase\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\ttrial\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n17\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tpatent-infringement\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tproceedings\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n22\tconcerns\t_\tVERB\tNNS\t_\t8\tconj\t_\t_\n23\tonly\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n24\tone\t_\tNUM\tCD\t_\t22\tdobj\t_\t_\n25\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tits\t_\tPRON\tPRP$\t_\t27\tnmod:poss\t_\t_\n27\tdefenses\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n28\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tcase\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tit\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\tis\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\tconsidering\t_\tVERB\tVBG\t_\t2\tccomp\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n7\tall\t_\tDET\tDT\t_\t5\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tits\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n10\toptions\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n11\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tlight\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tdecision\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n17\tincluding\t_\tVERB\tVBG\t_\t20\tcase\t_\t_\n18\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tpossible\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tappeal\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tmedical-products\t_\tNOUN\tNNS\t_\t3\tcompound\t_\t_\n3\tcompany\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tadded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tthat\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n6\tit\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n7\tplans\t_\tVERB\tVBZ\t_\t4\tccomp\t_\t_\n8\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n10\tassert\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n11\tits\t_\tPRON\tPRP$\t_\t13\tnmod:poss\t_\t_\n12\tother\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tdefenses\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n15\tagainst\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tPharmacia\t_\tPROPN\tNNP\t_\t18\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tlawsuit\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n20\tincluding\t_\tVERB\tVBG\t_\t22\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tclaim\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n23\tthat\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n24\tit\t_\tPRON\tPRP\t_\t27\tnsubj\t_\t_\n25\thas\t_\tAUX\tVBZ\t_\t27\taux\t_\t_\n26\tn't\t_\tPART\tRB\t_\t27\tneg\t_\t_\n27\tinfringed\t_\tVERB\tVBN\t_\t22\tccomp\t_\t_\n28\ton\t_\tADP\tIN\t_\t31\tcase\t_\t_\n29\tPharmacia\t_\tPROPN\tNNP\t_\t31\tnmod:poss\t_\t_\n30\t's\t_\tPART\tPOS\t_\t29\tcase\t_\t_\n31\tpatent\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tMedChem\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tthat\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tcourt\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\tscheduled\t_\tVERB\tVBN\t_\t2\tccomp\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tconference\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tnext\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tMonday\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n12\t--\t_\tPUNCT\t:\t_\t14\tpunct\t_\t_\n13\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n14\tset\t_\tVERB\tVB\t_\t6\tparataxis\t_\t_\n15\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tdate\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\tfor\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tproceedings\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n19\ton\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tPharmacia\t_\tPROPN\tNNP\t_\t22\tnmod:poss\t_\t_\n21\t's\t_\tPART\tPOS\t_\t20\tcase\t_\t_\n22\tmotion\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\tfor\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tpreliminary\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tinjunction\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNewspaper\t_\tNOUN\tNNP\t_\t2\tcompound\t_\t_\n2\tpublishers\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n3\tare\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n4\treporting\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\tmixed\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tthird-quarter\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tresults\t_\tNOUN\tNNS\t_\t4\tdobj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\taided\t_\tVERB\tVBN\t_\t7\tdep\t_\t_\n10\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tfavorable\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tnewsprint\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tprices\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n15\thampered\t_\tVERB\tVBN\t_\t9\tconj\t_\t_\n16\tby\t_\tADP\tIN\t_\t21\tcase\t_\t_\n17\tflat\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n18\tor\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\tdeclining\t_\tADJ\tVBG\t_\t17\tconj\t_\t_\n20\tadvertising\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tlinage\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\tespecially\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n24\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tNortheast\t_\tPROPN\tNNP\t_\t21\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tAdding\t_\tVERB\tVBG\t_\t17\tadvcl\t_\t_\n2\tto\t_\tADP\tTO\t_\t3\tcase\t_\t_\n3\tunsteadiness\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tindustry\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n8\tseasonal\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n9\tretail\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n10\tad\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n11\tspending\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tpatterns\t_\tNOUN\tNNS\t_\t17\tnsubjpass\t_\t_\n13\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tnewspapers\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n15\thave\t_\tAUX\tVBP\t_\t17\taux\t_\t_\n16\tbeen\t_\tAUX\tVBN\t_\t17\tauxpass\t_\t_\n17\tupset\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n18\tby\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tshifts\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n20\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\townership\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n22\tand\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n23\tgeneral\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\thardships\t_\tNOUN\tNNS\t_\t19\tconj\t_\t_\n25\twithin\t_\tADP\tIN\t_\t28\tcase\t_\t_\n26\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n27\tretail\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tindustry\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tNew\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tYork\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tBonwit\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tTeller\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tB.\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tAltman\t_\tPROPN\tNNP\t_\t7\tconj\t_\t_\n11\t&\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n12\tCo.\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n13\tdepartment\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tstores\t_\tNOUN\tNNS\t_\t7\tconj\t_\t_\n15\thave\t_\tAUX\tVBP\t_\t16\taux\t_\t_\n16\tfiled\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n17\tfor\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tprotection\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n19\tfrom\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tcreditors\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n21\tunder\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tChapter\t_\tPROPN\tNN\t_\t16\tnmod\t_\t_\n23\t11\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n24\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n26\tfederal\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n27\tBankruptcy\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n28\tCode\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n30\twhile\t_\tSCONJ\tIN\t_\t47\tmark\t_\t_\n31\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n32\tR.H.\t_\tPROPN\tNNP\t_\t33\tcompound\t_\t_\n33\tMacy\t_\tPROPN\tNNP\t_\t47\tnsubj\t_\t_\n34\t&\t_\tCONJ\tCC\t_\t33\tcc\t_\t_\n35\tCo.\t_\tPROPN\tNNP\t_\t37\tcompound\t_\t_\n36\t,\t_\tPUNCT\t,\t_\t37\tpunct\t_\t_\n37\tBloomingdale\t_\tPROPN\tNNP\t_\t33\tconj\t_\t_\n38\t's\t_\tPART\tPOS\t_\t37\tcase\t_\t_\n39\tand\t_\tCONJ\tCC\t_\t33\tcc\t_\t_\n40\tSaks\t_\tPROPN\tNNP\t_\t44\tcompound\t_\t_\n41\tFifth\t_\tPROPN\tNNP\t_\t44\tcompound\t_\t_\n42\tAvenue\t_\tPROPN\tNNP\t_\t44\tcompound\t_\t_\n43\tdepartment-store\t_\tNOUN\tNN\t_\t44\tcompound\t_\t_\n44\tchains\t_\tNOUN\tNNS\t_\t33\tconj\t_\t_\n45\tare\t_\tVERB\tVBP\t_\t47\tcop\t_\t_\n46\tfor\t_\tADP\tIN\t_\t47\tcase\t_\t_\n47\tsale\t_\tNOUN\tNN\t_\t16\tadvcl\t_\t_\n48\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tMany\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tpapers\t_\tNOUN\tNNS\t_\t8\tnsubjpass\t_\t_\n3\tthroughout\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tcountry\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\tare\t_\tAUX\tVBP\t_\t8\tauxpass\t_\t_\n7\talso\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\tfaced\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\twith\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tslowdown\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tclassified-ad\t_\tNOUN\tJJ\t_\t14\tcompound\t_\t_\n14\tspending\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tbooming\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tcategory\t_\tNOUN\tNN\t_\t14\tappos\t_\t_\n19\tfor\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tnewspapers\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n21\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\trecent\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tyears\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tUntil\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\trecently\t_\tADV\tRB\t_\t6\tadvcl\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tindustry\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tanalysts\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n6\tbelieved\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tdecreases\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n8\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tretail\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\tad\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tspending\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n12\thad\t_\tAUX\tVBD\t_\t13\taux\t_\t_\n13\tbottomed\t_\tVERB\tVBN\t_\t6\tccomp\t_\t_\n14\tout\t_\tADP\tRP\t_\t13\tcompound:prt\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n16\twould\t_\tAUX\tMD\t_\t19\taux\t_\t_\n17\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tfact\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n19\tincrease\t_\tVERB\tNN\t_\t13\tconj\t_\t_\n20\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n21\tthis\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tyear\t_\tNOUN\tNN\t_\t27\tnmod:poss\t_\t_\n23\t's\t_\tPART\tPOS\t_\t22\tcase\t_\t_\n24\tthird\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n26\tfourth\t_\tADJ\tJJ\t_\t24\tconj\t_\t_\n27\tquarters\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tAll\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tbets\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n3\tare\t_\tVERB\tVBP\t_\t13\tcop\t_\t_\n4\toff\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n6\tanalysts\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\tsay\t_\tVERB\tVBP\t_\t13\tparataxis\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tbecause\t_\tADP\tIN\t_\t13\tcase\t_\t_\n10\tof\t_\tADP\tIN\t_\t9\tmwe\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tshifting\t_\tADJ\tVBG\t_\t13\tamod\t_\t_\n13\townership\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n14\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tretail\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tchains\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t29\tpunct\t_\t_\n2\tImproved\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n3\tpaper\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tprices\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n5\twill\t_\tAUX\tMD\t_\t6\taux\t_\t_\n6\thelp\t_\tVERB\tVB\t_\t29\tccomp\t_\t_\n7\toffset\t_\tVERB\tVB\t_\t6\tccomp\t_\t_\n8\tweakness\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n9\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tlinage\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n12\tbut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tretailers\t_\tNOUN\tNNS\t_\t16\tnmod:poss\t_\t_\n15\t'\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tproblems\t_\tNOUN\tNNS\t_\t18\tnsubj\t_\t_\n17\thave\t_\tAUX\tVBP\t_\t18\taux\t_\t_\n18\taffected\t_\tVERB\tVBN\t_\t6\tconj\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tamount\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n21\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tad\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tlinage\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n24\tthey\t_\tPRON\tPRP\t_\t26\tnsubj\t_\t_\n25\tusually\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\trun\t_\tVERB\tVBP\t_\t20\tacl:relcl\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n28\t''\t_\tPUNCT\t''\t_\t29\tpunct\t_\t_\n29\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n30\tEdward\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n31\tJ.\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tAtorino\t_\tPROPN\tNNP\t_\t29\tnsubj\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n34\tindustry\t_\tNOUN\tNN\t_\t35\tcompound\t_\t_\n35\tanalyst\t_\tNOUN\tNN\t_\t32\tappos\t_\t_\n36\tfor\t_\tADP\tIN\t_\t39\tcase\t_\t_\n37\tSalomon\t_\tPROPN\tNNP\t_\t39\tcompound\t_\t_\n38\tBrothers\t_\tPROPN\tNNPS\t_\t39\tcompound\t_\t_\n39\tInc\t_\tPROPN\tNNP\t_\t35\tnmod\t_\t_\n40\t.\t_\tPUNCT\t.\t_\t29\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n2\tRetailers\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n3\tare\t_\tVERB\tVBP\t_\t6\tcop\t_\t_\n4\tjust\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tdisarray\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tinstance\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tGannett\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tCo.\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tposted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tan\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\t11\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\t%\t_\tSYM\tNN\t_\t10\tamod\t_\t_\n10\tgain\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n11\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tnet\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tincome\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n15\tas\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n16\ttotal\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\tad\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tpages\t_\tNOUN\tNNS\t_\t19\tnsubj\t_\t_\n19\tdropped\t_\tVERB\tVBD\t_\t6\tadvcl\t_\t_\n20\tat\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tUSA\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tToday\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n24\tbut\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n25\tadvertising\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\trevenue\t_\tNOUN\tNN\t_\t2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ompound\t_\t_\n3\tInc.\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tcanceled\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n7\tplans\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n8\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tpreferred-stock\t_\tNOUN\tJJ\t_\t11\tcompound\t_\t_\n11\tswap\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n12\tbut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n13\tmay\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\tresume\t_\tVERB\tVB\t_\t6\tconj\t_\t_\n15\tpayment\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n16\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tdividends\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n18\ton\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tstock\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n22\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n23\tadded\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n24\tthat\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n25\tit\t_\tPRON\tPRP\t_\t26\tnsubj\t_\t_\n26\texpects\t_\tVERB\tVBZ\t_\t23\tccomp\t_\t_\n27\tto\t_\tPART\tTO\t_\t29\tmark\t_\t_\n28\tpublicly\t_\tADV\tRB\t_\t29\tadvmod\t_\t_\n29\toffer\t_\tVERB\tVB\t_\t26\txcomp\t_\t_\n30\tabout\t_\tADV\tIN\t_\t32\tadvmod\t_\t_\n31\t10\t_\tNUM\tCD\t_\t32\tcompound\t_\t_\n32\tmillion\t_\tNUM\tCD\t_\t34\tnummod\t_\t_\n33\tcommon\t_\tADJ\tJJ\t_\t34\tamod\t_\t_\n34\tshares\t_\tNOUN\tNNS\t_\t29\tdobj\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\tplanned\t_\tVERB\tVBD\t_\t3\tccomp\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\toffer\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\tan\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tundetermined\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tnumber\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n11\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tcommon\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tshares\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n14\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\texchange\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n16\tfor\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\t585,000\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\tshares\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tits\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n22\tpreferred\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tstock\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n24\toutstanding\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\texchange\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tratio\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t6\tauxpass\t_\t_\n5\tnever\t_\tADV\tRB\t_\t6\tneg\t_\t_\n6\testablished\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tWeatherford\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tmarket\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tconditions\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tled\t_\tVERB\tVBD\t_\t2\tccomp\t_\t_\n6\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tcancellation\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tplanned\t_\tADJ\tVBN\t_\t12\tamod\t_\t_\n12\texchange\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tenergy-services\t_\tNOUN\tJJ\t_\t3\tcompound\t_\t_\n3\tconcern\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\thowever\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n8\tthat\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n9\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tJanuary\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n11\t1990\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n13\tit\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n14\tmay\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\tresume\t_\tVERB\tVB\t_\t4\tccomp\t_\t_\n16\tpayments\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n17\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tdividends\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n19\ton\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tpreferred\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tstock\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tWeatherford\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsuspended\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tits\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n4\tpreferred-dividend\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tpayment\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n6\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tOctober\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n8\t1985\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n10\tsaid\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\thas\t_\tVERB\tVBZ\t_\t10\tccomp\t_\t_\n13\tn't\t_\tPART\tRB\t_\t12\tneg\t_\t_\n14\tany\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tplans\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n16\tto\t_\tPART\tTO\t_\t17\tmark\t_\t_\n17\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eg\t_\t_\n6\tcookie\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tbaker\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n9\texcised\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\theads\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n12\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tdisliked\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\trelatives\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n15\tfrom\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tfamily\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\talbum\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n21\tlugged\t_\tVERB\tVBD\t_\t9\tconj\t_\t_\n22\taround\t_\tADP\tIN\t_\t21\tcompound:prt\t_\t_\n23\ther\t_\tPRON\tPRP$\t_\t25\tnmod:poss\t_\t_\n24\tperennial\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\twork-in-progress\t_\tNOUN\tNN\t_\t21\tdobj\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n27\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n28\tPhilosophy\t_\tNOUN\tNN\t_\t25\tdep\t_\t_\n29\tfor\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\tWomen\t_\tNOUN\tNNS\t_\t28\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n32\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tbook\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tloses\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tsome\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tmomentum\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\ttoward\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tend\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\twhen\t_\tADV\tWRB\t_\t12\tadvmod\t_\t_\n11\tLily\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n12\tbecomes\t_\tVERB\tVBZ\t_\t8\tacl:relcl\t_\t_\n13\tmore\t_\tADV\tRBR\t_\t14\tadvmod\t_\t_\n14\tpreoccupied\t_\tADJ\tVBN\t_\t12\txcomp\t_\t_\n15\twith\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n16\tdating\t_\tVERB\tVBG\t_\t14\tadvcl\t_\t_\n17\tboys\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n19\tless\t_\tADV\tJJR\t_\t14\tconj\t_\t_\n20\twith\t_\tADP\tIN\t_\t24\tcase\t_\t_\n21\ther\t_\tPRON\tPRP$\t_\t24\tdep\t_\t_\n22\tdelightfully\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n23\tweird\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tfamily\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tmost\t_\tADJ\tJJS\t_\t4\tamod\t_\t_\n4\tpart\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n6\tthough\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n8\tthere\t_\tPRON\tEX\t_\t11\texpl\t_\t_\n9\t's\t_\tPART\tVBZ\t_\t11\tdep\t_\t_\n10\tmuch\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tpleasure\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n12\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n13\ther\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n14\tsaucy\t_\tADJ\tNN\t_\t17\tamod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n16\tpoignant\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tprobe\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n18\tinto\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tmysteries\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n21\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tBabylonian\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tBronx\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tBronx\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tfigures\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n6\tBruce\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tJay\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tFriedman\t_\tPROPN\tNNP\t_\t11\tnmod:poss\t_\t_\n9\t's\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\tlatest\t_\tADJ\tJJS\t_\t11\tamod\t_\t_\n11\tnovel\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\twhich\t_\tPRON\tWDT\t_\t14\tnsubj\t_\t_\n14\tflashes\t_\tVERB\tVBZ\t_\t11\tacl:relcl\t_\t_\n15\tback\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n16\tto\t_\tADP\tTO\t_\t19\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tNew\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tYork\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\t'50s\t_\tNOUN\tCD\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n2\tboth\t_\tDET\tDT\t_\t7\tdet:predet\t_\t_\n3\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n4\tpast\t_\tNOUN\tNN\t_\t7\tamod\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\tpresent\t_\tADJ\tJJ\t_\t4\tconj\t_\t_\n7\tworlds\t_\tNOUN\tNNS\t_\t25\tnsubj\t_\t_\n8\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n10\tThe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tCurrent\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tClimate\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n14\t-LRB-\t_\tPUNCT\t-LRB-\t_\t17\tpunct\t_\t_\n15\tAtlantic\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tMonthly\t_\tPROPN\tJJ\t_\t17\tcompound\t_\t_\n17\tPress\t_\tPROPN\tNNP\t_\t12\tappos\t_\t_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,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n13\tit\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n14\twill\t_\tAUX\tMD\t_\t18\taux\t_\t_\n15\tbe\t_\tVERB\tVB\t_\t18\tcop\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tbig\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tplus\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tfew\t_\tADJ\tJJ\t_\t28\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\texecutives\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\there\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n7\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tfall\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tmeeting\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tBusiness\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tCouncil\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tgroup\t_\tNOUN\tNN\t_\t14\tappos\t_\t_\n18\tthat\t_\tPRON\tWDT\t_\t19\tnsubj\t_\t_\n19\tmeets\t_\tVERB\tVBZ\t_\t17\tacl:relcl\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tdiscuss\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\tnational\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tissues\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n25\twere\t_\tVERB\tVBD\t_\t28\tcop\t_\t_\n26\tonly\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n27\ttoo\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n28\thappy\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n29\tto\t_\tPART\tTO\t_\t30\tmark\t_\t_\n30\tpersonalize\t_\tVERB\tVB\t_\t28\txcomp\t_\t_\n31\ttheir\t_\tPRON\tPRP$\t_\t32\tnmod:poss\t_\t_\n32\tcriticism\t_\tNOUN\tNN\t_\t30\tdobj\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t28\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n2\tPeople\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\twish\t_\tVERB\tVBP\t_\t25\tccomp\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tgovernment\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n6\twould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tdo\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n8\tsomething\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n9\tabout\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tleveraged\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tbuy-outs\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n13\tdo\t_\tVERB\tVBP\t_\t7\tdep\t_\t_\n14\tsomething\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n15\tabout\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\ttakeovers\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n18\tdo\t_\tVERB\tVBP\t_\t7\tdep\t_\t_\n19\tsomething\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n20\tabout\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tDonald\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tTrump\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n24\t''\t_\tPUNCT\t''\t_\t25\tpunct\t_\t_\n25\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n26\tRand\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tAraskog\t_\tPROPN\tNNP\t_\t25\tnsubj\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n29\tchairman\t_\tNOUN\tNN\t_\t27\tappos\t_\t_\n30\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n31\tITT\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tCorp.\t_\tPROPN\tNNP\t_\t29\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n34\twhose\t_\tPRON\tWP$\t_\t35\tnmod:poss\t_\t_\n35\tstock\t_\tNOUN\tNN\t_\t36\tnsubj\t_\t_\n36\tdropped\t_\tVERB\tVBD\t_\t32\tacl:relcl\t_\t_\n37\t$\t_\tSYM\t$\t_\t38\tdep\t_\t_\n38\t3.375\t_\tNUM\tCD\t_\t36\tdobj\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tWhere\t_\tADV\tWRB\t_\t3\tadvmod\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tleadership\t_\tNOUN\tNN\t_\t3\tdep\t_\t_\n6\t?\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tWhere\t_\tADV\tWRB\t_\t2\tadvmod\t_\t_\n2\t's\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tguy\t_\tNOUN\tNN\t_\t2\tdep\t_\t_\n5\twho\t_\tPRON\tWP\t_\t7\tnsubj\t_\t_\n6\tcan\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tsay\t_\tVERB\tVB\t_\t4\tacl:relcl\t_\t_\n8\t:\t_\tPUNCT\t:\t_\t7\tpunct\t_\t_\n9\t`\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n10\tEnough\t_\tADJ\tNNP\t_\t12\tnsubj\t_\t_\n11\tis\t_\tVERB\tVBZ\t_\t12\tcop\t_\t_\n12\tenough\t_\tADJ\tRB\t_\t7\tccomp\t_\t_\n13\t'\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n15\t?\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\texecutives\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n3\twere\t_\tVERB\tVBD\t_\t5\tcop\t_\t_\n4\tremarkably\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tunperturbed\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\tby\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tplunge\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\teven\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n10\tthough\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\tlopped\t_\tVERB\tVBD\t_\t5\tadvcl\t_\t_\n13\tbillions\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tdollars\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n16\toff\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\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_\t3\tpunct\t_\t_\n2\tThey\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\twonder\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tshould\t_\tAUX\tMD\t_\t6\taux\t_\t_\n5\tthey\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tsign\t_\tVERB\tVB\t_\t3\tdep\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tlease\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tif\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n10\tprices\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n11\tare\t_\tAUX\tVBP\t_\t13\taux\t_\t_\n12\tstill\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\tcoming\t_\tVERB\tVBG\t_\t6\tdep\t_\t_\n14\tdown\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n15\t?\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIs\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n2\tthis\t_\tPRON\tDT\t_\t5\tnsubj\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\twrong\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\ttime\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\topen\t_\tVERB\tVB\t_\t5\tacl\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tstore\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\t?\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tWho\t_\tPRON\tWP\t_\t3\tnsubj\t_\t_\n2\tis\t_\tAUX\tVBZ\t_\t3\taux\t_\t_\n3\tgoing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n5\tbe\t_\tVERB\tVB\t_\t8\tcop\t_\t_\n6\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tspace\t_\tNOUN\tNN\t_\t3\txcomp\t_\t_\n9\tnext\t_\tADP\tJJ\t_\t10\tcase\t_\t_\n10\tdoor\t_\tNOUN\tNN\t_\t8\tadvmod\t_\t_\n11\t?\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\taddition\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tMs.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tConsolo\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tsays\t_\tVERB\tVBZ\t_\t11\tparataxis\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\ttenants\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n9\tusually\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n10\tcan\t_\tAUX\tMD\t_\t11\taux\t_\t_\n11\tnegotiate\t_\tVERB\tVB\t_\t0\troot\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tpay\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n14\trents\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n15\tthat\t_\tPRON\tWDT\t_\t19\tnsubj\t_\t_\n16\tare\t_\tVERB\tVBP\t_\t19\tcop\t_\t_\n17\tabout\t_\tADV\tIN\t_\t18\tadvmod\t_\t_\n18\tone-quarter\t_\tNOUN\tNN\t_\t19\tnmod:npmod\t_\t_\n19\tlower\t_\tADJ\tJJR\t_\t14\tacl:relcl\t_\t_\n20\tthan\t_\tADP\tIN\t_\t25\tcase\t_\t_\n21\tlandlords\t_\tNOUN\tNNS\t_\t25\tnmod:poss\t_\t_\n22\t'\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tinitial\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n24\tasking\t_\tNOUN\tVBG\t_\t25\tcompound\t_\t_\n25\tprice\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\thandful\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\thot\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tretail\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tlocations\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tsuch\t_\tADJ\tJJ\t_\t12\tcase\t_\t_\n9\tas\t_\tADP\tIN\t_\t8\tmwe\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\t57th\t_\tPROPN\tJJ\t_\t12\tcompound\t_\t_\n12\tStreet\t_\tPROPN\tNN\t_\t6\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\tMadison\t_\tPROPN\tNNP\t_\t12\tconj\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n16\tFifth\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n17\tAvenue\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tareas\t_\tNOUN\tNNS\t_\t12\tconj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n20\thave\t_\tAUX\tVBP\t_\t22\taux\t_\t_\n21\tbeen\t_\tVERB\tVBN\t_\t22\tcop\t_\t_\n22\table\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\tsustain\t_\tVERB\tVB\t_\t22\txcomp\t_\t_\n25\twhat\t_\tPRON\tWP\t_\t27\tdobj\t_\t_\n26\tmany\t_\tDET\tJJ\t_\t27\tnsubj\t_\t_\n27\tsee\t_\tVERB\tVBP\t_\t24\tccomp\t_\t_\n28\tas\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tastronomical\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\trents\t_\tNOUN\tNNS\t_\t27\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n3\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tsome\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tneighborhoods\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n7\trents\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n8\thave\t_\tAUX\tVBP\t_\t10\taux\t_\t_\n9\tmerely\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\thit\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tplateau\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n2\ton\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\taverage\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n5\tManhattan\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tretail\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\trents\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n8\thave\t_\tAUX\tVBP\t_\t9\taux\t_\t_\n9\tdropped\t_\tVERB\tVBN\t_\t23\tccomp\t_\t_\n10\t10\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\t%\t_\tSYM\tNN\t_\t9\tdobj\t_\t_\n12\tto\t_\tADP\tTO\t_\t11\tdep\t_\t_\n13\t15\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\t%\t_\tSYM\tNN\t_\t11\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VBN\t_\t22\tconj\t_\t_\n28\tto\t_\tPART\tTO\t_\t29\tmark\t_\t_\n29\tspeak\t_\tVERB\tVB\t_\t27\txcomp\t_\t_\n30\tout\t_\tADP\tIN\t_\t29\tcompound:prt\t_\t_\n31\tagainst\t_\tADP\tIN\t_\t35\tcase\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tcourt\t_\tNOUN\tNN\t_\t35\tnmod:poss\t_\t_\n34\t's\t_\tPART\tPOS\t_\t33\tcase\t_\t_\n35\tcutbacks\t_\tNOUN\tNNS\t_\t29\tnmod\t_\t_\n36\tin\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tcivil\t_\tADJ\tJJ\t_\t38\tamod\t_\t_\n38\trights\t_\tNOUN\tNNS\t_\t35\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t24\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tcould\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\tsweep\t_\tVERB\tNN\t_\t24\tccomp\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t4\tdobj\t_\t_\n6\tunder\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\trug\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n10\thide\t_\tVERB\tVB\t_\t4\tconj\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t10\tdobj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n13\tbut\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n14\tI\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n15\t'm\t_\tAUX\tVBP\t_\t17\taux\t_\t_\n16\tnot\t_\tPART\tRB\t_\t17\tneg\t_\t_\n17\tgoing\t_\tVERB\tVBG\t_\t4\tconj\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\tdo\t_\tVERB\tVB\t_\t17\txcomp\t_\t_\n20\tit\t_\tPRON\tPRP\t_\t19\tdobj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t24\tpunct\t_\t_\n23\the\t_\tPRON\tPRP\t_\t24\tnsubj\t_\t_\n24\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n25\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tspeech\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n28\tlast\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tmonth\t_\tNOUN\tNN\t_\t24\tnmod:tmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n3\tlike\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tJustice\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tBrennan\t_\tPROPN\tNNP\t_\t7\tccomp\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n7\tconsiders\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\tdissents\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n9\thighly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\timportant\t_\tADJ\tJJ\t_\t7\txcomp\t_\t_\n11\tfor\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tfuture\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n15\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tpoint\t_\tNOUN\tNN\t_\t7\tnmod:npmod\t_\t_\n17\tthat\t_\tDET\tWDT\t_\t20\tnsubj\t_\t_\n18\thas\t_\tAUX\tVBZ\t_\t20\taux\t_\t_\n19\tn't\t_\tPART\tRB\t_\t20\tneg\t_\t_\n20\tescaped\t_\tVERB\tVBD\t_\t16\tacl:relcl\t_\t_\n21\tlegal\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tscholars\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tHarvard\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n2\tLaw\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n3\tSchool\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n4\tProfessor\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n5\tLaurence\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tTribe\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\tthere\t_\tPRON\tEX\t_\t9\texpl\t_\t_\n9\tis\t_\tVERB\tVBZ\t_\t7\tccomp\t_\t_\n10\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n11\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n12\tgeneration-skipping\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n14\tflavor\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n15\tto\t_\tADP\tTO\t_\t17\tcase\t_\t_\n16\tcurrent\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tdissents\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tdissenters\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n3\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tWarren\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tCourt\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\the\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tsays\t_\tVERB\tVBZ\t_\t11\tparataxis\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tappeared\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n13\tbe\t_\tAUX\tVB\t_\t14\taux\t_\t_\n14\twriting\t_\tVERB\tVBG\t_\t11\txcomp\t_\t_\n15\tfor\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tshort-term\t_\tNOUN\tJJ\t_\t14\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n19\tsuggesting\t_\tVERB\tVBG\t_\t11\txcomp\t_\t_\n20\tthat\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tcourt\t_\tNOUN\tNN\t_\t24\tnmod:poss\t_\t_\n23\t's\t_\tPART\tPOS\t_\t22\tcase\t_\t_\n24\tdirection\t_\tNOUN\tNN\t_\t26\tnsubj\t_\t_\n25\tmight\t_\tAUX\tMD\t_\t26\taux\t_\t_\n26\tchange\t_\tVERB\tVB\t_\t19\tccomp\t_\t_\n27\tsoon\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tBrennan\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n3\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\tMarshall\t_\tPROPN\tNNP\t_\t2\tconj\t_\t_\n5\tare\t_\tAUX\tVBP\t_\t6\taux\t_\t_\n6\tspeaking\t_\tVERB\tVBG\t_\t18\tccomp\t_\t_\n7\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\ttheir\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n9\tdissents\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n10\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n11\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\tmore\t_\tADV\tRBR\t_\t13\tadvmod\t_\t_\n13\tdistant\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tfuture\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n17\the\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n18\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tJustice\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tBlackmun\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\twho\t_\tPRON\tWP\t_\t6\tnsubj\t_\t_\n5\twill\t_\tAUX\tMD\t_\t6\taux\t_\t_\n6\tturn\t_\tVERB\tVB\t_\t2\tacl:relcl\t_\t_\n7\t81\t_\tNUM\tCD\t_\t6\tdobj\t_\t_\n8\tnext\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tmonth\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n11\talso\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tseems\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n13\tfeisty\t_\tADJ\tJJ\t_\t12\txcomp\t_\t_\n14\tabout\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\this\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n16\tnew\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\trole\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tAssociates\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tsay\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\the\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\ttakes\t_\tVERB\tVBZ\t_\t2\tccomp\t_\t_\n5\tsome\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tdefeats\t_\tNOUN\tVBZ\t_\t4\tdobj\t_\t_\n7\tmore\t_\tADV\tJJR\t_\t8\tadvmod\t_\t_\n8\tpersonally\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n9\tthan\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\this\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n11\tcolleagues\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n13\tespecially\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tattempts\t_\tNOUN\tVBZ\t_\t4\tdobj\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\tcurtail\t_\tVERB\tVB\t_\t14\tacl\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tright\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tto\t_\tADP\tTO\t_\t20\tcase\t_\t_\n20\tabortion\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n21\tfirst\t_\tADV\tJJ\t_\t22\tadvmod\t_\t_\n22\trecognized\t_\tVERB\tVBN\t_\t18\tacl\t_\t_\n23\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\this\t_\tPRON\tPRP$\t_\t26\tnmod:poss\t_\t_\n25\t1973\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n26\topinion\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t26\tpunct\t_\t_\n28\tRoe\t_\tPROPN\tNNP\t_\t26\tappos\t_\t_\n29\tvs.\t_\tADP\tFW\t_\t30\tcase\t_\t_\n30\tWade\t_\tPROPN\tNNP\t_\t28\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tFriends\t_\tNOUN\tNNPS\t_\t11\tnsubj\t_\t_\n2\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\tassociates\t_\tNOUN\tNNS\t_\t1\tconj\t_\t_\n4\twho\t_\tPRON\tWP\t_\t5\tnsubj\t_\t_\n5\tsaw\t_\tVERB\tVBD\t_\t1\tacl:relcl\t_\t_\n6\tJustice\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tBlackmun\t_\tPROPN\tNNP\t_\t5\tdobj\t_\t_\n8\tduring\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tsummer\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\the\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n13\twas\t_\tVERB\tVBD\t_\t16\tcop\t_\t_\n14\tno\t_\tDET\tRB\t_\t15\tneg\t_\t_\n15\tmore\t_\tADV\tRBR\t_\t16\tadvmod\t_\t_\n16\tdiscouraged\t_\tADJ\tVBN\t_\t11\tccomp\t_\t_\n17\tabout\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tcourt\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\tthan\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\trecent\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tyears\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n2\this\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\toutlook\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\timproved\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tafter\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tsuccessful\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tcataract\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tsurgery\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tAugust\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\this\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tlevel\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tfrustration\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n6\tshowed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n9\trecent\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n11\timpassioned\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tspeech\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n13\tto\t_\tADP\tTO\t_\t15\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tgroup\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\thundreds\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tlawyers\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n20\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tChicago\t_\tPROPN\tNNP\t_\t15\tnmod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ubscribers\t_\tNOUN\tNNS\t_\t18\tdobj\t_\t_\n21\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\thyper-competitive\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tworld\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n25\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tmagazine\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tnews-weeklies\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n2\tTime\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n4\tas\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tpart\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n6\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n8\tmore\t_\tADV\tRBR\t_\t9\tadvmod\t_\t_\n9\tcost-conscious\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\tTime\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tWarner\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n13\twants\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\twean\t_\tVERB\tVB\t_\t13\txcomp\t_\t_\n16\titself\t_\tPRON\tPRP\t_\t15\tdobj\t_\t_\n17\taway\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n18\tfrom\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\texpensive\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tgimmicks\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tBesides\t_\tADV\tIN\t_\t5\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n3\tTime\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\texecutives\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tthink\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n6\tselling\t_\tVERB\tVBG\t_\t15\tcsubj\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tnews\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tmagazine\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\twith\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tclock\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tradio\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n14\tis\t_\tVERB\tVBZ\t_\t15\tcop\t_\t_\n15\ttacky\t_\tADJ\tJJ\t_\t5\tccomp\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n2\tGiveaways\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n3\tjust\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tgive\t_\tVERB\tVBP\t_\t11\tccomp\t_\t_\n5\tpeople\t_\tNOUN\tNNS\t_\t4\tiobj\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\twrong\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\timage\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tMr.\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tHeinemann\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tThat\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tperception\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\ttakes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tfocus\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\toff\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tmagazine\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tTime\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tmagazine\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\texecutives\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n4\tpredictably\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tpaint\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tcirculation\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tcut\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tas\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tshow\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tstrength\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n15\tactually\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n16\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tbenefit\t_\tNOUN\tNN\t_\t11\tconj\t_\t_\n18\tto\t_\tADP\tTO\t_\t19\tcase\t_\t_\n19\tadvertisers\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n2\tWhat\t_\tPRON\tWP\t_\t5\tdobj\t_\t_\n3\twe\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\tare\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n5\tdoing\t_\tVERB\tVBG\t_\t6\tcsubj\t_\t_\n6\tis\t_\tVERB\tVBZ\t_\t27\tccomp\t_\t_\n7\tscreening\t_\tVERB\tVBG\t_\t6\txcomp\t_\t_\n8\tout\t_\tADP\tRP\t_\t7\tcompound:prt\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\treaders\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n11\twho\t_\tPRON\tWP\t_\t15\tnsubjpass\t_\t_\n12\tare\t_\tVERB\tVBP\t_\t15\tauxpass\t_\t_\n13\tonly\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tcasually\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n15\trelated\t_\tVERB\tJJ\t_\t10\tacl:relcl\t_\t_\n16\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tmagazine\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n20\tdo\t_\tAUX\tVBP\t_\t23\taux\t_\t_\n21\tn't\t_\tPART\tRB\t_\t23\tneg\t_\t_\n22\treally\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n23\tread\t_\tVERB\tVB\t_\t15\tconj\t_\t_\n24\tit\t_\tPRON\tPRP\t_\t23\tdobj\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n26\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n27\tsaid\t_\tVERB\tVBD\t_\t0\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_\tDET\tDT\t_\t10\tneg\t_\t_\n10\tconsequence\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n2\t's\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n3\tnot\t_\tPART\tRB\t_\t5\tneg\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tshow\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tweakness\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n8\t;\t_\tPUNCT\t:\t_\t5\tpunct\t_\t_\n9\tthey\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n10\tare\t_\tAUX\tVBP\t_\t11\taux\t_\t_\n11\timproving\t_\tVERB\tVBG\t_\t5\tparataxis\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tquality\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tcirculation\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n16\twhile\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n17\tinsuring\t_\tVERB\tVBG\t_\t11\tadvcl\t_\t_\n18\ttheir\t_\tPRON\tPRP$\t_\t19\tnmod:poss\t_\t_\n19\tprofits\t_\tNOUN\tNNS\t_\t17\tdobj\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n21\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tHeinemann\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tchanges\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n6\trepresent\t_\tVERB\tVBP\t_\t3\tccomp\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tnew\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tfocus\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tmagazine\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tindustry\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\t:\t_\tPUNCT\t:\t_\t9\tpunct\t_\t_\n15\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tmagazine\t_\tNOUN\tNN\t_\t19\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tnet\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\trevenue\t_\tNOUN\tNN\t_\t9\tdep\t_\t_\n20\tper\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tsubscriber\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n23\tor\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tactual\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\trevenue\t_\tNOUN\tNN\t_\t19\tconj\t_\t_\n27\tfrom\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\tsubscribers\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n29\tafter\t_\tSCONJ\tIN\t_\t38\tmark\t_\t_\n30\tdiscounts\t_\tNOUN\tNNS\t_\t38\tnsubjpass\t_\t_\n31\tand\t_\tCONJ\tCC\t_\t30\tcc\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tcost\t_\tNOUN\tNN\t_\t30\tconj\t_\t_\n34\tof\t_\tADP\tIN\t_\t35\tcase\t_\t_\n35\tpremiums\t_\tNOUN\tNNS\t_\t33\tnmod\t_\t_\n36\thave\t_\tAUX\tVBP\t_\t38\taux\t_\t_\n37\tbeen\t_\tAUX\tVBN\t_\t38\tauxpass\t_\t_\n38\tstripped\t_\tVERB\tVBN\t_\t26\tacl\t_\t_\n39\taway\t_\tADP\tRB\t_\t38\tcompound:prt\t_\t_\n40\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tquestion\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t15\tccomp\t_\t_\n5\thow\t_\tADV\tWRB\t_\t6\tadvmod\t_\t_\n6\tmuch\t_\tADJ\tJJ\t_\t9\tdep\t_\t_\n7\tare\t_\tAUX\tVBP\t_\t9\taux\t_\t_\n8\twe\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tgetting\t_\tVERB\tVBG\t_\t4\tccomp\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\teach\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\treader\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\tMr.\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tHeinemann\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tTime\t_\tPROPN\tNNP\t_\t4\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\trivals\t_\tNOUN\tNNS\t_\t4\tcompound\t_\t_\n4\tnews-weeklies\t_\tNOUN\tNNS\t_\t20\tnsubj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tWashington\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tPost\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tCo.\t_\tPROPN\tNNP\t_\t10\tnmod:poss\t_\t_\n9\t's\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\tNewsweek\t_\tPROPN\tNNP\t_\t4\tappos\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n12\tU.S.\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tNews\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n14\t&\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tWorld\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tReport\t_\tPROPN\tNNP\t_\t13\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n18\tare\t_\tVERB\tVBP\t_\t20\tcop\t_\t_\n19\tless\t_\tADV\tRBR\t_\t20\tadvmod\t_\t_\n20\treliant\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n21\ton\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\telectronic\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tgiveaways\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n26\tin\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\trecent\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tyears\t_\tNOUN\tNNS\t_\t32\tnmod\t_\t_\n29\tboth\t_\tDET\tCC\t_\t32\tnsubj\t_\t_\n30\thave\t_\tAUX\tVBP\t_\t32\taux\t_\t_\n31\tbeen\t_\tAUX\tVBN\t_\t32\taux\t_\t_\n32\tincreasing\t_\tVERB\tVBG\t_\t20\tconj\t_\t_\n33\ttheir\t_\tPRON\tPRP$\t_\t36\tnmod:poss\t_\t_\n34\tcirculation\t_\tNOUN\tNN\t_\t36\tcompound\t_\t_\n35\trate\t_\tNOUN\tNN\t_\t36\t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_\t_\n15\tis\t_\tAUX\tVBZ\t_\t16\taux\t_\t_\n16\ttaking\t_\tVERB\tVBG\t_\t12\tacl:relcl\t_\t_\n17\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n18\tbuild\t_\tVERB\tVB\t_\t16\txcomp\t_\t_\n19\taudience\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tloyalty\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n21\tby\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n22\tshifting\t_\tVERB\tVBG\t_\t18\tadvcl\t_\t_\n23\taway\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n24\tfrom\t_\tADP\tIN\t_\t27\tcase\t_\t_\n25\tits\t_\tPRON\tPRP$\t_\t27\tnmod:poss\t_\t_\n26\tcurrent\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\tformat\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n28\ttoward\t_\tADP\tIN\t_\t34\tcase\t_\t_\n29\tmore\t_\tADJ\tRBR\t_\t34\tamod\t_\t_\n30\tfull-length\t_\tADJ\tJJ\t_\t34\tamod\t_\t_\n31\t``\t_\tPUNCT\t``\t_\t34\tpunct\t_\t_\n32\tsignature\t_\tNOUN\tNN\t_\t34\tcompound\t_\t_\n33\t''\t_\tPUNCT\t''\t_\t34\tpunct\t_\t_\n34\tprogramming\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n35\twith\t_\tADP\tIN\t_\t37\tcase\t_\t_\n36\trecognizable\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n37\tstars\t_\tNOUN\tNNS\t_\t34\tnmod\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tTo\t_\tPART\tTO\t_\t2\tmark\t_\t_\n2\tdistinguish\t_\tVERB\tVB\t_\t8\tadvcl\t_\t_\n3\titself\t_\tPRON\tPRP\t_\t2\tdobj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\tCNN\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n6\tis\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\talso\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\texpanding\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n9\tinternational\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tcoverage\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n12\tadding\t_\tVERB\tVBG\t_\t8\tconj\t_\t_\n13\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n14\tsecond\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tglobal-news\t_\tNOUN\tJJ\t_\t16\tcompound\t_\t_\n16\tprogram\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\tis\t_\tAUX\tVBZ\t_\t3\taux\t_\t_\n3\tpaying\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n4\thigher\t_\tADJ\tJJR\t_\t5\tamod\t_\t_\n5\tsalaries\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n6\t--\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n7\tafter\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tyears\t_\tNOUN\tNNS\t_\t3\tdep\t_\t_\n9\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tscrimping\t_\tVERB\tVBG\t_\t8\tnmod\t_\t_\n11\t--\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tlure\t_\tVERB\tVB\t_\t3\tadvcl\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tkeep\t_\tVERB\tVB\t_\t13\tconj\t_\t_\n16\texperienced\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tstaffers\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n2\tit\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tis\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\tembarking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\ton\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tan\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\texpensive\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tgamble\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tbreak\t_\tVERB\tVB\t_\t8\tacl\t_\t_\n11\tmajor\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tstories\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n13\twith\t_\tADP\tIN\t_\t17\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n15\tlarge\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\tinvestigative-reporting\t_\tNOUN\tJJ\t_\t17\tcompound\t_\t_\n17\tteam\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t32\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tnext\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tstage\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\tis\t_\tVERB\tVBZ\t_\t32\tccomp\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tget\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\tbeyond\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\topinion\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tleaders\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\twho\t_\tPRON\tWP\t_\t13\tnsubj\t_\t_\n13\tuse\t_\tVERB\tVBP\t_\t11\tacl:relcl\t_\t_\n14\tus\t_\tPRON\tPRP\t_\t13\tdobj\t_\t_\n15\tas\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tpoint\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\treference\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tbecome\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n22\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tpoint\t_\tNOUN\tNN\t_\t21\txcomp\t_\t_\n24\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\treference\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n26\tat\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tordinary\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n28\tdinner\t_\tNOUN\tNN\t_\t29\tcompound\t_\t_\n29\ttables\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n31\t''\t_\tPUNCT\t''\t_\t32\tpunct\t_\t_\n32\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n33\tJon\t_\tPROPN\tNNP\t_\t34\tcompound\t_\t_\n34\tPetrovich\t_\tPROPN\tNNP\t_\t32\tdep\t_\t_\n35\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n36\texecutive\t_\tADJ\tJJ\t_\t38\tamod\t_\t_\n37\tvice\t_\tNOUN\tNN\t_\t38\tcompound\t_\t_\n38\tpresident\t_\tNOUN\tNN\t_\t34\tappos\t_\t_\n39\tof\t_\tADP\tIN\t_\t41\tcase\t_\t_\n40\tHeadline\t_\tPROPN\tNNP\t_\t41\tco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ase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tvarious\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tcourts\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n11\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tthese\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\ttwo\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\tlawsuits\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n16\twere\t_\tVERB\tVBD\t_\t17\tcop\t_\t_\n17\tdifferent\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tWhen\t_\tADV\tWRB\t_\t3\tadvmod\t_\t_\n2\tyou\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tsuggest\t_\tVERB\tVBP\t_\t7\tadvcl\t_\t_\n4\totherwise\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n6\tyou\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n7\tleave\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\trealm\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\treporting\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n13\tenter\t_\tVERB\tVB\t_\t7\tconj\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\torbit\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tspeculation\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tCharles\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tF.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tVihon\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n\n1\tValley\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tFederal\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tSavings\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n4\t&\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tLoan\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tAssociation\t_\tPROPN\tNNP\t_\t3\tconj\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tImperial\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tCorp.\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tAmerica\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n12\twithdrew\t_\tVERB\tVBD\t_\t7\tccomp\t_\t_\n13\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tregulators\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n15\tits\t_\tPRON\tPRP$\t_\t16\tnmod:poss\t_\t_\n16\tapplication\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n17\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n18\tbuy\t_\tVERB\tVB\t_\t16\tacl\t_\t_\n19\tfive\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n20\tValley\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tFederal\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tbranches\t_\tNOUN\tNNS\t_\t18\tdobj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n24\tleaving\t_\tVERB\tVBG\t_\t12\tadvcl\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\ttransaction\t_\tNOUN\tNN\t_\t24\tdobj\t_\t_\n27\tin\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\tlimbo\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tbroken\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tpurchase\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tappears\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tas\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tadditional\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tevidence\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\ttrouble\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n10\tat\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tImperial\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tCorp.\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\twhose\t_\tPRON\tWP$\t_\t15\tnmod:poss\t_\t_\n15\tspokesman\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t12\tacl:relcl\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tcompany\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n19\twithdrew\t_\tVERB\tVBD\t_\t16\tccomp\t_\t_\n20\tits\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n21\tapplication\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n22\tfrom\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tfederal\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tOffice\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n26\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\tThrift\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n28\tSupervision\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n29\tbecause\t_\tADP\tIN\t_\t33\tcase\t_\t_\n30\tof\t_\tADP\tIN\t_\t29\tmwe\t_\t_\n31\tan\t_\tDET\tDT\t_\t33\tdet\t_\t_\n32\tinformal\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n33\tnotice\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n34\tthat\t_\tSCONJ\tWDT\t_\t39\tmark\t_\t_\n35\tImperial\t_\tPROPN\tNNP\t_\t38\tnmod:poss\t_\t_\n36\t's\t_\tPART\tPOS\t_\t35\tcase\t_\t_\n37\tthrift\t_\tNOUN\tNN\t_\t38\tcompound\t_\t_\n38\tunit\t_\tNOUN\tNN\t_\t39\tnsubj\t_\t_\n39\tfailed\t_\tVERB\tVBD\t_\t33\tccomp\t_\t_\n40\tto\t_\tPART\tTO\t_\t41\tmark\t_\t_\n41\tmeet\t_\tVERB\tVB\t_\t39\txcomp\t_\t_\n42\tCommunity\t_\tPROPN\tNNP\t_\t44\tcompound\t_\t_\n43\tReinvestment\t_\tPROPN\tNNP\t_\t44\tcompound\t_\t_\n44\tAct\t_\tPROPN\tNNP\t_\t45\tcompound\t_\t_\n45\trequirements\t_\tNOUN\tNNS\t_\t41\tdobj\t_\t_\n46\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tCommunity\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tReinvestment\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tAct\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\trequires\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\tsavings\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n7\tand\t_\tCONJ\tCC\t_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ummod\t_\t_\n14\tcases\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n15\tbrought\t_\tVERB\tVBN\t_\t14\tacl\t_\t_\n16\tagainst\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tdefunct\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\tSunbelt\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tSavings\t_\tPROPN\tNNPS\t_\t15\tnmod\t_\t_\n20\t&\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n21\tLoan\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tAssociation\t_\tPROPN\tNNP\t_\t19\tconj\t_\t_\n23\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tDallas\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n25\tby\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tdevelopers\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n28\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n30\tValley\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tRanch\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\tbest\t_\tADV\tRB\t_\t34\tadvmod\t_\t_\n34\tknown\t_\tVERB\tVBN\t_\t31\tacl\t_\t_\n35\tas\t_\tADP\tIN\t_\t38\tcase\t_\t_\n36\tthe\t_\tDET\tDT\t_\t38\tdet\t_\t_\n37\ttraining\t_\tNOUN\tNN\t_\t38\tcompound\t_\t_\n38\tcenter\t_\tNOUN\tNN\t_\t34\tnmod\t_\t_\n39\tfor\t_\tADP\tIN\t_\t44\tcase\t_\t_\n40\tthe\t_\tDET\tDT\t_\t44\tdet\t_\t_\n41\tDallas\t_\tPROPN\tNNP\t_\t44\tcompound\t_\t_\n42\tCowboys\t_\tPROPN\tNNPS\t_\t44\tcompound\t_\t_\n43\tfootball\t_\tNOUN\tNN\t_\t44\tcompound\t_\t_\n44\tteam\t_\tNOUN\tNN\t_\t38\tnmod\t_\t_\n45\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tSunbelt\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tforeclosed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n3\ton\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tranch\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tSunbelt\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n2\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tFSLIC\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n5\targued\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n8\tFifth\t_\tPROPN\tJJ\t_\t11\tcompound\t_\t_\n9\tU.S.\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tCircuit\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tCourt\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tAppeals\t_\tPROPN\tNNPS\t_\t11\tnmod\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n15\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n16\tthere\t_\tPRON\tEX\t_\t21\texpl\t_\t_\n17\twill\t_\tAUX\tMD\t_\t21\taux\t_\t_\n18\tnever\t_\tADV\tRB\t_\t21\tneg\t_\t_\n19\tbe\t_\tVERB\tVB\t_\t21\tcop\t_\t_\n20\tany\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tassets\t_\tNOUN\tNNS\t_\t5\tccomp\t_\t_\n22\twith\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\twhich\t_\tPRON\tWDT\t_\t25\tnmod\t_\t_\n24\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n25\tsatisfy\t_\tVERB\tVB\t_\t21\tacl:relcl\t_\t_\n26\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tjudgment\t_\tNOUN\tNN\t_\t25\tdobj\t_\t_\n28\tagainst\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tSunbelt\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tSavings\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n31\tnor\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n32\tany\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tmeans\t_\tNOUN\tNNS\t_\t21\tconj\t_\t_\n34\tto\t_\tPART\tTO\t_\t35\tmark\t_\t_\n35\tcollect\t_\tVERB\tVB\t_\t33\tacl\t_\t_\n36\tfrom\t_\tADP\tIN\t_\t39\tcase\t_\t_\n37\tany\t_\tDET\tDT\t_\t39\tdet\t_\t_\n38\tother\t_\tADJ\tJJ\t_\t39\tamod\t_\t_\n39\tparty\t_\tNOUN\tNN\t_\t35\tnmod\t_\t_\n40\t,\t_\tPUNCT\t,\t_\t39\tpunct\t_\t_\n41\tincluding\t_\tVERB\tVBG\t_\t42\tcase\t_\t_\n42\tFSLIC\t_\tPROPN\tNNP\t_\t39\tnmod\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n44\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n2\tIf\t_\tSCONJ\tIN\t_\t3\tmark\t_\t_\n3\ttrue\t_\tADJ\tJJ\t_\t14\tadvcl\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tcourt\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n8\twrote\t_\tVERB\tVBD\t_\t14\tparataxis\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n11\tthis\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tcontention\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n13\twould\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\tjustify\t_\tVERB\tVB\t_\t0\troot\t_\t_\n15\tdismissal\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n16\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthese\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tactions\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n19\ton\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tprudential\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tgrounds\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n23\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tcourt\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tlacked\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n7\tenough\t_\tADV\tJJ\t_\t9\tadvmod\t_\t_\n8\tfinancial\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tinformation\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\tabout\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tSunbelt\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tFSLIC\t_\tPROPN\tNNP\t_\t11\tconj\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n16\tsent\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tcases\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n19\tback\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n20\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n21\tfederal\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\tdistrict\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tcourt\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n24\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tDallas\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tCharles\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tHaworth\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tlawyer\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n6\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tSunbelt\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n9\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n10\the\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n11\tplans\t_\tVERB\tVBZ\t_\t9\tccomp\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tfile\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tbrief\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tthis\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tweek\t_\tNOUN\tNN\t_\t13\tnmod:tmod\t_\t_\n18\turging\t_\tVERB\tVBG\t_\t13\tdep\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tdistrict\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tjudge\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\tdismiss\t_\tVERB\tVB\t_\t18\txcomp\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tsuits\t_\tNOUN\tNNS\t_\t23\tdobj\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n27\tbecause\t_\tSCONJ\tIN\t_\t31\tmark\t_\t_\n28\tSunbelt\t_\tPROPN\tNNP\t_\t30\tnmod:poss\t_\t_\n29\t's\t_\tPART\tPOS\t_\t28\tcase\t_\t_\n30\tliabilities\t_\tNOUN\tNNS\t_\t31\tnsubj\t_\t_\n31\texceeded\t_\tVERB\tVBD\t_\t11\tadvcl\t_\t_\n32\tits\t_\tPRON\tPRP$\t_\t33\tnmod:poss\t_\t_\n33\tassets\t_\tNOUN\tNNS\t_\t31\tdobj\t_\t_\n34\tby\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\tabout\t_\tADV\tRB\t_\t36\tadvmod\t_\t_\n36\t$\t_\tSYM\t$\t_\t31\tnmod\t_\t_\n37\t2\t_\tNUM\tCD\t_\t38\tcompound\t_\t_\n38\tbillion\t_\tNUM\tCD\t_\t36\tnummod\t_\t_\n39\twhen\t_\tADV\tWRB\t_\t42\tadvmod\t_\t_\n40\tfederal\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tregulators\t_\tNOUN\tNNS\t_\t42\tnsubj\t_\t_\n42\tclosed\t_\tVERB\tVBD\t_\t31\tadvcl\t_\t_\n43\tit\t_\tPRON\tPRP\t_\t42\tdobj\t_\t_\n44\tin\t_\tADP\tIN\t_\t45\tcase\t_\t_\n45\tAugust\t_\tPROPN\tNNP\t_\t42\tnmod\t_\t_\n46\t1988\t_\tNUM\tCD\t_\t45\tnummod\t_\t_\n47\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tThis\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tinstitution\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n5\tjust\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n6\tbrain\t_\tNOUN\tNN\t_\t7\tnmod:npmod\t_\t_\n7\tdead\t_\tADJ\tJJ\t_\t10\tccomp\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n10\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n11\tMr.\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tHaworth\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tpartner\t_\tNOUN\tNN\t_\t12\tappos\t_\t_\n16\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tDallas\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\toffice\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tAndrews\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n22\t&\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n23\tKurth\t_\tPROPN\tNNP\t_\t21\tconj\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n25\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n26\tHouston\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n27\tlaw\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n28\tfirm\t_\tNOUN\tNN\t_\t21\tappos\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n2\ta\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tlawyer\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n4\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tTriland\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tInvestment\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tGroup\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tdeveloper\t_\tNOUN\tNN\t_\t7\tappos\t_\t_\n11\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tValley\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tRanch\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n15\tdismisses\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\tsuch\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\targuments\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n18\tas\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n21\tdefense\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n22\tdu\t_\tX\tNNP\t_\t21\tcompound\t_\t_\n23\tjour\t_\tX\tFW\t_\t21\tdep\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n25\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n\n1\tAttorney\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tRichard\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tJackson\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tDallas\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n6\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tjudgment\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n9\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tTriland\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n11\tcould\t_\tAUX\tMD\t_\t13\taux\t_\t_\n12\tbe\t_\tAUX\tVB\t_\t13\taux\t_\t_\n13\tsatisfied\t_\tADJ\tVBN\t_\t6\tccomp\t_\t_\n14\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tways\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n16\tother\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n17\tthan\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tmonetary\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\taward\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n22\tincluding\t_\tVERB\tVBG\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\treversal\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n25\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n26\tSunbelt\t_\tPROPN\tNNP\t_\t28\tnmod:poss\t_\t_\n27\t's\t_\tPART\tPOS\t_\t26\tcase\t_\t_\n28\tforeclosure\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n29\ton\t_\tADP\tIN\t_\t31\tcase\t_\t_\n30\tValley\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tRanch\t_\tPROPN\tNNP\t_\t28\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t're\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n4\tasking\t_\tVERB\tVBG\t_\t25\tccomp\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tcourt\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tnumber\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tthings\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n12\the\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n13\tcan\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\tgrant\t_\tVERB\tVB\t_\t11\tacl:relcl\t_\t_\n15\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\taddition\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n17\tto\t_\tADP\tTO\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tthrill\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tvictory\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n23\t''\t_\tPUNCT\t''\t_\t25\tpunct\t_\t_\n24\the\t_\tPRON\tPRP\t_\t25\tnsubj\t_\t_\n25\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t'd\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\ttake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tValley\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tRanch\t_\tPROPN\tNNP\t_\t4\tdobj\t_\t_\n8\tfree\t_\tADJ\tJJ\t_\t4\tadvmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tclear\t_\tADJ\tJJ\t_\t8\tconj\t_\t_\n11\tas\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tbooby\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tprize\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tKenneth\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tJ.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tThygerson\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\twho\t_\tPRON\tWP\t_\t7\tnsubjpass\t_\t_\n6\twas\t_\tAUX\tVBD\t_\t7\tauxpass\t_\t_\n7\tnamed\t_\tVERB\tVBN\t_\t3\tacl:relcl\t_\t_\n8\tpresident\t_\tNOUN\tNN\t_\t7\txcomp\t_\t_\n9\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n10\tthis\t_\tDET\tDT\t_\t13\tdet\t_\t_\n11\tthrift\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n12\tholding\t_\tNOUN\tVBG\t_\t13\tcompound\t_\t_\n13\tcompany\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n14\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tAugust\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n17\tresigned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tciting\t_\tVERB\tVBG\t_\t17\txcomp\t_\t_\n20\tpersonal\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\treasons\t_\tNOUN\tNNS\t_\t19\tdobj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tThygerson\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\the\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\thad\t_\tAUX\tVBD\t_\t6\taux\t_\t_\n6\tplanned\t_\tVERB\tVBN\t_\t3\tccomp\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\ttravel\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\tbetween\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tjob\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tDenver\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n15\this\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n16\tSan\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n17\tDiego\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\thome\t_\tNOUN\tNN\t_\t11\tconj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n20\tbut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n21\thas\t_\tAUX\tVBZ\t_\t22\taux\t_\t_\n22\tfound\t_\tVERB\tVBN\t_\t6\tconj\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tcommute\t_\tNOUN\tNN\t_\t26\tnsubj\t_\t_\n25\ttoo\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26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_\t_\n4\thowever\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n5\t:\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t51\tpunct\t_\t_\n7\tDepending\t_\tVERB\tVBG\t_\t10\tcase\t_\t_\n8\ton\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tresolution\t_\tNOUN\tNN\t_\t51\tadvcl\t_\t_\n11\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tcertain\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\taccounting\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tissues\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n15\trelating\t_\tVERB\tVBG\t_\t14\tacl\t_\t_\n16\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n17\tmortgages\t_\tNOUN\tNNS\t_\t18\tcompound\t_\t_\n18\tservicing\t_\tNOUN\tVBG\t_\t15\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\toutcome\t_\tNOUN\tNN\t_\t10\tconj\t_\t_\n22\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tannual\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\texamination\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n26\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\tCity\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n28\tFederal\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n29\tcurrently\t_\tADV\tRB\t_\t31\tadvmod\t_\t_\n30\tin\t_\tADP\tIN\t_\t31\tcase\t_\t_\n31\tprogress\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n32\twith\t_\tADP\tIN\t_\t33\tcase\t_\t_\n33\trespect\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n34\tto\t_\tADP\tTO\t_\t37\tcase\t_\t_\n35\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n36\tappropriate\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n37\tlevel\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n38\tof\t_\tADP\tIN\t_\t41\tcase\t_\t_\n39\tloan\t_\tNOUN\tNN\t_\t41\tcompound\t_\t_\n40\tloss\t_\tNOUN\tNN\t_\t41\tcompound\t_\t_\n41\treserves\t_\tNOUN\tNNS\t_\t37\tnmod\t_\t_\n42\t,\t_\tPUNCT\t,\t_\t51\tpunct\t_\t_\n43\tthe\t_\tDET\tDT\t_\t45\tdet\t_\t_\n44\ttotal\t_\tADJ\tJJ\t_\t45\tamod\t_\t_\n45\tloss\t_\tNOUN\tNN\t_\t51\tnsubj\t_\t_\n46\tfor\t_\tADP\tIN\t_\t48\tcase\t_\t_\n47\tthe\t_\tDET\tDT\t_\t48\tdet\t_\t_\n48\tquarter\t_\tNOUN\tNN\t_\t45\tnmod\t_\t_\n49\tcould\t_\tAUX\tMD\t_\t51\taux\t_\t_\n50\tsignificantly\t_\tADV\tRB\t_\t51\tadvmod\t_\t_\n51\texceed\t_\tVERB\tVB\t_\t2\tccomp\t_\t_\n52\tthis\t_\tDET\tDT\t_\t53\tdet\t_\t_\n53\trange\t_\tNOUN\tNN\t_\t51\tdobj\t_\t_\n54\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tCenTrust\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tSavings\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tBank\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tfederal\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tthrift\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tregulators\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n8\tordered\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n9\tit\t_\tPRON\tPRP\t_\t8\tdobj\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\tsuspend\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n12\tdividend\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tpayments\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\ton\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tits\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n16\ttwo\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\tclasses\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tpreferred\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tstock\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n22\tindicating\t_\tVERB\tVBG\t_\t4\txcomp\t_\t_\n23\tthat\t_\tSCONJ\tIN\t_\t32\tmark\t_\t_\n24\tregulators\t_\tNOUN\tNNS\t_\t26\tnmod:poss\t_\t_\n25\t'\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\tconcerns\t_\tNOUN\tNNS\t_\t32\tnsubj\t_\t_\n27\tabout\t_\tADP\tIN\t_\t30\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\ttroubled\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\tinstitution\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n31\thave\t_\tAUX\tVBP\t_\t32\taux\t_\t_\n32\theightened\t_\tVERB\tVBN\t_\t22\tccomp\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\ta\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tstatement\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tMiami-based\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tCenTrust\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tregulators\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n10\tcited\t_\tVERB\tVBD\t_\t7\tccomp\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tthrift\t_\tNOUN\tNN\t_\t15\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\toperating\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tlosses\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n18\tapparent\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tlosses\t_\tNOUN\tNNS\t_\t15\tconj\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n21\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tits\t_\tPRON\tPRP$\t_\t24\tnmod:poss\t_\t_\n23\tjunk-bond\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\tportfolio\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n25\tin\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n26\tordering\t_\tVERB\tVBG\t_\t10\tadvcl\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tsuspension\t_\tNOUN\tNN\t_\t26\tdobj\t_\t_\n29\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n30\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tdividends\t_\tNOUN\tNNS\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_\t_\n15\tDass\t_\tX\tNNP\t_\t9\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n18\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tcontestant\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n20\twon\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n21\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tbet\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n23\twith\t_\tADP\tIN\t_\t27\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tshow\t_\tNOUN\tNN\t_\t27\tnmod:poss\t_\t_\n26\t's\t_\tPART\tPOS\t_\t25\tcase\t_\t_\n27\thost\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n29\tThomas\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tGottschalk\t_\tPROPN\tNNP\t_\t27\tappos\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n32\tthat\t_\tSCONJ\tIN\t_\t35\tmark\t_\t_\n33\the\t_\tPRON\tPRP\t_\t35\tnsubj\t_\t_\n34\tcould\t_\tAUX\tMD\t_\t35\taux\t_\t_\n35\tidentify\t_\tVERB\tVB\t_\t22\tdep\t_\t_\n36\t300\t_\tNUM\tCD\t_\t38\tnummod\t_\t_\n37\tGerman\t_\tADJ\tJJ\t_\t38\tamod\t_\t_\n38\tdialects\t_\tNOUN\tNNS\t_\t35\tdobj\t_\t_\n39\tover\t_\tADP\tIN\t_\t41\tcase\t_\t_\n40\tthe\t_\tDET\tDT\t_\t41\tdet\t_\t_\n41\ttelephone\t_\tNOUN\tNN\t_\t35\tnmod\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tcelebrity\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tguest\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tU.S.\t_\tPROPN\tNNP\t_\t11\tdep\t_\t_\n6\tAmbassador\t_\tPROPN\tNNP\t_\t5\tdep\t_\t_\n7\tto\t_\tADP\tTO\t_\t9\tcase\t_\t_\n8\tWest\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tGermany\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n10\tRichard\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tBurt\t_\tPROPN\tNNP\t_\t3\tappos\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n13\talso\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\twon\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tbet\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\tthat\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n18\tsomeone\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n19\tcould\t_\tAUX\tMD\t_\t20\taux\t_\t_\n20\tpile\t_\tVERB\tVB\t_\t16\tccomp\t_\t_\n21\tup\t_\tADP\tRP\t_\t20\tcompound:prt\t_\t_\n22\t$\t_\tSYM\t$\t_\t24\tdep\t_\t_\n23\t150\t_\tNUM\tCD\t_\t24\tnummod\t_\t_\n24\tworth\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n25\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tquarters\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n27\ton\t_\tADP\tIN\t_\t30\tcase\t_\t_\n28\ta\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\tslanted\t_\tADJ\tVBN\t_\t30\tamod\t_\t_\n30\tcoin\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tBurt\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\tnonetheless\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tpaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tpenalty\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tas\t_\tSCONJ\tIN\t_\t11\tmark\t_\t_\n8\tif\t_\tSCONJ\tIN\t_\t7\tmwe\t_\t_\n9\the\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n10\thad\t_\tAUX\tVBD\t_\t11\taux\t_\t_\n11\tlost\t_\tVERB\tVBN\t_\t4\tadvcl\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n13\tagreeing\t_\tVERB\tVBG\t_\t4\txcomp\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tspend\t_\tVERB\tVB\t_\t13\txcomp\t_\t_\n16\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tday\t_\tNOUN\tNN\t_\t15\tnmod:tmod\t_\t_\n18\twith\t_\tADP\tIN\t_\t24\tcase\t_\t_\n19\tWest\t_\tPROPN\tJJ\t_\t24\tcompound\t_\t_\n20\tGerman\t_\tPROPN\tJJ\t_\t24\tcompound\t_\t_\n21\tForeign\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n22\tMinister\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n23\tHans-Dietrich\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tGenscher\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n25\tfrying\t_\tVERB\tVBG\t_\t15\txcomp\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n27\tselling\t_\tVERB\tVBG\t_\t25\tconj\t_\t_\n28\ttheir\t_\tPRON\tPRP$\t_\t30\tnmod:poss\t_\t_\n29\tcombined\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\tweight\t_\tNOUN\tNN\t_\t25\tdobj\t_\t_\n31\tin\t_\tADP\tIN\t_\t33\tcase\t_\t_\n32\tpotato\t_\tNOUN\tNN\t_\t33\tcompound\t_\t_\n33\tpancakes\t_\tNOUN\tNNS\t_\t30\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tIf\t_\tSCONJ\tIN\t_\t3\tmark\t_\t_\n2\tthis\t_\tPRON\tDT\t_\t3\tnsubj\t_\t_\n3\tseems\t_\tVERB\tVBZ\t_\t18\tadvcl\t_\t_\n4\tlike\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tpretty\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tweak\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tstuff\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n8\taround\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\twhich\t_\tPRON\tWDT\t_\t11\tnmod\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\traise\t_\tVERB\tVB\t_\t7\tacl:relcl\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tprotectionist\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tbarriers\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n16\tit\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n17\tmay\t_\tAUX\tMD\t_\t18\taux\t_\t_\n18\tbe\t_\tVERB\tVB\t_\t0\troot\t_\t_\n19\tbecause\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n20\tthese\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tshows\t_\tNOUN\tNNS\t_\t22\tnsubj\t_\t_\n22\tneed\t_\tVERB\tVBP\t_\t18\tadvcl\t_\t_\n23\tall\t_\tDET\tPDT\t_\t25\tdet:predet\t_\t_\n24\tthe\t_\tDET\t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j\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n23\tis\t_\tVERB\tVBZ\t_\t25\tcop\t_\t_\n24\ta\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\thit\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n26\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\tFrance\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tU.S.-made\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\timitation\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n4\tunder\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\ttitle\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n8\tAlmost\t_\tPROPN\tRB\t_\t9\tcompound\t_\t_\n9\tAnything\t_\tPROPN\tNN\t_\t10\tnsubj\t_\t_\n10\tGoes\t_\tPROPN\tVBZ\t_\t6\tdep\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n12\tflopped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tfast\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tmost\t_\tADJ\tJJS\t_\t4\tamod\t_\t_\n4\tpart\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n6\twhat\t_\tPRON\tWP\t_\t8\tnsubjpass\t_\t_\n7\t's\t_\tAUX\tVBZ\t_\t8\tauxpass\t_\t_\n8\tmade\t_\tVERB\tVBN\t_\t10\tcsubj\t_\t_\n9\there\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\tstays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n11\there\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n14\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tgood\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\treason\t_\tNOUN\tNN\t_\t10\tdep\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcream\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tBritish\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tcrop\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tliterary\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tdramas\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n11\tthat\t_\tPRON\tWDT\t_\t13\tnsubjpass\t_\t_\n12\tare\t_\tAUX\tVBP\t_\t13\tauxpass\t_\t_\n13\tshown\t_\tVERB\tVBN\t_\t10\tacl:relcl\t_\t_\n14\ton\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tU.S.\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tpublic\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\ttelevision\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\tas\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n20\tMasterpiece\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tTheater\t_\tPROPN\tNNP\t_\t13\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n23\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n24\tmake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n25\tup\t_\tADP\tRP\t_\t24\tcompound:prt\t_\t_\n26\ta\t_\tDET\tDT\t_\t29\tdet\t_\t_\n27\trelatively\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n28\tsmall\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tpart\t_\tNOUN\tNN\t_\t24\tdobj\t_\t_\n30\tof\t_\tADP\tIN\t_\t33\tcase\t_\t_\n31\tBritish\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n32\tair\t_\tNOUN\tNN\t_\t33\tcompound\t_\t_\n33\ttime\t_\tNOUN\tNN\t_\t29\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\tMost\t_\tADJ\tJJS\t_\t3\tamod\t_\t_\n2\tBritish\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tprogramming\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n5\tmore\t_\tADJ\tJJR\t_\t0\troot\t_\t_\n6\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tan\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tacquired\t_\tADJ\tVBN\t_\t9\tamod\t_\t_\n9\ttaste\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThere\t_\tPRON\tEX\t_\t2\texpl\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tfor\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tinstance\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n7\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n8\tOne\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\tMan\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tHis\t_\tPRON\tPRP$\t_\t12\tnmod:poss\t_\t_\n12\tDog\t_\tPROPN\tNN\t_\t9\tconj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n15\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\therding\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tcontest\t_\tNOUN\tNN\t_\t9\tdep\t_\t_\n18\tamong\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tsheep\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tdogs\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAlso\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n2\triveting\t_\tADJ\tJJ\t_\t6\tdep\t_\t_\n3\tto\t_\tADP\tTO\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tBritish\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n6\tare\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n7\thours\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tdart-throwing\t_\tNOUN\tJJ\t_\t10\tcompound\t_\t_\n10\tchampionships\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n12\teven\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\tmore\t_\tADJ\tRBR\t_\t14\tamod\t_\t_\n14\thours\t_\tNOUN\tNNS\t_\t7\tconj\t_\t_\n15\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tlawn\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\tbowling\t_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_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n6\tmuch\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tchoice\t_\tADJ\tNN\t_\t4\tnsubj\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThus\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n3\tEurope\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n5\tbegun\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\trecent\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tcrusade\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tproduce\t_\tVERB\tVB\t_\t8\tacl\t_\t_\n11\tmore\t_\tADJ\tJJR\t_\t13\tamod\t_\t_\n12\tworthy\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tshows\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n14\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tits\t_\tPRON\tPRP$\t_\t16\tnmod:poss\t_\t_\n16\town\t_\tADJ\tJJ\t_\t13\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n18\tprograms\t_\tNOUN\tNNS\t_\t13\tappos\t_\t_\n19\twith\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tbroader\t_\tADJ\tJJR\t_\t21\tamod\t_\t_\n21\tappeal\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t28\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t've\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tbasically\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tgot\t_\tVERB\tVBN\t_\t28\tccomp\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tstart\t_\tVERB\tVB\t_\t5\tccomp\t_\t_\n8\tfrom\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tscratch\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n11\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n12\ttrain\t_\tVERB\tVB\t_\t7\tdep\t_\t_\n13\twriters\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tproducers\t_\tNOUN\tNNS\t_\t13\tconj\t_\t_\n16\tto\t_\tPART\tTO\t_\t17\tmark\t_\t_\n17\tmake\t_\tVERB\tVB\t_\t12\tadvcl\t_\t_\n18\tshows\t_\tVERB\tNNS\t_\t17\tdobj\t_\t_\n19\tthat\t_\tADP\tIN\t_\t23\tdobj\t_\t_\n20\tother\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tpeople\t_\tNOUN\tNNS\t_\t23\tnsubj\t_\t_\n22\twill\t_\tAUX\tMD\t_\t23\taux\t_\t_\n23\twant\t_\tVERB\tVB\t_\t18\tacl:relcl\t_\t_\n24\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n25\tsee\t_\tVERB\tVB\t_\t23\txcomp\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n27\t''\t_\tPUNCT\t''\t_\t28\tpunct\t_\t_\n28\tconcedes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n29\tColin\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tYoung\t_\tPROPN\tNNP\t_\t28\tnsubj\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n32\thead\t_\tNOUN\tNN\t_\t30\tappos\t_\t_\n33\tof\t_\tADP\tIN\t_\t39\tcase\t_\t_\n34\tBritain\t_\tPROPN\tNNP\t_\t39\tnmod:poss\t_\t_\n35\t's\t_\tPART\tPOS\t_\t34\tcase\t_\t_\n36\tNational\t_\tPROPN\tNNP\t_\t39\tcompound\t_\t_\n37\tFilm\t_\tPROPN\tNNP\t_\t39\tcompound\t_\t_\n38\tTheatre\t_\tPROPN\tNNP\t_\t39\tcompound\t_\t_\n39\tSchool\t_\tPROPN\tNNP\t_\t32\tnmod\t_\t_\n40\t.\t_\tPUNCT\t.\t_\t28\tpunct\t_\t_\n\n1\tWhile\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n2\tsome\t_\tDET\tDT\t_\t6\tnsubj\t_\t_\n3\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tU.S.\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n6\tcontend\t_\tVERB\tVBP\t_\t17\tadvcl\t_\t_\n7\tthat\t_\tDET\tIN\t_\t11\tmark\t_\t_\n8\tadvertising\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n9\tis\t_\tVERB\tVBZ\t_\t11\tcop\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tbane\t_\tNOUN\tNN\t_\t6\tccomp\t_\t_\n12\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\ttelevision\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n15\there\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tmany\t_\tADJ\tJJ\t_\t17\tnsubj\t_\t_\n17\tbelieve\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n18\tthat\t_\tDET\tIN\t_\t21\tmark\t_\t_\n19\tits\t_\tPRON\tPRP$\t_\t20\tnmod:poss\t_\t_\n20\tabsence\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n21\tis\t_\tVERB\tVBZ\t_\t17\tccomp\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\tblame\t_\tVERB\tVB\t_\t21\txcomp\t_\t_\n24\tfor\t_\tADP\tIN\t_\t31\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n26\tEuropean\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n27\tTV\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n28\tindustry\t_\tNOUN\tNN\t_\t31\tnmod:poss\t_\t_\n29\t's\t_\tPART\tPOS\t_\t28\tcase\t_\t_\n30\tsluggish\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31\tdevelopment\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tUntil\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\trecently\t_\tADV\tRB\t_\t8\tadvcl\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\tnational\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tgovernments\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n6\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tEurope\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\tcontrolled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tmost\t_\tADJ\tJJS\t_\t8\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tair\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\ttime\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n15\tallowed\t_\tVERB\tVBD\t_\t8\tconj\t_\t_\n16\tlittle\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n17\tor\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\tno\t_\tDET\tDT\t_\t16\tconj\t_\t_\n19\tadvertising\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_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_\t_\n9\t17-year-old\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tfamily\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n11\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tRapier\t_\tNOUN\tNNP\t_\t14\tcompound\t_\t_\n13\tsurface-to-air\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tmissiles\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThomson\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tmissile\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tproducts\t_\tNOUN\tNNS\t_\t14\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n5\twith\t_\tADP\tIN\t_\t12\tcase\t_\t_\n6\tabout\t_\tADV\tIN\t_\t7\tadvmod\t_\t_\n7\thalf\t_\tDET\tNN\t_\t12\tnummod\t_\t_\n8\tBritish\t_\tPROPN\tJJ\t_\t9\tcompound\t_\t_\n9\tAerospace\t_\tPROPN\tNN\t_\t12\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tannual\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\trevenue\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n14\tinclude\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n15\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n16\tCrotale\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n17\tsurface-to-air\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\tmissile\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tfamily\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tInterprovincial\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tPipe\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tLine\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tCo.\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n7\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\tdelay\t_\tVERB\tVB\t_\t5\tccomp\t_\t_\n9\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n10\tproposed\t_\tVERB\tVBN\t_\t21\tamod\t_\t_\n11\ttwo-step\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n13\t830\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\tmillion\t_\tNUM\tCD\t_\t15\tdep\t_\t_\n15\tCanadian-dollar\t_\tADJ\tNN\t_\t21\tdep\t_\t_\n16\t-LRB-\t_\tPUNCT\t-LRB-\t_\t17\tpunct\t_\t_\n17\tUS$\t_\tSYM\t$\t_\t21\tdep\t_\t_\n18\t705.6\t_\tNUM\tCD\t_\t19\tcompound\t_\t_\n19\tmillion\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n20\t-RRB-\t_\tPUNCT\t-RRB-\t_\t17\tpunct\t_\t_\n21\texpansion\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n22\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tits\t_\tPRON\tPRP$\t_\t24\tnmod:poss\t_\t_\n24\tsystem\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n25\tbecause\t_\tSCONJ\tIN\t_\t33\tmark\t_\t_\n26\tCanada\t_\tPROPN\tNNP\t_\t28\tnmod:poss\t_\t_\n27\t's\t_\tPART\tPOS\t_\t26\tcase\t_\t_\n28\toutput\t_\tNOUN\tNN\t_\t33\tnsubj\t_\t_\n29\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n30\tcrude\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31\toil\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n32\tis\t_\tAUX\tVBZ\t_\t33\taux\t_\t_\n33\tshrinking\t_\tVERB\tVBG\t_\t8\tadvcl\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tInterprovincial\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\tCanada\t_\tPROPN\tNNP\t_\t8\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tbiggest\t_\tADJ\tJJS\t_\t8\tamod\t_\t_\n6\toil\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n7\tpipeline\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\toperator\t_\tNOUN\tNN\t_\t1\tappos\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tmajor\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\ttransporter\t_\tNOUN\tNN\t_\t8\tconj\t_\t_\n13\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tcrude\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n15\tto\t_\tADP\tTO\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tU.S.\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n19\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\trevised\t_\tVERB\tVBN\t_\t22\tamod\t_\t_\n21\tindustry\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\tforecasts\t_\tNOUN\tNNS\t_\t23\tnsubj\t_\t_\n23\tindicate\t_\tVERB\tVBP\t_\t19\tccomp\t_\t_\n24\tthat\t_\tSCONJ\tIN\t_\t29\tmark\t_\t_\n25\tCanadian\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\toil\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\toutput\t_\tNOUN\tNN\t_\t29\tnsubj\t_\t_\n28\twill\t_\tAUX\tMD\t_\t29\taux\t_\t_\n29\ttotal\t_\tVERB\tVB\t_\t23\tccomp\t_\t_\n30\tabout\t_\tADV\tIN\t_\t32\tadvmod\t_\t_\n31\t1.64\t_\tNUM\tCD\t_\t32\tcompound\t_\t_\n32\tmillion\t_\tNUM\tCD\t_\t33\tnummod\t_\t_\n33\tbarrels\t_\tNOUN\tNNS\t_\t29\tdobj\t_\t_\n34\ta\t_\tDET\tDT\t_\t35\tdet\t_\t_\n35\tday\t_\tNOUN\tNN\t_\t33\tnmod:npmod\t_\t_\n36\tby\t_\tADP\tIN\t_\t37\tcase\t_\t_\n37\t1991\t_\tNUM\tCD\t_\t29\tnmod\t_\t_\n38\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n39\t8\t_\tNUM\tCD\t_\t40\tnummod\t_\t_\n40\t%\t_\tSYM\tNN\t_\t41\tnmod:npmod\t_\t_\n41\tlower\t_\tADJ\tJJR\t_\t29\txcomp\t_\t_\n42\tthan\t_\tADP\tIN\t_\t45\tcase\t_\t_\n43\ta\t_\tDET\tDT\t_\t45\tdet\t_\t_\n44\tprevious\t_\tADJ\tJJ\t_\t45\tamod\t_\t_\n45\testimate\t_\tNOUN\tNN\t_\t41\tnmod\t_\t_\n46\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tCanadian\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tcrude\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tproduction\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\taveraged\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tabout\t_\tADV\tIN\t_\t8\tadvmod\t_\t_\n6\t1.69\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n7\tmillion\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n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_\t_\n28\tfourth\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tquarter\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tInland\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tits\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n4\tthird-quarter\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tresults\t_\tNOUN\tNNS\t_\t8\tnsubjpass\t_\t_\n6\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n7\tbe\t_\tAUX\tVB\t_\t8\tauxpass\t_\t_\n8\tannounced\t_\tVERB\tVBN\t_\t2\tccomp\t_\t_\n9\tlater\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n10\tthis\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tweek\t_\tNOUN\tNN\t_\t8\tnmod:tmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n3\tyear-earlier\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tthird\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tquarter\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\twhen\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tindustry\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n10\twas\t_\tVERB\tVBD\t_\t13\tcop\t_\t_\n11\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tmidst\t_\tNOUN\tNN\t_\t5\tacl:relcl\t_\t_\n14\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tboom\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tcompany\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n20\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n21\tnet\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n22\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\t$\t_\tSYM\t$\t_\t21\tnmod\t_\t_\n24\t61\t_\tNUM\tCD\t_\t25\tcompound\t_\t_\n25\tmillion\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n27\tor\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n28\t$\t_\tSYM\t$\t_\t29\tdep\t_\t_\n29\t1.70\t_\tNUM\tCD\t_\t23\tconj\t_\t_\n30\ta\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tshare\t_\tNOUN\tNN\t_\t29\tnmod:npmod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n33\ton\t_\tADP\tIN\t_\t34\tcase\t_\t_\n34\tsales\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n35\tof\t_\tADP\tIN\t_\t36\tcase\t_\t_\n36\t$\t_\tSYM\t$\t_\t34\tnmod\t_\t_\n37\t1.02\t_\tNUM\tCD\t_\t38\tcompound\t_\t_\n38\tbillion\t_\tNUM\tCD\t_\t36\tnummod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\tPredicting\t_\tVERB\tVBG\t_\t12\tcsubj\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tfinancial\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tresults\t_\tNOUN\tNNS\t_\t1\tdobj\t_\t_\n5\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tcomputer\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tfirms\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n8\thas\t_\tAUX\tVBZ\t_\t12\taux\t_\t_\n9\tbeen\t_\tVERB\tVBN\t_\t12\tcop\t_\t_\n10\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\ttough\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tjob\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n13\tlately\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tTake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n2\tMicrosoft\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCorp.\t_\tPROPN\tNNP\t_\t1\tdobj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tlargest\t_\tADJ\tJJS\t_\t7\tamod\t_\t_\n7\tmaker\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n8\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tpersonal\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\tcomputer\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tsoftware\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n13\tgenerally\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tconsidered\t_\tVERB\tVBN\t_\t7\tacl\t_\t_\n15\tan\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tindustry\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tbellwether\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tJuly\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tcompany\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\tstunned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tWall\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tStreet\t_\tPROPN\tNNP\t_\t6\tdobj\t_\t_\n9\twith\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tprediction\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\tthat\t_\tDET\tWDT\t_\t24\tmark\t_\t_\n13\tgrowth\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n14\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n16\tpersonal\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\tcomputer\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tbusiness\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n19\toverall\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n20\twould\t_\tAUX\tMD\t_\t24\taux\t_\t_\n21\tbe\t_\tVERB\tVB\t_\t24\tcop\t_\t_\n22\tonly\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n23\t10\t_\tNUM\tCD\t_\t24\tnummod\t_\t_\n24\t%\t_\tSYM\tNN\t_\t11\tccomp\t_\t_\n25\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\t1990\t_\tNUM\tCD\t_\t24\tnmod\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n28\ta\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\tmodest\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\tincrease\t_\tNOUN\tNN\t_\t24\tdep\t_\t_\n31\twhen\t_\tADV\tWRB\t_\t32\tadvmod\t_\t_\n32\tcompared\t_\tVERB\tVBN\t_\t30\tacl:relcl\t_\t_\n33\twith\t_\tADP\tIN\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irms\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t4\tcop\t_\t_\n4\thard\t_\tADJ\tJJ\t_\t15\tccomp\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tknow\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\twhat\t_\tPRON\tWP\t_\t9\tnsubj\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\texpect\t_\tVERB\tVB\t_\t6\tccomp\t_\t_\n10\tat\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthis\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tpoint\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\tPeter\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tRogers\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tan\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tanalyst\t_\tNOUN\tNN\t_\t17\tappos\t_\t_\n21\tat\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tRobertson\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tStephens\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n24\t&\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n25\tCo\t_\tPROPN\tNNP\t_\t23\tconj\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tindustry\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tdefies\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tcharacterization\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tTo\t_\tPART\tTO\t_\t2\tmark\t_\t_\n2\tillustrate\t_\tVERB\tVB\t_\t6\tadvcl\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tMr.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tRogers\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tthat\t_\tSCONJ\tIN\t_\t18\tmark\t_\t_\n8\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\t14\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n11\tcomputer-related\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tfirms\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n13\the\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n14\tfollows\t_\tVERB\tVBZ\t_\t12\tacl:relcl\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n16\thalf\t_\tNOUN\tNN\t_\t18\tnsubj\t_\t_\n17\twill\t_\tAUX\tMD\t_\t18\taux\t_\t_\n18\treport\t_\tVERB\tVB\t_\t6\tccomp\t_\t_\n19\tfor\t_\tADP\tIN\t_\t23\tcase\t_\t_\n20\ttheir\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n21\tmost\t_\tADV\tRBS\t_\t22\tadvmod\t_\t_\n22\trecent\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tquarter\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n24\tearnings\t_\tNOUN\tNNS\t_\t18\tdobj\t_\t_\n25\tbelow\t_\tADP\tIN\t_\t29\tcase\t_\t_\n26\tlast\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\tyear\t_\tNOUN\tNN\t_\t29\tnmod:poss\t_\t_\n28\t's\t_\tPART\tPOS\t_\t27\tcase\t_\t_\n29\tresults\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n31\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n32\thalf\t_\tNOUN\tNN\t_\t18\tconj\t_\t_\n33\tabove\t_\tADP\tIN\t_\t35\tcase\t_\t_\n34\tthose\t_\tDET\tDT\t_\t35\tdet\t_\t_\n35\tresults\t_\tNOUN\tNNS\t_\t32\tdep\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tAmong\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthose\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tcompanies\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n4\texpected\t_\tVERB\tVBN\t_\t3\tacl\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\thave\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tdown\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tquarter\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\tare\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n11\tHewlett-Packard\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tCo.\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\tAmdahl\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tCorp.\t_\tPROPN\tNNP\t_\t12\tconj\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n17\tSun\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n18\tMicrosystems\t_\tPROPN\tNNPS\t_\t19\tcompound\t_\t_\n19\tInc.\t_\tPROPN\tNNP\t_\t12\tconj\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n21\tgenerally\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n22\tsolid\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tperformers\t_\tNOUN\tNNS\t_\t12\tappos\t_\t_\n24\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tpast\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tInternational\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tBusiness\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tMachines\t_\tPROPN\tNNPS\t_\t4\tcompound\t_\t_\n4\tCorp.\t_\tPROPN\tNNP\t_\t7\tnsubjpass\t_\t_\n5\talso\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n6\tis\t_\tAUX\tVBZ\t_\t7\tauxpass\t_\t_\n7\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\treport\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n10\tdisappointing\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tresults\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tApple\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tComputer\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tInc.\t_\tPROPN\tNNP\t_\t8\tnsubjpass\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\tmeanwhile\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n7\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ubj\t_\t_\n3\tthat\t_\tPRON\tWDT\t_\t4\tnsubj\t_\t_\n4\tgrew\t_\tVERB\tVBD\t_\t2\tacl:relcl\t_\t_\n5\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tearly\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\t1980s\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n9\tare\t_\tAUX\tVBP\t_\t11\taux\t_\t_\n10\tnow\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\tlosing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n12\tpopulation\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n13\t--\t_\tPUNCT\t:\t_\t11\tpunct\t_\t_\n14\tWest\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tVirginia\t_\tPROPN\tNNP\t_\t11\tdep\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\tMississippi\t_\tPROPN\tNNP\t_\t15\tconj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n19\tLouisiana\t_\tPROPN\tNNP\t_\t15\tconj\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n21\tOklahoma\t_\tPROPN\tNNP\t_\t15\tconj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n23\tMontana\t_\tPROPN\tNNP\t_\t15\tconj\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n25\tWyoming\t_\tPROPN\tNNP\t_\t15\tconj\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n27\tAlaska\t_\tPROPN\tNNP\t_\t15\tconj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tOverall\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n3\tthough\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tSouth\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tWest\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n9\tstill\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\toutpace\t_\tVERB\tVB\t_\t0\troot\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tNortheast\t_\tPROPN\tNNP\t_\t10\tdobj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\tMidwest\t_\tPROPN\tNNP\t_\t12\tconj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n17\tfast-growing\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tstates\t_\tNOUN\tNNS\t_\t23\tnsubj\t_\t_\n19\tlike\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tFlorida\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tCalifornia\t_\tPROPN\tNNP\t_\t20\tconj\t_\t_\n23\tensure\t_\tVERB\tVB\t_\t10\tconj\t_\t_\n24\tthat\t_\tSCONJ\tIN\t_\t28\tmark\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tpattern\t_\tNOUN\tNN\t_\t28\tnsubj\t_\t_\n27\twill\t_\tAUX\tMD\t_\t28\taux\t_\t_\n28\tcontinue\t_\tVERB\tVB\t_\t23\tccomp\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tgrowth\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tgap\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n5\tbetween\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tSun\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tBelt\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tother\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tregions\t_\tNOUN\tNNS\t_\t8\tconj\t_\t_\n12\thas\t_\tAUX\tVBZ\t_\t14\taux\t_\t_\n13\tclearly\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tstarted\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n15\tnarrowing\t_\tVERB\tVBG\t_\t14\txcomp\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tMore\t_\tADJ\tRBR\t_\t3\tnsubj\t_\t_\n2\tElderly\t_\tADJ\tJJ\t_\t1\tamod\t_\t_\n3\tMaintain\t_\tVERB\tNNP\t_\t0\troot\t_\t_\n4\tTheir\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n5\tIndependence\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n\n1\tTHANKS\t_\tNOUN\tNNS\t_\t9\tdep\t_\t_\n2\tTO\t_\tADP\tTO\t_\t4\tcase\t_\t_\n3\tmodern\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tmedicine\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n6\tmore\t_\tADJ\tJJR\t_\t7\tamod\t_\t_\n7\tcouples\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n8\tare\t_\tAUX\tVBP\t_\t9\taux\t_\t_\n9\tgrowing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n10\told\t_\tADJ\tJJ\t_\t9\txcomp\t_\t_\n11\ttogether\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n2\teven\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n3\tafter\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n4\tlosing\t_\tVERB\tVBG\t_\t13\tadvcl\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tspouse\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n8\tmore\t_\tADJ\tJJR\t_\t13\tnsubj\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\telderly\t_\tADJ\tJJ\t_\t8\tnmod\t_\t_\n12\tare\t_\tAUX\tVBP\t_\t13\taux\t_\t_\n13\tstaying\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n14\tindependent\t_\tADJ\tJJ\t_\t13\txcomp\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\tnew\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n3\tCensus\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tBureau\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tstudy\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n6\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tnoninstitutionalized\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tpopulation\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n10\tshows\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n11\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n12\t64\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\t%\t_\tSYM\tNN\t_\t21\tnsubj\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tpeople\t_\tNOU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_\t_\n2\tcouncil\t_\tNOUN\tNN\t_\t4\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\taction\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n5\tis\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n6\tyet\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tanother\t_\tDET\tDT\t_\t8\tamod\t_\t_\n8\tblow\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n9\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tsport\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tthat\t_\tADP\tIN\t_\t15\tdobj\t_\t_\n13\tits\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n14\tfans\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n15\tclaim\t_\tNOUN\tVBP\t_\t11\tacl:relcl\t_\t_\n16\thas\t_\tAUX\tVBZ\t_\t18\taux\t_\t_\n17\tbeen\t_\tAUX\tVBN\t_\t18\tauxpass\t_\t_\n18\tmaligned\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n19\tunjustly\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n20\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tyears\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tObviously\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n3\tthey\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n4\t're\t_\tVERB\tVBP\t_\t7\tcop\t_\t_\n5\tnot\t_\tPART\tRB\t_\t7\tneg\t_\t_\n6\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\ttouch\t_\tNOUN\tNN\t_\t15\tccomp\t_\t_\n8\twith\t_\tSCONJ\tIN\t_\t11\tmark\t_\t_\n9\twhat\t_\tPRON\tWP\t_\t11\tnsubj\t_\t_\n10\t's\t_\tAUX\tVBZ\t_\t11\taux\t_\t_\n11\tgoing\t_\tVERB\tVBG\t_\t7\tacl\t_\t_\n12\ton\t_\tADP\tRP\t_\t11\tcompound:prt\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\tTom\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tManske\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tvice\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tpresident\t_\tNOUN\tNN\t_\t17\tappos\t_\t_\n21\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n23\tNational\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n24\tPocket\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n25\tBilliards\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tAssociation\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tPool\t_\tNOUN\tNNP\t_\t3\tnsubj\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t3\tcop\t_\t_\n3\thot\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tNew\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tYork\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tChicago\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n10\the\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n11\tinsists\t_\tVERB\tVBZ\t_\t6\tdep\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\twhere\t_\tADV\tWRB\t_\t21\tadvmod\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n15\tupscale\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n17\tsuit-and-tie\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tplaces\t_\tNOUN\tNNS\t_\t21\tnsubj\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n20\tare\t_\tAUX\tVBP\t_\t21\taux\t_\t_\n21\tadding\t_\tVERB\tVBG\t_\t6\tacl:relcl\t_\t_\n22\ttables\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tWith\t_\tADP\tIN\t_\t7\tcase\t_\t_\n2\ttoday\t_\tNOUN\tNN\t_\t7\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\ttougher\t_\tADJ\tJJR\t_\t7\tamod\t_\t_\n5\tdrunk\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tdriving\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tlaws\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\the\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\tadds\t_\tVERB\tVBZ\t_\t16\tparataxis\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n13\tpeople\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n14\tdo\t_\tAUX\tVBP\t_\t16\taux\t_\t_\n15\tn't\t_\tPART\tRB\t_\t16\tneg\t_\t_\n16\twant\t_\tVERB\tVB\t_\t0\troot\t_\t_\n17\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n18\tjust\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\tsit\t_\tVERB\tVB\t_\t16\txcomp\t_\t_\n20\taround\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n22\tdrink\t_\tVERB\tVB\t_\t19\tconj\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n24\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n\n1\tBesides\t_\tADP\tIN\t_\t5\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n3\trowdy\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tbehavior\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\tseems\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\tunlikely\t_\tADJ\tJJ\t_\t5\txcomp\t_\t_\n7\tat\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tGrand\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tKempinski\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\twhere\t_\tADV\tWRB\t_\t14\tadvmod\t_\t_\n13\trooms\t_\tNOUN\tNNS\t_\t14\tnsubj\t_\t_\n14\taverage\t_\tVERB\tVBP\t_\t10\tacl:relcl\t_\t_\n15\t$\t_\tSYM\t$\t_\t16\tdep\t_\t_\n16\t200\t_\tNUM\tCD\t_\t14\tdobj\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tnight\t_\tNOUN\tNN\t_\t16\tnmod:npmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n20\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n21\tcheap\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\tmixed\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tdrinks\t_\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PUNCT\t,\t_\t3\tpunct\t_\t_\n7\talthough\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n8\tthey\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\targued\t_\tVERB\tVBD\t_\t3\tadvcl\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tproblems\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n13\twere\t_\tVERB\tVBD\t_\t16\tcop\t_\t_\n14\tn't\t_\tPART\tRB\t_\t16\tneg\t_\t_\n15\tas\t_\tADV\tIN\t_\t16\tadvmod\t_\t_\n16\tsevere\t_\tADJ\tJJ\t_\t9\tccomp\t_\t_\n17\tas\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tmedia\t_\tNOUN\tNNS\t_\t20\tnsubj\t_\t_\n20\tsuggested\t_\tVERB\tVBD\t_\t16\tdep\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n2\tcomes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tpool\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tflap\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthink\t_\tVERB\tVBP\t_\t18\tccomp\t_\t_\n4\tthere\t_\tPRON\tEX\t_\t5\texpl\t_\t_\n5\t's\t_\tVERB\tVBZ\t_\t3\tccomp\t_\t_\n6\tsome\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tpeople\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n8\tworried\t_\tADJ\tVBN\t_\t7\tdep\t_\t_\n9\tabout\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tsomething\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n11\tpretty\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tridiculous\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n15\tCouncilman\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tJohn\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tNolan\t_\tPROPN\tNNP\t_\t18\tnsubj\t_\t_\n18\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthought\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthis\t_\tPRON\tDT\t_\t7\tnsubjpass\t_\t_\n5\twas\t_\tAUX\tVBD\t_\t7\tauxpass\t_\t_\n6\tall\t_\tDET\tDT\t_\t7\tdep\t_\t_\n7\ttaken\t_\tVERB\tVBN\t_\t3\tccomp\t_\t_\n8\tcare\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t7\tnmod\t_\t_\n10\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\t`\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n12\tThe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tMusic\t_\tNOUN\tNNP\t_\t14\tcompound\t_\t_\n14\tMan\t_\tNOUN\tNNP\t_\t7\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tonly\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tthing\t_\tNOUN\tNN\t_\t28\tnsubj\t_\t_\n4\tRobert\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tGoldberg\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n6\tcould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tpraise\t_\tVERB\tVB\t_\t3\tacl:relcl\t_\t_\n8\tabout\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\tCBS\t_\tPROPN\tNNP\t_\t12\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tnew\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tshow\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n14\tIsland\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tSon\t_\tPROPN\tNNP\t_\t12\tdep\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n17\t-LRB-\t_\tPUNCT\t-LRB-\t_\t18\tpunct\t_\t_\n18\tLeisure\t_\tPROPN\tNN\t_\t12\tdep\t_\t_\n19\t&\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tArts\t_\tPROPN\tNNS\t_\t18\tconj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n22\tSept.\t_\tPROPN\tNNP\t_\t18\tnmod:tmod\t_\t_\n23\t25\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n24\t-RRB-\t_\tPUNCT\t-RRB-\t_\t18\tpunct\t_\t_\n25\twas\t_\tVERB\tVBD\t_\t28\tcop\t_\t_\n26\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n27\tlocal\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tcolor\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n29\t;\t_\tPUNCT\t:\t_\t28\tpunct\t_\t_\n30\tunfortunately\t_\tADV\tRB\t_\t40\tadvmod\t_\t_\n31\tneither\t_\tCONJ\tCC\t_\t32\tcc:preconj\t_\t_\n32\the\t_\tPRON\tPRP\t_\t40\tnsubj\t_\t_\n33\tnor\t_\tCONJ\tCC\t_\t32\tcc\t_\t_\n34\tthe\t_\tDET\tDT\t_\t35\tdet\t_\t_\n35\tproducers\t_\tNOUN\tNNS\t_\t32\tconj\t_\t_\n36\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tthe\t_\tDET\tDT\t_\t38\tdet\t_\t_\n38\tshow\t_\tNOUN\tNN\t_\t35\tnmod\t_\t_\n39\thave\t_\tAUX\tVBP\t_\t40\taux\t_\t_\n40\tdone\t_\tVERB\tVBN\t_\t28\tparataxis\t_\t_\n41\ttheir\t_\tPRON\tPRP$\t_\t42\tnmod:poss\t_\t_\n42\thomework\t_\tNOUN\tNN\t_\t40\tdobj\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t28\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tinstance\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n3\t:\t_\tPUNCT\t:\t_\t14\tpunct\t_\t_\n4\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n5\tHaole\t_\tX\tNNP\t_\t14\tnsubj\t_\t_\n6\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n7\t-LRB-\t_\tPUNCT\t-LRB-\t_\t8\tpunct\t_\t_\n8\twhite\t_\tADJ\tJJ\t_\t5\tdep\t_\t_\n9\t-RRB-\t_\tPUNCT\t-RRB-\t_\t8\tpunct\t_\t_\n10\tis\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n11\tnot\t_\tPART\tRB\t_\t14\tneg\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tultimate\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tinsult\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n15\t;\t_\tPUNCT\t:\t_\t14\tpunct\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n17\tMainland\t_\tADJ\tNN\t_\t18\tamod\t_\t_\n18\thaole\t_\tX\tNN\t_\t20\tnsubj\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n20\tis\t_\tVERB\tVBZ\t_\t14\tparataxis\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tRichard\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tChamberlain\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tdresses\t_\tVERB\tNNS\t_\t0\troot\t_\t_\n4\tas\t_\tADP\tIN\t_\t8\tcase\t_\t_\n5\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n7\tMainland\t_\tADJ\tNN\t_\t8\tamod\t_\t_\n8\thaole\t_\tX\tNN\t_\t3\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n11\ttucking\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n12\tin\t_\tADP\tIN\t_\t11\tcompound:prt\t_\t_\n13\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tHawaiian\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tshirt\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n17\trolling\t_\tVERB\tVBG\t_\t11\tconj\t_\t_\n18\tup\t_\tADP\tRP\t_\t17\tcompound:prt\t_\t_\n19\tits\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n20\tlong\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tsleeves\t_\tNOUN\tNNS\t_\t17\tdobj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tlocal\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\texpression\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n5\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tbrother\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\tis\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n9\tbrah\t_\tX\tNN\t_\t14\tcompound\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n12\tnot\t_\tADV\tRB\t_\t14\tneg\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n14\tbruddah\t_\tX\tNN\t_\t0\troot\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n2\teven\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n3\tif\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tnurse\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n6\twould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\twear\t_\tVERB\tVB\t_\t22\tadvcl\t_\t_\n8\tflowers\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\ther\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n11\thair\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n12\twhile\t_\tNOUN\tIN\t_\t14\tdep\t_\t_\n13\ton\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tduty\t_\tNOUN\tNN\t_\t7\tdep\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n16\tif\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n17\tshe\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n18\twere\t_\tVERB\tVBD\t_\t19\tcop\t_\t_\n19\tengaged\t_\tADJ\tVBN\t_\t22\tadvcl\t_\t_\n20\tshe\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n21\twould\t_\tAUX\tMD\t_\t22\taux\t_\t_\n22\tknow\t_\tVERB\tVB\t_\t0\troot\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\twear\t_\tVERB\tVB\t_\t22\txcomp\t_\t_\n25\tthem\t_\tPRON\tPRP\t_\t24\tdobj\t_\t_\n26\tbehind\t_\tADP\tIN\t_\t33\tcase\t_\t_\n27\ther\t_\tPRON\tPRP$\t_\t33\tdep\t_\t_\n28\tleft\t_\tADJ\tNN\t_\t31\tamod\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n30\tnot\t_\tADV\tRB\t_\t31\tneg\t_\t_\n31\tright\t_\tADJ\tRB\t_\t33\tamod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\tear\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tSorry\t_\tADJ\tJJ\t_\t8\tdiscourse\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tshow\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n5\tdoes\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n6\tnot\t_\tPART\tRB\t_\t8\tneg\t_\t_\n7\teven\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\thave\t_\tVERB\tVB\t_\t0\troot\t_\t_\n9\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tone\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n11\tredeeming\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tquality\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n13\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n14\tgenuine\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tlocal\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tcolor\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tAnita\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tDavis\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n\n1\tOf\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tall\t_\tDET\tPDT\t_\t5\tdet:predet\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tethnic\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\ttensions\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n6\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tAmerica\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n9\twhich\t_\tPRON\tWDT\t_\t13\tnsubj\t_\t_\n10\tis\t_\tVERB\tVBZ\t_\t13\tcop\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tmost\t_\tADV\tRBS\t_\t13\tadvmod\t_\t_\n13\ttroublesome\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n14\tright\t_\tADV\tNN\t_\t15\tadvmod\t_\t_\n15\tnow\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n16\t?\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tgood\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tbet\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n4\twould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n5\tbe\t_\tVERB\tVB\t_\t7\tcop\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\ttension\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n8\tbetween\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tblacks\t_\tPROPN\tNNS\t_\t7\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tJews\t_\tPROPN\tNNS\t_\t9\tconj\t_\t_\n12\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tNew\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n14\tYork\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tCity\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tOr\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tso\t_\tADP\tIN\t_\t5\tadvmod\t_\t_\n3\tit\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\tmust\t_\tAUX\tMD\t_\t5\taux\t_\t_\n5\tseem\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n7\tJackie\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tMason\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n11\tveteran\t_\tADJ\tNN\t_\t13\tamod\t_\t_\n12\tJewish\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tcomedian\t_\tNOUN\tNN\t_\t8\tappos\t_\t_\n14\tappearing\t_\tVERB\tVBG\t_\t13\tacl\t_\t_\n15\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n17\tnew\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\tABC\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tsitcom\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n20\tairing\t_\tNOUN\tVBG\t_\t19\tdep\t_\t_\n21\ton\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tTuesday\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tnights\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n24\t-LRB-\t_\tPUNCT\t-LRB-\t_\t27\tpunct\t_\t_\n25\t9:30-10\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n26\tp.m.\t_\tADV\tRB\t_\t27\tadvmod\t_\t_\n27\tEDT\t_\tPROPN\tNNP\t_\t20\tdep\t_\t_\n28\t-RRB-\t_\tPUNCT\t-RRB-\t_\t27\tpunct\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tNot\t_\tPART\tRB\t_\t2\tdep\t_\t_\n2\tonly\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t18\tdep\t_\t_\n4\tMr.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tMason\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tstar\t_\tNOUN\tNN\t_\t3\tdep\t_\t_\n8\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n10\tChicken\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tSoup\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n14\the\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n15\t's\t_\tVERB\tVBZ\t_\t18\tcop\t_\t_\n16\talso\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tinheritor\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n19\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tcomedic\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\ttradition\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\tdating\t_\tVERB\tVBG\t_\t22\tacl\t_\t_\n24\tback\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n25\tto\t_\tADP\tTO\t_\t28\tcase\t_\t_\n26\t``\t_\tPUNCT\t``\t_\t28\tpunct\t_\t_\n27\tDuck\t_\tPROPN\tNN\t_\t28\tcompound\t_\t_\n28\tSoup\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n30\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n31\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n32\the\t_\tPRON\tPRP\t_\t36\tnsubj\t_\t_\n33\t's\t_\tVERB\tVBZ\t_\t36\tcop\t_\t_\n34\tcurrently\t_\tADV\tRB\t_\t36\tadvmod\t_\t_\n35\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tman\t_\tNOUN\tNN\t_\t18\tconj\t_\t_\n37\tin\t_\tADP\tIN\t_\t39\tcase\t_\t_\n38\thot\t_\tADJ\tJJ\t_\t39\tamod\t_\t_\n39\twater\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n40\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tHere\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n3\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tneutral\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tlanguage\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n7\tis\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tgist\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n10\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\tMr.\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tMason\t_\tPROPN\tNNP\t_\t14\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tremarks\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\tquoted\t_\tVERB\tVBN\t_\t14\tdep\t_\t_\n17\tfirst\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n18\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tVillage\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tVoice\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n22\twhile\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n23\the\t_\tPRON\tPRP\t_\t27\tnsubj\t_\t_\n24\twas\t_\tVERB\tVBD\t_\t27\tcop\t_\t_\n25\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n26\tpaid\t_\tADJ\tVBN\t_\t27\tamod\t_\t_\n27\tspokesman\t_\tNOUN\tNN\t_\t16\tadvcl\t_\t_\n28\tfor\t_\tADP\tIN\t_\t33\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n30\tRudolph\t_\tPROPN\tNNP\t_\t33\tcompound\t_\t_\n31\tGiuliani\t_\tPROPN\tNNP\t_\t33\tcompound\t_\t_\n32\tmayoral\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n33\tcampaign\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n34\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n35\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n36\tthen\t_\tADV\tRB\t_\t16\tconj\t_\t_\n37\tin\t_\tADP\tIN\t_\t38\tcase\t_\t_\n38\tNewsweek\t_\tPROPN\tNNP\t_\t36\tnmod\t_\t_\n39\tafter\t_\tSCONJ\tIN\t_\t44\tmark\t_\t_\n40\the\t_\tPRON\tPRP\t_\t44\tnsubj\t_\t_\n41\tand\t_\tCONJ\tCC\t_\t40\tcc\t_\t_\n42\tthe\t_\tDET\tDT\t_\t43\tdet\t_\t_\n43\tcampaign\t_\tNOUN\tNN\t_\t40\tconj\t_\t_\n44\tparted\t_\tVERB\tVBD\t_\t36\tadvcl\t_\t_\n45\tcompany\t_\tNOUN\tNN\t_\t4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\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tMason\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n16\tis\t_\tVERB\tVBZ\t_\t20\tcop\t_\t_\n17\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n18\tlike\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tdinosaur\t_\tNOUN\tNN\t_\t12\tccomp\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tPeople\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n2\tare\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\tfast\t_\tADV\tJJ\t_\t4\tadvmod\t_\t_\n4\tleaving\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tplace\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\twhere\t_\tADV\tWRB\t_\t10\tadvmod\t_\t_\n8\the\t_\tPRON\tPRP\t_\t10\tnsubjpass\t_\t_\n9\tis\t_\tAUX\tVBZ\t_\t10\tauxpass\t_\t_\n10\tstuck\t_\tVERB\tVBN\t_\t6\tacl:relcl\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tThese\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcritics\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tfail\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tdistinguish\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\tbetween\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\ttype\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tethnic\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\thumor\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tthat\t_\tPRON\tWDT\t_\t13\tnsubj\t_\t_\n13\taims\t_\tVERB\tVBZ\t_\t8\tacl:relcl\t_\t_\n14\tat\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n15\tdisparaging\t_\tVERB\tVBG\t_\t13\tadvcl\t_\t_\n16\tanother\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tgroup\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n19\tsuch\t_\tADJ\tJJ\t_\t23\tcase\t_\t_\n20\tas\t_\tADP\tIN\t_\t19\tmwe\t_\t_\n21\t``\t_\tPUNCT\t``\t_\t23\tpunct\t_\t_\n22\tPolish\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tjokes\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n24\t''\t_\tPUNCT\t''\t_\t23\tpunct\t_\t_\n25\t;\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\ttype\t_\tNOUN\tNN\t_\t8\tconj\t_\t_\n29\tthat\t_\tPRON\tWDT\t_\t31\tnsubj\t_\t_\n30\tis\t_\tVERB\tVBZ\t_\t31\tcop\t_\t_\n31\tdouble-edged\t_\tADJ\tJJ\t_\t28\tacl:relcl\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\taiming\t_\tVERB\tVBG\t_\t31\txcomp\t_\t_\n34\tinward\t_\tADV\tJJ\t_\t33\tadvmod\t_\t_\n35\tas\t_\tADV\tRB\t_\t34\tcc\t_\t_\n36\twell\t_\tADV\tRB\t_\t35\tmwe\t_\t_\n37\tas\t_\tADP\tIN\t_\t35\tmwe\t_\t_\n38\toutward\t_\tADV\tJJ\t_\t34\tconj\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tlatter\t_\tADJ\tJJ\t_\t6\tnsubj\t_\t_\n3\ttypically\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\thumor\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tunderdog\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n12\tit\t_\tPRON\tPRP\t_\t14\tnsubjpass\t_\t_\n13\twas\t_\tAUX\tVBD\t_\t14\tauxpass\t_\t_\n14\tperfected\t_\tVERB\tVBN\t_\t6\tconj\t_\t_\n15\tby\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tboth\t_\tDET\tCC\t_\t17\tcc:preconj\t_\t_\n17\tblacks\t_\tPROPN\tNNS\t_\t14\tnmod\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\tJews\t_\tPROPN\tNNS\t_\t17\tconj\t_\t_\n20\ton\t_\tADP\tIN\t_\t25\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n22\tminstrel\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\tvaudeville\t_\tNOUN\tNN\t_\t22\tconj\t_\t_\n25\tstage\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n26\tas\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tmeans\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n29\tof\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n30\tmocking\t_\tVERB\tVBG\t_\t28\tacl\t_\t_\n31\ttheir\t_\tPRON\tPRP$\t_\t35\tnmod:poss\t_\t_\n32\twhite\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n33\tand\t_\tCONJ\tCC\t_\t32\tcc\t_\t_\n34\tgentile\t_\tADJ\tJJ\t_\t32\tconj\t_\t_\n35\taudiences\t_\tNOUN\tNNS\t_\t30\tdobj\t_\t_\n36\talong\t_\tADP\tIN\t_\t35\tadvmod\t_\t_\n37\twith\t_\tADP\tIN\t_\t38\tcase\t_\t_\n38\tthemselves\t_\tPRON\tPRP\t_\t36\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\thands\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tzealot\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\tlike\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tLenny\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tBruce\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n11\tthis\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tdouble-edged\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tblade\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n14\tcould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\tcut\t_\tVERB\tVB\t_\t0\troot\t_\t_\n16\tboth\t_\tDET\tCC\t_\t18\tcc:preconj\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tself\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\taudience\t_\tNOUN\tNN\t_\t18\tconj\t_\t_\n22\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n23\tribbons\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n2\twielded\t_\tVERB\tVBN\t_\t14\tadvcl\t_\t_\n3\tby\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tpro\t_\tNOUN\tFW\t_\t2\tnmod\t_\t_\n6\tlike\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tJackie\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tMason\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n10\tit\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n11\tis\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tconstructive\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tform\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n15\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tmischief\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tWhy\t_\tADV\tWRB\t_\t2\tadvmod\t_\t_\n2\tconstructive\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n3\t?\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tBecause\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n2\tdespite\t_\tADP\tIN\t_\t6\tcase\t_\t_\n3\tall\t_\tDET\tPDT\t_\t6\tdet:predet\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tmedia\t_\tNOUN\tNNS\t_\t6\tcompound\t_\t_\n6\tprattle\t_\tNOUN\tVBP\t_\t16\tnmod\t_\t_\n7\tabout\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n8\tcomedy\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tpolitics\t_\tNOUN\tNNS\t_\t8\tconj\t_\t_\n11\tnot\t_\tADV\tRB\t_\t12\tneg\t_\t_\n12\tmixing\t_\tVERB\tVBG\t_\t6\tacl\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n14\tthey\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n15\tare\t_\tVERB\tVBP\t_\t16\tcop\t_\t_\n16\tsimilar\t_\tADJ\tJJ\t_\t23\tdep\t_\t_\n17\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tone\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\trespect\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\t:\t_\tPUNCT\t:\t_\t23\tpunct\t_\t_\n21\tBoth\t_\tDET\tCC\t_\t23\tnsubj\t_\t_\n22\tcan\t_\tAUX\tMD\t_\t23\taux\t_\t_\n23\tserve\t_\tVERB\tVB\t_\t0\troot\t_\t_\n24\tas\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tmechanisms\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n26\tfor\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n27\teasing\t_\tVERB\tVBG\t_\t25\tacl\t_\t_\n28\ttensions\t_\tNOUN\tNNS\t_\t27\tdobj\t_\t_\n29\tand\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n30\tfacilitating\t_\tVERB\tVBG\t_\t27\tconj\t_\t_\n31\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n32\tco-existence\t_\tNOUN\tNN\t_\t30\tdobj\t_\t_\n33\tof\t_\tADP\tIN\t_\t34\tcase\t_\t_\n34\tgroups\t_\tNOUN\tNNS\t_\t32\tnmod\t_\t_\n35\tin\t_\tADP\tIN\t_\t36\tcase\t_\t_\n36\tconflict\t_\tNOUN\tNN\t_\t34\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\tThat\t_\tPRON\tDT\t_\t2\tnsubj\t_\t_\n2\t's\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\twhy\t_\tADV\tWRB\t_\t6\tadvmod\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\t's\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n6\tdangerous\t_\tADJ\tJJ\t_\t2\tadvcl\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\thave\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\twell-intentioned\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\tthought\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tpolice\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n13\ton\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tcollege\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tcampuses\t_\tNOUN\tNNS\t_\t19\tdep\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\telsewhere\t_\tADV\tRB\t_\t15\tconj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n19\ttaboo\t_\tVERB\tNN\t_\t8\tccomp\t_\t_\n20\tall\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tcritical\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tmention\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n23\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tgroup\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tdifferences\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAs\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n2\tElizabeth\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tKristol\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\twrote\t_\tVERB\tVBD\t_\t21\tadvcl\t_\t_\n5\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tNew\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tYork\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tTimes\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n10\tjust\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n11\tbefore\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tMason\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tdonnybrook\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n17\tPerhaps\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n18\tintolerance\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n19\twould\t_\tAUX\tMD\t_\t21\taux\t_\t_\n20\tnot\t_\tPART\tRB\t_\t21\tneg\t_\t_\n21\tboil\t_\tVERB\tVB\t_\t0\troot\t_\t_\n22\tover\t_\tADP\tRP\t_\t21\tcompound:prt\t_\t_\n23\twith\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tsuch\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tintensity\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n26\tif\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n27\thonest\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tdifferences\t_\tNOUN\tNNS\t_\t30\tnsubjpass\t_\t_\n29\twere\t_\tAUX\tVBD\t_\t30\tauxpass\t_\t_\n30\tallowed\t_\tVERB\tVBN\t_\t21\tadvcl\t_\t_\n31\tto\t_\tPART\tTO\t_\t32\tmark\t_\t_\n3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t\t_\t_\n22\tNation\t_\tPROPN\tNN\t_\t19\tnmod\t_\t_\n23\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tIslam\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tBack\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n2\tin\t_\tADP\tIN\t_\t4\tcase\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\t1920s\t_\tNOUN\tCD\t_\t1\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n7\tplay\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tmovie\t_\tNOUN\tNN\t_\t7\tconj\t_\t_\n10\tversions\t_\tNOUN\tNNS\t_\t18\tnsubj\t_\t_\n11\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n12\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n13\tAbie\t_\tPROPN\tNNP\t_\t16\tnmod:poss\t_\t_\n14\t's\t_\tPART\tPOS\t_\t13\tcase\t_\t_\n15\tIrish\t_\tPROPN\tJJ\t_\t16\tcompound\t_\t_\n16\tRose\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n18\tmade\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\ttheme\t_\tNOUN\tNN\t_\t33\tnsubj\t_\t_\n21\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tcourtship\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n23\tbetween\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tassimilated\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\toffspring\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n27\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n28\tJewish\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n29\tand\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n30\tIrish\t_\tADJ\tJJ\t_\t28\tconj\t_\t_\n31\timmigrants\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n32\tso\t_\tADV\tRB\t_\t33\tadvmod\t_\t_\n33\tpopular\t_\tADJ\tJJ\t_\t18\txcomp\t_\t_\n34\tthat\t_\tSCONJ\tIN\t_\t41\tmark\t_\t_\n35\tits\t_\tPRON\tPRP$\t_\t36\tnmod:poss\t_\t_\n36\tauthor\t_\tNOUN\tNN\t_\t41\tnsubj\t_\t_\n37\t,\t_\tPUNCT\t,\t_\t36\tpunct\t_\t_\n38\tAnne\t_\tPROPN\tNNP\t_\t39\tcompound\t_\t_\n39\tNichols\t_\tPROPN\tNNP\t_\t36\tappos\t_\t_\n40\t,\t_\tPUNCT\t,\t_\t36\tpunct\t_\t_\n41\tlost\t_\tVERB\tVBD\t_\t33\tccomp\t_\t_\n42\ta\t_\tDET\tDT\t_\t44\tdet\t_\t_\n43\tplagiarism\t_\tNOUN\tNN\t_\t44\tcompound\t_\t_\n44\tsuit\t_\tNOUN\tNN\t_\t41\tdobj\t_\t_\n45\ton\t_\tADP\tIN\t_\t47\tcase\t_\t_\n46\tthe\t_\tDET\tDT\t_\t47\tdet\t_\t_\n47\tgrounds\t_\tNOUN\tNNS\t_\t41\tnmod\t_\t_\n48\tthat\t_\tSCONJ\tIN\t_\t52\tmark\t_\t_\n49\tthe\t_\tDET\tDT\t_\t50\tdet\t_\t_\n50\tplot\t_\tNOUN\tNN\t_\t52\tnsubj\t_\t_\n51\thas\t_\tAUX\tVBZ\t_\t52\taux\t_\t_\n52\tentered\t_\tVERB\tVBN\t_\t47\tccomp\t_\t_\n53\tthe\t_\tDET\tDT\t_\t55\tdet\t_\t_\n54\tpublic\t_\tADJ\tJJ\t_\t55\tamod\t_\t_\n55\tdomain\t_\tNOUN\tNN\t_\t52\tdobj\t_\t_\n56\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n2\tit\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\thas\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\tremained\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tthere\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n7\tas\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n8\tevidenced\t_\tVERB\tVBN\t_\t4\tadvcl\t_\t_\n9\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tits\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n11\treappearance\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n14\t1972\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n15\tCBS\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tsitcom\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n17\tcalled\t_\tVERB\tVBN\t_\t16\tacl\t_\t_\n18\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n19\tBridget\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n20\tLoves\t_\tPROPN\tVBZ\t_\t21\tdep\t_\t_\n21\tBernie\t_\tPROPN\tNNP\t_\t17\txcomp\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n23\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n24\twhose\t_\tPRON\tWP$\t_\t26\tnmod:poss\t_\t_\n25\tsole\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tdistinction\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n27\twas\t_\tVERB\tVBD\t_\t16\tacl:relcl\t_\t_\n28\tthat\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n29\tit\t_\tPRON\tPRP\t_\t30\tnsubj\t_\t_\n30\tled\t_\tVERB\tVBD\t_\t27\tccomp\t_\t_\n31\tto\t_\tADP\tTO\t_\t34\tcase\t_\t_\n32\tthe\t_\tDET\tDT\t_\t34\tdet\t_\t_\n33\treal-life\t_\tADJ\tJJ\t_\t34\tamod\t_\t_\n34\tmarriage\t_\tNOUN\tNN\t_\t30\tnmod\t_\t_\n35\tof\t_\tADP\tIN\t_\t37\tcase\t_\t_\n36\tMeredith\t_\tPROPN\tNNP\t_\t37\tcompound\t_\t_\n37\tBaxter\t_\tPROPN\tNNP\t_\t34\tnmod\t_\t_\n38\tand\t_\tCONJ\tCC\t_\t37\tcc\t_\t_\n39\tDavid\t_\tPROPN\tNNP\t_\t40\tcompound\t_\t_\n40\tBirney\t_\tPROPN\tNNP\t_\t37\tconj\t_\t_\n41\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tClearly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tquestion\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n5\twith\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n7\tChicken\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tSoup\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n10\tis\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n11\tnot\t_\tPART\tRB\t_\t10\tneg\t_\t_\n12\twhether\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tpot\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n15\twill\t_\tAUX\tMD\t_\t16\taux\t_\t_\n16\tboil\t_\tVERB\tVB\t_\t10\tccom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_\t_\n28\twidened\t_\tVERB\tVBN\t_\t22\tacl:relcl\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n30\trather\t_\tADV\tRB\t_\t28\tcc\t_\t_\n31\tthan\t_\tADP\tIN\t_\t30\tmwe\t_\t_\n32\tnarrowed\t_\tVERB\tVBN\t_\t28\tconj\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n34\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n35\tfederal\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n36\tbudget\t_\tNOUN\tNN\t_\t37\tcompound\t_\t_\n37\tdeficit\t_\tNOUN\tNN\t_\t28\tconj\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tLawmakers\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n2\tdrastically\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tstreamlined\t_\tVERB\tJJ\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tbill\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tblunt\t_\tVERB\tVB\t_\t3\tadvcl\t_\t_\n8\tcriticism\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n9\tthat\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n10\tit\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n11\twas\t_\tVERB\tVBD\t_\t12\tcop\t_\t_\n12\tbloated\t_\tADJ\tJJ\t_\t8\tccomp\t_\t_\n13\twith\t_\tADP\tIN\t_\t16\tcase\t_\t_\n14\tspecial-interest\t_\tNOUN\tJJ\t_\t16\tdep\t_\t_\n15\ttax\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tbreaks\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\tspending\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tincreases\t_\tNOUN\tNNS\t_\t16\tconj\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t're\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n4\tputting\t_\tVERB\tVBG\t_\t19\tccomp\t_\t_\n5\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tdeficit-reduction\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tbill\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n8\tback\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tcategory\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n12\tof\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n13\tbeing\t_\tVERB\tVBG\t_\t16\tcop\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tdeficit-reduction\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tbill\t_\tNOUN\tNN\t_\t11\tacl\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n19\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\tSenate\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n21\tBudget\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n22\tCommittee\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n23\tChairman\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n24\tJames\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tSasser\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n26\t-LRB-\t_\tPUNCT\t-LRB-\t_\t27\tpunct\t_\t_\n27\tD.\t_\tPROPN\tNNP\t_\t25\tappos\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n29\tTenn\t_\tPROPN\tNNP\t_\t27\tdep\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t29\tpunct\t_\t_\n31\t-RRB-\t_\tPUNCT\t-RRB-\t_\t27\tpunct\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n2\tSenate\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tsupporters\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\ttrimmer\t_\tADJ\tNN\t_\t7\tamod\t_\t_\n7\tlegislation\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n8\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tthat\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n10\tother\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tbills\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n12\twould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n13\tsoon\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n14\tbe\t_\tAUX\tVB\t_\t15\taux\t_\t_\n15\tmoving\t_\tVERB\tVBG\t_\t8\tccomp\t_\t_\n16\tthrough\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tCongress\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n18\tthat\t_\tPRON\tWDT\t_\t20\tnsubj\t_\t_\n19\tcould\t_\tAUX\tMD\t_\t20\taux\t_\t_\n20\tcarry\t_\tVERB\tVB\t_\t15\tccomp\t_\t_\n21\tsome\t_\tDET\tDT\t_\t20\tdobj\t_\t_\n22\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tmeasures\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n25\tthat\t_\tPRON\tWDT\t_\t28\tnsubjpass\t_\t_\n26\thad\t_\tAUX\tVBD\t_\t28\taux\t_\t_\n27\tbeen\t_\tAUX\tVBN\t_\t28\tauxpass\t_\t_\n28\tcast\t_\tVERB\tVBN\t_\t24\tacl:relcl\t_\t_\n29\taside\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n31\tincluding\t_\tVERB\tVBG\t_\t35\tcase\t_\t_\n32\ta\t_\tDET\tDT\t_\t35\tdet\t_\t_\n33\tcapital-gains\t_\tNOUN\tNNS\t_\t35\tcompound\t_\t_\n34\ttax\t_\tNOUN\tNN\t_\t35\tcompound\t_\t_\n35\tcut\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\taddition\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tcompanion\t_\tADJ\tNN\t_\t7\tamod\t_\t_\n6\tdeficit-reduction\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tbill\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n8\talready\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tpassed\t_\tVERB\tVBN\t_\t7\tacl\t_\t_\n10\tby\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tHouse\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\tincludes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tcapital-gains\t_\tNOUN\tJJ\t_\t16\tcompound\t_\t_\n16\tprovision\t_\tNOUN\tNN\t_\t13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:tmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tMost\t_\tADJ\tJJS\t_\t3\tamod\t_\t_\n3\tpeople\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\t''\t_\tPUNCT\t''\t_\t7\tpunct\t_\t_\n6\the\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n7\tsays\t_\tVERB\tVBZ\t_\t10\tparataxis\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n10\thave\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n11\tno\t_\tDET\tDT\t_\t12\tneg\t_\t_\n12\tidea\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\twhat\t_\tPRON\tWP\t_\t17\tnmod\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tmassacre\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tpattern\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n17\tlooks\t_\tVERB\tVBZ\t_\t12\tccomp\t_\t_\n18\tlike\t_\tADP\tIN\t_\t13\tcase\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n\n1\tElaine\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tGarzarelli\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tquantitative\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tanalyst\t_\tNOUN\tNN\t_\t13\tccomp\t_\t_\n4\twith\t_\tADP\tIN\t_\t8\tcase\t_\t_\n5\tShearson\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n6\tLehman\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tHutton\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tInc.\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n10\tMs.\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tGarzarelli\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n12\thad\t_\tAUX\tVBD\t_\t13\taux\t_\t_\n13\twarned\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n14\tclients\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\ttake\t_\tVERB\tVB\t_\t13\txcomp\t_\t_\n17\ttheir\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n18\tmoney\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tout\t_\tADP\tIN\t_\t16\tadvmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tmarket\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n23\tbefore\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\t1987\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n26\tcrash\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tFriday\t_\tPROPN\tNNP\t_\t4\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tbig\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tdrop\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n6\tshe\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n7\tsays\t_\tVERB\tVBZ\t_\t13\tparataxis\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t13\tpunct\t_\t_\n10\twas\t_\tVERB\tVBD\t_\t13\tcop\t_\t_\n11\tnot\t_\tPART\tRB\t_\t13\tneg\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tcrash\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tThis\t_\tPRON\tDT\t_\t5\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t5\tcop\t_\t_\n3\tan\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tOctober\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tmassacre\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n7\tlike\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tthose\t_\tPRON\tDT\t_\t5\tnmod\t_\t_\n9\tthat\t_\tPRON\tWDT\t_\t10\tnsubj\t_\t_\n10\toccurred\t_\tVERB\tVBD\t_\t8\tacl:relcl\t_\t_\n11\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\t1978\t_\tNUM\tCD\t_\t10\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\t1979\t_\tNUM\tCD\t_\t12\tconj\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n3\tas\t_\tADP\tIN\t_\t14\tadvmod\t_\t_\n4\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tthose\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\ttwo\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n7\tyears\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n9\ther\t_\tPRON\tPRP$\t_\t12\tnmod:poss\t_\t_\n10\tstock\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n11\tmarket\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tindicators\t_\tNOUN\tNNS\t_\t14\tnsubj\t_\t_\n13\tare\t_\tVERB\tVBP\t_\t14\tcop\t_\t_\n14\tpositive\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tSo\t_\tADP\tIN\t_\t3\tdep\t_\t_\n2\tshe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthinks\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tdamage\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n7\tbe\t_\tVERB\tVB\t_\t8\tcop\t_\t_\n8\tshort-lived\t_\tADJ\tJJ\t_\t3\tccomp\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tcontained\t_\tADJ\tVBD\t_\t8\tconj\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tThose\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tcorrections\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n4\tlasted\t_\tVERB\tVBD\t_\t19\tccomp\t_\t_\n5\tone\t_\tNUM\tCD\t_\t7\tcompound\t_\t_\n6\tto\t_\tADP\tTO\t_\t7\tdep\t_\t_\n7\tfour\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\tweeks\t_\tNOUN\tNNS\t_\t4\tnmod:tmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n10\ttook\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tmarket\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\t10%-12\t_\tNUM\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_\t21\tcompound\t_\t_\n20\tResearch\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tInc\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n2\tMr.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tDavis\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\twhose\t_\tPRON\tWP$\t_\t6\tnmod:poss\t_\t_\n6\tviews\t_\tNOUN\tNNS\t_\t9\tnsubjpass\t_\t_\n7\tare\t_\tAUX\tVBP\t_\t9\tauxpass\t_\t_\n8\twidely\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\trespected\t_\tVERB\tVBN\t_\t3\tacl:relcl\t_\t_\n10\tby\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tmoney\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tmanagers\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n14\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n15\the\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\texpects\t_\tVERB\tVBZ\t_\t14\tccomp\t_\t_\n17\tno\t_\tDET\tDT\t_\t19\tneg\t_\t_\n18\t1987-style\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tcrash\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tThere\t_\tPRON\tEX\t_\t3\texpl\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t12\tccomp\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tunique\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tcombination\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n7\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\t1987\t_\tNUM\tCD\t_\t3\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n11\the\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n2\tMargin\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tdebt\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n5\tat\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\trecord\t_\tADJ\tNN\t_\t8\tamod\t_\t_\n8\thigh\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThere\t_\tPRON\tEX\t_\t2\texpl\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ttremendous\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tpublic\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tenthusiasm\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n6\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tstock\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n8\tmutual\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tfunds\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tmain\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tthing\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t6\tcop\t_\t_\n5\tportfolio\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tinsurance\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n9\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tmechanical\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\ttrading\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tsystem\t_\tNOUN\tNN\t_\t6\tdep\t_\t_\n13\tintended\t_\tVERB\tVBN\t_\t12\tacl\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tprotect\t_\tVERB\tVB\t_\t13\txcomp\t_\t_\n16\tan\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tinvestor\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\tagainst\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tlosses\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n21\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tadvmod\t_\t_\n2\thundred\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tbillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tdollars\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tstock\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n8\tsubject\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t8\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\t1987\t_\tNUM\tCD\t_\t6\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tsuch\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tselling\t_\tNOUN\tVBG\t_\t6\tnsubj\t_\t_\n6\tcontributed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tto\t_\tADP\tTO\t_\t10\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tsnowball\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\teffect\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tToday\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n2\tcould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n3\teven\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n4\tbe\t_\tVERB\tVB\t_\t7\tcop\t_\t_\n5\tan\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tup\t_\tADJ\tRB\t_\t7\tamod\t_\t_\n7\tday\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\tMr.\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tDavis\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n11\tsays\t_\tVERB\tVBZ\t_\t7\tparataxis\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\tif\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n14\tmajor\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tbrokerage\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tfirms\t_\tNOUN\tNNS\t_\t17\tnsubj\t_\t_\n17\tagree\t_\tVERB\tVBP\t_\t7\tadvcl\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\trefrain\t_\tVERB\tVB\t_\t17\txcomp\t_\t_\n20\tfrom\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tprogram\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\ttrading\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tOver\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n3\tnext\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tseveral\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tmonths\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n7\tthough\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\the\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n11\tthings\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n12\tlook\t_\tVERB\tVBP\t_\t10\tccomp\t_\t_\n13\tbad\t_\tADJ\tJJ\t_\t12\txcomp\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthink\t_\tVERB\tVBP\t_\t15\tccomp\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tmarket\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n7\tbe\t_\tAUX\tVB\t_\t8\taux\t_\t_\n8\theading\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n9\tdown\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\tinto\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tNovember\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n14\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\twill\t_\tAUX\tMD\t_\t5\taux\t_\t_\n4\tprobably\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\thave\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tyear-end\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\trally\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n11\tthen\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tgo\t_\tVERB\tVB\t_\t5\tconj\t_\t_\n13\tdown\t_\tADV\tRP\t_\t12\tadvmod\t_\t_\n14\tagain\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tSort\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n2\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n3\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n4\ttwo-step\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tbear\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tmarket\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t1\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\texpects\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tdownturn\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tcarry\t_\tVERB\tVB\t_\t2\txcomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n8\tDow\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n9\tJones\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tIndustrial\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tAverage\t_\tPROPN\tNNP\t_\t6\tdobj\t_\t_\n12\tdown\t_\tADV\tIN\t_\t6\tadvmod\t_\t_\n13\tto\t_\tADP\tTO\t_\t15\tcase\t_\t_\n14\taround\t_\tADP\tIN\t_\t15\tamod\t_\t_\n15\t2000\t_\tNUM\tCD\t_\t6\tnmod\t_\t_\n16\tsometime\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n17\tnext\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tyear\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tThat\t_\tPRON\tDT\t_\t8\tnsubj\t_\t_\n3\twould\t_\tAUX\tMD\t_\t8\taux\t_\t_\n4\tbe\t_\tVERB\tVB\t_\t8\tcop\t_\t_\n5\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\tnormal\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tbear\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tmarket\t_\tNOUN\tNN\t_\t12\tccomp\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n11\the\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tguess\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tthat\t_\tADP\tDT\t_\t7\tnsubj\t_\t_\n5\t's\t_\tPART\tVBZ\t_\t7\tdep\t_\t_\n6\tmy\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n7\tforecast\t_\tNOUN\tNN\t_\t3\tccomp\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tLeon\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tG.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCooperman\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\tdo\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tn't\t_\tPART\tRB\t_\t5\tneg\t_\t_\n5\tthink\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tmarket\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n8\tis\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n9\tgoing\t_\tVERB\tVBG\t_\t5\tccomp\t_\t_\n10\tthrough\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tanother\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tOctober\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\t'87\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tdo\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tthink\t_\tVERB\tVB\t_\t13\tccomp\t_\t_\n5\tthat\t_\tPRON\tDT\t_\t8\tnsubj\t_\t_\n6\t's\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tcase\t_\tNOUN\tNN\t_\t4\tccomp\t_\t_\n9\tat\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tall\t_\tDET\tDT\t_\t8\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n13\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n14\tMr.\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tCooperman\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tpartner\t_\tNOUN\tNN\t_\t15\tappos\t_\t_\n19\tat\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tGoldman\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n22\tSachs\t_\tPROPN\tNNP\t_\t20\tconj\t_\t_\n23\t&\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n24\tCo.\t_\tPROPN\tNNP\t_\t20\tconj\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n26\tchairman\t_\tNOUN\tNN\t_\t18\tconj\t_\t_\n27\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n28\tGoldman\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n29\tSachs\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n30\tAsset\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tManagement\t_\tPROPN\tNNP\t_\t26\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCooperman\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsees\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthis\t_\tPRON\tDT\t_\t3\tdobj\t_\t_\n5\tas\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tgood\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\ttime\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tpick\t_\tVERB\tVB\t_\t8\tacl\t_\t_\n11\tup\t_\tADP\tRP\t_\t10\tcompound:prt\t_\t_\n12\tbargains\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n14\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n15\the\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n16\tdoes\t_\tAUX\tVBZ\t_\t18\taux\t_\t_\n17\tn't\t_\tPART\tRB\t_\t18\tneg\t_\t_\n18\tthink\t_\tVERB\tVB\t_\t3\tconj\t_\t_\n19\tthere\t_\tPRON\tEX\t_\t20\texpl\t_\t_\n20\t's\t_\tVERB\tVBZ\t_\t18\tccomp\t_\t_\n21\tany\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tneed\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\trush\t_\tVERB\tNN\t_\t22\tacl\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\texpect\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tmarket\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\topen\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n8\tweaker\t_\tADJ\tJJR\t_\t7\txcomp\t_\t_\n9\tMonday\t_\tPROPN\tNNP\t_\t7\tnmod:tmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n12\tthen\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n13\tit\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n14\tshould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\tfind\t_\tVERB\tVB\t_\t3\tconj\t_\t_\n16\tsome\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tstability\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tticks\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\toff\t_\tADP\tRP\t_\t2\tcompound:prt\t_\t_\n4\tseveral\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tmajor\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tdifferences\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n7\tbetween\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tnow\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t6\tacl\t_\t_\n10\ttwo\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tyears\t_\tNOUN\tNNS\t_\t12\tnmod:npmod\t_\t_\n12\tago\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tUnlike\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\t1987\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\tinterest\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\trates\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n6\thave\t_\tAUX\tVBP\t_\t8\taux\t_\t_\n7\tbeen\t_\tAUX\tVBN\t_\t8\taux\t_\t_\n8\tfalling\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n9\tthis\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tyear\t_\tNOUN\tNN\t_\t8\tnmod:tmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tUnlike\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\t1987\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tdollar\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tbeen\t_\tVERB\tVBN\t_\t8\tcop\t_\t_\n8\tstrong\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n2\tunlike\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\t1987\t_\tNUM\tCD\t_\t9\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\teconomy\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n7\tdoes\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n8\tn't\t_\tPART\tRB\t_\t9\tneg\t_\t_\n9\tappear\t_\tVERB\tVB\t_\t0\troot\t_\t_\n10\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n11\tbe\t_\tVERB\tVB\t_\t14\tcop\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tany\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tdanger\t_\tNOUN\tNN\t_\t9\txcomp\t_\t_\n15\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\toverheating\t_\tVERB\tNN\t_\t14\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\teconomy\t_\tNOUN\tNN\t_\t6\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tslower\t_\tADJ\tJJR\t_\t6\tamod\t_\t_\n6\tgrowth\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n7\tthis\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tyear\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n9\talso\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tmeans\t_\tVERB\tVBZ\t_\t23\tccomp\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\toutlook\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n13\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tcorporate\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tprofits\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n17\tis\t_\tVERB\tVBZ\t_\t19\tcop\t_\t_\n18\tn't\t_\tPART\tRB\t_\t19\tneg\t_\t_\n19\tgood\t_\tADJ\tJJ\t_\t10\tccomp\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n21\t''\t_\tPUNCT\t''\t_\t23\tpunct\t_\t_\n22\the\t_\tPRON\tPRP\t_\t23\tnsubj\t_\t_\n23\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n2\tSo\t_\tADP\tIN\t_\t8\tdep\t_\t_\n3\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n4\t's\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n5\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\tvery\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tmixed\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tbag\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n\n1\tThus\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\the\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tconcludes\t_\tVERB\tVBZ\t_\t12\tparataxis\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n7\tThis\t_\tPRON\tDT\t_\t12\tnsubj\t_\t_\n8\tis\t_\tVERB\tVBZ\t_\t12\tcop\t_\t_\n9\tnot\t_\tPART\tRB\t_\t12\tneg\t_\t_\n10\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tgood\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tenvironment\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n13\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n14\tbe\t_\tVERB\tVB\t_\t16\tauxpass\t_\t_\n15\tfully\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tinvested\t_\tVERB\tVBN\t_\t12\tacl\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n18\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tstocks\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t22\tpunct\t_\t_\n2\tIf\t_\tSCONJ\tIN\t_\t5\tmark\t_\t_\n3\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\thad\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n5\tcome\t_\tVERB\tVBN\t_\t22\tadvcl\t_\t_\n6\tinto\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tFriday\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\ton\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tmargin\t_\tNOUN\tNN\t_\t5\tdep\t_\t_\n10\tor\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\twith\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n12\tvery\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\tlittle\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tcash\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n15\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tportfolios\t_\tNOUN\tNNS\t_\t14\tdep\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n19\tI\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n20\twould\t_\tAUX\tMD\t_\t22\taux\t_\t_\n21\tnot\t_\tPART\tRB\t_\t22\tneg\t_\t_\n22\tdo\t_\tVERB\tVB\t_\t0\troot\t_\t_\n23\tany\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tbuying\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n2\twe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tcame\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tinto\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tFriday\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n6\twith\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tconservative\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tportfolio\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tso\t_\tADP\tIN\t_\t3\tdep\t_\t_\n12\tI\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n13\twould\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\tlook\t_\tVERB\tVB\t_\t3\tparataxis\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\tdo\t_\tVERB\tVB\t_\t14\txcomp\t_\t_\n17\tsome\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tmodest\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tbuying\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n21\ton\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tbehalf\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n23\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tclients\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n26\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n\n1\tWe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\t're\t_\tAUX\tVBP\t_\t3\taux\t_\t_\n3\tgoing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tlook\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tsome\t_\tDET\tDT\t_\t5\tnmod\t_\t_\n8\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tbetter-known\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tcompanies\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\tthat\t_\tPRON\tWDT\t_\t14\tnsubjpass\t_\t_\n13\tgot\t_\tAUX\tVBD\t_\t14\tauxpass\t_\t_\n14\tclocked\t_\tVERB\tVBN\t_\t11\tacl:relcl\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n16\tFriday\t_\tPROPN\tNNP\t_\t14\tnmod:tmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tJohn\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tKenneth\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tGalbraith\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t6\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tlatest\t_\tADJ\tJJS\t_\t6\tamod\t_\t_\n6\tmanifestation\t_\tNOUN\tNN\t_\t19\tccomp\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcapacity\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tfinancial\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tcommunity\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\trecurrent\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tinsanity\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n19\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n20\tMr.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tGalbraith\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\tan\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\teconomist\t_\tNOUN\tNN\t_\t21\tappos\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tsee\t_\tVERB\tVBP\t_\t17\tccomp\t_\t_\n4\tthis\t_\tPRON\tDT\t_\t3\tdobj\t_\t_\n5\tas\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\treaction\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n8\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n10\twhole\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n11\tjunk\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n12\tbond\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\texplosion\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n16\the\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n17\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\texplosion\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tjunk\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tbonds\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\ttakeovers\t_\tNOUN\tNNS\t_\t6\tconj\t_\t_\n9\thas\t_\tAUX\tVBZ\t_\t10\taux\t_\t_\n10\tlodged\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tlot\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tinsecure\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tsecurities\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n16\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\thands\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tinvestors\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n22\tloaded\t_\tVERB\tVBD\t_\t10\tconj\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tcorporations\t_\tNOUN\tNNS\t_\t22\tdobj\t_\t_\n25\tthat\t_\tPRON\tWDT\t_\t28\tnsubj\t_\t_\n26\tare\t_\tVERB\tVBP\t_\t28\tcop\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tobjects\t_\tNOUN\tNNS\t_\t24\tacl:relcl\t_\t_\n29\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\ttakeovers\t_\tNOUN\tNNS\t_\t28\tnmod\t_\t_\n31\tor\t_\tCONJ\tCC\t_\t30\tcc\t_\t_\n32\tfeared\t_\tADJ\tVBN\t_\t33\tamod\t_\t_\n33\ttakeovers\t_\tNOUN\tNNS\t_\t30\tconj\t_\t_\n34\twith\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\thuge\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\tamounts\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n37\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n38\tdebt\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n39\trather\t_\tADV\tRB\t_\t38\tcc\t_\t_\n40\tthan\t_\tADP\tIN\t_\t39\tmwe\t_\t_\n41\tequity\t_\tNOUN\tNN\t_\t38\tconj\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThis\t_\tPRON\tDT\t_\t4\tnsubj\t_\t_\n2\thas\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n3\tboth\t_\tCONJ\tDT\t_\t4\tdep\t_\t_\n4\tmade\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tinvestors\t_\tNOUN\tNNS\t_\t6\tdep\t_\t_\n6\tuneasy\t_\tADJ\tJJ\t_\t4\txcomp\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcorporations\t_\tNOUN\tNNS\t_\t11\tdep\t_\t_\n10\tmore\t_\tADV\tRBR\t_\t11\tadvmod\t_\t_\n11\tvulnerable\t_\tADJ\tJJ\t_\t6\tconj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tNevertheless\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\the\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tdepression\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n7\tdoes\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n8\tn't\t_\tPART\tRB\t_\t9\tneg\t_\t_\n9\tappear\t_\tVERB\tVB\t_\t4\tccomp\t_\t_\n10\tlikely\t_\tADJ\tJJ\t_\t9\txcomp\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tThere\t_\tPRON\tEX\t_\t3\texpl\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t18\tccomp\t_\t_\n4\tmore\t_\tADJ\tJJR\t_\t5\tamod\t_\t_\n5\tresiliency\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n6\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\teconomy\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\tat\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tlarge\t_\tADJ\tJJ\t_\t8\tnmod\t_\t_\n11\tthan\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n12\twe\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n13\tcommonly\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tsuppose\t_\tVERB\tVBP\t_\t5\tadvcl\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n17\the\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n18\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\ttakes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tmore\t_\tADJ\tJJR\t_\t5\tamod\t_\t_\n5\terror\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tnow\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\thave\t_\tVERB\tVB\t_\t3\tadvcl\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tmajor\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tdepression\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\tthan\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tback\t_\tADV\tRB\t_\t3\tadvcl\t_\t_\n14\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tThirties\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n17\t--\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n18\tmuch\t_\tADV\tJJ\t_\t27\tadvmod\t_\t_\n19\tas\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tfinancial\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tcommunity\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tgovernment\t_\tNOUN\tNN\t_\t22\tconj\t_\t_\n26\tmay\t_\tAUX\tMD\t_\t27\taux\t_\t_\n27\ttry\t_\tVERB\tVB\t_\t3\tadvcl\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n29\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tMario\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tGabelli\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNew\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n2\tYork\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n3\tmoney\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n4\tmanager\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n5\tMario\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tGabelli\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tan\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\texpert\t_\tNOUN\tNN\t_\t6\tappos\t_\t_\n10\tat\t_\tSCONJ\tIN\t_\t11\tmark\t_\t_\n11\tspotting\t_\tVERB\tVBG\t_\t9\tacl\t_\t_\n12\ttakeover\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tcandidates\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n17\ttakeovers\t_\tNOUN\tNNS\t_\t21\tnsubjpass\t_\t_\n18\tare\t_\tVERB\tVBP\t_\t21\tauxpass\t_\t_\n19\tn't\t_\tPART\tRB\t_\t21\tneg\t_\t_\n20\ttotally\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n21\tgone\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tCompanies\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n3\tare\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tstill\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tgoing\t_\tVERB\tVBG\t_\t15\tccomp\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tbuy\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\tcompanies\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n9\taround\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tworld\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n14\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tExamples\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tare\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\t``\t_\tPUNCT\t``\t_\t2\tpunct\t_\t_\n4\tFord\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\tlooking\t_\tVERB\tVBG\t_\t2\txcomp\t_\t_\n6\tat\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tJaguar\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n9\tBellSouth\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n10\tlooking\t_\tVERB\tVBG\t_\t5\tparataxis\t_\t_\n11\tat\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tLIN\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tBroadcasting\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n\n1\tThese\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tsorts\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\ttakeovers\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n5\tdo\t_\tAUX\tVBP\t_\t7\taux\t_\t_\n6\tn't\t_\tPART\tRB\t_\t7\tneg\t_\t_\n7\trequire\t_\tVERB\tVB\t_\t0\troot\t_\t_\n8\tjunk\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tbonds\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tor\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tbig\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tbank\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tloans\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tfinance\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n16\tthem\t_\tPRON\tPRP\t_\t15\tdobj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n18\tso\t_\tADP\tIN\t_\t7\tdep\t_\t_\n19\tMr.\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tGabelli\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n21\tfigures\t_\tNOUN\tVBZ\t_\t7\tparataxis\t_\t_\n22\tthey\t_\tPRON\tPRP\t_\t24\tnsubj\t_\t_\n23\twill\t_\tAUX\tMD\t_\t24\taux\t_\t_\n24\tcontinue\t_\tVERB\tVB\t_\t21\tccomp\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tmarket\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tup\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n6\t35\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n7\t%\t_\tSYM\tNN\t_\t5\tnmod:npmod\t_\t_\n8\tsince\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n9\t-LCB-\t_\tPUNCT\t-LRB-\t_\t10\tpunct\t_\t_\n10\tPresident\t_\tPROPN\tNNP\t_\t12\tdep\t_\t_\n11\t-RCB-\t_\tPUNCT\t-RRB-\t_\t10\tpunct\t_\t_\n12\tBush\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n13\ttook\t_\tVERB\tVBD\t_\t4\tadvcl\t_\t_\n14\toffice\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n17\tMr.\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tGabelli\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n19\tsays\t_\tVERB\tVBZ\t_\t4\tdep\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n21\tso\t_\tADP\tIN\t_\t4\tdep\t_\t_\n22\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tcorrection\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n24\twas\t_\tVERB\tVBD\t_\t4\tparataxis\t_\t_\n25\tto\t_\tPART\tTO\t_\t27\tmark\t_\t_\n26\tbe\t_\tAUX\tVB\t_\t27\tauxpass\t_\t_\n27\texpected\t_\tVERB\tVBN\t_\t24\txcomp\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tthinks\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tanother\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tcrash\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n5\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t7\tpunct\t_\t_\n7\tunlikely\t_\tADJ\tJJ\t_\t2\tccomp\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n11\tsays\t_\tVERB\tVBZ\t_\t2\tconj\t_\t_\n12\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n13\twas\t_\tAUX\tVBD\t_\t15\taux\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n15\tnibbling\t_\tVERB\tVBG\t_\t11\tccomp\t_\t_\n16\tat\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n18\tselected\t_\tADJ\tVBN\t_\t19\tamod\t_\t_\n19\tstocks\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\tduring\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tFriday\t_\tPROPN\tNNP\t_\t23\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tplunge\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n2\tStocks\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n3\tthat\t_\tPRON\tWDT\t_\t5\tnsubjpass\t_\t_\n4\twere\t_\tAUX\tVBD\t_\t5\tauxpass\t_\t_\n5\tthrown\t_\tVERB\tVBN\t_\t2\tacl:relcl\t_\t_\n6\tout\t_\tADP\tRP\t_\t5\tcompound:prt\t_\t_\n7\tjust\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n8\ton\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tan\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\temotional\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tbasis\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n12\tare\t_\tVERB\tVBP\t_\t15\tcop\t_\t_\n13\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tgreat\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\topportunity\t_\tNOUN\tNN\t_\t27\tccomp\t_\t_\n16\t-LCB-\t_\tPUNCT\t-LRB-\t_\t17\tpunct\t_\t_\n17\tthis\t_\tDET\tDT\t_\t19\tdep\t_\t_\n18\t-RCB-\t_\tPUNCT\t-RRB-\t_\t17\tpunct\t_\t_\n19\tweek\t_\tNOUN\tNN\t_\t15\tnmod:tmod\t_\t_\n20\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tguys\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n22\tlike\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tme\t_\tPRON\tPRP\t_\t21\tnmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n25\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n26\the\t_\tPRON\tPRP\t_\t27\tnsubj\t_\t_\n27\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\tJim\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tRogers\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tseems\t_\tVERB\tVBZ\t_\t19\tccomp\t_\t_\n4\tto\t_\tADP\tTO\t_\t5\tcase\t_\t_\n5\tme\t_\tPRON\tPRP\t_\t3\tnmod\t_\t_\n6\tthat\t_\tSCONJ\tIN\t_\t10\tmark\t_\t_\n7\tthis\t_\tPRON\tDT\t_\t10\tnsubj\t_\t_\n8\tis\t_\tVERB\tVBZ\t_\t10\tcop\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tpin\t_\tNOUN\tNN\t_\t3\tccomp\t_\t_\n11\tthat\t_\tPRON\tWDT\t_\t14\tnsubj\t_\t_\n12\thas\t_\tAUX\tVBZ\t_\t14\taux\t_\t_\n13\tfinally\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tpricked\t_\tVERB\tVBN\t_\t10\tacl:relcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tballoon\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n19\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n20\tMr.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tRogers\t_\tPROPN\tNNP\t_\t19\tdep\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\ta\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tprofessor\t_\tNOUN\tNN\t_\t21\tappos\t_\t_\n25\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tfinance\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n27\tat\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tColumbia\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tUnivers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\t7\tadvmod\t_\t_\n4\tare\t_\tVERB\tVBP\t_\t7\tcop\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tright\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tplace\t_\tNOUN\tNN\t_\t13\tccomp\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tbe\t_\tVERB\tVB\t_\t7\tacl\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n12\the\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tRegarding\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n2\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n3\tOct.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\t3\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\tletter\t_\tNOUN\tNN\t_\t1\tdobj\t_\t_\n6\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\teditor\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\tfrom\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tRep.\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n11\tTom\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tLantos\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\tchairman\t_\tNOUN\tNN\t_\t12\tappos\t_\t_\n15\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tHouse\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tSubcommittee\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n19\ton\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tEmployment\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tHousing\t_\tPROPN\tNNP\t_\t20\tconj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n24\talleging\t_\tVERB\tVBG\t_\t5\tacl\t_\t_\n25\t:\t_\tPUNCT\t:\t_\t1\tpunct\t_\t_\n\n1\t1\t_\tX\tLS\t_\t14\tdep\t_\t_\n2\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n3\tThat\t_\tSCONJ\tDT\t_\t14\tmark\t_\t_\n4\tyour\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n5\tSept.\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\t28\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n7\teditorial\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t7\tpunct\t_\t_\n9\tKangaroo\t_\tNOUN\tNNP\t_\t10\tcompound\t_\t_\n10\tCommittees\t_\tNOUN\tNNS\t_\t7\tdep\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t7\tpunct\t_\t_\n12\twas\t_\tVERB\tVBD\t_\t14\tcop\t_\t_\n13\tfactually\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tinaccurate\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\tdeliberately\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\tmisleading\t_\tADJ\tJJ\t_\t14\tconj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tthought\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tyour\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n4\teditorial\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n5\twas\t_\tVERB\tVBD\t_\t7\tcop\t_\t_\n6\tfactually\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\taccurate\t_\tADJ\tJJ\t_\t2\tccomp\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tdeliberately\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\telucidative\t_\tADJ\tJJ\t_\t7\tconj\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t2\t_\tX\tLS\t_\t6\tdep\t_\t_\n2\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n3\tThat\t_\tSCONJ\tDT\t_\t6\tmark\t_\t_\n4\tMr.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tLantos\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tsupported\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\trights\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\twitnesses\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\ttake\t_\tVERB\tVB\t_\t8\tacl\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tFifth\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tAmendment\t_\tPROPN\tNNP\t_\t13\tdobj\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tYes\t_\tINTJ\tUH\t_\t4\tdiscourse\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\the\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tdid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tAs\t_\tSCONJ\tIN\t_\t3\tmark\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\twatched\t_\tVERB\tVBD\t_\t9\tadvcl\t_\t_\n4\thim\t_\tPRON\tPRP\t_\t3\tdobj\t_\t_\n5\ton\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tC-Span\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\tI\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\theard\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\thim\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n11\tspeak\t_\tVERB\tVB\t_\t9\tccomp\t_\t_\n12\tthose\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tlovely\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\twords\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n15\tabout\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tBill\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tRights\t_\tPROPN\tNNPS\t_\t17\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n21\twhich\t_\tPRON\tWDT\t_\t23\tdobj\t_\t_\n22\the\t_\tPRON\tPRP\t_\t23\tnsubj\t_\t_\n23\tquotes\t_\tVERB\tVBZ\t_\t14\tacl:relcl\t_\t_\n24\tfrom\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\ttranscript\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\thearings\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\tdid\t_\tAUX\tVBD\t_\t3\taux\t_\t_\n3\trepeat\t_\tVERB\tNN\t_\t0\troot\t_\t_\n4\tthose\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tnice\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tplatitudes\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n7\tseveral\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\ttimes\t_\tNOUN\tNNS\t_\t3\tnmod:npmod\t_\t_\n9\tas\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tan\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tindication\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\this\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n14\tsupport\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n15\tfor\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tConstitution\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tused\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tabout\t_\tADV\tIN\t_\t4\tadvmod\t_\t_\n4\t56\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\twords\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n6\tdefending\t_\tVERB\tVBG\t_\t2\txcomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\twitnesses\t_\tNOUN\tNNS\t_\t11\tnmod:poss\t_\t_\n9\t'\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\tconstitutional\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\trights\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tUnfortunately\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n3\tby\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tmy\t_\tPRON\tPRP$\t_\t6\tnmod:poss\t_\t_\n5\trough\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tguess\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\the\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tused\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tbetter\t_\tADJ\tJJR\t_\t12\tadvmod\t_\t_\n11\tthan\t_\tADP\tIN\t_\t12\tadvmod\t_\t_\n12\t5,000\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\twords\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n14\theaping\t_\tVERB\tVBG\t_\t9\txcomp\t_\t_\n15\tscorn\t_\tNOUN\tVB\t_\t14\tdobj\t_\t_\n16\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\twitnesses\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n19\tfor\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n20\texercising\t_\tVERB\tVBG\t_\t14\tadvcl\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tFifth\t_\tPROPN\tNNP\t_\t20\tdobj\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsandwiched\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\this\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n4\tpraise\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tconstitutional\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tmeat\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tbetween\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tlarge\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tloaves\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tbilious\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tcommentary\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAs\t_\tSCONJ\tIN\t_\t5\tmark\t_\t_\n2\tyour\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\teditorial\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\trightly\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tpointed\t_\tVERB\tVBD\t_\t29\tadvcl\t_\t_\n6\tout\t_\tADP\tRP\t_\t5\tcompound:prt\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n8\tSamuel\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tPierce\t_\tPROPN\tNNP\t_\t29\tnsubjpass\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tformer\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tHUD\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tsecretary\t_\tNOUN\tNN\t_\t9\tappos\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n16\tLance\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tWilson\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tMr.\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tPierce\t_\tPROPN\tNNP\t_\t23\tnmod:poss\t_\t_\n21\t's\t_\tPART\tPOS\t_\t20\tcase\t_\t_\n22\tformer\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\taide\t_\tNOUN\tNN\t_\t17\tappos\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n25\t``\t_\tPUNCT\t``\t_\t29\tpunct\t_\t_\n26\tare\t_\tAUX\tVBP\t_\t29\taux\t_\t_\n27\tcurrently\t_\tADV\tRB\t_\t29\tadvmod\t_\t_\n28\tbeing\t_\tAUX\tVBG\t_\t29\tauxpass\t_\t_\n29\theld\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n30\tup\t_\tADV\tRP\t_\t29\tadvmod\t_\t_\n31\tto\t_\tADP\tTO\t_\t32\tcase\t_\t_\n32\tscorn\t_\tNOUN\tVB\t_\t30\tnmod\t_\t_\n33\tfor\t_\tSCONJ\tIN\t_\t34\tmark\t_\t_\n34\ttaking\t_\tVERB\tVBG\t_\t29\tadvcl\t_\t_\n35\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n36\tFifth\t_\tPROPN\tNNP\t_\t37\tcompound\t_\t_\n37\tAmendment\t_\tPROPN\tNNP\t_\t34\tdobj\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t29\tpunct\t_\t_\n\n1\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n2\tThat\t_\tPRON\tDT\t_\t10\tnsubj\t_\t_\n3\tcertainly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t10\tcop\t_\t_\n5\tnot\t_\tPART\tRB\t_\t10\tneg\t_\t_\n6\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n7\tsupposed\t_\tADJ\tVBN\t_\t10\tamod\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n9\tdistorted\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\treading\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n12\tindicated\t_\tVERB\tVBN\t_\t10\tacl\t_\t_\n13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o\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\ttestify\t_\tVERB\tVB\t_\t17\tacl\t_\t_\n20\tnor\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n21\tcan\t_\tAUX\tMD\t_\t25\taux\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tdefendant\t_\tNOUN\tNN\t_\t25\tnsubjpass\t_\t_\n24\tbe\t_\tAUX\tVB\t_\t25\tauxpass\t_\t_\n25\tcompelled\t_\tVERB\tVBN\t_\t12\tconj\t_\t_\n26\tto\t_\tPART\tTO\t_\t27\tmark\t_\t_\n27\ttake\t_\tVERB\tVB\t_\t25\txcomp\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tstand\t_\tNOUN\tNN\t_\t27\tdobj\t_\t_\n30\tas\t_\tADP\tIN\t_\t32\tcase\t_\t_\n31\ta\t_\tDET\tDT\t_\t32\tdet\t_\t_\n32\twitness\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n34\tthus\t_\tADV\tRB\t_\t35\tadvmod\t_\t_\n35\tforcing\t_\tVERB\tVBG\t_\t25\txcomp\t_\t_\n36\thim\t_\tPRON\tPRP\t_\t35\tdobj\t_\t_\n37\tto\t_\tPART\tTO\t_\t39\tmark\t_\t_\n38\t``\t_\tPUNCT\t``\t_\t39\tpunct\t_\t_\n39\ttake\t_\tVERB\tVB\t_\t35\txcomp\t_\t_\n40\tthe\t_\tDET\tDT\t_\t41\tdet\t_\t_\n41\tFifth\t_\tPROPN\tNNP\t_\t39\tdobj\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n43\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tprivilege\t_\tNOUN\tNN\t_\t8\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\thowever\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tbeen\t_\tAUX\tVBN\t_\t8\tauxpass\t_\t_\n8\tlimited\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\taccordance\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n11\twith\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tits\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n13\tplain\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tlanguage\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\tprotect\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tdefendant\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tcriminal\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tmatters\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n22\tonly\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tSupreme\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCourt\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n4\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tsome\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tstates\t_\tNOUN\tNNS\t_\t3\tconj\t_\t_\n7\thave\t_\tAUX\tVBP\t_\t9\taux\t_\t_\n8\tspecifically\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\trecognized\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n11\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tFifth\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tAmendment\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n15\tdoes\t_\tAUX\tVBZ\t_\t17\taux\t_\t_\n16\tnot\t_\tPART\tRB\t_\t17\tneg\t_\t_\n17\tpreclude\t_\tVERB\tVB\t_\t9\tccomp\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tinference\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n20\twhere\t_\tADV\tWRB\t_\t24\tadvmod\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tprivilege\t_\tNOUN\tNN\t_\t24\tnsubjpass\t_\t_\n23\tis\t_\tAUX\tVBZ\t_\t24\tauxpass\t_\t_\n24\tclaimed\t_\tVERB\tVBN\t_\t17\tadvcl\t_\t_\n25\tby\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tparty\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n28\tto\t_\tADP\tTO\t_\t31\tcase\t_\t_\n29\ta\t_\tDET\tDT\t_\t31\tdet\t_\t_\n30\tcivil\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31\tcause\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n33\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n\n1\tBaxter\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n2\tv.\t_\tADP\tCC\t_\t3\tcase\t_\t_\n3\tPalmingiano\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n5\t425\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n6\tU.S.\t_\tPROPN\tNNP\t_\t1\tappos\t_\t_\n7\t308\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n8\t-LRB-\t_\tPUNCT\t-LRB-\t_\t9\tpunct\t_\t_\n9\t1976\t_\tNUM\tCD\t_\t1\tdep\t_\t_\n10\t-RRB-\t_\tPUNCT\t-RRB-\t_\t9\tpunct\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tThus\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n3\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tcivil\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tcase\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tdefendant\t_\tNOUN\tNN\t_\t12\tnsubjpass\t_\t_\n10\tmay\t_\tAUX\tMD\t_\t12\taux\t_\t_\n11\tbe\t_\tAUX\tVB\t_\t12\tauxpass\t_\t_\n12\tcalled\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n13\tas\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\twitness\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n17\the\t_\tPRON\tPRP\t_\t20\tnsubjpass\t_\t_\n18\tmay\t_\tAUX\tMD\t_\t20\taux\t_\t_\n19\tbe\t_\tAUX\tVB\t_\t20\tauxpass\t_\t_\n20\tforced\t_\tVERB\tVBN\t_\t12\tccomp\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\ttestify\t_\tVERB\tVB\t_\t20\txcomp\t_\t_\n23\tor\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\ttake\t_\tVERB\tVB\t_\t22\tconj\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tFifth\t_\tPROPN\tNNP\t_\t24\tdobj\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n28\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n29\this\t_\tPRON\tPRP$\t_\t30\tnmod:poss\t_\t_\n30\ttaking\t_\tNOUN\tNN\t_\t35\tnsubj\t_\t_\n31\tof\t_\tADP\tIN\t_\t33\tcase\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tFifth\t_\tPROPN\tNNP\t_\t30\tnmod\t_\t_\n34\tmay\t_\tAUX\tMD\t_\t35\taux\t_\t_\n35\tpermit\t_\tVERB\tVB\t_\t12\tconj\t_\t_\n36\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tdrawing\t_\tNOUN\tNN\t_\t35\tdobj\t_\t_\n38\tof\t_\tADP\tIN\t_\t41\tcase\t_\t_\n39\tan\t_\tDET\tDT\t_\t41\tdet\t_\t_\n40\tadverse\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tinference\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n42\tagainst\t_\tADP\tIN\t_\t43\tcase\t_\t_\n43\thim\t_\tPRON\tPRP\t_\t41\tnmod\t_\t_\n44\tin\t_\tADP\tIN\t_\t47\tcase\t_\t_\n45\tthe\t_\tDET\tDT\t_\t47\tdet\t_\t_\n46\tcivil\t_\tADJ\tJJ\t_\t47\tamod\t_\t_\n47\tmatter\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n48\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\tmay\t_\tAUX\tMD\t_\t3\taux\t_\t_\n3\ttake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tFifth\t_\tPROPN\tNNP\t_\t3\tdobj\t_\t_\n6\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tcivil\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tmatter\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\tonly\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n11\tif\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n12\the\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\thas\t_\tVERB\tVBZ\t_\t3\tadvcl\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tgood\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tfaith\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\tjustifiable\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tbelief\t_\tNOUN\tNN\t_\t16\tconj\t_\t_\n20\tthat\t_\tSCONJ\tIN\t_\t24\tmark\t_\t_\n21\this\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n22\ttestimony\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n23\tmay\t_\tAUX\tMD\t_\t24\taux\t_\t_\n24\tsubject\t_\tVERB\tVB\t_\t16\tdep\t_\t_\n25\thim\t_\tPRON\tPRP\t_\t24\tdobj\t_\t_\n26\tto\t_\tADP\tTO\t_\t28\tcase\t_\t_\n27\tcriminal\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tprosecution\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAllowing\t_\tVERB\tVBG\t_\t14\tcsubj\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tdefendant\t_\tNOUN\tNN\t_\t1\tdobj\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\ttake\t_\tVERB\tVB\t_\t1\txcomp\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tFifth\t_\tPROPN\tNNP\t_\t5\tdobj\t_\t_\n8\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tcivil\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tmatter\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n12\tis\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n13\tnot\t_\tPART\tRB\t_\t14\tneg\t_\t_\n14\tbased\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n15\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tconstitutional\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tright\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\trefuse\t_\tVERB\tVB\t_\t18\tacl\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\ttestify\t_\tVERB\tVB\t_\t20\txcomp\t_\t_\n23\twhere\t_\tADV\tWRB\t_\t27\tadvmod\t_\t_\n24\tone\t_\tPRON\tNN\t_\t26\tnmod:poss\t_\t_\n25\t's\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\ttestimony\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n27\tharms\t_\tVERB\tVBZ\t_\t20\tadvcl\t_\t_\n28\thim\t_\tPRON\tPRP\t_\t27\tdobj\t_\t_\n29\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n30\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n31\tcivil\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tmatter\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n34\tbut\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n35\tbecause\t_\tSCONJ\tIN\t_\t45\tmark\t_\t_\n36\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\ttestimony\t_\tNOUN\tNN\t_\t45\tnsubjpass\t_\t_\n38\tin\t_\tADP\tIN\t_\t41\tcase\t_\t_\n39\tthe\t_\tDET\tDT\t_\t41\tdet\t_\t_\n40\tcivil\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tmatter\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n42\tcould\t_\tAUX\tMD\t_\t45\taux\t_\t_\n43\tbe\t_\tAUX\tVB\t_\t45\tauxpass\t_\t_\n44\tunconstitutionally\t_\tADV\tRB\t_\t45\tadvmod\t_\t_\n45\tused\t_\tVERB\tVBN\t_\t14\tconj\t_\t_\n46\tagainst\t_\tADP\tIN\t_\t47\tcase\t_\t_\n47\thim\t_\tPRON\tPRP\t_\t45\tnmod\t_\t_\n48\tin\t_\tADP\tIN\t_\t52\tcase\t_\t_\n49\ta\t_\tDET\tDT\t_\t52\tdet\t_\t_\n50\tsubsequent\t_\tADJ\tJJ\t_\t52\tamod\t_\t_\n51\tcriminal\t_\tADJ\tJJ\t_\t52\tamod\t_\t_\n52\tprosecution\t_\tNOUN\tNN\t_\t45\tnmod\t_\t_\n53\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tAbsent\t_\tADJ\tJJ\t_\t11\tccomp\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\trisk\t_\tNOUN\tNN\t_\t1\tdep\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tsuch\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tprosecution\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcourt\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n10\tmay\t_\tAUX\tMD\t_\t11\taux\t_\t_\n11\torder\t_\tVERB\tVB\t_\t0\troot\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tdefendant\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\ttestify\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n16\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_\t6\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tsore\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tone\t_\tNUM\tCD\t_\t0\troot\t_\t_\n7\tfor\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tNasdaq\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tits\t_\tPRON\tPRP$\t_\t12\tnmod:poss\t_\t_\n11\tmarket-making\t_\tADJ\tNN\t_\t12\tamod\t_\t_\n12\tcompanies\t_\tNOUN\tNNS\t_\t8\tconj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\twhich\t_\tPRON\tWDT\t_\t17\tnsubjpass\t_\t_\n15\twere\t_\tAUX\tVBD\t_\t17\tauxpass\t_\t_\n16\twidely\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\tcriticized\t_\tVERB\tVBN\t_\t12\tacl:relcl\t_\t_\n18\ttwo\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\tyears\t_\tNOUN\tNNS\t_\t20\tnmod:npmod\t_\t_\n20\tago\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n21\tfollowing\t_\tVERB\tVBG\t_\t22\tcase\t_\t_\n22\tcomplaints\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n23\tfrom\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tinvestors\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n25\twho\t_\tPRON\tWP\t_\t28\tnsubj\t_\t_\n26\tcould\t_\tAUX\tMD\t_\t28\taux\t_\t_\n27\tn't\t_\tPART\tRB\t_\t28\tneg\t_\t_\n28\treach\t_\tVERB\tVB\t_\t24\tacl:relcl\t_\t_\n29\ttheir\t_\tPRON\tPRP$\t_\t30\tnmod:poss\t_\t_\n30\tbrokers\t_\tNOUN\tNNS\t_\t28\tdobj\t_\t_\n31\tor\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n32\ttrade\t_\tVERB\tNN\t_\t28\tconj\t_\t_\n33\tin\t_\tADP\tIN\t_\t35\tcase\t_\t_\n34\tthe\t_\tDET\tDT\t_\t35\tdet\t_\t_\n35\tchaos\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n36\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tthe\t_\tDET\tDT\t_\t38\tdet\t_\t_\n38\tcrash\t_\tNOUN\tNN\t_\t35\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tPeter\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tDaPuzzo\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\thead\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n5\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tretail\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tequity\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\ttrading\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tat\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tShearson\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n11\tLehman\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tHutton\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n14\tdeclared\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\t:\t_\tPUNCT\t:\t_\t14\tpunct\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n17\tIt\t_\tPRON\tPRP\t_\t21\tnsubj\t_\t_\n18\twas\t_\tVERB\tVBD\t_\t21\tcop\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tlast\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\thour\t_\tNOUN\tNN\t_\t14\tccomp\t_\t_\n22\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\ttrading\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n24\ton\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tFriday\t_\tPROPN\tNNP\t_\t21\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tThere\t_\tPRON\tEX\t_\t2\texpl\t_\t_\n2\twere\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ttoo\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tmany\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tphones\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n6\tringing\t_\tVERB\tVBG\t_\t5\tacl\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n8\ttoo\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tmany\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tthings\t_\tNOUN\tNNS\t_\t5\tconj\t_\t_\n11\thappening\t_\tVERB\tVBG\t_\t10\tacl\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\texpect\t_\tVERB\tVB\t_\t2\tadvcl\t_\t_\n14\tmarket\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tmakers\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n16\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n17\tbe\t_\tVERB\tVB\t_\t19\tcop\t_\t_\n18\tas\t_\tADV\tIN\t_\t19\tadvmod\t_\t_\n19\tefficient\t_\tADJ\tJJ\t_\t13\txcomp\t_\t_\n20\tas\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\trobots\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t4\tcop\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tintentional\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\twe\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n7\twere\t_\tVERB\tVBD\t_\t9\tcop\t_\t_\n8\tall\t_\tADV\tDT\t_\t9\tadvmod\t_\t_\n9\tbusy\t_\tADJ\tJJ\t_\t4\tparataxis\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tJames\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tTarantino\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\thead\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n5\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tOTC\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\ttrading\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tat\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tHambrecht\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n10\t&\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tQuist\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tSan\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tFrancisco\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n18\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n19\tIt\t_\tPRON\tPRP\t_\t21\tnsubj\t_\t_\n20\twas\t_\tVERB\tVBD\t_\t21\tcop\t_\t_\n21\tjust\t_\tADV\tRB\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det\t_\t_\n7\thandful\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\ttakeover-related\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tstocks\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n2\tthey\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tfell\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tsharply\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tMcCaw\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tCellular\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCommunications\t_\tPROPN\tNNPS\t_\t9\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n5\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tinstance\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\thas\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n9\toffered\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\tbuy\t_\tVERB\tVB\t_\t9\txcomp\t_\t_\n12\tLIN\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tBroadcasting\t_\tPROPN\tNNP\t_\t11\tdobj\t_\t_\n14\tas\t_\tADV\tRB\t_\t13\tcc\t_\t_\n15\twell\t_\tADV\tRB\t_\t14\tmwe\t_\t_\n16\tas\t_\tADP\tIN\t_\t14\tmwe\t_\t_\n17\tMetromedia\t_\tPROPN\tNNP\t_\t24\tnmod:poss\t_\t_\n18\t's\t_\tPART\tPOS\t_\t17\tcase\t_\t_\n19\tNew\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n20\tYork\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n21\tCity\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n22\tcellular\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n23\ttelephone\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\tinterests\t_\tNOUN\tNNS\t_\t13\tconj\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n27\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n28\ta\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\tseparate\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\ttransaction\t_\tNOUN\tNN\t_\t32\tnmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n32\tsell\t_\tVERB\tVB\t_\t11\tconj\t_\t_\n33\tcertain\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n34\tMcCaw\t_\tPROPN\tNNP\t_\t35\tcompound\t_\t_\n35\tproperties\t_\tNOUN\tNNS\t_\t32\tdobj\t_\t_\n36\tto\t_\tADP\tTO\t_\t38\tcase\t_\t_\n37\tContel\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n38\tCellular\t_\tPROPN\tNNP\t_\t32\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tMcCaw\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tlost\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\t8\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\t%\t_\tSYM\tNN\t_\t2\tdobj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tor\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n7\t3\t_\tNUM\tCD\t_\t8\tcompound\t_\t_\n8\t1/2\t_\tNUM\tCD\t_\t4\tconj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\t40\t_\tNUM\tCD\t_\t2\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tLIN\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tBroadcasting\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n4\tdropped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\t5\t_\tNUM\tCD\t_\t6\tcompound\t_\t_\n6\t1/2\t_\tNUM\tCD\t_\t4\tdobj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tor\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n9\t5\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\t%\t_\tSYM\tNN\t_\t6\tconj\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n12\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n13\t107\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\t1/2\t_\tNUM\tCD\t_\t4\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tturnover\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n3\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tboth\t_\tDET\tCC\t_\t5\tdet\t_\t_\n5\tissues\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n7\troughly\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\tnormal\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tOn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\ta\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tday\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n4\twhen\t_\tADV\tWRB\t_\t10\tadvmod\t_\t_\n5\tnegative\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\ttakeover-related\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tnews\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n8\tdid\t_\tAUX\tVBD\t_\t10\taux\t_\t_\n9\tn't\t_\tPART\tRB\t_\t10\tneg\t_\t_\n10\tsit\t_\tVERB\tVB\t_\t3\tacl:relcl\t_\t_\n11\twell\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n12\twith\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tinvestors\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n15\tCommercial\t_\tPROPN\tJJ\t_\t16\tcompound\t_\t_\n16\tIntertech\t_\tPROPN\tNNP\t_\t25\tnsubj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n18\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tmaker\t_\tNOUN\tNN\t_\t16\tappos\t_\t_\n20\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tengineered\t_\tADJ\tVBN\t_\t23\tamod\t_\t_\n22\tmetal\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tparts\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n25\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n26\tHaas\t_\tPROPN\tNNP\t_\t29\tnsubj\t_\t_\n27\t&\t_\tCONJ\tCC\t_\t26\tcc\t_\t_\n28\tPartners\t_\tPROPN\tNNP\t_\t26\tconj\t_\t_\n29\tadvised\t_\tVERB\tVBD\t_\t25\tccomp\t_\t_\n30\tit\t_\tPRON\tPRP\t_\t29\tdobj\t_\t_\n31\tthat\t_\tSCONJ\tIN\t_\t35\tmark\t_\t_\n32\tit\t_\tPRON\tPRP\t_\t35\tnsubj\t_\t_\n33\tdoes\t_\tAUX\tVBZ\t_\t35\taux\t_\t_\n34\tn't\t_\tPART\tRB\t_\t35\tneg\t_\t_\n35\tplan\t_\tVERB\tVB\t_\t29\tccomp\t_\t_\n36\tto\t_\tPART\tTO\t_\t37\tmark\t_\t_\n37\tpursue\t_\tVERB\tVB\t_\t35\txcomp\t_\t_\n38\tits\t_\tPRON\tPRP$\t_\t43\tnmod:poss\t_\t_\n39\tpreviously\t_\tADV\tRB\t_\t40\tadvmod\t_\t_\n40\treported\t_\tVERB\tVBN\t_\t43\tamod\t_\t_\n41\t$\t_\tSYM\t$\t_\t43\tamod\t_\t_\n42\t27.50-a-share\t_\tADJ\tJJ\t_\t41\tdep\t_\t_\n43\tbid\t_\tNOUN\tNN\t_\t37\tdobj\t_\t_\n44\tto\t_\tPART\tTO\t_\t45\tmark\t_\t_\n45\tbuy\t_\tVERB\tVB\t_\t43\tacl\t_\t_\n46\tthe\t_\tDET\tDT\t_\t47\tdet\t_\t_\n47\tcompany\t_\tNOUN\tNN\t_\t45\tdobj\t_\t_\n48\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tCommercial\t_\tPROPN\tJJ\t_\t2\tcompound\t_\t_\n2\tIntertech\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tplummeted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\t6\t_\tNUM\tCD\t_\t3\tdobj\t_\t_\n5\tto\t_\tADP\tTO\t_\t6\tcase\t_\t_\n6\t26\t_\tNUM\tCD\t_\t3\tnmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tissues\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\tcompanies\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n5\twith\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tties\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n7\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n9\tjunk\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n10\tbond\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tmarket\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n12\talso\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\ttumbled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tFriday\t_\tPROPN\tNNP\t_\t13\tnmod:tmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tOn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tOTC\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tmarket\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n6\tFirst\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tExecutive\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tbig\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tbuyer\t_\tNOUN\tNN\t_\t7\tappos\t_\t_\n12\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n14\thigh-risk\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n16\thigh-yield\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tissues\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n19\tslid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\t2\t_\tNUM\tCD\t_\t19\tdobj\t_\t_\n21\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n22\t12\t_\tNUM\tCD\t_\t23\tcompound\t_\t_\n23\t1/4\t_\tNUM\tCD\t_\t19\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tAmong\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tother\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n3\tOTC\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tissues\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n6\tIntel\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n8\tdropped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\t2\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\t1/8\t_\tNUM\tCD\t_\t8\tdobj\t_\t_\n11\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n12\t33\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\t7/8\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n14\t;\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n15\tLaidlaw\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tTransportation\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n17\tlost\t_\tVERB\tVBD\t_\t8\tconj\t_\t_\n18\t1\t_\tNUM\tCD\t_\t19\tcompound\t_\t_\n19\t1/8\t_\tNUM\tCD\t_\t17\tdobj\t_\t_\n20\tto\t_\tADP\tTO\t_\t22\tcase\t_\t_\n21\t19\t_\tNUM\tCD\t_\t22\tcompound\t_\t_\n22\t1/2\t_\tNUM\tCD\t_\t17\tnmod\t_\t_\n23\t;\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n24\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n25\tAmerican\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\tdepositary\t_\tADJ\tNN\t_\t27\tamod\t_\t_\n27\treceipts\t_\tNOUN\tNNS\t_\t35\tnsubj\t_\t_\n28\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tJaguar\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n30\twere\t_\tVERB\tVBD\t_\t35\tcop\t_\t_\n31\toff\t_\tADV\tRB\t_\t35\tadvmod\t_\t_\n32\t1/4\t_\tNUM\tCD\t_\t31\tnmod:npmod\t_\t_\n33\tto\t_\tADP\tTO\t_\t35\tcase\t_\t_\n34\t10\t_\tNUM\tCD\t_\t35\tcompound\t_\t_\n35\t1/4\t_\tNUM\tCD\t_\t8\tconj\t_\t_\n36\t;\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n37\tMCI\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n38\tCommunications\t_\tPROPN\tNNPS\t_\t39\tnsubj\t_\t_\n39\tslipped\t_\tVERB\tVBD\t_\t8\tconj\t_\t_\n40\t2\t_\tNUM\tCD\t_\t41\tcompound\t_\t_\n41\t1/4\t_\tNUM\tCD\t_\t39\tdobj\t_\t_\n42\tto\t_\tADP\tTO\t_\t44\tcase\t_\t_\n43\t43\t_\tNUM\tCD\t_\t44\tcompound\t_\t_\n44\t1/2\t_\tNUM\tCD\t_\t39\tnmod\t_\t_\n45\t;\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n46\tApple\t_\tPROPN\tNNP\t_\t47\tcompound\t_\t_\n47\tComputer\t_\tPROPN\tNNP\t_\t48\tnsubj\t_\t_\n48\tfell\t_\tVERB\tVBD\t_\t8\tconj\t_\t_\n49\t3\t_\tNUM\tCD\t_\t48\tdobj\t_\t_\n50\tto\t_\tADP\tTO\t_\t52\tcase\t_\t_\n51\t45\t_\tNUM\tCD\t_\t52\tcompound\t_\t_\n52\t3/4\t_\tNUM\tCD\t_\t48\tnmod\t_\t_\n53\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n54\tNike\t_\tPROPN\tNNP\t_\t55\tnsubj\t_\t_\n55\tdropped\t_\tVERB\tVBD\t_\t8\tconj\t_\t_\n56\t2\t_\tNUM\tCD\t_\t57\tcompound\t_\t_\n57\t1/4\t_\tNUM\tCD\t_\t55\tdobj\t_\t_\n58\tto\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N\t_\t3\tnmod\t_\t_\n7\t:\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tspent\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\t$\t_\tSYM\t$\t_\t3\tdobj\t_\t_\n5\t30\t_\tNUM\tCD\t_\t6\tcompound\t_\t_\n6\tmillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n7\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tlast\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\thalf-hour\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tOther\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tmoney\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tmanagers\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n4\talso\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\topened\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\ttheir\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n7\twallets\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\twas\t_\tAUX\tVBD\t_\t4\taux\t_\t_\n4\tbuying\t_\tVERB\tVBG\t_\t27\tccomp\t_\t_\n5\tat\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tclose\t_\tADJ\tNN\t_\t4\tnmod\t_\t_\n8\t-LRB-\t_\tPUNCT\t-LRB-\t_\t9\tpunct\t_\t_\n9\tFriday\t_\tPROPN\tNNP\t_\t4\tdep\t_\t_\n10\t-RRB-\t_\tPUNCT\t-RRB-\t_\t9\tpunct\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n12\tI\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n13\t'll\t_\tAUX\tMD\t_\t15\taux\t_\t_\n14\tbe\t_\tAUX\tVB\t_\t15\taux\t_\t_\n15\tbuying\t_\tVERB\tVBG\t_\t4\tconj\t_\t_\n16\tagain\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n17\tbecause\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n18\tI\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n19\tknow\t_\tVERB\tVBP\t_\t15\tadvcl\t_\t_\n20\twe\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n21\t're\t_\tAUX\tVBP\t_\t22\taux\t_\t_\n22\tgetting\t_\tVERB\tVBG\t_\t19\tccomp\t_\t_\n23\tgood\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tvalue\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n26\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n27\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n28\tFrederick\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n29\tA.\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tMoran\t_\tPROPN\tNNP\t_\t27\tnsubj\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n32\tpresident\t_\tNOUN\tNN\t_\t30\tappos\t_\t_\n33\tof\t_\tADP\tIN\t_\t37\tcase\t_\t_\n34\tMoran\t_\tPROPN\tNNP\t_\t37\tcompound\t_\t_\n35\tAsset\t_\tPROPN\tNNP\t_\t37\tcompound\t_\t_\n36\tManagement\t_\tPROPN\tNNP\t_\t37\tcompound\t_\t_\n37\tInc.\t_\tPROPN\tNNP\t_\t32\tnmod\t_\t_\n38\t,\t_\tPUNCT\t,\t_\t37\tpunct\t_\t_\n39\tGreenwich\t_\tPROPN\tNNP\t_\t37\tappos\t_\t_\n40\t,\t_\tPUNCT\t,\t_\t39\tpunct\t_\t_\n41\tConn\t_\tPROPN\tNNP\t_\t39\tappos\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tThere\t_\tPRON\tEX\t_\t3\texpl\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tno\t_\tDET\tDT\t_\t5\tneg\t_\t_\n5\tjustification\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n6\ton\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tfundamental\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tlevel\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\tfor\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthis\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tcrash\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tUnlike\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tmutual\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tfunds\t_\tNOUN\tNNS\t_\t29\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\twhich\t_\tPRON\tWDT\t_\t8\tnsubjpass\t_\t_\n6\tcan\t_\tAUX\tMD\t_\t8\taux\t_\t_\n7\tbe\t_\tAUX\tVB\t_\t8\tauxpass\t_\t_\n8\tforced\t_\tVERB\tVBN\t_\t3\tacl:relcl\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tsell\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n11\tstockholdings\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n12\twhen\t_\tADV\tWRB\t_\t14\tadvmod\t_\t_\n13\tinvestors\t_\tNOUN\tNNS\t_\t14\tnsubj\t_\t_\n14\trush\t_\tVERB\tVBP\t_\t10\tadvcl\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\twithdraw\t_\tVERB\tVB\t_\t14\txcomp\t_\t_\n17\tmoney\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n19\tbig\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tinvestors\t_\tNOUN\tNNS\t_\t29\tnsubj\t_\t_\n21\tsuch\t_\tADJ\tJJ\t_\t24\tcase\t_\t_\n22\tas\t_\tADP\tIN\t_\t21\tmwe\t_\t_\n23\tpension\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\tfunds\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n26\tinsurance\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tcompanies\t_\tNOUN\tNNS\t_\t24\tconj\t_\t_\n28\tcan\t_\tAUX\tMD\t_\t29\taux\t_\t_\n29\tdecide\t_\tVERB\tVB\t_\t0\troot\t_\t_\n30\tto\t_\tPART\tTO\t_\t31\tmark\t_\t_\n31\tride\t_\tVERB\tVB\t_\t29\txcomp\t_\t_\n32\tout\t_\tADP\tRP\t_\t31\tcompound:prt\t_\t_\n33\tmarket\t_\tNOUN\tNN\t_\t34\tcompound\t_\t_\n34\tstorms\t_\tNOUN\tNNS\t_\t31\tdobj\t_\t_\n35\twithout\t_\tSCONJ\tIN\t_\t36\tmark\t_\t_\n36\tjettisoning\t_\tVERB\tVBG\t_\t31\tadvcl\t_\t_\n37\tstock\t_\tNOUN\tNN\t_\t36\tdobj\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t29\tpunct\t_\t_\n\n1\tMost\t_\tADV\tJJS\t_\t2\tadvmod\t_\t_\n2\toften\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n4\tthey\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\tdo\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n6\tjust\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tthat\t_\tDET\tIN\t_\t5\tdobj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n9\tbecause\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n10\tstocks\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n11\thave\t_\tAUX\tVBP\t_\t12\taux\t_\t_\n12\tproved\t_\tVERB\tVBN\t_\t5\tadvcl\t_\t_\n13\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n14\tbe\t_\tVERB\tVB\t_\t18\tcop\t_\t_\n15\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n16\tbest-performing\t_\tADJ\tJJS\t_\t18\tamod\t_\t_\n17\tlong-term\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tinvestment\t_\tNOUN\tNN\t_\t12\txcomp\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n20\tattracting\t_\tVERB\tVBG\t_\t18\tadvcl\t_\t_\n21\tabout\t_\tADV\tIN\t_\t22\tadvmod\t_\t_\n22\t$\t_\tSYM\t$\t_\t20\tdobj\t_\t_\n23\t1\t_\tNUM\tCD\t_\t24\tcompound\t_\t_\n24\ttrillion\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n25\tfrom\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tpension\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tfunds\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n28\talone\t_\tADV\tRB\t_\t27\tamod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tIf\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n3\tyou\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tbought\t_\tVERB\tVBD\t_\t10\tadvcl\t_\t_\n5\tafter\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tcrash\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\tyou\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\tdid\t_\tVERB\tVBD\t_\t19\tccomp\t_\t_\n11\tvery\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n12\tvery\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\twell\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n14\toff\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tbottom\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n19\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\tStephen\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tB.\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tTimbers\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n24\tchief\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n25\tinvestment\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tofficer\t_\tNOUN\tNN\t_\t22\tappos\t_\t_\n27\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n28\tChicago-based\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n29\tKemper\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n30\tFinancial\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n31\tServices\t_\tPROPN\tNNPS\t_\t32\tcompound\t_\t_\n32\tInc\t_\tPROPN\tNNP\t_\t26\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n2\t$\t_\tSYM\t$\t_\t9\tamod\t_\t_\n3\t56\t_\tNUM\tCD\t_\t4\tcompound\t_\t_\n4\tbillion\t_\tNUM\tCD\t_\t2\tnummod\t_\t_\n5\tCalifornia\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n6\tPublic\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n7\tEmployees\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tRetirement\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tSystem\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n11\tfor\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tone\t_\tNUM\tCD\t_\t14\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n14\tadded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\t$\t_\tSYM\t$\t_\t14\tdobj\t_\t_\n16\t1\t_\tNUM\tCD\t_\t17\tcompound\t_\t_\n17\tbillion\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n18\tto\t_\tADP\tTO\t_\t21\tcase\t_\t_\n19\tits\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n20\tstock\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tportfolio\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n22\ttwo\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n23\tyears\t_\tNOUN\tNNS\t_\t24\tnmod:npmod\t_\t_\n24\tago\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t31\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tlast\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tcrash\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\ttaught\t_\tVERB\tVBD\t_\t31\tccomp\t_\t_\n6\tinstitutional\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tinvestors\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n8\tthat\t_\tSCONJ\tIN\t_\t10\tmark\t_\t_\n9\tthey\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\thave\t_\tVERB\tVBP\t_\t5\tccomp\t_\t_\n11\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n12\tbe\t_\tVERB\tVB\t_\t14\tcop\t_\t_\n13\tlong-term\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tholders\t_\tNOUN\tNNS\t_\t10\txcomp\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n17\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n18\tthey\t_\tPRON\tPRP\t_\t21\tnsubj\t_\t_\n19\tca\t_\tAUX\tMD\t_\t21\taux\t_\t_\n20\tn't\t_\tPART\tRB\t_\t21\tneg\t_\t_\n21\treact\t_\tVERB\tVB\t_\t10\tconj\t_\t_\n22\tto\t_\tADP\tTO\t_\t24\tcase\t_\t_\n23\tshort-term\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tevents\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n26\tgood\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n27\tor\t_\tCONJ\tCC\t_\t26\tcc\t_\t_\n28\tbad\t_\tADJ\tJJ\t_\t26\tconj\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n30\t''\t_\tPUNCT\t''\t_\t31\tpunct\t_\t_\n31\tsaid\t_\tVERB\tVBD\t_\t0\troot\t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ompound\t_\t_\n6\tJeff\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tNesbit\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n8\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tagency\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n11\thas\t_\tAUX\tVBZ\t_\t12\taux\t_\t_\n12\tturned\t_\tVERB\tVBN\t_\t8\tccomp\t_\t_\n13\tover\t_\tADP\tRP\t_\t12\tcompound:prt\t_\t_\n14\tevidence\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n15\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tcriminal\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tinvestigation\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n19\tconcerning\t_\tVERB\tVBG\t_\t18\tacl\t_\t_\n20\tVitarine\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tPharmaceuticals\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tInc.\t_\tPROPN\tNNP\t_\t19\tdobj\t_\t_\n23\tto\t_\tADP\tTO\t_\t28\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tU.S.\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tAttorney\t_\tPROPN\tNNP\t_\t28\tnmod:poss\t_\t_\n27\t's\t_\tPART\tPOS\t_\t26\tcase\t_\t_\n28\toffice\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n29\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\tBaltimore\t_\tPROPN\tNNP\t_\t28\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tNeither\t_\tDET\tDT\t_\t2\tcc:preconj\t_\t_\n2\tVitarine\t_\tPROPN\tNNP\t_\t19\tnsubjpass\t_\t_\n3\tnor\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\tany\t_\tDET\tDT\t_\t2\tconj\t_\t_\n5\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n7\tSpringfield\t_\tPROPN\tNNP\t_\t12\tdep\t_\t_\n8\tGardens\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n10\tN.Y.\t_\tPROPN\tNNP\t_\t7\tdep\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n12\tcompany\t_\tNOUN\tNN\t_\t14\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tofficials\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n15\tor\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\temployees\t_\tNOUN\tNNS\t_\t14\tconj\t_\t_\n17\thave\t_\tAUX\tVBP\t_\t19\taux\t_\t_\n18\tbeen\t_\tAUX\tVBN\t_\t19\tauxpass\t_\t_\n19\tcharged\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n20\twith\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tany\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tcrimes\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tVitarine\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\twon\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tapproval\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tmarket\t_\tVERB\tVB\t_\t3\tacl\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tversion\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tblood\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n11\tpressure\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tmedicine\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n13\tbut\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n14\tacknowledged\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n15\tthat\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n16\tit\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n17\tsubstituted\t_\tVERB\tVBD\t_\t14\tccomp\t_\t_\n18\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n19\tSmithKline\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n20\tBeecham\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tPLC\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tproduct\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n23\tas\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tits\t_\tPRON\tPRP$\t_\t25\tnmod:poss\t_\t_\n25\town\t_\tADJ\tJJ\t_\t17\tnmod\t_\t_\n26\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\ttests\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tNesbit\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tFDA\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n7\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n8\tasked\t_\tVERB\tVBN\t_\t4\tccomp\t_\t_\n9\tBolar\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tPharmaceutical\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tCo.\t_\tPROPN\tNNP\t_\t8\tdobj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\trecall\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n14\tat\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tretail\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tlevel\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\tits\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n19\turinary\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n20\ttract\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tantibiotic\t_\tNOUN\tJJ\t_\t13\tdobj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n2\tso\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tfar\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tcompany\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n8\tcomplied\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n9\twith\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthat\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\trequest\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tspokesman\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tBolar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ound\t_\t_\n8\tInc\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tEmployee\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tBenefit\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tPlans\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tInc.\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n5\t--\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n\n1\tTwo\t_\tNUM\tCD\t_\t2\tcompound\t_\t_\n2\tmillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n3\tcommon\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tshares\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tvia\t_\tADP\tIN\t_\t10\tcase\t_\t_\n7\tDean\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n8\tWitter\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n9\tCapital\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tMarkets\t_\tPROPN\tNNPS\t_\t4\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tExabyte\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCorp.\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t--\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n\n1\t2,850,000\t_\tNUM\tCD\t_\t3\tnummod\t_\t_\n2\tcommon\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tshares\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tvia\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tGoldman\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tSachs\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tKnowledgeware\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tInc.\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t--\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n\n1\t2.4\t_\tNUM\tCD\t_\t2\tcompound\t_\t_\n2\tmillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n3\tcommon\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tshares\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tvia\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tMontgomery\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tSecurities\t_\tPROPN\tNNPS\t_\t4\tnmod\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tOregon\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n2\t--\t_\tPUNCT\t:\t_\t1\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t0\troot\t_\t_\n2\t100\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tmillion\t_\tNUM\tCD\t_\t1\tnummod\t_\t_\n4\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n5\tgeneral\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tobligation\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tveterans\t_\tNOUN\tNNS\t_\t10\tnmod:poss\t_\t_\n8\t'\t_\tPART\tPOS\t_\t7\tcase\t_\t_\n9\ttax\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tnotes\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\tSeries\t_\tPROPN\tNN\t_\t10\tappos\t_\t_\n13\t1989\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n15\tvia\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tcompetitive\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tbid\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tWashington\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\tD.C.\t_\tPROPN\tNNP\t_\t1\tappos\t_\t_\n4\t--\t_\tPUNCT\t:\t_\t1\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t0\troot\t_\t_\n2\t200\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tmillion\t_\tNUM\tCD\t_\t1\tnummod\t_\t_\n4\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n5\t1990\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n6\tgeneral\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n7\tobligation\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n8\ttax\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n9\trevenue\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tnotes\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n11\t-LRB-\t_\tPUNCT\t-LRB-\t_\t10\tpunct\t_\t_\n12\tSeries\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\t1990A\t_\tPROPN\tNNP\t_\t10\tdep\t_\t_\n14\t-RRB-\t_\tPUNCT\t-RRB-\t_\t10\tpunct\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n16\tvia\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tcompetitive\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tbid\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tVirginia\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tPublic\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tSchool\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tAuthority\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n5\t--\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t2\tdep\t_\t_\n2\t55,730,000\t_\tNUM\tCD\t_\t0\troot\t_\t_\n3\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tschool\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n5\tfinancing\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tbonds\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\t1989\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n9\tSeries\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tB\t_\tPROPN\tNNP\t_\t6\tappos\t_\t_\n11\t-LRB-\t_\tPUNCT\t-LRB-\t_\t13\tpunct\t_\t_\n12\t1987\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\tresolution\t_\tNOUN\tNN\t_\t6\tappos\t_\t_\n14\t-RRB-\t_\tPUNCT\t-RRB-\t_\t13\tpunct\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n16\tvia\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tcompetitive\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tbid\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAustin\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\tTexas\t_\tPROPN\tNNP\t_\t1\tappos\t_\t_\n4\t--\t_\tPUNCT\t:\t_\t1\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t2\tdep\t_\t_\n2\t68,230,000\t_\tNUM\tCD\t_\t0\troot\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tvarious\t_\tADJ\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NUM\tCD\t_\t0\troot\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tpower\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tbonds\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n7\tvia\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tFirst\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n9\tBoston\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tCorp\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tUniversity\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n2\tof\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tMedicine\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n4\tAnd\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tDentistry\t_\tPROPN\tNNP\t_\t3\tconj\t_\t_\n6\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tNew\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tJersey\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n9\t--\t_\tPUNCT\t:\t_\t1\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t0\troot\t_\t_\n2\t55\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tmillion\t_\tNUM\tCD\t_\t1\tnummod\t_\t_\n4\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tSeries\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tC\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tbonds\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n9\tvia\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tPrudential-Bache\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tgroup\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tWest\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tVirginia\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tParkways\t_\tPROPN\tNNPS\t_\t0\troot\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tEconomic\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tDevelopment\t_\tPROPN\tNNP\t_\t3\tappos\t_\t_\n7\tAnd\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tTourism\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tAuthority\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n10\t--\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t0\troot\t_\t_\n2\t143\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tmillion\t_\tNUM\tCD\t_\t1\tnummod\t_\t_\n4\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tparkway\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n6\trevenue\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tbonds\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tSeries\t_\tNOUN\tNN\t_\t7\tappos\t_\t_\n10\t1989\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n12\tvia\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tPaineWebber\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tgroup\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tSan\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tAntonio\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tTexas\t_\tPROPN\tNNP\t_\t2\tappos\t_\t_\n5\t--\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t0\troot\t_\t_\n2\t640\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tmillion\t_\tNUM\tCD\t_\t1\tnummod\t_\t_\n4\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n5\tgas\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\telectric\t_\tADJ\tJJ\t_\t5\tconj\t_\t_\n8\trevenue\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n9\trefunding\t_\tNOUN\tVBG\t_\t10\tcompound\t_\t_\n10\tbonds\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n12\tvia\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n14\tFirst\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n15\tBoston\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tgroup\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tSouth\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tDakota\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tHealth\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t&\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tEducation\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tFacility\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tAuthority\t_\tPROPN\tNNP\t_\t3\tconj\t_\t_\n8\t--\t_\tPUNCT\t:\t_\t7\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t0\troot\t_\t_\n2\t51.1\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tmillion\t_\tNUM\tCD\t_\t1\tnummod\t_\t_\n4\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n5\tRapid\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n6\tCity\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n7\tRegional\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tHospital\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tbonds\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n11\tvia\t_\tADP\tIN\t_\t21\tcase\t_\t_\n12\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n13\tDougherty\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\tDawkins\t_\tPROPN\tNNP\t_\t13\tconj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n17\tStrand\t_\tPROPN\tNNP\t_\t13\tconj\t_\t_\n18\t&\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n19\tYost\t_\tPROPN\tNNP\t_\t13\tconj\t_\t_\n20\tInc.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tgroup\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tSmall\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tinvestors\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tmatched\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\ttheir\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n5\tbig\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tinstitutional\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tbrethren\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n8\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tanxiety\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\tover\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tweekend\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n14\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n15\tmost\t_\tADJ\tJJS\t_\t16\tnsubj\t_\t_\n16\tseemed\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n17\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n18\tbe\t_\tAUX\tVB\t_\t19\taux\t_\t_\n19\ttaking\t_\tVERB\tVBG\t_\t16\txcomp\t_\t_\n20\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tphilosophical\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tapproach\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n24\tsaid\t_\tVERB\tVBD\t_\t16\tconj\t_\t_\n25\tthey\t_\tPRON\tPRP\t_\t27\tnsubjpass\t_\t_\n26\twere\t_\tAUX\tVBD\t_\t27\tauxpass\t_\t_\n27\tresigned\t_\tVERB\tVBN\t_\t24\tccomp\t_\t_\n28\tto\t_\tADP\tTO\t_\t29\tmark\t_\t_\n29\triding\t_\tVERB\tVBG\t_\t27\tadvcl\t_\t_\n30\tout\t_\tADP\tRP\t_\t29\tcompound:prt\t_\t_\n31\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n32\tlatest\t_\tADJ\tJJS\t_\t33\tamod\t_\t_\n33\tstorm\t_\tNOUN\tNN\t_\t29\tdobj\t_\t_\n34\tin\t_\tADP\tIN\t_\t37\tcase\t_\t_\n35\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n36\tstock\t_\tNOUN\tNN\t_\t37\tcompound\t_\t_\n37\tmarket\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t'm\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tnot\t_\tPART\tRB\t_\t5\tneg\t_\t_\n5\tlosing\t_\tVERB\tVBG\t_\t12\tccomp\t_\t_\n6\tfaith\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n7\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tmarket\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tBoston\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n14\tlawyer\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n15\tChristopher\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tSullivan\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n17\tas\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n18\the\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n19\twatched\t_\tVERB\tVBD\t_\t12\tdep\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tmarket\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n22\tplunge\t_\tNOUN\tNN\t_\t19\tccomp\t_\t_\n23\ton\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tbig\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tscreen\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n27\tin\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\tfront\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n29\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n30\ta\t_\tDET\tDT\t_\t32\tdet\t_\t_\n31\tbrokerage\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n32\tfirm\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\the\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n4\tnot\t_\tPART\tRB\t_\t6\tneg\t_\t_\n5\tso\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tsure\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n7\tabout\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\teveryone\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\telse\t_\tADV\tRB\t_\t8\tamod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthink\t_\tVERB\tVBP\t_\t19\tccomp\t_\t_\n4\ton\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tMonday\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tsmall\t_\tADJ\tJJ\t_\t12\tnsubj\t_\t_\n8\t-LRB-\t_\tPUNCT\t-LRB-\t_\t9\tpunct\t_\t_\n9\tinvestors\t_\tNOUN\tNNS\t_\t7\tdep\t_\t_\n10\t-RRB-\t_\tPUNCT\t-RRB-\t_\t9\tpunct\t_\t_\n11\tare\t_\tAUX\tVBP\t_\t12\taux\t_\t_\n12\tgoing\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n13\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n14\tpanic\t_\tVERB\tVB\t_\t12\txcomp\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\tsell\t_\tVERB\tVB\t_\t14\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n19\tpredicted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\tMr.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tSullivan\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\twhose\t_\tPRON\tWP$\t_\t24\tnmod:poss\t_\t_\n24\tinvestments\t_\tNOUN\tNNS\t_\t25\tnsubj\t_\t_\n25\tinclude\t_\tVERB\tVBP\t_\t21\tacl:relcl\t_\t_\n26\tAMR\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tCorp.\t_\tPROPN\tNNP\t_\t31\tnmod:poss\t_\t_\n28\t's\t_\tPART\tPOS\t_\t27\tcase\t_\t_\n29\tAmerican\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n30\tAirlines\t_\tPROPN\tNNPS\t_\t31\tcompound\t_\t_\n31\tunit\t_\tNOUN\tNN\t_\t25\tdobj\t_\t_\n32\tand\t_\tCONJ\tCC\t_\t31\tcc\t_\t_\n33\tseveral\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n34\tmutual\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n35\tfunds\t_\tNOUN\tNNS\t_\t31\tconj\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tAnd\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n3\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tthink\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n5\tinstitutions\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n6\tare\t_\tAUX\tVBP\t_\t7\taux\t_\t_\n7\tgoing\t_\tVERB\tVBG\t_\t4\tccomp\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tcome\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n10\tin\t_\tADP\tIN\t_\t9\tadvmod\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n12\tbuy\t_\tVERB\tVB\t_\t9\tconj\t_\t_\n13\t...\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\t'm\t_\tAUX\tVBP\t_\t3\taux\t_\t_\n3\tgoing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\thold\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\ton\t_\tADP\tRP\t_\t5\tcompound:prt\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tIf\t_\tSCONJ\tIN\t_\t3\tmark\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tsell\t_\tVERB\tVBP\t_\t8\tadvcl\t_\t_\n4\tnow\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n6\tI\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n7\t'll\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\ttake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tbig\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tloss\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n\n1\tSome\t_\tDET\tDT\t_\t2\tnsubj\t_\t_\n2\tevinced\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tan\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\toptimism\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\tthat\t_\tPRON\tWDT\t_\t8\tnsubjpass\t_\t_\n6\thad\t_\tAUX\tVBD\t_\t8\taux\t_\t_\n7\tbeen\t_\tAUX\tVBN\t_\t8\tauxpass\t_\t_\n8\trewarded\t_\tVERB\tVBN\t_\t4\tacl:relcl\t_\t_\n9\twhen\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n10\tthey\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n11\tdid\t_\tAUX\tVBD\t_\t13\taux\t_\t_\n12\tn't\t_\tPART\tRB\t_\t13\tneg\t_\t_\n13\tflee\t_\tVERB\tVB\t_\t8\tadvcl\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tmarket\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\t1987\t_\tNUM\tCD\t_\t13\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n2\tOh\t_\tINTJ\tUH\t_\t5\tdiscourse\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n4\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\tbet\t_\tVERB\tVBP\t_\t16\tccomp\t_\t_\n6\tit\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n7\t'll\t_\tAUX\tMD\t_\t13\taux\t_\t_\n8\tbe\t_\tVERB\tVB\t_\t13\tcop\t_\t_\n9\tup\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n10\t50\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tpoints\t_\tNOUN\tNNS\t_\t9\tnmod:npmod\t_\t_\n12\ton\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tMonday\t_\tPROPN\tNNP\t_\t5\tccomp\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\tLucy\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tCrump\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n20\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n21\t78-year-old\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\tretired\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\thousewife\t_\tNOUN\tNN\t_\t18\tappos\t_\t_\n24\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tLexington\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n27\tKy\t_\tPROPN\tNNP\t_\t25\tappos\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\tMrs.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCrump\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\ther\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n5\tAshwood\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tInvestment\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tClub\t_\tPROPN\tNNP\t_\t9\tnmod:poss\t_\t_\n8\t's\t_\tPART\tPOS\t_\t7\tcase\t_\t_\n9\tportfolio\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n10\tlost\t_\tVERB\tVBD\t_\t3\tdep\t_\t_\n11\tabout\t_\tADV\tIN\t_\t12\tadvmod\t_\t_\n12\tone-third\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tits\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n15\tvalue\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\tfollowing\t_\tVERB\tVBG\t_\t20\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n18\tBlack\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n19\tMonday\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tcrash\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n22\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n23\tbut\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n24\tno\t_\tDET\tDT\t_\t25\tneg\t_\t_\n25\tone\t_\tNOUN\tNN\t_\t27\tnsubjpass\t_\t_\n26\tgot\t_\tAUX\tVBD\t_\t27\tauxpass\t_\t_\n27\tdiscouraged\t_\tVERB\tVBN\t_\t10\tconj\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n29\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n30\twe\t_\tPRON\tPRP\t_\t31\tnsubj\t_\t_\n31\tgained\t_\tVERB\tVBD\t_\t10\tconj\t_\t_\n32\tthat\t_\tPRON\tDT\t_\t31\tdobj\t_\t_\n33\tback\t_\tADP\tRB\t_\t31\tcompound:prt\t_\t_\n34\t--\t_\tPUNCT\t:\t_\t36\tpunct\t_\t_\n35\tand\t_\tCONJ\tCC\t_\t36\tcc\t_\t_\n36\tmore\t_\tADJ\tJJR\t_\t31\tdep\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n38\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tannual\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tcongress\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n5\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n7\tNational\t_\tPROPN\tNNP\t_\t11\tdep\t_\t_\n8\tAssociation\t_\tPROPN\tNNP\t_\t7\tdep\t_\t_\n9\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tInvestors\t_\tPROPN\tNNPS\t_\t7\tnmod\t_\t_\n11\tCorp.\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n12\tat\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n14\tHyatt\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n15\tRegency\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\thotel\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n17\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tMinneapolis\t_\tNOUN\tNNP\t_\t16\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tscene\t_\tNOUN\tNN\t_\t23\tnsubj\t_\t_\n22\twas\t_\tVERB\tVBD\t_\t23\tcop\t_\t_\n23\tcalm\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\tSome\t_\tADV\tDT\t_\t2\tadvmod\t_\t_\n2\t500\t_\tNUM\tCD\t_\t3\tnummod\t_\t_\n3\tinvestors\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n4\trepresenting\t_\tVERB\tVBG\t_\t3\tacl\t_\t_\n5\tinvestor\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tclubs\t_\tNOUN\tNNS\t_\t4\tdobj\t_\t_\n7\tfrom\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\taround\t_\tADP\tIN\t_\t10\tamod\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tU.S.\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n11\twere\t_\tAUX\tVBD\t_\t12\taux\t_\t_\n12\tattending\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n13\twhen\t_\tADV\tWRB\t_\t16\tadvmod\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tmarket\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n16\tstarted\t_\tVERB\tVBD\t_\t12\tadvcl\t_\t_\n17\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n18\tslide\t_\tVERB\tVB\t_\t16\txcomp\t_\t_\n19\tFriday\t_\tPROPN\tNNP\t_\t16\tnmod:tmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n2\tRobert\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tShowalter\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tan\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tofficial\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tassociation\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tno\t_\tDET\tDT\t_\t14\tneg\t_\t_\n13\tspecial\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tbulletins\t_\tNOUN\tNNS\t_\t24\tnsubjpass\t_\t_\n15\tor\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\temergency\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tmeetings\t_\tNOUN\tNNS\t_\t14\tconj\t_\t_\n18\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tinvestors\t_\tNOUN\tNNS\t_\t22\tnmod:poss\t_\t_\n21\t'\t_\tPART\tPOS\t_\t20\tcase\t_\t_\n22\tclubs\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n23\tare\t_\tAUX\tVBP\t_\t24\tauxpass\t_\t_\n24\tplanned\t_\tVERB\tVBN\t_\t11\tccomp\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tfact\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n4\tsome\t_\tDET\tDT\t_\t16\tnsubj\t_\t_\n5\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tassociation\t_\tNOUN\tNN\t_\t9\tnmod:poss\t_\t_\n8\t's\t_\tPART\tPOS\t_\t7\tcase\t_\t_\n9\tmembers\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n10\t--\t_\tPUNCT\t:\t_\t14\tpunct\t_\t_\n11\tlong-term\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n13\tbuy-and-hold\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tinvestors\t_\tNOUN\tNNS\t_\t4\tdep\t_\t_\n15\t--\t_\tPUNCT\t:\t_\t14\tpunct\t_\t_\n16\twelcomed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tdrop\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tprices\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\thope\t_\tVERB\tVBP\t_\t11\tccomp\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\ttake\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\tadvantage\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tit\t_\tPRON\tPRP\t_\t5\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tJohn\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tSnyder\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tmember\t_\tNOUN\tNN\t_\t13\tappos\t_\t_\n17\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n18\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n19\tLos\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n20\tAngeles\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n21\tinvestors\t_\tNOUN\tNNS\t_\t23\tnmod:poss\t_\t_\n22\t'\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tclub\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\thas\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tfour\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tstocks\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tmind\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tbuy\t_\tVERB\tVB\t_\t2\txcomp\t_\t_\n9\tif\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tprices\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n12\tdrop\t_\tVERB\tVBP\t_\t8\tadvcl\t_\t_\n13\tto\t_\tADP\tTO\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t15\tnmod\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tgo\t_\tVERB\tVB\t_\t13\tadvcl\t_\t_\n22\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n23\tschool\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n25\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n26\tI\t_\tPRON\tPRP\t_\t27\tnsubj\t_\t_\n27\tthink\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n28\tat\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tthis\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tpoint\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n31\twe\t_\tPRON\tPRP\t_\t32\tnsubj\t_\t_\n32\twant\t_\tVERB\tVBP\t_\t27\tccomp\t_\t_\n33\tto\t_\tPART\tTO\t_\t38\tmark\t_\t_\n34\tbe\t_\tVERB\tVB\t_\t38\tcop\t_\t_\n35\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tlot\t_\tNOUN\tNN\t_\t37\tnmod:npmod\t_\t_\n37\tmore\t_\tADV\tRBR\t_\t38\tadvmod\t_\t_\n38\tliquid\t_\tADJ\tJJ\t_\t32\txcomp\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n40\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n\n1\tOthers\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\twonder\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\thow\t_\tADV\tWRB\t_\t4\tadvmod\t_\t_\n4\tmany\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tmore\t_\tADJ\tJJR\t_\t13\tdobj\t_\t_\n6\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthese\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tshocks\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tsmall\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tinvestor\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n12\tcan\t_\tAUX\tMD\t_\t13\taux\t_\t_\n13\tstand\t_\tVERB\tVB\t_\t2\tccomp\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t13\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tall\t_\tDET\tDT\t_\t4\tdep\t_\t_\n4\tassumed\t_\tVERB\tVBD\t_\t13\tccomp\t_\t_\n5\tOctober\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n6\t'87\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n7\twas\t_\tVERB\tVBD\t_\t10\tcop\t_\t_\n8\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tone-time\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tshot\t_\tNOUN\tNN\t_\t4\tccomp\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n13\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tSan\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n15\tFrancisco\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n16\tattorney\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\tDavid\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tGreenberg\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\ttold\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tlittle\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tguy\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n7\tit\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n8\tcould\t_\tAUX\tMD\t_\t10\taux\t_\t_\n9\tonly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\thappen\t_\tVERB\tVB\t_\t3\tdep\t_\t_\n11\tonce\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tlifetime\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n16\tcome\t_\tVERB\tVBN\t_\t10\tparataxis\t_\t_\n17\ton\t_\tADP\tIN\t_\t16\tcompound:prt\t_\t_\n18\tback\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\tit\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t's\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\thappening\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\tagain\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tGreenberg\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tgot\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tout\t_\tADP\tRP\t_\t3\txcomp\t_\t_\n5\tjust\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n6\tbefore\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\t1987\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\tcrash\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n12\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n13\this\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n14\tregret\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n16\tnever\t_\tADV\tRB\t_\t17\tneg\t_\t_\n17\twent\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n18\tback\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n19\teven\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n20\tas\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tmarket\t_\tNOUN\tNN\t_\t23\tnsubj\t_\t_\n23\tsoared\t_\tVERB\tVBD\t_\t17\tadvcl\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThis\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\ttime\t_\tNOUN\tNN\t_\t5\tnmod:tmod\t_\t_\n3\the\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\t's\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n5\tready\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tbuy\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\tin\t_\tADP\tIN\t_\t7\tcompound:prt\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t7\tpunct\t_\t_\n10\twhen\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tpanic\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n13\twears\t_\tVERB\tVBZ\t_\t7\tadvcl\t_\t_\n14\toff\t_\tADP\tRP\t_\t13\tcompound:prt\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n16\t''\t_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p\t_\t_\n20\twithin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n22\tfew\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tmiles\t_\tNOUN\tNNS\t_\t16\tacl:relcl\t_\t_\n24\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n25\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n26\tmulti-million\t_\tADJ\tJJ\t_\t27\tdep\t_\t_\n27\tdollar\t_\tNOUN\tNN\t_\t28\tamod\t_\t_\n28\thomes\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n29\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\tsome\t_\tDET\tDT\t_\t28\tnmod\t_\t_\n31\tof\t_\tADP\tIN\t_\t35\tcase\t_\t_\n32\tHouston\t_\tPROPN\tNNP\t_\t35\tnmod:poss\t_\t_\n33\t's\t_\tPART\tPOS\t_\t32\tcase\t_\t_\n34\trichest\t_\tADJ\tJJS\t_\t35\tamod\t_\t_\n35\tcitizens\t_\tNOUN\tNNS\t_\t30\tnmod\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tAnd\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n3\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\tcan\t_\tAUX\tMD\t_\t5\taux\t_\t_\n5\ttell\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tyou\t_\tPRON\tPRP\t_\t5\tdobj\t_\t_\n7\tthat\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n8\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\thigh\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\troller\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n11\tis\t_\tAUX\tVBZ\t_\t13\taux\t_\t_\n12\tn't\t_\tPART\tRB\t_\t13\tneg\t_\t_\n13\tgoing\t_\tVERB\tVBG\t_\t5\tccomp\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tcome\t_\tVERB\tVB\t_\t13\txcomp\t_\t_\n16\tin\t_\tADP\tIN\t_\t15\tadvmod\t_\t_\n17\ttomorrow\t_\tNOUN\tNN\t_\t15\tnmod:tmod\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n19\tbuy\t_\tVERB\tVB\t_\t15\tconj\t_\t_\n20\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tChrysler\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tTC\t_\tPROPN\tNN\t_\t19\tdobj\t_\t_\n23\tby\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tMaserati\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n26\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n3\tfinally\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n5\tthere\t_\tPRON\tEX\t_\t6\texpl\t_\t_\n6\twere\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tgloaters\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tgot\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tout\t_\tADP\tRP\t_\t3\txcomp\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\t1987\t_\tNUM\tCD\t_\t3\tnmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tEverything\t_\tNOUN\tNN\t_\t4\tdep\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tPascal\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tAntori\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tan\t_\tDET\tDT\t_\t14\tdet\t_\t_\n9\tAkron\t_\tPROPN\tNNP\t_\t14\tdep\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tOhio\t_\tPROPN\tNNP\t_\t9\tdep\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n13\tplumbing\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tcontractor\t_\tNOUN\tNN\t_\t6\tappos\t_\t_\n15\twho\t_\tPRON\tWP\t_\t17\tnsubj\t_\t_\n16\twas\t_\tAUX\tVBD\t_\t17\taux\t_\t_\n17\tvisiting\t_\tVERB\tVBG\t_\t14\tacl:relcl\t_\t_\n18\tChicago\t_\tPROPN\tNNP\t_\t17\tdobj\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n20\tstopped\t_\tVERB\tVBN\t_\t17\tconj\t_\t_\n21\tby\t_\tADP\tIN\t_\t27\tcase\t_\t_\n22\tFidelity\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tInvestments\t_\tPROPN\tNNP\t_\t27\tnmod:poss\t_\t_\n24\t'\t_\tPART\tPOS\t_\t23\tcase\t_\t_\n25\tLaSalle\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n26\tStreet\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\toffice\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tjust\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tstopped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tby\t_\tADP\tIN\t_\t4\tadvcl\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tsee\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n8\thow\t_\tADV\tWRB\t_\t9\tadvmod\t_\t_\n9\tmuch\t_\tADJ\tJJ\t_\t13\tadvmod\t_\t_\n10\tI\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n11\twould\t_\tAUX\tMD\t_\t13\taux\t_\t_\n12\thave\t_\tAUX\tVB\t_\t13\taux\t_\t_\n13\tlost\t_\tVERB\tVBN\t_\t7\tccomp\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tWould\t_\tAUX\tMD\t_\t5\taux\t_\t_\n2\tMr.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tAntori\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\tever\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tget\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tback\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n7\tin\t_\tADP\tIN\t_\t5\txcomp\t_\t_\n8\t?\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tAre\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\tyou\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tkidding\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\t!\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tWhen\t_\tADV\tWRB\t_\t3\tadvmod\t_\t_\n2\tit\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tcomes\t_\tVERB\tVBZ\t_\t8\tadvcl\t_\t_\n4\tto\t_\tADP\tTO\t_\t5\tcase\t_\t_\n5\tmoney\t_\tNOUN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ould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\tlove\t_\tVERB\tVB\t_\t10\tacl:relcl\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n17\tscreens\t_\tVERB\tNNS\t_\t10\tconj\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\tmatch\t_\tVERB\tVB\t_\t17\tacl\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tCompaq\t_\tPROPN\tNNP\t_\t3\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tnotebooks\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n5\tby\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tcontrast\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n8\tmay\t_\tAUX\tMD\t_\t11\taux\t_\t_\n9\tbe\t_\tVERB\tVB\t_\t11\tcop\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tfirst\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n12\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\ttheir\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n14\tweight\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tclass\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n16\tnot\t_\tPART\tRB\t_\t18\tneg\t_\t_\n17\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n18\tskimp\t_\tVERB\tVB\t_\t11\tdep\t_\t_\n19\ton\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tfeatures\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n21\tfound\t_\tVERB\tVBN\t_\t20\tacl\t_\t_\n22\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\tmuch\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n24\tbigger\t_\tADJ\tJJR\t_\t25\tamod\t_\t_\n25\tmachines\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tAnalysts\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tsay\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\tthey\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\t're\t_\tVERB\tVBP\t_\t5\tcop\t_\t_\n5\tfaster\t_\tADJ\tJJR\t_\t2\tdep\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tcarry\t_\tVERB\tVB\t_\t5\tconj\t_\t_\n8\tmore\t_\tADJ\tJJR\t_\t9\tamod\t_\t_\n9\tmemory\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tthan\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tanything\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n12\telse\t_\tADV\tRB\t_\t11\tamod\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\ttheir\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n15\tsize\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n16\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tmarket\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n19\t--\t_\tPUNCT\t:\t_\t5\tpunct\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n21\tthey\t_\tPRON\tPRP\t_\t23\tnsubjpass\t_\t_\n22\t're\t_\tAUX\tVBP\t_\t23\tauxpass\t_\t_\n23\tpriced\t_\tVERB\tVBN\t_\t5\tconj\t_\t_\n24\taggressively\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n25\tat\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\t$\t_\tSYM\t$\t_\t27\tdep\t_\t_\n27\t2,400\t_\tNUM\tCD\t_\t23\tnmod\t_\t_\n28\tto\t_\tADP\tTO\t_\t27\tdep\t_\t_\n29\t$\t_\tSYM\t$\t_\t30\tdep\t_\t_\n30\t5,000\t_\tNUM\tCD\t_\t27\tdep\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAll\t_\tDET\tDT\t_\t4\tnsubj\t_\t_\n2\tof\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tthis\t_\tPRON\tDT\t_\t1\tnmod\t_\t_\n4\tcomes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tmachine\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tthat\t_\tPRON\tWDT\t_\t9\tnsubj\t_\t_\n9\tweighs\t_\tVERB\tVBZ\t_\t7\tacl:relcl\t_\t_\n10\tonly\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\tsix\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\tpounds\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n14\tfits\t_\tVERB\tVBZ\t_\t9\tconj\t_\t_\n15\tcomfortably\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n16\tinto\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tmost\t_\tADJ\tJJS\t_\t18\tamod\t_\t_\n18\tbriefcases\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\trecent\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tmonths\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n5\tCompaq\t_\tPROPN\tNNP\t_\t7\tnmod:poss\t_\t_\n6\t's\t_\tPART\tPOS\t_\t5\tcase\t_\t_\n7\tcompetition\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tincluding\t_\tVERB\tVBG\t_\t10\tcase\t_\t_\n10\tZenith\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\tToshiba\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tCorp.\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n15\tTandy\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tCorp.\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n18\tNEC\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tCorp.\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n20\tall\t_\tDET\tDT\t_\t22\tdep\t_\t_\n21\thave\t_\tAUX\tVBP\t_\t22\taux\t_\t_\n22\tintroduced\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n23\tportables\t_\tNOUN\tNNS\t_\t22\tdobj\t_\t_\n24\tthat\t_\tPRON\tWDT\t_\t25\tnsubj\t_\t_\n25\tweigh\t_\tVERB\tVBP\t_\t23\tacl:relcl\t_\t_\n26\tapproximately\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tsame\t_\tADJ\tJJ\t_\t25\tdobj\t_\t_\n29\tand\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n30\tthat\t_\tPRON\tDT\t_\t32\tnsubjpass\t_\t_\n31\tare\t_\tAUX\tVBP\t_\t32\tauxpass\t_\t_\n32\tcalled\t_\tVERB\tVBN\t_\t25\tconj\t_\t_\n33\tnotebooks\t_\tNOUN\tNNS\t_\t32\txcomp\t_\t_\n34\t--\t_\tPUNCT\t:\t_\t32\tpunct\t_\t_\n35\tperhaps\t_\tADV\tRB\t_\t36\tadv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competitors\t_\tNOUN\tNNS\t_\t1\tconj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\thowever\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n7\tdoubt\t_\tVERB\tVB\t_\t0\troot\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tnumbers\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n10\twere\t_\tVERB\tVBD\t_\t12\tcop\t_\t_\n11\tthat\t_\tADV\tDT\t_\t12\tadvmod\t_\t_\n12\thigh\t_\tADJ\tJJ\t_\t7\tccomp\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tBudget\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tits\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n4\tfrequent-flier\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tcosts\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n6\tare\t_\tVERB\tVBP\t_\t13\tcop\t_\t_\n7\t``\t_\tPUNCT\t``\t_\t13\tpunct\t_\t_\n8\tsubstantially\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n9\tbelow\t_\tADP\tRB\t_\t13\tcase\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n11\tAvis\t_\tPROPN\tNNP\t_\t13\tnmod:poss\t_\t_\n12\t's\t_\tPART\tPOS\t_\t11\tcase\t_\t_\n13\tlevel\t_\tNOUN\tNN\t_\t2\tccomp\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tRobert\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tD.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCardillo\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tAvis\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tvice\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tpresident\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n8\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tmarketing\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t26\tpunct\t_\t_\n14\tThe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tproliferation\t_\tNOUN\tNN\t_\t26\tnsubj\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\tcosts\t_\tNOUN\tNNS\t_\t15\tconj\t_\t_\n18\tattached\t_\tVERB\tVBN\t_\t15\tacl\t_\t_\n19\tto\t_\tADP\tTO\t_\t22\tcase\t_\t_\n20\t-LCB-\t_\tPUNCT\t-LRB-\t_\t22\tpunct\t_\t_\n21\tfrequent-flier\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tprograms\t_\tNOUN\tNNS\t_\t18\tadvcl\t_\t_\n23\t-RCB-\t_\tPUNCT\t-RRB-\t_\t22\tpunct\t_\t_\n24\thave\t_\tAUX\tVBP\t_\t26\taux\t_\t_\n25\tsignificantly\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\tdiminished\t_\tVERB\tVBN\t_\t11\tccomp\t_\t_\n27\ttheir\t_\tPRON\tPRP$\t_\t28\tnmod:poss\t_\t_\n28\tvalue\t_\tNOUN\tNN\t_\t26\tdobj\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n30\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n\n1\tThis\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tyear\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n3\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n4\tbeen\t_\tVERB\tVBN\t_\t5\tcop\t_\t_\n5\tdifficult\t_\tADJ\tJJ\t_\t12\tccomp\t_\t_\n6\tfor\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tboth\t_\tDET\tDT\t_\t8\tcc:preconj\t_\t_\n8\tHertz\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tAvis\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tCharles\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tFinnie\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\tcar-rental\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\tindustry\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tanalyst\t_\tNOUN\tNN\t_\t14\tappos\t_\t_\n19\tat\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tAlex\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n22\tBrown\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n23\t&\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\tSons\t_\tPROPN\tNNP\t_\t22\tconj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n2\tThey\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t've\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tbeen\t_\tAUX\tVBN\t_\t5\taux\t_\t_\n5\tlooking\t_\tVERB\tVBG\t_\t25\tccomp\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tget\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\ttheir\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n9\tcosts\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tdown\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n13\tthis\t_\tPRON\tDT\t_\t18\tnsubj\t_\t_\n14\tis\t_\tVERB\tVBZ\t_\t18\tcop\t_\t_\n15\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n16\tfairly\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\tsensible\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tway\t_\tNOUN\tNN\t_\t5\tconj\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\tdo\t_\tVERB\tVB\t_\t18\tacl\t_\t_\n21\tit\t_\tPRON\tPRP\t_\t20\tdobj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n23\t''\t_\tPUNCT\t''\t_\t25\tpunct\t_\t_\n24\the\t_\tPRON\tPRP\t_\t25\tnsubj\t_\t_\n25\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tCBS\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tInc.\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\tis\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\tcutting\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n6\tThe\t_\tPROPN\tDT\t_\t9\tcompound\t_\t_\n7\tPat\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tSajak\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tShow\t_\tPROPN\tNNP\t_\t4\tdobj\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n11\tdown\t_\tADV\tIN\t_\t4\tadvmod\t_\t_\n12\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n13\tone\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\thour\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n15\tfrom\t_\tADP\tIN\t_\t19\tcase\t_\t_\n16\tits\t_\tPRON\tPRP$\t_\t19\tnmod:poss\t_\t_\n17\tcurrent\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\t90\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\tminutes\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tCBS\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tinsisted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tmove\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n5\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n6\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tsetback\t_\tNOUN\tNN\t_\t2\tccomp\t_\t_\n9\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tprogram\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\twhich\t_\tPRON\tWDT\t_\t19\tnsubj\t_\t_\n14\tis\t_\tVERB\tVBZ\t_\t19\tcop\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tnetwork\t_\tNOUN\tNN\t_\t19\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tfirst\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tentry\t_\tNOUN\tNN\t_\t11\tacl:relcl\t_\t_\n20\tinto\t_\tADP\tIN\t_\t25\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n22\tlate-night\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n23\ttalk\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n24\tshow\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tformat\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n26\tsince\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\t1972\t_\tNUM\tCD\t_\t19\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\thave\t_\tVERB\tVBP\t_\t27\tccomp\t_\t_\n4\tevery\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tintention\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tof\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n7\tmaking\t_\tVERB\tVBG\t_\t5\tacl\t_\t_\n8\tthis\t_\tPRON\tDT\t_\t12\tnsubj\t_\t_\n9\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tbest\t_\tADJ\tJJS\t_\t11\tdep\t_\t_\n11\tpossible\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tshow\t_\tNOUN\tNN\t_\t7\txcomp\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n14\thaving\t_\tVERB\tVBG\t_\t22\tcsubj\t_\t_\n15\tit\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\trun\t_\tVERB\tVB\t_\t14\tccomp\t_\t_\n17\tone\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\thour\t_\tNOUN\tNN\t_\t16\tnmod:tmod\t_\t_\n19\tis\t_\tVERB\tVBZ\t_\t22\tcop\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tbest\t_\tADJ\tJJS\t_\t22\tamod\t_\t_\n22\tway\t_\tNOUN\tNN\t_\t3\tconj\t_\t_\n23\tto\t_\tADP\tTO\t_\t24\tcase\t_\t_\n24\tit\t_\tPRON\tPRP\t_\t22\tnmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n26\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n27\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n28\tRod\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tPerth\t_\tPROPN\tNNP\t_\t27\tnsubj\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n31\twho\t_\tPRON\tWP\t_\t33\tnsubjpass\t_\t_\n32\twas\t_\tAUX\tVBD\t_\t33\tauxpass\t_\t_\n33\tnamed\t_\tVERB\tVBN\t_\t29\tacl:relcl\t_\t_\n34\tvice\t_\tNOUN\tNN\t_\t35\tcompound\t_\t_\n35\tpresident\t_\tNOUN\tNN\t_\t33\txcomp\t_\t_\n36\tof\t_\tADP\tIN\t_\t39\tcase\t_\t_\n37\tlate\t_\tADJ\tJJ\t_\t39\tamod\t_\t_\n38\tnight\t_\tNOUN\tNN\t_\t39\tcompound\t_\t_\n39\tentertainment\t_\tNOUN\tNN\t_\t35\tnmod\t_\t_\n40\tin\t_\tADP\tIN\t_\t41\tcase\t_\t_\n41\tAugust\t_\tPROPN\tNNP\t_\t33\tnmod\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t4\tnsubj\t_\t_\n3\twill\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\traise\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tenergy\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tlevel\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tshow\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tCBS\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n2\twill\t_\tAUX\tMD\t_\t3\taux\t_\t_\n3\tcontinue\t_\tVERB\tVB\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tprogram\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\taction-adventure\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tshows\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tfollow\t_\tVERB\tVB\t_\t7\tacl\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tSajak\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\thour\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tCBS\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tNews\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\twill\t_\tAUX\tMD\t_\t5\taux\t_\t_\n5\textend\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tits\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n7\tfour-hour\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n9\tNightwatch\t_\tPROPN\tNNP\t_\t5\tdobj\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n11\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\t30\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\tminutes\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n15\tbegin\t_\tVERB\tVB\t_\t5\tconj\t_\t_\n16\tat\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\t1:30\t_\tNUM\tCD\t_\t15\tnmod\t_\t_\n18\ta.m\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tshow\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n4\tdespite\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tpromising\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tstart\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\thas\t_\tAUX\tVBZ\t_\t10\taux\t_\t_\n10\tslipped\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\tbadly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tweekly\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tratings\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n16\tas\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n17\tcompiled\t_\tVERB\tVBN\t_\t15\tdep\t_\t_\n18\tby\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tA.C.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n20\tNielsen\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tCo.\t_\tPROPN\tNNP\t_\t17\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n23\tfinishing\t_\tVERB\tVBG\t_\t10\txcomp\t_\t_\n24\tfar\t_\tADV\tRB\t_\t27\tadvmod\t_\t_\n25\tbelow\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n27\tTonight\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n28\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n29\ton\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\tNBC\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n32\ta\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tunit\t_\tNOUN\tNN\t_\t30\tappos\t_\t_\n34\tof\t_\tADP\tIN\t_\t37\tcase\t_\t_\n35\tGeneral\t_\tPROPN\tNNP\t_\t37\tcompound\t_\t_\n36\tElectric\t_\tPROPN\tNNP\t_\t37\tcompound\t_\t_\n37\tCo.\t_\tPROPN\tNNP\t_\t33\tnmod\t_\t_\n38\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n39\tand\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n40\t``\t_\tPUNCT\t``\t_\t41\tpunct\t_\t_\n41\tNightline\t_\tPROPN\tNNP\t_\t27\tconj\t_\t_\n42\t''\t_\tPUNCT\t''\t_\t41\tpunct\t_\t_\n43\ton\t_\tADP\tIN\t_\t44\tcase\t_\t_\n44\tABC-TV\t_\tPROPN\tNNP\t_\t41\tnmod\t_\t_\n45\t,\t_\tPUNCT\t,\t_\t44\tpunct\t_\t_\n46\ta\t_\tDET\tDT\t_\t47\tdet\t_\t_\n47\tunit\t_\tNOUN\tNN\t_\t44\tappos\t_\t_\n48\tof\t_\tADP\tIN\t_\t51\tcase\t_\t_\n49\tCapital\t_\tPROPN\tNNP\t_\t51\tcompound\t_\t_\n50\tCities/ABC\t_\tPROPN\tNNP\t_\t51\tcompound\t_\t_\n51\tInc\t_\tPROPN\tNNP\t_\t47\tnmod\t_\t_\n52\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tFurther\t_\tADV\tJJ\t_\t2\tadvmod\t_\t_\n2\tfractioning\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tlate-night\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\taudience\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n6\tis\t_\tVERB\tVBZ\t_\t2\taux\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\taddition\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n9\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n11\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n12\tArsenio\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n13\tHall\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tShow\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n17\tsyndicated\t_\tVERB\tVBN\t_\t14\tacl\t_\t_\n18\tby\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tParamount\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n20\tCommunications\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tInc\t_\tPROPN\tNNP\t_\t17\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tTandem\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tComputers\t_\tPROPN\tNNPS\t_\t3\tcompound\t_\t_\n3\tInc.\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n5\tpreparing\t_\tVERB\tVBG\t_\t21\tadvcl\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tfight\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\twith\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\tInternational\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n10\tBusiness\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n11\tMachines\t_\tPROPN\tNNPS\t_\t12\tcompound\t_\t_\n12\tCorp.\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n13\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tpiece\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n16\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tmainframe\t_\tADJ\tNN\t_\t19\tamod\t_\t_\n19\tbusiness\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n21\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n22\tit\t_\tPRON\tPRP\t_\t23\tnsubj\t_\t_\n23\texpects\t_\tVERB\tVBZ\t_\t21\tccomp\t_\t_\n24\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n25\tpost\t_\tVERB\tVB\t_\t23\txcomp\t_\t_\n26\thigher\t_\tADJ\tJJR\t_\t27\tamod\t_\t_\n27\trevenue\t_\tNOUN\tNN\t_\t25\tdobj\t_\t_\n28\tand\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n29\tearnings\t_\tNOUN\tNNS\t_\t27\tconj\t_\t_\n30\tfor\t_\tADP\tIN\t_\t34\tcase\t_\t_\n31\tits\t_\tPRON\tPRP$\t_\t34\tnmod:poss\t_\t_\n32\tfiscal\t_\tADJ\tJJ\t_\t34\tamod\t_\t_\n33\tfourth\t_\tADJ\tJJ\t_\t34\tamod\t_\t_\n34\tquarter\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n35\tended\t_\tVERB\tVBN\t_\t34\tacl\t_\t_\n36\tSept.\t_\tPROPN\tNNP\t_\t35\tnmod:tmod\t_\t_\n37\t30\t_\tNUM\tCD\t_\t36\tnummod\t_\t_\n38\t.\t_\t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_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tvariety\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tchallenges\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tbiggest\t_\tADJ\tJJS\t_\t12\tnsubj\t_\t_\n12\tbeing\t_\tNOUN\tVBG\t_\t8\tdep\t_\t_\n13\tthat\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n14\tcustomers\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n15\tgenerally\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tview\t_\tVERB\tVBP\t_\t12\tccomp\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tcompany\t_\tNOUN\tNN\t_\t20\tnmod:poss\t_\t_\n19\t's\t_\tPART\tPOS\t_\t18\tcase\t_\t_\n20\tcomputers\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n21\tas\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tcomplementary\t_\tADJ\tJJ\t_\t16\tadvcl\t_\t_\n23\tto\t_\tADP\tTO\t_\t26\tcase\t_\t_\n24\tIBM\t_\tPROPN\tNNP\t_\t26\tnmod:poss\t_\t_\n25\t's\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\tmainframes\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tEven\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n2\tMr.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tTreybig\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n5\treluctant\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tabandon\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\tthis\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tnotion\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n11\tinsisting\t_\tVERB\tVBG\t_\t5\txcomp\t_\t_\n12\tthat\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n13\tTandem\t_\tPROPN\tNNP\t_\t16\tnmod:poss\t_\t_\n14\t's\t_\tPART\tPOS\t_\t13\tcase\t_\t_\n15\tnew\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tmachines\t_\tNOUN\tNNS\t_\t19\tnsubj\t_\t_\n17\tare\t_\tVERB\tVBP\t_\t19\tcop\t_\t_\n18\tn't\t_\tPART\tRB\t_\t19\tneg\t_\t_\n19\treplacements\t_\tNOUN\tNNS\t_\t11\tccomp\t_\t_\n20\tfor\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tIBM\t_\tPROPN\tNNP\t_\t23\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tmainframes\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n3\t're\t_\tVERB\tVBP\t_\t8\tcop\t_\t_\n4\tafter\t_\tADP\tIN\t_\t8\tcase\t_\t_\n5\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\tlittle\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tbigger\t_\tADJ\tJJR\t_\t6\tdep\t_\t_\n8\tniche\t_\tNOUN\tNN\t_\t12\tccomp\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n11\the\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tDo\t_\tAUX\tVBP\t_\t3\taux\t_\t_\n2\tn't\t_\tPART\tRB\t_\t3\tneg\t_\t_\n3\tjump\t_\tVERB\tVB\t_\t0\troot\t_\t_\n4\tyet\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tstock\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tmarket\t_\tNOUN\tNN\t_\t5\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tswoon\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n6\tmay\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tturn\t_\tVERB\tVB\t_\t0\troot\t_\t_\n8\tout\t_\tADP\tRP\t_\t7\tcompound:prt\t_\t_\n9\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n10\tbe\t_\tVERB\tVB\t_\t12\tcop\t_\t_\n11\tgood\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tnews\t_\tNOUN\tNN\t_\t7\txcomp\t_\t_\n13\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\teconomy\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tone\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n3\twild\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\thour\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n5\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\ttrading\t_\tVERB\tNN\t_\t4\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tmarket\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n10\tmanaged\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n12\taccomplish\t_\tVERB\tVB\t_\t10\txcomp\t_\t_\n13\twhat\t_\tPRON\tWP\t_\t21\tdobj\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tBush\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tadministration\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n17\thas\t_\tAUX\tVBZ\t_\t19\taux\t_\t_\n18\tbeen\t_\tAUX\tVBN\t_\t19\taux\t_\t_\n19\ttrying\t_\tVERB\tVBG\t_\t12\tccomp\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tdo\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n23\tunsuccessfully\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n25\tfor\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tweeks\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\tis\t_\tAUX\tVBZ\t_\t3\taux\t_\t_\n3\tforcing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tFederal\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tReserve\t_\tPROPN\tNNP\t_\t3\tdobj\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tease\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n9\tits\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n10\tgrip\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\ton\t_\tADP\tIN\t_\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ase\t_\t_\n38\tforeign\t_\tADJ\tJJ\t_\t39\tamod\t_\t_\n39\tcapital\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n40\tto\t_\tADP\tTO\t_\t42\tcase\t_\t_\n41\tthe\t_\tDET\tDT\t_\t42\tdet\t_\t_\n42\tU.S.\t_\tPROPN\tNNP\t_\t36\tnmod\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tAnother\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tbig\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tdifference\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n4\tbetween\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\t1987\t_\tNUM\tCD\t_\t3\tnmod\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\t1989\t_\tNUM\tCD\t_\t5\tconj\t_\t_\n8\tis\t_\tVERB\tVBZ\t_\t11\tcop\t_\t_\n9\tn't\t_\tPART\tRB\t_\t11\tneg\t_\t_\n10\tso\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\tcomforting\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tthird\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tquarter\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n5\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\t1987\t_\tNUM\tCD\t_\t4\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\teconomy\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n10\tspurted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tat\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\tan\t_\tDET\tDT\t_\t15\tdet\t_\t_\n13\tinflation-adjusted\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\tannual\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\trate\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n16\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\t5.3\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\t%\t_\tSYM\tNN\t_\t15\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tconsensus\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n3\tamong\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\teconomists\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n5\tis\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\tthat\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n7\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n8\tgrew\t_\tVERB\tVBD\t_\t5\tccomp\t_\t_\n9\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n10\tmuch\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n11\tmore\t_\tADV\tRBR\t_\t12\tadvmod\t_\t_\n12\tsluggish\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\t2.3\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\t%\t_\tSYM\tNN\t_\t8\tdobj\t_\t_\n15\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tthird\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tquarter\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\t1989\t_\tNUM\tCD\t_\t18\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n22\twhich\t_\tPRON\tWDT\t_\t23\tnsubj\t_\t_\n23\tended\t_\tVERB\tVBD\t_\t18\tacl:relcl\t_\t_\n24\ttwo\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n25\tweeks\t_\tNOUN\tNNS\t_\t26\tnmod:npmod\t_\t_\n26\tago\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tplunge\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n3\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tstock\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tprices\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n7\tis\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n8\thappening\t_\tVERB\tVBG\t_\t21\tccomp\t_\t_\n9\tat\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\ttime\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\twhen\t_\tADV\tWRB\t_\t17\tadvmod\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\teconomy\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n15\thas\t_\tAUX\tVBZ\t_\t17\taux\t_\t_\n16\talready\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\tslowed\t_\tVERB\tVBN\t_\t11\tacl:relcl\t_\t_\n18\tdown\t_\tADP\tRP\t_\t17\tcompound:prt\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n21\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n22\teconomist\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n23\tLawrence\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tChimerine\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n25\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tWEFA\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tGroup\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n29\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n30\tBala\t_\tPROPN\tNNP\t_\t36\tdep\t_\t_\n31\tCynwyd\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n33\tPa.\t_\tPROPN\tNNP\t_\t30\tdep\t_\t_\n34\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n35\tforecasting\t_\tNOUN\tVBG\t_\t36\tcompound\t_\t_\n36\tcompany\t_\tNOUN\tNN\t_\t27\tappos\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n2\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tlot\t_\tNOUN\tNN\t_\t8\tnsubjpass\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tpent-up\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tdemand\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\tis\t_\tAUX\tVBZ\t_\t8\tauxpass\t_\t_\n8\tgone\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n\n1\tConsumer\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\tspending\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\tdid\t_\tAUX\tVBD\t_\t4\taux\t_\t_\n4\tdrop\t_\tVERB\tVB\t_\t26\tccomp\t_\t_\n5\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tmonths\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n8\tfollowing\t_\tVERB\tVBG\t_\t10\tcase\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ow\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tfading\t_\tVERB\tJJ\t_\t11\tamod\t_\t_\n11\tboom\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n13\tthese\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tproducers\t_\tNOUN\tNNS\t_\t18\tnsubj\t_\t_\n15\talso\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n16\twill\t_\tAUX\tMD\t_\t18\taux\t_\t_\n17\tbe\t_\tAUX\tVB\t_\t18\taux\t_\t_\n18\treporting\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n19\tagainst\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\texceptionally\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n21\tstrong\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tperformances\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n23\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n25\t1988\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n26\tthird\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\tquarter\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n2\tFor\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tsome\t_\tDET\tDT\t_\t13\tnmod\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthese\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tcompanies\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n8\tthis\t_\tPRON\tDT\t_\t13\tnsubj\t_\t_\n9\twill\t_\tAUX\tMD\t_\t13\taux\t_\t_\n10\tbe\t_\tVERB\tVB\t_\t13\tcop\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tfirst\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tquarter\t_\tNOUN\tNN\t_\t20\tccomp\t_\t_\n14\twith\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tyear-to-year\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\tnegative\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tcomparisons\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n20\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n21\tLeonard\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tBogner\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n24\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n25\tchemical\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n26\tindustry\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tanalyst\t_\tNOUN\tNN\t_\t22\tappos\t_\t_\n28\tat\t_\tADP\tIN\t_\t31\tcase\t_\t_\n29\tPrudential\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n30\tBache\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tResearch\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t6\tnsubj\t_\t_\n3\tcould\t_\tAUX\tMD\t_\t6\taux\t_\t_\n4\tbe\t_\tVERB\tVB\t_\t6\tcop\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tfirst\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n7\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n8\tfive\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n9\tor\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tsix\t_\tNUM\tCD\t_\t8\tconj\t_\t_\n11\tdown\t_\tADJ\tIN\t_\t12\tamod\t_\t_\n12\tquarters\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n\n1\tPerhaps\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n2\tmost\t_\tADV\tRBS\t_\t3\tadvmod\t_\t_\n3\tprominent\t_\tADJ\tJJ\t_\t22\tccomp\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n5\tDow\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tChemical\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tCo.\t_\tPROPN\tNNP\t_\t22\tnsubjpass\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\twhich\t_\tPRON\tWDT\t_\t14\tnsubj\t_\t_\n10\tas\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tmidyear\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n13\thad\t_\tAUX\tVBD\t_\t14\taux\t_\t_\n14\tracked\t_\tVERB\tVBN\t_\t7\tacl:relcl\t_\t_\n15\tup\t_\tADP\tRP\t_\t14\tcompound:prt\t_\t_\n16\teight\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n17\tconsecutive\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\trecord\t_\tADJ\tNN\t_\t19\tamod\t_\t_\n19\tquarters\t_\tNOUN\tNNS\t_\t14\tdobj\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n21\tis\t_\tAUX\tVBZ\t_\t22\tauxpass\t_\t_\n22\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\treport\t_\tVERB\tVB\t_\t22\txcomp\t_\t_\n25\tthat\t_\tDET\tDT\t_\t27\tmark\t_\t_\n26\tprofit\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n27\tdecreased\t_\tVERB\tVBD\t_\t24\tccomp\t_\t_\n28\tin\t_\tADP\tIN\t_\t31\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n30\tlatest\t_\tADJ\tJJS\t_\t31\tamod\t_\t_\n31\tquarter\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n32\tfrom\t_\tADP\tIN\t_\t35\tcase\t_\t_\n33\ta\t_\tDET\tDT\t_\t34\tdet\t_\t_\n34\tyear\t_\tNOUN\tNN\t_\t35\tnmod:npmod\t_\t_\n35\tearlier\t_\tADV\tRBR\t_\t27\tadvcl\t_\t_\n36\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n37\tif\t_\tSCONJ\tIN\t_\t41\tmark\t_\t_\n38\tonly\t_\tADV\tRB\t_\t41\tadvmod\t_\t_\n39\tby\t_\tADP\tIN\t_\t41\tcase\t_\t_\n40\ta\t_\tDET\tDT\t_\t41\tdet\t_\t_\n41\tshade\t_\tNOUN\tNN\t_\t27\tadvcl\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tThough\t_\tSCONJ\tIN\t_\t5\tmark\t_\t_\n2\tDow\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n3\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n4\taggressively\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tdiversified\t_\tVERB\tVBN\t_\t15\tadvcl\t_\t_\n6\tinto\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tspecialty\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tchemicals\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tc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  },
  {
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    "content": 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esult\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tlink\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n7\tbetween\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tfutures\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tstock\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tmarkets\t_\tNOUN\tNNS\t_\t9\tconj\t_\t_\n13\tripped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tapart\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tWithout\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tguidepost\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tstock-index\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tfutures\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n7\t--\t_\tPUNCT\t:\t_\t6\tpunct\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tbarometer\t_\tNOUN\tNN\t_\t6\tdep\t_\t_\n10\tof\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n11\twhere\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n12\ttraders\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n13\tthink\t_\tVERB\tVBP\t_\t9\tacl\t_\t_\n14\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n15\toverall\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\tstock\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tmarket\t_\tNOUN\tNN\t_\t19\tnsubjpass\t_\t_\n18\tis\t_\tAUX\tVBZ\t_\t19\tauxpass\t_\t_\n19\theaded\t_\tVERB\tVBN\t_\t13\tccomp\t_\t_\n20\t--\t_\tPUNCT\t:\t_\t6\tpunct\t_\t_\n21\tmany\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\ttraders\t_\tNOUN\tNNS\t_\t24\tnsubj\t_\t_\n23\twere\t_\tVERB\tVBD\t_\t24\tcop\t_\t_\n24\tafraid\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n25\tto\t_\tPART\tTO\t_\t26\tmark\t_\t_\n26\ttrust\t_\tVERB\tVB\t_\t24\txcomp\t_\t_\n27\tstock\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n28\tprices\t_\tNOUN\tNNS\t_\t26\tdobj\t_\t_\n29\tquoted\t_\tVERB\tVBN\t_\t28\tacl\t_\t_\n30\ton\t_\tADP\tIN\t_\t33\tcase\t_\t_\n31\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n32\tBig\t_\tPROPN\tNNP\t_\t33\tcompound\t_\t_\n33\tBoard\t_\tPROPN\tNNP\t_\t29\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tfutures\t_\tNOUN\tNNS\t_\t3\tcompound\t_\t_\n3\thalt\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t6\tauxpass\t_\t_\n5\teven\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tassailed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n8\tBig\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n9\tBoard\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tfloor\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\ttraders\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tscrewed\t_\tVERB\tVBD\t_\t8\tccomp\t_\t_\n4\tthings\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n5\tup\t_\tADP\tRP\t_\t3\tcompound:prt\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n8\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tone\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n10\tmajor\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tspecialist\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThis\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tconfusion\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\teffectively\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\thalted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tone\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n6\tform\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tprogram\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\ttrading\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n11\tstock\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n12\tindex\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tarbitrage\t_\tNOUN\tNN\t_\t6\tappos\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n15\tthat\t_\tPRON\tWDT\t_\t17\tnsubj\t_\t_\n16\tclosely\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\tlinks\t_\tVERB\tVBZ\t_\t6\tacl:relcl\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tfutures\t_\tNOUN\tNNS\t_\t17\tdobj\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n21\tstock\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\tmarkets\t_\tNOUN\tNNS\t_\t19\tconj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n25\thas\t_\tAUX\tVBZ\t_\t27\taux\t_\t_\n26\tbeen\t_\tAUX\tVBN\t_\t27\tauxpass\t_\t_\n27\tblamed\t_\tVERB\tVBN\t_\t17\tconj\t_\t_\n28\tby\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tsome\t_\tDET\tDT\t_\t27\tnmod\t_\t_\n30\tfor\t_\tADP\tIN\t_\t35\tcase\t_\t_\n31\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n32\tmarket\t_\tNOUN\tNN\t_\t35\tnmod:poss\t_\t_\n33\t's\t_\tPART\tPOS\t_\t32\tcase\t_\t_\n34\tbig\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n35\tswings\t_\tNOUN\tNNS\t_\t27\tnmod\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t-LRB-\t_\tPUNCT\t-LRB-\t_\t10\tpunct\t_\t_\n2\tIn\t_\tADP\tIN\t_\t7\tcase\t_\t_\n3\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n4\tstock-index\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n5\tarbitrage\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n6\tsell\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tprogram\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\ttraders\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n10\tbuy\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n11\tor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mod\t_\t_\n9\ton\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tfloor\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tBig\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tBoard\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n17\twhere\t_\tADV\tWRB\t_\t20\tadvmod\t_\t_\n18\the\t_\tPRON\tPRP\t_\t20\tnsubj\t_\t_\n19\tcould\t_\tAUX\tMD\t_\t20\taux\t_\t_\n20\twatch\t_\tVERB\tVB\t_\t8\tacl:relcl\t_\t_\n21\tupdates\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n22\ton\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tprices\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n25\tpending\t_\tVERB\tVBG\t_\t27\tamod\t_\t_\n26\tstock\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\torders\t_\tNOUN\tNNS\t_\t23\tconj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tabout\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n3\t3:30\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n4\tp.m.\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tEDT\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n7\tS&P\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tfutures\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n9\tresumed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\ttrading\t_\tVERB\tVBG\t_\t9\txcomp\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n13\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tbrief\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\ttime\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tfutures\t_\tNOUN\tNNS\t_\t22\tnsubj\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tstock\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tmarkets\t_\tNOUN\tNNS\t_\t18\tconj\t_\t_\n22\tstarted\t_\tVERB\tVBD\t_\t9\tconj\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\tcome\t_\tVERB\tVB\t_\t22\txcomp\t_\t_\n25\tback\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n26\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\tline\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tBuyers\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tstepped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tin\t_\tADP\tIN\t_\t2\tadvmod\t_\t_\n4\tto\t_\tADP\tTO\t_\t7\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tfutures\t_\tNOUN\tNNS\t_\t7\tcompound\t_\t_\n7\tpit\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tbuild-up\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n5\tS&P\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n6\tfutures\t_\tNOUN\tNNS\t_\t8\tcompound\t_\t_\n7\tsell\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\torders\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n9\tweighed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\ton\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tmarket\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tlink\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n17\twith\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tstocks\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n19\tbegan\t_\tVERB\tVBD\t_\t9\tconj\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tfray\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\tagain\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tabout\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\t3:45\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tS&P\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tmarket\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n8\tcareened\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n10\tstill\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\tanother\t_\tDET\tDT\t_\t12\tamod\t_\t_\n12\tlimit\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\t30\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\tpoints\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n17\tdown\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n20\ttrading\t_\tNOUN\tNN\t_\t22\tnsubjpass\t_\t_\n21\twas\t_\tAUX\tVBD\t_\t22\tauxpass\t_\t_\n22\tlocked\t_\tVERB\tVBN\t_\t8\tconj\t_\t_\n23\tagain\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tFutures\t_\tNOUN\tNNS\t_\t2\tcompound\t_\t_\n2\ttraders\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tsay\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tS&P\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n6\twas\t_\tAUX\tVBD\t_\t7\taux\t_\t_\n7\tsignaling\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n8\tthat\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tDow\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n11\tcould\t_\tAUX\tMD\t_\t12\taux\t_\t_\n12\tfall\t_\tVERB\tVB\t_\t7\tccomp\t_\t_\n13\tas\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tmuch\t_\tADJ\tJJ\t_\t12\tdobj\t_\t_\n15\tas\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\t200\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\tpoints\t_\t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_\t19\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tgrew\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tmodestly\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\tuntil\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\t1986\t_\tNUM\tCD\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\twhen\t_\tADV\tWRB\t_\t16\tadvmod\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tmajority\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tposition\t_\tNOUN\tNN\t_\t16\tnsubjpass\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tHooker\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tCorp.\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n15\twas\t_\tAUX\tVBD\t_\t16\tauxpass\t_\t_\n16\tacquired\t_\tVERB\tVBN\t_\t6\tacl:relcl\t_\t_\n17\tby\t_\tADP\tIN\t_\t21\tcase\t_\t_\n18\tAustralian\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n19\tdeveloper\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n20\tGeorge\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tHerscu\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\tcurrently\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n24\tHooker\t_\tPROPN\tNNP\t_\t26\tnmod:poss\t_\t_\n25\t's\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\tchairman\t_\tNOUN\tNN\t_\t21\tappos\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tHerscu\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tproceeded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tlaunch\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\tan\t_\tDET\tDT\t_\t16\tdet\t_\t_\n7\tambitious\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tbut\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n10\till-fated\t_\tADJ\tJJ\t_\t7\tconj\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n12\t$\t_\tSYM\t$\t_\t16\tamod\t_\t_\n13\t1\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\tbillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\tacquisition\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tbinge\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n17\tthat\t_\tPRON\tWDT\t_\t18\tnsubj\t_\t_\n18\tincluded\t_\tVERB\tVBD\t_\t16\tacl:relcl\t_\t_\n19\tBonwit\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tTeller\t_\tPROPN\tNNP\t_\t18\tdobj\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tB.\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tAltman\t_\tPROPN\tNNP\t_\t20\tconj\t_\t_\n24\t&\t_\tCONJ\tCC\t_\t23\tcc\t_\t_\n25\tCo.\t_\tPROPN\tNNP\t_\t23\tconj\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n27\tas\t_\tADV\tRB\t_\t20\tcc\t_\t_\n28\twell\t_\tADV\tRB\t_\t27\tmwe\t_\t_\n29\tas\t_\tADP\tIN\t_\t27\tmwe\t_\t_\n30\tmajority\t_\tNOUN\tNN\t_\t31\tcompound\t_\t_\n31\tpositions\t_\tNOUN\tNNS\t_\t20\tconj\t_\t_\n32\tin\t_\tADP\tIN\t_\t34\tcase\t_\t_\n33\tMerksamer\t_\tPROPN\tNNP\t_\t34\tcompound\t_\t_\n34\tJewelers\t_\tPROPN\tNNP\t_\t31\tnmod\t_\t_\n35\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n36\ta\t_\tDET\tDT\t_\t38\tdet\t_\t_\n37\tSacramento\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n38\tchain\t_\tNOUN\tNN\t_\t34\tappos\t_\t_\n39\t;\t_\tPUNCT\t:\t_\t34\tpunct\t_\t_\n40\tSakowitz\t_\tPROPN\tNNP\t_\t41\tcompound\t_\t_\n41\tInc.\t_\tPROPN\tNNP\t_\t34\tconj\t_\t_\n42\t,\t_\tPUNCT\t,\t_\t41\tpunct\t_\t_\n43\tthe\t_\tDET\tDT\t_\t45\tdet\t_\t_\n44\tHouston-based\t_\tADJ\tJJ\t_\t45\tamod\t_\t_\n45\tretailer\t_\tNOUN\tNN\t_\t41\tappos\t_\t_\n46\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n47\tand\t_\tCONJ\tCC\t_\t34\tcc\t_\t_\n48\tParisian\t_\tPROPN\tNNP\t_\t49\tcompound\t_\t_\n49\tInc.\t_\tPROPN\tNNP\t_\t34\tconj\t_\t_\n50\t,\t_\tPUNCT\t,\t_\t49\tpunct\t_\t_\n51\tthe\t_\tDET\tDT\t_\t54\tdet\t_\t_\n52\tSoutheast\t_\tPROPN\tNNP\t_\t54\tcompound\t_\t_\n53\tdepartment-store\t_\tNOUN\tNN\t_\t54\tcompound\t_\t_\n54\tchain\t_\tNOUN\tNN\t_\t49\tappos\t_\t_\n55\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tEventually\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n2\tMr.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tSimpson\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n4\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tMr.\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tHerscu\t_\tPROPN\tNNP\t_\t3\tconj\t_\t_\n7\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tfalling\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tout\t_\tADP\tRP\t_\t9\tdep\t_\t_\n11\tover\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tdirection\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n14\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tcompany\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n19\tMr.\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tSimpson\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n21\tsaid\t_\tVERB\tVBD\t_\t7\tconj\t_\t_\n22\the\t_\tPRON\tPRP\t_\t23\tnsubj\t_\t_\n23\tresigned\t_\tVERB\tVBD\t_\t21\tccomp\t_\t_\n24\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\t1988\t_\tNUM\tCD\t_\t23\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tSince\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tthen\t_\tADV\tRB\t_\t7\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n4\tHooker\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tCorp.\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t7\taux\t_\t_\n7\tsold\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tits\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n9\tinterest\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tParisian\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tchain\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\tback\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n15\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n16\tParisian\t_\tADJ\tJJ\t_\t18\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tmanagement\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n20\tis\t_\tAUX\tVBZ\t_\t22\taux\t_\t_\n21\tcurrently\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n22\tattempting\t_\tVERB\tVBG\t_\t7\tconj\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\tsell\t_\tVERB\tVB\t_\t22\txcomp\t_\t_\n25\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n26\tB.\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tAltman\t_\tPROPN\tNNP\t_\t24\tdobj\t_\t_\n28\t&\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n29\tCo.\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tchain\t_\tNOUN\tNN\t_\t27\tconj\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\taddition\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n4\tRobert\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tSakowitz\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tchief\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\texecutive\t_\tNOUN\tNN\t_\t5\tappos\t_\t_\n9\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tSakowitz\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tchain\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n14\tis\t_\tAUX\tVBZ\t_\t15\taux\t_\t_\n15\tseeking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n16\tfunds\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n17\tto\t_\tPART\tTO\t_\t18\tmark\t_\t_\n18\tbuy\t_\tVERB\tVB\t_\t16\tacl\t_\t_\n19\tout\t_\tADP\tRP\t_\t18\tcompound:prt\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tHooker\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tinterest\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n23\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\this\t_\tPRON\tPRP$\t_\t25\tnmod:poss\t_\t_\n25\tcompany\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tMerksamer\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tchain\t_\tNOUN\tNN\t_\t7\tnsubjpass\t_\t_\n4\tis\t_\tAUX\tVBZ\t_\t7\taux\t_\t_\n5\tcurrently\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n6\tbeing\t_\tAUX\tVBG\t_\t7\tauxpass\t_\t_\n7\toffered\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tsale\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n10\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tFirst\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n12\tBoston\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tCorp\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tReached\t_\tVERB\tVBN\t_\t7\tadvcl\t_\t_\n2\tin\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tHonolulu\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tMr.\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tShidler\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tthat\t_\tSCONJ\tIN\t_\t10\tmark\t_\t_\n9\the\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\tbelieves\t_\tVERB\tVBZ\t_\t7\tccomp\t_\t_\n11\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\tvarious\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tHooker\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tmalls\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n15\tcan\t_\tAUX\tMD\t_\t16\taux\t_\t_\n16\tbecome\t_\tVERB\tVB\t_\t10\tccomp\t_\t_\n17\tprofitable\t_\tADJ\tJJ\t_\t16\txcomp\t_\t_\n18\twith\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tnew\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tmanagement\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tThese\t_\tPRON\tDT\t_\t6\tnsubj\t_\t_\n3\tare\t_\tVERB\tVBP\t_\t6\tcop\t_\t_\n4\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n5\tmature\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tassets\t_\tNOUN\tNNS\t_\t18\tccomp\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\tbut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n9\tthey\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\thave\t_\tVERB\tVBP\t_\t6\tconj\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tpotential\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n14\tbe\t_\tVERB\tVB\t_\t12\tacl\t_\t_\n15\tso\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n18\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\tMr.\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tShidler\t_\tPROPN\tNNP\t_\t18\tnsubj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t13\tpunct\t_\t_\n2\tManaged\t_\tVERB\tVBN\t_\t13\tadvcl\t_\t_\n3\tproperly\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t2\tadvmod\t_\t_\n6\twith\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tlong-term\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\toutlook\t_\tNOUN\tNN\t_\t5\tconj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n11\tthese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\tDET\tDT\t_\t35\tdet\t_\t_\n35\tdelays\t_\tNOUN\tNNS\t_\t32\tnmod\t_\t_\n36\tin\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tBoeing\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n38\tdeliveries\t_\tNOUN\tNNS\t_\t35\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t32\tpunct\t_\t_\n\n1\tNevertheless\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tcompany\t_\tNOUN\tNN\t_\t6\tnmod:poss\t_\t_\n5\t's\t_\tPART\tPOS\t_\t4\tcase\t_\t_\n6\treaction\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n7\tunderscores\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tdomino\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\teffect\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n11\tthat\t_\tADP\tIN\t_\t19\tdobj\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\thuge\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tmanufacturer\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n15\tsuch\t_\tADJ\tJJ\t_\t17\tcase\t_\t_\n16\tas\t_\tADP\tIN\t_\t15\tmwe\t_\t_\n17\tBoeing\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n18\tcan\t_\tAUX\tMD\t_\t19\taux\t_\t_\n19\thave\t_\tVERB\tVB\t_\t10\tacl:relcl\t_\t_\n20\ton\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tother\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tparts\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n23\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\teconomy\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t4\tcop\t_\t_\n4\tsure\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\thelp\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tmachinists\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n9\tput\t_\tVERB\tVB\t_\t6\tccomp\t_\t_\n10\tadded\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tpressure\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n12\ton\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tcompany\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t31\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n3\tjust\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n4\tdo\t_\tAUX\tVBP\t_\t6\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n6\tfeel\t_\tVERB\tVB\t_\t31\tccomp\t_\t_\n7\tthat\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcompany\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n10\tcan\t_\tAUX\tMD\t_\t12\taux\t_\t_\n11\treally\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tstand\t_\tVERB\tVB\t_\t6\tccomp\t_\t_\n13\tor\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\twould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\twant\t_\tVERB\tVB\t_\t12\tconj\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tprolonged\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\twalkout\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t31\tpunct\t_\t_\n21\tTom\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tBaker\t_\tPROPN\tNNP\t_\t31\tnsubj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n24\tpresident\t_\tNOUN\tNN\t_\t22\tappos\t_\t_\n25\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n26\tMachinists\t_\tPROPN\tNNP\t_\t28\tnmod:poss\t_\t_\n27\t'\t_\tPART\tPOS\t_\t26\tcase\t_\t_\n28\tDistrict\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n29\t751\t_\tNUM\tCD\t_\t28\tnummod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n31\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n32\tin\t_\tADP\tIN\t_\t34\tcase\t_\t_\n33\tan\t_\tDET\tDT\t_\t34\tdet\t_\t_\n34\tinterview\t_\tNOUN\tNN\t_\t31\tnmod\t_\t_\n35\tyesterday\t_\tNOUN\tNN\t_\t31\tnmod:tmod\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t31\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\tdo\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tn't\t_\tPART\tRB\t_\t5\tneg\t_\t_\n5\tthink\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\ttheir\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n7\tcustomers\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n8\twould\t_\tAUX\tMD\t_\t9\taux\t_\t_\n9\tlike\t_\tVERB\tVB\t_\t5\tccomp\t_\t_\n10\tit\t_\tPRON\tPRP\t_\t9\tdobj\t_\t_\n11\tvery\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tmuch\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tAmerica\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tWest\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n4\tthough\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n6\tis\t_\tVERB\tVBZ\t_\t9\tcop\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tsmaller\t_\tADJ\tJJR\t_\t9\tamod\t_\t_\n9\tairline\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\ttherefore\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n12\tmore\t_\tADV\tRBR\t_\t13\tadvmod\t_\t_\n13\taffected\t_\tVERB\tVBN\t_\t9\tconj\t_\t_\n14\tby\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tdelayed\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tdelivery\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tsingle\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tplane\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n22\tthan\t_\tSCONJ\tIN\t_\t28\tmark\t_\t_\n23\tmany\t_\tADJ\tJJ\t_\t28\tnsubj\t_\t_\n24\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n25\tits\t_\tPRON\tPRP$\t_\t26\tnmod:poss\t_\t_\n26\tcompetitors\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n27\twould\t_\tAUX\tMD\t_\t28\taux\t_\t_\n28\tbe\t_\tVERB\tVB\t_\t13\tccomp\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t33\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tfigure\t_\tVERB\tVBP\t_\t33\tccomp\t_\t_\n4\tthat\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n5\tAmerican\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tUnited\t_\tPROPN\tNNP\t_\t5\tconj\t_\t_\n8\tprobably\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\thave\t_\tVERB\tVBP\t_\t3\tccomp\t_\t_\n10\tsuch\t_\tDET\tPDT\t_\t13\tdet:predet\t_\t_\n11\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\thard\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\ttime\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n14\tcounting\t_\tVERB\tVBG\t_\t13\tdep\t_\t_\n15\tall\t_\tDET\tPDT\t_\t17\tdet:predet\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tplanes\t_\tNOUN\tNNS\t_\t14\tdobj\t_\t_\n18\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\ttheir\t_\tPRON\tPRP$\t_\t20\tnmod:poss\t_\t_\n20\tfleets\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n22\tthey\t_\tPRON\tPRP\t_\t25\tnsubj\t_\t_\n23\tmight\t_\tAUX\tMD\t_\t25\taux\t_\t_\n24\tnot\t_\tPART\tRB\t_\t25\tneg\t_\t_\n25\tmiss\t_\tVERB\tVB\t_\t13\tacl:relcl\t_\t_\n26\tone\t_\tNUM\tCD\t_\t25\tdobj\t_\t_\n27\tat\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\tall\t_\tDET\tDT\t_\t25\tnmod\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t33\tpunct\t_\t_\n30\t''\t_\tPUNCT\t''\t_\t33\tpunct\t_\t_\n31\tMr.\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tOtradovec\t_\tPROPN\tNNP\t_\t33\tnsubj\t_\t_\n33\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t33\tpunct\t_\t_\n\n1\tIndeed\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n3\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\trandom\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tcheck\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n6\tFriday\t_\tPROPN\tNNP\t_\t5\tnmod:tmod\t_\t_\n7\tdid\t_\tAUX\tVBD\t_\t9\taux\t_\t_\n8\tn't\t_\tPART\tRB\t_\t9\tneg\t_\t_\n9\tseem\t_\tVERB\tVB\t_\t0\troot\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\tindicate\t_\tVERB\tVB\t_\t9\txcomp\t_\t_\n12\tthat\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tstrike\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n15\twas\t_\tAUX\tVBD\t_\t16\taux\t_\t_\n16\thaving\t_\tVERB\tVBG\t_\t11\tccomp\t_\t_\n17\tmuch\t_\tADJ\tJJ\t_\t16\tdobj\t_\t_\n18\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\tan\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\teffect\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n21\ton\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tother\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n23\tairline\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\toperations\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tSouthwest\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tAirlines\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\thas\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tBoeing\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\t737-300\t_\tPROPN\tNNP\t_\t3\tdobj\t_\t_\n7\tset\t_\tNOUN\tNN\t_\t6\tamod\t_\t_\n8\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tdelivery\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n10\tat\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tend\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tthis\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tmonth\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n17\texpects\t_\tVERB\tVBZ\t_\t3\tconj\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\thave\t_\tVERB\tVB\t_\t17\txcomp\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tplane\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n22\ton\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\ttime\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n4\tso\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tclose\t_\tADV\tRB\t_\t21\tccomp\t_\t_\n6\tto\t_\tADP\tTO\t_\t7\tcase\t_\t_\n7\tcompletion\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n9\tBoeing\t_\tPROPN\tNNP\t_\t11\tnsubjpass\t_\t_\n10\t's\t_\tAUX\tVBZ\t_\t11\tauxpass\t_\t_\n11\ttold\t_\tVERB\tVBN\t_\t5\tccomp\t_\t_\n12\tus\t_\tPRON\tPRP\t_\t11\tdobj\t_\t_\n13\tthere\t_\tPRON\tEX\t_\t18\texpl\t_\t_\n14\two\t_\tAUX\tMD\t_\t18\taux\t_\t_\n15\tn't\t_\tPART\tRB\t_\t18\tneg\t_\t_\n16\tbe\t_\tVERB\tVB\t_\t18\tcop\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tproblem\t_\tNOUN\tNN\t_\t11\tccomp\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n21\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n22\ta\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tSouthwest\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tspokesman\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tspokesman\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n3\tfor\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tAMR\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tCo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t_\n20\tone\t_\tNUM\tCD\t_\t21\tcompound\t_\t_\n21\tbillion\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n22\tCanadian\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tdollars\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n24\t-LRB-\t_\tPUNCT\t-LRB-\t_\t25\tpunct\t_\t_\n25\tUS$\t_\tSYM\t$\t_\t23\tdep\t_\t_\n26\t851\t_\tNUM\tCD\t_\t27\tcompound\t_\t_\n27\tmillion\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n28\t-RRB-\t_\tPUNCT\t-RRB-\t_\t25\tpunct\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n30\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n31\tGreat\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tBritain\t_\tPROPN\tNNP\t_\t13\tnmod\t_\t_\n33\tand\t_\tCONJ\tCC\t_\t32\tcc\t_\t_\n34\telsewhere\t_\tADV\tRB\t_\t32\tconj\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tC.S.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tRichardson\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tAtco\t_\tPROPN\tNNP\t_\t8\tnmod:poss\t_\t_\n5\t's\t_\tPART\tPOS\t_\t4\tcase\t_\t_\n6\tsenior\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tvice\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tpresident\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tfinance\t_\tNOUN\tNN\t_\t8\tappos\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tits\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n14\t50.1%-owned\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n15\tCanadian\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n16\tUtilities\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n17\tLtd.\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tunit\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n19\tis\t_\tAUX\tVBZ\t_\t20\taux\t_\t_\n20\treviewing\t_\tVERB\tVBG\t_\t12\tccomp\t_\t_\n21\tcogeneration\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\tprojects\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n23\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\teastern\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tCanada\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n27\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n28\tconventional\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n29\telectric\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n30\tpower\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n31\tgenerating\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n32\tplants\t_\tNOUN\tNNS\t_\t22\tconj\t_\t_\n33\telsewhere\t_\tADV\tRB\t_\t32\tadvmod\t_\t_\n34\t,\t_\tPUNCT\t,\t_\t33\tpunct\t_\t_\n35\tincluding\t_\tVERB\tVBG\t_\t36\tcase\t_\t_\n36\tBritain\t_\tPROPN\tNNP\t_\t33\tnmod\t_\t_\n37\t,\t_\tPUNCT\t,\t_\t36\tpunct\t_\t_\n38\twhere\t_\tADV\tWRB\t_\t42\tadvmod\t_\t_\n39\tthe\t_\tDET\tDT\t_\t41\tdet\t_\t_\n40\tBritish\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tgovernment\t_\tNOUN\tNN\t_\t42\tnsubj\t_\t_\n42\tplans\t_\tNOUN\tNNS\t_\t36\tacl:relcl\t_\t_\n43\tto\t_\tPART\tTO\t_\t44\tmark\t_\t_\n44\tallow\t_\tVERB\tVB\t_\t42\txcomp\t_\t_\n45\tlimited\t_\tADJ\tJJ\t_\t46\tamod\t_\t_\n46\tcompetition\t_\tNOUN\tNN\t_\t44\tdobj\t_\t_\n47\tin\t_\tADP\tIN\t_\t49\tcase\t_\t_\n48\telectrical\t_\tADJ\tJJ\t_\t49\tamod\t_\t_\n49\tgeneration\t_\tNOUN\tNN\t_\t46\tnmod\t_\t_\n50\tfrom\t_\tADP\tIN\t_\t52\tcase\t_\t_\n51\tprivate-sector\t_\tADJ\tJJ\t_\t52\tamod\t_\t_\n52\tsuppliers\t_\tNOUN\tNNS\t_\t46\tnmod\t_\t_\n53\tas\t_\tADP\tIN\t_\t54\tcase\t_\t_\n54\tpart\t_\tNOUN\tNN\t_\t42\tnmod\t_\t_\n55\tof\t_\tADP\tIN\t_\t58\tcase\t_\t_\n56\tits\t_\tPRON\tPRP$\t_\t58\tnmod:poss\t_\t_\n57\tprivatization\t_\tNOUN\tNN\t_\t58\tcompound\t_\t_\n58\tprogram\t_\tNOUN\tNN\t_\t54\tnmod\t_\t_\n59\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tprojects\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n4\tare\t_\tVERB\tVBP\t_\t5\tcop\t_\t_\n5\tbig\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tcan\t_\tAUX\tMD\t_\t4\taux\t_\t_\n3\tbe\t_\tVERB\tVB\t_\t4\tcop\t_\t_\n4\tC$\t_\tSYM\t$\t_\t12\tccomp\t_\t_\n5\t1\t_\tNUM\tCD\t_\t6\tcompound\t_\t_\n6\tbillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n7\tplus\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n10\tMr.\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tRichardson\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t23\tpunct\t_\t_\n2\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n3\twe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n4\twould\t_\tAUX\tMD\t_\t6\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n6\tgo\t_\tVERB\tVB\t_\t23\tccomp\t_\t_\n7\tinto\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tthem\t_\tPRON\tPRP\t_\t6\tnmod\t_\t_\n9\talone\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n13\tCanadian\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tUtilities\t_\tPROPN\tNNP\t_\t17\tnmod:poss\t_\t_\n15\t'\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tequity\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tstake\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n18\twould\t_\tAUX\tMD\t_\t20\taux\t_\t_\n19\tbe\t_\tVERB\tVB\t_\t20\tcop\t_\t_\n20\tsmall\t_\tADJ\tJJ\t_\t6\tconj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n22\the\t_\tPRON\tPRP\t_\t23\tnsubj\t_\t_\n23\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n2\tIdeally\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\twe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\t'd\t_\tAUX\tMD\t_\t6\taux\t_\t_\n6\tlike\t_\tVERB\tVB\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n8\tbe\t_\tVERB\tVB\t_\t10\tcop\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\toperator\t_\tNOUN\tNN\t_\t6\txcomp\t_\t_\n11\t-LCB-\t_\tPUNCT\t-LRB-\t_\t14\tpunct\t_\t_\n12\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tproject\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n15\t-RCB-\t_\tPUNCT\t-RRB-\t_\t14\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n17\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n18\tmodest\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n19\tequity\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tinvestor\t_\tNOUN\tNN\t_\t10\tconj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tOur\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n2\tlong\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tsuit\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n5\tour\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n6\tproven\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tability\t_\tNOUN\tNN\t_\t15\tccomp\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\toperate\t_\tVERB\tVB\t_\t7\tacl\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n11\tpower\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tplants\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n14\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tRichardson\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n3\twould\t_\tAUX\tMD\t_\t5\taux\t_\t_\n4\tn't\t_\tPART\tRB\t_\t5\tneg\t_\t_\n5\toffer\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tspecifics\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n7\tregarding\t_\tVERB\tVBG\t_\t6\tacl\t_\t_\n8\tAtco\t_\tPROPN\tNNP\t_\t12\tnmod:poss\t_\t_\n9\t's\t_\tVERB\tVBZ\t_\t8\tcase\t_\t_\n10\tproposed\t_\tVERB\tVBN\t_\t12\tamod\t_\t_\n11\tBritish\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tproject\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n14\tbut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n15\the\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t5\tconj\t_\t_\n17\tit\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n18\twould\t_\tAUX\tMD\t_\t19\taux\t_\t_\n19\tcompete\t_\tVERB\tVB\t_\t16\tccomp\t_\t_\n20\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tcustomers\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n22\twith\t_\tADP\tIN\t_\t28\tcase\t_\t_\n23\ttwo\t_\tNUM\tCD\t_\t28\tnummod\t_\t_\n24\thuge\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n25\tBritish\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n26\tpower\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n27\tgenerating\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n28\tcompanies\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n29\tthat\t_\tPRON\tWDT\t_\t32\tnsubjpass\t_\t_\n30\twould\t_\tAUX\tMD\t_\t32\taux\t_\t_\n31\tbe\t_\tAUX\tVB\t_\t32\tauxpass\t_\t_\n32\tformed\t_\tVERB\tVBN\t_\t28\tacl:relcl\t_\t_\n33\tunder\t_\tADP\tIN\t_\t37\tcase\t_\t_\n34\tthe\t_\tDET\tDT\t_\t35\tdet\t_\t_\n35\tcountry\t_\tNOUN\tNN\t_\t37\tnmod:poss\t_\t_\n36\t's\t_\tPART\tPOS\t_\t35\tcase\t_\t_\n37\tplan\t_\tNOUN\tNN\t_\t32\tnmod\t_\t_\n38\tto\t_\tPART\tTO\t_\t39\tmark\t_\t_\n39\tprivatize\t_\tVERB\tVB\t_\t37\tacl\t_\t_\n40\tits\t_\tPRON\tPRP$\t_\t45\tnmod:poss\t_\t_\n41\tmassive\t_\tADJ\tJJ\t_\t45\tamod\t_\t_\n42\twater\t_\tNOUN\tNN\t_\t45\tcompound\t_\t_\n43\tand\t_\tCONJ\tCC\t_\t42\tcc\t_\t_\n44\telectric\t_\tADJ\tJJ\t_\t42\tconj\t_\t_\n45\tutilities\t_\tNOUN\tNNS\t_\t39\tdobj\t_\t_\n46\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBritain\t_\tPROPN\tNNP\t_\t3\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tgovernment\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tplans\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\traise\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\tabout\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n8\t#\t_\tSYM\t#\t_\t10\tcompound\t_\t_\n9\t20\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\tbillion\t_\tNUM\tCD\t_\t6\tdobj\t_\t_\n11\t-LRB-\t_\tPUNCT\t-LRB-\t_\t12\tpunct\t_\t_\n12\t$\t_\tSYM\t$\t_\t10\tdep\t_\t_\n13\t31.05\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\tbillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\t-RRB-\t_\tPUNCT\t-RRB-\t_\t12\tpunct\t_\t_\n16\tfrom\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tsale\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tmost\t_\tADJ\tJJS\t_\t18\tnmod\t_\t_\n21\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n22\tits\t_\tPRON\tPRP$\t_\t27\tnmod:poss\t_\t_\n23\tgiant\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n24\twater\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n26\telectric\t_\tADJ\tJJ\t_\t24\tconj\t_\t_\n27\tutilities\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n29\tbeginning\t_\tVERB\tVBG\t_\t31\tcase\t_\t_\n30\tnext\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31\tmonth\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\tplanned\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n3\telectric\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tutility\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tsale\t_\tNOUN\tNN\t_\t14\tnsubjpass\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tscheduled\t_\tVERB\tVBN\t_\t5\tacl\t_\t_\n8\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tnext\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tyear\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n12\tis\t_\tAUX\tVBZ\t_\t14\tauxpass\t_\t_\n13\talone\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\traise\t_\tVERB\tVB\t_\t14\txcomp\t_\t_\n17\t#\t_\tSYM\t#\t_\t19\tcompound\t_\t_\n18\t13\t_\tNUM\tCD\t_\t19\tcompound\t_\t_\n19\tbillion\t_\tNUM\tCD\t_\t16\tdobj\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n21\tmaking\t_\tVERB\tVBG\t_\t16\tadvcl\t_\t_\n22\tit\t_\tPRON\tPRP\t_\t28\tnsubj\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tworld\t_\tNOUN\tNN\t_\t28\tnmod:poss\t_\t_\n25\t's\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\tlargest\t_\tADJ\tJJS\t_\t28\tamod\t_\t_\n27\tpublic\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\toffering\t_\tNOUN\tNN\t_\t21\txcomp\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tUnder\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tterms\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tplan\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n7\tindependent\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tgenerators\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n9\twould\t_\tAUX\tMD\t_\t11\taux\t_\t_\n10\tbe\t_\tVERB\tVB\t_\t11\tcop\t_\t_\n11\table\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tcompete\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n14\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\t15\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\t%\t_\tSYM\tNN\t_\t13\tnmod\t_\t_\n17\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tcustomers\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n19\tuntil\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\t1994\t_\tNUM\tCD\t_\t13\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n22\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n23\tfor\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\tanother\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\t10\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n26\t%\t_\tSYM\tNN\t_\t13\tconj\t_\t_\n27\tbetween\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\t1994\t_\tNUM\tCD\t_\t26\tnmod\t_\t_\n29\tand\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n30\t1998\t_\tNUM\tCD\t_\t28\tconj\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tCanadian\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tUtilities\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\t1988\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\trevenue\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tC$\t_\tSYM\t$\t_\t5\tnmod\t_\t_\n8\t1.16\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\tbillion\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tmainly\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n12\tfrom\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tits\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n14\tnatural\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tgas\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\telectric\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\tutility\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tbusinesses\t_\tNOUN\tNNS\t_\t15\tconj\t_\t_\n20\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tAlberta\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\twhere\t_\tADV\tWRB\t_\t26\tadvmod\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tcompany\t_\tNOUN\tNN\t_\t26\tnsubj\t_\t_\n26\tserves\t_\tVERB\tVBZ\t_\t21\tacl:relcl\t_\t_\n27\tabout\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n28\t800,000\t_\tNUM\tCD\t_\t29\tnummod\t_\t_\n29\tcustomers\t_\tNOUN\tNNS\t_\t26\tdobj\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tThere\t_\tPRON\tEX\t_\t3\texpl\t_\t_\n3\tseems\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n5\tbe\t_\tVERB\tVB\t_\t7\tcop\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tmove\t_\tNOUN\tNN\t_\t3\txcomp\t_\t_\n8\taround\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tworld\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n12\tderegulate\t_\tVERB\tVB\t_\t7\tadvcl\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tgeneration\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n15\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\telectricity\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n19\tMr.\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tRichardson\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n21\tsaid\t_\tVERB\tVBD\t_\t3\tdep\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n24\tCanadian\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tUtilities\t_\tPROPN\tNNP\t_\t26\tnsubj\t_\t_\n26\thopes\t_\tVERB\tVBZ\t_\t3\tconj\t_\t_\n27\tto\t_\tP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_\t_\n18\tless\t_\tADV\tRBR\t_\t17\tamod\t_\t_\n19\tthan\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tinspired\t_\tVERB\tVBN\t_\t18\tadvcl\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n22\tbecause\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n23\the\t_\tPRON\tPRP\t_\t26\tnsubj\t_\t_\n24\thad\t_\tAUX\tVBD\t_\t26\taux\t_\t_\n25\tjust\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\tincreased\t_\tVERB\tVBN\t_\t14\tadvcl\t_\t_\n27\tQuantum\t_\tPROPN\tNNP\t_\t29\tnmod:poss\t_\t_\n28\t's\t_\tPART\tPOS\t_\t27\tcase\t_\t_\n29\treliance\t_\tNOUN\tNN\t_\t26\tdobj\t_\t_\n30\ton\t_\tADP\tIN\t_\t31\tcase\t_\t_\n31\tplastics\t_\tNOUN\tNNS\t_\t29\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\toutpaced\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tmuch\t_\tADJ\tJJ\t_\t3\tdobj\t_\t_\n5\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tchemical\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tindustry\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tas\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n10\tannual\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tprofit\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n12\tgrew\t_\tVERB\tVBD\t_\t3\tadvcl\t_\t_\n13\tfivefold\t_\tADJ\tJJ\t_\t12\tadvmod\t_\t_\n14\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\ttwo\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\tyears\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tStookey\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tboom\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n9\tIt\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n10\t's\t_\tAUX\tVBZ\t_\t11\taux\t_\t_\n11\tgoing\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tlast\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\twhole\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tlot\t_\tNOUN\tNN\t_\t17\tnmod:npmod\t_\t_\n17\tlonger\t_\tADV\tRBR\t_\t13\tadvmod\t_\t_\n18\tthan\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n19\tanybody\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n20\tthinks\t_\tVERB\tVBZ\t_\t17\tadvcl\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tnow\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n3\tprices\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n4\thave\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n5\tnose-dived\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tQuantum\t_\tPROPN\tNNP\t_\t9\tnmod:poss\t_\t_\n8\t's\t_\tPART\tPOS\t_\t7\tcase\t_\t_\n9\tprofit\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n10\tis\t_\tAUX\tVBZ\t_\t11\taux\t_\t_\n11\tplummeting\t_\tVERB\tVBG\t_\t5\tconj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tSome\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tsecurities\t_\tNOUN\tNNS\t_\t3\tcompound\t_\t_\n3\tanalysts\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n4\tare\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n5\tlooking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n6\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n7\tno\t_\tADV\tRB\t_\t8\tneg\t_\t_\n8\tbetter\t_\tADJ\tJJR\t_\t11\tamod\t_\t_\n9\tthan\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tbreak-even\t_\tADJ\tJJ\t_\t8\tadvcl\t_\t_\n11\tresults\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n12\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tcompany\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n15\tfor\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tthird\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tquarter\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n20\tcompared\t_\tVERB\tVBN\t_\t23\tcase\t_\t_\n21\twith\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tyear-earlier\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tprofit\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n24\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\t$\t_\tSYM\t$\t_\t23\tnmod\t_\t_\n26\t99.8\t_\tNUM\tCD\t_\t27\tcompound\t_\t_\n27\tmillion\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n29\tor\t_\tCONJ\tCC\t_\t25\tcc\t_\t_\n30\t$\t_\tSYM\t$\t_\t31\tdep\t_\t_\n31\t3.92\t_\tNUM\tCD\t_\t25\tconj\t_\t_\n32\ta\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tshare\t_\tNOUN\tNN\t_\t31\tnmod:npmod\t_\t_\n34\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n35\ton\t_\tADP\tIN\t_\t36\tcase\t_\t_\n36\tsales\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n37\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n38\t$\t_\tSYM\t$\t_\t36\tnmod\t_\t_\n39\t724.4\t_\tNUM\tCD\t_\t40\tcompound\t_\t_\n40\tmillion\t_\tNUM\tCD\t_\t38\tnummod\t_\t_\n41\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tstock\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n4\thaving\t_\tAUX\tVBG\t_\t5\taux\t_\t_\n5\tlost\t_\tVERB\tVBN\t_\t16\tadvcl\t_\t_\n6\tnearly\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tnummod\t_\t_\n8\tquarter\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tits\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n11\tvalue\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tsince\t_\tADP\tIN\t_\t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CD\t_\t13\tnmod\t_\t_\n16\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tQuantum\t_\tPROPN\tNNP\t_\t19\tnmod:poss\t_\t_\n18\t's\t_\tPART\tPOS\t_\t17\tcase\t_\t_\n19\tcompetitors\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t7\tpunct\t_\t_\n2\tNow\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n3\twe\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n4\t're\t_\tVERB\tVBP\t_\t7\tcop\t_\t_\n5\tat\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tbottom\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\theap\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t7\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tQuantum\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\twhich\t_\tPRON\tWDT\t_\t6\tnsubjpass\t_\t_\n5\tis\t_\tAUX\tVBZ\t_\t6\tauxpass\t_\t_\n6\tbased\t_\tVERB\tVBN\t_\t2\tacl:relcl\t_\t_\n7\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tNew\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tYork\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\ttrouble\t_\tNOUN\tNN\t_\t14\tnsubjpass\t_\t_\n13\tis\t_\tAUX\tVBZ\t_\t14\tauxpass\t_\t_\n14\tmagnified\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n15\tby\t_\tADP\tIN\t_\t20\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tcompany\t_\tNOUN\tNN\t_\t20\tnmod:poss\t_\t_\n18\t's\t_\tPART\tPOS\t_\t17\tcase\t_\t_\n19\theavy\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tdependence\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n21\ton\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tplastics\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tOnce\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n2\tknown\t_\tVERB\tVBN\t_\t12\tadvcl\t_\t_\n3\tas\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tNational\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tDistillers\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n6\t&\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tChemical\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tCorp.\t_\tPROPN\tNNP\t_\t5\tconj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tcompany\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n12\texited\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n14\twine\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\tspirits\t_\tNOUN\tNNS\t_\t14\tconj\t_\t_\n17\tbusiness\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n19\tplowed\t_\tVERB\tVBD\t_\t12\tconj\t_\t_\n20\tmore\t_\tADJ\tJJR\t_\t19\tdobj\t_\t_\n21\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tits\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n23\tresources\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n24\tinto\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tplastics\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n26\tafter\t_\tSCONJ\tIN\t_\t29\tmark\t_\t_\n27\tMr.\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n28\tStookey\t_\tPROPN\tNNP\t_\t29\tnsubj\t_\t_\n29\ttook\t_\tVERB\tVBD\t_\t12\tadvcl\t_\t_\n30\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n31\tchief\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\texecutive\t_\tNOUN\tNN\t_\t34\tnmod:poss\t_\t_\n33\t's\t_\tPART\tPOS\t_\t32\tcase\t_\t_\n34\tjob\t_\tNOUN\tNN\t_\t29\tdobj\t_\t_\n35\tin\t_\tADP\tIN\t_\t36\tcase\t_\t_\n36\t1986\t_\tNUM\tCD\t_\t29\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tStookey\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\t59\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\tyears\t_\tNOUN\tNNS\t_\t6\tnmod:npmod\t_\t_\n6\told\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n8\tdeclined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n10\tbe\t_\tAUX\tVB\t_\t11\tauxpass\t_\t_\n11\tinterviewed\t_\tVERB\tVBN\t_\t8\txcomp\t_\t_\n12\tfor\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthis\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tarticle\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n16\tbut\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n17\the\t_\tPRON\tPRP\t_\t20\tnsubj\t_\t_\n18\thas\t_\tAUX\tVBZ\t_\t20\taux\t_\t_\n19\tconsistently\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n20\targued\t_\tVERB\tVBN\t_\t8\tconj\t_\t_\n21\tthat\t_\tSCONJ\tIN\t_\t41\tmark\t_\t_\n22\tover\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tlong\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\thaul\t_\tNOUN\tNN\t_\t41\tnmod\t_\t_\n26\t--\t_\tPUNCT\t:\t_\t30\tpunct\t_\t_\n27\tacross\t_\tADP\tIN\t_\t30\tcase\t_\t_\n28\tboth\t_\tDET\tDT\t_\t30\tcc:preconj\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tpeaks\t_\tNOUN\tNNS\t_\t41\tdep\t_\t_\n31\tand\t_\tCONJ\tCC\t_\t30\tcc\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\ttroughs\t_\tNOUN\tNNS\t_\t30\tconj\t_\t_\n34\tof\t_\tADP\tIN\t_\t37\tcase\t_\t_\n35\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n36\tplastics\t_\tNOUN\tNNS\t_\t37\tcompound\t_\t_\n37\tmarket\t_\tNOUN\tNN\t_\t30\tnmod\t_\t_\n38\t--\t_\tPUNCT\t:\t_\t30\tpunct\t_\t_\n39\tQuantum\t_\tPROPN\tNNP\t_\t41\tnsubj\t_\t_\n40\twill\t_\tAUX\tMD\t_\t41\taux\t_\t_\n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OUN\tNN\t_\t32\tnmod\t_\t_\n36\ton\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tWall\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n38\tStreet\t_\tPROPN\tNNP\t_\t30\tnmod\t_\t_\n39\tsince\t_\tSCONJ\tIN\t_\t42\tmark\t_\t_\n40\tMr.\t_\tPROPN\tNNP\t_\t41\tcompound\t_\t_\n41\tStookey\t_\tPROPN\tNNP\t_\t42\tnsubj\t_\t_\n42\tdeflected\t_\tVERB\tVBD\t_\t30\tadvcl\t_\t_\n43\tdividend\t_\tNOUN\tNN\t_\t44\tcompound\t_\t_\n44\tquestions\t_\tNOUN\tNNS\t_\t42\tdobj\t_\t_\n45\tin\t_\tADP\tIN\t_\t49\tcase\t_\t_\n46\ta\t_\tDET\tDT\t_\t49\tdet\t_\t_\n47\tSept.\t_\tPROPN\tNNP\t_\t49\tcompound\t_\t_\n48\t29\t_\tNUM\tCD\t_\t49\tnummod\t_\t_\n49\tmeeting\t_\tNOUN\tNN\t_\t42\tnmod\t_\t_\n50\twith\t_\tADP\tIN\t_\t51\tcase\t_\t_\n51\tanalysts\t_\tNOUN\tNNS\t_\t49\tnmod\t_\t_\n52\t.\t_\tPUNCT\t.\t_\t30\tpunct\t_\t_\n\n1\tSome\t_\tDET\tDT\t_\t2\tnsubj\t_\t_\n2\tviewed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\this\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n4\tresponse\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\t--\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n6\tthat\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n7\tcompany\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tdirectors\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n9\treview\t_\tVERB\tVB\t_\t4\tdep\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tdividend\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n12\tregularly\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n13\t--\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n14\tas\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tnothing\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n16\tmore\t_\tADJ\tJJR\t_\t15\tamod\t_\t_\n17\tthan\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tstandard\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tline\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n21\tfrom\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\texecutives\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n2\tothers\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tcame\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\taway\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\tthinking\t_\tVERB\tVBG\t_\t3\txcomp\t_\t_\n6\the\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n7\thad\t_\tAUX\tVBD\t_\t8\taux\t_\t_\n8\tgiven\t_\tVERB\tVBN\t_\t5\tccomp\t_\t_\n9\tsomething\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n10\tless\t_\tADJ\tJJR\t_\t9\tamod\t_\t_\n11\tthan\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\this\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n13\tusual\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\tstraight-from-the-shoulder\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tperformance\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tany\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tcase\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n5\ton\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tday\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tmeeting\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n12\tQuantum\t_\tPROPN\tNNP\t_\t14\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tshares\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n15\tslid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\t$\t_\tSYM\t$\t_\t17\tdep\t_\t_\n17\t2.625\t_\tNUM\tCD\t_\t15\tdobj\t_\t_\n18\tto\t_\tADP\tTO\t_\t20\tcase\t_\t_\n19\t$\t_\tSYM\t$\t_\t20\tdep\t_\t_\n20\t36.625\t_\tNUM\tCD\t_\t15\tnmod\t_\t_\n21\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tBig\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n23\tBoard\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\ttrading\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tOn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\ttop\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n3\tof\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\teverything\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n5\telse\t_\tADV\tRB\t_\t4\tamod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n7\tQuantum\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n8\tconfronts\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n9\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tdisaster\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tat\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tits\t_\tPRON\tPRP$\t_\t13\tnmod:poss\t_\t_\n13\tplant\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tMorris\t_\tPROPN\tNNP\t_\t13\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\tIll\t_\tPROPN\tNNP\t_\t15\tappos\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tAfter\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n2\tan\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\texplosion\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tidled\t_\tVERB\tVBD\t_\t12\tadvcl\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tplant\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tJune\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tcompany\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n12\tprogressed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tSeptember\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n15\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n16\twithin\t_\tADP\tIN\t_\t17\tadvmod\t_\t_\n17\t12\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\thours\t_\tNOUN\tNNS\t_\t12\tadvcl\t_\t_\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14\tinsurer\t_\tNOUN\tNN\t_\t12\tconj\t_\t_\n15\t--\t_\tPUNCT\t:\t_\t5\tpunct\t_\t_\n16\twhen\t_\tADV\tWRB\t_\t19\tadvmod\t_\t_\n17\tdemand\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n18\tis\t_\tAUX\tVBZ\t_\t19\taux\t_\t_\n19\tshifting\t_\tVERB\tVBG\t_\t4\tadvcl\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n2\tYou\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tsay\t_\tVERB\tVBP\t_\t20\tccomp\t_\t_\n4\tyou\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n5\tcould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n6\thave\t_\tAUX\tVB\t_\t7\taux\t_\t_\n7\tsold\t_\tVERB\tVBN\t_\t3\tccomp\t_\t_\n8\tX\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tpercent\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthis\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tproduct\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n14\tY\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tpercent\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n16\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tthat\t_\tPRON\tDT\t_\t15\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n20\trecalls\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n21\tTheodore\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tSemegran\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n24\tan\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tanalyst\t_\tNOUN\tNN\t_\t22\tappos\t_\t_\n26\tat\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tShearson\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n28\tLehman\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tHutton\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n30\twho\t_\tPRON\tWP\t_\t31\tnsubj\t_\t_\n31\twent\t_\tVERB\tVBD\t_\t25\tacl:relcl\t_\t_\n32\tthrough\t_\tADP\tIN\t_\t34\tcase\t_\t_\n33\tthis\t_\tDET\tDT\t_\t34\tdet\t_\t_\n34\texercise\t_\tNOUN\tNN\t_\t31\tnmod\t_\t_\n35\tduring\t_\tADP\tIN\t_\t38\tcase\t_\t_\n36\this\t_\tPRON\tPRP$\t_\t38\tnmod:poss\t_\t_\n37\tformer\t_\tADJ\tJJ\t_\t38\tamod\t_\t_\n38\tcareer\t_\tNOUN\tNN\t_\t31\tnmod\t_\t_\n39\tas\t_\tADP\tIN\t_\t42\tcase\t_\t_\n40\ta\t_\tDET\tDT\t_\t42\tdet\t_\t_\n41\tchemical\t_\tADJ\tJJ\t_\t42\tamod\t_\t_\n42\tengineer\t_\tNOUN\tNN\t_\t38\tnmod\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n2\tAnd\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n3\tthen\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n4\tyou\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\tstill\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\thave\t_\tVERB\tVB\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tnegotiate\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n\n1\tQuantum\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\thopes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tMorris\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tplant\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\twhere\t_\tADV\tWRB\t_\t10\tadvmod\t_\t_\n8\tlimited\t_\tVERB\tVBN\t_\t9\tamod\t_\t_\n9\tproduction\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n10\tgot\t_\tVERB\tVBD\t_\t5\tacl:relcl\t_\t_\n11\tunder\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tway\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n13\tlast\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tweek\t_\tNOUN\tNN\t_\t10\tnmod:tmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n16\twill\t_\tAUX\tMD\t_\t17\taux\t_\t_\n17\tresume\t_\tVERB\tVB\t_\t2\tccomp\t_\t_\n18\tfull\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\toperation\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n20\tby\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tyear\t_\tNOUN\tNN\t_\t23\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tend\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tplant\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\tusually\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\taccounts\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n6\t20\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n7\t%\t_\tSYM\tNN\t_\t10\tdep\t_\t_\n8\tto\t_\tADP\tTO\t_\t10\tdep\t_\t_\n9\t25\t_\tNUM\tCD\t_\t10\tcompound\t_\t_\n10\t%\t_\tSYM\tNN\t_\t4\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\tQuantum\t_\tPROPN\tNNP\t_\t15\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tpolyethylene\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tproduction\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n17\t50\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\t%\t_\tSYM\tNN\t_\t10\tconj\t_\t_\n19\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tits\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n21\tethylene\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\tproduction\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tNot\t_\tADV\tRB\t_\t2\tneg\t_\t_\n2\teverything\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tlooks\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tgrim\t_\tADJ\tJJ\t_\t3\txcomp\t_\t_\n5\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tQuantum\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tplant\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\texpansion\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\tshould\t_\tAUX\tMD\t_\t5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od\t_\t_\n17\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n18\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n19\t$\t_\tSYM\t$\t_\t23\tdep\t_\t_\n20\t25\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n21\tbillion\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n22\tleveraged\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tbuy-out\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n24\tby\t_\tADP\tIN\t_\t27\tcase\t_\t_\n25\tKohlberg\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n26\tKravis\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tRoberts\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n28\t&\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n29\tCo.\t_\tPROPN\tNNP\t_\t27\tconj\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n31\tconfirmed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n32\tthat\t_\tSCONJ\tIN\t_\t35\tmark\t_\t_\n33\tit\t_\tPRON\tPRP\t_\t35\tnsubj\t_\t_\n34\tis\t_\tAUX\tVBZ\t_\t35\taux\t_\t_\n35\tshutting\t_\tVERB\tVBG\t_\t31\tccomp\t_\t_\n36\tdown\t_\tADP\tRP\t_\t35\tcompound:prt\t_\t_\n37\tthe\t_\tDET\tDT\t_\t41\tdet\t_\t_\n38\tRJR\t_\tPROPN\tNNP\t_\t41\tcompound\t_\t_\n39\tNabisco\t_\tPROPN\tNNP\t_\t41\tcompound\t_\t_\n40\tBroadcast\t_\tPROPN\tNNP\t_\t41\tcompound\t_\t_\n41\tunit\t_\tNOUN\tNN\t_\t35\tdobj\t_\t_\n42\t,\t_\tPUNCT\t,\t_\t35\tpunct\t_\t_\n43\tand\t_\tCONJ\tCC\t_\t35\tcc\t_\t_\n44\tdismissing\t_\tVERB\tVBG\t_\t35\tconj\t_\t_\n45\tits\t_\tPRON\tPRP$\t_\t47\tnmod:poss\t_\t_\n46\t14\t_\tNUM\tCD\t_\t47\tnummod\t_\t_\n47\temployees\t_\tNOUN\tNNS\t_\t44\tdobj\t_\t_\n48\t,\t_\tPUNCT\t,\t_\t35\tpunct\t_\t_\n49\tin\t_\tADP\tIN\t_\t51\tcase\t_\t_\n50\ta\t_\tDET\tDT\t_\t51\tdet\t_\t_\n51\tmove\t_\tNOUN\tNN\t_\t35\tconj\t_\t_\n52\tto\t_\tPART\tTO\t_\t53\tmark\t_\t_\n53\tsave\t_\tVERB\tVB\t_\t51\tacl\t_\t_\n54\tmoney\t_\tNOUN\tNN\t_\t53\tdobj\t_\t_\n55\t.\t_\tPUNCT\t.\t_\t31\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tspokesman\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tRJR\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n5\tis\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n6\tdiscussing\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n7\tits\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n8\tnetwork-buying\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tplans\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n10\twith\t_\tADP\tIN\t_\t15\tcase\t_\t_\n11\tits\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n12\ttwo\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n13\tmain\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\tadvertising\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tfirms\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\tFCB/Leber\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tKatz\t_\tPROPN\tNNP\t_\t15\tappos\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tMcCann\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tErickson\t_\tPROPN\tNNP\t_\t18\tconj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t28\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tfound\t_\tVERB\tVBD\t_\t28\tccomp\t_\t_\n4\twith\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tsize\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tour\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n9\tmedia\t_\tNOUN\tNNS\t_\t10\tcompound\t_\t_\n10\tpurchases\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n11\tthat\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n12\tan\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tad\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tagency\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n15\tcould\t_\tAUX\tMD\t_\t16\taux\t_\t_\n16\tdo\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n17\tjust\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n18\tas\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\tgood\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n20\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tjob\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n22\tat\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\tsignificantly\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n24\tlower\t_\tADJ\tJJR\t_\t25\tamod\t_\t_\n25\tcost\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n27\t''\t_\tPUNCT\t''\t_\t28\tpunct\t_\t_\n28\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tspokesman\t_\tNOUN\tNN\t_\t28\tnsubj\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n32\twho\t_\tPRON\tWP\t_\t33\tnsubj\t_\t_\n33\tdeclined\t_\tVERB\tVBD\t_\t30\tacl:relcl\t_\t_\n34\tto\t_\tPART\tTO\t_\t35\tmark\t_\t_\n35\tspecify\t_\tVERB\tVB\t_\t33\txcomp\t_\t_\n36\thow\t_\tADV\tWRB\t_\t37\tadvmod\t_\t_\n37\tmuch\t_\tADJ\tJJ\t_\t39\tadvmod\t_\t_\n38\tRJR\t_\tPROPN\tNNP\t_\t39\tnsubj\t_\t_\n39\tspends\t_\tVERB\tVBZ\t_\t35\tccomp\t_\t_\n40\ton\t_\tADP\tIN\t_\t43\tcase\t_\t_\n41\tnetwork\t_\tNOUN\tNN\t_\t43\tcompound\t_\t_\n42\ttelevision\t_\tNOUN\tNN\t_\t43\tcompound\t_\t_\n43\ttime\t_\tNOUN\tNN\t_\t39\tnmod\t_\t_\n44\t.\t_\tPUNCT\t.\t_\t28\tpunct\t_\t_\n\n1\tAn\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\texecutive\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n3\tclose\t_\tADV\tRB\t_\t2\tamod\t_\t_\n4\tto\t_\tADP\tTO\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tcompany\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tRJR\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n9\tis\t_\tAUX\tVBZ\t_\t10\taux\t_\t_\n10\tspending\t_\tVERB\tVBG\t_\t7\tccomp\t_\t_\n11\tabout\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\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J\tJJ\t_\t4\tamod\t_\t_\n4\ttalks\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tEC\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n8\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tits\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n10\tquota\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n11\tincreased\t_\tVERB\tVBN\t_\t8\tccomp\t_\t_\n12\tabout\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n13\t300,000\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\ttons\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n16\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n17\t7\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\t%\t_\tSYM\tNN\t_\t11\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tU.S.\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tmarket\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n23\tfrom\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\t6.7\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n25\t%\t_\tSYM\tNN\t_\t11\tnmod\t_\t_\n26\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\t1988\t_\tNUM\tCD\t_\t25\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n2\tits\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tquota\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t7\taux\t_\t_\n5\tbeen\t_\tVERB\tVBN\t_\t7\tcop\t_\t_\n6\tas\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\thigh\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n8\tas\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\t6.9\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\t%\t_\tSYM\tNN\t_\t7\tnmod\t_\t_\n11\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\t1984\t_\tNUM\tCD\t_\t10\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tJapan\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n3\thowever\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n5\thas\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n6\tagreed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tcut\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\tits\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n10\tquota\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n12\tabout\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\t5\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\t%\t_\tSYM\tNN\t_\t8\tnmod\t_\t_\n15\tfrom\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\t5.9\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\t%\t_\tSYM\tNN\t_\t8\tnmod\t_\t_\n18\tpreviously\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tJapan\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tEC\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n6\tBrazil\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n8\tMexico\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n10\tSouth\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tKorea\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n12\tprovide\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n13\tabout\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\t80\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n15\t%\t_\tSYM\tNN\t_\t12\tdobj\t_\t_\n16\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tsteel\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\timported\t_\tVERB\tVBN\t_\t18\tacl\t_\t_\n20\tto\t_\tADP\tTO\t_\t22\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tU.S.\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n23\tunder\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tquota\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tprogram\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tbalance\t_\tNOUN\tNN\t_\t4\tnsubjpass\t_\t_\n3\tis\t_\tAUX\tVBZ\t_\t4\tauxpass\t_\t_\n4\tsupplied\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tby\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\thost\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tsmaller\t_\tADJ\tJJR\t_\t10\tamod\t_\t_\n10\texporters\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\tsuch\t_\tADJ\tJJ\t_\t14\tcase\t_\t_\n13\tas\t_\tADP\tIN\t_\t12\tmwe\t_\t_\n14\tAustralia\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\tVenezuela\t_\tPROPN\tNNP\t_\t14\tconj\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tU.S.\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tabout\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n5\tan\t_\tDET\tDT\t_\t7\tadvmod\t_\t_\n6\textra\t_\tADJ\tJJ\t_\t7\tadvmod\t_\t_\n7\t2\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\t%\t_\tSYM\tNN\t_\t3\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n11\tdomestic\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tsteel\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tmarket\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tgive\t_\tVERB\tVB\t_\t8\tacl\t_\t_\n16\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n17\tforeign\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tsuppliers\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n19\tin\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tits\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n21\tquota\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\ttalks\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThat\t_\tPRON\tDT\t_\t4\tnsubjpass\t_\t_\n2\twas\t_\tAUX\tVBD\t_\t4\tauxpass\t_\t_\n3\tessentially\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tmade\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tup\t_\tADP\tRP\t_\t4\tcompound:prt\t_\t_\n6\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n7\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\t1\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\t%\t_\tSYM\tNN\t_\t10\tamod\t_\t_\n10\tincrease\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n11\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n13\toverall\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\tquota\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tprogram\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n17\t1\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\t%\t_\tSYM\tNN\t_\t10\tconj\t_\t_\n19\tfrom\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n20\tcutting\t_\tVERB\tVBG\t_\t18\tacl\t_\t_\n21\tJapan\t_\tPROPN\tNNP\t_\t23\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tallowance\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tNegotiators\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n2\tfrom\t_\tADP\tIN\t_\t7\tcase\t_\t_\n3\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n4\tWhite\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n5\tHouse\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\ttrade\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\toffice\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n8\twill\t_\tAUX\tMD\t_\t9\taux\t_\t_\n9\trepeat\t_\tVERB\tVB\t_\t0\troot\t_\t_\n10\tthese\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tquota\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tnegotiations\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n13\tnext\t_\tADP\tIN\t_\t14\tamod\t_\t_\n14\tyear\t_\tNOUN\tNN\t_\t9\tnmod:tmod\t_\t_\n15\twhen\t_\tADV\tWRB\t_\t18\tadvmod\t_\t_\n16\tthey\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n17\twill\t_\tAUX\tMD\t_\t18\taux\t_\t_\n18\thave\t_\tVERB\tVB\t_\t14\tacl:relcl\t_\t_\n19\tanother\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\t1\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n21\t%\t_\tSYM\tNN\t_\t18\tdobj\t_\t_\n22\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n24\tU.S.\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n25\tsteel\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tmarket\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n27\tto\t_\tPART\tTO\t_\t28\tmark\t_\t_\n28\tallocate\t_\tVERB\tVB\t_\t21\tacl\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tThese\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\toptional\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n3\t1%-a-year\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tincreases\t_\tNOUN\tNNS\t_\t11\tnsubjpass\t_\t_\n5\tto\t_\tADP\tTO\t_\t9\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tsteel\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n8\tquota\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tprogram\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n10\tare\t_\tAUX\tVBP\t_\t11\tauxpass\t_\t_\n11\tbuilt\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n12\tinto\t_\tADP\tIN\t_\t18\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tBush\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tadministration\t_\tNOUN\tNN\t_\t18\tnmod:poss\t_\t_\n16\t's\t_\tPART\tPOS\t_\t15\tcase\t_\t_\n17\tsteel-quota\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tprogram\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\tgive\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n21\tits\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n22\tnegotiators\t_\tNOUN\tNNS\t_\t20\tdep\t_\t_\n23\tleverage\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n24\twith\t_\tADP\tIN\t_\t27\tcase\t_\t_\n25\tforeign\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\tsteel\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tsuppliers\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n28\tto\t_\tPART\tTO\t_\t29\tmark\t_\t_\n29\ttry\t_\tVERB\tVB\t_\t23\tacl\t_\t_\n30\tto\t_\tPART\tTO\t_\t31\tmark\t_\t_\n31\tget\t_\tVERB\tVB\t_\t29\txcomp\t_\t_\n32\tthem\t_\tPRON\tPRP\t_\t31\tdobj\t_\t_\n33\tto\t_\tPART\tTO\t_\t34\tmark\t_\t_\n34\twithdraw\t_\tVERB\tVB\t_\t31\txcomp\t_\t_\n35\tsubsidies\t_\tNOUN\tNNS\t_\t34\tdobj\t_\t_\n36\tand\t_\tCONJ\tCC\t_\t35\tcc\t_\t_\n37\tprotectionism\t_\tNOUN\tNN\t_\t35\tconj\t_\t_\n38\tfrom\t_\tADP\tIN\t_\t42\tcase\t_\t_\n39\ttheir\t_\tPRON\tPRP$\t_\t42\tnmod:poss\t_\t_\n40\town\t_\tADJ\tJJ\t_\t42\tamod\t_\t_\n41\tsteel\t_\tNOUN\tNN\t_\t42\tcompound\t_\t_\n42\tindustries\t_\tNOUN\tNNS\t_\t34\tnmod\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tElcotel\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tInc.\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\texpects\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tfiscal\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tsecond-quarter\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tearnings\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\ttrail\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n9\t1988\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\tresults\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n12\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n13\tanticipates\t_\tVERB\tVBZ\t_\t3\tconj\t_\t_\n14\tthat\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n15\tseveral\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\tnew\t_\tADJ\tJJ\t_\t1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_\n12\troom\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tProcter\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\t&\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\tGamble\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n4\tCo.\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\tplans\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tbegin\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\ttesting\t_\tVERB\tVBG\t_\t7\txcomp\t_\t_\n9\tnext\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tmonth\t_\tNOUN\tNN\t_\t8\tnmod:tmod\t_\t_\n11\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tsuperconcentrated\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tdetergent\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n14\tthat\t_\tPRON\tWDT\t_\t16\tnsubj\t_\t_\n15\twill\t_\tAUX\tMD\t_\t16\taux\t_\t_\n16\trequire\t_\tVERB\tVB\t_\t13\tacl:relcl\t_\t_\n17\tonly\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n18\ta\t_\tDET\tDT\t_\t19\tadvmod\t_\t_\n19\tfew\t_\tADJ\tJJ\t_\t20\tnummod\t_\t_\n20\tspoonfuls\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n21\tper\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\twashload\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tmove\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tstems\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tfrom\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tlessons\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n6\tlearned\t_\tVERB\tVBN\t_\t5\tacl\t_\t_\n7\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tJapan\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n9\twhere\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n10\tlocal\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tcompetitors\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n12\thave\t_\tAUX\tVBP\t_\t13\taux\t_\t_\n13\thad\t_\tVERB\tVBD\t_\t8\tacl:relcl\t_\t_\n14\tphenomenal\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tsuccess\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\twith\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tconcentrated\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tsoapsuds\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\talso\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tmarks\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tP&G\t_\tPROPN\tNNP\t_\t7\tnmod:poss\t_\t_\n5\t's\t_\tPART\tPOS\t_\t4\tcase\t_\t_\n6\tgrowing\t_\tVERB\tVBG\t_\t7\tamod\t_\t_\n7\tconcern\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n8\tthat\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n9\tits\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n10\tJapanese\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\trivals\t_\tNOUN\tNNS\t_\t19\tnsubj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\tsuch\t_\tADJ\tJJ\t_\t16\tcase\t_\t_\n14\tas\t_\tADP\tIN\t_\t13\tmwe\t_\t_\n15\tKao\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tCorp.\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n18\tmay\t_\tAUX\tMD\t_\t19\taux\t_\t_\n19\tbring\t_\tVERB\tVB\t_\t7\tccomp\t_\t_\n20\ttheir\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n21\tsuperconcentrates\t_\tNOUN\tNNS\t_\t19\tdobj\t_\t_\n22\tto\t_\tADP\tTO\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tU.S.\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tCincinnati\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tconsumer-products\t_\tNOUN\tNNS\t_\t4\tcompound\t_\t_\n4\tgiant\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n5\tgot\t_\tAUX\tVBD\t_\t6\tauxpass\t_\t_\n6\tclobbered\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\ttwo\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\tyears\t_\tNOUN\tNNS\t_\t9\tnmod:npmod\t_\t_\n9\tago\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n10\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tJapan\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n12\twhen\t_\tADV\tWRB\t_\t14\tadvmod\t_\t_\n13\tKao\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n14\tintroduced\t_\tVERB\tVBD\t_\t6\tadvcl\t_\t_\n15\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tpowerful\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tdetergent\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tcalled\t_\tVERB\tVBN\t_\t17\tacl\t_\t_\n20\tAttack\t_\tPROPN\tNNP\t_\t19\txcomp\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n22\twhich\t_\tPRON\tWDT\t_\t24\tnsubj\t_\t_\n23\tquickly\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n24\twon\t_\tVERB\tVBD\t_\t17\tacl:relcl\t_\t_\n25\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n26\t30\t_\tNUM\tCD\t_\t27\tcompound\t_\t_\n27\t%\t_\tSYM\tNN\t_\t28\tamod\t_\t_\n28\tstake\t_\tNOUN\tNN\t_\t24\tdobj\t_\t_\n29\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n30\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n31\tJapanese\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tmarkets\t_\tNOUN\tNNS\t_\t28\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tThey\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\tdo\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tn't\t_\tPART\tRB\t_\t5\tneg\t_\t_\n5\twant\t_\tVERB\tVB\t_\t12\tccomp\t_\t_\n6\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n7\tget\t_\tAUX\tVB\t_\t8\tauxpass\t_\t_\n8\tcaught\t_\tVERB\tVBN\t_\t5\txcomp\t_\t_\n9\tagain\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n12\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n13\tone\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n14\tindustry\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\t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CC\t_\t4\tcc\t_\t_\n2\tretailers\t_\tNOUN\tNNS\t_\t4\tnsubjpass\t_\t_\n3\tare\t_\tAUX\tVBP\t_\t4\tauxpass\t_\t_\n4\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tembrace\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tproduct\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n10\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tpart\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n12\tbecause\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n13\tit\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n14\twill\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\ttake\t_\tVERB\tVB\t_\t4\tadvcl\t_\t_\n16\tup\t_\tADP\tRP\t_\t15\tcompound:prt\t_\t_\n17\tless\t_\tADJ\tJJR\t_\t19\tamod\t_\t_\n18\tshelf\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tspace\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t13\tpunct\t_\t_\n2\tWhen\t_\tADV\tWRB\t_\t6\tadvmod\t_\t_\n3\tshelf\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tspace\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n5\twas\t_\tVERB\tVBD\t_\t6\tcop\t_\t_\n6\tcheap\t_\tADJ\tJJ\t_\t10\tadvcl\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n8\tbigger\t_\tADJ\tJJR\t_\t10\tnsubj\t_\t_\n9\twas\t_\tVERB\tVBD\t_\t10\tcop\t_\t_\n10\tbetter\t_\tADJ\tJJR\t_\t13\tccomp\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n13\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n14\tHugh\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tZurkuhlen\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\tan\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tanalyst\t_\tNOUN\tNN\t_\t15\tappos\t_\t_\n19\tat\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tSalomon\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tBros\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n2\twith\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n3\tso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tmany\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tbrands\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n6\tvying\t_\tVERB\tVBG\t_\t15\tadvcl\t_\t_\n7\tfor\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tspace\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n10\tthat\t_\tPRON\tDT\t_\t15\tnsubj\t_\t_\n11\t's\t_\tVERB\tVBZ\t_\t15\tcop\t_\t_\n12\tno\t_\tADV\tRB\t_\t13\tneg\t_\t_\n13\tlonger\t_\tADV\tRBR\t_\t15\tadvmod\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tcase\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tIf\t_\tSCONJ\tIN\t_\t5\tmark\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tnew\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tCheer\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\tsells\t_\tVERB\tVBZ\t_\t14\tadvcl\t_\t_\n6\twell\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\ttrend\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n10\ttoward\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tsmaller\t_\tADJ\tJJR\t_\t12\tamod\t_\t_\n12\tpackaging\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tis\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n14\tlikely\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\taccelerate\t_\tVERB\tVB\t_\t14\txcomp\t_\t_\n17\tas\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n18\tcompetitors\t_\tNOUN\tNNS\t_\t19\tnsubj\t_\t_\n19\tfollow\t_\tVERB\tVBP\t_\t16\tadvcl\t_\t_\n20\twith\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\ttheir\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n22\town\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tsuperconcentrates\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tThen\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n2\tretailers\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n3\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n4\twill\t_\tAUX\tMD\t_\t6\taux\t_\t_\n5\tprobably\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tpush\t_\tVERB\tVB\t_\t17\tccomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n8\t-LCB-\t_\tPUNCT\t-LRB-\t_\t9\tpunct\t_\t_\n9\tless-established\t_\tADJ\tJJ\t_\t11\tdep\t_\t_\n10\t-RCB-\t_\tPUNCT\t-RRB-\t_\t9\tpunct\t_\t_\n11\tbrands\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n12\tout\t_\tADP\tRP\t_\t6\tcompound:prt\t_\t_\n13\taltogether\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n16\the\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n17\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tCompetition\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t3\tcop\t_\t_\n3\tbound\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tget\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\ttougher\t_\tADJ\tJJR\t_\t5\txcomp\t_\t_\n7\tif\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n8\tKao\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n9\tintroduces\t_\tVERB\tVBZ\t_\t5\tadvcl\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tproduct\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n12\tlike\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tAttack\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n14\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tU.S.\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tTo\t_\tPART\tTO\t_\t3\tmark\t_\t_\n2\tbe\t_\tVERB\tV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_\n4\tremains\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tweather\t_\tNOUN\tNN\t_\t4\txcomp\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tLast\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tsummer\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t4\tcop\t_\t_\n4\tnotable\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n5\tfor\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\theat\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\twave\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tdrought\t_\tNOUN\tNN\t_\t8\tconj\t_\t_\n11\tthat\t_\tPRON\tWDT\t_\t12\tnsubj\t_\t_\n12\tcaused\t_\tVERB\tVBD\t_\t8\tacl:relcl\t_\t_\n13\tutilities\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tburn\t_\tVERB\tVB\t_\t12\txcomp\t_\t_\n16\tmore\t_\tADJ\tJJR\t_\t18\tamod\t_\t_\n17\tnatural\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tgas\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\tfeed\t_\tVERB\tVB\t_\t15\tadvcl\t_\t_\n21\tincreased\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\telectrical\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tdemand\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n24\tfrom\t_\tADP\tIN\t_\t27\tcase\t_\t_\n25\tair\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n26\tconditioning\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tuse\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThis\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tsummer\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n4\ton\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tother\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\thand\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n9\thad\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tmilder\t_\tADJ\tJJR\t_\t11\tamod\t_\t_\n11\tweather\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n12\tthan\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tusual\t_\tADJ\tJJ\t_\t11\tacl\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n3\t've\t_\tAUX\tVBP\t_\t6\taux\t_\t_\n4\tbeen\t_\tVERB\tVBN\t_\t6\tcop\t_\t_\n5\tvery\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tdisappointed\t_\tADJ\tJJ\t_\t16\tccomp\t_\t_\n7\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tperformance\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tnatural\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tgas\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tprices\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\tMr.\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tCox\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n20\tPhillips\t_\tPROPN\tNNP\t_\t22\tnmod:poss\t_\t_\n21\t's\t_\tPART\tPOS\t_\t20\tcase\t_\t_\n22\tpresident\t_\tNOUN\tNN\t_\t18\tappos\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n3\tlagging\t_\tVERB\tVBG\t_\t5\tamod\t_\t_\n4\tgas\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tprice\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\tis\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tnot\t_\tPART\tRB\t_\t8\tneg\t_\t_\n8\tgoing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tassist\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n11\tfourth\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tquarter\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tperformance\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n14\tas\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n15\tmany\t_\tADJ\tJJ\t_\t17\tnsubj\t_\t_\n16\thad\t_\tAUX\tVBD\t_\t17\taux\t_\t_\n17\texpected\t_\tVERB\tVBN\t_\t10\tadvcl\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n\n1\tGoing\t_\tVERB\tVBG\t_\t18\tadvcl\t_\t_\n2\tinto\t_\tADP\tIN\t_\t5\tcase\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tfourth\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tquarter\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n7\tnatural\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\tgas\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tprices\t_\tNOUN\tNNS\t_\t18\tnsubj\t_\t_\n10\tare\t_\tVERB\tVBP\t_\t18\tcop\t_\t_\n11\tanywhere\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n12\tfrom\t_\tADP\tIN\t_\t17\tadvmod\t_\t_\n13\t8\t_\tNUM\tCD\t_\t17\tcompound\t_\t_\n14\t%\t_\tSYM\tNN\t_\t17\tdep\t_\t_\n15\tto\t_\tADP\tTO\t_\t17\tdep\t_\t_\n16\t17\t_\tNUM\tCD\t_\t17\tcompound\t_\t_\n17\t%\t_\tSYM\tNN\t_\t18\tnmod:npmod\t_\t_\n18\tlower\t_\tADJ\tJJR\t_\t0\troot\t_\t_\n19\tthan\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tyear\t_\tNOUN\tNN\t_\t22\tnmod:npmod\t_\t_\n22\tearlier\t_\tADV\tRBR\t_\t18\tadvcl\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tinstance\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n4\tnatural\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tgas\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n6\tcurrently\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tproduced\t_\tVERB\tVBN\t_\t5\tacl\t_\t_\n8\talong\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t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_\t10\tadvcl\t_\t_\n23\ttheir\t_\tPRON\tPRP$\t_\t24\tnmod:poss\t_\t_\n24\twarrants\t_\tNOUN\tNNS\t_\t22\tdobj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tWhile\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n2\tHong\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tKong\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tcompanies\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n5\thave\t_\tAUX\tVBP\t_\t9\taux\t_\t_\n6\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tpast\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n9\tissued\t_\tVERB\tVBD\t_\t21\tadvcl\t_\t_\n10\twarrants\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n11\ton\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\ttheir\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n13\town\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tshares\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n16\tSalomon\t_\tPROPN\tNNP\t_\t18\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\twarrants\t_\tNOUN\tNNS\t_\t21\tnsubj\t_\t_\n19\tare\t_\tVERB\tVBP\t_\t21\tcop\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tfirst\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n22\there\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n23\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n24\tbe\t_\tAUX\tVB\t_\t25\tauxpass\t_\t_\n25\tissued\t_\tVERB\tVBN\t_\t21\tacl\t_\t_\n26\tby\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\ta\t_\tDET\tDT\t_\t29\tdet\t_\t_\n28\tthird\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tparty\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\tSalomon\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n2\twill\t_\tAUX\tMD\t_\t4\taux\t_\t_\n3\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n4\tcover\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\twarrants\t_\tNOUN\tNNS\t_\t4\tdobj\t_\t_\n8\tby\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n9\tbuying\t_\tVERB\tVBG\t_\t4\tadvcl\t_\t_\n10\tsufficient\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tshares\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\tor\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n14\toptions\t_\tNOUN\tNNS\t_\t11\tconj\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\tpurchase\t_\tNOUN\tNN\t_\t14\tdep\t_\t_\n17\tshares\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\tcover\t_\tVERB\tVB\t_\t11\tacl\t_\t_\n21\tits\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n22\tentire\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tposition\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBankers\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\twarrants\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n4\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tHong\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tKong\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tstocks\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n8\tare\t_\tVERB\tVBP\t_\t9\tcop\t_\t_\n9\tattractive\t_\tADJ\tJJ\t_\t2\tccomp\t_\t_\n10\tbecause\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n11\tthey\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\tgive\t_\tVERB\tVBP\t_\t9\tadvcl\t_\t_\n13\tforeign\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tinvestors\t_\tNOUN\tNNS\t_\t12\tiobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\twary\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n17\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tvolatility\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n19\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tcolony\t_\tNOUN\tNN\t_\t24\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tstock\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\tmarket\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n26\tan\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\topportunity\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n28\tto\t_\tPART\tTO\t_\t29\tmark\t_\t_\n29\tbuy\t_\tVERB\tVB\t_\t27\tacl\t_\t_\n30\tshares\t_\tNOUN\tNNS\t_\t29\tdobj\t_\t_\n31\twithout\t_\tSCONJ\tIN\t_\t32\tmark\t_\t_\n32\ttaking\t_\tVERB\tVBG\t_\t29\tadvcl\t_\t_\n33\ttoo\t_\tADV\tRB\t_\t34\tadvmod\t_\t_\n34\tgreat\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n35\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\trisk\t_\tNOUN\tNN\t_\t32\tdobj\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\tHong\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n3\tKong\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tTelecommunications\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\twarrants\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n6\tshould\t_\tAUX\tMD\t_\t8\taux\t_\t_\n7\tbe\t_\tVERB\tVB\t_\t8\tcop\t_\t_\n8\tattractive\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n9\tto\t_\tADP\tTO\t_\t10\tcase\t_\t_\n10\tbuyers\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n11\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tEurope\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tbankers\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n16\tadded\t_\tVERB\tVBD\t_\t8\tparataxis\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n18\tbecause\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tgroup\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n21\tis\t_\tVERB\tVBZ\t_\t22\tcop\t_\t_\n22\tone\t_\tNUM\tCD\t_\t8\tadvcl\t_\t_\n23\tof\t_\tADP\tI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,\t_\t15\tpunct\t_\t_\n14\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tSoviet\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tUnion\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n4\thas\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n6\tgiven\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tany\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tclear\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tindication\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\tits\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n12\twheat\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n13\tpurchase\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tplans\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n16\tbut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n17\tmany\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tanalysts\t_\tNOUN\tNNS\t_\t19\tnsubj\t_\t_\n19\texpect\t_\tVERB\tVBP\t_\t6\tconj\t_\t_\n20\tMoscow\t_\tPROPN\tNNP\t_\t19\tdobj\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\tplace\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n23\tsizable\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\torders\t_\tNOUN\tNNS\t_\t22\tdobj\t_\t_\n25\tfor\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tU.S.\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\twheat\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n28\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n30\tnext\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n31\tfew\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tmonths\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n34\tfurther\t_\tADV\tRB\t_\t35\tadvmod\t_\t_\n35\tsupporting\t_\tVERB\tVBG\t_\t22\tadvcl\t_\t_\n36\tprices\t_\tNOUN\tNNS\t_\t35\tdobj\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n2\tWheat\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tprices\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n4\twill\t_\tAUX\tMD\t_\t6\taux\t_\t_\n5\tincreasingly\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tpivot\t_\tVERB\tVB\t_\t16\tccomp\t_\t_\n7\toff\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tSoviet\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tdemand\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tcoming\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tweeks\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n16\tpredicted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\tRichard\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tFeltes\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n20\tvice\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tpresident\t_\tNOUN\tNN\t_\t18\tappos\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\tresearch\t_\tNOUN\tNN\t_\t21\tappos\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n25\tfor\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tRefco\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tInc.\t_\tPROPN\tNNP\t_\t21\tnmod\t_\t_\n28\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tChicago\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tLooking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n2\tahead\t_\tADV\tRB\t_\t1\tadvmod\t_\t_\n3\tto\t_\tADP\tTO\t_\t6\tcase\t_\t_\n4\tother\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tcommodity\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tmarkets\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n7\tthis\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tweek\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n9\t:\t_\tPUNCT\t:\t_\t1\tpunct\t_\t_\n\n1\tOrange\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n2\tJuice\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tTraders\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n4\twill\t_\tAUX\tMD\t_\t6\taux\t_\t_\n5\tbe\t_\tAUX\tVB\t_\t6\taux\t_\t_\n6\twatching\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tsee\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\thow\t_\tADV\tWRB\t_\t10\tadvmod\t_\t_\n10\tlong\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n12\thow\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n13\tfar\t_\tADV\tRB\t_\t10\tdep\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tprice\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tdecline\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n17\tthat\t_\tPRON\tWDT\t_\t18\tnsubj\t_\t_\n18\tbegan\t_\tVERB\tVBD\t_\t16\tacl:relcl\t_\t_\n19\tFriday\t_\tPROPN\tNNP\t_\t18\tnmod:tmod\t_\t_\n20\twill\t_\tAUX\tMD\t_\t21\taux\t_\t_\n21\tgo\t_\tVERB\tVB\t_\t8\tdep\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tLate\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n2\tThursday\t_\tPROPN\tNNP\t_\t12\tnmod:tmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n4\tafter\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tclose\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\ttrading\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tmarket\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n12\treceived\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\twhat\t_\tPRON\tWP\t_\t24\tnsubj\t_\t_\n14\twould\t_\tAUX\tMD\t_\t24\taux\t_\t_\n15\tnormally\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n16\thave\t_\tAUX\tVB\t_\t24\taux\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_\tDET\tDT\t_\t11\tdet\t_\t_\n11\twake\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tFriday\t_\tPROPN\tNNP\t_\t16\tnmod:poss\t_\t_\n14\t's\t_\tPART\tPOS\t_\t13\tcase\t_\t_\n15\tstock-market\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tsell-off\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n17\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tNew\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tYork\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n21\tturmoil\t_\tNOUN\tNN\t_\t16\tconj\t_\t_\n22\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tjunk-bond\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tmarket\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n3\tbeleaguered\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tBritish\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tadvertising\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tconsulting\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tgiant\t_\tNOUN\tNN\t_\t5\tconj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n10\twhich\t_\tPRON\tWDT\t_\t13\tnsubj\t_\t_\n11\tlast\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tweek\t_\tNOUN\tNN\t_\t13\tdep\t_\t_\n13\tnamed\t_\tVERB\tVBD\t_\t5\tacl:relcl\t_\t_\n14\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n15\tnew\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n16\tchief\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\texecutive\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tofficer\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\treplace\t_\tVERB\tVB\t_\t18\tacl\t_\t_\n21\tMaurice\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tSaatchi\t_\tPROPN\tNNP\t_\t20\tdobj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n24\thas\t_\tAUX\tVBZ\t_\t27\taux\t_\t_\n25\tbeen\t_\tVERB\tVBN\t_\t27\tcop\t_\t_\n26\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tsubject\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n28\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n29\tintense\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n30\ttakeover\t_\tNOUN\tNN\t_\t31\tcompound\t_\t_\n31\tspeculation\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n32\tfor\t_\tADP\tIN\t_\t33\tcase\t_\t_\n33\tweeks\t_\tNOUN\tNNS\t_\t27\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\tLast\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tweek\t_\tNOUN\tNN\t_\t13\tnmod:tmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n4\tSaatchi\t_\tPROPN\tNNP\t_\t7\tnmod:poss\t_\t_\n5\t's\t_\tPART\tPOS\t_\t4\tcase\t_\t_\n6\tlargest\t_\tADJ\tJJS\t_\t7\tamod\t_\t_\n7\tshareholder\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tSoutheastern\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tAsset\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tManagement\t_\tPROPN\tNNP\t_\t7\tappos\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n13\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tit\t_\tPRON\tPRP\t_\t17\tnsubjpass\t_\t_\n15\thad\t_\tAUX\tVBD\t_\t17\taux\t_\t_\n16\tbeen\t_\tAUX\tVBN\t_\t17\tauxpass\t_\t_\n17\tapproached\t_\tVERB\tVBN\t_\t13\tccomp\t_\t_\n18\tby\t_\tADP\tIN\t_\t23\tcase\t_\t_\n19\tone\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n20\tor\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n21\tmore\t_\tADJ\tJJR\t_\t19\tconj\t_\t_\n22\tthird\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tparties\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n24\tinterested\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n25\tin\t_\tADP\tIN\t_\t28\tcase\t_\t_\n26\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n27\tpossible\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\trestructuring\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n2\tCarl\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tSpielvogel\t_\tPROPN\tNNP\t_\t18\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tchief\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\texecutive\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tofficer\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n8\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n9\tSaatchi\t_\tPROPN\tNNP\t_\t16\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tbig\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n12\tBacker\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n13\tSpielvogel\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n14\tBates\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n15\tadvertising\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tunit\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n18\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\the\t_\tPRON\tPRP\t_\t21\tnsubj\t_\t_\n20\thad\t_\tAUX\tVBD\t_\t21\taux\t_\t_\n21\toffered\t_\tVERB\tVBN\t_\t18\tccomp\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\tlead\t_\tVERB\tVB\t_\t21\txcomp\t_\t_\n24\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tmanagement\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tbuy-out\t_\tNOUN\tNN\t_\t23\tdobj\t_\t_\n27\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tcompany\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n31\tbut\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n32\twas\t_\tAUX\tVBD\t_\t33\tauxpass\t_\t_\n33\trebuffed\t_\tVERB\tVBN\t_\t21\tconj\t_\t_\n34\tby\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\tCharles\t_\tPROPN\tNNP\t_\t36\tcompound\t_\t_\n36\tSaatchi\t_\tPR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\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tlawsuit\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\tagainst\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tMedChem\t_\tPROPN\tNNP\t_\t13\tnmod\t_\t_\n16\tthat\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n17\tMedChem\t_\tPROPN\tNNP\t_\t21\tnmod:poss\t_\t_\n18\t's\t_\tPART\tPOS\t_\t17\tcase\t_\t_\n19\tAMVISC\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n20\tproduct\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tline\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n22\tinfringes\t_\tVERB\tVBZ\t_\t10\tccomp\t_\t_\n23\ton\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tPharmacia\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tpatent\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tpatent\t_\tNOUN\tNN\t_\t4\tnsubjpass\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t4\tauxpass\t_\t_\n4\trelated\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tto\t_\tADP\tTO\t_\t7\tcase\t_\t_\n6\thyaluronic\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tacid\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\trooster-comb\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\textract\t_\tNOUN\tNN\t_\t7\tappos\t_\t_\n12\tused\t_\tVERB\tVBN\t_\t11\tacl\t_\t_\n13\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\teye\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tsurgery\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tits\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tlawsuit\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tPharmacia\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n6\tis\t_\tAUX\tVBZ\t_\t7\taux\t_\t_\n7\tseeking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n8\tunspecified\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tdamages\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tpreliminary\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tinjunction\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tblock\t_\tVERB\tVB\t_\t13\tacl\t_\t_\n16\tMedChem\t_\tPROPN\tNNP\t_\t15\tdobj\t_\t_\n17\tfrom\t_\tSCONJ\tIN\t_\t18\tmark\t_\t_\n18\tselling\t_\tVERB\tVBG\t_\t15\tadvcl\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tAMVISC\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tproducts\t_\tNOUN\tNNS\t_\t18\tdobj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tMedChem\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tspokesman\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tproducts\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\tcontribute\t_\tVERB\tVBP\t_\t4\tccomp\t_\t_\n8\tabout\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\ta\t_\tDET\tDT\t_\t10\tnummod\t_\t_\n10\tthird\t_\tADJ\tJJ\t_\t7\tdobj\t_\t_\n11\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tMedChem\t_\tPROPN\tNNP\t_\t14\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tsales\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n16\t10\t_\tNUM\tCD\t_\t20\tcompound\t_\t_\n17\t%\t_\tSYM\tNN\t_\t20\tdep\t_\t_\n18\tto\t_\tADP\tTO\t_\t20\tdep\t_\t_\n19\t20\t_\tNUM\tCD\t_\t20\tcompound\t_\t_\n20\t%\t_\tSYM\tNN\t_\t10\tconj\t_\t_\n21\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tits\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n23\tearnings\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tyear\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n4\tended\t_\tVERB\tVBN\t_\t3\tacl\t_\t_\n5\tAug.\t_\tPROPN\tNNP\t_\t4\tnmod:tmod\t_\t_\n6\t31\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n8\t1988\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n10\tMedChem\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n11\tearned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\t$\t_\tSYM\t$\t_\t11\tdobj\t_\t_\n13\t2.9\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\tmillion\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n16\tor\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n17\t72\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\tcents\t_\tNOUN\tNNS\t_\t12\tconj\t_\t_\n19\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tshare\t_\tNOUN\tNN\t_\t18\tnmod:npmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n22\ton\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tsales\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n24\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\t$\t_\tSYM\t$\t_\t23\tnmod\t_\t_\n26\t17.4\t_\tNUM\tCD\t_\t27\tcompound\t_\t_\n27\tmillion\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tMedChem\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tcourt\t_\tNOUN\tNN\t_\t6\tnmod:poss\t_\t_\n5\t's\t_\tPART\tPOS\t_\t4\tcase\t_\t_\n6\truling\t_\tNOUN\tNN\t_\t8\tnsubjpass\t_\t_\n7\twas\t_\tAUX\tVBD\t_\t8\tauxpass\t_\t_\n8\tissued\t_\tVERB\tVBN\t_\t2\tccomp\t_\t_\n9\tas\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tpart\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\ta\t_\tDET\tD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j\t_\t_\n28\tbecause\t_\tADP\tIN\t_\t34\tcase\t_\t_\n29\tof\t_\tADP\tIN\t_\t28\tmwe\t_\t_\n30\ta\t_\tDET\tDT\t_\t34\tdet\t_\t_\n31\thigher\t_\tADJ\tJJR\t_\t34\tamod\t_\t_\n32\tcirculation\t_\tNOUN\tNN\t_\t34\tcompound\t_\t_\n33\trate\t_\tNOUN\tNN\t_\t34\tcompound\t_\t_\n34\tbase\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n35\tand\t_\tCONJ\tCC\t_\t34\tcc\t_\t_\n36\tincreased\t_\tADJ\tJJ\t_\t37\tamod\t_\t_\n37\trates\t_\tNOUN\tNNS\t_\t34\tconj\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tGannett\t_\tPROPN\tNNP\t_\t8\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\t83\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tdaily\t_\tADJ\tJJ\t_\t8\tdep\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n6\t35\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n7\tnon-daily\t_\tADJ\tJJ\t_\t8\tconj\t_\t_\n8\tnewspapers\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n9\treported\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n11\t3\t_\tNUM\tCD\t_\t12\tcompound\t_\t_\n12\t%\t_\tSYM\tNN\t_\t13\tamod\t_\t_\n13\tincrease\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n14\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n15\tadvertising\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\tcirculation\t_\tNOUN\tNN\t_\t15\tconj\t_\t_\n18\trevenue\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tTotal\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n2\tadvertising\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tlinage\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n6\tmodestly\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n8\tlower\t_\tADJ\tJJR\t_\t28\tccomp\t_\t_\n9\tas\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n10\tclassified-ad\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tvolume\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n12\tincreased\t_\tVERB\tVBD\t_\t8\tadvcl\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n14\twhile\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n15\tthere\t_\tPRON\tEX\t_\t16\texpl\t_\t_\n16\twas\t_\tVERB\tVBD\t_\t8\tadvcl\t_\t_\n17\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n18\tsofter\t_\tADJ\tJJR\t_\t19\tamod\t_\t_\n19\tdemand\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n21\tfor\t_\tADP\tIN\t_\t26\tcase\t_\t_\n22\tretail\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\tnational\t_\tADJ\tJJ\t_\t22\tconj\t_\t_\n25\tad\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tlinage\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n28\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n29\tJohn\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tCurley\t_\tPROPN\tNNP\t_\t28\tnsubj\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n32\tGannett\t_\tPROPN\tNNP\t_\t36\tnmod:poss\t_\t_\n33\t's\t_\tPART\tPOS\t_\t32\tcase\t_\t_\n34\tchief\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n35\texecutive\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\tofficer\t_\tNOUN\tNN\t_\t30\tappos\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t28\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tUSA\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tToday\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tad\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tpages\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\ttotaled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\t785\t_\tNUM\tCD\t_\t7\tdobj\t_\t_\n9\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tquarter\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n13\tdown\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n14\t9.2\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n15\t%\t_\tSYM\tNN\t_\t13\tnmod:npmod\t_\t_\n16\tfrom\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\t1988\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\tperiod\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n21\twhich\t_\tPRON\tWDT\t_\t23\tnsubjpass\t_\t_\n22\twas\t_\tAUX\tVBD\t_\t23\tauxpass\t_\t_\n23\thelped\t_\tVERB\tVBN\t_\t19\tacl:relcl\t_\t_\n24\tby\t_\tADP\tIN\t_\t27\tcase\t_\t_\n25\tincreased\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\tad\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tspending\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n28\tfrom\t_\tADP\tIN\t_\t31\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n30\tSummer\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tOlympics\t_\tPROPN\tNNPS\t_\t27\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tWhile\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n2\tUSA\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tToday\t_\tPROPN\tNNP\t_\t8\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\ttotal\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n6\tpaid\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tad\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tpages\t_\tNOUN\tNNS\t_\t14\tnsubj\t_\t_\n9\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tyear\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n13\tdate\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n14\ttotaled\t_\tVERB\tVBD\t_\t31\tadvcl\t_\t_\n15\t2,735\t_\tNUM\tCD\t_\t14\tdobj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tdecrease\t_\tNOUN\tNN\t_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ound\t_\t_\n11\tMirror\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tCo.\t_\tPROPN\tNNP\t_\t14\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tearnings\t_\tNOUN\tNNS\t_\t20\tnsubj\t_\t_\n15\twere\t_\tVERB\tVBD\t_\t20\tcop\t_\t_\n16\tdown\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n17\tfor\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tthird\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tquarter\t_\tNOUN\tNN\t_\t8\tccomp\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n22\tbecause\t_\tADP\tIN\t_\t26\tcase\t_\t_\n23\tof\t_\tADP\tIN\t_\t22\tmwe\t_\t_\n24\tsoft\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n25\tadvertising\t_\tNOUN\tNN\t_\t26\tcompound\t_\t_\n26\tlevels\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n27\tat\t_\tADP\tIN\t_\t31\tcase\t_\t_\n28\tits\t_\tPRON\tPRP$\t_\t31\tnmod:poss\t_\t_\n29\tLong\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n30\tIsland\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tNewsday\t_\tPROPN\tNNP\t_\t26\tnmod\t_\t_\n32\tand\t_\tCONJ\tCC\t_\t31\tcc\t_\t_\n33\tHartford\t_\tPROPN\tNNP\t_\t35\tcompound\t_\t_\n34\tCourant\t_\tPROPN\tNNP\t_\t35\tcompound\t_\t_\n35\tnewspapers\t_\tNOUN\tNNS\t_\t31\tconj\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tTrouble\t_\tNOUN\tNN\t_\t8\tnsubjpass\t_\t_\n2\ton\t_\tADP\tIN\t_\t5\tcase\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tEast\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tCoast\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n6\twas\t_\tAUX\tVBD\t_\t8\tauxpass\t_\t_\n7\tlikely\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\toffset\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\tby\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\timproved\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\tad\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tlinage\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\tat\t_\tADP\tIN\t_\t17\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n15\tLos\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tAngeles\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tTimes\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\twhich\t_\tPRON\tWDT\t_\t23\tnsubj\t_\t_\n20\tthis\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tweek\t_\tNOUN\tNN\t_\t23\tdep\t_\t_\n22\talso\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n23\tunveiled\t_\tVERB\tVBD\t_\t17\tacl:relcl\t_\t_\n24\ta\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tredesign\t_\tNOUN\tNN\t_\t23\tdobj\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tNew\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tYork\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tTimes\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tCo.\t_\tPROPN\tNNP\t_\t6\tnsubjpass\t_\t_\n5\tis\t_\tAUX\tVBZ\t_\t6\tauxpass\t_\t_\n6\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\treport\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\tlower\t_\tADJ\tJJR\t_\t10\tamod\t_\t_\n10\tearnings\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n11\tfor\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tthird\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tquarter\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n15\tbecause\t_\tADP\tIN\t_\t20\tcase\t_\t_\n16\tof\t_\tADP\tIN\t_\t15\tmwe\t_\t_\n17\tcontinued\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n18\tweak\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n19\tadvertising\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tlevels\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n21\tat\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tits\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n23\tflagship\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n24\tNew\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n25\tYork\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tTimes\t_\tPROPN\tNNP\t_\t23\tdep\t_\t_\n27\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n28\tdeep\t_\tADV\tRB\t_\t29\tadvmod\t_\t_\n29\tdiscounting\t_\tNOUN\tNN\t_\t20\tconj\t_\t_\n30\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n31\tnewsprint\t_\tNOUN\tNN\t_\t29\tnmod\t_\t_\n32\tat\t_\tADP\tIN\t_\t34\tcase\t_\t_\n33\tits\t_\tPRON\tPRP$\t_\t34\tnmod:poss\t_\t_\n34\taffiliate\t_\tNOUN\tNN\t_\t29\tnmod\t_\t_\n35\t,\t_\tPUNCT\t,\t_\t34\tpunct\t_\t_\n36\tForest\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n37\tProducts\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n38\tGroup\t_\tPROPN\tNNP\t_\t34\tappos\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t29\tpunct\t_\t_\n2\tTimes\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCo.\t_\tPROPN\tNNP\t_\t7\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tregional\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tdaily\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tnewspapers\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n8\tare\t_\tAUX\tVBP\t_\t9\taux\t_\t_\n9\tholding\t_\tVERB\tVBG\t_\t29\tccomp\t_\t_\n10\tup\t_\tADP\tRP\t_\t9\tcompound:prt\t_\t_\n11\twell\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n13\tbut\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n14\tthere\t_\tPRON\tEX\t_\t15\texpl\t_\t_\n15\tis\t_\tVERB\tVBZ\t_\t9\tconj\t_\t_\n16\tlittle\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tsign\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n18\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n19\tthings\t_\tNOUN\tNNS\t_\t21\tnsubj\t_\t_\n20\twill\t_\tAUX\tMD\t_\t21\taux\t_\t_\n21\timprove\t_\tVERB\tVB\t_\t17\tccomp\t_\t_\n22\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n24\tNew\t_\tP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_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tannouncements\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n3\tto\t_\tADP\tTO\t_\t4\tcase\t_\t_\n4\tworkers\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n5\tlate\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n6\tlast\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tweek\t_\tNOUN\tNN\t_\t2\tnmod:tmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\tGM\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n10\teffectively\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\tsigned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tdeath\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tnotices\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\tfor\t_\tADP\tIN\t_\t19\tcase\t_\t_\n15\ttwo\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n16\tfull-sized\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n17\tvan\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n18\tassembly\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tplants\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n22\tcast\t_\tVERB\tVBD\t_\t11\tconj\t_\t_\n23\tserious\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tdoubt\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n25\ton\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tfutures\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n28\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n29\tthree\t_\tNUM\tCD\t_\t32\tnummod\t_\t_\n30\tU.S.\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n31\tcar\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n32\tfactories\t_\tNOUN\tNNS\t_\t27\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tGM\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n3\tunder\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tintense\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tpressure\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tclose\t_\tVERB\tVB\t_\t5\tacl\t_\t_\n8\tfactories\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n9\tthat\t_\tPRON\tWDT\t_\t10\tnsubj\t_\t_\n10\tbecame\t_\tVERB\tVBD\t_\t8\tacl:relcl\t_\t_\n11\tunprofitable\t_\tADJ\tJJ\t_\t10\txcomp\t_\t_\n12\tas\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n13\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n14\tgiant\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tauto\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tmaker\t_\tNOUN\tNN\t_\t20\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tU.S.\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n19\tmarket\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tshare\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n21\tskidded\t_\tVERB\tVBD\t_\t10\tadvcl\t_\t_\n22\tduring\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tpast\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tdecade\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n4\tcurrently\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tusing\t_\tVERB\tVBG\t_\t17\tadvcl\t_\t_\n6\tabout\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\t80\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\t%\t_\tSYM\tNN\t_\t5\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n10\tits\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n11\tNorth\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tAmerican\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tvehicle\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tcapacity\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n16\thas\t_\tAUX\tVBZ\t_\t17\taux\t_\t_\n17\tvowed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n18\tit\t_\tPRON\tPRP\t_\t20\tnsubj\t_\t_\n19\twill\t_\tAUX\tMD\t_\t20\taux\t_\t_\n20\trun\t_\tVERB\tVB\t_\t17\tccomp\t_\t_\n21\tat\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\t100\t_\tNUM\tCD\t_\t23\tnummod\t_\t_\n23\t%\t_\tSYM\tNN\t_\t20\tnmod\t_\t_\n24\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tcapacity\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n26\tby\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\t1992\t_\tNUM\tCD\t_\t20\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tJust\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n2\ta\t_\tDET\tDT\t_\t3\tnummod\t_\t_\n3\tmonth\t_\tNOUN\tNN\t_\t4\tnmod:npmod\t_\t_\n4\tago\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n6\tGM\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tannounced\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tit\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n9\twould\t_\tAUX\tMD\t_\t10\taux\t_\t_\n10\tmake\t_\tVERB\tVB\t_\t7\tccomp\t_\t_\n11\tan\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\taging\t_\tVERB\tVBG\t_\t14\tamod\t_\t_\n13\tassembly\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tplant\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n15\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tLakewood\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n18\tGa.\t_\tPROPN\tNNP\t_\t16\tappos\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n20\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n21\teighth\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n22\tU.S.\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n23\tassembly\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\tfacility\t_\tNOUN\tNN\t_\t10\txcomp\t_\t_\n25\tto\t_\tPART\tTO\t_\t26\tmark\t_\t_\n26\tclose\t_\tVERB\tVB\t_\t24\tacl\t_\t_\n27\tsince\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\t1987\t_\tNUM\tCD\t_\t24\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t4\tadvmod\t_\t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_\t_\n11\tgovernment\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tdecision\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tViren\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tMehta\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tpartner\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n6\twith\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tMehta\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\t&\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tIsaly\t_\tPROPN\tNNP\t_\t7\tconj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n11\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n12\tNew\t_\tPROPN\tNNP\t_\t13\tamod\t_\t_\n13\tYork-based\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n14\tpharmaceutical\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n15\tindustry\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n16\tresearch\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tfirm\t_\tNOUN\tNN\t_\t7\tappos\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n19\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tgovernment\t_\tNOUN\tNN\t_\t23\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\truling\t_\tNOUN\tNN\t_\t26\tnsubj\t_\t_\n24\twas\t_\tVERB\tVBD\t_\t26\tcop\t_\t_\n25\tn't\t_\tPART\tRB\t_\t26\tneg\t_\t_\n26\tunexpected\t_\tADJ\tJJ\t_\t19\tccomp\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t4\tnsubj\t_\t_\n3\thas\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\tbecome\t_\tVERB\tVBN\t_\t25\tccomp\t_\t_\n5\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\tvery\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tpoliticized\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tdeal\t_\tNOUN\tNN\t_\t4\txcomp\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tconcerning\t_\tVERB\tVBG\t_\t20\tcase\t_\t_\n11\tCanada\t_\tPROPN\tNNP\t_\t20\tnmod:poss\t_\t_\n12\t's\t_\tPART\tPOS\t_\t11\tcase\t_\t_\n13\tonly\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n14\tlarge\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n16\tworld-class\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n17\tbio-research\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n18\tor\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\tpharmaceutical\t_\tADJ\tJJ\t_\t17\tconj\t_\t_\n20\tcompany\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t25\tpunct\t_\t_\n23\tMr.\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tMehta\t_\tPROPN\tNNP\t_\t25\tnsubj\t_\t_\n25\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tMehta\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tmove\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n6\tthat\t_\tPRON\tWDT\t_\t8\tnsubj\t_\t_\n7\tcould\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\tallow\t_\tVERB\tVB\t_\t5\tacl:relcl\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\ttransaction\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n11\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n12\tgo\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n13\tahead\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n14\tas\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n15\tplanned\t_\tVERB\tVBN\t_\t12\tadvcl\t_\t_\n16\tcould\t_\tAUX\tMD\t_\t20\taux\t_\t_\n17\tbe\t_\tVERB\tVB\t_\t20\tcop\t_\t_\n18\tan\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tout-of-court\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tsettlement\t_\tNOUN\tNN\t_\t3\tccomp\t_\t_\n21\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tConnaught\t_\tPROPN\tNNP\t_\t24\tnmod:poss\t_\t_\n23\t's\t_\tPART\tPOS\t_\t22\tcase\t_\t_\n24\tdispute\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n25\twith\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tUniversity\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n28\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tToronto\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tUniversity\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\tis\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\tseeking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tblock\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tacquisition\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tConnaught\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n11\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tforeign\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tinterests\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n15\tciting\t_\tVERB\tVBG\t_\t4\tadvcl\t_\t_\n16\tconcerns\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n17\tabout\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tamount\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tresearch\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n22\tthat\t_\tPRON\tWDT\t_\t25\tnsubjpass\t_\t_\n23\twould\t_\tAUX\tMD\t_\t25\taux\t_\t_\n24\tbe\t_\tAUX\tVB\t_\t25\tauxpass\t_\t_\n25\tdone\t_\tVERB\tVBN\t_\t19\tacl:relcl\t_\t_\n26\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\tCanada\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tuniversity\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\tis\t_\tAU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_\t_\n3\tthird\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tquarter\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n5\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\t1988\t_\tNUM\tCD\t_\t4\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\tMerck\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n9\tearned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\t$\t_\tSYM\t$\t_\t9\tdobj\t_\t_\n11\t311.8\t_\tNUM\tCD\t_\t12\tcompound\t_\t_\n12\tmillion\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n14\tor\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n15\t79\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\tcents\t_\tNOUN\tNNS\t_\t10\tconj\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tshare\t_\tNOUN\tNN\t_\t16\tnmod:npmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tRahway\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tN.J.\t_\tPROPN\tNNP\t_\t2\tappos\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tMerck\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tspokesman\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n9\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tcompany\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n12\tdoes\t_\tAUX\tVBZ\t_\t14\taux\t_\t_\n13\tn't\t_\tPART\tRB\t_\t14\tneg\t_\t_\n14\tmake\t_\tVERB\tVB\t_\t9\tccomp\t_\t_\n15\tearnings\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tprojections\t_\tNOUN\tNNS\t_\t14\tdobj\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tSweig\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\the\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\testimated\t_\tVERB\tVBD\t_\t3\tccomp\t_\t_\n6\tthat\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n7\tLilly\t_\tPROPN\tNNP\t_\t9\tnmod:poss\t_\t_\n8\t's\t_\tPART\tPOS\t_\t7\tcase\t_\t_\n9\tearnings\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n10\tfor\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tquarter\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tjumped\t_\tVERB\tVBD\t_\t5\tccomp\t_\t_\n14\tabout\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n15\t20\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\t%\t_\tSYM\tNN\t_\t13\tdobj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n18\tlargely\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n19\tbecause\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tof\t_\tADP\tIN\t_\t19\tmwe\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tperformance\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n23\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n24\tits\t_\tPRON\tPRP$\t_\t27\tnmod:poss\t_\t_\n25\tnew\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\tanti-depressant\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tProzac\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tdrug\t_\tNOUN\tNN\t_\t9\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tintroduced\t_\tVERB\tVBD\t_\t2\tacl\t_\t_\n5\tlast\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tyear\t_\tNOUN\tNN\t_\t4\tnmod:tmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n8\tis\t_\tAUX\tVBZ\t_\t9\tauxpass\t_\t_\n9\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\tgenerate\t_\tVERB\tVB\t_\t9\txcomp\t_\t_\n12\tsales\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tabout\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n15\t$\t_\tSYM\t$\t_\t12\tnmod\t_\t_\n16\t300\t_\tNUM\tCD\t_\t17\tcompound\t_\t_\n17\tmillion\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n18\tthis\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tyear\t_\tNOUN\tNN\t_\t11\tnmod:tmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t's\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\tturning\t_\tVERB\tVBG\t_\t15\tccomp\t_\t_\n5\tout\t_\tADP\tRP\t_\t4\tcompound:prt\t_\t_\n6\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n7\tbe\t_\tVERB\tVB\t_\t10\tcop\t_\t_\n8\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\treal\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tblockbuster\t_\tNOUN\tNN\t_\t4\txcomp\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n13\tMr.\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tSweig\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t6\tcase\t_\t_\n2\tlast\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tyear\t_\tNOUN\tNN\t_\t6\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tthird\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tquarter\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\tLilly\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n9\tearned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\t$\t_\tSYM\t$\t_\t9\tdobj\t_\t_\n11\t171.4\t_\tNUM\tCD\t_\t12\tcompound\t_\t_\n12\tmillion\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n14\tor\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n15\t$\t_\tSYM\t$\t_\t16\tdep\t_\t_\n16\t1.20\t_\tNUM\tCD\t_\t10\tconj\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tshare\t_\tNOUN\tNN\t_\t16\tnmod:npmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tIndianapolis\t_\tPROPN\tNNP\t_\t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_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tcompany\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tanalysts\t_\tNOUN\tNNS\t_\t16\tnmod:poss\t_\t_\n15\t'\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tprojections\t_\tNOUN\tNNS\t_\t21\tnsubj\t_\t_\n17\tare\t_\tVERB\tVBP\t_\t21\tcop\t_\t_\n18\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n19\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tballpark\t_\tNOUN\tNN\t_\t12\tccomp\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n23\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n\n1\tSquibb\t_\tPROPN\tNNP\t_\t3\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tprofit\t_\tNOUN\tNN\t_\t36\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t36\tpunct\t_\t_\n5\testimated\t_\tVERB\tVBN\t_\t36\tadvcl\t_\t_\n6\tby\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tanalysts\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n8\tto\t_\tPART\tTO\t_\t12\tmark\t_\t_\n9\tbe\t_\tVERB\tVB\t_\t12\tcop\t_\t_\n10\tabout\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\t18\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\t%\t_\tSYM\tNN\t_\t5\txcomp\t_\t_\n13\tabove\t_\tADP\tIN\t_\t12\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\t$\t_\tSYM\t$\t_\t12\tdep\t_\t_\n16\t123\t_\tNUM\tCD\t_\t17\tcompound\t_\t_\n17\tmillion\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n19\tor\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n20\t$\t_\tSYM\t$\t_\t21\tdep\t_\t_\n21\t1.25\t_\tNUM\tCD\t_\t15\tconj\t_\t_\n22\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tshare\t_\tNOUN\tNN\t_\t21\tnmod:npmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n25\tit\t_\tPRON\tPRP\t_\t26\tnsubj\t_\t_\n26\tearned\t_\tVERB\tVBD\t_\t15\tacl:relcl\t_\t_\n27\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\tthird\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\tquarter\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n31\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n32\t1988\t_\tNUM\tCD\t_\t30\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n34\twas\t_\tVERB\tVBD\t_\t36\tcop\t_\t_\n35\tthe\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tresult\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n37\tof\t_\tADP\tIN\t_\t40\tcase\t_\t_\n38\tespecially\t_\tADV\tRB\t_\t39\tadvmod\t_\t_\n39\tstrong\t_\tADJ\tJJ\t_\t40\tamod\t_\t_\n40\tsales\t_\tNOUN\tNNS\t_\t36\tnmod\t_\t_\n41\tof\t_\tADP\tIN\t_\t44\tcase\t_\t_\n42\tits\t_\tPRON\tPRP$\t_\t44\tnmod:poss\t_\t_\n43\tCapoten\t_\tPROPN\tNNP\t_\t44\tcompound\t_\t_\n44\tdrug\t_\tNOUN\tNN\t_\t40\tnmod\t_\t_\n45\tfor\t_\tSCONJ\tIN\t_\t46\tmark\t_\t_\n46\ttreating\t_\tVERB\tVBG\t_\t44\tacl\t_\t_\n47\thigh\t_\tADJ\tJJ\t_\t49\tamod\t_\t_\n48\tblood\t_\tNOUN\tNN\t_\t49\tcompound\t_\t_\n49\tpressure\t_\tNOUN\tNN\t_\t46\tdobj\t_\t_\n50\tand\t_\tCONJ\tCC\t_\t49\tcc\t_\t_\n51\tother\t_\tADJ\tJJ\t_\t53\tamod\t_\t_\n52\theart\t_\tNOUN\tNN\t_\t53\tcompound\t_\t_\n53\tdisease\t_\tNOUN\tNN\t_\t49\tconj\t_\t_\n54\t.\t_\tPUNCT\t.\t_\t36\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t5\tnsubjpass\t_\t_\n3\twas\t_\tAUX\tVBD\t_\t5\tauxpass\t_\t_\n4\tofficially\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tmerged\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\twith\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tBristol-Myers\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tCo.\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\tearlier\t_\tADV\tRBR\t_\t11\tadvmod\t_\t_\n10\tthis\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tmonth\t_\tNOUN\tNN\t_\t5\tnmod:tmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBristol-Myers\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tdeclined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tto\t_\tPART\tTO\t_\t4\tmark\t_\t_\n4\tcomment\t_\tVERB\tVB\t_\t2\txcomp\t_\t_\n5\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tRiccardo\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tBear\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tStearns\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n6\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tthat\t_\tSCONJ\tIN\t_\t32\tmark\t_\t_\n8\tSchering-Plough\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tCorp.\t_\tPROPN\tNNP\t_\t13\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\texpected\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\tprofit\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\trise\t_\tNOUN\tNN\t_\t32\tnsubj\t_\t_\n14\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n15\tabout\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n16\t18\t_\tNUM\tCD\t_\t20\tcompound\t_\t_\n17\t%\t_\tSYM\tNN\t_\t20\tdep\t_\t_\n18\tto\t_\tADP\tTO\t_\t20\tdep\t_\t_\n19\t20\t_\tNUM\tCD\t_\t20\tcompound\t_\t_\n20\t%\t_\tSYM\tNN\t_\t13\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n22\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n23\tBristol-Meyers\t_\tPROPN\tNNP\t_\t27\tnmod:poss\t_\t_\n24\t's\t_\tPART\tPOS\t_\t23\tcase\t_\t_\n25\texpected\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\tprofit\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tincrease\t_\tNOUN\tNN\t_\t13\tconj\t_\t_\n28\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n29\tabout\t_\tADV\tRB\t_\t30\tadvmod\t_\t_\n30\t13\t_\tNUM\tCD\t_\t31\tnummod\t_\t_\n31\t%\t_\tSYM\tNN\t_\t27\tnmod\t_\t_\n32\tare\t_\tVERB\tVBP\t_\t6\tccomp\t_\t_\n33\tlargely\t_\tADV\tRB\t_\t40\tadvmod\t_\t_\n34\tbecause\t_\tSCONJ\tIN\t_\t40\tmark\t_\t_\n35\t``\t_\tPUNCT\t``\t_\t40\tpunct\t_\t_\n36\tthose\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tcompanies\t_\tNOUN\tNNS\t_\t40\tnsubjpass\t_\t_\n38\tare\t_\tAUX\tVBP\t_\t40\tauxpass\t_\t_\n39\treally\t_\tADV\tRB\t_\t40\tadvmod\t_\t_\n40\tmanaged\t_\tVERB\tVBN\t_\t32\tadvcl\t_\t_\n41\twell\t_\tADV\tRB\t_\t40\tadvmod\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n43\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n\n1\tScheringPlough\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n2\tearned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\t$\t_\tSYM\t$\t_\t2\tdobj\t_\t_\n4\t94.4\t_\tNUM\tCD\t_\t5\tcompound\t_\t_\n5\tmillion\t_\tNUM\tCD\t_\t3\tnummod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n7\tor\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n8\t84\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\tcents\t_\tNOUN\tNNS\t_\t3\tconj\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tshare\t_\tNOUN\tNN\t_\t9\tnmod:npmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n13\twhile\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n14\tBristol-Myers\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n15\tearned\t_\tVERB\tVBD\t_\t2\tadvcl\t_\t_\n16\t$\t_\tSYM\t$\t_\t15\tdobj\t_\t_\n17\t232.3\t_\tNUM\tCD\t_\t18\tcompound\t_\t_\n18\tmillion\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n20\tor\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n21\t81\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n22\tcents\t_\tNOUN\tNNS\t_\t16\tconj\t_\t_\n23\ta\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tshare\t_\tNOUN\tNN\t_\t22\tnmod:npmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n26\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n28\tlike\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tperiod\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n30\ta\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tyear\t_\tNOUN\tNN\t_\t32\tnmod:npmod\t_\t_\n32\tearlier\t_\tADV\tRBR\t_\t29\tadvmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tMadison\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tN.J.\t_\tPROPN\tNNP\t_\t2\tappos\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tspokesman\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n8\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tSchering-Plough\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n10\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tcompany\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n13\thas\t_\tVERB\tVBZ\t_\t10\tccomp\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n15\tno\t_\tDET\tDT\t_\t16\tneg\t_\t_\n16\tproblems\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n18\twith\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\taverage\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\testimate\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n22\tby\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\ta\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tanalysts\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n25\tthat\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n26\tthird-quarter\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\tearnings\t_\tNOUN\tNNS\t_\t30\tnsubj\t_\t_\n28\tper\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tshare\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n30\trose\t_\tVERB\tVBD\t_\t21\tdep\t_\t_\n31\tby\t_\tADP\tIN\t_\t34\tcase\t_\t_\n32\tabout\t_\tADV\tRB\t_\t33\tadvmod\t_\t_\n33\t19\t_\tNUM\tCD\t_\t34\tnummod\t_\t_\n34\t%\t_\tSYM\tNN\t_\t30\tnmod\t_\t_\n35\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n36\tto\t_\tADP\tTO\t_\t38\tcase\t_\t_\n37\t$\t_\tSYM\t$\t_\t38\tdep\t_\t_\n38\t1\t_\tNUM\tCD\t_\t30\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\texpects\t_\tVERB\tVBZ\t_\t25\tccomp\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tachieve\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\t20\t_\tNUM\tCD\t_\t8\tcompound\t_\t_\n8\t%\t_\tSYM\tNN\t_\t9\tamod\t_\t_\n9\tincrease\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n10\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tfull-year\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tearnings\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n13\tper\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tshare\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n16\tas\t_\tSCONJ\tIN\t_\t18\tmark\t_\t_\n17\tit\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n18\tprojected\t_\tVERB\tVBD\t_\t5\tadvcl\t_\t_\n19\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tspring\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tspokesman\t_\tNOUN\tNN\t_\t25\tnsubj\t_\t_\n25\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tMeanwhile\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\tanalysts\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tPfizer\t_\tPROPN\tNNP\t_\t8\tnmod:poss\t_\t_\n6\t's\t_\tPART\tPOS\t_\t5\tcase\t_\t_\n7\trecent\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tstring\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n9\tof\t_\tADP\tI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\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n29\t49\t_\tNUM\tCD\t_\t30\tnummod\t_\t_\n30\tcents\t_\tNOUN\tNNS\t_\t24\tconj\t_\t_\n31\ta\t_\tDET\tDT\t_\t32\tdet\t_\t_\n32\tshare\t_\tNOUN\tNN\t_\t30\tnmod:npmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n34\tit\t_\tPRON\tPRP\t_\t35\tnsubj\t_\t_\n35\tearned\t_\tVERB\tVBD\t_\t24\tacl:relcl\t_\t_\n36\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tyear\t_\tNOUN\tNN\t_\t38\tnmod:npmod\t_\t_\n38\tago\t_\tADV\tRB\t_\t35\tadvmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tUpjohn\t_\tPROPN\tNNP\t_\t4\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tbiggest-selling\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tdrugs\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n5\tare\t_\tVERB\tVBP\t_\t6\tcop\t_\t_\n6\tXanax\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\ttranquilizer\t_\tNOUN\tNN\t_\t6\tappos\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n12\tHalcion\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tsedative\t_\tNOUN\tNN\t_\t12\tappos\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tSales\t_\tNOUN\tNNS\t_\t7\tnsubjpass\t_\t_\n2\tof\t_\tADP\tIN\t_\t4\tcase\t_\t_\n3\tboth\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tdrugs\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n5\thave\t_\tAUX\tVBP\t_\t7\taux\t_\t_\n6\tbeen\t_\tAUX\tVBN\t_\t7\tauxpass\t_\t_\n7\thurt\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tnew\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\tstate\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tlaws\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\trestricting\t_\tVERB\tVBG\t_\t11\tacl\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tprescriptions\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n15\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tcertain\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\ttranquilizing\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tmedicines\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n20\tadverse\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tpublicity\t_\tNOUN\tNN\t_\t11\tconj\t_\t_\n22\tabout\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\texcessive\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tuse\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n26\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tdrugs\t_\tNOUN\tNNS\t_\t25\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tAlso\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tcompany\t_\tNOUN\tNN\t_\t7\tnmod:poss\t_\t_\n5\t's\t_\tPART\tPOS\t_\t4\tcase\t_\t_\n6\thair-growing\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tdrug\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tRogaine\t_\tPROPN\tNNP\t_\t7\tappos\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n11\tis\t_\tAUX\tVBZ\t_\t12\taux\t_\t_\n12\tselling\t_\tVERB\tVBG\t_\t47\tccomp\t_\t_\n13\twell\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n14\t--\t_\tPUNCT\t:\t_\t12\tpunct\t_\t_\n15\tat\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tabout\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\t$\t_\tSYM\t$\t_\t12\tnmod\t_\t_\n18\t125\t_\tNUM\tCD\t_\t19\tcompound\t_\t_\n19\tmillion\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n20\tfor\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tyear\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n24\tbut\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tcompany\t_\tNOUN\tNN\t_\t28\tnmod:poss\t_\t_\n27\t's\t_\tPART\tPOS\t_\t26\tcase\t_\t_\n28\tprofit\t_\tNOUN\tNN\t_\t34\tnsubjpass\t_\t_\n29\tfrom\t_\tADP\tIN\t_\t31\tcase\t_\t_\n30\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tdrug\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n32\thas\t_\tAUX\tVBZ\t_\t34\taux\t_\t_\n33\tbeen\t_\tAUX\tVBN\t_\t34\tauxpass\t_\t_\n34\treduced\t_\tVERB\tVBN\t_\t12\tconj\t_\t_\n35\tby\t_\tADP\tIN\t_\t39\tcase\t_\t_\n36\tUpjohn\t_\tPROPN\tNNP\t_\t39\tnmod:poss\t_\t_\n37\t's\t_\tPART\tPOS\t_\t36\tcase\t_\t_\n38\texpensive\t_\tADJ\tJJ\t_\t39\tamod\t_\t_\n39\tprint\t_\tNOUN\tNN\t_\t34\tnmod\t_\t_\n40\tand\t_\tCONJ\tCC\t_\t39\tcc\t_\t_\n41\ttelevision\t_\tNOUN\tNN\t_\t42\tcompound\t_\t_\n42\tcampaigns\t_\tNOUN\tNNS\t_\t39\tconj\t_\t_\n43\tfor\t_\tADP\tIN\t_\t44\tcase\t_\t_\n44\tadvertising\t_\tVERB\tVBG\t_\t39\tnmod\t_\t_\n45\t,\t_\tPUNCT\t,\t_\t47\tpunct\t_\t_\n46\tanalysts\t_\tNOUN\tNNS\t_\t47\tnsubj\t_\t_\n47\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n48\t.\t_\tPUNCT\t.\t_\t47\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tKalamazoo\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tMich.\t_\tPROPN\tNNP\t_\t2\tappos\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n6\tUpjohn\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tdeclined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tcomment\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tAmid\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\ta\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tcrowd\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tcrashi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\t_\t_\n12\tbecause\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n13\ther\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n14\town\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tarrangements\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n16\tkept\t_\tVERB\tVBD\t_\t3\tadvcl\t_\t_\n17\tshifting\t_\tVERB\tVBG\t_\t16\txcomp\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tWhen\t_\tADV\tWRB\t_\t3\tadvmod\t_\t_\n2\tRosie\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tdied\t_\tVERB\tVBD\t_\t7\tadvcl\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\ther\t_\tPRON\tPRP$\t_\t6\tnmod:poss\t_\t_\n6\tuncles\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\tmoved\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n8\tin\t_\tADP\tRP\t_\t7\tcompound:prt\t_\t_\n9\t--\t_\tPUNCT\t:\t_\t7\tpunct\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n11\tlet\t_\tVERB\tVB\t_\t7\tconj\t_\t_\n12\ther\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\tmake\t_\tVERB\tVB\t_\t11\tccomp\t_\t_\n14\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n15\tsleeping\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\tother\t_\tADJ\tJJ\t_\t15\tconj\t_\t_\n18\thousehold\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tarrangements\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tpainted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tapartment\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\torange\t_\tADJ\tJJ\t_\t2\txcomp\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tpink\t_\tADJ\tJJ\t_\t5\tconj\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n9\twhite\t_\tADJ\tJJ\t_\t5\tconj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n11\taccording\t_\tVERB\tVBG\t_\t14\tcase\t_\t_\n12\tto\t_\tADP\tTO\t_\t11\tmwe\t_\t_\n13\ther\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n14\tinstructions\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tWith\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tloving\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tdetail\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n4\tshe\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\trecalls\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\ther\t_\tPRON\tPRP$\t_\t8\tnmod:poss\t_\t_\n7\tUncle\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tGabe\t_\tPROPN\tNNP\t_\t5\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n10\tan\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tOrthodox\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tJew\t_\tPROPN\tNNP\t_\t8\tappos\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\tsong\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tlyricist\t_\tNOUN\tNN\t_\t12\tconj\t_\t_\n16\t-LRB-\t_\tPUNCT\t-LRB-\t_\t18\tpunct\t_\t_\n17\twho\t_\tPRON\tWP\t_\t18\tnsubj\t_\t_\n18\trhymed\t_\tVERB\tVBD\t_\t12\tdep\t_\t_\n19\triver\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n20\twith\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tliver\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n22\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n23\ta\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tlove\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tsong\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n26\t-RRB-\t_\tPUNCT\t-RRB-\t_\t18\tpunct\t_\t_\n27\t;\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n28\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n29\tUncle\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tLen\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n32\ta\t_\tDET\tDT\t_\t35\tdet\t_\t_\n33\tmysterious\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n34\tpart-time\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n35\tinvestigator\t_\tNOUN\tNN\t_\t30\tappos\t_\t_\n36\twho\t_\tPRON\tWP\t_\t37\tnsubj\t_\t_\n37\tlooked\t_\tVERB\tVBD\t_\t35\tacl:relcl\t_\t_\n38\tlike\t_\tADP\tIN\t_\t39\tcase\t_\t_\n39\tLincoln\t_\tPROPN\tNNP\t_\t37\tnmod\t_\t_\n40\tand\t_\tCONJ\tCC\t_\t37\tcc\t_\t_\n41\tcarried\t_\tVERB\tVBD\t_\t37\tconj\t_\t_\n42\ta\t_\tDET\tDT\t_\t43\tdet\t_\t_\n43\tchange\t_\tNOUN\tNN\t_\t41\tdobj\t_\t_\n44\tof\t_\tADP\tIN\t_\t45\tcase\t_\t_\n45\tclothing\t_\tNOUN\tNN\t_\t43\tnmod\t_\t_\n46\tin\t_\tADP\tIN\t_\t49\tcase\t_\t_\n47\ta\t_\tDET\tDT\t_\t49\tdet\t_\t_\n48\tManila\t_\tPROPN\tNNP\t_\t49\tcompound\t_\t_\n49\tenvelope\t_\tNOUN\tNN\t_\t41\tnmod\t_\t_\n50\t,\t_\tPUNCT\t,\t_\t41\tpunct\t_\t_\n51\tlike\t_\tADP\tIN\t_\t55\tcase\t_\t_\n52\tan\t_\tDET\tDT\t_\t55\tdet\t_\t_\n53\t``\t_\tPUNCT\t``\t_\t55\tpunct\t_\t_\n54\tundercover\t_\tADJ\tJJ\t_\t55\tamod\t_\t_\n55\tPresident\t_\tNOUN\tNN\t_\t41\tnmod\t_\t_\n56\ton\t_\tADP\tIN\t_\t59\tcase\t_\t_\n57\ta\t_\tDET\tDT\t_\t59\tdet\t_\t_\n58\tgood-will\t_\tADJ\tJJ\t_\t59\tamod\t_\t_\n59\tmission\t_\tNOUN\tNN\t_\t55\tnmod\t_\t_\n60\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n61\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tThey\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tcame\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tby\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\ttheir\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n5\tstrangeness\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\thonestly\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tLily\t_\tPROPN\tNNP\t_\t3\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tgrandmother\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tno\t_\tDET\tDT\t_\t7\tneg\t_\t_\n6\tcookie\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tbaker\t_\tNOUN\tN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_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\twhich\t_\tPRON\tWDT\t_\t5\tnsubj\t_\t_\n5\tissued\t_\tVERB\tVBD\t_\t2\tacl:relcl\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tstatement\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n8\ton\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tagreement\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\tlate\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tFriday\t_\tPROPN\tNNP\t_\t5\tnmod:tmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n14\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\tthat\t_\tSCONJ\tIN\t_\t24\tmark\t_\t_\n16\t$\t_\tSYM\t$\t_\t24\tnsubjpass\t_\t_\n17\t1\t_\tNUM\tCD\t_\t18\tcompound\t_\t_\n18\tmillion\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n19\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tpayment\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n22\twas\t_\tAUX\tVBD\t_\t24\tauxpass\t_\t_\n23\tpreviously\t_\tADV\tRB\t_\t24\tadvmod\t_\t_\n24\tprovided\t_\tVERB\tVBN\t_\t14\tccomp\t_\t_\n25\tfor\t_\tADP\tIN\t_\t24\tnmod\t_\t_\n26\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tits\t_\tPRON\tPRP$\t_\t29\tnmod:poss\t_\t_\n28\tfinancial\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tstatements\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n30\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n31\tthat\t_\tDET\tDT\t_\t36\tmark\t_\t_\n32\t$\t_\tSYM\t$\t_\t33\tdep\t_\t_\n33\t500,000\t_\tNUM\tCD\t_\t36\tnsubjpass\t_\t_\n34\twill\t_\tAUX\tMD\t_\t36\taux\t_\t_\n35\tbe\t_\tAUX\tVB\t_\t36\tauxpass\t_\t_\n36\trecognized\t_\tVERB\tVBN\t_\t24\tconj\t_\t_\n37\tin\t_\tADP\tIN\t_\t41\tcase\t_\t_\n38\tits\t_\tPRON\tPRP$\t_\t41\tnmod:poss\t_\t_\n39\t1989\t_\tNUM\tCD\t_\t41\tnummod\t_\t_\n40\tthird-quarter\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tstatement\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\tagreement\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n3\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\tconsent\t_\tNOUN\tNN\t_\t2\tconj\t_\t_\n5\tdecree\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n6\tare\t_\tVERB\tVBP\t_\t7\tcop\t_\t_\n7\tsubject\t_\tADJ\tJJ\t_\t14\tccomp\t_\t_\n8\tto\t_\tADP\tTO\t_\t10\tcase\t_\t_\n9\tcourt\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tapproval\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tcompany\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n14\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tGulf\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tResources\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tadded\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthat\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n7\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\tseek\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\trecover\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n11\tequitable\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tcontribution\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tothers\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n15\tfor\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tboth\t_\tCONJ\tCC\t_\t18\tcc:preconj\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tamount\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tsettlement\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n22\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n23\tany\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tother\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tliabilities\t_\tNOUN\tNNS\t_\t18\tconj\t_\t_\n26\tit\t_\tPRON\tPRP\t_\t28\tnsubj\t_\t_\n27\tmay\t_\tAUX\tMD\t_\t28\taux\t_\t_\n28\tincur\t_\tVERB\tVB\t_\t25\tacl:relcl\t_\t_\n29\tunder\t_\tADP\tIN\t_\t32\tcase\t_\t_\n30\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n31\tSuperfund\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tlaw\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n34\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tUnder\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tagreement\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tGulf\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n6\tmust\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tgive\t_\tVERB\tVB\t_\t0\troot\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tU.S.\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tgovernment\t_\tNOUN\tNN\t_\t7\tiobj\t_\t_\n11\t45\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n12\tdays\t_\tNOUN\tNNS\t_\t16\tnmod:poss\t_\t_\n13\t'\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n14\tadvance\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\twritten\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tnotice\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n17\tbefore\t_\tSCONJ\tIN\t_\t18\tmark\t_\t_\n18\tissuing\t_\tVERB\tVBG\t_\t7\tadvcl\t_\t_\n19\tany\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tdividends\t_\tNOUN\tNNS\t_\t18\tdobj\t_\t_\n21\ton\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tcommon\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tstock\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t5\tnmod:poss\t_\t_\n3\t's\t_\t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will\t_\tAUX\tMD\t_\t18\taux\t_\t_\n15\tbe\t_\tVERB\tVB\t_\t18\tcop\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tbig\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tplus\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tfew\t_\tADJ\tJJ\t_\t28\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\texecutives\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n6\there\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n7\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tfall\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tmeeting\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tBusiness\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tCouncil\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tgroup\t_\tNOUN\tNN\t_\t14\tappos\t_\t_\n18\tthat\t_\tPRON\tWDT\t_\t19\tnsubj\t_\t_\n19\tmeets\t_\tVERB\tVBZ\t_\t17\tacl:relcl\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tdiscuss\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\tnational\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tissues\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n25\twere\t_\tVERB\tVBD\t_\t28\tcop\t_\t_\n26\tonly\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n27\ttoo\t_\tADV\tRB\t_\t28\tadvmod\t_\t_\n28\thappy\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n29\tto\t_\tPART\tTO\t_\t30\tmark\t_\t_\n30\tpersonalize\t_\tVERB\tVB\t_\t28\txcomp\t_\t_\n31\ttheir\t_\tPRON\tPRP$\t_\t32\tnmod:poss\t_\t_\n32\tcriticism\t_\tNOUN\tNN\t_\t30\tdobj\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t28\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n2\tPeople\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\twish\t_\tVERB\tVBP\t_\t25\tccomp\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tgovernment\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n6\twould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tdo\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n8\tsomething\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n9\tabout\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tleveraged\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tbuy-outs\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n13\tdo\t_\tVERB\tVB\t_\t7\tdep\t_\t_\n14\tsomething\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n15\tabout\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\ttakeovers\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n18\tdo\t_\tVERB\tVB\t_\t7\tdep\t_\t_\n19\tsomething\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n20\tabout\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tDonald\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tTrump\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n24\t''\t_\tPUNCT\t''\t_\t25\tpunct\t_\t_\n25\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n26\tRand\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tAraskog\t_\tPROPN\tNNP\t_\t25\tnsubj\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n29\tchairman\t_\tNOUN\tNN\t_\t27\tappos\t_\t_\n30\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n31\tITT\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tCorp.\t_\tPROPN\tNNP\t_\t29\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n34\twhose\t_\tPRON\tWP$\t_\t35\tnmod:poss\t_\t_\n35\tstock\t_\tNOUN\tNN\t_\t36\tnsubj\t_\t_\n36\tdropped\t_\tVERB\tVBD\t_\t32\tacl:relcl\t_\t_\n37\t$\t_\tSYM\t$\t_\t38\tdep\t_\t_\n38\t3.375\t_\tNUM\tCD\t_\t36\tdobj\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tWhere\t_\tADV\tWRB\t_\t3\tadvmod\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tleadership\t_\tNOUN\tNN\t_\t3\tdep\t_\t_\n6\t?\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tWhere\t_\tADV\tWRB\t_\t2\tadvmod\t_\t_\n2\t's\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tguy\t_\tNOUN\tNN\t_\t2\tdep\t_\t_\n5\twho\t_\tPRON\tWP\t_\t7\tnsubj\t_\t_\n6\tcan\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tsay\t_\tVERB\tVB\t_\t4\tacl:relcl\t_\t_\n8\t:\t_\tPUNCT\t:\t_\t7\tpunct\t_\t_\n9\t`\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n10\tEnough\t_\tADJ\tJJ\t_\t12\tnsubj\t_\t_\n11\tis\t_\tVERB\tVBZ\t_\t12\tcop\t_\t_\n12\tenough\t_\tADJ\tJJ\t_\t7\tccomp\t_\t_\n13\t'\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n15\t?\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\texecutives\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n3\twere\t_\tVERB\tVBD\t_\t5\tcop\t_\t_\n4\tremarkably\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tunperturbed\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\tby\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tplunge\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\teven\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n10\tthough\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\tlopped\t_\tVERB\tVBD\t_\t5\tadvcl\t_\t_\n13\tbillions\t_\tNOUN\tNNS\t_\t12\tdobj\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tdollars\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n16\toff\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tvalue\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n19\tof\t_\tADP\tIN\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_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tcity\t_\tNOUN\tNN\t_\t27\tnmod:poss\t_\t_\n23\t's\t_\tPART\tPOS\t_\t22\tcase\t_\t_\n24\tretail\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n25\treal\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\testate\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tmarket\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tManhattan\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n4\tonce-desirable\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tstore\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tsites\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n7\tsit\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n8\tvacant\t_\tADJ\tJJ\t_\t7\txcomp\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n10\tnewly\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n11\tconstructed\t_\tVERB\tVBN\t_\t12\tamod\t_\t_\n12\tspace\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n13\thas\t_\tAUX\tVBZ\t_\t15\taux\t_\t_\n14\tbeen\t_\tVERB\tVBN\t_\t15\tcop\t_\t_\n15\tslow\t_\tADJ\tJJ\t_\t7\tconj\t_\t_\n16\tto\t_\tPART\tTO\t_\t17\tmark\t_\t_\n17\tfill\t_\tVERB\tVB\t_\t15\txcomp\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tRetail\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n2\treal\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n3\testate\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tbrokers\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tsay\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n6\ttenants\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n7\tare\t_\tVERB\tVBP\t_\t8\tcop\t_\t_\n8\treluctant\t_\tADJ\tJJ\t_\t5\tccomp\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tsign\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n11\tleases\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n12\tbecause\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tof\t_\tADP\tIN\t_\t12\tmwe\t_\t_\n14\tuncertainty\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n15\tabout\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tlocal\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\teconomy\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n20\tturmoil\t_\tNOUN\tNN\t_\t14\tconj\t_\t_\n21\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\ttheir\t_\tPRON\tPRP$\t_\t24\tnmod:poss\t_\t_\n23\town\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tindustries\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n26\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tbelief\t_\tNOUN\tNN\t_\t14\tconj\t_\t_\n28\tthat\t_\tSCONJ\tIN\t_\t33\tmark\t_\t_\n29\trents\t_\tNOUN\tNNS\t_\t33\tnsubj\t_\t_\n30\thave\t_\tAUX\tVBP\t_\t33\taux\t_\t_\n31\tnot\t_\tPART\tRB\t_\t33\tneg\t_\t_\n32\tyet\t_\tADV\tRB\t_\t33\tadvmod\t_\t_\n33\thit\t_\tVERB\tVBN\t_\t27\tccomp\t_\t_\n34\tbottom\t_\tNOUN\tNN\t_\t33\tdobj\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tThere\t_\tPRON\tEX\t_\t3\texpl\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t12\tccomp\t_\t_\n4\tan\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tunbelievable\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tamount\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tspace\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\tavailable\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n12\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n13\tFaith\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tConsolo\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\tsenior\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\tvice\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tpresident\t_\tNOUN\tNN\t_\t14\tappos\t_\t_\n19\tat\t_\tADP\tIN\t_\t24\tcase\t_\t_\n20\tGarrick-Aug\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n21\tAssociates\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n22\tStore\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n23\tLeasing\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tInc\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tThere\t_\tPRON\tEX\t_\t2\texpl\t_\t_\n2\tare\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\tabout\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\t2,000\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\tstores\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n6\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\trent\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n9\tup\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\tmore\t_\tADV\tRBR\t_\t13\tadvmod\t_\t_\n13\ttypical\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\trange\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n15\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\t1,200\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n17\tto\t_\tADP\tTO\t_\t18\tdep\t_\t_\n18\t1,500\t_\tNUM\tCD\t_\t14\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t4\tnsubj\t_\t_\n3\tfurther\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tconfuses\t_\tVERB\tVBZ\t_\t9\tccomp\t_\t_\n5\tretailers\t_\tNOUN\tNNS\t_\t4\tdobj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n8\tshe\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tThey\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\twonder\t_\tVERB\tVBP\t_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et\t_\t_\n8\tissue\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tjustices\t_\tNOUN\tNNS\t_\t14\tnsubjpass\t_\t_\n12\twill\t_\tAUX\tMD\t_\t14\taux\t_\t_\n13\tbe\t_\tAUX\tVB\t_\t14\tauxpass\t_\t_\n14\tforced\t_\tVERB\tVBN\t_\t31\tccomp\t_\t_\n15\tby\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tdissent\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\treconsider\t_\tVERB\tVB\t_\t14\tccomp\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tfundamental\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tquestions\t_\tNOUN\tNNS\t_\t19\tdobj\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n24\tto\t_\tPART\tTO\t_\t25\tmark\t_\t_\n25\trethink\t_\tVERB\tVB\t_\t19\tconj\t_\t_\n26\tthe\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tresult\t_\tNOUN\tNN\t_\t25\tdobj\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n29\t''\t_\tPUNCT\t''\t_\t31\tpunct\t_\t_\n30\the\t_\tPRON\tPRP\t_\t31\tnsubj\t_\t_\n31\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t31\tpunct\t_\t_\n\n1\tMoreover\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n3\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\trecent\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tmonths\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n6\the\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n7\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n8\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tthat\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n10\twhen\t_\tADV\tWRB\t_\t16\tadvmod\t_\t_\n11\the\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n12\twas\t_\tVERB\tVBD\t_\t16\tcop\t_\t_\n13\ton\t_\tADP\tIN\t_\t16\tcase\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\twinning\t_\tVERB\tVBG\t_\t16\tamod\t_\t_\n16\tside\t_\tNOUN\tNN\t_\t22\tadvcl\t_\t_\n17\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\t1960s\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n21\the\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n22\tknew\t_\tVERB\tVBD\t_\t8\tccomp\t_\t_\n23\tthat\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\ttables\t_\tNOUN\tNNS\t_\t27\tnsubj\t_\t_\n26\tmight\t_\tAUX\tMD\t_\t27\taux\t_\t_\n27\tturn\t_\tVERB\tVB\t_\t22\tccomp\t_\t_\n28\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tfuture\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\thas\t_\tAUX\tVBZ\t_\t3\taux\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthat\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n5\the\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n6\tnow\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tknows\t_\tVERB\tVBZ\t_\t3\tccomp\t_\t_\n8\thow\t_\tADV\tWRB\t_\t12\tadvmod\t_\t_\n9\tJustice\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tJohn\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tHarlan\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n12\tfelt\t_\tVERB\tVBD\t_\t7\tccomp\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\treference\t_\tNOUN\tNN\t_\t3\tnmod:npmod\t_\t_\n16\tto\t_\tADP\tTO\t_\t20\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n18\tlate\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n19\tconservative\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tjustice\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n21\twho\t_\tPRON\tWP\t_\t26\tnsubj\t_\t_\n22\twas\t_\tVERB\tVBD\t_\t26\tcop\t_\t_\n23\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n24\tmost\t_\tADV\tRBS\t_\t25\tadvmod\t_\t_\n25\tfrequent\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tdissenter\t_\tNOUN\tNN\t_\t20\tacl:relcl\t_\t_\n27\tfrom\t_\tADP\tIN\t_\t32\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\tWarren\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tCourt\t_\tPROPN\tNNP\t_\t32\tnmod:poss\t_\t_\n31\t's\t_\tPART\tPOS\t_\t30\tcase\t_\t_\n32\topinions\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAssociates\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n2\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n3\t81-year-old\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tJustice\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tMarshall\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n6\tsay\t_\tVERB\tVB\t_\t0\troot\t_\t_\n7\the\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n8\twas\t_\tVERB\tVBD\t_\t10\tcop\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n10\tdepressed\t_\tADJ\tJJ\t_\t6\tccomp\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n12\tabout\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tcourt\t_\tNOUN\tNN\t_\t16\tnmod:poss\t_\t_\n15\t's\t_\tPART\tPOS\t_\t14\tcase\t_\t_\n16\tdirection\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n17\tlast\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tspring\t_\tNOUN\tNN\t_\t10\tnmod:tmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n20\tbut\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n21\tis\t_\tVERB\tVBZ\t_\t22\tcop\t_\t_\n22\tfeisty\t_\tADJ\tJJ\t_\t10\tconj\t_\t_\n23\tabout\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\this\t_\tPRON\tPRP$\t_\t25\tnmod:poss\t_\t_\n25\trole\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n27\tdetermined\t_\tADJ\tJJ\t_\t22\tconj\t_\t_\n28\tto\t_\tPART\tTO\t_\t29\tmark\t_\t_\n29\tspeak\t_\tVERB\tVB\t_\t27\txcomp\t_\t_\n30\tout\t_\tADP\tRP\t_\t29\tcompound:prt\t_\t_\n31\tagainst\t_\tADP\tIN\t_\t35\tcase\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tcourt\t_\tNOUN\tNN\t_\t35\tnmod:poss\t_\t_\n34\t's\t_\tPART\tPOS\t_\t33\tcase\t_\t_\n35\tcutbacks\t_\tNOUN\tNNS\t_\t29\tnmod\t_\t_\n36\tin\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tcivil\t_\tADJ\tJJ\t_\t38\tamod\t_\t_\n38\trights\t_\tNOUN\tNNS\t_\t35\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t24\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tcould\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\tsweep\t_\tVERB\tVB\t_\t24\tccomp\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t4\tdobj\t_\t_\n6\tunder\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\trug\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n10\thide\t_\tVERB\tVB\t_\t4\tconj\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t10\tdobj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n13\tbut\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n14\tI\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n15\t'm\t_\tAUX\tVBP\t_\t17\taux\t_\t_\n16\tnot\t_\tPART\tRB\t_\t17\tneg\t_\t_\n17\tgoing\t_\tVERB\tVBG\t_\t4\tconj\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\tdo\t_\tVERB\tVB\t_\t17\txcomp\t_\t_\n20\tit\t_\tPRON\tPRP\t_\t19\tdobj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t24\tpunct\t_\t_\n23\the\t_\tPRON\tPRP\t_\t24\tnsubj\t_\t_\n24\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n25\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tspeech\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n28\tlast\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tmonth\t_\tNOUN\tNN\t_\t24\tnmod:tmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n3\tlike\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tJustice\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tBrennan\t_\tPROPN\tNNP\t_\t7\tccomp\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n7\tconsiders\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\tdissents\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n9\thighly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\timportant\t_\tADJ\tJJ\t_\t7\txcomp\t_\t_\n11\tfor\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tfuture\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n15\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tpoint\t_\tNOUN\tNN\t_\t7\tnmod:npmod\t_\t_\n17\tthat\t_\tDET\tDT\t_\t20\tnsubj\t_\t_\n18\thas\t_\tAUX\tVBZ\t_\t20\taux\t_\t_\n19\tn't\t_\tPART\tRB\t_\t20\tneg\t_\t_\n20\tescaped\t_\tVERB\tVBN\t_\t16\tacl:relcl\t_\t_\n21\tlegal\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tscholars\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tHarvard\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n2\tLaw\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n3\tSchool\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n4\tProfessor\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n5\tLaurence\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tTribe\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\tthere\t_\tPRON\tEX\t_\t9\texpl\t_\t_\n9\tis\t_\tVERB\tVBZ\t_\t7\tccomp\t_\t_\n10\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n11\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n12\tgeneration-skipping\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n14\tflavor\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n15\tto\t_\tADP\tTO\t_\t17\tcase\t_\t_\n16\tcurrent\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tdissents\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tdissenters\t_\tNOUN\tNNS\t_\t11\tnsubj\t_\t_\n3\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tWarren\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tCourt\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\the\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tsays\t_\tVERB\tVBZ\t_\t11\tparataxis\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tappeared\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n13\tbe\t_\tAUX\tVB\t_\t14\taux\t_\t_\n14\twriting\t_\tVERB\tVBG\t_\t11\txcomp\t_\t_\n15\tfor\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tshort-term\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n19\tsuggesting\t_\tVERB\tVBG\t_\t11\txcomp\t_\t_\n20\tthat\t_\tSCONJ\tIN\t_\t26\tmark\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tcourt\t_\tNOUN\tNN\t_\t24\tnmod:poss\t_\t_\n23\t's\t_\tPART\tPOS\t_\t22\tcase\t_\t_\n24\tdirection\t_\tNOUN\tNN\t_\t26\tnsubj\t_\t_\n25\tmight\t_\tAUX\tMD\t_\t26\taux\t_\t_\n26\tchange\t_\tVERB\tVB\t_\t19\tccomp\t_\t_\n27\tsoon\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tBrennan\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n3\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\tMarshall\t_\tPROPN\tNNP\t_\t2\tconj\t_\t_\n5\tare\t_\tAUX\tVBP\t_\t6\taux\t_\t_\n6\tspeaking\t_\tVERB\tVBG\t_\t18\tccomp\t_\t_\n7\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\ttheir\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n9\tdissents\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ubjpass\t_\t_\n2\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n3\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n4\tfour\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n5\tbig\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tthrifts\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n7\twere\t_\tAUX\tVBD\t_\t8\tauxpass\t_\t_\n8\tsold\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n10\tNCNB\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tCorp.\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\tCharlotte\t_\tPROPN\tNNP\t_\t11\tappos\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\tN.C.\t_\tPROPN\tNNP\t_\t13\tappos\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n17\twhich\t_\tPRON\tWDT\t_\t20\tnsubj\t_\t_\n18\thas\t_\tAUX\tVBZ\t_\t20\taux\t_\t_\n19\taggressively\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n20\texpanded\t_\tVERB\tVBN\t_\t11\tacl:relcl\t_\t_\n21\tits\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n22\tmarkets\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n24\tparticularly\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n25\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tTexas\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n27\tand\t_\tCONJ\tCC\t_\t26\tcc\t_\t_\n28\tFlorida\t_\tPROPN\tNNP\t_\t26\tconj\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tCanadian\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tbank\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tbought\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tanother\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tthrift\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n8\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tfirst\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\tRTC\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\ttransaction\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n13\twith\t_\tADP\tIN\t_\t16\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tforeign\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tbank\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tUnder\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthese\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tdeals\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tRTC\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n7\tsells\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\tjust\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tdeposits\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\thealthy\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tassets\t_\tNOUN\tNNS\t_\t10\tconj\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThese\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n3\tclean-bank\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n5\ttransactions\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n6\tleave\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tbulk\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tbad\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tassets\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n13\tmostly\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n14\treal\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\testate\t_\tNOUN\tNN\t_\t8\tappos\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n17\twith\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tgovernment\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n21\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n22\tbe\t_\tAUX\tVB\t_\t23\tauxpass\t_\t_\n23\tsold\t_\tVERB\tVBN\t_\t6\tadvcl\t_\t_\n24\tlater\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthese\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tfour\t_\tNUM\tCD\t_\t11\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n5\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tinstance\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tRTC\t_\tPROPN\tNNP\t_\t11\tnsubjpass\t_\t_\n10\tis\t_\tAUX\tVBZ\t_\t11\tauxpass\t_\t_\n11\tstuck\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n12\twith\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\t$\t_\tSYM\t$\t_\t11\tnmod\t_\t_\n14\t4.51\t_\tNUM\tCD\t_\t15\tcompound\t_\t_\n15\tbillion\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n16\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tbad\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tassets\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tAcquirers\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\tpaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tpremiums\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n4\tranging\t_\tVERB\tVBG\t_\t3\tacl\t_\t_\n5\tfrom\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\t1.5\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n7\t%\t_\tSYM\tNN\t_\t4\tnmod\t_\t_\n8\tto\t_\tADP\tTO\t_\t10\tcase\t_\t_\n9\t3.7\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\t%\t_\tSYM\tNN\t_\t7\tnmod\t_\t_\n11\tfor\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tdeposits\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tbranch\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tsystems\t_\tNOUN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_\t20\tnmod\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tdepths\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n7\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n8\twhich\t_\tPRON\tWDT\t_\t15\tnmod\t_\t_\n9\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n10\tTexas\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n11\treal\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\testate\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tmarket\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n14\thas\t_\tAUX\tVBZ\t_\t15\taux\t_\t_\n15\tsunk\t_\tVERB\tVBN\t_\t6\tacl:relcl\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tRTC\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n19\twill\t_\tAUX\tMD\t_\t20\taux\t_\t_\n20\tpay\t_\tVERB\tVB\t_\t0\troot\t_\t_\n21\t$\t_\tSYM\t$\t_\t20\tdobj\t_\t_\n22\t3.8\t_\tNUM\tCD\t_\t23\tcompound\t_\t_\n23\tbillion\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n24\tto\t_\tADP\tTO\t_\t25\tcase\t_\t_\n25\tNCNB\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n26\tto\t_\tPART\tTO\t_\t27\tmark\t_\t_\n27\ttake\t_\tVERB\tVB\t_\t20\tadvcl\t_\t_\n28\t$\t_\tSYM\t$\t_\t27\tdobj\t_\t_\n29\t750\t_\tNUM\tCD\t_\t30\tcompound\t_\t_\n30\tmillion\t_\tNUM\tCD\t_\t28\tnummod\t_\t_\n31\tof\t_\tADP\tIN\t_\t33\tcase\t_\t_\n32\tbad\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n33\tassets\t_\tNOUN\tNNS\t_\t28\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_\n\n1\tNCNB\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n2\talso\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tacquired\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tFreedom\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tSavings\t_\tPROPN\tNNP\t_\t3\tdobj\t_\t_\n6\t&\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tLoan\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tAssociation\t_\tPROPN\tNNP\t_\t5\tconj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n10\tTampa\t_\tPROPN\tNNP\t_\t5\tappos\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\tFla.\t_\tPROPN\tNNP\t_\t10\tappos\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n14\twhich\t_\tPRON\tWDT\t_\t15\tnsubj\t_\t_\n15\thad\t_\tVERB\tVBD\t_\t5\tacl:relcl\t_\t_\n16\ttotal\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tassets\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n18\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\t$\t_\tSYM\t$\t_\t17\tnmod\t_\t_\n20\t900\t_\tNUM\tCD\t_\t21\tcompound\t_\t_\n21\tmillion\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tNCNB\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n2\twill\t_\tAUX\tMD\t_\t3\taux\t_\t_\n3\tpay\t_\tVERB\tVB\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tRTC\t_\tPROPN\tNNP\t_\t3\tiobj\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tpremium\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\t$\t_\tSYM\t$\t_\t7\tnmod\t_\t_\n10\t40.4\t_\tNUM\tCD\t_\t11\tcompound\t_\t_\n11\tmillion\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n12\tfor\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\t$\t_\tSYM\t$\t_\t3\tnmod\t_\t_\n14\t1.1\t_\tNUM\tCD\t_\t15\tcompound\t_\t_\n15\tbillion\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n16\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tdeposits\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tNCNB\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n2\twill\t_\tAUX\tMD\t_\t4\taux\t_\t_\n3\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tacquire\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\t$\t_\tSYM\t$\t_\t4\tdobj\t_\t_\n6\t266\t_\tNUM\tCD\t_\t7\tcompound\t_\t_\n7\tmillion\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n8\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tFreedom\t_\tPROPN\tNNP\t_\t11\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tassets\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n12\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tRTC\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\twhich\t_\tPRON\tWDT\t_\t18\tnsubj\t_\t_\n17\twill\t_\tAUX\tMD\t_\t18\taux\t_\t_\n18\trequire\t_\tVERB\tVB\t_\t14\tacl:relcl\t_\t_\n19\t$\t_\tSYM\t$\t_\t18\tdobj\t_\t_\n20\t875\t_\tNUM\tCD\t_\t21\tcompound\t_\t_\n21\tmillion\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n22\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tassistance\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tMeridian\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tBancorp\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tInc.\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tReading\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tPa.\t_\tPROPN\tNNP\t_\t5\tappos\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n9\twill\t_\tAUX\tMD\t_\t10\taux\t_\t_\n10\tacquire\t_\tVERB\tVB\t_\t0\troot\t_\t_\n11\tHill\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n12\tFinancial\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n13\tSavings\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tAssociation\t_\tPROPN\tNNP\t_\t10\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\tRed\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tHill\t_\tPROPN\tNNP\t_\t14\tappos\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tPa.\t_\tPROPN\tNNP\t_\t17\tappos\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n21\twhich\t_\tPRON\tWDT\t_\t22\tnsubj\t_\t_\n22\thad\t_\tVERB\tVBD\t_\t14\tacl:relcl\t_\t_\n23\t$\t_\tSYM\t$\t_\t22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nsubj\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tare\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n4\ttrying\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tcreate\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\tquality\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tinvolvement\t_\tNOUN\tNN\t_\t7\tconj\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tHowever\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n3\tTime\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\texecutives\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tused\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tsame\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\texplanation\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\twhen\t_\tADV\tWRB\t_\t15\tadvmod\t_\t_\n10\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tOctober\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n12\t1988\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tmagazine\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n15\tcut\t_\tVERB\tVBD\t_\t5\tadvcl\t_\t_\n16\tits\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n17\tguaranteed\t_\tVERB\tVBN\t_\t18\tamod\t_\t_\n18\tcirculation\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n19\tfrom\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\t4.6\t_\tNUM\tCD\t_\t21\tcompound\t_\t_\n21\tmillion\t_\tNUM\tCD\t_\t15\tnmod\t_\t_\n22\tto\t_\tADP\tTO\t_\t24\tcase\t_\t_\n23\t4.3\t_\tNUM\tCD\t_\t24\tcompound\t_\t_\n24\tmillion\t_\tNUM\tCD\t_\t15\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n2\tTime\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\tpaid\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tcirculation\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n7\taccording\t_\tVERB\tVBG\t_\t10\tcase\t_\t_\n8\tto\t_\tADP\tTO\t_\t7\tmwe\t_\t_\n9\tAudit\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tBureau\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tCirculations\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n14\tdropped\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n15\t7.3\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\t%\t_\tSYM\tNN\t_\t14\tdobj\t_\t_\n17\tto\t_\tADP\tTO\t_\t18\tcase\t_\t_\n18\t4,393,237\t_\tNUM\tCD\t_\t14\tnmod\t_\t_\n19\tin\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tsix\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n22\tmonths\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n23\tended\t_\tVERB\tVBD\t_\t22\tacl\t_\t_\n24\tJune\t_\tPROPN\tNNP\t_\t23\tnmod:tmod\t_\t_\n25\t30\t_\tNUM\tCD\t_\t24\tnummod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t24\tpunct\t_\t_\n27\t1989\t_\tNUM\tCD\t_\t24\tnummod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tStill\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n3\tTime\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tmove\t_\tNOUN\tNN\t_\t8\tnsubjpass\t_\t_\n6\tis\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tbeing\t_\tAUX\tVBG\t_\t8\tauxpass\t_\t_\n8\treceived\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\twell\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n11\tonce\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tagain\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t4\tcop\t_\t_\n4\tterrific\t_\tADJ\tJJ\t_\t17\tccomp\t_\t_\n5\tfor\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n6\tadvertisers\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tknow\t_\tVERB\tVB\t_\t4\tadvcl\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\treader\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n11\twill\t_\tAUX\tMD\t_\t13\taux\t_\t_\n12\tbe\t_\tAUX\tVB\t_\t13\taux\t_\t_\n13\tpaying\t_\tVERB\tVBG\t_\t8\tccomp\t_\t_\n14\tmore\t_\tADJ\tJJR\t_\t13\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n17\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n18\tMichael\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\tDrexler\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n21\tnational\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\tmedia\t_\tNOUN\tNNS\t_\t23\tcompound\t_\t_\n23\tdirector\t_\tNOUN\tNN\t_\t19\tappos\t_\t_\n24\tat\t_\tADP\tIN\t_\t28\tcase\t_\t_\n25\tBozell\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n26\tInc.\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n27\tad\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n28\tagency\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tA\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tfew\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tdrops\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tcirculation\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\tare\t_\tVERB\tVBP\t_\t10\tcop\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tno\t_\tDET\tDT\t_\t10\tneg\t_\t_\n10\tconsequence\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n2\t's\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n3\tnot\t_\tPART\tRB\t_\t5\tneg\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tshow\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tweakness\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n8\t;\t_\tPUNCT\t:\t_\t5\tpunct\t_\t_\n9\tthey\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n10\tare\t_\tAUX\tVBP\t_\t11\taux\t_\t_\n11\timproving\t_\tVERB\tVBG\t_\t5\tparataxis\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tquality\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tcirculation\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n16\twhile\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n17\tinsuring\t_\tVERB\tVBG\t_\t11\tadvcl\t_\t_\n18\ttheir\t_\tPRON\tPRP$\t_\t19\tnmod:poss\t_\t_\n19\tprofits\t_\tNOUN\tNNS\t_\t17\tdobj\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n21\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tHeinemann\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tchanges\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n6\trepresent\t_\tVERB\tVBP\t_\t3\tccomp\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tnew\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tfocus\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n10\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tmagazine\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tindustry\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\t:\t_\tPUNCT\t:\t_\t9\tpunct\t_\t_\n15\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tmagazine\t_\tNOUN\tNN\t_\t19\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tnet\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\trevenue\t_\tNOUN\tNN\t_\t9\tdep\t_\t_\n20\tper\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tsubscriber\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n23\tor\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tactual\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\trevenue\t_\tNOUN\tNN\t_\t19\tconj\t_\t_\n27\tfrom\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\tsubscribers\t_\tNOUN\tNNS\t_\t26\tnmod\t_\t_\n29\tafter\t_\tSCONJ\tIN\t_\t38\tmark\t_\t_\n30\tdiscounts\t_\tNOUN\tNNS\t_\t38\tnsubjpass\t_\t_\n31\tand\t_\tCONJ\tCC\t_\t30\tcc\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tcost\t_\tNOUN\tNN\t_\t30\tconj\t_\t_\n34\tof\t_\tADP\tIN\t_\t35\tcase\t_\t_\n35\tpremiums\t_\tNOUN\tNNS\t_\t33\tnmod\t_\t_\n36\thave\t_\tAUX\tVBP\t_\t38\taux\t_\t_\n37\tbeen\t_\tAUX\tVBN\t_\t38\tauxpass\t_\t_\n38\tstripped\t_\tVERB\tVBN\t_\t26\tacl\t_\t_\n39\taway\t_\tADP\tRP\t_\t38\tcompound:prt\t_\t_\n40\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tquestion\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t15\tccomp\t_\t_\n5\thow\t_\tADV\tWRB\t_\t6\tadvmod\t_\t_\n6\tmuch\t_\tADJ\tJJ\t_\t9\tdep\t_\t_\n7\tare\t_\tAUX\tVBP\t_\t9\taux\t_\t_\n8\twe\t_\tPRON\tPRP\t_\t9\tnsubj\t_\t_\n9\tgetting\t_\tVERB\tVBG\t_\t4\tccomp\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\teach\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\treader\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\tMr.\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tHeinemann\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tTime\t_\tPROPN\tNNP\t_\t4\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\trivals\t_\tNOUN\tNNS\t_\t4\tcompound\t_\t_\n4\tnews-weeklies\t_\tNOUN\tNNS\t_\t20\tnsubj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tWashington\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tPost\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tCo.\t_\tPROPN\tNNP\t_\t10\tnmod:poss\t_\t_\n9\t's\t_\tPART\tPOS\t_\t8\tcase\t_\t_\n10\tNewsweek\t_\tPROPN\tNNP\t_\t4\tappos\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n12\tU.S.\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tNews\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n14\t&\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tWorld\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tReport\t_\tPROPN\tNNP\t_\t13\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n18\tare\t_\tVERB\tVBP\t_\t20\tcop\t_\t_\n19\tless\t_\tADV\tRBR\t_\t20\tadvmod\t_\t_\n20\treliant\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n21\ton\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\telectronic\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tgiveaways\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n26\tin\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\trecent\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tyears\t_\tNOUN\tNNS\t_\t32\tnmod\t_\t_\n29\tboth\t_\tDET\tDT\t_\t32\tnsubj\t_\t_\n30\thave\t_\tAUX\tVBP\t_\t32\taux\t_\t_\n31\tbeen\t_\tAUX\tVBN\t_\t32\taux\t_\t_\n32\tincreasing\t_\tVERB\tVBG\t_\t20\tconj\t_\t_\n33\ttheir\t_\tPRON\tPRP$\t_\t36\tnmod:poss\t_\t_\n34\tcirculation\t_\tNOUN\tNN\t_\t36\tcompound\t_\t_\n35\trate\t_\tNOUN\tNN\t_\t36\tcompound\t_\t_\n36\tbases\t_\tNOUN\tNNS\t_\t32\tdobj\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t20\tpunct\t_\t_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_\t5\tdet\t_\t_\n5\tunit\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n6\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n7\tAtlanta-based\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n8\tTurner\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n9\tBroadcasting\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tSystem\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tInc.\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n13\tis\t_\tAUX\tVBZ\t_\t14\taux\t_\t_\n14\ttrying\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\treposition\t_\tVERB\tVB\t_\t14\txcomp\t_\t_\n17\titself\t_\tPRON\tPRP\t_\t16\tdobj\t_\t_\n18\tas\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tprimary\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tchannel\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\tor\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n24\twhat\t_\tPRON\tWP\t_\t37\tdobj\t_\t_\n25\tpeople\t_\tNOUN\tNNS\t_\t30\tnsubj\t_\t_\n26\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n28\ttelevision\t_\tNOUN\tNN\t_\t29\tcompound\t_\t_\n29\tindustry\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n30\tcall\t_\tVERB\tVBP\t_\t21\tconj\t_\t_\n31\ta\t_\tDET\tDT\t_\t37\tdet\t_\t_\n32\t``\t_\tPUNCT\t``\t_\t37\tpunct\t_\t_\n33\ttop\t_\tNOUN\tNN\t_\t37\tdep\t_\t_\n34\tof\t_\tADP\tIN\t_\t35\tcase\t_\t_\n35\tmind\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n36\t''\t_\tPUNCT\t''\t_\t37\tpunct\t_\t_\n37\tnetwork\t_\tNOUN\tNN\t_\t30\txcomp\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tTonight\t_\tADV\tRB\t_\t11\tnmod:tmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n3\tto\t_\tPART\tTO\t_\t4\tmark\t_\t_\n4\tkick\t_\tVERB\tVB\t_\t11\tadvcl\t_\t_\n5\toff\t_\tADP\tRP\t_\t4\tcompound:prt\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\teffort\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\tCNN\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n10\twill\t_\tAUX\tMD\t_\t11\taux\t_\t_\n11\tpremiere\t_\tVERB\tVB\t_\t0\troot\t_\t_\n12\tits\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n13\tfirst\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\tprime-time\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tnewscast\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n16\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tyears\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n19\tan\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\thourlong\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tshow\t_\tNOUN\tNN\t_\t15\tappos\t_\t_\n22\tat\t_\tADP\tIN\t_\t27\tcase\t_\t_\n23\t6\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n24\tp.m\t_\tADV\tRB\t_\t27\tadvmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n26\tEastern\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\ttime\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n28\tto\t_\tPART\tTO\t_\t29\tmark\t_\t_\n29\tair\t_\tVERB\tVB\t_\t21\tacl\t_\t_\n30\thead-to-head\t_\tADV\tRB\t_\t29\tadvmod\t_\t_\n31\tagainst\t_\tADP\tIN\t_\t34\tcase\t_\t_\n32\tthe\t_\tDET\tDT\t_\t34\tdet\t_\t_\n33\tnetwork\t_\tNOUN\tNN\t_\t34\tcompound\t_\t_\n34\tnewscasts\t_\tNOUN\tNNS\t_\t29\tnmod\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tshow\t_\tNOUN\tNN\t_\t5\tnsubjpass\t_\t_\n3\twill\t_\tAUX\tMD\t_\t5\taux\t_\t_\n4\tbe\t_\tAUX\tVB\t_\t5\tauxpass\t_\t_\n5\tco-anchored\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tby\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tBernard\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tShaw\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tCatherine\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tCrier\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n14\t34-year-old\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n15\tformer\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\tTexas\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tjudge\t_\tNOUN\tNN\t_\t11\tappos\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\tcampus\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n20\tbeauty\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tqueen\t_\tNOUN\tNN\t_\t17\tconj\t_\t_\n22\twho\t_\tPRON\tWP\t_\t25\tnsubj\t_\t_\n23\thas\t_\tAUX\tVBZ\t_\t25\taux\t_\t_\n24\tnever\t_\tADV\tRB\t_\t25\tneg\t_\t_\n25\theld\t_\tVERB\tVBN\t_\t17\tacl:relcl\t_\t_\n26\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tjob\t_\tNOUN\tNN\t_\t25\tdobj\t_\t_\n28\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\ttelevision\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n30\tor\t_\tCONJ\tCC\t_\t29\tcc\t_\t_\n31\tjournalism\t_\tNOUN\tNN\t_\t29\tconj\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tnew\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tshow\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n5\tperhaps\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tboldest\t_\tADJ\tJJS\t_\t0\troot\t_\t_\n8\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tnumber\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tsteps\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tnetwork\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n15\tis\t_\tAUX\tVBZ\t_\t16\taux\t_\t_\n16\ttaking\t_\tVERB\tVBG\t_\t12\tacl:relcl\t_\t_\n17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\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tdisadvantage\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\tas\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n14\tratings\t_\tNOUN\tNNS\t_\t15\tcompound\t_\t_\n15\tdata\t_\tNOUN\tNNS\t_\t20\tnsubj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n18\tadvertising\t_\tNOUN\tNN\t_\t15\tconj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n20\tbecome\t_\tVERB\tVBN\t_\t8\tadvcl\t_\t_\n21\tmore\t_\tADV\tRBR\t_\t22\tadvmod\t_\t_\n22\timportant\t_\tADJ\tJJ\t_\t20\txcomp\t_\t_\n23\tto\t_\tADP\tTO\t_\t25\tcase\t_\t_\n24\tcable-TV\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tchannels\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tCNN\t_\tPROPN\tNNP\t_\t4\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tviewer\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\thabits\t_\tNOUN\tNNS\t_\t7\tnsubjpass\t_\t_\n5\thave\t_\tAUX\tVBP\t_\t7\taux\t_\t_\n6\tbeen\t_\tAUX\tVBN\t_\t7\tauxpass\t_\t_\n7\tmolded\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tby\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tits\t_\tPRON\tPRP$\t_\t10\tnmod:poss\t_\t_\n10\tformat\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tIts\t_\tPRON\tPRP$\t_\t2\tnmod:poss\t_\t_\n2\tstrategy\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n3\tin\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tpast\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t7\taux\t_\t_\n7\tbeen\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tserve\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n10\tas\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n12\tTV\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n13\twire\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tservice\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tfocused\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ton\t_\tSCONJ\tIN\t_\t4\tcase\t_\t_\n4\tbuilding\t_\tNOUN\tNN\t_\t2\tadvcl\t_\t_\n5\tup\t_\tADP\tRP\t_\t4\tcompound:prt\t_\t_\n6\tits\t_\tPRON\tPRP$\t_\t8\tnmod:poss\t_\t_\n7\tnews\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tbureaus\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n9\taround\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tworld\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n13\tso\t_\tADV\tRB\t_\t20\tadvmod\t_\t_\n14\tas\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n15\tevents\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n16\ttook\t_\tVERB\tVBD\t_\t20\tadvcl\t_\t_\n17\tplace\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n18\tit\t_\tPRON\tPRP\t_\t20\tnsubj\t_\t_\n19\tcould\t_\tAUX\tMD\t_\t20\taux\t_\t_\n20\tgo\t_\tVERB\tVB\t_\t2\tccomp\t_\t_\n21\tlive\t_\tADJ\tJJ\t_\t20\txcomp\t_\t_\n22\tquicker\t_\tADV\tRBR\t_\t20\tadvmod\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\tlonger\t_\tADV\tRBR\t_\t22\tconj\t_\t_\n25\tthan\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\tother\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\tnetworks\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tfilled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tits\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n4\tdaily\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tschedule\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n6\twith\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tnewscasts\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n8\tcalled\t_\tVERB\tVBN\t_\t7\tacl\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n10\tDaybreak\t_\tPROPN\tNNP\t_\t8\txcomp\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n14\tDaywatch\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n17\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n18\tNewsday\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n22\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n23\tNewsnight\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n25\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n26\tbut\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tshows\t_\tNOUN\tNNS\t_\t29\tnsubj\t_\t_\n29\tvaried\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n30\tlittle\t_\tADJ\tJJ\t_\t29\tdobj\t_\t_\n31\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n32\tcontent\t_\tNOUN\tNN\t_\t29\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n34\tpersonality\t_\tNOUN\tNN\t_\t32\tconj\t_\t_\n35\tor\t_\tCONJ\tCC\t_\t32\tcc\t_\t_\n36\tlook\t_\tNOUN\tNN\t_\t32\tconj\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tpush\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n5\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n6\ton\t_\tADV\tRB\t_\t0\troot\t_\t_\n7\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tmore-distinctive\t_\tADJ\tJJR\t_\t9\tamod\t_\t_\n9\tshows\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tOur\t_\tPRO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_\tCONJ\tCC\t_\t4\tcc\t_\t_\n16\tsent\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tcases\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n19\tback\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n20\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n21\tfederal\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\tdistrict\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tcourt\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n24\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tDallas\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tCharles\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tHaworth\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tlawyer\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n6\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tSunbelt\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n9\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n10\the\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n11\tplans\t_\tVERB\tVBZ\t_\t9\tccomp\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tfile\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tbrief\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tthis\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tweek\t_\tNOUN\tNN\t_\t13\tnmod:tmod\t_\t_\n18\turging\t_\tVERB\tVBG\t_\t13\tdep\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tdistrict\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tjudge\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\tdismiss\t_\tVERB\tVB\t_\t18\txcomp\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\tsuits\t_\tNOUN\tNNS\t_\t23\tdobj\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n27\tbecause\t_\tSCONJ\tIN\t_\t31\tmark\t_\t_\n28\tSunbelt\t_\tPROPN\tNNP\t_\t30\tnmod:poss\t_\t_\n29\t's\t_\tPART\tPOS\t_\t28\tcase\t_\t_\n30\tliabilities\t_\tNOUN\tNNS\t_\t31\tnsubj\t_\t_\n31\texceeded\t_\tVERB\tVBD\t_\t11\tadvcl\t_\t_\n32\tits\t_\tPRON\tPRP$\t_\t33\tnmod:poss\t_\t_\n33\tassets\t_\tNOUN\tNNS\t_\t31\tdobj\t_\t_\n34\tby\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\tabout\t_\tADV\tRB\t_\t36\tadvmod\t_\t_\n36\t$\t_\tSYM\t$\t_\t31\tnmod\t_\t_\n37\t2\t_\tNUM\tCD\t_\t38\tcompound\t_\t_\n38\tbillion\t_\tNUM\tCD\t_\t36\tnummod\t_\t_\n39\twhen\t_\tADV\tWRB\t_\t42\tadvmod\t_\t_\n40\tfederal\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tregulators\t_\tNOUN\tNNS\t_\t42\tnsubj\t_\t_\n42\tclosed\t_\tVERB\tVBD\t_\t31\tadvcl\t_\t_\n43\tit\t_\tPRON\tPRP\t_\t42\tdobj\t_\t_\n44\tin\t_\tADP\tIN\t_\t45\tcase\t_\t_\n45\tAugust\t_\tPROPN\tNNP\t_\t42\tnmod\t_\t_\n46\t1988\t_\tNUM\tCD\t_\t45\tnummod\t_\t_\n47\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tThis\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tinstitution\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n5\tjust\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n6\tbrain\t_\tNOUN\tNN\t_\t7\tnmod:npmod\t_\t_\n7\tdead\t_\tADJ\tJJ\t_\t10\tccomp\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n10\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n11\tMr.\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\tHaworth\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tpartner\t_\tNOUN\tNN\t_\t12\tappos\t_\t_\n16\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tDallas\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n19\toffice\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tAndrews\t_\tPROPN\tNNP\t_\t19\tnmod\t_\t_\n22\t&\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n23\tKurth\t_\tPROPN\tNNP\t_\t21\tconj\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n25\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n26\tHouston\t_\tPROPN\tNNP\t_\t28\tcompound\t_\t_\n27\tlaw\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n28\tfirm\t_\tNOUN\tNN\t_\t21\tappos\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n2\ta\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tlawyer\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n4\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tTriland\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tInvestment\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tGroup\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tdeveloper\t_\tNOUN\tNN\t_\t7\tappos\t_\t_\n11\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tValley\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tRanch\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n15\tdismisses\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\tsuch\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\targuments\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n18\tas\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n21\tdefense\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n22\tdu\t_\tX\tFW\t_\t21\tcompound\t_\t_\n23\tjour\t_\tX\tFW\t_\t21\tdep\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n25\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n\n1\tAttorney\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tRichard\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tJackson\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tDallas\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n6\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tjudgment\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n9\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tTriland\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n11\tcould\t_\tAUX\tMD\t_\t13\taux\t_\t_\n12\tbe\t_\tAUX\tVB\t_\t13\taux\t_\t_\n13\tsatisfied\t_\tADJ\tJJ\t_\t6\tccomp\t_\t_\n14\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tways\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n16\tother\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n17\tthan\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tmonetary\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\taward\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n22\tincluding\t_\tVERB\tVBG\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\treversal\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n25\tof\t_\tADP\tIN\t_\t28\tcase\t_\t_\n26\tSunbelt\t_\tPROPN\tNNP\t_\t28\tnmod:poss\t_\t_\n27\t's\t_\tPART\tPOS\t_\t26\tcase\t_\t_\n28\tforeclosure\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n29\ton\t_\tADP\tIN\t_\t31\tcase\t_\t_\n30\tValley\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tRanch\t_\tPROPN\tNNP\t_\t28\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t're\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n4\tasking\t_\tVERB\tVBG\t_\t25\tccomp\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tcourt\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tnumber\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n10\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tthings\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n12\the\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n13\tcan\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\tgrant\t_\tVERB\tVB\t_\t11\tacl:relcl\t_\t_\n15\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\taddition\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n17\tto\t_\tADP\tTO\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tthrill\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tvictory\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n23\t''\t_\tPUNCT\t''\t_\t25\tpunct\t_\t_\n24\the\t_\tPRON\tPRP\t_\t25\tnsubj\t_\t_\n25\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t'd\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\ttake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tValley\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tRanch\t_\tPROPN\tNNP\t_\t4\tdobj\t_\t_\n8\tfree\t_\tADJ\tJJ\t_\t4\tadvmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tclear\t_\tADJ\tJJ\t_\t8\tconj\t_\t_\n11\tas\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tbooby\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tprize\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tKenneth\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tJ.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tThygerson\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\twho\t_\tPRON\tWP\t_\t7\tnsubjpass\t_\t_\n6\twas\t_\tAUX\tVBD\t_\t7\tauxpass\t_\t_\n7\tnamed\t_\tVERB\tVBN\t_\t3\tacl:relcl\t_\t_\n8\tpresident\t_\tNOUN\tNN\t_\t7\txcomp\t_\t_\n9\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n10\tthis\t_\tDET\tDT\t_\t13\tdet\t_\t_\n11\tthrift\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n12\tholding\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\tcompany\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n14\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tAugust\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n17\tresigned\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tciting\t_\tVERB\tVBG\t_\t17\txcomp\t_\t_\n20\tpersonal\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\treasons\t_\tNOUN\tNNS\t_\t19\tdobj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tThygerson\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\the\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\thad\t_\tAUX\tVBD\t_\t6\taux\t_\t_\n6\tplanned\t_\tVERB\tVBN\t_\t3\tccomp\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\ttravel\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\tbetween\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tjob\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tDenver\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n15\this\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n16\tSan\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n17\tDiego\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\thome\t_\tNOUN\tNN\t_\t11\tconj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n20\tbut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n21\thas\t_\tAUX\tVBZ\t_\t22\taux\t_\t_\n22\tfound\t_\tVERB\tVBN\t_\t6\tconj\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tcommute\t_\tNOUN\tNN\t_\t26\tnsubj\t_\t_\n25\ttoo\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\tdifficult\t_\tADJ\tJJ\t_\t22\txcomp\t_\t_\n27\tto\t_\tPART\tTO\t_\t28\tmark\t_\t_\n28\tcontinue\t_\tVERB\tVB\t_\t26\tccomp\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tnew\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tpresident\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t6\tauxpass\t_\t_\n5\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n6\tnamed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tSOUTH\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tAFRICA\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tFREED\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tANC\t_\tPROPN\tNNP\t_\t7\tnmod:poss\t_\t_\n6\t's\t_\tPART\tPOS\t_\t5\tcase\t_\t_\n7\tSisulu\t_\tPROPN\tNNP\t_\t3\tdobj\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n9\tseven\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n10\tother\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\tpolitical\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tprisoners\t_\tNOUN\tNNS\t_\t7\tconj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThousands\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n2\tof\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tsupporters\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n5\tmany\t_\tADJ\tJJ\t_\t6\tnsubj\t_\t_\n6\tbrandishing\t_\tVERB\tVBG\t_\t15\tadvcl\t_\t_\n7\tflags\t_\tNOUN\tNNS\t_\t6\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n10\toutlawed\t_\tVERB\tVBN\t_\t13\tamod\t_\t_\n11\tAfrican\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n12\tNational\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tCongress\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n15\tgave\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tanti-apartheid\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tactivists\t_\tNOUN\tNNS\t_\t15\tiobj\t_\t_\n19\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\ttumultuous\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\treception\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n22\tupon\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\ttheir\t_\tPRON\tPRP$\t_\t24\tnmod:poss\t_\t_\n24\treturn\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n25\tto\t_\tADP\tTO\t_\t27\tcase\t_\t_\n26\tblack\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\ttownships\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n28\tacross\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tcountry\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tMost\t_\tADJ\tJJS\t_\t6\tnsubj\t_\t_\n2\tof\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tthose\t_\tPRON\tDT\t_\t1\tnmod\t_\t_\n4\tfreed\t_\tVERB\tVBN\t_\t3\tacl\t_\t_\n5\thad\t_\tAUX\tVBD\t_\t6\taux\t_\t_\n6\tspent\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\tat\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tleast\t_\tADJ\tJJS\t_\t9\tnmod:npmod\t_\t_\n9\t25\t_\tNUM\tCD\t_\t10\tnummod\t_\t_\n10\tyears\t_\tNOUN\tNNS\t_\t6\tnmod:tmod\t_\t_\n11\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tprison\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\t77-year-old\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tSisulu\t_\tPROPN\tNNP\t_\t23\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tsentenced\t_\tVERB\tVBN\t_\t3\tacl\t_\t_\n6\tto\t_\tADP\tTO\t_\t7\tcase\t_\t_\n7\tlife\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n8\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\t1964\t_\tNUM\tCD\t_\t5\tnmod\t_\t_\n10\talong\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n11\twith\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\tblack\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n13\tnationalist\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n14\tNelson\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tMandela\t_\tPROPN\tNNP\t_\t10\tnmod\t_\t_\n16\tfor\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n17\tplotting\t_\tVERB\tVBG\t_\t5\tadvcl\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\toverthrow\t_\tVERB\tVB\t_\t17\txcomp\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tgovernment\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n23\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n24\tequality\t_\tNOUN\tNN\t_\t32\tnsubj\t_\t_\n25\tfor\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tblacks\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n27\tin\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tSouth\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tAfrica\t_\tPROPN\tNNP\t_\t26\tnmod\t_\t_\n30\twas\t_\tVERB\tVBD\t_\t32\tcop\t_\t_\n31\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n32\treach\t_\tNOUN\tNN\t_\t23\tccomp\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\treleases\t_\tNOUN\tNNS\t_\t13\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tannounced\t_\tVERB\tVBN\t_\t2\tacl\t_\t_\n5\tlast\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tweek\t_\tNOUN\tNN\t_\t4\tnmod:tmod\t_\t_\n7\tby\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tPresident\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n9\tde\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tKlerk\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n12\twere\t_\tAUX\tVBD\t_\t13\tauxpass\t_\t_\n13\tviewed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n14\tas\t_\tADP\tIN\t_\t18\tcase\t_\t_\n15\tPretoria\t_\tPROPN\tNNP\t_\t18\tnmod:poss\t_\t_\n16\t's\t_\tPART\tPOS\t_\t15\tcase\t_\t_\n17\ttacit\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tlegalization\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_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\t9\tdobj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\toppose\t_\tVERB\tVB\t_\t11\tacl\t_\t_\n14\tMiami\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n15\tBeach\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n16\tfinancier\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\tVictor\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tPosner\t_\tPROPN\tNNP\t_\t20\tnmod:poss\t_\t_\n19\t's\t_\tPART\tPOS\t_\t18\tcase\t_\t_\n20\tcontrol\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n21\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\trestaurant\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\tchain\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tdecision\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tlatest\t_\tADJ\tJJS\t_\t6\tamod\t_\t_\n6\tmove\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tan\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tescalating\t_\tVERB\tVBG\t_\t10\tamod\t_\t_\n10\tbattle\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n11\tbetween\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tfranchisees\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tMr.\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tPosner\t_\tPROPN\tNNP\t_\t13\tconj\t_\t_\n17\tthat\t_\tPRON\tWDT\t_\t18\tnsubj\t_\t_\n18\tbegan\t_\tVERB\tVBD\t_\t10\tacl:relcl\t_\t_\n19\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tAugust\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\ttime\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tgroup\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n7\tcalled\t_\tVERB\tVBD\t_\t6\tacl\t_\t_\n8\tR.B.\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n9\tPartners\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tLtd.\t_\tPROPN\tNNP\t_\t7\txcomp\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n12\tconsisting\t_\tVERB\tVBG\t_\t6\tacl\t_\t_\n13\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\teight\t_\tNUM\tCD\t_\t12\tnmod\t_\t_\n15\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n16\tArby\t_\tPROPN\tNNP\t_\t19\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tlargest\t_\tADJ\tJJS\t_\t19\tamod\t_\t_\n19\tfranchisees\t_\tNOUN\tNNS\t_\t14\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n21\toffered\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n22\tmore\t_\tADJ\tJJR\t_\t24\tadvmod\t_\t_\n23\tthan\t_\tADP\tIN\t_\t22\tmwe\t_\t_\n24\t$\t_\tSYM\t$\t_\t21\tdobj\t_\t_\n25\t200\t_\tNUM\tCD\t_\t26\tcompound\t_\t_\n26\tmillion\t_\tNUM\tCD\t_\t24\tnummod\t_\t_\n27\tto\t_\tPART\tTO\t_\t28\tmark\t_\t_\n28\tbuy\t_\tVERB\tVB\t_\t21\tadvcl\t_\t_\n29\tArby\t_\tPROPN\tNNP\t_\t31\tnmod:poss\t_\t_\n30\t's\t_\tPART\tPOS\t_\t29\tcase\t_\t_\n31\tInc.\t_\tNOUN\tNN\t_\t28\tdobj\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\twhich\t_\tPRON\tWDT\t_\t35\tnsubj\t_\t_\n34\tis\t_\tVERB\tVBZ\t_\t35\tcop\t_\t_\n35\tpart\t_\tNOUN\tNN\t_\t31\tacl:relcl\t_\t_\n36\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tDWG\t_\tPROPN\tNNP\t_\t38\tcompound\t_\t_\n38\tCorp\t_\tPROPN\tNNP\t_\t35\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\tDWG\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n3\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tholding\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tcompany\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\tcontrolled\t_\tVERB\tVBN\t_\t5\tacl\t_\t_\n7\tby\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tMr.\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tPosner\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tOne\t_\tNUM\tCD\t_\t2\tnummod\t_\t_\n2\tweek\t_\tNOUN\tNN\t_\t3\tnmod:npmod\t_\t_\n3\tlater\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n5\tLeonard\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tH.\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tRoberts\t_\tPROPN\tNNP\t_\t19\tnsubjpass\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tpresident\t_\tNOUN\tNN\t_\t7\tappos\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tchief\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n12\texecutive\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tofficer\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n14\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tArby\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n16\t's\t_\tPART\tPOS\t_\t15\tcase\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n18\twas\t_\tAUX\tVBD\t_\t19\tauxpass\t_\t_\n19\tfired\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n20\tin\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tdispute\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n23\twith\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tMr.\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tPosner\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tFriday\t_\tPROPN\tNNP\t_\t5\tnmod:tmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n3\t42\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tfranchisees\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tannounced\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tformation\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_\t3\tadvmod\t_\t_\n3\tordered\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tCenTrust\t_\tPROPN\tNNP\t_\t3\tdobj\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tstop\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n7\tbuying\t_\tVERB\tVBG\t_\t6\txcomp\t_\t_\n8\tback\t_\tADP\tRP\t_\t7\tcompound:prt\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tpreferred\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tstock\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tDavid\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tL.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tPaul\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tchairman\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n7\tchief\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\texecutive\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tofficer\t_\tNOUN\tNN\t_\t5\tconj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tcriticized\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tfederal\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tOffice\t_\tPROPN\tNNP\t_\t11\tdobj\t_\t_\n15\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tThrift\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tSupervision\t_\tPROPN\tNNP\t_\t14\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n19\twhich\t_\tPRON\tWDT\t_\t20\tnsubj\t_\t_\n20\tissued\t_\tVERB\tVBD\t_\t14\tacl:relcl\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tdirective\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n24\tsaying\t_\tVERB\tVBG\t_\t11\tadvcl\t_\t_\n25\tit\t_\tPRON\tPRP\t_\t28\tnsubj\t_\t_\n26\twas\t_\tVERB\tVBD\t_\t28\tcop\t_\t_\n27\t``\t_\tPUNCT\t``\t_\t28\tpunct\t_\t_\n28\tinappropriate\t_\tADJ\tJJ\t_\t24\tccomp\t_\t_\n29\t''\t_\tPUNCT\t''\t_\t28\tpunct\t_\t_\n30\tand\t_\tCONJ\tCC\t_\t28\tcc\t_\t_\n31\tbased\t_\tVERB\tVBN\t_\t36\tcase\t_\t_\n32\ton\t_\tADP\tIN\t_\t36\tcase\t_\t_\n33\t``\t_\tPUNCT\t``\t_\t36\tpunct\t_\t_\n34\tinsufficient\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n35\t''\t_\tPUNCT\t''\t_\t36\tpunct\t_\t_\n36\treasons\t_\tNOUN\tNNS\t_\t28\tconj\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tthrift\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n5\twill\t_\tAUX\tMD\t_\t6\taux\t_\t_\n6\ttry\t_\tVERB\tVB\t_\t2\tccomp\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tget\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\tregulators\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\treverse\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tdecision\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tsuspension\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n3\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n4\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tpreferred\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tstock\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tdividend\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n8\tis\t_\tVERB\tVBZ\t_\t11\tcop\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tserious\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tstep\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n12\tthat\t_\tPRON\tWDT\t_\t13\tnsubj\t_\t_\n13\tsignals\t_\tVERB\tVBZ\t_\t11\tacl:relcl\t_\t_\n14\tthat\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n15\tregulators\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n16\thave\t_\tVERB\tVBP\t_\t13\tccomp\t_\t_\n17\tdeep\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tconcerns\t_\tNOUN\tNNS\t_\t16\tdobj\t_\t_\n19\tabout\t_\tADP\tIN\t_\t23\tcase\t_\t_\n20\tan\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tinstitution\t_\tNOUN\tNN\t_\t23\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\thealth\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tMarch\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n4\tregulators\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n5\tlabeled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tCenTrust\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n7\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n9\ttroubled\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tinstitution\t_\tNOUN\tNN\t_\t5\txcomp\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n13\tlargely\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n14\tbecause\t_\tADP\tIN\t_\t19\tcase\t_\t_\n15\tof\t_\tADP\tIN\t_\t14\tmwe\t_\t_\n16\tits\t_\tPRON\tPRP$\t_\t19\tnmod:poss\t_\t_\n17\tbig\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\tjunk-bond\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tholdings\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n21\tits\t_\tPRON\tPRP$\t_\t23\tnmod:poss\t_\t_\n22\toperating\t_\tNOUN\tNN\t_\t23\tcompound\t_\t_\n23\tlosses\t_\tNOUN\tNNS\t_\t19\tconj\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tsame\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tmonth\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tOffice\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n8\tof\t_\tADP\tIN\t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BP\t_\t19\taux\t_\t_\n19\ttrying\t_\tVERB\tVBG\t_\t14\tadvcl\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tkeep\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\tout\t_\tADP\tRP\t_\t21\tcompound:prt\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n2\tmost\t_\tADV\tRBS\t_\t3\tadvmod\t_\t_\n3\tmilitant\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\topposition\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n5\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n6\tAmerican\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tTV\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\timports\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n9\thas\t_\tAUX\tVBZ\t_\t10\taux\t_\t_\n10\tcome\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\tfrom\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tFrench\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\ttelevision\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tmovie\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tproducers\t_\tNOUN\tNNS\t_\t13\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n18\twho\t_\tPRON\tWP\t_\t20\tnsubj\t_\t_\n19\thave\t_\tAUX\tVBP\t_\t20\taux\t_\t_\n20\tdemanded\t_\tVERB\tVBN\t_\t13\tacl:relcl\t_\t_\n21\tquotas\t_\tNOUN\tNNS\t_\t20\tdobj\t_\t_\n22\tensuring\t_\tVERB\tVBG\t_\t21\tacl\t_\t_\n23\tthat\t_\tSCONJ\tIN\t_\t34\tmark\t_\t_\n24\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n25\tfull\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n26\t60\t_\tNUM\tCD\t_\t27\tnummod\t_\t_\n27\t%\t_\tSYM\tNN\t_\t34\tnsubjpass\t_\t_\n28\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n29\tEurope\t_\tPROPN\tNNP\t_\t32\tnmod:poss\t_\t_\n30\t's\t_\tPART\tPOS\t_\t29\tcase\t_\t_\n31\tTV\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n32\tshows\t_\tNOUN\tNNS\t_\t27\tnmod\t_\t_\n33\tbe\t_\tAUX\tVB\t_\t34\tauxpass\t_\t_\n34\tproduced\t_\tVERB\tVBN\t_\t22\tccomp\t_\t_\n35\tin\t_\tADP\tIN\t_\t36\tcase\t_\t_\n36\tEurope\t_\tPROPN\tNNP\t_\t34\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tSo\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n2\tfar\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tFrench\t_\tPROPN\tNNPS\t_\t7\tnsubj\t_\t_\n6\thave\t_\tAUX\tVBP\t_\t7\taux\t_\t_\n7\tfailed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\twin\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n10\tenough\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\tbroad-based\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tsupport\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n13\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n14\tprevail\t_\tVERB\tVB\t_\t12\tacl\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tglance\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n3\tthrough\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\ttelevision\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tlistings\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n8\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tfew\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\ttwists\t_\tNOUN\tNNS\t_\t2\tconj\t_\t_\n11\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n13\tEuropean\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\ttelevision\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tdial\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n16\tsuggest\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n17\tone\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\treason\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\twhy\t_\tADV\tWRB\t_\t18\tdep\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tWhile\t_\tSCONJ\tIN\t_\t3\tmark\t_\t_\n2\tthere\t_\tPRON\tEX\t_\t3\texpl\t_\t_\n3\tare\t_\tVERB\tVBP\t_\t12\tadvcl\t_\t_\n4\tsome\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tpopular\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\taction\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tdrama\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tseries\t_\tNOUN\tNN\t_\t6\tconj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n11\tfew\t_\tADJ\tJJ\t_\t12\tnsubj\t_\t_\n12\tboast\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\thigh\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tculture\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\tclassy\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tproduction\t_\tNOUN\tNN\t_\t15\tconj\t_\t_\n19\tvalues\t_\tVERB\tVBZ\t_\t18\tdep\t_\t_\n20\tone\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n21\tmight\t_\tAUX\tMD\t_\t22\taux\t_\t_\n22\texpect\t_\tVERB\tVB\t_\t15\tacl:relcl\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tMore\t_\tADJ\tJJR\t_\t4\tamod\t_\t_\n2\tEuropean\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n3\tair\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\ttime\t_\tNOUN\tNN\t_\t6\tnsubjpass\t_\t_\n5\tis\t_\tAUX\tVBZ\t_\t6\tauxpass\t_\t_\n6\tfilled\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n7\twith\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tlow-budget\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n9\tgame\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tshows\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\tvariety\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\thours\t_\tNOUN\tNNS\t_\t10\tconj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n15\tmovies\t_\tNOUN\tNNS\t_\t10\tconj\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n17\ttalk\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tshow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\tMD\t_\t28\taux\t_\t_\n28\tget\t_\tVERB\tVB\t_\t25\tacl:relcl\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tEuropean\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tprograms\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n3\tusually\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\ttarget\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n5\tonly\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n6\ttheir\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n7\town\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\tlocal\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\taudience\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n12\toften\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n13\tonly\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tsmall\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tportion\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n17\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tthat\t_\tPRON\tDT\t_\t16\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tMega-hits\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n2\tin\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tGermany\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n4\tor\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tItaly\t_\tPROPN\tNNP\t_\t3\tconj\t_\t_\n6\trarely\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tmake\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n8\tit\t_\tPRON\tPRP\t_\t7\tdobj\t_\t_\n9\teven\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\tFrance\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n12\tor\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\tGreat\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tBritain\t_\tPROPN\tNNP\t_\t11\tconj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n17\talmost\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n18\tnever\t_\tADV\tRB\t_\t19\tneg\t_\t_\n19\tshow\t_\tVERB\tVBP\t_\t7\tconj\t_\t_\n20\tup\t_\tADP\tRP\t_\t19\tcompound:prt\t_\t_\n21\ton\t_\tADP\tIN\t_\t23\tcase\t_\t_\n22\tU.S.\t_\tPROPN\tNNP\t_\t23\tcompound\t_\t_\n23\tscreens\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tAttempts\t_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n2\tto\t_\tPART\tTO\t_\t3\tmark\t_\t_\n3\tproduce\t_\tVERB\tVB\t_\t1\tacl\t_\t_\n4\t``\t_\tPUNCT\t``\t_\t7\tpunct\t_\t_\n5\tpan-European\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\t''\t_\tPUNCT\t''\t_\t7\tpunct\t_\t_\n7\tprograms\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n8\thave\t_\tAUX\tVBP\t_\t10\taux\t_\t_\n9\tgenerally\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tresulted\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\tdisappointment\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tOne\t_\tNUM\tCD\t_\t3\tnummod\t_\t_\n2\tannual\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tco-production\t_\tNOUN\tNN\t_\t25\tnsubjpass\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n6\tthree-hour-long\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n7\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n8\tEurovision\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n9\tSong\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tContest\t_\tPROPN\tNNP\t_\t3\tappos\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n13\tfeaturing\t_\tVERB\tVBG\t_\t3\tacl\t_\t_\n14\tsoft-rock\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tsongs\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n16\tfrom\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\teach\t_\tDET\tDT\t_\t15\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\t20\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n20\tEuropean\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tcountries\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n23\thas\t_\tAUX\tVBZ\t_\t25\taux\t_\t_\n24\tbeen\t_\tAUX\tVBN\t_\t25\tauxpass\t_\t_\n25\tdescribed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n26\tas\t_\tADP\tIN\t_\t33\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tworld\t_\tNOUN\tNN\t_\t33\tnmod:poss\t_\t_\n29\t's\t_\tVERB\tVBZ\t_\t28\tcase\t_\t_\n30\tmost\t_\tADV\tRBS\t_\t31\tadvmod\t_\t_\n31\tboring\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n32\tTV\t_\tNOUN\tNN\t_\t33\tcompound\t_\t_\n33\tshow\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tAnother\t_\tDET\tDT\t_\t25\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\t``\t_\tPUNCT\t``\t_\t1\tpunct\t_\t_\n4\tJeux\t_\tX\tFW\t_\t6\tcompound\t_\t_\n5\tSans\t_\tX\tFW\t_\t6\tcompound\t_\t_\n6\tFrontieres\t_\tX\tFW\t_\t1\tdep\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t1\tpunct\t_\t_\n9\twhere\t_\tADV\tWRB\t_\t15\tadvmod\t_\t_\n10\tvillagers\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n11\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tassorted\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tEuropean\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tcountries\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n15\tmake\t_\tVERB\tVBP\t_\t1\tacl:relcl\t_\t_\n16\tfools\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n17\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tthemselves\t_\tPRON\tPRP\t_\t15\tnmod\t_\t_\n19\tperforming\t_\tVERB\tVBG\t_\t15\txcomp\t_\t_\n20\tpointless\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\ttasks\t_\tNOUN\tNNS\t_\t19\tdobj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n23\tis\t_\tVERB\tVBZ\t_\t25\tcop\t_\t_\n24\ta\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\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_\t_\n14\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n15\tor\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n17\tThe\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tOctopus\t_\tPROPN\tNNP\t_\t12\tconj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n21\twhich\t_\tPRON\tWDT\t_\t22\tnsubj\t_\t_\n22\tchronicles\t_\tVERB\tVBZ\t_\t8\tacl:relcl\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tfight\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n25\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n26\tan\t_\tDET\tDT\t_\t29\tdet\t_\t_\n27\tidealistic\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n28\tyoung\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tinvestigator\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n30\tin\t_\tADP\tIN\t_\t31\tcase\t_\t_\n31\tPalermo\t_\tPROPN\tNNP\t_\t29\tnmod\t_\t_\n32\tagainst\t_\tADP\tIN\t_\t34\tcase\t_\t_\n33\tthe\t_\tDET\tDT\t_\t34\tdet\t_\t_\n34\tMafia\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t4\tcop\t_\t_\n3\tfront-page\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tnews\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tItaly\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n7\tearlier\t_\tADV\tRBR\t_\t9\tadvmod\t_\t_\n8\tthis\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tyear\t_\tNOUN\tNN\t_\t4\tnmod:tmod\t_\t_\n10\twhen\t_\tADV\tWRB\t_\t15\tadvmod\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tfictional\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tinspector\t_\tNOUN\tNN\t_\t15\tnsubjpass\t_\t_\n14\twas\t_\tAUX\tVBD\t_\t15\tauxpass\t_\t_\n15\tgunned\t_\tVERB\tVBN\t_\t4\tadvcl\t_\t_\n16\tdown\t_\tADP\tRP\t_\t15\tcompound:prt\t_\t_\n17\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tseries\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tSpain\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tmost\t_\tADV\tRBS\t_\t4\tadvmod\t_\t_\n4\tpopular\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tmini-series\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n6\tthis\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tyear\t_\tNOUN\tNN\t_\t5\tnmod:tmod\t_\t_\n8\twas\t_\tVERB\tVBD\t_\t10\tcop\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n10\tJuncal\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tstory\t_\tNOUN\tNN\t_\t10\tdep\t_\t_\n15\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tan\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\taging\t_\tVERB\tVBG\t_\t18\tamod\t_\t_\n18\tbullfighter\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t23\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\ttrend\t_\tNOUN\tNN\t_\t7\tnsubjpass\t_\t_\n4\tis\t_\tAUX\tVBZ\t_\t7\tauxpass\t_\t_\n5\tpretty\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\twell\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\testablished\t_\tVERB\tVBN\t_\t23\tccomp\t_\t_\n8\tnow\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n9\tthat\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n10\tlocal\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tprograms\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n12\tare\t_\tVERB\tVBP\t_\t15\tcop\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tmost\t_\tADV\tRBS\t_\t15\tadvmod\t_\t_\n15\tpopular\t_\tADJ\tJJ\t_\t7\tadvcl\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\twith\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n18\tAmerican\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tprograms\t_\tNOUN\tNNS\t_\t20\tdep\t_\t_\n20\tsecond\t_\tADJ\tJJ\t_\t15\tadvcl\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t23\tpunct\t_\t_\n23\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n24\tBrian\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tWenham\t_\tPROPN\tNNP\t_\t23\tnsubj\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n27\ta\t_\tDET\tDT\t_\t29\tdet\t_\t_\n28\tformer\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tdirector\t_\tNOUN\tNN\t_\t25\tappos\t_\t_\n30\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n31\tprograms\t_\tNOUN\tNNS\t_\t29\tnmod\t_\t_\n32\tfor\t_\tADP\tIN\t_\t36\tcase\t_\t_\n33\tthe\t_\tDET\tDT\t_\t36\tdet\t_\t_\n34\tBritish\t_\tPROPN\tNNP\t_\t36\tcompound\t_\t_\n35\tBroadcasting\t_\tPROPN\tNNP\t_\t36\tcompound\t_\t_\n36\tCorp\t_\tPROPN\tNNP\t_\t29\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n2\tGiven\t_\tVERB\tVBN\t_\t4\tcase\t_\t_\n3\ta\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tchoice\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n6\teverybody\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n7\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\twatch\t_\tVERB\tVB\t_\t0\troot\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\thome-produced\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tshow\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n2\tfrequently\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n3\tthere\t_\tPRON\tEX\t_\t4\texpl\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n6\tmuch\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tchoice\t_\t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ummod\t_\t_\n42\tbillion\t_\tNUM\tCD\t_\t38\tnmod\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tnormal\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tseasonal\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tsoftness\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tlost\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\torders\t_\tNOUN\tNNS\t_\t6\tconj\t_\t_\n10\tcaused\t_\tVERB\tVBN\t_\t9\tacl\t_\t_\n11\tby\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tprolonged\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n13\tlabor\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\ttalks\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n15\treduced\t_\tVERB\tVBD\t_\t3\tccomp\t_\t_\n16\tshipments\t_\tNOUN\tNNS\t_\t15\tdobj\t_\t_\n17\tby\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\t200,000\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\ttons\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\tin\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n22\tlatest\t_\tADJ\tJJS\t_\t23\tamod\t_\t_\n23\tquarter\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n25\tcompared\t_\tVERB\tVBN\t_\t29\tcase\t_\t_\n26\twith\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n28\tsecond\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tquarter\t_\tNOUN\tNN\t_\t15\tadvcl\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tsame\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\ttime\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tintegrated-steel\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tbusiness\t_\tNOUN\tNN\t_\t10\tnsubjpass\t_\t_\n9\twas\t_\tAUX\tVBD\t_\t10\tauxpass\t_\t_\n10\thurt\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tcontinued\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tincreases\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n14\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tmaterials\t_\tNOUN\tNNS\t_\t16\tcompound\t_\t_\n16\tcosts\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\trepair\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tmaintenance\t_\tNOUN\tNN\t_\t18\tconj\t_\t_\n21\texpenses\t_\tNOUN\tNNS\t_\t16\tconj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n23\tas\t_\tADV\tRB\t_\t13\tcc\t_\t_\n24\twell\t_\tADV\tRB\t_\t23\tmwe\t_\t_\n25\tas\t_\tADP\tIN\t_\t23\tmwe\t_\t_\n26\thigher\t_\tADJ\tJJR\t_\t28\tamod\t_\t_\n27\tlabor\t_\tNOUN\tNN\t_\t28\tcompound\t_\t_\n28\tcosts\t_\tNOUN\tNNS\t_\t13\tconj\t_\t_\n29\tunder\t_\tADP\tIN\t_\t32\tcase\t_\t_\n30\tits\t_\tPRON\tPRP$\t_\t32\tnmod:poss\t_\t_\n31\tnew\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tcontract\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tservice-center\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tbusiness\t_\tNOUN\tNN\t_\t5\tnsubjpass\t_\t_\n4\twas\t_\tAUX\tVBD\t_\t5\tauxpass\t_\t_\n5\thurt\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n6\tby\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\treduced\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tmargins\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tstart-up\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tcosts\t_\tNOUN\tNNS\t_\t8\tconj\t_\t_\n12\tassociated\t_\tVERB\tVBN\t_\t11\tamod\t_\t_\n13\twith\t_\tADP\tIN\t_\t17\tcase\t_\t_\n14\tits\t_\tPRON\tPRP$\t_\t17\tnmod:poss\t_\t_\n15\tJoseph\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tT.\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tRyerson\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n18\t&\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\tSon\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tunit\t_\tNOUN\tNN\t_\t17\tconj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcompany\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\tis\t_\tAUX\tVBZ\t_\t6\taux\t_\t_\n6\tbeginning\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\tsee\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\tsome\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tshipping-rate\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\timprovements\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n12\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tboth\t_\tCONJ\tCC\t_\t15\tcc:preconj\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tintergrated-steel\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\tsteel-service-center\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tsegments\t_\tNOUN\tNNS\t_\t15\tconj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n20\twhich\t_\tPRON\tWDT\t_\t22\tnsubj\t_\t_\n21\tshould\t_\tAUX\tMD\t_\t22\taux\t_\t_\n22\tresult\t_\tVERB\tVB\t_\t8\tdep\t_\t_\n23\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\timproved\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tresults\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n26\tfor\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n28\tfourth\t_\tADJ\tJJ\t_\t29\tamod\t_\t_\n29\tquarter\t_\tNOUN\tNN\t_\t25\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t3\tpunct\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_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n2\tis\t_\tAUX\tVBZ\t_\t3\taux\t_\t_\n3\tbacking\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n4\tone\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n5\ttype\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tbus\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n8\tcalled\t_\tVERB\tVBD\t_\t5\tacl\t_\t_\n9\tmicrochannel\t_\tADJ\tJJ\t_\t8\txcomp\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\twhile\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n12\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n13\tnine\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n14\tother\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n15\tleading\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n16\tcomputer\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tmakers\t_\tNOUN\tNNS\t_\t27\tnsubj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tincluding\t_\tVERB\tVBG\t_\t20\tcase\t_\t_\n20\tH-P\t_\tPROPN\tNNP\t_\t17\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n22\tCompaq\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n23\tComputer\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tCorp.\t_\tPROPN\tNNP\t_\t20\tconj\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n26\thave\t_\tAUX\tVBP\t_\t27\taux\t_\t_\n27\tchosen\t_\tVERB\tVBN\t_\t3\tadvcl\t_\t_\n28\tanother\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tmethod\t_\tNOUN\tNN\t_\t27\tdobj\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n2\tUsers\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n3\tdo\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tn't\t_\tPART\tRB\t_\t5\tneg\t_\t_\n5\tcare\t_\tVERB\tVB\t_\t11\tccomp\t_\t_\n6\tabout\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tbus\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tDaniel\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tBenton\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n15\tan\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tanalyst\t_\tNOUN\tNN\t_\t13\tappos\t_\t_\n17\tat\t_\tADP\tIN\t_\t18\tcase\t_\t_\n18\tGoldman\t_\tPROPN\tNNP\t_\t16\tnmod\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n20\tSachs\t_\tPROPN\tNNP\t_\t18\tconj\t_\t_\n21\t&\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n22\tCo\t_\tPROPN\tNNP\t_\t18\tconj\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tApple\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tfamily\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n6\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tMacintosh\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tcomputers\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n10\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tinstance\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n13\tuses\t_\tVERB\tVBZ\t_\t2\tdep\t_\t_\n14\tfour\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n15\tdifferent\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tbuses\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n17\t``\t_\tPUNCT\t``\t_\t13\tpunct\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n19\tno\t_\tDET\tDT\t_\t20\tneg\t_\t_\n20\tone\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n21\tseems\t_\tVERB\tVBZ\t_\t13\tconj\t_\t_\n22\tto\t_\tPART\tTO\t_\t23\tmark\t_\t_\n23\tmind\t_\tVERB\tVB\t_\t21\txcomp\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n25\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tgap\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n3\tbetween\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\twinners\t_\tNOUN\tNNS\t_\t2\tnmod\t_\t_\n5\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n6\tlaggards\t_\tNOUN\tNNS\t_\t4\tconj\t_\t_\n7\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\tgrow\t_\tVERB\tVB\t_\t0\troot\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tpersonal\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tcomputers\t_\tNOUN\tNNS\t_\t11\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n5\tApple\t_\tPROPN\tNNP\t_\t11\tnsubjpass\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tCompaq\t_\tPROPN\tNNP\t_\t5\tconj\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n9\tIBM\t_\tPROPN\tNNP\t_\t5\tconj\t_\t_\n10\tare\t_\tAUX\tVBP\t_\t11\tauxpass\t_\t_\n11\texpected\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\ttighten\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n14\ttheir\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n15\thold\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\ttheir\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n18\tbusiness\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tsame\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\ttime\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n6\tsecond-tier\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tfirms\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n8\twill\t_\tAUX\tMD\t_\t9\taux\t_\t_\n9\tcontinue\t_\tVERB\tVB\t_\t0\troot\t_\t_\n10\tto\t_\tPART\tTO\t_\t11\tmark\t_\t_\n11\tlose\t_\tVERB\tVB\t_\t9\txcomp\t_\t_\n12\tground\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1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t_\n5\tis\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n6\tyet\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tanother\t_\tDET\tDT\t_\t8\tamod\t_\t_\n8\tblow\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n9\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tsport\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tthat\t_\tADP\tIN\t_\t15\tdobj\t_\t_\n13\tits\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n14\tfans\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n15\tclaim\t_\tNOUN\tNN\t_\t11\tacl:relcl\t_\t_\n16\thas\t_\tAUX\tVBZ\t_\t18\taux\t_\t_\n17\tbeen\t_\tAUX\tVBN\t_\t18\tauxpass\t_\t_\n18\tmaligned\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n19\tunjustly\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n20\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tyears\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tObviously\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n3\tthey\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n4\t're\t_\tVERB\tVBP\t_\t7\tcop\t_\t_\n5\tnot\t_\tPART\tRB\t_\t7\tneg\t_\t_\n6\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\ttouch\t_\tNOUN\tNN\t_\t15\tccomp\t_\t_\n8\twith\t_\tSCONJ\tIN\t_\t11\tmark\t_\t_\n9\twhat\t_\tPRON\tWP\t_\t11\tnsubj\t_\t_\n10\t's\t_\tAUX\tVBZ\t_\t11\taux\t_\t_\n11\tgoing\t_\tVERB\tVBG\t_\t7\tacl\t_\t_\n12\ton\t_\tADP\tRP\t_\t11\tcompound:prt\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\tTom\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tManske\t_\tPROPN\tNNP\t_\t15\tnsubj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n19\tvice\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tpresident\t_\tNOUN\tNN\t_\t17\tappos\t_\t_\n21\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n23\tNational\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n24\tPocket\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n25\tBilliards\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tAssociation\t_\tPROPN\tNNP\t_\t20\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tPool\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t3\tcop\t_\t_\n3\thot\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n4\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tNew\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tYork\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tChicago\t_\tPROPN\tNNP\t_\t6\tconj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n10\the\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n11\tinsists\t_\tVERB\tVBZ\t_\t6\tdep\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\twhere\t_\tADV\tWRB\t_\t21\tadvmod\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n15\tupscale\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n17\tsuit-and-tie\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tplaces\t_\tNOUN\tNNS\t_\t21\tnsubj\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n20\tare\t_\tAUX\tVBP\t_\t21\taux\t_\t_\n21\tadding\t_\tVERB\tVBG\t_\t6\tacl:relcl\t_\t_\n22\ttables\t_\tNOUN\tNNS\t_\t21\tdobj\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tWith\t_\tADP\tIN\t_\t7\tcase\t_\t_\n2\ttoday\t_\tNOUN\tNN\t_\t7\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\ttougher\t_\tADJ\tJJR\t_\t7\tamod\t_\t_\n5\tdrunk\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tdriving\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tlaws\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\the\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\tadds\t_\tVERB\tVBZ\t_\t16\tparataxis\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n13\tpeople\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n14\tdo\t_\tAUX\tVBP\t_\t16\taux\t_\t_\n15\tn't\t_\tPART\tRB\t_\t16\tneg\t_\t_\n16\twant\t_\tVERB\tVB\t_\t0\troot\t_\t_\n17\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n18\tjust\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\tsit\t_\tVERB\tVB\t_\t16\txcomp\t_\t_\n20\taround\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t19\tcc\t_\t_\n22\tdrink\t_\tVERB\tVB\t_\t19\tconj\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n24\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n\n1\tBesides\t_\tADP\tIN\t_\t5\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n3\trowdy\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tbehavior\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n5\tseems\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\tunlikely\t_\tADJ\tJJ\t_\t5\txcomp\t_\t_\n7\tat\t_\tADP\tIN\t_\t10\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tGrand\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tKempinski\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n12\twhere\t_\tADV\tWRB\t_\t14\tadvmod\t_\t_\n13\trooms\t_\tNOUN\tNNS\t_\t14\tnsubj\t_\t_\n14\taverage\t_\tVERB\tVBP\t_\t10\tacl:relcl\t_\t_\n15\t$\t_\tSYM\t$\t_\t16\tdep\t_\t_\n16\t200\t_\tNUM\tCD\t_\t14\tdobj\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tnight\t_\tNOUN\tNN\t_\t16\tnmod:npmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n20\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n21\tcheap\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\tmixed\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tdrinks\t_\tNOUN\tNNS\t_\t24\tnsubj\t_\t_\n24\tgo\t_\tVERB\tVBP\t_\t14\tconj\t_\t_\n25\tfor\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\t$\t_\tSYM\t$\t_\t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B\tVBD\t_\t3\tadvcl\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tproblems\t_\tNOUN\tNNS\t_\t16\tnsubj\t_\t_\n13\twere\t_\tVERB\tVBD\t_\t16\tcop\t_\t_\n14\tn't\t_\tPART\tRB\t_\t16\tneg\t_\t_\n15\tas\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tsevere\t_\tADJ\tJJ\t_\t9\tccomp\t_\t_\n17\tas\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tmedia\t_\tNOUN\tNNS\t_\t20\tnsubj\t_\t_\n20\tsuggested\t_\tVERB\tVBD\t_\t16\tdep\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t2\tadvmod\t_\t_\n2\tcomes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tpool\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tflap\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthink\t_\tVERB\tVBP\t_\t18\tccomp\t_\t_\n4\tthere\t_\tPRON\tEX\t_\t5\texpl\t_\t_\n5\t's\t_\tVERB\tVBZ\t_\t3\tccomp\t_\t_\n6\tsome\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tpeople\t_\tNOUN\tNNS\t_\t5\tnsubj\t_\t_\n8\tworried\t_\tADJ\tJJ\t_\t7\tdep\t_\t_\n9\tabout\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tsomething\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n11\tpretty\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tridiculous\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t18\tpunct\t_\t_\n15\tCouncilman\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tJohn\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tNolan\t_\tPROPN\tNNP\t_\t18\tnsubj\t_\t_\n18\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthought\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthis\t_\tPRON\tDT\t_\t7\tnsubjpass\t_\t_\n5\twas\t_\tAUX\tVBD\t_\t7\tauxpass\t_\t_\n6\tall\t_\tDET\tDT\t_\t7\tdep\t_\t_\n7\ttaken\t_\tVERB\tVBN\t_\t3\tccomp\t_\t_\n8\tcare\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t7\tnmod\t_\t_\n10\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n11\t`\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n12\tThe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tMusic\t_\tNOUN\tNN\t_\t14\tcompound\t_\t_\n14\tMan\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tonly\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tthing\t_\tNOUN\tNN\t_\t28\tnsubj\t_\t_\n4\tRobert\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tGoldberg\t_\tPROPN\tNNP\t_\t7\tnsubj\t_\t_\n6\tcould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\tpraise\t_\tVERB\tVB\t_\t3\tacl:relcl\t_\t_\n8\tabout\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\tCBS\t_\tPROPN\tNNP\t_\t12\tnmod:poss\t_\t_\n10\t's\t_\tPART\tPOS\t_\t9\tcase\t_\t_\n11\tnew\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tshow\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n14\tIsland\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tSon\t_\tPROPN\tNNP\t_\t12\tdep\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n17\t-LRB-\t_\tPUNCT\t-LRB-\t_\t18\tpunct\t_\t_\n18\tLeisure\t_\tPROPN\tNNP\t_\t12\tdep\t_\t_\n19\t&\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tArts\t_\tPROPN\tNNP\t_\t18\tconj\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n22\tSept.\t_\tPROPN\tNNP\t_\t18\tnmod:tmod\t_\t_\n23\t25\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n24\t-RRB-\t_\tPUNCT\t-RRB-\t_\t18\tpunct\t_\t_\n25\twas\t_\tVERB\tVBD\t_\t28\tcop\t_\t_\n26\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n27\tlocal\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tcolor\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n29\t;\t_\tPUNCT\t:\t_\t28\tpunct\t_\t_\n30\tunfortunately\t_\tADV\tRB\t_\t40\tadvmod\t_\t_\n31\tneither\t_\tCONJ\tCC\t_\t32\tcc:preconj\t_\t_\n32\the\t_\tPRON\tPRP\t_\t40\tnsubj\t_\t_\n33\tnor\t_\tCONJ\tCC\t_\t32\tcc\t_\t_\n34\tthe\t_\tDET\tDT\t_\t35\tdet\t_\t_\n35\tproducers\t_\tNOUN\tNNS\t_\t32\tconj\t_\t_\n36\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n37\tthe\t_\tDET\tDT\t_\t38\tdet\t_\t_\n38\tshow\t_\tNOUN\tNN\t_\t35\tnmod\t_\t_\n39\thave\t_\tAUX\tVBP\t_\t40\taux\t_\t_\n40\tdone\t_\tVERB\tVBN\t_\t28\tparataxis\t_\t_\n41\ttheir\t_\tPRON\tPRP$\t_\t42\tnmod:poss\t_\t_\n42\thomework\t_\tNOUN\tNN\t_\t40\tdobj\t_\t_\n43\t.\t_\tPUNCT\t.\t_\t28\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tinstance\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n3\t:\t_\tPUNCT\t:\t_\t14\tpunct\t_\t_\n4\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n5\tHaole\t_\tX\tFW\t_\t14\tnsubj\t_\t_\n6\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n7\t-LRB-\t_\tPUNCT\t-LRB-\t_\t8\tpunct\t_\t_\n8\twhite\t_\tADJ\tJJ\t_\t5\tdep\t_\t_\n9\t-RRB-\t_\tPUNCT\t-RRB-\t_\t8\tpunct\t_\t_\n10\tis\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n11\tnot\t_\tPART\tRB\t_\t14\tneg\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tultimate\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tinsult\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n15\t;\t_\tPUNCT\t:\t_\t14\tpunct\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n17\tMainland\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\thaole\t_\tX\tFW\t_\t20\tnsubj\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t20\tpunct\t_\t_\n20\tis\t_\tVERB\tVBZ\t_\t14\tparataxis\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tRichard\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tChamberlain\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tdresses\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tas\t_\tADP\tIN\t_\t8\tcase\t_\t_\n5\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n7\tMainland\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\thaole\t_\tX\tFW\t_\t3\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n11\ttucking\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n12\tin\t_\tADP\tRP\t_\t11\tcompound:prt\t_\t_\n13\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tHawaiian\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tshirt\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n17\trolling\t_\tVERB\tVBG\t_\t11\tconj\t_\t_\n18\tup\t_\tADP\tRP\t_\t17\tcompound:prt\t_\t_\n19\tits\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n20\tlong\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tsleeves\t_\tNOUN\tNNS\t_\t17\tdobj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tlocal\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\texpression\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n5\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tbrother\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\tis\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n9\tbrah\t_\tX\tFW\t_\t14\tcompound\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n12\tnot\t_\tADV\tRB\t_\t14\tneg\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t14\tpunct\t_\t_\n14\tbruddah\t_\tX\tFW\t_\t0\troot\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n2\teven\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n3\tif\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tnurse\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n6\twould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n7\twear\t_\tVERB\tVB\t_\t22\tadvcl\t_\t_\n8\tflowers\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\ther\t_\tPRON\tPRP$\t_\t11\tnmod:poss\t_\t_\n11\thair\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n12\twhile\t_\tNOUN\tNN\t_\t14\tdep\t_\t_\n13\ton\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tduty\t_\tNOUN\tNN\t_\t7\tdep\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n16\tif\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n17\tshe\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n18\twere\t_\tVERB\tVBD\t_\t19\tcop\t_\t_\n19\tengaged\t_\tADJ\tJJ\t_\t22\tadvcl\t_\t_\n20\tshe\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n21\twould\t_\tAUX\tMD\t_\t22\taux\t_\t_\n22\tknow\t_\tVERB\tVB\t_\t0\troot\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\twear\t_\tVERB\tVB\t_\t22\txcomp\t_\t_\n25\tthem\t_\tPRON\tPRP\t_\t24\tdobj\t_\t_\n26\tbehind\t_\tADP\tIN\t_\t33\tcase\t_\t_\n27\ther\t_\tPRON\tPRP\t_\t33\tdep\t_\t_\n28\tleft\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n29\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n30\tnot\t_\tADV\tRB\t_\t31\tneg\t_\t_\n31\tright\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\tear\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tSorry\t_\tADJ\tJJ\t_\t8\tdiscourse\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tshow\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n5\tdoes\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n6\tnot\t_\tPART\tRB\t_\t8\tneg\t_\t_\n7\teven\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n8\thave\t_\tVERB\tVB\t_\t0\troot\t_\t_\n9\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tone\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n11\tredeeming\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tquality\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n13\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n14\tgenuine\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tlocal\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tcolor\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tAnita\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tDavis\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n\n1\tOf\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tall\t_\tDET\tDT\t_\t5\tdet:predet\t_\t_\n3\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tethnic\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\ttensions\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n6\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tAmerica\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n9\twhich\t_\tPRON\tWDT\t_\t13\tnsubj\t_\t_\n10\tis\t_\tVERB\tVBZ\t_\t13\tcop\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tmost\t_\tADV\tRBS\t_\t13\tadvmod\t_\t_\n13\ttroublesome\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n14\tright\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n15\tnow\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n16\t?\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tgood\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tbet\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n4\twould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n5\tbe\t_\tVERB\tVB\t_\t7\tcop\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\ttension\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n8\tbetween\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tblacks\t_\tPROPN\tNNPS\t_\t7\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tJews\t_\tPROPN\tNNPS\t_\t9\tconj\t_\t_\n12\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tNew\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n14\tYork\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tCity\t_\tPROPN\tN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_\n22\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n23\t``\t_\tPUNCT\t``\t_\t26\tpunct\t_\t_\n24\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tfancy\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tshvartze\t_\tNOUN\tNN\t_\t13\txcomp\t_\t_\n27\twith\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\ta\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tmustache\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n30\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n31\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n\n1\tIf\t_\tSCONJ\tIN\t_\t5\tmark\t_\t_\n2\tMr.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tMason\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\thad\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n5\tused\t_\tVERB\tVBN\t_\t30\tadvcl\t_\t_\n6\tless\t_\tADV\tRBR\t_\t7\tadvmod\t_\t_\n7\tderogatory\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tlanguage\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tarticulate\t_\tVERB\tVB\t_\t5\tadvcl\t_\t_\n11\this\t_\tPRON\tPRP$\t_\t13\tnmod:poss\t_\t_\n12\tamateur\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tanalysis\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n14\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tvoting\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tbehavior\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n19\this\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n20\tfellow\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n21\tNew\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tYorkers\t_\tPROPN\tNNP\t_\t17\tnmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n24\twould\t_\tAUX\tMD\t_\t30\taux\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\twater\t_\tNOUN\tNN\t_\t30\tnsubj\t_\t_\n27\tbe\t_\tVERB\tVB\t_\t30\tcop\t_\t_\n28\tquite\t_\tADV\tRB\t_\t30\tadvmod\t_\t_\n29\tso\t_\tADV\tRB\t_\t30\tadvmod\t_\t_\n30\thot\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n31\t?\t_\tPUNCT\t.\t_\t30\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n2\tprobably\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n3\twould\t_\tAUX\tMD\t_\t19\taux\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n5\tbecause\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n6\tfew\t_\tADJ\tJJ\t_\t19\tnsubj\t_\t_\n7\tor\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tnone\t_\tNOUN\tNN\t_\t6\tconj\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tpeople\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n12\tupset\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n13\tby\t_\tADP\tIN\t_\t17\tcase\t_\t_\n14\tMr.\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tMason\t_\tPROPN\tNNP\t_\t17\tnmod:poss\t_\t_\n16\t's\t_\tPART\tPOS\t_\t15\tcase\t_\t_\n17\tremarks\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n18\thave\t_\tAUX\tVBP\t_\t19\taux\t_\t_\n19\tbothered\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tdistinguish\t_\tVERB\tVB\t_\t19\txcomp\t_\t_\n22\tbetween\t_\tADP\tIN\t_\t24\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tsubstance\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n25\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\this\t_\tPRON\tPRP$\t_\t27\tnmod:poss\t_\t_\n27\tcomments\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n28\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n29\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tfact\t_\tNOUN\tNN\t_\t24\tconj\t_\t_\n31\tthat\t_\tSCONJ\tIN\t_\t33\tmark\t_\t_\n32\the\t_\tPRON\tPRP\t_\t33\tnsubj\t_\t_\n33\tused\t_\tVERB\tVBD\t_\t30\tccomp\t_\t_\n34\tinsulting\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n35\tlanguage\t_\tNOUN\tNN\t_\t33\tdobj\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\taddition\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n4\tsome\t_\tDET\tDT\t_\t11\tnsubj\t_\t_\n5\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n6\tMr.\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tMason\t_\tPROPN\tNNP\t_\t9\tnmod:poss\t_\t_\n8\t's\t_\tPART\tPOS\t_\t7\tcase\t_\t_\n9\tcritics\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n10\thave\t_\tAUX\tVBP\t_\t11\taux\t_\t_\n11\timplied\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n12\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n13\this\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n14\ttype\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n15\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tethnic\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\thumor\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n18\tis\t_\tVERB\tVBZ\t_\t21\tcop\t_\t_\n19\titself\t_\tPRON\tPRP\t_\t21\tnmod:npmod\t_\t_\n20\ta\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tform\t_\tNOUN\tNN\t_\t11\tccomp\t_\t_\n22\tof\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tracism\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tFor\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\texample\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n5\tNew\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n6\tYork\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tstate\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tcounsel\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n9\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tNAACP\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tthat\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n14\tMr.\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tMason\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n16\tis\t_\tVERB\tVBZ\t_\t20\tcop\t_\t_\n17\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n18\tlike\t_\tADP\tIN\t_\t20\tcase\t_\t_\n19\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tdinosaur\t_\tNOUN\tNN\t_\t12\tccomp\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tPeople\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n2\tare\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\tfast\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tleaving\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tplace\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n7\twhere\t_\tADV\tWRB\t_\t10\tadvmod\t_\t_\n8\the\t_\tPRON\tPRP\t_\t10\tnsubjpass\t_\t_\n9\tis\t_\tAUX\tVBZ\t_\t10\tauxpass\t_\t_\n10\tstuck\t_\tVERB\tVBN\t_\t6\tacl:relcl\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tThese\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tcritics\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tfail\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tdistinguish\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\tbetween\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\ttype\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tethnic\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\thumor\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\tthat\t_\tPRON\tWDT\t_\t13\tnsubj\t_\t_\n13\taims\t_\tVERB\tVBZ\t_\t8\tacl:relcl\t_\t_\n14\tat\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n15\tdisparaging\t_\tVERB\tVBG\t_\t13\tadvcl\t_\t_\n16\tanother\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tgroup\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n19\tsuch\t_\tADJ\tJJ\t_\t23\tcase\t_\t_\n20\tas\t_\tADP\tIN\t_\t19\tmwe\t_\t_\n21\t``\t_\tPUNCT\t``\t_\t23\tpunct\t_\t_\n22\tPolish\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\tjokes\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n24\t''\t_\tPUNCT\t''\t_\t23\tpunct\t_\t_\n25\t;\t_\tPUNCT\t:\t_\t8\tpunct\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\ttype\t_\tNOUN\tNN\t_\t8\tconj\t_\t_\n29\tthat\t_\tPRON\tWDT\t_\t31\tnsubj\t_\t_\n30\tis\t_\tVERB\tVBZ\t_\t31\tcop\t_\t_\n31\tdouble-edged\t_\tADJ\tJJ\t_\t28\tacl:relcl\t_\t_\n32\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n33\taiming\t_\tVERB\tVBG\t_\t31\txcomp\t_\t_\n34\tinward\t_\tADV\tRB\t_\t33\tadvmod\t_\t_\n35\tas\t_\tADV\tRB\t_\t34\tcc\t_\t_\n36\twell\t_\tADV\tRB\t_\t35\tmwe\t_\t_\n37\tas\t_\tADP\tIN\t_\t35\tmwe\t_\t_\n38\toutward\t_\tADV\tRB\t_\t34\tconj\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tlatter\t_\tADJ\tJJ\t_\t6\tnsubj\t_\t_\n3\ttypically\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\thumor\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tunderdog\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n12\tit\t_\tPRON\tPRP\t_\t14\tnsubjpass\t_\t_\n13\twas\t_\tAUX\tVBD\t_\t14\tauxpass\t_\t_\n14\tperfected\t_\tVERB\tVBN\t_\t6\tconj\t_\t_\n15\tby\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tboth\t_\tDET\tDT\t_\t17\tcc:preconj\t_\t_\n17\tblacks\t_\tPROPN\tNNPS\t_\t14\tnmod\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t17\tcc\t_\t_\n19\tJews\t_\tPROPN\tNNPS\t_\t17\tconj\t_\t_\n20\ton\t_\tADP\tIN\t_\t25\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n22\tminstrel\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\tvaudeville\t_\tNOUN\tNN\t_\t22\tconj\t_\t_\n25\tstage\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n26\tas\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\ta\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tmeans\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n29\tof\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n30\tmocking\t_\tVERB\tVBG\t_\t28\tacl\t_\t_\n31\ttheir\t_\tPRON\tPRP$\t_\t35\tnmod:poss\t_\t_\n32\twhite\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n33\tand\t_\tCONJ\tCC\t_\t32\tcc\t_\t_\n34\tgentile\t_\tADJ\tJJ\t_\t32\tconj\t_\t_\n35\taudiences\t_\tNOUN\tNNS\t_\t30\tdobj\t_\t_\n36\talong\t_\tADP\tIN\t_\t35\tadvmod\t_\t_\n37\twith\t_\tADP\tIN\t_\t38\tcase\t_\t_\n38\tthemselves\t_\tPRON\tPRP\t_\t36\tnmod\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\thands\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tzealot\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\tlike\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tLenny\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tBruce\t_\tPROPN\tNNP\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n11\tthis\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tdouble-edged\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tblade\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n14\tcould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\tcut\t_\tVERB\tVB\t_\t0\troot\t_\t_\n16\tboth\t_\tDET\tDT\t_\t18\tcc:preconj\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tself\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\taudience\t_\tNOUN\tNN\t_\t18\tconj\t_\t_\n22\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n23\tribbons\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n2\twielded\t_\tVERB\tVBN\t_\t14\tadvcl\t_\t_\n3\tby\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\ta\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tpro\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\tlike\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tJackie\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tMason\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n10\tit\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n11\tis\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n12\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tconstructive\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tform\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n15\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tmischief\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tWhy\t_\tADV\tWRB\t_\t2\tadvmod\t_\t_\n2\tconstructive\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n3\t?\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tBecause\t_\tSCONJ\tIN\t_\t16\tmark\t_\t_\n2\tdespite\t_\tADP\tIN\t_\t6\tcase\t_\t_\n3\tall\t_\tDET\tPDT\t_\t6\tdet:predet\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tmedia\t_\tNOUN\tNNS\t_\t6\tcompound\t_\t_\n6\tprattle\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n7\tabout\t_\tSCONJ\tIN\t_\t12\tmark\t_\t_\n8\tcomedy\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tpolitics\t_\tNOUN\tNNS\t_\t8\tconj\t_\t_\n11\tnot\t_\tADV\tRB\t_\t12\tneg\t_\t_\n12\tmixing\t_\tVERB\tVBG\t_\t6\tacl\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n14\tthey\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n15\tare\t_\tVERB\tVBP\t_\t16\tcop\t_\t_\n16\tsimilar\t_\tADJ\tJJ\t_\t23\tdep\t_\t_\n17\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tone\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\trespect\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n20\t:\t_\tPUNCT\t:\t_\t23\tpunct\t_\t_\n21\tBoth\t_\tDET\tDT\t_\t23\tnsubj\t_\t_\n22\tcan\t_\tAUX\tMD\t_\t23\taux\t_\t_\n23\tserve\t_\tVERB\tVB\t_\t0\troot\t_\t_\n24\tas\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tmechanisms\t_\tNOUN\tNNS\t_\t23\tnmod\t_\t_\n26\tfor\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n27\teasing\t_\tVERB\tVBG\t_\t25\tacl\t_\t_\n28\ttensions\t_\tNOUN\tNNS\t_\t27\tdobj\t_\t_\n29\tand\t_\tCONJ\tCC\t_\t27\tcc\t_\t_\n30\tfacilitating\t_\tVERB\tVBG\t_\t27\tconj\t_\t_\n31\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n32\tco-existence\t_\tNOUN\tNN\t_\t30\tdobj\t_\t_\n33\tof\t_\tADP\tIN\t_\t34\tcase\t_\t_\n34\tgroups\t_\tNOUN\tNNS\t_\t32\tnmod\t_\t_\n35\tin\t_\tADP\tIN\t_\t36\tcase\t_\t_\n36\tconflict\t_\tNOUN\tNN\t_\t34\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\tThat\t_\tPRON\tDT\t_\t2\tnsubj\t_\t_\n2\t's\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\twhy\t_\tADV\tWRB\t_\t6\tadvmod\t_\t_\n4\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n5\t's\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n6\tdangerous\t_\tADJ\tJJ\t_\t2\tadvcl\t_\t_\n7\tto\t_\tPART\tTO\t_\t8\tmark\t_\t_\n8\thave\t_\tVERB\tVB\t_\t6\txcomp\t_\t_\n9\twell-intentioned\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n10\tthought\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tpolice\t_\tNOUN\tNNS\t_\t19\tnsubj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n13\ton\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tcollege\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tcampuses\t_\tNOUN\tNNS\t_\t19\tdep\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\telsewhere\t_\tADV\tRB\t_\t15\tconj\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n19\ttaboo\t_\tVERB\tVB\t_\t8\tccomp\t_\t_\n20\tall\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tcritical\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tmention\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n23\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tgroup\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tdifferences\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tAs\t_\tSCONJ\tIN\t_\t4\tmark\t_\t_\n2\tElizabeth\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tKristol\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\twrote\t_\tVERB\tVBD\t_\t21\tadvcl\t_\t_\n5\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n7\tNew\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tYork\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tTimes\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n10\tjust\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n11\tbefore\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tMason\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tdonnybrook\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n17\tPerhaps\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n18\tintolerance\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n19\twould\t_\tAUX\tMD\t_\t21\taux\t_\t_\n20\tnot\t_\tPART\tRB\t_\t21\tneg\t_\t_\n21\tboil\t_\tVERB\tVB\t_\t0\troot\t_\t_\n22\tover\t_\tADP\tRP\t_\t21\tcompound:prt\t_\t_\n23\twith\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tsuch\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tintensity\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n26\tif\t_\tSCONJ\tIN\t_\t30\tmark\t_\t_\n27\thonest\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tdifferences\t_\tNOUN\tNNS\t_\t30\tnsubjpass\t_\t_\n29\twere\t_\tAUX\tVBD\t_\t30\tauxpass\t_\t_\n30\tallowed\t_\tVERB\tVBN\t_\t21\tadvcl\t_\t_\n31\tto\t_\tPART\tTO\t_\t32\tmark\t_\t_\n32\tsimmer\t_\tVERB\tVB\t_\t30\txcomp\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n34\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tquestion\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tif\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n6\tgroup\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tconflicts\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n8\tstill\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\texist\t_\tVERB\tVBP\t_\t35\tdep\t_\t_\n10\t-LRB-\t_\tPUNCT\t-LRB-\t_\t14\tpunct\t_\t_\n11\tas\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n12\tundeniably\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n13\tthey\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n14\tdo\t_\tVERB\tVBP\t_\t9\tparataxis\t_\t_\n15\t-RRB-\t_\tPUNCT\t-RRB-\t_\t14\tpunct\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n18\tif\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n19\tMr.\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tMason\t_\tPROPN\tNNP\t_\t22\tnmod:poss\t_\t_\n21\t's\t_\tPART\tPOS\t_\t20\tcase\t_\t_\n22\ttype\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n23\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tethnic\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\thumor\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n26\tis\t_\tVERB\tVBZ\t_\t27\tcop\t_\t_\n27\tpasse\t_\tADJ\tJJ\t_\t9\tconj\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t35\tpunct\t_\t_\n29\tthen\t_\tADV\tRB\t_\t35\tadvmod\t_\t_\n30\twhat\t_\tPRON\tWP\t_\t32\tdet\t_\t_\n31\tother\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tmeans\t_\tNOUN\tNNS\t_\t35\tdobj\t_\t_\n33\tdo\t_\tAUX\tVBP\t_\t35\taux\t_\t_\n34\twe\t_\tPRON\tPRP\t_\t35\tnsubj\t_\t_\n35\thave\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n36\tfor\t_\tSCONJ\tIN\t_\t37\tmark\t_\t_\n37\tletting\t_\tVERB\tVBG\t_\t35\tadvcl\t_\t_\n38\toff\t_\tADP\tRP\t_\t37\tcompound:prt\t_\t_\n39\tsteam\t_\tNOUN\tNN\t_\t37\tdobj\t_\t_\n40\t?\t_\tPUNCT\t.\t_\t35\tpunct\t_\t_\n\n1\tDo\t_\tAUX\tVB\t_\t3\taux\t_\t_\n2\tn't\t_\tPART\tRB\t_\t3\tneg\t_\t_\n3\tsay\t_\tVERB\tVB\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tTV\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tsitcom\t_\tNOUN\tNN\t_\t3\tdep\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n8\tbecause\t_\tSCONJ\tIN\t_\t10\tmark\t_\t_\n9\tthat\t_\tPRON\tDT\t_\t10\tnsubj\t_\t_\n10\thappens\t_\tVERB\tVBZ\t_\t3\tadvcl\t_\t_\n11\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n12\tbe\t_\tVERB\tVB\t_\t14\tcop\t_\t_\n13\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tgenre\t_\tNOUN\tNN\t_\t10\txcomp\t_\t_\n15\tthat\t_\tADP\tIN\t_\t28\tnsubj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n17\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tits\t_\tPRON\tPRP$\t_\t20\tnmod:poss\t_\t_\n19\tdesperate\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n20\tneed\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\tattract\t_\tVERB\tVB\t_\t20\tacl\t_\t_\n23\teverybody\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n24\tand\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n25\toffend\t_\tVERB\tVB\t_\t22\tconj\t_\t_\n26\tnobody\t_\tNOUN\tNN\t_\t25\tdobj\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n28\tresembles\t_\tVERB\tVBZ\t_\t14\tacl:relcl\t_\t_\n29\tpolitics\t_\tNOUN\tNNS\t_\t28\txcomp\t_\t_\n30\tmore\t_\tADV\tRBR\t_\t28\tadvmod\t_\t_\n31\tthan\t_\tSCONJ\tIN\t_\t34\tmark\t_\t_\n32\tit\t_\tPRON\tPRP\t_\t34\tnsubj\t_\t_\n33\tdoes\t_\tAUX\tVBZ\t_\t34\taux\t_\t_\n34\tcomedy\t_\tNOUN\tNN\t_\t30\tadvcl\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\tis\t_\tVERB\tVBZ\t_\t3\tcop\t_\t_\n3\ttrue\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n4\tthat\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tbest\t_\tADJ\tJJS\t_\t7\tamod\t_\t_\n7\tsitcoms\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n8\tdo\t_\tAUX\tVBP\t_\t9\taux\t_\t_\n9\tallow\t_\tVERB\tVB\t_\t3\tccomp\t_\t_\n10\tgroup\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tdifferences\t_\tNOUN\tNNS\t_\t9\tdobj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tsimmer\t_\tVERB\tVB\t_\t9\txcomp\t_\t_\n14\t:\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n15\tyuppies\t_\tNOUN\tNNS\t_\t3\tparataxis\t_\t_\n16\tvs.\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tblue-collar\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tBostonians\t_\tPROPN\tNNPS\t_\t15\tnmod\t_\t_\n19\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n21\tCheers\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n22\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n23\t;\t_\tPUNCT\t:\t_\t15\tpunct\t_\t_\n24\tchildren\t_\tNOUN\tNNS\t_\t15\tdep\t_\t_\n25\tvs.\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tadults\t_\tNOUN\tNNS\t_\t24\tnmod\t_\t_\n27\tin\t_\tADP\tIN\t_\t31\tcase\t_\t_\n28\t``\t_\tPUNCT\t``\t_\t31\tpunct\t_\t_\n29\tThe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n30\tCosby\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tShow\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n33\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\tthese\t_\tPRON\tDT\t_\t6\tnsubj\t_\t_\n3\tare\t_\tVERB\tVBP\t_\t6\tcop\t_\t_\n4\tnot\t_\tPART\tRB\t_\t6\tneg\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tdifferences\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n7\tthat\t_\tPRON\tWDT\t_\t8\tnsubj\t_\t_\n8\tmake\t_\tVERB\tVBP\t_\t6\tacl:relcl\t_\t_\n9\theadlines\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tIn\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,\t_\t8\tpunct\t_\t_\n10\tCalif\t_\tPROPN\tNNP\t_\t8\tdep\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n12\t-RRB-\t_\tPUNCT\t-RRB-\t_\t8\tpunct\t_\t_\n13\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tan\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tinterview\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n18\t``\t_\tPUNCT\t``\t_\t33\tpunct\t_\t_\n19\tIf\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n20\tthat\t_\tPRON\tDT\t_\t23\tnsubj\t_\t_\n21\t's\t_\tVERB\tVBZ\t_\t23\tcop\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tsignal\t_\tNOUN\tNN\t_\t33\tadvcl\t_\t_\n24\tthat\t_\tPRON\tWDT\t_\t25\tnsubj\t_\t_\n25\tcomes\t_\tVERB\tVBZ\t_\t23\tacl:relcl\t_\t_\n26\tfrom\t_\tADP\tIN\t_\t29\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n28\tWhite\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tHouse\t_\tPROPN\tNNP\t_\t25\tnmod\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t33\tpunct\t_\t_\n31\tthat\t_\tPRON\tWDT\t_\t33\tnsubj\t_\t_\n32\twill\t_\tAUX\tMD\t_\t33\taux\t_\t_\n33\thelp\t_\tVERB\tVB\t_\t13\tccomp\t_\t_\n34\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n35\tgreat\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\tdeal\t_\tNOUN\tNN\t_\t33\tnmod:npmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n38\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tSenate\t_\tPROPN\tNNP\t_\t4\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\tdecision\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n5\twas\t_\tVERB\tVBD\t_\t7\tcop\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tsetback\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n8\tfor\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tPresident\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tBush\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n12\twill\t_\tAUX\tMD\t_\t13\taux\t_\t_\n13\tmake\t_\tVERB\tVB\t_\t7\tconj\t_\t_\n14\tapproval\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n15\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n17\tcapital-gains\t_\tNOUN\tNNS\t_\t19\tcompound\t_\t_\n18\ttax\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tcut\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n20\tless\t_\tADV\tRBR\t_\t21\tadvmod\t_\t_\n21\tcertain\t_\tADJ\tJJ\t_\t13\txcomp\t_\t_\n22\tthis\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tyear\t_\tNOUN\tNN\t_\t21\tdep\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tOpponents\t_\tNOUN\tNNS\t_\t6\tnsubj\t_\t_\n2\tof\t_\tADP\tIN\t_\t4\tcase\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tcut\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n5\tare\t_\tAUX\tVBP\t_\t6\taux\t_\t_\n6\tplaying\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n7\thardball\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tSenate\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n2\tMajority\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n3\tLeader\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tGeorge\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tMitchell\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n6\t-LRB-\t_\tPUNCT\t-LRB-\t_\t7\tpunct\t_\t_\n7\tD.\t_\tPROPN\tNNP\t_\t5\tappos\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tMaine\t_\tPROPN\tNNP\t_\t7\tdep\t_\t_\n10\t-RRB-\t_\tPUNCT\t-RRB-\t_\t7\tpunct\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n13\twas\t_\tVERB\tVBD\t_\t15\tcop\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n15\tconfident\t_\tADJ\tJJ\t_\t11\tccomp\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n17\tthat\t_\tSCONJ\tIN\t_\t27\tmark\t_\t_\n18\tany\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tHouse-Senate\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tagreement\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n21\ton\t_\tADP\tIN\t_\t24\tcase\t_\t_\n22\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tdeficit-reduction\t_\tNOUN\tNN\t_\t24\tcompound\t_\t_\n24\tlegislation\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n25\twould\t_\tAUX\tMD\t_\t27\taux\t_\t_\n26\tn't\t_\tPART\tRB\t_\t27\tneg\t_\t_\n27\tinclude\t_\tVERB\tVB\t_\t15\tccomp\t_\t_\n28\ta\t_\tDET\tDT\t_\t31\tdet\t_\t_\n29\tcapital-gains\t_\tNOUN\tNNS\t_\t31\tcompound\t_\t_\n30\ttax\t_\tNOUN\tNN\t_\t31\tcompound\t_\t_\n31\tcut\t_\tNOUN\tNN\t_\t27\tdobj\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n2\ta\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tsenior\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\taide\t_\tNOUN\tNN\t_\t18\tnsubj\t_\t_\n5\tto\t_\tADP\tTO\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tHouse\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tWays\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tMeans\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tCommittee\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n13\twhere\t_\tADV\tWRB\t_\t16\tadvmod\t_\t_\n14\ttax\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tlegislation\t_\tNOUN\tNN\t_\t16\tnsubj\t_\t_\n16\toriginates\t_\tVERB\tVBZ\t_\t8\tacl:relcl\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n18\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n19\tthere\t_\tPRON\tEX\t_\t20\texpl\t_\t_\n20\tare\t_\tVERB\tVBP\t_\t18\tccomp\t_\t_\n21\tn't\t_\tPART\tRB\t_\t20\tneg\t_\t_\n22\tany\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\t``\t_\tPUNCT\t``\t_\t24\tpunct\t_\t_\n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od\t_\t_\n18\tfor\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tanother\t_\tDET\tDT\t_\t13\tnmod\t_\t_\n20\tinstead\t_\tADV\tRB\t_\t22\tmark\t_\t_\n21\tof\t_\tSCONJ\tIN\t_\t20\tmwe\t_\t_\n22\tselling\t_\tVERB\tVBG\t_\t13\tadvcl\t_\t_\n23\tit\t_\tPRON\tPRP\t_\t22\tdobj\t_\t_\n24\tfor\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tcash\t_\tNOUN\tNN\t_\t22\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t--\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n2\tIncrease\t_\tVERB\tVB\t_\t0\troot\t_\t_\n3\tto\t_\tADP\tTO\t_\t5\tcase\t_\t_\n4\t$\t_\tSYM\t$\t_\t5\tdep\t_\t_\n5\t6\t_\tNUM\tCD\t_\t2\tnmod\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tperson\t_\tNOUN\tNN\t_\t5\tnmod:npmod\t_\t_\n8\tfrom\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\t$\t_\tSYM\t$\t_\t10\tdep\t_\t_\n10\t3\t_\tNUM\tCD\t_\t2\tnmod\t_\t_\n11\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n12\tinternational\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n13\tair-passenger\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n14\tdeparture\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\ttax\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n18\timpose\t_\tVERB\tVB\t_\t2\tconj\t_\t_\n19\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n20\t$\t_\tSYM\t$\t_\t22\tamod\t_\t_\n21\t3-a-person\t_\tADJ\tJJ\t_\t20\tdep\t_\t_\n22\ttax\t_\tNOUN\tNN\t_\t18\tdobj\t_\t_\n23\ton\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tinternational\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n25\tdepartures\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n26\tby\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\tcommercial\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tships\t_\tNOUN\tNNS\t_\t25\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tmeasure\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tincludes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\tspending\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tcuts\t_\tNOUN\tNNS\t_\t4\tdobj\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tincreases\t_\tNOUN\tNNS\t_\t6\tconj\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tfederal\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tfees\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tAmong\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tits\t_\tPRON\tPRP$\t_\t3\tnmod:poss\t_\t_\n3\tprovisions\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n4\t:\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\t--\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n2\tReduction\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n4\tMedicare\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tspending\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n6\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tfiscal\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\t1990\t_\tNUM\tCD\t_\t2\tnmod\t_\t_\n9\tby\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tsome\t_\tDET\tDT\t_\t11\tadvmod\t_\t_\n11\t$\t_\tSYM\t$\t_\t2\tnmod\t_\t_\n12\t2.8\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\tbillion\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n15\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\tpart\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n17\tby\t_\tSCONJ\tIN\t_\t18\tmark\t_\t_\n18\tcurbing\t_\tVERB\tVBG\t_\t2\tnmod\t_\t_\n19\tincreases\t_\tNOUN\tNNS\t_\t18\tdobj\t_\t_\n20\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\treimbursements\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n22\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n23\tphysicians\t_\tNOUN\tNNS\t_\t21\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tplan\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n3\twould\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\timpose\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tbrief\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tfreeze\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n8\ton\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tphysician\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tfees\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n11\tnext\t_\tADP\tIN\t_\t12\tamod\t_\t_\n12\tyear\t_\tNOUN\tNN\t_\t4\tnmod:tmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t--\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n2\tRemoval\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n4\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tU.S.\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tPostal\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tService\t_\tPROPN\tNNP\t_\t10\tnmod:poss\t_\t_\n8\t's\t_\tPART\tPOS\t_\t7\tcase\t_\t_\n9\toperating\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\tbudget\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n11\tfrom\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tfederal\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tbudget\t_\tNOUN\tNN\t_\t2\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n16\treducing\t_\tVERB\tVBG\t_\t2\tdep\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tdeficit\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tby\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\t$\t_\tSYM\t$\t_\t16\tnmod\t_\t_\n21\t1.77\t_\tNUM\tCD\t_\t22\tcompound\t_\t_\n22\tbillion\t_\tNUM\tCD\t_\t20\tnummod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tsimilar\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tprovision\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n4\tis\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n5\tin\t_\tADP\tIN\t_\t8\tcase\t_\t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_\tNOUN\tNNS\t_\t10\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n5\t''\t_\tPUNCT\t''\t_\t7\tpunct\t_\t_\n6\the\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n7\tsays\t_\tVERB\tVBZ\t_\t10\tparataxis\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n10\thave\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n11\tno\t_\tDET\tDT\t_\t12\tneg\t_\t_\n12\tidea\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\twhat\t_\tPRON\tWP\t_\t17\tnmod\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tmassacre\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tpattern\t_\tNOUN\tNN\t_\t17\tnsubj\t_\t_\n17\tlooks\t_\tVERB\tVBZ\t_\t12\tccomp\t_\t_\n18\tlike\t_\tADP\tIN\t_\t13\tcase\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n\n1\tElaine\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tGarzarelli\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tquantitative\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tanalyst\t_\tNOUN\tNN\t_\t13\tccomp\t_\t_\n4\twith\t_\tADP\tIN\t_\t8\tcase\t_\t_\n5\tShearson\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n6\tLehman\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tHutton\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tInc.\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n10\tMs.\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tGarzarelli\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n12\thad\t_\tAUX\tVBD\t_\t13\taux\t_\t_\n13\twarned\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n14\tclients\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\ttake\t_\tVERB\tVB\t_\t13\txcomp\t_\t_\n17\ttheir\t_\tPRON\tPRP$\t_\t18\tnmod:poss\t_\t_\n18\tmoney\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tout\t_\tADP\tIN\t_\t16\tadvmod\t_\t_\n20\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tmarket\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n23\tbefore\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\t1987\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n26\tcrash\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n27\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tFriday\t_\tPROPN\tNNP\t_\t4\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tbig\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tdrop\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n6\tshe\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n7\tsays\t_\tVERB\tVBZ\t_\t13\tparataxis\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t13\tpunct\t_\t_\n10\twas\t_\tVERB\tVBD\t_\t13\tcop\t_\t_\n11\tnot\t_\tPART\tRB\t_\t13\tneg\t_\t_\n12\ta\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tcrash\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tThis\t_\tPRON\tDT\t_\t5\tnsubj\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t5\tcop\t_\t_\n3\tan\t_\tDET\tDT\t_\t5\tdet\t_\t_\n4\tOctober\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tmassacre\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n6\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n7\tlike\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tthose\t_\tPRON\tDT\t_\t5\tnmod\t_\t_\n9\tthat\t_\tPRON\tWDT\t_\t10\tnsubj\t_\t_\n10\toccurred\t_\tVERB\tVBD\t_\t8\tacl:relcl\t_\t_\n11\tin\t_\tADP\tIN\t_\t12\tcase\t_\t_\n12\t1978\t_\tNUM\tCD\t_\t10\tnmod\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n14\t1979\t_\tNUM\tCD\t_\t12\tconj\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n3\tas\t_\tADP\tIN\t_\t14\tadvmod\t_\t_\n4\tin\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tthose\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\ttwo\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n7\tyears\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n9\ther\t_\tPRON\tPRP$\t_\t12\tnmod:poss\t_\t_\n10\tstock\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n11\tmarket\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tindicators\t_\tNOUN\tNNS\t_\t14\tnsubj\t_\t_\n13\tare\t_\tVERB\tVBP\t_\t14\tcop\t_\t_\n14\tpositive\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tSo\t_\tADP\tIN\t_\t3\tdep\t_\t_\n2\tshe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthinks\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tdamage\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n7\tbe\t_\tVERB\tVB\t_\t8\tcop\t_\t_\n8\tshort-lived\t_\tADJ\tJJ\t_\t3\tccomp\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tcontained\t_\tADJ\tJJ\t_\t8\tconj\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tThose\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tcorrections\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n4\tlasted\t_\tVERB\tVBD\t_\t19\tccomp\t_\t_\n5\tone\t_\tNUM\tCD\t_\t7\tcompound\t_\t_\n6\tto\t_\tADP\tTO\t_\t7\tdep\t_\t_\n7\tfour\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\tweeks\t_\tNOUN\tNNS\t_\t4\tnmod:tmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n10\ttook\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tmarket\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\t10%-12\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\t%\t_\tSYM\tNN\t_\t15\tnmod:npmod\t_\t_\n15\tdown\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t19\tpunct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unct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n2\tMr.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tDavis\t_\tPROPN\tNNP\t_\t14\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\twhose\t_\tPRON\tWP$\t_\t6\tnmod:poss\t_\t_\n6\tviews\t_\tNOUN\tNNS\t_\t9\tnsubjpass\t_\t_\n7\tare\t_\tAUX\tVBP\t_\t9\tauxpass\t_\t_\n8\twidely\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\trespected\t_\tVERB\tVBN\t_\t3\tacl:relcl\t_\t_\n10\tby\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tmoney\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tmanagers\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n14\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n15\the\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\texpects\t_\tVERB\tVBZ\t_\t14\tccomp\t_\t_\n17\tno\t_\tDET\tDT\t_\t19\tneg\t_\t_\n18\t1987-style\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tcrash\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tThere\t_\tPRON\tEX\t_\t3\texpl\t_\t_\n3\twas\t_\tVERB\tVBD\t_\t12\tccomp\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tunique\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tcombination\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n7\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\t1987\t_\tNUM\tCD\t_\t3\tnmod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n11\the\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n2\tMargin\t_\tNOUN\tNN\t_\t3\tcompound\t_\t_\n3\tdebt\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n5\tat\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\trecord\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\thigh\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThere\t_\tPRON\tEX\t_\t2\texpl\t_\t_\n2\twas\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\ttremendous\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tpublic\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tenthusiasm\t_\tNOUN\tNN\t_\t2\tnsubj\t_\t_\n6\tfor\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tstock\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n8\tmutual\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tfunds\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tmain\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tthing\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t6\tcop\t_\t_\n5\tportfolio\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tinsurance\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t6\tpunct\t_\t_\n9\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tmechanical\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n11\ttrading\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tsystem\t_\tNOUN\tNN\t_\t6\tdep\t_\t_\n13\tintended\t_\tVERB\tVBN\t_\t12\tacl\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\tprotect\t_\tVERB\tVB\t_\t13\txcomp\t_\t_\n16\tan\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tinvestor\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\tagainst\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tlosses\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n21\t``\t_\tPUNCT\t``\t_\t6\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tadvmod\t_\t_\n2\thundred\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tbillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n4\tdollars\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n5\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tstock\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n8\tsubject\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n10\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t8\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\t1987\t_\tNUM\tCD\t_\t6\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n4\tsuch\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tselling\t_\tNOUN\tNN\t_\t6\tnsubj\t_\t_\n6\tcontributed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tto\t_\tADP\tTO\t_\t10\tcase\t_\t_\n8\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tsnowball\t_\tNOUN\tNN\t_\t10\tcompound\t_\t_\n10\teffect\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\tToday\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n2\tcould\t_\tAUX\tMD\t_\t7\taux\t_\t_\n3\teven\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n4\tbe\t_\tVERB\tVB\t_\t7\tcop\t_\t_\n5\tan\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tup\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tday\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\tMr.\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tDavis\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n11\tsays\t_\tVERB\tVBZ\t_\t7\tparataxis\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\tif\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n14\tmajor\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n15\tbrokerage\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n16\tfirms\t_\tNOUN\tNNS\t_\t17\tnsubj\t_\t_\n17\tagree\t_\tVERB\tVBP\t_\t7\tadvcl\t_\t_\n18\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n19\trefrain\t_\tVERB\tVB\t_\t17\txcomp\t_\t_\n20\tfrom\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tprogram\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\ttrading\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tOver\t_\tADP\tIN\t_\t5\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n3\tnext\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n4\tseveral\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tmonths\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n7\tthough\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\the\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n10\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n11\tthings\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n12\tlook\t_\tVERB\tVBP\t_\t10\tccomp\t_\t_\n13\tbad\t_\tADJ\tJJ\t_\t12\txcomp\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthink\t_\tVERB\tVBP\t_\t15\tccomp\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tmarket\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\twill\t_\tAUX\tMD\t_\t8\taux\t_\t_\n7\tbe\t_\tAUX\tVB\t_\t8\taux\t_\t_\n8\theading\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n9\tdown\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\tinto\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tNovember\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n14\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\twill\t_\tAUX\tMD\t_\t5\taux\t_\t_\n4\tprobably\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\thave\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tyear-end\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\trally\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n11\tthen\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tgo\t_\tVERB\tVB\t_\t5\tconj\t_\t_\n13\tdown\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n14\tagain\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tSort\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n2\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n3\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n4\ttwo-step\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tbear\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tmarket\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n8\t''\t_\tPUNCT\t''\t_\t1\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\texpects\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tdownturn\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tcarry\t_\tVERB\tVB\t_\t2\txcomp\t_\t_\n7\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n8\tDow\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n9\tJones\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tIndustrial\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tAverage\t_\tPROPN\tNNP\t_\t6\tdobj\t_\t_\n12\tdown\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n13\tto\t_\tADP\tTO\t_\t15\tcase\t_\t_\n14\taround\t_\tADP\tIN\t_\t15\tamod\t_\t_\n15\t2000\t_\tNUM\tCD\t_\t6\tnmod\t_\t_\n16\tsometime\t_\tADV\tRB\t_\t18\tadvmod\t_\t_\n17\tnext\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tyear\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tThat\t_\tPRON\tDT\t_\t8\tnsubj\t_\t_\n3\twould\t_\tAUX\tMD\t_\t8\taux\t_\t_\n4\tbe\t_\tVERB\tVB\t_\t8\tcop\t_\t_\n5\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\tnormal\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n7\tbear\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tmarket\t_\tNOUN\tNN\t_\t12\tccomp\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n11\the\t_\tPRON\tPRP\t_\t12\tnsubj\t_\t_\n12\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tguess\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tthat\t_\tADP\tIN\t_\t7\tnsubj\t_\t_\n5\t's\t_\tPART\tPOS\t_\t7\tdep\t_\t_\n6\tmy\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n7\tforecast\t_\tNOUN\tNN\t_\t3\tccomp\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tLeon\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tG.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCooperman\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t5\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\tdo\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tn't\t_\tPART\tRB\t_\t5\tneg\t_\t_\n5\tthink\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tmarket\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n8\tis\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n9\tgoing\t_\tVERB\tVBG\t_\t5\tccomp\t_\t_\n10\tthrough\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\tanother\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tOctober\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n13\t'87\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tdo\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tthink\t_\tVERB\tVB\t_\t13\tccomp\t_\t_\n5\tthat\t_\tPRON\tDT\t_\t8\tnsubj\t_\t_\n6\t's\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tcase\t_\tNOUN\tNN\t_\t4\tccomp\t_\t_\n9\tat\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tall\t_\tDET\tDT\t_\t8\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n13\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n14\tMr.\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tCooperman\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tpartner\t_\tNOUN\tNN\t_\t15\tappos\t_\t_\n19\tat\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tGoldman\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n22\tSachs\t_\tPROPN\tNNP\t_\t20\tconj\t_\t_\n23\t&\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n24\tCo.\t_\tPROPN\tNNP\t_\t20\tconj\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n26\tchairman\t_\tNOUN\tNN\t_\t18\tconj\t_\t_\n27\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n28\tGoldman\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n29\tSachs\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n30\tAsset\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tManagement\t_\tPROPN\tNNP\t_\t26\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCooperman\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsees\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n4\tthis\t_\tPRON\tDT\t_\t3\tdobj\t_\t_\n5\tas\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tgood\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\ttime\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tpick\t_\tVERB\tVB\t_\t8\tacl\t_\t_\n11\tup\t_\tADP\tRP\t_\t10\tcompound:prt\t_\t_\n12\tbargains\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n14\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n15\the\t_\tPRON\tPRP\t_\t18\tnsubj\t_\t_\n16\tdoes\t_\tAUX\tVBZ\t_\t18\taux\t_\t_\n17\tn't\t_\tPART\tRB\t_\t18\tneg\t_\t_\n18\tthink\t_\tVERB\tVB\t_\t3\tconj\t_\t_\n19\tthere\t_\tPRON\tEX\t_\t20\texpl\t_\t_\n20\t's\t_\tVERB\tVBZ\t_\t18\tccomp\t_\t_\n21\tany\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tneed\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n23\tto\t_\tPART\tTO\t_\t24\tmark\t_\t_\n24\trush\t_\tVERB\tVB\t_\t22\tacl\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\texpect\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tmarket\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\topen\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n8\tweaker\t_\tADJ\tJJR\t_\t7\txcomp\t_\t_\n9\tMonday\t_\tPROPN\tNNP\t_\t7\tnmod:tmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n12\tthen\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n13\tit\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n14\tshould\t_\tAUX\tMD\t_\t15\taux\t_\t_\n15\tfind\t_\tVERB\tVB\t_\t3\tconj\t_\t_\n16\tsome\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tstability\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tticks\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\toff\t_\tADP\tRP\t_\t2\tcompound:prt\t_\t_\n4\tseveral\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n5\tmajor\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tdifferences\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n7\tbetween\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tnow\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t6\tacl\t_\t_\n10\ttwo\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tyears\t_\tNOUN\tNNS\t_\t12\tnmod:npmod\t_\t_\n12\tago\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tUnlike\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\t1987\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\tinterest\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\trates\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n6\thave\t_\tAUX\tVBP\t_\t8\taux\t_\t_\n7\tbeen\t_\tAUX\tVBN\t_\t8\taux\t_\t_\n8\tfalling\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n9\tthis\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tyear\t_\tNOUN\tNN\t_\t8\tnmod:tmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tUnlike\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\t1987\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tdollar\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tbeen\t_\tVERB\tVBN\t_\t8\tcop\t_\t_\n8\tstrong\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tAnd\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n2\tunlike\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\t1987\t_\tNUM\tCD\t_\t9\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\teconomy\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n7\tdoes\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n8\tn't\t_\tPART\tRB\t_\t9\tneg\t_\t_\n9\tappear\t_\tVERB\tVB\t_\t0\troot\t_\t_\n10\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n11\tbe\t_\tVERB\tVB\t_\t14\tcop\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tany\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tdanger\t_\tNOUN\tNN\t_\t9\txcomp\t_\t_\n15\tof\t_\tADP\tIN\t_\t16\tcase\t_\t_\n16\toverheating\t_\tVERB\tVBG\t_\t14\tnmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\teconomy\t_\tNOUN\tNN\t_\t6\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tslower\t_\tADJ\tJJR\t_\t6\tamod\t_\t_\n6\tgrowth\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n7\tthis\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tyear\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n9\talso\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\tmeans\t_\tVERB\tVBZ\t_\t23\tccomp\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\toutlook\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n13\tfor\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tcorporate\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tprofits\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n16\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n17\tis\t_\tVERB\tVBZ\t_\t19\tcop\t_\t_\n18\tn't\t_\tPART\tRB\t_\t19\tneg\t_\t_\n19\tgood\t_\tADJ\tJJ\t_\t10\tccomp\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n21\t''\t_\tPUNCT\t''\t_\t23\tpunct\t_\t_\n22\the\t_\tPRON\tPRP\t_\t23\tnsubj\t_\t_\n23\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n2\tSo\t_\tADP\tIN\t_\t8\tdep\t_\t_\n3\tit\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n4\t's\t_\tVERB\tVBZ\t_\t8\tcop\t_\t_\n5\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n6\tvery\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tmixed\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tbag\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n\n1\tThus\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\the\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tconcludes\t_\tVERB\tVBZ\t_\t12\tparataxis\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n7\tThis\t_\tPRON\tDT\t_\t12\tnsubj\t_\t_\n8\tis\t_\tVERB\tVBZ\t_\t12\tcop\t_\t_\n9\tnot\t_\tPART\tRB\t_\t12\tneg\t_\t_\n10\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tgood\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tenvironment\t_\tNOUN\tNN\t_\t0\troot\t_\t_\n13\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n14\tbe\t_\tVERB\tVB\t_\t16\tauxpass\t_\t_\n15\tfully\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n16\tinvested\t_\tVERB\tVBN\t_\t12\tacl\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n18\tin\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tstocks\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t22\tpunct\t_\t_\n2\tIf\t_\tSCONJ\tIN\t_\t5\tmark\t_\t_\n3\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\thad\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n5\tcome\t_\tVERB\tVBN\t_\t22\tadvcl\t_\t_\n6\tinto\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tFriday\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n8\ton\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tmargin\t_\tNOUN\tNN\t_\t5\tdep\t_\t_\n10\tor\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\twith\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n12\tvery\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\tlittle\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tcash\t_\tNOUN\tNN\t_\t9\tconj\t_\t_\n15\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tportfolios\t_\tNOUN\tNNS\t_\t14\tdep\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n19\tI\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n20\twould\t_\tAUX\tMD\t_\t22\taux\t_\t_\n21\tnot\t_\tPART\tRB\t_\t22\tneg\t_\t_\n22\tdo\t_\tVERB\tVB\t_\t0\troot\t_\t_\n23\tany\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tbuying\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n2\twe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tcame\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tinto\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tFriday\t_\tPROPN\tNNP\t_\t3\tnmod\t_\t_\n6\twith\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tconservative\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tportfolio\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tso\t_\tADP\tIN\t_\t3\tdep\t_\t_\n12\tI\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n13\twould\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\tlook\t_\tVERB\tVB\t_\t3\tparataxis\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\tdo\t_\tVERB\tVB\t_\t14\txcomp\t_\t_\n17\tsome\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tmodest\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tbuying\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n20\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n21\ton\t_\tADP\tIN\t_\t22\tcase\t_\t_\n22\tbehalf\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n23\tof\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\tclients\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n26\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n\n1\tWe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\t're\t_\tAUX\tVBP\t_\t3\taux\t_\t_\n3\tgoing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tlook\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\tfor\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tsome\t_\tDET\tDT\t_\t5\tnmod\t_\t_\n8\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tbetter-known\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tcompanies\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n12\tthat\t_\tPRON\tWDT\t_\t14\tnsubjpass\t_\t_\n13\tgot\t_\tAUX\tVBD\t_\t14\tauxpass\t_\t_\n14\tclocked\t_\tVERB\tVBN\t_\t11\tacl:relcl\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t14\tpunct\t_\t_\n16\tFriday\t_\tPROPN\tNNP\t_\t14\tnmod:tmod\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tJohn\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tKenneth\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tGalbraith\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t6\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tlatest\t_\tADJ\tJJS\t_\t6\tamod\t_\t_\n6\tmanifestation\t_\tNOUN\tNN\t_\t19\tccomp\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcapacity\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n12\tfinancial\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tcommunity\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\tfor\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\trecurrent\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tinsanity\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n19\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n20\tMr.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tGalbraith\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\tan\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\teconomist\t_\tNOUN\tNN\t_\t21\tappos\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tsee\t_\tVERB\tVBP\t_\t17\tccomp\t_\t_\n4\tthis\t_\tPRON\tDT\t_\t3\tdobj\t_\t_\n5\tas\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\treaction\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n8\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n10\twhole\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n11\tjunk\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n12\tbond\t_\tNOUN\tNN\t_\t13\tcompound\t_\t_\n13\texplosion\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t17\tpunct\t_\t_\n16\the\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n17\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\texplosion\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tjunk\t_\tNOUN\tNN\t_\t6\tcompound\t_\t_\n6\tbonds\t_\tNOUN\tNNS\t_\t3\tnmod\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\ttakeovers\t_\tNOUN\tNNS\t_\t6\tconj\t_\t_\n9\thas\t_\tAUX\tVBZ\t_\t10\taux\t_\t_\n10\tlodged\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tlot\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tinsecure\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tsecurities\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n16\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\thands\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n19\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tinvestors\t_\tNOUN\tNNS\t_\t18\tnmod\t_\t_\n21\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n22\tloaded\t_\tVERB\tVBD\t_\t10\tconj\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tcorporations\t_\tNOUN\tNNS\t_\t22\tdobj\t_\t_\n25\tthat\t_\tPRON\tWDT\t_\t28\tnsubj\t_\t_\n26\tare\t_\tVERB\tVBP\t_\t28\tcop\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tobjects\t_\tNOUN\tNNS\t_\t24\tacl:relcl\t_\t_\n29\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\ttakeovers\t_\tNOUN\tNNS\t_\t28\tnmod\t_\t_\n31\tor\t_\tCONJ\tCC\t_\t30\tcc\t_\t_\n32\tfeared\t_\tADJ\tJJ\t_\t33\tamod\t_\t_\n33\ttakeovers\t_\tNOUN\tNNS\t_\t30\tconj\t_\t_\n34\twith\t_\tADP\tIN\t_\t36\tcase\t_\t_\n35\thuge\t_\tADJ\tJJ\t_\t36\tamod\t_\t_\n36\tamounts\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n37\tof\t_\tADP\tIN\t_\t38\tcase\t_\t_\n38\tdebt\t_\tNOUN\tNN\t_\t36\tnmod\t_\t_\n39\trather\t_\tADV\tRB\t_\t38\tcc\t_\t_\n40\tthan\t_\tADP\tIN\t_\t39\tmwe\t_\t_\n41\tequity\t_\tNOUN\tNN\t_\t38\tconj\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tThis\t_\tPRON\tDT\t_\t4\tnsubj\t_\t_\n2\thas\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n3\tboth\t_\tCONJ\tCC\t_\t4\tdep\t_\t_\n4\tmade\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tinvestors\t_\tNOUN\tNNS\t_\t6\tdep\t_\t_\n6\tuneasy\t_\tADJ\tJJ\t_\t4\txcomp\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcorporations\t_\tNOUN\tNNS\t_\t11\tdep\t_\t_\n10\tmore\t_\tADV\tRBR\t_\t11\tadvmod\t_\t_\n11\tvulnerable\t_\tADJ\tJJ\t_\t6\tconj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tNevertheless\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\the\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n5\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tdepression\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n7\tdoes\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n8\tn't\t_\tPART\tRB\t_\t9\tneg\t_\t_\n9\tappear\t_\tVERB\tVB\t_\t4\tccomp\t_\t_\n10\tlikely\t_\tADJ\tJJ\t_\t9\txcomp\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t18\tpunct\t_\t_\n2\tThere\t_\tPRON\tEX\t_\t3\texpl\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t18\tccomp\t_\t_\n4\tmore\t_\tADJ\tJJR\t_\t5\tamod\t_\t_\n5\tresiliency\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n6\tin\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\teconomy\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n9\tat\t_\tADP\tIN\t_\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ill\t_\tAUX\tMD\t_\t24\taux\t_\t_\n24\tcontinue\t_\tVERB\tVB\t_\t21\tccomp\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tmarket\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\twas\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tup\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n6\t35\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n7\t%\t_\tSYM\tNN\t_\t5\tnmod:npmod\t_\t_\n8\tsince\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n9\t-LCB-\t_\tPUNCT\t-LRB-\t_\t10\tpunct\t_\t_\n10\tPresident\t_\tPROPN\tNNP\t_\t12\tdep\t_\t_\n11\t-RCB-\t_\tPUNCT\t-RRB-\t_\t10\tpunct\t_\t_\n12\tBush\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n13\ttook\t_\tVERB\tVBD\t_\t4\tadvcl\t_\t_\n14\toffice\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n17\tMr.\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tGabelli\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n19\tsays\t_\tVERB\tVBZ\t_\t4\tdep\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n21\tso\t_\tADP\tIN\t_\t4\tdep\t_\t_\n22\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tcorrection\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n24\twas\t_\tVERB\tVBD\t_\t4\tparataxis\t_\t_\n25\tto\t_\tPART\tTO\t_\t27\tmark\t_\t_\n26\tbe\t_\tAUX\tVB\t_\t27\tauxpass\t_\t_\n27\texpected\t_\tVERB\tVBN\t_\t24\txcomp\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\tthinks\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tanother\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tcrash\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n5\tis\t_\tVERB\tVBZ\t_\t7\tcop\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t7\tpunct\t_\t_\n7\tunlikely\t_\tADJ\tJJ\t_\t2\tccomp\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t2\tpunct\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n11\tsays\t_\tVERB\tVBZ\t_\t2\tconj\t_\t_\n12\the\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n13\twas\t_\tAUX\tVBD\t_\t15\taux\t_\t_\n14\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n15\tnibbling\t_\tVERB\tVBG\t_\t11\tccomp\t_\t_\n16\tat\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n18\tselected\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tstocks\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n20\tduring\t_\tADP\tIN\t_\t23\tcase\t_\t_\n21\tFriday\t_\tPROPN\tNNP\t_\t23\tnmod:poss\t_\t_\n22\t's\t_\tPART\tPOS\t_\t21\tcase\t_\t_\n23\tplunge\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n2\tStocks\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n3\tthat\t_\tPRON\tWDT\t_\t5\tnsubjpass\t_\t_\n4\twere\t_\tAUX\tVBD\t_\t5\tauxpass\t_\t_\n5\tthrown\t_\tVERB\tVBN\t_\t2\tacl:relcl\t_\t_\n6\tout\t_\tADP\tRP\t_\t5\tcompound:prt\t_\t_\n7\tjust\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n8\ton\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tan\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\temotional\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tbasis\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n12\tare\t_\tVERB\tVBP\t_\t15\tcop\t_\t_\n13\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tgreat\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\topportunity\t_\tNOUN\tNN\t_\t27\tccomp\t_\t_\n16\t-LCB-\t_\tPUNCT\t-LRB-\t_\t17\tpunct\t_\t_\n17\tthis\t_\tDET\tDT\t_\t19\tdep\t_\t_\n18\t-RCB-\t_\tPUNCT\t-RRB-\t_\t17\tpunct\t_\t_\n19\tweek\t_\tNOUN\tNN\t_\t15\tnmod:tmod\t_\t_\n20\tfor\t_\tADP\tIN\t_\t21\tcase\t_\t_\n21\tguys\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n22\tlike\t_\tADP\tIN\t_\t23\tcase\t_\t_\n23\tme\t_\tPRON\tPRP\t_\t21\tnmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n25\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n26\the\t_\tPRON\tPRP\t_\t27\tnsubj\t_\t_\n27\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\tJim\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tRogers\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tIt\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tseems\t_\tVERB\tVBZ\t_\t19\tccomp\t_\t_\n4\tto\t_\tADP\tTO\t_\t5\tcase\t_\t_\n5\tme\t_\tPRON\tPRP\t_\t3\tnmod\t_\t_\n6\tthat\t_\tSCONJ\tIN\t_\t10\tmark\t_\t_\n7\tthis\t_\tPRON\tDT\t_\t10\tnsubj\t_\t_\n8\tis\t_\tVERB\tVBZ\t_\t10\tcop\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tpin\t_\tNOUN\tNN\t_\t3\tccomp\t_\t_\n11\tthat\t_\tPRON\tWDT\t_\t14\tnsubj\t_\t_\n12\thas\t_\tAUX\tVBZ\t_\t14\taux\t_\t_\n13\tfinally\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tpricked\t_\tVERB\tVBN\t_\t10\tacl:relcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tballoon\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n19\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n20\tMr.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tRogers\t_\tPROPN\tNNP\t_\t19\tdep\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\ta\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tprofessor\t_\tNOUN\tNN\t_\t21\tappos\t_\t_\n25\tof\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tfinance\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n27\tat\t_\tADP\tIN\t_\t29\tcase\t_\t_\n28\tColumbia\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tUniversity\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n30\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n31\tformer\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tco-manager\t_\tNOUN\tNN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\t_\t_\n22\tthe\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\tdefendant\t_\tNOUN\tNN\t_\t25\tnsubjpass\t_\t_\n24\tbe\t_\tAUX\tVB\t_\t25\tauxpass\t_\t_\n25\tcompelled\t_\tVERB\tVBN\t_\t12\tconj\t_\t_\n26\tto\t_\tPART\tTO\t_\t27\tmark\t_\t_\n27\ttake\t_\tVERB\tVB\t_\t25\txcomp\t_\t_\n28\tthe\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tstand\t_\tNOUN\tNN\t_\t27\tdobj\t_\t_\n30\tas\t_\tADP\tIN\t_\t32\tcase\t_\t_\n31\ta\t_\tDET\tDT\t_\t32\tdet\t_\t_\n32\twitness\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n34\tthus\t_\tADV\tRB\t_\t35\tadvmod\t_\t_\n35\tforcing\t_\tVERB\tVBG\t_\t25\txcomp\t_\t_\n36\thim\t_\tPRON\tPRP\t_\t35\tdobj\t_\t_\n37\tto\t_\tPART\tTO\t_\t39\tmark\t_\t_\n38\t``\t_\tPUNCT\t``\t_\t39\tpunct\t_\t_\n39\ttake\t_\tVERB\tVB\t_\t35\txcomp\t_\t_\n40\tthe\t_\tDET\tDT\t_\t41\tdet\t_\t_\n41\tFifth\t_\tPROPN\tNNP\t_\t39\tdobj\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n43\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tprivilege\t_\tNOUN\tNN\t_\t8\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n4\thowever\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tbeen\t_\tAUX\tVBN\t_\t8\tauxpass\t_\t_\n8\tlimited\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n9\tin\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\taccordance\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n11\twith\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\tits\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n13\tplain\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tlanguage\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\tprotect\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n17\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n18\tdefendant\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tin\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tcriminal\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tmatters\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n22\tonly\t_\tADV\tRB\t_\t21\tadvmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tSupreme\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCourt\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n4\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n5\tsome\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tstates\t_\tNOUN\tNNS\t_\t3\tconj\t_\t_\n7\thave\t_\tAUX\tVBP\t_\t9\taux\t_\t_\n8\tspecifically\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\trecognized\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n11\t``\t_\tPUNCT\t``\t_\t17\tpunct\t_\t_\n12\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n13\tFifth\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tAmendment\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n15\tdoes\t_\tAUX\tVBZ\t_\t17\taux\t_\t_\n16\tnot\t_\tPART\tRB\t_\t17\tneg\t_\t_\n17\tpreclude\t_\tVERB\tVB\t_\t9\tccomp\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tinference\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n20\twhere\t_\tADV\tWRB\t_\t24\tadvmod\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tprivilege\t_\tNOUN\tNN\t_\t24\tnsubjpass\t_\t_\n23\tis\t_\tAUX\tVBZ\t_\t24\tauxpass\t_\t_\n24\tclaimed\t_\tVERB\tVBN\t_\t17\tadvcl\t_\t_\n25\tby\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\ta\t_\tDET\tDT\t_\t27\tdet\t_\t_\n27\tparty\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n28\tto\t_\tADP\tTO\t_\t31\tcase\t_\t_\n29\ta\t_\tDET\tDT\t_\t31\tdet\t_\t_\n30\tcivil\t_\tADJ\tJJ\t_\t31\tamod\t_\t_\n31\tcause\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n32\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n33\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n\n1\tBaxter\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n2\tv.\t_\tADP\tIN\t_\t3\tcase\t_\t_\n3\tPalmingiano\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n5\t425\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n6\tU.S.\t_\tPROPN\tNNP\t_\t1\tappos\t_\t_\n7\t308\t_\tNUM\tCD\t_\t6\tnummod\t_\t_\n8\t-LRB-\t_\tPUNCT\t-LRB-\t_\t9\tpunct\t_\t_\n9\t1976\t_\tNUM\tCD\t_\t1\tdep\t_\t_\n10\t-RRB-\t_\tPUNCT\t-RRB-\t_\t9\tpunct\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tThus\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n3\tin\t_\tADP\tIN\t_\t6\tcase\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tcivil\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tcase\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tdefendant\t_\tNOUN\tNN\t_\t12\tnsubjpass\t_\t_\n10\tmay\t_\tAUX\tMD\t_\t12\taux\t_\t_\n11\tbe\t_\tAUX\tVB\t_\t12\tauxpass\t_\t_\n12\tcalled\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n13\tas\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\twitness\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n17\the\t_\tPRON\tPRP\t_\t20\tnsubjpass\t_\t_\n18\tmay\t_\tAUX\tMD\t_\t20\taux\t_\t_\n19\tbe\t_\tAUX\tVB\t_\t20\tauxpass\t_\t_\n20\tforced\t_\tVERB\tVBN\t_\t12\tccomp\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\ttestify\t_\tVERB\tVB\t_\t20\txcomp\t_\t_\n23\tor\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\ttake\t_\tVERB\tVB\t_\t22\tconj\t_\t_\n25\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n26\tFifth\t_\tPROPN\tNNP\t_\t24\tdobj\t_\t_\n27\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n28\tand\t_\tCONJ\tCC\t_\t12\tcc\t_\t_\n29\this\t_\tPRON\tPRP$\t_\t30\tnmod:poss\t_\t_\n30\ttaking\t_\tNOUN\tNN\t_\t35\tnsubj\t_\t_\n31\tof\t_\tADP\tIN\t_\t33\tcase\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tFifth\t_\tPROPN\tNNP\t_\t30\tnmod\t_\t_\n34\tmay\t_\tAUX\tMD\t_\t35\taux\t_\t_\n35\tpermit\t_\tVERB\tVB\t_\t12\tconj\t_\t_\n36\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\tdrawing\t_\tNOUN\tNN\t_\t35\tdobj\t_\t_\n38\tof\t_\tADP\tIN\t_\t41\tcase\t_\t_\n39\tan\t_\tDET\tDT\t_\t41\tdet\t_\t_\n40\tadverse\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tinference\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n42\tagainst\t_\tADP\tIN\t_\t43\tcase\t_\t_\n43\thim\t_\tPRON\tPRP\t_\t41\tnmod\t_\t_\n44\tin\t_\tADP\tIN\t_\t47\tcase\t_\t_\n45\tthe\t_\tDET\tDT\t_\t47\tdet\t_\t_\n46\tcivil\t_\tADJ\tJJ\t_\t47\tamod\t_\t_\n47\tmatter\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n48\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\tmay\t_\tAUX\tMD\t_\t3\taux\t_\t_\n3\ttake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tFifth\t_\tPROPN\tNNP\t_\t3\tdobj\t_\t_\n6\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\tcivil\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tmatter\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\tonly\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n11\tif\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n12\the\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\thas\t_\tVERB\tVBZ\t_\t3\tadvcl\t_\t_\n14\ta\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tgood\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tfaith\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n17\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n18\tjustifiable\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tbelief\t_\tNOUN\tNN\t_\t16\tconj\t_\t_\n20\tthat\t_\tSCONJ\tIN\t_\t24\tmark\t_\t_\n21\this\t_\tPRON\tPRP$\t_\t22\tnmod:poss\t_\t_\n22\ttestimony\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n23\tmay\t_\tAUX\tMD\t_\t24\taux\t_\t_\n24\tsubject\t_\tVERB\tVB\t_\t16\tdep\t_\t_\n25\thim\t_\tPRON\tPRP\t_\t24\tdobj\t_\t_\n26\tto\t_\tADP\tTO\t_\t28\tcase\t_\t_\n27\tcriminal\t_\tADJ\tJJ\t_\t28\tamod\t_\t_\n28\tprosecution\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tAllowing\t_\tVERB\tVBG\t_\t14\tcsubj\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tdefendant\t_\tNOUN\tNN\t_\t1\tdobj\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\ttake\t_\tVERB\tVB\t_\t1\txcomp\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tFifth\t_\tPROPN\tNNP\t_\t5\tdobj\t_\t_\n8\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tcivil\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tmatter\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n12\tis\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n13\tnot\t_\tPART\tRB\t_\t14\tneg\t_\t_\n14\tbased\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n15\ton\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tconstitutional\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tright\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\trefuse\t_\tVERB\tVB\t_\t18\tacl\t_\t_\n21\tto\t_\tPART\tTO\t_\t22\tmark\t_\t_\n22\ttestify\t_\tVERB\tVB\t_\t20\txcomp\t_\t_\n23\twhere\t_\tADV\tWRB\t_\t27\tadvmod\t_\t_\n24\tone\t_\tPRON\tPRP\t_\t26\tnmod:poss\t_\t_\n25\t's\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\ttestimony\t_\tNOUN\tNN\t_\t27\tnsubj\t_\t_\n27\tharms\t_\tVERB\tVBZ\t_\t20\tadvcl\t_\t_\n28\thim\t_\tPRON\tPRP\t_\t27\tdobj\t_\t_\n29\tin\t_\tADP\tIN\t_\t32\tcase\t_\t_\n30\tthe\t_\tDET\tDT\t_\t32\tdet\t_\t_\n31\tcivil\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tmatter\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n34\tbut\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n35\tbecause\t_\tSCONJ\tIN\t_\t45\tmark\t_\t_\n36\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n37\ttestimony\t_\tNOUN\tNN\t_\t45\tnsubjpass\t_\t_\n38\tin\t_\tADP\tIN\t_\t41\tcase\t_\t_\n39\tthe\t_\tDET\tDT\t_\t41\tdet\t_\t_\n40\tcivil\t_\tADJ\tJJ\t_\t41\tamod\t_\t_\n41\tmatter\t_\tNOUN\tNN\t_\t37\tnmod\t_\t_\n42\tcould\t_\tAUX\tMD\t_\t45\taux\t_\t_\n43\tbe\t_\tAUX\tVB\t_\t45\tauxpass\t_\t_\n44\tunconstitutionally\t_\tADV\tRB\t_\t45\tadvmod\t_\t_\n45\tused\t_\tVERB\tVBN\t_\t14\tconj\t_\t_\n46\tagainst\t_\tADP\tIN\t_\t47\tcase\t_\t_\n47\thim\t_\tPRON\tPRP\t_\t45\tnmod\t_\t_\n48\tin\t_\tADP\tIN\t_\t52\tcase\t_\t_\n49\ta\t_\tDET\tDT\t_\t52\tdet\t_\t_\n50\tsubsequent\t_\tADJ\tJJ\t_\t52\tamod\t_\t_\n51\tcriminal\t_\tADJ\tJJ\t_\t52\tamod\t_\t_\n52\tprosecution\t_\tNOUN\tNN\t_\t45\tnmod\t_\t_\n53\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tAbsent\t_\tADJ\tJJ\t_\t11\tccomp\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\trisk\t_\tNOUN\tNN\t_\t1\tdep\t_\t_\n4\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n5\tsuch\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tprosecution\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n8\ta\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tcourt\t_\tNOUN\tNN\t_\t11\tnsubj\t_\t_\n10\tmay\t_\tAUX\tMD\t_\t11\taux\t_\t_\n11\torder\t_\tVERB\tVB\t_\t0\troot\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tdefendant\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n14\tto\t_\tPART\tTO\t_\t15\tmark\t_\t_\n15\ttestify\t_\tVERB\tVB\t_\t11\txcomp\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tThus\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t26\tpunct\t_\t_\n3\twhen\t_\tADV\tWRB\t_\t6\t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od:npmod\t_\t_\n25\tago\t_\tADV\tRB\t_\t21\tdep\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tEverybody\t_\tNOUN\tNN\t_\t3\tnsubj\t_\t_\n2\twas\t_\tAUX\tVBD\t_\t3\taux\t_\t_\n3\ttrying\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tdo\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tsame\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tthing\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n9\tat\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tsame\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\ttime\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n14\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tJeremiah\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tMullins\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n5\tOTC\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\ttrading\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tchief\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n8\tat\t_\tADP\tIN\t_\t11\tcase\t_\t_\n9\tDean\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tWitter\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tReynolds\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tNew\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tYork\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\tproudly\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n18\tthat\t_\tSCONJ\tIN\t_\t21\tmark\t_\t_\n19\this\t_\tPRON\tPRP$\t_\t20\tnmod:poss\t_\t_\n20\tcompany\t_\tNOUN\tNN\t_\t21\tnsubj\t_\t_\n21\texecuted\t_\tVERB\tVBD\t_\t16\tccomp\t_\t_\n22\tevery\t_\tDET\tDT\t_\t23\tdet\t_\t_\n23\torder\t_\tNOUN\tNN\t_\t21\tdobj\t_\t_\n24\tit\t_\tPRON\tPRP\t_\t25\tnsubj\t_\t_\n25\treceived\t_\tVERB\tVBD\t_\t23\tacl:relcl\t_\t_\n26\tby\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\tthe\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\tclose\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n29\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\ttrading\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\the\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tadded\t_\tVERB\tVBD\t_\t10\tparataxis\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n7\tyou\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n8\tcan\t_\tAUX\tMD\t_\t10\taux\t_\t_\n9\tonly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\ttake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n11\tone\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\tcall\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\tat\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\ttime\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n17\t''\t_\tPUNCT\t''\t_\t10\tpunct\t_\t_\n\n1\tMarket\t_\tNOUN\tNN\t_\t2\tcompound\t_\t_\n2\tmakers\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tkeep\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tsupplies\t_\tNOUN\tNNS\t_\t3\tdobj\t_\t_\n5\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tstock\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\ton\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\thand\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n9\tto\t_\tPART\tTO\t_\t10\tmark\t_\t_\n10\tmaintain\t_\tVERB\tVB\t_\t3\tadvcl\t_\t_\n11\torderly\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\ttrading\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\twhen\t_\tADV\tWRB\t_\t15\tadvmod\t_\t_\n14\timbalances\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n15\toccur\t_\tVERB\tVBP\t_\t10\tadvcl\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tOn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tdays\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n3\tlike\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\tFriday\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n6\tthat\t_\tPRON\tWDT\t_\t7\tnsubj\t_\t_\n7\tmeans\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n8\tthey\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n9\tmust\t_\tAUX\tMD\t_\t10\taux\t_\t_\n10\tbuy\t_\tVERB\tVB\t_\t7\tccomp\t_\t_\n11\tshares\t_\tNOUN\tNNS\t_\t10\tdobj\t_\t_\n12\tfrom\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tsellers\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n14\twhen\t_\tADV\tWRB\t_\t19\tadvmod\t_\t_\n15\tno\t_\tDET\tDT\t_\t16\tneg\t_\t_\n16\tone\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n17\telse\t_\tADV\tRB\t_\t16\tamod\t_\t_\n18\tis\t_\tVERB\tVBZ\t_\t19\tcop\t_\t_\n19\twilling\t_\tADJ\tJJ\t_\t10\tadvcl\t_\t_\n20\tto\t_\tPART\tTO\t_\t19\txcomp\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tWhen\t_\tADV\tWRB\t_\t5\tadvmod\t_\t_\n2\tselling\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n3\tis\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n4\tso\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tfrenzied\t_\tADJ\tJJ\t_\t8\tadvcl\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n7\tprices\t_\tNOUN\tNNS\t_\t8\tnsubj\t_\t_\n8\tfall\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n9\tsteeply\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n11\tfast\t_\tADV\tRB\t_\t9\tconj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tTwo\t_\tNUM\tCD\t_\t2\tnummod\t_\t_\n2\tyears\t_\tNOUN\tNNS\t_\t3\tnmod:npmod\t_\t_\n3\tago\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t22\tpunct\t_\t_\n5\tfaced\t_\tVERB\tVBN\t_\t22\tadvcl\t_\t_\n6\twith\t_\tADP\tIN\t_\t8\tcase\t_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\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tdamage\t_\tNOUN\tNN\t_\t19\tnsubj\t_\t_\n16\twas\t_\tVERB\tVBD\t_\t19\tcop\t_\t_\n17\tn't\t_\tPART\tRB\t_\t19\tneg\t_\t_\n18\tas\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n19\tbad\t_\tADJ\tJJ\t_\t13\tccomp\t_\t_\n20\tas\t_\tSCONJ\tIN\t_\t24\tmark\t_\t_\n21\tit\t_\tPRON\tPRP\t_\t24\tnsubj\t_\t_\n22\twas\t_\tVERB\tVBD\t_\t24\tcop\t_\t_\n23\tin\t_\tADP\tIN\t_\t24\tcase\t_\t_\n24\t1987\t_\tNUM\tCD\t_\t19\tdep\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t7\tpunct\t_\t_\n2\tTwo\t_\tNUM\tCD\t_\t3\tnummod\t_\t_\n3\tyears\t_\tNOUN\tNNS\t_\t4\tnmod:npmod\t_\t_\n4\tago\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n5\twe\t_\tPRON\tPRP\t_\t7\tnsubj\t_\t_\n6\twere\t_\tAUX\tVBD\t_\t7\taux\t_\t_\n7\tcarrying\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n8\thuge\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tinventories\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n11\tthat\t_\tPRON\tDT\t_\t15\tnsubj\t_\t_\n12\twas\t_\tVERB\tVBD\t_\t15\tcop\t_\t_\n13\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n14\tbig\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tculprit\t_\tNOUN\tNN\t_\t7\tconj\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\tdo\t_\tAUX\tVBP\t_\t4\taux\t_\t_\n3\tn't\t_\tPART\tRB\t_\t4\tneg\t_\t_\n4\tknow\t_\tVERB\tVB\t_\t13\tccomp\t_\t_\n5\tof\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\tanyone\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n7\tcarrying\t_\tVERB\tVBG\t_\t6\tacl\t_\t_\n8\tbig\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tinventories\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tnow\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n13\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tMr.\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tKing\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n16\tof\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tRobinson-Humphrey\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tTony\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCecin\t_\tPROPN\tNNP\t_\t17\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\thead\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n5\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tequity\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\ttrading\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tat\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tPiper\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n11\tJaffray\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n12\t&\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n13\tHopwood\t_\tPROPN\tNNP\t_\t9\tconj\t_\t_\n14\tin\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tMinneapolis\t_\tPROPN\tNNP\t_\t9\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n17\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n18\tthat\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n19\tPiper\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tJaffray\t_\tPROPN\tNNP\t_\t22\tnsubj\t_\t_\n21\tactually\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n22\tmade\t_\tVERB\tVBD\t_\t17\tccomp\t_\t_\n23\tmoney\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n24\ton\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tFriday\t_\tPROPN\tNNP\t_\t22\tnmod\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\thelped\t_\tVERB\tVBD\t_\t19\tccomp\t_\t_\n3\tthat\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n4\this\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n5\tinventory\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n6\tis\t_\tVERB\tVBZ\t_\t9\tcop\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tthird\t_\tNOUN\tNN\t_\t9\tnmod:npmod\t_\t_\n9\tsmaller\t_\tADJ\tJJR\t_\t2\tccomp\t_\t_\n10\tnow\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n11\tthan\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n12\tit\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n13\twas\t_\tVERB\tVBD\t_\t9\tadvcl\t_\t_\n14\ttwo\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n15\tyears\t_\tNOUN\tNNS\t_\t16\tnmod:npmod\t_\t_\n16\tago\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n18\the\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n19\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tJoseph\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tHardiman\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tpresident\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n5\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tNational\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tAssociation\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tSecurities\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tDealers\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n13\twhich\t_\tPRON\tWDT\t_\t14\tnsubj\t_\t_\n14\toversees\t_\tVERB\tVBZ\t_\t8\tacl:relcl\t_\t_\n15\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n16\tNasdaq\t_\tPROPN\tNNP\t_\t19\tcompound\t_\t_\n17\tcomputerized\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\ttrading\t_\tNOUN\tNN\t_\t19\tcompound\t_\t_\n19\tsystem\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n21\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n22\tthat\t_\tSCONJ\tIN\t_\t31\tmark\t_\t_\n23\tdespite\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n25\trush\t_\tNOUN\tNN\t_\t31\tnmod\t_\t_\n26\tof\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\tselling\t_\tVERB\tVBG\t_\t25\tnmod\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t31\tpunct\t_\t_\n29\the\t_\tPRON\tPRP\t_\t31\tnsubj\t_\t_\n30\tnever\t_\tADV\tRB\t_\t31\tneg\t_\t_\n31\tconsidered\t_\tVERB\tVBD\t_\t21\tccomp\t_\t_\n32\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tsituation\t_\tNOUN\tNN\t_\t36\tnsubj\t_\t_\n34\tan\t_\tDET\tDT\t_\t36\tdet\t_\t_\n35\t``\t_\tPUNCT\t``\t_\t36\tpunct\t_\t_\n36\temergency\t_\tNOUN\tNN\t_\t31\txcomp\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n38\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n2\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tpace\t_\tNOUN\tNN\t_\t7\tnsubj\t_\t_\n4\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\ttrading\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n6\twas\t_\tVERB\tVBD\t_\t7\tcop\t_\t_\n7\torderly\t_\tADJ\tJJ\t_\t11\tccomp\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n9\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n10\the\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tNasdaq\t_\tPROPN\tNNP\t_\t6\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tSmall\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n4\tOrder\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n5\tExecution\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tSystem\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n7\t``\t_\tPUNCT\t``\t_\t8\tpunct\t_\t_\n8\tworked\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\tbeautifully\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n12\tas\t_\tSCONJ\tIN\t_\t13\tdep\t_\t_\n13\tdid\t_\tVERB\tVBD\t_\t8\tadvcl\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tautomated\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tsystem\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n17\tfor\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tlarger\t_\tADJ\tJJR\t_\t19\tamod\t_\t_\n19\ttrades\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n21\taccording\t_\tVERB\tVBG\t_\t24\tcase\t_\t_\n22\tto\t_\tADP\tTO\t_\t21\tmwe\t_\t_\n23\tMr.\t_\tPROPN\tNNP\t_\t24\tcompound\t_\t_\n24\tHardiman\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tNevertheless\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tshock\t_\tNOUN\tNN\t_\t14\tnsubj\t_\t_\n5\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n6\tanother\t_\tDET\tDT\t_\t8\tdet\t_\t_\n7\tsteep\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n8\tplunge\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tstock\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\tprices\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\tundoubtedly\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n13\twill\t_\tAUX\tMD\t_\t14\taux\t_\t_\n14\tshake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n15\tmany\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tinvestors\t_\tNOUN\tNNS\t_\t18\tnmod:poss\t_\t_\n17\t'\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tconfidence\t_\tNOUN\tNN\t_\t14\tdobj\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t14\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t3\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n3\tpast\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tOTC\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tmarket\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n8\tthrived\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n9\ton\t_\tADP\tIN\t_\t12\tcase\t_\t_\n10\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tfirm\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tbase\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tsmall-investor\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tparticipation\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tBecause\t_\tSCONJ\tIN\t_\t8\tmark\t_\t_\n2\tNasdaq\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n3\t's\t_\tPART\tPOS\t_\t2\tcase\t_\t_\n4\ttrading\t_\tNOUN\tNN\t_\t5\tcompound\t_\t_\n5\tvolume\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n8\treturned\t_\tVERB\tVBN\t_\t18\tadvcl\t_\t_\n9\tto\t_\tADP\tTO\t_\t11\tcase\t_\t_\n10\tpre-crash\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tlevels\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n13\ttraders\t_\tNOUN\tNNS\t_\t18\tnsubj\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tOTC\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tmarket\t_\tNOUN\tNN\t_\t17\tcompound\t_\t_\n17\tofficials\t_\tNOUN\tNNS\t_\t13\tconj\t_\t_\n18\thope\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n19\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n20\tdamage\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n21\two\t_\tAUX\tMD\t_\t24\taux\t_\t_\n22\tn't\t_\tPART\tRB\t_\t24\tneg\t_\t_\n23\tbe\t_\tVERB\tVB\t_\t24\tcop\t_\t_\n24\tpermanent\t_\tADJ\tJJ\t_\t18\tccomp\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n2\tthey\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tare\t_\tVERB\tVBP\t_\t4\tcop\t_\t_\n4\tworried\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n5\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t15\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\twere\t_\tAUX\tVBD\t_\t5\taux\t_\t_\n4\tjust\t_\t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_\t_\n28\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n2\tgrateful\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\ttraders\t_\tNOUN\tNNS\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tsell\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\torders\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n8\tgenerally\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tranged\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n10\tfrom\t_\tADP\tIN\t_\t12\tcase\t_\t_\n11\t20,000\t_\tNUM\tCD\t_\t12\tnummod\t_\t_\n12\tshares\t_\tNOUN\tNNS\t_\t9\tnmod\t_\t_\n13\tto\t_\tADP\tTO\t_\t15\tcase\t_\t_\n14\t50,000\t_\tNUM\tCD\t_\t15\tnummod\t_\t_\n15\tshares\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n17\tcompared\t_\tVERB\tVBN\t_\t19\tcase\t_\t_\n18\twith\t_\tADP\tIN\t_\t19\tcase\t_\t_\n19\tblocks\t_\tNOUN\tNNS\t_\t9\tadvcl\t_\t_\n20\tof\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\t500,000\t_\tNUM\tCD\t_\t22\tnummod\t_\t_\n22\tshares\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n23\tor\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n24\tmore\t_\tADJ\tJJR\t_\t22\tnummod\t_\t_\n25\ttwo\t_\tNUM\tCD\t_\t26\tnummod\t_\t_\n26\tyears\t_\tNOUN\tNNS\t_\t27\tnmod:npmod\t_\t_\n27\tago\t_\tADV\tRB\t_\t19\tadvmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tShearson\t_\tPROPN\tNNP\t_\t4\tnmod:poss\t_\t_\n2\t's\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tMr.\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tDaPuzzo\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n5\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tretail\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tinvestors\t_\tNOUN\tNNS\t_\t9\tnsubj\t_\t_\n8\tnervously\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tsold\t_\tVERB\tVBD\t_\t5\tccomp\t_\t_\n10\tstock\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n11\tFriday\t_\tPROPN\tNNP\t_\t9\tnmod:tmod\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n13\tnever\t_\tADV\tRB\t_\t14\tneg\t_\t_\n14\treturned\t_\tVERB\tVBD\t_\t9\tconj\t_\t_\n15\tto\t_\tPART\tTO\t_\t16\tmark\t_\t_\n16\tbargain-hunt\t_\tVERB\tVB\t_\t14\txcomp\t_\t_\n17\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tInstitutional\t_\tADJ\tJJ\t_\t2\tamod\t_\t_\n2\tinvestors\t_\tNOUN\tNNS\t_\t24\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\twhich\t_\tPRON\tWDT\t_\t7\tnsubj\t_\t_\n5\thad\t_\tAUX\tVBD\t_\t7\taux\t_\t_\n6\tbeen\t_\tAUX\tVBN\t_\t7\taux\t_\t_\n7\tselling\t_\tVERB\tVBG\t_\t2\tacl:relcl\t_\t_\n8\tstock\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n9\tthroughout\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tlast\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tweek\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tlock\t_\tVERB\tVB\t_\t7\tadvcl\t_\t_\n14\tin\t_\tADP\tRP\t_\t13\tcompound:prt\t_\t_\n15\thandsome\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tgains\t_\tNOUN\tNNS\t_\t13\tdobj\t_\t_\n17\tmade\t_\tVERB\tVBN\t_\t16\tacl\t_\t_\n18\tthrough\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n20\tthird\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n21\tquarter\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n23\twere\t_\tVERB\tVBD\t_\t24\tcop\t_\t_\n24\tcalmer\t_\tADJ\tJJR\t_\t0\troot\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t24\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t21\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\thad\t_\tVERB\tVBD\t_\t21\tccomp\t_\t_\n4\ta\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tgood\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tamount\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\tselling\t_\tVERB\tVBG\t_\t6\tnmod\t_\t_\n9\tfrom\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tinstitutions\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t6\tpunct\t_\t_\n12\tbut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n13\tnot\t_\tADV\tRB\t_\t16\tneg\t_\t_\n14\tas\t_\tADP\tIN\t_\t15\tdep\t_\t_\n15\tmuch\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tpanic\t_\tNOUN\tNN\t_\t6\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t21\tpunct\t_\t_\n19\tMr.\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tDaPuzzo\t_\tPROPN\tNNP\t_\t21\tnsubj\t_\t_\n21\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t21\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t11\tpunct\t_\t_\n2\tIf\t_\tSCONJ\tIN\t_\t6\tmark\t_\t_\n3\tthey\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n4\tcould\t_\tAUX\tMD\t_\t6\taux\t_\t_\n5\tn't\t_\tPART\tRB\t_\t6\tneg\t_\t_\n6\tsell\t_\tVERB\tVB\t_\t11\tadvcl\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n8\tsome\t_\tDET\tDT\t_\t11\tnsubj\t_\t_\n9\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tthem\t_\tPRON\tPRP\t_\t8\tnmod\t_\t_\n11\tput\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tshares\t_\tNOUN\tNNS\t_\t11\tdobj\t_\t_\n14\tback\t_\tADV\tRB\t_\t11\tadvmod\t_\t_\n15\ton\t_\tADP\tIN\t_\t17\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tshelf\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n19\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n\n1\tIn\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\taddition\t_\tNOUN\tNN\t_\t11\tnmod\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n4\the\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\tsaid\t_\tVERB\tVBD\t_\t11\tparataxis\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tsome\t_\t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_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tagency\t_\tNOUN\tNN\t_\t12\tnsubj\t_\t_\n11\thas\t_\tAUX\tVBZ\t_\t12\taux\t_\t_\n12\tturned\t_\tVERB\tVBN\t_\t8\tccomp\t_\t_\n13\tover\t_\tADP\tRP\t_\t12\tcompound:prt\t_\t_\n14\tevidence\t_\tNOUN\tNN\t_\t12\tdobj\t_\t_\n15\tin\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tcriminal\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tinvestigation\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n19\tconcerning\t_\tVERB\tVBG\t_\t18\tacl\t_\t_\n20\tVitarine\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tPharmaceuticals\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tInc.\t_\tPROPN\tNNP\t_\t19\tdobj\t_\t_\n23\tto\t_\tADP\tTO\t_\t28\tcase\t_\t_\n24\tthe\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tU.S.\t_\tPROPN\tNNP\t_\t26\tcompound\t_\t_\n26\tAttorney\t_\tPROPN\tNNP\t_\t28\tnmod:poss\t_\t_\n27\t's\t_\tPART\tPOS\t_\t26\tcase\t_\t_\n28\toffice\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n29\tin\t_\tADP\tIN\t_\t30\tcase\t_\t_\n30\tBaltimore\t_\tPROPN\tNNP\t_\t28\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tNeither\t_\tDET\tDT\t_\t2\tcc:preconj\t_\t_\n2\tVitarine\t_\tPROPN\tNNP\t_\t19\tnsubjpass\t_\t_\n3\tnor\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n4\tany\t_\tDET\tDT\t_\t2\tconj\t_\t_\n5\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n7\tSpringfield\t_\tPROPN\tNNP\t_\t12\tdep\t_\t_\n8\tGardens\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n10\tN.Y.\t_\tPROPN\tNNP\t_\t7\tdep\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n12\tcompany\t_\tNOUN\tNN\t_\t14\tnmod:poss\t_\t_\n13\t's\t_\tPART\tPOS\t_\t12\tcase\t_\t_\n14\tofficials\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n15\tor\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\temployees\t_\tNOUN\tNNS\t_\t14\tconj\t_\t_\n17\thave\t_\tAUX\tVBP\t_\t19\taux\t_\t_\n18\tbeen\t_\tAUX\tVBN\t_\t19\tauxpass\t_\t_\n19\tcharged\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n20\twith\t_\tADP\tIN\t_\t22\tcase\t_\t_\n21\tany\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tcrimes\t_\tNOUN\tNNS\t_\t19\tnmod\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\tVitarine\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\twon\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tapproval\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tmarket\t_\tVERB\tVB\t_\t3\tacl\t_\t_\n6\ta\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tversion\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n9\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tblood\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n11\tpressure\t_\tNOUN\tNN\t_\t12\tcompound\t_\t_\n12\tmedicine\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n13\tbut\t_\tCONJ\tCC\t_\t2\tcc\t_\t_\n14\tacknowledged\t_\tVERB\tVBD\t_\t2\tconj\t_\t_\n15\tthat\t_\tSCONJ\tIN\t_\t17\tmark\t_\t_\n16\tit\t_\tPRON\tPRP\t_\t17\tnsubj\t_\t_\n17\tsubstituted\t_\tVERB\tVBD\t_\t14\tccomp\t_\t_\n18\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n19\tSmithKline\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n20\tBeecham\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\tPLC\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n22\tproduct\t_\tNOUN\tNN\t_\t17\tdobj\t_\t_\n23\tas\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\tits\t_\tPRON\tPRP$\t_\t25\tnmod:poss\t_\t_\n25\town\t_\tADJ\tJJ\t_\t17\tnmod\t_\t_\n26\tin\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\ttests\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tNesbit\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tFDA\t_\tPROPN\tNNP\t_\t8\tnsubj\t_\t_\n7\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n8\tasked\t_\tVERB\tVBN\t_\t4\tccomp\t_\t_\n9\tBolar\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tPharmaceutical\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tCo.\t_\tPROPN\tNNP\t_\t8\tdobj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\trecall\t_\tVERB\tVB\t_\t8\txcomp\t_\t_\n14\tat\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\tretail\t_\tADJ\tJJ\t_\t17\tamod\t_\t_\n17\tlevel\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n18\tits\t_\tPRON\tPRP$\t_\t21\tnmod:poss\t_\t_\n19\turinary\t_\tADJ\tJJ\t_\t21\tamod\t_\t_\n20\ttract\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tantibiotic\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n2\tso\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n3\tfar\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n4\tthe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tcompany\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n6\thas\t_\tAUX\tVBZ\t_\t8\taux\t_\t_\n7\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n8\tcomplied\t_\tVERB\tVBN\t_\t15\tccomp\t_\t_\n9\twith\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthat\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\trequest\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n13\tthe\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tspokesman\t_\tNOUN\tNN\t_\t15\tnsubj\t_\t_\n15\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tBolar\t_\tPROPN\tNNP\t_\t27\tnsubj\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tsubject\t_\tNOUN\tNN\t_\t1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ourt\t_\tNOUN\tNN\t_\t16\tdobj\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\toverturn\t_\tVERB\tVB\t_\t16\txcomp\t_\t_\n21\tsuch\t_\tDET\tPDT\t_\t24\tdet:predet\t_\t_\n22\ta\t_\tDET\tDT\t_\t24\tdet\t_\t_\n23\tvote-diluting\t_\tADJ\tJJ\t_\t24\tamod\t_\t_\n24\tmaneuver\t_\tNOUN\tNN\t_\t20\tdobj\t_\t_\n25\trecently\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\tdeployed\t_\tVERB\tVBN\t_\t24\tacl\t_\t_\n27\tby\t_\tADP\tIN\t_\t30\tcase\t_\t_\n28\tKoninklijke\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n29\tAhold\t_\tPROPN\tNNP\t_\t30\tcompound\t_\t_\n30\tNV\t_\tPROPN\tNNP\t_\t26\tnmod\t_\t_\n31\t.\t_\tPUNCT\t.\t_\t16\tpunct\t_\t_\n\n1\tASKO\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n4\tDutch-based\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n5\tinternational\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n6\tfood\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tretailer\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n8\thad\t_\tVERB\tVBD\t_\t2\tccomp\t_\t_\n9\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n10\treasonable\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tgrounds\t_\tNOUN\tNNS\t_\t8\tdobj\t_\t_\n12\tto\t_\tPART\tTO\t_\t13\tmark\t_\t_\n13\tissue\t_\tVERB\tVB\t_\t11\tacl\t_\t_\n14\tpreferred\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n15\tstock\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tto\t_\tADP\tTO\t_\t19\tcase\t_\t_\n17\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tfriendly\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\ttrust\t_\tNOUN\tNN\t_\t13\tnmod\t_\t_\n20\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n21\tthus\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n22\tdilute\t_\tVERB\tVB\t_\t13\tconj\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tworth\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n25\tand\t_\tCONJ\tCC\t_\t24\tcc\t_\t_\n26\tvoting\t_\tNOUN\tNN\t_\t27\tcompound\t_\t_\n27\tpower\t_\tNOUN\tNN\t_\t24\tconj\t_\t_\n28\tof\t_\tADP\tIN\t_\t29\tcase\t_\t_\n29\tASKO\t_\tPROPN\tNNP\t_\t24\tnmod\t_\t_\n30\tand\t_\tCONJ\tCC\t_\t29\tcc\t_\t_\n31\tother\t_\tADJ\tJJ\t_\t32\tamod\t_\t_\n32\tshareholders\t_\tNOUN\tNNS\t_\t29\tconj\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tSpeaking\t_\tVERB\tVBG\t_\t9\tadvcl\t_\t_\n2\tthrough\t_\tADP\tIN\t_\t5\tcase\t_\t_\n3\tits\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n4\tDutch\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tlawyers\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n7\tASKO\t_\tPROPN\tNNP\t_\t9\tnsubj\t_\t_\n8\talso\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n9\tdisclosed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n10\tit\t_\tPRON\tPRP\t_\t11\tnsubj\t_\t_\n11\tholds\t_\tVERB\tVBZ\t_\t9\tccomp\t_\t_\n12\ta\t_\tDET\tDT\t_\t15\tdet\t_\t_\n13\t15\t_\tNUM\tCD\t_\t14\tcompound\t_\t_\n14\t%\t_\tSYM\tNN\t_\t15\tamod\t_\t_\n15\tstake\t_\tNOUN\tNN\t_\t11\tdobj\t_\t_\n16\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tAhold\t_\tPROPN\tNNP\t_\t15\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t4\tnsubjpass\t_\t_\n2\twas\t_\tAUX\tVBD\t_\t4\tauxpass\t_\t_\n3\tpreviously\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n4\tthought\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tASKO\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\theld\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n7\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n8\t13.6\t_\tNUM\tCD\t_\t9\tcompound\t_\t_\n9\t%\t_\tSYM\tNN\t_\t10\tamod\t_\t_\n10\tstake\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n11\tthat\t_\tPRON\tWDT\t_\t13\tnsubjpass\t_\t_\n12\twas\t_\tAUX\tVBD\t_\t13\tauxpass\t_\t_\n13\taccumulated\t_\tVERB\tVBN\t_\t10\tacl:relcl\t_\t_\n14\tsince\t_\tADP\tIN\t_\t15\tcase\t_\t_\n15\tJuly\t_\tPROPN\tNNP\t_\t13\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tspokesman\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n3\tfor\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\tAhold\t_\tPROPN\tNNP\t_\t2\tnmod\t_\t_\n5\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\this\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n7\tcompany\t_\tNOUN\tNN\t_\t9\tnsubj\t_\t_\n8\tis\t_\tVERB\tVBZ\t_\t9\tcop\t_\t_\n9\tconfident\t_\tADJ\tJJ\t_\t5\tccomp\t_\t_\n10\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n11\tits\t_\tPRON\tPRP$\t_\t13\tnmod:poss\t_\t_\n12\town\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tposition\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tpropriety\t_\tNOUN\tNN\t_\t13\tconj\t_\t_\n17\tof\t_\tADP\tIN\t_\t20\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n19\tpreferred-share\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n20\tissue\t_\tNOUN\tNN\t_\t16\tnmod\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tHe\t_\tPRON\tPRP\t_\t2\tnsubj\t_\t_\n2\ttermed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tASKO\t_\tPROPN\tNNP\t_\t6\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tlegal\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tactions\t_\tNOUN\tNNS\t_\t2\tdobj\t_\t_\n7\tas\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n9\tunproductive\t_\tADJ\tJJ\t_\t2\tadvcl\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n11\tto\t_\tADP\tTO\t_\t13\tcase\t_\t_\n12\tinternational\t_\tADJ\tJJ\t_\t13\tamod\t_\t_\n13\tcooperation\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n14\tamong\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tEuropean\t_\tADJ\tJJ\t_\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,\t_\t3\tpunct\t_\t_\n9\tvia\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tcompetitive\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tbidding\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tB&H\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tCrude\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n3\tCarriers\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n4\tLtd.\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n5\t--\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n\n1\tFour\t_\tNUM\tCD\t_\t2\tcompound\t_\t_\n2\tmillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n3\tcommon\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tshares\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tvia\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tSalomon\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tBrothers\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tInc\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tBaldwin\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tTechnology\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCo.\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t--\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\t2.6\t_\tNUM\tCD\t_\t2\tcompound\t_\t_\n2\tmillion\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n3\tClass\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tA\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tshares\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tvia\t_\tADP\tIN\t_\t11\tcase\t_\t_\n8\tSmith\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n9\tBarney\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tHarris\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tUpham\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n12\t&\t_\tCONJ\tCC\t_\t11\tcc\t_\t_\n13\tCo\t_\tPROPN\tNNP\t_\t11\tconj\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tBlockbuster\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tEntertainment\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCorp.\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t--\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t11\tamod\t_\t_\n2\t250\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tmillion\t_\tNUM\tCD\t_\t1\tnummod\t_\t_\n4\t-LRB-\t_\tPUNCT\t-LRB-\t_\t5\tpunct\t_\t_\n5\tface\t_\tNOUN\tNN\t_\t11\tdep\t_\t_\n6\tamount\t_\tNOUN\tNN\t_\t5\tdep\t_\t_\n7\t-RRB-\t_\tPUNCT\t-RRB-\t_\t5\tpunct\t_\t_\n8\tLiquid\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n9\tYield\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n10\tOption\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tNotes\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\tvia\t_\tADP\tIN\t_\t17\tcase\t_\t_\n14\tMerrill\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n15\tLynch\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n16\tCapital\t_\tPROPN\tNNP\t_\t17\tcompound\t_\t_\n17\tMarkets\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n\n1\tChase\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tManhattan\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCorp.\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t--\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\t14\t_\tNUM\tCD\t_\t2\tcompound\t_\t_\n2\tmillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n3\tcommon\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tshares\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tvia\t_\tADP\tIN\t_\t7\tcase\t_\t_\n7\tGoldman\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tSachs\t_\tPROPN\tNNP\t_\t7\tconj\t_\t_\n10\t&\t_\tCONJ\tCC\t_\t7\tcc\t_\t_\n11\tCo\t_\tPROPN\tNNP\t_\t7\tconj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tComcast\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCorp.\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t--\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t5\tamod\t_\t_\n2\t150\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tmillion\t_\tNUM\tCD\t_\t1\tnummod\t_\t_\n4\tconvertible\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tdebentures\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tvia\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tMerrill\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tLynch\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tCSS\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tIndustries\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n3\t--\t_\tPUNCT\t:\t_\t2\tpunct\t_\t_\n\n1\t1.3\t_\tNUM\tCD\t_\t2\tcompound\t_\t_\n2\tmillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n3\tcommon\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tshares\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tvia\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tMerrill\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tLynch\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tEastern\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tUtilities\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tAssociates\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n4\t--\t_\tPUNCT\t:\t_\t3\tpunct\t_\t_\n\n1\t1.5\t_\tNUM\tCD\t_\t2\tcompound\t_\t_\n2\tmillion\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n3\tcommon\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tshares\t_\tNOUN\tNNS\t_\t0\troot\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n6\tvia\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tPaineWebber\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n8\tInc\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n9\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tEmployee\t_\tPROPN\tNNP\t_\t4\tcompound\t_\t_\n2\tBene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_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tweekend\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n14\tbut\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n15\tmost\t_\tADJ\tJJS\t_\t16\tnsubj\t_\t_\n16\tseemed\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n17\tto\t_\tPART\tTO\t_\t19\tmark\t_\t_\n18\tbe\t_\tAUX\tVB\t_\t19\taux\t_\t_\n19\ttaking\t_\tVERB\tVBG\t_\t16\txcomp\t_\t_\n20\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tphilosophical\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tapproach\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n23\tand\t_\tCONJ\tCC\t_\t16\tcc\t_\t_\n24\tsaid\t_\tVERB\tVBD\t_\t16\tconj\t_\t_\n25\tthey\t_\tPRON\tPRP\t_\t27\tnsubjpass\t_\t_\n26\twere\t_\tAUX\tVBD\t_\t27\tauxpass\t_\t_\n27\tresigned\t_\tVERB\tVBN\t_\t24\tccomp\t_\t_\n28\tto\t_\tADP\tTO\t_\t29\tmark\t_\t_\n29\triding\t_\tVERB\tVBG\t_\t27\tadvcl\t_\t_\n30\tout\t_\tADP\tRP\t_\t29\tcompound:prt\t_\t_\n31\tthe\t_\tDET\tDT\t_\t33\tdet\t_\t_\n32\tlatest\t_\tADJ\tJJS\t_\t33\tamod\t_\t_\n33\tstorm\t_\tNOUN\tNN\t_\t29\tdobj\t_\t_\n34\tin\t_\tADP\tIN\t_\t37\tcase\t_\t_\n35\tthe\t_\tDET\tDT\t_\t37\tdet\t_\t_\n36\tstock\t_\tNOUN\tNN\t_\t37\tcompound\t_\t_\n37\tmarket\t_\tNOUN\tNN\t_\t33\tnmod\t_\t_\n38\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t12\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t'm\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tnot\t_\tPART\tRB\t_\t5\tneg\t_\t_\n5\tlosing\t_\tVERB\tVBG\t_\t12\tccomp\t_\t_\n6\tfaith\t_\tNOUN\tNN\t_\t5\tdobj\t_\t_\n7\tin\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tmarket\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n11\t''\t_\tPUNCT\t''\t_\t12\tpunct\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tBoston\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n14\tlawyer\t_\tNOUN\tNN\t_\t16\tcompound\t_\t_\n15\tChristopher\t_\tPROPN\tNNP\t_\t16\tcompound\t_\t_\n16\tSullivan\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n17\tas\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n18\the\t_\tPRON\tPRP\t_\t19\tnsubj\t_\t_\n19\twatched\t_\tVERB\tVBD\t_\t12\tdep\t_\t_\n20\tthe\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tmarket\t_\tNOUN\tNN\t_\t22\tnsubj\t_\t_\n22\tplunge\t_\tNOUN\tNN\t_\t19\tccomp\t_\t_\n23\ton\t_\tADP\tIN\t_\t26\tcase\t_\t_\n24\ta\t_\tDET\tDT\t_\t26\tdet\t_\t_\n25\tbig\t_\tADJ\tJJ\t_\t26\tamod\t_\t_\n26\tscreen\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n27\tin\t_\tADP\tIN\t_\t28\tcase\t_\t_\n28\tfront\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n29\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n30\ta\t_\tDET\tDT\t_\t32\tdet\t_\t_\n31\tbrokerage\t_\tNOUN\tNN\t_\t32\tcompound\t_\t_\n32\tfirm\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n33\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t6\tcc\t_\t_\n2\the\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n3\t's\t_\tVERB\tVBZ\t_\t6\tcop\t_\t_\n4\tnot\t_\tPART\tRB\t_\t6\tneg\t_\t_\n5\tso\t_\tADV\tRB\t_\t6\tadvmod\t_\t_\n6\tsure\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n7\tabout\t_\tADP\tIN\t_\t8\tcase\t_\t_\n8\teveryone\t_\tNOUN\tNN\t_\t6\tnmod\t_\t_\n9\telse\t_\tADV\tRB\t_\t8\tamod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t6\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t19\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tthink\t_\tVERB\tVBP\t_\t19\tccomp\t_\t_\n4\ton\t_\tADP\tIN\t_\t5\tcase\t_\t_\n5\tMonday\t_\tPROPN\tNNP\t_\t12\tnmod\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\tsmall\t_\tADJ\tJJ\t_\t12\tnsubj\t_\t_\n8\t-LRB-\t_\tPUNCT\t-LRB-\t_\t9\tpunct\t_\t_\n9\tinvestors\t_\tNOUN\tNNS\t_\t7\tdep\t_\t_\n10\t-RRB-\t_\tPUNCT\t-RRB-\t_\t9\tpunct\t_\t_\n11\tare\t_\tAUX\tVBP\t_\t12\taux\t_\t_\n12\tgoing\t_\tVERB\tVBG\t_\t3\tccomp\t_\t_\n13\tto\t_\tPART\tTO\t_\t14\tmark\t_\t_\n14\tpanic\t_\tVERB\tVB\t_\t12\txcomp\t_\t_\n15\tand\t_\tCONJ\tCC\t_\t14\tcc\t_\t_\n16\tsell\t_\tVERB\tVB\t_\t14\tconj\t_\t_\n17\t,\t_\tPUNCT\t,\t_\t19\tpunct\t_\t_\n18\t''\t_\tPUNCT\t''\t_\t19\tpunct\t_\t_\n19\tpredicted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n20\tMr.\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tSullivan\t_\tPROPN\tNNP\t_\t19\tnsubj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t21\tpunct\t_\t_\n23\twhose\t_\tPRON\tWP$\t_\t24\tnmod:poss\t_\t_\n24\tinvestments\t_\tNOUN\tNNS\t_\t25\tnsubj\t_\t_\n25\tinclude\t_\tVERB\tVBP\t_\t21\tacl:relcl\t_\t_\n26\tAMR\t_\tPROPN\tNNP\t_\t27\tcompound\t_\t_\n27\tCorp.\t_\tPROPN\tNNP\t_\t31\tnmod:poss\t_\t_\n28\t's\t_\tPART\tPOS\t_\t27\tcase\t_\t_\n29\tAmerican\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n30\tAirlines\t_\tPROPN\tNNP\t_\t31\tcompound\t_\t_\n31\tunit\t_\tNOUN\tNN\t_\t25\tdobj\t_\t_\n32\tand\t_\tCONJ\tCC\t_\t31\tcc\t_\t_\n33\tseveral\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n34\tmutual\t_\tADJ\tJJ\t_\t35\tamod\t_\t_\n35\tfunds\t_\tNOUN\tNNS\t_\t31\tconj\t_\t_\n36\t.\t_\tPUNCT\t.\t_\t19\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tAnd\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n3\tI\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4\tthink\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n5\tinstitutions\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n6\tare\t_\tAUX\tVBP\t_\t7\taux\t_\t_\n7\tgoing\t_\tVERB\tVBG\t_\t4\tccomp\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tcome\t_\tVERB\tVB\t_\t7\txcomp\t_\t_\n10\tin\t_\tADP\tIN\t_\t9\tadvmod\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t9\tcc\t_\t_\n12\tbuy\t_\tVERB\tVB\t_\t9\tconj\t_\t_\n13\t...\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n\n1\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n2\t'm\t_\tAUX\tVBP\t_\t3\taux\t_\t_\n3\tgoing\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\thold\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\ton\t_\tADP\tRP\t_\t5\tcompound:prt\t_\t_\n7\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tIf\t_\tSCONJ\tIN\t_\t3\tmark\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\tsell\t_\tVERB\tVBP\t_\t8\tadvcl\t_\t_\n4\tnow\t_\tADV\tRB\t_\t3\tadvmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n6\tI\t_\tPRON\tPRP\t_\t8\tnsubj\t_\t_\n7\t'll\t_\tAUX\tMD\t_\t8\taux\t_\t_\n8\ttake\t_\tVERB\tVB\t_\t0\troot\t_\t_\n9\ta\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tbig\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tloss\t_\tNOUN\tNN\t_\t8\tdobj\t_\t_\n12\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t8\tpunct\t_\t_\n\n1\tSome\t_\tDET\tDT\t_\t2\tnsubj\t_\t_\n2\tevinced\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tan\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\toptimism\t_\tNOUN\tNN\t_\t2\tdobj\t_\t_\n5\tthat\t_\tPRON\tWDT\t_\t8\tnsubjpass\t_\t_\n6\thad\t_\tAUX\tVBD\t_\t8\taux\t_\t_\n7\tbeen\t_\tAUX\tVBN\t_\t8\tauxpass\t_\t_\n8\trewarded\t_\tVERB\tVBN\t_\t4\tacl:relcl\t_\t_\n9\twhen\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n10\tthey\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n11\tdid\t_\tAUX\tVBD\t_\t13\taux\t_\t_\n12\tn't\t_\tPART\tRB\t_\t13\tneg\t_\t_\n13\tflee\t_\tVERB\tVB\t_\t8\tadvcl\t_\t_\n14\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tmarket\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tin\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\t1987\t_\tNUM\tCD\t_\t13\tnmod\t_\t_\n18\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t16\tpunct\t_\t_\n2\tOh\t_\tINTJ\tUH\t_\t5\tdiscourse\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n4\tI\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n5\tbet\t_\tVERB\tVBP\t_\t16\tccomp\t_\t_\n6\tit\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n7\t'll\t_\tAUX\tMD\t_\t13\taux\t_\t_\n8\tbe\t_\tVERB\tVB\t_\t13\tcop\t_\t_\n9\tup\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n10\t50\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tpoints\t_\tNOUN\tNNS\t_\t9\tnmod:npmod\t_\t_\n12\ton\t_\tADP\tIN\t_\t13\tcase\t_\t_\n13\tMonday\t_\tPROPN\tNNP\t_\t5\tccomp\t_\t_\n14\t,\t_\tPUNCT\t,\t_\t16\tpunct\t_\t_\n15\t''\t_\tPUNCT\t''\t_\t16\tpunct\t_\t_\n16\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n17\tLucy\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tCrump\t_\tPROPN\tNNP\t_\t16\tnsubj\t_\t_\n19\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n20\ta\t_\tDET\tDT\t_\t23\tdet\t_\t_\n21\t78-year-old\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n22\tretired\t_\tADJ\tJJ\t_\t23\tamod\t_\t_\n23\thousewife\t_\tNOUN\tNN\t_\t18\tappos\t_\t_\n24\tin\t_\tADP\tIN\t_\t25\tcase\t_\t_\n25\tLexington\t_\tPROPN\tNNP\t_\t23\tnmod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n27\tKy\t_\tPROPN\tNNP\t_\t25\tappos\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\tMrs.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tCrump\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\ther\t_\tPRON\tPRP$\t_\t7\tnmod:poss\t_\t_\n5\tAshwood\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tInvestment\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n7\tClub\t_\tPROPN\tNNP\t_\t9\tnmod:poss\t_\t_\n8\t's\t_\tPART\tPOS\t_\t7\tcase\t_\t_\n9\tportfolio\t_\tNOUN\tNN\t_\t10\tnsubj\t_\t_\n10\tlost\t_\tVERB\tVBD\t_\t3\tdep\t_\t_\n11\tabout\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\tone-third\t_\tNOUN\tNN\t_\t10\tdobj\t_\t_\n13\tof\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\tits\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n15\tvalue\t_\tNOUN\tNN\t_\t12\tnmod\t_\t_\n16\tfollowing\t_\tVERB\tVBG\t_\t20\tcase\t_\t_\n17\tthe\t_\tDET\tDT\t_\t20\tdet\t_\t_\n18\tBlack\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n19\tMonday\t_\tPROPN\tNNP\t_\t20\tcompound\t_\t_\n20\tcrash\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n22\t``\t_\tPUNCT\t``\t_\t10\tpunct\t_\t_\n23\tbut\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n24\tno\t_\tDET\tDT\t_\t25\tneg\t_\t_\n25\tone\t_\tNOUN\tNN\t_\t27\tnsubjpass\t_\t_\n26\tgot\t_\tAUX\tVBD\t_\t27\tauxpass\t_\t_\n27\tdiscouraged\t_\tVERB\tVBN\t_\t10\tconj\t_\t_\n28\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n29\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n30\twe\t_\tPRON\tPRP\t_\t31\tnsubj\t_\t_\n31\tgained\t_\tVERB\tVBD\t_\t10\tconj\t_\t_\n32\tthat\t_\tPRON\tDT\t_\t31\tdobj\t_\t_\n33\tback\t_\tADP\tRP\t_\t31\tcompound:prt\t_\t_\n34\t--\t_\tPUNCT\t:\t_\t36\tpunct\t_\t_\n35\tand\t_\tCONJ\tCC\t_\t36\tcc\t_\t_\n36\tmore\t_\tADJ\tJJR\t_\t31\tdep\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n38\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tannual\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\tcongress\t_\tNOUN\tNN\t_\t23\tnmod\t_\t_\n5\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n7\tNational\t_\tPROPN\tNNP\t_\t11\tdep\t_\t_\n8\tAssociation\t_\tPROPN\tNNP\t_\t7\tdep\t_\t_\n9\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n10\tInvestors\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n11\tCorp.\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n12\tat\t_\tADP\tIN\t_\t16\tcase\t_\t_\n13\tthe\t_\tDET\tDT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\t25\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tUnited\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tbidding\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n26\twith\t_\tADP\tIN\t_\t28\tcase\t_\t_\n27\tan\t_\tDET\tDT\t_\t28\tdet\t_\t_\n28\toffer\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n29\tof\t_\tADP\tIN\t_\t31\tcase\t_\t_\n30\t$\t_\tSYM\t$\t_\t31\tdep\t_\t_\n31\t275\t_\tNUM\tCD\t_\t28\tnmod\t_\t_\n32\ta\t_\tDET\tDT\t_\t33\tdet\t_\t_\n33\tshare\t_\tNOUN\tNN\t_\t31\tnmod:npmod\t_\t_\n34\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tSara\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tAlbert\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n5\t34-year-old\t_\tADJ\tJJ\t_\t8\tamod\t_\t_\n6\tDallas\t_\tPROPN\tNNP\t_\t8\tcompound\t_\t_\n7\tlaw\t_\tNOUN\tNN\t_\t8\tcompound\t_\t_\n8\tstudent\t_\tNOUN\tNN\t_\t2\tappos\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n10\tsays\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n11\tshe\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n12\t's\t_\tVERB\tVBZ\t_\t14\tcop\t_\t_\n13\tgenerally\t_\tADV\tRB\t_\t14\tadvmod\t_\t_\n14\tskittish\t_\tADJ\tJJ\t_\t10\tccomp\t_\t_\n15\tabout\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tthe\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tstock\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tmarket\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n19\tand\t_\tCONJ\tCC\t_\t18\tcc\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\ttakeover\t_\tNOUN\tNN\t_\t22\tcompound\t_\t_\n22\tactivity\t_\tNOUN\tNN\t_\t18\tconj\t_\t_\n23\tthat\t_\tPRON\tWDT\t_\t24\tnsubj\t_\t_\n24\tseems\t_\tVERB\tVBZ\t_\t22\tacl:relcl\t_\t_\n25\tto\t_\tPART\tTO\t_\t26\tmark\t_\t_\n26\tfuel\t_\tVERB\tVB\t_\t24\txcomp\t_\t_\n27\tit\t_\tPRON\tPRP\t_\t26\tdobj\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\thave\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n4\tthis\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tfeeling\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tthat\t_\tSCONJ\tIN\t_\t9\tmark\t_\t_\n7\tit\t_\tPRON\tPRP\t_\t9\tnsubjpass\t_\t_\n8\t's\t_\tAUX\tVBZ\t_\t9\tauxpass\t_\t_\n9\tbuilt\t_\tVERB\tVBN\t_\t5\tccomp\t_\t_\n10\ton\t_\tADP\tIN\t_\t11\tcase\t_\t_\n11\tsand\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n13\t''\t_\tPUNCT\t''\t_\t15\tpunct\t_\t_\n14\tshe\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n15\tsays\t_\tVERB\tVBZ\t_\t9\tdep\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n17\tthat\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tmarket\t_\tNOUN\tNN\t_\t20\tnsubj\t_\t_\n20\trises\t_\tVERB\tVBZ\t_\t9\tdep\t_\t_\n21\t``\t_\tPUNCT\t``\t_\t20\tpunct\t_\t_\n22\tbut\t_\tCONJ\tCC\t_\t20\tcc\t_\t_\n23\tthere\t_\tPRON\tEX\t_\t24\texpl\t_\t_\n24\t's\t_\tVERB\tVBZ\t_\t20\tconj\t_\t_\n25\tno\t_\tDET\tDT\t_\t26\tneg\t_\t_\n26\tfoundation\t_\tNOUN\tNN\t_\t24\tnsubj\t_\t_\n27\tto\t_\tADP\tTO\t_\t28\tcase\t_\t_\n28\tit\t_\tPRON\tPRP\t_\t26\tnmod\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n30\t''\t_\tPUNCT\t''\t_\t3\tpunct\t_\t_\n\n1\tShe\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n2\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\ther\t_\tPRON\tPRP$\t_\t4\tnmod:poss\t_\t_\n4\thusband\t_\tNOUN\tNN\t_\t1\tconj\t_\t_\n5\tpulled\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n6\tmost\t_\tADJ\tJJS\t_\t5\tdobj\t_\t_\n7\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\ttheir\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n9\tinvestments\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n10\tout\t_\tADP\tIN\t_\t5\tadvmod\t_\t_\n11\tof\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\tthe\t_\tDET\tDT\t_\t13\tdet\t_\t_\n13\tmarket\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n14\tafter\t_\tADP\tIN\t_\t17\tcase\t_\t_\n15\tthe\t_\tDET\tDT\t_\t17\tdet\t_\t_\n16\t1987\t_\tNUM\tCD\t_\t17\tnummod\t_\t_\n17\tcrash\t_\tNOUN\tNN\t_\t5\tnmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n19\talthough\t_\tSCONJ\tIN\t_\t22\tmark\t_\t_\n20\tshe\t_\tPRON\tPRP\t_\t22\tnsubj\t_\t_\n21\tstill\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n22\towns\t_\tVERB\tVBZ\t_\t5\tadvcl\t_\t_\n23\tsome\t_\tDET\tDT\t_\t25\tdet\t_\t_\n24\tTexaco\t_\tPROPN\tNNP\t_\t25\tcompound\t_\t_\n25\tstock\t_\tNOUN\tNN\t_\t22\tdobj\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tPartly\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\tbecause\t_\tADP\tIN\t_\t4\tcase\t_\t_\n3\tof\t_\tADP\tIN\t_\t2\tmwe\t_\t_\n4\tconcern\t_\tNOUN\tNN\t_\t27\tdep\t_\t_\n5\tabout\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n7\teconomy\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n8\tand\t_\tCONJ\tCC\t_\t4\tcc\t_\t_\n9\tpartly\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n10\tbecause\t_\tSCONJ\tIN\t_\t13\tmark\t_\t_\n11\tshe\t_\tPRON\tPRP\t_\t13\tnsubj\t_\t_\n12\trecently\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n13\tquit\t_\tVERB\tVBD\t_\t4\tconj\t_\t_\n14\ther\t_\tPRON\tPRP$\t_\t15\tnmod:poss\t_\t_\n15\tjob\t_\tNOUN\tNN\t_\t13\tdobj\t_\t_\n16\tas\t_\tADP\tIN\t_\t19\tcase\t_\t_\n17\ta\t_\tDET\tDT\t_\t19\tdet\t_\t_\n18\tlegal\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tassistant\t_\tNOUN\tNN\t_\t15\tnmod\t_\t_\n20\tto\t_\tPART\tTO\t_\t21\tmark\t_\t_\n21\tgo\t_\tVERB\tVB\t_\t13\tadvcl\t_\t_\n22\tto\t_\tADP\tTO\t_\t23\tcase\t_\t_\n23\tschool\t_\tNOUN\tNN\t_\t21\tnmod\t_\t_\n24\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n25\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n26\tI\t_\tPRON\tPRP\t_\t27\tnsubj\t_\t_\n27\tthink\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n28\tat\t_\tADP\tIN\t_\t30\tcase\t_\t_\n29\tthis\t_\tDET\tDT\t_\t30\tdet\t_\t_\n30\tpoint\t_\tNOUN\tNN\t_\t27\tnmod\t_\t_\n31\twe\t_\tPRON\tPRP\t_\t32\tnsubj\t_\t_\n32\twant\t_\tVERB\tVBP\t_\t27\tccomp\t_\t_\n33\tto\t_\tPART\tTO\t_\t38\tmark\t_\t_\n34\tbe\t_\tVERB\tVB\t_\t38\tcop\t_\t_\n35\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n36\tlot\t_\tNOUN\tNN\t_\t37\tnmod:npmod\t_\t_\n37\tmore\t_\tADV\tRBR\t_\t38\tadvmod\t_\t_\n38\tliquid\t_\tADJ\tJJ\t_\t32\txcomp\t_\t_\n39\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n40\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n\n1\tOthers\t_\tNOUN\tNNS\t_\t2\tnsubj\t_\t_\n2\twonder\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n3\thow\t_\tADV\tWRB\t_\t4\tadvmod\t_\t_\n4\tmany\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tmore\t_\tADJ\tJJR\t_\t13\tdobj\t_\t_\n6\tof\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tthese\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tshocks\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tsmall\t_\tADJ\tJJ\t_\t11\tamod\t_\t_\n11\tinvestor\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n12\tcan\t_\tAUX\tMD\t_\t13\taux\t_\t_\n13\tstand\t_\tVERB\tVB\t_\t2\tccomp\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t13\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\tall\t_\tDET\tDT\t_\t4\tdep\t_\t_\n4\tassumed\t_\tVERB\tVBD\t_\t13\tccomp\t_\t_\n5\tOctober\t_\tPROPN\tNNP\t_\t10\tnsubj\t_\t_\n6\t'87\t_\tNUM\tCD\t_\t5\tnummod\t_\t_\n7\twas\t_\tVERB\tVBD\t_\t10\tcop\t_\t_\n8\ta\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tone-time\t_\tADJ\tJJ\t_\t10\tamod\t_\t_\n10\tshot\t_\tNOUN\tNN\t_\t4\tccomp\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n13\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tSan\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n15\tFrancisco\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n16\tattorney\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n17\tDavid\t_\tPROPN\tNNP\t_\t18\tcompound\t_\t_\n18\tGreenberg\t_\tPROPN\tNNP\t_\t13\tnsubj\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t3\tpunct\t_\t_\n2\tWe\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\ttold\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n5\tlittle\t_\tADJ\tJJ\t_\t6\tamod\t_\t_\n6\tguy\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n7\tit\t_\tPRON\tPRP\t_\t10\tnsubj\t_\t_\n8\tcould\t_\tAUX\tMD\t_\t10\taux\t_\t_\n9\tonly\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n10\thappen\t_\tVERB\tVB\t_\t3\tdep\t_\t_\n11\tonce\t_\tADV\tRB\t_\t10\tadvmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\ta\t_\tDET\tDT\t_\t14\tdet\t_\t_\n14\tlifetime\t_\tNOUN\tNN\t_\t10\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n16\tcome\t_\tVERB\tVBN\t_\t10\tparataxis\t_\t_\n17\ton\t_\tADP\tRP\t_\t16\tcompound:prt\t_\t_\n18\tback\t_\tADV\tRB\t_\t16\tadvmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tNow\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\tit\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\t's\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\thappening\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\tagain\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n6\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n7\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tMr.\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tGreenberg\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n3\tgot\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n4\tout\t_\tADP\tRP\t_\t3\txcomp\t_\t_\n5\tjust\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n6\tbefore\t_\tADP\tIN\t_\t9\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n8\t1987\t_\tNUM\tCD\t_\t9\tnummod\t_\t_\n9\tcrash\t_\tNOUN\tNN\t_\t3\tnmod\t_\t_\n10\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n12\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n13\this\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n14\tregret\t_\tNOUN\tNN\t_\t17\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t17\tpunct\t_\t_\n16\tnever\t_\tADV\tRB\t_\t17\tneg\t_\t_\n17\twent\t_\tVERB\tVBD\t_\t3\tconj\t_\t_\n18\tback\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n19\teven\t_\tADV\tRB\t_\t23\tadvmod\t_\t_\n20\tas\t_\tSCONJ\tIN\t_\t23\tmark\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tmarket\t_\tNOUN\tNN\t_\t23\tnsubj\t_\t_\n23\tsoared\t_\tVERB\tVBD\t_\t17\tadvcl\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tThis\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\ttime\t_\tNOUN\tNN\t_\t5\tnmod:tmod\t_\t_\n3\the\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n4\t's\t_\tVERB\tVBZ\t_\t5\tcop\t_\t_\n5\tready\t_\tADJ\tJJ\t_\t0\troot\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tbuy\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\tin\t_\tADP\tRP\t_\t7\tcompound:prt\t_\t_\n9\t``\t_\tPUNCT\t``\t_\t7\tpunct\t_\t_\n10\twhen\t_\tADV\tWRB\t_\t13\tadvmod\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tpanic\t_\tNOUN\tNN\t_\t13\tnsubj\t_\t_\n13\twears\t_\tVERB\tVBZ\t_\t7\tadvcl\t_\t_\n14\toff\t_\tADP\tRP\t_\t13\tcompound:prt\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n16\t''\t_\tPUNCT\t''\t_\t5\tpunct\t_\t_\n\n1\tStill\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t4\tpunct\t_\t_\n3\the\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n4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_\t_\n6\t15\t_\tNUM\tCD\t_\t7\tnummod\t_\t_\n7\tpounds\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n8\t--\t_\tPUNCT\t:\t_\t4\tpunct\t_\t_\n9\thave\t_\tAUX\tVBP\t_\t10\taux\t_\t_\n10\tbecome\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n11\tthe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n12\tfastest-growing\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n13\tpersonal\t_\tADJ\tJJ\t_\t15\tamod\t_\t_\n14\tcomputer\t_\tNOUN\tNN\t_\t15\tcompound\t_\t_\n15\tsegment\t_\tNOUN\tNN\t_\t10\txcomp\t_\t_\n16\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n17\twith\t_\tSCONJ\tIN\t_\t19\tmark\t_\t_\n18\tsales\t_\tNOUN\tNNS\t_\t19\tnsubj\t_\t_\n19\tdoubling\t_\tVERB\tVBG\t_\t10\tadvcl\t_\t_\n20\tthis\t_\tDET\tDT\t_\t21\tdet\t_\t_\n21\tyear\t_\tNOUN\tNN\t_\t19\tnmod:tmod\t_\t_\n22\t.\t_\tPUNCT\t.\t_\t10\tpunct\t_\t_\n\n1\tResponding\t_\tVERB\tVBG\t_\t9\tdep\t_\t_\n2\tto\t_\tADP\tTO\t_\t4\tcase\t_\t_\n3\tthat\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tdemand\t_\tNOUN\tNN\t_\t1\tnmod\t_\t_\n5\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n6\thowever\t_\tADV\tRB\t_\t9\tadvmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t9\tpunct\t_\t_\n8\thas\t_\tAUX\tVBZ\t_\t9\taux\t_\t_\n9\tled\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n10\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n11\ta\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tvariety\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tof\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\tcompromises\t_\tNOUN\tNNS\t_\t12\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t9\tpunct\t_\t_\n\n1\tMaking\t_\tVERB\tVBG\t_\t5\tcsubj\t_\t_\n2\tcomputers\t_\tNOUN\tNNS\t_\t3\tnsubj\t_\t_\n3\tsmaller\t_\tADJ\tJJR\t_\t1\txcomp\t_\t_\n4\toften\t_\tADV\tRB\t_\t5\tadvmod\t_\t_\n5\tmeans\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n6\tsacrificing\t_\tVERB\tVBG\t_\t5\txcomp\t_\t_\n7\tmemory\t_\tNOUN\tNN\t_\t6\tdobj\t_\t_\n8\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tIt\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n2\talso\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n3\thas\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\tprecluded\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tuse\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n6\tof\t_\tADP\tIN\t_\t12\tcase\t_\t_\n7\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n8\tfaster\t_\tADJ\tJJR\t_\t12\tamod\t_\t_\n9\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n10\tmore\t_\tADV\tRBR\t_\t11\tadvmod\t_\t_\n11\tpowerful\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tmicroprocessors\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n13\tfound\t_\tVERB\tVBN\t_\t12\tacl\t_\t_\n14\tin\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\tincreasing\t_\tVERB\tVBG\t_\t16\tamod\t_\t_\n16\tnumbers\t_\tNOUN\tNNS\t_\t13\tnmod\t_\t_\n17\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tdesktop\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tmachines\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tSize\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n2\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n3\tweight\t_\tNOUN\tNN\t_\t1\tconj\t_\t_\n4\tconsiderations\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n5\talso\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n6\thave\t_\tAUX\tVBP\t_\t7\taux\t_\t_\n7\tlimited\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n8\tscreen\t_\tNOUN\tNN\t_\t9\tcompound\t_\t_\n9\tdisplays\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tcompetitive\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tsniping\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n4\tcan\t_\tAUX\tMD\t_\t5\taux\t_\t_\n5\tget\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tpretty\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n7\tpetty\t_\tADJ\tJJ\t_\t5\txcomp\t_\t_\n8\tat\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\ttimes\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t5\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tPoquet\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tspokesman\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n5\tfor\t_\tADP\tIN\t_\t6\tcase\t_\t_\n6\texample\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n7\t,\t_\tPUNCT\t,\t_\t8\tpunct\t_\t_\n8\tcriticizes\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n9\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n10\tAtari\t_\tPROPN\tNNP\t_\t11\tcompound\t_\t_\n11\tPortfolio\t_\tPROPN\tNNP\t_\t8\tdobj\t_\t_\n12\tbecause\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n13\tit\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n14\trequires\t_\tVERB\tVBZ\t_\t8\tadvcl\t_\t_\n15\tthree\t_\tNUM\tCD\t_\t16\tnummod\t_\t_\n16\tbatteries\t_\tNOUN\tNNS\t_\t14\tdobj\t_\t_\n17\twhile\t_\tSCONJ\tIN\t_\t20\tmark\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\tPoquet\t_\tPROPN\tNNP\t_\t20\tnsubj\t_\t_\n20\tneeds\t_\tVERB\tVBZ\t_\t14\tadvcl\t_\t_\n21\tonly\t_\tADV\tRB\t_\t22\tadvmod\t_\t_\n22\ttwo\t_\tNUM\tCD\t_\t20\tdobj\t_\t_\n23\t.\t_\tPUNCT\t.\t_\t8\tpunct\t_\t_\n\n1\tBoth\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tpalmtops\t_\tNOUN\tNNS\t_\t4\tnsubjpass\t_\t_\n3\tare\t_\tAUX\tVBP\t_\t4\tauxpass\t_\t_\n4\tdismissed\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n5\tby\t_\tADP\tIN\t_\t7\tcase\t_\t_\n6\tnotebook\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tmakers\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\twho\t_\tPRON\tWP\t_\t10\tnsubj\t_\t_\n10\targue\t_\tVERB\tVBP\t_\t7\tacl:relcl\t_\t_\n11\tthat\t_\tSCONJ\tIN\t_\t15\tmark\t_\t_\n12\tthey\t_\tPRON\tPRP\t_\t15\tnsubj\t_\t_\n13\t're\t_\tVERB\tVBP\t_\t15\tcop\t_\t_\n14\ttoo\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n15\tsm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amod\t_\t_\n10\tmarket\t_\tNOUN\tNN\t_\t7\tdobj\t_\t_\n11\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n12\ttheir\t_\tPRON\tPRP$\t_\t14\tnmod:poss\t_\t_\n13\tmaiden\t_\tADJ\tJJ\t_\t14\tamod\t_\t_\n14\tday\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n15\tof\t_\tADP\tIN\t_\t18\tcase\t_\t_\n16\tnational\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\tover-the-counter\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\ttrading\t_\tNOUN\tNN\t_\t14\tnmod\t_\t_\n19\tFriday\t_\tPROPN\tNNP\t_\t7\tnmod:tmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tShares\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n2\tof\t_\tADP\tIN\t_\t5\tcase\t_\t_\n3\tRally\t_\tPROPN\tNNP\t_\t5\tnmod:poss\t_\t_\n4\t's\t_\tPART\tPOS\t_\t3\tcase\t_\t_\n5\tInc.\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n7\tan\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\toperator\t_\tNOUN\tNN\t_\t5\tappos\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tfast-food\t_\tNOUN\tNN\t_\t11\tcompound\t_\t_\n11\trestaurants\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n13\tclosed\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n14\tat\t_\tADP\tIN\t_\t16\tcase\t_\t_\n15\t$\t_\tSYM\t$\t_\t16\tdep\t_\t_\n16\t17\t_\tNUM\tCD\t_\t13\tnmod\t_\t_\n17\teach\t_\tDET\tDT\t_\t16\tnmod:npmod\t_\t_\n18\t,\t_\tPUNCT\t,\t_\t13\tpunct\t_\t_\n19\tup\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n20\tfrom\t_\tADP\tIN\t_\t25\tcase\t_\t_\n21\tits\t_\tPRON\tPRP$\t_\t25\tnmod:poss\t_\t_\n22\t$\t_\tSYM\t$\t_\t25\tamod\t_\t_\n23\t15\t_\tNUM\tCD\t_\t22\tcompound\t_\t_\n24\toffering\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tprice\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n26\tand\t_\tCONJ\tCC\t_\t13\tcc\t_\t_\n27\tshares\t_\tNOUN\tNNS\t_\t38\tnsubj\t_\t_\n28\tof\t_\tADP\tIN\t_\t32\tcase\t_\t_\n29\tEmployee\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n30\tBenefit\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n31\tPlans\t_\tPROPN\tNNP\t_\t32\tcompound\t_\t_\n32\tInc.\t_\tPROPN\tNNP\t_\t27\tnmod\t_\t_\n33\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n34\ta\t_\tDET\tDT\t_\t36\tdet\t_\t_\n35\thealth-care\t_\tNOUN\tNN\t_\t36\tcompound\t_\t_\n36\tconsultant\t_\tNOUN\tNN\t_\t32\tappos\t_\t_\n37\t,\t_\tPUNCT\t,\t_\t32\tpunct\t_\t_\n38\tclosed\t_\tVERB\tVBD\t_\t13\tconj\t_\t_\n39\tat\t_\tADP\tIN\t_\t41\tcase\t_\t_\n40\t$\t_\tSYM\t$\t_\t41\tdep\t_\t_\n41\t14.125\t_\tNUM\tCD\t_\t38\tnmod\t_\t_\n42\t,\t_\tPUNCT\t,\t_\t38\tpunct\t_\t_\n43\tup\t_\tADV\tRB\t_\t38\tadvmod\t_\t_\n44\tfrom\t_\tADP\tIN\t_\t49\tcase\t_\t_\n45\tits\t_\tPRON\tPRP$\t_\t49\tnmod:poss\t_\t_\n46\t$\t_\tSYM\t$\t_\t49\tamod\t_\t_\n47\t12\t_\tNUM\tCD\t_\t46\tcompound\t_\t_\n48\toffering\t_\tNOUN\tNN\t_\t49\tcompound\t_\t_\n49\tprice\t_\tNOUN\tNN\t_\t43\tnmod\t_\t_\n50\t.\t_\tPUNCT\t.\t_\t13\tpunct\t_\t_\n\n1\tFord\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tMotor\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCo.\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n4\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tit\t_\tPRON\tPRP\t_\t6\tnsubj\t_\t_\n6\tacquired\t_\tVERB\tVBD\t_\t4\tccomp\t_\t_\n7\t5\t_\tNUM\tCD\t_\t8\tnummod\t_\t_\n8\t%\t_\tSYM\tNN\t_\t6\tdobj\t_\t_\n9\tof\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tshares\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n13\tJaguar\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tPLC\t_\tPROPN\tNNP\t_\t11\tnmod\t_\t_\n15\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tJaguar\t_\tPROPN\tNNP\t_\t16\tnsubjpass\t_\t_\n2\t,\t_\tPUNCT\t,\t_\t1\tpunct\t_\t_\n3\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n4\tLondon\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n5\tStock\t_\tPROPN\tNNP\t_\t6\tcompound\t_\t_\n6\tExchange\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n7\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n8\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n9\tU.S.\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n10\tSecurities\t_\tPROPN\tNNP\t_\t1\tconj\t_\t_\n11\tand\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n12\tExchange\t_\tPROPN\tNNP\t_\t13\tcompound\t_\t_\n13\tCommission\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n14\tare\t_\tAUX\tVBP\t_\t16\taux\t_\t_\n15\tbeing\t_\tAUX\tVBG\t_\t16\tauxpass\t_\t_\n16\tnotified\t_\tVERB\tVBN\t_\t23\tccomp\t_\t_\n17\tof\t_\tADP\tIN\t_\t19\tcase\t_\t_\n18\tthe\t_\tDET\tDT\t_\t19\tdet\t_\t_\n19\ttransactions\t_\tNOUN\tNNS\t_\t16\tnmod\t_\t_\n20\t,\t_\tPUNCT\t,\t_\t23\tpunct\t_\t_\n21\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tcompany\t_\tNOUN\tNN\t_\t23\tnsubj\t_\t_\n23\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t23\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t5\tdet\t_\t_\n2\tU.S.\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n3\tFederal\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tTrade\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tCommission\t_\tPROPN\tNNP\t_\t6\tnsubj\t_\t_\n6\tadvised\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n7\tFord\t_\tPROPN\tNNP\t_\t6\tdobj\t_\t_\n8\tlast\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n9\tweek\t_\tNOUN\tNN\t_\t6\tnmod:tmod\t_\t_\n10\tthat\t_\tSCONJ\tIN\t_\t14\tmark\t_\t_\n11\tit\t_\tPRON\tPRP\t_\t14\tnsubj\t_\t_\n12\twould\t_\tAUX\tMD\t_\t14\taux\t_\t_\n13\tn't\t_\tPART\tRB\t_\t14\tneg\t_\t_\n14\traise\t_\tVERB\tVB\t_\t6\tccomp\t_\t_\n15\tany\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tobjection\t_\tNOUN\tNN\t_\t1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\t_\tVERB\tVBP\t_\t0\troot\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\tnumbers\t_\tNOUN\tNNS\t_\t12\tnsubj\t_\t_\n10\twere\t_\tVERB\tVBD\t_\t12\tcop\t_\t_\n11\tthat\t_\tADV\tRB\t_\t12\tadvmod\t_\t_\n12\thigh\t_\tADJ\tJJ\t_\t7\tccomp\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t7\tpunct\t_\t_\n\n1\tBudget\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tits\t_\tPRON\tPRP$\t_\t5\tnmod:poss\t_\t_\n4\tfrequent-flier\t_\tADJ\tJJ\t_\t5\tamod\t_\t_\n5\tcosts\t_\tNOUN\tNNS\t_\t13\tnsubj\t_\t_\n6\tare\t_\tVERB\tVBP\t_\t13\tcop\t_\t_\n7\t``\t_\tPUNCT\t``\t_\t13\tpunct\t_\t_\n8\tsubstantially\t_\tADV\tRB\t_\t13\tadvmod\t_\t_\n9\tbelow\t_\tADP\tIN\t_\t13\tcase\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t13\tpunct\t_\t_\n11\tAvis\t_\tPROPN\tNNP\t_\t13\tnmod:poss\t_\t_\n12\t's\t_\tPART\tPOS\t_\t11\tcase\t_\t_\n13\tlevel\t_\tNOUN\tNN\t_\t2\tccomp\t_\t_\n14\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\tRobert\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n2\tD.\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tCardillo\t_\tPROPN\tNNP\t_\t11\tnsubj\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\tAvis\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tvice\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tpresident\t_\tNOUN\tNN\t_\t3\tappos\t_\t_\n8\tof\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tmarketing\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n11\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\t``\t_\tPUNCT\t``\t_\t26\tpunct\t_\t_\n14\tThe\t_\tDET\tDT\t_\t15\tdet\t_\t_\n15\tproliferation\t_\tNOUN\tNN\t_\t26\tnsubj\t_\t_\n16\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n17\tcosts\t_\tNOUN\tNNS\t_\t15\tconj\t_\t_\n18\tattached\t_\tVERB\tVBN\t_\t15\tacl\t_\t_\n19\tto\t_\tADP\tTO\t_\t22\tcase\t_\t_\n20\t-LCB-\t_\tPUNCT\t-LRB-\t_\t22\tpunct\t_\t_\n21\tfrequent-flier\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tprograms\t_\tNOUN\tNNS\t_\t18\tadvcl\t_\t_\n23\t-RCB-\t_\tPUNCT\t-RRB-\t_\t22\tpunct\t_\t_\n24\thave\t_\tAUX\tVBP\t_\t26\taux\t_\t_\n25\tsignificantly\t_\tADV\tRB\t_\t26\tadvmod\t_\t_\n26\tdiminished\t_\tVERB\tVBN\t_\t11\tccomp\t_\t_\n27\ttheir\t_\tPRON\tPRP$\t_\t28\tnmod:poss\t_\t_\n28\tvalue\t_\tNOUN\tNN\t_\t26\tdobj\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t11\tpunct\t_\t_\n30\t''\t_\tPUNCT\t''\t_\t11\tpunct\t_\t_\n\n1\tThis\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\tyear\t_\tNOUN\tNN\t_\t5\tnsubj\t_\t_\n3\thas\t_\tAUX\tVBZ\t_\t5\taux\t_\t_\n4\tbeen\t_\tVERB\tVBN\t_\t5\tcop\t_\t_\n5\tdifficult\t_\tADJ\tJJ\t_\t12\tccomp\t_\t_\n6\tfor\t_\tADP\tIN\t_\t8\tcase\t_\t_\n7\tboth\t_\tDET\tDT\t_\t8\tcc:preconj\t_\t_\n8\tHertz\t_\tPROPN\tNNP\t_\t5\tnmod\t_\t_\n9\tand\t_\tCONJ\tCC\t_\t8\tcc\t_\t_\n10\tAvis\t_\tPROPN\tNNP\t_\t8\tconj\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t12\tpunct\t_\t_\n12\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n13\tCharles\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n14\tFinnie\t_\tPROPN\tNNP\t_\t12\tnsubj\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t14\tpunct\t_\t_\n16\tcar-rental\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n17\tindustry\t_\tNOUN\tNN\t_\t18\tcompound\t_\t_\n18\tanalyst\t_\tNOUN\tNN\t_\t14\tappos\t_\t_\n19\tat\t_\tADP\tIN\t_\t22\tcase\t_\t_\n20\tAlex\t_\tPROPN\tNNP\t_\t22\tcompound\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t22\tpunct\t_\t_\n22\tBrown\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n23\t&\t_\tCONJ\tCC\t_\t22\tcc\t_\t_\n24\tSons\t_\tPROPN\tNNP\t_\t22\tconj\t_\t_\n25\t.\t_\tPUNCT\t.\t_\t12\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t25\tpunct\t_\t_\n2\tThey\t_\tPRON\tPRP\t_\t5\tnsubj\t_\t_\n3\t've\t_\tAUX\tVBP\t_\t5\taux\t_\t_\n4\tbeen\t_\tAUX\tVBN\t_\t5\taux\t_\t_\n5\tlooking\t_\tVERB\tVBG\t_\t25\tccomp\t_\t_\n6\tto\t_\tPART\tTO\t_\t7\tmark\t_\t_\n7\tget\t_\tVERB\tVB\t_\t5\txcomp\t_\t_\n8\ttheir\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n9\tcosts\t_\tNOUN\tNNS\t_\t7\tdobj\t_\t_\n10\tdown\t_\tADV\tRB\t_\t7\tadvmod\t_\t_\n11\t,\t_\tPUNCT\t,\t_\t5\tpunct\t_\t_\n12\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n13\tthis\t_\tPRON\tDT\t_\t18\tnsubj\t_\t_\n14\tis\t_\tVERB\tVBZ\t_\t18\tcop\t_\t_\n15\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n16\tfairly\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n17\tsensible\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tway\t_\tNOUN\tNN\t_\t5\tconj\t_\t_\n19\tto\t_\tPART\tTO\t_\t20\tmark\t_\t_\n20\tdo\t_\tVERB\tVB\t_\t18\tacl\t_\t_\n21\tit\t_\tPRON\tPRP\t_\t20\tdobj\t_\t_\n22\t,\t_\tPUNCT\t,\t_\t25\tpunct\t_\t_\n23\t''\t_\tPUNCT\t''\t_\t25\tpunct\t_\t_\n24\the\t_\tPRON\tPRP\t_\t25\tnsubj\t_\t_\n25\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n26\t.\t_\tPUNCT\t.\t_\t25\tpunct\t_\t_\n\n1\tCBS\t_\tPROPN\tNNP\t_\t2\tcompound\t_\t_\n2\tInc.\t_\tPROPN\tNNP\t_\t4\tnsubj\t_\t_\n3\tis\t_\tAUX\tVBZ\t_\t4\taux\t_\t_\n4\tcutting\t_\tVERB\tVBG\t_\t0\troot\t_\t_\n5\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n6\tThe\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n7\tPat\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n8\tSajak\t_\tPROPN\tNNP\t_\t9\tcompound\t_\t_\n9\tShow\t_\tPROPN\tNNP\t_\t4\tdobj\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n11\tdown\t_\tADV\tRB\t_\t4\tadvmod\t_\t_\n12\tto\t_\tADP\tTO\t_\t14\tcase\t_\t_\n13\tone\t_\tNUM\tCD\t_\t14\tnummod\t_\t_\n14\thour\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n15\tfrom\t_\tADP\tIN\t_\t19\tcase\t_\t_\n16\tits\t_\tPRON\tPRP$\t_\t19\tnmod:poss\t_\t_\n17\tcurrent\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n18\t90\t_\tNUM\tCD\t_\t19\tnummod\t_\t_\n19\tminutes\t_\tNOUN\tNNS\t_\t4\tnmod\t_\t_\n20\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tCBS\t_\tPROPN\tNNP\t_\t2\tnsubj\t_\t_\n2\tinsisted\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n3\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n4\tmove\t_\tNOUN\tNN\t_\t8\tnsubj\t_\t_\n5\twas\t_\tVERB\tVBD\t_\t8\tcop\t_\t_\n6\tn't\t_\tPART\tRB\t_\t8\tneg\t_\t_\n7\ta\t_\tDET\tDT\t_\t8\tdet\t_\t_\n8\tsetback\t_\tNOUN\tNN\t_\t2\tccomp\t_\t_\n9\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tprogram\t_\tNOUN\tNN\t_\t8\tnmod\t_\t_\n12\t,\t_\tPUNCT\t,\t_\t11\tpunct\t_\t_\n13\twhich\t_\tPRON\tWDT\t_\t19\tnsubj\t_\t_\n14\tis\t_\tVERB\tVBZ\t_\t19\tcop\t_\t_\n15\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n16\tnetwork\t_\tNOUN\tNN\t_\t19\tnmod:poss\t_\t_\n17\t's\t_\tPART\tPOS\t_\t16\tcase\t_\t_\n18\tfirst\t_\tADJ\tJJ\t_\t19\tamod\t_\t_\n19\tentry\t_\tNOUN\tNN\t_\t11\tacl:relcl\t_\t_\n20\tinto\t_\tADP\tIN\t_\t25\tcase\t_\t_\n21\tthe\t_\tDET\tDT\t_\t25\tdet\t_\t_\n22\tlate-night\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n23\ttalk\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n24\tshow\t_\tNOUN\tNN\t_\t25\tcompound\t_\t_\n25\tformat\t_\tNOUN\tNN\t_\t19\tnmod\t_\t_\n26\tsince\t_\tADP\tIN\t_\t27\tcase\t_\t_\n27\t1972\t_\tNUM\tCD\t_\t19\tnmod\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t2\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t27\tpunct\t_\t_\n2\tI\t_\tPRON\tPRP\t_\t3\tnsubj\t_\t_\n3\thave\t_\tVERB\tVBP\t_\t27\tccomp\t_\t_\n4\tevery\t_\tDET\tDT\t_\t5\tdet\t_\t_\n5\tintention\t_\tNOUN\tNN\t_\t3\tdobj\t_\t_\n6\tof\t_\tSCONJ\tIN\t_\t7\tmark\t_\t_\n7\tmaking\t_\tVERB\tVBG\t_\t5\tacl\t_\t_\n8\tthis\t_\tPRON\tDT\t_\t12\tnsubj\t_\t_\n9\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n10\tbest\t_\tADJ\tJJS\t_\t11\tdep\t_\t_\n11\tpossible\t_\tADJ\tJJ\t_\t12\tamod\t_\t_\n12\tshow\t_\tNOUN\tNN\t_\t7\txcomp\t_\t_\n13\tand\t_\tCONJ\tCC\t_\t3\tcc\t_\t_\n14\thaving\t_\tVERB\tVBG\t_\t22\tcsubj\t_\t_\n15\tit\t_\tPRON\tPRP\t_\t16\tnsubj\t_\t_\n16\trun\t_\tVERB\tVB\t_\t14\tccomp\t_\t_\n17\tone\t_\tNUM\tCD\t_\t18\tnummod\t_\t_\n18\thour\t_\tNOUN\tNN\t_\t16\tnmod:tmod\t_\t_\n19\tis\t_\tVERB\tVBZ\t_\t22\tcop\t_\t_\n20\tthe\t_\tDET\tDT\t_\t22\tdet\t_\t_\n21\tbest\t_\tADJ\tJJS\t_\t22\tamod\t_\t_\n22\tway\t_\tNOUN\tNN\t_\t3\tconj\t_\t_\n23\tto\t_\tADP\tTO\t_\t24\tcase\t_\t_\n24\tit\t_\tPRON\tPRP\t_\t22\tnmod\t_\t_\n25\t,\t_\tPUNCT\t,\t_\t27\tpunct\t_\t_\n26\t''\t_\tPUNCT\t''\t_\t27\tpunct\t_\t_\n27\tsaid\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n28\tRod\t_\tPROPN\tNNP\t_\t29\tcompound\t_\t_\n29\tPerth\t_\tPROPN\tNNP\t_\t27\tnsubj\t_\t_\n30\t,\t_\tPUNCT\t,\t_\t29\tpunct\t_\t_\n31\twho\t_\tPRON\tWP\t_\t33\tnsubjpass\t_\t_\n32\twas\t_\tAUX\tVBD\t_\t33\tauxpass\t_\t_\n33\tnamed\t_\tVERB\tVBN\t_\t29\tacl:relcl\t_\t_\n34\tvice\t_\tNOUN\tNN\t_\t35\tcompound\t_\t_\n35\tpresident\t_\tNOUN\tNN\t_\t33\txcomp\t_\t_\n36\tof\t_\tADP\tIN\t_\t39\tcase\t_\t_\n37\tlate\t_\tADJ\tJJ\t_\t39\tamod\t_\t_\n38\tnight\t_\tNOUN\tNN\t_\t39\tcompound\t_\t_\n39\tentertainment\t_\tNOUN\tNN\t_\t35\tnmod\t_\t_\n40\tin\t_\tADP\tIN\t_\t41\tcase\t_\t_\n41\tAugust\t_\tPROPN\tNNP\t_\t33\tnmod\t_\t_\n42\t.\t_\tPUNCT\t.\t_\t27\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t4\tpunct\t_\t_\n2\tThis\t_\tPRON\tDT\t_\t4\tnsubj\t_\t_\n3\twill\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\traise\t_\tVERB\tVB\t_\t0\troot\t_\t_\n5\tthe\t_\tDET\tDT\t_\t7\tdet\t_\t_\n6\tenergy\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tlevel\t_\tNOUN\tNN\t_\t4\tdobj\t_\t_\n8\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n9\tthe\t_\tDET\tDT\t_\t10\tdet\t_\t_\n10\tshow\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n11\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n12\t''\t_\tPUNCT\t''\t_\t4\tpunct\t_\t_\n\n1\tCBS\t_\tPROPN\tNNP\t_\t3\tnsubj\t_\t_\n2\twill\t_\tAUX\tMD\t_\t3\taux\t_\t_\n3\tcontinue\t_\tVERB\tVB\t_\t0\troot\t_\t_\n4\tto\t_\tPART\tTO\t_\t5\tmark\t_\t_\n5\tprogram\t_\tVERB\tVB\t_\t3\txcomp\t_\t_\n6\taction-adventure\t_\tADJ\tJJ\t_\t7\tamod\t_\t_\n7\tshows\t_\tNOUN\tNNS\t_\t5\tdobj\t_\t_\n8\tto\t_\tPART\tTO\t_\t9\tmark\t_\t_\n9\tfollow\t_\tVERB\tVB\t_\t7\tacl\t_\t_\n10\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n11\tSajak\t_\tPROPN\tNNP\t_\t12\tcompound\t_\t_\n12\thour\t_\tNOUN\tNN\t_\t9\tdobj\t_\t_\n13\t.\t_\tPUNCT\t.\t_\t3\tpunct\t_\t_\n\n1\tBut\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n2\tCBS\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tNews\t_\tPROPN\tNNP\t_\t5\tnsubj\t_\t_\n4\twill\t_\tAUX\tMD\t_\t5\taux\t_\t_\n5\textend\t_\tVERB\tVB\t_\t0\troot\t_\t_\n6\tits\t_\tPRON\tPRP$\t_\t9\tnmod:poss\t_\t_\n7\tfour-hour\t_\tADJ\tJJ\t_\t9\tamod\t_\t_\n8\t``\t_\tPUNCT\t``\t_\t9\tpunct\t_\t_\n9\tNightwatch\t_\tPROPN\tNNP\t_\t5\tdobj\t_\t_\n10\t''\t_\tPUNCT\t''\t_\t9\tpunct\t_\t_\n11\tby\t_\tADP\tIN\t_\t13\tcase\t_\t_\n12\t30\t_\tNUM\tCD\t_\t13\tnummod\t_\t_\n13\tminutes\t_\tNOUN\tNNS\t_\t5\tnmod\t_\t_\n14\tand\t_\tCONJ\tCC\t_\t5\tcc\t_\t_\n15\tbegin\t_\tVERB\tVB\t_\t5\tconj\t_\t_\n16\tat\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\t1:30\t_\tNUM\tCD\t_\t15\tnmod\t_\t_\n18\ta.m\t_\tADV\tRB\t_\t17\tadvmod\t_\t_\n19\t.\t_\tPUNCT\t.\t_\t5\tpunct\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subj\t_\t_\n14\tstill\t_\tADV\tRB\t_\t15\tadvmod\t_\t_\n15\thas\t_\tVERB\tVBZ\t_\t0\troot\t_\t_\n16\ta\t_\tDET\tDT\t_\t18\tdet\t_\t_\n17\tbig\t_\tADJ\tJJ\t_\t18\tamod\t_\t_\n18\tstake\t_\tNOUN\tNN\t_\t15\tdobj\t_\t_\n19\tin\t_\tADP\tIN\t_\t20\tcase\t_\t_\n20\tpolyethylene\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n21\t,\t_\tPUNCT\t,\t_\t20\tpunct\t_\t_\n22\twhich\t_\tPRON\tWDT\t_\t24\tnsubjpass\t_\t_\n23\tis\t_\tAUX\tVBZ\t_\t24\tauxpass\t_\t_\n24\tused\t_\tVERB\tVBN\t_\t20\tacl:relcl\t_\t_\n25\tin\t_\tADP\tIN\t_\t26\tcase\t_\t_\n26\tpackaging\t_\tNOUN\tNN\t_\t24\tnmod\t_\t_\n27\tand\t_\tCONJ\tCC\t_\t26\tcc\t_\t_\n28\thousewares\t_\tNOUN\tNNS\t_\t26\tconj\t_\t_\n29\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tAnalysts\t_\tNOUN\tNNS\t_\t4\tnmod:poss\t_\t_\n2\t'\t_\tPART\tPOS\t_\t1\tcase\t_\t_\n3\tthird-quarter\t_\tADJ\tJJ\t_\t4\tamod\t_\t_\n4\testimates\t_\tNOUN\tNNS\t_\t15\tnsubj\t_\t_\n5\tfor\t_\tADP\tIN\t_\t11\tcase\t_\t_\n6\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n7\tMidland\t_\tPROPN\tNNP\t_\t11\tdep\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n9\tMich.\t_\tPROPN\tNNP\t_\t7\tdep\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t7\tpunct\t_\t_\n11\tcompany\t_\tNOUN\tNN\t_\t4\tnmod\t_\t_\n12\tare\t_\tVERB\tVBP\t_\t15\tcop\t_\t_\n13\tbetween\t_\tADP\tIN\t_\t15\tcase\t_\t_\n14\t$\t_\tSYM\t$\t_\t15\tdep\t_\t_\n15\t3.20\t_\tNUM\tCD\t_\t0\troot\t_\t_\n16\ta\t_\tDET\tDT\t_\t17\tdet\t_\t_\n17\tshare\t_\tNOUN\tNN\t_\t15\tnmod:npmod\t_\t_\n18\tand\t_\tCONJ\tCC\t_\t15\tcc\t_\t_\n19\t$\t_\tSYM\t$\t_\t20\tdep\t_\t_\n20\t3.30\t_\tNUM\tCD\t_\t15\tconj\t_\t_\n21\ta\t_\tDET\tDT\t_\t22\tdet\t_\t_\n22\tshare\t_\tNOUN\tNN\t_\t20\tnmod:npmod\t_\t_\n23\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n24\tcompared\t_\tVERB\tVBN\t_\t27\tcase\t_\t_\n25\twith\t_\tADP\tIN\t_\t27\tcase\t_\t_\n26\t$\t_\tSYM\t$\t_\t27\tdep\t_\t_\n27\t3.36\t_\tNUM\tCD\t_\t15\tadvcl\t_\t_\n28\ta\t_\tDET\tDT\t_\t29\tdet\t_\t_\n29\tyear\t_\tNOUN\tNN\t_\t30\tnmod:npmod\t_\t_\n30\tago\t_\tADV\tRB\t_\t27\tadvmod\t_\t_\n31\t,\t_\tPUNCT\t,\t_\t30\tpunct\t_\t_\n32\twhen\t_\tADV\tWRB\t_\t35\tadvmod\t_\t_\n33\tprofit\t_\tNOUN\tNN\t_\t35\tnsubj\t_\t_\n34\twas\t_\tVERB\tVBD\t_\t35\tcop\t_\t_\n35\t$\t_\tSYM\t$\t_\t30\tadvcl\t_\t_\n36\t632\t_\tNUM\tCD\t_\t37\tcompound\t_\t_\n37\tmillion\t_\tNUM\tCD\t_\t35\tnummod\t_\t_\n38\ton\t_\tADP\tIN\t_\t39\tcase\t_\t_\n39\tsales\t_\tNOUN\tNNS\t_\t35\tnmod\t_\t_\n40\tof\t_\tADP\tIN\t_\t41\tcase\t_\t_\n41\t$\t_\tSYM\t$\t_\t39\tnmod\t_\t_\n42\t4.15\t_\tNUM\tCD\t_\t43\tcompound\t_\t_\n43\tbillion\t_\tNUM\tCD\t_\t41\tnummod\t_\t_\n44\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tA\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tDow\t_\tPROPN\tNNP\t_\t3\tcompound\t_\t_\n3\tspokeswoman\t_\tNOUN\tNN\t_\t4\tnsubj\t_\t_\n4\tdeclined\t_\tVERB\tVBD\t_\t0\troot\t_\t_\n5\tto\t_\tPART\tTO\t_\t6\tmark\t_\t_\n6\tcomment\t_\tVERB\tVB\t_\t4\txcomp\t_\t_\n7\ton\t_\tADP\tIN\t_\t9\tcase\t_\t_\n8\tthe\t_\tDET\tDT\t_\t9\tdet\t_\t_\n9\testimates\t_\tNOUN\tNNS\t_\t6\tnmod\t_\t_\n10\t.\t_\tPUNCT\t.\t_\t4\tpunct\t_\t_\n\n1\tAt\t_\tADP\tIN\t_\t4\tcase\t_\t_\n2\tthe\t_\tDET\tDT\t_\t4\tdet\t_\t_\n3\tinvestment\t_\tNOUN\tNN\t_\t4\tcompound\t_\t_\n4\tfirm\t_\tNOUN\tNN\t_\t18\tnmod\t_\t_\n5\tof\t_\tADP\tIN\t_\t10\tcase\t_\t_\n6\tSmith\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n7\tBarney\t_\tPROPN\tNNP\t_\t10\tcompound\t_\t_\n8\t,\t_\tPUNCT\t,\t_\t10\tpunct\t_\t_\n9\tHarris\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n10\tUpham\t_\tPROPN\tNNP\t_\t4\tnmod\t_\t_\n11\t&\t_\tCONJ\tCC\t_\t10\tcc\t_\t_\n12\tCo.\t_\tPROPN\tNNP\t_\t10\tconj\t_\t_\n13\t,\t_\tPUNCT\t,\t_\t18\tpunct\t_\t_\n14\tthe\t_\tDET\tDT\t_\t16\tdet\t_\t_\n15\tcommodity-chemical\t_\tADJ\tJJ\t_\t16\tamod\t_\t_\n16\tsegment\t_\tNOUN\tNN\t_\t18\tnsubjpass\t_\t_\n17\tis\t_\tAUX\tVBZ\t_\t18\tauxpass\t_\t_\n18\tseen\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n19\tpulling\t_\tVERB\tVBG\t_\t18\txcomp\t_\t_\n20\tdown\t_\tADP\tRP\t_\t19\tadvmod\t_\t_\n21\toverall\t_\tADJ\tJJ\t_\t22\tamod\t_\t_\n22\tprofit\t_\tNOUN\tNN\t_\t19\tdobj\t_\t_\n23\tfor\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\t20\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n25\tcompanies\t_\tNOUN\tNNS\t_\t22\tnmod\t_\t_\n26\trepresentative\t_\tADJ\tJJ\t_\t25\tamod\t_\t_\n27\tof\t_\tADP\tIN\t_\t30\tcase\t_\t_\n28\tthe\t_\tDET\tDT\t_\t30\tdet\t_\t_\n29\twhole\t_\tADJ\tJJ\t_\t30\tamod\t_\t_\n30\tindustry\t_\tNOUN\tNN\t_\t26\tnmod\t_\t_\n31\tby\t_\tADP\tIN\t_\t36\tcase\t_\t_\n32\t8\t_\tNUM\tCD\t_\t36\tcompound\t_\t_\n33\t%\t_\tSYM\tNN\t_\t36\tdep\t_\t_\n34\tto\t_\tADP\tTO\t_\t36\tdep\t_\t_\n35\t10\t_\tNUM\tCD\t_\t36\tcompound\t_\t_\n36\t%\t_\tSYM\tNN\t_\t19\tnmod\t_\t_\n37\t.\t_\tPUNCT\t.\t_\t18\tpunct\t_\t_\n\n1\t``\t_\tPUNCT\t``\t_\t23\tpunct\t_\t_\n2\tYou\t_\tPRON\tPRP\t_\t4\tnsubj\t_\t_\n3\twill\t_\tAUX\tMD\t_\t4\taux\t_\t_\n4\tfind\t_\tVERB\tVB\t_\t23\tccomp\t_\t_\n5\tthe\t_\tDET\tDT\t_\t6\tdet\t_\t_\n6\tcommodities\t_\tNOUN\tNNS\t_\t7\tdep\t_\t_\n7\toff\t_\tADV\tRB\t_\t4\txcomp\t_\t_\n8\tmore\t_\tADV\tRBR\t_\t7\tadvmod\t_\t_\n9\tthan\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\tthe\t_\tDET\tDT\t_\t11\tdet\t_\t_\n11\tothers\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\tand\t_\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_\t20\tnummod\t_\t_\n20\t%\t_\tSYM\tNN\t_\t18\tdobj\t_\t_\n21\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t3\tdet\t_\t_\n2\tnon-callable\t_\tADJ\tJJ\t_\t3\tamod\t_\t_\n3\tissue\t_\tNOUN\tNN\t_\t17\tnsubjpass\t_\t_\n4\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n5\twhich\t_\tPRON\tWDT\t_\t8\tnsubjpass\t_\t_\n6\tcan\t_\tAUX\tMD\t_\t8\taux\t_\t_\n7\tbe\t_\tAUX\tVB\t_\t8\tauxpass\t_\t_\n8\tput\t_\tVERB\tVBN\t_\t3\tacl:relcl\t_\t_\n9\tback\t_\tADV\tRB\t_\t8\tadvmod\t_\t_\n10\tto\t_\tADP\tTO\t_\t12\tcase\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tcompany\t_\tNOUN\tNN\t_\t9\tnmod\t_\t_\n13\tin\t_\tADP\tIN\t_\t14\tcase\t_\t_\n14\t1999\t_\tNUM\tCD\t_\t8\tnmod\t_\t_\n15\t,\t_\tPUNCT\t,\t_\t3\tpunct\t_\t_\n16\twas\t_\tAUX\tVBD\t_\t17\tauxpass\t_\t_\n17\tpriced\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n18\tat\t_\tADP\tIN\t_\t21\tcase\t_\t_\n19\t99\t_\tNUM\tCD\t_\t21\tnummod\t_\t_\n20\tbasis\t_\tNOUN\tNN\t_\t21\tcompound\t_\t_\n21\tpoints\t_\tNOUN\tNNS\t_\t17\tnmod\t_\t_\n22\tabove\t_\tADP\tIN\t_\t21\tcase\t_\t_\n23\tthe\t_\tDET\tDT\t_\t24\tdet\t_\t_\n24\tTreasury\t_\tPROPN\tNNP\t_\t27\tnmod:poss\t_\t_\n25\t's\t_\tPART\tPOS\t_\t24\tcase\t_\t_\n26\t10-year\t_\tADJ\tJJ\t_\t27\tamod\t_\t_\n27\tnote\t_\tNOUN\tNN\t_\t21\tdep\t_\t_\n28\t.\t_\tPUNCT\t.\t_\t17\tpunct\t_\t_\n\n1\tRated\t_\tVERB\tVBN\t_\t15\tadvcl\t_\t_\n2\tBaa-1\t_\tADJ\tJJ\t_\t1\txcomp\t_\t_\n3\tby\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\tMoody\t_\tPROPN\tNNP\t_\t1\tnmod\t_\t_\n5\t's\t_\tPART\tPOS\t_\t4\tcase\t_\t_\n6\tand\t_\tCONJ\tCC\t_\t1\tcc\t_\t_\n7\ttriple-B-plus\t_\tADJ\tJJ\t_\t1\tconj\t_\t_\n8\tby\t_\tADP\tIN\t_\t9\tcase\t_\t_\n9\tS&P\t_\tPROPN\tNNP\t_\t7\tnmod\t_\t_\n10\t,\t_\tPUNCT\t,\t_\t15\tpunct\t_\t_\n11\tthe\t_\tDET\tDT\t_\t12\tdet\t_\t_\n12\tissue\t_\tNOUN\tNN\t_\t15\tnsubjpass\t_\t_\n13\twill\t_\tAUX\tMD\t_\t15\taux\t_\t_\n14\tbe\t_\tAUX\tVB\t_\t15\tauxpass\t_\t_\n15\tsold\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n16\tthrough\t_\tADP\tIN\t_\t17\tcase\t_\t_\n17\tunderwriters\t_\tNOUN\tNNS\t_\t15\tnmod\t_\t_\n18\tled\t_\tVERB\tVBN\t_\t17\tacl\t_\t_\n19\tby\t_\tADP\tIN\t_\t21\tcase\t_\t_\n20\tMorgan\t_\tPROPN\tNNP\t_\t21\tcompound\t_\t_\n21\tStanley\t_\tPROPN\tNNP\t_\t18\tnmod\t_\t_\n22\t&\t_\tCONJ\tCC\t_\t21\tcc\t_\t_\n23\tCo\t_\tPROPN\tNNP\t_\t21\tconj\t_\t_\n24\t.\t_\tPUNCT\t.\t_\t15\tpunct\t_\t_\n\n1\tFederal\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n2\tHome\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n3\tLoan\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n4\tMortgage\t_\tPROPN\tNNP\t_\t5\tcompound\t_\t_\n5\tCorp.\t_\tPROPN\tNNP\t_\t0\troot\t_\t_\n6\t--\t_\tPUNCT\t:\t_\t5\tpunct\t_\t_\n\n1\t$\t_\tSYM\t$\t_\t0\troot\t_\t_\n2\t500\t_\tNUM\tCD\t_\t3\tcompound\t_\t_\n3\tmillion\t_\tNUM\tCD\t_\t1\tnummod\t_\t_\n4\tof\t_\tADP\tIN\t_\t7\tcase\t_\t_\n5\tRemic\t_\tPROPN\tNNP\t_\t7\tcompound\t_\t_\n6\tmortgage\t_\tNOUN\tNN\t_\t7\tcompound\t_\t_\n7\tsecurities\t_\tNOUN\tNNS\t_\t1\tnmod\t_\t_\n8\toffered\t_\tVERB\tVBN\t_\t1\tacl\t_\t_\n9\tin\t_\tADP\tIN\t_\t11\tcase\t_\t_\n10\t13\t_\tNUM\tCD\t_\t11\tnummod\t_\t_\n11\tclasses\t_\tNOUN\tNNS\t_\t8\tnmod\t_\t_\n12\tby\t_\tADP\tIN\t_\t15\tcase\t_\t_\n13\tPrudential-Bache\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n14\tSecurities\t_\tPROPN\tNNP\t_\t15\tcompound\t_\t_\n15\tInc\t_\tPROPN\tNNP\t_\t8\tnmod\t_\t_\n16\t.\t_\tPUNCT\t.\t_\t1\tpunct\t_\t_\n\n1\tThe\t_\tDET\tDT\t_\t2\tdet\t_\t_\n2\toffering\t_\tNOUN\tNN\t_\t28\tnsubjpass\t_\t_\n3\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n4\tSeries\t_\tPROPN\tNNP\t_\t2\tappos\t_\t_\n5\t102\t_\tNUM\tCD\t_\t4\tnummod\t_\t_\n6\t,\t_\tPUNCT\t,\t_\t2\tpunct\t_\t_\n7\tbacked\t_\tVERB\tVBN\t_\t28\tdep\t_\t_\n8\tby\t_\tADP\tIN\t_\t14\tcase\t_\t_\n9\tFreddie\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n10\tMac\t_\tPROPN\tNNP\t_\t14\tcompound\t_\t_\n11\t8\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n12\t1/2\t_\tNUM\tCD\t_\t13\tcompound\t_\t_\n13\t%\t_\tSYM\tNN\t_\t14\tamod\t_\t_\n14\tsecurities\t_\tNOUN\tNNS\t_\t7\tnmod\t_\t_\n15\twith\t_\tADP\tIN\t_\t20\tcase\t_\t_\n16\ta\t_\tDET\tDT\t_\t20\tdet\t_\t_\n17\tweighted\t_\tADJ\tJJ\t_\t20\tamod\t_\t_\n18\taverage\t_\tNOUN\tNN\t_\t20\tcompound\t_\t_\n19\tremaining\t_\tVERB\tVBG\t_\t20\tamod\t_\t_\n20\tterm\t_\tNOUN\tNN\t_\t7\tnmod\t_\t_\n21\tto\t_\tADP\tTO\t_\t22\tcase\t_\t_\n22\tmaturity\t_\tNOUN\tNN\t_\t20\tnmod\t_\t_\n23\tof\t_\tADP\tIN\t_\t25\tcase\t_\t_\n24\t28.4\t_\tNUM\tCD\t_\t25\tnummod\t_\t_\n25\tyears\t_\tNOUN\tNNS\t_\t20\tnmod\t_\t_\n26\t,\t_\tPUNCT\t,\t_\t28\tpunct\t_\t_\n27\twas\t_\tAUX\tVBD\t_\t28\tauxpass\t_\t_\n28\tpriced\t_\tVERB\tVBN\t_\t0\troot\t_\t_\n29\tbefore\t_\tADP\tIN\t_\t34\tcase\t_\t_\n30\tthe\t_\tDET\tDT\t_\t31\tdet\t_\t_\n31\tmarket\t_\tNOUN\tNN\t_\t34\tnmod:poss\t_\t_\n32\t's\t_\tPART\tPOS\t_\t31\tcase\t_\t_\n33\tafternoon\t_\tNOUN\tNN\t_\t34\tcompound\t_\t_\n34\tsurge\t_\tNOUN\tNN\t_\t28\tnmod\t_\t_\n35\t.\t_\tPUNCT\t.\t_\t28\tpunct\t_\t_\n\n1\tAmong\t_\tADP\tIN\t_\t2\tcase\t_\t_\n2\tclasses\t_\tNOUN\tNNS\t_\t10\tnmod\t_\t_\n3\tfor\t_\tADP\tIN\t_\t4\tcase\t_\t_\n4\twhich\t_\tPRON\tWDT\t_\t7\tnmod\t_\t_\n5\tdetails\t_\tNOUN\tNNS\t_\t7\tnsubj\t_\t_\n6\twere\t_\tVE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  },
  {
    "path": "a3/local_env.yml",
    "content": "name: cs224n_a3\nchannels:\n  - pytorch\n  - defaults\ndependencies:\n  - python=3.7\n  - numpy\n  - tqdm\n  - docopt\n  - pytorch\n  - torchvision\n"
  },
  {
    "path": "a3/parser_model.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\"\"\"\nCS224N 2020-2021: Homework 3\nparser_model.py: Feed-Forward Neural Network for Dependency Parsing\nSahil Chopra <schopra8@stanford.edu>\nHaoshen Hong <haoshen@stanford.edu>\n\"\"\"\nimport argparse\nimport numpy as np\n\nimport torch\nimport torch.nn as nn\nimport torch.nn.functional as F\n\nclass ParserModel(nn.Module):\n    \"\"\" Feedforward neural network with an embedding layer and two hidden layers.\n    The ParserModel will predict which transition should be applied to a\n    given partial parse configuration.\n\n    PyTorch Notes:\n        - Note that \"ParserModel\" is a subclass of the \"nn.Module\" class. In PyTorch all neural networks\n            are a subclass of this \"nn.Module\".\n        - The \"__init__\" method is where you define all the layers and parameters\n            (embedding layers, linear layers, dropout layers, etc.).\n        - \"__init__\" gets automatically called when you create a new instance of your class, e.g.\n            when you write \"m = ParserModel()\".\n        - Other methods of ParserModel can access variables that have \"self.\" prefix. Thus,\n            you should add the \"self.\" prefix layers, values, etc. that you want to utilize\n            in other ParserModel methods.\n        - For further documentation on \"nn.Module\" please see https://pytorch.org/docs/stable/nn.html.\n    \"\"\"\n    def __init__(self, embeddings, n_features=36,\n        hidden_size=200, n_classes=3, dropout_prob=0.5):\n        \"\"\" Initialize the parser model.\n\n        @param embeddings (ndarray): word embeddings (num_words, embedding_size)\n        @param n_features (int): number of input features\n        @param hidden_size (int): number of hidden units\n        @param n_classes (int): number of output classes\n        @param dropout_prob (float): dropout probability\n        \"\"\"\n        super(ParserModel, self).__init__()\n        self.n_features = n_features\n        self.n_classes = n_classes\n        self.dropout_prob = dropout_prob\n        self.embed_size = embeddings.shape[1]\n        self.hidden_size = hidden_size\n        self.embeddings = nn.Parameter(torch.tensor(embeddings))\n\n        ### YOUR CODE HERE (~9-10 Lines)\n        ### TODO:\n        ###     1) Declare `self.embed_to_hidden_weight` and `self.embed_to_hidden_bias` as `nn.Parameter`.\n        ###        Initialize weight with the `nn.init.xavier_uniform_` function and bias with `nn.init.uniform_`\n        ###        with default parameters.\n        ###     2) Construct `self.dropout` layer.\n        ###     3) Declare `self.hidden_to_logits_weight` and `self.hidden_to_logits_bias` as `nn.Parameter`.\n        ###        Initialize weight with the `nn.init.xavier_uniform_` function and bias with `nn.init.uniform_`\n        ###        with default parameters.\n        ###\n        ### Note: Trainable variables are declared as `nn.Parameter` which is a commonly used API\n        ###       to include a tensor into a computational graph to support updating w.r.t its gradient.\n        ###       Here, we use Xavier Uniform Initialization for our Weight initialization.\n        ###       It has been shown empirically, that this provides better initial weights\n        ###       for training networks than random uniform initialization.\n        ###       For more details checkout this great blogpost:\n        ###             http://andyljones.tumblr.com/post/110998971763/an-explanation-of-xavier-initialization\n        ###\n        ### Please see the following docs for support:\n        ###     nn.Parameter: https://pytorch.org/docs/stable/nn.html#parameters\n        ###     Initialization: https://pytorch.org/docs/stable/nn.init.html\n        ###     Dropout: https://pytorch.org/docs/stable/nn.html#dropout-layers\n        ### \n        ### See the PDF for hints.\n\n        self.embed_to_hidden_weight = nn.Parameter(nn.init.xavier_uniform_(torch.empty(self.n_features*self.embed_size, self.hidden_size)))\n        self.embed_to_hidden_bias = nn.Parameter(nn.init.uniform_(torch.empty(self.hidden_size)))\n        self.dropout = nn.Dropout(p=self.dropout_prob)\n        self.hidden_to_logits_weight = nn.Parameter(nn.init.xavier_uniform_(torch.empty(self.hidden_size, self.n_classes)))\n        self.hidden_to_logits_bias = nn.Parameter(nn.init.uniform_(torch.empty(self.n_classes)))\n\n        ### END YOUR CODE\n\n    def embedding_lookup(self, w):\n        \"\"\" Utilize `w` to select embeddings from embedding matrix `self.embeddings`\n            @param w (Tensor): input tensor of word indices (batch_size, n_features)\n\n            @return x (Tensor): tensor of embeddings for words represented in w\n                                (batch_size, n_features * embed_size)\n        \"\"\"\n\n        ### YOUR CODE HERE (~1-4 Lines)\n        ### TODO:\n        ###     1) For each index `i` in `w`, select `i`th vector from self.embeddings\n        ###     2) Reshape the tensor using `view` function if necessary\n        ###\n        ### Note: All embedding vectors are stacked and stored as a matrix. The model receives\n        ###       a list of indices representing a sequence of words, then it calls this lookup\n        ###       function to map indices to sequence of embeddings.\n        ###\n        ###       This problem aims to test your understanding of embedding lookup,\n        ###       so DO NOT use any high level API like nn.Embedding\n        ###       (we are asking you to implement that!). Pay attention to tensor shapes\n        ###       and reshape if necessary. Make sure you know each tensor's shape before you run the code!\n        ###\n        ### Pytorch has some useful APIs for you, and you can use either one\n        ### in this problem (except nn.Embedding). These docs might be helpful:\n        ###     Index select: https://pytorch.org/docs/stable/torch.html#torch.index_select\n        ###     Gather: https://pytorch.org/docs/stable/torch.html#torch.gather\n        ###     View: https://pytorch.org/docs/stable/tensors.html#torch.Tensor.view\n        ###     Flatten: https://pytorch.org/docs/stable/generated/torch.flatten.html\n\n        x = torch.Tensor([torch.index_select(self.embeddings, 0, w[b]).view(-1).detach().numpy() for b in range(w.shape[0])])\n        #x = torch.index_select(self.embeddings, 0, w.view(-1, )).view(w.size(0), self.n_features * self.embed_size)        \n        \n        assert x.shape == (w.shape[0], self.n_features*self.embed_size)\n\n        ### END YOUR CODE\n        return x\n\n\n    def forward(self, w):\n        \"\"\" Run the model forward.\n\n            Note that we will not apply the softmax function here because it is included in the loss function nn.CrossEntropyLoss\n\n            PyTorch Notes:\n                - Every nn.Module object (PyTorch model) has a `forward` function.\n                - When you apply your nn.Module to an input tensor `w` this function is applied to the tensor.\n                    For example, if you created an instance of your ParserModel and applied it to some `w` as follows,\n                    the `forward` function would called on `w` and the result would be stored in the `output` variable:\n                        model = ParserModel()\n                        output = model(w) # this calls the forward function\n                - For more details checkout: https://pytorch.org/docs/stable/nn.html#torch.nn.Module.forward\n\n        @param w (Tensor): input tensor of tokens (batch_size, n_features)\n\n        @return logits (Tensor): tensor of predictions (output after applying the layers of the network)\n                                 without applying softmax (batch_size, n_classes)\n        \"\"\"\n        ### YOUR CODE HERE (~3-5 lines)\n        ### TODO:\n        ###     Complete the forward computation as described in write-up. In addition, include a dropout layer\n        ###     as decleared in `__init__` after ReLU function.\n        ###\n        ### Note: We do not apply the softmax to the logits here, because\n        ### the loss function (torch.nn.CrossEntropyLoss) applies it more efficiently.\n        ###\n        ### Please see the following docs for support:\n        ###     Matrix product: https://pytorch.org/docs/stable/torch.html#torch.matmul\n        ###     ReLU: https://pytorch.org/docs/stable/nn.html?highlight=relu#torch.nn.functional.relu\n\n        embeddings = self.embedding_lookup(w)\n        hidden_activations = torch.nn.functional.relu(embeddings @ self.embed_to_hidden_weight + self.embed_to_hidden_bias)\n        hidden_activations_droppedout = self.dropout(hidden_activations)\n        logits = hidden_activations_droppedout @ self.hidden_to_logits_weight + self.hidden_to_logits_bias\n\n        ### END YOUR CODE\n        return logits\n\n\nif __name__ == \"__main__\":\n\n    parser = argparse.ArgumentParser(description='Simple sanity check for parser_model.py')\n    parser.add_argument('-e', '--embedding', action='store_true', help='sanity check for embeding_lookup function')\n    parser.add_argument('-f', '--forward', action='store_true', help='sanity check for forward function')\n    args = parser.parse_args()\n\n    embeddings = np.zeros((100, 30), dtype=np.float32)\n    model = ParserModel(embeddings)\n\n    def check_embedding():\n        inds = torch.randint(0, 100, (4, 36), dtype=torch.long)\n        selected = model.embedding_lookup(inds)\n        assert np.all(selected.data.numpy() == 0), \"The result of embedding lookup: \" \\\n                                      + repr(selected) + \" contains non-zero elements.\"\n\n    def check_forward():\n        inputs =torch.randint(0, 100, (4, 36), dtype=torch.long)\n        out = model(inputs)\n        expected_out_shape = (4, 3)\n        assert out.shape == expected_out_shape, \"The result shape of forward is: \" + repr(out.shape) + \\\n                                                \" which doesn't match expected \" + repr(expected_out_shape)\n\n    if args.embedding:\n        check_embedding()\n        print(\"Embedding_lookup sanity check passes!\")\n\n    if args.forward:\n        check_forward()\n        print(\"Forward sanity check passes!\")"
  },
  {
    "path": "a3/parser_transitions.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\"\"\"\nCS224N 2020-2021: Homework 3\nparser_transitions.py: Algorithms for completing partial parsess.\nSahil Chopra <schopra8@stanford.edu>\nHaoshen Hong <haoshen@stanford.edu>\n\"\"\"\n\nimport sys\n\nclass PartialParse(object):\n    def __init__(self, sentence):\n        \"\"\"Initializes this partial parse.\n\n        @param sentence (list of str): The sentence to be parsed as a list of words.\n                                        Your code should not modify the sentence.\n        \"\"\"\n        # The sentence being parsed is kept for bookkeeping purposes. Do NOT alter it in your code.\n        self.sentence = sentence\n\n        ### YOUR CODE HERE (3 Lines)\n        ### Your code should initialize the following fields:\n        ###     self.stack: The current stack represented as a list with the top of the stack as the\n        ###                 last element of the list.\n        ###     self.buffer: The current buffer represented as a list with the first item on the\n        ###                  buffer as the first item of the list\n        ###     self.dependencies: The list of dependencies produced so far. Represented as a list of\n        ###             tuples where each tuple is of the form (head, dependent).\n        ###             Order for this list doesn't matter.\n        ###\n        ### Note: The root token should be represented with the string \"ROOT\"\n        ### Note: If you need to use the sentence object to initialize anything, make sure to not directly \n        ###       reference the sentence object.  That is, remember to NOT modify the sentence object. \n\n        self.stack = ['ROOT']\n        self.buffer = sentence[:] # or self.sentence.copy() \n        self.dependencies = []\n\n        ### END YOUR CODE\n\n\n    def parse_step(self, transition):\n        \"\"\"Performs a single parse step by applying the given transition to this partial parse\n\n        @param transition (str): A string that equals \"S\", \"LA\", or \"RA\" representing the shift,\n                                left-arc, and right-arc transitions. You can assume the provided\n                                transition is a legal transition.\n        \"\"\"\n        ### YOUR CODE HERE (~7-12 Lines)\n        ### TODO:\n        ###     Implement a single parsing step, i.e. the logic for the following as\n        ###     described in the pdf handout:\n        ###         1. Shift\n        ###         2. Left Arc\n        ###         3. Right Arc\n\n        if transition == 'S':\n            buffer_head = self.buffer.pop(0)\n            self.stack.append(buffer_head)\n        elif transition == 'LA':\n            dependent = self.stack.pop(-2)\n            self.dependencies.append((self.stack[-1], dependent))\n        elif transition == 'RA':\n            dependent = self.stack.pop()\n            self.dependencies.append((self.stack[-1], dependent))\n        else:\n            print(f\"Unknown transition: {transition}\")\n\n        ### END YOUR CODE\n\n    def parse(self, transitions):\n        \"\"\"Applies the provided transitions to this PartialParse\n\n        @param transitions (list of str): The list of transitions in the order they should be applied\n\n        @return dependencies (list of string tuples): The list of dependencies produced when\n                                                        parsing the sentence. Represented as a list of\n                                                        tuples where each tuple is of the form (head, dependent).\n        \"\"\"\n        for transition in transitions:\n            self.parse_step(transition)\n        return self.dependencies\n\n\ndef minibatch_parse(sentences, model, batch_size):\n    \"\"\"Parses a list of sentences in minibatches using a model.\n\n    @param sentences (list of list of str): A list of sentences to be parsed\n                                            (each sentence is a list of words and each word is of type string)\n    @param model (ParserModel): The model that makes parsing decisions. It is assumed to have a function\n                                model.predict(partial_parses) that takes in a list of PartialParses as input and\n                                returns a list of transitions predicted for each parse. That is, after calling\n                                    transitions = model.predict(partial_parses)\n                                transitions[i] will be the next transition to apply to partial_parses[i].\n    @param batch_size (int): The number of PartialParses to include in each minibatch\n\n\n    @return dependencies (list of dependency lists): A list where each element is the dependencies\n                                                    list for a parsed sentence. Ordering should be the\n                                                    same as in sentences (i.e., dependencies[i] should\n                                                    contain the parse for sentences[i]).\n    \"\"\"\n    dependencies = []\n\n    ### YOUR CODE HERE (~8-10 Lines)\n    ### TODO:\n    ###     Implement the minibatch parse algorithm.  Note that the pseudocode for this algorithm is given in the pdf handout.\n    ###\n    ###     Note: A shallow copy (as denoted in the PDF) can be made with the \"=\" sign in python, e.g.\n    ###                 unfinished_parses = partial_parses[:].\n    ###             Here `unfinished_parses` is a shallow copy of `partial_parses`.\n    ###             In Python, a shallow copied list like `unfinished_parses` does not contain new instances\n    ###             of the object stored in `partial_parses`. Rather both lists refer to the same objects.\n    ###             In our case, `partial_parses` contains a list of partial parses. `unfinished_parses`\n    ###             contains references to the same objects. Thus, you should NOT use the `del` operator\n    ###             to remove objects from the `unfinished_parses` list. This will free the underlying memory that\n    ###             is being accessed by `partial_parses` and may cause your code to crash.\n\n    # Initialize a list of PartialParses, one for each sentence\n    partial_parses = [PartialParse(sentence) for sentence in sentences]\n    \n    # Shallow copy partial_parses.\n    unfinished_parses = partial_parses[:]\n    \n    # While unfinished_parses is not empty do\n    while unfinished_parses:\n        # Take first batch_size parses in unfinished_parses as minibatch\n        minibatch = unfinished_parses[:batch_size]\n        \n        # Use model to predict next transition for each partial parse in the minibatch\n        transitions = model.predict(minibatch)\n        \n        # Perform parse step for each partial_parse_minibatch with their predicted transition\n        for transition, partial_parse in zip(transitions, minibatch):\n            partial_parse.parse_step(transition)\n            \n            # Remove completed parses\n            if len(partial_parse.buffer) == 0 and len(partial_parse.stack) == 1:\n                unfinished_parses.remove(partial_parse)\n        \n    dependencies = [parse.dependencies for parse in partial_parses]\n\n    ### END YOUR CODE\n\n    return dependencies\n\n\ndef test_step(name, transition, stack, buf, deps,\n              ex_stack, ex_buf, ex_deps):\n    \"\"\"Tests that a single parse step returns the expected output\"\"\"\n    pp = PartialParse([])\n    pp.stack, pp.buffer, pp.dependencies = stack, buf, deps\n\n    pp.parse_step(transition)\n    stack, buf, deps = (tuple(pp.stack), tuple(pp.buffer), tuple(sorted(pp.dependencies)))\n    assert stack == ex_stack, \\\n        \"{:} test resulted in stack {:}, expected {:}\".format(name, stack, ex_stack)\n    assert buf == ex_buf, \\\n        \"{:} test resulted in buffer {:}, expected {:}\".format(name, buf, ex_buf)\n    assert deps == ex_deps, \\\n        \"{:} test resulted in dependency list {:}, expected {:}\".format(name, deps, ex_deps)\n    print(\"{:} test passed!\".format(name))\n\n\ndef test_parse_step():\n    \"\"\"Simple tests for the PartialParse.parse_step function\n    Warning: these are not exhaustive\n    \"\"\"\n    test_step(\"SHIFT\", \"S\", [\"ROOT\", \"the\"], [\"cat\", \"sat\"], [],\n              (\"ROOT\", \"the\", \"cat\"), (\"sat\",), ())\n    test_step(\"LEFT-ARC\", \"LA\", [\"ROOT\", \"the\", \"cat\"], [\"sat\"], [],\n              (\"ROOT\", \"cat\",), (\"sat\",), ((\"cat\", \"the\"),))\n    test_step(\"RIGHT-ARC\", \"RA\", [\"ROOT\", \"run\", \"fast\"], [], [],\n              (\"ROOT\", \"run\",), (), ((\"run\", \"fast\"),))\n\n\ndef test_parse():\n    \"\"\"Simple tests for the PartialParse.parse function\n    Warning: these are not exhaustive\n    \"\"\"\n    sentence = [\"parse\", \"this\", \"sentence\"]\n    dependencies = PartialParse(sentence).parse([\"S\", \"S\", \"S\", \"LA\", \"RA\", \"RA\"])\n    dependencies = tuple(sorted(dependencies))\n    expected = (('ROOT', 'parse'), ('parse', 'sentence'), ('sentence', 'this'))\n    assert dependencies == expected,  \\\n        \"parse test resulted in dependencies {:}, expected {:}\".format(dependencies, expected)\n    assert tuple(sentence) == (\"parse\", \"this\", \"sentence\"), \\\n        \"parse test failed: the input sentence should not be modified\"\n    print(\"parse test passed!\")\n\n\nclass DummyModel(object):\n    \"\"\"Dummy model for testing the minibatch_parse function\n    \"\"\"\n    def __init__(self, mode = \"unidirectional\"):\n        self.mode = mode\n\n    def predict(self, partial_parses):\n        if self.mode == \"unidirectional\":\n            return self.unidirectional_predict(partial_parses)\n        elif self.mode == \"interleave\":\n            return self.interleave_predict(partial_parses)\n        else:\n            raise NotImplementedError()\n\n    def unidirectional_predict(self, partial_parses):\n        \"\"\"First shifts everything onto the stack and then does exclusively right arcs if the first word of\n        the sentence is \"right\", \"left\" if otherwise.\n        \"\"\"\n        return [(\"RA\" if pp.stack[1] is \"right\" else \"LA\") if len(pp.buffer) == 0 else \"S\"\n                for pp in partial_parses]\n\n    def interleave_predict(self, partial_parses):\n        \"\"\"First shifts everything onto the stack and then interleaves \"right\" and \"left\".\n        \"\"\"\n        return [(\"RA\" if len(pp.stack) % 2 == 0 else \"LA\") if len(pp.buffer) == 0 else \"S\"\n                for pp in partial_parses]\n\ndef test_dependencies(name, deps, ex_deps):\n    \"\"\"Tests the provided dependencies match the expected dependencies\"\"\"\n    deps = tuple(sorted(deps))\n    assert deps == ex_deps, \\\n        \"{:} test resulted in dependency list {:}, expected {:}\".format(name, deps, ex_deps)\n\n\ndef test_minibatch_parse():\n    \"\"\"Simple tests for the minibatch_parse function\n    Warning: these are not exhaustive\n    \"\"\"\n\n    # Unidirectional arcs test\n    sentences = [[\"right\", \"arcs\", \"only\"],\n                 [\"right\", \"arcs\", \"only\", \"again\"],\n                 [\"left\", \"arcs\", \"only\"],\n                 [\"left\", \"arcs\", \"only\", \"again\"]]\n    deps = minibatch_parse(sentences, DummyModel(), 2)\n    test_dependencies(\"minibatch_parse\", deps[0],\n                      (('ROOT', 'right'), ('arcs', 'only'), ('right', 'arcs')))\n    test_dependencies(\"minibatch_parse\", deps[1],\n                      (('ROOT', 'right'), ('arcs', 'only'), ('only', 'again'), ('right', 'arcs')))\n    test_dependencies(\"minibatch_parse\", deps[2],\n                      (('only', 'ROOT'), ('only', 'arcs'), ('only', 'left')))\n    test_dependencies(\"minibatch_parse\", deps[3],\n                      (('again', 'ROOT'), ('again', 'arcs'), ('again', 'left'), ('again', 'only')))\n\n    # Out-of-bound test\n    sentences = [[\"right\"]]\n    deps = minibatch_parse(sentences, DummyModel(), 2)\n    test_dependencies(\"minibatch_parse\", deps[0], (('ROOT', 'right'),))\n\n    # Mixed arcs test\n    sentences = [[\"this\", \"is\", \"interleaving\", \"dependency\", \"test\"]]\n    deps = minibatch_parse(sentences, DummyModel(mode=\"interleave\"), 1)\n    test_dependencies(\"minibatch_parse\", deps[0],\n                      (('ROOT', 'is'), ('dependency', 'interleaving'),\n                      ('dependency', 'test'), ('is', 'dependency'), ('is', 'this')))\n    print(\"minibatch_parse test passed!\")\n\n\nif __name__ == '__main__':\n    args = sys.argv\n    if len(args) != 2:\n        raise Exception(\"You did not provide a valid keyword. Either provide 'part_c' or 'part_d', when executing this script\")\n    elif args[1] == \"part_c\":\n        test_parse_step()\n        test_parse()\n    elif args[1] == \"part_d\":\n        test_minibatch_parse()\n    else:\n        raise Exception(\"You did not provide a valid keyword. Either provide 'part_c' or 'part_d', when executing this script\")\n"
  },
  {
    "path": "a3/run.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\"\"\"\nCS224N 2020-2021: Homework 3\nrun.py: Run the dependency parser.\nSahil Chopra <schopra8@stanford.edu>\nHaoshen Hong <haoshen@stanford.edu>\n\"\"\"\nfrom datetime import datetime\nimport os\nimport pickle\nimport math\nimport time\nimport argparse\n\nfrom torch import nn, optim\nimport torch\nfrom tqdm import tqdm\n\nfrom parser_model import ParserModel\nfrom utils.parser_utils import minibatches, load_and_preprocess_data, AverageMeter\n\nparser = argparse.ArgumentParser(description='Train neural dependency parser in pytorch')\nparser.add_argument('-d', '--debug', action='store_true', help='whether to enter debug mode')\nargs = parser.parse_args()\n\n# -----------------\n# Primary Functions\n# -----------------\ndef train(parser, train_data, dev_data, output_path, batch_size=1024, n_epochs=10, lr=0.0005):\n    \"\"\" Train the neural dependency parser.\n\n    @param parser (Parser): Neural Dependency Parser\n    @param train_data ():\n    @param dev_data ():\n    @param output_path (str): Path to which model weights and results are written.\n    @param batch_size (int): Number of examples in a single batch\n    @param n_epochs (int): Number of training epochs\n    @param lr (float): Learning rate\n    \"\"\"\n    best_dev_UAS = 0\n\n\n    ### YOUR CODE HERE (~2-7 lines)\n    ### TODO:\n    ###      1) Construct Adam Optimizer in variable `optimizer`\n    ###      2) Construct the Cross Entropy Loss Function in variable `loss_func` with `mean`\n    ###         reduction (default)\n    ###\n    ### Hint: Use `parser.model.parameters()` to pass optimizer\n    ###       necessary parameters to tune.\n    ### Please see the following docs for support:\n    ###     Adam Optimizer: https://pytorch.org/docs/stable/optim.html\n    ###     Cross Entropy Loss: https://pytorch.org/docs/stable/nn.html#crossentropyloss\n\n    optimizer = optim.Adam(parser.model.parameters(), lr=lr)\n    loss_func = nn.CrossEntropyLoss(reduction = 'mean')\n\n    ### END YOUR CODE\n\n    for epoch in range(n_epochs):\n        print(\"Epoch {:} out of {:}\".format(epoch + 1, n_epochs))\n        dev_UAS = train_for_epoch(parser, train_data, dev_data, optimizer, loss_func, batch_size)\n        if dev_UAS > best_dev_UAS:\n            best_dev_UAS = dev_UAS\n            print(\"New best dev UAS! Saving model.\")\n            torch.save(parser.model.state_dict(), output_path)\n        print(\"\")\n\n\ndef train_for_epoch(parser, train_data, dev_data, optimizer, loss_func, batch_size):\n    \"\"\" Train the neural dependency parser for single epoch.\n\n    Note: In PyTorch we can signify train versus test and automatically have\n    the Dropout Layer applied and removed, accordingly, by specifying\n    whether we are training, `model.train()`, or evaluating, `model.eval()`\n\n    @param parser (Parser): Neural Dependency Parser\n    @param train_data ():\n    @param dev_data ():\n    @param optimizer (nn.Optimizer): Adam Optimizer\n    @param loss_func (nn.CrossEntropyLoss): Cross Entropy Loss Function\n    @param batch_size (int): batch size\n\n    @return dev_UAS (float): Unlabeled Attachment Score (UAS) for dev data\n    \"\"\"\n    parser.model.train() # Places model in \"train\" mode, i.e. apply dropout layer\n    n_minibatches = math.ceil(len(train_data) / batch_size)\n    loss_meter = AverageMeter()\n\n    with tqdm(total=(n_minibatches)) as prog:\n        for i, (train_x, train_y) in enumerate(minibatches(train_data, batch_size)):\n            optimizer.zero_grad()   # remove any baggage in the optimizer\n            loss = 0. # store loss for this batch here\n            train_x = torch.from_numpy(train_x).long()\n            train_y = torch.from_numpy(train_y.nonzero()[1]).long()\n\n            ### YOUR CODE HERE (~4-10 lines)\n            ### TODO:\n            ###      1) Run train_x forward through model to produce `logits`\n            ###      2) Use the `loss_func` parameter to apply the PyTorch CrossEntropyLoss function.\n            ###         This will take `logits` and `train_y` as inputs. It will output the CrossEntropyLoss\n            ###         between softmax(`logits`) and `train_y`. Remember that softmax(`logits`)\n            ###         are the predictions (y^ from the PDF).\n            ###      3) Backprop losses\n            ###      4) Take step with the optimizer\n            ### Please see the following docs for support:\n            ###     Optimizer Step: https://pytorch.org/docs/stable/optim.html#optimizer-step\n\n            # Forward pass: compute predicted logits\n            logits = parser.model(train_x)\n            \n            # Compute loss\n            loss = loss_func(logits, train_y)\n            \n            # Compute gradients of the loss w.r.t model parameters.\n            loss.backward()\n            \n            # Take step with optimizer\n            optimizer.step()\n\n            ### END YOUR CODE\n            prog.update(1)\n            loss_meter.update(loss.item())\n\n    print (\"Average Train Loss: {}\".format(loss_meter.avg))\n\n    print(\"Evaluating on dev set\",)\n    parser.model.eval() # Places model in \"eval\" mode, i.e. don't apply dropout layer\n    dev_UAS, _ = parser.parse(dev_data)\n    print(\"- dev UAS: {:.2f}\".format(dev_UAS * 100.0))\n    return dev_UAS\n\n\nif __name__ == \"__main__\":\n    debug = args.debug\n\n    assert (torch.__version__.split(\".\") >= [\"1\", \"0\", \"0\"]), \"Please install torch version >= 1.0.0\"\n\n    print(80 * \"=\")\n    print(\"INITIALIZING\")\n    print(80 * \"=\")\n    parser, embeddings, train_data, dev_data, test_data = load_and_preprocess_data(debug)\n\n    start = time.time()\n    model = ParserModel(embeddings)\n    parser.model = model\n    print(\"took {:.2f} seconds\\n\".format(time.time() - start))\n\n    print(80 * \"=\")\n    print(\"TRAINING\")\n    print(80 * \"=\")\n    output_dir = \"results/{:%Y%m%d_%H%M%S}/\".format(datetime.now())\n    output_path = output_dir + \"model.weights\"\n\n    if not os.path.exists(output_dir):\n        os.makedirs(output_dir)\n\n    train(parser, train_data, dev_data, output_path, batch_size=1024, n_epochs=10, lr=0.0005)\n\n    if not debug:\n        print(80 * \"=\")\n        print(\"TESTING\")\n        print(80 * \"=\")\n        print(\"Restoring the best model weights found on the dev set\")\n        parser.model.load_state_dict(torch.load(output_path))\n        print(\"Final evaluation on test set\",)\n        parser.model.eval()\n        UAS, dependencies = parser.parse(test_data)\n        print(\"- test UAS: {:.2f}\".format(UAS * 100.0))\n        print(\"Done!\")\n"
  },
  {
    "path": "a3/utils/__init__.py",
    "content": ""
  },
  {
    "path": "a3/utils/general_utils.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\"\"\"\nCS224N 2020-2021: Homework 3\ngeneral_utils.py: General purpose utilities.\nSahil Chopra <schopra8@stanford.edu>\n\"\"\"\n\nimport sys\nimport time\nimport numpy as np\n\n\ndef get_minibatches(data, minibatch_size, shuffle=True):\n    \"\"\"\n    Iterates through the provided data one minibatch at at time. You can use this function to\n    iterate through data in minibatches as follows:\n\n        for inputs_minibatch in get_minibatches(inputs, minibatch_size):\n            ...\n\n    Or with multiple data sources:\n\n        for inputs_minibatch, labels_minibatch in get_minibatches([inputs, labels], minibatch_size):\n            ...\n\n    Args:\n        data: there are two possible values:\n            - a list or numpy array\n            - a list where each element is either a list or numpy array\n        minibatch_size: the maximum number of items in a minibatch\n        shuffle: whether to randomize the order of returned data\n    Returns:\n        minibatches: the return value depends on data:\n            - If data is a list/array it yields the next minibatch of data.\n            - If data a list of lists/arrays it returns the next minibatch of each element in the\n              list. This can be used to iterate through multiple data sources\n              (e.g., features and labels) at the same time.\n\n    \"\"\"\n    list_data = type(data) is list and (type(data[0]) is list or type(data[0]) is np.ndarray)\n    data_size = len(data[0]) if list_data else len(data)\n    indices = np.arange(data_size)\n    if shuffle:\n        np.random.shuffle(indices)\n    for minibatch_start in np.arange(0, data_size, minibatch_size):\n        minibatch_indices = indices[minibatch_start:minibatch_start + minibatch_size]\n        yield [_minibatch(d, minibatch_indices) for d in data] if list_data \\\n            else _minibatch(data, minibatch_indices)\n\n\ndef _minibatch(data, minibatch_idx):\n    return data[minibatch_idx] if type(data) is np.ndarray else [data[i] for i in minibatch_idx]\n\n\ndef test_all_close(name, actual, expected):\n    if actual.shape != expected.shape:\n        raise ValueError(\"{:} failed, expected output to have shape {:} but has shape {:}\"\n                         .format(name, expected.shape, actual.shape))\n    if np.amax(np.fabs(actual - expected)) > 1e-6:\n        raise ValueError(\"{:} failed, expected {:} but value is {:}\".format(name, expected, actual))\n    else:\n        print(name, \"passed!\")\n"
  },
  {
    "path": "a3/utils/parser_utils.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\"\"\"\nCS224N 2020-2021: Homework 3\nparser_utils.py: Utilities for training the dependency parser.\nSahil Chopra <schopra8@stanford.edu>\n\"\"\"\n\nimport time\nimport os\nimport logging\nfrom collections import Counter\nfrom . general_utils import get_minibatches\nfrom parser_transitions import minibatch_parse\n\nfrom tqdm import tqdm\nimport torch\nimport numpy as np\n\nP_PREFIX = '<p>:'\nL_PREFIX = '<l>:'\nUNK = '<UNK>'\nNULL = '<NULL>'\nROOT = '<ROOT>'\n\n\nclass Config(object):\n    language = 'english'\n    with_punct = True\n    unlabeled = True\n    lowercase = True\n    use_pos = True\n    use_dep = True\n    use_dep = use_dep and (not unlabeled)\n    data_path = './data'\n    train_file = 'train.conll'\n    dev_file = 'dev.conll'\n    test_file = 'test.conll'\n    embedding_file = './data/en-cw.txt'\n\n\nclass Parser(object):\n    \"\"\"Contains everything needed for transition-based dependency parsing except for the model\"\"\"\n\n    def __init__(self, dataset):\n        root_labels = list([l for ex in dataset\n                           for (h, l) in zip(ex['head'], ex['label']) if h == 0])\n        counter = Counter(root_labels)\n        if len(counter) > 1:\n            logging.info('Warning: more than one root label')\n            logging.info(counter)\n        self.root_label = counter.most_common()[0][0]\n        deprel = [self.root_label] + list(set([w for ex in dataset\n                                               for w in ex['label']\n                                               if w != self.root_label]))\n        tok2id = {L_PREFIX + l: i for (i, l) in enumerate(deprel)}\n        tok2id[L_PREFIX + NULL] = self.L_NULL = len(tok2id)\n\n        config = Config()\n        self.unlabeled = config.unlabeled\n        self.with_punct = config.with_punct\n        self.use_pos = config.use_pos\n        self.use_dep = config.use_dep\n        self.language = config.language\n\n        if self.unlabeled:\n            trans = ['L', 'R', 'S']\n            self.n_deprel = 1\n        else:\n            trans = ['L-' + l for l in deprel] + ['R-' + l for l in deprel] + ['S']\n            self.n_deprel = len(deprel)\n\n        self.n_trans = len(trans)\n        self.tran2id = {t: i for (i, t) in enumerate(trans)}\n        self.id2tran = {i: t for (i, t) in enumerate(trans)}\n\n        # logging.info('Build dictionary for part-of-speech tags.')\n        tok2id.update(build_dict([P_PREFIX + w for ex in dataset for w in ex['pos']],\n                                  offset=len(tok2id)))\n        tok2id[P_PREFIX + UNK] = self.P_UNK = len(tok2id)\n        tok2id[P_PREFIX + NULL] = self.P_NULL = len(tok2id)\n        tok2id[P_PREFIX + ROOT] = self.P_ROOT = len(tok2id)\n\n        # logging.info('Build dictionary for words.')\n        tok2id.update(build_dict([w for ex in dataset for w in ex['word']],\n                                  offset=len(tok2id)))\n        tok2id[UNK] = self.UNK = len(tok2id)\n        tok2id[NULL] = self.NULL = len(tok2id)\n        tok2id[ROOT] = self.ROOT = len(tok2id)\n\n        self.tok2id = tok2id\n        self.id2tok = {v: k for (k, v) in tok2id.items()}\n\n        self.n_features = 18 + (18 if config.use_pos else 0) + (12 if config.use_dep else 0)\n        self.n_tokens = len(tok2id)\n\n    def vectorize(self, examples):\n        vec_examples = []\n        for ex in examples:\n            word = [self.ROOT] + [self.tok2id[w] if w in self.tok2id\n                                  else self.UNK for w in ex['word']]\n            pos = [self.P_ROOT] + [self.tok2id[P_PREFIX + w] if P_PREFIX + w in self.tok2id\n                                   else self.P_UNK for w in ex['pos']]\n            head = [-1] + ex['head']\n            label = [-1] + [self.tok2id[L_PREFIX + w] if L_PREFIX + w in self.tok2id\n                            else -1 for w in ex['label']]\n            vec_examples.append({'word': word, 'pos': pos,\n                                 'head': head, 'label': label})\n        return vec_examples\n\n    def extract_features(self, stack, buf, arcs, ex):\n        if stack[0] == \"ROOT\":\n            stack[0] = 0\n\n        def get_lc(k):\n            return sorted([arc[1] for arc in arcs if arc[0] == k and arc[1] < k])\n\n        def get_rc(k):\n            return sorted([arc[1] for arc in arcs if arc[0] == k and arc[1] > k],\n                          reverse=True)\n\n        p_features = []\n        l_features = []\n        features = [self.NULL] * (3 - len(stack)) + [ex['word'][x] for x in stack[-3:]]\n        features += [ex['word'][x] for x in buf[:3]] + [self.NULL] * (3 - len(buf))\n        if self.use_pos:\n            p_features = [self.P_NULL] * (3 - len(stack)) + [ex['pos'][x] for x in stack[-3:]]\n            p_features += [ex['pos'][x] for x in buf[:3]] + [self.P_NULL] * (3 - len(buf))\n\n        for i in range(2):\n            if i < len(stack):\n                k = stack[-i-1]\n                lc = get_lc(k)\n                rc = get_rc(k)\n                llc = get_lc(lc[0]) if len(lc) > 0 else []\n                rrc = get_rc(rc[0]) if len(rc) > 0 else []\n\n                features.append(ex['word'][lc[0]] if len(lc) > 0 else self.NULL)\n                features.append(ex['word'][rc[0]] if len(rc) > 0 else self.NULL)\n                features.append(ex['word'][lc[1]] if len(lc) > 1 else self.NULL)\n                features.append(ex['word'][rc[1]] if len(rc) > 1 else self.NULL)\n                features.append(ex['word'][llc[0]] if len(llc) > 0 else self.NULL)\n                features.append(ex['word'][rrc[0]] if len(rrc) > 0 else self.NULL)\n\n                if self.use_pos:\n                    p_features.append(ex['pos'][lc[0]] if len(lc) > 0 else self.P_NULL)\n                    p_features.append(ex['pos'][rc[0]] if len(rc) > 0 else self.P_NULL)\n                    p_features.append(ex['pos'][lc[1]] if len(lc) > 1 else self.P_NULL)\n                    p_features.append(ex['pos'][rc[1]] if len(rc) > 1 else self.P_NULL)\n                    p_features.append(ex['pos'][llc[0]] if len(llc) > 0 else self.P_NULL)\n                    p_features.append(ex['pos'][rrc[0]] if len(rrc) > 0 else self.P_NULL)\n\n                if self.use_dep:\n                    l_features.append(ex['label'][lc[0]] if len(lc) > 0 else self.L_NULL)\n                    l_features.append(ex['label'][rc[0]] if len(rc) > 0 else self.L_NULL)\n                    l_features.append(ex['label'][lc[1]] if len(lc) > 1 else self.L_NULL)\n                    l_features.append(ex['label'][rc[1]] if len(rc) > 1 else self.L_NULL)\n                    l_features.append(ex['label'][llc[0]] if len(llc) > 0 else self.L_NULL)\n                    l_features.append(ex['label'][rrc[0]] if len(rrc) > 0 else self.L_NULL)\n            else:\n                features += [self.NULL] * 6\n                if self.use_pos:\n                    p_features += [self.P_NULL] * 6\n                if self.use_dep:\n                    l_features += [self.L_NULL] * 6\n\n        features += p_features + l_features\n        assert len(features) == self.n_features\n        return features\n\n    def get_oracle(self, stack, buf, ex):\n        if len(stack) < 2:\n            return self.n_trans - 1\n\n        i0 = stack[-1]\n        i1 = stack[-2]\n        h0 = ex['head'][i0]\n        h1 = ex['head'][i1]\n        l0 = ex['label'][i0]\n        l1 = ex['label'][i1]\n\n        if self.unlabeled:\n            if (i1 > 0) and (h1 == i0):\n                return 0\n            elif (i1 >= 0) and (h0 == i1) and \\\n                 (not any([x for x in buf if ex['head'][x] == i0])):\n                return 1\n            else:\n                return None if len(buf) == 0 else 2\n        else:\n            if (i1 > 0) and (h1 == i0):\n                return l1 if (l1 >= 0) and (l1 < self.n_deprel) else None\n            elif (i1 >= 0) and (h0 == i1) and \\\n                 (not any([x for x in buf if ex['head'][x] == i0])):\n                return l0 + self.n_deprel if (l0 >= 0) and (l0 < self.n_deprel) else None\n            else:\n                return None if len(buf) == 0 else self.n_trans - 1\n\n    def create_instances(self, examples):\n        all_instances = []\n        succ = 0\n        for id, ex in enumerate(examples):\n            n_words = len(ex['word']) - 1\n\n            # arcs = {(h, t, label)}\n            stack = [0]\n            buf = [i + 1 for i in range(n_words)]\n            arcs = []\n            instances = []\n            for i in range(n_words * 2):\n                gold_t = self.get_oracle(stack, buf, ex)\n                if gold_t is None:\n                    break\n                legal_labels = self.legal_labels(stack, buf)\n                assert legal_labels[gold_t] == 1\n                instances.append((self.extract_features(stack, buf, arcs, ex),\n                                  legal_labels, gold_t))\n                if gold_t == self.n_trans - 1:\n                    stack.append(buf[0])\n                    buf = buf[1:]\n                elif gold_t < self.n_deprel:\n                    arcs.append((stack[-1], stack[-2], gold_t))\n                    stack = stack[:-2] + [stack[-1]]\n                else:\n                    arcs.append((stack[-2], stack[-1], gold_t - self.n_deprel))\n                    stack = stack[:-1]\n            else:\n                succ += 1\n                all_instances += instances\n\n        return all_instances\n\n    def legal_labels(self, stack, buf):\n        labels = ([1] if len(stack) > 2 else [0]) * self.n_deprel\n        labels += ([1] if len(stack) >= 2 else [0]) * self.n_deprel\n        labels += [1] if len(buf) > 0 else [0]\n        return labels\n\n    def parse(self, dataset, eval_batch_size=5000):\n        sentences = []\n        sentence_id_to_idx = {}\n        for i, example in enumerate(dataset):\n            n_words = len(example['word']) - 1\n            sentence = [j + 1 for j in range(n_words)]\n            sentences.append(sentence)\n            sentence_id_to_idx[id(sentence)] = i\n\n        model = ModelWrapper(self, dataset, sentence_id_to_idx)\n        dependencies = minibatch_parse(sentences, model, eval_batch_size)\n\n        UAS = all_tokens = 0.0\n        with tqdm(total=len(dataset)) as prog:\n            for i, ex in enumerate(dataset):\n                head = [-1] * len(ex['word'])\n                for h, t, in dependencies[i]:\n                    head[t] = h\n                for pred_h, gold_h, gold_l, pos in \\\n                        zip(head[1:], ex['head'][1:], ex['label'][1:], ex['pos'][1:]):\n                        assert self.id2tok[pos].startswith(P_PREFIX)\n                        pos_str = self.id2tok[pos][len(P_PREFIX):]\n                        if (self.with_punct) or (not punct(self.language, pos_str)):\n                            UAS += 1 if pred_h == gold_h else 0\n                            all_tokens += 1\n                prog.update(i + 1)\n        UAS /= all_tokens\n        return UAS, dependencies\n\n\nclass ModelWrapper(object):\n    def __init__(self, parser, dataset, sentence_id_to_idx):\n        self.parser = parser\n        self.dataset = dataset\n        self.sentence_id_to_idx = sentence_id_to_idx\n\n    def predict(self, partial_parses):\n        mb_x = [self.parser.extract_features(p.stack, p.buffer, p.dependencies,\n                                             self.dataset[self.sentence_id_to_idx[id(p.sentence)]])\n                for p in partial_parses]\n        mb_x = np.array(mb_x).astype('int32')\n        mb_x = torch.from_numpy(mb_x).long()\n        mb_l = [self.parser.legal_labels(p.stack, p.buffer) for p in partial_parses]\n\n        pred = self.parser.model(mb_x)\n        pred = pred.detach().numpy()\n        pred = np.argmax(pred + 10000 * np.array(mb_l).astype('float32'), 1)\n        pred = [\"S\" if p == 2 else (\"LA\" if p == 0 else \"RA\") for p in pred]\n        return pred\n\n\ndef read_conll(in_file, lowercase=False, max_example=None):\n    examples = []\n    with open(in_file) as f:\n        word, pos, head, label = [], [], [], []\n        for line in f.readlines():\n            sp = line.strip().split('\\t')\n            if len(sp) == 10:\n                if '-' not in sp[0]:\n                    word.append(sp[1].lower() if lowercase else sp[1])\n                    pos.append(sp[4])\n                    head.append(int(sp[6]))\n                    label.append(sp[7])\n            elif len(word) > 0:\n                examples.append({'word': word, 'pos': pos, 'head': head, 'label': label})\n                word, pos, head, label = [], [], [], []\n                if (max_example is not None) and (len(examples) == max_example):\n                    break\n        if len(word) > 0:\n            examples.append({'word': word, 'pos': pos, 'head': head, 'label': label})\n    return examples\n\n\ndef build_dict(keys, n_max=None, offset=0):\n    count = Counter()\n    for key in keys:\n        count[key] += 1\n    ls = count.most_common() if n_max is None \\\n        else count.most_common(n_max)\n\n    return {w[0]: index + offset for (index, w) in enumerate(ls)}\n\n\ndef punct(language, pos):\n    if language == 'english':\n        return pos in [\"''\", \",\", \".\", \":\", \"``\", \"-LRB-\", \"-RRB-\"]\n    elif language == 'chinese':\n        return pos == 'PU'\n    elif language == 'french':\n        return pos == 'PUNC'\n    elif language == 'german':\n        return pos in [\"$.\", \"$,\", \"$[\"]\n    elif language == 'spanish':\n        # http://nlp.stanford.edu/software/spanish-faq.shtml\n        return pos in [\"f0\", \"faa\", \"fat\", \"fc\", \"fd\", \"fe\", \"fg\", \"fh\",\n                       \"fia\", \"fit\", \"fp\", \"fpa\", \"fpt\", \"fs\", \"ft\",\n                       \"fx\", \"fz\"]\n    elif language == 'universal':\n        return pos == 'PUNCT'\n    else:\n        raise ValueError('language: %s is not supported.' % language)\n\n\ndef minibatches(data, batch_size):\n    x = np.array([d[0] for d in data])\n    y = np.array([d[2] for d in data])\n    one_hot = np.zeros((y.size, 3))\n    one_hot[np.arange(y.size), y] = 1\n    return get_minibatches([x, one_hot], batch_size)\n\n\ndef load_and_preprocess_data(reduced=True):\n    config = Config()\n\n    print(\"Loading data...\",)\n    start = time.time()\n    train_set = read_conll(os.path.join(config.data_path, config.train_file),\n                           lowercase=config.lowercase)\n    dev_set = read_conll(os.path.join(config.data_path, config.dev_file),\n                         lowercase=config.lowercase)\n    test_set = read_conll(os.path.join(config.data_path, config.test_file),\n                          lowercase=config.lowercase)\n    if reduced:\n        train_set = train_set[:1000]\n        dev_set = dev_set[:500]\n        test_set = test_set[:500]\n    print(\"took {:.2f} seconds\".format(time.time() - start))\n\n    print(\"Building parser...\",)\n    start = time.time()\n    parser = Parser(train_set)\n    print(\"took {:.2f} seconds\".format(time.time() - start))\n\n    print(\"Loading pretrained embeddings...\",)\n    start = time.time()\n    word_vectors = {}\n    for line in open(config.embedding_file).readlines():\n        sp = line.strip().split()\n        word_vectors[sp[0]] = [float(x) for x in sp[1:]]\n    embeddings_matrix = np.asarray(np.random.normal(0, 0.9, (parser.n_tokens, 50)), dtype='float32')\n\n    for token in parser.tok2id:\n        i = parser.tok2id[token]\n        if token in word_vectors:\n            embeddings_matrix[i] = word_vectors[token]\n        elif token.lower() in word_vectors:\n            embeddings_matrix[i] = word_vectors[token.lower()]\n    print(\"took {:.2f} seconds\".format(time.time() - start))\n\n    print(\"Vectorizing data...\",)\n    start = time.time()\n    train_set = parser.vectorize(train_set)\n    dev_set = parser.vectorize(dev_set)\n    test_set = parser.vectorize(test_set)\n    print(\"took {:.2f} seconds\".format(time.time() - start))\n\n    print(\"Preprocessing training data...\",)\n    start = time.time()\n    train_examples = parser.create_instances(train_set)\n    print(\"took {:.2f} seconds\".format(time.time() - start))\n\n    return parser, embeddings_matrix, train_examples, dev_set, test_set,\n\n\nclass AverageMeter(object):\n    \"\"\"Computes and stores the average and current value\"\"\"\n    def __init__(self):\n        self.reset()\n\n    def reset(self):\n        self.val = 0\n        self.avg = 0\n        self.sum = 0\n        self.count = 0\n\n    def update(self, val, n=1):\n        self.val = val\n        self.sum += val * n\n        self.count += n\n        self.avg = self.sum / self.count\n\n\nif __name__ == '__main__':\n    pass\n"
  },
  {
    "path": "a4/README.md",
    "content": "# NMT Assignment\nNote: Heavily inspired by the https://github.com/pcyin/pytorch_nmt repository\n"
  },
  {
    "path": "a4/__init__.py",
    "content": ""
  },
  {
    "path": "a4/chr_en_data/dev.chr",
    "content": "ᏉᎳ, ᎠᎴ ᏌᏱᎳ, ᎠᎴ ᏗᎹᏗ, ᏫᏨᏲᏪᎳᏏ ᏗᏣᏁᎶᏗ ᎢᏣᏓᏡᎬ ᏕᏏᎶᏂᎦ ᎢᏤᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᏕᏣᏁᎶᏛᎢ.\nᎤᏂᏣᏘᏃ ᎤᎾᏛᎦᏅ ᎤᏂᏍᏆᏂᎪᏒᎩ ᏄᏍᏛ ᏓᏕᏲᎲᏍᎬᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸ ᏅᏩᏓᎴ ᏗᎧᎿᏩᏗᏙᎯ ᎥᏥᎪᎥᎩ ᎦᎸᎳᏗ ᏓᏳᏠᎠᏒᎩ, ᎤᏣᏘ ᎤᎵᏂᎩᏛ ᎨᏒᎩ; ᎾᏍᎩᏃ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᎨᏒ ᎡᎶᎯ ᎢᎦ ᎤᏘᏍᏔᏅᎩ.\nᎯᎠᏃ ᎾᏍᎩ ᎢᏣᏙᎯᎱᎯᏍᏙ ᎨᏎᏍᏗ; Ꮣ ᏰᏥᏩᏛᎯ ᎠᏲᎵ ᎠᏥᏣᏄᎴᏍᏗ, ᏐᏈᎵ ᎤᎾᎵᏍᏓᏴᏗᏱ ᎦᏅᎨᏍᏗ.\nᎨᏍᏗ ᏳᏬᎯᏳᎮ ᏄᏍᏛ ᎠᎪᏩᏘᏍᎬ, ᎠᏎᏃ ᎤᏙᎯᏳ ᏕᎦᏁᎵᏍᎨ ᏛᎦ, ᎦᏙᎵᎨ ᏍᎩᎾᎾ.\nᏥᏌᏃ ᏣᎷᏏᎵᎻ ᏭᏴᎴᎢ, ᎠᎴ ᎤᏔᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᏭᏴᎴᎢ; ᎿᏉᏃ ᎬᏩᏚᏫᏛ ᏚᎧᎿᏂᏙᎸ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᏚᎧᎿᏅ, ᎠᎴ ᎿᏉ ᎤᏒᎯᏴᏱ ᎨᏎᎢ, ᎤᏄᎪᏤ ᏇᏗᏂᏱ ᏭᎶᏎ ᎠᏁᎮ ᏔᎳᏚ ᎢᏯᏂᏛ.\nᏔᎵ ᎢᏳᎾᏙᏓᏆᏍᏗ ᏙᏥᎭᏲᎲ, ᏐᏉ ᎣᏥᏩᏛᎲ ᎤᏛᏐᏅ ᎾᎥᏂ ᏗᎨᏫ ᏃᎴ ᎤᏩᏌ ᎦᏂᎩᎸ, ᏏᏆ ᎭᏫᏯ ᏧᏙᎢᏓ ᎤᏛᏅ ᏃᎴ ᎾᎥᏂ ᏍᎪᎯᏍᏆ ᎢᏳᏕᏘᏴᏓ.\nᎨᏍᏗ ᏱᏥᎪᏩᏘᏍᎨ ᎢᏣ ᎣᎩᏅᎪᎢᏍᏗ.\nᎤᎴᏅᎮ ᎠᏦᏱᎲᎢ ᎠᎳᏂ.\nᏥᏌᏃ ᎤᏄᎪᏤ ᎠᎴ ᎾᏍᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᏏᏌᎵᏱ ᏈᎵᎩ ᏕᎦᏚᎲ ᏭᏂᎶᏎᎢ; ᏩᎾᎢᏒᏃ ᏚᏛᏛᏁ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᎪ ᎬᏉᏎᎰ ᏴᏫ?\nᏣᏌᏙᏰᏃ ᎢᎦᎦᏛ ᏓᏳᏂᎷᏤᎵ ᏂᎬᎾᏛ ᏗᏁᎯ.\nᏚᏁᏤᎴᏃ ᎤᏂᏣᏘ ᎦᏙᎯ ᎤᎾᏂᏢᏗᏱ; ᎦᎵᏉᎩᏃ ᎦᏚ ᏚᎩᏒ, ᎠᎴ ᎤᎵᎮᎵᏨ, ᏚᎬᎭᎷᏰᎢ, ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏚᏁᎴ ᎾᏍᎩ ᎢᎬᏱᏗᏢ ᏧᏂᏁᏗᏱ; ᎢᎬᏱᏗᏢᏃ ᏚᏂᏁᎴ ᎤᏂᏣᏘ ᏴᏫ.\nᏓᏓᏁᏄᎸᏗᏍᎨ ᏃᎴ ᏓᏲᏍᏔᏁᎮ ᏴᏫ.\nᏣᏄᏏ, ᎡᎶᏗ ᏃᎴ ᎰᎻ ᎤᏂᎷᏤᎢ ᏍᎩᏴᎯ, ᏚᏂᏍᏓᏩᏗᏎ ᎠᎳᏂ, ᎪᏱᏁᎢ, ᎡᎳᏆᏗ ᏃᎴ ᏲᎾ ᎤᏤᏍᏙ.\nᎿᏉᏃ ᏌᏩᏂ ᏈᏓ ᎣᏂᏉ ᎤᎷᏨᎩ, ᎠᎴ ᎠᏤᎵᏍᏛ ᏭᏴᎸᎩ, ᎠᎴ ᏚᎪᎲᎩ ᏙᎴᏛ ᏗᏄᏬ ᏕᎦᏅᎢ.\nᎯᎠ ᏁᏥᏪᏏ ᏌᏯᏂ ᎤᏪᏥ ᎠᎨᏴ; ᎬᏂᏳᏉ ᎤᎬᏫᏳᎯ ᏣᏤᎵ ᏓᏯᎢ, ᏓᏣᎷᏤᎵ ᎤᏓᏙᎵᏍᏗᏳ, ᎠᎴ ᎤᎩᎸᏕᏍᏗ ᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ ᎪᎱᏍᏗ ᎠᏛᏁᎯ ᎤᏪᏥ ᎠᎩᎾ.\nᎬᏂᏳᏉ, ᎢᏨᎾᏄᎪᏫᏎ ᎤᏕᎵᏛ ᎨᏒᎢ; ᎥᏝ ᏂᎦᏛ ᏴᏓᏗᎵᏅᏥ, ᏂᎦᏗᏳᏍᎩᏂ ᎡᎩᏁᏟᏴᏍᏗ ᎨᏎᏍᏗ\nᎤᎬᏫᏳ Ross, ᏗᏘᎭᏁᎩ ᎠᏂᏣᎳᎩ, ᎠᏂᏐ ᏗᏂᎳᏫᎩ ᏄᏂᏁᎩᏴ ᏍᏉ ᎤᏁᎦ ᎨᏎ.\nᎠᏂᏐᎢ ᎡᎾᎢ ᏂᏓᏅᏁ ᎦᏓ.\nᎿᏉᏃ ᏔᎵᏁ ᎯᎠ ᏄᏂᏪᏎᎸᎩ; ᎪᏙ ᏨᏁᎴ ᏕᏣᏍᏚᎢᎡᎴ ᏘᎦᏙᎵ?\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᎩᎶ ᎠᎩᏍᎦᎩ ᎾᏍᎩ ᏄᏛᏁᎸ. ᏧᏅᏏᏓᏍᏗ ᎯᎠ ᏂᎬᏪᏎᎴᎢ; ᏣᏚᎵᏍᎪᏃ ᎣᎩᏰᎯᏒᏍᏗᏱ?\nᏛᎾᎵᏛᏔᏂ ᎾᏍᎩ; ᏂᎯᏍᎩᏂ ᏁᏣᏛᏁᏍᏗᏉ; ᎠᎴ ᎾᏍᎩ ᏂᎦᏛ ᏓᏳᏁᏔᏥ ᎠᏄᏬ ᎾᏍᎩᏯᎢ;\nᏌᏉᏍᎩᏂ ᎢᏯᎦᏴᎵ ᏣᏥᏁᎸᎯ ᎤᏪᏅᏎᎢ, ᏭᏍᎪᎭ ᎦᏙᎯ, ᎠᎴ ᏫᏚᏩᏍᎦᎳᏁ ᎤᎾᏝᎢ ᏧᏤᎵ ᎠᏕᎸ.\nPhiladelphia ᏓᏳᎶᏒ ᎠᏧᏣ ᏦᎢ ᎢᏴ ᎤᏍᏆᎵᏒ ᏚᏇᏍᏗ, ᎠᏥᎸ ᏫᏚᏗᏅᏒ.\n“ᎯᎠᏛ ᎾᏅᏛᏁᎰ ᏱᎾᏚᎳᏑᏝᎾ,” ᎤᏛᏁ ᏩᎭᏯ ᎭᎴ ᎾᏦᎯᏍᎬ.\nᎾᏍᎩ ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎿᏉ ᏗᏗᏲᎵ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎢᎩᏃᎸᏔᏂᏓᏍᏗᏱ ᏂᎨᏒᎾ ᏂᎦᎥᏉ ᏗᏕᏲᏗ ᎨᏒ ᎦᏃᎸᏔᏂᏙᎲᎢ, ᎤᎾᏓᎵᏓᏍᏗᏳ ᎨᏒ ᏴᏫ, ᎠᏂᏏᎾᏌᏅ ᎠᏂᎦᏘᏴ ᎤᎾᏓᎶᏄᎮᏗᏱ;\nᏌᎳᏓ ᏚᏏᎳᏛ  \nᏥᏌ ᎯᎠ ᏄᏪᏒᎩ, ᏅᏯ ᎢᏥᎲᎾ. ᎹᏗ ᎤᏲᎮᏒᎯ ᎤᏙ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᎪᎯ ᎠᏎ ᎠᏒᎦ, ᏅᎩᏰᏃ ᏁᏒᎭ ᎦᏰᏥᏂᏌᏅᎯ.\nᎦᎸᎳᏗᏰᏃ ᎤᏤᎵᎪᎯ ᎾᏍᎩᏯᏉ ᎠᏍᎦᏯ ᎦᏁᎳ, ᏑᎾᎴᎢᏳ ᏧᏪᏅᏎ ᏥᏚᏅᏒᏎ ᎪᎱᏍᏗ ᎠᎾᏛᏁᎯ ᏖᎸᎳᏗ ᏚᏫᏒ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ.\nᎢᏣᏛᎦᏅᎯ ᎢᎩ ᎯᎠ ᎢᎦᏪᏛ ᎨᏒᎢ, ᎠᎦᏔ ᎠᎦᏔᏉ ᏓᎬᏩᎸᏍᎨᏍᏗ, ᎧᏳᎦᏃ ᎧᏳᎦᏉ ᏓᎬᏩᎸᏍᎨᏍᏗ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ, ᎠᎴ ᎣᏍᏛ ᎢᏳᏅᎿᏕᎩ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏗᏂᎳᏫᎩ, ᎾᏍᎩ ᎬᏩᏂᏴᎯᎸᎯ, ᎢᏥᎷᎩᏍᎪ ᎠᏓᎾᏌᎲᏍᎩ ᏤᏥᏲᎰ ᎾᏍᎩᏯᎢ, ᎠᏰᎳᏍᏗ-ᏗᎦᏅᎯᏛ ᎠᎴ ᎠᏓ ᏥᏕᏥᏁᎭ?\nᎾᏍᎩ ᏥᏚᏍᏆᏂᎪᏗ ᏥᏚᏩᏍᎦᎳ ᏂᎦᎥ ᎤᏣᏘ ᏧᎬᏩᎶᏗ ᎠᎵᏏᎾᎯᏍᏙᏗ ᎨᏒ ᎠᎴ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ.\nᏎᎦᏨ ᏩᎩᏍᏚᎩᏒ ᎠᏍᏚᏗ, ᏥᏩᏛᎲ ᏗᏓᎯ, ᎠᏂᏫᏄᏣ ᏧᎵᎢ ᏚᏟᏃᎮᏛ.\nᎠᎴ ᎤᏬᎯᏤ ᎬᏩᎪᏩᏘᏍᎨ ᎨᎵᎵ ᎾᏍᎩ ᏅᏓᎬᏩᏍᏓᏩᏛᏛ ᎢᏧᎳᎭ ᏥᎷᏏᎵᎻ ᎤᏂᎷᏨᎯ; ᎾᏍᎩ ᏧᏤᎵ ᎬᏩᏃᎮᏍᎩ ᏴᏫ ᎠᏂᎦᏔᎲᎢ.\nᏰᎵ ᏍᎪᎯᏍᏆ ᏴᏫ ᎤᏁᏙᎸ ᎠᎾᏓᎪᎾᏗᏍᎬ, ᎨᏍᏗ ᎩᎶ ᏯᎦᏔᎮᎢ ᏄᎵᏍᎨᏗᏴ ᏄᏛᏁᎸ ᎬᏂᎨ ᎤᏍᎪᎸ ᎧᏅᏂᏍᎩ.\nᎦᏙ ᎤᏍᏗ ᎤᏟ ᎠᎯᏗᏳ ᎧᏁᎢᏍᏗᏱ, ᏣᏍᎦᏅᏨ ᎡᏣᏙᎵᎩ ᎠᏛᏗᏱ; ᎠᎴ ᎯᎠ ᎢᎦᏪᏍᏗᏱ, ᏔᎴᎲᎦ ᎠᎴ ᎮᏓ?\nᎪᎯᎢᏴ ᎤᎵᏖᎸᏁ.\nᎾᎨᎢᏴ ᎣᎭᏁ, ᎠᎾᏓᎭᏲᎯ ᎠᏂᎾᎷᏍᎬ ᏚᎨᏓᎵᏴ ᎾᎥᏂᎨ ᎠᏂᎷᎬ ᎤᏙᏓᏈᏒ.\nᎠᎴ ᏓᎬᏩᎵᎥᏂᎵ, ᎠᎴ ᏓᎬᏩᎵ; ᏦᎢᏁᏃ ᎢᎦ ᏙᏛᎠᎴᎯᏌᏂ.\nᎲ…Ꮂ… ᎠᏗᎲ ᎢᎦ ᎤᏍᎦᏱᏓ ᎨᏒ!\nᎠᏎᏃ ᎢᏣᏛᎩᏍᎨᏍᏗ ᏓᏅᏩ ᎠᎴ ᏧᏓᎴᏅᏛ ᏂᎦᎵᏍᏔᏂᏙᎲᎢ, ᏞᏍᏗ ᏱᏥᏍᎦ-ᎢᎮᏍᏗ; ᎯᎠᏰᏃ ᎾᏍᎩ ᎠᏎ ᎢᎬᏱ ᎢᏳ-ᎵᏍᏙᏗ, ᎥᏝᏍᎩᏂ ᎢᎬᏪᏅᏛᏉ ᎤᎵᏍᏆᏗᏍᏗ ᏱᎨᏎᏍᏗ.\nᏃᏗ ᏓᏰᏍᏛᎥᏍᎨ ᎤᏩᏂ ᎠᎴ ᎠᎭᎾᏬ ᎤᏩᏌ ᏧᏩᏅ, ᏔᎵ ᎢᎦ ᏓᎦᎸᎦᏍᎨ ᎤᏐᏱ ᎦᏙ ᏧᏥᎶᏍᏔᏅ, ᏗᏦᎯᏓ ᏕᎦᏰᏫᏍᎨ.\nᎯᎸᏍᎩ ᎢᏯᎦᏴᎵ ᏕᎯᏅᎪᏩ ᎪᎰᏍᏗ ᏳᎵᏍᏔᏅᎾ.\n“ᎭᏩ,” ᎤᏛᏁ ᏩᎭᏯ.\nᎠᏆᏛᎦᏅᎩᏃ ᎠᏍᏓᏯ ᎧᏁᎬ ᎩᎶ ᎦᎸᎳᏗ ᏛᏓᎴᎲᏍᎬᎩ ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᎬᏂᏳᏉ ᎤᏁᎳᏅᎯ ᎤᎵᏦᏛ ᏴᏫ ᎠᏁᎲ ᎤᏓᏑᏯ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎠᏁᎲ ᏛᏕᏂ, ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᎨᏎᏍᏗ ᏴᏫ, ᎤᏁᎳᏅᎯᏃ ᎤᏩᏒ ᎾᏍᎩ ᎠᏁᎲ ᎡᎮᏍᏗ ᎤᎾᏤᎵ ᎤᏁᎳᏅᎯᎨᏎᏍᏗ.\nᎾᏍᎩ ᎢᏏᎵ ᏧᏁᏢᏔᏅᏛ ᏥᎩ; ᎾᏍᎩ ᎤᎾᏤᎵᎦ ᏥᎩ [ᎤᏁᎳᏅᎯ] ᏧᏪᏥ ᎢᎨᎬᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᎨᏥᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏚᎢᏍᏙᏗ ᎨᏒᎢ;\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏳᏪᏎᎭ, ᎡᏍᎦᏉ ᎢᎦᎢ ᎤᏂᎩ ᎵᏲᎢᏍᏗ ᎨᏎᏍᏗ ᏐᏓᎻ ᎠᎴ ᎪᎹᎵ, ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏎᏍᏗ, ᎤᏟᎯᏳ ᎾᏍᎩ Ꮎ ᎦᏚᎲᎢ.\nᎣᏍᏓᎦ ᎨᏎᏍᏗ ᏫᏗᎷᏨ ᏗᎨᏅᏒ, ᎯᏓᎵᎪᏅ ᎤᏂᏃᏕᎾ ᏃᎴ ᏌᏌ?” \n“ᎨᏍᏗ ᎪᎱᏍᏗ ᏱᏓᏊᎧᏔ ᏂᎯ ᏍᏓᎵᎪᏒ ᎠᎨᏳᏣ,” ᏥᏲᏎᎸ ᎣᎩᎾᎵ Michael.\n”ᏄᏓᎴᏒ ᎠᎩᎸᏉᏗ ᎭᏂ.”\nᎤᏓᏅᏎᏃ ᏭᏂᏍᏓᏕᏎ ᏣᏂ ᏗᏓᏍᏚᏗᏱ.\n“ᏍᎩᏗ ᎢᎩᏂᎬᎦ,” ᎤᏛᏁ ᎡᎳᏆᏗ.\nᎠᏌᎻᏓ, ᎤᎩᎸᏉ, ᎤᏁᎸᏔᏁ ᎤᎵᏒᏗ ᎦᎶᏇ, ᎠᏎᏃ ᏚᏩᏰᏐᏪᎢᏉ ᎤᏁᎸᏔᏅ ᎤᎧᏁᏴᏗ ᎠᎭᏳᎾᏚᎳ.\nᎤᏓᏅᏖᏔᏅ ᎠᏌᎻᏓ.\nᎤᏏᎳᏛᏙᏗ ᎦᏓᎡ ᏏᏆ ᎡᏆ ᎧᏴᏌᏛ ᎠᎬᏱᏣ ᏭᎴᏫᏍᏔᏁ.\nᎿᏉᏃ ᎠᎨᏴ ᎤᎷᏨ ᎤᏓᏙᎵᏍᏓᏁᎸᎩ ᎯᎠ ᏄᏪᏒᎩ; ᏣᎬᏫᏳᎯ, ᏍᎩᏍᏕᎢ.\nᎠᏎᏃ ᏚᏓᏂᏴᎲ ᏃᎴ ᎤᏛᏒ.\nᎡᎵᏊᏃ ᎢᎦ ᏚᏃᏴᎬ ᏚᏬᏪᎳᏅ ᏍᏛᎾ ᏁᎵᏍᎪᎯ ᏅᎩ ᎤᎴᏅᎮ ᏕᎪᏪᎵᏍᎬ ᏗᎧᏁᎢᏍᏗ ᏣᎳᎩ ᎦᏬᏂᎯᏍᏗ.\nᎩᎶ ᎾᏆᎵᎪᏁᎲᎾ, ᎾᏍᎩ ᎠᏆᏡᏗᎭ; ᎩᎶᏃ ᏃᏍᏗᏟᏏᏍᎬᎾ, ᎾᏍᎩ ᏯᏗᎦᎴᏯᏍᎦ.\nᎠᎴ ᎥᏝ ᎿᏉ ᏰᎵ ᎠᏇᏥ ᎨᏍᏉᏎᏗ ᏱᎩ; ᏘᏅᏏᏓᏍᏗᏉ ᏔᎫᏴᎡᎯ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏂᏍᏋᎦ.\nᏩᏏᏓᏂ ᏣᏲᎪ.\nᎦᏙᏃ ᏯᏆᏕᏯᏙᏔᏅᎭ?\n“ᏔᎵ ᎢᏯᏅᏓ ᎢᏯᏆᏕᏘᏴᏓ ᏃᏉ ᏓᎩᏯᏪᎦ ᎨᎥᎢ, ᎤᏛᏁ.\nᎠᎩᏁᎫ ᎾᏆᎵᏍᏔᏅ ᎦᏢᏆᏍᎬᎢ; ᏂᎯ ᏂᏍᎩᏴᏂᏌᏏ; ᏂᎯᏰᏃ ᏍᎩᎸᏉᏙᏗ ᎨᏒᎩ; ᎥᏝ ᏰᏃ ᏑᏓᎴᎩ ᎤᏅ ᎡᏍᎦ ᏱᎦᏥᏲᎠᏍᎦ ᏄᏂᎬᏫᏳᏒ ᎨᏥᏅᏏᏛ, ᎾᏍᏉ ᎠᏴ ᎪᎱᏍᏗ ᏂᎨᏒᎾ ᏱᎩ.\nᎿᏉᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎠᏆᏓᏅᏛ ᎤᎧᎵᏨᎯ ᎤᏣᏘ ᎡᎯᏍᏗ ᎨᏒᎢ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎢᎦᎢ. ᎠᏂ ᎢᏥᏁᏍᏗ ᎠᎴ ᎢᏧᎳᎭ ᎢᏗᏯᏫᏍᎨᏍᏗ.\nᏰᎵ ᎪᎯᏓ ᎡᏝᏪᎯ ᏄᎵᏍᏔᏁ, ᎠᎾᏗᎦᎴᏯᏍᎨ ᎠᎾᏓᎭᏲᎯ, ᎠᎬᏱᏣ ᏃᎴ ᎠᎾᏕᎭᏲᎮ.\nᎪᎯᏊᏴ ᏆᏧ ᎢᎪᎢ ᎠᏭᏴ ᏩᎩᎶᏒ Ꮎ ᎠᏓᏁᎸ ᎨᏒ ᎾᎥᏂ.\nᎠᏎᏃ ᏓᎻ, ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᎳ, ᏗᏗᎹ ᏧᏙᎢᏛ, ᎥᏝ ᏱᎨᎴ ᏥᏌ ᎤᎷᏨ.\nᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏂᎯ ᏕᏥᏴᎨᏍᏗ ᎠᎴ ᎢᏥᏍᎪᏂᎮᏍᏗ, ᎡᎶᎯᏍᎩᏂ ᎠᎵᎮᎵᎨᏍᏗ; ᏂᎯᏃ ᎤᏲ ᎢᏣᏓᏅᏖᏍᏗ, ᎠᏎᏃ ᎤᏲᎢᏣᏓᏅᏛ ᎤᎵᎮᎵᏍᏗ ᏮᏛᏓᏁᏟᏴᏍᏔᏂ.\nᏌᏊ ᎢᏳᏩᎬᏘ ᎤᎦᏔᏊ ᎨᏎᎢ, ᏃᏊᏃ ᏒᎦᏔ ᎢᏈᎬᎢ ᎢᎩ.\n”ᏙᎢᏳᏍᏗ ᎠᎩᎵᏓᏍᏓ?” ᎤᏛᏛᏁ ᏏᏆ, ᎣᏍᏓ ᏭᏛᏂᏌᎾ ᏭᏅᏥᎸᎢ.\nᎤᏃᏍᎩᏛᏃ ᎨᏒ ᏞᏍᏗ ᎿᏉ ᏳᏃᏍᎩᏎᏍᏗ; ᏚᎸᏫᏍᏓᏁᎮᏍᏗᏉᏍᎩᏂ ᏕᎬᏗᏍᎨᏍᏗ ᏧᏬᏰᏂ ᎣᏍᏛ ᎨᏒ ᎾᏛᏁᎮᏍᏗ, ᎾᏍᎩ ᎦᎬᏩᏁᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩ ᎤᏂᎬᏎᎯ ᎨᏒᎢ.\nᏌᏌ ᎠᏂᏓ ᏕᏥᎦᏖᏃᎭ.” \nᏱᏓᎩᏯᏪᎬᎾ ᏃᎴ ᏯᎩᏚᎬᎾ ᏓᎩᎷᏫᏍᏔᏁᎲ.\nᏠᎨᏏᏃ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏚᏂᏂᏴᎮ ᏧᏅᏏᏓᏍᏗ, ᎠᏏᏴᏫ ᎤᏂᎸᏂᎴᎢ, ᏐᎢᏃ ᎤᏂᎴᎢ, ᏐᎢᏃ ᏅᏯ ᏚᏅᏂᏍᏔᏁᎢ.\nᎤᎸᏃ ᎡᎮ ᎺᎵ ᏧᏙᎢᏛ, ᎾᏍᎩ ᎾᏍᏉ ᎤᏬᎴ ᏥᏌ ᏚᎳᏍᎬᎢ, ᎠᎴ ᎤᏛᏓᏍᏕ ᎦᏬᏂᏍᎬᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎿᏉ ᎤᏟ ᎢᎪᎯᏛ ᎦᏲᎦᏛᏂᏗᏍᏗ ᏂᎨᏒᎾ ᏄᎵᏍᏔᏅ, ᎣᏏᏳ ᎣᎩᏰᎸᏅᎩ ᎣᎬᏒ ᎣᎩᎧᎯᏯᏍᏗᏱ ᎡᏗᏂᏱ;\nᎾᏍᎩ ᎤᏩᏒ ᎠᎦᏔᎲ ᎤᏪᎪᏗᏱ ᏗᎬᏩᎸᏌᏛ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ, ᏄᏚᏯᏍᏛᎾ, ᎠᎴ ᏄᏓᏁᎪᏳᏒᎾ, ᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ ᎾᏍᎩ ᎢᏳᏍᏗ ᏄᏓᏓᎸᎾ; ᎾᏍᎦᏅᎾᏍᎩᏂ ᎢᏳᎵᏍᏙᏗᏱ ᎠᎴ ᎪᎱᏍᏗ ᎾᎫᎢᏍᏛᎾ.\n“ᎬᏲᎵᎭ, ᎤᏐᏱᏉᏗ ᏏᏲ,” ᎤᏛᏁ ᎩᎶ.\nᎤᏣᏘᏰᏃ ᎢᏳᏓᎴᎩ ᏂᏗᎥ ᎢᏗᏍᎦᏅᎪᎢ. ᎢᏳᏃ ᎩᎶ ᎦᏬᏂᏍᎬ ᎾᏍᎦᏅᎬᎾ ᏥᎨᏐᎢ, ᎾᏍᎩ ᏄᎪᎸᎾ ᎨᏐ ᎠᏍᎦᏯ, ᏰᎵᏉ ᎬᏪᎾᎯᏍᏙᏗ ᏂᎬ ᎠᏰᎸᎢ.\nᎤᏍᎫᏴ ᎤᏭᏓᎳᎩᏍᏓᏁ ᎠᏍᏚᎩᏍᏗ.\nᎦᎸᎳᏗᏣ ᎨᏍᏗ ᎪᎱᏍᏗ ᏯᎵᏖᎸᎮᏍᎨᎢ: ᏩᎦ ᎤᎾᏣᏪᏐᎸᏍᏕ, ᏐᏈᎵ ᎠᏂᏟᏁᎢ.\nᎢᏳᏃ ᏴᏫ ᎢᏳᎾᏛᏁᏗ ᎢᏯᏆᏛᏁᎸᎯ ᏱᎩ, ᏅᎩ ᏗᏂᏅᏌᏗ ᎤᏂᏍᎦᏎᏗ ᎣᎦᎵᎸᎯ ᏱᎩ ᎡᏈᏌ ᎦᏚᎲᎢ, ᎦᏙ ᎬᎩᏁᏉᏤᏗ ᎣᏍᏛ ᎨᏒ, ᎢᏳᏃ ᏧᏂᏲᎱᏒᎯ ᏧᎾᎴᎯᏐᏗ ᏂᎨᏒᎾ ᏱᎩ? ᎢᏓᎵᏍᏓᏴᎲᏍᎨᏍᏗ, ᎠᎴ ᎢᏓᏗᏔᏍᎨᏍᏗ; ᏑᎾᎴᏉᏰᏃ ᏙᏓᏗᏲᎱᏏ.\nᎯᎠᏰᏃ ᏄᏪᏎ ᎤᏓᏅᏛᎢ; ᎢᏳᏃ ᎤᏄᏩᎥᏉ ᏯᏆᏒᏂᎸ, ᎠᏎ ᏯᏆᏗᏫ.\nᏐᏁᎳ ᏧᏪᏥ ᏚᏁᏍᎩᎴ ᏌᏌ.\n“Ꮘ-Ꮘ-Ꮘ!” ᎤᎾᏛᏁ ᏌᏌ ᎠᏂᏓ.\nᏣᎵ ᎤᏩᏌ ᎤᏬᏂᏒ, ᎤᏁᎸᏔᏅ ᎤᏎᎵᏓᏍᏗ ᏚᎾᏢᎥ ᏧᏬᏰᏂ.\n“ᎡᎵᏍᏗᏗ,” ᎤᏛᏁ ᏌᎳᏓ ᎡᏝᏪᎯ.\nᎭᏫᏂᏣ, ᎤᏓᏅᏘ ᏃᎴ ᎢᎪᎯᏓ ᎠᏓᏍᏕᎵᏍᎩ ᎨᏒ.\nᏄᏟᏂᎬᎬ ᎠᏏᎳᏛᏙᏗ ᎬᏓ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎠᏂᏔᎵ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᏁᎮᎢ.\nᏂᎦᏓ ᎧᏅᏂᏍᎩ ᏍᎩᏄᎾᏍᏗ, ᎡᎵᏍᏗ.”\nᏌᎳᏓ ᏃᎴ ᏫᎵᎻ ᎤᏅᏌ ᎨᏎᎢ.\n“ᎡᎭ ᎤᏟᏍᏓ!” ᎤᏛᏁ ᏫᎵᎻ.\nᏑᎾᎴ ᏄᎵᏍᏔᎾ, ᏂᎦᏓ ᎢᎦᎯ ᏥᏂᎦᎵᏍᏗ ᎤᎾᏗᏛᎮ.\nᎦᎵᏣᏗ ᏃᎴ ᎦᏟᏓ ᏃᎴ ᎪᎰᏍᏗ ᏚᏇᏍᏘ ᏧᏙᎢᏓ ᏚᏅᏯ, ᎤᏍᏗ ᎢᎾᎨ ᎡᎯ ᏧᏂᎯᏍᏙᏗ, ᎠᏂᏍᎦᏯᏯ.\nᎠᏂᏳᏩᏁᎦ ᏧᎾᎦᏎᏂ ᎠᏂᏅᎦᎵᏗᏍᎪ ᎠᏓᏁᏖᎸ ᎤᏩᏙᎯᏴᏓ ᏧᏙᏓᏋᏓ.\nᎡᎳᏗᏣ ᏧᎦᏎᏍᏕᎢ ᏫᎵᎻ.\nᎾᎯᏳ ᎼᏏ ᎤᏕᏁᎢ, ᎠᎴ ᎤᏩᏔᏅᎯ ᎤᏬᏚᎯᏳ ᎨᏎᎢ, ᎠᎴ ᎠᏥᏍᏆᏂᎪᏔᏁ ᎤᏙᏓ ᎦᏁ-ᎸᎢ ᏦᎢ ᎢᏯᏅᏙ.\nᎿᏉᏰᏃ ᏂᎪᎯᎸᎾᏉ, ᎾᏍᎩ ᎤᎷᎯᏍᏗ ᏥᎩ ᏓᎦᎷᏥ, ᎠᎴ ᎥᏝ ᏴᏛᏙᎯᏗ.\n”ᏙᎢᏳᏍᏗ ᎤᏰᎸᏗ.” ᎤᏛᏛᏁ ᏌᎳᏓ, ᎨᏍᏗ ᎯᎸᎯᏳ ᎤᏔᏅ ᏱᎨᏎ ᎣᎳ ᎤᎧᏲᏓ.\nᎤᎵᏂᎩᏛᏰᏃ ᎠᏉᎯᏳᎭ, ᎾᏍᎩ ᎥᏝ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏛᏂᏗᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏗᏂᎧᎿᏩᏗᏙᎯ, ᎠᎴ ᏄᏂᎬᏫᏳᏌᏕᎩ, ᎠᎴ ᎨᏥᎸᏉᏗ, ᎠᎴ ᎪᎱᏍᏗ ᎪᎯ ᏤᎭ, ᎠᎴ ᎪᎱᏍᏗ ᎠᏎ ᎤᎾᏄᎪᎢᏍᏗ ᏥᎩ,\nᏙᏉ ᎢᏳᏍᏗ ᎠᏰᎸᏗ ᏧᎾᎪᎰᏍᏔᏅ ᏓᏓᏁᎸ ᏃᎴ ᏧᏂᎸ ᎠᏂᎾᏌ?\nᎠᏎᏃ ᎨᏍᏗ ᏍᎩᎾᎾ ᏱᏄᎵᏍᏔᎾ.\nᎬᏂᏳᏉ ᏂᏨᏃᏁᎸ.\nᎠᎩᏚᏚ ᏍᏊ ᎢᎪᎯᏓ ᏓᏁᎶᏗᏍᎪ ᎤᎾᏗᎴᎩ ᏥᎩ ᎢᏳᎾᏍᏗ, ᏍᏆᏂᏯ ᎤᎦᎾᏮ ᎠᎹᏰᎵ ᏗᏳᎾᏓᎴᏅ.\nᎾᏍᎩᏯᏃ ᎾᏍᏉ ᎪᎯ ᎨᏒᎢ ᎤᎾᎵᏃᎯᏴᎯ ᎠᏁᎭ ᎾᏍᎩᏯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏩᏔᏅ ᏚᏑᏰᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎿᏉ ᎢᏥᎪᎲᎭ ᎤᏍᎦᎢᏍᏗᏳ ᎬᏃᏌᏛᎯ ᎢᎬᏁᎯ, ᎾᏍᎩ ᏕᏂᎵ ᎠᏙᎴᎰᏍᎩ ᏧᏁᎢᏍᏔᏁᎢ, ᎦᏙᎨᏍᏗ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, (ᎩᎶ ᎠᎪᎵᏰᏍᎨᏍᏗ ᎪᎵᎨᏍᏗ,)\n[ᎤᏁᎳᏅᎯᏰᏃ] ᎣᏏᏳ ᎤᏰᎸᏗ ᎡᎩᏅᎦᎸᏗᏱ ᏥᏌ ᎦᎶᏁᏛ ᎠᏰᎸ ᏌᏉ ᎢᏯᎵᏍᎪᎸᏔᏅᎯ ᎨᏒ ᎢᏳᏩᏂᏌᏛ.\nᎠᏕᎳ ᎬᏘ ᏗᎪᏚᎢᏍᏔᏅ ᏧᏔᏬᏗ ᏓᏆᎳᏑᏢ, ᏗᏥᏂᎨᏂ ᏩᏍᏗ ᏗᎧᏁᏴᏓ ᏃᎴ ᏗᎦᎸᎩᏓ ᏕᎦᏰᏫᏒ.\nᎠᏎᏍᎩᏂ ᏄᏍᏛ ᏓᏆᏚᏍᏔᏅᎢ ᎠᏎ ᎢᏯᏆᏛᏁᏗ,\nᎨᏍᏗ ᎠᏎ ᏯᏆᎵᏍᎦᏂᏎᎢ.” \n“ᏄᏓᎴ ᎧᏃᎮᏗ ᏍᎩᏃᎯᏏ!” ᎤᏓᏍᏗᏰᏔᏁ ᏫᎵᎻ.\nᎦᎢᏒ, ᏫᎦᎢᏒ.\nᎠᎨᏯ ᎤᏴᎵᎸ ᎠᎭᏰᎲ ᎤᏃᏩ ᎤᎶᏛ ᏏᏆ ᎭᏫᏯ, ᎠᏂᏤ ᏄᎾ ᏗᏒᎾᏔᏅ ᏃᎴ ᎠᎪᏍᏔ ᎠᎩᏍᏗ ᎪᎢ ᎠᏍᏚᏨ.\nᏂᎯᏍᎩᏂ ᎮᏯᏔᎯᏳ ᎨᏎᏍᏗ ᏂᎦᎥ ᏂᏣᏛᎿᏕᎬᎢ, ᎲᏂᏗᏳ ᎨᏎᏍᏗ ᎯᎩᎵᏲᎬᎢ, ᏕᏣᎸᏫᏍᏓᏁᎮᏍᏗ ᎠᎵᏥᏙᏂᏙᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᏰᎵᎦᏯ ᎯᏍᏆᏗᏍᎨᏍᏗ ᏗᏣᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎤᏙᎯᏳ ᎦᎵᏍᏓᏴᎲᎦ ᏃᎴ ᎦᏛᏁᎵᏍᎬ! \nᏅᏦᎠᏎᏍᎬᎾ ᎠᎦᏘᏰᎢ ᎪᎳ ᎤᎶᏐᎲᏍᏗ ᏃᎴ ᎤᏂᎷᎯᏍᏗ ᏧᏂᏍᏗ ᎧᏅᏂᏍᎩ.\nᎤᏅᎪᏤ ᏚᎨᏓᎵᏴ, ᏧᎵᏑᏫᏓ ᏧᏆᎶᎦ ᏕᎦᏓᎥ ᏕᏧᎬ, ᎠᎦᏗᏛ ᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎦᎴᎩ ᎤᏛᏒ ᎪᎨ, ᎦᎵᏬᎨ ᎠᎪᏩᏘᏍᎬ ᎢᏳᏓᏅᎯᏓ, ᏃᎴ ᏧᎧᎭᏲᏒ ᏚᏅᏓᏒ, ᎤᏒᎮᎯ ᎤᎾᎷᏎ ᎠᏙᎯ ᏕᏧᎬ ᎧᏂᎩᏓ ᏧᏆᎶᎦ, ᎬᏂᎨ ᎤᏍᎪᎸ ᎪᎳ ᎢᏳᏍᏗ ᏃᏥᏳ ᎢᏣ ᎬᏂᎨ ᏚᏭᏌᎥ ᎦᎸᎳᏗᎨ ᏚᏅᏓᏒ, ᎡᎶᎯ ᎤᏓᏴᎳᏘ ᏃᎴ ᎡᏝᏪᎯ, ᏓᎳᏍᎨᏍᎬ ᎠᏛᎪᏗ ᏱᎨᏒᎾ ᏩᎾᎢ ᎦᎳᎨᏴ ᏃᏥ ᎤᏬᎰᏒ.\nᎠᏇᏙᏅ ᏧᏂᎷᏫᏍᏔᏁᏗ ᏓᏍᏆᏚᎸ.\n“ᎡᏝᏪ ᎨᏎᏍᏗ!” \nᎤᎵᏍᏔᏴᏗ ᏫᏓᏥᎩᏏ!” \nᎤᎵᏍᎫᏪ ᏲᎾ ᎤᏤᏍᏙ, ”ᎣᏍᏓᏗ ᎠᎩᏰᎸᎲ, ᎬᏅ ᎢᎪᎯᏓ ᎨᏍᏗ ᎯᎸᎯᏳ ᏍᎩᏲᏍᏓ ᎠᎩᏰᎸᏅ ᏱᎩ.”\nᎡᏣᎵᎡᎵᏤᎮᏍᏗ ᏂᎪᎯᎸ ᎤᏁᎳᏅᎯ ᎠᎴ ᎠᎦᏴᎵᎨᎢ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᏂᎦᎥ ᎪᎱᏍᏗ ᎤᎬᏩᎵ, ᎢᏨᏗᏍᎨᏍᏗ ᏚᏙᎥ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ;\nᎨᏍᏗ ᏴᎦᏔᎰᎢ, ᎯᎸᎢᏴ ᎬᏙᏗ ᏥᎨᏐᎢ.\nᏄᏍᏛᏉ, ᎦᏓᏲᏍᏗ ᏥᏓᎫᏕᎪ ᎠᎴ ᏗᎷᎬᏒ ᎠᏕᎳ ᎢᏳᏍᏗ ᎠᏆᏂᏲᎯᎲ.\nᏍᎩᏴᏃ ᏭᏩᎩᏰᏫᏒ ᎪᏪᎵ, ᎦᏅᏃᏫ ᎤᏧ ᏍᏔᏝᏅ.\nᎪᏱᏁᎢ ᏕᎦᎿᏬᏍᏗᏍᎨ ᏲᎾ ᎤᏤᏍᏙ.\nᎠᏎᏃ ᎤᏁᏣ ᏝᏗ ᎩᎶ ᏲᎩᎾᎵᎪᏎ ᎠᏉᏎᎸ.\nᎾᏍᎩᏃ ᎤᏂᏲᏍᏙᏔᏅ ᎠᎴ ᎤᏂᏐᏢᎢᏍᏔᏅ, ᎤᏄᏬ ᎤᏩᏣᎬᏅᎩ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏥᎩᎬ ᏗᏥᏍᎪᎵ ᎢᏨᏒ ᏕᏣᏓᏅᎵᏰᎡᏍᏗ, ᎠᏴ ᎥᏝ ᏯᏆᏓᏅᎵᏰᎥ; ᎿᏉ ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏗᏁᎲ ᏮᏓᏥᎶᏏ.\nᎠᎴ ᎯᎠ ᎾᏍᎩ ᎥᏝ ᏳᏃᎵᏤᎢ; ᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᏪᏒ ᎨᎬᏍᎦᎳᏁᎴᎢ, ᎠᎴ ᎥᏝ ᏯᏂᎦᏔᎮ ᎢᏳᏍᏗ ᎦᏛᎬ ᎾᏍᎩ ᎤᏁᏨᎢ.\nᎠᏎᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᏂᎯ ᏗᏤ-ᎳᏍᏓ. ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎯᏍᎩᏉ ᎦᏚ ᏙᏥᏰᎭ ᎠᎴ ᎠᏣᏗ ᏔᎵᏉᎢ; ᎢᏳᏍᎩᏂᏃᏅ ᏲᎩᏩᏎᏅ ᏂᎦᏛ ᎯᎠ ᎾᏍᎩ ᏴᏫ ᎤᎾᎵᏍᏓᏴᏗ.\nᎠᏎᏃ ᎪᎯ ᏥᎩ, ᎿᏉ ᎡᏥᎦᏙᎥᏒᎯ ᏥᎩ ᎤᏁᎳᏅᎯ, ᎠᎴ ᏯᏛᏅ ᎤᏁᎳᏅᎯ ᎢᏥᎦᏙᎥᏒᎯ ᏥᎩ, ᎦᏙ ᏗᎦᎵᏍᏙᏗᎭ ᎢᏣᏨᎭ ᏙᏣᎵᏍᎦᏍᏙᏗᎭ ᎠᏩᎾᎦᎳ ᎠᎴ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᏗᎴᏅᏙᏗ ᏗᏕᎶᏆᏍᏗ, ᎾᏍᎩ ᎠᏏ ᎾᎿ ᏥᏣᏚᎵ ᏤᏥᎾᏝ ᏔᎵᏁ ᎢᏣᎵᏍᏙᏗᏱ?\nᎤᎷᏤᎸᎩ ᎠᎨᏴ ᎠᏰᎲᎩ ᎫᎫ ᏅᏯ ᎤᏁᎬ ᎪᏢᏔᏅᎯ ᎠᏟᏍᏛᎩ ᎤᏣᏘ ᏧᎬᏩᎶᏗ ᎠᏠᏁᏗ, ᎠᎴ ᎤᎶᏁᏔᏅᎩ ᎠᏍᎪᎵ ᎦᏅᎬ ᎠᎵᏍᏓᏴᎲᏍᎬᎢ.\nᏂᎦᏓ ᎠᎾᏤᏩᏍᎪ ᎠᎵᏍᏓᏴᏗ ᎠᎾᏓᎪᎾᏗᏍᎬ.\n”ᏥᏓᎯᏉᏗ, ᎧᏂᎩᏓ ᏗᏆᎵᎢ ᎭᏂ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᏙᏓᏆᏓ ᏛᎦᎿᏂ, ᏃᎴ ᏴᎦᎦᎷᎩ ᏲᎾ ᎤᏤᏍᏙ ᏥᏄᏲᎢᏯ ᏙᏱ.\nᎿᏉᏃ ᎢᎦ ᏄᎵᏍᏔᏅ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏫᏚᏯᏅᎮᎢ; ᎾᏍᎩᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎨᏒ ᏔᎳᏚ ᎢᏯᏂᏛ ᏚᏑᏰᏎᎢ, ᎠᎴ ᎨᏥᏅᏏᏛ ᏚᏬᎡᎢ--\n“ᎪᎱᏍᏗ ᏘᏃᎩ!” ᎤᏓᏍᏗᏰᏔᏁ ᏫᎵᎻ, ᏓᎧᏔᏍᏗᏍᎨᎢ.\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ ᎠᏆᏛᎦᏅᎩ ᎠᏍᏓᏯ ᎠᏂᏁᎬ ᎤᏂᏣᏘ ᏴᏫ ᎦᎸᎳᏗ ᎢᏴᏛ, ᎯᎠ ᏅᏛᏂᏪᏍᎬᎩ, ᏱᎰᏩ ᎡᏗᎸᏉᏓ; ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏥᎸᏉᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎣᏍᏛ ᎠᏥᏰᎸᏗ ᎨᏒᎢ, ᎠᎴ ᎤᎵᏂᎩᏛ ᎨᏒᎢ, ᎤᏤᎵᎦ ᎨᏎᏍᏗ ᎤᎬᏫᏳᎯ ᎢᎦᏁᎳᏅᎯ;\nᎠᏎᏃ ᎤᏚᎩ ᎠᏋᎭ ᏞᎩᏳ ᎬᎪᏩᏛᏗᏱ, ᎠᎴ ᎿᏉ ᏗᏂᎰᎵ ᏗᎩᏅᏙᏗᏱ ᎩᎾᎵᏃᎮᏗᏱ. ᏅᏩᏙᎯᏯᏛ ᏂᏣᏛᎢᏕᎨᏍᏗ. ᎢᎦᎵᎢ ᏫᎨᏣᏲᎵᎭ. ᎦᎾᏙᎠᏗᏒ ᎩᏲᎵᎸᎭ ᎢᎦᎵᎢ.\nᎬᏂᏳᏉ ᎢᏨᏯᎵᏍᎪᎸᏓᏏ ᏗᏣᎳᏍᏓᎡᏗᏱ ᎢᎾᏛ ᎠᎴ ᏗᏂᏙᎬ ᏗᎾᏓᏨᏯᏍᏗᏍᎩ, ᎠᎴ ᎢᏣᏓᎵᏁᎯᏕᏗᏱ ᏂᎦᎥ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎠᎦᏍᎩ; ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᏰᎵ ᎤᏲ ᎢᎨᏨᏁᏗ ᏱᎨᏎᏍᏗ.\nᎿᏉᏃ ᎪᎯᏗᏳ ᎦᏲᎦᎵᏍᏓᏴᏅᎯ ᏄᎵᏍᏔᏅ ᏉᎳ ᏚᎴᏅᎩ ᎠᏰᎵ ᎤᎾᏣᎥᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏒᎩ; ᎢᏥᏍᎦᏯ, ᏱᏍᎩᏲᎢᏳᏁᎢ, ᎠᎴ ᏅᏗᏥᎧᏙᏴᎾᏉ ᏱᎨᏎ ᏟᏗ, ᎥᏝ ᎾᏍᎩ ᎯᎠ ᎤᏐᏅ ᏱᏂᎨᏣᎵᏍᏓᏁᎴ ᎠᎴ ᏱᎨᏥᎪᎶᎯᏎᎴᎢ.\nᎤᏩᏒᏍᎩᏂ ᎠᏓᎪᎵᏰᏍᎨᏍᏗ ᏴᏫ, ᎩᎳᏃ ᎿᏉ ᎠᎩᏍᎨᏍᏗ ᎾᏍᎩ ᎦᏚ, ᎠᎴ ᎠᏗᏔᏍᎨᏍᏗ ᎾᏍᎩ ᎤᎵᏍᏈᏗ.\nᏄᎵᏍᏙᏗ, ᏂᎦᏓ ᎤᏂᎾᎥ ᏃᎴ ᏚᏂᏂᏌᎥ ᏗᎦᏂᏴᎡᏗ ᎩᎳᏈᏴ. ᎦᏲᏟ ᎬᏂᎨᏒ ᏱᏄᏅᏁᎳ ᎤᎾᏓᏟᏴᏗ, ᏃᎴ ᏗᏗᏂᏴᎡᏗ ᏚᎨᏓᎵᏴ, ᎢᎦᎴᏅᏗ ᏄᏍᏛ ᎢᏗᏰᎵᏒ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏴ, ᎠᏏ ᏗᏗᏲᎵ ᏥᎨᏒᎩ, ᏤᎩᎾᏝᎢ ᎨᏒᎩ, ᎢᎦᏓᏄᏴᏛᎩ ᏗᎴᏅᏙᏗ ᏗᏕᎶᏆᏍᏗ ᎡᎶᎯ ᎡᎯ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏙᏥᏅᎵ ᏧᏓᏏ ᎠᎴ ᏌᏱᎳ, ᎾᏍᎩ ᎾᏍᏉ ᎠᏂᏁᎬᎢ ᎤᏠᏱ ᏓᎨᏥᏃᎮᎮᎵ.\nᎦᎵ ᏧᏂᏍᏚᎩᏛ ᎨᏒ ᏚᏂᏁᎸ ᎨᎦᎫᏴᎡ ᎤᎾᏕᏒᏗ ᎠᏂᎨᏯ.\n”ᎪᎱᏍᏗᏃ ᏳᎵᏍᏔᏂᏙᎸᎾ ᎨᏎᏍᏗ, Ꭵ,” ᎤᏛᏁ.\nᎠᏂᎦᏘᏱ ᎠᏂᏙᎾᎥ ᏚᎾᎦᏎᏍᏛ ᎤᏂᏍᎦᏅᏨ ᎠᏂᏅ ᏧᏁᏃᏅᏗ ᏧᎬ ᎭᏫᏂᏨ, ᏧᏃᏰᏅ ᏗᎦᏢᎢᏓ ᏗᏂᎦᎶ ᎠᏰᎵ ᏂᏚᏅᏅ ᏯᎾᏟᏃᎮᏍᎬᎾ.\nᎤᏁᏤᎸᎩᏃ ᎠᏍᎪᎯᏧᏛ ᏗᏘᏂᏙᎯ ᏧᎧᎿᏩᏗᏓᏍᏗᏱ ᏉᎳ, ᎠᎴ ᎤᏁᎳᎩ ᏪᏓ ᎤᏪᎵᏎᏗᏱ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏞᏍᏗ ᏣᏅᏍᏙᏒᎩ ᎩᎶ ᎢᏳᏍᏗ ᎤᎾᎵᎢ ᎤᏍᏕᎸᎯᏓᏍᏗᏱ ᎠᎴ ᎤᏩᏛᎯᎯᏍᏗᏱ.\nᎰᏩᏃ ᎩᎳᏉ ᎢᏴᏛ ᎠᏆᏓᏅᏒᎩ ᏪᏣᏯᏅᏗᏱ; ᎣᏏᏳᏃ ᏂᏣᏛᏁᎸ ᏥᎷᎩ. ᎿᏉᏃ ᏂᎦᏛ ᎠᏂ ᎣᏤᏙᎭ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ, ᎣᎦᏛᏅᎢᏍᏗ ᎣᎦᏛᎪᏗᏱ ᏂᎦᎥ ᎤᏁᎳᏅᎯ ᏣᏁᏤᎸᎯ ᎨᏒᎢ.\nᎦᏃᎮᏅ ᎠᏂᏫᏍᎩ ᏧᏂᎳᏫᏤ, ᎤᏪᎾᎢ ᎦᎵᏦᎯᏓ ᏗᏘᏲᎯ Savannah ᏓᏳᎶᏒ, ᎤᏓᎴᏨ ᎡᎲ ᎠᎾᏗᏍᎬ.\nᎠᎴ ᏅᏩᏓᎴ ᏗᎧᎿᏩᎯᏙᎯ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎦᎸᎳᏗ ᏨᏗᏓᏁᎸ ᏓᏳᏄᎪᏨᎩ, ᎾᏍᎩ ᎾᏍᏉ ᎦᏁᎲᎩ ᎪᏍᏓᏯ ᎠᏍᎫᏕᏍᏗ.\nᏂᏓᎦᏪᏏᏒᏃ ᏂᎦᏓ ᏃᏊ ᎣᏍᏓ ᎣᎦᏛᏓᏍᏛ ᎠᎴ ᎡᏝᏪ ᎣᏥᏅᏜᎥᎢ.\nᎥᏝᏰᏃ ᎠᏓᏫ ᏯᏥᎶᏄᎡᎴᎢ, ᎠᎨᏴᏍᎩᏂ ᎠᏥᎶᏄᎡᎸ ᎤᏍᎦᏅᏤᎢ.\nᎾᏂᎥᏰᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎨᏥᏁᏤᎸᎯ ᎨᏐ ᏧᎾᎵᏍᎪᎸᏙᏗᏱ ᎠᏓᏁᏗ ᎨᏒ ᎠᎴ ᎠᏥᎸ-ᏗᎨᎳᏍᏙᏗ ᎨᏒᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ ᎾᏍᏉ ᎠᏎ ᎪᎱᏍᏗ ᎤᏲᎯᏍᏗ ᎨᏎ ᎤᎵᏍᎪᎸᏙᏗ.\nᏴᏫᏃ ᎾᎥ ᎠᏂᏙᎾᎢ ᎤᎾᏛᎦᏅ, ᎠᏴᏓᏆᎶᏣ, ᎤᎾᏛᏅᎩ. ᎢᎦᏛᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏗᎧᎿᏩᏗᏙᎯ ᏓᏳᏬᏁᏓ.\n”ᎯᏒᎦᏗ ᏂᏣᏍᏛᎢᏉ,” ᎤᏛᏁ ᎤᏃᏕᎾ ᎠᏓᎯ ᎩᎳ ᎤᏴᎵᎸ.\n“ᏙᎢᏳᏍᏗ ᎠᏓᎴᏍᎩᏱᏍᎩ ᎤᏔᎷᎩᏍᎩ ᎢᏳᏍᏗ ᎯᎠ?” ᎤᎵᏍᎦᏎᏔᏁᎢ.\n“ᎭᏩ, ᎣᏏᏗ ᎯᏰᎸᎾ,” ᎤᎵᏍᎦᏂᏏ ᎢᏳᏍᏗ ᏄᏪᏎ ᏥᏍᏕᏥ.\nᎭᎴᏫᏍᏓ, ᎠᎨᏳᏣ!\nᎾᏍᎩᏃ ᎠᎨᏔᎮ ᏄᎵᏍᏓᏁᎸᎢ, ᎤᎷᏤ ᎠᎴ ᎡᎳᏗ ᎤᏓᏅᏁᎴᎢ, ᎠᎴ ᏂᎦᏛ ᏚᏳᎪᏛ ᎤᏃᏁᎴᎢ.\nᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎭᏛᎩᏍᎪ ᎯᎠ ᏥᎾᏂᏪᎭ? ᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎥᎥ, ᏝᏍᎪ ᎯᎸᎯᏳ ᎯᎠ ᏱᏥᎪᎵᏰᎣᎢ; ᏧᎾᏍᏗ ᏗᏂᏲᎵ ᎠᎴ ᏗᏂᏍᏓᎢ ᎠᏂᎰᎵ ᎤᏄᎪᏨᎯ ᏣᏩᏛᏙᏔᏅ ᎡᏣᎸᏉᏙᏗᏱ?\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏥᎪ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎠᏂᎦᏔᎯ ᏰᎵ ᎠᎹᏟ ᏯᏅᎾ ᎠᏕᏒᎲᏍᎩ ᎤᏁᎳᏗᏙᎲ ᎢᎪᎯᏛ? ᎢᎪᎯᏛ ᎠᏕᏒᎲᏍᎩ ᎤᏁᎳᏗᏙᎲ, ᎥᏝ ᏰᎵ ᎠᎹᏟ ᏴᎬᏅᎾ.\nᎾᏍᎩᏯ ᏂᎬᏅ ᎪᏪᎸ ᎪᏪᎵᎯ ᎢᏌᏯ ᎠᏙᎴᎰᏍᎩ ᎤᏪᏂᏒᎯ, ᎯᎠ ᏥᏂᎦᏪᎭ; ᎤᏪᎷᎦ ᎩᎶ ᎢᎾᎨᎢ, ᎯᎠ ᏂᎦᏪᎭ; ᎡᏣᏛᏅᎢᏍᏓᏏ ᏱᎰᏩ ᎤᎶᎯᏍᏗᏱ, ᏚᏅᏅ ᏗᏥᏥᏃᎯᏍᏓ.\nᎾᏍᎩ ᎦᎵᏦᏛ ᏗᏟᎶᏍᏔᏅᎯᏉ ᏥᎨᏎ ᎾᎯᏳ ᎨᏒᎢ, ᎾᎿᏂ ᏥᏓᎾᎵᏍᎪᎸᏗᏍᎨ ᎠᏓᏁᏗ ᎨᏒ ᎠᎴ ᎾᏍᏉ ᎠᏥᎸ-ᎨᎳᏍᏙᏗ, ᎾᏍᎩ Ꮎ ᎢᏳᏛᏁᎸᎯ ᏰᎵ ᎾᏍᎦᏅᎾ ᎢᎬᏩᏁᏗ ᏂᎨᏒᎾ ᏥᎨᏎ ᎠᏓᏅᏙ ᎤᎬᏩᎵ ᎨᏒᎢ;\nᏧᏂᏲᎱᏒᎯᏃ ᏧᎾᎴᎯᏐᏗ ᎨᏒᎢ, ᎾᎯᏳ ᎾᏍᎩ ᎯᎠ ᏓᎾᎴᎯᏌᏅᎭ, ᎦᎪ ᎤᏓᎵᎢ ᎨᏎᏍᏗ ᎾᏍᎩ ᎯᎠ? ᎦᎵᏉᎩᏰᏃ ᎢᏯᏂᏛ ᎠᎾᏓᏰᎲᎩ.\nᎧᏃᎮᏛ ᏓᏦᎯᏍᏛ ᎪᏪᎳᏅ, ᎠᏓᏁᏝᏍᎨ ᎤᏁᎾᎢ ᎠᏂᏴᏫᏯ ᎤᎾᏓᏂᏯᏍᏗᏉ, ᏧᏂᏍᏆᏂᎪᏙᏗᏉ ᏚᏂᏂᏴᎲ - ᎦᏙ ᏃᎴ ᏓᏂᏂᎩᎸ ᏃᎴ ᎠᏂᎱᏣ ᏚᏂᎾᏌᎥ - ᎠᎹᏰᎵ ᎠᏁᎯ ᎢᏯᎾᎵᏍᏗᏍᎩ.\nᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᏞᏍᏗ ᏣᏍᏚᏅᎩ ᎧᏃᎮᏛ ᎠᏙᎴᎰᏒᎯ ᎠᏂ ᎯᎠ ᎪᏪᎵᎯ; ᎤᏍᏆᎸᎯᏗᏰᏃ.\nᏞᏍᏗ ᏱᏍᎦᎢᎮᏍᏗ ᏂᎯ ᏌᏯᏂ ᎤᏪᏥ, ᎬᏂᏳᏉ ᎤᎬᏫᏳᎯ ᏣᏤᎵᎦ ᏓᏯᎢ, ᎠᎩᎾ ᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ ᎤᏪᏥ ᎤᎩᎸᏗ.\nᏧᏴᏨᏗᏣ ᏓᏳᏂᎶᏒ ᏴᏫ ᎠᎦᏓ ᎣᏏᏉ ᎠᏁᎵᏍᎩ ᏃᎴ ᎠᎦᏓ ᎤᎾᏓᏎᎳᏓᏅ.\nᎤᎸᏉᏗ ᎤᏅᏗ ᎨᏎ ᏫᎵᎻ ᏃᎴ ᎠᎵᎮᎵᎨ ᏲᎾ ᎤᏤᏍᏙ ᏯᎦᎾᏬᏗ ᎫᎦ.\nᎯᎠᏃ ᏅᎬᏩᏪᏎᎸᎩ; ᎯᎨᏴ, ᎦᏙᏃ ᏙᎭᏠᏱᎭ? ᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏂᏁᏒ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ, ᎠᎴ ᎤᏂᏅᏅ ᏂᏥᎦᏔᎲᎾ ᎨᏒᎢ.\nᎠᏎᏃ ᎩᏅᏌ ᎢᏂᎦᏔᎮᏍᏗ .\nᎤᏂᏲᏍᎩᏂ ᏴᏫ ᎤᎾᏠᎾᏍᏗ ᎠᏂᏁᏉᎨᏍᏗ ᎤᏂᏲ ᎨᏒᎢ, ᏓᏂᎶᎾᏍᏗᏍᎨᏍᏗ ᎠᎴ ᎨᏥᎶᎾᏍᏗᏍᎨᏍᏗ. ᏍᏗᏍᎨᏍᏗ ᎠᎴ ᎨᏥᎶᎾᏍᏗᏍᎨᏍᏗ.\nᏫᎵᎻ ᎤᎨᏳᎯ.”\nᎨᎢᏴ ᎣᎩᏁᏅᏓ, ᏫᏥᏴᏍᏔᏅ ᎠᏍᏆᏚᎸ ᎦᎵ ᎠᎾᏘᎨ ᎠᏂᎨᏯ ᏃᎴ ᎢᎦᏓ Ꮳ.\n“ᎠᏯ ᏍᏉ,” ᎤᏛᏁ ᏐᎢ ᎠᏍᎦᏯ.\nᎾᏍᎩ Ꮎ ᎣᏍᏛ ᏤᏣᎨᏅᏴ ᏣᏍᏆᏂᎪᏕᏍᏗ, ᏣᏍᏕᎵᏍᎨᏍᏗ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎾᏍᎩ ᏥᎩᏯᎠ.\nᎡᏗᎿᎸᏍᏗᏍᎨᏍᏗᏍᎪ ᎤᎬᏫᏳᎯ? ᎤᏟᏍᎪ ᏂᏕᎦᎵᏂᎬᎦ ᎡᏍᎦᏉ ᎾᏍᎩ?\nᏰᎵ ᎤᎵᏍᎨᏓ ᎯᎾᏌ ᏏᏆ.\nᎤᏦᎢᏎᏗ ᎤᎵᏖᎸᏁ ᎪᏱᏁ.\n“ᏕᎦᏂᏰᏨ?”\nᎢᏳ ᎠᎴ ᏏᏓᏁᎸ ᎨᏒ ᏔᎵ ᏱᏄᏓᎠ, ᎤᏩᏒᏉ ᏯᏓᏡᏗᎭ, ᎾᏍᎩ ᏏᏓᏁᎸ ᎨᏒ ᎥᏝ ᏰᎵ ᏱᏂᎬᏩᏍᏗᏉ.\nᏂᎦᏓ ᎠᏰᎸ ᏧᏘᏅᏍᏔᏃ ᎠᏧᏣ ᎽᏍᏕ.\nᎤᏥ ᎤᏃᎯᏎᎳ ᏲᎾ ᎤᏤᏍᏙ, ᎦᎾᏍᏓ ᎬᏗ ᎤᏩᏂᏍᏗ ᎤᏁᎸᏔᏅᎢ ᎧᏅᏂᏍᎩ ᎡᎳᏆᏗ, ᎤᏒᎮᎯ ᏳᎵᏍᏔᏴᏅᎾ ᎤᏂᏏᏗ ᎤᏪᏅᏍᏗ ᏄᏩᏁᎴᎢ ᎠᎳᏂ, ᎠᏥᏍᏛᏗᏍᏔᏁᎢ.\nᎾᏍᎩᏴ ᎱᏂᎷᏣ  ᎠᏂᎴᏴᏍᎩ ᏃᎴ ᎠᏂᎪᏕᏍᎩ ᏃᎴ ᏣᏄᏏ ᏗᎾᏛᏁᎵᏍᎬ ᎤᏁᏙᎸ, ᏄᏩᏁᎰᏁ ᏚᏏᎳᏛ ᏌᎳᏓ.\nᎨᏍᏗ ᏙᏓᏆᏓ ᏱᏓᎦᏓᏏᏙᎳ ᎤᏲ ᎤᎾᏗᏅᏗ ᎠᎩᏲᎲ ᏕᎦᏃᏣᏢ.\nᎤᏁᎦᎭ ᎨᏎ, ᎩᎦᎨ ᎤᏍᎪᎸ ᏗᎦᎴᏂ ᎾᎥᏂ ᏃᎴ ᎧᏴᏐᎵ ᏃᎴ ᎤᏬᏍᎩᎵ ᎨᏎᎢ.\nᎠᏎᏃ ᏂᎦᏛᏁᎲ ᎾᏍᎩ ᏂᎦᎦᏛᏁᎮᏍᏗ, ᎾᏍᎩ ᎦᏥᏲᏍᏙᏓᏁᏗᏱ ᎤᎾᏜᏅᏓᏕᏗᏱ ᎾᏍᎩ ᎾᏍᎩ Ꮎ ᏧᎾᏚᎵᎭ ᎤᎾᏜᏅᏓᏕᏗᏱ; ᎾᏍᎩ ᎾᎿ ᎠᎾᏢᏈᏍᎬ ᎾᏍᎩ ᎠᏴ ᏃᎦᏍᏛ ᎾᏍᎩᏯ ᏄᎾᏍᏛ ᎬᏂᎨᏒ ᏱᏂᎦᎵᏍᏓ.\nᎪᎯᏱᏃ ᎢᏴᏛ ᏅᏩᏓᎴ ᎤᎪᎲ, ᎯᎠ ᏄᏪᏎᎢ, ᏂᎯ ᎾᏍᏉ ᎾᎿ ᎮᎸ ᎢᎩ. ᏈᏓᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎯᏍᎦᏯ, ᎥᏝ ᎠᏴ ᎾᎿ ᎨᎸ ᏱᎩ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎥᏝ ᎩᎶ ᏰᎭᎾᏍᎩ ᎤᏮᏕᏨᎯ ᎢᎨᏎᏍᏗ ᎠᏓᏁᎸᎢ, ᎠᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᏧᏙ, ᎠᎴ ᎤᏙᏓ, ᎠᎴ ᎤᏥ, ᎠᎴ ᎤᏓᎵᎢ, ᎠᎴ ᏧᏪᏥ, ᎠᎴ ᏚᎶᎨᏒᎢ, ᎠᏴ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎠᎴ ᎣᏍᏛ ᎧᏃᎮᏛ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ,\nᏧᎾᎳᏑᎸᏗᏱᏍᎩᏂ; ᎠᎴ ᏞᏍᏗ ᏔᎵ ᏱᏗᏣᏄᏬᏍᎨᏍᏗ.\nᏔᎵᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏤᎷᎯᎩ, ᎣᏓᎸᏃ ᎡᏆ ᏣᏓᏪᎵᎩᏍᎪ ᎾᏍᎩᏯ ᎨᏒᎩ ᎠᎺᏉᎯ ᏭᎾᏗᏅᎩ; ᎢᏳᏬᏨᎯ ᎩᎬ ᏄᎵᏍᏔᏅᎩ;\nᎦᏓᏅᏖᏍᎬᏰᏃ ᎤᏁᎳᏅᎯ ᎬᏂᎨᏒ ᏃᎬᏁᎸ ᎠᏴ ᎣᎩᏅᏏᏛ ᎣᏂᏱ ᎨᏒᎢ, ᏦᎩᏲᎱᎯᏍᏗᏱ ᎾᏍᎩᏯᎢ; ᏗᎪᎦᎧᏃᏗᏰᏃ ᏃᎦᎵᏍᏔᏅ ᎡᎶᎯ ᎠᎴ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎠᎴ ᏴᏫ.\nᎠᏎᏃ ᎦᏥᏅᎵ ᎣᏣᎵᏅᏟ, ᎾᏍᎩ ᎠᏎᏉᏉ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎨᏒᎾ ᎣᏣᏢᏈᏍᎬ ᎢᏨᏁᎢᏍᏗᏍᎬᎢ; ᎾᏍᎩ ᎢᏣᏛᏅᎢᏍᏔᏅᎯ ᏱᎩ, ᎾᏍᎩᏯ ᎾᎩᏪᏒᎢ.\nᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎯᏲᏍᏗᏍᎩ, ᏦᎢᏉᏃ ᎢᎦ ᎯᏰᎢᎵᏙᎯ ᎭᏁᏍᎨᏍᎩ, ᎭᎵᏍᏕᎸ ᏨᏒ; ᎢᏳᏃ ᏂᎯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏎᏍᏗ, ᏓᏓᎿᏩᏍᏛ ᎡᎭᏠᎠᎯ.\nᏃᎴ ᎨᎵᎠ ᏧᏍᏆᏴᏍᏗ ᎤᏪᏅᏍᏗ ᏍᏉ--- ᏯᎩᏂᎬᎦ ᎩᎶ ᎤᏓᏏᏓᏍᏗ ᏃᎴ ᏄᏓᎴᏒ ᏧᎷᏫᏍᏔᏁ.\nᎤᎴᏅᎮ ᏕᎫᏔᎩᏍᎬ ᏅᏯ, ᎠᏧᏣ ᎦᎾᎥ ᏚᏌᏁ, ᏧᏔᏂᏓ ᏚᎴᏅᏔᏁ, ᏅᏯ ᏂᏂᏚᏍᏛ ᎠᏓᏅᏖᏍᎨ ᎤᏩᏌ, ᎨᏍᏗ ᏯᏓᏅᏖᏍᎨ ᏗᎦᎨᏓ ᏱᎩ.\nᎠᏴ ᏧᏓᏏ, ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏓᏍᏗ ᎠᎴ ᏥᎻ ᏦᏍᏓᏓᏅᏟ, ᏫᏨᏲᎵᎦ ᏂᎯ ᏂᏥᏍᎦᏅᎾ ᎢᏨᏁᎸᎯ ᎤᏁᎳᏅᎯ ᎠᎦᏴᏎᎨᎢ, ᎠᎴ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ ᎡᏥᏍᏆᏂᎪᏔᏅᎯ, ᎠᎴ ᎡᏥᏩᏂᏌᏛ ᎡᏥᏍᏆᏂᎪᏔᏅᎯ, ᎠᎴ ᎡᏥᏯᏅᏛ ᎢᏣᏓᏅᏘ ᎢᏣᎵᏍᏙᏗᏱ;\nᎠᎴ ᏦᏩ ᎾᏍᏉ ᎨᎵᎵ ᎤᏂᎩᏎᎢ ᎤᏄᎪᏤ ᎠᏎᎵᏗ ᎦᏑᎲᎢ, ᏭᎷᏤ ᏧᏗᏱ, ᏕᏫ ᏧᏪᏚᎲᎢ, ᎦᏚᏱ ᏧᏙᎢᏛ, ᏕᏫᏰᏃ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᎨᏎᎢ ᎤᎦᏴᎵᎨ ᎨᏎᎢ ᎠᎴ ᏕᏫ,\nᎾᏍᏉᏰᏃ ᎠᏍᎪᎯ ᎢᏯᎦᏴᎵ ᏱᎾᏂᎥ ᏗᎨᏤᏲᎲᏍᎩ ᎦᎶᏁᏛ ᏕᏣᏁᎶᏛᎢ, ᎠᏎᏃ ᎥᏝ ᏯᏂᎪᏗ ᏗᏥᏙᏓ; ᎦᎶᏁᏛᏰᏃ ᏥᏌ ᏕᏣᏁᎶᏛ ᎣᏍᏛ ᎧᏃᎮᏛ ᎬᏗ ᏍᎩᏯᏕᏁᎸᎩ.\nᎤᎵᏂᎩᏛᏃ ᎤᏁᏤᎸ, ᎩᎳᏉ ᎢᏴᏛ ᎤᏁᏤᎴ ᎤᏓᏅᏍᏗᏱ;\nᎤᎵᏏᏂᏕᎾ, ᏦᏍᎪᎯ ᎠᎴ ᏅᎩᏍᎪᎯ ᎢᏯᏂ ᎠᏁᎨ ᎠᏂᎭᏰᎯ ᏚᏂᏇᏅᏛ ᏧᏍᏆᏅᎾ, ᏗᏓᏍᏔᏴᏙᏗ ᏃᎴ ᏧᏍᏗ ᎪᎰᏍᏗ ᏳᏰᎸᏛᎾ, ᎤᎾᏅᏙᏗ ᏧᏂᎶᏒ.\nᏎᎷ ᏗᏣᏲᎦ! \nᏝᏉᏍᎪ ᏱᏥᎦᏔᎭ ᎾᏍᎩ ᎩᎶ ᎤᏁᎫᏥᏛ ᏥᏚᎾᏚᏓᏙ ᏌᏉᏉ ᎠᏂᏰᎸ ᎨᏒᎢ? ᎯᎠᏰᏃ ᏂᎦᏪᎭ, ᎠᏂᏔᎵ ᏌᏉᏉ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ ᎤᏂᏇᏓᎸᎢ.\nᏥᎳᏇᎵᏃ ᎠᏆᏯᏗ ᎤᏕᏁᎴᎢ, ᎠᏆᏯᏗᏃ ᎢᎳᏯᎩᎻ ᎤᏕᏁᎴᎢ; ᎢᎳᏯᎩᎻᏃ ᎡᏐ ᎤᏕᏁᎴᎢ;\nᏍᏈᏯ ᎣᎩᎾᏗᏔᎲ ᎤᎩᏓᏟᏅᏯ ᎤᏤᎵ ᎠᏓᏴᏍᏔᎩᏍᎩ.\nᏕᎭᎷᏱ ᎠᏅᏂᏍᎩ ᏑᎦᏔ ᎢᏥᏤᎢ ᎢᏳᏍᏗ ᏩᎩᎷᏨ.\nᏄᏓᎴ ᎣᎩᎾᎵᏱ Nick ᏧᏙᎢᏓ ᎤᎷᏨᎢ, ᎡᏧᎳ ᎤᎾᎴᏅᎲ ᎠᎾᏝᏃᎮᏍᎬᎢ. ᏂᎦᏓ ᏙᏊᎧᏔᏅ ᎣᎩᎾᎵ Michael ᎤᎾᎵ ᎠᎨᏳᏣ Jenny ᏧᏙᎢᏓ ᎤᏴᏍᏗ ᎣᎨᏅᏍᏗᏱ.\nᎥᏝ ᎠᎴ ᎩᎶ ᎠᏨᏍᏛᎦ ᎠᏨᏍᏙᏗ ᎠᏖᎵᏙ ᏱᎫᏢᏗᏍᎪᎢ, ᎠᎴ ᎦᏂᏢᏩ ᏱᎦᎧᎲᏍᎪᎢ; ᎦᎪᏗᏱᏍᎩᏂ ᎦᎧᎲᏍᎪᎢ, ᎾᏍᎩ ᎠᏂᏴᎯᎯ ᎤᏂᎪᏩᏛᏗᏱ ᎢᎦᎦᏛᎢ.\nᎬᏂᏳᏉ ᏞᎩᏳ ᏓᏥᎷᏥ; ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎠᏍᏆᏂᎪᏗᏍᎩ ᎧᏃᎮᏛ ᎠᏙᎴᎰᏒᎯ ᎠᏂ ᎪᏪᎵᎯ ᎪᏪᎸᎢ.\nᎤᏒᎯ ᎤᏰᏤ, ᎤᎪᏅ ᎨᏎ ᎪᏛ.\nᏦᎢᏁ ᎢᏳᏟᎶᏛ ᎤᎵᏰᎢᎶᎸ ᏥᏌ ᎠᏍᏓᏯ ᎤᏪᎷᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎢᎶᎢ, ᎢᎶᎢ, ᎳᎹ ᏌᏆᏓᏂ? ᎾᏍᎩ ᎠᏁᏢᏔᏅᎯ ᎯᎠ ᏄᏍᏗ ᎦᏛᎦ, ᎠᏆᏁᎳᏅᎯ, ᎠᏆᏁᎳᏅᎯ, ᎦᏙᏃ ᎥᏍᏋᏕᎩ?\nᎯᎠ ᎠᏂᏣᎳᎩ ᎭᏫᏂᏳ ᏧᎾᏍᎪᏎ ᏗᎦᎾᏗᏫᏒᎢ ᎯᎠ ᎤᏍᏗ ᎦᏅᏅ ᏃᎴ ᏧᏅᏒᏁᎢ ᏧᏩᏂᎦᏢ ᎬᏗ. \nᎤᏍᏗ ᎧᏅᏂᏍᎩ ᎤᏅᎪᏤ ᎦᏅᏙᏗ.\n“ᏰᎵᏉᏍᎪ ᏱᏍᏆᏑᏯᎩᎢ ᏗᏆᏙᏍᏗ - “ᎦᏅᎯᏓ ᏱᎨᏒᎾ, ᎪᏚᎢᏍᏔᏅ ᏱᎨᏒᎾ, ᏃᎴ ᎤᏩᎨᏫᏓ ᏱᎨᏒᎾ?” \nᎠᏂᏐᎢᏃ ᎨᏥᎾᏰᏍᎩ ᏕᏥᏍᏕᎵᏍᎨᏍᏗ, ᏕᏨᏕᎨᏍᏗ ᎠᏥᎸᏱ; ᎢᏥᏂᏆᏘᎮᏍᏗ ᎠᏄᏬ ᎤᏇᏓᎸ ᎠᏚᏯᏍᏙᏔᏅᎯ.\nᏅᏩᏓᎴ ᏓᏟᎶᏍᏛ ᎢᏣᏛᎬᎦ; ᎡᎮ ᎩᎶ ᎠᏍᎦᏯ ᎦᏁᎳ, ᎾᏍᎩ ᏖᎸᎳᏗ ᏚᏫᏎᎢ, ᎠᎴ ᎤᏐᏲᎴ ᎬᏩᏚᏫᏛ, ᎠᎴ ᎤᏍᎪᏎ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎪᏢᏗᏱ, ᎠᎴ ᎤᏁᏍᎨᎮ ᎢᏅ ᎢᎦᏘ, ᎠᎴ ᏚᏙᎳᏍᏔᏁ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎢᏅᏃ ᏭᎶᏎᎢ.\nᏫᎬᏩᏯᏅᎲᏃ ᎡᎵᎣᏈᎦ ᎬᏩᏘᏃᎸᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏥᎪ ᎦᏲᎦᏛᎪᏗᏉ ᏄᏍᏛ ᎾᏍᎩ ᎯᎠ ᎢᏤ ᏗᏕᏲᏗ ᎨᏒ ᎾᏍᎩ ᏥᏃᎮᎭ?\nᎤᏁᎳᏅᎯ ᎠᎵᎮᎵᏤᏗ ᎨᏎᏍᏗ ᏂᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᎤᏓᏁᏗ ᎨᏒ ᎦᏃᎮᎰᎲᏍᏗ ᏂᎨᏒᎾ ᏥᎩ.\nᏆᎴᏗᏃ ᎤᏚᎵᏍᎬ ᏥᏌ ᎤᏪᎪᏗᏱ ᏅᏧᎵᏍᏙᏔᏁ ᏔᎵᏁ ᏚᏁᏤᎴᎢ.\nᎤᎭᎨᏛ ᎤᎶᎩᎸ ᎦᎸᎶᎢ ᎡᎳᏗ ᏂᏚᏍᏛ ᏚᎶᎩᎸ, ᎨᏍᏗ ᏳᏓᏴᎳᏖ ᏅᏙ, ᏃᎴ ᎬᏕᎶᎰᎯᏍᏗ ᏱᎨᏎ ᏂᎦᎵᏍᏗᏍᎬ ᎢᎦ.\nᎤᏙᎰᏎ ᏫᎵᎻ.\nᎭᎾᏉ ᏩᎴᏫᏍᏗ.\nᏂᎯ ᎾᏍᏉ ᎢᏥᏍᎦᏯ ᎢᏣᏁᎳᏛᎭ ᏗᏣᏓᎵᎢ ᎾᏍᎩᏯ ᎢᏯᏛᏁᏗ ᎨᏒ ᎢᏥᎦᏔᎲᎢ, ᎠᎴ ᏕᏥᎸᏉᏕᏍᏗ ᎾᏍᎩᏯ ᏗᎦᎸᏉᏙᏗ ᏥᎩ ᏗᏂᏩᎾᎦᎳᎢ, ᎠᎴ ᏗᎦᎸᏉᏙᏗ ᏥᎩ ᎠᏖᏆᎶᎯ ᎣᏤᎵ ᎨᏒ ᎬᏩᎦᏗᏯ ᎬᏂᏛ ᎡᏥᏁᎸᎢ; ᎾᏍᎩᏃ ᏞᏍᏗ ᎢᏣᏓᏙᎵᏍᏗᏍᎬ ᎪᎱᏍᏗ ᎠᏲᏍᏙᏗᏍᎩ ᏱᎨᏎᏍᏗ.\n“ᎠᏎ ᏍᎩᎾᏆᏍᏗ,” ᎤᏛᏁ ᏌᏌ ᎠᏨᏯ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏚᎾᎧᎿᏂᏙᎸ, ᎥᏝ ᎿᏉ ᎩᎶ ᏳᏂᎪᎮᎢ, ᏥᏌ ᎤᏩᏒ, ᎠᎴ ᎤᏅᏒ.\nᏆᎴᏗ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎦᏙᏃ ᏓᏥᏴᏁᎵ ᏥᏌ, ᎦᎶᏁᏛ ᏣᏃᏎᎰᎢ? ᏩᎦᏛᎥᎦ, ᎬᏬᏎᎴ ᏂᎦᏛ.\nᎾᏍᎩᏰᏃ ᏄᏍᏛ ᎢᏣᏚᎵᏍᎬ ᎢᎨᏣᏛᏁᏗᏱ ᏴᏫ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏂᏕᏣᏛᏁᎮᏍᏗ.\nᎢᏨᏲᏪᎳᏁᎭ ᏗᏥᏲᎵ ᎢᏥᏍᎦᏅᏨᏰᏃ ᎡᏥᏙᎵᏨ ᏅᏧᎵᏍᏙᏔᏅ ᏥᏌ ᏕᎤᏙᎥᎢ.\nᎠᏎᏃ ᎥᏝᏍᏗ ᏗᎵᏍᏓᏴᏗᏱ ᎢᏳᎢᎦ ᎨᏒᎢ, ᏯᎾᎵᏕᎸᎲᎦᏰᏃ ᏴᏫ, ᎤᎾᏛᏁᎢ.\nᎩᎶᏰᏃ ᎤᎮᏍᏗ, ᎾᏍᎩ ᎠᏥᏁᏗ ᎨᏎᏍᏗ; ᎩᎶᏃᏄᎲᎾ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏥᎩᏒᏗ ᎨᏎᏍᏗ ᎾᏍᏉ ᎤᎲᎢ.\nᏂᎦᏓ ᎠᎪᏨ, ᎤᏛᏅ Irish ᎠᏧᏣ.\nᎾᏍᎩᏍᎩᏂ ᏄᏍᏕᏍᏗ ᎡᎶᎯ ᎠᎵᏍᏆᏛᎭ; ᏗᏂᎧᎿᏩᏗᏙᎯ ᏛᏂᎷᏥ, ᏙᏛᎾᎦᎴᏅᏔᏂ ᎤᏂᏁᎫᏥᏛ ᎠᎴ ᎤᎾᏓᏅᏘ;\nᎤᎬᏫᏳᎯᏃ ᏅᏩᏙᎯᏯᏛ ᎤᏪᎯ ᎤᏩᏒ ᎠᏎ ᎢᏥᏁᏗ ᎨᏎᏍᏗ ᏅᏩᏙᎯᏯᏛ ᏂᎪᎯᎸᎢ. ᎤᎬᏫᏳᎯ ᏂᏥᎥ ᏕᏥᎧᎿᏗᏙᎮᏍᏗ.\nᎦᎪ ᎠᏩᎾᎦᎶᎢ, ᎠᏴᏃ ᏂᏥᏩᏂᎦᎸᎾ ᎨᏐᎢ? ᎦᎪ ᏚᏬᏕᎯᎰᎢ, ᎠᏴᏃ ᏂᏥᎴᏴᏍᎬᎾ ᎨᏐᎢ?\nᎠᎵᎮᎵᏍᏗ ᎨᏒ ᎠᎾᏛᎵᏍᎬ.\nᎠᎴ ᎦᏙᏃ ᎢᏨᏒ ᎨᏒ ᏗᎨᏧᎪᏙᏗ ᏂᎨᏒᎾ ᎢᎩ ᏚᏳᎪᏛ ᎨᏒᎢ?\nᏧᎾᏛᎯᏍᏙᏗ ᏗᏂᎳᏫᎩ, ᏩᎦ ᎢᏳᎾᎵᏦᎯᏓ, ᏧᎾᏤᎵ ᏓᏆᎴᎳ ᏫᏕᎦᎷᎬ ᏅᏙ ᏥᏭᏕᎵᎪ, ᏎᎦᏉ ᏃᏉᏃ ᎭᏁᎬ ᏧᏁᏅᏒ ᏧᎾᎾᏏᏗ.\nᎢᎦᏓ ᎤᏄᎵᏍᏙᏗ.\nᎬᏂ ᏂᏗᎥ ᏫᏗᏱᎶᎸᎭ ᏌᏉ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎡᏙᎯᏳᏒᎢ ᎠᎴ ᎡᏗᎦᏔᎲᎢ-ᏗᎦᏛᎾᏯ ᎢᏗᏍᎦᏯ ᎢᎦᎵᏍᏙᏗᏱ-ᎠᎧᎵᎢ ᎠᏟᎶᎥ ᎦᎶᏁᏛ ᏂᎦᏛ ᎢᎦᎵᏍᏙᏗᏱ;\nᏃᎴ ᏙᎢᏳᏍᏗ ᎬᏲᎵᎭ?” \nᎠᎴ ᏱᏥᏅᎵ ᎾᏍᎩ ᎠᏁᎩ Ꮎ ᎢᏓᎵᏅᏟ, ᏂᎬᎾᏛ ᏚᎾᏓᏡᏩᏗᏒ ᏧᎾᏁᎶᏗ ᎬᏩᎸᏉᏗᏳ ᏥᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ;\nᎬᏂ ᏅᏩᏓᎴ ᎤᎬᏫᏳᎯ ᎤᎾᏄᎪᏨ ᎾᏍᎩ ᏄᎦᏔᎲᎾ ᏦᏩ.\nᎠᏎᏃ ᎢᏣᏚᎵ ᏍᎩᎢᏍᏗᏱ ᎠᏴ ᏚᏳᎪᏛ ᎢᏨᏃᏁᎸᎯ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏥᏯᏛᎦᏁᎸᎯ ᎨᏒᎢ; ᎥᏝ ᎾᏍᎩ ᏱᎾᏛᏁᎮ ᎡᏆᎭᎻ.\nᎠᎴ ᎾᏍᎩ ᎢᏤ ᏴᏫ ᎢᏣᏄᏬᏍᏗᏱ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏗᏟᎶᏍᏔᏅᎯ ᎪᏢᏅᎯ ᏥᎩ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏙᎯᏳᏒ ᎠᏍᎦᏅᎢᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\n”ᏌᏌ ᎤᏪᏥ ᎤᎪᏏᏓ ᎤᏍᏆᏂᎪᏔᏅ ᎬᏅᎢ ᏌᎳᏓ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎯᎠᏃ ᏄᏪᏒᎩ; ᎤᏁᎳᏅᎯ ᏗᎩᎦᏴᎵᎨ ᎤᎾᏤᎵᎦ ᏣᏑᏰᏒ, ᏣᎦᏙᎥᎯᏍᏗᏱ ᏄᏍᏛ ᎠᏓᏅᏖᏍᎬᎢ, ᎠᎴ ᎯᎪᏩᏛᏗᏱ ᎾᏍᎩ Ꮎ ᎾᏍᎦᏅᎾ, ᎠᎴ ᎠᎰᎵ ᎦᎾᏄᎪᎬ ᎧᏁᎬ ᏣᏛᎪᏗᏱ.\nᏚᏔᎷᎩᏍᎨ ᏧᏍᏆᏴᏍᏗ ᏗᎦᏙᎵ.\nᎾᏍᎩ ᎾᏍᏉ ᎢᏳᏩᏂᏌᏛ ᎪᎯᏳᏗ ᎢᏛᏗᏍᎬ ᎨᎩᎷᎯᏍᏗ ᏥᏄᎵᏍᏔᏅ ᎯᎠ ᎾᏍᎩ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎾᎿ ᏥᏕᏗᏙᎦ, ᎠᎴ ᏥᏓᎵᎮᎵᎦ ᎤᏚᎩ ᎢᎬᏒ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎡᎩᏁᏗᏱ.\nᎾᎯᏳᏃ ᎢᏳᏓᎴᏅᏛ Ꭰ-ᏂᏍᎦᎢᎮ ᎪᎱᏍᏗ ᎬᏩᏛᏛᏗᏱ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᏰᎵᏉ ᏂᏫ; ᎾᏍᎩ ᎯᎠ ᎿᏛᏁᎮᏍᏗ, ᎲᏁᏍᏗᏃ.\nᎠᏥᎸ-ᎤᎦᏔ ᏓᏤᎸ, ᎾᏍᎩ ᎠᏍᎦᏯ ᏧᎩᏎ ᎠᎴ ᎤᏫᏒᏗᏱ ᏥᏭᏗᏅᏎᎢ; ᎠᎴ ᎤᏛᏎᎢ, ᎠᎴ ᎡᏉᎯᏳ ᏄᎵᏍᏔᏁ ᏡᎬᎢ; ᎠᎴ ᏥᏍᏆ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ ᏚᏩᏂᎦᎸ ᎤᎾᎭᏓᏕᎢ.\nᏨᏒ ᎭᎵᏍᏕᏄ, ᎠᎴ ᎡᎭᏠᎠᎯ ᏓᏓᎿᏩᏍᏛᎢ.\nᎠᏎᏃ ᎾᏍᎩ ᎯᎠ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎥᎩᏙᎵᏨᎩ; ᎾᏍᎩ ᎠᏴ ᎨᏒ ᎾᎩᎬᏫᏳᏒ ᏥᏌ ᎦᎶᏁᏛ ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ ᏩᏍᏛ ᎬᏂᏗᏳ ᎨᏒᎢ, ᎾᏍᎩ ᏧᎾᏟᎶᏍᏙᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎣᏂ ᎬᏬᎯᏳᏅᎯ ᎬᏂᏛ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᏫᏚᎷᎩ.\nᎤᏂᎩᏍᏔᏁ ᎦᏅᏫᏍᏗᏍᎩ.\nᎤᏒᎯ ᎢᏴ, ᎠᏂᏐᎢ ᎠᏂᏟᏅ, ᏚᏏᎳᏛ ᏚᎷᏫᏍᏔᏁᎮ ᏌᎳᏓ.\nᎰᎵᎦᏧ?”\nᎤᎵᏍᎪᏳᏁ ᏥᏍᏕᏥ.\nᎰᏩᏃ ᎾᏍᎩ ᏧᏅᏏᏓᏍᏗ ᏕᎦᏅᎿᏩᏗᏒ ᏭᏂᎶᏎᎢ, ᎠᎴ ᎤᏂᏟᏌᏁ ᎾᏂᎥ ᏚᏂᏩᏛᎲ ᎤᏂᏲ ᎠᎴ ᎠᏃᏍᏛ; ᎿᏉᏃ ᏙᏗᎨᎦᏨᏍᏔᏂᏒ ᏰᎵ ᏄᎵᏍᏔᏂᎴ ᎠᎾᎵᏍᏓᏴᎲᏍᎩ.\nᎠᎴ ᎢᏣᏓᎦᏌᏯᏍᏕᏍᏗ ᎢᏨᏒ ᎨᏒᎢ, ᏞᏍᏗ ᎢᎸᎯᏳ ᏕᏣᏓᏅᏛ ᎦᎨᏛ ᏱᏂᏣᎵᏍᏓᏁᎮᏍᏗ ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎢᏥᎶᏒᏍᏗᏍᎬ ᎢᏣᎵᏍᏓᏴᎲᏍᎬᎢ, ᎠᎴ ᏕᏥᏴᏍᏕᏍᎬᎢ, ᎠᎴ ᎡᎶᎯ ᎠᏓᏅᏖᏗ ᎨᏒᎢ, ᎾᏍᎩᏃ ᎾᎯᏳ ᎢᎦ ᏂᏤᎵᏍᎬᎾ ᎢᏥᎷᏤᏗᏱ.\nᎠᎬᏱ ᏚᏕᏯᏍᏛᎢ ᏚᏲᏍᏔᏁ ᎠᏰᎵ ᎾᎥᏂ.\n[ᎬᏩᏍᏓᏩᏗᏙᎯᏃ] ᎤᏅᎨᏫᏒᎯ ᎨᏎ ᎦᏚ ᏧᎾᏕᏅᏗᏱ, ᎥᏝ ᎠᎴ ᏳᎶᏒᏍᏕ ᏌᏉ ᎦᏚ ᎤᏂᎸ ᏥᏳᎯ.\n”ᏰᎵ ᎤᏍᏆᏂᎩᏗ ᏏᏆ.”\nᎾᏍᏉ ᎢᎸᎯᏢ ᎯᎠ ᏂᎦᏪᎭ, ᎠᏥᎸ-ᎮᎶᎯ ᏂᎯ ᏂᎪᎯᎸᎢ ᎺᎵᎩᏏᏕᎩ ᏄᏍᏛ ᎾᏍᎩᏯᎢ.\nᏂᎨᎵᏍᎪᏗ ᏴᎬᏍᏆᏓᎩᏄᎦ ᎠᎦᏛ ᎬᏂᎬᎬᎢ.”\nᎠᎳᏂ ᎤᏍᎦᏤ ᏣᏄᏏ.\nᎠᏂᎦᏗ ᏴᏫ, ᎤᏍᏗᎩ ᎤᏂᏴᏍᏗ.\nᎾᏍᎩᏃ ᏗᏯᎥ ᏴᏓᎧᏁᎩ ᎯᎠ ᏱᏅᏓᎦᏫ, ᏞᏍᏗ ᏍᏆᏕᏯᏙᏔᏅᎩ; ᎦᎶᎯᏍᏗᏱ ᎦᏳᎳ ᎠᏍᏚᎭ, ᏗᏂᏲᎵᏃ ᏗᏇᏥ ᎣᏥᏂᏝᎠ, ᎥᏝ ᏰᎵ ᏴᎦᎦᏗᏛ ᏱᏙᎦᎬᎥᏏ.\n“Ꮘ-Ꮘ-Ꮘ!”\nᎠᏂᏐᎢᏍᎩᏂ ᎨᏥᏅᏏᏛ ᎥᏝ ᎩᎶ ᏱᏥᎪᎡ ᏥᎻ ᎤᏩᏒ ᎤᎬᏫᏳᎯ ᎠᎾᎵᏅᏟ.\nᏓᎧᏁ ᏲᎾ ᎤᏤᏍᏙ ᎤᏓᏅᏖᏗᏍᎩ ᏗᎧᏃᏗ ᎤᎧᏛ.\nᎠᏆᏎᎪᏔᏅ, ᏅᎩ ᎢᏯᏂ ᏕᏥᏲᎸ ᏇᎯ ᎦᏄᎸ ᏎᎷ ᏓᏫᏒ.\nᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᏧᏓᎴᏅᏛ ᎨᏒ ᎢᎬᏁᎯ ᏱᎩ, ᏅᏩᏙᎯᏯᏛᏍᎩᏂ ᎨᏒᎢ, ᎾᏍᎩᏯ ᏥᏄᏍᏗ ᏂᎦᏛ ᏚᎾᏓᏡᏩᏗᏒ ᎤᎾᏓᏅᏘ.\nᎨᏍᏗ ᏳᏓᏅᏖᎳ.\nᎦᏙ ᎤᏲᎢᏴ ᏃᎴ ᏚᏑᎬ ᎯᏍᎩᏍᏆ ᎢᏯᏂ ᎠᏂᏍᎦᏯ ᏧᎾᏗᏍᎦᎳᏁᏗ ᏐᏉ ᎢᏯᎦᏴᎵ ᎢᏯᏂ, ᎠᏎᏃ ᎨᏍᏗ ᎪᎰᏍᏗ ᏲᎩᏩᏔᎲ.\nᎤᏟᏰᏃ ᎤᏂᏰᎸᏒᎩ ᏴᏫ ᎤᎾᏓᎸᏉᏙᏗ ᎨᏒ ᎡᏍᎦᏉ ᎤᏁᎳᏅᎯ ᎤᏓᎸᏉᏙᏗ ᎨᏒᎢ.\nᎠᏏᏴᏫ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏧᏅᏏᏓᏍᏗ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᏝᏍᎪ ᏱᎬᎪᎡ ᏥᏍᏕᏙᎲᎩ ᎠᏫᏒᏗᏱ?\nᎤᏛᎦᏅᏃ ᎾᏍᎩ ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ ᎨᏒᎢ, ᎤᎴᏅᎮ ᎤᏪᎷᏁ, ᎯᎠ ᏄᏪᏎᎢ, ᏕᏫ ᎤᏪᏥ, ᏥᏌ, ᏍᎩᏙᎵᎩ.\nᎥᎥ, ᎾᏍᎩ ᏂᎦᏪᏍᎬ ᎡᏙᏓ, Ꮭ ᏍᎩᏂ ᏣᏓᏅᏖᎢ.\nᎭᏕᏬ! ᎭᏕᏬ! ᎨᏍᏗ ᎠᏯ ᎬᏍᏆᎵᏍᎦᏍᏙᏗ ᏱᎩ .”\nᎾᏍᎩᏰᏃ ᎯᎠ Ꮀ ᎤᎬᏩᎸᎩ ᏥᏫᏨᏲᏪᎳᏁᎸᎩ, ᎾᏍᎩ ᎢᏨᎪᎵᏰᏍᎬᎩ, ᎾᏍᎩ ᏂᎦᎥ ᏧᏓᎴᏅᏛ ᏂᏨᏪᏎᎲ ᏂᏣᏛᏁᎲ ᎠᎴ ᏂᏣᏛᏁᎲᎾ ᎨᏒᎢ.\nXVIII. ᎤᏁᏌᎯᏴᏓ ᎤᎵᏏᏂᏕᎾ  \nᎣᏍᏓ ᏯᎩᏰᎸ ᏣᎵᏍᏙᏂ ᏱᎨᏙᎮ, Dock Street ᏱᎦᎢᏎ, ᎤᏛᏅ ᏣᎵᏍᏙᏂ ᏓᏳᎶᏒ ᎠᏧᏣ.\n”ᎨᏍᏗ ᏱᏘᎵᏬᏥ,” ᎤᏛᏁ ᏌᎳᏓ ᎬᏣᏗ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎠᎴ ᎤᏓᎨᏳᏗ ᎨᏒ ᎤᏁᎳᏅᎯ, ᎠᎴ ᎤᏓᏚᏓᏙᏗ ᎨᏒ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ ᏂᏥᎥᎢ. ᎡᎺᏅ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᎾᏍᎩ ᎠᏂᏍᎦᏯ ᎢᎨᏙᎸᎯ ᏥᎩ ᏂᎪᎯᎸ ᎤᎬᏫᏳᎯ ᏥᏌ ᎢᎨᎳᏗᏙᎸᎢ,\nᏔᎵᏁᏃ ᎤᏁᎷᏁᎢ ᎯᏯᏛᎥᎦ ᎤᎾᏛᏁᎢ.\nᏃᏗ ᎦᏓᎥ ᎱᎾᎦᏙᏍᏔᏁᎢ.\nᏔᎳᏚ ᏓᏂᏃᎩᏍᎬ ᎨᏍᏗ ᎤᎯᏐᏗ ᏱᏄᏩᏁᎮ ᏫᎵᎻ.\nᎢᎦᏓ ᎠᏔᎴᏒ ᎤᏂᏁᎩᏍᏗ ᎠᎹ ᎤᏴᏣ ᎦᏩᏙᎤᏍᎬ, ᎤᎸᏂᏗᏍᎩ ᎠᏑᎳᎩᏍᎨ, ᏫᏓᏗᎩᏍᎨ ᎠᏔᎴᏒ, ᎠᏎ ᎤᏬᏨᏛ.\nᎠᏰᎵ ᎦᎵ ᏚᏂᎨᎯᏙᏅ ᏴᏫ ᏍᎩᏴ ᎪᎩ.\nᎯᎠ ᏥᏄᏪᏎᎢ; ᎯᎠ ᏴᏫ ᏘᏩᏛᎱᎦ, ᎠᎴ ᎯᎠ ᏫᏂᏫ; ᎢᏣᏛᎩᏍᎬᎢ ᎢᏣᏛᎩᏍᎨᏍᏗ, ᎠᏎᏃ ᎥᏝ ᏱᏦᎵᎨᏍᏗ, ᎠᎴ ᎢᏥᎪᏩᏘᏍᎬᎢ ᎢᏥᎪᏩᏘᏍᎨᏍᏗ ᎠᏎᏃ ᎥᏝ ᏱᏣᏙᎴᎰᏍᎨᏍᏗ.\nᎤᏙᏩᏗᏍᎬ ᏚᏃᏞ ᏗᏂᏲᏟ, ᏧᏍᏆᏅᎾ ᎢᎦ ᎱᎾᎵᏍᏔᏴᏃᎾ, ᏚᎾᎾᏏᏁᎢ ᏃᎴ ᏚᏂᏢᏁᎢ.\nᏫᎦᎷᎩᏃ ᎠᏩᏘᏍᎪ ᎬᏃᏌᎲᎯ ᎠᎴ ᎪᏚᎢᏍᏔᏅᎯ ᎨᏐᎢ.\nᎤᏂᏁᏨᏃ ᎯᎠ ᏄᏂᏪᏎᎴ ᏥᏌ, ᎥᏝ ᏲᏥᎦᏔᎭ. ᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎥᏝ ᎾᏍᏉ ᏴᏫ ᏴᏓᏨᏃᏁᎵ ᎢᏳᏍᏗ ᎠᏆᎵᏍᎦᏍᏙᏛ ᎯᎠ ᎾᏍᎩ ᏥᏂᎦᏛᏁᎭ.\nᏨᏓᏥ ᎠᏥᎸᏍᎩ ᎤᎵᏍᎬᏓᎨ ᎧᎵ ᎨᏐ ᎤᏅᏗ, ᏦᎢ ᎤᏆᏅᏕᎾ ᎦᏄᎸ ᎧᎵ ᎤᏓᏁᎲ, ᎠᏴᏣᏗᏍᏗᏍᎩ ᎧᎵ ᏕᎦᎶᏙ ᏧᏴᏣ ᏗᏗᏔᏍᏗ.\nᎦᎵᎡᎵᎦ ᎬᎩᎷᏤᎸ ᏍᏗᏇᎾ ᎠᎴ ᏉᏚᏁᏓ ᎠᎴ ᎠᎦᏱᎦ; ᏂᎯᏰᏃ ᏥᏥᎷᎶᏤᎲᎩ ᎠᏂᎧᎵᏏᏌ ᎾᏍᎩ.\nᎠᏂᏐ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᎠᏃᎦᏍᎬ ᎪᏛ ᎤᎾᎦᏙᏍᏛ.\nᎾᏍᏉᏍᎩᏂ ᎢᏨᏲᏎᎭ ᎠᎾᎵᎮᎵᎪ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᏌᏉ ᎠᏍᎦᎾ ᎦᏁᏟᏴᎾ ᎤᏓᏅᏛᎢ.\nᎨᏍᏗ ᏳᎾᎦᏎᏍᏔᏅ ᏓᏒᎭᏂᎲ ᏗᏂᏐᎯ, ᎦᏣᏃᏍᏓ ᏓᎾᎴᎲᏍᎨ ᎾᏍᎩᏯ ᎦᎾᏌᎢ ᏪᏌ.\nᎤᎷᏨᏉᏃ ᎩᎳᏉ ᎢᏴᏛ ᏭᎷᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏗᏍᏇᏲᎲᏍᎩ, ᏗᏍᏇᏲᎲᏍᎩ; ᎠᎴ ᎤᏚᏣᎳᏁᎢ.\nᎬᏩᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ.\nᎤᎾᏕᎰᏔᏃᏅᏃ ᎤᏂᏄᏪᏎ ᎦᏌᎴᎾ, ᎠᎴ ᎤᏩᏒ ᏧᏄᏪ ᏚᏂᏄᏬᎡᎢ; ᎠᎴ ᎤᎾᏛᏗᏱ ᏭᎾᏘᏅᏍᏔᏁᎢ.\nᏂᎦᏛ ᎬᏂᎨᏒ ᏂᏨᏴᏁᎸ ᎾᏍᎩ ᎢᏣᏛᏁᏗᏱ ᏕᏥᎸᏫᏍᏓᏁᎲ ᏗᏥᏍᏕᎸᏗᏱ ᏗᏂᏩᎾᎦᎳᎢ, ᎠᎴ ᎢᏣᏅᏓᏗᏍᏗᏱ ᏧᏁᏤ ᎤᎬᏫᏳᎯ ᏥᏌ, ᎯᎠ ᏥᏄᏪᏎᎢ, ᎤᏟ ᎣᏏᏳ ᎠᏓᏅᏓᏗᏍᏗ ᏴᏓᏁᎭ, ᎡᏍᎦᏉ ᏴᏓᏗᏁᎭ.\nᎦᎪᏰᏃ ᎤᎦᏙᎥᏐ ᏄᏍᏛ ᎤᏓᏅᏛ ᏱᎰᏩ? ᎠᎴ ᎦᎪ ᎤᎾᏖᏉᎶᏃ ᎤᎾᏓᏅᏖᎶᎢ?\nᏗᏨᏂᏗᏳ ᎢᏣᎵᏍᏙᏗᏱ ᎤᏚᎸᏗᏳ ᏂᏣᎵᏍᏓᏁᎭ; ᎾᏍᎩ ᎿᏉ ᎤᏁᎳᏅᎯ ᎤᏏᏳ ᎤᏴᎸᏗ ᎨᏒ ᎢᏣᏛᏁᎸᎯ ᎨᏎᏍᏗ, ᎢᏣᏤᎵ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎩ ᏄᏍᏛ ᎠᏚᎢᏍᏛᎢ.\nᎠᏆᎵᏍᏇᏔᏬ ᎡᎳᏗ ᎾᏆᏅ ᏃᏊᎴ ᎤᎭᎨᏓ ᎦᏌᎴᏂᏍᏊ.\nᎠᏓᏍᏓᏴᏗ ᏚᎷᏫᏍᏔᏁᎲ ᎤᏛᎦᏁᎢ ᎠᎳᏂ ᏃᎴ ᎤᎯᏐᏗ ᎤᎷᏤᎴᎢ ᏍᏉ.\nᏐᏉ ᎢᏳᏪᏅᏍᏗ ᎢᏴ ᏫᏥᏙᎬ ᎠᏲᏓᏌᎵᎥ, ᎣᎭᏁ ᎠᏦᎭᏴ ᏫᏓᏊᏓᎸᏅ ᏐᏈᎵ ᏧᏔᎾᎶ.\nᏚᏑᎬ ᎭᏫᏂᏨ ᏚᏥᏡᏅ, ᏧᏍᏆᏅᎾ ᎬᏘ ᎤᏚᏒᏅ ᎤᎦᏘᏛ.\nᎤᏍᏆᏙᎾ ᎠᎳᏂ ᏃᎴ ᎤᎧᎭᏲᏔᏃᎾ, ᏭᎬᏫᏳᏒ ᎤᏓᏅᎦᎸᏓ ᏃᎴ ᎤᏬᏚ ᏏᏆ ᏄᎵᏍᏔᏁᎢ.\nᏣᏁᎳ ᎢᎦ ᏥᎨᏒ ᏧᏪᏥ.\n”ᎣᏏᏉᏍᎪ ᎠᎵᏍᏓᏴᏗ ᎠᎩᎶᏙᏗ ᏱᏩᏇᏙᎳ ᏛᎩᎦᏛᏂ ᎦᏲᏟ ᏯᏆᏘᏰᎳ ᎤᏒᎮᎯ ᎠᎵᏍᏓᏴᏗ?\nᎠᎴ ᎥᎬᏩᏛᏛᏅᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎦᎪᎨ? ᎢᎳᏯᏯᎪ ᏂᎯ? ᎯᎠᏃ ᏄᏪᏒᎩ; ᎥᏝ. ᏥᎪᎨ ᎾᎠᏙᎴᎰᏍᎩ ᏂᎯ? ᎥᏝ, ᎤᏛᏅᎩ.\nᎠᏆᏛᏅ.\nᏂᎦᏗᎹᏏ,-ᏥᏌ ᏒᏃᏱ ᎤᎷᏤᎸᎯ, ᎾᏍᎩ ᎨᎸᎩ,-ᎾᏍᎩ ᎯᎠ ᏂᏚᏪᏎᎸᎩ;\nᏙᎢᏳᏍᏗ ᏚᏙᎠ ᏍᎩᎾᎾ ᏏᏆ?”\nᎠᏂᏆᎵᏏᏰᏃ, ᎠᎴ ᎾᏂᎥᏉ ᎠᏂᏧᏏ, ᎢᏳᏃ ᎣᏍᏛ ᏂᏚᎾᏑᎴᎲᎾ ᏱᎩ, ᎥᏝ ᏱᎾᎵᏍᏓᏴᎲᏍᎪᎢ, ᏓᏂᎧᎿᏩᏕᎪ ᏄᏂᏪᏒ ᎡᏘ ᎤᎾᏕᏅᎯ.\nᎠᏎᎩ ᎢᎪᎯᏓ ᎮᎮᏍᏗ---ᎧᎪ ᏯᎧᏔᎭ? \nᎣᏍᏓ ᎯᎩᏍᏙᏍᎨᏍᏗ ᏣᎵᏍᏓᏴᏗ ᏃᎴ ᎦᏲᏟ ᎯᎯᏱᏍᎨᏍᏗ ᏧᏍᏆᏴᏍᏗ ᎤᎩᏍᏗ.\nᎿᏉᏃ ᎾᎯᏳ ᎢᎦ ᎤᏒᎢ, ᎠᎴᏂᏍᎬ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒᎢ, ᎦᎶᎯᏍᏗᏱ ᏓᏍᏚᎲᎩ ᎠᎾᏓᏍᏓᏩᏗᏙᎯ ᏓᏂᎳᏫᎥᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬ ᏓᏂᏍᎦᎢᎲ ᎠᏂᏧᏏ, ᎤᎷᏨᎩ ᏥᏌ, ᎠᏰᎵ ᎤᎴᏅᎩ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏅᏩᏙᎯᏯᏛ ᎢᏣᏤᎵᎦ ᎨᏎᏍᏗ.\nᏰᎵᏉ ᏕᎭᏁᎶᏓ ᏃᎴ ᎭᏛᎯᏍᏔᎾ ᏏᏆ ᎤᏍᏗ, ᏃᎴ ᎨᏍᏗ ᎤᏍᏗ ᏱᎩ ᏫᎵᎻ, ᎠᏎ ᎦᎾᏗᏅᏗ.” \nᏥᎦᏔᎭ ᏄᏍᏛ ᏕᏣᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᏣᏓᎨᏳᏒᎢ, ᎠᎴ ᏕᎭᏓᏁᎳᏁᎲᎢ, ᎠᎴ ᏦᎯᏳᏒᎢ, ᎠᎴ ᎲᏂᏗᏳ ᎨᏒᎢ, ᎠᎴ ᏄᏍᏛ ᏕᏣᎸᏫᏍᏓᏁᎲᎢ; ᎤᎵᏍᏆᎸᏗᏁ ᎤᏟ ᎢᎦᎢ ᎨᏒ ᎡᏍᎦᏉ ᎢᎬᏱᏱ.\nᎩᎶ ᎠᏂᏴᎩ ᏓᏘᎾᏫᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎠᏴᎩ ᎠᎦᏘᏁᏫᏛᏗ ᎨᏎᏍᏗ; ᎩᎶ ᎭᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎠᏓᎯᏍᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎠᏎ ᎭᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎬᏗ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ. ᎠᏂ ᎾᏍᎩ ᏗᏅᏂᏗᏳ ᎨᏒ ᎠᎴ ᏃᎯᏳᏒ ᎤᎾᏓᏅᏘ ᎬᏂᎨᏒ ᏂᎦᎵᏍᏗᎭ.\nᎿᏉᏃ ᏔᎳᏚ ᎢᏯᏂᏛ ᎢᏴᏛ ᏫᏚᏘᏅᏍᏔᏁᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎬᏂᏳᏉ ᏥᎷᏏᎵᎻ ᏫᏗᎦᏘ, ᎠᎴ ᏂᎦᎥ ᏚᏃᏪᎸ ᎠᎾᏙᎴᎰᏍᎩ ᏴᏫ ᎤᏪᏥ ᎠᏥᏃᎮᏍᎬ ᎾᏍᎩ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ.\nᎤᏒᎯ ᎤᎶᎩᎸᎰᏅ ᏱᎩ ᏃᎴ ᎨᏴ ᎤᏃᏴᎬ ᏃᎴ ᎠᏙ ᏓᏳᏓᎴᏅ ᎤᏃᏴᎬ, ᎠᏓᎯ ᏱᏂᎦᎩ, ᎨᏍᏗ ᎣᏍᏓ ᏯᏂᏟᏅᎨ.\nᏣᎵᏓᏍᏓ, ᎨᏍᏗ ᎠᏣᏗ ᏱᎩ ᎠᏯ...ᎠᎩᏯᏍᎦᏟ.\nᎾᏍᎩ ᎬᏂᎨᏒ ᎢᏳᏅᏁᏗ ᎨᏎᏍᏗ ᎠᎦᏔᎲ ᎾᏍᎩ ᎤᎬᏩᎴᎢ ᏧᎵᏁᏃᏗ ᏧᏭᎪᏓᏁᏗᏱ ᏗᏅᏃᏛ ᎠᎴ ᏧᏂᏲᎱᏒᎯ.\nᎤᎯᏐᏗ ᏄᏛᏅ ᎤᎵᏏᎩ ᎠᏙᎯ.\nᎭᎾᏓᏬᏍᎬ ᏃᎴ ᎠᏏ ᏓᎾᏓᏍᏚᏥᏍᎬ ᏗᏂᏲᏟ, ᏌᏬᏚ ᏓᏁᎶᎲᏍᎨ ᏫᎵᎻ. ᎤᎦᏃᏩ ᏃᎴ ᏧᎦᏣᎳᎩᏍᏗ ᎨᏎ ᏌᏬᏚ.\nᎠᎴ ᎢᎸᏍᎩ ᏧᎾᏍᏗ ᎠᏣᏗ ᏓᏂᏁᎮᎢ, ᎤᎵᎮᎵᏨᏃ ᎤᏁᏤ ᎾᏍᎩ ᎾᏍᏉ ᎢᎬᏱᏗᏢ ᏧᏂᏅᏗᏱ.\nᎤᏗᏍᎦᏝᏩᏕᎨ ᏧᏍᏆᏴᏍᏗ.\n[ᏥᏌᏃ] ᎾᏍᎩ ᏄᏪᏒ, ᎢᎬᏱ ᎤᏪᏅᎭ ᎤᎿᎷᏎ ᏥᎷᏏᎵᎻ ᏩᎦᏖᎢ.\n“Ꭵ,” ᏧᏛᏁ.\nᏥᎪ ᎩᎶ ᏳᏅᏍᏙᎯ ᎠᎹ ᎯᎠ ᎾᏍᎩ ᏗᎨᎦᏬᏍᏗᏱ ᎾᏍᎩ ᎾᏍᏉ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏥᎨᏥᏁᎸ ᎾᏍᎩᏯ ᎠᏴ ᎡᎨᏁᎸᎢ?\nᎤᏲᎰᏒ ᎦᎾᎡ ᎦᏙ. ᎤᏬᏚᏨ ᎤᏬᏒᏅ ᎤᏁᏝᏅ.\nᎢᎸᎯᏢᏃ ᎠᏓᏁᎸ ᎢᏥᏴᎯᎮᏍᏗ ᎾᎭᏉ ᎢᏥᏁᏍᏗ, ᎠᎴ ᎾᎿ ᎢᏣᏂᎩᏍᎨᏍᏗ.\n“ᎨᏍᏗ ᎨᎩᏲᎰᏎᏗ ᏱᎩ ᏗᎩᎷᏫᏍᏓᏁᏗ!” ᎤᏪᎷᏁ ᎰᎻ.\n”ᎠᏎᏱᎩ ᎭᏩ ᏯᏂᏬᏂ,” ᎤᏛᏁ.\nᏃᏉᏗ ᎤᏕᏯᎵᏙᎴᎢ ᎠᏓᏏᏙᎮᎢ, ᏗᎩᏏ ᎦᎸᎳᏗ ᎢᏣ ᎠᎶᏕᏍᏗᏍᎨᎢ.\nᎧᎪᏃ ᏛᎩᏍᏕᎸᎯᎢ\nᎯᎠᏃ ᏂᏥᏪᏍᎪᎢ; ᎢᏳᏃ ᎠᏴ ᏲᏤᎮ ᎾᎯᏳ ᏦᎩᏙᏓ ᏣᏁᎮᎢ, ᎥᏝ ᏱᏙᎦᏲᏣᎵᎪᏁᎴ ᎩᎬ ᏚᎾᏤᏪᎸ ᎠᎾᏙᎴᎰᏍᎩ.\nᎠᏏᏴᏫᏰᏃ ᎤᎵᏍᎪᎸᏓᏁᎸᎯ ᎨᏐ ᎠᏓᏅᏙ ᎠᏏᎾᏍᏛ ᎤᏬᏂᎯᏍᏗᏱ; ᏅᏩᏓᎴᏃ ᎠᎦᏔᎾᎢ ᎢᎦᎦᏛ ᎤᏬᏂᎯᏍᏗᏱ ᎾᏍᎩᏉ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏓᏁᎸᎯ ᎨᏐᎢ;\n”ᎭᏩ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎢᏳᏍᎩᏂᏃ ᎾᏍᎩ Ꮎ ᎤᏁᎫᏥᏛ ᎠᏥᏅᏏᏓᏍᏗ ᎯᎠ ᏂᎦᏪᏍᎨᏍᏗ ᏧᏓᏅᏛᎢ; ᎠᎩᏅᏏᏙᎯ ᎪᎯᏗᎭ ᎤᎷᎯᏍᏗᏱ;\nᎤᏓᎸᏉᏗ ᏚᎧᎾᏁᎢ ᏚᎾᎧᏛᎢ ᎢᏴ ᏫᎵᎻ.\nᎿᏉᏃ ᏥᏌ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᎨᏴ ᎤᏣᏘ ᏦᎯᏳᎭ; ᏄᏍᏛᏣᏚᎵᏍᎬ ᏫᏂᏣᎵᏍᏓᏏ. ᎾᎯᏳᏉᏃ ᎤᏪᏥ ᎤᏗᏩᏎᎢ.\nᎰᏩᏃ ᏫᏚᏯᏅᎮ ᏂᎦᏛ ᎤᏅᏏᏙᎯ ᏧᏚᎩ, ᎢᎬᏱᏱᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎢᎳᎪ ᎢᎦᎢ ᏣᏚᎦ ᎠᎩᏅᏏᏙᎯ.\nᎠᎴ ᎦᏙ ᎤᏍᏗ ᎤᏠᏱ ᏄᏅᏅ ᎦᎶᏁᏛ ᎠᎴ ᏈᎵᏱᎵ? ᎠᎴ ᎦᏙ ᎤᏍᏗ ᎢᏧᎳᏉ ᎤᎾᏤᎵᎦ ᎨᏐ ᎪᎯᏳᎲᏍᎩ ᎠᎴ ᎪᎯᏳᎲᏍᎩ ᏂᎨᏒᎾ?\nᏄᏟᏂᎬᎬ ᏭᏓᏓᎩᏅᏎ, ᎠᏍᎪᎵ ᎢᏣ ᎠᎬᏱ.\nᎠᎴ ᎢᏨᏔᏲᏎᎭ, ᎢᏓᎵᏅᏟ, ᏕᏤᏯᏔᎲᏍᎨᏍᏗ ᎾᏍᎩ Ꮎ ᏄᎾᏁᎸᎾ, ᏕᏥᎦᎵᏍᏓᏗᏍᎨᏍᏗ ᏗᏩᎾᎦᎳ ᏧᎾᏓᏅᏘ, ᏕᏥᏂᏴᏎᏍᏗ ᏗᏂᏩᎾᎦᎳᎢ, ᏗᏨᏂᏗᏳ ᎨᏎᏍᏗ ᎾᏂᎥ [ᎤᏣᏘᏂ ᏂᎨᏣᏛᏁᎲᎢ.]\nᏞᏍᏗ ᎪᎱᏍᏗ ᏱᏣᏛᏁᎮᏍᏗ ᎠᏗᏒᏍᏗ ᎨᏒ ᎠᎴ ᎠᏎᏉ ᎠᏢᏈᏍᏗ ᎨᏒ ᎬᏗ; ᎡᎳᏗᏉᏍᎩᏂ ᏂᏕᏨᏅ ᏕᏣᏓᏅᏛ ᎢᏥᏏᏴᏫᎭ ᎤᏟ ᏂᏕᏥᎸᏉᏕᏍᏗ ᎠᏂᏐᎢ ᎡᏍᎦᏉ ᎢᏨᏒ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏴ ᎣᎬᏒ ᎣᏣᏢᏈᏍᎦ ᎢᏨᏁᎢᏍᏗᏍᎬ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏍᏗᏒ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ, ᎾᏍᎩ ᏗᏨᏂᏗᏳ ᎨᏒ ᎠᎴ ᎢᏦᎯᏳ ᎨᏒ ᏂᎦᎥ ᎤᏕᏯᏙᏗ ᎠᎴ ᎠᎩᎵᏯ ᎢᏥᎷᏤᎲᎢ;\nᎬᎨᏳᎢ, ᏚᏳᎪᏛ ᎿᏛᏁᎭ ᏂᎦᎥ ᏂᏕᎭᏛᏁᎲ ᎤᎾᎵᎪᎯ ᎠᎴ ᎠᏁᏙᎯ.\nᎾᏍᎩᏰᏃ ᎠᏍᎦᏂ ᎾᎦᏔᎲᎾ ᏥᎨᏎᎢ, ᎾᏍᎩ ᎠᏍᎦᎾ ᎤᏰᎸᏅ ᎠᏴ ᎨᏒ ᏅᏧᎵᏍᏙᏔᏅ, ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎠᏴ ᏂᏗᏍᎦᏅᎾ ᎢᎩᏰᎸᏗᏱ ᎤᏁᎳᏅᎯ ᏕᎦᎧᏂᏍᎬᎢ.\nᎠᎴ ᎨᏍᏗ ᏗᎾᏟᎯ ᏃᎴ ᏗᎾᏓᎾᏒᎲᏍᏗ ᎢᎫᏩᎾᎵᏍᏙᏗ ᏱᎩ.\nᏲᏎᎢ ᎣᏍᏓ ᎬᎪᏩᏛᏗ ᏱᎨᏎ ᏫᎵᎻ. ᏂᎯ ᏍᎩᎪᏩᏘᏍᎬ ᎢᏲᏍᏓ.\nᎠᎴ ᏨᏍᎩᏃᎢ ᏚᏌᎳᏓᏁ ᏗᎦᏙᎵ ᎠᎩᎵᏲᎨᎢ, ᎠᎴ ᎾᎿ ᎢᏅ ᏭᎪᎮ ᎡᏆᎭᎻ, ᎠᎴ ᎳᏏᎳ ᎡᏆᎭᎻ ᎦᏁᏥᎢ.\nᎠᎴ Ꭴ'ᏃᏅᎩ, ᎠᎴ ᎥᏝ ᏳᏓᏱᎴᎢ, Ꭴ'ᏃᏅᏉᏍᎩᏂ ᎯᎠ ᏄᏪᏒᎩ; ᎥᏝ ᎠᏴ ᎦᎶᏁᏛ ᏱᎩ.\nᎦᏰᎵᏍᏗ ᏳᏫᎦᏢᎾ, ᎾᏍᎩᏯ ᎣᏍᏓ ᏅᎩ ᏗᎦᏅᏌᏗ.\nᏦᎨᏏ, ᎦᎵᏦᏕ ᎾᎥᏂ, ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᎠᏙᎯ, ᎦᏓᏁᏍᏙ---ᏂᎬᎾᏛ ᎠᏓᎨᏳᏗ ᏃᎴ ᏗᎧᏃᎩᏓ ᏃᎴ ᏚᎾᏁᏍᎩᎸ ᏃᎴ ᏧᏪᏥ.\nᎡᎳᏗᏃ ᎠᎩᏅᏨᎩ, ᎧᏁᎬᏃ ᎠᏆᏛᎦᏅᎩ, ᎯᎠ ᎾᎩᏪᏎᎸᎩ; ᏐᎳ, ᏐᎳ, ᎪᏙᏃ ᎤᏲ ᏂᏍᏋᏁᎭ?\nᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎾᏍᎩ ᎤᎪᏗ ᎤᏭᏖᏛ ᎥᏝ ᏳᏘᏰᎮᎢ; ᎾᏃ ᎦᏲᎵ ᎤᏭᏖᏛ ᎥᏝ ᏳᎷᎶᏤᎮᎢ.\nᏈᏓᏃ ᏥᎷᏏᎵᎻ ᏭᎷᏨ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᏕᎬᏩᎦᏘᎸᏎᎢ,\nᏂᎦᏓ ᏥᎦᏔᎲ ᏄᎾᏍᏛ, ᏂᎦᏗᏳ ᏗᏃᎵᎩ.\nᎠᎴ ᎾᏍᎩ ᏂᎦᏛ ᎤᏠᏱᏉ ᎠᎵᏍᏓᏴᏗ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏔᏅᎯ ᎠᎾᎵᏍᏓᏴᏗᏍᎬᎢ,\nᎾᏂᎥᏰᏃ ᎤᏅᏒ ᏚᎾᎵᏅᏫᏍᏗᏕᎬ ᎠᏂᏰᎮᏍᏗ.\nᏥᏍᏆᏯ ᏗᎧᏃᎩᏍᎩ ᏛᎦᎷᏥ ᏃᎴ ᏓᎧᏃᎩᏏ, ᏩᎶᏏ ᏛᎠᏂᏰᏥ, ᎤᎦᏃᏩ ᏛᎦᏃᎸᏂ.\nᎤᏩᏓᎴ ᏚᏟᎶᏍᏓᏁᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᏍᎩᏯᏉ ᎠᏍᎦᏯ ᎣᏍᏛ ᎤᎦᏔ ᎤᎶᎨᏒ ᏧᏫᏎᎢ.\nᏥᏌᏃ ᎤᏁᏨ ᏔᎵᏁ ᏚᏟᎶᏍᏓᏁᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ;\nᎤᏔᏂᏓ ᎢᎾᏓ\nᎾᏍᎩ ᎠᏁᏙᎮ ᎾᎿ ᎦᏓ ᎠᎲ ᎠᏥᎦᏘᏗᏍᏗ ᏌᏥᏯ ᏉᎳ ᏧᏙᎢᏛ ᎠᎦᏔᎿᎢ ᎠᏍᎦᏯ, ᎾᏍᎩ ᏫᏚᏯᏅᎮ ᏆᏂᏆ ᎠᎴ ᏐᎳ ᎤᏔᏲᎴ ᎤᏛᎪᏗᏱ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎤᏁᏍᏔᎵ ᎢᏧᏴᏣ ᎨᏎ ᏅᏯ, ᏂᎪᎯᎸᎾ ᎩᎦ ᏓᏔᏍᎩᏍᎨ ᏕᎦᏰᏌᏛ ᏅᏯ ᏚᏰᏝᎸ.\nᎤᎵᏍᏆᎸᏗ ᎤᏍᏗ ᎧᏅᏂᏍᎩ ᎤᎴᏫᏍᏔᏁ ᎤᏟᏃᎮᏔᏁ ᏫᎵᎻ Ꮟ ᏱᎪᏒᏍᎬᎾ ᎤᏃᎴ ᎠᏲᏙᏗ.\n”ᎭᏩ, ᏏᏲ!” ᏂᎬᎾᏛ ᎤᏰᏥᏍᎨ.\nᎩᎦᎨ ᎠᏯᏦ ᎤᎭᏯᏨ, ᏌᎪᏂᎨ ᎤᏅᏣᏘ ᎤᎭᏄᏮ, ᎤᏬᏗᎨ ᎤᏑᎸ, ᏃᎴ ᏗᎪᎢᎭ ᏧᏣᏬᏓ ᏚᎳᏑᏢ ᏱᏗᎪᏚᎢᏍᏛᎾ.\nᏌᏌ ᎤᏅᏫᏍᏔᏁ ᏫᎵᎻ, ᏣᏄᏏ ᏗᎦᏅᏍᎨᏂ ᎠᏰᎵ ᏭᏓᏒᏍᏔᏁᎢ.\nᏑᎾᎴᏃ ᏄᎵᏍᏔᏅ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂᏧᏏ ᎤᎾᎵᎪᏁᎢ, ᎤᎾᏎᎵᏔᏁ ᏚᎾᏓᏁᏤᎴ ᎨᏥᏍᎩᏅᏗᏍᏗᏱ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎥᏝ ᎪᎱᏍᏗ ᏴᎨᏗᎦ ᎠᎴ ᏴᎨᏓᏗᏔ, ᎬᏂ ᏉᎳ ᎡᏗᎸᎯ ᎨᏎᏍᏗ.\nᎿᏉᏃ ᏚᏍᏆᎸᏔᏅᎩ, ᏌᏩᏂ ᏈᏓ ᏭᎷᏤᎸᎩ, ᎠᎴ ᎾᏍᏉ ᏐᎢ ᎠᏓᏍᏓᏩᏗᏙᎯ, ᎾᏍᎩ ᏥᏌ ᎤᎨᏳᎯ, ᎯᎠ ᏫᏂᏚᏪᏎᎸᎩ; ᎤᏂᏁᏒ ᎤᏂᏄᎪᏫᏒ ᎤᎬᏫᏳᎯ ᎠᏤᎵᏍᏛᎢ, ᎠᎴ ᎥᏝ ᏲᏥᎦᏔᎭᏭᏂᏅᏅᎢ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᎡᏍᎦ ᏱᏓᏣᎵᏍᏓᏁᎵ ᏃᏉ.\nᎯᎠ ᏄᏂᏪᏎᎴ ᎡᎳᏂ; ᏗᏍᎩᏲᏢᎾᏏ ᏦᎦᏁᎳᏅᎯ ᏗᎪᎦᏘᏂᏙᎯ, ᎯᎠᏰᏃ ᎼᏏ ᎢᏥᏈᏱ ᏂᏙᏓᏲᎦᏘᏅᏍᏔᏅᎯ ᎥᏝ ᏲᏥᎦᏔᎭ ᏄᎵᏍᏓᏁᎸᎢ.\nᎡᎵ ᏎᎦ ᏓᏆᎧᎾᏅ ᏗᎪᏪᎵᏍᎩ, ᎭᏩ ᏣᏣᏅᏓᏕᎸ ᎤᏛᏅ.\nᏄᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎤᏂᏲᎴ ᎢᏳᏅᏁᏗᏱ ᎤᏂᎯᏍᏗᏱ; ᏓᏂᏍᎦᎢᎮᏰᏃ ᏴᏫ.\n“ᏗᏍᏉᏏᏌᏏ, ᎨᏍᏗ ᏱᏓᏘᎪᎭ ᏗᏣᏤᎵ ᏗᏂᏲᏟ! \nᎣᎩᏁᎫ ᎠᏴ ᎦᎶᏁᏛ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᏂᎯᏍᎩᏂ ᎢᏥᎦᏔᎿᎢ ᎦᎶᏁᏛ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ; ᏦᏥᏩᎾᎦᎳ ᎠᏴ, ᏂᎯᏍᎩᏂ ᏗᏣᎵᏂᎩᏗᏳ; ᎡᏥᎸᏉᏗᏳ ᏂᎯ, ᎠᏴᏍᎩᏂ ᎣᎩᏂᏆᏘᎯ.\nᎢᎬᏱᏱ ᎨᏒᎢ, ᏥᏯᎵᎡᎵᏤᎭ ᎠᏆᏁᎳᏅᎯ ᎬᏗᎭ ᏚᏙᎥ ᏥᏌ ᎦᎶᏁᏛ, ᏂᏥᎥ ᏂᎯ ᎨᏒ ᎢᏳᏍᏗ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎢᏦᎯᏳᏒ ᏂᎬᎾᏛ ᎡᎶᎯ ᎠᏂᏃᎮ ᏍᎬᎢ.\nᎯᎠ ᎾᏍᎩ ᎢᎦᏪᏛ ᏥᎩ ᎤᎪᎯᏳᎭ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏍᏓᏯ ᏕᎯᎬᏍ\\ᎸᏅᎭ, ᎾᏍᎩ ᎤᎪᎸ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏃᎯᏳᏒᎢ;\n“ᎡᎳᏆᏗ ᎭᎴᏫᏍᏔ!” ᎤᏛᏁ ᎤᏥ.\nᎾᏍᎩ ᎠᎦᏘᏗᏍᏙᏗ ᏥᎩ ᎢᎦᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ, ᎬᏂ ᎢᎦᏤᎵᎦ ᏂᏛᏁᎸᎭ ᎠᎫᏴᏛ ᎠᏩᏒᎯ ᎢᎦᏤᎵᎦ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ.\nᎾᏥᏙᎵᎬᎾᏰᏃ ᏣᎫᎪᏓᏁᏗ ᎨᏎᏍᏗ ᏄᏓᏙᎵᏨᎯ; ᎠᏓᏙᎵᏍᏗᏃ ᎨᏒ ᎠᏓᎵᏁᏗᏕᎭ ᏗᎫᎪᏙᏗ ᎨᏒᎢ.\nᏫᏥᎢᎦ ᎢᎦ ᏓᏲᎾᏍᏓᏢᎥ ᎠᏂᏟᏅ ᎠᎴ ᎠᏥᎸᏳᎵ ᎾᎥ ᎠᏂᏅ ᏯᏂᏬᏂᏍᎬᎾ.\nᏔᎵᏚ ᎢᏳᏩᎬᏘ ᎤᏰᏤ ᏫᎵᎻ, ᎬᏂᎨᏍᏙ ᏫᏓᎧᏁᎢ, ᎤᏛᎦᏍᏕᎢ ᎤᏃᏴᎬ ᏃᎴ ᎠᏓᏅᏖᏍᎨ ᎢᏳᏩᏂᎸ ᎨᏒ.\nᏗᏣᎧᎾᎦ, ᎯᏥᎨᏯ ᏃᎴ ᎯᏥᏍᎦᏯ! \nᎠᏂᏧᏏᏃ ᎤᏂᏔᏲᏎᎸᎩ ᏆᎴᏗ ᏗᏂᏅᏍᎨᏂ ᏗᎨᏥᏍᏆᎵᏎᏗᏱ ᎠᎴ ᏗᎨᏥᏁᏍᏗᏱ, ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎠᏛᏅᎢᏍᏙᏗᏱ ᎢᎦ ᎨᏒᎢ, ᏞᏍᏗ ᎤᎾᏙᏓᏆᏍᎬ ᏱᏗᎦᏕᏍᏗ ᎠᏁᎵᏍᎬᎩ, ᎾᏍᎩᏰᏃ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ ᎦᎸᏉᏗᏳ ᎨᏒᎩ.\nᎾᏍᎩᏍᎩᏂ Ꮎ ᎠᏧᏏ, ᎾᏍᎩ ᎭᏫᏂᏗᏢ ᎠᏧᏏ ᏥᎩ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᎱᏍᏕᏍᏗ ᎨᏒ ᎤᎾᏫᏱ ᎡᎯ ᏥᎩ, ᎤᏓᏅᏙᎩᎯ ᎡᎯ, ᎥᏝᏃ ᎪᏪᎵᏉ ᏂᎦᏪᏍᎬ ᏗᎧᎿᏩᏕᎩ; ᎾᏍᎩ ᎥᏝ ᏴᏫᏉ ᎬᏩᎸᏉᏙᏗ ᏱᎩ, ᎤᏁᎳᏅᎯᏍᎩᏂ.\nᏥᏌᏃ ᏧᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎤᏁᎳᎩ ᎮᎳ ᎪᎯ ᎨᏒᎢ, ᎣᏏᏳᏰᏃ ᎾᏍᎩ ᎢᎩᎾᏛᏁᏗᏱ ᎩᏂᏍᏆᏗᏍᏗᏱ ᏂᎦᎥ ᏚᏳᎪᏛ ᎨᏒᎢ. ᎩᎳ ᎤᏁᎳᎩ ᎤᏪᎵᏎᎴᎢ.\nᎾᏍᎩ ᎠᏴ ᎬᏅ ᎠᏂᏍᏕᎵᏍᎬᎢ,ᎤᏅᏒ ᏗᏂᏴᏤᏂ ᎡᎳᏗ ᏚᏂᏅᏅ; ᎾᏍᎩ, ᎥᏝ ᎠᏋᏒᏉ ᏱᎦᏥᏯᎵᎡᎵᏤᎭ, ᎾᏍᏉᏍᎩᏂ ᏂᎦᏛ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ;\nᎤᏇᏓᎵᏰᏃ ᎤᏚᎵᏍᎬ ᏓᎦᏘᎴᎪ ᎠᏓᏅᏙ, ᎠᎴ ᎠᏓᏅᏙ ᎤᏚᎵᏍᎬ ᏓᎦᏘᎴᎪ ᎤᏇᏓᎵ; ᎾᏍᎩᏃ ᎯᎠ ᏗᎾᏓᏡᏗᏍᎩ ᏂᎦᎵᏍᏗᎭ; ᎾᏍᎩᏃ ᏂᎦᎵᏍᏙᏗᎭ ᏄᏍᏛ ᎢᏣᏚᎵᏍᎬ ᎥᏝ ᏱᏅᎨᏣᏛᎦ.\nᏦᎢ ᎢᏳᏩᎬᏘ ᎡᏆ ᎠᎵᏍᏓᏴᎲᏍᎨᎢ.\nᎢᎯ ᎤᏣᎴᏓ ᎭᏫᏩᏔ, ᏕᎭᏘᏃᎸ ᏧᏤᎵ ᏴᏫ ᎢᎩᏍᏕᎵᏍᎩ.\n ᏃᏗ ᎤᎵᏏᎩ ᎤᎧᎲᏛ ᎤᎶᏎ ᏅᏙ ᎠᎬᏱᏣ.\nᎠᏂᏐᎢᏍᎩᏂ ᎠᏴᏉ ᏕᏥᏁᏤᎭ ᎥᏝᏃ ᎤᎬᏫᏳᎯ; ᎢᏳᏃ ᎩᎶ ᎢᏓᎵᏅᏟ ᎤᏓᎵᎢ ᏴᏪᎧᎭ ᎪᎯᏳᎲᏍᎩ ᏂᎨᏒᎾ, ᎣᏏᏳᏃ ᏯᏪᎸᏍᎦ ᎠᏏᏉ ᎤᎾᏁᎳᏗᏍᏗᏱ, ᏞᏍᏗ ᎢᏴᏛ ᏱᎦᎧᎲᏍᎨᏍᏗ.\n“ᎭᎳᏑᏢᎩ! ᎭᎳᏑᏢᎩ!” ᎤᏛᏁ ᏥᏍᏚ.\nᎥᏝ ᎾᏍᎩᏯ ᎧᏃᎮᏛ ᏕᎦᏥᏯᏠᎢᏍᏓᏁᎸ ᏧᏂᎦᏴᎵᎨᎢ, ᎾᎯᏳ ᎦᏂᏲᏯᏁᏒ ᎦᏥᏄᎪᏫᏍᏗᏱ ᎢᏥᏈᏱ ᎦᏓ ᎠᎲᎢ; ᎥᏝᏰᏃ ᏳᏂᏍᏆᏂᎪᏔᏁ ᎧᏃᎮᏛ ᏕᎦᏥᏯᏠᎢᏍᏓᏁᎸᎢ, ᎠᎴ ᎠᏴ ᎥᏝ ᏱᎦᏥᏯ-ᎦᏎᏯᏍᏔᏁᎢ, ᎠᏗᎭ ᎤᎬᏫᏳᎯ.\nᏚᏑᎬ ᎭᏫᏂᏣ ᎠᎭᎾᏬ ᎤᎭᎨᏛ ᎦᎵᏦᏩᏛ ᎾᏍᎩᏯ, ᎧᏂᎩᏓ ᎨᏎᏍᏗ ᎪᎰᏍᏗ ᎠᎩᏍᏘ, ᏧᏩᏌ ᏔᎵ ᎢᎦ ᏘᎵ ᏃᎴ ᏐᎯ ᏚᏦᏩᏁ, ᏔᎵ ᏄᏒ ᏧᏭᏔᎩᏛ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎡᏙᎢᏳᏒᎢ, ᎾᏍᎩ ᎢᏳᏃ ᏂᎦᎥ ᎪᎱᏍᏗ ᎡᏗᏔᏲᏏ ᎣᏍᏛ ᎤᏰᎸᏗ ᎨᏒᎢ, ᎢᎦᏛᎦᏁᎲᎢ.\nᎤᏁᎳᏅᎯ ᎤᏬᏢᏅᎯ ᏥᎩ ᎡᎳᏂᎬᎢ ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎠᏁᎯ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎦᎸᎳᏗ ᎠᎴ ᎡᎶᎯ ᎤᎾᏤᎵᎦ, ᎥᏝ ᏱᎦᏁᎸ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎩᎶ ᏧᏬᏱ ᏧᏮᏔᏅᎯ ᏧᏁᏍᎨᎲᎯ.\nᎦᏛᏅᎥᏍᏗᏍᎬ, ᎠᎩᏩᏒ Sketches and Eccentricities of Col. David Crockett, ᎧᏫ ᏧᎾᏗᏔᏍᏗ ᏩᎩᎷᏨ ᎠᎩᎪᎵᏰᎥ.\nᏣᏔᏲᏎᎯ ᎯᏁᎮᏍᏗ, ᏣᏙᎸᎡᏗᏱᏃ ᎤᏚᎵᏍᎩ ᏞᏍᏗ ᎢᏴᏛ ᎢᎯᏯᏛᏁᎸᎩ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎦᎪ ᎠᏆᏒᏂᎦ? ᏂᎦᏛᏃ ᎤᎾᏓᏱᎸ, ᏈᏓ ᎠᎴ ᎾᏍᎩ ᎠᏁᎯ ᎯᎠ ᏄᏂᏪᏎᎢ; ᏔᏕᏲᎬᏍᎩ, ᎤᏂᏣᏘ ᎨᏣᏓᏡᏫᏍᏗᏕᎦ ᎠᎴ ᎨᏣᏁᏄᎳᏍᏗᎭ, ᏥᎪᏃ ᎦᎪ ᎠᏆᏒᏂᎦ ᎢᎭᏗᎭ?\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎯᎠ ᏂᏨᏪᏎᎭ, ᎢᏳᏃ ᎯᎠ ᎡᎳᏪᏱ ᏳᏅᏅ, ᏅᏯ ᎩᎳᏉ ᎢᏴᏛ ᏯᏁᎷᎲᎦ.\nᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᏃ ᎠᏥᎸ-ᎤᎦᏔ ᏥᏂᎬ ᎢᎩᏛ ᎪᎯᏛ ᎪᎯᏳᏗ ᎨᏒ ᏱᏥᎭ, ᎯᎠ ᏱᏂᏥᏪᏏ ᎯᎠ ᎫᏩ-ᏧᏁᎬ ᏥᏡᎦ, ᏫᏕᏣᎾᏍᏕᏢᏓ, ᎠᎴ ᎠᎺᏉᎯ ᏪᏣᎧᎲᎦ, ᎠᎴ ᏱᏦᎯᏳᎲᎦ.\nᏕᏏᎶᏂᎦᏰᏃ ᏫᎨᏙᎲ ᏌᏉ ᏂᏣᏓᏅᏒᎩ ᎠᎩᏂᎬᏎᎲ ᎠᏆᎵᏍᏕᎸᏙᏗ, ᎠᎴ ᎾᏍᏉ ᏔᎵᏁᎢ.\nᎠᎦᏛ ᎤᏂᏐᏱ ᎡᏍᎦᏉ ᎠᏴ ᎾᏍᎩ ᎠᏂᎫᏌ ᎠᎴ ᎢᏳᏍᏗᏉ ᏱᏗᎪᎠ.\nᎿᏉᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎪᎯᏍᎩᏂ ᏥᎩ, ᎩᎶ ᎠᏕᎸ-ᏗᎦᎶᏗ ᎤᎾᎡᏍᏗ, ᎦᏁᎨᏍᏗ, ᎠᎴ ᎾᏍᏉ ᏕᎦᎶᏗ; ᎩᎶᏃ ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᏄᏩᏴᎾ ᎨᏎᏍᏗ, ᏫᎦᎾᏚᎦ ᎤᏄᏬ ᎠᎴ ᏭᏩᎯ.\nᏙᎢᏳᏍᏗ ᎯᏂᏃᎮᏍᎨ, ᏫᎵᎻ, ᏥᎩᏂᏲᏍᏓᏏ?”\nᎠᏂᎶᏏᏙ ᎠᎾᎴᏫᏍᏗᏍᎨ ᎤᎾᎦᏎᏍᏕᎢ.\nᎦᏙᏃ ᎮᎵ ᏓᏳᏬᏪᎳᏅ?\nᎭᎸᎢᏳ ᎤᏤᎵᏛ ᎦᏃᏟᏙᎯ ᏣᎪᏘᏍᎨᎢ ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏛᎢ ᏍᎩᎾ ᎤᏩᏏ ᏚᏓᏥᎶᏍᏓᏅᎢ ᎢᎾᎨᎢ ᎢᏣ ᏫᎦᎶᏍᎬᎢ ᏃᎴ ᏕᎧᏃᎩᏍᎨ, ᎤᏪᎳ ᏥᎩᎠ ᏧᏪᎳ ᏕᏥᎩᏍᎪᎢ Ꮡ, Ꮜ, ᏌᎢ\nᏔᎧᏔᏍᏓ ᏃᎴ ᏫᏢᎾ!”\nᎢᏓᎵᏅᏟ, ᏥᎪ ᏒᎦᏔ-ᎢᏳᏍᏗ ᏡᎬ ᏰᎵᏉ ᏯᎾᏓᏛᎦ ᎣᎵᏩ ᏡᎬ ᎠᎾᏓᏛᏍᎩ, ᎠᎴ ᏥᎪ ᏖᎸᎳᏗᎯ ᏒᎦᎳ-ᎢᏳᏍᏗ ᏯᎾᏓᏛᎦ? ᎾᏍᏉᏍᎩᏂ ᎥᏝ ᏰᎵ ᏌᏉ ᎦᏄᎪᎬ ᏴᏛᎦᏄᎪᎢ ᎠᎹ ᎤᎶᏥᏛ ᎠᎴ ᎠᎹ ᎤᎶᏥᏛ ᏂᎨᏒᎾ.\nᎢᏥᎦᏔᎭᏰᏃ ᏄᏍᏛ ᏕᏨᏲᎯᏎᎸ ᏗᎧᎿᏩᏛᏍᏗ ᎤᎬᏫᏳᎯ ᏥᏌ ᎣᏏᏳ ᎤᏰᎸᏅᎯ ᎨᏒᎢ.\nᎨᏍᏗ ᏄᎶᏒᏍᏛᎾ ᏱᎩ.\nᏥᏌᏃ ᎾᏍᎩ ᎤᏛᎦᏅ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎾᏍᎩ ᏂᏚᏂᏢᎬᎾ Ꮭ ᎤᏚᎸᏗ ᏱᏄᎾᎵᏍᏓᏁᎰ ᏗᏓᏅᏫᏍᎩ, ᏧᏂᏢᎩᏍᎩᏂ; ᎢᏝ ᎤᎾᏓᏅᏘ ᏱᏗᏥᏯᏅᎯᎸ, ᎠᏂᏍᎦᎾᏍᎩᏂ ᏚᎾᏓᏅᏛ ᏧᏂᏁᏟᏴᏍᏗᏱ.\nᎠᏂᎫᏌ ᏃᎴ ᏤᎩᏏᏂ ᎤᎾᏟᎸ ᎠᏰᎵ ᎢᏴ ᏚᏂᏲᎰᏎᎴ ᎠᏂᏴᏫ.\n“ᎡᎳᏗ ᏱᏂᎦᏛᎦ ᎾᎥᏂᎨ ᏳᏩᎩᎦᏛᎲᎦ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᎴ ᎾᏍᎩ ᏄᏩᏂᏌᏅᎩ ᏂᎦᏗᏳ ᏧᎾᏍᏗᏱ ᎠᎴ ᏧᎾᏛᎾ, ᏧᏁᎿᎢ ᎠᎴ ᎤᏲᎢᏳᎾᏛᎿᏕᎩ, ᏂᏗᎨᏥᎾᏝᎥᎾ ᎠᎴ ᏗᎨᏥᎾᏝᎢ, ᏗᎨᎪᏪᎶᏗᏱ ᏗᏂᎦᏘᏏᏗᏢ ᏧᏃᏰᏂ, ᎠᎴ ᏗᏂᎬᏓᎨᏂ;\nᎦᎸᎳᏗ ᏫᏚᎧᎾᏅ, ᎨᏍᏗ ᏣᎵᎮᎵᎪ ᎠᎩᎪᏩᏘᏍᎬ ᏱᏅᏩᏍᏖ.\nᎤᏍᎦᏍᏓᏁᎴ ᎤᏛᎦᎾ ᏓᏬᏂᏍᎬ.\nᎤᎯᎨᏛ ᏧᏍᏆᎸᏓ ᏎᎷ ᏅᏙ ᏚᏅᏓᏒ ᎦᎸᎳᏗᏨ ᎤᏓᏴᎳᏛ.\nᎤᏁᎳᏅᎯᏍᎩᏂ ᏄᏓᎵᏓᏍᏛᎾ ᏥᎩ, ᎾᏍᎩ [ᏄᏙᎯᏳᎭ] ᎠᏴ ᎢᏨᏁᏤᎲ ᎥᎥ ᎠᎴ ᎥᏝ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏏᏗ ᎪᎯ ᎨᏒ ᎢᏳᏓᎴᏅᏛ ᎥᏝ ᎩᎶ ᏲᏥᎦᏔᎭ ᎾᏍᎩᏯ ᎤᏇᏓᎵ ᎠᎦᏔᎲᎢ. ᎠᎴ ᎾᏍᏉ ᎢᏳ ᎦᎶᏁᏛ ᎣᏥᎦᏙᎥᏒᎯ ᏱᎩ ᎤᏇᏓᎵ ᎠᎦᏔᎲ ᎾᏍᎩᏯᎢ, ᎠᏎᏃ ᎪᎯ ᎨᏒ ᎢᏳᏓᎴᏅᏛ ᎥᏝ ᎿᏉ ᏲᏥᎦᏔᎭ.\nᎱᏚᎯᏁᎾ ᏲᎾ ᎤᏤᏍᏙ ᏍᏉ ᎤᏚᎯᏅᏎ ᏫᎵᎻ, ᎠᏎᏃ ᎤᏴᏥ ᎠᎹ ᎤᏪᎵᏎ.\nᎾᏍᎩᏃ ᏂᎯ ᏈᎵᎩᏱ ᎢᏤᎯ, ᎢᏥᎦᏔᎮᏍᏗ ᎾᏍᏉ, ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎢᎬᏱᏱ ᎢᏨᏯᎵᏥᏙᏁᎸ ᎾᎯᏳ ᎹᏏᏙᏂ ᎠᏆᏂᎩᏒ, ᎥᏝ ᎢᎸᎯᏢ ᎤᎾᏓᏡᎬ ᏧᎾᏁᎶᏗ ᎪᎱᏍᏗ ᏱᎬᏆᏛᏁᎴ ᎾᏍᎩ ᎠᏓᏁᏗ ᎠᎴ ᎥᏓᏘᏁᏗ ᎨᏒ ᎤᎬᏩᎵ, ᏂᎯ ᎢᏨᏒ.\nᎤᏂᏴᎬ ᏚᏐᏨ ᎠᎹᏱ, ᎦᏚᏏ ᏭᎾᎷᏒ, ᎤᏃᎴ ᎦᏣᏄᎳ ᎢᏳᏍᏗ, ᎠᏎᏃ ᎦᏳᎸ ᎤᎾᏕᎶᎰᏒ ᎨᏒ ᎤᏂᏃᎮᎸ.\nᎤᎦᏃᏩ ᎨᏎ ᎤᏅᏗ ᎤᏍᏉᏟ ᎭᏫᏂ.\nᎩᎶᏰᏃ ᏂᎦᏛ ᏗᎧᎿᏩᏛᏍᏗ ᏱᏓᎧᎿᏩᏕᎦ, ᏑᏓᎴᎩᏉᏃ ᎪᎱᏍᏗ ᏯᏲᏍᏗᎭ, ᏂᎦᏛ ᏚᏲᏍᏔᏃᎢ.\n“ᎡᏚᏥ ᏍᏉᏎᎮᏍᏗ.”\nᏂᎪᎯᎸᎾ ᎤᎭᏲᎴ ᏑᎾᎴ ᎤᎵᏍᏓᏴᏗ ᏣᏄᏏ.\nᎤᎧᏲᏓ ᎠᏏᎳᏛᏙᏗ ᎠᏍᏓ ᎤᏮᏙᏗ ᎤᏪᎵᏎ ᎠᏤ ᎧᏃᎮᏓ ᎤᏬᏪᎶᏗ.\nᎦᎵ ᏚᎸᏔᏁ ᏗᎩᏣᏗ ᏦᎯᏍᏙᏗ ᏧᎭᎾᏬ ᏃᎴ ᏗᎵᏰᏑᎶ ᎣᏍᏓ ᏗᏒᎢᏍᏔᏅ, ᏥᏳ ᏧᎾᏗᏔᏍᏗ ᎡᏙᎲ, ᏃᎴ ᎠᎦᏗᏓ ᎠᏕᎳ, ᏧᏙᏗ ᎠᏤ ᎠᎴᏂᏍᎬ.\n“ᎬᏚᎢᏍᏔᏁᎭ ᏕᏥᎾᏫᏍᏗ ᎠᏆᏓᏅᏙᎩ.”\nᏂᎦᏛᏃ ᎤᏠᏱ ᏧᎾᏢᏫᏍᏙᏗ ᎤᎾᎴᏅᎮ ᎤᏂᏲᎴᎢ. ᎢᎬᏱᏱ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏠᎨᏏ ᎠᎩᏩᏒ, ᎠᎴ ᎠᏎ ᎠᏇᏅᏍᏗ ᎠᎴ ᎠᏆᎦᏔᏅᏍᏗ ᏂᎦᎵᏍᏗᎭ; ᎬᏔᏲᏎ ᎤᏁᎳᎩ ᏍᏇᎵᏎᏗᏱ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎡᏣᏅᏟ ᎤᎷᏨ, ᏣᏙᏓᏃ ᎦᎵᏦ ᏔᏅᎯ ᏩᎦ ᎠᎩᎾ ᎤᎸ,ᏙᎯᏱ ᎤᎾᏄᎪᏥᎸ ᎢᏳᏍᏗ.\nᎾᏍᎩᏯᏰᏃ ᎦᎶᏁᏛ ᎤᎩᎵᏲᏨ ᎤᏣᏘ ᏦᏥᎩᎵᏲᎦ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎤᏣᏔ ᎣᎩᏁᎭ ᎠᏓᎦᎵᏍᏓᏗᏍᎩ ᎦᎶᏁᏛ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ.\nᏂᎦᎥ ᎠᎦᏴᎵᎨ ᎤᎲ ᎠᏆᏤᎵᎦ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏥᏂᏥᏫ, ᎠᏆᏤᎵᎦ ᎨᏒ ᏛᎩᏏ ᎠᎴ ᏓᏥᎾᏄᎪᏫᏎᎵ.\nᎡᎵᏏᏃ ᏃᏊ ᎪᎯ ᎢᏴ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎢ ᎪᎱᏍᏗᏛ ᏗᏓᏛᎦᏂᏒ ᎢᎩᏃᎯᏎᎭ.\nᎩᎶ ᎠᏴ ᎠᎩᎷᏤᎮᏍᏗ ᏂᏗᎦᏂᏆᏘᎲᎾᏃ ᎢᎨᏎᏍᏗ ᎤᏙᏓ, ᎠᎴ ᎤᏥ, ᎠᎴ ᎤᏓᎵᎢ, ᎠᎴ ᏧᏪᏥ, ᎠᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᏧᏙ, ᎥᎥ, ᎠᎴ ᎤᏩᏒ ᎾᏍᏉ ᎬᏅᎢ, ᎥᏝ ᏰᎵ ᎠᎩᏍᏓᏩᏗᏙᎯ ᏱᏅᎦᎵᏍᏓ.\nᎢᏧᎳ ᎤᏁᏅᏎ ᏏᏆ ᎠᏍᏚᏗ.\nᎾᏃ ᏧᏂᏲᎱᏒᎯ ᏧᎾᎴᎯᏐᏗ ᎨᏒ, ᏱᏏ ᎬᏂᎨᏒ ᏄᏩᏁᎴ ᎤᏪᏲᏓᏛᎢ, ᎾᎯᏳ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ, ᏧᏬᏎᎴᎢ.\nᎠᎾᎢᏒᏃ ᏅᏃᎯ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎩᎶ ᎢᏳᏍᏗ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏣᎬᏫᏳᎯ, ᏓᎬᏍᏓᏩᏗᏙᎵ ᏂᎦᎥ ᎮᏙᎲᎢ.\nᎠᏤ ᎤᏍᎪᏍᏗ ᎠᏔᎴᎦᏒ ᎤᏪᎵᏒ ᎨᏎ.\n“ᏱᎬᏆᏚᎵ ᏍᎩᎾᎾ ᎢᏳᎵᏍᏙᏗ.\nᎠᎴ ᎾᏍᏉ ᎯᎠ ᏂᏚᏪᏎᎴ ᏴᏫ, ᎤᎶᎩᎸ ᎢᏥᎪᏩᏛ ᏅᏙ ᏭᏕᎵᎬ ᏓᎦᎶᎯ, ᎩᎳᏉ ᎢᏴᏛ ᎯᎠ ᏂᏥᏪᏍᎪᎢ, ᎠᎹ ᏛᏰᎢᎵ; ᎾᏍᎩᏃ ᏂᎦᎵᏍᏗᏍᎪᎢ.\nᎢᏳᏃ ᎢᏥᎧᎵᎢᎮᏍᏗ ᎦᎸᏉᏗᏳ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩᏯ ᏂᎬᏅ ᎪᏪᎸᎢ, ᏨᏒ ᏥᏂᏣᏓᎨᏳᎭ ᏂᎨᏳᏎᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ, ᏣᏗᎭ, ᎣᏏᏳ ᏱᏂᏣᏛᎦ.\nᎤᏂᏍᏆᏛᏃ ᏂᎦᏛ ᎢᏯᏛᏁᎵᏓᏍᏗ ᎨᏒ ᎾᏍᎩᏯ ᏂᎬᏅ ᏗᎧᎿᏩᏛᏍᏗ ᏱᎰᏩ ᎤᏤᎵᎦ, ᎢᎤᎾᏨᏎ ᎨᎵᎵ ᏭᏂᎶᏎ, ᎤᏅᏒ ᏧᏂᏚᎲ ᎾᏎᎵᏗ ᏭᏂᎷᏤᎢ.\nᎤᏙᎯᏳᎯ ᎩᎶ ᎯᎠ ᏱᏅᎦᏫ, ᏂᎯ ᏦᎯᏳᎭ, ᎠᏴᏃ ᏓᎩᎸᏫᏍᏓᏁᎭ; ᎬᏂᎨᏒ ᏂᏍᏋᏂᏏ ᏦᎯᏳᏒ ᏕᏣᎸᏫᏍᏓᏁᎲ ᏅᏗᏍᎬᎾ ᎨᏒᎢ, ᎠᏴᏃ ᎬᏂᎨᏒ ᏅᏓᎬᏴᏁᎵ ᎠᏉᎯᏳᏒ ᏓᎩᎸᏫᏍᏓᏁᎲ ᎬᏗᏍᎬᎢ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗ ᎩᎶ ᏥᏥᎶᏄᎮᎵ;\nᎡᎳᏗ ᎢᏣ ᎤᏬᎰᏎᎢ ᎾᏍᎩᏯ ᎪᏪᎵ ᎠᎦᎷᏴ, ᏲᎾ ᎤᏤᏍᏙ ᎤᏍᏘᏰᎬ ᎤᏒᏥᎴᎢ.\n“Ꭾ-Ꭰ-Ꭰ!” ᎤᎾᏛᏁ ᎤᏂᏃᏕᎾ ᎠᏂᏓ.\nᎢᏣᎵᏍᏗᏴᎲᏍᎬᏰᏃ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᎢᎬᏱ ᎢᏥᎩᏍᎪ ᎢᏨᏒ ᎢᏣᏤᎵᎦ; ᎠᏏᏴᏫᏃ ᎠᎪᏄ ᎤᏲᏏᏍᎪᎢ, ᏅᏩᏓᎴᏃ ᎤᏴᏍᏕᏍᎪᎢ.\nᎬᏩᎦᏘᏯᏰᏃ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎬᏗᏍᎬ, ᎾᏍᎩ ᎥᎩᏁᎸᎯ ᏥᎩ, ᎯᎠ ᏂᎦᏥᏪᏎᎭ ᎾᏂᎥᏉ ᏥᎨᏣᏓᏑᏯ; ᏞᏍᏗᏉ ᏯᏂᎶᏒᏍᏗᏍᎨᏍᏗ ᎠᎾᏓᏅᏖᏍᎬ ᎾᏍᎩ ᏥᏚᏳᎪᏗ ᎤᎾᏓᏅᏖᏗᏱ, ᎤᎾᎵᏏᎾᎯᏍᏗᏍᎩᏂ ᎨᏎᏍᏗ ᎠᎾᏓᏅᏖᏍᎬᎢ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎪᎯᏳᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᏚᏟᎶᎡᎸ ᎠᏂᏏᏴᏫᎭᎢ.\nᎤᏣᏘᏰᏃ ᎠᎩᎵᏯ ᎨᏒ, ᎠᎴ ᎡᎯᏍᏗ ᎠᏆᏓᏅᏔᏩᏕᎬ ᏫᏨᏲᏪᎳᏁᎸᎩ ᎤᏣᏘ ᏗᎦᏥᎦᏌᏬᎢᎯ ᎨᏒᎢ; ᎥᏝ ᎠᏗᎾ ᎤᏲ ᎤᎾᏓᏅᏓᏗᏍᏙᏗ ᎨᏎᏍᏗ ᏯᏇᎵᏎᎢ, ᎢᏥᎦᏙᎥᎯᏍᏗᏱᏉᏍᎩᏂ ᎾᏍᎩ ᎤᏣᏔᏅᎯ ᎢᏨᎨᏳᎢᏳ ᎨᏒᎢ.\nᎠᏎᏃ ᏛᏍᏆᎸᎯ, ᎠᎴ ᎿᏉ ᎤᏍᏆᎸᎲ, ᎾᏍᎩ ᎤᏙᎯᏳᏒ ᎠᎾᏓᏙᎵᏍᏗᏍᎩ ᏛᎾᏓᏙᎵᏍᏓᏁᎵ ᎠᎦᏴᎵᎨ ᏙᏛᏅᏔᏂ ᏧᎾᏓᏅᏙ ᎠᎴ ᏚᏳᎪᏛᎢ; ᎠᎦᏴᎵᎨᏰᏃ ᏚᏲᎰ ᎾᏍᎩ ᎢᏳᎾᏍᏗ ᎬᏩᏓᏙᎵᏍᏓᏁᎯ.\nᎢᏳᏃ ᎡᏙᏓ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏂᏓᎩᎸᏫᏍᏓᏁᎲᎾ ᎢᎨᏎᏍᏗ, ᏞᏍᏗ ᏍᎩᏲᎢᏳᏅᎩ\nᎤᎾᏙᎴᎰᏒᏰᏃ ᎢᎸᎯᏳ ᏥᎨᏎᎢ ᎥᏝ ᏴᏫᏉ ᎠᏓᏅᏖᏍᎬ ᏴᏗᏓᎴᏁᎢ; ᎠᏃᏍᏛᏍᎩᏂ ᎠᏂᏍᎦᏯ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᎠᏂᏁᎨ ᎢᏳᏂᏪᏍᏗᏱ ᏄᏅᏁᎲ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ.\nᏃᎴ ᏭᎳᎩᏒ, ᎱᏗᏔᎲ, ᎠᎭᏰᏊ.\nᎠᏃᎯᏳᎲᏍᎩᏃ ᎤᏟ ᏂᎦᎡ ᎬᏩᏁᏉᏤᎴ ᎤᎬᏫᏳᎯ, ᎤᏂᏣᏔᏅᎯ ᎨᏎ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ.\nᎠᎴ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎢᏥᏔᏲᎭ, ᎠᏎ ᏓᏰᏥᏁᎵ; ᎢᏥᏲᎦ, ᎠᏎ ᏓᏥᏩᏛᎯ; ᎢᏨᏂᎦ, ᎠᏎ ᏓᏰᏥᏍᏚᎢᎡᎵ;\nᎠᎴ ᎤᏓᏁᏟᏴᏎ ᏓᏂᎧᏅᎢ, ᎠᎴ ᎤᎧᏛ ᏗᎬᏩᎸᏌᏓ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᎤᏄᏩᎥ ᎢᎦ-ᎦᏛ ᏥᏄᏁᎩᏴ ᏄᏁᎩᏰᎢ.\nᏥᎪ ᎠᏴ ᎾᏍᏉ ᏣᏚᎵ ᏍᏗᎯᏍᏗᏱ ᎾᏍᎩᏯ ᎤᏒᎯ ᏥᎸᎩ ᎢᏥᏈᏱ ᎡᎯ?\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎴᎭᏫ ᎤᏁᎫᏥᏛ ᎥᏝ ᏯᏥᏛᏔᏁ ᎨᏥᏛᏔᏅ ᎾᏍᎩ Ꮎ ᏄᏃᎯᏳᏒᎾ ᏥᎨ-ᏎᎢ, ᎾᏍᎩ ᏙᎯᏱ ᏥᏚᏓᏂᎸᏤ ᎢᏳᏍᏗ ᎤᏂᎦᏛᏂᏙᎯ.\nᎾᏍᎩ ᎢᎸᎯᏳ ᏥᎨᏒ ᎢᏣᏓᏤᎵᏛ ᏂᎨᏒᎾ ᎨᏎᎢ, ᎪᎯᏍᎩᏂ ᏥᎩ ᎢᏣᏓᏤᎵᏛ ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᏂᏣᎵᏍᏔᏅ; ᎾᏍᎩ ᎥᏝ ᎡᏥᏙᎵᏨᎯ ᏱᎨᏎᎢ, ᎪᎯᏍᎩᏂ ᏥᎩ ᎡᏥᏙᎵᏨᎯ.\nᎾᏍᎩ ᎯᎠ Ꮎ ᎦᏚ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ; ᎥᏝ ᎾᏍᎩᏯ ᏗᏥᎦᏴᎵᎨᎢ ᎹᎾ ᏣᏂᎩᏍᎨᎢ, ᎠᎴ ᎾᏍᎩ ᏧᏂᏲᎱᏒᎯ ᏥᎩ; ᎯᎠ ᎦᏚ ᎠᎩᏍᎩ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎬᏁᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏂᏣᏛᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᎾᏛᎦᏅ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎾᏍᎩ ᎯᎠ ᎠᏍᏓᏱᏳ ᎧᏃᎮᏛ; ᎦᎪ ᏰᎵ ᏯᏛᎬᎦ?\nᏥᏌᏃ ᏚᏁᏤᎸᎩ ᎯᎠ ᏄᏪᏒᎩ; ᎿᏉ ᎤᏍᏆᎸᎲ ᏴᏫ ᎤᏪᏥ ᎠᏥᎸᏉᏙᏗᏱ.\nᎤᏣᏘᏰᏃ ᎤᏚᎵᏍᎬᎩ ᎢᏥᎪᏩᏛᏗᏱ ᏂᏥᎥᎢ, ᎠᎴ ᎤᏣᏘ ᎦᎨᏛ ᎤᏓᏅᏔᏩᏕᎬᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎢᏣᏛᎦᏅ ᎤᏢᏨᎢ.\nᏉᎳᏃ ᏫᏚᏬᏕᏒ ᏏᏄᎩᏝᏅᎯ ᎠᏓ, ᎠᎴ ᏚᎲᏔᏅ, ᎢᎾᏛ ᎤᏗᎴᎬ ᏓᏳᎾᏄᎪᏨᎩ ᎤᏬᏰᏂ ᎤᏪᏖᎳᏛᏨᎩ.\nᎾᎠ ᏭᎷᏤ ᎠᏒᏛ ᏗᏥᏯ.\nᎠᎢᏒ ᏕᎦᏃᏴᎵᏍᏗᏍᎨ ᏧᏆᎶᎬ, ᏚᏃᏴᎬ ᎤᎾᎵᎪᏗ.\nᏄᏍᏛ ᎤᏓᏍᏔᏴᏅ ᎬᏣᏝᏅ ᏑᎾᎴ ᎠᎩᏍᏗ, ᎠᏍᏔᏱ ᎠᎩᏍᏗ ᏅᏙ ᎧᎸᎬ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎠᏇᏥ, ᏦᎯᏳᏒ ᏣᏗᏫᏍᏓ; ᏅᏩᏙᎯᏯᏛ ᏥᎮᎾ, ᎠᎴ ᏣᏗᏩᏒᎯ ᎨᏎᏍᏗ ᏣᏢᎬᎢ.\nᏫᏚᏯᏅᎮᏃ ᎠᏍᎪᎯ ᎢᏯᏂᏛ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᏕᎤᏲᎯᏎᎴ ᎠᏍᎪᎯ ᎢᏳᏓᎨᏛ ᎠᏕᎸ,] ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎪᎱᏍᏗ ᏕᏨᏗᏍᎨᏍᏗ ᎬᏂ ᎢᏥᎷᏨᎭ.\nᏤᎦᏈᏃ ᎢᏥᏈᏱ ᏭᎶᏎᎢ, ᎤᏲᎱᏎᏃ, ᎠᎴ ᎾᏍᏉ ᏗᎩᎦᏴᎵᎨᎢ.\n“ᎭᏂ ᏅᎩᏍᎪ ᎠᏂᏎᏂᏏ.\nᎤᏁᎦ ᎠᏓᏁᎸ ᎠᏇᏅᏒ, ᎪᏪᎵ ᎠᎩᏃᎮᏍᎩ ᎦᎳᎱᏂ ᎠᎩᏅᏁᎸ ᏥᏁᎲ, ᎠᎩᏯᏖᏅ ᏯᏆᏧᏓᏉ, ᏚᏂᏓᎭᎾᏫᏲᏤ ᏣᎾᎵᏙᎩᏯᏍᎨ ᏔᎵᏍᎪᏣᏁᎳ ᎤᏕᏘᏴᏌᏗᏒ, ᏤᎩᏏᏂ ᎤᎬᏫᏳ ᏄᎵᏍᏔᏁ ᎦᎳᎱᏂ ᏔᎵᏁ ᎠᎴᎲᏍᎩ ᎤᎬᏫᏳ, ᏍᎩᏴ ᎤᏲᎯᏍᏔᏁ ᎦᎳᎱᏂ, ᏓᏳᏓᎴᏅᏓ ᎤᎾᏔᏲᎴ, ᏚᏳᎪᏛ ᏚᏂᎲ ᏕᎦᏚᎲ.\nᎪᎯ ᎢᏴ ᏃᏊ ᎠᏊ ᎢᏴ ᏙᏱ ᏗᏢ ᏄᏪᏏᏢ ᏃᏊ ᎤᏕᏲᎸ ᎦᎵᏦᏕ ᏃᏊ ᏧᎶᏒ ᎢᏗᏜ ᏭᎶᏒ ᏏᏊ ᏂᎦᏪᏏᏐᎢᏊ ᏫᎬᏩᏕᎵᏦᎲᏍᎩ ᏂᎦᏪᏏᏒᎢ.\nᎤᏍᎩᏗᏎᎢ ᏍᎪᎯᏍᏆ ᏓᎳᏚ ᎢᏯᎳᏏᏔᏅ ᎢᎦᏅᎯᏓ ᎨᏒ ᏃᎴ ᏐᏁᎵᏍᎪ ᏔᎵ ᎢᏯᎳᏏᏔᏅ ᎢᎦᏘ ᎨᏒ ᏃᎴ ᏂᎦᏓ ᏗᏓᏖᎶᎯᏍᏗ ᏚᏓᏔᎶᏒ ᏃᎴ ᏂᎬᎾᏛ ᎠᏰᎸᎢ ᏕᎦᏓᎥ ᏗᏌᎪᏂᎨ ᏗᏇᏡᏍᏗ, ᎦᏂᏓᏛ ᏍᏉ ᎤᏓᎡ ᏌᎪᏂᎨ ᎠᏇᏡᏍᏗ.\nᎤᏒᎯ, ᏚᏑᎬ ᎤᏗᏍᎦᏞ, ᎤᏍᏘ ᎤᏬᏔᏅ ᏃᎴ ᎤᎦᏃᏫ ᎤᏢᏁ.\n“ᏓᎴᎲᎦ! \nᎾᏍᎩᏃ ᏓᎨᏳᏗᏱ ᎬᏙᏗᏱ ᏂᎬ ᎣᎾᏫᏱ, ᎠᎴ ᏂᎬ ᎠᏓᏅᏖᏗᏱ, ᎠᎴ ᏂᎬ ᎠᏓᏅᏙ, ᎠᎴ ᏂᎦᎥ ᏃᎵᏂᎬᎬᎢ, ᎠᎴ ᎾᎥ ᎢᏳᎾᏓᎳ ᎤᏩᏒ ᎤᏓᎨᏳᏒ ᎾᏍᎩᏯ ᎤᎨᏳᏗᏱ, ᎤᏟ ᎦᎸᏉᏗᏳ ᎡᏍᎦᏉ ᏂᎦᏛ ᏗᎬᏩᏃᏍᏛ ᎠᏥᎸ ᏗᎨᎳᏍᏙᏗ, ᎠᎴ ᎠᎵᏍᎪᎸᏙᏗ.\nᎾᏍᎩᏃ ᎠᏴ ᎠᎴ ᏂᎯ ᎢᏧᎳᎭ ᏗᎦᎵᏂᎪᎯᏍᏗᏍᎩ ᎦᎶᏁᏛ ᎡᏓᏤᎵᎦ ᎨᏒᎢ, ᎠᎴ ᎢᎩᎶᏁᎥᎯ, ᎾᏍᎩ Ꮎ ᎤᏁᎳᏅᎯ;\nᎤᏃᎯᎸᏍᏔᏁᎢ ᎤᏏᎳᏛ ᎦᏓᎢ, ᎦᏙ ᏫᏚᏬᏥᎴᎢ.\nᏦᎯᏍᏙᏗ ᏧᏃᏩ ᏃᎴ ᏦᎯᏍᏙᏗ ᏧᏁᏍᏔᎳ ᎧᏁᏍᎦ ᏗᎦᏇᏅᏔᏅ.\n“Ꭳ, ᎤᏙᏳᎯ ᎤᏛᏁ ᎧᏅᏂᏍᎩ.\nᏃᏗ ᏫᎵᏂ ᎤᏬᏂᏎ: “ᎦᏙᏃ ᎭᏛᏁ ᎭᎾᏂ, ᏌᎳᏓ?”\nᎠᏆᏟᏂᎬᏁᎸ, ᎤᏒ ᏂᎦᎵᏍᏘᏍᎬ ᎦᏓᏁᏝᏁᎲ Macallan's ᎠᏥᏍᏛ, ᎠᏎᏃ ᏐᏉ ᎢᏳᏩᎬᏘ ᏑᎾᏙᏓᏆᏍᏗ, ᏯᎦᏕ, ᏳᏲᏍᏔᏁ ᎠᏕᎳ ᏗᎩᎶᏙᏗ.\nᎠᎴ ᎤᎴᏁ ᏚᏜᏌᏛ ᎣᏂᏗᏢ ᏓᏠᏱᎮᎢ, ᎠᎴ ᎤᎴᏅᎮ ᏧᎳᏏᏕᏂ ᏚᏬᏑᎴᏔᏁ ᏧᎦᏌᏬᎸᎯ, ᎠᎴ ᏚᎧᏲᏙᏔᏁ ᎤᏍᏗᏰᎬᎢ, ᎠᎴ ᏚᏚᏣᎳᏁ ᏧᎳᏏᏕᏂ, ᎠᎴ ᏚᎶᏁᏔᏁ ᎠᏠᏁᏗ.\nᏂᎦᏓ ᏚᏳᎪᏛ ᎢᏳᎾᎵᏍᏔᏁᏗ.\nᏣᎵ ᎤᏩᏓᏍᎬ ᏓᏲᎾᏍᏓᏝᎥ ᎤᏂᎭᏴᏒ ᎤᏂᎩᏍᏗ, ᎠᎵᏍᏔᏴᏗ ᏓᏳᏓᎴᏅᏓᏱᎩ, ᏰᎵ ᎠᎾᎵᎮᎵᎩ ᎨᏒ.\nᏕᎤᏲᎵᎸᏃ ᎣᏍᏛ ᎤᏱᎸᏒᎩ ᎤᏃᎮᎸᎩ ᏄᏍᏛ ᎤᏁᎳᏅᎯ ᏕᎤᎸᏫᏍᏓᏁᎸ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ, ᎾᏍᎩ ᏉᎳ ᎠᎬᏗᏍᎬᎢ.\nᏥᏌᏃ ᏧᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᎠ ᎢᎦᏪᏛ ᎢᎩ; ᏞᏍᏗ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎯᎪᎵᏰᎥᎩ.\nᎰ ᎤᎬᏫᏳᎭ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎯᎦᏔᎯᏳ ᏥᎩ ᏂᎦᏛ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎧᏃᎮᏗ ᎨᏒ ᎠᏂᏧᏏ ᏥᏚᏁᎭ. ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎬᏔᏲᏎᎭ ᏂᏗᏣᏯᏪᎬᎾ ᏍᏆᏛᎦᏁᏗᏱ.\nᎤᏩᏒᎯᏴᏓ ᎨᏎᎢ.\nᏭᏩᏌᏙᏰ ᏗᎦᏂᎩᎸᎢᏣ ᏏᏆ ᎤᎵᏍᏔᏴᏗ ᎦᎶᏙᏗ ᎭᏫᏂᏣ.\nᎠᎴᏬ ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙ ᏙᏓᎦᏟᎶᏍᏔᏂ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ?\nᎠᎴ ᏧᏂᏲᎱᏒᎯ ᎥᎦᏥᎪᎥᎩ, ᏧᎾᏍᏗ ᎠᎴ ᏧᎾᏛᎾ, ᎤᏁᎳᏅᎯ ᎤᏬᎸ ᎢᎬᏱᏗᏢ ᏚᎾᎴᏅᎩ; ᎪᏪᎵᏃ ᏚᏂᏍᏚᎢᏒᎩ; ᎠᎴ ᏅᏩᏓᎴ ᎪᏪᎵ ᎤᏂᏍᏚᎢᏒᎩ, ᎾᏍᎩ ᎬᏂᏛ ᎠᏓᏁᎯ ᏥᎩ; ᏧᏂᏲᎱᏒᎯᏃ ᏙᎨᎫᎪᏓᏁᎸᎩ ᎾᏍᎩᏯ ᏂᎬᏅ ᎪᏪᎸ ᎪᏪᎵᎯ, ᎾᏍᎩᏯ ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ.\nᎢᏳᏍᎩᏂ ᎩᎶ ᎤᏗᏒᏌᏘ ᏱᏅᏩᏍᏗ; -ᎠᏴ ᎥᏝ ᎾᏍᎩ ᎢᏲᎦᏛᏁᏗ ᏲᎩᎭ, ᎥᏝ ᎠᎴ ᎾᏍᏉ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ.\n“ᎭᏂ,” ᎤᏛᏁ ᏏᏆ.\nᎭᏗ ᏔᎵᏓᏍᏗᏍᎭ.\nᎠᎴ ᎾᏍᏉ ᏙᏣᎧᎭ ᎾᏍᎩ ᎾᏧᏂᏂᏴᎯ ᏓᎾᏕᏲᎲᏍᎬ ᎠᏂᏂᎦᎴᏓᏂ, ᎾᏍᎩ ᎠᏴ ᏥᏥᏂᏆᏘᎭ.\nᏈᎵᎩᏃ ᏗᎦᏚᎲ ᏌᎺᎵᏱ ᏭᎶᏎᎢ, ᎠᎴ ᏚᎵᏥᏙᏁᎴ ᏚᏃᎮᎮᎴ ᎦᎶᏁᏛ.\n“ᎤᏙᎯᏳ ᎪᎯᏗ ᏪᏙᎰ ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏞᏍᏗ ᏍᏆᏒᏂᎸᎩ, ᏝᏰᏃ ᎠᏏ ᎡᏙᏙᏱ ᏫᏯᏆᎵᏌᎳᏓᏅ; ᎮᎾᏉᏍᎩᏂ ᎣᏣᎵᏅᏟ ᏗᏂᏅᎢ, ᎯᎠᏃ ᏫᏂᎩᏪᏏ; ᎡᏙᏙᏱ ᎠᏆᎵᏌᎳᏓᏂᏗ ᎠᎴ ᏂᎯ ᎢᏥᏙᏙᏱ; ᎠᏆᏤᎵᎦ ᎤᏁᎳᏅᎯᏱ, ᎠᎴ ᎢᏣᏤᎵᎦ ᎤᏁᎳᏅᎯᏱ.\nᎠᏎᏃ ᎤᏣᏘᏂ ᎢᏳᏛᏁᎸᎯ ᎾᎥ ᎢᏧᎾᏓᎳ ᏗᎤᏪᏌᏙᏰᏉ, ᎯᎠ ᏄᏪᏎᎢ; ᎦᎪ ᏂᏣᎬᏫᏳᏌᏕᎩ ᎠᎴ ᏗᏍᎩᏳᎪᏓᏁᎯ ᎢᏣᎧᏅ ᏂᎯ?\nᏞᏍᏗ ᎩᎶ ᏱᏥᏚᎨᏍᏗ ᎪᎱᏍᏗ, ᏗᏣᏓᎨᏳᏗᏱ ᎤᏩᏒ; ᎩᎶᏰᏃ ᏅᏩᏓᎴ ᏳᎨᏳᎭ ᎤᎧᎵᎸ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬᎢ.\nᎢᏧᎳᎭ ᎠᏂᏅᎩ ᏌᏩᏂ ᏈᏓ, ᎠᎴ ᏓᎻ ᏗᏗᎹ ᏧᏙᎢᏛ, ᎠᎴ ᏁᏓᏂᎵ ᎨᎵᎵ ᎡᎯ ᎨᏂ ᎦᏚᎲᎢ, ᎠᎴ ᏤᏈᏗ ᏧᏪᏥ, ᎠᎴ ᎠᏂᏔᎵ ᏅᏩᎾᏓᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ.\nᎤᏍᏆᏂᎩᏗ ᏂᎦᎵᏍᏔ ᏃᎴ ᎧᏃᎮᏓ ᎯᎩᎷᏥᏏ ᎭᏂ ᎡᎶᎯ, ᎭᏂ ᎢᎦᏤᎵ ᏕᎦᎶᎨᏒ, ᏃᎴ ᎨᏍᏗ ᏏᏆᏉ ᏱᎩ.”\nᎢᏳᎾᏃ ᏰᏥᎪᎥ ᏴᏫ ᎤᏪᏥ ᏳᎵᏌᎳᏓᏅ ᎾᎿ ᏧᏌᎴᏅ ᏱᏬᎶᏒ?\nᎢᏥᏍᎦᏯ, ᏕᏥᎨᏳᏎᏍᏗ ᏗᏣᏓᎵᎢ, ᎾᏍᎩᏯ ᎦᎶᏁᏛ ᎾᏍᏉ ᏧᎨᏳᏎ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ, ᎠᎴ ᎾᏍᎩ ᏓᏍᏕᎵᏍᎬ ᎤᏩᏒ ᏥᏚᏓᏲᏎᎢ,\nᏱᏥᏯᏙᎵᏣ ᎠᏌᎻᏓ ᎠᏍᎦᎢᎲ, ᎯᎪ ᎢᎦ ᏱᎦᏓᏍᏔᏴᎾ, ᏱᎦᎵᏍᏔᏴᎾ ᏃᎴ ᏱᎦᏣᏪᏐᎸᏍᏔᎾ, ᎣᏍᏓ ᏱᏂᎦᎵᏍᏔ ᎠᏆᏛᏅ.\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ ᎨᏆᏂ ᏭᎶᏒᎩ, ᎤᏩᏒ, ᎠᎴ ᎤᏥ, ᎠᎴ ᎠᎾᎵᏅᏟ ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎠᎴ ᎾᎿ ᎢᎸᏍᎩᏉ ᏄᏂᏒᎸᎩ.\nᎦᏙᎴᎣᏍᎦᏰᏃ ᏣᏚᎲ ᎤᏴᏍᏗ ᎠᏓᎪᎯ, ᎠᎴ ᎠᏍᎦᏂ ᏣᏓᎸᏍᏛᎢ.\n”ᏄᏍᏆᏂᎩᏗ ᎠᏂᏯᎠ!” ᎤᏛᏁ ᎠᎦᏴᎵ ᎤᏃᏕᎾ.\nᎠᏎᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎥᏝ ᏱᏍᏗᎦᏔᎭ ᏄᏍᏛ ᎢᏍᏗᏔᏲᎯᎲᎢ. ᏥᏌ ᏰᎵᏉ ᎨᏍᏓᏗᏔᏍᏗ ᎤᎵᏍᏈᏗ ᎾᏍᎩ ᎠᏆᏗᏔᏍᏗ ᏥᎩ? ᎠᎴ ᏗᎦᏰᏍᏓᏬᏍᏗ ᎾᏍᎩ ᏗᏓᏬᏍᏗ ᎨᏒ ᎾᏍᎩ ᎥᏆᏬᏍᏙᏗ ᏥᎩ?\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎠᎾᎢᏒᎢ, ᎾᏍᎩ ᎢᎸᎯᏢ ᎦᏚᎲ ᎤᎷᏤᎢ; ᎩᎶᏃ ᎢᏳᏍᏗ ᎠᎨᏴ ᎹᏗ ᏧᏙᎢᏛ ᏚᏓᏂᎸᏤ ᎦᏁᎸᎢ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎯ ᎢᏨᏒ ᎨᏒ ᎤᏙᎯᏳᎯ ᏗᏥᏲᎱᏒᎯ ᎨᏒ ᎢᏣᏓᏓᏅᏖᏍᎨᏍᏗ ᎠᏍᎦᏂ ᎤᎬᏩᎵ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏤᎵ ᎤᎬᏩᎵ ᏗᏨᏃᏛ ᎨᏒ ᏥᏌ ᎦᎶᏁᏛ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᎢᏳᏩᏂᏌᏛ.\n”ᎤᏬᏍᎩᎵ.\nᎠᎴ ᏚᏗᏅ ᎠᏕᎸ ᎾᎿ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎤᏄᎪᏤᎢ, ᎠᎴ ᎢᏴᏛ ᏭᎶᏒ, ᎤᏩᏒ ᏭᏓᏛᏁᎢ.\nᎾᏍᎩ ᎯᎠ ᏄᏪᏒᎩ, ᎾᏍᎩ ᎢᏳᎵᏍᏓᏁᏗᏱ ᎤᏲᎱᎯᏍᏗᏱ ᎦᏛᎬᎩ.\nᎿᏉᏃ ᎤᏂᏍᏆᏛ ᎾᏍᎩ ᎤᏂᏃᎮᏗ ᎨᏒᎢ, ᏅᎩ-ᏗᎦᏅᏌᏗ ᎾᏍᎩ ᏫᎾᏍᏛᎾ ᎠᏔᎴᏒ ᏨᏗᎦᎾᏄᎪᎦ ᏓᎿᏩ ᏅᏓᎬᏁᎵ ᏓᏳᎾᏡᏔᏂ, ᎠᎴ ᏓᏳᏂᏎᎪᎩᏏ, ᎠᎴ ᏓᏓᏳᏂᎵ.\nᎾᏍᎩᏍᎩᏂ Ꮎ ᎣᏒ ᎦᏙᎯ ᏣᏫᏎᎢ; ᎾᏍᎩ ᏣᏛᎩᏍᎪ ᎧᏃᎮᏛ ᎠᎴ ᏥᎪᎵᎪᎢ, ᎠᎴ ᎾᏍᏉ ᏣᎦᏔᏛᏍᎪᎢ, ᎠᎴ ᏥᎦᎾᏄᎪᏫᏍᎪᎢ, ᎢᎦᏛ ᎠᏍᎪᎯᏧᏈ ᎤᏁᏉᏨ Ꭿ, ᎢᎦᏛᏃ ᏑᏓᎳᏍᎪᎯ, ᎢᎦᏛᏃ ᏦᎠᏍᎪᎯ.\nᎠᏎᏃ ᏈᏓ ᎥᏗᎣᎩ ᏭᎷᏨ ᎬᏂᎨᏒ ᏕᏥᎦᏘᎸᏒᎩ, ᎦᏰᎫᎢᏍᏙᏗᏰᏃ ᎨᏒᎩ.\nᏥᏳᎯᏃ ᎤᏣᎢᏒ ᎩᎳᏉ ᎢᏴᏛ ᏚᏠᏎ ᎠᏍᎦᏯ ᏓᏓᏂᏌᎲ ᏅᏓᏳᎶᏒᎯ ᎦᏓᎭ ᎠᏓᏅᏙ ᎤᏯᎢ,\nᎦᏙ ᎤᏍᏗ ᎾᏍᎩ Ꮎ ᎠᎾᏙᎴᎰᏍᎩ ᎨᏒ ᏗᏥᎦᏴᎵᎨ ᎥᏝ ᎤᏲ ᎢᏳᏅᏁᎸᎯ ᏱᎩ? ᎠᎴ ᏕᎤᏂᎸ ᎤᎾᏙᎴᎰᏛᎯ ᎬᏂᎨᏒ ᎢᏳᏅᏁᎸᎯ ᎤᎷᎯᏍᏗᏱ ᎾᏍᎦᏅᎾ ᎾᏍᎩ ᏂᎯ ᎡᏥᎶᏄᎡᎸᎯ ᎠᎴ ᎡᏥᎸᎯ ᏥᏄᎵᏍᏔᏅ;\nᏫᎵᎻ ᎤᏓᎾᏫᏛᎮ ᎤᎵᏗᏍᎩᏎᎢ.\nᎠᎩᏫᏯᏰᏃ ᎤᏙᎯᏳᏒ ᎠᎵᏍᏓᏴᏗ, ᎠᎴ ᎠᎩᎩᎬ ᎤᏙᎯᏳᏒ ᎠᏗᏔᏍᏗ.\nᏍᎪᏯ ᎦᏥᎶᏅᎮᏗ ᏱᎩ,” ᏰᎵᏉ ᏱᏥᎶᏅᎥᎳ ᎠᏍᎦᏯ ᎤᏪᎵᏎ ᏌᎳᏓ, ᏴᏫ ᎨᏍᏗ ᏍᎪᏯ ᎾᏂᏌᎹᏗᏴ ᏱᎾᏂᏌᎹᏗᏯ ᏴᏫ.” \nᏂᎯ ᎢᏣᏓᏙᎵᏍᏓᏁᎭ ᎪᎱᏍᏗ ᎾᏍᎩ ᏂᏥᎦᏔᎲᎾ; ᎠᏴᏍᎩᏂ ᎣᏥᎦᏔᎭ ᎢᏳᏍᏗ ᎣᏣᏓᏙᎵᏍᏓᏁᎲᎢ; ᎠᏂᏧᏏᏰᏃ ᎠᏁᎲ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᏅᏓᏳᎾᏄᎪᎢᏍᏗ.\n(ᎠᏓᏅᏙᏰᏃ ᎦᎾᏄᎪᏫᏍᎪ ᏂᎦᎥ ᎣᏍᏛ ᎨᏒ ᎠᎴ ᏚᏳᎪᏛ ᎨᏒ ᎠᎴ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎨᏒᎢ,)\nᎢᎸᎯᏳᏃ ᎢᏴᏛ ᎤᎷᏤ ᎾᏍᎩ ᎨᏥᏅᏏᏓᏍᏗ ᎤᏂᎾᏝᎢ, ᎣᏍᏛᏃ ᏄᏅᏁᎴᎢ.\nᎠᎹ ᎤᎷᎯᏍᏗ ᎤᎾᏓᏍᏓᏴᏗ ᎦᏙᎨ ᏲᎾ ᎤᏤᏍᏙ ᏧᏃᏩ ᏓᎧᏲᏗᏍᎨ ᏑᎾᎴᎢ ᎤᎾᎵᏍᏓᏴᏅᎢ, ᎤᏥᎯ ᏕᎬᏗᏰᏍᎨᎢ ᏧᏃᏩ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎤᏪᎿᎢ ᏴᏫ ᎠᏍᏓᏱᏳ ᏭᏴᏍᏗᏱ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎠᎱᏍᏕᏍᏗᏰᏃ ᎨᏒ ᎤᏙᎯᏳᎯ ᏣᏍᏕᎵᎭ ᎢᏳᏃ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᏱᎿᏛᏁᎭ; ᎢᏳᏍᎩᏂ ᎯᏲᏍᏗᏍᎩ ᏱᎩ ᏗᎧᎿᏩᏛᏍᏗ, ᎡᏣᎱᏍᏕᏎᎸᎯ ᎨᏒ ᎡᏣᎱᏍᏕᏎᎸᎯᏉ ᏂᎨᏒᎾ ᏂᎦᎵᏍᏗᎭ.\nᎾᏍᎩ ᎦᎸᎳᏗ ᏭᏕᏗ ᏥᎩ ᎬᏂ ᎾᎯᏳ ᎠᎵᏱᎶᎸᎭ ᎤᏓᏁᏟᏴᏍᏗ ᎨᏒ ᏂᎦᎥᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏁᏨᎯ ᏥᎩ ᏧᏤᎵ ᎨᏥᎸᏉᏗ ᎠᎾᏙᎵᎰᏍᎩ ᏗᏂᎰᎵ ᏧᏩᏔᏅᎯ ᏥᎩ, ᎡᎶᎯ ᏧᏙᏢᏅᎢ ᏅᏓᎬᏩᏓᎴᏅᏛ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᎪᎴᏏᏂ, ᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏇᏣᏱᏗ; ᎢᏳᏰᏃ ᎤᏍᏆᏂᎪᏗ ᏕᎦᎸᏫᏍᏓᏁᎸ ᏂᎯ ᎢᏤᎲ ᏱᏙᎦᎸᏫᏍᏓᏁᎴ ᏔᏯ ᎠᎴ ᏌᏙᏂ, ᎪᎯᎩ ᏗᎬᏩᏂᏁᏟᏴᏛ ᏱᎨᏎ ᏚᎾᏓᏅᏛᎢ, ᏧᏏᏕᎾ ᏱᏚᎾᏄᏬᎡ ᎠᎴ ᎪᏍᏚ ᏳᎾᏓᏅᎵᏰᎡᎢ.\nᎠᎴ ᎾᏍᎩ ᎤᎵᏁᏨ ᎬᏂᏛ ᎠᏓᏁᎯ ᎨᏒ ᎠᏓᎯᎯᏉ ᎾᏆᎵᏍᏓᏁᎸᎩ ᎠᏴ.\nᎤᏬᎯᏳᏁ ᏫᎵᎻ.\nᎤᏠᏱᎭᏉ ᎨᏎᏍᏗ ᏕᏣᏓᏓᏅᏖᏍᎬᎢ. ᏞᏍᏗ ᏱᏣᎦᏌᏯᏍᏕᏍᏗ ᎪᎱᏍᏗ ᎦᎸᏉᏗ ᎨᏒᎢ, ᏕᏤᎳᏗᏙᎮᏍᏗᏍᎩᏂ ᎤᎾᏓᏙᎵᏍᏗ. ᏞᏍᏗ ᎢᏥᎦᏔᎾᎢ ᏱᏣᏓᏰᎸᏎᏍᏗ.\nᏕᏧᎬ ᎾᎥᏂ ᏧᏏᏩ.\nᎭᏫᏂ ᎤᏛᎸᎮᎢ ᏫᎵᎻ.\nᎢᏣᏛᎦᏅᏰᏃ ᏄᏍᏛ ᏧᏩᎫᏔᏅᏒ ᎠᏆᎴᏂᏙᎸ ᎠᏂᏧᏏ ᏧᎾᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᏕᏥᎦᎿᏩᏗᏒᎢ, ᎾᏍᎩ ᎤᎶᏒᏍᏔᏅᎯ ᎦᏥᏯᏕᏯᏙᏔᏅ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ, ᎠᎴ ᏕᏥᏛᏔᏅᎢ.\nᎢᎬᏱᏃ ᏩᎦᏊ ᎠᎴᏱᎩ ᎪᎱᏍᏗᏊ ᏄᏓᎴ ᎦᎾᏝᎢ ᏱᎡᏙᎭ ᎣᎨᎵᏒᎢ.\nᏍᎩ.”\nᎯᎠ ᏄᏂᏪᏒᎩ, ᎢᏨᏯᎵᏒᎵᏤᎭ, ᏂᎯ ᏣᎬᏫᏳᎯ ᏣᏁᎳᏅᎯ, ᏫᎾᏍᏛᎾ ᏣᎵᏂᎩᏛ, ᏂᎯ ᎾᏍᎩ ᏤᎭ, ᎠᎴ ᎾᏍᎩ ᏤᎲᎩ, ᎠᎴ ᎾᏍᎩ ᏤᎮᏍᏗ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᏥᏣᎩᏒ ᎤᏣᏘ ᏣᎵᏂᎩᏗᏳ ᎨᏒᎢ, ᎠᎴ ᏣᎬᏫᏳᎯ ᏥᏂᏣᎵᏍᏔᏅ.\nᎢᏨᎨᏳᎢ, ᏞᏍᏗ ᏱᏣᏞᎨᏍᏗ, ᎢᏥᎳᏅᏓᏕᎮᏍᏗᏍᎩᏂ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ; ᎯᎠᏰᏃ ᏂᎬᏅ ᎪᏪᎳ, ᎠᏞᎢᏍᏗ ᎨᏒ ᎠᏴ ᎠᏆᏤᎵᎦ; ᎠᏴ ᏓᎦᎫᏴᎯ, ᎠᏗᎭ ᏱᎰᏩ.\nᎤᏂᏃᏕᎾ ᏚᏩᎧ ᎰᎻ, ᏣᎨ?”\n“ᎢᏨᏯᎵᎡᎵᏤᎭ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎤᏟᏍᏔ ᎤᏂᏯᎦᎵᏴᎲ ᎦᏙ ᎠᏂᏲᏍᎩ.\nᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᏴᏫ ᏗᏂᏩᎾᎦᎳ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏄᏅᏁᎰᎢ; ᎧᏁᏨᎯᏍᎩᏂ ᎠᏎᎵᏔᏅᎯ ᎠᏍᏓᏱᏗᏍᏔᏅᎯ ᎨᏒᎢ, ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎤᎵᏁᏨ ᎣᏂ ᏧᎵᏁᏤᎢ, ᎤᏪᏥ [ᎠᏥᎸᎨᎶᎯ] ᏄᏩᏁᎴ ᎾᏍᎩ ᏂᎪᎯᎸ ᎦᎷᎶᎩ ᏂᎨᏒᎾ ᏥᎩ.\nᎾᏁᏳ ᎡᎶᏛ ᏅᎩ ᎢᎦᏚᎩ ᎨᏒ ᏍᏓᏚᎩ ᎠᏥᏕᏘᏗᏍᏗ ᎤᏛᎦᏁ ᏕᎦᏃᏣᎸ ᏥᏌ.\nᏣᎵ ᏚᎭᏄᏮ ᏃᎴ ᏧᏍᏆᏅᎾ ᎦᏓᏁ ᏃᎴ ᏗᎦᎨᏛ ᏂᏚᎵᏍᎦᏅ.\nᎥᏝ ᎠᎴ ᏴᏫ ᏗᏂᎭᏄᎸᎯ ᎠᎴ ᏩᎦ ᎠᏂᎩᎾ ᎤᏂᎩᎬ ᎬᏗᏍᎬᎢ, ᎤᏩᏒᏍᎩᏂ ᎤᎩᎬ ᎬᏗᏍᎬᎢ, ᏌᏉ ᏄᏴᎴ ᎦᎸᏉᏗᏳ ᏗᎨᏒᎢ, ᎿᏉ ᎾᏍᎩ ᏫᎾᏍᏛᎾ ᎠᎫᏴᏙᏗ ᎢᎩᏩᏛᎡᎸ.\nᎾᏍᎩ ᎩᎶ ᎠᏥᏖᎸᏗᏱ ᏂᎨᏒᎾ ᎯᎠ ᎾᏍᎩ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᎢᏳᏩᏂᏌᏛ; ᎢᏨᏒᏰᏃ ᎢᏥᎦᎳᎭ ᎾᏍᎩ ᎢᎦᎵᏍᏓᏁᏗᏱ ᎡᎩᏁᏤᎸᎯ ᎨᏒᎢ.\nᏍᎩᎾᎾ ᏍᏉ ᎤᏩᏎ ᎪᏪᎵ ᎤᏙᏗ, ᎨᏍᏗ ᎪᎱᏍᏗ ᏱᏚᎵᎬᏩᎳᏁᎳ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᎩᎶ ᏱᏗᏧᎪᏓᏁᎮᏍᏗ ᎠᎵᏍᏓᏴᏗ ᎤᎬᏩᎵ, ᎠᎴ ᎠᏗᏔᏍᏗ, ᎠᎴ ᎦᎸᏉᏗ ᎢᎦ, ᎠᎴ ᎢᏤ ᏅᏙ ᎠᏢᏁᎬᎢ, ᎠᎴ ᏚᎾᏙᏓᏆᏍᎬ ᎢᎦ;\nᎪᎯᏳᏗᏃ ᎨᏒ ᎯᎠ ᏄᏍᏗ ᎦᏛᎬᎢ, ᎤᎵᏂᎩᏛ ᎪᎯᏳᏗᏱ ᎠᎪᏩᏛᏗᏱ ᎨᏒ ᏄᏍᏛ ᎤᏚᎩ ᎣᏩᏒᎢ, ᎠᎴ ᏄᏜᏏᏛᏒᎾ ᎢᏳᏓᎵᏍᏓᏁᏗᏱ ᎡᎲ ᎾᏍᎩ Ꮎ ᎠᏏ ᎠᎪᎲᎯ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎠᏴ ᎠᏆᏓᏅᏘ ᎠᏫ-ᏗᏥᎦᏘᏯ. ᎤᏓᏅᏘ ᎠᏫ-ᏗᎦᏘᏯ ᎬᏅᎢ ᎡᎳᏗ ᏓᏁᎰ ᎠᏫ.\nᏃᏗ ᎡᎳᏗ ᏭᏅᏍᏔᏁᎢ, ᏔᎵ ᏚᏏᎳᏛᏁ.\nᎤᏂᏲᎴᏃ. ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎦᎪ ᎯᎠ ᏓᎦᏟᎶᏍᏗ, ᎠᎴ ᎦᎪ ᎠᏥᏃᎮᏎ ᎯᎠ ᏥᎦᏪᎳ? ᏏᏌ, ᎢᎬᏬᏎᎴᎢ.\nᏂᎦᏓ ᏗᎩᎷᏂᏗᏍᎬ ᏔᎵᏍᎪ ᎢᎦᏕᏘᏴᏓ.\nᎠᎴ ᎤᏣᏘ ᎤᏗᎴᎩ ᎨᏒ ᏕᎨᏥᎴᏴᏙᏔᏅᎩ ᏴᏫ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏚᏙᎥ ᎤᏂᏐᏢᎢᏍᏔᏅᎩ, ᎾᏍᎩ ᎠᏓᏅᏖᏍᎬᏉ ᎢᎬᏩᏁᎵᏓᏍᏗ ᏥᎩ ᎯᎠ ᎾᏍᎩ ᎤᏕᏯᏙᏗ ᎨᏒᎢ; ᎠᎴ ᎥᏝ ᏱᏚᏂᏁᏟᏴᏎ ᏚᏁᏓᏅᏛ ᎾᏍᎩ ᎬᏩᎸᏉᏙᏗᏱ.\nᎠᏒᏛᏛ ᎨᏎ.\nᎾᏍᎩᏃ ᎾᏂᏪᏍᎬᎢ ᎦᏂᎳ ᏚᏂᏲᏍᏙᏓᏁᎴ ᎤᏂᏣᏘ ᎠᏥᎸ-ᎬᏩᏁᎴᏗᏱ ᎠᎾᏓᏅᏖᏍᎬᎢ.\nᎦᏙᎭᏃ ᏱᎩ?\nᎤᏂᏣᏛᎩᏃ ᎤᏃᎯᏳᏅᎯ ᎤᏂᎷᏨᎩ, ᎠᏂᏃᎲᏍᎬ ᎠᎴ ᎬᏂᎨᏒ ᎾᏅᏁᎲᏚᏂᎸᏫᏍᏓᏁᎸᎢ.\nᎠᏟᏰᎵᏒ, ᏏᏅᏓ ᏃᎴ ᏚᏕᏘᏴᏌᏗᏒ ᏕᎦᎷᎬ ᏃᎴ ᏕᎦᎶᏐᎲᏍᎬ ᎨᏍᏗ ᎧᏂᎩᏓ ᏱᎨᏎ ᏧᎵᎢ.\nᎠᏴᏰᏃ ᎤᏙᎯᏳᎯ ᎠᎩᎪᏁᎳ ᏥᏰᎸ ᎨᏒᎢ, ᏥᎦᏔᏩᏕᎦᏍᎩᏂ ᎠᏆᏓᏅᏙᎩᎯ, ᎦᏳᎳ ᏥᏥᎦᏔᏩᏕᎪ ᎾᏍᎩᏯᎢ ᏕᏥᏳᎪᏓᏁᎸ ᎾᏍᎩ ᎯᎠ ᎢᏳᏛᏁᎸᎯ,\nᎤᏍᏗ ᎠᏣᏗ, ᎭᏓᏬᏣ.\nᎤᏍᏆᏂᎩᏗ ᏏᏆ.”\n“ᏰᎵ ᎤᏓᏂᎳ ᏌᎳᏓ.\nᎦᏲᏟ ᎠᏍᎦᎢᎮ ᎤᏍᏗ ᎠᏣᏗ, ᎠᏎᏃ ᎾᎥᏂ ᏭᎷᏤ, ᏏᏲ, ᎤᏍᏗ ᎠᏣᏗ ᎬᏉᏎᎰ ᏃᎴ ᎨᏍᏗ ᎯᎸᎯᏳ ᏥᎪᎥ ᏱᎩ ᎠᏣᏗ ᏂᎯ ᎢᏳᏍᏗ.\nᎠᎴ ᏯᏃᎩᏳ ᎤᏲ ᏂᎦᏥᏴᏁᎲ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏕᎨᏌᏗᏒᎢ,ᎠᎴ ᎤᏂᏐᏢᎢᏍᏙᏗᏱ ᏂᎦᏥᏴᏁᎲᎩ; ᎤᏣᏔᏅᎯᏃ ᎦᏥᏂᏆᏘᎲ ᎾᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏲ ᏂᎦᏥᏴᏁᎲ ᏅᏩᏓᎴ ᏙᏗᎦᏚᎲ ᏫᎦᏥᎨᎰᎢᎲᎩ.\nᎤᏲᏰᏃ ᎢᏳᎾᏛᎿᏕᎩ ᏂᎪᎯᎸ ᎨᏤᎳᏗᏙᎭ, ᎠᎴ ᎢᏳᏉ ᎢᏤᎴᏍᎬᎢ ᎣᏍᏛ ᏱᏂᏕᏣᏛᏂᏏ; ᎠᏴᏍᎩᏂ ᎥᏝ ᏂᎪᎯᎸ ᏱᏨᏰᎳᏗᏙᎭ.\nᎢᏳ ᎠᎴ ᏚᏳᎪᏕᏍᏗ ᎾᏍᏉ ᎠᏴ ᎠᏇᏅᏍᏗᏱ, ᎾᏍᎩ ᏓᏲᏤᏅᏍᏔᏂ.\nᎣᎭᏁ, ᎠᏫ, ᎦᎾᏌ ᏃᎴ ᎠᏫ ᎢᏳᏍᏗ ᏛᎠᏂᎷᏥ ᏃᎴ ᎡᏘᏴ ᏄᎾᏛᏁᎵᏙᎸ ᏛᎤᏂᎷᏤᎵ.\nᎢᏨᏔᏲᏎᎭ ᏂᎯ ᏗᏦᎯᏳᏗᏱ ᎾᏍᎩ ᎢᏳᎾᏍᏗ, ᎠᎴ ᎾᏂᎥ ᎢᏧᎳᎭ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎠᎾᎵᏂᎬᏁᎯ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏤᏣᏓᏂᎸᎩ ᎤᎬᏫᏳᎯ ᏗᎧᎿᏩᏕᎩ ᎨᏒ ᎢᏳᏍᏗ ᎤᏣᏘ ᎣᏏᏳ ᎠᏰᎸᏗ ᎢᏨᏓ; ᎠᎴ ᎾᏍᎩ ᎢᏳᎾᏍᏗ ᏕᏥᎸᏉᏕᏍᏗ;\nᏴᏫ ᏂᏂᏫ ᏣᏁᎲᎩ ᏙᏛᎾᎴᏂ ᏓᎬᏩᎾᏡᏔᏂ ᎪᎯ ᏣᏁᎭ, ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏒᎢ, ᎠᎴ ᎤᏂᏍᎦᏅᏨ ᎬᏂᎨᏒ ᎤᏛᏅᏁᎵ; ᎾᏍᎩᏰᏃ ᏚᎾᏓᏅᏃ ᏚᎾᏓᏅᏛ ᏚᏂᏁᏟᏴᏒᎩ ᏦᎾ ᎠᎵᏥᏙᎲᏍᎬ ᏄᏩᏂᏌᏅᎩ, ᎬᏂᏳᏉᏃ ᎠᏂ ᎡᏙᎭ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎡᏍᎨᏉ ᏦᎾ.\n”ᎲᎦ ᎢᏯᏂ?” ᎤᏛᏛᏁ ᎡᎶᏗ.\nᎠᏁᎷᏁᏃ ᏌᏉ ᎢᎦᎦᏛ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎯᎷᎦ ᎯᎠ ᎠᏍᎦᏯ, ᏆᎳᏆᏃ ᏗᏍᎩᏲᎯᏏ.\nᏃᏗ ᏧᏁᎸᏗ ᏕᎦᏅᏙᎬᎢ ᏗᎬᏗ ᎤᎴᏅᎮ ᏓᎦᎵᏍᎬ ᏓᏏᎳᏛᎢ, ᏧᏪᏥ ᏗᎦᏅᏙᏗ ᏚᏂᏴᏙᏛ ᎧᏅᏑᎸᎢ.\nᎿᏉᏃ ᏄᎬᏫᏳᏒ ᎠᏥᎸᎨᎶᎯ ᎤᏛᏛᏅᎩ ᏥᏌ, ᎬᏩᏍᏓᏩᏗᏙᎯ ᎠᎴ ᏄᏍᏛ ᏓᏕᏲᎲᏍᎬ ᎤᎬᏩᎵ.\nᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎩᎶ ᏓᏓᏂᎸᎨᏍᏗ ᏥᏅᏏᏛ, ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ, ᎩᎶᏃ ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ, ᎤᏛᎩᏅᏏᏛ ᏓᏓᏂᎸᎨᏍᏗ.\nᏆᎴᏗᏱ ᎤᏪᏅᏎᎢ, ᏥᏌ ᎠᏰᎸᎢ ᏭᏔᏲᎴᎢ, ᎿᏉᏃ ᏆᎴᏗ ᎤᏁᏤ ᎠᏰᎸᎢ ᏧᏂᏲᎯᏎᏗᏱ.\nᎢᏗᎦᏔᎭᏰᏃ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏓᏅᏙ ᎤᏠᏱ ᎨᏒᎢ; ᎠᏴᏍᎩᏂ ᎤᏇᏓᎵ ᎠᏆᏘᏂ-ᏙᎯ, ᎥᎩᎾᏗᏅᏛ ᎠᏍᎦᏂ ᎠᎩᎾᏢᏗᏱ.\nᏫᏤᎾᏉ ᏚᏬᏎᎸ ᏁᏂᏏ ᎠᏂᏍᎦᏯ, ᏣᎵ, ᎶᏩᏂ, ᏣᏥ ᏃᎴ ᏤᎩ.\nᎾᏍᎩ ᎯᎠ ᏣᎾᏕᎦᏪᏎᎮᎢ, ᎨᎾ, ᎤᏍᏗ ᎠᎨᏳᏣ, ᎨᎾ ᏣᎵᏏ ᏩᏣᏔᏬᎢᏏ ᏍᏔᏰᎬᎢ.\nᏭ-ᏣᎢᏒᏃ, ᏚᏠᏎ ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎦᏚᎲ ᏅᏓᏳᏄᎪᏨᎯ, ᎪᎯᏗᏳ ᎠᏂᏍᎩᎾ ᎬᏩᏯᎢ ᏂᎨᏎᎢ, ᎠᎴ ᎥᏝ ᏱᏓᏄᏬᏍᎨᎢ, ᎥᏝ ᎠᎴ, ᎠᏓᏁᎸ ᏯᏕᎲᏍᎨᎢ, ᏓᏤᎵᏍᏛᏉᏍᎩᏂ.\nᏗᎧᎿᏩᏛᏍᏗᏍᎩᏂ ᎤᏙᏢᏁ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎤᏁᏉᎢᏍᏗᏱ. ᎠᏎᏃ ᎾᎿ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎤᏁᏉᏥᏕᎬ ᎾᎿ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏟᎯᏳ ᎤᏁᏉᏥᏕᎬᎩ;\nᎧᏅᏩᏅ ᏏᏆ ᎭᏫᏯ, ᎪᎢ, ᎠᎹ ᎠᏑᏱ ᎪᏒᏅ, ᎤᏁᎦ ᏎᎷ ᎢᏣ, ᎤᏂᎧᎭᏲᏓ ᏚᏯ, ᏁᏩᏓ, ᎤᏂᎧᏲᎭᏓ ᏒᎧᏔ ᏃᎴ ᏆᎾ, ᎠᎪᏗ ᎤᎧᏔ, ᎤᎵᏏᎩ ᎧᎵᏎᏥ, ᎠᏑᏴᏗ, ᎬᏂᎨ ᎫᎵᏙᏗ, ᎠᏂᏤ ᎧᏫ ᏚᏯ ᏃᎴ ᎤᏍᏗ ᏗᏍᏙᏍᏙᏗ.\nᎥᏝ ᎡᎶᎯ ᎠᏁᎯ ᏱᎩ, ᎾᏍᎩᏯ ᎠᏴ ᎡᎶᎯ ᎨᎢ ᏂᎨᏒᎾ ᏥᎩ.\nᎿᏉᏃ ᏂᎯ ᏫᏙᏓᎨᏥᏲᏏ ᎢᏥᎩᎵᏲᎢᏍᏗᏱ, ᎠᎴ ᏙᏓᎨᏥᎵ; ᎠᎴ ᏂᎦᏗᏳ ᏄᎾᏓᎴᏒ ᏴᏫ ᎨᏥᏍᎦᎨᏍᏗ ᎠᏴ ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᏂᎯ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎭᏢ ᏣᏓᏨᏯᏍᏗᎨᏒᎢ? ᏂᎯ ᏗᏓᏂᏐᏗᏱ ᎨᏒᎢ, ᎭᏢ ᏣᏓᏎᎪᎩᏍᏗ ᎨᏒᎢ?\nᎯᎠᏰᏃ ᎠᏲᎩ ᎨᏒ ᎠᏲᎩ ᏂᎨᏒᎾ ᏛᏄᏬᏍᏔᏂ, ᎠᎴ ᎯᎠ ᎾᏍᎩ ᎠᏲᎱᏍᏗ ᎨᏒ ᎠᏲᎱᏍᎩ ᏂᎨᏒᎾ ᏛᏄᏬᏍᏔᏂ.\nᎤᏂᏣᏘᏃ ᎤᏂᎪᎲ ᏄᏛᏁᎸ ᏉᎳ ᎤᏂᏌᎳᏓᏁ ᎠᏂᏁᎬᎢ, ᎵᎨᎣᏂᏯ ᎠᏁᎯ ᎤᏂᏬᏂᎯᏍᏗ ᎤᏅᏔᏁ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎦᎸᎳᏗ ᎠᏁᎯ ᎠᎾᏠᎠᏏᎦ ᏴᏫ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᎢᏳᎾᏍᏗ.\nᎠᏆᏛᎦᏅ Canada.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᏕᎩᎪᏩᏗᎭ ᎤᏂᏣᏘ ᎨᏣᏁᏄᎳᏍᏗᏍᎬ, ᏥᎪᏃ ᎦᎪ ᎠᏆᏒᏂᎦ ᎢᎭᏗᎭ?\nᎠᏎᏃ ᎨᏍᏗ ᎯᎸᎯᏳ ᎠᏆᏛᎦᏅ ᏱᎩ ᎩᎶ ᎤᎵᏬᏨ ᎤᏓᏅᏙᎩ ᎤᏲᏤᎸ ᎠᏯ ᎤᏰᎸᏗ.\nᎾᏍᎩ ᎦᎶᏁᏛ ᎤᏁᎳᏗᏍᏗᏱ ᏗᏥᎾᏫᏱ ᎪᎯᏳᏗ ᎬᏙᏗ ᎨᏒᎢ; ᎾᏍᎩ ᏂᎯ ᎠᏓᎨᏳᏗ ᎨᏒ ᏗᏣᎵᎾᏍᏕᏝᏗᏍᏔᏅᎯ ᎠᎴ ᏗᏣᎵᏍᏓᏱᏗᏍᏔᏅᎯ ᎨᏒᎢ,\nᎤᏂᏣᏘᏃ ᏚᏂᏁᏤᎸᎩ ᎡᎳᏪᏱ ᎤᏅᏗᏱ. ᎠᏎᏃ ᎤᏟᏉ ᎢᎦᎢ ᎤᏁᎷᏅᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ, ᏍᎩᏂᏙᎵᎩ, ᏣᎬᏫᏳᎯ ᏕᏫ ᎤᏪᏥ.\nᎤᏪᏴ ᎾᎥ ᏥᏍᏚ ᎠᎴ ᏌᎶᎵ ᏓᎾᏟᏃᎮᏍᎬ.\nᏂᎦᏛᏃ ᎤᎾᏛᎦᏅᎯ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏎᎢ; ᏝᏍᎪ ᎾᏍᎩ ᎯᎠ ᏱᎩ ᏥᏓᎩᎵᏲᎢᏍᏙᏗᏍᎬ ᏥᎷᏏᎵᎻ ᎯᎠ ᏕᏅᏙᎥ ᎠᏂᏁᎢᏍᏗᏍᎩ? ᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂ ᎤᎷᏨᎩ, ᎾᏍᎩ ᏧᎸᏍᏗ ᏫᏚᏘᏃᎮᏗᏱ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ.\nᎠᎴ [ᏥᎾᏰᏍᎦ.] ᏔᎵᏁ ᏫᏥᎷᏨᎭ, ᎠᏆᏁᎳᏅᎯ ᎠᏆᏕᎰᎯᏍᏙᏗᏱ ᎢᏥᎦᏔᎲᎢ, ᎠᎴ ᎦᏥᏍᎪᏂᏍᏗᏱ ᎤᏂᏣᏘ ᎦᏳᎳ ᎤᏂᏍᎦᏅᏨᎯ ᏥᎩ, ᎠᎴ ᎤᏲ ᏄᏂᏰᎸᏅᎾ ᏥᎩ ᎦᏓᎭ ᏄᎾᏛᏁᎸᎢ, ᎠᎴ ᎤᏕᎵᏛ ᏚᎾᏂᏏᏅᎢ, ᎠᎴ ᎤᎾᎵᏐᏢᎢᏍᏔᏅᎢ.\nᎠᎪᏙᏗ ᎾᏍᎩᏯᎢ, ᎾᏍᎩ ᎠᎨᏴ ᏧᎩᏎ ᎠᎴ ᏧᏑᏴᏁ ᏦᎢ ᎢᏳᏠᎶᏛ ᎢᏒ ᎦᎸᎢ, ᎬᏂ ᏂᎦᏛ ᎤᏬᏘᏐᏅ.\nᏣᏄᏏ ᎤᏅᏕ ᏫᎵᎻ, ᎩᏟ ᏭᏂᏴᎮ.\nᎤᏂᏍᏆᏛᏃ ᎢᎪᎯᏛ ᏚᎵᏒᏍᏛᎢ, ᎥᎤᎾᏨᏏᏗᏒ ᎠᏲᎵ ᏥᏌ ᏥᎷᏏᎵᎻ ᏗᎤᏗᎩᏰᎢ, ᏦᏩᏃ ᎠᎴ ᎤᏥ ᎥᏝ ᏱᏁᎵᏍᎨᎢ.\nᎢᎦ ᎢᏴ ᎤᏲᎯᏍᏔᏅ, ᎤᏍᏘ ᎤᏬᏔᏅ ᏃᏥ ᏧᏍᏙᏰᏛ ᏃᎴ ᎠᏓᏯ ᎠᏓ ᏚᏮᏔᏅ.\nᎾᎯᏳᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎤᏂᏣᏘ; ᏥᎪ ᎦᏃᏍᎩᏍᎩ ᏥᏥᏲᎰ ᎾᏍᎩᏯ ᎢᏥᎷᎩ ᏍᎩᏂᏴᎯᎦ, ᎠᏰᎳᏍᏗᏗᎦᏅᎯᏛ ᎠᎴ ᎠᏓ ᏗᏥᏁᎯ? ᏂᏚᎩᏨᏂᏒ ᎢᏧᎳᎭ ᎢᏗᏅᎩ ᏕᎦᏕᏲᎲᏍᎬᎩ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎥᏝᏃ ᏱᏍᎩᏂᏱᏍᎨᎢ.\nᎠᏂᏩᏥᏂ ᏛᎾᏈᏴ ᎤᏂᏲᎰᏎᎸ ᏭᏕᎵᎬ ᏩᏂᎷᏨ.\nᏧᏳᎪᏘ ᎨᏒ ᏣᎳᎩᏱ ᎠᏰᎵ ᏙᏰ ᏕᎨᏥᎴ ᎣᎬᏌ ᎣᎦᏤᎵᎪ.\nᏥᎷᏏᎵᎻᏃ ᎡᏙᎲ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎢᏳ ᎨᏒᎢ, ᎤᏂᏣᏛᎩ ᎤᏃᎯᏳᏅ ᏚᏙᎥᎢ, ᎤᏂᎪᎲ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎸᎢ.\nᎠᏎᏃ ᎪᎯ ᎨᏒ ᏂᎯ ᎾᏍᏉ ᎯᎠ ᏂᎦᏛ ᎢᏴᏛ ᏂᏕᏨᏁᎭ; ᎠᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ, ᎧᎾᎸᎢᏍᏗ ᎨᏒᎢ, ᎠᏓᏂᏆᏗᏍᏗ ᎨᏒᎢ, ᎠᏐᏢᎢᏍᏙᏗ ᎨᏒᎢ, ᎤᏁᎢᎸᏗ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᏗᏥᎰᎵ ᏅᏓᏳᏄᎪᏨᎯ.\nᎾᏍᎩᏃ ᏄᎾᏛᏁᎴᎢ, ᏫᏚᏂᏁᎴ ᏗᎨᎦᏁᎶᏗ ᏆᏂᏆ ᎠᎴ ᏐᎳ ᏚᎾᎨᏅᏕᎢ.\nᏂᎯᏃ ᎨᏆᏂ ᎦᎸᎳᏗ ᎢᏴᏛ ᏤᏣᏌᎳᏓ, ᏨᏍᎩᏃᎢ ᏴᏓᏰᎶᎥᏔᏂ; ᎢᏳᏰᏃ ᎤᏍᏆᏂᎪᏗ ᏕᎦᎸᏫᏍᏓᏁᎸ ᏂᎯ ᎢᏤᎲ ᏱᏙᎦᎸᏫᏍᏓᏁᎴ ᏐᏓᎻᏱ, ᎠᏏ ᎪᎯ ᎨᏒ ᏱᏂᎬᏩᏍᏕᏉ.\nᏎᎦ ᎤᎦᏘᏛ ᎠᏓᏅᏖᎵᏙ, ᎤᎦᏙᏍᏛ ᏧᎦᏒᏍᏗ ᏓᎴᎲᏍᎬ ᎦᏅᏃᏩ.\nᏚᎴᏅ ᏣᎵ, ᎠᏓ ᏗᏍᏆᎸᎦᏒ ᎢᏳᏍᏗ ᏚᏃᏴᎵᏒ ᏗᎦᏁᎨᏂ.\n“ᎠᎾᏔᏍᎩ ᏗᏗᏧᎬ ᏫᎶᎯ, ᎦᏙ ᎭᏍᎪᎳ! \nIII. ᎤᏓᎵᏗᎩᎡᎸ  \nᎤᏙᎯᏳᎯᏯ ᏥᏁᎦ ᎦᎶᏁᏛ ᎠᎦᏔᎲᎢ, ᎥᏝ ᏱᎦᏥᎪᎥᏍᎦ, ᎠᏆᏓᏅᏛ ᎾᏍᏉ ᎠᏉᎯᏳᏓᏁᎯ ᏂᎦᎵᏍᏗᎭ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎢᏳᏩᏂᏌᏛ,\nᏧᎦᏴᎵᎨᏃ ᎤᏂᏍᏆᏂᎪᏎᎢ; ᎠᏎᏃ ᏚᏁᏤᎴ ᎩᎶ ᎤᏂᏃᏁᏗᏱ ᏂᎨᏒᎾ ᎾᏍᎩ Ꮔ-ᎵᏍᏔᏅᎢ.\nᎠᏂᏐ ᎨᏥᎾᏌᎢ ᏚᎾᎧᎾᏁᎢ.\nᎠᏂᎦᏔᎾᎢ ᎠᎾᏤᎸᏍᎬᎢ, ᎤᏂᏁᎫ ᏄᎾᎵᏍᏔᏁᎢ;\nᎠᏏᏉᏃ ᎤᏂᎯᏍᏗᏱ ᎠᎾᏓᏅᏖᏍᎬᎩ, ᏑᎾᏓᏡᎩ ᎨᏒ ᎠᏂᏯᏫᏍᏗ ᏗᏘᏂᏙᎯ ᎤᏛᎦᏅᎩ ᏂᎦᏛ ᏥᎷᏏᎵᎻ ᎠᎾᎵᏖᎸᎲᏍᎬᎢ;\nᎾᏍᎩᏯᏉ.\nᎠᎴ ᎤᏚᎵᏍᎨ ᎠᎨᎳᏍᏙᏗᏱ ᎤᏅᎪᎣᏒᎯ ᎤᏪᎿᎢ ᎤᏪᏍᎩᎸᎢ; ᎠᎴ ᎾᏍᏉ ᎩᎵ ᎤᏂᎷᏤ ᏚᏂᎦᎾᏕ ᏚᏂᎦᎾᏕ ᏚᏥᏓᎸᎢ.\nᎦᎪᏃ ᏂᎯ ᏥᏂᏣᏛᏅ ᎤᏓᏑᏯ ᎤᏪᎵᎯᏍᎬᏉ ᏰᎵ ᏌᏉ ᎢᏳᏟᎶᏛ ᏱᎧᏁᏉᏣ ᎬᏅᎢ?\nᎾᏍᎩᏃ ᏫᏚᏯᏅᎲ, ᎯᎠ ᏂᏚᏪᏎᎴ ᏚᏟᎶᏍᏓᏁᎴᎢ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏎᏓᏂ ᏱᎦᏄᎪᏩ ᏎᏓᏂ?\nᏥᏌᏃ ᎤᏩᏛᎦ ᎠᎩᎾ ᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ, ᎤᎩᎸᏅᎩ, ᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅᏥᎪᏪᎳ;\nᎠᏁᎷᎩᏍᎪ ᎠᎨ ᎢᏳᏓᏅᎯᏓ ᏃᏊᎴ ᏗᎠᏨᏍᎪ ᏃᏊᎴ ᎢᎠᏁᎷᎩᏍᎪ ᎤᏠᏱᏊ ᏳᏚᎵᎭ ᎩᎶ ᎤᏍᏓᏩᏛᏍᏗᎢ.\nᎠᎼ ᎠᏁᎰ.\nᎠᎨᏰᏃ ᎤᏙᎴᎰᏒ ᏄᏗᏍᎦᎸᎾ ᎨᏒᎢ, ᎤᎷᏤ ᎤᏪᎾᏫᏍᎨᎢ, ᎠᎴ ᎢᎬᏱᏢ ᎤᏓᏅᏁᎴᎢ, ᏂᎦᏛᏃ ᏴᏫ ᎠᏂᎦᏔᎲ ᎤᏃᏁᎴ ᎤᏧᎵᏍᏙᏔᏅ ᎤᏒᏂᎸᎢ, ᎠᎴ ᎾᏍᎩ ᎩᎳᏉ ᎢᏴᏛ ᎤᏗᏩᏒᎢ.\nᎢᏥᎪᎵᏰᏍᎨᏍᏗ ᎾᏍᎩ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒ ᎤᎬᏫᏳᎯ.\nᎢᏳᏍᎩᏃᏂ ᎾᏍᎩ ᎤᏤᎵ ᏱᏓᎩᎸᏫᏍᏓᏁᎭ, ᎾᏍᏉ ᎠᏴ ᏂᏍᎩᏲᎢᏳᎲᏍᎬᎾ ᏱᎩ, ᎠᏎ ᎢᏦᎯᏳᎲᏍᎨᏍᏗ ᎾᏍᎩ Ꮎ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎾᏍᎩᏃ ᏰᎵ ᎨᏣᏙᎴᎰᎯᏍᏗ ᎠᎴ ᎨᏦᎯᏳᏗ ᏱᎩ ᎠᎦᏴᎵᎨᎢ, ᎠᎩᏯᎥᎢ ᎠᎴ ᎾᏍᎩ ᎠᏴᏥᏯᎥᎢ\nᎤᎵᏍᏆᎸᏗᏃ ᎨᏒᎢ ᎠᏓᎵᏅᏟ, ᏂᎦᎥ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎨᏒᎢ, ᏂᎦᎥ ᎦᎸᏉᏙᏗ ᎨᏒᎢ, ᏂᎦᎥ ᏚᏳᎪᏛ ᎨᏒᎢ, ᏂᎦᎥ ᎦᏓᎭ ᏂᎨᏒᎾ ᎨᏒᎢ, ᏂᎦᎥ ᎣᏏᏳ ᎬᏰᎸᏗ ᎨᏒᎢ, ᏂᎦᎥ ᎣᏏᏳ ᎠᏂᏃᎮᏍᎨᏍᏗ; ᎢᏳᏃ ᎣᏏᏳ ᎢᏯᏛᏁᏗ ᏰᎭ, ᎢᏳᏃ ᎪᎱᏍᏗ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᏕᏣᏓᏅᏖᏍᎨᏍᏗ.\nᏞᏍᏗ ᏱᏥᎵᏓᏍᏔᏁᏍᏗ; ᎥᏝ ᎦᏰᏥᎶᏄᎡᏗ ᏱᎩ ᎤᏁᎳᏅᎯ; ᏄᏍᏛᏰᏃ ᎩᎶ ᎠᏫᏍᎬᎢ, ᎾᏍᎩ ᎾᏍᏉ ᏄᏍᏕᏍᏗ ᎦᏟᏏᏍᎨᏍᏗ.\nᎪᎯᏳᏗᏰᏃ ᎨᏒ ᎣᏨᏗᎭ ᎣᏤᏙᎲᎢ, ᎥᏝᏃ ᎠᎪᏩᏛᏗ ᎨᏒᎢ.\nᎬᏂᎨᏒᎢᏳᏰᏃ ᏂᎦᎵᏍᏗᎭ ᎾᏍᎩ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏧᏓ ᎠᏂᎳᏍᏓᎸ ᏧᏓᎴᏅᎲᎢ; ᎾᏍᎩ ᎠᏂᎳᏍᏓᎸ ᎼᏏ ᎥᏝ ᏱᏚᏁᎢᏍᏔᏁ ᎠᏥᎸ-ᎨᎳᏍᏗ ᎨᏒ ᎤᎬᏩᎵ.\nᎦᎷᏯᏍᏗ ᎦᏅᏬᎢ ᏭᏒᎭᏂᎸ ᏣᎵ, ᎤᏏᏅᏒ.\nᎤᏰᏤ ᏦᎢ-ᏅᎩᏁ ᎦᏃᎯᎵᏓᏍᏗ ᏅᏙ, ᎤᏯᏛᎮ ᎤᏔᎷᎩᏍᎩ ᎦᏄᎸ, ᏕᎨᏴ ᏚᏅᏓᏒ ᏫᏗᎦᎶᏍᎩ, ᏌᎪᏂᎨ ᎠᏨᏍᏛ ᏚᏓᏴᎳᏖ.\nᏚᏏᏔᏛᏃ ᎾᎿ ᎤᏓᏅᏒᎩ.\nᎩᎦᎨ ᏧᏍᎪᎸ ᏧᏂᏥᎸᏍᎩ ᎤᏄᏝᎡᎢ ᎢᏈᎬᎢ.\nᏙᎩᎾᏙᎨᎲ, ᎣᏍᏓ ᏙᎩᎾᎴᏅ, ᎦᎶᎯᏍᏗ ᎾᎥᏂ ᏫᏙᎩᎾᎴᏅ.\nᎠᏆᏙᎴᎰᏒᏃ ᎾᏍᎩ ᏧᏂᎧᎿᏩᏛᏍᏗᏉ ᎧᏃᎮᏗ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎠᎫᎢᏍᏗᏍᎬᎢ ᎬᏩᏲᎱᎯᏍᏗᏃ ᎠᎴ ᎦᏰᎦᎸᏍᏗ ᎨᏒ ᎪᎱᏍᏗ ᎾᎫᎢᏍᏛᎾ ᎨᏒᎢ.\nᎠᏂᏧᏏᏃ ᎤᏂᏄᎪᏨ ᏗᎦᎳᏫᎢᏍᏗ, ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏂᏔᏲᎴ ᎾᏍᎩ ᎯᎠ ᎨᏥᏃᎮᎮᏗᏱ ᏔᎵᏁ ᎤᎾᏙᏓᏆᏍᎬᎢ.\nᎤᏔᏂᏗᎨ ᎢᏳᏅᏁᎸ ᏓᏥᎶᏍᏛ ᎣᎯᏍᏙᏗ ᏗᏣᎪᏩᏛᏗ ᎤᏳᎦ ᏗᏂᏱᏙᎢ.\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ ᏉᎳ ᎡᏗᏂᏱ ᎤᏓᏅᏒᎩ ᎪᎵᏂᏗᏱ ᏭᎷᏨᎩ.\nᏐᏉ ᎢᏳᏪᏅᏍᏗ ᏓᎾᎵᏍᏕᏓᎵᏴᏍᎨᎢ.\nᎠᏆᏁᎳᏅᎯ ᏥᏯᎵᎡᎵᏤᎰ ᎢᏳᏍᏗᎭ ᎢᏨᏯᏅᏓᏗᎬᎢ,\nᎤᏓᏅᏖᎸᏃ ᏭᎷᏤ ᏗᎦᏁᎸ ᎺᎵ, ᏣᏂ ᎹᎦ ᏧᏙᎢᏛ ᎤᏥ, ᎾᎿ ᎤᏂᏣᏖ ᏓᏂᎳᏫᎡ ᎠᎾᏓᏙᎵᏍᏗᏍᎨᎢ.\nᎠᏎᏃ ᎡᎳᏪᏉ ᎤᏩᏎᎢ, ᎠᎴ ᎥᏝ ᎪᎱᏍᏗ ᏳᏛᏁ ᏨᏁᏤᎢ. ᏄᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎨᎶᎯ ᏔᎵᏁ ᎤᏛᏛᏁ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏂᎯᏍᎪ ᎦᎶᏁᏛ, ᎠᏥᎸᏉᏗ ᎤᏪᏥ?\nᎠᎴ ᎦᏙᏃ ᎢᎯᎪᏩᏘᏍᎪ ᎤᏢᏓᎸᏛ ᎤᎦᏑᎲᎢ ᏗᏍᏓᏓᏅᏟ, ᏁᎵᏍᎬᎾᏃ ᎢᎨᏐ ᎤᏃᏍᏛ ᎠᏓ ᏨᏒ ᏣᎦᏑᎲᎢ.\nᎤᏍᏚᏁᏃ ᎪᏪᎵ ᎠᎴ ᏫᎤᏅᏁᎴ ᎠᏥᏅᏏᏓᏍᏗ, ᎠᎴ ᎤᏪᏁᎢ. ᏂᎦᏛᏃ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏂᏯᎢ ᎤᏯᏅᏒᎯ ᏕᎬᏩᎧᎿᏁᎢ.\nᎴᎣᏗᏏᏰᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏗᎧᎿᏩᏗᏙᎯ ᏫᏲᏪᎳᏏ; ᎯᎠ ᎾᏍᎩ ᏫᏂᏪᏏ ᎠᏗᎭ ᎾᏍᎩ ᎡᎺᏅ ᏥᏚᏙᎥ, ᎾᏍᎩ Ꮎ ᏄᏓᎵᏓᏍᏛᎾ ᎠᎴ ᎤᏙᎯᏳᎯᏯ ᎧᏃᎮᏍᎩ ᏥᎩ, ᏗᏓᎴᏅᏗᏍᎩ ᎤᏬᏢᏅᏅ ᎤᏁᎳᏅᎯ.\n“ᏁᎵᎾ? ᎤᏛᏁ.\nᎠᎴ ᎬᏂᏳᏉ ᎤᏁᎷᏁᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎥᏝ ᎪᎱᏍᏗ ᏗᎦᏓᏛᏙᏗ ᏱᎩ ᏂᎯ, ᏥᏌ ᎤᏁᎳᏅᎯ ᎤᏪᏥ, ᏥᎪ ᎠᏂ ᏣᎷᏥᎸ ᏍᎩᏂᎩᎵᏲᎢᏍᏙᏗᏱᏉ ᎠᏏᏉ ᎾᏍᏆᎵᏍᎬᎾ?\nᎯᎠᏃ ᎾᎩᏪᏒᎩ, ᎦᏙ ᏓᎦᏛᏁᎵ, ᏣᎬᏫᏳᎯ? ᎤᎬᏫᏳᎯᏃ ᎯᎠ ᎾᎩᏪᏎᎸᎩ; ᏔᎴᎲᎦ, ᏕᎹᏍᎦ ᎮᎾ, ᎾᎿᏃ ᏓᏰᏣᏆᏁᎵ ᏂᎦᎥ ᏚᏚᎪᏔᏅ ᎢᏣᏛᏁᏗᏱ.\n“ᎤᏰᎸᏛᏃ ᏥᏍᎦᏃᎸᏍᎦ, ᎦᏕᎶᎣᏍᎦ ᏂᏥᎦᏴᎸ.\nᏔᎵ ᏧᏙᏓᏆᏓ ᎫᏩᏂᎩᏛ.\nᏎᎦᏨ ᎦᎷᎨ ᏲᎾ ᎤᏤᏍᏙ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᎠᎴ ᎬᏩᏎᎪᎩᏍᏔᏅᎩ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᎩᎬ, ᎠᎴ ᎬᏂᎨᏒ ᎾᏅᏁᎲ ᎤᏃᎯᏳᏒᎢ, ᎾᏍᎩ ᏓᏅᏅ ᏂᏚᏂᎸᏉᏛᎾ ᎨᏒᎢ.\nᎠᎴ ᏛᎡᏙᎵ ᏧᎶᏄᎮᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎾᏍᎩ ᏅᎩ ᏂᏚᏓᎠᏗᏒ ᏓᏁᏩᏗᏒᎢ ᎡᎶᎯ ᏣᏁᎭ ᎾᏍᎩ ᎪᎦ ᎠᎴ ᎺᎪᎦ, ᎾᏍᎩ ᏧᏪᏟᏐᏗᏱ ᏧᎾᎵᏍᏗᏱ; ᎾᏂᎥᏃ ᏃᏳ ᎠᎺᏉᎯ ᎠᎲ ᎾᏂᎥ.\n ᎠᏎᏃ ᎨᏍᏗ ᎩᎶ ᏳᏛᎦᎾ\nᎠᎾᏓᎪᎾᏗᏍᎬ ᎤᏂᎬᏫᏳᎯ, ᎬᎩᏁᏥᏏ ᏔᎵᏍᎪᎯᏍᎩ ᎠᏕᎸ ᏦᏥᏁᏗ ᎰᎻ ᎠᎪᏕᏍᎩ, ᎤᎾᎵᎪᎯ ᎤᏍᏆᏓ ᎠᏯᏨᏗ ᏗᎪᏪᎵ, ᎢᏨᏯᎵᎮᎵᏤᎭ ᏄᏍᏛ ᏄᏛᏁᎸ ᏏᏆ---ᎯᎠ ᎤᏔᎷᎩᏍᎩ, ᎯᎠ ᎤᏣᏔ ᎣᏍᏓ, ᎯᎠ ᏳᏨᏉᏛᎾ-“ᏄᏂᏣᏛ ᏚᏘᏃᎸ ᎠᏂᎦᏖᏃᎵᏙᎯ ᎭᏂ ᏍᎦᏚᎩ ᎠᎾᏓᎪᎾᏗᏍᎬᎢ.” \n“ᎭᏂᏉ ᎨᏙᎮᏍᏗ,” ᎤᎵᏍᎦᏎᏔᏁᎢ ᏥᏍᏕᏥ.\n“ᎦᏲᏟ ᎤᏬᏨᏗ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏨᏪᏎᎭ, ᏂᎦᎥ ᎪᎱᏍᏗ ᎢᏥᏔᏲᎭ ᎢᏣᏓᏙᎵᏍᏓ, ᎢᏦᎯᏳᎲᏍᎨᏍᏗ ᎡᏥᏁᎢ ᎨᏒᎢ, ᎠᎴ ᎠᏎ ᎢᏥᎮᏍᏗ.\nᎠᏎᏃ ᎥᏝ ᏰᏥᎦᏔᎭ, ᎠᏴᏍᎩᏂ ᏥᎦᏔᎭ; ᎢᏳᏃ ᎥᏝ ᏱᏥᎦᏔᎭ ᏱᏚᏗᎭ ᏥᏰᎪᎩᏉ ᏱᎩ, ᏂᎯ ᏥᏂᏣᏍᏗ ᎾᏍᎩᏯᎢ; ᎠᏎᏃ ᏥᎦᏔᎭ, ᎠᎴ ᎤᏁᏨ ᎠᎩᏍᏆᏂᎪᏗ.\nᏂᎦᏓ ᎠᏂᏍᎦᏯ ᏃᎴ ᎠᏂᎨᏯ ᎤᏐᏱ ᎤᎾᏅᏕ ᎧᏃᎮᏗ.\nᏗᎾᏙᏱᏁ ᎠᎾᎵᏍᎩᏍᏔᏁᎩ ᏐᏈᎵ ᏗᏥᎶᏍᏔᏅ ᏗᎩᎸᏙᏗ ᎠᎾᏕᏲ ᎢᏣ ᏃᎴ ᎧᏃᎩᏍᏗ ᏧᏃᏴᎬ ᎢᏣ ᏃᎴ ᎤᎵᎮᎵᏍᏗ ᏗᎾᏛᏁᎵᏍᎬ ᎢᏣ, ᎧᏂᎩᏓ ᏧᏂᎦᏴᎵ ᎫᏩᎾᎦᏎᏍᏙᏗ ᏱᎨᏒᎾ ᏃᎴ ᎤᎵᎮᎵᏍᏗ ᎢᏳᏍᏗᏉ ᎢᏳᎾᏛᏁᏗ ᎠᏁᎵᏍᎬᎢ.\nᎾᏍᎩᏰᏃ ᏚᏙᎥ ᏅᏧᎵᏍᏙᏔᏅ ᎠᏁᏙᎭ ᎪᎱᏍᏗ ᏂᏓᏂᏂᏟᏍᎬᎾ ᏧᎾᏓᎴᏅᏛ ᏴᏫ.\nᎢᏣᏉᏗ, ᎡᎵᏍᏗ.\nᎨᏍᏗ ᏳᎾᏟᎸ.\nᎢᏳᏃ ᎠᏋᏒ ᏱᎦᏓᏃᎮᎭ, ᏥᏃᎮᏍᎬ ᎥᏝ ᏱᎬᏙᎯᏳᎭ.\nᏂᎦᏓ ᏗᎨᏥᎾᏌᎢ ᎠᏂᎦᏔᎮᎢ ᎣᏍᏓ ᏴᏫ ᎨᏒᎢ, ᎡᏝᏪᎯ ᎨᏎᎢ ᏃᎴ ᎤᏓᏅᏘ.\nᎠᏉᏰᏅ ᎦᎵ ᏏᎦᏫ ᏓᎩᏓᏍᎩᏌᏅ ᏃᎴ ᎠᏥᏍᏛ ᏫᏍᎩ ᎠᎩᎳᎩᏒ ᎠᎩᏇᏅᏛ, ᏣᎵ ᎤᏬᏛ ᎠᏇᏅᏒ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏥᏌ ᏚᎵᏍᎪᎸᏓᏁᎴᎢ. ᏗᎦᏓᎭᏃ ᏗᏓᏅᏙ ᎤᏂᏄᎪᏨ, ᏏᏆ ᏫᏚᏂᏴᏎᎴᎢ; ᏑᎾᏓᏡᎩᏃ ᎤᎾᏁᎷᎩᏎ ᎤᏂᎦᏐᎠᏎ ᎦᏁᏡᎩ ᎨᏒ ᎥᏓᎵ ᏭᎾᎵᏔᏗᏅᏎᎢ, (ᏔᎵ ᎢᏯᎦᏴᎵ ᎢᏴᏛ ᎾᏂᎡᎢ,) ᎠᎴ ᎥᏓᎵ ᏚᏂᎬᏤᎢ.\nᎡᎶᏓᏂ ᎪᎱᏍᏗ ᎠᏋᏅ ᎡᏥᏲᎵᎸᎭ. ᎾᏏᏌ ᏚᏓᏘᎾᎥ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎠᏃᎯᏳᎲᏍᎩ ᎨᏒ ᏕᏥᏲᎵᎸᎭ.\nᎠᎴ ᏛᏂᏩᏛᎯ ᎨᎦᎫᏴᏓᏁᏗ ᏂᏚᏳᎪᏛᎾ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ, ᎾᏍᎩᏯ [ᎨᎦᎫᏴᏓᏁᏗ ᏥᎩ] ᎣᏏᏳ ᎤᏥᏰᎸᎯ ᎢᎦ ᎨᏒ ᎣᏍᏛ ᏧᎾᎵᏍᏓᏴᏗᏱ. ᏥᏚᏓᏓᎶᎢ ᎠᎴ ᎪᎱᏍᏗ ᏧᏍᏙᎢ ᎾᏍᎩᏯᎢ, ᎣᏏᏳ ᎤᏂᏰᎸᎭ ᎤᏅᏒ ᎠᎾᏓᎵᏓᏍᏗᏍᎬᎢ, ᎾᎯᏳ ᎢᏧᎳᎭ ᎢᏣᎵᏍᏓᏴᎲᏍᎬᎢ.\nᎠᏓᏁᎸᏃ ᎤᏴᎸ, ᎥᏝ ᎩᎶ ᏳᎵᏍᎪᎸᏓᏁᎴ ᎤᏴᏍᏗᏱ, ᏈᏓ ᎠᎴ ᏥᎻ ᎠᎴ ᏣᏂ ᎤᏅᏒ, ᎠᎴ ᎠᎨᏳᏣ ᎤᏙᏓ ᎠᎴ ᎤᏥ.\n“ᎧᎪᏃ ᎤᏚᎵ ᎢᎪᎯᏓ ᎤᏕᏘ?” ᎤᎵᏍᎦᏎᏔᏁ ᏥᏍᏕᏥ.\n“ᎭᏩ, ᎨᏍᏗᏗ ᎦᏣᏬᏂᎯᏍᏗ ᏱᎩ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᎴ ᎥᏝ ᎿᏉ ᎤᏁᎳᎩ ᎪᎱᏍᏗ ᏫᏓᏛᏂᏏ ᎤᏙᏓ ᎠᎴ ᎤᏥ ᏰᏤᎵᏎᎰᎢ;\nᏗᏂᏲᏟ ᏧᏂᏥ ᏑᏥᎶᏓ ᎢᎬᎾᏕᎾ ᎤᎾᏓᏅᏖᏗᏍᎨ ᏍᎩᎾᎾ ᎠᎵᏖᎸᏂᏍᏗ.\nᎤᎯᏐᏗ ᏄᏪᏒ, ᎡᎶ ᎣᏍᏓ ᎢᎦᎬᏁᏗ ᏱᎨᏒᎾ ᏣᎵᏛᏗᏍᎪ.\nᎠᏂᎸᏉᏗᏍᎨ ᎤᏂᎳᏅᎯ, ᎠᎴ ᎾᏂᎥ ᏴᏫ ᎬᏫᏂᎨᏳᎯᏳ ᎨᏎᎢ. ᎤᎬᏫᏳᎯᏃ ᏂᏚᎩᏨᏂᏒ ᎤᎾᎵᎪᏒ ᏕᎠᎵᎪᏗᏍᎨ ᎾᏍᎩ ᎨᏥᏍᏕᎸᏗ ᎨᏒᎢ.\nᏂᎯ ᎾᏍᏉ ᏗᏨᏃᏛ ᏅᏯ ᎡᏣᏁᏍᎨᎲᎯ ᎠᏓᏅᏙ ᎠᏓᏁᎸ ᎢᏰᏨᏁᎸᎯ, ᎡᏥᎸᏉᏔᏅᎯ ᎠᏥᎸᎢᏤᎶᎯ, ᎡᏣᎵᏍᎪᎸᏓᏁᏗᏱ ᎠᏥᎸ-ᎨᎳᏍᏗ ᎠᏓᏅᏙ ᎤᎬᏩᎵ ᏰᎵᏉ ᏗᎬᎠᏓᏂᎸᎢᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ, ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ.\nᏐᏉ ᎠᎪᏪᎵ ᎠᏫᎾ, Irishman, ᏄᏪᏒ, ᏱᏚᏓᎴᏨᎾ ᏱᎨᏎ ᏚᏂᏁᎦᎸ, ᎾᎥᏂᎨ ᏗᎧᏃᏗ ᎠᎦᏴᎵᎨ ᎤᏩᏌ ᎤᎵᏏ, ᎤᎵᏍᏆᎸᏗ ᎤᎪᎲ.\nᏓᎻ ᎤᏁᏨᎩ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ, ᎠᎴ ᏣᏁᎳᏅᎯ ᎠᏆᏤᎵᎦ!\nᏂᎯᏰᏃ ᎦᎸᏉᏗᏳ ᎢᏍᎩᏴᏁᎯ ᎠᎴ ᏍᎩᏯᎵᎮᎵᏍᏗᏍᎩ.\nᎾᏍᎩ ᎠᏫᏍᎩ ᎧᏃᎮᏛ ᎠᏫᏍᎪᎢ.\nᎾᏍᎩ ᎾᏍᏉ ᏨᏓᏣᏂᎪᎯᏍᏔᏂ ᎤᎵᏍᏆᏗᏍᏗ ᎨᏒ ᎬᏗᏍᎩ, ᎾᏍᎩ ᎦᏰᏧᎢᏍᏙᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᎾᎯᏳ ᎢᎦ ᎨᏎᏍᏗ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵᎦ.\nᏂᎯᏍᎩᏂ ᏞᏍᏗ ᏔᏕᏲᎲᏍᎩ, ᏰᏦᏎᎮᏍᏗ; ᎠᏏᏴᏫᏰᏃ ᏗᏤᏲᎲᏍᎩ, ᎾᏍᎩ ᎦᎶᏁᏛ; ᏂᎦᏛᏃ ᏂᎯ ᎢᏣᎵᏅᏟᏉ.\n”ᎦᏕᎶᎣᏍᎦᏗ ᎤᏛᏁ ᏫᎵᎻ.\nᎤᎵᏍᏓᏴᏅᎢ ᏕᏅᎴᏅᎩ ᎠᎴ ᎤᏄᏪᏒᎩ, ᎠᎴ ᎤᏁᏒᎩ ᎠᏄᏬ-ᏗᏑᎴᏗ, ᎤᏓᏠᏍᏔᏅᎩ;\nᎯᎠ ᏂᎨᏥᏪᏎᎸᎩ, ᏞᏍᏗ ᎪᎱᏍᏗ ᎢᏨᏁᎸᎩ ᎡᎶᎯ, ᎠᎴ ᎠᎺᏉᎯ, ᎠᎴ ᏕᏡᎬᎢ, ᎬᏂ ᏗᏗᏰᎸᏔᏅᎯ ᎨᏎᏍᏗ ᏗᏂᎬᏓᎨᏂ ᎢᎦᏁᎳᏅᎯ ᏧᏤᎵ ᏧᏅᏏᏓᏍᏗ.\nᎠᏂᎪᏕᏍᎩ ᎢᎪᎯᏓ ᏓᏂᏍᎦᎨᎢ, ᏃᎴ ᏓᏳᏂᏴᏍᏗ ᏱᎨᏒᎾ ᏓᏂᏏᎳᏛᎥᏍᎨ.\nᏥᏌᏃ ᎠᎢᏒ ᎨᎵᎵ ᎥᏓᎷᎶᏗ ᏚᎪᎮ ᎠᏂᏔᎵ ᎠᎾᎵᏅᏟ, ᏌᏩᏂ ᏈᏓ ᏣᏃᏎᎰᎢ ᎤᏅᏟᏃ ᎡᏂᏗ, ᎥᏓᎵ ᎠᏂᎦᏯᎷᎥᏍᎨᎢ-ᎠᏂᎦᏯᎷᎥᏍᎩᏰᏃ ᎨᏎᎢ.\nᏐᏉ ᎢᏳᏩᎬᏘ ᏚᏂᏯᎬ ᏥᏍᏆ ᎧᏃᏍᎦ ᎦᏚᎢᏣ ᏧᏂᏒᎾᏔᏅ.\nᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎪᏪᎳ, ᎭᎵᎮᎵᎩ ᏔᎷᎸᎥᏍᎩ ᏂᎨᏒᎾ, ᎾᏍᎩ ᏂᏔᏓᎾᏄᎪᏫᏍᎬᎾ; ᎭᎴᏅ ᎮᎷᎲᎦ, ᏂᎯ ᏂᏘᎾᏄᎪᏫᏍᎬᎾ; ᎾᏰᏃ, ᎾᏥᏰᎲᎾ ᎤᏟ ᎾᏂᎥ ᏚᏪᎧᎭ ᏧᏪᏥ ᎡᏍᎦᏉ Ꮎ ᎠᏥᏰᎯ.\nᏂᎯᏍᎩᏂ ᎥᏝ ᏰᏥᎦᏌᏯᏍᏔᏅ ᎤᏲ ᎢᏳᏛᎲᏕᎩ. ᏝᏍᎪ ᏧᏁᎿᎢ ᎤᏲ ᏱᏂᎨᏨᎿᏕᎪᎢ, ᎠᎴ ᏱᏗᎨᏣᏘᏃᎯᎰ ᏗᎫᎪᏙᏗᏱ?\nᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᎠᏁᎳᏅᎯ ᎨᏒ ᎠᎬᏍᎦᎳᏁᎸᎯ ᏱᎩ; ᏂᎦᏗᏳᏉᏍᎩᏂ ᎤᏰᎸᎭᎢ, ᎠᎴ ᏧᏞᏛ ᎾᏍᎩ ᏙᏗᎧᏅ ᎾᏍᎩ Ꮎ ᎬᏂᎨᏒ ᎢᏰᏛᏁᏗ ᏥᎩ ᏂᎦᏛᏁᎸᎢ.\nᎯᏍᎩ ᏍᎪᎯ ᎠᏂᏎᏂᏏ ᏃᎴ ᏅᎩ ᎯᏍᎩ ᎠᏂᏎᏂᏏ ᏚᏁᎴ ᎡᎳᏆᏗ.\nᎠᎴ ᎼᏏ ᎢᎾᏛ ᏧᏌᎳᏓᏁ ᎢᎾᎨᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏴᏫ ᎤᏪᏥ ᏓᏰᏥᏌᎳᏗᏂ,\nᎢᏨᏲᏎᎭᏰᏃ, ᎯᎠ ᎾᏍᎩ ᏥᎪᏪᎳ ᎠᏎ ᎠᏏ ᏛᏙᎯᏳᏂ ᎠᏴ ᏅᏓᎬᏂᏌᏂ; ᎠᎴ ᎠᏂᏍᎦᎾ ᎨᎦᏎᎸᎢ ᎾᏍᎩ ᎠᎦᏠᏯᏍᏔᏅᎩ; ᎠᏴᏰᏃ ᎠᎩᏃᎮᏍᎬ ᎠᏎ ᎾᏍᎩ ᏅᏓᎦᎵᏍᏔᏂ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏯᏫᏍᎨᏍᏗ; ᎥᏝᏰᏃ ᏱᏥᎦᏔᎭ ᎢᏳᏉ ᎤᎷᎯᏍᏗᏱ ᎦᏁᎳ, ᎤᏒᎢ, ᎠᎴ ᏒᏃᏱ ᎠᏰᎵ, ᎠᎴ ᏣᏔᎦ ᎠᏂᏴᎬᎢ, ᎠᎴ ᏑᎾᎴᎢ;\nᏃᏗ ᎩᎳ ᏫᎦᏟᎮ ᏫᎵᎻ, ᎱᏛᎦᏁ ᎡᏝᏪᎯ ᎤᏟᏃᎮᏛ, ᎤᏐᏱ ᏧᏟᏃᎮᏗᏍᎨ ᎤᎩᏨᏓ ᎤᏒᎯ.\nᏚᏣᏯᎩᏎ ᏃᎴ ᎤᎵᏣᎬᏔᏁᎢ ᏫᎵᎻ ᏃᎴ ᎤᎵᏰᏔᏁᎢ.\n”Ꭳ, ᎣᏏᏉᏗ ᎠᏟᏰᎵ,” ᎤᏛᏁ.\nᎠᏎᏃ ᎾᎯᏳ ᎢᎦ ᎨᏒ ᎠᎴ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎥᏝ ᎩᎶ ᏯᎦᏔᎭ, Ꮭ ᎾᏍᏉ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎦᎸᎳᏗ ᎠᏁᎯ, ᎡᏙᏓᏍᎩᏂ ᎤᏩᏒᎯᏳ.\nᎤᏍᎦᎣᏅ ᎤᏓᎦᏙᏍᏕ ᏫᎵᎻ.\nᎧ, ᎼᏏ ᎣᎩᏁᏨᎸᎩ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎾᏍᎩ ᎢᏳᎾᏍᏗ ᏅᏯ ᏗᎨᎬᏂᏍᏙᏗᏱ; ᎠᏎᏃ ᏂᎯ ᎦᏙ ᎭᏗᎭ?\nᏆᎴᏗᏃ ᎤᏍᏆᏏᎪᏎ ᎤᏜᏏᏛᎡᎮ ᎾᏞᎬ ᎤᏲᎱᏒᎢ; ᏭᏯᏅᎲᏃ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ, ᎤᏛᏛᏁ, ᏰᎵᏍᎪ ᎪᎯᎩ ᎬᏩᏲᎱᏒᎯ, ᎤᏛᏁᎢ.\n”ᏙᎢᏳᏍᏗ ᏓᏓᎪᏪᎳᏂ? ᎤᏛᏛᏁ ᏣᏄᏏ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᏓᏰᏥᎩᏒᎵ, ᏅᏩᎾᏓᎴᏃ ᏓᎨᏥᏁᎵ, ᎾᏍᎩ ᏰᎵ ᎬᏩᏂᎾᏄᎪᏫᏍᏗ ᎤᏓᏔᏅᎯ.\nᎾᏍᎩ ᏧᏪᎫᏔᏅᏒ ᎥᏝ ᎬᏂᎨᏒ ᎢᎨᎬᏁᎸᎯ ᏱᎨᏎ ᏴᏫ ᏧᏁᏥ, ᎾᏍᎩᏯ ᎪᎯ ᎬᏂᎨᏒ ᏥᏂᎨᎬᏁᎭ ᏧᏤᎵ ᎨᏥᎸᏉᏗ ᎨᏥᏅᏏᏛ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᎠᏓᏅᏙ ᎬᏗ;\n“ᎤᏙᎯᏳᎭᏍᎪ ᏥᏂᏪᎠ?” ᎤᏛᏁ- \nᎨᎵᏍᎬ ᏯᎵᎮᎵᎦ.”\nᎾᏍᎩ ᎣᏏᏳ ᎤᏰᎸᏗ ᏥᎩ ᎾᏂᎥ ᏴᏫ ᎨᏥᏍᏕᎸᏗᏱ, ᎠᎴ ᎤᏂᎷᎯᏍᏗᏱ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏚᏳᎪᏛ ᎨᏒᎢ.\nᎠᎩᏫᏯ ᎠᎩᏍᎩ, ᎠᎴ ᎠᎩᎩᎬ ᎠᏗᏔᏍᎩ, ᎬᏂᏛ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎤᏤᎵᎦ, ᎠᎴ ᎾᏍᎩ ᎠᏴ ᏙᏓᏥᏯᎴᏔᏂ ᎤᎵᏍᏆᎸᏗ ᎢᎦ ᎨᏎᏍᏗ.\nᎠᎴ ᎠᏂ ᏔᎵᏁ ᎯᎠ ᏂᎦᏪᎭ, ᎥᏝ ᏴᎬᏂᏴᎭ ᎠᏆᏤᎵ ᎠᏣᏪᏐᎸᏍᏙᏗᏱ.\nᎦᏙᎨ ᎤᎬᏫᏳᎭ? ᎤᏟᏍᎪ ᏂᏙᎯ? ᎥᏝ ᎤᏍᏗᎩᏛ ᎤᏅ; ᎦᏳᎳᏰᏃ ᏕᎫᎪᏔᏅ ᎾᏍᎩ ᎢᏧᎳ ᎠᏂᏧᏏ ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᏂᎦᏗᏳ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎤᎾᏓᏄᏴᏛᎢ.\nᏔᎵᎭ ᎢᏳᎾᏙᏓᏆᏍᏗ ᏥᏓᎠᏂᎷᏥᏐ ᎦᏰᎵᏍᏗ.\nᏗᏂᏆᎵ ᏫᏓᎴᏐᏍᎬ ᏗᏂᏅᏍᎨᏂ ᎢᏣ ᎾᏍᎩᏯ ᏗᏟ ᎦᏃᎯᎢᏙ ᏗᎦᏅᏍᎨᏂ.\nᎨᏍᏗ ᎠᏂᏬᏂᏍᎩ ᏱᎩ ᎧᏅᏂᏍᎩ.\nᎠᏎᏃ ᎤᎦᏛᎴᏎ ᎠᏰᎵ ᎠᏂᏙᎾᎥ ᎢᎬᏪᏅᏍᏔᏁᏉ;\nᎠᏎᏃ ᏂᎯ ᎯᎠ ᏂᏥᏪᏍᎪᎢ; ᎢᏳᏃ ᎩᎶ ᎯᎠ ᏂᎦᏪᏎᎮᏍᏗ ᎤᏙᏓ, ᎠᎴ ᎤᏥ, ᎠᏆᎵᏍᎪᎸᏔᏅᎲ ᏰᎵ ᎨᏣᎵᏍᏕᎸᏙᏗ ᎨᏒᎢ ᏂᏣᏛᏁᎲ,\nᏗᎾᏓᏂᏱᏍᎩ ᎤᏂᏁᏨ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎥᏝ ᎢᎸᎯᏳ ᎩᎶ ᏱᎬᏩᏬᏂᏐ ᎾᏍᎩᏯ ᎯᎠ ᏂᎦᏪᏍᎬ ᎦᏬᏂᏍᎬᎢ.\n“ᎩᏙᏓ, ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ ᎠᏌᏆᎴᎦ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎾᏍᎩᏰᏃ Ꮎ ᎤᏴᎸᎯ ᏥᎨᏐ ᎤᏣᏪᏐᎸᏍᏙᏗᏱ, ᎾᏍᏉ ᎤᏲᎯᏍᏔᏅᎯ ᎨᏐ ᏚᎸᏫᏍᏓᏁᎲ, ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᏄᏛᏁᎸ ᎤᏲᎯᏍᏔᏅᎢ.\nᏥᏌᏃ ᏧᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎩᎶ ᎢᏳᏍᏗ ᏥᎷᏏᎵᎻ ᎤᏂᎩᏎ ᏤᎵᎪ ᎤᏪᏅᏎᎢ, ᏗᎾᏓᎾᏌᎲᏍᎩᏃ ᏚᎾᏓᏩᏛᏔᏁᎢ, ᎾᏍᎩ ᏕᎬᏩᏄᏪᏎ ᏚᏄᏩᎥᎢ, ᎠᎴ ᎬᏩᎵᎥᏂᎴᎢ, ᎠᎴ ᎤᎾᏓᏅᏎ ᎬᏩᏕᏤ ᎠᏰᎵ ᎢᏴᏛ ᎤᏲᎱᏒᎯ ᎨᏎᎢ.\nᎠᎺᏉᎯᏃ ᎤᎶᏗ ᏃᏳᎯ ᎨᏒ ᎥᏉᎴᏔᏅᎩ, ᎠᎴ ᏅᎩ ᏗᎦᏅᏌᏗ ᏥᎪᎥᎩ ᎠᎺᏉᎯ ᏓᏳᏚᎩᏒᎩ, ᎦᎵᏉᎩ, ᏓᏍᎫᏓᏛᎩ ᎠᎴ ᎠᏍᎪᎯ ᏚᎷᎬᎩ, ᏚᎷᎬᏃ ᎠᏍᎪᎯ ᏚᎵᏍᏚᎸᎩ, ᏓᏍᎫᏓᏛᏃ ᎤᏁᎳᏅᎯ ᏚᏙᎥ ᎠᎺᏢᎢᏍᏙᏗ ᎨᏒ ᎪᏪᎸᎩ.\nᎤᏏᏩ ᏂᏕᎦᎵᏍᏗᏍᎬ ᏓᏓᏁᎸ, ᏩᏂᏴᎯᎮ ᎤᏂᏃᏴᎵᏓ, ᎠᏂᏗᏍᎩᏏᏍᎨ ᎦᎾᏌᎢ ᏃᎴ ᎤᏂᎯᏴᏓ.\nᎢᎪᎯᏓ ᎠᏅᏓᏗᏍᏗ ᎯᎪ ᎤᏒᎯ, ᎬᏅᎢ ᎢᎪᎯᏓ ᏥᏍᏕᏥ.” \nᎡᎶᏛᏰᏃ ᎤᎸᏉᏗᏳ ᎨᏎ ᏣᏂ, ᎠᎦᏔᎮᏰᏃ ᎤᏓᏅᏘᏳ ᎠᎴ ᎾᏍᎦᏅᎾ ᎨᏒ ᎠᏍᎦᏯ, ᎠᎴ ᎤᎦᏌᏯᏍᏗᏳ ᎨᏎᎢ; ᎾᏍᎩᏃ ᎤᏛᎦᏅ [ᎠᏓᏥᏙᎲᏍᎬ,] ᎤᏣᏖ ᏚᎸᏫᏍᏓᏁᎴᎢ, ᎠᎴ ᎤᎵᎮᎵᏨᎯ ᎠᏛᏓᏍᏓᏁᎮᎢ.\nᎨᎵᏍᎬᏃ ᏯᏇᏅᏎᏉ ᏩᏏᏓᏂ, ᏗᏆᎵ ᏥᎬᎩᏍᏕᎸᎮ ᎠᎩᏩᏛᏗ ᏗᎩᎷᏫᏍᏔᏁᏗ.\nᎾᎯᏳᏉᏃ ᎤᎴᏅᎲᎩ ᎤᏲᎸ ᎢᏳᏛᏁᏗᏱ ᎤᎶᏄᎮᏗᏱ.\nᎠᏎᏃ ᎠᏂᏧᏏ ᏕᏏᎶᏂᎦ ᎠᏁᎯ, ᎤᎾᏛᎦᏅ ᏉᎳ ᎾᏍᏉ ᏈᎵᏯ ᎠᎵᏥᏙᎲᏍᎬ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎧᏃᎮᏛ, ᎾᎿ ᎾᏍᏉ ᏭᏂᎷᏨᎩ, ᏴᏫ ᏚᏂᏖᎸᏅᎩ.\nᎾᏍᎩᏃ ᎾᏥᏪᏎᎸ ᎠᏥᏁᏤᎸ, ᏫᏚᏔᏅᎩ ᏗᏓᏍᏚᏗᏱ ᎪᏢᏒ ᎦᎵᏦᎦ ᎭᏫᏂ, ᎠᎴ ᎠᏍᏓᏯ ᏚᏅᏎᏙᏅ ᎠᏙᎯ.\n“ᎮᎵᏍᎨᎢᎨ ᎪᎨᏱ ᏥᏔᎦ ᎨᏒ ᎠᏯ?” \nᏩᏐᎾ ᎤᏰᏓᏬᏨᎯ ᎥᏝ ᏧᏍᏆᎵᏍᏗ ᏱᎨᏎᏍᏗ, ᎠᎴ ᏙᎴᏛ ᏧᎦᏒᏍᏗ ᎥᏝ ᎤᏩᏜᏗᏍᏗ ᏱᎨᏎᏍᏗ, ᎬᏂ ᎠᏓᎵᏁᎯᏙᏅᎭ ᏚᏳᎪᏛ ᎨᏒ ᏓᏰᎵᎯᏍᏗᏍᎬᎢ.\n ᎨᏍᏗ ᎭᏂᏉ ᎬᏯᏓᏍᏗ ᏱᎩ ᏃᎴ ᏱᏥᎾᏬᎩ.\nᎾᏍᎩ ᏞᎩᏉ ᏤᏥᏖᎸᎾᏗᏱ ᏂᎨᏒᎾ ᏕᏣᏓᏅᏛᎢ, ᎠᎴ ᎢᏣᏕᏯᏔᏁᏗᏱ ᏂᎨᏒᎾ, ᎾᏍᏉ ᎠᏓᏅᏙ ᎬᏗ, ᎠᎴ ᎦᏬᏂᏒᎯ, ᎠᎴ ᎪᏪᎵ ᎪᏪᎳᏅᎯ ᎬᏗ ᎠᏴ ᎣᎦᏓᏅᏏᏛ ᏥᎨᏐ ᎢᏳᏍᏗ; ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᏤᎵ ᎢᎦ ᎤᏍᏆᎸᎯᏕᏅ ᏥᎨᏐ ᎾᏍᎩᏯᎢ.\nᎯᎠᏃ ᏄᏪᏒᎩ; ᎢᏤᎾ ᏗᎦᏚᎲᎢ, ᎾᎿ ᏤᎲ ᎠᏍᎦᏯ, ᎯᎠᏃ ᎾᏥᏪᏎᎸᎭ; ᏗᏕᏲᎲᏍᎩ ᎯᎠ ᏂᎦᏪᎭ; ᎿᏉ ᎠᎩᏍᏆᎸᎡᎵᏗ, ᎬᎩᏍᏓᏩᏗᏙᎯ ᎯᏁᎸ ᏓᏲᏥᏍᏆᏂᎪᏔᏂ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎨᏒᎢ.\nᎡᏃᏱᏃ ᎠᏰᎵ ᏉᎳ ᎠᎴ ᏌᏱᎳ ᎤᎾᏓᏙᎵᏍᏔᏁᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏚᏂᏃᎩᏍᏔᏁᎢ; ᏗᎨᏥᏍᏚᎯᏃ ᎾᏍᎩ ᎤᎾᏛᎦᏁᎢ.\nᏞᏍᏗ ᎠᎴ ᎤᏕᎵᏛ ᏱᏗᏓᏂᏏᎲᏍᎨᏍᏗ ᎾᏍᎩᏯ ᎢᎦᏛ ᎾᏍᎩ ᏄᎾᏛᏁᎸᎢ, ᎠᎴ ᏏᎦᏉ ᏦᎢᏦᏁ ᎢᏯᎦᏴᎵ ᏥᏚᏂᏲᏎᎢ.\nᎬᏩᏛᏓᏍᏓᏁᎲᎩᏃ ᎬᏂ ᎾᏍᎩ ᎯᎠ ᏄᏪᏒ, ᎿᏉᏃ ᎤᏂᏌᎳᏓᏅᎩ ᎠᏂᏁᎬ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎡᎶᎯ ᏩᎦᏘᎿᏫᏛ ᎾᏍᎩᏉ ᎢᏳᏍᏗ ᏴᏫ; ᎥᏝᏰᏃ ᏰᎵ ᎬᏁᏍᏗ ᎦᏰᎵᏍᏗ ᏱᎩ.\nᎠᎵᏍᏕᎸᏙᏗᏃ ᎠᎵᏍᏚᎶ ᎢᏥᎾᎩ, ᎠᎴ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎠᏓᏅᏙ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏥᎩ;\nᎾᏍᎩᏯ ᎾᏍᏉ ᏅᏓᏨᏴᏁᎵ ᎡᏙᏓ ᎦᎸᎳᏗ ᎡᎯ, ᎢᏳᏃ ᏗᏣᏓᏅᏛ ᎢᏴᏛ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᏂᏗᏥᏙᎵᎬᎾ ᎢᎨᏎᏍᏗ ᎢᏣᏓᏅᏟ ᎤᏂᏍᎦᏅᏨᎢ.\nᎤᏂᏣᏘᏃ ᏕᎤᏅᏩᏁ ᏧᏂᏢᎩ ᏧᏓᎴᏅᏛ ᎥᏳᎩ ᎤᏁᎯ; ᎠᎴ ᎤᏂᏣᏘ ᎠᏂᏍᎩᎾ ᏚᏄᎪᏫᏎᎢ; ᎠᎴ ᎥᏝ ᏩᏂᏁᎩ ᏱᏕᎵᏎᎮ ᎠᏂᏍᎩᎾ, ᎤᏗᎦᎵᏍᏙᏗᏍᎨ ᎬᏬᎵᎬᎢ.\nᎾᏍᎩᏃ ᎠᏴ ᎣᎩᏅᏏᏛ ᎦᎶᏁᏛ ᎣᏣᏓᏁᏟᏴᏍᏔᏁᎸᎯ; ᎾᏍᎩᏯᏉ ᎤᏁᎳᏅᎯ ᏥᏥᏍᏗᏰᏗᏍᎪ ᎠᏴ ᏦᎬᏗᏍᎪᎢ, ᎦᎶᏁᏛ ᎣᏣᏓᏁᏟᏴᏍᏓᏁᎭ, ᎢᏨᏔᏲᏎᎭ ᎤᏁᎳᏅᎯ ᏙᎯ ᎢᏨᏁᏗᏱ.\nᏅᏙ ᎠᎧᎸᎬ ᏓᎶᏂᎨ ᏫᏚᎸᏌᏛ ᎤᎭᎨᏛ ᎤᎧᎭᏛ ᎠᎼ ᎦᏚᎢᏣ, ᏎᎦᏨ ᏫᏥᎪᏩᏘᏍᎬ ᎢᏤᎯ ᎢᎾᎨ ᎣᏥᎶᏍᎬ.\nᏒᎦᏔ ᏃᎴ ᏒᎩ ᎠᎦᎷᏴᏓ ᏓᎩᏝᏅ ᎭᏫᏂ ᏥᏍᏆ ᏃᎴ ᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅ ᎠᎦᎷᏴ ᏫᏓᎩᎸᏅ ᎤᏂᏁᎦᎸ ᎭᏫᏂᏨ ᏃᎴ ᏗᏂᏁᏥ.\n“ᏗᏂᏲᏟᎵ” ᎤᎵᏍᎦᏎᏔᏁᎢ ᏌᏌ.\nᎠᏎᏃ ᎤᏓᏅᏖᏗᏍᎨ ᎠᏎ ᎤᏛᏛᏗ ᎨᏎᎢ.\nᎿᏉᏃ ᏅᏯ ᏚᏂᎩᏒᎩ, ᏗᎬᏩᏂᏍᏙᏗ, ᎠᏎᏃ ᏥᏌ ᎤᏗᏍᎦᎳᏅᎩ, ᎠᎴ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏄᎪᏨᎩ, ᎠᏰᎵ ᎠᏂᏙᎾᎥ ᎤᎦᏛᎴᏒᏍᏔᏅᎩ, ᎠᎴ ᎤᎶᏐᏅᎩ.\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎠᏂ ᎡᏙᎭ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎡᏍᎦᏉ ᎤᏛᎾ ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᏱᏣᏣᏪᏐᎸᏍᏔᎾᏉ - “ᎨᏍᏗ ᎩᎶ ᏔᎷᎩᏍᎩ ᎤᏍᏆᏓ ᏱᏓᏣᏓᏁᎵ,”\nᏌᏩᏂ ᏈᏓ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏥᎦᏯᎷᏂ. ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎠᏴ ᎾᏍᏉ ᏓᏕᏏ. ᎤᏁᏅᏒᎩ, ᎩᎳᏉᏃ ᎢᏴᏛ ᏥᏳᎯ ᎤᎾᏣᏅᎩ; ᎾᎯᏳᏃ ᏒᏃᏱ ᎥᏝ ᎪᎱᏍᏗ ᏳᏂᏂᏴᎮᎢ.\nᎤᏔᏲᎴᏃ ᏗᎪᏪᎶᏗᏱ ᎠᎴ ᎤᏬᏪᎳᏁ ᎯᎠ ᏂᎦᏪᏍᎨᎢ; ᏣᏂ ᏚᏙᎥ. ᏂᎦᏛᏃ ᎤᏂᏍᏆᏂᎪᏎᎢ.\nᎡᎵᏍᎨ ᏧᏳᎪᏘ ᏂᎦᏪᏍᎨ ᏁᏂᏏ, ᎠᎾᏓᎭᏲᎯ ᏃᎴ ᎠᏂᏲᏍᎩ ᏱᏕᎬᏂᎷᎦ ᎠᏂᎨᏯ ᏃᎴ ᏗᏂᏲᏟ, ᎠᏎᏃ ᎧᎪ ᏯᎦᏔᎭ?\n“ᏣᎨ ᏯᏕᎶᎰᏍᎦ ᏂᎦᏗ ᏙᎩᎷᏫᏍᏔᏁᎲ? \nᎪᎯᏳᎲᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎾᏍᎩ ᎤᏩᏒ ᎨᏒ ᎤᏪᎭ ᎪᎯᏳᏗᏍᎩ; ᎤᏁᎳᏅᎯ ᎪᎯᏳᎲᏍᎩ ᏂᎨᏒᎾ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏰᎪᏅ, ᏅᏗᎦᎵ ᏍᏙᏗᎭ ᏂᎪᎯᏳᎲᏍᎬᎾ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏃᎮᎸᎢ ᎤᏪᏥ ᎤᏁᎢᏍᏔᏅᎢ.\nᎡᏝᏪᎢᏊᏃ ᏓᏆᎧᎿᏅ ᏞᎦ.\nᏈᎵᏕᎵᏈᏃ ᎤᎾᏓᏡᎬ ᏧᎾᏁᎶᏗ ᏗᎧᎿᏩᏗᏙᎯ ᏫᏲᏪᎳᏏ; ᎯᎠ ᎾᏍᎩ ᏫᏂᏪᏏ ᎠᏗᎭ ᎾᏍᎩ Ꮎ ᎠᏍᎦᎾ ᏂᎨᏒᎾ, ᎾᏍᎩ ᎦᏰᎪᎩ ᏂᎨᏒᎾ, ᎾᏍᎩ ᎠᏍᏚᎢᏍᏗ ᏕᏫ ᎤᏤᎵᎦ ᎦᏁᎯ, ᎾᏍᎩ ᎠᏍᏚᎢᏍᎩ ᏥᎩ, ᎩᎶᏃ ᎠᏍᏚᎲᏍᎩ ᏂᎨᏒᎾ ᏥᎩ; ᎠᎴ ᎠᏍᏚᎲᏍᎩ, ᎩᎶᏃ ᎠᏍᏚᎢᏍᎩ ᏂᎨᏒᎾ ᏥᎩ.\n ᎤᎵᏍᏆᎵᏓ ᏥᎨᏐ ᎪᏯᏛᎢ ᏄᎵᏍᏔᏁᎮ.\nᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᏴ ᎥᎩᏁᎸᎢ, ᎾᏍᎩᏯ ᎠᏏᎾᏌᏂ ᏄᎬᏫᏳᏒ ᏗᏁᏍᎨᏍᏗ ᎢᏳᏛᏁᏗ ᎾᏆᏛᏁᎸ ᎦᎫᏍᏛᏗ ᎠᎩᏅ, ᏅᏩᏓᎴᏃ ᎾᎿ ᎤᏁᏍᎨᎲ. ᎠᏎᏃ ᎾᏂᎥ ᎩᎶ ᎠᏁᏯᏔᎮᏍᏗ ᏄᏍᏛ ᎠᎾᏁᏍᎨᏍᎬ ᎾᎿᏂ.\nᎤᏐᏅ ᏂᏨᏁᎮᏍᏗ ᎩᎶ ᏞᏍᏗ ᏱᏣᏞᎨᏍᏗ ᎤᏐᏅ ᏱᏁᏨᏁᎮᏍᏗ. ᎢᎬᏱ ᏂᏣᏓᏅᏖᏍᎨᏍᏗ ᎣᏍᏛ ᎢᏣᏛᏁᎵᏓᏍᏗ ᎨᏒ ᏂᎦᏛ ᎠᏂᎦᏔᎲᎢ.\nᎢᏳᏃ ᎿᏉ ᎠᏍᎦᏯ ᎦᏁᎳ ᏓᎴᏅᎭ ᎠᎴ ᎠᏍᏚᏅᎭ ᎦᎶᎯᏍᏗᏱ, ᏂᎯᏃ ᎢᏣᎴᏅᎲ ᏙᏱᏗᏢ ᎢᏥᏙᎾᎥᎢ, ᎠᎴ ᎢᏨᏂᎮᏍᏗ ᎦᎶᎯᏍᏗᏱ ᎯᎠ ᏂᏤᏪᏍᎨᏍᏗ, ᏣᎬᏫᏳᎯ, ᏣᎬᏫᏳᎯ, ᎡᏍᎩᏍᏚᎢᏏ; ᎠᎴ ᏗᎧᏁᏨ ᎯᎠ ᏅᏗᏥᏪᏎᎸᎭ, ᎥᏝ ᏱᏥᎦᏔᎭ ᏗᏣᏓᎴᏅᎢ;\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏫᏄᏣ ᏳᏘᎦ ᏧᏙᎢᏛ ᎠᏦᎳᏅ ᎤᏪᎸᎩ, ᎠᏍᏓᏯ ᎦᎵᎲᎩ; ᏉᎳᏃ ᎪᎯᏗᏳ ᎠᎵᏥᏙᎲᏍᎬ ᎢᏳᏍᏗ, ᎦᎵᎲ ᎤᏪᏇᏴᏒᎩ ᎠᎴ ᏦᎢᏁ ᏗᏲᏓᏞᎲ ᏓᏳᏙᎣᏒᎩ, ᎠᎴ ᎠᏥᏁᏒᎩ ᎤᏲᎱᏒᎯ ᎨᏒᎩ.\nᎾᏍᎩ Ꮎ ᎠᎾᎵᎮᎵᎩ ᎢᏧᎳᎭ ᎢᏣᎵᎮᎵᎨᏍᏗ, ᎠᎴ ᎾᏍᎩ Ꮎ ᏗᎾᏠᏱᎯ ᎢᏧᎳᎭ ᏕᏣᏠᏱᎮᏍᏗ.\nᏦᎩᎦᏴᎵᎨ ᎠᎾᏓᏙᎵᏍᏗᏍᎬᎩ ᎠᏂ ᎣᏓᎸᎢ, ᎠᏎᏃ ᏂᎯ ᎯᎠ ᏂᏥᏪᏍᎪᎢ; ᏥᎷᏏᎵᎻᏍᎩᏂ ᎾᎿ ᎤᎬᏫᏳᎭ ᎠᏓᏙᎵᏍᏙᏗᏱ.\nᎤᏲᏍᏛᏉ ᎾᏆᏍᏗ ᎠᏴ! ᎦᎪ ᏛᏇᏓᎴᏏ ᎯᎠ ᎾᏍᎩ ᏥᏰᎸ ᎠᏓᎯᎯ ᎠᏆᏚᏓᎸᏛᎢ.\nᎩᎶ ᎦᎵᎷᎨᏍᏗ ᏩᏛᎬᎦ ᎠᏓᏅᏙ ᏂᏕᎦᏪᏎᎲ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ.\nᏑᎾᏙᏓᏆᏍᏗ ᎾᏋᏁᎰᏁᏍᏗ, ᎤᏛᏅ ᏗᎵᏍᏇᏔᏬ ᏗᎪᏒᏍᎩ.\nᏩᎾᎢᏒᏃ ᏐᎢ ᎠᏒᏛᏗ ᎤᏩᏛᎮ ᏙᏯ.\nᏌᏉᎯᏳᏰᏃ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᏥᏕᎫᏓᎴᏍᏗᎭ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ, ᎠᎴ ᏂᏗᎨᏥᎤᏍᏕᏎᎸᎾ ᎪᎯᏳᏗ ᎨᏒ ᏥᏕᎫᏓᎴᏍᏗᎭ.\nᎬᏂᏳᏉ ᏓᎦᎷᏥ ᎤᎶᎩᎸᎢ, ᎠᎴ ᏂᎦᏗᏳ ᏓᎬᏩᎪᎯ ᎠᎴ ᎾᏍᏉ ᏗᎬᏪᏘᎸᎯ; ᏂᎦᏗᏳᏃ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎡᎶᎯ ᎠᏁᎯ ᏙᏛᎾᏠᏱᎵ ᎾᏍᎩ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ. ᎰᏩᏉ. ᎡᎺᏅ.\nᎾᏍᎩ ᎾᎿ ᏣᎮ ᎪᎱᏍᏗ ᎬᏙᏗ ᎠᏕᎸ-ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎦᏩᏒᎩ ᎠᏥᎸᎨᎳᏍᏗ ᎦᎶᏗ, ᎠᎴ ᎾᎿ ᏥᏥᏰ ᎦᏁᏌᎢ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎦᎶᏗᏱ ᎠᏕᎸ-ᏓᎶᏂᎨ ᎫᏢᏔᏃᏅᎯ ᏥᎨᏎᎢ, ᎾᎿᏂ ᏥᎦᎴ ᎠᏕᎸᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎠᏖᎵᏙ ᎹᎾ ᏥᎦᎶᏕᎢ, ᎠᎴ ᎡᎳᏂ ᎤᏙᎳᏅᏍᏙᏗ ᏣᏥᎸᏍᎨᎢ, ᎠᎴ ᏅᏯ ᏗᏯᏖᏅ ᎾᎿ ᏥᎪᏪᎴ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ.\nᎢᎦ ᏒᎮᏱᏣ ᎯᏍᎩᏃᎯᏎᎸ ᎢᏳᏍᏗ ᏂᎦᎵᏍᏔᏂᏙᎲ ᎡᏚᏥ ᎰᎻ ᎤᏤᎵ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᎾᏍᎩᏃ ᎡᎶᏗᏏ ᎤᏪᏥ ᎠᏛ ᎤᏴᎵᎸ, ᎠᎴ ᎤᎵᏍᎩᏒ, ᎠᎴ ᎡᎶᏛ ᎠᎴ ᎾᏍᎩ ᎢᏧᎳᎭ ᎠᏂᏂᏜᎢ ᎣᏏᏳ ᎤᏂᏰᎸᏅ, ᎤᎬᏫᏳᎯ ᎯᎠ ᏄᏪᏎᎴ ᎠᏛ, ᏍᎩᏔᏲᏏ ᎢᏳᏍᏗᏉ ᎮᎵᏍᎬᎢ, ᏓᎬᏁᎵᏃ.\nᎿᏉᏃ ᎦᎬᏩᏂᏐᏢᏔᏅᎩ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏂᎯ ᎾᏍᎩ ᎯᏍᏓᏩᏗᏙᎯ, ᎠᏴᏍᎩᏂ ᎼᏏ ᎣᏥᏍᏓᏩᏗᏙᎯ.\nᏞᏍᏗ ᏂᏗᏣᏙᎵᎬᎾ ᎢᏧᎳᎭ ᏱᏕᏥᎩᎳᎾᎳᏗᏍᎨᏍᏗ ᎾᏃᎯᏳᎲᏍᎬᎾ; ᎦᏙᏰᏃ ᎤᏍᏗ ᏚᎾᏚᏓᏛ ᏚᏳᎪᏛ ᎨᏒ ᎠᎴ ᏂᏚᏳᎪᏛᎾ ᎨᏒᎢ? ᎠᎴ ᎦᏙ ᎤᏍᏗ ᏌᏉ ᏄᏅᏅ ᎢᎦ-ᎦᏘ ᎠᎴ ᎤᎵᏏᎩ?\nᎾᏍᎩᏍᎩᏂ Ꮎ ᎤᏛᎦᏅᎯ, ᏄᏛᏁᎸᎾᏃ, ᎾᏍᎩ ᎠᏍᎦᏯ ᏓᏤᎸ ᏂᏚᎫᏍᏓᎥᎾ ᎦᏙᎯᏉ ᎠᏓᏁᎸ ᏧᏁᏍᎨᎮᎢ; ᎡᏉᏂᏃ ᎾᎿ ᎤᎵᏂᎩᏗᏳ ᎡᏂᎵᎯᎮᎢ, ᎩᎳᏉᏃ ᎢᏴᏛ ᎤᏪᏇᏴᏎᎢ; ᎤᏍᎦᏎᏗᏳᏃ ᏄᎵᏍᏔᏁ ᎤᏲᏨ ᎾᏍᎩ ᎠᏓᏁᎸᎢ.\nᎤᎵᏂᎩᏛᏰᏃ ᎤᏚᎩ ᎤᏩᏒ ᎠᎦᏁᎳᏅᎯ ᎨᏒ ᎠᎦᏘᏯ ᎨᏥᎾᏄᎪᏫᏒ ᎤᏁᎳᏅᎯ ᏧᏪᏥ.\nᎠᏎᏃ ᏴᏫ ᎤᏂᎵᏅᏨ, ᎤᏍᎦᏯ ᎤᎷᏤ ᎤᏲ ᎤᎦᏔ ᎤᏫᏎ ᎤᏣᎴᏍᏗ ᎠᏫᏒ ᎤᏑᏴᏁᎢ; ᎠᎴ ᎢᎤᏪᏅᏎ.\nᎠᎴ ᏓᏥᎦᏙᎥᏏ ᏚᏳᎪᏛᎢ, ᏚᏳᎪᏛᏃ ᏂᏕᏥᎾᏝᎥᎾ ᏅᏓᏨᏁᎵ.\nᎠᎴ ᏥᎷᏏᎵᎻ ᎤᏘᏃᎴᎢ, ᎠᎴ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏍᎪᎵ ᎤᎩᎸᏔᏁᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎢᏳᏃ ᏂᎯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏎᏍᏗ, ᏨᏒ ᎭᏓᎶᎥᏓ ᎠᏂ;\n”ᎨᎾ ᏩᎶᏏ!” ᎤᏪᎷᏁ ᎡᎳᏆᏗ.\nᎤᏓᏅᏖᎴ ᎤᎧᏛᏅᏍᏗ.\nᎢᏧᎳ ᏗᎪᏍᏔᏱ, ᏰᎵᏉ ᎧᏃᎨᏂ ᎤᏍᏙᏴᏗ, ᎠᏎᏃ ᏧᏬᏰᏂ ᏱᏓᏲᏍᏔ ᏣᏉ ᏧᏔᏂᏓᏍᏗ.\n“ᏣᏛᎦᏍᏕᏍᏗᏛ !\nᎩᎶᏰᏃ ᎠᏆᏕᎰᏍᎨᏍᏗ ᎠᏴ ᎠᎴ ᎠᎩᏁᏨᎢ, ᎾᏍᎩ ᏴᏫ ᎤᏪᏥ ᎤᏕᎰᎯᏍᏗ ᎨᏎᏍᏗ ᎾᎯᏳ ᎦᎷᏨᎭ ᎤᏄᏬᏍᏕᏍᏗ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏩᏒ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏙᏓ ᎤᏤᎵᎦ, ᎠᎴ ᎨᏥᎸᏉᏗ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᎾᏤᎵᎦ.\nᏧᏁᎳᏃ ᎢᏴᏛ ᏫᏄᏒᎸ ᎾᏍᎩ ᎯᎠ ᏄᏪᏐᎢ, ᎯᎠ Ꮔ-ᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏈᏓ ᎠᎴ ᏣᏂ ᎠᎴ ᏥᎻ ᏚᏘᏅᏎ ᎠᎴ ᎤᎿᎷᏎ ᎣᏓᎸ ᎤᏓᏙᎵᏍᏔᏅᏎᎢ.\nᏴᏫᏰᏃ ᎤᏔᎳᏬᏍᎬᎢ ᎥᏝ ᏱᎦᎾᏄᎪᏫᏍᎪ ᏚᏳᎪᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎠᎴ ᎣᏦᎯᏳᎲᏍᎦ, ᎠᎴ ᎣᏥᎦᏔᎭ ᏂᎯ ᎾᏍᎩ ᎦᎶᏁᏛ ᎨᏒᎢ, ᎬᏂᏛ ᎤᏁᎳᏅᎯ ᎤᏪᏥ.\nᎾᏃ ᎠᏄᎦᎸᎯ ᏧᎳᎨᏯᏛᏤᎢ ᎨᏥᏛᎦ ᎾᏍᎩ ᎠᎾᏛᎬᎦ. ᎢᎸᎯᏢ ᏥᏩᏂᎶᏍᎪᎢ, ᎡᎶᎯᏃ ᎡᎯ ᎤᏪᎵᎯᏍᏗ ᎠᎴ ᎨᏅᎢᏍᏗ ᎨᏒ, ᎠᎴ ᎣᏍᏛ ᎠᏰᎸᏗ ᎨᏒ ᎠᏂᏁᏄᎳᏍᏗᏍᎪᎢ, ᎠᎴ ᎥᏝ ᏯᏂᎾᏄᎪᏫᏍᎪ ᎤᎦᏛᎾᏨᎯ.\n”ᏙᎢᏳᏍᏗ, ᏫᎵᎻ?”\nᏤᏥᏲᎯᏎᎸᎩ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎣᏍᏛ ᏄᏅᎿᏕᎬᎢ ᎠᏎᏃ ᎥᏝ ᎢᏥᏍᏆᏂᎪᏔᏅᎯ ᏱᎩ.\nᎠᏎᏃ ᎾᏍᏉ ᎾᏍᎩ ᎤᏂᏃᎮᎸᎯ ᎥᏝ ᎤᏠᏱ ᏱᎨᏎᎢ.\nᎠᏎᏃ ᎩᎳᏉ ᎢᏴᏛ ᏥᏌ ᏚᏁᏤᎸᎩ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᎦᎵᏍᏗᏉ ᎢᏣᏓᏅᏓᏓ, ᎠᏴᏉᏰᏃ, ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ.\nᎠᎦᏴᎵᎨ ᎤᎮᏳᎯᏳ ᎤᏪᏥ, ᎠᎴ ᏂᎦᏗᏳ ᎪᎱᏍᏗ ᏚᏲᎯᏎᎸ.\nᏍᏈᏍᏗ ᎠᎵᏍᏓᏴᏗ ᎠᏂᏰᎮ, ᏙᎯ ᎢᏳᏅᏁ ᏃᎴ ᎤᎾᎵᏍᏓᏴᏗ.\nᏃᏗ ᎦᏙ ᏩᏓᏑᏴᎥᏍᎦ.\nᎠᎴ ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎤᏬᎯᏳᏅᎯ; ᎾᏍᎩᏰᏃ Ꮕ-ᏧᏪᏎᎸ ᎣᎱᏩ ᎾᏍᎩ ᎠᏎ ᏅᏓᎦᎵᏍᏔᏂ.\nᎪᎯᏍᎩᏂ ᎨᏒ ᎠᏍᎦᏂ ᏂᏗᏥᎾᏝᎥᎾ ᏥᎩ, ᎠᎴ ᎤᎾᎳᏅᎯ ᏗᏥᎾᏝᎢ ᏥᏄᎵᏍᏔᏅ, ᎢᏥᏁᏉᎥᎯ ᎢᏥᎭ ᏂᏥᏍᎦᏅᎾ ᎢᏨᏁᎯ, ᏩᎵᏍᏆᏗᎯᎲᏃ ᏭᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ ᎬᏂᏛ.\nᏑᏓᎴᎩᏍᎩᏂᏃᏅ [ᎤᎾᏚᎵᏍᎬᎩ,] ᎾᏍᎩ ᏦᏍᏓᏅᏓᏗᏍᏗᏱ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ; ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏆᎵᎦᎵᏴᏒᎩ ᎾᏍᎩ ᎢᏯᏆᏛᏁᏗᏱ.\nᎾᏍᎩᏰᏃ ᏴᏫ ᎢᏳᏩᏂᏌᏛ ᏥᎩ ᎠᎰᎱᎯᏍᏗ ᎨᏒ ᏤᎭ, ᏴᏫ ᎾᏍᏉ ᎢᏳᏩᏂᏌᏛ ᎠᏳᎱᏒ ᏗᎴᎯᏐᏗ ᏥᎩ.\nᎠᎴ ᎬᏂᏳᏉ ᎠᏍᎦᏯ ᎾᎿ ᎤᎾᏓᏡᎬ ᎤᏪᎷᏁᎢ ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᏔᏕᏲᎲᏍᎩ, ᎬᏍᏗᏰᏗᎭ ᏘᏯᎦᏃᏗᏱ ᎠᏇᏥ; ᎤᏩᏒᎯᏳᏰᏃ ᎠᏇᏥ ᎾᏍᎩ;\nᎯᎠ ᏅᏓᏳᏪᏎᎸᎩ; ᏂᎯᏍᎪ Ꮎ ᎤᎷᎯᏍᏗ ᏥᎩ, ᏥᎪᎨ ᏅᏩᏓᎴ ᎣᏥᎦᏖᏃᎮᏍᏗ?\nᎤᏟᏂᎩᏓ ᏃᎴ ᎪᎱᏍᏗ ᏯᏍᎦᎢᎲᎾ ᎨᏎ, ᏭᏳᎪᏛᎢ, ᎢᏧᎳ ᏌᏌ ᎤᏪᎵᎯᏍᏗ ᏄᎾᎵᏍᏔᏁᎮᎢ ᏄᏁᎵᏛ ᎤᏓᏅᏖᏗ ᏧᏍᏆᏴᏍᏗ.\nᏑᎾᎴ ᎢᏣ ᎨᏒ ᎡᏝᏪᎯ ᎦᏟᎮ ᏧᏍᏆᏴᏍᏗ ᎧᏁᏍᎬ ᎭᏫᏂᏣ.\nᏣᎵᏍᏙᏂ ᏧᏛᏒ, Fanny Kemble ᎤᏲᎯᏍᏔᎾ ᎠᎬᏱ ᎠᎨᏯ ᎠᏛᏁᎵᏍᎬ High, Low, Jack ... Game, ᏭᎴᏅᎮ, ᏂᎦᏓ ᎠᏂᏃᎮᏍᎨ.\nᎦᏅᏅ ᎠᎾᎢᏒ ᎤᏅᏌ ᎠᎾᏓᏍᎦᏍᏔᏁ ᎠᏂᏍᎦᏯ, ᎪᎰᏍᏗ ᎤᏍᎦᏎᏗ ᏤᏙᎰ ᎤᎵᏏᎬ ᎢᎾᎨᎢ ᎠᏁᎵᏍᎬ.\nᎠᎨᏴᏃ ᏔᎵ ᏓᏥᏕᎸᎩ ᎠᏬᏎᎵ ᎤᏔᏅ ᏗᎧᏃᎨ, ᎾᏍᎩ ᎢᎾᎨ ᏭᏃᎯᎸᏍᏙᏗᏱ ᎠᏥᏰᎸᎾᏁᎸᎩ, ᎾᎿ ᎤᏤᎵᎪᎯ ᏗᎨᏒᎢ, ᎾᎿ ᎠᎨᎳᏍᏗᏱ ᏑᏕᏘᏴᏛ, ᎠᎴ ᏔᎵ ᏧᏕᏘᏴᏛ, ᎠᎴ ᎠᏰᎵ ᎢᏳᏕᏘᏴᏛ, ᎾᏍᎩ ᎠᏥᎧᎲᏍᏗᏱ ᎢᎾᏛ ᎠᎦᏔᎲᎢ.\nᎣᏏᏰᏃ ᎯᎠ ᎾᏥᏪᏎᎭ, ᏥᏯᏙᎵᏍᏗ ᎨᏎᏍᏗ ᎾᏍᎩ Ꮎ ᏥᏯᏙᎵᎩ ᎨᎵᏍᎨᏍᏗ, ᎠᎴ ᎤᏪᏙᎵᏍᏗ ᏥᏯᏓᏅᏓᏗᏍᏗ ᎨᏎᏍᏗ ᎾᏍᎩ Ꮎ ᎤᏪᏙᎵᏍᏗ ᏥᏯᏓᏅᏓᏓ ᎨᎵᏍᎨᏍᏗ.\nᎦᏙᎨ ᎢᏣᎦᏔᏅᏎᎢ? ᎠᏙᎴᎰᏍᎩᏍᎪ? ᎥᎥ, ᎢᏨᏲᏎᎭ. ᎠᎴ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎡᏍᎦᏉ ᎠᏙᎴᎰᏍᎩ.\n”ᎤᏙᏳᎯ.\nᏲᏎᎢ ᏐᏉᎯᎭ ᎤᏂᏯᎩᏍᏗ ᏱᏕᏥᏲᎴ ᏥᏍᏆ, ᎠᏎᏃ ᎾᎥᏂᏉ ᏄᎵᏍᏔᏅ.\nᏂᎦᏛᏃ ᎡᎳᏗ ᏙᎩᏅᏨ, ᎾᏁᎬ ᎠᏆᏛᎦᏅᎩ ᎠᎩᏁᏤᎲᎩ, ᎠᏂᏧᏏ ᎤᏂᏬᏂᎯᏍᏗ ᎬᏗᏍᎬᎩ; ᎯᎠ ᏂᎦᏪᏍᎬᎩ ᏐᎳ, ᏐᎳ, ᎦᏙᏃ ᎤᏲ ᏂᏍᏋᏁᎭ? ᎤᏕᏯᏙᏗᏳ ᏗᏣᎲᏖᏍᏗᏱ ᏗᎪᏍᏓᏯ.\nᎠᏴ ᏠᏗᏯ-ᎵᏏᏯ ᏫᎬᏲᎵᎦ ᎤᏣᏘ ᎰᏍᏛ ᏣᎬᏫᏳᎯ ᏈᎵᏏ.\nᏄᎾᏟᏂᎬᎬ ᎤᏅᏔᏁᎢ ᎠᏂᏍᎦᏯ ᎤᏄᏔᎩᏎ ᎧᏁᏌᎢ ᏃᎴ ᏭᏂᏌᏕᎢ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ.\nᏂᎬᎾᏛᏃ ᎢᏥᏈᏱ ᎠᎴ ᎨᎾᏂ ᏚᎪᏄᎶᏎᎢ, ᎠᎴ ᎤᏣᏘ ᎠᎩᎵᏯ ᏄᎵᏍᏔᏁᎢ, ᏗᎩᎦᏴᎵᎨᏃ ᎤᎾᏠᎨ ᎤᎾᎵᏍᏓᏴᏗ.\nᏥᏌᏃ ᎠᏍᏓᏯ ᎤᏪᎷᏅ, ᎤᎵᏍᏆᏕᎴᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏂᏣᏘ ᎨᏒ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᏚᏂᎪᎲ ᏧᏅᎨᏫ ᎠᏂᏬᏂᏍᎪᎢ, ᎠᎴ ᎠᎱᏍᏗ ᎤᏍᏛ ᏗᏂᏰᎸ ᏧᏂᏲᎱᏎᎸᎯ ᎤᏂᏃᏍᏛ ᏄᎾᎵᏍᏔᏅᎢ, ᎠᎴ ᏗᏗᏲᏅᎵ, ᎬᏩᏁᏓᏍᏗ ᏄᎵᏍᏔᏅᎢ ᎠᎴ ᏗᏂᎨᏫ ᎬᏩᏂᎪᏩᏛᏗ ᏄᎵᏍᏔᏅᎢ; ᎤᏂᎸᏉᏔᏅᎩᏃ ᎤᏁᎳᏅᎯ ᎢᏏᎵ ᎤᎾᏤᎵᎦ.\nᏫᏥᎢᎦ ᎠᎵᎮᎵᎨ ᏃᎴ ᎤᏬᎯᏳᎮ.\nᎢᏥᏙᏓ ᎡᏆᎭᎻ ᎠᎵᎮᎵᏍᏗ ᎤᏚᎩ ᎡᏩᏒ ᎤᎪᏩᏛᏍᏗᏱ ᎪᎯ ᎨᏒ ᎠᏴ ᎨᎥᎢ, ᎠᎴ ᎤᎪᎲᎩ ᎠᎴ ᎣᏏᏳ ᎤᏓᏅᏓᏛᎩ.\n ᎤᏩᏃᏪᎢ ᎤᏃᎴ ᎤᎶᏎ.\nᎤᏣᏘᎾ ᏚᏏᎳᏛ ᏗᏓᎴᎲᏍᎨ ᎦᏬᏂᏍᎬ.\nᏫᎵᎻ ᎤᏓᏍᏓᏩᏛᏎ.\nᎠᎴ ᎠᎩᏆ ᎯᎠ ᏁᏥᏪᏎᎸᎭ, ᏣᎦᏌᏯᏍᏕᏍᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎤᎬᏩᎵ ᏤᏣᏲᎯᏎᎸᎯ, ᎾᏍᎩ ᏣᎧᎵᎢᏍᏗᏱ.\nᎠᎩᏙᏓ.\nᏥᏌᏃ ᎤᏄᎪᏨᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏓᏅᏒᎩ, ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᎷᏤᎸ ᎬᏩᏃᏁᎸᎩ ᏂᏚᏍᏛ ᏓᏓᏁᎸ ᎤᏛᎾᏗᎦᎳᏫᎢᏍᏗᏱ.\nᏅᏙᎠᏰᎵ ᏬᎩᎶᏒ, ᎭᎾ ᎣᎦᏂᎩᏛ ᏬᏙᏥᎭᏯᎸ ᏚᏗᏱ, ᎩᏟᏗᎦᏓᎥ, ᏙᏱ ᏗᏦᎭᏴ, ᏧᏙᏓᏆᏓ ᎣᎦᏂᎩᏒ, ᎤᏲᎢᏴ ᎤᏂᎶᎯᏍᏗ ᎨᏒ ᏐᏈᎵ, ᎨᏍᏗ ᎪᎰᏍᏗ ᏲᎩᏩᏛᎭ, ᎠᎴᏃ ᎠᏂᏃᎯᎵᏙ ᏚᏂᎾᏦᏩᏛ, ᏃᎴ ᏐᏉ ᏗᎨᏫ ᎠᏍᎦᏯ, ᎤᏄᎸᏅ ᎤᏂᎩᏍᏗ, ᏃᎴ ᏍᎩᏴ ᎠᎦᏗᏓ ᎤᎦᎭᎾᏅ, ᏕᏧᎬ ᏕᎦᏓᎥ ᏧᏆᎶᎦ ᎠᏂᏓᎶᏁᎨ ᏃᎴ ᎠᏂᎩᎦᎨ ᎨᏒ ᏃᎴ ᎦᏙ ᎤᏓᏫᏍᎩᎨ ᎨᏒ.\nᏄᏍᏛ ᎠᎩᎪᎲ ᎡᏙᏙᏱ ᎾᏍᎩ ᏥᏁᎪᎢ; ᏂᎠᏃ ᏄᏍᏛ ᎢᏥᎪᎲ ᎢᏥᏙᏙᏱ ᎾᏍᎩ ᏂᏣᏛᏁᎰᎢ.\nᎯᏳᏩᏁᎦ, ᎤᏛᏅ ᏗᎪᏪᎵᏍᎩ, ᎨᏍᏗ ᏳᏛᏛᎾ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎡᏦᎢᏳᎲᏍᎩ ᏥᎩ ᎦᎸᏉᏗᏳ ᎡᏂᏰᎸᎠ; ᎾᏍᎩᏍᎩᏂ Ꮎ ᎾᏃᎯᏳᎲᏍᎬᎾ, ᎾᏍᎩ Ꮎ ᏅᏯ ᏗᎾᏁᏍᎨᏍᎩ ᎤᏂᏲᎢᏎᎸᎯ ᏄᎬᏫᏳᏒ ᎤᏅᏏᏴ ᎠᏗ ᏄᎾᎵᏍᏓᏁᎸ;\nᎿᏉᏃ ᎩᎶ ᎤᎷᏤ ᎤᏂᏃᏁᎴ ᎯᎠ ᏄᏪᏎᎢ; ᎬᏂᏳᏉ ᎾᏍᎩ ᎠᏂᏍᎦᏯ ᏗᏓᏍᏚᏗᏱ ᏥᏕᏥᏴᏔᏅᎩ ᎠᏂᏯᎠ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᏂᏙᎾᎠ, ᎠᎴ ᏓᏁᏲᎲᏍᎦ ᏴᏫ.\nᎿᏉᏃ ᏉᎳ ᏛᏍᏚᎢᏏᏒᎩ ᎠᎰᎵ, ᎨᎵᏲ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎠᏂᏧᏏ; ᎢᏳᏃ ᎤᏲ ᎢᏳᏛᏁᎸᎯ ᏱᎩ, ᎠᎴ ᎤᏍᎦᏅᏨᎯ ᏱᎩ, ᎢᏥᏧᏏ, ᏚᏳᎪᏛ ᏱᎩ ᎢᏨᏯᏛᏓᏍᏓᏁᏗᏱ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎢᏤ-Ꮎ, ᎠᎴ ᎯᎠ ᏫᏁᏥᏪᏏ Ꮎ ᎫᎳ, ᎬᏂᏳᏉ ᎠᏂᏍᎩᎾ ᏕᏥᏄᎪᏫᏍᎦ, ᎠᎴ ᏕᎦᏓᏅᏫᎭ ᎪᎯ ᎢᎦ ᎠᎴ ᎤᎩᏨᏅᎢ, ᏦᎢᏁᏃ ᎢᎦ ᎠᎩᏍᏆᏛᎯ ᎨᏎᏍᏗ.\nᏞᏍᏗ ᎾᏍᎩ ᎯᎠ ᎢᏥᏍᏆᏂᎪᏒᎩ, ᏛᏍᏆᎸᎯᏰᏃ ᎾᎯᏳ ᏓᏤᎵᏍᏛ ᎠᏂᏯᎢ ᏂᎦᏛ ᏛᎾᏛᎦᏂ ᎧᏁᎬᎢ,\nᎠᎴ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎢᏥᏔᏲᎯᎮᏍᏗ ᎪᎳ ᎠᎴ ᎤᎾᏙᏓᏆᏍᎬ ᎢᏣᎵᏍᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᎬᏆᏚᎸᏗ ᏂᎦᎵᏍᏗ ᎪᎯ ᎨᏒ ᎢᏨᏰᎳᏗᏓᏍᏗᏱ, ᎠᎴ ᎠᎩᏁᏟᏴᏍᏗᏱ ᏥᏁᎬᎢ; ᎤᏯᏰᏃ ᎢᏨᏴᏍᎦ.\nᎿᏉᏃ ᎠᎨᏴ ᎤᎯᏴᎩ ᎠᎹ ᎤᏢᏗ, ᎠᎴ ᏗᎦᏚᎲ ᏭᎶᏒᎩ, ᎯᎠ ᏫᏂᏚᏪᏎᎸᎩ ᏴᏫ;\nᎠᎴ ᏚᏂᏃᎩᏒᎩ ᎼᏏ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᏅᏏᏓᏍᏗ ᏧᏃᎩᏛ, ᎠᎴ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᏤᎵ ᏗᎧᏃᎩᏍᏗ, ᎯᎠ ᎾᏂᏪᏍᎬᎩ, ᎦᎸᏉᏗᏳ ᎠᎴ ᎤᏍᏆᏂᎪᏗᏳ ᏗᏣᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏣᎬᏫᏳᎯ ᎠᎴ ᏣᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᏣᎵᏂᎩᏛ; ᎣᏍᏛ ᎠᎴ ᏚᏳᎪᏛ ᎢᎭᏛᏁᎵᏙᎯ ᏂᎯ ᏣᎬᏫᏳᎯ ᎤᎾᏓᏅᏘ ᎤᎾᏤᎵᎦ.\nᏔᎷᎩᏍᎩ ᎦᏅᎦᏩᎶᏍᎩ ᎨᏎ ᏗᎦᏁᎦᎳᏫᏍᏙᏗ ᎠᎴ ᏗᏔᎴᏍᏙᏗ ᎦᎪᏢᏍᎬ. Georgia ᎠᏕᎳ ᎤᏁᎦ ᏗᏗᏙᏗ ᎠᎴ ᏴᎩ ᏕᎪᏢᏗᏍᎬ.\nᎣᎦᏓᏅᏘᏳᏍᎩᏂ ᎨᏒᎩ ᎢᏨᏰᎳᏗᏙᎲᎢ, ᎾᏍᎩᏯ ᏧᏓᏍᏓᎢ ᏥᏓᏍᏆᏂᎪᏗᏍᎪ ᏧᏪᏥ;\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎤᏲ ᎢᎨᎬᎾᏕᎩ ᏚᏳᎪᏛ ᎨᏒ ᎤᏂᏍᏛᏗᏍᎩ, ᎤᎾᏤᎵᏰᏃ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\n“Ꮎ,” ᎤᏛᏁ ᏧᏍᏆᏴᏍᏗ, ᎤᏴᏈᏓᎩᏎ ᎪᏪᎵ.\nᎾᎥᏂ ᎠᎵᏍᎩᏍᏔᏂᏙᎮ ᎰᎻ, ᎤᎵᏍᏇᏔᏬ ᎬᏗ ᎦᏃᎸᎥᏗᏍᎨ.\nᎫᎭᏢ ᏭᎾᏌᎾᎩᏎ ᏣᏥ ᎠᏎᏃ ᎤᏄᎸᏁ.\nᎭᏫᏂ ᎤᏁᎳᏕ ᏧᏍᏆᏴᏍᏗ ᎪᎳ ᎤᎷᏣ.\nᎠᏂᏧᏣ ᏥᎨᏎ ᏗᎬ ᏩᏂᏙᎵᏨ ᎨᏎ.\n“ᏙᎢᏳᏍᏗ ᎪᏟᏍᏗ?”\nᎤᎾᏏᏅᏎ, ᎤᎾᎪᏙᏍᏓᏁ ᎢᎾᏓ.\nᎠᏎᏃ ᎤᏂᏣᏔ ᎢᎬᏱ ᎣᏂᏱ ᎨᏎᏍᏗ; ᎣᏂᏱᏃ ᏥᎩ ᎢᎬᏱ ᎢᎨᏎᏍᏗ.\nᎾᏍᎩ ᎢᏥᎧᎵᏨᎯ ᎢᏳᎵᏍᏙᏗᏱ ᏚᏳᎪᏛ ᎨᏒ ᎤᏓᎴᏅᎯ, ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏐᏗᏱ, ᎾᏍᎩ ᎤᎸᏉᏙᏗᏱ ᎤᏁᎳᏅᎯ ᎠᎴ ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\nᎯᎠ ᏥᏂᎦᏪᏍᎬᎩ, ᏴᏫ ᎤᏪᏥ ᎠᏎ ᏴᏫ ᎠᏂᏍᎦᎾ ᏗᎨᏥᏲᎯᏎᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎠᎦᏛᏗ ᏓᏓᎾᏩᏍᏛᎢ, ᎠᎴ ᏦᎢᏁ ᎢᎦ ᏧᎴᎯᏐᏗ.\nᎤᏁᏨᏃ ᎯᎠ ᏂᏑᏪᏎᎴᎢ, ᎦᏙ ᎤᏍᏕ ᎢᏥᏁᏤᎴ ᎼᏏ?\nᎠᎾᎵᏅᏟᏃ ᏚᏲᏍᎨᏍᏗ ᎠᎾᎵᏅᏟ ᎤᏲᏞᎯᎯᏍᏗᏱ; ᎠᏍᎦᏯᏃ ᎤᏪᏥ ᏚᏲᏍᎨᏍᏗ; ᎠᎴ ᏗᎨᎦᏅᎩ ᏓᎾᎴᎲᏍᎨᏍᏗ ᏧᏂᎦᏴᎵᎨ ᏓᎾᏡᏗᏍᎨᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎾᏅᏂᏏᏍᎨᏍᏗ ᏕᎨᏥᎢᎮᏍᏗ.\nᎬᏂᏳᏉ ᎢᏥᏁᎸ ᏅᏔ ᏁᏨᏁᎸ; ᎠᎴ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎥᏝ ᏴᎨᏍᎩᎪᏩᏛ ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎬᏂ ᎯᎠ ᎢᏥᏪᏍᏗᏱ ᎠᏍᏆᎸᎲᎭ, ᎠᏥᎸᏉᏗᏳ ᎾᏍᎩ Ꮎ ᏱᎰᏩ ᏕᏅᏙᎥ ᏥᎦᎷᎯᏍᏗᎭ.\nᎠᎴ ᏞᏍᏗ ᏱᏗᎩᏯᏪᎨᏍᏗ ᎣᏍᏛ ᏕᎩᎸᏫᏍᏓᏁᎲᎢ; ᎾᎯᏳᏰᏃ ᎠᏍᏆᎸᎲᎭ ᎢᎩᏟᏐᏗ ᎨᏎᏍᏗ, ᎢᏳᏃ ᏂᏗᏗᏩᎾᎦᎶᎬᎾ ᎢᎨᏎᏍᏗ.\nᎠᎴ ᎠᎵᏥᏙᎲᏍᎨ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏓᏓᏁᎸ ᎨᎵᎵ.\nᎿᏉᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎭᏢ ᎡᏙᎭ? ᎥᏝ ᏱᏥᎦᏔᎭ, ᎡᏛᏅᎩ.\n”ᎾᎥᏂᎨᏃ,” ᎤᏛᏁ ᏌᎳᏓ.\n“ᎭᏩ!” ᎤᏁᎷᏁ ᏂᎦᏓ.\nᎤᎬᏫᏳᎯᏃ ᎤᏬᏰᏂ ᏔᎵ ᎤᏛᏗᏕᎨᎢ, ᎤᏂᏤᏖᏃ ᎤᏃᎯᏳᏁᎢ, ᎤᎬᏫᏳᎯᏃ ᎢᏗᏢ ᏭᎾᎦᏔᎲᏍᏔᏁᎢ.\n”ᎤᏍᏆᏂᎩᏘ ᏏᏆ.” ᎤᏛᏁ.\nᏩᏆᏅᏓᏛ ᏰᎵ ᏑᎾᏙᏓᏆᏍᏗ ᎣᎦᏂᎩᏒ ᏃᎴ ᏙᎩᎵᏦᏩᏔᏅ, ᎨᏍᏗ ᎣᏍᏓ ᏱᎦᏟᎮ ᎠᏌᎻᏓ ᏚᎾᏓᏒᎢ, ᏳᏃᏴᎳᏌ ᎤᏆᎶᎦ ᎦᏙᎥᏍᎬ ᏃᎴ ᎠᏑᏰᎯᏙᎲ ᎤᏤᏥᏍᏗ, ᎠᏓᎾᏩᏍᎬ.\nᎠᏂᏐᏃ ᏅᎦ ᏗᏂᏅᏌᏓ ᏂᏚᏅᏔᏁᎴ.\nᎤᏏᏩ ᏱᎩ ᎠᎫᏍᏉᏟᎢ ᏃᎴ ᎧᎵᎢ ᏱᎩ ᏣᏓᏅᏖᏗ, ᏍᏓᏱ ᎨᏐ ᏫᎦᏢᏗ.\nV. ᏌᎳᏓ  \n“ᏕᏓᏓᎪᎲᏳ, ᏕᏓᏓᎪᏴᏳ!” \nᎠᏍᎦᏂᏰᏃ ᎤᏓᎫᏴᎡᏗ ᎨᏒ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎢᎩ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᎬᏩᎦᏘᏯ ᎤᏓᏁᏗ ᎨᏒ ᎬᏂᏛ ᏭᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ, ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ ᎢᏳᏩᏂᏌᏛ.\nᏉᎳᏃ ᎤᏃᏍᏛ ᏔᎵ ᏧᏕᏘᏴᏛ ᎤᏁᎳᏛᎩ ᎤᏤᎵᎦ ᎤᏙᎳᏒᎯ ᎠᏓᏁᎸᎢ, ᎠᎴ ᏓᏓᏂᎸᎬᎩ ᏂᎦᏛ ᎬᏩᏩᏘᏍᎩ,\nᎨᎦᏓᏴᎡᎸᏃ, ᎤᏂᎪᏁᎶᎯᏎᎴᏉ ᎠᏍᎦᏯ ᎦᏁᎳ,\nᏴᏫ ᏂᏂᏫ ᏣᏁᎮ ᏙᏛᎾᎴᏂ ᎪᎯ ᏣᏁᎭ ᏗᎫᎪᏗᏱ ᎨᏎᏍᏗ, ᎠᎴ ᏧᎾᏚᎪᎵᏁᏗᏱ ᏅᏛᏅᏁᎵ; ᏚᏂᏁᏟᏴᏎᏰᏃ ᏚᎾᏓᏅᏛ ᏦᎾ ᏚᎵᏥᏙᏁᎸ; ᎬᏂᏳᏉᏃ ᎠᏂ ᎡᏙᎭ ᎤᏟ ᎢᏯᏥᎸᏉᏗ ᎡᏍᎦᏉ ᏦᎾ.\nᏚᏂᏴᎲᎩ ᏧᏪᏲᏔ ᏧᎦᏄᏓᏅᎯᏛ ᎠᎴ ᎤᏂᏄᎪᏨᎩ ᏚᎾᏠᏒᏒᎩ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒ ᎤᏁᎷᏅᎩ, ᎰᏌᎾ! ᎠᏥᎸᏉᏗᏳ ᏫᏂᎦᎵᏍᏓ ᏱᎰᏩ ᏚᏙᏍᏛ ᏨᏓᏯᎢ, ᎤᎬᏫᏳᎯ ᎢᏏᎵ ᎤᎾᏤᎵᎦ.\nᎢᏳᏰᏃ ᏴᏫ ᎨᏥᏍᎦᏅᏤᎲ ᏱᏗᎨᏥᏁᎭ, ᎾᏍᏉ ᎢᏥᏙᏓ ᎦᎸᎳᏗ ᎡᎯ ᎢᏥᏙᎵᏍᏗ ᎨᏎᏍᏗ.\nᎤᏲ ᎢᏳᎾᏛᎾᏕᎩ ᏃᎴ ᎤᏂᏁᏌᏟ ᎠᏂᏳᏩᏁᎦ ᏚᏂᏍᏔᏩᏗᏎ, ᏑᎵ ᏣᏂᏌᏩᏄᎪ ᎪᎰᏍᏗ ᎤᎵᏬᏨ ᎢᎦᎦᏓ.\nᎤᏓᏅᏙᎩ ᎤᏓᎾᏫᏍᏔᏁᎢ.\nᎤᎾᎵᏍᎨᏛ ᎠᏂᏴᏫᏯ ᏗᎨᎦᏥᎶᏍᏔᏅ ᏓᏍᏆᏂᎪᏛ ᏓᎭᏃᏫ ᎠᎾᏓᏅᏖᎵᏙ ᏧᏂᎷᏫᏍᏔᏁᏗ ᏥᏯᏘᏅᏒ.\nᏥᏌᏃ ᎾᏍᎩ ᎯᎠ ᎤᏛᎦᏅ, ᎤᏍᏆᏂᎪᏎᎴᎢ, ᎠᎴ ᎤᎦᏔᎲᏎᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎵ ᏴᏫ ᎾᏍᎩ ᏅᏓᎬᏩᏍᏓᏩᏛᏛ; ᎯᎠ ᏂᏨᏪᏎᎭ; ᎥᏝ ᎾᏍᏉ ᎢᏏᎵ ᎠᏁᎲ ᎾᏍᎩ ᎢᎦᎢ ᎪᎯᏳᏗ ᎨᏒ ᏯᎩᏩᏛᎲ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᏗᎨᎪᏪᎵ ᎠᏂᏲᏍᎩ, ᏎᎦᏨ ᏕᎨᏥᏲᏍᎬ, ᏥᏳ ᎬᏘ ᏓᏂᏐᏍᎬ ᎨᏴ, ᏭᏂᏩᏍᎬ ᎠᏓᏴᏍᏓᎩᏍᎩ ᏍᎪᏂᏴ ᏓᏳᎶᏒ ᎠᎴ ᏔᎾᏏ ᏫᏍᎩ.\nᎦᏍᎩᎸᏃ ᏓᏓᎴᎲᏍᎬᎩ ᎠᎾᎦᎵᏍᎩ, ᎠᎴ ᎠᏴᏓᏆᎶᏍᎩ ᎠᎴ ᎤᏃᏴᎬᎢ; ᎠᎴ ᎦᎵᏉᎩ ᏗᏨᏍᏙᏗ ᏧᏥᏍᏟ ᏓᏓᏪᎵᎩᏍᎬᎩ ᎢᎬᏱᏗᏢ ᎦᏍᎩᎸᎢ, ᎯᎠ ᎾᏍᎩ ᎦᎵᏉᎩ ᏗᏓᏅᏙ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ.\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏥᏕᎦᏥᏯᏟᎶᏍᏓᏁᎭ, ᎠᏂᎪᏩᏘᏍᎬᏰᏃ ᎥᏝ ᏱᎾᏛᎩᎭ ᎠᎴ ᎥᏝ ᏱᏃᎵᎦ.\nᎤᏴᏥ ᏄᎵᏍᏔᏁ ᎡᎶᎯ.\nᎡᏝᏪ ᏄᎵᏍᏔᏁ ᏎᎦ.\nᎭᏂ ᏱᏓᏅᎥᎦ ᎯᎪ ᎢᎦ, ᏑᎾᎴ ᏱᏕᏗᏰᎷᎦ.\nᏩᏥᏯᏅᎲᏃ ᏔᏓᎳ ᎤᎴᏅᎲᎩ ᎤᏬᎯᏍᏔᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᏂᎯ ᎢᏣᏂᏌᏅᎯ ᎤᏣᏘ ᏅᏩᏙᎯᏯᏛ ᏦᏤᎭ, ᎠᎴ ᎣᏍᏛ ᏥᏄᎾᎵᏍᏓᏁᎭ ᏴᏫ ᎣᎦᏤᎵᎪᎯ ᏣᎦᏌᏯᏍᏗᏳ ᎨᏒ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ,\nᎣᏂᏃ ᎬᏂᎨᏒ ᏂᏚᏛᏁᎴ ᏌᏚ ᎢᏯᏂᏛ ᎠᎾᎵᏍᏓᏴᎲᏍᎬᎢ, ᎠᎴ ᏚᎬᏍᎪᎸᏁ ᏂᎦᎵᏍᏙᏗᏍᎨ ᏄᏃᎯᏳᏒᎾ ᎨᏒ ᎠᎴ ᏗᏍᏓᏱᏳ ᎨᏒ ᏧᏂᎾᏫ, ᏂᏚᏃᎯᏳᏅᎾ ᎨᏎ ᎢᏳᏍᏗ ᎾᏍᎩ ᎬᏩᎪᎲᎯ ᏧᎴᎯᏌᏅᎯ ᏂᎨᏎᎢ.\nᏗᏨᏍᏗ ᎨᏒ ᎾᏂᎥᏉ ᎠᏁᎲ ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎠᎴ ᏓᎾᏤᎲ ᎦᎳᏫᏎᏗ ᏂᎨᏒᎾ ᎨᏎᏍᏗ; ᎤᏕᎵᏛᏍᎩᏂ ᏗᎾᏂᏏᎲᏍᎩ ᎠᎴ ᏗᎾᏓᏲᏁᎯ ᎤᏁᎳᏅᎯ ᏙᏓᎱᎪᏓᏁᎵ.\nᎣᏂᏃ ᎢᏴᏛ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏕᎦᏚᏩᏗᏒ ᏧᏛᎾ ᎠᎴ ᏧᏍᏗ ᎤᏪᏙᏁᎢ, ᎠᎵᏥᏙᎲᏍᎨ ᎠᎴ ᎬᏂᎨᏒ ᏂᎬᏁᎮ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎧᏃᎮᏍᎩ, ᏔᎳᏚᏃ ᎢᏯᏂᏛ ᎤᎾᎵᎪᏩᏕᎨᎢ;\nᎿᏉᏃ ᏗᎤᎷᏨ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎠᏂᏅᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎿᏉ ᎢᏥᎵᏅᎩ ᎠᎴ ᎢᏥᏯᏪᏐᎸᎦ; ᎬᏂᏳᏉ ᎢᏳ ᎨᏒ ᎤᏍᏆᎸᎯᏗ, ᏴᏫᏃ ᎤᏪᏥ ᎠᎦᏡᏔᏅ ᎤᏂᏁᎫᏥᏛ ᏴᏫ ᏕᎨᏥᏲᎯᏎᎸ.\nᎠᎴ ᏂᎯ ᎨᏆᏂ ᎦᎸᎳᏗ ᎢᏴᏛ ᏤᏣᏌᎳᏓ, ᏨᏍᎩᏃ ᎢᏴᏛ ᏮᏓᏰᏣᎶᎥᏔᏂ.\nᏥᏯᏛᏛᏅ ᎡᏍᎦ ᏱᏄᏩᏁ.\nᎾᏍᎩᏯ ᎢᏴᏛ ᎤᎶᏒᏍᏗ ᏔᎵ ᎠᏛᏗᏍᎩ ᏫᎬᏁᎴ ᏥᏌ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ.\n“ᏐᏉ ᎢᏳᏩᎧᏘ Chapel Hill ᎨᏒᎢ…”\nᎾᎿ ᏥᏌ ᎢᎬᏱ ᎡᎩ ᏫᎩᏴᏎᎸᎯ ᏥᎩ, ᎾᏍᎩ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏂᎪᎯᎸ ᎠᏥᎧᏅᎯ ᏥᎩ, ᎺᎵᎩᏏᏕᎩ ᏄᏍᏛ ᎾᏍᎩᏯᎢ.\nᎤᏂᎧᎵᏤᏃ ᎤᏂᏔᎳᏬᏍᎬᎢ; ᏚᎾᎵᏃᎮᎴᏃ ᎤᏅᏒ ᎢᏳᏅᏁᏗᏱ ᏥᏌ.\nᎠᎩᏍᏛᏛ ᏩᏏᏓᏂ ᎠᏁᎯ ᎣᎦᎵᎪᏅ.\nᎥᏝᏰᏃ ᏂᎯ ᏍᎩᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᏲᏥᏂᎳᏗᎭ; ᎢᏨᏁᎭᏎᏍᏗᏂ ᏍᎩᎸᏉᏙᏗᏱ, ᎾᏍᎩ ᎪᎱᏍᏗ ᏳᏂᎭ ᏧᎾᏬᎯᎵᏴᏍᏓᏁᏗ, ᎢᏨᏰᎵᏎᎭ, ᎾᏍᎩ ᎦᏚᏉ ᎡᎯ ᎠᎾᏢᏉᏙᏗᏍᎩ ᏥᎩ, ᏙᏧᎾᏓᏅᏛᏃ ᎠᎾᏢᏉᏙᏗᏍᎩ ᏂᎨᏒᎾ.\nᏍᏈᏯ ᎠᏂᏬᏂᏍᎪ ᏴᏫ - “ᏥᏚᎢᏍᏗ ᏂᏥᏪᏍᎬ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸ, ᏉᎳ ᎤᏓᏅᏖᎸᎩ ᎤᏓᏅᏛᎢ, ᎿᏉ ᎹᏏᏙᏂ ᎠᎴ ᎡᎧᏯ ᎤᎶᏐᏅᎯ, ᏥᎷᏏᎵᎻ ᏭᎶᎯᏍᏗᏱ , ᎯᎠ ᏄᏪᏒᎩ; ᎾᎿ ᎬᏇᏙᏅᎯ ᎨᏎᏍᏗ ᎶᎻ ᎾᏍᏉ ᎠᏎ ᏛᏥᎪᎢ.\nᎠᏎᏃ, ᏕᎫᎪᏗ ᎯᎸᎢᏳ ᎪᎱᏍᏗ ᏛᏛᏂ ᎮᏂᎵ ᏛᏛᎦᏍᏔᏂ ᏲᎾ ᎤᏤᏍᏙ.\nᏎᎦᎾᎨᏍᏗᏉ ᎤᎪᎮ ᎪᏍᏔᏱ ᎧᏴᏐᎵ ᎠᏓ ᎪᏒᏔᏅᎯ ᎤᎵᏍᏔᏴᏗ ᎦᎶᏙᏗ ᎭᏫᏂᏣ.\nᎠᎴ ᎦᎸᎶᎢ ᎤᏓᏅᏒᎩ ᎾᏍᎩᏯ ᎪᏪᎵ ᏣᎦᏇᏅᏍᎪᎢ; ᎠᎴ ᏂᎦᏛ ᏕᎣᏓᎸ ᎠᎴ ᎠᎹᏰᎵ ᏚᏪᎧᎲᎢ ᏚᏓᏅᏒᎩ ᎾᎿ ᏄᎾᏛᏅᎢ.\nᎾᏍᎩᏰᏃ ᎯᎠ ᎠᎩᎩᎬ ᎢᏤ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎾᏍᎩ ᎤᏂᏨᏘ ᏥᎨᎦᏤᏪᎸ, ᎦᎨᏥᏁᏗᏱ ᎤᏂᏍᎦᏅᏨᎢ.\nᏏᏌᎵᏱᏃ ᎤᏚᎩᏒ, ᎠᎴ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏫᏚᏲᎵᎸ, ᎥᏘᎣᎩ ᏭᎶᏒᎩ.\nᎭᎵᏥᏙᎲᏍᎨᏍᏗ ᎧᏃᎮᏛ, ᏣᎵᏁᏅᏕᏍᏗᏉ ᏰᎵ ᎨᏎᏍᏗ ᎠᎴ ᏰᎵ ᏂᎨᏒᎾ ᎨᏎᏍᏗ, ᏕᎯᎬᏍᎦᎸᎥᏍᎨᏍᏗ, ᏕᎯᏍᎦᎨᏍᏗ, ᏕᎯᏍᏗᏰᏗᏍᎨᏍᏗ ᎲᏗᏍᎨᏍᏗ ᎤᏣᏘ ᎬᏂᏛ ᎨᏒ ᎠᎴ ᏗᏕᏲᏗ ᎨᏒᎢ.\n”ᏌᎳᏓ?” ᎤᏛᏁ.\n”ᎧᏁᏍᎦ ᎦᏝ ᎠᏆᏏᏃᎲᎢ! \nᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎠᎴ ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᏤᎦᏈ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯ ᏗᎩᎦᏴᎵᎨ ᎤᎾᏤᎵᎦ, ᎤᎸᏉᏔᏅ ᎤᏪᏥ ᏥᏌ, ᎾᏍᎩ ᏂᎯ ᏥᏕᏥᏲᏒᎩ ᎠᎴ ᏤᏣᏓᏱᎸᎩ ᎠᎦᏔᎲ ᏆᎴᏗ, ᎾᏍᎩ ᎤᏪᎪᏗᏱ ᏧᏰᎸᏒᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᎠᏍᎦᏂ ᏳᎬᏫᏳᏌᏕᎨᏍᏗ ᏗᏲᎩ ᏗᏥᏰᎸᎢ, ᎾᏍᎩ [ᎠᏍᎦᏂ] ᎢᏦᎯᏳᏗᏱ ᎾᎿ [ᏗᏥᏰᎸ] ᎤᏚᎸᏅᎥᏍᎬᎢ.\nᎤᏙᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏛᏍᏆᎸᎯ ᎠᎴ ᎿᏉ ᎤᏍᏆᎸᎲ ᏧᏂᏲᎱᏒᎯ ᎤᎾᏛᎪᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎧᏁᎬᎢ, ᎠᎴ ᎤᎾᏛᎦᏅᎯ ᎤᎾᏛᏂᏗᏍᏗ ᎨᏎᏍᏗ.\nᏚᏑᎬ ᏧᏍᎩᏃ ᎦᏰᎩ ᏚᏬᎪᏔᏁ ᏚᎵᏘᎾᎥ ᏣᎵ, ᎾᎥᏂ ᎤᏓᏄᏖᏴᏓ ᎤᏍᏔᎦᎸ, ᎠᏎᏃ ᎤᏓᏅᎯᏓ ᎨᏎ.\n ᎱᎵᏍᎦᏴᏍᏔᏁᎢ ᏧᏩᎩ.\nᎠᏎᏃ ᎤᏓᏱᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ ᏱᏥᎦᏔᎭ, ᎥᏝ ᎠᎴ ᏱᎪᎵᎦ ᏂᏪᏍᎬᎢ. ᎤᏄᎪᏤᏃ ᏙᏱᏗᏢ ᏩᏲᏓᏝᎲ ᏭᎶᏎᎢ; ᏣᏔᎦᏃ ᎤᏴᎵᏎᎢ.\nᎥᏣ ᏂᎦᏓ, ᎠᏂᎩᎶᎯ, ᎠᏂᏬᏗ, ᎠᏂᏩᏯ ᏃᎴ ᎠᏂᎧᏫ.\nᎿᏉᏃ ᎥᎠᎢᏒᎩ, ᏧᏅᏏᏓᏍᏗ ᏕᎬᏩᏠᏒᎩ ᎠᎴ ᎬᏩᏃᏁᎸᎩ, ᏤᏥ ᎬᏅ, ᎥᎬᏬᏎᎸᎩ.\nᎤᎵᏍᏗᏃ ᎤᏂᏄᎪᏨ ᏚᎾᎵᏖᏎ ᎠᏤᎵᏍᏛᎢ; ᏚᏂᎾᏫᏍᎨᏃ ᎠᎴ ᎤᏂᏍᏆᏂᎪᏍᎨᎢ; ᎥᏝ ᎠᎴ ᎩᎶ ᎠᎱᏍᏗ ᏳᏃᏎᎴᎢ; ᎠᏂᏍᎦᎢᎮᏰᏃ.\nᏅᏃᎱᎶᏗ-Ꮓ ᏧᎳᎨᏯᏛᏤᎢ ᎾᏍᎩ ᎠᎾᏛᎩᏍᎩ ᎨᏥᏛᎦ; ᎿᏉᏃ ᎠᏍᎩᎾ ᎦᎷᎪᎢ, ᎠᎴ ᎠᎩᏍᎪ ᎦᏄᎪᏫᏍᎪ ᎧᏃᎮᏛ ᏧᏂᎾᏫᏱ, ᎦᎬᏩᏃᎯᏳᏗ ᎠᎴ ᎦᎨᏥᏍᏕᎸᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᎪᎯᏳᏗᏍᎩᏂ ᎨᏒ ᏧᎾᏄᎪᏨ, ᎥᏝ ᎿᏉ ᏗᏕᏲᎲᏍᎩ ᏗᎦᏘᏂᏙᎯ ᏱᎩ.\nXI. ᎤᏍᏆᏂᎩᏗ  \n“ᏧᎾᏦᏴᏍᏗ ᎤᏅᏗ ᎯᏍᏚᏣ,” ᎤᏛᏁ ᎡᎳᏆᏗ.\nᎠᏍᎩᏗᏍᎨᎢ ᏗᎪᏍᏛᏂᏍᏗ ᏗᎳᏍᎦᎶᏗ ᏕᎦᏅᏗᏍᏗᏍᎬᎢ ᎠᎿᏬ ᎪᏒᏔᏅ ᏪᏌ ᏃᎴ ᎤᏂᏃᏕᎾ ᏗᏂᏯᎩᏍᎩ ᎠᏂᏴᏫᏯᎯ ᎤᏩᎾ ᏧᏍᏆᏅᎾ ᎠᏓᏒᎲᏍᎬ.\nᏫᏥᎢᎦ ᏳᏓᏁᏖᎸᎾ, ᏔᎵᏉ ᏚᎴᏍᎨᎮ ᏭᏗᏅᏎ ᎦᎷᏯᏍᏗ.\nᎤᏁᎳᏅᎯᏃ ᎤᏩᏒ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏁᎯ ᏂᎦᎷᎶᎬᎾ ᎢᏥᏅᎦᎸᏗ ᎨᏎᏍᏗ; ᎠᎴ ᏂᎬ ᎢᏣᏓᏅᏖᏗᏱ ᎠᎴ ᏗᏣᏓᏅᏙ ᎠᎴ ᏗᏥᏰᎸᎢ ᏤᏤᏍᏆᏂᎪᏓᏁᏗ ᎨᏎᏍᏗ, ᏂᏚᏚᎯᏍᏛᎾ ᎢᏣᎵᏍᏙᏗᏱ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎦᎷᏨ ᎢᏳᎢ.\nᎾᏍᎩ ᏗᎦᎸᏌᏓᏗᏍᎩ ᏥᎨᏒᎩ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩᏯ ᏗᏟᎶᏍᏔᏅᎯ ᏥᎨᏒᎩ ᎾᏍᎩ ᏄᏍᏛᎢ, ᎠᎴ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᏥᏚᏍᏆᏂᎪᏗᏕᎬᎩ ᏥᎬᏗᏍᎬᎩ ᎤᎵᏂᎩᏗᏳ ᎧᏁᎬᎢ, ᎾᎯᏳ ᎤᏩᏒ ᎤᏓᏛᏔᏅ ᎤᏅ ᎦᎸᎭ ᎢᎩᏍᎦᏅᏨᎢ, ᎤᏪᏁᎢ ᎠᎦᏘᏏᏗᏢ ᎦᎸᏉᏗᏳ ᎨᏒ ᎦᎸᎳᏗ.\nᏂᎯ ᎲᏤᏅᏍᏗ ᏱᎨᏒᎾ ᎯᎨᏎᏍᏗ, ᎠᏯ ᏍᏉ ᎨᏙᎮᏍᏗᏉ.\nᏂᎯᏍᎩᏂ ᏕᏣᏂᏴᏎᏍᏗ ᏄᏍᏛ ᏣᏕᎶᏆᎥᎢ ᎠᎴ ᏦᎯᏳᏅᎢ; ᎯᎦᏔᎭᏰᏃ ᎾᏍᎩ ᎯᏯᏕᎶᏆᎡᎸᎯ ᎨᏒᎢ,\nᎤᏗᏍᏚᏅ, ᎤᏍᏘᏰᎬ ᎤᏭᏒᏅ ᎤᎧᏛ, ᎭᎾᏉ ᎤᎵᏍᏆᏙᏅ.\nᎤᎵᎮᎵᏍᏗ ᎠᏁᎮ ᏂᎦᏓ ᎠᏣᏗ ... ᏣᏉᏲᎪ ᎤᏍᏗ ᎠᏣᏗ.\n”Ꭳ, Ꭵ, ᏫᎵᎻ ᎤᎸᏉᏗ ᏌᎳᏓ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎠᏥᏃᎯᏎᎴ ᏗᎧᏃᎮᎸᎥᏍᎩ ᏗᏉᏪᎳᏅ ᎨᏒ, ᎠᏎᏃ ᎨᏍᏗ ᏧᎪᎵᏰᏓ ᏱᎨᏎ.\nII. ᏫᎵᎻ  \nᎦᏙᏃ ᎤᏪᎵᏎ.\nᎠᎴ ᏅᏩᏓᎴ ᎤᏍᏆᏂᎪᎩ ᎤᎾᏄᎪ ᏨᎩ ᎦᎸᎳᏗ; ᎠᎴ ᎬᏂᏳᏉ ᎤᏣᏅ ᎩᎦᎨ ᎢᎾᏛ [ᏫᏥᎪᎥᎩ,] ᎦᎸᏉᎩ ᏓᏍᎫᏓᏛᎩ, ᎠᎴ ᎠᏍᎪᎯ ᏕᎤᎷ-ᎬᎩ, ᎠᎴ ᎦᎸᏈᎩ ᏚᎵᏍᏚᎸᎩ ᏓᏍᎫᏓᏛᎢ.\nᏍᏓᏯ ᎤᏪᎷᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎿᏉᏃ ᎠᏂᏯᏫᏍᎩ, ᏥᏌ ᎬᏩᏛᏅ, ᏚᏂᏁᏒᎩ ᏧᏄᏬ, ᏅᎩ ᏂᏚᏂᏛᎩ, ᏌᏉ ᎢᎦᏛᎯ ᎠᏏᏴᏫ ᎠᏯᏫᏍᎩ ᎤᏤᎵᎦ ᏄᏅᏁᎸᎩ; ᎠᎴ ᎾᏍᏉ ᎭᏫᏂ ᎤᏄᏬᎥᎯ. ᎾᏍᎩ ᎭᏫᏂ ᎠᏄᏬ ᎥᏝ ᎦᏰᏫᏛ ᏱᎨᏎᎢ, ᏂᎬ ᎬᏅᎯ ᎨᏒᎩ.\nᎠᏓ ᎪᏍᏔᏱ ᎦᎦᏓᎢ ᎦᏯᎩᏍᎬ ᏌᎶᎵ, ᎠᏍᎪᎵ ᏓᏳᎴᏅᏓ ᎡᎳᏗ ᎠᏰᎸᎢ, ᏕᎦᏄᎳᏥᏴ ᎠᎩᏍᎬ ᎭᏫᏯ ᎾᏍᎩᏯ ᏎᎷ ᏣᏍᏗᎩᏍᎪ.\nᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎠᏁᎯ ᎠᏂᏬᏂᏍᎩ ᏯᏗᎭ ᏲᎾ ᎤᏤᏍᏙ, ᎠᏆᏛᏅᎢᏍᏗ ᎠᏉᎯᏳᏗ ᏂᎦᏪᏍᎬᎢ.\nᎥᏝᏃ ᎩᎶ ᎠᏂᏅᏜᎢ ᏳᏬᎵᏤ ᏄᏍᏛ ᎦᏛᎬ ᎾᏍᎩ ᏄᏪᏎᎸᎢ.\nᏱᏣᏕᎶᎰᏌ ᏄᏍᏛ ᎢᏯᏋᏁᏗ ᏩᎦ ᎭᏫᏯ ᏕᎦᏄᎳᏥᏴ ᎭᏫᏂᏨ ᏓᏳᎣᏒ.\n“ᎡᎵᏍᏗᏗ,” ᎤᏛᏁ ᎪᏱᏁ.\nᏥᎪᏩᏛ ᎠᎩᏏ ᏧᎬᏩᎶᏗ. ᎦᎪ ᏓᎦᏟᎶᏍᏗ, ᎠᎴ ᎦᎪ ᎠᏥᏃᎮᏎ ᎯᎠ ᏥᎪᏪᎳ? ᎤᏂᏁᏤᏃ, ᏏᏌ, ᎤᎾᏛᏁᎢ.\nᎦᏍᎩᎸ ᏗᏒᏗ ᎠᏍᏓ ᎬᏗ ᏕᎬᏍᎪ ᏃᎴ ᎠᎵᏲ ᎠᏋᏗ ᏥᏏᎾ.”\nᏚᏅᏓᏒᏰᏃ ᎤᏪᏅᏒ, ᏍᎩᎾᎾ ᏄᏍᏕᏍᏗ.\nᎦᎸᏉᏗᏳᏍᎩᏂ ᎩᎬ ᎡᏣᎫᏴᏔᏅᎯ ᎨᏒᎢ, ᎤᎩᎬ ᎦᎶᏁᏛ ᎾᏍᎩᏯ ᎠᏫ-ᎠᎩᎾ ᎪᎱᏍᏗ ᏄᎪᎸᏫ ᎠᎴ ᏄᏓᏓᎸᎾ;\nᏐᏉ ᎤᏒᎯ ᎤᏂᎵᏦᏩᏛ ᎾᎥᏂ ᎤᏗᎧᎸᏎ ᏣᎵ, ᏗᎠᎢᏒ ᏚᎪᎮ ᎭᏫᏯ ᏕᎦᏓᎥ, ᏗᎩᎦᎭ ᏓᏯᏙᎳᏛ ᎾᏍᎩᏯ ᏂᏚᏍᏖ.\nᎤᎵᏗᏨ, ᎧᏅᏑᎸᎢ ᎦᏯᎴᎢ. ᎪᎱᏍᏗ ᎤᏍᏆᏂᎩᏗ ᎤᎪᎮ ᏫᎵᎻ.\nᎠᎴ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎤᏁᎳᏅᎯ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩ ᏙᎯ ᏥᏄᏩᏁᎸ ᎡᏗᏍᎦᎩ ᎨᏒ ᏥᏌ ᎦᎶᏁᏛ ᎠᎬᏗᏍᎬᎢ, ᎠᎴ ᎠᏴ ᎣᎦᏒ-ᎦᎶᏔᏅ ᏙᎯ ᎢᎬᏁᎯ ᏗᎦᎸᏫᏍᏓᏁᏗ;\nᎤᏄᎸᏁᎢ ᏧᏭᎪᏙᏗ ᎢᏳᏍᏗ ᎤᏍᎦᏅᏨ.\nᎣᏍᏛ ᏕᏥᏁᏤᎮᏍᏗ ᎨᏥᏍᎩᏅᏗᏍᎩ, ᎠᎴ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎨᏥᏙᎵᏍᏗᏱ ᎦᎨᏥᏐᏢᏗᏍᎩ.\nᎤᏓᏲᎵᏍᏗ ᎤᏩᏌ ᎠᎨᏲᏅ ᎨᏎ ᎠᏌᎻᏓ ᎠᏂᏐᎢ ᏦᎢ ᎢᏯᏂ ᏤᏆ ᎦᎶᏇ ᏧᏂᏅᎦᎶᏗ.\nᎢᎬᏩᏙᏢᏔᏁᏃ, ᎠᏂᎦᏔᎮᏰᏃ ᎤᏲᎱᏒᎯ ᎨᏒᎢ.\nᏍᎦᏃᎳ ᏚᎷᏫᏍᏔᏁᎮ ᎠᏂᏐᎢ ᎤᏁᏝᏅ ᏧᏬᏒᏅ ᎠᏂᏟᏁ.\nᎠᎴ ᎢᏳ ᏧᏪᏥ ᏱᎩ, ᎿᏉ ᎢᎦᏘᏰᎯ ᏧᎬᏩᎶᏗ; ᎢᎦᏘᏰᏗ ᏧᎬᏩᎶᏗ ᎤᏁᎳᏅᎯ ᎤᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎦᎶᏁᏛ ᎢᏧᎳᎭ ᎢᎦᏘᏰᏗ; ᎢᏳᏃ ᎰᏩ ᏱᎦᏠᏯᏍᏗᎭ ᎠᎩᎵᏲᎬᎢ, ᎾᏍᏉ ᎢᎦᏠᏯᏍᏙᏗ ᎨᏎᏍᏗ ᎠᏥᎸᏉᏗᏍᎬᎢ.\nᎢᎦᏛᏃ ᎾᎥ ᎠᏂᏙᎾᎢ ᎤᎾᏛᎦᏅ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎬᏂᏳᏉ, ᎢᏔᏯ ᎠᏯᏂᎭ.\nᎣᎭᏁ ᎢᏣ ᏚᎶᏔᎴ, ᎦᏲᏟ ᏚᏲᏎ ᏗᏔᎾᎶ, ᏗᏴᎩᏍᏙᏗ ᏚᏰᏝᎴ ᎩᎦ ᎬᏔᏍᎩᏍᎩ.\nᎤᏂᏣᏖᏍᏗᏰᏃ ᎠᏴ ᏓᏆᏙᎥ ᎠᏂᎷᎯᏍᏗᏍᎨᏍᏗ, ᎠᏴ ᎦᎶᏁᏛ, ᎠᎾᏗᏍᎨᏍᏗ; ᎠᎴ ᎤᏂᏣᏓᏍᏗ ᏓᏂᎶᏄᎮᏍᎨᏍᏗ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎩᎶ ᎣᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎬᏂᎨᏒ ᎨᏐᎢᎬᏪᏅᏛ; ᎩᎶᏃ ᎾᏍᎩ Ꮎ ᎯᎠ ᏄᏍᏛᎾ ᏱᎩ, ᎠᏎ Ꮭ ᎦᎬᏍᎦᎶᏗ ᏱᎨᏐᎢ.\nᏚᎾᎴᏁᏃ ᎠᎴ ᎬᏩᏄᎪᏫᏎ ᎦᏚᎲᎢ, ᎠᎴ ᏭᏩᏝᎥ ᎤᏌᎯᎸ ᏫᎬᏩᏘᏅᏍᏔ ᎾᎿ ᎤᏂᏚᎲ ᎦᎧᎲᎢ, ᏗᎬᏩᎶᎥᏔᏂᏎ\nᏫᎵᎻ ᎤᏍᎦᏃᎳ ᎤᎵᏍᏔᏴᏁᎢ ᏑᎾᎴ ᎠᎵᏍᏓᏴᏗ.\nᏗᏯᏙᎵ ᏕᎦᏆᏛ, ᏣᏍᏆᏄᏍᎪ ᎢᏳᏍᏗ ᎤᏃᏴᎵᏒ ᏌᏬᏚ.\nᏩᎾᎢᏒᏛ ᏥᏍᏚ, “ᎠᎭᏂ ᏐᎢ! ᎠᎭᏂ ᏐᎢ!” ᎤᏛᎮ\n”ᎣᏍᏓ ᎠᎩᏰᎸᎭ,” ᎤᏛᏁ ᏫᎵᎻ.\nᏔᎵᏍᎪᏔᎵ ᎦᎶᏇ ᎦᏁ ᎦᎷᎪ ᎡᎶᏗ, ᎠᏲᎯᎰ...”\nᎭᎾ ᎠᏰᎵ ᎤᏩᏛᎮᎢ ᎩᎳ ᎤᏑᎸᏓ ᎢᎦ ᎤᎵᏍᏔᏴᏅ ᎩᎶ: ᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅᎯ ᎨᎵᏍᎩ,  ᎠᎦᎸᏓ ᎤᏅᏗ ᎤᏍᏔᏲᏒ, ᎤᏪᏥ ᎫᏅ ᎤᏘᏴ ᏃᎴ ᎠᏰᎵ ᎤᏕᏅ ᎤᏥᏴᎭ ᏒᎧᏔ.\nᎤᏟᏍᎩᏂ ᎢᏳᎵᏂᎩᏛ ᏳᏃᎵᎸ ᎠᎴ ᏳᏎᎪᎩᏒ, ᎤᎩᎡᎰ ᏂᎦᏛ ᎤᎵᏍᎦᏍᏙᏗ ᎤᎵᏍᎦᏍᏙᏔᏅᎢ, ᎠᎴ ᎠᏯᏙᎯᎰ ᏧᎬᏩᎶᏗ ᎤᏓᏬᏅᎲᎢ.\nᏣᏂᏰᏃ ᏗᏓᏬᏍᎩ ᎤᎷᏨᎩ ᎥᏝ ᎦᏚ ᏯᎩᏍᎨᎢ, ᎥᏝ ᎠᎴ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᏯᏗᏔᏍᎨᎢ; ᎯᎠᏃ ᏂᏥᏪᏎ; ᎠᏍᎩᎾ ᎤᏯᎠ.\nᎤᎵᎮᎵᏍᏗ ᎤᏓᏅᏔᏕᎢ.\nᎾᏍᎩ ᎡᏍᎦᏂᏦᎭᏍᎬᎾ ᎨᏒ ᏑᏓᎴᎩ ᎤᏅ ᎬᏩᎦᏘᏯ ᎤᏓᎵᏍᎪᎸᏓᏁᏗ ᎨᏒᎢ; ᎢᏥᎦᏖᏃᎲ ᎤᎷᎯᏍᏗ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ;\n”ᎨᎾ ᏏᏆ!” ᏧᏛᏁ ᏣᏄᏏ.\nᎠᎴ ᎡᏥᎧᎵᎸᎯ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏅᎯ ᎾᏍᎩ ᏄᎬᏫᏳᏌᏕᎩ ᏥᎩ ᎾᏂᎥ ᏄᏂᎬᏫᏳᏌᏕᎩ, ᎠᎴ ᏗᎨᎦᏁᎶᏗ ᎨᏒᎢ;\nᎠᎴ ᎤᏓᏅᎯᏗᎢ ᎠᏆᏂᎩᏍᏗ ᎠᏏ ᎾᎩᏢᏅᎾ,\nᎠᎴ ᎾᏍᎩ ᏂᎦᏛ ᎤᏠᏱᏉ ᎠᏗᏔᏍᏗ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏔᏅᎯ ᎠᎾᏗᏔᏍᎬᎢ; ᎾᏍᎩᏰᏃ ᏅᏯ ᎠᏓᏅᏙ ᎤᏍᏚᎢᏛ, ᎾᏍᎩ ᏧᏂᏍᏓᏩᏗᏙᎮᎢ, ᎾᎿ ᎤᏄᎪᏨᎯ ᎠᎾᏗᏔᏍᎨᎢ; ᎠᎴ ᎾᏍᎩ Ꮎ ᏅᏯ ᎦᎶᏁᏛ ᎨᏒᎩ.\n”ᎤᏣᏔ ᎣᏍᏓ ᏍᎩᎾᎾᏂ,” ᎤᏛᏁ ᏣᏄᏏ.\nᎤᎾᏜᎢᏃ ᎤᎸᏉᏔᏁ ᏂᏚᏳᎪᏛᎾ ᎢᏯᏛᎾᎯ ᎤᎦᏌᏯᏍᏗᏕᎩ, ᎤᏗᎦᎵᏍᏙᏍᎨ ᎤᏏᎾᏌᏅᏨᎢ; ᎡᎶᎯᏰᏃ ᏧᏪᏥ ᎤᏅᏒ ᎠᏁᎲᎢ, ᎤᏟ ᎾᏂᏏᎾᏌᏅ ᎡᏍᎦᏉ ᎢᎦᎦᏘ ᏧᏪᏥ.\nᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᏓᏙᎵᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᏓᏅᏙ ᎨᏒᎢ, ᎠᏓᏓᏈᏍᏗ ᎨᏒᎢ, ᏗᏗᏲᏍᏗ ᎨᏒᎢ, ᏗᏓᏛᏳᏤᏗ ᎨᏒᎢ, ᎠᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ, ᏓᏓᏐᎮᏗ ᎨᏒᎢ, ᏔᎵ ᎢᏯᏓᏗᏍᏗ ᎨᏒᎢ, ᎤᎾᏓᏤᎵᏛ ᎨᏒᎢ,\nᎿᏉᏃ ᎯᎠ ᏅᏓᎦᏥᏪᏎᎵ; ᎥᏝ ᎢᎸᎯᏳ ᏱᏨᎦᏔᎮᎢ; ᎤᏟ ᏫᏥᎶᎯ ᎤᏲ ᏗᏥᎸᏫᏍᏓᏁᎯ.\nᎤᏓᎸᏉᏗ ᏂᎨᏒᎾ ᏃᎴ ᎠᎵᎮᎵᎩ ᏗᎧᏃᏗ ᎨᏎᎢ.\nᎠᎩᏍᏆᏙᏅ ᎦᏗᏲᎯᎲ ᎯᎠ ᎾᎩᏪᏒ: ᏍᎩᏍᏕᎳ ᏙᏥᏩᏘᏍᎬ ᎤᎾᏓᎸ ᏃᎴ ᏕᏨᏯᏓᏂᎸᎦ ᎢᏣᎵᎪᏗ ᏲᎾ ᏧᏤᎵ ᏴᏫ.\nᏑᏁᏎᏃ, ᎠᎴ ᎤᎵᏍᏓᏴᏁ ᎠᏂᎦᏔᎲᎢ.\nᎠᏎᏃ ᎥᏝ ᏳᏃᎵᏤ ᎾᏍᎩ ᏂᏚᏪᏎᎸᎢ, ᎠᎴ ᎨᎬᏍᎦᎳᏁᎴᎢ, ᎾᏍᎩ Ꮔ-ᏂᎪᎲᎾ ᎨᏎᎢ; ᎠᎴ ᎠᏂᏍᎦᎢᎮ ᎬᏩᏛᏛᏗᏱ ᎾᏍᎩ Ꮔ-ᏪᏒᎢ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎮᎾᏉᏃ; ᏦᎯᏳᏒ ᏣᏍᏕᎸ. ᎩᎳᏉᏃ ᎢᏴᏛ ᎬᏩᎪᏩᏛᏗ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᎤᏍᏓᏩᏛᏎ ᏥᏌ ᎠᎢᏒᎢ.\nᏧᏓᎴᏅᏓ ᎤᎾᏓᏍᏔᏴᏗ ᎨᏒ ᏕᎦᏚᎲ."
  },
  {
    "path": "a4/chr_en_data/dev.en",
    "content": "Paul, and Silvanus, and Timothy, unto the church of the Thessalonians in God our Father and the Lord Jesus Christ;\nAnd when the multitudes heard it, they were astonished at his teaching.\nAfter these things I saw another angel coming down out of heaven, having great authority; and the earth was lightened with his glory.\nAnd this is the sign unto you: Ye shall find a babe wrapped in swaddling clothes, and lying in a manger.\nHe could hardly believe what he was seeing, and although he detested flies, he was sorry for this one.\nAnd he entered into Jerusalem, into the temple; and when he had looked round about upon all things, it being now eventide, he went out unto Bethany with the twelve.\nAnd for our relentless searching, two weeks of it, all we found was one old man, nearly blind and living alone, who said his name was Hog Meat and that he was nearly a hundred years old.\nAnd no clear way through, at least none that I could see.\nMrs. Zuckerman began to cry.\nAnd Jesus went forth, and his disciples, into the villages of Cæsarea Philippi: and on the way he asked his disciples, saying unto them, Who do men say that I am?\nfor so shall it come upon all them that dwell on the face of all the earth.\nAnd he commandeth the multitude to sit down on the ground: and he took the seven loaves, and having given thanks, he brake, and gave to his disciples, to set before them; and they set them before the multitude.\nShe brought threat and disorder down on the people.\nLurvy and John Arable and Mr. Zuckerman came along at that moment, followed by Mrs. Arable and Mrs. Zuckerman and Avery and Fern.\nSimon Peter therefore also cometh, following him, and entered into the tomb; and he beholdeth the linen cloths lying,\nTell ye the daughter of Zion, Behold, thy King cometh unto thee, Meek, and riding upon an ass, And upon a colt the foal of an ass.\nBehold, I tell you a mystery: We all shall not sleep, but we shall all be changed,\nChief Ross, the head man for the whole Nation, was as white as any congressman.\nOther organisms make them into soil.\nThey said therefore unto him, What did he to thee? how opened he thine eyes?\nAnd he said unto them, An enemy hath done this. And the servants say unto him, Wilt thou then that we go and gather them up?\nThey shall perish; but thou continuest: And they all shall wax old as doth a garment;\nBut he that received the one went away and digged in the earth, and hid his lord’s money.\nThe Philadelphia boy broke the blowgun into three pieces and threw them into the fire.\nThis is what they do when they put on shoes, said Wolf, nearly crying\nthat we may be no longer children, tossed to and fro and carried about with every wind of doctrine, by the sleight of men, in craftiness, after the wiles of error;\nCharlotte’s Web\nJesus saith, Take ye away the stone. Martha, the sister of him that was dead, saith unto him, Lord, by this time the body decayeth; for he hath been dead four days.\nFor the kingdom of heaven is like unto a man that was a householder, who went out early in the morning to hire laborers into his vineyard.\nYe have heard that it was said, An eye for an eye, and a tooth for a tooth:\nAnd Jesus said unto the chief priests, and captains of the temple, and elders, that were come against him, Are ye come out, as against a robber, with swords and staves?\nin whom are all the treasures of wisdom and knowledge hidden.\nFinally I opened a door and found the old murderer himself in his office, holding forth to a small gang of cronies, most of them young men about my age.\nand he was seen for many days of them that came up with him from Galilee to Jerusalem, who are now his witnesses unto the people.\nNobody, of the hundreds of people that had visited the Fair, knew that a grey spider had played the most important part of all.\nWhich is easier, to say, Thy sins are forgiven thee; or to say, Arise and walk?\nAfter a while she bestirred herself.\nFar behind them, trackers rose up the slopes of the coves and drew nearer by the day.\nand they shall scourge and kill him: and the third day he shall rise again.\nhe was going ::huff:: ::puff:: ::huff:: because it was so afraid!\nAnd when ye shall hear of wars and tumults, be not terrified: for these things must needs come to pass first; but the end is not immediately.\nThen she’d lay out pieces of rough wool or linen she had loomed herself and scissor two pieces to match the pattern on the ground and stitch them together.\nYou’ve rousted out thousands of them without incident.\nOkay, said Wolf.\nAnd I heard a great voice out of the throne saying, Behold, the tabernacle of God is with men, and he shall dwell with them, and they shall be his peoples, and God himself shall be with them, and be their God:\nwho are Israelites; whose is the adoption, and the glory, and the covenants, and the giving of the law, and the service of God, and the promises;\nVerily I say unto you, It shall be more tolerable for the land of Sodom and Gomorrah in the day of judgment, than for that city.\nWon’t it be wonderful to be back home in the barn cellar again with the sheep and the geese?\n“Dude,” I assured him, “I will absolutely NOT make any moves on your girlfriend.”\n“I love everything about this place.”\nand he sent and beheaded John in the prison.\n“That's just what we need,” said Avery.\nSmith, still mounted, tried to loose the flap of his holster to get at the pistol, but his fingers just twitched at the simple device of button and eyelet.\nThat worried Smith.\nShe let herself down on a dragline until she hung in the air just in front of the big pig’s snout.\nBut she came and worshipped him, saying, Lord, help me.\nBut it held and grew.\nWhen he had enough letters -- about eighty-four or so -- he began writing.\nHe that is not with me is against me; and he that gathereth not with me scattereth.\nI am no more worthy to be called thy son: make me as one of thy hired servants.\nBut not Wasseton.\nWhy should I bother?\n“I’m less than two months old and I’m tired of living,” he said.\nI am become foolish: ye compelled me; for I ought to have been commended of you: for in nothing was I behind the very chiefest apostles, though I am nothing.\nThen saith he unto them, My soul is exceeding sorrowful, even unto death: abide ye here, and watch with me.\nThere was a long silence, and then the hunters spread out and moved forward and began circling around him.\nI realized soon, I passed close by this one nearby building.\nBut Thomas, one of the twelve, called Didymus, was not with them when Jesus came.\nVerily, verily, I say unto you, that ye shall weep and lament, but the world shall rejoice: ye shall be sorrowful, but your sorrow shall be turned into joy.\nOnce you were just a seed, now you are an apple tree.\n“What did I do wrong?” asked the pig, when he recovered from his bump.\nLet him that stole steal no more: but rather let him labor, working with his hands the thing that is good, that he may have whereof to give to him that hath need.\nI'm expecting goslings.”\nBut I kept working, tirelessly and without hope.\nAnd the husbandmen took his servants, and beat one, and killed another, and stoned another.\nAnd she had a sister called Mary, who also sat at the Lord’s feet, and heard his word.\nWherefore when we could no longer forbear, we thought it good to be left behind at Athens alone;\nthat he might present the church to himself a glorious church, not having spot or wrinkle or any such thing; but that it should be holy and without blemish.\n“Salutations are greetings,” said the voice.\nFor in many things we all stumble. If any stumbleth not in word, the same is a perfect man, able to bridle the whole body also.\nThe blow glanced off the key.\nOverhead, on the main floor, nothing stirred: the cows were resting, the horses dozed.\nIf after the manner of men I fought with beasts at Ephesus, what doth it profit me? If the dead are not raised, let us eat and drink, for to-morrow we die.\nfor she said within herself, If I do but touch his garment, I shall be made whole.\nThe goose was sitting on nine eggs.\n“Bee-bee-bee!” said the goslings.\nThen just Charley talked and tried to make gestures with his bound hands.\n“Maybe,” said Charlotte quietly.\nUnderneath her rather bold and cruel exterior, she had a kind heart, and she was to prove loyal and true to the very end.\nIt’s made out of the toughest material I have.\nAnd he said, A certain man had two sons:\nAll spiders do, I guess.”\nCharlotte and Wilbur were alone.\n“Oh, hurry!” said Wilbur.\nWhen morning came, everybody got up at daylight.\nThey have bows and arrows and an implement called the blowgun, which they use for the purpose of killing small game, at which they are expert.\nWhite people wipe their ass on the notion of peace every day.\nWilbur watched from below.\nAt which season Moses was born, and was exceeding fair; and he was nourished three months in his father’s house:\nFor yet a very little while, He that cometh shall come, and shall not tarry.\n“What does it mean? asked Charlotte, who had never used any soap flakes in her life.\nFor I am persuaded, that neither death, nor life, nor angels, nor principalities, nor things present, nor things to come, nor powers,\nAnd what did it matter about burned houses and slaughtered animals?\nBut it never did.\nBehold, I have told you beforehand.\nGranddad always tries the hottests kinds, even some from South America.\nEven so then at this present time also there is a remnant according to the election of grace.\nWhen therefore ye see the abomination of desolation, which was spoken of through Daniel the prophet, standing in the holy place (let him that readeth understand),\nBy which will we have been sanctified through the offering of the body of Jesus Christ once for all.\nOn my feet, beaded buckskin moccasins, laced to the knees and fringed along the outer seams.\nBut I have promises to keep,\n“I didn’t mean to be objectionable.”\n“Tell me another story!” begged Wilbur.\nI walked and walked.\nA woman came in bearing a tray of pork loin and roasted new potatoes and little lettuces killed with bacon grease.\nBut be thou sober in all things, suffer hardship, do the work of an evangelist, fulfil thy ministry.\n“What feasting and carousing!\nPatiently he awaited the end of winter and the coming of the little spiders.\nHe climbed out of the coves where colored leaves still hung on the trees, through a region where ferns and vines had grown fountainous through the summer and were now melancholy and dying as far as the eye could see, and then along the dry ridges, and by dusk he was rising through a forest of bare trees grey as winter toward the ominous balsam forests draped black across the highest ridges, a world of shadow and hush, where every step fell muffled by the soft foot-bed of old brown needles.\nI made the rounds, office to office.\n“Keep qui-ut! ”\nI'll go and get a bucket of slops.”\nFern nodded. “I had the best time I have ever had anywhere or any time in all of my whole life.”\ngiving thanks always for all things in the name of our Lord Jesus Christ to God, even the Father;\n“A rat never knows when something is going to come in handy.\nAs it was, he played as if the outcome were as random as casting dice or flipping a coin.\nIn the meantime, the colonel had lost interest in the letter and had begun lighting a pipe.\nMrs. Arable was tucking Fern into bed.\nWhen he spoke, he said, There was no one with me.\nAnd when they opposed themselves and blasphemed, he shook out his raiment and said unto them, Your blood be upon your own heads; I am clean: from henceforth I will go unto the Gentiles.\nAnd they understood none of these things; and this saying was hid from them, and they perceived not the things that were said.\nBut he said unto them, Give ye them to eat. And they said, We have no more than five loaves and two fishes; except we should go and buy food for all this people.\nbut now that ye have come to know God, or rather to be known by God, how turn ye back again to the weak and beggarly rudiments, whereunto ye desire to be in bondage over again?\nthere came unto him a woman having an alabaster cruse of exceeding precious ointment, and she poured it upon his head, as he sat at meat.\nEverybody spills food at a fair.\n“I’m very young, I have no real friend here in the barn, it’s going to rain all morning and all afternoon, and Fern won’t come in such bad weather.\nAnd when it was day, he called his disciples; and he chose from them twelve, whom also he named apostles:\n“Sing something!” begged Wilbur, closing his eyes.\nAfter these things I heard as it were a great voice of a great multitude in heaven, saying, Hallelujah; Salvation, and glory, and power, belong to our God:\nbut I hope shortly to see thee, and we shall speak face to face. Peace be unto thee. The friends salute thee. Salute the friends by name.\nBehold, I have given you authority to tread upon serpents and scorpions, and over all the power of the enemy: and nothing shall in any wise hurt you.\nAnd when they had been long without food, then Paul stood forth in the midst of them, and said, Sirs, ye should have hearkened unto me, and not have set sail from Crete, and have gotten this injury and loss.\nBut let a man prove himself, and so let him eat of the bread, and drink of the cup.\nTo effect this object it would be necessary to secure the vallies in which their farms are situated and seize at once the grain, cattle & swine they may have on hand, on the slightest exhibition on their part of a hostile intention and the immediate occupation of these vallies could place us in the attitude to carry this plan into effective operation.\nSo we also, when we were children, were held in bondage under the rudiments of the world:\nWe have sent therefore Judas and Silas, who themselves also shall tell you the same things by word of mouth.\nThe city was ripe with brothels.\n“If nothing happens, yes,” she said.\nGuards stood over the prisoners, who sat under a birch tree with their bound hands between their thighs and did not talk, even to one another.\nAnd he gave order to the centurion that he should be kept in charge, and should have indulgence; and not to forbid any of his friends to minister unto him.\nForthwith therefore I sent to thee; and thou hast well done that thou art come. Now therefore we are all here present in the sight of God, to hear all things that have been commanded thee of the Lord.\nA lobbyist for rice growers, a wealthy plump middle-aged lawyer from Savannah, was said to live a complicated life.\nAnd another angel came out from the temple which is in heaven, he also having a sharp sickle.\nAs it came toward us, we all took notice and listened quietly.\nand Adam was not beguiled, but the woman being beguiled hath fallen into transgression:\nFor every high priest is appointed to offer both gifts and sacrifices: wherefore it is necessary that this high priest also have somewhat to offer.\nThe multitude therefore, that stood by, and heard it, said that it had thundered: others said, An angel hath spoken to him.\n“You smell just the way you are,” remarked a lamb who had just walked in.\n“What kind of monkeyshine is this?” he growled.\n“Well, I hope you're satisfied,” sneered the rat.\nWhoa, girl! \nBut the woman fearing and trembling, knowing what had been done to her, came and fell down before him, and told him all the truth.\nand said unto him, Hearest thou what these are saying? And Jesus saith unto them, Yea: did ye never read, Out of the mouth of babes and sucklings thou hast perfected praise?\nAnd Jesus said unto them, Can the sons of the bridechamber fast, while the bridegroom is with them? as long as they have the bridegroom with them, they cannot fast.\nas it is written in the book of the words of Isaiah the prophet, The voice of one crying in the wilderness, Make ye ready the way of the Lord, Make his paths straight.\nwhich is a figure for the time present; according to which are offered both gifts and sacrifices that cannot, as touching the conscience, make the worshipper perfect,\nIn the resurrection whose wife shall she be of them? for the seven had her to wife.\nThe treaty, as drafted, contained a provision to allow the richest Indians to stay, keep all their holdings—land and houses and slaves—and become American citizens.\nAnd he saith unto me, Seal not up the words of the prophecy of this book; for the time is at hand.\nFear not, daughter of Zion: behold, thy King cometh, sitting on an ass’s colt.\nThe people of the North are very open-minded and so much more advanced than we are.\nWilbur loved his milk, and he was never happier than when Fern was warming up a bottle for him.\nAnd they say unto her, Woman, why weepest thou? She saith unto them, Because they have taken away my Lord, and I know not where they have laid him.\nBut let’s agree to make a special pact of it.\nBut evil men and impostors shall wax worse and worse, deceiving and being deceived.\nWilbur adores her.”\nA few blocks later, it was my pleasure to introduce the clerk to an entire roomful of exquisites, both young and not.\n“So do I,” said another man.\nThat good thing which was committed unto thee guard through the Holy Spirit which dwelleth in us.\nOr do we provoke the Lord to jealousy? are we stronger than he?\nThere can be no doubt that you have a most unusual pig.\nMrs. Arable fidgeted.\n“Deganiyitsv?”\nAnd if a house be divided against itself, that house will not be able to stand.\nDeath seemed to have diminished the boy.\nWhen Fern told her mother that Avery had tried to hit the Zuckermans’ spider with a stick, Mrs. Arable was so shocked that she sent Avery to bed without any supper, as punishment.\nBy the time the Arables and the Zuckermans and Lurvy returned from the grandstand, Charlotte had finished her web.\n“I'm not going to spend all my time chasing down to the dump after advertising material.”\nHe was pure white, pink around the ears and snout, and smooth as silk.\nBut what I do, that I will do, that I may cut off occasion from them that desire an occasion; that wherein they glory, they may be found even as we.\nAnd after a little while another saw him, and said, Thou also art one of them. But Peter said, Man, I am not.\nJesus said, Verily I say unto you, There is no man that hath left house, or brethren, or sisters, or mother, or father, or children, or lands, for my sake, and for the gospel’s sake,\nbut to go shod with sandals: and, said he, put not on two coats.\nAnd the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood;\nFor, I think, God hath set forth us the apostles last of all, as men doomed to death: for we are made a spectacle unto the world, both to angels and men.\nBut I have sent the brethren, that our glorying on your behalf may not be made void in this respect; that, even as I said, ye may be prepared:\nand saying, Thou that destroyest the temple, and buildest it in three days, save thyself: if thou art the Son of God, come down from the cross.\nAnd I think Templeton better come, too — I might need somebody to run errands and do general work.”\nHe began carrying rocks and stacking them over the boy, working first with the largest ones he could heft, making an effort to think only about their shapes and how their angles best fit together and not about their weight.\nJude, a servant of Jesus Christ, and brother of James, to them that are called, beloved in God the Father, and kept for Jesus Christ:\nAnd Joseph also went up from Galilee, out of the city of Nazareth, into Judæa, to the city of David, which is called Bethlehem, because he was of the house and family of David;\nFor though ye have ten thousand tutors in Christ, yet have ye not many fathers; for in Christ Jesus I begat you through the gospel.\nAnd he strictly charged him, and straightway sent him out,\nBy dusk, they’d have thirty or forty people walking ahead of them, carrying bundles of blankets and pots and precious worthless little objects, portable things to remind them of their former lives.\nLook for corn!\nOr know ye not that he that is joined to a harlot is one body? for, The twain, saith he, shall become one flesh.\nand Zerubbabel begat Abiud; and Abiud begat Eliakim; and Eliakim begat Azor;\nWe drank too much of Featherstone’s best wine.\nI arrived green as a barrel of June apples.\nThen my friend Nick comes up and they start talking, and we all decide we’re going to go up to Michael’s girlfriend’s room.\nAnd no man, when he hath lighted a lamp, covereth it with a vessel, or putteth it under a bed; but putteth it on a stand, that they that enter in may see the light.\nAnd behold, I come quickly. Blessed is he that keepeth the words of the prophecy of this book.\nWhen he woke up in the night, the fire was dead.\nAnd at the ninth hour Jesus cried with a loud voice, Eloi, Eloi, lama sabachthani? which is, being interpreted, My God, my God, why hast thou forsaken me?\nThe Cherokees dug a deep pit across the trail and covered it with branches.\nA tiny spider crawled from the sac.\n“Will you just pick out a nice sensible name for me — something not too long, not too fancy, and not too dumb?”\nand some save, snatching them out of the fire; and on some have mercy with fear; hating even the garment spotted by the flesh.\nHear another parable: There was a man that was a householder, who planted a vineyard, and set a hedge about it, and digged a winepress in it, and built a tower, and let it out to husbandmen, and went into another country.\nAnd they took hold of him, and brought him unto the Areopagus, saying, May we know what this new teaching is, which is spoken by thee?\nThanks be to God for his unspeakable gift. \nAnd Pilate spake unto them again, desiring to release Jesus;\nThe sky was overcast with such thick low clouds that the sun did not even make a bright spot through them, and there was no way to gauge the progress of the day.\nWilbur blushed.\nNothing is absolutely the limit of nothingness. It’s the lowest you can go. It’s the end of the line.\nYe husbands, in like manner, dwell with your wives according to knowledge, giving honor unto the woman, as unto the weaker vessel, as being also joint-heirs of the grace of life; to the end that your prayers be not hindered.\n“It’s my idio-idio-idiosyncrasy, replied the gander.\nAnd suddenly looking round about, they saw no one any more, save Jesus only with themselves.\nPilate saith unto them, What then shall I do unto Jesus who is called Christ? They all say, Let him be crucified.\nAnd as ye would that men should do to you, do ye also to them likewise.\nI write unto you, my little children, because your sins are forgiven you for his name’s sake.\nfor they said, Not during the feast, lest haply there shall be a tumult of the people.\nFor he that hath, to him shall be given: and he that hath not, from him shall be taken away even that which he hath.\nWell, fuck all, the Irish boy said.\nSo shall it be in the end of the world: the angels shall come forth, and sever the wicked from among the righteous,\nNow the Lord of peace himself give you peace at all times in all ways. The Lord be with you all.\nWho is weak, and I am not weak? who is caused to stumble, and I burn not?\nIt allowed a fine appreciation of their breathing.\nAnd why even of yourselves judge ye not what is right?\nThe old senators, most of them fat as beeves, rolled up in their carriages just as soon as the sun went down, and then in very short order they rolled home to bed.\nSome for making tea.\ntill we all attain unto the unity of the faith, and of the knowledge of the Son of God, unto a fullgrown man, unto the measure of the stature of the fulness of Christ:\nAnd what are salutations?”\nAnd we have sent together with him the brother whose praise in the gospel is spread through all the churches;\ntill there arose another king over Egypt, who knew not Joseph.\nBut now ye seek to kill me, a man that hath told you the truth, which I heard from God: this did not Abraham.\nand put on the new man, that after God hath been created in righteousness and holiness of truth.\n“It was that rotten goose egg that saved Charlotte’s life,” said Wilbur.\nAnd he said, The God of our fathers hath appointed thee to know his will, and to see the Righteous One, and to hear a voice from his mouth.\nTempleton’s eyes were blazing.\nthrough whom also we have had our access by faith into this grace wherein we stand; and we rejoice in hope of the glory of God.\nFor they durst not any more ask him any question.\nAnd he said unto him, Thou hast answered right: this do, and thou shalt live.\nIt is like unto a grain of mustard seed, which a man took, and cast into his own garden; and it grew, and became a tree; and the birds of the heaven lodged in the branches thereof.\nsave thyself, and come down from the cross.\nhowbeit for this cause I obtained mercy, that in me as chief might Jesus Christ show forth all his longsuffering, for an ensample of them that should thereafter believe on him unto eternal life.\nHe started the motor.\nFar into the night, while the other creatures slept, Charlotte worked on her web.\nUnderstand?”\nThe rat looked disgusted.\nAnd those servants went out into the highways, and gathered together all as many as they found, both bad and good: and the wedding was filled with guests.\nBut take heed to yourselves, lest haply your hearts be overcharged with surfeiting, and drunkenness, and cares of this life, and that day come on you suddenly as a snare:\nFirst she ripped out a few of the orb lines near the center.\nAnd they forgot to take bread; and they had not in the boat with them more than one loaf.\n“Our pig is completely out of the ordinary.”\nas he saith also in another place, Thou art a priest for ever After the order of Melchizedek.\n“I knew you wouldn’t forsake me just when I need you most.”\nMrs. Zuckerman screamed at Lurvy.\nToo many people in too little space.\nand he from within shall answer and say, Trouble me not: the door is now shut, and my children are with me in bed; I cannot rise and give thee?\n“Bee-bee-bee!”\nBut other of the apostles saw I none, save James the Lord’s brother.\nShe was staring at Fern with a worried expression on her face.\nI’d been lucky enough to shoot four that flushed up out of an old weedy cornfield.\nfor God is not a God of confusion, but of peace. As in all the churches of the saints,\nIt was not as if he thought about it.\nThe land is unimaginably rough, and in the laurel thickets five hundred men could hide from a thousand in an area of exceedingly small scope and we have found nothing.\nfor they loved the glory that is of men more than the glory that is of God.\nOne of the servants of the high priest, being a kinsman of him whose ear Peter cut off, saith, Did not I see thee in the garden with him?\nAnd when he heard that it was Jesus the Nazarene, he began to cry out, and say, Jesus, thou son of David, have mercy on me.\nYes, my father says, but not as you might think.\nNo! No! You cannot stay with me.\nFor to this end also did I write, that I might know the proof of you, whether ye are obedient in all things.\nXVIII: The Cool of the Evening  \nWhere I’d like to be right now is Charleston, walking down Dock Street, the Charleston boy said.\n“You shall not die,” said Charlotte, briskly.\nThe grace of the Lord Jesus Christ, and the love of God, and the communion of the Holy Spirit, be with you all.\nOf the men therefore that have companied with us all the time that the Lord Jesus went in and went out among us,\nAnd they cried out again, Crucify him.\nThen they stared at the tag again.\nEven the song of the crickets did not make Wilbur too sad.\nAnd at the few places that had wells rather than springs, some wag among them would drop his trousers around his ankles and take a shit down the hole to spark general hilarity.\nA whole country shed of its people in the course of a summer.\nsaying, Go thou unto this people, and say, By hearing ye shall hear, and shall in no wise understand; And seeing ye shall see, and shall in no wise perceive:\nThe children sat in the shade, under the blanket, and felt better. After lunch, they stretched out and fell asleep.\nAnd when he is come, he findeth it swept and garnished.\nAnd they answered Jesus and say, We know not. And Jesus saith unto them, Neither tell I you by what authority I do these things. \nDandelion stems are full of milk, clover heads are loaded with nectar, the Frigidaire is full of ice-cold drinks.\nAnd I rejoice at the coming of Stephanas and Fortunatus and Achaicus: for that which was lacking on your part they supplied.\nThe other two men were smoking with great concentration and looking at the fire.\nEven so, I say unto you, there is joy in the presence of the angels of God over one sinner that repenteth.\nThey paid him little attention as he stroked their backs, only arching slightly against his palm like house cats.\nAnd when he was come, straightway he came to him, and saith, Rabbi; and kissed him.\nThe grace of the Lord Jesus Christ be with you.\nAnd when they had mocked him, they took off from him the robe, and put on him his garments, and led him away to crucify him.\nIn all things I gave you an example, that so laboring ye ought to help the weak, and to remember the words of the Lord Jesus, that he himself said, It is more blessed to give than to receive.\nFor who hath known the mind of the Lord? or who hath been his counsellor?\nFor ye have need of patience, that, having done the will of God, ye may receive the promise.\nI pulled my hat low, and I had a thick coat.\nMrs. Zuckerman, at work in the kitchen, heard the crickets, and a sadness came over her, too.\nAn hour later I stood on the gallery, Waverley with reins looped over a rail behind me.\nAll he could do was squat under a stand of rhododendron with his blanket over his head and wait.\nWhen Mrs. Zuckerman got through and rubbed him dry, he was the cleanest, prettiest pig you ever saw.\nThere were eight eggs.\n“May I go out to my trough and see if I left any of my supper?\nAnd they asked him, What then? Art thou Elijah? And he saith, I am not. Art thou the prophet? And he answered, No.\nI said.\nNicodemus saith unto them (he that came to him before, being one of them),\nBy the way, does the pig have a name?”\n(For the Pharisees, and all the Jews, except they wash their hands diligently, eat not, holding the tradition of the elders;\nMaybe you’ll live forever—who knows?\nChew your food thoroughly and eat every bit of it, except you must leave just enough for Templeton.\nWhen therefore it was evening, on that day, the first day of the week, and when the doors were shut where the disciples were, for fear of the Jews, Jesus came and stood in the midst, and saith unto them, Peace be unto you.\n“You have had your fun raising a baby pig, but Wilbur is not a baby any longer and he has got to be sold.”\nI know thy works, and thy love and faith and ministry and patience, and that thy last works are more than the first.\nIf any man is for captivity, into captivity he goeth: if any man shall kill with the sword, with the sword must he be killed. Here is the patience and the faith of the saints.\nAnd he took unto him the twelve, and said unto them, Behold, we go up to Jerusalem, and all the things that are written through the prophets shall be accomplished unto the Son of man.\nAt night when the sky was blanked with clouds and there were voices coming from the creek noise and every odd sound out in the woods could mean death, they slept poorly.\nYou are mistaken, I am not a fish .. I am a crustacean.\nwho shall give account to him that is ready to judge the living and the dead.\nHe looked forlorn out there in the woods in the dark.\nSo while the children swam and played and splashed water at each other, Wilbur amused himself in the mud along the edge of the brook, where it was warm and moist and delightfully sticky and oozy.\nAnd they had a few small fishes: and having blessed them, he commanded to set these also before them.\nTempleton kept out of sight.\nAnd when he had thus spoken, he went on before, going up to Jerusalem.\n“Yes,” came the answer.\nCan any man forbid the water, that these should not be baptized, who have received the Holy Spirit as well as we?\nDead in the dirt, the most beautiful being ever created.\nAnd into whatsoever house ye enter, there abide, and thence depart.\n“We have no time to lose!” shouted Mr. Zuckerman.\n“Maybe they do talk,” he said.\nThen he raced in circles, kicking manure into the air.\n“Who’s going to save me?”\nand say, If we had been in the days of our fathers, we should not have been partakers with them in the blood of the prophets.\nFor to one is given through the Spirit the word of wisdom; and to another the word of knowledge, according to the same Spirit:\n“All right,” said Wilbur.\nBut if that evil servant shall say in his heart, My lord tarrieth;\nWilbur gazed up lovingly into their faces.\nThen Jesus answered and said unto her, O woman, great is thy faith: be it done unto thee even as thou wilt. And her daughter was healed from that hour.\nAnd calling to him each one of his lord’s debtors, he said to the first, How much owest thou unto my lord?\nAnd what concord hath Christ with Belial? or what portion hath a believer with an unbeliever?\nAnd summoning all his strength, he threw himself into the air, headfirst.\nAnd we exhort you, brethren, admonish the disorderly, encourage the fainthearted, support the weak, be longsuffering toward all.\ndoing nothing through faction or through vainglory, but in lowliness of mind each counting other better than himself;\nso that we ourselves glory in you in the churches of God for your patience and faith in all your persecutions and in the afflictions which ye endure;\nBeloved, thou doest a faithful work in whatsoever thou doest toward them that are brethren and strangers withal;\nHim who knew no sin he made to be sin on our behalf; that we might become the righteousness of God in him.\nNor can such a group turn themselves into bush fighters and bandits.\nI wish I could see you, Wilbur, as clearly as you can see me.”\nAnd in Hades he lifted up his eyes, being in torments, and seeth Abraham afar off, and Lazarus in his bosom.\nAnd he confessed, and denied not; and he confessed, I am not the Christ.\nWhy can’t he go to sleep, like any decent animal?”\nIn the fields, around the house, in the barn, in the woods, in the swamp — everywhere love and songs and nests and eggs.\nAnd I fell unto the ground, and heard a voice saying unto me, Saul, Saul, why persecutest thou me?\nas it is written, He that gathered much had nothing over; and he that gathered little had no lack.\nAnd when Peter was come up to Jerusalem, they that were of the circumcision contended with him,\nI knew all about them, though, for they were somewhat famous.\nand did all eat the same spiritual food;\nFor each man shall bear his own burden.\nThe song sparrow will return and sing, the frogs will awake, the warm wind will blow again.\nAnother parable set he before them, saying, The kingdom of heaven is likened unto a man that sowed good seed in his field:\nAnd Jesus answered and spake again in parables unto them, saying,\nThe Beast\nwho was with the proconsul, Sergius Paulus, a man of understanding. The same called unto him Barnabas and Saul, and sought to hear the word of God.\nThe stones were cold as blocks of ice, and his hands were soon numb and his fingertips were bleeding from small cuts.\nAt last one little spider took time enough to stop and talk to Wilbur before making its balloon.\n“Well, hello there!” he said, smiling all over.\nHe wore a red bandana, blue calico shirt, brown linen britches, and greasy deerhide moccasins without beading or other ornament.\nThe goose cheered for Wilbur. Wilbur dodged between Lurvy’s legs.\nAnd when it was day, the Jews banded together, and bound themselves under a curse, saying that they would neither eat nor drink till they had killed Paul.\nShe runneth therefore, and cometh to Simon Peter, and to the other disciple whom Jesus loved, and saith unto them, They have taken away the Lord out of the tomb, and we know not where they have laid him.\nNothing can harm you now.\nsaying unto Aaron, Make us gods that shall go before us: for as for this Moses, who led us forth out of the land of Egypt, we know not what is become of him.\nCass again looked at me silently for a long uncomfortable span of seconds. He finally said, Let me be clear, then.\nAnd the chief priests and the scribes sought how they might put him to death; for they feared the people.\n“What do you mean you won't see your children!\nWe are fools for Christ’s sake, but ye are wise in Christ; we are weak, but ye are strong; ye have glory, but we have dishonor.\nFirst, I thank my God through Jesus Christ for you all, that your faith is proclaimed throughout the whole world.\nThis testimony is true. For which cause reprove them sharply, that they may be sound in the faith,\n“Avery, stop it!” cried his mother.\nwhich is an earnest of our inheritance, unto the redemption of God’s own possession, unto the praise of his glory.\nFor judgment is without mercy to him that hath showed no mercy: mercy glorieth against judgment.\nThey spent most of the days sleeping under the brush arbors or sitting wordless by the fire.\nA dozen times during the night Wilbur woke and stared into the blackness, listening to the sounds and trying to figure out what time it was.\nLook at him, ladies and gentlemen!\nThe Jews therefore, because it was the Preparation, that the bodies should not remain on the cross upon the sabbath (for the day of that sabbath was a high day), asked of Pilate that their legs might be broken, and that they might be taken away.\nbut he is a Jew who is one inwardly; and circumcision is that of the heart, in the spirit not in the letter; whose praise is not of men, but of God. \nBut Jesus answering said unto him, Suffer it now: for thus it becometh us to fulfil all righteousness. Then he suffereth him.\nwho for my life laid down their own necks; unto whom not only I give thanks, but also all the churches of the Gentiles:\nFor the flesh lusteth against the Spirit, and the Spirit against the flesh; for these are contrary the one to the other; that ye may not do the things that ye would.\nHe ate three big meals a day.\nYou go up and find Lichen and get his people down with us to help.\n Then, a dark cloud passed over the moon.\nBut to the rest say I, not the Lord: If any brother hath an unbelieving wife, and she is content to dwell with him, let him not leave her.\nPut it on! Put it on! said Rabbit.\nNot according to the covenant that I made with their fathers In the day that I took them by the hand to lead them forth out of the land of Egypt; For they continued not in my covenant, And I regarded them not, saith the Lord.\nUnder the canopy, as dense as a canvas tent, there would be nothing to eat whatsoever other than two lumpy pocketfuls of chestnuts and hickory nuts he had picked up the day before.\nAnd this is the boldness which we have toward him, that, if we ask anything according to his will, he heareth us:\nThe God that made the world and all things therein, he, being Lord of heaven and earth, dwelleth not in temples made with hands;\nIn preparation, I bought Sketches and Eccentricities of Col. David Crockett and went to a coffeehouse and settled in to read.\nGive to him that asketh thee, and from him that would borrow of thee turn not thou away.\nAnd Jesus said, Who is it that touched me? And when all denied, Peter said, and they that were with him, Master, the multitudes press thee and crush thee.\nAnd he answered and said, I tell you that, if these shall hold their peace, the stones will cry out.\nAnd the Lord said, If ye had faith as a grain of mustard seed, ye would say unto this sycamine tree, Be thou rooted up, and be thou planted in the sea; and it would obey you.\nfor even in Thessalonica ye sent once and again unto my need.\nThey looked much more alike that we did in regard to the Creeks or anybody else you could name.\nAnd he said unto them, But now, he that hath a purse, let him take it, and likewise a wallet; and he that hath none, let him sell his cloak, and buy a sword.\nWhat were we talking about, Wilbur, when we were so rudely interrupted?”\nPassersby stopped to watch.\nAny speculation as to the correspondent?\nSometimes a solitary hunter would see  Spearfinger in her proper form going through the woods singing to herself... “liver I eat su sa sai”\nClose your eyes and go to sleep!”\ncan a fig tree, my brethren, yield olives, or a vine figs? neither can salt water yield sweet.\nFor ye know what charge we gave you through the Lord Jesus.\nI don’t think it’s normal.\nAnd when Jesus heard it, he saith unto them, They that are whole have no need of a physician, but they that are sick: I came not to call the righteous, but sinners.\nThe Creeks had fought with Jackson and lost half their people.\n“I’ll drop down and have a closer look,” Charlotte said.\nAnd he causeth all, the small and the great, and the rich and the poor, and the free and the bond, that there be given them a mark on their right hand, or upon their forehead;\nHe looked up, and he did not seem happy to see me.\nHe was startled by the voice.\nA thick slice of the Ripe Corn Moon stood framed above the western horizon.\nBut as God is faithful, our word toward you is not yea and nay.\nWherefore we henceforth know no man after the flesh: even though we have known Christ after the flesh, yet now we know him so no more.\nWhen she waded into the brook, Wilbur waded in with her. He found the water quite cold — too cold for his liking.\nAnd ye yourselves also know, ye Philippians, that in the beginning of the gospel, when I departed from Macedonia, no church had fellowship with me in the matter of giving and receiving but ye only;\nThe sound had crossed the water and climbed up the ridge like a rushing wind, but still in arrears of what sight had already told.\nHe felt the warm milk inside his stomach.\nFor whosoever shall keep the whole law, and yet stumble in one point, he is become guilty of all.\n“Just call me Uncle.”\nSoon Lurvy appeared with slops for breakfast.\nCharlotte decided to use her dry thread for writing the new message.\nHis only baggage was a pair of bulging saddlebags filled with dress clothing, all the way down to gloves scented with frangipani for the riverboat salons and a great deal of cash with which he planned to begin life anew.\n“I promise. I cross my heart.”\nAnd they all with one consent began to make excuse. The first said unto him, I have bought a field, and I must needs go out and see it; I pray thee have me excused.\nAnd he said unto him, Thy brother is come; and thy father hath killed the fatted calf, because he hath received him safe and sound.\nFor as the sufferings of Christ abound unto us, even so our comfort also aboundeth through Christ.\nAll things whatsoever the Father hath are mine: therefore said I, that he taketh of mine, and shall declare it unto you.\nAfter a while my grandmother spoke up and said, It's telling us that we will hear some news.\nIf any man cometh unto me, and hateth not his own father, and mother, and wife, and children, and brethren, and sisters, yea, and his own life also, he cannot be my disciple.\nTogether they walked to the pigpen.\nBut that the dead are raised, even Moses showed, in the place concerning the Bush, when he calleth the Lord the God of Abraham, and the God of Isaac, and the God of Jacob.\nAnd as they went on the way, a certain man said unto him, I will follow thee whithersoever thou goest.\nWilbur had planned to go out, this day, and dig a new hole in his yard.\n“I wouldn’t want that to happen.\nAnd he said to the multitudes also, When ye see a cloud rising in the west, straightway ye say, There cometh a shower; and so it cometh to pass.\nHowbeit if ye fulfil the royal law, according to the scripture, Thou shalt love thy neighbor as thyself, ye do well:\nAnd when they had accomplished all things that were according to the law of the Lord, they returned into Galilee, to their own city Nazareth.\nYea, a man will say, Thou hast faith, and I have works: show me thy faith apart from thy works, and I by my works will show thee my faith.\nAnd Jesus answered and said unto them, Take heed that no man lead you astray.\nThe straw fluttered down like confetti into Fern’s hair.\n“He-aa-aa!” answered the lambs all together.\nfor in your eating each one taketh before other his own supper; and one is hungry, and another is drunken.\nFor I say, through the grace that was given me, to every man that is among you, not to think of himself more highly than he ought to think; but so to think as to think soberly, according as God hath dealt to each man a measure of faith.\nFor out of much affliction and anguish of heart I wrote unto you with many tears; not that ye should be made sorry, but that ye might know the love which I have more abundantly unto you.\nBut the hour cometh, and now is, when the true worshippers shall worship the Father in spirit and truth: for such doth the Father seek to be his worshippers.\nIf I do not the works of my Father, believe me not.\nFor no prophecy ever came by the will of man: but men spake from God, being moved by the Holy Spirit. \nThen he took it out and pulled again at it and just kept it in his hand.\nand believers were the more added to the Lord, multitudes both of men and women:\nAnd I say unto you, Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you.\nand he was transfigured before them; and his face did shine as the sun, and his garments became white as the light.\nWouldest thou kill me, as thou killedst the Egyptian yesterday?\nBy faith Rahab the harlot perished not with them that were disobedient, having received the spies with peace.\nwho in time past were no people, but now are the people of God: who had not obtained mercy, but now have obtained mercy.\nThis is the bread which came down out of heaven: not as the fathers ate, and died; he that eateth this bread shall live for ever.\nMany therefore of his disciples, when they heard this, said, This is a hard saying; who can hear it?\nAnd Jesus answereth them, saying, The hour is come, that the Son of man should be glorified.\nsince he longed after you all, and was sore troubled, because ye had heard that he was sick:\nBut when Paul had gathered a bundle of sticks and laid them on the fire, a viper came out by reason of the heat, and fastened on his hand.\nHe arrived near where the trap lay.\nAs he walked, he scuffed his feet in the deep leaves just for the companionship of the rustling sound.\nThe way the cook fries breakfast, it’s hard enough to take sunrise as it is.\nAnd he said unto her, Daughter, thy faith hath made thee whole; go in peace, and be whole of thy plague.\nAnd he called ten servants of his, and gave them ten pounds, and said unto them, Trade ye herewith till I come.\nAnd Jacob went down into Egypt; and he died, himself and our fathers;\n“Here is forty cents.\nI went to the White House with a letter of introduction from Calhoun, who warned that it might have more the opposite effect since a rift had developed between him and Jackson after they won the election of ’28 and Calhoun had become Jackson’s vice president and then resigned in a quarrel over the issue of nullification, there being no stronger supporter of states’ rights than Calhoun.\nIn a little while we heard it right outside, and as it went around the house it was meowing. It circled the house and then went back the way it came, still meowing as it went, until the meows faded in the distance.\nHe dreamt that Wilbur had grown until he was one hundred and sixteen feet long and ninety-two feet high and that he had won all the prizes at the Fair and was covered with blue ribbons and even had a blue ribbon tied to the end of his tail.\nAt night, sheltered deep in a thicket, Charley built a small fire and slept warm.\n“He’s up!\nand to love him with all the heart, and with all the understanding, and with all the strength, and to love his neighbor as himself, is much more than all whole burnt-offerings and sacrifices.\nNow he that establisheth us with you in Christ, and anointed us, is God;\nShe sailed into the air, let out a dragline, and dropped gently to the ground.\nWedgwood dinnerware and Murano crystal cocooned in yellow straw.\n“Oh, sure,” said the spider.\nThen Wilbur’s voice:  “What are you doing up there, Charlotte?”\nSo I did my best, which meant showing up to listen night after night and providing a bottle of Macallan’s no more than once a week, for to do so more often would look needy and also wreak entire havoc on my wallet.\nand standing behind at his feet, weeping, she began to wet his feet with her tears, and wiped them with the hair of her head, and kissed his feet, and anointed them with the ointment.\nEvery one of them delivered to justice.\nCharley’s bunch mostly took their food to the brush arbors to eat, and maybe it was just the food but they seemed unaccountably happy.\nAnd when he had saluted them, he rehearsed one by one the things which God had wrought among the Gentiles through his ministry.\nAnd Jesus answering said unto him, It is said, Thou shalt not make trial of the Lord thy God.\nespecially because thou art expert in all customs and questions which are among the Jews: wherefore I beseech thee to hear me patiently.\nShe was in a class by herself.\nHe pushed and nudged till he succeeded in rolling it to his lair under the trough.\nAnd again he said, Whereunto shall I liken the kingdom of God?\nAnd I saw the dead, the great and the small, standing before the throne; and books were opened: and another book was opened, which is the book of life: and the dead were judged out of the things which were written in the books, according to their works.\nBut if any man seemeth to be contentious, we have no such custom, neither the churches of God.\n“Here!” said the pig.\nNo, you are mistaken.\nSo hast thou also some that hold the teaching of the Nicolaitans in like manner.\nAnd Philip went down to the city of Samaria, and proclaimed unto them the Christ.\n“Fern spends entirely too much time in the Zuckermans’ barn.\nJesus saith to her, Touch me not; for I am not yet ascended unto the Father: but go unto my brethren, and say to them, I ascend unto my Father and your Father, and my God and your God.\nBut he that did his neighbor wrong thrust him away, saying, Who made thee a ruler and a judge over us?\nOwe no man anything, save to love one another: for he that loveth his neighbor hath fulfilled the law.\nThere were together Simon Peter, and Thomas called Didymus, and Nathanael of Cana in Galilee, and the sons of Zebedee, and two other of his disciples.\nA miracle has happened and a sign has occurred here on earth, right on our farm, and we have no ordinary pig.”\nWhat then if ye should behold the Son of man ascending where he was before?\nHusbands, love your wives, even as Christ also loved the church, and gave himself up for it;\nI decided to exercise a certain amount of sympathy for Smith’s nervousness and said, A day of cooking and eating and resting by the fire wouldn’t hurt any of us.\nAfter this he went down to Capernaum, he, and his mother, and his brethren, and his disciples; and there they abode not many days.\nFor I see that thou art in the gall of bitterness and in the bond of iniquity.\n“What a cargo!” she said.\nBut Jesus said unto them, Ye know not what ye ask. Are ye able to drink the cup that I drink? or to be baptized with the baptism that I am baptized with?\nNow as they went on their way, he entered into a certain village: and a certain woman named Martha received him into her house.\nEven so reckon ye also yourselves to be dead unto sin, but alive unto God in Christ Jesus.\n“He's as smooth as they come.\nAnd he cast down the pieces of silver into the sanctuary, and departed; and he went away and hanged himself.\nBut this he said, signifying by what manner of death he should die.\nAnd when they shall have finished their testimony, the beast that cometh up out of the abyss shall make war with them, and overcome them, and kill them.\nAnd he that was sown upon the good ground, this is he that heareth the word, and understandeth it; who verily beareth fruit, and bringeth forth, some a hundredfold, some sixty, some thirty.\nBut when Cephas came to Antioch, I resisted him to the face, because he stood condemned.\nAnd when he was come out of the boat, straightway there met him out of the tombs a man with an unclean spirit,\nWhich of the prophets did not your fathers persecute? and they killed them that showed before of the coming of the Righteous One; of whom ye have now become betrayers and murderers;\nWilbur jumped and ran.\nFor my flesh is meat indeed, and my blood is drink indeed.\nIf I can fool a bug,” thought Charlotte, “I can surely fool a man. People are not as smart as bugs.”\nYe worship that which ye know not: we worship that which we know; for salvation is from the Jews.\n(for the fruit of the light is in all goodness and righteousness and truth),\nNow after a long time the lord of those servants cometh, and maketh a reckoning with them.\nFern stood at the kitchen sink drying the breakfast dishes as her mother washed them.\nAnd Jesus said unto his disciples, Verily I say unto you, It is hard for a rich man to enter into the kingdom of heaven.\nFor circumcision indeed profiteth, if thou be a doer of the law: but if thou be a transgressor of the law, thy circumcision is become uncircumcision.\nwhom the heaven must receive until the times of restoration of all things, whereof God spake by the mouth of his holy prophets that have been from of old.\nWoe unto thee, Chorazin! woe unto thee, Bethsaida! for if the mighty works had been done in Tyre and Sidon which were done in you, they would have repented long ago in sackcloth and ashes.\nand the commandment, which was unto life, this I found to be unto death:\nWilbur obeyed.\nBe of the same mind one toward another. Set not your mind on high things, but condescend to things that are lowly. Be not wise in your own conceits.\nThe trees were nearly empty.\nWilbur sighed.\nFor ye have heard of my manner of life in time past in the Jews’ religion, how that beyond measure I persecuted the church of God, and made havoc of it:\nAt first we thought it was just a cow or some other animal.\nThank you.”\nsaying, We give thee thanks, O Lord God, the Almighty, who art and who wast; because thou hast taken thy great power, and didst reign.\nAvenge not yourselves, beloved, but give place unto the wrath of God: for it is written, Vengeance belongeth unto me; I will recompense, saith the Lord.\nHomer has some sheep, hasn’t he?”\n“Thank you very much,” said Charlotte.\nThe soldiers fell on the land like calamity.\nFor the law appointeth men high priests, having infirmity; but the word of the oath, which was after the law, appointeth a Son, perfected for evermore. \nAt that season Herod the tetrarch heard the report concerning Jesus,\nCharley’s blanket and clothes became heavy and sodden.\nnor yet through the blood of goats and calves, but through his own blood, entered in once for all into the holy place, having obtained eternal redemption.\nthat no man be moved by these afflictions; for yourselves know that hereunto we are appointed.\nHe even bought a ticket for her, so it didn’t cost her anything.\nLet no man therefore judge you in meat, or in drink, or in respect of a feast day or a new moon or a sabbath day:\nNow faith is assurance of things hoped for, a conviction of things not seen.\nI am the good shepherd: the good shepherd layeth down his life for the sheep.\nThen she carried the line down, so that she had a double line instead of a single line.\nAnd they brought it. And he saith unto them, Whose is this image and superscription? And they said unto him, Cæsar’s.\nWe are all mad when we are twenty.\nAnd men were scorched with great heat: and they blasphemed the name of God who hath the power over these plagues; and they repented not to give him glory.\nIt was a trap.\nAnd with these sayings scarce restrained they the multitudes from doing sacrifice unto them.\nAnd why not?\nMany also of them that had believed came, confessing, and declaring their deeds.\nAs time went on, and the months and years came and went, he was never without friends.\nFor I verily, being absent in body but present in spirit, have already as though I were present judged him that hath so wrought this thing,\nLittlefish, swim on.\nHe's some pig.”\n“Charlotte is very ill.\nLittlefish was kind of afraid, but swam up to it and said, Hello, I'm called Littlefish and I've never seen a fish like you.\nAnd punishing them oftentimes in all the synagogues, I strove to make them blaspheme; and being exceedingly mad against them, I persecuted them even unto foreign cities.\nFor ye have the poor always with you, and whensoever ye will ye can do them good: but me ye have not always.\nand if it be meet for me to go also, they shall go with me.\nAfterward, the disappeared deer and elk and buffalo would return from wherever they had gone, and the people could go back to living like they used to, all the beauty and blood of the old ways restored to them.\nthat ye also be in subjection unto such, and to every one that helpeth in the work and laboreth.\nReceive him therefore in the Lord with all joy; and hold such in honor:\nThe men of Nineveh shall stand up in the judgment with this generation, and shall condemn it: for they repented at the preaching of Jonah; and behold, a greater than Jonah is here.\n“How many?” asked Mr. Arable.\nBut they cried out all together, saying, Away with this man, and release unto us Barabbas:—\nThen Templeton bared his long ugly teeth and began snipping the threads that fastened the sac to the ceiling.\nThe high priest therefore asked Jesus of his disciples, and of his teaching.\nVerily, verily, I say unto you, He that receiveth whomsoever I send receiveth me; and he that receiveth me receiveth him that sent me.\nthis man went to Pilate, and asked for the body of Jesus. Then Pilate commanded it to be given up.\nFor we know that the law is spiritual: but I am carnal, sold under sin.\nNancy told the men to go on, Charley and Lowan and George and Jake.\nShe would say to them, “Come, little girl, come to your granny and let me comb your hair.”\nAnd when he was come forth upon the land, there met him a certain man out of the city, who had demons; and for a long time he had worn no clothes, and abode not in any house, but in the tombs.\nAnd the law came in besides, that the trespass might abound; but where sin abounded, grace did abound more exceedingly:\nCured ham, lard, salted butter, white cornmeal, dried beans, grits, dried apples and peaches, porridge oats, dark sugar, cinnamon, black tea, green coffee beans, and a small hand mill to grind them.\nThey are not of the world, even as I am not of the world.\nThen shall they deliver you up unto tribulation, and shall kill you: and ye shall be hated of all the nations for my name’s sake.\nO death, where is thy victory? O death, where is thy sting?\nFor this corruptible must put on incorruption, and this mortal must put on immortality.\nAnd when the multitude saw what Paul had done, they lifted up their voice, saying in the speech of Lycaonia, The gods are come down to us in the likeness of men.\nI heard Canada.\nAnd his disciples said unto him, Thou seest the multitude thronging thee, and sayest thou, Who touched me?\nBut I've never heard of anyone’s heart breaking on my account.\nthat Christ may dwell in your hearts through faith; to the end that ye, being rooted and grounded in love,\nAnd the multitude rebuked them, that they should hold their peace: but they cried out the more, saying, Lord, have mercy on us, thou son of David.\nNear a river, Rabbit and Squirrel were talkng.\nAnd all that heard him were amazed, and said, Is not this he that in Jerusalem made havoc of them that called on this name? and he had come hither for this intent, that he might bring them bound before the chief priests.\nlest again when I come my God should humble me before you, and I should mourn for many of them that have sinned heretofore, and repented not of the uncleanness and fornication and lasciviousness which they committed. \nIt is like unto leaven, which a woman took and hid in three measures of meal, till it was all leavened.\nLurvy missed Wilbur and grabbed the spaniel instead.\nand when they had fulfilled the days, as they were returning, the boy Jesus tarried behind in Jerusalem; and his parents knew it not;\nHe stopped at midday and struck up a small fire from pine shavings and oak sticks.\nIn that hour said Jesus to the multitudes, Are ye come out as against a robber with swords and staves to seize me? I sat daily in the temple teaching, and ye took me not.\nThe American Government would pay them for what they lost after they reached the West.\nAs was the fact that the killings took place outside the Nation and on our territory.\nNow when he was in Jerusalem at the passover, during the feast, many believed on his name, beholding his signs which he did.\nbut now do ye also put them all away: anger, wrath, malice, railing, shameful speaking out of your mouth:\nwhich also they did, sending it to the elders by the hand of Barnabas and Saul. \nAnd thou, Capernaum, shalt thou be exalted unto heaven? thou shalt go down unto Hades: for if the mighty works had been done in Sodom which were done in thee, it would have remained until this day.\nThe colonel waited awhile, entranced by the smoke rising from his pipe.\nCharley stood up, and his knees made the firewood sound again.\n“Go down through the orchard, root up the sod!\nIII: Escape \nI say the truth in Christ, I lie not, my conscience bearing witness with me in the Holy Spirit,\nAnd her parents were amazed: but he charged them to tell no man what had been done. \nAll the other animals lifted their heads and stared at him.\nProfessing themselves to be wise, they became fools,\nAnd as they were seeking to kill him, tidings came up to the chief captain of the band, that all Jerusalem was in confusion.\nHis timing was impeccable.\nand desiring to be fed with the crumbs that fell from the rich man’s table; yea, even the dogs came and licked his sores.\nAnd which of you by being anxious can add one cubit unto the measure of his life?\nAnd he called them unto him, and said unto them in parables, How can Satan cast out Satan?\nAnd Jesus, having found a young ass, sat thereon; as it is written,\nHe would bark, run after whatever it was, and then run back as if he wanted someone to follow him.\nThey live in the water.\nAnd when the woman saw that she was not hid, she came trembling, and falling down before him declared in the presence of all the people for what cause she touched him, and how she was healed immediately.\nproving what is well-pleasing unto the Lord;\nBut if I do them, though ye believe not me, believe the works: that ye may know and understand that the Father is in me, and I in the Father.\nFinally, brethren, whatsoever things are true, whatsoever things are honorable, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things.\nBe not deceived; God is not mocked: for whatsoever a man soweth, that shall he also reap.\n(for we walk by faith, not by sight);\nFor it is evident that our Lord hath sprung out of Judah; as to which tribe Moses spake nothing concerning priests.\nCharley touched Axe on the shoulder with two fingers and then stepped back.\nHe woke up under three quarters of the Hunting Moon with frost silvering the grass and the cuts of the creek drainages through the mountains etched out below him in blue light.\nAnd he laid his hands on them, and departed thence.\nPink blossoms covered it from tip to top.\nWe jostled and regained balance and went to stand together by the door.\nwhom I found to be accused about questions of their law, but to have nothing laid to his charge worthy of death or of bonds.\nAnd as they went out, they besought that these words might be spoken to them the next sabbath.\nThis picture has been made much bigger so you can see the bacteria.\nAfter these things he departed from Athens, and came to Corinth.\nThey took turns for an hour.\nI thank my God upon all my remembrance of you,\nAnd when he had considered the thing, he came to the house of Mary the mother of John whose surname was Mark; where many were gathered together and were praying.\nBut he held his peace, and answered nothing. Again the high priest asked him, and saith unto him, Art thou the Christ, the Son of the Blessed?\nAnd why beholdest thou the mote that is in thy brother’s eye, but considerest not the beam that is in thine own eye?\nAnd he closed the book, and gave it back to the attendant, and sat down: and the eyes of all in the synagogue were fastened on him.\nAnd to the angel of the church in Laodicea write: These things saith the Amen, the faithful and true witness, the beginning of the creation of God:\n“Nellie?” he suggested.\nAnd behold, they cried out, saying, What have we to do with thee, thou Son of God? art thou come hither to torment us before the time?\nAnd I said, What shall I do, Lord? And the Lord said unto me, Arise, and go into Damascus; and there it shall be told thee of all things which are appointed for thee to do.\n“It means I’m slowing up, feeling my age.\nGone two days.\nFern did not come regularly to the barn any more.\nAnd they overcame him because of the blood of the Lamb, and because of the word of their testimony; and they loved not their life even unto death.\nand shall come forth to deceive the nations which are in the four corners of the earth, Gog and Magog, to gather them together to the war: the number of whom is as the sand of the sea.\n But no one was there to hear him\nOn behalf of the governors of the Fair, I have the honor of awarding a special prize of twenty-five dollars to Mr. Zuckerman, together with a handsome bronze medal suitably engraved, in token of our appreciation of the part played by this pig—this radiant, this terrific, this humble pig—in attracting so many visitors to our great County Fair.”\n“I’m staying right here,” grumbled the rat.\n“Mildly funny,” said Charlotte.\nTherefore I say unto you, All things whatsoever ye pray and ask for, believe that ye receive them, and ye shall have them.\nand ye have not known him: but I know him; and if I should say, I know him not, I shall be like unto you, a liar: but I know him, and keep his word.\nEvery man and woman with him had a similar story.\nThe children grabbed each other by the hand and danced off in the direction of the merry-go-round, toward the wonderful music and the wonderful adventure and the wonderful excitement, into the wonderful midway where there would be no parents to guard them and guide them, and where they could be happy and free and do as they pleased.\nbecause that for the sake of the Name they went forth, taking nothing of the Gentiles.\nOne or the other, I guess.\nThey put up no fight at all.\nIf I bear witness of myself, my witness is not true.\nAll the animals trusted her, she was so quiet and friendly.\nI left him and gathered a fist of cigars and the bottle of whiskey from my packs and went to Charley’s fire.\nAnd he gave them leave. And the unclean spirits came out, and entered into the swine: and the herd rushed down the steep into the sea, in number about two thousand; and they were drowned in the sea.\nSalute Herodion my kinsman. Salute them of the household of Narcissus, that are in the Lord.\nsuffering wrong as the hire of wrong-doing; men that count it pleasure to revel in the day-time, spots and blemishes, revelling in their deceivings while they feast with you;\nAnd when he came to the house, he suffered not any man to enter in with him, save Peter, and John, and James, and the father of the maiden and her mother.\n“Who wants to live forever?” sneered the rat.\n“Well, you can’t talk  said Charlotte.\nye no longer suffer him to do aught for his father or his mother;\nMothers for miles around worried about Zuckerman’s swing.\nHe said it sadly, like the world had been unalterably diminished.\npraising God, and having favor with all the people. And the Lord added to them day by day those that were saved. \nye also, as living stones, are built up a spiritual house, to be a holy priesthood, to offer up spiritual sacrifices, acceptable to God through Jesus Christ.\nOne of the enlisted boys, an Irishman, said that other than for the hue of her skin the old woman looked much like his last sight of his grandmother when he was a boy.\nThomas answered and said unto him, My Lord and my God.\nFor ye are our glory and our joy. \nThe sower soweth the word.\nwho shall also confirm you unto the end, that ye be unreproveable in the day of our Lord Jesus Christ.\nBut be not ye called Rabbi: for one is your teacher, and all ye are brethren.\n“I can see that,” replied Wilbur.\nriseth from supper, and layeth aside his garments; and he took a towel, and girded himself.\nsaying, Hurt not the earth, neither the sea, nor the trees, till we shall have sealed the servants of our God on their foreheads.\nMr. and Mrs. Zuckerman were always complaining about them, and putting up screens.\nAnd walking by the sea of Galilee, he saw two brethren, Simon who is called Peter, and Andrew his brother, casting a net into the sea; for they were fishers.\nAll Wasseton could provide for the group was one feast of birds roasted over coals.\nFor it is written, Rejoice, thou barren that bearest not; Break forth and cry, thou that travailest not: For more are the children of the desolate than of her that hath the husband.\nBut ye have dishonored the poor man. Do not the rich oppress you, and themselves drag you before the judgment-seats?\nAnd there is no creature that is not manifest in his sight: but all things are naked and laid open before the eyes of him with whom we have to do.\nHe gave Avery five dimes and four nickels.\nAnd as Moses lifted up the serpent in the wilderness, even so must the Son of man be lifted up;\nFor I say unto you, that this which is written must be fulfilled in me, And he was reckoned with transgressors: for that which concerneth me hath fulfilment.\nWatch therefore: for ye know not when the lord of the house cometh, whether at even, or at midnight, or at cockcrowing, or in the morning;\nAnd then, just as Wilbur was settling down for his morning nap, he heard again the thin voice that had addressed him the night before.\nWilbur kicked and thrashed and grunted.\n“Oh, it’s coming all right,” she said, lightly.\nBut of that day and hour knoweth no one, not even the angels of heaven, neither the Son, but the Father only.\nWilbur watched in horror.\nNow in the law Moses commanded us to stone such: what then sayest thou of her?\nAnd Pilate marvelled if he were already dead: and calling unto him the centurion, he asked him whether he had been any while dead.\n“What will the letters say?” asked Lurvy.\nTherefore say I unto you, The kingdom of God shall be taken away from you, and shall be given to a nation bringing forth the fruits thereof.\nwhich in other generations was not made known unto the sons of men, as it hath now been revealed unto his holy apostles and prophets in the Spirit;\n“You mean that?” he said.\nI should think you’d be terribly happy about this.”\nwho would have all men to be saved, and come to the knowledge of the truth.\nHe that eateth my flesh and drinketh my blood hath eternal life; and I will raise him up at the last day.\nand in this place again, They shall not enter into my rest.\nWhat then? are we better than they? No, in no wise: for we before laid to the charge both of Jews and Greeks, that they are all under sin;\nSaid it in a tone as if they would be back in a week or two.\nTheir hams thinned off as lean and long as the hind legs of a Plott hound.\nSpiders can’t talk.”\nBut he passing through the midst of them went his way.\nBut ye say, Whosoever shall say to his father or his mother, That wherewith thou mightest have been profited by me is given to God;\nThe officers answered, Never man so spake.\n“The truck is rolling away, Papa,” said Fern.\nFor he that is entered into his rest hath himself also rested from his works, as God did from his.\nBut into whatsoever city ye shall enter, and they receive you not, go out into the streets thereof and say,\nand he stood upon the sand of the sea. And I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns ten diadems, and upon his heads names of blasphemy.\nThen, as each farmstead was vacated, they would rush in behind the soldiers to collect livestock and possessions left behind.\nThis will be a night to remember in a rat’s life.”\nfor Herod feared John, knowing that he was a righteous and holy man, and kept him safe. And when he heard him, he was much perplexed; and he heard him gladly.\nMaybe I should have packed up and gone to Washington for good, used my friends there to find a position.\nAnd from that time he sought opportunity to deliver him unto them.\nBut when the Jews of Thessalonica had knowledge that the word of God was proclaimed of Paul at Beroea also, they came thither likewise, stirring up and troubling the multitudes.\nwho, having received such a charge, cast them into the inner prison, and made their feet fast in the stocks.\n“What did you think I was, a spring chicken?\nA bruised reed shall he not break, And smoking flax shall he not quench, Till he send forth judgment unto victory.\nI cannot stay here and freeze\nto the end that ye be not quickly shaken from your mind, nor yet be troubled, either by spirit, or by word, or by epistle as from us, as that the day of the Lord is just at hand;\nAnd he said, Go into the city to such a man, and say unto him, The Teacher saith, My time is at hand; I keep the passover at thy house with my disciples.\nBut about midnight Paul and Silas were praying and singing hymns unto God, and the prisoners were listening to them;\nNeither let us commit fornication, as some of them committed, and fell in one day three and twenty thousand.\nAnd they gave him audience unto this word; and they lifted up their voice, and said, Away with such a fellow from the earth: for it is not fit that he should live.\nAnd take the helmet of salvation, and the sword of the Spirit, which is the word of God:\nSo shall also my heavenly Father do unto you, if ye forgive not every one his brother from your hearts. \nAnd he healed many that were sick with divers diseases, and cast out many demons; and he suffered not the demons to speak, because they knew him.\nWe are ambassadors therefore on behalf of Christ, as though God were entreating by us: we beseech you on behalf of Christ, be ye reconciled to God.\nSun rising yellow through fog hanging so thick across the water I could hardly see the green jungle we passed through.\nI put pieces of apple and onion inside the birds and cut bacon in little slivers and shoved them between the skin and the breast.\n“Children!” snapped the goose.\nBut he was so worried he felt he had to ask.\nThey took up stones therefore to cast at him: but Jesus hid himself, and went out of the temple. \nBut I say unto you, that one greater than the temple is here.\nYou might as well relax -  nobody is going to hang any medal on you.\nSimon Peter saith unto them, I go a fishing. They say unto him, We also come with thee. They went forth, and entered into the boat; and that night they took nothing.\nAnd he asked for a writing tablet, and wrote, saying, His name is John. And they marvelled all.\nHe liked to think that Nancy was right, that neither the trackers nor the soldiers would kill women and children, but who could know?\n“Can't you see everybody is busy?”\nHe that believeth on the Son of God hath the witness in him: he that believeth not God hath made him a liar; because he hath not believed in the witness that God hath borne concerning his Son.\nHe looked at me puzzled.\nAnd to the angel of the church in Philadelphia write: These things saith he that is holy, he that is true, he that hath the key of David, he that openeth and none shall shut, and that shutteth and none openeth:\n His wing felt like it was broken.\nAccording to the grace of God which was given unto me, as a wise masterbuilder I laid a foundation; and another buildeth thereon. But let each man take heed how he buildeth thereon.\nRender to no man evil for evil. Take thought for things honorable in the sight of all men.\nWhen once the master of the house is risen up, and hath shut to the door, and ye begin to stand without, and to knock at the door, saying, Lord, open to us; and he shall answer and say to you, I know you not whence ye are;\nAnd there sat in the window a certain young man named Eutychus, borne down with deep sleep; and as Paul discoursed yet longer, being borne down by his sleep he fell down from the third story, and was taken up dead.\nRejoice with them that rejoice; weep with them that weep.\nOur fathers worshipped in this mountain; and ye say, that in Jerusalem is the place where men ought to worship.\nWretched man that I am! who shall deliver me out of the body of this death?\nHe that hath an ear, let him hear what the Spirit saith to the churches. \nI can have it done in a week, the hatter said.\nAs they walked along, Beaver found another trap.\nif so be that God is one, and he shall justify the circumcision by faith, and the uncircumcision through faith.\nBehold, he cometh with the clouds; and every eye shall see him, and they that pierced him; and all the tribes of the earth shall mourn over him. Even so, Amen.\nhaving a golden altar of incense, and the ark of the covenant overlaid round about with gold, wherein was a golden pot holding the manna, and Aaron’s rod that budded, and the tables of the covenant;\nAnd this afternoon you can tell me more about what goes on in Uncle Homer's barn.\nand when the daughter of Herodias herself came in and danced, she pleased Herod and them that sat at meat with him; and the king said unto the damsel, Ask of me whatsoever thou wilt, and I will give it thee.\nAnd they reviled him, and said, Thou art his disciple; but we are disciples of Moses.\nBe not unequally yoked with unbelievers: for what fellowship have righteousness and iniquity? or what communion hath light with darkness?\nBut he that heareth, and doeth not, is like a man that built a house upon the earth without a foundation; against which the stream brake, and straightway it fell in; and the ruin of that house was great. \nFor the earnest expectation of the creation waiteth for the revealing of the sons of God.\nbut while men slept, his enemy came and sowed tares also among the wheat, and went away.\nand ye shall know the truth, and the truth shall make you free.\nAnd he led him to Jerusalem, and set him on the pinnacle of the temple, and said unto him, If thou art the Son of God, cast thyself down from hence:\n“Come on, frog!” cried Avery.\nHe decided to go exploring.\nThey were each sharpened keen enough to shave his forearm bare, but he would rather damage his hands than his tools.\n“Pay attention!”\nFor whosoever shall be ashamed of me and of my words, of him shall the Son of man be ashamed, when he cometh in his own glory, and the glory of the Father, and of the holy angels.\nAnd it came to pass about eight days after these sayings, that he took with him Peter and John and James, and went up into the mountain to pray.\nfor the wrath of man worketh not the righteousness of God.\nAnd we have believed and know that thou art the Holy One of God.\nAnd that which fell among the thorns, these are they that have heard, and as they go on their way they are choked with cares and riches and pleasures of this life, and bring no fruit to perfection.\n“Yes, Wilbur?”\nye who received the law as it was ordained by angels, and kept it not.\nAnd not even so did their witness agree together.\nBut straightway Jesus spake unto them, saying, Be of good cheer; it is I; be not afraid.\nThe Father loveth the Son, and hath given all things into his hand.\nPlenty of food they had, to keep them well and fed.\nThen they become part of the soil.\nAnd blessed is she that believed; for there shall be a fulfilment of the things which have been spoken to her from the Lord.\nBut now being made free from sin and become servants to God, ye have your fruit unto sanctification, and the end eternal life.\nonly they would that we should remember the poor; which very thing I was also zealous to do.\nFor since by man came death, by man came also the resurrection of the dead.\nAnd behold, a man from the multitude cried, saying, Teacher, I beseech thee to look upon my son; for he is mine only child:\nand said unto him, Art thou he that cometh, or look we for another?\nHe was strong and brave, but the truth is, both the goose and the gander were worried about Templeton. And with good reason.\nAll morning Templeton slept quietly under the straw.\nShe had grown up in Charleston, had succeeded Fanny Kemble as the principal female lead of High, Low, Jack…Game, and was the talk of the town.\nOn the trail the men frighten themselves with phantom dangers that they imagine lurk in the forest.\nAnd there were given to the woman the two wings of the great eagle, that she might fly into the wilderness unto her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.\nFor he saith to Moses, I will have mercy on whom I have mercy, and I will have compassion on whom I have compassion.\nBut what went ye out to see? a prophet? Yea, I say unto you, and much more than a prophet.\n“Certainly.\nI wished I’d been able to shoot a bird apiece, but it came out close enough.\nAnd when we were all fallen to the earth, I heard a voice saying unto me in the Hebrew language, Saul, Saul, why persecutest thou me? it is hard for thee to kick against the goad.\nClaudius Lysias unto the most excellent governor Felix, greeting.\nThen, using all their strength, the men picked up the crate and heaved it aboard the truck.\nNow there came a famine over all Egypt and Canaan, and great affliction: and our fathers found no sustenance.\nAnd Jesus uttered a loud voice, and gave up the ghost.\ninsomuch that the multitude wondered, when they saw the dumb speaking, the maimed whole, and the lame walking, and the blind seeing: and they glorified the God of Israel.\nIn the daytime, Wilbur usually felt happy and confident.\nYour father Abraham rejoiced to see my day; and he saw it, and was glad.\nHe shook as the wind blew by.\nHer voice didn't seem to come from her web.\nWilbur tagged along at Fern’s heels.\nAnd say to Archippus, Take heed to the ministry which thou hast received in the Lord, that thou fulfil it.\nMy father.\nAnd Jesus went out from the temple, and was going on his way; and his disciples came to him to show him the buildings of the temple.\nWe went up the Nantahala and from there we searched Snowbird, Buffalo, Hanging Dog, and Beaver-dam, days and days of travel in terrain whereupon our horses could not find secure footing and we often had to walk them, and all with the result that we found but some old thatched hunting camps and one Indian man so blind he could not travel, and during the whole time of which heavy rain was falling from a dark sky and the autumn leaves yellow and red in the trees and slick on the ground.\nI speak the things which I have seen with my Father: and ye also do the things which ye heard from your father.\nYou’re white, the secretary said, not inflecting a question at all.\nFor you therefore that believe is the preciousness: but for such as disbelieve, The stone which the builders rejected, The same was made the head of the corner;\nAnd there came one and told them, Behold, the men whom ye put in the prison are in the temple standing and teaching the people.\nBut when Paul was about to open his mouth, Gallio said unto the Jews, If indeed it were a matter of wrong or of wicked villany, O ye Jews, reason would that I should bear with you:\nAnd he said unto them, Go and say to that fox, Behold, I cast out demons and perform cures to-day and to-morrow, and the third day I am perfected.\nMarvel not at this: for the hour cometh, in which all that are in the tombs shall hear his voice,\nAnd pray ye that your flight be not in the winter, neither on a sabbath:\nbut I could wish to be present with you now, and to change my tone; for I am perplexed about you.\nSo the woman left her waterpot, and went away into the city, and saith to the people,\nAnd they sing the song of Moses the servant of God, and the song of the Lamb, saying, Great and marvellous are thy works, O Lord God, the Almighty; righteous and true are thy ways, thou King of the ages.\nHe was a metalworker who could turn iron into chisels and drills and Georgia silver into forks and spoons.\nBut we were gentle in the midst of you, as when a nurse cherisheth her own children:\nBlessed are they that have been persecuted for righteousness’ sake: for theirs is the kingdom of heaven.\n“Here,” said Templeton, unrolling the paper.\nMr. Zuckerman was dancing about, fanning him with his cap.\nGeorge would have yanked at the handle but could not make it come loose.\nTempleton moved indoors when winter came.\nThey had known each other since boyhood.\n“Understand what?”\nThey backed up, observing the beast.\nBut many shall be last that are first; and first that are last.\nbeing filled with the fruits of righteousness, which are through Jesus Christ, unto the glory and praise of God.\nsaying that the Son of man must be delivered up into the hands of sinful men, and be crucified, and the third day rise again.\nAnd he answered and said unto them, What did Moses command you?\nAnd brother shall deliver up brother to death, and the father his child; and children shall rise up against parents, and cause them to be put to death.\nBehold, your house is left unto you desolate: and I say unto you, Ye shall not see me, until ye shall say, Blessed is he that cometh in the name of the Lord. \nAnd let us not be weary in well-doing: for in due season we shall reap, if we faint not.\nAnd he was preaching in the synagogues of Galilee. \nAnd they said unto him, Where is he? He saith, I know not.\n“Sort of, replied Charlotte.\n“Hurray! cried everybody.\nAnd the hand of the Lord was with them: and a great number that believed turned unto the Lord.\nThen he murmured the words “Some Pig.”\nI thought about the previous weeks of travel and camping, how Smith didn’t sleep well in the mountains, jumping at every sound of falling leaf and foraging possum.\nThe other four-footeds removed them.\nAnd when your stomach is empty and your mind is full, it’s always hard to sleep.\nV. Charlotte  \n“Good-bye, good-bye!”\nFor the wages of sin is death; but the free gift of God is eternal life in Christ Jesus our Lord. \nAnd he abode two whole years in his own hired dwelling, and received all that went in unto him,\nAnd when they received it, they murmured against the householder,\nThe men of Nineveh shall stand up in the judgment with this generation, and shall condemn it: for they repented at the preaching of Jonah; and behold, a greater than Jonah is here.\ntook the branches of the palm trees, and went forth to meet him, and cried out, Hosanna: Blessed is he that cometh in the name of the Lord, even the King of Israel.\nFor if ye forgive men their trespasses, your heavenly Father will also forgive you.\nTagrags and offscourings and white trash followed behind the little column with the attentiveness of buzzards circling a kill.\nWilbur’s heart pounded.\nI took her to see the portraits of significant Indians from the various peoples displayed in a chamber of the Department of War.\nAnd when Jesus heard these things, he marvelled at him, and turned and said unto the multitude that followed him, I say unto you, I have not found so great faith, no, not in Israel.\nGrace to you and peace from God our Father and the Lord Jesus Christ.\nThe enlisted men were let out only on rare occasions, and then they would cross the river in rowing boats and climb the hill and pay whatever price was asked for any kind of brownish popskull liquor whatsoever, as long as it was vaguely reputed to be Barbados rum or Tennessee whiskey.\nAnd out of the throne proceed lightnings and voices and thunders. And there were seven lamps of fire burning before the throne, which are the seven Spirits of God;\nTherefore speak I to them in parables; because seeing they see not, and hearing they hear not, neither do they understand.\nCold settled on the world.\nThere was a pause.\nWe’ll sit here today and start walking them out in the morning.\nAnd when he was called, Tertullus began to accuse him, saying, Seeing that by thee we enjoy much peace, and that by thy providence evils are corrected for this nation,\nAnd afterward he was manifested unto the eleven themselves as they sat at meat; and he upbraided them with their unbelief and hardness of heart, because they believed not them that had seen him after he was risen.\nLet marriage be had in honor among all, and let the bed be undefiled: for fornicators and adulterers God will judge.\nAnd it came to pass soon afterwards, that he went about through cities and villages, preaching and bringing the good tidings of the kingdom of God, and with him the twelve,\nThen cometh he to the disciples, and saith unto them, Sleep on now, and take your rest: behold, the hour is at hand, and the Son of man is betrayed into the hands of sinners.\nAnd thou, Capernaum, shalt thou be exalted unto heaven? thou shalt be brought down unto Hades.\nI asked if that sort of thing bothered him, for back then it would have bothered me a great deal.\nby so much also hath Jesus become the surety of a better covenant.\nOne Time in Chapel Hill…\nwhither as a forerunner Jesus entered for us, having become a high priest for ever after the order of Melchizedek. \nBut they were filled with madness; and communed one with another what they might do to Jesus.\nPunishment for my time among the Washingtonians.\nWe are not again commending ourselves unto you, but speak as giving you occasion of glorying on our behalf, that ye may have wherewith to answer them that glory in appearance, and not in heart.\nPeople are incessant talkers — I can give you my word on that.”\nNow after these things were ended, Paul purposed in the spirit, when he had passed through Macedonia and Achaia, to go to Jerusalem, saying, After I have been there, I must also see Rome.\nYet I predict that the day will come when even Henry will drop some chance remark that catches Fern’s attention.\nIn a moment he saw the rat’s sharp nose poke out from underneath the wooden trough.\nAnd the heaven was removed as a scroll when it is rolled up; and every mountain and island were moved out of their places.\nfor this is my blood of the covenant, which is poured out for many unto remission of sins.\nAnd when he had landed at Cæsarea, he went up and saluted the church, and went down to Antioch.\npreach the word; be urgent in season, out of season; reprove, rebuke, exhort, with all longsuffering and teaching.\n“Charlotte?” he said.\n“I have hay inside my dress!\nThe God of Abraham, and of Isaac, and of Jacob, the God of our fathers, hath glorified his Servant Jesus; whom ye delivered up, and denied before the face of Pilate, when he had determined to release him.\nLet not sin therefore reign in your mortal body, that ye should obey the lusts thereof:\nVerily, verily, I say unto you, The hour cometh, and now is, when the dead shall hear the voice of the Son of God; and they that hear shall live.\nCharley was aiming his family toward a laurel hell that went on and on, close and convoluted like a vast cavern. But it was a long way there.\n As the Maple snubbed her nose.\nBut he denied, saying, I neither know, nor understand what thou sayest: and he went out into the porch; and the cock crew.\nAnd not even all of them, only Long Hair, Paint, Wolf, and Deer.\nAnd as he was now going down, his servants met him, saying, that his son lived.\nAnd they went out, and fled from the tomb; for trembling and astonishment had come upon them: and they said nothing to any one; for they were afraid.\nAnd those by the way side are they that have heard; then cometh the devil, and taketh away the word from their heart, that they may not believe and be saved.\nBut now that faith is come, we are no longer under a tutor.\nXI. The Miracle\n“Throw buttermilk!” suggested Avery.\nHe lay dreaming that he was throwing baseballs at a cloth cat and winning a genuine Navajo blanket.\nWithout thinking much about it, he took two running steps forward and let fly the hatchet.\nAnd the God of peace himself sanctify you wholly; and may your spirit and soul and body be preserved entire, without blame at the coming of our Lord Jesus Christ.\nwho being the effulgence of his glory, and the very image of his substance, and upholding all things by the word of his power, when he had made purification of sins, sat down on the right hand of the Majesty on high;\nIf you’re going to stay here I shall stay, too.”\nBut abide thou in the things which thou hast learned and hast been assured of, knowing of whom thou hast learned them;\nBut she lowered her head and her hair covered her face, and that was the end.\nThe fish all lived happily in the small pond … except for Littlefish.\n“Oh, yes, Wilbur adores Charlotte,” said Fern.\nShe had been told I published poetry, though regrettably she had read none of it.\nII: Wilbur\nHe wondered why.\nAnd there was seen another sign in heaven: and behold, a great red dragon, having seven heads and ten horns, and upon his heads seven diadems.\nFern screamed.\nThe soldiers therefore, when they had crucified Jesus, took his garments and made four parts, to every soldier a part; and also the coat: now the coat was without seam, woven from the top throughout.\nHe kept it on its skewer and worked back to front, eating the little hams first, each by each, and then he went at the body meat, eating it off the ribs as if it lay in rows like corn kernels.\nIf Fern says that the animals in Zuckerman’s barn talk, I’m quite ready to believe her.\nNow no man at the table knew for what intent he spake this unto him.\nI said, You ought to see what I can do with a beef tenderloin.\n“I suppose so,” said Mrs. Arable.\nShow me a denarius. Whose image and superscription hath it? And they said, Cæsar’s.\n“But I can crochet a doily and I can knit a sock.”\nMountains were home, and that was that.\nbut with precious blood, as of a lamb without blemish and without spot, even the blood of Christ:\nCharley had gone out of camp to piss one night, and as he came back the hanging meat with the firelight coming through looked like bloody curtains.\nNext to her, attached to the ceiling, Wilbur saw a curious object.\nBut all things are of God, who reconciled us to himself through Christ, and gave unto us the ministry of reconciliation;\nHe couldn’t piece together who committed what act of violence.\nbless them that curse you, pray for them that despitefully use you.\nAbout all Smith had previously been trained to do was salute, and the three enlisted men had been taught the additional skill of sponging out cannon barrels after they had been fired.\nAnd they laughed him to scorn, knowing that she was dead.\nShe worked slowly but steadily while the other creatures drowsed.\nand if children, then heirs; heirs of God, and joint-heirs with Christ; if so be that we suffer with him, that we may be also glorified with him.\nAnd some of them that stood by, when they heard it, said, Behold, he calleth Elijah.\nHis heels jerked back into a kick and his hands loosed the reins and the rowels of his spurs cut and drew blood.\nFor many shall come in my name, saying, I am the Christ; and shall lead many astray.\nIn like manner also there are good works that are evident; and such as are otherwise cannot be hid. \nand they rose up, and cast him forth out of the city, and led him unto the brow of the hill whereon their city was built, that they might throw him down headlong.\nWilbur ate his breakfast slowly.\nThe rig creaked into motion, the narrow wheels broke free of the mud with a sucking sound.\nAs they walked on, Rabbit said, Here's another! Here's another!\n“I like it,” said Wilbur.\nArable arrives with his .22, shoots the ...”\nInside it were leftovers from somebody’s lunch: a deviled ham sandwich, a piece of Swiss cheese, part of a hard-boiled egg, and the core of a wormy apple.\nbut when a stronger than he shall come upon him, and overcome him, he taketh from him his whole armor wherein he trusted, and divideth his spoils.\nFor John the Baptist is come eating no bread nor drinking wine; and ye say, He hath a demon.\nShe felt greatly relieved.\nso that ye come behind in no gift; waiting for the revelation of our Lord Jesus Christ;\n“C’mon, pig!” said Lurvy.\nand in him ye are made full, who is the head of all principality and power:\nAnd miles to go before I sleep,\nand did all drink the same spiritual drink: for they drank of a spiritual rock that followed them: and the rock was Christ.\n“He's terrific,” said Lurvy.\nAnd his lord commended the unrighteous steward because he had done wisely: for the sons of this world are for their own generation wiser than the sons of the light.\nidolatry, sorcery, enmities, strife, jealousies, wraths, factions, divisions, parties,\nAnd then will I profess unto them, I never knew you: depart from me, ye that work iniquity.\nHe looked very humble and very grateful.\nThe concluding sentence to the first stage of my argument was this: Come down and help us track the killers and be welcome to join Bear’s people.\nAnd he took it, and ate before them.\nBut they understood not this saying, and it was concealed from them, that they should not perceive it; and they were afraid to ask him about this saying.\nAnd Jesus said unto him, Go thy way; thy faith hath made thee whole. And straightway he received his sight, and followed him in the way. \nCookery in each town was somewhat different from the next."
  },
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    "path": "a4/chr_en_data/test.chr",
    "content": "ᎡᏆᎭᎻ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎼᏏ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᏚᏁᎭ; ᎾᏍᎩ ᏫᏓᎾᏛᏓᏍᏓᏏ.\n“ᎭᏩ ᏍᎩᏉᏗ ᏄᏍᏕᏍᏗ, ᎡᏚᏥ.” ᎤᏛᏁ ᏌᎳᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᎢᏣᏓᏄᎸᏗᏉ ᏱᎨᏎᏍᏗ, ᏗᏥᏍᏓᏩᏕᎩᏍᎩᏂ ᎨᏎᏍᏗ ᎾᏍᎩ Ꮎ ᎤᏃᎯᏳᏒ ᎠᎴ ᏗᏅᏂᏗᏳ ᎨᏒ ᎠᏅᏗᏍᎬ ᎤᎾᏤᎵ ᏄᏅᏁᎸ ᎠᏚᎢᏍᏔᏅᎢ.\nᎭᎾᎾ ᎦᏙᎬ, ᎪᎱᏍᏗ ᎠᎵᏖᎸᎮᏍᎬ ᎤᎪᎮᎢ.\nᎯᎠᏃ ᎾᏍᏉ ᏂᏙᏓᎦᏪᏎᎵ ᎠᎦᏍᎦᏂ ᎢᏗᏢ ᎠᏂᏙᎾᎢ; ᏍᎩᏯᏓᏅᏏ, ᎡᏥᏍᎦᏨᎯ, ᏫᎾᏍᏛᎾ ᎠᏥᎸᏱ ᏗᎨᏒ ᏫᏥᎶᎯ, ᎾᏍᎩ ᎠᏍᎩᎾ ᎠᎴ ᏧᏤᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎨᎪᏢᎾᏁᎸᎯ.\nᎥᏝ ᏯᎵᎮᎵᎪ ᎤᏲ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᏚᏳᎪᏛᏍᎩᏂ ᎨᏒ ᎾᎿ ᎠᎵᎮᎵᎪᎢ;\nᎾᏍᎩ ᎥᏝ ᏳᏍᎦᏅᏤᎢ, ᎥᏝ ᎠᎴ ᎦᎶᏄᎮᏛ ᏯᏥᏪᏛᎡᎴ ᎠᎰᎵ;\nᎠᎴ ᎥᏝ ᏗᎦᏓᎴᎿᎢ ᏱᏂᎬᏁᎴ ᎾᏍᎩ, ᎪᎯᏳᏗ ᎨᏒ ᏕᎦᏅᎦᎸᏓᏁᎲ ᏧᏂᎾᏫ.\nᎠᎴ ᏂᎦᏛ ᎤᏣᏔᏅᎯ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ; Ᏺ! ᏝᏍᎪ ᏂᎦᏛ ᎯᎠ ᏣᏂᏬᏂᎭ ᎨᎵᎵ ᎠᏁᎯ ᏱᎩ?\nᎠᏁᎸᏗᏍᎨ ᎤᏍᏓᏩᏛᏍᏗ ᎠᏂᏁᎬ ᏧᎵᎢ, ᎠᏎᏃ ᎨᏍᏗ ᎨᏓᎵ ᎠᎴ ᎦᏚᏏ ᎫᏩᏓᏒᏍᏗ ᏱᎨᏎ ᎢᏧ ᎴᎭ, ᎨᏍᏗ ᎫᏩᏓᏄᏖᏲᏗ ᏱᎨᏎ ᎠᏓᎾᏫᏛᏍᎬ ᏃᎴ ᎠᎵᏍᎩᏍᎬ, ᏃᎴ ᏍᏓᏯ ᎠᏦᏱᎮ. ᎨᏍᏗ ᎣᏍᏓ ᎫᏩᎪᏩᏛᏗ ᏱᎨᏎ ᏂᎦᎵᏍᏔᏂᏙᎲ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎦᏍᎩᎸ ᎢᎬᏱᏗᏢ ᏄᎾᏛᏅ, ᎠᎴ ᎪᎱᏍᏗ ᎬᏩᏛᏁᎭ ᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎢᎦ ᎠᎴ ᎡᏃᏱ ᏗᎬᏩᏜᏍᏗ; ᎠᎴ ᎾᏍᎩ Ꮎ ᎦᏍᎩᎸ ᎤᏬᎵ ᎠᏁᎲ ᎡᎮᏍᏗ.\nᎠᏂ ᎯᎠ ᎬᏂᎨᏒ ᏄᎵᏍᏔᏅᎩ ᎤᏁᎳᏅᎯ ᎢᎩᎨᏳᏒᎢ, ᎤᏁᎳᏅᎯᏰᏃ ᏧᏅᏎ ᎤᏩᏒᎯᏳ ᎤᏕᏁᎸᎯ ᎤᏪᏥ ᎡᎶᎯ ᎤᎷᎯᏍᏗᏱ, ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎬᏂᏛ ᎢᎩᏩᏛᏗᏱ, ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎬᏂᏛ ᎢᎩᏩᏛᏗᏱ.\nᎢᏳᏍᎩᏂ ᎠᏴ ᎠᏂᏍᎩᎾ ᏕᏥᏄᎪᏫᏍᎬ ᎤᏁᎳᏅᎯ ᎦᏰᏌᏛ ᏱᎬᏗᎭ, ᎥᏝ ᏳᏜᏏᏛᎭ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎢᏥᎷᏤᎸᎢ.\nᏧᎬᎢ ᎠᏆᏁᎳᏗᏍᏗ ᎠᏆᏚᎵ, ᎠᏯ ᏃᎴ ᏩᎶᏏ.”\nᎾᏍᎩ ᎢᏳᏃ ᏌᏉ ᎤᏫᏢ ᏯᎩ-ᎵᏲᎦ, ᏂᎦᏛ ᏑᏫᏢ ᎤᎾᏠᏯᏍᏗᎭ ᎠᏂᎩᎵᏲᎦ; ᎠᎴ ᎢᏳ ᏌᏉ ᎤᏫᏢ ᎦᎸᏉᏔᏅᎯ ᏱᎩ, ᏂᎦᏛ ᏚᏫᏢ ᎤᎾᏠᏯᏍᏗᎭ ᎠᎾᎵᎮᎵᎦ.\nᏦᎨᏏ ᎤᎾᏛᏁᎸᏗ ᏍᏈᏍᏓ ᎦᎳᎨᏰ ᏧᏏᏩ ᎫᎦ ᏃᎴ ᎤᎾᏗᏅᏓ.\nᎾᏍᎩᏯ ᏂᎬᏅ ᎪᏪᎸ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎼᎰᏩ ᏣᏥᏲᎯᏎᎸᎯ ᎨᎪᏎᎮᏍᏗ;\nᏚᏯᏪᏤᎢ ᏄᏍᏛᎢᏉ ᏄᎵᏍᏔᏁᎲ ᎯᎪ ᎢᎦ ᎤᎯᏐᏗ ᎢᎦ, ᎠᎦᏍᎩ, ᎤᎦᏎᏍᏕ ᎩᎶ ᎠᎩᏍᎬ ᏑᎾᎴ ᎤᎵᏍᏔᏴᏗ.\nᏯᎵᏖᎸᎮᏍᎬᎾ ᎦᏙᎨ ᏫᎵᎻ ᎤᏛᎦᏍᏕᎢ.\nᏃᏣᏢᏈᏍᏗᏍᎬᎾ ᎠᏟᎶᎥ ᏙᏱᏗᏢ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏂᏐᎢ ᏴᏫ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ; ᎤᏚᎩᏍᎩᏂ ᎣᎬᏒᎢ, ᎾᏍᎩ ᎢᏦᎯᏳᏒ ᎿᏉ ᎤᏁᏉᏨᎯ ᎨᏎᏍᏗ, ᏂᎯ ᏍᎩᏁᏉᎡᏗᏱ ᏍᎩᏍᏕᎸᏗᏱ ᏩᏍᏛ ᎢᏴᏛ ᎣᎦᏟᎶᎡᎸ ᏬᎩᎶᏒᏍᏙᏗᏱ,\nᎠᏎ ᏍᎩ ᎾᏆᏍᏗ.\nᎢᎾ ᎢᎦᏘ ᎦᏙᎬ ᏕᎧᏃᎯᏎᎲ, ᎦᎸᎳᏗ ᏫᏓᏂᎧᏅ ᎤᎾᏛᎦᏍᏛ ᎠᏂᏍᏆᏂᎪᏍᎬ.\nᏕᏥᏯᏥᎶᏍᏛ ᎤᏛᏐᏅ ᎤᏬᏢ ᏧᏬᏪᎶᏗ ᎦᏣᏄᎳ ᏕᎪᏪᎵᏍᎬ, ᎾᎥᏂᎨ ᏗᎦᎶᎩᏍᎩ ᏥᎦᏓᎷᎩᏍᎪ ᎤᏣᎴᏛ ᎠᏫᏒ ᏣᏓᏪᎳᎩᏍᎪ ᏙᎴᏛ ᎦᏓᏁᎯ ᎬᏗ, ᎤᏁᎦ ᎤᏍᏘᏰᏅ ᏃᎴ ᎠᏄᎴᎲ ᎦᏃᎯᎵᏙᎲ, ᏗᎬᏂᎨ ᎢᏧᎵᏍᏔᏅ ᏓᏴᏈᏛ ᏫᏚᏓᎨᎬ ᎦᏐᎯ ᎣᎭᏁ, ᎧᏁᏍᎦ ᎦᏗᏍᎬ ᎢᎬᏓ.\nᏧᏪᏥ ᏗᎦᏅᏙᏗ ᏗᎦᎾᎥ ᏫᏚᎧᎾᏁ.\nᎠᎾᎵᏍᏓᏴᎲᏍᎬᏃ ᏥᏌ ᎦᏚ ᎤᎩᏒ, ᎠᎴ ᎤᎵᎮᎵᏨ, ᎤᎬᎭᎷᏰᎢ, ᎠᎴ ᏚᏁᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏥᎩ, ᎢᏥᎦ; ᎯᎠ ᎾᏍᎩ ᎠᏴ ᏥᏰᎸᎢ.\nPerry ᏚᏴᎡᎸ ᎦᏟᏣᏗ ᏃᎴ ᏗᎦᏟᏓ ᎠᏍᎦᏯ ᏗᎦᏁᎯ, ᎦᏓᏁ ᏥᏔᎦ ᏧᎩᏓᏟ ᎾᏍᎩᏯ ᏂᏚᏍᏛ ᏗᎦᏟᏓ ᏂᏕᎬᏅ ᏧᎩᏓᏟ.\nᎨᏍᏗ ᎬᏆᏙᏗ ᏱᎩ.\nᎾᏍᎩᏃ ᎾᎢᏧᎳᎭ ᎠᏂᏂᏜᎢ ᎠᎾᎵᏍᏓᏴᎲᏍᎬ ᎤᎾᎴᏅᎮ ᏙᏧᎾᏓᏅᏛ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎦᎪ ᎾᏍᎩ ᎯᎠ, ᎠᏍᎦᏅᏨ ᎾᏍᏉ ᏥᏕᎦᏙᎵᎦ?\nᎾᏍᎩ ᎯᎠ ᏦᎢ ᏄᎵᏍᏔᏁᎢ, ᎿᏉᏃ ᎠᏖᎵᏙ ᏔᎵᏁ ᎦᎸᎳᏗ ᏫᎤᎵᏌᎳᏓᏁᎢ.\nᎢᏳᏃ ᏦᏰᏂ ᎯᎦᏘᏏ ᏕᏦᏕᏍᏗᏍᎨᏍᏗ, ᎯᏍᏆᎵᏍᎨᏍᏗ, ᎠᎴ ᏣᏕᎨᏍᏗ; ᎣᏏᏳᏰᏃ ᎢᏣᎵᏍᏓᏁᏗ ᏌᏉᏉ ᏣᎵᎬᎭᎸᏛ ᏱᏣᏲᎱᏎᎭ, ᎠᏃ ᎤᏃᏍᏛ ᎯᏰᎸ ᏨᏍᎩᏃ ᏫᏰᏣᏓᎢᏁᎭ.\nᎨᏍᏗ ᎬᏅᎢ ᎢᎪᎯᏓ ᏱᏪᏙᎮᏍᏗ ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᎠᏎᏃ ᏥᎾᏰᏍᎦ, ᎾᏍᎩᏯ Ꮎ ᎢᎾᏛ ᏧᎶᏄᎮᎴ ᎢᏫ ᎠᏏᎾᏌᏅ ᏥᎬᏗᏍᎨᎢ, ᎾᏍᎩᏯ ᏕᏣᏓᏅᏛ ᏱᏓᎪᎸᎾ ᏗᏥᏲᎯᏍᏗᏱ ᏱᏂᎬᎦ ᏄᏠᎾᏍᏛᎾ ᎨᏒ ᎦᎶᏁᏛ ᎤᏤᎵᎦ..\nᏝᏍᎪᏃ ᏱᏥᎪᎵᏰᎣ ᎯᎠ ᎾᏍᎩ ᏥᏂᎬᏅ ᏥᎪᏪᎳ? ᎾᏍᎩ ᏅᏯ, ᏗᎾᏁᏍᎨᏍᎩ ᎤᏂᏲᎢᏎᎸᎯ ᏄᎬᏫᏳᏒ ᎤᏅᏏᏴ ᎠᏗ ᏄᎵᏍᏔᏅ;\n“Ꭳ ᏌᎳᏓ,” ᎤᏛᏁ.\n“ᎠᎩᏯᏂᏍᎬ ᎮᏂᎵ ᎣᎩᎾᎩᎸᏙᏗ ᎠᏗᏆᎸᏕᏲ ᎦᏆᏘ, ᎠᏎᏃ ᎡᎵᏍᏗ ᎨᏍᏗ ᏱᏚᎭ ᎠᏕᎳ.\nᎢᏥᏔᏲᎭ, ᎠᏎ ᏓᏰᏥᏁᎵ; ᎢᏥᏲᎦ, ᎠᏎ ᏓᏥᏩᏛᎯ; ᎢᏨᏂᎦ, ᎠᏎ ᏓᏰᏥᏍᏚᎢᎡᎵ.\nᎾᏍᎩ Ꮎ ᎡᏙᏓ ᏗᎩᎧᏁᎸᎯ ᎤᏟ ᎤᎵᏂᎩᏗᏳ ᎡᏍᎦᏉ ᎾᏂᎥᎢ, ᎥᏝᏃ ᏰᎵ ᎩᎶ ᎡᏙᏓ ᏗᎬᏩᏛᎦᎸᏙᏗ ᏱᎩ.\nᏄᏩᏁᎰᎾ ᏕᎪᏣᎳᎩᏍᎬ, ᎯᎠ ᏄᏍᏕ ᏚᏏᎳᏛ: ᏧᏓᎴᏅᏓ ᏕᎪᏒᏍᎦ ᏧᏏᎳᏛᏙᏗ ᎠᏍᏓ ᎧᏅᏂᏍᎩ.\nᏱᎪᎯᎸᎾ ᏍᏈᏍᏓ ᎨᏎᎢ ᎤᏃᎴ ᏗᏲᏙᏗ ᏗᎦᏁᎯ ᎧᏅᏂᏍᎩ.\nᎯᎠ ᎾᏍᏉ ᏯᎦᏔᎭ, ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏓᏅᏘ ᏴᏫ ᎠᎪᏢᎾᏁᎸᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᏗᎧᎿᏩᏛᏍᏗᏍᎩᏂ ᏂᏚᎾᏁᎶᏛᎾ, ᎠᎴ ᏄᏃᎯᏳᏒᎾ, ᎤᏁᎳᏅᎯ ᏂᏚᎾᏁᎶᏛᎾ, ᎠᎴ ᎠᏂᏍᎦᎾᎢ, ᎠᏂᎦᏓᎭᎢ, ᎠᎴ ᎣᏍᏛ ᎨᏒ ᎠᏂᏂᏆᏘᎯ, ᏧᏂᏙᏓ ᏗᏂᎯᎯ ᎠᎴ ᏧᏂᏥ ᏗᏂᎯᎯ, ᏴᏫ ᏗᏂᎯᎯ,\nᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᎩᎾᎵᎢ, ᎦᏙᏃ ᎠᏂ ᎥᎯᏴᎵᎦ ᏂᏣᏄᏩᎥᎾ ᎢᎩ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎠᏄᏬᏍᏗ? ᎡᎳᏪᏱᏉᏃ ᎨᏎᎢ.\nᏕᏣᏓᏲᎵᎸᎭ ᎢᏨᏔᏅᎭ ᎠᏓᎨᏳᏗ ᏗᏓᏙᏪᏙᎥᏍᏗ ᎨᏒᎢ. ᏅᏩᏙᎯᏯᏛ ᎢᏤᎳᏗᏙᎮᏍᏗ ᏂᏥᎥ ᏥᏌ ᎦᎶᏁᏛ ᎡᏥᏯᎢ. ᎡᎺᏅ\nXIII. ᎣᏍᏓ ᎠᏰᎵᏒ  \nᏂᎦᎥᏰᏃ ᏓᏓᏁᎸ ᎩᎶ ᏧᏬᏢᏅᎯ ᎨᏐᎢ; ᎾᏍᎩ Ꮎ ᏂᎦᎥ ᏧᏓᎴᏅᏛ ᎤᏬᏢᏅᎯ ᎨᏒ ᎤᏁᎳᏅᎯ.\n“ᎦᏙᏃ ᏍᎩᎦᎢ ᏂᏍᏆᏛᏁᎴ?” ᎤᏛᏛᏁ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ; ᏝᏱᏥ ᎦᏔᎭ ᏄᏍᏛ ᎢᏥᎳᏲᎯᎲᎢ. ᏥᎪᏰᎵᏉ ᎨᏣᏗᏔᏍᏗ ᎤᎵᏍᏈᏗ ᎠᏟᏍᏛ ᎠᏴ ᏨᏓᎦᏗᏔᎯ, ᎠᎴᏍᎪ ᏰᎵᏉ ᏱᏕᏣᏬᏍᏓ ᎠᏴ ᎾᏍᎩ ᏨᏓᏴᏆᏬᏍᏔᏂ? ᏰᎵᏉ, ᎤᎾᏛᏅᎩ.\nᎤᎾᏚᎩᏒᏃ ᎤᏂᎪᎲᎩ ᎠᏥᎸᎭ ᎪᏛᎩ, ᎠᏣᏗᏃ ᎥᎬᏓᎥᎩ, ᎠᎴ ᎦᏚ ᏓᎲᎩ.\nᎤᏍᏓᎸᏍᎩᏂᏃᏅ ᎠᏆᎴᏂᏓᏍᏗᏱ ᎤᏟ ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏂᎯ.\n“ᏚᎦᏯᎷᏛ ᏫᎦᏓᎡᎢ, ᏃᎴ ᎦᏂᏓᏛ ᎦᎵᏣᎬᏗᏍᎨᎢ ᏃᎴ ᎤᏔᎷᎩᏍᎨ ᏅᏙ ᎠᎦᎵᏍᎬᎢ.\nᎿᏉᏃ ᎣᎩᎪᎲ ᏌᏈ, ᎠᎴ ᎠᎦᏘᏏᏗᏢ ᎣᎩᎶᏒ, ᏏᎵᏱ ᏬᎩᏅᏍᏔᏅᎩ, ᏓᏯᏃ ᎣᎦᏣᎢᏒᎩ; ᎾᎿ ᏰᏃ ᏥᏳ ᎤᎵᏁᏌᎸ ᎤᎵᏁᏌᎴᏍᏗ ᎨᏒᎩ.\nᎾᏍᎩᏃ ᎯᎠ ᏂᏥᏪᎭ, ᎠᎴ ᎢᏨᏁᏤᎭ ᎤᎬᏫᏳᎯ ᏚᏙᎥ ᎬᏗᎭ, ᎾᏍᎩ ᏂᎯ ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎢᏤᎲ ᏞᏍᏗ ᎠᏂᏐᎢ ᏧᎾᏓᎴᏅᏛ ᎠᏁᎲ ᎾᏍᎩᏯ ᏱᏄᏍᏕᏍᏗ, ᎾᏍᎩ ᎤᏁᎫᎯᏳ ᎨᏒ ᏚᎾᏓᏅᏛ ᎠᏂᏍᏓᏩᏗᏒᎢ,\nᏝᏍᎪ ᎾᏍᏉ ᏱᏥᎪᎵᏰᎣ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎾᏍᎩ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ ᎤᏛᎾ ᏗᎦᏔᏫᎢᏍᏗᏱ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎤᎾᏙᏓᏆᏍᎬ ᎠᏂᏲᏍᏗᏍᎬ, ᎠᎴ ᎤᏂᏍᎦᏅᏨᎯ ᏂᎨᏒᎾ ᎨᏒᎢ\nᎯᏔᎷᎩᏍᎩ ᏤᏣᎧᏃᏗ ᎨᏎᏍᏗ ᏫᎵᎻ! \nᏕᎯᎦᏔᎭ ᏗᎧᎿᏩᏛᏍᏗ, ᎾᏍᎩ, ᏞᏍᏗ ᏣᏓᏲᏁᎸᎩ, ᏞᏍᏗ ᏣᏓᎸᎩ, ᏞᏍᏗ ᏣᏃᏍᎩᏒᎩ, ᏞᏍᏗ ᎦᏰᎪᎩ ᏣᏃᎮᎸᎩ, ᏞᏍᏗ ᏣᏓᎶᏄᎮᎸᎩ, ᏣᏙᏓ ᎠᎴ ᏣᏥ ᏕᎯᎸᏉᏕᏍᏗ.\nᎿᏉᏃ ᎾᏍᎩ ᎠᏛ, ᎦᎶᎯᏍᏗᏱ ᎠᎦᏘᏯ, ᎯᎠ ᏄᏪᏎᎸ ᏈᏓ; ᏂᎯᎧ ᎾᏍᏉ ᎯᎠ ᎠᏍᎦᏯ ᎯᏍᏓᏩᏗᏙᎯ? ᎥᏝ, ᎤᏛᏅᎩ.\nᎾᏍᎩᏰᏃ ᎯᎠ ᏄᏍᏗ ᎤᏁᎳᏅᎯ ᎠᎨᏳᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏗᎩᏍᏆᏂᎪᏙᏗᏱ ᏧᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ; ᎤᏤᎵᏃ ᏗᎧᎿᏩᏛᏍᏗ ᎥᏝ ᎦᎨᏗᏳ ᏱᎩ.\nᎨᏍᏗ ᎯᎸ ᏍᎩᎾᎾ ᎢᏲᏍᏓ ᏱᎩ ᎠᎫᏪᏅᏒ, ᎤᏪᎵᏎ ᏫᎵᎻ, ᎤᏅᏏᏴ ᎤᏩᏙᎯᏴᏓ ᎨᏒ ᏫᏚᏍᏆᏂᎪᏔᏁᎢ ᎯᏍᎩᏍᏆ ᏂᎦᏚ ᎢᏯᏂ ᎤᎾᏕᏅ ᏱᎨᏒᎾ ᏌᎳᏓ ᏧᏤᎵ ᏗᏂᏲᏟ.\nᎦᎸᏙᏟ, ᏓᎶᏂᎨ ᎤᏍᏘᏰᎩ, ᏗᎨᏯᏔᎯ ᏤᏆ ᏧᏬᏰᏂ ᏃᎴ ᏗᎦᏅᎯᏛ ᏧᎳᏏᏕᏅ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏤᏪᏎᎭ, ᎪᎯ ᏣᏁᎭ ᎥᏝ ᏴᏛᏂᎶᏐᏂ ᎬᏂ ᎾᏍᎩ ᎯᎠ ᏂᎦᏗᏳ ᏂᎦᎵᏍᏔᏅᎭ.\nᏑᎾᎴ ᏍᎩᎪᏩᏛᎲ.”  \nᎾᎿᏃ ᎠᏃᎯᏳᎲᏍᎩ ᎠᏁᎲ ᎪᎯᏗᏳ ᎤᎾᏕᏁᎢ.\nᎿᏉᏃ ᎬᏔᏲᏎᎭ ᎯᎨᏴ, ᏗᎦᎵᎨᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ; ᎥᏝ ᎠᏗᎾ ᎢᏤ ᏗᎧᎿᏩᏛᏍᏗ ᏥᎬᏲᏪᎳᏁᎰ ᎢᏳᏍᏗ ᏱᎩ, ᎾᏍᎩᏉᏍᎩᏂ ᏥᏁᎩᎰᎢ, ᏗᎦᏓᎨᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ.\nᏚᎧᏁᎩᏎ ᎠᏍᏓ ᏧᏆᏴᏍᏗ, ᏧᏪᏅᏒ ᎱᏪᏅᏎᎢ.\nᎠᎴ ᎬᏂᏳᏉ ᎯᎠ ᏅᏧᏪᏎ ᎦᎸᎳᏗ; ᎯᎠ ᏥᎨᏳᎢ ᎠᏇᏥ, ᎾᏍᎩ ᎣᏏᏳ ᏥᏥᏰᎸᎠ.\nᏡᎬ ᎣᏍᏛ ᏂᏨᎦ ᎤᏛᏃ ᎣᏍᏛ, ᎠᎴ ᏡᎬ ᎤᏐᏅ ᏂᏨᎦ ᎤᏛᏃ ᎤᏐᏅᎢ; ᏡᎬᏰᏃ ᎪᎵᏍᏙᏗ ᎨᏐ ᏄᏍᏛ ᎤᏛᎢ.\nᏐᏉ ᏑᎾᎴᎢ ᎤᎾᏓᎪᎾᏙᏗ ᎤᏛᏛᏁᎢ ᏫᎵᎻ.\nᎤᏅᏗ ᏧᎾᏦᏴᏍᏗ ᎬᏗ ᎦᏬᏍᎬ ᎤᏤᎵ ᏏᏆ ᎦᏓᎭ ᏱᏄᎵᏍᏔᎾ-- ᎩᎳ ᎦᏅᏓᏓ.”\nᎤᎴᏨᏃ ᎠᎴ ᎤᏪᏯᏁᏒ, ᏚᎴᏔᏁᎢ; ᎤᏗᎴᎲᏍᎬᏃ ᎩᎳᏉ ᎢᏴᏛ ᎤᏗᏩᏎᎢ, ᎠᎴ ᏚᏍᏕᎸᎯᏙᎴᎢ.\nᎠᏗᎾ ᎢᏣᏙᎴᎰᎯᏍᏗᏱ ᏴᏫ ᎤᏪᏥ ᎠᏍᎦᏅᏨ ᎬᏩᏓᏙᎵᏍᏗ ᎨᏒ ᎠᏂ ᎡᎶᎯ, ᎿᏉ ᎯᎠ ᏄᏪᏎᎴ ᎤᎸᏓᎸᎥᏍᎩ; ᏔᎴᎲᎦ, ᏣᏤᏍᏙ ᎯᎾᎩ, ᎠᎴ ᏗᏤᏅᏒ ᎮᎾ.\nᏲᎾ, ᎦᏚᏏ ᏫᎦᏂᎩᎴ ᎢᎪᎯᏓ ᏃᎴ ᎡᏘᏴ ᏄᎾᏛᏁᎵᏙᎸ ᏚᏍᏆᏂᎪᏕ, ᎨᏍᏗ ᎠᏂᏐ ᎤᎾᏂᎩᏌ ᏱᏚᏍᏓᏩᏕᏅ, ᎤᏲ ᎤᏓᏅᏘ ᏚᎦᏎᏍᏔᏁ.\nᎦᏥᏯᏙᎵᎦ ᎤᏂᏣᏘ ᎨᏒᎢ, ᏅᏗᎦᎵᏍᏙᏗ ᎿᏉ ᏦᎢ ᎢᎦ ᎢᏧᎳᎭ ᎣᎨᏙᎸᎢ ᎠᎴ ᏄᏂᎲᎾ ᎨᏒ ᎤᎾᎵᏍᏓᏴᏗ;\nᎾᏍᎩᏃ ᎤᏂᎪᎲᎯ, ᎬᏩᏂᏃᏁᎴ ᏄᎵᏍᏓᏁᎸ ᎠᏂᏍᎩᎾ ᎬᏩᏴᎸᎯ, ᎠᎴ ᎾᏍᏉ ᏏᏆ ᏄᎾᎵᏍᏓᏁᎸᎢ.\nᎢᏴᏛᏰᏃ ᏂᏨᏁ ᎤᏁᎳᏅᎯ ᎤᏁᏨᎯ, ᏴᏫ ᎤᏂᏁᏨ ᏗᎧᎿᏩᏛᏍᏗ ᏂᏨᏁᎭ, ᎾᏍᎩ ᏗᏖᎵᏙ ᎠᎴ ᏧᎵᏍᏈᏗ ᏗᎫᎯᎶᎥᎢ; ᎠᎴ ᎤᏣᏔ ᏄᏓᎴᎭ ᎾᏍᎩᏯ ᎤᏠᏱ ᏕᏥᎸᏫᏍᏓᏁᎰᎢ.\nᎢᏦᎯᏳᏒᏰᏃ ᏚᏃᏣᎶᏨ ᎾᏂᎥ ᏴᏫ ᎠᏁᎲᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎦᎵᎮᎵᎦ ᏂᎯ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ; ᎠᏎᏍᎩᏂᏃᏅ ᎠᏆᏚᎵᎭ ᎢᏥᎦᏔᎾᎢ ᎢᏣᎵᏍᏙᏗᏱ ᎣᏍᏛ ᎨᏒ ᎤᎬᏩᎵ, ᎠᏃ ᎤᏲ ᎨᏒ ᎤᎬᏩᎵ ᏂᏥᎦᏔᎾᎥᎾ.\nᎾᏍᎩᏃ ᎤᎾᏛᎦᏅ ᎬᏅᎢ, ᎠᎴ ᎾᏍᎩ ᎤᎪᎲᎢ, ᎥᏝ ᏳᏃᎯᏳᏁᎢ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎡᎮ ᏏᏌᎵᏱ, ᎧᏂᎵᏯ ᏧᏙᎢᏛ, ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ, ᎨᎳ ᎢᏓᎵ ᏧᎾᏙᎢᏛ ᎤᎾᏓᏡᎬ.\nᎦᎸᎳᏗᏣ ᏪᏙᎮ ᏲᎾ ᎤᏤᏍᏙ ᏓᏍᏕᏓᎵᏴᏍᎨ ᏧᎳᏑᎶ.\nᎯᎠ ᎾᏍᏉ ᏄᏪᏎ ᏚᏟᎶᏍᏓᏁᎴᎢ; ᎩᎶ ᎢᏳᏍᏗ, ᎡᎦᏔ-ᎢᏳᏍᏗ ᏡᎬ ᎤᏫᏎ ᏖᎸᎳᏗ ᏚᏫᏒᎢ; ᎤᎷᏤᏃ ᎤᏲᎴ ᎤᏓᏔᏅᎯ, ᎠᎴ ᎥᏝ ᏳᏩᏛᎮᎢ.\nᏂᎦᏛᏃ ᎠᏆᏤᎵᎦ ᏂᎯ ᏣᏤᎵᎦ, ᏂᎯᏃ ᏣᏤᎵᎦ ᎠᏴ ᎠᏆᏤᎵᎦ; ᎠᎴ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎥᎩᎸᏉᏗᎭ.\nᏈᎵᎩ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏔᎵᏧᏈ ᎠᏂᎩᏏ ᏧᎾᎬᏩᎶᏗ ᏧᎬᏩᎶᏗ ᎦᏚ ᎥᏝ ᏰᎵ ᏱᎦᎩ, ᎾᏍᎩ ᎠᏂᏏᏴᏫᎭ ᎤᏍᏗ ᎤᏂᎩᏒᏍᏗᏱ.\nᏙᏱᏢᏃ ᏭᎶᏒ ᏅᏩᏓᎴ ᎤᎪᎮᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴ ᎾᎿ ᎠᏁᏙᎯ; ᎾᏍᏉ ᎯᎠ ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ ᏓᏁᏙᎲᎩ.\nᎡᎳᏗ ᎠᎩᎶᏫᏍᏗ ᎤᎾᏅᏗ ᏫᎦᎷᎩ.\nᏃᎴ ᏄᏓᎴᎯ ᎧᏅᏂᏍᎩ.\nᎿᏉᏃ ᏣᏂ ᏂᏙᏓᏳᏅᏏᏛ ᎢᎤᏁᏅ, ᎤᎴᏅᎮ ᏣᏂ ᏚᏁᎢᏍᏓᏁᎴ ᏴᏫ; ᎦᏙ ᎢᏣᎦᏔᏅᏎ ᎢᎾᎨᎢ? ᏩᏐᎾᏍᎪ ᎤᏃᎴ ᎤᏖᎸᎮᏍᎬᎢ?\nᎠᏎᏃ ᎥᏝ ᏳᏃᎵᏤ ᎾᏍᎩ ᏂᏚᏪᏎᎸᎢ.\nᎤᏙᎯᏳᎯᏍᎩᏂᏃᏅ ᎤᏲ ᎢᏨᏯᏓᏅᏓᏗᏍᏔᏅᎩ ᎪᏪᎵ ᏫᏨᏅᏁᎸᎢ, ᎥᏝ ᎤᏲ ᏯᎩᏰᎸᎭ, ᎤᏲᏍᎩᏂᏃᏅ ᎠᎩᏰᎸᏒᎩ; ᎢᏥᎪᏩᏘᏰᏃ ᎾᏍᎩ ᎤᏲ ᎢᏣᏓᏅᏓᏗᏍᏯᏅᎢ, ᎠᏎᏃ ᏞᎦᏉ.\nᎠᏎᏃ ᏲᏥᎦᏔ ᎤᏙᎯᏳᎭ ᎠᏂᏃᎮᏍᎬ, ᎨᎵᏍᎬᏃ ᎠᏎᏉ ᎠᏂᏃᎮ.\nᎤᏩᏅᏓᏕᎢ ᏰᎵ ᏎᎦ ᏳᎦᎾᏅᎾ ᏱᎩ, ᎡᎳᏗ ᏂᎦᎵᏍᏗᏍᎨ ᎠᎹ.\nᎾᏍᏉ ᎠᎴ Ꮎ ᏔᎵ ᎢᏯᎦᏴᎵ ᏣᏥᏁᎸᎯ ᎾᏍᏉ ᏔᎵ ᎢᏯᎦᏴᎵ ᎤᏁᏉᏤᎴᎢ.\nᎿᏉᏃ ᏌᏚ ᎢᏯᏂᏛ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎨᎵᎵ ᎤᏁᏅᏒᎩ ᏦᏓᎸ ᏥᏌ ᎤᎾᏎᎮᎸᎢ.\nᎿᏉᏃ ᎠᏂᏧᏏ ᎯᎠ ᏄᏂᏪᏒᎩ, ᏥᎪ ᎤᏩᏒ ᏛᏓᎵ? ᎯᎠ ᏥᏂᎦᏪᎭ; ᏫᏥᎦᏛ ᎥᏝ ᏫᏴᎨᏥᎷᎩ.\nᏃᏉ, ᎤᏁᎦᎸ ᏩᏍᏘ ᎦᏓᏁ ᏄᎵᏍᏔᎾ, ᎤᎴᏫᏍᏔᏅ ᎠᎦᏍᎬ, ᎤᎧᎭᏙᏅ.\nᎬᏩᎵᎥᏂᏍᏗᏱᏃ ᎬᏩᏘᏃᎸ, ᏉᎳ ᎯᎠ ᏄᏪᏎᎸᎩ ᎾᎥ ᎦᏙᎩ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ; ᏰᎵᏉᏍᎪ ᏗᎧᎾᏩᏛᏍᏗ ᏂᎬᏅ ᎦᏰᏥᎵᎥᏂᏍᏗ ᎠᏍᎦᏯ ᎠᎶᎻ, ᎤᏍᎦᏅᏨ ᏧᏚᎪᏔᏅᎯ ᏂᎨᏒᎾ ᏱᎩ?\n”ᏕᎷᎨ ᎤᎵᏑᏫᏓ ᎯᏅᎪᎢ!” ᎤᏪᎷᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏣᏄᏏ ᎤᏩᏌ ᎤᏪᏅᏎ, ᏚᎦ ᎤᏪ ᏧᎵᎢ ᎤᎾᏛᏁᎸᏗ.\nᎤᏒᏙᏂ ᎠᏓ ᎤᏂᏴᏩᏛᎮ.\nᎾᏍᎩ ᎤᏩᏒ ᎨᏒ ᎤᎩᏎ ᎢᏗᏍᎦᎾᎯᏳ ᎨᏒ ᎤᏩᏒ ᎠᏰᎸ ᏞᎬ ᏧᎩᎵᏲᏤᎢ, ᎾᏍᎩ ᎠᏴ ᏗᎩᏲᎱᏒᎯ ᎨᏒ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎢᏗᏢ, ᏗᏛᏃᏛ ᎢᏳᎵᏍᏙᏗᏱ ᏚᏳᎪᏛ ᎢᏗᏢ ᎨᏒᎢ; ᎾᏍᎩ ᎠᏥᎵᎥᏂᎸᎢ ᎢᏣᏗᏫᏍᏗᎭ.\nᎢᎪᎯᏓ ᏓᏥᏍᏆᏂᎪᏔᏂ ᏥᏯᏅᏓᏗᏍᎬ.\nᎤᎵᏒᏅ ᎤᏩᏇᏅᏛ ᎤᏤᏍᏛᏙᏗ, ᎤᏪᏅᏒ ᎠᏥᎨᎯᏙᎸ.\nᎭᎾᎾ, ᎠᏰᎵ ᏚᏏᎳᏛ ᎧᏃᎮᏓ ᎪᏪᎴ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎼᏏ ᎤᎵᏍᎪᎸᏔᏁ ᎪᏪᎶᏗᏱ ᏙᎦᎴᏅᎲᎢ, ᎠᎴ ᎠᏓᎢᏅᏗᏱ.\nᎪᎱᏍᏗᏃ ᏄᏂᎲᎾ ᎨᏒ ᎤᎾᎫᏴᏙᏗ, ᏚᏲᏎᏉ ᎢᏧᎳ. ᎾᏍᎩᏃ ᏍᎩᏃᎲᏏ, ᎦᎪ ᎾᏍᎩ ᎤᏟ ᏄᏓᎨᏳᏎᏍᏗ?\nᎤᏍᎦᏃᎳ ᎤᏍᏚᏤ ᏫᎵᎻ ᎤᏅᏗ ᏧᎾᏦᏴᏍᏗ ᎠᏍᎪᎵ ᏃᎴ ᎦᏐᎯ, ᎢᏧᎳ ᎢᏣ ᎠᏰᎸᎢ ᏃᎴ ᎤᎧᏛ ᏫᎦᏩᏙᎣᏍᎨ ᎠᎾᏍᎪᎵᏰᏍᎨ ᎤᏳᏩᏅ ᏃᎴ ᎤᏁᎦᎸ ᎠᎳᏂ ᏃᎴ ᎰᎻ.\nᎤᏩᏙᎯᏴᏓ ᏃᎴ ᎤᎵᎮᎵᏍᏗ ᏃᎴ ᎦᏢᏍᎩ ᎨᏎᎢ.\n”ᎭᎴᏫᏍᏓ ᎪᎱᏍᏗ ᏄᏰᎸᏛᎾ, ᏫᎵᎻ!” ᎤᏛᏁ ᎤᏔᎾᏱᎨ ᎤᏃᏕᎾ.\nᎪᎯᏳᏗ ᎨᏒ ᎾᏍᏉ ᎬᏗᏍᎬ ᏎᎵ ᎤᏩᏒ ᏧᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᎠᏲᎵ ᏧᎾᏄᎪᏫᏎ ᎿᏉ ᏧᏓᎾᏄᎪᏫᏍᏗᏱ ᎤᎶᏐᏁᎸᎯ ᏥᎨᏎᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏄᏓᎵᏓᏍᏛᎾ ᎤᏰᎸᏅ ᎾᏍᎩ Ꮎ ᎤᏚᎢᏍᏔᏅᎯ ᎨᏒᎢ.\nᎠᏎᏃ ᎠᏴ ᎯᎠ ᏂᏥᏪᎭ, ᏝᏍᎪ ᏳᎾᏛᎦᏅ? ᎥᎥ, ᎤᏙᎯᏳᎯ, ᎤᎾᏓᏃᏴᎵᏍᏛ ᏚᏰᎵᏒ ᎡᎳᏂᎬᎢ, ᎠᎴ ᎠᏂᏬᏂᏍᎬ ᎡᎶᎯ ᏩᏍᏛ ᎢᏴᏛ ᏚᏰᎵᏒ.\n“ᏤᏍᏗ ᏯᎵᏖᎸᎮᏍᎨᏍᏗ ᏧᏍᏆᏴᏍᏗ!” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᏥᏅᏍᏓᏕᎳ ᎤᎾᏕᎬ, ᎠᏎᏃ ᎨᏍᏗ ᏳᏲᎯᏍᏔᎾ, ᎤᎵᏍᎦᏎᏓᏁ ᎠᏥᏅᏍᏔᏕᎲ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ ᏂᏗᎥ ᎢᏗᏏᏴᏫᎭ ᎨᏒ ᎬᏂᎨᏒ ᎢᏰᏛᏁᏗ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᏂᎦᏛᏁᎵᏙᎸᎢ.\nᎯᎠᏰᏃ ᏂᏨᏪᏎᎭ; ᎥᏝ ᏴᎨᏍᎩᎪᏩᏛ ᎪᎯ ᎢᏳᏓᎴᏅᏛ, ᎬᏂ ᎯᎠ ᏂᏥᏪᏒᎭ; ᎠᏥᎸᏉᏗᏳ ᎾᏍᎩ ᏱᎰᏩ ᏕᎤᏙᎥ ᏥᎦᎷᎯᏍᏗᎭ.\nᎤᏁᏨᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎥᏝ ᎩᎶ ᏗᏥᏩᏛᏗᏱ ᏴᎩᏁᏤᎸ, ᎠᏫ ᎤᏂᏃᏕᎾ ᎤᎾᎴᎾᎸᎯ ᎤᏅᏒ ᎢᏏᎵ ᏏᏓᏁᎸᎯ ᎬᏒᎢ.\nᎢᏨᎨᏳᎢ, ᏕᎦᏓᎨᏳᏎᏍᏗ; ᎠᏓᎨᏳᏗᏰᏃᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏓᏳᏓᎴᏅᎯ, ᎩᎶᏃ ᏧᏓᎨᏳᏐ ᎤᏁᎳᏅᎯ ᎤᎾᏄᎪᏫᏒᎯ ᎨᏐᎢ, ᎠᎴ ᎠᎦᏔᎰ ᎤᏁᎳᏅᎯ.\nᎠᎴ ᎾᏍᎩ ᎾᏍᏉ ᎡᏆᎭᎻ ᏂᎦᏛ ᏧᎬᏩᎶᏗ ᎠᏰᎲ ᎠᏍᎪᎯᏁ ᎪᏣᎴᏛ ᏧᏁᎸᏁᎢ; ᎢᎬᏱᏱ ᎨᏒ [ᏚᏙᎥ] ᎠᏁᏢᏔᏅᎯ ᎨᏒ ᎤᎬᏫᏳᎯ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ ᎦᏛᎦ, ᎣᏂᏃ ᎾᏍᏉ ᏎᎳᏂ ᎤᎬᏫᏳᎯ ᎠᎪᏎᎭ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏅᏩᏙᎯᏯᏛ ᎤᏚᎵᏍᎩ ᏥᎦᏛᎦ.\nᏣᎵ ᎤᏌᎵᏓᏁ ᎤᏔᏂᏓ ᏅᏯ, ᏔᎷᎩᏍᎩ ᎠᏍᏚᎩᏍᏗ ᎬᏗ ᏍᏗᏫ ᎤᏪᏍᎯᏔᏁ ᎤᏔᏂᏓ ᎢᎾᏓ ᎠᏍᎪᎵ.\nᏚᎾᏦᏝ ᎧᏅᏑᎸ ᎠᏂᏯᎥ, Amy ᏃᎴ Ginger, ᏃᎴ Amy ᎤᎾᎵᎪᏒ ᎠᏫᎾ ᎬᏆᎧᏙᏍᏛᎢ.\n“Ꭵ, ᎤᏙᎯᏳ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎡᏝᏪ ᎨᏎᏍᏗ!\nᎣᏂᏱᏃ ᎤᏪᏥ ᎤᏅᏎᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎠᏎ ᏛᏂᎸᏉᏔᏂ ᎠᏇᏥ.\nᎤᎪᎵᏰᎡ ᏚᏙᎥ ᎦᏯᎸᏅ ᏌᎳᏓ.\n“ᎠᎬᏱ, ᏫᎦᏓᎾᏫᏗᏍᎪ ᏛᎦ ᏧᎩᎸ ᎢᏣ.\n“Ꭷ!” ᎤᏛᏁ ᏌᎳᏓ.\nᏥᏅᏁᎸ ᎪᏪᎵ ᏃᎴ ᏥᏃᎯᏎᎸ ᎢᏳᏍᏗ ᎢᏯᏛᏁᎵᏓᏍᏗ - ᎤᏟᏍᏔ ᎠᎩᏁᎢᏍᏔᏅ ᎠᏁᎯᏯ ᏃᎴ ᎤᏅᏌ ᎤᎾᏤᎵ ᎨᏒ ᎦᏙ - ᏂᏚᏍᏛ ᏤᎩᏏᏂ ᏗᎦᏙᎵ ᏰᎵᏉ ᎠᏂᏔᎵ ᎢᏯᏂ ᏧᎯᏍᏗ.\nᎾᎦᏛᏰᏃ ᎤᏚᎢᏍᏔᏅᎢ ᎤᏁᎳᏅᎯ ᎾᏍᎩ Ꮎ ᎢᏳᏩᏂᏌᏛ, ᎥᎥ ᎬᏛᏗ, ᎠᎴ ᎤᏙᎯᏳᎯᏯ ᎨᏐ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ, Ꮎ-ᏍᎩ ᎤᏁᎳᏅᎯ ᎠᏥᎸᏉᏙᏗᏱ ᎠᏴ ᎢᏲᎬᏁᏗᏱ.\nᏫᎦᎢᏒ ᎠᎩᏒᏍᏗ ᎠᏆᏂᎩᏛ ᏓᎭᏃᏫ ᎠᎾᏓᏅᏖᎵᏙ ᏧᏂᎸᏫᏍᏔᏁᏗ, ᏴᏫ ᎨᏍᏗ ᏳᎾᏕᎶᎰᏌ ᏄᏓᎴ ᎾᏆᏍᏛᎢ, ᎤᏂᏣᏘ ᎨᏒ ᏧᎾᏓᎴᏅᏓ ᎠᏂᏴᏫ, ᎠᏂᎫᏌ ᏃᎴ Turks.\nᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏛ ᎠᏂᏃᏔᏅᎥᏍᎩ, ᎾᏍᎩ ᏧᏪᏅᎢᏍᏔᏅᎯ, ᎢᏅ ᏗᏂᏙᎾᎡᏍᏗ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎠᎩᎵᏲᎬ ᎠᏂᏍᎦᎢᎲᎢ, ᏓᎾᏠᏱᎮᏍᏗ ᎠᎴ ᏓᏂᏴᎨᏍᏗ,\nᏂ, ᎦᏐᎸᏓᎩᎠ!”  \nᎯᎠ ᏄᏪᏒ: “ᏂᎦᏗ ᎭᏂ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎢᏕᎯ ᎯᏓᎵᎮᎵᎦ ᏅᎩ ᏧᎾᏙᏓᏆᏍᏗ ᎤᎧᏘᏛ ᏌᏌ, ᏃᏉ ᎪᎱᏍᏗ ᎬᏂᎨᏒ ᏄᎵᏍᏓᏏ.\nᎤᏬᏗᎨ ᏃᎴ ᎤᎾᏉᏓᏘ ᎢᏳᏍᏗ ᎠᏗᏔᏍᏗ ᎡᏘᏴ ᏥᎨᏎ ᏭᏩᏅᏔᏗᏍᏔᏅ, ᏔᎵ ᏧᏥᏍᏔᏅ, ᎡᏘᏴ ᏧᎶᏒ ᎤᎴᏅᎲ ᎧᏃᎮᏍᎬ ᎠᏌᎻᏓ. ᎠᏧᏣ ᏥᎨᏎ ᏃᎴ ᎠᏫᎾ ᏫᏄᎵᏍᏔᏅ, ᏍᎩᏉ ᏂᎦᎥ ᎤᏃᎮᏗ.\nᎢᏳᏍᏗᎭᏰᏃ ᎯᎠ ᎾᏍᎩ ᎦᏚ ᎢᏥᎩᏍᎨᏍᏗ, ᎠᎴ ᎯᎠ ᎾᏍᎩ ᎤᎵᏍᏈᏗ ᎢᏣᏗᏔᏍᎨᏍᏗ, ᎬᏂᎨᏒ ᏂᏨᏁᎮᏍᏗ ᎤᎬᏫᏳᎯ ᎤᏲᎱᏒᎢ, ᎬᏂ ᎦᎷᏨᎭ.\nᏯᏃᎩᏳᏃ ᎠᏥᎸᏱ ᎠᎴ ᎠᏑᏱ ᎤᏓᎡᎪᎢ, ᎾᏍᎩ ᎤᎯᏍᏗᏱ; ᎢᏳᏍᎩᏂᏃᏅ ᎪᎱᏍᏗ ᎨᏣᏛᏁᏗ ᎨᏎᏍᏗ, ᏍᎩᏍᏙᎵᎩ, ᎠᎴ ᏍᎩᏍᏕᎸ.\nᎤᏁᎳᎩ ᏕᏣᏓᏕᎵᏎᎮᏍᏗ, ᎠᎴ ᏗᎨᏣᏓᏁᎮᏍᏗ ᏕᏣᏓᏍᎦᏅᏤᎲᎢ, ᎢᏳᏃ ᎩᎶ ᎪᎱᏍᏗ ᏱᏓᎾᏓᏕᎵᏎᎭ; ᎾᏍᎩᏯ ᎦᎶᏁᏛ ᎦᎨᏥᏁᎸ ᎢᏥᏍᎦᏅᏨᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎯ ᎾᏍᎩ ᏂᏣᏛᏁᎮᏍᏗ.\nᏂᎯᏍᎩᏂ ᏞᏍᏗ ᎾᏍᎩ ᏄᎾᏍᏛ ᏱᏂᏣᏍᏕᏍᏗ, ᎢᏥᏙᏓᏰᏃ ᎠᎦᏔᎰ ᎢᏳᏍᏗ ᎢᏥᏂᎬᎬ ᎠᏏᏉ ᏁᏥᏔᏲᏎᎸᎾ ᏥᎨᏐᎢ.\nᎯᎠ ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏂᎯ ᏕᎬᏲᎯᏏ, ᎠᏇᏥ ᏗᎹᏗ, ᎾᏍᎩᏯ ᏄᏂᏪᏒ ᏂᎯ ᎾᏍᎩᎾ ᏕᎲᏗᏍᎬ ᏯᎵᎦ ᎣᏍᏛ ᎠᎵᏍᏗ ᎨᏒᎢ;\nᎠᎴ ᎤᏁᎳᎩ ᏤᎵᏎᏅ, ᎠᎴ ᎲᏂᏗᏳ ᎨᏒᎩ, ᎠᎴ ᏓᏆᏙᎥ ᏅᏧᎵᏍᏙᏔᏅ ᎯᎩᎵᏲᎬᎩ, ᎠᎴ ᎥᏝ ᏱᏗᏣᏯᏪᏤᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᏂᎯ ᎢᏨᎨᏳᎢ, ᎢᏣᎵᏘ ᎢᏣᏓᏅᏏ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᏓᏙᎵᏍᏓᏁᏗ ᎨᏒᎢ.\nᎤᎩᏓᏍᏕ ᎢᎪᎯᏛ ᎠᏂᏃᎩᏍᏗᏍᎬ ᏃᎴ ᎠᎾᎵᏍᎩᏍᎬ ᏃᎴ ᎠᎾᎵᏍᏔᏴᎲᏍᎬ ᏙᏍᏔᏦᏍᎬ.\nᏗᏃᏪᎵᏍᎩᏃ ᎨᏒ ᎠᏏᏴᏫ ᎤᎷᏤᎸ, ᎤᏛᎦᏅ ᎠᎾᎵᏃᎮᏍᎬᎢ, ᎠᎴ ᎤᏙᎴᎰᏒ ᎣᏏᏳ ᏄᏪᏒ ᏚᏁᏤ ᎸᎢ, ᎤᏛᏛᏁᎢ, ᎦᏙ ᎤᏍᏗ ᎤᏟ ᎦᎸᏉᏗᏳ ᏂᎦᏛ ᏗᎧᎿᏩᏛᏍᏗ ᎨᏒᎢ? ᎤᏛᏁᎢ.\nᎠᏴ ᏣᏂ ᏫᏨᏲᏪᎳᏏ ᏗᏣᏁᎶᏗ ᎦᎵᏉᎩ ᏂᏣᏓᏡᎬ ᎡᏏᏱ; ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎢᏤᎳᏗᏙᎮᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎾᏍᎩ ᎾᏤᎭ, ᎠᎴ ᏤᎲᎩ, ᎠᎴ ᏤᎮᏍᏗ; ᎠᎴ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎦᎵᏉᎩ ᏗᏓᏅᏙ ᎾᏍᎩ ᎤᏪᏍᎩᎸ ᎢᎬᏱᏗᏢ ᏣᏁᎭ;\nᎣᏍᏓ ᎾᏛᎦ ᎰᎻ! \nᎠᎴ ᎾᏍᎩ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ ᎠᎴ ᏦᎦᏤᎵ ᏄᏂᎬᏫᏳᏌᏕᎩ ᏥᏕᎬᏩᏲᏎ ᏣᎫᎪᏓᏁᏗᏱ ᎤᏲᎱᎯᏍᏗᏱ, ᎠᎴ ᏥᎬᏩᏛᏅᎩ.\nᎠᏏᏴᏫᏃ ᎾᏍᎩ Ꮎ ᏅᎩ ᎢᏯᏂᏛ ᎨᏒ ᏗᏅᏃᏛ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏚᏁᎸᎩ ᎦᎵᏉᎩ ᎫᎫ ᎠᏕᎸᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ, ᏗᎧᎵᎢ ᎤᏁᎳᏅᎯ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸ ᏤᎭ.\nᎠᏎᏃ ᎢᏣᏙᎴᎰᎯᏍᏗᏱ ᏴᏫ ᎤᏪᏥ ᎤᎲᎢ ᎬᏩᏓᏙᎵᏍᏗ ᎨᏒ ᎠᏍᎦᏅᏨᎢ ᎠᏂ ᎡᎶᎯ (ᎯᎠ ᏄᏪᏎᎴ ᎤᎸᏓᎸᎥᏍᎩ,)\nᎠᎴ ᎬᏂᏳᏉ ᏞᎩᏳ ᏓᏥᎷᏥ; ᎠᎴ ᎠᏆᎫᏴᏗ ᏥᏰᎮᏍᏗ, ᎦᏥᏁᏗᏱ ᏋᏂᎥ ᎠᏂᏏᏴᏫᎭ ᎾᏍᎩᏯ ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ.\nᏄᏍᏛ ᎠᏆᎴᏂᏙᎸ ᏥᏫᏄᏣ ᏅᏧᎵᏍᏔᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎾᏍᎩ ᎢᎬᏱᏱ ᎦᏥᏰᎳᏗᏙᎸᎩ ᏗᏆᏤᎵ ᏴᏫ ᏥᎷᏏᎻ, ᏂᎦᏛ ᎠᏂᏧᏏ ᎠᏂᎦᏔᎭ,\nᏈᏓᏍᎩᏂ ᏙᏱᏗᏢᏉ ᎦᎶᎯᏍᏗᏱ ᎤᎴᏅᎩ. ᎿᏉᏃ ᎾᏍᎩ Ꮎ ᏐᎢ ᎠᏓᏍᏓᏩᏗᏙᎯ, ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎤᎦᏔᎯ, ᎤᏄᎪᏨᎩ, ᏭᎵᏃᎮᏔᏅᎩ ᎠᏛ ᎦᎶᎯᏍᏗᏱ ᎠᎦᏘᏯ, ᎠᎴ ᎤᏴᏔᏅᎩ ᏈᏓ.\nᏐᏈᎵ ᏚᏂᏌᎵᏓᏁ ᏗᏂᎴᏂ ᎤᎾᏛᎦᎾ ᏌᏌ ᎤᏪᎷᎬ; ᏂᎪᎯᎸᎾ ᏂᎦᏓ ᎠᏂᎦᏔᎮᎢ.\nᎤᏙᎯᏳ ᎣᏍᏓ ᎡᎶᎯ ᎯᏓᎯ ᏱᎩ.\nᎬᏩᏁᏤᎸ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎠᏴ ᎡᏆᎭᎻ ᎤᏁᏢᏔᏅᏛ, ᎠᎴ ᎥᏝ ᎢᎸᎯᏳᎩᎶ ᏱᏙᎩᎾᏢᏃᎢ, ᎦᏙᏃ ᏂᏕᏥᎾᏝᎥᎾ ᏅᏓᏰᏨᏁᎵ, ᏣᏗᎭ?\nᏗᏓᏘᏂᏙᎯ ᎾᏍᎩ ᏚᏪᏲᏁ ᎢᏳᎾᏛᏁᏗ ᎤᏂᎦᏛᎴᎯᏍᏗ ᎾᎦᎥᎢ. ᎢᎾ ᎢᎭᏘ ᏣᎴᏗ ᎯᎠ ᏧᏟᏂᎩᏓ ᏕᏈᎬᎢ ᎾᏍᎩᏯᎢ. ᏣᏟᏂᎩᏓ.\nᎯᎠᏃ ᏄᏪᏎᎴ ᎠᏍᎦᏯ ᎤᏪᏰᏂ ᎤᏩᎢᏎᎸᎯ; ᎠᏰᎵ ᎭᎴᎲᎦ.\nᎢᏳᏍᎩᏂ ᏕᎭᏕᎳᏍᏗᏍᎨᏍᏗ, ᏫᏘᏯᏂᏍᎨᏍᏗ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ, ᎪᎱᏍᏗ ᎤᏍᏛ ᏗᏂᏰᎸ ᎤᏂᏲᎱᏎᎸᎯ, ᏗᏂᏲᏅᎵ, ᎠᎴ ᏗᏂᎨᏫ;\nᏧᎬᏩᎶᏗ ᎡᏥᏩᎯᏍᏔᏅᎯ; ᏞᏍᏗ ᏴᏫᏉ ᏗᎨᏥᎾᏝᎢ ᏱᎨᏎᏍᏗ.\nᎿᏉᏃ ᎠᏚᎸᏗ ᎨᏒ ᎠᏙᏢᎾ ᎠᏍᎦᏂ ᎦᎾᏄᎪᏫᏍᎪᎢ; ᎠᏍᎦᏂᏃ ᎠᏍᏆᏓ ᎿᏉ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎦᎾᏄᎪᏫᏍᎪᎢ.\nᏐᏉ ᎠᏓᏁᎸ ᎠᏦᎭᏱᏍᏙᏗ ᎠᏓ ᎬᏘ ᎠᏲᏓᏌᎲ, ᎠᏓ ᏃᎴ ᎦᏓᏆᏟ ᎬᏘ ᎠᎱᏣᏬᎳᏛ, ᏗᏒᏆᎶᏍᏗ ᎪᏒᏔᏅ ᏎᎷ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᎦᏂᏏ ᎠᎴ ᏔᎵ, ᏐᏉ ᎦᏍᎩᎸ, ᏗᎬᏅ ᏗᎦᏍᎩᎶ.\n”ᏫᎵᎻ ᏓᏥᏩᏛᎮᏏ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\n ᎨᏍᏗ ᏱᏥᎦᏔ ᎤᏰᎸᏛ ᏍᎩᎾᎾ ᎢᎦᏪᏍᏗ.”\n“Ꭷ,” ᎤᏛᏁ.\nᎠᏆᏚᎸᎲᏃ ᎠᏆᏙᎴᎰᎯᏍᏗᏱ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎬᏬᎯᏍᏗᏍᎬᎢ, ᏥᏯᏘᏃᎸᎩ ᏓᏂᎳᏫᎥᎢ.\nᏃᏗ ᏭᎩᏎ ᏔᎷᎩᏍᎩ ᎪᏱᏅᏍᏗ.\nᎾᏍᎩ ᏚᏳᎪᏛ ᎨᏒ ᎤᎾᏞᏒ, ᎯᎠ ᏥᎾᏂᏪᎠ, ᎠᏲᎱᏒ ᏗᎴᎯᏐᏗ ᎨᏒ ᎦᏳᎳ ᎤᎶ ᏐᏅ; ᎠᎴ ᏓᏂᎷᏆᏗᏁᎭ ᎢᎦᏛ ᎤᏃᎯᏳᏒᎢ.\nᏙᏌ ᎤᏍᎦᎸᏨ ᏓᏳᏓᎴᏅᏓ ᎠᏳᎩ ᎤᏨᎬ ᎾᏍᎩᏴ.\nPerry ᎨᏍᏗ ᎣᏍᏓ ᏯᏏᎾᏎ ᎤᏆᏂᏲᏍᏘ, ᎠᏎᎩ ᏱᏚᎾᏓᏍᏕᏓᎵᏴᎾ ᏱᎨᏎ ᎠᏕᎳ.\n“ᎲᎦ ᎢᏳᏕᏘᏴᏓ ᏲᎾ ᎤᏤᏍᏙ?”\nᏱᏗᏣᏓᏟᏴᎾ ᏳᏫᏣᏴᎳ, ᎡᏣᏙᏁᏓ ᏰᎳ ᎰᎻ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏥᏌ ᏭᏙᏯᏅᎯᏛ ᏭᏂᏴᎲᎩ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᎤᏍᏗ ᏦᎯᏳᎯ, ᎦᏙᎯ ᎥᏣᏜᏏᏛᏏ?\nᏐᏓᎻᏃ ᎠᎴ ᎪᎹᎵ ᏕᎦᏚᎲ ᎪᏍᏚᏥᏂᏚᏩᏁᎴᎢ, ᎠᎴ ᏥᏚᏭᎪᏓᏁᎴ ᏧᎷᏆᏗᏅᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎤᏁᏯᏔᎲᏍᎩ ᏥᏂᏚᏩᏁᎸ ᎣᏂ ᎤᎾᏕᏗ ᎤᏁᎳᏅᎯ ᏂᏚᎾᏁᎶᏛᎾ ᎨᏒᎢ,\nᎤᎴᏅᎮᏃ ᏚᏬᏁᏔᏁ ᏓᏟᎶᏍᏗᏍᎬᎢ. ᎩᎶ ᎢᏳᏍᏗ ᏖᎸᎳᏗ ᏚᏫᏎᎢ, ᎠᎴ ᎤᏐᏱᎴ ᎬᏩᏚᏫᏛ, ᎠᎴ ᎤᏍᎪᏎ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎪᏢᏗᏱ, ᎠᎴ ᎤᏁᏍᎨᎮ ᎢᏅ ᎢᎦᏘ, ᎠᎴ ᏚᏙᎳᏍᏔᏁ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎢᏅ ᏭᎶᏎᎢ.\nᎢᏯᏔᏬᏍᏔᏅ ᎣᏁ ᎢᏴ, ᎤᏅᏏᏴ ᎡᏓᏍᏗ ᎤᏬᏞ ᏲᎾ ᎤᏤᏍᏙ ᎤᏄᏞ ᎤᏤᎵ ᎤᏍᏗ, ᎨᏲᎲᏍᎨ ᎫᎫ ᎤᏍᏛᎢᏍᏗ.\nᎯᎠ ᎾᏍᎩ ᎼᏏ ᎾᏍᎩ ᎯᎠ ᏥᏂᏚᏪᏎᎴ ᎢᏏᎵ ᏧᏪᏥ; ᎤᎬᏫᏳᎯ ᎢᏣᏁᎳᏅᎯ ᏓᏥᎾᏄᎪᏫᏎᎵ ᎠᏙᎴᎰᏍᎩ ᎢᏣᎵᏅᏟ ᎨᏒ ᏓᎦᎾᏄᎪᏥ ᎠᏴ ᎾᏍᎩᏯᎢ; ᎾᏍᎩ ᏓᏰᏣᏛᎦᏁᎵ.\n“ᏌᏌ ᎠᏂᏓ, ᏐᏉ ᎦᎵᏉᎩ ᏩᏍᏗ?”\nᎤᏔᎳᏭᏎᏃ ᎤᎾᏝᎢ, ᎠᎴ ᏫᏚᏲᎯᏎᎴ ᏗᎾᏓᏍᏚᎲᏍᎩ ᎤᎫᏴᎰᎲᏍᏗᏱ ᏂᎦᏛ ᎠᏥᏚᎬ ᎢᎪᎯᏛ.\n“ᎬᏲᎵᎭᏛ ᎱᏛᏁᎢ.\nᎡᏝᏪᎯ ᏄᎵᏍᏔᏃᏁ.\nᎾᎿᏃ ᏚᎴᏅ, ᏔᏯ ᎠᎴ ᏌᏙᏂ ᎠᏍᏛ ᏭᎷᏤᎢ, ᎠᎴ ᎠᏣᏁᎸ ᏭᏴᎸ, ᎥᏝ ᏳᏚᎵᏍᎨ ᎩᎶ ᎤᏙᎴᎰᎯᏍᏗᏱ; ᎠᏎᏃ ᎥᏝ ᎬᏩᏗᏍᎦᎶᏗ ᏱᎨᏎᎢ.\nᏌᏌ ᎤᎷᏤ ᎾᏍᎩᏴ, ᎦᎵᏉᎩ ᎢᏯᏂ ᏌᏌ ᎠᏂᏓ ᎫᏩᏍᏓᏩᏗᏎ.\nᎾᏍᎩ Ꮎ ᎾᏃᎯᏳᎲᏍᎬᎾ ᎾᏍᎩ ᎯᎠ ᎡᎶᎯ ᎤᏁᎳᏅᎯ ᎤᏰᎸᎯ ᏚᎵᏏᎲᏍᏓᏁᎸ ᏚᎾᏓᏅᏛᎢ, ᎾᏍᎩ ᏧᏂᎸᏌᏓᏕᏗᏱ ᏂᎨᏒᎾ ᎢᎦ-ᎦᏛ ᎤᏘᏍᏛ ᎦᎸᏉᏗᏳ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎾᏍᎩᏯ ᏥᎩ.\nᎠᏎᏃ ᎠᎦᏔᎮ ᏄᏍᏛ ᏓᎾᏓᏅᏖᏍᎬᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴ ᎠᏍᎦᏯ ᎤᏩᎢᏎᎸᎯ ᎤᏬᏰᏂ; ᏔᎴᎲᎦ, ᎠᎴ ᎠᏰᎵ ᎭᎴᏂᎦ. ᏚᎴᏅᏃ ᎤᎴᏂᎴᎢ.\nᎠᏎᏃ ᎤᎾᎦᏙᏍᏔᏅᎩ, ᏓᎪᏘᏏ ᎠᎴ ᎤᏲᎱᏒᎯ ᏓᎦᏅᏥ ᏛᏰᎶᎢᏍᏔᏂ, ᎠᏁᎵᏍᎬᎩ; ᎠᏎᏃ ᎤᏬᎯᏨ ᎤᎾᎦᏙᏍᏔᏅ, ᎠᎴ ᎤᎾᏙᎴᎰᏒ ᎪᎱᏍᏗ ᏄᎵᏍᏓᏁᎸᎾ ᎨᏒᎢ, ᎤᏂᏁᏟᏴᏒᎩ ᏄᏍᏛ ᎠᎾᏓᏅᏖᏍᎬᎢ, ᎠᎴ ᎦᎸᎳᏗ ᎡᎯ, ᎤᎾᏛᏅᎩ.\nᏍᎩᏴ ᎠᏓᎴᏂᏍᎩ ᎤᏓᏍᏕᏓᎵᏴᏒ ᎦᏚᎲ.\nᎠᏂᏐᎢᏃ ᎢᎦᏛ ᏧᏯᏕᎾ ᏧᎾᎩᎸᏙᏗᏱ, ᎢᎦᏛᏃ ᏥᏳ ᏧᎵᏢᎸᏛ. ᎠᎴ ᎾᏍᎩ ᏄᎵᏍᏔᏅᎩ, ᏂᎦᏛ ᎤᎾᏛᏂᏛᎩ ᎤᎾᏚᎩᏒᎩ.\nᎠᏓᏰᏍᎩᏃ ᎤᏢᎩ ᎤᎷᏤᎴᎢ, ᎤᏓᏙᎵᏍᏓᏁᎴ ᏚᎵᏂᏆᏅᏁᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎢᏳᏃ ᎣᏏᏳ ᏱᏣᏰᎸᏅ, ᏰᎵᏉ ᏱᏍᎩᏅᎦᎸ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎡᏥᏔᏲᏏ ᎤᎶᎨᏛ ᏧᏅᏍᏗᏱ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎤᎦᏛᎾᏤᎸᎢ.\nᏫᏥ ᎢᏯᏂ ᎤᏐᏱ ᏗᎨᎦᏃᏗ ᎨᏎ, ᏐᏉ ᎤᏩᏌ ᎤᏍᏗ ᎠᏣᏗ Ꮳ.\nᎠᎴ ᎾᏍᏉ ᎢᎦ ᎠᏑᏰᎭ, ᎯᎠ ᏂᎦᏪᎭ ᎤᏬᎯᏨᎯ ᎣᏂ ᏕᏫ ᎠᎬᏗᏍᎬᎢ, ᎪᎯ ᎢᎦ, ᎾᏍᎩᏯ ᎯᎠ ᎢᎦᏪᏛ ᏥᎩ, ᎪᎯ ᎢᎦ, ᎢᏳᏃ ᎧᏁᎬ ᎢᏣᏛᎪᏗᏱ ᎢᏣᏑᎵᏍᎨᏍᏗ, ᏞᏍᏗ ᏱᏗᏥᏍᏓᏲᏔᏁᏍᏗ ᏗᏥᎾᏫ.\nᎯᎠᏃ ᏄᏪᏎᎢ; ᎯᎠ ᏅᏓᎦᏛᏁᎵ; ᏙᏓᏥᏲᏍᏔᏂ ᎠᎩᏅᏗᏱ ᏓᏓᏁᎸᎢ, ᏧᏛᏂᏗᏃ ᏓᏓᎦᏁᏍᎨᎯ; ᎾᎿᏃ ᏓᏥᏂ ᏂᎦᏛ ᎠᏆᏛᎯᏎᎸᎯ ᎠᎴ ᎠᎩᎾᎥᎢ.\nᏃᎴᏍᏉ ᏎᎦᎾᎨᏍᏗ ᏫᎯᎷᏨ ᏗᎦᏦᎯᏍᏗ ᏏᏆ ᎠᏍᏚᏗᎯ!” \nᎾᏄᏍᏗ ᏂᎦᏪ ᏃᏉ!” \nᎯᎠ ᏄᏪᏒ Crockett, ᏩᎾᏗ ᎤᏉᏅᏗ, ᏃᎴ ᎤᏋᏂᏍᏗ, ᎨᏍᏗ ᎠᏓᎸᏉᏙᏗ ᏱᎩ.\nᏙᏱᏨ ᎤᏪᏅᏎ.\nᏑᏒᎯᏓ ᎠᎬᏱ ᎠᎾᏓᎪᎾᏗᏍᎬᎢ ᎤᎴᏅᏗ, ᏂᎦᏓ ᎠᎯᏗᎨᏍᏗ ᎤᏂᏟᏅᏤ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎢᏨᏲᏪᎳᏏ ᎦᏥᏁᎢᏍᏗᏍᎬ ᎾᏍᎩ Ꮎ ᎨᏥᎵᏓᏍᏗᏍᎩ.\nᎢᏳᏰᏃ ᏰᎵᏉ ᏱᎨᏎᎢ, Ꮭ ᏱᎬᏩᏂᎦᎯᏍᏔᏁ ᏧᎾᎵᏍᎪᎸᏗᏍᎬᎢ; ᎠᎾᎵᏍᎪᎸᏗᏍᎩᏰᏃ ᎨᏒ ᏌᏉ ᏱᏄᎾᏓᏅᎦᎸᎮ ᎥᏝ ᎿᏉ ᎠᏂᏍᎦᎾ ᏱᎬᏩᏂᏰᎸᏎᎢ.\nᏂᎦᏗᏃ ᎬᏩᏰᏍᏔᏁ.\nᎾᎯᏳᏃ ᎾᏍᎩ ᎯᎠ ᎾᏂᎦᏔᎲᎾ ᏥᎨᏎᎢ ᎤᏁᎳᏅᎯ ᎤᏁᎳᎩ ᎤᏪᎵᏎᎢ; ᎠᏎᏃ ᎿᏉ ᏕᎧᏁᏤᎭ ᎾᏂᎥ ᏴᏫ ᏂᎬᎾᏛᎢ ᏧᏂᏁᏟᏴᏍᏗᏱ ᏚᎾ ᏓᏅᏛᎢ;\nᏚᏔᏲᎡᎸᏃ ᎤᏂᏴᏍᏗᏱ, ᎠᎴ ᏚᏍᏆᏂᎪᏔᏁᎢ. ᎤᎩᏨᏛᏃ ᏈᏓ ᏕᎤᏍᏓᏩᏛᏎᎢ, ᎠᎴ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᎾᎵᏅᏟ ᏦᏈ ᎠᏁᎯ ᎬᏩᎵᎪᏁᎴᎢ.\nᏈᏓᏃ ᎠᎴ ᏣᏂ ᎢᏧᎳᎭ ᎤᏁᏅᎭ ᎤᏛᏅ-ᏗᎦᎳᏫᎢ-ᏍᏗᏱ, ᎠᏓᏙᎵᏍᏙᏗᏱ ᎨᏒ ᎢᏳᎢ, ᏦᎢᏁ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒᎢ.\nᎢᎦᏛᏃ ᎤᎾᏓᏑᏴ ᎤᏃᎯᏳᏅᎩ, ᎠᎴ ᏚᎾᎵᎪᏁᎸᎩ ᏉᎳ ᎠᎴ ᏌᏱᎳ, ᎠᎴ ᎤᏂᏣᏔᏅᎯ ᎠᏂᎪᎢ ᎤᏁᎳᏅᎯ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ, ᎠᎴ ᎠᏂᎦᏲᎵᏉ ᏂᎨᏒᎾ ᏄᏂᎬᏫᏳᏒ ᎠᏂᎨᏴ.\n(ᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎤᏂᏣᏘ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏂᏙᏓ ᏂᎬᏴᎦ,) ᎠᎦᏔᎲ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᏥᎪᎯᏳᎲᏍᎨᎢ, ᎾᏍᎩ ᏗᎬᏂᏗᏍᎩ ᏥᎩ ᏧᏂᏲᎱᏒᎯ, ᎠᎴ ᏗᏯᏂᏍᎩ ᏥᎩ ᏧᎾᏓᎴᏅᏛ ᎾᏍᎩ ᎾᏁᎲᎾ ᎨᏒᎢ, ᎾᏍᎩ ᏣᏁᎰ ᎾᏍᎩᏯᎢ;\nᎾᏍᎩ ᎤᏂᏃᎮᎸᎯ ᏥᎩ ᏣᏓᎨᏳᎯᏳ ᎨᏒ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎠᏂᎦᏔᎲᎢ; ᎢᏳᏃ ᎾᏍᎩ ᏱᏘᏍᏕᎸᎲ ᎠᎾᎢᏒᎢ, ᎤᏁᎳᏅᎯ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎢᏳᎾᏛᏁᏗ, ᎣᏏᏳ ᏅᏔᏛᏁᎵ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᏣᏂ ᏗᏓᏬᏍᎩ; ᎢᎦᏛᏍᎩᏂ ᎢᎳᏯ [ᎠᎾᏗᎭ;] ᎢᎦᏛᏃ, ᎩᎶ ᎢᏳᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ.\nᎢᏥᎦᏔᎭᏰᏃ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎤᏪᎾᎢᏳ ᏥᎨᏎᎢ, ᎠᏎᏃ ᏂᎯ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᏄᎵᏍᏔᏅᎢ, ᎾᏍᎩ ᎤᏩᏒ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᎨᏒ ᎢᏳᏩᏂᏐᏗᏱ ᏂᎯ ᏗᏤᎿᎢ ᎢᏣᎵᏍᏙᏗᏱ.\nᎨᏍᏗᏗ ᏳᏓᎴᏣ.\nᏦᎢ ᎢᏳᏩᎫᏗ ᎦᎾᏍᏓ ᏕᎬᎩᎵᎥᏂᏍᏔᏅᎩ; ᏌᏉ ᏅᏯ ᏂᏕᎬᏋᏂᏍᏔᏅᎩ; ᏦᎢ ᎢᏳᏩᎫᏗ ᏥᏳ ᎠᏆᏦᏛ ᎤᏲᏨᎩ; ᎤᎵᏨᏓᏆᏛ ᎠᎴ ᎤᏙᏓᏆᏛ ᎠᏍᏛᎬ ᎾᏆᏛᏅᎩ;\n[ᏥᏌᏃ ᏚᏅᏎ ᏈᏓ ᎠᎴ ᏣᏂ, ᎯᎠ ᏄᏪᏎᎢ, ᎢᏍᏕᎾ ᏫᏍᏓᏛᏅᎢᏍᏓ ᎧᏃᎯᏰᎩ, ᎾᏍᎩ ᎢᎦᎵᏍᏓᏗᏱ.\nᎠᎴ ᎾᏍᎩ ᎠᏥᏅᏩᏅᎯ ᎥᏝ ᏯᎦᏔᎮ ᎾᏍᎩ ᎨᏒᎢ; ᏥᏌᏰᏃ ᎤᏕᎵᏛ ᎤᏓᏅᏒᎩ; ᎤᏂᏣᏛᏰᏃ ᎾᎿ ᎠᏁᏙᎲᎩ.\nᎢᏣᏛᏓᏍᏓ; ᎬᏂᏳᏉ, ᎠᏫᏍᎩ ᎤᏫᏒᏎᎢ;\nᎤᏰᏤ ᏧᏍᏆᏴᏍᏗ ᎦᏅᎨᎢᏉ.\nᎠᎴ ᏂᎦᏗᏳ ᏴᏫ ᎨᏥᏍᎦᎩ ᎨᏎᏍᏗ ᏴᏫ ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᎠᎴ ᎥᏝ ᏳᎾᏓᏎᎪᎩᏎᎢ; ᎥᏝ ᎠᎴ ᎿᏉ ᎢᎸᎯᏳ ᏳᏂᏩᏛᎮ ᎦᎸᎳᏗ ᎤᎾᏕᏗᏱ.\nᏂᏥᎪᎸᎾ ᎢᏨᏁᏗ ᎨᏎᏍᏗ, ᏂᎦᎥ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎾᏍᎩ ᏗᎨᏥᎸᏫᏍᏓᏁᏗ ᎣᏏᏳ ᎤᏰᎸᏗ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᎣᏍᏛ ᎤᏰᎸᏗ ᎨᏒ ᎢᏣᏛᏁᏗᏱ ᏂᏨᏁᎲ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ; ᎾᏍᎩ ᎠᏥᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ. ᎠᎺᏅ.\nᎠᏴ ᎢᎦᎦᏘ ᎡᎶᎯ ᎠᎩᎷᏥᎸ, ᎾᏍᎩ ᎩᎶ ᎠᏉᎯᏳᎲᏍᎨᏍᏗ ᎥᏝ ᎿᏉ ᎤᎵᏏᎬ ᎤᏕᏗ ᏱᎨᏎᏍᏗ.\nᏥᏌᏃ ᎤᏙᎴᎰᏒ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏣᎵᏃᎮᎭ ᎦᏚ ᏂᏗᏥᏰᎲᎾ ᎨᏒ ᎢᏳᏍᏗ? ᎠᏏᏉᏍᎪ ᏂᏣᏙᎴᎰᏍᎬᎾ ᎢᎩ, ᎠᎴ ᏂᏦᎵᎬᎾ ᎢᎩ? ᎠᏏᏉᏍᎪ ᎠᏍᏓᏯ ᏂᏕᏨᏅ ᏗᏥᎾᏫ?\nᎤᎩᏨᏛᏃ ᏇᏗᏂᏱ ᏧᏂᎶᏒ ᎠᎪᏄ ᎤᏲᏏᏍᎨᎢ;\nᎠᏆᏅᏛ, ᏰᎵ ᎪᎯᏛ ᎣᎩᎵᏦᏩᏔᏅ ᎠᏙᎯ ᎠᏂᏲᏍᎩ, ᏓᎩᏯᏪᏨ ᎠᏂᏲᏍᎩ ᎤᏩᏌ ᎣᎦᎵᎪᏅ. ᎠᏂᎨᏯ ᎣᎦᎵᎪᏘ ᎠᏆᏚᎵᏍᎬ.\nᎤᏓᎴᏨᏉ ᎨᏒ.\nᎠᏎᏃ ᎤᎦᏔᎲᏒ ᏚᎬᏍᎪᎸᏁ ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ ᏱᏍᏗᎦᏔᎭ ᏄᏍᏛ ᎠᏓᏅᏙ ᎢᏍᏗᎲᎢ.\nᎾᏍᎩᏍᎩᏂ ᎯᎠ ᎠᏥᏃᎮᏍᎬ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪ-ᏪᎳ; ᎬᏂᏳᏉ ᏥᏅᎵ ᏥᏅᏏᏓᏍᏗ ᏣᎧᏛ ᎢᎬᏱᏗᏢ, ᎾᏍᎩ ᏓᏣᏛᏅᎢᏍᏓᏁᎵ ᏣᎶᎯᏍᏗᏱ ᎢᎬᏱᏗᏢ.\n“Ꮒ! Ꮒ!” ᎠᏗᎮ ᏙᏯ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏌᏓᏠᎦ, ᎠᎴ ᏔᎳᏑᎸᎦ. ᎾᏍᎩᏃ ᏄᏛᏁᎴᎢ. ᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᎭᏄᏬᏣ ᎠᎴ ᏍᎩᏍᏓᏩᏚᎦ.\nᎠᎾᎦᏴᎵᎨᏃ ᎠᏂᎨᏴ ᏗᏣᏥ ᎾᏍᎩᏯᎢ, ᎠᏂᏫᏅᎨᏃ ᎠᏂᎨᏴ ᏤᏣᏙ ᎾᏍᎩᏯᎢ, ᎤᏐᏅ ᏄᏓᏑᏴᎾ.\nᎡᎳᏗ ᏄᏩᏁᎴ ᎠᏍᎪᎵ ᏫᎵᎻ.\nᏃᎦᏓᏅᎦᎸᎾ ᎨᏒᎢ, ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ, ᎪᎯᏙᏳ ᎤᏁᎳᎩ ᎣᏤᎵᏎᎬᎢ, ᎣᎦᏓᏅᏘᏳ ᎨᏒᎢ, ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎣᎨᎲᎢ, ᏄᏠᎾᏍᏛᎾ ᎠᏓᎨᏳᏗ ᎣᎨᎲᎢ.\nᏍᏗ ᎪᎰᏍᏗ ᎤᏰᎸᏗ ᏱᎨᏎ ᏩᏏᏓᏂ ᎦᏚᎲᎢ.\nᎠᏎᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎢᏳᏃ ᏂᏓᎾᏛᏓᏍᏓᏁᎲᎾ ᏱᎩ ᎼᏏ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ, ᎥᏝ ᎾᏍᏉ ᏴᎬᏃᎯᏳᎲᎦ, ᎾᏍᏉ ᎩᎶ ᎤᏲᎱᏒᎯ ᏱᏚᎴᏅ.\nᎭᏢ ᎠᏏᎾᏌᏂ? ᎭᏢ ᏗᎪᏪᎵᏍᎩ? ᎭᏢ ᎦᏬᏂᏍᎬ ᎠᏗᏒᎯᎯ ᎠᏂ ᎡᎶᎯ ᎡᎯ? ᏝᏍᎪ ᎤᏁᎳᏅᎯ ᎠᎵᏍᎦᏁᏛᏉ ᏱᏄᏩᏁᎸ ᎠᏏᎾᏌᏅ ᎡᎶᎯ?\nᏂᎦᏓ ᎤᏃᏴᎬ ᎤᏩᏙᎯᏴᏓ ᏃᎴ ᎤᎵᎮᎵᏍᏗ ᎤᏓᏅᏖ, ᎣᏍᏓ ᎤᏰᎸᎮ ᎬᏅᎢ ᏃᎴ ᎡᎶ ᎡᎲᎢ ᎯᎪ ᎪᎨ ᎤᏓᏏᏂᏕᎾ.\nᎠᏯ ᎾᏆᏔᏅ ᏂᏣᏛᎾ.\nᏥᏌ ᎤᏁᏤᎢ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎩᎶ ᏳᏗᏔᎲ ᎯᎠ ᎠᎹ ᏔᎵᏁᏉ ᎤᏔᏕᎪᏗ;\nᎪᎯᏓ ᎤᎪᎵᏰᎥ ᎤᏬᏩ ᏃᎴ ᎦᏰᏌᏛ ᏭᏭᏍᏔᏅ, ᎬᏨᎢᏍᏗᏍᎩ ᏭᏩᏌᏙᎭᏴ ᎭᏂᏨ ᎦᏍᎩᎸ.\nᏏᏊᏃ Ꮎ ᎠᏧᏣ ᎯᎠ ᎢᏄᏪᏎᎴᎢ ᎢᏈᎬᎢ, ᏂᎯᎾᎲ!\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎡᏗᏥᏄᎦ ᎢᎦᏛ ᎠᏣᏗ ᎩᎳᏉ ᏥᏕᏥᏂᏴ.\nᎠᏤᎯ ᎡᎾᎢ ᏚᏂᏂᎬᎪ ᏧᎾᏛᎯᏍᏗᏍᎩ.\nᎠᏍᎦᏯ ᎤᎨᏳᏎᏍᏗ ᎤᏓᎵᎢ ᎾᏍᎩᏯ ᎤᎨᏳᏗ ᎨᏒᎢ; ᎠᎴ ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᎨᏴ ᎤᎨᏳᏎᏍᏗ ᎤᏰᎯ.\nᎨᏍᏗ ᏄᎶᏐᏍᏛᎾ ᏱᎩ.\nᎦᎵᏦᏕ ᏭᏴᎴ ᎠᏌᏃ ᎱᎿᏬᎡ, ᎬᎩᏍᏗ ᎢᏳᏍᏗ ᏗᎧᏃᏗ ᏃᎴ ᎠᎵᏍᏇᏔᏬ ᎠᎾᎵᎪᎲᏍᎩ.\nᎤᏲᎱᏒᎯᏃ ᏓᏳᏄᎪᏨᎩ, ᏧᏬᏰᏂ ᎠᎴ ᏧᎳᏎᏕᏂ ᏚᏓᎸᏍᏛᎩ ᏗᎦᎸᏓᎸᏛ ᏗᏄᏬ, ᎤᎧᏛᏃ ᎠᏯᏠ ᎤᏓᎸᏍᏛᎩ. ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎡᏣᎸᏒ ᎠᎴ ᏤᏥᏲᎯ.\nᎿᏉᏃ ᎺᎵ ᎤᎩᏒᎩ ᏑᏓᎨᏛ ᎠᏠᏁᏗ ᎾᏓ ᏧᏙᎢᏛ ᎪᎱᏍᏗ ᎾᏑᏴᎾ, ᎤᏣᏘ ᏧᎬᏩᎶᏗ, ᎠᎴ ᏚᏅᎵᏰᎥᎩ ᏥᏌ ᏧᎳᏏᏕᏂ, ᎠᎴ ᎤᏍᏘᏰᎬ ᎤᏩᏔᏅᎩ ᏚᏅᎦᎸᎲᎩ ᏧᎳᏏᏕᏂ. ᎠᎴ ᎦᎵᏦᏕ ᎤᎧᎵᏨᎩ ᎦᏩᏒᎬ ᎠᏠᏁᏗ.\nᎠᏎᏉ ᎥᎩᏅᏏᏓ ᎨᏎᏍᏗ ᎠᎴ ᎧᏂᎩᏓᏉ.\nᎾᎯᏳ ᎢᎦ ᏓᏆᏙᎥ ᎢᏥᏔᏲᏍᏗᏍᎨᏍᏗ; ᎥᏝᏃ ᎠᎦᏴᎵᎨ ᏓᏥᏯᏓᏙᎵᏍᏓᏁᎵ ᏂᎯ ᎢᏥᏍᏕᎸᏗᏱ ᏱᏨᏲᏎᎭ;\nᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᎢᏨᏗᏍᎬ ᎤᏁᎳᏅᎯ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎬᏗ ᏤᏥᏍᏆᏂᎪᏗ ᎡᏥᏍᏕᎸᏗ ᎨᏒ ᎬᏗᏍᎩ, ᎾᏍᎩ ᎡᏥᏍᏕᎸᏗ ᎨᏒ ᏣᏛᏅᎢᏍᏗ ᎬᏂᎨᏒ ᎢᎬᏁᏗᏱ ᎤᎵᏍᏆᎸᏗ ᎨᏎᏍᏗ.\nᎯᎸᎢᏴ ᏱᏚᏯᏪᏣ ᏫᎵᎻ ᎠᏁᎵᏗ ᎦᏅᎬ ᎤᎵᏗᏨ ᎠᏥᎸᎥᏍᎨ.\nᎾᏍᎩᏃ ᏄᏪᏒ ᎤᏓᏅᏒᎩ, ᎠᎴ ᎤᏕᎵᏛ ᏭᏯᏅᎲᎩ ᎤᎸᎢ ᎺᎵ, ᎯᎠ ᏄᏪᏒᎩ; ᏗᏕᏲᎲᏍᎩ ᎦᎷᎩ ᎠᎴ ᏗᏣᏯᏂᎭ.\nᏥᎦᏔᎭ ᏄᏍᏛ ᏕᏣᎸᏫᏍᏓᏁᎲᎢ, ᎾᏍᎩ ᏂᏣᏴᏢᎾ ᎠᎴ ᏂᏣᏗᎴᎬᎾ ᎨᏒᎢ; ᎤᏟ ᏱᏥᏰᎸᎾ ᏱᏣᏴᏜ ᎠᎴ ᏱᏣᏗᎴᎦᏉ.\nᎡᏘᏴ ᏥᎨᏒ ᎠᏂᏣᎳᎩ ᎠᏂᏴᏫ ᏙᎯᏯᎾᏊ ᏣᏁᎮᎢ ᎢᎾᎨᎢ ᎦᏚᏏ.\nᏰᎵᏉ ᏯᏓᏅᏛᎳ ᎤᏍᏓᎦᏴᎯᏓ ᏗᎦᏒᏍᏔᏅ ᏏᏆ ᎭᏫᏯ ᏃᎴ ᎣᏍᏓ ᎠᎩᏍᏗ ᎨᏒᎢ.\nᎣᎩᎵᏦᏫᏛ ᎤᏟᏂᎩᏛ ᎨᏴ ᎾᎥᏂ, ᏲᎾ ᎤᏤᏍᏙ ᏗᎦᏯᎵ ᏕᎫᎲ ᏤᏆ ᏅᏯ.\nᎤᏚᎸᎲᏃ ᎡᎧᏯ ᎤᏪᏅᏍᏗᏱ, ᎠᎾᏓᏅᏟ ᎤᏃᏪᎳᏅᎩ ᏗᏂᏔᏲᏎᎸᎩ ᎠᏃᎯᏳᎲᏍᎩ ᏗᎬᏩᏓᏂᎸᎢᏍᏗᏱ; ᎾᏍᎩᏃ ᏭᎷᏨ, ᎤᏣᏘ ᏚᏍᏕᎸᎲᎩ ᎤᏁᎳᏅᎯ ᎤᏓᏙᎵᏣᏛ ᎢᏳᏩᏂᏌᏛ ᎤᏃᎯᏳᏅᎯ.\nᎧᏁᏌ ᎦᎵᏗᏓᏅ ᏕᎦᏒᏛ ᏧᏏᏩ ᏓᏍᏆᏚᎸ, ᏓᏦᎭᏴ ᎤᏏᏩ ᎨᏒ ᏗᏥᎶᏍᏔᏅ.\nᎥᏝ ᎠᎴ ᏰᎵ ᎬᏩᏃᎯᏳᏙᏗ ᏱᎩ ᎯᎠ ᎾᏍᎩ ᎿᏉ ᏥᎬᏇᎯᏍᏗᎭ.\n“ᎣᏏᏉᏗ ᎤᏪᎷᏁ ᎰᎻ.\nᎠᏎᏃ ᎨᏍᏗ ᏱᏓᎪᎢᏳᏂ ᎡᏣᏈᏳᎡᏗ ᏕᏣᏒᏅ ᎠᏕᎳ, ᏥᏄᎦᏌᏍᏗᏉ ᏥᏔᏲᎯ.\nᎠᎴ ᎤᏂᏣᏘ ᏑᏰᎵᎯᏍᏔᏅᎩ, ᎠᎴ ᏥᏳᎯ ᏭᏣᏅᎩ, ᎠᎴ ᎹᎩᏕᎵ ᏭᎾᏄᎪᏨᎩ.\n“ᎣᏏᏉᏍᎪ ᏗᎧᏃᏗ?” ᎤᏛᏛᏁ ᎦᏂᎦᏔ.\nᎢᏥᎾᏄᎪᏩᏲᎪ ᎠᏙᎴᎰᎯᏍᏙᏗ ᏕᏥᏁᏟᏴᏒ ᏕᏣᏓᏅᏛᎢ;\nᎪᎯᎢᏴ, ᎤᎪᎮᎢ ᎤᏓᎴᏨ ᏗᎧᏃᏗ ᎠᏣᏗ, ᏍᏈᏍᏓ ᏚᏣᎡᎢ ᎠᏍᎪᎵ.\nᎤᏅᎪᏨ ᏚᏑᎬ ᎭᏫᏂᏨ, ᎤᏩᏨᏩᏍᏔᏅ ᏧᏍᏆᏅᎾ, ᎨᏓᎵ ᎤᏪᏅᏒ ᎤᎧᎭᏛ ᎦᏓᏁᏍᏙ ᎠᏙᎯ.\nᎠᏂᏍᎦᏰᎬᏍᏔ ᎠᏂᏍᎦᏯ ᏕᎦᏘᏁᎬ ᏧᎾᎵᏍᏔᏴᏗ ᏃᎴ ᏧᎾᏗᏔᏍᏗ, ᎭᎾᏉ ᎢᏴ ᏩᎩᏍᏛᏗ ᎨᏒ ᎦᏥᏯᏓᏁᏥᏴᏍᎬ.\nᏂᏗᎦᎵᏂᎬᎬᎾᏰᏃ ᎠᏎ ᏥᎨᏎᎢ, ᎾᎯᏳ ᎠᏎᎸᎯ ᎨᏒ ᎦᎶᏁᏛ ᎢᎩᏲᎱᎯᏎᎴ ᎢᏗᏍᎦᎾᎢ.\nᎾᏍᎩ ᎬᏩᎾᏙᎴᎰᎯᏍᏗ ᏂᎨᏒᎾ ᎢᏳᎾᎵᏍᏔᏅᎯ ᎨᏒᎢ ᏚᎾᏓᏲᏒ ᎤᎾᎵᏐᏢᎢᏍᏙᏗᏱ, ᏄᏓᎴᏒ ᎦᏓᏒ ᎨᏒ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᏧᎬᏩᎶᏗ ᎤᏂᎬᎥᏍᎬ ᏅᏧᎵᏍᏙᏔᏅ.\nᎢᏨᏒᏰᏃ ᎢᏥᎦᏔᎭ, ᎢᏓᎵᏅᏟ, ᏄᏍᏛ ᏫᏨᎷᏤᎸᎢ, ᎾᏍᎩ ᎠᏎᏉᏉ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎦᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᎾᎿ ᎢᎩᏙᎵᏨᎯ ᏥᎩ ᎾᏍᎩ ᎠᏥᎨᏳᎢ ᎢᏳᏩᏂᏌᏛ;\nᎾᏂᏚᏍᏗ ᏕᎩᎾᏓᏴᎳᏛ ᎠᎼ ᎭᏫᏂ.\nᎾᎥᏃ ᏭᎷᏨ, ᎾᎿ ᎠᎦᏐᎠᏍᎬ ᎢᏴᏛ ᎣᎵᏩᏲ ᎤᏌᎯᎸᎢ, ᏂᎦᏛ ᎤᏂᏥᏘ ᎨᏒ ᎠᎾᏓᏍᏓᏩᏗᏙᎯ ᎤᎾᎴᏅᎮ ᎠᎾᎵᎮᎵᎨ ᎠᎴ ᎠᏂᎸᏉᏗᏍᎨ ᎤᏁᎳᏅᎯ ᎠᏍᏓᏯ ᎠᏂᏁᎨᎢ. ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏂᎦᏛ ᎤᏍᏆᏂᎪᏗ ᏕᎦᎸᏫᏍᏓᏁᎸ ᎤᏂᎪᎲᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᎦᏪᎭ, ᎯᏰᎩ ᏂᎯ ᎯᎵᎯ, ᎠᎴ ᏔᎴᎲᎦ ᎩᏯᏓᏅᏏ ᏧᏂᏲᎱᏒᎯ ᎩᏯᏓᏑᏴᎢ, ᎦᎶᏁᏛᏃ ᏓᏣᏁᎵ ᎢᎦ-ᎦᏘ.\nᎤᏂᎦᎸᏍᏓᏅ, ᎢᎾᏓ ᎠᏦᏫᏎᏍᎨ ᎠᏥᏂᏴᎲ.\nᎧ, ᎤᎬᏫᏳᎯ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎨᏒ ᎡᎯ, ᎠᏲᎱᏍᎩ ᏂᎨᏒᎾ, ᎠᎪᏩᏛᏗ ᏂᎨᏒᎾ, ᎤᏩᏒᎯ ᎠᎦᏔᎿᎢ ᎤᏁᎳᏅᎯ, ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎠᎴ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ; ᎡᎺᏅ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᏄᏍᏛ ᎠᏓᏅᏖᏍᎬ ᎠᎩᏅᏏᏛ ᎢᏯᏆᏛᏁᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎠᎩᏍᏆᏗᏍᏗᏱ, ᎾᏍᎩ ᎠᏴ ᎠᏆᎵᏍᏓᏴᏗ.\nᎠᎴ ᎠᏆᏛᎦᏅᎩ ᎾᏂᎥ ᎾᏍᎩ ᏗᎨᏥᏰᎸᎳᏅᎯ ᎨᏒᎢ; ᎠᎴ ᎠᏍᎪᎯᏧᏈ ᏅᎦᏍᎪᎯ ᏅᎩᎦᎵ ᎢᏯᎦᏴᎵ ᎾᏂᎥᎩ ᏕᎨᏥᏰᎸᏔᏅᎩ ᏂᎦᏛ ᎢᏏᎵ ᏧᏪᏥ ᏓᏂᎳᏍᏓᎳᏩᏗᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏱᏗᏥᏍᎦᎢᎮᏍᏗ. ᎥᏝᏰᏃ ᎪᎱᏍᏗ ᏱᎬᏍᎦᎳ ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᎤᏕᎵᏛ ᏱᎩ ᎾᏍᎩ ᎠᏙᎴᎰᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏥᏌᏃ ᏚᏌᎳᏓᏅ ᏗᎦᏙᎵ, ᎠᎴ ᏚᎪᎲ ᎤᏂᏣᏘ ᏗᎬᏩᎷᏤᎵᏒᎢ, ᎯᎠ ᏄᏪᏎᎸᎩ ᏈᎵᎩ; ᎭᏢ ᏓᎩᏩᏏ ᎦᏚ ᎯᎠ ᎤᏂᎩᏍᏗ.\nᏝᏍᎪ ᎯᎠ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏎ ᎤᎩᎵᏲᎢᏍᏗ ᏱᎨᏎ ᎦᎶᏁᏛ, ᎠᎴ ᏬᏴᏍᏗ ᏱᎨᏎ ᎦᎸᏉᏗᏳ ᎤᏤᎵ ᏗᎨᏒᎢ.\nᎾᏍᎩᏃ Ꮎ ᎠᏥᏅᏏᏓᏍᏗ ᎢᎤᎷᏨ ᎤᎾᏄᎪᏫᏎᎴ ᎤᏅᏏᏙᎯ ᎾᏍᎩ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸᎢ. ᎦᏁᎳᏃ ᎤᎾᎸᎯᏳ ᎨᏒ ᎯᎠ ᏄᏪᏎᎴ ᎤᏅᏏᏓᏍᏗ, ᎮᎾ ᏄᎳ ᏫᏴᎲ ᎡᎾᎢᏓᏍᏗᏱ ᎠᎴ ᏧᏍᏗ ᏕᎦᎳᏅᏛᎢ ᎦᏚᎲᎢ, ᎠᎴ ᏕᎭᏘᏃᎸᎭ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ, ᎠᎴ ᎪᎱᏍᏗ ᎤᏍᏛ ᏗᏂᏰᎸ ᎤᏂᏲᎱᏎᎸᎯ, ᎠᎴ ᏗᏂᏲᎤᎵ, ᎠᎴ ᏗᏂᎨᏫ.\nᎾᎩᎾᏃ ᎪᏍᏓᏱ ᏥᎦᏰᏌᏕ ᏃᎴ ᎦᏅᎯᏓ ᏗᏓᏰᎳᏍᏙᏗ ᎢᏳᏍᏗ ᏥᎨᏎᎢ ᏃᎴ ᎦᏁᎦᏗᏓᎸᎦᏍᏙᏗ ᎢᏳᏍᏗ ᏣᏄᏍᏕ.\nᏰᏥᎸᏉᏔᏅᏃ ᏧᏬᏚᎯ ᏧᏄᏩᎢ, ᎠᎴ ᎯᎠ ᏱᏁᏥᏪᏎᎸ, ᎠᏂ ᎣᏍᏛ ᎨᏒ ᎯᎲᎦ, ᎤᏲᏃ ᎢᏳᏛᎿᏕᎩ ᎯᎠ ᏱᏁᏥᏪᏎᎸ, ᎾᎿ Ꮎ ᎯᏙᎨᏍᏗ, ᎠᎴ ᎠᏂ ᎯᎲᎦ ᎯᏆᎳᏏᏗᏱ ᎠᎩᏍᎩᎸ ᎭᏫᏂᏗᏢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏓᎵᏅᏟ, ᎡᎩᏚᎦ, ᎥᏝ ᎤᏇᏓᎵ ᏱᎩᏚᎦ, ᎾᏍᎩ ᎤᏇᏓᎵ ᎢᎩᏍᏓᏩᏗᏓᏍᏗᏱ ᎢᏕᎲᎢ.\nᎤᏔᎷᎩᏍᎩ ᎤᏬᏪᎳᏁ ᏌᎳᏓ, ᏃᎴ ᎤᏔᎷᎩᏍᎨ ᏫᎵᎻ ᎠᎦᎵᏍᎬᎢ.\nᏃᎴᏍᏉ, ᏫᏥᎢᏲᏍᏓ ᎨᏒ, ᏔᎵᏍᎪᏔᎵ ᎢᏳᏕᏘᏴᏓ Mrs. Chapman.\nᎤᏁᏤᎸᏃ, ᎯᎠ ᏄᏪᏎᎢ, Ᏺ! ᏂᏦᎯᏳᏒᎾ ᎪᎯ ᏥᏤᎭ! ᎢᎳᎪ ᎢᎪᎯᏛ ᎢᏨᏰᎳᏗᏙᎮᏍᏗ? ᎢᎳᎪ ᎢᎪᎯᏛ ᎤᏁᎳᎩ ᎢᏨᏰᎵᏎᎮᏍᏗ? ᎠᏂ ᎯᏯᏘᏃᎦ.\nᎢᎠᏓᎵᏅᏟ, ᎡᏦᏳᏒ ᎦᎸᏉᏗᏳ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ, ᏞᏍᏗ ᏔᎵ ᏳᏛᏕᏍᏗ ᏗᏓᎸᏉᏙᏗ ᎨᏒᎢ.\nᏂᎦᏛᏃ ᎵᏓ ᎠᎴ ᏎᎶᏂ ᎠᏁᎯ ᎬᏩᎪᎮᎢ, ᎠᎴ ᎤᎬᏫᏳᎯ ᎢᏗᏢ ᏭᎾᎦᏔᎲᏍᏔᏁᎢ.\nᎤᏬᏘᏒ ᏄᏍᏕ ᏗᎧᏃᏗ ᏃᎴ ᏧᏯᏪᎩ ᏅᏩᏍᏕᎢ.\nᎠᎾᏘᏲᏍᎬ ᎨᏍᏗ ᏳᎾᎵᏍᏖᎸᏔᎾ ᎠᏂᏣᎳᎩ.\nᏥᏁᎦ ᎠᏂᎦᏔᎾᎢ ᏥᎦᏥᏁᏤᎰ ᎾᏍᎩᏯᎢ; ᎢᏥᎪᎵᏯ ᏂᏥᏪᏍᎬᎢ.\nᎤᏍᏗ ᎦᏚᎲ ᎨᏒ.\nᎩᎶᏍᎩᏂ ᎠᏆᏓᏱᎮᏍᏗ ᏴᏫ ᎠᏂᎦᏔᎲᎢ, ᎠᎦᏓᏱᏍᏗ ᎨᏎᏍᏗ ᎠᏂᎦᏔᎲ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ.\nᎤᎩᏨᏓ ᎢᎦ ᎠᎦᏍᎩ ᎣᎩᎳᏦᏩᏔᏅ.\nᏧᏄᏬᏃ ᏚᏔᎷᎩᏍᎨᎢ, ᎤᏣᏘ ᏧᏁᎩᏳ ᎨᏎᎢ ᎥᏃᏥ ᏥᏄᏁᎩᏴ ᎾᏍᎩᏯᎢ; ᎾᏍᎩ ᎥᏝ ᎩᎶ ᏗᎬᎩᎶᏍᎩ ᎠᏂ ᎡᎶᎯ ᎡᎯ ᎾᏍᎩ ᎢᏧᏁᎬ ᏱᏂᏙᎦᎬᎦ.\nᏃᏗ ᎤᏔᎷᎩᏍᎩ ᏥᎪᏪᎴ ᏓᏏᎳᏛ, ᎢᏳᏍᏗᏉ ᎨᏒ ᎾᏛᏁᎮ ᎤᏔᎷᎪᏗ.\nᎤᏣᏘ ᎢᏨᏲᎢᏳᎭ; ᎤᏣᏘ ᎢᏨᎸᏉᏗᏍᎪᎢ; ᎠᎩᎧᎵᏨᎯ ᎤᎦᎵᏍᏗ ᎨᏒᎢ; ᎤᏣᏔᏅᎯ ᎤᎵᎮᎵᏍᏗ ᎠᏆᏓᏅᏔᏩᏕᎪ ᏂᎦᎥ ᎣᏥᎩᎵᏲᏥᏙᎲᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏓᎵᏅᏟ, ᎢᏨᏯᏓᏅᏖᎸ ᎤᎧᎵᏍᏗ ᎣᎦᏓᏅᏓᏛᎩ ᏂᎦᎥ ᎣᏥᎩᎵᏲᎬ ᎠᎴ ᎤᏪᎵᎯᏍᏗ ᎣᎦᏓᏅᏔᏩᏕᎬᎢ, ᏂᎯ ᎢᏦᎯᏳᏒ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ.\nᎭᏕᏬ Mr. Cass, ᏃᏉ ᎠᏆᏣᏅᏓᏕ.\nᏃᎴ ᎯᎸᎢᏴ ᎠᏣᏗ ᎤᏍᎦ ᏳᏂᏁᎳ ᏪᏌ, ᎠᏣᏗ ᎢᏳᏍᏗ ᎠᏒᎨ.\nᎠᏎᏃ ᏍᏏᏉᏯ ᎤᏕᎶᏆᎡ ᏄᏓᎴ ᎢᏳᏛᏁᏗᎢ.\nᏥᏌᏃᎤᎪᎲ ᎾᏍᎩ ᎤᏂᏣᏘ ᎠᎾᏁᎷᎩᏍᎬ ᎠᎾᏓᏟᏏᏍᎬᎢ, ᎤᏍᎦᏤ ᎦᏓᎭ ᎠᏓᏅᏙ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᏨᎨᏩᎠᎴ ᏗᏣᎵᎡᎾ ᎠᏓᏅᏙ, ᎬᏁᏤᎭ, ᎡᎯᏄᎪᎢ, ᎠᎴ ᏞᏍᏗ ᎿᏉ ᎢᎸᎯᏳ ᏥᎯᏴᎵ.\nᎯᎠᏍᎩᏂᏃᏅ ᏂᎤᏍᏗ ᎢᏣᎭ, ᎾᏍᎩ ᎢᎯᏂᏆᏘᎭ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎠᏂᏂᎦᎴᏓᏂ, ᎾᏍᎩ ᎾᏍᏉ ᎠᏴ ᏥᏥᏂᏆᏘᎭ.\nᏃᎴ ᎭᏫᏂ ᎡᏆ ᎠᏓᏁᎸ, ᏧᏁᎦ ᎦᏍᎩᎸ ᏗᏰᏍᏛᏗ ᏃᎴ ᎠᏕᎳ ᎤᏁᎦ ᏗᎪᏒᏍᏔᏅ ᏴᎩ ᏃᎴ ᏗᏗᏙᏗ ᏃᎴ ᏦᎯᏍᏙᏗ ᏧᏃᏩ.\nᎠᎴ ᏗᎧᏃᎩᏍᏙᏗ ᏗᏂᏃᎩᏍᏗᏍᎩ, ᎠᎴ ᏗᏂᏃᎩᏍᎩ, ᎠᎴ ᎠᏦᏔᏍᏗ ᏗᏂᏃᎩᏍᏗᏍᎩ, ᎠᎴ ᏗᏂᏤᎷᎯᏍᎩ ᎤᎾᏓᏃᏴᎵᏍᏛ ᎥᏝ ᎠᎴ ᎪᏢᏅᎥᏍᎩ ᏄᏓᎴᏒᏉ ᎪᎱᏍᏗ ᎪᏢᏍᎩ ᎿᏉ ᏰᏣᏩᏛᎡᎴᏍᏗ; ᎠᎴ ᏅᏯ ᎠᏍᏙᏍᎩ ᎤᏃᏴᎬ ᎥᏝ ᎿᏉ ᎡᏣᏛᎦᏁᏗ ᏱᎨᏎᏍᏗ;\nᎯᎸᎢᏴ ᏓᏲᎪ ᏓᏏᎳᏛ ᏍᎪᏯ ᏓᎾᏣᏯᎩᏍᎬᎢ, ᎣᏍᏓ ᎢᏳᏩᏁᏗ ᎨᏐ ᎧᏅᏂᏍᎩ ᎧᎵ ᏧᏔᎸᎩᏓ ᏱᎩ.\nᎠᎴ ᎠᏣᏗ ᏯᏔᏲᎯᎭ, ᏥᎪ ᎢᎾᏛᏉ ᏴᎦᏅᎥᏏ?\nᎢᎸᎯᏢᏃ ᎤᏱᎶᎯᏏ ᎤᎩᎸᏍᎪᎢ; ᎠᎴ ᏓᎭᏬᎢᎰᎢ, ᎠᎴ ᏕᎦᎸᏓᎩᏍᎪ ᏕᎦᏄᏙᎬᎢ, ᎠᎴ ᎤᎸᏕᎯᎰᎢ; ᎨᏣᏍᏓᏩᏗᏙᎯᏃ ᎦᏥᏔᏲᏎᎸ ᎤᏂᏄᎪᏫᏍᏗᏱ; ᎠᏎᏃ ᎤᏂᏄᎸᏅᏉ.\nᎠᏰᎴᎩ ᎤᏏᏩᎸ ᎣᎭᏁ ᏥᏥᏯᎧᎯᏯᏍᎬ ᎠᎨᏯ. ᏅᏃ ᎠᏕᎭᏲᎲ ᏭᏂᎷᏣ, ᏕᎦᏆᏛ ᏫᏚᎶᏒ ᏌᏬᏚ ᏕᏥᎪᏩᏘᏍᎬ, ᎠᎬᏱᏣ ᏩᎦᏘᏗᏒ ᏂᎦᏓ ᎣᎬᎭᏂᎸ.\nᏥᏳᎯᏃ ᎤᎾᏣᎢᏒ ᎩᎳᏉ ᎢᏴᏛ ᎬᏬᎵᏤᎢ.\nᏎᎦ ᎤᎾᎴᏫᏍᏔᏁ ᎤᏛᏐᏅ ᎤᏤᏥᏍᏗ ᏗᎦᏂᎩᎸ, ᎠᏆᏛᎦᎾ, ᎠᏇᎵᏒ ᎨᏍᏗ ᏍᎩᎾᎾ ᎢᏳᎾᏛᏁᏗ ᏱᎨᏎ.\nᎢᏳᏃ ᎾᏍᎩ ᎯᎠ ᏱᏥᎦᏔᎭ, ᎣᏏᏳ ᏱᏣᏓᏅᏔ ᎾᏍᎩ ᏱᏂᏣᏛᏁᎭ.\nᎡᏆ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏓ ᎦᎶᎯᏍᏗ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏗᏍᏆᏂᎪᏙᏗ, ᏏᏆ ᎤᏴᏍᏗ ᎦᎸᎳᏗᏣ. ᎯᎪ ᏑᎾᎴ ᎤᏪᏝᎴᎾ ᏏᏆ ᏣᏄᏏ, ᎤᏕᎶᎰᏎ ᏓᏏᎳᏛ ᎾᏍᎩᏃ ᎤᎧᎭᏕ, ᎣᏍᏓ ᎠᎪᏩᏛᏗ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ ᎤᎧᎭᏗ ᏱᎩ.\n”ᎨᏍᏗ ᏯᏆᏚᎵ ᎠᎩᎵᏬᎢᏍᏗ!” ᏍᏓᏯ ᏄᏪᏎ ᏫᎵᎻ, ᎦᏙ ᏭᏓᏓᎩᏅᏎ.\nᏁᎳᏚ ᎢᏍᎪᎯᏧᏈ ᏔᎵᏍᎪᎯ ᏅᎩ ᏧᏕᏘᏴᏌᏗᏒ ᎠᏥᏁᎴ ᏍᏏᏉᏯ ᎠᏕᎳ ᎤᏁᎦ ᎠᎧᏁᏍᏗ.\nᏫᏥ ᏩᏓᏬᎢᎡ, ᎾᎨᎢᏴ ᎣᏁ ᎢᏣ ᏅᏲ ᎭᏫᏂᏣ ᎤᏛᎦᏁ ᏂᏗᎦᏪᏍᎬ.\nᏥᎻ, ᎤᏁᎳᏅᎯ ᎠᎴ ᏥᏌ ᎦᎶᏁᏛ ᎬᏩᏅᏏᏛ, ᏫᏥᏲᎵᎦ ᏔᎳᏚ ᏂᏥᎳᏍᏓᎸ ᎢᏣᏗᎦᎴᏲᏨᎯ ᏥᎩ.\nᏥᏲᏎᎸ ᎨᏍᏗᏗ ᏣᏓᏅᏖᏙᏗᏱᎩ ᏱᎬᎾᏦᏎᏛ ᏣᎵ ᏧᏤᎵ ᏴᏫ, ᎠᏆᏑᏯᎩᏍᏗ ᏱᎩ ᎶᏩᏂ ᎠᎴ ᏣᏥ ᎬᎩᏴᏣᎦᏍᏗ ᎠᎴ ᎤᎵᏨᏓᏆᏓ ᎠᏆᏗ ᎠᎩᏰᏨ, ᎬᎩᏯᏣᎦᏍᏗ ᏱᎦᏑᏯᎩ.\nᎥᏝᏰᏃ ᏯᏆᏚᎵ ᎪᎯ ᎨᏒ ᎦᎢᏒ ᎢᏨᎪᏩᏛᏗᏱ; ᎠᏎᏃ ᎤᏚᎩ ᎠᏋᎭ ᎢᎸᏍᎩ ᎢᎪᎯᏛ ᎢᏨᏯᏕᏁᏗᏱ, ᎢᏳᏃ ᎤᎬᏫᏳᎯ ᎣᏏᏳ ᏳᏰᎸᏅ.\nᎾᏍᎩ ᎯᎠ ᎢᎬᏱᏱ ᎠᎴ ᎤᏣᏘ ᎦᎸᏉᏗ ᏗᎧᎿᏩᏛᏍᏗ.\nᎤᏣᏘᏂᏍᎩᏂ ᏂᏣᏛᏁᎭ, ᎠᎴ ᏧᎬᏩᎶᏗ ᏕᏥᎩᎡᎭ, ᎠᎴ ᎾᏍᎩ ᎢᏣᎵᏅᏟ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎦᎳᏗᏍᏗᏱ ᏥᎯᎳᏓ ᏣᏤᎵ ᎠᏰᎳᏍᏗᎦᏅᎯᏛ, ᏂᎦᏛᏰᏃ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎠᏂᏱᏍᎩ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᏧᏂᏲᎰᎯᏍᏙᏗ ᎨᏎᏍᏗ.\nᎠᏍᎪᎵᏃ ᏕᎬᏩᏂᎮ ᎦᎾᏍᏓ ᎬᏗ, ᎠᎴ ᏕᎬᏩᎵᏥᏍᏆᏍᎨᎢ, ᎠᎴ ᏓᎾᎵᏂᏆᏅᎥᏍᎨ ᎬᏩᏓᏙᎵᏍᏓᏁᎮᎢ.\nᎦᎶᏁᏛᏰᏃ ᎾᏍᏉ ᏌᏉ ᏄᎩᎵᏲᏤ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎤᏍᏛᏕᎢ, ᎠᏍᎦᎾ ᏂᎨᏒᎾ ᎠᏂᏍᎦᎾ ᏚᎩᎵᏲᏤᎴᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯᏱ ᏫᏗᎦᏘᏃᎯᏍᏗᏱ; ᎠᏥᎴᎢ ᎤᏇᏓᎵ ᎨᏒᎢ, ᎠᏎᏃ ᎠᏓᏅᏙ ᎤᏩᏂᏕᎢ.\nᏃᏉ ᎧᏂᎩᏛ ᏄᎵᏍᏔᏅ, ᏚᎴᏅ ᎦᏚᏏ ᎢᏣ ᎤᎵᏗᎩᏒ.\nᎾᏍᎩᏃ ᎤᏁᏅ ᏫᏚᏂᏃᏁᎴ ᎠᏂᏐᎢ; ᎾᏍᏉ ᎥᏝ ᏱᏚᏃᎯᏳᏁ ᎾᏍᎩ..\n“ᏔᎵᏁ, ᏥᏇᏅᏍᎪ.”\nᎨᏍᏗ ᏱᏥᎦᏔ ᏍᎩᎾᎩᏪᏒ.\nᏗᎾᏓᏂᏱᏍᎩᏃ ᎾᏍᎩ ᎯᎠ ᏄᏂᏪᏒ ᏚᏂᏃᏁᎴ ᏗᏄᎪᏗᏍᎩ. ᎤᏂᏍᎦᎴᏃ ᎤᎾᏛᎦᏅ ᎠᏂᎶᎻ ᎨᏒᎢ.\n“ᎦᏙ ᎠᏗᎭ?” ᎤᏛᏁ ᏌᎳᏓ.\nᎤᏍᏗ ᎢᏈᎬᎢ, ᎦᏙᏊᎢ? ᎤᏓᏛᏛᏁᎢ ᎤᏍᏗ ᎠᏧᏣ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎾᏍᎩ ᎨᏥᏅᏏᏓᏍᏗ, ᎤᏂᏅᏏᏙᎯ ᎦᎷᏨᎭ ᏓᏩᏛᎲᎭ ᎠᏂᏯᏫᏍᎬᎢ; ᎤᏙᎯᏳᎯᏯ ᎢᏣᏲᏎᎭ ᏛᏓᏠᎵ ᎤᏩᏒ, ᎠᎴ ᏙᏓᎧᏁᏤᎵ ᎤᎾᏂᏢᏗᏱ [ᎤᎾᎵᏍᏓᏴᏗᏱ,] ᎠᎴ ᏓᎦᎷᏥ ᏙᏛᏍᏕᎸᎯ.\n“ᏍᎩᏙᎵᎩ ᏂᎦᏓ,” ᎡᏝᏪᎯ ᏄᏪᏎ ᏫᎵᎻ.\nᎿᏉᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᎾᏓᏂᏱᏍᎩ ᎬᏩᎪᎲ, ᎤᏁᎷᏅᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᏯᏛᎥᎦ! ᎯᏯᏛᎥᎦ! ᏆᎴᏗ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏂᎯ ᎡᏣᏗᎿᏫᏛ, ᎠᎴ ᎡᏣᏛᎥᎦ; ᎠᏴᏰᏃ ᎥᏝ ᏱᏥᏩᏘᎭ ᎤᏍᎦᏅᏨᎢ.\nᏗᏓᏁᎸ ᏭᎷᏣ ᎰᎻ, ᏚᎿᏩᎩᏎ ᏚᎷᏫᏍᏔᏁᎲ ᏧᎿᏬ ᏃᎴ ᏦᎯᏍᏙᏗ ᏚᎿᏬᎡ.\nᎠᎴ ᏕᏓᏓᏓᏅᏖᏍᎨᏍᏗ, ᎠᏓᎨᏳᏗ ᎨᏒ ᎠᎴ ᏱᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏗᎦᏓᏂᎳᏕᏗᏱ ᏗᎩᏄᏫᏍᏓᏁᏗᏱ;\nᎠᏎᏃ ᏉᎳ ᎠᏍᏓᏯ ᎤᎵᏍᏔᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏞᏍᏗ ᏨᏒ ᎪᎱᏍᏗ ᎤᏲ ᎢᏣᏓᏛᏁᎸᎩ, ᎠᏂᏰᏃ ᏂᎦᏛ ᎣᏥᏯᎠ.\nᎯᎸᎢᏴ ᏍᎩᎾᎾ ᏄᎵᏍᏔᏁ ᎨᎵᏍᎪ, ᎤᏛᏅ.\nᎠᏍᎩᎾᏃ ᎤᏘᏅᏎ ᎤᎿᎷᏔᏁ ᎢᏅᎢᎦᏘ ᎣᏓᎸᎢ, ᎠᎴ ᏚᏎᎮᎴ ᎩᎳᏉ ᎢᏴᏛ ᎢᎪᎯᏛ ᏂᎦᎥ ᎠᏰᎵ ᏕᎪᏢᏩᏗᏒ ᎡᎶᎯ.\nᎬᏩᎦᏘᏯᏰᏃ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎡᏥᏍᏕᎸᏙᏔᏅᎯ ᎪᎯᏳᏗ ᎨᏒ ᎬᏔᏅᎯ; ᎠᎴ ᎾᏍᎩ ᎥᏝ ᎢᏨᏒ ᎨᏒ ᏅᏗᏳᏓᎴᏅᎯ; ᎤᏁᎳᏅᎯ ᎤᎵᏍᎪᎸᏔᏅᎯ;\nᏕᎦᏃᏣᎸᏃ ᏂᎬᎾᏛ ᏏᎵᏱ ᎤᏰᎵᏎᎢ; ᏕᎬᏩᏘᏃᎮᎴᏃ ᏂᎦᏛ ᏧᏂᏢᎩ, ᏧᏓᎴᏅᏛ ᎥᏳᎩ ᎠᎴ ᎡᎯᏍᏗ ᎤᏂᏱᎵᏙᎯ, ᎠᎴ ᎾᏍᏉ ᎠᏂᏍᎩᎾ ᏗᎬᏩᏂᏯᎢ, ᎠᎴ ᎾᏍᏉ ᏧᏂᎸᏃᏘᏍᎩ, ᎠᎴ ᎾᏍᏉ ᏧᏂᎾᏫᏍᎩ; ᏚᏅᏩᏁᏃ.\nᎿᏃ ᏅᎩ ᏗᎦᏅᏌᏗ ᏥᎪᎥᎯ ᏢᏓᏥᏧᎶᎸᏗ ᎾᏍᎩᏯ ᎨᏒᎩ, ᎠᎰᎵᏃ ᏢᏓᏥ ᎤᏃᏕᏅ ᎠᎰᎵ ᏥᏄᏍᏙ ᎾᏍᎩᏯ ᎨᏒᎩ, ᎢᎾᏛᏃ ᎤᏁᎸᎩ ᎤᏤᎵ ᎤᎵᏂᎬᎬᎢ ᎠᎴ ᎤᏤᎵ ᎤᏪᏗᏱ ᎨᏒᎢ, ᎠᎴ ᎤᏣᏗ ᎢᏳᏛᏁᎵᏓᏍᏗᏱ ᎤᎵᏍᎪᎸᏓᏁᎸᎩ.\nᏃᏗᏍ ᎠᎦᏍᎬ ᎤᏴᏨ ᎠᎦᏍᎬ ᏃᎴᏍᏊ, ᎪᎯᏴ ᎠᏫᏴ ᎠᏆᏂᎩᏓ ᏃᏊ ᎤᎴᎾᎲ ᎫᏘᏍᎬ.\n“ᏃᎴ ᏄᏓᎴ ᎠᎾᏓᏤᎵ ᏌᎳᏓ ᎤᏃᎴ ᎠᏲᏙᏗ ᎠᎩᎸᏗᏍᎩ.\nᏓᏱᏓᎵᏃ ᎤᎾᏓᏡᎬ ᏧᎾᏁᎶᏗ ᏗᎧᎿᏩᏗᏙᎯ ᏫᏲᏪᎳᏏ; ᎯᎠ ᎾᏍᎩ ᏫᏂᏪᏏ ᎠᏗᎭ ᎤᏁᎳᏅᎯ ᎤᏪᏥ, ᎾᏍᎩ Ꮎ ᏗᎦᏙᎵ ᎠᏥᎸ ᎠᏓᏪᎵᎩᏍᎩ ᎾᏍᎩᏯ ᏥᎩ, ᏧᎳᏏᏕᏂᏃ ᎥᏣᏱ ᎬᏩᏔᎷᎩᏍᎩ ᎾᏍᎩᏯ ᏥᎩ;\nᎩᎳᏉᏃ ᎢᏴᏛ ᏗᎦᎴᏂ ᏚᎵᏍᏚᎢᏎᎢ, ᎠᎴ ᎦᏃᎪ ᎤᎸᏍᏓᏁᎸᎯ ᏚᎵᎧᏁᏴᎮ, ᎠᎴ ᎣᏍᏛ ᎤᏬᏂᏎᎢ.\nᎠᏎᏃ ᎠᏴ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏕᏥᎨᏳᏎᏍᏗ ᎨᏥᏍᎦᎩ; ᎣᏍᏛ ᏕᏥᏁᏤᎮᏍᏗ ᎨᏥᏍᎩᏅᏗᏍᎩ, ᎣᏍᏛ ᏂᏕᏣᏛᏁᎮᏍᏗ ᎨᏥᏂᏆᏘᎯ, ᎠᎴ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗᏱ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎦᏰᎪᎩ ᎨᏥᏃᎮᏍᎩ ᎠᎴ ᎤᏲ ᎢᎨᏨᏁᎯ.\nᎤᎾᏛᎦᏅᏃ ᎾᏍᎩ, ᎤᏂᎸᏉᏔᏅᎩ ᎤᎬᏫᏳᎯ. ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎢᏓᎵᏅᏟ, ᎭᏙᎴᎰᏍᎦ ᏄᏂᏧᏈᏍᏛ ᎠᏂᏧᏏ ᎤᏃᎯᏳᏅᎯ; ᏂᎦᏛᏃ ᎤᏣᏘ ᎤᏂᎸᏉᏗᏳ ᏗᎧᎿᏩᏛᏍᏗ.\nᎪᎯᏍᎩᏂ ᎨᏒ ᏗᎧᎿᏩᏛᏍᏗ ᎡᏓᏚᏓᎳᎡᎸ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏲᎱᏒᎯ ᎨᏒ ᏗᎩᎾᏢᏅᎯ ᎨᏒᎢ; ᎾᏍᎩ ᎢᏤ ᎠᏓᏅᏙ ᎢᎬᏙᏗᏱ ᎪᎱᏍᏗ ᎡᏓᏛᏁᏗᏱ, ᎥᏝᏃ ᎪᏪᎸᏉ ᎢᎬᏙᏗᏱ ᎾᏍᎩᏯ ᏂᎦᏛᏁᎸ ᏧᏩᎫᏔᏅᏒᎢ.\nᎣᏏᏉᏧ?\nᏲᎾ ᎤᏤᏍᏙ ᎤᏍᏘᏰᎬ ᎠᏂᏥᎸᏍᎩ ᏗᎬᏔᏅ ᎤᏬᏚᎢᏍᏕᎢ.\nᏥᎪ ᎢᏨᎶᏄᎡᏍᎨ ᎦᏥᏴᏗᏍᎨ ᎩᎶ ᎦᏥᏅᏏᏛ ᏫᎨ-ᏥᎷᏤᎸᎯ?\nᎡᏥᏅᏏᏓᏍᏗ, ᏕᏦᎯᏳᏎᏍᏗ ᏂᎦᎥ ᏂᎨᏥᏪᏎᎲ ᎨᏥᏅᏏᏙᎯ ᎠᏂ ᎤᏇᏓᎵ ᎨᏒᎢ; ᎥᏝ ᏥᏛᏓᏗᎧᏃ ᎾᏍᎩᏯᎢ, ᏴᏫᏉ ᎣᏏᏳ ᎤᏂᏰᎸᏗ, ᎣᏏᏳᏍᎩᏂ ᎢᏥᏰᎸᎯ ᎨᏎᏍᏗ ᏗᏥᎾᏫᏱ, ᎡᏥᎾᏰᏍᎨᏍᏗ ᎤᏁᎳᏅᎯ:\nIX. ᏫᎵᎻ ᎤᏨᏉᏙᏗ  \nᎠᏯᏙᎵ ᎦᎶᎯᏍᏗᏱ ᎢᏥᏴᏍᏓ ᎠᏯᏖᏂᏰᏃ ᎦᎶᎯᏍᏗᏱ ᎠᎴ ᎠᏯᏖᏂ ᏅᏃᎯ ᎠᏲᎱᎯᏍᏗᏱ ᏫᎦᎾᏄᎪᎬᎢ, ᎤᏂ ᏣᏔᏃ ᎾᎿ ᎠᏂᎶᏍᎦ.\nᏗᏂᎧᎿᏩᏗᏙᎯᏰᏃ ᎥᏝ ᏄᏂᎬᏫᏳᏌᏕᎩ ᏱᏂᏚᏩᏁᎸ ᎾᏍᎩ ᎾᎿ ᎡᎶᎯ ᎤᎵᏰᎢᎶᎯᏍᏗ ᏥᎨᏒᎩ, ᎾᏍᎩ ᏥᏗᏁᎢᏍᏗᎭ.\nᏚᏂᏃᎩᏒᏃ ᏗᎧᏃᎩᏍᏗ ᎤᏂᏄᎪᏨᎩ, ᎣᎵᏩᏲᎢ ᎤᏌᎯᎸ ᏭᏂᎶᏒᎩ.\n”ᏐᏉ ᎢᏳᏪᏅᏍᏗ, ᏒᏙᏂ ᎦᎵ ᏣᎵᏍᏓᏴᏗ ᏚᎵᎬᏩᏝ.” \nᎨᏍᏗ ᎩᎶ ᏳᎪᎭ ᎤᎵᏏᎬᎢ.\nᎠᎴ ᏣᏃᎮᏍᎩ ᏍᏗᏫ ᎤᎩᎬ ᎤᏤᏬᏨ ᎠᏴ ᎾᏍᏉ ᎾᎥ ᏥᏙᎬᎩ ᎠᎴ ᎣᏏᏳ ᎠᎩᏰᎸᏒᎩ ᎤᏲᎱᏒᎢ, ᎠᎴ ᏕᏥᎦᏘᏴᎩ ᏧᎾᏄᏬ ᎾᏍᎩ ᎬᏩᎯᎯ.\nᎠᏌᎩᏛᎤᏙᏓᏆ ᏗᏆᏂᎩᏒ ᎤᎨᏓᎵᏴ ᎨᏴ.\nᎠᏙᎴᏆᏍᏗ, ᏗᏂᏲᏟ ᏗᏛᎯᏍᏙᏗ, ᎠᏂᏩᏥᏂ, ᏗᎪᎵᏰᏗ, ᏗᎪᏪᎳᏅ, ᎠᎵᏍᏔᏴᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎩᎾᏫ ᎣᏏᏳ ᎤᏓᏅᏓᏛᎩ, ᏥᏃᎦᏃ ᎠᎵᎮᎵᎬᎩ, ᎾᏍᏉᏃ ᎠᎩᏇᏓᎸ ᏓᏳᏯᏪᏐᎵ ᎤᏚᎩ ᎬᏗ ᎨᏒᎢ;\nᎨᏍᏗ ᎤᏍᏆᏂᎩᏘ ᏱᎨᏎ.\nᎠᎴ ᎾᏍᏉ ᏕᏥᏲᎵᎸᎭ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎾᎿ ᎠᏂᏁᎸᎢ. ᎡᏥᏲᎵᎸᎭ ᎤᏣᏘ ᏥᎨᏳᎢ ᎢᏈᏂᏓ, ᎾᏍᎩ ᎢᎬᏱᏱ ᎤᎬᏛᎾᏨᎯ ᏥᏂᎦᎵᏍᏗᎭ ᎡᎦᏯ ᎦᎶᏁᏛ ᎠᎵᏍᎪᎸᏓᏁᏗ.\nᎯᎠ ᏴᏫ ᎾᎥ ᎬᎩᎷᏤᎭ ᎠᏂᎰᎵ ᎠᏅᏗᎭ, ᎠᎴ ᏚᏂᎭᏁᎦᎸ ᏓᏅᏗ ᎬᎩᎸᏉᏗᎭ, ᎠᏎᏃ ᎤᏂᎾᏫ ᎢᏅᎯᏳ ᏄᏅᏅ.\nᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎤᏪᎿᎢᏳ ᏥᎩ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᏥᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏣᏘ ᎤᏓᎨᏳᏗ ᎨᏒ ᏧᏩᏔᏁ ᎠᏴ ᎢᎩᎨᏳᎯᏳ ᏥᏄᎵᏍᏔᏁᎢ,\nᎤᏗᎴᎩ ᎨᏎ.\nᎩᎶᏰᏃ ᎤᎮᏍᏗ ᎠᏥᏁᏗ ᎨᏎᏍᏗ, ᎤᏣᏘᏃ ᎤᏍᏆᏂᎪᏕᏍᏗ; ᎩᎶᏍᎩᏂ ᏄᎲᎾ ᎨᏎᏍᏗ ᎠᏥᎩᎡᏗᏉ ᎨᏎᏍᏗ ᎾᏍᎩ ᎾᏍᏉ ᎤᎲᎢ.\nᎠᏓᏍᏓᏴᏗ ᏦᎳᏂ ᏭᎪᎮ, ᏃᎴ ᎩᎳᏈᏴ ᎠᏂᏍᎦᏯ ᏫᏚᏃᎯᏎᎴ.\nᏥᏌᏃ ᏩᏥᏯᏅᎲᎩ ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎤᏂᎷᎯᏍᏗᏱ.\nᎠᏂᏴᏫᏃ ᎤᏂᏑᎵᎪᏤ ᎠᏅᏙᎵᏗᏍᎬ Ꮎ ᎠᏂᏔᎵ ᏗᎾᏟᎭ ᎤᎾᎴᏅᏎ ᏓᎾᏓᏙᏪᎳᏁᎲ ᎠᎴ ᎠᏂᎪᎵᏰᏍᎬ ᏣᎳᎩ.\nᎦᏩᏍᏛᏂᏍᏗᏃ ᎤᏪᏢᏅ, ᏂᎦᏛ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᏚᏄᎪᏫᏒᎩ, ᎠᎴ ᎾᏍᏉ ᎠᏫ, ᎠᎴ ᏩᎩ; ᏚᏤᏮᎩᏃ ᎠᏕᎸ ᏚᏂᎲ ᎠᏕᎸ ᏗᏂᏁᏟᏴᏍᎩ, ᎠᎴ ᏚᎷᏆᏗᏅᏒᎩ ᏕᎦᏍᎩᎸᎢ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎿᏉ ᎾᏍᎩ ᎯᎠ ᏥᏍᏆᏛᎭ, ᎠᎴ ᏄᏜᏏᏛᏒᎾ ᏂᎦᏥᏴᏁᎸ ᎤᏂᎪᏩᏛᏗᏱ, ᎯᎠ ᎾᏍᎩ ᎤᏓᏔᏅᎯ, ᏫᏨᎶᎢᏍᏓᏅᏗ ᎨᏎᏍᏗ ᏍᏆᏂᏱ ᏫᏥᎦᏖᏍᏗ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏝᏍᎪ ᎯᎠ ᏱᏂᎬᏪᏎᎴᎢ; ᎢᏳᏃ ᎰᎯᏳᎲᏍᎨᏍᏗ, ᏣᎪᏩᏛᏗ ᎨᏎᏍᏗ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎠᎴ ᎾᏍᎩ ᎠᏴ ᎣᏏᏳ ᎤᏰᎸᏅᎯ ᎤᏁᎳᏅᎯ, ᎤᎵᎮᎵᏍᏗ ᎠᏆᏓᏅᏛ ᏫᏨᎷᏤᏗᏱ, ᎠᎴ ᎢᏧᎳᎭ ᏂᎯ ᏗᎩᎦᎵᏍᏙᎯᏍᏗᏱ.\nᎿᏉᏃ ᏥᏌ ᎠᎦᏔᎯᏳ ᎨᏒ ᏂᎦᎥ ᎿᏉ ᎤᎵᏍᏆᏛᎢ, ᎪᏪᎸ ᎤᏙᎯᏳᏗᏱ, ᎠᎩᏔᏕᎩᎭ, ᎤᏛᏅᎩ.\nᎾᏂᎥ ᎩᎶ ᎪᎦᏓᏅᏖᏍᎬ ᎦᎶᏁᏛ ᎣᎩᏅᏏᏓᏍᏗ ᎾᏍᎩᏯ ᎪᎦᏓᏅᏖᏍᎨᏍᏗ, ᎠᎴ ᎣᎦᎦᏌᏯᏍᏗᎨᎩ ᎤᏕᎵᏛ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᏐᏉ ᎤᎵᏏᏂᏕᏅ ᎣᏣᎵᏍᏔᏴᎲᏍᎬ, ᏌᎪᏂᎨ ᏗᏑᏫᏍᏙᏗ ᏗᏫᏍᎩ ᎤᏓᎵ ᎤᏛᎦᏍᏔᏅ ᏥᏃᎮᏍᎬ ᏗᏆᏛᏒ, ᎢᏰᎵᏍᏗᎢᎦᏃ ᎤᏛᏅ.\nᏤᏍᏗ ᎭᎾ ᏱᏣᏓᏬᎡᏍᏗ ᎤᏍᏗ ᎠᏣᏗ!\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎢᎳᏯ ᎦᏳᎳ ᎤᎷᏨ, ᎠᎴ ᎥᏝ ᏱᎬᏬᎵᏦᎢ, ᎠᏎᏃ ᏂᎦᎥ ᎤᎾᏚᎵᏍᎬᎢ ᏂᎬᏩᏁᎸ. ᎾᏍᏉᏍᎩᏂ ᏴᏫ ᎤᏪᏥ ᎾᏍᎩᏯ ᏅᏓᎬᏩᏁᎵ.\nᎠᏁᎵᏗ ᏍᏉ ᏓᎧᏔᏍᏗᏍᎨ. ᎤᎵᏏᏂᏗ ᎠᏌᏙᏱᏍᎨ ᎠᏁᎵᏗ ᎦᎸᏙᏗ. ᎨᏍᏗ ᏳᏚᎵᏍᎨ ᏧᏰᏍᏙᏗ ᏧᏤᎵ ᏧᏂᏍᏗ.\nᏰᎵ ᏎᎦ ᎦᏚᏏ ᎤᎾᏁᎳᏗᏍᏗ ᎢᎦ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎤᏙᎯᏳᎯᏯ ᎢᏨᏲᏎᎭ, ᎯᎠ ᎾᏍᎩ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᎤᏬᏑᎶᏨᎯ ᎤᏟ ᎢᎦᎢ ᎠᎲᎦ ᎡᏍᏚᏉ ᏂᎦᏛ ᎠᏂᏐᎢ.\nᎩᎶ ᎠᏏᏴᏫ ᎯᎠ ᎢᏳᎾᏍᏗ ᏗᏂᏲᎵ ᏓᏓᏂᎸᎨᏍᏗ ᎠᏴ ᎠᏴ ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ; ᎩᎶᏃ ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ, ᎥᏝ ᎠᏴ ᏱᏓᏆᏓᏂᎸᎨᏍᏗ, ᏅᏛᎩᏅᏏᏛᏍᎩᏂ ᏓᏓᏂᎸᎨᏍᏗ.\nᏔᎵᏚ ᎢᏯᏂ ᎠᏂᏍᎦᏯ, ᎠᏂᎨᏯ ᏃᎴ ᏗᏂᏲᏟ - ᏩᎢ ᎤᎾᏁᎶᏔᏅ ᏣᎵ ᏚᏓᏘᎿᎥ.\nᎠᏗᏍᎪ ᎠᎵᏰᎾ, ᎪᎱᏍᏗ ᏧᏂᎵᏬᏨ ᏓᏂᏯᎩᏍᎪ ᎤᏂᏥᏯ ᏃᏗ ᎦᏙ ᏫᏓᎾᏗᎩᏍᎪ.\nᏥᏳᎯᏃ ᎣᏂᏗᏢ ᎤᏣᎡ ᎦᎵᎮᎢ, ᎠᎫᏍᏙ ᎤᎫᏍᏓᎡᎢ; ᎬᏩᏰᏍᏔᏁᏃ, ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᏔᏕᏲᎲᏍᎩ, ᏝᏍᎪ ᎪᎱᏍᏗ ᏰᎵᎭ ᏨᏓᏲᏣᏗᏒᏂ?\nᎥᏝ ᎠᎴ ᎩᎶ ᎠᏨᏍᏛᎦ ᎠᏨᏍᏙᏗ ᎤᏕᎵᏒ ᏱᎦᎧᎲᏍᎪᎢ, ᎥᏝ ᎠᎴ ᎠᏟᎶᏍᏗ ᏱᎫᏢᏗᏍᎪᎢ, ᎦᎪᏗᏱᏍᎩᏂ ᎦᎪᏗᏍᎪᎢ, ᎾᏍᎩ ᏅᏛᏂᏴᎯᎯ ᎤᏂᎪᏩᏛᏗᏱ ᎢᎦ ᎦᏛᎢ.\nᎤᏁᎷᏁ ᏌᏌ.\nᎢᏳᏃ ᎪᎱᏍᏗ ᏓᏆᏙᎥ ᎢᏥᏔᏲᏍᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎠᏎ ᎢᏯᏆᏛᏁᏗ.\nᎾᏍᎩ ᏭᎷᏨ ᎠᎴ ᎤᎪᎲ ᎤᏁᎳᏅᎯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᎤᎵᎮᎵᏤᎢ, ᎠᎴ ᏚᏔᏲᏎᎴ ᏂᎦᏛ ᎤᎵᏂᎩᏛ ᎤᎾᏓᏅᏓᏗᏍᏗᏱ ᏧᏂᏂᏴᏗᏱ ᎤᎬᏫᏳᎯ.\nᎾᎯᏳ ᎢᎦ ᏥᏌ ᎤᏄᎪᏨᎩ ᎠᏓᏁᎸᎢ, ᎠᎴ ᎥᏓᎷᎶᏗ ᎤᏪᏅᎩ.\nᎠᏃ ᎠᏉᎳ ᎢᎩᏅᏟ, ᎤᏣᏘ ᏥᏍᏗᏰᏓ ᏫᏥᎷᏤᏗᏱ ᎤᏁᏅᏍᏙᏗᏱ ᎠᎾᎵᏅᏟ; ᎠᏎᏃ ᎥᏝ ᏳᏚᎸ ᎠᏎ ᎪᎯ ᎨᏒ ᎤᏪᏅᏍᏗᏱ; ᏮᏓᎦᎷᏥ ᎠᏗᎾ ᎤᏜᏅᏓᏕᎸᎭ.\nᎤᏐᏅᏤᎯᏃ ᏕᎤᎧᎿᏅ ᎾᏍᎩ ᎬᏩᏚᏫᏛ ᏄᎾᏛᏅ, ᎤᏕᏯᏔᏁᎲ ᏗᏍᏓᏱᏳ ᎨᏒ ᏧᏂᎾᏫ, ᎯᎠ ᏄᏪᏎᎴ ᎠᏍᎦᏯ; ᎭᏙᏯᏅᎯᏛ. ᎤᏙᏯᏅᎯᏕᏃ, ᎤᏪᏰᏂᏃ ᎬᏩᏃᏍᏛ ᏄᎵᏍᏔᏁ ᎾᏍᎩᏯ ᏐᎢ ᏄᏍᏛᎢ.\nᎥᏝ ᎠᎴ ᎾᏍᎩᏉ ᏱᏂᎦᎥ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎾᏍᏉ ᎡᏓᎵᎡᎵᎦ, ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᎪᎯ ᎨᏒ ᎢᎩᏁᎸᎯ ᏥᎩ ᎪᎯᏍᏙᏗ ᎨᏒᎢ.\nᎢᏣ ᎠᏟᏰᎵᏒ ᎠᏤᎯ ᎡᎶ, ᎠᏍᎦᎩ ᎤᏩᏙᎯᏴᏓ.\nᎤᏁᎳᏅᎯᏰᏃ ᎠᏆᏤᎵ ᎠᎦᏔᎯ ᏂᎦᎥ ᎢᏨᎨᏒᎵ ᏥᏌ ᎦᎶᏁᏛ ᎤᏓᎨᏳᏗ ᎬᏗᏍᎬᎢ.\nᏈᎵᎩᏃ, ᏩᏓᎳᎻᏃ, ᏓᎻᏃ, ᎹᏚᏃ ᎠᏕᎸ ᎠᎩᏏᏙᎯ, ᏥᎻᏃ ᎡᎵᏈ ᎤᏪᏥ, ᎴᏈᏯᏃ ᏓᏗᏯ ᏣᏃᏎᎰᎢ,\nᏧᏂᎳᏫᎢᏍᏗᏱᏃ ᎠᏯᎡ ᎠᏍᎦᏯ ᎦᏓᎭ ᎠᏓᏅᏙ ᎤᏯᎢ, ᎠᎴ ᎤᏪᎷᏁ,\nᎤᎩᏨᏓᏃ, ᎠᏧᏣᏃ ᏩᎦᎦᏛᏁ ᎤᎵᎢ.\nᏔᎷᏣ ᎦᎵ ᎠᎩᎳᏗᏓᏅ ᎠᎵᏍᏔᏴᏗ, ᎨᏍᏗ ᎣᏍᏓ ᏯᎩᏰᎸᎮ ᎠᏂᏲᏍᎩ ᎤᎾᎵᏍᏔᏴᏗ.\nᏙᎯ ᎦᎢᏒ; ᏍᏈᏍᏓ ᎫᏘᏍᎬ.\nᎾᏍᎩ ᎤᎾᏫᏱ ᏫᎾᏴᎯᎲᎾ ᎨᏒ ᎢᏳᏍᏗ, ᎤᏍᏉᎵᏱᏉᏍᎩᏂ, ᎠᎴ ᏫᎦᎶᎯᏍᏗᏍᎬᏉ, ᎾᏍᎩᏃ ᎦᏅᎦᎵᏍᎬ ᏂᎦᎥ ᎠᎵᏍᏓᏴᏗ?\n“ᎨᏍᏗ ᎭᏂᏣ ᏣᏯᎠ ᏁᏆᎸ ᎢᎧᏛ ᏱᎩ,” ᎤᏛᏁ ᏐᏉ ᎾᎥ ᎦᏙᎩ, “ᎠᏎᏃ ᎭᎦᏓ ᎤᏓᏅᎦᎸᏓ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᎦᏙ ᎤᏍᏗ ᏗᏓᏬᏍᏙᏗ ᎨᏒ ᏕᏣᏬᏍᏔᏁᎢ? ᏣᏂ ᏧᏓᏬᏍᏙᏗ ᎨᏒ, ᎤᎾᏛᏅᎩ.\nᎠᎦᏘᏏᏃ ᎤᏬᏯᏁᏒ ᏕᎤᎴᏔᏁᎢ; ᎩᎳᏉᏃ ᎢᏴᏛ ᏧᎳᏏᏕᏂ ᎠᎴ ᏗᏓᏆᎵᎢ ᏧᎵᏂᎩᏗᏳ ᏂᏚᎵᏍᏔᏁᎢ.\nᎤᎦᏔᎲᏍᏔᏅ ᎦᏍᎩᎶ ᎠᏯ ᎠᏉᏢ ᎢᏣ, ᎢᏧᎳ ᏧᏬᏰᏂ ᎬᏘ ᎠᎭᏰᎲ ᎤᏁᏍᏔᎳ ᎠᏥᏍᏛ ᏫᏍᎩ, ᏗᎧᏂᎨᏂ ᎠᏰᎵ.\nᎤᏛᏅ ᎠᏧᏣ, ᎯᎸᏄᏒ ᏙᏥᏂᏴᎲ ᎠᏂᏐᎢ.\nᎤᏙᎯᏳ ᎤᎵᏍᎨᏗ ᎭᎩᏴᏍᏗ ᏧᏪᏥ ᏗᎦᏅᏙᏗ.\nᎠᏎᎩ ᎣᏍᏓ ᎨᏎ ᏕᏣᏏᎳᏛ.\nᎠᏓᏅᏙᎩ ᎨᏒ ᎦᏗᎭ, ᎥᏝ ᎠᏗᎾ ᏨᏒ ᏣᏓᏅᏙᎩ, ᏐᎢᏍᎩᏂ ᎤᏓᏅᏙᎩ; ᎦᏙᏰᏃ ᎦᎵᏍᏙᏗ ᎠᏴ ᎢᏯᏆᏛᏁᏗ ᎠᎩᎲ ᏅᏩᏓᎴ ᎤᏓᏅᏙ ᏧᏭᎪᏙᏗ ᏱᏂᎦᎵᏍᏗᎭ?\nᎢᏳᏰᏃ ᏯᏆᏚᎵ ᎠᏆᏢᏈᏍᏗᏱ, ᎥᏝ ᎠᎩᏁ-Ꭻ ᏱᎦᎨᏎᏍᏗ; ᎤᏙᎯᏳᎯᏰᏃ ᎨᏒ ᏱᏥᏃᎲᎵ; ᎠᏎᏃ ᎤᏁᎳᎩ ᎥᎨᎳ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎩᎶ ᎠᏆᏓᏅᏖᏍᎬ ᎤᏟ ᏱᏂᎠᎩᎸᏉᏗ ᎠᏃ ᎾᏆᏍᏛ ᎠᎩᎪᏩᏘᏍᎬᎢ, ᎠᎴ ᏄᏍᏛ ᎠᏆᏛᎩᏍᎬᎢ.\nᎾᏍᎩᏰᏃ ᎯᎠ ᎢᏯᏂᏪᏍᎩ, ᎬᏂᎨᏒᎢᏳ ᎾᏅᏁᎰ ᎤᎾᏤᎵᎪᎯ ᎤᏂᏲᎲᎢ.\nᎡᎶᏛᏃ ᎤᏲᎸ ᎠᎴ ᎤᏠᏨ ᏚᎪᎵᏰᎡ ᎬᏩᎦᏘᏛᎯ ᎠᎴ ᎤᏁᏤ ᏧᏂᏲᎱᎯᏍᏗᏱ. ᏧᏗᏱᏃ ᎤᏓᏅᏒ, ᏏᏌᎵᏱ ᏭᏕᏁᎢ.\nᏂᎪᎯᎸ ᏦᏥᏰᎸ ᎣᏥᏱᏙᎰ ᎤᏲᎱᏒ ᎤᎬᏫᏳᎯ ᏥᏌ, ᎾᏍᎩ ᎾᏍᏉ ᎬᏅ ᏥᏌ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏴ ᏦᏥᏰᎸᎢ.\nᎠᎴ ᏚᏁᏤᎸᎩ ᎬᏭᎯᏍᏗᏍᎩ ᎨᏣᎷᏤᏗᏱ; ᎾᏍᎩᏃ ᎪᎯᎵᏰᏍᎬᎢ ᏨᏒ ᎨᏣᎦᏙᎥᎯᏍᏗ ᏱᏂᎦᎵᏍᏓ ᎯᎠ ᏂᎦᏛ ᏦᏧᎢᏍᏗᎭ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎢᏣᏤᎵ ᎨᏎᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᎤᎬᏫᏳᎯ ᏥᏯᎵᏍᎦᏍᏙᏗ, ᏂᎯ ᎢᏤᎲ ᎤᎬᏩᎵ ᎾᏍᎩ ᎤᏠᏱᏉ ᎢᏳᎵᏍᏙᏗᏱ ᏕᏣᏓᏅᏛᎢ; ᎾᏍᎩᏍᎩᏂ Ꮎ ᎢᏣᏕᏯᏙᏗᏍᎩ ᎤᏍᏛᏗᏍᏗ ᎨᏎᏍᏗ, ᎤᏁᎳᎩ ᎩᎶ ᎦᎨᏎᏍᏗ.\nᎭᏂᏉ ᎠᏆᏗ. ᎨᏍᏗᏰᏃ ᎠᎩᎸᏂ-ᎠᎩᎸᏂ--ᎠᎩᎸᏂᏗᏍᎩ ᏱᎩ.\nᎡᎳᏗ ᏄᏩᏁᎴ ᎠᏍᎪᎵ, ᏚᎦᏔᏍᏔᏁᎢ, ᏭᏩᏌᏙᏰᎢ.\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎡᏙᎯᏉ ᎢᏳᏍᏗ ᎤᏪᏙᎴ ᎾᎿ ᎠᏥᏚᎢᏍᏓᏁᎸ ᎦᏙᎯ, ᏅᏩᎾᏓᎴ ᎤᎾᏤᎵᎪᎯ ᎾᏍᎩᏯ, ᏕᎦᎵᏦᏛᏉ ᎠᏁᎮ ᎢᏧᎳᎭ ᎡᏏᎩ ᎠᎴ ᏤᎦᏈ ᎠᏚᎢᏍᏔᏅᎯ ᎨᏒᎢ.\nᎦᏙᏃ ᎢᏣᏚᎵᎭ? ᏥᎪ ᎦᎾᏍᏓ ᏥᏁᎢ ᏮᏌᏨᎷᏤᎵ? ᏥᎪᎨ ᎠᏓᎨᏳᏗᏳ ᎨᏒ, ᎠᎴ ᎤᏓᏅᏘ ᎠᏓᏅᏙ ᎬᏗ ᏮᏓᏨᎷᏤᎵ?\nᏚᎾᏔᎶᎬ ᎬᏂᎨᏒ ᎨᏒ ᏓᎶᏂᎨ ᏓᏂᏅᏙᎬ.\nᏃᎴ ᎯᏲᎮᎸ ᎡᎳᏆᏗ ᏍᏉ ᎤᏛᏅᎢᏍᏙᏗ.\nᎾᏍᏉᏍᎩᏂᏃᏅ ᎠᏴ ᎠᎩᎭ ᎤᏇᏓᎵ ᎨᏒ ᎬᏆᎵᏍᎦᏍᏙᏙᏗ ᎨᏒᎢ. ᎢᏳᏃ ᎩᎶ ᏰᎵ ᏳᎭ ᏳᏰᎸ ᎤᏇᏓᎵ ᎨᏒ ᎬᏩᎵᏍᎦᏍᏙᏙᏗ ᎨᏒᎢ, ᎠᏴ ᎤᏟ ᎢᎦᎢ [ᎠᎩᎭ;]\nᎪᎯᏰᏃ ᎨᏒ ᏥᎪ ᏴᏫ ᏗᏆᎵᎢ ᏂᏕᎬᏁᎭ? ᎤᏁᎳᏅᎯᎨ? ᏥᎪᎨ ᎣᏍᏛ ᎤᏂᏰᎸᏗ ᏴᏫ ᎠᎩᏲᎭ? ᎢᏳᏰᏃ ᎣᏍᏛ ᎤᏂᏰᎸᏗ ᏴᏫ ᎠᏏ ᏯᎩᏲᎭ, ᎥᏝ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏙᎯ ᏱᎦᎩ.\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎡᏍᎦᏉ ᎢᎦᎢ ᎤᏂᎩᎵᏲᎢᏍᏗ ᎨᏎᏍᏗ ᏐᏓᎻ ᎾᎯᏳ ᎢᎦ ᎨᏎᏍᏗ ᎤᏟᎯᏳ ᎾᏍᎩ ᎦᏚᎲᎢ.\nᎾᏍᎩᏃ ᎠᏂᎪᏗᏳ ᏧᎾᏁᎶᏔᏅ ᎬᏂᎨᏒ ᎢᏳᏅᏁᏗᏱ ᎧᏃᎲᏍᎩ ᏧᏓᎴᏅᏛ ᏄᎵᏍᏔᏂᏙᎸ ᎾᏍᎩ ᎤᏙᎯᏳᎯᏯ ᏦᎪᎯᏳᎭ,\nᏃᎴ ᎬᏯᎵᎮᎵᏤ ᏂᏣᏓᎾᏘᏴ.\nᎾᎯᏳᏉᏃ ᏚᏅᏩᏁ ᎤᏂᏣᏘ ᏚᏂᏢᎬ ᎠᎴ ᎥᏳᎩ ᏚᏂᏱᎵᏙᎲ, ᎠᎴ ᎤᏂᏲᏗᏓᏅᏙ ᎬᏩᏂᏱᎵᏙᎲᎢ; ᎠᎴ ᎤᏂᏣᏘ ᏗᏂᎨᏫ ᎬᏩᏂᎪᏩᏛᏗ ᏄᏩᏁᎴᎢ.\nᏌᎩᏯᏃ ᎤᎴᏁ ᎯᎠ ᏄᏪᏎᎴ ᎤᎬᏫᏳᎯ, ᎬᏂᏳᏉ, ᏣᎬᏫᏳᎯ, ᎠᏰᎵ ᎢᎦᎢ ᏧᎬᏩᎶᏗ ᎠᎩᎲ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᏕᏥᎥᏏ; ᎢᏳ ᎠᎴ ᎦᏰᎪᎩ ᎠᏋᏔᏅᎯ ᏱᎩ ᎩᎶ ᎪᎱᏍᏗ ᏱᏥᎬᎡᎸ, ᏅᎩ ᎢᏳᏩᎫᏗ ᎢᎦᎢ ᏥᎥᏏ.\nᎤᏪᎿᎢᏍᎩᏂ ᎡᎳᏗ ᎾᎬᏁᎸᎢ; ᎧᏃᏍᎦᏰᏃ ᎤᏥᎸᏒ ᏥᎦᎶᏍᎪ ᎾᏍᎩᏯ ᏓᎦᎶᏐᏂ.\nᎤᎩᏨᏓ ᎠᎦᏍᎩ ᏃᎴ ᎤᎵᏏᎩ ᎨᏎ.\n[ᎠᏓᏅᏙᏃ] ᎤᏪᎷᏅ, ᎠᎴ ᎤᏣᏘ ᎤᎩᎸᏅ, ᎤᏄᎪᏤᎢ; ᎠᎴ ᎤᏲᎱᏒᎯᏉ ᎾᏍᎩᏯ ᎨᏎᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏂᏣᏖ, ᎠᏲᎱᎯ, ᎠᎾᏗᏍᎨᎢ.\nᎦᎷᏯᏍᏗ ᎤᏓᎵ ᏓᎶᏂᎨ ᏩᎩᎦ ᏚᏩᎭᏂᏍᏔᏅ ᎠᏥᎸᏳᎸᏗ.\nᎨᎫᏓᎴᏛ ᏂᏗᎨᏥᎬᏩᎶᏓᏁᎸᎾ ᎬᏔᏅᎯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᎠᎫᏴᏙᎢ ᎨᏒ ᎦᎶᏁᏛ ᏥᏌ ᎤᏪᎲᎢ;\n“ᎪᎱᏍᏗ ᏥᏩᏔ ᎤᏪᏯ ᎾᎥ,” ᎤᏛᏁ ᏙᏯ.\nᎡᎳᏗᏨ ᏫᏥᎦᏙ. \nᏫᏥᏲᎯᏍᏓ ᎠᏂᏳᏩᏁᎦ ᎾᎾᏛᏁᎲ ᎢᏥᏍᏓᏩᏗᏒ , ᎢᏥᏍᏙᏍᎨᏍᏗ ᏎᎷ, ᏁᎳᎩ ᎨᏎᏍᏗ ᏔᎷᎩᏍᎩ ᏃᎴ ᏗᎬᏔᏂᏓᏍᏗ, ᎢᎾᎨ ᎡᎯ ᎦᏁᎦ ᏗᏥᎾᏬᏣ, ᏤᏍᏗ ᎠᎾᏬ, ᏗᎦᏆᏘ ᏕᏥᎾᏰᏍᎨᏍᏗ, ᎦᏓᎷᎪᏗ ᎠᏓᏍᎦᎩ ᎢᏥᏰᎸᎮᏍᏗ, ᎤᏪᏘ ᎠᎵᏍᎩᏍᏗ ᎢᏣᎵᏍᎩᏍᎨᏍᏗ.\nᎾᏍᎩᏰᏃ ᏥᏄᏍᏕ ᎾᎯᏳ ᏃᏯ ᏤᎮᎢ, ᎾᏍᎩᏯ ᏄᏍᏕᏍᏗ ᏴᏫ ᎤᏪᏥ ᎦᎷᏨᎭ.\n”ᎨᏍᏗ ᎪᎱᏍᏗ ᏯᏂᏂᏱ.\nᎣᏂᏃ ᎢᏴᏛ ᏓᏆᎧᎾᏅᎩ, ᎠᎴ ᎬᏂᏳᏉ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏗᏱ ᎦᎵᏦᏛ ᎤᎵᏍᏚᎢᏛ ᎨᏒᎩ ᎦᎸᎳᏗ;\nᎤᏍᏆᏙᏅ ᎠᏓᏅᏖᏍᎬ ᏲᎾ, ᏣᎵ ᎢᎦᏑᏯᎩᎡᎴ, ᎨᏍᏗ ᏳᏬᎯᏳᎮ ᏲᎾ, ᎨᏍᏗ ᎤᎫᏍᏛᏅ ᏱᎨᏎᎢ.\nᎠᏋᏌ ᎠᏇᏅᏒ ᎤᎵᎪᎲᏍᏗ, ᎡᎳᏗ ᎦᎢᏒ ᏰᎵ ᏧᏙᏓᏆᏓ ᎤᏲᎢᏴ, ᏕᏥᏲᎲ ᏚᎨᏓᎵᏴ ᏃᎴ ᎠᎹᏳᎸᏓ, ᎦᏚᏏᏴ ᎠᏍᏔᎦᏢ ᏕᏥᏩᏛᎲ ᎤᏩᏓᏍᎬ ᎤᏣᎴᏓ.\nᏃᎴ ᎱᏃᎮᎸ ᎱᏲᎰᏎᎸ ᏧᎶᎨᏍᏗ ᎤᏪᏘ ᎦᏓ ᎦᏓᏍᎬᎢ ᎦᏚᎲ ᎪᏫ, ᎧᏃᎮᏛ ᏓᏦᎯᏍᏛ ᏥᎨᏥᎨᎯᏙᎮ ᏭᏕᎵᎬ ᎢᏣ ᏅᏙ ᎠᏰᎵ.\nᎦᎵᎡᎵᎩ ᏥᏕᎾᏦᎯ, ᎠᏎᏃ ᏫᏥ ᏩᏆᏓᏬᏍᏗ.\nᎠᎴ ᏂᎬᎾᏛ ᎡᎶᎯ ᎤᏁᏙᎸᎩ, ᎠᎴ ᏚᎾᏚᏫᏍᏔᏅᎩ ᎠᏂᏅ ᎤᎾᏓᏅᏘ, ᎠᎴ ᎣᏍᏛ ᎠᏰᎸᏗ ᎦᏚᎲᎢ; ᎠᏥᎸᏃ ᎤᎯᎳᏅᎯᏱ ᎦᎸᎳᏗ ᏛᎤᎶᏒᎩ ᎠᎴ ᏚᏂᎰᏅᎩ.\nᏂᎯᏍᎩᏂ ᎠᎹᏟ ᎲᏍᎨᏍᏗ, ᎭᏠᏁᏍᎨᏍᏗ, ᎠᎴ ᎭᎬᏍᏉᏍᎨᏍᏗ,\nᎠᎴ ᎤᏁᎳᏅᎯ ᏯᏃ ᎢᏳᎵᏍᏙᏗ ᏂᎨᏒᎾ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎲᎩ ᏉᎳ ᎠᎬᏗᏍᎬᎩ;\nᏔᎵᏁ ᎢᎣᎦᏛᎦᎾ ᏂᎤᏪᏌ ᏃᏊ ᏍᏗᎩᏓ ᎾᎥᏂᎨ ᏂᎬᏩᏍᏛ.\nᎠᏂᎪᏗᏳᏃ ᏴᏫ ᏚᏂᎳᏫᏦᎸ ᎾᏍᎩ ᎬᏩᎷᏤᎸ ᏕᎦᏚᏩᏗᏒ ᏂᏙᏓᏳᏂᏄᎪᏨᎯ, ᎤᏁᏤ ᏚᏟᎶᏍᏓᏁᎴᎢ;\nᎠᎴ ᎤᏣᏘ ᎤᏍᏗᏰᏔᏁ ᎾᎿ ᎨᏒ ᏧᏄᎪᏫᏍᏗᏱ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏓᏆᎴᎳ ᎦᎵ ᎠᏌᎾᎢ ᏚᏓᏅᎭᏅ ᎾᏍᎩᏯ ᎠᏥᎳ ᏓᏆᎴᎳ Cranshaw ᏙᏰ ᎤᎾᏛᏅᎢᏍᏔᏅ ᎤᏁᏅᏍᏗ ᏭᏕᎵᎬ.\nᎾᏍᎩ ᏄᏪᏒ ᎦᏙᎯ ᎤᎵᏥᏍᏋᎩ, ᎠᎴ ᎾᏍᎩ ᏝᏬᏔ ᎤᏬᏢᏔᏅᎩ ᎤᎵᏥᏍᏋᎯ, ᎠᎴ ᎾᏍᎩ ᏞᏬᏔ ᏚᏅᎵᏰᏓᏁᎸᎩ ᏗᎨᏫ ᏗᎦᏙᎵ,\nᏌᎳᏓ ᏍᏉ ᎠᏍᏆᏂᎪᏍᎬᎢ ᎤᏏᎳᏛ ᎬᏗ ᎡᎳᏗ ᏄᏛᏁᎴᎢ ᎣᎯᏍᏗᎨ ᎤᎪᏩᏛᏗ.\nᎠᏂᏍᎦᎢᎮ ᎠᏲᏟ ᎤᎶᎣᎯᏍᏗ.\nᎦᎶᏁᏛᏰᏃ ᎥᏝ ᏱᎩᏅᏎ ᏗᏆᏓᏬᏍᏗᏱ, ᎠᏆᎵᏥᏙᏗᏱᏍᎩᏂ ᎣᏍᏛ ᎧᏃᎮᏛ; ᎥᏝ ᎠᎵᏏᎾᎯᏍᏗ ᎨᏒ ᎦᏬᏂᎯᏍᏗᏱ ᎠᏋ ᏙᏗᏱ, ᎦᎶᏁᏛᏰᏃ ᎤᏤᎵ ᏧᏓᎿᏩᏛ ᎠᏎᏉᏉ ᏱᏅᎦᎵᏍᏓ.\nᎿᏉᏃ ᎤᏒ ᏄᎵᏍᏔᏅ, ᎾᏍᎩ ᎠᏛᏅᎢᏍᏙᏗᏱ ᎨᏒ ᎢᏳᏍᏗ, ᎾᏍᎩ ᎤᎾᏙᏓᏈᏕᎾ ᎢᎦ ᎨᏒᎢ.\nᎨᏥᏄᎪᏫᏒᏃ ᏴᏫ, ᎤᏴᎸᎩ ᎤᏬᏰᏂ ᎤᏂᏴᎲᎩ, ᎠᎨᏳᏣᏃ ᏚᎴᏅᎩ.\nᎢᏳ ᎠᎴ ᏚᏳᎪᏛ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎢᏥᎩᎵᏲᎨᏍᏗ, ᏅᏩᏙᎯᏯᏛᏉ ᎨᏎᏍᏗ. ᎠᎴ ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ ᎤᏂᎾᏰᎯᏍᏗᏳ ᎨᏒᎢ, ᎠᎴ ᏞᏍᏗ ᏱᏣᏕᏯᏔᏁᎮᏍᏗ;\nᎢᏣᏛᎦᏅᎯ ᎢᎩ ᎯᎠ ᎢᎦᏪᏛ ᎨᏒᎢ; ᎯᎨᏳᏎᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ, ᎯᏍᎦᎨᏍᏗᏃ ᏣᏍᎦᎩ.\nᎭᏕᏬ,” ᎤᏛᏁ. ᎤᎨᏳᎯ ᏚᎧᎾᏁ ᎤᏪᏥ ᎠᎨᏳᏣ.\nᎾᏍᎩ ᏅᏓᎦᎵᏍᏙᏓ ᏥᏫᏨᏯᏅ ᎢᏨᎪᏩᏛᏗᏱ ᎠᎴ ᎢᎦᎵᏃᎮᏗᏱ, ᎢᏏᎵᏰᏃ ᎤᏚᎩ ᎤᏅᏒᎢ ᏅᏧᎵᏍᏙᏔᏅ ᎯᎠ ᏧᏓᏕᏒᏛ ᏨᏆᎸᏍᏗ.\nᎤᎦᎾᏍᏓ ᎢᏳᏍᏗ ᎠᏙᎯ ᏓᏳᏓᎴᏅ.\nᎢᏧᎳ ᎤᏂᎦᎾᏍᏓ ᏃᎴ ᎤᏂᏴᏍᏗ ᎢᏳᎾᏍᏗ.\nᎢᏳᏍᎩᏂ ᏙᏣᏓᏍᎦᎶᎨᏍᏗ ᎠᎴ ᏙᏣᏓᏯᎣᎲᏍᎨᏍᏗ, ᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗ ᏥᏙᏣᏓᏛᏔᏂ.\nᏗᏣᎧᏅᎦ ᎢᎾ ᎢᏗᎦᏔ ᏕᏈᎬᎢ, ᎠᏗᎭ ᎡᏙᏓ.\nᎾᏍᎩᏯ ᎠᏗᏒᏍᏗ ᎨᏒ ᎢᏤᎲ ᎾᏍᎩ ᎠᏴ ᏥᏍᎩᎪᎡᎸᎩ, ᎠᎴ ᎪᎯ ᏥᏣᏛᎩᎭ ᎠᏇᎲᎢ.\nᎤᎩᏨᏓ ᏩᎩᎷᏣ ᎠᏦᎭᏴ, ᏥᏩᏛᎲ ᎠᏌᎻᏓ ᏦᎢ ᏧᏅᏏᏱ ᎤᎵᏦᏩᏛ ᎤᏩᏌ.\n(ᎢᏳᏍᏗᏉ ᎨᏒ ᎫᏔᎩᏏᏙᎮ ᏦᎨᏏ.\nᏥᎸᏉᏗ ᎩᎦ,” ᎤᏛᏁ ᏌᎳᏓ, ᎤᏓᏅᏘ ᎤᏬᏂᎯᏍᏗ ᏄᏪᏎ.\nᏧᏁᎵᏁᏃ ᎢᎦ ᏔᎵᏁ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎠᏂᏯᎥᎩ ᎦᎵᏦᏕ, ᎠᎴ ᏓᎻ ᎨᎸᎩ. ᏥᏌ ᎤᎷᏨᎩ, ᏗᎦᎶᎯᏍᏗᏱ ᏓᏍᏚᎲᎩ, ᎠᏰᎵ ᎤᎴᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᏅᏩᏙᎯᏯᏛ ᎢᏣᏤᎵᎦ ᎨᏎᏍᏗ.\nᎿᏉᏃ ᏂᎦᏗᏳ ᎤᏂᏣᏘ ᎠᏂᎨᏕᎳ ᎤᎾᏤᎵᎪᎯ ᏂᎬᎾᏛ ᏗᏁᎯ ᎬᏩᏔᏲᏎᎴ ᏧᏓᏅᎡᏗᏱ; ᎤᏣᏘᏰᏃ ᎠᏂᏍᎦᎢᎮᎢ; ᏥᏳᎯᏃ ᎤᏣᏅ ᎢᎤᏨᏎᎢ.\nᎰᎻ ᏍᏉ ᎤᏛᎦᏁ, ᏧᏅᎪᏤ ᎬᏔᏂᏓᏍᏗ ᎠᏍᏆᏂᎪᏙᏗ, ᎬᏔᏂᏓᏍᏗ ᎣᏍᏓ ᏂᎬᏁᎮ.\n“ᏏᏆ ᏗᏍᏚᏗ” ᎤᏛᏁ ᎪᏱᏁᎢ.\n“ᎦᏲᏟ ᏓᎩᏯᏪᎦ, ᎡᎵᏍᏗ.\nᏂᏥᎥᏃ ᎡᏥᏁᎸᎯ ᏥᎩ, ᎾᏍᎩ ᏕᏣᏓᏁᎮᏍᏗ ᎾᏍᎩᏯ ᎢᏳᎾᏛᏁᏗ ᎠᏃᏍᏛ ᎨᏥᎦᏘᏗᏍᏗ ᏧᏓᎴᏅᏛ ᎤᏁᎳᏅᎯ ᎬᏩᎦᏗᏯ ᎤᏓᏁᏗ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᎤᏪᏅ ᎤᏁᏙᎸᎯ ᏫᏚᏃᏁᎴ ᎤᏲ ᏚᎾᏓᏅᏛᎢ ᎠᎴ ᏓᎾᏠᏱᎲᎢ.\nᎠᏂᏂᏒᏃ ᏥᏳ ᎤᎸᏁᎢ; ᎤᏃᎴᏃ ᎤᏱᎶᎴ ᎥᏓᎸᎢ; ᎤᏂᎧᎵᏤᎴᏃ ᎠᎹ, ᎠᎴ ᎤᎾᏰᎯᏍᏗ ᏄᎾᎵᏍᏓᏁᎴᎢ.\nᎿᏉᏃ ᎠᏍᎦᏯ ᎦᏁᎳ ᏧᏅᏏᏓᏍᏗ ᎬᏩᎷᏤᎴᎢ, ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ; ᏍᎩᏅᏏᏓᏍᏗ, ᏝᏍᎪ ᎣᏍᏛ ᎤᎦᏔ ᏱᏣᏫᏎ ᏣᎶᎨᏒᎢ? ᎦᏙ ᏗᎦᎵᏍᏙᏓᎭ ᎤᏲ ᏧᏰᎦ?\n“ᎦᏙᏃ ᏕᏣᏏᎳᏛ ᏱᏣᎩᎳ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᎠᎴ ᎾᏍᎩ ᎩᎶ ᎬᏩᏩᎯᏍᏗ ᏂᎨᏒᎾ ᎠᎴ ᎬᏩᎾᏗᏅᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ Ꮎ ᎤᏩᏒ ᎠᎪᏪᎵ, ᎠᎴ ᏚᏙᎥᏉ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎠᎪᏪᎶᏔᏅᎯ, ᎠᎴ ᏚᏙᎥ ᎢᎦᎢ ᎠᏎᏍᏗᏱ ᎨᏒ ᎠᎪᏪᎶᏔᏅᎯ.\nᎤᎧᏘᏛ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ ᏃᎴ ᎠᏆᎧᏙᏍᏛ.\nᎾᏍᎩᏃ ᎯᎠ ᎬᏂᎨᏒ ᏄᏪᏎᎢ. ᏈᏓᏃ ᎤᏯᏅᎲ ᎤᎴᏅᎮ ᎤᎬᏍᎪᎸᏁᎢ.\nᎦᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎢᎾᎩ ᎠᎦᏘᎾᏫᏛᎮ ᎾᏍᎩ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎤᎪᏩᏛᏗᏱ ᏂᎨᏒᎾ; ᎠᎴ ᎥᏝ ᏯᏥᏩᏛᎮᎢ, ᎤᏁᎳᏅᎯᏰᏃ ᎤᏘᎾᏫᏛᎮᎢ; ᎠᏏᏉᏰᏃ ᎾᎦᏘᎾᏫᏗᏍᎬᎾ ᎨᏎ ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒ ᏚᎸᏫᏍᏓᏁᎲ ᎬᏂᎨᏒ ᎾᎬᏁᎴᎢ.\nᏍᏈᏯ ᏪᏙᎰ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ --- ᎨᏍᏗ ᎣᏍᏓ ᏱᎩ ᏨᏌ ᏥᎨᏐ.”\nᎨᏍᏗᏗ ᎦᎸᎳᏗ ᎤᎬᏫᏳ ᎢᏳᏍᏗᏱᎩ, ᎦᏚᎲ ᎤᎬᏫᏳ ᎾᎥᏂᎨ.\nᎨᏍᏗ ᏳᏪᎵᏌ, ᎠᏓᏬᏍᎬ ᎡᏉᎯᎨ ᏃᎴ ᎦᏣᏄᎵᎨ ᏂᎦᎵᏍᏗᏍᎨᎢ ᎨᏴᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎠᏏᏴᏫ ᏚᏍᏆᎸᏔᏁᎢ, ᎠᎴ ᏭᏁᏎ ᏚᏬᎵ, ᎠᎴ ᏧᏂᏣᏯᏍᏗ ᎤᎧᎵᎢᏍᏔᏁᎢ, ᎦᎾᏍᏙᎯᏃ ᎤᏪᏆᏙᏔᏅ ᏭᏅᏁᎴ ᎾᏍᎩ ᎤᏗᏔᏍᏗ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎠᏴ ᏗᎴᎯᏐᏗ ᎨᏒ ᎠᎴ ᎬᏂᏛ. ᎩᎶ ᎠᏉᎯᏳᎲᏍᎨᏍᏗ, ᎢᏳ ᎾᏍᏉ ᎤᏲᎱᏒᎯ ᏱᎩ, ᎬᏁᏍᏗ.\nᎤᎩᏨᏓ ᏑᎾᎴ, ᏕᎦᎦᏙᏍᏔᏅ ᎨᏥᏅᎪᏫᏍᎬ ᎠᏦᎭᏴ ᎤᎯᏐᏗ ᎤᎾᏓᏅᏅ.\nᏔᎷᎩᏍᎩ ᎢᏣ ᎠᎢᏎᎢ\nᎠᏎᏃ ᎤᎦᏔᎲᏒ, ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏚᎧᎿᏅ, ᏈᏓ ᎤᎬᏍᎪᎸᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎠᏆᏐᎭᏛ ᎭᎴᎲᎦ ᏎᏓᏂ; ᎥᏝᏰᏃ ᎤᏁᏪᏅᎯ ᎤᏤᎵ ᎨᏒ ᎣᏏᏳ ᏱᏣᏰᎸᎭ, ᏴᏫᏍᎩᏂ ᎤᎾᏤᎵ ᎨᏒᎢ.\nᏞᏍᏗᏉ ᏱᏗᏑ-ᎵᎪᎨᏍᏗ ᎢᏓᏓᏟᏌᏂᏙᎲᎢ, ᎢᎦᏛ ᎾᏍᎩ ᎢᏳᎾᏛᏁᏗ ᏥᎩ; ᏕᏣᏓᏬᏁᏗᏍᎨᏍᏗᏍᎩᏂ; ᎠᎴ Ꮀ ᎤᎬᏫᏳᏎᏍᏗ, ᎾᏍᎩ ᏂᏣᏛᏁᎮᏍᏗ ᏥᏥᎪᏩᏗ ᎤᏍᏆᎸᎯᏗᏒ ᎾᎯᏳ ᎢᎦ.\nᏂᎦᏗᏳᏰᏃ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᏁᏩᏗᏒ ᎤᎾᏗᏔᎲ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏓᏑᏱ ᎾᏍᎩ ᎤᏕᎵᏛ ᏚᏂᏏᏂᏙᎸ ᎢᏳᏩᏂᏌᏛ, ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᎠᏁᎯ ᎾᏍᎩ ᎤᏕᎵᏛ ᏚᎾᏂᏏᏂᏙᎸ, ᎠᎴ ᎠᏂᏃᏗᏍᎩ ᎡᎶᎯ ᎠᏁᎯ ᏚᏁᏅᎢᏍᏔᏅ ᎾᏍᎩ ᎤᏣᏘ ᎤᏢᏉᏗ ᎡᎲᎢ.\nᎦᏃᏍᎩᏛ ᎨᏒᎢ, ᏧᎬᏩᎶᏗ ᎠᎬᎥᎯᏍᏗ ᎨᏒᎢ, ᎤᏲ ᎢᏯᏛᏁᏗ ᎨᏒᎢ, ᎦᎶᏄᎮᏛ ᎨᏒᎢ, ᎠᎵᏐᏢᎢᏍᏙᏗ ᎨᏒᎢ, ᎠᏛᏳᎨᏗ ᎨᏒᎢ, ᎠᏓᏐᏢᎢᏍᏙᏗᏱ, ᎠᏢᏉᏙᏗᏱ, ᎠᎵᏍᎦᎿᏫᏍᏗ ᎨᏒᎢ.\nᎠᎴ ᎤᏭᏓᎴᏍᎨ ᏂᎦᏛ ᎤᏲ ᏄᎵᏍᏓᏁᎵᏕᎬᎢ, ᎠᎴ ᎤᏁᎴ ᎣᏏᏳ ᎠᎦᏓᏅᏖᏗᏱ ᎠᎴ ᎠᎦᏔᎿᎢᏳ ᎨᏒ ᎠᎦᏔᎲ ᏇᎵᏲ ᎤᎬᏫᏳᎯ ᎢᏥᏈᏱ, ᎠᎴ ᏄᎬᏫᏳᏌᏕᎩ ᏄᏩᏁᎴ ᎢᏥᏈᏱ, ᎠᎴ ᏂᎦᏛ ᎦᏁᎸᎢ.\nᎠᎴ ᏂᏚᏂᏴᏒᎾ ᎨᏒ ᎠᏍᎪᎵ, ᎾᎿ ᏨᏗᏓᎴᎲᏍᎦ ᏂᎬ ᎠᏰᎸᎢ ᏚᎯᏞᏫᏒᎢ ᎠᎴ ᏧᏩᏚᎾ ᏚᏪᏙᎸᎢ ᎤᎵᏍᏕᎸᏙᏙᎢ, ᎠᎴ ᏚᏚᏓᏕᏫᏐᎢ ᎠᏛᏍᎪᎢ ᎾᏍᎩᏯ ᎤᏁᎳᏅᎩ ᎤᏁᏉᏍᎬᎢ.\nᏂᎦᏛᏃ ᎤᎾᏛᎦᏅᎯ ᎤᏂᏍᏆᏂᎪᏎ ᏄᏍᏛ ᎬᏩᏂᏃ ᎮᎮᎸ ᎠᏫ-ᏗᏂᎦᏘᏯ.\nᏥᏄᏍᏗᏛᎾ ᎢᏳᏉ ᎤᏲᏣᏃᎲᏍᏗ.\nᏥᏌ ᎤᏁᏨᎩ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏥᏲᏍᏓ ᎯᎠ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏦᎢᏉᏃ ᎢᎦ ᏓᏥᏱᎵᏙᎵ ᎿᏉ ᏛᎦᏁᏍᎨᎰᏂ.\nᏂᎦᏗᏳ ᎤᎾᎦᎡᏍᏛ Crockett.\nᏯᏆᎩᎸᏅᎾ ᏱᎩ ᏓᏆᎴᎸ, ᎠᏆᏓᏲᎰᏎᎸ ᏱᎩ.\nᎥᏝᏍᎩᏂᏃᏅ ᏩᎩᏂᎪᎯ ᎬᏂᎨᏒ ᎢᏯᏋᏁᎯ ᏳᏪᎵᏎᎢ, ᎾᏍᎩ ᎣᏍᏛ ᏚᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᎢᎩᎦᏃᏓᏁᎲᎢ ᎦᎸᎳᏗ ᏗᎦᎶᏍᎬᎢ, ᎠᎴ ᎢᎦᎵᏍᎪᎸᏓᏁᎲ ᎤᏣᏘ ᎪᎱᏍᏗ ᎤᏛᎯᏍᏗᏱ ᏂᏓᏕᏘᏴᎯᏒᎢ, ᏗᎩᎾᏫ ᏓᎧᎵᎢᏍᏗᏍᎬ ᎠᎵᏍᏓᏴᏗ ᎠᎴ ᎤᎵᎮᎵᏍᏗ.\nᏕᎨᏥᎧᏅᏃ ᎤᎾᎵᎪᏅᎯ ᏗᏂᏅ ᏭᏂᎶᏎᎢ, ᎠᎴ ᏭᏂᏃᎮᎴ ᏂᎦᎥ ᏂᎬᏩᏂᏪᏎᎸ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏂᎳᏫᎩ.\nᎢᎦ ᎤᎵᏍᏔᏴᏗ ᏄᎵᏍᏔᏅ.\nᎢᏓᎵᏅᏟ ᏞᏍᏗ ᎢᏥᏣᏘ ᏗᏣᏕᏲᎲᏍᎩ ᏱᎨᏎᏍᏗ, ᎢᏥᎦᏔᎭᏰᏃ ᎤᏟ ᎢᎦᎢ ᎢᎩᏍᏛᏗᏍᏗ ᎨᏒᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎡᏥᏍᏓᏩᏕᎩ ᎨᏎᏍᏗ ᎾᏍᎩᏯ ᎢᏳᎾᏛᏁᏗ ᎨᏒ ᏧᎨᏳᎯ ᏧᏪᏥ;\nᎤᏰᏤ ᏧᏍᏆᏴᏍᏗ.\nᏫᏨᏲᏪᎳᏏ ᎢᏣᏓᏅᏘ ᎪᎶᏏ ᎢᏤᎯ ᎠᎴ ᎢᏣᎵᏅᏟ ᎦᎶᏁᏛ ᎡᏦᎯᏳᎲᏍᎩ; ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎢᏤᎳᏗᏙᎮᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᏗᏟᏰᎵᏓᏍᏗ, ᏱᏓᏂᏅᏙᎬᎾ ᎤᏂᏲ ᏧᎾᏛᏐᏅ ᎤᎾᏓᏓᏍᎬ, ᎤᎾᏏᏅᏒ.\nᎤᏍᏗᎩᎨ ᎨᏒ ᏓᏳᎴᏅᏓ?” \nᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᏣᏤᎵᎪᎯ ᎯᏄᎪᎢ ᎠᎴ ᎪᎱᏍᏗ ᏗᏨᎩ, ᎠᎴ ᎾᎿ ᎦᏙᎯ ᎬᏯᏎᎮᏗ ᎨᏒ ᏫᎷᎩ.\nᎠᏰᎵ ᏚᏏᎳᏛᎢ ᎤᏣᏅᏕᎢ.\nᏩᎾᎯᎨ ᎢᎬᏛᏁᏗᏱᎩ, ᎠᏆᏛᏅᎢᏍᏘ ᎠᏆᏛᎪᏗ.\nᏗᎨᏃ ᎡᎳᏗ ᏓᎦᏂᎩᏏ.\nᎿᏉᏃ ᏂᎦᏛ ᏔᎵᏁ ᎤᏁᎷᏅᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎥᏝᏍᏗ ᎯᎠ ᎠᏍᎦᏯ, ᏆᎳᏆᏍᎩᏂ. ᎾᏍᎩ ᏆᎳᏆ ᎠᏓᎾᏌᎲᏍᎩ ᎨᏒᎩ.\nᏚᏃᏓᎳᎲ ᏚᏔᎷᎩᏍᎬ ᎠᎦᎵᏍᎬ.\nᎯᎠᎧᏂ ᏗᏁᏍᎨᏍᎩ ᎤᏪᏥ, ᎺᎵᎧᏂ ᎤᏥ, ᎠᎴᎧᏂ ᎠᎾᎵᏅᏟ ᏥᎻ, ᎠᎴ ᏦᏏ ᎠᎴ ᏌᏩᏂ ᎠᎴ ᏧᏓᏏ?\nᏏᏉ ᏂᏛᏥᏪᏏ ᎧᏃᎮᏓ.\nᏱᎰᏩᏰᏃ ᏗᎦᏙᎵ ᏓᎧᎿᏩᏗᏙ ᎤᎾᏓᏅᏘ, ᎠᎴ ᏗᎦᎴᏂ ᏚᏛᏓᏍᏗ ᎠᎾᏓᏙᎵᏍᏗᏍᎬᎢ, ᎤᎧᏛᏍᎩᏂ ᏱᎰᏩ ᏕᏡᏔᏅ ᎤᏲ ᏧᏂᎸᏫᏍᏓᏁᎯ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᏦᏰᏂ ᎠᎴ ᏣᎳᏏᏕᏂ ᏕᏦᏕᏍᏗᏍᎨᏍᏗ, ᎯᏍᏆᎵᏍᎨᏍᏗ ᎠᎴ ᏫᏣᏕᎨᏍᏗ; ᎤᏟ ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏦᏰᏂ ᎠᎴ ᏣᎳᏏᏕᏂ ᏣᏲᎱᎮᎸᎯ ᏱᎩ ᎬᏂᏛ ᏗᎨᏒ ᏫᏱᏣᏴᎸ, ᎠᏃ ᎢᏧᎳ ᏱᏘᏰᏌᏓ ᎠᎴ ᎢᏧᎳ ᏗᏣᎳᏏᏕᏂ ᏫᏰᏣᏓᏅ ᏂᎬᏠᏍᎬᎾ ᎨᏒ ᎠᏥᎸᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏓᏓᏏ ᎣᏥᏔᏲᏎᎸᎩ, ᎾᏍᎩ ᏄᏍᏛ ᎤᎴᏅᎲᎢ, ᎾᏍᎩᏯ ᎢᏳᏛᏁᏗᏱ ᎤᏍᏆᏗᏍᏗᏱᎢᏤᎲ ᎤᏠᏱ ᎢᏣᏓᏁᏗᏱ ᏂᏨᏁᎲᎢ.\nᏰᎵ ᎪᎯᏛ ᎤᏬᏢ ᎨᎵ ᏓᏆᎴᎳ ᎠᏍᏚᏗ ᎣᎭᏂ ᎡᎩ, ᎡᎳᏗ ᏄᏩᏅ ᎠᏍᎪᎵ, ᎤᏍᏘᏰᎬ ᎤᏭᏌᏁᎲ ᎤᎦᏛ.\nᎡᏐᏃ ᏎᏙᎩ ᎤᏕᏁᎴᎢ; ᏎᏙᎩᏃ ᎡᎩᎻ ᎤᏕᏁᎴᎢ; ᎡᎩᎻᏃ ᎢᎳᏯᏗ ᎤᏕᏁᎴᎢ;\nᎠᎾᎢᏒᏃ ᏓᏂᏃᏁᎵᏒ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏂᏳᏉ ᏥᏌ ᏚᎾᏠᏎᎢ; ᏙᎯᏱ ᏕᏓᏓᎪᏩᏛ, ᎤᏛᏁᎢ. ᎤᏂᎷᏨᏃ ᏧᎳᏏᏕᏂ ᏚᏂᏂᏴᎮᎢ, ᎡᎳᏗ ᏂᎬᏩᏛᏁᎴᎢ.\nᎠᏎᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᎩᎭ ᎠᏆᎵᏍᏓᏴᏗ ᏂᎯ ᏂᏥᎦᏔᎲᎾ.\nᎿᏉ ᎢᏥᎧᎵᏨᎯ, ᎿᏉ ᎢᏤᎿᎢᏳ, ᎢᏥᎬᏫᏳᎯ ᎨᏒᎢ ᎠᏴ ᏂᏨᏯᎵᎪᏁᎸᎾ, ᎠᎴ ᏲᎯ ᎤᏙᎯᏳᎯ ᎢᏥᎬᏫᏳᎯ ᏱᎩ, ᎠᏴ ᎾᏍᏉ ᎢᏧᎳᎭ ᎢᎩᎬᏫᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏱᏤᎵᎯᏍᎨᏍᏗ ᎯᎠ ᏱᏂᏥᏪᏍᎨᏍᏗ; ᎦᏙ ᏓᏲᏥᎩ, ᎠᎴ ᎦᏙ ᏓᏲᏣᏗᏔᎯ, ᎠᎴ ᎦᏙ ᏓᏲᏣᏄᏬᎢ?\nᎨᏍᏗ ᎤᎾᏓᏅᏖᎸ ᏱᎨᏎ ᏧᏂᎯᏍᏗ.\nᏂᎦᏛᏃ ᏙᏧᏁᏅᏒ ᏫᏙᎤᏂᎶᏒᎩ.\nᎤᎾᏑᎵᏍᎬᎩ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏃᏏᏏᏍᎩ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎠᏎᏃ ᎾᏃᎵᎬᎾ ᏄᏍᏛ ᎠᏂᏬᏂᏍᎬ, ᎠᎴ ᏄᏍᏛ ᎠᏂᏍᏓᏱᏗᏍᎬᎢ.\nᎾᏍᎩ ᎾᎿ ᎩᎶ ᎤᎾᎪᎸᏛ ᏥᎩ, ᏄᎵᏌᎶᏛᎾ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᏭᎾᎦᏔᎲᏍᏔᏅ;\nᎠᎩᏙᏓ ᏲᎾ ᎤᏙᎯᏳ ᎤᎬᏫᏳ.\nᎠᎴ ᎢᏨᏍᏗᏰᏗᎭ, ᎢᏓᎵᏅᏟ, ᎤᏓᏅᏘ ᏗᏣᏓᏂᎸᎢᏍᏗᏱ ᎢᏨᏬᏁᏗᏍᎬᎢ; ᎢᎸᏍᎩᏉᏰᏃ ᎢᎧᏁᏨᎯ ᎢᏨᏬᏁᏓ ᎠᏂ ᎪᏪᎵᎯ.\nᎢᎪᎯᏓ ᎠᏛᏛᎮᏍᎪ ᎠᎵᏰᎾ.\nᎿᏉᏃ ᎣᏍᏛ ᎢᏳᏩᎿᏕᎩ ᎠᎴ ᏗᎾᏓᏂᏱᏍᎩ ᎬᏍᎦᎢᏍᏓᎩ ᏂᏚᏅᏁᎸᎾ ᏫᏚᏂᏯᏅᎮᎢ; ᏓᏂᏍᎦᎢᎮᏰᏃ ᎤᏂᏣᏘ, ᏅᏯ ᏱᏕᎪᎬᏂᏍᏓ ᎠᏁᎵᏍᎨᎢ.\nᎠᎴ ᎾᏍᏉ ᎦᏳᎳ ᎦᎷᏯᏍᏗ ᎠᏅᎯ ᏚᎿᏍᏕᏢ ᏕᏡᎬᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎦᏗᏳ ᏕᏡᎬ ᎣᏍᏛ ᎾᏓᏛᏍᎬᎾ ᎢᎨᏎᏍᏗ ᏗᎦᎴᏴᏍᏙᏗ ᎠᎴ ᎠᏥᎸᏱ ᏫᏓᏗᏅᏗ ᎨᏎᏍᏗ.\nᎤᏍᏗᎩᏛᏃ ᎢᏴᏛ ᎢᎤᏪᏅ, ᎡᎳᏗ ᎤᏓᏅᏁᎢ, ᎠᎴ ᎤᏓᏙᎵᏍᏔᏁ, ᎤᏔᏲᎴᎢ. ᎾᏍᎩ ᏴᎵ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎩ, ᎾᎯᏳ ᎨᏒ ᎤᎶᎯᏎᏗᏱᏉ.\nᎪᎳ ᏓᎦᎷᏥ ᏂᎪᎯᎸᎾ.\nᏦᎢ ᏧᏙᏓᏆᏓ ᎠᏇᏙᎸ Cranshaw, ᎾᏍᎩᏯ ᎪᎩ ᏦᏍᏔᏛᏍᎩ ᏥᎨᏒ. ᎧᏂᎩᏓ ᎨᏒ ᎤᎩᏓᏟᏅᏯ ᏃᎴ ᎠᎾᎥ ᎠᏂᎲᏍᎬ.\nᎠᏍᏆᏙᏅ, ᎬᏂᎨᏒ ᏂᏥᏴᏁᎸ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ ᎠᎩᏅᏁᎸ ᎪᏪᎵ ᏃᎴ ᏥᏯᏁᏓᏍᏔᏁᎸ, ᏂᎦᏓ ᏥᏃᎯᏎᎸ ᎤᏚᏓᎸᏅ ᏂᎦᏓ ᎤᏂᏍᎦᏅᏨ ᏱᎨᏒᎾ ᏁᎳᎩᏉ ᏱᎩ ᏲᏥᏂᏴ ᏣᎵ ᏏᏅᏓᏉ ᎢᏴ.\nᎾᏍᎩ ᎹᏗᏓᏯ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎡᎼᏏ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏁᎠᎻ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎡᏏᎳ, ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎾᎩ ᎤᏪᏥ ᎨᏎᎢ,\nᏞᏍᏗ ᎾᏍᎩ ᎠᏍᎦᏯ, ᎤᎬᏫᏳᎯ ᎪᎱᏍᏗ ᏛᎩᏁᎵ, ᏰᎵᏍᎨᏍᏗ.\nᎣᏏᏉᏗ ᏃᏣᏛᏁᎰ.\nᏅᏗᎦᎵᏍᏙᏗᎭ ᎯᎠ ᏥᏂᏪᎭ, ᎠᏇᎿᎠ, ᎠᎴ ᎥᏝ ᎪᎱᏍᏗ ᏯᎩᏂᎬᏎᎭ; ᏂᎦᏔᎲᎾᏃ ᎢᎩ ᎤᏲ ᏂᏣᏛᎿᏕᎬᎢ, ᎠᎴ ᎤᏪᏙᎵᏍᏗ ᏂᏣᏛᎿᏕᎬᎢ, ᎠᎴ ᎪᎱᏍᏗ ᏂᏣᎲᎾ ᎨᏒᎢ, ᎠᎴ ᏘᎨᏫ ᎨᏒᎢ, ᎠᎴ ᏣᏰᎸᎭ ᎨᏒᎢ,\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏴ ᎾᏍᎩ ᏑᏓᎴᎩ ᏓᏨᏯᏛᏛᏂ, ᎢᏳᏃ ᎾᏍᎩ ᎢᏍᎩᏃᏁᎸ ᎾᏍᎩ ᎠᏴ ᏓᏨᏃᏁᎵ ᎢᏳᏍᏗ ᎠᏆᎵᏍᎦᏍᏙᏛᎢ, ᎯᎠ ᎾᏍᎩ ᏥᏓᎩᎸᏫᏍᏓᏁᎭ.\nᎿᏉᏃ ᎾᏍᎩ, ᎠᎬᎭᎸᏛ ᎤᎩᏒ, ᎩᎳᏉ ᎢᏴᏛ ᎤᏄᎪᏨᎩ, ᎠᎴ ᏒᏃᏱ ᎨᏒᎩ.\nᎤᏣᏘᏍᎩᏂ ᏕᎤᏫᏞᏫᏒ, ᎠᏎᏃ ᏌᏉᏉ ᎠᏰᎸᎢ.\nᏍᎩᏴ ᎤᏓᏏᏂᏕᏅ ᏴᏫ ᏗᎦᎦᏥᎶᏍᏔᏅ ᏙᎩᎾᏑᏯᎩᏒ ᏦᎩᏂᎪᎵᏰᏗ.\nᎠᏏᏴᏫᏃ ᎾᏍᎩ ᏟᎣᏆ ᏧᏙᎢᏛ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏥᎪ ᎮᏙᎯᏉ ᏂᎯ ᏥᎷᏏᎵᎻ, ᎠᎴ ᏂᎦᏔᎲᎾᏉ ᎾᏍᎩ ᎾᎿ ᏄᎵᏍᏔᏂᏙᎸ ᎪᎯ ᏥᎩ?\nᎢᏳᏍᎩᏂ ᏂᎦᏛ ᏯᎾᏙᎴᎰᏍᎦ, ᏳᏴᎵᎸᏃ ᎩᎶ ᎪᎯᏳᎲᏍᎩ ᏂᎨᏒᎾ, ᎠᎴ ᎩᎶ ᎾᎦᏔᎾᎥᎾ, ᎾᏂᎥ ᎬᏬᎯᏳᏓᏁᎰᎢ, ᎠᎴ ᎾᏂᎥ ᏕᎬᏭᎪᏓᏁᎰᎢ;\n“ᎣᏏᏉᏍᎪ ᎦᏟᎰ ᎤᏒᎯ?”\nᎤᎨᏳᎯᏳᏰᏃ ᎢᎩᏠᏱ ᎨᏒ ᏴᏫ, ᎠᎴ ᎢᎦᏁᏍᎨᎸ ᏗᎩᎳᏫᎢᏍᏗᏱ.\nᏂᎯ ᏗᎧᎿᏩᏛᏍᏗ ᏣᏢᏆᏙᏗᎭ, ᎯᏲᏍᏗᏍᎬᏍᎪ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏐᏢᎯ ᏂᏴᏁ ᎤᏁᎳᏅᎯ?\nᏴᎩ ᎦᎵ ᎠᏤ ᎧᏁᏍᎦ ᎤᏁᎴ ᏫᎵᎻ ᏣᏄᏏ.\nᎩᎶᏰᏃ ᎠᎹ ᎤᎵᏍᏈᏗ ᎠᎧᎵᎢ ᎢᏣᏗᏔᏍᏗ ᎢᏥᏁᏁᎯ ᎠᏴ ᏓᏆᏙᎥᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎦᎶᏁᏛ ᎡᏣᏤᎵ ᎨᏒ ᎢᏳᏍᏗ, ᎤᏙᎯᏳᎯᏯ ᎢᏨᏲᏎᎭ, ᎥᏝ ᎤᏲᎱᏎᏗ ᏱᎨᏎᏍᏗ ᎠᎦᎫᏴᎡᏗ ᎨᏒᎢ.\n“ᎲᎦ ᎢᏴ ᏓᏛᏄᎪᏔᏂ ᏫᎵᎻ?” ᎤᏛᏛᏁ ᎠᎳᏂ.\nᎤᏁᎳᎩ ᎢᎫᎳᎭ ᏫᏓᏛᎯ ᎬᏂ ᎠᎦᏛᎾᏨᎭ; ᎿᏉᏃ ᎠᎦᏛᎾᏨ ᎯᎠ ᏅᏓᎦᏥᏪᏎᎵ ᎠᏂᏍᎫᏕᏍᎩ; ᎢᎬᏱ ᎢᏥᏟᏌ ᎤᏲ, ᎠᎴ ᏗᏦᏛᏣ ᏗᎪᎲᏍᏙᏗ, ᎤᏣᎴᏍᏗᏍᎩᏂ ᎢᏥᏟᏌ ᎠᎩᏍᏆᏂᎪᏙᏗᏱ.\nᎥᏝᏰᏃ ᎩᎶ ᎠᏥᎦᏔᎯ ᎢᏳᎵᏍᏙᏗᏱ ᏧᏚᎵᏍᎪᎢ ᎤᏕᎵᏛ ᏱᏚᎸᏫᏍᏓᏁᎰᎢ. ᎢᏳᏃ ᎾᏍᎩ ᎯᎠ ᎿᏛᏁᎮᏍᏗ, ᎡᎶᎯ ᎬᏂᎨᏒ ᏂᏯᏛᏂᏏ.\n”ᎤᏙᎯᏳ ᎤᏲᎢ,” ᎤᏪᎵᏎ ᏫᎵᎻ.\nᎠᏂᏣᎳᎩ ᏩᏂᎦᏛ, ᎠᏆᏛᏅ, ᏣᎳᎩᏱ ᎠᏰᎵ ᎮᎰ.\nᏧᎾᏓᎸ ᎤᏩᏌ ᏕᎦᏓᏁᏖ.\nᏕᏤᏯᏙᏤᎮᏍᏗ ᎩᎵ, ᏕᏤᏯᏙᏤᎮᏍᏗ ᎤᏲ ᏧᏂᎸᏫᏍᏓᏁᎯ; ᏕᏤᏯᏙᏤᎮᏍᏗ ᏗᏂᎱᏍᏕᏍᎩ.\nᎢᏥᎪᏩᏖᏍᎨᏍᏗᏍᎩᏂ ᎤᏍᎦᎢᏍᏗ ᎠᏛᏗᏍᎩ ᏕᏂᎵ ᎠᏙᎴᎰᏍᎩ ᎤᏁᎢᏍᏔᏅᎯ, ᎦᏙᎨᏍᏗ ᎾᎿ ᎬᏩᎴᏗ ᏂᎨᏒᎾ, (ᎩᎶ ᎠᎪᎵᏰᏍᎨᏍᏗ ᎪᎵᎨᏍᏗ,) ᎿᏉ ᏧᏗᏱ ᎠᏂᏂ ᎠᎾᎵᏒᎭ ᏙᏦᏓᎸ ᏩᏂᎶᏒᎭ.\nᎩᎶ ᎤᎨᏳᏎᏍᏗ ᎬᏅᎢ ᎤᏲᎱᏎᏗ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎠᏍᎦᎨᏍᏗ ᎬᏅᎢ ᎠᏂ ᎡᎶᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᎬᏂᏛ ᏫᎾᏍᏛᎾ ᏗᎨᏒ ᎬᏗᏍᎩ.\nᏚᏛᏅᎢᏍᏔᏁ ᏧᏏᎳᏛᏙᏗ, ᏭᏭᏓᎸᏁᎢ ᎠᏍᏓ, ᏃᏗ ᎡᎳᏗ ᏄᏛᏁᎴ.\nᎠᎴ Ꮎ ᏁᏔᏚ ᎢᏯᏂᏛ Ꮜ-ᎶᎻ ᎢᏅᎢᎦᏘ ᎠᏓᏁᎸ ᏧᎾᏐᏁᎢ, ᎠᎴ ᏥᏚᏂᎴᎢ, ᏥᎪ ᎢᏣᏓᏅᏖᏍᎬ ᏧᏂᎪᎾᏛᏔᏅᎯ ᎨᏎ ᎠᏂᏍᎦᎾᎯᏳ ᎬᏒ ᏂᎦᏛ ᏥᎷᏏᎵᎻ ᎠᏁᎯ?\nᎤᎬᏫᏳᎯᏍᎩᏂᏃᏅ ᎾᎥ ᎦᏙᎬᎩ ᎠᎴ ᎠᏆᎵᏂᎪᎯᏍᏔᏅᎩ; ᎾᏍᎩ ᎠᏴ ᎨᏒ ᎠᎩᏍᏆᏗᏍᏗᏱ ᎠᏰᎸᏒᎩ ᎠᎵᏥᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎾᏂᎥ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᎾᏛᎯᏗᏱ; ᎠᎴ ᎥᎩᎴᏒᎩ ᏢᏓᏥ ᎠᎰᎵ ᏥᎳᎥᎢ.\nᎠᎴ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏤᎵᎪ ᎾᎥ ᎤᎷᏨ, ᎩᎶ ᎢᏳᏍᏗ ᏗᎨᏫ ᏅᏙᎱᎶᏗ ᎤᏬᎴ ᎠᏚᎳᏗᏍᎨᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᎢᏴᏛ ᎢᏨᏁᏔᏅᎩ ᎢᏦᎯᏳᏒᎢ, ᎾᏍᎩ ᎤᏤᏘ ᎤᏓᎫᏴᎡᏗ ᏥᎩ.\nᏑᏒᎯᏓ ᏯᏂᎩᏍᎬᎾ ᎤᎩᏓᏟᏅᏯ ᏚᎪᎰᏍᏔᎾ ᏚᏍᏆᏂᎪᏛ ᏧᏂᎧᎭᏲᏔᏅ ᎢᎾᎨ ᎠᏁᎯ ᏧᎸ ᏙᏱᏨ.\nᏴᏫᏃ ᎬᏩᏂᎪᎮ ᎠᎾᏂᎩᏍᎬᎢ, ᎠᎴ ᎤᏂᏣᏖ ᎬᏬᎵᎨᎢ, ᎠᎴ ᎡᎳᏗᏉ ᏚᏂᏍᏆᎸᏔᏁ ᎾᎿ ᎢᏗᏢ ᏭᏂᎶᏎ ᏕᎦᏚᏩᏗᏒ ᏂᏙᏓᏳᏂᎶᏒᎯ, ᏕᎬᏩᏂᎩᏰᏃ, ᎠᎴ ᏫᎬᏩᏓᏟᏌᏁᎴᎢ.\n“ᏏᏲ!” ᎤᏛᏁ.\nᎤᏐᏱᎭ ᎾᏛᏁᎲ ᏣᎵ ᏌᎶᎵ ᏳᏩᏯᎦ.\nᎤᎾᏙᏓᏆᏍᎬ ᎦᎵ ᎨᏎ ᏧᏂᎳᏫᎢᏍᏗ.\nᎤᏨᏉᏗ ᏱᎨᏒᎾ ᎤᏬᏪᎴ ᏚᏏᎳᏛ ᎠᏰᎵ.\n“ᎤᏲ ᎠᎩᏰᎸᎭ,” ᎤᏪᎷᏁᎢ ᏫᎵᎻ.\nᎠᏎᏍᎩᏂ, ᎦᎸᎾᏗᏣ ᏓᏋᎿ ᎥᏍᎩᏳᏍᏗ, ᎪᎶᏇᏍᏊ ᏥᏁᎲ.\nᎠᏎᏃ ᎢᏣᏙᎴᎰᎯᏍᏗᏱ ᏴᏫ ᎤᏪᏥ ᏰᎵᏉ ᎠᏂ ᎡᎶᎯ ᎬᏩᏓᏙᎵᏍᏗ ᎨᏒ ᎣᏍᎦᏅᏨᎢ, (ᎯᎠ ᏄᏪᏎᎴ ᎤᎸᏓᎸᎥᏍᎩ;) ᎯᎠ ᏂᎬᏪᏎᎭ; ᏔᎴᎲᎦ, ᏣᏤᏍᏙ ᎯᎾᎩ, ᎠᎴ ᏗᏤᏅᏒ ᎮᎾ.\nᏅᏯ ᎤᏍᏔᎦᏢ ᏭᏍᏆᎵᏒ ᎤᏁᏍᏔᎵ, ᎤᏅᏍᎦᎳᏛ ᎤᏩᎾᏬᎯᏍᏗ.\n“ᏌᎳᏓ, ᏙᎢᏳᏍᏗ ᎯᏃᎮᎭ?”\nᎤᏖᏗ!\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ, ᏞᏍᏗ ᎡᏥᏅᏍᏓᏕᎸᎩ; ᎩᎶᏰᏃ ᏂᎦᏡᏗᏍᎬᎾ ᏱᎩ ᎾᏍᎩ ᎢᎦᎵᎪᏁᎯ.\nᎠᎴ ᎾᏍᏉ ᏕᎬᏩᏘᏃᎮᎴ ᏧᎾᏍᏗ ᏗᏂᏲᎵ, ᎾᏍᎩ ᏧᏏᏔᏗᏍᏗᏱ; ᎠᏎᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᎾᏙᎴᎰᏒ ᏚᏂᎬᏍᎪᎸᏁᎢ.\nᎡᎳᏆᏗ ᏍᏉ ᏚᎾᏓᏲᎵᎴ ᏗᎫᎪᏗᏍᎩ.\nᎬᏂᎨᏒᏃ ᏂᎬᏩᎾᏛᏁᎴ ᎢᎳᏯ ᎠᎴ ᎼᏏ; ᏥᏌᏃ ᎬᏩᎵᏃᎮᏗᏍᎨᎢ.\nᎤᏬᏯᏁᏒᏃ ᏕᎤᎴᏔᏁᎢ; ᏫᏚᏯᏅᎲᏃ ᎤᎾᏓᏅᏘ ᎠᎴ ᏧᏃᏑᎶᏨᎯ, ᏕᎤᎾᏄᎪᏎᎴ ᎬᏃᏛ.\nᎤᎾᎵᏃᎯᏴᎯᏃ ᎭᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᏐᏈᎵᎯ ᎤᎩᎵ ᎤᏤᎵᎦ ᏕᎨᏥᎢᏍᏔᏅᎩ, ᎾᏍᎩ ᎠᎰᎵ ᏨᏓᎦᏄᎪᎬᎩ; ᏂᎦᏛᏃ ᏥᏍᏆ ᎾᏍᎩ ᎤᏂᏇᏓᎸ ᏚᏃᎸᎯᏍᏔᏅᎩ.\n“ᎭᏂ, ᎭᏂ, ᎭᏂ!” ᎤᏛᏁ ᏌᏌ ᎠᏨᏯᎢ.\nᎯᎠ ᏄᏪᏒᎩ; ᎦᏙ ᎢᏤᎵ ᎡᏣᏓᏅᏖᏍᎬ ᎦᎶᏁᏛ, ᎦᎪ ᎤᏪᏥ? ᏕᏫ, ᎥᎬᏬᏎᎸᎩ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᎠᏆᏕᎩ ᏱᎩ.”\nᎯᎠᏃ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᎦᎪ ᏓᎩᎲᎡᎵ ᏅᏯ ᎠᏤᎵᏍᏛ ᎦᎶᎯᏍᏗᏱ ᎠᎲᎢ?\nᎦᎵᏉᎩᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏤᎷᎯᏒᎩ; ᎠᎴ ᎦᎸᎳᏗ ᎢᏴᏛ ᎠᏍᏓᏯ ᏗᎧᏁᎬᎩ ᎩᎶᎢ, ᎯᎠ ᏅᏓᎦᏪᏍᎬᎩ, ᎠᏰᎵ ᏕᎪᏢᏩᏗᏒ ᎠᏂ ᎡᎶᎯ, ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎤᏤᎵ ᎦᎶᏁᏛ ᏧᎾᏤᎵ ᏂᏕᎦᎵᏍᏓ; ᎠᎴ ᎾᏍᎩ Ꮎ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸ ᎤᎬᏫᏳᎯ ᎨᏎᏍᏗ.\nᎤᏲᏰᏃ ᎢᏳᎾᏛᎿᏕᎩ ᏂᎪᎯᎸ ᎨᏤᎳᏗᏙᎭ; ᎠᏴᏍᎩᏂ ᎥᏝ ᏂᎪᎯᎸ ᏱᏨᏰᎳᏗᏙᎭ.\nᏥᏌᏃ ᎤᏛᎦᏅ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏂᏚᏂᏢᎬᎾ ᎥᏝ ᎤᏚᎸᏗ ᏱᏄᎾᎵᏍᏓᏁᎰ ᏗᏓᏅᏫᏍᎩ, ᏧᏂᏢᎩᏍᎩᏂ.\nᎠᏯᏙᎯᎯ ᏌᏉᎭ ᎠᏓᏰᎮᏍᏗ, ᎣᏍᏛ ᏗᎧᎿᏩᏗᏙᎯ ᏧᏪᏥ ᎠᎴ ᎤᏩᏒ ᏚᏓᏘᎿᎥᎢ.\nᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ ᎢᏥᎦᏲᎵ ᎠᏫ; ᎢᏥᏙᏓᏰᏃ ᎣᏏᏳ ᎤᏰᎸᎭ ᎢᏥᏁᏗᏱ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏦᏪᎵᏍᎩ ᎠᎴ ᎢᏥᏆᎵᏏ ᎢᏣᏠᎾᏍᏗ! ᏕᏣᏕᏲᎰᏰᏃ ᎠᎺᏉᎯ ᎠᎴ ᎦᏙᎯ ᎡᏥᏲᎰ ᎠᏏᏴᏫ ᏄᏍᏛ ᎢᏦᎯᏳᏒ ᎪᎯᏳᎲᏍᎩ ᎢᏰᏨᏁᏗᏱ, ᎠᎴ ᎾᏍᎩ ᏁᏨᎦ ᏔᎵ ᎢᏳᏩᎫᏗ ᎤᏟ ᏨᏍᎩᏃᎢ ᎤᏪᏥ ᏁᏨᏁᎰ ᎡᏍᎦᏉ ᎢᏨᏒ.\nᎬᏩᏔᏲᏎᎸᏃ ᎤᏬᎯᎢᏍᏗᏱ ᏧᏪᎳᏗᏓᏍᏗᏱ ᎥᏝ ᏳᏬᎯᏳᏁᎢ;\nᎠᏎᏗ ᎠᏒᎩ ᎨᏐ, ᎾᏰᏃ ᏄᏍᏗ ᎡᎲᎢ.\nᎢᏥᎾᏕᎨᏍᏗ ᎢᏥᎿᎥᎢ ᎠᎴ ᎢᏣᏓᏁᎸᎥᏍᎨᏍᏗ; ᎢᏣᏓᏁᎴᏍᏗ ᏕᎦᎶᏗ ᏂᏚᏪᏔᎬᎾ, ᏧᎬᏩᎶᏗ ᎦᎸᎳᏗ ᏫᏥᏟᏏᏍᎨᏍᏗ ᎠᏗᏒᎲᏍᎩ ᏂᎨᏒᎾ, ᎾᎿ ᏫᎬᏩᎷᎯᏍᏗ ᏂᎨᏒᎾ ᎦᏃᏍᎩᏍᎩ, ᎠᎴ ᏥᏍᎪᏯ ᏫᎬᏩᏲᏍᏙᏗ ᏂᎨᏒᎾ.\nᎤᏂᎷᏥᎸᏃ ᎠᎴ ᏚᏂᎳᏫᏛ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎤᏂᏃᎮᎴ ᏂᎦᎥ ᎤᏁᎳᏅᎯ ᏄᎾᏛᏁᎸᎢ, ᎠᎴ ᏚᏍᏚᎢᎡᎸ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎪᎯᏳᏗ ᎨᏒ ᎦᎶᎯᏍᏗᏱ.\nᏥᏌᏃ ᎠᏍᎩᎾ ᎤᏍᎦᏨᎩ; ᎠᏍᎩᎾᏃ ᎤᏄᎪᏨᎩ ᎠᏧᏣ, ᎠᎴ ᎾᎯᏳᏉ ᎤᏗᏩᏒᎩ.\nᎠᏯ ᎩᎾᎵᎪᎮᏍᏗ.\nᎾᏍᎩᏃ ᎾᎯᏳ ᏥᎨᏎᎢ, Ꮎ-Ꭹ ᎤᏇᏓᎵ ᎤᏕᏔᏅᎯ ᏣᏕᏯᏙᏗᏍᎨ ᎾᏍᎩ Ꮎ ᎠᏓᏅᏙ ᎤᏕᏔᏅᎯ, ᎾᏍᎩᏯ ᏄᏍᏗ ᎪᎯ ᎨᏒᎢ.\nᎬᏂᎨ ᎤᏍᎪᎸ ᎨᏎᎢ ᎠᏰᎸᎢ, ᎬᏂᎨ ᎤᏍᏓᏅᏁ ᎭᏫᏂᏣ.\nᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎤᏴᎵᎴ---ᎤᎵᏏᏂᏗ ᎠᏍᎦᏂᎵᏎ ᎠᏦᏴ ᎾᎥᏂ.\nᎾᏍᎩᏃ ᎯᎠ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᏥᏄᎾᎵᏍᏓᏁᎴ ᏗᏟᎶᏍᏙᏗ ᎠᏰᎸᏎᎢ; ᎠᎴ ᎦᎪᏪᎳ ᎠᏴ ᎢᎦᏅᏓᏗᏍᏗᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᏴ ᎾᏍᎩ ᎤᎵᏍᏆᎸᏗ ᎨᏒ ᎡᎶᎯ ᏥᎩᎷᏤᎸ.\nᎠᏍᏛᎢ ᎠᏙᎯ ᎠᏂᏙᎾᎥ ᎤᏂᏃᏴᎵᏓ ᎠᏂᎦᏘᏴ ᎤᏂᏁᏙᎸᏗ ᎦᎵᏦᏕ.\nᎯᎸᎯᏨ ᎤᎴᏫᏍᏔᏁ ᏣᎵ ᎠᏛᎵᏍᎨ, ᏚᎦᏙᏍᏖ ᏁᏂᏏ ᏃᎴ ᏗᎾᏓᏍᏔᎢ ᏃᎴ ᏧᏂᏍᏗ ᏗᏂᏲᏟ ᏃᎴ ᎠᏂᏫᎾᎨ ᎠᏂᏍᎦᏯ ᎠᎾᏟᏂᎬ ᏁᎲ ᎠᎬᏱᏣ ᎠᏂᎾᎷᏍᎬ ᎦᏚ ᎤᏅᏓᏒ.\nᏥᏌᏃ ᎤᎪᎲ ᎤᏣᏘ ᎤᏲ ᎤᏰᎸᏒᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᏂᎦᎥ ᎠᏍᏓᏱᏳ ᏧᏁᎿᎢ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᏗᎨᏒ ᏭᏂᏴᏍᏗᏱ!\nᎠᎴ ᎾᏍᏉ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᎤᏂᏙᏓ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᎤᏩᏒ ᏂᎨᏒᎾ ᏥᎩ, ᎾᏍᏉᏍᎩᏂ ᎠᏂᏍᏓᏪᏕᎩ ᏥᎩ ᏚᎳᏏᏅᏒ ᎢᎩᏙᏓ ᎡᏆᎭᎻ, ᎾᏍᎩ ᏧᏬᎯᏳᏎ ᎠᏥᎤᏍᏕᏎᎸᎯ ᎠᏏ ᏂᎨᏒᎾ ᏥᎨᏎᎢ.\nᎯᎠ ᎤᏁᏍᏓᎳ ᎫᎦ ᎨᏍᏗ ᎦᏓ ᏱᏂᏓᎦᎵᏍᏔᎾ ᏰᎵ ᎢᏯᎦᏴᎵ ᏧᏕᏘᏴᏓ.\n“ᏣᏑᎶᎩ ᎭᏫᏂ ᎯᎸᎥᎦ ᏣᎿᏬ ᎡᎳᏆᏗ!” ᎤᏪᎷᏁ ᎠᎳᏂ.\nᎭᏫᏂ ᏕᎦᎶᏛ ᏧᏪᏥ ᎤᎦᏃᏩ ᏃᎴ ᎤᎧᎭᏲᏓ ᎨᏎᏍᏗ.\nᏍᎩᏃᎯᏏ ᎭᎾ ᎮᏙᎲᎢ.\nᏚᏁᏤᎸᏃ ᎤᏂᏣᏘ ᎧᏁᏍᎪᎯ ᎨᏒ ᎤᎾᏅᏗᏱ, ᏚᎩᏒᏃ ᎯᏍᎩ ᎦᏚ ᎠᎴ ᏔᎵ ᎠᏣᏗ ᏚᏁᏒ, ᎦᎸᎳᏗᏃ ᏫᏚᎧᎾᏅ ᎤᎵᎮᎵᏨᎩ, ᎠᎴ ᏚᎬᎭᎷᏴ ᏚᏁᎸᎩ ᎦᏚ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎾᏍᎩᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏂᏣᏘ ᏫᏚᏂᏁᎸᎩ.\nᏃᏗ ᏌᎳᏓ ᏚᎾᎧᎾᏁᎢ ᎪᎯᏓ.\nᎢᏥᏁᏉᎨᏍᏗᏍᎩᏂ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎬᏩᎵ ᎠᎴ ᎡᏥᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᎠᎴ ᎢᎩᏍᏕᎵᏍᎩ ᏥᏌ ᎦᎶᏁᏛ; ᎾᏍᎩ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᎪᎯ ᎨᏒ, ᎠᎴ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ. ᎡᎺᏅ.\nᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎪᏃ ᎾᏍᎩ Ꮎ ᎣᏍᏛ ᎠᎴ ᎠᎦᏔᎾᎢ ᎠᏓᏁᎸ ᎠᏥᎦᏘᏗᏍᏗ, ᎾᏍᎩ ᎤᏅᏏᏙᎯ ᏄᎬᏫᏳᏌᏕᎩ ᏅᏓᏳᏩᏁᎵ ᎦᏁᎸᎢ, ᎾᏍᎩ ᏧᏁᏗᏱ ᎤᎾᎵᏍᏓᏴᏗ ᏂᏓᏍᏆᎸᎯᏒᎢ?\nᎠᏋᎦᏎᎠᏍᏙᏗᎢ ᎤᏤᎵᎢ ᎢᎾᎨᎢ ᎥᏃᏥ ᎠᎧᎵᎢᎲᎢ\nᎤᏮᏔᏅ ᎠᏰᎸ ᎤᏇᏓᎵ ᎨᏒ ᎠᏲᎱᏍᎬᎢ, ᏧᎬᏩᎴ ᎬᏂᎨᏒ ᎢᏨᏁᏗᏱ ᏂᏥᏍᎦᏅᎾ ᎠᎴ ᎪᎱᏍᏗ ᏁᏧᎢᏍᏛᎾ ᎠᎴ ᎦᏰᏥᎳᏫᏎᏗ ᏂᎨᏒᎾ ᎾᏍᎩ ᎠᎦᏔᎲᎢ;\nᎾᏍᎩᏃ ᏔᎵ ᏫᏄᏒᎸ ᎾᎿ ᎤᏂᎩᏒᎩ, ᎠᎴ ᎨᎵᎵ ᏭᎶᏒᎩ.\nᏥᏌᏃ ᎾᎿ ᎤᏂᎩᏒ ᏔᏲᎢ ᎠᎴ ᏌᏙᏂᏱ ᏭᎶᏒᎩ.\nᏗᏂᏲᏟ ᏍᏉ ᏧᏁᎷᏁᎢ, ᏃᏗ ᏂᎦᏓ ᎤᏁᏅᏎ ᏗᎾᏓᎪᎾᏗᏍᎬ.\nᎾᏍᎩᏃ ᏚᎵᏔᏗᏅᏎᎢ, ᎤᎴᏁᎢ, ᎠᎴ ᎤᏪᏙᎴᎢ, ᎠᎴ ᎢᏧᎳᎭ ᏭᏂᏴᎴ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎡᏙᎮᎢ, ᎠᎴ ᏓᎵᏔᏕᎨᎢ, ᎠᎴ ᎦᎸᏉᏗᏍᎨ ᎤᏁᎳᏅᎯ.\nᎠᎴ ᎬᏂᏳᏉ ᎤᎷᏤ ᎩᎶ ᎢᏳᏍᏗ ᏄᎬᏫᏳᏌᏕᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏤᎳ ᏧᏙᎢᏛ; ᎤᎪᎲᏃ [ᏥᏌ] ᏚᎳᏍᎬ ᎤᏓᏅᏁᎢ,\nᎾᎯᏳᏰᏃ ᏅᏩᏙᎯᏯᏛ ᎠᎴ ᏄᎾᏰᎯᏍᏛᎾ ᎠᎾᏗᏍᎨᏍᏗ, ᎿᏉ ᏄᏰᎶᎢᏍᏔᏅᏛ ᎠᏓᏛᏗᏍᎩ ᎤᏂᎷᏤᏗ ᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᎠᎩᎵᏯ ᏧᎷᏤᎰ ᎠᎨᏴ ᎦᏁᎵᏛ; ᎠᎴ ᎥᏝ ᎤᎾᏗᏫᏎᏗ ᏱᎨᏎᏍᏗ.\n”ᎣᏍᏓ ᎤᏒᎯ, ᏌᎳᏓ!”\nᎤᏙᎯᏳᎯᏯᏰᏃ ᎠᎾᏡᏗᏍᎬ ᎾᏍᎦᏅᎾ ᏤᏥ ᏥᏌ ᎾᏍᎩ ᎯᎶᏁᏛ ᎢᏧᎳ ᎡᎶᏛ ᎠᎴ ᏆᏂᏗ ᏆᎴᏗ ᎠᎴ ᏴᏫ ᏧᎾᏓᎴᏅᏛ ᎠᎴ ᎢᏏᎵ ᏴᏫ ᏚᏂᎳᏫᏨᎩ,\nᎠᎴ ᏞᏍᏗ ᎤᏲ ᏰᏣᏓᏅᏓᏗᏍᏗᏍᎨᏍᏗ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎢᏥᏰᎸᏔᏅᎯ ᏥᎩ ᎬᏂ ᎾᎯᏳ ᎢᎦ ᎡᏧᏓᎴᏍᏗ ᎨᏒ ᎠᏍᏆᎸᎲᎭ.\nᎠᏦᏴ ᏭᏂᏬᎯᎶᏎ, ᎠᏦᏴ ᎠᏰᎵ ᎤᎾᏓᏄᎸ ᎤᏁᏅᏎ ᏏᏆ ᎠᏍᏚᏗ ᎢᏣ.\nᎤᎵᎮᎵᏍᏗ ᏂᎦᎵᏍᏓ.\n“ᎭᏂᏉ ᏥᏙᎦ.”\nᎠᎴ ᏫᏨᎶᎢᏍᏓᏁᏗᏱ ᎹᏏᏙᏂ ᏩᎩᎷᎯᏍᏗᏱ, ᎠᎴ ᎹᏏᏙᏂ ᏗᎦᏂᎩᏒ ᏔᎵᏁ ᏅᏓᏨᎷᏤᏗᏱ, ᎠᎴ ᏧᏗᏱ ᏫᏥᎦᏛ ᏍᎩᏯᏘᏅᏍᏗᏱ.\nᎿᏉᏃ ᎾᏍᎩ ᎠᏍᎦᏯ ᎪᎱᏍᏗ ᎠᎾᏛᏁᎯ ᏚᏄᎪᏔᏅ ᎠᎩᏏ ᏧᎬᏩᎶᏗ ᏧᏓᏴᎡᏗᏱ ᏏᎦ, ᏖᎸᎳᏗ ᏙᏧᏫᏒ ᏚᏅᏎᎢ.\nᎿᏉᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᎠᏂᏆᎵᏏ ᎤᎾᏛᎦᏅ ᏓᏟᎶᏍᏗᏍᎬᎢ, ᎤᎾᏙᎴᎰᏒᎩ ᎤᏅᏒ ᎨᏥᏛᎬᎢ.\nᏂᎯ ᎢᏥᎦᏔᎯ ᏂᏣᎵᏍᏗᎭ, ᎠᎴ ᎾᏍᏉ ᎤᏁᎳᏅᎯ, ᏂᎦᎥ ᎾᏍᎦᏅᎾ ᎨᏒ ᎠᎴ ᏚᏳᎪᏛ ᎨᏒ, ᎠᎴ ᎦᎫᎯᏍᏙᏗ ᏂᎨᏒᎾ ᎨᏒ ᎣᎨᏙᎸ ᎢᏨᏰᎳᏗᏙᎸ ᏂᎯ ᎢᏦᎯᏳᎯ;\nᏰᎵᏉᏰᏃ ᏱᎩᏰᎸᎭ ᎦᏳᎳ ᎢᎦᎴᏂᏙᎸ ᏕᎩᎸᏫᏍᏓᏁᎸ ᎣᏏᏳ ᎤᏂᏰᎸᏗ ᎨᏒ ᎾᏂᎦᏔᎾᎥᎾ, ᎾᎯᏳ ᏥᏕᏙᎲ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏚᎸᏗ ᎨᏒᎢ, ᎠᎴ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎬᏓᏴᏍᏕᏍᏗᏍᎩ ᎨᏒᎢ, ᎠᎴ ᎠᎵᏍᎦᎾᏩᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏓᎾᏗᏔᏍᎬ ᎨᎳᏗᏓᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏂᏚᏳᎪᏛᎾ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᏓᏙᎵᏍᏓᏁᏗ ᎨᏒᎢ;\n“ᎯᏥᎦᏘᏰᏍᏗ ᏕᎦᏃᏣᏢᎢ!” \nᎠᎴ ᎤᏣᏖ ᏧᏓᎴᏅᏛ ᏚᏪᏲᏁ ᏚᏟᎶᏍᏓᏁᎴᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴ ᏓᏕᏲᎲᏍᎬᎢ,\nᏫᎵᎻ ᎣᏍᏓ ᎤᏰᎴᎮ ᎠᎦᎦᏙᏍᏗᏍᎬ.\nᏩᏏᏓᏂ ᏚᎦᏘᎸᏒ ᎠᏲᏟ ᎨᏒ, ᎠᏂᏍᎦᏯ ᏧᏍᏔᏩᏛᏍᏗ ᎤᏚᎸᎲ.\nᏉᎳᏃ ᎤᏁᎳᏫᏎᎸᎩ ᏒᏃᏱ; ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎼᏗᏙᏂ ᎡᎯ ᎦᏙᎨᎢ, ᎤᏔᏲᏎᎮᎢ, ᎯᎠ ᏄᏪᏎᎮᎢ; ᎹᏏᏙᏂ ᏫᎷᎩ, ᎠᎴ ᏫᏍᎩᏍᎨᎸ.\nᏍᏈᏍᏓ ᎤᏓᏑᏲ ᎪᎱᏍᏗ ᎦᏙᎯ ᎠᏓᏍᎨ.\nᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎸᎳᏗ ᎡᎯ ᎤᏂᏐᏢᎢᏍᏔᏅᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏚᏁᎯᏍᏓᏁᎲᎢ ᎠᎴ ᏚᏂᏥ-ᏍᏓᎸᎢ, ᎠᎴ ᎥᏝ ᎤᏲ ᏳᏂᏰᎸᏁ ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ.\nᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ ᎢᏗᏔᏲᎭ ᎢᎩᏁᎰᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎢᎩᏍᏆᏂᎪᏛ ᎤᏤᎵᎦ ᏗᎧᎿᏩᏛᏍᏗ, ᎠᎴ ᏕᎩᎸᏫᏓᏁᎲ ᎾᏍᎩ ᎣᏍᏛ ᎤᏰᎸᏗ ᎨᏒ ᏕᎩᎧᏅᎢ.\nᎾᏍᎩᏃ Ꮎ ᎤᏤᎵ ᎠᏛ ᏧᏲᏍᎩ ᏧᏨᏍᏗᏱ ᎣᏏᏳ ᎾᏛᏁᎮᏍᏗ; ᎾᏍᎩᏍᎩᏂ Ꮎ ᏧᏲᏍᎩ ᏂᎨᏒᎾ ᏧᏨᏍᏗᏱ ᎤᏟ ᎣᏏᏳ ᎾᏛᏁᎮᏍᏗ.\nᏚᏳᎪᏛᏍᎩᏂ ᏧᎸᏫᏍᏓᏁᎯ ᎢᎦᎦᏛ ᎦᎷᎪᎢ, ᎤᏚᎵᏍᎪ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎤᏰᎸᏗ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᏔᎵ ᎩᏄᏗᏘ ᏃᎴ ᏔᎵ ᏍᎪᎯ ᎠᏂᏎᏂᏏ ᏚᏁᎴ ᏲᎾ ᎤᏤᏍᏙ.\nᎣᏍᏓ ᎠᎩᏬᏂᏍᏗ ᏥᏏᎹᏛ ᏓᎬᏔᏂᏒ ᎠᏆᎵᏍᏙᏗ.\nᎿᏉᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏥᏌ ᎬᏩᎷᏤᎸᎩ ᎤᏅᏒ ᎨᏒᎢ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎦᏙᏃ ᏦᎩᏄᎸᏅᎩ ᎣᏥᏄᎪᏫᏍᏗᏱ?\nᎤᏍᎦᏨ ᏥᏔᏲᏎᎲ.\nᎨᏍᏗ ᏳᏓᏅᏌ ᏫᎵᎻ.\nᎣᏍᏓ ᏗᎧᏃᏗ ᏥᎨᏐ ᎤᏪᎵᏍᏗ ᎰᎻ.\nᎬᏂᎨᏒ ᏄᏍᏛᎢ ᎦᏙᎯ, ᎤᏂᏂᎬᎬ ᏓᏳᏓᎴᏅᏓ ᏯᏂᎷᎩ.\nᎠᎴᏬ ᎢᏓᎵᏅᏟ, ᏕᏥᎦᏔᎭ ᏍᏗᏇᎾ ᏚᏓᏘᎾᎥᎢ, ᎾᏍᎩ ᎢᎬᏱ ᎤᏓᏔᏅᎯ ᎨᏒ ᎠᎦᏯ, ᎠᎴ ᎾᏍᎩ ᏚᎾᏓᏲᏒ ᏧᏂᏍᏕᎸᎯᏓᏍᏗᏱ ᎤᎾᏓᏅᏘ;\nᏑᎾᎴᏉᏃ ᏔᎵᏁ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᎷᏨᎩ; ᎠᎴ ᏂᎦᏛ ᏴᏫ ᎥᎬᏩᎷᏤᎸᎩ; ᎤᏪᏅᏃ ᏑᏪᏲᏅᎩ.\nᏧᎵᏨᏯᏍᏗ ᎨᏎ Ꮭ ᏱᏓᏓᏲᏍᎨᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎬᏯᏅᏓᏗᏍᏗᎭ ᏣᏖᎸᏗᏱ ᎤᏁᎳᏅᎩ ᏣᏁᎸᎯ ᎨᏒᎢ, ᎾᏍᎩ ᏥᏣᏯᎠ, ᎾᏍᎩ ᏕᎬᏯᏏᏔᏛ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ.\nᎾᎿᏃ ᎢᎬᏱᏗᏢ ᏗᏓᏂᏐᏗᏱ ᏚᏃᎴ ᎺᎵ ᎹᎩᏕᎵ ᎡᎯ ᎠᎴ ᏐᎢ ᎺᎵ.\nᏂᎬᎾᏛ ᎦᎳᎨᏲ ᏥᏍᏕᏥ ᎤᎩᏍᏗ---ᏕᎦᎵᏦᏩᏛ, ᎠᏌᏅᏗ, ᎧᏁᏍᎦ ᎤᏂᏍᏆᏂᎪᏙᏗ---Ꭽ ᏰᎵᏉ ᏂᎦᎣ ᎤᏁᎸᏗ ᎤᏂᏑᎸᏓ ᎠᎵᏍᏓᏴᏗ, ᏰᎵᏉ ᏍᏈᏍᏓ ᎤᎾᏓᏓᏍᎬ ᏥᏍᏕᏥ ᎤᎾᎵᏍᏓᏴᏗ.”\nᏥᏌᏃ ᏚᏪᏙᎵᏨ ᏗᏂᎦᏙᎵ ᏚᏒᏁᎸᎩ, ᎩᎳᏉᏃ ᎢᏴᏛ ᎬᏩᏂᎪᏩᏛᏗ ᏄᎵᏍᏔᏅᎩ; ᎠᎴ ᎬᏩᏍᏓᏩᏛᏒᎩ.\nᎠᎴ ᏂᎦᏛ ᎤᏁᏅᏎ ᎨᎦᏎᏍᏗᏱ ᎠᏂᏏᏴᏫᎭ ᎨᏒ ᏙᏓᏂᏚᎲᎢ.\n”ᎠᏯᏖᎾ ᎢᏳᏛᏅᏓᎩᏓᎩ ᎭᏗ?” \nᎾᎯᏳᏃ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏏᏌ ᎣᎦᏍᏓ ᎤᏁᏨᎯ ᎤᎾᏄᎪᏤ ᏂᎬᎾᏛ ᎡᎶᎯ ᎨᎦᏎᏍᏗᏱ.\nᏗᏘᏲᏍᏗ ᏃᎴ ᎠᏓᎾᏅᏗ ᎤᏩᏌ ᏥᎬᏫᏳ.\nᎠᏎᏃ ᎢᏥᎪᏩᏘᎭ ᏅᏩᏓᎴ ᏗᎧᎿᏩᏛᏍᏗ ᏥᏰᎸ ᎠᏆᏚᏓᏕᏫᏒᎢ, ᎾᏍᎩ ᏗᎦᏘᎴᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏆᏓᏅᏙᎩᎯ ᎠᎲᎢ, ᎠᎴ ᏥᏴᎩ ᎢᏯᏋᏁᎯ ᎠᏇᏓᎸᎥᏍᎩ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎠᏍᎦᏂ ᎤᏤᎵᎦ, ᎾᏍᎩ ᏥᏰᎸ ᎠᏆᏚᏓᏕᏫᏒ ᎠᎲᎢ.\nᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎡᎲᎩ ᏣᏂ ᏧᏙᎢᏛ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏅᏏᏛ ᎨᏒᎩ.\nᎢᏳᏍᎩᏂ ᎩᎶ ᎤᏬᏑᎶᏨᎯ ᏧᏪᏥ ᎠᎴ ᏧᎵᏏ ᏯᏁᎭ, ᎾᏍᎩ ᎠᎾᏕᎶᏆᏍᎨᏍᏗ ᏧᏂᎸᏉᏙᏗᏱ ᏙᏧᏁᏅᏒ ᎠᏁᎯ, ᎠᎴ ᏧᎾᎫᏴᎡᏗᏱ ᏧᏂᎦᏴᎵᎨᎢ; ᎾᏍᎩᏰᏃ ᎣᏏᏳ, ᎠᎴ ᏧᏓᏂᎸᎢᏍᏗᏳ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\nᎾᏍᎩ ᎾᏍᏉ ᎤᎬᏩᎵ ᏥᏓᎩᎸᏫᏍᏓᏁᎭ, ᏥᎦᏟᏂᎬᏁᎭ ᎾᏍᎩᏯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᎵᏂᎩᏗᏳ ᏥᏚᎸᏫᏍᏓᏁᎭ ᏗᏆᏓᏅᏛᎢ.\nᎾᏍᎩᏃ ᎠᏄᎮᎵᏤᏗ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᏂᎪᎯᎸ ᎢᎦᎵᎮᎵᏍᏗᏱ ᏥᏂᎬᏁᎭ ᎢᎦᏓᎵᏁᎯᏛ ᎤᎬᏩᎵ ᎦᎶᏁᏛ ᎡᏓᎵᏍᎦᏍᏙᏛᎢ, ᎠᎴ ᎬᏂᎨᏒ ᏥᏂᎬᏁᎭ ᎦᏩᏒᎬ ᎤᏩᏒ ᎠᏥᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᏴ ᎢᎬᏗᏍᎬ ᏂᎦᎥ ᏕᎨᏌᏗᏒᎢ.\nᎢᏳᏓᎵᎭ, ᎡᏘᏴ ᏥᎨᏎ ᎤᏂᏍᎦᏎᏗ ᎨᏎ, ᎠᏎᏃ ᎨᏥᏁᏘᏍᏔᏅ ᎨᏥᏔᎶᏍᎬ.\nᎠᏎᏃ, ᎠᏎᏉᏉ ᎬᎩᎸᏉᏗᎭ ᏥᏓᎾᏕᏲᎲᏍᎦ ᏓᎾᏕᏲᎲᏍᎬ ᏴᏫᏉ ᎤᏂᏁᏨᎯ.\nᎤᏭᏔᎩᏒ ᎧᏫ ᎠᏥᏍᏙᏗ, ᎤᎾᏤᎸ ᎠᏥᏍᏛ, ᏍᎩᏴ ᎤᏣᏅᏓᏕᎸ ᏗᎪᏪᎵᏍᎩ ᎣᏍᏓ ᎢᏳᏩᏁᏗ ᎤᎵᏓᏍᏔᏅ.\nᎠᏏᏃ ᎤᏃᏒᎩ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ, ᏥᏌ ᎠᎦᏔᎯᏳ ᎨᏒᎩ ᎤᏍᏆᎸᎡᏱ ᎠᏂ ᎡᎶᎯ ᎤᏓᏅᏍᏗᏱ, ᎠᎦᏴᎵᎨᏍᏛᏱ ᏭᎶᎯᏍᏗᏱ, ᏧᎨᏳᎯᏳ ᎢᏳᎵᏍᏔᏅᎯ ᎨᏒᎩ ᏧᏤᎵᎦ ᎡᎶᎯ ᎠᏁᎯ, ᎬᎵᏍᏆᏗᏍᎩ ᏧᎨᏳᎯᏳ ᎨᏒᎩ.\nᎭᏂ ᎤᏍᏆᎸᎲ ᎬᏂᎨᏒ ᎢᏯᏋᏁᏗ ᏂᏥᎨᏳᎥ.\nᏚᏩᏩᏍᏛᏂᎸ ᏗᏂᏐᎯ ᏗᏂᎳᏴᏅᎯᏛ ᏧᏔᎾᎶ ᎬᏘ, ᏚᏂᎾᏌᎾᎩᏒ.\nᎤᏪᎷᎦ ᎩᎶ ᎢᎾᎨᎢ, ᎯᎠ ᏂᎦᏪᎭ; ᎡᏣᏛᏅᎢᏍᏓᏏ ᏱᎰᏩ ᎤᎶᎯᏍᏗᏱ, ᏚᏅᏅ ᏗᏥᏥᏃᎯᏍᏓ.\nᎤᎵᏗᏨ ᏭᏩᏌᏙᏰᎢ ᎧᏁᏍᎦ, ᏗᎩᏏ ᏭᎾᏏᏁᎢ.\nᏍᎩᎾᎾ ᏱᏄᏛᏁᎳ, ᎾᏍᏉ ᏗᎨᏫ ᏳᏫᎦᎷᎩ ᎨᏴ ᎯᎸᎢᏴ.\nᎠᏗᎾ ᎤᏁᎳᏅᎯ ᎠᎵᎮᎵᏤᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎤᏙᎯᏳᎯ ᎠᏍᎦᏂ ᏗᏥᎾᏝᎢ ᏥᎨᏒᎩ, ᎠᏎᏃ ᏗᏥᎾᏫ ᎬᏗ ᎢᏦᎯᏳᏅ ᎾᏍᎩ ᏄᏍᏛ ᏗᏕᏲᏗ ᎨᏒ ᎾᏍᎩ ᏤᏥᏲᎯᏎᎸᎯ ᎨᏒᎢ.\nᏩᎦ ᏃᎴ ᏐᏈᎵ ᎤᏂᎩᏍᏗ ᏧᎾᏕᎨ ᎡᎳᏗᏣ.\nᏐᏉ ᏑᏒᎯᏓ ᎠᎩᏒᎸ ᎦᏚᎲ ᎭᎾ ᎾᎥᏂ ᎤᏂᎷᏨ ᎢᎾᎨ ᎠᏁᎯ ᏏᏆ, ᏌᏬᏚ ᎠᏁᎯ ᏥᏍᏛᎾ ᎢᏳᏂᏍᏗ ᏓᏂᏯᎩᏍᎬ, ᏏᏆ ᏧᎵᎩᏏ ᏗᎬᏣᏝᏅ ᎢᏳᏍᏗ ᏓᏂᎩᏍᏙᏍᎬ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎦᏙ ᏓᏓᏛᏂ? ᏥᎪ ᏂᏚᏳᎪᏛᎾ ᎨᏒ ᎤᏪᎭ ᎤᏁᎳᏅᎯ? ᎬᏩᏟᏍᏗ.\nᎠᎴ ᎡᎶᎯ ᎠᏁᎯ ᏕᎦᎶᏄᎮᎭ ᎬᏗᏍᎬ ᎤᏍᏆᏂᎪᏗ ᏗᎬᏩᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎠᎦᏔᎲ ᏅᎩ-ᏗᎦᏅᏌᏗ; ᎯᎠ ᏏᏕᎦᏪᏎᎭ ᎾᏍᎩ Ꮎ ᎡᎶᎯ ᎠᏁᎯ, ᎾᏍᎩ ᏅᎩ-ᏗᎦᏅᏌᏗ ᏗᏟᎶᏍᏔᏅᎯ ᎢᏦᏢᎾ, ᎾᏍᎩ ᎭᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎬᏗ ᎠᏥᏐᏅᏅᎯ ᎠᎴ ᏧᏛᏂᏛᎩ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏓᎨᏏ ᏓᏥᏅᏩᏁᏏ.\nᎥᏝᏰᏃ ᎣᎬᏒ ᏲᏣᏓᏃᎮᎭ ᎣᏣᎵᏥᏙᎲᏍᎬᎢ, ᎦᎶᏁᏛᏍᎩᏂ ᏥᏌ ᎤᎬᏫᏳᎯ; ᎠᏴᏃ ᏂᎯ ᎣᎩᏅᏏᏓᏍᏗ ᎨᏒ ᎾᏍᎩ ᏥᏌ ᏅᏗ-ᎦᎵᏍᏙᏗᏍᎬᎢ.\nᏅᏩᎾᏓᎴᏃ ᏴᏫ ᎾᎿ ᎠᏁᎯ ᎤᏤᏘ ᎣᏏᏳ ᎪᎩᏍᏆᏂᎪᏔᏅᎩ; ᎤᏃᏔᏅᏰᏃ ᏕᎪᎦᏓᏂᎸᏨᎩ ᏂᎦᏛ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎠᎦᏍᎬᎢ ᎠᎴ ᎤᏴᏢᎢ.\nᎠᎴ ᏂᎦᏛ ᎤᎾᎵᏍᏓᏴᏅᎩ, ᎠᎴ ᏚᏃᎸᏒᎩ. ᎠᎴ ᎤᏄᏖᏒᎩ ᎤᎵᎬᎭᎷᏴᎯ ᎦᎵᏉᎩ ᎢᏯᎧᎵᎢ ᏔᎷᏣ.\nᎤᏙᎯᏳ, ᎨᏍᏗᏗ ᏱᏗᏥᏯᎩ, ᏕᎦᏗᏔᏍᎪ--- ᎩᎦ ᎤᏂᏁᎲ.\n”ᏗᎦᏅᏏᏙ ᎠᏧᏣ ᏍᏇᎵᏎ ᎠᏯ?” ᎤᎵᏍᎦᏎᏔᏁ ᏥᏍᏕᏥ.\nᎿᏉᏃ ᎤᎴᏅᎲᎩ ᏚᎬᏍᎪᎸᏅᎩ ᏚᏂᏚᎲᎢ ᎾᎿ ᎤᏟ ᎢᎦᎢ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎸᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏚᎾᏓᏅᏛ ᏂᏚᏂᏁᏟᏴᏒᎾ ᎨᏒᎢ.\nᏥᎪ ᏂᎯ ᎤᏟ ᎡᏣᎸᏉᏗᏳ ᎡᏍᎦᏉ ᎡᏆᎭᎻ ᎣᎩᏙᏓ, ᏧᏲᎱᏒ? ᎠᎴ ᎾᏍᏉ ᎠᎾᏙᎴᎰᏍᎩ ᏚᏂᏲᎱᏒ. ᎦᎪ ᏂᎯ ᎭᏤᎸᏍᎦ?\nᎺᎵᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏆᏓᏅᏙ ᎤᏣᏘ ᎦᎸᏉᏗᎭ ᎣᎱᏩ,\nᏅᏙ ᏥᏗᎧᎸᎦ ᎩᎳ ᎡᎨ ᎤᏂᏏᏗ, ᎢᎦ ᎠᏗᏗᏍᎨ, ᎩᎦᎨ ᏃᎴ ᎤᏬᏘᏓ ᎦᏳᏐᎵ, ᎠᎦᏗᏓ ᎠᎩᏍᎨ ᏩᎦ ᎭᏫᏯ, ᎩᎳ ᎠᎴᏂᏍᎨ ᎤᏕᎳᏓ ᏚᎷᏫᏍᏔᏁᎲ.\nᎾᏍᎩ ᎤᏣᏘ ᎢᎩᏁᎸᎯ ᏥᎩ ᎬᏗᏍᎬ ᏂᎦᎥ ᎠᎦᏙᎮᎯᏍᏗ ᎨᏒ ᎠᎴ ᎠᎵᏏᎾᎯᏍᏙᏗ ᎨᏒᎢ;\nᎠᎴ ᎠᎰᎵ ᏗᎦᏄᎪᎦ ᎪᏍᏓᏯ ᎭᏰᎳᏍᏗᎦᏅᎯᏛ, ᎾᏍᎩ ᏧᏩᏂᏍᏙᏗᏱ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ; ᎠᎴ ᏔᎷᎩᏍᎩ ᎬᏗ ᏗᎬᏩᏁᎶᏙᏗᏱ ᏅᏓᎬᏁᎵ; ᎠᎴ ᏖᎸᎳᏗ ᎦᏨᏩᏍᏙᏗᏱ ᎠᎳᏍᏓᎡᎭ ᎾᏍᎩ ᎤᏓᏑᏱ ᎤᏍᎦᏎᏗ ᎠᎴ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\n”ᎮᏙ ᎯᎸᎯ ᏧᏍᏆᏴᏍᏗ?,” ᏭᏛᏁ ᏫᎵᎻ.\nᎤᎬᏫᏳᎯᏰᏃ ᏓᎩᏲᎯᏎᎸᎩ ᎾᏍᎩ ᎾᏍᏉ ᏥᏕᏨᏲᎯᏎᎸᎩ, ᎾᏍᎩ Ꮎ ᎤᎬᏫᏳᎯ ᏥᏌ, ᎾᎯᏳ ᏒᏃᏱ ᎠᏥᎶᏄᎡᎸ, ᎦᏚ ᎤᎩᏎᎢ;\nᎢᏳᏃ ᏱᎦᏥᏯᏂᎩᏍᏗᎭ ᏙᏧᏁᏅᏒ ᏯᏁᎦ ᏄᎾᎵᏍᏓᏴᏅᎾ, ᏩᎾᎢᏒᏉ ᏱᏓᏂᏩᎾᎦᎶᎩ; ᎢᎦᏛᏰᏃ ᎢᏅᎯᏳ ᏙᏧᏁᏅ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᏔᎵᏁ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎬᏱᏱ ᏄᎵᏐᏃᎢ, ᎾᏍᎩ ᏠᎨᏏ ᎤᏣᎴᏍᏗ ᏓᏫᏒ ᎤᎶᏎᎢ, ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᏚᏂᏍᎫᏕᏎ ᎤᏣᎴᏍᏗ, ᎠᎴ ᎤᏂᏍᏗᎨ ᎠᎾᏍᎪᎵᏰᏍᎨ ᏧᏃᏰᏂ.\nᎦᏙ ᎠᎪᎵᏰᏍᎩ ᎠᎵᏰᎾ.\n“ᎤᎶᏒᏍᏗ ᎦᏓᎭ ᏗᎦᎴᏂ ᎣᏁᎯ,” ᎤᏛᏁ ᎠᎳᏂ.\nᎤᎾᏅᏓᏕᏃ ᎤᏁᏨᎢ,\nᏗᎬᏩᎩᏨᏗ ᎤᏣᏘ ᎣᏣᏓᏙᎵᏍᏗᏍᎬ ᎣᏥᏔᏲᎯᎲ, ᎾᏍᎩ ᏗᎦᏲᎩᎪᏩᏛᏗ ᎢᏳᎵᏍᏙᏗᏱ ᏕᏣᎧᏛᎢ, ᎠᎴ ᎣᎩᎧᎵᏏᏐᏗᏱ ᎾᏍᎩ ᎦᎷᎶᏥᏙᎲ ᎢᏦᎯᏳᏒᎢ.\n“ᎤᏙᎯᏳᎯ,” ᎤᎾᏛᏁ ᎧᏅᏂᏍᎩ.\nᏈᏓᏃ ᎠᎴ ᎨᏥᏅᏏᏛ ᎤᏂᏁᏨ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎤᏁᎳᏅᎯ ᎣᏦᎯᏳᏗ, ᎥᏝᏃ ᏴᏫ.\nᎠᏍᎩᎾᏃ ᎦᏄᎪᏫᏍᎨᎢ, ᎠᎴ ᎤᏩᎨᏫ ᎨᏎᎢ. ᎯᎠ Ꮓ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎠᏍᎩᎾ ᎤᏄᎪᏨ ᎤᏩᎨᏫ ᎤᏬᏂᏎᎢ; ᏴᏫᏃ ᎤᏂᏍᏆᏂᎪᏎᎢ.\n”ᏓᎩᏏᎳᏛ ᏥᏥᏓᎣᎢ ᎡᎳᏗ ᏧᏫᏄᏍᏙ ᏥᏍᎪᎵ.\nᏃᏗ ᏔᎵᏁ ᏫᏚᎧᎾᏁ ᏃᎴ ᎤᎪᎮ ᎪᎱᏍᏗ, ᎡᎳᏗ ᏭᏁ ᏔᎷᎩᏍᎩ ᎪᏱᏅᏍᏗ.\nᎣᎦᏣᏅᏃ ᏥᏳᎯ ᎡᏟᎻᏗ ᎡᎯ ᎣᎩᎧᏙᏴᎩ, ᎡᏏᏱ ᎤᎶᏗᏢ ᎣᎩᏅᏍᏙᏗᏱ ᎣᎩᏰᎸᏒᎩ, ᎩᎶ ᎢᏳᏍᏗ, ᎡᎵᏍᏓᎦ ᏧᏙᎢᏛ, ᎹᏏᏙᏂ ᏕᏌᎶᏂᎦ ᎦᏚᎲ ᎡᎯ, ᎣᏤᎲᎩ.\nᎣᎯᏍᏙᏓ ᎡᏓᏍᏗ ᎨᏎᎢ,  ᎡᎵᏍᎨ ᏫᎵᎻ, ᎤᎦᏃᏩ ᎡᎳᏗ, ᏧᎵᎪ ᎤᏂᏃᏴᎵᏓ ᏌᏌ, ᏓᏓᏍᏕᏓᎵᏴᏍᎬ ᎤᏕᏘᏴᏌᏗᏒ, ᎤᏗᎴᎬ ᎢᎦ ᎡᎯ ᏅᏙ, ᎠᏂᎶᏍᎬ ᏥᏍᏆᏯ, ᎾᎥᏂ ᏄᎾᏛᏅ ᏥᏍᏕᏥ, ᎤᏐᏱ ᏄᎾᏍᏛ ᎤᏂᏃᏕᎾ, ᏚᎸᏉᏛ ᎧᏅᏂᏍᎩ, ᎠᏒᎬ ᏗᎩᏏ, ᏃᎴ ᏄᏬᏚᎲ ᏂᎦᏓ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎤᎬᏫᏳᎯ ᎤᏅᏎ ᎠᏯᏫᏍᎩ, ᎠᎴ ᎤᏁᏤ ᎤᏍᎪ ᎤᏂᏲᎯᏍᏗᏱ; ᎤᏪᏅᏎᏃ, ᎠᎴ ᏭᏍᎫᏕᏎ ᏗᏓᏍᏚᏗᏱ ᎠᏯᎥᎢ,\nᏐᎢ ᎠᎧᏘᏏ ᎢᏣ ᎤᏬᏰᏂ ᎤᏩᏂᎦᎸ ᎤᏎᎵᏙᎸ, ᎠᎧᏍᎩᏂ ᎢᏣ ᎤᏬᏰᏂ ᎦᏌᎴᏅ ᎤᏦᏩᏛ ᏭᎸ.\nᏃᏉ ᎤᏍᏆᎸ ᎣᎦᏂᎩᏍᏗ.\nᎾᏍᎩᏃ ᏂᎦᏛ ᏥᎷᏏᎵᎻ ᎠᏁᎯ ᎤᎾᏛᎦᏅᎩ, ᎾᏍᎩᏰᏃ ᏠᎨᏏ ᎤᎾᏤᎵᎦᏯ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᎠᏅᏗᏍᎬ ᎠᏎᎵᏓᎹ ᏕᎤᏙᎥ, ᎾᏍᎩ ᎩᎬᏱ ᎦᏛᎦ.\nᎠᎴ [ᏥᎩᎧᎭ] ᏄᎬᏫᏳᏌᏕᎩ ᎠᏥᎸ-ᎨᎶᎯ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸ ᎤᎦᏌᏯᏍᏗᏕᎩ;\nᎩᎶ ᏳᏢᏣ ᏴᏫ ᎾᎥ ᏂᏚᎾᏓᎸ ᏓᎾᏓᏩᏛᎯᏙᎲ ᎠᎴᏱᎩ ᏓᏂᏨᏓᏆᏍᎬ ᎤᏢᎩ ᎠᏂᎦᏘᏗᎯᎲ.\nᎠᏎᏃ ... ᎨᏍᏗ ᎫᏩᎩᎸᏙᏗ ᏱᎨᏎ ᏔᎵ ᎩᎦᏆᏘ, ᏃᎴ ᎪᎯᎢᏴ ᎦᎴᏴᏍᎨ ᏚᏄᏮ.\nᎾᏍᎩᏰᏃ ᎢᏳᏩᏂᏌᏛ ᎠᏴ ᎢᏧᎳ, ᏌᏉ ᎠᏓᏅᏙ ᎬᏗ, ᎠᎦᏴᎵᎨ ᏫᎦᏰᏗᎷᏤᏗ ᏄᎵᏍᏔᏅ.\nᎠᏎᎩ ᏗᏥᎶᏍᏗᏍᎩ ᎤᏘᏃᎯᏍᏗ ᏓᏳᏚᎸ.\nᏌᎩᎻᏃ ᏫᏗᎨᏥᏅᏍᏔᏁᎢ ᎠᎴ ᏕᎨᏥᏂᏌᏁ ᎠᏤᎵᏍᏛ ᎾᏍᎩ ᎡᏆᎭᎻ ᎠᏕᎸ ᏧᎫᏴᏔᏁ ᏥᏚᏩᏎᎴ ᎡᎹ ᏧᏪᏥ, ᎾᏍᎩ ᏌᎩᎻ ᎤᏙᏓ.\nᏥᏌᏃ ᎤᏁᏤ ᎯᎠ ᏂᏚᏪᏎᎴ ᏗᎧᎿᎦᏛᏍᏗ ᏗᏃᏏᏏᏍᎩ ᎠᎴ ᎠᏂᏆᎵᏏ; ᏚᏳᎪᏗᏍᎪ ᏗᏓᏅᏬᏗᏱ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ?\nᏚᎵᏂᏆᏅᏅᏃ ᎠᏍᏓᏯ ᎤᏪᎷᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏣᎬᏫᏳᎯ, ᏞᏍᏗ ᎯᎠ ᎤᏂᏍᎦᏅᏨ ᏱᎦᎯᏍᏔᏁᏍᏗ. ᎾᏍᎩᏃ ᏄᏪᏒ ᎤᎸᏁᎢ.\nᎠᎾᏍᎪᏏᏙᎲ ᏗᏂᏴᏐᎵ ᏃᎴ ᏙᏰ ᏓᏂᏅᏙᎬ ᏗᎬᏘ, ᎤᏂᎭᏲᎲ ᎣᏍᏓ ᎤᏂᎩᏍᏗ ᏍᎪᏯ ᎠᎴ ᏧᏂᏍᏗ ᏥᏍᏕᏥ.\nᎾᏍᎩᏰᏃ ᏄᏩᏂᏌᏅᎩ ᎤᏂᏣᏛᎩ ᎠᏂᏧᏏ ᎤᎾᏓᏅᏒᎩ, ᎠᎴ ᏥᏌ ᏫᎬᏬᎯᏳᏅᎩ.\nᏳᏂᎾᏗᏅᏎᏰᏃ ᎾᏍᎩ ᎯᎠ ᎠᏠᏁᏗ ᏦᎢᏧᏈ ᎠᏂᎩᏏ ᏧᎾᎬᏩᎶᏗ ᎤᎶᏒᏍᏗ ᏱᏚᎵᎬᏩᎳᏁᎢ, ᎠᎴ ᎤᏲᎢᏳᎾᏛᎿᏕᎩ ᏗᎬᏁᏗ ᏱᎨᏎᎢ. ᎠᎴ ᎬᏩᎪᏁᎶᎯᏎᎴᎢ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎢᏤᎳᏗᏙᎮᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᎦᏙᏃ Ꮭ ᏱᏦᎵᎦ ᏥᏬᏂᏍᎬᎢ? ᏅᏗᎦᎵᏍᏙᏗᏍᎩᏂ ᏥᏁᎬ ᏰᎵ ᎨᏣᏛᎪᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎾᏍᎩ Ꮎ ᏧᏃᎮᎴ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎠᎴ ᏥᏌ ᎦᎶᏁᏛ ᎤᏃᎮᎸᎯ, ᎾᏍᎩ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎤᎪᎲᎢ.\nᏂᎯᏍᎩᏂ ᎥᏝ ᎾᏍᎩ ᏱᏄᏍᏗ ᏰᏣᏕᎶᏆᎡᎸ ᎦᎶᏁᏛ,\nᎢᏣᎵᎮᎵᎨᏍᏗ ᎠᎴ ᎤᏣᏔᏅᎯ ᎣᏍᏛ ᎢᏣᏓᏅᏖᏍᏗ, ᎤᏣᏘᏰᏃ ᎡᏣᎫᏴᎡᏗ ᎦᎸᎳᏗ; ᎾᏍᎩᏯᏰᏃ ᎤᏥ ᏂᏚᏅᏁᎸᎩ ᎠᎾᏙᎴᎰᏍᎩ ᎢᎬᏱ ᏥᏂᎨᏤᏅᎡᎸ.\nᎠᎴ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂ ᎨᏴ ᏗᎨᏥᏅᏩᏅᎯ ᎤᏂᏲ ᏗᏓᏅᏙ ᎬᏩᎾᏕᏯᏙᏗᏍᎬ ᎠᎴ ᏚᏂᏢᎬᎢ, ᎾᏍᎩ ᎺᎵ ᎹᎦᏕᎵ ᎡᎯ ᏣᏃᏎᎰᎢ, ᎾᏍᎩ ᎦᎵᏉᎩ ᎠᏂᏍᎩᎾ ᎬᏩᏄᎪᏤᎸᎯ,\nᎭᏙᏯᎯᏗᏍᎬ ᏕᎯᏅᏫᏍᎬᎢ ᎠᎴ ᎤᏰᎸᏛᎢ ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎠᏅᏗᏍᎬ ᏕᎤᏙᎥ ᏥᏌ ᎾᏍᎦᏅᎾ ᏤᏥ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎦᎵᎡᎵᎦ, ᎨᏨᏲᎢᏳᏗ ᎨᏒ ᏄᏓᎴᏒ ᎪᎱᏍᏗ ᎤᎬᏩᎵ.\nᏰᎵᏃ ᎤᏬᎯᏨ ᎠᏂᏧᏏ ᎤᏂᏃᎮᎴ ᎤᏂᎯᏍᏗᏱ.\nᎬᏂᏳᏉᏃ ᎬᏩᏘᏃᎮᎴ ᎠᏍᎦᏯ ᎤᏢᎩ ᎤᎸᏓᎸᎥᏍᎩ ᎦᏅᎨ ᎠᏤᏍᏙᎩᎯ; ᏥᏌᏃ ᎤᏙᎴᎰᏒ ᎠᏃᎯᏳᎲᏍᎬᎢ, ᎯᎠ ᏄᏪᏎᎴ ᎤᎸᏓᎸᎥᏍᎩ; ᎠᏇᏥ, ᎤᎦᎵᏍᏘᏳᏉ ᎭᏓᏅᏓᏓ, ᏣᏍᎦᏅᏨ ᎡᏣᏙᎵᎩ.\nᏍᎪᎯ ᎢᏳᏕᏘᏴᏓ.\nᎠᎴ ᏥᏌ ᎧᏁᏉᏥᏎ ᎠᎦᏔᎿᎢᏳ ᎨᏒ ᎠᎴ ᎠᏛᏍᎬᎢ ᎠᎴ ᎤᏁᎳᏅᎯ ᎠᎴ ᏴᏫ ᎬᏩᎨᏳᎯᏳ ᎨᏒᎢ.\nᎠᎴ ᎯᎠ ᏄᏪᏒᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᏕᎬᏕᎨᏍᏗ ᎤᏙᏓ ᎠᎴ ᎤᏥ, ᎠᎴ ᎠᏜᏫᏍᏗᏍᎨᏍᏗ ᎤᏓᎵᎢ, ᎠᎴ ᎾᏍᎩ ᎠᏂᏔᎵ ᏌᏉᏉ ᎤᏂᏇᏓᎸᎢ?\n“ᏃᏉᏗ ᏫᎵᎻ ᎧᏃᎮᎭ!” \nᎪᎯᎩ ᏂᎫᏩᏪᏓ ᎨᏎᎢ ᏤᎩᏏᏂ, ᏭᏕᎵᎬ ᏫᏚᏩᎪᏗ ᏂᎦᏓ ᎠᏂᏴᏫᏯ.\nᎢᏧᎳ ᏙᏍᏔᎧᎾᏅ ᎦᏚ ᏗᎦᏌᏆᎸ ᎭᏫᏯ ᏗᎨᎵᏍᎩ, ᎦᏚ ᏧᎦᎾᏍᏓ ᎠᏓᏴᏍᏕᏍᎩ ᏗᏑᏱ, ᏒᎦᏔ ᏃᎴ ᏆᎷᏌ ᏗᎦᏓᏫᏔᏅ ᏗᏑᏰᏛ.\nᎠᏦᏴ ᏭᎷᏤ ᏫᎵᎻ ᎤᏕᎶᎰᏎ ᏧᏳᎪᏗ ᏄᏪᏒ ᏌᏌ-- ᏐᏉ ᎠᏯᏖᎾ ᎢᏳᏛᏅᏓᎩᏓ ᎨᏎ.\nᎪᎯ ᎢᏳᏓᎴᏅᏛ ᏞᏍᏗ ᎩᎶ ᏯᏆᏕᏍᏙᏔᏁᏍᏗ; ᏥᏰᎸᏰᏃ ᏓᎩᏁᎸᎭ ᎠᏐᎴᎰᎯᏍᏙᏗ ᎤᎬᏫᏳᎯ ᏥᏌ ᏥᏯᏤᎵ ᎨᏒᎢ.\nᎠᎴ ᏓᎦᎾᏄᎪᏫᏏ ᎠᏧᏣ, ᎾᏍᎩᏃ ᏥᏌ ᏕᎯᏲᎥᎭ, ᏧᏤᎵᏰᏃ ᏴᏫ ᏙᏛᏍᏕᎸᎯ ᏙᏓᎫᏓᎴᏏ ᎤᏂᏍᎦᏅᏨᎢ.\nᎤᏁᎫᏥᏓ, ᏧᎦᎸᏓ ᏃᎴ ᎩᎦ ᎠᏗᏔᏍᎩ ᏌᎳᏓ---ᏄᏓᎴᏒ ᎣᏍᏓ ᏯᎩᏰᎸᎲᎾ.\nᎤᏒᏙᏂ, ᎠᏎᏍᎩᏂ ᎠᏆᏍᎦᏱᏓᏃ ᎨᏒ.\nᎠᏆᏍᎦᏰᎾ ᏥᎨᎲ ᎠᏎᏍᎩᏂ, Ꮓ, ᏲᎵᎪ, ᎩᎶ… \nᎠᏍᎩᎾᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎢᏳᏃ ᏂᎯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏎᏍᏗ, ᎯᏁᎩ ᎯᎠ ᏅᏯ ᎦᏚ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᏂᏆᎵᏏᏃ ᎤᎾᏙᎴᎰᏒ, ᎯᎠ ᏂᏚ ᏂᏪᏎᎸ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎦᏙᏃ ᏗᏤᏲᎲᏍᎩ ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᎠᏂᏍᎦᎾ ᎢᏧᎳᎭ ᎢᎠᎾᎵᏍᏓᏴᎲᏍᎦ?\nᎡᎳᏆᏗ ᏫᎵᎻ ᎤᏔᏪᏙᏁ.\nᎠᏏᏉᏃ ᎾᏃᎯᏳᎲᏍᎬᎾ ᎨᏎ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎠᎾᎵᎮᎵᎬᎢ, ᎠᎴ ᎤᏂᏍᏆᏂᎪᏍᎨᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎠᎵᏍᏓᏴᏗᏍᎪ ᎠᏂ ᎢᏥᎭ?\nᎾᏍᎩᏃ ᎤᎾᏛᎦᏅ ᏚᏂᏘᎴ ᏧᏂᎾᏫᏱ, ᎠᎴ ᏧᏂᎯᏍᏗᏱ ᎤᏂᏱᎵᏙᎴᎢ.\nᎾᏍᎩᏃ ᎠᏏᏴᏫ ᎨᏒ ᏧᎾᏓᎴᏁᎢ ᎠᎴ ᎾᏍᎩ ᎤᏲᎱᏒᎯᏉ ᎾᏍᎩᏯ ᎨᏒᎢ, ᏃᏈᏏ ᎦᎸᎶ ᏣᏂᎧᎳ ᏥᏄᏂᏧᏈᏍᏗ ᎢᏳᏂᏧᏈᏍᏗ, ᎠᎴ ᏃᏳ ᎠᎺᏉᎯ ᎤᏣᏘ ᏥᎦᎳᎨᏴ ᎬᏎᎰᎲᏍᏗ ᏂᎨᏒᎾ ᏥᎩ ᎢᏳᏂᏧᏈᏍᏗ.\nᎠᎦᏍᎦᏃᎶᏍᎦ, ᏧᏳᎪᏗ ᏯᎩᏃᎮᎳ.\nᎠᏎᏃ ᏆᎾᎥᎢ ᏄᏍᏛᎢ ᎤᏬᏰᏂ ᏍᎩᏴᏃ ᎯᎠ ᎠᏂᏃᏟᏙᎯ ᏰᎵ ᎤᏂᏲᏍᏙᏗ ᎨᏒ ᎯᎠ ᎤᏐᏅᎢ ᏍᎩᎵ.\nᎠᎴ ᏅᏩᏓᎴ ᏗᎧᎿᏩᏗᏙᎯ ᎥᏨᎪᎥᎩ ᏗᎧᎸᎬ ᎢᏗᏢ ᏧᏳᎵᎾᎳᏓᏩᏗᏒᎩ, ᎬᏂᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᏓᏰᎸᏙᏗ ᎨᏒ ᎦᏁᎲᎩ; ᎠᎴ ᎠᏍᏓᏯ ᏚᎵᏍᏓᏁᎸᎩ ᏅᎩ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ, ᎾᏍᎩ ᎨᏥᏁᎸᎯ ᏥᎨᏎ ᎪᎱᏍᏗ ᎤᏅᏁᏗᏱ ᎡᎶᎯ ᎠᎴ ᎠᎺᏉᎯ,\nᎢᎦᏛᏃ ᎤᎾᎴᏅᎮ ᏕᎬᏩᎵᏥᏍᏆᏍᎨᎢ, ᎠᎴ ᎤᎧᏛ ᎬᏭᏢᏁᎮᎢ, ᎠᎴ ᎠᏍᏈᏅ ᎨᎬᏩᏂᏗᏍᎨᎢ, ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎮᎢ, ᎭᏙᎴᎰᎯ; ᎠᎴ ᎨᏥᏅᏏᏓᏍᏗ ᏕᎬᏩᏂᎮᎢ.\nᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᎠᏥᏅᏏᏓᏍᏗ, ᎾᏍᎩ ᎤᏅᏏᏙᎯ ᎦᎷᏨᎭ ᎤᏩᏛᎲ ᎾᏍᎩ ᎾᏛᏁᎲᎢ.\n“ᎠᏯᏛ ᎡᎵᏊ ᏯᏆᎾᏔ,” ᎤᏛᏁ ᏩᎭᏯ. “ᏗᎨᏏ.”\nᎾᎪᏔᏅ-ᎾᏃ ᎦᏚ ᎠᎩᏍᏗᏱ ᎤᏍᏆᎸᎯᏗᏎᎢ, ᎾᏍᎩ ᎧᏃᎯᏰᏃ ᏗᎵᏍᏓᏴᏗᏱ ᏥᏚᏙᎠ.\nᏒᏃᏱ ᎠᏍᏆᎶᎦ, ᎿᏉ ᎤᎩᏨᏂᏗ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏴᏛ ᏂᏛᎦ ᎤᎵᏏᎬ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎢᏓᏄᏬᏍᏓ ᎠᎵᏍᎦᏍᏙᏙ ᎢᎦ-ᎦᏛ ᎡᎯ.\nᎢᎸᎯᏳᏰᏃ ᏧᎾᏄᎪᏤ ᏚᏓᏏ ᎩᎶ ᏧᏤᎸᏎᎢ, ᎠᏂᏍᎦᏯ ᏅᎩᏧᏈ ᎢᏴᏛ ᎢᏯᏂᏛ ᏥᎬᏩᎵᎪᏁᎴᎢ, ᎾᏍᎩ ᏣᏥᎴᎢ, ᎠᎴ ᏂᎦᏛ ᎾᏍᎩ ᎬᏬᎯᏳᏅᎯ ᏧᎾᏗᎦᎴᏲᏤ ᎠᎴ ᏥᏫᎬᏩᏂᏲᏙᎴᏉ.\nᎦᏚᏏᎢᏰᏛ ᎠᏓᎾᏅ, ᏍᎪᏁ ᎨᏴ, ᎠᏍᎩᏗᏨ ᏗᏥᎶᏓ ᎢᏳᏍᏗ ᏄᏍᏛ.\nᎤᏙᎰᎯᏍᏗ ᎨᏎ ᏍᎩᎾᎾ ᏱᏄᎾᏛᏁᎸᎾ ᎨᏒ, ᎡᏍᎦᏉ ᏄᎾᏛᏁᎸ Burr ᏃᎴ Hamilton ᎤᏪᏘ ᎤᏂᏃᎮᎸ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏂᎯ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏦᏏᏏᏍᎩ! ᎢᏥᏴᏫᏛᎲᏰᏃ ᎠᏍᏚᎢᏍᏗ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ; ᎥᏝᏰᏃ ᎢᏨᏒ ᏱᏥᏴᎸ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᏂᏴᎯᎯ ᏕᏥᏲᏍᏙᏓᏁᎸ.\nᎣᏍᏛ ᏴᏫ ᎣᏍᏛ ᎤᏍᏆᏂᎪᏛ ᎤᎾᏫᏱ ᎣᏍᏛ ᎨᏒ ᎦᎾᏄᎪᏫᏍᎪᎢ; ᎤᏲᏃ ᏴᏫ ᎤᏲ ᎤᏍᏆᏂᎪᏛ ᎤᎾᏫᏱ ᎤᏲᎨᏒ ᎦᎾᏄᎪᏫᏍᎪᎢ; ᎤᏣᏛᏰᏃ ᎤᎾᏫ ᎤᏪᎲ ᎠᎰᎵ ᎧᏁᎪᎢ.\nᏥᏯᏦᏨ ᎨᎵ.\nᎬᏂᏳᏉᏃ ᏗᎧᎿᏩᏗᏙᎯ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎤᎴᏂᎴ ᎦᏅᎬᎢ, ᎢᎦᏃ ᎤᏙᏤ ᏗᏓᏍᏚᏗᏱ; ᎤᏩᏂᎸᏃ ᏈᏓ ᎠᏍᏆᎨᏂ, ᏕᎤᎴᏔᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏔᎴᎲᎦ ᏞᎩᏳ. ᏧᏓᏕᏒᏛᏃ ᏚᏓᏕᏛᏃ ᏚᏙᎠᏎ ᏧᏬᏰᏂ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎵᏏ ᎤᏛᎦᏅ ᎺᎵ ᎤᏲᎵᎲᎢ, ᎠᏲᎵ ᎦᏁᎵᏒ ᎤᎵᏖᎸᏁᎢ; ᎠᎴ ᎵᏏ ᎤᎧᎵᏤ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ,\n“Ꭷ ᎯᏍᏕᎾᏃ,” ᎤᏛᏁ.\nᏗᏂᏅᎪᎢ ᏕᎷᎨ ᏧᎵᏑᏫᏓ ᏂᏚᎵᏍᏔᏁ ᏃᎴ ᎩᎦᎨ ᏧᎵᏑᏫᏓ ᏂᏚᎵᏍᏔᏁᎢ.\nᎪᎯᏳᏙᏗ ᎦᏓ ᎾᏅᏁᎲ ᏃᏉ.\nᎾᏍᎩ ᎯᎠ ᏂᎦᏗᏳ ᏥᏌ ᏚᏬᏁᏔᏅᎩ ᎤᏂᏣᏘ ᏚᏟᎶᏍᏓᏁᎸᎩ, ᏂᏓᏟᎶᏍᏓᏁᎲᎾᏃ ᎨᏒ ᎥᏝ ᏱᏚᏬᏁᏔᏁᎢ.\nᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎦᏪᎳ, ᏓᏥᏛᏔᏂ ᎠᏂᏏᎾᏒ ᎠᏂᏏᎾᏌᏂ, ᎠᎴ ᎠᏎᏉ ᏅᏓᎦᏥᏴᏁᎵ ᎠᏁᏯᏔᎯ ᎠᏁᏯᏔᎲᎢ.\nᎤᏁᏨᏃ ᎯᎠ ᏄᏪᎴᎢ, ᏣᎬᏫᏳᎯ, ᎤᏁᎳᎩ ᎮᎳ ᎪᎯ ᎾᏍᏉ ᏧᏕᏘᏴᏌᏗ, ᎬᏂ ᎦᏍᎪᏏᏙᎸᎭ, ᎠᎴ ᎣᏍᏛ ᎦᏓ ᏥᏅᎭ.\nᎠᏎᏃ ᎠᏂᏧᏏ ᎠᏂᏁᎬ ᎾᏍᎩ ᎤᏂᏐᏅᏤᎸ, ᎠᏎ ᏏᏐᎢ ᏩᎩᎲᏍᏙᏗ ᎾᏆᎵᏍᏓᏁᎸᎩ; ᎥᏝᏍᎩᏂᏃᏅ ᎪᎱᏍᏗ ᏯᎩᎮᎢ ᎦᏥᏳᎢᏍᏙᏗ ᏗᏆᏤᎵᎦ ᏴᏫ.\nᎨᏍᏗ ᎩᎳᏈᏴ ᏱᏚᏭᏔᎩᏌ, ᎤᎵᏍᏔᏴᏃᎾ ᎩᎳ.\nᎠᏇᎵᏒ ᏐᏉ ᎢᎧᏁᏨ ᏳᏁᏤ, ᏯᏋᎨᏫᏎ ᏂᎦᏓ ᏃᎴ ᎬᎩᏍᏆᏂᎪᏔᏅ ᏥᏧᏣ ᏥᎨᏒ, ᎤᏆᏓᎩᏅᏓ ᎨᏎ, ᎢᏣᏉ ᏱᏥᏍᏔᏩᏛᏎ.\nᎾᏍᎩᏃ ᏄᏪᏒ ᏚᏰᎵᎯᏍᏔᏅᎩ ᏓᏂᎳᏫᎥᎢ.\nᎭᏂ, ᎤᏂᎦᎵᏴᎲᎢ ᎠᎪᏩᏛᏗ ᏂᎨᏒᎾ, ᎠᏓᏒᎩ ᎢᏳᏂᏍᏗ ᏃᎴ ᏒᏗᏩᏟ ᎤᎾᏓᏓᏍᎬ ᎣᏁᎯ,ᎠᎦᏗᏓ ᎦᎳᎨᏰ ᏧᏪᏘ ᎫᎦ, ᏔᎷᎩᏍᎩ ᏧᏏᏩ, ᏗᎦᏓᎭ ᏗᎿᏬ, ᏔᎷᎩᏍᎩ ᏧᏲᏨ, ᎤᏁᏍᏔᎳ ᏧᏲᏨ, ᏗᎦᎯᏓᏍᏙᏗ ᏧᏲᏨ, ᎦᏂᏏ ᏗᏒᏗ ᏧᏲᏨ, ᏧᎵᏬᏨ ᎠᎾᎦᎵᏍᎩ, ᏧᏪᏘ ᎪᏪᎵ ᏗᎪᎵᏰᏗ, ᎡᏓᏍᏗ ᏗᎦᏅᎦᎶᏙᏗ, ᏧᏤᏌᏗ ᏗᏑᎶ, ᏧᎦᏣᏅᎪᏥᏓ ᏴᎩ, ᏧᏔᎸᎩᏓ ᏔᎷᎩᏍᎩ ᏗᎪᏱᏂᏓᏍᏗ, ᏧᏅᎨᏫᏒ ᏗᏍᏚᏙᏗ ᏃᎴ ᎪᎱᏍᏗ ᏗᎬᏙᏗ ᏂᎨᏒᎾ ᏧᏓᎴᏅᏓ, ᎤᏓᏐᏯᏍᏕᎢ ᎤᏅᏗ ᎤᏁᏍᏔᎵ ᎪᏒᏙᏗ ᎦᏗᏆᎸᏕᏴᏍᏙᏗ.\nᎤᏲ ᎢᏴᏉ ᏚᏅᏓᏒ, ᏚᎨᏓᎵᏴ ᏃᎴ ᎭᏫᏂ ᏫᎦᎶᎯᏍᏗ, ᏃᎴ ᎦᎸᎳᏗ ᏚᏍᏔᎦᏢ ᏫᏗᎦᎶᎣᏍᎩ ᏅᏲᎯ ᎠᎹ ᏕᎨᏴ.\nᎦᏙ ᎤᏍᏗ ᎤᏟ ᎠᎯᏗᏳ? ᏥᎪ ᎯᎠ ᏱᎾᎦᏪᏎ ᎤᎸᏓᎸᎥᏍᎩ, ᏣᏍᎦᏅᏨ ᎡᏣᏙᎵᎩ; ᎯᎠᎨ ᏱᎾᎦᏪᎠ, ᏔᎴᎲᎦ, ᎠᎴ ᎯᎾᎩ ᏣᏤᏍᏙ, ᎠᎴ ᎮᏓ?\nᏩᎩᏠᏩ ᎦᎸᎳᏗ!” \nᎡᎳᏗ ᏭᏭᏓᎸᏁ ᎠᏍᏓ.\nᎿᏉᏃ ᎤᎾᎵᏍᏓᏴᏃᏅ, ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ ᏌᏩᏂ ᏈᏓ; ᏌᏩᏂ, ᏦᎾ ᎤᏪᏥ, ᏂᎯ ᎤᏟ ᏂᏍᎩᎨᏳᎭ ᎡᏍᎦᏉ ᎯᎠ? ᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᎥ, ᏣᎬᏫᏳᎯ, ᎯᎦᏔᎭ ᎬᎨᏳᎢᏳ ᎨᏒᎢ. ᎯᎠ ᏄᏪᏎᎸᎩ; ᎨᎮᎶᎮᏍᏗ ᏗᏆᏤᎵᎦ ᎤᏂᏃᏕᎾ ᎠᏂᎩᎾ.\nᎣᏏᏳ ᎢᏥᏰᎸᎯ ᎪᎱᏍᏗ ᎢᏣᏛᏁᎲ, ᎤᎬᏫᏳᎯ ᏥᏁᏣᏛᏁᎰ ᎾᏍᎩᏯᎢ, ᎥᏝᏃ ᏴᏫᏉ ᏥᏂᏕᏣᏛᏁᎰ ᎾᏍᎩᏯᎢ;\nᎠᎦᏙᎥᎯᏍᏗᏰᏃ ᎨᏒ ᎠᏂ ᎡᎶᎯ ᎡᎯ ᎠᎵᏍᎦᏁᏛᏉ ᎤᏁᎳᏅᎯ ᎠᏓᏅᏖᏍᎬᎢ; ᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎪᏪᎳ, ᏕᎦᏂᏱᎭ ᎠᏂᎦᏔᎿᎢ ᎬᏗᎭ ᎤᏅᏒ ᎠᏂᏏᎾᏌᏅᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᏚᏃᏣᎶᏥᏙᎸᎢ ᎾᎿ ᏂᎬᎾᏛ ᏚᏰᎵᏏᏙᎸᎩ.\nᎯᎠᏃ ᎪᎱᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ ᎦᏅᏏᏓᏍᏗ ᏙᏱᏗᏢ ᏧᎵᏏᎬ ᏪᏣᏓᎤᎦ; ᎾᎿ ᏓᏂᏴᎨᏍᏗ ᎠᎴ ᏓᏂᎸᏓᎩᏍᎨᏍᏗ ᏓᏂᏄᏙᎬᎢ.\nᎢᏳᏃ ᎠᎾᎵᏅᏟ ᎯᎠ ᎾᏍᎩ ᏱᎩᏯᏅᏓᏗᏍᏔᏅ, ᎰᏍᏛ ᎨᏎᏍᏗ ᎡᏣᏅᏏᏓᏍᏗ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵᎦ, ᎡᏤᎳᏍᏔᏅᎯ ᎨᏎᏍᏗ ᎧᏃᎮᏛ ᎪᎯᏳᏗ ᎨᏒ ᏥᎧᏃᎮᎭ, ᎠᎴ ᎣᏍᏛ ᏗᏕᏲᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎦᏳᎳ ᏗᏣᏂᏴᏛ ᏥᎩ.\nᏰᎵ ᎠᏓᏅᏖᏍᎬ ᏲᎾ ᎣᏍᏓ ᎦᏯᎩᏍᏗ ᏱᎩ ᏃᏉ.\nᎠᏆᎧᏛ ᎠᏆᏒᏂᎸ, ᏄᏍᏛ ᏤᏣᎧᏃᏗ ᎠᏆᏚᎵ ᎬᏯᏅᏓᏗᏍᏘ, ᎠᏎ ᏎᎦᏉ ᏱᎩ ᎤᏛᏅ.\nᏃᏉ ᎤᏍᏆᎸ ᏧᏪᏥ ᏗᎦᎶᏙᏗ ᎠᏋᏗ ᏃᎴ ᎧᎵ ᏗᎩᎶᏙᏗ ᏧᏪᏥ.”\nᎠᎴ ᎾᏍᎩ ᎬᏩᎷᏤᎸᎩ ᏈᎵᎩ, ᏇᏣᏱᏗ ᎦᏚᎲ ᎨᎵᎵ ᎡᎯ, ᎠᎴ ᎬᏩᏔᏲᏎᎸᎩ ᎯᎠ ᏄᏂᏪᏒᎩ, ᎣᎦᏚᎵᎭ ᎣᏥᎪᏩᏛᏗᏱ ᏥᏌ.\nᎥᏝᏰᏃ ᏩᎦ ᏧᎾᎪᏅᏍᏓᎵ ᎠᎴ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᎤᏂᎩᎬ ᏰᎵ ᎬᏩᏂᎲᏍᏗ ᏱᎨᏎ ᎠᏍᎦᏂ ᎨᏒᎢ.\nᏂᎯ ᎠᎾᏙᎴᎰᏍᎩ ᏧᏁᏥ, ᎠᎴ ᎾᏍᏉ ᏧᏪᏥ ᎠᏚᎢᏍᏛᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏗᎩᎦᏴᎵᎨ ᏚᏚᎢᏓᏁᎸᎢ, ᎯᎠ ᏥᏄᏪᏎᎴ ᎡᏆᎭᎻ; ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎨᏒ ᏅᏓᎦᎵᏍᏙᏔᏂ ᏄᎾᏓᎴᏒ ᏴᏫ ᎡᎶᎯ ᎠᏁᎯ ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ.\n“ᎤᏙᎯᏳᎭᏧ?” ᎤᏓᏛᏛᏁ ᏫᎵᎻ.\nᎤᎵᏍᎫᏪ.\nᏍᏓᏯ ᎤᏩᏇᏅᏔᏁᎢ ᎣᏍᏓᏓᏤᎵ, ᎫᏩᎵᏖᎸᎮᏗ ᏱᎨᏒᎾ.\nᎦᎶᎾᏍᏗᎭ ᎤᏙᎴᏋ ᏓᎩᏁᎵ: ᎠᏲᏟ ᏥᏕᎧᏃᎮᏍᎪ ᎤᏕᎳᏗ ᏂᏚᎬᏅ ᎢᏳᏍᏗ ᏱᎩᏬᏂᏌ, ᎣᏏᏉ ᏱᏂᏗᏫ.\nᎤᎴᏫᏍᏔᏅ, ᏥᏔᎦ ᏚᏪᏝᎸ ᎠᎬᏱ ᏯᎦᏘᎾᏫᏗᏍᎬᎾ.\nᎠᏓᏅᏙ ᏱᎰᏩ ᎤᏤᎵ ᏔᎵ ᎠᏆᏛᏓᏁᎵᏕᎦ ᏅᏗᎦᎵᏍᏙᏗ ᏣᎩᎶᏁᎥ ᎦᏥᏯᎵᏥᎣᏁᏗᏱ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ; ᏗᎩᏅᏒ ᏗᎦᏥᏅᏬᏗᏱ ᎤᏲ ᎤᎾᏓᏅᏔᏩᏕᎩ, ᎦᏥᏃᏁᏗᏱ ᎠᏂᏴᎩ ᎬᏩᎾᏚᏓᎴᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏗᏂᎨᏫ ᎬᏩᏂᎪᏩᏛᏗ ᎨᏒᎢ, ᎠᎴ ᏗᎦᏥᏯᎪᏗᏱ ᏗᎨᏥᏂᏆᎶᏔᏅᎯ,\nᎿᏉᏃ ᎦᎸᎶᎢ ᏓᎦᎾᏄᎪᏥ ᏴᏫ ᎤᏪᏥ ᎤᏤᎵ ᎤᏰᎸᏛᎢ, ᎠᎴ ᎿᏉ ᏂᎦᏛ ᏓᏂᎳᏍᏓᎸ ᎡᎶᎯ ᏙᏛᏂᏴᎳᏏ, ᎠᎴ ᏛᏂᎪᎯ ᏴᏫ ᎤᏪᏥ ᏣᎢᏎᏍᏗ ᎤᎶᎩᎸ ᎦᎸᎶᎢ, ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎠᎴ ᎤᏣᏘ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏄᏬᏍᏕᏍᏗ.\nᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ ᎠᎴ ᏗᎩᏙᏓ, ᎢᏣᏛᏓᏍᏓ ᎯᎠ ᎠᏆᎵᏍᏕᎸᏙᏗ ᎿᏉ ᏨᏓᏥᏬᏂᏏ.\nᎠᎴᏬ, ᏱᎰᏩ ᎠᎦᏔᎭ ᎠᎾᏓᏅᏖᏍᎬ ᎠᏂᎦᏔᎿᎢ, ᎾᏍᎩ ᎠᏎᏉᏉ ᎨᏒᎢ.\nᏚᏳᎪᏛ ᎨᏒᎢ, ᎡᏙᏙᏱ ᏫᏥᎦᏛᎢ, ᎠᎴ ᎿᏉ ᏂᏍᎩᎪᏩᏘᏍᎬᎾ ᎨᏒ ᎢᏳᏍᏗ;\nᎠᎴ ᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏱᎰᏩ ᏙᏗᎧᏅᎢ, ᎥᏝ ᎠᎴ ᎤᏗᏔᏍᏗ ᏱᎨᏎᏍᏗ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎠᎴ ᎠᏓᏴᏍᏕᏍᏗᏍᎩ; ᎠᎴ ᎤᎧᎵᏨᎯ ᎨᏎᏍᏗ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎤᏥ ᎤᎾᏅᎪᏫᏒ ᎤᏓᎬᏩᏓᎴᏅᏛ.\nᎠᏎᏃ ᎾᎯᏳ ᎠᏎᎸᎯ ᎨᏒ ᎠᎧᎵᎢ ᎤᏍᏆᎸᎲᎢ, ᎤᏁᎳᏅᎯ ᏧᏅᏎ ᎤᏪᏥ ᎠᎨᏴ ᎤᎾᏄᎪᏫᏎᎢ, ᏗᎧᎿᏩᏛᏍᏗ ᎠᎲ ᎤᏓᏄᏴᏕᎢ,\nᎬᏂᏳᏉ ᎾᏍᏉ ᏥᏳᏧᏛᎾ ᏤᏉᎯᏳᏍᎩᏂᏃᏅ ᎠᎴ ᎤᏍᎦᏎᏗ ᎤᏃᎴ ᏕᎦᏂᏙᎰᎢ, ᎠᏎᏃ ᏓᏂᎦᏔᎲᏏᏙᎰ ᎠᏅᏘᏍᎪ ᎤᏍᏗᎩᏳ ᎦᏌᏛᏍᏗ ᎾᎿᏉ ᎢᏗᏢ ᎤᏚᎸ ᎦᏌᏛᏍᎩ.\nᎣᏍᏓ ᏂᎦᎵᏍᏗᏍᎨ ᎠᏓ ᎬᏗ ᎠᏥᏲᏓᎩᏍᎬ ᎦᏐᎯᎢ.\nᎧᏃᎮᏓ ᎠᏉᏪᎳᏅ ᏓᎩᏏᎳᏛ, ᏥᎸᏉᏗᏍᎬ ᏫᎵᎻ, ᎠᏂᎩ.\nᎠᏎ ᏒᏃᏱ ᎠᏰᎵ ᏱᎩ ᎠᏎ ᎪᎱᏍᏗ ᎠᎵᏖᎸᎮᏍᎪ.\nᏓᎻ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᎥᏝ ᏲᏥᎦᏔᎭ ᏫᎦᏛᎢ; ᎦᏙᏃ ᏱᎦᎵᏍᏙᏓ ᏲᏥᎦᏔᎭ ᏫᎦᏅᏅᎢ.\nᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎢᏣᏖᏆᎶᏒ ᎣᏍᏛ ᎧᏃᎮᏛ ᏕᏥᎧᎿᏩᏗᏒᎢ, ᎢᎬᏱᏱ ᎢᎦ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎪᎯ ᎢᏯᏍᏘ;\nᎤᏣᏘᏃ ᎤᏲᎢᏳ ᎤᏂᏰᎸᏅᎩ, ᎠᎴ ᎤᎾᎴᏅᎲᎩ ᎠᏂᏏᏴᏫᎭ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᏥᎪ ᎠᏴ?\nᎾᏍᎩᏃ ᎤᎪᎲ ᏈᏓ ᎤᎦᎾᏬᏍᎬᎢ, ᏚᎧᎿᏁᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏂᎯ ᎾᏍᏉ ᏥᏍᏕᏙᎲᎩ ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ.\nᏕᏣᏓᏲᎵᎮᏍᏗ ᎢᏨᏗᏍᎨᏍᏗ ᎦᎸᏉᏗᏳ ᏗᏓᏔᏪᏙᎥᏍᏗ ᎨᏒᎢ.\nᏔᎵᏁᏃ ᏅᏩᏓᎴ ᎤᏅᏎᎢ; ᎠᎴ ᎾᏍᎩ ᎤᏂᎴᎢ; ᎠᎴ ᎤᏂᏣᏖ ᏅᏩᎾᏓᎴᎢ; ᎢᎦᏛ ᏓᏂᎵᎥᏂᎮᎢ, ᎢᎦᏛᏃ ᏓᏂᎯᎮᎢ.\nᏚᏁᏤᎴᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᎪ ᎯᎠ ᏥᏂᏣᏛᏅ ᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ ᎠᎴ ᏩᎦ ᏳᎸᏤ-Ꮈ ᎠᏔᎴᏒ ᎥᏝ ᎩᎳᏉ ᎢᏴᏛ ᏱᏮᎦᎳᎩ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ?\nᎾᏍᎩ ᎤᏪᏥ ᎠᎩᎾᏄᎪᏫᏎᏗᏱ, ᎾᏍᎩ ᎠᏴ ᎦᎵᏥᏙᎲᏍᎬ ᎬᏂᎨᏒ ᎢᏥᏴᏁᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲᎢ; ᎩᎳᏉ ᎢᏴᏛ, ᎥᏝ ᎤᏂᏇᏓᎵ ᎠᎴ ᎩᎬ ᎤᏂᏁᎯ ᏱᏗᎦᏥᏯᏁᎶᏔᏁᎢ;\nᎠᏲᎵᏃ ᎠᏛᏍᎨᎢ ᎠᎴ ᎧᏁᏉᎨ ᎤᎵᏂᎪᏍᎬ ᎤᏓᏅᏛᎢ, ᎠᎴ ᎢᎾᎨᏉ ᎡᎮᎢ ᎬᏂ ᎬᏂᎨᏒ ᏂᏚᏛᏁᎸ ᎢᏏᎵ.\nᎩᎶ ᏕᎦᎵᎨᏍᏗ ᏩᏛᎬᎦ ᎠᏓᏅᏙ ᏂᏕᎦᏪᏎᎲ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ.\n”ᎦᎴᏴᏍᎦ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏓᏆᎴᎳ ᏭᎾᎩᎸᏁᎢ ᎤᏟᏍᏓ ᎤᏁᏅᏎ.\nᎯᎦᏔᎭᎨ ᎠᎬᏱ ᎠᏰᎩ ᎨᏒ ᏍᏔᎵᎢ?”\nᏥᏌᏃ ᎤᏙᎴᎰᏒ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᏙᏃ ᎢᎡᏣᏕᏯᏙᏗ ᎠᎨᏴ? ᎣᏏᏳᏰᏃ ᏚᎸᏫᏍᏓᏏ ᏥᎾᏋᎦ.\nᎾᏂᎥᏰᏃ ᎠᎾᏙᎴᎰᏍᎩ ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎾᏙᎴᎰᏍᎬᎩ ᏣᏂ ᎤᎾᏄᎪᏥᎸ ᎢᏯᏍᏘ.\nᏣᏂᏰᏃ ᏚᏳᎪᏛ ᏚᎸᏫᏍᏓᏁᎲ ᎢᏥᎷᏤᎸᎩ, ᎠᎴ ᎥᏝ ᏰᏦᎢᏳᏁᎢ, ᎠᏕᎸᏍᎩᏂ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᎠᏂᎨᏴ ᏧᎾᏤᏌᏘ ᏥᎬᏪᎯᏳᏅᎩ; ᏂᎯᏃ ᎢᏣᏙᎴᎰᏒ ᎥᏝ ᎣᏂ ᏱᏗᏥᏁᏟᏴᏎ ᏕᏣᏓᏅᏛ ᎡᏦᎢᏳᏗᏱ.\nᎢᎸᏍᎩᏃ ᏫᏄᏒᎸ ᏈᎵᏏ ᎤᎷᏨᎩ, ᎤᏘᏃᎸᎩ ᎤᏓᎵᎢ ᏚᏏᎵ, ᎾᏍᎩ ᎠᏧᏏ ᎨᏒᎩ, ᎤᏓᏅᏒᎩ ᏩᏥᏯᏅᏗᏱ ᏉᎳ; ᎤᏛᎦᏁᎸᎩᏃ ᎦᎶᏁᏛ ᎪᎯᏳᏗ ᎨᏒ ᎤᎬᏩᎵ.\nᏚᏓᏲᏎ ᏗᎧᏂᎨᏂ ᏣᎵᏍᏙᏂ, ᎠᎭᎾᏬ ᏗᏴᏉᎴᏴᏓ ᎾᏍᎩᏯ ᏭᏅᏤ ᎦᏙ, ᎨᏍᏗ ᏔᎵᏁ ᏳᏓᏅᏌ.\nᏯᎦᏔᎲᎾ ᎢᏳᎵᏍᏔᏁᏗ ᎤᎾᏕᏘᏱᏍᎬ ᎠᏍᏆᎸᎲ; ᏯᎦᏔᎲᎾ ᎰᎻ ᏃᎴ ᏣᏄᏏ ᎠᎾᏓᏅᏖᏍᎬ ᎤᏂᎯᏍᏗ.” \nᎦᏲᏟᏉ ᎤᎵᎪᎲᏍᏗ ᏄᎵᏍᏔᏅ ᏍᎩᏴ ᎤᏕᏘᏴᏌᏗᏒ.\nᎾᏍᎩ ᎢᎸᎯᏳ ᏥᎦᏰᏥᏐᏢᏛᎢ, ᎠᎴ ᏤᏥᎩᎵᏲᎢᏍᏗᏍᎬᎢ; ᎢᎸᎯᏳᏃ ᏕᏣᎵᎪᏁᎸ ᎾᏍᎩ ᎢᎨᎬᏁᎸᎯ.\nᏌᎪᏂᎨ ᏥᏍᏆ ᏧᏓᏏ ᏧᏙᎢᏓ ᎡᎭᎢ, ᎣᏍᏓ ᎤᏓᏅᏘ ᎨᏎᎢ - ᎠᏍᏕᎵᏍᎨᎢ ᎤᏥ ᎠᏛᏅᎢᏍᏗᏍᎬ\nᎢᏳᏰᏃ ᏱᏙᎩᎸᏃᏗᎭ, ᎤᏁᎳᏅᎯᏉ ᏅᏗᎦᎵᏍᏙᏗᎭ; ᎢᏳ ᎠᎴ ᏙᎯ ᏱᏙᎦᏓᏅᏔ, ᏂᎯᏉ ᏅᏗᎦᎵᏍᏙᏗᎭ.\nᎠᏥᏅᏁᎴᏃ ᎪᏪᎵ ᎢᏌᏯ ᎠᏙᎴᎰᏍᎩ ᎤᏬᏪᎳᏅᎯ. ᎤᏍᏚᎢᏒᏃ ᎪᏪᎵ ᎤᏩᏛᎮ ᎯᎠ ᏂᎬᏅ ᎪᏪᎸᎢ;\nᎾᎿᏂ ᏧᏩᎫᏔᏅᏒ ᎢᏤᏙᎸᎢ ᎾᏍᎩᏯ ᎢᏳᎾᏛᏁᏗ ᎨᏒ ᎡᎶᎲ ᎠᏁᎯ, ᎾᏍᎩᏯ [ᎤᏚᎵᏍᎬ] ᎦᏃᎴᏍᎬ ᎡᎯ ᎡᎬᏫᏳᏌᏕᎩ, ᎾᏍᎩ ᎠᏓᏅᏙ ᎪᎯ ᎨᏒ ᏥᏚᎸᏫᏍᏓᏁ ᏚᎾᏓᏅᏛ ᎪᎯᏳᏗ ᏂᎨᏒᎾ ᎨᏒ ᏧᏪᏥ;\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏂᏥᎥ ᏂᎯ ᏙᏓᏦᏕᎵ ᎪᎯ ᏒᏃᏱ ᏥᎩ, ᎠᏴ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ; ᎯᎠᏰᏃ ᏂᎬᏅᎢᎪᏪᎳ, ᎠᏫ ᏗᎦᏘᏯ ᏓᏥᏴᏂᎵ, ᎤᏂᏃᏕᎾᏃ ᏛᎾᏗᎦᎴᏲᏥ.\nᎾᎿᏃ ᏫᏱᎦᏣᏅ ᎤᎩᏨᏛ ᎦᏲᏏ ᏧᏳᎪᏗ ᎣᏥᏂᏒᎩ. ᎤᎩᏨᏛᏃ ᏎᎼᏏ ᏬᎩᎷᏨᎩ; ᏠᏥᎵᏯᏃ ᎣᎩᏒᎸ ᎤᎩᏨᏛ ᎹᎵᏔ ᏬᎩᎷᏨᎩ.\nᏂᏚᎩᏨᏂᏒᏃ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᎴ ᏓᏓᏁᎳᏗᏒ ᎾᏂᏑᎵᎪᎬᎾ ᎨᏎ ᏓᎾᏕᏲᎲᏍᎨ ᎠᎴ ᎠᎾᎵᏥᏙᎲᏍᎨ ᎣᏍᏛ ᎧᏃᎮᏛ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏩᎵ.\nᎠᎴ ᎤᏣᏛ ᏄᏒᎸᎩ ᎾᏍᎩ ᎾᏛᏁᎲᎩ; ᎠᏎᏃ ᏉᎳ ᎤᏕᏯᏔᏁᎸ ᎤᎦᏔᎲᏒᎩ, ᎯᎠ ᏄᏪᏎᎸᎩ ᎾᏍᎩ ᎠᏓᏅᏙ; ᎬᏁᏥ ᏥᏌ ᎦᎶᏁᏛ ᏕᎤᏙᎥ ᎬᏗᎭ, ᎾᏍᎩ ᎪᎱᎪᏤᏗᏱ. ᎾᎯᏳᏉᏃ ᎤᏄᎪᏨᎩ.\nᎾᎥ ᎢᏗᎷᎨᏍᏗ ᎢᏛᏗᏍᎨᏍᏗ ᏄᏠᎾᏍᏛᏅ ᏗᎩᎾᏫ, ᎠᎴ ᎤᎵᏂᎩᏛ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᏗᎩᎾᏫ ᏤᎩᏍᏚᏞᎸᎯ ᏤᎩᏅᎦᎸᎯ ᎤᏲ ᎠᏓᏅᏖᏗ ᎨᏒᎢ, ᎠᎴ ᏗᏗᏰᎸ ᎦᏓᎭ ᏂᎨᏒᎾ ᎠᎹ ᏤᎪᏑᎴᏓᏁᎸᎯ.\nᏗᎫᎪᏙᏗ ᎨᏒᎢ, ᎤᎬᏫᏳᎯ ᎯᎠ ᎡᎶᎯ ᎤᏤᎵᎦ ᏣᎫᎪᏓᏁᏗ ᎨᏒ ᎢᏳᏍᏗ.\nᎢᏳᏃ ᏚᏩᏂᎦᎸ ᎢᎦᏛ ᏱᏗᎬᏂᎦᎴᏒ, ᏂᎯᏃ ᎢᎾᎨ-ᎮᎯ ᎣᎵᏩ ᏡᎬ ᎾᎿ ᏱᏫᏰᏣᏱᏢᏔᏅ, ᎠᎴ ᎾᏍᎩᏯ ᎤᎾᎵᏍᏕᎶᏛ ᏱᏤᎳᏗᏍᏗ ᏱᏣᎵᏍᏕᎸᏗ ᏚᎿᏍᏕᏢ ᎠᎴ ᎦᎵᏦᏅ ᎣᎵᏩ ᏡᎬᎢ;\nᏤᏍᏗ ᏫᎨᏣᎸᏅ ᏱᏗᏣᏓᏟᏴᎲᎾ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎠᏏᏉ ᎦᏪᏂᏍᎨᎢ, ᏧᎾᎸᎪᏤ, ᏧᏓᏏ, ᎠᏏᏴᏫ ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᏒ, ᏓᏘᏁᎮ ᎤᏂᏣᏘ, ᎠᏰᎳᏍᏗ-ᏗᎦᏅᎯᏛ ᎠᎴ ᎠᏓ ᏗᏂᏁᎯ, ᏅᏓᎬᏩᏂᏅᏏᏛ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ, ᎠᎴ ᏗᏃᏪᎵᏍᎩ, ᎠᎴ ᏗᏂᎳᏫᎩ.\nᎾᏍᎩᏃ ᎤᏇᏓᎵ ᏧᎾᏘᏂᏙᎯ ᎨᏒ ᎥᏝ ᎤᏁᎳᏅᎯ ᎣᏍᏛ ᎤᏰᎸᏗ ᏱᏅᎬᎾᏛᎦ.\nᎥᏝᏰᏃ ᏰᎵ ᏴᎦᏲᏣᏡᏓ ᎤᏙᎯᏳᎯ ᎨᏒᎢ, ᏲᏥᏍᏕᎸᏍᎩᏂ ᎤᏙᎯᏳᎯ ᎨᏒᎢ.\n“ᎤᏙᏳᎾᏏ ᏰᎵ ᏓᏓᏁᎸ ᏱᏓᏥᏍᏓᎵᎩ,” ᎤᏛᏁ.\n“ᏅᏓ ᏣᎧᎸᎬ ᎫᏩᏗᏛᏓ ᏲᎾ ᎤᏤᏍᏙ, ᏍᎩᏃ ᎢᏳᏍᏗ ᏏᏆ ᏧᎾᏌ ᏃᏉ.\nᎣᏂᏃ ᏅᎩ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎥᎦᏥᎪᎥᎩ ᏅᎩ ᏂᏚᏅᏏᏴ ᎡᎶᎯ ᏓᏂᏙᎬᎩ, ᏚᏂᏂᏴᏒᎩ ᎤᏃᎴ ᏅᎩ ᏂᏙᏗᎦᎶᏍᎬ ᎡᎶᎯ, ᎾᏍᎩ ᎤᏃᎸᏗᏱ ᏂᎨᏒᎾ ᎡᎶᎯ, ᎠᎴ ᎠᎺᏉᎯ, ᎠᎴ ᏕᏡᎬᏉ.\nᎾᏍᎩ ᎧᏃᎮᏛ ᎢᏥᎦᏔᎭ, ᎬᏂᎨᏒ ᏥᏄᎵᏍᏔᏅ ᏂᎬᎾᏛ ᏧᏗᏱ, ᎨᎵᎵ ᏨᏓᏳᏓᎴᏅᎲ ᏗᏓᏬᏍᏗ ᎨᏒ ᎤᎬᏩᎵᏄᎵᏥᏙᏃ ᏣᏂ--\n“ᎭᏕᏬ,” ᎤᏛᏁ ᏌᎳᏓ, “ᎨᎵᎠ ᎠᏇᏅᏒ ᏱᎨᏙᎭ ᏯᏆᏁᎸᏔᎾ ᏗᎩᎷᏫᏍᏔᏁᏗ ᎦᏲᏟ.”\nᏥᏌᏃ ᏚᎦᏔᎲᎡᎸ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏥᎨᏴ ᏥᎷᏏᎵᎻ ᏧᏪᏥ, ᏞᏍᏗ ᎠᏴ ᏍᎩᏍᎪᏂᎸᎩ, ᎢᏨᏒᏍᎩᏂ ᏗᏣᏓᏍᎪᏂᎦ, ᎠᎴ ᏗᏤᏥ ᏗᏥᏍᎪᏂᎦ.\nᎭᎾᎾ ᎦᏙᎨᎢ, ᎠᏓᏅᏖᏍᎨᎢ, ᎪᎱᏍᏗ ᏂᎦᏪᏍᎬ ᎤᏛᎦᏁᎢ.\nᏭᏂᎷᏤᏃ, “ᎠᎭᏂ,” ᎤᏛᏁ ᏙᏯ, “ᏙᎤᏍᏗ?”\nᎥᏝ ᏱᏥᏑᎵᎪᎪ [ᎤᏁᎳᏅᎯ] ᏥᏯᎵᎡᎵᏤᎲ ᏂᎯ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ, ᏂᎯ ᎢᏨᏁᎢᏍᏗᏍᎬ ᎦᏓᏙᎵᏍᏗᏍᎬᎢ;\nᏐᏉᎯᎭ ᏕᎬᏔᎶᏍᎨ ᏃᏈᏏ.\nᏚᏂᏏᏩᏍᎦ ᏃᎴ ᏚᏂᏳᏍᎩᎷᏙᎦ ᏃᎴ ᏧᎾᎭᏬᏍᏙᏗ ᏗᎦᏓᏁ ᏚᎾᎵᏍᏔᏁ, ᎠᏥᎷᏳᎸᏗ ᏓᎾᏛᎥᏍᎦ ᏓᏂᎧᎭᏲᏗ, ᎠᏎᏃ ᎤᎭᏰᏌᏛ ᏃᎴ ᏓᎦᏍᎬ ᏗᎦᏓᏁ ᏂᏕᎬᏁ, ᏃᎴ ᎤᏐᏱ ᎭᎴᏂ.\nᎠᏎᏃ ᎥᏝ ᎩᎶ ᎬᏂᎨᏒ ᏳᏃᎮᏍᎨᎢ, ᎤᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏓᏂᎾᏰᏍᎬ ᎠᏂᏧᏏ.\nᎠᏂ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎪᎱᏍᏗ ᎢᏛᏓ. ᎩᎶ ᎤᏬᎵᏣᏘ ᎨᏎᏍᏗ ᏩᏎᎦ ᎢᎦᎢ ᎨᏒ ᎠᎦᏎᏍᏗᏱ ᏅᎩ-ᏗᎦᏅᏎᏗ; ᏴᏫᏰᏃ ᎤᏎᏍᏗ ᎨᏒ ᎤᎬᏩᎳ; ᎠᎴ ᎾᏍᎩ ᎠᎦᏎᏍᏗ ᎨᏒ ᎯᎠ ᏂᎦᎥ, ᏑᏓᎵᏧᏈ ᏑᏓᎳᏍᎪᎯ ᏑᏓᎵᎦᎵ.\nᎠᏂ ᎯᎠ ᎢᎦᏓᎨᏳᏗ ᎨᏒ ᎤᎧᎵᏨᎯ, ᏄᎵᏍᏔᏅ Ꮎ-Ꭹ ᏂᏗᎾᏰᏍᎬᎾ ᎢᏳᎵᏍᏙᏗᏱ ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏎᏍᏗ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩᏯ ᏄᏍᏛ ᎾᏍᏉ ᎾᏍᎩ ᏂᎦᏍᏗ ᎠᏴ ᎠᏂ ᎡᎶᎯ.\nᎾᏍᎩ ᏄᏍᏛ ᎢᎬᏱᏱ ᎢᏣᎴᏂᏙᎸ ᎤᎬᏩᎵ ᎢᏴᏛ ᎢᏨᏁᏗᏱ ᎤᏪᏘ ᏴᏫ ᎾᏍᎩ ᏥᎩ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏓᎵᏓᏍᏗ ᎠᏚᎸᏅᏗ ᎨᏒᎢ;\nᎠᏂᏐᎢᏃ ᏚᏂᏂᏴᎮ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᏗᎬᏩᏂᏐᏢᏔᏁᎢ, ᎠᎴ ᏚᏂᎴᎢ.\nᎤᎾᏛᎦᏅᏃ ᎾᏍᎩ ᎡᎳᏪ ᎤᏅᏁᎢ, ᎠᎴ ᎤᏂᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ, ᎯᎠ ᏄᏂᏪᏎᎢ: ᎾᏍᏉᎧᏂ ᎤᏁᎳᏅᎯ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏕᎤᏁᎸ ᏚᎾᏓᏅᏛ ᏧᏂᏁᏟᏴᏍᏗᏱ ᎬᏂᏛ ᏩᎵᏱᎶᎯᎯ.\nᎦᎪ ᎦᏰᎪᎩ, ᎢᏳᏃ ᎾᏍᎩ ᏂᎨᏒᎾ ᏱᎩ Ꮎ ᎠᏓᏱᎯ ᏥᏌ ᎦᎶᏁᏛ ᎨᏒᎢ. ᎾᏍᎩ Ꮎ ᎦᎶᏁᏛᎠᏡᏗᏍᎩ, ᎠᏓᏱᎯ ᎠᎦᏴᎵᎨᎢ ᎠᎴ ᎤᏪᏥ.\nᎠᏎᏃ ᎦᏙ ᎠᏗᎭ ᎤᏁᎳᏅᎯ ᎤᏬᎯᎵᏴᏍᏓᏁᎲᎢ? ᎬᏆᎵᏃᎯᏰᏗᏱ ᎾᏋᏁᎸ ᎦᎵᏉᎩ ᎢᏯᎦᏴᎵ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ ᎾᏍᎩ ᏂᏚᎾᎵᏂᏆᏅᏁᎸᎾ ᏇᎠᎵ.\nᎿᏉᏃ ᎦᎶᎯᏍᏗᏱ ᎪᏢᏒ ᎦᏚᎲ ᎾᎥ ᎤᎷᏨ, ᎬᏂᏳᏉ ᎠᏍᎦᏯ ᎤᏲᎱᏒᎯ ᎠᏂᏄᎪᏫᏍᎨ ᎠᏂᏂᏎᎢ, ᎤᏩᏒᎯᏳ ᎤᏪᏥ ᎨᏎ ᎤᏥ, ᎠᎴ ᎾᏍᎩ ᎤᏬᏑᎶᏨᎯ ᎨᏎᎢ; ᎤᏂᏣᏖᏃ ᏴᏫ ᎦᏚᎲ ᎠᏁᎯ ᎬᏩᏍᏓᏩᏗᏎᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎣᏍᏛ ᎢᎬᏁᎰᏅᎯ ᎨᏎᎢ, ᎠᏥᎸ-ᎠᏁᎶᎯ ᏂᎪᎯᎸ ᏩᏂᏴᎯᎮ ᎢᎬᏱᏱ ᏓᏓᎯᏢ ᎦᎵᏦᏛᎢ, ᏫᏚᏂᎸᏫᏍᏓᏁᎮ [ᎤᏁᎳᏅᎯ] ᎤᏤᎵ ᎤᎬᏩᎵ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᏱᏗᏓᏓᏚᎪᏓᏁᎮᏍᏗ; ᎯᎠᏍᎩᏂ ᎤᎬᏫᏳᏎᏍᏗ ᏕᏧᎪᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎠᏓᏙᏕᏍᏗᏍᎩ ᎠᎴ ᎤᏍᏢᏂᏍᏗᏍᎩ ᎢᏥᏗᏱ ᏂᎨᏒᎾ ᎢᏣᎵᏅᏟ ᎤᎶᎯᏍᏗᏱ.\nᎠᏍᏆᏗᏍᎬ, ᏙᏉ ᏓᏛᏁᎵ?\n”Ꮎ ᏄᏍᏗ ᎠᏆᏤᎵ ᏩᎶᏏ!” ᎤᏛᏁ ᎡᎳᏆᏗ, ᎠᎹ ᎤᏩᏩᏙᎣᎢᏍᏗ ᎠᏯᏔᎾᎸᎢ ᏭᏩᎧᏁᎢ, ᏫᏄᏩᏁᎴ ᎤᏬᏰᏂ ᎤᎩᏍᏗ ᎨᎵᏍᎩ.\nᎠᎴ ᎯᎠ ᎢᏯᏂᏪᏍᎩ, ᎦᏙ ᎤᎵᏍᏔᏅ ᎤᎷᎯᏍᏗᏱ ᎤᏚᎢᏍᏔᏅᎢ? ᎠᏂᎦᏴᎵᎨᏰᏃ ᎬᏩᏂᎵᏅᏨᎯ ᏅᏓᎬᏩᎴᏅᏛ, ᏅᏩᏍᏗᏉ ᏂᎦᎥ ᎪᎱᏍᏗ ᏥᏄᏍᏛᏉ ᏧᏓᎴᏅᎲ ᎤᏬᏢᏅᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ.\nᏃᎴ ᎢᎦᏉ ᎯᏍᏗᎷᏤᏍᏗ ᎭᏂ ᏓᏆᎴᎳ, ᏂᎦᏓ ᎯᏓᎵᏍᏓᏴᏅ ᎢᎦ.\nᎣᏣᎵᎡᎵᏤᎰ ᎤᏁᎳᏅᎯ ᏂᎪᎯᎸ ᏂᎯ ᏂᏥᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎪᎢ, ᎢᏨᏁᎢᏍᏗᏍᎪ ᎣᏣᏓᏙᎵᏍᏗᏍᎬᎢ;\nᎩᎶ ᏣᏆᏟᏃᎮᏗᏍᎬ ᎦᏢᏗ ᎠᏍᏆᎵᏍᎬ ᏫᎧᏁᎩ.\nᎤᏂᏣᏘᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᎠ ᏥᏌ ᎠᏙᎴᎰᏍᎩ, ᎾᏎᎵᏗ ᎡᎯ ᎨᎵᎵ ᎦᏚᎲᎢ.\nᏓᏔᎴᏒ ᏚᎵᏍᏚᎩᏍᏔᏁ, ᎠᎹ ᎤᏲ ᏚᎧᎵᏤ.\nᎤᏤᎵᎪᎯ ᎤᎷᏨᎩ, ᎠᏎᏃ ᏧᏤᎵ ᎥᏝ ᏱᏗᎬᏩᏓᏂᎸᏤᎢ.\nᎤᎶᎩᎸᏃ ᏧᎶᏎ ᎧᏁᎬ ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᎯᎠ ᎾᏍᎩ ᏥᎨᏳᎢ ᎠᏇᏥ, ᎾᏍᎩ ᎡᏣᏛᏓᏍᏓᏁᎮᏍᏗ.\n”ᏌᎳᏓ?” ᎤᏛᏁ ᎡᏝᏪᎯ.\nᎠᎾᏓᏩᏛᎯᏙ ᏓᎾᏟᏃᎮᏗᏍᎬ, ᏭᏅᎨᏫᏎ ᏧᏂᎷᏫᏍᏓᏁᏗ ᏦᎨᏏ.\n”ᎡᎵᏍᏗ ᎦᏂᎦᏔ ᎡᎹᏂᏓ ᏓᏥᏯᎵᏃᎮᏔᏂ ᏔᎵᏁ ᎯᏥᎪᎥ.\nᏕᏤᎶᎮᏍᏗ ᎤᎾᏓᏡᎬ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᏥᎨᏣᏓᏑᏯ, ᏕᏥᎦᏘᏰᏍᏗ, ᎥᏞᏍᏗ ᎣᏏᏳ ᏂᏥᏰᎸᏒᎾ ᎣᏏᏳᏍᎩᏂ ᎢᏥᏰᎸᎯ ᎨᏎᏍᏗ, ᎠᎴ ᎥᏞᏍᏗ ᏧᎬᏩᎶᏗ ᎢᏥᎬᎥᏍᎬ ᏱᏅᏗᎦᎵᏍᏙᏍᎨᏍᏗ, ᎣᏏᏳᏍᎩᏂ ᎢᏥᏰᎸᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ;\nᎤᎾᏚᏓᎴ ᏧᏂᏓᏍᎩᏐᏗ ᏂᎦᏓ ᎠᏂᏴᏫᏯ ᎦᏚᏏ, ᎨᏴ ᏃᎴ ᏚᎨᏓᎵᏴ.\nᏄᏍᏛ ᎠᏗᏔᏍᏗ ᎦᏳᎸ ᎤᎪᏏᏓ ᎠᎧᎭᏲᏔᏅ, ᏌᏬᏛ ᏌᎷᏱ ᏓᏳᎶᏒ ᎠᎾᎪᎲᏍᏗᏍᎪ ᎠᏂᏍᎦᏥ ᏃᎴ Irish ᎾᏍᎩᏯ ᏯᎾᏌ ᏧᎾᏗᎩᏛ ᏣᎾᎪᎲᏍᏗᏍᎪ ᎢᎪᏗ ᎢᏣ.\nᏳᏍᏆᎶᏤᎸ ᎠᏛᎵᏍᎬ, ᎤᏍᎧᏃᎳ ᎠᎢᏎ, ᏂᎪᎯᎸᎾ ᎾᎨᎢᏴ ᎠᎬᏱᏣ ᏄᏛᎾᏗᏎ ᏲᎾ.\nᎪᎨᏱᏨ ᎦᏙ ᏩᎾᎯ ᏱᏄᎵᏍᏔᎾ ᎦᏓᎷᎪᏗ, ᎠᏆᏤᎵ ᏏᏓᏁᎸ ᎣᏣᎴᏂᏍᎪ ᎣᏥᏫᏒᎥᏍᎬᎢ.\n“ᎤᏓᎸᏉᏗ ᏂᎨᏒᎾ,” ᎤᏛᏁ ᎰᎻ.\nᎦᎶᏁᏛᏰᏃ ᎥᏝ ᏱᏭᏴᎸ ᎦᎸᏉᏗᏳ ᏕᎨᏒᎢ ᎩᎶ ᏧᏬᏰᏂ ᏧᏮᏔᏅᎯ ᏧᏬᏢᏅᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏙᎯᏳᎯ (ᎦᎸᏉᏗᏳ ᎨᏒ) ᏗᏟᎶᏍᏔᏅᎯ ᎨᏒᎢ; ᎦᎸᎳᏗᏍᎩᏂ ᏂᎨᏒ ᏭᏴᎸ, ᎪᎯ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲ ᎬᏂᎨᏒ ᎢᎦᏛᏁᏗᏱ;\nᎠᎴ ᎬᏂᎨᏒ ᎾᏅᏁᎭ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩ ᏰᎵ ᏗᎨᎩᏂᏴᏗ ᎠᎴ ᏗᎨᎩᎧᎿᏩᏛᏍᏗ ᏂᎨᏒᎾ, ᎢᏗᎶᎻ ᎨᏒ ᎢᏳᏍᏗ.\nᎤᏙᎯᏳᎯᏯ ᎢᏨᏲᏎᎭ, ᎾᏍᎩ ᎤᎬᏫᏳᏌᏕᎩ ᏅᏓᏳᏩᏁᎵ ᏂᎦᎥ ᎤᎿᎥᎢ.\n“ᏗᎾᏙᎴᏆᏍᎩ ᏗᏘᏂᏙᎯ ᏓᎦᎶᏏ ᎠᏰᎵ ᎢᏳᏪᏅᏍᏗ.” \nᏚᎧᏔᏍᏔᏁᎢ ᏫᎵᎻ.\nᎾᏍᎩ ᎾᎤᏇᏓᎵ ᎤᎾᏄᎪᏫᏒᎯ ᎤᏇᏓᎵᏉ ᎨᏐᎢ; ᎾᏍᎩ ᎾᎠᏓᏅᏙ ᎤᎾᏄᎪᏫᏒᎯ ᎠᏓᏅᏙ ᎨᏐᎢ.\nᎠᎴ ᎤᏣᏛᎩ ᏓᏨᏍᏛᎩ ᎦᎸᎳᏗ ᎾᎿ ᏓᏂᎳᏫᎥᎢ.\nᎾᏍᎩᏯ ᎦᎶᏁᏛ ᎠᏥᏃᎮᎸ ᎦᎪᎯᏳᏗ ᏁᏨᏁᎸᎢ;\nᏆᎴᏗᏃ ᎤᏛᎦᏅ ᎨᎵᎵ ᎠᏂᏁᎢᏍᏗᏍᎬ ᎤᏛᏛᏁ, ᎨᎵᎵᏍᎪ ᎡᎯ ᎯᎠ ᎠᏍᎦᏯ, ᎤᏛᏁᎢ.\nᏃᏉ ᎤᏍᏆᎸ ᏩᎶᏏ ᏃᎴ ᏥᏍᏆ ᏗᏂᏃᎩᏍᎩ ᎠᎾᎵᎮᎵᏍᏗ ᎡᎶᎯ ᏓᏳᏓᎴᏅ ᎠᏙᎯ ᏃᎴ ᏚᏑᎬ ᎠᏏ ᎡᎯ.\nᎠᏎᏃ ᎦᎪ ᎯᎠ ᏥᏂᏣᏛᏅ, ᎡᏥᏅᏏᏓᏍᏗ ᏱᎦᏓᎷᎩᎭ, ᎠᎴ ᏱᎨᎶᎸᎥᏍᎦ, ᏠᎨᏏ ᏅᏓᏳᎶᏐᏅᎯ, ᎩᎳᏉ ᎢᏴᏛ ᎯᎠ ᏱᏁᏥᏪᏏ, ᎮᎾ ᏩᎵᏍᏓᏴᎲᎦ?\nᎨᏍᏗ ᎠᏂᏲᏍᎩ ᏧᎾᏕᎶᏆᏍᏗ ᎤᏙᎴᏋ ᏱᎨᏎ ᏍᎩᎾᎾ ᎢᏳᏪᏍᏗ, ᎤᏩᏌ ᎤᏓᏅᏖᎸ ᏂᎦᏪᏍᎨ ᏱᏚᏁᏤᎸ, ᎣᎯᏍᏙᏓ ᏱᎬᎩᏰᎸᎾ ᎠᏂᏧᏣ ᎡᎵᏍᎨ, ᎤᏅᏌ ᎤᎾᏓᏅᏖᎸ ᎢᏳᎾᏛᏁᏗ ᎨᏥᏁᏤᎲ.\nᎢᎸᎯᏢᏃ ᎦᏚᎲ ᏩᏴᎯᎲᎢ ᎠᏍᎪᎯ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ ᎠᏓᏰᏍᎩ ᏧᏂᏢᎩ ᏕᎬᏩᏠᏎᎢ, ᎢᏅ ᏧᎾᎴᏅᏁᎢ;\nᎩᎳᏊ ᎢᏴᏃ, Ꮎ ᎤᎦᏔ ᏚᏩᏅᎦᏢᏅᎢ ᎠᎴ ᎤᎪᏗ ᏧᎦᎶᎦ ᏚᏛᏎᎢ.\n”ᎠᎴᏃ ᎨᏍᏗ ᏲᎾ ᎤᏤᏍᏙ ᏥᏂᏕᎪᏍᏓᏯ ᏗᎦᎴᏂ ᏱᏂᏗᎪᏍᏓᏯ ᏗᏂᎴᏂ,” ᎤᏛᏁ.\nᏑᎾᎴ ᏱᏄᎵᏍᏔᎾ ᎠᏂᎦᏓᏁ ᏃᎴ ᎤᎾᏣᏪᏐᎸᏍᏔᏅ ᏱᎨᏒᎾ ᎨᏐ.\n“ᎡᏣᏲᎮᎰ ᏣᎵᏍᏓᏴᏗ ᏔᎷᎩᏍᎩ ᎪᏱᏂᏓᏍᏗ ᎦᎶᏛ.\nᎤᎵᏂᎩᏛᏯᏰᏃ ᎦᏬᏂᏍᎬ ᎬᏗᏍᎬ ᎤᏃᎯᏳᏗᏱ ᏄᏩᏁᎸᎩ ᎠᏂᏧᏏ ᏕᎦᎳᏫᎥᎢ, ᏗᎦᎸᏉᏗ ᎪᏪᎵ ᏕᎬᏗᏍᎬᎢ ᎬᏂᎨᏒ ᏂᎬᏁᎲ ᏥᏌ ᎾᏍᎩ ᎦᎶᏁᏛ ᎨᏒᎢ.\nᎠᏂᏣᎳᎩ ᏗᎾᏘᏂᏙᎯ ᎤᎬᏫᏳ Ross ᏃᎴ ᎦᏄᎾᏓᎴᎩ, ᏱᏭᏂᎷᏣ ᏩᏏᏓᏂ ᎦᏚᎲ, ᎤᏂᏃᎮᏗ ᎠᏂᎦᏘᎴᎬ ᎨᎬᏬᎣᏙᏗ, ᎤᏂᏐᏱᏉ ᎨᏎ ᏄᏍᏛ ᏄᎾᏍᏛ ᎤᎾᏟᏂᎩᏓ.\nᎠᎴ ᎬᏂᏳᏉ ᏨᎨᏫ ᎨᏎᏍᏗ, ᎠᎴ ᎨᏣᏁᎢᏍᏗ ᏂᎨᏒᎾ ᎨᏎᏍᏗ ᎬᏂ ᎾᎯᏳ ᎢᎦ ᎾᏍᎩ ᎯᎠ ᏂᎦᎵᏍᏔᏅᎭ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᏦᎯᏳᏅᎾ ᎨᏒ ᏥᏁᎬᎢ, ᎾᏍᎩ ᎠᏎ ᎢᏳᎵᏍᏙᏗ ᏥᎩ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏍᏆᎸᎲᎭ.\nᏗᏣᎳᏏᏕᏂᏃ ᏕᏣᎳᏑᎶᏕᏍᏗ ᎠᏛᏅᎢᏍᏔᏅᎯ ᎨᏒ ᎣᏍᏛ ᎧᏃᎮᏛ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏁᎯ;\nᎯᎪ ᎢᎦ ᏓᏥᏩᏛ ᎣᎩᎾᎵᎢ.” \nᎾᏍᎩᏯᏍᎩᏂ ᎾᏍᏉ ᏂᎯ, ᎢᏳᏃ ᎿᏉ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᎢᏥᎪᎲᎭ, ᎢᏥᎦᏔᎮᏍᏗ ᎡᏍᎦᏂᏳ ᎨᏒᎢ, ᎦᎶᎯᏍᏗᏱᏉ ᎨᏒᎢ.\nᎪᎱᏍᏗ ᏧᏂᎵᏬᏨ ᎦᏓ ᎾᏅᏁᎰᎢ.\nᏧᏍᏗ ᏕᎨᏴ ᏃᎴ ᏕᎨᎵᏍᎦᎸᎲ ᏓᏆᎷᏌᏗᏍᎨ ᎠᎹ ᎦᏣᏄᎳ ᎨᏴᎢ.\nᏐᎵᎹᏅᏃ ᎶᏉᎹ ᎤᏕᏁᎴᎢ; ᎶᏉᎹᏃ ᎡᏆᏯ ᎤᏕᏁᎴᎢ; ᎡᏆᏯᏃ ᎡᏏ ᎤᏕᏁᎴᎢ;\nᎿᏉᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏙᏛᎾᎴᏂ ᏙᏛᎾᏓᏡᏔᏂ, ᎠᎴ ᎠᏰᎵ ᏚᏙᏢ-ᏩᏗᏒ ᏙᏛᎾᏓᏡᏔᏂ;\nᎬᏂᏳᏉ ᎠᏛ ᎾᏥᏰᎲᎾ ᎦᏁᎵᏛ ᎨᏎᏍᏗ, ᎠᎴ ᏓᎦᎾᏄᎪᏫᏏ ᎠᏧᏣ, ᎾᏍᎩᏃ ᎢᎹᏄᎡᎵ ᎠᏃᏎᎮᏍᏗ, ᎾᏍᎩ ᎠᏁᏢᏔᏅᎯ ᎨᏒ ᎯᎠ ᏄᏍᏗ ᎦᏛᎦ, ᎤᏁᎳᏅᎯ ᎢᎨᎳᏗᏙᎭ.\nᎾᏍᎩᏃ ᏥᏁᎦ ᎢᎬᏱᏱᏉ ᎨᏒᎢ, ᎠᏯᏲᏍᏗ ᎨᏒᎢ, ᎠᏓᏙᎵᏍᏙᏗ ᎨᏒᎢ, ᏗᏅᏓᏗᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᎵᎮᎵᏍᏗ ᎨᏒ ᏗᎦᎸᏫᏍᏓᏁᏗᏱ, ᎾᏍᎩ ᎾᏂᎥ ᏴᏫ ᎤᎬᏩᎵ,\nᎣᏏᏉᏃ ᎠᏁᎵᏍᎨ ᏣᎳᎩᏱ ᎠᏰᎵ, ᎠᏎᏃ ᎨᏍᏗ ᎤᏓᏁᏥᏴᏓ ᏱᎨᏎ ᎤᏤᏍᏗ.\n”ᎨᎵᎠ ᎤᏕᏯᏙᏗ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏥᎵᎾᎠ? ᏗᏣᎴᎲᎦ ᎢᏣᏓᏙᎵᏍᏗ, ᎾᏍᎩ ᎤᏓᎴᎾᏍᏗᏱ ᎨᏒ ᏫᏥᏴᏍᏗᏱ ᏂᎨᏒᎾ.\n“ᏍᎩᎪᏩᏘᎭᏧ ᏃᏉ?”\nᎯᎠᏰᏃ ᏄᏪᏎᎢ, ᏧᏄᏬᏉ ᎾᏍᏉ ᏱᏓᏆᏒᏂᎸ, ᏯᏆᏗᏫ.\nᎠᏂᎨᏴᏃ ᎾᏍᏉ ᎨᎵᎵ ᏅᏓᎬᏩᏍᏓᏩᏛᏛ, ᎣᏂ ᎠᎾᎵᏍᏓᏩᏗᏎᎢ, ᎠᎴ ᎤᏂᎪᎮ ᎠᏤᎵᏍᏛᎢ, ᎠᎴ ᏂᎬᏅ ᎤᏂᏅᏅ ᎠᏰᎸᎢ.\nᎠᏦᏴ ᏙᏰ ᏫᏚᎧᎾᏁ ᏫᎵᎻ, ᏌᏌ ᏗᎦᏙᎨ.\nᎦᏙᏃ ᏱᏟᎲᎾ ᏥᎩ, ᏫᎵᎻ?”\nᏃᎴ ᎠᎧᏔᎮᎢ ᎤᏩᏙᎯᏴᏓ ᎨᏒ ᏧᏤᎵ ᏗᏂᏲᏟ.\nᎠᏎᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏴᏉ, ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ.\nᎠᎴ ᎿᏉ ᎤᎩᏨᏅ ᎤᏂᎨᏎ ᎠᎴ ᎢᎾᎨ ᏭᎶᏎᎢ; ᎤᏂᏣᏘᏃ ᎬᏩᏲᎴᎢ, ᎠᎴ ᎬᏩᎷᏤᎴᎢ, ᎠᎴ ᎬᏩᏗᎩᏯᏍᎨᎢ, ᏞᏍᏗ ᏍᎩᏯᏓᏅᎡᎸᎩ ᎬᏬᏎᎮᎢ.\nᎯᎠᏰᏃ ᏂᎦᏛᎭ ᎦᎸᏉᏗ ᎪᏪᎵ; ᏞᏍᏗ ᏱᏲᏴᏑᎳᏁᏍᏗ ᏩᎦ ᎠᎦᏔᏙᎥᏗᏍᎩ; ᎠᎴ, ᎪᎱᏍᏗ ᎠᏛᏁᎯ ᎠᎦᎫᏴᎡᏗ ᎨᏐ ᏚᎸᏫᏍᏓᏁᎸᎢ.\nᎾᏍᎩ ᎯᎠ ᏄᏪᏒᎩ, ᎥᏝ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗᏱ ᎤᏚᎵᏍᎬ ᏱᏅᏧᎵᏍᏙᏔᏁᎢ, ᎦᏃᏍᎩᏍᎩᏍᎩᏂ ᎨᏒ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ, ᎠᎴ ᏕᎦᎶᏗ ᎦᏁᎲᎢ ᎠᎴ ᎾᎿ ᎦᎳᏅᎯ ᎦᏃᏍᎩᏍᎬᎢ.\nᎾᏃ ᏨᏓᏍᎩᏲᏪᎳᏁᎸ ᎤᎬᏩᎵ; ᎣᏏᏳ ᎠᏍᎦᏯ ᏄᏃᏟᏍᏔᏅᎾ ᏱᎩ ᎠᎨᏴ.\n“ᏃᏗ ᏙᎢᏳᏍᏗ ᏄᎵᏍᏔᏁᎢ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᏦᎯᏍᏙᏗ ᏚᏂᎾᎥ ᏧᎾᎿᏬ ᏚᎾᎿᏬᎥᏎ.\nᎾᏂᏃᏍᎩᏍᎬᎾ, ᎬᏂᎨᏒᏍᎩᏂ ᎾᏅᏁᎮᏍᏗ ᏂᎦᎥ ᎣᏍᏛ ᏄᏓᎵᏓᏍᏛᎾ ᎨᏒᎢ; ᎾᏍᎩ ᎤᏃᏚᎢᏍᏙᏗᏱ ᏂᎦᎥᏉ ᎾᎾᏛᏁᎲ ᎾᏍᎩ ᏗᏕᏲᏅᎯ ᎨᏒ ᎤᏁᎳᏅᎯ ᎢᎩᏍᏕᎵᏍᎩ ᎤᏤᎵᎦ.\n“ᏲᎾ ᎤᏤᏍᏙ!” ᎤᏍᎦᎢᏍᏔᏁ ᎤᏥ.\nᎠᎧᏔᎮᎢ ᎠᏥᏲᎵᎲ.\nᏧᏗᏱ ᎤᏂᎩᏒᎩ ᎠᎴ ᏔᎵᏁ ᎨᎵᎵ ᏮᎤᎶᏒᎩ.\nᎠᎬᏱᏣ ᎦᏙᎨᎢ, ᎠᏫᏒᏗ ᎢᏣ ᏱᏭᎶᏌ, ᏃᎴ ᎰᎻ ᏣᎢᏎ ᏔᎷᎩᏍᎩ ᎪᏱᏅᏍᏗ ᎪᏱᏁ.\nᎠᏎᏃ ᏥᏤᎾ, ᎠᎴ ᏫᏥᏃᎲᏏ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎠᎴ ᏈᏓ ᎾᏍᎩ ᎢᎬᏱ ᏫᏚᎶᎯᏎᏗᏱ ᎨᎵᎵ; ᎾᎿ ᏓᏰᏥᎪᎢ, ᎾᏍᎩᏯ ᏂᏥᏪᏎᎸᎢ.\nᎢᎳᎩᏳ ᎢᏨᎪᎡ ᏁᏣᎦᏔᎲᎾ, ᎢᏨᏴᏔᏁᏃ; ᎠᎴ ᏣᏰᎸᎭ ᎨᏎᎢ, ᎢᏨᏄᏬᎡᏃ;\nᏞᏍᏗ ᎢᏂᎵᏓᏍᏓᏅᎩ, ᎢᏨᎨᏳᎢ ᎢᏓᏓᏅᏟ;\nᏂᎯ ᏨᏌ ᏫᎦᏣᎩᏍᏗ.\nᎾᏉᏃ ᏫᎬᏩᎷᏤᎴ ᏥᎷᏏᎵᎻ ᎠᎴ ᏂᎦᏛ ᏧᏗᏱ, ᎠᎴ ᏂᎦᏛ ᎾᏅᎾᏛ ᏦᏓᏂ,\nᎤᏰᎸᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏣᏓᏃᏴᎵᏍᏗᎭ, ᎠᎴ ᏙᏣᏠᏱᎭ? ᎥᏝ ᏳᏲᎱᏒ ᎠᎨᏳᏣ, ᎦᎵᎭᏉᏍᎩᏂ.\nᎢᏨᏲᏪᎳᏁᎸᎩ ᎾᏍᎩ ᎢᏧᎳᎭ ᎢᏤᏓᏍᏗᏱ ᏂᎨᏒᎾ ᎤᏕᏒᎾ ᏗᎾᏂᏏᎲᏍᎩ;\nᎤᏂᏄᎸᏅᏃ ᎦᏙᎬ ᎾᎥ ᎤᏂᎷᎯᏍᏗᏱ ᎠᏂᏁᏄᎸ ᎢᏳᏍᏗ, ᎤᏅᏁᏎ ᎾᎿ ᎠᏯᎥᎢ; ᎤᏅᏁᏒᏃ, ᎡᎳᏗ ᏄᏅᏁᎴ ᎠᏤᏍᏙ ᎾᎿ ᎤᎵᏓᎸᎥᏍᎩ ᎦᏅᎬᎢ.\nᎠᏆᏅᏔ ᎠᎩᏒᎸ ᏧᎾᏗᏔᏍᏗ ᎦᏚᏏᎢᏰᏛ, ᎤᏂᎯᏐᏓᏁ ᏍᎪᏂᏯ ᏓᏳᏂᎶᏒ ᎤᏂᏃᎩᏍᏙᏗ ᏄᏙ ᏥᎧᎸᎪ ᎢᎪᎯᏓ.\nᎤᏁᏨᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎥᏝ ᏱᏚᏳᎪᏗ ᏗᎩᏒᏗᏱ ᏗᏂᏲᎵ ᎤᎾᏤᎵ ᎦᏚ, ᎩᎵᏃ ᏫᏓᏗᏁᏘᏱ.\nᏥᎷᏏᎵᎻᏃ ᎠᏁᏙᎮ ᎠᏂᏧᏏ ᎤᏁᎳᏅᎯ ᎠᏂᎾᏰᏍᎩ ᏅᏓᏳᏂᎶᏒᎯ ᏄᎾᏓᎴᏒ ᎠᏁᎲ ᏴᏫ ᎦᎸᎶ ᎭᏫᏂᏗᏢ.\nᎠᎴ ᎯᎠ ᎾᎩᏪᏎᎸᎩ; ᎾᏍᎩ ᏂᏌᎵᏍᏓ. ᎠᏴ ᎡᎵᏆ ᎠᎴ ᎣᎻᎦ, ᎢᎬᏱᏱ ᎨᏒ ᎠᎴ ᎤᎵᏍᏆᎸᏗ ᎨᏒᎢ. ᎤᏔᏕᎩᏍᎩ ᎠᎹ ᎬᏂᏛ ᎠᏓᏁᎯ ᎦᏄᎪᎬ ᏓᏥᏁᏁᎵ ᏧᎬᏩᎶᏗ ᏂᎨᏒᎾ.\nᎤᎩᏨᏓᏃ ᏃᏊ ᎯᎠᏴ ᎧᎸ ᏅᏙ ᏃᏊ ᎤᎷᏨ ᎾᎥ ᎢᏦᎦᏓᎵ ᎠᎴ ᎣᎩᏃᎯᏎᎸ ᎾᎯᏳ ᏒᏃᏱ ᎠᏟᎢᎵᏒ ᎤᏲᎱᏎ Ꮎ ᎤᏛᏐᏅ ᏧᏢᎬᎢ.\nᎾᏍᎩ ᎤᎷᏨᎩ ᎧᏃᎮᏍᎩ ᎨᏒᎩ, ᎾᏍᎩ ᎢᎦ-ᎦᏘ ᎤᏃᎮᏗᏱ, ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎾᏂᎥ ᎤᏃᎯᏳᏗᏱ.\nᎠᏎᏃ ᏂᎯ ᎢᏨᏃᎮᎮᎭ ᎣᏍᏛ ᎧᏃᎮᏛ ᎾᏍᎩ ᏥᎨᏥᏚᎢᏍᏓᏁᎴ ᏗᎩᎦᏴᎵᎨᎢ,\nᎠᎴ ᎾᏍᎩ ᎤᎷᏤ ᎤᏪᏙᎴ ᏦᏓᏂ ᎾᎥᏂᎨ ᎨᏒᎢ, ᎠᎵᏥᏙᎲᏍᎨ ᎧᏃᎮᏍᎨ ᏗᏓᏬᏍᏗ ᎨᏒ ᎦᏁᏟᏴᏛ ᎨᏒ ᎣᏓᏅᏛᎢ, ᎾᏍᎩ ᎦᏴᏓᏘᏁᏗᏱ ᎣᏍᎦᏅᏨᎢ;\n“ᏯᏓᏅᏖᎳ ᎠᎬᏱ ᏥᏕᎾᏙᎵᎬ ᏣᏇᎵᏒ ᏣᏁᎫᏥᏓ ᏃᎴ ᎩᎦ ᏣᏔᏕᎩᏍᎩ ᎨᏒ!” \nᏂᎯᏍᎩᏂ ᎢᏳᏃ ᏔᏓᏙᎵᏍᏔᏂᏎᏍᏗ ᏫᏴᎯᎮᏍᏗ ᎧᏅᏑᎸᎢ, ᎿᏉᏃ ᏣᏍᏚᏁᏍᏗ ᎦᎶᎯᏍᏗᏱ, ᎯᏯᏓᏙᎵᏍᏓᏁᎮᏍᏗ ᏣᏙᏓ ᎤᏕᎵᏒ ᎡᎯ, ᏣᏙᎵᏃ ᎤᏕᎵᏒ ᎠᎪᏩᏘᏍᎩ ᎠᏎ ᏣᎫᏴᎡᏗ ᎨᏎᏍᏗ ᎬᏂᎨᏒᎢ.\nᎤᎩᏨᏓ ᏳᏂᎳᎩᏒ ᏏᏆ, ᎭᏂᏓᏫᏗᏍᎬ ᎭᏫᏯ ᎠᎴ ᎠᏂᎾᏌᎾᎩᏍᎬ ᎭᏫᏯ ᏃᎴ ᏧᎾᏦᏍᏗ ᎭᏂᏍᏚᏥᏍᎬ ᏃᎴ ᎤᎾᏗᎴᎩ ᎤᏂᏥᎸ ᎠᏂᏅᎵᏰᏍᎬ, ᎠᎹ ᎤᏓᏑᏱ ᏎᎷ ᎦᏚ ᎪᎢ ᏗᎬᏣᏝᏅ ᎠᏂᎩᏍᎬ.\n”ᎨᏍᏗ ᏯᏆᏚᎵ ᎠᎩᎵᏬᎢᏍᏗ.”\nᎿᏉᏃ ᏅᏛᎩᏅᏏᏛ ᏧᏬᎸ ᏫᏥᎦᏘ, ᎥᏝᏃ ᎩᎶ ᏂᎯ ᏂᏣᏛᏅ ᏳᏓᏑᏯ ᏯᏆᏛᏛᎲᏍᎦ, ᎯᎠ ᏱᏂᎦᏪ; ᎭᏢ ᏫᎦᏘ?\nᎠᏴᏰᏃ ᎠᏓᏅᏛ ᎢᏳᏩᏂᏌᏛ ᎢᏗᎦᏘᏴ ᎤᏚᎩ ᎢᎬᏒ ᎢᎦᏚᏓᎴᏍᏙᏗᏱ ᎪᎯᏳᏗ ᎨᏒᎢ.\nᎿᏉᏃ ᎠᏴ ᎥᏝ ᎡᎶᎯ ᏱᎨᎠ, ᎯᎠᏍᎩᏂ ᎡᎶᎯ ᎠᏁᎭ, ᎠᏴᏃ ᏗᏦᎸ ᏫᏥᎦᏘ. ᎡᏣᎸᏉᏗᏳ ᎡᏙᏓ, ᏨᏒ ᏕᏣᏗᎥ ᎲᏗᏍᎨᏍᏗ ᏕᎯᏍᏆᏂᎪᏕᏍᏗ ᏗᏍᎩᎧᏁᎸᎯ, ᏌᏉᏉ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎾᏍᎩᏯ ᏂᎯ ᎠᏴᏃ ᏌᏉᏉ ᏥᎩ.\nᎢᎦ ᏣᏓᏴᎳᏔᏍᎦ ᎦᎸᎶᎢ ᏃᎴ ᏥᏍᏆᏯ ᏣᎾᎵᏖᎸᎮᎭ, ᏩᎦ ᏥᏓᏂᏖᎸᎮ ᎤᎾᏓᏕᏒᏓ, ᏥᏔᎦ ᎠᏨᏯᎢ ᏣᏙᎯᎠ, ᏃᏈᏏ ᏣᏂᏍᎪᎸᎦ, ᎠᎬᏱ ᏥᏓᏓᏏᏙᎭ ᏓᏆᎴᎳ ᏅᏃᎯ, ᎭᏂ ᏱᏗᏣᎧᎾᎾ ᎬᏂᎨᏒ ᏱᏂᎬᏴᏂᏏ ᎪᎱᏍᏗ, ᎬᏂᎨᏒ ᏱᏂᎬᏴᏂᏏ ᎠᏉᏒᏅ.” \nᏚᎧᎿᏙᎸᏃ ᎬᏩᏚᏫᏛ ᏂᎦᏛ ᏄᎾᏛᏅᎢ, ᎯᎠ ᏄᏪᏎᎴ ᎠᏍᎦᏯ; ᎭᏙᏯᏅᎯᏛ. ᎾᏍᎩᏃ ᏄᏛᏁᎴᎢ; ᎤᏬᏰᏂᏃ ᎤᏗᏩᏎ ᎾᏍᎩᏯ ᏐᎢ ᏄᏍᏛ ᏄᎵᏍᏔᏁᎢ.\nᎦᏣᏄᎳ ᏓᎾᏛᏍᎨᎢ.\nᎠᏎᏃ, ᎢᏧᎳ ᏐᎦᎳᏂ ᏚᏳᏂᎶᏒ ᏃᎴ ᏄᏓᎴᏨ ᎤᎾᏓᏅᏖᏗ.\nᎡᎳᏗ ᎤᎨᏓᎵᏴ ᎤᏂᎾᏅᎪᏤ, ᎭᎾ ᏚᏂᎪᎮ ᏚᏅᏓᏒ ᏗᎦᏙᎩ ᏌᎪᏂᎨ ᏧᏴᏨ ᎢᏣ, ᎾᎥᏂᎨ ᎠᏦᎭᏴ ᎬᏂᎨᏒ ᎢᎬᏁ ᎠᎵᏍᏆᏗᏍᎬ ᎡᎶ.\nᎪᏪᎵ ᎦᎸᏉᏗ ᎤᏁᎦ ᏓᏴᏈᏛ ᎢᏳᏁᎦ ᎨᏎ ᎤᏁᎦᎸ ᎠᎵᏥᏙᎲᏍᎩ.\nᎤᏂᏁᎫᎯᏍᏗ ᎤᎦᏔ ᏍᏉ ᎢᎬᏱᏊ ᏙᏥᏫᏍᎪ, ᏙᏣᎪᏎᏍᏗᏍᎪ ᎠᎦᎾᏬᎲᏍᎬ ᎢᎪᎯᏓ ᎩᎳᏃ ᎦᏙ ᏫᏙᏥᏰᎲᏍᏗᏍᎪᎢ.\nᎠᎴ ᎾᏍᏉ ᏐᏓᎻ ᎠᎴ ᎪᎹᎵ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎾᎥ ᏥᏕᎦᏚᎮᎢ, ᎾᏍᎩᏯ ᎾᎾᏛᏁᎮ ᏓᎾᏓᏲᏍᎨ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ, ᎠᎴ ᎠᏂᏍᏓᏩᏗᏙᎮ ᎤᏪᏓᎵ ᎠᏍᏓᏳᏛᏍᏗ ᎤᏇᏓᎵ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᏓᏕᏯᏔᎲᏍᎩ ᏂᎨᎬᏁᎴᎢ ᎠᏂᎩᎵᏲᎨ ᎤᏂᏍᏛᏗᏍᏗ ᎨᏒ ᎬᏠᏍᎩ ᏂᎨᏒᎾ ᎠᏥᎸᏱ.\nᏌᏉᏰᏃ ᎢᏳᎵᏍᎪᎸᏔᏅᎯ ᎨᏒ ᎤᏮᏔᏅ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᏄᏂᎪᎸᎾ ᏂᏚᏩᏁᎸ Ꮎ ᎾᏂᏍᎦᏅᎾ ᎢᎨᎬᏁᎸᎯ.\nᏯᏓᏅᏍᎬᎾ ᎦᎾᎡ ᎠᎹ ᎠᎡᎭᏲᎮ ᎠᎹ ᎠᏰᎸ.\nᎤᎷᏤᎴ ᎠᏛ ᎾᏍᎩ ᏦᏩ ᏧᏙᎢᏛ ᎠᏍᎦᏯ ᎤᏓᏴᏍᏗ, ᎾᏍᎩ ᏕᏫ ᎤᏁᏢᏔᏅᏛ ᏅᏓᏳᏓᎴᏅᎯ ᎨᏎᎢ; ᎾᏍᎩᏃ ᎠᏛ ᎺᎵ ᏧᏙᎢᏛ ᎨᏎᎢ.\nᎾᏍᎩ ᏕᎭᏓᏅᏖᏍᎨᏍᏗ, ᎾᏍᎩᏉ ᏕᏣᎸᏫᏍᏓᏁᎮᏍᏗ, ᎾᏍᎩᏃ ᏣᏁᏉᏤᎲ ᎬᏂᎨᏒ ᏄᎾᎵᏍᏓᏁᎮᏍᏗ ᏂᎦᏛ.\nᏥᏙᎬ ᎤᏓᏐᎸ.\n”ᎭᏓᎾᏫᏓ ᏃᎴ ᎭᎵᏍᎩ!” ᎤᏛᏁ ᏥᏔᎦ ᎠᏨᏯ.\nᎢᎦᏃ ᎤᏬᏚᎯ ᎨᏎᎢ Ꮎ ᏒᎦᏔ ᎢᏈᎬᎢ ...\nᎾᏍᎩ ᏧᏓᎴᏅᏛ ᎤᏙᎯᏳᎯ ᎠᎵᏏᎾᎯᏍᏙᏗ ᎨᏒ ᏓᏤᎸ, ᎾᏍᎩ ᎾᎿ ᎣᏩᏒ ᎣᏓᏅᏖᏛ ᎤᏁᎳᏅᎯ ᎠᏓᏙᎵᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎣᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏃᎦᏌᏯᏍᏛᎾ ᎨᏒ ᎥᏰᎸᎢ, ᎥᏝᏃ ᎾᏍᎩ ᎠᎦᎸᏉᏗᏍᎬᎢ, ᎤᏇᏓᎵ ᎤᏂᎬᏎᎲ ᎥᏩᏛᎡᎲᎢ.\nᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎠᏥᎾᏝᎢ ᎥᏝ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᏱᎨᏐᎢ, ᎡᏍᎦᏉ ᎤᎾᏝᎢ; ᎠᎴ ᎥᏝ ᎠᏥᏅᏏᏛ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᏱᎨᏐᎢ, ᎡᏍᎦᏉ ᏅᏓᏳᏅᏏᏛ.\nᎾᎿᏰᏃ ᏧᎬᏩᎶᏗ ᏫᏥᎲᎢ ᎠᏎ ᎾᏍᏉ ᏫᏓᎮᏍᏗ ᏗᏣᏓᏅᏙ.\nᏰᎵ ᎢᏳᏥᎶᏓ ᏓᏳᏂᎶᏒ ᎠᏂᎷᎨᎢ ᏴᏫ ᎠᎾᎧᏔᏂᏙᎢ ᏫᎵᎻ ᏃᎴ ᎠᏂᎪᎵᏰᏍᎩ ᏚᏬᏪᎸ ᏌᎳᏓ ᏚᏏᎳᏛᎢ.\nᎤᎧᎭᏛ ᎤᎾᏓᏴᎳᏔᏅ ᎠᎾᏓᎭᏲᎯ, ᎠᎬᏱᏣ ᎤᎾᏓᏌᎬᏍᏔᏅ ᏯᎾᎴᏫᏍᏘᏍᎬᎾ.\nᏥᏌᏃ ᎾᎿ ᎤᏓᏅᏒ, ᎤᎪᎲᎩ ᎠᏍᎦᏯ ᎹᏚ ᏧᏙᎢᏛ, ᎤᏬᎸᎩ ᎠᏰᎵ ᎠᎫᏴᏗᏱ. ᎯᎠᏃ ᏄᏪᏎᎸᎩ; ᏍᎩᏍᏓᏩᏚᎦ. ᏚᎴᏅᏃ ᎤᏍᏓᏩᏛᏒᎩ.\nᏃᎴ ᎠᏂᏫᎾ ᎠᏂᎦᎸᏥ ᏗᏂᏍᏕᎵᏙ ᎠᏂᎦᎸᏥ ᏗᏂᎳᏫᎩ ᎨᏍᏗ ᏯᏃᎵᎨ ᎦᏁᎸᏗᏍᎬ ᎠᎩᏬᏂᏍᏗ.\nᎠᏐᏴᏃ ᎦᏚᎲ ᏔᎳᏚ ᏕᎦᎫᏍᏓᎥᎩ, ᏕᎦᎫᏍᏓᎥᏃ ᏔᎳᏚ ᏚᎾᏙᎥᎢ [ᏕᎪᏪᎸᎩ,] ᎾᏍᎩ ᏔᎳᏚ ᎢᏯᏂᏛ ᎤᏃᏕᎾ ᎠᎩᎾ ᏧᏅᏏᏛ ᏚᎾᏙᎥᎢ.\nᎠᏏᏴᏫᏃ ᎤᏓᏑᏴᎩ, ᎧᏱᏆ ᏧᏙᎢᏛ, ᎾᎯᏳ ᎤᏕᏘᏴᏌᏗᏒ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎨᏒᎩ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎥᏝ ᎪᎱᏍᏗ ᏱᏥᎦᏔᎭ,\nᎤᎬᏫᏳᎯᏃ ᎾᏍᎩ ᎯᎠ ᎠᎦᏔᎭ, ᎾᏍᎩ ᎾᏍᏉ ᎤᏛᏓᏍᏛ ᏂᏥᏍᎦᎢᎲᎾ ᏥᏥᏁᎦ; ᏥᎦᏔᎭᏰᏃ ᎯᎠ ᎾᏍᎩ ᎪᎱᏍᏗ ᎠᎬᏍᎦᎳᏁᎸᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᏞᏰᏃ ᎤᏅᏏᏴ ᎯᎠ ᏗᎦᎸᏫᏍᏓᏁᎸᎯ ᏱᎩ.\n“ᏤᏍᏗᏉ, ᏤᏍᏗ ᏯᏛᏁᎵᏍᎨᏍᏗ,” ᎤᏛᏁ ᎧᏅᏂᏍᎩ.\nᎢᏳᏃ ᎾᏍᎩ ᎠᏛᎦᏅ ᎤᎬᏫᏳᎯ, ᏓᏲᏥᏍᏗᏰᏔᏂ, ᎠᎴ ᏓᏨᏍᏕᎸᎯ.\nᏔᎵᏁᏃ ᎠᏰᏙᎳᏛ ᎤᏗᏗᏢ ᎯᎠ ᎾᏍᎩ ᎦᎵᏦᏛᎢ ᎤᏟ ᎢᎦᎸᏉᏗ ᏣᏃᏎᎮᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂ ᎤᏂᎷᏥᎸ, ᏄᎵᏍᏛᏉ ᎤᎩᏨᏛ ᏗᎫᎪᏙᏗᏱ ᎦᏍᎩᎸ ᎠᎩᏅᎩ, ᎠᎴ ᎠᎩᏁᏨᎩ ᎾᏍᎩ ᎠᏍᎦᏯ ᏩᏥᏯᏅᏗᏱ.\nᏗᎧᎿᏩᏛᏍᏗ ᎠᏓᎨᏳᏗ ᎨᏒ ᎤᎬᏩᎳ ᎾᏍᎩ ᎦᏓᎭ ᏂᎨᏒᎾ ᎣᎾᏫ ᏅᏓᏳᏓᎴᏅᎯ, ᎠᎴ ᎣᏍᏛ ᏗᎫᎪᏙᏗ ᎨᏒ ᎠᎴ ᏄᏠᎾᏍᏛᎾ ᎪᎯᏳᏗ ᎨᏒᎢ;\nᏅᏩᏓᎴᏃ ᎤᏰᎸᏛ ᎦᎸᎳᏗ ᎠᎩᎪᎲᎩ, ᎦᎸᏉᏗ ᎠᎴ ᎤᏍᏆᏂᎪᏗ, ᎾᏍᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏓᏂᏰᎲᎩ ᎦᎵᏉᎩ ᎢᏳᏓᎴᎩ ᎤᎵᏍᏆᎸᏗ ᎤᏕᏔᏙᏗ; ᎾᏍᎩᏰᏃ ᎤᏁᎳᏅᎯ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎠᏂᎧᎵᏏᏏᎭ.\nᏗᏂᎾᏌᎲᏍᎩ ᏧᎾᏓᏍᏔᏴᏙᏗ ᎦᏯᎱᎶ ᎣᎭᏁ ᏚᎾᏛ, ᎠᎭᎸᏂ ᎢᏳᏍᏗ ᏚᏃᏴᎬ ᎠᏁᎬ ᏅᏃ.\nᏗᏓᏴᎳᏛᏍᎩ ᎤᏂᎲ ᎠᎴ ᏧᎵᏏᏅᏓᏊ ᎢᏳᏍᏗ.\nᎩᏟᏃ ᏃᏊ ᎤᏕᎶᎰᏌ ᎣᏥᏍᏓᏩᏕᎬ ᏫᏂᎦᏯᎢᏒ Ꮭ ᏃᏊ ᏱᏗᎤᏨᏎ.\nᏩᎩᎷᏨ ᏓᎭᏃᏫ ᎠᎾᏓᏅᏖᎵᏙ ᏗᎪᏪᎵᏍᎩ ᏧᎷᏫᏍᏓᏅᏗ, ᎤᏙᎰᎯᏍᏗ ᏩᎩᏰᎸ ᎠᏙᎩᏯᏍᏗ ᎣᏍᏓ ᎾᏋᏁᎳ.\nᎤᎵᎮᎵᏤ ᎠᎪᏩᏘᏍᎬ ᎪᏱᏁᎢ ᏃᎴ ᎤᏬᏍᎩᎵ ᎦᏍᎩᎶ ᎤᏕᎴ ᎤᏩᏘ.\nᏍᎩᎾᏃ ᎢᏳᏍᏗ ᎠᏲᏟᎨ ᏓᏲᎪ.\nᎠᎫᏩᏌ ᎠᎫᏤᎵ ᎦᏙ ᎤᎵᏍᎨᏛ ᎠᏰᎸᏗ ᎭᏂ ᎢᏕᎲ.\nᎤᎴᏫᏍᏔᏁ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ.\nᎡᏂᎾᏯᏃ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏚᏂᏤᎸᎩ ᎬᏙᎬ ᎾᎥ ᎠᏂᏙᎾᎢ ᎠᎰᎵ ᎬᏩᏂᏍᏗᏱ."
  },
  {
    "path": "a4/chr_en_data/test.en",
    "content": "But Abraham saith, They have Moses and the prophets; let them hear them.\n“Very well, Uncle,»” replied Charlotte.\nthat ye be not sluggish, but imitators of them who through faith and patience inherit the promises.\nAs he stood there, he noticed something move.\nThen shall he say also unto them on the left hand, Depart from me, ye cursed, into the eternal fire which is prepared for the devil and his angels:\nrejoiceth not in unrighteousness, but rejoiceth with the truth;\nwho did no sin, neither was guile found in his mouth:\nand he made no distinction between us and them, cleansing their hearts by faith.\nAnd they were all amazed and marvelled, saying, Behold, are not all these that speak Galilæans?\nHe tried to follow the instructions his friends were giving him, but he couldn't run downhill and uphill at the same time, and he couldn't turn and twist when he was jumping and dancing, and he was crying so hard he could barely see anything that was happening.\nTherefore are they before the throne of God; and they serve him day and night in his temple: and he that sitteth on the throne shall spread his tabernacle over them.\nHerein was the love of God manifested in us, that God hath sent his only begotten Son into the world that we might live through him.\nBut if I by the finger of God cast out demons, then is the kingdom of God come upon you.\n“I want to live in a tree, with my frog.”\nAnd whether one member suffereth, all the members suffer with it; or one member is honored, all the members rejoice with it.\nThe infield was littered with bottles and trash.\n(as it is written in the law of the Lord, Every male that openeth the womb shall be called holy to the Lord),\nThis was almost more than Wilbur could stand: on this dreary, rainy day to see his breakfast being eaten by somebody else.\nWilbur stood still and cocked his ears.\nnot glorying beyond our measure, that is, in other men’s labors; but having hope that, as your faith groweth, we shall be magnified in you according to our province unto further abundance,\n“I’ve always been dreadfully near-sighted.\nBear loomed over them at his lean excessive height and told the story, and the children looked up and listened in amazement.\nI pictured the old grey man sitting at his desk scribbling as frantic as a farmer beating out a wheat-field fire with a wet tow sack, shedding strands of white hair in a momentous backlit explosion from his nimbus of beard and coiffure, tossing the dense blackened pages over his shoulder into a pile of paper as great and conical as a haystack.\nHe looked at the egg sac.\nAnd as they were eating, he took bread, and when he had blessed, he brake it, and gave to them, and said, Take ye: this is my body.\nThe Irish boy took the bow and arrows from the man who held them, and the fletching of the arrows was rumpled and gapped like the feathers of a wet chicken.\nI can’t say.\nAnd they that sat at meat with him began to say within themselves, Who is this that even forgiveth sins?\nAnd this was done thrice: and straightway the vessel was received up into heaven.\nAnd if thy right hand causeth thee to stumble, cut it off, and cast it from thee: for it is profitable for thee that one of thy members should perish, and not thy whole body go into hell.\nBut I doubt that she spends her entire life in Homer Zuckerman’s barn cellar.\nBut I fear, lest by any means, as the serpent beguiled Eve in his craftiness, your minds should be corrupted from the simplicity and the purity that is toward Christ.\nHave ye not read even this scripture: The stone which the builders rejected, The same was made the head of the corner;\n“Oh, Charlotte,” he said.\n“Henry invited me to go on the Ferris wheel again, only I don’t think he has any money left.\nAsk, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you:\nMy Father, who hath given them unto me, is greater than all; and no one is able to snatch them out of the Father’s hand.\nWhen she was finished ripping things out, her web looked something like this:  A spider can produce several kinds of thread.\nThe air was soon filled with tiny balloons, each balloon carrying a spider.\nas knowing this, that law is not made for a righteous man, but for the lawless and unruly, for the ungodly and sinners, for the unholy and profane, for murderers of fathers and murderers of mothers, for manslayers,\nand he saith unto him, Friend, how camest thou in hither not having a wedding-garment? And he was speechless.\nSalute one another with a kiss of love. Peace be unto you all that are in Christ.\nXIII. Good Progress  \nFor every house is builded by some one; but he that built all things is God.\n“Why did you do all this for me?” he asked.\nBut Jesus answered and said, Ye know not what ye ask. Are ye able to drink the cup that I am about to drink? They say unto him, We are able.\nSo when they got out upon the land, they see a fire of coals there, and fish laid thereon, and bread.\nyet to abide in the flesh is more needful for your sake.\n“There was the fish, caught only by one fin, and its tail wildly thrashing and shining in the sun.\nAnd when we had come in sight of Cyprus, leaving it on the left hand, we sailed unto Syria, and landed at Tyre; for there the ship was to unlade her burden.\nThis I say therefore, and testify in the Lord, that ye no longer walk as the Gentiles also walk, in the vanity of their mind,\nOr have ye not read in the law, that on the sabbath day the priests in the temple profane the sabbath, and are guiltless?\nLook radiant, Wilbur!\nThou knowest the commandments, Do not kill, Do not commit adultery, Do not steal, Do not bear false witness, Do not defraud, Honor thy father and mother.\nThe maid therefore that kept the door saith unto Peter, Art thou also one of this man’s disciples? He saith, I am not.\nFor this is the love of God, that we keep his commandments: and his commandments are not grievous.\nThere is no place like home, Wilbur thought, as he placed Charlotte's five hundred and fourteen unborn children carefully in a safe corner.\nHe was a slim blond-headed fellow, gangly and not yet in complete control of his big hands and long feet.\nVerily I say unto you, This generation shall not pass away, till all things be accomplished.\nYou'll see me in the morning.”\nAnd they tarried no little time with the disciples. \nAnd now I beseech thee, lady, not as though I wrote to thee a new commandment, but that which we had from the beginning, that we love one another.\nTempleton untied his string and took it back to his home.\nand lo, a voice out of the heavens, saying, This is my beloved Son, in whom I am well pleased. \nEither make the tree good, and its fruit good; or make the tree corrupt, and its fruit corrupt: for the tree is known by its fruit.\nOne morning Wilbur asked her about the Fair.\nMy grandmother used to bathe her pig with buttermilk when it got dirty — I just remembered.”\nand he came and took her by the hand, and raised her up; and the fever left her, and she ministered unto them.\nBut that ye may know that the Son of man hath authority on earth to forgive sins (then saith he to the sick of the palsy), Arise, and take up thy bed, and go unto thy house.\nBear, who then as now lived in the mountains and kept mostly by the old ways already, had not followed the pilgrims but watched all of it with despair.\nI have compassion on the multitude, because they continue with me now three days, and have nothing to eat:\nAnd they that saw it declared unto them how it befell him that was possessed with demons, and concerning the swine.\nYe leave the commandment of God, and hold fast the tradition of men.\nFor your obedience is come abroad unto all men. I rejoice therefore over you: but I would have you wise unto that which is good, and simple unto that which is evil.\nAnd they, when they heard that he was alive, and had been seen of her, disbelieved.\nNow there was a certain man in Cæsarea, Cornelius by name, a centurion of the band called the Italian band,\nFern was upstairs changing her sneakers.\nAnd he spake this parable; A certain man had a fig tree planted in his vineyard; and he came seeking fruit thereon, and found none.\nand all things that are mine are thine, and thine are mine: and I am glorified in them.\nPhilip answered him, Two hundred shillings’ worth of bread is not sufficient for them, that every one may take a little.\nAnd when he was gone out into the porch, another maid saw him, and saith unto them that were there, This man also was with Jesus of Nazareth.\nThen down wide steps to the parlor.\nThen another spider.\nAnd when the messengers of John were departed, he began to say unto the multitudes concerning John, What went ye out into the wilderness to behold? a reed shaken with the wind?\nAnd they understood not the saying which he spake unto them.\nFor though I made you sorry with my epistle, I do not regret it: though I did regret it (for I see that that epistle made you sorry, though but for a season),\nBut we cannot verify their tales, and tales are all I believe them to be.\nHe remembered that when the rain didn't come for a few days, the water level would drop.\nIn like manner he also that received the two gained other two.\nBut the eleven disciples went into Galilee, unto the mountain where Jesus had appointed them.\nThe Jews therefore said, Will he kill himself, that he saith, Whither I go, ye cannot come?\nThen, at the point when he became wet to the skin, the rain tapered away to nothing but dense fog.\nAnd when they had tied him up with the thongs, Paul said unto the centurion that stood by, Is it lawful for you to scourge a man that is a Roman, and uncondemned?\n“Your tongue is purple!” screamed Fern.\nLurvy wandered off by himself, hoping to meet friends and have some fun on the midway.\nThey found a tube of wood.\nwho his own self bare our sins in his body upon the tree, that we, having died unto sins, might live unto righteousness; by whose stripes ye were healed.\nI shall always treasure her memory.\nAnd then she shouldered her bedroll and walked off into exile.\nThere, in the center of the web, neatly woven in block letters, was a message.\nAnd they said, Moses suffered to write a bill of divorcement, and to put her away.\nWhen they had not wherewith to pay, he forgave them both. Which of them therefore will love him most?\nAvery slowly poured buttermilk on Wilbur’s head and back, and as it trickled down his sides and cheeks, Mr. and Mrs. Zuckerman rubbed it into his hair and skin.\nHe felt peaceful and happy and sleepy.\n“Stop your nonsense, Wilbur!” said the oldest sheep.\nBy faith even Sarah herself received power to conceive seed when she was past age, since she counted him faithful who had promised:\nBut I say, Did they not hear? Yea, verily, Their sound went out into all the earth, And their words unto the ends of the world.\n“Be still, Templeton!” said Charlotte.\nHe was ordered again to quit selling, and he not only continued to do so but raised Cain about our authority to set conditions on him.\nSo then each one of us shall give account of himself to God.\nFor I say unto you, Ye shall not see me henceforth, till ye shall say, Blessed is he that cometh in the name of the Lord. \nBut he answered and said, I was not sent but unto the lost sheep of the house of Israel.\nBeloved, let us love one another: for love is of God; and every one that loveth is begotten of God, and knoweth God.\nto whom also Abraham divided a tenth part of all (being first, by interpretation, King of righteousness, and then also King of Salem, which is, King of peace;\nStephen snared the head of the great serpent with the iron key as Charlie hefted the boulder.\nAmy and Ginger, who lived next door, and Amy's boyfriend, were all peering down at me as I lay on top of this huge bear-pillow.\n“Why, yes, of course,” said Wilbur.\nNo more talking!\nBut afterward he sent unto them his son, saying, They will reverence my son.\nCharlotte examined the label.\n“First,” said Charlotte, “I dive at him.” She plunged headfirst toward the fly.\n“There!” said Charlotte.\nWhen I presented the letter and brought up my business—launching quickly into the details of citizenship and ownership of land—the look in Jackson’s eyes suggested he might have a killing or two left in him.\nFor how many soever be the promises of God, in him is the yea: wherefore also through him is the Amen, unto the glory of God through us.\nAs I walked from my hotel to the War Department, people on the street took little note of my odd display, for the town was full of various kinds of outlanders, everything from Creeks to Turks.\nThe merchants of these things, who were made rich by her, shall stand afar off for the fear of her torment, weeping and mourning;\nLook up here in the corner of the doorway! Here I am. Look, I’m waving!”\nShe said: ‘I am sure that every one of us here in the barn cellar will be gratified to learn that after four weeks of unremitting effort and patience on the part of the goose, she now has something to show for it.’   \nSomething about its brown and musty taste carried a tinge of retrospection, and after two pours, Smith began recounting his life—at least his boyhood and youth, for that is all he had to tell.\nFor as often as ye eat this bread, and drink the cup, ye proclaim the Lord’s death till he come.\nAnd oft-times it hath cast him both into the fire and into the waters, to destroy him: but if thou canst do anything, have compassion on us, and help us.\nforbearing one another, and forgiving each other, if any man have a complaint against any; even as the Lord forgave you, so also do ye:\nBe not therefore like unto them: for your Father knoweth what things ye have need of, before ye ask him.\nThis charge I commit unto thee, my child Timothy, according to the prophecies which led the way to thee, that by them thou mayest war the good warfare;\nand thou hast patience and didst bear for my name’s sake, and hast not grown weary.\nWherefore, my beloved, flee from idolatry.\nWe met at the sorts of parties where the music and dancing went on until past midnight, and then supper was served.\nAnd one of the scribes came, and heard them questioning together, and knowing that he had answered them well, asked him, What commandment is the first of all?\nJohn to the seven churches that are in Asia: Grace to you and peace, from him who is and who was and who is to come; and from the seven Spirits that are before his throne;\nGood work, Zuckerman!\nand how the chief priests and our rulers delivered him up to be condemned to death, and crucified him.\nAnd one of the four living creatures gave unto the seven angels seven golden bowls full of the wrath of God, who liveth for ever and ever.\nBut that ye may know that the Son of man hath authority on earth to forgive sins (he saith to the sick of the palsy),\nBehold, I come quickly; and my reward is with me, to render to each man according as his work is.\nMy manner of life then from my youth up, which was from the beginning among mine own nation and at Jerusalem, know all the Jews;\nbut Peter was standing at the door without. So the other disciple, who was known unto the high priest, went out and spake unto her that kept the door, and brought in Peter.\nThe horses, in their stalls in the barn, pricked up their ears when they heard the goose hollering; and soon the horses had caught on to what was happening.\nThe world is a wonderful place when you're young.”\nThey answered unto him, We are Abraham’s seed, and have never yet been in bondage to any man: how sayest thou, Ye shall be made free?\nHe was a leader because he showed his people how to survive -- how to stand tall and proud like these trees.\nAnd he saith unto the man that had his hand withered, Stand forth.\nBut when thou makest a feast, bid the poor, the maimed, the lame, the blind:\nYe were bought with a price; become not bondservants of men.\nThen the lust, when it hath conceived, beareth sin: and the sin, when it is fullgrown, bringeth forth death.\nOne cabin with puncheon floors and stick-and-clay chimney, one hewed-log corncrib, a bed or two, one table, a few rush-bottomed straight chairs.\n“I’m going to visit Wilbur,” Fern announced.\nI hardly know the meaning of the word.”\n“There,” he said.\nAnd desiring to know the cause wherefore they accused him, I brought him down unto their council:\nThen he picked up the pail.\nmen who concerning the truth have erred, saying that the resurrection is past already, and overthrow the faith of some.\nHe was going through a spell of malaria about then.\nPerry did not have a firm grasp on the logic of the game; otherwise no money would have changed hands as every game would end in a draw.\n“How old is Fern?”\nStruggle! If you were to walk into the crate without resisting, Zuckerman might think you were bewitched.\nAnd immediately Jesus stretched forth his hand, and took hold of him, and saith unto him, O thou of little faith, wherefore didst thou doubt?\nand turning the cities of Sodom and Gomorrah into ashes condemned them with an overthrow, having made them an example unto those that should live ungodly;\nAnd he began to speak unto them in parables. A man planted a vineyard, and set a hedge about it, and digged a pit for the winepress, and built a tower, and let it out to husbandmen, and went into another country.\nA minute later, Fern was seated on the floor in the comer of the kitchen with her infant between her knees, teaching it to suck from the bottle.\nThis is that Moses, who said unto the children of Israel, A prophet shall God raise up unto you from among your brethren, like unto me.\n“Goslings, one through seven?”\nAnd his lord was wroth, and delivered him to the tormentors, till he should pay all that was due.\n“Salutations!” repeated the voice.\nAt last things calmed down.\nAnd from thence he arose, and went away into the borders of Tyre and Sidon. And he entered into a house, and would have no man know it; and he could not be hid.\nThe goose appeared, followed by her seven goslings.\nin whom the god of this world hath blinded the minds of the unbelieving, that the light of the gospel of the glory of Christ, who is the image of God, should not dawn upon them.\nBut he knew their thoughts; and he said to the man that had his hand withered, Rise up, and stand forth in the midst. And he arose and stood forth.\nBut they expected that he would have swollen, or fallen down dead suddenly: but when they were long in expectation and beheld nothing amiss came to him, they changed their minds, and said that he was a god.\nFrom that point forward, everything changed entirely in the village.\nand the rest, some on planks, and some on other things from the ship. And so it came to pass, that they all escaped safe to the land. \nAnd there cometh to him a leper, beseeching him, and kneeling down to him, and saying unto him, If thou wilt, thou canst make me clean.\nPray ye therefore the Lord of the harvest, that he send forth laborers into his harvest. \nMost of them looked the same, except for one small fish.\nhe again defineth a certain day, To-day, saying in David so long a time afterward (even as hath been said before), To-day if ye shall hear his voice, Harden not your hearts.\nAnd he said, This will I do: I will pull down my barns, and build greater; and there will I bestow all my grain and my goods.\nAnd be back at our regular meeting place by the pigpen very soon!”\nLook what it says!”\nCrockett said, Oh, I’m a big target and easy to hit, so there’s no honor in it.\nHe walked out to the yard again.\n The night before the County Fair, everybody went to bed early.\nThese things have I written unto you concerning them that would lead you astray.\nElse would they not have ceased to be offered? because the worshippers, having been once cleansed, would have had no more consciousness of sins.\nEveryone laughed.\nThe times of ignorance therefore God overlooked; but now he commandeth men that they should all everywhere repent:\nSo he called them in and lodged them. And on the morrow he arose and went forth with them, and certain of the brethren from Joppa accompanied him.\nNow Peter and John were going up into the temple at the hour of prayer, being the ninth hour.\nAnd some of them were persuaded, and consorted with Paul and Silas; and of the devout Greeks a great multitude, and of the chief women not a few.\n(as it is written, A father of many nations have I made thee) before him whom he believed, even God, who giveth life to the dead, and calleth the things that are not, as though they were.\nwho bare witness to thy love before the church: whom thou wilt do well to set forward on their journey worthily of God:\nAnd they told him, saying, John the Baptist; and others, Elijah; but others, One of the prophets.\nFor ye know the grace of our Lord Jesus Christ, that, though he was rich, yet for your sakes he became poor, that ye through his poverty might become rich.\n“It doesn’t make any difference.\nThrice was I beaten with rods, once was I stoned, thrice I suffered shipwreck, a night and a day have I been in the deep;\nAnd he sent Peter and John, saying, Go and make ready for us the passover, that we may eat.\nBut he that was healed knew not who it was; for Jesus had conveyed himself away, a multitude being in the place.\nHearken: Behold, the sower went forth to sow:\nTempleton grinned and lay still.\nAnd ye shall be hated of all men for my name’s sake.\nand they prevailed not, neither was their place found any more in heaven.\nmake you perfect in every good thing to do his will, working in us that which is well-pleasing in his sight, through Jesus Christ; to whom be the glory for ever and ever. Amen.\nI am come a light into the world, that whosoever believeth on me may not abide in the darkness.\nAnd Jesus perceiving it saith unto them, Why reason ye, because ye have no bread? do ye not yet perceive, neither understand? have ye your heart hardened?\nAnd on the morrow, when they were come out from Bethany, he hungered.\nMy recollection is that after a long stretch of camping in the woods with soldiers, I had enjoyed about all the male companionship I could stand and began wishing for the company of women.\nComplicated.\nBut he turned, and rebuked them.\nThis is he of whom it is written, Behold, I send my messenger before thy face, Who shall prepare thy way before thee.\nLook! Look! Beaver was saying\nAnd the angel said unto him, Gird thyself, and bind on thy sandals. And he did so. And he saith unto him, Cast thy garment about thee, and follow me.\nthe elder women as mothers; the younger as sisters, in all purity.\nWilbur hung his head.\nin pureness, in knowledge, in longsuffering, in kindness, in the Holy Spirit, in love unfeigned,\nAnd in Washington City that did not amount to anything.\nAnd he said unto him, If they hear not Moses and the prophets, neither will they be persuaded, if one rise from the dead. \nWhere is the wise? where is the scribe? where is the disputer of this world? hath not God made foolish the wisdom of the world?\nAll these sounds made him feel comfortable and happy,  for he loved life and loved to be a part of the world on a summer evening.\nYou are just as big as me\nJesus answered and said unto her, Every one that drinketh of this water shall thirst again:\nThe colonel took the time to look at his plate and thumb it, sloshing, to the far side of the table.\nOnce again the boy said to the tree, Look at you!\nJesus saith unto them, Bring of the fish which ye have now taken.\nPlants need nutrients to grow.\nLet the husband render unto the wife her due: and likewise also the wife unto the husband.\nIt doesn’t seem normal.\nShe went back into the house and put on her dress that looked like a watermelon and the hat that matched.\nHe that was dead came forth, bound hand and foot with grave-clothes; and his face was bound about with a napkin. Jesus saith unto them, Loose him, and let him go.\nMary therefore took a pound of ointment of pure nard, very precious, and anointed the feet of Jesus, and wiped his feet with her hair: and the house was filled with the odor of the ointment.\nIt would be as a free agent or nothing at all.\nIn that day ye shall ask in my name: and I say not unto you, that I will pray the Father for you;\nwho by the power of God are guarded through faith unto a salvation ready to be revealed in the last time.\nSometimes, on these journeys, Wilbur would get tired, and Fern would pick him up and put him in the carriage alongside the doll.\nAnd when she had said this, she went away, and called Mary her sister secretly, saying, The Teacher is here, and calleth thee.\nI know thy works, that thou art neither cold nor hot: I would thou wert cold or hot.\nLong ago the Cherokee people lived in peace and harmony in the mountain forests.  \nHe might start thinking about crisp, crunchy bacon and tasty ham.\nWe were camped beside a strong-running creek filled with mossy boulders.\nAnd when he was minded to pass over into Achaia, the brethren encouraged him, and wrote to the disciples to receive him: and when he was come, he helped them much that had believed through grace;\nPacking crates stood in stacks in the emptied rooms, their walls bare of paintings.\nNeither can they prove to thee the things whereof they now accuse me.\n“He’s all right,” cried Mr. Zuckerman.\nAnd under no circumstances would he consent to my outrageous claims for reimbursement of expenses.\nAnd he sent away the multitudes, and entered into the boat, and came into the borders of Magadan. \n“Does she look well?” asked the doctor.\nBring forth therefore fruit worthy of repentance:\nAfter a while, Littlefish found himself in a pool of water where he saw a strange looking fish with many bumps on his head.\nCharley rose from under the rhododendron and twisted the water out of his blanket and set out again downhill through the foggy dripping woods.\nI took men of influence out for suppers and drinks, but I could not offer any more in the way of inducement.\nFor while we were yet weak, in due season Christ died for the ungodly.\nwho being past feeling gave themselves up to lasciviousness, to work all uncleanness with greediness.\nFor yourselves, brethren, know our entering in unto you, that it hath not been found vain:\nto the praise of the glory of his grace, which he freely bestowed on us in the Beloved:\nLook at our shadows on the bottom of the creek.\nAnd as he was now drawing nigh, even at the descent of the mount of Olives, the whole multitude of the disciples began to rejoice and praise God with a loud voice for all the mighty works which they had seen;\nWherefore he saith, Awake, thou that sleepest, and arise from the dead, and Christ shall shine upon thee.\nAngered, the beast writhed in its prison.\nNow unto the King eternal, immortal, invisible, the only God, be honor and glory for ever and ever. Amen.\nJesus saith unto them, My meat is to do the will of him that sent me, and to accomplish his work.\nAnd I heard the number of them that were sealed, a hundred and forty and four thousand, sealed out of every tribe of the children of Israel:\nFear them not therefore: for there is nothing covered, that shall not be revealed; and hid, that shall not be known.\nJesus therefore lifting up his eyes, and seeing that a great multitude cometh unto him, saith unto Philip, Whence are we to buy bread, that these may eat?\nBehooved it not the Christ to suffer these things, and to enter into his glory?\nAnd the servant came, and told his lord these things. Then the master of the house being angry said to his servant, Go out quickly into the streets and lanes of the city, and bring in hither the poor and maimed and blind and lame.\nShe had a sharp finger as long as a dagger and shaped like an awl.\nand ye have regard to him that weareth the fine clothing, and say, Sit thou here in a good place; and ye say to the poor man, Stand thou there, or sit under my footstool;\nSo then, brethren, we are debtors, not to the flesh, to live after the flesh:\nCharlotte had written the word RADIANT, and Wilbur really looked radiant as he stood in the golden sunlight.\nAnd also, stunningly, that Mrs. Chapman was twenty-two.\nAnd he answereth them and saith, O faithless generation, how long shall I be with you? how long shall I bear with you? bring him unto me.\nMy brethren, hold not the faith of our Lord Jesus Christ, the Lord of glory, with respect of persons.\nAnd all that dwelt at Lydda and in Sharon saw him, and they turned to the Lord.\nShe looked rather swollen and she seemed listless.\nNo argument had helped the Nation.\nI speak as to wise men; judge ye what I say.\nIt was a small town.\nbut he that denieth me in the presence of men shall be denied in the presence of the angels of God.\nThe next afternoon we made camp in the rain.\nand his garments became glistering, exceeding white, so as no fuller on earth can whiten them.\nWhen Charlotte's web said TERRIFIC, Wilbur had tried to look terrific. And now that the web said RADIANT, he did everything possible to make himself glow.\nGreat is my boldness of speech toward you, great is my glorying on your behalf: I am filled with comfort, I overflow with joy in all our affliction.\nfor this cause, brethren, we were comforted over you in all our distress and affliction through your faith:\nI said, No, Mr. Cass. I have plenty of time right now.\nAnd whenever the cat was given a fish-head to eat, the barn would smell of fish.\nBut Sequoyah learned a different lesson.\nAnd when Jesus saw that a multitude came running together, he rebuked the unclean spirit, saying unto him, Thou dumb and deaf spirit, I command thee, come out of him, and enter no more into him.\nBut this thou hast, that thou hatest the works of the Nicolaitans, which I also hate.\nAnd inside the big house, white tablecloths and silver and china in the dining room.\nAnd the voice of harpers and minstrels and flute-players and trumpeters shall be heard no more at all in thee; and no craftsman, of whatsoever craft, shall be found any more at all in thee; and the voice of a mill shall be heard no more at all in thee;\nHowever, a web gets torn every day by the insects that kick around in it, and a spider must rebuild it when it gets full of holes.\nor if he shall ask for a fish, will give him a serpent?\nand wheresoever it taketh him, it dasheth him down: and he foameth, and grindeth his teeth, and pineth away: and I spake to thy disciples that they should cast it out; and they were not able.\nThe driver began whistling “The Girl I Left Behind Me.” They turned the bend in the road, and all I had left to look at were the parallel tracks in the mud leading off into a future that had sideswiped us all.\nAnd when they were come out of the boat, straightway the people knew him,\nThey even took time from their journey to visit the Old Possum at his Hermitage, which, when I heard about the visit, struck me as being not entirely required by the etiquette of the situation.\nIf ye know these things, blessed are ye if ye do them.\nThere is a large spider’s web in the doorway of the barn cellar, right over the pigpen, and when Lurvy went to feed the pig this morning, he noticed the web because it was foggy, and you know how a spider's web looks very distinct in a fog.\n“I don’t want to die!” screamed Wilbur, throwing himself to the ground.\nAnd in 1824, they gave Sequoyah a silver medal.\nAs Littlefish swam on, he heard a distant voice coming from behind him out of the opening beside the large rock.\nJames, a servant of God and of the Lord Jesus Christ, to the twelve tribes which are of the Dispersion, greeting.\nBut I told him that he had not the least worry that any of Charley’s people would make trouble, and besides, I’d about rather have Lowan or George cut my throat in mid-dream than sit awake in the long hours between midnight and dawn.\nFor I do not wish to see you now by the way; for I hope to tarry a while with you, if the Lord permit.\nThis is the great and first commandment.\nNay, but ye yourselves do wrong, and defraud, and that your brethren.\nThen saith Jesus unto him, Put up again thy sword into its place: for all they that take the sword shall perish with the sword.\nAnd they smote his head with a reed, and spat upon him, and bowing their knees worshipped him.\nBecause Christ also suffered for sins once, the righteous for the unrighteous, that he might bring us to God; being put to death in the flesh, but made alive in the spirit;\nThen they were gone, and he rose and fled upward.\nAnd they went away and told it unto the rest: neither believed they them.\n“Next, I wrap him up.”\nActually, it’s a silly expression, and I am surprised that I used it at all.\nAnd the serjeants reported these words unto the magistrates: and they feared when they heard that they were Romans;\n“What does it say?” asked Charlotte.\nWhat's wrong little tree? the boy asked.\nBlessed are those servants, whom the lord when he cometh shall find watching: verily I say unto you, that he shall gird himself, and make them sit down to meat, and shall come and serve them.\n“I beg everyone’s pardon,” whispered Wilbur.\nWhen therefore the chief priests and the officers saw him, they cried out, saying, Crucify him, crucify him! Pilate saith unto them, Take him yourselves, and crucify him: for I find no crime in him.\nWhen Mr. Zuckerman got back to the house, he took off his work clothes and put on his best suit.\nand let us consider one another to provoke unto love and good works;\nBut Paul cried with a loud voice, saying, Do thyself no harm: for we are all here.\nAt least sometimes that’s the way I think it was, he said.\nAnd he led him up, and showed him all the kingdoms of the world in a moment of time.\nfor by grace have ye been saved through faith; and that not of yourselves, it is the gift of God;\nAnd the report of him went forth into all Syria: and they brought unto him all that were sick, holden with divers diseases and torments, possessed with demons, and epileptic, and palsied; and he healed them.\nAnd the beast which I saw was like unto a leopard, and his feet were as the feet of a bear, and his mouth as the mouth of a lion: and the dragon gave him his power, and his throne, and great authority.\nIt was cold and rainy, and after I had walked for a bit, it started it snowing.\n“Charlotte has another cousin who is a balloonist.\nAnd to the angel of the church in Thyatira write: These things saith the Son of God, who hath his eyes like a flame of fire, and his feet are like unto burnished brass:\nAnd his ears were opened, and the bond of his tongue was loosed, and he spake plain.\nbut I say unto you, Love your enemies, and pray for them that persecute you;\nAnd they, when they heard it, glorified God; and they said unto him, Thou seest, brother, how many thousands there are among the Jews of them that have believed; and they are all zealous for the law:\nBut now we have been discharged from the law, having died to that wherein we were held; so that we serve in newness of the spirit, and not in oldness of the letter.\nHow are you?\nFern had a crown of daisies in her hair.\nDid I take advantage of you by any one of them whom I have sent unto you?\nServants, obey in all things them that are your masters according to the flesh; not with eye-service, as men-pleasers, but in singleness of heart, fearing the Lord:\nIX. Wilbur’s Boast \nEnter ye in by the narrow gate: for wide is the gate, and broad is the way, that leadeth to destruction, and many are they that enter in thereby.\nFor not unto angels did he subject the world to come, whereof we speak.\nAnd when they had sung a hymn, they went out into the mount of Olives.\n“An hour of freedom is worth a barrel of slops.”\nNobody noticed it in the darkness.\nand when the blood of Stephen thy witness was shed, I also was standing by, and consenting, and keeping the garments of them that slew him.\nMinus my day of travel from Valley River.\nEducation, child-rearing, government, literature, journalism, cuisine.\nTherefore my heart was glad, and my tongue rejoiced; Moreover my flesh also shall dwell in hope:\nBut there was nothing unique about that.\nand salute the church that is in their house. Salute Epænetus my beloved, who is the firstfruits of Asia unto Christ.\nThis people honoreth me with their lips; But their heart is far from me.\nbut God, being rich in mercy, for his great love wherewith he loved us,\nThe sun beat down on everything.\nFor unto every one that hath shall be given, and he shall have abundance: but from him that hath not, even that which he hath shall be taken away.\nShe saw him from the kitchen window, and she immediately shouted for the men.\nand Jesus also was bidden, and his disciples, to the marriage.\nThe people stopped jeering when two warriors wrote to each other.\nand he made a scourge of cords, and cast all out of the temple, both the sheep and the oxen; and he poured out the changers’ money, and overthrew their tables;\nWhen therefore I have accomplished this, and have sealed to them this fruit, I will go on by you unto Spain.\nJesus saith unto her, Said I not unto thee, that, if thou believedst, thou shouldest see the glory of God?\nthat I may come unto you in joy through the will of God, and together with you find rest.\nAfter this Jesus, knowing that all things are now finished, that the scripture might be accomplished, saith, I thirst.\nLet a man so account of us, as of ministers of Christ, and stewards of the mysteries of God.\nAt the supper table one evening, the tall and thirtyish wife of a somewhat younger little indigo factor listened to my very brief and reluctant accounting of my life and then said, Imagine that.\nDon't swim there Littlefish!\nbut I say unto you, that Elijah is come already, and they knew him not, but did unto him whatsoever they would. Even so shall the Son of man also suffer of them.\nThe doll would close her eyes, too, and Fern would wheel the carriage very slowly and smoothly so as not to wake her infants.\nEquipage for living out in the high mountains for some time to come.\nAnd he said, Of a truth I say unto you, This poor widow cast in more than they all:\nWhosoever shall receive one of such little children in my name, receiveth me: and whosoever receiveth me, receiveth not me, but him that sent me.\nThere were about a dozen of them, men, women, and children—three generations of Charley’s family.\nAsmeret says earthworms eat dead things and then leave droppings in the soil.\nAnd he himself was in the stern, asleep on the cushion: and they awake him, and say unto him, Teacher, carest thou not that we perish?\nNo man, when he hath lighted a lamp, putteth it in a cellar, neither under the bushel, but on the stand, that they which enter in may see the light.\nThe geese cheered.\nIf ye shall ask anything in my name, that will I do.\nwho, when he was come, and had seen the grace of God, was glad; and he exhorted them all, that with purpose of heart they would cleave unto the Lord:\nOn that day went Jesus out of the house, and sat by the sea side.\nBut as touching Apollos the brother, I besought him much to come unto you with the brethren: and it was not at all his will to come now; but he will come when he shall have opportunity.\nAnd when he had looked round about on them with anger, being grieved at the hardening of their heart, he saith unto the man, Stretch forth thy hand. And he stretched it forth; and his hand was restored.\nand not only so, but we also rejoice in God through our Lord Jesus Christ, through whom we have now received the reconciliation.\nThe entire direction of the new world, though, was against peace.\nFor God is my witness, how I long after you all in the tender mercies of Christ Jesus.\nPhilip, and Bartholomew; Thomas, and Matthew the publican; James the son of Alphæus, and Thaddæus;\nAnd straightway there was in their synagogue a man with an unclean spirit; and he cried out,\nThe next morning, the boy went to check on his friend.\nI had a pannier full of my own stores, not caring much for army victuals.\nI was walking calmly; it was snowing a lot.\nbecause it goeth not into his heart, but into his belly, and goeth out into the draught? This he said, making all meats clean.\n“He isn’t as big as that pig next door,” remarked one bystander, “but he's cleaner.\nAnd he said, Into what then were ye baptized? And they said, Into John’s baptism.\nAnd he took him by the right hand, and raised him up: and immediately his feet and his ankle-bones received strength.\nHe turned his chair my way and sat leaned forward, holding his whiskey glass two-handed between his knees.\nThe boy said, We caught the others some time ago.\nShe cannot accompany us home, because of her condition. Therefore, it is absolutely necessary that I take her egg sac with me.\nPerhaps your web is a good thing after all.”\nconscience, I say, not thine own, but the other’s; for why is my liberty judged by another conscience?\nFor if I should desire to glory, I shall not be foolish; for I shall speak the truth: but I forbear, lest any man should account of me above that which he seeth me to be, or heareth from me.\nFor they that say such things make it manifest that they are seeking after a country of their own.\nAnd when Herod had sought for him, and found him not, he examined the guards, and commanded that they should be put to death. And he went down from Judæa to Cæsarea, and tarried there.\nalways bearing about in the body the dying of Jesus, that the life also of Jesus may be manifested in our body.\nfrom whom thou wilt be able, by examining him thyself, to take knowledge of all these things whereof we accuse him.\nGrace to you and peace from God our Father and the Lord Jesus Christ.\nI have confidence to you-ward in the Lord, that ye will be none otherwise minded: but he that troubleth you shall bear his judgment, whosoever he be.\nI have to stay right here, I’m no flibberty-ibberty-gibbet.\nHe put his head down, shut his eyes, and pushed.\nBy faith he became a sojourner in the land of promise, as in a land not his own, dwelling in tents, with Isaac and Jacob, the heirs with him of the same promise:\nWhat will ye? shall I come unto you with a rod, or in love and a spirit of gentleness?\nTheir grimacing mouths shone full of long yellow teeth.\nAnd tell Avery to get ready.\nthough I myself might have confidence even in the flesh: if any other man thinketh to have confidence in the flesh, I yet more:\nFor am I now seeking the favor of men, or of God? or am I striving to please men? if I were still pleasing men, I should not be a servant of Christ.\nI say unto you, It shall be more tolerable in that day for Sodom, than for that city.\nForasmuch as many have taken in hand to draw up a narrative concerning those matters which have been fulfilled among us,\nAnd I thank you for your generous sentiments.”\nIn that hour he cured many of diseases and plagues and evil spirits; and on many that were blind he bestowed sight.\nAnd Zacchæus stood, and said unto the Lord, Behold, Lord, the half of my goods I give to the poor; and if I have wrongfully exacted aught of any man, I restore fourfold.\nand the rich, in that he is made low: because as the flower of the grass he shall pass away.\nThe next day was rainy and dark.\nAnd having cried out, and torn him much, he came out: and the boy became as one dead; insomuch that the more part said, He is dead.\nAxe’s wife brought out some chunks of yellow squash and cooked them at the edge of the fire until they softened up.\nbeing justified freely by his grace through the redemption that is in Christ Jesus:\nI found something near the river, said Beaver.\nI was looking downward.\nStop following white ways, don’t break the bones of corn in hideous and violent machines, forswear all metal, wear hides not cloth, be wary of the wheel in all its forms, see the plow as an enemy, dance the old dances.\nAnd as were the days of Noah, so shall be the coming of the Son of man.\n“They don't catch anything.\nAnd after these things I saw, and the temple of the tabernacle of the testimony in heaven was opened:\nThe end of Bear’s thinking was that Charley had made a choice for all of us, and Bear did not agree with that choice and was not bound by it.\nI went alone through that unsettling autumn weather, on foot through rough and ragged country for many days scouring the coves and creek banks until I tracked Lichen’s band to a cave up under the peaks of the highest mountains.\nHe then told about his lost farmstead at the old mound village of Cowee, before one of many disastrous treaties had driven him and his family west to Nantayale.\nIt's very nice to meet you, but I must swim on.\nAnd they went up over the breadth of the earth, and compassed the camp of the saints about, and the beloved city: and fire came down out of heaven, and devoured them.\nBut thou, when thou fastest, anoint thy head, and wash thy face;\nAnd God wrought special miracles by the hands of Paul:\nWhen we heard it the second time, it seemed a little closer.\nAnd when a great multitude came together, and they of every city resorted unto him, he spake by a parable:\nAnd he besought him much that he would not send them away out of the country.\nThe loaded wagons stood lined in a train outside Cranshaw, ready for the journey west.\nWhen he had thus spoken, he spat on the ground, and made clay of the spittle, and anointed his eyes with the clay,\nCharlotte got so interested, she lowered herself on a dragline so she could see better.\nThey feared some child would fall off.\nFor Christ sent me not to baptize, but to preach the gospel: not in wisdom of words, lest the cross of Christ should be made void.\nAnd when even was now come, because it was the Preparation, that is, the day before the sabbath,\nBut when the crowd was put forth, he entered in, and took her by the hand; and the damsel arose.\nBut even if ye should suffer for righteousness’ sake, blessed are ye: and fear not their fear, neither be troubled;\nYe have heard that it was said, Thou shalt love thy neighbor, and hate thine enemy:\n“Certainly not,” he said, looking down at his daughter with love.\nFor this cause therefore did I entreat you to see and to speak with me: for because of the hope of Israel I am bound with this chain.\nTasting sweet and dark like a rendering of the forest.\nThey are sweet and tart at the same time.\nBut if ye bite and devour one another, take heed that ye be not consumed one of another.\nLook at the tall trees, says my father.\nhaving the same conflict which ye saw in me, and now hear to be in me. \nWhen I reached the fort a hard day’s ride later, I found Smith alone in his pale pyramidal tent.\n(Templeton had a habit of picking up unusual objects around the farm and storing them in his home.\nI love blood,” said Charlotte, and her pleasant, thin voice grew even thinner and more pleasant.\nAnd after eight days again his disciples were within, and Thomas with them. Jesus cometh, the doors being shut, and stood in the midst, and said, Peace be unto you.\nAnd all the people of the country of the Gerasenes round about asked him to depart from them; for they were holden with great fear: and he entered into a boat, and returned.\nMr. Zuckerman heard, and he came out of the machine shed where he was mending a tool.\n“Out to the hoghouse,” replied Mrs. Arable.\n“A little tired, perhaps.\naccording as each hath received a gift, ministering it among yourselves, as good stewards of the manifold grace of God;\nShe went and told them that had been with him, as they mourned and wept.\nBut as they sailed he fell asleep: and there came down a storm of wind on the lake; and they were filling with water, and were in jeopardy.\nAnd the servants of the householder came and said unto him, Sir, didst thou not sow good seed in thy field? whence then hath it tares?\n“Why aren’t you on your web?” asked Wilbur.\nand that no man should be able to buy or to sell, save he that hath the mark, even the name of the beast or the number of his name.\nThe colonel waited and watched.\nAnd he spake the saying openly. And Peter took him, and began to rebuke him.\nBy faith Enoch was translated that he should not see death; and he was not found, because God translated him: for he hath had witness borne to him that before his translation he had been well-pleasing unto God:\nYou're spending too much time in that barn —it isn’t good for you to be alone so much.”\nIt’s not like being president. More like mayor.\nHe did not notice that as he swam  on the stream grew larger and faster.\nAnd straightway one of them ran, and took a sponge, and filled it with vinegar, and put it on a reed, and gave him to drink.\nJesus said unto her, I am the resurrection, and the life: he that believeth on me, though he die, yet shall he live;\nNext morning, I watched from up the hill as the fort emptied out in a sad parade.\nHe kept walking toward the pail of slops.\nBut he turning about, and seeing his disciples, rebuked Peter, and saith, Get thee behind me, Satan; for thou mindest not the things of God, but the things of men.\nnot forsaking our own assembling together, as the custom of some is, but exhorting one another; and so much the more, as ye see the day drawing nigh.\nFor by the wine of the wrath of her fornication all the nations are fallen; and the kings of the earth committed fornication with her, and the merchants of the earth waxed rich by the power of her wantonness.\ncovetings, wickednesses, deceit, lasciviousness, an evil eye, railing, pride, foolishness:\nand delivered him out of all his afflictions, and gave him favor and wisdom before Pharaoh king of Egypt; and he made him governor over Egypt and all his house.\nand not holding fast the Head, from whom all the body, being supplied and knit together through the joints and bands, increaseth with the increase of God.\nAnd all that heard it wondered at the things which were spoken unto them by the shepherds.\nThings are at such a state they could fall apart in a moment.\nJesus answered and said unto them, Destroy this temple, and in three days I will raise it up.\nCrockett had the attention of everyone.\nHesitate to get in the cart, and you are lost.\nAnd yet he left not himself without witness, in that he did good and gave you from heaven rains and fruitful seasons, filling your hearts with food and gladness.\nAnd being let go, they came to their own company, and reported all that the chief priests and the elders had said unto them.\nThat was his dinner.\nBe not many of you teachers, my brethren, knowing that we shall receive heavier judgment.\nBe ye therefore imitators of God, as beloved children;\nTempleton grinned.\nTo the saints and faithful brethren in Christ that are at Colossæ: Grace to you and peace from God our Father.\nThe Court, a toothless and ultimately corrupt bunch of old men, backed down.\nJust because it's smaller than the others?”\nand said unto him, Get thee out of thy land, and from thy kindred, and come into the land which I shall show thee.\nShe had left a space in the middle of the web.\nThen he said, If there were an easier way, I’d be willing to entertain offers.\nI will have to try to walk there\nThey cried out therefore again, saying, Not this man, but Barabbas. Now Barabbas was a robber. \nHoned edges flashed in the sun.\nIs not this the carpenter’s son? is not his mother called Mary? and his brethren, James, and Joseph, and Simon, and Judas?\n“I will repeat the message.\nFor the eyes of the Lord are upon the righteous, And his ears unto their supplication: But the face of the Lord is upon them that do evil.\nAnd if thy hand or thy foot causeth thee to stumble, cut it off, and cast it from thee: it is good for thee to enter into life maimed or halt, rather than having two hands or two feet to be cast into the eternal fire.\nInsomuch that we exhorted Titus, that as he had made a beginning before, so he would also complete in you this grace also.\nClaire sat for a long time on the tailboard of the last wagon, leaning forward with her hair covering her face.\nand Azor begat Sadoc; and Sadoc begat Achim; and Achim begat Eliud;\nAnd behold, Jesus met them, saying, All hail. And they came and took hold of his feet, and worshipped him.\nBut he said unto them, I have meat to eat that ye know not.\nAlready are ye filled, already ye are become rich, ye have come to reign without us: yea and I would that ye did reign, that we also might reign with you.\nBe not therefore anxious, saying, What shall we eat? or, What shall we drink? or, Wherewithal shall we be clothed?\nThere had not been a plan to the killings.\nAnd they went every man unto his own house:\ndesiring to be teachers of the law, though they understand neither what they say, nor whereof they confidently affirm.\nfrom which things some having swerved have turned aside unto vain talking;\nMy father Bear’s the real chief.\nBut I exhort you, brethren, bear with the word of exhortation: for I have written unto you in few words.\nAsmeret is always asking questions.\nThen went the captain with the officers, and brought them, but without violence; for they feared the people, lest they should be stoned.\nAnd even now the axe also lieth at the root of the trees: every tree therefore that bringeth not forth good fruit is hewn down, and cast into the fire.\nAnd he went forward a little, and fell on the ground, and prayed that, if it were possible, the hour might pass away from him.\n For winter will be here soon\nI stayed at Cranshaw three days that were like a compression of our two summers back in green youth, except that Featherstone was absent and the place was being taken apart.\nI concluded by showing him the colonel’s letter and translating it for him, explaining in detail its guarantee that we and any innocent fugitives now on our land would be left alone if we caught Charley and his people within a month.\nthe son of Mattathias, the son of Amos, the son of Nahum, the son of Esli, the son of Naggai,\nFor let not that man think that he shall receive anything of the Lord;\nIt's not a bad pitch, on the whole.”\nBecause thou sayest, I am rich, and have gotten riches, and have need of nothing; and knowest not that thou art the wretched one and miserable and poor and blind and naked:\nAnd Jesus answered and said unto them, I also will ask you one question, which if ye tell me, I likewise will tell you by what authority I do these things.\nHe then having received the sop went out straightway: and it was night.\nBut now they are many members, but one body.\nWe chose to examine only portraits that evening.\nAnd one of them, named Cleopas, answering said unto him, Dost thou alone sojourn in Jerusalem and not know the things which are come to pass there in these days?\nBut if all prophesy, and there come in one unbelieving or unlearned, he is reproved by all, he is judged by all;\n“Sleep well at night?”\nfor he loveth our nation, and himself built us our synagogue.\nthou who gloriest in the law, through thy transgression of the law dishonorest thou God?\nLurvy gave Wilbur a forkful of fresh straw.\nFor whosoever shall give you a cup of water to drink, because ye are Christ’s, verily I say unto you, he shall in no wise lose his reward.\n“When are the judges going to decide about Wilbur?” asked Mrs. Zuckerman.\nLet both grow together until the harvest: and in the time of the harvest I will say to the reapers, Gather up first the tares, and bind them in bundles to burn them; but gather the wheat into my barn.\nFor no man doeth anything in secret, and himself seeketh to be known openly. If thou doest these things, manifest thyself to the world.\n“This is really awful,” thought Wilbur.\nWhere the Nation is going, I said. You live on the Nation.\nAll I’m interested in is the killers.\nBeware of the dogs, beware of the evil workers, beware of the concision:\nBut when ye see the abomination of desolation standing where he ought not (let him that readeth understand), then let them that are in Judæa flee unto the mountains:\nHe that loveth his life loseth it; and he that hateth his life in this world shall keep it unto life eternal.\nSwinging her spinnerets into position, she attached her thread and then dropped down.\nOr those eighteen, upon whom the tower in Siloam fell, and killed them, think ye that they were offenders above all the men that dwell in Jerusalem?\nBut the Lord stood by me, and strengthened me; that through me the message might be fully proclaimed, and that all the Gentiles might hear: and I was delivered out of the mouth of the lion.\nAnd it came to pass, as he drew nigh unto Jericho, a certain blind man sat by the way side begging:\nCast not away therefore your boldness, which hath great recompense of reward.\nThe night before his departure, Featherstone built a midnight blaze of his collected works of taxidermy, a nightmare bonfire on the lawn.\nAnd the people saw them going, and many knew them, and they ran together there on foot from all the cities, and outwent them.\n“Hello!” she said.\nCharley had a pattern to eating a squirrel.\nOn Sunday the church was full.\nThe word HUMBLE was woven neatly in the center.\n“But I can’t stand it,” shouted Wilbur.\nBut I had my collar turned up like that, and I was carrying a gun.\nBut that ye may know that the Son of man hath authority on earth to forgive sins (he said unto him that was palsied), I say unto thee, Arise, and take up thy couch, and go unto thy house.\nHe went to the rock face and broke off the end of an icicle and put it in his mouth to melt.\n“Charlotte, what are you talking about?”\nDelicious!\nBut Jesus said unto him, Forbid him not: for he that is not against you is for you.\nAnd they were bringing unto him also their babes, that he should touch them: but when the disciples saw it, they rebuked them.\nAvery put out his hand and the judge shook hands with him, too.\nAnd there appeared unto them Elijah with Moses: and they were talking with Jesus.\nAnd he gave her his hand, and raised her up; and calling the saints and widows, he presented her alive.\nand the rest were killed with the sword of him that sat upon the horse, even the sword which came forth out of his mouth: and all the birds were filled with their flesh. \n“Here, here, here!” said the gander.\nsaying, What think ye of the Christ? whose son is he? They say unto him, The son of David.\nI never throw anything away.”\nAnd they were saying among themselves, Who shall roll us away the stone from the door of the tomb?\nAnd the seventh angel sounded; and there followed great voices in heaven, and they said, The kingdom of the world is become the kingdom of our Lord, and of his Christ: and he shall reign for ever and ever.\nFor the poor ye have always with you; but me ye have not always.\nBut when he heard it, he said, They that are whole have no need of a physician, but they that are sick.\nLet deacons be husbands of one wife, ruling their children and their own houses well.\nFear not, little flock; for it is your Father’s good pleasure to give you the kingdom.\nWoe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte; and when he is become so, ye make him twofold more a son of hell than yourselves.\nAnd when they asked him to abide a longer time, he consented not;\n“He has a perfect right to smell, considering his surroundings.\nSell that which ye have, and give alms; make for yourselves purses which wax not old, a treasure in the heavens that faileth not, where no thief draweth near, neither moth destroyeth.\nAnd when they were come, and had gathered the church together, they rehearsed all things that God had done with them, and that he had opened a door of faith unto the Gentiles.\nAnd Jesus rebuked him; and the demon went out of him: and the boy was cured from that hour.\nStay with me.\nBut as then he that was born after the flesh persecuted him that was born after the Spirit, so also it is now.\nIts body was grey with a black stripe underneath.\nThe rat entered the barn the way he always did — creeping along close to the wall.\nNow these things happened unto them by way of example; and they were written for our admonition, upon whom the ends of the ages are come.\nThe rabble that followed the soldiers to loot the farmsteads stood off at the edge of woods and waited.\nAt some point in their flight, Charley stood drawing breath, watching old Nancy and the nursing mothers and the little children and the younger men struggle up ahead of him toward the ridgetop.\nAnd Jesus seeing him said, How hardly shall they that have riches enter into the kingdom of God!\nand the father of circumcision to them who not only are of the circumcision, but who also walk in the steps of that faith of our father Abraham which he had in uncircumcision.\nThis glass bottle will not become soil for thousands of years.\n“Tuck your shirt in, Avery!” cried Mrs. Zuckerman.\nThe eggs are inside and will be warm and dry.”\n“Please, please, tell me where you are.\nAnd he commanded the multitudes to sit down on the grass; and he took the five loaves, and the two fishes, and looking up to heaven, he blessed, and brake and gave the loaves to the disciples, and the disciples to the multitudes.\nThen they stared at Charlotte.\nBut grow in the grace and knowledge of our Lord and Saviour Jesus Christ. To him be the glory both now and for ever. Amen.\nAnd the Lord said, Who then is the faithful and wise steward, whom his lord shall set over his household, to give them their portion of food in due season?\nTo watch his woods fill up with snow.\nyet now hath he reconciled in the body of his flesh through death, to present you holy and without blemish and unreproveable before him:\nAnd after the two days he went forth from thence into Galilee.\nAnd Jesus went out thence, and withdrew into the parts of Tyre and Sidon.\nThe children answered their cheer, and away went everybody to the Fair.\nAnd leaping up, he stood, and began to walk; and he entered with them into the temple, walking, and leaping, and praising God.\nAnd there cometh one of the rulers of the synagogue, Jairus by name; and seeing him, he falleth at his feet,\nWhen they are saying, Peace and safety, then sudden destruction cometh upon them, as travail upon a woman with child; and they shall in no wise escape.\n“Good night, Charlotte!”\nfor of a truth in this city against thy holy Servant Jesus, whom thou didst anoint, both Herod and Pontius Pilate, with the Gentiles and the peoples of Israel, were gathered together,\nAnd grieve not the Holy Spirit of God, in whom ye were sealed unto the day of redemption.\nThey climbed the fence into the lane and walked lazily toward the pigpen.\nShe is very excited.\n“I’m right here.”\nand by you to pass into Macedonia, and again from Macedonia to come unto you, and of you to be set forward on my journey unto Judæa.\nAnd when he had agreed with the laborers for a shilling a day, he sent them into his vineyard.\nAnd when the chief priests and the Pharisees heard his parables, they perceived that he spake of them.\nYe are witnesses, and God also, how holily and righteously and unblamably we behaved ourselves toward you that believe:\nFor the time past may suffice to have wrought the desire of the Gentiles, and to have walked in lasciviousness, lusts, winebibbings, revellings, carousings, and abominable idolatries:\n“Stand by for an announcement!”\nAnd he taught them many things in parables, and said unto them in his teaching,\nWilbur was pleased to receive so much attention.\nWasseton began to object that he was not a child and should go with the men.\nAnd a vision appeared to Paul in the night: There was a man of Macedonia standing, beseeching him, and saying, Come over into Macedonia, and help us.\nShe says lots of things go into the soil.\nand they blasphemed the God of heaven because of their pains and their sores; and they repented not of their works.\nand whatsoever we ask we receive of him, because we keep his commandments and do the things that are pleasing in his sight.\nSo then both he that giveth his own virgin daughter in marriage doeth well; and he that giveth her not in marriage shall do better.\nBut he that doeth the truth cometh to the light, that his works may be made manifest, that they have been wrought in God.\nMr. Arable gave Fern two quarters and two dimes.\nGrammar and vocabulary as a weapon.\nThen came the disciples to Jesus apart, and said, Why could not we cast it out?\nAnd so he scorned my proposition.\nWilbur did not budge.\nWe want Zuckerman to think Wilbur is nicely filled out, not all shrunk up.\nIt would appear obvious from the nature of the ground, that the most effectual mode of reducing Indians would be by compelling them to come in by the pressure of want and privation.\nNow I beseech you, brethren (ye know the house of Stephanas, that it is the firstfruits of Achaia, and that they have set themselves to minister unto the saints),\nAnd early in the morning he came again into the temple, and all the people came unto him; and he sat down, and taught them.\nHe was a brave man because he never gave up.\nFor which cause I put thee in remembrance that thou stir up the gift of God, which is in thee through the laying on of my hands.\nAnd Mary Magdalene was there, and the other Mary, sitting over against the sepulchre.\nEverywhere is loot for a rat—in tents, in booths, in hay lofts —  why, a fair has enough disgusting leftover food to satisfy a whole army of rats.”\nAnd Jesus, being moved with compassion, touched their eyes; and straightway they received their sight, and followed him. \nAnd all went to enrol themselves, every one to his own city.\n“Did you say a board was loose?”\nNow it came to pass in those days, there went out a decree from Cæsar Augustus, that all the world should be enrolled.\nAnd I’m just the chief when it comes to business and law.\nbut I see a different law in my members, warring against the law of my mind, and bringing me into captivity under the law of sin which is in my members.\nThere came a man, sent from God, whose name was John.\nBut if any widow hath children or grandchildren, let them learn first to show piety towards their own family, and to requite their parents: for this is acceptable in the sight of God.\nwhereunto I labor also, striving according to his working, which worketh in me mightily. \nBut thanks be unto God, who always leadeth us in triumph in Christ, and maketh manifest through us the savor of his knowledge in every place.\nNow and again, they were. They were once a fierce people, but they’re long since worn down from losing.\nBut in vain do they worship me, Teaching as their doctrines the precepts of men.\nHe picked up the coffee cup and rotated the contents and set it back down. The scribe used the pause to correct an error in his transcription near the top of the page.\nNow before the feast of the passover, Jesus knowing that his hour was come that he should depart out of this world unto the Father, having loved his own that were in the world, he loved them unto the end.\nIt was my Lancelot moment.\nHe popped the reins on the mules’ backs, and they pulled.\nThe voice of one crying in the wilderness, Make ye ready the way of the Lord, Make his paths straight;\nSo he pushed the straw to one side and stretched out in the manure.\nBy doing so, even a blind man would strike the river eventually.\nBut thanks be to God, that, whereas ye were servants of sin, ye became obedient from the heart to that form of teaching whereunto ye were delivered;\nAnd there was always hay being pitched down to the cows and the horses and the sheep.\nI spent a night in a town where the wild hogs came down onto exposed mudflats at low tide and ate little pale crabs, crunching them like chitlins.\nWhat shall we say then? Is there unrighteousness with God? God forbid.\nAnd he deceiveth them that dwell on the earth by reason of the signs which it was given him to do in the sight of the beast; saying to them that dwell on the earth, that they should make an image to the beast who hath the stroke of the sword and lived.\nAnd he saith unto him, I will come and heal him.\nFor we preach not ourselves, but Christ Jesus as Lord, and ourselves as your servants for Jesus’ sake.\nAnd the barbarians showed us no common kindness: for they kindled a fire, and received us all, because of the present rain, and because of the cold.\nAnd they all ate, and were filled: and they took up that which remained over of the broken pieces, seven baskets full.\nOf course, I don’t really eat them. I drink them—drink their blood.\n“What do you think I am, a messenger boy? grumbled the rat.\nThen began he to upbraid the cities wherein most of his mighty works were done, because they repented not.\nArt thou greater than our father Abraham, who died? and the prophets died: whom makest thou thyself?\nAnd Mary said, My soul doth magnify the Lord,\nHe only went to his bed when daylight began rising, and then at midday he arose all red-nosed and puffy and ate a vast dinner of beef and began conspiring.\nwhich he made to abound toward us in all wisdom and prudence,\nAnd out of his mouth proceedeth a sharp sword, that with it he should smite the nations: and he shall rule them with a rod of iron: and he treadeth the winepress of the fierceness of the wrath of God, the Almighty.\n“Are you out there, Templeton?” called Wilbur.\nFor I received of the Lord that which also I delivered unto you, that the Lord Jesus in the night in which he was betrayed took bread;\nand if I send them away fasting to their home, they will faint on the way; and some of them are come from far.\nNow it came to pass on a sabbath, that he was going through the grainfields; and his disciples plucked the ears, and did eat, rubbing them in their hands.\nAsmeret is a soil scientist.\n“He’s filthy behind the ears,” said Mrs. Zuckerman.\nAnd they remembered his words,\nnight and day praying exceedingly that we may see your face, and may perfect that which is lacking in your faith?\n“You can indeed,” said the spiders.\nBut Peter and the apostles answered and said, We must obey God rather than men.\nAnd he was casting out a demon that was dumb. And it came to pass, when the demon was gone out, the dumb man spake; and the multitudes marvelled.\n“When I’m hanging head—down at the top of my web.\nHe noted how clearly it showed up and he noted how big and carefully built it was. And then he took another look and he saw something that made him set his pail down.\nAnd embarking in a ship of Adramyttium, which was about to sail unto the places on the coast of Asia, we put to sea, Aristarchus, a Macedonian of Thessalonica, being with us.\nIt was the best place to be, thought Wilbur, this warm delicious cellar, with the garrulous geese, the changing seasons, the heat of the sun, the passage of swallows, the nearness of rats, the sameness of sheep, the love of spiders, the smell of manure, and the glory of everything.\nAnd straightway the king sent forth a soldier of his guard, and commanded to bring his head: and he went and beheaded him in the prison,\nThe other made little jerky emphatic gestures with just his fisted right hand and kept his left in his coat pocket.\nThis is our moment for setting forth.\nAnd it became known to all the dwellers at Jerusalem; insomuch that in their language that field was called Akeldama, that is, The field of blood.)\nand having a great priest over the house of God;\nWhen someone was sick, the people in the neighboring area would come and sit up with the sick.\nBut … she could not ride her bicycle, and after a while she was too hot in the suit.\nfor through him we both have our access in one Spirit unto the Father.\nHe may want to bring a photographer.\nand they were carried over unto Shechem, and laid in the tomb that Abraham bought for a price in silver of the sons of Hamor in Shechem.\nAnd Jesus answering spake unto the lawyers and Pharisees, saying, Is it lawful to heal on the sabbath, or not?\nAnd he kneeled down, and cried with a loud voice, Lord, lay not this sin to their charge. And when he had said this, he fell asleep.\nThey rooted with their flanged snouts and long tusks for something in the ground that they savored, some grub or minuscule rodent.\nbecause that by reason of him many of the Jews went away, and believed on Jesus.\nFor this ointment might have been sold for above three hundred shillings, and given to the poor. And they murmured against her.\nGrace to you and peace from God our Father and the Lord Jesus Christ.\nWhy do ye not understand my speech? Even because ye cannot hear my word.\nwho bare witness of the word of God, and of the testimony of Jesus Christ, even of all things that he saw.\nBut ye did not so learn Christ;\nRejoice, and be exceeding glad: for great is your reward in heaven: for so persecuted they the prophets that were before you.\nand certain women who had been healed of evil spirits and infirmities: Mary that was called Magdalene, from whom seven demons had gone out,\nwhile thou stretchest forth thy hand to heal; and that signs and wonders may be done through the name of thy holy Servant Jesus.\nI rejoice that in everything I am of good courage concerning you. \nAnd when many days were fulfilled, the Jews took counsel together to kill him:\nAnd behold, they brought to him a man sick of the palsy, lying on a bed: and Jesus seeing their faith said unto the sick of the palsy, Son, be of good cheer; thy sins are forgiven.\nAvery was ten.\nAnd Jesus advanced in wisdom and stature, and in favor with God and men. \nand said, For this cause shall a man leave his father and mother, and shall cleave to his wife; and the two shall become one flesh?\n“Now isn’t that just the word for Wilbur!”\nJackson had long since announced his intention to remove all Indians to the West.\nBoth of us eyed the little special doughballs filled with meat, the dense rum cakes and dark mincemeats.\nWilbur walked up to the fence and saw that the goose was right—one board was loose.\nHenceforth let no man trouble me; for I bear branded on my body the marks of Jesus.\nAnd she shall bring forth a son; and thou shalt call his name JESUS; for it is he that shall save his people from their sins.\nCharlotte is fierce, brutal, scheming, bloodthirsty—every - thing I don't like.\nIt was a shotgun, but I was still scared.\nI was scared, but when you’re dating someone…\nAnd the devil said unto him, If thou art the Son of God, command this stone that it become bread.\nAnd when the Pharisees saw it, they said unto his disciples, Why eateth your Teacher with the publicans and sinners?\nAvery kissed Wilbur.\nAnd while they still disbelieved for joy, and wondered, he said unto them, Have ye here anything to eat?\nBut they, when they heard this, were cut to the heart, and were minded to slay them.\nwherefore also there sprang of one, and him as good as dead, so many as the stars of heaven in multitude, and as the sand, which is by the sea-shore, innumerable.\nI think I’m languishing, to tell you the truth.”\nIt was in the soft palm of her hand.  At last the hunters could destroy the evil witch.  \nAnd I saw another angel ascend from the sunrising, having the seal of the living God: and he cried with a great voice to the four angels to whom it was given to hurt the earth and the sea,\nAnd some began to spit on him, and to cover his face, and to buffet him, and to say unto him, Prophesy: and the officers received him with blows of their hands.\nBlessed is that servant, whom his lord when he cometh shall find so doing.\nI will very likely know what it is, said Wolf. I will go too.\nNow the feast of unleavened bread drew nigh, which is called the Passover.\nThe night is far spent, and the day is at hand: let us therefore cast off the works of darkness, and let us put on the armor of light.\nFor before these days rose up Theudas, giving himself out to be somebody; to whom a number of men, about four hundred, joined themselves: who was slain; and all, as many as obeyed him, were dispersed, and came to nought.\nFrom up the hill at the trading post, looking down across the river, there was a dream geometry to the place.\nAnd it is a shame they didn’t, for they would have put Burr and Hamilton in the shade as a piece of history.\nWoe unto you lawyers! for ye took away the key of knowledge: ye entered not in yourselves, and them that were entering in ye hindered.\nThe good man out of the good treasure of his heart bringeth forth that which is good; and the evil man out of the evil treasure bringeth forth that which is evil: for out of the abundance of the heart his mouth speaketh.\nClaire was gone.\nAnd behold, an angel of the Lord stood by him, and a light shined in the cell: and he smote Peter on the side, and awoke him, saying, Rise up quickly. And his chains fell off from his hands.\nAnd it came to pass, when Elisabeth heard the salutation of Mary, the babe leaped in her womb; and Elisabeth was filled with the Holy Spirit;\n“Now run along!” he said.\nTheir tongues turned from purple to red.\nThere is evidence of soil being made right now.\nAll these things spake Jesus in parables unto the multitudes; and without a parable spake he nothing unto them:\nFor it is written, I will destroy the wisdom of the wise, And the discernment of the discerning will I bring to nought.\nAnd he answering saith unto him, Lord, let it alone this year also, till I shall dig about it, and dung it:\nBut when the Jews spake against it, I was constrained to appeal unto Cæsar; not that I had aught whereof to accuse my nation.\nThe boy did not do it immediately but waited until he finished eating his dinner.\nI thought then that if she would look up and say one more word, I would turn my back on the life and the place I had made, on the people who had taken me in as an exiled bound boy when no one else in the world wanted me, and I would follow her anywhere.\nAnd when he had thus spoken, he dismissed the assembly. \nHere, in a small clearing hidden by young alders and wild raspberry bushes, was an astonishing pile of old bottles and empty tin cans and dirty rags and bits of metal and broken bottles and broken hinges and broken springs and dead batteries and last month’s magazines and old discarded dishmops and tattered overalls and rusty spikes and leaky pails and forgotten stoppers and useless junk of all kinds, including a wrong-size crank for a broken ice-cream freezer.\nThe country is no better than a jungle of unpracticable mountains cut through with narrow coves and deep gorges, being generally precipitous cliffs falling directly to unnavigable rocky rivers.\nWhich is easier, to say to the sick of the palsy, Thy sins are forgiven; or to say, Arise, and take up thy bed, and walk?\nPlease climb up!”\nAt the bottom, she attached the thread.\nSo when they had broken their fast, Jesus saith to Simon Peter, Simon, son of John, lovest thou me more than these? He saith unto him, Yea, Lord; thou knowest that I love thee. He saith unto him, Feed my lambs.\nwith good will doing service, as unto the Lord, and not unto men:\nFor the wisdom of this world is foolishness with God. For it is written, He that taketh the wise in their craftiness:\nAnd the fame hereof went forth into all that land.\nAnd cast ye out the unprofitable servant into the outer darkness: there shall be the weeping and the gnashing of teeth.\nIf thou put the brethren in mind of these things, thou shalt be a good minister of Christ Jesus, nourished in the words of the faith, and of the good doctrine which thou hast followed until now:\nBut the thought kept weighing on him that a bear would be awfully good eating about now.\nShe touched my face and said, I want to remember how you look, at least for a while.\nIt’s time I made an egg sac and filled it with eggs.”\nthese therefore came to Philip, who was of Bethsaida of Galilee, and asked him, saying, Sir, we would see Jesus.\nFor it is impossible that the blood of bulls and goats should take away sins.\nYe are the sons of the prophets, and of the covenant which God made with your fathers, saying unto Abraham, And in thy seed shall all the families of the earth be blessed.\n“Is that true?” asked Wilbur.\nIt made a bouncing motion with its front end.\nMy cousin wrapped it up so tight it couldn’t budge.”\nBut he would pass along a trick he had learned, which was this: you couldn’t go far wrong if you pronounced every single word of the language as if it were a child’s euphemism for the private parts.\nThen she stopped and insisted on feeding her chickens before she was taken away.\nThe Spirit of the Lord is upon me, Because he anointed me to preach good tidings to the poor: He hath sent me to proclaim release to the captives, And recovering of sight to the blind, To set at liberty them that are bruised,\nand then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming on the clouds of heaven with power and great glory.\nBrethren and fathers, hear ye the defence which I now make unto you.\nand again, The Lord knoweth the reasonings of the wise, that they are vain.\nof righteousness, because I go to the Father, and ye behold me no more;\nFor he shall be great in the sight of the Lord, and he shall drink no wine nor strong drink; and he shall be filled with the Holy Spirit, even from his mother’s womb.\nbut when the fulness of the time came, God sent forth his Son, born of a woman, born under the law,\nBehold, the ships also, though they are so great and are driven by rough winds, are yet turned about by a very small rudder, whither the impulse of the steersman willeth.\nHe felt the pleasant rubbing of the stick along his itchy back.\nThe message I wrote in my web, praising Wilbur, has been received.\nEven at midnight there is usually something stirring.\nThomas saith unto him, Lord, we know not whither thou goest; how know we the way?\nfor your fellowship in furtherance of the gospel from the first day until now;\nAnd they were exceeding sorrowful, and began to say unto him every one, Is it I, Lord?\nand seeing Peter warming himself, she looked upon him, and saith, Thou also wast with the Nazarene, even Jesus.\nSalute one another with a holy kiss.\nAnd he sent another; and him they killed: and many others; beating some, and killing some.\nAnd he said unto them, Which of you shall have an ass or an ox fallen into a well, and will not straightway draw him up on a sabbath day?\nto reveal his Son in me, that I might preach him among the Gentiles; straightway I conferred not with flesh and blood:\nAnd the child grew, and waxed strong in spirit, and was in the deserts till the day of his showing unto Israel. \nHe that hath an ear, let him hear what the Spirit saith to the churches.\n“He’s hot,” said Fern.\nThe Arables climbed into their truck and hurried over.\nHow can you be sure your friend is an early riser?”\nBut Jesus perceiving it said unto them, Why trouble ye the woman? for she hath wrought a good work upon me.\nFor all the prophets and the law prophesied until John.\nFor John came unto you in the way of righteousness, and ye believed him not; but the publicans and the harlots believed him: and ye, when ye saw it, did not even repent yourselves afterward, that ye might believe him.\nBut after certain days, Felix came with Drusilla, his wife, who was a Jewess, and sent for Paul, and heard him concerning the faith in Christ Jesus.\nThe joints of Charleston’s knees let go and he collapsed like pleated cloth straight to the ground and did not move further.\nHe doesn’t even know what’s going to happen to him around Christmastime; he has no idea that Mr. Zuckerman and Lurvy are plotting to kill him.”\nThere was hardly any autumn that year.\npartly, being made a gazingstock both by reproaches and afflictions; and partly, becoming partakers with them that were so used.\nThere was a blue bird named Buddy, as happy as he could be - he was helping his mom get ready.\nFor whether we are beside ourselves, it is unto God; or whether we are of sober mind, it is unto you.\nAnd there was delivered unto him the book of the prophet Isaiah. And he opened the book, and found the place where it was written,\nwherein ye once walked according to the course of this world, according to the prince of the powers of the air, of the spirit that now worketh in the sons of disobedience;\nAnd Jesus saith unto them, All ye shall be offended: for it is written, I will smite the shepherd, and the sheep shall be scattered abroad.\nAnd sailing from thence, we came the following day over against Chios; and the next day we touched at Samos; and the day after we came to Miletus.\nAnd every day, in the temple and at home, they ceased not to teach and to preach Jesus as the Christ. \nAnd this she did for many days. But Paul, being sore troubled, turned and said to the spirit, I charge thee in the name of Jesus Christ to come out of her. And it came out that very hour.\nlet us draw near with a true heart in fulness of faith, having our hearts sprinkled from an evil conscience: and having our body washed with pure water,\nof judgment, because the prince of this world hath been judged.\nBut if some of the branches were broken off, and thou, being a wild olive, wast grafted in among them, and didst become partaker with them of the root of the fatness of the olive tree;\nDon't go without a tussle.\nAnd straightway, while he yet spake, cometh Judas, one of the twelve, and with him a multitude with swords and staves, from the chief priests and the scribes and the elders.\nand they that are in the flesh cannot please God.\nFor we can do nothing against the truth, but for the truth.\n“It would surely set the houses ablaze as well,” said he.\n“Fern was up at daylight, trying to rid the world of injustice. As a result, she now has a pig. As a result, she now has a pig. A small one, to be sure, but nevertheless a pig.\nAfter this I saw four angels standing at the four corners of the earth, holding the four winds of the earth, that no wind should blow on the earth, or on the sea, or upon any tree.\nthat saying ye yourselves know, which was published throughout all Judæa, beginning from Galilee, after the baptism which John preached;\n“No,” said Charlotte, “I believe I’d better stay home and see if I can’t get some work done.”\nBut Jesus turning unto them said, Daughters of Jerusalem, weep not for me, but weep for yourselves, and for your children.\nHe was standing there, thinking of her, when he heard a small voice.\nWhen they arrived, the beaver said, here; what is it?\ncease not to give thanks for you, making mention of you in my prayers;\nOne by one the stars went out.\nThey cough and their clothes and bedding are wet constantly and in camp they hang them on stick frames to scorch by the fire, but the dews and mists and rains of morning wet them again.\nYet no man spake openly of him for fear of the Jews.\nHere is wisdom. He that hath understanding, let him count the number of the beast; for it is the number of a man: and his number is Six hundred and sixty and six. \nHerein is love made perfect with us, that we may have boldness in the day of judgment; because as he is, even so are we in this world.\nthat ye put away, as concerning your former manner of life, the old man, that waxeth corrupt after the lusts of deceit;\nand the rest laid hold on his servants, and treated them shamefully, and killed them.\nAnd when they heard these things, they held their peace, and glorified God, saying, Then to the Gentiles also hath God granted repentance unto life.\nWho is the liar but he that denieth that Jesus is the Christ? This is the antichrist, even he that denieth the Father and the Son.\nBut what saith the answer of God unto him? I have left for myself seven thousand men, who have not bowed the knee to Baal.\nNow when he drew near to the gate of the city, behold, there was carried out one that was dead, the only son of his mother, and she was a widow: and much people of the city was with her.\nNow these things having been thus prepared, the priests go in continually into the first tabernacle, accomplishing the services;\nLet us not therefore judge one another any more: but judge ye this rather, that no man put a stumblingblock in his brother’s way, or an occasion of falling.\nIn conclusion, what are we to do with him?\n“Look at my frog!” said Avery, placing the frog on the drainboard and holding out his hand for pie.\nand saying, Where is the promise of his coming? for, from the day that the fathers fell asleep, all things continue as they were from the beginning of the creation.\nAnd be back here at the truck at noontime so we can all have lunch together.\nWe give thanks to God always for you all, making mention of you in our prayers;\nWill the party who addressed me at bedtime last night kindly speak up.\nAnd the multitudes said, This is the prophet, Jesus, from Nazareth of Galilee.\nHoles opened in the ground and filled with bad water.\nHe came unto his own, and they that were his own received him not.\nAnd a voice came out of the cloud, saying, This is my Son, my chosen: hear ye him.\n“Charlotte?” he said, softly.\nThe Zuckermans were so busy with visitors they forgot about other things on the farm.\n“I think I shall ask Dr. Dorian about her the next time I see him.\nTend the flock of God which is among you, exercising the oversight, not of constraint, but willingly, according to the will of God; nor yet for filthy lucre, but of a ready mind;\nTheir job was to work their way upriver and clean the Indians out of the mountains cove by cove.\nA taste of peat, which as I understand is a sort of swampy mossy kind of plant that the Scots and Irish collect and dry and make fires from, as settlers on the prairie burn buffalo dung.\nBut when Charley grew short of breath and slowed to a walk, the bear soon outdistanced him.\nIn the spring when the ground gets soft enough to turn, our family start putting in our garden.\n“ ‘Humble,’ ” said Mr. Zuckerman.\nFor Christ entered not into a holy place made with hands, like in pattern to the true; but into heaven itself, now to appear before the face of God for us:\nand set forth customs which it is not lawful for us to receive, or to observe, being Romans.\nOf a truth I say unto you, that he will set him over all that he hath.\n“The school bus will be along in half an hour.”\nWilbur shut his eyes.\nThat which is born of the flesh is flesh; and that which is born of the Spirit is spirit.\nAnd there were many lights in the upper chamber where we were gathered together.\neven as the testimony of Christ was confirmed in you:\nBut when Pilate heard it, he asked whether the man were a Galilæan.\nThis is the hour when frogs and thrushes Praise the world from the woods and the rushes.\nBut who is there of you, having a servant plowing or keeping sheep, that will say unto him, when he is come in from the field, Come straightway and sit down to meat;\nIt was an affectation he had not picked up at the Military Academy but had acquired all on his own, either in an attempt to be elegant or else to blunt the edge of command and make himself more likable to the boys under him by suggesting that the action he was requesting might be entirely optional.\nAnd as he entered into a certain village, there met him ten men that were lepers, who stood afar off:\nIn no time at all, the seedling grew branches and more leaves.\n“Maybe our ears aren’t as sharp as Fern’s,” he said.\nMost mornings they arose at dawn, wet and unrested.\n“You have your meals brought to you in a pail.\nfor he powerfully confuted the Jews, and that publicly, showing by the scriptures that Jesus was the Christ. \nWhen the leaders of the Cherokee, Chief Ross and Major Ridge, came up to Washington City to lobby against removal, they were a source of deep racial confusion to those in power.\nAnd behold, thou shalt be silent and not able to speak, until the day that these things shall come to pass, because thou believedst not my words, which shall be fulfilled in their season.\nand having shod your feet with the preparation of the gospel of peace;\nToday I shall find my friend.”\neven so ye also, when ye see all these things, know ye that he is nigh, even at the doors.\nThey break dead things down into soil.\nThe streams and ditches bubbled and chattered with rushing water.\nand Solomon begat Rehoboam; and Rehoboam begat Abijah; and Abijah begat Asa;\nThen said he unto them, Nation shall rise against nation, and kingdom against kingdom;\nBehold, the virgin shall be with child, and shall bring forth a son, And they shall call his name Immanuel; which is, being interpreted, God with us.\nI exhort therefore, first of all, that supplications, prayers, intercessions, thanksgivings, be made for all men;\nAnd that was all fine for those people out on the Nation, but it hadn’t changed the Possum’s mind a bit.\n“I suppose it is uncomfortable.\nand said unto them, Why sleep ye? rise and pray, that ye enter not into temptation.\n“See me now?” she asked.\nFor she said, If I touch but his garments, I shall be made whole.\nAnd the women, who had come with him out of Galilee, followed after, and beheld the tomb, and how his body was laid.\nWilbur looked through the fence and saw the goose standing there.\n“Why aren't you asleep, Wilbur?”\nAnd she knew her children were safe.\nBut he saith unto them, It is I; be not afraid.\nAnd when it was day, he came out and went into a desert place: and the multitudes sought after him, and came unto him, and would have stayed him, that he should not go from them.\nFor the scripture saith, Thou shalt not muzzle the ox when he treadeth out the corn. And, The laborer is worthy of his hire.\nNow this he said, not because he cared for the poor; but because he was a thief, and having the bag took away what was put therein.\nNow concerning the things whereof ye wrote: It is good for a man not to touch a woman.\n“Then what happened?” asked Wilbur.\nThe Zuckermans went up to change into their best clothes.\nnot purloining, but showing all good fidelity; that they may adorn the doctrine of God our Saviour in all things.\n“Fern!” snapped her mother.\nShe knew he was saying good-bye in the only way he could.\nhe left Judæa, and departed again into Galilee.\nMrs. Zuckerman stood ready to head him off if he started for the garden, and now Mr. Zuckerman was coming down toward him carrying a pail.\nBut go, tell his disciples and Peter, He goeth before you into Galilee: there shall ye see him, as he said unto you.\nAnd when saw we thee a stranger, and took thee in? or naked, and clothed thee?\nBe not deceived, my beloved brethren.\nYou are the only one that can get it.\nThen went out unto him Jerusalem, and all Judæa, and all the region round about the Jordan;\nAnd when he was entered in, he saith unto them, Why make ye a tumult, and weep? the child is not dead, but sleepeth.\nI wrote unto you in my epistle to have no company with fornicators;\nAnd when they could not come nigh unto him for the crowd, they uncovered the roof where he was: and when they had broken it up, they let down the bed whereon the sick of the palsy lay.\nI remember overnighting at a tavern in the hill country, where homesick Irish fiddlers and pipers and drummers played their music until almost sunrise.\nAnd he answered and said, It is not meet to take the children’s bread and cast it to the dogs.\nNow there were dwelling at Jerusalem Jews, devout men, from every nation under heaven.\nAnd he said unto me, They are come to pass. I am the Alpha and the Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the water of life freely.\nThe next day when the sun was up high, a neighbor came over and told us that the old man who had been sick had died last night.\nThe same came for witness, that he might bear witness of the light, that all might believe through him.\nAnd we bring you good tidings of the promise made unto the fathers,\nAnd he came into all the region round about the Jordan, preaching the baptism of repentance unto remission of sins;\n“To think that when I first met you I thought you were cruel and bloodthirsty! ” \nBut thou, when thou prayest, enter into thine inner chamber, and having shut thy door, pray to thy Father who is in secret, and thy Father who seeth in secret shall recompense thee.\nWhen the pig was disinterred the next day, it would be chopped or hand-pulled to shreds and dressed with vinegar and hot peppers and served with salty dollops of cornmeal fried in lard.\n“I don’t want to die.”\nBut now I go unto him that sent me; and none of you asketh me, Whither goest thou?\nFor we through the Spirit by faith wait for the hope of righteousness.\nAnd I am no more in the world, and these are in the world, and I come to thee. Holy Father, keep them in thy name which thou hast given me, that they may be one, even as we are.\n“When the first light comes into the sky and the sparrows stir and the cows rattle their chains, when the rooster crows and the stars fade, when early cars whisper along the highway, you look up here and I’ll show you something. I will show you my masterpiece.”\nAnd he looked round about on them all, and said unto him, Stretch forth thy hand. And he did so: and his hand was restored.\nThey grew quite rapidly.\nOf course, they were both from South Carolina and thus given to strange enthusiasms.\nThey came out the lower end of the gorge into the open valley, where they could see the big mountains standing blue to the north like a wall marking the ultimate limits of the world.\nThe minister’s skin was as white as the thin pages of the Bible open on his lap.\nWe start tomatoes early, helping them along until it gets warm enough to put them in the ground.\nEven as Sodom and Gomorrah, and the cities about them, having in like manner with these given themselves over to fornication and gone after strange flesh, are set forth as an example, suffering the punishment of eternal fire.\nFor by one offering he hath perfected for ever them that are sanctified.\nIt went still and lay with the water flowing around the bulk of it in a pair of smooth curves.\nto a virgin betrothed to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary.\nBe diligent in these things; give thyself wholly to them; that thy progress may be manifest unto all.\nBut Claire ran to me.\n“Jump and dance!” said the rooster.\nThe apple tree was beautiful …\nWhich things have indeed a show of wisdom in will-worship, and humility, and severity to the body; but are not of any value against the indulgence of the flesh. \nVerily, verily, I say unto you, A servant is not greater than his lord; neither one that is sent greater than he that sent him.\nfor where thy treasure is, there will thy heart be also.\nPeople came from miles around to look at Wilbur and to read the words on Charlotte’s web.\nHunters bloomed out of the fog and ran past him without letup.\nAnd as Jesus passed by from thence, he saw a man, called Matthew, sitting at the place of toll: and he saith unto him, Follow me. And he arose, and followed him.\nNor could any of the young aides to French diplomats understand me when I tried to speak.\nAnd the wall of the city had twelve foundations, and on them twelve names of the twelve apostles of the Lamb.\nBut a certain one of them, Caiaphas, being high priest that year, said unto them, Ye know nothing at all,\nFor the king knoweth of these things, unto whom also I speak freely: for I am persuaded that none of these things is hidden from him; for this hath not been done in a corner.\n“Come now, let’s not make a scene,” said the spider.\nAnd if this come to the governor’s ears, we will persuade him, and rid you of care.\nAnd after the second veil, the tabernacle which is called the Holy of holies;\nWhen therefore they were come together here, I made no delay, but on the next day sat on the judgment-seat, and commanded the man to be brought.\nBut the end of the charge is love out of a pure heart and a good conscience and faith unfeigned:\nAnd I saw another sign in heaven, great and marvellous, seven angels having seven plagues, which are the last, for in them is finished the wrath of God.\nThe bandits’ cook pots hung behind their saddles, clashing like unpleasant bells as they coursed along the roadways.\nThey had a television, and we would go just about every evening.\nWhen the dog noticed that we were willing to follow him, he kept going and did not run back.\nI returned to the office of the secretary of war as soon as my embarrassing entrance into politics could be corrected.\nHe was glad to see Mrs. Arable and gave her a comfortable chair.\nThat means they break down into smaller and smaller pieces.\nPrivate ownership of land was intended to mean something in this country.\nThe truck stopped.\nAnd the high priest Ananias commanded them that stood by him to smite him on the mouth."
  },
  {
    "path": "a4/chr_en_data/train.chr",
    "content": "ᎠᎴ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᎦᏛ ᎠᏃᎯᏳᎲᏍᎩ ᎠᎾᏚᏓᎴᎭ ᏂᎦᎥ ᏧᏓᎴᏅᏛ, ᎾᏍᎩ ᎨᏣᏚᏓᎳᎡᏗ ᏂᎨᏒᎾ ᏥᎨᏒ ᎼᏏ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᏕᏥᎧᎿᏩᏗᏒ ᎢᏳᏍᏗ.\nᎤᏯᎪᏅ ᎠᏰᎸᎢ, ᎠᏍᎪᎵ ᎤᏍᏆᏄᏤ ᎫᏕᎶᎰᎯᏍᏗ ᏄᏍᏛ ᎢᎪᎯᏛ, ᏩᏥᎳᏉ ᎢᏳᏍᏗ.\nᎠᏎᏃ ᎾᏂᎥ ᎤᎾᏤᎵᏛᎭ; ᎦᎶᏁᏛ ᏧᏓᎴᏅᏔᏅᎯ; ᎣᏂᏃ ᎾᏍᎩ ᎾᎦᎶᏁᏛ ᏧᏤᎵ ᎨᏒ ᎾᎯᏳ ᎦᎷᏨᎭ.\nᎤᏓᎴᏨ ᎨᏎ ᎱᎷᏨᎢ.\nᎾᏍᎩᏃ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᎤᏪᎧᏅᎩ ᎠᏫᏅ ᎠᎴ ᎠᏁᏤᎸᎩ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏞᏍᏗ ᎩᎶ ᎯᏃᏁᎸ ᎾᏍᎩ ᎯᎠ ᎬᏂᎨᏒ ᏂᏍᏋᏁᎸᎢ.\nᏭᏌᎩᏒ ᎪᏪᎵ ᎣᏍᏓ ᎤᎪᎵᏰᎥ ᎠᏍᏓᏱᏛ, ᏔᎵᏁ ᏄᏪᏒ, ᎦᎸᎳᏗ ᎠᏓᏅᏖᎵᏙ ᎤᏥᎸ.\nᎠᎴ ᏞᏍᏗ ᏂᎯ ᏱᏥᏲᎮᏍᏗ ᎢᏳᏍᏗ ᎢᏣᎵᏍᏓᏴᏗᏱ, ᎠᎴ ᎢᏳᏍᏗ ᎢᏣᏗᏔᏍᏗᏱ, ᎠᎴ ᏞᏍᏗ ᏧᏢᏫᏛ ᏱᏂᏚᏍᏕᏍᏗ ᏕᏣᏓᏅᏛᎢ.\nᎤᏩᏃᏪ ᏫᎵᎻ ᎤᎪᎭ.\nᎾᎿᏃ ᏚᎴᏅ, ᏧᏗᏱ ᎦᏓ ᎠᎲᎢ ᎤᎷᏤᎢ, ᏦᏓᏂ ᎠᏍᎪᏂᏗᏢ ᏧᎶᎯᏍᏔᏁᎢ; ᎠᎴ ᎤᏂᏣᏘ ᏴᏫ ᏔᎵᏁ ᎢᎬᏩᏓᏟᏌᏁᎴᎢ; ᎠᎴ ᎢᏳᏛᏁᏗ ᎨᏒ ᏄᏛᏁᎴᎢ, ᏔᎵᏁ ᏚᏪᏲᏁᎢ.\nᏣᏍᎪᏃ ᎢᎦᏓ ᏦᎯᏍᏙᏗ ᏱᎩ.\nᎤᏏᏩ ᎨᏎᎢ ᎤᎾᏓᎪᎾᏙᏗ.\nᎠᎴ ᎣᏍᏛ ᎾᎾᏛᏁᎮᏍᏗ, ᎠᎴ ᎤᏁᎿᎢᏳ ᎨᏎᏍᏗ ᎣᏍᏛ ᎾᎾᏛᏁᎲᎢ, ᎠᎴ ᎠᏂᎦᎵᏰᏍᏗ ᎤᎾᏓᏁᏗᏱ, ᎠᏂᏯᏙᎯᎯ ᎨᏎᏍᏗ ᎤᏂᎲᎢ,\nᎠᎦᏗᏓ ᏚᎾᏓᏚᎯᏍᏕᎢ ᎤᏲ ᎠᏒᎬ, ᏃᎴ ᎤᏩᎬᏘᎶᏓ ᎤᏃᎮᎴ ᏫᎵᎻ ᏄᎵᏍᏔᏁᎸ ᎡᎳᏆᏗ ᏃᎴ ᎤᏁᎸᏔᏅ ᎤᏂᏴᏗ ᏌᎳᏓ ᏃᎴ ᎤᏪᏥ ᎤᎪᏏᏓ ᎤᏲᏨ ᎤᎨᎯᏙᎸ ᎡᎳᏆᏗ.\nᎢᎸᏍᎩᏍᎪ ᎢᏯᏥᏛᎯ ᎦᎶᏁᏛ? ᏉᎳᏍᎪ ᏓᏓᎿᏩᏍᏛ ᎠᎦᏛᏁ ᎢᏥᏍᏕᎸᏗᏱ? ᎠᎴᏍᎪ ᏉᎳ ᏚᏙᎥ ᏕᏣᏬᏍᏔᏁᎢ?\nᎤᎦᏙᏍᏛᎢ ᏫᎵᎻ ᏚᏲᏎ ᎠᏦᏴᎢ ᏃᎴ ᎤᎵᏌᎵᏓᏁᎢ.\nᎤᏁᎷᏁᎢ ᎤᎾᏓᏓᏍᎩ.\nᎡᎶᎯ ᏧᏙᏢᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎥᏝ ᏱᎨᎦᏛᎦᏃ ᎩᎶ ᏚᏍᏚᎢᎡᎸ ᏗᎦᏙᎵ ᏗᎨᏫ ᎤᏕᏅᎯ.\n”ᎪᎱᏍᏗ ᏕᏥᎪᏩᏘᎭ,” ᎤᏛᏁ ᎠᏝᏪᎯ.\nᎯᎠᏃ ᏄᏪᏎᎴ ᎠᎨᏴ; ᏣᏍᎦᏅᏨ ᎡᏣᏙᎵᎩ.\nᏃᏉᏗ ᎯᏢᎾ.” \nᏍᎩᏴᏃ ᎠᏥᎳ ᎠᎪᎲᏍᎬ ᎯᎠ ᎠᏂᏴᏫ ᏣᎾᏴᎩᏍᎨ ᏗᎧᏃᎩᏓ ᎠᏥᎸ ᎢᏣ ᏗᏓᏅᏫᏍᎩ ᏗᎧᏃᎩᏓ.\nᎤᏍᏆᏙᏅ ᎤᎦᏔᎲᏍᎬ ᏄᏍᏛ, ᎤᏅᎦᎸᎲ ᎪᎢᎭ ᎦᏰᏌᏛ.\nᎠᎴ ᎾᏍᎩ ᏥᏫᏍᎪᎢ, ᎥᏝ ᎾᏍᎩ ᎠᏰᎸ ᎤᏙᏢᏗ ᎨᏒ ᏱᏫᏍᎪᎢ, ᎤᎦᏔᎭᏉᏍᎩᏂ, ᎤᏣᎴᏍᏗᏉ ᏱᎩ, ᎠᎴ ᎪᎱᏍᏗᏉ ᎤᏍᏗ ᏅᏩᏓᎴ ᏱᎩ;\nᎤᏲ ᎤᎾᏗᏅᏗ ᏪᏙᎰ ᎢᎪᎯᏓ ᏃᎴ ᏓᎪᏩᏘᏍᎪ ᏧᏪᏘ ᏗᎪᏪᎵ ᏗᎪᎵᏰᏗ.\nᎾᎯᏳᏃ ᎤᏒᎯ ᎢᏈᎬᎢ ᏂᎦᏟᎮ, ᎠᏧᏣᏃ ᏒᎦᏔ ᏚᎧᏁᏞᎢ ᎥᎿ ᎤᏩᏅᎦᏢᎢ ᏒᎦᏔ ᎢᏈᎬᎢ.\nᏍᎩᏃ ᎣᏍᏓ ᎠᏆᏅᏛ, ᎢᏳᏍᏘ ᎤᎾᎩᎵ ᎠᏂᏲᏍᎨ ᏃᎴ ᎠᏁᎩ ᎤᏂᏍᎦᏅᏨ ᏑᎾᎴ ᏥᏂᎦᎵᏍᏗ ᏣᎾᏂᎩᏍᎨ, ᎠᏌᎻᏓ ᎤᏍᎦᎢᏓ ᎤᏔᏁ ᎤᏍᏗ ᎪᏪᎵ ᏗᏆᏥᎶᏍᏔᏅ ᎠᏥᎶᏛ.\nᏤᏍᏗᏗ ᏱᏙᎨᏍᏗᏉ, ᏫᎵᎻ! \nᎬᏂᎨᏒᎢᏳ ᎢᏰᏨᏁᎸᎯ ᏂᎯ ᎦᎶᏁᏛ ᎤᏤᎵ ᎪᏪᎵ ᎨᏒᎢ, ᎠᏴ ᏦᎩᎸᏫᏍᏓᏁᎸᎯ, ᎪᏪᎳᏅᎯ ᎪᏪᎶᏗ ᎬᏔᏅᎯ ᏂᎨᏒᎾ, ᎠᏓᏅᏙᏍᎩᏂ ᎤᏁᎳᏅᎯ ᎬᏂᏛ ᎤᏤᎵ ᎬᏔᏅᎯ; ᎥᏝ ᏅᏲᎯ ᏗᎪᏪᎶᏗᏱ ᏗᎪᏪᎳᏅᎯ ᏱᎩ, ᎤᏇᏓᎵᏍᎩᏂ ᎨᏒ ᏗᎪᏪᎶᏗᏱ ᎣᎾᏫᏱ.\nᎯᎠᏃ ᏅᏥᏪᏎᎸᎩ, ᏣᎬᏫᏳᎯ ᏂᎯ ᎯᎦᏔᎭ. ᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᎯᎠᏍᎩᏂ Ꮎ ᎤᏣᏘ ᎠᎩᎵᏯ ᎨᏒ ᏅᏓᏳᏂᎶᏒᎯ, ᎠᎴ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᎩᎬᏱ ᏧᏅᎩᎶᎥᎯ ᏧᎾᏁᏬ ᎠᎴ ᏧᏁᎬ ᎢᏧᏅᏁᎸᎯ.\nᎠᏎᏴᏫᏃ ᏚᏍᏆᎸᏔᏅ, ᎠᎴ ᏚᏬᎵ ᏧᏂᏦᏯᏍᏗ ᏭᎧᎵᎢᏍᏔᏅ, ᎠᎴ ᎦᎾᏍᏙᎯ ᎤᏪᏆᏔᏅ, ᎤᏁᏁᎸ ᎤᏗᏔᏍᏗ; ᎯᎠ ᏄᏪᏎᎢ, ᎤᏁᎳᎩ, ᎢᏓᏙᎴᎰᎯ, ᏥᎪᏃ ᎢᏔᏯ ᏓᎦᎷᏥ ᏓᏳᏠᎥᏔᏂᎵ.\nᎠᏴᏫᏯ ᎤᎬᏫᏳ ᎠᏂᏁᎵ ᏫᎦᎷᎬ ᎢᎦ ᏒᎯᏰᏣ ᎠᏗᏔᎯᏙ ᏃᎴ ᎠᏓᏩᏛᎯᏙ.\nᎿᏉᏃ ᎠᏂᏯᏫᏍᎩ ᏚᏂᎦᎵᏒᎩ ᎠᏍᏕᏱᏛ ᎤᏍᏗ ᏥᏳ ᎦᏙᏌᏗᏍᏛᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏬᎰᏒᎩ.\nᎠᏎᏃ ᎾᏍᎩ ᏂᏣᏛᎦ ᏕᏥᏍᎦᏅᏥ ᎢᏣᎵᏅᏟ, ᎠᎴ ᎤᏲ ᏂᏕᏨᎦ ᏗᏩᎾᎦᎳ ᏚᎾᏓᏅᏛᎢ, ᎦᎶᏁᏛ ᎡᏥᏍᎦᏅᏤᎰᎢ.\n“ᎨᏍᏗᏗ ᏍᏆᏬᏣ ᏱᎬᏲᏎᎳ,” ᎤᏛᏁ ᎰᎻ.\nᎤᏍᏗ ᏚᏄᏌᏛ, ᎠᏎ ᎤᏍᎪᏍᏛ ᎠᎦᎵᏍᎬ ᎦᏲᏟᏉ ᎠᎪᏩᏛᏗ, ᎠᏥᎸ ᎠᏨᏍᏛ ᎨᏍᏗ ᎠᎪᏩᏛᏗ ᏱᎨᏎ.\nᎪᎯᏳᏗᏍᎩᏂ ᎨᏒ ᎠᏏ ᏂᎦᎾᏄᎪᎬᎾ ᏥᎨᏎᎢ, ᏗᎧᎿᏩᏛᏍᏗ ᎠᎲ ᎭᏫᏂᏗᏢ ᏂᎦᏛ ᏅᎩ, ᎡᎩᏍᏚᎲᎩ ᎪᎯᏳᏗ ᎨᏒ ᎣᏂ ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᎨᏒ ᎢᏯᏍᏗ.\nᎤᎾᏓᏅᏘᏃ ᎪᎯᏳᏗ ᎨᏒ ᎤᎾᏛᏂᏗᏍᏕᏍᏗ; ᎩᎶᏍᎩᏂ ᎢᏳᏍᏗ ᎢᎠᏨᏍᎨᏍᏗ ᎠᏆᏓᏅᏙ ᎥᏝ ᎣᏏᏳ ᏳᏰᎸᏎᏍᏗ ᎾᏍᎩ.\nᎾᏍᎩᏃ ᎾᏂᎥ ᏚᏲᎱᎯᏎᎴᎢ, ᎾᏍᎩ Ꮎ ᏗᏅᏃᏛ ᏥᎩ ᎪᎯ ᎨᏒ ᎢᏳᏓᎴᏅᏛ ᎤᏅᏒᏉ ᎤᎾᏤᎵ ᎤᎬᏩᎵ ᎤᎾᎴᏂᏓᏍᏗᏱ ᏂᎨᏒᎾ, ᎾᏍᎩᏍᎩᏂ Ꮎ ᎤᏤᎵ ᎤᎬᏩᎵ ᏧᏲᎱᎯᏎᎸᎯ ᎠᎴ ᏧᎴᎯᏌᏅᎯ ᏥᎩ.\nᏂᎯ ᎾᏍᏉ ᏗᏨᏂᏗᏳ ᎨᏎᏍᏗ; ᏗᏣᎵᏂᎪᎯᏍᏓ ᏗᏥᎾᏫ, ᎤᎬᏫᏳᎯᏰᏃ ᎤᎷᎯᏍᏗᏱ ᎤᏍᏆᎸᎯᏗ.\nᎢᏥᏁᎬᏍᎩᏂ ᎯᎠ ᏄᏍᏕᏍᏗ, ᎥᎥ, ᎥᎥ; ᎥᏝ, ᎥᏝ; ᎤᏟᏰᏃ ᏥᏂᎦᎣ ᎤᏲᏉ ᎨᏒ ᏗᏓᎴᏂᏍᎪᎢ.\nᎠᎴ ᎾᏍᏉ ᏗᎦᏤᎵᎦ ᏩᎾᏕᎶᏆ ᏂᎪᎯᎸ ᎣᏍᏛ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎾᏍᎩ ᎤᏚᎸᏗ ᏂᎦᎵᏍᏗᏍᎬ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ, ᎾᏍᎩ ᎠᏂᏁᏉᏍᎩ ᎢᏳᎾᎵᏍᏙᏗᏱ.\nᎢᏤᏯᏔᎮᏍᏗ, ᎢᏥᏯᏫᏍᎨᏍᏗ ᎠᎴ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ; ᎥᏝᏰᏃ ᏱᏥᎦᏔᎭ ᎢᏳ ᎨᏒᎢ.\nᎣᏲᎢᏳᎢᏣᎵᏍᏓᏁᏗ ᏗᏦᏪᎵᏍᎩ, ᎠᎴ ᎢᏥᏆᎵᏏ, ᎢᏣᏠᎾᏍᏗ! ᏂᎯᏰᏃ ᏓᏓᏂᏌᎲ ᏕᏣᏤᎸ ᏄᏪᎵᏍᏛᎾ ᏥᎨᏐᎢ, ᎠᎴ ᏴᏫ ᎦᏚᎢ ᎠᏂᎶᏍᎩ ᎥᏝ ᏱᎾᏙᎴᎰᏍᎪᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎯᎠ ᎾᏍᎩ ᏥᏂᏨᏪᏎᎸᎩ, ᎠᏏᏉ ᏥᏨᏰᎳᏗᏙᎲᎩ, ᎾᏍᎩ ᏂᎦᎥ ᎾᏍᎩ ᎠᏎ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ ᎪᏪᎳᏅᎯ ᎨᏒ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎼᏏ ᎤᏤᎵᎦ, ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᏚᏃᏪᎸᎢ, ᎠᎴ ᏗᎧᏃᎩᏍᏗᏱ, ᎠᏴ ᎬᎩᏃᎮᏍᎬᎢ.\nᎦᎶᏇ ᏭᏴᎮ ᏃᎴ ᏄᏓᎴ ᎦᏚ ᎤᎦᎾᏍᏓ ᎠᏔᎸᎩᏓ ᎡᎳᏆᏗ.\nᎾᏍᎩᏯ ᎠᏗᎾ ᎦᎶᏁᏛ ᎣᏍᏛ ᎧᏃᎮᏛ ᏧᎵᎶᎲᏍᎦ ᏂᏣᏛᏁᎴᏙᎮᏍᏗ; ᎾᏍᎩ ᎢᏳᏃ ᏱᏫᏨᎷᏤᎸ ᎠᎴ ᏱᏫᏨᎪᎥ, ᎠᎴ ᏯᎩᎪᏁᎸᏉ, ᏱᎦᏛᎬᎦ ᏂᏣᏛᎿᏕᎬᎢ, ᎤᎵᏂᎩᏛ ᏕᏥᏙᎬ ᏌᏉ ᎠᏓᏅᏙᎩᎯ, ᏌᏉ ᎠᏓᏅᏖᏗ ᎬᏗ, ᎠᏤᏉᎶᎯ ᎢᏣᏟᏂᎬᏁᏗᏱ ᎢᏥᏍᏕᎸᏗᏱ ᎪᎯᏳᏗ ᎨᏒ ᎣᏍᏛ ᎧᏃᎮᏛ.\nᎾᏍᎩᏃ ᎤᏕᏘᏴᏌᏗᏒᎢ ᏭᎵᏏᎩᏴᎢ ᎤᏒᎯᏰᏱ\nᎾᏍᎩ ᎯᎠ ᏥᏌ ᎤᏁᎳᏅᎯ ᏕᎤᎴᏔᏅ, ᎠᎴ ᎾᏍᎩ ᎠᏴ ᏂᎦᏛ ᎣᏥᏃᎮᏍᎩ.\nᎯᏅᏏᏓᏍᏗ ᏕᏫ ᎠᎰᎵ ᏨᏔᏅᎯ ᎯᎠ ᎢᏣᏪᏛ ᏥᎩ; ᎦᏙᏃ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏂᏔᎳᏬᏎᎢ, ᎠᎴ ᏴᏫ ᎤᎾᏓᏅᏖᎴ ᎢᏳᎾᏛᏁᏗᏱ ᎾᏍᎩ ᎢᎬᏩᎵᏍᏙᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎰᎵᎦᏧ?”\nᏓᏨᏃᎯᏎᎵ ᏥᎸᏉᏗ ᎨᏒ ᎯᏥᏥ.\n”ᏂᎬᎾᏛ ᎠᏓᏅᎵᏰᎠ,” ᎤᏪᎷᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎢᏣᏛᎩᏍᎨᏍᏗᏃ ᏓᏅᏩ, ᎠᎴ ᎠᏂᏃᎮᎵᏙᎲ ᏓᏅᏩ, ᏞᏍᏗ ᏱᏣᏕᏯᏔᏁᎮᏍᏗ; ᎾᏍᎩᏰᏃ ᎠᏎ ᎢᏳᎵᏍᏙᏗ; ᎤᎵᏍᏆᏗᏍᏗᏱᏍᏗᏂ ᎨᏒ ᎠᏏ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᎨᏥᏅᏏᏛ ᎠᏂᏅ ᎢᎬᏱᏗᏢ ᏚᏂᎧᏁᎢ; [ᎨᏥᏅᏛᏃ] ᎤᎾᏓᏙᎵᏍᏔᏅ ᏚᎾᏏᏔᏕᎢ.\nᎠᎴ ᏅᎩᏁ ᎠᏍᏚᎲ ᎤᏍᏚᎢᏒ, ᎠᏆᏛᎦᏅᎩ ᎧᏁᎬ ᏅᎩᎬ ᎾᏍᎩ Ꮎ ᎬᏃᏛ ᎯᎠ ᏂᎦᏪᏍᎬᎢ, ᎡᎭᎦᏔᏄᎦ.\nᏲᎾ ᎤᏤᏍᏙ ᏭᎧᏔᏁᎢ ᎧᏁᏌᎢ, ᎧᏴᏐᎵ ᎬᏗ ᎠᎲᏏᏙᎮ ᎧᏁᏍᎦ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎢᏤᏯᏔᎮᏍᏗ ᏄᏍᏛ ᎢᏣᏛᏟᎶᏒᎲ, ᎾᏍᎩᏯ ᎡᏣᎵᎾᎶᏒᏗ ᎨᏎᏍᏗ; ᏂᎯᏃ ᎢᏣᏛᎩᏍᎩ ᎡᏥᏁᏉᎡᏗ ᎡᏥᏁᏗ ᎨᏎᏍᏗ.\nᏫᎬᏲᏪᎳᏏ ᏗᎹᏗ ᎬᎨᏳᎢ ᎠᏇᏥ; ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᎤᏓᏙᎵᏣᏛ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᏕᏣᎧᎿᏩᏗᏙᎮᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ ᎠᎴ ᎦᎶᏁᏛ ᏥᏌ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ.\nᎠᏗᎾ ᎢᏨᏂᏗᏳ ᎨᏒ ᎤᎧᎵᏨᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏚᎸᏫᏍᏓᏁᎮᏍᏗ; ᎾᏍᎩᏃ ᏂᎯ ᎢᏥᎧᎵᏨᎯ ᎠᎴ ᎢᏥᏃᏍᏛ ᎨᏎᏍᏗ, ᎪᎱᏍᏗ ᏂᏥᎪᎸᎾ.\nᏌᏩᏂᏃ ᏈᏓ ᎤᏍᏓᏩᏛᏒᎩ ᏥᏌ, ᎠᎴ ᎾᏍᏉ ᏅᏩᏓᎴ ᎠᏓᏍᏓᏩᏗᏙᎯ. ᎾᏍᎩ ᎠᏓᏍᏓᏩᏗᏙᎯ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎤᎦᏔᎯ ᎨᏒᎩ; ᎢᏧᎳᎭᏃ ᏥᏌ ᎤᏂᏴᎸᎩ ᎤᏜᏅᏛᎢ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎦᏁᎸᎢ.\nᏝᏍᎪ ᏚᏳᎪᏛ ᏱᎩ ᏄᏍᏛ ᎦᏓᏅᏖᏍᎨ ᎢᏯᏋᏁᏗᏱ ᎠᏆᏤᎵ ᎨᏒᎢ? ᏥᏌ ᎯᎦᏙᎵ ᎤᏲᎢᏳ ᎢᎩ ᏅᏗᎦᎵᏍᏙᏗ ᎠᏴ ᎠᏆᏓᏅᏘᏳ ᎨᏒᎢ?\nᎾᏍᎩᏃ ᎿᏉ ᎤᏂᏣᏘ ᎤᎾᏙᎴᎰᏒ ᏥᏌ ᎾᎿ ᏄᏙᎲᎾ ᎨᏒᎢ, ᎠᎴ ᎾᏍᏉ ᎬᏩᏍᏓᏩᏗᎰᎯ, ᎾᏍᎩ ᎾᏍᏉ ᏥᏳᎯ ᏚᎾᏣᏅᎩ, ᎠᎴ ᎨᏆᏂ ᎤᏂᎷᏨᎩ, ᎠᏂᏲᎲᎩ ᏥᏌ.\n“ᎠᏯᏍᎪ ᎠᏆᏓᏅᏖᏙᏗ.”\nᎠᏎᏃ ᎤᏛᎦᏅ ᎠᏥᎳ ᎤᎬᏫᏳᎯ ᎨᏒ ᏧᏗᏱ ᎤᏙᏓ ᎡᎶᏛ ᎤᏓᏁᏟᏴᏍᏓᏁᎸᎢ, ᎤᏍᎦᎴ ᎾᎿ ᏭᎶᎯᏍᏗᏱ; ᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎤᏪᏯᏔᏅᎯ ᎨᏒ ᎠᏍᎩᏓᏍᎬᎢ, ᎨᎵᎵ ᏭᎪᎸᏍᏔᏁᎢ;\nᎬᏩᏛᏛᏁᏃ ᎯᎠ ᏄᏂᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᎢᎳᎪᏃ ᎢᏳ ᎯᎠ ᎾᏍᎩ ᏅᏓᎦᎵᏍᏔᏂ? ᎠᎴ ᎦᏙ ᎤᏍᏗ ᎤᏰᎸᏛ ᎨᏎᏍᏗ ᎾᎯᏳ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᎠᎵᏰᎢᎶᎸᎭ?\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏨᏔᏲᏎᎭ ᏗᏥᏩᎾᎦᎶᎢᏍᏗᏱᏉ ᏂᎨᏒᎾ ᎠᏴ ᎢᏨᎩᎵᏲᏤᎲ ᎢᏳᏍᏗ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎢᏨᏁᎯ ᏥᎩ.\nᎠᏎᏃ ᏗᏘᏲᎯ ᏃᎴ ᎤᏓᎾᏂ, ᏃᏉᏃ ᎠᏴᏫᏯ ᎤᎬᏫᏳ ᎤᏩᏌ.\nᏃᎴ ᎠᏏᎾᏌᏂ, ᏄᎾᏓᎴᎲ ᎠᏂᏴᏫᏯ ᎤᏂᎶᏒ ᏧᎷᏫᏍᏓᏁᏗ.\nᎾᏍᎩᏃ ᎾᏍᏉ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏂᎯ ᎾᏍᏉ ᎯᏍᎩ ᎢᎦᏚᎩ ᏣᎬᏫᏳᏌᏕᎩ ᎨᏎᏍᏗ.\nᏃᏊᏃ ᏅᎩᏁ ᏒᏃᏱ Ꮭ ᏲᎨᏅᏎ ᎡᎵᏏᏍᎩᏂ ᏧᏪᏅᏒ ᎣᎨᏅᏒ.\nᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎾᏓᏙᎵᏍᏗᏍᎬ ᎨᏥᏁᎢᏍᏗᏍᎨᏍᏗ, ᎤᏣᏘ ᎨᏥᎨᏳᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎤᏣᏘ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᎢᏥᏁᎸᎢ.\nᏂᎦᏓ ᎦᎸᏅ ᎤᏂᏰ, ᏣᏉ ᎠᏰᎵᏉ.\nᎦᏅᏙᏗ ᎢᏳᏍᏗ ᎨᏎᎢ, ᎠᎴ ᏒᏚᎵ.\nᏴᏫ ᏚᎾᏓᏅᏛ ᏚᎸᏕᎯᎮᏍᏗ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎠᏂᎾᏰᏍᎬ ᎠᎴ ᎠᏂᎦᏖᏃᎲ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᎡᎳᏂᎬ ᎤᎾᏄᎪᎢᏍᏗ ᎨᏒᎢ; ᎤᏂᏣᏘᏰᏃ ᎦᎸᎶ ᏣᏂᎧᎳ ᏛᎾᎵᏖᎸᏂ.\nᎤᏟᏍᏓ ᏥᏚᏝᏗᏗᏅᏎ!\nᏂᎪᎯᎸᎾ ᏚᏓᏴᎳᏛ ᎤᏩᏌ ᏗᎪᏩᏛᏗ ᎨᏎ ᏃᎴ ᎠᏂᎾᏁᏍᎬ ᎤᏂᏃᏕᎾ ᎠᏂᎩᏍᏙᏍᎬ, ᏃᎴ ᎢᏳᏓᎵ ᎠᏛᎪᏗ ᎨᏎ ᏩᎦ ᎤᏕᎵᏌᏛᏗ ᎦᎸᎳᏗᏣ.\nᎣᏂᏉ ᎠᏓᏏᏎᎢ ᎡᎳᏆᏗ, ᎤᏂᏴ ᎧᏴᏐᎵ.\nᏥᏌᏃ ᏔᎵᏁ ᎠᏍᏓᏯ ᎤᏁᏨ ᏕᎤᏲᏎ ᎤᏓᏅᏙ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏓᏳᎾᎵᏱᎶᎮᎵ ᎯᎠ ᎪᎯ ᏣᏁᎭ.\nᏦᎳᏂᎾ?\n”ᎭᏩ,” ᎤᏰᎸᏗᏗ ᏗᏁᎶᏗ, ᎠᏓᏏᏓᏍᏗ ᏃᎴ ᎠᏓᎾᏫᏗ ᏃᎵ ᎤᎵᎮᎵᏍᏗ ᎢᏯᏛᏁᏗ.\nᎥᏝ ᎠᏂ ᏘᎦᎾ, ᏚᎴᏅᏰᏃ ᎾᏍᎩᏯ ᏄᏪᏒᎢ; ᎡᏍᏕᎾ ᎡᏍᏓᎦᏔ ᎤᎬᏫᏳᎯ ᎠᏥᏅᏅᎢ.\nᏒᏃᏱ ᏱᏄᎵᏍᏔᏅ ᏃᏊ, ᎢᎾᎨ ᎠᏇᏓᏍᏗ ᎠᎴ - ᎠᏋᏌ ᎠᏇᏓᏍᏗ.\nᎠᏥᎸᏳᎵ ᏩᏆᏅ, ᎠᏉᏢ ᎾᎥᏂ ᏓᎩᏛ ᎦᎶᏇ.\nᎢᏤᏃ ᏗᎧᏃᎩᏍᏗ ᏚᏂᏃᎩᏒᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏚᏳᎪᏗ ᏂᎯ ᏣᏁᏍᏗᏱ ᎪᏪᎵ ᎠᎴ ᏗᏣᏲᏍᏙᏗᏱ ᏓᏍᏚᎲᎢ; ᎡᏣᎸᎩᏰᏃ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᏂᏍᎩᏴᏁᎸ ᏣᎩᎬ ᏍᎩᏩᎯᏍᏔᏅ, ᏫᏗᏍᎩᏯᏅᎲ ᏂᎦᏛ ᏓᏂᎳᏍᏓᎳᏩᏗᏒᎢ, ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ, ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏓᏁᏩᏗᏒᎢ.\nᎤᏁᎳᏅᎯᏃ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏁᎯ ᏂᏥᎥ ᎢᏤᎳᏗᏙᎮᏍᏗ. ᎡᎺᏅ\nᎾᏍᎩᏃ ᎯᎠ ᏥᏄᏍᏗ ᎪᎯᏳᏗ ᎨᏒ ᎠᏛᎪᏗᏱ ᏗᏓᎴᎲᏍᎦ, ᎠᏛᎪᏗᏱᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎧᏃᎮᏛ ᏗᏓᎴᎲᏍᎦ.\nᎠᏎᏃ ᎡᏆᎭᎻ ᎯᎠ ᏄᏪᏎᎢ; ᎠᏇᏥ, ᎭᏅᏓᏓ,. ᏂᎯ ᎠᏏ ᏣᎴᏂᏙᎲᎩ ᎯᏩᏘᏍᎬ ᏣᏤᎵᎦ ᎣᏍᏛ, ᎠᎴ ᎳᏏᎳ ᎾᏍᏉ ᎠᏩᏘᏍᎬᎩ ᎤᏤᎵᎦ ᎤᏲᎢ. ᎠᏎᏃ ᎿᏉ ᎠᏥᏄᏬᎯᏍᏔᏅ, ᏂᎯᏃ ᎢᎯᎩᎵᏲᎦ.\nᎦᏂ ᏕᎦᎸ ᏃᎴ ᏗᏛᏅᎢᏍᏔᏅ ᏧᏂᏍᏔᏲᏍᏗ.\nᎧ, ᏦᏈ ᏘᏅᎵ ᎠᏂᏫᏅ, ᏫᏯᏅ ᏌᏩᏂ ᏈᏓ ᏧᏙᎢᏛ,\nᎾᏍᎩ ᏗᏓᎴᏂᏍᎬ ᏤᎮᎢ, ᎠᏴ ᎣᎦᏛᎦᏅᎯ, ᏦᏥᎦᏙᎵ ᏦᎬᏔᏅᎯ ᎣᎩᎪᎲᎯ, ᎾᏍᎩ ᏦᎦᎧᎿᏅᎯ, ᎠᎴ ᏦᎪᏰᏂ ᏦᎬᏔᏅᎯ ᎣᎦᏒᏂᎵᏙᎸᎯ, ᎧᏃᎮᏛ ᎬᏂᏛ--\n“ᏣᏛᎦᏁ ᎢᏗᎦᏪᏍᏗ ᎤᏓᏴᎳᏔᏅ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ?” ᎤᏛᏛᏁ ᎪᏱᏁᎢ ᏰᎵ ᎤᏩᏃᏫᏍᎩ.\nᏗᏂᎨᏫᏃ ᎠᎴ ᏗᏂᏲᎤᎵ ᎬᏩᎷᏤᎸᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏚᏅᏩᏅᎩ.\nᏥᎦᏔᎭᏰᏃ ᎯᎠ ᎾᏍᎩ ᎥᎩᏍᏕᎸᏗᏱ ᏭᎵᏰᎢᎶᎯᏍᏗ ᎨᏒᎢ ᏂᎯ ᎢᏣᏓᏙᎵᏍᏗᏍᎬ ᏅᏓᎦᎵᏍᏙᏔᏂ, ᎠᎴ ᏥᏌ ᎦᎶᏁᏛ ᎤᏓᏅᏙ ᎥᎩᏁᎲᎢ;\nᎢᏨᏲᏎᏰᏃ ᎥᏝ ᎿᏉ ᎯᎠ ᎾᏍᎩ ᏴᎦᎦᎵᏍᏓᏴᏓ ᎬᏂ ᎤᎵᏍᏆᏛᎯ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎾᎿ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\n”ᎭᏦᎣᏍ”\nᎠᏎᏃ ᎢᏓᎵᏅᏟ ᎠᏆᏚᎵᎭ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᎾᏍᎩ ᎫᏓᎴᏅᏛ ᎾᏆᎵᏍᏓᏁᎸᎢ ᎤᏁᏉᎢᏍᏗᏱᏉ ᏄᏩᏁᎸ ᎣᏍᏛ ᎧᏃᎮᏛ;\nᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅ ᏂᏓᎨᏨᏁᎵ,” ᎠᎦᏛ ᎠᏂᏗᎨ ᏏᏆ ᏓᏂᎯᎰ ᎤᏴᏣ ᏱᏄᎵᏍᏔᎾ.\nᎠᏂᏯᏫᏍᎩᏃ, ᏂᎨᏥᏪᏎᎸ ᎨᏥᏁᏤᎸ ᏄᎾᏛᏁᎸ, ᎤᏂᏯᏅᎲᎩ ᏉᎳ, ᎠᎴ ᏒᏃᏱ ᏭᏂᎶᏒ, ᎥᏗᏇᏗ ᏭᎾᏘᏃᎸᎩ.\nᎢᏳᏰᏃ ᎦᎫᏍᏛᏗ ᏧᏛᎯ ᏱᎩ, ᎠᎴ ᎬᏩᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᏱᎩ, ᏂᎦᏛ ᎠᏂᎪᏩᏘᏍᎩ ᏯᎾᎴᏅ ᏱᎬᏩᏕᎰᏛ,\n”ᎯᎾᏓᏖᎸᏂᎦ ᎠᏓᏖᎸᏂᏍᏗ!” ᎤᏛᏁ ᎡᎳᏆᏗ.\nᎦᏙᏰᏃ ᏗᎦᎵᏍᏙᏗᎭ ᎢᎯᎦᏔᎭ, ᎯᎨᏴ, ᎦᎯᏍᏕᎸᏗ ᏂᎨᏒᎾ ᎨᏒ ᏣᏰᎯ? ᎠᎴ ᎦᏙ ᏗᎦᎵᏍᏙᏗᎭ ᎢᎯᎦᏔᎭ ᎯᏍᎦᏯ ᎦᎯᏍᏕᎸᏗ ᏂᎨᏒᎾ ᎨᏒ ᏣᏌᎵᎢ?\nᎢᎬᏩᏘᏃᎮᎴᏃ ᎩᎶ ᏧᎵᎡᎾ, ᎠᎴ ᎦᏂᎳ ᎦᏬᏂᏍᎩ; ᎠᎴ ᎢᎬᏩᏍᏗᏰᏔᏁ ᎾᏍᎩ ᎤᏏᏔᏗᏍᏗᏱ.\nᎡᎶ ᏦᎩᏲᎰᏎᎸ ᎬᎦᏔ ᎣᎩᏲᎰᏎᎳ.\nᏃᏗ ᎤᎴᏅᎮ ᎬᏍᎬ ᎭᎾ ᏚᎦᎵᎴ ᏚᏏᎳᏛ.\nᎯᎯᎷᏣ ᎣᎩᏱᏂᏣᏍᏛᎾ ᎨᏎᏍᏗ, ᏍᎩᏴ ᏱᎦᏛᎦᏍᏓ ᎢᏳᏍᏗ ᏣᏚᎵᏍᎬ.\n“ᏤᏍᏗ ᎤᏗᎴᎩ ᏱᏂᏍᏔᎵᏍᏔᏁᏍᏗ!” ᎤᏛᏁ ᎤᏂᏥ.\nᎠᏆᎴᏅᏔᏅ ᏥᏍᎦᎬ ᎠᏤᎯ ᎡᎶ ᎤᏂᏦᎣᏍᏙᏗ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᏍᎩᎾᎵᏍᎪᎸᏓᏏ, ᎾᏍᎩ ᏦᎩᏂᏗᏱ, ᎠᏏᏴᏫ ᎯᎦᏘᏏᏗᏢ, ᏐᎢᏃ ᎯᎦᏍᎦᏂᏗᏢ, ᏣᏤᎵ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\nᎾᏃ ᏩᎩᎸᏴᏨ ᎠᏯ ᎭᎾ ᏥᎩ, ᎡᏧᎳ ᎣᎩᏂᏓᏂᏴ.\n“ᎲᎦ ᎢᏴ ᏣᏕᏘᏱᎭ? \nᎾᏍᎩ Ꮎ ᎣᎩᎪᎲᎯ ᎠᎴ ᎣᎦᏛᎦᏅᎯ ᎨᏒ ᎢᏨᎾᏄᏫᏎᎭ, ᎾᏍᏉ ᏂᎯ ᎢᏣᏖᎳᏗᏍᏗᏱ ᎣᎦᏚᏓᏕᏫᏒᎢ; ᎠᎴ ᎤᏙᎯᏳᎯᏯ ᎣᎦᏚᏓᏕᏫᏒ ᎠᎦᏴᎵᎨᎢ ᎠᎴ ᎤᏪᏥ ᏥᏌ ᎦᎶᏁᏛ.\nᎺᎵ ᎹᎩᏕᎵ ᎡᎯ ᎤᎴᏨᎩ ᎠᎴ ᏚᏃᏁᎸᎩ ᎠᎾᏓᏍᏓᏩᏗᏙᎯ ᎤᎪᎲ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎾᏍᎩ ᏄᏪᏒ ᎤᎵᏃᎮᏔᏅᎢ.\nᏣᏄᏏ, ᎨᏍᏗ ᎠᏍᏆᏂᎪᎯ ᏱᎨᏎ ᎤᏬᏚᏨ, ᎤᏕᎶᎰᏎ ᏄᏬᏚᎲ ᏓᏏᎳᏛ, ᎤᎭᏲᎳ ᏏᏆ ᎤᎩᏍᏗ ᏃᎴ ᎤᏕᎶᎰᏎ ᏁᏆᎸ ᏃᎴ ᏃᏒ ᎢᏳᏩᏁᎸ ᎨᏒ.\nᎥᏝᏰᏃ ᏰᎵ ᏴᎦᏥᏁᎢᏍᏓ ᎾᏍᎩ ᎦᎶᏁᏛ ᏄᏛᏁᎸᎾ ᎨᏒ ᎠᏴ ᎠᏋᏗᏍᎬᎢ, ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎬᏩᏃᎯᏳᏗ ᏂᏕᎬᏁᎲᎢ, ᎧᏃᎮᏛ ᎠᎴ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎬᏗᏍᎬᎢ,\nᏓᏥᏁᎢᏍᏔᏂ ᎦᎵᏥᏙᏅ, ᏰᎵ ᎤᎵᏍᎨᏓ ᏅᎩ ᏗᎦᏅᏌᏗ ᎢᎩᏩᏔᎰᎦ ᎭᏂ ᏍᎦᏚᎩ.\n“ᏔᏟᏂᏆᏅᎥᎦ!” ᎡᏝᏪᎯ ᏄᏪᏎᎢ ᎠᎦᏴᎵ ᎤᏃᏕᎾ.\nᎠᏓᏅᏛᎳ ᏣᏙᏓ ᎤᏛᏙᏗ.\nᎩᎳᏃ ᎠᏍᎩᎾ ᎤᏓᏅᎡᎴᎢ, ᎬᏂᏳᏉᏃ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᏂᎷᏤᎢ, ᎠᎴ ᎬᏩᏍᏕᎸᎯᏙᎴᎢ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎬᏂᎨᏒ ᎦᏥᏬᏁᏗᏍᎬᎩ ᎡᎶᎯ; ᏯᏃᎩᏳ ᏕᎦᏕᏲᎲᏍᎬ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏕᎪᏢᏩᏗᏒᎢ. ᎠᎴ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎾᎿ ᎠᏂᏧᏏ ᏂᎪᎯᎸ ᏧᏂᎳᏫᏦᎯᏍᏗᏱ ᏥᎩ, ᎤᏕᎵᏛᏃ ᎥᏝ ᎪᎱᏍᏗ ᎠᏆᏛᏅᎯ ᏱᎩ.\nᎠᏂᏍᏔᏩᏗᏒ ᏕᏥᏅᏫᏍᏔᏅ, ᎨᏍᏗ ᎠᏕᎶᎰᎯᏍᏗ ᏱᎩ ᎾᏂᎥ ᎠᏂᏴᏫᏯ ᎭᏂ ᏍᎦᏚᎩ, ᏃᎴ ᎤᏂᏍᏔᏩᏛᏍᏗ ᎧᏃᎮᏛ ᏓᏦᎯᏍᏛ ᎨᎬᏬᎣᏗ.\nᏣᏄᏏ ᎠᏥᎾᏌᎢ ᏍᏉ ᎤᏛᎦᏁ ᎠᏂᎾᏁᏍᎬᎢ. ᎤᏲᎯᏍᏔᏁ ᎬᏄᏯᎩᏍᎬ ᎪᏍᏔᏱ ᎠᏂᎴᎩ ᏓᏫᏒ, ᎤᏓᏍᏕᎸᎲᏎ.\nᎩᎶᏃ ᎢᏳᎾᏍᏗ ᎠᏂᎦᏔᎿᎢ ᎠᏂᏈᎫᎳ ᎠᎴ ᎠᏂᏍᏙᎢᎦ ᎬᏩᎵᏃᎮᏔᏅᎩ; ᎢᎦᏛᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎦᏙ ᎤᏚᎵ ᎤᏛᏗᏱ ᎯᎠ ᏄᏪᎸᏛᎾ ᎦᏬᏂᏍᎩ; ᎠᏂᏐᎢᏃ ᎯᎠ; ᏅᏩᎾᏓᎴ ᏴᏫ ᏧᎾᏤᎵ ᎦᎸᎳᏗ ᎠᏁᎯ ᏗᎦᎾᏄᎪᏫᏍᎩ ᏅᏩᏍᏗ; ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏓᎵᏥᏙᏁᎲᎢ ᏥᏌ ᎠᎴ ᏗᎴᎯᏐᏗ ᎨᏒ ᎤᎬᏩᎵ.\nᎠᏴᏰᏃ ᏕᎬᎦᎿᏩᏗᏙᎭ, ᎠᎴ ᎥᏝ ᎩᎶ ᏱᏙᎨᏣᏘᎷᎦ ᎤᏐᏅ ᎪᎱᏍᏗ ᏨᏁᏗᏱ, ᎤᏂᏣᏔᏰᏃ ᏴᏫ ᎠᏂ ᎦᏚᎲ ᏓᎩᎧᎭ.\nᎤᎾᏙᏓᏆᏍᎬᏃ ᎦᏚᎲ ᎣᎩᏄᎪᏨᎩ, ᎡᏉᏄᎶᏗ ᏬᎩᎶᏒᎩ ᏙᏥᏬᏁᏔᏅ ᎠᏂᎨᏴ ᎾᎿ ᎤᎾᏓᏟᏌᏅᎯ.\nᏥᏌᏃ ᎾᎿ ᎤᏂᎩᏒ ᎨᎵᎵ ᎥᏓᎷᎶᏗ ᎤᎷᏨᎩ, ᎤᎿᎷᏒᏃ ᎤᏌᎯᎸ ᎾᎿᎤᏪᏅᎩ.\nᎡᎳᏆᏗ ᏃᎴ ᏲᎾ ᎤᏤᏍᏙ ᎤᎾᏛᎦᏁ ᎪᏍᏚᎭ ᏅᏃ ᎠᎾᎢᏒ.\n“ᎤᏙᎯᏳᎯ,” ᎤᏛᏁ ᏫᎵᎻ, “ᏥᏔᎷᎩᏍᎩ ᎢᏳᏍᏗ ᎾᏆᎵᏍᏗ.”\nᎠᎴᏬ, ᎢᏤ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏨᏲᏪᎳᏁᎭ, ᎾᏍᎩ ᎤᏙᎯᏳᎭ [ᎦᎶᏁᏛ] ᎨᏒᎢ ᎠᎴ ᏂᎯ ᎨᏒᎢ; ᎤᎵᏏᎬᏰᏃ ᎤᎶᏐᏅ, ᎿᏉᏃ ᏚᏳᎪᏛ ᎢᎦᎦᏘ ᏚᎸᏌᏛ.\nᎨᏍᏗ ᏱᏚᏔᎾ ᎠᏯᏖᏅ ᎫᎭᏟ ᎠᏰᎳᏍᏗ ᎠᎴ ᎦᎷᏯᏍᏘ, ᎦᏁᎦ ᏗᎪᏒᏔᏅ ᏚᎳᏗᏍᏛ ᎤᏓᏦᎲ ᏚᏓᎥ, ᏩᏀᎢᎨ ᎤᏍᎪᏍᏗ ᏱᎨᏎ ᏍᎩᎾᎾ ᏱᏚᏔᏁ.\nᎠᏁᎵᏗ ᎦᎸᏙᏗ ᎦᏌᏙᏱᏓᏍᏗ ᏳᏌᏙᏰᎾ, ᏫᎵᎻ ᎠᏓᏍᏓᏩᏕᎨ.\nᎠᎴ ᎤᏕᏒ ᏙᎴᏛ ᎠᏄᏬ ᎤᏪᏣᏄᎶᏔᏁᎢ, ᎠᎴ ᎠᏤᎵᏍᏛ ᎤᏅᏁ ᎾᏍᎩ ᏅᏲᎯ ᎠᏔᎴᏛ, ᎾᏍᎩ ᎾᎿ ᎢᎸᎯᏳ ᎩᎶ ᎾᏥᏅᏅᎾ ᎨᏒᎢ.\nᎤᎬᏫᏳᎯᏃ ᎤᏤᎵ ᎧᏃᎮᏒ ᎤᏂᏃᎮᎮᎴ ᎾᏍᎩ, ᎠᎴ ᏂᎦᏛ ᎾᏍᎩ ᎦᏁᎸᎢ ᎠᏂᏯᎢ.\nᏫᎵᎻ ᏍᏉ ᎤᏚᎵᏍᎬ ᎢᏴ ᎤᎪᏩᏛᏗ.\nᎢᏳᏰᏃ ᎠᏤᎷᎯᏍᏗ ᎦᎪᎵᏍᏗ ᏂᎨᏒᎾ ᏳᏃᏴᎦ, ᎦᎪ ᏯᏛᏅᎢᏍᏓ ᏓᎿᏩ ᎤᏪᏅᏍᏗᏱ?\nᎡᎮᎾ, ᎤᏛᏅᎩ. ᎿᏉᏃ ᏈᏓᏥᏳᎯ ᎤᏣᎢᏒ ᎠᎹᏱ ᎦᏚᎢ ᎠᎢᏒᎩ ᏥᏌ ᏤᏙᎲ ᏩᎦᏛᎩ.\nᎠᎴ ᎡᏣᎵᏍᎪᎸᏓᏁᎭ ᎢᏦᎯᏳᏒ ᏄᏍᏛ ᎤᎬᏩᎸᎢ, ᎾᏍᎩ ᏗᏣᏓᏅᏙ ᏗᏍᏕᎸᏗ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᎠᏂᏔᎵ ᏌᏉᏉ ᎨᏎᏍᏗ ᎤᏂᏇᏓᎸᎢ; ᎾᏍᎩᏃ ᎥᏝ ᎿᏉ ᎠᏂᏔᎵ ᏱᎩ, ᏌᏉᏉᏍᎩᏂ ᎤᏂᏇᏏᎸᎢ.\nᏂᎪᎯᎸᎾ ᎤᎾᏓᏅᏖᎴ.\nᎦᎵᏉᎩ ᏣᏁᎳ ᏩᏍᏗ ᏧᏍᏆᏴᏍᏗ ᏧᏙᎢᏓ ᏥᏍᏕᏥ, ᎤᎵᏍᏔᏴᏗ ᎦᎶᏙᏗ ᎭᏫᏂᏣ ᎦᏂᎩᎵ ᎤᎾᏟᏃᎮᏗ ᎤᏓᏅᏖᎴ.\nᎠᎨᏴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏥᎦᏔᎭ ᎤᎷᎯᏍᏗ ᎨᏒ ᎺᏌᏯ-ᎾᏍᎩ ᎦᎶᏁᏛ ᏣᏃᏎᎰᎢ-ᎾᏍᎩ ᎦᎷᏨᎭ, ᏓᎩᏃᏁᎵ ᏂᎦᎥ ᎦᎱᏍᏗ.\n“ᎨᏍᏗ ᎯᎸᎯᏳ ᏱᏛᏋᎨᏫ ᎬᏅᎢ ᎢᎪᎯᏓ.”\nᏧᏓᎴᏅᎲ ᎤᎵᎪᎲᏍᏗ, ᏍᏈᏍᏔ ᎠᏓᏣᏁᎯ ᏬᏯ ᎠᏂᎷᎪ, ᎠᏂᎦᏗᏛ ᎾᏍᎩᏯ ᎤᎵᏏᎩ ᎨᏴ ᏧᎦᏃᏮ ᎢᏣ ᎦᎸᎶᎢ, ᎤᏍᎪᏍᏓ ᎤᎵᏑᏫᏛ ᎠᏙᎯ ᏩᏂᎷᎪ, ᎦᏲᏟ ᏧᏙᏓᏆᏓ, ᎾᏍᎩᏯ ᎬᏂᎨ ᎤᏍᎪᎸ ᎤᎧᎭᏛ ᏥᏍᏆ ᎭᏫᏯ.\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ, ᎤᏍᏆᎸᎲᎩ ᎠᏂᏧᏏ ᏧᎾᎵᏍᏓᏴᏗᏱ; ᎠᎴ ᏥᏌ ᏥᎷᏏᎵᎻ ᎤᏪᏅᏒᎩ.\nᎾᏍᎩ ᎤᏛᎦᏅ ᏥᏌ ᎠᏥᏃᎮᏍᎬᎢ, ᎣᏂᏗᏢ ᎤᏅᏘᏛ ᏄᎾᏛᏅ ᎤᎷᎯᏍᏔᏁ, ᎠᎴ ᎤᏒᏂᎴ ᎤᏄᏮᎢ.\nᎠᏴᏫᏯᎯ ᏧᏍᏆᏅᎾ ᏚᎾᎾᏬᏍᏔᏁᎢ.\nᎰᎻ ᎤᏄᎩᏣᏁᎢ ᎠᎳᏂ.\nᎠᏤᎯ ᎤᎩᏓᏟ ᎤᏬᏛᎸᎲ ᎠᏰᎳᏍᏘ ᎬᏘ, ᎦᏁᎯ ᏗᎪᏪᎶᏙᏗ ᏭᎳᏛ, ᎦᏲᏟ ᏧᏬᏪᎳᏅ ᏃᏉ ᏭᏩᏂᎦᎸᏅ ᎪᏪᎵ, ᎡᎳᏗ ᏭᏓᎩᏅᏒ, ᎾᏍᎩᏯ ᏕᏧᎬ ᏣᏛᏍᎪ ᎪᏪᎵ.\nᏝᏰᏃ ᎪᎱᏍᏗ ᏱᎩᏲᎴ ᎠᏂ ᎡᎶᎯ, ᎠᎴ ᎬᏂᎨᏳᎢᏳ Ꮭ ᎪᎱᏍᏗ ᏴᎨᏗᏄᎪᏩ.\nᎾᏍᎩ ᎤᏚᎩ ᎦᎬᏗ ᏂᎨᏒᎾ ᏥᎨᏎᎢ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᏧᏬᎯᏳᏁᎢ, ᎾᏍᎩ ᎤᏂᏣᏘ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏂᏙᏓ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩᏯ ᎯᎠ ᎢᎦᏪᏛ ᏥᎩ, ᎾᏍᎩᏯ ᏄᏂᏧᏈᏍᏕᏍᏗ ᏣᏁᏢᏔᏅᎯ;\nᎤᏦᎢᏎᏗ ᎤᎵᏖᎸᏁᎢ ᎦᏍᎩᎶᏘ ᎪᏱᏁ.\nᎠᏎ ᏱᏄᎾᎵᏍᏔᏏ ᎤᏂᎭᏲᏗ ᎤᏂᎩᏍᏗ, ᏧᎾᏦᎯᏍᏗ ᎤᏍᏗ ᎤᎾᏓᏓᏍᎩ ᎤᏂᎭᏲᎲ ᎤᎾᎵᏍᏖᎸᏙᏗ.\nᎤᏁᎳᏅᎯᏍᎩᏂ ᏥᏔᏲᏎᎭ ᎾᏍᎩ ᏂᎯ ᎪᎱᏍᏗ ᎤᏐᏅ ᏗᏥᎸᏫᏍᏓᏁᏗᏱ ᏂᎨᏒᎾ; ᎥᏝ ᎠᏴ ᎣᏏᏳ ᎣᎩᏰᎸᏒ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏆᏚᎵᏍᎬ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ, ᏂᎯᏍᎩᏂ ᎾᏍᎩ Ꮎ ᏚᏳᎪᏛ ᎨᏒ ᎢᏣᏛᏁᏗᏱ, ᎤᏁᎳᎩ ᎣᎩᏐᏅᎢᏍᏔᏅᎯ ᏱᏅᏩᏍᏗ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎧᏃᎮᏛ ᎠᏎᏉ ᏂᏨᏁᎰ ᎢᏨᏗᏍᎪ ᏂᎯ ᎢᏥᏁᏨᎢ; ᎠᎴ ᎤᏣᏘ ᎢᏳᏓᎴᎩ ᎾᏍᎩ ᎢᏳᏍᏗᏓᏂ ᏂᏣᏛᏁᎰᎢ.\nᎿᏉᏃ ᏚᏲᎯᏎᎸᎩ ᎤᎾᏛᏗᏱ. ᎤᏂᏂᏴᏛᎩᏃ ᏥᏌ ᎠᎴ ᎤᎾᏘᎾᏫᏛᎲᎩ.\n”ᎡᎵᏍᏗᏗ,” ᎤᏛᏁ ᎠᎳᏂ.\nᏂᎦᏓᎮᎾ ᎤᏩᎾᏕ ᎡᎵᏍᎨ ᏩᎭᏯ.\nᎿᏉᏃ ᏚᏰᎵᎯᏍᏔᏅ ᎤᏂᏣᏘ ᎣᏓᎸ ᎤᎿᎷᏒᎩ ᎤᏩᏒ ᎨᏒᎢ, ᎤᏓᏙᎵᏍᏔᏅᏒᎩ. ᎤᏒᏃ ᏄᎵᏍᏔᏅ ᎾᎿ ᎤᏩᏒᏉ ᎨᏒᎩ.\nᎰᏩᏃ ᎦᏚᎲ ᎤᏂᏄᎯᏨᎩ, ᎠᎴ ᎥᎬᏩᎷᏤᎸᎩ.\nᎥ, ᎠᏆᏛᏅ.\nᎠᏂᏲᎵᎮᏉ ᏧᏂᏍᏗ ᎧᏅᏂᏍᎩ.\nᎢᎦᏛᏃ ᎨᏥᎪᎵᏰᏍᎨ ᎦᎨᏥᏐᏢᏗᏍᎬ ᎠᎴ ᏕᎨᏥᎵᎥᏂᎲᎢ, ᎠᎴ ᎾᏍᏉ ᏕᎨᎦᎸᎢᎲ ᎠᎴ ᏕᎨᏥᏍᏚᎲᏍᎬᎢ;\nᎾᏍᎩᏃ ᎯᎠ ᏂᏥᏪᎭ, ᏥᎪ ᎤᏁᎳᏅᎯ ᎢᏴᏛ ᏂᏚᏩᏁᎸ ᏧᏤᎵ ᏴᏫ? ᎬᏩᏟᏍᏗ. ᎠᏴᏰᏃ ᎾᏍᏉ ᏥᎢᏏᎵ, ᎡᏆᎭᎻ ᎤᏁᏢᏔᏅᏛ ᏅᏛᏆᏓᎴᏅᎯ, ᏇᏂ ᎠᏂᎳᏍᏓᎸ ᎨᎳ.\nᎤᏁᎳᏅᎯᏰᏃ ᎠᏉᎯᏳᏓᏁᎯ, ᎾᏍᎩ ᎪᎱᏍᏗ ᏥᏥᏯᏛᏁᎭ ᎠᏆᏓᏅᏙ ᏥᎬᏗᎭ ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏪᏥ ᎤᏤᎵᎦ ᎬᏂᎨᏒ ᏂᎬᏁᎲᎢ, ᎾᏍᎩ ᏂᏥᏲᎯᏍᏗᏍᎬᎾ ᎢᏨᏁᎢᏍᏗᏍᎬᎢ, ᏂᎪᎯᎸ ᎦᏓᏙᎵᏍᏗᏍᎬ.\nᏚᏙᏓᏈᏒ ᎣᏁᎯ, ᎠᎾᏓᏩᏛᎯᏙ ᎠᎦᏕ ᏓᏟᏃᎮᏗᏍᎨ ᎰᎻ, ᎤᏩᎨᏫᏎ ᏦᎨᏏ ᏧᎷᏫᏍᏔᏁᏗ.\nᎤᏓᏓᎩᏅᏎ ᏃᎴ ᎤᎵᏰᏔᏁᎢ ᎠᏑᎵᎪᎬ.\nᎠᎴ ᏧᏓᎴᏅᏛ ᏗᎬᏩᏂᎸᏫᏍᏓᏁᏗ ᎢᎨᎬᏁᏗ ᎨᏒᎢ, ᎠᏎᏃ ᎾᏍᎩᏉ ᏌᏉ ᎤᏁᎳᏅᎯ ᏂᎦᏛ ᎾᏍᎩ ᏗᎬᏩᏂᎸᏫᏍᏓᏁᏗ ᎢᎨᎲᏁᎯ ᎾᏂᎥᎢ.\n“ᎭᏩ, ᏕᏂᎬᏩᏝᎦ,” ᎤᏛᏁ ᏥᏍᏕᏥ.\nᏥᎪ ᏌᏉ ᎦᏄᎪᎬ ᏗᎦᏄᎪᎪ ᎤᎦᎾᏍᏛ ᎠᎹ ᎠᎴ ᎤᏴᏍᏗ?\nᎾ-ᏍᎩᏂ ᎤᏓᎵ ᎠᏓᏅᏖᏍᎪ ᏧᏓᎴᏅᏛ ᎡᎶᎯ ᎡᎯ, ᎢᏳᏛᏁᏗᏱ ᎤᏓᎵᎢ ᎣᏍᏛ ᎤᏰᎸᏗ ᏧᎸᏫᏍᏓᏁᏗᏱ.\nᎠᏆᏛᏅ.\nᎤᏥᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎨᏥᏅᏏᏓᏍᏗ; ᏂᎦᎥ ᏂᏥᏪᏎᎲ ᎾᏍᎩ ᏂᏣᏛᏁᎸᎭ.\nᎦᎦᏛᏃ ᏓᎾᏠᏱᎮ ᎠᎴ ᎠᏂᏍᎪᏂᎮᎢ. ᎠᏎᏃ ᎯᎠ ᏄᏪᏎᎢ; ᏞᏍᏗ ᏗᏣᏠᏱᎸᎩ; ᎥᏝ ᏳᏲᎱᏒ, ᎦᎵᎭᏉᏍᎩᏂ.\n“ᏍᎩᏃᎯᏏ ᎢᏳᏍᏗ ᏅᏁᎲᎢ ᎭᏩᏧ,” ᎤᏍᏗᏰᏔᏁ ᏫᎵᎻ.\nᎩᎶ [ᎤᏁᎳᏅᎯ] ᎤᏪᏥ ᎠᏓᏱᎯ, ᎾᏍᎩ ᎥᏝ ᏳᏪᎭ ᎠᎦᏴᎵᎨᎢ; [ᎾᏍᎩᏍᎩᏂ Ꮎ ᎪᎯᏳᎲᏍᎩ ᎤᏪᏥ ᎾᏍᎩ ᎤᏪᎭ ᎾᏍᏉ ᎠᎦᏴᎵᎨᎢ.]\nᎾᏂᎥ ᎨᏣᏔᏲᏎᎯ ᏕᎯᏁᎮᏍᏗ; ᎪᎱᏍᏗᏃ ᏣᎾᎥ ᏣᎩᎡᎯ ᏞᏍᏗ ᎯᎳᏲᏎᎸᎩ.\nᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᏳᎳ ᎢᏨᏃᏁᎸ, ᎠᏎᏃ ᎥᏝ ᏱᏣᏛᏓᏍᏔᏁᎢ; ᎦᏙᏃ ᎢᏣᏚᎵ ᏔᎵᏁ ᎢᏣᏛᎪᏗᏱ? ᎾᏍᏉᏍᎪ ᏂᎯ ᎢᏣᏚᎵᎭ ᎡᏥᏍᏓᏩᏗᏙᎯ ᎢᏣᎵᏍᏙᏗᏱ.\n“ᏂᎯ ᏣᏤᎵ ᎨᏎᏍᏗ,” ᎤᏛᏁ ᏌᏌ.\nᏂᎦᏓᏃ ᏣᏂᎧᏔᎮᎢ ᎠᏓᏪᎯ ᎨᏒ ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏗ ᎨᏒ ᏃᎴ ᎢᏳᏊ ᏗᏁᎳᏔᏂᏒᎢ ᎤᏅᎪᎢᏍᏗ ᎭᎾ ᎠᏔᎸᎧᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏴᏛ ᏂᏨᏁᎲ ᎠᏥᎪᏗ ᎨᏒᎢ, ᏂᏥᎥ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎢᏨᏗᏍᎨᏍᏗ ᏕᏣᏓᏁᏤᎲ ᎾᎥ ᎢᏣᏓᎳ; ᏕᎦᏚᏓᏕᏫᏒᏰᏃ.\nᏩᎾᎢ ᎤᏂᏏᏗ ᎦᏟᎮ ᏫᎵᎻ.\nᎯᎪ ᏑᎾᎴ ᏣᏍᏆᏙᏅ, ᎠᏯ ᏍᏉ ᎠᎦᏍᏆᏙᏅ ᎢᏳᏍᏗ ᏄᎵᏍᏔᏅ.\nᎯᎠᏃ ᎪᏪᎵ ᎦᏅᏙᏗ ᎣᏂᏴ ᎩᎶ ᎠᏙᎯ.\n“ᏓᏆᎴᎳ ᏫᎲᎦ ᎤᏁᏍᏔᎳ ᎤᏅᏗ ᏧᎾᏦᏯᏍᏗ ᎠᏥᏍᏔᏅᎯ!” ᎤᏓᏅᏫᏍᏔᏁ ᎡᎶᏗ.\nᏥᏌᏃ ᎬᏩᎷᏤᎴᎢ, ᎠᎴ ᎬᏩᎪᎮ ᎾᏍᎩ ᎠᏂᏍᎩᎾ ᎬᏩᏴᎸᎯ, ᎾᏍᎩ ᏑᎾᏓᏡᎩ ᎬᏩᏴᎸᎯ, ᎤᏬᎴᎢ, ᎠᎴ ᏚᏄᏪᎢ, ᎠᎴ ᏙᎯ ᎤᏓᏅᏖᎢ; ᎠᎴ ᎠᏂᏍᎦᎢᎮᎢ.\nᎯᎠᏰᏃ ᎾᏍᎩ ᎮᎦ ᏌᎾᏱ ᎣᏓᎸ ᏓᏟᎶᏍᏗ, ᎡᎴᏈᎠ ᏦᏓᎸ, ᎾᏍᎩ ᏥᎷᏏᎵᎻ ᎾᏍᎩᏯ ᏥᎩ, ᎾᏍᎩ ᎪᎯ ᏄᏍᏛᎢ, ᎾᏍᎩᏰᏃ ᏕᎨᏥᎾᏝᎠ ᎤᏩᏒ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ.\nᏏᏲ ᎤᏛᏁ ᎠᎬᏱ ᎤᏅᎪᏨ ᎧᏅᏂᏍᎩ, ᎠᏎᏃ ᎡᏝᏪᎯ ᏄᏪᏎ. ᎨᏍᏗ ᏳᏛᎦᎾ ᏫᎵᎻ.\nᎤᏕᎰᏌᏘᏰᏃ.\nᎤᏂᎩᏍᏗᏱ ᏗᏓᏂᏐᏗᏱ ᎤᎵᏍᏚᎢᏛ ᏥᎨᏐ ᎾᏍᎩᏯᎢ; ᏗᏂᏃᎪᎢ ᎠᎾᏓᎶᏄᎮᏗᏍᎪᎢ, ᎢᎾᏛ ᏚᏂᏁᎲ ᎠᏓᎯᎯ ᏚᏂᎭᏁᎦᎸ ᎭᏫᏂᏗᏢ ᏚᏂᏁᎭ.\n”ᎤᏙᏳᎯ,” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎦᏢᏍᎩ ᏌᎳᏓ ᎤᏒᎯ ᏚᎷᏫᏍᏔᏁᎸ, ᎤᏰᏤ ᏚᎦᏙᏍᏕᎢ.\nᎠᎴ ᎠᏆᏚᎵ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ, ᎾᏍᎩ ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᎨᏒ ᎦᎶᏁᏛ ᎠᏍᎪᎵ ᎨᏒᎢ; ᎠᎨᏴᏃ ᎨᏒ ᎠᏍᎪᎵ ᎠᏍᎦᏯ ᎨᏒᎢ; ᎦᎶᏁᏛᏃ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᏍᎪᎵ ᎨᏒᎢ.\nᎠᏎᏃ ᏞᏍᏗ ᏙᎯᏳᏅᎩ; ᏅᎦᏍᎪᎯᏰᏃ ᎤᏗᏢᏍᏙᏗ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ ᎬᏩᎭᎷᎦ, ᎾᏍᎩ ᎤᎾᏎᎵᏔᏅᎯ ᏚᎾᏓᏁᏤᎸ ᎤᎾᎵᏍᏓᏴᏗᏱ ᎠᎴ ᎤᎾᏗᏔᏍᏗᏱ ᏂᎨᏒᎾ, ᎬᏂ ᎤᏂᎸᎯ ᎨᏎᏍᏗ; ᎿᏉᏃ ᎤᎾᏛᏅᎢᏍᏗ ᎠᏂᎦᏘᏴ ᎤᎾᏛᎪᏗᏱ ᏣᏚᎢᏍᏔᏅᎢ.\nᎹᏏᏙᏂᏰᏃ ᏬᎩᎷᏨ, ᎥᏝ ᎣᎩᏇᏓᎸ ᎬᏩᏣᏪᏐᎸᏍᏙᏗ ᏱᎨᏎᎢ, ᎬᏩᏚᎾᏛᏍᎩᏂ ᎣᎦᏕᏯᏙᏗᎬᎩ; ᏙᏱᏗᏢ ᎠᎵᏛ ᎨᏒᎢ, ᎭᏫᏂᏃ ᎢᏗᏢ ᎣᏥᎾᏰᏍᎬᎢ.\nᎢᏨᏬᏁᏔᏅᏰᏃ ᎥᏝ ᎠᏓᎴᎾᏍᏗᏍᎩ ᏱᎨᏎᎢ, ᎥᏝ ᎠᎴ ᎦᏓᎭᎢ, ᎥᏝ ᎠᎴ ᎠᏠᏄᎮᏛ;\nᎠᏦᎭᏴ ᎠᏂᏓᎪᏎᎬ ᎤᏂᏍᎦᏅᏨ, ᎢᏂᎦᏗᏛ ᏥᏧᏥᏉ ᏥᎨᏒ ᏦᎦᏓᏙᎵᏨ, ᎦᏙ ᎠᏂᏅ ᎠᏓᏴᏍᏔᎩᏍᎩ ᏓᎾᏗᏔᏍᎬ, ᎧᏁᏌ ᎦᏂᏏᏅᏍᏗ ᏕᎦᎶᏛ ᎤᏂᏩᏒ, ᏗᏥᎾᏌ ᎠᏂᎦᏘᏴ ᏩᏳᏍᏙᏗ ᎭᏫᏂ.\nᎩᎶ ᎤᏩᏒ ᎬᏅ ᎤᏍᏕᎸᏗᏱ ᎤᏲᎮᏍᏗ ᎤᏲᎱᏎᏗ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎤᏲᎱᏎᎮᏍᏗ, ᎾᏍᎩ ᎤᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᎤᏂᏌᏁ ᎤᏪᏥ ᏃᎴ ᎣᎭᏁ ᎤᏂᏌᏁ ᎤᏓᎵ.\nᎤᏓᏑᏰᏛᏃ ᎠᎾᎵᏖᎸᎲᏍᎬ ᎤᎵᏙᎯᏍᏔᏅ, ᏉᎳ ᏫᏚᏯᏅᎲᎩ ᎠᏃᎯᏳᎲᏍᎩ, ᏚᏲᎵᎸᏃ, ᎤᏂᎩᏒᎩ ᏑᏏᏙᏂ ᎤᏪᏅᏍᏗᏱ ᎤᏰᎸᏅᎩ.\nᎯᏍᎩᏃ ᎢᏯᏂᏛ ᎠᏂᎦᏔᎿᎢ ᎨᏎᎢ, ᎯᏍᎩᏃ ᎤᏂᏁᎫ.\nᏂᎪᎯᎸᎾ ᎤᎪᎮ ᏥᏍᏕᏥ ᎠᏯᏖᏅ ᎤᏦᎣᏏᏗᏒ.\nᎾᏍᎩ Ꮎ ᎤᏛᎦᏅ ᏥᏌ ᏧᏗᏱ ᏧᎶᏒ ᎨᎵᎵ ᎤᎷᏥᎸᎢ, ᎤᏩᏛᎲᏒᎩ, ᎠᎴ ᎤᏔᏲᏎᎸᎩ ᎤᏪᏅᏍᏗᏱ ᏭᏅᏬᏗᏱ ᎤᏪᏥ, ᎤᏲᎱᏏᏕᎾᏰᏃ ᎨᏒᎩ.\nᎤᏃᎴ ᏗᏲᏙᏗ ᎧᏂᎩᏓ ᎨᏎᎢ.\n”ᏙᎢᏳᏍᏗ ᏓᏂᏂᏱᏍᎪ ᏴᏫ ᎭᎾ Queensborough ᎠᏒᏨ---ᏍᎪᏯᎨ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᏩᎩᎷᏣ ᏧᏂᎷᏫᏍᏔᏁᏗ, ᎨᏍᏗ ᎭᎲᎦ ᏯᏉᏎᎳ ᏗᎪᏪᎵᏍᎩ, ᏰᎵ ᎪᎯᏓ ᏓᏆᎧᎾᏅ, ᎨᏍᏗ ᎪᎯᏛ ᏱᏓᎬᏲᏍᏓᏁᎸ, ᎦᏕᎶᎣᏍᎦ ᏗᎵᏍᏇᏔᏬ ᎢᏗᏅᏁ ᏃᎴ ᏗᎳᏑᎶ ᎢᏗᏅᏁ ᏗᏣᏦᎯᏍᏗ ᎨᏒ.\nᎠᎴ ᎦᎵᏦᏔᏅᎯ ᏩᎦ ᎠᎩᎾ ᏫᏘᏯᏅ, ᎠᎴ ᎡᏥᎷᎦ; ᎠᎴ ᎢᏓᎵᏍᏓᏴᎲᎦ, Ꭳ-Ꮫ ᎢᏓᏓᏅᏓᏓ.\nᎠᎴ ᎢᏤ ᏥᏓᏂᏃᎩᏍᎪ ᎾᏍᎩᏯ ᎨᏒᎩ ᎢᎬᏱᏗᏢ ᎦᏍᎩᎸᎢ, ᎠᎴ ᏅᎩ ᎢᏯᏂᏛ ᏗᏅᏃᏛ ᏄᎾᏛᏅ ᎢᎬᏱᏗᏢ, ᎠᎴ ᏧᎾᏛᏐᏅᎯ ᏄᎾᏛᏅᎢ; ᎥᏝ ᎠᎴ ᎩᎶ ᎬᏩᏕᎶᏆᏍᏗ ᏱᎨᏎ ᎾᏍᎩ Ꮎ ᏗᎧᏃᎩᏍᏗ Ꮎ ᎤᏅᏒ ᎠᏍᎪᎯᏧᏈ ᏅᎦᏍᎪᎯ ᏅᎩᎦᎵ ᎢᏯᎦᏴᎵ ᎢᏯᏂᏛ, ᎾᏍᎩ ᎡᎶᎯ ᎨᎪᏣᎴᏛ ᎨᎦᎫᏴᏛ ᎨᏒᎢ.\nᎭᏢᎨᏃ ᎠᏢᏆᏍᏗ ᎨᏒᎢ? ᎢᏴᏛ ᎢᎬᏁᎸᎯ. ᎦᏙ ᎤᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎦᏔᏅᎯ? ᏗᎦᎸᏫᏍᏓᏁᏗᏱᏍᎪ ᎠᏓᏁᏤᎯ? ᎥᏝ; ᏗᎧᎿᏩᏛᏍᏗᏍᎩᏂ ᎬᏔᏅᎯ ᎪᎯᏳᏗ ᎨᏒ ᎠᏓᏁᏤᎯ.\nᎩᎶᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎬᏂᏳᏉ ᏣᏥ ᎠᎴ ᎢᏣᎵᏅᏟ ᏙᏱ ᎠᏂᏙᎾᎠ, ᎨᏣᎵᏃᎮᏙᏗᏱ ᎤᎾᏚᎵᎭ.\nᏔᎵᏁ ᎢᎦ ᎢᏅᏪᏅᏎ ᎠᎴ ᎾᏍᏉ ᏦᎢᏁ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎤᏒᎯᏴ Ᏹ, ᎾᏍᎩᏯ ᏂᎤᏛᏁᎴᎢ.\nᎥᏝ ᎿᏉ ᏠᎨᏏ ᎦᎳᎨᏯᏛᏗ ᎠᎴ ᎣᏍᏛ ᎦᏓ ᎦᏡᎬ ᎬᏗ ᏱᎨᏐᎢ; ᏭᎾᏕᎪᏉ. ᎩᎶ ᏕᎦᎵᎷᎨᏍᏗ ᎤᏛᎪᏗᏱ ᏩᏛᎬᎦ.\n“ᏄᏓᎴ ᎪᎨ ᎠᎵᏛᏓ,” ᎭᏫᏂ ᎤᏛᎴᎮ.\nᎾᏍᎩ ᎯᎠ ᏔᎳᏚ ᎢᏯᏂᏛ ᏥᏌ ᏚᏅᏒᎩ ᏑᏁᏤᎸᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏗᏁᎲ ᎢᏗᏢ ᏞᏍᏗ ᏫᏥᎶᏒᎩ, ᎠᎴ ᏌᎺᎵ ᎠᏁᎯ ᏚᏂᏚᎲ ᏞᏍᏗ ᎢᏥᏴᎸᎩ\nᏕᏣᏙᎥ ᎬᏂᎨᏒ ᏂᎦᏥᏴᏁᎸ ᎠᏂᏍᎦᏯ ᎡᎶᎯ ᏔᏑᏰᏛ ᏗᏍᎩᎧᏁᎸᎯ ᏥᎩ. ᏗᏣᏤᎵᎦ ᎨᏒᎩ, ᎠᎴ ᏕᏍᎩᎧᏁᎸᎩ; ᎠᎴ ᎤᏂᏍᏆᏂᎪᏔᏅ ᎧᏃᎮᏛ ᏣᏤᎵᎦ.\nᎿᏉᏃ ᎠᏏᏉ ᎾᏍᏆᎵᏍᎬᎾ ᎨᏒ ᎢᏨᏃᎲᏏ, ᎾᏍᎩ ᎠᏍᏆᎸᎲᎭ ᎢᏦᎯᏳᏗᏱ.\nᎤᎬᏫᏳᎯᏃ ᎿᏉ ᎤᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏣᏠᎾᏍᏗ! ᏝᏍᎪ ᏂᎯ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᎤᎾᏙᏓᏆ-ᏍᎬ ᏰᏤᎵᏌᏕᏍᎪ ᏗᎨᎳᏍᏗᏱ ᎢᏣᏤᎵ ᏩᎪ ᎠᎴ ᏐᏈᎵᏗᎦᎵᎠᏅ-ᎯᏛ, ᎠᎴ ᏰᏣᏘᏁᎪ ᎠᎹ ᏰᏣᏗᏔᏍᏔᏁᎪᎢ?\nᎤᏂᏲᎲᎩ ᎢᏳ ᎨᏒᎢ, ᎠᎴ ᎢᏳᎵᏍᏔᏂᏓᏍᏗ ᎨᏒ ᎦᏛᎬᎢ ᎠᏓᏅᏙ ᎦᎶᏁᏛ ᎤᏤᎵᎦ ᎾᏍᎩ ᎤᏂᏯᎥᎢ, ᎢᎬᏱ ᎦᏰᎯ ᎬᏂᎨᏒ ᏥᏂ-ᎬᏁᎮ ᎤᎩᎵᏲᎢᏍᏗᏱ ᎦᎶᏁᏛ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒ ᎣᏂ ᎤᎾᏄᎪᎢᏍᏗᏱ.\nᎠᎴᎾ ᎠᏂᏐᎢ.\n ᎭᏩ ᏧᏍᏆᏴᏍᏗ, ᎣᏏᏉᏗ ᎨᏎᏍᏗ ᎣᎳ ᏗᎦᏃᏣᏟ, ᎡᎵᏍᏗ.\nᎠᏂᏍᎦᎢᎲ ᎦᏓᏁᏍᏙ ᎤᎵᏏᎩ ᎠᏙ ᏃᎴ ᏚᏅᏓᏒ, ᎾᏍᎩᏯ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎤᏂᏍᎦᏎᏗ ᎠᏂᏍᎦᏯ. ᏗᏂᏰᎸ ᏩᎦ ᏧᎧᏅᏍᏔᏟ ᏗᏂᏍᎪᎵ.\nᏰᎵ ᎢᎫᏩᎾᏕᏁᏗ ᎨᏒ, ᎠᎾᏕᏒᏂᏙᎲ, ᏚᏂᏴᏍᏔᎩᏍᎬ, ᎤᏒᎯ ᏔᎵᎭ ᎢᏳᎦᏘ ᏑᎾᏙᏓᏆᏍᏗ.\nᎠᎴ ᏄᏍᏛ ᏭᏓᎪᎾᏛᏛ ᎡᏉᎯᏳ ᎨᏒ ᎤᎷᏂᎬᎬ ᎬᏂᎨᏒ ᏂᎬᏁᎸ ᎢᎪᎯᏳᏅᎯ ᏥᎩ, ᎾᏍᎩᏯ ᏚᎸᏫᏍᏓᏁᎲ ᎤᏣᏔᏅᎯ ᎤᎵᏂᎩᏛ ᎨᏒᎢ,\nᎠᏏᏴᏫᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎨᏒ ᏥᏌ ᎦᏁᏥᏱ ᎦᏍᏛᎦᎸᎩ, ᎾᏍᎩ ᏥᏌ ᎤᎨᏳᎯ.\nᎠᏎᏃ ᏗᎵᏰᎢᎶᎵ ᎢᎦ ᏓᎨᏥᏯᏅᎡᎵ ᎤᏕᏒᏂᎸᎯ, ᎾᎯᏳᏃ ᎿᏉ ᎠᎹᏟ ᎠᏅᏍᎨᏍᏗ.\nᎠᎴ ᎾᏍᎩ ᎠᏥᏩᏛᎡᎸᎩ ᎤᏂᎩᎬ ᎠᎾᏙᎴᎰᏍᏗ, ᎠᎴ ᎤᎾᏓᏅᏘ, ᎠᎴ ᏂᎦᏛ ᎡᎶᎯ ᏗᎨᏥᎸᎯ ᎨᏒᎢ.\nᎨᏥᏅᏏᏛᏃ ᎢᎤᏂᎷᏨ, ᎬᏩᏃᏁᎴ ᏂᎦᏛ ᏄᎾᏛᏁᎸᎢ. ᏚᏘᏅᏎᏃ ᎠᎴ ᎤᏅᏒ ᎨᏒ ᎢᎾᎨ ᏭᎶᏎ ᎦᏚᎲ ᎾᎥ ᏇᏣᏰᏗ ᏣᏃᏎᎰᎢ.\nᎤᏂᏣᏛᎩᏃ ᎤᎾᏓᏑᏴᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎠᏍᎩᎾ ᎤᏯᎠ, ᎠᎴ ᎤᎸᏃᏘᎭ; ᎦᏙᏃ ᎢᎡᏣᏛᏓᏍᏓᏁᎭ?\nᏥᏌᏃ ᎯᎠ ᏄᏪᎭᎴᎢ; ᏍᎩᏍᏓᏩᏚᎦ, ᎤᎾᏁᎳᎩᏃ ᏧᏂᏲᎱᏒᎯ ᏓᏂᏂᏏᏍᎨᏍᏗ ᏧᎾᏤᎵ ᏧᏂᏲᎱᏒᎯ.\nᎭᎴᏫᏍᏓ!\nᎠᎴ ᎾᏍᏉ ᎤᎪᎮ ᎩᎶ ᎢᏳᏍᏗ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᎤᏬᏑᎶᏨᎯ ᎾᎿ ᎠᎲᏍᎨ ᏔᎵ ᎠᎩᏄᏛᏗ ᎢᏯᏓᏅᏖᏗ.\nᎢᏳᏍᎩᏂ, ᎢᎩᏲᎲ ᎦᎶᏁᏛ ᎢᎫᏓᎴᏍᏗᏱ, ᎬᏂᎨᏒ ᏱᏄᎵᏍᏔᏅ ᎢᎬᏒ ᎾᏍᏉ ᎢᏗᏍᎦᎾᎯᏳ ᎨᏒᎢ, ᎦᎶᏁᏛᏍᎪ ᎠᏍᎦᎾ ᎠᏍᏕᎵᏍᎩ ᏂᎦᎵᏍᏗᎭ? ᎬᏩᏟᏍᏗ.\nᎠᏓᎴᏴᏗᏍᎩ.\nᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎥᏝ ᎾᏍᎩ ᏣᏃᎵᏤ ᎢᎬᏱᏱ, ᏥᏌᏍᎩᏂ ᎠᏥᎸᏉᏔᏅ ᎿᏉ ᎤᎾᏅᏓᏛᎩ ᎾᏍᎩ ᎯᎠ ᏂᎬᏅ ᎪᏪᎸ ᎠᏥᏃᎮᏍᎬᎢ, ᎠᎴ ᎾᏍᎩ ᏂᎬᏩᏁᎸᎢ.\nᎠᏎᏃ ᏍᎩᎾᎾ ᏄᏛᏁᎴ.\nᏯᎵᏖᎸᎮᏍᎬᎾ ᎦᏙᎨ ᏫᎵᎻ ᎠᏕᎶᎰᏍᎨᎢ ᎢᏧᎳ ᎢᏣ ᏫᎦᏩᏙᎥᏍᎬ ᏧᎾᏦᏴᏍᏗ ᎤᏅᏗ.\nᎾᏍᎩ ᏧᏂᎾᏫ ᎤᎦᎵᏍᏗ ᏗᎬᏩᏓᏅᏓᏗᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ ᏚᎾᏚᏓᏕᏫᏍᏛ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎠᎴ ᏭᏂᏱᎶᎯᏍᏗᏱ ᏂᎦᎥ ᎦᎸᏉᏗᏳ ᎨᏒ ᏄᏜᏏᏛᏒᎾ ᎪᎯᏳᏗ ᎨᏒ ᎾᏍᎩ ᎪᎵᏍᏗ ᎨᏒ ᏨᏗᏓᎴᎲᏍᎦ, ᎤᏂᎦᏙᎥᎯᏍᏗᏯ ᎤᏕᎵᏛ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎠᎦᏴᎵᎨ ᎤᏤᎵᎦ, ᎠᎴ ᎦᎶᏁᏛ ᎤᏤᎵᎦ;\nᎠᏗᎾ ᏞᏍᏗ ᎡᏥᏍᎦᎩ ᎢᏳᏍᏗ ᏰᏣᏓᏅᏖᏍᎨᏍᏗ, ᎡᏥᎬᏍᎪᎸᎥᏍᎨᏍᏗᏍᎩᏂ ᎢᏣᏓᏅᏟ ᎾᏍᎩᏯᎢ.\nᎾᏍᎩᏰᏃ ᎢᏳᏍᏗ ᎣᏍᏛ ᎧᏃᎮᏛ ᏧᏂᏲᎱᏒᎯ ᎾᏍᏉ ᎨᎦᎵᏥᏙᏁᎴᎢ, ᏗᎨᎫᎪᏓᏁᏗᏱ ᎤᏇᏓᎵ ᎨᏒ ᎾᏍᎩᏯ ᏴᏫ ᏧᏄᎪᏙᏗ ᎨᏒᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᏧᏭᎪᏙᏗ ᎨᏒ ᏗᏅᏃᏛ ᎢᏳᎵᏍᏙᏗᏱ ᏧᎾᏓᏛᏙᎩᎯ ᎨᏒᎢ.\nᎠᏎᏃ ᎢᏅᎯᎨᏍᏗ ᎢᏴ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᎠ ᎾᏍᏉ ᏂᎬᏅ ᎢᎪᏪᎳ; ᏞᏍᏗ ᎯᎪᎵᏰᎥᎩ ᏱᎰᏩ ᏣᏁᎳᏅᎯ.\nᎤᎸᏂᏗᏍᎩ ᎢᏳᏍᏗ ᎨᏎ ᏗᎦᏙᎵ.\n“ᎯᎠᏛ ᎾᏅᏛᏁᎰ ᏱᎾᏚᎳᏑᏝᎾ,” ᎤᏛᏁ ᏩᎭᏯ - ᏙᏳ ᎠᎩᏟᏲᎦ ᏃᏊ.  \nᎦᎦᎨ ᎤᎦᏙᎥᏐ ᏱᎰᏩ ᎤᏓᏅᏛᎢ, ᎾᏍᎩ ᏰᎵ ᎬᏪᏲᏗ ᎢᎬᏩᎵᏍᏙᏗ? ᎠᏴᏍᎩᏂ ᎦᎶᏁᏛ ᎤᏓᏅᏛ ᎢᎨᎭ.\nᎤᏂᏣᏛᎩᏍᎩᏂᏃᏅ ᎾᏍᏉ ᎤᏂᎬᏫᏳᎯ ᎬᏬᎯᏳᏅᎩ; ᎠᏎᏃ ᎠᏂᏆᎵᏏ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎥᏝ ᎬᏂᎨᏒ ᏱᏄᏅᏁᎴᎢ, ᏗᎦᎳᏫᎢᏍᏗᏱ ᏱᏙᎩᏄᎪᏩ ᎠᏁᎵᏍᎬᎩ.\nᎾᏍᎩᏃ ᏄᏪᏒ, ᏚᎾᏄᎪᏫᏎᎸᎩ ᏧᏬᏰᏂ ᎠᎴ ᎠᏍᏆᎨᏂ. ᎿᏉᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎣᏍᏛ ᎤᎾᏓᏅᏓᏛᎩ ᎤᏂᎪᎲ ᎤᎬᏫᏳᎯ.\nᎿᏉᏃ ᏥᏌ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; [ᎤᏁᎳᏅᎯ] ᎤᏪᏥ ᎥᏝ ᏰᎵᎦ ᎪᎱᏍᏗ ᎤᏩᏒ ᎨᏒ ᏱᏙᎬᏩᎸᏫᏍᏓᏏ, ᎠᎪᏩᏘᏍᎬᏍᎩᏂ ᎤᏙᏓ ᏚᎸᏫᏍᏓᏁᎲᎢ; ᎾᏍᎩᏰᏃ ᏄᏍᏛ ᏚᎸᏫᏍᏓᏁᎲᎢ ᎾᏍᎩ ᎾᏍᏉ ᎤᏪᏥ ᏚᎸᏫᏍᏓᏁᎰᎢ.\nᎬᏩᏛᏛᏁᏃ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎦᏙᏃ ᏗᏃᏪᎵᏍᎩ ᎢᎳᏯ ᎢᎬᏱ ᏓᎦᎷᏥ ᏣᎾᏗᏍᎪᎢ?\nᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ ᏫᎬᏲᏪᎳᏏ, ᎠᎴ ᎤᏚᎩ ᎠᏋᎭ ᏂᎪᎯᎸᎾᏉ ᏫᎬᎷᏤᏗᏱ;\nᎤᏍᎪᏒ ᏭᏕᎵᏨ ᎤᎦᏙᏍᏕ ᏫᎵᎻ.\n”ᎯᎦᏔᎭᏍᎪ ᎢᎪᎯᏓ ᏚᏟᏰᎵᏙᎸ ᎤᏂᏒᏣᏗᏍᏗ?\nᎾᏍᎩᏯ ᎾᏍᏉ ᏰᎵᎦᎾᎨ ᏗᏍᎩᏯᏓᏂᎸᏨᎯ ᏥᎩ, ᎾᏍᎩ ᎠᏴ ᎨᏒ ᎢᏨᏯᎵᎡᎵᏍᏗᏍᎬᎢ, ᎾᏍᎩᏯ ᏍᎩᏯᎵᎡᎵᏍᏙᏗ ᏥᎩ, ᎾᎯᏳ ᎤᎬᏫᏳᎯ ᏥᏌ ᎤᏤᎵ ᎢᎦ ᎨᏎᏍᏗ.\nᎢᎤᏍᏗᏯᏛᎾ ᏳᎳᏍᏕᎵᏴᏌ ᏗᎧᎾᏗ ᎠᏎᏃ ᏅᏱ ᎠᏍᏓᏱ ᏥᎨᏎᎢ ᎱᏁᎦᎸᎢ ᏃᎴ ᎨᏍᏓᏗ ᎦᏟᏓ ᎬᏔᎸᎦᏍᏙᏗ ᏱᎨᏎᎢ.\nᎠᏎᏃ ᎤᏓᏱᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎨᏴ, ᎥᏝ ᏱᏥᎦᏔᎭ ᎾᏍᎩ.\nᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎪᏪᎳ; ᏧᏤᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏙᏓᎧᏁᏤᎵ ᏗᎨᏣᎧᎾᏩᏗᏓᏍᏗᏱ ᎨᏣᏍᏆᏂᎪᏙᏗᏱ;\nᏕᎫᎪᏓᏁᎸ ᎠᎴ ᎡᏥᎸ ᎾᏍᎩᏅᎾ, ᎥᏝ Ꮓ ᏱᏣᏞᏤᎭ.\nᎠᎦᎸᏓ ᏱᎬᏃᎢᏏ.\nᎯᎠᏃ ᏂᎦᏪᏍᎨ: ᎤᏍᏆᏂᎩᏗ ᏏᏆ!\nᎾᏍᎩᏯ ᏂᏚᏪᏎᎸ ᏗᎩᎦᏴᎵᎨᎢ, ᎡᏆᎭᎻ, ᎠᎴ ᎾᏍᎩ ᏧᏁᏢᏔᏅᏛ ᎨᏒ ᏂᎪᎯᎸᎢ.\nᎪᎯ ᎾᏍᎩ ᏦᎢᏁ ᎿᏉ ᏥᏮᏓᏨᎷᏤᎵ. ᎠᏂᏔᎵ ᎠᎴ ᏦᎢ ᎠᏂᎦᏔᎯ ᏗᎬᏙᏗ ᎨᏎᏍᏗ ᎠᏍᏓᏱᏗᏍᏗ ᏂᎦᎥ ᎧᏃᎮᏗ ᎨᏒᎢ.\nᎤᏩᏌ ᎦᏂᎩᎸ Mrs. Chapman, ᏔᎵ ᎠᎴ ᏦᎢ ᎢᏯᏂ ᏗᎨᏥᎾᏌᎢ, ᎤᏂᏲᎯᏍᏔᎾ ᎪᎰᏍᏗ ᏂᎦᎵᏍᏗᏍᎬ, ᏥᏯᎵᎪᏁᎸ ᏧᏪᏅᏒ.\nᎤᏁᎦ ᏃᎴ ᎤᏬᏍᎩᎵ ᎤᏬᏚᏨ ᏄᎵᏍᏔᏁᎢ ᏫᎵᎻ.\n“ᎯᏣᎦᏎᏍᏓ ᏄᏔᎷᎩᏍᎬ ᎯᎠ ᏅᎩ ᏗᎦᏅᏌᏗ! \n“ᏂᎦᏉ ᎾᎾᏛᎦ ᎪᎱᏍᏗ ᏳᏰᎵᏛᎾ!”  ᎤᎵᏍᎦᏎᏔᏁᎢ ᏥᏍᏕᏥ.\nᏭᎵᎪᎾᏛ ᎤᏍᏘᏰᎩ ᏳᎾᎵᏙᎩᏯ ᏤᎩᏏᏂ ᏃᎴ ᎦᎳᎱᏂ, ᏯᏂᏲᏔᎲᎦ ᎠᏓᏒᎲᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎩᎶ ᏅᏩᎾᏓᎴ ᎤᏂᏬᏂᎯᏍᏗ ᎦᏬᏂᏍᎨᏍᏗ, ᎠᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎠᏔᏲᎯᎮᏍᏗ ᎠᏥᏍᏕᎸᏗᏱ ᎤᏁᏢᏙᏗᏱ.\nᏳᏴᎵᎳ ᎠᏍᏆᏚᎸ, ᏕᎦᏔᎶᎬ ᏓᏧᏍᏛ ᎠᎾᎦᏔᎲᏍᎬ ᏗᏂᏍᎪᎵ ᎤᎾᎦᏙᏍᏛ.\n“ᎡᎵᏍᏗ, “ᎤᏛᏁ ᏌᏌ ᎠᏨᏯ, “Ꭴ ᏔᎵ ᏣᏣ ᏔᎵ ᏔᏔ ᏔᏔ ᏔᏔ.”\nᎯᎸ ᎢᏴ ᎤᏒᎯ ᎤᏲ ᎠᏍᎩᏗᏍᎨᎢ.\nᏰᎵ ᎢᏯᏂ ᎠᏂᏍᎦᏯ ᎤᎾᏛᏅᎢᏍᏔᏁ ᎤᎾᎵᏍᏕᎸᏗ.\nᎤᏴᏍᏗ ᏭᏓᏒᏍᏙᏗ ᎤᏛᏅᎢᏍᏔᏁ ᏫᎵᎻ.\nᎾᏍᎩ ᏥᏥᎦᏔᎭ ᎢᏥᏏᏴᏫᎭ ᏂᏨᏪᏎᎸ ᎢᏨᏬᏁᏔᏅ, ᎠᎴ ᎢᏨᎦᎵᏍᏓᏛ, ᎠᎴ ᎢᏨᏰᏯᏔᏅᎢ, ᎾᏍᎩᏯ ᎠᎦᏴᎵᎨ ᏥᏂᏕᎦᏪᏎᎰ ᏧᏪᏥ,\nᏂᎦᏛᏰᏃ ᎤᏣᏘ ᎤᏂᎲ ᎤᏃᏣᎴᏛ ᎠᏂᎲᎦ; ᎾᏍᎩᏍᎩᏂ-ᎤᏂᎩᏛ ᎨᏒ ᎠᎲᎦ ᏂᎦᏛ ᎤᎲᎢ, ᏂᎦᏛ ᎤᎵᏍᏕᎸᏙᏗ ᎤᎲᎢ.\nᎯᎠᏃ ᏂᏑᏪᏎᎴᎢ, ᎦᏙ ᎢᏍᏗᏃᎮᎭ ᎯᎠ ᎾᏍᎩ ᏥᏍᏓᎵᏃᎮᎭ ᎢᏍᏓᎢᏒᎢ ᎠᎴ ᎤᏲᏉ ᏥᏅᏩᏍᏗ ᏥᏍᏓᏓᏅᏔ?\nᎩᎳᏉᏃ ᎢᏴᏛ ᏧᎳᏏᏕᏄᎶᏗ ᎤᏅᏤᎢ, ᎠᎴ ᎤᎵᏍᏆᏕᎴᎢ. ᎠᏂᏫᏅᏃ ᎤᏂᏴᎸ ᎤᏂᏩᏛᎮ ᎤᏲᎱᏒᎯ ᎢᎨᏎᎢ, ᎤᏂᎾᏫᏛᎲᏃ ᏭᏂᏂᏌᏁ ᎤᏰᎯ ᏫᎦᏅᎢ.\nᎠᎴᏬ ᎤᏙᎯᏳᎯ ᎢᎬᏱᏱ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᏗᎧᎿᏩᏛᏍᏗ ᏕᎪᏢᏒᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎤᎬᏩᎵ, ᎠᎴ ᎡᎶᎯ ᎡᎯ ᎦᎸᏉᏗᏳ ᎦᎵᏦᏛᎢ.\nᎫᏓᎸᏗ!\nᏅᏩᏓᎴ ᎡᎭ ᎠᏴ ᎠᎩᏃᎮᏍᎩ, ᎠᎴ ᏥᎦᏔᎭ ᎤᏙᎯᏳᎯ ᎨᏒ ᎾᏍᎩ ᎧᏃᎮᏍᎬᎢ, ᎠᏴ ᎠᎩᏃᎮᏍᎬᎢ.\nᎠᎩᏄᎸᎲᎦ ᏩᎦᏌᎩᏍᏗ, ᏃᎴ ᎨᏍᏗ ᎬᎩᏠᏫᏍᏗ ᏱᎩ.\nᏃᎬᎨᏫᏍᎬᎾ ᎣᏣᏅᏓᏗᏍᎪ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎢᏦᎯᏳᏒ ᏅᏓᏳᏓᎴᏅᎯ, ᎠᎴ ᎢᏣᎵᏂᎬᏁᎲ ᎠᏓᎨᏳᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ, ᎠᎴ ᏗᏨᏂᏗᏳ ᎨᏒ ᎤᏚᎩ ᎡᏨᏒ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ, ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲ ᎾᏍᎩ ᎢᎩᏙᏓ;\nᎭᏩ, ᎠᏆᏛᏅ.\nᎤᏣᏘᏃ ᎤᏃᎸᏅ, ᎥᏓᎵ ᏓᎵᏍᏗᎳᏁᎬᎩ.\nᎩᎶ ᎪᎯᏳᎲᏍᎨᏍᏗ ᎠᎴ ᎠᎦᏬᏍᎨᏍᏗ ᎠᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ; ᏂᎪᎯᏳᎲᏍᎬᎾᏍᎩᏂ ᏣᎫᎪᏓᏁᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎤᎬᏫᏳᎯ ᎾᏍᎩ Ꮎ ᎠᏓᏅᏙ; ᎢᎸᎯᏢᏃ ᏄᏛᎿᏕᎬ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎠᏓᏅᏙ, ᎾᎿ ᎡᎭ ᎣᏩᏒ ᎣᏤᎵ ᎠᏓᏅᏙ, ᎾᎿ ᎡᎭ ᎣᏩᏒ ᎣᏓᏤᎵᎦᏯ ᎨᏒᎢ.\nᎣᏍᏓ ᏙᎩᎾᎦᏎᏍᏔᏅ ᏐᏉᎯᎭ ᏃᎴ ᎣᎩᎾᏁᎸᏔᏅ ᎣᎩᏃᎵᏍᏗ ᎠᎵᏥᏙᎲᏍᎩᏱᎩ ᎠᎴ ᎤᏴᏍᏓᎩᏍᎩᏱᎩ.\nᎾᏍᎩᏃ Ꮎ ᏅᎩ-ᏗᎦᏅᏌᏗ ᏤᎲᎩ, ᎠᎴ ᎾᏍᎩ ᏁᎲᎾ ᏥᎩ, ᎾᏍᎩ ᏧᏁᎵᏁᎢ, ᎠᎴ ᎾᏍᎩ ᏚᎵᏉᎩ ᎢᏯᏂᏛ ᎨᏒ ᎨᎳ, ᎠᎴ ᎠᏥᏛᏙᏗᏱ ᏮᏓᎦᎶᏏ.\nᎾᏍᎩ ᎯᎠ ᎤᎾᏎᎵᏙᎴ ᎠᏏ ᏌᎵᏂ ᏏᏓᏱ ᎤᎬᏫᏳᎯ ᏂᎨᏒᎾ ᏥᎨᏎᎢ.\nᎢᏣᏛᎬᎦ ᎠᏐᏢᎢᏍᏗᏍᎬᎢ; ᎦᏙ ᎢᏤᎵᎭ? ᏂᎦᏛᏃ ᏕᎬᏭᎪᎵᏁᎴ ᏰᎵᏉ ᎬᏩᏲᎱᎯᏍᏗ ᎨᏒᎢ.\nᎤᏚᎩᏉᏰᏃ ᎢᎬᎭ ᎡᎩᏍᏕᎸᏗᏱ; ᎤᏚᎩᏍᎩᏂ ᎣᏩᏒ ᎠᎪᎲᎯ ᏥᎨᏐᎢ ᎥᏝ ᎤᏚᎩ ᏲᏩᏐᎢ; ᎪᎱᏍᏗᏰᏃ ᏨᎪᏩᏘᏍᎪᎢ, ᎦᏙᏃ ᎠᏏ ᎤᏚᎩ ᏱᎦᏲᏩᎭ?\nᎠᏎᏃ ᎤᏅᏌ ᎤᎾᏤᎵ, ᏐᏉ ᎢᏯᎦᏴᎵ ᎢᏰᏆ, ᎨᏍᏗᎭ ᎠᎦᏗᏓ ᏱᎩ ᎤᏪᎵᏎ ᏲᎾ.\nᏍᎩᏃᎲᏏ, ᏂᎯ ᎢᏣᏚᎵᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎲ ᎢᏣᏓᏄᏴᏙᏗᏱ, ᏝᏍᎪ ᏱᏣᏛᎩᎭ ᏗᎧᎿᏩᏛᏍᏗ?\nᎤᏂᏃᏕᎾ ᏧᎳᏏᏕᎾ ᎾᎥᏂ ᎠᏂᎾᏣᎡᎢ.\nᎢᏳ ᎠᎴ ᏛᎪᎩᏁᎵ ᏗᏤᎵᏎᎯ ᏱᏗᏣᏙᎳᏍᏗᎭ; ᎦᏙ ᎢᏥᎭ ᎦᏰᏣᎵᎡᎵᏤᏗ ᎨᏒᎢ? ᎠᏂᏍᎦᎾᏰᏃ ᎾᏍᏉ ᎠᏂᏍᎦᎾ ᏓᎾᏙᎳᏍᏗᏍᎪᎢ, ᎾᏍᎩ ᎢᎦᎢ ᏔᎵᏁ ᎥᎨᏥᏁᏗᏱ.\nᏂᎯᏰᏃ ᎠᏫ ᎤᎾᎴᏲᎥᎯ ᎾᏍᎩᏯ ᎨᏎᎢ; ᎪᎯᏍᎩᏂ ᎨᏒ ᎢᏣᏨᏒ ᎡᏥᎷᏤᎸ ᎠᏫ-ᏗᎦᏘᏯ ᎠᎴ ᏗᏣᏓᏅᏙ ᏗᎦᏘᏯ.\nᏅᎩ ᎤᎩᏨᏓ ᏄᎵᏍᏔᏂᏙᎸ ᏧᏓᎴᏅᏓ ᎤᏂᏃᎮᎸ ᏃᎴ ᎤᏃᏪᎳᏅ ᎣᎭᏁ ᏚᏕᏘᏴᏌᏗᏒ.\nᎣᎦᎵᏍᏔᏴᏃᎾ ᏍᎦᏚᎩ ᏧᎳᏍᎩ ᏲᏣᎴᏫᏍᏗᏍᎬᎾ ᏔᎵ ᎠᎴ ᏦᎢ ᏧᏙᏓᏆ, ᎤᏣᎴᏓ ᏧᏤᎵ ᎠᏂᏍᎦᏯ ᎣᎦᎵᎪᏅ ᎣᏥᎭᏯᎸᏒ ᏣᎵ.\nᏌᏌ ᏍᏉ, ᎤᏂᏃᏕᎾ ᎢᏧᎳᎭ ᎠᏁᎮᎢ.\nᎠᏴᏍᎩᏂ ᎨᏒ ᎾᏍᏉ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ, ᎾᏍᎩ [ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ] ᎡᎩᏰᎸᎾᏁᏗ ᏥᎩ, ᎡᏙᎯᏳᎲᏍᎩ ᎾᏍᎩ ᏧᎴᏔᏅᎯ ᎤᏲᎱᏒ ᏥᏌ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ;\nᏈᏓᏃ ᎯᎠ ᏄᏪᏎᎴ ᎾᏍᎩ; ᎢᏂᏯ, ᏥᏌ ᎦᎶᏁᏛ ᏣᏅᏮᎦ; ᏔᎴᎲᎦ, ᎠᎴ ᎯᏰᏍᏛᎢᏌ ᏣᏂᏏᏗᏱ. ᎩᎳᏉᏃ ᎢᏴᏛ ᏚᎴᏁᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎨᏲᎲᏍᎩ ᎨᏒᎩ, ᎦᎶᏁᏛᏱ ᏗᎦᏘᏁᎩ, ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᎢᎦᏚᏓᎴᏍᏙᏗᏱ.\nᎠᏓᏪᎯ ᎪᏍᏗᏳᎵ ᎦᎶᎪᏗ ᎤᏃᎮᎴ ᎤᏕᎶᎰᏒ.\nᎣᏍᏓ ᎠᏒᎩ ᎪᎢ ᎬᏗᏍᎬ, ᎤᎵᏔᏬᎥ ᏫᏚᏍᏔᏅᏅ, ᏚᏯ ᏓᏫᏒ ᏚᏍᏔᏅᏅ ᎢᎦᎦᏓ ᏄᏍᏛ ᎤᏍᎫᏓᏁᎦᎸ.\nᎠᏎᏃ ᎤᎾᎵᎪᎯ ᏕᎬᏩᏚᏫᏍᏕᎢ ᏚᎴᏁᎢ, ᎠᎴ ᏗᎦᎦᎲ ᏭᏴᎴᎢ. ᎤᎩᏨᏛᏃ ᏆᏂᏆ ᎤᎾᏂᎩᏎᎢ, ᏓᏈ ᏭᏂᎶᏎᎢ.\nᎡᏗᎨᏳᎠ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏴ ᎢᎬᏱ ᎢᎩᎨᏳᎯᏳ ᏄᎵᏍᏔᏅᎢ.\n”ᎨᏍᏗᏃ ᎤᏙᎯᏳ ᏱᏥᎦᏔ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎢᏳᏃ ᎩᎶ ᎢᏍᏓᏛᏛᏅ ᎦᏙᏃ ᎢᎡᏍᏕᎵᏌᏕ-Ꭽ? ᎢᏍᏙᏎᎸᎭ, ᎯᎠ ᏁᏍᏗᏪᏎᎸᎭ; ᎤᎬᏫᏳᎯᏰᎾ ᎤᏚᎵᎭ.\nᎠᏧᏣ Crockett ᏚᏓᏁᏄᎸᏁ - ᎤᎵᏍᎦᏰᎬᏍᏔ ᎠᎴ ᎤᏙᏔ - ᎤᏂᏌᏙᏴᏗ ᏚᎾᏓᏁᏤᎸ.\nᏧᏂᏲᎱᎯᏍᎩᏂᏃᏅ ᎤᎾᎴᎯᏐᏗ ᎨᏒ ᏥᏥᏁᎢᏍᏗᎭ, ᏝᏍᎪ ᏱᏥᎪᎵᏰᏱ ᎤᏁᎳᏅᎯ ᎢᏥᏁᏤᎸᎯ, ᎯᎠ ᏥᏂᎦᏪᎭ?\nᎠᏴ ᏈᏓ ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏛ ᏫᏨᏲᏪᎳᏏ ᎢᏣᏗᎦᎴᏲᏨᎯ ᏋᏗᏱ ᎢᏤᏙᎯ ᎠᎴ ᎨᎴᏏᏱ ᎠᎴ ᎨᏆᏙᏏ ᎠᎴ ᎡᏏᏱ ᎠᎴ ᏈᏗᏂᏱ;\nᎤᏣᏘ ᎪᎩᏍᏗᏰᏗᏍᎬ ᎪᎩᏔᏲᏎᎲᎩ ᎾᏍᎩ ᎤᏂᏅᎯ ᏦᎦᏓᏂᎸᎢᏍᏗᏱ, ᎠᎴ ᎣᎦᏖᏆᎶᏗᏱ ᏦᏥᏍᏕᎸᏗᏱ ᏧᎾᏁᎶᏗ.\nᎠᏎᏗ, ᎠᏆᏚᏓᎸᏅ ᎤᏟᏂᎩᏓ.\nᎠᎴ ᏓᏆᎧᎿᏅᎩ, ᎠᎴ ᎠᏆᏛᎦᏅᎩ ᎠᏂᏁᎬ ᎠᏂᏁᎬ ᎤᏂᏣᏘ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏚᎾᏚᏫᏍᏛ ᎦᏍᎩᎸᎢ, ᎠᎴ ᎠᏂᏁᎬ ᏗᏅᏃᏛ ᎠᎴ ᏧᎾᏛᏐᏅᎯ; ᎯᎠᏃ ᎾᏂᎥᎩ, ᎠᏍᎪᎯ ᎢᏯᎦᏴᎵ ᎤᎶᏏᎶᏛ ᎠᏍᎪᎯ ᎢᏯᎦᏴᎵ, ᎠᎴ ᎠᎦᏴᎵ ᎤᎦᏴᎳᏥᎶᏛ.\nᎠᏓᏬᏍᏗ ᏥᎨᏐ ᎪᎨ ᎤᏗᎴᎩ ᏥᏓᏙᏓᏇᎪ!\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏴ ᎾᏍᎩ; ᎠᎴ ᏓᏰᏥᎪᎢ ᏴᏫ ᎤᏪᏥ ᎤᏬᎴᏍᏗ ᎠᎦᏘᏏ ᎢᏗᏢ ᎤᎵᏂᎩᏛ ᎨᏒᎢ, ᎠᎴ ᏣᎢᏎᏍᏗ ᎤᎶᎩᎸ ᎦᎸᎶᎢ.\nᏆᎴᏗᏃ ᎯᎠ ᏂᎦᏪᏎᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏴᏫ, ᎥᏝ ᏱᏥᏣᏘ ᎤᏍᎦᏅᏨ ᎯᎠ ᎠᏍᎦᏯ.\nᎠᏂᏧᏏᏃ ᎤᎾᏤᎵᎦ ᎧᏃᎯᏰᎩ ᏗᎵ ᏍᏓᏴᏗᏱ ᎤᏍᏆᎸᎯᏗᏒᎩ; ᎤᏂᏣᏛᎩᏃ ᎾᎿ ᎤᎾᏂᎩᏒᎩ ᏥᎷᏏᎵᎻ ᏭᏂᎶᏒᎩ ᎠᏏᏉ ᎾᏍᏆᎵᏍᎬᎾ ᏫᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ, ᎤᎾᏓᏅᎦᎸᏗᏱ ᎤᏂᏰᎸᏒᎩ.\nᎤᏁᏨᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏣᏕᏲᎲᏍᎩ, ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏓᎩᏍᏆᏂᎪᏔᏅ ᏥᏧᏣ ᎨᏒ ᏅᏓᎬᏩᏓᎴᏅᏛ.\nᎠᎴ ᎠᏆᏓᏅᏙ ᎤᎵᎮᎵᏤᎸ ᎤᏁᎳᏅᎯ ᎠᎩᏍᏕᎵᏍᎩ.\nᏫᏥ ᎢᏣ ᎤᏂᎾᎷᏒ ᏍᎩᎾᎾ ᏃᎴ ᎠᏂᏫᎾᎨ ᎠᏂᏍᎦᏯ.\nᎩᎶᏍᎩᏂ ᏕᎪᏕᏍᏗᏍᎨᏍᏗ ᏌᏉ ᎯᎠ ᏧᎾᏍᏗᎦ ᎨᏒ ᎾᏍᎩ ᎬᏉᎯᏳᎲᏍᎩ, ᎤᏟ ᎣᏏᏳ ᎠᏍᏙᏍᎩ ᏅᏯ ᏯᏥᏯᏝᏅ, ᎠᎴ ᎠᏍᏛᎬ ᎠᎺᏉᎯ ᏯᏥᎬᏴ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᏚᎾᏓᏅᏛᎢ; ᎤᎾᏤᎵᏰᏃ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᏌᏊᏃ ᎩᎳᏊ ᎢᏴᏓ ᏥᏲᎵᏨ ᎾᎥ ᎢᏦᎦᏓᎵ ᎨᏒᎢ.\nᎿᏉᏃ ᎢᎦ ᎤᏓᎴᏅᏛ ᏦᎢᏁ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎢᏯᏍᏘ ᎤᏒᎯᏰᏱ ᎢᏗᏢ ᎤᎵᏏᎲᏒᎩ ᏂᎬ ᎾᏍᎩ ᎦᏙᎯ.\nᏣᏄᏏ ᏚᎷᏫᏍᏔᏁᎮ ᎪᏒᏍᎬ ᏫᎵᎻ ᎤᏦᏙᏗ, ᎤᏛᎦᏁᎢ ᎦᏃᎩᏍᏗ ᏃᎴ ᎠᎧᏔᎮᎢ ᏃᏉ ᎤᏍᏆᎸᎲ ᏄᎾ ᏧᎳᎩᏍᏗ.\nᎥᏝ ᎾᏍᎩ ᎨᎾ ᏄᏛᏁᎸᎢ, ᎾᏍᎩ ᎤᏁᎫᏥᏛ ᏅᏓᏳᏓᎴᏅᎯ ᏥᎨᏎᎢ, ᎠᎴ ᎤᏅᏟ ᏧᎴ. ᎦᏙᏃ ᎢᎤᎴᎢ? ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᎩᏂ ᎤᏩᏒ ᏚᎸᏫᏍᏓᏁᎲ ᎤᏲᎢᏳ ᎨᏒᎢ, ᎤᏅᏟᏃ ᏚᎸᏫᏍᏓᏁᎲ ᎣᏏᏳ ᎨᏒᎢ.\nᎦᏣᏅᎵ ᎤᎵᎪᏚᏅ, ᎨᏍᏗ ᏱᏥᎦᏔ ᏥᏳᏳᎪᏘ ᎢᏳᏍᏘ ᏂᎵᏍᏔᏅ, ᎢᏳᏍᏘ ᏄᏛᏁᎸ.\nᎠᏥᎸ-ᎤᎦᏔ ᎾᏍᎩᏯᎢ, ᎾᏍᎩ ᎦᏙᎯ ᏣᏫᏐᎢ, ᏥᏭᏓᎪᎾᏛᏗ ᎤᏍᏗᎩᏳ ᎡᏍᎦᏉ ᏂᎦᎥ ᎤᎦᏔ ᎦᏙᎯ ᏓᎭᏛᎢ.\nᏚᎳᏍᎨᏅ ᎦᏙ ᎤᏍᎪᎸᎢᎨ ᏂᎦᎵᏍᏗᏍᎨ, ᎾᏍᎩᏯ ᎦᎸᎶ ᎢᏣ ᏣᎵᏌᎳᏗᏍᎪ.\nᎤᏁᎸᏔᏁ ᎤᏩᏗ, ᏯᎪᏩᏘᏍᎬᎾ ᏂᏚᏍᏖ ᏗᎦᏙᎵ ᏚᎦᏙᏍᏖ ᏚᏑᎬ ᏧᏆᎶᎦ ᎢᏤᎯ ᎢᏳᏍᏘ ᏚᏨᏍᏛ.\nᎯᎠᏃ ᏄᏪᏎᎢ; ᏂᎯ ᎾᏍᏉ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏦᏏᏏᏍᎩ ᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ! ᏕᏥᏐᏈᎸᏍᎪᏰᏃ ᏴᏫ ᏗᎵᏒᏍᏗ ᎤᏕᏯᏙᏗ ᏗᎵᏒᏍᏗᏱ, ᎢᏨᏒᏍᎩᏂ ᎥᏝ ᏴᎨᏥᏃᏟᏍᏓ ᏗᎵᏒᏍᏗ ᏴᎨᏨᏓ ᏌᏉ ᎢᏥᏰᏌᏛᎢ.\nᎠᏇᏂ ᎡᏥᏲᎵᎸᎭ ᎢᏧᎳᎭ ᏦᎩᎸᏫᏍᏓᏁᎯ ᎦᎶᏁᏛ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎠᎴ ᏍᏕᎩ ᏥᎨᏳᎢ.\nᎩᎳᏉ ᎤᏂᏅᎪᏦᏅ ᎠᏂᎾᎩᎵ ᏩᏂᏴᎯᎮ ᎤᏂᏃᏴᎵᏓ, ᏳᎾᎦᏔᎲᏌ ᎤᎾᏁᎳᏛ ᏓᏂᎪᏩᏘᏍᎨ ᏓᎾᎩᎸᏗᏍᎬ ᏗᏂᎳᏴᏅᎯᏓ ᎠᎴ ᎠᏂᎾᏏᏂᏒ ᎠᏍᏕᏴᏓ ᎬᏘ ᎨᏯᏔ ᏏᏆ, ᎤᏁᎷᎩ ᏥᏔᎦ ᏓᏂᎨᎯᏙᎲ ᎯᎸᎢᏴ ᎠᎾᎵᎮᎵᎬ, ᏓᎾᎪᎲᏍᏗᏍᎨ ᏓᏓᏁᎸ ᎤᏏᏩ ᏱᏄᏅᏁᎳ.\nᎾᏍᎩᏰᏃ ᏂᎦᏛ ᎯᎠ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎡᎶᎯ ᏓᏁᏩᏗᏒ ᎤᏂᏲᎰᎢ; ᎢᏥᏙᏓᏃ ᎠᎦᏔᎰ ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ ᎢᏥᏂᎬᎬᎢ.\nᏧᏅᏏᏴ ᎤᎵᏏᎬ ᏭᎷᏨ, ᎭᎾᎾ ᎣᎯᏍᏙᏗ ᎤᎾᏛᎪᏗ ᎦᏬᏂᏍᎬ.\nᎤᏕᎳᏓ ᎤᎵᏗᏨ ᎤᎭᎷᎨ ᎩᏟ, ᏣᏄᏏ ᎭᏂᏣ.\nᎾᏍᎩ Ꮎ ᎤᎾᏓᏅᎦᎸᏛ ᎨᏒᎢ, ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎤᎾᏓᎥᎦᎸᎡᎸᎯ ᎨᏐᎢ; ᎾᏍᎩᏍᎩᏂ Ꮎ ᎦᏓᎭ ᎢᏳᎾᎵᏍᏔᏅᎯ ᎠᎴ ᏄᏃᎯᏳᏒᎾ, ᎥᏝ ᎪᎱᏍᏗ ᎤᎾᏓᏅᎦᎸᎡᎸᎯ ᏱᎨᏐᎢ; ᎾᏍᏉᏍᎩᏂ ᏚᎾᏓᏅᏛ ᎠᎴ ᏧᏄᎪᏙᏗᏱ ᎦᏓᎭ ᎢᏗᎬᏁᎸᎯ.\nᎠᏂᏐᎢᏍᎩᏂ ᏧᏂᏲᎱᏒᎯ ᎥᏝ ᏯᏁᎮ ᎬᏂ ᏌᏉ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ ᏚᎶᏐᏅ. ᎯᎠ ᎾᏍᎩ ᎢᎬᏱᏱ ᏗᎴᎯᏐᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᎣᏍᏛ ᎾᎦᏛᏁᎸ ᎡᏆᎭᎻ ᎾᏍᎩ ᎤᏂᎷᏤᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏥᏌ ᎦᎶᏁᏛ ᏅᏓᏳᏓᎴᏅᎯ; ᎾᏍᎩ ᎡᏥᏁᏗᏱ ᎠᏓᏅᏙ ᎠᏚᎢᏍᏛ ᎪᎯᏳᏗ ᎬᏙᏗ ᎨᏒᎢ.\nᎧ, ᏗᏥᏲᎵ, ᏥᏌ ᎡᏥᏯᎡᏍᏗ, ᎾᏍᎩᏃ ᎾᎯᏳ ᎦᎾᏄᎪᏥᎸᎭ ᏂᏗᎾᏰᏍᎬᎾ ᎨᏎᏍᏗ ᎠᎴ ᏂᏓᏕᎰᏍᎬᎾ ᎨᏎᏍᏗ ᎠᎦᏔᎲᎢ ᎾᎯᏳ ᎦᎷᏥᎸᎭ.\nᎥᏝ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᏳᏓᏑᏯ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎤᎧᎵᏨᎯᏍᎩᏂ ᎨᏒ ᎠᏓᎨᏳᏗ ᎦᏄᎪᏫᏍᎦ ᎦᎾᏰᎯᏍᏗ ᎨᏒᎢ; ᎦᎾᏰᎯᏍᏗᏰᏃ ᎨᏒ ᎠᎩᎵᏯ ᎤᏪᎭ; ᎩᎶ ᏥᎦᎾᏰᏍᎪᎢ ᎥᏝ ᎤᎧᎵᏨᎯ ᏱᎨᏐ ᎠᏓᎨᏳᏗ ᎨᏒᎢ.\n“ᎠᏯᏗ ᎨᎵᏍᎬ ᎤᏣᏔ ᎣᏍᏓ ᏂᎯ,” ᎤᏛᏁ ᏌᎳᏓ, ᏍᎩᏰᏃ ᎠᏎᏍᏗ.\nᎨᏣᎦᏙᎥᎯᏍᏗᏰᏃ ᏂᎦᎵᏍᏗᎭ ᎾᏍᎩ ᎠᏏᏉ ᏔᎳᏚᏉ ᏄᏒᎭ ᏥᎷᏏᎵᎻ ᎬᏆᏓᏙᎵᏍᏔᏅᏒᎯ.\nᎦᎸᎳᏗᏢᏃ ᎪᏪᎴ ᏄᏍᏛ ᎠᏓᎢᏍᏛᎢ, ᎯᎠ ᏂᎬᏁᎢ, ᎤᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ.\nᎾᏍᎩ ᎯᎠ ᏄᏪᏒ, ᎤᏪᏛᏨᎩ ᎠᏓᏅᏙ, ᎾᏍᎩ ᎬᏬᎯᏳᎲᏍᎩ ᎨᏥᏁᏗ ᎨᏒᎢ; ᏝᏰᏃ ᎠᏏ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏱᎦᎾᏄᎪᎨᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏥᏌ ᎠᏏ ᎾᏥᎸᏉᏗᏍᎬᎾ ᎨᏒᎢ.\nᎠᏎᎩ ᎤᏲ ᏱᏂᎬᎦ ᏤᏣᎧᏃᏗ \n“ᎭᏂᏉ ᎮᏙᎮᏍᏗ!” ᎤᏛᏁ ᎤᏥ.\nᎤᎾᎴᏃ ᏄᎵᏍᏔᏅ, ᏂᎦᏛ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏂᎳᏫᎩ ᎠᏁᎲ ᎠᏫ ᎤᏂᏃᎮᎴ ᎢᏳᎾᏛᏁᏗᏱ ᏥᏌ ᎤᏂᎯᏍᏗᏱ.\nᎾᏍᎩᏃ ᏌᏉ ᎢᏤ ᏥᎪᏎᎭ, ᏐᎢ ᎤᏪᏘ ᏂᎬᏁᎭ. ᎪᎱᏍᏗᏰᏃ ᎤᏪᏘ ᎢᎬᏁᎸᎯ ᎠᎴ ᎤᏪᏔᏨᎯ ᏥᎨᏐ, ᎤᏲᏥᏕᏅ ᎨᏐᎢ.\nᎠᎴ ᎾᏍᏉ ᎩᎬ ᏚᏍᏚᏟᏍᏔᏁ ᎦᎵᏦᏛᎢ, ᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ.\nᏣᎬᏫᏳᎯ, ᎦᎢᏒ ᎢᎦ ᎠᏰᎵ ᎠᎩᎪᎲᎩ ᎢᎦᎦᏛᎢ, ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ, ᎾᏍᎩ ᎤᏍᎪᏒᎢ ᎤᏟ ᎨᏒᎩ ᎡᏍᎦᏉ ᏅᏙ, ᏓᏆᏚᏫᏍᏔᏅᎩ ᎠᏴ ᎠᎴ ᎾᏍᏉ ᎣᏤᎯ.\nᎠᏎᏃ ᎠᎩᎪᎲ ᏂᏚᏳᎪᏛᎾ ᎾᎾᏛᏁᎲᎢ, ᎾᏍᎩᏯ ᏚᏳᎪᏛ ᏓᏕᏲᎲᏍᎬ ᎣᏍᏛ ᎧᏃᎮᏛ, ᏂᎦᏛ ᎠᏂᎦᏔᎲ ᎯᎠ ᏅᏥᏪᏎᎸᎩ ᏈᏓ, ᎢᏳᏃ ᏂᎯ, ᎯᏧᏏ ᏥᎩ, ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏱᏄᏍᏗ ᏰᎭ, ᎠᏂᏧᏏᏃ ᏄᏍᏛ ᎠᏁᎲ ᎾᏍᎩᏯ ᏄᏍᏛᎾ ᏱᎩ ᎮᎲᎢ, ᎦᏙᏃ ᎠᏂᏧᏏ ᏄᏍᏛ ᎠᏁᎲ ᎾᏍᎩᏯ ᎤᎾᏕᏗᏱ ᏥᏂᏕᎲᏁᎭ ᏧᎾᏓᎴᏅᏛ ᏴᏫ?\nᎢᎦ ᎾᎥᏂ ᎨᏒ, ᎦᏍᎩᎸ ᎣᎭᏁ ᎤᏬᏢ, ᏑᎾᎴ ᎤᎾᎵᏍᏔᏴᏅ ᎦᎳᎨᏴ ᏧᏃᏩ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏌᎳᏓᏅ ᎠᎦᏘᏏ ᎤᏪᏰᏂ ᎤᏩᏔᏅ, ᎤᎬᏫᏳᎯ ᎠᎴ ᎠᏓᏍᏕᎵᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ, ᎢᏏᎵ ᏧᏁᏗᏱ ᏧᏂᏁᏟᏴᏍᏗᏱ ᏚᎾᏓᏅᏛᎢ, ᎠᎴ ᎦᎨᏥᏁᏗᏱ ᎤᏂᏍᎦᏅᏨᎢ.\nᎠᎪᏄᏰᏃ ᎠᎩᏲᏏᏍᎬᎩ, ᎥᏝᏃ ᏱᏍᎩᏰᎳᏍᏔᏁᎢ; ᎠᎩᏔᏕᎩᏍᎬᎩ, ᎥᏝᏃ ᏱᏍᎩᎤᏁᎢ;\nᎠᎴ ᏄᏜᏏᏛᏒᎾ ᎤᏍᏆᏂᎪᏗᏳ ᎤᏕᎵᏛ ᎤᏁᎳᏅᎯ ᏗᏁᎶᏗ ᎨᏒᎢ; ᎤᏁᎳᏅᎯ ᎬᏂᎨᏒ ᎾᎬᏁᎴ ᎤᏬᏓᎵ ᎨᏒᎢ, ᏄᏠᎾᏍᏛᎾ ᎬᏂᎨᏒ ᏄᏩᏁᎴ ᎠᏓᏅᏙ, ᏗᏂᎧᎿᏩᏗᏙᎯ ᎬᏩᎪᎮᎢ, ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎨᎦᎵᏥᏙᏁᎴ ᎾᏍᎩ ᎠᏥᏃᎮᏍᎨᎢ, ᎠᏂ ᎡᎶᎯ ᎠᎪᎢᏳᏁᎢ, ᎦᎸᏉᏗᏳ ᏗᎨᏒ ᏫᏓᎦᏓᏂᎸᏤᎢ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎥᏝ ᎿᏉ ᎠᏴ ᎾᏍᎩ ᏱᏂᎦᏛᏁᎭ, ᎠᏍᎦᏂᏍᎩᏂ ᎾᏍᎩ ᏣᎩᏯᎠ.\nᎤᏓᏏᏂᏕᏅ ᏭᏂᎷᏤ ᎦᎷᏯᏍᏗ, ᏚᎾᎭᏄᏮ, ᏚᏂᏍᏘᏰᎬ, ᎤᏂᏁᎦᎸ ᎠᏒᎨ ᏧᏂᎶᏒ - ᎠᏂᏒᎨ ᎤᎭᏰᏌᏛ ᏧᏆᎶᎬ, ᎪᏍᏔ, ᎢᎾᎨ ᎠᏁᎯ ᏧᎾᏗᎩᏓ, ᎠᎵ ᏃᎴ ᎠᏓ ᏧᎦᏒᏍᏗ.\nᏣᏂ ᏥᏓᏓᏬᏍᎬᎢ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎬᏂ ᎾᎯᏳ ᎢᎦ ᏣᏥᏌᎳᏓᏅ ᏤᎩᏯᏅᎡᎸᎩ, ᎾᏍᎩ ᎯᎠ ᎠᏂᏍᎦᏯ ᎠᏎ ᏌᏉ ᎠᏑᏰᏍᏍᏗ, ᎾᏍᎩ ᎢᎨᎳᏗᏓᏍᏗᏱ ᎤᏃᎮᏗᏱ ᏥᏌ ᏕᎤᎴᎯᏌᏅ ᎢᏗᏃᎮᏍᎬᎢ.\nᎠᏒᎨ ᏍᏉ ᎤᎧᏔ, ᏧᏂᏯᏨᏗ ᏃᎴ ᏗᎦᏆᏙᏗ ᎪᎢ ᏃᎴ ᎠᏣ ᏗᎪᏒᏔᏅ ᏗᎳᏑᎶ ᏃᎴ ᎠᏤ ᎠᏍᏕᏯᏓ.\nᏗᎦᏅᏍᎨᏂ ᏚᏩᏒᏙᎣᏎ, ᎫᏩᏓᏅᏖᏗ ᏱᎨᏒᎾ ᏄᎵᏍᏔᏁ, ᎭᎾᏉ ᎱᏅᏤᎢ, ᎤᎸᏖᎴ.\nᏆᎴᏗᏃ ᎤᏁᏤ ᏄᏍᏛ ᎤᎦᏚᎵᏍᎬ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᏛᏳᎨᏗ ᎨᏒᎢ, ᏗᏓᎯᏍᏗ ᎨᏒᎢ, ᎤᏓᏴᏍᏕᏍᏗ ᎨᏒᎢ, ᏧᏂᏴᏍᏕᏍᎩ ᏧᏂᎳᏫᎢᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗᏓᏂ; ᎯᎠ ᎾᏍᎩ ᎦᏳᎳ ᏂᏨᏃᏁᎭ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎢᏨᏃᏁᎸᎯ ᏥᎩ ᏧᏩᏓᏔᏅᏒᎢ, Ꮎ ᎾᏍᎩ ᎢᏯᎾᏛᏁᎯ ᎥᏝ ᎤᎾᏤᎵ ᏱᏅᎦᎵᏍᏓ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎥᏝ ᎠᏏ ᏯᎩᏍᏆᎸᎡᎭ; ᏂᎯᏍᎩᏂ ᏂᎪᎯᎸᏉ ᎢᏥᏍᏆᎸᎡᎰᎢ.\nᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏍᏗ ᎨᏎᏍᏗ ᎤᏂᎷᏤᏗᏱ ᎤᎵᏂᎩᏛ ᎤᏂᎶᏄᎮᏍᎩ ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗ ᎤᏃᎯᏳᏗᏱ ᎦᏰᎪᎩ ᎨᏒᎢ;\nBoudinot ᏃᎴ ᎠᏫᎾ Ridge ᏃᎴ ᏧᎾᏓᎵ ᎤᎵᎮᎵᏍᏗ ᏄᏅᏁᎴ ᎠᏁᎬ.\nᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎾᏍᏉ ᏴᏫ ᏕᎬᏩᏠᏒᎩ, ᎤᎾᏛᎦᏅᎩᏰᏃ ᎾᏍᎩ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎸᎢ.\nᎠᏴᏃ ᎣᏥᏃᎮᏍᎩ ᎾᏍᎩ ᏂᎦᏛ ᏄᏛᏁᎵᏙᎸ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎪᎯ ᎠᎴ ᏥᎷᏏᎵᎻ; ᎾᏍᎩ ᏧᏂᎸᎩ ᎨᏛ ᏧᎾᏛᏅᎩ.\nᎤᎵᏇᏅᎮ ᎦᏂᏓᏛ.\nᎤᏂᏣᏖᏃ ᎬᏩᎬᏍᎪᎸᏁ ᎬᏩᏁᏤᎴ ᎡᎳᏪᏱ ᎤᏮᏗᏱ; ᎠᏎᏃ ᎤᏟᏉ ᎢᎦᎢ ᎤᏪᎷᏁᎢ, ᏕᏫ ᎤᏪᏥ ᏍᎩᏙᎵᎩ, ᎠᏗᏍᎨᎢ.\nᎠᏯᏠᏃ ᎤᏂᏍᏚᎶᏔᏅᎯ ᎥᏝ ᏙᎴᏛ ᏗᏄᏬ ᏕᎦᏅ ᏱᎦᏁᎢ, ᎤᏁᎳᎩ ᎦᏇᏅᎯ ᎢᏴᏛ ᏫᎦᏅᎩ.\nᎩᎶ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎤᏪᎯ, ᎾᏍᎩ ᎬᏂᏛ ᎤᏪᎭ; ᎤᏁᎳᏅᎯᏃ ᎤᏪᏥ ᏄᏪᎲᎾ ᎥᏝ ᏳᏪᎭ ᎬᏂᏛ.\nᏂᎦᏓ ᎢᏥᎷᏨᎯ.\nᏃᏊᏛ ᎤᎴᏅᎮ ᎠᏒᎬ ᏩᎭᏯ.\nᏥᏌᏃ ᎩᎳᏉ ᎢᏴᏛ ᎤᏙᎴᎰᏒ ᎤᏩᏒ ᎨᏒ ᎤᏓᏅᏬᏗ ᎨᏒ ᎤᏄᎪᏨᎢ, ᎤᎦᏔᎲᏎ ᎾᎿ ᎤᏅᏘᏛ ᎠᏂᏙᎾᎥᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎪ ᏓᏒᏂᎦ ᏗᏆᏄᏬ?\nᎼᏏ ᎠᎱᏍᏕᏍᏗ ᎨᏒ ᎢᏥᏁᎸᎩ; ᎥᏝᏍᎩᏂᏃᏅ ᎼᏏ ᎤᎾᏄᎪᏫᏒᎯ ᏱᎩ, ᎠᏂᎦᏴᎵᎨᏍᎩᏂ ᎤᏂᎾᏄᎪᏫᏒᎯ; ᏂᎯᏃ ᎤᎾᏙᏓᏆᏍᎬᏃ ᎢᎡᏥᎤᏍᏕᏎᎰ ᎠᏍᎦᏯ.\nᏨᏅᎦᏍᎪᏃ ᏫᏣᎷᎯᏍᏗ ᏗᎨᏅᏒ?” \nᏚᎾᎴᏁᏃ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᎴ ᎦᏰᎪᎩ ᎤᏂᏃᎮᎴ ᎬᏩᏡᏗᏍᎬᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ;\nᎠᎬᏱ ᎤᏂᏲᎸᎢᏍᏔᏅ’ ᎪᏪᎴ.\nᎢᏗᎦᏔᎭᏰᏃ ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᏲᎱᏒ ᏣᎦᎴᏔᏅᎯ ᎨᏒᎢ, ᎥᏝ ᏔᎵᏁ ᎤᏲᎱᎯᏍᏗ ᏱᎩ; ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎥᏝ ᎿᏉ ᎤᏓᎵᏁᎯᏕᎯ ᏱᎩ.\nᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᏳᏩᏴᎳ, ᏥᏍᏆᏯ ᏗᏂᏅᎪᎪ ᏚᎾᏁᏍᎩᎸ ᎠᏂᏃᎯᎸᏍᏗᏍᎪ ᏃᎴ ᎤᎾᎵᏍᎦᏎᏙ. ”ᏥᎩ,ᏥᎩ!” ᎠᎾᏗᏍᎪ.\nᎠᎴ ᎾᏍᎩ ᎠᏥᏂᏌᏅᎢ, ᎠᎴ ᎾᏍᎩ ᏦᎢᏁ ᎢᎦ ᏙᎤᎴᎯᏌᏅ ᎾᏍᎩᏯ ᏂᎬᏅᎪᏪᎵᎯ;\nᏂᎦᏓ ᎠᏂᏳᏩᏁᎦ ᏚᏂᏚᎭ, ᎯᏍᎩ ᎢᏯᏂ ᏗᎾᎵᏔᏕᎩ ᎩᏟ ᏗᏒᏓᏆᎶᏍᏗ ᏗᎪᏒᏔᏅ ᏓᏓᏁᎸ ᏃᎴ ᏗᏦᎭᏱ ᏧᏂᎳᏫᎢᏍᏗ, ᎤᏂᏣᏘ ᎠᏂᎾᏰᏍᎩ ᎠᏂᏃᎮ ᎠᏂᏍᏈᏍᏔ ᎠᏂᏴᏫᏯ ᎤᎾᏗᏍᎦᏢ ᏚᏅᏓᏒᎢ.\nᎦᎸᏉᏗᏳᏍᎩᏂ ᎤᏓᏅᏙ ᎨᏒ ᎤᏣᏘ ᎤᎵᏂᎩᏛ ᎬᏂᎨᏒ ᏥᎾᎬᏁᎴ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏒᎢ, ᎾᏍᎩ ᎾᎿ ᎤᏲᎱᏒ ᏚᎴᎯᏌᏅᎢ; ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ,\nᎨᏍᏗ ᏳᏛᎦᏍᏔᎾ ᏫᎵᎻ.\nᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᏉᎳ ᏒᏃᏱ ᎤᏁᎳᏫᏎᎲᎢ; ᏞᏍᏗ ᏱᏍᎦᎢᎮᏍᏗ, ᎯᏂᎨᏍᏗᏉᏍᎩᏂ ᎠᎴ ᏞᏍᏗ ᎡᎳᏪ ᏨᏅᎩ,\nᏥᏯᎵᎡᎵᏤ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᏥᏕᏥᏯᏁᎶᏗ, ᎾᏍᎩᏯ ᏗᎩᎦᏴᎵᎨ ᏄᎾᏛᏁᎸᎢ, ᏥᎬᏗᎭ ᎦᏓᎭ ᏂᎨᏒᎾ ᎠᏆᏓᏅᏙ, ᏂᏥᏲᎯᏍᏗᏍᎬᎾ, ᎢᎦ ᎠᎴ ᏒᏃᏱ ᎬᏯᏅᏓᏗᏍᎬ ᎦᏓᏙᎵᏍᏗᏍᎬᎢ,\nᎣᎩᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᏃᎩᎸᏉᏛᎾ ᎨᏒᎢ, ᎤᏲ ᎣᎩᏃᎮᏍᎬ ᎠᎴ ᎣᏍᏛ ᎣᎩᏃᎮᏍᎬᎢ; ᎣᎦᏠᎾᏍᏗ ᏥᎨᏐ ᎾᏍᎩᏯᎢ, ᎠᏎᏃ ᏃᎦᏠᎾᏍᏛᎾ ᎨᏒᎢ,\nᎤᎵᏍᏆᏙᏅ ᎤᎧᎭᏲᏛ ᎪᎨ, ᎤᏍᎦᏎᏗ ᏚᎦᎭᎾᏅ ᏚᏅᏓᏒ ᏚᎵᎢᏍᏗ ᎧᎸ ᎤᎵᏍᏆᏙᏅ ᏚᏧᎬ ᎧᏂᎩᏛ ᎨᏒ ᏧᏆᎶᎦ ᏃᎴ ᎩᎦᎨ ᏕᎦᎾᎱᎩᏍᎬ.\nᎿᏉᏃ ᏓᎧᏁᏥ ᎯᎠ ᏂᏙᏓᎦᏪᏎᎵ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎾᏍᎩᏰᏃ ᏁᏣᏛᏁᎸᎾ ᎨᏒ ᎤᏍᏗᎧᏂ ᎯᎠ ᎾᏍᎩ, ᎠᏴ ᎥᏝ ᏱᏂᏍᎩᏯᏛᏁᎴᎢ.\nᎪᏍᏗᎭ ᎬᏂᎨ ᎦᏌᎴᏅ ᎤᎭᏄᏪ ᏃᎴ ᎤᏁᎦ ᎠᎭᎾᏬ, ᎠᎾᎵᎮᎵᏍᏗᏍᎩ ᎨᏎ ᎦᎸᎳᏗ ᏧᏙᎴᏋ ᎠᏁᎸᏙᏗ Princeton ᎦᎸᎳᏗ ᏗᏙᎴᏆᏍᏗ.\nᏯᏂᎷᎬᎾ ᏥᎨᏎ ᎠᏂᏳᏩᏁᎦ, ᎠᏂᏴᏫᏯ ᏓᎾᏟᎲ ᎩᎦᎭ ᎨᏎ, ᎯᎸᎢᏴ ᏴᏫ ᎫᏩᏓᏁᏖᏗ ᏱᎨᏒᎾ, ᎾᎥᏂᎨ ᎠᏁᏦ.\nᎠᎩᎪᎲ ᎤᏧᏍᏓᎷᎩᏍᎬ ᏚᏂᏍᏔᏲᎳ ᎦᎶᏇ, ᎤᎵᏌᎴᏓᏨ ᏚᎦᏒᏍᏛ ᏕᏧᎬ ᎣᎭᏁ ᎢᏣ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏦᎢᏁ ᎢᎦ ᎤᏂᏩᏛᎮ ᎤᏛᏃᎯ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎤᏬᎴ ᎠᏰᎵ ᎠᏂᏅ ᏗᎾᏕᏲᎲᏍᎩ ᏓᏛᏓᏍᏓᏁᎮ ᎠᎴ ᏓᏛᏛᎮᎸᎥᏍᎨᎢ.\nᎠᏎᏃ ᎾᏍᏉ ᎪᎯᏳᏗ ᎨᏒ ᎢᏣᎵᎬᏑᎶᏓ, ᎾᏍᎩ ᎢᏨᏗᏍᎬ ᏰᎵᏉ ᏗᎨᏨᏜᏕᏗ ᎢᏳᎵᏍᏙᏗᏱ ᏧᏥᏍᏟ ᎦᏂ ᎠᏍᎩᎾ ᏧᏤᎵᎦ.\nᎬᏩᏚᏫᏛᏃ ᎤᎦᏖᏃᎴ ᎤᎪᏩᏛᏗᏱ ᎾᏍᎩ ᎯᎠ ᎢᏳᏛᏁᎸᎯ.\nᎡᎳᏗ ᏄᏛᏁᎳ ᎠᏍᏓ ᎤᏬᏒᏁ.\nᎤᏎᎦᏨᎯᏃ ᎾᎿ ᎣᎩᎶᏐᏅ, ᏬᎩᎷᏨᎩ ᎣᏍᏛ ᏗᏔᎳᏗᏍᏗᏱ ᏚᏙᎥᎢ, ᎾᎥ ᎦᏚᎲ ᎴᏏᏱ ᏧᏙᎢᏛ.\nᎤᏭᏯᏔ ᎨᏒ ᎪᎱᏍᏗ.\nᏰᎵ ᏧᏙᏓᏆᏓ ᎤᏓᏬᎢᏙᎴ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᎤᏣᏘ ᎤᏍᏆᏂᎪᏗᏳ ᏱᎩ ᎾᏍᏉ ᎾᏍᎩ ᏧᏅᏏᏓᏍᏗ ᏚᏳᎪᏛ ᎨᏒ ᎨᏥᏅᏏᏓᏍᏗ ᏯᎾᏤᎸᏍᎦ; ᎾᏍᎩ ᎤᎵᏍᏆᎸᏗ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏒ ᎾᏍᎩᏯ ᏚᏂᎸᏫᏍᏓᏁᎸ ᎨᏎᏍᏗ.\nᎠᏎᏃ ᎾᏍᎩ ᏚᏄᎪᏔᏅᎢ ᎤᏛᎦᏁ ᏐᎳ. ᏂᎪᎯᎸᏃ ᎢᎦ ᎠᎴ ᏒᏃᏱ ᏗᎦᎶᎯᏍᏗᏱ ᏚᏂᎭᎷᏁ ᎤᏂᎯᏍᏗᏱ.\nᎩᎶ ᏗᎦᎴᏅᏗᏍᎩ ᏌᏉ ᎠᎴ ᏔᎵ ᎢᏯᎨᏯᏔᏅᎯ ᎨᏎᏍᏗ ᎡᏥᏲᎢᏎᎸᎭ;\nᎠᎬᏱ ᎤᎾᏅᎪᏣ ᎬᏂᎨ ᎤᏍᎪᎸ-ᎢᏤᎯ ᎠᏍᎪᎵ ᏌᏌ ᎠᏓᎯ ᏧᎩᏓᏟ ᎠᏰᎵ, ᎤᎧᏖᏃᎴ, ᎤᎪᎮᎢ ᏌᎳᏓ ᏃᎴ ᏚᏃᏣᏝᏁ.\nᎡᏆᏃ ᎤᏁᏐᎠᏒᎩ ᏴᏫ ᎠᏁᎲ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ, ᏌᏉᎭ ᎨᏒ ᏔᎸᏗ ᏄᏓᎨᏒ ᏄᏓᎨᏒᎩ; ᏴᏫᏃ ᎤᏁᎳᏅᎯ ᎤᏂᏐᏢᎢᏍᏔᏅᎩ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏁᏍᏓᎳ ᎤᎾᏕᏯᏙᏗᏍᎬᎢ; ᎤᏣᏘᏰᏃ ᎤᎾᏕᏯᏙᏗᏍᎬᎩ ᎾᏍᎩ.\nᎾᏍᎩᏃ ᎤᏂᏃᎮᎸ ᎠᎴ ᎤᎾᎵᏥᏙᏅ ᎧᏃᎮᏛ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ ᎤᎾᏨᏎ ᏥᎷᏏᎵᎻ ᏭᏂᎶᏎᎢ, ᎠᎴ ᎤᏣᏖ ᏌᎺᎵᏱ ᎠᏁᎯ ᏚᏂᏚᎲ ᎤᎾᎵᏥᏙᏁ Ꭳ-Ꮫ ᎧᏃᎮᏛ.\nᏍᎩᏴᏃ ᏥᎨᏒ ᎠᏂᏍᎦᏯ ᎠᏂᏪᏏᏍᎬ ᏳᏂᏃᎮᎸ ᎤᏂᏥᏍᏔᏢ ᎾᎥᏂᎨ ᎤᏂᏴᏍᎩᎷᏓ.\nᎠᏕᎭᏲᎯ ᎨᏴ ᎾᎥᏂ ᎨᏓᎵ ᏭᎶᏒ, ᎾᎥᏂ ᎤᏁᎦ ᎦᏩᏐᎥᏍᎬ ᏃᎴ ᎭᏫᏂ ᎬᏂᎨ ᎦᏁᎲ.\nᏲᎾ ᎠᏇᏲᏅ ᎠᏍᎦᎢᏍᏗ ᏱᎨᏒᎾ ᏃᎴ ᎤᏒᎯ ᎨᏙᎲ ᏄᏓᎴ ᎾᏆᎵᏍᏔᏁ.\nᎨᎦᏙᎳᎡᎸᎩ, ᎠᏎᏃ ᎥᏝ ᎾᎿ ᎠᏁᎳ ᏱᎨᏎᎢ, ᎢᏳᏰᏃ ᎾᎿ ᎠᏁᏔ ᏱᎨᏎᎢ, ᎠᏎ ᏱᏂᎬᏩᎾᏛᏁᎢ, ᎠᏎᏃ [ᎤᎾᏙᏣᏒᎩ] ᎬᏂᎨᏒ ᎢᏳᎾᎵᏍᏙᏗᏱ ᎾᎿ ᏂᎦᏛ ᎠᏁᎳ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏧᏏᏅᏓ ᎠᎬᏱ ᎨᎬᏬᎣᏙᏗ, ᏗᎪᏪᎳᏅ ᏚᏂᎭᏂᏙᎸ ᏩᏏᏓᏂ ᏃᎴ ᏓᎭᏃᏫ ᎠᎾᏓᏅᏖᎵᏙ ᏧᏂᎷᏫᏍᏔᏁᏗ.\nᎯᎠ ᎠᏍᎦᏯ ᎠᏂᏧᏏ ᎬᏩᏂᏴᎲᎩ, ᎠᎴ ᏓᎬᏩᎵᏒᎩ, ᎿᏉ ᎠᏂᏯᏫᏍᎩ ᏕᎦᏘᏅᏒᎩ, ᎠᎴ ᏥᏍᏕᎸᎲᎩ, ᎠᏆᏛᎦᏅᎯ ᎨᏒ ᎠᎶᎻ ᎨᏒᎢ.\nᏗᏛᎯᏍᏗᏍᎩ ᏓᎾᏑᏴᎥᏍᎪ ᎦᏙᎯ.\nᎠᏂᎦᏲᏟᎨ ᏴᏫ ᏕᏗᎭᏲᎲ ᎣᎯᏍᏙᏗ.\nᎤᏩᏒᏃ ᎠᎵᏍᏕᎵᏍᎬ ᎤᏁᏨᎩ ᎯᎠ ᏄᏪᏒᎩ; ᎥᏝ ᎤᏍᏗᎤᏅ ᎠᎩᏍᎦᏅᏨᎯ ᏱᎩ ᎠᏂᏧᏏ ᏧᏂᎧᎿᏩᏛᏍᏗ ᎤᏂᎲᎢ, ᎥᏝ ᎠᎴ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᏥᏍᎦᏅᏤᎸᎯ ᏱᎩ, ᎥᏝ ᎠᎴ ᏏᏌ ᎪᎱᏍᏗ ᏥᏍᎦᏅᏤᎸᎯ ᏱᎩ.\nᎢᏳᏃ ᎾᏍᎩ ᎯᎠ ᎪᏪᎵ ᎢᏥᎪᎵᏰᎥᎭ, ᎴᎣᏗᏏᏯ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎾᏍᏉ ᎤᏂᎪᎵᏰᏗᏱ ᏂᏨᏁᎸᎭ; ᎠᎴ ᎾᏍᏉ ᏂᎯ ᎢᏥᎪᎵᏰᎥᎭ ᎴᎣᏗᏏᏯ ᏅᏓᏳᎶᎯᏍᏗ ᏥᎩ.\nᏲᎾ ᎤᏤᏍᏙ ᎤᏄᎩᏣᏁ ᎤᏥ.\nᎤᏁᏍᏔᎶᏨ ᎠᎹᏳᎸᏓ, ᎤᏯᏛᏅ ᏬᏯ ᎤᏤᏍᏙ, ᎤᏴᏣ ᎢᎦ ᏅᏙ ᏭᏕᎵᎬ ᏔᎷᎩᏍᎩ ᎢᏳᏍᏗ ᎤᎵᏑᏫᏓ ᎦᎸᎶᎢ.\nᎿᏉᏃ ᎠᏂᏆᎵᏏ ᎤᏂᏄᎪᏨ ᎤᏂᏃᎮᎸ ᎢᏳᏅᏁᏗᏱ ᎤᏂᎯᏍᏗᏱ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎯᎠ ᏳᎬᏫᏳᎭ ᏱᏂᏥᏪᎭ; ᎢᏳᏃ ᎤᎬᏫᏳᎯ ᎣᏏ ᏳᏰᎸᏅ, ᏙᏨᏁᏍᏗ ᎠᎴ ᎯᎠ ᏃᏣᏛᏁᎮᏍᏗ ᎠᎴ ᎯᎠᏉ.\nᎠᎴ ᏍᎩᎾᎾ ᎾᏛᏁᎰᏅ ᏱᏣᎷᏣ.\nᎬᏂᏳᏉᏃ ᎠᎨᏴ ᎤᏢᎩ ᎩᎬ ᎤᏪᏅᎡᎯ ᏔᎳᏚ ᏧᏕᏘᏴᏓ ᎢᎬᏩᎵᏍᏔᏅᎯ, ᎣᏂᏗᏢ ᎤᎷᎯᏍᏓᏁᎸᎩ, ᎦᏓᎷᏯᏛ ᎤᏄᏩᎥ ᎤᏒᏁᎸᎩ.\nᏍᏏᏉᏯᏃ ᎤᎴᏅᎮ ᏓᏟᎶᏍᏗᏍᎬ ᏗᎬᏟᎶᏍᏙᏗ ᏗᎧᏁᎢᏍᏗ ᏣᎳᎩ ᎦᏬᏂᏍᏗ, ᏌᏊ ᏗᏟᏍᏙᏗ ᏌᏊ ᎢᎧᏁᎢᏍᏗ.\nᎢᏨᏲᏪᎳᏁᎭ ᎢᏥᎦᏴᎵᎨᎢ, ᎡᏥᎦᏙᎥᏒᏰᏃ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏤᎭ. ᎢᏨᏲᏪᎳᏁᎭ ᎢᏥᏫᏅ, ᎡᏥᏎᎪᎩᏒᏰᏃ ᎤᏁᎫᏥᏛ. ᎢᏨᏲᏪᎳᏁᎭ ᏗᏥᏲᎵ, ᎡᏥᎦᏙᎥᏒᏰᏃ ᎠᎦᏴᎵᎨᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎩᎶ ᏕᎦᎵᎷᎨᏍᏗ ᎤᏛᎪᏗᏱ, ᏩᏛᎬᎦ.\n“ᎠᎩᏲᏏᎭ,” ᎤᏛᏁ ᎡᎳᏆᏗ, \nᏂᎯᏍᎩᏂ ᎣᏏᏳ ᏣᎦᏙᎥᏒ ᏄᏍᏛ ᏓᏆᏕᏲᏅᎢ, ᏄᏍᏛ ᎠᏆᎴᏂᏙᎸᎢ, ᏄᏍᏛ ᏓᏇᎪᏔᏅ ᏗᏆᏓᏅᏛᎢ, ᎠᏉᎯᏳᏒᎢ, ᎬᏂᏗᏳ ᎨᏒᎢ, ᎠᏆᏓᎨᏳᎯᏳ ᎨᏒᎢ, ᎤᏁᎳᎩ ᎨᎵᏍᎬ ᏥᎩᎵᏲᎬᎢ,\n“ᎭᏩ, ᏂᎦᏓ ᎯᏕᏙ, ᏥᏍᏕᏥ ᎤᏩᏌ ᎧᏂᎩᏓ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎦᎸᏉᏗ ᎠᏧᏙᏗ ᎡᎶ.\nᏗᏂᏁᎵᏛᏍᎩᏂ ᎠᎴ ᏧᏂᏍᏓᎢ ᎤᏲᎢᏳ ᎢᏳ-ᎾᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ ᎾᎯᏳ ᎨᏒᎢ! ᎤᏣᏘᏰᏃ ᎠᎩᎵᏯ ᎡᎮᏍᏗ ᎠᏂ ᎦᏙᎯ, ᎠᎴ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏂᎷᏤᏗ ᎨᏎᏍᏗ ᎯᎠ ᏴᏫ.\nᎦᏙᏃ ᎢᏳ ᎢᎦᏛ ᏄᏃᎯᏳᏅᎾ ᏱᎩ? ᏥᎪ ᏄᏃᎯᏳᏅᎾ ᎨᏒ ᎠᏎᏉᏉ ᏱᏂᎬᎦ ᎤᏁᎳᏅᎯ ᎦᎪᎯᏳᏗ ᎨᏒᎢ?\nᎠᏂᎨᏴ ᏗᎬᏩᏂᏲᎱᎯᏎᎸᎯ ᏗᏅᏃᏛ ᏔᎵᏁ ᏂᏙᎨᏥᏲᎯᏎᎮᎢ; ᎢᎦᏛᏃ ᏥᎨᏥᎩᎸᏍᎨᎢ, ᏂᏓᎾᏓᏂᎸᎬᎾ ᎨᎫᏓᎴᏍᎬᎢ; ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏟ ᎢᏲᏍᏛ ᎤᏂᏩᏛᏗᏱ ᎤᎾᏚᎵᏍᎬ ᏗᎴᎯᏐᏗ ᎨᏒᎢ;\nᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎣᏍᏛ ᎤᎵᏰᎢᎶᎯᏍᏗ ᎨᏒ ᎤᏓᏩᏗᏍᏙᏛ ᏧᏪᎲᎩ, ᎠᎴ ᎠᎧᎵᎢ ᏗᏟᎶᏍᏔᏅᎯ ᏂᎨᏒᎾ ᏥᎨᏒᎩ, ᎥᏝ ᏰᎵᎦ, ᎾᏍᎩ ᏗᏓᏍᎪᎸᏙᏗ ᏓᏅᏗᏍᎬ, ᏂᏓᏕᏘᏴᎯᏒ ᏂᎪᎯᎸ ᏥᏓᎾᎵᏍᎪᎸᏗᏍᎨᎢ ᎾᎿ ᎠᏂᎷᎩ ᏄᏂᎪᎸ-Ꮎ ᎢᎬᏩᏅᏁᏗ ᏱᎨᏎᎢ.\nᎧᎪ ᏣᏍᎦᎳᏤᎢ ᎯᏂᏓᏛ ᎯᎪ ᏑᎾᎴᎢ ᎤᏂᏣᏘ ᎠᏂᎦᏔᎲᎢ ᎠᎬᏱᏣ? ᏧᏍᏆᏴᏍᏗᏗ.\nᏧᎴᏐᎣᏅ ᎨᏎ ᏗᎧᏃᎨᎾ ᏃᎴ ᏗᎦᏅᏍᎨᎾ ᎠᏧᏣ, ᏧᏔᏂᏓ ᏂᏚᏍᏕ ᏧᎪᎳ ᏗᎧᏂᎨᏅ ᏃᎴ ᏗᎧᏃᎨᏅ.\nᎾᏗᏍᏊ, ᏒᎯᏰ ᏱᏄᎵᏍᏓᏅ ᏃᏉ ᎨᎪ, ᏧᎾᏕᎶᏆᏍᏗ ᏚᏂᏰᎵᏒ, ᎨᎪᏗ ᏒᏃᏱ ᎢᎪᎯᏓ ᏫᎨᏙᎰ.\nᎠᎩᎸᏉᏗ ᎨᏒ ᏗᏓᎾᏅ ᎾᎩᎶᎯᏍᏗ ᎣᏏ ᎠᎩᏰᎸᏒ ᏓᏆᎴᎳ ᎬᎩᎯᎵᏓᏍᏗ ᎨᏒᎢ.\nᎠᏎᏃ ᎤᏂᏍᏓᏱᏕ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᏓᏖᎸᎲᏍᎦ ᎯᎠ ᏴᏫ, ᏓᏕᏲᏂᏙᎭ ᏧᏗᏱ ᏂᎬᎾᏛᎢ, ᎨᎵᎵ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎠᏂ ᎢᏯᏍᏘ.\nᎾᏍᎩ ᏄᏪᏒᎩ ᎤᏪᏛᏨᎩ ᎢᏳᎵᏍᏓᏁᏗᏱ ᎤᏲᎱᎯᏍᏗᏱ ᎨᏍᎥᎢ, ᎾᏍᎩᏃ ᎤᎸᏉᏙᏗᏱ ᎤᏁᎳᏅᎯ. ᎾᏍᎩᏃ ᏁᏪᏒ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᏍᎩᏍᏓᏩᏚᎦ.\n“ᎧᎪ ᎤᏩᎬᏗᎶᏓ ᏭᏪᏙᎴᎢ ᎤᏲ ᏩᏗᏅᏗ?” ᎤᏛᏛᏁ.\n“ᏛᏛᏓᏂᎩ? ᎤᏪᎷᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏍᏏᏉᏯ Ꮭ ᎤᎬᏫᏳᎯ ᏰᎨᏎ ᎠᏎᏍᎩᏂ ᏚᎨᏳᏒ ᏧᏤᎵ ᎠᏂᏴᏫ ᎾᏍᎩᏯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎪᎯᏰᏃ ᏥᎩ ᏦᏨᏃᏛ, ᎢᏳᏃ ᎤᎵᏂᎩᏛ ᏕᏥᏙᎨᏍᏗ ᎤᎬᏫᏳᎯ ᏕᏣᏁᎶᏛᎢ.\nᎤᎵᏍᎫᎭᏴ ᏃᎴ ᎤᏓᏅᏖᎯᎶᎥ, ᎨᏍᏗ ᎠᏌᎹᏗᏴ-ᎤᎦᏎᏂ ᏱᎩ, ᏍᎩᎾ ᎢᏳᏍᏗ ᏫᏥᎢᏴ ᎤᏬᏚ ᎠᏇᎵᏒ.\nᎠᏯ ᏍᏉ ᏍᎩᎾᏆᏍᏛ.\nᏃᏈᏏ ᏗᏴᏈᎴᏴᏓ ᎠᎾᏕᎭᏲᎲ.\nᎨᏍᏗ ᏍᏓᏯ ᎦᏬᏂᏍᎩ ᏱᎩ, ᎠᏎᏃ ᎦᏬᏂ.”\nᎩᎶ ᎠᏓᏎᎪᎩᏍᎨᏍᏗ ᏓᏥᏯᎵᎪᎸᏓᏁᎵ ᎤᏪᏗᏱ ᎠᏉᎸᎢ ᎠᏆᏤᎵ ᎦᏍᎩᎸᎢ, ᎾᏍᎩᏯ ᏣᏆᏓᏎᎪᎩᏒ ᎠᎴ ᏣᎩᏅ ᎡᏙᏓ ᎤᏬᎸ ᎾᏍᎩ ᎤᏪᏍᎩᎸᎢ.\nᎠᏂᏍᎦᏯ ᎨᏥᎸ ᎤᎵᏍᎨᏓ ᏱᎨᏒᎾ ᎠᎾᏟᎲ, ᎾᏍᎩᏯ ᏅᏯ ᎢᏳᏍᏗ ᏧᏂᎵᏬᏨ, Hastings ᎠᎴ Culloden ᎠᎴ Sharpsburg ᎠᎾᏟᎲ ᏱᎨᏥᎴ.\nᎠᎦᏔᎮᎢ ᎢᏧᏍᏗ ᏧᎿᏬᏍᏗ.\nᎦᏕᎶᎥᏍᎬ ᎠᎾᏟᏃᎮᏍᎬ.\nᎤᏩᏌᏆᏝᎴᎢ, ᏫᎵᎻ ᎤᏴᏍᏗ ᎢᏣ ᎤᏪᏅᏎ. ᎢᏳᏩᏁᎰᏂᏕᎾ ᏚᏏᎳᏛ ᏌᎳᏓ ᎱᎷᏣ ᏧᏍᏆᏴᏍᏗ, ᎦᏁᎮᎢ ᎪᏪᎵ ᏗᎦᏃᏣᏝᏍᎩ ᎤᏩᏥᎦᎸᏓ.\nᎠᏒᎬ ᎤᎶᏒᏍᏗ, ᎧᎪ ᏳᏚᎵ ᎤᏕᏘ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎤᏪᏥ ᎤᎪᏏᏓ ᎠᏦᏅᏔᏅ?”\nᏂᎦᏓ ᎠᏂᎸᏉᏗᏍᎨ ᏓᏏᎳᏛ.\nᏂᎯᏍᎩᏂ ᎥᏝ ᏱᏦᎯᏳᎲᏍᎦ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᎯ ᎠᏫ ᏗᏆᏤᎵᎦ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎾᏍᎩᏯ ᏥᏂᏨᏪᏎᎸᎩ.\nᎨᏍᏗ ᏯᏆᏚᎵ ᎠᎩᎵᏬᎢᏍᏗ.\nᎢᏣᏓᏅᏘᏳ ᎨᏒ ᎾᏅᎢ ᏴᏫ ᎠᏂᎦᏔᎮᏍᏗ; ᎤᎬᏫᏳᎯ ᎾᎥᏂᏳ ᏓᏯᎢ.\nᎤᏅᏒᏃ ᎨᏒ ᎤᎾᎵᏃᎮᎴ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎦᏚ ᏂᏗᏗᏰᎲᎾ ᎨᏒᎢ.\nᎤᎩᏒᏃ ᎤᎵᏍᏈᏗ, ᎠᎴ ᎤᎵᎮᎵᏨ, ᎯᎠ ᏄᏪᏎᎢ; ᎯᎠ ᎢᏥᎩ ᎠᎴ ᎢᏥᏯᏙᎦ ᎢᏨᏒ ᎨᏒᎢ.\nᎿᏉ ᎠᏆᏓᏅᏙ ᎡᏕᏯᏔᏁᎭ; ᎦᏙᏃ ᏓᎦᏛᏂ? [ᎯᎠᏍᎪ ᏅᏓᏥᏪᏏ,] ᎡᏙᏓ, ᏍᏊᏓᎳᎩ ᎪᎯ ᎨᏒᎢ? ᎠᏎᏃ ᎾᏍᎩ ᎢᏳᏍᏗ ᏣᎩᏍᏆᎸᎡ ᎪᎯ ᎠᎩᏍᏆᎸᎡᏗᏱ ᎠᎩᎷᏥᎸ.\nᎪᎯᎢᏴ ᎤᎵᏌᎵᏓᏁ ᎤᎧᎭᏛ.\nᎾᏍᎩᏃ ᎯᎠ ᏣᏂ ᎤᏄᏪ ᎨᎻᎵ ᎤᏍᏘᏰᏅᎯ, ᎦᏃᏥᏃ ᎤᏓᏠᏍᏕᎢ, ᎤᎵᏍᏓᏴᏗᏃ ᎥᎴ ᎨᏎ ᎢᎾᎨᏃ ᎡᎯ ᏩᏚᎵᏏ.\nᎪᎯᏍᎩᏂ ᎨᏒ ᎢᏣᎵᎮᎵᎦ ᎢᏣᏢᏆᏍᎬᎢ; ᏂᎦᏛ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎵᎮᎵᏍᏗ ᎨᏒ ᎤᏲᏉ ᎨᏐᎢ.\nᏕᏤᏲᎲᏍᎨᏍᏗ ᏧᏂᎧᎿᏩᏛᏍᏗᏱ ᏂᎦᎥ ᎢᏨᏁᏤᎸᎢ; ᎬᏂᏳᏉᏃ ᏂᎪᎯᎸ ᎢᏨᏰᎳᏗᏙᎭ ᏫᎬᎵᏍᏆᏗᏍᎩ ᎡᎶᎯ. ᎡᎺᏅ.\nᏥᏓᏥᎶᎢ ᎭᏂᏣ ᎠᏍᏚᎲᎢ ᏏᏆ---ᎡᏚᏥ ᏣᏓᏙᏎᎰᎢ ---ᏌᎪᏂᎨ ᎠᏇᏡᏍᏗ ᎦᏓ ᎠᏦᏴᎢ.\nCranshaw ᎠᏇᏅᏒ, ᏯᏆᏓᏅᏛᎾ ᎢᏳᏍᏗ ᏃᎴ ᎠᏆᏢᏲᎵᎸ ᎠᏆᏟᏃᎮᏙᏗ.\nᎿᏉᏃ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎬᏩᎾᏓᏅᎡᎸ, ᎦᎸᎳᏗ ᎾᎤᏂᎶᏒ, ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴ ᎠᏫ-ᏗᏂᎦᏘᏯ; Ꭷ, ᎿᏉ ᎦᏚᏱ ᎢᏕᎾ, ᎠᎴ ᏫᏓᏙᎴᎰᎯ ᎾᏍᎩ ᎯᎠ ᏄᎵᏍᏔᏅᎢ, ᎾᏍᎩ ᎣᎰᏩ ᎬᏂᎨᏒ ᏥᏂᎬᏂᏏ.\nᏄᏃᎵᏣᏛᎾ, ᎧᏃᎮᏛ ᏚᎾᏠᎯᏍᏛ ᎠᏂᏲᏍᏗᏍᎩ, ᎪᎱᏍᏗ ᏧᏅᎾ ᏂᏚᏂᎨᏳᏒᎾ, ᎬᏩᏃᎯᏍᏗ ᏂᎨᏒᎾ, ᏄᎾᏓᏙᎵᏣᏛᎾ;\nᎢᎳᎪ ᎢᏴᏛ ᎢᎦᎢ ᎤᏟᎯᏳ ᎦᎶᏁᏛ ᎤᎩᎬ, ᏗᏣᏓᏅᏙ ᏙᏓᏥᏅᎦᎸᎡᎵ ᏙᏓᏥᎧᎲᏏ ᎠᏓᎯᎯ ᏕᏥᎸᏫᏍᏓᏁᎲᎢ, ᎬᏂᏛᏃ ᎤᏁᎳᏅᎯ ᏤᏣᏁᎶᏙᏗᏱ ᏅᏓᏨᏁᎵ ᎾᏍᎩ ᏫᎾᏍᏛᎾ ᎡᎯ ᎠᏓᏅᏙ ᎬᏗᏍᎬ ᏄᏓᏅᎦᎸᎾ [ᎠᏍᎦᎾ,] ᎦᎶᏁᏛ ᎤᏩᏒ ᎤᏓᎵᏍᎪᎸᏔᏅᎯ ᏥᎩ ᎤᏁᎳᏅᎯ ᎤᏓᎵᏍᎪᎸᏓᏁᎸᎯ ᏥᎩ?\n“ᎯᏥᎨᏯ ᏃᎴ ᎯᏥᏍᎦᏯ,” ᎤᏛᏁ ᏍᏓᏯ ᎢᎬᏁ ᎦᏬᏂᏍᎩ, “ᎭᏂᏗ ᎰᎻ ᎠᎪᏕᏍᎩ ᎤᏤᎵ ᎤᏍᏆᏂᎩᏗ ᏏᏆ.\nᎠᎴ ᎣᏥᏅᏒᎩ ᏗᎹᏗ, ᎣᏣᎵᏅᏟ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎪᎱᏍᏗ ᎠᏛᏁᎯ, ᎠᎴ ᎠᏴ ᎢᏧᎳᎭ ᏦᎩᎸᏫᏍᏓᏁᎯ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵ ᎤᎬᏩᎵ, ᎾᏍᎩ ᏗᏣᎵᏂᎪᎯᏍᏙᏗᏱ, ᎠᎴ ᏗᏥᎧᎵᏍᏓᏗᏍᏗᏱ ᎢᏦᎯᏳᏒ ᎤᎬᏩᎵ;\nᏴᏫ ᎢᏳᏂᏪᏍᏗ ᏂᏥᏪᎭ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎢᏥᏇᏓᎸ ᏩᎾᎦᎳᎯᏳ ᎨᏒᎢ; ᏗᏥᏰᎸᏰᏃ ᎢᏣᏚᏓᏕᏫᏒ ᏥᏕᏥᏲᏒᎩ ᎦᏓᎭ ᎠᎴ ᎤᏲ ᎨᏒ ᎤᏂᎾᏝᎢ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᎤᏲ ᏗᏥᎸᏫᏍᏓᏁᏗᏱ; ᎾᏍᎩᏯ ᎾᏍᏉ ᎪᎯ ᎨᏒᎢ, ᏗᏥᏰᎸ ᎢᏣᏚᏓᏕᏫᏒ ᏗᏥᏲᎯ ᎤᏂᎾᏝᎢ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᎢᏥᏍᎦᎾ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᎤᏥᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ; ᎥᏞᏍᏗ; ᏣᏂᏍᎩᏂ ᎠᎪᏎᎮᏍᏗ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎢᏗᏢ ᏭᎦᏔᎲᏍᏔᏅ ᎯᎠ ᏂᏚᏪᏎᎵ ᎤᏅᏒ ᎨᏒᎢ, ᏗᎦᎸᏉᏔᏅᎯ ᏗᎦᏙᎵ ᎾᏍᎩ ᏥᏓᎪᏩᏘᎭ ᏂᎯ ᏥᏥᎪᏩᏘᎭ;\nᏍᏔᏲ ᎤᏃᎯᎸᏎ Ꮎ ᎠᏒᏛᏓ.\nᏍᏈᏍᏓ ᎤᏃᎴ ᏗᏲᏙᏗ ᏓᏓᏌᎳᏗᏍᎨᎢ, ᏓᏕᏲᎮᎢ ᏃᎴ ᎦᎶᎯᏍᏗ ᏫᏗᎦᏅᎪᎨ, ᎦᏲᏟ ᎦᏃᎸᎥᏍᎬ ᏓᏘᏁᎨ.\nᎠᏂᏦᏕᏆᏠᏥ ᎡᏝᏪᎯ ᎠᏂᎶᏏᏙᎮ ᎦᎶᎯᏍᏗ, ᏓᏂᏲᎮᎲ ᎤᎾᎵᏍᏓᏴᏗ ᎠᏂᏓ.\nᎯᎠ ᎾᏍᎩ Ꮎ ᏥᎨᎳᏗᏙᎮ ᎤᎾᏓᏡᏩᏕᎬ ᎢᎾᎨᎢ, ᏔᎵ ᏧᏛᏗᏕᎨ ᏗᎧᎿᏩᏗᏙᎯ ᎾᏍᎩ ᏧᏁᏤᎴ ᎣᏓᎸ ᏌᎾᏱ, ᏥᎨᎳᏗᏙᎮ ᎠᏁᏙᎲ ᏗᎩᎦᏴᎵᎨᎢ, ᎾᏍᎩ ᎾᏍᏉ ᏥᏓᏥᏲᎯᏎᎴ ᎠᏛᏂᏗᏍᏙᏗ ᎧᏃᎮᏛ ᎠᏴ ᎢᎩᏁᏗ.\nᎾᏍᎩᏰᏃ ᎯᎠ ᎦᎸᏉᏗᏳ, ᎢᏳᏃ ᎩᎶ ᎤᏁᎳᏅᎯ ᏧᏓᏅᏛ ᎤᎸᏉᏗᏳ ᎨᏒ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᎬᏂᏗᏳ ᏱᎩ ᎠᎩᎵᏲᎬᎢ, ᏂᏚᏳᎪᏛᎾ ᎠᏥᎩᎵᏲᎢᏍᏗᏍᎬᎢ.\nᎠᎴ ᎬᏂᏳᏉ ᏘᏁᎵᏥ, ᎠᎴ ᏘᎾᏄᎪᏫᏏ ᎠᎫᏣ, ᎠᎴ ᏥᏌ ᏙᏘᏲᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᏥᏄᏍᏗ ᏣᏉᎯᏳᎭ, ᏥᎦᏔᎭ ᎠᏆᎴᏂᏓᏍᏗᏱ ᎠᎴ ᏂᏥᎥ ᎢᏨᏰᎳᏗᏓᏍᏗᏱ, ᎾᏍᎩ ᎢᏥᏁᏉᏤᏗᏱ ᎠᎴ ᎢᏣᎵᎮᎵᏍᏗᏱ ᎢᏦᎯᏳᏒᎢ.\nᎰᎻ ᎤᏟᏍᏓ ᏭᏴᏅᎮ ᎠᎳᏂ.\nᎢᎦᏓᏃ ᎠᏂᏃᎮᏍᎬ, ᏯᏆᎵᎪᏅᎾ ᎠᏂᏲᏍᎩ ᏃᎴ ᎠᏂᏴᏫᏯ ᎤᎾᏂᎩᏒ ᏅᏃ, ᎨᏇᏲᏔᏅ ᎪᎰᏍᏘ ᏱᏅᎦᎵᏍᏔ.\n“ᎤᏨᏉᏗ ᏱᎨᏒᎾᎩ?” ᎤᏛᏁ ᏌᎳᏓ.\n“ᏏᏲ,” ᎤᏛᏁ.\nᎾᏍᎩᏂ: ᎤᏩᏅᏛ ᏣᎳᎩᏱ ᎠᏰᎵ ᏃᎴ ᎾᎥᏂ ᏓᏥᎶᎥ ᏧᏴᏨ ᎢᏣ ᎦᏯᎴᏅ: ᎦᏛᏅᎥᏍᏗᏍᎬ ᎧᏃᎮᏍᎩ ᎠᏥᎶᏛ, ᎣᏍᏓ ᏣᏰᎸᏗ ᎭᏕᎶᎰᏒ ᏄᏍᏗᏓᏅ ᎠᏰᎵ ᏙᎩᎷᏫᏍᏔᏅᎭ, ᏕᏥᎾᏌᎥ ᏧᏃᏪᎳᏅ ᏗᎩᎷᏤᎸ ᏃᎴ ᎠᏋᏌ ᎠᏆᏕᎶᎰᏒ.\nᎾᏗᏍ, ᏍᏓᏲᏒ ᏩᏌ ᎠᏇᎷᏅ ᎦᎶᏪ ᏩᏆᏗᏅᏒ ᎾᏱᏄᎳ ᎠᏆᏢᏍᏛᏅ… ᎯᎠ ᎢᏊᏛ ᏴᏩᏒ ᏂᎦᏛᏁᎲ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏤᎾ ᏫᏗᏤᏲᎲᎦ ᎾᎦᏛ ᏄᎾᏓᎴᏒ ᏴᏫ, ᏕᏣᏬᏍᎨᏍᏗ ᎢᏨᏗᏍᎨᏍᏗ ᏚᏙᎥ ᎠᎦᏴᎵᎨᎢ ᎠᎴ ᎤᏪᏥ ᎠᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ,\nᎤᏩᏙᎯᏴᏓ, ᎤᏛᏅ ᎤᏣᎴᏓ.\nᎯᏍᎩᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏤᎷᎯᏒᎩ, ᎠᎩᎪᎲᎩᏃ ᏃᏈᏏ ᎦᎸᎶᎢ ᏓᏳᏓᎴᏅᎩ ᎡᎶᎯᏃ ᎤᏬᏥᎸᎩ; ᎠᎴ ᎾᏍᎩ [ᏃᏈᏏ] ᎠᏥᏕᎸᎩ ᎠᏍᏚᎢᏍᏗ ᎾᏍᎩ ᏫᎾᏍᏛᎾᎠᏔᎴᏒ ᎠᏍᏚᎢᏍᏙᏗ.\nᎠᏏᏴᏫᏃ ᎾᏍᎩ ᎫᎾᏛᏐᏅᎯ ᎨᏒ ᎯᎠ ᎾᎩᏪᏎᎸᎩ, ᏞᏍᏗ ᏗᏣᏠᏱᎸᎩ; ᎬᏂᏳᏉ ᏢᏓᏥ ᎤᏃᏕᎾ ᏧᏓ ᎠᏂᏔᏍᏓᎸ ᏅᏓᏳᏓᎴᏅᎯ, ᏕᏫ ᎤᏱᏝᏅᎯ, ᎤᏓᏎᎪᎩᏒ ᎤᏍᏚᎢᏍᏗᏱ ᎪᏪᎵ, ᎠᎴ ᏧᏲᏍᏙᏗᏱ ᎦᎵᏉᎩ ᏂᏓᏍᏚᎲᎢ.\nᏉᎳ, ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏛ ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᎠᏓᏅᏖᏍᎬᎢ, ᏫᏨᏲᏪᎳᏏ ᎢᏣᏓᏅᏘ ᎡᏈᏌ ᎢᏤᎯ, ᎠᎴ ᎡᏦᎯᏳᎲᏍᎩ ᎦᎶᏁᏛ ᏥᏌ,\nᎤᏐᏱᏉ ᏄᏅᎾᏕᎨ ᏗᎨᏥᎾᏌᎢ.\nᏣᏂᏃ ᎤᏁᏤᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᎣᏥᎪᎲᎩ ᎠᏏᏴᏫ ᎠᏂᏍᎩᎾ ᏕᎦᏄᎪᏫᏍᎬᎩ ᏕᏣᏙᎥ ᎬᏗᏍᎬᎩ; ᎥᏝᏃ ᏱᎩᏍᏓᏩᏗᏙᎭ; ᎣᏥᏅᏍᏓᏕᎸᎩᏃ ᏂᎩᏍᏓᏩᏕᎬᎾ ᎨᏒ ᎢᏳᏍᏗ.\nᎠᎴ ᏃᏈᏏ ᎠᏂᎧᎸ ᎦᎸᎶᎢ ᎠᏂᏅᎪᎠᏍᎨᏍᏗ, ᎠᎴ ᎤᏂᏣᏖ ᎦᎸᎶ ᏣᏂᎧᎳ ᏛᎾᎵᏖᎸᏂ.\nᏑᎾᎴ ᏓᎨᏏ ᎤᏲ ᎤᎾᏗᏅᏗ.\nᏃᎴ ᏕᎦᏅᏅ ᏗᏂᏅᎦᎴᎯᏙ, ᎠᏂᏃᏍᎩᏍᎩ, ᎠᎾᏓᏅᏕᎵᏙ ᎠᏯ ᎢᏳᎾᏍᏗ, ᎤᏂᎾᏒᎾᎩᏍᎩ ᎠᏒᎬ ᎩᎦ ᎠᎴ ᎠᏕᎳ, ᎢᏳᏍᏗᏉ ᏭᏗᏅᏓ ᎦᏚᎲ.\nᎾᏍᎩᏃ ᎤᎵᏂᎩᏗᏳ ᏚᏂᎸᏫᏍᏓᏁᎮ ᎨᏥᏅᏏᏛ ᏓᎾᏕᏲᎲᏍᎬᎢ, ᎠᎴ ᎤᎾᎵᎪᏒᎢ, ᎠᎴ ᎦᏚ ᎠᏂᎬᎭᎷᏯᏍᎬᎢ, ᎠᎴ ᎠᎾᏓᏙᎵᏍᏗᏍᎬᎢ.\nᏥᏌᏃ ᏚᎪᎲ ᎤᏂᏣᏘ ᏴᏫ ᎬᏩᏜᏫᏍᏗᏍᎬᎢ, ᎤᏁᏤ ᎢᏍᎪᏅ ᏭᏂᎶᎯᏍᏗᏱ.\n“ᏑᎾᎴ ᎤᎵᏍᏔᏴᏗ ᎯᎲᏏ!” ᎤᏛᏁ.\nᎾᏍᎩ ᎤᏛᎦᏅ ᏱᎳᏉ ᎢᏴᏛ ᏚᎴᏅᎩ, ᎠᎴ ᏭᎷᏤᎸᎩ.\nᎠᏆᏕᎶᎰᏒ ᎠᏂᏧᏣ ᎠᏅᏗᏍᎬ ᏍᎩᎾᎾ ᎢᎦᏪᏍᏗ ᏳᏂᏬᏂᏌ, ᎠᏎᏃ ᏄᏓᎴ ᎤᏰᎸᏛ ᏱᏄᏂᏪᏌ, ᎠᏎᏃ ᎫᏩᏛᎪᏗ ᏱᎨᏒᎾ ᏍᎦᏰᎬᏍᏔ.\nᎦᏣᏄᎳ ᏚᎴᏁ ᎡᎳᏆᏗ.\nᎾᏍᏓᏴ ᎤᏦᏱᎴᎢ.\nᏫᏥᏤᎢ ᏕᎨᏴ, ᏚᏑᎬ ᎦᎵ, ᎠᏫ ᏃᎴ ᎠᏴᏫᏯ ᎤᏅᏌ ᏫᎫᏩᏂᎶᎯᏍᏗ ᎠᎾᏓᏅᏏᏁᎩ.\nᎬᏩᎦᏗᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ ᎢᏤᎳᏗᏙᎮᏍᏗ ᎠᎴ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎨᏒᎢ, ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨᎢ ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎠᎦᏴᎵᎨ ᎤᏪᏥ, ᏚᏳᎪᏛ ᎨᏒᎢ ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒᎢ.\nᎣᎦᏑᏰᎸ ᎣᏣᎵᏎᎲ, ᎣᏥᏁᎸ ᎠᎵᏍᏔᏴᏗ ᎤᏛᏐᏅ ᏁᎳᎩᏉ ᎨᏒ ᏏᏆ ᎭᏫᏯ.\nᎠᎦᏓ ᎤᏂᎸᏉᏗ ᎠᏁᎲ ᎠᏂᏴᏫᏯ, ᎨᏍᏗ ᏯᏂᎦᏔ ᏄᏍᏗᏓᏅ ᎠᏁᎲ ᏙᏰ, ᏳᎾᏚᎵᏍᎬᎾ ᏁᎳᎩ ᎤᏁᎵᏍᏗ ᏕᎦᏂᏌᎲ ᏧᏂᎦᏴᎵ, ᎾᏍᎩᎤᏃᎯᏳᎲ.\nᎤᏟᏰᏃ ᎬᎩᏰᎸᎩ ᎾᏂᎥᏉ ᏴᏫ ᎠᏴ ᎾᏆᏍᏛ ᎾᏍᎩᏯ ᏱᏄᎾᏍᏗ. ᎠᏎᏃ ᎠᏂᏏᏴᏫᎭ ᎤᎾᏤᎵᎦᏯ ᎤᏁᎳᏅᎯ ᎤᏂᏁᎸ ᎤᏂᎰᎢ, ᎠᏏᏴᏫ ᎯᎠ ᎾᏍᎩ ᏂᎤᏍᏙᎢ, ᏅᏩᏓᎴᏃ ᏅᏩᏓᎴ ᏄᏍᏙᎢ.\nᎨᏍᏗ ᏯᎦᏔᎮᎢ ᎢᏳᏍᏗ ᏂᎦᎵᏍᏗᏍᎬ, ᎠᏎᏃ ᏚᎪᎭ ᎠᏂᏔᎵ ᏩᏂᏌᏙᏱᏍᎬᎢ ᏫᎵᎻ ᎧᏁᏌᎢ ᎤᏓᏅᏖᎴ ᏍᏉ ᎤᏪᏅᏍᏗ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏝᏍᎪ ᏱᏦᎵᎦᎯᎠ ᎾᏍᎩ ᏓᏟᎶᏍᏛᎢ? ᎦᏙᏃ ᏱᎦᎵᏍᏙᏓ ᏱᏕᏦᎵᎩ ᏂᎦᏛ ᏓᏟᎶᏍᏛᎢ?\nᏆᎴᏗᏃ ᏔᎵᏁ ᎤᏁᏨ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏣᏚᎵ ᏥᏴᏁᏗᏱ ᎾᏍᎩ Ꮎ ᎤᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ ᏤᏦᏎᎭ?\nᎦᎵᎡᎵᎪ ᎠᎦᏗᏓ ᎦᎥᏍᎩ ᎧᏅᏂᏍᎩ ᏥᎩ ᎠᏯ.”\nᎠᎴ ᎢᎬᏱ ᎤᎾᏄᎪᏨᎯ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎾᏍᎩᏯ ᏄᎵᏂᎬᎬ ᏄᎵᏂᎬᎬᎩ, ᎠᎴ ᎡᎶᎯ ᎠᎴ ᎾᏍᎩ ᎾᎿ ᎠᏁᎯ ᎤᎾᏓᏙᎵᏍᏓᏁᏗᏱ ᏂᏕᎬᏁᎲᎩ ᎢᎬᏱ ᎤᎾᏄᎪᏨᎯ ᏅᎩ-ᏗᎦᏅᏌᏗ, ᎾᏍᎩ ᎬᏩᏲᎱᎯᏍᏗ ᎨᏒ ᎢᏴᏛ ᎠᏥᏐᏅᏅ ᎤᏗᏩᏒᎯ.\nᎾ-ᏍᎩᏂᏃ ᏰᎵ ᏗᏂᏃᏨᎵ ᎨᏒᎢ, ᎾᏍᎩ ᏄᎾᏍᏛᎢ ᎥᏝ ᎪᎱᏍᏗ ᎠᏋᏁᎯ ᏱᎩ, ᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᏱᎦᎸᏉᏗᎭ ᎩᎶ ᏄᏍᏛᎢ; ᎾᏍᎩᏰᏃ ᏗᏂᏃᏣᎵ ᎨᏒ ᎥᏝ ᎪᎱᏍᏗ ᏱᎬᎩᏁᏉᎡᎴᎢ;\nᎤᏑᎶᏛ ᏄᎵᏍᏔᏅ ᏥᏑᎵᎪᎬ, ᎠᏆᏟᏂᎪᎲᏍᏔᏅ ᎠᏆᏓᏅᏖᎵᏓᏍᏗ ᏗᏂᎳᏫᎩ ᎠᏁᏙᎲ Boston ᏃᎴ ᏄᏯᎩ ᎦᏚᎲ ᏓᏳᏂᎶᏒ, ᎤᏂᎩᏌᏓ ᎨᏎ ᎤᎾᏓᏑᏰᏛ ᎤᎾᎵᎪᎲ.\nᏍᎩᏄᏍᏕ ᎠᎾᏛᏛᎲᏍᎨ.\nᎪᎳᏅ ᏗᏣᏓᏅᏛᎵ; ᎥᏝᏰᏃ ᏯᏂᏫᏍᎪᎢ, ᎥᏝ ᎠᎴ ᏯᏂᏍᎫᏕᏍᎪᎢ; ᎥᏝ ᎠᎴ ᏧᎾᏓᎾᏅᏗᏱ ᎠᎴ ᎤᏂᏅᏗᏱ ᏱᏓᏓᏁᎸ; ᎠᎴ ᎤᏁᎳᏅᎯ ᏕᎨᎶᎰᎢ. ᏂᎦᎥᎤᏟ ᏁᏥᎸᏉᏗ ᏂᎯ ᎡᏍᎦᏉ ᏥᏍᏆ.\nᏕᎤᏁᎶᏙᏍᎩᏂ ᏗᎬᏪᏲᎲᏍᎩ ᎠᎴ ᎤᎾᏕᏌᏯᏍᏗᏕᎩ ᎠᎦᏴᎵᎨᎢ ᏚᏒᏍᏛ ᎬᏗᏍᎩ.\nᎾᏍᎩ ᎬᏂᎨᏒ ᎾᏅᏁᎭ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᎢᏯᏛᏁᏗ ᎨᏒ ᏧᏂᎠᏫᏱ ᎪᏪᎸᎢ, ᏚᎾᏓᏅᏛ ᎾᏍᏉ ᎪᎯᏳᏙᏗᏍᎬᎢ, ᎠᎴ ᎠᎾᏓᏅᏖᏍᎬ ᏓᎾᏓᏚᎯᏍᏗᏍᎬ, ᎠᎴ ᏓᎾᏓᏚᏓᎴᏍᎬᎢ.\nᎠᏎᏃ ᎤᏚᎩ ᎬᏍᎦ ᎾᏍᎩ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᎾᏍᎩ ᎠᏴ ᎣᎩᏐᏅᎢᏍᏔᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏂᎦᏓ ᎣᏥᏴᏫᏯ.\nᎠᏎᎩ ᎠᏎᏉ ᏂᎦᏛᏁᎮ.\nᏗᏕᎶᏆᏍᎩ ᎥᏝ ᎤᏟ ᏱᎾᏥᎸᏉᏙᎢ ᎡᏍᎦᏉ ᏧᏪᏲᎲᏍᎩ, ᎠᎴ ᎠᏥᏅᏏᏓᏍᏗ ᎥᏝ ᎤᏟ ᏱᎾᏥᎸᏉᏙᎢ ᏒᏍᎦᏉ ᎤᏅᏏᏙᎯ.\nᏌᎳᏓ ᎫᏪᏂᏍᏗ ᏱᎨᏒᎾ ᏧᏁᏅᏒ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᏰᎵᏉ ᎤᏩᏌ ᏧᏘᏅᏍᏗ ᏧᏤᎵ ᏗᏂᏲᏟ.\nᎹᏗ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏥᎦᏔᎭ ᏙᏗᎴᎯᏌᏂᏒ ᏗᎴᎯᏐᏗ ᎨᏒ ᎤᎵᏍᏆᎸᏗ ᎢᎦ ᎨᏎᏍᏗ.\nᎤᏰᏤᎢ ᎡᎶᏗ.\nᏕᏣᏘᏃᎦᏰᏃ ᎯᎠ Ꮎ ᎠᏂᏍᎦᏯ, ᎾᏍᎩ ᎦᎸᏉᏗ ᏕᎨᏒ ᎠᏂᏃᏍᎩᏍᎩ ᏂᎨᏒᎾ, ᎠᎴ ᎢᏣᏤᎵ ᎦᎸᎳᏗ ᎡᎯ ᎠᏂᏐᏢᎢᏍᏗᏍᎩ ᏂᎨᏒᎾ.\nXIV. ᎦᏂᎦᏔ ᎡᎹᏂᏓ  \nᎠᎴ ᎯᎠ ᏅᏓᎦᎵᏍᏔᏂ, ᎾᎿᏂ ᎯᎠ ᏂᎨᏥᏪᏎᎸᎢ, ᏂᎯ ᎥᏝ ᎠᏴ ᏗᏆᏤᎵ ᏴᏫ ᏱᎩ; ᎾᎿᏂ ᎬᏂᏛ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᎨᎪᏎᎮᏍᏗ.\nᏂᏚᎩᏨᏂᏒᏃ ᏓᏕᏲᎲᏍᎨ ᎤᏛᎾᏗᎦᎳᏫᎢᏍᏗᏱ. ᎠᏎᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏫ ᎬᏩᏝᏫᏍᏗᏕᎨ ᎬᏩᏛᏓᏍᏓᏁᏗᏱ.\nᏚᎷᏫᏍᏓᏁᎲ ᎠᏓᏅᏖᏍᎨᎢ ᏲᎾ ᎤᏤᏍᏙ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏴ, ᏂᎦᎥ ᏂᎦᏛᏁᎲ ᎾᏂᎥᏉ ᎣᏍᏛ ᎤᏂᏰᎸᏗ ᏥᏂᎦᏥᏯᏛᏁᎰᎢ, ᎾᎩᏲᎲᎾ ᏥᎨᏐ ᎠᏋᏒᏉ ᎠᏆᎵᏍᏕᎩᏙᏗ,, ᎤᏂᏣᏘᏍᎩᏂ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏗᏱ ᎨᏥᏍᏕᎸᏗᏱ.\nᏔᎵᏃ ᎠᎺᏉᎯ ᏕᎨᏒ ᏭᎾᎵᏱᎶᎸ, ᏥᏳ ᎤᏂᏝᏗᏤᎸᎩ ᎦᏙᎯ; ᎢᎬᏱᏗᏢᏃ ᎠᏍᏓᏱᏳ ᏄᎵᏍᏔᏅ, ᎥᏝ ᏰᎵ ᎬᏩᎵᏖᎸᏗ ᏱᎨᏎᎢ, ᎣᏂᏗᏢᏍᎩᏂ ᎤᏲᏨᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎤᎵᏂᎩᏗᏳ ᏓᎵᏍᏗᎳᏁᎬ ᎠᎺᏉᎯ.\n“ᏣᏉᎩ ᏱᏛᎮᏏ? ᎤᏦᏱᎴᎢ.\nᎤᏍᎦᏃᎵ ᎤᏓᎾᏏᏅᏍᏔᏁᎢ ᎠᏦᏴᎢ ᏧᏍᏆᏴᏍᏗ, ᎤᏅᏏᏴ ᏭᏓᏓᎩᏅᏎᎢ.\nᎢᏳᏃ ᎩᎶ ᏥᏅᏏᏓᏍᏗ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎠᎩᏍᏓᏩᏕᎨᏍᏗ; ᎨᎥᏃ ᎾᎿ ᎾᏍᏉ ᏥᏅᏏᏓᏍᏗ ᎡᎮᏍᏗ. ᎢᏳᏃ ᎩᎶ ᏥᏅᏏᏓᏍᏗ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎡᏙᏓ ᎤᎸᏉᏙᏗ ᎨᏎᏍᏗ.\nᎠᏎᏃ, ᎢᏨᎨᏳᎢ, ᎢᏣᏅᏓᏓ ᎧᏃᎮᏛ ᎢᎸᎯᏳ ᎤᏂᏃᎮᏛ ᎨᏥᏅᏏᏛ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ ᏧᏤᎵᎦ;\nᎾᏍᎩᏯ ᎠᏓᏅᏙ ᎠᎩᏍᎩ ᎤᏥᏯ ᏣᎫᏩᏯᎩᏍᎪ, ᎦᏁᎬᎭ ᎤᏩᏌ.\n“ᎣᏍᏓ ᎾᏛᎦ ᎠᎨᏳᏣ,” ᎤᏓᏙᏎᎴ.\nᎠᎴ ᎤᏓᏅᏁ ᎤᎵᏯᏍᏚᏁ ᏚᎳᏍᎬ ᎾᎥᎢ, ᎠᎵᎮᎵᏤᎮᎢ. ᎠᎴ ᏌᎺᎵᏱ ᎡᎯ ᎨᏎᎢ.\n“ᎯᏗᏍᏆᏙᎾ ᎯᎪ ᎢᎦ ᏕᏓᏦᏍᎬᎢ.\nᎠᏂᎦᏓᎭᏰᏃ ᏗᏓᏅᏙ ᎠᏍᏓᏯ ᎠᏁᎷᎲᏍᎨ ᏕᎬᏩᏂᏄ-ᎪᎨ ᎤᏂᏣᏖ ᎬᏩᏂᏯᎢ, ᎠᎴ ᎤᏂᏤᏖ ᏧᏂᎾᏫᏍᎩ ᎠᎴ ᏗᏂᏲᎤᎵ ᏚᎾᏗᏩᏍᎨᎢ.\nᎤᎬᏫᏳᎯ ᎠᎨᏴ ᏧᎦᎾᏴ ᏤᎮᎢ ᏙᏛᎴᏂ ᏓᏳᎾᏡᏔᏂ ᎪᎯ ᏣᏁᎭ ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏒᎢ, ᎠᎴ ᎤᏂᏍᎦᏅᏨ Ꭼ Ꮒ ᎨᏒ ᎤᏓᎬᏁᎵ; ᎾᏍᎩᏰᏃ ᎦᏙᎯ ᏩᏍᏛ ᎢᏴᏛ ᏧᏪᏅᏎ ᎤᏛᎦᏂᎴ ᏐᎵᎼᏅ ᎠᎦᏔᎿᎢᏳ ᎨᏒᎢ, ᎬᏂᏳᏉᏃ ᎠᏂ ᎡᏙᎭᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎡᏍᎦᏉ ᏐᎵᎼᏅ.\nᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᎬᏩᏃᎯᏳᎯ ᏚᏂᏲᎱᏎᎢ, ᏂᏚᎾᏓᏂᎸᏨᎾ ᎾᏍᎩ Ꮎ ᎨᏥᏚᎢᏍᏓᏁᎸᎯ ᎨᏒᎢ, ᎢᏅᏍᎩᏂ ᏫᏓᏂᎪᏩᏘᏍᎨᎢ ᎠᎴ ᏄᎾᏜᏏᏛᎡᎲᎾ ᎨᏎᎢ, ᎠᎴ ᏚᏂᏂᏴᎮᎢ, ᎠᎴ ᎠᏂᏃᎲᏍᎨ ᏅᏩᎾᏓᎴᏉ ᎠᎴ ᎠᏁᏙᎯᏉ ᎨᏒ ᎠᏂ ᎡᎶᎯ.\nᎤᎨᏓᎵᏴ ᎠᎾᏓᏑᏲᎰᏗᏍᎨ ᎠᎹ ᏗᎦᏁᎲ ᏩᏍᏗ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᎤᏁᏓᏍᏗ.\nᏍᎩᎾᎾ ᎤᎾᏓᏔᎶᏒ.\nᎠᎨᏴᏍᎩᏂ ᎦᏅᎯᏛ ᏳᏍᏘᏰᎦ ᎦᎸᏉᏗᏳ ᎢᏳᏩᏁᎯ ᎨᏐᎢ; ᎤᏍᏘᏰᎬᏰᏃ ᎠᏥᏁᎸ ᎤᎦᏢᏙᏗ.\nᎾᏍᎩ ᏅᏧᎵᏍᏙᏔᏅ ᎣᏏᏳ ᎣᎩᏰᎸᏅ ᏂᎦᏛ ᏌᏉ ᎢᎦᎦᏛ, ᏗᏤᎲ ᏦᏥᏅᏍᏗᏱ ᏦᏣᏑᏰᏛ ᎠᏂᏍᎦᏯ ᏧᏂᏍᏓᏩᏛᏍᏗᏱ ᏦᏥᎨᏳᎯ ᏆᏂᏆ ᎠᎴ ᏉᎳ,\nᎢᏳᏃ ᎾᏍᎩ ᎤᏍᏗᎧᏂ ᎨᏒ ᏰᎵ ᎢᎨᏣᏛᏁᏗ ᏂᎨᏒᎾ ᏱᎩ, ᎦᏙᏃ ᎠᏏ ᏅᏩᏓᎴ ᏫᏤᎵᎯᏍᎪᎢ?\nᏓᏍᏆᏚᎸ ᏧᏂᎷᏫᏍᏔᏁᏗ ᎠᏇᏙᏅ, ᎠᏂᏍᎦᏯ ᎠᏂᏯᎢ ᎠᏂᏅ ᎠᎾᏛᎦᏍᏗᏍᎬ, ᎠᏎᏃ ᎦᏕᎶᎥᏍᎬ ᎤᎴᏫᏍᏔᏅ ᎤᎾᏓᏅᏖᏗ.\nᏉᎳᏃ ᎯᎠ ᏄᏪᏒᎩ; ᏣᏂ ᎤᏙᎯᏳᎯ ᏓᏓᏬᏍᏗᏍᎬᎩ ᏗᏓᏬᏍᏙᏗ ᎦᏁᏟᏴᏍᏗ ᎨᏒ ᎣᏓᏅᏛ ᎤᎬᏩᎵ, ᏕᎧᏁᏤᎲ ᏴᏫ, ᎤᏃᎯᏳᏗᏱ ᎣᏂ ᏅᏓᏰᎩ, ᎾᏍᎩ ᎦᎶᏁᏛ ᏥᏌ ᏕᎪᏎᎲᎩ.\nᏗᎦᏓᎷᎩᏍᎩ ᎤᏚᎵᏍᎨᎢ ᏧᎪᏩᏛᏗ ᎰᎻ.\n”Ꭵ, ᎤᏛᏁ ᎰᎻ.\nᎾᏍᎩ ᎬᏂᎨᏒ ᎢᎨᎬᏁᎸᎯ ᏥᎨᏎᎢ ᎤᏅᏒᏉ ᎾᎾᎵᏍᏕᎵᏍᎬᎾ ᎨᏒᎢ, ᎠᏴᏍᎩᏂ ᎨᎩᏍᏕᎵᏍᎬᎢ ᎨᎩᏃᎮᎮᎸ ᎾᏍᎩ ᎪᎯ ᎬᏂᎨᏒ ᏥᏂᎨᏨᏁᎭ ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎨᏣᎵᏥᏙᏁᎸᎯ ᏥᎩ, ᎠᏅᏗᏍᎬ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎦᎸᎳᏗ ᏅᏓᏰᏥᏅᏏᏛ; ᎾᏍᎩ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏧᎾᏚᎵᎭ ᎤᏂᎪᎵᏰᏗᏱ.\nᎿᏉᏃ ᎠᏰᎵ ᎢᏴᏛ ᎠᎵᏰᎢᎵᏒ ᏓᎾᎵᏍᏓᏴᏍᎬᎢ ᏥᏌ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏴᎸᎩ, ᎠᎴ ᏚᏕᏲᏅᎩ.\nᏂᎯ ᏣᏤᎵ ᎦᏙᎯ ᏍᏉ.\nᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᏩᏍᏛ ᎦᎸᎳᏗᏳ, ᎡᎶᎯᏃ ᏙᎯᎣ ᎨᏎᏍᏗ, ᎣᏍᏛ ᎨᎦᏓᏅᏖᏍᎨᏍᏗ ᏴᏫ.\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎪᎯ ᏣᏁᎭ ᎤᏂᏲ ᏗᎾᏓᏲᏁᎯ ᎤᏰᎸᏛ ᎤᏂᏲᎰᎢ; ᎠᏎᏃ ᎤᏰᎸᏛ ᎥᏝ ᎨᏥᏁᏗ ᏱᎨᏎᏍᏗ, ᏦᎾ ᎠᏙᎴᎰᏍᎩ ᎤᏤᎵᎦ ᎤᏰᎸᏛ ᎤᏩᏒ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎢᏨᎨᏳᎢ, ᎾᏍᎩ ᎦᏳᎳ ᏥᏥᎦᏔᎭ, ᎢᏤᏯᏔᎮᏍᏗ, ᏞᏍᏗ ᎠᏂᎾᎦᎾ ᎤᏂᎵᏓᏍᏔᏅ ᏕᏣᏘᏂᏒ ᏗᏥᏅᏨᎩ ᏗᏥᏲᏒᎩ ᎤᎵᏂᎩᏛ ᏂᏣᏛᏅᎢ.\nᎤᏓᏅᏎ ᏌᎳᏓ.\nᎤᏂᏁᏨᏃ ᎯᎠ ᏄᏂᏪᏎᎢ, ᏣᏂ ᏗᏓᏬᏍᎩ; ᎢᎦᏛᏍᎩᏂ ᎢᎳᏯ; ᎠᏂᏐᎢᏃ, ᎩᎶ ᎢᏳᏍᏗ ᎢᎸᎯᏳ ᎤᎾᏕᏅᎯ ᎠᎾᏙᎴᎰᏍᎩ ᏚᎴᎯᏌᏅ [ᎠᎾᏗᏍᎪᎢ.]\nᏞᏍᏗ ᏣᏍᎦᎸᎩ ᎾᏍᎩ Ꮎ ᏧᏓᎴᏅᏛ ᏣᎩᎵᏲᎢᏍᏗ ᏥᎩ; ᎬᏂᏳᏉ ᎠᏍᎩᎾ ᏂᎯ ᎢᏣᏓᏡᎬ ᎩᎶ ᏗᏓᏍᏚᏗᏱ ᏙᏓᏥᏴᏔᏂ ᎡᏥᎪᎵᏰᏗᏱ; ᎠᏍᎪᎯᏃ ᏧᏒᎯᏛ ᏓᏥᎩᎵᏲᏥ; ᎤᎵᏂᎩᏛ ᏘᎧᎿᏩᏚᎦ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎬᏗᏍᎩ, ᎠᎵᏍᏚᎶᏃ ᎬᏂᏛ ᎠᏓᏁᎯ ᏓᎬᏅᏁᎵ.\nᎠᎴ ᎾᏍᏉ ᎤᏚᎩ ᎤᏩᏒᎩ ᏉᎳ ᎠᏕᎸ ᏧᏁᏗᏱ, ᎾᏍᎩᏃ ᏧᏲᎯᏍᏗᏱ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏟ ᏯᏃᎩᏳ ᎠᏓᏅᏍᎬᎩ ᏩᏯᏂᏍᎬᎩ, ᎠᎴ ᎠᎵᏃᎮᏗᏍᎬᎩ.\nᏗᎪᏩᏛᏗ ᎤᎢᏒ ᏅᏃ, ᎤᎾᏓᏴᎳᏛ ᎤᏬᏚ ᎠᏎᏃ ᎤᎯᏐᏗ.\nᏄᏍᏛ ᎠᎾᏓᏛᏍᎬᎢ ᏙᏓᏦᎵᏍᏔᏂ. ᏥᎪ ᏴᏫ ᏖᎸᎳᏗ ᏓᎾᏕᏍᎪ ᏥᏍᏚᏂᎩᏍᏗᎯ? ᎠᎴ ᏒᎦᏔ-ᎢᏳᎾᏍᏗ ᏥᎪᏥᏥᎯ ᏓᎾᏕᏍᎪᎢ?\nᏂᎬᎾᏛ ᎠᎦᏕᏃᎰ ᎤᏙᎯᏳᎲ ᎦᏓ ᎪᏒᏅ.\nᎦᏥᏯᏘᏃᎮᎸᎩᏃ ᎨᏣᏍᏓᏩᏗᏙᎯ, ᎠᏎᏃ ᎤᏂᏄᎸᏅᎩ ᎤᏂᏅᏬᏗᏱ.\n“ᎮᎵᎠᏍᎪ ᎣᏏᏉ ᎨᏎᏍᏗ?” ᎤᏛᏛᏁ.\nᏞᏍᏗ ᎤᏐᏅ ᏁᏨᏁᎸ ᏱᏣᏓᎵᏁᎯᏕᎴᏍᏗ, ᎤᏐᏅᏍᎩᏂ ᏁᏨᏁᎸ ᎯᏯᏓᎵᏁᎯᏕᎮᏍᏗ ᎣᏍᏛ ᎿᏛᏁᎲᎢ.\nᎢᎦᏛᏃ ᏕᏥᏙᏓᎨᏍᏗ, ᏧᏓᎴᏅᏛ ᏂᏕᏣᏛᏁᎮᏍᏗ;\nᎭᏟᏂᎬᏁᎸᎭ ᏂᎪᎯᎸᎾᏉ ᏣᎷᎯᏍᏗᏱ ᎠᏂ ᎨᏙᎲᎢ.\nᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒ ᎡᏏᏱ ᏫᎨᏥᏲᎵᎭ. ᎡᏈᎳ ᎠᎴ ᏈᏏᎳ ᎤᏣᏘ ᏫᎨᏥᏲᎵᎭ ᎤᎬᏫᏳᎯ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏲᎵᏍᏗ ᎨᏒᎢ, ᎬᏩᎾᎵᎪᏁᎭ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎾᏍᎩ ᎠᏂᏁᎸᎢ.\nᎤᏂᏩᏛᎮᏃ ᏅᏯ ᎢᏴᏛ ᏫᎦᏌᏆᎴᎸᏍᏔᏅᎯ ᎨᏎ ᎠᏤᎵᏍᏛᎢ.\nᎠᏎᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎥᏝ ᏯᎩᎸᏃᏘᎭ, ᎰᏍᏛ ᏇᏍᏓ, ᏥᏁᎦᏉᏍᎩᏂ ᏚᏳᎪᏛ ᎨᏒᎢ ᎠᎴ ᏃᎸᏃᏘᏍᎬᎾ ᎧᏁᎢᏍᏗ ᎨᏒᎢ.\n“ᎦᏙᏃ ᏂᎦᏗ ᏥᏣᏦᏱᎭ? ᎤᏛᏛᏁᎢ ᎰᎻ.\nᎾᏂᎥᏍᎩᏂ ᏗᎬᏩᏓᏂᎸᏨᎯ ᏕᎤᎵᏍᎪᎸᏓᏁᎸᎩ ᎤᏁᎳᏅ Ꭿ ᏧᏪᏥ ᎢᏳᎾᎵᏍᏙᏗᏱ; ᎾᏍᎩ ᏕᎤᏙᎥ ᎠᏃᎯᏳᎲᏍᎩ;\n”ᏙᎦᎵᏍᏗ ᎭᏓᏅᏖᏍᎬ, ᎲᎦᎢᏴ ᏫᏣᎷᏣ?\nᎩᎳᏈᏴ ᏃᎴ ᏗᎤᏁᏤ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎢᎤᎷᏥᎸ, ᎤᎬᏫᏳᎯ ᎢᏯᎬᏁᎸᎯ ᎨᏎᎢ, ᎤᏁᏤ ᎾᏍᎩ ᎨᏥᏅᏏᏓᏍᏗ ᏫᎨᏥᏯᏅᏗᏱ ᎬᏩᎷᏤᏗᏱ, ᎾᏍᎩ Ꮎ ᎠᏕᎸ ᏧᎨᏅᏛᎯ, ᎾᏍᎩ ᎤᏙᎴᎰᎯᏍᏗᏱ ᎢᎦᎢ ᎠᏂᏏᏴᏫ ᎤᏂᏁᏉᏤᎸ ᎠᏂᏃᏗᏍᎬᎢ.\nᎯᎠᏍᎩᏂ ᏤᏥ ᎤᎤᏦᏅᎯᏉ, ᎾᏍᎩ ᏣᏒᏁᎸᎯ ᏧᎬᏩᎶᏗ ᎠᏂᎨᏴᎯ ᎤᏂᏁᎫᏥᏛ ᎤᏪᎳᏗᏙᎸᎢ, ᎢᎯᎡᎸ ᎦᎵᏦᏔᏅᎯ ᏩᎦ ᎠᎩᎾ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎢᏳᏃ ᎤᏐᏅ ᎠᎩᏁᏤᏍᏗ, ᎾᏍᎩ ᎯᎦᏔᎯ ᏫᏂᎦᎵᏍᏓ ᎤᏐᏅ ᎠᎩᏁᏨᎢ; ᎢᏳᏍᎩᏂ ᎣᏏᏳ ᎠᎩᏁᏤᏍᏗ, ᎦᏙᏃ ᏥᏍᏋᏂᎭ?\nᏧᏍᏗ ᏓᏂᏏᎳᏛᎥᏍᎨ ᎦᏅᏙᏗ ᎾᎥᏂ.\nᎤᏍᏉᏟ ᎤᏒᏂᎴ, ᎤᏰᏣᏍᏔᏁᎢ ᎤᏃᏕᎾ, ᎦᎸᎳᏗᏣ ᎤᏂᏏᏅᏎᎢ.\n“ᏁᎵᏍᎬᎢᏍᎪ ᏄᏛᏁᎴᎢ ᎤᏓᏛᏛᏁ ᏫᎵᎻ.\n“ᏙᏳᎩ?” ᎤᏛᏁ ᏌᎳᏓ, ᎤᎨᏳᎯ ᏚᎧᎾᏁ.\nᎤᏇᏓᎵᏰᏃ ᎠᎦᏌᏯᏍᏙᏗ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᏩᎵᏰᎢᎶᎯᎭ; ᎠᏓᏅᏙ. ᏍᎩᏂ ᎠᏕᏌᏯᏍᏙᏗᏱ ᎬᏂᏛ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᏗᎨᏒ ᏩᎵᏰᎢᎶᎯᎭ.\nᎾᏍᎩᏃ ᎠᏁᎲᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᎠᎾᎵᏅᏟ; ᎤᏓᏂᎵᎨᏃ ᎤᏕᏒᏅᎩ, ᎠᎴ ᎤᏲᎱ-Ꮢ ᏧᏪᏥ ᎾᏁᎲᎾ.\nᎢᏣᏓᏁᎮᏍᏗ, ᏂᎯᏃ ᎠᏎ ᎡᏥᏁᏗ ᎨᏎᏍᏗ; ᎣᏍᏛ ᎠᏟᎶᏛ, ᎠᏍᏓᏲᏔᏅᎯ, ᎠᎴ ᎠᏖᎸᏅᎯ, ᎠᎴ ᎬᏤᏪᎩ, ᎨᏥᏁᏗ ᎨᏎᏍᏗ ᏴᏫ ᏕᏣᏓᏠᎲᎢ. ᏄᏍᏛᏰᏃ ᎢᏣᏓᏟᎶᎡᎸ ᎾᏍᎩᏯ ᎾᏍᏉ ᎡᏣᏟᎶᎡᏗ ᎨᏎᏍᏗ;\nᎤᏂᎢᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ ᎡᎶᎯ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏗᎾᏓᏙᏕᏍᏗᏍᎩ, ᎠᏎᏰᏃ ᏗᎾᏓᏙᏕᏍᏗᏍᎩ ᎤᏂᎾᏄᎪᎢᏍᏗ; ᎠᏎᏃ ᎤᏲᎢᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᎠᏍᎦᏯ ᏗᏓᏙᏕᏍᏗᏍᎩ ᎤᎾᏄᎪᏫᏒᎯ.\nᏦᎢᏃ ᎢᎦ ᏅᎩᏁᏃ ᎠᏰᎵ ᎤᎶᏐᏅ ᎠᏓᏅᏙ ᎬᏂᏛ ᎠᏓᏁᎯ ᎤᏁᎳᏅᎯ ᏅᏓᏳᎵᏍᎪᎸᏔᏅᎯ ᎬᏩᏂᏴᎸᎩ, ᎠᎴ ᏚᎾᎴᏅᎩ, ᎾᏍᎩᏃ ᎬᏩᏂᎪᎲᎯ ᎤᏣᏘ ᎤᏂᎾᏰᏒᎩ.\n“ᏣᏉ ᎯᎪ ᎤᏒᎯ,” ᎤᏛᏁ ᎡᏝᏪ ᎢᏳᏍᏗ.\nᎢᏳ ᎠᎴ ᎭᏓᏙᎵᏍᏗᏍᎨᏍᏗ, ᎠᎭ ᏞᏍᏗ ᏄᎾᏍᏛ ᎤᎾᏠᎾᏍᏗ ᏱᏂᏣᏍᏕᏍᏗ; ᎾᏍᎩᏰᏃ ᎣᏐ ᎤᏂᏰᎸᏐ ᎤᎾᏓᏙᎵᏍᏙᏗᏱ ᎤᎾᎴᏗᏱ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᎴ ᏚᏅᏏᏯᏅ ᏕᎦᎳᏅᏛ ᎡᎾᎢᏓᏍᏗᏱ, ᏴᏫᏉ ᎬᏩᏂᎪᏩᏛᏗᏱ ᎤᎾᏚᎵᏍᎪᎢ. ᎤᏙᎯᏳᎯᏯ ᎢᏨᏲᏎᎭ, ᎨᎦᎫᏴᎡᎸ.\nᏱᏥᎦᏙᎥᏎᏍᎩᏂ ᎦᏛᎬ ᎯᎠ ᎾᏍᎩ ᏥᏂᎦᏪᎠ, ᎠᏓᏙᎵᏍᏗ ᎨᏒ ᎠᏆᏚᎵᎭ, ᎥᏝᏃ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎨᏒᎢ, ᎥᏝ ᎤᏂᏍᎦᏅᏨᎯ ᏱᏙᎨᏥᏰᎸᏁ ᏄᏂᏍᎦᏅᏨᎾ.\nᏩᏍᏛ ᎢᏯᎦᏴᎵ ᏧᏕᏘᏴᏓ ᏓᏂᎭᎷᎥᏍᎨ ᏍᎪᏯ ᏃᎴ ᏛᎦ ᎧᏅᏂᏍᎩ.\nᎠᏓᏖᎸᎮᏍᎩ ᎠᎵᏍᎩᏍᏗ ᏯᎩᏨᎦ ᏰᎵᏉ ᏍᎩᎾᎾ ᎢᏳᏍᏗ ᏱᎬᎦ ᎢᎦᏪᏍᏗ ᏓᎩᏏᎳᏛᎢ.”\nᎾᎯᏳ ᏥᏌ ᎤᎴᏅᎮ ᎠᎵᏥᏙᎲᏍᎨᎢ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ; ᏗᏥᏁᏟᏴᎾ ᏕᏣᏓᏅᏛᎢ, ᎿᏉᏰᏃ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎡᏍᎦᏂᏳ ᏓᏯᎢ.\nᎠᏂᏧᏏᏰᏃ ᎤᏰᎸᏛ ᎠᏂᏔᏲᎯᎭ, ᎠᏂᎪᎢᏃ ᎠᏏᎾᏌᏂᏳ ᎨᏒ ᎤᏂᏲᎭ;\nᎤᏣᏘᏅ ᎢᏣ, ᏕᎦᏚᎲ ᎤᎿᏕᎨᏒ, ᏧᎾᏗᏔᏍᏗ ᏃᎴ ᎤᏂᏲ ᎠᏂᎨᏯ ᏚᏂᏁᎸ ᏃᎴ ᎦᎶᏇ ᎬᏘ ᏗᎾᏟ ᏃᎴ ᎠᏰᎳᏍᏗ ᎬᏘ ᏗᎾᏟ.\nᎾᎥᏂ ᏱᏣᎪᎵᏰ, ᏱᎪᏩᏔ ᎦᏙ ᏭᎪᏍᎬ.\n”ᎭᏩ, ᎨᏍᏗᏗ ᏓᎳᎳ ᏕᎯᎦᏖᏃᎲ ᏱᎨᎵᏍᎨ,” ᎤᏛᏁ ᏫᎵᎻ, ᏰᎵ ᎤᏂᎦᎸᎯ.\nᎧᎵ ᎠᏂᏅ ᏗᎦᏅᎯᏓ ᏗᎦᏍᎩᎶᎩ, ᏗᏂᏲᏟ ᎡᏓᏍᏘ ᎠᏂᏅ ᎠᎴ ᎠᏂᏅᎬ.\nᎯᎸᎯᏨ ᏗᎨᏥᏂᏴᏓ, ᎪᎰᏍᏘ ᎫᏩᏛᏁᏗ ᏱᎨᏒᎾ ᏧᏍᏕᎸᏗ.\nᏦᎢ ᎢᏳᏩᎬᏘ ᎤᏙᏓᏈᏒ ᏩᏩᏛᎯᏙᎮ ᏫᎵᎻ, ᏧᏍᏆᎸᎰ ᎠᎵᏍᏓᏴᏗ, ᏃᎴ ᎤᏚᏓᎸᏁᎸ ᏫᎵᎻ ᏍᎩᎾᎾ ᏄᏛᏁᎴ.\nᎠᏲᎱᏍᏗ ᎤᏓᏨᏯᏍᏗ ᎨᏒ, ᎾᏍᎩ ᎠᏍᎦᏂ; ᎠᏍᎦᏂᏃ ᎤᎵᏂᎪᎯᏍᏗᏍᎩ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ.\nᏲᎾ ᎤᏤᏍᏙ ᏏᏆ ᎤᏴᏍᏗ ᏭᏴᎴᎢ ᏃᎴ ᏫᎵᎻ ᎦᎾᎥ ᎾᎥᏂ ᏚᏟᏂᏆᏅᏁ.\nᎠᎴ ᎾᏍᏉ ᎠᏂᏔᎵ ᏅᏩᎾᏓᎴ ᎤᏲ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎢᏧᎳᎭ ᏕᎨᎦᏘᏅᎭ ᏗᎨᏥᎢᏍᏗᏱ.\nᎬᏩᏔᏲᏎᎴᏃ ᏧᏁᏤᏗᏱ ᏂᎨᏒᎾ ᏗᏍᏛᎬ ᏭᏂᎶᎯᏍᏗᏱ.\nᎰᎻ ᎨᏍᏗ ᏳᎵᏍᎪᎵᏓᏁᎮ ᎤᏅᎪᎢᏍᏗ ᏫᎵᎻ ᎠᎴ ᏭᏴᏍᏗ ᏲᎾ ᎤᏤᏍᏙ ᏫᎵᎻ ᎤᏴᏍᏗ.\n”ᏓᏓᎾᏁᎶᏂᎨ ᏧᏍᏆᏴᏍᏗ?” ᎤᏛᏛ ᏫᎵᎻ.\nᎬᏁᏤᎭ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎠᎴ ᎨᎦᏑᏰᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎠᏂᎦᏔᎲᎢ, ᎯᎠ ᎾᏍᎩ ᏣᎦᏌᏯᏍᏙᏗᏱ ᎢᎬᏱ ᎦᏰᎯ ᏂᏚᎪᏗᏍᎬᎾ, ᎠᎴ ᏕᏣᎸᏫᏍᏓᏁᎲ ᎩᎶ ᏂᏯᎵᎪᏁᎲᎾ.\nᎠᎴ ᎾᏍᏉ ᎴᎭᏫ ᎤᏁᎫᏥᏛ ᏝᏍᎪ ᏕᎤᎸᏫᏍᏓᏁᎲ ᏳᏚᏓᎴᏍᏔᏁᎢ ᏚᏓᏂᎸᏨ ᎾᏍᎩ Ꮎ ᏅᏓᎨᏥᏅᏏᏛ ᎠᎴ ᏚᏅᏫᏍᏔᏅ ᎤᏣᏘᏂ ᎢᏗᏢ ᏭᏂᎶᎯᏍᏗᏱ?\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎠᏁᏙᎲ ᎤᎷᏨ, ᎤᏂᏣᏘ ᏚᎪᎮ ᎬᏩᎾᏓᏡᏫᏍᏕᎢ, ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎬᏩᎾᏛᏛᎮᎸᎢᏍᎨᎢ.\n”ᏍᏆᏛᎦᏍᏓ, ᏍᏆᏛᎦᏍᏓ!” ᎤᏪᎷᏁ ᏌᏌ.\nᎡᏘᏴᏓ ᏓᎫᏩᎴᏅᏓ ᏓᏍᏆᏂᎪᏗᏍᎬ ᏣᏁᏆ ᏃᎴ ᏧᏂᏍᏗ ᎢᎾᎨ ᎤᎾᏕᏅ, ᏃᏥ ᏧᎧᎭᏲᏓ ᏥᏓᏓᏪᎳᎩᏍᎪ ᎢᎦᎦᏓ, ᏚᎾᎧᏛ ᎬᏂᎨᏒ ᎠᏓᏪᎳᎩᏍᎬ, ᎤᏃᎴ ᎠᏒᎢᏍᏗᏍᎬ ᏏᏆ ᎤᏍᏘᏯᏅ ᎠᎪᎲᏍᎬ ᎠᏒᎬ.\nᎢᎬᏱᏱᏃ ᎠᎴ ᏔᎵᏁ, ᎠᏂᏯᏫᏍᎬ ᎤᏂᎶᏒ ᏭᏂᎷᏤ ᏔᎷᎩᏍᎩ ᏗᏍᏚᏛ ᏗᎦᏚᎲ ᏫᎦᎾᏄᎪᎢᏍᏗᏍᎬᎢ, ᎾᏍᎩ ᎤᏩᏒᏉ ᎤᎾᎵᏍᏚᎢᎡᎴᎢ. ᎤᏂᏄᎪᏨᏃ ᏌᏉ ᎦᎳᏅᏛ ᎤᏂᎶᏎᎢ, ᎩᎳᏉᏃ ᎢᏴᏛ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏓᏓᎴᏔᏁᎢ.\nᏏᏲ ᎤᏍᏗ ᎠᏣᏗ. ᎤᏛᏁ ᎠᏤᎯ ᎠᏣᏗ, ᏗᎦᏌᏆᎸ ᏚᏁᎦᎸ ᏗᎬᏗ, ᎠᏯ ᏓᎶᎨ ᎬᏉᏎᎰ ᎠᏂᏣᎳᎩ. ᏅᏲ ᏥᏓᎣ ᏃᎴ ᏕᏥᏅᎦᎵᏍᎪ.\nᎦᏳᎳᏰᏃ ᎢᎦᏛ ᎤᎾᎪᎸᏒ ᏎᏓᏂ ᎤᎾᏍᏓᏩᏕᏅ.\nᎤᏔᏕᎩᏍᎨ ᏃᎴ ᎤᏲᏏᏍᎨᎢ ᏥᏍᏕᏥ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏨᏔᏲᏎᎭ ᎢᏣᎵᏍᏓᏴᏗᏱ, ᎾᏍᎩᏰᏃ ᎯᎠ ᎢᏣᎵᏍᏕᎸᏙᏗ; ᎯᎠ ᏰᏃ ᏥᏂᏣᏛᏅ ᎥᏝ ᎩᎶ ᏌᏉᎤᏅ ᎤᏍᏘᏰᏅᎯ ᎠᏓᎦᏙᎠᏏ.\nᏃᎴ ᏍᏉ, ᎤᏩᏌ ᎤᏓᏟᏃᎮᏕ, ᏰᎵ ᏚᎷᏫᏍᏔᏁᎴ ᏰᎵ ᎤᏦᏍᏗ ᏧᎷᏫᏍᏔᏁᏗ.\nᎾᎯᏳᏃ ᎢᎦ ᏆᎴᏗ ᎠᎴ ᎡᎶᏛ ᎤᎾᎵᎢᏕᎢ; ᏗᎾᏓᏍᎦᎩᏰᏃ ᎢᏳᎵᏍᏔᏅᎯ ᎨᏎ ᎾᎯᏳ ᎢᏯᏍᏘ.\nᎤᏍᎦᏃᎵ ᎾᎥᏂ ᎤᎷᏤ ᎤᏔᏂᏗᎨ ᎠᏣᏗ, ᎡᎳᏗ ᎢᏳᏍᏗ ᎤᏬᏂᏎ, ᏏᏲ ᎤᏍᏗ ᎠᏣᏗ, ᎤᎬᏍᏕᎵ ᎬᏉᏎᎰ ᎠᏂᏣᎳᎩ.\nᎥᎥ, ᏚᏳᎪᏗ ᎨᎵᎭ ᎢᎪᎯᏛ ᎠᏂ ᎯᎠ ᎦᎵᏦᏛ ᏥᏯᎥᎢ, ᎢᏨᏰᏍᏛᏙᏗᏱ ᎢᏨᏯᏅᏓᏗᏍᏗᏍᎬᎢ;\nᎠᏍᎦᏯᏱ ᎠᏓᎾᏅᎥᏍᎩ ᏃᎴ ᎠᏙᎩᏯᏛ, ᎤᏍᏗ ᎠᏍᎦᏯ ᎤᏨᏉᏗ, ᎠᏍᎧᎾᎢ ᎢᏣ ᎦᎴᏂ ᎠᏯᏙᎯ ᎤᏍᏘᏰᎬ ᎤᏭᏌᎥ ᎤᎨᏬᏗ ᎨᏒ.\nᎦᎸᎳᏗ ᏭᏔᎷᎨᎢ ᎦᏓᎡᎢ, ᏎᎦ ᏓᎦᏢᏂᏎ, ᏁᎳᎩ ᎤᏓᏅᏖᏗᏍᎨᎢ ᏫᎵᎻ.\nᏃᏉᏗ ᏙᏳ ᏧᏂᎾᎸᏤ ᎭᎾᏉ ᏧᏂᏂᏴᎮ ᏍᎩᎾ ᏥᏍᏆ ᏃᎴ ᏧᎾᏣᎧᏎᎴ ᎦᎾᎪᎢ. \nᏅᏃᎯ ᎠᏂᎶᏏᏙᎲ ᏕᎦᎦᏙᏍᏙ ᎠᏂᎩᎶ, Claire ᏥᎦᏖᏃᎰ, ᎤᎩᏓᏟᏅᏯ ᏳᎾᎵᎪ ᏯᏂᏩᏛᎯᏙ ᎠᏰᎵ ᏧᏂᎳᏫᎢᏍᏗ.\nᎢᎬᏱᏃ ᎤᎷᏨᎯ, ᎯᎠ ᏄᏪᏎᎢ, ᏍᎩᎾᏝᎢ, ᏣᏤᎵ ᏑᏓᎨᏛ ᎠᏍᎪᎯ ᎢᏳᏓᎨᏛ ᎤᏁᏉᏨ.\nᎾᎦᎥ ᎣᏍᏛ ᎠᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᏂᎦᎥ ᎣᏌᏂ ᎠᏓᏁᏗ ᎨᏒ ᎦᎸᎳᏗ ᏗᏓᎴᎲᏍᎦ ᎠᎴ ᎠᏠᎠᏏᎯᎭ ᏗᏓᎴᎲᏍᎦ ᎠᎦᏴᎵᎨᏍᏛᏱ ᎢᎦᎦᏘ ᎤᏪᎯ, ᎾᏍᎩ ᎬᏩᏓᏁᏟᏴᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᎬᏩᎦᏔᎲᏍᏗ ᎨᏒ ᏄᏓᏴᎳᏛᏫ ᎨᏒᎢ.\nᏄᏓᎴ ᎤᏚᎵᏍᎬ, ᎨᎵ ᎤᏓᏂᏰ ᎤᏛᏅᎢᏍᏙᏗ ᎤᎾᎥ.\nᎨᏍᏗ ᏗᎬᏩᏎᏍᏗ ᏱᎨᏎ ᏫᎵᎻ, ᎠᎧᏔᎮᎢ ᏰᎵ ᎾᏂᎡ ᏧᎵᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏭᎩᏨᏅ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ, ᎠᎴ ᏧᎾᏛᏐᏅᎯ, ᎠᎴ ᏗᏃᏪᎵᏍᎩ, ᎠᎴ ᏂᎦᏛ ᏗᏂᎳᏫᎩ ᎤᎾᎵᏃᎮᎸ ᎤᎾᎸᎴ ᏥᏌ, ᎠᎴ ᎤᎾᏖᎾᏫᏛᎮᎢ, ᎠᎴ ᏆᎴᏗ ᏫᏚᏂᏲᎯᏎᎴᎢ.\nᎤᎳᏏᏕᎾ ᎬᏗ ᎤᏒᏂᎴ ᏧᏍᏆᏴᏍᏗ ᎧᏁᏍᎪ ᎭᏫᏂᏣ.\nᎠᎴ ᏏᏂᎹᏂ, ᎠᎴ ᏗᎦᏩᏒᎩ, ᎠᎴ ᎠᏠᏁᏗ, ᎠᎴ ᎠᏜ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ, ᎠᎴ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ, ᎠᎴ ᎪᎢ, ᎠᎴ ᏩᎾᎨ ᎤᏣᎴᏍᏗ ᎢᏒ, ᎠᎴ ᎤᏣᎴᏍᏗᎤᎦᏛ, ᎠᎴ ᎦᎾᏝᎢ, ᎠᎴ ᎠᏫ-ᎤᏂᏃᏕᏅ, ᎠᎴ ᏐᏈᎵ, ᎠᎴ ᏧᏍᏗ-ᏓᏆᎴᎷ, ᎠᎴ ᏴᏫ-ᏗᎦᎾᏝᎢ, ᎠᎴ ᏴᏫ ᏧᎾᏓᏅᏙ.\nᏧᏓᏃᏣᏟ ᎠᏍᎦᏯ ᎨᏒ, ᎢᏓᏗᏍᎪ, ᎾᏗᎦᎵᏍᏙᏗᏃ ᎾᏍᎩ ᏧᏬᎷᏩᏛᏓ ᏗᎪᏪᎶᏙᏗ ᎠᏯ ᎢᏗᏣᎳᎩ ᎡᎵᏊ ᎨᎪᏪᎶᏗ ᎢᎬᏌ ᎢᎩᏬᏂᎯᏍᏗ.\nᎾᏍᎩ ᏗᏥᎦᎵᏍᏓᏕᏗ ᎨᏎᏍᏗ ᏗᏥᎾᏫ, ᎠᎴ ᏗᏣᎵᏂᎪᎯᏍᏙᏗ ᎨᏎᏍᏗ ᏂᎦᎥ ᎣᏍᏛ ᎨᏒ ᎢᏥᏬᏂᎯᏍᏗᏱ ᎠᎴ ᏗᏥᎸᏫᏍᏓᏁᏗᏱ.\nᎿᏉᏃ ᎡᎩᎵᏈ ᎯᎠ ᏄᏪᏎᎸᎩ ᏇᏍᏓ; ᎠᏴ ᎾᏍᏉ ᎠᏋᏒ ᎠᏆᏚᎵᎭ ᏥᏯᏛᎦᏁᏗᏱ ᎾᏍᎩ ᎠᏍᎦᏯ. ᎯᎠᏃ ᏄᏪᏒᎩ; ᎤᎩᏨᏅ ᏘᏯᏛᎦᏁᎵ.\nᎠᎬᏱ ᏓᎩᏯᎬ ᏓᎬᎾ, ᏕᎦᏕᎣᏍᏔᏅ ᎦᏍᎩᎸ ᎠᏂᏂ.\nᎠᏎᏃ ᎾᏂᎥ ᎠᏂᎪᎵᏰᏍᎨᏍᏗ ᎤᏅᏒ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ, ᎿᏉᏃ ᎤᏅᏒ ᎨᏒ ᎤᏂᎮᏍᏗ ᎤᎾᎵᎮᎵᏍᏙᏗ, ᎥᏝᏃ ᏅᏩᎾᏓᎴ ᎨᏒᎢ.\nᏂᎪᎯᎸ ᏂᎦᏓᏙᎵᏍᏗᏍᎬ ᏂᏥᏔᏲᎯᎲ ᏂᎯ ᏂᏥᎥ ᎡᏥᏙᎵᏍᏗᏱ, ᎤᎵᎮᎵᏍᏗ ᎠᏆᏓᏅᏛ ᎦᏓᏙᎵᏍᏗᏍᎬᎢ,\nᎯᎠ ᏂᏪᏍᎨᎢ, ᎯᎠ ᎾᏍᎩ ᎩᎬ, ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎠᏍᏓᏱᏗᏍᎩ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏥᏥᏁᏤ ᏗᏥᎧᎿᏩᏛᏍᏗᏱ.\nᎾᎯᏳᏃ ᏥᎨᏒᎩ ᎦᏙ ᎤᏍᏗ ᎢᏥᏄᏉᏤᎮ ᎾᏍᎩ ᎪᎯ ᏥᏣᏕᎰᏍᎦ? ᎠᏲᎱᎯᏍᏗᏰᏃ ᎨᏒ ᏭᎵᏰᎢᎶᎯᏍᏗ ᎾᏍᎩ.\nᏑᎾᎴᏃ ᎠᎾᎢᏒᎢ, ᎤᏂᎪᎮ ᎡᎦᏔᎢᏳᏍᏗ ᎲᎬ ᎤᏩᏴᏒᎯ ᎨᏎ ᏚᎿᏍᏕᏢ ᏅᏓᎬᏩᏓᎴᏅᏛ.\nᎢᏣᏕᎶᏆᏗᏰᏃ ᎢᏨᎥᏏ, ᎾᏍᎩᏯ ᏂᏨᏯᏛᏁᎸ ᎢᏣᏛᏁᏗᏱ.\nᏂᎦᏓ ᎦᏚᎲᎢ ᏧᏂᎷᏗᏤᎢ ᎡᏆ ᏣᏚᏂᎳᏫᏤ ᎾᏍᏊ ᏣᏚᎧᏔᏁ ᎯᎳᎪ ᎾᏍᏊ ᏧᏂᏲᎯᏍᏗᏊ.\nᎣᏍᏓ ᎤᏰᎸᎮ ᏌᎳᏓ ᏚᎶᏅᎮᎸ.\nᎢᏣᎵᎮᎵᎩ ᎾᏍᎩ ᏄᎵᏍᏓᏁᎸ ᎢᏳᏍᏗ, ᏂᎯ ᎦᎸᎶᎢ ᎠᎴ ᏂᎯ ᎢᏣᏓᏅᏘ ᎠᎴ ᎡᏥᏅᏏᏛ, ᎠᎴ ᎢᏣᏙᎴᎰᏍᎩ; ᎤᏁᎳᏅᎯᏰᏃ ᏂᎯ ᎨᏒ ᎢᏳᏍᏗ ᎾᏍᎩ ᎠᎦᏞᏥ.\nᏑᎾᎴᏃ ᏄᎵᏍᏔᏅ ᏗᏄᎪᏗᏍᎩ ᏚᏂᏅᏎ ᏗᎾᏓᏂᏱᏍᎩ, ᎯᎠ ᏫᏄᏂᏪᏍᏗᏱ; ᏘᎧᎲᎦ Ꮎ ᎠᏂᏍᎦᏯ.\nᏎᎦ ᎨᏍᏗ ᎪᎱᏍᏗ ᏳᏛᎾ ᏌᎳᏓ.\nᎤᎴᏫᏍᏙᏗᎢ ᏗᎦᎶᎩᏍᎩ ᏧᏪᏅᏒᎢ ᎾᏓᏁᎸᎾ ᏱᎩ ᎡᏍᎦᏂ\nᎠᎴ ᎤᏙᎯᏳᎯ ᎵᏫ ᏧᏪᏥ ᎠᏥᎸᎨᎳᏍᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎨᏥᏁᏗ ᎨᏒᎢ ᎨᎦᏒᎦᎸᏗᏍᎨ ᎠᏍᎪᎯᏁ ᎪᏣᎴᏛ ᏧᏂᏂᏢᏗᏱ ᏴᏫ ᎾᏍᎩᏯ ᏂᎬᏅ ᏗᎧᎿᏩᏛᏍᏗ, ᎾᏍᎩ ᎠᎾᎵᏅᏟ ᎨᏒᎢ, ᎾᏍᏉ ᎡᏆᎭᎻ ᎠᏰᎵ ᏅᏓᏳᎾᏓᎴᏅᎯ ᎨᏒᎢ.\nᏎᎦᏨ ᎦᏬᏂᏍᎬᎢ ᏃᏊ.\nᎠᏎᏃ ᎢᏣᏓᏑᏯ ᏂᏦᎯᏳᎲᏍᎬᎾ. ᏥᏌᏰᏃ ᏗᏓᎴᏂᏍᎬ ᏂᏓᎦᏔᎰ ᎾᏍᎩ Ꮎ ᎾᏃᎯᏳᎲᏍᎬᎾ, ᎠᎴ ᎾᎦᏔᎰᎢ ᎾᏍᎩ ᎾᎤᏡᏗᏍᎩ ᎢᏳᎵᏍᏙᏗ.\nᎾᏍᎩ ᎠᏍᎩᎾ ᎢᎩᎶᏄᎮᏗᏱ ᏂᎨᏒᎾ; ᎥᏝ ᏰᏃ ᏱᎩᎪᏁᎸ ᎾᏍᎩ ᎠᏓᏅᏖᎵᏙᎲᎢ.\nᎢᏓᎵᏅᏟ, ᎢᏳᏃ ᎩᎶ ᏂᎯ ᏂᏣᏛᏅ ᎠᏞᏍᎨᏍᏗ ᏚᏲᏍᎨᏍᏗ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎩᎶᏃ ᎢᎤᎦᏔᎲᏍᎨᏍᏗ,\n”ᎣᏍᏓ ᎠᎩᏰᎸᎰ ᏩᏇᏓᏍᏗ ᎭᎾ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏅᏩᏓᎴᏰᏃ ᎦᎫᏍᏛᏗ ᎥᏝ ᎩᎶ ᎬᏩᏗ ᏱᎩ ᎾᏍᎩ ᎤᏩᏒ ᎦᏳᎳ ᎠᏅᎯ ᏥᎩ, ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᏥᎩ.\nᎾᎥᏃ ᏓᏓᎿᏩᏍᏛ ᏥᏌ ᎦᏛᎢ ᎠᏂᏙᎾᎥᎩ ᎤᏥ, ᎤᏂᏃ ᎤᎸᎢ ᎺᎵ ᏟᎣᏆ ᎤᏓᎵᎢ, ᎺᎵᏃ ᎹᎩᏕᎵ ᎡᎯ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏥᎪ ᎿᏉ ᎢᏦᎯᏳᎲᏍᎦ?\n“ᎨᎵᎠ ᏰᎵᏉ ᏓᏓᎴᏅᎯᏉ ᏰᏙᎲᎾ ᏥᏍᏕᏥ.\nᎤᏙᎯᏳᏗᏱ ᎠᏰᎸᏒᎩ ᎢᏌᏯ ᎠᏙᎴᎰᏍᎩ ᏧᏁᏤᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ; ᎤᏩᏒ ᎢᎩᎩᏍᏓᏁᎸᎩ ᏗᏗᏩᎾᎦᎳᎯᏳ ᎨᏒᎢ, ᏕᎩᏢᎬᏃ ᏧᏤᎵ ᏂᏚᏩᏁᎸᎩ.\nᎪᎯᏰᏃ ᎨᏒ ᎤᏍᎪᎸ ᎢᏗᎪᏩᏗᎭ ᎠᏓᎨᏗᏱ; ᎾᎯᏳᏍᎩᏂ ᎨᏎᏍᏗ ᏕᎦᎧᏛ ᏙᏓᏓᏓᎪᎯ; ᎪᎯ ᎨᏒ ᎢᎦᏛᏉ ᏥᎦᏔᎭ; ᎾᎯᏳᏍᎩᏂ ᎨᏎᏍᏗ ᏥᎦᏔᎮᏍᏗ ᎾᏍᎩᏯ ᎾᏍᏉ ᎥᎩᎦᏔᎲᎢ.\nᎠᎴ ᎠᏏ ᎤᏣᏔ ᏥᏌ ᏧᎸᏫᏍᏓᏁᎸᎯ, ᎾᏍᎩ ᎢᏳᏃ ᏂᎦᏛ ᏱᎪᏪᏔᏅ, ᎦᏓᏅᏖᏍᎬ ᎡᎶᎯ ᎾᏍᏉ ᏯᎧᎵᎩᏉ ᎪᏪᎵ ᎾᏍᎩ ᏗᎪᏪᎳᏅᎯ. ᎡᎺᏅ.\n”ᎠᏯ ᎤᏙᎯᏳᎯ,” ᎤᎵᏍᏗ ᎢᏳᏍᏗ ᏂᏧᏪᏎ.\nᎤᏁᏅᏎᏃ, ᎠᎴ ᏭᏂᏩᏛᎮ ᎠᎩᎾ ᎨᎵᏌᏕ ᎦᎶᎯᏍᏗᏳᎶᏗ ᏙᏱᏗᏢ, ᎾᎿ ᏕᎦᏅᏅ ᏓᏠᏍᎬᎢ; ᎤᏁᎵᏌᏕᏎᏃ.\nᏎᎦ ᎠᎴᏫᏍᏘᏍᎬ ᎠᏛᎦᏍᏘᏍᎨ ᎢᏴ ᎠᎬᏱᏣ ᎠᎵᏖᎸᎮᏍᎬ ᏧᏆᎶᎬ.\nᏔᎷᏣ ᎫᏌᎢ ᎠᎵᏎᎮ, ᎦᏢᏍᏙᏗ ᎤᏐᏓᎴ, ᏭᎷᏣ ᎠᏯᏖᏅ ᏂᎦᎵᏍᏗᏍᎬ ᎤᎨᏓᎵᏴ, ᎤᏩᎾᏕᏍᎩ ᏄᏍᏛ, ᏧᎧᎭᏲᏛ ᏚᎦᏌᏛ ᎦᏄᎸ ᏃᎴ ᏧᏯᏛᏅ ᏧᏆᎶᎦ ᏃᎴ ᎡᎳᏗ ᎠᏛᏍᏗ.\n”Ꭳ, ᎤᏬᏚᏨ ᎢᎦ, ᏎᎦᏨ ᎦᎷᎩ! \nᎾᏍᎩᏃ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎤᏩᏒ, ᎠᎴ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎢᎩᏙᏓ, ᎾᏍᎩ ᎢᎩᎨᏳᎯᏳ ᏥᎨᏒᎩ, ᎠᎴ ᏥᎩᏁᎸ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎠᏓᎦᎵᏍᏓᏗᏍᎩ, ᎠᎴ ᎣᏍᏛ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ,\nᏥᏌ ᎤᏁᏨᎩ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᎢᏳᏃ ᎩᎶ ᎠᎩᎨᏳᎯ ᏱᎩ, ᎾᏍᎩ ᏧᎧᎿᏩᏛᏍᏗ ᎠᎩᏁᏨᎢ; ᎡᏙᏓᏃ ᎤᎨᏳᎯ ᎢᏳᎵᏍᏙᏗ, ᎠᎴ ᏓᏲᏍᏗᎷᏤᎵ, ᎠᎴ ᎦᏁᎸᎢ ᏓᏲᏍᏓᏁᎳᏗ.\nᎤᏂᏩᏙᎯᏴᏓ ᏐᏈᎵ ᏧᏂᎾᏌᎾᎩᏛ ᏓᏆᎴᎳ ᏚᎾᏦᏔᏁ ᏭᏂᎷᏤ ᏭᏕᎵᎬ.\nᎥᏝ ᎩᎶ ᎤᏓᎨᏳᎯᏳ ᎨᏒ ᏴᎬᎪᎾᏛᏓ ᎤᎵᎢ ᏗᏲᎱᎯᏎᎯ.\nᏓᎦᎵᏍᎬ ᏃᎴ ᏓᎦᏍᎬ, ᏂᎪᎯᎸᎾ ᎦᏙᎯ ᏗᎾᎪᏘᏍᎪ ᎤᎾᏨᏓᎵ.\nᎠᏂᎯᎠ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎥᏝ ᎤᏁᎳᏅᎯ ᎡᏗᎨᏳᎢᏳ ᏄᎵᏍᏔᏅᎢ, ᎠᏴᏍᎩᏂ ᎢᎩᎨᏳᎯᏳ ᏄᎵᏍᏔᏅᎢ, ᎠᎴ ᏧᏅᏒ ᎤᏤᎵᎦ ᎤᏪᏥ ᎠᎵᏍᎪᎸᏔᏅᎯ ᎠᎫᏴᏙᏗ ᎢᎩᏍᎦᏍᏨᎢ.\nᎤᎾᎳᏅᎯᏰᏃ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ ᎦᎸᎶᎢ ᏨᏗᏓᎴᎲᏍᎦ ᏥᏓᎦᏘᎴᎦ ᏄᏓᎴᏒ ᎤᏁᎳᏅᎯ ᏄᏂᎸᏉᏛᎾ ᎨᏒ, ᎠᎴ ᏂᏚᏳᎪᏛᎾ ᎢᏳᎾᏛᏁᏗ ᎨᏒ ᏴᏫ, ᎾᏍᎩ ᏚᏳᎪᏛ ᏣᏂᎾᎯᏍᏗᎭ ᎤᏲ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ;\nᎦᏓᏁᏍᏛ ᏃᎴ ᎤᎵᏏᎬ ᎠᏁᎰ ᎤᎪᏏᏓ ᎢᏗᏅᏁ.\nᎢᎦᏛᏃ ᎣᏒ ᎦᏙᎯ ᎤᎳᎨᏯᏛᏤᎢ, ᎠᎴ ᏧᏛᏎᎢ, ᎠᎴ ᎤᎦᏔᏔᏁᎢ ᎤᏁᏉᏤ ᎠᏍᎪᎯᏧᏈ ᎢᏳᏩᎫᏗ. ᎾᏍᎩᏃ ᎯᎠ ᏄᏪᏒ, ᎤᎵᏍᏔᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎩᎶ ᏕᎦᎵᎷᎨᏍᏗ ᎤᏛᎪᏗᏱ ᏩᏛᎬᎦ\nᏃᎴ ᏄᏓᎴ ᏰᎵ ᎤᏒᎯ ᎢᏴ ᎠᏥᎸᏳᎸᏗ ᏙᎩᏃᏢ ᏣᎵ.\nᎪᎯᏃ ᏥᎩ ᎢᏗᎦᏔᎭ ᎢᏳᏍᏗ ᎠᏲᏍᏙᏗᏍᎬ ᎬᏂᎨᏒ ᎢᏔᎬᏁᏗᏱ ᎾᎯᏳ ᎬᏂᎨᏒ ᎢᏯᎬᏁᏗ ᎨᏒᎢ.\nᏐᏉ ᎢᏯᎦᏴᎵᏉ ᎾᏂᎭ?\nᎠᎾᏘᎨ ᎠᏂᎨᏯ, ᏗᏂᏲᏟ ᏃᎴ ᏁᏂᏏ ᏧᏆᎶᎬ ᎤᎾᏅᏁ ᎤᎾᏢᏲᎵᎸ ᎢᎾᎯᎨᏍᏗ ᎤᏁᏅᏍᏗ.\n“Ꮒ,” ᎤᏪᎷᏁ ᏲᎾ ᎤᏤᏍᏙ ᏩᏎᎯᎮᎢ.\nᎵᏏᏃ ᎿᏉ ᎤᏍᏆᎸᎡᎴ ᎤᏕᏗᏱ ᎠᏲᎵ, ᎠᎴ ᎤᎾᏄᎪᏫᏎ ᎠᏧᏣ.\nᎠᏙᎯ ᎮᏓ! \nᎠᎴ ᎢᎦᏛ ᎤᎾᏓᏑᏴᎩ ᎤᎾᏚᎵᏍᎬᎩ ᎬᏩᏂᏴᏗᏱ; ᎠᏎᏃ ᎥᏝ ᎩᎶ ᏳᏏᎳᏕᎢ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸ ᏧᏴᎴ ᎾᎯᏳ ᏤᎮ ᎡᏆᏱᏓ. ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ, ᎠᎴ ᏧᎨ ᎠᎦᏙᏗ ᎦᏚ, ᎾᏍᎩ ᎬᎩᏍᏗ ᏂᎨᏒᎾ ᏥᎨᏎ ᎠᏥᎸᎠᏁᎶᎯ ᎤᏅᏒ, ᎠᎴ ᎾᏍᏉ ᏥᏚᏁᎴ ᎾᏍᎩ ᎠᏁᎯ.\nᎿᏉᏃ ᎤᎾᏓᏅᏖᎸᎩ ᎬᏩᏂᏴᏗᏱ: ᎠᏎᏃ ᎥᏝ ᎩᎶ ᏳᏏᏔᏕᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎠᏏ ᏄᏍᏆᎸᎡᎸᎾ ᎨᏒᎢ.\nᎡᏝᏪᎯ ᏄᎵᏍᏔᎾ ᏗᎪᏪᎵᏍᎩ, ᎠᏓᏅᏖᎵᏙ ᎦᏅᏃᏩ ᎤᏬᎦᏒ.\nᎨᏍᏗ ᏗᏣᏏᎳᏛᏗ ᏱᎩ.\nᎣᏍᏓ ᎠᎦᏎᏍᏔᏅ ᏂᎦᎵᏍᏔᏁᎲ, ᎤᏬᎯᏳᏅ ᏁᎳᎩ ᎤᏪᎵᏍᏗ ᎢᏕᎲ, ᏚᏬᎯᏳᏅ ᎦᏙ ᏕᎩᏂᏲᎲ ᏃᎴ ᏳᏃᎯᏳᎲᎾ ᎨᏒ ᏕᎪᏪᎸ ᏕᎦᏙᎥ ᏁᎳᎩ ᎤᏪᎵᏍᏗ.\nᎥᏝ ᎠᎴ ᎩᎶ ᏳᏓᏑᏰ ᏳᏂᎬᎨᎢ, ᎾᏂᎥᏰᏃ ᎦᏓ ᎠᎴ ᏓᏓᏁᎸ ᏧᏂᎯ ᏚᏂᎾᏗᏅᏎᎢ, ᎾᏍᎩᏃ ᎤᏂᎾᏗᏅᏛ ᏧᎬᏩᎳᏅᎯ ᎤᏂᏲᎴᎢ,\nᎿᏉᏃ ᏌᏩᏂ ᏈᏓ ᎤᏬᎸ ᎤᎷᏨᎩ. ᏈᏓᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᏥᏌ ᏂᎯ ᏙᏓᏍᏉᏑᎴᎵ ᏗᏆᎳᏏᏕᏂ?\nᏞᏍᏗ ᎾᏍᎩ Ꮎ ᎠᎵᏍᏓᏴᎲᏍᎩ ᏅᎵᏌᎵᏉ ᏳᏰᎸᏁᏍᏗ Ꮎ ᎾᎵᏍᏓᏴᎲᏍᎬᎾ; ᎠᎴ ᏞᏍᏗ ᎾᏍᎩ Ꮎ ᎾᎵᏍᏓᏴᎲᏍᎬᎾ ᏱᏚᏭᎪᏓᏁᎴᏍᏗ Ꮎ ᎠᎴᏍᏓᏴᎲᏍᎩ; ᎤᏁᎳᏅᎯᏰᏃ ᏚᏓᏂᎸᏨ.\nᏍᏔᏯ ᎢᏳᎵᏍᏔᏅ ᎤᎾᎳᏍᏘᏰᎥ ᎦᏙ ᎤᎾᏛᏁᎸᏗ ᎠᏰᎵ, ᎠᏩᏛᏗ ᏎᎷ ᎠᎾᏔᏍᎩᏍᎩ, ᎤᏁᏍᏔᎶᏨ ᎤᎦᎾᏍᏓ ᎤᏪᏥ ᎠᎦᏅ ᎤᏩᎾᏬᏒ, ᎨᏂᏗ ᏗᎦᏅᎵᏰᏓ ᏒᎧᏔ ᏧᎾᏗᏅᏓ ᏧᏂᏯᏪᏨ ᏗᏂᏲᏟ, ᎧᎵᏎᏥ ᎤᎸᏌᏔᏅ, ᎠᎹ ᏧᏓᏅᎵᏰᏓ ᎤᎾᏔᏅ, ᎤᎦᎾᏍᏓ ᎤᏁᏍᏔᎳ, ᎦᏲᏟ ᎤᏂᎬ ᎤᏁᏍᏔᎶᏨ ᎤᏅᏗ ᏗᎦᎶᏔᏅ, ᏃᎴ ᎠᏓ ᏗᎦᏯᎸᏅ ᎨᏂᏗ.\nᎠᏓᏍᏓᏴᏗ ᎦᏍᎩᎸ ᎠᏌᎾᎡ ᏑᎾᎴ ᎠᎵᏍᏓᏴᏗ, ᏃᎴ ᎠᏒᎨ ᎧᏫ, ᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅ, ᎦᏓᏁ ᎦᏅᎵᏰᎥ ᎠᏦᏴ, ᏃᎴ ᎠᏓ ᏧᎦᏒᏍᏗ ᎠᏓᏍᏓᏴᏗ ᏓᏳᏓᎴᏅ.\nᎠᎵᏥᏙᎲᏍᎬᎩ ᎧᏃᎮᏍᎬᎩ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ, ᎠᎴ ᏓᏕᏲᎲᏍᎬᎩ ᎧᏃᎮᏍᎬᎩ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎤᏍᏗᎤᏅ ᎾᏍᎦᎢᎲᎾ, ᎠᎴ ᎩᎶ ᏄᏅᏍᏓᏕᎲᎾ.\nᎦᎸᎶᎢ ᎢᎦᎯᎨ ᏄᎵᏍᏔᏁ.\nᎿᏛᎦ, ᏣᎵ ᎠᎬᏱ ᏱᏓᏩᏘᏍᎬᎾ.\nᏧᏩᏍᏉᎸ ᏚᏩᏩᏙᎣᏎ ᎤᎧᏛ ᏃᎴ ᏭᏂᏴᎮ ᎦᎷᏯᏍᏗ ᏃᎴ ᎤᏁᎸᏔᏁ ᎤᎩᎡᏗ ᎤᏙᏓ.\nᎡᏣᎵᎡᎵᏤᎲ ᎠᎦᏴᎵᎨᎢ ᎾᏍᎩ ᏰᎵᏉ ᎢᎦᏠᏯᏍᏙᏗ ᎢᎬᏩᎵᏍᏙᏗ ᎢᎬᏁᎸᎯ ᏥᎩ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒ ᎤᎾᏓᏅᏘ ᎢᎦ-ᎦᏛ ᎠᏁᎯ;\nᎨᎦᏅᏔᏗᏍᏔᏁ ᎠᏂᏴᏫ ᎡᏘᏯ ᎤᏛᎾ ᏃᏈᏏ ᎤᏃᎯᎸᏍᏔᏅ, ᎠᎦᏗᏓ ᏱᎫᏩᎾᏅᏔ.\nᏂᎯᎾᎲ!\n“ᏍᏈᏯ ᏗᎦᎷᏫᏍᏔᏁᏗ ᏂᎬᏁᎰ ᎤᎵᏍᏗ. \nᎣᏍᏓ ᎠᏓᏓᏍᎩᏐᏗ ᎭᎾᎾ.\nᎢᏳᏃ ᏁᏙᎢᏳᏅᎾ ᎢᎨᏎᏍᏗ ᎠᏎ ᏅᏩᏍᏗᏉ ᎦᎪᎯᏳᏗ ᎨᏒᎢ; ᎥᏝ ᎤᏩᏒ ᏴᎬᏓᏓᏱᎦ.\nᏔᎵᏁᎢ ᎨᏒ, ᎨᏍᏗ ᏏᏆ ᏱᏗᏥᏍᏆᏂᎪᏍᎦ.\nᎤᏲᏰᏃ ᎢᏳᎾᏛᎿᏕᎩ ᏂᎪᎯᎸ ᎨᏤᎳᏗᏙᎭ, ᎠᏴᏍᎩᏂ ᎥᏝ ᏂᎪᎯᎸ ᏱᏨᏰᎳᏗᏙᎭ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᏑᏓᎴᎩ ᏓᏨᏯᏛᏛᏂ; ᎦᏙ ᏚᏳᎪᏗ ᎤᎾᏙᏓᏆᏍᎬᎢ? ᎣᏍᏛᏍᎪ ᏗᎦᎸᏫᏍᏓᏁᏗᏱ, ᎤᏲᎨ ᏗᎦᎸᏫᏍᏓᏁᏗᏱ? ᎬᏅ ᎠᏍᏕᎸᏗᏱ, ᎠᏓᎯᏍᏗᏱᎨ?\nᎢᏳᏃ ᎠᏴ ᎠᎩᎬᏫᏳᎯ ᎢᏣᏤᎵᎦ ᎠᎴ ᏗᏨᏰᏲᎲᏍᎩ ᏗᏣᎳᏏᏕᏂ ᏱᏗᏨᏲᏑᎴᎭ, ᎾᏍᏉᏍᎩᏂ ᎢᏨᏒ ᎢᏣᎳᏏᏕᏂ ᏱᏗᏣᏓᏙᏑᎴᎭ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᎧᏍᏆᏂᎪᏎᎴ ᎾᏍᎩ ᏄᏪᏒᎢ. ᎠᏎᏃ ᏥᏌ ᏔᎵᏁ ᎢᎤᏁᏨ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏗᏥᏲᎵ. ᎾᏍᏓᏯ ᎾᏍᎩ ᎨᏅᎢᏍᏗ ᎨᏒ ᎠᎾᎵᏍᎦᏍᏙᏗᏍᎩ, ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᏭᏂᏴᏍᏗᏱ.\n”Ꭷ ᎾᎦᎸᎳᏗᏴ ᎭᎩᎶᏩ, ᎯᎠ ᎢᏳᏍᏗ.”\nᎾᏍᎩ ᏤᏣᏟᏴᏏ, ᎤᎵᏂᎩᏛ ᎨᏎᏍᏗ ᎢᏦᎯᏳᏒᎢ, ᎢᏥᎦᏔᎭᏰᏃ ᎤᏠᏱ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᎠᏂᎧᎵᎢᎲ ᎢᏣᎵᏅᏟ ᎡᎶᎯ ᏣᏁᎭ.\nᏙᏓᏆᏓ ᏓᏂᎭᏲᎲ ᎤᎾᎵᏗᎩᏛ, ᎠᎹ ᏕᎨᏴ, ᏚᏙᎥ ᏍᏔᏯ ᎢᏗᎦᏪᏍᏗ ᏫᏥᎢᏍᏔᏯ ᏗᏍᏇᎵᏰᏗ, ᎤᏒᎯ ᏱᏄᎵᏍᏔᎾ ᎠᏧᏍᏛ ᎾᎥᏂ ᎤᏬᏠ ᏍᎦᏰᎬᏍᏔ ᏕᎪᏪᎵᏍᎪ ᎧᏃᎮᏍᎩ, ᏍᏓᏯ ᎠᏍᎩᎾᏗᏍᎪ ᎤᏄᎸᎲᏍᎬ ᏧᏍᏇᎵᏰᏗ ᏚᏙᎥ ᎠᎹ ᏕᎨᏴ.\nᎾᎯᏳᏰᏃ ᏥᏨᏰᎳᏗᏙᎲᎩ, ᎯᎠ ᎾᏍᎩ ᏄᏍᏛᎩ ᎢᏨᏁᏤᎸᎩ, ᎾᏍᎩ ᎢᏳᏃ ᎩᎶ ᏄᏚᎵᏍᎬᎾ ᏱᎩ, ᏧᎸᏫᏍᏓᏁᏗᏱ ᎾᏍᏉ ᎤᎵᏍᏓᏴᏗᏱ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎾᏍᎩ ᎪᎯ ᎨᏒ ᎠᏥᏁᏗ ᏂᎨᏒᎾ ᎨᏒ ᎠᏍᎪᎯᏧᏈ ᎢᏳᏩᎫᏗ ᎤᎶᏒᏍᏗ ᏓᏓᏁᎸᎢ, ᎠᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᏧᏙ, ᎠᎴ ᏧᏥ, ᎠᎴ ᏧᏪᏥ, ᎠᎴ ᏕᎦᎶᎨᏒᎢ, ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᏔᎵ ᎤᏛᏗ; ᏐᎢᏱᏃ ᏗᎨᏒ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎬᏂᏛ.\nᏓᎴᎲᎦ ᏏᏆ! \nᏧᏒᎯᏓ ᏧᏓᏄᎸ ᎢᎦ ᎢᏳ ᎠᏳᎢᏂᏒ ᎠᎼ ᎡᏙ ᏥᏳ, ᏃᎴ ᏄᏓᎴ ᎤᏍᏓᏩᏛᏓ ᏥᏳ, ᎠᎼ ᎡᏉ ᎤᎵᏗᏣ ᏕᎦᏚᎲ ᎣᎩᎶᏒ, ᏃᎴ ᏄᏓᎴ ᏥᏳ, ᏬᎩᎷᎯᏍᏗ ᎾᎥ.\nᎠᏎᏃ ᎢᏌᏯ ᏂᎦᎾᏰᏍᎬᎾ ᎯᎠ ᏂᎦᏪᎭ, ᎬᎩᏩᏛᎲᎩ ᎾᏍᎩ Ꮎ ᏂᎬᎩᏲᎸᎾ, ᎬᎩᏩᏛᎲᎩ ᎾᏍᎩ Ꮎ ᏂᎬᎩᏲᎸᎾ ᎨᏒᎢ; ᎬᏂᎨᏒ ᏂᎬᏋᏁᎸᎩ ᎠᏁᎲ ᎾᏍᎩ Ꮎ ᎾᎾᏛᏛᎲᏍᎬᎾ ᎨᏒ ᎨᎥᎢ.\nᎾᏍᎩ ᎤᏗᏔᏍᏗ ᎨᏎᏍᏗ ᎨᎦᎨᎠᏗᏔᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏓᏑᏱ, ᎾᏍᎩ ᎠᎹ ᎾᏑᏴᎾ ᎦᏐᏅᏴᎯ ᏥᎩ, ᎾᏍᎩ ᎤᎿᎸᏒ ᎠᏩᏘᏍᎩ ᎤᎵᏍᏈᏗᎯ ᎠᏢᎯ ᏥᎩ; ᎠᎴ ᎾᏍᎩ ᎠᏥᎸ ᎠᎴ ᏌᎪᏂᎨ ᎠᏓᏪᎳᎩᏍᎩ ᎠᏥᎩᎵᏲᎢᏍᏙᏗ ᎨᏎᏍᏗ ᎨᏥᎸᏉᏗ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎠᏂᎦᏔᎲᎢ, ᎠᎴ ᎤᏃᏕᎾ-ᎠᎩᎾ ᎠᎦᏔᎲᎢ;\nᎣᏏᏳ ᏂᎨᏒᎾ.\n“ᎠᎵᎮᎵᎩ! \nᎤᏰᎸᏗ “ᎤᏨᏉᏗ ᏱᎨᏒᎾ’ ᏃᎴ “ᎦᏙᎯ ᎾᎥᏂ, ᏍᎩᏗ ᏄᏍᏗ ᏫᎵᎻ.” \nᏳᏂᏔᏕᎩᎠ ᎤᏂᏥ ᎠᏂᎩᏍᎨ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎪᎯ ᎨᏒ ᎤᏟ ᎢᎦᎸᏉᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎤᏩᏛᎲ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏰᎵ ᎠᎴᎲᏍᎩ ᎨᏒ ᎤᏟ ᎢᏲᏍᏛ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎤᎬᏩᎸᎢ, ᎾᏍᎩ ᎤᏟ ᎢᏲᏍᏛ ᏓᏚᎢᏍᏛ ᏧᎵᏍᏓᏱᏍᏗ.\nᎤᏲᏰᏃ ᏧᎸᏫᏍᏓᏁᎯ ᎠᏍᎦᎪ ᎢᎦᎦᏘ, ᎠᎴ ᎥᏝ ᏱᎦᎷᎪ ᎢᎦᎦᏛᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᏄᏚᎵᏍᎬᎾ ᎨᏒ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗᏱ ᏄᏍᏛ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᎩᎶ ᎢᎦᎦᏛ ᎨᎠ ᏯᏗᎭ, ᏗᎾᏓᏅᏟᏃ ᏯᏍᎦᎦ, ᎤᎵᏏᎬᏉ ᎡᎭ ᎩᎳᎯᏳ.\nᏦᎩᏗᏣ ᎠᏂᎴᏴᏍᎩ ᏗᏁᎲ, ᎪᏱᏅᏍᏗ ᏔᎷᎩᏍᎩ ᎠᎹ ᎤᏗᎴᎩ ᎠᏥᏍᏛ ᎤᏬᏱᏅᏍᏔᏁᎢ ᏲᎾ ᎤᏤᏍᏙ ᎤᏒᏍᏗ ᎢᏣ ᏃᎴ ᎤᏓᏬᎡ.\nᏥᏌᏃ ᏔᎵᏁ ᎡᎯᏍᏗ ᎤᏓᏅᏖᏛ ᎠᏤᎵᏍᏛ ᎤᎷᏨᎩ. ᎤᏍᏓᎦᎸ ᎨᏒᎩ, ᎠᎴ ᏅᏯ ᎠᏍᏚᏛᎩ.\nᏔᎳᏚᏃ ᎢᏳᏟᎶᏛ ᎤᎵᏰᎢᎶᎸ ᎤᎵᏏᎲᏎ ᏂᎬᎾᏛ ᎾᎿ ᎦᏙᎯ, ᏦᎢ ᎢᏳᏟᎶᏛ ᎢᏯᏍᏘ.\nᏂᎯᏍᎩᏂ ᎢᏤᏯᏔᎮᏍᏗ; ᎬᏂᏳᏉ ᏂᎦᏛ ᏂᏨᏃᏁᎸ.\nᏣᎵ ᏃᎴ ᏍᏗᏫ ᏚᏂᏁᏤᎴ ᎢᏴ ᏗᏗᏳᎾᎴᏗ.\nᎠᎴ ᎾᏍᎩ ᏚᏙᎥ ᎪᎯᏳᏗ ᎨᏒ ᎤᏧᎵᏍᏙᏔᏅ ᎾᏍᎩ ᏚᏙᎢ ᎤᎵᏂᎪᎯᏍᏔᏅ ᎯᎠ ᎠᏍᎦᏯ, ᎾᏍᎩ ᏤᏥᎪᏩᏘᎭ ᎠᎴ ᏤᏥᎦᏔᎭ; ᎥᎥ, ᎪᎯᏳᏗ ᎨᏒ ᎾᏍᎩ ᎤᏤᎵᎦ ᎯᎠ ᎤᏃᏍᏛᏯ ᏄᏩᏁᎸ ᎢᏥᎦᏔᎲ ᏂᎦᏛ.\nᎢᏳᏰᏃ ᎤᎾᏗᏫᏎᎸᎯ ᏱᎩ ᎦᏓᎭ ᎨᏒ ᎡᎶᎯ ᎡᎯ, ᎠᏅᏗᏍᎬ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎠᎴ ᎢᎩᏍᏕᎵᏍᎩ ᏥᏌ ᎦᎶᏁᏛ, ᏔᎵᏁᏃ ᏱᏅᏁᏒ ᎾᎿᏂ ᎠᎴ ᏱᎨᏥᏎᎪᎩᏒ, ᎤᎵᏍᏆᎸᏗ ᏄᎾᎵᏍᏓᏁᎸ ᎤᏟ ᎤᏲᎢᏳ ᎡᏍᎦᏉ ᎢᎬᏱᏱ.\nᏑᏓᎵᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏤᎷᎯᏒᎩ, ᎩᎶᏃ ᎧᏁᎬ ᎠᏆᏛᎦᏅᎩ ᏛᏓᎴᎲᏍᎬᎩ ᏅᎩ ᏂᏕᎤᎷᎬ ᎠᏕᎸᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏄᏛᏅ ᎢᎬᏱᏗᏢ ᏥᎦᎧᎭ,\nᏃᎴ ᎣᏍᏓ ᎠᏗᏔᏍᏗ! \nᎠᎹ ᎤᏁᎩᏒᏎ ᏣᏄᏏ.\nᎠᏎᏃ ᎣᏍᏓ ᏄᏍᏗᏓᏅ ᏭᏂᎶᎯᏍᏗ, ᏏᏅᏓ ᎢᎪᎯᏓ ᏚᏟᏰᎵᏙᎴ ᏭᏂᎷᎯᏍᏗ, ᎩᎳ ᏗᎨᎦᏨᏍᏔᏅ ᎣᏍᏓ ᎤᏂᏰᎸᏁ ᏚᏂᏂᏗ ᎦᎸ ᏄᏍᏗᏓᏅ ᏃᎴ ᎤᎵᎪᎲᏍᏗ ᏧᏆᎶᎦ ᏚᎵᏑᏫᏒ ᏓᏓᏍᏕᏓᎵᏴᏍᎬ, ᏓᏂᏐᏍᎬ ᏔᎾᏏ ᏃᎴ Arkansas ᏚᏅᏓᏒ.\nᎾ ᎠᏰᏟ ᎦᏙᎬ.\nᎤᏔᎾᏃ ᎤᏓᏍᏕᏎᎢ.\nᎪᏙᏃ ᎬᏙᏗ ᏗᎧᎿᏩᏛᏍᏗ? ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏫᎫᏓᏔᏅᎯ ᎨᏎᎢ, ᎾᏍᎩ ᎤᏁᏢᏔᏅᎯ ᎠᏥᏚᎢᏍᏓᏁᎸᎯ ᎨᏒ ᎤᎾᏄᎪᎢᏍᏗ ᎨᏒ ᎬᏗᏍᎩ; [ᎠᎴ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ] ᏗᏂᎧᎿᏩᏗᏙᎯ ᎣᏍᏛ ᏄᏅᎿᏕᎨ ᎾᏍᎩ ᏧᏒᎦᎴ ᎠᏰᎵ ᏁᎴᏁᎯ.\nᎩᏁᏤᎮᏍᏗ ᏧᏁᎿᎢ ᏥᎩ ᎠᏂ ᎡᎶᎯ ᎾᏍᎩ ᎤᎾᏢᏉᏗ ᏱᏉ ᏂᎨᏒᎾ, ᎠᎴ ᎤᎾᎵᏍᎦᏍᏙᏙᏗᏱ ᏂᎨᏒᎾ ᎤᏓᎵᏓᏍᏗ ᎨᏅᎢᏍᏗ ᎨᏒᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎬᏂᏛ ᎠᎾᎵᏍᎦᏍᏙᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎤᏣᏘ ᎢᎩᏁᎯ ᏥᎩ ᎾᎦᎥ ᏄᏓᎴᏒ ᎣᏍᏛ ᎢᎦᎵᏍᏓᏁᏗ.\nᎾᏍᎩ ᎤᏕᎵᏛ ᎬᏍᎦᎳᏅᎯ ᏥᎨᏒᎩ ᎡᏘ ᏥᎨᏒ ᎠᎴ ᎤᎾᏓᏁᏟᏴᏒᏒ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎠᏎᏃ ᎪᎯ ᏥᎩ ᎬᏂᎨᏒ ᏥᏂᎨᎬᏁᎸ ᎤᎾᏓᏅᏘ ᏧᏤᎵᎦ;\nᏒᎧᏔ ᎤᏂᏥᎸᏍᏗ ᎤᏍᏆᎸᎮ, ᏓᎦᎾᏬᏍᎨ ᎢᎦ.\nᎢᏓᏕᎲᏍᎪᎢ, ᏎᎦ ᎢᏕᎰᎢ, ᏕᏗᎵᏬᎪ.\nᏇᏍᏓᏃ ᎯᎠ ᏄᏪᏒᎩ; Ꮳ-ᎬᏫᏳᎯ ᎡᎩᎵᏈ, ᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᎢᏥᏍᎦᏯ ᎠᏂ ᏥᏗᎾ; ᎡᏥᎪᏩᏗᎭ ᎯᎠ ᎠᏍᎦᏯ, ᎾᏍᎩ; ᎡᏄᎯᏍᏗᏍᎬ ᏂᎦᏛ ᎤᏂᏣᏘ ᎠᏂᏧᏏ ᏥᎬᎩᎷᏤᎸᎩ ᏥᎷᏏᎵᎻ, ᎠᎴ ᎾᏍᏉ ᎠᏂ, ᎯᎠ ᏥᎾᏂᏪᏍᎬᎩ; ᎥᏝ ᎣᏏᏳ ᏱᎦᎩ ᎠᏏᏉ ᏱᎬᏅ.\nᏚᏃᏴᎨ ᎠᏓᏅᏍᎬ ᎾᏍᎩᏯ ᎦᏓᏆᏟ-ᎤᏲᏨ ᏓᏛᏂᏍᏗᏍᎬ.\nᎣᏍᏓ ᎠᏗᏍᎦᎶᏗ ᏂᏚᏍᏕ ᎭᎾᎾ -  ᎣᏍᏓ ᎤᏚᏒᏗ ᏥᏍᏕᏥ.\nᎠᏂᏆᎵᏏᏃ ᎠᎴ ᎠᏂᏌᏚᏏ ᎤᏂᎷᏨᎩ, ᎬᏩᎪᎵᏰᏍᎬᏃ ᎬᏩᏔᏲᏎᎸᎩ ᏧᎾᏄᎪᏫᏎᏗᏱ ᎤᏰᎸᏛ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ.\nᏥᏌᏃ ᎾᏍᎩ ᎯᎠ ᎤᏛᎦᏅ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᎠᏏ ᏑᏓᎴᎩ ᏣᎷᎳ; ᎯᎾᏚᎦ ᏂᎦᏛ ᏣᎾᎥᎢ, ᎠᎴ ᏘᏯᏙᎯᏏ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ, ᎦᎸᎳᏗᏃ ᏫᏣᎮᏍᏗ ᏧᎬᏩᎶᏗ; ᏖᏒᏃ ᏍᎩᏍᏓᏩᏕᏒᎭ.\nᎥᏝ ᎪᎱᏍᏗ ᎤᏟ ᎢᎦᎢ ᎠᏆᎵᎮᎵᏍᏗ ᏍᎩᏯ ᏱᎩ ᏂᎦᎥ ᎠᏆᎵᎮᎵᏍᏗᎬ ᎦᏛᎬᎦ ᏗᏇᏥ ᏚᏳᎪᏛ ᎨᏒ ᎠᏁᏙᎲᎢ.\nᏍᎩᏴ ᎠᏓᎴᏂᏍᎩ, ᎠᏥᎨᏳ ᎠᏃᏎᎮᎢ - ᎠᏍᎦᎡ ᏂᎨᏒ ᏗᎵᎯ ᎭᎾ ᎦᏚᎲ ᎡᎯ.\nᎭᏂ ᎬᎩᏂᎬᎦ.\nᏗᏂᎦᏙᎵ ᏫᏗᎨᎦᎵᏏᎲᏍᏓᏏ, ᎾᏍᎩ ᎤᏂᎪᏩᏛᏗᏱ ᏂᎨᏒᎾ, ᎠᎴ ᏂᎪᎯᎸ ᏚᎾᏗᏌᏓᏕᎨᏍᏗ.\nᎠᎴ ᎤᎬᏫᏳᎯ ᏧᏎᎮᏗ ᎨᏎᏍᏗ ᏗᏥᎾᏫ ᎡᏥᎨᏳᎢ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏁᎳᏅᎯ, ᎠᎴ ᏗᏒᏂᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᎦᎶᏁᏛ ᎾᏍᎩᏯᎢ.\nᎯᎠᏃ ᏅᎬᏩᏪᏎᎸᎩ; ᎦᏙᏃ ᏱᏏ ᏧᏁᏤ ᎪᏪᎵ ᎦᏅᏁᏗᏱ ᏗᎦᎴᏅᏙᏗ, ᎠᎴ ᎠᎨᎯᏓᏍᏗᏱ?\nᎤᏍᏗ ᎦᏚᎲ ᏩᏯ ᏧᏙᎢᏓ.\n”ᏙᎢᏳᏍᏗ ᎤᏰᎸᏗ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᏚᏁᏤᎴᏃ ᎤᎾᏂᏢᏗᏱ ᏂᎦᏛᎢᏤᎧᏁᏍᎪᎯ ᎨᏒ ᏧᎾᏓᏡᏅᏛ.\nᎬᏩᏛᏛᏅᎩᏃ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎦᏙᏃ ᏥᏕᎭᏓᏬᏍᎦ, ᎢᏳᏃ ᏂᎯ ᎾᏍᎩ ᎾᎦᎶᏁᏛ ᎠᎴ ᎢᎳᏯ ᎠᎴ ᎾᏍᎩ ᎾᎠᏙᎴᎰᏍᎩ ᏂᎨᏒᎾ ᏱᎩ?\nᎠᎾᏓᏁᎸᏍᎨᏍᏗ ᎤᏅᏒ ᎤᎾᏤᎵᎦ ᎣᏍᏛ ᎦᎫᏍᏛᏗ ᎠᏏ ᎾᏍᏆᎵᏍᎬᎾ ᎾᎯᏳ ᎤᏍᏆᎸᏗ ᏥᎩ, ᎾᏍᎩ ᎾᎵᏍᏆᏗᏍᎬᎾ ᎬᏂᏛ ᏗᎬᏩᏂᏂᏴᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏥᏌ ᎿᏉ ᎥᏝ ᎢᎸᎯᏳ ᎬᏂᎨᏒ ᏱᏚᏪᎳᏗᏙᎴ ᎠᏂᏧᏏ; ᎾᎿᏍᎩᏂ ᎤᏂᎩᏒᎩ, ᎢᎾᎨ ᎾᎥ ᏭᎶᏅᎩ ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ.\nᎾᏍᎩ ᎤᏙᎯᏳᏒ ᎤᏁᎳᏅᎯ ᎤᏃᎮᏍᎩ ᎤᏂᏁᏟᏴᏍᏔᏁ ᎦᏰᎪᎩ ᎨᏒᎢ, ᎠᎴ ᎤᏟ ᎢᎦᎢ ᎤᎾᏓᏙᎵᏍᏓᏁᎴ ᎠᎴ ᎪᎱᏍᏗ ᎤᎾᏛᏁᎴ ᎠᎪᏢᏅᎯᏉ ᎨᏒ ᎡᏍᎦᏉ ᎢᎦᎢ ᎤᏬᏢᏅᎯ, ᎾᏍᎩ ᎦᎸᏉᏙᏗ ᏥᎩ ᏂᎪᎯᎸᎢ. ᎡᎺᏅ.\n“ᎰᎵᏍᎦᏍᎪᏃ?” ᎤᏛᏛᏁ ᎪᏱᏁᎢ.\nᎤᏒᎮᏱᏣ ᏄᎵᏍᏔᏁᎢ ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᏃᎴ ᎤᏩᏙᎯᏴᏓ ᏄᏍᏕ.\nᎾᏉᏃ ᏉᎳ ᎠᎴ ᏆᏂᏆ ᎧᏁᏉᎨ ᎾᏂᏍᎦᎢᎲᎾ ᎨᏒᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᏂᎯ ᎢᎬᏱ ᎠᏎ ᎡᏥᏃᎮᎮᏗ ᎨᏒᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎧᏃᎮᏛ; ᎠᏎᏃ ᎢᏢᏉ ᏥᏂᏨᏁᎭ ᎠᎴ ᎢᏨᏒ ᎢᏣᏓᏅᏖᏍᎬ ᏰᎵ ᎦᏰᏥᏁᏗ ᏂᎨᏒᎾ ᏥᏥᏰᎸ ᎬᏂᏛ, ᎬᏂᏳᏉ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏗᏁᎲ ᏬᏍᏓᎦᏔᎲᏍᏓ.\nᎠᏰᎵᏉ ᎢᏴ ᏗᎪᏩᏛᏗ ᏗᎦᏓᏁ ᏕᏧᎬ, ᎠᏍᎧᏅᎢ ᎢᏣ ᎦᎾᎱᎩᏍᎬ ᎨᏴ.\n“ᏥᏳ ᎦᏣᏄᎳ ᎦᏃᎯᎵᏙ ᏓᏥᏰᎴᏏ ᏃᎴ ᏄᏓᎴ ᏓᏥᏴᏂᎵ”\nᎠᏴᏰᏃ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏳᏩᏂᏌᏛ ᎠᎩᏲᎱᏒᎯᏉ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎲᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᎬᏩᎵ ᎠᏆᎴᏂᏓᏍᏗᏱ.\nᎢᏳᏰᏃ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᏱᏂᎬᏁᎭ ᏱᎦᏄᏬᎭ ᎧᏁᏍᎦ ᏠᎨᏏ ᎡᎯ, ᎪᎯ ᎢᎦ ᏤᎭ, ᎤᎩᏨᏅᏃ ᏗᎦᏚᏗᏱ ᏭᎾᏗᏅᏗ ᏥᎩ, ᏝᏍᎪ ᎤᏟᎯᏳ ᏱᏂᏙᎨᏥᏄᏬᏣ, ᎤᏍᏗ ᎢᏦᎯᏳᎯ?\nᏤᏍᏗ ᏱᏣᎴᏃᎴᏍᏗ! \nᏍᏈᏍᏔ ᏗᏒᏅ ᎪᏪᎵ ᏃᎴ ᏍᏈᏍᏔ ᏗᎭᎾᏬ ᏗᏴᏈᏛᏅ ᏚᎸᏔᏁ ᎧᏁᏌᎢ.\nᎾᏍᎩᏰᏃ ᏄᏍᏛ ᏱᎩ, ᎿᏉ ᎭᎵᎮᎵᏨ ᏣᏓᏅᏙ ᎲᏔᏅᎭ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎾᏍᎩ Ꮎ ᎾᎦᏔᎾᎥᎾ ᎤᏪᏗᏱ ᏳᏬᎳ, ᏰᎵ ᎡᎺᏅ ᏯᏛ ᎭᎵᎮᎵᎩ? ᏂᎪᎵᎬᎾᏰᏃ ᏱᎩ ᏂᏪᏍᎬᎢ.\nᎩᎶᎨ ᎤᎾᎵᎪ?\nᎾᏍᎩᏃ ᎯᎠ ᏄᎾᏍᏛᎩ ᎥᎦᏥᎪᎥᎩ ᏐᏈᎵ ᎠᏆᏁᎳᏫᏎᎲᎢ, ᎠᎴ ᎾᏍᎩ ᎾᎿ ᏧᎾᎩᎵ, ᏮᎾᏓᏁᏣᏍᏚᎸᎩ ᎠᏥᎸ ᎠᎴ ᏅᏯ ᏤᏏᏂ ᏧᏐᎢᏛ, ᎠᎴ ᏌᎪᏂᎨ ᎠᏓᏪᎳᎩᏍᎩ ᏗᎪᏢᏔᏅᎯ. ᏗᏂᏍᎪᎵᏃ ᏐᏈᎵ ᎠᏓᏥ ᎤᏂᏃᏕᏅ ᏥᏓᏂᏍᎫᏓᏛ ᎾᏍᎩᏯ ᎨᏒᎩ; ᏗᏂᎰᎵᏃ ᏓᎦᏄᎪᎬᎩ ᎠᏥᎸ ᎠᎴ ᏧᎦᏒᏍᏗ ᎠᎴ ᏌᎪᏂᎨ ᎠᏓᏪᎳᎩᏍᎩ.\nᎾᏍᎩ ᎾᏍᏉ ᏥᏅᏗᎦᎵᏍᏙᏗ ᎡᎦᎵᏍᎪᎸᏓᏁᎸᎯ ᏥᎩ ᎢᎦᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ, ᎡᎦᏑᏰᏛ ᏥᎩ ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏓᏅᏖᎸᎢ, ᎾᏍᎩ Ꮎ ᏥᏑᎸᏫᏍᏓᏁᎭ ᏂᎦᎥ ᏧᏓᎴᏅᏛ ᎾᏍᎩᏯ ᎤᏩᏒ ᎤᏓᏅᏛ ᏚᏭᎪᏔᏂᎸᎢ;\nᎤᏁᎳᏅᎯᏍᎩᏂᏃᏅ ᏗᎦᎵᏍᏓᏗᏍᎩ ᎤᏪᎵᎯᏍᏗ ᎤᎾᏓᏅᏔᏩᏕᎩ, ᎣᎩᎦᎵᏍᏓᏗᏍᏔᏅᎩ ᏓᏓᏏ ᎤᎷᏨᎢ;\nᎾᎯᏳᏍᎩᏂ ᎨᏎᏍᏗ, ᎤᎶᏐᏁᏍᏗ ᎾᏍᎩ ᎠᎩᎵᏯ, ᏅᏙ ᎢᎦ ᎡᎯ ᏛᎵᏏᎲᏏ, ᎠᎴ ᏅᏙ ᏒᏃᏱ ᎡᎯ ᎥᏝ ᎢᎦ ᏳᏖᏍᏕᏗ;\nᎫᎾᏓᎴᎩ ᎤᏩᏌ ᎤᏕᎶᎰᏒ ᎠᏍᏆᏗᏍᏗ ᏱᎦᏌᏙᎭᏴ, ᎠᏎᏃ ᏚᎾᏓᏲᏎ ᎤᎾᏓᏓᏍᎬ.\nᎥᏝ ᎩᎶ ᏰᎵ ᏴᎬᎩᎷᏥᏏ, ᎬᏂ ᎠᎦᏴᎵᎨᎢ ᏅᏛᎩᏅᏏᏛ ᎤᏎᏒᏛ ᏱᎩ; ᎠᎴ ᎠᏴ ᎾᏍᎩ ᏙᏓᏥᏯᎴᏔᏂ ᎤᎵᏍᏆᎸᏗ ᎢᎦ ᎨᏎᏍᏗ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎥᏥᎪᎥᎩ ᎦᎸᎳᏗ ᏓᏳᏠᎠᏒᎩ, ᎦᏁᎲᎩ ᎠᏍᏚᎢᏍᏗ ᏫᎾᏍᏛᎾ ᎠᏔᎴᏒᎢ, ᎠᎴ ᎤᏣᏘ ᎡᏆ ᏧᏓᏕᏒᏛ ᎤᏒᎦᎸᎩ.\nᎤᏲ ᎢᏳᎾᏛᎾᏕᎩ ᎠᏂᏴᏫᏯ ᏩᏂᎷᏨ, ᎠᎦᏘᏰᏍᏗ ᎤᏪᏅᎢᏍᏗ ᎠᏂᏐ ᎤᏁᎾᎢ ᎠᏂᏴᏫᏯ ᏄᎾᏍᏛ.\nᎯᎠ ᎾᏍᎩ ᎾᏆᏛᏁᎸ ᏱᎰᏩ ᎾᎯᏳ ᎢᎦ ᏕᎠᏆᎧᎿᏅ, ᎠᎩᎲᎡᏗᏱ ᎤᏕᎰᎯᏍᏗ ᎥᏆᏓᏅᏖᏗᏱ ᏴᏫ ᎠᏁᎲᎢ.\n”ᎨᏍᏗ ᏍᎩᎾᎾ ᎢᎦᏛᏁ ᏱᎩ, ᎬᎩᏅᏗᏍᏙᏗ ᏱᎩ,” ᎤᏛᏁ ᏥᏍᏕᏥ, ”ᎣᎯᏍᏙᏗ ᎠᎩᏰᎸᎰ ᎠᏆᎵᏍᏓᏴᏗ, ᎤᏕᎳᏓ ᏗᎦᎦᏙᏍᏙᏗ ᏃᎴ ᎠᏆᏗᏍᎦᎶᏗ.\nᎠᏎᏃ ᎥᏝ ᎢᎬᏱ ᏱᎨᏎ ᎾᏍᎩ Ꮎ ᎠᏓᏅᏙ ᏥᎩ, ᎾᏍᎩᏍᎩᏂ Ꮎ ᎠᏇᏓᎵ ᏥᎩ; ᎣᏂᏃ ᎢᏴᏛ ᎾᏍᎩ Ꮎ ᎠᏓᏅᏙ ᏥᎩ.\nᏚᎴᏅᏃ ᎤᏄᎪᏤ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏌᏩᏂᏃ ᎦᏁᎸ ᏭᏴᎴᎢ ᏌᏩᏂᏃ ᎤᏓᎵᎢ ᎤᏥ ᎤᏣᏘ ᎤᏗᎴᎲᏍᎨᎢ; ᎬᏩᏔᏲᏎᎴᏃ ᎤᏍᏕᎸᏗᏱ.\nᏥᏌᏃ ᎤᎷᏤ ᏚᏒᏂᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏗᏣᎴᎲᎦ, ᎠᎴ ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᏍᎩᏯᏉ ᎩᎶ ᎠᏍᎦᏯ ᎤᎦᏔ ᏳᏫᏒ ᎦᏙᎯ;\n”ᎡᏝᏪᎯ, ᏫᎵᎻ!” ᎤᏛᏁ ᏌᎳᏓ, ᎤᏛᎦᏍᏕ ᎤᏲ ᎠᏂᏃᎮᏍᎬ.\nᎠᎬᏱ ᎪᎨ ᎤᎵᎮᎵᏍᏗ ᏄᎾᎵᏍᏔᏁᎰ ᏥᏍᏆ.\nᎤᏟᏍᏓ ᏚᎴᏁ ᏫᎵᎻ, ᎧᏁᏍᎬ ᏗᎦᏟᎮ.\nᎤᏅᏏᏙᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏅᏏᏓᏍᏗ, ᎯᏄᎪᎢ ᏕᎦᏅᎿᏩᏗᏒ ᎠᎴ ᏓᏐᏴᎢ ᏫᎶᎯ, ᎠᎴ ᎠᏎ ᎤᏂᏴᏍᏗᏱ ᏂᎩᏴᏁᎸᎭ ᎾᏍᎩ ᎤᎧᎵᎢᏍᏗᏱ ᏥᏁᎸᎢ.\nᎠᏂᎪᏩᏗᏍᎬᏰᏃ ᎢᏳᏍᏗ ᎾᏍᎩ ᎯᎠ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᏛᏂᎸᏉᏔᏂ ᏂᎦᎵᏍᏙᏍᎨᏍᏗ ᎬᏂᎨᏒ ᏂᏨᏁᎲ ᎢᏦᎯᏳᏒ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ, ᎠᎴ ᏂᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᏂᏥᎨᏳᎿᎥᎾ ᎨᏒ ᏕᏥᏁᎲ ᎾᏍᎩ, ᎠᎴ ᎾᏂᎥᏉ;\nᎪᎩ ᎨᏒ, ᎠᎦᏗᏛ ᏚᎭᏄᏮ ᏗᏴᎦᎴᏴᏓ, ᎾᏍᎩᏯ ᎤᏍᏗ ᎤᎵᏍᎨᏛ ᏱᎦᎳᎩᏒ ᎠᏍᏆᏂᎪᏛ, ᏧᏬᏚ ᎧᏁᏌ ᏃᎴ ᎭᎦᎶᏗ.\nᎠᏎᎩ ᏔᎵᏁ ᎯᏣᏚᎵᏍᎨᏍᏗ ᎠᏕᎳ ᎡᏣᏈᏴᎡᏗ ᏕᏣᏄᏫᏍᏔᏁᎸ? ᎤᏛᏅ.\nᏑᏓᎵ ᏧᏙᏓᏆᏓ ᏑᎾᏙᏓᏆᏍᏗ, ᏯᎦᎵᏍᎬᎾᏉ ᎠᏗᏛᏗ, ᏚᏑᎬ ᏗᎭᏯᎸᏍᏗ ᏴᏫ, ᏂᎦᎥ ᎤᏂᎾᎥ ᏗᎩᎡᏗ, ᏗᏗᏦᎭᏴ ᎢᏣ ᏗᏰᎸᏍᏗ.\nᏌᎳᏓ ᏓᏏᎳᏛᎥᏍᎨ.\nᎤᎾᏂᏢᏁᏃ ᎣᏍᏛ ᏚᎾᏓᏅᎿᏁᎢ ᎠᏍᎪᎯᏧᏈ, ᎠᎴ ᎯᏍᎦᏍᎪᎯ ᏧᎾᏓᏡᏅᏛ.\nᎾᏍᎩᏯ ᏅᏧᏓᎴᏅᎲᎾ ᎤᏓᏅᏖᎸᎢ, ᎦᎶᏁᏛ ᏥᏌ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏣᎬᏗᏍᎨ ᏧᏓᏅᏖᎴᎢ;\nᏓᎩᏯᏪᏥᏙᎸ ᎠᎴ ᎡᎯᏍᏗ ᎾᎿᎵᏍᏓᏁᎸᎢ; ᏯᏃᎩᏳ ᏂᏥᎸᏍᎬᎾ ᎨᏒᎢ; ᎠᎪᏄ ᎠᎩᏲᏏᏍᎬᎢ ᎠᎴ ᎠᎩᏔᏕᎩᏍᎬᎢ; ᏯᏃᎩᏳ ᎠᎹᏟ ᎬᏍᎬᎢ; ᎤᏴᏢ ᎠᎴ ᎠᎩᏰᎸᎭ ᎨᏒᎢ.\n”ᏏᏆ ᎤᏅᎪᏨ! \nᏖᎸᎳᏗ-ᎦᏨᏩᏍᏙᏗᏱ ᎦᏚᎲ ᏙᏱᏗᏢ ᎤᎾᎳᏍᏓᎡᎸᎩ, ᎩᎬᏃ ᏓᏳᏨᏨᎩ ᏖᎸᎳᏗ-ᎦᏨᏩᏍᏙᏗᏱ, ᎠᎴ ᏐᏈᎵ ᏚᎾᏔᎾᎸ ᎢᏴᏛ ᏂᏚᏂᎶᏨᎩ, ᎾᏍᎩ ᏔᎵᏧᏈ ᎢᏳᏟᎶᏛ ᎢᎬᎾᏕᏅ.\nᎠᎴ ᏚᏂᏂᏴᎮ ᎨᏥᏅᏏᏛ ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᏚᏂᏴᏔᏁᎢ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏂᏯᏙᎯᎯ ᎨᏥᎸᏉᏗ ᎨᏎᏍᏗ, ᎥᏞᏍᏗ ᏧᏓᎴᏅᏛ ᎢᏯᏂᏪᏍᎩ ᏱᎨᏎᏍᏗ, ᎠᎴ ᎥᏞᏍᏗ ᏱᎦᎨᎠᏗᏔᏍᏗ ᎤᏂᎦᎾᏏᏍᎩ ᏱᎨᏎᏍᏗ, ᏞᏍᏗ ᏧᎬᏩᎶᏗ ᎤᏂᎬᎥᏍᎩ ᏱᎨᏎᏍᏗ;\nᎡᎳᏗᏣ!\nᏥᏛᏦᏱᎵᏐ ᎢᏳᏍᏗ ᏄᎵᏍᏔᏁ ᎤᎧᏛ.\nᎧᏃᎮᏛᏰᏃ ᏗᏠᎯᏍᏔᏅᎯ ᏥᎨᏐᎢ, ᎠᏎ ᎠᎯᏍᏗ ᎨᏐ ᎠᏍᏓᏱᏗᏍᎩ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ.\nᎠᏎᏃ ᎿᏉ ᏗᎹᏗ ᎣᎩᎷᏤᎸᎯ ᏥᎩ, ᏗᏤᎲ ᏅᏓᏳᎶᏒᎯ, ᎠᎴ ᎣᏍᏛ ᎠᏰᎸᏗ ᎣᎩᏃᎮᎮᎸᎯ ᏥᎩ, ᏗᏤᎲ ᏅᏓᏳᎶᏒᎩ, ᎠᎴ ᎣᏍᏛ ᎠᏰᎸᏗ ᎣᎩᏃᎮᎮᎸᎯ ᏥᎩ, ᎢᏦᎯᏳᏒ ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒ ᎢᏤᎲ ᎤᎬᏩᎵ, ᎠᎴ ᏂᎪᎯᎸ ᎣᏏᏳ ᏍᎩᏯᏅᏛᎢ, ᎤᏣᏘ ᎢᏣᏚᎵᏍᎬ ᏍᎩᎪᏩᏛᏗᏱ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏴ ᎣᎦᏚᎵᏍᎬ ᎢᏨᎪᏩᏛᏗᏱ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᏥᏙᎡᏥᎩᏏᏉ ᏌᏉ ᎢᏯᎦᏴᎵ ᎠᏕᎸ, ᎠᏍᎪᎯᏃ ᎢᏯᎦᏴᎵ ᏧᎯ ᏤᏥᎥᏏ.\nᏗᎨᏥᎢᏍᏗᏗ ᎤᏂᏍᎦᏅᏨ.\nᎠᎴ ᏚᏂᏍᏗᏰᎬᎩ ᎠᏂᎨᏴ ᏥᏚᏂᏍᏗᏰᎦ ᎾᏍᎩᏯᎢ, ᎠᎴ ᏓᏂᏄᏙᎬ ᏢᏓᏥ ᎤᏂᏃᏕᎾ ᏥᏓᏂᏄᏙᎦ ᎾᏍᎩᏯ ᎨᏒᎩ.\nᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ ᎤᏟᎠᏥᎸᏉᏗᏳ ᎡᏍᎦᏉ ᎾᏂᎥᎢ. ᎡᎶᎯ ᎤᎾᏄᎪᏨᎯ ᎡᎶᎯᏉ ᎡᎯ ᎨᏐᎢ, ᎠᎴ ᎦᏬᏂᏍᎬ ᎡᎶᎯᏉ ᎡᎯ ᎨᏐᎢ, ᎦᎸᎳᏗᏍᎩᏂ ᏅᏓᏳᎶᏒᎯ ᎤᏟ ᎦᎸᏉᏗᏳ ᎡᏍᎦᏉ ᎾᏂᎥᎢ.\nᎩᎶᏰᏃ ᎢᏳᏍᏗ ᎠᎨᏴ ᎾᏍᎩ ᎤᏪᏥ ᎠᏛᏄᏣ ᎦᏓᎭ ᎠᏓᏅᏙ ᎤᏯᎢ, ᎤᏛᎦᏅ ᎠᏥᏃᎮᏍᎬᎢ, ᎤᎷᏤ ᎠᎴ ᏚᎳᏍᎬ ᎤᏓᏅᏁᎢ:\nᏂᎦᎥᏉᏍᎪ ᎢᏥᏁᎫ? ᎠᏓᏅᏙ ᎬᏗ ᏥᏣᎴᏅᎲ, ᎤᏇᏓᎵᏍᎪ ᎬᏗ ᎢᏥᏍᏆᏗᎭ?\nᎩᏲᎵᎸᎭ ᏈᏍᎦ ᎠᎴ ᎡᏈᎳ, ᎠᎴ ᎣᏁᏏᏉᎳ ᏚᏓᏘᏅᎥᎢ.\nᎤᏟ ᎣᏏᏳ ᎭᏫᏯ ᎠᎩᏍᏗᏱ ᏂᎨᏒᎾ, ᎠᎴ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎠᏗᏔᏍᏗᏱ ᏂᎨᏒᎾ, ᎠᎴ ᎪᎱᏍᏗ ᎠᏛᏁᏗᏱ ᏂᎨᏒᎾ, ᎾᏍᎩ ᏗᏍᏓᏓᏅᏟ ᏧᏬᏕᏍᏗᏍᎩ, ᎠᎴ ᎤᏍᏢᏂᏍᏗᏍᎩ, ᎠᎴ ᎠᏩᎾᎦᎳ ᎢᏳᏩᏁᎯ.\nᎢᎦ ᎠᎾᎢᏒ, ᎠᏧᏣ ᏩᏏᏓᏂ ᏚᏲᎸ ᏘᎵ ᏕᏧᎬ ᎤᎾᎩᎸ ᏌᎶᎵ ᏚᏇᏍᏘ ᎬᏘ, ᎦᎸᎳᏗᎨ ᎨᏒ ᏚᏇᏍᏘ ᎠᏍᎦᏉ ᎠᏧᏣ.\nᎧᏃᎮᏛᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎧᏁᏉᎨᎢ, ᎾᏂᎥᏃ ᎠᏃᎯᏳᎲᏍᎩ ᎤᏣᏘ ᎠᏂᏁᏉᎨ ᏥᎷᏏᎵᎻ, ᎤᏂᏣᏘᏃ ᎠᏥᎸᎠᏁᎶᎯ ᎤᏃᎯᏳᏁ ᎪᎯᏳᏗ ᎨᏒᎢ.\nᎢᏳᏃ ᎾᎿ ᎠᏂᏁᎳ ᎤᏩᏙᎯᏯᏛ ᏗᎬᏩᎾᏓᏂᎸᎢᏍᏗ ᎢᎨᏎᏍᏗ, ᎾᏍᎩ ᎤᏩᏙᎯᏯᏛ ᎢᏣᏤᎵ ᎤᏂᎷᏤᏗ ᎨᏎᏍᏗ; ᎢᏳᏃ ᏗᎬᏩᎾᏓᏂᎸᎢᏍᏗ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ, ᎾᏍᎩ ᏅᏩᏙᎯᏯᏛ ᎢᏨᏒᏉ ᎢᏥᎷᏤᏗ ᎢᎨᏎᏍᏗ.\nᎣᎯᏍᏙᏗ ᎦᏓᏅᏖᏍᎪ ᎠᏋᏌ ᏱᎩ.”\nᎠᏂᏯᏫᏍᎩᏃ ᏧᏂᎯᏍᏗᏱ ᎤᎾᏓᏅᏖᎸᎩ ᎠᏂᏴᎩ; ᎩᎶᏰᏃ ᏯᏴᎢᏄᎦ ᏯᏚᎩ ᎠᎴ ᏯᎵᏗ ᎠᏁᎵᏍᎬᎩ.\nᎤᏛᏛᏅ ᎠᏌᎻᏓ.\nᎨᏍᏗ ᎯᎸᎯᏳ ᎤᏓᏅᏘ ᏱᏂᏥᏪᏎᎰ ᏥᏍᏕᏥ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏅᏓᏓᏛᏁᎵ ᎢᏳᏃ ᎤᏁᎳᏅᎯ ᏱᎦᎵᏍᎪᎸᏓᏁᎸ.\nᎠᎴ ᎤᏚᎵᏍᎨ ᏧᏪᏰᏍᏗᏱ ᎧᎵᏎᏥ ᎤᎾᏓᏛᏅᎯ ᏏᏆ ᎤᎾᎵᏍᏓᏴᏗ, ᎠᏎᏃ ᎥᏝ ᎩᎶ ᏱᏚᏅᏁᎮᎢ.\nᎦᏙᏃ ᎠᏴ ᎢᏍᏆᏛᏛᎲᏍᎦ? ᎾᏍᎩ Ꮎ ᏔᏛᏛᎲᎦ ᎤᎾᏛᎦᏅᎯ ᎾᏍᎩ ᏂᎦᏥᏪᏎᎸᎢ. ᎬᏂᏳᏉ ᎠᏂᎦᏔᎭ ᎾᎩᏪᏒᎢ.\nᎩᎶᏃ ᎬᏅ ᎢᎠᏩᏘᏍᎨᏍᏗ, ᎾᏍᎩ ᎤᏲᎱᏎᏗ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎢᎤᏲᎱᏎᎮᏍᏗ ᎬᏅ ᎠᏴ ᎤᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎤᏩᏛᏗ ᎨᏎᏍᏗ.\nᎯᎠᏃ ᎢᎾᏓ ᏧᎪᎳ, ᏰᎵ ᎢᏯᏅᏓ ᎤᎵᏬᏨ.\nᎠᎴ ᎾᎿ ᎬᏩᏚᏫᏛ ᎤᏁᏙᎴᎢ, ᎠᎴ ᏧᏂᏢᎩ ᏚᏂᏂᏙᎴ ᏗᏤᏍᏙᎩᎯ ᏚᏂᏢᏕ, ᏫᏓᏂᏃᎯᎮ ᎠᎾᏛᎬᎦ ᎾᎿ ᎡᏙᎲᎢ.\nᎤᏅᏍᎦᎸᏁ ᏫᎵᎻ ᎦᏂᏓᏛ ᏃᎴ ᎾᏍᏓᏴ ᏭᏍᎦᎳᏤ.\nᎠᏏᏃ ᏙᎤᏂᏍᎦᏨ, ᏚᏂᎧᏁᎢ, ᎤᎾᏠᏤ ᎪᎱᏍᏗ ᎬᏩᏂᏍᏛᏗᏍᏗ ᎨᏒᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏂᏣᏘ ᏴᏫ, ᏂᎦᏛᏰᏃ ᎠᏂᎸᏉᏗᏍᎨ ᎤᏁᎳᏅᎯ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎾᏍᎩ ᏄᎵᏍᏔᏅᎢ.\nᎤᏓᎴᏨ ᏄᎵᏍᏔᏁ ᎤᎧᏛ ᎡᎶᏗ.\nᎢᏝᏃ ᎼᏏ ᏥᏄᏛᏁᎴ [ᏱᏃᏣᏛᏁᎭ] ᏧᎵᎬᏚᎳᏁ ᎾᏍᎩ ᎢᏗᎵ ᏧᏪᏥ ᏫᏗᎬᏩᎾᎧᏃᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᏩᏍᏛ ᎾᏍᎩ Ꮎ ᎠᎲᏛ ᏥᎩ.\nᎠᏃᎯᏍᏗᏍᎩᏂ ᎠᏃᎯᏍᏗᏍᎬᎢ ᎠᏂᏫᏍᎪ ᏚᏳᎪᏛ ᎤᎾᏄᎪᏫᏍᏗ ᎨᏒᎢ.\n“ᎦᏨ ᏧᏍᏆᏴᏍᏗ?” ᎤᏛᏁ ᎬᏣᏗ.\nᎠᏎᏃ ᎠᏂᏧᏏ, ᎤᏂᏣᏘ ᏚᏂᎪᎲ, ᎤᏂᎧᎵᏤ ᎠᏛᏳᎨᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏂᏬᏂᏍᎬ ᎠᎾᏡᏗᏍᎨ ᏉᎳ ᏂᎦᏪᏍᎬ ᎦᏬᏂᏍᎬᎢ, ᎤᏂᎪᏁᎶᏍᎨᎢ ᎠᎴ ᎠᏂᏐᏢᎢᏍᏗᏍᎨᎢ.\nᎪᎵᎦᏓᏃ ᏚᏙᎥ ᏫᎬᏩᏘᏅᏔᏁᎢ, ᎾᏍᎩ ᎠᏁᏢᏔᏅᎯ ᎨᏒ ᎤᏍᏆᎷᎪ ᎦᏛᎦ.\nᎤᏔᎾ ᎩᎦᎨ ᏒᎦᏔ ᏂᏨᏅᏓ, ᎤᏓᏙᏎᎴᎢ.\nᎿᏉᏃ ᎯᎠ ᏄᏪᏎᎴ ᎣᏍᏛ ᎢᏳᏩᎿᏕᎩ ᏖᎸᎳᏗ ᏚᏫᏒᎢ, ᎬᏂᏳᏉ, ᎿᏉ ᏦᎢ ᎾᏕᏘᏴ ᏥᎷᎬᎩ ᎠᎩᏲᎲᎩ ᎤᏓ-ᏔᏅᎯ ᎯᎠ ᎾᏍᎩ ᎡᎦᏔ-ᎢᏳᏍᏗ ᏡᎬᎢ, ᎠᎴ ᎥᏝ ᏱᏥᏩᏘᎭ; ᎯᎴᏴᏍᏓ; ᎦᏙᏃ ᎢᎤᎨᏗ ᎦᏙᎯ?\nᎪᎨᏱ ᏏᏆ ᎠᏃᏎᎮ ᏫᎵᎻ ᏗᏂᎶᎩᏍᎩ.  ᏂᎦᎵᏍᏙᏗ ᎪᎨᏱ ᎤᏕᏅ.\nᎦᏙᎯᏃ ᎤᏍᏕᎸᎲᎩ ᎠᎨᏴ, ᎠᎴ ᎦᏙᎯ ᎤᏍᏚᎢᏒᎩ ᎠᎰᎵ ᎠᎴ ᎤᎩᏐᏅᎩ ᎦᏃᎱᎩᏍᎬ ᎾᏍᎩ ᎢᎾᏛ ᎠᎰᎵ ᏅᏓᏳᏄᎪᏫᏒᎯ.\nᎣᏍᏓ ᏍᎦᏥ ᏫᏍᎩ ᎠᏥᏍᏛ ᏥᏰᎲ, ᎤᎵᎮᎵᏍᏛ, ᎢᎾᏗᏛ ᏥᏲᏎᎸ.\n“ᏣᏏ ᏯᏕᏠᏆᏍᎦ.”\nᎤᎵᎮᎵᏍᏗ ᎢᎦ ᏄᎵᏍᏔᏁᎴ ᏫᎵᎻ.\nᎠᎴ ᎾᏍᏉ ᎤᎾᎦᏌᏯᏍᏗᏕᎩ ᎤᏚᎩ ᎨᏒᏐ ᏚᏳᎪᏛ ᎢᏳᎾᏛᏁᏗᏱ.\nᎠᏥᎾᏝᎢᏃ ᎥᏝ ᎠᏓᏁᎸ ᏂᎪᎯᎸ ᎡᎯ ᏱᎨᏐᎢ; ᎠᎦᏅᎩᏍᎩᏂ ᏂᎪᎯᎸ ᎡᎰᎢ.\nᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎢᏏᎵ ᎤᎾᏤᎵᎦ ᎿᏉ ᏩᏠᎠᎯ ᏓᏓᎿᏩᏍᏛᎢ, ᎾᏍᎩ ᎣᎩᎪᏩᏛᏗᏱ ᎠᎴ ᎣᎪᎯᏳᏗᏱ. ᎠᎴ ᎾᏍᎩ ᎢᏧᎳᎭ ᏗᎨᎦᏛᏅᎯ ᎦᎬᏩᏐᏢᏕᎢ.\nᎠᏏᏴᏫᏃ, ᎤᏙᎴᎰᏒ ᎠᏥᏅᏩᏅᎢ, ᏗᎤᏨᏎᎢ, ᎠᎴ ᎠᏍᏓᏯ ᎤᏁᏤ ᎤᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ,\nᎤᎾᏠᏨᏃ ᎢᏳᎾᏛᏁᏗᏱ ᎤᏂᏴᏔᏂᎯᏍᏗᏱ ᎤᏂᏣᏘ ᎨᏒ ᎢᏳᏍᏗ, ᎦᏌᎾᎵ ᎤᎾᎩᎳᏫᏎᎢ, ᎾᎿᏃ ᏧᏂᎦᏛᎴᎯᏍᏔᏁ ᎤᎾᏠᎥᏔᏂᎴ ᎤᏤᏍᏙ ᎬᏩᏠᏯᏍᏗ ᎤᎾᏓᏡᎬ ᎠᏰᎵ, ᏥᏌ ᎢᎬᏱᏢ ᎤᏂᏅᏁᎴᎢ.\nᎬᏲᎵᎭ!\nᏕᏣᏂᏴᏒ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᎣᏍᏛ ᏗᎫᎪᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎩᎶ ᎢᏴᏛ ᎢᏳᏅᏁᏔᏅᎯ ᏥᎩ, ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᎬᏩᏂᏲᏥᏙᎸ;\nᎾ-ᏍᎩᏂ ᎠᏓᏅᏙ ᎤᏪᎯ ᏂᎦᎥ ᎠᎪᏩᏘᏍᎪᎢ, ᎠᏎᏃ ᎤᏩᏒ ᏄᏍᏛ ᎥᏝ ᎩᎶ ᏳᎪᏩᏘᏍᎪᎢ.\nᏩᎭᏯᏃ, “ᎭᏩ,” ᎤᏛᏁ, ᏎᎦᏨ ᎦᏬᏂᏍᎦ.\nᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎦᏙᎨᏙᏓᎦᏥᏟᎶᏍᏔᏂ ᏴᏫ ᎪᎯ ᏣᏁᎭ? ᎠᎴ ᎦᏙ ᏓᎾᏤᎸ?\nᎠᏎᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏝᏍᎪ ᏱᏥᎪᎵᏰᎣ ᏕᏫ ᏄᏛᏁᎸ ᎠᎪᏄ ᏧᏲᏏᏍᎨ, ᎠᎴ ᎾᏍᎩ ᎠᏁᎯ,\nᏕᏣᏏᎳᏛ ᏣᎩᎳ?”\nᎤᏟᏂᎪᎲᏍᏗᏍᎨᎢ ᎾᏂᏪᏍᎬᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᎠᏥᎸᎨᎳᏍᏗ ᎨᏒ ᎠᏂᎵᏫ ᏥᎨᎦᏒᎦᎶᏕ, ᏅᏍᎦᏅᎾ ᎢᎬᏩᏓᏛᏁᏗ ᏱᎨᏎᎢ, (ᎠᏥᎸ-ᎨᎳᏍᏗᏰᏃ ᎨᏒ ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᏚᎾᏚᏓᏖ ᏴᏫ ᎦᎾᏓᏂᎸᏨ) ᎦᏙᏃ ᎠᏏ ᎤᏚᎸᏗ ᏂᎦᎵᏍᏗᏍᎨ ᏅᏩᏓᎴ ᎠᏥᎸᎨᎶᎯ ᎤᎾᏄᎪᎢᏍᏗᏱ ᎹᎵᎩᏏᏕᎩ ᏄᏍᏛ ᎾᏍᎩᏯᎢ, ᎡᎳᏂᏃ ᎾᏍᎩᏯ ᎦᏰᎪᏎᏗ ᏂᎨᏒᎾ ᎨᏒᎢ?\nᎿᏉᏃ ᏥᏌ ᎤᎷᏨ ᎤᏙᎴᎱᏒᎩ ᎦᏳᎳ ᏅᎩ ᏧᏙᏓᏉᏛ ᎬᏩᏂᏅᏅᎯ ᎨᏒ ᎠᏤᎵᏍᏛᎢ.\nᏤᏍᏗ ᏣᎴᏫᏍᏔᏅ ᏃᏉ.\nᏴᏫ ᎤᏂᏁᏨᎯ ᎠᎴ ᏧᎾᏕᏲᏅᎯ? ᎾᏍᎩ ᏞᏍᏗ ᏣᏒᏂᎸᎩ; ᏞᏍᏗ ᎤᏍᏗᎤᏅ ᏣᎬᎩ; ᏞᏍᏗ ᏣᏱᏙᎸᎩ;\nᎦᏰᎪᎩᏃ ᎠᏂᏃᎮᏍᎩ ᏚᏂᎧᏁᎢ, ᎾᏍᎩ ᎯᎠ ᎢᏯᏂᏪᏍᎩ; ᎯᎠ ᎠᏍᎦᏯ Ꮭ ᏯᏑᎵᎪᎦ ᎧᏁᎬ ᎠᏐᏢᎢᏍᏗᏍᎬ ᎯᎠ ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ.\nᎱᎷᏨ ᎠᏂᏔᎵ ᎠᏂᏧᏣ ᏚᏅᏫᏍᏔᏅ ᏫᏚᏂᏯᏂᏗ ᏐᏈᎵ.\nᎦᏙ ᎢᏤᎵᎭ; ᎢᏳᏃ ᎩᎶ ᎠᏍᎦᏯ ᎠᏍᎪᎯᏧᏈ ᎠᏫ ᏱᏚᎾᏝᎠ, ᏌᏉᏃ ᏳᎴᏲᎡᎸ, ᏝᏍᎪ ᏐᎣᏁᎳᏍᎪᎯ ᏐᎣᏁᎳᎦᎵ ᎢᏯᏂᏛ ᏱᏗᎬᏕᎪᎢ, ᎠᎴ ᏱᏗᎧᎾᎷᏏᏙᎰ ᎦᏚᏏ ᏳᏲᎰ ᎤᎴᏲᎡᎸᎯ?\nᎿᏉᏃ ᎾᏍᎩ ᏖᎸᎳᏗ ᏓᏫᏒ ᎤᏤᎵᎦ ᎦᎷᏨᎭ, ᎦᏙ ᏙᏓᎬᏁᎵ ᎾᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ?\nᎤᎬᏫᏳᏌᏕᎩ ᎤᏚᎩᏒ ᎠᎹ ᎩᎦᎨᎠᏗᏔᏍᏗ ᎢᏳᎵᏍᏔᏅᎯ, ᎠᎴ ᎾᎦᏔᎲᎾ ᎨᏎ ᏧᎶᏒᎢ, ᎨᏥᏅᏏᏓᏍᏗᏍᎩᏂ ᎠᎹ ᎤᏂᏢᏛ ᎠᏂᎦᏔᎲᎩ, ᎤᎬᏫᏳᏌᏕᎩ ᏭᏯᏅᎲᎩ ᎠᏍᎦᏯ ᏣᎦᏨᏍᏗᏍᎩ,\nᎾᏍᎩ ᎢᏳᏍᏗ ᎦᏥᏂᏉᏘᎸᎩ ᎾᏍᎩ Ꮎ ᏴᏫ, ᎠᎴ ᎯᎠ ᎾᎩᏪᏒᎩ, ᏂᎪᎯᎸ ᏚᎴᎾᎯᎭ ᏧᏂᎾᏫ; ᎠᎴ ᎥᏝ ᎤᏂᎦᏙᎥᏒᎯ ᏱᎩ ᏓᎩᏅᏅᎢ.\nᎾᏍᏉᏃ ᎥᎪᎩᏍᏓᏩᏛᏒᎩ ᎢᎸᏍᎩ ᎢᏯᏂᏛ ᎠᏃᎯᏳᎲᏍᎩ ᏏᏌᎵᏱ ᎠᏁᎯ, ᎠᎴ ᎤᎾᏘᏅᏒᎩ ᎩᎶ ᎢᏳᏍᏗ ᏁᏌᏂ ᏧᏙᎢᏛ ᏌᏈ ᎡᎯ, ᎢᎸᎯᏳ ᎬᏬᎯᏳᏅᎯ, ᎾᏍᎩ ᎦᏁᎸ ᎣᎦᏅᏗᏱ ᎤᏂᏰᎸᏒᎩ.\nᏥᏌ ᏚᏁᏤᎸᎩ; ᏝᏍᎪ ᎯᎠ ᏘᏂ ᎬᏅ ᏱᎪᏪᎳ ᏗᏥᎧᎿᏩᏛᏍᏗᏱ; ᏂᎯ ᎢᏨᏁᎳᏅᎯ, ᎠᏆᏛᏅᎩ?\nᎾᎿᏃ ᎢᎾᎨ ᎡᏙᎮ ᏅᎦᏍᎪᎯ ᏧᏒᎯᏛ, ᏎᏓᏂ ᎤᎪᎵᏰᏍᎨᎢ; ᎠᎴ ᎢᎾᎨ ᎡᎿᎢ ᏕᎨᎳᏗᏙᎮᎢ; ᎠᎴ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎬᏩᏍᏕᎸᎯᏙᎮᎢ.\nᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎢᎸᎯᏳ ᏥᎨᏒ, ᎢᏴᏛᎭᏉ ᎠᎴ ᏧᏓᎴᏅᏛ ᎬᏔ-ᏅᎯ ᏥᏕᎧᏁᏤᎮ ᏗᎩᎦᏴᎵᎨ ᎠᎾᏙᎴᎰᏍᎩ ᏕᎬᏗᏍᎬᎢ,\nᏥᏃᎯᏎᎸ ᎠᏌᎻᏓ ᏂᏪᏒ ᏣᎵ, ᏎᎦᏗ ᏱᎩᎦᏘᏛ ᎢᎦᏛ ᏯᏂᎷᎩ ᎤᏛᏅ.\nᎠᏴ ᎠᏆᏓᏅᏘ ᎠᏫ-ᏗᏥᎦᏘᏯ; ᎠᎴ ᏕᏥᎦᏔᎭ ᏗᏆᏤᎵᎦ, ᎠᎴ ᏗᏆᏤᎵᎦ ᎬᎩᎦᏔᎭ,\nᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎯᎠ ᏄᏍᏕ ᎬᏂᎨᏒ ᏂᎬᏁᎮᎢ, ᎾᏍᎩ Ꮎ ᎤᏟ ᎢᎦᎸᏉᏗ ᏗᎨᏒ ᏫᎦᏅᏅ ᎠᏏ ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᏏᏉ ᏥᏂᎬᏩᏍᏕ ᎢᎬᏱᏱ ᎦᎵᏦᏛᎢ;\nᎠᎺ ᎣᏏᏳ; ᎠᏎᏃ ᎠᎹ ᏳᏥᏍᎪᎸ ᎦᏙ ᏱᏨᎦ ᏄᏥᏍᎪᎸᎾ ᏱᏂᏨᎦ? ᎠᎺ ᎢᏥᎶᏨᎯ ᎨᏎᏍᏗ, ᎠᎴ ᏙᎯᏱ ᏂᏨᏁᏍᏗ ᎢᏤᎲᎢ.\nᏂᎯᏍᎩᏂ ᏗᏥᎦᏙᎵ ᏗᎦᎸᏉᏔᏅᎯ, ᎾᏍᎩᏃᏓᎪᏩᏘᎭ, ᎠᎴ ᏕᏥᎵᎷᎬᎢ, ᎾᏍᎩᏰᏃ ᏓᏛᎩᎭ;\n”ᏴᎦᏥᏲᏍᏓᏗ,” ᎤᏛᏁ ᏧᏍᏆᏴᏍᏗ.\nᎤᏩᏛᎲᏃ ᎩᎶ ᎢᏳᏍᏗ ᎠᏧᏏ ᎡᏈᎳ ᏧᏙᎢᏛ, ᏋᏗᏱ ᎤᏕᏅᎯ, ᎩᎳᎢ ᎤᎷᏦᏅᎯ ᎢᏓᎵ ᏅᏓᏳᎶᏒᎯ, ᎠᎴ ᎾᏍᏉ ᎤᏓᎵᎢ ᏈᏏᎳ ᏧᏙᎢᏛ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬ ᏠᏗᏯ ᎤᏁᏨ ᏂᎦᏛ ᎠᏂᏧᏏ ᎶᎻ ᎤᎾᏓᏅᏍᏗᏱ, ᎾᏍᎩ ᏚᏩᏛᎯᎸᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏗᏥᏠᎦ ᏕᏥᏓᏅᏛᎢ, ᎢᏣᎵᏏᎾᎯᏍᏗᏳ ᎨᏎᏍᏗ, ᎠᎴ ᎬᎵᏍᏆᏗᏍᎩ ᎤᏚᎩ ᎢᏨᏎᏍᏗ ᎡᏥᏁᏗᏱ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏂᎯ ᎡᏥᏲᎮᏗ ᏥᎩ ᎾᎯᏳ ᏥᏌ ᎦᎶᏁᏛ ᎬᏂᎨᏒ ᎾᎬᏁᎸᎭ.\nᎠᎴ ᎠᏂᏃᏍᎩᏍᎩ, ᎠᎴ ᎤᏂᎬᎥᏍᎩ, ᎠᎴ ᏧᏂᏴᏍᏕᏍᎩ, ᎠᎴ ᎠᎾᏓᏐᎮᎯ, ᎠᎴ ᎤᎶᏒᏍᏗ ᎠᎾᏓᎩᎡᎯ, ᎾᏍᎩ ᎥᏝ ᎤᎾᏤᎵ ᏱᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ.\nᎠᎪᎵᏰᏍᎬ ᏓᏏᎳᏛ ᏫᎵᎻ, ᏚᏄᏌᏛ ᏃᎴ ᎪᏍᏓᏱ ᎤᎧᏛ ᎤᏓᏴᎳᏔᏁᎢ.\nᏣᎦᏁᎶᏗ ᎪᎱᏍᏗ ᎠᏥᎳᏫᏎᎲᎢ ᏞᏍᏗ ᏱᏣᏛᏓᏍᏗᏍᎨᏍᏗ ᎬᏂ ᎠᏂᏔᎵ ᎠᎴ ᎠᏂᏦᎢ ᎤᏂᏃᎮᏛ ᎨᏎᏍᏗ.\nᎠᏰᎵᏒ ᏂᎦᏓ ᏍᎪᏯ ᏧᏒᎲᏍᏗ ᎣᏏᏉ ᏂᎦᎵᏍᏗᏍᎨ.\nᏃᏉ ᏑᎾᎴ ᏣᎵᏍᏓᏴᏗ ᏗᎦᎶᏛ ᏫᏥᎦᏘ, ᏱᏣᏓᏅᏛᎾ ᏥᎩ ᏨᏌ ᏣᎩᏍᏗ.” \nᎠᎴ ᎾᏍᏉ ᏥᎻ ᎠᎴ ᏣᏂ ᏤᏈᏗ ᏧᏪᏥ ᎾᏍᎩ ᎤᎾᎵᎪᎯ ᏥᎨᏎ ᏌᏩᏂ. ᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴ ᏌᏩᏂ; ᏞᏍᏗ ᏣᏍᎦᎸᎩ; ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᏴᏫ ᏘᏏᏱᏍᎩ ᎨᏎᏍᏗ.\nᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ. ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏴ ᎾᏍᎩ. ᏧᏓᏏᏃ ᎾᏍᎩ ᎤᏡᏗᏍᎩ ᎾᏍᏉ ᎦᏙᎬᎩ ᎠᏂᏙᎾᎥᎢ.\n“ᎤᏍᏆᏂᎩᏗᏍᎪ ᎮᎵᎠ?”\nᎤᏎᎵᏓᏁᎴᏃ [ᎯᎠ ᏄᏪᏎᎢ,] ᎢᏳᏍᏗᏉ ᎮᎵᏍᎬ ᏍᎩᏔᏲᏏ, ᏓᎬᏁᎵᏃ, ᎾᏍᏉ ᎠᏰᎵ ᎢᏴᏛ ᏱᎩ ᎾᎿ ᎠᎩᎬᏫᏳᎯ ᎨᏒᎢ.\nᎥᎩᏃᏁᎸᎯᏰᏃ ᎢᎩ ᎢᏓᎵᏅᏟ ᏂᎯ ᎡᏥᏃᎮᏍᎬᎢ, ᎾᏍᎩ ᏠᎢ ᏚᏓᏘᎾᎥ ᎨᏥᏃᎮᏍᎬᎢ, ᎾᏍᎩ ᏗᏥᏲᏍᏗ ᎨᏒ ᎢᏤᎲᎢ.\nᏧᏩᎩ ᏃᎴ ᎠᏔᏒᎩ ᏧᏆᎶᎦ ᏧᏍᎪᏍᏓ ᏧᎵᏑᏫᏓ ᏂᏕᎦᎵᏍᏗᏍᎨ ᏃᎴ ᎦᏃᎸᎥᏍᎬ ᏕᎦᏙᎣᏗᏍᎨ ᏧᏆᎶᎦ ᏐᏉᎯᎭ ᎦᏙᎯ.\nᎾᏍᎩᏃ ᏕᎨᏥᏲᏒ ᎥᏘᎣᎩ ᏭᏂᎷᏤᎢ, ᏚᏂᎳᏫᏛᏃ ᎤᏂᏣᏘ ᏚᏂᏅᏁᎴ ᎾᏍᎩ ᎪᏪᎵ.\nᏂᎦᏓ ᎠᎾᏓᏩᏛᎯᏙᎢ ᏏᏆ ᎤᏴᏍᏗ ᎣᏍᏓ ᎾᏂᏪᏎᎮᎢ ᏫᎵᎻ.\nᎠᏂᏦᎢᏰᏃ ᎠᏂᏃᎮᏍᎩ ᎦᎸᎳᏗ; ᎠᎦᏴᎵᎨᎢ, ᎧᏃᎮᏛ, ᎦᎸᏉᏗᏳᏃ ᎠᏓᏅᏙ; ᎾᏍᎩᏃ ᎯᎠ ᎠᏂᏦᎢ ᎨᏒ ᏌᏉᏉ.\nᎤᏗᎴᎩ ᏄᎵᏍᏔᏏ.”\nᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᎡᎶᎯ ᎤᎷᎯᏍᏗᏱ ᏴᏧᏅᏒ ᎤᏪᏥ ᏧᏭᏓᏁᏗᏱ ᎡᎶᎯ, ᎾᏍᎩᏍᎩᏂ ᎢᏳᏩᏂᏐᏗᏱ ᎡᎶᎯ ᎠᏥᏍᏕᎸᏗᏱ.\nᏕᏣᏓᏠᎮᏍᏗ, ᏕᏥᏨᏍᏛᏃ ᏓᏓᏪᎵᎩᏍᎨᏍᏗ.\nᏧᎾᏁᎶᏗᏃ ᎤᎾᏓᏡᎬ ᎢᏴᏛ ᏫᏗᎬᏩᏂᎧᏅ ᎤᏂᎶᏎ ᏈᏂᏏ ᎠᎴ ᏌᎺᎵᏱ ᎠᏂᏃᎮᏍᎨ ᎠᎾᎦᏔᎲᏍᎬ ᏧᎾᏓᎴᏅᏛ ᏴᏫ; ᎤᏩᏘᏃ ᏚᎾᎵᎨᎵᏍᏔᏁ ᏂᎦᏛ ᎠᎾᏓᏅᏟ.\n“ᎬᏲ--ᏙᎩᎢᏳᏍᏗ?” ᎤᏪᎷᏁ.\nᎿᏉᏃ ᏧᎦᎿᏁᎢ, ᎠᎴ ᏥᏚᏃᎱᎦᏁᎢ, ᎠᎴ ᏧᏃᎸᏁᎢ, ᎾᎿ ᎠᏓᏁᎸ ᏥᏚᏱᎶᎴᎢ; ᎠᏎᏃ ᎥᏝ ᏳᏲᏤᎢ, ᏅᏥᎯᏰᏃ ᎦᎧᎮᎢ.\nᎨᎵᏍᎬ ᎠᏆᏘᏲᏍᏛ ᎪᏟᏍᏗ ᎨᏒ ᏃᎴ ᎫᏩᎾᏛᏓᎮᎸᏗ ᏱᎨᏒᎾ.\nᏓᏨᏍᏕᎢ ᎤᎾᏛᏁᎸᏗ ᎠᏰᎵ, ᏃᎴ ᎠᏛᎪᏗ ᎨᏎ ᏚᏃᏴᎬ ᏧᏂᏆᏂᏲᏍᏗ ᏃᎴ ᎧᏃᎩᏍᏗ ᏐᏈᎵ ᏗᏥᎶᏍᏔᏅ ᏗᎩᎸᏙᏗ ᏓᏳᏓᎴᏅ ᏃᎴ ᎠᏍᎦᏯ ᏗᏗᏯᏂᏍᎬᎢ ᏗᏎᏍᏗ ᏧᏂᏆᏂᏲᏍᏙᏗ.\nᎩᎶ ᎦᎵᎷᎨᏍᏗ, ᏩᏛᎬᎦ ᎠᏓᏅᏙ ᏂᏕᎦᏪᏎᎲ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ; ᎩᎶ ᎠᏓᏎᎪᎩᏍᎨᏍᏗ ᏔᎵᏁ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎥᏝ ᎪᎱᏍᏗ ᎤᏩᏁᏗ ᏱᎨᏎᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎭᏅᏓᏓ ᏄᏍᏛ ᏕᏣᏓᏂᎸᏨ ᎠᎴ ᏣᏛᎦᏅᎢ, ᎠᎴ ᎠᏍᏓᏯ ᏘᏂᏴ ᎠᎴ ᎯᏁᏟᏴᎾ ᏣᏓᏅᏛᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᏂᏯᏫᏍᎬᎾ ᎢᎨᏎᏍᏗ ᏓᎬᎷᏤᎵ ᎦᏃᏍᎩᏍᎩ ᏥᎦᎷᎪ ᎾᏍᎩᏯᎢ, ᎥᏝ ᎠᎴ ᏱᎦᏔᎮᏍᏗ ᎢᏳ ᎨᏒ ᏗᎬᎷᏤᎵᏒᎢ.\nᎢᏳᏃ ᎩᎶ ᎪᎱᏍᏗ ᎾᏓᎢᏍᏛᎾ ᎨᏎᏍᏗ, ᏌᏉ ᎠᏓᏰᎮᏍᏗ, ᎠᏃᎯᏳᎲᏍᎩ ᏚᏪᎧᎮᏍᏗ ᏧᏪᏥ, ᏂᎨᏥᎳᏫᏎᎲᎾ ᏄᎾᏁᎸᎾ ᎤᎾᎴᏂᏙᎸᎢ, ᎠᎴ ᏂᏚᎾᏓᏁᎶᏛᎾ.\nᎿᏉᏃ ᎾᎥ ᎬᏩᎷᏤᎴ ᏂᎦᏛ ᎠᏕᎸ ᎠᏂᎩᏏᏛᎯ ᎠᎴ ᎠᏂᏍᎦᎾ ᎬᏩᏛᏓᏍᏓᏁᏗᏱ.\nᏞᏍᏗ ᎠᎴ ᎦᎶᏁᏛ ᏰᏗᎪᎵᏰᏍᎨᏍᏗ, ᎾᏍᎩᏯ ᎾᏍᎩ Ꮎ ᎢᎦᏛ ᎾᏍᏉ ᏥᎬᏩᎪᎵᏰᎡᎢ, ᎠᎴ ᎾᏍᎩ ᎢᎾᏛ ᏥᎬᏩᏂᏛᏔᏁᎢ.\nᏂᎬᎾᏛ ᎠᏁᎰ ᎥᏳᎩ ᎠᏂᏱᏙ.\nᎾᏍᎩᏍᎪᏃ ᎢᏳᏍᏗ ᎠᏎᏉᏉ ᏂᏛᏁᎭ ᏗᎧᎿᏩᏛᏍᏗ ᎪᎯᏳᏗ ᎨᏒ ᎢᏛᏗᎭ? ᎬᏩᏟᏍᏗ; ᎢᏗᏍᏓᏱᏗᏍᎩᏂ ᏗᎧᎿᏩᏛᏍᏗ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᏥᎪᎥᎯ ᎠᎺᏉᎯ ᎠᎴ ᎦᏙᎯ ᏧᏔᏏᏅᎯ, ᎦᎸᎳᏗ ᎢᏗᏢ ᎤᏌᎳᏓᏅᎩ ᎤᏬᏰᏂ,\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎦᏓᏅᎦᎵᎠ, ᎾᏍᏉ ᎤᏅᏒ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎤᎾᎿᏅᎦᎸᏙᏗᏱ.\nᎾᏍᎩ ᎢᏳᏏᏗ ᎥᏝ ᏰᎵ ᎬᏩᏃᎯᏳᏗ ᏱᎨᏎᎢ; ᏔᎵᏁᏰᏃ ᎢᏌᏯ ᎯᎠ ᏄᏪᏎᎢ.\nᎩᎶᏍᎩᏂᏃᏅ ᎢᏳᎾᏍᏗ ᎬᏩᎵᎪᏁᎸᎩ ᎠᎴ ᎤᏃᎯᏳᏅᎩ; ᎾᎿ ᎨᎸᎩ ᏓᏲᏂᏏᏯ ᎡᎵᎣᏈᎦ ᎦᎲᏍᎩ ᏗᎫᎪᏘᏍᎩ ᎠᎴ ᎠᎨᏴ ᏕᎺᎵ ᏧᏙᎢᏛ, ᎠᎴ ᏅᏩᎾᏓᎴ ᎾᏍᏉ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ ᎾᏍᎩ ᎤᏩᏒ ᎨᏒ ᎠᏓᏙᎵᏍᏗᏍᎬ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎠᏁᎮᎢ; ᏚᏛᏛᏁᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᎪ ᎬᏉᏎᎰ ᏴᏫ?\nᎢᎸᎯᏢᏃ ᎦᏚᎲ ᏩᏴᎯᎲᎢ ᎠᏍᎪᎯ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ ᎠᏓᏰᏍᎩ ᏧᏂᏢᎩ ᏕᎬᏩᏠᏎᎢ,ᎢᏅ ᏓᎾᎴᏅᏁᎢ;\n”ᎯᎠᏃ ᏂᏕᎦᏪᏍᎨᏍᏗ, ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏗᎦᏃᏣᏟ ᏏᏆ ”\nᎢᏳᏰᏃ ᎩᎶ ᎢᏳᏍᏗ ᏱᏣᎪᎲ ᏂᎯ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏤᎯ ᏱᏅᎦ ᏯᎵᏍᏓᏴᎲᏍᎦ ᎠᏓᏁᎸ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎤᏤᎵᎦ; ᏝᏍᎪ ᎾᏍᎩ Ꮎ ᎤᏓᏅᏛ, ᎠᏩᎾᎦᎳ ᎨᏒ, ᏂᎦᎾᏰᏍᎬᎾ ᏱᏅᎦᎵᏍᏓ ᎤᎵᏍᏓᏴᏙᏗᏱ ᏧᏓᎴᏅᏛ ᎾᏍᎩ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ;\nᎢᏓᎪᎲᏍᏗ ᎤᏓᏁᎸᎢ, ᎠᏎᎯᏅ.\nᎾᏍᎩᏃ ᏧᏪᏥ ᏥᏂᏣᎵᏍᏔᏅ, ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎤᏁᎳᏅᎯ ᏧᏅᏒ ᎤᏪᏥ ᎤᏓᏅᏙ ᏗᏣᏓᏅᏙᎩᎯ, ᎤᏪᎷᎦ ᎯᎠ ᏂᎦᏪᎭ, ᎠᏆ, ᎡᏙᏓ.\nᎿᏉᏃ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎠᏂᏧᏏ ᏧᎾᏤᎦ ᎬᏩᏃᎮᎮᎸᎩ ᎠᏄᎯᏍᏗᏍᎬ ᏉᎳ ᎠᎴ ᎬᏩᏍᏗᏰᏔᏅᎩ,\nᎦᏣᏄᎸ ᏚᏯᎰᏎᎲ, ᎡᎵᏍᎬ ᎠᏂᏐ ᎠᏂᏔᎵ ᎣᏍᏓ ᎤᏂᎷᏤᎯ.\nᏂᎪᎯᎸᎾᏉᏃ ᎤᏛᏐᏅ ᎤᏃᎮᎴ ᎠᏥᎸᏳᎶᏗ ᎤᏬᏢ ᏙᏱᏨ, ᎦᎸᏙᎵ ᎠᏍᎦᏯ ᎤᎾᏅᎪᏤ ᎢᎾᎨ ᏓᏳᎶᏒ.\nᎤᏛᎦᏁ ᏗᎾᎢᏒ, ᎠᏂᏍᏔᏩᏗᏎ ᏧᎶᏒ ᏧᎵᏬᏨ ᏧᏆᎶᎬ, ᎬᏂᎨᏒ ᎾᏍᎩᏯ ᎦᏓᎷᎪᏗ ᎤᏂᏏᏅᏒ.\nᎠᎦᎵᎡᎵᏤᎰᏍᎪ ᎾᏍᎩ ᎠᏥᏅᏏᏓᏍᏗ ᎾᏥᏪᏎᎸ ᏄᏛᏁᎸᎢ? ᎥᏝ ᎠᎩᏰᎸᎭ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎭᏝ ᎢᏦᎯᏳᏒᎢ? ᎾᏍᎩᏃ ᎠᏂᏍᎦᎢᎲ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ; ᎦᏙ ᎤᏍᏗ ᎯᎠ ᎠᏍᎦᏯ? ᏕᎧᏁᏤᏰᏃ ᎤᏃᎴ ᎠᎴ ᎠᎹ, ᎠᎴ ᎢᎬᏬᎯᏳᎲᏍᎦ.\nᎾᏃ ᎾᏍᎩ ᎯᎠ ᎡᎶᎯ ᎪᎱᏍᏗ ᎠᏅᏗᏍᎩ ᏞᏍᏗ ᎤᏣᏘᏂᏉ ᏱᎾᏅᏁᏗᏍᎨᏍᏗ; ᎯᎠᏰᏃ ᎡᎶᎯ ᏄᏍᏛ ᎦᎶᏐᎲᏍᎦᏉ.\nᎠᏴᏰᏃ ᎠᎩᎷᏥᎸ, ᏗᎾᏓᏍᎦᎩ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏍᎦᏯ ᎤᏙᏓᏃ, ᎠᎴ ᎠᎦᏅᎩ ᎠᎨᏴ ᎤᏥᏃ, ᎠᎴ ᎤᏓᏦᎯᏯ ᎤᏦᎯᏃ;\nᎠᎵᏰᎾ! \nᏧᏓᎴᏅᏓ ᏓᏓᏳᎶᏒ ᏕᏥᎾᎩᏍᎬ ᏗᎪᏪᎳᏅ ᏗᏥᎶᏍᏔᏅ.\nᎠᏓᏅᏙ ᎠᏆᏘᏂᏙᎲᎩ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎢᎦ ᎨᏒᎢ, ᎠᏆᏛᎦᏅᎩᏃ ᎠᏆᏐᎭᏛ ᎢᏗᏢ ᎠᏍᏓᏯ ᎧᏁᎬ ᎾᏍᎩᏯ ᎠᏤᎷᎩ ᏧᏃᏴᎪᎢ,\nᎯᎠᏃ ᎾᏍᎩ ᏥᏄᏍᏗ ᎡᎩᏚᎢᏍᏓᏁᎸᎯ ᏥᎩ, ᎢᏨᎨᏳᎢ, ᎢᏓᏓᏅᎦᎸ ᎢᏗᎲᎾ ᏄᏓᎴᏒ ᎦᏓᎭ ᎨᏒ ᎢᎩᏇᏓᎸ, ᎠᎴ ᎢᎦᏓᏅᏙᎩᎯ, ᎢᏗᏍᏆᏗᏍᎨᏍᏗ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎤᏁᎳᏅᎯ ᎡᏗᎾᏰᏍᎬᎢ.\nᎠᏐᏴᏃ ᏣᏍᏆ ᏅᏯ ᎠᏁᏍᎨᏛᎩ; ᎦᏚᎲᏃ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏛᎩ, ᏧᎸᏌᏛ ᎠᏓᎨᏗ ᎾᏍᎩᏯᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᎦᎶᏁᏛᏱ ᎤᎦᎵᏍᏗ ᏅᏓᎬᏩᏓᎴᏗ ᎨᏎᏍᏗ, ᎢᏳᏃ ᎠᏓᎨᏳᏗ ᎨᏒ ᎠᏓᏄᏬᎯᏍᏗᏍᎩ ᎬᏩᏓᏁᏗ ᎨᏎᏍᏗ, ᎢᏳᏃ ᎬᏖᏉᎶᏗ ᎨᏎᏍᏗ ᎠᏓᏅᏙ ᎥᏓᏘᏁᏗ ᎨᏒᎢ, ᎢᏳᏃ ᎠᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᎤᏓᏅᏘ ᎨᏒ ᎡᎮᏍᏗ,\nᎤᏙᎯᏳᎯᏯ ᎢᎦᏪᏛ, ᎢᏳᏰᏃ ᎢᏧᎳᎭ ᏗᎩᏲᎱᏒᎯ ᎨᏎᏍᏗ, ᎠᏎ ᎾᏍᏉ ᎢᏧᎳᎭ ᏕᏛᏁᏍᏗ;\nᎠᏎᏃ ᏥᏌ ᎤᏛᎦᏅ ᎤᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎢ; ᏞᏍᏗ Ᏹ-ᏍᎦᎢᎮᏍᏗ; ᏦᎯᏳᏎᏍᏗᏉ, ᏓᏳᏗᏩᏏᏃ.\nᎤᏩᎦᏘᎶᏓ ᎠᏇᏙᎸ ᎢᏤ ᎢᏦᏛ, ᎠᏎᏃ ᎨᏍᏗ ᏱᏥᎦᏔᎮ ᎢᏳᏍᏗ ᏂᎦᎵᏍᏔᏂᏙᎲ.\n”ᏍᎩᏃᎯᏎᎸ ᎦᎬᏍᏕᎸᏗ ᎨᏎᏍᏗ.”\nᎢᏳᏃ ᏴᏫᏉ ᎠᏁᎲᎢ, ᏲᎦᏛᏅ, ᏂᎦᏛᏉ ᏴᏫ ᏅᏯ ᏱᏕᎪᎬᏂᏍᏓ; ᏣᏂᏰᏃ ᎠᏙᎴᎰᏍᎩ ᎨᏒᎩ, ᎠᏁᎵᎭ.\nᎠᎦᏍᎩ ᎤᏲᏍᏔᏁᎴ ᎤᏓᏅᏖᎸ ᏫᎵᎻ.\nᎢᏳᏍᎩᏂᏃ ᎩᎶ ᏂᏓᏛᏅᎢᏍᏓᏁᎲᎾ ᎢᎨᏎᏍᏗ ᎤᏩᏒ ᏧᏤᎵᎦ, ᎠᎴ ᎾᏍᎩ Ꮀ ᎤᎬᏫᏳᎭ ᎤᏩᏒ ᏚᏓᏘᎿᎥᎢ, ᎾᏍᎩ ᎤᏓᏱᎸ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏟ ᎤᏲᎢᏳ ᎡᏍᎦᏉ Ꮎ ᏄᏬᎯᏳᏒᎾ.\nᏔᏁᏃ ᎤᏄᎪᏤ ᎥᏓᎵ ᎤᎶᏗ ᎤᏪᏙᎴᎢ; ᎠᎴ ᏂᎦᏛ ᎤᏂᏣᏘ ᏫᎬᏩᎷᏤᎴᎢ, ᎠᎴ ᎾᏍᎩ ᏚᏪᏲᏁᎢ.\nᎩᎶ ᎾᏆᎵᎪᏁᎲᎾ ᏥᎨᏐ ᎠᏆᏡᏗᏍᎪᏉ; ᎩᎶᏃ ᏃᏍᏗᏟᏏᏍᎬᎾ ᏥᎨᏐ ᎠᏗ-ᎦᎴᏯᏍᎪᏉ.\nᎠᎬᏱ ᎠᏛᏛᏅ ᎾᏂᎥ, ᎤᎾᏟᏂᎬᎬ, ᎤᏂᏐᏯᏍᏗᏍᎩ ᎨᏒ ᎠᏁᎲ, ᎤᎾᎵᏍᏔᏴᏗ.\nᎿᏉᏃ ᏔᎵᏁ ᏔᎵ ᏄᎾᏓᏛᎩ ᎠᏂᏧᏏ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎾᏍᎩ ᏄᏪᏒᎢ.\nᎠᎫᏩᏌ ᏴᏙᎭ ᏚᏅᏓᏒ ᏰᎵ ᏧᏙᏓᏆᏓ, ᎠᎫᏍᏕᎵ ᏯᎾᎢᏳᎾ - ᎠᏲᎯᏍᏘ ᎠᎫᎾᏰᎯᎲ ᎢᎾᎨᎢ.\nᎯᏍᎩ ᎢᏳᎾᏓᎨᏛ ᎤᏂᎧᎭᏲᏒ ᏚᏯ ᏃᎴ ᎤᏁᎸᏗ ᎠᏓᏅᏖᏗ ᎤᏩᏌ ᎠᏆᎵᏍᎪᎸᏛ, ᏃᎴ ᎬᏍᏕᏓᎵᏴᏍᏗ ᏱᎨᏒᎾ.\nᎤᎸᏉᏗ ᎨᏎ ᎤᏍᎪᎵᏰᏗ, ᎤᏪᎵᏍᏗ, ᏃᎴ ᎦᏂᏏ ᏭᏂᏏᏗ.\nᏝᏍᎪᏃ ᏱᏗᏥᏁᎸ ᎾᎿ ᎢᏔᎵᏍᏓᏴᏗᏱ ᎠᎴ ᎢᏔᏗᏔᏍᏗᏱ? ᏥᎪᎨ ᎢᏥᏐᏢᏗᎭ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎠᎴ ᏕᏣᏕᎰᎯᏍᏗᎭ ᏄᏂᎲᎾ? ᎦᏙ ᏓᏨᏲᏎᎵ? ᏓᏨᎸᏉᏔᏂᏧ? ᎯᎠ ᏂᏨᏛᏁᎲ ᎥᏝ ᏱᏨᎸᏉᏗᎭ.\nᏧᎾᏟᏍᏗ?\nᎦᎵᎡᎵᎩ ᏕᎩᎾᏦᏒᎢ ᎤᎬᏍᏕᎵ, ᎤᏛᏁ ᎤᏍᏗ ᎠᏣᏗ.\nᏏ ᎦᏲᏟ ᎤᏓᏅᏖᏗᏍᎨᎢ ᏭᏩᎦᏘᏗᏒᎢ, ᎨᏍᏗ ᏳᏬᎯᏳᎮ ᎧᏅᏂᏍᎩ ᎤᏍᏆᏂᎪᏙᏗ ᎬᏅᎢ.\nᎤᏰᏤ ᎡᎶᏗ.\nᎣᏂᏱᏃ ᎠᎨᏴ ᎾᏍᏉ ᎤᏲᎱᏒᎩ.\nᎾᏍᏉ ᎪᏍᏚᏉ ᎢᏥᏚᎲ ᎦᎳᎨᏴᎢ, ᎾᏍᎩ ᎣᎩᏯᎸᎬᎢ ᎣᏥᏅᎪᎥᏗ ᎢᏨᎢᏰᎭ; ᎠᏎᏃ ᎯᎠ ᏄᏍᏕᏍᏗ ᎢᏥᎦᏔᎮᏍᏗ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᎥᏂᏳ ᎢᏥᎷᏤᎸᎢ.\nᏂᎪᎯᎸᎾᏉ ᎤᏂᏲᎯᏍᏔᏅ ᎠᎾᏛᎦᏍᏗᏍᎬ, ᎤᎾᎴᏅᎲ ᎠᎾᏓᏅᏖᏍᎬ ᎢᏳᏍᏗ ᎤᎵᏍᏕᎸᏙᏗ, ᎾᏍᎩ ᎤᏅᏌ.\nᎠᏏᏉ ᎾᏍᎩ ᏂᏕᎦᏪᏎᎲᎩ, ᎬᏂᏳᏉ ᎩᎶ ᎢᏳᏍᏗ ᏄᎬᏫᏳᏌᏕᎩ ᎤᎷᏨ ᎤᏓᏙᎵᏍᏓᏁᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎠᏇᏥ ᎠᎨᏳᏣ ᎦᏳᎳ ᎤᏲᎱᏏᏕᎾ. ᎠᏗᎾ ᎮᎾ, ᎯᏯᏒᏂᎸᎭ, ᎠᎭ ᏛᎠᏛᏂᏗᏉ.\nᎤᎾᏕᎳᎰᏌ ᏐᏉ ᎠᎨᏯ ᎠᏴᏫᏯ ᏧᎾᎭᏰᏍᏗ, ᏣᎦᏥᎶᏍᏔᏅ ᎤᎾᎪᎰᏍᏔᏁᎢ ᏅᏃ ᎠᏰᎵ ᏃᎴ ᏧᏂᎳᏫᎢᏍᏗ ᎭᎸᎾ ᏚᏂᏃᏴᎵᏍᏔᏁ ᏐᏉ ᎢᏳᏪᏅᏍᏗ ᏂᎦᎵᏍᏗᏍᎬ ᎤᎵᏨᏓᏆᏓ.\nᎢᏤᏍᎩᏃ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎠᏎ ᏗᏤ ᏗᏑᏢᏛ ᏗᏟᏍᏙᏗ; ᎩᎳ ᎿᏉ ᎢᏧᎳ ᏂᏗᎬᏩᏍᏙᎢ\nᎾᏍᎩ ᎾᎿ ᎤᏣᏘ ᏥᏣᎵᎮᎵᎦ, ᎪᎯᏍᎩᏂᏃᏅ ᏞᎦ, ᎢᏳᏃ ᎨᏎᏍᏗ, ᎡᎯᏍᏗ ᎢᏣᏓᏅᏔᏩᏕᎦ ᎤᏗᎦᎵᏍᏙᏗᎭ ᏧᏓᎴᏅᏛ ᎢᏥᎪᎵᏰᏍᏗ ᎢᏣᎵᏩᏛᎡᎲᎢ,\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᎦᏙᏃ ᎢᏍᎩᏂᏲᎮᎢ? ᏝᏍᎪ ᏱᏍᏗᎦᏔᎮ ᎡᏙᏙᏱ ᎠᏎ ᎠᏇᏓᏍᏗ ᎨᏒᎢ?\nᎢᏨᏒᏰᏃ ᎢᏥᎦᏔᎭ ᎯᎠ ᎾᏍᎩ ᏗᏉᏰᏂ ᏓᏋᏔᏅᎯ ᎠᎩᏩᏛᎲ ᎠᎩᏂᎬᏎᎲ ᎠᏋᏒ ᎠᎴ ᎾᏍᏉ ᎣᏤᎯ.\nᎠᎴ ᎠᏴ ᎥᏝ ᏱᏥᎦᏔᎮᎢ; ᎠᏎᏃ ᎾᏍᎩ ᎢᏏᎵ ᎨᏥᎾᏄᎪᏫᏎᏗᏱ ᏅᏧᎵᏍᏙᏔᏅ ᎠᎩᎷᏨ ᎠᎹ ᏕᎦᏓᏬᏍᏗᎭ.\nᎾᏍᎩᏰᏃ ᏄᏩᏅ ᏥᏕᏛᏅ, ᎠᎴ ᏥᏓᎵᏖᎸᎲᏍᎦ, ᎠᎴ ᏥᏕᎭ; ᎾᏍᎩ ᎾᏍᏉ ᎩᎶ ᎢᏳᎾᏍᏗ ᏗᎧᏃᎩᏍᏗ ᏗᏃᏪᎵᏍᎩ ᏗᏣᏤᎵᎦ ᎯᎠ ᏄᏂᏪᏒ; ᎠᏴᏰᏃ ᎾᏍᏉ ᎾᏍᎩ ᏧᏪᏥ.\nᏥᏌ ᎤᎷᏨᎩ ᎤᎩᏒᎩ ᎦᏚ ᎠᎴ ᏚᏁᎸᎩ, ᎠᎴ ᎾᏍᏉ ᎠᏣᏗ ᏚᏅᏁᎸᎩ.\nᎾᏍᎩ ᏥᏅᎵ ᏫᏥᎷᏤᏗᏱ, ᎾᏍᎩ ᏂᏣᏛᎿᏕᎬ ᎤᏙᎴᎰᎯᏍᏗᏱ ᎤᎬᏩᎵ, ᎠᎴ ᏗᏥᎦᎵᏍᏓᏕᏗᏱ ᏗᏥᎾᏫ ᎤᎬᏩᎵ;\nᎠᏎᏃ ᎠᎦᏔᎾᎢ ᏧᏪᏥ ᏂᎦᏛ ᎣᏏᏳ ᎢᎬᏩᏰᎸᎭ\nᏍᎪᎯ ᎢᏯᎳᏏᏔᏅ ᎢᏴ ᏫᏓᏲᎯᎲ ᏩᏁᎢ ᏗᏲᏍᏙᏗ ᎬᏘ, ᏐᏉ ᎢᏳᏦᏔᏅ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎾᏍᎩ ᎯᎠ ᎪᎯ ᎨᏒ ᎥᏝ ᏳᏃᎯᏳᏅ, ᎾᏍᎩ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᏣᏤᎵ ᎢᏳᏩᏂᏐᏗᏱ ᎾᏍᎩ ᎾᏍᏉ ᎨᏥᏙᎵᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᏣᎶᏅᎮᎭ ᏣᏂᏴᏗᎯ-ᏂᏴᏗᎯ.\nᏧᏓᏏᏃ ᎠᏓᏡᏗᏍᎩ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ; ᏔᏕᏲᎲᏍᎩ, ᏥᎪ ᎠᏴ? ᎯᎠ ᏄᏪᏎᎸᎩ; ᏰᎵ ᏂᏫ.\n“ᎦᏨ ᎮᏙᎭ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\n”ᏙᎢᏳᏍᏗ?”\nᎢᏳᏃ ᎰᏩ ᎦᎶᏁᏛ ᏚᎴᏅ ᏗᏣᎴᏅᎯ ᎨᏎᏍᏗ, ᎢᏥᏲᎮᏍᏗ ᎾᏍᎩ ᎦᎸᎳᏗ ᎡᎯ ᎨᏒᎢ, ᎾᎿ ᎦᎶᏁᏛ ᎤᏬᎸ ᎤᏁᎳᏅᎯ ᎠᎦᏘᏏᏗᏢ.\nᎤᎵᏍᎦᏂᏍᏛᏍᎩᏂ ᎧᏃᎮᎸᏗ ᎨᏒ ᎠᎴ ᎤᎾᏓᏁᏟᏴᏒᏒᎢ, ᎠᎴ ᏗᏘᏲᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏗᏒᏍᏗ ᎨᏒ ᏗᎧᎿᏩᏛᏍᏗ ᎤᎬᏩᎵ ᏕᎭᏓᏅᏒᎮᏍᏗ, ᎬᏩᎾᏓᏍᏕᎸᏗᏰᏃ ᏂᎨᏒᎾ ᎠᎴ ᎠᏎᏉᏉ ᎾᏍᎩ.\nᎠᏴ ᏍᎩᏍᏓᏩᏕᎩ ᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᎠᏴ ᎾᏍᏉ ᎦᎶᏁᏛ ᏥᏍᏓᏩᏕᎩ ᏥᎩ.\nᎠᎼ ᎡᎳᏗ ᏄᏛᏁᎸ.\nᎠᏂᏧᏏ ᏕᎦᎵᏦᏛᎢ-ᏧᎾᎵᏍᏓᏴᏗᏱ ᎤᏍᏆᎸᎯᏗᏒᎩ.\nᎣᎭᏁ ᎢᏴ ᎩᎳ ᎤᎾᏓᏅᏖᏙᏗ.\nᎿᏃ ᎡᎶᎯ ᎠᏁᎯ ᏛᎾᎵᎮᎵᏥ ᎾᏍᎩ ᎨᏒ ᏅᏗᎦᏍᏙᏗᏍᎨᏍᏗ, ᎠᎴ ᎣᏍᏛ ᎤᎾᏓᏅᏔᏩᏕᎨᏍᏗ, ᎠᎴ ᎪᎱᏍᏗ ᏓᎾᏓᏁᎸᎥᏍᎨᏍᏗ; ᎯᎠᏰᏃ ᎠᏂᏔᎵ ᎠᎾᏙᎴᎰᏍᎩ ᎬᏩᏂᎩᎵᏲᎢᏍᏔᏅᎩ ᎾᏍᎩ Ꮎ ᎡᎶᎯ ᎠᏁᎯ.\nᏍᎩᎾᎾ ᎢᏳᏩᏂᏌᏓ ᏚᏂᏴᏍᏓᎩᏍᎨ, ᎠᏰᎵ ᎢᏴ ᎠᏦᎭᏴ ᎾᎥᏂ ᎠᏂᏁ ᎤᏂᏰᏥᏍᎨ ᎠᏂᏐ ᎠᏰᎵ ᎢᏴ ᎠᏂᏁ ᎠᏦᎭᏴ ᎾᎥᏂ ᏧᏍᏆᏅᏂ ᎬᏘ ᏚᎾᏚᏌᎡ ᎤᏂᏁᎬᏒ ᎠᎴ ᏓᎾᏦᎭᏱᎮ.\nᎢᏳᏍᎩᏂᏃᏅ ᎤᏇᏓᎸ ᏯᏆᎴᏂᏙᎸ, ᎯᎠ ᎾᏍᎩ ᎠᎩᎾᏄᎪᏫᏍᏗ ᏓᎩᎸᏫᏍᏓᎪᎲᎢ; ᎠᎴ ᎥᏝ ᏱᏥᎦᏔᎭ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏆᏑᏰᏍᏗᏱ.\nᎠᎴ ᎠᏴ ᎢᎩᎦᏙᎥᏒ ᎠᎴ ᎢᎪᎯᏳᏅ ᎤᏁᎳᏅᎯ ᎢᎩᎨᏳᎯᏳ ᎨᏒ-Ꭲ. ᎤᏁᎳᏅᎯ ᎠᏓᎨᏳᏗ ᎨᏒ ᏚᏙᎥ, ᎠᏓᎨᏳᏗᏃ ᎨᏒ ᎡᎯ ᎤᎾᎳᏅᎯ ᎠᏯᎣᎢ, ᎠᎴ ᎤᎾᎳᏅᎯ ᎾᏍᎩ ᎤᏯᎣᎢ.\nᎤᎵᏍᏗ ᏄᎵᏍᏔᏁᎮ ᏣᏄᏏ.\nᎠᏎᏃ ᎤᏕᎸᏛ ᏧᎾᏂᏏᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᏂᏏᏴᏫᎭ ᎠᏂᏍᎦᏯ ᏧᎾᏓᎵᎢ ᏚᏂᎧᎮᏍᏗ, ᎠᎴ ᎠᏂᏏᏴᏫᎭ ᎠᏂᎨᏴ ᏗᎬᏩᏂᏰᎯ ᏚᏂᎧᎮᏍᏗ.\nᏰᎵᏉ ᎢᏳᏪᏍᏘ ᎯᎸᎯᏴ ᎤᎪᎲ ᏱᎨᏒᎾ ᎩᎳ ᎠᏲᎰᏍᎬ, ᎦᏳᎳ ᎤᏲᎰᏒ ᏂᎨᏎ Perry ᎦᏙ ᏭᏅᏥᎳ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᎪᎲ ᎥᏓᎵ ᎦᏚᎩ; ᎠᎢᏒᎢ ᎤᎾᏓᏅᏖᏔᏅᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎾᏰᎯ ᎯᎠ. ᎠᏂᏍᎦᎢᎲᏃ ᎢᏳᏍᏗ ᏅᎾᎵᏍᏔᏅᎩ.\nᎾᏍᎩᏯᏉ ᎤᎬᏫᏳᎯ ᏚᏭᎪᏔᏅ, ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎠᎾᎵᏥᏙᎲᏍᎩ ᏥᎩ, ᎾᏍᎩ ᎣᏍᏛ ᎧᏃ ᎮᏛ ᎤᎾᎵᏍᏕᎸᏙᏗᏱ.\nᎠᎴ ᏓᎬᏩᏐᏢᎢᏍᏔᏂ, ᎠᎴ ᏓᎬᏩᎵᎥᏂᎵ, ᎠᎴ ᏙᏓᎬᏩᎵᏥᏍᏈ, ᎠᎴ ᏓᎬᏩᎵ; ᏦᎢᏁᏃ ᎢᎦ ᏔᎵᏁ ᏙᏛᎠᎴᏂ.\nᏰᎵ ᏧᏕᏘᏴᏓ ᎠᏆᏕᏅ ᎨᏎ ᎭᏂ ᎦᏓᏁᏍᏛ ᎠᏙ, ᏥᎦᏔᎲ ᎢᏯᏆᏛᏁᏗ.\nᎢᎦᏓ ᏧᎾᏦᏍᏗ ᎠᎩᏍᏗ Ꮎ ᏍᎩᏅ ᎭᎴᏉ ᏂᏙᎩᏨᏍᎪ ᏦᏥᏅᎪᎢ.\nᎾᏂᎥᏰᏃ ᎤᏅᏒᏉ ᎤᎾᏤᎵ ᎨᏒ ᎤᏂᏲᎰᎢ, ᎥᏝᏃ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵ ᎨᏒᎢ.\nᎾᏍᎩ ᎯᎠ ᏥᏌ ᏄᏪᏒ, ᎬᏩᏍᏓᏩᏗᏙᎯ ᏚᏘᏅᏒᎩ, ᎤᏄᎪᏨᎩ ᏚᏪᏐᏨᎩ ᎩᏠᏂ ᎤᏪᏴᎢ, ᎾᎿ ᎠᏫᏒᏗᏱ ᎪᏢᏒᎩ, ᎾᎿ ᎤᏴᎸᎩ, ᎠᎴ ᎾᏍᏉ ᎬᏩᏍᏓᏩᏗᏙᎯ.\nᏂᎯ ᏯᏑᏯᎩ ᎢᏳᏍᏗ ᏣᏚᎵᏍᎬ ᎠᎬᏱ, ᎩᎳ ᏱᎦᎵᏍᏓᏴᎲᎦ.\n“ᎠᏆᏓᏓᏏᎾᎲᏍᏙᏗᎩᏉ ᎤᏪᎷᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎤᏛᏅ ᎠᏓᎦᏘᏕᎯ.\nᎣᎭᏁ ᏚᎾᏦᏩᏛ ᏃᎴ ᎤᏍᏗ ᏗᎦᎶᏙᏗ ᏓᏂᎳᎩᏍᎨ ᎤᏂᎾᏕᎨ.\nᎠᏂᏆᎵᏏᏃ ᎤᏂᎷᏤ ᎠᎴ ᎤᎾᎴᏅᎮ ᎬᏩᏛᏛᎮᎸᏁᎢ, ᎬᏩᏔᏲᏎᎴ ᏧᎾᏄᎪᏫᏎᏗᏱ ᎤᏰᎸᏛ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ, ᎬᏩᎪᎵᏰᏍᎨᎢ.\nᎢᏳᏃ ᎢᏣᏁᎳᏅᎯ ᏧᏬᏎᎸᎯ ᏱᎩ, ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎨᏥᏁᏤᎸᎯ, ᎠᎴ ᎪᏪᎵ ᎤᏲᎢᏍᏗ ᏂᎨᏒᎾ ᏱᎩ,\nᎤᏣᏘᏃ ᎤᏂᏬᏂᏒ ᏈᏓ ᏕᎤᎴᏁᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ, ᏂᎯ ᎢᏥᎦᏔᎭ ᎿᏉ ᏰᎵ ᎪᎯᎩ ᎤᏁᎳᏅᎯ ᎠᏴ ᎠᏆᏑᏰᏒ ᎢᎦᏓᏡᎬ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏴ ᎬᏆᏛᎦᏁᏗᏱ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎾᏍᎩᏃ ᎤᏃᎯᏳᏗᏱ.\n“ᎭᏩᏃ,” ᎤᏛᏁ, ᎧᏃᎩᏍᎩ ᎢᏳᏍᏗ ᎦᏬᏂᏍᎩ.\nᎠᏥᎸᏳᎵ ᎾᎥᏂ ᎤᎴᏫᏍᏔᏅ ᏣᎵ.\nᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎢᏏᎵ ᎤᎾᏤᎵᎦ; ᏚᏩᏛᎰᎸᏰᏃ ᎠᎴ ᏚᏓᏴᎲ ᏧᏤᎵᎦ ᏴᏫ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᏂᎪᎯᎸ ᎣᏣᏓᏙᎵᏍᏗᏍᎪ ᎢᏨᏯᏅᏓᏗᏍᎪ, ᎾᏍᎩ ᎣᎦᏁᎳᏅᎯ ᎤᏓᏯᏅᏗ ᎨᏒ ᎢᏥᏯᏅᏔᏅᎯ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᎤᏍᏆᏗᏍᏗᏱ ᏂᎦᏛ ᎣᏍᏛ ᎤᏰᎸᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᎤᏓᏅᏘᏳ ᎨᏒᎢ, ᎠᎴ ᎪᎯᏳᏗ ᎨᏒ ᏧᎸᏫᏍᏓᏁᏗ ᎬᏔᏅᎯ ᎤᎵᏂᎩᏛ ᎨᏒᎢ;\nᏗᎦᏅᎯᏓ ᏔᎷᎩᏍᎩ ᏓᏆᏛᏅ, ᎩᎦᎨ ᎧᏃᏍᎦ ᎦᏚᎢᏣ ᏓᏋᏂᏍᏔᏅ.\n“ᎤᏙᎱᏳᎭᏍᎪ? ᎤᏛᏛᏁ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᏛᏛᏅᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏔᏕᏲᎲᏍᎩ, ᎦᎪ ᎤᏍᎦᏅᏤᎢ, ᎯᎠᏍᎪ, ᏧᎦᏴᎵᎨᎢᎨ, ᏗᎨᏫ ᏧᏕᏁᎢ?\nᏱᎰᏩ ᎯᎠ ᏄᏪᏎᎸᎩ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ; ᏥᎦᏘᏏ ᎢᏗᏢ ᏦᎴᏍᏗ, ᎬᏂ ᎨᏣᏍᎦᎩ ᏗᏣᎳᏏᏗᏱ ᎦᏍᎩᎶ ᏂᎦᏥᏴᏁᎸᎭ;\nᏥᏰᏲᏅ ᎢᏳᏪᏍᏗ ᎠᎦᏘᏱ, ᏗᎨᏃ New Jersey ᏱᏤᎾᏉ.\nᎦᏄᎸ ᎯᎦ! \nᎢᏳᏃ ᏣᏱᎵᏙᎯ ᏗᏓᎪᏗᏍᎩᏱ ᏍᏓᎢᏎᏍᏗ, ᎠᏏᏉ ᏫᏍᏓᎢᏒᎢ, ᎭᏟᏂᎬᏁᎸᎭ ᎯᏯᏚᎵᏔᎡᏗᏱ; ᏗᏓᎪᏗᏍᎩᏱ ᎾᏏ ᏫᏱᏣᏘᏃᎦ, ᏗᏓᎪᏗᏍᎩᏃ ᏗᏓᏂᏱᏍᎩᏱ ᏫᏱᏕᏣᏲᎯ, ᏗᏓᏂᏱᏍᎩᏃ ᏗᏓᏍᏚᏗᏱ ᏫᏱᏣᏴᏓ.\nᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎥᏝ ᎩᎶ ᎣᏏᏳ ᎢᏯᏛᏁᎯ ᏱᎩ, ᎥᏝ, ᏌᏉ ᎤᏅ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᎯᏳᎢ, ᎾᏍᎩ ᎣᏓᎸ ᏭᎶᎭ ᎤᏓᏙᎵᏍᏔᏅᏎᎢ, ᎠᎴ ᎤᏨᏓᏇ ᎤᏁᎳᏅᎯ ᎠᏓᏙᎵᏍᏓᏁᎲᎢ.\n“ᏰᎵ ᎤᎵᏍᎨᏓ ᏍᎩᎾᎾ ᏏᏆ ᎠᎾᏗᎭ.”\nᎧ ᎦᏙᎯ ᎨᏎ ᎯᎠ ᎠᏍᎦᏯ ᏍᏏᏉᏯ? ᎡᏙᏓ ᎠᏆᏛᏛᏅ.\nᎡᏣᎪᎾᏓ, ᏫᎵᎻ.\nᎭᏫᏂ ᏓᏳᏓᎴᏅ ᎤᏛᎸᎮᎢ ᏫᎵᎻ.\nᏍᎩᎾᎾ ᏂᎦᏪ ᏓᏏᎳᏛ ᎠᏰᎵ.”\n”ᏣᏂᏏᏗ ᎮᎾᏗᎾ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎧᏁᏌᎢ ᏭᏴᎴᎢ ᏧᏍᏆᏴᏍᏗ, ᎧᏁᏍᎦ ᎤᏚᏒᏓᏁᎢ.\nᏗᎦᎳᏫᎢᏍᏗᏱᏃ ᏄᎬᏫᏳᏌᏕᎩ ᎤᎿᎸᎯ ᎤᏁᏤᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏥᏌ ᎤᏓᏅᏩᏅ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ ᏚᏳᎪᏗ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᏴᏫ; ᎾᎯᏳᏍᎩᏂ ᎢᏥᎷᎨᏍᏗ ᎠᎴ ᏕᏥᏅᏫᏍᎨᏍᏗ, ᏞᏍᏗᏃ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ.\nᎦᏙᏰᏃ ᎠᏗᎭ ᎦᎸᏉᏗ ᎪᏪᎵ? ᎡᏆᎭᎻ ᎤᏬᎯᏳᏁ ᎤᏁᎳᏅᎯ, ᎾᏍᎩᏃ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎠᏥᏰᎸᎾᏁᎴᎢ.\nᎿᏉᏃ ᎤᎾᎸᎸ ᎤᏁᎵᏌᎾᏫᏛᎮᎢ, ᏆᏂᏛ ᏆᎴᏗ ᎤᎬᏫᏳᎯ ᏫᏚᏂᏲᎯᏎᎴᎢ.\nᏃᎴ ᎤᏐᏱ, ᎨᎦᏑᏯᎩᏍᏗ ᏱᎨᏒᎾ.\n”Ꭳ, ᎨᏍᏗ ᏯᏆᏅᏔ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎠᎴ ᏄᎨᏳᏅᎾ ᏥᎨᏎ ᎡᏘ ᎡᎶᎯ ᏥᎨᏎᎢ, ᏃᏯᏍᎩᏂ ᏧᏁᎳ ᏧᏛᏕᎢ ᎨᏒ ᎾᏍᎩ ᎠᎵᏥᏙᎲᏍᎩ ᏚᏳᎪᏛ ᏗᎧᎾᏩᏗᏙᎯ ᏥᎨᏎᎢ, ᎠᎴ ᏥᏚᏃᎱᎪᏔᏁ ᎡᎶᎯ ᎠᏂᏍᎦᎾ ᎠᏁᎲᎢ,\nᎠᏎᏃ ᏥᏌ ᎯᎠ ᏄᏪᏎᎢ, ᏞᏍᏗ ᎡᏥᏅᏍᏓᏕᎸᎩ; ᎥᏝᏰᏃ ᏰᎭ ᎩᎶ ᏓᏆᏙᎥ ᎬᏗᏍᎩ ᎤᏍᏆᏂᎪᏗ ᏧᎸᏫᏍᏓᏁᎯ, ᎾᏍᎩ ᎢᎬᏪᏅᏛ ᎤᏐᏅ ᎬᎩᏁᎢᏍᏙᏗ.\nᎠᎴᎾ ᎤᏩᏌ.\n“ᏙᏳ ᏥᏍᎦᎢᎭ,” ᎤᏛᏁ ᎠᎳᏂ.\nᎦᏅᏙᏗ ᎦᏚᎢ ᎤᏂᎳᎯᏙᎴ, ᎤᏂᎦᏛᎲᏍᎬ ᎤᎾᏤᎵ ᎠᏤᎯ ᎡᎶᎯ.\nᎢᏨᏲᏪᎳᏏ ᎦᏲᎵ ᏏᎷᏪᏂ ᎤᏅᏍᏗ ᎾᏍᎩ ᎦᎳᏏᏛᏗ ᏂᎨᏒᎾ ᎢᏣᎵᏅᏟ ᎦᏓᏅᏖᏍᎬᎢ, ᎢᏒᏔᏲᏎᎭ, ᎠᎴ ᎬᏂᎨᏒ ᏂᏨᏴᏁᎭ ᎾᏍᎩ ᎯᎠ ᎾᎿ ᏥᏕᏥᏙᎦ ᎤᏙᎯᏳᏒ ᎤᏁᎳᏅᎯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎥᏝ ᎩᎶ ᏧᏮᏕᏨᎯ ᏱᎩ ᎦᏁᎸᎢ, ᎠᎴ ᏧᎦᏴᎵᎨᎢ, ᎠᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᎤᏓᎵᎢ, ᎠᎴ ᏧᏪᏥ, ᏅᏓᏳᎵᏍᏙᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ,\nᎤᎵᏍᏆᏙᏅ, ᏂᎦᏓ ᎤᏣᎴᏓ ᏧᏤᎵ ᏴᏫ ᏬᎩᎷᏨ ᏩᏯ.\nᎢᏳᏍᎩ ᏉᏃ ᏫᏄᏒᎸ ᎤᏪᏥ ᎣᏂ ᎡᎯ ᏂᎦᏛ ᎤᏪᏟᏌᏁᎢ, ᎠᎴ ᎤᏂᎩᏎ ᎢᏅ ᏭᎶᏎᎢ, ᎾᎿᏃ ᏄᏁᎸᎾ ᎡᎲᎢ ᏭᏤᏫᏙᎴ ᏧᎬᏩᎶᏗ ᎤᎲᎢ.\nᏓᏂᏍᏔᏲᎯᎲ ᎤᏃᏴᎬ ᎤᎷᏨ ᏥᏙᎬ, ᏣᏁᎳ ᏧᎦᎭᏲᏛ ᎠᏓ ᎢᏓᎵᏍᏆᎵᏍᎪ ᎾᎥᏂᎨ, ᎤᎾᎵᎪᎲ ᏄᏍᏆᎸᏨ ᎢᏕᎲ, ᎠᏰᎵᏒ, ᎾᎥᏂᎨ ᏨᏍᎩᏃ ᏧᎵᏏᎬ ᏧᏫᏗᎸᎪ.\nᎤᏂᏣᏘᏃ ᎠᏂᏁ ᎬᏩᏓᏡᏫᏍᏕᎢ; ᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᎬᏂᏳᏉ, ᏣᏥ ᎠᎴ ᎢᏣᎵᏅᏟ ᏙᏱᏗᏢ ᏗᎨᏣᏲᎭ.\nᎤᏪᎵᏎ ᎦᏲᏟ ᎤᏬᏂᎯᏍᏗ ᎨᏎ ᎯᎠ ᎤᎵᏍᎨᏛ ᏂᎦᎵᏍᏗᏍᎬ.\nᏕᏣᏲᎢᏎᎮᏍᏗᏍᎩᏂ ᎦᏪᏢᏗ ᎨᏒ ᎪᎱᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ ᎠᎴ ᎠᏂᎦᏴᎵᎨ ᎤᏂᏃᎮᎸᏗ ᏥᎩ; ᎠᎴ ᏣᎸᏫᏍᏓᏁᎮᏍᏗ ᎤᏁᎳᏅᎯ ᏗᏁᎶᏙᏗ ᎨᏒᎢ.\nᎯᏍᎩᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎤᏪᏗᏱ ᎤᏪᏐᏅᏴᎩ ᎫᎫ ᎠᏰᎲ ᎠᏟᏍᏛᎢ, ᎤᏥᎵᎪᎯᏃ ᎨᏒ ᎤᎧᎵᏦᏅᎩ ᎤᎵᏏᎩ; ᏓᏂᏃᏓᏛᏃ ᏚᏂᎩᏍᏙᎥᎩ ᏚᏁᎯᏍᏓᏁᎲ ᎢᏳᏍᏗ,\nᎦᏙᎨ ᎢᏣᎦᏔᏅᏎᎢ? ᎠᏍᎦᏯᏍᎪ ᏗᏩᎾᎨ ᏧᏄᏩᎢ? ᎬᏂᏳᏉ ᏗᏩᎾᎨ ᏧᎾᏄᏩᎢ ᎤᏂᎬᏫᏳᎯ ᏓᏂᏁᎸ ᎠᏁᎰᎢ.\nᎤᎾᏰᎯᏍᏗ ᏕᎬᎦᏆᏂᏍᎨ Ross ᏃᎴ Ridge, ᏂᏛᏓᎴᏂᏍᎬ ᏣᎳᎩᏱ ᎠᏰᎵ ᏙᏰ ᎠᏁᎯ ᎠᏂᏴᏫᏯ ᏕᏥᏍᏕᎵᏍᎬ, ᎠᏆᏁᎸᏓᎾ ᎣᎦᎵᎪᏗ ᎣᏥᏰᎵᏒ, ᎢᏧᎳ ᎠᏂᏍᎦᏯ ᎬᏇᏯᏔᏅ ᏤᏍᏗ ᏌᏬᏛᎭ ᎠᎹ ᏱᏂᏨᏁᎴᏍᏗ ᎤᏍᏗ ᎠᎦᏎᏍᏙᏗ ᎯᏰᎵᏒ.\nᎯᎠ ᏥᏄᏪᏎᎢ, ᏕᏣᏙᎥ ᎬᏂᎨᏒ ᏅᏓᎦᏥᏴᏁᎵ ᎣᏣᎵᏅᏟ; ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎠᏰᎵ ᏙᏓᎬᏃᎩᏍᏔᏂ.\nᏦᏩ ᎠᎵᎹᏗᏱ ᎡᎯ ᎠᏥᎸᏉᏗ ᏗᎦᎳᏫᎩ, ᎾᏍᎩ ᎾᏍᏉ ᎠᎦᏘᏰ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᎷᎯᏍᏗᏱ, ᎾᏍᎩ ᎤᎷᏤᎢ, ᎠᎴ ᎾᏍᎦᎢᎲᎾ ᏭᏴᎴ ᏆᎴᏗᏱ, ᎠᎴ ᎤᏔᏲᎴ ᏥᏌ ᎠᏰᎸᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᎩ ᏠᎨᏏ ᎩᎬ ᎤᎶᎨᏒ ᎠᏃᏎᎭ ᎪᎯ ᏥᎩ.\nᏗᏓᏬᏍᏗ ᎨᏒ ᏗᏕᏲᏅᎯ ᎤᎬᏩᎵ, ᎠᎴ ᏗᏓᏏᏔᏗᏍᏗ ᎨᏒ ᎤᎬᏩᎵ, ᎠᎴ ᏧᏂᏲᎱᏒᎯ ᏧᎾᎴᎯᏐᏗ ᎨᏒ ᎤᎬᏩᎵ, ᎠᎴ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᏗᎫᎪᏙᏗ ᎨᏒ ᎤᎬᏩᎵ.\nᎠᎴ ᎤᏓᏔᏅᎯ ᎾᏍᎩ ᏣᏓᏅᏙ ᏧᎬᎥᏍᎬᎩ ᏣᏓᏅᎡᎸ, ᎠᎴ ᏂᎦᎥ ᎤᏢᏉᏗ ᎠᎴ ᏗᎦᎸᏉᏗ ᏥᎨᏒ ᎨᏣᏓᏅᎡᎸ, ᎠᎴ ᎥᏝ ᎿᏉ ᏫᏗᎨᏣᏩᏛᏗ ᏱᎨᏎᏍᏗ.\nᎯᎠ ᏄᏂᏪᏎᎢ; ᏣᎬᏫᏳᎯ, ᎣᎦᏅᏔ ᎾᏍᎩ Ꮎ ᎠᏓᎶᏄᎮᏍᎩ, ᎠᏏᏉ ᏥᎬᏅᎩ, ᎯᎠ ᏥᏄᏪᏒᎩ; ᏦᎢᏁᏉ ᎢᎦ ᏙᏛᎦᎴᏂ.\nᎤᏬᏂᏌ ᎡᏝᏪᎯ ᏄᏪᏎᎢ, ᎨᏍᏗ ᎣᏍᏓ ᏳᏛᎦᎾ ᏂᎦᏪᏍᎬ ᏫᎵᎻ.\nᎦᏄᎸ ᏗᏗᏂᏃᎩᏍᎨᎢ ᏔᎳᏚ.\nᎤᏙᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎠᏛᎩᏍᎩ ᏥᏁᎬᎢ, ᎠᎴ ᎪᎯᏳᎲᏍᎩ ᏅᏛᎩᏅᏏᏛ ᎾᏍᎩ ᎤᎭ ᎬᏂᏛ ᎾᎵᏍᏆᏗᏍᎬᎾ, ᎠᎴ ᎾᏍᎩ ᎥᏝ ᏧᏚᎪᏙᏗ ᏱᎩ ᎤᏍᎦᏅᏨᎢ, ᎠᏲᎱᎯᏍᏗᏍᎩᏂ ᎨᏒ ᎤᏓᏅᏒ, ᎬᏂᏛ ᏗᎨᏒ ᏬᎶᏒ.\nᎾᏍᎩ ᏧᏍᎩᏃ.\nᎾᎦᏛᏍᎪ ᏧᎾᏓᏅᏬᏗᏱ ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎯ? ᏂᎦᏛᏍᎪ ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᏓᏂᏬᏂᎭ? ᏂᎦᏛᏍᎪ ᎠᎾᏁᏢᏗᎭ?\nᎾᏍᎩ ᎦᎸᎳᏗ ᏭᎶᏒ ᎤᏁᎳᏅᎯ ᎤᏬᎸ ᎠᎦᏘᏏᏗᏢ ᏭᏬᎳ, ᏗᏂᎧᎿᏩᏗᏙᎯᏂ ᎠᎴ ᏗᎨᎦᏁᎶᏗ ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᏗᎬᏩᏁᎶᏗ ᏄᎵᏍᏔᏅ.\n“ᎭᏂ ᎦᎸᎳᏗᏣ.”\nᎾᏍᎩ ᏧᏴᎴ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸᎢ, ᎠᎴ ᏧᎩᏎ ᎠᎴ ᏧᎨ ᎦᏚ ᎠᎦᎩᏗ, ᎠᎴ ᎾᏍᏉ ᏥᏚᏁᎴ ᎾᏍᎩ ᏣᏁᎮᎢ; ᎾᏍᎩ ᏂᎦᏳᎪᏛᎾ ᏥᎩ ᎩᎶ ᎤᎩᏍᏗᏱ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎤᏅᏒ.\nᏙᎩᎵᏂᎲᎢ, ᎣᎩᏴᎩᏅᎢ, ᎤᏓᏓᏍᎨᏛ ᎤᎾᎵᏖᎸᏅᎢ, ᏙᎩᎸᏫᏍᏓᏁᎲᎢ, ᎣᏥᏯᏫᏍᎬᎢ, ᎠᎹᏟ ᎣᏨᏍᎬᎢ,\nᎤᏂᏁᏨ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎡᏆᎭᎻ ᎣᎩᏙᏓ. ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏳᏃ ᏂᎯ ᎡᏆᎭᎻ ᏧᏪᏥ ᏱᎩ, ᎡᏆᎭᎻ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏱᏗᏥᎸᏫᏍᏓᏁᎭ.\nᏕᏥᎧᎿᏩᏛᎡᎲ ᎤᎬᏫᏳᎯ ᏂᎦᎥ ᎪᎱᏍᏗ ᎾᏆᎵᏍᎦᏍᏛᎾ ᎨᏒᎢ, ᎠᎴ ᏕᏥᎦᏌᏬᎢᎲᎢ, ᎠᎴ ᎠᎩᎪᎵᏰᏍᎩ ᎠᏆᎵᏩᏛᎡᎲᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎠᏂᏧᏏ ᎪᎱᏍᏗ ᎬᏋᏁᏗᏱ ᏚᏄᎪᏔᏅᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎾᏍᏉ ᏕᎤᏲᏎ ᎦᏓᎭ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎤᏅᏙᏗᏱ ᎤᏅᏒ ᏧᏂᏐᏢᎢᏍᏙᏗᏱ ᏗᏂᏰᎸ ᎤᏅᏒᏉ ᏂᏓᎾᏓᏛᏁᎲᎢ;\nᎾᎯᏳ ᎡᎶᏛ ᎤᎬᏫᏳᎯ ᎨᏎ ᏧᏗᏱ, ᎩᎶ ᎢᏳᏍᏗ ᎡᎮ ᎠᏥᎸ-ᎨᎶᎯ ᏤᎦᎳᏯ ᏧᏙᎢᏛ, ᎾᏍᎩ ᎡᏆᏯ ᎠᎦᏘᏅᏔᏅ ᎨᎳ ᎨᏎᎢ, ᎤᏓᎵᎢᏃ ᎡᎳᏂ ᏧᏪᏥᏛᎯ ᎨᏒ ᎤᏓᏳᏓᎴᏅᎯ ᎨᏎᎢ, ᎠᎴ ᎵᏏ ᏚᏙᎡᎢ.\nᎠᏎᏃ ᎤᏉᏌᏁ ᎢᎸᏍᎩ ᎢᎪᎯᏛ; ᎣᏂᏍᎩᏂ ᎯᎠ ᏂᎤᏪᏎ ᎤᏩᏒ ᏧᏓᏅᏛᎢ, ᏞᏍᎩᏂᏃᏅ ᏱᏥᎾᏰᏍᎦ ᎤᏁᎳᏅᎯ, ᎠᎴ ᎥᏝ ᏱᏗᏥᏯᏁᎶᏗ ᏴᏫ;\nᎡᏙᏓ ᎠᎩᎨᏳᎯᏳ ᏥᎩ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎢᏨᎨᏳᎢᏳ ᏂᎯ. ᏅᏩᏍᏗᏗᏎᏍᏗᏉ ᎢᏨᎨᏳᎢᏳ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᎤᏬᎵᏨ ᏈᏓ ᎦᏬᏂᏍᎬᎢ ᎣᏒ ᎤᏰᎸᏒ ᏅᏓᎵᏍᏙᏔᏁ ᏄᏍᏚᎢᏒᎾᏉ ᎨᏎ ᎦᎶᎯᏍᏗᏱ, ᏚᏍᏆᎸᏔᏁᏉ ᏭᏴᎴᎢ ᎠᎴ ᏭᏃᏁ ᏈᏓ ᎦᏙᎬ ᎦᎶᎯᏍᏗᏳᎶᏗ.\nᏥᏌᏃ ᎤᏁᏟ ᎯᎠ ᏂᏑᏪᏎᎴᎢ, ᏏᏌ ᎡᏣᎫᏴᏏ ᏏᏌ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯᏃ ᎤᏄᎳᏅᎯ ᎤᏤᎵᎦ. ᎢᎬᏩᏍᏆᏂᎪᏎᎴᏃ.\nᎤᎵᎮᎵᏍᏗ ᎤᏓᏅᏖᎢ.\nᎠᎴ ᎤᎾᎴᏅᎮ ᎠᏂᏲᎵᎮᎢ, ᎢᏨᏲᎵᎦ, ᏣᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ, ᎠᎾᏗᏍᎨᎢ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎢᏨᏃᎮᎮᎭ, ᎾᏍᎩ ᎩᎶ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᏱᎬᏗ ᏱᎦᏬᏂᎭ, ᏥᏌ ᎠᏥᏍᎩᏅᏛᎯ ᎥᏝ ᏰᎵ ᏴᎬᏛ; ᎥᏝ ᎠᎴ ᎩᎶ ᏥᏌ ᎤᎬᏫᏳᎯ ᏴᎬᏛ, ᎬᏂ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏱᎬᏗᎭ.\n“ᎯᎠ ᏭᎶᏒᏍᏛ ᏭᏲᎢᏴ ᎠᏆᏛᎦᏅᎯ.” \nᎠᏴ ᏉᎳ ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏛ ᎬᎩᏁᏤᎸᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏍᏕᎵᏍᎩ ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎾᏍᎩ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᎢᎦᏤᎵᎦ,\nᎾᎯᏳᎮᏃ ᏥᎨᏒ ᎤᏟ ᎢᎦ ᎡᎳᏗᏊ ᎣᏤᏙᎯ ᎨᏒ ᎢᎸᏢ ᏲᎨᎾ.\nᎠᏴᏃ ᏃᏊ ᎠᎩᏍᎦᏍᏓᏁᎲ ᎤᎴᏅᎲ.\nᎠᎩᎦᏛᏅᏒ ᏄᏛᎾᏕᎬ ᎠᏌᎻᏓ, ᎤᏩᏌ ᎤᏬᏛ.\nᎧᏅᏂᏍᎩ ᎡᎲᎢ ᎠᏎ ᎤᏦᏍᏗ ᎨᏐᎢ, ᏂᎦᎥ ᏗᏌᏛᏗ ᏃᎴ ᏛᎦ ᏗᎦᏯᎩᏍᏗ.\nᏃᏗ ᎤᎷᏤ ᎰᎻ ᎡᏝᏪᎯ ᎨᏒ ᏑᎾᎴᎢ, ᏧᏴᏨ ᎢᏣ ᎦᎶᎯᏍᏗ ᎤᏍᏚᎩᏎ.\nᎠᎬᏱ ᎤᏕᏃᏅ ᏫᎵᎻ, ᎧᏁᏌᎢ ᎡᎮ ᎠᏓᏍᏓᏴᏗ ᎾᎥᏂ.\nᏥᏌᏃ ᏧᏂᏦᏯᏍᏗ ᎤᏁᎩᏒ ᎯᎠ ᏄᏪᏒᎩ; ᎿᏉ ᎠᎵᏍᏆᏓ; ᎤᎵᏍᎫᏫᏒᏃ ᏕᎤᏲᏒᎩ ᎤᏓᏅᏙ.\nᎠᎴ ᎣᎦᏛᏅᎢᏍᏗ ᏦᏥᏍᏛᏗᏍᏙᏗᏱ ᎾᏂᎥ ᏄᏃᎯᏳᏒᎾ ᎨᏒᎢ, ᎾᎯᏳ ᎢᏦᎯᏳᏒ ᎤᎧᎵᏨᎯ ᎨᏎᏍᏗ.\n”ᎣᏍᏓᏗ ᎨᏎᎢ!”  \nᎠᏂᏫᎾ ᎠᏂᎳᎨᏴ ᏗᎫᏩᎭᏄᏫ ᏧᏐᏴᎭ ᏃᎴ ᎦᏌᎴᏅ, ᏗᎦᏓᏁ ᎢᏗᎦᎵᏍᏗᏍᎩ ᏱᎨᏒᎾ, ᏩᏚᎵᏏ ᎤᏃᏒᏅ ᏧᏂᏅᎵᏰᏛ.\nᎩᎶ ᎤᏓᏅᏖᏗ ᎨᏎᏍᏗ.\nᎬᏩᎾᏝᎢᏃ ᎤᎾᏙᎴᎰᏒ ᎤᏚᎩ ᎤᏅᏒ ᏧᎬᏩᎶᏗ ᎤᏂᏩᏛᏗᏱ ᎤᏲᏨᎢ, ᏗᏂᏂᏴᎲᎩ ᏉᎳ ᎠᎴ ᏌᏱᎳ, ᎠᎴ ᎾᏍᎩ ᎦᏃᏙᏗᏱ ᏫᏚᎾᏘᏃᎮᎸᎩ ᏗᎨᎦᏁᎶᏗ.\nᏣᏂᏃ ᎤᏂᎵᏤᎸᎩ, ᎯᎠ ᏄᏂᏪᏎᎸᎩ; ᏔᏕᏲᎲᏍᎩ, ᎾᏍᎩ ᎾᏥᏍᏕᏙᎲᎩ ᏦᏓᏂ ᏍᎪᏂᏗᏢ, ᎾᏍᎩ ᏥᏃᎮᏍᎬᎩ, ᎬᏂᏳᏉ ᎾᏍᎩ ᏓᏓᏬᎠ, ᎠᎴ ᏂᎦᏛᏉ ᎬᏩᎷᏤᎭ.\nᎠᏍᎪᎯᏃ ᏕᎤᎷᎬ ᏥᏕᏣᎪᎲᎩ, ᎾᏍᎩ ᎠᏍᎪᎯ ᎤᏂᎬᏫᏳᎯ ᎦᏛᎦ, ᎾᏍᎩ ᎤᏂᎬᏫᏳᎯ ᎢᏳᎾᎵᏍᏙᏗᏱ ᎨᏒ ᎠᏏ ᎨᏥᏁᎸᎯ ᏂᎨᏒᎾ ᎨᏒᎢ; ᎨᎦᎵᏍᎪᎸᏓᏁᎭᏍᎩᏂᏃᏅ ᎤᏂᎬᏫᏳᎯ ᎤᏂᏁᎢᏍᏗ ᎨᏒ ᎤᏂᏁᎢᏍᏗᏱ ᏌᏉ ᎢᏳᏟᎶᏛ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎤᏠᏱ ᎧᏁᎬᎢ.\n“ᎤᎸᏕᎦ.\nᎦᎪ ᏂᎯ ᏂᏣᏛᏅᎢ ᎤᏓᏑᏯ ᎠᏏᎾᏌᏂ ᎠᎴ ᎠᎦᏔᏂᎢ? ᎾᏍᎩ ᏫᎦᎾᏄᎪᏩ ᏕᎤᎸᏫᏍᏓᏁᎲᎢ ᏫᎬᏙᏓ ᎣᏏᏳ ᎾᏛᏁᎲᎢ, ᎠᎴ ᏫᎬᏙᏓ ᎠᏏᎾᏌᏂᏳ ᎨᏒ ᏔᎵ ᎤᏛᏕᏍᏗ ᎤᏓᏅᏘ ᎨᏒᎢ.\nᎧ, ᏔᎴᎲᎦ, ᎭᏠᎠᎯ, ᎠᎴ ᏘᏍᏓᏩᏚᎦ ᎪᎱᏍᏗ ᏂᏗᏣᏢᏫᏎᎲᎾ, ᎠᏴᏰᏃ ᏗᏥᏅᏏᏛ.\nᎢᏥᎲᏒᏰᏃ ᎦᎵᏦᏙᏗ ᎼᎳᎩ ᎤᏤᎵᎦ ᎠᎴ ᎤᏁᎳᏅᎯ ᎢᏥᏰᎸᎯ ᎴᎻᏈᏂ ᎤᏤᎵᎦ ᏃᏈᏏ, ᏗᏟᎶᏍᏔᏅᎯ ᎾᏍᎩ ᏗᏦᏢᏅᎯ ᏗᏣᏓᏙᎵᏍᏓᏁᏗ; ᏓᏗᎶᏂᏃ ᎤᏗᏗᏢ ᏫᏙᏓᏨᏯᎧᏂ.\nᎾᎯᏳ ᎡᎶᏛ ᎤᎬᏫᏳᎯ ᎤᎴᏅᎮ ᏚᏕᏯᏙᏔᏁ ᎢᎦᏛ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ.\nᎠᎹ ᎨᏴ ᏭᎶᏒ.\n“ᎾᏍᎩᎩ!” ᎤᏛᏁ, ᎤᏲ ᎤᏰᎸᎯ.\nᎧᏁᏍᎬ ᎤᎾᏏᏁ ᏧᏍᏆᏴᏍᏗ.\nᏣᏉᎩ ᎣᏍᏓ ᎠᎩᏰᎸᏍᎩ ᏱᎩ ᎠᏆᏛᏅ.\nᏗᎩᎦᏴᎵᎨᎢ ᎹᎾ ᎠᎾᎵᏍᏓᏴᏗᏍᎬᎩ ᎢᎾᎨᎢ, ᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ; ᏕᎠᏁᎲᎩ ᎦᏚ ᎤᏂᎩᏍᏗ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ.\nᎿᏉᏃ ᎤᎾᏓᏅᏘ ᎬᏩᏂᏔᎷᎩᏍᎩ ᎨᏎᏍᏗ ᎤᏂᏙᏓ ᎤᏤᎵᎪᎯ, ᏅᏙ ᎾᏍᎩᏯᎢ. ᎩᎶ ᏕᎦᎵᎷᎨᏍᏗ ᎤᏛᎪᏗᏱ ᏩᏛᎬᎦ.\nᏥᏌᏃ ᏔᎵᏁ ᏥᏳᎯ ᏙᎤᏪᏐᏨ ᎢᏍᎪᎾ ᏫᎤᎷᏨ, ᎤᏂᏣᏘ ᏴᏫ ᎬᏩᏓᏡᏫᏍᏔᏁᎢ; ᎠᎴ ᎥᏓᎵ ᎤᎶᏗ ᎡᏙᎮᎢ.\nᏱᏗᏙᏪᎵ ᎤᏝᏂᎩᏓ ᏱᏂᎬᎦ.\nᎦᏙᏃ Ꮭ ᏗᏍᏆᏂᎪᏙᏗᏱ ᏱᏫᏙᏣᏁ ᏗᏆᏤᎵ ᎠᏕᏄ, ᎠᎩᎷᏥᎸᏃ ᏗᏆᏤᎵ ᎠᎴ ᎤᏂᏁᏉᏨᎯ ᏱᏓᎩᎩᏎᎢ.\nᏚᏟᎶᏍᏓᏁᎴᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎩᎶ ᎢᏳᏍᏗ ᎤᏪᎿᎢ ᎠᏍᎦᏯ ᎤᎶᎨᏒ ᎤᏣᏘ ᎤᏛᏒᏁᎴᎢ;\nᏞᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏱᏣᏲᏍᏔᏁᏍᏗ ᎠᎵᏍᏓᏴᏗᏉ ᏱᏅᏧᎵᏍᏙᏔᏁᏍᏗ. ᏄᏓᎴᏒᏰᏃ ᎪᎱᏍᏗ ᎤᏙᎯᏳᎯ ᎦᏓᎭ ᏂᎨᏒᎾ; ᎤᏲᏍᎩᏂ ᎾᏛᏁᎰ ᎾᏍᎩ Ꮎ ᏴᏫ ᎠᎵᏍᏓᏴᎲᏍᎬ ᎩᎶ ᏱᏗᎪᏕᏍᏗᎭ.\nᎠᎴ ᎯᎠᏉ ᎾᏍᏉ ᎤᏅᏒ ᏳᏂᏃᎮᎸ, ᎢᏳᏃ ᎤᏲ ᏓᎩᎸᏫᏍᏓᏁᎸ ᎤᏂᏩᏛᏛ ᏱᎩ ᏕᎦᎳᏫᎥ ᏥᏙᎬᎢ,\nᎠᏥᎸᏳᎸᏗ ᎾᎥ ᏙᎩᎾᏅ ᎠᏆᏛᎦᏍᏔᏅ ᎧᏃᎮᏍᎬ.\nᎲᎦ ᎢᏳᏓᏅᎯᏓ ᏫᎦᎶᎯᏍᏗ?\nᎥᏝᏰᏃ ᏱᏚᎾᏓᎴᎾᎠ ᎠᏂᏧᏏ ᎠᏃ ᎠᏂᎪᎢ; ᎾᏍᎩᏉᏰᏃ ᎤᎬᏫᏳᎯ ᎾᏂᎥ ᎤᎾᏤᎵᎦ ᎤᏣᏘ ᎤᏪᎿᎢᏳ ᏧᏍᏕᎸᏗᏱ ᎾᏂᎥᎬᏩᏓᏙᎵᏍᏓᏁᎯ.\nᎠᏎᏃ ᏈᏓ ᎠᎴ ᏣᏂ ᎤᏂᏁᏨ ᎯᎠ ᏂᏚᏂᏪᏎᎴᎢ; ᎢᏳᏃ ᏚᏳᎪᏕᏍᏗ ᎤᏁᎳᏅᎯ ᏙᏗᎧᏂᏍᎬᎢ ᏂᎯ ᎤᏟ ᎢᎦᎢ ᎢᏨᏯᏛᏓᏍᏓᏁᏗᏱ ᎡᏍᎦᏉ ᎤᏁᎳᏅᎯ, ᏗᏧᎪᏓ ᏂᎯ.\n“ᏌᎳᏓ, ᏙᎢᏳᏍᏗ ᏫᏣᏍᏕᎵᏛᎢ? ᎤᏛᏛᏁ ᏫᎵᎻ.\nᎿᏉᏃ ᎠᏏᏴᏫ ᏥᏌ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎨᏒ ᏧᏓᏏ ᎢᏍᎦᎳᏗ ᏧᏙᎢᏛ, ᏌᏩᏂ ᎤᏪᏥ, ᎾᏍᎩ ᎤᏡᏗᏍᏍᎩ ᎢᏳᎵᏍᏙᏗ, ᎯᎠ ᏄᏪᏒᎩ;\nᎦᏙᎨ ᎤᏍᏗ ᎤᏟ ᎠᎯᏗᏳ ᎧᏁᎢᏍᏗᏱ, ᏥᎪ ᎯᎠ ᏱᎾᎦᏪᎠ, ᏣᏍᎦᏅᏨ ᎡᏣᏙᎵᎩ? ᎯᎠᎨ ᏱᎾᎦᏪᎠ, ᏔᎴᎲᎦ ᎠᎴ ᎨᏓ?\nᎩᎶᏃ ᏌᏉ ᎯᎠ ᏧᎾᏍᏗ ᎨᏒᎢ ᎤᎵᏍᏈᏗᏉ ᎠᎧᎵᎢ ᎤᏴᏜ ᎠᎹ ᎠᎱᎥᏍᎨᏍᏗ ᎠᎩᏍᏓᏩᏗᏙᎯ ᎨᏒ ᎤᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎤᏙᎯᏳᎯᏯ ᏂᏨᏪᏎᎭ, ᎥᏝ ᎾᏍᎩ ᎤᏲᎱᏎᏗ ᏱᎨᏎᏍᏗ ᎠᎦᎫᏴᎡᏗ ᎨᏒᎢ.\nᏂᎦᎥᏍᎩᏂ ᏧᏓᎴᏅᏛ ᏗᎬᏍᎪᎸᏅᎯ ᏥᎨᏐ ᎢᎦ-ᎦᏘ ᎬᏗ ᎬᏂᎨᎡ ᎢᏗᎬᏁᎸᎯ ᎨᏐᎢ; ᎾᏍᎩᏰᏃ ᎬᏂᎨᏒ ᎢᏗᎬᏁᎯ ᎨᏒ ᎾᏍᎩ ᎢᎦ-ᎦᏘ.\nᏈᏓᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᏂᏥᎥ ᏗᏥᏁᏟᏴᎾ ᏕᏣᏓᏅᏛᎢ, ᎠᎴ ᏫᏕᏣᏬᏣ, ᏥᏌ ᎦᎶᏁᏛ ᏕᎤᏙᏍᏛᎢ, ᎡᏥᏙᎵᏍᏗᏱ ᎢᏥᏍᎦᏅᏨᎢ;; ᎦᎸᏉᏗᏳᏃ ᎠᏓᏅᏙ ᏓᏰᏥᏁᎵ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᏱᏍᏆᏓᏙᎵᏍᏓᏁᎸ, ᏂᎦᏗᏳ ᏂᎯ ᏣᏤᎵ ᎨᏎᏍᏗ.\nᎤᏂᎳᏅᎯ ᎤᏩᏒᎯᏳ ᎠᎦᏔᎾᎢ ᏥᎩ, ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ ᏂᎪᎯᎸᎢ. ᎡᎺᏅ.\n“ᎮᎵᎠᏍᎪ ᏄᏓᎴ ᎠᏓᏅᏖᏍᎨᏍᏗ ᎤᎵᏗᏣ ᏏᏆ ᏃᎴ ᎤᏂᏃᏕᎾ ᏃᎴ ᏌᏌ ᏃᎴ ᎧᏅᏂᏍᎩ?”\n“ᏛᎦ ᏕᎯᏯᎩᏍᎪ?” ᎭᏫᏂ ᏓᏳᏓᎴᏅ ᎤᏛᎴᎮ ᏫᎵᎻ.\nᏣᎵ ᏃᎴ ᎤᎵᏘᎾᎥ ᎤᎾᎵᏓᎩᏎ ᎾᏍᎩᏯ ᎨᏥᏌᎭᏙᎭᏴ ᎠᏫ ᎠᎴ ᏇᎯ ᎤᎾᏟᏫᏛᏗ ᎠᏂᏃᎯᎵᏙ ᎢᏣ.\nᎤᏁᏨᏉᏃ ᎩᎳᏉ ᎢᏴᏛ ᎠᏓᏰᏍᎩ ᎤᏢᎬ ᎤᎵᏛᏔᏁᎢ, ᎠᎴ ᎤᏓᏅᎦᎸᏛ ᎨᏎᎢ.\nᏥᏌ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏥᎵᏓᏍᏗᎭ ᏂᏥᎦᏔᎥᎾ ᎨᏒ ᎢᏳᏍᏗ ᏄᏍᏛ ᎪᏪᎸᎢ, ᎠᎴ ᏄᎵᏂᎬᎬ ᎤᏁᎳᏅᎯ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏚᏂᏲᏎ ᏗᎦᏯᎷᏗ ᎠᎴ ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᏂᏚᎩᏨᏂᏒᏃ ᏌᏉ ᎢᎦᎦᏛ ᎠᏁᏙᎮ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎦᏚ ᎠᏂᎬᎭᎷᏯᏍᎨ ᏓᏓᏁᎳᏗᏒᎢ, ᏓᎾᎵᏍᏓᏴᎲᏍᎨ ᎠᎾᎵᎮᎵᎨ ᎠᎴ ᎤᏠᎾᏍᏗ ᏄᏓᏑᏴᎾ ᎨᏎ ᏧᏂᎾᏫᏱ,\nᏙᎩᎾᏦᏒ ᏂᎦᏓ ᎠᏃᎵᎩ ᎠᏛᏁᎵᏍᎩ Mrs. Chapman ᎪᎱᏍᏗ ᎠᏍᏆᎵᏍᎬ ᏧᏴᏨᏗᏣ ᏓᏳᎶᏒ ᏗᎦᎳᏫᎩ ᏧᏪᏅᏒ, ᎤᏍᏗ ᎤᎵᏏᎩ ᎠᏍᎦᏯ, ᎦᏲᏟ ᎤᏍᏘᏰᎩ ᏃᎴ ᎦᏲᏟ ᎤᏁᎷᎯ.\nᎾᏍᎩ ᎠᏆᏕᎶᎰᏌ, ᎠᎩᏁᎢᏍᏔᏅ ᎣᏍᏔᎵᏍᏔᏴᎲᏍᎬ.\nᎠᎴ ᎯᎦᏔᎭ ᏄᏍᏛ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒᎢ, ᎠᎴ ᎯᎪᏩᏘᎭ ᏧᏓᎴᏅᏛ ᏧᏓᎴᎿᎢ ᎨᏒᎢ, ᎠᎴ ᎯᎪᏩᏘᎭ ᏧᏓᎴᏅᏛ ᏧᏓᎴᎿᎢ ᎨᏒᎢ, ᎡᏤᏲᏅᎯ ᏗᎧᎿᏩᏛᏍᏗᏱ;\nᏝᏍᎪ ᏲᎯᏳᎲᏍᎦ ᎠᏴ ᎠᎦᏴᎵᎨᎢ ᏥᏯᎥᎢ, ᎠᎴ ᎠᎦᏴᎵᎨ ᎠᏴ ᎠᎩᏯᎥᎢ? ᎧᏃᎮᏛ ᏥᏨᏃᎮᎮᎰᎢ, ᎥᏝ ᎠᏋᏒᏉ ᎠᏆᏓᏅᏖᏛ ᏱᏥᏁᎪᎢ, ᎠᎦᏴᎵᎨᎢᏍᎩᏂ ᏣᎩᏯᎠ ᎾᏍᎩ ᏚᎸᏫᏍᏓᏁᎰᎢ.\n“ᎨᏍᏗᏃ ᎣᏍᏓ ᎠᎩᏰᎸᎯ ᏱᎩ ᎤᏲ ᎧᏃᎮᏓ ᎠᏆᏗᎦᎴᏲᏗ,” ᎤᏛᏁ ᎤᏃᏕᎾ, ”ᎠᏎᏃ ᎯᎳᏦᎯᏓ ᏂᎨᏨᏁ, ᏓᎨᏣᎵᏰᏃ, ᏍᎩᏃ ᎢᏳᏍᏗ.”\nᎠᎴ ᎦᎪ ᎠᏍᏛᎩ ᎨᏒ ᏮᏓᎦᎶᏏ? (ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᏲᎱᏒ ᏧᎴᏙᏗᏱ;)\nᎯᏬᏂᏍᎬ ᎣᏍᏛ ᏱᎩ ᎾᏍᎩ ᎬᎪᏁᎶᎯᏍᏗ ᏂᎨᏒᎾ; ᎾᏍᎩ Ꮎ ᏣᏡᏗᏍᎩ ᎬᏩᏕᎰᎯᏍᏗ ᏱᎩ ᏄᎲᏅ ᎨᏒ ᎢᏳᏍᏗ ᎪᎱᏍᏗ ᎤᏐᏅ ᎶᏃᎮᏗᏱ.\nᏙᎢᏳᏍᏗ ᎠᎵᏍᏆᏙᏗ ᎧᏃᎮ?\nᏂᎯ ᎾᏍᏉ ᏍᎩᏍᏕᎵᏍᎬ ᎢᏣᏓᏙᎵᏍᏗᏍᎬ ᎣᎩᏍᏕᎸᏗᏱ, ᎾᏍᎩ ᎣᎩᏙᎵᏨ ᎤᏂᏣᏘ ᎢᏳᏅᏂᏌᏛ ᏅᏓᏳᎵᏍᏙᏗᏱ ᎤᏂᏣᏘ ᎤᎾᎵᎮᎵᏤᏗᏱ [ᎤᏁᎳᏅᎯ] ᎠᏴ ᎨᏒ ᎢᏳᏍᏗ.\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᏃᏯ, ᎤᏁᎳᏅᎯ ᎤᏪᏯᏔᏅ ᎤᏁᎢᏍᏓᏁᎸ ᏧᏓᎴᏅᏛ ᎠᏏ ᎤᎪᎲᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎤᎾᏰᏎᎢ, ᎤᏛᏅᎢᏍᏔᏁ ᏥᏳ ᎤᎾᎵᏍᏕᎸᏙᏗ ᏚᏓᏘᎾᎥᎢ; ᎾᏍᎩ ᏄᏛᏁᎸ ᎤᏮᏔᏁ ᏚᏭᎪᏓᏁᎴ ᎡᎶᎯ, ᎠᎴ ᎤᏤᎵ ᏄᎵᏍᏔᏁ ᎾᏍᎩ ᏚᏳᎪᏛ ᎨᏒ ᎪᎯᏳᏗ ᎨᏒ ᏨᏗᏓᎴᎲᏍᎦ.\nᏃᏗ ᎤᏍᏆᎸ ᎤᏓᏏᏂᏕᎾ ᎠᎵᏍᏓᏴᏗ ᎤᏪᎵᏎ ᏲᎾ ᎤᏤᏍᏙ, ᎠᏎᏃ ᎨᏍᏗ ᏳᏚᎵᏍᎨ ᎯᎸ ᎤᏪᏅᏍᏗ.\nᎠᎴ ᎤᎩᏨᏛ, ᎠᏛᏅᎢᏍᏙᏗᏱ ᎢᎦ ᎤᎶᏐᏅᎯ, ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᎠᏂᏆᎵᏏ ᏕᎬᏩᎳᏫᏤ ᏆᎴᏗ,\nᎠᎻᏟᏯ ᎡᏥᏲᎵᎸᎭ, ᎾᏍᎩ ᏥᎨᏳᎢ ᎢᏧᎳᎭ ᎣᏍᏙᎯᏳᎲᏍᎩ ᎤᎬᏫᏳᎯ.\nᏍᏉᏰᏃ ᎤᎾᎵᏍᏔᏴᏗ ᎧᏅᏂᏍᎩ ᎤᏐᏱ ᏫᎬᎬᏛᎢ.”\nᎦᎸᎶ ᎠᎴ ᎡᎶᎯ ᏙᏓᎦᎶᏐᏂ, ᎠᏴᏍᎩᏂ ᎠᎩᏁᏨᎢ ᎥᏝ ᏴᏓᎦᎶᏐᏂ.\n“ᏍᎩᎾᎾ ᏥᏍᏕᏥ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏆᏏᏗᏱᏃ ᎤᏂᎶᏐᏅ ᏆᎻᏈᎵᏱ ᏭᏂᎷᏤᎢ.\nᎾᏍᎩ Ꮎ ᏅᎩ-ᏗᎦᏅᏌᏗ ᏥᎪᎥᎩ, ᎡᎲᎩ, ᎠᎴ ᎥᏝ ᏰᎭ; ᎠᎴ ᏙᏛᎴᏂ ᏫᎾᏍᏛᎾ ᏗᏔᎴᏒ ᏓᎦᏄᎪᏥ, ᎠᎴ ᎠᏥᏛᏙᏗᏱ ᏴᏓᎦᎶᏏ, ᎾᏍᎩᏃ Ꮎ ᎡᎶᎯ ᎠᏁᎯ ᎾᏍᎩ ᏚᎾᏙᎥ ᏂᏗᎪᏪᎳᏅ ᎾᎬᏂᏛ ᎪᏪᎵᎯ ᎡᎶᎯ ᏧᏙᏢᏅ ᏅᏓᎬᏩᎴᏅᏛ ᏛᏂᏍᏆᏂᎪᏏ ᎠᏂᎪᎲᎭ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎾᏍᎩ ᏤᎲᎩ, ᎠᎴ ᏁᎲᎾ ᏥᎩ, ᎠᏎᏃ ᎾᏍᎩ ᏤᎭ.\nᎣᏏᏳᏃ ᎢᏣᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ; ᎥᏝᏰᏃ ᏴᎦᎨᏣᎫᏴᏏ; ᎡᏣᎫᏴᎡᏗᏰᏃ ᎨᏎᏍᏗ ᏓᎾᎴᎯᏌᏅ ᎤᎾᏓᏅᏘ.\nᏃᎴ, ᎤᏓᏅᏖᏗᏍᎬ ᎤᎯᏐᏓᏁᎲ ᎣᏍᏓ ᏱᎨᏒᎾ ᎨᏒ ᎠᏂᏁᎸ ᏎᎳ ᏃᎴ ᎤᏲ ᎤᎾᏓᏅᏛ ᏧᎸᎢ, ᎢᏧᎳ ᏓᏰᎵᏒ, ᎠᎵᏙᎩᏯᏍᏗ ᏃᎴ ᎠᏓᎸᏉᏗ, ᏚᎾᎵᎪᎲ, ᎢᏧᎳ ᎠᏁᎸᏗᏍᎬ ᎣᏍᏓ ᎢᏳᏩᏁᏗ ᎡᎶ ᎤᏲ ᎢᏳᎵᏍᏔᏅ.\nᎢᏳᏃ ᎡᏥᎩᎵᏲᎢᏍᏗᏍᎨᏍᏗ, ᎾᏍᎩᏯ ᏧᏪᏥ ᏂᏓᏛᏁᎲ ᏂᏣᏛᏁᎭ ᎤᏁᎳᏅᎯ; ᎦᎪᏰᏃ ᎡᎭ ᎠᏲᎵ ᎾᏍᎩ ᎤᏙᏓ ᏄᎩᎵᏲᎢᏍᏗᏍᎬᎾ?\nᎦᏅᏅᏃ ᎠᎾᎢᏎ ᏥᎷᏏᎵᎻ ᏣᏂᎦᏖᎢ; ᏥᏌᏃ ᎢᎬᏱ ᏚᏪᏅᎡᎴᎢ; ᎤᏂᏍᏆᏂᎪᏎᏃ; ᎾᏍᎩᏃ ᎠᎾᎵᏍᏓᏩᏗᏒ ᎠᏂᏍᎦᎢᎮᎢ. ᏔᎵᏁᏃ ᏚᏯᏅᎲ ᏔᎳᏚ ᎢᏯᏂᏛ, ᎤᎴᏅᎮ ᏚᏃᏁᎴ ᎾᏍᎩ ᎢᏳᎵᏍᏓᏁᎵᏓᏍᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᏧᎵᏂᎪᎯᏍᏙᏗᏱ ᏗᏥᎾᏫ, ᎾᏍᎩ ᎦᏰᏧᎢᏍᏙᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᏚᏳᎪᏛ ᏂᏣᏛᏁᎸ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ, ᎾᏍᎩ ᎢᎩᏙᏓ, ᎾᎯᏳ ᎦᎷᏨᎭ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎠᏁᎮᏍᏗ ᏂᎦᏗᏳ ᎤᎾᏓᏅᏘ ᏧᏤᎵᎦ.\nᎩᎳᏊᏃ ᎢᏴᏓ ᎦᏌᏆᎸ ᎠᏓᏪᎳᎩᏍᎩ ᎠᎳᏍᎦᎸᏗ ᎢᎩᏓ ᏭᎵᏌᎳᏓᏅ ᎦᎸᎶ ᎢᏗᏢ ᎠᎴ ᎢᎸᏍᎩᏊ ᎢᎳᏏᏗ ᎢᏴ ᏭᏍᎪᎸᏨ.\n ᏃᎴ ᎧᎪ ᏂᎯ?”\nᎠᎴ ᎠᏤᎵᏍᏛ ᏗᎤᎾᏨᏎᎢ ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᏄᎵᏍᏔᏂᏙᎸ ᏚᏂᏃᏁᎴ ᏌᏚ ᎢᏯᏂᏛ, ᎠᎴ ᏂᎦᏛ ᎠᏂᏐᎢ.\nᎠᎴ ᏥᎦᏔᎭ, ᎾᏍᎩ ᎿᏉ ᏫᏨᎷᏤᎸᎭ ᏂᎦᎥ ᎣᏍᏛ ᎤᏓᏁᏗ ᎨᏒ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ ᏥᏰᎮᏍᏗ ᏫᏨᎷᏤᏗ ᎨᏎᏍᏗ.\nᎩᎳᏈᏴ ᏄᏓᎴ ᏭᏃᎮᎸ ᏣᎵ, ᏂᏕᎬᏁᎲ ᎾᏂᏏ ᏱᏚᏩᏰᏫᏌ ᏧᏑᎶ.\n”ᏙᏱ ᏫᎧᎲᎦ ᏍᎩᎾᎾᏂ!” ᎤᏛᏁ ᎠᎳᏂ.\n“ᏙᏕᏣᏙᎠ? ᎤᏓᏅᏘ ᎤᏓᏛᏛᏁ.\nXXII. ᎤᎦᏃᏩ ᏚᏃᏄᎥᏍᎬ  \nᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎠᎵᎮᎵᏤᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᏥᎩᏁᎭ ᎢᎦᏓᏎᎪᎩᏍᏗᏱ, ᏨᏗᏓᎴᎲᏍᎦ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ.\nᎯᎠᏃ ᏄᏪᏎᎢ; ᎦᎪ ᏂᎯ, ᏣᎬᏫᏳᎯ? ᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎠᏴ ᏥᏌ ᎤᏲ ᏥᏂᏴᏁᎭ: ᎤᏕᏯᏙᏗᏳ ᏗᏣᎲᏖᏍᏗᏱ ᏗᎪᏍᏓᏯ.\nᏉᎳᏃ, ᎾᏍᎩ ᎢᏳᏛᏁᏗ ᎨᏒ ᏄᏛᏁᎸᎩ, ᏚᏴᏎᎸᎩ, ᎠᎴ ᏦᎢ ᏄᎾᏙᏓᏆᏍᎬ ᎪᏪᎵ ᎬᏗᏍᎬ ᏕᎦᏬᏁᏗᏍᎬᎩ,\nᎾᎯᏳᏰᏃ ᎨᏒ ᏓᏣᎵᏰᎢᎶᎮᎵ, ᎾᏍᎩ ᎨᏣᏍᎦᎩ ᎨᏒ ᏙᏛᏁᎵᏍᎦᎸᎯ ᎬᏩᏚᏫᏛ, ᎠᎴ ᏙᏓᎨᏣᏚᏫᏍᏔᏂ, ᎠᎴ ᏅᎦᏘᏓᏂ ᎨᏣᎵᏍᏚᏕᏍᏗ.\nᎢᏳᏰᏃ ᏱᏙᎯᏳᎲᏍᎦ ᏥᏌ ᎤᏲᎱᏒᎢ, ᎠᎴ ᏚᎴᎯᏌᏅᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎾᏍᎩ Ꮎ ᏥᏌ ᎤᎾᎵᏍᎦᏍᏙᏔᏅᎯ ᎤᏂᎵᏅᏨᎯ ᎤᏁᎳᏅᎯ ᏧᏘᏃᎯᏍᏗ ᎨᏎᏍᏗ ᏥᏌ ᎦᎷᏨᎭ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏕᎯᎪᏩᏗᏍᎪ ᎯᎠ ᎾᏍᎩ ᏤᏆ ᏓᏓᏁᎸᎢ? ᎥᏝ ᏌᏉ ᏅᏯ ᎧᏃᎯᏴᎯ ᏱᎨᏎᏍᏗ ᏱᏚᏓᏌᏝᎮᏍᏗ, ᎾᏍᎩ ᏂᎪᎲᏔᏅᎾ ᏱᎨᏎᏍᏗ.\n”ᏃᏥᎥ ᎣᎩᎸᏉᏗ.”\nᎠᏆᏓᏅᏖᏗ ᎨᏐᎢ, ᎢᏳᏍᏗᏉ ᏛᎦ, ᏍᎪᏯ ᏃᎴ ᎠᏂᏃᎯᎵᏙ ᏍᎪᏯ ᏗᏥᏂᏴᏗ ᎨᏐᎢ.\nᏚᏏᏔᏕᏃ; ᎠᎴ ᎩᎳᏉ ᎢᏴ-Ꮫ ᎦᏥᏃᏍᏛ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᎤᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ.\nᎾᏍᎩ ᏧᏩᎫᏔᏅᏒ ᏂᏣᏍᏕᎵᏍᎬᎾ ᏥᎨᏒᎩ, ᎪᎯᏍᎩᏂ ᏥᎩ ᏣᏍᏕᎵᏍᎩ, ᎠᎴ ᎠᏴ ᎠᎩᏍᏕᎵᏍᎩ;\nᎢᎦᏓ ᏅᏬᏘ.\nᏝᏃ ᎪᎱᏍᏗ ᏗᎬᏙᏗ ᏱᎦᎩ ᎯᎠ ᏥᏚᏟᎶᏍᏗ ᎠᎴ ᏥᏚᏬᏪᎳ.\nᎤᏓᏏᏂᏕᏅ ᎠᎩᏩᏒᎬ ᏧᎦᏒᏍᏗ ᎤᎾᏓᏍᏔᏴᏗ ᏕᎪᏛ, ᏧᎵᏏᎦᏉ ᎠᏂᎾᎷᏍᎬ ᎠᏂᏍᎦᏰᎬᏍᏔ ᎠᏂᏁᎩᏏᏙ ᎤᎾᏗᏔᏍᏗ ᏃᎴ ᏧᎾᏟᏃᎮᏗ.\nᏉᎳᏃ ᎬᏩᏘᎿᏫᏛᏛ ᎡᏗᏂᏱ ᏫᎬᏩᏘᏃᎸᎩ; ᎠᎴ ᎾᏍᎩ ᎨᏥᏁᏤᎸ ᏌᏱᎳ ᏗᎹᏗᏃ ᎤᎾᏛᎪᏗ, ᏄᎵᏍᏛᏉ ᎬᏩᎷᏤᏗᏱ, ᎤᎾᏂᎩᏒᎩ.\nᎾᏍᎩ ᏄᏪᏒ ᏧᏓᏏ ᎢᏍᎦᎳᏗ ᏌᏩᏂ ᎤᏪᏥ ᎠᏥᏛᎬᎩ; ᎾᏍᎩᏰᏃ ᎤᏡᏗᏍᎩ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎩ, ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᏒ ᎾᎿ ᎨᎳ ᎨᏒᎩ.\nᎹᎵᏔᏃ ᎤᏓᏅᏒᎩ ᎡᏈᏌ ᏫᏚᏯᏅᎲᎩ ᏗᎨᎦᏁᎶᏗ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ.\nᎬᏂᎨ ᎦᏌᎴᏅ ᎠᏆᎭᏄᏮ, ᎠᏆᏛᏍᏛ ᏓᎾᎵᎪᎲᏍᎬ ᎠᏆᏍᏚᎸ, ᎾᏍᎩᏯ ᎠᏆᏯᏨ ᎦᏚᎢᏣ ᎤᏁᎦ ᎠᏖᏍᏔᏅ ᎠᏆᎭᏄᏭ.\n“Ꭵ, ᎤᏙᎯᏳᎯ!\nᏔᎵᏁᏃ ᎤᎴᏅᎮ ᏚᏕᏲᏁ ᎥᏓᎷᎶᏗ; ᎤᏂᏣᏘᏃ ᎬᏩᏓᏡᏫᏍᏔᏁᎢ, ᎾᏍᎩ ᎢᏳᏍᏗ ᏥᏳᎯ ᎤᏣᏁᎢ, ᎠᎴ ᎥᏓᎵ ᎠᏔᎸ ᎤᏪᏁᎢ; ᏂᎦᏛᏃ ᎤᏂᏣᏘ ᎨᏒ ᎥᏓᎷᎶᏗ ᏙᏱ ᎨᏒ ᎠᏂᏙᎾᎡᎢ.\n“ᎭᏩ,” ᎤᏛᏁ.\nᎤᎪᎲᏃ ᏥᏌ, ᎤᏪᎷᏁᎢ, ᎠᎴ ᎤᏓᏅᏁ ᎦᏙᎬ ᎢᎬᏱᏗᏢ, ᎠᎴ ᎠᏍᏓᏯ ᎯᎠ ᏄᏪᏎᎢ; Ꭶ-Ꮩ Ꮧ-ᎩᎾᏓ-ᏛᏙᏗ, ᏥᏌ, ᎤᏁᎳᏅᎯ ᏩᏍᏛ ᎦᎸᎳᏗᏳ ᎡᎯ ᎤᏪᏥ? ᎬᏔᏲᏎᎭ ᏞᏍᏗ ᏍᎩᎩᎸᏅᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᏧᏭᏓᏔᏅᎯ ᏞᏍᏗ ᏴᏫ ᏧᎦᎴᏅᏔᏅᎩ.\nᏂᎯᏍᎩᏂ ᎾᏍᎩ ᏂᏥᏑᎵᎪᎬᎾ ᎢᎨᏙᎸᎯ ᎤᏲ ᎾᏆᎵᏍᏓᏁᎵᏙᎲᎢ;\nᎾᏃ ᎤᏍᏗ ᎠᏧᏣ ᎯᎠ ᎤᏥᏪᏎᎴᎢ, ᏂᎯᎾᎲ!\nᏃᎴ ᎡᎳᏆᏗ ᎣᏍᏓ ᎤᏰᎸᏁ ᎦᏓᏁ ᏄᎵᏍᏔᏅ, ᏃᎴ ᎤᏬᏨᏗ ᎠᏛᏁᎵᏍᎩ ᎢᏳᏍᏗ ᏄᏛᏁᎴ.\nᏣ ᎪᎰᏍᏗ, ᏥᏲᏎᎸ.\nᎩᎶ ᎢᏳᏍᏗ ᎤᏅᏒᏉ ᎠᏁᎲ ᎡᎯ, ᎠᏙᎴᎰᏍᎩ ᎤᏅᏒᏉ ᎤᎾᏤᎵᎦ, ᎯᎠ ᏄᏪᏎᎢ, ᏟᏗᏱ ᎠᏁᎯ ᎠᏂᏰᎪᎩ ᎨᏐ ᏂᎪᎯᎸᎢ, ᎤᏂᏲ ᎢᎾᎨ ᎠᏁᎯ, ᏧᏍᎦᏃᎸ ᏧᏂᏍᏉᎵᏱ.\nᏂᎯᏰᏃ, ᎢᏓᎵᏅᏟ, ᎡᏥᏯᏅᏛ ᎢᏣᏓᏤᎵ ᎢᏣᎵᏍᏙᏗᏱ; ᎠᏗᎾ ᏞᏍᏗ ᎾᏍᎩ ᎢᏣᏓᏤᎵ ᎨᏒ ᏱᏨᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎤᏇᏓᎵ ᎤᏚᎸᎲᎥᏍᎬ ᎢᏣᏛᏁᏗᏱ ᏥᏥᎳᏅᏓᏕᎶ ᎾᏍᎩᏯᎢ; ᎠᏓᎨᏳᏗᏍᎩᏂ ᎢᏨᏗᏍᎬ ᎣᏍᏛ ᏂᏕᏣᏓᏛᏁᎮᏍᏗ.\nᏚᏟᎷᎬᏎ ᏏᏆ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ.\n“Ꮘ-Ꮘ-Ꮘ!”\nᎢᏧᎳ ᏧᏬᏰᏂ ᏗᎬᏗ ᎠᎩᎨᎯᏙᎸ.\nᏙᏣᏕᏋᎯᏍᏗᏉᏃ ᏂᎯ, ᎠᎴ ᎥᏝ ᎤᏲᏉ ᏱᏥᏰᎸᏅ, ᎾᏍᎩ ᎯᎠ ᎢᏳᏛᏁᎸᎯ ᎦᏰᏥᏄᎪᏫᏍᏗ ᎢᏣᏓᏡᎬ ᎢᏳᎵᏍᏙᏗᏱ ᎤᎬᏩᎵ.\nᏗᏥᎦᎵᏰᏃ ᎬᏗ ᏥᎪᏩᏛ ᏣᏤᎵ ᎠᎵᏍᏕᎸᏙᏗ.\nᏐᏉᎯᎭ ᏓᏂᏏᎳᏛᎥᏍᎨ, ᏌᎳᏓ ᏧᏪᏥ ᎠᏂᎨᏳᏣ.\nᎠᎴ ᏮᏓᏨᎷᏤᎵ, ᎹᏏᏙᏂ ᎠᏰᎵ ᎠᎩᎶᏒᎯ ᎨᏎᏍᏗ; ᎹᏏᏙᏂᏰᏃ ᎠᏰᎵ ᎠᎩᎣᎯᏍᏗᏱ ᏂᎦᎵᏍᏗᎭ.\nᎤᏍᎦᏃᎵ ᎤᎵᏖᎸᏁ.\nᏭᏂᎷᏨᏃ ᎧᏫᎵ ᏚᏙᎥᎢ, ᎾᎿ ᏓᏓᎿᏩᏍᏛ ᎬᏩᏛᏁᎢ, ᎠᎴ ᏚᎾᏛᏁ ᎤᏲᏧᏂᎸᏫᏍᏓᏁᎯ, ᎠᏏᏴᏫ ᎠᎦᏘᏏᏗᏢ, ᏐᎢᏃ ᎠᎦᏍᎦᏂ ᎢᏗᏢ.\nᎾᏍᎩ ᎠᏴ ᎢᎬᏱᏱ ᎣᏣᎵᏍᎦᏍᏙᏔᏅᎯ ᎦᎶᏁᏛ ᎢᏲᎬᏂᏐᏗᏱ ᎦᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ;\nᎩᎶᏃ ᎢᏳᎾᏍᏗ ᎤᏂᏍᏓᏲᏒ ᎠᎴ ᏄᏃᎯᏳᏅᎾ ᏄᎵᏍᏔᏅ, ᎠᎴ ᎣᏐᏅᏉ ᎤᏂᏃᎮᎸ ᎾᏍᎩ ᎦᏅᏅ ᎤᎬᏩᎵ ᎤᏂᏣᏘ ᎠᏂᎦᏔᎲᎢ, ᏚᏓᏅᎡᎸᎩ, ᎠᎴ ᏚᏓᏓᎴᏔᏅᎩ ᎠᏃᎯᏳᎲᏍᎩ ᏕᎦᏬᏁᏗᏍᎬᎩ ᏂᏚᎩᏨᏂᏒ ᎩᎶ ᎢᏳᏍᏗ ᏓᎳᎾ ᏧᏙᎢᏛ ᏧᏕᏲᏗᏱ.\n”ᏩᎶᏏ ᏣᎧ---ᏣᏉᏍᎪ ᏰᎵᏉᏱᎩ?”\nᎩᎶᏃ ᏑᏟᎶᏛ ᎢᏍᏕᏅᏍᏗᏱ ᏂᏨᏁᎮᏍᏗ, ᏔᎵ ᎢᏳᏟᎶᏛ ᎢᏍᏕᎨᏍᏗ.\n“ᎯᏍᎪᎵ ᎦᏣᏄᎳ ᏫᎦᎷᎩ ᎩᎦ.” \nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᏍᎩ ᎠᏏᏉ ᎠᎾᎵᏃᎮᏍᎨ ᎠᎴ ᏓᎾᏓᏛᏛᎲᏍᎨᎢ, ᏥᏌ ᎤᏩᏒ ᎾᎥ ᎤᎷᏨ ᎾᏍᎩ ᎤᏁᏅᏍᏔᏁᎢ.\nᎦᏙ ᎢᏳᏍᏗ ᎤᏰᎸᏗ?\nᎯᎠ ᎠᏗᎾ ᏂᎦᏥᏪᏎᎭ ᏂᏓᎾᏤᎲᎾ ᎠᎴ ᏧᏃᏑᎶᏨᎯ, ᎣᏏᏳ ᎠᏴ ᎾᏆᏛᏅ ᎾᏍᎩᏉ ᏱᏅᏩᎾᏛᏅ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᏱᎧᏔᎭ ᏧᏪᏥ ᏗᏗ ᎤᏰᎸᏗ, ᏫᎵᎻ.\nᎬᏂᏳᏉ, ᎠᏴ ᏉᎳ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎾᏍᎩ ᎢᏳᏃ ᏱᏕᏥᎤᏍᏕᏎᎸ, ᎦᎶᏁᏛ ᎥᏝ ᎪᎱᏍᏗ ᏴᎦᏰᏣᎵᏍᏕᎸᏙᏓ.\nᎪᏃᎦᏍᎩᏂ ᎥᏝ ᎩᎶ ᏰᎵ ᏴᎬᏓᏅᏘᏐᏓ, ᎾᏍᎩ ᎤᏲᎢ ᎬᏎᎪᎩᏍᏗ ᏂᎨᏒᎾ, ᎠᎧᎵᎢ ᎠᏓᎯᎯ ᏅᏬᏘ.\nᎤᎬᏫᏳᏎᏍᏗᏍᎩᏂ ᎢᏣᏓᏁᎮᏍᏗ ᏄᏍᏛ ᎢᏥᎲᎢ; ᎬᏂᏳᏉᏃ ᏂᎦᏗᏳ ᎢᏣᏓᏅᎦᎡᎸᎯ ᎨᏎᏍᏗ.\nᎣᏥᏳᎢᏂᏒ ᎤᏬᏗᎨ ᎨᏴ ᎠᎹᏳᎸᏗ ᎢᏣ, ᎤᏒᎯ ᎯᎸᎯᏨ ᏌᎷᏱ ᎾᎥ ᎣᏣᎴᏫᏍᏗᏍᎬ, ᏓᎶᏂᎨ ᏚᏓᏴᎳᏛ ᏓᏨᏍᏛ, ᏃᏥ ᎢᏳᏍᏗ ᏓᏥᏍᏛ ᏒᏙᏂ ᏃᎴ ᎤᏥᎸ ᏗᎧᏁᎯᏓ ᎦᎸᎳᏗ ᏕᎦᏒᏛ ᎠᏲᏓᏒ. ᎠᏂᎱᏥ ᏚᏂᎸᏫᏍᏔᏁᎲ ᎦᏚᎢᏣ ᏱᏚᎾᏄᏮᎾ, ᎠᎵ ᏓᏂᎴᏴᏍᎬ ᏃᎴ ᏓᏂᏃᎩᏍᎬ ᏧᏟᏂᎩᏓ ᏗᎧᏃᎩᏍᏗ, ᎠᏂᏌᎲᏍᎬ ᏧᏓᎴᏅᏓ ᏥᏳ.\nᎠᎾᏓᏤᎵᏃ ᏫᏚᏐᏍᏔᏁᎢ ᏚᏏᎳᏛ ᎠᎹ ᎨᏴᎢ.\nᎿᏉᏃ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᎾᎥ ᎤᎷᏨ, ᎤᏂᏴᎲᎩ, ᎠᎴ ᎤᏁᏨᎩ ᏔᎵ ᏧᏓᏕᏒᏛ ᏣᎦᎸᏍᏙᏗᏱ, ᎠᎴ ᎤᏛᏛᏅᎩ ᎢᏳᏍᏗ ᎨᏒ, ᎠᏍᎦᏯ, ᎠᎴ ᏄᏛᏁᎸᎢ.\nᎢᏳᏃ ᎦᏓᎭ ᎠᏓᏅᏙ ᏴᏫᎯ ᎦᏄᎪᎢ, ᎤᎧᏲᏛᎯ ᎡᏙᎰᎢ ᎤᏯᏪᏐᎸᏍᏗᏱ ᎤᏲᎰᎢ, ᎠᏎᏃ ᎥᏝ ᏯᏩᏘᏍᎪᎢ.\nᎢᏳᏰᏃ ᎣᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎲ ᏴᏗᏓᎴᎲᏍᎦ, ᎥᏝ ᎠᏚᎢᏍᏛ ᏴᏗᎬᏓᎴᎲᏍᎦ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᎡᏆᎭᎻ ᎤᎵᏍᎪᎸᏓᏁᎴ ᎠᏚᎢᏍᏗᏍᎬ ᎤᏮᏔᏁᎢ.\nᎥᏝ ᎠᏗᎾ ᏅᏩᎾᏓᎴ ᏗᎨᏥᎪᏗᏱ ᏂᎯᏃ ᎠᏍᏓᏯ ᎢᏰᏨᏁᏗᏱ ᏱᎦᏗᎭ;\nᎣᏂᏃ ᏑᏪᎶᏁᎴ ᏗᏄᎯ-ᏗᏍᎩ ᏅᎩᏧᏈ ᎯᏍᎩᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎢᏴᏛ ᎢᎪᎯᏛ, ᏌᎻ ᎠᏙᎴᎰᏍᎩ ᏤᎮ ᎢᏯᏍᏗ.\nᎢᏳᏰᏃ ᏳᎾᏅᏖ ᎾᎿ ᏧᏂᏄᎪᏨᎢ ᏳᎾᏜᏅᏓᎴᏉ ᎥᎤᎾᏨᏍᏗᏱ;\nᎦᏓᏅᏖᏍᎬᏰᏃ ᎥᏝ ᎤᏍᏗ ᎤᏅ ᎡᏍᎦ ᏱᎦᏥᏲᎠᏍᎦ ᏄᏂᎬᏫᏳᏒ ᎨᏥᏅᏏᏛ ᎨᏒᎢ.\nᏥᏌᏃ ᏭᏴᎸᎩ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎠᎴ ᏚᏄᎪᏫᏒᎩ ᏂᎦᏛ ᎠᏂᎾᏕᎩ ᎠᎴ ᎤᏂᏩᏍᎩ ᎾᎿ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏚᎷᏆᏗᏅᏒᎩ ᏚᏂᏍᎩᎸ ᎠᏕᎸ ᏗᏂᏁᏟᏴᏍᎩ, ᎠᎴ ᎫᎴ ᏗᏂᏍᎪᏂᎯ ᏗᏂᎾᏕᎩ ᎤᎾᏅᏗᏱ.\n”ᎠᏂᎪᏕᏍᎩ ᏫᏗᏏᎸᏂᏏ,” ᎤᏬᏎᎴ ᏲᎾ ᎤᏤᏍᏙ ᎪᏱᏁᎢ.\nᏧᏳᎪᏗ ᏍᎩᎾᎾ?\nᎦᎵᏃᎡᏔᏅ ᎠᎾᎲᏍᎩ ᏧᏂᎷᏫᏍᏔᏁᏗ ᏃᎴ ᏗᎨᏥᏅᏏᏙ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏍᏓᏚᎵ ᎢᏍᏛᏯᏛᏁᏗᏱ?\nᏕᎤᏒᏍᏔᏅᏰᏃ ᎢᎦ ᎾᎯᏳ ᎡᎶᎯ ᏚᏳᎪᏛ ᏧᏭᏙᏓᏁᏗᏱ, ᎬᏗᏍᎬ ᎠᏍᎦᏯ ᎾᏍᎩ ᎤᏪᎧᏅᎯ, ᏄᏜᏏᏛᏒᎾ ᏂᏚᏩᏁᎸ ᎾᏂᎥ ᏴᏫ ᎾᏍᎩ ᏕᎤᎴᏔᏅᎢ ᎤᏲᎱᏒᎢ.\nᏒᎧᏔ ᏧᎬ ᎭᏫᏂᏣ ᎣᏍᏓ ᏄᏩᏁᎴ ᎡᎶᏗ ᎤᏕᏗ ᏫᎵᎻ. ᎡᏆ ᎧᏁᏌᎢ ᎠᏓ ᎪᏒᏔᏅ ᎧᏁᏍᎦ ᎧᎵ ᎦᎶᏛ, ᎦᎶᎯᏍᏗ ᎠᎦᎸᏓ ᎤᏴᎯᏍᏗ ᏃᎴ ᎤᏅᎪᎢᏍᏗ ᎡᎵᏍᎬᎢ.\nᎦᎪ ᏧᏄᎪᏓᏁᎯ? ᎦᎶᏁᏛᏍᎪ, ᎾᏍᎩ ᏧᏂᎱᏎᎢ, ᎥᎥ, ᎠᎴ ᎾᏍᏉ ᎾᏍᎩ ᏥᏚᎴᎯᏅ, ᎾᏍᎩ ᎾᏍᏉ ᎤᏁᎳᏅᎯ ᎠᎦᏗᏏᏗᏢ ᏧᏬᎳ, ᎾᏍᎩ ᎾᏍᏉ ᏥᎦᎵᏍᏗᏰᏓᏁᎭ?\nᎩᎳ - ᏅᎩ ᎢᏯᏂ ᎠᏂᏍᎦᏯ ᏚᏂᏅᏣ ᏗᏂᏂᎨᎾ ᏚᎵᏍᏆᏙᎾ, ᎠᏆᏛᎦᏅ ᏓᏂᏍᏔᏲᎯᎲ ᏍᎪᏂᏴᏣ ᏥᏙᎬ ᎠᏆᎬᏎᏍᏛ.\nᎪᎰᏍᏗ ᎠᏆᏚᎴᎲᎡᎲ, ᏥᏍᎦᎢᎲ ᏁᎳᎩᏉ ᎠᏇᎵᏍᏗ ᏄᏛᏁᎸ ᎨᎵᏍᎬ.\nᏃᎴ ᏂᎬᎾᏛ ᎣᏍᏓ ᎠᏗᏍᎦᎶᏗ ᏃᎴ ᎣᏍᏓ ᎦᏃᎯᎵᏓᏍᏗ.\nᎾᎯᏳ ᎢᎦ ᎨᏎᏍᏗ ᎤᏂᏣᏘᏍᏗ ᎯᎠ ᏅᏓᎬᎩᏪᎭᎵ; ᏣᎬᏫᏳᎯ, ᏣᎬᏫᏳᎯ, ᏝᏍᎪ ᏕᏣᏙᎥ ᏲᏨᏗᏍᎨ ᏲᏣᏙᎴᎰᏍᎨᎢ? ᎠᎴ ᏝᏍᎪ ᏕᏣᏙᎥ ᏲᏨᏗᏍᎨ ᎠᏂᏍᎩᎾ ᏱᏙᏥᏄᎪᏫᏍᎨᎢ? ᎠᎴ ᏝᏍᎪ ᏕᏣᏙᎥ ᏲᏨᏗᏍᎨ ᎤᏣᏘ ᎤᏍᏆᏂᎪᏗ ᏱᏙᎩᎸᏫᏍᏓᏁᎮᎢ?\nᏥᏍᏛᎾ ᎢᏳᏍᏘ ᎠᎵᏖᎸᎮᏍᎨ ᏣᎵ.\nᎠᎴ ᎯᎠ ᎾᏍᎩ ᏂᏥᏪᎭ, ᎾᏍᎩ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎦᎶᏁᏛ ᎤᎬᏩᎵ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎦᏳᎳ ᎬᏩᏍᏓᏱᏛᎯ ᏥᎨᏎᎢ, ᏗᎧᎿᏩᏛᏍᏗ ᏅᎩᏧᏈ ᏦᎠᏍᎪᎯ ᏫᏄᏕᏘᏴᎲ ᎣᏂ ᎦᎾᏄᎪᏫᏒᎯ ᏥᎩ, ᎥᏝ ᎬᏩᏲᏍᏙᏗ ᏱᎩ, ᎾᏍᎩ ᏰᎵ ᎠᏎᏉ ᎢᏳᏩᏁᏗᏱ ᎠᏚᎢᏍᏛᎢ.\nᎢᏳ ᎠᎴ ᎦᎵᏉᎩ ᏂᏣᏍᎦᏅᏤᎮᏍᏗ ᏏᎦ ᎨᏒ, ᎠᎴ ᎦᎵᏉᎩ ᏂᏣᎷᏤᎮᏍᏗ ᏏᎦ ᎨᏒ, ᎯᎠ ᏂᏣᏪᏎᎮᏍᏗ, ᎤᏲ ᎠᎩᏰᎸᎭ, ᎠᏎ ᎯᏯᏙᎵᎨᏍᏗᏉ.\nᏑᏓᎵᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎡᏆ ᎡᏉᏂ ᎤᏪᏴ ᏳᏇᏗ ᎤᏪᏐᏅᏴᎩ ᎫᎫ ᎠᏰᎲ ᎠᏟᏍᏛᎢ; ᎠᎹᏃ ᎾᎿ ᎡᎬ ᎤᎶᏐᏅᎩ, ᎾᏍᎩ ᎤᏂᎬᏫᏳᎯ ᏗᎧᎸᎬ ᎢᏗᏢ ᎠᏁᎯ ᎤᏂᏅᏅ ᎨᎦᏛᎢᏍᏓᏁᏗᏱ ᎠᏰᎸᏒᎩ.\nᎠᎴ ᎡᎾ ᏧᏬᎸᎢ ᎢᎬᏱ ᏫᎬᏩᏘᏅᏍᏔᏅᎩ, ᎾᏍᎩᏰᏃ ᎧᏱᏆ ᎤᎿᏥᏴᎩ, ᎠᎴ ᎾᏍᎩ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎨᏒᎩ ᎾᎯᏳ ᎤᏕᏘᏴᏌᏗᏒᎢ.\nᏂᎦᏓ ᏓᏍᏔᏅᏅ, ᏦᎩᏂᎸᏂᏗᏍᎩ ᎢᎦᎦᏓ ᎣᎩᏂᏰᏨ, ᎾᏍᎩ ᎨᏒᎢ ᏚᎭᏁᎦᎸ ᎾᎥᏂᎨ ᎩᎦᎨ ᎤᏔᎷᎩᏍᎩ ᏅᏯ ᏂᏚᏍᏛ.\nᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎾᏍᎩ ᎤᎵᏍᏆᎸᏗ ᎤᏍᎦᎩ ᎠᏥᏛᏙᏗ ᎨᏒᎢ.\nᏚᎪᎲᏃ ᎤᏂᏣᏘ ᏴᏫ, ᏚᏪᏙᎵᏨᎩ, ᎤᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏩᎾᏉ ᏓᏂᎶᎬᎢ, ᎠᎴ ᎤᎾᏗᎦᎴᏲᏨᎯ ᎨᏒᎢ, ᎾᏍᎩᏯ ᎠᏫ ᎤᏂᏃᏕᎾ ᏁᎲᎾ ᏥᎨᏐ ᎤᏂᎦᏘᏯ.\nᏍᏓᏯ ᎦᏬᏂᏍᎩ ᏂᏧᏪᏎ: ᎯᏣᏛᎦᏍᏓ! \nᏂᎦᏗᏳᏍᎩᏂ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏴᏫᏉ ᎬᏩᏂᎪᏩᏛᏗᏱ ᎤᏂᏰᎸᏐᎢ. ᏗᏯᏖᎾ ᏂᏓᏅᏁᎰ ᏧᎾᎬᏓᏃᏍᏗ, ᎠᎴ ᏓᏂᏯᏛᎥᏍᏗᏍᎪ ᏕᎦᏓᎷᏯᏛ ᏧᎾᏄᏬ;\nᎾᏍᎩ ᏥᏌ ᎤᎷᏤᎸᎩ ᏒᏃᏱ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏗᏍᏇᏲᎲᏍᎩ, ᎣᏥᎦᏔᎭ ᏔᏕᏲᎲᏍᎩ ᎨᏒ ᎤᏁᎳᏅᎯ ᏅᏓᏣᏅᏏᏛ ᎨᏒᎢ: ᎥᏝᏰᏃ ᎩᎶ ᎾᏍᎩ ᎯᎠ ᎤᏍᏆᏂᎪᏗ ᏥᏕᏣᎸᏫᏍᏓᏁᎭ ᏱᏙᎬᏩᎸᏫᏍᏓᏏ, ᎤᏁᎳᏅᎯ ᏂᏚᎧᎿᏩᏗᏙᎲᎾᏱᎩ.\nᎠᎴ ᎩᎶ ᎦᏬᏂᏍᎬ ᎠᏡ-ᏗᏍᎨᏍᏗ ᏴᏫ ᎤᏪᏥ, ᎦᏰᏥᏙ-ᎵᏍᏗᏉ ᎨᏎᏍᏗ; ᎩᎶᏍᎩᏂ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎠᏐᏢᎢᏍᏗᏍᎨᏍᏗ ᎥᏝ ᎦᏰᏥᏙᎵᏍᏗ ᏱᎨᏎᏍᏗ.\nᎠᏓᏁᎸᏃ ᎢᏥᏴᎭ ᎢᏥᏲᎵᎮᏍᏗ.\nᏓᏂᏐᏥᏙᎰ ᎪᎱᏍᏗ ᎣᎯᏍᏙᏗ ᏯᏂᏩᏔ ᏍᎪᏂᏯ ᎠᏁᎵᏍᎪ.\nᎠᏎᏃ ᏥᏌ ᏚᏁᏤᎸᎩ [ᎯᎠ ᏂᏚᏪᏎᎸᎩ,] ᎡᏙᏓ ᎪᎯ ᎢᏯᏍᏘ ᏚᎸᏫᏍᏓᏁᎰᎢ, ᎠᏴᏃ ᎾᏍᏉ ᏓᎩᎸᏫᏍᏓᏁᎰᎢ.\n”ᎾᎥᏂ ᎢᎦ,” ᎤᏪᎵᏎ.\n”ᏙᎩᎢᏳᏍᏗ?” ᎤᏛᏁ ᏫᎵᎻ.\nᎦᏚᏏᏨ ᏚᎨᏓᎵᏴ ᎤᎾᏗᎦᎵᏴᎡ, ᎠᎬᏱᏣ ᏓᏂᏰᎵᏎ ᏣᎵ ᏧᏤᎵ ᏴᏫ.\nᎢᏤᏲᏎᎭ, ᎾᎯᏳ ᏒᏃᏱ ᎨᏎᏍᏗ ᎠᏂᏔᎵ ᏌᏉ ᎠᏤᏍᏙᎩᎯ ᏓᏂᏅᎨᏍᏗ; ᎠᏏᏴᏫ ᎠᏥᏯᏅᏗ ᎨᏎᏍᏗ, ᏐᎢᏃ ᎠᏥᎧᎯᏯᏍᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᎿᏉ ᎠᏂᏔᎵ ᏱᎩ; ᏌᏉᏉᏍᎩᏂ ᎤᏂᏇᏓᎸᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᏧᏭᏓᏔᏅᎯ ᎨᏒ ᏞᏍᏗ ᏴᏫ ᏱᏚᎦᎴᏅᏔᏁᏍᏗ.\nᎤᏲ ᏄᏛᎿᏕᎬᎢ ᎠᏥᎩᎡᎸᎩ ᎤᏤᎵ ᎨᏒ ᏚᏳᎪᏛᎢ; ᎠᎴ ᎦᎪ ᏙᏓᎧᏃᎮᎵ ᏴᏫ ᎾᎯᏳ ᏤᎮ ᎠᏁᎯ? ᎬᏅᏰᏃ ᎤᏂᎩᏒᎩ ᎡᎶᎯ.\nᎾᏍᎩ ᏂᎯ ᎠᎴ ᎾᏂᎥ ᎤᎾᏓᏅᏘ ᏰᎵᏉ ᎨᏦᎵᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᎾᏯᏛᎥᎢ ᎠᎴ ᏂᎦᏅᎯᏒᎢ, ᎠᎴ ᎾᎯᏫᏂᏴᎢ, ᎠᎴ ᏂᎦᏛᎢ;\nᎠᏕᎸᏃ-ᎠᎩᏏᏙᎯ ᎢᏅ ᏧᎴᏁᎢ, ᎥᏝ ᏰᎵ ᎦᎸᎳᏗ ᏫᏗᎬᏩᎧᏃᏗ ᏱᎨᏎᎢ, ᎦᏁᏥᏉᏍᎩᏂ ᎤᏩᏂᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏣᏁᎳᏅᎯ, ᏍᎩᏙᎵᎩ ᏥᏍᎦᎾᎢ.\nᎠᏂᎨᏕᎳᏃ ᎤᎾᏤᎵᎪᎯ ᏭᏂᎷᏤ, ᎾᏍᎩ ᎨᎵᎵ ᏧᏳᎪᏗ ᏍᎪᏂᏗᏢ ᏥᎩ.\nᎣᏂᏱᏃ ᎾᏍᏉ ᎠᏴ ᎥᏥᎪᎥᎩ, ᎾᏍᎩᏯ ᎩᎶ ᎤᏕᏗᏱ ᏄᏍᏆᎸᎲᎾᏉ ᏣᏕᎲᏍᎪ ᏣᏓᎪᏩᏘᏍᎪᎢ.\nᎠᏂᏧᏏ ᎯᏍᎩ ᏂᎬᎩᎵᎥᏂᎸᎩ ᎢᏳᏍᏗᎭ ᏌᏉ ᎦᎷᎶᎩ ᏅᎦᏍᎪᎯ ᎢᎬᏋᏂᏍᏗᏱ;\nᏃᎴ ᏧᏳᎪᏗ ᏂᏚᏩᏁᎴ ᏚᏄᏌᏛ.\nᏐᎳᏃ ᎾᏍᎩ ᎾᏍᏉ ᏉᎳ ᏥᏚᏙᎥ, ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᎧᎵᏨᎯ ᎨᏎ ᎾᏍᎩ ᎤᏯᏅᏒᎯ ᏚᎧᎿᏁᎢ,\nᎠᏂᏐ ᏦᎢ ᎢᏯᏂ ᎠᏂᏧᏣ ᎢᏅᎯᎨ ᎢᏴ ᎠᏙᎯ ᎠᏂᏅ, ᎦᎶᏇ ᏚᏅᏴ ᎾᎥᏂ.\nᎧᎪ ᎤᏓᏅᏖᏗᏍᎪ ᏄᏛᎾᏕᎬ ᏧᏍᏆᏴᏍᏗ?”\nᎠᏎᏃ ᎤᎬᏫᏳᎯ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎮᎾ, ᎾᏍᎩᏰᏃ ᏥᏯᏑᏰᏛ ᎠᏖᎵᏙ ᎠᏆᏤᎵᎦ ᏓᏆᏙᎥ ᎠᏱᏙᎯ ᎠᏂᎦᏔᎲ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎠᎴ ᎢᏏᎵ ᏧᏪᏥ.\nᏰᎵᏉᏰᏃ ᏗᏕᎶᏆᏍᎩ ᏧᏪᏲᎲᏍᎩ ᎢᏧᎳᎭᏉ ᏱᎩ, ᎠᎴ ᎠᏥᏅᏏᏓᏍᏗ ᎤᏅᏏᏙᎯ ᎢᏧᎳᎭᏉ ᏱᎩ. ᎢᏳᏰᏃ ᏧᏓᏘᎿᎢ ᎠᏓᏁᎸ ᏇᎵᏥᏆ ᏳᏃᏎᎸ, ᎤᏟ ᎠᎯᏗᏳ ᎾᏍᎩ ᎢᏧᏂᏪᏎᏗᏱ ᏚᏓᏘᎿᎥᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᎩᏯ ᏤᏣᏓᏂᎸᏨᎯ ᎨᏒ ᎦᎶᏁᏛ ᏥᏌ ᎤᎬᏫᏳᎯ, ᎾᏍᎩᏯ ᏄᏍᏕᏍᏗ ᎡᏥᏍᏓᏩᏗᏒᎢ;\nᎠᎴ ᏅᏩᏓᎴ ᎩᎶ ᏗᎧᏁᎬ ᎦᎸᎳᏗ ᎠᏆᏛᎦᏅᎩ, ᎯᎠ ᏅᏓᎦᏪᏍᎬᎩ, ᏂᎯ ᏗᏆᏤᎵᎦ ᏴᏫ ᎡᏥᏄᎪᎢ, ᎾᏍᎩ ᎢᏣᏠᏯᏍᏙᏗᏱ ᏂᎨᏒᎾ ᎾᏍᎩ ᎤᏍᎦᏅᏥᏙᎸᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏤᎵ ᎤᏕᏯᏙᏗ ᎨᏒ ᎢᏣᏠᏯᏍᏙᏗᏱ ᏂᎨᏒᎾ.\nᎤᏍᏗᏃ ᎢᏈᎬᎢ ᏄᏓᏪᏎᎴᎢ, ᏍᏆᎦᏎᏔᏁᎢᏃ ᎠᎴ ᏍᎩᎨᏳᏒᎢ.\nᎾᏍᎩ ᎡᎶᎯ ᎡᎲᎩ, ᎠᎴ ᎾᏍᎩ ᎡᎶᎯ ᎤᏬᏢᏅᎯ ᎨᏒᎩ, ᎠᎴ ᎡᎶᎯ ᎥᏝ ᏳᏬᎵᏤᎢ.\nᏂᎦᎾᏰᏍᎬᎾ ᏫᎨᏴ ᏕᎦᎶᎨᏒ ᎠᏰᎵ, ᏲᎾ ᎤᏤᏍᏙ ᏗᎦᏯᎵ ᏅᏯ ᎦᏚᎢᏣ ᏫᎦᎶᏍᎬ ᎠᎹ.\nᎯᎸᏉᏕᏍᏗ ᏣᏙᏓ ᎠᎴ ᏣᏥ, ᎾᏍᎩ ᎢᎬᏱᏱ ᎤᎵᏁᏨ ᏥᎩ ᏧᎵᏠᏯᏍᏗ ᎠᏚᎢᏍᏛᎢ,\nᎠᏎ ᏗᏓᏴᎳᏔᏍᎩ ᏄᎾ, ᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅ, ᎠᏍᏗᎩᏛ ᎦᏅᏛ ᎤᏣᎴᏍᏔ, ᏩᏐᏝ ᎢᏯᏂᎵᏍᏗᏍᎩ ᎠᏂᏓᎶᏂᎨ ᎤᏂᏥᏯ ᏚᏂᏧᏫᏍᏔᏁᎲ ᎭᏫᏂ, ᏃᎴ ᎦᏲᏟ ᎤᏂᏪᏘᎨᏒ ᏍᎨᏫ.\nᎦᏲᏟᎨᏉ ᏱᏃᏥᎠ.\nᎾᏍᎩ ᎠᎦᏁᎳᏅᎯ ᎤᏩᏒ ᎾᏍᏉ ᎤᏚᏓᎴᏍᏗᏱ ᎠᏲᎩ ᎨᏒ ᎤᎾᏝᎥᎢ, ᎦᎸᏉᏗᏳ ᏂᏗᎨᏥᎾᏝᎥᎾ ᎨᏒ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᎤᎾᏤᏕ ᏫᏗᎨᏥᎪᎩᏱ.\nᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎢᏳᏃ ᎩᎶ ᎠᏍᏆᏂᎪᏗᏍᎨᏍᏗ ᏥᏁᎬᎢ, ᎾᏍᎩ ᎥᏝ ᎢᎸᎯᏳ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎤᎪᏩᏛᏗ ᏱᎨᏎᏍᏗ.\nᎣᏍᏛᏰᏃ ᎧᏃᎮᏛ ᎣᎦᏤᎵᎦ ᎥᏝ ᎧᏁᏨᎯᏉ ᎨᏒ ᏱᏥᎷᎯᏍᏓᏁᎴᎢ, ᎤᎵᏂᎩᏗᏳᏍᎩᏂ ᎨᏒ ᎾᏍᏉ ᏔᎵ ᎤᏛᏛᎢ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎠᎴ ᎤᏣᏘ ᏄᏜᏏᏛᏒᎾ ᎨᏒᎢ; ᎾᏍᎩᏯ ᏥᏥᎦᏔᎭ ᏃᎦᏍᏛ ᎢᏨᏰᎳᏗᏙᎸ ᏂᎯ ᏥᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ.\nᏃᏉᏗ ᏥᎦᏔ ᎢᏴ ᎬᏩᏛᏗ, ᏛᏥᎷᏥᏗ ᏛᎬᏩᏔᎰᎵ.\nᎢᎸᎯᏳᏰᏃ ᏥᎨᏒ ᏗᎧᎿᏩᏛᏍᏗ ᏂᏓᏆᏁᎶᏛᎾ ᎨᏒ ᎢᏳᎢ ᎬᏃᏛ ᎨᏒᎩ; ᎤᎵᏁᏨᏍᎩᏂ ᎤᎷᏨ, ᎠᏍᎦᏂ ᎤᏛᏂᏛᎩ, ᎠᏴᏃ ᎠᎩᏲᎱᏒᎩ.\nᎭᏟᏂᎬᏁᎮᏍᏗ ᎬᏂᎨᏒ ᎢᏨᏁᏗᏱ ᎣᏏᏳ ᏣᏰᎸᏒ ᎤᏁᎳᏅᎯ, ᏗᏣᎸᏫᏍᏓᏁᎯ ᎨᏎᏍᏗ ᎨᏣᏕᎰᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎣᏍᏛ ᏘᏯᏙᎮᎯ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎧᏃᎮᏛ.\nᎲᎦ ᎢᎪᎯᏓ ᏓᏟᏰᎵᏙ ᎤᏣᎩᏍᏗ ᏌᏌ?” \nᎾᏍᎩᏰᏃ Ꮎ ᎠᏲᎵᎯ ᎤᏪᎳᏗᏍᏗᎭ ᎤᏲ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᎤᎵᏍᏆᏙᏂᏓ ᎠᎾᏓᎪᎾᏗᏍᎬᎢ.\nᎠᏎᏃ ᏥᎠ ᎥᏝ ᎤᏩᏒ ᏱᏚᏓᏲᏎᎢ, ᎾᏂᎥᏰᏃ ᏓᎦᏔᎲᎩ,\nᏂᎦᏛ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎠᏓᎨᏳᏗ ᎨᏒ ᎢᏨᏗᏍᎨᏍᏗ.\nᎾᏍᎩᏯ ᎠᎦᏴᎵᎨ ᏣᎩᎦᏔᎭ, ᎠᎴ ᎠᏴ ᎠᎦᏴᎵᎨ ᏥᏥᎦᏔᎭ. ᎠᎴ ᎬᏅ ᎡᎳᏗ ᏕᏥᏁᎭ ᎠᏫ.\nᎬᏃᏓ ᏩᎶᏏ ᎦᏁᎮᎢ ᎡᎳᏆᏗ.\nᏫᎵᎻ ᏯᏥᎳ, ᎤᏏᏩ ᏱᎩ ᎤᎵᏍᏔᏴᏗ ᎦᎶᏙᏗ ᏚᏙᏓᏈᏒ, ᏣᎵᏐᏓ ᏂᏓᏣᎵᏍᏔᏂ, ᏰᎵᏉ ᎭᏂᏣ ᏣᏍᏉᏟ ᏩᎪᏩᏛᏗ ᎨᏎᏍᏗ.”\nᎠᎴ ᎬᏂᏳᏉ, ᎦᏓᏅᎵ ᎢᏥᎷᏤᏗᏱ ᎡᏙᏓ ᎤᏚᎢᏍᏔᏅᎯ ᎨᏒᎢ; ᎠᏎᏃ ᏥᎷᏏᎵᎻ ᎦᏚᎲ ᎢᏥᏁᏍᏗ ᎬᏂ ᎢᏣᏄᏬᏍᏕᏍᏗ ᎤᎵᏂᎩᏛ ᎨᏒ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ.\nᏂᎦᏛᏰᏃ ᎡᏗᏂᏱ ᎠᏁᎯ ᎠᎴ ᎢᎸᎯᏢ ᏗᏁᎯ ᎾᎿ ᎠᏁᏙᎯ ᎥᏝ ᎪᎱᏍᏗ ᏱᏚᏂᎸᏫᏍᏓᏁᎮᎢ, ᎠᏂᏃᎮᏍᎬ ᎤᏩᏒ ᎠᎴ ᎠᎾᏛᎩᏍᎬ ᎪᎱᏍᏗ ᎢᏤᎢ.\n“ᎬᏲᎵᎭ!” ᎤᏛᏁ.\nᎤᏪᏥᏍᎩᏂᏃᏅ ᎨᏎᎢ ᎠᏎᏃ ᎤᏬᎯᏳᎯᏍᏓ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏕᎶᏆᎡ ᎤᎩᎵᏲᏨ ᎤᎦᏙᎥᎯᏍᏔᏁᎢ;\nᎾᏍᎩᏃ Ꮎ ᏅᏓᎨᏥᏅᏏᏛ, ᏫᎤᏂᎷᏨ ᏗᏓᏁᎸ, ᎠᏥᏅᏏᏓᏍᏗ ᎤᏢᏨᎯ ᎤᏂᏩᏛᎮ ᎤᏗᏩᏒᎯ ᎢᎨᏎᎢ.\nᎠᏴ ᎾᏍᎩ ᎾᎦᏚ ᎠᏛᏂᏗᏍᏙᏗ.\nᏕᏣᏂᏴᏎᏍᏗ ᎾᏍᎩ ᏗᏣᏟᎶᏍᏔᏅᎯ ᎣᏍᏛ ᎧᏃᎮᏛ ᎾᏍᎩ ᏍᏆᏛᎦᏁᎸᎯ ᏥᎩ, ᎲᏗᏍᎨᏍᏗ ᎪᎯᏳᏗ ᎨᏒ ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒ ᎾᏍᎩ ᎦᎶᏁᏛ ᏥᏌ ᏅᏓᏳᏓᎴᏅᎯ.\nᏱᏚᏂᏯᏪᏣ ᎠᎾᏓᏩᏛᎯᏙᎢ ᎠᏰᎵ ᎢᏴ ᎠᏓᏄᏖᏲᎮᎢ.\nᎠᏴ ᏥᏌ ᏗᏥᏅᏒ ᎠᏆᏤᎵ ᏗᎧᎿᏩᏗᏙᎯ ᎬᏂᎨᏒ ᎢᏨᏁᏗᏱ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ. ᎠᏴ ᏕᏫ ᎤᏪᏥ ᎠᎴ ᎾᏍᎩ ᎤᏁᏢᏔᏅᏛ ᎨᏒᎢ, ᎠᎴ ᏃᏈᏏ ᏧᎦᏙᏴᎢᏍᏗ ᎠᎴ ᏑᎾᎴ ᎡᎯ.\nᏓᏘᎪᎯᏗ.\nᎢᎦ ᎨᏒ ᎦᏟᎮᎢ ᎤᏒᎯ ᎡᏙᎵᏙᎮ.\nᏂᎯᏰᏃ ᎡᏥᏚᎢᏍᏓᏁᎸᎯ ᎠᎴ ᏗᏤᏥ ᎠᎴ ᎾᏂᎥ ᎢᏅ ᏗᏁᎯ, ᎾᏍᎩ ᎾᏂᎥ ᎤᎬᏫᏳᎯ ᎤᏁᎳᏅᎯ ᎢᎦᏤᎵ ᏧᏯᏅᏗ ᎨᏒᎢ.\nᎰᏩᏃ ᎤᏂᎤᎪᏫᏒ ᏖᎸᎳᏗ ᏓᏫᏒᎢ, ᎤᏂᎴᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᎩ Ꮎ ᏖᎸᎳᏗ ᏓᏫᏒ ᎤᏤᎵᎦ ᎦᏙ ᏙᏓᎬᏁᎵ ᎾᏍᎩ?\nᎤᏁᎳᏅᎯ ᎠᏓᏅᏙ; ᎾᏍᎩᏃ Ꮎ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ ᏧᎾᏓᏅᏙ ᎠᎴ ᏚᏳᎪᏛ ᏧᏅᏙᏗ ᎤᎾᏓᏙᎵᏍᏓᏁᏗ.\nᎧᏃᎨᏂ ᎤᏮᏔᏅ ᎤᎾᏄᎪᏫᏒ ᎤᎵᏂᎩᏛ ᎨᏒᎢ; ᎤᎾᏢᏉᏗ ᏙᏧᎾᏓᏅᏛ ᏚᏗᎦᎴᏯᏍᏔᏅ.\nᏘᏍᏚᎢᎡᏗᏱ ᏗᏂᎦᏙᎵ, ᎠᎴ ᎤᎵᏏᎬ ᏄᎾᏛᏅ ᏘᎪᎸᏍᏗᏱ ᎢᎦᎦᏛ ᎢᏗᏢ ᏫᏘᎦᏔᎲᏍᏗᏱ, ᎠᎴ ᏎᏓᏂ ᎤᏤᎵᎪᎯ ᏄᎾᏛᏅ ᏘᎪᎸᏍᏗᏱ ᏙᏘᎦᏔᎲᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎢᏗᏢ ᏫᏘᎦᏔᎲᏍᏙᏗᏱ; ᎾᏍᎩ ᏗᎦᎨᏥᏁᏗᏱ ᎤᏁᏍᎦᏅᏨᎢ, ᎠᎴ ᎬᏩᏂᏩᏛᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎤᎾᏤᎵᎦ ᎢᏳᎵᏍᏙᏗ ᎨᏒ ᎨᏥᏅᎦᎸᏛ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎥᏉᎯᏳᏗ ᎨᏒᎢ.\nᎤᏩᏓᎷᏯᏛ ᎬᏗ ᏚᏲᎵᎴ ᏃᏗ ᏭᏓᏬᎡ ᏫᏥ.\nᎤᏂᏣᏘᏃ ᏴᏫ ᎬᏩᏓᏡᏫᏍᏔᏅᎩ, ᎾᏍᎩ ᎢᏳᏍᏗ ᏥᏳᎯ ᎤᏣᏅᎩ, ᎠᎴ ᎤᏪᏅᎩ. ᏂᎦᏗᏳᏃ ᎾᏍᎩ ᎤᏂᏣᏘ ᎠᎹᏳᎶᏗ ᎠᏂᏙᎾᎥᎩ.\nᏧᏓᏏᏰᏃ ᏕᎦᎶᏗ ᎦᏁᎲ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎢᎦᏛ, ᎯᎠ ᏥᏌ ᏂᎦᏪᏏ ᎤᏁᎵᏒᎩ; ᎪᎱᏍᏗ ᏣᏩᎯ ᏗᎵᏍᏓᏴᏗᏱ ᎨᏒ ᎢᏳ ᎪᎱᏍᏗ ᎢᎬᏙᏗ; ᎠᎴ ᎯᎠ ᏱᎩ; ᎪᎱᏍᏗ ᏘᎲᏏ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ.\nᎠᏓᎾᏏᏁᎩ ᏧᏅᎪᏤ ᎡᎳᏆᏗ, ᎤᏟᏴᏍᎪᏳᏁᎴ ᏫᎵᎻ.\nᎯᎠ ᏂᎬᏅ ᎪᏪᎳ ᎠᎾᏙᎴᎰᏍᎩᏱ; ᎠᎴ ᏂᎦᏛ ᎤᏁᎳᏅᎯ ᏧᏪᏲᏅᎯ ᎨᏎᏍᏗ. ᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎦᏛ ᎤᎾᏛᎦᏁᎸᎯ ᎠᎴ ᎤᎾᏕᎶᏆᎡᎸᎯ ᎠᎦᏴᎵᎨᎢ, ᎬᎩᎷᏤᎰᎢ.\nᎦᏙ ᎬᏙᏗ, ᎢᏓᎵᏅᏟ, ᎢᏳᏃ ᎩᎶ ᎠᏉᎯᏳᎭ ᏯᏗᎭ, ᏂᏚᎸᏫᏍᏓᏁᎲᎾᏃ ᏱᎩ? ᎤᏬᎯᏳᏒᏍᎪ ᏰᎵᏉ ᏳᏍᏕᎸ?\nᎠᎴ ᎩᎶ ᎦᏬᏂᏍᎬ ᎠᏡᏗᏍᎨᏍᏗ ᏴᏫ ᎤᏪᏥ, ᎠᏥᏙᎵᏍᏗᏉ ᎨᏎᏍᏗ; ᎩᎶᏍᎩᏂ ᎦᏬᏂᏍᎬ ᎠᏡᏗᏍᎨᏍᏗ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎥᏝ ᎠᏥᏙᎵᏍᏗ ᏱᎨᏎᏍᏗ ᎪᎯ ᎨᏒ ᎠᎴ ᎾᏍᏉ ᏐᎢᏱ ᏗᎨᏒᎢ.\nᎤᏲ ᎤᏓᏅᏖᏗ ᏱᏗᎲᏏ.\nᎧᏁᏍᎦ ᏃᎴ ᏗᎩᏏ ᎢᏳᏍᏗ ᎠᏒᎨ.\nᎢᏳᏃ ᏴᏫᏉ ᎠᏁᎲ ᏱᎦᏛᏅ, - ᎾᏍᎩ ᏓᏂᏍᎦᎢᎮ ᏴᏫ; ᏂᎦᏛᏰᏃ ᏴᏫ ᎠᏙᎴᎰᏍᎩ ᎤᏙᎯᏳᎯ ᎬᏩᏰᎸᎭ ᏣᏂ.\nᎢᏳᏃ ᏱᏅᏩᏍᏗᏗᏉ ᎢᏦᎯᏳᏒᎢ, ᎦᎫᏍᏛᏅᎯ ᎠᎴ ᎠᏍᏓᏱᏛᎯ ᎨᏒᎢ, ᎠᎴ ᎢᏴᏛ ᎢᎦᏰᏨᏁᏗ ᏂᎨᏒᎾ ᏱᎩ ᎤᏚᎩ ᎢᏨᏒ ᎣᏍᏛ ᎧᏃᎮᏛᏱ, ᎾᏍᎩ ᎢᏣᏛᎦᏅᎯ ᏥᎩ, ᎾᏂᎥ ᎨᎦᏁᎳᏅᎯ ᎨᏒ ᎨᎦᎵᏥᏙᏁᎸᎯ ᏥᎩ ᎦᎸᎶ ᎭᏫᏂᏗᏢ ᏄᎾᏛᏅᎢ; ᎾᏍᎩ ᎾᎿ ᎠᏴ ᏉᎳ ᎪᎱᏍᏗ ᎦᏛᏁᎯ ᏥᏅᏋᏁᎸ;\nᎿᏉᏃ ᏔᎵᏁ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎠᏴ ᎦᎶᎯᏍᏗᏱ ᎠᏫ ᎤᎾᏤᎵᎦ.\nᎦᏲᏟ ᎠᎩᎶᏔᏅ ᏔᎷᎩᏍᎩ ᎤᎸᏫᏒ, ᏫᏥ ᎢᎦ ᎨᏒ ᎧᏫ ᎦᏗᏔᏍᎬ ᎠᏉᏢ ᏕᎦᎦᏙᏍᏛ ᏴᏫ ᎠᎾᎵᏍᏔᏴᎲᏍᎬ.\nᎠᎴ ᎤᎬᏫᏳᎯ ᎠᏎ ᏛᏇᏓᎴᏏ ᏂᎦᎥ ᎤᏲ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎠᎴ ᏛᎩᏍᏆᏂᎪᏔᏂ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᏗᎨᏒ ᏫᎦᎷᎩ. ᎾᏍᎩ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ, ᎡᎺᏅ.\nᎾᏍᎩ ᎾᏍᏉ ᏧᏂᎸᎩ ᎤᎬᏫᏳᎯ ᏥᏌ, ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᎤᏅᏒ ᏧᎾᏤᎵᎦ, ᎠᎴ ᎠᏴ ᎠᎦᏕᏯᏙᏔᏅᎩ; ᎠᎴ ᎥᏝ ᎣᏏᏳ ᎤᏰᎸᏗ ᎤᏁᎳᏅᎯ ᏱᎾᎾᏛᏁᎭ, ᎠᎴ ᎾᏂᎥ ᏴᏫ ᏓᏂᎦᏘᎴᎦ;\nᎿᏉᏃ ᎤᎾᏓᏅᏘ ᏛᏂᏁᏥ ᎯᎠ ᏅᏓᎬᏩᏪᏎᎵ; ᏣᎬᏫᏳᎯ, ᎢᎳᎩᏳ ᎢᏨᎪᏒ ᏣᏲᏏᏍᎨᎢ, ᎢᏨᏰᎳᏍᏔᏁᏃ; ᎠᎴ ᏣᏔᏕᎩᏍᎨᎢ, ᎢᏨᎤᏁᏃ;\nᎾᏍᎩᏃ ᏄᏪᏒ, ᎠᏂᏧᏏ ᎤᎾᏓᏅᏒᎩ, ᎤᏅᏒ ᎤᏣᏛᎩ ᏭᎾᎵᏃᎮᎸᎩ.\nᎢᏳ ᎠᎴ ᏎᏓᏂ ᏎᏓᏂ ᏱᎦᏄᎪᏫᏍᎦ, ᏔᎵ ᎾᏓᏗᏍᎪᎢ ᎤᏩᏒᏉ ᎠᏓᏡᏗᏍᎪᎢ; ᎦᏙᏃ ᏱᎦᎵᏍᏙᏓ ᏱᏂᎬᏩ ᏍᏗᏉ ᎤᏤᎵᎪᎯ?\nᎠᏛᎩᏍᎨ ᏍᏔᏯ ᎠᎾᏛᎵᏍᎬ ᎤᏂᎾᎷᏏᏗᏒ.\nᎠᎹ ᎤᎵᏗᏍᏔᏅ, ᎠᏥᎸᏳᎵ ᎤᏅ ᎠᏥᏍᏛ ᎠᎵᏥᏍᎩ ᎠᎹ, ᎣᏓᎵᎦᎵ ᎤᎦᎷᎭᏴ ᏫᏚᏝᏅ.\nᏎᎦᏨ ᎤᏂᎷᏤ ᏌᎳᏓ ᏧᏤᎵ ᏗᏂᏲᏟ.\nᎠᎴ ᎤᏂᏩᎯᏍᏔᏅᎩ ᎥᏘ ᏗᎪᏢᏍᎩ ᎤᎶᎨᏒᎢ, ᎾᏍᎩᏯ ᏱᎰᏩ ᎠᏇᏲᏅᎢ.\nᏧᏍᏆᏴᏍᏗ ᎨᏍᏗ ᎯᎸ ᎠᎪᏩᏛᏗ ᏱᎨᏎᎢ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎠᏆ-ᏚᎵᎭ ᎠᏂᏫᏅᎨᏌᏂ ᏧᎾᏨᏍᏗᏱ, ᏗᏂᏲᎵ ᏧᏂᎾᏄᎪᏫᏍᏗᏱ, ᏧᏂᏍᏆᏂᎪᏙᏗᏱ ᏓᏂᏁᎸᎢ, ᎠᎴ ᎬᏩᎾᏡᏗᏍᎩ ᏧᏂᎳᏅᏓᏕᏗᏱ ᏂᎨᏒᎾ ᎨᏒ ᎤᏐᏅ ᎬᏩᏂᏃᎮᏗᏱ.\nᏦᎢᎭᏃ ᎠᎴ ᏅᎩᎭ ᎢᏳᏟᎶᏛ ᎤᏂᎦᏪᎸ, ᎤᏂᎪᎲᎩ ᏥᏌ ᎥᏓᎵ ᎦᏚᎢ ᎠᎢᏒᎩ, ᎠᎴ ᏥᏳᎯ ᎾᎥ ᎤᎷᏥᏗᏒᎩ. ᎠᎴ ᎠᏂᏍᎦᎢᎲᎩ.\n ᏃᎴ ᎤᏦᏱᎴ ᏫᎵᎻ, ᏃᏉ ᏔᎵᏁᎢ ᏔᎵ ᏧᏙᏓᏆᏓ.\nᎠᏗᏆᎸᏕᏲᎮ ᎦᎸᎶᎢ ᏃᎴ ᎠᎦᏕ ᎠᎦᎸᎳᏗᎨ ᏄᏍᏕᎢ ᎤᏒᎯ.\nᎠᎴ ᎾᏍᎩ ᏂᎦᏛ ᎯᎠ ᎣᏍᏛ ᎨᏥᏃᎮᏍᎩ ᏥᎨᏎ ᎤᏃᎯᏳᏒ ᎢᏳᏩᏂᏌᏛ, ᎥᏝ ᏄᏍᏛ ᎨᏥᏚᎢᏍᏓᏁᎸ ᏱᏚᏁᏓᏂᎸᏤᎢ;\nᎠᎴ ᎩᎶ ᏗᎦᏬᏁ-ᏗᏍᎩ ᎨᏎᏍᏗ, ᏗᎦᏬᏁᏙᏗᏉ ᎨᏒ ᏚᎸᏫᏍᏓᏁᎮᏍᏗ; ᎠᎴ ᎩᎶ ᏓᏯᏙᎮᎮᏍᏗ, ᏄᎨᏳᎲᏍᎬᎾ ᎾᏍᎩ ᎾᏛᏁᎮᏍᏗ; ᎩᎶ ᏣᎦᏁᎶᏗ ᎨᏎᏍᏗ, ᎣᏍᏛ ᎤᎦᏌᏯᏍᏗ ᎨᏎᏍᏗ; ᎩᎶ ᎠᏓᏙᎵᎨᏍᏗ, ᎤᎧᎵᏍᏗ ᎤᏓᏅᏛ ᎾᏍᎩ ᎾᏛᏁᎮᏍᏗ.\nᏌᏯᏂᏍᎩᏂ ᎣᏓᎸ ᎢᏥᎷᏨ, ᎠᎴ ᎬᏂᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎦᏚᎲᎢ, ᎾᏍᎩ ᏥᎷᏏᎵᎻ ᎦᎸᎳᏗ ᎡᎯ, ᎠᎴ ᏗᎬᏎᎰᎲᏍᏗ ᏂᎨᏒᎾ ᎨᏥᏅᏏᏓᏍᏗ ᏧᎾᏓᏡᎬᎢ,\nᎧᏂᎨᏂ ᏭᏂᏴᎲ ᏣᎵ, ᏎᎦᏨ ᏚᎴᏅ.\nᏧᏂᏲᎱᏒᎯᏃ ᎾᏍᎩ ᏧᎾᎴᎯᏐᏗ ᎨᏒᎢ; ᏝᏍᎪ ᏱᏥᎪᎵᏰᎣ ᎼᏏ ᎤᏤᎵ ᎪᏪᎵᎯ, ᎾᏍᎩ ᎤᏪᏲᏓᏛ ᎤᏁᎳᏅᎯ ᎤᎵᏃᎮᏔᏅᎢ, ᎯᎠ ᏄᏪᏎᎸᎢ, ᎠᏴ ᎠᏆᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎠᎴ ᎠᏆᏁᎳᏅᎯ ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᎠᏆᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ.\nᎾᏍᎩᏃ Ꮎ ᎠᏥᏅᏏᏓᏍᏗ ᎠᎦᏔᎯ ᏄᏍᏛ ᎤᏚᎵᏍᎬ ᎤᏅᏏᏙᎯ, ᎠᎴ ᏄᏛᏅᎢᏍᏔᏅᎾ ᎢᎨᏎᏍᏗ, ᎠᎴ ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏚᎵᏍᎬ ᏄᏛᏁᎸᎾ ᎢᎨᏎᏍᏗ, ᎤᏣᏘ ᎢᏯᎬᏂᏍᏗ ᎨᏎᏍᏗ.\n“ᏗᎨᏥᎾᏌᎢ ᎠᎾᏟᏃᎮᏍᎪ ᎠᏗᏍᎬ.\nᎠᎴ ᎾᏍᏉ ᎠᎾᏗᏒᎯᎮ ᎾᏍᎩ Ꮎ ᎤᏅᏒ ᎨᏒ ᎤᏟ ᎠᏥᎸᏉ-ᏗᏳ Ꭲ-ᏳᎵᏍᏙᏗ ᎨᏒᎠᎴ ᎾᏍᏉ ᎠᎾᏗᏒᎯᎮ ᎾᏍᎩ Ꮎ ᎤᏅᏒ ᎨᏒ ᎤᏟ ᎠᏥᎸᏉ-ᏗᏳ Ꭲ-ᏳᎵᏍᏙᏗ ᎨᏒᎢ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎩᎶ ᏓᏓᏂᎸᎨᏍᏗ ᎯᎠ ᎠᏲᎵ ᎠᏴ ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ; ᎩᎶᏃ ᎠᏴ ᏓᏆᏓ-ᏂᎸᎨᏍᏗ, ᏓᏓᎸᎨᏍᏗ ᏅᏛᎩᏅᎢ, ᎾᏍᎩ ᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᎤᏕᎵᏛ ᎤᏍᏆᏂᎪᏛ ᎤᎾᏫᏱ ᎬᏂᎨᏒ ᏱᏂᎦᎵᏍᏓ; ᎾᏍᎩᏃ ᏯᎵᏰᏍᏕᎲᎦ ᎤᏁᎳᏅᎯ ᏯᏓᏙᎵᏍᏓᏏ, ᎠᎴ ᏱᏕᎦᏃᏣᎸᎦ ᎤᏁᎳᏅᎯ ᎤᏙᎯᏳᎯᏯ ᎢᏣᏓᏑᏴᎢ.\nᎪᎯᏃ ᏥᎩ ᎦᎵᎡᎵᎦ, ᎥᏝ ᎠᏗᎾ ᎤᏲ ᎢᏣᏓᏅᏓᏛ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ, ᏅᏗᎦᎵᏍᏙᏗᎭᏍᎩᏂ ᏗᎨᏥᏁᏟᏴᏍᏗ ᏕᏣᏓ ᏅᏛ ᎢᏴᏛ ᎤᏲ ᎢᏣᏓᏅᏓᏛᎢ; ᎤᏲᏰᏃ ᎢᏣᏓᏅᏓᏛᎩ ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᏗᎬᏩᏓᏂᎸᎢᏍᏗ ᏥᎩ, ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏗᏱ ᎪᎱᏍᏗ ᎡᏍᎦ ᎢᏨᏴᏁᏗᏱ ᏂᎨᏒᎾ.\nᎿᏉᏃ ᎤᏥ ᎤᏪᏲᏅᎯ ᏂᎨᏎᎢ ᎯᎠ ᏄᏪᏎᎢ; ᎠᏂ ᏍᎩᏲᎮᎸᎭ ᏣᏂ ᏗᏓᏬᏍᎩ ᎤᏍᎪ ᎠᏖᎵᏙ ᎦᎶᏕᏍᏗ.\n“ᏧᏍᏆᏴᏍᏗ,” ᎤᏛᏁ, “ᏱᎬᏚᎢᏍᏓᏏ ᏳᏫᏍᎩᎩᎡᎳ ᏌᎳᏓ ᎤᏤᎵ ᏧᏪᏥ ᏗᎦᏅᏙᏗ, ᎯᎪ ᎠᎴᏂᏍᎩ ᏂᎯ ᎠᎬᏱ ᏯᎵᏍᏓᏴᎲᎦ ᎠᎩᏲᎮᎲ ᎠᎵᏍᏓᏴᏗ ᏣᏄᏏ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᏪᏒ, ᏚᎵᏂᏆᏅᏅᎩ ᎠᎴ ᎾᎦᏛ ᎠᏂᎦᏔᎲ ᎤᏓᏙᎵᏍᏔᏅᎩ.\nᎤᏂᏣᏘᏃ ᏚᏂᏄᎪᏫᏎ ᎠᏂᏍᎩᎾ, ᎠᎴ ᎪᎢ ᏚᏂᏣᏁᏔᏁ ᎤᏂᏣᏘ ᏧᏂᏢᎩ, ᎠᎴ ᏚᏂᏅᏩᏁᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᎩ ᎠᏏᏴᏫ ᎤᏍᎦᏅᏨ ᎢᏳᏩᏂᏌᏛ ᎠᏍᎦᏅᏨ ᏗᎫᎪᏙᏗ ᎨᏒ ᏂᎦᏗᏳ ᏴᏫ ᏧᏂᎷᏤᎸ; ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏏᏴᏫ ᏚᏳᎪᏛ ᏄᏛᏁᎸ ᎢᏳᏩᏂᏌᏛ ᎬᏩᎦᏘᏯ ᎤᏓᏁᏗ ᎨᏒ ᎤᏂᎷᏤᎸ ᏂᎦᏗᏳ ᏴᏫ ᎨᎫᏓᎴᏍᏗᏱ ᎬᏂᏛ ᎤᏂᏩᏛᏗᏱ ᎤᎬᏩᎳ.\nᎤᏍᎦᎣᏅ ᎨᏎ ᏫᎵᎻ.\n”ᏍᏈᏯ ᎦᏓᏅᏖᎭ,” ᎤᏛᏁ ᏫᎵᎻ.\n“ᏁᎳᎩ ᏫᎦᎵᏬᎩ,” ᎤᏛᏁ ᏥᏍᏕᏥ.\n“ᏣᏥ ᎣᎩᎾᎵ ᎨᏒᎩ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎭᎾᎾ ᏱᏩᏔ ᏄᏍᏗᏓᏅ ᏭᎶᏒᏍᏗ ᏣᏍᎩᏗᏒᎯ.\nᎾᏃ ᎠᏧᏣ ᎢᎦᎢ ᎠᎵᎮᎵᎬᎢ.\nᎧᏁᏍᎦ ᎫᏔᎩᏍᏙᏗ ᏭᏴᎮ ᏣᏄᏏ ᏃᎴ ᎤᎩᏒᏎ ᎦᏓᎭ ᏂᎨᏒᎾ ᎧᏁᏍᎦ.\nᎧᏃᎯᏰᎩᏃ ᏗᎵᏍᏓᏴᏗᏱ ᎠᏛᏅᎢᏍᏙᏗᏱ ᎢᎦ ᎨᏒᎩ, ᎠᎴ ᏔᎳᏚ ᎢᏳᏟᎶᏛ ᎢᏴᏛ ᎧᎳᏩᏗᏒ ᎨᏒᎩ, ᏆᎴᏗᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎠᏂᏧᏏ; ᎬᏂᏳᏉ ᎤᎬᏫᏳᎯ ᎢᏣᏤᎵᎦ!\nᎪᎯᏳᏗ ᎨᏒ ᎲᏗᏍᎨᏍᏗ ᎣᏍᏛ ᎠᎵᏍᏗ ᎨᏒ ᎭᎵᎮᏍᏗ. ᎾᎵᏍᏆᏗᏍᎬᎾ ᎬᏂᏛ ᎨᏒ ᏘᏂᏴ, ᎾᎿ ᎾᏍᏉ ᎡᏣᏯᏅᏛ ᏥᎩ, ᎠᎴ ᏣᏃᏅᎯ ᏥᎩ ᎣᏍᏛ ᎧᏃᎮᏗ ᎨᏒ ᎤᏂᏣᏘ ᎠᏂᎦᏔᎯ ᎠᏂᏚᏔᎲᎢ.\nᏗᏧᎧᎬᎢ ᏧᎩᎴ ᏃᎴ ᏣᏚᏃᎩᏎᎢ, ᎤᏂ, ᎤᏂ, ᎤᏂ, ᏥᏍᏆ ᏔᏯᎪᎦ.\nᎱᎷᏣ, ᎠᏣ ᏗᎪᏒᏔᏅ ᏚᎳᏑᏞᎢ ᏃᎴ ᎤᏪᏘ ᎠᏣ ᎦᏌᎴᎾ ᎤᏄᏪᎢ, ᏃᎴ ᏔᎷᎩᏍᎩ ᎪᏱᏅᏍᏗ ᏧᎾᏦᏴᏍᏗ ᎤᏅᏗ ᎠᏥᏍᏛ ᎪᏱᏁᎮᎢ ᏃᎴ ᎤᏍᏗ ᎦᎾᏧ Ꮎ ᎦᏁᎮᎢ.\nᎠᎴ ᎢᏣᏛᎩᏍᎨᏍᏗ ᏓᎿᏩ ᎠᎴ ᎠᏂᏃᎮᎵᏙᎲ ᏓᎿᏯ; ᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗ ᎤᏪᎵᎯᏍᏗ ᏱᏂᏣᎵᏍᏓᏁᎴᏍᏗ; ᎾᏍᎩᏰᏃ ᏂᎦᏗᏳ ᎠᏎ ᎢᏳᎵᏍᏙᏗ, ᎠᏎᏃ ᎤᎵᏍᏆᏗᏍᏗᏱ ᎨᏒ ᎠᏏ ᎨᏎᏍᏗ.\nᎢᏤᏯᏔᎮᏍᏗ ᏥᎦᏰᏥᏐᏢᏔᏂ ᏌᏉ ᎯᎠ ᏧᎾᏍᏗᎦ; ᎯᎠᏰᏃ ᏂᏨᏪᏎᎭ; ᎦᎸᎳᏗ ᏦᏒ ᏧᎾᏤᎵᎦ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏂᎪᎯᎸ ᎠᏂᎪᏩᏘᏍᎪ ᎤᎧᏛ ᎡᏙᏓ ᎦᎸᎳᏗ ᎡᎯ.\nᏭᏴᎸᏃ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎤᎴᏅᎮ ᏚᏄᎪᏫᏎ ᎾᎿ ᎠᏂᏃᏗᏍᎩ, ᎠᎴ ᎤᏂᏩᏒᎥᏍᎩ;\n“Ꮘ-Ꮘ-Ꮘ!”\nᎤᏃᏴᎵᏙᎮ ᎠᏕᎳ ᎤᏁᎦ ᏗᎪᏒᏔᏅ ᏗᎬᏙᏗ, ᏗᏌᏅᏙᏗ, ᏧᏍᏗ ᎠᎹ ᏗᎦᎵᏙᏗ ᏃᎴ ᏍᏈᏍᏓ ᏗᎬᏔᏂᏓᏍᏗ.\nᎿᏉᏰᏃ ᎦᏓᎵᏍᎪᎸᏗᎭ, ᎠᎴ ᎾᎯᏳ ᎠᏇᏅᏍᏗ ᎨᏒ ᎤᏍᏆᎸᎯᏗ.\nᎠᎴ ᎠᏓᏅᏙ ᎤᏓᏅᏖᎮᎸᎯ ᏭᎷᏤ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ; ᏧᎦᏴᎵᎨᏃ ᎤᏂᏴᏔᏂᎸ ᎠᏲᎵ ᏥᏌ ᎾᏍᎩ ᏂᎬᏅ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏳᎾᏛᏁᏗᏱ,\nᏣᎳᎩ ᎠᏰᎵ ᎤᎵᎮᎵᏤ ᏍᏏᏉᏯ ᏚᏬᎷᏩᏛᎲ ᏗᎪᏪᎶᏗ ᏣᎳᎩ.\nᎤᏍᏗ ᏃᎴ ᎤᎵᏍᏗ.\nᏓᏂᎳᏫᎥᏃ ᏚᏂᏰᎵᏒ ᎤᏂᏣᏖ ᎠᏂᏧᏏ ᎠᎴ ᎤᏁᎳᏅᎯ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ ᎠᏂᏧᏏ ᏓᎾᎵᎪᏁᎸᎯ ᏚᏂᏍᏓᏩᏛᏎ ᏉᎳ ᎠᎴ ᏆᏂᏆ, ᎾᏍᎩᏃ ᏚᏂᏬᏁᏔᏁ ᏚᏂᏔᏲᏎᎴ ᏧᏂᏲᎯᏍᏗᏱ ᏂᎨᏒᎾ ᎤᏁᎳᏅᎯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ.\n”ᏥᎭᏓᏅᏛᎳ, ᏥᎭᏓᏅᏛᎳ!” ᎤᏪᎷᏁᎢ ᏌᏌ.\nᎢᏳᏰᏃ ᎼᏏ ᏱᎡᏦᎢᏳᎲᏍᎨᎢ ᎠᏴ ᏱᏍᎩᏲᎢᏳᏁᎢ, ᎾᏍᎩᏰᏃ ᎠᏴ ᎠᎩᏃᎮᏍᎬᎢ ᎤᏬᏪᎳᏅᎩ.\nᎾᏍᎩᎾ ᎾᏍᏉ ᏂᎯ, ᎿᏉ ᏂᎦᏛ ᏄᏤᏪᏎᎸ ᏂᏣᏛᏁᎰᏅᎭ, ᎯᎠ ᏂᏥᏪᏒᎭ, ᎪᏞᏍᏗ ᎣᎬᏙᏗ ᏂᎨᏒᎾ ᎣᎩᏅᏏᏓᏍᏗ; ᎢᏲᎦᏛᏁᏗᏉ ᎨᏒ ᏃᎦᏛᏁᎸ.\nᎩᎶ [ᏥᏌ] ᏥᏯᎠ ᏯᏗᎭ, [ᏥᏌ] ᎤᏪᏙᎸ ᎾᏍᎩᏯ ᎾᏍᏉ ᏰᏙᎭ.\n“ᏲᎾ ᎤᏤᏍᏙ ᎤᏰᎸᏗ,” ᏚᏬᏏᏌᏁ.\n“ᏓᎩᏯᏪᎪ, ᏃᎴ ᎤᎯᏐᏗ ᎠᏆᏓᏅᏘ ᏂᏗᎦᎵᏍᏙᏗ ᎨᏍᏗ ᏱᏗᏓᏥᎪᏩᏛ ᏗᏆᏤᎵ ᏗᏂᏲᏟ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏎ ᏱᎦᏥᏁᏤᎸ ᎠᎾᎵᏅᏟ ᎠᏇᎵᏒᎩ ᎢᎬᏱ ᏫᎨᏥᎷᏤᏗᏱ, ᎠᎴ ᎢᎬᏱ ᏭᎾᏛᏅᎢᏍᏙᏗᏱ ᎢᏥᏗ ᎨᏒ, ᎾᏍᎩ ᎦᏳᎳ ᎧᏁᎢᏍᏔᏅᎯ ᏥᎩ, ᎾᏍᎩ ᎠᏛᏅᎢᏍᏔᏃᏅᎯ ᏱᎩ, ᎾᏍᎩᏯ ᎣᏏᏳ ᎢᏥᏰᎸᎯ ᎢᏥᏅᎯ ᎨᏒᎢ, ᎥᏝᏃ ᎢᏥᎨᏳᏅᎯ ᎾᏍᎩᏯᎢ.\n”ᎠᏎᏃ, ᏗᎦᎵᎢ, ᏳᏲᏣ ᏍᎩᎾᎾ ᎤᏪᏘ ᎤᏪᏥ, ᏍᎩᏉ ᏂᎨᏒᎾ ᎨᏎᏍᏗ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᏔᎵᏁᏍᎩᏂ ᏫᎦᎵᏦᏛ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎤᏩᏒ ᏌᏉ ᏫᎾᏴᎯᎮ ᏂᏓᏕᏘᏴᎯᏒᎢ, ᎥᏝ ᎠᎴ ᎩᎬ ᏂᎦᏁᏤᎲᎾ ᏱᎨᏎᎢ, ᎾᏍᎩ ᎤᏩᏒ ᎤᏍᎦᏅᏨ ᎠᎫᏴᏙᏗ, ᎠᎴ ᎤᏂᏣᏘ ᏴᏫ ᎤᏂᏍᎦᏅᏨ ᎠᎫᏴᏙᏗ.\nᎾᏍᎩᏃ ᏚᏙᎥ ᎤᏅᏙᏗᏱ ᎦᏁᏟᏴᏍᏗ ᎨᏒ ᎣᏓᏅᏛ ᎠᎴ ᎠᏍᎦᏅᏨ ᎥᏓᏗᏙᎵᏍᏗ ᎨᏒ ᎨᎦᎵᏥᏙᏁᏗᏱ ᏂᎦᏛ ᏧᎾᏓᎴᏅᏛ ᏓᏁᏩᏗᏒᎢ, ᏥᎷᏏᎵᎻ ᎤᎾᎴᏅᏗᏱ.\nᏥᏌᏃ ᎤᎦᏔᎲᏒ, ᎠᎴ ᎬᏩᏍᏓᏩᏗᏒ ᏚᎪᎲ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᏙ ᎢᏍᏗᏲᎭ? ᎯᎠᏃ ᏂᎬᏩᏪᏎᎸᎩ; ᏔᏈ--ᎾᏍᎩ ᎠᏁᏢᏔᏅᎯ ᎦᏛᎦ ᏔᏕᏲᎲᏍᎩ--ᎭᏢ ᏗᏤᏅ.\n”ᎭᏩ,” ᎤᏛᏁ ᏌᎳᏓ, ”ᏨᏌ ᎭᏓᏌᎳᏗᏍᎨᏍᏗ.\nᏔᎵᏁᏃ ᎤᏗᏌᏓᏛ, ᎦᏙᎯ ᎤᏬᏪᎳᏅᎩ.\n“ᎠᏯᏗ ᏍᏉ,” ᏃᎴ ᏦᎢᏁ ᏄᏪᏎᎢ.\n“ᎯᏥᎨᏯ ᏃᎴ ᎯᏥᏍᎦᏯ,” ᎤᏛᏁ ᏍᏓᏯ ᎢᎬᏁ ᎦᏬᏂᏍᎩ, “ᏤᏍᏗ ᏱᏨᏳᏓᏕᎮᏍᏗ.\nᎢᏥᎦᏔᎮᏍᏗ ᏂᎦᏛ, ᎠᎴ ᏂᎦᏛ ᎢᏏᎵ ᎠᏁᎯ ᎠᏂᎦᏔᎮᏍᏗ ᎾᏍᎩ ᏕᎤᏙᎥ ᏥᏌ ᎦᎶᏁᏛ ᎾᏎᎵᏗ ᏤᎲᎩ, ᎾᏍᎩ ᏓᏓᎿᏩᏍᏛ ᏤᏣᏛᏅᎩ, ᎤᏁᎳᏅᎯ ᏥᏕᎤᎴᏔᏅ ᎤᏲᎱᏒᎢ, ᎾᏍᎩ ᏄᏩᏂᏌᏅ ᎯᎠ ᎠᏍᎦᏯ ᎤᏗᏩᏒᎯ ᏥᎦᏙᎦ ᏕᏥᎧᏅᎢ.\nᎯᎠᏍᎩᏂᏃᏅ ᎢᏣᏛᏁᏗᏱ ᎤᏟ ᎢᎦᎢ ᎢᏨᏍᏗᏰᏗᎭ, ᎾᏍᎩ ᏞᎦᎾᎨ ᏗᏤᎲ ᏔᎵᏁ ᏮᏆᏘᏃᎯᏍᏗᏱ.\nᎤᎪᎮᎢ ᎦᎸᎳᏗᏣ ᎤᏅᏏᏴ ᎤᏴᏍᏗ.\nᏰᎵ ᎾᏂᎥ ᏗᏂᏲᏟ, ᎠᏂᏰᎬ ᏚᏂᏲᏏᏍᎬ ᏃᎴ ᏓᎾᏦᎭᏱᎲ.\nᏐᏈᎵ ᎤᏂᏴᏍᏗ ᎠᏩᏛᏗ ᎤᎧᏔ ᎠᎾᎵᏙᎩᏯᏍᎩ ᏐᏈᎵ ᎤᎾᏤᏮ.\nᎨᏍᏗ ᎩᎶ ᏰᎵᏍᎨᎢ ᎦᏳᎳ ᎠᏂᏯᎥ ᏥᏍᏕᏥ ᏃᎴ ᎧᏅᏂᏍᎩ.\nᏄᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎨᎶᎯ ᏚᏄᏩᎥ ᏚᏪᏣᎦᎸᎮᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙᏃ ᎠᏏ ᏱᏗᎦᏚᎵ ᎠᏂᏃᎮᏍᎩ?\nᏏᏓᏁᎸᎯ ᎠᎾᏑᏯᎩᏍᎬ ᏧᏂᏰᏍᏛᏗ ᏧᏍᏆᏅᎾ ᎦᏙᎯ.\nᏂᎯᏰᏃ ᎢᏤᎲ ᎤᏓᎴᏅᎩ ᎤᏃᏴᎵᏒᎩ ᎧᏃᎮᏛ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ, ᎥᏝ ᎹᏏᏙᏂᏉ ᎠᎴ ᎡᎦᏯ ᎤᏩᏒ ᏱᏭᎷᏤᎢ, ᎾᏍᏉᏍᎩᏂ ᏂᎦᎥ ᏕᎨᏌᏗᏒ ᎤᏁᎳᏅᎯ ᎡᏦᎢᏳᏒ ᏚᏰᎵᏒ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᎠᏎ ᎪᎱᏍᏗ ᎣᎦᏛᏗ ᏱᎩ.\nᎦᎵᏉᎩᏃ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏓᏳᏂᏄᎪᏨᎩ, ᏓᏂᏰᎲᎩ ᎦᎵᏉᎩ ᎤᏕᏯᏙᏗ, ᏚᎾᏄᏮᎩ ᏂᏚᏓᏅᎦᎸᎾ ᎠᎴ ᏧᏁᎬ ᏙᎴᏛ ᏗᏄᏬ, ᎠᎴ ᏗᏂᏁᏥᏱ ᏚᎾᏓᏠᎲᎩ ᎠᏕᎸ-ᏓᎶᏂᎨ ᏗᎪᏢᏅᎯ ᏗᏓᏠᏍᏗ.\nᎢᏳᏲᏎᏰᏃ ᎤᏂᏣᏛᎩ ᎠᎾᏙᎴᎰᏍᎩ ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎤᎾᏚᎸᎲᎩ ᏂᎯ ᏥᏥᎪᏩᏘ ᎤᏂᎪᏩᏛᏗᏱ, ᎠᏎᏃ ᎥᏝ ᏳᏂᎪᎮᎢ; ᎠᎴ ᎤᎾᏛᎪᏗᏱ ᎾᏍᎩ ᏂᎯ ᏥᏣᏛᎩᎭ, ᎠᏎᏃ ᎥᏝ ᏳᎾᏛᎦᏁᎢ\nᎭᏕᏬ.\nᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎯᎠ ᏂᎬᏅ ᎪᏪᎳ, ᏥᏁᎸ ᎠᏓᏙᎵᏍᏙᏗᏱ ᎠᏓᏁᎸ ᏚᏙᎠ, ᎠᏎᏃ ᏂᎯ ᎠᏂᏃᏍᎩᏍᎩ ᎤᏂᏴᏍᏗᏱ ᎤᏍᏓᎦᎸ ᏂᏨᏁᎸ.\nᏕᏥᏁᎸᏰᏃ ᎧᏃᎮᏛ ᎾᏍᎩ ᏍᎩᏁᎸᎯ ᏥᎩ; ᎠᎴ ᎾᏍᎩ ᏚᎾᏓᏂᎸᏨ, ᎠᎴ ᎤᏂᎦᏙᎥᏒ ᎤᏙᎯᏳᏒ ᏂᎯ ᏖᎲ ᏅᏛᏆᏓᎴᏅᎯ ᎨᏒᎯ; ᎠᎴ ᎤᏃᎯᏳᏅ ᏂᎯ ᏅᏓᏍᎩᏅᏏᏛ ᎨᏒᎢ.\nᎬᏂᏳᏉᏃ ᎨᎾᏂ ᎡᎯ ᎠᎨᏴ ᎾᎿ ᎾᎥ ᏅᏓᏳᎶᏒᎯ ᎤᏪᎷᏅᎩ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᏍᎩᏙᎵᎩ, ᏣᎬᏫᏳᎯ ᏕᏫ ᎤᏪᏥ, ᎠᏇᏥ ᎠᎨᏴ ᎤᏣᏔᏅᎯ ᎤᏕᏯᏙᏗᎭ ᎠᏍᎩᎾ.\nᎠᏎᎩ ᎤᏐᏱ ᎠᏁᎵᏍᎪ ᎠᏕᏒᎲᏍᎩ ᎦᏣᏄᎳ ᏳᎴᏫᏍᏔᎾ ᏏᏱᎾᏍᏆᏗᏍᎬᎾ, ᏱᎬᎾᎵᎮᎵᎦ ᏧᏙᏓᏋᏓ ᎫᏩᎾᏓᏏᏀᎥᏍᏙᏗ ᏱᎩ ᎠᏂᏏᏀᎥ.\nᎠᏎᏃ ᏂᎦᎥᏉ ᎠᎩᎭ ᎠᎴ ᎤᏣᏔᏅᎯ; ᎠᎩᎧᎵᏬᎯ, ᏗᏆᏓᏂᎸᏨᎯ ᎨᏒ ᎢᏆ'ᎶᏓᏓ ᎤᏲᎸᎯ ᎾᏍᎩ ᏅᏓᏣᏓᏅᏒᎯ, ᎤᏣᏘ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ, ᎠᏥᎸ ᎨᎳᏍᏗ ᏗᎬᏓᏂᎸᎢᏍᏗ, ᎣᏏᏳ ᎤᏰᎸᏗ ᎤᏁᎳᏅᎯ.\nᎥᏝᏰᏃ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏱᎩᎧᎭ ᎾᏍᎩ ᎨᎩᏙᎵᏍᏗ ᏂᎨᏒᎾ ᎨᏒ ᏕᎩᏩᏂᎦᎸᎢ, ᏂᎦᎥᏉᏍᎩᏂ ᎠᏥᎪᎵᏰᎲᎩ ᎠᏴ ᎾᏍᎩᏯᎢ, ᎠᏎᏃ ᎾᏍᎦᏅᎾ ᎨᏒᎩ.\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ ᎣᏂ ᏦᏩ ᎠᎵᎹᏗᏱ ᎡᎯ, ᏥᏌ ᎠᏍᏓᏩᏗᏙᎯ ᎨᏒᎩ, ᎠᏎᏃ ᎤᏕᎵᏛᏉ ᎠᏂᏧᏏ ᏓᏍᎦᎢᎲᎢ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ, ᎾᏍᎩ ᏦᏩ ᎤᏔᏲᏎᎸᎩ ᏆᎴᏗ ᎤᏁᏍᏗᏱ ᏥᏌ ᎠᏰᎸᎢ. ᏆᎴᏗᏃ ᎤᎵᏍᎪᎸᏓᏁᎸᎩ. ᎰᏩᏃ ᎤᎷᏨᎩ ᎤᏁᏒᎩ ᏥᏌ ᎠᏰᎸᎢ.\nᏄᏓᎴ ᎧᏃᎮᏗ ᎱᏃᎯᏎᎴ ᏌᎳᏓ, ᏄᏓᎴ ᎠᎾᏓᏤᎵ ᎱᏃᎮᎴ, ᎤᏃᎴ ᎠᏲᏙᏗ ᏗᎩᎸᏗᏍᎩ.\nᎤᎧᎵᏤ ᎤᏓᏅᏙᎩ ᎠᎵᎮᎵᎬ ᏫᎵᎻ.\nᎪᎯᏍᎩᏂ ᎤᏟ ᎢᏲᏍᏛ ᎤᎾᏤᎵᎪᎯ ᎤᏂᏲᎭ, ᎾᏍᎩ ᎦᎸᎶᎢ ᏗᏍᏆᏂᎪᏛᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎥᏝ ᏯᏕᎰᏍᎦ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎠᎪᏎᏗᏱ; ᏚᏛᏅᎢᏍᏓᏁᎸᏰᏃ ᎦᏚᎲᎢ.\nᎤᎩᏨᏛᏃ ᏉᎳ ᎣᎦᎵᎪᎯ ᎣᎦᏂᎩᏒᎩ ᏏᏌᎵᏱ ᏬᎩᎷᏨᎩ. ᏬᎩᏴᎸᏃ ᎦᏁᎸ ᏈᎵᎩ ᎠᎵ ᏥᏙᏂᏙᎯ, ᎾᏍᎩ ᎦᎸᏉᎩ ᎢᏯᏂᏛ ᎠᎦᎵᎪᏔᏅᎯ, ᎾᎿ ᎣᎦᏅᏅᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᎵᎮᎵᎩ ᏂᎦ ᎦᎸᎶᎢ ᎨᏒᎢ, ᎠᎴ ᏂᎯ ᎾᎿ ᏥᏤᎭ. ᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᎡᎶᎯ ᎢᏤᎯ, ᎠᎴ ᎠᎺᏉᎯ ᎢᏤᎯ! ᎠᏍᎩᎾᏰᏃ ᎢᏣᏠᎠᏎᎵᎦ, ᎤᏣᏘ ᎤᏔᎳᏬᏍᎬᎢ ᎠᎦᏔᎭᏰᏃ ᎤᏍᏆᎳᎯᏳ ᎨᏒ ᎠᎦᎵᏍᎪᎸᏓᏁᎸᎢ.\nᎾᏍᎩ ᎠᏥᏁᏗ ᏂᎨᏒᎾ ᎨᏒ ᎤᏣᏘ ᎢᏳᏩᏓᏗ ᎪᎯ ᎨᏒᎢ, ᏐᎢᏱᏃ ᏗᎨᏒ ᎬᏂᏛ ᏫᎾᏍᏛᎾ.\nᎯᎠᏰᏃ ᏄᏍᏗ ᎤᎵᏁᏨ ᎠᏚᎢᏍᏛᎢ. ᎯᎠᏉ ᎢᏳ ᏓᏥᎷᏥ, ᎠᎴ ᏎᎵ ᏓᎦᎾᏄᎪᏫᏏ ᎠᏧᏣ.\nᎠᎴ ᎠᏍᎫᏕᏍᎩ ᎠᎦᎫᏴᎡᎰᎢ, ᎠᎴ ᎤᏍᎫᏕᏒᎯ ᏫᎦᏟᏏᏍᎪ ᎬᏂᏛ ᏗᎨᏒᎢ, ᎾᏍᎩ ᎢᏧᎳ ᎤᎾᎵᎮᎵᏍᏗᏱ ᏂᎦᎵᏍᏗᏍᎪ ᎠᏫᏍᎩ ᎾᏃ ᎠᏍᎫᏕᏍᎩ.\nᎢᏳᏍᎩᏂ ᎯᎦᏙᎵ ᎤᏲ ᎢᎨᏎᏍᏗ, ᏂᎬ ᎯᏰᎸᎢ ᎤᎧᎵᏦᏅᎯ ᎨᏎᏍᏗ ᎤᎵᏏᎩ. ᎢᏳᏍᎩᏂᏃ ᎢᎦᎦᏘ ᎭᏫᏂ ᏤᎲ ᎤᎵᏏᎩᏉ ᎢᎨᏎᏍᏗ, ᎾᏍᎩ ᎤᎵᏏᎩ ᏂᎦ ᎡᏉᎯᏳ!\nᏭᏯᏅᎮᏃ ᎠᏏᏴᏫ ᎠᏥᏅᏏᏓᏍᏗ, ᎠᎴ ᎤᏛᏛᏁ ᎤᏰᎸᎥ ᎾᏍᎩ ᎾᎾᏛᏁᎲᎢ.\nᏃᏉᏃ ᏣᏁᎳ, ᏃᏉᏃ ᏐᏁᎳ.\nᎤᎵᏍᏛᏧᏁ ᏣᎵ ᎭᏫᏂ ᎤᏛᎴᎮ.\nᎾᏍᎩ ᏄᎵᏓᏍᏔᏅᎾ ᎨᏒ ᎾᏍᎩ Ꮎ ᎤᏁᏤᎸᎯ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎼᏏ ᏄᏓᎵᏓᏍᏛᎾ ᏥᎨᏎ ᏂᎦᎥ ᏚᏓᏘᎾᎥᎢ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏣᎬᏫᏳᎯ, ᎢᏳᏃ ᏱᎦᎵᎭ ᏓᏳᏗᏩᏏᏉ.\nᏥᏌᏃ ᎿᏉ ᎠᏎ ᏦᎠᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᎾᏍᎩ ᏦᏩ ᎤᏪᏥ ᎤᏂᏰᎸᏎᎢ, ᎾᏍᎩ ᎯᎳᏱ ᎤᏪᏥ ᎨᏎᎢ,\nᎢᏳᏃ ᎩᎶ ᏳᏲᏍᏔᏅ ᎤᏁᎳᏅᎯ ᎦᏁᎸᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏓᏳᏲᏍᏔᏂ; ᎤᏁᎳᏅᎯᏰᏃ ᎦᏁᎸ ᎦᎸᏉᏗᏳ, ᎾᏍᎩᎾ ᏂᎯ ᏥᎩ.\nᏣᏚᎳᏛ ᏃᎴ ᏣᏁᏨ ᎣᎩᏌᏙᏴᏗ ᎠᏴᏫᏯᏍᏛ ᏫᏗᎦᎪᏗ ᎤᎾᎵᎩᏛ ᎭᏂ ᎢᏣ ᎤᎾᏗᏍᎦᏟ ᎣᎩᎷᏤᎸ, ᎾᏆᏛᏁᎳ ᏄᏍᏛ ᏣᏚᎵᏍᎬ.\nᎦᏯ ᎠᎩᏍᏆᏂᎪᏗᏍᎩ ᎠᎴ ᎾᏂᎥᏉ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏗᏍᏆᏂᎪᏗᏍᎩ, ᏫᏥᏲᎵᎦ. ᎢᎳᏍᏓ, ᎠᏰᎵ ᎡᎯ ᎦᏚᎲ ᎠᎲ ᎠᎦᏘᏯ, ᏫᏥᏲᎵᎦ, ᎠᎴ ᏉᏓ, ᎢᏓᎵᏅᏟ.\nᎠᏆᏚᏓᎳ.\nᎤᏩᏌ ᎭᏫᏂ ᎬᏅᎢ ᎠᎴᏂᏍᎪ ᏃᎴ ᎢᎦᎵᏍᎪᎸᏓᏁᎰ ᎢᎩᎪᏩᏛᏘ.\nᎥᏝ ᎠᎴ ᎡᏃᏱ ᏱᎨᏎᏍᏗ ᎾᎿᏂ, ᎥᏝ ᎠᎴ ᏳᎾᏚᎵ ᎠᏨᏍᏙᏗ, ᎠᎴ ᏅᏙ ᎢᎦᎡᎯ ᎢᎦ ᎤᏘᏍᏛᎢ; ᎤᎬᏫᏳᎯᏰᏃ ᎤᏁᎳᏅᎯ ᎢᎦ ᏓᏘᏍᏓᏁᎭ, ᎤᏂᎬᏫᏳᎯᏃ ᎨᏎᏍᏗ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ.\nᎯᎠᏃᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᏛᏍᏆᎸᎯ ᎾᎯᏳ ᎨᏒ ᎢᏣᏚᎵᏍᎨᏍᏗ ᎢᏥᎪᏩᏛᏗᏱ ᏌᏉ ᎢᎦ ᏴᏫ ᎤᏪᏥ ᎤᏤᎵᎦ, ᎠᎴ ᎥᏝ ᏴᎨᏥᎪᏩᏛ.\nᎤᏅᏕᏨ ᏚᏳᎪᏛ ᎦᏅᏅᎢ, ᎠᎴ ᎤᎾᎴᏲᎥ, ᎤᏂᏍᏓᏩᏕᏅ ᎤᎶᏒ ᏇᎳᎻ ᏉᏌ ᎤᏪᏥ, ᎣᏏᏳ ᏧᏰᎸᏎ ᏂᏚᏳᎪᏛᎾ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎠᎫᏴᏗ,\nᎦᎵᎡᎵᎦ ᏕᎩᎾᏙᎵᏨ, ᏃᏗ ᎭᏇᏅᏍᏗ.” \nᎠᎾᎦᎱᎥᏍᎬ ᏅᏙ, ᎠᏰᎵᏒ ᏅᏙ ᏧᏟᎷᏆᏛᏍᏗ, ᎣᏍᏓ ᎠᎩᏰᎸᎲ ᏍᎩᏴ.\nᎠᎦᏴᎵ ᏗᎧᏃᏗ ᏲᎾ, ᏂᎦᏓ ᎠᏰᎸᎢ ᎠᏲᏟᎨ ᏄᏍᏛ, ᏣᏉ ᏧᎪᎳ ᏧᎦᏌᏘ ᏕᎦᏰᏌᏛ.\nᏕᎬᏩᎦᏚᏢᏅᏃ ᎤᎧᏛ ᏕᎬᏩᏂᎮᎢ, ᎬᏩᏛᏛᏍᎨ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎭᏙᎴᎰᎯ, ᎦᎪ ᏥᏨᏂᎦ?\nᎤᏍᏆᏂᎩᏗ ᏄᎵᏍᏔᏅ ᎤᏃᎮᎴ ᎠᎵᏥᏙᎲᏍᎩ.\n“ᎧᎹ! ᏏᏛ ᏔᎵ ᏕᎯᏂᏅᏌᏓ,” ᎤᏛᏁ ᏥᏍᏚ.\nᎠᎴ ᎯᎠ ᏂᏨᏪᏎᎸᎩ; ᏍᎩᎪᏩᏛᎲ ᎠᏎᏃ ᎥᏝ ᏱᏦᎯᏳᎲᏍᎦ.\nᎣᏏᏳᏍᎩᏂ ᏂᎪᎯᎸ ᎤᏣᏘ ᎢᏥᎨᏳᏗᏱ ᎣᏍᏛ ᎨᏒᎢ, ᎥᏝᏃ ᎾᎯᏳᏉ ᎢᏨᏰᎳᏗᏙᎲ ᎤᏩᏒ.\n“ᏎᎦᏨ ᏕᎯᏕᏦ ᏕᏣᏏᎳᏛ.”\nᎠᎴ ᎤᎬᏫᏳᎯ ᎬᏂᏛ ᎠᏓᏁᎯ ᎡᏥᎸᎩ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏕᎤᎴᏔᏅ ᎤᏓᎸᎯ ᎡᏥᎧᏁᏗᏱ;\nᎨᏴ ᏫᏥ ᎢᏣ ᎤᎾᎷᏒ ᏭᏬᎯᎶᎯᏍᏗ ᎭᏂᏨ ᎤᎨᏓᎵᏴ, ᎨᏴ ᏭᏩᏐᎯᏍᏗ ᏄᏓᎴ ᎨᏴ ᏃᎴ ᎤᏂᎵᏦᏩᏛ ᎢᏣ.\nᏧᏒᎯᏓ ᏥᏯᎥ ᏴᏫ ᏗᏘᏂᏙᎯ ᏥᏯᎥ ᎠᏥᎳ ᏓᏆᎴᎳ ᏧᎷᎯᏍᏗ.\nᏥᏌᏃ ᎬᏩᎷᏤᎸ, ᎤᏣᏘ ᎬᏩᏍᏗ ᏰᏔᏁᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᎤᏓᏅᏖᏳ ᎾᏍᎩ ᎯᎠ ᏥᏅᏘᏍᏛᏁᎵ;\nᏏᎮᎾ ᏂᎦᏓ ᎤᏩᎾᏙ ᎤᏤᎸᏍᎰ ᏩᎭᏯ\nᎤᏂᏃᏕᎾ ᏓᏂᎾᏆᏗᏍᎨᎢ.\nᎠᎴ ᎩᎶ ᏓᏓᏂᎸᎨᏍᏗ ᏌᏉ ᎾᏍᎩ ᎯᎠ ᎢᏳᏍᏗ ᎠᏲᎵ ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ.\nᎪᎨᏱ ᏏᏆ ᏂᎯ?”\nᎿᏉᏃ ᏂᎦᏛ ᎠᎾᏛ ᎤᎾᏗᏓᏁᏎᎢ, ᎠᎴ ᏚᏂᏥᏃᏍᎦᎸᎮ ᏚᏂᏨᏍᏛᎢ.\nᏃᏗ ᎤᏃᎴ ᏗᏲᏙᏗ ᏧᎾᎩᎸᏗ ᎦᎵ ᏄᎵᏍᏔᏁ ᎦᎸᎳᏗᏣ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᎾᎥᏂᎨ ᎤᏬᏍᎩᎵ ᏣᎦᏍᎪ.\nᎩᎳᏈᏴ ᏫᎩᏂᏴᏍᏗ ᎧᏁᏌᎢ ᏧᏍᏆᏴᏍᏗ ᏃᎴ ᎣᎩᎾᏗᏍᎦᎶᏗ.”\nᎠᏎᏃ ᎥᏝ ᎠᎾᏨᏍᎩ ᏥᎩ [ᎤᎾᏓᏡᎬ] ᎢᏖᎳ ᏱᎩ, ᎾᏍᎩ ᎨᏥᏛᏙᏗ ᎨᏒ ᎢᏴᏛ ᏥᏩᏂᎷᎦ, ᎾᏍᎩᏍᎩᏂ Ꮎ ᎤᎾᏓᏡᎬ ᎢᏖᎳ, ᎾᏍᎩ ᎤᏃᎯᏳᏒ ᏥᏓᏂᏍᏕᎸᏗ ᏧᎾᏓᏅᏙ.\nᎯᎠ ᎾᏍᎩ ᏥᏂᏥᏪᎠ, ᏥᎪ ᏴᏫᏉ ᎤᏓᏅᏖᏛ ᏂᏥᏪᎠ? ᎾᏍᏉᎨ ᎾᏍᎩᏯ ᏂᎦᏪᎭ ᏗᎧᎿᏩᏛᏍᏗ?\nᏃᏗ ᎭᎾᏓᏅᏍᎨ ᏐᎢ ᎤᏔᏂᏗᎨᏍᏗ ᎠᏍᏚᎲ ᏏᏆ ᏗᎦᏅᎬ.\nᎾᏍᎩᏯ ᎤᏣᏘ ᎠᏆᏚᎵᏍᎬ ᎠᎴ ᎤᏚᎩ ᎠᏋᏒᎢ, ᎾᏍᎩ ᏂᎦᎥ ᎪᎱᏍᏗ ᎠᏆᏕᎰᎯᏍᏗᏱ ᏂᎨᏒᎾ, ᏂᎦᎥᏉᏍᎩᏂ ᏂᏥᏍᎦᎢᎲᎾ ᎨᏒᎢ, ᏥᏄᏍᏙᏉ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎪᎯ, ᎦᎶᏁᏛ ᏥᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏥᏰᎸ ᎬᏗ, ᎾᏍᏉ ᎬᏃᏛ ᎨᏒ ᎠᎴ ᎠᎩᏲᎱᎯᏍᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᎩᎶ ᎤᏇᏓᎵ ᎨᏒ ᎤᏢᏈᏍᏗᏱ ᏂᎨᏒᎾ ᎾᏍᎩ ᎠᎦᏔᎲᎢ.\nᏥᏌᏃ ᎤᏓᏅᏎ ᏚᏘᏅᏎ ᎬᏩᏍᏓᏩᏗᏐᎯ ᎥᏓᎵ ᏭᏂᎶᏎᎢ; ᎤᏂᏣᏘᏃ ᎬᏩᏍᏓᏩᏛᏎᎢ, ᎤᏓᏳᏂᎶᏒᎯ ᎨᎵᎵ, ᎠᎴ ᏧᏗᏱ,\nᎤᎵᏍᎨᏛ ᎠᎩᏰᎸᎲ, ᎯᏍᎩ ᎢᏧᏓᎴᎦ ᎠᏆᏛᎦᏅ ᏄᎵᏍᏔᏂᏙᎸ, ᎨᏍᏗ ᏧᏐᏴᎭ ᏱᎨᏎ, ᎠᏉᎵᏨ ᏥᏳᎪᏗ ᏄᎵᏍᏔᏅ.\nᎤᏟᏍᏔ ᎠᏇᏅᏒ Cranshaw, ᎠᏆᏛᎦᎾ ᎤᏂᎩᏒ ᎤᎩᏓᏟᏅᏯ, ᏥᏩᏛᎲ ᎨᎵ ᎤᏂᎦᎸ ᎧᏁᏌᎢ ᎦᏟᏅᎥᏍᎬ ᎤᏂᎾᎥ, ᎠᏂᎱᏣ ᎠᎾᏨᏏᏰᏍᎬ, ᎠᏫᏌᏅ ᎨᏍᏗ ᎣᏍᏓ ᏯᏛᏍᎨ, ᎤᏂᏅᎫᎯᏍᏗ, ᏩᎩᎦ, ᎢᏯ, ᎬᎩᏍᏗ, ᎤᏍᏗ ᎤᏬᏰᏅ ᏂᎬᎸ, ᎦᏄᎸ ᎠᏓᏔᏍᎩ ᏥᏆ ᎤᎾᎵᏍᏔᏴᏗ ᎠᏙᏩᏗᏍᏗᏍᎬ ᎠᏫᏌᏅ.\nᎾ-ᏍᎩᏂ ᎨᏥᏯᏅᏛ ᏥᎩ, ᎢᏧᎳᏉ ᎠᏂᏧᏏ ᎠᎴ ᎠᏂᎪᎢ, ᎦᎶᏁᏛ ᎤᏁᎳᏅᎯ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎠᎴ ᎠᏏᎾᏌᏂᏳ ᎨᏒ ᎤᏂᏰᎸᎯ.\nᎭᎾ ᎢᏣ ᏖᏏᏒ.\nᏍᎩᏴ ᎤᏕᏘᏴᏌᏗᏒ ᏦᎯᏍᏙᏗ ᏗᎾᎿᏬᏍᎩ ᎠᎾᏘᎨ ᎠᏂᎨᏯ ᏃᎴ ᎦᏲᏟ ᎤᎾᏓᏂᎵᎨᎢ - ᎬᏂᎨᏒ ᏂᏓᏅᏁᎲ ᏗᏂᏅᏗ.\nᎤᏓᏅᏖᎸ ᏍᎦᏰᎬᏍᏓ ᏧᏗᎦᎴᏲᏗ ᎠᏂᏍᎦᏯ, ᎢᎦᏓ ᏗᎭᏦᏴ ᏚᎾᏘᏅᏒ ᎤᏂᏍᎦᏅᏨ, ᎯᏍᎩᏉ ᏃᏥᎥ ᏦᏥᏩᏘᏍᎩ ᏣᎵ ᏧᏤᎵ ᏴᏫ.\nᎿᏉᏃ ᎦᏃᎸᎥᏍᎬ ᎤᏂᏴᎲ ᏥᏳ, ᎠᎴ ᎾᏍᎩ ᎤᏄᎸᏅ ᎤᏃᎴ ᏧᎦᏛ ᏭᎶᎯᏍᏗᏱ ᎤᏁᎳᎩ ᎧᏄᎯᏎᏍᏗ ᎣᎨᎵᏒᎩ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸ ᎤᏄᎪᏤᎢ, ᎠᎴ ᎤᎪᎮ ᎠᏕᎸ ᎠᎩᏏᏙᎯ ᎵᏫ ᏧᏙᎢᏛ, ᎤᏪᎴ ᎠᏰᎵ ᎡᎯ ᎠᏕᎸ ᎠᎫᏴᏗᏱ; ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏍᎩᏍᏓᏩᏚᎦ.\nᎤᏍᎦᏃᎵ ᎤᏏᏃᎴ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ ᏏᏆ ᎤᏴᏍᏗ ᎾᎥ ᏃᎴ ᎤᎴᏫᏍᏔᏁ.\nᎾᎿᏃ ᎤᏂᏅᏅᎩ ᏥᏌ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎠᏂᏧᏏ ᎤᎾᏧᏏ ᎤᎾᏤᎵᎦ ᎠᏛᏅᎢᏍᏙᏗᏱ ᎢᎦ ᎨᏒᎢ; ᏗᏓᏂᏐᏗᏱᏰᏃ ᎾᎥᏉ ᎨᏒᎩ.\n“ᎨᏍᏗ ᏥᎾᏆᏟᏂᎬᎬ ᏯᏆᏟᏂᎬᎦ ᎯᎪᎢᏳᎳ.\nᎤᏌᎨ ᎢᏳᏍᏗ ᎤᏬᏂᏎ ᎠᏎᏃ ᎤᏓᏅᏘ.\nᎨᏍᏗᏰᏃ ᏚᏳᏂᏍᏗ ᎤᏂᎦᎾᏍᏓ ᎢᏳᏍᏗ ᏱᎩ ᎢᎯ.\nᏂᎯ ᎡᎶᎯ ᎠᎩᎷᎯᏍᏗᏱ ᏍᎩᏅᏏᏛ ᏥᎩ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏴ ᎡᎶᎯ ᎦᏥᏅᎵ ᎾᏍᎩ.\nᎩᎳ ᏧᎾᏙᎣᏒ ᏧᏆᎶᎦ ᎦᎳᎨᏴ ᎠᎾᏓᏏᏎ ᎤᎾᎵᏍᎩᏛ, ᎣᎭᏂ ᎤᎾᏕᏅ ᏗᏂᏂᎨᏅ ᎢᎦᏘ ᎦᎳᎨᏴ.\nᎠᏴᏰᏃ ᎢᎪᎯᏳᏅᎯ ᎨᏒ ᎢᏗᏴᎯᎭ ᎠᏣᏪᏐᎸᏍᏙᏗᏱ ᎨᏒᎢ; ᎾᏍᎩᏯ ᏄᏪᏒᎢ, ᎾᏍᎩᏯ ᎠᏆᏎᎵᏔᏅ ᎠᎩᏔᎳᏬᏍᎬᎢ, ᎾᏍᎩ ᎤᏂᏴᏍᏗᏱ ᏂᎨᏒᎾ ᎨᏒ ᎠᏆᏤᎵ ᎠᏣᏪᏐᎸᏍᏙᏗᏱ ᎨᏒᎢ; ᎠᏍᏆᏛᎯᏍᎩᏂᏃᏅ ᎨᏒᎩ ᏕᎦᎸᏫᏍᏓᏁᎸ ᎡᎶᎯ ᏧᏙᏢᎤ ᎤᏓᎬᏩᏓᎴᎤᏛ.\nᎾᏍᎩ ᏂᎦᏑᏰᏐᎢ ᏧᏪᏥ ᎢᎬᏁᏗᏱ ᎠᎬᏗᏍᎬ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩᏯ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒᎢ.\nᏆᎴᏗᏃ ᏔᎵᏁ ᎤᏛᏛᏁ ᎯᎠ ᏄᏪᏎᎢ; ᏝᏍᎪ ᎪᎱᏍᏗ ᏯᏗᎭ? ᎬᏂᏳᏉ ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᎠᏂᏃᎮᎭ ᎨᏣᏡᏗᎭ.\nᎢᎪᎯᏍᏓᏁᎯᏰᏃ ᎾᏍᎩ, ᎢᏧᎳ ᏌᏉᏉ ᎢᎬᏁᎸᎯ, ᎠᎴ ᎤᏲᏍᏔᏅᎯ ᎢᎦᏓᏓᎴᏗᏍᎩ ᎠᏐᏴᎢ;\nᎧ ᏤᏍᏗ ᏱᏍᏆᏘᏲᏍᏗᏍᎨᏍᏗ ᏃᎴ ᏫᏢᎾ!”   \nᏒᎦᏔ ᎢᏈᎬᎢ ᎯᎠ ᎢᏄᏪᏎᎴᎢ, ᎥᎥ, ᏃᏊᏃ ᎠᏇᏆᏨᎢ ᏒᎦᏔ ᎢᏈᎬᎢ ᎯᎠᏃ ᏓᎶᏂᎨ ᏒᎦᏔ ᎠᏃᏍᏓ ᎠᏎᏃ Ꮭ ᎢᎸᎯᏳ ᏱᎦᏥᏴᎨᏳ Ꮎ ᎢᎬᏱᎢ ᏒᎦᏔ, ᎾᏍᎩ ᎤᏁᏝᏅᎯ ᎩᎦᎨᎢ ᎢᏳᏩᏁᎸᎢ ...\nᎤᏳᏩᏅ ᏗᏂᏲᏟ ᎤᎾᎭᎾᏬᏍᏙᏗ ᎫᏔᏅ.\nᏐᏁᎳ ᎢᏳᏩᏂᎸ, ᎤᎷᏤ ᎡᎶᏗ ᎤᏤᎵ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ ᎠᎾᏓᎪᎾᏗᏍᎬᎢ ᏃᎴ ᏫᎵᎻ ᎤᏴᏍᏗ ᎾᎥᏂ ᎤᎴᏫᏍᏔᏁᎢ.\nᎢᏳᏃ ᎩᎶ ᏳᎪᎲ ᏗᎾᏓᏅᏟ ᏳᏍᎦᏅᏨ ᎠᏲᎱᎯᏍᏗ ᏂᎨᏒᎾ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏔᏲᎯᎮᏍᏗ ᎠᎴ ᎠᏎ ᎬᏂᏛ ᏓᏰᏥᏁᎵ ᎠᏲᎱᎯᏍᏗ ᏂᎨᏒᎾ ᎤᏂᏍᎦᏅᏨᎯ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ. ᎡᎭ ᎠᏍᎦᏅᎢᏍᏗ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎥᏝ ᎠᏔᏲᎯᎮᏍᏗ ᎾᏍᎩ ᎠᏥᏙᎵᏍᏗᏱ ᏱᎦᏗᎭ.\nJenny ᎣᏍᏓᏟᏃᎮᏍᎬ ᏫᏚᏯᏪᏣ Michael.\nᎤᏍᎦᎢᏓᏉ ᏄᏍᏛ ᎤᎧᏛ, ᏯᎦᏔᎲᎾ ᏧᏓᎴᏅᎲ ᎠᏥᏍᏛᏅ.\n[ᏍᏗᏫᏃ] ᎯᎠ ᏄᏪᏎᎢ; ᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ ᎠᎴ ᏗᎩᏙᏓ, ᎢᏣᏛᏓᏍᏓ. ᎤᏁᎳᏅᎯ ᎠᏥᎸᏉᏗ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᎢᎩᏙᏓ ᎡᏆᎭᎻ ᎾᏍᎩ ᎾᎯᏳ ᎺᏌᏆᏕᎻ ᏤᎮᎢ, ᎠᏏᏉ ᎨᎳᏂ ᎾᏁᎳᏗᏍᎬᎾ ᏥᎨᏎᎢ;\n”ᎯᎦᏔᎭᏗ,” ᎤᏛᏁ ᎤᎵᏍᎨᏓ ᎦᏬᏂᏍᎩ, ”ᎢᎪᎯᏓ ᏂᎨᎵᏍᎪ ᎣᎯᏍᏙᏗ ᎢᏗᎾᏌᎥ ᏍᎩᎾᎾ ᏏᏆ.\nᏥᎪᏃ ᎭᏓᏅᏖᏍᎬ ᏂᎯ ᏴᏫ, ᎾᏍᎩ ᏚᎪᏓᏁᎯ ᏥᎩ ᎾᏍᎩ ᎢᏯᎾᏛᏁᎯ, ᎠᎴ ᎾᏍᎩᏯ ᎢᎭᏛᏁᎯ ᏥᎩ, ᏔᏚᏓᎳᎡᎵ ᎤᏁᎳᏅᎯ ᏧᏭᎪᏙᏗ ᎨᏒᎢ?\nᎾᏍᎩᏃ ᎿᏉ ᎯᎠ ᎠᏲᎩ ᎨᏒ ᎠᏲᎩ ᏂᎨᏒᎾ ᎨᏒ ᎤᏄᏬᏍᏔᏁᏍᏗ, ᎠᎴ ᎯᎠ ᎾᏍᎩ ᎠᏲᎱᏍᎩ ᎠᏲᎱᏍᎩ ᏂᎨᏒᎾ ᎨᏒ ᎤᏄᏬᏍᏔᏁᏍᏗ, ᎿᏉ ᏄᎵᏍᏔᏁᏍᏗ ᎯᎠ ᎢᎦᏪᏛ ᎨᏒ ᏥᎪᏪᎳ, ᎠᏓᎵᏁᎯᏗᏍᎩ ᎨᏒ ᎤᎩᏐᏅ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ.\nᎢᏳᏍᎩᏂ ᎦᎶᏁᏛ ᎢᏥᏯᎡᏍᏗ, ᎠᏰᎸ ᎤᏙᎯᏳᎯ ᎤᏲᎱᏒᎯ ᎠᏍᎦᏂ ᏅᏗᎦᎵᏍᏙᏗᎭ; ᎠᏓᏅᏙᏍᎩᏂ ᎬᏃᏛ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ.\nᎯᎠ ᏄᏂᏪᏎᎢ; ᏗᏓᏍᏚᏗᏱ ᎤᏙᎯᏳᎯ ᎣᎩᏩᏛᎲ ᎤᎵᏂᎩᏗᏳ ᎠᏍᏚᎲᎩ, ᎠᎴ ᎠᏂᎦᏘᏯ ᎠᏂᏙᎾᎥ ᏙᏱᏗᏢ ᎦᎶᎯᏍᏗᏳᎶᏗ, ᎠᏎᏃ ᎣᎩᏍᏚᎢᏒ ᎥᏝ ᎩᎶ ᏲᏥᏩᏛᎮ ᏱᏯᎡᎢ.\nᎦᎪᏰᏃ ᎤᏟ ᎠᏥᎸᏉᏗᏳ, ᎠᎵᏍᏓᏴᎲᏍᎩ ᎠᏃ ᎠᏓᏍᏕᎸᎯᏙᎯ? ᏝᏍᎪ ᎾᏍᎩ Ꮎ ᎠᎵᏍᏓᏴᎲᏍᎩ? ᎠᏴᏍᎩᏂ ᎢᏨᏰᎳᏗᏙᎭ ᎠᏓᏍᏕᎸᎯᏙᎯ ᎾᏍᎩᏯᎢ.\nᏙᏳ ᎠᏉᏚᎯ ᎯᎧᏔᎭ.”\nᏉᎳᏃ ᎠᎩᎳᏫᏍᏗᏱ ᎤᎷᏨ ᎠᏂᏯᏫᏍᎩ ᎬᏩᏅᏒᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎬᏍᎦᎢᏍᏓᎩ ᎾᎾᏛᏁᎲ ᎤᏂᏣᏘ.\nᎾᏉᏗ ᏓᏯᎢ.\nᏇᏣᏱᏗᏃ ᏭᎷᏤᎢ; ᏗᎨᏫᏃ ᎠᏍᎦᏯ ᎬᏩᏘᎣᎮᎴᎢ, ᎠᎴ ᎤᏂᏔᏲᏎᎴ ᎾᏍᎩ ᎤᏒᏂᏍᏗᏱ.\nᏂᎪᎯᎸ ᏑᎾᎴ ᏳᏗᏛᎭᏉ, ᎠᏙᎥᏗᏍᎨ ᎤᏅᏗ, ᎤᏯᏤᏗ ᎠᎧᏁᏍᎨ ᏴᏤᏂ.\nᏩᏏᏓᏂ ᎦᏚᎲ ᎠᎾᏁᏍᎨᏍᎬ, ᏌᏬᏚ ᎠᎼᏱ ᎨᏴ ᎾᎥ, ᎦᏲᏟᏉ ᎠᎹ ᎡᏉ ᎦᎸᎳᏗᏣ, ᎠᏰᎵᏋ ᎢᎬᏓ ᎦᏚᎲ ᏓᏓᏌᎳᏗᏍ, ᎦᏲᏟ ᏧᏗᎦᎴᏱᏛ ᏧᏔᏂᏛ ᏧᏂᎳᏫᎢᏍᏗ, ᎨᏍᏗ ᎠᏕᎶᎰᎯᏍᏗ ᏱᎨᏎ ᎢᏧᏅᏃᎰᏅᏱ ᎠᎴ ᏧᏲᏨ.\nᎣᏏᏳᏰᏃ ᎤᏰᎸᏅ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎠᎴ ᎠᏴ ᎣᏏᏳ ᏍᎩᏰᎸᏅ, ᎪᎱᏍᏗ ᏗᏨᏯᏰᏅᏙᏗᏱ ᏂᎨᏒᎾ, ᎯᎠ ᎤᏩᏒ ᎾᏍᎩ ᎠᏎ ᎢᏯᏛᏁᏗ ᏥᎩ;\nᎾᏂᎥ ᎤᎾᏓᏅᏘ ᏫᎨᏥᏲᎵᎭ, Ꮀ ᎤᎬᏫᏳᎭ ᎾᏍᎩ Ꮎ ᏏᏌ ᏚᏓᏘᎾᎥᎢ.\n ᎤᏟᏂᎩᏓ ᎠᏟᏰᎵ ᎠᎹ, ᏓᏣᎾᏌᎾᎩᏏ ᎠᏔᎴᎦᏒᎢ!\nᎤᏪᏥᏍᎩᏂ ᎯᎠ ᏂᎦᏪᏎᎭ, ᏣᏤᎵ ᎦᏍᎩᎸ, ᏣᏁᎳᏅᎯ, ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸ ᏂᎬᏩᏍᏗᏉ; ᎠᏙᎳᏅᏍᏗ ᏚᏳᎪᏛ ᎠᏛᏁᏙᏗ ᎾᏍᎩ ᎠᏙᎳᏅᏍᏗ ᎪᎱᏍᏗ ᏨᏗᎭ ᎾᎿ ᏣᎬᏫᏳᎯ ᎨᏒᎢ.\nᎠᏏᏉ ᎾᏍᎩ ᏂᎦᏪᏍᎨᎢ ᎤᎶᎩᎳᏕᎢ ᎠᎴ ᎤᏄᏢᏔᏁᎢ; ᎠᎴ ᎤᏂᏍᎦᎴ ᎤᏂᏄᏴᎸ ᎤᎶᎩᎸᎢ.\nᎤᎵᎪᎲᏍᏗ ᏅᏙ ᎤᎷᏨ.\nᎢᎦᏛᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᎠ ᎾᏍᎩ ᎦᎶᏁᏛ. ᎠᏎᏃ ᎢᎦᏛ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏥᎪ ᎦᎶᏁᏛ ᎨᎵᎵ ᏅᏏᏳᎾᏄᎪᎢᏍᏗ?\nᎿᏉᏃ ᎤᏂᏁᏒᎩ ᏥᏌ ᎠᏰᎸᎢ ᎠᎴ ᏙᎴᏛ ᎠᏄᏬ ᎤᏂᏣᏄᎶᏔᏅᎩ, ᎠᎴ ᎾᏍᏉ ᏗᎦᏩᏒᎩ ᏚᏂᏣᏄᎳᏅᎩ, ᎾᏍᎩᏯ ᎢᏳᎾᏛᏁᏗ ᎨᏒ ᎠᏂᏧᏏ ᏓᎾᏓᏂᏌ.\nᏓᏆᎴᎳ ᏭᎩᎸᏁ ᏃᎴ ᎠᎵᏥᏙᎲᏍᎩ ᏧᏪᏅᏒ ᏭᎷᏤ.\nᏙᎠᏆᏛᏁᏗ ᎠᏆᎴᏅᏗ?”\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᏣᎸᏃᏘᏉ. ᎠᏎᏃ ᎤᏍᏓᏱᏕᏉ ᎧᏁᎬᎢ, ᎤᏙᎯᏳᎯ ᎾᏍᎩ ᏄᏍᏗ, ᎤᏛᏁᎢ. ᎯᎠᏃ ᏄᏂᏪᏎᎢ; ᏓᎧᎿᏩᏗᏙᎯᏉ.\nᎩᎦᎨ ᎩᎦ ᎤᏁᎲ.\nᎦᎪ Ꮎ ᎡᎶᎯ ᎠᏎᎪᎩᏍᎩ ᎢᏳᏃ ᎾᏍᎩ ᏂᎨᏒᎾ ᏱᎩ ᎾᏍᎩ Ꮎ ᎪᎯᏳᎲᏍᎩᏥᏌ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏒᎢ?\nᎠᏥᏅᏏᏓᏍᏗᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏍᎩᏅᏏᏙᎯ, ᏂᏣᏪᏒ ᎾᏍᎩᏯ ᏂᎦᏛᎦ, ᎠᏏᏉᏃ ᎤᏜᏅᏛ.\nᏣᏁᎳ ᏕᎦᏅᏌᏛ ᏚᎷᏫᏍᏔᏁᎮ ᏚᏍᏕᎵᏍᎬ.\nᎦᏙᏃ ᏥᏄᏍᏗ ᏥᏂᎦᏛᎦ?”  \n“Ꭵ, ᎤᏙᏳᎯ, ᎢᎪᎯᏓ ᎤᏲᏏᏍᎪᎢ.”\nᏍᏈᏍᏔ ᎩᎦ ᏄᏍᏖ ᏧᏬᏗᎨ ᏧᏆᎶᎬ, ᎠᏌᎻᏓ ᎤᎩᎸ ᎢᏣ ᎤᎾᎦᏯᎲᏎ ᎠᏂᏍᎦᏯ ᎦᎷᏯᏍᏘ ᏗᏂᏁ.\nᏧᎬᏩᎶᏗᏰᏃ ᎡᏥᏩᎯᏍᏔᏅᎯ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎡᏥᎸᏉᏗᏍᎨᏍᏗ ᎤᏁᎳᏅᎯ ᎢᏥᏰᎸ ᎢᏨᏗᏍᎨᏍᏗ, ᎠᎴ ᏗᏣᏓᏅᏙ ᏕᏨᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᏥᎩ.\nᏗᎤᎷᏨᏃ ᏚᏩᏛᎮ ᏔᎵᏁ ᎠᏂᎵᎾᎡᎢ, ᏗᏂᎦᏙᎵᏰᏃ ᏗᎦᎨᏗᏳ ᎨᏎᎢ.\nᎾᏍᎩᏃ ᏄᎾᏛᏁᎴᎢ, ᎠᎴ ᏂᎦᏛ ᎤᎾᏅᏗᏱ ᏂᏚᏅᎴᎢ.\n”ᎦᏓᏅᏖᏍᎬ,” ᎤᏛᏁ ᎧᏅᏂᏍᎩ, ”ᎢᏳᏍᏗᏉ ᎤᏃᎯᏳᏗ ᏴᏫ.”\nᎢᏳᏃ ᏯᏆᏛᏅᎢᏍᏔᏁᏅ ᎢᏥᏴᏍᏗᏱ, ᏔᎵᏁ ᏛᏥᎷᏥ ᎠᎴ ᎠᏋᏒ ᎠᏉᎸ ᏙᏓᏨᏯᏓᏂᎸᏥ, ᎾᏍᎩ ᎠᏴ ᎨᎥ ᎾᏍᏉ ᎾᎿ ᎢᏣᏕᏗᏱ.\nᎩᎶ ᏗᎾᏓᏅᏟ ᎠᏍᎦᎩ ᏱᎩ ᎾᏍᎩ ᏴᏫ ᎠᎯᎯ; ᎢᏥᎦᏔᎭᏃ ᏴᏫ ᎠᎯᎯ ᎬᏂᏛ ᏄᏪᎲᎾ ᎨᏒᎢ.\nᎤᏅᏗ ᎠᎧᏓᏢᎩᏓ, ᏣᏄᏏ ᎤᏑᎸᏓ ᎨᎵᏍᎩ, ᏄᎾ ᏗᎬᏣᏝᏅ, ᎠᎦᏅ ᎦᏅᎵᏰᏗ, ᏒᎧᏔ ᎨᎵᏍᎩ, ᎦᏚ ᎤᎦᎾᏍᏓ ᏃᎴ ᏧᏓᎴᏅᏓ ᎤᏂᏑᎸᏓ.\nᎲᎦ ᏧᏒᎯᏓ ᎩᎳ ᏛᏯᏛᏂ?” ᏚᏂᏃᎩᏎ ᏔᎳᏚ.\nᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᏧᎦᏴᎵᎨ ᎯᎠ ᏄᏂᏪᏒ; ᎿᏉ ᎤᏛᎾ, ᎤᏩᏒ ᎡᏣᏛᏛᎲᎦ.\n“ᏕᎦᏂᏱᏣ, ᏓᏂᏏᎾᏔᏅ Ꭿ -“\nᎢᎦᏛᏃ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎢᎳᏯ ᎯᎠ. ᎢᎦᏛᏃ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎠᏙᎴᎰᏍᎩ ᎯᎠ, ᎠᎴ ᎩᎶ ᎠᎾᏙᎴᎰᏍᎩ ᎨᏒ ᎾᏍᎩᏯᎢ.\nᏥᎦᏔᎭ, ᎠᎴ ᎠᏉᎯᏳᏗ ᎾᏋᏁᎸ ᎤᎬᏫᏳᎯ ᏥᏌ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎤᏩᏒᏉ ᎨᏒ ᎦᏓᎭ ᏂᎨᏒᎾ ᎨᏒᎢ; ᎩᎶᏍᎩᏂ ᎪᎱᏍᏗ ᎦᏓᎭ ᎠᏰᎸᏍᎩ, ᎾᏍᎩ ᎦᏓᎭ ᏄᎵᏍᏓᏁᎰᎢ.\nᎦᎵᏬᎨ, ᎠᏎᏃ ᎦᏲᏟ ᏄᏟᏂᎬᎨ ᏰᎵ ᎤᏓᏅᏍᏗ.\nᎠᎦᏛ ᎧᏂᎬᎬ ᏍᎩᎾᎾ ᎤᏰᎸᏗ.\nᎠᎴ ᎦᎵᏉᎩ ᎾᏂᎥ ᎤᏂᎬᏫᏳᎯ; ᎯᏍᎩ ᎢᏯᏂᏛ ᎤᎾᎵᏛᏔᏅ, ᎠᎴ ᎠᏏᏴᏫ ᎡᎭ, ᏐᎢᏃ ᎥᏝ ᎠᏏ ᏱᎦᎾᏄᎪᎦ; ᎠᎴ ᎦᎷᏨᎭ ᏝᎦ ᎤᏕᏗ ᎨᏎᏍᏗ.\n”ᏙᏱᏨ ᏱᎨᏙ, ᎭᏫᏂ ᎤᏩᏌ ᎬᏇᏅᏍᏗ,” ᎤᏛᏁ.\nᎠᏂᏫᏅᎨᏌᏂᏍᎩᏂ ᏧᏃᏑᎶᏨᎯ ᎩᏲᎢᏎᎮᏍᏗ; ᎢᏳᏰᏃ ᏄᎾᏁᎸᎾ ᏂᎦᎵᏍᏓ ᎠᏁᎲ, ᎦᎶᏁᏛᏃ ᎤᏁᎳᎩ ᎠᏁᎳ, ᎿᏉ ᎤᎾᏚᎵᏍᎪ ᏧᎾᏨᏍᏗᏱ,\nᏧᏙᏓᏋᏓ ᎡᎳᏗ ᏄᏩᏁ ᎠᏍᎪᎵ ᎧᏅᏂᏍᎩ, ᎠᎦᏘᏰᎢ ᎤᎷᏤᏗ ᎠᏓᏅᏖᎸ.\nᎤᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎾᎯᏳᏉ ᎤᎾᏁᎶᏔᏁ ᎤᏂᏂᏴᏗᏱ, ᎠᏎᏃ ᏚᏂᏍᎦᎴ ᏴᏫ; ᎤᎾᏙᎴᎨᏎᏰᏃ ᎾᏍᎩ ᎯᎠ ᏚᏟᎶᏍᏔᏅ ᎤᏅᏒ ᎨᏥᏛᎬᎢ.\nᎡᎵᏍᏗ ᏯᎾᏓᏅᏖ ᎨᏥᏍᏗ ᏯᏗᎭ, ᎨᎵᎠ ᎤᏙᎯᏳᎭ.\nᎠᎦᏔᎯᏳᏰᏃ ᎨᏒᎩ ᎾᏍᎩ Ꮎ ᎤᎶᏄᎮᏍᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ, ᎥᏝ ᏂᏥᎥ ᎢᏣᏓᏅᎦᎸᏛ ᏱᎩ, ᎤᏛᏅᎩ.\nᎤᎴᏐᏛ ᎤᏬᏗᎨ ᎩᏟ ᏚᎴᏅ ᏃᎴ ᎤᏕᎭᏯᎸ ᎾᎥᏂᎨ ᏭᎷᏨ ᎠᏓᏪᎳᎩᏍᎬ.\nᎯᎠᏗ ᏱᏂᏥᏫ, ᎤᏐᏱ ᏄᏂᏍᏆᏂᎩᏗ ᎧᏅᏂᏍᎩ ᏃᎴ ᏏᏆ ᏄᏍᏛᎢ ᎮᏂᎵ ᎤᎵᏲᏗ.\nᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᎬᏩᎦᏘᏯ ᎠᏆᏓᏙᎵᏍᏗ ᎨᏒ ᏰᎵᏉ ᎨᏣᎵᏍᏕᎸᏙᏗ; ᎠᏆᎵᏂᎬᎬᏰᏃ ᎤᎧᎵᏨᎯ ᎢᎬᏁᎸᎯ ᎾᎿ ᏩᎾᎦᎳ ᎨᏒᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏣᏘ ᎠᏆᎵᎮᎵᏨᎯ ᎤᏟ ᎠᎩᏰᎸᎭ ᎠᏆᏢᏈᏍᏗᏱ ᏥᏩᎾᎦᎵᏳ ᎨᏒᎢ, ᎾᏍᎩ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎦᎶᏁᏛ ᎠᏊᏢᏙᏗᏱ.\nᎭᏂ ᎣᏍᏓ ᎣᎩᏰᎸᎭ, ᏃᎴ ᏂᎯ ᏍᏉ ᎣᏍᏓ ᎢᏨᏰᎸ.\nᎠᏎᏴᏃ ᎤᏟᎶᎥᎩ ᎠᏍᎪᎯᏧᏈ ᏅᎦᏍᎪᎯ ᏅᎩᎦᎵ ᎢᏯᎩᏳᏍᏈᏛ ᎤᏟᎶᎥᎩ, ᎾᏍᎩ ᏴᏫ ᎤᏟᎶᏍᏗ ᎢᎦᏅᎯᏛ, ᎾᏍᎩ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏟᎶᏍᏗ.\nᎾᎿᏰᏃ ᏫᏥᎲ ᏧᎬᏩᎶᏗ, ᎾᎿ ᎾᏍᏉ ᏫᏓᎮᏍᏗ ᏗᏥᎾᏫ.\nᎠᏏᏉᏃ ᏂᎦᎷᎬᎾ ᏥᎨᏎᎢ, ᏣᏂ ᏧᎵᏥᏙᏁᎸᎯ ᎨᏎ ᎾᏂᎥ ᏴᏫ ᎢᏏᎵ, ᏧᏃᎮᎮᎸᎯ ᎨᏎ ᏗᏓᏬᏍᏗ ᎨᏒ ᎦᏁᏟᏴᏍᏗ ᎣᏓᏅᏛ ᎤᎬᏩᎵ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏎ ᎢᏦᎯᏳᏗ ᎨᏎᏍᏗ, ᎥᏝ ᎤᏓᏍᏛᏗᏍᏗᏉ ᎨᏒ ᎢᏳᏍᏗ, ᏦᏓᏅᏛᏍᎩᏂ ᎾᏍᏉ ᎣᏎᎮᎲ ᎢᏳᏍᏗ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏠᎨᏏ ᎤᏣᎴᏍᏗ ᏓᏫᏒ ᎤᎶᏎ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ; ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᎾᎴᏅᎮ ᎠᎾᎢᏒ ᎤᏂᏍᎫᏕᏍᏔᏅᏎ ᎤᏣᎴᏍᏗ.\nᏍᏓᏯ ᏚᎧᏔᏍᏔᏁᎢ, ᏭᏓᎾᏫᏛᎮ.\nᎾᏍᎩᏃ ᎢᏳᎩᎶ ᎠᎪᎾ ᎤᏲᏏᏍᎨᏍᏗ, ᏧᏪᏅᏒ ᎠᎵᏍᏓᏴᎲᏍᎨᏍᏗ; ᎾᏍᎩ ᏕᏥᎳᏫᎩ ᎢᏥᏍᎦᏅᏨ ᏗᏧᎪᏓᏁᎯᏉ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎨᏒᎾ. ᏭᏃᏒᏃ ᎣᏍᏛ ᏂᎬᏁᎸᎭ ᏫᏥᎷᏨᎭ.\nᏂᎪᎯᎸ ᏥᏯᎵᎡᎵᏤᎰ ᎤᏁᎳᏅᎯ ᎠᏆᏤᎵᎦ, ᏂᎯ ᎨᏒ ᎢᏳᏍᏗ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ ᎡᏥᏁᎸᎯ ᏥᎩ.\nᎠᎴ ᏅᏩᏓᎴ ᏗᎧᎿᏩᏗᏙᎯ ᎤᎷᏨᎩ ᎠᎴ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎤᎴᏅᎩ, ᎠᏰᎲᎩ ᎠᏕᎸ-ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎠᏜ ᎦᏩᏒᎩ ᎠᎪᎲᏍᏙᏗᏱ; ᎤᏣᏘᏃ ᎠᏥᏁᎸᎩ ᎠᏜ ᎦᏩᏒᎩ ᎾᏍᎩ ᎤᎵᏍᎪᎸᏙᏗᏱ ᎤᏠᏯᏍᏙᏗᏱ ᎠᎾᏓᏙᎵᏍᏗᏍᎬ ᏂᎦᏛ ᎤᎾᏓᏅᏘ, ᎾᎿ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎠᏕᎸ-ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎦᏍᏗᎸ ᎢᎬᏱᏗᏢ ᏥᎦᎧᎭ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏛ ᎤᎪᎲ ᎠᏥᎸᏳᎶᏗ ᎤᏬᎸᎢ, ᎠᎴ ᎤᏯᏅᏒᎯ ᏚᎧᎿᏅ, ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᎠᏍᎦᏯ ᎾᏍᏉ ᏓᏁᏙᎲᎩ ᎾᏍᎩ.\nᏞᏍᏗ ᏱᏗᏣᏓᏥᎪᏁᎮᏍᏗ, ᎢᏴᏛᏰᏃ ᎢᏰᏨᏁᎸᎯ ᎤᏪᏘ ᏴᏫ ᏚᎸᏫᏍᏓᏁᎲ ᎬᏩᎵᏠᏯᏍᏗ;\nᎤᏂᏣᏘᏰᏃ ᎨᏥᏯᏅᏛ, ᎠᏎᏃ ᎠᏂᎩᏲᎵᏳ ᎨᎦᏑᏰᏛ.\nᏚᏳᎪᏛ ᏱᎧᏃᎮᎸ, ᎠᏋᏌ ᎠᏆᏤᎵ ᎨᏒ.\nᎠᏂᏬᏗᎨ ᏥᏔᎦ ᏃᎴ ᎫᎴ ᏗᏂᏍᎪᏂᎯ ᎤᎾᏓᏓᏍᎩᏌᎲ.\nᏂᎬᎾᏛ ᏓᏔᎴᎦᏎ ᏚᏍᎪᏒ ᏃᎴ ᎤᎶᎯᏍᏗ ᏂᏚᏩᏁ ᎰᎻ ᏚᎶᎨᏒ, ᎩᎶ ᎫᏩᎪᏩᏛᏗ ᏱᎨᏒᎾ.\nᎢᏳᏃ ᎾᏍᎩ ᏄᏍᏛᎾ ᏱᎩ, ᎦᏙ ᏛᎾᏛᏁᎵ ᏧᏂᏲᎱᏒᎯ ᏥᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᏥᏕᎨᎦᏬᏍᎪᎢ? ᎢᏳᏃ ᏧᏂᏲᎱᏒᎯ ᎠᏎ ᏧᎾᎴᎯᏐᏗ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ, ᎦᏙᏃ ᏧᏂᏲᎱᏒᎯ ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᏙᎨᎦᏬᏍᎪᎢ?\nᏒᎧᏔ ᎠᏂᏥᎸᏍᎪ ᏍᏉ. ᏩᏚᎵᏏ ᎠᏂᏃᎯᎵᏙᎰ ᏒᎧᏔ ᏕᏧᎬ ᎾᎥᏂ.\nᏍᏓᏯ ᏚᏓᏟᏴᎮ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏗᎯᏯᏍᎬ ᎠᎴᏅᏙᏗ ᎦᎶᏁᏛ ᎤᏤᎵ ᏗᏕᏲᏗ ᎨᏒᎢ, ᏂᎦᎷᎶᎬᎾ ᎨᏒ ᎢᏴᏛ ᏫᏗᏰᎢᎶᎦ; ᏔᎵᏁ ᎦᎫᏍᏛᏗ ᏂᏗᎲᏍᎬᎾ ᎦᏁᏟᏴᏍᏗ ᎨᏒ ᎣᏓᏅᏛ ᎤᎬᏩᎵ, ᎠᏓᎯᎯᏉ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏥᎩ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎪᎯᏳᏗ ᎨᏒᎢ,\nᎿᏉᏃ ᏆᎴᏗ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎡᏣᏘᎿᏫᏛ, ᎢᏨᏒ ᏗᏥᎧᎿᏩᏛᏍᏗ ᎢᏨᏓ ᎡᏥᏱᎵᏓ. ᎿᏉᏃ ᎠᏂᏧᏏ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎥᏝ ᎤᎵᏁᏨᎯ ᏱᎩ ᏴᏫ ᎣᏥᎯᏍᏗᏱ.\nᎠᎴᏬ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎤᏟ ᎠᎯᏗᏳ ᎨᎻᎵ ᎤᎦᏛᎴᎯᏍᏗᏱ ᏴᎩ ᎦᏏᏁᎾᏛᏗᏱ ᎡᏍᎦᏉ ᎤᏪᎿᎢ ᏴᏫ ᏭᏴᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎿᏉᏃ ᎯᏍᎦᏍᎪᎯᏁ ᎢᎦ ᎤᏍᏆᎸᎲ, ᏂᎦᏛ ᏌᏉ ᎢᎦᎦᏛ ᎤᎾᏓᏡᎨᎢ.\nᎿᏉᏃ ᎹᏗ ᎠᎴ ᏄᏪᏎᎸᎩ ᏥᏌ; ᏣᎬᏫᏳᎯ, ᎢᏳᏃ ᎠᏂ ᏱᎮᏙᎮᎢ, ᎥᏝ ᏱᎬᏩᏲᎱᏎ ᎥᎩᏙ.\nᏂᎦᏛᏃ ᎠᏂᏍᎩᎾ ᎬᏩᏍᏗᏰᏔᏁ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎤᏁᎳᎩ ᏏᏆ ᏗᏁᏙᎲ ᏬᏥᎶᎯ, ᎾᏍᎩ ᏫᏙᏥᏴᏏ.\nᏝᏍᎪ ᏲᎩᎭ ᎣᎦᎵᏍᏓᏴᏗᏱ, ᎠᎴ ᎣᎦᏗᏔᏍᏗᏱ?\nᏗᏙᏪᎳᏁᏗᏱᏉᏍᎩᏂ ᏧᏂᏲᎯᏍᏗᏱ ᎦᏓᎭ ᎢᏧᎵᏍᏔᏅᎯ ᎾᏍᎩ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ, ᎠᎴ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ, ᎠᎴ ᎪᎱᏍᏗ ᎬᏬᏍᏔᏅᎯ, ᎠᎴ ᎩᎬ.\nᎠᎴ ᎾᏂᎥ ᏴᏫ ᎬᏂᎨᏒ ᎢᎦᏥᏴᏁᏗᏱ ᏄᏍᏛ ᎾᏍᎩ ᎤᏕᎵᏛ ᎨᏒᎢ, ᎾᏍᎩ ᏗᏓᎴᏂᏍᎬ ᎡᎶᎯ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎬᏍᎦᎳᏅᎯ ᏥᎩ ᎤᏁᎳᏅᎯ ᎡᎲᎢ, ᎾᏍᎩ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎤᏬᏢᏅᏅᎯ ᏥᎩ ᏥᏌ ᎦᎶᏁᏛ ᎠᎬᏗᏍᎬᎢ;\nᏝᏛᏏ ᏯᏕᏠᎦᏩᏍᎦ ᎤᏪᎵᏎ ᏥᏍᏚ.\nᎢᏧᎳ ᎢᏣ ᎤᏍᏗ ᎨᏴ ᏔᎾᏏ ᏃᎴ ᏓᎦᏏᏱ ᎢᏣ ᏙᏥᏲᎦ, ᏰᎵ ᏧᏙᏓᏆᏓ ᎣᏣᎢᏒ, ᎦᏲᏟᏉ ᎢᏳᏥᎶᏓ, ᏂᎦᏓ ᎣᎩᎦᏛᎲᏍᎬ ᎤᏂᏃᎮᏛ.\nᎨᏍᏗ ᎣᏍᏓ ᏳᏰᎸᎮ ᏗᎦᏅᏏᏙ ᎠᏧᏣ ᎠᏥᏰᎸᎲ.\nᏚᏙᏓᏈᏒ ᎠᏂᏃᎯᎴᎬ ᏤᎩ ᏃᎴ ᏣᏥ, ᎠᏎᏃ ᎨᏍᏗ ᏳᏂᎸ ᎠᏫ ᏏᏅᏓ ᎤᎶᏐᏅ.\nᎦᏍᎩᎸᏃ ᎢᎬᏱᏗᏢ ᎥᏓᎸᎩ ᎠᏓᎰᏗ ᎢᏗᎬᏤᎵᏛ, ᏅᏯ ᏗᎬᎸᏌᏛ ᎾᏍᎩᏯ ᎨᏒᎩ; ᎦᏍᎩᎸᏃ ᎠᏰᎵ, ᎠᎴ ᎬᏩᏚᏫᏛ ᎾᎿ ᎦᏍᎩᎸ ᏅᎩ ᎢᏯᏂᏛ ᏗᏅᏃᏛ ᎥᎦᏥᎪᎥᎩ, ᎠᎧᎵᏬᎯ ᏓᏂᎧᏅᎩ ᎢᎬᏱᏗᏢ ᎠᎴ ᎣᏂᏗᏢ.\nᎭᏓᎾᏫᏗᏍᎩ ᎭᎵᏍᎩ! \nᏣᏂᏰᏃ ᎤᏙᎯᏳᎯ ᎠᎹ ᏓᏓᏬᏍᏗᏍᎬᎩ; ᏂᎯᏍᎩᏂ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏙᏓᏰᏣᏬᏍᏔᏂ ᎢᎸᏍᎩᏉ ᎢᏳᏒᎯ.\nᎬᏩᏟᏍᏗ; ᎢᏳᏰᏃ ᎾᏍᎩ ᏱᏄᏍᏗ ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎤᏁᎳᏅᎯ ᎡᎶᎯ ᏱᏕᎫᎪᏓᏏ?\nᏄᏓᎵᏓᏍᏛᎾ ᎾᏍᎩ Ꮎ ᎢᏣᏯᏅᏛ, ᎾᏍᏉ ᎾᏍᎩ ᎠᏎ ᏥᏅᏛᏛᏁᎵ.\nᏧᏳᎪᏗ ᏄᏪᏎᎢ ᎠᎦᏴᎵ ᎤᏃᏕᎾ---Ꮟ ᎦᏟᎮ ᎤᎾᎵᎢ.\nᎾᏍᎩ ᏂᎪᎯᎸ ᎠᎾᏕᎶᏆᏍᎪᎢ, ᎠᏎᏃ ᎥᏝ ᎢᎸᎯᏳ ᏱᏩᏂᏰᎢᎶᎯᎰ ᏚᏳᎪᏛ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ.\nᎧ, ᎦᏙᏃ ᎢᎭᏙᎯᏗᎭ? ᏔᎴᎲᎦ, ᎠᎴ ᏪᏣᏬᏣ, ᎠᎴ ᎰᏑᎵ ᏣᏍᎦᏅᏨᎢ, ᎯᏔᏲᎯᎮᏍᏗ ᎲᏗᏍᎨᏍᏗ ᏕᎤᏙᎥ ᎤᎬᏫᏳᎯ.\nᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ ᎢᏣᏛᏁᎲᎢ, ᏗᏥᎾᏫᏱ ᎣᏏᏳ ᎢᏥᏰᎸᎯ ᏕᏥᎸᏫᏍᏓᏁᎮᏍᏗ ᎤᎬᏫᏳᎯ ᏥᏁᏣᏛᏁᎰ ᎾᏍᎩᏯᎢ, ᎥᏝᏃ ᏴᏫ ᏥᏂᏕᏣᏛᏁᎰᎢ;\n“ᏔᏑᎳ ᏃᎴ ᎭᎬᏍᏉᏣ ᎡᎳᏆᏗ!” \nᎠᎧᏘᏌ ᎢᏣ ᎤᏬᏰᏂ ᎦᏁᎭ ᎦᎷᏯᏍᏘ ᎠᎧᏍᎩᏂ ᎢᏣ ᎠᏰᎳᏍᏘ, ᎪᏍᏔᏴ ᎢᏣ ᎤᏍᏉᏟ ᎤᏰᎵᏍᏙᏗ.\nᎢᎸᎯᏢᏰᏃ ᎦᎵᏉᎩᏁ ᎢᎦ ᎤᏁᎢᏍᏔᏅ ᎯᎠ ᏄᏪᏒ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎵᏉᎩᏁ ᎢᎦ ᎤᏯᏪᏐᎴ ᎤᏲᎯᏍᏔᏁ ᏂᎦᏛ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᎣᏍᏛ ᏡᎬ ᎥᏝ ᏰᎵ ᎤᏲ ᏴᎬᏓᏛᎦ, ᎠᎴ ᎤᏲ ᏡᎬ ᎥᏝ ᏰᎵ ᎣᏍᏛ ᏴᎬᏓᏛᎦ.\nᎤᎵᏍᏆᎸᏗᏃ ᎨᏒᎢ, ᎢᏓᎵᏅᏟ, ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎠᏴ ᏍᎩᏯᏅᏓᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎧᏃᎮᏛ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ ᎤᏰᎵᎯᏍᏗᏱ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩᏯ ᏥᏄᏍᏗ ᏂᎯ ᎢᏤᎲᎢ;\nᏝᏰᎾ ᎩᎶ ᏲᎩᏅᏒ, ᎤᎾᏛᏁᎢ. ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᏂᎯ ᎾᏍᏉ ᎢᏤᎾ ᏖᎸᎳᏗ ᏙᏗᏫᏒᎢ; ᏚᏳᎪᏛᏃ ᎨᏒ ᏓᏨᏯᎫᏴᎡᎵ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᏕᎬᏕᎨᏍᏗ ᎤᏙᏓ ᎠᎴ ᎤᏥ, ᎠᎴ ᎤᏓᎵᎢ ᎠᏜᏩᏍᏗᏍᎨᏍᏗ;\nᎠᏴ ᏌᏩᏂ ᏈᏓ, ᎠᎸᎾᏝᎢ ᎠᎴ ᎠᎩᏅᏏᏛ ᏥᏌ ᎦᎶᏁᏛ, ᎦᏥᏲᏪᎳᏏ ᎾᏍᎩ Ꮎ ᎨᏥᏁᎸᎯ ᏥᎩ ᎣᎩᏁᎸ ᎾᏍᎩᏯᎢ, ᎦᎸᏉᏗᏳ ᎪᎯᏳᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏅᏁ ᎤᏓᏅᏘᏳ ᎨᏒ ᎢᎦᏁᎳᏅᎯ ᎠᎴ ᎢᎩᏍᏕᎵᏍᎩ ᏥᏌ ᎦᎶᏁᏛ.\nᎢᏳᏍᎩᏂ ᎧᏁᏨᎯ ᎠᎴ ᎪᎱᏍᏗ ᏚᏙᎥ ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏣᏤᎵᎦ ᎧᏃᎮᏗ ᏱᎩ, ᎢᏨᏒ ᏗᏥᎸᏫᏍᏓᏏ, ᎥᏝᏰᏃ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏴ ᏱᏙᎦᎫᎪᏓ.\nᎤᎵᏍᎦᏰᎬᏍᏔᏁᎢ ᏌᏌ. ᏚᏅᏫᏍᏔᏁᎢ ᎢᏳᎾᏛᏁᏗ. ᏌᏌ ᎤᎵᏍᎦᏰᎬᏍᏔᏁᎢ.\nᎿᏉᏃ ᎩᎶ ᎢᏳᎾᏍᏗ ᏗᏃᏪᎵᏍᎩ ᎠᎴ ᎠᏂᏆᎵᏏ ᎤᏂᏁᏨ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏔᏕᏲᎲᏍᎩ, ᎤᏰᎸᏛ ᎣᎦᏚᎵ ᎢᏨᎪᏩᏛᏒᏗᏱ.\nᏃᏗ ᎤᎵᎪᎲᏍᏗ ᏱᎩ ᏧᎧᏎᏍᏕ ᏧᎦᏒᏍᏗ ᎤᎳᏌᎳᏙᏗ ᏕᏍᎬᎢ ᎦᎸᎾᏗᏣ.\n”ᏣᎵᎢᎨ ᏣᏚᎵᎭ, ᏫᎵᎻ?” ᎤᏛᏁ ᎪᎱᏍᏗ.\nᏕᏥᏯᎦᎿᏅ ᎠᏓᎦᏘᏕᎯ, ᎤᎵᎮᎵᏍᏗ ᏂᏚᏍᏛ ᏗᎦᏙᎵ ᏃᎴ ᎤᎦᏛ.\nᎠᏎᏃ ᎤᏚᎵᏍᎬ ᎤᏚᏓᎴᏍᏗᏱ ᎯᎠ ᏄᏪᏎᎴ ᏥᏌ, ᎦᎪᏃ ᎾᎥ ᎢᏦᎩᎾᏓᎳ?\nᎠᏎᏃ ᏌᎳᏓ ᏍᏉᏎᎮᏍᏗ.”\nᎤᏅᏌ ᎠᏁᎲ.\nᎢᏣᏅᏔᏉᏰᏃ, ᎢᏓᎵᏅᏟ, ᏙᎩᎸᏫᏍᏓᏁᎸ ᎠᎴ ᏙᎩᏯᏪᏥᏙᎸᎢ; ᏗᎬᏩᎩᏨᏗᏰᏃ ᏙᎩᎸᏫᏍᏓᏁᎲ ᏃᎦᏚᎵᏍᎬᎾ ᎨᏒ ᎢᏳᏍᏗ ᎠᏏᏴᏫ ᏂᏣᏛᏅ ᎦᎨᏛ ᎢᏲᏨᏴᏁᏗᏱ, ᎢᏨᏯᎵᏥᏙᏁᎸᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᏅᏩᏙᎯᏯᏛᏃ ᎦᏅᏅ ᎥᏝ ᎤᏂᎦᏙᎥᏒᎯ ᏱᎩ.\nᏭᏕᎭᏲᎸ ᏅᏯ ᎦᏓᏍᎬ ᎦᎸᎳᏗ ᏭᎾᎷᏒ, ᏃᏉ ᎡᎳᏗ ᏭᎶᏒ ᏗᎨᏴ ᎢᏣ.\nᎠᎾᎵᏅᏟᏃ ᎩᎳᏉ ᎢᏴᏛ ᏚᎾᏘᎾᏫᏛᎲᎩ ᏉᎳ ᎠᎴ ᏌᏱᎳ, ᏈᎵᏯ ᏒᏃᏱ ᏫᏚᎾᏘᏅᏍᏔᏅᎩ. ᎾᏍᎩᏃ ᎾᎿ ᏭᏂᎷᏨ, ᎠᏂᏧᏏ ᏧᏂᎳᏫᎢᏍᏗᏱ ᏭᏂᏴᎸᎩ.\nᏥᏌᏃ ᎤᏕᏅ ᎦᏚᏱ ᎦᏚᎲ ᏧᏗᏱ, ᎾᎯᏳ ᏤᎮ ᎡᎶᏛ ᎤᎬᏫᏳᎯ, ᎬᏂᏳᏉ ᎤᏂᎷᏤ ᏥᎷᏏᎵᎻ ᎠᏂᎦᏔᎿᎢ ᏅᏙ ᏗᎧᎸᎬ ᎢᏗᏢ ᏧᏂᎶᏎᎢ,\nᎠᏎᏃ ᏂᎯ ᎣᏏᏳ ᏂᏣᏰᎸᏅᎾ ᎥᏝ ᏯᏆᏚᎸᎮ ᎪᎱᏍᏗ ᎠᏆᏛᏁᏗᏱ; ᎾᏍᎩ ᎣᏍᏛ ᏂᏍᏆᏛᏁᎲ ᎣᏏᏳ ᏣᏰᎸᏅ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗᏱ, ᎥᏝᏃ ᎾᏍᎩ ᎠᏎ ᎢᏣᏛᏁᏗᏱ ᏂᏣᎵᏍᏓᏁᎲᎢ.\nᎯᎠᏃ ᏧᎬ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎠᏏᏉ ᎡᏆᎭᎻ ᏁᎲᎾ ᏥᎨᏒᎩ, ᎠᏴ ᏂᎨᎣᎢ.\nᏗᎦᏓᎭ ᏗᎪᏪᎵ ᏃᎴ ᏗᎿᏬ ᏧᏲ ᎤᏰᎦᎸᏔᏁᎢ, ᏃᎴ ᎪᎱᏍᏗ ᎤᏍᏆᏂᎩᏗ ᏳᏩᏛᎭ ᎭᎾᎾ ᎠᏍᏆᏂᎪᏗᏍᎨᎢ.\nᎠᏂᏲᏍᎩ ᎠᎹᏳᎸᏓ ᎾᎥᏂ ᏫᏚᏂᎧᏅ ᏣᎵ ᏃᎴ ᎠᏂᏧᏣ, ᎭᎾ ᎠᏂᏙᎾᎥ ᏱᏂᎦᏔᎲᎾ ᎢᏳᎾᎵᏍᏔᎡᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎭᏅᏓᏓ ᎾᎿ ᏗᏣᎶᎠᏒᎢ, ᎠᎴ ᎯᏁᏟᏴᎾ ᏣᏓᏅᏛᎢ, ᎠᎴ ᎢᎬᏱᏱ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏗᏣᎸᏫᏍᏓᏏ; ᎢᏳᏃ ᎾᏍᎩ ᏂᏣᏛᏁᎸᎾ ᎢᎨᏎᏍᏗ, ᏞᎩᏳ ᏓᎬᎷᏤᎵ, ᎠᎴ ᏓᏥᎧᎲᏏ ᎠᏨᏍᏙᏗ ᎦᎪᏙᏗ ᏣᏤᎵᎦ, ᎢᏳᏃ ᏂᏣᏁᏟᏴᏒᎾ ᎢᎨᏎᏍᏗ ᏣᏓᏅᏛᎢ.\nᎡᏤᎾ, ᎠᏴ ᏍᎩᎷᏥ, ᏂᎦᏗᏳ ᎠᎩᎵᏯ ᏗᏥᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎦᎨᏛ ᏗᏣᎵᏎᎯ, ᎠᏴᏃ ᏓᏨᏯᏪᏐᎸᏍᏔᏂ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏥᏍᎦᎢᎭ? ᎤᏍᏗ ᎢᏦᎯᏳᎯ! ᎿᏉᏃ ᏚᎴᏅ ᏚᏍᎦᏤ ᎤᏃᎴ ᎠᎴ ᎥᏓᎵ, ᎤᏣᏘᏃ ᎤᏓᏥᎾᏍᏛᎯ ᏄᎵᏍᏔᏁᎢ.\nᎤᎵᏍᏆᎸᏗᏃ, ᎢᏓᎵᏅᏟ, ᏅᏩᏙᎯᏯᏛᏉ ᏂᏣᏛᎿᏕᎨᏍᏗ. ᎪᎱᏍᏗ ᏂᏥᎪᎸᎾ ᎨᏎᏍᏗ, ᎤᎦᎵᏍᏗᏉ ᏕᏣᏓᏅᏖᏍᏗ, ᎤᏠᏱᏉ ᎨᏎᏍᏗ ᏕᏣᏓᏅᏛᎢ, ᏅᏩᏙᎯᏯᏛᏉ ᎢᏤᎮᏍᏗ; ᎤᏁᎳᏅᎯᏃ ᎠᏓᎨᏳᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏁᎯ ᏥᎩ, ᎢᏤᎳᏗᏙᎮᏍᏗ.\nᏙᎴᏛᏃ ᎠᏄᏬ ᎤᏂᏰᎢ, ᎠᎴ ᎤᏰᎸᎭ ᏚᎵᏘᎡᎴᎢ.\nᎤᏕᎶᎰᏍᏌ Ꮟ ᎦᏲᏟ ᎠᏥᏍᏛ ᎠᎹ, ᎤᏌᎳᏓᏁ ᏔᎷᎩᏍᎩ ᎪᏱᏅᏍᏗ ᎤᏓᏍᏚᏤ, ᏃᏗ ᎱᎵᏴᏍᎪᏳᏁ.\nᎠᏍᎦᏂ ᏧᎸᏫᏍᏓᏁᎯ, ᎠᏍᎩᎾ ᏅᏓᏳᏓᎴᏅᎯ ᎨᏐᎢ, ᏗᏓᎴᏁᏍᎬᏰᏃ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎠᏍᎩᎾ ᎠᏍᎦᏅᎪᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎬᏂᎨᏒ ᎾᎬᏁᎸᎩ, ᎤᏲᏍᏙᏗᏱ ᎠᏍᎩᎾ ᏚᎸᏫᏍᏓᏁᎸᎢ.\nᎠᏂᏐᎢ ᎠᎾᏗᏍᎨ ᎤᏲ ᎠᏆᏓᏅᏛ, ᎠᏆᏓᏂᏴ ᎠᎹᏱ ᏕᎦᏐᏍᎬ ᏃᏥ ᏧᎬ ᎭᏫᏂᏨ, ᎠᏋᏌ ᎦᏓᏅᏖᏍᎬ ᏄᏍᏛ ᎾᏆᏛᏁᎸ.\nᎠᎩᏄᎸᏅᏃ ᎠᎩᎪᏩᏛᏗᏱ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏗᎬᏩᎸᏌᏓ ᎾᏍᎩ ᎢᎦ ᎦᏛᎢ, ᎣᏤᎯ ᎬᏉᏱᏁᏅ, ᏕᎹᏍᎦ ᏩᎩᏴᎸᎩ.\nᎠᏌᎻᏓ ᎤᏚᎵᏍᎬ ᎠᎾᎦᏎᏍᏗᏍᎩ ᏧᏩᎪᏗ ᎤᎵᏨᏓᏆᏓ.\nᎠᎴ ᏧᏭᏓᎴᏍᏗᏱ ᎾᏍᎩ Ꮎ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎠᏂᎾᏰᏍᎬ ᏥᏅᏗᎦᎵᏍᏗᏍᎨ ᏓᏅᏅ ᎢᎪᎯᏛ ᏧᎾᏓᏲᏒᎯ ᏥᎨᏒ ᏕᎨᏥᎾᏝᎥᎢ.\nᎯᎠ ᏄᏪᏎᎢ; ᏥᏍᎦᏅᎩ ᏄᏍᎦᏅᏨᎾ ᎩᎬ ᏥᎦᏡᏓ. ᎯᎠᏃ ᏄᏂᏪᏎᎢ; ᎦᏙ ᎾᏍᎩ ᎠᏴ ᎣᎬᏙᏗ? ᏨᏒ ᎾᏍᎩ ᏗᏣᎸᏫᏍᏓᏏ.\nᎠᏎᏃ ᎧᏃᎮᏛ ᏂᎦᏪᏍᎬ ᎢᏣᏛᏁᎯ ᎨᏎᏍᏗ, ᏞᏍᏗᏃ ᎢᏣᏛᎩᏍᎩᏉ ᎤᏩᏒ ᏱᎨᏎᏍᏗ, ᎢᏨᏒ ᏱᏣᏓᎵᏓᏍᏗᏍᎨᏍᏗ.\nᎠᏎᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎤᏂᏃᎮᎸᎩ ᎳᏏᎳ ᎾᏍᏉ ᎤᏂᎯᏍᏗᏱ,\nᏕᎬᏩᏏᏔᏕᏃ, ᎠᎴ ᎬᏩᏂᏴᎮᎢ.\nᏑᎾᎴ ᎫᏩᎴᏅᏓ ᎠᎦᏍᎬ.\nᏚᏃᎸᏒᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎢᏥᏟᏌ ᎤᎵᎬᎭᎷᏴᎯ ᎤᏘᏴᎯ, ᏞᏍᏗ ᎪᎱᏍᏗ ᏳᏤᏬᏤᏍᏗ.\nᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏌᏩᏂ, ᏌᏩᏂ ᎬᏂᏳᏉ, ᏎᏓᏂ ᎤᏔᏲᎸ ᎠᎦᎵᏍᎪᎸᏓᏁᏗᏱ ᎢᏨᎫᏍᏙᏗᏱ ᎤᏣᎴᏍᏗ ᏣᏅᏧᏍᏗᏍᎪ ᎾᏍᎩᏯᎢ.\nᎾᏍᎩ ᎪᎱᏍᏗ ᏅᏓᏳᎵᏱᎸᏍᏙᏗᏱ ᎠᏲᎱᏒ ᏗᎴᎯᏐᏗ ᎨᏒ ᏩᏆᎵᏰᎢᎶᎯᏍᏗᏱ.\nᏣᏂᏃ ᎿᏉ ᎠᎧᎵᎢᎮ ᏧᎳᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎦᎪ ᏍᎩᏰᎵᏎᎭ? ᎥᏝ ᎠᏴ ᎾᏍᎩ ᏱᎩ, ᎠᏎᏃ ᎬᏂᏳᏉ ᎣᏂ ᏓᏯᎢ ᎾᏍᎩ ᏚᎳᏑᎸ ᎥᏝ ᎠᏴ ᏰᎵ ᏗᎬᎩᎧᏁᏴᏗ ᏱᎩ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ. ᎤᎬᏫᏳᎯ ᎤᏚᎵᎭ.\nᏦᎯᏳᏒ ᎠᏆᎵᏍᎦᏍᏙᏛ ᏫᎬᏲᏪᎳᏁᎸᎩ, ᏥᎦᏔᎲᎩ ᎾᏍᏉ ᏣᎶᏒᏍᏙᏗᏱ ᎨᏒ ᎿᏛᏁᎲ ᏄᏍᏛ ᎬᏁᏤᎲᎢ.\nᎠᏝᏅᏓᏗᏍᎬ ᎨᏍᏗ ᎤᏂᏣᏘ ᎠᎴ ᎠᏂᏳᏩᏁᎦ ᎤᎾᏤᎵ ᏱᎨᏎ ᎪᏪᎵ ᎠᏌᎥ ᏚᏙᎥ ᎪᏪᎴ.\nᏥᏌ ᏚᏁᏤᎸ ᎯᎠ ᏄᏪᏒᎩ; ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏍᎩᏲᎭ ᎥᏝ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏍᏆᏂᎪᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎢᏥᎪᎲᎢ, ᏅᏗᎦᎵᏍᏙᏗᏉᏍᎩᏂ ᎦᏚ ᏕᏥᎬᎢ, ᎠᎴ ᏕᏦᎸᏒᎢ.\nXVII. ᎡᏚᏥ  \nᎩᎶ ᏣᏯᎣ [ᎦᎶᏁᏛᏱ] ᎥᏝ ᏯᏍᎦᏅᎪᎢ; ᎩᎶ ᏣᏍᎦᏅᎪᎢ ᎥᏝ ᎤᎪᎲᎯ ᏱᎨᏐᎢ, ᎥᏝ ᎠᎴ ᎤᎦᏙᎥᏒᎯ ᏱᎨᏐᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᎿᏉ ᏩᎭ ᏗᎬᏩᎾᏚᎪᏓᏁᏗ ᎨᏒ ᎾᏍᎩ Ꮎ ᏥᏌ ᎦᎶᏁᏛ ᎬᏩᏯᎢ, ᎾᏍᎩ ᎤᏇᏓᎵ ᎨᏒ ᎾᏂᏍᏓᏩᏕᎬᎾ ᏥᎩ, ᎠᏓᏅᏙᏍᎩᏂ ᏣᏂᏍᏓᏩᏕᎦ.\nᎢᏳᏃ ᎾᏍᎩ ᎤᏁᎳᎩ ᏰᏕᎵᏎᎭ, ᏂᎦᏗᏳ ᏓᎬᏬᎯᏳᏂ, ᎠᏂᎶᎻᏃ ᏛᏂᎷᏥ ᎠᎴ ᏓᎨᎩᎩᎡᎵ ᎢᎦᏤᎵᎪᎯ ᎠᎴ ᏗᎦᏤᎵ ᏴᏫ ᏙᏓᎨᎩᏯᏅᎡᎵ.\nᏚᏍᎪᎵᏰᎡ ᏗᎦᏙᎵ ᏃᎴ ᎣᏍᏓ ᎤᎦᏙᏍᏔᏁᎢ ᏚᏏᎳᏛ ᏌᎳᏓ.\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏂᏣᏔ ᎨᏣᏓᏑᏯ ᏗᏂᏩᎾᎦᎳ ᎠᎴ ᏧᏂᏢᏥᏰᏍᎩ, ᎠᎴ ᏰᎵ ᎤᏂᏣᏔ ᎠᏂᎵᎾᎠ.\nᎠᎴ ᎦᎾᏍᏓ ᎥᎩᏕᎸᎩ ᎠᏙᎳᏅᏍᏗ ᎾᏍᎩᏯᎢ; ᏗᎧᎿᎦᏗᏙᎯᏃ ᎤᎴᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ, ᏔᎴᎲᎦ, ᎠᎴ ᎭᏢᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ, ᏔᎴᎲᎦ, ᎠᎴ ᎭᏟᎶᏣ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᎾᏓᏙᎵᏍᏗᏍᎩ ᏥᎩ ᎾᎿᏂ.\nᎠᎩᏃᎮᎸ ᏗᎦᏘᏍᏗ ᎦᏰᏌᏗ ᎣᎬᏌ ᎣᎦᏤᎵ ᎨᏎ, ᎠᏥᎸᏉᏗ ᎠᎦᏴᎵᎨ ᎨᏎ, ᏀᎢᏳ ᎤᏲ ᏄᎵᏍᏔᏁ ᎤᎴᏅᎮ ᎠᏤᎸᏍᎬ ᏃᎴ ᎦᎵ ᎠᏰᎸ ᏚᏩᏥᏍᎦᎸᏤ ᏅᏯ ᎢᏗᏍᏔᏱ, ᎠᏰᎳᏍᏘ ᎠᎴ ᎦᏝᏗ ᏗᎬᏩᏲᏍᏙᏗ ᏱᎨᏒᎾ.\nᏣᎨ ᏱᎪᏩᏘᎭ ᎡᎳᏗ ᏫᏄᏍᏛ ᏚᏏᎳᏛ ᎦᎨᏒ ᎠᏣᏗ?\nᎾᏍᎩ ᎣᏏᏳ ᎬᏩᏃᎮᏍᎩ ᎨᏒᎩ ᎠᎾᏓᏅᏟ ᎵᏍᏗ ᎠᎴ ᎢᎪᏂᏯ ᎠᏁᎯ.\n“ᎠᏋᏌᎩ?” \nᏍᏈᏍᏓ ᏧᎪᎲ ᏏᏆ ᎤᏂᎷᏨ ᏃᎴ ᎤᎾᎵᏛᏔᏅ.\nᎠᏙᎯ ᏳᏬᏙᎳ ᎠᎵᏰᎾ, ᏍᎩᎾᎾ ᏂᎦᏓ ᏓᎪᎵᏰᏍᎪ.\nᎮᏏᎦᏯᏃ ᎹᎾᏏ ᎤᏕᏁᎴᎢ; ᎹᎾᏏᏃ ᎠᎼᏂ ᎤᏕᏁᎴᎢ; ᎠᎼᏂᏃ ᏦᏌᏯ ᎤᏕᏁᎴᎢ;\nᎩᎶᏍᎩᏂ ᎠᏢᏈᏍᎨᏍᏗ ᎤᎬᏫᏳᎯ ᎠᏢᏈᏍᏗᏍᎨᏍᏗ.\nᏫᏥᎢᎦ ᎨᏒ ᎠᏁᎵᏍᎬ ᎤᏒᎮᎯ ᎤᎾᎵᏍᏔᏴᏗ, ᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅ ᎠᏂᏇᏅᏗᏍᎬ ᎠᏤᎯ ᎦᎾᏍᏓ, ᎠᏓᏪᎳᎩᏍᎬ ᎦᏚᎢᏣ ᎠᎾᏁᎸᏗᏍᎬ ᎤᏬᏗᎨ ᎢᏳᎵᏍᏙᏗ ᏯᏓᏪᎳᎩᏍᎬᎾ.\nᎠᏯᏙᎵᏳᏰᏃ ᎦᎶᎯᏍᏗᏱ ᎠᎴ ᎠᏯᏙᎵᏳ ᏅᏃᎯ ᎬᏂᏛ ᏫᎦᎾᏄᎪᎬᎢ, ᎠᎴ ᎠᏂᎦᏲᎵᏳ ᎠᏂᏩᏘᎭ.\nᎯᎠ ᎾᏍᎩ ᎤᏩᏒ ᏍᎩᏃᏁᏗᏱ ᎠᏆᏚᎵᎭ; ᎠᏓᏅᏙᏍᎪ ᏕᏥᏲᎯᏎᎴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᏂᏣᏛᏁᎲᎢ, ᏥᎪᎨ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎢᏦᎯᏳᎯ ᎢᏣᏛᎩᏍᎬᎢ?\nᎪᎳ ᏓᎦᎶᏐᏂ, ᏓᏛᏍᏆᎶᏥ ᎢᎦ, ᎤᏁᏍᏓᎳ ᏓᎬᎾᏬᏏ ᎠᎹ ᏗᎦᏁᎲ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏚᏗ.\nᎤᎵᏏᏂᏗ ᏄᏪᏎ, “ᏲᎾ ᎤᏤᏍᏙ, ᏣᏕᎶᏆᏍᏗ ᎨᏎᏍᏗ ᏣᏓᏓᏏᎾᎲᏍᏙᏗ.” \nᏴᏫᏰᏃ ᎤᏪᏥ ᏓᎦᎷᏥ ᎤᏙᏓ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏄᏬᏍᏕᏍᏗ, ᎠᎴ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏓᏘᏁᎮᏍᏗ; ᎿᏉᏃ ᏙᏛᎫᏴᎡᎵ ᎾᏂᎥ ᏴᏫ ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ.\nᎢᎾ ᏓᏕᏏ, ᎠᏆᏛᏅ, ᏭᏕᎵᎬ ᏓᏕᏏ.\nᎯᎠᏃ ᎸᎵᏍᏔᏁ ᎾᎥ ᎤᎷᏨ ᏒᎦᏙᎯ ᎠᎴ ᏇᏗᏂᏱ, ᎾᎿ ᎣᎵᏩᏲᎯ ᎤᏌᎯᎸ ᏥᏚᏙᎠ, ᎾᏍᎩ ᎠᏂᏔᎵ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏚᏅᏎᎢ,\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎾᏍᎩ Ꮎ ᎣᏍᏛ ᎤᎦᏔ ᏧᏫᏎᎢ ᎾᏍᎩ ᏴᏫ ᎤᏪᏥ;\nᏩᏥᎳ ᎤᏍᏔᏲᏎᎴ, ᎦᏅᏓᏛ ᎤᏩᏯᎸᏤ ᎠᎰᎴ ᎦᏚᎢᏣ.\nᏥᏌᏃ ᎠᎦᏔᎯᏳ ᎨᏒ ᏂᎦᎥ ᎢᏳᎵᏍᏓᏁᏗ ᎨᏒᎢ, ᎤᏪᏅᏒᎩ ᎯᎠ ᏫᏂᏚᏪᏎᎸᎩ; ᎦᎪ ᎡᏥᏲᎭ?\nᎨᏍᏗ ᎣᏍᏓ ᎢᎦ ᏱᎨᏎᏍᏗ ᎤᏪᎵᏎ ᎤᏃᎴ.\nᎢᏥᎪᏩᏘᎭ ᏂᎦᏅᎯᏒ ᎪᏪᎵ ᎢᏨᏲᏪᎳᏁᎸᎢ, ᎠᏋᏒ ᎠᏉᏰᏂ ᎠᏋᏔᏅᎯ.\nᎤᏩᏒᏃ ᎤᏏᏙᎵ ᏙᎴᏛ ᎠᏄᏬ, ᎠᎴ ᎤᏕᏒ ᎠᏰᎸᎢ, ᎠᎴ ᎠᏄᏬᎩᎯ ᏙᎴᏛ ᎤᏪᏣᎸᎳᏅ, ᎠᏤᎵᏍᏛ ᎤᏅᏁ ᎾᏍᎩ ᏅᏲᎯ ᎠᏍᎪᏒᎢ, ᎠᎴ ᏅᏲᎯ ᎠᏍᎪᏒᎢ, ᎠᎴ ᏅᏯ ᎤᏪᏌᏉᎴᎴᎢ ᎠᏤᎵᏍᏛ ᎦᎶᎯᏍᏗᏱ ᎤᏁᎢ.\nᏗᎤᎷᏨᏃ ᏚᏩᏛᎮ ᏔᎵᏁ ᎠᏂᎵᎾᎡᎢ, ᏗᏂᎦᏙᎵᏰᏃ ᏗᎦᎨᏗᏳ ᎨᏎᎢ, ᎥᏝ ᎠᎴ ᏱᏂᎦᏔᎮ ᎢᏳᏂᏪᏍᏗᏱ ᎤᏂᏁᏤᏗᏱ.\nᎠᎴ ᎬᏩᏚᏫᏛ ᎾᎿ ᎦᏍᎩᎸ ᏅᎩᏦᏁ ᏕᎦᎧᎲ ᏗᏍᎩᎳᏗᏍᏗ; ᏗᏍᎩᎳᏗᏍᏗᏱᏃ ᎥᎦᏥᎪᎥᎩ ᏅᎩᏦᏁ ᎢᏯᏂᏛ ᏣᎾᎵᏍᏚᎸᏃ ᏗᎵᏍᏚᎶ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ.\nᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ ᏭᏎᎴ ᏣᏄᏏ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎠᏓᏁᎸ ᎢᎸᎯᏢ ᎢᏥᏴᎯᎮᏍᏗ, ᎾᎿᏉ ᎢᏣᏅᎥᏍᎨᏍᏗ ᎬᏂ ᎥᏣᏂᎩ ᎾᎿᏂ.\nᎿᏉᏃ ᏗᎾᏓᏂᏱᏍᎩ ᎬᏩᏂᎷᏤᎸᎩ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᎠᏂᏆᎵᏏ. ᎯᎠᏃ ᏂᏚᏂᏪᏎᎸᎩ; ᎦᏙᏃ Ꮭ ᏴᎡᏣᏘᏃᎦ?\nᎯᎠ ᎾᏍᎩ ᎡᏥᏍᏗᏰᏔᏅᎯ ᏥᎩ ᎥᏝ ᎢᏥᏯᏅᏛ ᎤᏓᏅᏖᎸᎯ ᏱᎩ.\n”ᎭᎦᏎᏍᏕᏍᏗ ᎩᏟ!” ᎤᏛᏁ ᎤᏃᏕᎾ.\nᎠᎬᏱ ᎤᏂᏩᏛᎯᏙᎸ ᏫᎵᎻ ”ᎤᏍᏆᏂᎩᏗ ᏏᏆ” ᏥᎨᏎᎢ ᎱᏂᎷᏤ ᏃᏉ ”ᎤᏣᏓ ᎣᏍᏓ” ᎨᏒ.\nᎠᏎᏃ ᎾᎯᏳᎢ, ᎤᏁᎳᏅᎯ ᏁᏥᎦᏔᎲᎾ ᏥᎨᏒᎩ, ᎪᎱᏍᏗ ᏕᏥᎧᎿᏩᏗᏙᎲᎩ ᎾᏍᎩ ᎤᏙᎯᏳᎯ ᎤᎾᏁᎳᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎩᎶᏍᎩᏂ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏂᎯ ᎢᏤᎲᎢ, ᎾᏍᎩ ᎡᏥᏅᏏᏓᏍᏗ ᎨᏎᏍᏗ.\nᎠᏎᏃ ᎬᏂᏳᏉ ᎾᏍᎩ ᎤᏬᏰᏂ ᎠᏆᏡᏗᏍᎩ ᎣᎩᎾᏖᏆᎶᎭ ᎠᏂ ᎦᏍᎩᎸᎢ.\nᏐᏉ ᎤᏩᏌ ᏗᎦᏅᎥᏍᎩᎭ?\nᏗᏣᎴᎲᎦ! ᎢᏓᎢᏎᏍᏗ! ᎬᏂᏳᏉ ᎠᏉ ᏓᏯᎢ ᎠᏆᏡᏗᏍᎩ.\nᎠᎦᏙᎥᎯᏍᏗᏍᎩᏂᏃᏅ ᎨᏒ ᎣᏨᏗᏍᎪ ᎣᏥᏬᏂᎯ ᎪᎱᏍᏗ ᏄᏂᎷᎶᏤᎲᎾ; ᎥᏝ ᎠᏗᎾ ᎡᎶᎯ ᎤᏤᎵ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ, ᎥᏝ ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᎠᏁᎯ ᎤᎾᏤᎵᎦ, ᎾᏍᎩ ᎠᏎᏉᏉ ᎢᎦᎵᏍᏗᏍᎩ ᏥᎩ.\nᎤᏠᎩ ᎠᎳᏂ ᏭᏏᎳᏛᏁᎴ, ᎤᏚᏥ ᎰᎻ ᏭᏴᏅᎮ ᎤᏠᎩ ᎠᎳᏂ. ᏩᎦ ᏃᎴ ᏐᏈᎵ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎤᏪᏙᎸ ᎤᏴᎵᎴ ᎤᎾᏟᏃᎮᎴ ᏲᎾ ᎤᏤᏍᏙ.\n“ᎤᏲᏨ ᎠᏆᏛᏅᏙᎩ ᏓᏥᎵᏬᏥ,” ᎠᏓᏰᎵᏍᎨ.\nᎩᎶᏰᏃ ᎤᏚᎵᏍᎨᏍᏗ ᎤᏍᏕᎸᏗᏱ ᎬᏅᎢ, ᎤᏲᎱᏎᏗ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎤᏲᎱᏎᎮᏍᏗ ᎬᏅᎢ, ᎠᏴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎤᏩᏛᏗ ᎨᏎᏍᏗ.\nᎠᏎᏃ ᎭᏫᏂ ᎠᏰᎸᎢ ᏭᏭᏍᏔᏁ ᎠᏰᎳᏍᏘ.\nᎥᏝ ᎿᏉ ᎠᏥᏅᏴᏓᏍᏗ ᎾᏍᎩᏯᎢ, ᎤᏟᏍᎩᏂ ᎦᎸᏉᏗᏳ ᎡᏍᎦᏉ ᎠᏥᏅᏏᏓᏍᏗ, ᎣᏅᏟ ᎠᎨᏳᎯ ᎾᏍᎩᏯᎢ, ᎠᏴ Ꮀ ᎤᎬᏫᏳᎭ ᏥᎨᏳᎢ, ᏂᎯᏍᎩᏂ ᏂᎦᎥ ᎤᏟᎯᏳ ᎯᎨᏳᎢ, ᎾᏍᎩ Ꮎ ᎤᏇᏓᎵ ᎨᏒ ᎠᎴ ᎤᎬᏫᏳᎯ ᏕᏍᏓᏁᎶᏛᎢ?\nᎾᏍᎩᏃ ᎡᎳᏪ ᎤᏅᏅ, ᏥᎻ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎢ; ᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ ᎠᏴ ᏍᎩᏯᏛᏓᏍᏓᏏ.\nᎨᎵᎠ ᎠᏍᏓ ᎠᎩᏂᎬᎦ ᎠᎩᏂᏱᏍᎩ.\nᎠᏓᏁᎸ ᏃᎴ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᎤᏂᏴᏍᏗ ᏃᎴ ᏦᎨᏏ ᏃᎴ ᎠᏙᎯ ᏚᎾᏬᏍᏔᏁᎢ.\n“ᎠᏁᎵᏗ ᏓᎦᏓᏒᏂ ᎠᏗᏆᎸᏕᏲ ᎦᏆᏗ ᏓᏥᏆᎸᏕᏱ ᏃᎴ ᏧᏳᎪᏗ ᎠᏎᏍᏗ ᏛᎴᏫᏍᏔᏂ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏚᎧᏔᏍᏔᏁᎢ ᏫᎵᎻ.\nᎿᏉᏃ ᎠᏂᏧᏏ ᎬᏩᎪᏁᎶᎯᏎᎸᎩ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎯᎠ ᏄᏪᏒᎢ, ᎠᏴ ᎾᏍᎩ ᎾᎦᏚ ᎦᎸᎳᏗ ᏅᏓᏛᎶᏒᎯ.\nᏂᎯᏍᎩᏂ ᏂᏥᏍᎦᏅᎾ ᎨᏎᏍᏗ ᎾᏍᎩᏯ ᎢᏥᏙᏓ ᎦᎸᎳᏗ ᎡᎯ ᎾᏍᎦᏅᎾ ᏥᎩ.\nᎡᏕᏲᎲᎦ ᎯᎠ ᎤᏓᏅᏕᏙᏗ, ᎠᎾᏗᏍᎨ ᎾᎥ ᎢᏳᎾᏓᎵ.\n“ᏥᎦᏔ, ᎠᏎᏃ ᎾᎥᏂ ᎤᏩᏌ ᏥᎪᏩᏘ,” ᎤᏛᏁ ᏌᎳᏓ.\nᏏᏆ ᎤᏅᎪᏨ! \nᏂᎦᏓ ᏗᎨᏥᎾᏌᎢ ᎤᎾᎵᎮᎵᏤ ᏐᏉ ᎤᎾᎵ ᎤᏓᎵᏗᎩᎡᎸ.\nᎢᏳᎾᏛᏁᏗᏱ ᏂᎦᎥ ᏦᏰᏂ ᎠᎴ ᎭᏓᏅᏖᏍᎬ ᎦᏳᎳ ᏗᏧᎪᏔᏅᎯ ᏥᎨᏎ ᎾᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ.\nᎢᎦᏓ ᎠᏈᏴᏗ ᏧᏂ ᏃᎴ ᎢᎦᏓ ᎧᏂᎩᏓ.\nᏰᎵ ᏩᎩᏍᏘᏅ ᎤᏐᏱ ᏦᎩᏂᎶᏒ Crockett, ᎢᏧᎳ ᎣᎩᏂᎾᎩᏗᏅᏓ ᎨᏒ. ᎠᏎᏃ Crockett ᏄᎵᏍᏔᏂᏙᎸ ᎤᏲᏍᏔᏁ ᏚᏓᏁᏤᎸ ᎤᏙᏓ, ᎤᎵᏗᎩᎡᎸ ᎤᎵᏍᎩᏰᏗᏍᏔᏁ ᏏᏆ ᏗᏰᎵᏙ, ᎠᎬᏱ ᏣᎾᏂᎩᏍᎨ.\nᎭᎵᏍᎪᎥᏍᎦ.”\nᏥᏌᏃ ᎤᎷᏨ ᏚᏬᏁᏔᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎢᎩᏁᎸ ᏂᎦᎥ ᏗᎩᎸᏫᏍᏓᏁᏗᏱ ᎦᎸᎳᏗ ᎠᎴ ᎡᎶᎯ.\nᎠᏧᏣᏃ ᏏᏊ ᎢᏈᎬᎢ ᏩᏥᎷᏤᎸᎢ.\nᎾᎿᏃ ᎠᏁᎯ ᎠᏂᏍᎦᏯ ᎬᏬᎵᏨ, ᎬᏩᏚᏫᏛ ᏚᎾᏓᏅᏏᏙᎸᎩ, ᏕᎬᏩᏘᏃᎮᎸᎩ ᏂᎦᏛ ᏧᏂᏢᎩ.\nᎠᏎᏃ ᏂᎦᎥ ᎾᏍᎩ ᎬᏆᎵᏍᏕᎸᏙᏗ ᎠᎩᏰᎸᏅᎢ, ᎾᏍᎩ ᎡᏍᎦᏉ ᎢᏯᏋᏁᎯ ᎠᎩᏰᎸᎭ ᎦᎶᏁᏛ ᏅᏓᎦᎵᏍᏙᏓ.\nᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ; ᎭᏓᏅᎾ, ᏓᎬᏅᏏᏰᏃ ᎢᏅ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏗᏁᎲᎢ.\nᎾᎨ ᎢᏴ ᎠᏓᏪᎳᎩᏍᎬ ᎠᏂᏅ ᏴᏫ, ᎤᎵᏏᎩ ᎤᎾᏓᏴᎳᏛ.\nᎠᏂᏃᎯᎵᏙ ᏚᏂᏌᎴᏓᏅ ᎦᎶᏇ.\nᎧᏄᎦᏟ ᎤᏅᏂᏎᎢ, ᎤᏩᎨᏫᏎᎢ ᎧᏄᎦᏟ ᎠᎦᏅ ᎤᏍᏆᏂᎪᏙᏗ ᎠᎳᏂ.\nᎯᎠᏃ ᏄᏪᏎᎢ; ᎬᏂᏳᏉ ᎦᎸᎳᏗ ᎤᎵᏍᏚᎢᏛ ᏥᎪᏩᏘᎭ, ᎠᎴ ᏴᏫ ᎤᏪᏥ ᎦᏙᎦ ᎤᏁᎳᏅᎯ ᎠᎦᏘᏏᏗᏢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏝᏍᎪ ᏱᏥᎪᎵᏰᎣ ᏕᏫ ᏄᏛᏁᎸ ᏧᏂᎬᏎᎮ ᎢᏳ, ᎠᎴ ᎠᎪᏄ ᏧᏲᏏᏍᎨᎢ, ᎤᏩᏒ, ᎠᎴ ᎾᏍᎩ ᏣᏁᎮᎢ?\n”ᎨᏍᏗ ᎤᎵᏬᏥᏕᎾ ᏱᎩ,” ᎤᏛᏁ ᎡᎳᏆᏗ.\nᎠᏂᏆᎵᏏᏃ ᎬᏩᎷᏤᎸ ᎬᏩᏛᏛᏁᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏚᏳᎪᏗᏍᎪ ᎠᏍᎦᏯ ᎤᏓᎢᏅᏗᏱ ᎤᏓᎵᎢ? ᎬᏩᎪᎵᏰᏍᎨᎢ.\nᎦᏳᎸ ᎤᏂᎶᎯᏎᎸ ᎤᏍᎦᏎᏗ ᎤᏟᏲᎵᏍᏗ ᏭᏂᎷᏨ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᎨᏴ ᎦᏙ ᎠᏴ ᏗᎩᎾᏓᏛᏙᏗ? ᎥᏝ ᎠᏏ ᎠᏴ ᏯᎩᏍᏆᎸᎡᎸ.\nᎠᎴ ᎠᏤᎷᎩ ᎤᏃᏴᎬᎢ, ᎠᎴ ᎧᏁᎬ ᎤᏃᏴᎬᎢ; ᎾᏍᎩᏃ ᎤᎾᏛᎦᏅᎯ ᎤᏂᏔᏲᎴ ᏔᎵᏁ ᎾᏍᎩ ᎢᎨᏂᏪᏎᏗᏱ ᏂᎨᏒᎾ.\nᎠᏎᏍᎩᏂᏃᏅ ᎯᎠ ᎾᏍᎩ ᎥᏝᏍᏗ ᏱᏣᎵᎮᎵᏍᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᏗᏓᏅᏙ ᎨᏦᎯᏳᏒᎢ; ᎢᏣᎵᎮᎵᎨᏍᏗᏍᎩᏂ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᏕᏣᏙᎥ ᎦᎸᎳᏗ ᏦᏒ ᏫᏗᎪᏪᎸᎢ.\nᎦᎳᎱᏂ ᏧᎷᏫᏍᏔᏁᏗ ᏙᎩᎾᏦᏒ Crockett, ᎦᎸᎳᏗ ᎨᏒ ᏕᎦᏃᏣᏢ.\nᏑᏓᎵᏃ ᏫᏄᏒᎸ ᏥᏌ ᏚᏘᏅᏒᎩ ᏈᏓ, ᎠᎴ ᏥᎻ ᎠᎴ ᏣᏂ ᏥᎻ ᏗᎾᏓᏅᏟ, ᎠᎴ ᏚᎿᎷᏔᏅᎩ ᎢᏅ ᎢᎦᏘ ᏱᏓᎸ ᎤᏅᏒ ᎨᏒᎢ,\nᏭᎾᎩᏎ ᏩᎶᏏ.\n”ᎤᏍᎦᏃᎵᎨᏍᏗ ᏂᏫ!”\nᏃᏉ ᏥᏩᏘᏍᎪ ᎠᏓᏟᏔᏗᏍᎬ ᎠᏙ.\nᎠᎦᏴᎵᎨᏰᏃ ᎾᏍᏉ ᎥᏝ ᎩᎶ ᏱᏗᎫᎪᏓᏁᎰᎢ, ᏚᏲᎯᏎᎸᏍᎩᏂ ᎤᏪᏥ ᎾᎦᏛ ᏗᎫᎪᏙᏗ ᎨᏒᎢ,\nᎢᏣᏛᎬᎦ ᎢᏨᎨᏳᎢ ᎢᏓᎵᏅᏟ, ᏝᏍᎪ ᎤᏁᎳᏅᎯ ᏱᏚᏑᏰᏒ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᎡᎶᎯ ᎠᏁᎯ, ᎤᏁᎿᎢᏳ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏙᎵᎦ ᎤᏤᎵᎪᎯ ᎾᏍᎩ ᏧᏚᎢᏍᏓᏁᎸᎯ ᏥᎩ ᎬᏩᎨᏳᎯ?\nᎬᏂᏳᏉᏃ ᎠᏄᏬ ᎠᏰᏙᎳᏛ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᏚᎵᏍᏡᏰᎢ, ᎦᎸᎳᏗ ᏧᎴᏅᎮ ᎡᎳᏗ ᏭᏍᏆᏗᏍᏔᏁᎢ; ᎠᎴ ᎦᏙᎯ ᎤᎵᏖᎸᏁᎢ, ᎠᎴ ᏅᏯ ᏚᎾᎵᏍᏡᏰᎢ.\nᏙᏳᏗᏍ ᎠᏎᏛᏎ ᏑᏟᎶᏓ ᎾᎥ, ᏃᏊ ᎤᏔᏅ ᏦᎨᏏ ᏄᏍᏛ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᏍᎩᏯᏉ ᎩᎶ ᎤᎬᏫᏳᎯ ᏧᏓᏅᏖᎴ ᎣᏍᏛ ᎢᏳᏅᏁᏗᏱ ᏚᏚᎬ ᏧᏅᏏᏓᏍᏗ.\nᏂᎦᎥᏰᏃ ᎪᎱᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏪᏢᏅᎯ ᎨᏒ ᎣᏏᏳ, ᎠᎴ ᎥᏝ ᎪᎱᏍᏗ ᎠᏲᎢᏎᏗ ᏱᎩ, ᎢᏳᏃ ᎤᎵᎮᎵᏍᏗ ᎣᏓᏅᏛ ᏱᏛᏓᏂᎸᎦ;\nᎢᏳᏃ ᏗᎹᏗ ᏫᎦᎷᏨᎭ, ᎢᏣᎦᏌᏯᏍᏕᏍᏗ ᏂᎦᎾᏰᏍᎬᎾᏉ ᎢᏤᎳᏗᏓᏍᏗᏱ; ᏚᎸᏫᏍᏓᏁᏰᏃ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ, ᎤᏠᏱᏉ ᎠᏴ.\nᎤᏪᎳ ᏥᎩᎠ, ᏧᏪᎳ ᏕᏥᎩᏍᎪᎢ Ꮡ, Ꮜ, ᏌᎢ\nᏃᏉᏗᏍᏉ ᏣᏂᎧᏔᎮ ᎢᏳᏊ ᏓᎦᎷᏥᏒ ᏍᎩᎾ. ᎭᎪᏘᏍᎬᎢ ᏧᎧᏒᏍᏗ.\n“ᏧᏍᏆᏴᏍᏗ?” \nᎠᏎᏃ ᏈᏓ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎾᏍᏉ ᏂᎦᏛ ᏱᏚᏃᏕᏍᏔᏅ, ᎠᏴ ᎠᏎᎥᏝ.\nᎠᎬᏱ ᎢᏣ ᎤᏍᏔᏩᏛᏎ ᎤᏢᏲᎵᎲ ᎢᎪᎯᏓ, ᏃᏉ ᎤᎵᏍᏆᏛ ᎤᎪᎲ ᎤᏩᏍᏉᎸ ᎩᎦ ᏃᎴ ᎤᏕᎭᏯᎵᏙᎴ, ᎪᎰᏍᏘ ᏯᏩᏘᏍᎬᎾ.\nᎠᏃᎯᏳᎲᏍᎩᏃ ᎠᏂᏏᏴᏫᎭ ᏰᎵ ᎢᎬᏩᎾᏛᏁᏗ ᎨᏒ ᏚᏄᎪᏔᏁ ᎤᎾᏓᏅᏍᏗᏱ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎠᎾᎵᏅᏟ ᏧᏗᏱ ᎠᏁᎯ.\nᏫᎨᏣᏲᎵᎦ ᎡᎦᏉ, ᏗᏧᎳᎭ ᎣᏍᏗᏴᎩ ᎦᎶᏁᏛ ᏥᏌ ᎣᎩᏂᏍᏛᏗᏍᎬᎢ;\nᎠᏏᏉ ᎧᏁᎨᎢ, ᏄᎬᏫᏳᏌᏕᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎦᏁᎸ ᏅᏓᏳᎾᏓᎴᏅᎯ ᎤᏂᎷᏤ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎤᏲᎱᏒ ᏤᏥ; ᎦᏙᏃ ᎠᏏᏉ ᎢᎯᏯᏕᏯᏙᏗᎭ ᏗᏕᏲᎲᏍᎩ?\nᎠᏎᏃ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᏞᏍᏗ ᎠᏎᏉ ᏱᏨᎫᏘᎶᏍᎨᏍᏗ ᎾᏍᎩ ᏥᎾᎾᏛᏁᎰ ᏧᎾᏓᎴᏅᏛ ᏴᏫ; ᎤᏣᏘᏰᏃ ᎣᏥᏁᎬ ᎤᏓᎦᎵᏍᏙᏔᏂ ᏓᏲᎦᏛᎦᏁᎵ ᎠᏁᎵᏍᎪᎢ.\nᏰᎵ ᎪᎯᏓ ᎤᏬᏢ ᏱᎧᏁᎬᎾ ᏃᎴ ᎪᎦᏍᎬ ᎦᏅᏃᏩ ᎦᏅᎯᏓ ᎫᎭᏟ, ᎪᏍᏔᎭ ᏂᎦᎵᏍᏗᏍᎬ ᎢᎪᎯᏛ.\nᏧᎾᏄᎪᏫᏎᏗᏱ ᎪᎯ ᎨᏒ ᎾᏍᎩ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ ᎨᏒᎢ; ᎾᏍᎩ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᎫᏓᎴᏍᎩ ᎾᏍᎩ Ꮎ ᎪᎯᏳᎲᏍᎩ ᏥᏌ.\n“ᏦᎢ ᎢᏯᏂ ᏌᏌ ᎠᏂᏨᏯ ᎢᏳᏍᏗ ᏂᎦᎵᏍᏗᎭ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᏗᎾ ᏂᏥᎥ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᎰᏩ ᏕᏥᎨᏳᏎᏍᏗ ᏗᏣᏓᎵᎢ ᎾᏍᎩᏯ ᎢᏨᏒ ᏂᏣᏓᎨᏳᏒᎢ; ᎠᎨᏴᏃ ᎤᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎤᏰᎯ.\nᎤᏍᏆᎸᎲ ᎢᏴ, ᎡᎳᏗ ᏄᏛᏁᎸ ᏲᎾ ᎤᏏᎳᏓᏅ ᎤᎭᏄᏮ, ᎤᏁᎦᎸ ᎤᏓᏁᎪᏴᏓ ᏂᎦᎵᏍᏗᏍᎬ ᏃᎴ ᎦᏓᎥ ᏧᎪᎸ ᎦᏚᎢᏣ, ᏚᏔᎷᎩᏍᎬ ᏚᏁᎷᎲ, ᎾᏍᎩᏯ ᎠᏕᎳ ᎤᏁᎦ ᏗᏍᎪᎵᏰᎥ, ᎤᏍᏆᏙᏅ ᎠᏥᏂᏐᏗ ᎤᎭᏴᏍᏗ.\nᏐᏉ ᎢᏳᏩᏂᎸ ᎢᏴ ᎤᎵᏍᏔᏴᏃᏁᏍᏗ.\nᎠᏎᏃ ᎤᏄᎪᏨ, ᎤᎴᏅᎮ ᎤᏣᏘ ᏚᏰᎵᎯᏍᏔᏁᎢ, ᎠᎴ ᏚᏃᏣᎳᏁ ᎾᏍᎩ, ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᏥᏌ ᎥᏝ ᎿᏉ ᎬᏂᎨᏒ ᏫᎬᏩᏴᏍᏗ ᏱᎨᏎ ᎦᏚᎲᎢ, ᏙᏱᏗᏢᏉᏍᎩᏂ ᎢᎾᎨ ᏕᎨᏌᏗᏒ ᎡᏙᎮᎢ; ᏂᎬᎾᏛᏉᏃ ᏂᏙᏓᏳᏂᎶᏒᎯ ᎬᏩᎷᏤᎮᎢ.\nᏴᏫᏰᏃ ᎤᏪᏥ ᎤᎬᏫᏳᎯ ᎾᏍᏉ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ.\nᎧᏂᎩᏓ ᏌᎳᏓ ᎨᏎᏍᏗ ᏳᏂᏴᎲ ᎠᏧᏣ.\nᎾᏍᎩᏃ ᎤᏁᎳᏅᎯ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᎠᏓᏁᎯ ᎢᏥᎧᎵᎢᏍᏗ ᎨᏎᏍᏗ ᏄᏓᎴᏒ ᎤᎵᎮᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎨᏒ ᎢᏦᎯᏳᏒ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩ ᎤᏣᏔᏅᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏚᎩ ᎢᏨᏒᎢ, ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᎵᏂᎬᎬ ᎢᏳᏩᏂᏌᏛ.\nᎠᎴ ᎤᎬᏫᏳᎯ ᎤᏂᎧᎲᎩ ᎾᏍᎩ ᏗᎧᎿᏩᏗᏙᎯ ᏥᎩ ᎾᏍᎩ ᏫᎾᏍᏛᎾ ᎠᏔᎴᏒᎢ, ᎾᏍᎩᏃ ᎠᏂᏈᎷ ᎤᏂᏬᏂᎯᏍᏗ ᎠᏆᏙᎾ ᏚᏙᎥ, ᎠᏂᎪᎢᏍᎩᏂ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᎠᏉᎵᏯᏂ ᏚᏙᎥ.\n“ᏕᏍᏔᎦᏎᏍᏕᏍᏗ ᏚᎾᏦᏩᏛ ᏗᏂᏓᎾᏌᎲᏍᎩ!” ᏚᏪᏯᏙᏔᏁᎢ ᎤᏂᏙᏓ.\nᎤᏰᎸᏛᏃ ᎠᎪ-ᏩᏛᏗ ᎨᏎᏍᏗ ᏅᏙ ᎢᎦ ᎡᎯ ᎧᎸᎢ, ᎠᎴ ᏅᏙ ᏒᏃᏱ ᎡᎯ ᎧᎸᎢ, ᎠᎴ ᏃᏈᏏ ᎠᏂᎧᎸᎢ; ᎠᎴ ᎡᎶᎯ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲ ᎤᏪᎵᎯᏍᏗ, ᎠᎴ ᎤᏕᏯᏙᏗ ᏅᏓᏳᎾᎵᏍᏓᏁᎵ; ᎠᎺᏉᎯ ᎠᎴ ᎠᎹ ᏓᎵᏍᏗᎳᏁᎬ ᎤᏍᏆᏃᏴᎨᏍᏗ;\nᎦᎪᎨ ᎠᏍᎦᏯ ᎯᎠ ᏥᏂᏣᏛᏅ, ᎢᏳᏃ ᎤᏪᏥ ᎦᏚ ᏳᏔᏲᏎᎭ, ᏅᏯᏉ ᏯᎲᏏ?\nᎤᏍᎦᏃᎵ ᎠᏓᏏᏎᎢ ᏓᏆᎴᎳ.\nᏕᎾᏓᎪᎲᎤᎢ ᎩᏥ, ᎬᎨᏳ.\nᎤᏲ ᎢᏳᎵᏍᏔᏁᎸᎯ, ᎠᏍᎦᏯᏯ ᏗᏘᏲᎯ Cooper ᏰᎵ ᎪᎯᏛ ᎤᏩᏙᏁᎲ ᎨᏎ ᎤᏛᏐᏅ ᎤᎬᏫᏳᎯ, ᎠᏂᎦᏗᏛ ᎠᏂᏴᏫᏯ ᏧᏂᎶᎯᏎᎸ ᎨᏎ ᏰᎵ ᎪᎯᏛ.\nᎦᎸᎳᏗ ᎤᏤᎵᎪᎯ ᎾᏍᎩᏯᏉ ᎩᎶ ᎤᎬᏫᏳᎯ ᏧᏛᏅᎢᏍᏔᏁ ᏣᎦᏨᏍᏙᏗᏱ ᎤᏪᏥ ᎠᏫᏅ,\nᎢᏳᏰᏃ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎾᎵᏍᎦᏍᏙᏗᏍᎨ ᎤᎾᏤᎵ ᏱᏂᎨᎬᏁᎭ, ᎿᏉ ᎠᏎᏉ ᏂᎦᎵᏍᏗᎭ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏚᎢᏍᏛ ᎪᎱᏍᏗ ᎬᎪᏗ ᏂᎨᏒᎾ ᏂᎦᎵᏍᏗᎭ.\nᎥᏝ ᎠᎴ ᎩᎶ ᎤᏪᏘ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎤᏚᎩᏛ ᎢᎬᏪᏅᏛ ᎢᏤ ᏳᏚᎵᏍᎪᎢ; ᎯᎠᏰᏃ ᏂᎦᏪᏍᎪᎢ, ᎤᏪᏘ ᎤᏟ ᏃᎯ.\nᎠᏣᎳᎩᏃ ᎠᏍᎦᏯ ᎠᎴ ᏁᏙᎮ ᎠᎹ ᏰᏟ ᎢᏤ ᏂᎨᏎ ᎾᎾᏃ ᏧᏓᎴᏁ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᎠᏴ ᎠᏆᏛᎦᏅ ᎡᏦᎢᏳᏒ ᎤᎬᏫᏳᎯ ᏥᏌ, ᎠᎴ ᏕᏥᎨᏳᏒ ᎾᏂᎥ ᎤᎾᏓᏅᏘ,\nᎾᏍᎩ ᎦᎳᏐᏫᏍᏗ ᎤᏤᎵᎦ ᎠᏰᎭ, ᎠᎴ ᏂᎦᏛ ᏓᎦᎳᏐᏫᏏ, ᎤᏤᎵᏃ ᎤᎦᏔᏔᏅᎯ ᏓᎦᏟᏌᏂ ᏛᏂ ᎠᏓᎾᏅᏗᏱ ᎤᏘᏴᎯᏍᎩᏂ ᏛᎪᎲᏍᏔᏂ ᏂᎬᏠᏍᎬᎾ ᎠᏥᎸᏱ.\n“ᎭᏗ, ᏣᏉ, ᏓᏆᏎᎸ.\nᎢᎬᏱᏃ ᏭᏗᏢᏍᏔᏅ ᎤᎸᏎ ᎫᏩᏧᏁᎬ ᏡᎬ ᎤᎪᏩᏛᏗᏱ ᎤᏚᎵᏍᎨᎢ; ᎾᎿᏰᏃ ᎢᏗᏢ ᏭᎶᎯᏍᏗ ᎨᏎᎢ.\nᎠᎴ ᎬᏂᎨᏒ ᎢᏳᏩᏁᎸᎯ ᎨᏎ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎾᏍᎩ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎤᎪᏩᏛᏗ ᏂᎨᏒᎾ ᎨᏒ ᎬᏂ ᏱᎰᏩ ᎤᏤᎵ ᎦᏣᏁᏛ ᎤᎪᎲᎯ ᏱᎩ\n“ᎨᏍᏗᏗ ᎤᎵᏬᏨ ᏱᎩ,” ᏧᏪᎷᏁ ᎰᎻ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎩᎶ ᎢᎠᏎᎵᏛᏍᎨᏍᏗ ᎢᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎠᏥᎸᎨᎳᏍᏗᏱ, ᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ ᎾᎿ ᎠᎲᎢ.\n”ᎭᏩ,” ᎤᏛᏁ ᎠᎳᏂ, ”ᎠᏯ ᎨᎵᏍᎬ ᎦᏲᏟ ᏣᎵᏓᏍᏔᏅ, ᎨᏍᏗ ᎧᏅᏂᏍᎩᏉ ᏱᎩ.”\nᏥᏌᏃ ᎯᎠ ᏂᏑᏪᏎᎸᎩ; ᏝᏍᎪ ᎢᎸᎯᏳ ᏱᏥᎪᎵᏰᎣ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ? ᎠᎾᏁᏍᎨᏍᎩ ᎤᏂᏲᎢᏎᎸᎯ ᏅᏯ ᏄᎬᏫᏳᏒ ᎤᏅᏏᏴ ᎠᏗ ᏄᎵᏍᏔᏅ; ᎾᏍᎩ ᎯᎠ ᏱᎰᏩ ᏄᏛᏁᎸ, ᎠᎴ ᎤᏍᏆᏂᎪᏗᏳ ᏕᏓᎧᏂᏍᎬᎢ.\nᎬᏃᎯᏎᎲ ᎢᏴ ᏕᎯᏍᏔᏅᏂᏍᎨᏍᏗ ᏥᏲᏎᎸ.\nᏓᎿᏩᏃ ᏄᎵᏍᏔᏅᎩ ᎦᎸᎳᏗ; ᎹᏱᎩᎵ ᎠᎴ ᎾᏍᎩ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏑᎾᎵᎸᎩ ᏚᏂᎦᏘᎸᏒᎩ ᎢᎾᏛ; ᎢᎾᏛᏃ ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏚᎾᏟᏴᎲᎩ,\nᎿᏉᏃ ᏈᏓ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎦᏙᏃ ᏥᏍᏓᎵᎪᏅ ᎡᏍᏗᎪᎵᏰᏗᏱ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎠᏓᏅᏙ? ᎬᏂᏳᏉ ᎠᏉ ᎦᎶᎯᏍᏗᏱ ᏧᎾᎳᏏᏕᏂ ᏣᏰᎯ ᎬᏩᏂᏌᏅᎯ, ᎾᏍᎩᏃ ᏂᎯ ᏛᎨᏣᎾᏫᏛᎯ.\nᎩᎶ ᎤᏁᎳᏅᎯ ᎤᏕᏔᏅᎯ ᏥᎨᏐ ᎥᏝ ᎠᏍᎦᏂ ᏱᏚᎸᏫᏍᏓᏁᎰᎢ; ᎾᏍᎩᏰᏃ ᎤᏤᎵᎦ ᎤᎦᏔ ᎤᏪᎰᎢ, ᎥᏝ ᎠᎴ ᏰᎵ ᎬᏩᏍᎦᏅᎢᏍᏗ ᏱᎨᏐᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎤᏁᎳᏅᎯ ᎤᏕᏔᏅᎯ ᎨᏒᎢ.\nᏅᎩᏉ ᎢᏳᏩᏂᎸ ᎨᏎ ᎠᏎᏃ ᎦᏳᎳ ᎤᏛᏅᎢᏍᏕ ᎤᏂᏏᏗ ᎤᏪᏅᏍᏗ ᏫᎵᎻ.\nᎠᏎᏃ ᏅᏙ ᎢᎦ-ᎡᎯ ᏧᎧᎸᏨ ᎤᎴᏴᏎᎢ; ᎠᎴ ᏂᏚᎿᏍᏕᏢᎾ ᎨᏒ ᎢᏳᏍᏗ, ᎤᎿᏍᎬᏤᏉ.\nᎯᎸ ᏳᏪᏅ ᏓᏆᎴᎳ ᏃᎴ ᎠᏁᏙᎯ ᏓᎴᏫᏍᏗᏍᎨ, ᎠᎾᎦᏙᏍᏗᏍᎨ ᎦᎶᏍᎬ.\nᏂᎦᏓ ᎤᎵᏍᏕᏓᎵᏴᏓ.\nᎾᏍᏓᏴ ᎤᏰᏤ ᏌᎳᏓ, ᎤᎵᏖᎸᏂᎴ ᏚᏏᎳᏛ.\nᎤᏬᏚᎯᏳᏍᎩᏂ ᏂᎦᏛᏅᎢ ᎥᏝ ᏳᏂᎬᎪᎢ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᏚᏭᏓᏔᏂᏙᎸ ᎠᏰᎸᎢ, ᎤᏟ ᎢᎦᎢ ᎦᎸᏉᏗᏳ ᏄᏩᏁᎸ ᎾᏍᎩ ᎾᎿ ᎡᏍᎦ ᎨᏒᎢ;\nᎾᎯᏳᏉᏃ ᏒᏃᏱ ᏚᏯᏅᎮᎢ, ᎠᎴ ᏚᏬᏑᎴᎴ ᏕᎨᏥᎵᎥᏂᎸᎢ; ᎠᎴ ᎩᎳᏉ ᎢᏴᏛ ᎠᎦᏬᎡ ᎤᏩᏒ ᎠᎴ ᏂᎦᏛ ᏧᏤᎵᎦ.\nᏧᏓᏋᏓ ᎠᎦᏕ ᎣᏍᏓ ᎤᏰᎸᎮ ᏌᎳᏓ ᏫᎵᎻ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᎯᎠ ᏂᎨᏥᏪᏎᎸᎭ; ᎢᎾᎨ ᎡᏙᎭ; ᏞᏍᏗ ᎾᎿ ᏫᏥᎶᏒᎩ; ᎬᏂᏳᏉ ᎤᏕᎵᏒ ᎧᏅᏑᎸ ᎠᏯᎠ; ᏞᏍᏗ ᏥᏦᎯᏳᏂ.\n”ᏣᏚᏥ ᎰᎻ ᎯᎸᎢᏴ ᎠᏛᎯᏍᏗᏍᎪ ᏏᏆ.\n“ᎠᎦᏛ ᎣᏍᏓ ᎠᏰᎸᏗ ᎠᏓᏑᏲᎲᏙᏗ,” ᎤᏛᏁ ᎡᎳᏆᏘ.\nᎤᎵᏏᎬ ᎢᏨᏁᏤᎸᎢ ᎢᎦᎦᏛ ᎢᏥ ᏁᎨᏍᏗ; ᎡᏣᏙᏅᎡᎸᏃ ᎨᏒ ᎦᏌᎾᎵ ᎢᏣᎵᏥᏙᎲᏍᎨᏍᏗ.\nᏒᎧᏔ ᏗᏧᎬ ᎭᏫᏂᏣ ᏤᏙᎭ.\nᏰᎵᏉ ᏚᏋᏙᏗ ᏥᎢᏍᏙᏗ ᏲᎾ ᎤᏪᎵᏎ.\nᏚᎾᎵᏥᏇᏃ ᎠᎴ ᎤᏂᏴᎡᎴ ᎦᎾᏍᏓ ᎠᎴ ᎤᏂᏍᏆᎸᏂᏍᏔᏁᎢ.\nᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎡᎳᏆᏗ ᏣᏁᎳ ᎢᏳᏩᏂᎸ ᏫᏓᏂᏅᎨᎢ ᎦᏂᏏ.\nᎦᎦᏍ ᎡᏍᏛ ᏒᎦᏔ ᎢᏳᎾᏍᏗ ᏗᎨᎵᏍᎩ ᏕᎦᎶᏛ, ᎠᏰᎳ ᏓᎶᏂᎨ ᎠᏕᎳ ᎢᏗᎬᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏴ ᎦᏙᎩᏯᏍᎬ ᎥᏝ ᎬᏁᎳᎩᏉ ᎾᏍᎩᏯ ᏱᎦᏙᎩᏯᏍᎦ; ᎦᎵᎲ ᎥᏝ ᎩᎶ ᎤᏃᎴᏉ ᏥᎦᎵᎥᏂᎰ ᎾᏍᎩᏯ ᏱᎦᎵᎭ.\nᎤᏙᎯᏳᎩ?” ᎤᏦᏱᎴ ᏫᎵᎻ.\nᏝ ᎿᏉ ᏰᎵ ᎩᎶ ᏍᎦᏁᏨᎯ ᎬᏩᏁᏤᏗ ᏱᎨᏎᎢ; Ꮭ ᎠᎴ ᎩᎶ ᎾᎯᏳ ᎢᏳᏓᎴᏅᏛ ᏰᎵ ᎦᎬᏩᏛᏛᏗ ᏱᎨᏎᎢ.\nᏍᏔᏯ ᎠᏂᏬᏂᏍᎪ ᏃᎴ ᎡᏝᏪᎯ, ᎨᏍᏗ ᏱᎪᎵᎨ ᎢᏳᏍᏗ ᎾᏂᏪᏍᎬ ᎡᎳᏗᏨ ᏥᏙᎬ.\nᏏᏌ, ᎤᎾᏛᏅᎩ. ᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏏᏌ ᎠᏗᎾ ᎡᏥᎲᏏ ᏏᏌ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᏓᏗᎶᏂᏃ ᏫᏗᎨᎦᏘᏃᎸ ᏤᎪᎾᏯ ᏌᎳᏓᏱᎵ ᎤᏕᏁᎴᎢ; ᏌᎳᏓᏱᎵᏃ ᏥᎳᏇᎵ ᎤᏕᏁᎴᎢ;\nᎠᎴ ᎠᎰᎵ ᎤᏍᏚᎢᏒᎩ ᎤᏁᎳᏅᎯ ᎠᏐᏢᎢᏍᏗᏍᎬᎢ, ᏚᏙᎥ ᎦᎬᏩᏐᏢᏙᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎤᏤᎵ ᎦᎵᏦᏛᎢ, ᎠᎴ ᎾᏍᎩ ᎾᎦᎸᎳᏗ ᎠᏁᎯ.\nᎾᏍᎩᏃ Ꮎ ᎤᎪᎲᎯ ᎤᏃᎮᎸᎩ, ᎧᏃᎮᏍᎬᏃ ᎤᏙᎯᏳᎭ, ᎠᎴ ᎠᎦᏔᎭ ᎤᏙᎯᏳᎯ ᎧᏃᎮᏍᎬᎢ, ᎾᏍᎩ ᎨᏦᎯᏳᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᎴ ᎾᏍᎩ ᏓᎬᏩᎵ, ᎠᎴ ᏦᎢᏁ ᎢᎦ ᏙᏛᎠᎴᏂ. ᎤᏣᏔᏅᎯᏃ ᎤᏲ ᎤᏂᏰᎸᏅᎩ.\nᎭᏁᎵᏍᎬ ᏱᏄᏍᏛᎾ ᏱᎩ.\nᏂᏗᎥ ᎢᏗᏏᏴᏫᎭ ᎨᏒ ᎾᎥ ᎢᎦᏓᎳ ᎣᏍᏛ ᎤᏰᎸᏗ ᎨᏒ ᏂᏓᏛᏁᎮᏍᏗ ᎾᏍᎩ ᎣᏍᏛ ᎨᏒ ᎤᎵᏂᎪᎯᏍᏗᏱ ᎤᎬᏩᎵ.\nᎠᎦᏙᎥᎯᏍᏗᏃ ᎨᏒ ᏔᎵ ᎢᏨᏗᏍᎨᏍᏗ ᎠᎵᏏᎾᎯᏍᏙᏗ ᎨᏒᎢ; ᎠᎵᏏᎾᎯᏍᏙᏗᏃ ᎨᏒ ᏔᎵᎢᏨᏗᏍᎨᏍᏗ ᏗᏨᏂᏗᏳ ᎨᏒᎢ; ᏗᏣᏂᏗᏳᏃ ᎨᏒ ᏔᎵ ᎢᏨᏗᏍᎨᏍᏗ ᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒᎢ;\nᎾᏍᎩᏰᏃ ᎾᏍᏉ ᎾᎾᏛᏁᎮ ᎡᏘ ᎠᏃᏍᏛ ᎠᏂᎨᏴ ᎤᏁᎳᏅᎯ ᎠᎾᏓᏍᎦᏍᏙᏗᏍᎩ ᏓᎾᏣᏅᏍᎨᎢ, ᏚᏃᎯᏳᎭ ᏗᎬᏩᏂᏰᎯ,\nᎤᏍᎪᏒ ᏭᎶᏒ ᏂᎬᎾᏛ ᎡᏙᎮ, ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎠᎴᏂᏍᎩ ᏏᏆ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᏩᏍᏗ, ᎩᎶ ᏳᎪᎲᎾ.\nᎤᎬᏫᏳᎯᏃ ᏓᎧᏁᏥ ᎯᎠ ᏂᏙᏓᎦᏪᏎᎵ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎾᏍᎩᏰᏃ ᏥᏁᏣᏛᏁᎸ ᎤᏍᏗᎧᏂ ᎯᎠ ᎾᏍᎩ ᎣᏣᎵᏅᏟ, ᎠᏴ ᏂᏍᎩᏯᏛᏁᎸᎩ.\nᏫᏥ ᎢᏣ ᏭᎶᏎ, ᎩᎳ ᎤᏕᏅ ᎤᏃᏕᎾ ᎠᏓᎯ ᎤᏍᏓᏩᏗᏒ ᎤᎪᎮ ᏫᎵᎻ.\n“ᎠᎾᏓᎪᎾᏗᏍᎬᎢ ᏥᏍᏕᏥ ᎤᏤᎵ ᏦᏒᎢ.\nᎶᎻᏍᎩᏂ ᎤᏪᏙᎸ ᎤᎵᏂᎩᏛ ᎠᎩᏲᎸᎩ, ᎠᎴ ᎠᎩᏩᏛᎲᎩ.\nᎤᏰᏤ ᏧᏍᏆᏴᏍᏗ.\nᏓᏔᎴᎦᏒ ᎦᎸᎳᏗ ᎠᏦᎭᏴ, ᏃᎴ ᎤᎾᎴᏗ ᏙᎪᏒᎲ ᎤᎾᎴᏗ ᏗᏂᏍᏔᏲᎯ.\nᎤᎵᏏᎩ ᏂᎦᎵᏍᏗᏍᎬ, ᎤᏍᏗ ᎪᏔᏍᎨ ᏔᎷᎩᏍᎩ ᎪᎭᏱᏅᏍᏘ ᎠᎰᎵ ᎢᎬᏓ.\nᏐᏉ ᎢᏳᏪᏅᏍᏗ ᎢᎪᎯᏓ ᎤᏰᎵᏙᎴ ᎧᏃᎯᏎᎲ ᎠᎵᏥᏙᎲᏍᎩ ᎤᏍᏆᏂᎩᏗ ᏄᎵᏍᏔᏅ ᏕᎦᎶᎨᏒ.\nᎠᏰᎵᏃ ᎤᏜᏅᏛ ᎾᎿ ᎡᏓᏍᏗᏱ, ᎠᎴ ᎢᏧᎳᏗᏢ ᎤᏪᏴᎢ, ᏡᎬᎩ ᎬᏂᏛ ᎠᏓᏁᎯ ᏡᎬᎢ, ᎾᏍᎩ ᏔᎳᏚ ᎢᏳᏓᎴᎩ ᎠᏓᏛᏍᎬᎩ ᎠᎴ ᏂᏓᏦᎳᏂᏒ ᎬᎾᏍᎬᎩ ᎤᏓᏔᏅᎯ; ᎤᎳᏍᏚᏒᏃ ᎤᎾᏅᏬᏗ ᎨᏒᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎤᏓᏅᏖᏍᎩ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏔᏲᎴ ᎤᏩᏛᏗᏱ ᎤᏁᎳᏗᏍᏗᏱ ᎤᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ.\nᏁᏂᏏ ᎢᏣ ᎤᎵᏍᎫᏩ ᏣᎵ.\nᎿᏉᏃ ᎠᏏᏴᏫ ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᏒᎢ, ᏧᏓᏏ ᎢᏍᎦᎳᏗ ᏧᏙᎢᏛ, ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏫᏚᎷᏤᎴᎢ,\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᏕᎬᏕᎨᏍᏗ ᎤᏙᏓ ᎠᎴ ᎤᏥ, ᎠᏜᏩᏍᏗᏍᎨᏍᏗᏃ ᎤᏓᎵᎢ, ᎾᏍᎩᏃ ᎠᏂᏔᎵ ᏌᏉᏉ ᎨᏎᏍᏗ ᎤᏂᏇᏓᎸᎢ.\nᏙᎢᏳᏍᏗ ᎭᏗ ᎣᎯᏍᏙᏗ?, ᎤᏛᏅ ᎠᏂᏴᏫ ᏧᎦᏎᏍᏗᏕᎩ\n“ᏏᏆ ᎤᎾᏕᏁ ᎤᏒᎯ.” \nᎨᏍᏗ ᏔᎵᏁᎢ ᏳᏓᏅᏌ.\nᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ, ᎡᏆᎭᎻ ᏅᏓᏳᏁᏢᏔᏅᏛ, ᎠᎴ ᎩᎶ ᎢᏣᏓᏑᏰᏍᏗ ᎡᏥᎾᏰᏍᎩ ᎤᏁᎳᏅᎯ, ᏂᎯ ᎢᏣᏛᎪᏗ ᎡᏥᏰᎸᎾᏁᎸ ᎧᏃᎮᏛ ᎾᏍᎩ ᎯᎠ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎧᏃᎮᏍᎩ.\nᏰᎵᏉᎴ ᏱᎩ ᎠᏆᏛᏅ.\nᏚᏖᎸᏅ ᏧᎳᏏᏕᏅ, ᎣᏍᏓ ᏧᏂᎪᏩᏛᏗ.\nᎺᎵᏃ ᎯᎠ ᏄᏪᏎᎴ ᏗᎧᎿᏩᏗᏙᎯ; ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎾᏍᎩ ᏱᏂᎦᎵᏍᏓ, ᏂᏥᎦᏔᎲᎾᏃ ᏥᎩ ᎠᏍᎦᏯ?\nᎤᎬᏓᎴᏃ ᎤᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏣᎬᏫᏳᎯ, ᎢᎬᏱ ᎨᎾ ᏥᏂᏌᏄᎦ ᎡᏙᏓ.\nᎦᏓ ᎦᏓᏁ ᎢᏳᏍᏗ ᎠᏒᎨ ᎤᏃᎴ, ᏃᏥ ᎢᏳᏍᏗ, ᎤᎦᎾᏍᏓ ᎪᎨᏱ.\nᎤᏣᏗᏍᎩᏂᏃᏅ ᎤᏍᏆᏂᎪᏗ ᏧᎸᏫᏍᏓᏁᎸᎯ ᎨᏒᎩ ᎠᏂᎦᏔᎲᎢ, ᎠᏎᏃ ᎥᏝ ᏱᎬᏬᎯᏳᏁᎢ.\n”ᏐᏉ ᎠᏯᏖᎾ ᎢᏳᏛᏅᏓᎩᏓ.\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎡᏆᎭᎻ, ᎾᎯᏳ ᎠᏥᎪᎵᏰᎥ ᎡᏏᎩ ᎤᎵᏍᎪᎸᏔᏁᎢ; ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᏥᏚᎢᏍᏓᏁᎸᎯ ᎨᏒ ᎤᏩᏒᎯᏳ ᎤᏪᏥ ᎤᎵᏍᎪᎸᏔᏁᎢ.\nᎠᎴ ᎤᎵᏍᏈᏗ ᎤᎩᏒ, ᎠᎴ ᎤᎵᎮᎵᏨ, ᎾᏍᎩ ᏚᏁᎴᎢ; ᏂᎦᏛᏃ ᎾᏍᎩ ᎤᎾᏗᏔᎮᎢ.\nᎠᎳᏂ ᏃᎴ ᎪᏱᏁᎢ ᏓᏆᎴᎳ ᏩᎩᏠᏫᏍᏗ ᎦᎾᎸᎢ ᏓᏂᏙᎨᎢ.\nᎪᎯᏳᎯᏃ ᎠᏓᏃᎵᏍᏙᏗ ᎨᏒ ᏓᏳᏍᏕᎸᎯ ᎤᏢᎩ, ᎤᎬᏫᏳᎯᏃ ᏙᏓᏳᎴᏔᏂ; ᎢᏳ ᎠᎴ ᎤᏍᏚᏅᏨᎯ ᎨᏎᏍᏗ ᎾᏍᎩ ᏣᏥᏂᎯᏎᏗ ᎨᏎᏍᏗ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ ᏂᏥᎥᎢ. ᎡᎺᏅ.\nᏫᏚᏯᏅᎲᏃ ᏴᏫ, ᎠᎴ ᎾᏍᏉ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎩᎶ ᎤᏚᎵᏍᎨᏍᏗ ᎠᎩᏍᏓᏩᏛᏍᏗᏱ, ᎤᏩᏒ ᎠᏓᏓᏱᎮᏍᏗ, ᎠᎴ ᎤᏩᏒ ᎤᏤᎵ ᏧᏓᎾᏩᏛ ᎠᏱᏍᎨᏍᏗ, ᎠᎴ ᎠᎩᏍᏓᏩᏕᎨᏍᏗ.\nᎯᎠᏍᎩᏂ ᎪᏪᎳ ᎢᏦᎯᏳᏗᏱ ᏥᏌ ᎪᎶᏁᏛ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏒᎢ, ᎢᏦᎯᏳᎲᏍᎬᏃ ᎬᏂᏛ ᎢᏣᏥᎵ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᏚᏙᎥ ᏅᏓᏳᎵᏰᎢᎸᏍᏙᏗᏱ.\nᏓᏍᏚᎩᏍᎨ ᏗᏂᏰᎸᎢ ᏃᎴ ᏓᎩᏍᎨ ᏧᏪᎵᏏᏯ.\nᎢᎬᏩᏙᏢᏔᏁᏉᏃ. ᏂᎦᏛᏃ ᏚᏄᎪᏫᏐᏅ, ᎯᎠ ᎾᏍᎩ ᎠᎨᏳᏣ ᎤᏙᏓ ᎠᎴ ᎤᏥ ᎠᎴ ᎾᏍᎩ ᎠᏁᎯ ᏚᏘᏅᏎ, ᎠᎴ ᏭᏴᎴ ᎾᎿ ᎠᎨᏳᏣ ᏗᏐᏅᎢ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏕᏍᏗ ᎯᏁᎨᏍᏗ ᎠᎴ ᏕᎭᏕᏲᎲᏍᎨᏍᏗ.\nᏤᏍᏗ ᏱᏦᎯᏳᏁᏍᏗ, ᏤᏍᏗ ᏱᏦᎯᏳᏁᏍᏗ.\nᎼᏏᏃ ᎤᎪᎲ ᎤᏍᏆᏂᎪᏎ ᏄᏍᏛ ᎠᎪᏩᏘᏍᎬᎢ. ᎤᎪᎵᏰᏗᏱᏃ ᎤᏰᎸᏅ ᎾᎥ ᏭᎷᏨ ᏗᎪᎵ-ᏰᏎᎢ, ᎤᎬᏫᏳᎯ ᎧᏁᎬ ᎤᏛᎦᏁ [ᎯᎠ ᏂᎦᏪᏍᎨᎢ;]\nᎠᏎᏃ ᎤᏁᏨ, ᎯᎠ ᏄᏪᏎᎢ; ᎯᎠ ᏂᎬᏅ ᎪᏪᎳ, ᏴᏫ ᎥᏝ ᎦᏚᏉ ᎤᏩᏒ ᏱᎬᎿᏗᏍᏗ, ᏂᎦᎥᏍᎩᏂ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎠᎰᎵ ᏅᏓᏳᎾᏄᎪᏨᎯ.\nᏅᎩ ᏗᏂᏅᏌᏗ ᏃᎴ ᎠᏤ ᎠᎾᎢ ᎠᏁᎰᎢ.\nᎾᏍᎩᏰᏃ ᎢᏳᏍᏗ ᎠᏥᎸ-ᎨᎶᎯ ᎢᎩᎵᎶᎲᏍᎩ ᎨᏒᎩ, ᎾᏍᎩ ᎾᏍᎦᏅᎾ, ᎤᏲ ᎢᎬᏩᏓᏛᏁᏗ ᏂᎨᏒᎾ, ᎠᏍᎦᎾ ᏄᏓᏅᎦᎸᎾ, ᎠᏂᏍᎦᎾ ᎠᏁᎲ ᎠᎦᏓᏓᎴᏔᏅᎯ, ᎠᎴ ᎦᎸᎶ ᎤᏗᏗᏢ ᎢᏴᏛ ᎠᏥᏌᎳᏓᏅᎯ;\nᎠᏎᏃ ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᎪᎱᏍᏗ ᎡᏍᎦ ᎬᏰᎸᎾᏁᎲ ᎢᎩ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎳᎩ ᏥᏰᎵᏎᎭ Ꮎ ᎠᎨᏴ ᏤᏏᏈᎵ, ᎦᏙᎴᎣᏍᎩ ᎠᏴ ᏣᏗᎭ, ᏧᏪᏲᏗᏱ ᎠᎴ ᏧᎶᏄᎮᏗᏱ ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎤᏕᎴᏛ ᏧᎾᏂᏏᏗᏱ ᏗᏆᏤᎵ ᎦᏥᏅᏏᏛ, ᎠᎴ ᎤᏂᎩᏍᏗᏱ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ.\nᎠᏎᏃ ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ ᎥᏝ ᎪᎱᏍᏗ ᏯᎩᏖᎸᎲᏍᎦ, ᎠᎴ ᎾᏍᏉ ᎬᏅ ᎥᏝ ᎤᏣᏘ ᏯᎩᎸᏉᏗ, ᎢᏳᏃ ᎤᎵᎮᎵᏍᏗ ᏯᏆᏓᏅᏔ ᏯᎩᏍᏆᏛ ᎦᎴᏂᏙᎲᎢ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎠᎩᏁᎸᎯ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎬᏂᎨᏒ ᏂᎬᏁᎲ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎧᏃᎮᏍᎩ.\nᎰᏩᏃ ᎾᏍᎩ ᎾᏆᏛᏁᎸᎩ ᏥᎷᏏᎵᎻ; ᎠᎴ ᎤᏂᏣᏛᎩ ᎤᎾᏓᏅᏘ ᏕᏥᏍᏚᏅᎩ ᏗᏓᏍᏚᏗᏱ, ᎬᎩᏁᏤᎸᎯ ᎨᏒᎩ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ; ᏕᎨᏥᎷᎦᏃ ᏥᏁᎬᎩ ᎦᏥᏯᏡᏗᏍᎬᎢ.\nᏂᎦᏛᏃ ᎤᏂᎾᏰᏎᎢ; ᎠᎴ ᎤᏂᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᎠᏥᎸᏉᏗ ᎠᏙᎴᎰᏍᎩ ᎦᎾᏄᎪᎩ ᎢᏕᎲᎢ; ᎠᎴ ᎯᎠ; ᎤᏁᎳᏅᎯ ᏓᏩᏛᎯᎦ ᏧᏤᎵ ᏴᏫ.\nᎾᏍᎩᏰᏃ ᎣᏍᏛ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎨᏒ ᎠᏂᏯᏙᎯᎲᎢ, ᎠᏂᏩᏛᏗᎭ ᎣᏍᏛ ᎨᎦᏓᏅᏖᏗᏱ, ᎠᎴ ᎤᏣᏘ ᏄᎾᏰᎯᏍᏛᎾ ᎠᏓᏅᏓᏗᏍᏗᏱ ᎪᎯᏳᏗ ᎨᏒ ᎦᎶᏁᏛ ᏥᏌ.\nᎥᏍᏈᏯ ᎾᏆᎵᏍᏔᏁᎸ ᏐᏊ ᎢᏳᏩᎦᏘ.\nᎧᏁᎬᏃ ᎥᏝ ᏰᎵ ᎦᎬᏩᏂᎪᏁᎶᎯᏎᏗ ᏱᎨᏎ ᏴᏫ ᎠᏂᎦᏔᎲᎢ; ᎤᏂᏍᏆᏂᎪᏎᏃ ᏄᏪᏒ ᎤᏁᏨᎢ, ᎠᎴ ᎡᎳᏪᏱ ᎤᏅᏁᎢ.\nᎤᏓᏅᎣᏃ ᎤᎷᏥᏌᏁᎴᎢ, ᎠᎴ ᎩᎳᏉ ᎢᏴᏛ ᎤᏗᏛᎮᎢ; ᎤᏁᏤᏃ ᎤᎵᏍᏓᏴᏗ ᎤᏂᏁᏗᏱ.\nᏙᏴᏛᏃ ᏚᏪᏍᏔᏁᎮ ᏧᎳᏏᏕᎾ ᏩᎭᏯ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎠᏫᏍᎬᎢ, ᎾᏍᎩ ᎢᎦᏛ ᏅᏃ ᎱᎶᏗ ᎤᎳᎨᏯᏛᏤᎢ, ᏥᏍᏆᏃ ᎠᎸᎶᎢ ᎠᏂᏃᎯᎵᏙᎯ ᎤᏂᎷᏤ ᎠᎴ ᎤᏂᎪᏁᎢ.\nᎠᎩᎷᏤᎸ ᎤᎴᏂᎸᎩ, ᎯᎠ ᎾᎩᏪᏎᎸᎩ; ᏗᎾᏓᏅᏟ ᏐᎳ, ᏥᎯᎪᏩᏛ. ᎾᎯᏳᏉᏃ ᏙᏥᏯᎦᎿᏅᎩ.\n”ᏫᎵᎻ ᎤᎾᎵ.\nᏥᏌᎤᏁᏨᎩ; ᎤᏙᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᎬᏪᏎᎭ, ᎩᎶ ᎠᎹ ᎠᎴ ᎠᏓᏅᏙ ᎬᏩᎾᏄᎪᏫᏒᎯ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ ᎥᏝ ᏴᎬᏴᎭ ᎾᎿ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᏁᏅᏎ ᎠᎴ ᏗᎦᏚᎲ ᏭᏂᏩᏛᎮ ᎾᏍᎩᏯ ᏂᏚᏪᏎᎸᎢ; ᎤᎾᏛᏅᎢᏍᏔᏁᏃ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ.\nᎦᏌᏆᎸ ᎤᏬᏗᎨ ᎠᎨᏯ, ᎦᏙᏗ ᎢᏳᏍᏗ ᏴᏫ ᎤᏍᏚᎩᏒ ᎠᏍᏚᏗ.\nᏭᏂᏍᏆᏓᏃ ᎤᎳᏍᏛᏟᏁ ᏩᎭᏯ.\nᏫᎵᎻ ᎦᏅᎬ ᎤᎵᏗᏨ ᏚᏟᏂᏆᏅᏁ ᎡᎳᏆᏗ, ᎠᏍᎪᎵᏰᏍᎨ ᏃᎴ ᎤᏨᏉᏗ ᎠᏛᏁᎵᏍᎨ.\nᏍᏈᏍᏓ ᏴᏫ ᎫᏩᏩᏛᎯᏙᎴ ᎾᎯᏳ ᎢᎦ ᏒᎮᏱᏣ, ᏃᎴ ᎠᎴᏂᏙᎮ ᎤᏣᏓ ᎣᏍᏓ ᏗᎧᏃᏗ ᎮᎵᏍᎬ.\nᎢᏥᏯᏫᏍᎨᏍᏗ ᎠᎴ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎤᏓᎪᎵᏰᏗᏱ ᎨᏒ ᏫᏥᎾᏄᎪᎢᏍᏗᏱ ᏂᎨᏒᎾ ᎨᏒᎢ. ᎠᏓᏅᏙ ᎤᏙᎯᏳᎯ ᎤᏛᏅᎢᏍᏗ, ᎤᏇᏓᎸᏍᎩᏂ ᏩᎾᎦᎳᎯᏳ.\nᎤᏲᎢᏴ ᎢᎦᏪᏍᏗ, ᎤᏙᎯᏳ ᎧᏃᎮᏍᎬ ᎠᎵᏏᏕᏅ ᎦᏂᏏᏅᏒ ᏰᎵ ᎢᎦ.\nᏤᏍᏗ ᏎᎾ ᏯᏓᏬᏍᎨᏍᏗ ᎤᏍᏗ ᎠᏣᏗ; ᎨᏍᏗ ᎣᏍᏓ ᏱᏨᎪᏩᏘ ᏣᏍᏗᎩ. ᏴᏨᏯᏤᏍᏛᏓ.\n“ᎭᏂᏉ ᎢᎨᏅᏒ ᎢᏕᏙᎮᏍᏗ ᎡᏝᏪᎯ-ᏝᏪᎯ-ᏝᏪᎯ.\nᏧᎾᎵᏗᎩᏓᎾ ᎤᎾᏗᏍᎦᏟ ᏚᏅᏓᏒ?\nᏫᎵᎻ ᎠᏍᎪᎵ ᎾᎥᏂ ᏚᏟᏂᏆᏁ ᎡᎳᏆᏗ, ᎠᏍᎪᎵᏰᏍᎨ.\nᎠᎴ ᎥᏝ ᏱᎬᎩᏩᏛᎮ ᎩᎶ ᏲᏍᏓᏗᏒᎯᎮ ᎣᏍᏗᏬᏂᏍᎬᎢ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎥᏝ ᏱᏗᏥᏖᎸᎲᏍᎨ ᏚᎾᏓᏅᏛ ᏴᏫ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏕᎨᏌᏗᏒᎢ ᎠᎴ ᎢᎸᎯᏢ ᎦᏚᎲᎢ.\nᎠᏴ ᏃᏊ ᏦᎢ ᎢᏲᏦᎢ ᎣᏥᏍᏓᏩᏛᏒ ᎠᎴ ᎢᎸᏢ ᎩᏄᏛᏗ ᎢᏳᏟᎶᏓ ᎢᏳᏓᏅᎯᏓ ᎤᏂᎩᏒ ᎪᎱᏍᏗ ᏣᎨᎯᏐ ᎢᏳᏍᏗ ᎤᏔᎾ ᏧᏍᎦ ᏡᎬ ᎤᏕᏲᎸ ᎠᎴ ᎦᎸᎳᏗ ᎢᏗᏜ ᏫᏓᏑᏫᏍᎪ.\nᎢᎬᏱᏱᏰᏃ ᎨᏒ ᏕᏥᎳᏫᎩ ᎢᏣᏓᏡᎬ ᎢᎸᏍᎩ ᏂᏣᏓᏗᏍᎬ ᎦᏛᎩᎭ; ᎠᎴ ᎪᎢᏳᎲᏍᎦᏉ ᎢᎦᏛ.\n”ᎤᏍᏓᎦᏴᎯᏓ ᎭᏗ.”\nᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᏍᏉ, ᏂᎦᏓ ᏗᎨᏥᎾᏌᎢ ᎠᎯᏗᎨ ᎤᏂᏟᏅᏤ, ᏌᎳᏓ ᎤᏩᏌ.\nᏂᎦᏓ ᏩᏂᏙᎾᎡ ᏏᏆ ᎠᏍᏚᏗ, ᎤᎾᎦᏙᏍᏕᎢ ᏓᏏᎳᏛ ᏃᎴ ᎤᏩᎦᏘᎶᏓ ᎾᏂᏪᏍᎨ ᎪᏪᎸ, ᎾᎥ ᎦᏙᎨ ᏫᎵᎻ, ᎤᏣᏓ ᎣᏍᏓ ᎤᏓᏅᏖ, ᎡᏆ ᎤᏤᎸᎯ ᎠᎧᏖᏃᎮ.\nᎯᎸᏍᎩᏃ ᏫᏄᏒᏢ, ᎤᏍᏗᏃ ᎠᏧᏣ ᎤᏩᏛᎮᎢ ᎢᏈᎬᎢ ᎤᏲ ᎤᏓᏅᏖ ᎠᎴ ᏚᏩᏅᎦᏢ ᏚᏁᏃᏛᎢ.\n”ᎩᎶ ᏣᏆᏟᏃᎮᏗᏍᎬ ᎤᏒᎯ ᎦᏢᏗ ᎤᏍᏆᎸᎲ, ᎬᏂᎨᏒ ᏫᎾᏛᎦ!” \nᎠᎴ ᎢᎩᎬᏫᏳᎯ ᎠᎴ ᎠᏥᎸ-ᎢᏕᎶᎯ ᎢᎬᏁᎸᎯ ᏥᎩ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎤᏙᏓ ᏧᏤᎵᎦ; ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎠᎪᏎᎮᏍᏗ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ. ᎡᎺᏅ.\nᎠᎴ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎤᏂᏣᏘ ᏗᎧᎸᎬ ᎠᎴ ᏭᏕᎵᎬ ᎢᏗᏢ ᏗᏂᎶᏍᎨᏍᏗ, ᎠᎴ ᎢᏧᎳᎭ ᎠᎾᏅᎥᏍᎨᏍᏗ ᎡᏆᎭᎻ, ᎠᎴ ᎡᏏᎩ, ᎠᎴ ᏤᎦᏈ, ᎦᎸᎳᏗ ᎡᎯ ᎾᎿ ᎤᎬᏫᏳᎯ ᎨᏒᎢ,\n”ᎧᏁᎢᏍᏗ ᎯᏍᎩᏲᎮᎸ!” ᏭᏬᏎᎵᎡ ᏌᎳᏓ.\nᎣᏍᏛᏍᎩᏂ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏓᎾᏣᏅᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᏧᎾᏁᎶᏗ ᎠᏂᎨᏴ ᏧᏂᎵᎶᎲᏍᎦ.\nᎢᏳᏉ ᎠᏆᏕᎶᎰᏒ ᎤᏂᏣᏘ ᎬᏂᎨᏒ ᏂᏚᏅᏅ ᏧᎾᏥᎶᏍᏔᏅ ᏗᏂᎳᏫᎩ ᏚᏂᏍᏆᏚᎸ, ᎭᎾᎾ ᏗᏦᎯᏍᏗ ᎠᎾᏔ ᏃᎴ ᎠᎾᏘᎨ ᎠᏂᎨᏯ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏚᎩ ᎠᏋᎭ ᎾᏍᎩ ᏥᏅᏍᏗᏱ ᎢᎬᏪᏅᏛ ᎦᏙᎴᎣᏒᏉ ᎢᏯᏉᎵᏍᏓᏁᏗ ᎨᏒᎢ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎢᏳᏃ ᏣᏍᏆᏗᏍᏗᏱ ᏣᏚᎵᏍᎨᏍᏗ, ᎮᎾ, ᏫᎾᏚᎦ ᏣᎿᎥᎢ, ᎠᎴ ᏘᎲᏏ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ, ᎦᎸᎳᏗᏃ ᏫᏣᎮᏍᏗ ᏧᎬᏩᎶᏗ; ᎠᎴ ᏖᏒ ᏍᎩᏍᏓᏩᏕᏒᎭ.\nᎥᏝ ᎢᏨᏲᏎᎭ; ᏂᎯᏍᎩᏂ ᏂᏗᏥᏁᏟᏴᏒᎾ ᎢᎨᏎᏍᏗ ᏕᏣᏓᏅᏛᎢ, ᏂᎦᏛ ᎾᏍᎩᏯ ᏓᏩᏗᏒᏂ.\nᎧᏂᎩᏛ ᎦᏣᏃᏍᏓ ᎢᏰᏆ ᎡᎳᏗ ᎢᎦᏘ ᎠᏍᎦᏯ ᎤᏢᏗ, ᎦᏓᏁ ᎤᏍᏗ ᏅᏯ ᎦᎳᎨᏴ ᎠᎫᏬᏰᏅ ᎢᏯᏖᏅ ᎠᎹᏳᎸᏓ ᎾᎥᏂ.\nᎣᏍᏓ ᎤᎧᏙᏍᏔᏁᎢ ᏫᎵᎻ ᎡᎶᏗ, ᎤᏙᎯᏳᎯ, ᎣᏍᏓ ᏏᏆ, ”ᎤᏍᏆᏂᎩᏗ ᏏᏆ,” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎥᏝᏰᏃ ᎠᏋᏒᏉ ᎠᏆᏓᏅᏖᏛ ᎠᎩᏁᏨᎯ ᏱᎩ, ᎠᎦᏴᎵᎨᎢᏍᎩᏂ ᏅᏛᎩᏅᏏᏛ, ᎾᏍᎩ ᎠᎩᏁᏨᎸ ᎢᏯᎩᏪᏍᏗᏱ ᎠᎩᏬᏂᎯᏍᏗᏱ.\n”ᏓᏓᎾᏁᎶᏂᎨ?” ᎤᏛᏛᏁ.\n“ᎡᏝᏪ ᎨᏎᏍᏗ, ᏫᎵᎻ.\nᎠᏎᏃ ᎢᏥᎦᏔᎭ ᎠᏩᎾᎦᎳᎯᏳ ᎨᏒ ᎠᎩᏇᏓᎸᎢ ᎢᏨᏯᎵᏥᏙᏁᎸ ᎣᏍᏛ ᎧᏃᎮᏛ ᎢᎬᏱᏱ;\nᎩᎳᏈᏴ ᎦᏣᏃᏍᏓ ᎤᏩᏁ ᏫᎵᎻ.\n“ᎤᏙᎯᏳᎭᏧ?” ᎤᏛᏛᏁ ᏥᏍᏕᏥ, ᎤᎾᏰᎯᏍᏗ ᎤᎦᏙᏍᏕᎢ ᎦᏅᏙᏗ.\nᎠᏂᏃᏔᏅᎲᏍᎩᏃ ᎡᎶᎯ ᎠᏁᎯ ᏙᏛᎾᏠᏱᎵ ᎠᎴ ᏙᏛᏂᏴᎳᏏ ᏓᎬᏩᏍᎪᏂᎵ ᎾᏍᎩ; ᎥᏝᏰᏃ ᎿᏉ ᎩᎶ ᏱᎬᏩᏂᏩᎯᏎᎭ ᎦᏃᏙᏗ;\nᏗᏃᏪᎵᏍᎩᏃ ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎤᎾᏛᎦᏁᎢ, ᎠᎴ ᎤᏂᏲᎴ ᎢᏳᏅᏁᏗᏱ ᎤᏂᎯᏍᏗᏱ; ᎬᏩᎾᏰᏍᎨᏰᏃ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏂᎦᏛ ᏴᏫ ᎤᏂᏍᏆᏂᎪᏍᎬ ᏄᏍᏛ ᏓᏕᏲᎲᏍᎬᎢ.\n“ᎤᏍᏆᏂᎩᏗ.\n“ᎢᎪᎯᏓ ᎦᏓᏅᏖᏍᎪᎢ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ, ᎤᏂᏥ ᎦᎳᎩᏍᎨ ᎦᎴᏂ.\nᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᎠᏁᎯ ᏚᎾᎴᏅᎩ, ᎠᎴ ᎠᏰᎵᏧᏂᎸᏫᏍᏓᏁᎯ ᏚᏂᎳᏫᏨᎩ ᎠᎾᏡᏗᏍᎬ ᎤᎬᏫᏳᎯ ᎠᎴ ᎠᎾᏡᏗᏍᎬ ᎤᏤᎵ ᎦᎶᏁᏛ.\nᎤᏁᎳᏅᎯᏰᏃ ᏚᎳᏁᎸ ᎫᏂᎾᏫᏱ ᏄᏍᏛ ᎠᏓᏅᏖᏍᎬ ᎤᏂᏍᏆᏗᏍᏗᏱ, ᎠᎴ ᏌᏉᎢᏳᏅᏁᏗᏱ ᏚᎾᏓᏅᏛᎢ, ᎠᎴ ᏧᏂᏲᎯᏎᏗᏱ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎾᎿ ᎤᏂᎬᏫᏳᎯ ᎨᏒᎢ, ᎬᏂ ᎤᏁᎳᏅᎯ ᎤᏁᏨ ᎾᏍᎩ ᎢᏳᎵᏍᏔᏅᎯ ᎨᏎᏍᏗ.\nᎢᏳ ᎠᎴ ᎠᎦᎴᏂ ᎯᎠ ᏱᏄᏪᏒ, ᎠᏴ ᎠᎦᏔ ᏂᎨᏒᎾ ᏥᎩ ᎥᏝ ᎠᏰᎸ ᏯᏆᏘᏝ; ᎾᏍᎩᏍᎪ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎥᏝ ᎠᏰᎸ ᏳᏘᏝ?\nᎦᏕᎶᎣᏍᎦ ᎪᎱᏍᏗ ᎤᏲ ᏱᏣᎵᏍᏔᏁᎳ ᎠᏎ ᎠᏯ ᏍᎩᎷᏤᎰᎢ.\nᎡᎶᏛᏃ ᎤᎬᏫᏳᎯ ᎤᏛᎦᏅ ᎾᏍᎩ, ᎤᏪᎵᎯᏍᏗ ᎤᏓᏅᏓᏕᎢ, ᎠᎴ ᏂᎦᏛ ᏥᎷᏏᎵᎻ ᎠᏁᎯ.\nᎠᏏᏉ ᏓᏂᎳᏫᎥ ᎠᏂᏆᎵᏏ, ᏥᏌᏚᏛᏛᏅᎩ,\nRoss ᎤᏓᏅᏖᏗᏍᎬ, ᏂᏛᏓᎴᏂᏍᎬ ᎠᎦᏛ ᏥᏬᏂᏍᎬ ᏣᎳᎩ, ᎨᏍᏗ ᏙᏰ ᏂᎦᎵᏍᏗᏍᎬ ᎫᏩᏁᎢᏍᏙᏗ ᏱᎨᏎ, ᎦᏲᏟᏉ ᎪᎵᎬ ᏧᏤᎵ ᎠᏂᏴᏫ ᎠᏂᏬᏂᏍᎬ.\nᏂᎯᏃ ᎢᎸᎯᏳ ᏁᏣᏓᎴᏉ ᏥᎨᏎᎢ, ᎠᎴ ᎡᏥᏍᎦᎩ ᏥᎨᏎ ᏙᏗᏣᏓᏅᏛᎢ ᎾᏍᎩ ᎤᏲ ᏕᏥᎸᏫᏍᏓᏁᎲᎢ ᎠᏎᏃ ᎪᎯ ᎿᏉ ᎢᏦᎯᏍᏓᏁᎸ,\n“ᎠᏯᎨ ᎪᎱᏍᏗ ᏂᏍᏋᏁᎭ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎾᏍᏉ ᎢᏣᏛᏅᎢᏍᏕᏍᏗ; ᏴᏫᏰᏃ ᎤᏪᏥ ᏓᎦᎷᏥ ᎢᏳᏉ ᎠᎵᏰᎢᎵᏒ ᏂᏤᎵᏍᎬᎾ ᎨᏒᎢ.\nᏂᎯᏃ ᏗᏥᏲᎱᏒᎯ ᏂᎨᏒ ᎤᏣᏘᏂ ᏂᏣᏛᏁᎸ ᎢᏣᏚᏓᎸᎢ ᎠᎴ ᏂᏕᏥᎤᏍᏕᏎᎸᎾ ᎨᏒ ᎢᏥᏇᏓᎸᎢ, ᏗᏨᏃᏛ ᏂᏨᏁᎸ ᎾᏍᎩ ᎬᏃᏛ ᎾᎬᏁᎸᎢ, ᎦᏰᏥᏁᎸ ᏂᎦᏗᏳ ᎤᏣᏘᏂ ᏂᏣᏛᏁᎸᎢ,\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᏗᎻᏟᏯ ᎠᎴ ᎾᏍᎩ ᏣᏁᎭ ᎠᏃᏢᏅᎥᏍᎩ ᎠᏄᎯᏍᏗᏍᎨᏍᏗ ᎩᎶᎢ, ᎤᏜᏅᏛ ᏗᏓᏱᎵᏓᏍᏗᏱ, ᎠᎴ ᎨᏥᎦᏘᏗᏍᏗ ᎠᏁᎭ; ᏫᏓᎾᏓᏱᎵᏓ.\nᎠᎬᎭᎸᏛᏃ ᎠᏥᏁᎸ ᏎᏓᏂ ᎤᏴᏎᎸᎩ. ᎿᏉᏃ ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎾᏍᎩ ᎢᏣᏛᏁᏗ ᎨᏒ ᏄᎳᏉ ᎿᏛᎦ.\nᎠᏍᎪᎯᏧᏈᏃ ᏗᏘᏂᏙᎯ, ᎾᏍᎩ ᎤᏛᎦᏅ, ᏭᏃᏁᎸᎩ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ, ᎯᎠ ᏫᏄᏪᏒᎩ; ᎮᏯᏔᎮᏍᏗ ᎯᎠ ᏥᏅᏔᏛᏁᎵ; ᎯᎠᏰᏃ ᎠᏍᎦᏯ ᎠᎶᎻ.\nᎢᏥᏁᎬᎢ ᎠᎴ ᏕᏥᎸᏫᏍᏓᏁᎲᎢ ᎾᏍᎩᏯ ᎨᏎᏍᏗ ᏄᏍᏛ ᎤᏂᏁᎢᏍᏗ ᎨᏒ ᎠᎴ ᏧᏂᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎾᏍᎩ Ꮎ ᏗᎨᎫᎪᏓᏁᏗ ᏥᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎬᏓᎧᎲᏍᎩ ᎨᎬᏓᏁᏗ ᏥᎩ.\nᎠᏓᏫᏰᏃ ᎢᎬᏱ ᎠᎪᏢᏁᎢ, ᎩᎳᏃ ᎢᏫ.\nᎠᏎᏃ ᎠᏨᏉᏗᏍᎨ.\nᎠᎴ ᎠᏂᎪᏩᏗᏍᎬ ᎤᏲ ᏄᏓᏑᏴᎾ ᎢᏣᎴᏂᏙᎲ ᎤᎵᏠᏯᏍᏛ ᎦᎾᏰᎯᏍᏗ ᎨᏒᎢ.\nᎠᏎᏃ ᏂᎦᏛ ᎾᏍᎩ ᎯᎠ ᏄᎵᏍᏔᏅᎩ ᎤᏙᎯᏳᏗᏱ ᎠᎾᏙᎴᎰᏍᎩ ᎤᏃᏪᎳᏅᎯ. ᎿᏉᏃ ᏂᎦᏛ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏩᏕᏨᎩ ᎠᎴ ᎤᎾᎵᏒᎩ.\nᏞᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᏚᏲᏍᏔᏂᎸ ᏱᏍᎩᏰᎵᏎᎮᏍᏗ; ᎥᏝᏍᎩᏂ ᏱᏓᎩᏲᏍᏔᏂᎸ, ᏓᎩᎧᎵᎵᎸᏍᎩᏂ.\nᎤᏁᎳᏅᏗᏃ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏁᎯ, ᎾᏍᎩ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎤᏲᎱᏒ ᏔᎵᏁ ᏧᎴᏔᏅᎯ ᏥᎩ, ᎾᏍᎩ Ꮎ ᎠᏥᎸᏉᏗ ᎠᏫ-ᏗᎦᏘᏯ ᎢᏯᎬᏁᎸᎯ, ᎬᏔᏅᎯ ᎩᎬ, ᎠᏲᎩ ᏂᎨᏒᎾ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎠᏍᏓᏱᏗᏍᎩ,\n“ᏃᏗ ᏥᏍᏆᏙᎾ,” ᎤᏛᏁ.\nᎿᏉᏃ Ꭴ ᏂᏣᏘ ᎠᏁᏙᎲ ᎤᏂᎷᏨ, ᎤᎷᏤᎸᎩ ᎠᏍᎦᏯ ᏚᎵᏂᏆᏅᏁᎸᎩ ᎯᎠ ᏄᏪᏒᎩ;\nᎠᎴ ᎠᏆᏛᎦᏅᎩ ᎩᎶ ᎧᏁᎬ ᎦᎸᎳᏗ ᏛᏓᎴᎲᏍᎬᎩ ᎯᎠ ᏅᏛᎩᏪᏎᎲᎩ, ᎰᏪᎸᎩ, [ᎯᎠ ᏅᎦ,] ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᏧᏂᏲᎱᏒᎯ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏚᎾᏁᎶᏛ ᏗᏂᏲᎱᏍᎩ ᎪᎯ ᎢᏳᏓᎴᏅᏛ; ᎤᏙᎯᏳᎯ ᎠᏗᎭ ᎠᏓᏅᏙ ᎾᏍᎩ ᎬᏩᎾᏣᏪᏐᎸᏍᏙᏗ ᎢᏳᎵᏍᏙᏗᏱ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ; ᎠᎴ ᏚᏂᎸᏫᏍᏓᏁᎸ ᏓᏳᏂᏍᏓᏩᏕᏏ.\n”ᎨᏍᏗ ᏯᏆᏚᎵ ᎠᎩᎵᏬᎢᏍᏗ,” ᎤᎵᏰᏔᏁ.\nᎣᏍᏓ ᎤᏰᎸᎮ ᏕᎬᏍᎬ ᏃᎴ ᎠᏍᎦᏯᏯ ᎨᏎᎢ.\nᏗᏂᏍᎪᎵᏃ ᎪᏍᏚ ᏚᏂᏝᏅᎩ, ᎠᎴ ᎤᏁᎷᏅᎩ ᏓᎾᏠᏱᎲᎢ, ᎠᎴ ᏓᏂᏴᎬᎢ, ᎯᎠ ᎾᏂᏪᏍᎬᎩ, ᎤᏲᏍᏛᏉ, ᎤᏲᏍᏛᏉ, ᎾᏍᎩ Ꮎ ᎡᏆ ᎦᏚᎲᎢ, ᎾᎿ ᏧᏁᎿᎢ ᏥᏄᎾᎵᏍᏔᏅᎩ ᏂᎦᏛ ᎠᎺᏉᎯ ᏥᏳ ᏗᏂᏂᏙᎯ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎤᏣᏘ ᎤᏪᎿᎢᏳ ᎨᏒᎢ, ᏑᏟᎶᏛᏉᏰᏃ ᎢᎪᎯᏛ ᏅᏔ ᎾᎬᏁᎸ.\nᏎᎦᎾᎨᏍᏗᏉ ᎤᏂᎸᏉᏗ ᎠᏴᏫᏯ ᎤᎬᏫᏳ ᎠᏂᏁᎵ ᏧᏙᎢᏓ ᏧᏂᏒᏍᏗ ᏩᎩᎷᏨ, ᎠᏎᏃ ᎨᏍᏗ ᎪᎯᏓ ᎬᏆᏁᎳᏗᏍᏗ ᏱᎨᏎ ᎭᎾᏂ, ᎦᎸᎳᏗ ᏧᎵᎬᏩᎶᏗ ᎨᏒ ᎭᎾᏂ.\nᎠᎦᏗᏛ ᏚᏬᏪᎳᏅ ᏗᏘᏲᎯ ᎪᏪᎵ ᏫᏚᏅᏁᎴ ᏩᏏᏓᏂ ᎦᏚᎲ ᎠᏁᎯ ᏧᎵ ᎠᎵᏍᎦᏃᏍᎬᎢ ᎨᏍᏗ ᎫᏩᏂᎨᏳᏓᏁᏗ ᏱᎩ ᎤᏓᏅᏖᎵᏓᏍᏗ ᏃᎴ ᎠᎦᏗᏛ ᎠᏥᏚᎨ ᎠᏕᎳ, ᏧᏓᎴᏅᏓ ᏃᎴ ᎠᎵᏍᏔᏴᏗ ᏚᏩᎯᏎᎸ ᎠᏂᏴᏫᏯ, ᎤᏂᏄᎸᏅ ᏧᏂᏁᏗ ᎤᏂᏂᎬᎬ.\nᎾᏂᎥᏰᏃ ᎩᎶ ᎤᏂᏍᎦᏅᏨᎯ ᏗᎧᎿᏩᏛᏍᏗ ᏄᏂᎲᎾ ᎾᏍᏉ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎬᏔᏅᎾ ᎤᏂᎩᎵᏲᎢᏍᏗ; ᎠᎴ ᎾᏂᎥ ᎩᎶ ᎤᏂᏍᎦᏅᏨᎯ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏂᎯ, ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎨᎬᏓᏁᏗ ᏗᎨᎫᎪᏓᏁᏗ ᎨᏎᏍᏗ,\nᎠᎴ ᎾᏍᎩ ᎤᏍᎪᎵ Ꭰ ᎠᏰᎸ ᎨᏒᎢ, ᎾᏍᎩ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ; ᎾᏍᎩ ᏗᏓᎴᏅᏗᏍᎩ, ᏧᏓᎴᏅᏔᏅᎯ ᎤᏲᎱᏒ ᏧᎴᎯᏌᏅᎯ, ᎾᏍᎩ ᏂᎦᏗᏳ ᏄᎾᏓᎴᏒ ᎢᎬᏱ ᎢᏳᎵᏍᏙᏗᏱ.\nᎾᏍᎩ ᏯᏛᏛᎲᏍᎦ ᎪᎱᏍᏗ ᎦᎵᏓᏍᏔᏅᎢ ᏱᎩ.\nᎥᏝ ᎠᎴ ᎿᏉ ᏰᎮᏍᏗ ᎤᏐᏅᎢ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏤᎵ ᎠᎴ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᏤᎵ ᎦᏍᎩᎶ ᎾᎿ ᎦᏍᎩᎴᏍᏗ; ᏧᏤᎵᏃ ᏧᏅᏏᏓᏍᏗ ᎬᏩᏓᏙᎵᏍᏓᏁᎮᏍᏗ;\nᎠᎹᏳᎸᏓ ᎾᎥ ᏂᎦᏓ ᎠᏣᏗ ᏃᎴ ᎠᎹ ᎤᏓᏑᏱ ᎠᎹ ᎢᏳᏍᏗ ᎠᏒᎬ.\nᎠᏎ ᎢᎦᏉ ᎠᎾᏘᏲᎯᎲ ᎠᏂᏴᏫᏯ ᏣᎳᎩᏱ ᎠᏰᎵ, ᎨᏍᏗ ᎪᎰᏍᏗ ᎣᏍᏓ ᏱᏄᎾᎵᏍᏔᏁᎳ, ᏣᏍᏉ ᎤᏂᎾᎦ, ᏃᎴ ᎨᎵᏍᎬ ᏲᎾ ᏧᏤᎵ ᎠᏂᏬᏗᎨ ᎠᏂᏴᏫ ᎪᎰᏍᏗ ᎣᏍᏓ ᏱᏂᏚᏓᎵᏍᏔᏁᎵ.\nᎤᏐᏱ ᎠᏂᏃᎮᏍᎬ ᎾᏍᎩᏯ ᎢᎦ ᎨᏥᏰᎵᏒ, ᏚᏯᏪᏤ ᏁᏂᏏ, ᎣᎭᏁ ᏓᏍᏔᏩᏗᏎ, ᏐᏉ ᎠᏧᏣ ᎠᏲᏍᎩ ᎤᏩᏌᏙᎭᏰ ᎦᎶᏇ ᎬᏘ ᎠᎴ ᎪᏍᏔᏱ ᏂᎬᏅ ᎦᎶᏇ.\nᎢᏧᎳᏰᏃ ᎾᏍᎩ Ꮎ ᏗᎦᏅᎦᎵᏍᎩ ᎨᏒ ᎠᎴ ᎾᏍᎩ ᎨᏥᏅᎦᎵᏍᎩ ᎨᏒ ᎤᏂᏠᏱᏉ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᎤᏕᎰᎯᏍᏗ ᏳᏰᎸᎭ ᎣᏣᎵᏅᏟ ᏧᏬᏎᏗᏱ;\nᎠᏰᎸᏰᏃ ᏧᏓᎴᏅᎯ ᏗᏯᏠ ᎠᎴ ᏗᏞᏌᏙ ᏓᏂᏃᎮᎲᎩ ᏧᏂᏢᎩ, ᎥᏳᎩᏃ ᎠᎵᏛᏗᏍᎬᎩ, ᎤᏂᏲᏃ ᏗᏓᏅᏙ ᎬᏩᏂᏄᎪᎬᎩ.\nᎠᎴ ᎾᏍᎩ ᎠᎦᎵᏍᎪᎸᏓᏁᎸᎩ ᎤᏏᏙᎵ ᏙᎴᏛ ᏧᏄᏪᏍᏗᏱ, ᏗᎦᏓᎭ ᏂᎨᏒᎾ ᎠᎴ ᏧᏁᎬ; ᎤᏏᏙᎵᏰᏃ ᏙᎴᏛ ᏚᏳᎪᏛ ᏄᎾᏛᏁᎵᏙᎸ ᎤᎾᏓᏅᏘ ᎦᏛᎦ.\nᎤᏂᎪᎲᏃ ᎤᏂᏃᎮᎵᏙᎴ ᏄᏍᏛ ᎨᏥᏃᎮᎮᎸ ᎾᏍᎩ ᎠᏲᎵ ᎠᏥᏁᎢᏍᏗᏍᎬᎢ.\nᎩᎶᏃ ᎤᏩᏒᏉ ᏚᏓᏘᎿᎥ ᎬᏩᏍᎦᎩ ᎨᏎᏍᏗ.\nᏧᏴᏨ ᎢᏣ ᏓᏳᏓᎴᏅ ᎦᏃᎸᎥᏍᎬ ᏃᎴ ᎠᎬᏱ ᎤᎭᏲᎸ ᎤᏂᏥ.\nᏧᎦᏌᏬᎸ ᏚᏓᏁᏁᎢ ᏗᎦᏙᎵ ᏲᎾ ᎤᏤᏍᏙ.\nᏗᏂᎴᏂᏃ ᏓᏂᎦᏔᎲᏍᎨᏍᏗ ᎠᎾᏛᎩᏍᎬ ᏚᏳᎪᏛᎢ, ᎠᏎᏉᏃ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᎢᏗᏢ ᏩᎾᎦᏔᎲᏍᏗᏍᎨᏍᏗ.\nᎦᏰᎪᎩ ᏂᎨᏒᎾ ᏣᏤᎵᎦ ᏖᏅᎦᎸᏓ; ᎧᏃᎮᏛ ᏣᏤᎵᎦ ᎾᏍᎩ ᎦᏰᎪᎩ ᎦᏰᎪᎩ ᏂᎨᏒᎾ.\nᎠᎴ ᎥᏝ ᎾᏍᎩᏯ ᎠᏏᏴᏫᏉ ᎤᏍᎦᏅᏨᎯ ᎢᏳᏩᏂᏌᏛ [ᏗᎨᎫᎪᏓᏁᏗ ᏥᏄᎵᏍᏔᏁ] ᎾᏍᎩᏯ ᏱᏄᏍᏗ ᎤᏓᏁᏗ ᎨᏒᎢ; ᎠᏍᎦᏅᏨᏰᏃ ᏗᎫᎪᏙᏗ ᎨᏒ ᏌᏉᏉ ᎢᏯᏍᎦᏅᏨᎯ ᏅᏓᏳᏓᎴᏅᎯ; ᎬᏩᎦᏘᏯᏍᎩᏂ ᎤᏓᏁᏗ ᎨᏒ ᎤᏣᏘ ᎢᏯᏍᎦᏅᏨᎯ ᎠᏚᏓᎴᏍᏙᏗ ᎤᎬᏩᎳ.\nᎠᎴ ᎾᎯᏳ ᎢᏳᏓᎴᏅᏛ ᎤᏂᏣᏛ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᎾᏨᏒᎩ, ᎠᎴ ᎥᏝ ᎿᏉ ᎢᎸᎯᏳ ᏳᏁᏙᎴᎢ.\nᎾᏍᎩ ᎢᎸᎯᏳ ᏥᎨᏒᎩ ᎤᎾᏁᎳᎩ ᎤᏅᏒ ᏚᏂᏅᏅ ᏩᏂᎶᎯ ᏚᏪᎵᏎᎴ ᏂᎦᏛ ᏄᎾᏓᎴᏒ ᏴᏫ;\nᏗᏓᏍᏚᏗᏱᏃ ᎠᎦᏘᏯ, ᎤᏰᏨ ᎠᎴ ᎤᏙᎴᎰᏒ ᎦᎶᎯᏍᏗᏱ ᏗᏓᏍᏚᏗᏱ ᏧᎵᏍᏚᎢᏛ ᎨᏒᎢ, ᎤᎸᎮ ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ, ᎠᎴ ᎤᏩᏒ ᏗᏓᎵᏎᎢ, ᏗᎨᏥᏍᏚᎯ ᎤᎾᎵᏒ ᎡᎵᏍᎨᎢ.\nᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎤᎬᏫᏳᎯ ᏚᎴᏅ ᎤᏙᎯᏳᎯ, ᎠᎴ ᏌᏩᏂ ᎬᏂᎨᏒ ᏄᏛᏁᎸ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎣᎦᏚᎵᏍᎬᎩ ᏫᏨᎷᏤᏗᏱ, ᎠᎴ ᎠᏴ, ᏉᎳ, Ꮀ ᎤᎬᏫᏳᏒᎩ, ᏌᏉ ᎠᎴ ᏔᎵᏁ ᎠᏆᏚᎸᎲᎩ; ᎠᏎᏃ ᏎᏓᏂ ᎣᎩᏲᏍᏙᏓᏁᎲᎩ.\nᏂᎯ, ᏞᏍᏗ ᏣᏓᏲᏁᎸᎩ ᏣᏗᎭ, ᏥᎪ ᎢᎭᏓᏲᏂᏆᏘᎭ, ᏥᎪ ᏂᎯ ᎪᎱᏍᏗ ᎦᎸᏉᏗ ᎯᏐᏢᏗᎭ?\nᎠᎾᎵᏃᎮᏍᎬᏃ ᎠᏂᏃᎮᏍᎨ ᏂᎦᏛ ᎾᏍᎩ ᏄᎵᏍᏔᏂᏙᎸᎢ.\nᏣᎦᏎᏍᏕᏍᏗ ᏓᏥᏇᏅᏂ ᏛᎦ.”\nᎦᏚᏃ ᎤᎩᏎᎢ, ᎠᎴ ᎤᎵᎮᏟᏨ, ᎤᎬᎭᎷᏰᎢ, ᎠᎴ ᏚᏁᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᎠᏴ ᏥᏰᎸᎢ, ᎾᏍᎩ ᏂᎯ ᎡᏣᎫᏴᏔᏅᎯ ᏥᎩ, ᎯᎠ ᎾᏍᎩ ᏂᏣᏛᏁᎮᏍᏗ ᎠᏴ ᏍᎩᏯᏅᏓᏗᏍᎨᏍᏗ.\nᎤᏂᏃᏕᎾ ᏍᏉ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎾᎥᏂ ᎠᏁᏙᎮ ᎤᎾᎵᏍᎦᏍᏛᎢ.\nᎠᏴᏰᏃ ᎯᎠ ᎠᏂ ᎦᎵᏦᏛ ᏦᏥᏯᎠ ᎣᎩᎵᏰᏗᎭ, ᏂᎦᎵᏍᏙᏗᎭ ᎦᎨᏛ ᏃᎦᏛᎿᏕᎬᎢ; ᎥᏝ ᏦᎩᏄᏪᏍᏗᏱ ᎣᎦᏚᎵᏍᎬ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ; ᏦᎩᏄᏬᏍᏗᏱᏍᎩᏂ; ᎾᏍᎩ ᎠᏲᎱᏍᎩ ᎨᏒ ᎠᏥᎩᏍᏗᏱ ᎬᏂᏛ ᎤᎩᏐᎲᏍᏗᏱ.\nᏏᏍᏉᏯᏃ ᏚᏓᏲᏎ ᏕᎪᏪᎵᏍᎨ ᏗᎧᏁᎢᏍᏗ ᎤᏍᏈᏯᏃ ᎨᏎ ᏗᎧᏁᎢᏍᏗ ᎠᎴ ᎤᏍᏈᏯ ᏗᏅᏓᏗᏍᏗ ᎨᏎᎢ.\nᎤᏩᏌ ᎤᏬᏢ ᎠᏌᎻᏓ Moets ᎧᏃᎩᏍᏗᏍᎬ ᎠᏤᎷᎯᏍᏗ.\nᏌᏉᎯᏳᏰᏃ ᎡᎮ ᎤᏪᏥ ᎠᎨᏳᏣ ᏔᎳᏚ ᎢᏴᏛ ᎢᏳᏕᏘᏴᏛ, ᎠᎴ ᎾᏍᎩ ᎠᏲᎱᏍᎨᎢ. ᎠᎢᏒᏃ ᎤᏂᏣᏘ ᏴᏫ ᎬᏩᏓᏡᏩᏍᏗᏕᎨᎢ.\nᏝᏍᎪ ᏱᏥᎦᏔᎭ, ᎾᏍᎩ ᏂᏗᎥ ᏤᎦᏬᎥᎯ ᎨᏒ ᏥᏌ ᎦᎶᏁᏛ ᏕᏓᏓᏲᎯᏎᎲᎢ, ᎾᏍᎩ ᎤᏲᎱᏒ ᎤᎬᏩᎵ ᏕᎦᏬᎥᎢ?\nᏚᏅᏓᏒ ᏓᏳᏓᎴᏅ, ᎤᏓᏂᏴᏓ ᏴᏫᏯ ᎤᎬᏫᏳ ᎤᏛᎯᏍᏔᏅ.\n”ᏙᏔᏛᏁᎵ?” ᎤᏛᏁ ᏫᎵᎻ.\nᎤᏔᎷᎩᏍᎩ ᎤᏓᏅᏅ ᎦᏍᎩᎸ ᎾᏍᎩᏯ ᎡᎳᏆ ᎤᎶᏒ.\n“ᎠᏃᏍᏓ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏦᎢᏁ ᎢᎦ ᏕᎤᎴᏔᏅᎩ ᎠᎴ ᎬᏂᎨᏒ ᏂᏚᏩᏁᎸᎩ,\nᎢᏳᏃ ᎩᎶ ᎦᏙᏃ ᎾᏍᎩ ᏂᏍᏓᏛᏁᎭ ᎢᏍᏙᏎᎸᎭ? ᎤᎬᏫᏳᎯ ᎤᏚᎵᎭ, ᎢᏍᏓᏛᏅᎭ; ᎩᎳᏉᏃ ᎢᏴᏛ ᏙᏓᏳᏲᏏ ᎠᏂ ᎡᏍᏓᏘᏃᎯᏍᏗᏱ.\nᏎᎦᏃ ᏗᎦᏅᎯᏛ ᏧᏆᎶᎦ ᎭᏂᏨ ᏩᎨᎯᏙᎲ ᎠᎦᏍᎬ, ᏃᎴ ᎩᎳᏈᏴ Ꮳ.\nᎾᎦᏛ ᎢᏓᎵᏅᏟ ᏫᎨᏥᏲᎵᎭ. ᏕᏣᏓᏲᎵᏍᏗᏍᎨᏍᏗ ᎦᎸᏉᏗᏳ ᏗᏓᏙᏪᏙᎥᏍᏗ ᎨᏒᎢ.\n“ᎭᏩᏃ, ᎤᏙᎯᏳ ᎤᏗᎴᎦ,” ᎤᏛᏁ ᎪᏱᏁᎢ, ᎠᏓᏃᏰᎮ ᎭᏫᏂ ᎦᏁᏍᏓᎳᏗᏍᏗᏍᎩ ᏗᎦᏃᏣᏝᏍᎩ ᎬᏗ.\nᎢᎦᏓ ᏓᎾᏦᎭᏱᎮ, ᎢᎦᏓ ᎤᏬᏨᏗ ᎾᏅᏁᎭ ᏄᎾᎵᏍᏔᏁᎲ, ᏫᏥᎢᎦ ᎨᏒ ᎡᏝᏪᎯ ᎠᎾᏓᏅᏖᏍᎨ ᏄᏍᏛ ᏄᎾᎵᏍᏔᏁᎲ.\nᏚᏓᏅᎡᎴᏃ ᏅᏯ ᏫᎬᏗᏅᏗ ᎢᏴᏛ ᎠᎴ ᏚᎵᏂᏆᏁ ᎤᏓᏙᎵᏍᏔᏁᎢ,\nᎥᎥ, ᎤᏛᏁᎢ. ᎠᏓᏁᎸᏃ ᎤᎷᏨ ᏥᏌ ᎤᏲᏍᏙᏓᏁᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎦᏙ ᎮᎵᎭ, ᏌᏩᏂ; ᎦᎪ ᎠᏰᎵ ᎬᏩᎾᏓᏴᎡᎰ ᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᎠᏁᎯ; ᏧᏁᏥᏍᎪ, ᏅᏩᎾᏓᎴᎨ?\nᎠᏥᎸᏳᎵ ᎠᏆᏅ ᎠᎩᏃᎮᎸ ᎧᏃᎮᏗ ᏂᎦᏓ ᎦᏳᎸ ᎾᏂᎦᏔᎰ.\nᏃᏗ ᏓᎪᏩᏘᏍᎨᎢ ᎤᏂᏃᏕᎾ ᏃᎴ ᎠᏂᏓ.\n“ᎠᏯᎨ ᏍᏉ ᏱᏕᏍᎬᏏ?” ᎤᏛᏛᏁ ᎡᎳᏆᏗ.\nᎧᏃᎮᏛᏰᏃ ᏓᏠᎯᏍᏛ ᎠᏍᏓᏱᏳ ᎨᏐ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏒ ᎠᎸᎯ ᏥᎨᏐᎢ; ᎥᏝ ᎠᎴ ᎠᏍᏓᏱᏛᎯ ᏱᎨᏐ ᎠᎵᏍᎪᎸᏙᏗ ᎠᏏᏉ ᏥᎬᏃᎢ.\nᎠᎴ ᎾᏍᎩ ᎤᏁᏨᎢ ᎥᏝ ᏱᏥᏯᎠ, ᎾᏍᎩᏰᏃ Ꮎ ᏅᏓᏳᏅᏏᏛ ᎥᏝ ᏰᏦᎢᏳᎲᏍᎦ.\nᎡᎳᏗ ᏄᏩᏁᎸ ᎠᏍᎪᎵ ᎨᎵ ᏃᎴ ᎤᏍᏘᏰᎬ ᎦᏓᎥ ᎤᎧᏛ ᎠᎬᏱᏣ ᎾᏍᎩᏯ ᎤᏔᎷᎩᏍᎩ ᏦᎳᏂ ᎠᏯᏙᎳᏛ ᏯᏍᏚᏅ.\nᎤᎪᎮᏃ ᎦᎸᎳᏗ ᎤᎵᏍᏚᎢᏛ ᎨᏎᎢ, ᎠᎴ ᎪᎱᏍᏗ ᎢᏳᏍᏗ ᎠᏖᎵᏙ ᎡᎳᏗ ᏅᏧᏍᏗᏗᏎ, ᎾᏍᎩᏯ ᎡᏆ ᎠᏄᏬ, ᏅᎩ ᏚᏅᏏᏴ ᏥᏕᎦᎸᎣᎢ, ᎾᏍᎩᏃ ᎡᎳᏗ ᎢᎬᏁᎸᎯ ᏥᎨᏐ ᎡᎶᎯ ᎢᏴᏛ.\nᎤᏪᏅᏃ, ᏔᎳᏚ ᎢᏯᏂᏛ ᏫᏚᏯᏅᎮᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏳᏃ ᎩᎶ ᎢᎬᏱ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏚᎵᏍᎨᏍᏗ, ᎾᏍᎩ ᎣᏂᏱ ᎠᎦᎴᏙᏗ ᎨᏎᏍᏗ ᎾᏂᎥᎢ, ᎠᎴ ᎾᏂᎥ ᎬᏩᏅᏏᏙᎯ ᎨᏎᏍᏗ.\nᏂᎬᎾᏛ ᎬᏃᏓ, ᎾᏍᎩᏍᏉ ᎦᏄᎸ ᎤᏍᎬᏓᎨ ᏩᏥᎳ ᎤᏓᏅᎵᏰᎥ. ᏯᏲᏍᏔᎾ, ᎢᏤᎯ ᎤᎵᏑᏫᏓ ᏍᎪᏯ ᎠᏯᎣ ᎭᏫᏂ.\nᎠᏎᏃ ᏐᎳ ᎧᏁᏉᎨᏉ ᎤᎵᏂᎪᏍᎬᎢ, ᎠᎴ ᎠᏂᏬᏂᏍᎬ ᏚᎪᎾᏛᏔᏁ ᎠᏂᏧᏏ ᏕᎹᏍᎦ ᎠᏁᎯ, ᎬᏂᎨᏒ ᏂᎬᏁᎮ ᎾᏍᎩ ᎯᎠ ᎦᎶᏁᏛ ᎨᏒᎢ.\nᎣᏍᏓ ᎠᏁᎮᎢ ᏩᎦ ᏃᎴ ᏐᏈᎵ ᏧᏂᏍᏆᏂᎪᏙᏗ - “ᎤᏒᎯ ᏃᎴ ᎢᎦ, ᎪᎳ ᏃᎴ ᎪᎩ, ᎪᎨᏱ ᏃᎴ ᎤᎵᎪᎲᏍᏗ, ᏧᏍᎪᎸ ᎢᎦ ᏃᎴ ᏧᏍᎪᏍᏓ ᎢᎦ.\nᎠᏲᏟ ᎢᏳᏍᏗ ᏂᏪᎠ.\nᎡᎳᏆᏗ ᎤᏃᎴ ᎠᏲᏙᏗ ᎤᏓᎡᎢ ᎦᎴᏂ ᏃᎴ ᎠᎩᏍᏙᏍᎨᎢ ᎨᏂᏗ ᎦᏅᎵᏰᏓ ᏑᎧᏔ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎢᎸᎯᏢ ᎯᎠ ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎠᎵᏥᏙᏗ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ ᎡᎶᎯ ᏂᎬᎾᏛᎢ, ᎯᎠ ᎾᏍᎩ ᏥᎾᏛᎦ ᎾᏍᏉ ᎤᏂᏃᎮᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎠᎦᏅᏓᏗᏍᏙᏗ.\nᏂᎦᏗ ᎠᏂᎧᏔᎮᎢ ᎤᎵᏍᎨᏓ ᏏᏆ ᎤᏂᎧᎲ ᎠᏂᎪᏕᏍᎩ.\nᏥᏌᏃ ᎾᎿ ᎤᏓᏅᏒ, ᎠᏂᏔᎵ ᏗᏂᎨᏫ ᎠᏂᏍᎦᏯ ᎬᏩᏍᏓᏩᏛᏒᎩ, ᎤᏁᎷᎬᎩ ᎯᎠ ᎾᏂᏪᏍᎬᎩ, ᏍᎩᏂᏙᎵᎩ ᏂᎯ ᏕᏫ ᎤᏪᏥ.\nᎠᎴ ᎬᏗᏍᎨᏍᏗ ᎤᏣᏘ ᎤᏓᎵᏓᏍᏗ ᏂᏚᏳᎪᏛᎾ ᎨᏒ ᎠᏁᎲ ᎾᏍᎩ ᎨᏥᏛᏙᏗ ᎨᏒᎢ; ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏂᏚᎾᏓᏂᎸᏨᎾ ᎨᏒ ᏚᏳᎪᏛ ᎠᎨᏳᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎦᎨᏥᏍᏕᎸᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᎴ Ꮀ ᎤᎬᏫᏳᏎᏍᏗ ᎢᏣᏄᏬᏍᏕᏍᏗ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏗᎫᏓᏛᏍᎩ ᏥᎩ ᏂᎦᎷᎶᎬᎾ.\nᏅᏯᏃ ᏚᏅᏂᏍᏔᏁ ᏍᏗᏫ ᎠᏓᏙᎵᏍᏗᏍᎨᎢ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ; ᏣᎬᏫᏳᎯ, ᏥᏌ, ᏔᏓᏂᎸᎩ ᎠᏆᏓᏅᏙᎩ.\nᏐᏉ ᎤᏩᏌ ᏥᎪᏩᏘ.”\nᎠᏎᏃ ᎤᏙᎯᏳᎯᏯ ᎢᏨᏃᏁᎭ, ᎩᎶ ᎠᏂ ᏓᏂᏙᎦ ᎥᏝ ᏴᏛᎾᏙᎴᎰᏏ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎬᏂ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎠᏂᎪᎲᎭ.\nᎢᎸᎯᏢᏰᏃ ᎠᏂᏔᎵ ᎠᎴ ᎠᏂᏦᎢ ᏥᏓᏂᎳᏫᎣ ᎠᏴ ᏓᏆᏙᎥ ᏥᏅᏗᎦᎵᏍᏙᏗᏍᎪᎢ, ᎾᎿ ᎠᏰᎵ ᎠᏆᏓᏑᏲᎢ.\nᎿᏉᏃ ᏂᎦᏛ ᏴᏫ ᎤᎾᏛᏓᏍᏛ, ᎯᎠ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ,\nᏧᎾᎳᏏᏕᏂ ᏗᏯᏄᎵᏳ ᎩᎬ ᎤᎾᏓᏤᏪᏗᏱ.\nᎠᏎᎩ ᎠᎦᏗ ᏗᎦᎷᏫᏍᏔᏁᏗ ᎡᎵᏍᎨ ᏗᏟᏃᎮᏙᏗ ᎠᎾᎵᏙᎩᏯᏍᎩ, ᏰᎵᏉ ᏥᏳᎪᏗ ᏱᏥᏃᎯᏎᎴ ᏍᎩᎾᎾ ᏯᏍᎦᎢ.\nᎠᎴ ᎥᏝ ᎯᎠᏉ ᏗᎩᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎤᏩᏒ ᎤᏁᎳᎩ ᏫᎬᏩᏲᏥᏓᏍᏗ ᏱᎩ; ᎾᏍᏉᏍᎩᏂ ᎠᏓᏁᎸ ᎦᎸᏉᏗᏳ ᎦᎸᎳᏗ ᎡᎯ ᏓᏰᏂ ᎤᏤᎵᎦ ᎠᏎᏉᏉ ᎢᎬᏩᎵᏍᏔᏂᏓᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎠᏥᎸᏉᏗᏳ ᎨᏒ ᏫᎬᏩᏲᏥᏓᏍᏗ, ᎾᏍᎩ ᏂᎦᏛ ᎠᎴ ᏂᎬᎾᏛ ᎡᎶᎯ ᏥᎬᏩᎸᏉᏗᎭ.\nᎾᏍᎩ (ᎧᏃᎮᏍᎩ) ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏠᏱᏉ ᎤᎾᏤᎵ ᏂᎨᎬᏁᎲᎢ, ᎠᎴ ᎾᏍᎩᏉ ᎠᏰᎵ ᎠᏁᎯ ᎨᏒᎢ, ᎠᎴ ᎦᎶᏁᏛ ᎠᎬᏗᏍᎬ ᎤᏚᎢᏍᏔᏅ ᎤᏁᎳᏗᏍᏗᏍᎬᎢ, ᎣᏍᏛ ᎧᏃᎮᏛ ᎬᏔᏅᎯ ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᎦᏌᏯᏍᏕᏍᏗ ᏂᎦᎥ ᏚᏳᎪᏛ ᎢᏣᎴᏂᏓᏍᏗᏱ, ᏞᏍᏗ ᎤᏂᏁᎫ ᎢᏳᎾᏛᏁᏗ, ᎠᏂᎦᏔᎾᎢᏍᎩᏂ ᎢᏳᎾᏛᏁᏗ,\nᎨᏍᏗ ᎬᎩᏢᏗ ᏱᎨᏎ, ᎪᎰᏍᏗ ᏴᏥᏅᏓ ᎨᎵᏍᎬ.\nᎦᏳᎳᏰᏃ ᎤᏂᎪᎲᎯ ᎨᏒᎩ ᏠᏆᎹ ᎡᏈᏌ ᎡᎯ, ᎾᏍᎩ ᏉᎳ ᎠᏁᏙᎲ ᎦᏚᎲᎢ, ᎾᏍᎩ ᏉᎳ ᎤᏴᏔᏂᎸ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏁᎵᏍᎬᎩ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᏙᏃ ᎰᏍᏛ ᎢᏍᏉᏎᎭ ᎠᏴ? ᎥᏝ ᎩᎶ ᎣᏍᏛ ᏱᎩ, ᏌᏉ ᎤᏩᏒᎯᏳ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ.\nᎡᎳᏆᏗ ᎦᏳᎳ ᏄᏑᎸᎮ, ᎦᎸᎳᏗ ᏪᏙᎮ ᏭᏲᎮᎢ ᏗᏓᎾᎩᏍᎩ.\n ᎤᏙᎯᏳᏃ ᏱᎾᏛᎦ ᎠᏇᎵᏒᏱ.\n”ᏤᏍᏗ ᏄᏓᎴ ᎩᎶ ᎯᏃᎯᏎᎸ,” ᎤᏛᏁ ᎠᎵᏥᏙᎲᏍᎩ.\nᎠᏎᏃ ᏉᎳ ᎤᏁᏨ ᎠᏥᎦᏘᏗᏍᏗᏱ, ᎠᎴ ᎣᎦᏍᏓ ᏧᏭᎪᏓᏁᏗᏱ, ᎠᎩᏁᏨᎩ ᎠᏥᎦᏘᏗᏍᏗᏱ, ᎬᏂ ᎬᏆᏓᏅᏍᏗ ᏱᏄᎵᏍᏔᏅ, ᏏᏐᎢ.\nᎿᏉᏃ ᏥᏌ ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏂᎷᏨᎩ ᎨᏏᎻᏂ ᏚᏙᎥᎢ, ᎯᎠᏃ ᏂᏚᏪᏎᎸ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎠᏂ ᎢᏥᏁᏍᏗ ᎬᏂ ᎢᏢ ᏫᎦᏓᏙᎵᏍᏔᏅᎭ.\nᏫᎵᎻ, ᎤᏂᏃᏕᎾ ᏃᎴ ᏌᏌ ᎠᎩᏌ ᏃᎴ ᏌᏌ ᎠᏨᏯᎢ ᏃᎴ ᏌᏌ ᎠᏂᏓ ᏃᎴ ᏌᎳᏓ ᏃᎴ ᎠᏯ.”\nᎤᎭᎶᎨᎢ ᏥᏍᏕᏥ.\nᎾᎯᏳᏉᏃ ᎧᎳᏩᏗᏒ ᎤᏣᏘ ᎤᎵᏖᎸᏅᎩ ᎦᏙᎯ, ᎠᏍᎪᎯᏃ ᎢᎦᏛᎯ ᎨᏒ ᎦᏚᎲ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᎤᏲᏨᎩ, ᎦᏙᎯᏃ ᎠᎵᏖᎸᎲᏍᎬ ᎢᏳᎢ ᎦᎸᏉᎩ ᎢᏯᎦᏴᎵ ᏴᏫ ᏙᎨᏥᎸᎩ; ᎤᎾᎵᏃᎯᏴᎯᏃ ᎤᏂᏍᎦᎸᎩ, ᎠᎴ ᎦᎸᎳᏗ ᎡᎯ ᎤᏁᎳᏅᎯ ᎤᏂᎸᏉᏔᏅᎩ.\nᎠᎪᎾ ᏧᏂᏲᏏᏍᎩ ᏃᎴ ᎧᏂᎩᏓ ᎤᎾᎵᏍᏕᎸᏙᏗ, ᎤᎦᏨᏅ ᎪᏥᏓ ᏒᏕᎾ ᎠᏎᏃ ᎧᏂᎩᏛ ᎦᎾ, ᎦᏟᏣᏗ ᎠᏎᏃ ᏦᎢᏉ ᏗᎦᏟᏓ, ᎠᏚᏇᏍᏗ, ᎠᎫᏬᏰᏂ ᎦᎵ ᏗᏲᏍᏙᏗ ᎤᏍᏆᏓ ᎠᏓ ᏗᎪᏒᏔᏅ.\nᎪᎯᏳᏗ ᎨᏒ ᎠᏅᏗᏍᎬ ᏓᏐᏴ ᏤᎵᎪ ᏚᏪᏒᏙᎠᏎᎢ, ᎿᏉ ᎦᎵᏉᎩ ᏧᏒᎯᏛ ᏂᏚᎾᏚᏫᏍᏔᏁᎢ.\n“ᎡᎳᏆᏗ, ᎩᎳᏈᏴ ᎯᏅᎪᎢ ᎧᏁᏌᎢ!” ᏧᏍᎦᏤᎢ ᎤᏥ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᎬᏯᏛᏁᎸ ᏱᎩ.”\nᎦᎸᎳᏗ, ᎡᎳᏗ, ᎾᎥᏂ, ᎾᎨ ᎢᏴ.\nᎾᏍᎩ ᎢᏥᎪᎵᏰᎥᎭ ᏓᏦᎵᏍᏙᏔᏂ ᎪᎵᎬ ᎤᏕᎵᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ;\n“ᎭᏩ, ᎯᏥᏲᎯᏍᏓ!” ᎤᏛᏁ ᏧᏍᏆᏴᏍᏗ.\nᎢᏧᎳᎭᏃ ᎠᏁᎵᏍᎨ ᎯᎸᎢᏴ ᎡᏆ ᏍᎦᏚᎩ ᏂᏗᎦᎵᏍᏔᏂ ᏣᎳᎩᏱ ᎠᏰᎵ, ᎠᏤ ᏃᏈᏏ ᏛᏂᏯᎸᏂ ᎦᏓᏘ.\nᏥᏌᏃ ᎤᏁᏤ ᎠᎴ ᎯᎠ ᏁᏪᏎᎴᎢ; ᎠᏆᏐᎭᏛ ᎭᎴᏓ ᏎᏓᏂ; ᎯᎠᏰᏃ ᏂᎬᏅ ᎪᏪᎳ; ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎯᏯᏓᏙᎵᏍᏓᏁᎮᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎤᏩᏒᎯᏳ ᏕᎯᏯᏁᎶᏕᏍᏗ.\nᎠᏎᏃ ᎨᏍᏗ ᎢᎦᎵᏍᏗ ᏱᎩ, ᎢᎩᏂᏴᏗ ᏕᎩᎸᏅᏗᏍᎬ ᏃᎴ ᎣᏍᏓ ᎢᎬᏁᏗ.\nᎠᎴᏬ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎢᏳᏃ ᎠᏂᏔᎵ ᏂᎯ ᏥᏤᏙᎭ ᎠᎾᎵᎪᎲᏍᎨᏍᏗ ᎠᏂ ᎡᎶᎯ ᏂᎦᎥᏉ ᎪᎱᏍᏗ ᎠᏂᏔᏲᎯᎮᏍᏗ, ᎾᏍᎩ ᎢᏳᎾᏛᏁᏗ ᎨᏎᏍᏗ ᎡᏙᏓ ᎦᎸᎳᏗ ᎡᎯ.\nᎤᎬᏫᏳᎯᏃ ᎤᏛᎦᏅ ᎠᏂᏆᎵᏏ ᎤᎾᏛᎦᏅ ᏥᏌ ᎤᏟ ᎢᏯᏂᎢ ᎬᏩᏍᏓᏩᏕᎩ ᏂᏕᎬᏁᎲ ᎠᎴ ᏕᎦᏬᏍᎬᎢ, ᎡᏍᎦᏉ ᏣᏂ,\nᎠᎴ ᏙᏓᎸ ᎠᎴ ᏅᏯ ᎯᎠ ᏂᏚᏂᏪᏎᎸᎩ, ᏍᎩᏯᏐᎥᎦ, ᎠᎴ ᏍᎩᏴᏍᎦᎸᎥᎦ ᎾᏍᎩ ᎣᎩᎪᏩᏛᏗᏱ ᏂᎨᏒᎾ ᎾᏍᎩ Ꮎ ᎦᏍᎩᎸ ᎤᏪᎵ, ᎠᎴ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎣᎦᏢᏔᏍᏗᏱ ᏂᎨᏒᎾ;\nᎾᏍᎩ ᏄᏪᏎ ᎢᏌᏯ, ᎾᎯᏳ ᏧᎪᎮ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏤᎵᎦ, ᎠᎴ ᎾᏍᎩ ᏧᏃᎮᎴᎢ.\nᏕᏣᎵᏅᏫᏍᏗᏕᎬ ᏕᏣᏓᏴᎡᎮᏍᏗ, ᎾᏍᎩᏃ ᏂᏣᏛᏁᎲ ᎢᏥᎧᎵᎢᎮᏍᏗ ᎦᎶᏁᏛ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ.\nᎾᎩᏪᏐᎾᏉ, ᎤᏲ ᎠᎩᏰᎸᏅ.\n“ᏃᎴ ᎠᎾᏓᎪᎾᏗᏍᎩ ᎣᏍᏓ ᎤᎾᎴᏅᏗ ᎡᎵᏍᏗ.” \nᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ ᏃᎴ ᏧᏬᏪᎳᏁ ᎡᏝᏪᎯ ᎤᎾᏟᏃᎮᎸ, ᎦᏍᎩᎸ ᏭᎵᏍᏛᏧᏅ ᏗᎪᏪᎵᏍᎩ ᏗᎪᏪᎶᏙᏗ ᎦᏁᎯ ᏭᎳᏛ ᎤᎩᏓᏟ ᎤᎴᏅᎲ ᏕᎪᏪᎵᏍᎬ.\nᏂᎦᏓ ᎤᎾᏓᏅᎾᏁᎢ ᎠᏦᏴ, ᏎᎦ ᎤᎾᎦᏙᏍᏕᎢ ᏫᎵᎻ ᏃᎴ ᎤᏬᏚᏟ: ᎢᏤᎯ ᎤᎵᏑᏫᏓ ᎧᏁᏌᎢ.\nᎿᏉᏃ ᎤᏂᏣᏖᏍᏗ ᏚᏃᏕᎯᎮᏍᏗ, ᎠᎴ ᏓᎾᏓᏡᏗᏍᎨᏍᏗ ᎠᎴ ᏓᎾᏓᏍᎦᎨᏍᏗ.\nᎪᎳ ᎢᎪᎯᏓ ᎤᎦᏎᏍᏕᎢ ᏌᎳᏓ ᎤᏤᎵ ᏧᏪᏥ ᏗᎦᏅᏙᏗ ᎾᏍᎩᏯ ᎤᏩᏌ ᏧᏤᎵ ᏗᏂᏲᏟ.\nᎠᎴ ᎥᏝ ᎤᏚᎸᏗ ᏂᎦᎵᏍᏗᏍᎬ ᎢᏳᏍᏗ ᎢᏴᏛᎭᏉ ᎤᏓᎵᏍᎪᎸᏙᏗᏱ, ᎾᏍᎩᏯ ᏂᏓᏕᏘᏴᎮᎬ, ᎪᎱᏍᏗ ᎤᏂᎩᎬ ᎬᏗ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏥᎾᏛᏁᎮ ᎦᎸᏉᏗᏳ ᎨᏒ ᏥᏩᏴᎯᎮᎢ;\nᏂᎦᏛᏃ ᏴᏫ ᏑᎾᎴᎢᏳ ᎬᏩᎷᏤᎮ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎬᏩᏛᏓᏍᏓᏁᏗᏱ.\nᏦᎢᏃ ᏧᏒᎯᏛ ᎾᎪᏩᏗᏍᎬᎾ ᎨᏎᎢ, ᎠᎴ ᎾᎵᏍᏓᏴᎲᏍᎬᎾ ᎠᎴ ᎾᏗᏔᏍᎬᎾ ᎨᏎᎢ.\nᎤᏪᎵᏍᏗ ᏂᎦᏓ ᎠᏂᎨᎯᏎ.\nᏙᏱᏨ ᎤᏪᏅᏎ ᏏᏆ.\nᎿᏉᏃ ᏚᏛᏛᏅᎩ ᎢᏳᎢ ᎤᎴᏅᎲ ᏏᏲᏍᏛ ᏄᎵᏍᏓᏁᎸᎢ. ᎤᏒᎯ ᏌᏉ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᏄᏗᎴᎲᏍᎬᎾ ᏄᎵᏍᏔᏅᎩ, ᎥᎬᏬᏎᎸᎩ.\nᎦᎢᏒᏰᏃ ᎠᎴ ᏓᎩᎪᎲ ᏓᎩᎪᎲ ᎦᎸᏉᏗᏳ ᏗᏥᏰᎸᎯ, ᎠᎩᏩᏛᎲᎩ ᎾᏍᏉ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎯᎠ ᏅᎬᏅ ᎥᎪᏪᎸᎩ; ᎾᏥᎦᏔᎲᎾ ᎦᎸᎳᏗ ᎡᎯ ᎤᏤᎵᎦ. ᎾᏍᎩᏃ ᎰᏩ ᏁᏥᎦᏔᎲᎾ ᏤᏣᏓᏙᎵᏍᏓᏁᎭ ᎾᏍᎩ ᎬᏂᎨᏒ ᏂᏨᏴᏁᎭ.\nᎠᏎᏃ ᎠᏴ ᏂᏥᏪᎭ, ᏝᏍᎪ ᏯᏂᎦᏔᎮ ᎢᏏᎵ? ᎢᎬᏱ ᎨᏒ ᎼᏏ ᎯᎠ ᏂᎦᏪᎭ, ᎢᏣᏛᏳᎨᏗᏱ ᏅᏓᏨᏴᏁᎵ ᏓᎦᏥᏴᏔᏂ ᎾᏍᎩ Ꮎ ᎠᏰᎵ ᎤᏃᏢᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᏄᎾᏓᏅᏛᎾ ᏴᏫ ᎦᏥᏴᏗᏍᎬ ᏓᏨᎾᎸᏍᏔᏂ.\nᎠᏒᏆᎶᏍᏗ ᎤᎴᏴᏒ ᏥᏳ ᎤᏬᏢ, ᏧᎾᏛᏐᏅ ᎤᎾᎵᎪᎲ ᏓᏗᏔᏍᎬ.\nᎦᏨᏗ ᏓᏕᏏ?\nᎠᏧᎬ ᎾᎥᏂ ᎠᎦᏘᏰ ᎤᏕᎶᎰᎯᏍᏗ ᎤᏓᏙᎵᏍᏔᏅ.\nᏚᎷᏫᏍᏔᏁᎸ ᏓᏳᏓᎴᏅᏓ, ᎠᎵ ᎤᎴᏴᏒ ᏗᎦᏓᏁ ᏂᏚᎵᏍᏔᏁ ᏚᏄᏮ, ᎪᎰᏍᏗ ᎤᎵᏍᏔᏁ ᎦᏙᎯ, ᎤᏄᎸᏁ ᏧᎴᏗ.\nᏗᏃᏪᎵᏍᎩᏃ ᎠᎴ ᎠᏂᏆᎵᏏ ᎬᏩᏘᏃᎮᎸᎩ ᎠᎨᏴ ᎠᏓᏲᏁᎲ ᎠᏥᏂᏴᏛ; ᎠᏰᎵᏃ ᎤᏂᎧᏅ,\nᎾᏂᎥᏉᏍᎩᏂ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲᎢ ᎩᎶ ᎾᏍᎩ ᏳᎾᏰᏍᎦ ᎠᎴ ᏚᏳᏙᏛ ᏱᏚᎸᏫᏍᏓᏁᎭ ᎾᏍᎩ ᏓᎦᏓᏂᎸᎪᎢ.\nᎨᏍᏗ ᏅᏲ ᎭᏫᏂᏣ ᎬᏗᏍᎦᎶᏗ ᏱᎩ.\nᎧ, ᎢᏣᏕᎶᏆ ᏓᏟᎶᏍᏛ ᏒᎦᏔᎢᏳᏍᏗ ᏡᎬᎢ; ᎢᏳᏰᏃ ᏚᏩᏂᎦᎸ ᏗᏓᎨ ᏂᏕᎦᎵᏍᏓ, ᎠᎴ ᎩᎳᎢ ᏥᎦᎳᏍᏚᎲᏍᎪᎢ, ᎢᏥᎦᏔᎰ ᎪᎩ ᎾᎥᏂᏳ ᎨᏒᎢ.\nᎠᏎᏃ ᎯᎠ ᏅᏓᎦᏪᏏ, ᎢᏨᏲᏎᎭ, ᎥᏝ ᏱᏥᎦᏔᎭ ᏗᏣᏓᎴᏅᎢ; ᏍᎩᏯᏓᏅᏏ, ᏂᏥᎥ ᎤᏲ ᏗᏥᎸᏫᏍᏓᏁᎯ.\nᏥᎷᏏᎵᎻᏃ ᎾᎥ ᏭᏂᎷᏨ ᎾᏍᎩ ᏒᎦᏙᎯ ᎠᏯ ᏇᏗᏂᏱ ᎢᏴᏛ, ᎣᎵᏩᏲᎯ ᎤᏌᎯᎸᎢ, ᎠᏂᏔᎵ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏚᏅᏎᎢ,\nᎤᎾᏅᏁᏃ ᎠᎴ ᎤᏂᏯᏫᏎ.\nᎠᎴ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏄᏂᏍᏆᏂᎪᏔᏅᎾ ᏥᎨᏎ ᏄᏂᎬᏫᏳᏌᏕᎩ ᏂᎨᎬᏁᎸ ᏧᏅᏕᏤᏉᏍᎩᏂ ᎤᎾᏤᎵᎪᎯ ᎠᏁᎲᎢ, ᏧᏓᏕᏒᏛ ᏗᎬᏩᏲᎢᏍᏗ ᏂᎨᏒᎾ ᏕᎨᎦᎸᏍᏗ ᎤᎵᏏᎬᎢ, ᎦᎸᏉᏗᏳ ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎠᏍᏆᎸᎲ ᎬᏗᏍᎩ.\nᎠᏎᏃ ᎢᏗᎦᏔᎭ ᎯᎠ ᎠᏍᎦᏯ ᏧᏓᎴᏅᎢ, ᎦᎶᏁᏛᏍᎩᏂ ᎦᎷᏨᎭ ᎥᏝ ᎩᎶ ᏱᎬᎦᏔᎮᏍᏗ ᏧᏓᎴᏅᎢ.\nᏫᏥᏤᎢ ᎢᏴ ᏱᏓᏌᏙᎭᏯ ᏴᏫ, ᎤᎾᏓᏅᏖᏗ ᎤᏂᏲᎰᏎ.\nᎾᏍᎩ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏗᎦᏚᏓᎴᏍᏔᏅᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎾᏍᎩᏯ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎬᏂᏛ ᎢᎦᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩᏯ ᎤᏚᎩ ᎢᎬᏒᎢ.\nᎬᏩᏟᏍᏗᏰᏃ ᎾᏍᎩ Ꮎ ᎢᎸᎯᏳ ᎢᎦᎨᎦᏗᏍᏓᏁᎸᎯ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏁᎶᏔᏅᎯ ᎨᏒ ᎦᎸᎶᎢ ᏅᏓᏳᏓᎴᏅᎯ ᎠᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎨᎦᏠᏯᏍᏔᏅ ᎨᏥᏁᎸᎯ.\nᎾᏃ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏔᏅ ᎤᎬᏩᎵ, ᎢᏓᎵᏅᏟ, ᎥᏝ ᎾᏂᎦᏔᎲᎾ ᎨᏎᏍᏗ, ᏱᏨᏰᎵᏎᎭ.\nᏂᎬᎾᏛ ᎠᏒᎨ ᏓᏳᏓᎴᏅ ᎤᎪᏏᏓ ᎤᏪᏥ.\nᏰᎵ ᏱᏚᏂᏲᏏ ᏃᏉ ᏚᏙᎣᏐᏅ ᏧᏆᎶᎦ, ᏙᏉ ᏄᏍᏕᏍᏗ ᏧᎪᎳ ᏅᏙ ᎦᎷᏨ?\n”ᎡᎭ!” ᏩᏓᏅᏛᎳ!” \nᏔᎵᏁᏃ ᎯᎠ ᏅᏗᎠᏥᏪᏎᎵᎢ; ᎤᏁᎳᏅᎯ ᎤᏅᎦᎸᏛ ᎾᏍᎩ Ꮮ-Ꮧ ᎦᏓᎭ ᏲᏎᎮᏍᏗ.\nᎯᎠᏃ ᎾᏍᎩ ᎣᏒ ᎦᏙᎯ ᏥᎨᏥᏫᏎᎴᎢ; ᎾᏍᎩ ᎠᎾᏛᎩᏍᎩ ᎧᏃᎮᏛ, ᎠᎴ ᏗᎾᏓᏂᎸᎩ, ᎠᎴ ᎠᏂᎦᏔᏛᏍᎩ, ᎢᎦᏛ ᏦᎠᏍᎪᎯ ᎢᏳᏩᏓᏗ, ᎢᎦᏛᏃ ᏑᏓᎳᏍᎪᎯ, ᎢᎦᏛᏃ ᎠᏍᎪᎯᏧᏈ.\nᏐᏉ ᎢᎦ ᏍᎪᎯᏍᏆ ᎤᎶᏒᏍᏗ ᎤᏂᎷᏤᎢ ᎠᎾᎧᏔᏂᏙ ᏃᎴ ᎠᏂᎸᏉᏗᏍᎨᎢ.\nᏈᎵᎩᏍᎩᏂ ᎠᏥᏩᏛᎮ ᎠᏦᏓ; ᎠᎢᏒᏃ ᎠᎵᏥᏙᎲᏍᎨ ᎣᏍᏛ ᎧᏃᎮᏛ ᏂᎦᏛ ᏕᎦᏚᎲ ᎬᏂ ᏏᏌᎵᏱ ᏭᎷᏨ.\nᎢᏳᏰᏃ ᎣᏏᏳ ᎠᎩᏰᎸᏅᎯ ᎾᏍᎩ ᎯᎠ ᏱᏂᎦᏛᏁᎭ ᎥᏆᎫᏴᎡᎭ; ᎢᏳᏍᎩᏂ ᎣᏏᏳ ᎠᎩᏰᎸᏅᎯ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ ᎿᏉ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎥᏆᏒᎦᎶᏔᏅ.\n“ᎨᏍᏗ ᎪᎱᏍᏗ ᎤᏕᏯᏙᏗᏍᎩ ᏱᎩ ᎠᎦᏍᏆᏟ.\nᎿᏉᏃ ᎤᏩᏒ ᎤᏤᎵᎪᎯ ᎤᎷᏨ ᏧᏂᎳᏫᎢᏍᏗᏱ ᏚᏪᏲᏅᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᎠᎴ ᎯᎠᏄᏂᏪᏒᎩ; ᎦᏙ ᎤᎵᏍᏙᏔᏅ ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ ᏣᎦᎳ ᎿᎠ ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏥᏚᎸᏫᏍᏓᏁᎭ?\nᎩᎶ ᎤᏩᏒ ᎤᏓᏅᏖᏛ ᏥᎦᏬᏂᏍᎪᎢ, ᎤᏩᏒᏉ ᎠᏥᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏲᎰᎢ; ᎩᎶᏍᎩᏂ ᏅᏓᏳᏅᏏᏛ ᎠᏥᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᏧᏲᎰᎢ, ᎾᏍᎩ ᏚᏳᎪᏛ ᎨᏐᎢ, ᎠᎴ ᎥᏝ ᎠᏠᎾᏍᏗ ᎨᏒ ᏳᏓᏑᏲᎢ.\nᎠᏙᎯ ᎠᏍᏛᎢ, ᏥᏍᏆᏯ ᎤᏁᎦ ᎦᏁᏥᎢ (ᎺᏌᏧᏎᏗ ᎢᏴ ᏓᏳᎶᏒ) ᏂᎦᏪᏍᎪᎢ,” Ꭳ, ᎫᏫᏍᎫᏫ, ᎫᏫᏍᎫᏫ, ᎫᏫᏍᎫᏫ!” \nᎠᏎᏃ ᏈᏓ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎠᏕᎸ ᏗᏣᏤᎵ ᏫᏓᎵᏗᏛᏓ ᏨᏒ ᎭᎵᏛᏗᏍᎬᎢ, ᏅᏓᎦᎵᏍᏙᏓ ᎤᏁᎳᏅᎯ ᎤᏓᏁᏗ ᎨᏒ ᏰᎵᏉ ᎠᏕᎸ ᎬᏩᎯᏍᏙᏗ ᏤᎳ.\nᎡᏈᎵ ᎤᎩᎬ ᏅᏛᎴᏅᏛ, ᏤᎩᎳᏯ ᎤᎬᎬ ᏩᏍᏗ, ᎾᏍᎩ ᏧᎵᏍᏆᏕᎴ ᎠᏰᎵ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎤᏛᏅᏃ-ᏗᎦᎳᏫᎢᏍᏗᏱ; ᎤᏙᎯᏳᎯᏯ ᎢᏨᏲᏎᎭ, ᎨᏥᏔᏲᏎᏗ ᎨᏎᏍᏗ ᎪᎯ ᏣᏁᎭ.\nᎬᏅᎢ ᏥᏚᎢᏍᏓᏁ.\nᎯᎸᎢᏴ ᎤᏩᏙᎯᏴᏓ ᎢᏳᏍᏗ ᎠᏒᎨ, Ꮳ ᎪᎱᏍᏗ ᎤᏲ ᎢᏳᎵᏍᏙᏗ ᏱᎨᏒᎾ ᎢᏳᏍᏗ ᏄᏍᏕ.\nᎠᎨᏴᏃ Ꮎ ᏥᎪᏩᏘᏍᎬᎩ ᎾᏍᎩ Ꮎ ᎡᏆ ᎦᏚᎲ ᎦᏛᎦ, ᎾᏍᎩ ᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᎡᏁᎲ ᎤᎬᏫᏳᏌᏕᎩ ᏥᎩ.\nᎬᏩᏃᏁᎴᏃ ᎯᎠ ᏄᏂᏪᏎᎢ; ᏣᏥ ᎠᎴ ᎢᏣᎵᏅᏟ ᏙᏱᏗᏢ ᏓᏂᏙᎦ ᎤᎾᏚᎵ ᎨᏣᎪᏩᏛᏗᏱ.\nᎠᏎᏃ, ᎠᏴ ᎦᏓᏅᏖᏍᎬ, ᎤᏟ ᎢᎦᎢ ᏅᏩᏙᎯᏯᏛ ᏳᏓᏅᏔ, ᏱᏅᏩᏍᏗᏉ ᎡᎲᎢ; ᎠᎴ ᎦᏓᏅᏖᏍᎬ ᎠᏴ ᎾᏍᏉ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᎠᏇᎭ.\n“ᏌᏌ?” ᎤᏛᏁ ᏌᎳᏓ.\nᎾᏍᎩᏃ ᏆᎩ ᏫᎤᎾᏂᎩᏒ ᏭᏂᎷᏤ ᎥᏘᎣᎩ ᎦᏚᎲ ᏆᏏᏗᏱ; ᎤᎾᏙᏓᏆᏍᎬᏃ ᎢᎦ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏭᏂᏴᎸ ᎤᎾᏅᏁᎢ.\n“ᏧᏍᏆᏴᏍᏗ,” ᎤᏛᏁ ᏫᎵᎻ, “ᏱᏣᎸᏂᏗᏍᎬᎾ ᏱᎨᏎᎢ, ᏱᏣᏕᎶᎰᏎᎢ ᏧᏪᏥ ᏧᏩᏅᏙᏗ ᏄᏩᏁᎸ ᏌᎳᏓ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎡᏥᏁᏉᎡᏗ ᎨᏎᏍᏗ ᏅᏓᏳᏓᎴᏅᎯ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᎴ ᏥᏌ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ.\nᎾᏍᎩᏰᏃ Ꮎ ᎯᎠ ᎾᏍᎩ ᎤᎬᏩᎵ ᎠᏥᏁᎢᏍᏔᏅᎯ ᎨᏒ ᎤᏣᏘᏂ ᎠᏂᎳᏍᏓᎸ ᎨᎳ ᎨᏒᎩ, ᎾᏍᎩ [ᎠᏂᎳᏍᏓᎸ] ᎤᏓᎴᏅᎯ ᎥᏝ ᎩᎶ ᎠᏥᎸᎨᎳᏍᏗᏱ ᏱᏚᎸᏫᏍᏓᏁᎮᎢ.\nᎠᏎᏍᎩᏂᏍᏊ, ᏍᏈᏍᏓᎾᏍᏊ ᎫᏘᏍᎬᏃ.\nᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗ ᏱᎩᏲᎱᏎᎴᏍᏗ ᏕᎩᎸᏫᏍᏓᏁᎸᎢ, ᎢᏗᏩᏛᎲᏉᏍᎩᏂ ᎤᎧᎵᏨᎯ ᎡᎦᎫᏴᏓᏁᏗ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᏗᎪᏪᎵᏍᎩ ᎤᎷᏤᎢ, ᎯᎠ ᏄᏪᏎᎴᎢ; ᏔᏕᏲᎲᏍᎩ ᏓᎬᏍᏓᏩᏗᏙᎵ ᏂᎦᎥ ᎮᏙᎲᎢ.\nᏂᎦᏛᏃ ᎤᏂᏍᏆᏂᎪᏎᎢ; ᎠᎴ ᎤᏅᏒ ᎨᏒ ᏚᎾᏓᏛᏛᏁᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᎦᏙ ᎤᏰᎸᏗ ᎯᎠ? ᎦᏙ ᎤᏍᏗ ᎯᎠ ᎢᏤ ᏗᏕᏲᏗ ᎨᏒᎢ? ᎤᎵᏂᎩᏛᏰᏃ ᎤᎲ ᎬᏗ ᏕᎧᏁᏤᎰ ᎠᏂᎦᏓᎭ ᏗᏓᏅᏙ, ᎠᎴ ᎬᏬᎯᏳᎲᏍᎪᎢ.\nᏚᏌᎳᏓᏁᏃ ᏗᎦᏙᎵ ᏚᎧᎾᏁ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠ ᏄᏪᏎᎢ; ᎣᏏᏳ ᎢᏣᎵᏍᎠᏁᏗ ᎤᏲ ᎢᏣᏛᎿᏕᎩ; ᎢᏣᏤᎵᏰᏃ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎦᎪᏰᏃ ᎯᎠ ᏥᏂᏣᏛᏅ, ᏯᏓᏅᏖ ᎢᏅ ᎢᎦᏘ ᎤᏁᏍᎨᏗᏱ, ᎥᏝ ᎢᎬᏱ ᏱᎦᎲᏍᎪ ᏯᏎᎯᎰ ᎢᎦᎢ ᏧᎬᏩᏔᏂᎯᏍᏗ ᎨᏒᎢ, ᎤᏙᎴᎰᎯᏍᏗᏱ ᏰᎵ ᎬᏩᏍᏆᏗᏍᏙᏗ ᎢᎦᎢ ᎤᎲᎢ.\nᎾᏍᎩ ᏗᎵᏍᏓᏴᏗᏱᏉ ᎨᏒ ᎠᎴ ᎠᏗᏔᏍᏗᏱᏉ ᎨᏒ ᎠᎴ ᏗᎪᏑᎴᏗᏱ ᎨᏒᎢ, ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏇᏓᎵᏉ ᎨᏒ ᏧᎬᏩᎴᎢ, ᎾᏍᎩ ᎢᏳᎾᏛᏁᏗ ᏥᏂᎨᎬᏁᎴ ᎤᏓᏁᏟᏴᏍᏗ ᎨᏒ ᎤᎵᏰᎢᎶᎯᏍᏗ ᎨᏒ ᎢᎪᎯᏛ.\nᎠᏎᏃ ᎤᏙᏓ ᎯᎠ ᏂᏚᏪᏎᎴ ᏧᏅᏏᏓᏍᏗ; ᎣᏌᏂ ᎠᏄᏬ ᏫᏥᎾᎩ, ᎡᏥᏄᏬᏣ, ᎠᎴ ᎡᏥᏰᏑᏍᏙᎦ, ᎠᎴ ᏤᏣᎳᏑᎸᎦ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏂᏣᏛ ᏴᏫ ᎾᏍᎩ ᎯᎠ ᎤᎾᏛᎦᏅ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᎾᏍᎩ Ꮎ ᎠᏙᎴᎰᏍᎩ.\nᎾᎦᏛᏃ ᎤᏣᏘ ᏚᎾᏠᏱᎸᎩ, ᎠᎴ ᏉᎳ ᎠᎩᎵᎨᏂ ᎤᏂᏯᎸᏨ ᎬᏩᏔᏪᏙᏅᎩ.\n”ᎨᏍᏗ ᎤᏦᎠᏎᏗ ᏱᎩ.\nᎤᎧᏲᏓ, ᎦᏁᏔᏱ ᏕᎬᏗᏍᎪ ᏕᎦᎫᏍᏛᎥ, ᏃᎴ ᏧᎦᏣᎳᎩᏍᏗ ᎠᏍᏓ ᏕᎬᏗᏍᎪ ᏧᏌᏛᏙᏗ --- ᏍᎪᏯ ᏧᏂᏴᏙᏗ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎿᏉ ᎬᏩᏓᏅᎡᎮᎢ, ᏈᏓ ᎯᎠ ᏄᏪᏎᎴ ᏥᏌ, ᏔᏕᏲᎲᏍᎩ, ᎣᏏᏳ ᎠᏂ ᏥᏕᏙᎭ; ᎠᎴ ᏦᎢ ᏫᏙᏥᎵᏦᏛᎦ; ᏌᏉ ᏂᎯ ᏣᏤᎵᎦ, ᏌᏉᏃ ᎼᏏ ᎤᏤᎵᎦ, ᏌᏉᏃ ᎢᎳᏯ ᎤᏤᎵᎦ, ᎥᏝ ᏯᎦᏔᎮ ᏂᎦᏪᏍᎬᎢ.\nᎾᏆᏕᏘᏴᎲ ᎣᏍᏓ ᏱᎧᏁᏉᎦ ᎾᏆᏓᎨᏒ.”\nᎠᏰᎵ ᎢᏴ ᎠᎬᏱᏉ ᎤᏂᏯᎨ, ᏭᏩᎬᏛ ᏧᏌᎨᎢ ᎤᏂᎦᎭᎷᏰ, ᎠᏥᎷᏳᎵ ᎾᎥᏂ ᎤᏂᎧᎭᏲᏔᏁ.\n”ᎠᏯᏗ ᎩᎾᎵᎢ ᏱᎩ.\nᎤᎦᏔ ᏚᏩᏇᏅᏛ ᎤᏤᏌᏙᎩ ᏚᏪᏝᎸ ᏥᏔᎦ.\nᎠᎴ ᎤᏁᎳᏅᎯ ᏥᏔᏲᏎᎭ ᎠᎦᏔᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏆᏓᏅᏙ ᎤᏬᎯᏳᏓᏂᏗᏱ, ᎾᏍᎩ ᎢᏨᎨᏳᎥᏍᎬ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎠᏏ ᎪᎵᏂᏗᏱ ᏫᏂᏥᎷᎬᎾ ᏥᎩ;\nᏭᏕᎵᎬ.\nᎢᏳᏰᏃ ᏚᏳᎪᏛ ᎧᏁᎩ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏟ ᎢᎦᎢ ᎤᏁᏉᏨᎯ ᏱᎩ ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᏄᏩᏁᎲᎢ ᎠᏴ ᎦᏥᎪᎲᏍᎬ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ, ᎦᏙᏃ ᎠᏴ ᎾᏍᏉ ᎠᏏᏉ ᏛᏊᎪᏓᏁᎭ ᏥᏍᎦᎾ ᎾᏍᎩᏯᎢ?\nᏫᏥᎢᎦ ᎨᏒ ᎧᏁᏍᎦ ᎢᏳᏍᏗ ᎠᏒᎨ. ᏍᏈᏍᏓᏰᏃ ᎤᏂᏍᏆᏂᎪᏕ ᎧᏁᏍᎦ ᎦᎸᎳᏗᏣ.\nᎿᏉᏃ ᏚᏂᏐᏨ ᎨᏂᏏᎳᏗ ᎤᏂᎷᏨᎩ.\nᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎬᏂᎨᏒ ᏂᎬᏁᎸ ᎤᏓᏅᏙ ᎤᏮᏔᏅ; ᎠᏓᏅᏙᏰᏃ ᏂᎦᎥ ᏧᏓᎴᏅᏛ ᎠᎪᎵᏰᏍᎪᎢ, ᎾᏍᏉ ᎬᏍᎦᎵ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎯᎠ ᎾᏍᎩ ᏥᏂᏥᏪᎭ ᏩᏴᎭ ᏗᏥᎴᏂ; ᏴᏫᏰᏃ ᎤᏪᏥ ᏴᏫ ᏗᎨᏥᏲᎮᏎᏗ ᎨᏎᏍᏗ.\nᎠᏎᏃ ᏧᎾᏁᎶᏗ ᎤᏂᏯᏅᎮ ᏒᏃᏱ ᎠᎴ ᏔᎷᏣ ᎤᏂᏲᏔᏁ ᎤᎾᏠᎥᏔᏁ ᎠᏐᏴᎢ.\nᎠᏓᏪᎳᎩᏍᎬ ᎤᏁᎳᏛ, ᎬᏂᎨ ᏧᎦᏒᏍᏗ ᏓᏦᎯᏍᏗᏍᎬ ᎤᎶᎩᎸ, ᏫᎦᎷᎬᎾᏉ ᎠᏕᎭᏲᎲ ᏅᏃ.\nᎠᏎᏃ ᏅᏧᎵᏍᏙᏔᏅᎢ ᎪᎯ ᏣᎪᏩᏘᎭ ᎥᏝ ᏲᏍᏗᎦᏔᎭ; ᎠᎴ ᎠᏴ ᎥᏝ ᏲᏍᏗᎦᏔᎭ ᎾᏍᎩ Ꮎ ᏧᏍᏚᎢᎡᎸᎯ ᎨᏒ ᏗᎦᏙᎵ. ᎿᏉ ᎠᏗᏃᎾ ᎤᏛᎾ, ᎡᏣᏛᏛᎲᎦ, ᎤᏩᏒ ᏓᎧᏃᎮᎵ.\nᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏙᏗᏱ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᎾᏍᎩᏯ ᎾᏍᎩᏯ ᏚᏳᎪᏛ ᎢᎦᏛᏁᎰᎲᏍᏗᏱ, ᎠᏴ ᎤᏇᏓᎵ ᎨᏒ ᎢᏗᏍᏓᏩᏕᎩ ᏂᎨᏒᎾ ᏏᎩ, ᎠᏓᏅᏙᏍᎩᏂ ᎢᏗᏍᏓᏩᏕᎩ.\nᎠᎴ ᎾᏍᏉ ᎦᎸᎳᏗ ᎠᏁᎭ ᏗᎪᏢᏅᎯ, ᎠᎴ ᎡᎶᎯ ᎠᏁᎭ ᏗᎪᏢᏅᎯ; ᎠᏎᏃ ᏧᏬᏚᎯᏳ ᎨᏒ ᎦᎸᎳᏗ ᎠᏁᎯ ᏅᏩᏓᎴᎢ, ᎠᎴ ᏧᏬᏚᎯᏳ ᎨᏒ ᎡᎶᎯ ᎠᏁᎯ ᏅᏩᏓᎴᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎤᎩᏨᏛ, ᎾᏍᎩ ᏗᎦᏚᎲ ᎾᏱᏂ ᏧᏙᎢᏛ ᏭᏴᎴᎢ; ᏰᎵᏃ ᎠᏂᎪᏗᏳ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏩᏍᏓᏩᏛᏎᎢ, ᎠᎴ ᎤᏂᏣᏘ ᏴᏫ.\nᎾᏍᎩᏃ ᎯᎠ ᎤᏛᎦᏅ ᎤᏣᏘ ᎤᏲ ᎤᏰᎸᏁᎢ; ᎤᏣᏘᏰᏃ ᎤᏪᎿᎢᏳ ᎨᏎᎢ.\nᎦᏁᏍᏓᎳᏗᏍᏗᏍᎩ ᎠᏍᎩᏗᏍᎨᎢ ᎠᎳᏂ.\nᎤᏩᏌ ᎡᏙᎮ ᎤᎨᏓᎵᏴ ᏧᏴᏨ ᎢᏣ, ᎤᏲᎢᏴ, ᎯᎸᎢᏴ ᏅᏃᎯ ᎢᏯᏖᏅ ᎨᏴ, ᎠᏯᏙᎵ ᎨᏎ ᎦᎶᎯᏍᏗ, ᎦᏣᏃᏍᏓ ᏓᎴᎲᏍᎬ ᎠᎹ ᎨᏴ ᎠᏍᏛᎢ.\nᏂᎪᎯᎸ ᎡᎶᎯ ᎨᏙᎲᎢ, ᎠᏴ ᎡᎶᎯ ᎢᎦ ᎦᏥᏯᏘᏍᏓᏁᎯ.\nᎾᏃ ᏗᎾᏠᏱᎯ ᏥᎩ, ᏂᏓᎾᏠᏱᎲᎾᏉ ᎢᏳᏍᏗ ᎨᏎᏍᏗ; ᎾᎿ ᎠᎾᎵᎮᎵᎩ ᏥᎩ, ᎾᎾᎵᎮᎵᎬᎾᏉ ᎢᏳᏍᏗ ᎨᏎᏍᏗ; ᎾᏃ ᎤᏂᏩᏍᎩ ᏥᎩ, ᏄᏂᎲᎾᏉ ᎢᏳᏍᏗ ᎨᏎᏍᏗ;\nᎠᎴᏍᏊ ᎥᏳᎩ ᎬᏗ ᎠᏰᏟᏴ ᎤᎾᏗᏨᏁ ᎦᏚᎲ ᏂᎬᏫᏍᏕ ᏚᏂᎾᎡ ᏗᎪᏪᎳᏅ ᏗᏣᎳᎩ ᏗᎪᏪᎵ.\nᎢᏓᎵᏅᏟ, ᎠᎩᎾᏫᏱ ᎢᏴᏛ ᎠᏆᏚᎵᎭ, ᎠᎴ ᏥᏯᏓᏙᎵᏍᏓᏁᎭ ᎤᏁᎳᏅᎯ ᎢᏏᎵ ᎤᎬᏩᎵ, ᎾᏍᎩ ᎨᏥᏍᏕᎸᏗᏱ.\nᎾᏍᎩ Ꮎ ᎣᏥᏃᎮᏍᎬ ᎤᏣᏘ ᎪᎱᏍᏗ ᎦᏲᎦᏛᏗ, ᎠᎴ ᎤᏦᏍᏗᏳ ᏗᎪᏏᏐᏗᏱ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏗᏥᏍᎦᏃᎵᏳ ᎨᏒ ᎢᏣᏛᎪᏗᏱ.\nᏤᏍᏗ ᏤᏅᏒ.\nᏗᏂᏲᏟ ᎣᏍᏓ ᎤᏂᏰᎸᎮ ᏧᎾᏁᎶᏗ.\nᏛᏂᎾᏄᎪᏥᏰᏃ ᎤᎾᏠᎾᏍᏗ ᎦᎶᏁᏛ ᎠᎴ ᎤᎾᏠᎾᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ, ᎠᎴ ᎠᏂᎾᏄᎪᏫᏍᎨᏍᏗ ᎦᎸᏉᏗᏳ ᎤᏰᎸᏛ ᎠᎴ ᎤᏍᏆᏂᎪᏗ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᏰᎵ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎩ ᏱᏓᏂᎶᏄᎲᎵ ᎾᏍᏉ ᎨᎦᏑᏰᏛ.\nᎠᏎᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏂᎳᏫᎩ ᏚᏂᏍᏗᏰᏔᏁ ᎤᏂᏣᏘ ᎨᏒ ᏆᎳᏆ ᎤᏂᏔᏲᏎᏗᏱ, ᏥᏌᏃ ᎤᏂᎯᏍᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏥᏅᏏᏓᏍᏗ ᎡᎳᏗ ᎤᏓᏅᏁᎢ, ᎠᎴ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏍᎩᎾᏝᎢ, ᏍᎩᏙᎵᎩ ᏍᎩᎦᏘᏓ, ᏂᎦᏛᏃ ᏓᎬᏯᎫᏴᎡᎵ.\nᎢᎬᏱ ᎤᏩᏛᎲᎩ ᎤᏤᎵ ᎤᏂᎵ ᏌᏩᏂ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎣᏥᏩᏛᎲ ᎺᏌᏯ; (ᎾᏍᎩ ᎠᏁᏢᏔᏅᎯ ᎦᎶᏁᏛ ᎦᏛᎦ.)\nᎠᎴ ᏚᏔᏲᏎᎴ ᎪᏪᎵ ᏧᏅᏍᏗ ᏕᎹᏍᎦ ᏗᎦᏚᎲ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎾᏍᎩᏃ ᎢᏳ ᏱᏚᏩᏛᎲ ᎩᎶ ᎾᏍᎩ ᎢᏳᏍᏗ ᏗᏂᎧᎿᏩᏕᎩ, ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ, ᎾᏍᎩ ᏗᎨᎦᎸᎢᏛ ᏧᏘᏃᎯᏍᏗᏱ ᏥᎷᏏᎵᎻ.\nᎾᏍᏉ ᏉᎳ ᏱᎩ, ᎠᎴ ᎠᏉᎳ, ᎠᎴ ᏏᏆᏏ, ᎠᎴ ᎡᎶᎯ, ᎠᎴ ᎬᏂᏛ, ᎠᎴ ᎠᏲᎱᎯᏍᏗ, ᎠᎴ ᎪᎱᏍᏗ ᎪᎯ ᎨᏒ, ᎠᎴ ᎪᎱᏍᏗ ᎠᏏ ᏥᎨᏎᏍᏗ; ᏂᎦᏗᏳ ᎢᏣᏤᎵᎦ;\nᎥᏝᏰᏃ ᏱᎦᏕᎣᏍᎦ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ; ᎾᏍᎩᏰᏃ ᎤᏁᎳᏅᎯ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎬᏂᎨᏒ ᎢᎬᏁᎯ, ᎾᏍᎩ ᎾᎿ ᎠᎾᎵᏍᏕᎸᏙᏗᏍᎬ ᎾᏂᎥ ᎠᏃᎯᏳᎲᏍᎩ; ᎠᏂᏧᏏ ᎢᎬᏱ, ᎠᎴ ᎾᏍᏉ ᎠᏂᎪᎢ.\nᎢᎬᏱᏱ ᎢᎦ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒ ᎢᏥᏏᏴᏫᎭ ᎢᏣᏓᏁᎸᏍᎨᏍᏗ ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏁᎳᏅᎯ ᎢᏥᏁᏉᎡᎸᎢ, ᎾᏍᎩᏃ ᏞᏍᏗ ᏫᏥᎷᏨᎭ ᎩᎳ ᏫᎦᏟᏐᏗ ᏱᎨᏎᏍᏗ.\nᎠᏆᏗᎳᎾᎶᏰᏃ ᏄᎯᏐᏛᎾ, ᎦᎵᏎᎲᏃ ᎤᏓᏌᎧᎯᏳ.\nᎧ, ᎡᎵᏍᏗ ᎯᏣᏕᎶᎰᏌ ᏂᎦᎵᏍᏔᏂᏙᎲ ᏔᎵᎭ ᏧᏙᏓᏆᏓ.\nᎨᏍᏗ ᏱᏥᎦᏔᎮ ᏂᎦᏓ ᏚᎾᏙᎥ.\nᎠᎴ ᎾᏂᎥᏉ ᏴᏫ ᎨᏥᏍᎦᎩ ᎨᏎᏍᏗ ᎠᏴ ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ; ᎠᏎᏃ ᎾᏍᎩ ᎬᎵᏍᏆᏗᏍᎩ ᎠᏟᏂᎬᏁᎯ ᎠᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᎠᏍᎦᏂᏍᎩᏂ ᎤᎵᏁᏨ ᎬᏗᏍᎬᎢ ᏄᏓᎴᏒ ᎤᏲ ᎠᏆᏚᎸᏅᏗᏱ ᎾᏋᏁᎸᎩ. ᎥᏝᏰᏃ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏍᎦᏂ ᎤᏲᎱᏒᎯ ᏱᎩ.\nᎤᏁᎳᏅᎯᏍᎩᏂ ᎠᏁᎰ ᎠᏰᎸ ᎾᏍᎩᏯ ᎣᏏ ᎤᏰᎸᏅᎢ, ᎠᎴ ᏄᏓᎴᏒ ᎤᎦᏔ ᎤᏤᎵᎦᏯ ᎠᏰᎸᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏍᎩᏃᎲᏏ, ᎦᏙ ᎮᎵᎭ? ᏥᏌ ᏚᏳᎪᏗ ᏏᏌ ᎠᎫᏴᎡᏗᏱ ᎠᏰᎵ ᎠᎫᏴᏗ ᎨᏒᎢ; ᏝᎨ?\nᎤᏂᏅᏍᏙᏍᎨᏍᏗ ᏗᏨᏍᏗᏱ, ᎠᏂᏁᎨᏍᏗ ᎪᎱᏍᏗ ᎢᏳᏍᏗ ᎠᎵᏍᏓᏴᏗ ᏗᏲᎯᏍᏗᏱ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏬᏢᏅᎯ ᏥᎩ ᎤᎵᎮᎵᏨᎯᏉ ᏧᎾᏓᏂᎸᎢᏍᏗᏱ ᎠᏃᎯᏳᎲᏍᎩ ᎠᎴ ᎤᏂᎦᏙᎥᏒᎯ ᏥᎩ ᏚᏳᎪᏛᎢ.\nᏂᎪᎯᎸᎾ, ᎱᏃᎯᏳᎲ ᏃᎴ ᎤᎾᏅᎪᎢᏍᏗ ᎤᏓᎵᎨᏲᏤᎢ, ᏕᎦᏅᏅ ᏚᎧᎵᏤ ᎠᏂᎷᎬ ᏴᏫ ᎦᏚᏏ ᏓᏳᏂᎶᏒ.\nᎤᎪᎲᏃ ᏒᎦᏔ-ᎢᏳᏍᏗ ᏡᎬ ᏅᏃᎱᎶᏗ, ᎾᎿ ᏭᎷᏨᎩ; ᎠᏎᏃ ᎥᏝ ᎪᎱᏍᏗ ᏳᏩᏛᎮᎢ, ᎤᎳᏍᏚᏒ ᎤᏩᏒ; ᎯᎠᏃ ᏄᏪᏎᎸᎩ; ᏞᏍᏗ ᎢᎸᎯᏳ ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᏱᏣᏓᏔᏁᏍᏗ. ᎩᎳᏉᏃ ᎢᏴᏛ ᏒᎦᏔ-ᎢᏳᏍᏗ ᏡᎬ ᎤᏩᏴᏒᎩ.\nᎾᏍᎩᏰᏃ ᎠᏴ ᎡᎦᎵᎪᏔᏅᎯ ᏥᎨᏒᎩ, ᎠᎴ ᎠᎨᎳᏗᏍᏔᏅᎯ ᏥᎨᏒ ᎯᎠ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᎾᏓᏙᎵᎩ ᎬᎭᏃᏓ ᎾᏅᏁ ᎠᏂᏔᏲᎯᎲ ᎨᎬᏬᎣᏗ ᏱᎨᏒᎾ, ᏃᎴ ᏱᏓᏂᏃᎯᏎᎲᎾ ᎨᏒ ᎤᎯᏍᏙᏗ ᎨᏒ ᎤᎾᏓᏅᏖᎸ.\nConnecticut ᏫᏚᏩᎧᏁ ᏧᎾᏙᎴᏆᏍᏗ ᎦᏄᏓᎴᎩ. ᎤᎾᏙᎴᏆ Latin ᎤᏂᎪᎵᏰᏗ ᏃᎴ ᎦᎵ ᏧᏃᏪᎶᏗ, ᎱᏂᎷᏤ ᏣᎳᎩᏱ ᎠᏰᎵ, ᎠᏂᏍᎦᏰᎬᏍᏓ ᏚᎾᎭᏄᏮ, ᏧᏐᏱ ᏐᏈᎵ ᏗᏂᏂᏏᏁᎩ ᏓᏆᎴᎳ ᏧᎾᎩᎸᏗ, ᎤᏂᏐᏱ ᏗᏂᏁᎵ, ᎠᏂᏳᏩᏁᎦ ᎠᏂᎨᏯ. ᏂᎦᏓ ᏅᎩ ᎢᏯᏂ ᎠᏂᏓᏉ, ᏄᏍᏗᏓᏅ ᎣᎯᏍᏙᏗ ᎢᏳᏅᏂᏗ.\nᎾᏍᎩᏃ Ꮎ ᎠᏂᏔᎵ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᎾᏛᎦᏅᎩ ᎤᏁᏨ; ᎠᎴ ᎾᏍᎩ ᎤᏂᏍᏓᏩᏛᏒᎩ ᏥᏌ.\nᎠᏏᏴᏫᏃ ᎾᏍᎩ ᎡᎩᏩ ᏧᏙᎢᏛ ᏕᎤᎶᏁᎢ, ᎠᏓᏅᏙ ᎤᏩᏔᏁ ᎬᏂᎨᏒ ᏄᏩᏁᎴ ᎤᏣᏘ ᎤᎪᏄᎶᎯᏍᏗᏱ ᏂᎬᎾᏛᎢ; ᎾᏍᎩᏃ ᏄᎵᏍᏔᏅᎩ ᎾᎯᏳ ᎦᎶᏗ ᏏᏌ ᎤᎬᏫᏳᎯ ᏥᎨᏒᎩ.\n”ᎦᏚᏏ ᎢᏣ ᏩᏓᏒᏍᏓ!” ᎤᏛᏁ ᎤᏃᏕᎾ.\n”Ꭾ, ᎾᏄᏍᏗ ᎡᏆ ᎧᏅᏂᏍᎩ!” ᎤᏛᏁ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎠᏓᏅᏖᏍᎬ ᎠᎦᏴᎵᎨ ᏅᏛᎩᏅᏏᏛ, ᎾᏍᎩ ᎩᎶ ᎠᎪᏩᏘᏍᎩ, ᎾᎵᏍᏆᏗᏍᎬᎾ ᎬᏂᏛ ᎤᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ; ᎠᎴ ᎾᏍᎩ ᎠᏴ ᏙᏓᏥᏯᎴᏔᏂ ᎤᎵᏍᏆᎸᏗ ᎢᎦ ᎨᏎᏍᏗ.\nᎤᏰᎶᏒ ᎨᏒ ᎢᎦᏪᏍᏗ perhaps ᎠᏗᏍᎬ ᏱᏚᏅᏫᏍᏔᎾ.\nᎤᎧᏎᏍᏔᏁᎢ ᎤᏕᎶᎰᏌ ᎩᎶ ᏱᏚᎧᏅᎾ ᎨᏒ ᏭᏴᎴ ᎧᏁᏌᎢ ᏃᎴ ᎧᏁᏍᎦ ᎬᏗ ᎱᏚᏒᏁ ᎡᎳᏗᏣ.\nᎦᏚᎢᏣ ᏳᏂᎶᏌ ᎠᎾᏓᎭᏲᎯ ᎩᎳ ᎫᏩᏂᎪᏩᏛᏗ ᏚᏑᎬ.\nᎾᏍᎩᏍᎩᏂ ᎢᏥᏯᏅᏛ ᎠᏍᎦᎾᎯ ᏂᎨᏒᎾ ᏥᎩ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎯ ᎢᏥᏍᎦᎾᎯ ᏂᎨᏒᎾ ᎨᏎᏍᏗ ᏂᎦᎥ ᏂᏣᏛᎿᏕᎬᎢ.\nᏕᏥᏲᎵᎸᎭ ᎠᏏᏂᏟᏓ, ᏈᎵᎦᏂ, ᎭᎹᏏ, ᏆᏠᏆᏏ, ᎭᎷᏏ, ᎠᎴ ᎠᎾᎵᏅᏟ ᎾᏍᎩ ᎢᏧᎳᎭ ᏣᏁᎭ.\nᎾᏍᎩᏃ ᏧᏂᏣᏔ ᏣᎾᏢᏈᏍᎦ ᎤᏇᏓᎵ ᎬᏙᏗ ᎨᏒᎢ, ᎠᏴ ᎾᏍᏉ ᏓᎦᏢᏆᏏ.\nᎤᏢᏉᏗ ᎢᏤᎲᎩ ᎡᎶᎯ ᎠᎴ ᏂᏣᏁᎸᎾ; ᏕᏤᎶᎸ ᏗᏥᎾᏫ, ᎾᏍᎩᏯ ᏥᎾᎾᏛᏁᎰ ᏗᎯᏍᏗᏱ ᎨᏒ ᎢᎦ ᎠᏍᏆᎸ.\nᎣᏂᏃ ᎾᏍᏉ ᎠᏂᏐᎢ ᎠᎾᏛ ᎤᏂᎷᏤᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᏣᎬᏫᏳᎯ, ᏣᎬᏫᏳᎯ, ᎡᏍᎩᏍᏚᎩ.\nᎠᏂᎨᏴ ᏗᏣᏤᎵ ᎡᎳᏪᏉ ᎤᏅᏎᏍᏗ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ; ᎥᏝᏰᏃ ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎯ ᏱᎩ ᎾᏍᎩ ᎤᏂᏬᏂᎯᏍᏗᏱ; ᎤᏃᎯᏳᏗᏱᏉᏍᎩᏂ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏥᏂᎦᏪ ᏗᎧᎿᏩᏛᏍᏗ.\nᎤᏣᏘ ᏂᎦᎥ ᏄᏓᎴᏒᎢ; ᏄᎬᏫᏳᏒ ᎠᏗᎾ ᏅᏗᎦᎵᏍᏙᏗ ᎾᏍᎩ ᎨᎦᎨᏅᏴ ᎤᏁᎳᏅᎯ ᎤᏁᏨᎢ.\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ ᏂᎯ ᏥᏍᎩᏯᎦᏁᎭ; ᏕᏥᎨᏳᏎᏍᏗ ᎨᏥᏍᎦᎩ, ᎣᏍᏛ ᏂᏕᏣᏛᏁᎮᏍᏗ ᎨᏥᏂᏆᏘᎯ,\nᏄᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏂᎦᏛ ᏧᏂᎳᏫᎥ ᎤᏂᏲᎮ ᎤᏂᏃᎮᎸᎯ ᏥᏌ ᎤᏡᏗᏍᎩ, ᎾᏍᎩ ᎤᏂᎯᏍᏗᏱ, ᎤᎾᏠᏤᏃ.\nᎤᎦᏯᎷᏛ ᎤᏭᏓᎸᏤ ᎠᏣᏗ, ᎩᏥ; ᏰᎵ ᎠᎵᏣᎬᏗᏍᎨᎢ ᎦᏂᏓᏛ ᏃᎴ ᎤᏔᎷᎩᏍᎨ ᏅᏓ ᎠᎦᎵᏍᎬ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᏂᏥᏍᎦᏒᎾ? ᎦᏙ ᏗᎦᎵᏍᏙᏗ ᏂᏦᎯᏳᏒᎾ ᎢᎩ?\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎪᎯᎸ ᎤᎦᎵᏍᏗ ᎣᎦᏓᏅᏔᏩᏕᎪᎢ, ᎠᎴ ᎣᏥᎦᏔᎭ ᎾᏍᎩ ᏂᎪᎯᎸ ᎣᏥᏁᎸ ᎠᏂ ᏦᏥᏰᎸᎢ, ᎤᎬᏫᏳᎯ ᎡᎲ ᎣᎩᎪᏁᎸᎢ;\nᏣᏂᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎠᎴ ᎠᏂᏆᎵᏏ ᎬᏩᏂᏍᏓᏩᏗᏙᎯ ᎠᎹᏟ ᎠᏅᏍᎩ ᎨᏎᎢ; ᎤᏂᎷᏤᏃ ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎦᏙᏃ ᏣᏂ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎠᎴ ᎠᏂᏆᎵᏏ ᎬᏩᏂᏍᏓᏩᏗᏙᎯ ᎠᎹᏟ ᏣᏅᏍᎪᎢ, ᏂᎯᏃ ᎨᏣᏍᏓᏩᏗᏙᎯ ᎠᎹᏟ ᎾᏅᏍᎬᎾ ᏥᎨᏐᎢ?\nᎤᎴᏅᎭ ᏣᎵ ᎤᏓᎵ ᏁᏂᏏ ᏚᏯᏪᏨ.\nᎾᎿᏃ ᎥᎦᎧᎲᎩ ᎠᏖᎵᏙ ᏧᏂᏦᏯᏍᏗ ᎠᎧᎵᏬᎯ; ᏚᏬᎢᎵᏃ ᏧᏂᏦᏯᏍᏗ ᎤᏂᎧᎵᎢᏍᏔᏅᎩ, ᎠᎴ ᎾᏍᎩ ᎯᏏᏈ ᎤᏂᏆᏙᏔᏅᎩ, ᎠᎰᎵ ᎾᎥ ᎤᏂᏩᏌᏔᏅᎩ.\nᎠᏓ ᎬᏘ ᏓᏥᎶᏍᏗᏍᎨ ᎡᎳᏗᏨ ᎠᏰᎸᎢ ᎾᏍᎩᏯ ᏥᏓᎾᏥᎶᏍᏗᏍᎪ ᏧᏃᏰᏅ ᏗᏂᏲᏟ.\nᏗᏥᏲᎵ ᏞᏍᏗ ᎩᎶ ᏱᏥᎶᏄᎮᎴᏍᏗ; ᏚᏳᎪᏛ ᏧᎸᏫᏍᏓᏁᎯ ᎾᏍᎩ ᎾᏍᎦᏅᎾ, ᎾᏍᎩᏯ [ᎦᎶᏁᏛ] ᎾᏍᎦᏅᎾ ᏥᎩ.\nᎾᎯᏳ ᏥᏌ ᎬᏩᎷᏤᎸ ᎬᏩᏍᏓᏓᏩᏗᏙᎯ, ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎦᎪ ᎤᏟᎠᏥᎸᏉᏗᏳ ᎾᎿ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎠᎴ ᎤᎩᏨᏛ ᏣᏂ ᏭᎪᎲᎩ ᏥᏌ ᎦᏙᎬ ᎢᏗᏢ ᏛᎦᏛᎩ, ᎠᎴ ᎯᎠ ᏄᏪᏒᎩ; ᏤᏣᎦᏅᎦ ᎠᏫ-ᎠᎩᎾ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎠᎲᏍᎩ ᎡᎶᎯ ᎤᏂᏍᎦᏅᏨᎢ.\nᎧᏴᏐᎵ ᎤᏂᏴᎮ ᏗᏓᏁᎸ ᎢᏣ ᏭᏓᏒᏍᏔᏁᎢ.\nᎤᎩᏨᏓ ᏑᎾᎴᎢ, ᎠᏥᎸᏳᎶᏗ ᎾᎥᏂ, ᎧᏫ ᎠᎵᏥᏍᎬ ᏃᎴ ᏏᏆ ᎭᏫᏯ ᎤᏛᏣᏢ, ᎠᏌᎻᏓ ᎠᎦᏔᎾᎢ ᎤᏤᎸᏅ, ᎠᏋᏌ ᎾᏋᏂᏌᏅ ᎠᎦᏗ ᎠᎩᏬᏂᏒ ᎤᏒᎯ ᎤᏛᏅ.\nᏗᎩᏏ ᎦᏓᏍᎬᎢ ᎣᏍᏓ ᏄᏩᏁᎴ ᎤᏍᏆᏂᎪᏙᏗ, ᎠᏯᏖᎾ ᎦᎾᎸ ᎾᎥᏂ.\nᎿᏉᏃ ᏑᎾᏓᏡᎩ, ᎠᎴ ᎠᏂᏯᏫᏍᎩ ᏗᏘᏂᏙᎯ, ᎠᎴ ᏗᎾᏓᏂᏱᏍᎩ ᎠᏂᏧᏏ ᏧᏂᏁᏤᎸᎯ, ᎬᏩᏂᏴᎲᎩ ᏥᏌ, ᎠᎴ ᎬᏩᎸᎸᎩ.\nᎤᏙᎯᏳᎯ; ᏄᏃᎯᏳᏒᎾ ᎨᏒ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᏕᎨᏥᏂᎦᎸᎲᎩ; ᎠᎴ ᏂᎯ ᏥᏙᎦ ᏦᎯᏳᏒ ᏂᎬᏂᏏᎭ. ᏞᏍᏗᏉ ᎤᏟ ᏱᏣᏤᎸᏎᏍᏗ, ᎯᎾᏰᏍᎨᏍᏗᏍᎩᏂ;\nᎠᏎᏃ ᎥᏝ ᏳᎵᏍᎪᎸᏓᏁᎴᎢ ᏥᏌ, ᎯᎠᏉᏍᎩᏂ ᏄᏪᏎᎴᎢ, ᏥᎮᎾ ᏗᏤᏅᏒ ᎪᎱᏍᏗ ᏗᏨᎾ ᏗᏁᎲᎢ, ᎠᎴ ᏫᏗᏃᎲᏏ ᏂᎦᎥ ᎤᏍᏆᏂᎪᏗ ᎤᎬᏫᏳᎯ ᏂᏣᏛᏁᎸᎢ, ᎠᎴ ᏣᏙᎵᏨᎢ.\nᎠᏎᏃ ᎠᏴ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎩᎶ ᏗᎾᏓᏅᏟ ᎠᏍᎦᎨᏍᏗ ᎪᎱᏍᏗ ᏄᏍᏛᏗᏍᎬᎾ ᎢᎨᏎᏍᏗ, ᎬᏩᏍᏛᏗᏍᏗ ᎨᏎᏍᏗ ᏗᏄᎪᏗᏍᎩᏱ; ᎩᎶᏃ ᏗᎾᏓᏅᏟ ᏂᏣᏓᏅᏛᎾ ᎢᎪᏎᎮᏍᏗ, ᏕᎦᎳᏫᎥ ᎬᏩᏍᏛᏗᏍᏗ ᎨᏎᏍᏗ; ᎩᎶᏃ ᏣᏁᎫ ᎢᎪᏎᎮᏍᏗ, ᎬᏩᏍᏛᏗᏍᏗ ᎨᏎᏍᏗ ᏨᏍᎩᏃ ᎠᏥᎸᏱ.\nᎤᎷᏨᏃ, ᎠᏂᏧᏏ ᏥᎷᏏᎵᎻ ᏅᏓᏳᎶᏒᎯ ᎬᏩᏚᏫᏛ ᎤᎾᎴᏅᏅᎩ, ᎠᎴ ᎤᏣᏛᎩ ᎠᎴ ᎦᎨᏛ ᎠᏄᎯᏍᏗᏍᎬᎩ ᏉᎳ, ᎾᏍᎩ ᎤᏙᎯᏳᏒ ᎬᏂᎨᏒ ᎢᎬᏩᏅᏁᏗ ᏂᎨᏒᎾ ᎨᏒᎩ.\nᎠᏴᏍᎩᏂ ᎦᏓᏅᏖᏍᎬ ᏅᎵᏌᎵᏉ ᏂᎯ ᏗᏍᎩᏳᎪᏓᏁᏗᏱ, ᎠᎴ ᎠᏫᏉ ᏧᏭᎪᏙᏗ ᎨᏒᎢ; ᎥᎥ, ᎥᏝ ᎠᏋᏒ ᏱᏗᎦᏓᏚᎪᏓᏁᎭ;\nᎠᏎᏃ ᏓᎬᏍᏕᎸ, ᎩᎳᏈᏴ ᎡᏝᏪ ᎨᏎᏍᏗ.\nᎠᎴ ᎾᏍᏉ ᎤᏚᎩ ᏥᏴᎠ ᎤᏁᎳᏅᎯ, ᏧᎾᎴᎯᏐᏗ ᎨᏒ ᏧᏂᏲᎱᏒᎯ ᎤᎾᏓᏅᏘ ᎠᎴ ᎤᏂᏁᎫᏥᏛ, ᎾᏍᎩ ᎾᏍᏉ ᎤᏅᏒ ᏧᏃᎯᏳᎭ.\nᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᎣᎦᏁᎳᎩ; ᎦᏙ ᏗᎦᏓᏛᏙᏗ ᏂᎯ ᏥᏌ ᎾᏎᎵᏗ ᎮᎯ? ᏍᎩᏛᏔᏂᏄᎴ? ᎬᎦᏔᎭ ᏂᎯ ᎾᏍᎩ ᎨᏒᎢ-ᎦᎸᏉᏗᏳ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎨᏒᎢ\nᎯᎠᏃ ᏂᎦᏪᏎᎴᎢ, ᎦᎪ ᎯᎠ ᏥᏂᏣᏛᏅ ᎤᎵᎢ ᏰᎭ, ᎠᎴ ᎡᏃᏱ ᎠᏰᎵ ᏱᏭᎷᏤᎸ, ᎠᎴ ᎯᎠ ᏱᏄᏪᏎᎸ, ᎩᎾᎵᎢ, ᏦᎢ ᎦᏚ ᏗᏍᏆᏙᎳᏍᏓ;\nᏚᏟᏂᏆᏅᏁ ᏫᎵᎻ, ᏂᎦᏓ ᎤᏔᎷᎩᏍᎬ ᎤᎵᏛᏔᏁᎢ.\nᏂᎯᏍᎩᏂ ᏗᏤᎾᎢ ᏥᎩ, ᎤᏲ ᎢᏣᎵᏍᏓᏁᏗ! ᎦᏳᎳᏰᏃ ᎢᏥᎭ ᎢᏥᎦᎵᏍᏓᏗᏍᎩ.\nᎿᏉ ᎢᏨᏃᏁᎭ, ᎠᏏᏉ ᎾᏍᎩ ᏄᎵᏍᏔᏅᎾ, ᎾᏍᎩ ᎿᏉ ᏂᎦᎵᏍᏔᏅᎭ ᎢᏦᎯᏳᏗᏱ ᎠᏴ ᎾᏍᎩ ᎨᏒᎢ.\nᎪᏯᏛ ᎭᏫᏂᏣ ᏫᏄᏩᏁᎢ ᎠᏍᎪᎵ.\nᏓᏕᏲᎱᏍᎨᏃ ᎢᎸᎯᏢ ᎠᏓᏁᎸ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᎾᏙᎴᏆᏍᎬᎢ;\nᎠᎴ ᎾᏍᎩ Ꮎ ᎾᏍᏉ, ᎢᏳᏃ ᎢᎬᏩᏍᏗᎭᏉ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ ᏄᏃᎯᏳᏒᎾ ᎨᏒᎢ, ᎨᏥᏱᏢᏗ ᎨᏎᏍᏗ; ᎤᏁᎳᏅᎯᏰᏃ ᏰᎵᏉ ᏔᎵᏁ ᏗᎬᏩᏱᏢᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎸᎩ; ᏞᏍᏗ ᎢᎩᏣᎦᎸᎢᏒᎩ, ᎢᏓᏎᎯᏉᏍᎩᏂ ᎢᏓᏙᎴᎰᎯ ᎤᏤᎵᎦ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ; ᎤᏙᎯᏳᏗᏱ ᎪᏪᎸ ᎯᎠ ᏥᏂᎬᏅ; ᏚᏂᏯᏙᎸᎩ ᏗᏆᏄᏬ, ᎠᎴ ᎠᏆᏄᏬᏍᏗ ᎤᎾᏌᏍᏔᏅᎩ. ᎯᎠ ᎾᏍᎩ ᎠᏂᏯᏫᏍᎩ ᏄᎾᏛᏁᎸᎩ.\nᏗᏥᎦᏴᎵᎨᎢ ᎹᎾ ᎠᎾᎵᏍᏓᏴᏗᏍᎬᎩ ᎢᎾᎨᎢ, ᎠᎴ ᏚᏂᏲᎱᏒ;\n”ᎦᎵᏉᎩ ᎠᏎᏍᏗ ᎣᏍᏓ ᎠᎫᎷᏤᏗ.”\nᏌᏉ ᎤᎬᏫᏳᎯ, ᏌᏉ ᎪᎯᏳᏗ ᎨᏒᎢ, ᏌᏉ ᏗᏓᏬᏍᏗ ᎨᏒᎢ;\nᎨᏍᏗ ᏩᎾᎢᏱᎩ ᎤᏔᎷᎩᏍᎩ ᎢᏳᎵᏍᏙᏗ ᏫᎵᎻ ᎠᏎᏃ ᏍᏔᏯ ᎠᏁᎸᏗᏍᎨᎢ.\nᎠᏎᏃ ᎤᏩᏒ ᎠᏰᎸ ᎠᏓᏁᎸ ᎧᏁᎢᏍᏗᏍᎬᎩ ᎾᏍᎩ ᏄᏪᏒ.\nᏥᏳᎯᏃ ᎤᏣᏅ, ᏚᏪᏐᏤᎢ, ᎤᏩᏒᏃ ᎤᏪᏚᎲ ᏭᎷᏤᎢ.\nᎾᎯᏳᏰᏃ ᏰᎵᏉ ᏗᎨᏣᏕᏲᏗ ᎡᏤᎵᏎᎸᎢ, ᎤᏚᎸᏗᏉ ᏂᏣᎵᏍᏓᏁᎭ ᎩᎶ ᏔᎵᏁ ᎢᏤᏲᏗᏱ ᏄᏍᏛ ᎢᎬᏱᏱ ᏗᏕᎶᏆᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎧᏃᎮᏛ; ᎠᎴ ᎤᏅᏗ ᎤᎾᏚᎵᏍᎩ ᎾᏍᎩᏯ ᏂᏣᎵᏍᏔᏅ, ᎥᏝᏃ ᎤᏴᏍᏗ ᎠᎵᏍᏓᏴᏗ.\n“ᏕᏨᏯᏓᏂᎸᎦ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\n“ᎠᏥᎪᏅᏔᏁᎢ ᎠᏣᏗ.\n “ᎡᏝᏪᎯ, ᏧᏍᏆᏴᏍᏗ!” ᎤᏛᏁ ᎠᎦᏴᎵ ᎤᏃᏕᎾ.\nᎠᏎᏃ ᎤᏁᎷᏅᏉ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᎷᎦ! ᎯᎷᎦ! ᎯᏯᏛᎥᎦ! ᏆᎴᏗ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏓᏥᏯᏛᏂᏍᎪ ᎢᏣᏤᎵᎦ ᎤᎬᏫᏳᎯ? ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎯᎠ ᏄᏂᏪᏎᎸᎩ; ᎥᏝ ᏲᎩᎧᎭ ᎤᎬᏫᏳᎯ, ᏏᏌ ᎤᏩᏒ!\nᎯᎠᏃ ᎾᏍᎩ ᏅᏃᎱᎶᏗ ᎾᎿ ᎧᏃᎮᏛ ᏥᎨᏥᏫᏎᎴᎢ; ᎿᏉᏃ ᎠᎾᏛᎬᎦ, ᎠᏍᎩᎾ ᎦᎷᎪ ᎩᎳᏉ ᎢᏴᏛ, ᎠᎴ ᎠᎩᏍᎪ ᎧᏃᎮᏛ ᏧᏂᎾᏫᏱ ᎠᏫᏒᎯ.\nᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏂᎯ ᎢᏥᏆᎵᏏ ᎤᎵᏍᏈᏗ ᎠᎴ ᎠᏖᎵᏙ ᎦᏚᎢᏗᏢ ᏕᏥᏅᎦᎵᏍᎪᎢ; ᎭᏫᏂᏍᎩᏂ ᎨᏒ ᎢᏥᎧᎵᏨᎯ ᎨᏐ ᎠᏎᏉ ᎠᏓᎩᎡᏗ ᎨᏒ ᎠᎴ ᎠᏍᎦᎾᎢ.\nᎡᏏᏱᏃ ᎬᏗᏍᎩ ᎬᏩᏍᏓᏩᏛᏒᎩ ᏐᏇᏓ ᏈᎵᏱ ᎡᎯ, ᏕᏏᎶᏂᎦᏃ ᎠᏁᎯ ᎡᎵᏍᏓᎦ ᎠᎴ ᏏᎬᏓ, ᎦᏯᏃ ᏓᏈ ᎡᎯ, ᏗᎹᏗᏃ, ᎡᏏᏱᏃ ᎠᏁᎯ ᏗᎩᎦ ᎠᎴ ᏠᏆᎹ.\nᏗᎬᏩᎸᏌᏛᏍᎩᏂ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎤᏂᎷᏤᏗ ᎨᏎᏍᏗ ᎾᏂᎥ ᎠᏂᏏᏴᏫᎭ ᎨᏒ ᎣᏍᏛ ᎢᏯᎾᏛᏁᎯ, ᎠᏂᏧᏏ ᎢᎬᏱ, ᎠᎴ ᎾᏍᏉ ᎠᏂᎪᎢ;\nᏧᏓᏏᏃ ᎤᏡᏗᏍᎩ ᎾᏍᏉ ᎠᎦᏔᎯᏳ ᎨᏒᎩ ᎾᎿᏂ, ᏥᏌᏰᏃ ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏯᏃᎩᏳ ᎾᎿ ᏓᏂᎳᏫᎬᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏓᏟᏂᎬᏁᎮᏍᏗ ᎾᎩᏴᏍᏗᏱ, ᏱᏅᏎᎦᎩᏰᏃ ᎩᎶ ᎾᏍᎩ ᏧᏕᎶᏆᎡᎸᎯ ᎨᏒ ᎾᏍᎩᏯ ᏄᏬᎯᏳᏒᎾ ᎨᏒ ᏴᎦᏅᎢᏍᏓ.\nᏥᎪ ᎦᎶᏁᏛ ᏧᏅᏏᏓᏍᏗ ᎾᏍᎩ? (ᎤᏁᎫ ᎤᏁᎢᏍᏗ ᏥᏁᎦ,) ᎠᏴ ᎤᏟᎢ; ᏓᎩᎸᏫᏍᏓᏁᎲ ᎤᏟ ᎢᎦᎢ; ᎥᎩᎵᎥᏂᎸ ᎤᏟᎯᏳ ᎢᎦᎢ; ᏗᎦᏍᏚᏗᏱ ᎥᎩᏴᏔᏅᎢ ᎤᏟ ᎢᎦᎢ; ᎠᎩᏲᎱᏏᏕᎾ ᎨᏒ ᏯᏃᏉ;\n“ᎣᏏᏉᏗ ᏫᎵᎻ ᏃᏉ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎾᏍᎩᏃ ᎤᏂᎪᎵᏰᎥ, ᎤᎾᎵᎮᎵᏤ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎾᏍᎩ ᎠᏓᎦᎵᏍᏓᏗᏍᎩ ᎨᏒᎢ\nᎠᏎᏃ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎨᏒ ᎢᏓᏓᏎᎪᎩᏍᎩ ᎠᎴ ᎤᏟ ᎢᎦᎢ, ᎾᏍᎩ Ꮎ ᎢᎩᎨᏳᎯᏳ ᎢᏳᎵᏍᏔᏅᎯ ᏥᎩ ᎢᏳᏩᏂᏌᏛ.\n“ᎠᏎᏃ ᎨᏍᏗ ᏚᏳᎪᏛᎢ ᏱᎩ,” ᎤᏦᏱᎴ ᏲᎾ ᎤᏤᏍᏙ.\nᏚᎨᎯᏙᎸᎩᏃ ᏗᎫᎪᏙᏗᏱ ᎦᏍᎩᎸᎢ.\nᎠᏦᏴ ᏭᏴᎴ.\nᏦ ᎢᏳᏟᎶᏓ ᎾᎥ, ᏧᏪᏅᏒ ᎨᎲ.\nᎻᏏᏱ ᏭᏂᎷᏨ, ᎤᎾᏓᏅᏖᎸᎩ ᏈᏗᏂᏱ ᏭᏂᎶᎯᏍᏗᏱ, ᎠᏎᏃ ᎥᏝ ᎤᎾᏁᎳᎩ ᏱᏚᏪᎵᏎᎴ ᎠᏓᏅᏙ.\nᏕᎦᏄᎪᏩᏃ ᏧᏤᎵᎦ ᎠᏫ, ᎢᎬᏱ ᏓᎴᏁᎰᎢ, ᎠᎴ ᎠᏫ ᎬᏩᏍᏓᏩᏕᎪᎢ; ᎠᏃᎵᎪᏰᏃ ᎧᏁᎬᎢ;\n”ᏗᏁᎸᏙᏗᎨ?”\nᏐᏉ ᎢᏳᏩᎦᏘ, ᏥᏫᎾ ᏥᎨᎲ, ᎣᎩᎾᎵᎪᏓ ᎡᎲ ᎠᎨᏳᏣ.\nᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; Ꮀ ᎤᏍᏆᏂᎪᏗᏳ ᎾᏍᎩ, ᏂᏥᎦᏔᎲᎾ ᏥᎩ ᏧᏓᎴᏅᎢ, ᎠᏃ ᏥᏓᎩᏍᏚᎢᎡᎸ ᏗᏥᎦᏙᎵ.\n ᎾᏍᎩᏃ, ᎪᎱᏍᏗ ᎤᎵᏍᏔᏅ.\nᎾᏂᎥᏰᏃ ᎠᏥᎸ ᎬᏗ ᎠᎹ ᎨᏥᏅᏝᏰᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏂᎦᎥ ᎠᏥᎸ-ᎨᎳᏍᏗ ᎠᎹ ᎦᏅᎵᏰᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᎠᏆᏚᎵᎭ ᎠᏂᏍᎦᏯ ᏂᎦᎥ ᏕᎨᏌᏗᏒ ᎤᎾᏓᏙᎵᏍᏙᏱ, ᏧᏂᏌᎳᏙᏗᏱ ᏗᎦᏓᎭ ᏂᎨᏒᎾ ᏧᏃᏰᏂ ᏄᏂᏔᎳᏬᏍᎬᎾ ᎠᎴ ᏄᎾᏜᏏᏛᎡᎲᎾ.\nᎢᏳᏍᎩᏂᏃ ᏙᏣᏓᎸᏉᏗᏍᎨᏍᏗᏉ, ᎢᏥᏍᎦᏅᎨᏍᏗ, ᎠᎴ ᏗᎧᎾᏩᏛᏍᏗ ᏕᏧᎪᏓᏁᎮᏍᏗ ᎢᏥᏍᎦᏅᏨᎯ ᎨᏒᎢ.\nᎠᎦᏗ ᏚᏯᏪᎬ ᏣᎵ ᎤᏚᎬ ᎤᎯᏍᏗ ᏏᏆ ᎦᎷᏯᏍᏗᏉ ᎬᏘ.\nᎠᎴ ᏔᎵᏁ ᏅᏩᏓᎴ ᎤᏅᏎ ᎤᏅᏏᏓᏍᏗ ᎦᎬᏩᏂᏐᏢᏔᏅ, ᎠᏒᎭ ᎤᏂᎨᎯᏙᎴᎢ.\nᎨᏍᏗ ᏄᏍᏛ ᎤᏃᏴᎬ ᎠᏇᎵᏒ ᏳᏃᏴᎨ ᎠᎦᎸᏥ.\nᏚᏓᏅᎡᎸᏃ, ᎠᎴ ᏔᎵᏁ ᏥᏳᎯ ᎤᏣᏅ, ᎠᏍᎪᎾ ᏭᎶᏎᎢ.\n“ᏫᎵᎻ ᏚᏙᎡᏍᏗ,” ᎤᏩᏌ ᏄᏓᏪᏎᎴ.\n”ᎯᏯᎦᏎᏍᏕᏍᏗ ᎰᎻ!” ᎤᏪᎷᏁ ᏌᏌ ᎠᏨᏯ.\nᎤᎵᏍᎨᏛ ᎤᏰᎸᎯ ᎠᎩᏃᎯᏎᎸ ᎫᏩᏖᎰᎸ ᎤᎾᎵᏗᎩᏛ.\nᎾᏃ ᎠᎩᏍᏗᏱ ᎤᎬᏩᎵ ᎪᎱᏍᏗ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ, ᎢᏗᎦᏔᎭ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎪᎱᏍᏗ ᏂᎨᏒᎾ ᎨᏒ ᎠᏂ ᎡᎶᎯ, ᎠᎴ ᎾᏍᎩ ᏅᏩᏓᎴ ᎤᏁᎳᏅᎯ ᏁᎲᎾ ᎨᏒ, ᏌᏉ ᎤᏩᏒ.\nᎾᎥᏃ ᎢᏳᎾᏓᎵ ᎤᏂᏑᎵᎪᏤ ᎤᏂᏰᏣᏍᎬ ᎾᏗᎦᎵᏍᏙᏗᏍᎨ ᏍᏏᏉᏯ ᎤᏪᏥ ᏑᏓᎵ ᎢᏳᏕᏘᏴᏓ ᎠᎨᏳᏣ ᎤᏕᎶᏆᎡ ᏧᎪᎵᏰᏗ ᏣᎳᎩ ᎠᎴ ᏧᏬᏪᎶᏗ.\nᎤᎾᎵᏓᎩᏍᏗ ᎤᎾᏗᏍᎦᎶᏗ ᎠᎴ ᏧᎾᏓᏲᎯᏍᏗ?\nᎾᏍᎩ ᎠᏂᏍᎦᏯ ᏓᏅᏅ ᏧᎾᎵᏍᎪᎸᏔᏅᎯ, ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᏕᏅᏙᎥ ᏅᏗᎦᎵᏍᏗᏙᏗᏍᎬᎢ.\nᎬᏂᎨᏒᏍᎩᏂ ᏂᎬᏁᎲ ᎠᏓᏅᏙ ᎠᏂᏏᏴᏫᎭ ᎨᏥᏁᎭ ᎪᎱᏍᏗ ᎣᏍᏛ ᎤᏅᏙᏗᏱ.\nᏧᏂᏐᎯᏍᏗ ᎤᏛᏅ Philadelphia ᏓᏳᎶᏒ ᎠᏧᏣ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏰᎵ ᏂᏫ. ᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎢᎸᎯᏳ ᏓᏰᏥᎪᎢ ᏴᏫ ᎤᏪᏥ ᎠᎦᏘᏏ ᎢᏗᏢ ᎤᎵᏂᎬᎬ ᎤᏬᎴᏍᏗ, ᎠᎴ ᏣᎢᏎᏍᏗ ᎤᎶᎩᎸ ᎦᎸᎶᎢ.\n“ᏥᏟᏔᏓ, ᎤᏩᏙᎯᏴᏓ ᎨᏎᏍᏗ,” ᎤᏍᎦᎳᏤ ᏛᎦ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᏅᏖᏍᏗ ᎾᏍᎩ ᏂᎯ ᏧᏩᎫᏔᏅᏒ ᏗᏣᏓᎴᏅᏛ ᏴᏫ ᎤᏇᏓᎵ ᎨᏒᎢ, ᏂᏗᎨᏥᎤᏍᏕᏎᎸᎾ ᎨᏦᏎᎸᎯ ᎾᏍᎩ Ꮎ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᎨᎪᏎᎯ ᏥᎩ, ᎾᏍᎩ ᎤᏇᏓᎸ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᏗᎪᏱ ᏗᎬᏔᏅᎯ;\nᎤᏃᎯᏳᏅ ᏂᎦᏪᏍᎬ ᏍᎩᎾᎾ ᎢᏳᏕᏘᏴ ᏄᏍᏛ ᏗᎧᏃᏗ, ᏃᎴ ᎠᏉᎯᏳᏔᏅ ᏣᏉ ᎡᏍᎦ ᏱᏂᎬᏛᎦ ᏃᎴ ᎤᎵᏍᏗ.\nᎤᏟᏍᏓ ᎤᏅᎪᏤ ᏫᎵᎻ, ᎤᏟᏍᏓ ᎤᎪᏁ ᏂᎦᏓ, ᏃᎴ ᎤᎦᎾᏕ ᎠᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ.\nᎢᏓᎵᏅᏟ ᎾᏂᎥ ᎩᎶ ᏄᏛᏅᏉ ᎠᏥᏯᏅᎲ, ᎾᎿ ᏅᏩᏛᏁᏍᏗ ᎤᏁᎳᏅᎯ ᏓᎧᎿᏩᏗᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏨᎨᏳᎢ, ᏂᎪᎯᎸᏉ ᏥᏦᎯᏳᎲᏍᎪᎢ, ᎥᏝ ᎠᏴ ᏥᎦᏔᎲᏉ ᎢᏳᏍᏗ, ᎪᎯᏍᎩᏂ ᎨᏒ ᎠᎩᎪᏁᎸᎢ ᎤᏟ ᎢᎦᎢ ᏗᏥᎸᏫᏍᏓᏏ ᎡᏥᏍᏕᎸᏗᏱ ᎨᏒᎢ, ᎢᏥᎾᏰᏍᎬ ᎠᎴ ᏕᏥᎾᏫᏍᎬᎢ;\nᎪᎯᏓ ᏚᎾᎧᎾᏁᎢ ᏫᎵᎻ.\nᏰᎵ ᏥᏍᎦᏰᎬᏍᏓ ᏨᏆᎧᏃᏗ ᎨᏒ.\nᏒᎧᏔ ᎤᏩᏂᎦᏢ, ᎤᎩᎶ ᏛᎦ ᏗᎦᏂᏱᏍᎩ ᎦᏂᏓᏛ ᎠᏓᏂᏛᏂᏍᎪ ᏃᎴ ᏗᎦᏒᎳᏍᎪ. ᏗᎧᏃᎩᏍᎩ ᏥᏍᏆᏯ, ᎠᎧᏔᎭ ᎤᏍᏆᎳ ᏃᎴ ᎤᏬᏚᏨ ᎨᏒ ᎬᏅᎢ, ”ᎤᎦᎾᏍᏓ, ᎤᎦᎾᏍᏓ, ᎤᎦᎾᏍᏓ.” \nᎾᏍᎩ ᏣᏍᏆᏂᎪᏙᏗᏱ ᏗᎧᎿᏩᏛᏍᏗ, ᏄᏓᏓᎸᎾ ᎠᎴ ᎪᎱᏍᏗ ᎦᏰᏤᎵᏎᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎦᎾᏄᎪᏥᎸ ᎬᏗᏍᎩ,\nᎡᏍᎦᏰᏃ ᎤᏰᎸᏅ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎬᏂᏳᏉ, ᏛᏍᏆᎸᎯ, ᎠᏗᎭ ᎤᎬᏫᏳᎯ, ᎾᏍᎩ ᎢᏤ ᎧᏃᎮᏛ ᏗᎦᏥᏯᏠᎢᏍᏓᏁᏗᏱ ᎢᏏᎵ ᏏᏓᏁᎸᎯ ᎨᏒ ᎠᎴ ᏧᏓ ᏏᏓᏁᎸᎯ ᎨᏒᎢ.\nᎢᏳᏰᏃ ᏂᎯ ᎢᎾᎨ ᎡᎯᏯ ᎣᎵᏩ ᏡᎬᏨᏱᏢᏅᎯ ᏱᎩ, ᎠᎴ ᎾᎿ ᎮᎯᏯ ᏂᎨᏒᎾ ᎨᏒ ᎣᏍᏛ ᎣᏍᏛ ᎣᎵᏩ ᏡᎬ ᏰᏨᏱᏢᏅ, ᎤᏟᎯᏳᏍᎩᏂ ᎠᎯᏘᏳ ᎾᏍᎩ Ꮎ ᎾᎿ ᎠᏁᎯᏯ ᏥᎩ, ᎨᏥᏱᏢᏗ ᎾᎿ ᎤᏅᏒ ᎤᎾᏤᎵᎦᏯ ᎣᎵᏩ ᏡᎬᎢ.\nᎤᏍᏆᎸᎲ ᏧᏪᏥ ᏗᎩᏗ, ᎠᏎ ᏗᎩᏗ ᏧᏪᏥ, ᏯᎾᏓᎪᎾᏗ ᎠᎴ ᏣᏉ.\nᎾᏍᎩ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᎾᏍᎩᏯ ᎠᏓᏅᏙ ᎦᎾᎯᏍᏙᏗ ᏥᎩ, ᎡᏍᎦ ᏂᎦᎵᏍᏗᏍᎬᎾ ᎠᎴ ᎬᏗᏏᏴᏍᏗ ᏂᎨᏒᎾ, ᎠᎴ ᎾᏍᎩ ᏥᏩᏴᎯᎭ ᎾᏍᎩ ᎠᏰᏙᎳᏛ ᎤᏗᏗᏢ;\nᏅᏙ ᎢᎦ ᎡᎯ ᎤᏤᎵᏛ ᎤᏬᏚᎯᏳ ᎨᏒᎢ, ᎠᎴ ᎤᏬᏚᎯᏳ ᎨᏒ ᏅᏙ ᏒᏃᏱ ᎡᎯ ᏅᏩᏓᎴᎢ, ᎠᎴ ᏧᏃᏚᎯᏳ ᎨᏒ ᏃᏈᏏ ᏅᏩᏓᎴᎢ; ᎠᎴ ᏃᏈᏏ ᎧᎸ ᎤᏬᏚᎯᏳ ᎨᏒ ᏅᏩᏓᎴ ᏄᏍᏙ ᏃᏈᏏ ᏄᏍᏛ ᎤᏬᏚᎯᏳ ᎨᏒᎢ.\nᎿᏉᏃ ᏌᎺᎵᏱ ᎦᏚᎲ ᎤᎷᏨᎩ ᏌᎦ ᏧᏙᎢᏛ ᎾᏍᎩ ᎾᎥ ᏥᎦᏚᎭ ᎦᏓ ᎠᎲ ᏤᎦᏈ ᏧᏁᎴ ᎤᏪᏥ ᏦᏩ.\nᏩᎩᎷᏨ, ᎯᏥᏧᏣ, ᎨᏍᏗ ᏂᎯ ᎢᏤᏅᏒ ᏱᎩ ᎭᏂ ᎠᏆᏛᏅ, ᎠᏎᎩ ᎤᎯᏐᏗ ᎢᏣᏓᏅᏙ.\nᏃᏗ ᎠᎵᎦᏲᏙᏗ ᎤᏰᎸ ᏣᎵᎧᏲᏗᏍᎪ ᎱᏰᎸᏁᎢ.\nᎾᏆᏕᏘᏴᎲ ᏂᎬᏂᏏ ᎡᎵᏍᏗ.” \nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏏ ᏞᎦ ᎢᏨᏰᎳᏗᏙᎭ, ᎿᏉᏃ ᏅᏛᎩᏅᏏᏛ ᏧᏬᎸ ᏮᏛᏥᎶᏏ.\nᎬᏂᏳᏉ ᎢᏣᏤᎵ ᎦᎵᏦᏕ ᏅᏔ ᏁᏨᏁᎸ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏓᏍᏓᏩᏗᏙᎯ ᏥᏌ ᎤᎨᏳᎯ ᎯᎠ ᏄᏪᏎᎸᎩ ᏈᏓ; ᎤᎬᏫᏳᎯ ᎾᏍᎩ. ᎿᏉᏃ ᏌᏩᏂ ᏈᏓ ᎤᏛᎦᏅ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎨᏒᎢ, ᎦᏚᎢ ᎤᏄᏬᏍᏗ ᎤᏓᏠᏍᏔᏅᎩ ᎨᏒᎢ, ᎦᏚᎢ ᎤᏄᏬᏍᏗ ᎤᏓᏠᏍᏔᏅᎩ, ᏂᏚᏄᏩᎥᎾᏰᏃ ᎨᏒᎩ, ᎠᎴ ᎥᏓᎵ ᏭᎵᏔᏗᏅᏒᎩ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎤᏂᏲᏏᏍᎩ ᎠᎴ ᎤᏂᏔᏕᎩᏍᎩ ᎤᎾᏓᏅᏘ ᎢᏳᎾᎵᏍᏙᏗᏱ; ᏛᎨᏥᎧᎵᎵᏰᏃ.\nᏛᎦ, ᏍᎪᏯ, ᏙᎵᏓᏍᏆ, ᏩᏐᏝ, ᏧᏂᏌ, ᏙᏌ, ᎡᏙᏓ ᏗᎦᏅᎯᏓ ᏗᎦᏅᏌᏗ, ᏧᏂᎦᏃᏥ, ᏔᎳᏚ--- ᎢᏳᏍᏗᏉ ᎫᏓᎸᎬ ᏓᎩᏏᎳᏛ, ᏍᏉᏰᏃ ᎠᏆᏕᏗ, ᏣᎨ?”\nᏰᎵᏉᏍᎪ ᏂᎦᏗ ᎤᏂᎸᏉᏗ ᏏᏆ ᏯᏘᏃᎦ ᎰᎻ ᎠᎪᏕᏍᎩ ᎤᎾᏛᏁᎸᏗ ᎠᎬᏱᏣ ᏗᏄᎪᏗᏍᎩ ᎤᎾᏅᏗ ᎠᎬᏱᏣ.\nᎯᎠᏰᏃ ᏴᏫ ᏧᏂᎾᏫ ᏚᎵᏦᎲᏒ, ᎠᎴ ᏓᏂᎵᎷᎬ [ᎦᏲᎵᏳ ᏓᏛᎩᎭ, ᎠᎴ ᏗᏂᎦᏙᎵ ᏚᏂᏍᏚᏅ; ᎾᏍᎩ ᏗᏂᎦᏙᎵ ᏗᎬᏩᏂᎪᏩᏛᏙᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᏓᏂᎵᎷᎬ ᏗᎬᏩᎾᏛᎪᏙᏗᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᏧᏂᎾᏫ ᏗᎬᏩᏃᎵᏍᏙᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᏗᎬᏩᎾᏓᏁᏟᏴᎡᏗ] ᏂᎨᏒᎾ ᏚᎾᏓᏅᏛ, ᎠᎴ ᏗᎦᎦᏥᏅᏬᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᏴ ᏣᏂ, ᎢᏓᎵᏅᏟ ᎾᏍᏉ ᏥᎩ, ᎠᎴ ᎢᎦᎵᎪ ᏩᏕᎩ ᎢᏗᎩᎵᏲᏥᏙᎲᎢ, ᎠᎴ ᎬᏂᏗᏳ ᎨᏒ ᎾᏍᎩ ᎤᏤᎵᎦ, ᎠᏴ ᎨᏙᎲᎩ ᎠᎹᏰᎵ ᏆᏗᎹ ᏥᏚᏙᎥ, ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎠᎩᏍᏛᏗᏍᎬᎩ, ᎠᎴ ᏥᏌ ᎦᎶᏁᏛ ᏥᏃᎮᏍᎬ ᎢᏳᏍᏗ.\nᏣᏁᎳ ᎠᏰᎵ ᏫᎦᏅᎨᎢ ᏣᏄᏏ.\nᎤᎩᏨᏓ ᏑᎾᎴ, ᎤᎾᏛᏅᎢᏍᏔᎾ ᏧᏂᏰᎸᏍᏗ, ᏚᏅᏍᎦᏝᏁ ᎦᎷᏯᏍᏘ ᏚᎾᎭᏄᏮ ᎭᏫᏂᏣ, ᎣᎭᏁ ᎢᏴ ᏧᏅᏙᏗ ᏗᎪᏍᏔᏱ ᏗᎬᏙᏗ ᎤᏁᎵᏎ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎥᏝ ᎼᏏ ᏱᏥᏁᎴ ᎾᏍᎩ Ꮎ ᎦᏚ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ; ᎡᏙᏓᏍᎩᏂ ᎢᏥᏁᎭ ᎦᏚ ᎤᏙᎯᏳᎯᏯ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ\nᏭᎷᏣ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᎪᏪᎵ ᎤᏅᏍᎦᎴ ᏗᎦᏃᏣᏝᏍᎩ ᎤᏩᏣᎦᎸᏓ ᎠᎪᎵᏰᏗ ᎪᏪᎵ.\nᎤᏄᎪᏨᏃ ᎤᏍᏓᏩᏛᏎᎢ; ᎠᎴ ᎥᏝ ᏯᎦᏔᎮ ᎤᏙᎯᏳᎯ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᏄᏛᏁᎸᎢ, ᎠᏆᏁᎳᏫᏎᏉ ᎡᎵᏍᎨᎢ.\nᎬᏂᏳᏉ ᎠᏠᏱᎭ ᎨᎦᎫᏴᏓᏁᏗ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎤᏂᏍᎫᏕᏒᎯ ᏕᏥᎶᎨᏒᎢ, ᎾᏍᎩ ᏗᏥᎾᎯᏍᏓᏁᎸᎯ ᏥᎩ, ᎤᎾᎵᏍᏛᏃ ᎾᏍᎩ ᎤᏂᏍᎫᏕᏒᎯ ᏚᎵᎠᏴᎸ ᎤᎬᏫᏳᎯ ᏓᎿᏩ ᎠᏁᎩ ᎤᎾᏤᎵᎦ.\nᎠᏎᏃ, ᏐᏉ ᎢᏳᏩᎦᏘ, ᏒᏃᏱ, ᏍᏊ ᎤᏴᏣ ᏥᎨᏒ ᎠᏎᏍᎩᏂ, ᏛᏆᏂᎩᏒ, ᏕᎦᏁᎸ ᏒᏃᏱ, ᏔᎵᏚ ᎾᏎ ᎾᎥ ᎨᏒ.\nᏙᏓᏆᏓ ᎠᎬᏱ ᎾᎧᏔᎮᎢ ᏌᏌ ᎤᏂᎷᏥᏗᏒ---ᎠᏛᎩᏍᎨ ᎤᎵᏍᏗ ᎾᏂᏪᏍᎬ ᎤᏪᏥ ᎭᏫᏂ.\nᎠᎴ ᏅᏩᏓᎴ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎥᏥᎪᎥᎩ ᎦᏙᎯ ᏓᏳᏄᎪᏥᏗᏒᎩ; ᎠᎴ ᏔᎵ ᏚᎷᎬᎩ ᎤᏃᏕᎾ ᎠᎩᎾ ᏥᏚᎷᎪ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎢᎾᏛ ᎦᏬᏂᏍᎬ ᎾᏍᎩᏯ ᎦᏬᏂᏍᎬᎩ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏞᏍᏗ ᎪᎱᏍᏗ ᎢᏣᏓᏁᎳᏅᎩ ᎢᏣᎵᏍᏕᎸᏙᏗ ᎢᏣᎢᏒᎢ, ᏞᏍᏗ ᏗᏙᎳᏅᏍᏗ, ᎠᎴ ᏕᎦᎶᏗ, ᎠᎴ ᎦᏚ, ᎠᎴ ᎠᏕᎸ; ᎠᎴ ᎢᏥᏏᏴᏫᎭ ᏞᏍᏗ ᏔᎵ ᏗᏣᏄᏬ ᏱᏗᏥᏁᎮᏍᏗ.\nᎠᏎᏃ ᎥᏝ ᎾᏍᏉ ᏓᏓᏏ, ᎾᏍᎩ ᎣᏍᏕᎯ, ᎠᎪᎢ ᏂᎨᏒ, ᎠᏎ ᎠᏥᎤᏍᏕᏎᏗ ᏱᎨᏎᎢ;\nᎡᎯᏍᏛ ᎤᏰᏍᏔᏁᎢ ᏫᎵᎻ.\nᏝᏍᎪ ᏲᎩᎭ ᏦᏘᏂᏓᏍᏗᏱ ᎤᏃᎯᏳᎯ ᏦᎦᏓᎵᎢ, ᎾᏍᎩᏯ, ᎾᎾᏛᏁᎲ ᎠᏂᏐᎢ ᎨᏥᏅᏏᏛ, ᎠᎴ ᎾᎾᏛᏁᎲ ᎤᎬᏫᏳᎯ ᎠᎾᎵᏅᏟ, ᎠᎴ ᏏᏆᏏ?\nᎠᏎᏃ ᎤᏟ ᎢᎦᎢ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏓᏁᎰᎢ--ᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᎦᏪᎭ; ᎤᏁᎳᏅᎯ ᎤᎾᏢᏉᏗ ᏓᏡᏗᏍᎪᎢ, ᎤᎾᏓᏙᎵᏍᏗᏍᎩᏂ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏓᏁᎰᎢ.\nᏗᏣᎧᏅᎦ, ᎢᏥᏂᏆᏘᎯ, ᎠᎴ ᎢᏥᏍᏆᏂᎪᎯ ᎠᎴ ᎢᏣᏗᏒᏅ; ᎠᏴᏰᏃ ᎪᎯ ᎢᏤᎲ ᏓᎩᎸᏫᏍᏓᏁ ᏗᎦᎸᏫᏍᏓᏁᏗ, ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎥᏝ ᏴᎨᏦᎯᏳᎲᎦ ᎾᏍᏉ ᎠᏎ ᎩᎶ ᏱᏥᏁᎮᎮᎸ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏫᏅ ᎤᏍᏓᏩᏛᏎᎢ, ᏙᎴᏛ ᎠᏄᏬ ᎤᏓᏇᏅᏕ ᎤᏰᎸᎭ ᎨᏒᎢ; ᎠᏂᏫᏅᏃ ᎬᏩᏂᏴᎮᎢ.\nᎾᏃ ᏅᏲᎯ ᏧᎳᎨᏯᏛᏤᎢ, ᎨᏥᏛᎦ ᎾᏍᎩ ᎠᎾᏛᎬᎦ ᎤᎵᎮᎵᏍᏗᏳ ᏥᏓᎾᏓᏂᎸᎪ ᎧᏃᎮᏛ; ᎠᎴ ᎥᏝ ᏱᏚᏂᎿᏍᏕᏠᎢ; ᏞᎦ ᎠᏃᎯᏳᎲᏍᎪᎢ; ᎠᎴ ᎨᏥᎪᎵᏯ ᎠᏂᏑᎵᎪᎪᎢ.\nᎠᎦᏗᏓ ᏅᏩᏍᏛ.\nᎿᏉᏃ ᏉᎳ ᏕᎤᎴᏅ ᎠᏰᎵ ᎡᎵᎣᏈᎦ, ᎯᎠ ᏄᏪᏒᎩ; ᎢᏥᏍᎦᏯ ᎡᏗᏂᏱ ᎢᏤᎯ, ᎦᏙᎴᎣᏍᎦ ᎢᏥᎧᎵᏨᎯ ᎨᏒ ᏕᏥᎾᏰᏍᎬ ᎦᎸᎳᏗ ᎠᏁᎯ.\nᎰᎻ, ᎡᎶᏗ ᏃᎴ ᏣᏄᏏ ᏃᎴ ᎡᎳᏆᏗ ᏭᏂᏴᎮ ᎧᏁᏌᎢ ᏭᏂᏌᏕ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ.\nᏅᏯ ᏓᎷᎬᏍᎨ ᏥᏍᏛᎾ ᏚᎭᏲᎲ, ᏐᏉᎯᎭ ᏓᏩᏘᏍᎬ ᏧᏂᏄᏌᏘ ᏓᏍᎫᏆᏓᎩᏍᎨ ᏃᎴ ᏂᏕᎬᎾᏓᎩᏍᎨ ᏧᎾᏓᏇᏅᎩᏍᏙᏗ, ᏕᎦᏯᎩᏍᎨ ᏓᏂᏂᏓᏛ ᏃᎴ ᎣᎭᏁ ᏗᏂᏅᏍᎨᏂ, ᎠᎾᏁᎸᏗᏍᎬᏉ ᎤᎾᎵᏗᎩᏍᏗ.\nᏅᎩᏨᏓ ᏑᎾᎴᎢ ᎢᎦ ᏣᏓᏴᎳᏔᏍᎦ ᎦᎸᎶᎢ ᏃᎴ ᏥᏍᏆᏯ ᏣᎾᎵᏖᎸᎮᎭ ᏕᏧᎬᎢ, ᏩᎦ ᏥᏓᏂᏃᏴᎵᏍᏗᎭ ᏧᎾᏓᏕᏒᏓ ᏃᎴ ᏥᏔᎦ ᎠᏨᏯᎢ ᏣᏙᎯᎠ ᏃᎴ ᎠᎬᏱ ᏥᏓᏓᏏᏙᎭ ᏓᏆᎴᎳ ᏅᏃᎯ. ᎤᏰᏤ ᏫᎵᎻ ᏃᎴ ᎤᏯᎴᎢ ᏌᎳᏓ.\nᎠᏂᏍᎩᎾᏰᏃ ᏧᎾᏓᏅᏙ ᎾᏍᎩ, ᎤᏍᏆᏂᎪᏗ ᏚᏂᎸᏫᏍᏓᏁᎭ, ᎡᎶᎯ ᎠᏁᎯ ᎤᏂᎬᏫᏳᎯ ᎠᎴ ᎡᎳᏂᎬ ᏓᏂᏩᏛᎮᎦ, ᎾᏍᎩ ᏧᏂᏟᏐᏗᏱ ᏧᎾᎵᏍᏗᏱ ᎤᏂᏰᎸᎭ ᎦᎸᏉᏗ ᎢᎦ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ ᏥᎩ.\nᎪᎱᏍᏗ ᎠᏍᏆᎵᏍᎬ ᏙᏍᏓᏦᏍᎬ Mrs. Chapman, ᎠᏆᎵᏏᏀᎥᏍᏗ ᎨᏒ, Mrs. ᏭᏓᏂᏴᎡᎲ.\nᎦᎶᎯᏍᏗᏳᎳ ᎤᎴᏅ ᏐᏉ ᎤᏬᏰᏂ ᎬᏘ ᎤᏍᏗᎩᏛ ᎨᏒ ᎪᎢᎭ ᎠᏫ ᎦᏁᎬ ᎤᏓᎥ ᎦᎶᎯᏍᏗ, ᏐᎢ ᎤᏬᏰᏅ ᎠᎬᏓᎨᏂ ᏫᏄᏩᏅ ᏙᎩᎧᏅ ᏐᏈᎵ ᎣᏥᏅ ᎠᎦᏍᎩ.\nᎥᏝᏰᏃ ᏯᏆᏚᎵ, ᎢᏓᎵᏅᏟ, ᏂᏥᎦᏔᎲᎾᏉ ᎢᏳᎵᏍᏙᏗᏱ ᎯᎠ ᎾᏍᎩ ᎤᏕᎵᏛ ᎨᏒᎢ, (ᎢᏥᎦᏔᎾᎢᏉᏰᏃ ᏱᏅᏣᎵᏍᏓ ᎢᏨᏒ ᎢᏣᏓᏅᏖᏍᎬᎢ,) ᎾᏍᎩ ᎠᎫᏏᏲᎢᏍᏗ ᎨᏒ ᎤᏂᎷᏤᎸ ᎢᎦᏛ ᎢᏏᎵ, ᎬᏂ ᎤᏂᏣᏘ ᎨᏒ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏂᏴᎸᎯ ᎨᏎᏍᏗ,\nᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᏚᏗᎦᎴᏯᏍᏔᏅ; ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᏚᏁᎸ; ᎤᏓᏅᏘᏳ ᎨᏒ ᏅᏩᏍᏗᏉ ᏂᎪᎯᎸᎢ.\n”ᎬᏯᎵᎮᎵᏤᎭ!” ᏍᏓᏯ ᏄᏪᏎ ᏫᎵᎻ.\nᏒᎦᎾᏲᎪ! \nᏔᎵᏚ ᎢᏯᏂ ᏧᏁᏠᏍᏗ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᎢᏯᎾᏛᏁᎯ, ᎾᏍᎩ ᎬᏂᏛ ᏡᎬ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᏫᎬᏩᏂᏴᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎦᎶᎯᏍᏗᏱ ᎪᏢᏒ ᎦᏚᎲᎢ.\nᎠᎦᏴᎵᎨᏰᏃ ᎬᏂᏛ ᎤᏤᎵᎦ ᏥᎩ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎤᏁᎸ ᎤᏪᏥ ᎬᏂᏛ ᎤᏣᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ.\nᏤᏍᏗ ᎠᎦᏗᏓ ᏱᏍᏗᎨᏍᏗ ᎪᎱᏍᏗ ᏍᏗᏨᎢᏍᏙᏗ.”\nᎠᏆᏅᏛ ᏔᏘᏲᎯ.\n“ᏤᏍᏗ ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ ᏄᏍᏛ ᎠᎦᏍᏉᏟᎢ,” ᎤᎵᏍᎦᏎᏔᏁᎢ ᏧᏍᏆᏴᏍᏗ.\nᎤᏙᎯᏳᎯᏯᏰᏃ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎬᏂ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ ᎠᏂᎶᏐᏅᎭ ᏌᏉ ᎤᏍᏗ ᎠᎴ ᏌᏉ ᏭᏍᏗᎬ ᏗᎧᎿᏩᏛᏍᏗ ᎥᏝ ᏴᎦᎶᎯ ᎬᏂ ᏂᎦᏗᏳ ᎠᎧᎵᏨᎭ.\nᎤᎬᏫᏳᎯᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎦᎪ ᎯᎠ ᎠᏂᏔᎵ ᎨᏒ ᎢᏣᏚᎵ ᏗᏨᏲᎯᏎᏗᏱ? ᏆᎳᏆ, ᎤᎾᏛᏁᎢ.\nᎨ ᏩᎩᎷᏨ ᏃᎴ ᎠᏆᎴᏫᏍᏔᏅ ᎠᏆᏔᎲᏒᏃ, \nᎩᎶ ᏄᏓᎴ ᏯᎧᏔᎭ ᎢᎦᏪᏍᏗ ᎠᎴ ᎧᏃᎮᏓ, ᏱᎦᎵᎡᎵᎩ ᎠᏋᏗ ᏓᎩᏏᎳᏛᎢ.\nᎤᏬᎯᏨᏃ, ᎠᎴ ᎤᎾᏰᎯᏍᏗᏳ ᏄᎵᏍᏔᏅ ᏥᏳ ᎦᏂᏓᏍᏗᏱ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎠᎹᏟ ᎬᏗ ᎨᏒ ᎤᎶᏐᏅᎢ, ᏉᎳ ᏚᏪᏯᏔᏅᎩ,\nᎬᏃᏌᏍᏗᏍᎬᎢ ᎤᏩᏂᎨᎢ ᎥᏃᏥ\n“Ꮘ-Ꮘ-Ꮘ!”\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗ ᎢᏥᎷᏤᎸᎩ ᎯᎠ ᏥᎾᏂᏪ ᎠᎾᏙᎴᎰᏍᎩ;\nᎾᏍᎩ ᎤᏣᏘ ᎠᏆᏚᎵᏍᎬ ᎬᎪᏩᏛᏗᏱ, ᎠᎴ ᎦᏅᏓᏗᏍᎬ ᏕᏣᏠᏱᎸᎢ ᎾᏍᎩᏃ ᎠᎩᎧᎵᎢᏍᏗᏱ ᎤᎵᎮᎵᏍᏗ ᎨᏒᎢ,\nᎢᎬᏪᏅᏛᏃ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏕᎪᏢᏩᏗᏒ ᎤᎵᏥᏙᏁᎢ, ᎤᏃᎮᎴ ᎦᎶᏁᏛ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏒᎢ.\nᎤᏔᎷᎩᏍᎩ ᎤᎵᎪᎲᏍᏗ, ᎤᎧᎭᏲᏛ ᏏᏅᏓ ᎨᏐ ᏍᎩᏴ ᎤᏕᏘᏴᏌᏗᏒ, ᎤᏲ ᏄᏍᏗᏓᏅ ᏍᎩᏴ, ᏕᏧᎬ ᎧᏂᎩᏛ ᏧᏆᎶᎦ, ᎾᏍᎩᏯ ᎤᏁᏍᏔᎳ ᎤᏲᏨ ᎦᎸᎶ ᏧᏓᏴᎳᏙ ᏂᏚᏍᏛ ᏕᏧᎬ, ᏃᎴ ᏅᏬᏘ ᎪᏒᏙᏗ ᎠᎾᎢ, ᎤᏬᏗᎨ ᎧᏁᏌᏟ ᎦᎳᎨᏴ ᎦᏙ.\nᎠᏋᏌ ᎠᏆᏓᏍᏕᎸᏗ, ᏥᏌᎹᏗᏴ ᎬᏗᏍᎪ, ᎠᎴ ᏯᎩᏲᏏᎭ.\n“ᏥᎦᏔ ᎭᎾ ᏥᏴ ᎧᏁᏌᎢ ᎣᎳ ᏗᎬᎩᎶᏍᏙᏗ ᎦᎶᏔᏅ ᎠᏍᏆᏂᎪᏛ, ᎠᏓ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᎢᎦᏛᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎾᏍᎩ ᎯᎠ ᏥᏂᎦᏪ ᏥᎧᏁᎦ ᎥᏝ ᎠᏍᎩᎾ ᎤᏯᎢ ᎤᏁᎢᏍᏗ ᏱᎩ; ᏥᎪ ᎠᏍᎩᎾ ᏰᎵ ᏱᏓᏍᏚᎢᏏ ᏗᎨᏫ ᏗᎦᏙᎵ.\n“ᎮᎾᏗᎾ, ᎯᏣᏚᎵᏍᎨᏍᏗ ᏣᎪᏩᏛᏗ ᎠᎾᏓᎪᎾᏗᏍᎬᎢ.” \nᏚᏯᏪᏣ ᏍᎩᎾᏛᏁᎲ, ᎨᏍᏗ ᏳᏚᎵᏍᎨ ᎤᏍᎪᏍᏗ, ᏚᏯᏪᎨ ᎦᏙᏩᏕᎬ, ᏚᏯᏪᎨ ᎦᏅᎬ.\nᎯᎠᏰᏃ ᏄᏪᏎᎴᎢ, ᎡᎯᏄᎪᎢ ᎾᏍᎩ Ꮎ ᎠᏍᎦᏯ, ᏂᎯ ᎯᎦᏓᎭ ᎠᏓᏅᏙ.\nᎤᏍᎪᏃ ᎤᏂᏲᎴ ᎠᏖᎵᏙᎩᎯ, ᎠᎴ ᎤᏂᏁᎴ ᎠᏛ, ᎾᏍᎩᏃ ᎤᏥ ᏭᏁᎴᎢ.\nᏥᏌᏃ ᎤᎪᎲ ᏭᏯᏅᎮᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎯᎨᏴ, ᏣᏢᎬ ᎡᏧᏓᎳᎩ.\nᎠᎴ ᎾᏍᎩ ᎧᏃᎮᏍᎩ ᎢᏣᎵᏍᏕ ᎸᏙ-Ꮧ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ.\nᎤᏂᏣᏘᏃ ᎤᏂᎪᎲ, ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎠᎴ ᎤᏂᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᏧᎵᏍᎪᎸᏓᏁᎸᎯ ᎾᏍᎩ ᎢᏳᏍᏗ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᏴᏫ.\nᏌᏊ ᎢᏳᏩᎪᏗ ᏒᏃᏱ ᏫᎣᎩᎷᏣ ᏦᎨᏅᏒ ᎩᏟ ᎤᏍᎦᏎᏗᏊ ᏂᎦᏪᏍᎬ ᏓᏑᏫᏍᎬ ᎤᏠᏱᏊ ᎪᎱᏍᏗ ᎠᏊᎢᏴ ᏣᎪᏩᏘᏍᎪᎢ.\nᏰᎵᏉ ᎦᏅᏍᏔ ᎬᏘ ᏚᏩᎭᏂᏍᏗ.\nᎿᏉᏃ ᏕᎦᎳᏫᎥᎢ ᎩᎶ ᎢᏳᏍᏗ ᏚᎴᏁ ᎠᏆᎵᏏ ᎨᎺᎵ ᏧᏙᎢᏛ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎪᏏᏏᏍᎩ ᎾᏂᎥ ᏴᏫ ᎬᏩᎸᏉᏗ, ᎠᎴ ᎤᏁᏤ ᎨᏥᏅᏏᏛ ᏞᎦ ᏧᏂᎧᎲᏍᏗᏱ.\nᎢᏤᏯᏔᎯᏳ ᎨᏎᏍᏗ ᎾᏍᎩᏃ ᏞᏍᏗ ᎩᎶ ᎡᏍᎦ ᎤᏬᎭᏒᎩ ᎤᏁᎳᏅᎯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ; ᏞᏍᏗ ᎤᏴᏍᏗ ᎤᎿᏍᏕᏢ ᎦᎾᏄᎪᎬ ᎢᏣᏕᏯᏙᏔᏅᎩ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᎤᏂᏣᏘ ᎦᏓᎭ ᎢᏳᎾᎵᏍᏔᏅᎩ;\nᏮᎩᏙᎵᎩ, ᏧᏍᏆᏴᏍᏗ ᎨᎵᎠ.\nᎠᎴ ᎬᏂᏳᏉ ᎾᎿ ᎬᏂᎨᏒ ᏂᎬᏩᎾᏛᏁᎴ ᎼᏏ ᎠᎴ ᎢᎳᏯ ᎬᏩᎵᏃᎮᏗᏍᎨᎢ.\nᏄᏨᏉᏛᎾ ᏃᎴ ᎨᏍᏗ ᎣᏍᏓ ᎤᏰᎸᎯ ᏱᎩ ᏯᏂᎸᏉᏗᎭ.\nᎠᏎᏃ ᎤᎾᏟᏂᎬᏁᎴ ᎠᏍᏓᏯ ᎠᏂᏁᎬᎢ, ᎠᏂᏔᏲᎯᎮ ᎠᎦᏛᏗᏱ. ᎾᏍᎩᏃ Ꮎ ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᏂᏁᎬ ᎤᎬᏫᏳᏤᎢ.\nᎠᏁᏓᎶᏄᎮᏍᎩ, ᎤᏂᎫᏏᏯ, ᎤᎾᏓᎵᏌᎳᏗ, ᎤᏂᎨᏳᎯ ᏱᏍᏛ ᎤᎾᏓᏅᏓᏗᏍᏗᏍᎩ ᎤᏁᎳᏅᎯ ᏄᏂᎨᏳᏒᎾ,\nᎠᏎᏃ ᏐᏊ ᎪᎱᏍᏗ ᏧᎾᏓᏕᏙᏗᏍᎨᎢ ᎤᎵᎮᎵᏍᏗ ᎠᏁᎲᎢ... ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏗ!\nᎨᏍᏗ ᏳᏓᏍᏕᏓᎵᏴᏌ ᎤᎧᏛ ᏲᎾ.\nᎠᏧᎬ ᎾᎥᏂ ᎤᎵᏍᏛᏧᏁ, ᏫᏓᎧᏁᎢ ᎠᏙᎯ ᎦᎸᎳᏗᎨ ᏚᏅᏓᏒ, ᎤᏓᏙᎵᏍᏔᏁᎴ ᏲᎾ ᏃᎴ ᎢᎾᎨ ᎠᏁᎯ ᎠᏟᏅᏨ, ᏍᏔᏯ ᏄᏪᏎ ᎤᏚᎩ ᏱᎨᏒᎾ.\nᎿᏉᏃ ᏆᎴᏗ ᎤᏂᏴᎲᎩ ᏥᏌ ᎠᎴ ᎤᎵᎥᏂᎸᎩ.\nᎢᎦ-ᎦᏘ ᏧᏂᎸᏌᏓᏕᏗ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒ ᏗᏣᏤᎵ ᏴᏫ ᎢᏏᎵ ᎤᎾᏤᎵᎦ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏂᎯᎾᏃ ᎦᎪ ᏍᎩᏲᏎᎭ? ᏈᏓᏃ ᎤᏁᏨ ᎯᎠ ᏁᏪᏎᎴᎢ, ᎦᎶᏁᏛ ᏂᎯ.\nᎠᎦᏑᏴᏛ ᎡᏣᎸᎢ ᏧᏪᏥ ᏫᎨᏣᏲᎵᎭ. ᎡᎺᏅ.\nᎾᏍᎩ Ꮎ ᎧᏁᎬ ᎾᎯᏳ ᎡᎶᎯ ᎤᏖᎸᏁᎢ; ᎠᏎᏃ ᎪᎯ ᎨᏒ ᎤᏚᎢᏍᏔᏅ, ᎯᎠ ᏄᏪᏒ, ᎠᏏ ᏌᏉ ᏅᏓᏥᏖᎸᏂ ᎥᏝ ᎡᎶᎯᏉ ᎤᏩᏒ, ᎦᎸᎶᎢᏍᎩᏂ ᎾᏍᏉ.\n“ᏙᎢᏳᏍᏗ ᏂᎦᎵᏍᏗᎭ?” ᎤᏛᏛᏁ, ᏚᎪᎭ ᎨᏥᎾᏌᎢ ᎤᎾᏓᏓᏍᎬ.\nᎭᏢ ᏗᏓᎴᎲᏍᎦ ᏓᎿᏩ ᎠᎴ ᏗᎵᏍᏗ ᎨᏒ ᏂᎯ ᎢᏤᎲᎴ? ᏝᏍᎪ ᎾᏍᎩ ᎠᏚᎸᏗ ᎨᏒ ᏗᏥᏰᎸ ᎭᏫᏂ ᏥᏓᎵᎭ ᎾᎿ ᏴᏗᏓᎴᎲᏍᎦ?\nᎤᎾᎵᏘᏔᏅ ᏐᏈᎵ - ᏚᎾᏓᏍᏕᏓᎵᏴ ᎦᎷᏯᏍᏗ, ᎠᎬᏱ ᏐᏉ ᏃᎴ ᎠᏂᏐᎢ - ᎦᎨ ᎠᎵᏍᏆᏍᏗᎬ ᏃᎴ ᎤᎵᎪᎲᏍᏗ ᎠᎴᏂᏍᎬ.\nᎠᎴ ᎾᏍᏉ ᎪᏪᎳ ᏗᏥᎧᎿᏩᏛᏍᏗᏱ ᎾᏍᎩ ᎠᏂᏔᎵ ᎤᏂᏃᎮᎸᎯ ᎨᏒ ᎤᏙᎯᏳᎯᏯ ᎨᏒᎢ.\nᏐᏉ ᎢᎦ ᎦᏓᏩᏕᎬ ᏚᏏᎳᏛ, ᎤᏍᏗ ᎠᏣᏗ ᎤᏭᏓᎸᏤ ᎠᏓᎾᏫᏗᏍᎬ.\nᎦᏙ ᎰᏩ ᎤᏍᏗ? ᎠᏆᏓᏅᏙ ᎬᏗᏍᎨᏍᏗ ᎦᏓᏙᎵᏍᏗᏍᎨᏍᏗ, ᎠᎴ ᎦᎪᎵᏍᏗ ᎦᏓᏙᎵᏍᏗᏍᎨᏍᏗ; ᎠᎴ ᎠᏆᏓᏅᏙ ᎬᏗᏍᎨᏍᏗ ᏕᏥᏃᎩᏍᎨᏍᏗ ᎠᎴ ᎦᎪᎵᏍᏗ ᏕᏥᏃᎩᏍᎨᏍᏗ.\n“ᎠᎵᏍᏆᏙᎾ ᏃᎴ ᎠᎵᏛᏓ, ᎠᎵᏍᏆᏙᎾ ᏃᎴ ᎠᎵᏛᏓ.\nᏦᏩᏃ ᎤᏰᏨ ᎤᎸᏅᎢ ᏗᎧᎿᏩᏗᏙᎯ ᏱᎰᏩ ᏅᏓᏳᏅᏏᏛ ᏄᏪᏎᎸ ᏄᏛᏁᎴᎢ, ᎤᏯᏅᎨᏉ ᎤᏓᏴᏍᏗ.\nᎾᏍᎩᏃ ᎯᎠ ᏂᏥᏪᎭ, ᎾᏍᎩ ᎤᏘᏰᏗ ᎨᏒᎢ, ᎠᏲᎵ ᎨᏒ ᎢᎪᎯᏛ, ᎥᏝ ᏱᏚᎾᏓᎴᎿᎣ ᎠᏥᎾᏝᎢ, ᏄᎬᏫᏳᏌᏕᎩ ᎡᎦᏃ ᏄᏓᎴᏒ ᎪᎱᏍᏗ.\n“ᎦᏙᏃ ᏍᎩᎪᏩᏘᏍᎬᎾ? ᎤᏛᏛᏁ ᏏᏆ.\nᏫᎵᎻ-ᎢᎵᎻ-ᎢᎵᎻ ᎤᏩᏌ ᏓᏰᏏ ᏗᎾᏓᎪᎾᏗᏍᎬᎢ.”\nᎦᏓᏁ ᏂᏚᎵᏍᏔᏁ ᏗᎦᏙᎵ ᏚᏌᏬᎴ.\nᎢᏳ ᎠᎴ ᎩᎶ ᎤᏓᏎᎪᎩᏍᏗᏱ ᏣᏟᏂᎬᏁᎰᎢ, ᎥᏝ ᏯᏘᏍᏚᎸᏍᎪᎢ ᎬᏂ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎬᏅ ᎢᏳᏛᏁᎸᎯ ᏥᎨᏐᎢ.\nᎤᏛᏅᎢᏍᏕ ᏧᎴᏗ ᏲᎾ ᎤᏤᏍᏙ ᎩᎶ ᎦᏬᏂᏍᎬ ᎤᏛᎦᏁ.\nᏰᎵ ᎢᏯᏂ ᏙᎦᏦᏒ ᏗᏂᎳᏫᎩ, ᏃᎴ ᏔᎵᎭ ᎤᎾᏛᏐᏅ ᏗᏂᎳᏫᎩ, ᏐᏉ ᏂᎦᏓ ᎠᏃᎵᎩ ᎠᏘᏲᎯ ᏣᏂ ᎦᎳᎱᏂ.\n“Ꭾ, ᏍᏆᎦᏎᏍᏕᏍᏗ!” ᎤᏪᎷᏁ ᎡᎳᏆᏗ, ᎠᏓᎾᏏᏂᏙᎮ ᏏᏆ ᎤᏴᏍᏗ ᎧᏁᏌᎢ.\n“ᎠᏇᏍᏔᏁᎯ! ᎠᏇᏍᏔᏁᎯ!”\nᎢᏴᏛᏃ ᏭᏂᎶᏒ, ᎤᏅᏒ ᎨᏒ ᎤᎾᎵᏃᎮᎸᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᎠ ᎠᏍᎦᏯ ᎥᏝ ᎪᎱᏍᏗ ᏱᏚᎸᏫᏍᏓᏁᎭ ᎬᏩᏲᎱᏍᏗ ᎠᎴ ᎦᏰᎦᎸᏍᏗ ᎨᏒᎢ.\nᏚᎨᏩᏗᏍᏗᏍᎬ.\nᎤᏪᏅᏎᏃ ᏐᎣᏁᎵᏁ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒᎢ, ᎠᎴ ᏚᎦᎮ ᏅᏩᎾᏓᎴ ᎦᏃᏙᏗᏱ ᎠᏂᏙᎾᎡ ᎪᎱᏍᏗ ᎾᎾᏛᎲᎾ,\nᎠᏂᏐᎢᏍᎩᏂ ᎬᎩᎨᏳᎯᏳ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎠᏂᎦᏔᎭᏰᏃ ᎥᎩᏁᏤᎸᎯ ᎨᏒ ᎠᎩᏍᏕᎸᏗᏱ ᎣᏍᏛ ᎧᏃᎮᏛ.\nᏥᏙᎬ ᏥᎦᏘᏴ, ᎩᎳᏈᏴ ᎤᏩᎩᏰᏫᏒ ᎠᏓᏅᏖᏍᎬ, ᎡᏝᏪᎯ ᏄᎵᏍᏔᏅ.\nᎠᎴ ᎠᎩᎪᎲᎩ ᎡᏆ ᎤᏁᎬ ᎦᏍᎩᎶ, ᎠᎴ ᎾᏍᎩ ᎾᎿ ᎤᏪᎵ, ᎾᏍᎩ ᎤᎧᏛᎢ ᎡᎶᎯ ᎠᎴ ᎦᎸᎶᎢ ᎬᏩᎵᎡᎸᎩ, ᎥᏝ ᎠᎴ ᎢᎸᎯᏢ ᎬᏩᎵᎡᎸᎩ, ᎥᏝ ᎠᎴ ᎢᎸᎯᏢ ᎬᏩᏛᏗ ᏱᎨᏎ ᏭᏂᎶᎯᏍᏗᏱ.\n“ᎤᏨᏉᏗ ᏱᎨᏒᎾ ᏔᎵ ᏂᏚᏓᎴ ᏗᎪᏏᏐᏗ.\nᎤᎩᏨᏓ ᎬᏂᎨ ᎤᏍᎪᎸ ᎤᎦᎹ, ᏧᎾᎳᏏᏕᏅ, ᏗᎧᏴᏤ ᏃᎴ ᏧᏳᏘ ᏗᏑᏱ.\nᎾᏍᎩ ᎢᏳᎾᏛᏁᏗ ᎨᏒ ᎠᏥᎸᎠᏁᎶᎯ, ᎾᏍᎩ ᎤᏩᏙᏗ ᏂᎦᎵᏍᏗᏍᎨ ᎠᏜ ᎦᏩᏒᎩ ᎾᎯᏳ ᏩᏴᎭ ᏱᎰᏩ ᎤᏤᎵ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᏂᎦᏛ ᎾᏆᏛᎿᏕᎬ ᏗᎩᎦ ᎬᏂᎨᏒ ᏅᏓᏨᏁᎵ, ᎾᏍᎩ ᎣᏥᎨᏳᎢ ᎣᏣᎵᏅᏟ, ᎠᎴ ᎣᏍᏛ ᎢᏯᏛᏁᎯ ᏧᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎤᏠᏱ ᎠᏥᏅᏏᏓᏍᏗ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ;\nᎯᎠ ᏧᏕᏘᏴᏌᏓ ᏐᏉ ᏃᎴ ᏔᎵᏉ ᎠᏂᎶᏍᎨ. ᎣᎭᏁ ᏂᎦᏓ ᎤᎾᎵᏛᏔᏃᏅ.\nᏓᏟᎶᏍᏛᏃ ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ; ᎤᎦᏔ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎦᏛᎦ.\nᎩᎶᏍᎩᏂ ᎣᏍᏛ ᎠᎪᎵᏰᏍᎨᏍᏗ ᎠᎧᎵᎸᎯ ᏗᎧᎿᏩᏛᏍᏗ ᎬᎧᎲᏍᎩ ᏥᎩ, ᎠᎴ ᎦᏯᎢᏎᏍᏗ, ᎾᏍᎩ ᎠᏍᎦᏯ ᎣᏍᏛ ᎤᏓᏅᏓᏗᏍᏗ ᎨᏎᏍᏗ ᏚᎸᏫᏍᏓᏁᎲᎢ, ᎾᏍᎩᏰᏃ ᎤᏩᎨᏫᏌᏘ ᏂᎨᏒᎾ ᎠᏛᎩᏍᎩ, ᏧᎸᏫᏍᏓᏁᎯᏍᎩᏂ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᏕᎳ ᎤᏁᎦ ᏗᎪᏒᏍᏔᏅ ᏃᎴ ᎠᏂᏃᎮᏍᎬ ᎡᏆ ᎤᏁᎦ ᎡᏙᏓ ᎨᏍᏗ ᎯᎸ ᏱᏭᏂᎷᎨᎢ.\nᏦᎢᏁ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏌᏩᏂ, ᏦᎾ ᎤᏪᏥ, ᏍᎩᎨᏳᎭᏧ? ᏈᏓ ᎤᏲᎢᏳ ᎤᏓᏅᏓᏛᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᏦᎢᏁ ᏍᎩᎨᏳᎭᏧ ᎤᏬᏎᎸᎢ. ᎯᎠᏃ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ ᏂᎦᎥ ᎪᎱᏍᏗ ᎯᎦᏔᎭ, ᎯᎦᏔᎭ ᎬᎨᏳᎢᏳ ᎨᏒᎢ. ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏕᎮᎶᎮᏍᏗ ᏗᏆᏤᎵᎦ ᎤᏂᏃᏕᎾ.\nᎥᏝ ᎢᎸᎯᏳ ᎩᎶ ᎤᏁᎳᏅᎯ ᎤᎪᎲᎯ ᏱᎩ. ᎢᏳᏃ ᏗᎦᏓᎨᏳᎯᏳ ᏱᎩ, ᎤᏁᎳᏅᎯ ᎢᎩᏯᎠ, ᎠᎴ ᎠᏴ ᎡᏗᎨᏳᏒ ᎤᎧᎵᏨᎯ ᎨᏐᎢ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎩᎶ ᎠᏆᏒᏂᎦ; ᎦᏙᎴᎰᏍᎦᏰᏃ ᎠᏆᏓᏅᏬᏗ ᎨᏒ ᎠᎩᏄᎪᏤᎸᎢ.\nᎤᏂᏩᏒᎨ ᎦᏓ ᎤᎧᎭᏲᏓ ᏐᏈᎵ ᎤᎾᎵᏙᎩᏯᏍᏗ ᏓᏳᏓᎴᏅ ᎦᏓᏁ ᏄᏩᏁᎸ ᎠᎹᏗᏍᏚᏥᏍᎩ ᏃᎴ ᏚᏂᏩᏒᎨᎢ ᏩᎦ ᎭᏫᏯ ᎠᏍᏙᏓ ᏚᏅᏣᏢ ᏃᎴ ᏓᏂᎪᏩᏗᏍᎨ ᎤᏃᎴ ᏗᏲᏙᏗ ᏚᎧᏌᏛᎢ.\nᏓᏍᏆᎶᎨ ᎢᎦ ᎤᎵᎪᎲᏍᏗ, ᏣᏄᏏ ᏓᏲᎯᎮ ᏩᎩᎦ ᏃᎴ ᎢᏯ ᎠᏫᏌᏅ ᏫᏚᎩᏓ ᏃᎴ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᏓᎲᏍᎨᎢ, ᎤᏂᏯᏛᏗ ᏱᎨᏒᎾ ᎤᏒᎯ.\n“ᎠᏆᏟᏂᎩᏓ ᏨᏆᎧᏃᏗ ᎢᎪᎯᏓ\nᏔᎵᏁᏃ ᎯᎠ ᏄᏂᏪᏎᎸᎩ ᏗᎨᏫ; ᎦᏙ ᏂᎯ ᏎᏗᎭ ᎾᏍᎩ ᎯᏃᎮᏍᎬᎢ ᏥᏕᏣᏍᏚᎢᎡᎸ ᏘᎦᏙᎵ? ᎠᏙᎴᎰᏍᎩ, ᎤᏅᏛᏅᎩ.\nᏏ ᏛᎬᏔᏲᏎᎵ ᏫᏤᏓᏍᏗ.”\nᎪᎱᏍᏗᏃ ᏧᏩᏅ ᎤᎾᏛᎦᏅ, ᎤᏁᏅᏎ ᎬᏩᏂᏴᎲᏎᎢ; ᎯᎠᏰᏃ ᎾᏂᏪᏍᎨᎢ, ᎤᎸᏃᏘᎭ.\nᎠᎴ ᏦᎢ ᎢᎨᏥᏛᎯ ᎨᏒ ᎾᏍᎩ ᎨᏒᏁᎳᏅᎯ ᎨᏒ ᎠᎺᏉᎯ ᎠᏁᎲᎢ ᎠᎴ ᏗᏅᏃᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏂᏨᎯ ᏚᏂᎵᏬᏨᎩ; ᎠᎴ ᏥᏳ ᏧᏛᎾ ᏦᎢ ᎢᏗᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᏚᏲᏨᎩ.\nᎤᏙᎯᏳᎯᏯ ᎢᎦᏪᏛ, ᎠᎴ ᏩᏍᏛ ᏧᏓᏂᎸᎢᏍᏗᏳ;\nᏥᏌᏃ ᏄᎬᏫᏳᏌᏕᎩ ᎦᏁᎸ ᎤᎷᏨ, ᎠᎴ ᏚᎪᎲ ᏗᏂᏤᎷᎯᏍᎩ, ᎠᎴ ᏴᏫ ᏓᏂᏴᎬᎢ,\nᏂᎦᏓ ᎤᎾᎵᎮᎵᏤ ᎤᏂᏩᏛ ᏔᎵᏁ ᎤᏍᏆᏂᎩᏗ ᏄᎵᏍᏔᏅ ᏓᏏᎳᏛᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎨᎶ ᏣᎦᏔᎰᎢ ᎣᏍᏛ ᎢᏯᏛᏁᏗ ᎨᏒᎢ, ᎾᏍᎩᏃ ᎾᏛᏁᎲᎾ ᏥᎨᏐᎢ, ᎾᏍᎩ ᎾᎿ ᎠᏍᎦᏅᎪᎢ.\n”ᎤᏬᏚᏨ ᏣᏓᏃᏴᎵᏍᏗ,” ᎬᏣᏓᏗ ᏄᏪᏎ ᎠᎦᏴᎵ ᎤᏃᏕᎾ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏥᏳᎯ ᎠᎦᏘᏏᏗᏢ ᎢᏥᎦᏯᎷᎥᎦ, ᏙᏓᏥᏩᏛᎯᏃ. ᎰᏩᏃ ᎤᏂᎦᏯᎷᏅᎩ, ᎿᏉᏃ ᎥᏝ ᏰᎵ ᎬᏩᎾᏎᎯᏍᏗ ᏱᎨᏎᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏂᏣᏛ ᎠᏣᏗ.\nᎤᏛᏅ ᏲᎾ.\n“ᏙᎢᏳᏍᏗ ᎦᎵᏍᏗᎭ ᎠᎪᏕᏍᎩ? \nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏎᏓᏂ ᏥᎪᎥᎩ ᎠᎾᎦᎵᏍᎩ ᎦᎸᎳᏗ ᏨᏗᎦᏙᎠᏍᎪ ᎾᏍᎩᏯ ᏓᏳᏙᎠᏒᎩ.\nᎾᎯᏳᏃ ᎤᏃᏢᏁ ᏩᎦ ᎠᎩᎾ, ᎾᏍᎩᏃ ᏗᏟᎶᏍᏔᏅᎯ ᎠᏥᎸ-ᎨᎳᏍᏗ ᎤᏂᏲᎮᎴᎢ, ᎠᎴ ᎤᎾᎵᎮᎵᏤᎴ ᎤᏅᏒ ᏧᏃᏰᏂ ᏧᏅᏔᏅᎯ ᎤᏃᏢᏅᎯ.\nᎤᎾᏁᎳᎩ, ᏗᏂᎨᏫᏉ ᏗᏂᎨᏫ ᏗᎾᏘᏂᏙᎯ; ᎢᏳᏃ ᏗᎨᏫ ᏯᏘᏂ ᏗᎨᏫ ᎢᏧᎳ ᎠᏔᎴᏒ ᏧᏂᎸᎢᏍᏗ.\nᎠᏂᏲᏍᎩ ᎣᎦᎵᎪᏅ, ᎤᏂᏂᏴᏗ ᏣᎵ, ᏚᎾᏓᎸ.\nᎾᏍᎩᏃ ᎯᎠ ᏂᎯ ᏥᏂᏨᏪᏎᎭ, ᎾᏍᎩ ᏂᎦᏛᏉ ᏂᎦᏥᏪᏎᎭ-ᎢᏥᏯᏫᏍᎨᏍᏗ.\nᏗᏣᎧᏅᎦ ᏗᏉᏰᏂ ᎠᎴ ᏗᏆᎳᏏᏕᏂ, ᎠᏋᏒᏉ ᎯᎠ ᏥᎾᏆᏛᏅ; ᏍᎩᏯᏒᏂᎦ ᎠᎴ ᎢᏣᏙᎴᎰᎯ; ᎠᏓᏅᏙᏰᏃ ᎥᏝ ᏳᏇᏓᎳ, ᎠᎴ ᎥᏝ ᏧᎪᎳ ᏱᏚᎸ ᎾᏍᎩᏯ ᏥᏥᎪᏩᏘᎭ ᎠᏴ ᏂᏓᏋᏅᎢ.\nᎨᏍᏗ ᎠᏓᏅᏖᏗ ᏱᎨᏎ ᎾᏍᎩᏴ.\nᏂᏑᎩᏨᏂᏒ ᎢᏨᏰᎳᏗᏙᎲ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎥᏝ ᏱᏣᏁᎶᏔᏁ ᏍᎩᏂᏴᏗᏱ; ᎠᏎᏃ ᎢᏣᏤᎵᎦ ᎪᎯ ᏥᎩ, ᎠᎴ ᎤᎵᏏᎩ ᎤᎵᏂᎬᎬᎢ.\nᏥᏌᏃ ᎤᏓᏥᏃᎯᏍᏔᏅ, ᎠᎴ ᎠᎨᏴᏉ ᎤᏩᏒ ᎤᎪᎲ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᎨᏴ, ᎭᏢ Ꮎ ᎨᏧᎯᏍᏗᏍᎩ? ᏝᏍᎪ ᎩᎶ ᏣᏍᏕᏅᏨᎢ ᏱᏕᎫᎪᏓ?\nᏎᎦᏨ ᎤᎪᎮ ᎩᎶ ᎤᏟᏃᎮᏔᏅ ᎤᏓᏅᏘ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏴᏛ ᏂᏨᏁᎮᏍᏗ ᏂᎦᎥ ᎦᏓᎭ ᎨᏒᎢ ᎠᎴ ᎤᎶᏒᏍᏔᏅᎯ ᎤᏲ ᎨᏒᎢ, ᎠᎴ ᎤᏓᏙᎵᏍᏗ ᎢᏨᏔᏅᎭ ᏕᏣᏓᏂᎸᏨᎭ ᎧᏃᎮᏛ ᎬᏱᏝᏅᎯ, ᎾᏍᎩ ᏰᎵᏉ ᏗᎬᏩᏍᏕᎸᏗ ᏥᎩ ᏗᏣᏓᏅᏙᎩ.\nᎾᏗᏍ, ᎦᎢᏒ ᎪᎱᏍᏗ ᎠᏰᏟ ᏅᏃ ᎦᏙᎬ ᎩᎳᏊᏯ ᎪᎯᏓ.\nᏥᎪ ᎦᏚ-ᎢᏗᏢ ᏄᏍᏛ ᏗᎧᏃᏗᏱ ᎪᎱᏍᏗ ᏕᏣᎧᏂᏍᎪᎢ? ᎢᏳᏃ ᎩᎶ ᎤᏩᏒᏉ ᎠᏓᎵᏍᎦᏍᏙᏗᏍᎨᏍᏗ ᎦᎶᏁᏛ ᏥᏯᏤᎵ ᎠᏴ ᎢᎡᎵᏍᎨᏍᏗ, ᎤᏩᏒ ᎨᏒ ᏔᎵᏁ ᎯᎠ ᎾᏍᎩ ᏥᎠᏓᏅᏛᎵ, ᎾᏍᎩ ᎾᏍᎩᏯ ᎦᎶᏁᏛ ᎤᏤᎵ ᎨᏒ ᎾᏍᎩ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏴ ᎦᎶᏁᏛ ᎣᏣᏤᎵᎦ.\nᏍᎩᎾᎾ ᎢᏴ ᏓᏳᏓᎴᏅᏓ ᎨᏍᏗ ᏯᏆᎵᏍᏇᏚᏁ ᏓᏆᎭᏄᏮ ᏗᎵᎪᎲᏍᎩ ᏱᎨᏒᎾ.\nᎾᏍᎩᏃ ᏥᏣᎦᎾᏩᏉ, ᏂᏣᏴᏢᎾ ᎠᎴ ᏂᏣᏗᎴᎬᎾ ᏥᎩ, ᎾᏍᎩ ᎢᏳᏍᏗ ᏓᎬᏯᎵᎦᏍᏔᏂ ᏥᎣᎵ ᏓᎬᏄᎪᏫᏏ.\nᏚᏜᏅᏛᏰᏃ ᏓᏂᏃᎯᎮ ᏧᏂᏢᎩ, ᏗᏤᏍᏙ ᎠᎴ ᏗᎦᏂᏟ ᏓᏂᏢᏗᏍᎨᎢ ᎾᏍᎩ ᎤᏓᏩᏗᏍᏛᏉ ᎾᏍᏉ ᏈᏓ ᎠᎢᏒᎢ ᎢᎦᏛ ᎤᏄᏢᏙᏗᏱ.\nᏐᎳᏃ ᎠᏏᏉ ᎬᏬᎳᏕᏍᎨ ᏕᎦᎾᏰᏓᏁᎮ ᎠᎡ ᏧᎯᏍᏗᏱ ᎧᏁᎨ ᎤᎬᏫᏳᎯ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏧᏬᎸ ᏭᎶᏎᎢ,\nᎤᏓᏅᏖᎴ ᎤᏍᏕᏓᎵᏴᏍᏗ ᎢᏳᏍᏗ ᎭᏂᏃᎮᏍᎬᎢ.\nᎢᏳ ᎠᎴ ᎢᏣᏓᏅᏟᏉ ᎤᏅᏒ ᏱᏗᏥᏲᎵᎭ, ᎦᏙ ᎢᏣᏛᏁᎲ ᏕᏥᎪᎾᏛᏗ ᎠᏂᏐᎢ? ᏝᏍᎪ ᎾᏍᎩ ᏱᎾᎾᏛᏁᎰ ᎠᏰᎵ-ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ?\nᎨᏍᏗᏗ ᏱᏓᏲᎩᏍᏆᏂᎪᏔᏂ ᎠᏤ ᎢᏳᏍᏗ ᎤᎵᏑᏫᏓ ᎠᏍᎦᏯ ᏃᎴ ᎤᏁᏝᏅᎯ ᎤᏪᎵᏎ ᏍᎩᏴ.\nᎩᎶ ᎤᏐᏅ ᎤᏂᏃᎮᏗᏱ ᏂᎨᏒᎾ, ᏧᎾᏘᏲᏌᏘ ᏂᎨᏒᎾ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎤᎾᏓᏅᏘᏍᎩᏂ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎬᏂᎨᏒ ᎢᏳᏅᏁᏗᏱ ᎾᏂᎥᏉ ᎠᏂᎦᏔᎲ ᎤᏣᏘ ᎤᎾᏓᏅᏘᏳ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎦᏙ ᏓᏓᏛᏂ ᎡᏆᎭᎻ ᎢᎩᏙᏓ ᎤᏩᏛᎲ ᎤᏇᏓᎵ ᎨᏒ ᏅᏓᏳᏓᎴᏅᏛ?\n“ᎡᏝᏪᎯ,” ᏧᏬᏎᎴ ᏲᎾ ᎤᏤᏍᏙ.\nᎵᏓᏃ ᎠᎴ ᏦᏈ ᎾᎥ ᏂᏚᏓᎴᎢ, ᎠᏃᎯᏳᎲᏍᎩᏃ ᎤᎾᏛᎦᏅ ᏈᏓ ᎡᏙᎲ ᎵᏓ, ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᏚᏂᏅᏎ ᏭᏂᏔᏲᏎᏗᏱ ᎤᏙᎯᏗᏍᏗᏱ ᏂᎨᏒᎾ ᏂᏙᏓᏳᏩᏛᎲᏍᏗᏱ.\nᎥᏝ ᏳᏜᏏᏛᎡᎮ ᎤᏁᎳᏅᎯ ᎤᏚᎢᏍᏔᏅᎢ ᏄᏬᎯᏳᏒᎾ ᎨᏒ ᎢᏳᏍᏗ; ᎤᎵᏂᎩᏗᏳᏍᎩᏂ ᎨᏎ ᎤᏬᎯᏳᏒᎢ, ᎦᎸᏉᏗᏍᎨ ᎤᏁᎳᏅᎯ,\n“ᎨᏍᏗ ᎯᎸᎯᏳ ᏍᎩᎾᎾ ᎢᏳᎵᏍᏔᏅ ᏱᎩ.”\nᎩᎶᏃ ᎢᏳᎾᏍᏗ ᎠᏂᏆᎵᏏ ᎯᎠ ᏂᎬᏩᏂᏪᏎᎴᎢ, ᎦᏙᏃ ᏂᎯ ᏂᏣᏛᏁᎭ ᎾᏍᎩ ᎢᎬᏛᏁᏗ ᏂᎨᏒᎾ ᎨᏒ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ.\nᏥᏌᏃ ᎤᏛᎦᏅ, ᏥᏳ ᎤᏦᏔᏅᎩ ᎾᎿ ᎤᏂᎩᏒᎩ ᎤᏓᏰᎵᎸ ᎢᎾᎨ ᏭᎶᏒᎩ ᎿᏉᏃ ᏴᏫ ᎤᎾᏛᎦᏅ, ᎡᎳᏗ ᎨᏩᏍᏓᏩᏛᎡᎩ ᏕᎦᏚᎲ ᏙᏓᏳᏁᏅᏒᎩ.\nᏥᎷᏏᎵᎻᏃ ᏔᎵᏁ ᎤᏂᎷᏤᎢ; ᎤᏛᏅᏃ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎡᏙᎮᎢ, ᎬᏩᎷᏤᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ, ᎠᎴ ᏗᏃᏪᎵᏍᎩ, ᎠᎴ ᏗᏂᎳᏫᎩ,\nᏧᎾᏓᎴᏅᏛᏰᏃ ᏴᏫ ᏗᎧᎿᏩᏗᏍᏗ ᏄᏂᎲᎾ ᏥᎩ, ᎤᏅᏒ ᎤᎾᏓᏅᏖᏛ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᏱᎾᎾᏛᏁᎭ, ᎾᏍᎩ ᎯᎠ, ᏗᎧᎿᏩᏛᏍᏗ ᏄᏂᎲᎾ ᏥᎩ, ᎤᏅᏒᏉ ᎨᏒ ᏗᎧᎿᏩᏛᏍᏗ ᎾᎾᎵᏍᏗᎭ;\nᎤᏁᎵᏒᏃ ᎤᎩᎸᏉᏔᏅ ᏩᎩᎷᎯᏍᏗ ᏗᏇᏅᏒ.\nᏚᎧᎾᏁ ᏏᏆ.\nᏑᎾᎴ ᏱᏄᎵᏍᏔᎾ, ᏫᏕᎦᎾᏬᏍᎬ ᎣᏣᏂᎩᏍᎬ ᏗᏆᎭᎾᏬ, ᏗᎦᏓᏁ ᏃᎴ ᏧᏴᏣ, ᏥᏰᎸ ᏓᎦᎾᏬᏗᏍᎬ, ᎨᏍᏗ ᎢᎪᎯᏛ ᎤᏲ ᏯᏆᏓᏅᏖᎢ.\n”ᏂᎦᏓ ᎢᏣᎦᏎᏍᏓ!” ᎤᏪᎷᏁ.\n“ᏥᎪᏩᏔ! ᎤᏛᏁ ᎡᎳᏆᏗ, ᎡᎳᏗ ᏭᏕ ᎦᎶᏇ.\nᎡᏂᎾᏯᏃ ᎤᏪᏅᏎᎢ, ᎠᎴ ᎠᏓᏁᎸ ᎤᏴᎴᎢ, ᏚᏏᏔᏛᏃ ᎯᎠ ᏄᏪᏎᎢ; ᏐᎳ ᎥᎩᏅᏟ, ᎤᎬᏫᏳᎯ ᏥᏌ, ᎾᏍᎩ ᎬᏂᎨᏒ ᏥᏂᏣᏛᏁᎴ ᏔᎢᏒᎢ ᏗᎩᏅᏒ ᎥᏣᎪᏩᏛᏗᏱ ᎠᎴ ᏣᎧᎵᎢᏍᏗᏱ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ.\nᎾᏍᎩᏰᏃ ᎢᏣᎵᏍᏓᏁᏗᏱ ᎡᏥᏯᏅᏛ; ᎦᎶᏁᏛᏰᏃ ᎾᏍᏉ ᎢᎩᎩᎵᏲᏤᎴᎢ, ᎠᎴ ᎢᎩᎯᏰᎴ ᏗᎩᎧᎿᏩᏛᏍᏗ, ᎾᏍᎩ ᎤᏪᏙᎸ ᏗᏥᎧᎿᏩᏛᏍᏗᏱ.\nᎱᏙᎯᏳᎭᏰᏃ, ᎢᏳᏍᏗᏉ ᏂᏥᏪᏍᎬ ᏧᏳᎪᏗ ᎢᏯᎩᏪᏍᏗ.\nᏫᏚᏓᏴᎳᏛᎢ ᏭᎵᏛᏓᏁᎢ.\nᎥᏝᏍᎩᏂᏃᏅ ᏩᏍᏛ ᎦᎸᎳᏗᏳ ᎡᎯ ᏱᎦᏁᎸ ᏓᏓᏁᎸ ᎩᎶ ᏧᏃᏰᏂ ᏧᏅᏔᏅᎯ ᏧᎾᏁᏍᎨᎲᎩ, ᎾᏍᎩᏯ ᎠᏙᎴᎰᏍᎩ ᎯᎠ ᏥᏂᎦᏪᎠ;\nᎬᏩᎷᏤᎴᏃ ᎩᎶ ᎢᏳᏍᏗ ᎤᎸᏓᎸᎥᏍᎩ ᎠᏂᏁᎮᎢ, ᎾᏍᎩ ᏅᎩ ᎢᏯᏂᏛ ᎬᏩᏃᎴᎢ.\nᎠᎴ ᎢᏨᏍᏗᏰᏗᎭ ᎢᏓᎵᏅᏟ, ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎠᎴ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏓᎨᏳᏗ ᎨᏒ ᎠᏓᏅᏙ ᎤᏓᏁᏗ ᎨᏒᎢ, Ꮎ-ᏍᎩ ᏍᎩᏯᎵᎪᏁᏗᏱ ᎤᏁᎳᏅᎯ ᎡᏓᏓᏙᎵᏍᏓᏁᎲ ᎠᏴ ᎨᏒ ᎤᎬᏩᎵ,\n“ᎤᏰᎸᏗᏍᎪ,” ᎤᏛᏛᏁ ᏫᎵᎻ, ᎭᏂᏉ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏗᏍᏆᏂᎪᏙᏗ ᎯᏤᎮᏍᏗ, ᏃᎴ ᏦᎢ ᎢᏯᏂ ᏗᏆᎵ ᎨᏎᏍᏗ?”\nᎦᏚᏏ ᏭᎾᎵᏒᏍᏔᏁ.\n“ᏓᏣᏓᏅᏖᏔᏂᏗ ᎤᏴᏥ ᏑᎾᎴ ᎤᏃᎸᏔᏂ ᎦᎸ ᎤᎵᏬᏨ ᎯᎨᏎᏍᏗ ᏫᎵᎻ, ᎩᎶ ᏳᏲᎸᎾ ᎨᏎᏍᏗ ᎤᎦᏃᏩ ᎤᏂᏑᎸᏓ ᎤᏂᏥᏍᏗ ᎤᎵᏍᏔᏴᏗ ᎦᎶᏙᏗ.\nᎯᎠᏍᎩᏂ ᎤᏐᏅ ᎠᏂᏃᎮᎭ ᎾᏍᎩ ᎾᏂᎦᏔᎲᎾ; ᎾᏍᎩᏍᎩᏂ ᎤᏅᏒ ᎨᏒ ᏥᎾᎦᏔᎭ, ᎾᏍᎩᏯ ᎦᎪᎵᏍᏗᏉ ᏣᏁᎿᎠ ᎠᏂᎦᏔᎲᎢ, ᎾᏍᎩ ᎾᎿ ᎤᏲ ᎾᎾᏓᏛᏁᎭ.\nᎤᏂᏲᎯᏍᏔᏅ ᏓᎾᏦᎭᏱᎲ ᏗᏂᏲᏟ, ᏍᏔᏯ ᎠᎾᏛᎵᏍᎬ ᎤᏩᏌ ᎠᏛᎪᏗ ᎨᏒ.\nᏧᏁᎦ ᏧᎪᎳ ᎣᎦᎾ ᏧᏣᏲᏍᏘ ᏧᏂᎪᏍᏙᏓ.\nᎯᎠᏰᏃ ᎾᏍᎩ ᎹᏓᎩᏏᏕᎩ, ᎤᎬᏫᏳᎯ ᏎᏓᎽ, ᎠᏥᎸ-ᎨᎶᎯ ᎨᏎᎢ ᎤᏁᎳᏅᎯ ᏩᏍᏛ ᎦᎸᎳᏗ ᎡᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎡᏆᎭᎻ ᏥᏚᏠᏎ ᏧᏨᏏᏗᏒ ᏫᏚᎰᏅᎯ ᎤᏂᎬᏫᏳᎯ, ᎠᎴ ᎣᏍᏛ ᏧᏁᏤᎴᎢ;\nᏍᎩᏃ ᏄᏍᏗᏓᏅ ᎤᏩᎦᏗᏗᏒᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᏍᎩᏂᏍᏓᏩᏚᎦ, ᏴᏫᏃ ᎢᏍᏗᎦᏯᎷᎥᏍᎩ ᏅᏓᏍᏛᏴᏁᎵ.\nᎾᏍᎩ ᏥᏏ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎣᏆᏗ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏌᎵᎹ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎾᏐᏂ ᎤᏪᏥ ᎨᏎᎢ,\nᎾᏂᎥᏉ ᏤᎩᎤᎦᏎᏅ ᏗᎪᏪᎶᏗ ᎦᏁ ᏃᎴ ᎠᏰᎵ ᎢᏳᏪᏅᏍᏗ ᎪᎰᏍᏗ ᏱᎾᏛᏁᎲᎾ ᎤᏁᎸᏙᏗ ᎠᏋᏂᏍᏗ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎥᏝ ᎩᎶ ᎤᏚᎸᎲ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ, ᎥᏝ ᎠᎴ ᏚᏍᏆᎸᏔᏅ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ, ᎤᎾᎳᏅᎯᏍᎩᏂ ᎤᏓᏅᏖᎸᎢ ᎾᏍᎩ ᏗᎦᏙᎵᎩ ᏥᎩ.\nᏥᏌ ᎤᏁᏨᎩ; ᏝᏍᎪ ᏔᎳᏚ ᎢᏳ-ᏟᎶᏛ ᏱᎩ? ᎢᏳᏃ ᎩᎶ ᎢᎦ ᏤᏙᎰᎢ, ᎥᏝ ᏱᏚᏬᏕᎯᎰᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎠᎪᏩᏘᏍᎬ ᎢᎦ ᎠᏂ ᎡᎶᎯ ᏚᎸᏌᏛᎢ.\nᏔᎵᏁᏃ ᎢᎤᎩᎳᏫᏒ, ᎠᎴ ᎤᎬᎭᎷᏴ ᎦᏚ, ᎠᎴ ᎤᎬ, ᎠᎴ ᎪᎯᏛ ᎤᏬᏂᏒ, ᎤᎩᏨᏕᏱ ᎬᏗᏍᎩ, ᎿᏉ ᎤᏂᎩᏒᎩ.\nᎾᏍᎩ ᎾᎿ ᎠᏰᎸ ᎢᎸᎯᏢ ᏧᎦᎴᏅᏛ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ; ᎾᏍᎩ ᏚᏫᏞᏫᏒ ᏧᎾᏓᏍᏆᏂᎪᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ.\nᏝᏍᎪ ᎪᏪᎵ ᎯᎠ ᏱᏂᎦᏪᎭ? ᎦᎶᏁᏛ ᏕᏫ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᎤᎾᏄᎪᎢᏍᏗ, ᎠᎴ ᎦᏚᏱ ᎦᏚᎲᎢ ᏕᏫ ᎤᏕᏅᎢ?\nᏥᏌᏃ ᎤᎧᎵᏨᎯ ᎨᏎ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏦᏓᏂ ᏗᎤᏨᏎᎢ, ᎠᎴ ᎠᏓᏅᏙ ᎢᎾᎨ ᏭᏘᏅᏍᏔᏁᎢ,\nᏓᎾᏓᎵᏢᏍᎪᏰᏃ ᏗᎦᎨᏛ ᏗᎵᏒᏍᏗ ᎠᎴ ᎤᏕᏯᏙᏗ ᏗᎵᏒᏍᏗᏱ, ᎾᏍᎩᏃ ᏴᏫ ᏓᏂᏃᎭᏝᎲᏍᎪᎢ; ᎠᏎᏃ ᎤᏅᏒ ᎥᏝ ᏌᏉ ᎠᏂᏰᏌᏛ ᏴᎬᏅᏓ ᏱᏙᎬᏂᏖᎸᎲᎦ.\nᎾᏍᎩᏃ ᎤᎾᏛᎦᏅ ᎤᏂᏔᎳᏬᏍᎬᎢ ᎤᏂᎧᎵᏨᎩ, ᎠᎴ ᎤᏁᎳᏅᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎦᎸᏉᏗᏳ ᏓᏰᏂ ᎡᏈᏌ ᎠᏁᎯ ᎤᎾᏤᎵᎦ.\nᎠᎴ ᏌᏊ ᏯᎦᏴᎵ ᎾᏕᏘᏯ ᏂᏗᏈᎪᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏕᎾ ᏪᏗᎷᏥ ᎦᎵᏦᏛ ᏙᏱᏗᏢ, ᎢᎦᏠᏯᏍᏗᏍᎨᏍᏗ ᎦᏰᏥᏐᏢᏗᏍᎬᎢ;\nᎤᏒᎢᏴ ᎦᏬᏂᏍᎬ, ᎠᏆᏛᎦᏍᏙ, ᎠᎩᏃᎯᏎᎲ ᏄᏛᏁᎸ ᏍᎩᏴ ᎢᎦ ᏃᎴ ᎢᏳᏍᏗᏉ ᎠᏓᏅᏖᏍᎬ.\nᏃᏉ ᏨᏌ ᏔᏕᎶᎰᏏ ᏄᏳᏛ ᏏᏆ.” \nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎩᎶ ᎠᏂ ᏓᏂᏙᎦ ᎥᏝ ᏴᏛᎾᏙᎴᎰᏏ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎬᏂ ᎠᏂᎪᎲᎭ ᏴᏫ ᎤᏪᏥ ᎾᎿ ᎤᎬᏫᏳᎯ ᎨᏒ ᎦᎾᏄᎪᏥᎸᎭ.\nᎾᏍᎩ ᎥᏝ ᏑᏟᎶᏛ ᎤᏅ ᎢᎪᎯᏛ ᎤᎾᏁᎳᎩ ᏱᏙᏤᎵᏎᎴᎢ ᎡᎳᏗ ᏂᏙᏣᏛᏁᎲᎢ; ᎾᏍᎩ ᎣᏍᏛ ᎧᏁᎮᏛ ᎤᏙᎯᏳᎯ ᎨᏒ ᎢᎬᏩᏍᏗᎭ ᎢᏤᏩᏍᏗᎭ ᎢᏤᎳᏗᏓᏍᏗᏱ.\nᎬᏂᏳᏉ ᎢᏨᏅᎵ ᎠᏫ ᎤᏂᏃᏕᎾ ᏣᏁᎳᏗᏙᎰ ᏩᏲᎯ ᎾᏍᎩᏯᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᎾᏛ ᎢᎨᏥᏏᎾᏌᏂ ᎨᏌᏍᏗ, ᎠᎴ ᎫᎴ-ᏗᏂᏍᎪᏂᎯ ᎢᎨᏣᏓᏅᏘ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᏗᏅᏃᏛ ᎠᏂᎸᏉᏓ ᎠᎴ ᎠᎾᎵᎮᎵᏥ ᎾᏍᎩ ᎦᏍᎩᎸ ᎤᏬᎵ, ᎾᏍᎩ ᏂᎪᎯᎸ ᎾᎵᏍᏆᏗᏍᎬᎾ ᏤᎭ,\nᏥᏌᏃ ᎠᏓᏅᏙ ᎤᏘᏂᏙᎲ ᎨᎵᎵ ᎢᎤᎷᏤᎢ; ᏕᎦᏃᏣᎸᏃ ᎾᎿ ᎬᏩᏚᏫᏛ ᏚᏰᎵᏏᏙᎴᎢ.\n“ᏃᏉ---ᎢᎫᏩᏟᏍᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏯᏕᎰᏍᎨᏍᏗ ᎯᏃᎮᏍᎬ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ, ᎠᎴ ᏞᏍᏗ ᏱᏍᏆᏕᎰᏍᎨᏍᏗ ᎠᏴ ᏥᏴᎩ ᎾᏍᎩ ᎤᏤᎵᎦ, ᏤᎳᏗᏍᏗᏍᎨᏍᏗᏍᎩᏂ ᎠᎩᎵᏲᎬ ᎣᏍᏛ ᎧᏃᎮᏛ, ᏣᏍᏕᎵᏍᎨᏍᏗ ᎤᎵᏂᎩᏗ ᎨᏒ ᎤᏁᎳᏅᎯ,\nᎤᎾᏓᏓᏍᎬ ᎤᏂᏍᏓᏱᏙᎾ ᎪᏪᎵ, ᏐᏉ ᏄᏪᏎ, ᎨᎵᏍᎬᏃ ᎢᎬᏌ ᎢᎦᏓᎯᏍᏙᏗ ᎢᏗᏍᏓᏱᏛ.\nᎯᏣᎵᏍᎪᎸᏓᏏ ᎤᎶᎯᏍᏗ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ.\nᎣᎦᏕᎶᎰᏒ ᎠᏂᏍᎦᎦ ᎤᎾᏓᏅᏍᏗ ᎠᏂᏴᏫᏯ, ᏃᎴ ᎤᏲ ᎤᎾᏓᏅᏔ, ᎤᏂᏚᎬ ᎬᎭᏃᏓ ᏂᎦᎵ ᏍᏗ ᏱᎨᎦᎵᏍᎪᏁᎸ, ᏰᎵ ᎠᏍᏆᏂᎪᎯᏍᏗ.\nᎯᏗᏍᏓᏩᏚᎦ ᎠᎵᏰᎾ ᎠᏙᎯ ᎡᏙᎲᎢ.\n“ᎠᎾᏓᎪᎾᏗᏍᎬ ᎠᏂᏍᎦᏰᎬᏍᏓ ᎠᎾᎵᎮᎵᎦ ᎬᏂᎨᏒ ᎢᏳᏅᏁᏗ ᎰᎻ ᎠᎪᏕᏍᎩ ᏃᎴ ᏂᎦᏗ ᎠᏃᎵᎩ ᏏᏆ.\nᎩᎶ ᏓᎿᏩ ᏤᎪᎢ ᎥᏝ ᎬᏅ ᎤᎵᏍᏕᎸᏙᏗ ᏕᎤᎸᏫᏍᏓᏁᎲ ᏯᏚᏓᎸᏗᏍᎪᎢ, ᎤᏚᎵᏍᎪ ᎠᏍᎦᏰᎬᏍᏓ ᎣᏍᏛ ᎤᏰᎸᏗ ᏧᎸᏫᏍᏓᏁᏗᏱ.\nᎿᏉᏃ ᏓᏓᎿᏩᏍᏛ ᎬᏩᏛᏅ ᎤᏂᏯᏙᎴ ᏧᏁᏬᎢ, ᎤᎾᏎᎸᎮ ᎤᎾᏙᎴᎰᎯᏍᏗᏱ ᎾᏍᎩ ᎠᏂᏏᏴᏫᎭ ᏧᏂᏁᏒᏍᏗ ᎨᏒᎢ.\nᏝᏍᎪ ᎤᏟ ᎢᎦᎢ ᏱᏂᏙᎬᏩᏳᎪᏗ ᎠᏥᏍᏛᏗᏍᏙᏗᏱ ᎩᎶ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎤᎳᏍᏓᎡᎸᎯ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎩᎬᎧᏃᎮᏛ ᏗᏠᎯᏍᏙᏔᏅᎯ ᎾᏍᎩ ᎤᏓᏅᎦᎶᏔᏅᎯ ᎨᏒ ᎦᏓᎭ ᎤᏰᎸᏅᎯ, ᎠᎴ ᎦᎬᏩᏐᏢᏔᏅᎯ ᎬᏩᎦᏘᏯ ᎠᏓᏙᎵᎩ ᎠᏓᏅᏙ.\nᎢᏣᏠᎾᏍᏗ! ᏰᎵᏉ ᎢᏣᏙᎴᎰᏍᎪ ᏄᏍᏛ ᎦᎸᎳᏗ, ᎠᎴ ᎡᎶᎯ; ᎦᏙᏃ ᏗᎦᎵᏍᏙᏗᎭ ᏂᏣᏙᎴᎰᏍᎬᎾ ᏥᎩ ᎪᎯ ᎨᏒᎢ?\nᎠᏎᏃ ᎥᏝ ᎢᎳᏯ ᏯᏥᏅᏎ ᎩᎶ ᏭᎷᏤᏏᏱ, ᎠᎨᎥ ᎤᏬᏑᎶᏨᎯ ᎤᏩᏒ, ᏌᎴᏓ ᎾᏍᎩ ᏌᏙᏂ ᎦᏚᎲ ᎦᏁᎳ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎤᏓᏅᏒ ᎾᏍᎩ ᎧᏂᎵᏯ ᎤᏬᏁᏔᏅᎯ, ᎠᏂᏔᎵ ᏫᏚᏯᏅᎮ ᎠᏓᏁᎸ ᏧᏅᏏᏓᏍᏗ ᎠᎴ ᏌᏉ ᎠᏯᏫᏍᎩ ᎤᏁᎳᏅᎯ ᎠᏓᏙᎵᏍᏓᏁᎯ ᏂᎪᎯᎸ ᎬᏩᎦᏘᏗᏍᎩ ᎨᏒ ᎨᎳ.\nᎠᏆᏦᎩ ᎠᏆᏣᏪᏐᎸᏍᏗ ᏃᎴ ᎠᎩᎦᏘᏗᏍᏗ, ᎪᎳ ᎠᏂᎩᏍᎬ ᎢᎪᎯᏓ.\nᎢᏳᏍᎩᏂ ᎾᏍᏉ ᎠᏴ, ᎠᎴ ᏗᎧᎿᏩᏗᏙᎯ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ, ᏅᏩᏓᎴ ᎣᏍᏛ ᎧᏃᎮᏛ ᏱᏨᏯᎵᏥᏙᏁᎸ, ᎾᏍᎩ ᎦᏳᎳ ᎢᏨᏯᎵᏥᏙᏁᎸᎯ ᏂᎨᏒᎾ, ᎾᏍᎩ ᎠᏥᏍᎦᏨᎯ ᎨᏎᏍᏗ.\nᎠᏎᏃ ᎥᏝ ᎤᏟ ᎢᏴᏛ ᎬᏩᏁᏅᏍᏗ ᏱᎩ, ᎾᏂᎦᏔᎿᎥᎾᏰᏃ ᎨᏒ ᎬᏂᎨᏒ ᏅᏓᏳᎾᎵᏍᏓᏁᎵ ᎾᏂᎥᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏥᏄᏍᏕ ᎾᏍᎩ.\nᎣᏍᏓ ᎠᎵᏍᏓᏴᏗ! \nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᏅᏖᏍᏗ, ᎯᎠ ᎾᏍᎩ ᎠᎵᏍᏕᎸᏙᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎨᏥᏁᎸᎯ, ᎠᎴ ᎾᏍᎩ ᏛᎾᏛᏓᏍᏔᏂ.\nᏱᏥᏃᎦ ᎪᏪᎵ ᎠᎪᎵᏰᏗ ᎠᎦᎸᏓ ᎬᎩᏩᏛᏗ ᎨᏎᏍᏗ”.\nᎤᏅᏒᏃ ᎨᏒ ᎤᎾᎵᏃᎮᎴᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎢᏳᏃ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ ᏱᎦᏛᏅ, ᎯᎠ ᏱᏂᎦᏫ, ᎦᏙᏃ Ꮭ ᏱᎡᏦᎢᏳᏁᎢ?\nᏁᎳᎩᏉ ᎨᏎᏍᏗ ᎠᏟᎸ.\nᎨᏍᏗ ᏱᏓᎬᏯᏧᏔᏅ ᎤᏛᏅ.\nᏂᎦᏛᏃ ᏴᏫ ᎬᏩᎪᎮ ᎡᏙᎲᎢ ᎠᎴ ᎦᎸᏉᏗᏍᎬ ᎤᏁᎳᏅᎯ.\nᎤᏛᎦᏅᏃ ᎤᏂᏣᏘ ᎠᏂᎶᏍᎬ ᎤᏛᏛᏁ ᎾᏍᎩ ᎤᏰᎸᏛᎢ.\nᎠᎴ ᏔᎵᏁ ᏔᏯ ᎠᎴ ᏌᏙᏂ ᎠᏍᏛ ᎤᏂᎩᏒ ᎨᎵᎵ ᎥᏓᎸ ᏭᎷᏤᎢ, ᎠᏰᎵ ᎤᎶᏎ ᎠᏍᎪᎯ-ᏗᎦᏚᎩᏱ ᏍᎦᏚᎩ ᎨᏒᎢ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎥᏥᎪᎥᎩ ᏅᏙ ᎢᎦᎡᎯ ᎧᎸ ᎬᏙᎬᎩ; ᎠᎴ ᎤᏪᎷᏅᎩ ᎠᏍᏓᏯ ᎤᏁᏨᎩ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎾᎯᎥ ᏥᏍᏆ ᎦᎸᎶ ᎠᏰᎵ ᎠᏂᏃᎯᎵᏙᎯ, ᎡᏤᎾ ᎢᏣᏓᏟᏌ ᎠᏥᎸᏉᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᎵᏍᏓᏴᏗᏱ ᎨᏒᎢ;\nᏂᎯᏍᎩᏂ ᎥᏝ ᎤᏇᏓᎵ ᏗᏣᏘᏂᏙᎯ ᏱᎩ, ᎠᏓᏅᏙᏍᎩᏂ ᏗᏣᏘᏂᏙᎯ, ᎢᏳᏃ ᎰᏩ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᏱᏥᏯᎠ. ᎠᎴ ᎢᏳ ᎩᎶ ᎦᎶᏁᏛ ᎤᏓᏅᏙ ᏄᏪᎲᎾ ᎢᎨᏎᏍᏗ, ᎾᏍᎩ ᎾᎥᏝ [ᎦᎶᏁᏛ] ᎤᏤᎵ ᏱᎦᎩ.\nᎤᏪᏘ ᏧᎬ ᏃᏥ ᎦᎸᎳᏗᎨᏍᏗ ᎭᎾ ᎦᏙ.\nᎤᏪᎵᎯᏍᏗᏃ ᎡᎶᎯ ᎡᎯ, ᎠᎴ ᎨᏅᎢᏍᏗ ᎨᏒ ᎤᏓᎵᏓᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏧᏓᎴᏅᏛ ᎪᎱᏍᏗ ᎠᏚᎸᏗ ᎨᏒ, ᎠᏂᏴᎯᎲ ᎠᏂᏁᏄᎳᏍᏗᏍᎪ ᎧᏃᎮᏛ, ᎠᎴ ᎾᏍᎩ ᎾᎦᏔᏛᏍᎬᎾᏉ ᎨᏐᎢ.\nᎿᏉᏃ ᎡᎶᏛ ᎤᏲᎱᏒ, ᎬᏂᏳᏉ ᏗᎧᎿᏩᏗᏙᎯ ᏱᎰᏩ ᎤᏤᎵᎦ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᏦᏩ ᎠᏍᎩᏓᏍᎬ ᎢᏥᏈᏱ,\nᎬᏂᏳᏉᏃ ᎠᎨᏴ ᎾᎿ ᎦᏚᎲ ᎡᎯ, ᎠᏍᎦᎾᎢ, ᎤᏙᎴᎰᏒ ᏥᏌ ᎠᏆᎵᏏ ᎦᏁᎸ ᎦᏅᎬ ᎠᎵᏍᏓᏴᎲᏍᎬᎢ, ᎤᏲᎴ ᎫᎫ ᏅᏯ ᎤᏁᎬ ᎪᏢᏔᏅᎯ ᎠᏟᏍᏕ ᎠᏠᏁᏗ,\n”ᎠᏎᏃ ᎨᏍᏗ ᎤᏣᏘ ᎣᏍᏓ ᏱᎩ ᎠᏯ ᏌᎳᏓ.” \nᎠᏐᏩᏘᏍᎪ ᎦᏓ ᏃᎴ ᎤᎪᏏᏓ ᎢᏯᏅᏁ ᏂᎬᎾᏛᎢ.\nᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏥᎦᏔᎲ ᏂᎪᎯᎸᎾᏉ ᎢᏴᏛ ᎠᎩᏗᏱ ᎨᏒ ᎠᏆᏤᎵ ᎦᎵᏦᏛᎢ, ᎾᏍᎩᏯ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ ᎬᏂᎨᏒ ᎾᏋᏁᎸᎢ.\nᎾᏍᎩᏃ ᏧᏓᎴᎿᎢ ᎡᎩᏁᎸᏅᎯ ᏥᎩ ᎾᏍᎩᏯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᎩᏁᎸᎢ, ᎢᏳᏃ ᎠᏙᎴᎰᎯᏍᏗ ᏱᎩ, ᎾᏍᎩᏯ ᎪᎯᏳᏗ ᎨᏒ ᎡᎦᏟᎶᎡᎸ ᎢᏛᏗᏍᎨᏍᏗ [ᎢᏓᏙᎴᎰᏍᎨᏍᏗ;]\nᎠᏰᎵ ᎢᏳᏪᏅᏍᏗ ᎣᏁ ᎱᎷᏣ ᎡᎶᏗ, ᎧᏁᏌ ᎦᏁᎮ.\nᎠᏂᏴᏫ ᎨᎵ ᏱᎩ, ᎠᏴᏫᏯᎯ.\nᎠᎴ ᏔᎵᏁ ᏪᎯ ᎾᏍᎩ ᎤᏓᏴᏒᎩ, ᎠᎴ ᎤᏲᎱᏒ ᏧᏪᏥ ᎾᏁᎲᎾ.\nᏐᏉ ᎢᎦ ᏒᎮᏱᏣ ᎤᏍᏆᏂᎩᏗ ᎠᏂᏃᎮᏍᎬ ᎤᏛᎦᏍᏔᏁᎢ ᏃᎴ ᎾᎾᏛᏁᎲ.\nᎠᎦᎵᎭ ᎪᎯ ᎢᎦ.\nᎠᎴ ᎦᏙᎯ ᏓᎨᏣᏡᏂ, ᎠᎴ ᏗᏤᏥ ᎬᏂᏯᎢ ᎨᏎᏍᏗ; ᎠᎴ ᎥᏝ ᎨᏣᎯᏰᏗ ᏱᎨᏎᏍᏗ ᏌᏉ ᏅᏯ ᏱᏚᏓᏌᏝᎮᏍᏗ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᎦᏔᎲᎾ ᏥᎨᏒ ᎢᏳ ᎡᏣᏩᏛᎯᎯᏍᏗ ᎨᏒᎢ.\nᏧᏍᏆᏴᏍᏗ ᏳᏚᎵᏍᎬᎾ ᎤᏅᎪᎢᏍᏗ ᎢᎦ ᎨᏒᎢ ᎡᏝᏪᎯ ᎤᏗᏍᎦᏞᎢ ᎧᏁᏍᎬ ᎭᏫᏂᏣ ᎧᏁᏌᎢ ᎡᎳᏗ.\nᎢᏍᎪᏂᏗᏢᏃ ᏭᎷᏨ ᎦᎩᏏᏂ ᎤᎾᏤᎵᎪᎯ, ᎠᏂᏔᎵ ᎠᏂᏍᎩᎾ ᏗᎬᏩᏂᏯᎢ ᏕᎬᏩᏠᏎᎢ, ᏓᏓᏂᏌᎲ ᏧᏂᏄᎪᏤᎢ, ᎤᏣᏔᏅᎯ ᎤᏂᎿᎸᎯᏳ ᎨᏎᎢ, ᎾᏍᎩ ᎥᏝ ᎩᎶ ᎾᎿ ᎬᏩᎶᎯᏍᏗ ᏱᎨᏎᎢ.\nᎣᎦᏚᏓᎳ ᏂᎪᎯᎸ ᎣᏣᎵᎡᎵᏤᏗᏱ ᎤᏁᎳᏅᎯ ᏂᎯ ᎢᏓᎵᏅᏟ ᎤᎬᏩᎵ, ᏥᏚᏳᎪᏗ ᎾᏍᎩ ᎢᏲᎦᏛᏁᏗᏱ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎢᏦᎯᏳᏒ ᎤᏣᏘ ᏣᏛᏍᎦ, ᎠᎴ ᏕᏣᏓᎨᏳᏒ ᏂᏥᎥ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᎤᏣᏘ ᏥᎧᏁᏉᎦ;\nᎠᏏᏴᏫ ᏂᎦᎥᏉ ᎪᎱᏍᏗ ᎬᏩᎵᏍᏓᏴᏙᏗ ᎨᏒ ᎤᏬᎯᏳᏐᎢ; ᎩᎶᏃ ᎠᏩᎾᎦᎳ ᎠᏛᏒᎥᏍᎩᏉ ᎠᎵᏍᏓᏴᏗᏍᎪᎢ.\nᏈᏓᏍᎩᏂ ᎠᎴ ᎾᏍᎩ ᎾᎠᏁᎯ ᎤᏣᏘ ᏓᏂᎸᏍᎨᎢ; ᎤᏂᏰᏨᏃ ᎤᏂᎪᎮ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᎦᏙᎬ ᏗᏂᏙᎩ.\nᎤᏞᎩᏰᏃ ᎾᎯᏳ ᎨᏒ ᎤᎵᏱᎶᎯᏍᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᏂᎦᏗᏳ ᎪᏪᎳᏅᎯ ᎨᏒ ᎾᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ.\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎤᏁᏤ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎤᏂᏍᏆᏂᎪᏙᏗᏱ, ᎠᎴ ᎩᎬ ᎤᏂᏍᏚᏟᏍᏗᏱ [ᎦᎶᎯᏍᏗᏱ,] ᎾᏍᎩ ᎢᎬᏱ ᎤᎾᏕᏅᎯ ᏗᏛᏗᏍᎩ ᎪᎱᏍᏗ ᎤᏅᏁᏗᏱ ᏂᎨᏒᎾ.\nᏅᏩᏓᎴᏃ ᎾᏍᏉ ᎯᎠ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᏓᎬᏍᏓᏩᏗᏙᎵ; ᎠᏎᏃ ᎢᎬᏱ ᎨᎾ ᏫᎦᏥᏲᎵᎦ ᏅᏛᏂᏂ ᏗᏇᏅᏒᎢ.\nᎣᏏᏳᏰᏃ ᎤᏂᏰᎸᏅ ᎹᏏᏙᏂ ᎠᎴ ᎡᎦᏯ ᎠᏁᎯ ᎪᎱᏍᏗ ᎤᏂᏗᏱ ᏅᏲ ᎢᏳᎾᏛᎿᏕᎩ ᎤᎾᏓᏅᏘ ᏥᎷᏏᎵᎻ ᎠᏁᎯ ᎤᎾᎵᏍᏕᎸᏙᏗ.\nᎠᎴ ᎿᏉ ᎤᏲ ᏂᎨᏨᎿᏕᎨᏍᏗ ᎢᎸᎯᏢ ᎦᏚᎲᎢ, ᎢᎶᎵᏍᎨᏍᏗ ᏅᏩᎵᎴ ᏗᎦᏚᎲ ᏫᏥᎶᏍᎨᏍᏗ. ᎤᏙᎯᏳᎯᏯᏰᏃ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎥᏝ ᎢᏏᎵᏱ ᏕᎦᏚᎲᎢ ᏱᎨᏤᏙᏁᏍᏗ ᎿᏉ ᏴᏫ ᎤᏪᏥ ᏓᎦᎷᏥ.\nᎡᎳᏗ ᏄᏛᏁᎸ ᏐᏈᎵ ᎨᏓᎵ ᏭᏓᏒᏍᏔᏅ, ᎠᏌᎻᏓ ᎤᎩᎸᏗ, ᎾᎨ ᎢᏴ ᏂᏚᏩᏅ ᏗᎫᏍᎨᏂ, ᎤᏟᏫᏛᏍᏗ ᏧᏚᎵᏍᎪ ᎾᏍᎩᏯ.\nᎾᎥ ᎡᏥᎷᏥᏏ ᎤᏁᎳᏅᎯ ᎾᏍᎩᏃ ᏂᎯ ᎾᎥ ᏓᏥᎷᏤᎵ. ᏗᏦᏑᎵ ᏗᏦᏰᏂ ᎢᏥᏍᎦᎾᎢ, ᎠᎴ ᏗᏥᏅᎦᎸ ᏗᏥᎾᏫ ᏔᎵ ᎢᏧᏓᎢ ᏗᏣᏓᏅᏘ.\n“ᏤᏍᏗ ᎯᎸᎯ!” ᎤᏦᏱᎴ.\nᏗᏂᎧᎿᏩᏙᎯᏰᏃ ᎨᏒ ᎦᎪ ᎢᎸᎯᏳ ᎯᎠ ᏄᏪᏎᎶᎢ, ᎠᏇᏥ ᏂᎯ ᎪᎯ ᎢᎦ ᏍᏆᏕᎲᏏ? ᎠᎴ ᎾᏍᏉ ᎯᎠ; ᎠᏴ ᏥᎦᏴᎵᎨ ᎨᏎᏍᏗ, ᎾᏍᎩᏃ Ꮎ ᎠᏯᏥ ᎨᏎᏍᏗ?\nᎣᏍᏓ ᎠᎩᏍᏗ ᎨᏎ---ᎤᏅᏗ, ᎤᎧᏔ ᎠᏰᎵ, ᎦᏚᎢ ᏗᎬᏂᏍᏔᏅ ᎦᏚ, ᏩᎩᎦ ᎦᏁᎦ, ᏔᎵ ᎢᎦ ᎦᏚ ᏧᏍᏔᎦᏴᎯᏓ, ᎦᏚ ᎤᎦᎾᏍᏓ, ᎠᏣᏗ ᎦᏙᎦ, ᏐᏉ ᎠᏓᎶᏂᎨ ᎠᏯᎨᏨ, ᏰᎵ ᎢᎦ ᎤᎦᎢ) ᏗᎦᎸᏅ, ᎤᏬᏗᎨ ᎤᏅᏗ ᎤᏍᏔᏲᏒ, ᎦᏚ ᎤᎦᎾᏍᏓ ᎦᏌᏆᏞᎸ, ᎪᏪᎵ ᏔᎷᎩᏍᎩ ᎦᏯᎸᏅ ᏃᎴ ᎠᏗᏙᏗ ᎦᎵ ᏒᏗᏩᏟ ᎦᏁᎯ ᎤᏍᏓᏲᏒ.\nᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎡᎳᏗ ᏱᏦᏞ ᏍᎩᏴ ᎤᎵᏏᏂᏕᎾ, ᎯᎠ ᎢᏳᏍᏗ ᏱᏣᏛᎦᏁᎢ: “Ꭷ, ᏃᏗ ᏄᏓᎴ ᎢᎦᏪᏍᎩ!\nᎿᏉᏃ ᎢᎦ ᏄᎵᏍᏔᏅ ᎥᏝ ᏳᏃᎵᏤ ᎾᎿ ᎦᏙᎯ; ᎠᏎᏃ ᎤᏂᎪᎲ ᎠᎺᏉᎯ ᏭᏩᏂᎦᎸᎢ, ᏰᎵ ᎬᏚᎩᏍᏗ ᎨᏒᎢ, ᎾᎿ ᏭᏂᏅᏍᏙᏗᏱ ᏥᏳ ᎤᏂᏰᎸᏅᎩ, ᎢᏳᏃ ᏰᎵ ᏱᎩ.\nᎠᎴᏬ ᏅᎩ ᏗᏂᏅᏌᏗ ᎤᏂᎩᎬ ᎦᎸᏉᏗᏳ ᏗᎨᏒ ᏥᏫᎦᏁᏨᏍᏗᏍᎨ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎠᏍᎦᏂ ᎠᎫᏴᏙᏗ, ᎾᏍᎩ ᏗᏂᏰᎸ ᎦᎵᏦᏛ ᏙᏱᏗᏢ ᏓᎾᎪᎲᏍᏗᏍᎨᎢ.\nᎾᏍᎩ ᎠᏆᏚᎵᏍᎬᎩ ᏥᏯᎧᎯᏯᏍᏗᏱ ᎠᏂ ᎨᏙᎲᎢ, ᎾᏍᎩ ᏂᎯ ᏍᎩᏍᏕᎸᎯᏓᏍᏗ ᎨᏒ ᎠᎩᏍᏕᎸᎯᏓᏍᏗᏱ ᎥᏆᎸᎢᏛ ᎨᏒ ᎣᏍᏛ ᎧᏃᎮᏛ ᎠᎩᏍᏛᏗᏍᎬᎢ;\nᎢᎦ ᏏᏆ ᎠᏍᏚᎲ ᎱᏂᎷᏤ ᎠᏂᎪᏕᏍᎩ ᏃᎴ ᎠᏂᎴᏴᏍᎩ.\nᎤᏲ ᏦᎦᏓᏅᏔᏩᏕᎪ ᎾᏍᎩᏯ, ᎠᏎᏃ ᏯᏃ ᎣᏣᎵᎮᎵᎪᎢ; ᎤᏲ ᏥᏃᎦᏛᎿᏕᎪ ᎾᏍᎩᏯ, ᎠᏎᏃ ᎤᏂᏣᏘ ᏙᏤᏅᎢᏍᏗᏍᎪᎢ; ᎪᎱᏍᏗ ᏃᎩᎲᎾ ᏥᎨᏐ ᎾᏍᎩᏯ, ᎠᏎᏃ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎣᎦᏤᎵᎦ.\nᎠᎹ ᏃᎴ ᎤᏃᎴ ᏩᏓᏑᏴᎥᏍᎬ ᏍᏉ.\nᎭᏩ ᎯᎠ ᏃᏉ ᏱᎩ, ᎠᏆᏚᎵ ᏣᏛᎦᏍᏙᏗ ᎪᎰᏍᏗ, ᎣᎭᏁ ᎠᏆᏚᎵ ᎠᏆᏛᎦᏍᏙᏗ ᎢᏳᏍᏗ ᏁᎵᏍᎬ.\nᎠᏥᎳ ᏓᏆᎴᎳ ᏧᏟᎷᏆᏗᏅᏓ ᎤᎵᎨᏯᏛᏅ ᎾᎥᏂᎨᎢ ᏄᏍᏛ.\nᏥᏌᏃ ᏚᎧᎿᏅ, ᎤᎨᏳᎯᏳ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏑᏓᎵᎩ ᏣᎷᎳ; ᏫᎾᏚᎦ ᏂᎦᎥ ᎪᎱᏍᏗ ᏣᎾᎥᎢ, ᎠᎴ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᎩᏁᎸᎭ, ᏦᏒᏃ ᏫᏣᎮᏍᏗ ᏧᎬᏩᎶᏗ; ᎠᎴ ᏖᏒᎭ, ᏧᏓᎿᏩᏛ ᎪᏣᎮᏍᏗ ᏧᎬᏩᎶᏗ; ᎠᎴ ᏖᏒᎭ, ᏧᏓᎿᏩᏛ ᎯᏴᎲᎭ, ᎠᎴ ᏍᎩᏍᏓᏩᏕᏒᎭ.\nᏥᏌᏃ ᎤᏍᎦᏤᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎡᎳᏪ ᎲᎾ, ᎠᎴ ᎯᏄᎪᎢ.\n“ᎡᎭ, Ꮟ ᎩᎳᎯ ᎭᏓᏅᏖ ᎦᏆᏘ ᎠᏗᏆᎸᏕᏲ ᎠᎩᎸᏙᏗ?” ᎤᏛᏁ ᎡᎳᏆᏗ ᎤᏲ ᎤᏰᎸᎯ.\nᎯᎠ ᏄᏪᏎᎢ, ᎢᏍᏕᎾ ᎢᏢ ᎾᏨᏗᎦᏚᎭ, ᎾᎿᏃ ᏫᏍᏗᎷᏨᎭ ᏓᏰᏍᏗᏩᏛᎯ ᎠᎩᎾ ᎨᎵᏌᏕᏍᏗ, ᎾᏍᎩ ᎥᏝ ᎠᏏ ᎩᎶ ᎤᎩᎸᏔᏅᎯ ᏱᎩ; ᎡᏍᏕᎵᏌᏕᏒᎭ ᎠᎴ ᏣᏍᏓᏘᏁᏒᎭ.\nᎠᎴ ᎠᏏ ᎤᏟ ᎬᏂᎨᏒ ᏂᎦᎵᏍᏗᎭ, ᎢᏳᏃ ᎺᎵᎩᏏᏕᎩ ᏄᏍᏛ ᎾᏍᎩᏯ ᏅᏩᏓᎴ ᎠᏥᎸ-ᎨᎶᎯ ᏱᎦᎾᏄᎪᎦ,\nᎢᏳᏃ ᏰᎵ ᎤᏚᎩ ᏂᎨᏒᎾ.\nᎠᎵᏥᏙᏂᏙᎮᏃ ᏧᏂᎳᏫᎢᏍᏗᏱ ᏂᎬᎾᏛ ᎨᎵᎵ, ᎠᎴ ᎠᏂᏍᎩᎾ ᏕᎦᏄᎪᏫᏍᎨᎢ.\nᎠᏎᏃ, ᎨᎵᎠ ᎨᏍᏗ ᏱᏓᎦᏕᎶᎣᏏ ᎤᏒᎯ ᏓᎩᎷᏫᏍᏔᏁᎸ.\nᏦᎢᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏤᎷᎯᏒᎩ, ᎤᏣᏘᏃ ᎡᏆ ᏃᏈᏏ ᎤᏬᎭᏒᎩ ᎦᎸᎳᏗ ᏗᏳᏓᏅᎩ, ᎠᏨᏍᏙᏗ ᏣᏓᏪᎵᎩᏍᎪ ᎾᏍᎩᏯᎢ, ᎡᏉᏂᏃ ᏚᏪᏴ ᏦᎢ ᎢᏗᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᏚᏥᏍᏠᏨᎩ, ᎠᎴ ᎠᎺ ᏕᎦᏄᎪᎬ ᏚᏥᏍᏠᏨᎩ.\nᎨᏍᏗ ᏴᎦᏔᎭ ᎢᏳᎵᏍᏙᏗ ᏗᎾᏓᎪᎾᏗᏍᎬᎢ.\nᎢᎦᏛᏃ ᏓᎾᏕᎰᏗᏍᎬ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎢᏤ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᏚᏂᎧᎵᏨ.\nᏐᏉ ᎤᏬᏰᏂ ᎤᏌᎵᏓᏅ ᏥᏣᎩᎨᎯᏙᎰ ᎢᎦᎦᏓ, ᏃᏉ ᎱᎴᏅᎲ ᏕᎧᏃᎮᏍᎬ ᏗᏤ ᏧᎳᏑᎶ, ᎨᏂᏗ ᎨᏂᏗ ᏅᏬᏘ ᎤᏓᏑᏱ ᎤᏅᏍᎦᎸ.\nᎬᏂ ᎾᎯᏳ ᎢᎦ ᎠᏥᏌᎳᏓᏅ, ᎦᏳᎳ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏩᏔᏅᎯ ᏧᏁᏤᎸᎯ ᏂᎨᏎ ᎨᏥᏅᏏᏛ ᎾᏍᎩ ᏧᏑᏰᏛ.\nᏃᏗ ᎠᎵᏍᏛᏧᏍᏗ ᎠᎧᏁᎲ.\nᎢᏣᏉᎨᏒ, ᏚᏅᏓᏒ ᏓᏯᏙᎳᏛᎥᏍᎬ ᎦᎸᎶᎢ.\nᏗᎦᏙᎵ ᎠᏥᎸ ᎠᏓᏪᎵᎩᏍᎩ ᎾᏍᎩᏯ ᎨᏒᎩ, ᎠᏍᎪᎵᏃ ᎤᏣᏘ ᏚᎵᏍᏚᎸᎩ; ᎠᎴ ᏚᏙᎥ ᎪᏪᎸᎩ ᎾᏍᎩ ᎩᎶ ᎬᏬᎵᏍᏗ ᏂᎨᏒᎾ ᎤᏩᏒᏍᎩᏂᏃᏅ ᎪᎵᎬᎩ.\nᏧᏓᎴᏅᏛᏍᎩᏂᏃᏅ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎠᎵᏍᎪᎸᏔᏅᎯ, ᎠᏎᏃ ᎾᏍᎩᏉ ᏌᏉ ᎠᏓᏅᏙ.\nᎨᏍᏗ ᎡᏝᏪᎯ ᏱᎨᏐ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᏭᏕᎵᏤ ᎤᏔᎴᎦᏒ, ᎦᏌᏙᏱᏎ ᏌᏌ ᎤᏪᏥ ᎠᎬᏱᏣ.\nᎢᏳᏃ ᎦᏰᏥᏐᏢᏕᏍᏗ ᎦᎶᏁᏛ ᏚᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ, ᎠᏓᏅᏙᏰᏃ ᎦᎸᏉᏗᏳ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎢᏤᎳᏗᏙᎭ; ᎾᏍᎩ Ꮎ ᎨᏒ ᎦᎬᏩᏐᏢᏗ, ᏂᎯᏍᎩᏂ ᎨᏒ ᎠᏥᎸᏉᏗᎭ.\n”ᏥᏂᏕᎯᏫ ᏚᏙᏍᏛᎢ, ᎨᏍᏗ ᎣᏍᏓ ᏱᏓᎩᏂᏴ ᎠᎬᏱᎯᎩ \nᎾᏄᏍᏗ ᏓᎩᏏᎳᏛᎢ-“ᎣᏍᏓᎦ ᎠᎪᏩᏛᏗ ᎤᏰᏌᏛᎢ ᏄᏍᏛᎢ?” \n“ᎭᏓᏏᏓ!” ᎤᏓᏅᏫᏍᏔᏁ ᏌᎳᏓ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎢᏨᏃᎮᎮᎸ ᎤᏦᏍᏗ ᎪᎵᏍᏗᏱ ᎠᏋᏔᏅ; ᎠᏎᏃ ᏛᏍᏆᎸᎯ ᎿᏉ ᎥᏝ ᏱᏨᏯᎵᏃᎮᏗᏍᎨᏍᏗ ᎤᏦᏍᏗ ᎪᎵᏍᏗᏱ ᎬᏗ, ᎬᏂᎨᏒᎢᏳᏍᎩᏂ ᏓᏨᎾᏄᎪᏫᏎᎵ ᎠᎦᏴᎵᎨᎢ.\nᎢᏳᏃ ᏅᏩᏙᎯᏯᏛ ᎤᏪᏥ ᎾᎿ ᎡᎮᏍᏗ, ᏅᏩᏙᎯᏯᏛ ᎢᏣᏤᎵᎦ ᎤᎷᏤᏗ ᎨᏎᏍᏗ; ᎢᏳᏃ ᎾᎿ ᏁᎲᎾ ᎢᎨᏎᏍᏗ ᎢᏨᏒᏉ ᎢᏥᎷᏥᏌᏁᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎾᏍᎩ ᎥᎩᎸᏉᏙᏗ ᎨᏒ ᏂᎯ ᏍᎩᏁᎸᎯ ᏥᎩ, ᎾᏍᎩ ᎦᏥᏁᎸ, ᏌᏉ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎾᏍᎩᏯ ᏂᎯ ᎠᏴᏃ ᏌᏉᏉ ᏥᎩ;\nᏤᏍᏗ Ꮟ ᎪᎱᏍᏗ ᏱᏍᎩᏃᎯᏎᎴᏍᏗ.\nᎨᏍᏗ ᏱᎦᏚᎵ ᎰᎻ ᎤᏓᏅᏖᏗ ᎤᏍᏓᎦᏴᎯᏓ ᎨᏒ ᏫᎵᎻ.\nᎾᏍᎩᏃ ᎢᏥᎪᏩᏘᎭ ᏴᏫ ᏕᎤᎸᏫᏍᏓᏁᎲ ᎠᏚᏓᎴᏍᏗᏍᎬᎢ, ᎥᏝᏃ ᎪᎯᏳᏗᏉ ᎨᏒ ᎤᏩᏒ.\nᎤᎩᏓᏟᏅᏯ ᎢᎾ?\nᎠᏂᏴᏫᏃ ᎾᏍᎩ Ꮎ ᏧᎾᏛᏐᏅᎯ ᎨᏒ ᎤᏁᏨᎩ, ᎯᎠ ᎾᎩᏪᏎᎸᎩ, ᎦᎪ ᎯᎠ ᎾᏧᏁᎬ ᏧᎾᏄᏩᎢ ᏥᎩ? ᎠᎴ ᎭᏢ ᏧᎾᏓᎴᏁᎢ?\nᎿᏉᏃ ᎠᏂᏧᏏ ᎤᏅᏒᏉ ᏚᎾᏘᏲᎸᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎯᎠ ᎠᏍᎦᏯ ᏱᎩᎲᏏ ᎤᏩᏒ ᎤᏫᏯ ᎢᎦᎵᏍᏓᏴᏙᏗ?\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏅᏗᎦᎵᏍᏙᏗᏍᎩᏂ ᏂᎯ ᎡᏥᏁᎸᎯ ᎨᏒ ᎢᏦᎵᏍᏗᏱ ᎤᏕᎵᏛ ᎨᏒ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬ ᏫᏳᎯ ᎨᏒᎢ, Ꮎ-ᏍᎩᏂ ᎥᏝ ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎯ ᏱᎩ.\nᎿᏉᏃ ᎠᏂᏔᎵ ᏠᎨᏏ ᎠᏁᏙᎮᏍᏗ, ᎠᏏᏴᏫ ᎠᏥᏯᏅᏗ ᎨᏎᏍᏗ ᏐᎢᏃ ᎠᏥᎧᎯᏯᏍᏗ ᎨᏎᏍᏗ;\nᎤᏐᏅᎢᏴ.\n”ᏔᎷᎩᏍᎩ ᎬᏗ ᏣᎶᏅᎮᎭ.\nᎩᎶ ᏕᎦᎵᎷᎨᏍᏗ ᎤᏛᎪᏗᏱ ᎾᏍᎩ ᎠᏛᎩᏍᎨᏍᏗ.\n“ᎣᏍᏓ ᏱᏂᏣᎵᏍᏓ ᏍᏉᏟᎢ ᏱᏤᎯᏍᏔᏁᎳ.”\nᎾᏍᎩᏃ ᏧᎾᏟᎶᏍᏙᏗ ᏂᏣᎵᏍᏔᏅᎩ ᎾᏂᎥ ᎠᏃᎯᏳᎲᏍᎩ ᎹᏏᏙᏂ ᎠᏁᎯ ᎠᎴ ᎡᎦᏯ ᎠᏁᎯ.\nᏌᎳᏓ ᎤᏕᎶᎰᏎ ᎤᏙᎰᏒ. ᎬᏣᏙᏗ ᏄᏪᏎᎴ ᎤᏃᏕᎾ ᎠᏓᎯ.\nᎠᏎᏃ ᏄᏪᎯᏨᎾᏉ ᎣᏂ, ᎤᏱᎶᎸᎩ ᎤᏃᎴ ᏳᎶᏟᏛ ᏧᏙᎢᏛ.\nᎦᎸᎳᏗ ᎨᏒ ᎨᏴ ᏃᎴ ᎤᎭᎨᏛ ᎡᎳᏬᏗ ᎠᎭᏱᏒ.\nᎿᏉᏃ ᎠᏂᏄᎪᎬᎢ ᎬᏂᏳᏉ ᎩᎶ ᎬᏩᏘᏃᎮᎸᎩ ᎠᏍᎦᏯ ᎤᏩᎨᏫ, ᎠᏍᎩᎾ ᎤᏯᎢ.\nᎾᎿᏃ ᎠᏁᏙᎮ ᎠᎾᎵᏥᏙᎲᏍᎨ ᎣᏍᏛ ᎧᏃᎮᏛ.\nᏥᏌᏃ ᎤᏴᎴ ᎠᎴ ᎤᎶᏎ ᏤᎵᎪ.\nᎤᏓᏬᎡ, ᎤᏩᏛ ᏧᎶᏒ ᎢᎪᎯᏓ.\nᎡᏂᎾᏯᏃ ᎾᏍᎩ ᎤᏛᎦᏅ ᎤᏅᏤ ᎠᎴ ᎤᎵᏍᏆᏕᎴᎢ. ᎾᏂᎥᏃ ᎾᏍᎩ ᏄᎵᏍᏔᏅᎢ ᎤᎾᏛᎦᏅᎯ ᎤᏣᏔᏅᎯ ᎤᏂᎾᏰᏎᎢ.\nᎦᎵᏉᎩᏃ ᎦᏚ ᏚᎩᏒᎩ ᎠᎴ ᏚᏁᏒ ᎠᏣᏗ, ᎤᎵᎮᎵᏨᏃ, ᏚᎬᎭᎷᏴᎩ, ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏫᏚᏁᎸᎩ, ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᏂᏣᏘ ᏫᏚᏂᏁᎸᎩ.\nᎠᏎᏃ ᎤᏟ ᎤᎵᏂᎩᏛ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᏃ ᎾᏍᏉ ᎢᏧᎳᎭ ᏗᎩᏂᏲᏞᎯᏍᏗ ᏱᎩ, ᎠᏎ ᎥᏝ ᏴᎦᎬᏯᏓᏱᎦ. ᎾᏍᎩᏯ ᎾᏍᏉ ᏄᏂᏪᏎ ᏂᎦᏛ.\nᏂᎯᏍᎩᏂ ᎢᏣᏓᏙᎵᏍᏗᏍᎬ ᎯᎠ ᏄᏍᏕᏍᏗ; ᎣᎩᏙᏓ ᎦᎸᎳᏗ ᎨᎯ, ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏕᏣᏙᎥᎢ.\nᎢᎦᏛᏃ ᎨᏥᏅᏏᏛ ᏚᏪᎧᏁᎢ; ᎢᎦᏛᏃ, ᎠᎾᏙᎴᎰᏍᎩ; ᎢᎦᏛᏃ, ᎠᎾᎵᏥᏙᏂᏙᎯ; ᎢᎦᏛᏃ, ᏗᏂᎦᏘᏯ ᎠᎴ ᏗᎾᏕᏲᎲᏍᎩ;\nᎠᎴ ᎾᎿ ᏪᎮ ᎬᏂ ᎡᎶᏛ ᎤᏲᎱᏒ; ᎤᏙᎯᏳᏁ ᎤᏁᎳᏅᎯ ᎤᏁᏨᎢ, ᎠᏙᎴᎰᏍᎩ ᏧᏮᏔᏁᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ; ᎢᏥᏈᏱ ᏫᏥᏯᏅᎲ ᎠᏇᏥ.\nᎤᎩᏨᏛᏃ ᏌᏙᏂ ᎣᎩᏃᏠᏨᎩ. ᏧᎵᏯᏏᏃ ᎣᏍᏛ ᏄᏛᏁᎸᎩ ᏉᎳ, ᎤᎵᏍᎪᎸᏓᏁᎸᎩᏰᏃ ᏧᎵᎢ ᏧᏩᏛᎲᏍᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎬᏩᏍᏆᏂᎪᏙᏗᏱ.\nᎣᏏᏳ ᏱᏥᏰᎸᎾ ᎢᏳᏃ ᏂᏥᎥ ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᏱᏗᏥᏬᏂᎭ; ᎠᏎᏃ ᎰᎤᎬᏫᏳᎭ ᏱᏣᏙᎴᎰᏍᎦ; ᎤᏟᏰᏃ ᎠᏥᎸᏉᏗᏳ ᎾᏍᎩ Ꮎ ᎠᏙᎴᎰᏍᎩ, ᎡᏍᎦᏉ ᎾᏍᎩ Ꮎ ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᏗᎦᏬᏂᏍᎩ, ᎢᏳᏍᎩᏂᏃᏅ ᏯᏁᏢᏗᎭ, ᎾᏍᎩ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏧᎾᎵᏂ ᎪᎯᏍᏗᏱ.\nᏕᏤᏯᏙᏤᎮᏍᏗ ᎤᎾᏠᎾᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ, ᎠᏫ ᎤᏂᏃᏕᎾ ᎦᏁᎦ ᏧᎾᏄᏩᎢ ᏥᎨᏥᎷᏤᎰᎢ; ᎠᏎᏃ ᎭᏫᏂ ᎨᏒ ᏩᏯ ᎤᏂᎬᎥᏍᎩ ᎨᏐᎢ.\nᎾᏍᎩ ᎠᏂᎦᏔᎲ ᏗᎧᎿᏩᏛᏍᏗᏱ ᏄᎾᏓᏄᏴᏛᎾ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎾᏆᏓᏄᏴᏛᎾ ᏥᎨᏐ ᎾᏍᎩᏯᎢ, ᎾᏍᎩ ᎬᎩᏁᏉᏤᏗᏱ ᎾᏍᎩ Ꮎ ᏗᎧᎿᏩᏛᏍᏗᏱ ᏄᎾᏓᏄᏴᏛᎾ, ᎠᏎᏃ ᎥᏝ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎾᏆᏓᏄᏴᏛᎾ ᏱᎩ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ, ᎠᏆᏓᏄᏴᏗᏍᎩᏂ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎦᎶᏁᏛ ᎠᎦᏔᎲᎢ.\nᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎪᏪᎳ, ᎾᏍᎩ ᎡᏆᎭᎻ ᎠᏂᏔᎵ ᏧᏪᏥ ᎠᏁᎮᎢ, ᎠᏏᏴᏫ ᎠᏥᏅᏝᎢ ᎠᎨᏴ ᎤᎾᏄᎪᏫᏒᎯ, ᏐᎢᏃ ᎾᏥᎾᏝᎥᎾ ᎠᎨᏴ ᎤᎾᏄᎪᏫᏒᎯ.\n”ᏄᏦᏍᏛᎾ ᎨᏎᎢ,” ᎤᏓᏙᏎᎴ ᎤᏩᏌ.\nᎠᎴ ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎩ ᎢᎾᏛ ᎾᏍᎩ ᏅᎩ-ᏓᎦᏅᏌᏗ ᎤᎵᏂᎬᎬ ᎤᏁᎸᎯ ᎨᏒᎢ; ᎠᎴ ᎾᏍᎩ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎩ, ᎯᎠ ᎾᏁᏪᏍᎬᎩ, ᎦᎪ ᏅᎩ-ᏗᎦᏅᏌᏗ ᏄᏍᏛ ᎾᏍᎩᏯ ᏄᏍᏗ? ᎦᎪ ᏰᎵ ᎾᏍᎩ ᏓᎿᏩ ᏱᎾᏅᎦ?\nᎯᎠᏃ ᏂᏓᎬᏪᏎᎵ, ᏧᏍᏆᏴᏍᏗ, ᎯᎬᏩᏛᏔᏅᎯ ᎱᏍᏔᏂᏙᎲ-ᎯᏙᎲ-ᎯᏙᎲ ᎤᏁᎸᏗ ᎯᏴᏐᎵ ᎾᎥᏂ ᏌᏌ ᎠᏂᏓ, ᎤᏁᏘᏍᏗ ᏓᎬᎵᎥᏂᎵ.” \nᎾᏍᎩᏃ ᎯᎠ ᎠᏥᏃᎮᏍᎬ ᏧᏗᏱ ᏂᎬᎾᏛ ᏚᏰᎵᏏᏙᎴᎢ, ᎠᎴ ᎾᎿ ᎬᏩᏚᏫᏛ ᎨᏒᎢ.\nᎬᏩᏍᏓᏩᏗᎯ ᎯᎠ ᏅᎩᏩᏪᏎᎸᎩ; ᎬᏂᏳᏉ ᎿᏉ ᎬᏂᎨᏒᎢᏳ ᎯᏁᎦ, ᎥᏝᏃ ᎤᏦᏍᏗ ᎪᎵᏍᏗᏱ ᏱᏁᎦ.\nᎯᎠᏰᏃ ᎾᏍᎩ ᏄᏍᏗ ᎤᏁᎳᏅᎯ ᎠᏓᏅᏖᏍᎬᎢ, ᏗᏣᏓᏅᎦᎸᏛ ᎢᏣᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᏗᏥᏲᎯᏍᏗᏱ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ;\nᏌᏌ ᎠᏨᏯᎢ ᎤᏩᏛᎮᎢ ᎤᏂᏲᏍᏔᏅ, ᏏᏓᏁᎸ ᏫᏚᏘᏅᏍᏔᏁᎢ ᏒᎧᏔ ᏗᏗᏧᎬᎢ ᎢᏣ. ᏒᎧᏔ ᎡᎳᏗ ᎦᎳᎨᏴ ᏚᏂᎨ.\nᎤᏍᏗ ᏍᎪᏯ ᎤᏍᏆᏂᎪᏛ ᎤᏩᏯᎨᎢ.\nᎦᎵᏉᎩᏁᏃ ᎠᏍᏚᎲ ᎤᏍᏚᎢᏒ ᎡᎳᏪ ᎤᏅᏅᎩ ᎦᎸᎳᏗ ᎠᏰᎵ ᎢᏳᏟᎶᏛ ᎢᎪᎯᏛ.\nᎠᏆᏚᎵ ᎠᏤ ᎧᏁᏍᎦ ᎯᏁᏗ ᎤᏂᏏᏗ ᏧᏙᏓᏋᏓ.\nᏂᎦᏗᏳᏃ ᎤᏣᏔᏅᎯ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎠᎴ ᎤᏂᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ, ᎠᎴ ᎤᎧᎵᏨᎯ ᎤᎾᏰᎯᏍᏗ ᎤᎾᏓᏅᏓᏕᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᎤᏍᏆᏂᎪᏗᏳ ᎢᏗᎪᏩᏛ ᎪᎯ ᎢᎦ.\nᎤᏙᎯᏳᎭᏍᎪᏃ ᎠᏚᎸᏗ ᎠᎵᏍᏔᏴᏗ ᏥᏃᎮᎭ? \nᎠᎴ ᎯᎠ ᏅᏧᏪᏎ ᎦᎸᎳᏗ, ᏂᎯ ᎬᎨᏳᎢ ᎠᏇᏥ, ᎾᏍᎩ ᎣᏏᏳ ᎬᏰᎸᎢ ᏥᎩ.\nᎾᎯᏳᏃ ᎤᏅᏂᏍᏗᏱ ᎨᏒ ᎤᏅᏏᏓᏍᏗ ᎤᏅᏎ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏗᎡᎲᎢ, ᎾᏍᎩ ᏂᏙᏓᎬᏩᏅᏁᏗᏱ ᎤᎾᏓᏛᏅᎯ ᏖᎸᎳᏗ ᏓᏫᏒᎢ; ᎠᏎᏃ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎤᏂᎵᎥᏂᎸ ᎠᏒᎭ ᎤᏂᎨᎯᏙᎴᎢ.\n”ᏣᏁᎳ ᎢᎦ ᎨᏎ ᏧᏪᏥ, ᎠᏎᏃ ᏐᏉ ᎤᏪᏥ ᎨᏍᏗ ᏳᏣᎩᏌ. ᎨᏍᏗ ᏳᏚᎵᏍᎨ ᏌᏌ, ᏧᏍᏆᏴᏍᏗ ᎤᏁᎴ. ᏫᏥ ᏭᏴᏍᏔᏁᎢ.\nᏧᎵᏠᏯᏍᏗ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᎬᏂᏛ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎠᏩᏛᏗᏱ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏞᏩᏥᎪᏗ ᏂᎨᏒᎾ ᏧᏚᎢᏍᏔᏁ ᎠᏏ ᎾᏓᎴᏂᏍᎬᎾ ᏥᎨᏎ ᎡᎶᎯ;\nᏍᎦᏚᎩ ᎤᎬᏫᏳ Ross ᎠᎴ ᏍᎦᏚᎩ ᎤᎬᏫᏳ ᎦᏄᏓᎴᎩ, ᎠᏤ ᎤᏔᏂᏓ ᎦᎵᏦᏕ ᎠᏂᏂᎩᎸ.\nᏍᎩᏃᏳᏍᏗ Ꮎ ᏥᏓᏇᏍᏓᏁᎮ ᏗᎳᏑᎶ, ᏧᎾᏍᏗᎩᏃ ᎨᏎ.”\n“ᎨᏍᏗᏗ ᏱᏓᏓᎴᎦ,” ᎤᏛᏁ ᏌᎳᏓ.\nᏣᏁᎳ ᏕᎦᏅᏌᏕ, ᏃᎴ ᏐᏉ ᎬᏗ ᎤᏲᎵᎮ ᎤᏓᏅᏘ.\n”ᎭᏩ,” ᎤᏛᏁ ᎤᏙᏓ, ”ᎤᏍᏗᎩᎨ ᏍᎩᎾᎾ.” \n ᎠᎢᏒ ᎠᏁᎸᏗᏍᎨᎢ ᎤᏍᎦᏍᏗ ᏱᎨᏒᎾ.\nᎠᏂᎨᏯ ᎤᏂᏗᏍᎩᏌᏁ ᎦᏲᏟ ᎤᏅᏔᏂᏓᏍᏗ ᎠᎾᎵᏗᎩᏍᎬ.\nᏎᎦᏨ ᎤᎵᏛᏔᏁᎢ.\nᏃᎩᎦᏔᎲᎾ ᎾᏍᎩᏯᎢ, ᎠᏎᏃ ᎣᏏᏳ ᎣᎩᎦᏔᎯ ᎨᏒᎢ; ᏥᏙᏥᏲᎱᏍᎪ ᎾᏍᎩᏯᎢ, ᎬᏂᏳᏉᏃ ᏦᏨᏃᏛ; ᎣᎩᏍᏛᏗᏍᏔᏅᎯ, ᎣᎩᎸᎯᏃ ᏂᎨᏒᎾ;\nᎦᏚᎲᏃ ᎥᏝ ᏯᎾᏚᎵ ᏅᏙ-ᎢᎦ-ᎡᎯ ᎠᎴ ᏅᏙ-ᎡᏃᏱ-ᎡᎯ ᎤᎦᎵᎯᏍᏗᏱ ᎾᎿᏂ; ᎦᎸᏉᏗᏳᏰᏃ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎢᎦᎤᏘᏍᏛ ᎾᎿᏂ, ᎠᎴ ᎤᏃᏕᎾ-ᎠᎩᎾ ᎢᎦ ᎠᏘᏍᏗᏍᎩ ᎢᎩ ᎾᎿᏂ.\nᎤᎵᏂᎩᏛᏃ ᏚᏅᏍᏓᏕᎴ ᏚᏁᏤᎴ ᎩᎶ ᎤᏂᏃᏁᏗᏱ ᏂᎨᏒᎾ ᎾᏍᎩ,\nᎠᎴ ᎢᎸᎯᏢ ᎦᏚ-Ꮂ ᎢᏥᎷᎨᏍᏗ, ᎠᎴ ᏕᎨᏣᏓᏂᎸᎨᏍᏗ, ᏄᏍᏛ ᎨᏤᎳᏍᏗᏍᎬ ᎢᏣᎵᏍᏓᏴᏗᏍᎨᏍᏗ.\nᎿᏉᏃ ᎬᏂᎨᏒ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎳᏏᎳ ᎤᏲᎱᏒ;\nᎤᏙᎯᏳᎯᏰᏃ ᎾᏍᎩ ᏂᏣᏛᏁᎭ ᎾᏂᎥ ᏕᏥᎨᏳᎭ ᎠᎾᎵᏅᏟ ᎹᏏᏙᏂ ᎠᏁᎯ; ᎠᏎᏃ ᎢᏨᏍᏗᏰᏗᎭ, ᎢᏓᎵᏅᏟ, ᎢᏥᏁᏉᎢᏍᏗᏱ ᎤᏟᎯᏳ ᎢᎦᎢ;\n”ᏔᏣᎪᎳᏗᎾ!” ᎤᏪᎷᏁᎢ ᎡᎳᏆᏗ, ᎭᏫᏂᏗᏣ ᏭᎵᏖᎸᏂᎴᎢ.\nᏫᏥᎪᏩᏛᏗ ᎨᏒ, ᎢᏳᏓᎵᎭ ᏧᏪᏅᏒ.\nᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎪᎱᏍᏗ ᏂᏗᏣᏓᏕᎵᏎᎲᎾ ᎠᎴ ᏥᏣᏗᏒᎯᎲᎾ ᎨᏎᏍᏗ;\nᎠᏎᏃ ᏅᎵᏌᎵᏉ ᏗᏅᏂᏰᎸᏁᎢ, ᎠᎴ ᎤᏣᏘᏂᏉ ᏭᏂᎶᏎᎢ, ᎠᏏᏴᏫ ᏧᎶᎨᏒᎢ, ᏐᎢᏃ ᎤᏃᏙᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏨᏪᏎᎭ, ᏞᏍᏗ ᏱᏤᎵᎯᏍᎨᏍᏗ ᏕᏨᏅᎢ, ᎢᏳᏍᏗ ᎢᏥᎩᏍᏗᏱ ᎠᎴ ᎢᏳᏍᏗ ᎢᏣᏗᏔᏍᏗᏱ, ᏞᏍᏗ ᎠᎴ ᏗᏥᏰᎸᎢ ᏱᏤᎵᎯᏍᎨᏍᏗ ᎢᏳᏍᏗ ᏗᏣᏄᏬᏍᏗᏱ. ᏝᏍᎪ ᎠᎬᏅ ᎤᏟᎯᏳ ᏱᎩ ᎡᏍᎦᏉ ᎠᎵᏍᏓᏴᏗ? ᎠᎴ ᏝᏍᎪ ᎠᏰᎸᎢ ᎡᏍᎦᏉ ᏗᏄᏬ?\nᏦᎢᏁᏃ ᎢᏳᏟᎶᏛ ᎢᏴ ᎧᏔᏩᏗᏒ ᎤᏒᎯᏰᏱ ᎢᏗᏢ ᏥᏌ ᎤᏁᏤ ᎠᏍᏓᏯ, ᎯᎠ ᏄᏪᏎᎢ; ᎢᎳ, ᎢᎳ, ᎳᎹ ᏌᏆᏓᏂ? ᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎦᏛᎬᎢ, ᎤᏁᎳᏅᎯ ᎠᏆᏤᎵᎦ, ᎤᏁᎳᏅᎯ ᎠᏆᏤᎵᎦ, ᎦᏙᏃ ᎢᏍᏮᏕᏨᏉ?\nᏍᏔᏱ ᎨᏒ ᎢᏧᎴᎭ ᎣᎩᎾᎵᎪᏗ ᏑᏙᏓᏆᏓ ᎠᎴ ᏔᎵ, ᎠᏎᏃ ᎣᏍᏓ ᏥᏰᎸᎥ, ᎨᏍᏗ ᏯᏆᏚᎵᏍᎨ ᎠᎩᏅᏗᏍᏗ ᎠᎵᎮᎵᏍᏙᏗ.\nᎠᎬᏱᏣ ᏓᏂᏅᏌᏛᎢ ᏗᎬᏗ ᎤᏂᏲᎵᎴ ᏧᏂᏍᏗ ᎧᏅᏂᏍᎩ.\nᏥᏌᏃ ᏫᏚᏯᏅᎲ ᎯᎠ ᏄᏪᏒᎩ; ᎢᏥᎦᏔᎭ ᎠᏰᎵ ᏕᎪᏢᏩᏗᏒ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎠᏂᏁᎪ ᎢᏳᎾᏛᏁᎵᏓᏍᏗᏱ ᏴᏫ, ᎠᎴ ᎨᏥᎸᏉᏗ ᎠᏂᏁᏥᏙᎲ ᎾᎾᏛᏁᎰᎢ.\n”ᎨᎾ ᏏᏆ!” ᎤᏛᏁ ᎰᎻ, ᎦᎵᎥᏂᎮ ᏔᎷᎩᏍᎩ ᎪᏱᏂᏓᏍᏗ \nᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᏱᎩᏁᎸ ᎠᏓᏅᏙ ᎤᏓᏍᎦᏍᏗ, ᎤᎵᏂᎩᏛᏍᎩᏂ ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒ ᎠᎴ ᎣᏍᏛ ᎠᏓᏅᏖᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏏᏗ, ᏣᎬᏫᏳᎯ ᎡᎩᎵᏈ, ᎥᏝ ᎾᏉᎯᏳᏅᎾ ᏱᎨᏎ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ ᎠᎩᎪᎲᎢ.\nᎠᎴ ᎾᏍᎩᏯ ᏤᏂ ᎠᎴ ᏨᏈ ᏣᎾᏡᏗᏍᎨ ᎼᏏ ᎾᏍᎩᏯ ᎾᏍᏉ ᎯᎠ ᎠᎾᏡᏗ ᏚᏳᎪᏛ ᎨᏒᎢ; ᎠᏂᏍᎦᏯ ᎤᏲᏨᎯ ᏚᎾᏓᏅᏛᎢ, ᎠᎴ ᎨᏥᏲᎢᏎᏛ ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᎤᎬᏩᎵ.\nᏗᎩᏏ ᎦᏓᏍᎬ ᏭᎩᎶᏫᏎ ᏫᎵᎻ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎦᎥ ᎪᎱᏍᏗ ᎢᏣᏚᎵᏍᎬ ᏴᏫ ᎢᎨᏣᏛᏁᏗᏱ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏂᏕᏣᏛᏁᎮᏍᏗ; ᎾᏍᎩᏰᏃ ᎯᎠ ᏄᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ\nᎾᏍᎩᏃ ᎤᎾᏛᎦᏅ, ᎠᎴ ᏧᎾᏓᏅᏙ ᎬᏩᏄᎯᏍᏔᏅ, ᎤᏂᏄᎪᏨᎩ ᏌᏉ ᎤᏛᏂᏛ ᎤᏓᏂᎵᎨ ᏚᏓᎴᏅᏔᏅᎩ, ᎣᏂᏱ ᏫᎬᏩᏛᏅᎩ; ᏥᏌᏃ ᎤᏩᏒ ᏄᎵᏍᏔᏅᎩ, ᎠᎨᏴᏃ ᎠᏰᎵ ᎦᏙᎬᎩ.\nᎠᏏᏴᏫ ᎡᎭ ᏗᎧᎿᏩᏛᏍᏗ ᎪᏢᏍᎩ ᏰᎵᏉ ᎬᏩᏓᏍᏕᎸᏗ ᎠᎴ ᎬᏩᏓᎯᏍᏗ; ᎦᎪ ᏂᎯ ᏅᏩᏓᎴ ᏥᏕᎯᏳᎪᏓᏁᎭ?\n“ᎠᎩᏲᏏ,” ᎤᏛᏁ ᏍᏗᏫ.\nᏃᏗ ᎡᎳᏗ, ᎡᎳᏗ, ᎡᎳᏗ, ᎦᎸᎶ ᏓᎦᏅᎪᎢᏍᏗ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎭᏫᏂ, ᎧᏁᏍᎦ ᎤᏂᏍᏆᏂᎪᏙᏗ ᎦᎸᎳᏗ ᎾᎥᏂᎨ, ᏃᏗ ᏙᏱ ᎢᏣ, ᎠᏎᏃ ᎾᎥᏂᎨᏉ ᏃᎴ ᎡᎳᏗᎨᎢ ᎤᏩᎬᏘᎶᏓ. ᏃᏗ ᎩᎶ ᏄᏓᎴ ᎤᏁᎸᏙᏗ.\nᎢᎬᏱᏱᏰᏃ ᎨᏒ ᏕᏣᏲᎯᏎᎸᎩ ᎾᏍᎩ ᎾᏍᏉ ᎠᏴ ᏨᎩᏲᎯᏎᎸᎩ, ᎾᏍᎩ ᎦᎶᏁᏛ ᎠᏴ ᎢᎩᏍᎦᏅᏨ ᎢᎩᏲᎱᎯᏎᎸᎢ, ᎾᏍᎩᏯ ᏂᎬᏅ ᎪᏪᎵᎯ;\nᏦᏈᏃ ᎡᎮ ᎩᎶ ᎢᏳᏍᏗ ᎠᎨᏴ ᏧᏁᎶᏗ, ᏓᏈᏗ ᏧᏙᎢᏛ, ᎾᏍᎩ ᎠᏁᏢᏔᏅᎯ ᏓᎩ ᎦᏛᎦ, ᎾᏍᎩ ᎯᎠ ᎤᎧᎵᏨᎯ ᎨᏎ ᎣᏍᏛ ᏚᎸᏫᏍᏓᏁᎲᎢ ᎠᎴ ᎠᏓᏁᎸᎥᏍᎬᎢ.\nᎩᎶ ᏕᎦᎵᎷᎨᏍᏗ ᎤᏛᎪᏗᏱ ᏩᏛᎬᎦ.\nᎣᎦᏢᏲᎳᏃ ᎪᎱᏍᏗ ᎣᏥᎪᏩᏛᏗ ᎡᏙᏓ ᏥᎨᏒ ᏃᏊ ᏗᏡᎬ ᎦᎸᎳᏗ ᎢᏗᏢ ᏫᏚᎵᏐᏍᏔᏅ ᎤᏒᏕᎾ ᎦᎶᏇ ᎠᎴ ᏫᏚᏍᏓᏲᎸ.\nᎡᎶᏛᏃ ᎤᎬᏫᏳᎯ ᎤᏛᎦᏁ ᎾᏍᎩ ᎠᏥᏃᎮᏍᎬᎢ; ᏚᏃᏣᎶᏤᏰᏃ ᎾᏍᎩ ᏚᏙᎥᎢ; ᎠᎴ ᎯᎠ ᏄᏪᏎ ᎡᎶᏛ, ᏣᏂ ᏗᏓᏬᏍᎩ ᏓᎴᎯᏌ ᎤᏲᎱᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏍᏆᏂᎪᏗ ᏥᏕᎤᎸᏫᏍᏓᏁᎭ.\n“Ꮎ,” ᎤᏛᏁ.\nᎤᎵᏍᏆᎸᏗᏃ ᎨᏒᎢ, ᎢᏓᎵᏅᏟ, ᏗᏣᎵᏂᎩᏗᏳ ᎨᏎᏍᏗ ᎤᎬᏫᏳᎯ ᎡᏣᎵᏍᎦᏍᏙᏛᎢ, ᎠᎴ ᎢᏣᎵᏍᎦᏍᏙᏛ ᎤᏣᏔᏅᎯ ᎤᎵᏂᎩᏗᏳ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᎾᏆᎵᏍᏓᏁᎸᎩ ᎦᎢᏒᎢ, ᏕᎹᏍᎦ ᎾᎥ ᏩᏗᎷᏨ, 'ᎢᎦ ᎠᏰᎵ ᎢᏴᏛ, ᎤᏰᎶᎢᏍᏔᏅᎩ ᎤᏣᏘ ᏚᎸᏌᏓᏛᎩ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ ᏓᏆᏚᏫᏍᏔᏅᎩ.\n“Ꭵ, ᎠᏎᏃ ᎭᎦᏓ ᎡᏝᏪᎯ ᎯᎪ ᎢᎦ.\nᎠᏎᏃ ᎠᏓᏅᏬᎯᏍᏗᏍᎩ ᎦᎷᏨᎭ, ᎾᏍᎩ ᎠᎦᏴᎵᎨᏍᏛᏱ ᏅᏓᏥᏅᏍᏗ ᏥᎩ ᏂᎯ ᎢᏥᎷᏤᏗᏱ, ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎠᏓᏅᏙ ᎠᎦᏴᎵᎨᏍᏛᏱ ᏅᏛᏓᎴᎲᏍᎩ, ᎾᏍᎩ ᏛᎩᏃᎮᎵ ᎬᏂᎨᏒ ᏅᏛᏋᏁᎵ.\nᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎤᎬᏩᎴ ᎦᎶᏁᏛ ᎤᎾᏚᏓᎴᏍᏙᏗᏱ ᎾᏂᎥ ᎠᏃᎯᏳᎲᏍᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂᏧᏏ ᎤᏟ ᎢᎦᎢ ᎤᎾᏚ-ᎸᎲᎩ ᎤᏂᎯᏍᏗᏱ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎥᏝ ᎤᎾᏙᏓᏆᏍᎬᏉ ᎤᏩᏒ ᎤᏲᏍᏔᏅᎢ, ᎾᏍᏉᏍᎩᏂ ᎤᏁᎳᏅᎯ ᎤᏙᏓ ᎤᏛᏅᎢ, ᎢᏧᎳᎭ ᎤᏁᎳᏅᎯ ᎾᏓᏛᏁᎲᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏥᏌ ᎤᏁᏨᎩ ᎯᎠ ᏂᏚᏎᎸᎩ; ᏞᏍᏗ ᏱᏥᎪᏁᎶᏍᎨᏍᏗ.\nᎨᏍᏗ ᏱᏄᎵᏍᏔᎾ ᏄᏪᎵᏒ ᏤᎩᏏᏂ.\nᎡᏣᎫᏴᏏ ᎾᏍᎩᏯ ᎢᏣᎫᏴᎡᎸᎢ, ᎠᎴ ᏔᎵ ᎢᏳᏩᎫᏗ ᎡᏣᎫᏴᏏ ᎾᏍᎩᏯ ᏚᎸᏫᏍᏓᏁᎸᎢ; ᎤᎵᏍᏈᏗ ᎤᎧᎵᎸᎯ ᎾᏍᎩ ᏔᎵ ᎢᏳᏩᎫᏗ ᎡᏥᎧᎵᎢᏏ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᎩᎶ ᎠᏫᏉ ᏱᏓᏢᏆᏍᏙᏗᏍᎨᏍᏗ; ᏂᎦᏗᏳᏰᏃ ᏧᏓᎴᏅᏛ ᎢᏣᏤᎵᎦ;\nᏯᏍᎦᎳ ᎤᏪᏅᏍᏗ ᏗᎾᏓᎪᎾᏗᏍᎬᎢ.” \nᏴᏧᏓᏍᎪᏃ ᎤᏩᏙᎯᏴᏓ?\nᎿᏉᏃ ᎡᎶᏛ ᎤᏕᎵᏛ ᏫᏚᏯᏅᎲ ᎾᏍᎩ ᎠᏂᎦᏔᎿᎢ, ᎣᏍᏛ ᏚᏛᏘᏌᏁ ᎢᏳᏉ ᎾᏍᎩ ᏃᏈᏏ ᎤᎾᏄᎪᏨᎢ.\nᏩᏍᏛ ᎤᏂᎯᏐᏗ ᎠᏂᏴᏫᏯ.\nᎤᏁᎳᏅᎯ ᏥᏯᎵᎡᎵᏤᎭ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ ᎢᏳᏩᏂᏌᏛ. ᎾᏍᎩᏃ ᎠᏆᏓᏅᏖᏗᏱ ᎬᏗᎭ, ᎠᏴᏉ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏕᏥᎦᎾᏩᏕᎦ, ᎠᎩᏇᏓᎸᏍᎩᏂ ᎨᏒ ᎬᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏍᎦᏂ ᎤᏤᎵ ᏕᏥᎦᎿᏩᏕᎦ.\n“ᏙᏳ ᏦᏚᎯ ᎨᎵᎠ,” ᎤᏛᏁ ᏫᎵᎻ.\nᏰᎵ ᎣᏍᏓ ᏥᏰᎸᎥ, ᎠᏎᏃ ᎨᏍᏗ ᏯᏆᏚᎵᏍᎨ Davy Crockett ᏔᎵᏁ ᏥᏯᎴᏁᏗ, ᎠᎴ ᎣᎩᎾᎵᎪᏗ ᎠᎴ ᎣᎩᎾᎵ ᎢᏳᎵᏍᏙᏗ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᏛᏛᏁᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎦᏙᏃ ᏗᏃᏪᎵᏍᎩ, ᎢᎳᏯ ᎢᎬᏱ ᏓᎦᎷᏥ, ᏣᎾᏗᏍᎪᎢ?\nᎠᏴ ᎾᏍᎩ Ꮎ ᎦᏚ ᎬᏂᏛ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ. ᎢᏳᏃ ᎩᎶ ᎠᎩᏍᎨᏍᏗ ᎾᏍᎩ ᎯᎠ ᎦᏚ, ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎬᏁᏍᏗ. ᎠᎴ ᎾᏍᎩ Ꮎ ᎦᏚ ᏨᏓᏥᏁᎵ ᎾᏍᎩ ᎠᏴ ᎠᎩᏫᏯ, ᎾᏍᎩ ᏥᏙᏛᎩᏲᏏ ᎡᎶᎯ ᎤᏛᏂᏗᏍᏙᏗ.\nᏕᎦᎫᏍᏓᎥᏃ ᎠᏐᏴ ᎦᏚᎲᎢ ᏕᎪᏑᎢᏍᏛᎩ ᏄᏓᎴᏒ ᏗᎦᎸᏉᏗ ᏅᏯ; ᎢᎬᏱᏱ ᎦᎫᏍᏓᎥ ᏣᏍᏆ ᎨᏒᎩ, ᏔᎵᏁᏃ ᏌᏆᏯ, ᏦᎢᏁᏃ ᎦᎵᏏᏙᏂ, ᏅᎩᏁᏃ ᎡᎻᎳ,\nᏃᏆᎴ ᎠᏂᏌᏚᏏ ᎢᎬᏩᎷᏤᎴᎢ, ᎾᏍᎩ ᎠᏲᎱᏒ ᎥᏝ ᏗᎴᎯᏐᏗ ᏱᎩ ᎠᎾᏗᏍᎩ; ᎠᎴ ᎢᎬᏩᏛᏛᏁᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ, ᎬᏂᏳᏉᏰᏃ ᎢᏨᏲᎯᏏ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏣᏘ ᎠᎵᎮᎵᏍᏗ, ᎾᏂᎥ ᏴᏫ ᎤᎾᏛᎪᏗ.\nᏃᏊᏃ ᎤᎴᏅᎮ ᏚᏃᏴᎬ ᏗᎧᏁᎢᏍᏗ ᏕᎪᏪᎵᏍᎬ ᎠᏴ ᎢᎩᏬᏂᎯᏍᏗ ᏣᎳᎩ.\nᎢᏣᎵᏏᎾᎯᏍᏗ ᎢᏤᏙᎮᏍᏗ ᎠᏂᎦᏔᎲ ᎾᏍᎩ Ꮎ ᎠᏁᎸ ᏂᎨᏒᎾ, ᎢᏧᏓᎴᏍᎨᏍᏗ ᎪᎯ ᎨᏒ ᎠᎵᏱᎵᏒᎢ.\nᏙᎢᏳᏍᏗ ᏓᏗᏩᏛᎯ.\nᎠᎬᏱ ᎪᎨ ᎤᎾᏣᎩᏎ ᏧᏪᏥ ᏌᏌ.\nᎪᎯᏱᏃ ᎢᏴᏛ ᎬᏩᎷᏤᎴ ᎾᎥ ᎠᏂᏙᎾᎢ, ᎯᎠ ᏂᎬᏩᏪᏎᎴ ᏈᏓ; ᎤᏙᎯᏳᎯ ᎾᏍᏉ ᏂᎯ ᎢᏤᏙᎸᎯ, ᎯᏬᏂᏍᎬᏰᏃ ᎬᏂᎨᏒ ᏂᏨᏁᎭ.\nᏔᎵᏁᏃ ᎨᏒᎢ, ᎾᏍᎩᏯᏉ, ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ, ᏨᏒ ᏂᏣᏓᎨᏳᏒ ᎾᏍᎩᏯ ᏂᎨᏳᏎᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ. ᎥᏝ ᏅᏩᏓᎴ ᏗᎧᎿᏩᏛᏍᏗ. ᏯᎭ ᎤᏟ ᎢᎦᎸᏉᏗ ᎡᏍᎦᏉ ᎾᏍᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎪᎯᏳᏗ ᎨᏒ ᎢᎦᏚᏓᎴᏍᏔᏅᎯ ᏥᎩ, ᏅᏩᏙᎯᏯᏛ ᏂᎬᏅ ᎤᏁᎳᎥᎯ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ;\nᏓᏆᎴᎳ ᏭᎩᎸᏁᎢ ᎤᏪᏅᏎ ᏧᎷᏫᏍᏔᏁᏗ ᎦᏂᎦᏔ ᏗᎦᏚᎲᎢ.\nᎾᏍᎩᏃ Ꮎ ᎦᎶᏁᏛ ᏧᏤᎵᎦ ᏥᎩ ᏓᏓᎿᏩᏍᏛ ᎤᎾᏛᏅ ᎤᏇᏓᎵ ᎨᏒ ᎬᏩᏠᏯᏍᏗ ᎤᏚᎸᎲᏗ ᎨᏒ ᎠᎴ ᎤᎬᎥᎯᏍᏗ ᎨᏒᎢ.\n“ᏣᏓᏬᏍᏗ ᎤᏍᏆᎸᎭ!” ᎤᏛᏁ ᎰᎻ ᎤᎵᎮᎵᏍᏗ.\nᎤᏂᏁᎫᏥᏛ, ᎠᏂᏍᎦᏯ ᏗᎾᏂᏏᎲᏍᎩ, ᏴᏫ ᏗᏂᏃᏍᎩᏍᎩ, ᎠᏂᏰᎪᎩ, ᎦᏰᏙᎩ ᎠᎾᏎᎵᏛᏍᎩ, ᎠᎴ ᎾᏍᏉ ᏂᎦᎥ ᎪᎱᏍᏗ ᎾᏍᎩ ᏗᎦᏘᎴᎩ ᎣᏍᏛ ᏗᏕᏲᏗ ᎨᏒᎢ;\nᎤᏛᎦᎾ ᎤᏁᎷᎬ ᏃᎴ ᏓᎾᏏᏛᏂᎲ ᏔᎵᏁᎢ, ᎩᎳᏈᏴ ᎤᎸᏖᎴᎢ.\n”ᏍᎩ,” ᎤᏛᏁ ᏌᏌ ᎠᏨᏯᎢ.\nᏥᎪᏩᏘᏍᎬᏭ ᎤᎿ ᎢᎪᎯᏓ ᎪᎱᏍᏗ ᎾᏆᎵᏍᏓᏁᎸ ᎢᎦ ᎢᏯ.\nᎢᏤᎾᏍᎩᏂ, ᏫᏣᏕᎶᏆ ᎦᏛᎬ ᎯᎠ ᎾᏍᎩ ᏥᏂᎦᏪᎭ; ᎠᏓᏙᎵᏍᏗ ᎨᏒ ᎠᏆᏚᎵᎭ, ᎥᏝᏃ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎨᏒᎢ. ᎥᏝᏰᏃ ᎾᏂᏍᎦᏅᎾ ᏱᏗᏥᏯᏅᎯᎸ, ᎠᏂᏍᎦᎾᏍᎩᏂ ᏧᏂᏁᏟᏴᏍᏗᏱ ᏚᎾᏓᏅᏛᎢ.\nᎬᎸᏉᏔᏅ ᎡᎶᎯ; ᎠᎩᏍᏆᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏍᎩᏁᎸᎯ ᏥᎩ ᏗᎩᎸᏫᏍᏓᏁᏗᏱ.\nᏂᎦᎥᏉ ᎢᎬᏆᏛᏁᏗ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ ᎾᏍᎩ ᏣᏆᎵᏂᎪᎯᏍᏗᎭ.\nᎣᏂᏃ ᏑᏟᎶᏛ ᎢᏴᏛ ᎢᎪᎯᏛ, ᏅᏩᏓᎴ ᎾᏍᎩ ᎤᏙᎯᏳᎯ ᎨᏒ ᎤᏍᏓᏱᏕᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎤᏙᎯᏳᎯ ᎯᎠ ᎾᏍᏉ ᏓᏁᏙᎲᎩ; ᎨᎵᎵᏰᏃ ᏕᎯ ᎢᎩ.\nᎠᎴ ᎾᏍᏉ ᏍᏗᏇᎾ ᏚᏓᏘᎾᎥ ᏕᎦᏥᏯᏬᎥᎩ; ᏅᏩᏓᎴᏃ ᎥᏝ ᏱᏆᏅᏔ ᏥᏯᏬᎥᎢ.\nᏗᎦᏘᎭᏁᎩ ᏃᎴ ᎦᏁᏗᏍᏗᏍᎩ, ᎠᏯ ᎠᏋᏌ ᎢᎬᏆᏛᏁᏗ.\nᏐᏁᎳ ᎢᏳᏕᏘᏴᏓ ᏥᎨᏎ ᎦᏳᎪᎲ Galway Bay, Ꮳ ᏰᎵᏍᎨ ᎤᎪᏩᏛᏗ ᎯᎠ ᎢᏣ ᎠᏥᏂᏌᎲ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᏙ ᏙᏓᏓᏤᎳᏍᏔᏂ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ? ᎦᏙᎨ ᏓᏟᎶᏍᏛ ᏙᏓᏓᏟᎶᏍᏔᏂ?\nᏥᎦᏔᎭ ᏁᏍᏛ ᏕᏣᎸᏫᏍᏓᏁᎲᎢ; ᎬᏂᏳᏉ ᎢᎬᏱᏢ ᏂᎬᏴᏂᏏ ᎠᏍᏚᎢᏛ ᎦᎶᎯᏍᏗᏱ, ᎥᏝᏃ ᎩᎶ ᎬᏩᏍᏚᏗ ᏱᎩ; ᎠᏏᏰᏃ ᎤᏍᏗᏱᏛ ᏣᎵᏂᎬᎦ, ᎠᎴ ᏣᏍᏆᏂᎪᏔᏅ ᎧᏃᎮᏛ ᎠᏆᏤᎵᎦ, ᎠᎴ ᎥᏝ ᏱᏣᏓᏱᎸ ᏓᏆᏙᎥᎢ.\nᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸ ᏧᏴᎴᎢ, ᎠᎴ ᎠᎦᏙᏗ ᎦᏚ ᏧᎨᎢ, ᏰᎵ ᎬᏩᎩᏍᏗ ᏂᎨᏒᎾ ᏥᎨᏎᎢ, ᎠᎴ ᎾᏍᎩ ᎠᏁᎯ, ᎠᏥᎸᏍᎩᏂ-ᎠᏁᎶᎯ ᎤᏅᏒ?\nᏧᏩᏍᏉᎸ ᏧᏍᏗ ᎩᎦᎨ ᏅᏯ ᎢᏳᏍᏗ ᏚᏓᏁᎮ ᏧᏆᎶᎬ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏕᎾ ᏭᏗᎷᏥ ᎦᎵᏦᏛ ᏙᏱᏗᏢ, ᎢᎦᏠᏯᏍᏗᏍᎨᏍᏗ ᎦᏰᏥᏐᏢᏗᏍᎬᎢ;\nᎤᎦᏃᏩ ᎤᏅᏗ ᎤᏥᏍᏔᏁ, ᏲᎾ ᎤᏤᏍᏙ ᎤᏁᎴ.\nᎾᏍᏉᏍᎩᏂ ᎢᏥᏍᏗᏰᎬ ᎢᏥᏍᎪᎵ ᏂᎦ-ᏗᏳ ᏗᏎᎸᎯ. ᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ; ᏂᎯ ᎤᏟ ᎢᎦᎢ ᏗᏣᎬᏩᎶᏗ ᎡᏍᎦᏉ ᎤᏂᏣᏘ ᏥᏍᏆᏯ.\nᏫᏓᏥᏅᏂ ᏗᏥᎶᏍᏔᏅ ᏄᏍᏛ ᎠᏰᎵ ᎦᎸᎳᏗᏣ ᏥᏥᏃᎮᎭ ᏓᏎᎯᎲ ᏥᏳᎪᏗ ᏄᏓᎴ ᏓᏎᎯ ᎠᎬᏱ ᏗᏥᎶᏓ ᏦᎩᎾᎩᏛ.\nᏚᎾᏌᏅᏃ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎠᎴ ᏗᎨᎦᏁᎶᏗ ᎨᏒᎢ, ᎬᏂᎨᏒ ᏚᎾᏄᎪᏫᏎᎢ, ᏓᏓᎵᏁᎯᏕᎨᎢ ᎾᏍᎩ [ᏓᏓᎿᏩᏍᏛ] ᎬᏗᏍᎬᎢ.\nᎿᏉᏃ ᎠᏂᏯᏫᏍᎩ ᎤᎬᏫᏳᎯ ᏧᏤᎵᎦ ᎤᎬᏫᏳᎯ ᎦᏁᎸ ᎤᏂᏴᏔᏁ ᏥᏌ, ᎠᎴ ᎾᎿ ᏕᎬᏩᏚᏫᏍᏔᏁ ᏂᎦᏛ ᏑᎾᏓᏡᎩ ᎠᏂᏯᏫᏍᎩ.\nᎤᎵᏏᏂᏗ ᏧᎩᎶᏫᏎ ᎠᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ.\nᎠᎴ ᏧᏓᎴᏅᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᏎᏃ ᎾᏍᎩᏉ ᏌᏉ ᎤᎬᏫᏳᎯ.\nᎠᏎᏉᏍᎪ ᏂᎦᏪ ᎢᏥᏰᎸᎭ ᎯᎠ ᏥᏂᎦᏪ ᎪᏪᎵ; ᎠᏓᏅᏙ ᏥᎩᏯᎠ ᎤᏚᎵᏍᎬ ᎠᏛᏳᎨᏗ ᎨᏒ ᏩᎦᏘ.\nᎠᎴ ᎢᏥᎦᏔᎭ ᎾᏍᎩ ᎬᏂᎨᏒ ᎾᎥᏁᎸᎢᎩᎲᎡᏗᏱ ᎢᎩᏍᎦᏅᏨᎢ; ᎤᏩᏒᏍᎩᏂ ᎥᏝ ᏳᏪᎭ ᎠᏍᎦᏂ.\nᎧᏁᏌᎢ ᏩᏂᏌᏙᏯᏍᎬ ᏫᎵᎻ, ᎤᏓᏐᎴ ᏣᏄᏏ ᎦᎾᏤᎯ ᏔᎷᎩᏍᎩ ᎪᏱᏅᏍᏗ ᎠᏥᏍᏛ ᎠᎹ.\nᏞᏍᏗ ᎩᎶ ᏳᏐᏅᏤᎴᏏᏗ ᎯᏫᏂᏳ ᎨᏒᎢ; ᎦᎨᏣᏕᎶᏆᎡᏗᏍᎩᏂ ᎨᏎᏍᏗ ᎠᏃᎯᏳᎲᏍᎩ, ᎯᏬᏂᏍᎬᎢ ᎠᎴ ᏂᏣᏛᎿᏕᎬᎢ, ᎠᎴ ᏣᏓᎨᏳᎡᎢ, ᎠᎴ ᏣᏓᏅᏖᏗᏱ, ᎠᎴ ᏦᎯᏳᏒᎢ, ᎠᎴ ᎦᏓᎭᏂᎨᏒᎾ ᎨᏒᎢ.\nᎪᎱᏍᏗᏰᏃ ᎤᎾᏓᏛᏁᏗᏱ ᏗᏂᎰᎵ ᎠᎴ ᏓᏂᏂᏓᏛ ᏛᏓᎴᎲᏍᎬᎩ; ᏓᏂᏂᏓᏛᏰᏃ ᎢᎾᏛ ᏥᏄᏍᏗ ᎾᏍᎩᏯ ᎨᏒᎩ, ᎠᎴ ᏓᏂᏍᎫᏓᏛᎩ, ᎠᎴ ᎾᏍᎩ ᏓᏅᏗᏍᎬᎩ ᎪᎱᏍᏗ ᎠᎾᏓᏛᏁᎲᎩ.\nᏏᏓᏁᎸᎯ ᎬᏆᏕᎭᏯᏍᏛ ᎤᏂᏚᎩ ᏱᎨᏒᎾ ᎨᏥᏌᎭᏙᎭᏴ ᎠᏂᏴᏫ.\nᎾᏍᎩᏯ ᎦᎶᏁᏛ ᎤᏤᎵ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎨᏒ ᏣᎩᏯᎠ, ᎥᏝ ᎥᎩᏲᎯᏍᏓᏁᏗ ᏱᎨᏎᏍᏗ ᎯᎠ ᎾᏍᎩ ᎦᏢᏈᏍᎬ ᎡᎧᏯ ᏂᎬᎾᏛᎢ.\nᏂᎦᏓᏍᎪᏃ ᎠᏂᏴᏫᏯᎭ?\nᏧᏪᏘ ᏗᎧᎾᏩᏛᏍᏗ ᏕᏥᏍᏔᏩᏕᎪ.\nᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ ᏂᏥᏍᎦᎢᎲᎾ ᎠᎦᏴᎵᎨ ᏕᏫ ᎢᏨᏃᎮᎯᏏ, ᎾᏍᎩ ᎤᏲᎱᏒᎢ ᎠᎴ ᎠᏥᏂᏌᏅᎢ, ᎤᏤᎵᏃ ᎠᏤᎵᏍᏛ ᎠᏏ ᎪᎯ ᏥᎩ ᎢᎦᏓᏑᏴᎢ.\nᎤᎾᏙᏓᏆᏍᎬᏃ ᎤᎶᏐᏅ, ᎺᎵ ᎹᎩᏕᎵ ᎡᎯ, ᎠᎴ ᎺᎵ ᏥᏌ ᎤᏥ ᎠᎴ ᏌᎶᎻ ᎤᏂᏩᏒᎯ ᎨᏎ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ, ᎤᏂᎷᎯᏍᏗᏱ ᎤᏂᏰᎸᏎ ᎠᎴ ᎬᏩᎶᏁᏗᏱ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎢᎦᏛᏅᎢᏍᏓᏁᎸᎯ ᎨᏒ ᎢᏳᏍᏗ ᎪᎱᏍᏗ ᎤᏟ ᎢᏲᏍᏛ, ᎾᏍᎩ ᏄᏂᎷᎶᏤᎲᎾ ᎢᎨᎬᏁᏗᏱ ᏂᎨᏒᎾ ᎠᏴ ᏂᎦᏠᏯᏍᏗᏍᎬᎾ.\nᎧᏃᎮᏛᏍᎩᏂ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏛᏃᏍᎨᎢ ᎠᎴ ᎧᏁᏉᎨᎢ.\nᏥᎷᏏᎵᎻ! ᏥᎷᏏᎵᎻ! ᎠᎾᏙᎴᎰᏍᎩ ᏘᎯᎯ, ᎠᎴ ᎨᏣᎷᏤᏗᏱ ᎨᏥᏅᏒᎯ ᏅᏯ ᏛᏂᏍᏗᏍᎩ! ᏯᏃᎩᏳ ᎠᏆᏚᎵᏍᎬ ᎦᏥᏯᏟᏐᏗᏱ ᏗᏤᏥ, ᎾᏍᎩᏯ ᏣᏔᎦ ᏣᏕᎦᏟᏏᏍᎪ ᏧᏪᏥ ᎠᏂᏛ ᏗᎧᏃᎨᏂ ᎭᏫᏂᏗᏢ; ᎠᏎᏃ ᎥᏝ ᏱᏣᏚᎵᏍᎨᎢ.\nᎤᎾᎵᏥᏙᏁᎸᏃ ᎣᏍᏛ ᎧᏃᎮᏛ ᎾᏍᎩ ᎦᏚᎲᎢ, ᎠᎴ ᎠᏂᎪᏗᏳ ᏚᎾᎵᎪᏔᏅ, ᏔᎵᏁ ᎵᏍᏗ ᎠᎴ ᎢᎪᏂᏯ ᎠᎴ ᎥᏘᎣᎩ ᏫᎤᏂᎶᏎᎢ,\nᏰᎵᏗ ᎭᏫᏂ ᏥᏯᎠ ᏃᏉ -- ᏄᏓᏅᎯᏒ ᏫᏓᏥᎷᏥ.”\nᏃᎴ ᏍᏓᏯ ᏫᎾᎩᏪᏒ.\n“ᎨᏍᏗᎩ ᎪᎱᏍᏗ ᏱᎦᎵᏍᏗᏍᎨᎢ.”\n ᎧᎪᎩ?\nᎠᎩᏲᏍᏙᏗ ᏓᎩᏏᎳᏛᎢ. “ᎤᏣᏔ ᎣᏍᏓ,” ᎠᏉᏪᎶᏗ.\nᏚᏂᏅᎦᎴᎰᏅ.\nᏥᏲᎵᎩ.\nᎾᎯᏳ ᏥᏌ ᎠᎢᏒᎩ ᎠᏫᏒ ᎤᏣᎴᏍᏗ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ; ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎠᎪᏄ ᏚᏂᏲᏏᏍᎬᎩ, ᎠᎴ ᎤᎾᎴᏅᎲᎩ ᎤᏂᏍᎫᏕᏒᎩ ᎤᏣᎴᏍᏗ ᎠᎴ ᎤᏂᏍᏗᎬᎩ\nᎠᎧᏍᎨᏂ ᎢᏣ ᎤᏓᏏᏁᎢ.\nᏳᏩᏁᎦ ᎦᏬᏂᏍᎩ ᎨᏎ, ᏍᏔᏴ ᏄᏪᏒ, ᎦᎵᏥᏩ ᎤᎶᏐᏅ.\nᏓᏲᏥᏂᏧ, ᏝᎨ ᏴᏓᏲᏥᏂ? ᎠᏎᏃ ᎠᎦᏔᎮ ᎤᎾᏠᎾᏍᏛᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏍᎩᎪᎵᏰᎭ? ᎡᏍᎩᎥᏏ ᎠᎩᏏ ᏧᎬᏩᎶᏗ ᎾᏍᎩ ᎠᎩᎪᏩᏛᏗᏱ.\nᎾᏍᎩᏃ ᏧᏓᎴᏅᏛ ᏗᎦᏬᏂᎯᏍᏗ ᎨᏒ ᎪᎯᏳᏗᏍᎩ ᎠᏰᎸᎭ, ᎥᏝ ᎠᏃᎯᏳᎲᏍᎩ ᎤᏃᎯᏳᏓᏁᎯ ᏱᎩ, ᎠᏍᎩᏂ ᎠᏃᎯᏳᎲᏍᎩ ᏂᎨᏒᎾ; ᎠᏙᎴᎰᎯᏍᏗ [ᎤᏃᎯᏳᏓᏁᎯ] ᏱᎩ, ᎠᏃᎯᏳᎲᏍᎩᏍᎩᏂ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏂᎯ ᎧᏂ ᏚᏳᎪᏛ ᎢᏣᏛᏁᎯ ᏅᏩᏍᏙᎢ ᏴᏫ ᎠᏂᎦᏔᎲᎢ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᏓᎦᏔᎭ ᏗᏥᎾᏫ; ᎾᏍᎩᏰᏃ ᎦᎸᏉᏗᏳ ᏧᏂᏰᎸᏐ ᏴᏫ, ᎤᏂᏆᏘᏍᏗᏳ ᎤᏁᎳᏅᎯ ᏓᎧᏂᏍᎬᎢ.\nᎦᏙᏃ ᎡᎵᏍᎨ ᏣᎵ, ᏂᎦᎥ ᎤᏲ ᎤᏂᎶᎯᏍᏗ ᎨᏒ ᎠᏂᏴᏫ.\nᎤᏟ ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᏱᎨᏎ ᏅᏯ ᎠᏍᏙᏍᎩ ᏯᏥᏯᏝᏁᎢ, ᎠᎴ ᎠᎺᏉᎯ ᏱᏩᎦᏓᎢᏅᏎᎢ, ᎠᏃ ᎯᎠ ᎠᏏᏴᏫ ᏧᎾᏍᏗ ᎨᏒ ᏧᏬᏕᏍᏗᏱ.\nᎠᎬᏱ ᎪᎨ ᏍᏈᏍᏓ ᎨᏐ ᎠᏲᏟ ᎤᎩᏍᏗ, ᎤᏗᏔᏍᏗ, ᎤᏍᏆᏄᏨᏗ ᏃᎴ ᎤᎩᏍᏙᏍᏗ.\nᎿᏉᏃ ᎠᏂᏧᏏ ᎬᏩᏓᏡᏫᏍᏔᏅᎩ, ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎯᎳᎪ ᏅᏓᎪᎯᏥ ᏍᎩᏰᎵᎢᏍᏗᏍᎨᏍᏗ? ᎢᏳᏃ ᏂᎯ ᎦᎶᏁᏛ ᎨᏎᏍᏗ, ᏍᎩᏃᎲᏏ ᏚᏳᎪᏛᎢ.\nᎠᎴᏬ ᎣᏏᏳ ᎬᏩᏃᎮᏍᎩ ᏱᎩ ᎢᏴᏛ ᎤᏅᎫᏛᎢ, ᎤᏐᏅᏰᏃ ᎠᏥᏃᎮᏍᎩ ᏱᏅᎦᎵᏍᏓ, ᎠᎴ ᎠᏍᎩᎾ ᎤᏌᏛ ᏳᏪᎯ.\nᎨᏍᏗ ᎩᎶ ᏯᏇᏠᎰ.\nᎠᎴᏥᏌ ᎠᎦᏔᎲᏄᏍᏛ ᎠᎾᏓᏅᏖᏍᎬᎢ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏂᎦᎥ ᎠᏰᎵ ᎪᏢᏒᎢ ᏔᎵ ᏥᎾᏓᏗᏍᎪ ᎤᏩᏒᏉ ᏣᏓᏡᏗᏍᎪ ᎠᏥᎪᏉ; ᎠᎴ ᏂᎦᎥ ᎦᏚᎲ ᎠᎴ ᎠᏓᏁᎸ ᏔᎵ ᏥᎾᏓᏗᏍᎪ ᎤᏩᏒᏉ ᏣᏓᏡᏗᏍᎪ ᎥᏝ ᏱᏂᎬᏩᏍᏙᏉ.\nᎾᏍᎩᏍᎩᏂ Ꮎ ᎤᎾᏁᏢᏔᏅᏛ ᎨᏒ ᎵᏫ ᎠᏂᎳᏍᏓᎸ ᏅᏧᏓᎴᏅᎲᎾ ᏥᎩ, ᎠᏍᎪᎯᏁ ᎪᏣᎴᏛ ᏚᏓᏂᎸᏤᎴ ᎡᏆᎭᎻ, ᎠᎴ ᎣᏍᏛ ᎤᏁᏤᎴ ᎠᏚᎢᏍᏔᏅᎯ ᎨᏒ ᏣᎦᎨᏅᏯ.\nᎠᎴ ᎦᏙᎯ ᎤᏣᏘ ᏓᎵᏖᎸᏂᏙᎮᏍᏗ, ᎠᎴ ᏓᎪᏄᎶᏏᏙᎮᏍᏗ; ᎠᎴ ᎥᏳᎩᎯᏳ ᏂᎦᎵᏍᏔᏂᏙᎮᏍᏗ; ᎠᎴ ᎤᎾᏰᎯᏍᏗᏳ ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᎤᏰᎸᏛ ᎦᎾᏄᎪᎨᏍᏗ ᎦᎸᎶᎢ.\nᎤᏁᎳᏅᎯᏰᏃ ᎤᏤᎵᎦ ᎦᏚ ᎾᏍᎩ ᎯᎠ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ ᏥᎩ, ᎠᎴ ᎬᏂᏛ Ꭰ'ᏁᎯ ᏥᎩ ᎡᎶᎯ.\nᎢᏳᏍᎩᏂ ᏥᏌ ᎤᏲᎱᏒ ᏧᎴᏔᏅᎯ ᎤᏓᏅᏙ ᎢᏥᏯᎡᏍᏗ, ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᏲᎱᏒ ᏧᎴᏔᏅᎯ ᎾᏍᏉ ᏙᏓᎬᏃᎯᏍᏔᏂ ᏗᏲᎱᏍᎩ ᏗᏥᏰᎸᎢ ᏓᎬᏔᏂ ᎤᏓᏅᏙ ᎾᏍᎩ ᏥᏥᏯᎠ.\nᎠᏎᏃ ᎠᏫᏒᎯ ᏥᎨᏐᎢ, ᏗᏛᏍᎪᎢ, ᎠᎴ ᎤᏟ ᎡᏉᎯᏳ ᏂᎦᎵᏍᏗᏍᎪ ᎡᏍᎦᏉ ᏂᎦᎥ ᎤᏰᎿᎥᎢ, ᎠᎴ ᏤᏉᎯᏳ ᏓᏱᏢᏍᎪᎢ; ᎠᎴ ᏥᏍᏆ ᎤᏜᏅᏛ ᎠᏂᏃᎯᎵᏙᎯ ᏰᎵᏉ ᎤᏓᏩᏗᏍᏛ ᎭᏫᏂᏗᏢ ᎠᎾᎭᏗᏍᎪᎢ.\nᎤᎭᎨᏓ ᏚᏄᏌᏖᎢ ᎦᏂᎦᏔ ᎡᎹᏂᏓ.\nᎠᏎᏃ ᏧᏤᎵ ᏴᏫ ᎢᎬᏩᏂᏆ-ᏘᎴᎢ, ᎠᎴ ᏚᏂᏅᏎ ᎬᏩᎨᎮᎩ, ᎯᎠ ᏫᎾᏂᏪᏍᎨᎢ, ᎥᏝ ᏲᎦᏚᎵ ᎯᎠ ᎠᏍᎦᏯ ᎤᎬᏫᏳᎯ ᎣᎦᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ.\nᎢᏳ ᎠᎴ ᎡᏣᏓᏙᎵᏍᏓᏁᎮᏍᏗ ᎠᎦᏴᎵᎨᎢ, ᎾᏍᎩ ᏂᏗᎦᎸᏉᏗᏍᎬᎾ ᏥᏕᎫᎪᏓᏁᎭ ᎾᏂᎥ ᎠᏂᏏᏴᏫᎭ ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ, ᏂᎪᎯᎸ [ᎠᏂ] ᎢᏣᎴᏂᏙᎲᎢ ᎢᏤᏯᏔᎯ ᎨᏎᏍᏗ ᎢᏤᎲᎢ.\nᏝᏍᎪ ᎾᏍᎩ ᎯᎠ ᏗᏁᏍᎨᏍᎩ ᏱᎩ, ᎺᎵ ᎤᏪᏥ, ᏥᎻ, ᎠᎴ ᏦᏏ, ᎠᎴ ᏧᏓ, ᎠᎴ ᏌᏩᏂ ᎠᎾᎵᏅᏟ? ᎠᎴ ᏧᏙ ᏝᏍᎪ ᎠᏂ ᏱᎨᎦᏓᏑᏯ? ᎥᎬᏩᏐᏅᏤᎸᎩᏃ.\nᏰᎵᏉ ᎤᏍᏔᏩᏛᏍᏗ ᏚᏕᏲᏔᏅ ᏧᏆᎶᎦ ᏃᎴ ᏧᎵᏍᏆᎵᏓ ᏚᏩᏂᎦᏢ ᏃᎴ ᎩᎦ, ᎧᏂᎩᏓ ᏄᎵᏍᏔᏅ ᎤᎶᏒᎢ, ᎠᎬᏱᏣ ᎤᏪᏅᏎ ᎡᎵᏍᎬᏉ ᎢᏳᏛᏁᏘ ᏲᎾ ᏄᏍᏘᏓᏅ ᎢᎾᎨᎢ ᎤᏗᏍᎦᎶᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏥᏌ ᎾᏍᏉ, ᎾᏍᎩ, ᎾᏂᏍᎦᏅᎾ ᎢᏧᏩᏁᏗᏱ ᏴᏫ ᎤᏩᏒ ᎤᎩᎬ ᎬᏗᏍᎬᎢ, ᎦᎶᎯᏍᏗᏱ [ᏥᎷᏏᎵᎻ] ᏙᏱᏗᏢ ᎤᎩᎵᏲᏤᎢ.\nᎦᏲᏟ Ꮟ ᏕᎦᏓᎡ ᏧᏏᎳᏛᏅ ᎦᎶᎯᏍᏗᏳᎳ ᎦᎸᎳᏗᏣ.\nᎠᏍᏃ ᎯᎠ ᎤᏬᏑᎶᏨᎯ ᏣᏆᏕᏯᏙᏗᎭ ᏅᏓᎦᎵᏍᏙᏔᏂ ᏚᏳᎪᏛ ᏅᏓᏥᏯᏛᏁᎵ, ᏂᎪᎯᎸᏰᏃ ᎦᎷᎬ ᏱᏓᎩᏯᏪᎢᏍᏓ.\n“ᎠᏆᏔᏃ ᏙᎤᏍᏗ ᎨᏒ ᎯᎠ,” ᎤᏛᏁ ᏩᎭᏯ.\nᎦᎶᏁᏛᏃ ᎤᏇᏓᎵ ᎨᏒ ᎢᎩᎩᎵᏲᏤᎸᎯ ᏥᎩ, ᏂᎯ ᎾᏍᏉ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏓᏅᏙ ᎢᏣᎵᏍᎦᏍᏙᏙᏗ ᏂᏨᎦ; ᎾᏍᎩᏰᏃ Ꮎ ᎤᏇᏓᎵ ᎨᏒ ᎤᎩᎵᏲᏨᎯ ᏥᎨᏐᎢ ᏚᏲᏐ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒᎢ,\nᎦᎪᎨᏃ ᎢᏳᏍᏗ ᏉᎳ, ᎠᎴ ᎠᏉᎳ ᎦᎪ? ᏝᏍᎪ ᎨᏥᏅᏏᏓᏍᏗᏉ ᏱᎩ, ᎾᏍᎩ ᎢᏳᏅᏂᏌᏛ ᏥᏦᎯᏳᏅᎩ, ᎾᏍᎩᏯ ᎤᎬᏫᏳᎯ ᎠᏂᏏᏴᏫᎭ ᏚᏁᎸᎢ?\nᏕᏫᏰᏃ ᎤᏩᏒ ᎤᎬᏫᏳᎯ ᎢᎪᏎᎭ; ᎦᏙᏃ ᏗᎦᎴᏍᏙᏗᎭ ᎤᏪᏥ ᎢᎩ? ᎤᏂᏣᏘᏃ ᏴᏫ ᎤᎾᎵᎮᎵᏨᎯ ᎬᏩᏛᏓᏁᎴᎢ.\nᎦᏙᏃ ᎤᏍᏗ ᎾᏍᎩ ᎾᎿ ᎡᏍᎦ ᏕᏦᎭᏍᎦ ᏗᏐᎢ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ, ᎯᎠ ᎤᏩᏒ, ᎾᏍᎩ ᎠᏴ ᎠᏋᏒ ᎦᎨᏛ ᏂᏨ ᏴᏁᎸᎾ ᎨᏒᎢ? ᎨᏍᎩᎥᏏᏉ ᎠᏗᎾ ᎯᎠ ᎾᏍᎩ ᎤᏣᏘᏂ ᏂᏨᏯᏛᏁᎸᎢ.\nᎤᏪᏅᏎᏃ ᏫᏚᎵᏃᎮᏔᏁ ᏄᏂᎬᏫᏳ-Ꮢ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᎾᏓᏂᏱᏍᎩ, ᎢᏳᏩᏁᏗᏱ.\nᎿᏉᏃ ᎩᎶ ᎢᏳᎾᏍᏗ ᏗᏃᏪᎵᏍᎩ ᎤᏂᏁᏤ ᎯᎠ ᏄᏂᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᏰᎵᎦᏯ ᏂᏫ.\nᎾᏍᎩᏃ Ꮎ ᏥᏄᏍᏗ ᎤᏚᎩ ᏦᎬᎭ, ᎤᏣᏘ ᎠᎯᏗᏳ ᎦᎪᎵᏍᏗ ᎣᏥᏬᏂᎭ;\nᎣᏍᏛᏃ ᎧᏃᎮᏛ ᎢᎬᏱ ᏂᎬᎾᏛ ᏧᏁᏩᏗᏒ ᏴᏫ ᎠᎵᏥᏙᏗ ᎨᏎᏍᏗ.\nᎤᎵᏂᎩᏛᏃ ᏗᎧᎿᏩᏗᏙᎯ ᏅᏯ ᎤᎩᏒᎩ, ᎤᏔᏅ ᏗᏍᏙᏍᎩ ᏅᏯ ᎾᏍᎩᏯᎢ, ᎠᎺᏉᎯᏃ ᏭᏗᏅᏒᎩ, ᎯᎠ ᏄᏪᏒᎩ, ᎾᏍᎩᏯ ᎬᏍᎦᎢᏍᏓᎩ ᎾᏍᎩ Ꮎ ᎡᏆ ᎦᏚᎲ ᏓᏓᎶᏂ ᎠᏥᏲᏍᏙᏗ ᎨᏎᏍᏗ, ᎥᏝ ᎠᎴ ᎿᏉ ᎬᏩᏛᏗ ᏱᎨᏎᏍᏗ.\nᎠᏎᏃ ᏍᏉ ᏚᎸᏉᏕᎢ ᏧᏤᎵ ᏗᏂᏲᏟ ᏃᎴ ᏧᎵᏏ, ᎠᏎᏃ ᎨᏍᏗ ᏐᏉ ᎧᏅᏂᏍᎩ ᏳᎨᏛᏓ ᎤᏓᏅᏙᎩ.\nᎤᏲᏂᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏂᎯ ᎪᎴᏏᏂ! ᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏂᎯ ᏇᏣᏱᏗ! ᎢᏳᏰᏃ ᎤᏍᏆᏂᎪᏗ ᏱᏙᎦᎸᏫᏍᏓᏁᎴ ᏔᏯ ᎠᎴ ᏌᏙᏂ ᏂᎯ ᎢᏤᎲ ᏕᎦᎸᏫᏍᏓᏁᎸᎢ, ᎪᎯᎩ ᏗᎬᏩᏂᏁᏟᏴᏛ ᏱᎨᏎ ᏚᎾᏓᏅ-ᏛᎢ, ᏧᏏᏕᎾ ᏱᏚᎾᏄᏩᎡ ᎠᎴ ᎪᏍᏚᎯ ᏳᎾᏅᏁᎢ.\nᎦᏚᏏ ᎢᏰᏛ ᎨᏴ ᏥᏙᎬ ᎾᎨ ᎢᏴ ᏕᎦᎦᏙᏍᏛ, ᏧᏂᏍᏗ ᏄᎾᏍᏛ ᎠᏂᏍᎦᏯ, ᎠᎾᏛᏁᎵᏍᎩ ᎠᏲᏓᏌᎲ ᎾᏍᎩᏯ, ᎬᏛᎪᏗ ᏱᎨᏒᎾ ᎠᏂᏬᏂᏍᎬ.\nᎨᏍᏗ ᎦᎵᏥᏙᎥᏍᎩᏱᎩ.\nᎿᏉᏃ ᎠᏂᏆᎵᏏ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎢᎬᏩᏛᏛᏁ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ; ᎦᏙᏃ ᎨᏣᏍᏓᏩᏗᏙᎯ ᎥᏝ ᏱᏓᏂᎧᎿᏩᏕᎦ ᎡᏘ ᎤᎾᏕᏅᎯ ᎤᏂᏁᏨᎢ, ᎾᏍᎩ ᏂᏚᎾᏑᎴᎲᎾᏉ ᏣᎾᎵᏍᏓᏴᎲᏍᎦ?\nᎾᏍᎩᏰᏃ ᎦᏳᎳ ᏥᏂᏓᎦᏔᎰᎢ, ᎾᏍᎩ ᎾᏍᏉ ᏂᏚᏑᏰᏐ ᎤᏪᏥ ᏄᏍᏛ ᎾᏍᎩᏯ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᎢᎬᏱ ᎡᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏂᏣᏘ ᎠᎾᎵᏅᏟ ᎠᏁᎲᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏚᏳᎪᏗᏍᎪ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗᏱ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ, ᎤᏲᎨ ᏗᎦᎸᏫᏍᏓᏁᏗᏱ? ᎬᏅᎩᎶ ᎠᏍᏕᎸᎡᏗᏱ, ᎠᎯᏍᏗᏱᎨ? ᎡᎳᏪᏉᏃ ᎤᏅᏎᎢ.\nᎠᏴᏍᎩᏂ ᏂᏗᎥ ᏂᏗᎦᎵᎬᏚᎸᎾ ᎠᏓᎨᏗᏱ ᎾᏍᎩᏯ ᏕᏓᎧᏂᏍᎬ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ, ᎢᏓᏓᏁᏟᏴᎭ ᎾᏍᎩᏯ ᏄᏍᏛ ᏂᏓᎵᏍᏗᎭ, ᎦᎸᏉᏗᏳ ᎨᏒ ᎢᎩᎲ ᎧᏁᏉᏤᎦ, ᎤᎬᏫᏳᎯ ᎤᏓᏅᏙ ᎢᏳᏩᏂᏌᏛ ᎾᏍᎩᏯᎢ.\nᎨᏍᏗ ᎤᏩᏌ ᏱᎨᏎ.\nᎾᏍᎩ ᏄᏍᏗ ᎯᎠ ᎢᏨᏃᎮᎮᎸ ᎠᏴ ᏅᏩᏙᎯᏯᏛ ᎢᏨᏯᏓᏅᏓᏗᏍᏙᏗᏱ. ᎡᎶᎯ ᎤᏕᏲᏙᏗ ᏓᏥᏩᏛᎯ; ᎠᏎᏃ ᎤᎦᎵᏍᏗᏉ ᎢᏣᏓᏅᏖᏍᏗ; ᎠᏴ ᏥᏎᎪᎬᏒ ᎡᎶᎯ.\n “ᎭᏕᏬ, ᎭᏕᏬ! ᎨᏍᏗ ᎬᏍᏆᎵᏍᎦᏍᏙᏗᏱᎩ.” ᎤᎦᏔᎲᏎ ᎡᏆ ᎠᏓᏯ.\nᎠᏎᏉᏍᎩᏂ ᎾᎾᏛᏁᎭ ᎬᏆᏓᏙᎵᏍᏓᏁᎭ, ᏥᏓᎾᏕᏲᎲᏍᎦ ᏓᎾᏕᏲᎲᏍᎬ ᏴᏫᏉ ᎤᏂᏁᏨᎯ.\nᏫᏍᏗᏯᏅᏛᏃ ᏱᎦᎷᎩ ᎯᎠ ᏱᏂᏣᏪᏏ, ᎯᏯᏜᏅᏓᏗᏏ ᎯᎠ; ᎿᏉᏃ ᏣᏕᎰᏒᎯ ᏯᎴᏅ ᎡᎳᏗ ᎨᏒ ᏗᏂᏢᏗᏱ ᏫᏱᎶᎯ.\n“ᏛᎵᎩ ᎭᏗ?” \nᏔᎵ ᏧᏒᎯᏓ ᎬᎩᏢᏅ ᎨᏒ .\n“ᎭᎾᏉ ᏙᎦᏘᏁᎬ ᎤᏃᎴ.\n ᎠᏎᏃ, ᎠᏙᎯ ᎤᎴᎿᎴᎢ.\nᏚᏕᏲᏁᏃ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏝᏍᎪ ᎯᎠ ᏱᏂᎬᏅ ᏱᎪᏪᎳ, ᎠᏆᏤᎵ ᎠᏓᏁᎸ ᏂᎦᏗᏳ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᎾᏓᏙᎵᏍᏙᏗᏱ ᏚᏙᎡᏍᏗ? ᏂᎪᏍᎩᏂ ᎠᏂᏃᏍᎩᏍᎩ ᎤᏂᏴᏍᏗᏱ ᎤᏍᏓᎦᎸ ᏂᏨᏁᎸ.\nᏥᏌ ᎤᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎤᏟ ᎦᎸᏉᏗ ᏁᎦᏛ ᏗᎧᎿᏩᏛᏍᏗ ᎨᏒ ᎯᎠ ᎾᏍᎩ; ᎭᏛᎬᎦ ᎢᏏᎵ; ᏱᎰᏩ ᎢᎦᏁᎳᏅᎯ ᏌᏉᎯᏳ ᏱᎰᏩ;\nᏃᎴᏍᏉ, ᏍᎩᏂᏲᏍᏓᏁ ᎣᏍᏓ ᎣᏍᏓᏟᏃᎮᏍᎬ.\nᎤᎾᏅᏗ ᏦᎳᏂ ᏗᎬᏂᎨ ᎤᏍᎪᎸ ᎨᏒ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏂᏦᎵᎬᎾ ᏱᎨᏎᏍᏗ, ᎢᏦᎵᎩᏍᎩᏂ ᎨᏎᏍᏗ ᏄᏍᏛ ᎤᏚᎵᏍᎬ ᏅᎬᏫᏳᎯ.\nᎣᏍᏓ ᎤᏰᎸᎮ ᎤᏬᏨᏗ ᎠᏛᏁᎵᏍᎬ, ᏂᎦᏗ ᎤᎾᎦᏎᏍᏛᎢ, ᎤᎾᏛᏁᎸᏗ ᎠᎬᏱᏣ.\nᎧᏂᎩᏛ ᏣᎳᎩᏱ ᎠᏰᎵ.\nᎩᎳᏈᏴ ᏭᏩᏅᏓᏕᎢ ᏄᎦᏌᎴᏍᎬ ᎠᎵᏍᏓᏴᏗ ᏧᏍᏆᏴᏍᏗ.\nᎠᏂᏆᎵᏏ ᎤᎾᏛᎦᏅᎩ ᎤᏂᏣᏘ ᎾᏍᎩ ᎬᏩᏃᎮᏍᎬ ᎤᏕᎵᏛ ᏓᎾᎵᏃᎮᎵᏙᎲᎢ. ᎠᎴ ᎠᏂᏆᎵᏏ ᏄᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏚᏂᏅᏒᎩ ᏗᎾᏓᏂᏱᏍᎩ ᎾᏍᎩ ᏭᏂᏂᏴᏗᏱ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎡᏣᏙ ᏙᏛᎠᎴᎯᏌᏂ.\nᎯᎠ ᏄᏪᏒᎩ; ᎠᏴ ᎾᏍᎩ Ꮎ ᎤᏪᎷᎩ ᎯᎠ ᏥᏂᎦᏪ ᎢᎾᎨᎢ; ᎢᏥᏥᏃᎯᏍᏓ ᏅᏃᎯ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ; ᎾᏍᎩ ᏄᏪᏒ ᎢᏌᏯ ᎠᏙᎴᎰᏍᎩ.\nᏌᏩᏂᏃ ᏈᏓ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ; ᎦᎶᏁᏛ ᏂᎯ, ᎬᏂᏛ ᎤᏁᎳᏅᎯ ᎤᏪᏥ.\nᏓᎩᎳᎩᏒ ᎦᏂ ᎡᎳᏗ ᏂᏓᏋᏁᎸ ᏗᎦᏅᏆᎶᏍᏗ.\nᎢᏳᏰᏃ ᎢᎬᏱᏱ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎦᎫᎯᏍᏙᏗ ᏂᎨᏒᎾ ᏱᎨᏎᎢ, ᎥᏝ ᏅᏩᏓᎴ ᎧᏃᎮᏛ ᏗᏠᎯᏍᏙᏗᏱ ᏱᎬᏩᏂᏔᏲᎴᎢ.\nᎣᏏᏳᏰᏃ ᎠᎩᏰᎸᎭ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎢᎦ ᎬᏗᎭ ᎭᏫᏂ ᎠᏇᎲ ᏴᏫ.\nᏗᏓᏁᎸ ᏥᎮᎾ, ᏫᎬᏃᎮᎸ ᎤᏍᏗᎩᎨ ᏏᏆ ᏫᏥᎷᏨ.\nᎾᏍᎩ ᎢᏥᎩᏍᏗᏱ ᎤᏂᎬᏫᏳᎯ ᎤᏂᏇᏓᎸᎢ, ᎠᎴ ᎠᏂᏍᎦᏰᎬᏍᏓ ᎤᏂᏇᏓᎸᎢ, ᎠᎴ ᏧᎾᎵᏂᎩᏛ ᎠᏂᏍᎦᏯ ᎤᏂᏇᏓᎸᎢ, ᎠᎴ ᏐᏈᎵ ᎤᏂᏇᏓᎸᎢ, ᎠᎴ ᎾᏍᎩ ᎾᏧᎾᎩᎸᏗ, ᏂᏗᎨᏥᎾᏝᎥᎾ ᎠᎴ ᏗᎨᏥᎾᏝᎢ, ᎾᏍᏉ ᏧᎾᏍᏗ ᎠᎴ ᏧᎾᏔᏅ.\nᏌᎳᏓ ᎤᎧᏨᏫᏍᏔᏁᎴ ᏲᎾ ᎤᏤᏍᏙ.\nᎢᎦᏃ ᎿᏉ ᎦᎶᏐᎲᏍᎨᎢ ᎬᏩᎷᏎᎴ ᏔᎳᏚ ᎢᏯᏂᏛ ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏤᎴᎢ, ᏘᏰᎵᎯᏍᏓ ᎤᏂᏣᏘ, ᎾᏍᎩ ᏩᏁᎾ ᏙᏗᎦᏚᎲ ᎠᎴ ᏙᏗᎦᎶᎨᏒ ᎠᏂ ᎬᏩᏚᏫᏛ Ꮻ-ᏚᏂᏒᏍᏗᏱ, ᎠᎴ ᎤᎾᎵᏍᏓᏴᏗ ᏭᏂᏩᏛᏗᏱ; ᎠᏂᏰᏃ ᎢᎾᎨᏉ ᎨᏒ ᎢᏕᏙᎭ.\nᎣᎦᎵᏥᏙᏗᏱ ᎣᏍᏛ ᎧᏃ-ᎮᏛ ᏗᏤᎲ ᎤᏗᏗᏢ, ᎥᏝᏃ ᎣᎦᏢᏈᏍᏗᏱ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏅᏩᏓᏕ ᎩᎶ ᏩᏍᏛ ᎢᏴᏛ ᎠᎦᏟᎶᎡᎸᎢ, ᎦᏳᎳ ᎣᎦᏛᏅᎢᏍᏓᏁᎸᎯ ᎨᏒᎢ.\nᎠᎴ ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎯᎠ ᏱᏂᏪᏏ ᏗᏍᏓᏓᏅᏟ; ᏗᎾᏓᏅᏟ ᎬᎸᏏ ᎤᏢᏓᎸᏛ ᏣᎦᏑᎲᎢ, ᏨᏒᏃ ᏂᎪᏩᏘᏍᎬᎾ ᎤᏃᏍᏛ ᎠᏓ ᏨᏒ ᏣᎦᏑᎲᎢ? ᏣᏠᎾᏍᏗ! ᎢᎬᏱ ᎯᎸ ᎤᏃᏍᏛ ᎠᏓ ᏨᏒ ᏣᎦᏑᎲᎢ, ᎿᏉᏃ ᎬᏂᎨᏒᎢᏳ ᏣᎪᏩᏛᏗᏱ ᎨᏎᏍᏗ ᎯᎸᎡᏗᏱ ᎤᏢᏓᎸᏛ ᏗᏍᏓᏓᏅᏟ ᎤᎦᏑᎲᎢ.\nᎯᎠᏰᏃ ᏂᏨᏪᏎᎭ, ᎥᏝ ᎩᎶ ᎾᏍᎩ Ꮎ ᏫᎨᏥᏯᏅᏛ ᎨᏒ ᏴᏛᎾᎵᏍᏓᏴᏔᏂ ᏓᏆᏕᎳᏍᏔᏅᎢ.\nᎦᏲᏟ ᎦᎳᎨᏰ ᎤᏂᏥᏯ ᎠᏂᏯ ᏘᎵ ᏃᎴ ᏐᎯ ᎦᏙ, ᏧᏆᎶᎦ ᏱᏚᏓᎥᎾ ᏕᏧᎬ ᎭᏫᏂᏣ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏂᏣᏛᎩ ᎾᏍᎩ ᎤᏃᎯᏳᏅᎩ, ᎠᎴ ᎨᏥᎸᏉᏗ ᎠᏂᎪᎢ ᎠᏂᎨᏴ, ᎠᎴ ᎠᏂᏍᎦᏯ ᎠᏂᎦᏲᎵᏉ ᏂᎨᏒᎾ.\nᎨᏍᏗ ᎪᎰᏍᏗ ᎦᏳᏩᎾᏛᏁᏗ ᏱᎨᏎ.\nᎾᏍᎩᏃ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎣᎩᏱᎵᏙᎭ ᎠᏴ, ᏂᎯᏍᎩᏂ ᎬᏂᏛ.\nᏂᎯ ᏕᏧᎪᏗᏍᎪ ᎤᏇᏓᎵᏉ ᏧᏬᎪᏙᏗ ᎨᏒᎢ; ᎠᏴ ᎥᏝ ᎩᎶ ᏱᏗᏥᏳᎪᏓᏁᎰᎢ.\nᏆᎴᏗ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎠᏂᏯᏫᏍᎩ ᏕᏥᎧᎭ, ᎢᏤᎾ ᎾᏍᏓᏴ ᎢᎨᏨᏁᏗ ᎨᎡ ᏫᏂᏨᎦ.\nᎤᏅᏗ ᎠᏉᎳᏔᏅ ᎤᏥᏍᏓᏁᎴ ᏫᎵᎻ ᎤᏤᎵ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ, ᎠᏤᎯ ᎧᏁᏍᎦ ᏭᏗᏅᏎ ᎤᏴᏍᏗ, ᏃᏗ ᎤᏁᏅᏎ ᏩᎦ ᏧᏂᏍᏚᏗ ᎰᎻ, ᎠᎳᏂ ᏃᎴ ᎠᏂᎴᏴᏍᎩ ᏚᎾᎦᏔᏅᏎᎢ ᎠᏂᎧᎵ ᏩᎦ ᏃᎴ ᎤᏂᎦᏖᏅᎸᏎ.\nᎣᏍᏓ ᏏᏆ ᏧᏬᏪᎳᏁ ᏚᏏᎳᏛ ᏌᎳᏓ, ᎤᏣᏓ ᎣᏍᏓ ᏗᎧᏃᏗ ᎠᏁᎸᏗᏍᎨᎢ ᏫᎵᎻ.\nᎢᎬᏱᏱ ᎾᏍᎩ ᎯᎠ ᎬᏃᏛ ᏢᏓᏥ ᎤᏃᏕᎾ ᎾᏍᎩᏯ ᎨᏒᎩ, ᏔᎵᏁᏃ ᎾᏍᎩ ᎯᎠ ᎬᏃᏛ ᏩᎦ ᎠᎩᎾ ᎾᏍᎩᏯ ᎨᏒᎩ, ᏦᎢᏁᏃ ᎾᏍᎩ ᎯᎠ ᎬᏃᏛ ᏴᏫ ᎤᎧᏛ ᎾᏍᎩᏯ ᎤᎧᏛᎩ, ᎤᎩᏁᏃ ᎾᏍᎩ ᎯᎠ ᎬᏃᏛ ᎦᏃᎯᎵᏙᎯ ᎠᏬᏎᎵ ᎾᏍᎩᏯ ᎨᏒᎩ.\nᏍᎩᎾᎾ ᎢᏯᏆᏛᏁᏗ ᎨᏎᏍᏗ, ᎠᏂᏲᏍᎩ ᏓᎦᏥᏁᏤᎵ ᏂᎦᏓ ᎠᏂᏴᏫᏯ ᏧᏂᏅᎪᏫᏍᏘ, ᎢᏳᏍᏗᏉ ᎤᏤᎵᎪ ᎦᏙ ᎠᏁᎲ.\nᎤᏓᏅᏙᎩ ᎤᎵᏍᏗ ᏚᎷᏫᏍᏔᏁᎮ ᏃᎴ ᎤᎯᏐᏗ ᏃᎴ ᎤᎦᏴᎳᏨ ᎢᏳᏍᏗ ᏄᎵᏍᏗᏍᎨᎢ, ᎠᏎᏃ ᎭᎦᏔᎮᎢ ᎤᏍᏆᏂᎪᏔᏅᎢ ᏫᎵᎻ ᎬᏅᎢ, ᏃᎴ ᎤᏩᏙᎯᏴᏓ ᎤᏓᏅᏖᎢ.\nᎤᏍᏆᏙᎾ ᎧᏃᎮᏍᎬ ᎤᏃᎯᎸᏒ, ᎩᎳ ᎠᎬᏱ ᎠᏥᎸᏳᎵ ᎾᎥᏂ, ᏦᎳ ᏚᎦᏒᏍᏛ ᏃᎴ ᎤᏬᏗᎨ ᏫᏍᎩ, ᎨᏍᏗ ᏐᏉ ᎢᎧᏁᏨ ᏧᏃᎯᏎᎸ ᏱᎨᏎ ᏚᎵᏘᎾᎥ ᎤᏲᎰᏎᎸ ᏲᎾ, ᏍᎩᏴ ᎤᏒᎯ ᏥᎦᎷᎨ ᎤᏃᎯᎵᏙᎸ ᏁᏂᏏ ᏧᏃᎯᏎᎳ ᎡᏝᏪᎯ, ᎦᏂᏏ ᏓᏂᏅᎬ, ᏃᏥ ᏧᏩᏂᎦᏝᏅ ᎪᏒᏔᏅ, ᎤᏩᏄᎩᏣᏁ ᏃᎴ ᎤᎧᏛ ᎤᏍᎪᎵᏰᎡ ᏃᎴ ᏣᏁᎸᏔᏁᏗ ᎤᏬᏎᎴ, ᎯᎸᎢᏴ ᏍᎩᏉ ᎢᎦ ᎢᏓᏓᏔᎶᏍᎪ.\nᎯᎠᏃ ᏄᏪᏎᎴ ᎤᎬᏫᏳᎯ; ᏔᎴᎲᎦ, ᎮᎾ ᏗᎦᎳᏅᏛ ᎦᏥᏃᏍᏛ ᏥᏚᏙᎥ, ᏧᏓᏏᏃ ᎦᏁᎸ ᏫᏲᎦ ᏐᎳ ᏧᏙᎢᏛ ᏓᏌ ᎡᎯ. ᎬᏂᏳᏰᏃ ᎠᏓᏙᎵᏍᏗᎭ,\nᎠᏎᏃ ᎠᏂᏧᏏ ᏚᏂᏖᎸᏁ ᎨᏥᎸᏉᏗ ᎠᏂᎨᏴ ᎤᏁᎳᏅᎯ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ, ᎠᎴ ᎾᎿ ᎦᏚᎲ ᏗᎨᎦᏁᎶᏗ ᎠᏂᏍᎦᏯ, ᎠᎴ ᎾᏍᎩ ᏄᏅᏂᏌᏁ ᎦᎨᏥᏐᏢᏙᏗᏱ ᏉᎳ ᎠᎴ ᏆᏂᏆ, ᎠᎴ ᏚᏂᎨᎯᏙᎴ ᎤᎾᏤᎵᎪᎯ ᎨᏒᎢ.\nᎠᏂᎦᏗᏓ ᎤᏂᏲ ᎨᏒ, ᎠᏎᎩ ᏥᏄᎾᏍᏗᏉ ᏴᏫ.\nᎠᏏᏉᏃ ᎦᏚᎲ ᏪᏙᎲᎩ, ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏩᏍᏗᏰᏔᏅᎩ, ᏗᏍᎩᏰᏲᎲᏍᎩ, ᎭᎵᏍᏓᏴᎲᎦ, ᎠᎾᏗᏍᎬᎩ.\nᎢᏧᎳ ᏍᏉ ᏚᏂᏯᏪᎨ.\nᎤᎷᏣ ᏣᏄᏏ ᏔᎷᎩᏍᎩ ᎪᏱᏁ ᎢᎦ ᎤᎵᏍᏓᏴᏗ ᏫᎵᎻ ᎦᎶᏛ, ᎾᎨᎢᏴ ᏏᏆ ᎤᏴᏍᏗ ᎤᎴᏫᏍᏔᏁ.\nᎠᎦᏍᎩᏃ ᎾᏍᎩ ᏧᏫᏎᎢ, ᎾᏍᎩ ᎠᏍᎩᎾ; ᎤᎦᏛᎾᎢᏍᏗᏱᏃ ᎨᏒ ᎾᏍᎩ ᎠᎵᏍᏆᏛᎭ ᎡᎶᎯ; ᎠᏂᏍᎫᏕᏍᎩᏃ ᎾᏍᎩ ᏗᏂᎧᎿᏩᏗᏙᎯ.\nᎠᏆᎵᏏᏃ ᎾᏍᎩ ᏭᏯᏅᏛ ᎤᎪᎲ, ᎤᏁᏤ ᏧᏓᏅᏛ ᎯᎠ ᏂᎦᏪᏍᎨᎢ; ᎯᎠ ᎠᏍᎦᏯ ᎢᏳᏃ ᎠᏙᎴᎰᏍᎩ ᏱᎨᏎ ᏳᏙᎴᎰᏎ ᎾᏍᎩ ᎨᏒ ᎠᎴ ᎢᏳᏍᏗᏉ ᎨᏒ ᎯᎠ ᎠᎨᏴ ᏧᏃᏟᏍᏗᎭ, ᎠᏍᎦᎾᏰᏃ.\nᎠᎴ ᏄᏜᏏᏛᏒᎾ ᎡᏍᎦ ᎢᏯᏥᎸᏉᏗ ᎨᏒ ᎣᏍᏛ ᎤᏁᏤᎰ ᎤᏟ ᎢᏯᏥᎸᏉᏗ.\nᏧᎾᏓᎴᏅᏛᏃ ᏴᏫ ᎾᏍᎩ ᎨᏥᏍᏕᎸᏛ ᎨᏒ ᎾᏍᎩ ᏚᎸᏌᏛ ᎠᏁᏙᎮᏍᏗ; ᎤᏂᎬᏫᏳᏃ ᎡᎶᎯ ᎠᏁᎯ ᎾᎿ ᎠᏂᏴᎯᎭ ᎨᏥᎸᏉᏛ ᎠᎴ ᏧᎾᏤᎵ ᏧᏓᎴᏅᏛ ᏗᎦᎸᏉᏗ.\nᎯᎠ ᎠᏗᎾ ᏂᏥᏪᎭ, ᏥᎪ ᏚᏃᏕᎸ ᏰᎵ ᏧᏂᏅᎢᏍᏗᏱ ᎠᏰᎸᏎᎢ? ᎬᏩᏟᏍᏗ; ᎾᏍᎩᏍᎩᏂ ᏚᏂᏅᏨ ᏄᏩᏂᏌᏅ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎤᏂᎷᏤᎸ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎾᏍᎩ ᎤᎾᏛᏳᎨᏗᏱ ᎢᏳᏅᏂᏐᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᎤᎩᏨᏅ ᎢᏴᏛ ᏱᏫᏤᎵᎯᏍᎨᏍᏗ, ᎤᎩᏨᏅᏰᏃ ᎤᏩᏒ ᏧᏓᎴᏅᏛ ᏛᏕᎵᎯᏍᏔᏂ. ᏰᎵᏉ ᎤᏲ ᎢᎦ ᎤᏪᎲᎢ.\nᎯᎠᏍᎩᏂ ᏂᏥᏪᎭ, ᎾᏍᎩ Ꮎ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏥᎸ ᎨᎳᏍᏙᏗ ᏣᎾᎵᏍᎪᎸᏗᎪᎢ, ᎠᏂᏍᎩᎾ ᏓᎾᎵᏍᎪᎸᏔᏁᎰᎢ, ᎥᏝᏃ ᎤᏁᎳᏅᎯ; ᎥᏝᏃ ᏯᏆᏚᎵᎭ ᎠᏂᏍᎩᎾ ᎤᎾᏤᎵ ᎨᏒ ᎢᏤᎳᏗᏍᏙᏗᏱ.\nᎠᎴ ᎦᎪ ᎢᏳᏍᏗ ᎤᎬᏫᏳᎯ, ᏓᎿᏩ ᏱᏅᏛᏅᏁᎵ ᏅᏩᏓᎴ ᎤᎬᏫᏳᎯ, ᎥᏝ ᎢᎬᏱ ᏱᎦᎲᏍᎪ ᎠᎴ ᏯᏓᏅᏖᏍᎪ ᏰᎵᏉ ᎠᏍᎪᎯ ᎢᏯᎦᏴᎵ ᏓᏘᏁᎲ ᏗᎬᏩᎾᏟᏴᏗ ᎨᏒ ᏧᎦᏘᎴᎩ ᏔᎳᏍᎪᎯ ᎢᏯᎦᏴᎵ ᏓᏘᏁᎲᎢ.\nᎡᎳᏆᏗ ᎤᏄᎩᏣᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎿᏉᏃ ᎠᏍᎪᎯᏧᏈ ᏗᏓᏘᏂᏙᎯ ᎠᎴ ᎾᏍᎩ ᎾᎢᏧᎳᎭ ᏥᏌ ᎬᏩᏯᏫᏍᎩ, ᎤᎾᏙᎴᎰᏒ ᎦᏙᎯ ᎠᎵᏖᎸᎲᏍᎬᎢ, ᎠᎴ ᎾᏍᎩ ᏄᎵᏍᏔᏂᏙᎸᎢ, ᎤᏣᏖ ᎤᏂᏍᎦᎴᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎤᏙᎯᏳᎯᏯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏎ ᎯᎠ.\nᎾᏍᎩ ᎤᏂᏣᏘ ᏁᏍᏛ ᏓᎾᏓᏅᏖᏍᎬ ᏧᏂᎾᏫᏱ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗᏱ: ᎥᎥ, ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎾᏍᏉ ᏨᏒ ᏣᏓᏅᏙ ᏓᏣᏘᎵ.\nᎦᏁᏥ ᎢᏴ ᎢᎦᏘ ᏚᏌᏁ ᏅᏯ, ᏩᏯ ᏃᎴ ᏲᎾ ᎤᎾᏕᏯᏙᏗ ᏱᎨᏒᎾ ᎦᏂᏌᎲ. ᎠᏂᎶᏏᏙᎢᏃ ᎤᏂᏐᏗᏉ ᏅᏯ ᎦᏚᎢ ᎤᏪᎵᏎ.\nᏅᎩᏁᏃ ᎨᏒ ᏗᎧᎿᎧᏩᏗᏙᎯ ᏅᏙ ᎢᎦ-ᎡᎯ ᎧᎸ ᎤᏪᏐᏴᏅᎩ ᎫᎫ ᎠᏰᎲ ᎠᏟᏍᏛᎢ; ᎠᎴ ᎠᎦᎵᏍᎪᎸᏓᏁᎸᎩ ᎠᏥᎸ ᎬᏗ ᏧᎴᏴᏙᏗᏱ ᏴᏫ.\nᎿᏉᏃ ᏉᎳ ᏚᏯᏅᎲᎩ ᎠᏂᏍᎦᏯ, ᎤᎩᏨᏛᏃ ᎢᏧᎳᎭ ᎤᎾᏓᏅᎦᎸᎲᎩ, ᏗᎦᎳᏫᎢᏍᏗᏱ ᏭᏂᏴᎸᎩ, ᎧᏃᎲᏍᎬᎩ ᎤᎵᏍᏆᏛ ᎢᎪᎯᏛ ᎠᏓᏅᎦᎸᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎠᎵᏍᏆᏗᏍᎬᎢ ᎠᏓᏁᏗ ᎨᏒ ᎠᏂᏏᏴᏫᎭ ᎤᎾᎵᏍᎪᎸᏙᏗ ᎨᏒᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎢᎸᎯᏢ ᎦᏚᎲ ᎡᏙᎲᎢ, ᎬᏂᏳᏉ ᎠᏍᎦᏯ ᏂᎬ ᎠᏓᏰᏍᎩ ᎤᏢᎩ ᎾᎿ ᎡᏙᎮᎢ; ᎾᏍᎩ ᏥᏌᎤᎪᎲ ᎤᏯᏍᏚᏎᎢ, ᎠᎴ ᎤᏔᏲᏎᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᎢᏳᏃ ᎣᏏᏳ ᏱᏣᏰᎸᏅ ᏰᎵᏉ ᏱᏍᎩᏅᎦᎸ.\nᏭᏩᏅᏓᏕᎢ ᏄᏪᏎᎸ ᎡᏆ ᎠᏣᏗ ᎾᏍᎩᏃ...\nᎾᏍᎩ ᎢᏳᏍᏗ ᎡᏥᎸᏉᏗ ᎢᏓᎵᏅᏟ, ᎢᏣᏠᏯᏍᏗᏍᎩ ᎦᎸᎳᏗ ᎤᎬᏩᎵ ᎥᏓᏘᏯᏅᏗ ᎨᏒᎢ, ᎡᏣᏓᏅᏛᎵ ᎦᎶᏁᏛ ᏥᏌ ᎠᏥᏅᏏᏛ ᎠᎴ ᏄᎬᏫᏳᏒ ᎠᏥᎸᎨᎶᎯ ᎾᏍᎩ ᏤᏓᏁᎶᏗ ᏥᎩ.\nᎠᏎᏃ ᏚᎪᎲ ᎤᏂᏣᏘ ᎠᏂᏆᎵᏏ ᎠᎴ ᎠᏂᏌᏚᏏ ᎠᏂᎷᎬ ᏓᏓᏬᏍᎬᎢ, ᎯᎠ ᏂᏚᏪᎭᎴᎢ; Ꮵ! ᎢᎾᏛ ᏧᏁᏥ ᏂᎯ! ᎦᎪ ᎢᏤᏯᏔᏅ ᎡᏣᎵᎡᏗᏱ ᎤᏔᎳᏬᎯᏍᏗ ᏨᏣᎢ?\nᎠᏂᏍᎩᎾᏃ ᎬᏩᏔᏲᏎᎴᎢ, ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ; ᎢᏳᏃ ᏍᎩᏂᏄᎪᏫᏒᎭ, ᎤᎾᏁᎳᎩ ᏍᎩᏁᎵᏎᎸᎭ ᏏᏆ ᏑᎾᏓᏡᎩ ᏫᎪᏍᏗᏴᏍᏗᏱ.\nᎤᏬᎵᏃ ᏣᎦᎦᏃᏗᏱ ᏣᏍᏆ ᏅᏯ ᎾᏍᎩᏯ ᎨᏒᎩ, ᎠᎴ ᏌᏗᏂ ᏅᏯ; ᎤᏅᎪᏔᏛᎩᏃ ᎬᏩᏚᏫᏛ ᎦᏍᎩᎸᎢ, ᏗᎧᏃᏗᏱ ᎡᎻᎳ ᏅᏯ ᎾᏍᎩᏯ ᎨᏒᎩ.\nᎠᏎᏃ ᎠᏏ ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᏄᎵᏍᏔᏅᎾ ᎨᏎᏍᏗ ᏙᏓᎨᏥᏂᏴᎯ ᎠᎴ ᎤᏲᏅᏓᎨᏨᏁᎵ, ᏕᎨᏥᏲ-ᏍᎨᏍᏗ ᏧᏂᎳᏫᎢ-ᏍᏗᏱ, ᎠᎴ ᏗᏓᏍᏚᏗᏱ, ᎠᎴ ᏕᏣᏗᏃᎯᎮᏍᏗ ᎤᏂᎬᏫᏳᎯ ᎠᎴ ᏄᏂᎬᏫᏳᏌᏕᎩ ᏚᏃᎸ ᎢᎬᏱᏗᏢ ᎠᏴ ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᎾᏍᎩᏃ ᎠᏰᎵ ᏗᎴᏁᎯ ᏥᎨᏐ ᎥᏝ ᎠᏏᏴᏫᏉ ᎠᏰᎵ ᎠᎴᏁᎯ ᏱᎨᏐᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎠᏏᏴᏫᏉ.\nᏧᏂᏴᏍᏓᎩᏍᎩ ᏄᎾᏍᏛ ᎾᏆᏍᏗ.\nᎠᏎ ᎠᏯ ᎤᎬᏫᏳᎲ ᎤᏊᎪᏓᏁᎸ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏧᏂᏲᎱᏒᎯ ᏓᏂᏂᏏᏍᎨᏍᏗ ᏗᎬᏩᏂᏲᎱᎯᏎᎸᎯ; ᏂᎯᏍᎩᏂ ᎮᎾ ᏩᎵᏥᏙᎲᎦ ᏫᏃᎲᎵ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᏈᏓᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎡᏂᎾᏯ, ᎦᏙᏃ ᏎᏓᏂ ᏣᎾᏫ ᎢᏣᎧᎵᎡᎸ, ᎯᏯᏥᎪᏁᏗᏱ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎠᎴ ᏣᎬᏩᎳᏅᎯ.\nᏂᎦᎥ ᎪᎱᏍᏗ ᏓᎩᏲᎯᏎᎸ ᎡᏙᏓ, ᎠᎴ ᎥᏝ ᎩᎶ ᏯᎦᏔᎭ ᎤᏪᏥ ᎤᏙᏓᏉ ᎤᏩᏒ; ᎥᏝ ᎠᎴ ᎩᎶ ᏯᎦᏔᎭ ᎠᎦᏴᎵᎨᎢ ᎤᏪᏥ ᎤᏩᏒ, ᎩᎶᏃ ᎾᏍᎩ ᏥᎾᏄᎪᏫᏏ ᎡᎳ ᎤᏪᏥ.\nᎠᏥᎾ ᏧᎬ ᏗᏧᏓᎴᏁ \nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏂᎯᎾᏃ ᎦᎪ ᏍᎩᏳᏎᎭ? ᏈᏓ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎶᏁᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎡᎵᏍᏗ ᎣᏍᏓ ᎠᏰᎸᏗ ᏗᏏᎳᏛᏗ.\nᎡᎳᏗ ᏑᏓᎵ ᎢᏯᎳᏏᏔᏅ ᎢᎬᏓ, ᎭᏫᏂᏨ ᏩᎾ ᎦᏙ, ᏍᎪᎯᏍᏆ ᏧᏕᏘᏴᏓ ᏕᎪᎰᏍᎬ ᏴᎩ ᏃᎴ ᏩᎾ ᎦᏙ ᏚᎪᏒ ᏴᎩ.\nᎤᎾᏕᏘᏱᏍᎬ ᏓᎦᎷᏥ, ᏃᏗ ᏓᎫᏔᏂ.\nᎤᎴᏫᏍᏔᏁ ᏌᎳᏓ.\nᎢᏧᎳᎭᏃ ᎤᏁᏙᎸᎯ ᏴᏫ ᎾᎯᏳ ᎠᏤᎵᏍᏛ ᏭᏯᏅᎲ ᎳᏏᎳ, ᎠᎴ ᎤᏲᎱᏒ ᏕᎤᎴᏔᏅ, ᎤᏂᏃᎮᎸᎩ.\n”ᏁᎳᎩ!” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎢᏳᏰᏃ ᎡᏆᎭᎻ ᏚᎸᏫᏍᏓᏁᎲ ᎤᏚᏓᎴᏍᏔᏅᎯ ᏱᎩ, ᎤᎭ ᎤᏢᏈᏍᏙᏗ; ᎠᏎᏃ ᎥᏝ [ᏳᎭ,] ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\nᎭᏢᏃ ᏧᏓᎴᏁ ᎯᎠ ᏥᏚᏙᎠ?\nᎠᎴ ᎠᏍᏓᏯ ᎤᏁᎷᏅᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ, ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎣᎦᏁᎳᏅᎯ ᎧᏁᎢᏍᏓᏁᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎦᏍᎩᎸ ᏧᏬᎳ, ᎠᎴ ᎤᏃᏕᎾ ᎠᎩᎾ ᎧᏁᎢᏍᏓᏁᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩ ᎬᏭᎯᏍᏗᏍᎩ ᏚᎾᎴᏅ, ᎥᏝ ᎪᎱᏍᏗ ᏳᏂᎾᏄᎪᏫᏎ ᎾᏍᎩ ᏯᏂᎾᏄᎪᏩ ᎠᏇᎵᏒ ᎾᏍᎩ ᎠᏄᎯᏍᏗᏍᎬᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎰᏍᏛ ᏈᎵᏏ, ᏂᎪᎯᎸ ᎠᎴ ᏂᎬᎾᏛ ᏂᎦᎥ ᎠᎵᎮᎵᏍᏗ ᎨᏒ ᎣᏣᏓᏂᎸᎪᎢ.\nᎾᏍᎩᏴ ᎦᏳᎳ ᎣᎭᏂᏱ ᎨᏎ ᎩᎶ ᎯᏍᏕᎸᏗ.\nᎡᎶᏛᏃ ᎠᎴ ᏧᏤᎵ ᎠᏂᏯᏫᏍᎩ ᎦᎬᏩᏐᏢᏔᏁᎢ, ᎠᎴ ᎬᏩᏕᎰᏔᏁᎢ, ᎠᎴ ᏗᎬᏩᎸᏎᏛ ᎠᏄᏬ ᎤᏂᏄᏬᎥ ᏆᎴᏗ ᏔᎵᏁ ᏭᏂᎧᏁᎴᎢ.\nᎾᏍᎩ ᎬᏂᎨᏒ ᎢᎬᏁᏒ ᏥᎩ ᎤᏁᎳᏅᎯ ᏚᏳᎪᏛ ᏧᏭᎪᏛᏗ ᏧᏭᎪᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏰᎵ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᎢᏤᎯ ᎡᏤᎵᏎᏗᏱ, ᎾᏍᎩ ᎾᏍᏉ ᎤᎬᏩᎵ ᏥᏥᎩᎵᏲᎦ.\nᎤᏂᏁᏨ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᏥᎪ ᎾᏍᏉ ᏂᎯ ᎨᎵᎵ ᎮᎯ? ᏣᏲᎦ ᎠᎴ ᎭᎦᏌᏯᏍᏓ, ᏝᏰᏃ ᎨᎵᎵ ᎤᎾᏄᎪᎢᏍᏗ ᏱᎩ ᎠᏙᎴᎰᏍᎩ.\nᎠᎴ ᎩᎶ ᏠᎨᏏ ᏪᏙᎯ ᏞᏍᏗ ᏴᏗᎤᏨᏎᏍᏗ ᏧᏄᏬ ᏱᏚᏁᏐᎴᏍᏗ.\nᎠᏍᎡᏃ ᎤᏟ ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ ᏔᏯ ᎠᎴ ᏌᏙᏂ ᎤᎵᏍᏆᎸᏗ ᎢᎦ ᎨᏎᏍᏗ ᎡᏍᎦᏉ ᏂᎯ.\nᏃᏗ ᏩᎧᏲᏍᎪᎢ ᎤᏍᏓᎦᏴᎯᏓ ᏂᎦᎵᏍᏗᏍᎪ.\nᏦᎢᏁᏃ ᏫᏚᎷᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎨᏥᎵᏁᏍᏗᏉ ᎿᏉ, ᎠᎴ ᎢᏣᏣᏪᏐᎸᏍᏓ; ᎿᏉ ᎦᎶᏐᎾ-ᎿᏉ ᎠᏍᏆᎸ ᎾᎯᏳ ᎨᏒᎢ; ᎬᏂᏳᏉ ᏴᏫ ᎤᏪᏥ ᎠᏂᏍᎦᎾ ᏕᎨᏥᏲᎯᏏ.\nᏣᏛᎦᏅᎯᏍᎩ Queensborough ᎠᏒᏨ?” ᎤᎵᏍᏛᏂᎴᎢ ᏫᎵᎻ.\nᎿᏉᏃ ᎯᎠ ᏂᏨᏪᏎᎭ, ᏞᏍᏗ ᏗᏣᎵᏌᎳᏁᎸ ᎯᎠ ᎠᏂᏍᎦᏯ, ᎤᎾᏁᎳᎩ ᏗᏤᎵᏏ, ᎢᏳᏰᏃ ᎯᎠ ᎠᎾᏓᏅᏖᏍᎬ ᎠᎴ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏴᏫᏉ ᏅᏓᏳᏓᎴᏅᎯ ᎢᎨᏎᏍᏗ, ᎤᏲᏥᏓᏍᏗᏉ;\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏒᏂᎦᎵᏍᏓ ᎯᎠ ᏂᏥᏪᏍᎪᎢ; ᎤᎸᎦᎵᏱᏌᏛ ᎨᏎᏍᏗ, ᎦᎸᎶᏰᏃ ᎩᎦᎨᎢᏳ ᎢᎩ.\nᏧᏓᏏ, ᎾᎥᏂ ᎯᏃᎯᎵᏎᏍᏗ ᎤᎾᏰᎯᏍᏗ ᏫᏓᏗᎶᏏ.”\nᎤᏁᎳᎩ ᏅᏇᏲᏅᎾ ᏱᎩ ᎠᎩᏬᏂᎯᏍᏗᏱ, ᎠᏎᏃ ᎥᏝ ᎾᏍᎩ ᏱᏄᏍᏗ ᏥᎦᏔᎾᎥᎢ; ᏂᎦᎥᏉᏍᎩᏂ ᏃᎦᏍᏛ ᎬᏂᎨᏒ ᏃᎦᎵᏍᏔᏅ ᎾᏂᎥ ᎠᏂᎦᏔᎲ ᏂᎯ ᎢᏤᎲᎢ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ; ᏧᏗᏱ ᎦᏚᏱ ᎦᏚᎲᎢ; ᎯᎠᏰᏃ ᏄᏩᏅ ᎤᏬᏪᎳ ᎠᏙᎴᎰᏍᎩ;\nᏕᎭᏘᏃᎸ ᏃᏉ ᏱᏂᏲᎯᏍᏔ ᎢᏳᏍᏘᏉ ᎢᏂᏰᎵᏒ.\nᎦᎵᏦᏕᏃ ᏭᏴᎸ ᏚᏓᏅᎡᎸ ᏴᏫ, ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏩᏛᏛᏁ ᏓᏟᎶᏍᏛ ᎤᎬᏩᎵ.\nᎤᎵᎮᎵᏤ ᎠᏎᏃ ᎤᎸᏔᎵᏕᎾ ᏄᎵᏍᏔᏁᎮ.\nᏧᏍᏆᏴᏍᏗ ᎦᏟᎮ.\nᎨᏍᏗ ᏗᎫᏩᎦᏙᏍᏙᏗ ᏱᎨᏎ ᏃᏉ.\nᎠᎩᏚᏚ ᎤᏛᏅ.\nᏂᎦᏓ ᎣᏏᏉᏧ?” \nᎾᏍᎩᏯᏃ ᎯᎠ ᏂᎬᏅ ᎦᏪᎳ, ᎢᎬᏱᏱ ᏴᏫ ᎠᏓᏫ ᎬᏃᏛ ᏄᎵᏍᏔᏁᎢ; ᎣᏂᏱᏃ ᎠᏓᏫ ᎠᏓᏅᏙ ᎬᏂᏛ ᏗᏁᎯ ᏄᎵᏍᏔᏁᎢ.\n”ᎠᎳᏂ, ᏫᏏᎳᏗᎥᏏ ᏗᎦᏃᏣᏝᏍᎩ ᏐᏉ ᎤᎩᏓᏟ, ᏫᏃᎯᏏ ᏄᎵᏍᏔᏅᎢ.\nᎾᏍᎩᏃ ᎠᏆᎵᏃᎮᏔᏅᎯ ᎦᏁᎲᎩ ᎠᏕᎸᏓᎶᏂᎨ ᎠᏢᏔᏅᎯ ᎠᏟᎶᏍᏗ, ᎦᏚᎲ ᎠᏟᎶᏍᏗ, ᎠᎴ ᎦᎶᎯᏍᏗᏱ ᏗᏟᎶᏍᏗ, ᎠᎴ ᎠᏐᏴ ᎠᏟᎶᏍᏗ.\nᏌᏊᏃ ᎢᏳᏩᎬᏘ ᎤᎦᏔᏊ ᎨᏎᎢ, ᏃᏊᏃ ᏒᎦᏔ ᎢᏈᎬᎢ ᎢᎩ.\nᏑᎾᎴ ᏄᎵᏍᏔᎾ ᎠᎦᏕ ᎤᏬᏚᏨ ᎨᏎ ᏌᎳᏓ ᏚᏏᎳᏛ.\nᎠᎴ ᎤᎴᏅᎮ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎪᎯ ᎢᎦ ᏥᎩ ᎠᎴ ᎾᏍᎩ ᎪᏪᎸ ᎠᏙᎯᏳᎲᎦ ᎢᏣᏛᎩᏍᎬᎢ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ; ᏂᏦᎯᏳᏒᎾ ᎠᎴ ᎢᏣᎦᏔᎲᏛ ᎪᎯ ᏥᏤᎭ, ᎢᎳᎪ ᏂᎪᎯᎴᏍᏗ ᎢᏨᏰᎳᏗᏙᎮᏍᏗ? ᎢᎳᎪ ᏂᎪᎯᎴᏍᏗ ᎤᎾᏁᎳᎩ ᎢᏨᏰᎵᏎᎮᏍᏗ? ᏍᎩᏯᏘᏃᎯᏏ\nᎾᎿ ᏙᏥᏩᏛᎲᎩ ᎣᏣᏓᏅᏟ, ᎠᎴ ᎪᎩᏔᏲᏎᎸᎩ ᎦᎸᏉᎩ ᏧᏒᎯᏛ ᏓᏂᏁᎸ ᎣᎦᏅᏗᏱ. ᎿᏉᏃ ᎶᎻ ᏫᏚᏳᎪᏛ ᏬᎩᎶᏒᎩ.\nᏃᏊ ᎤᎦᏛᏓᏁᎸ ᎡᏙᏓ ᏥᎨᏒ ᎠᎴ ᎦᎶᏇ ᎤᏒᏕᎾ ᏭᏴᎲ ᎦᎵᏦᏕ.\nᎢᏳᏃ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᏳᏩᏂᏌᏅᎯ ᏱᎩ; ᎿᏉ ᎥᏝ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎢᏳᏩᏂᏌᏅᎯ ᏱᎩ; ᎢᏳᏃ ᎾᏍᎩ ᏱᏄᏍᏗ, ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎥᏝ ᎿᏉ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏱᎦᎩ. ᎢᏳᏩᏂᏌᏅᎯ ᏱᎩ, ᎿᏉ ᎥᏝ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᏳᏩᏂᏌᏅᎯ ᏱᎩ; ᎢᏳᏃ ᎾᏍᎩ ᏱᏄᏍᏗ, ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎥᏝ ᎿᏉ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏱᎦᎩ.\nᎿᏉᏃ ᎤᏂᏃᎮᎴ ᎤᏅᏒ ᎨᏒᎢ, ᎾᏍᎩ Ꮎ ᎤᎾᏓᏡᎬ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ.\nᎾᏍᎩ ᏆᎳᏆ ᎤᏓᏑᏰᏛ ᎤᎾᎵᏖᎸᏅ ᎾᎿ ᎦᏚᎲ ᎠᎴ ᎤᏓᎸᎢ ᎠᏥᏍᏛᏗᏍᏔᏁ ᏗᏓᏍᏚᏗᏱ ᎠᏥᏴᏔᏅᎯ ᎨᏎᎢ.\nᎨᏍᏗ ᎪᎰᏍᏗ ᏯᏂᏁᎮ ᎤᏂᎯᏍᏙᏗ.\nᎢᎦ ᎢᏣᏘᏍᏗᏍᎬ ᏚᏂᎸᏌᏓᏕᎮᏍᏗ ᏴᏫ, ᎾᏍᎩᏃ ᎣᏍᏛ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎠᏂᎪᏩᏘᏍᎨᏍᏗ, ᎠᎴ ᎠᏂᎸᏉᏗᏍᎨᏍᏗ ᎢᏥᏙᏓ ᎦᎸᎳᏗ ᎡᎯ.\nᎤᏛᎦᏍᏔᏅ ᏓᏊᎪᏔᏅ ᎤᏗᏔᎲ ᏫᏍᎩ ᎤᎵᏏᏅᏓ.\nᏧᏓᏏᏃ ᎠᎴ ᏌᏱᎳ, ᎤᏣᏖ ᎢᎧᏁᏨᎯ ᏚᏂᏬᏁᏔᏁ ᎠᎾᏓᏅᏟ ᎠᎴ ᏚᎾᎵᏂᎪᎯᏍᏔᏁᎢ, ᎾᏍᏉᏰᏃ ᎤᏅᏒ ᎠᎾᏙᎴᎰᏍᎩ ᎨᏎᎢ.\nᎣᏁᎢᏴ ᏑᎾᎴᎢ, ᎱᏂᎷᏤ ᎨᏥᎾᏌᎢ ᏦᎨᏏ ᎤᏁᏙᎸ--- ᎤᏂᏃᏕᎾ, ᎤᏂᏃᏕᎾ ᎠᏂᏓ, ᏌᏌ ᎠᏨᏯᎢ, ᏌᏌ ᎠᎩᏌ ᏃᎴ ᎦᎵᏉᎩ ᎢᏯᏂ ᏌᏌ ᎠᏂᏓ.\nᎣᏍᏓᎦ ᎡᏓᏍᏗ ᎭᎾ ᏃᎴ ᎡᏝᏪᎯ.\nᎯᎾᏘᏃᎦ, ᎤᏛᏅ ᏲᎾ.\nᎾᎯᏳᏃ ᎨᏒ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎤᏂᏲᎮᏍᏗ ᏴᏫ, ᎠᎴ ᎥᏝ ᎤᏂᏩᏛᏗ ᏱᎨᏎᏍᏗ; ᎠᎴ ᎤᎾᏚᎵᏍᎨᏍᏗ ᏧᏂᏲᎱᎯᏍᏗᏱ, ᎠᏎᏃ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎤᎾᎵᏘᎡᏗ ᎨᏎᏍᏗ.\nᎠᏴᏰᏃ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ ᎤᏁᎳᏅᎯ ᎤᏪᏩᏒᎢᏍᏗ ᏃᏣᎵᏍᏗᎭ ᎦᎶᏁᏛ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎨᏥᏍᏕᎸᏗ ᏥᎩ, ᎠᎴ ᎾᏍᎩ ᏧᏂᏲᎱᎯᏍᏗ ᏥᎩ.\nᏣᎵ ᏃᎴ ᎠᏂᏧᏣ ᏗᏂᏙᎬ ᎾᎥᏂ ᏭᎴᏅ ᎤᏣᎴᏛ.\nᏐᏈᎵ ᏍᏖᏴᏓ ᎬᏘ ᏗᎧᏁᎸ ᏗᏂᏅᏍᎨᏂ ᎤᎾᎵᏍᏔᏴᏃᎾ, ᎤᎵᏏᎬ ᎢᏴ ᎤᏂᏍᎦᎢᏛ ᏓᎾᎳᏍᎨᏍᎬ ᏃᎴ ᏂᏛᏂᏪᏍᎬ.\nᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎡᎳᏆᏗ ᎤᏂᎷᏤ, ᏗᏓᎾᏏᏁᎩ ᎠᏂᎾᏏᏂᏎᎢ.\nᎯᏍᎩ ᎢᏳᏩᎬᏘ ᎤᏩᎭᏂᎸ ᎠᏓᏅᏙ.\nᏍᏓᏯ ᏚᏃᏴᎨ ᏧᏍᏆᏴᏍᏗ ᏕᎦᏅᏙᎬ ᎠᏓ ᎠᏍᎪᎩᏍᎬ.\nᏂᎯ ᎢᏨᏒ ᎢᏥᎦᏔᎯ ᎯᎠ ᏥᏂᏥᏪᏍᎬᎩ; ᎠᏴ ᎥᏝ ᎦᎶᏁᏛ ᏱᎩ, ᎥᎩᏅᏏᏛᏉᏍᎩᏂ ᎢᎬᏱ ᏥᏰᏅᎡᎯ.\nᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏕᏫ ᎢᎩᏙᏓ ᎤᏤᎵ ᎤᎬᏫᏳᎯ ᎨᏒᎢ, ᎾᏍᎩ ᏱᎰᏩ ᏚᏙᏍᏛ ᏥᎦᎷᎯᏍᏗᎭ; ᎰᏌᎾ ᏩᏍᏛᎦᎸᎳᏗᏳ.\nᎠᎪᏍᏗ ᎨᏒ ᏍᎩ ᏄᏍᏛ ᎠᏯᏖᏂ.\nᎡᎵᏍᏗ ᎦᏲᏟ ᏥᏁᎢᏯ ᎠᏆᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ.”\nᎤᎯᏐᏗ ᎤᏓᏅᏘ, ᎤᏓᏏᏁᎢ ᏃᎴ ᎠᎦᏍᎬ ᎤᏛᎦᏍᏔᏁᎢ ᏫᎵᎻ.\nᎾᏍᎩᏃ ᏅᏓᎦᎵᏍᏔᏂ ᏂᎦᏗᏳ ᎢᏏᎵ ᎨᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ; ᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᏌᏯᏂ ᏅᏓᏳᏓᎴᏅᎯ ᏓᎦᎷᏥ ᏗᎫᏓᎴᏍᎩ, ᎠᎴ ᎢᏴᏛ ᏅᏓᎬᏁᎵ ᎤᏁᎳᏅᎯ ᏄᏂᎸᏉᏛᎾ ᎨᏒ ᎢᎦᏈ ᎤᏪᎲᎢ.\nᏗᎦᏙᎵ ᏃᎴ ᏗᎦᎴᏂ ᎤᏩᏩᏙᎣᏎ ᎤᎵᏍᏓᏴᏗ.\nᎤᏙᏓᏆᏓ ᎭᏫᏂ ᎠᏯᎡᎢ ᏫᎵᎻ, ᎤᏣᏪᏐᎸᏍᏕ ᎧᏁᏍᎪ.\nᎾᏍᎩ ᎠᏴ ᎥᎩᏁᏤᎸᎯ ᎦᎵᏥᏙᎲᏍᎩ ᎠᎴ ᎥᎩᏅᏏᏛ ᎠᎴ ᏗᎦᏥᏰᏲᎲᏍᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ.\nᎠᎴ ᏫᎾᏍᏛᎾ ᎤᎬᏫᏳᎯ ᎨᏎᏍᏗ ᏤᎦᏈ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᎠᏁᎲᎢ; ᎠᎴ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎨᏒ ᎴᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏎᏍᏗ.\nᎠᏎᏃ ᏩᏥᏰᏍᏗᏍᎬ ᎧᏁᏌᎢ ᎤᎦᏨᏩᏍᏔᏁᎴ ᏌᎳᏓ.\nᎬᏩᏛᏛᏁᏃ ᎯᎠ ᏄᏂᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᎣᏥᎦᏔᎭ ᎯᏬᏂᏍᎬ ᎠᎴ ᏕᎭᏕᏲᎲᏍᎬ ᏚᏳᎪᏛ ᎨᏎᎢ, ᎠᎴ ᏂᏘᎸᏉᏙᏛᎾ ᎨᏒ ᏄᎾᏍᏛ ᏴᏫ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏤᎵ ᎦᏅᏅ ᎤᏙᎯᏳᎯᏯ ᏕᎭᏕᏲᎲᏍᎬᎢ;\nᏫᏚᏯᎲᏃ ᏔᎳᏚ ᎢᏯᏂᏛ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᏚᏁᎴ ᎾᏂᎥ ᎠᏂᏍᎩᎾ ᎬᏩᏃᎯᏳᏏᏱ, ᎠᎴ ᏚᏂᏢᎬ ᏧᎾᏓᏅᏬᏗᏱ.\nᎤᏍᏚᎩᏎ ᎤᏬᏱᏂᏓᏍᏗ ᎪᏱᏁ.\nᎤᏂᏣᏖᏃ ᏧᎾᏄᏬ ᏅᏃᎯ ᏚᏄᏰᏍᏛᏁᎢ; ᎢᎦᏛᏃ ᏕᏡᎬ ᏚᏅᏂᎦᎸᎮᎢ, ᎠᎴ ᏅᏃᎯ ᏚᏂᎳᎨᏯᏛᏁᎢ.\nᎠᎴ ᏓᏆᎧᎿᏅᎩ, ᎠᎴ ᎬᏂᏳᏉ, ᎠᏰᎵ ᎦᏍᎩᎸᎢ ᎠᎴ ᎠᏰᎵ ᏄᎾᏛᏅ ᎾᏍᎩ Ꮎ ᏅᎩ ᎢᏯᏂᏛ ᏗᏅᏃᏛ, ᎠᎴ ᎠᏰᎵ ᎠᏂᏅ ᏧᎾᏛᏐᏅᎯ, ᎥᎦᏙᎬᎩ ᎤᏃᏕᎾ ᎠᎩᎾ, ᎠᎸᎯ ᎢᏳᏍᏗ ᎨᏒᎩ ᏓᎧᏅᎩ, ᎾᏍᎩ ᎦᎵᏉᎩ ᏗᏓᏅᏙ ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᎦᏛᎦ, ᎾᏍᎩ ᏂᎬᎾᏛ ᎡᎶᎯ ᏗᎦᏅᏒᎯ ᏥᎩ.\n“’ᎠᏤ ᎤᏔᎷᎩᏍᎩ ᎠᎵᏖᎸᎮᏍᎩ,” ᎤᏛᏁ ᏌᎳᏓ ᎤᏍᎦᏃᎵ.\nᎨᏍᏗ ᏳᏁᎸᏔᏅ ᏧᎦᎴᏅᏗ ᎭᏫᏯ ᏃᎴ ᎤᏯᏍᎦ, ᎢᏧᎳ ᏚᎩᏍᏙᎡ ᏚᎩᏎ.\nᎠᎴ ᎾᎿ ᎦᏅᎬᎩ ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ, ᏦᎠᏍᎪᎯ ᏁᎳᎦᎵ ᎢᏳᏕᏘᏴᏛ ᎬᏩᏢᏨᎯ ᏄᏗᏩᏍᎬᎾ ᎨᏒᎩ.\nᎨᏍᏗ ᏫᏥᎢᎦ ᏳᏂᏬᏂᏌ ᎠᎾᎵᏍᏔᏴᎲᏍᎬ.\nᎠᎴ ᎤᎦᎵᏍᏗ ᎣᎦᏓᏅᏔᏩᏕᎪᎢ, ᎠᎴ ᎤᏟ ᎦᏲᎩᏰᎸᏗ ᎠᏰᎸ ᎣᎩᎪᏁᎶᎢᏍᏗᏱ, ᎠᎴ ᎤᎬᏫᏳᎯ ᎡᎲ ᏬᎦᏁᎳᏗᏍᏗᏱ.\nᎠᏓᏅᏙᏃ ᎠᎴ ᎠᏥᏰᎯ ᎡᎮᎾ ᎠᎾᏗᎭ. ᎠᎴ ᎠᏛᎩᏍᎩ ᎡᎮᎾ ᎠᏗᏍᎨᏍᏗ. ᎠᎴ ᎩᎶ ᎤᏔᏕᎩᏍᎩ ᏫᎦᎷᎩ; ᎠᎴ ᎪᎶ ᎤᏚᎵᏍᎨᏍᏗ ᎦᏁᎩ ᏍᎨᏍᏗ ᎠᎹ ᎬᏂᏛ ᎠᏓᏁᎯ ᏧᎬᏩᎶᏗ ᏂᎨᏒᎾ.\nᎠᏎᏃ ᏚᎾᏦᎭᏱᎸᏉ.\nᎠᏆᏛᎦᏅ ᏂᏓᏛᏁᎰᏅ ᎭᏂ, Florida ᏓᏕᏏ ᎤᏛᏅ Perry.\nᎾᏍᎩ ᏦᏥᎦᏔᎭ, ᎢᏓᎵᏅᏟ ᎤᏁᎳᏅᎯ ᎢᏥᎨᏳᎯ, ᎡᏣᏑᏰᏛ ᎨᏒᎢ.\nᎿᏉᏃ ᎠᏂᏆᎵᏏ ᎤᏂᏁᏨ ᎯᎠ ᏂᏚᏂᏪᏎᎸᎩ; ᏥᎪ ᏂᎯ ᎾᏍᏉ ᎡᏥᎶᏄᎡᎸ?\nᏉᎳᏃ ᏚᎴᏅ, ᎤᏬᏰᏂᏃ ᎤᏖᎸᏅ, ᎯᎠ ᏄᏪᏎᎢ; ᎢᏥᏍᎦᏯ ᎢᏏᎵ ᏧᏪᏥ ᎠᎴ ᎤᏁᎳᏅᎯ ᎢᏥᎾᏰᏍᎩ, ᎢᏣᏛᏓᏍᏓ.\nᎯᎠᏃ ᏧᏆᎶᎦ ᎦᏙ ᏫᏚᎾᎪᏒ.\nᏂᏥᎥᏰᏃ ᏰᎵ ᎨᏥᏙᎴᎰᎯᏍᏗ ᏌᏉ ᎤᏪᏒᏛ; ᎾᏍᎩ ᎾᏂᎥ ᎤᎾᏕᎶᏆᏍᏗᏱ, ᎠᎴ ᎾᏂᎥ ᎤᏂᎦᎵᏍᏓᏗᏍᏗᏱ.\nᏍᎩᏄᏍᏕ ᏄᏂᏪᏎ ᏩᏏᏓᏂ ᏃᎴ ᏤᎩᏏᏂ, ᏍᎩᎾᎾ ᎤᏩᏌ ᏱᏂᏣᏛᏁᎳ ᏓᏣᏓᏂᏱ.\nᏄᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏚᏂᎩᏒ ᎠᏕᎸ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎥᏝ ᏚᏳᎪᏛ ᏱᎦᎩ ᎠᏕᎸ-ᏗᏗᏱ ᏱᏗᏗᎲᏍᎦ, ᎩᎬᏰᏃ ᏧᎬᏩᎳᏅᎯ.\nᎥᏈᎪᎵᏱᏃ ᎠᎴ ᎠᏆᎶᏂᏯ ᎤᏁᏙᏅ, ᏕᏏᎶᏂᎦ ᏭᏂᎷᏨᎩ, ᎾᎿ ᎠᏂᏧᏏ ᏓᏂᎳᏫᎢᏍᏗᏱ ᎠᏓᏁᎸᎩ.\nᎦᏓᏁᏍᏙ ᏃᎴ ᎤᎦᎭᏛ ᏃᎴ ᎤᏕᏘᏴᏌᏗᏒ ᎠᎦᏍᎪ.\nᏂᎯᏰᏃ ᎢᏨᏬᏁᏗᎭ ᏗᏣᏓᎴᏅᏛ ᏴᏫ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏴ ᎥᎩᏅᏏᏛ ᎨᏒ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎦᏥᏯᎵᏥᏙᏁᏗᏱ, ᏥᎸᏉᏗᎭ ᏄᏍᏛ ᎥᏆᏒᎦᎶᏛᎢ;\nᎾᏍᎩᏰᏃ ᎯᎠ ᎣᏏᏳ ᎠᎴ ᏧᏓᏂᎸᎢᏍᏗᏳ ᏓᎧᏅ ᎤᏁᎳᏅᎯ ᎢᎩᏍᏕᎵᏍᎩ,\n”ᏓᏥᎶᎣᏔᏂ ᎧᏅᏂᏍᎩ, ᎧᏁᏌᎢ ᏫᏓᎦᎸᏥᎵ,” ᎤᏛᏁ.\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᏦᎯᏳᏒᎾ ᎨᏒᎢ. ᎤᏙᎯᏳᎯᏯᏰᏃ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎢᏳᏃ ᏱᏦᎯᏳᎭ ᎾᏍᏉ ᎠᏥᎸᏉ ᎤᎦᏔ ᎢᎩᏛ, ᎯᎠ ᏱᏂᏥᏪᏏ ᎯᎠ ᏦᏓᎸ, ᎭᏓᏅᎾ ᎢᏢ ᏫᎶᎯ, ᎠᎭ ᎤᏓᏅᏍᏗ; ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᏱᎨᏥᏄᎸᎲᏍᎦ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏧᏣᎷᏤᎵ ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᏩᏍᏛ ᎦᎸᎳᏗᏳ ᎡᎯ ᏓᏣᏓᏩᏗᏍᏙᏔᏂ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᏨᏓᏣᏕᏁᎵ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎠᎪᏎᎮᏍᏗ.\nᎾᏍᎩ ᏁᏥᎳᏫᏎᎲᎾ ᎠᎴ ᏂᏣᏠᎾᏍᏛᎾ ᎨᏎᏍᏗ, ᎤᏁᎳᏅᎯ ᏧᏪᏥ, ᎦᏰᏧᎢᏍᏙᏗ ᏂᎨᏒᎾ, ᎢᏣᏓᏑᏴ ᎤᎾᏓᏥᏃᏍᏆᏰᏛ ᎠᎴ ᎤᎾᎪᎸᏛ ᏴᏫ ᎠᏁᎲᎢ, ᎾᏍᎩ ᎾᎿ ᎠᏁᎲ ᏕᏥᎸᏌᏓᏗᎭ ᎡᎶᎯ ᎢᎦ ᏗᏣᏘᏍᏓᏁᎯ ᎾᏍᎩᏯᎢ;\nᎯᎧᏔᎭ ᎨᏍᏗ ᏗᎧᏃᎮᏗ ᏱᏓᏂᏃᎮᏍᎪᎢ ᎧᏅᏂᏍᎩ.\nᏂᏗᎦᎵᏍᏗᏍᎪᎢ ᎣᎭᏁ ᎢᏴ ᎡᎯᏍᏗ ᏂᏛᏁᎰ.\nᎾᏂᎥᏉ ᎤᎾᏞᏒ ᎦᏅᏅᎢ, ᎢᏳᎾᏍᏗᎭᏉ ᎪᎱᏍᏗ ᏗᎬᏙᏗ ᏂᎨᏒᎾ ᏄᎾᎵᏍᏔᏅ; ᎥᏝ ᎩᎶ ᎣᏏᏳ ᎢᏯᏛᏁᎯ ᏱᎩ, ᎥᏝ ᏌᏉ ᎤᏅ.\nᎤᏲ ᎤᏂᏰᎸᏒᎩ Ꮀ ᎤᎬᏫᏳᏒ ᏅᏓᎦᎵᏍᏙᏗᏍᎬ ᎤᏁᏨ ᎾᏍᎩ ᎤᎧᏛ ᎿᏉ ᎤᏂᎪᏩᏛᏗ ᏂᎨᏒᎾ ᎨᏒᎢ. ᏥᏳᏃ ᏗᏔᎸᎢ ᏫᎬᏪᎧᏅᎩ.\nᎤᏩᏓᎴᏃ ᎤᎷᏤᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᏍᎩᎾᏝᎢ, ᎬᏂᏳᏉ ᎠᏂ ᏣᏤᎵ ᏑᏓᎨᏒ, ᎠᎩᏍᏆᏂᎪᏛᎩ ᎠᎩᏣᏄᎸᎩ ᎠᏯᏠᎩᎯ;\nᎦᎪᎨ ᏅᏩᏓᎴᏂᏨᏁᎸ? ᎠᎴ ᎦᏙ ᏣᎭ ᎾᏍᎩ ᏁᏣᏁᎸᎾ ᎨᏒᎢ? ᎢᏳᏃ ᎡᏣᏁᎸᎯ ᏱᎩ, ᎦᏙᏃ ᎢᎭᏢᏈᏍᎦ ᏁᏣᏁᎸᎾᏉ ᏥᎨᏐ ᎾᏍᎩᏯᎢ?\nᎢᏳᏰᏃ ᏱᎦᏓᏙᎵᏍᏗ ᏱᎬᏗᎭ ᏅᏩᎾᏓᎴ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒᎢ, ᎠᏆᏓᏅᏙ ᎠᏓᏙᎵᏍᏗᏍᎪᎢ; ᎠᏆᏓᏅᏛᏍᎩᏂ ᎥᏝ ᏱᎦᎾᏄᎪᏫᏍᎪ ᎣᏍᏛ ᎨᏒᎢ.\nᏥᏌᏃ ᎤᎪᎲᎩ ᎾᏍᎩ ᎠᏍᎦᏯ ᎦᏅᎬᎢ, ᎠᎴ ᎤᏙᎴᎰᏒ ᎨᏒᎢ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᏚᎵᏍᎪ ᎡᏣᏅᏬᏗᏱ?\nᎿᏉᏃ ᎠᏂᏧᏏ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎿᏉ ᎣᏣᏙᎴᎰᎯ ᎠᏍᎩᎾ ᏣᏯᎥᎢ. ᎡᏆᎭᎻ ᎤᏲᎱᏒ, ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ, ᏂᎯᏃ ᎯᎠ ᏂᎯᏪᎭ; ᎢᏳᏃ ᎩᎶ ᎠᏍᏆᏂᎪᏗᏍᎨᏍᏗ ᏥᏁᎬᎢ, ᎾᏍᎩ ᎥᏝ ᎢᎸᎯᏳ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎤᏙᎴᎰᏍᏗ ᏱᎨᏎᏍᏗ.\nᎠᎴ ᏚᎾᏓᏁᏣᏍᏚᎸᎩ ᏔᎷᎩᏍᎩ ᏗᎪᏢᏔᏅᎯ ᏗᏓᏁᏣᏍᏚᎶ ᎾᏍᎩᏯᎢ; ᏗᏂᏃᎨᏂᏃ ᏚᏃᏴᎬ ᎤᏂᏣᏘ ᏐᏈᎵ ᏓᏆᎴᎷ ᏥᏓᏂᎾᏏᏂᏐ ᏓᎿᏩ ᏣᎾᎢᏐ ᎾᏍᎩᏯ ᎨᏒᎩ.\nᏂᎦᎥᏰᏃ ᎤᏇᏓᎵ ᎨᏒ ᎧᏃᏍᎦᏉ ᎾᏍᎩᏯᎢ, ᎠᎴ ᏂᎦᎥ ᎤᏓᎸᏉᏙᏗ ᎨᏒ ᏴᏫ, ᎧᏁᏍᎦ ᎤᏥᎸᏒ ᎾᏍᎩᏯᎢ. ᎧᏁᏍᎦ ᎧᏴᏍᎪᎢ, ᎠᎴ ᎤᏥᎸᏒᎢ ᎦᏙᎠᏍᎪᎢ, ᎧᏃᎮᏛᏍᎩᏂ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ ᏂᎪᎯᎸ ᎡᎭ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏚᎦᏔᏅᎯᎠᏎ ᎤᏩᏥᏍᎦᎸ ᎢᏳᏍᏗ, ᎠᎴ ᎩᎳᏉ ᎢᏴᏛ ᎬᏩᎪᏩᏛᏗ ᏄᎵᏍᏔᏁᎢ; ᏚᎴᏅᏃ ᎠᎦᏬᎡᎢ.\nᏂᎦᏓᏗ ᎧᏂᎩᏓ ᏦᎳᏂ.\nᎤᎵᏍᎫᏪ ᏲᎾ ᎤᏤᏍᏙ.\nᏑᏕᏘᏴᏓ ᎣᏁ, ᏂᎦᏓ ᎤᎪᏐᏅ ᎦᏅᏙᏗ.\nᎨᏎᎻᏂᏃ ᏚᏙᎥ ᎤᏂᎷᏤᎢ; ᎯᎠᏃ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎠᏂ ᎢᏥᏁᏍᏗ, ᏫᎦᏓᏙᎵᏍᏗᏍᎬ ᎢᎪᎯᏛ.\nᏄᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᏓᏂᏙᎨ ᎤᎵᏂᎩᏛ ᎬᏭᎯᏍᏗᏍᎨᎢ.\nᎠᎴ ᎠᏂᎪᏗᏳ ᎠᎾᎵᏅᏟ ᎤᎬᏫᏳᎯ ᏧᎾᏁᎶᏗ ᎥᏆᎸᎥ ᎢᏳᏩᏂᏌᏛ ᏚᎾᎵᎪᏛ ᏚᎾᏓᏅᏛᎢ, ᎤᏟ ᎢᎦᎢ ᎾᏂᎾᏰᏍᎬᎾ ᏄᎾᎵᏍᏔᏅ ᎧᏃᎮᏛ ᎾᏂᏍᎦᎢᎲᎾ ᎤᏂᏃᎮᏗᏱ.\n”ᎤᏓᏙᎵᏍᏗ ᏍᎩᎾᏂ,” ᎤᏛᏁ ᏫᎵᎻ, ᏃᏗ ᎤᏙᏩᏗᏍᎬ ᎤᏓᏏᏁᎢ ᎩᎳᏈᏴ ᏭᏢᏁ.\nᎾᏍᎩᏯ ᏂᎪᎩᏪᏎᎸ ᎾᏍᎩ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏓᎴᏅᏛ ᎤᏅᏒ ᎤᏂᎪᎯᏙᎸᎯ, ᎠᎴ ᎧᏃᎮᏛ ᎤᎾᎵᏥᏙᏅᎯ ᎨᏒᎢ--\nᎡᎳᏗ ᏄᏛᏁᎴ ᏌᎳᏓ ᏃᎴ ᎤᏍᏗ ᏄᎵᏍᏔᏁᎢ ᎤᏗᏍᎦᏢ ᎠᏔᎴᎦᏒᎢ, ᎤᎪᏩᏛᏗ ᏱᎨᏒᎾ ᎡᎳᏆᏗ.\nᏍᏈᏍᏓ ᏴᏫ ᎤᎾᏕᏯᏍᏕᎢ. ᎤᎵᏏᏂᏗ ᎠᏰᎴᎮᎢ ᎡᎶᏗ ᎩᎶ ᎤᏦᎣᏍᏙᏗ ᏱᎨᏒᎾ.\nᎨᏍᏗ ᏣᏍᏆᏂᎪᎯᏍᏗ ᏱᎩ ᏗᎧᎾᏩᏛᏍᏗ.\n(ᎣᎦᎵᏍᏕᎸᏙᏗᏰᏃ ᎨᏒ ᏓᏅᏩ ᎣᏣᎢᏒ ᎥᏝ ᎤᏇᏓᎵ ᏧᏩᏙᏗ ᏱᎩ, ᏧᎵᏂᎩᏗᏳᏍᎩᏂ ᎤᏁᎳᏅᎯ ᎢᏳᏩᏂᏌᏛ, ᏓᏐᏲᎥᏗᏍᎬ ᎤᎵᏂᎩᏛ ᏓᏐᏴᎢ.)\nᎠᎩᏁᎵᏍᎪ ᎤᎵᏲᏗ.”  \nᎾᏉᏃ ᎾᏍᎩ ᎢᏧᎳᎭ ᎨᏥᏅᏏᏓᏍᏗ ᎤᎾᏙᎴᎰᏒ ᏄᎵᏍᏔᏅᎢ ᎤᏣᏘ ᎤᏲ ᎤᏂᏰᎸᏁᎢ, ᎠᎴ ᎤᏂᎷᏤ ᎤᏂᏃᏁᎴ ᏧᏂᎾᏝᎢ ᏂᎦᏛ ᏄᎵᏍᏔᏂᏙᎸᎢ.\nᏝᏍᎪ ᏗᏩᎵ ᏗᎪᏢᏍᎩ ᏳᎭ ᎠᏓᏅᏖᏍᎬ ᎢᏳᏩᏁᎵᏓᏍᏗᏱ ᎦᏓᏆᎳ, ᎾᏍᎩᏉ ᎦᎾᏆᎸᏒ ᎠᎬᎭᎸᏛ ᏌᏉ ᎠᏖᎵᏙ ᎤᏬᏢᏗᏱ ᎦᎸᏉᏙᏗ, ᏅᏩᏓᎴᏃ ᎦᎸᏉᏗᏗ ᏂᎨᏒᎾ?\nᎿᏉᏃ ᎤᏁᎳᏅᎯ ᎠᎴ ᎢᎩᏙᏓ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ. ᎡᎺᏅ.\n”ᏫᎵᎻ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ, ᎠᏍᎩᏥᏍᎩ.\nᏉᎳᏃ ᎠᏏ ᎤᏬᎯᏨᎩ ᎤᏪᏙᎸᎩ; ᎿᏉᏃ ᏚᏲᎵᎸ ᎠᎾᏓᏅᏟ, ᏥᏳᎯ ᏭᏣᏅᎩ ᏏᎵᏱ ᏭᎶᏒᎩ; ᎠᎴ ᎾᏍᏉ ᏈᏏᎳ ᎠᎴ ᎡᏈᎳ ᎬᏩᏍᏓᏩᏛᏒᎩ, ᎤᎵᏍᏙᏰᎲᎯ ᎨᏒᎩ ᏒᏟᏯ ᎢᏴᏛ, ᎤᏁᎳᏅᎯᏰᏃ ᎤᏚᎢᏍᏓᏁᎸᎯ ᎨᏒᎩ.\nᎠᎴ ᎾᏍᎩ ᎠᏥᏁᎸᎩ ᎤᎾᏓᏅᏘ ᏓᎿᏩ ᎢᏳᏅᏁᏗᏱ, ᎠᎴ ᎾᏍᎩ ᏧᏎᎪᎩᏍᏗᏱ; ᎠᎴ ᎠᏥᏁᎸᎩ ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᏗᎬᏩᏁᎶᏙᏗᏱ ᎾᏂᎥ ᏓᏂᎳᏍᏓᎳᏩᏗᏒᎢ, ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ.\nᏍᎩᎾᎾ ᏄᎵᏍᏗᏍᎪ ᎯᎸᎢᏴ.\nᎠᎴ ᎨᏍᏗ ᎾᎥᏂ ᏱᎩ.\nᎤᎾᏕᎰᏔᏁᏅᏃ, ᎬᏩᏄᏪᏎ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏩᏒ ᏧᏄᏬ ᏕᎬᏩᏄᏬᎡᎢ, ᎠᎴ ᏫᎬᏩᏘᏅᏍᏔᏁ ᎬᏩᏛᏗᏱ.\n“Ꭾ-Ꭰ-Ꭰ!” ᎤᎾᏛᏁᎢ ᎤᏂᏃᏕᎾ.\nᏍᏈᏍᏔ.\nᎬᏂᏳᏉᏃ ᎾᏍᎦᎢᎲᎾ ᎦᏬᏂᎭ, ᎠᎴ ᎥᏝ ᎪᎱᏍᏗ ᏯᏃᏎᎭ. ᏥᏌ ᎤᏂᎬᏫᏳᎯ ᎤᏙᎯᏳᎯ ᎠᏂᎦᏔᎭ ᎾᏍᎩ ᎤᏙᎯᏳᎯᏯ ᎦᎶᏁᏛ ᎨᏒᎢ?\nᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗ ᎩᎶ ᏥᏥᎾᏌᏂ, ᎠᏏᎾᏍᏛ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᎬᏗ, ᎾᏍᎩᏯ ᏴᏫ ᏓᎾᏕᏲᎲᏍᎬᎢ, ᎾᏍᎩᏯ ᎡᎶᎯ ᏗᎴᏅᏙᏗ ᏓᏕᏲᎲᏍᎬᎢ, ᎥᏝᏃ ᎾᏍᎩᏯ ᎦᎶᏁᏛ ᏓᏕᏲᎲᏍᎬᎢ;\nᏔᎵ ᎢᎦ ᏕᏣᏂᎬᎦ ᏗᏣᏏᎳᏛᏗ.”\nᎯᎠ ᎾᏥᏪᏎᎲᎩ ᏑᏓᎵᏁ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏤᎷᎩ ᎦᏁᎯ, ᏔᎸᏒ ᎾᏍᎩ Ꮎ ᏅᎩ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᏔᏅ ᎡᏉᏂ ᎤᏪᏴ ᎷᏇ Ꮧ ᏥᏕᎨᎦᎸᎥ.\nᏦᏌᏯᏃ ᏤᎪᎾᏯ ᎠᎴ ᎠᎾᏓᏅᏟ ᎬᏩᏕᏁᎴᎢ; ᎾᎯᏳ ᏓᏗᎶᏂ ᏥᏫᏗᎨᎦᏘᏅᏍᏔᏁᎢ;\n“Ꭵ, ᎤᏙᏳᎯ,” ᎤᏛᏁ\nᏥᎷᏏᎵᎻᏃ ᎤᏂᎷᏨ ᎦᎬᏩᎾᏓᏂᎸᏤ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎠᎴ ᎨᏥᏅᏏᏛ ᎠᎴ ᏗᎨᎦᏁᎶᏗ; ᎤᏂᏃᎮᎴᏃ ᏂᎦᎥ ᎤᏁᎳᏅᎯ ᏄᏛᏁᎸ ᎤᏂᏍᏕᎸᎯᏙᎸᎢ.\nᏑᎾᎴ ᏯᎩᏰᏨ ᎠᏓᎾᏅ ᎠᏲᏓᏒ ᏫᎦᏗᏔᏍᎬ ᎧᏫ, ᏳᎧᎭᏛᎾᏱᎩ ᎠᎴ ᏯᎦᏍᎬᎾᏱᎩ, ᏍᎪᏁ ᎨᏴ ᏫᏕᎦᎦᏂᏍᎬ ᏗᏦᎭᏴ, ᏕᎦᎦᎡᏍᏗᏍᎬ ᏑᎾᎴᎢ ᏓᏂᏐᏍᎬ ᎠᏂᏲᏍᎩ, ᎦᏚᏏ ᏗᏂᏯᎴᎩ ᎠᏂᏴᏫᏯ ᏓᏓᏁᎸ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᎢᏥᏍᎦᏯ ᎢᏏᎵ ᏧᏪᏥ ᎢᏤᏯᏔᎮᏍᏗ ᏄᏍᏛ ᎢᏣᏓᏅᏖᏍᎬ ᎢᏗᏳᏁᏗᏱ ᎯᎠ ᎠᏂᏍᎦᏯ.\nᎾᏍᎩᏴ ᎶᏩᏂ ᏄᏛᏁᎳ, ᏄᏓᎴ ᎠᏍᎦᏯ, ᏣᏥ ᎡᎵᏍᏗ, ᎢᏧᎳ ᏧᏬᏰᏂ ᎬᏘ ᎤᏩᎭᏂᎴ Philadelphia ᏓᏳᎶᏒ ᎠᏧᏣ ᎠᏴᏤᏂ ᏃᎴ ᎦᏅᏬᎢ ᎠᏰᎵ.\nᎠᎬᏱ ᎠᏆᎩᎸᏅ ᎠᎹᏱ ᎡᏙ ᏥᏳ - ᎤᏲ ᎢᏳᏍᏗ ᎦᏆᏘ ᎠᏰᎸᏍᏗ, ᎠᏍᏛᎪᏒ ᏃᎴ ᎠᏑᏫᏍᏗ ᎤᏂᎬᎬ, ᎨᏍᏗ ᎣᏍᏓ ᏂᎨᎵᏍᎬ ᏱᏄᏍᏕ, ᏩᎦᎸᎳᏗᏴ ᎠᏳᎢᏁᎩ ᏥᎦᏖᏃᎲ - ᏥᏍᎦᏰᎬᏍᏔ ᎤᏁᎵᏍᏗ ᎠᏆᏚᎵᏍᎬ.\nᏔᎵᏁᏃ ᏭᏴᎴ ᏗᎦᎳ ᏗᎦᎳᏫᎢᏍᏗᏱ; ᎾᎿᏃ ᎡᏙᎮ ᎠᏍᎦᏯ ᎤᏬᏰᏂ ᎤᏩᎢᏎᎸᎯ.\nᎠᎴ ᎾᏍᏉ ᎦᏳᎳ ᎦᎷᏯᏍᏗ ᎠᎭ ᏚᎿᏍᏕᏢ ᏕᏡᎬᎢ; ᎾᏍᎩᏃ ᏂᎦᏛ ᏕᏡᎬ ᎠᏃᏍᏛ ᎾᎾᏓᏛᏍᎬᎾ ᏗᎦᎴᏴᏍᏙᏗ ᎠᎴ ᎠᏥᎸᏱ ᏫᏓᏗᏅᏗ ᎨᏎᏍᏗ.\nᏣᎳᎩᏱ ᎠᏰᎵ ᎨᎵ ᎨᏎ ᎠᎵᏥᏙᎲᏍᎩ Ꮳ ᎠᎹᏰᎵ, ᏍᎩᏃ ᎢᏳᏍᏗ ᎠᏎ ᎤᏪᏅᏍᏗ ᎨᏎ.\n“ᎤᏂᏍᏆᏂᎩᏗ ᎣᏣᏓᏤᎵ.\nᎾᏍᎩᏃ Ꮎ ᏅᏓᎨᏥᏅᏏᏛ ᎠᏂᏆᎵᏏᏱ ᎤᎾᎵᎪᎯ ᎨᏒᎩ.\n“ᎨᏍᏗ ᎬᏕᎶᎰᎯᏍᏗ ᏱᎩ ᎠᏲᏟᎨᎢ ᎤᏕᏅ ᏥᎨᏒ.\n“ᏃᏉ ᎦᏙ ᏓᎦᏛᏁᎵ?”\n“ᏕᎾᏓᎪᎲᏳᏛ ᎤᏛᏁ, ᏭᎶᏌ ᎦᎶᎯᏍᏗ.\nᏂᎦᏓ ᏚᏒᎭᏂᎶᎾ, ᎣᏍᏓ ᎤᏒᎯ ᏚᏬᏎᎴ, ᏭᎾᏏᏁ ᏧᏍᏆᏅᎾ ᎭᏫᏂᏨ, ᎤᏢᏁ.\nᎤᏂᏃᎮᎸᎩᏃ ᎨᏒ ᎤᏅᏒ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏂᎦᏕᏅᎾ ᏥᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ.\nᎤᏲᏃ ᎠᏓᏅᏙ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ; ᏥᏌ ᏥᎦᏔᎭ, ᎠᎴ ᏉᎳ ᏥᎦᏔᎭ, ᏂᎯᏍᎩᏂ ᎦᎪ ᎢᏣᏍᏗ?\nᎾᏍᎩᏃ ᎯᎠ ᏂᎦᏗᏳ ᏄᎵᏍᏔᏂᏙᎴ ᎤᏙᎯᏳᏗᏱ ᎠᏰᎸᏒᎢ ᎯᎠ ᏥᏄᏪᏎ ᏱᎰᏩ ᎠᏙᎴᎰᏍᎩ ᎠᎬᏗᏍᎬᎢ;\nᎾᏍᎩᏃ ᎤᎷᏨ ᎣᏤᏙᎲ, ᎠᎴ ᎤᏁᏒ ᏉᎳ ᎤᏓᏠᏍᏗ, ᎠᎴ ᏚᎸᎸ ᎤᏩᏒ ᏧᏬᏰᏂ, ᎠᎴ ᏧᎳᏏᏕᏂ, ᎯᎠ ᏄᏪᏒᎩ; ᎯᎠ ᏂᎦᏪᎠ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ; ᎾᏍᎩ ᎯᎠ ᏅᏛᏅᏁᎵ ᎠᏂᏧᏏ ᏥᎷᏏᎵᎻ ᏛᎾᎸᎵ ᎠᏍᎦᏯ ᎯᎠ ᎠᏓᏠᏍᏗ ᎤᏤᎵᎦ, ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏫᏙᏛᏂᏲᎯᏎᎵ.\nᎨᏍᏗ ᎩᎶ ᏳᏁᎸᏔᏅ ᏧᎴᏫᏍᏙᏗ.\nᎼᏏᏰᏃ ᎡᏘ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏕᎦᏚᏩᏗᏒ ᏕᎤᏪᎭ ᎬᏩᎵᏥᏙᎲᏍᎩ, ᏓᏥᎪᎵᏰᏍᎬᎢ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏄᎾᏙᏓᏈᏒᎢ.\nᎠᎴ ᎤᏲᎴ ᎤᏍᎪ ᎠᏖᎵᏙᎩᎯ ᏕᎶᏕᎢ, ᎠᎴ ᎠᏛ ᎤᏁᎴᎢ; ᎠᏛᏃ ᎤᏥ ᎤᏁᎴᎢ.\nᎡᏈᏌ ᏧᎾᏁᎶᏗ ᎤᎾᏓᎲᎬ ᏗᎧᎿᏩᏗᏙᎯ ᏫᏲᏪᎳᏏ ᎯᎠ ᎾᏍᎩ ᏫᏂᏪᏏ ᎠᏗᎭ ᎾᏍᎩ Ꮎ ᎦᎵᏉᎩ ᏃᏈᏏ ᎠᎦᏘᏏᏗᏢ ᎤᏬᏰᏂ ᏥᏚᏒᎦᎳ, ᎾᏍᎩ Ꮎ ᏤᏙᎭ ᎠᏰᎵ ᏕᎦᎧᎲ ᎦᎵᏉᎩ ᏗᏨᏙᏍᏗ ᏗᎦᎪᏙᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ.\nᎠᎴ ᎨᏣᏛᎦᏁᎸ ᏕᎮᏲᎲᏍᎬᎢ ᏂᎦᏛ ᎠᏂᏧᏏ, ᎾᏍᎩ ᏧᎾᏓᏑᏯ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ, ᏧᏂᏲᎯᏍᏗᏱ ᎼᏏ, ᎯᎠ ᏂᏪᏍᎬᎢ; ᏞᏍᏗ ᏱᏗᏥᎱᏍᏕᏎᎮᏍᏗ ᏗᏂᏲᎵ, ᎠᎴ ᏞᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᏱᏥᏍᏓᏩᏕᎨᏍᏗ.\nᎠᏍᎩᎾᏃ ᎠᏥᏄᎪᏫᏒ ᎤᏩᎨᏫ ᎤᏬᏂᏒᎩ. ᎤᏂᏣᏘᏃ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎥᏝ ᎢᎸᎯᏳ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎪᎲᎯ ᏱᎩ ᎢᏏᎵᏱ.\nᎾᏍᎩ ᎤᏪᏥ ᎤᎬᏩᎵ, ᎾᏍᎩ ᏕᏫ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᏧᏕᏁᎢ ᎾᏍᎩ ᎤᏇᏓᎵ ᎨᏒᎢ;\nᎿᏉᏃ ᏇᏍᏓ ᎾᎿ ᏍᎦᏚᎩ ᎠᏥᎦᏘᏗᏍᏛ ᎤᎷᏨ, ᏦᎢ ᏫᏄᏒᎸ, ᏏᏌᎵᏱ ᎤᏂᎩᏒᎩ ᏥᎷᏏᎵᎻ ᏭᎶᏒᎩ.\nᎩᎶ ᎢᏤᎲ ᎤᏓᏑᏰᏍᏗ ᎤᏢᎨᏍᏗ, ᏫᏓᏯᏂᏍᎨᏍᏗ ᏗᎨᎦᏗᎶᏗ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ, ᎾᏍᎩᏃ ᎠᎾᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎠᏂᏔᏲᎯᎮᏍᏗ ᎠᏥᏍᏕᎸᏗᏱ, ᎬᏩᎶᏁᏗᏍᎨᏍᏗ ᎠᏠᏁᏗ ᎠᏅᏗᏍᎨᏍᏗ ᎤᎬᏫᏳᎯ ᏚᏙᎥᎢ;\nᎢᏣᏤᎵ ᎨᏎᏍᏗ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎢᏣᎵᏍᎪᎸᏔᏁᎸᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎢᎩᏙᏓ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᎤᎾᏙᏓᏉᏅᎯᏃ, ᎩᎳ ᎢᎦ ᏂᎦᎵᏍᏗᏍᎨᎢ ᎠᎴᏂᏍᎬ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒ ᎺᎵ ᎹᎩᏕᎵ ᎡᎯ ᎠᎴ ᏐᎢ ᎺᎵ ᎤᎾᎦᏔᏂᎴ ᎠᏤᎵᏍᏛᎢ.\nᎠᏥᎸᏱᏃ ᏭᏙᎥᏔᏅᎩ ᎢᎾᏛ, ᎠᎴ ᎥᏝ ᎪᎱᏍᏗ ᏳᎵᏍᏔᏁᎢ.\nᎦᏓ ᎠᎪᎵᏰᏍᎪ ᏃᎴ ᎢᏳᏍᏗ ᏂᎬᏁᎲ ᎦᏓ.\n”Ꭵ, ᎣᏍᏓ ᏏᏆ ᏂᏗᎦᎵᏍᏔᏂ,” ᎤᏛᏁ ᎰᎻ.\nᎤᎷᏣ ᎦᏍᎩᎶᎩ ᎤᏩᏗ, ᎤᎵᏖᎸᏁ ᎧᏁᏌᎢ, ᏃᎴ ᎤᏃᏴᎨ ᎭᏫᏂ.\nᎦᎵᏦᏕ ᏧᏅᎪᏤ ᎦᎸᎳᏗ ᎢᏗᎦᏘ ᏗᎳᏑᎶ ᏧᎳᏑᎵ, ᎪᎢ ᎦᏂᏤᎮ ᏃᎴ ᎦᏅᎯᏓ ᎠᏰᎳᏍᏗ ᎦᏁᎮ.\nᎠᎫᎵᏦᏩᏛ ᎤᏒᎯ, ᎪᏟᏍᏗ ᎨᏐ ᎧᏁᎢᏍᏗ ᎠᎹ ᎨᏴ ᏓᏳᏓᎴᏅ, ᎯᎸᎢᏴ ᏂᎦᏓ ᏗᏒᏍᏙᏗ ᎤᎵᏍᎨᏛ.\nᎠᎴ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎬᏂᏛ ᎦᏥᏁᎰᎢ, ᎥᏝᏃ ᎢᎸᎯᏳ ᏧᏂᏲᎱᎯᏍᏗ ᏱᎩ, ᎠᎴ ᎥᏝ ᎩᎶ ᏗᏆᏑᎦᎸᏙᏗ ᏱᎩ.\nᏂᎦᎥ ᏓᏋᏂᎦᎸᎢ ᎾᎾᏓᏛᎥᏍᎬᎾ ᏥᎨᏐ ᏕᎬᏂᎦᎵᏍᎪᎢ; ᏂᎦᏛᏃ ᎠᎾᏓᏛᎥᏍᎩ ᏕᎬᏂᎦᎷᏬᏍᎪᎢ ᎤᏟ ᎢᎦᎢ ᎤᎾᏓᏛᏗᏱ ᎤᏰᎸᏐᎢ.\nᎢᏏᎵ ᎤᏅᏏᏓᏍᏗ ᎤᏍᏕᎸᎲ ᎠᏅᏓᏗᏍᎬ ᎤᏓᏙᎵᏣᏛᎢ,\nᎩᎶᏃ ᎢᏳᎾᏍᏗ ᏗᎨᎦᏁᎶᏗ ᎡᏏᏱ ᎠᏁᎯ, ᏉᎳ ᏧᎵᎢ, ᎤᎾᏓᏅᏒᎩ ᏫᎬᏩᏔᏲᏎᎸᎩ, ᏭᏴᏍᏗᏱ ᏂᎨᏒᎾ ᎤᎾᏛᏁᎸᏗᏱ.\nᎤᏄᏖᏎᏃ ᎤᎵᎬᎭᎷᏴᎯ ᏔᎳᏚ ᏗᎧᎵᎢ ᏔᎷᏣ, ᎠᎴ ᎾᏍᏉ ᎠᏣᏗ.\n“ᎭᏛᎦᏍᏓ! \nᎠᎾᎵᏅᏟ ᏗᎨᏳᏗ ᎨᏒ ᏅᏩᏍᏗᏗᏎᏍᏗᏉ.\nᎢᏳ ᎠᎴ ᏎᏓᏂ ᏔᎵ ᏱᏄᏓᎠ ᎤᏩᏒ ᏯᏓᏡᏗᎭ, ᎦᏙ ᏘᎦᎵᏍᏙᏗ ᏱᏂᎬᏩᏍᏗᏉ ᎤᏤᎵᎪᎯ? ᏅᏗᎦᎵᏍᏙᏗᎭ ᏇᎵᏥᏆ ᎤᏍᏕᎵᎭ ᎠᏂᏍᎩᎾ ᏥᏕᎦᏄᎪᏫᏍᎦ ᏥᏍᎩᏲᏎᎭ.\nᏯᏋᎨᏫᏐᏉ ᏩᏯ ᎦᏚᎲ.\nᎤᏁᏅᏎᏃ ᎠᎴ ᏭᏂᏩᏛᎮ ᎾᏍᎩᏯ ᏂᏚᏪᏎᎸᎢ; ᎤᎾᏛᏅᎢᏍᏔᏁᏃ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ.\n“ᏓᏁᏏᎨ ᏗᎾᏓᎪᎾᏗᏍᎬ? ᎭᎾ ᏳᏫᏗᏣᎾ ᏧᏪᏥ,” ᎤᏍᏗᏰᏔᏁ ᏫᎵᎻ.\nᎤᏁᎦ ᎨᏎ.\nᎾᏍᎩ Ꮎ ᎤᎷᎯᏍᏗ ᎨᏒ ᎾᏍᎩᏯ ᏎᏓᏂ ᏧᎸᏫᏍᏓᏁᏗ ᏚᎸᏫᏍᏓᏁᎮ-ᏍᏗ ᎬᏗᏍᎨᏍᏗ ᎤᏣᏘ ᎤᎵᏂᎩᏛ ᎨᏒᎢ, ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᎠᎴ ᎦᏰᎪᎩ ᎤᏰᎸᏛᎢ,\nᎤᎵᎪᎲᏍᏗ, ᎠᎵᏍᏆᏗᏍᎬ ᎦᏃᎯᎵᏓᏍᏗ ᏅᏙ, ᎠᏉᏌᎯᏌᏅ ᏄᎵᏍᏔᏁᎸ ᏣᎵ, ᎬᎩᏃᎯᏎᎸ ᏁᏂᏏ, ᎶᏩᏂ, ᏣᏥ ᏃᎴ ᏤᎩ.\nᎤᎿᏛ ᎠᏒᏛ ᏗᎦᎾᎥ ᏭᎳᏏᏔᏁ…\nᏥᏌᏃ ᎤᎪᎲ ᎤᏥ, ᎠᎴ ᎤᎪᎲ ᎾᎥ ᎦᏙᎬ ᎤᏍᏓᏩᏗᏙᎯ ᎤᎨᏳᎯ, ᎯᎠ ᏄᏪᏎᎸᎩ ᎤᏥ; ᎯᎨᏴ, ᎬᏂᏳᏉ ᏤᏥ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎦᏙ ᎦᎵᏍᏙᏗᎭ ᏂᏦᎵᎬᎾ ᏥᎩ?\nᏃᎪᎱᏍᏗ ᎤᎦᎾᏍᏓ ᎠᎩᏍᏗ ᎢᏳᏍᏗ ᎤᏃᏴᎦ.”\nᎠᏎᏃ ᎠᏂᎦᏔᎿᎢ ᎤᏂᏁᏨ ᎯᎠ ᏄᏂᏪᏎᎢ; ᏝᎨ ᏰᎵ ᏱᏙᎨᎩᏰᎵᎦ ᏂᎦᏛ, ᎢᏤᎾᏉᏍᎩᏂ ᏗᏂᏃᏗᏍᎬ, ᎢᏨᏒ ᏫᏥᏩᎯ.\nᎤᎩᏨᏛᏃ ᎿᏉ ᎤᏂᎩᏒ, ᏔᎵ ᎠᏂᎩᏏ ᏧᎾᎬᏩᎶᏗ ᏑᎴᏎᎢ, ᎠᎴ ᏚᏁᎴ ᎦᏁᎳ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎯᏍᏆᏂᎪᏕᏍᏗ, ᎢᎦᎢᏃ ᏫᎦᎶᏒᏍᏗᏍᎬ ᏣᎫᏴᎯᏙᎸᎢ, ᎢᏥᎷᏨᎭ ᎢᎬᏯᎫᏴᎡᎸᎭ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎢᏨᏁᏤᎭ ᏗᏣᏓᎨᎯᏳ ᎢᏳᎵᏍᏙᏗᏱ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᎨᏒ ᎾᏍᎩ ᎠᏛᎩᏍᎪ ᎤᏁᎳᏅᎯ ᎧᏁᎬᎢ; ᏂᎯ ᏂᏣᏛᎩᏍᎬᎾ ᏥᎩ ᏁᏗᎦᎵᏍᏙᏗ ᎤᏁᎳᏅᎯ ᏅᏓᏣᏓᎴᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎭᏂ ᎢᏣ ᏗᏘᏅ ᎭᏓᏅᏖᏍᎬ, ᎠᎧᎵᏨ ᎤᏏᏩ ᎨᏒ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎯᎠ ᎾᏍᎩ ᎠᏴ ᎠᎩᎩᎬ ᎢᏨ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎾᏍᎩ ᎤᏂᏣᏘ ᏥᎨᎦᏤᏪᎸ.\nᏫᎵᎻᏃ ᎪᏎᎰ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏗ, ᎾᏍᎩ ᎠᏴ ᎢᏧᎳᎭ ᎢᎩᎧᎵᏍᏙᎯᏍᏗᏱ ᎬᏔᏅᎯ ᎠᏴ ᏂᎯᏃ ᎤᏠᏱ ᎢᎪᎯᏳᏒᎢ.\nᎢᏧᎴᎭ ᎢᎩᎾᏕᏘᏴᏓ.\nᎾᏍᎩ ᏚᏘᎿᏫᏛᎮᎢ ᏂᏚᎸᏫᏍᏓᏁᎶ ᎤᏍᏆᏂᎪᏗ ᎠᎴ ᎤᏰᎸᏛ ᎢᏥᏈᏱ ᎠᎴ ᎠᎹ-ᎩᎦᎨᏍᏛᏱ ᎠᎴ ᎢᎾᎨ ᏅᎦᏍᎪᎯ ᏧᏕᏘᏴᏛ.\nᎣᎯᏍᏙᏗ ᎤᏰᎸᎮ ᎤᏅᏌ ᏥᎨᏎ ᎤᏩᏌ ᏃᎴ ᏗᎨᏥᎾᏌᎢ.\nᎠᏂ ᎬᏂᎨᏒ ᏂᎦᎵᏍᏗᎭ ᏗᏅᏂᏗᏳ ᎨᏒ ᎤᎾᏓᏅᏘ; ᎠᏁ ᎠᏁᎭ ᏗᏂᏍᏆᏂᎪᏗᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ, ᎠᎴ ᎪᎯᏳᏗ ᎨᏒ ᏥᏌ ᎤᏤᎵᎦ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏓᎵᏅᏟ ᏗᏨᏂᏗᏳ ᎨᏎᏍᏗ ᎬᏂ ᎤᎬᏫᏳᎯ ᎦᎷᏨᎭ. ᎬᏂᏳᏉ ᎤᎶᎨᏛ ᎠᎦᏘᏲ ᎦᎸᏉᏗ ᎡᎶᎯ ᎤᎾᏄᎪᏫᏒᎯ, ᎠᎴ ᎬᏂᏗᏳ ᎨᏐ ᎠᎦᏘᏲᎢ, ᎬᏂ ᎤᎦᎾᏏ ᎢᎬᏱᏱ ᎠᎴ ᎣᏂᏱ ᎤᎦᏃᏗ ᎨᏒᎢ.\n”ᎦᎵᏉᎩ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏈᎵᎩᏃ ᎤᏍᏚᎢᏒ ᎠᎰᎵ, ᎾᏍᎩ ᎾᎿ ᎪᏪᎸ ᎤᎴᏅᎡᎢ ᎤᏃᎮᎮᎴ ᎣᏍᏛ ᎧᏃᎮᏛ ᏥᏌ ᎤᎬᏩᎵ.\nᎭᎾ ᎢᏴ ᏭᎷᏤ ᏣᎵ ᎤᏢᎾ ᏧᏍᏆᏅᎾ ᎭᏫᏂᏨ ᎦᏚᏏ.\nᎦᏙᏃ ᏓᏓᏛᏂ ᎯᎠ ᎾᏍᎩ ᏥᏄᏍᏗ? ᎢᏳᏃ ᎤᏁᎳᏅᎯ ᏱᎩᏍᏕᎵᎭ ᎦᎪ ᏱᎦᏡᏓ?\nᎤᎾᏝᎢ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎣᏏᏳ! ᎰᏍᏛ ᎠᎴ ᎯᎦᎵᏯ ᎡᏣᏅᏏᏓᏍᏗ! ᏚᏳᎪᏛ ᏂᏣᏛᏁᎸ ᎤᏍᏗ ᏧᏓᎴᏅᏛ ᏕᏣᎸᏫᏍᏓᏁᎸᎢ; ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᏣᎬᏫᏳᏌᏕᎩ ᏅᏓᎬᏴᏁᎵ; ᎯᏴᎭ ᎣᏍᏛ ᎠᏓᏅᏓᏗᏍᏗᏱ ᏣᎾᏝᎢ ᎤᏤᎵᎪᎯ.\nᏂᎯᏰᏃ ᏧᏩᎫᏔᏅᏒ ᏁᏦᎢᏳᏒᎾ ᏥᎨᏒᎩ ᎤᏁᎳᏅᎯ, ᎠᏎᏃ ᎪᎯ ᎡᏥᏙᎵᏨᎯ ᎢᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᏄᏃᎯᏳᏒᎾ ᎨᏒᎢ;\nᎨᏍᏗ ᏥᏍᏆ ᎬᏆᏕᏯᏙᏗ ᏱᎩ\nᎥᏝ Ꮓ ᎢᏤᎳᏲᎯᏍᏗ ᎨᏒᎢ, ᎾᏍᎩᏯ ᎾᎾᏛᏁᎲ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏁᎳᏅᎯ ᎾᏂᎦᏔᎲᎾ ᏥᎩ;\nᎠᏍᏚᎩᏍᏗ ᎤᏂᏴᏩᏛᎮ - ᎦᏅᎯᏓ, ᏔᎷᎩᏍᎩ ᎪᏒᏓᏅ.\nᏗᎹᏰᏃ ᎠᏋᏕᏨ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏟ ᎤᏰᎸᏅ ᎪᎯ ᎨᏒᎢ, ᎠᎴ ᏕᏏᎶᏂᎦ ᏭᎶᏒ; ᏞᏏᏂ ᎨᎴᏏᏱ ᏭᎶᏒ, ᏓᏓᏏ ᏕᎵᎺᏏᏱ ᏭᎶᏒ;\nᎾᏍᎩᏃ ᏗᏥᏅᎦᎸᏛ ᏥᎩ ᏗᏣᏓᏅᏙ ᏕᏥᎧᎾᏩᏛᏒ ᏚᏳᎪᏛ ᏥᏅᏧᎵᏍᏙᏔᏅ, [ᎦᎸᏉᏗᏳ] ᎠᏓᏅᏙ ᏥᏨᏔᏅ, ᏄᏠᎾᏍᏛᎾ ᎠᏓᎨᏳᏗ ᎨᏒ ᎢᏨᏙᏗᏱ ᏗᏥᎨᏳᎯᏳ ᎢᏳᎵᏍᏙᏗᏱ ᎢᏣᎵᏅᏟ, ᎤᎵᏂᎩᏛ ᏕᏣᏓᎨᏳᏎᏍᏗ ᎢᏨᏗᏍᎨᏍᏗ ᎦᏓᎭ ᏂᎨᏒᎾ ᎢᏥᎾᏫ.\nXII. ᏧᎾᏦᎯᏍᏗ  \nᎯᎠ ᎠᎴ ᎾᏍᎩ ᎢᏨᏲᏪᎳᏁᎭ ᎢᏣᎵᎮᎵᎬ ᎤᎧᎵᎢᏍᏗᏱ.\nᎦᏥᏲᎢᏳᏓᏁᎯᏰᏃ ᎾᏍᎩ ᎤᏣᏘ ᎤᎾᏚᎵᏍᎬ ᎤᏁᎳᏅᎯ ᎪᎱᏍᏗ ᎤᎾᏛᏁᏗᏱ; ᎠᏎᏃ ᎥᏝ ᎠᎦᏙᎮᎯᏍᏗ ᎨᏒ ᏯᏅᏗᎭ.\nᎨᏍᏗ ᎤᏩᏙᎯᏴᏓ ᎢᎫᏩᎵᏍᏔᏁᏗ ᏱᎩ, ᏂᏓᎦᎵᏍᏙᏗ ᎠᏂᏲᏍᎩ ᏚᏂᎭᏲᎮ ᎾᏍᎩᏯ ᎢᎾᎨ ᎡᎯ ᎠᏫ.\nᎾᏍᎩᏃ ᏧᏂᏲᎱᏒᎯ ᏗᏂᏰᎸᎢ ᏕᎦᏁᏍᏗ ᏕᎦᎳᏅᏛ ᎡᏓᏍᏗᏱ ᎡᏆ ᎦᏚᎲᎢ, ᎾᏍᎩ ᏓᏟᎶᏍᏛ ᏐᏓᎻ ᏣᏃᏎᎭ ᎠᎴ ᎢᏥᏈ, ᎾᎿ ᎾᏍᏉ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᎠᏥᎸᎢ.\nᎾᎯᏳ ᎢᎦ ᎤᏁᎳᏅᎯ ᎤᏕᎵᏛ ᎨᏒ ᏴᏫ ᎤᎾᏤᎵᎦ ᏕᎫᎪᏓᏁᎸᎭ, ᏥᏌ ᎦᎶᏁᏛ ᎠᎬᏗᏍᎬᎢ, ᎾᏍᎩᏯ ᏂᎦᏪᏍᎬ ᎠᏆᏤᎵ ᎣᏍᏛ ᎧᏃᎮᏛ.\nᎠᏎᏃ ᎪᏪᎵ ᎦᎸᏉᏗ ᎬᏂᎨᏒ ᏂᎬᏁᎭ ᏂᎦᏗᏳ ᎤᏂᏍᎦᏅᏨᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏚᎢᏍᏛ ᏥᏌ ᎦᎶᏁᏛ ᎪᎯᏳᏗ ᎨᏒ ᏅᏛ-ᏓᎴᎲᏍᎩ, ᎾᏍᎩ ᎨᏥᏁᏗᏱ ᎠᏃᎯᏳᎲᏍᎩ.\nᎾᎯᏳᎡᏃ ᎠᏏ ᏂᎦᏃᎱᎩᏍᎬᎾ ᏥᎨᏎᎢ, ᏓᎾᎵᏍᏓᏴᎲᏍᎨᎢ, ᎠᎴ ᏓᎾᏗᏔᏍᎨᎢ, ᎠᎴ ᏓᎾᏕᏒᎲᏍᎨᎢ ᎠᎴ ᏕᎨᏥᏰᎨᎢ, ᎬᏂ ᎾᎯᏳ ᎢᎦ ᏃᏯ ᎤᏣᏅ ᏥᏳᎯ,\nᎤᏙᎯᏳᏗᏱ ᎠᏰᎸᏒᎩ ᎢᏌᏯ ᎠᏙᎴᎰᏍᎩ ᏧᏁᏤᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ;\nᎪᎯᏰᏃ ᎢᎦ ᎢᏣᏕᏁᎸ ᏕᏫ ᎤᏪᏚᎲᎢ, ᎢᏥᏍᏕᎵᏍᎩ ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ.\nᎭᏩ ᎠᏆᏛᏅ.\nᏂᎦᏓ ᎨᏦᎵᎩ ᏃᎴ ᎣᏍᏓ ᏏᏆ ᏂᎯ.\nᎥᏣᏰᏃ ᏧᏂᏣᏔᏉ ᏥᏄᎾᏍᏗ ᏱᏃᎦᏍᏗ, ᎾᏍᎩ ᎠᏂᏲᏍᏗᏍᎩ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ; ᏃᎦᏠᎾᏍᏛᎾᏍᎩᏂ ᎨᏒ ᏦᏨᏗᏍᎪᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᏥᏂᎬᏂᏏᏍᎩ ᎾᏍᎩᏯᎢ, ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲ ᎣᏥᏁᎢᏍᏗ ᎦᎶᏁᏛ.\n“ᎠᏎᏃ ᎨᏍᏗ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗ ᏱᎩ.\nᎾᏍᎩ Ꮎ ᎾᎯᏳ ᎤᏇᏓᎵ ᎨᏒ ᎤᎴᏂᏙᎸ, ᎤᏓᏙᎵᏍᏓᏁᎸ ᎠᎴ ᎤᏔᏲᏎᎸ, ᎠᏍᏓᏴ ᏓᏠᏱᎲ, ᎠᎴ ᏓᎦᏌᏬᎢᎲ ᎬᏩᏠᏯᏍᏗ ᎾᏍᎩ Ꮎ ᎤᏔᏲᏎᎸ ᎾᏍᎩ ᏰᎵᏉ ᎬᏩᏍᏕᎸᏗ ᎬᏭᏓᎴᏍᏘ ᎨᏒ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᎦᏛᎦᏁᎴ ᎦᎾᏰᏍᎬ ᎤᎬᏩᎵ;\nᎡᎳᏆ ᏳᏯᏍᎬᎾ.\nᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᎯᎠ ᎾᏍᎩ ᎧᏃᎮᏛ ᎬᏜᏏᏛᎡᏗ ᏂᎨᏒᎾ ᎠᎴ ᎤᏙᎯᏳᎯᏯ. ᎤᎬᏫᏳᎯᏃ ᎤᏁᎳᏅᎯ ᎨᏥᎸᏉᏗ ᎠᎾᏙᎴᎰᏍᎩ ᎤᎾᏤᎵᎦ ᏧᏅᏎ ᎤᏤᎵ ᏗᎧᎿᏩᏗᏙᎯ ᎬᏂᎨᏒ ᎢᏧᏩᏁᏗᏱ ᏧᏤᎵ ᏧᏅᏏᏓᏍᏗ, ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᏂᎪᎯᎸᎾᏉ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ.\nᏞᏍᏗ ᎩᎶ ᏥᏥᎷᏄᎮᎵ ᏥᏥᏲᏍᏙᏓᏁᎵ ᎠᏌᏍᏛ ᎡᏥᏁᏗᏱ ᎤᏚᎵᏍᎬ ᎤᏓᏙᎵᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏧᎾᏓᏙᎵᏍᏓᏁᏗᏱ, ᎾᏍᎩ ᎤᎵᏌᎳᏁᎲ ᎤᎪᎲᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᏎᏉᏉ ᎠᏕᏋᎯᏍᏗᏍᎬ ᎬᏗᏍᎬ ᎤᏇᏓᎵ ᎤᏓᏅᏖᏗ ᎨᏒᎢ;\nᎦᎵᏉᎩᏃ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎥᎦᏥᎪᎥᎩ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏄᏛᏅ ᎢᎬᏱᏗᏢ ᏣᏂᏙᎾᎠ; ᎦᎵᏉᎩᏃ ᏗᏤᎷᎩ ᏕᎨᏥᏕᎸᎩ ᎾᏍᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎩᎶ ᏓᎦᏘᎴᎨᏍᏗ ᎠᏰᎵ ᎪᏢᏒᎢ, ᏓᎦᏘᎴᎨᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏖᎸᎯ ᎪᏢᏅᎯ ᎨᏒᎢ; ᎾᏍᎩᏃ ᏗᏂᎦᏘᎴᎩ ᏧᎾᏚᎪᏓᏁᏗᏱ ᎠᏂᏩᏛᏗᏍᎨᏍᏗ.\nᎢᏳᏃ ᏂᎬ ᎯᏰᎸ ᎧᎵᏬᎯ ᎨᏎᏍᏗ ᎢᎦ ᎦᏘ, ᎢᎸᎯᏢ ᏄᏓᏓᎸᎾ ᎤᎵᏏᎩ, ᏂᎬ ᎤᎧᎵᏨᎯ ᎨᏎᏍᏗ ᎢᎦ ᎦᏘ, ᎾᏍᎩᏯ ᎠᏨᏍᏙᏗ ᎣᏍᏛ ᎠᏓᏪᎵᎩᏍᎬ ᎢᎦ ᏥᏣᏘᏍᏓᏁᎰᎢ.\nᎠᎧᎵᎢᏍᎩᏂ ᎨᏒ ᎠᎵᏰᎢᎶᎸᎭ, ᎿᏉ ᎾᏍᎩ ᎢᎦᏛᏉ ᎨᏒ ᏛᎵᏛᏔᏂ.\nᎤᏒᏃ ᏄᎵᏍᏔᏅ ᎤᎾᏂᏢᏅᎩ [ᏥᏌ] ᏔᎳᏚ ᎢᏯᏂᏛ ᎬᏩᏍᏓᏩᏗᏙᎯ\nᎥᏝ ᏱᏥᏁᎦ ᎾᏍᎩ ᎯᎠ ᎠᏎ ᎢᏣᏛᏁᏗᏱ, ᎠᏂᏐᎢᏍᎩᏂ ᎤᎾᎵᎦᎵᏴᏅ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎠᎴ ᎠᎩᎪᎵᏰᏗᏱ ᎠᏓᎨᏳᏗ ᎨᏒ ᎢᏥᎲ ᏄᏠᎾᏍᏛᎾ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏕᏣᏓᎦᎵᏍᏓᏗᏍᏗᏍᎨᏍᏗ ᎯᎠ ᎾᏍᎩ ᏥᏕᏣᏓᏪᏎᎲᎢ.\nᎠᎴ ᏫᏚᎪᎲᎩ ᎤᏁᎬ ᏚᎾᏣᏅᏛᎩ ᎠᏂᏔᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏚᏃᎸᎩ, ᏌᏉ ᎤᎵᏍᏘᏅᎢ, ᏐᎢᏃ ᏚᏜᏌᏔᏅᎢ.\nᎢᏗᏫᏍᎪ ᎤᏇᏓᎵ ᎠᏰᎸ ᎠᏫᏒᎯ ᎨᏐᎢ, ᎠᏓᏅᏙ ᎤᏙᏢᏒ ᏗᎴᏙᏗ ᎨᏎᏍᏗ. ᎤᏇᏓᎵ ᎠᏰᎸ ᎡᎭ, ᎠᎴ ᎠᏓᏅᏙ ᎤᏙᏢᏒ ᎡᎭ.\nᎠᏂᏫᏅᏃ ᏚᎾᎴᏁ ᎠᎴ ᎤᏂᏣᏄᎳᏁᎢ, ᎤᏂᎾᏫᏛᎲᏃ ᏭᏂᏂᏌᏁᎢ.\nᎡᎾᎢ ᎤᎵᏬᏨ ᎠᎪᏍᎪᎢ.\nᎾᏍᎩ ᏗᎬᏩᎾᏚᎪᏓᏁᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏂᎥ ᎾᏍᎩ Ꮎ ᎾᏃᎯᏳᎲᏍᎬᎾ ᏚᏳᎪᏛ ᎨᏒᎢ, ᏂᏚᏳᎯᏛᎾᏍᎩᏂ ᎨᏒ ᎠᏃᎯᏳᎲᏍᎩ.\nᏝ ᏳᏚᎵᏍᎨ ᎤᎾᎵᏛᏙᏗ ᎾᏍᎩᏯ ᎠᏂᏲᏁᎦ ᎢᏳᎾᎵᏍᏙᏗ.\nᎾᏍᎩ ᎤᏣᏘ ᎠᏓᎪᎵᏰᏍᎩ ᎠᏂᎩᎵᏲᎬ, ᎤᏣᏘ ᎠᎾᎵᎮᎵᎬ ᎠᎴ ᎤᏣᏘ ᎤᏲ ᏄᎾᏛᎿ ᏕᎬ ᎦᎸᏉᏗᏳ ᏄᏩᏁᎸ ᏄᏂᎨ-ᏳᎿᎥᎾ ᎨᏒᎢ.\nᏥᏌᏃ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏧᏬᎸ ᏭᎾᏘᏅᏍᏔᏁᎢ; ᎾᏍᎩᏃ ᏕᎬᏩᎳᏫᎡ ᏂᎦᏛ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ, ᎠᎴ ᏗᏂᎳᏫᎩ, ᎠᎴ ᏗᏃᏪᎵᏍᎩ.\nᎦᏲᏟ ᏓᏥᏃᎮᎵ ᏄᎾᏛᎾᏕᎬ ᎠᏂᏴᏫᏯ ᏍᎩᎾᎾ ᎤᏰᎸᏗ.\nᎿᏉᏃ ᏴᏫ ᎦᏁᏄᎵ ᎤᎾᏓᏟᏌᏅ, ᎤᎴᏅᎮ ᎯᎠ ᏄᏪᏎᎢ; ᎤᏂᏲ ᎪᎯ ᏣᏁᎭ; ᎤᏂᏲᎭ ᎤᏰᎸᏛᎢ; ᎠᏎᏃ ᎥᏝ ᎨᏥᎾᏄᎪᏫᏎᏗ ᏱᎨᏎᏍᏗ ᎤᏰᎸᏛᎢ, ᏦᎾ ᎠᏙᎴᎰᏍᎩ ᎤᏤᎵ ᎤᏰᎸᏛ ᎤᏩᏒ.\n“ᎨᏍᏗ ᏱᏥᎦᏔᎮ ᏧᏪᏥ ᏘᎲᏍᎩ ᎨᏒ,” ᎤᏛᏁ ᏫᎵᎻ ᎠᏍᏆᏂᎪᏍᎩ.\nᎿᏉᏃ ᏉᎳ ᎠᎴ ᎾᏍᎩ ᎠᏁᎯ ᎨᏆ ᏫᎤᎾᏣᏅ ᏭᏂᎷᏤ ᏆᎩ ᎦᏚᎲ ᏆᎻᏈᎵᏱ. ᏣᏂᏃ ᎤᎾᏓᏓᎴᏓᏁᎸ ᏥᎷᏏᎵᎻ ᏫᎤᎶᏎᎢ.\nᎤᏕᏘᏴᏌᏗᏒ ᏯᏂᎷᎬᎾ ᎠᏂᏲᏍᎩ, ᎠᏂRidge ᎤᎾᏓᏓᏍᎬ ᎤᎾᎴᏅᎮ ᏓᏂᎯᏯᏍᎬ ᏧᎾᏁᏍᎨᏛ ᏗᏍᏙᏍᏗ, ᏗᎦᏐᏍᏙᏗ ᏥᏳ, ᏚᎾᏓᎾᏅ ᏃᎴ ᏗᏦᎣᏍᏙᏗ, ᏭᏕᎵᎬ ᎢᏣ ᎠᏁᎨ, ᎦᏲᏟ ᏚᎾᏘᏅᏎ ᎠᏂᎱᏣ ᏚᏂᎾᏌᎥ, ᏭᏅᎬᏛ ᎣᎭᏂ ᎤᏁᏅᏍᏗ.\nᎾᏍᎩᏃ ᏙᎦᎦᎴᏅᎲ ᎠᎴ ᏥᏳᎯ ᎣᎦᏣᏅ, ᏧᏳᎪᏗ ᏬᎩᏅᏍᏔᏅᎩ ᎪᎣᏏ ᏬᎩᎷᏨᎩ, ᎤᎩᏨᏛᏃ ᎶᏗᏱ, ᎾᎿ Ꮓ ᏫᎣᎨᏅ ᏆᏖᎵ ᏬᎩᎷᏨᎩ.\nᏭᏃᏯᏁᏒᎩᏃ ᎡᎵᎩ ᎤᏂᏣᏘ ᎠᏂᏙᎾᎥᎢ, ᎾᏍᎩ ᎠᏂᏧᏏ ᎠᏂᏅᏫᏍᏗᏍᎬᎩ; ᎡᎵᎩᏃ ᎤᏕᎸᏅ ᎤᏬᏰᏂ ᎤᏚᎵᏍᎬᎩ ᎤᏩᏒ ᎠᎵᏍᏕᎵᏍᎬᎢ ᏧᏬᏁᏙᏗᏱ ᏴᏫ.\n“ᎠᏎᏃ ᏗᎦᏃᏣᏟ ᎢᎩᎷᏥᏏ, ᎠᎳᏂ---ᎤᏍᏆᏂᎩᏗ ᏗᎦᏃᏣᏟ.\nᎾᏍᎩ [ᏥᏌ ᎦᎶᏁᏛ] ᎡᏥᎪᎥᎯ ᏂᎨᏒᎾ ᎢᎡᏥᎨᏳᎭ; ᎠᎴ ᎾᏍᎩ ᎪᎯ ᎨᏒ ᏁᏥᎪᏩᏘᏍᎬᎾ, ᎠᏎᏃ ᎡᏦᎯᏳᎲᏍᎬᎢ ᎡᏣᎵᎮᎵᎦ ᎢᏨᏗᎭ ᎠᎵᎮᎵᏍᏗ ᎨᏒ ᎦᏃᎮᏗ ᏂᎨᏒᎾ ᎠᎴ ᎦᎸᏉᏔᏅᎯ;\nᎾᏍᎩᏃ ᎤᏩᏒᎯ ᏄᏩᏓᎴᎢ ᎤᏃᏴᎬᎢ ᎦᏃᎸᏍᎬᎢ\nᎾᎿᏃ ᎤᏪᏙᏅ ᎠᎴ ᎤᏣᏘ ᏚᏪᏁᏔᏅ, ᎠᏂᎪᎢ ᎤᎾᏤᎵᎪᎯ ᏭᎷᏨᎩ.\nᎢᏳᏰᏃ ᎾᏍᎩ ᎤᏲᎱᏒ ᏗᏓᏤᎵᏛ ᎢᏰᎬᏁᎸᎯ ᎨᏎᏍᏗ, ᎾᏍᏉᏍᎩᏂ ᏚᎴᎯᏌᏅ ᏗᏓᏤᎵᏛ ᎢᏰᎬᏁᏗ ᎨᏎᏍᏗ.\n”ᏙᎢᏳᏍᏗ ᏍᎩᎾᏂ?” ᎤᏓᏛᏛᏁ ᏫᎵᎻ, ᎤᏲ ᎤᏓᏅᏘ.\nᏚᎵᏖᎸᏁ ᏚᏄᏌᏛ ᏧᏍᏆᏴᏍᏗ.\nᎠᏴᏰᏃ ᏦᏤᎭ ᏂᎪᎯᎸᏉ ᏦᎩᏲᎱᏏᏕᎾ ᏥᏌ ᎣᎩᏍᏛᏗᏍᎬᎢ, ᎾᏍᎩ ᎬᏅ ᎾᏍᏉ ᏥᏌ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏴ ᎠᏲᎱᏍᎩ ᎣᎩᏇᏓᎸᎢ.\nᏙᏱᏨ ᎤᏪᏓᏍᏗ ᎤᏴᏣ ᏃᎴ ᎦᏓᏁ ᎨᏎᎢ.\nᎤᏣᏘᏃ ᏓᏆᏠᏱᎸᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎩᎶ ᎬᏩᏛᏗ ᏂᎨᏒᎾ ᎨᏒ ᏰᎵ ᎬᏩᏍᏚᎢᏍᏗ ᎠᎴ ᎬᏩᎪᎵᏰᏗ ᎨᏒ ᎪᏪᎵ, ᎠᎴ ᎾᏍᎩ ᎾᎿ ᏗᎬᏩᎧᏃᏗ.,\nᏙᎢᏳᏍᏗ ᏲᎩᏂᏃᎯᏎᎴ ᎦᏲᏟ ᏧᎾᏓᏟᏴᏗ.\nᎠᏴᏍᎩᏂ ᏂᎦᎯᎸ ᎠᏓᏙᎵᏍᏙᏗ ᎨᏒ ᎠᎴ ᎧᏃᎮᏛ ᏙᏓᏲᎩᎸᏫᏍᏓᏁᏗ.\n“ᎡᎵᏍᏗᏗ,” ᎤᏛᏁ ᎤᎯᏐᏓᏁᎯ.\nᎤᏬᎯᏨᏃ ᎾᎿ ᎣᎦᏅᏅ, ᎩᎶ ᎢᏳᏍᏗ ᎠᏙᎴᎰᏍᎩ ᎤᎷᏨᎩ, ᎡᎩᏩ ᏧᏙᎢᏛ, ᏧᏗᏱ ᏅᏓᏳᎶᏒᎯ.\nᎠᎦᏴᎵᎨᏰᏃ ᏥᏓᎴᏗᏍᎪ ᏧᏂᏲᎱᏒᎯ, ᎠᎴ ᏗᏅᏃᏛ ᏥᏂᏕᎬᏁᎰᎢ, ᎾᏍᎩᏯᏍᎩᏂ ᎤᏪᏥ ᏗᏅᏃᏛ ᏂᏕᎬᏁᎰ ᎾᏂᎥ ᎾᏍᎩᏉ ᎡᎳ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎾᏓᏅᏟ ᎠᏁᎲ ᎤᏰᎵᏒᎩ ᎯᎠ ᎾᏂᏪᏍᎬᎢ, ᎾᏍᎩ ᎠᏓᏍᏓᏩᏗᏙᎯ ᎥᏝ ᎠᏛᏲᎱᏏ. ᎠᏎᏃ ᏥᏌ ᎥᏝ ᎠᏛᏲᎱᏏ ᎥᏝ ᏳᏬᏎᎴᎢ, ᎯᎠᏉᏍᎩᏂ ᏄᏪᏎᎸᎩ; ᎢᏳᏃ ᏥᎷᏨᎭ ᎬᏗᏍᎩ ᎡᎮᏍᏗ ᏯᏇᎵᏒ, ᎦᏙ ᎾᏍᎩ ᏨᏙᏗ.\nᎠᏓᏁᎸᏃ ᎤᏂᏴᎸ ᎤᏂᎪᎮ ᎠᏲᏝ ᎠᎴ ᎤᏥ ᎺᎵ, ᎠᎴ ᎡᎳᏗ ᏚᎾᏓᏅᏁᎢ, ᎤᎾᏓᏙᎵᏍᏓᏁᎴᎢ, ᎠᎴ ᏧᎬᏩᎶᏗ ᎤᏂᎳᏅᏛ ᏚᏂᏍᏚᎢᏒ ᎤᏂᏁᎸᏁ ᏅᎾᎵᏍᎪᎸᏔᏅᎯ, ᎠᏕᎸ-ᏓᎶᏂᏛ, ᎠᎴ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ ᎠᏜ, ᎠᎴ ᎻᎳ.\nᎾᎯᏳ ᎤᏑᎵᎪᏨ ᎩᏟ ᎤᏍᎦᏎᏗ ᏂᎦᏪᏍᎬ ᏓᏑᏫᏍᎬᎢ.\n“ᏫᏗᏯᎷᎦ ᏐᎢ ᎠᎳᏑᎶ.\n“ᎪᎱᏍᏗ ᏂᎬᏁ, ᎠᏎ ᏍᎩᏥᏄᏍᏙ.\nᎤᏂᏁᎫᏰᏃ ᎤᎾᏁᎳᎩ ᏙᏤᎵᏎᎭ ᎣᏏᏳ ᎢᏥᏰᎸᎭ, ᏂᎯ ᎢᏥᎦᏔᎾᎢ ᎨᏒ ᎢᏳᏍᏗ.\nᎤᏕᎸ ᎦᎷᏯᏍᏘ ᏣᎵ.\nᎾᏃ ᎣᏒ ᎦᏙᎯ ᏧᎳᎨᏯᏛᏤᎢ ᎨᏥᏛᎦ ᎾᏍᎩ ᏄᏠᎾᏍᏛᎾ ᎠᎴ ᎣᏍᏛ ᎨᏒ ᎤᏂᎾᏫ ᎬᏗ ᎠᎾᏛᎬᎦ ᎧᏃᎮᏛ, ᎠᏂᏍᏆᏂᎪᏗᏍᎪᎢ, ᎠᎴ ᎠᏂᎾᏄᎪᏫᏍᎪ ᎤᎦᏔᏔᏅᎯ ᎠᏅᏂᏗᏳ ᎨᏐᎢ.\nᎯᎠ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏟᏗᏱ ᏨᏓᎬᏯᎧᎯᏴᎩ, ᎾᏍᎩ ᎣᏍᏛ ᎢᏨᏁᎵᏓᏍᏗᏱ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᎤᏃᏒᏅᎢ, ᎠᎴ ᏘᎪᏗᏱ ᏗᎨᎦᏁᎶᏗ ᏕᎦᏚᏩᏗᏒᎢ, ᎾᏍᎩᏯ ᎢᏣᏛᏁᏗᏱ ᎬᏁᏤᎸᎢ;\nᎣᎩᏒᎸ.\nᎦᏙᏃ ᏓᎦᎵᏍᏙᏓ ᎠᏴ ᎾᏍᎩ ᏥᎾᏆᎵᏍᏓᏏ, ᎾᏍᎩ ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ ᎤᏥ ᏣᎩᎷᏥᏏ?\nᎥᏝᏰᏃ ᎪᎱᏍᏗ ᏱᎬᏍᎦᎳ ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᏂᎨᏒᎾ; ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᎤᏕᎵᏛ ᏱᏂᎬᏃ, ᎾᏍᎩ ᎠᏎ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗ ᏂᎨᏒᎾ.\nᏙᏉ ᏣᎵᏍᏔᏁᎭ ᏣᏄᏏ? \nᏥᏯᎸᏒ.\nᏣᏂᏃ ᎠᏂᏔᎵ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏫᏚᏯᏅᎮ ᏥᏌ ᏤᏙᎲ ᏚᏅᏎ ᎯᎠ ᎾᏄᏪᏎᎢ; ᏂᎯᏍᎪ ᎤᎷᎯᏍᏗ ᏥᎩ? ᏥᎪᎨ ᏅᏩᏓᎴ ᎣᏥᎦᏕᏃᎮᏍᏗ?\nᎤᏏᏩ ᎨᏎᎢ.\nᎠᎾᏗᏍᎪ ᎠᏂᏳᏩᏁᎦ ᎤᏅᏌ ᎭᎾᏂ.\nᏚᏂᎪᎵᏰᎥᏃ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ, ᏗᎦᎳᏫᎢᏍᏗᏱ ᎨᏥᎦᏘᏗᏍᏗ ᎤᎾᏓᏅᏎ ᎯᎠ ᏫᏂᏚᏂᏪᏎᎴᎢ; ᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ, ᎢᏳᏃ ᏗᎨᏥᏬᏁᏙᏗ ᎨᏎᏍᏗ ᏴᏫ, ᎢᏥᏁᎩ.\n”ᎣᎯᏍᏙᏗ ᎠᎪᏩᏛᏗ ᏔᎵ ᎢᏳᏩᎦᏘ ᏗᏏᎳᏛᏅ ᏱᎩ ᏂᎦᏓ.\nᏌᏩᏂ ᏈᏓᏭᏣᏅᎩ, ᎠᎴ ᎪᏱ ᏭᎾᏏᏃᎸᎩ ᎠᎦᏯᎷᏗ ᎠᎧᎵᏬᎯ ᏣᏁᏆ ᎠᏣᏗ, ᏍᎪᎯᏧᏈ ᎯᏍᎩᏍᎪᎯ ᏦᎢᎦᎵ ᎤᏂᎥᎩ. ᎾᏍᎩᏒᎦᏃ ᎾᏂᎥᎩ ᎠᏎᏃ ᎠᎦᏯᎷᏗ ᎥᏝ ᏳᏲᏤᎢ.\nᎩᎶ ᏄᏓᎴ ᏱᏥᏔᏲᏏ ᎠᎩᏍᏕᎸᏗ”\nᎠᎴ ᏓᏤᎵᏍᏛ ᏚᏂᏄᎪᏤ ᏧᎴᏅᎯ ᏂᎨᏎᎢ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎦᏚᎲ ᎤᏂᏴᎴᎢ, ᎠᎴ ᎤᏂᏣᏖ ᎬᏂᎨᏒ ᏂᏚᎾᏛᏁᎴᎢ.\nᎾᎿᏂ ᎥᏝ ᎩᎶ ᎠᎪᎢ ᏱᎩ, ᎠᎴ ᎠᏧᏏ, ᎠᏥᎤᏍᏕᏎᎸᎯ ᎠᎴ ᎠᏥᎤᏍᏕᏎᎸᎯ ᏂᎨᏒᎾ, ᏅᏩᏓᎴ ᏴᏫ, ᏏᏗᏱ ᎡᎯ, ᎠᏥᎾᏝᎢ ᎠᎴ ᎾᏥᎾᏝᎥᎾ; ᎦᎶᏁᏛᏍᎩᏂ ᏂᎦᎥ ᎪᎱᏍᏗ ᏂᎦᎵᏍᏓ, ᎠᎴ ᏂᎦᏗᏳ ᏗᏯᎢ.\n“ᎦᎵᎡᎵᎩ ᏥᎬᎪᏩᏔ.\nᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᎤᏁᏨᎩ ᏗᏐᏴ ᏩᏥᏴᏙᏗᏱ, ᎠᎴ ᎠᏥᎵᎥᏂᎲ ᎠᏥᎪᎵᏰᏗᏱ, ᎤᏚᎵᏍᎬᎩ ᎤᏙᎴᎰᎯᏍᏗᏱ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏂᎦᎥ ᎠᏁᎷᎲᏍᎬ ᎬᏩᏡᏗᏍᎬᎢ.\nᎯᎠ ᎠᏂᏣᎳᎩ ᏧᎾᏛᏓᏍᏓᏁᎢ ᏃᎴ ᏧᎾᎾᎾᏖᎢ ᏍᎩᎾ ᏗᎧᏃᎩᏓ ᎯᎪᎢᎦ.\nᏭᏢᏁᎢ ᏫᎵᎻ ᎠᏓᏅᏖᏍᎨ ᎢᏳᏛᏁᏗ.\nᎤᏓᏅᏪᎥ ᎠᎩᏍᏙᎯ ᎤᏩᏌ, ᏓᏴᏈᏛ ᏗᎬᎯᏓ.\nᏧᎦᏌᏬᎸ ᏚᎧᎵᏤ ᏗᎦᏙᎵ.\nᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᎠᏥᏅᏏᏓᏍᏗ ᎤᏅᏏᏙᎯ ᎦᎷᏨᎭ ᎤᏩᏛᎲᎭ ᎾᏍᎩ ᎾᏛᏁᎲᎢ.\nᎠᏂᏧᏏᏃ ᎾᏍᏉ ᎤᏂᏍᏓᏱᏛᎩ, ᎤᏙᎯᏳᎯ ᎾᏍᎩ ᏄᏍᏗ, ᎤᎾᏛᏅᎩ.\nᎭᏟᏂᎬᏁᎸᎭ ᎠᏂ ᏣᎷᎯᏍᏗᏱ ᎠᏏᏉ ᎪᎳ ᏂᎨᏒᎾ. ᏳᏇᎳ ᏫᏣᏲᎵᎦ, ᎠᎴ ᎾᏍᏉ ᏇᏗᏂ, ᎠᎴ ᎳᎾᏏ, ᎠᎴ ᏠᏗᏯ, ᎠᎴ ᎾᏂᎥ ᎠᎾᎵᏅᏟ.\nᎠᏫᏃ ᎤᏂᏃᏕᎾ ᎠᎦᏘᏏ ᎢᏗᏢ ᏙᏓᎦᎪᏔᏂ, ᎠᏫᏃ ᏗᏂᎭᏄᎸᎯ ᎠᎦᏍᎦᏂ ᎢᏗᏢ;\nᏂᎦᏓ ᏃᏉ ᎯᏥᏧᏣ! \nᏂᎯᏍᎪ ᎦᎶᏁᏛ? ᏍᎩᏃᎲᏏ. ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎢᏳᏃ ᏱᏨᏃᏁᎸ ᎥᏝ ᏴᎨᏦᎯᏳᎲᎦ;\nᎩᎶ ᎤᏍᎦᏅᏨ ᏕᏥᏲᏍᎨᏍᏗ ᏗᏲᏒᎯ ᎨᏎᏍᏗ, ᎩᎶᏃ ᎤᏍᎦᏅᏨ ᏕᏥᏂᏱᏍᎨᏍᏗ ᏗᎦᏂᏴᏗ ᎨᏎᏍᏗ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏣᏰᎯ ᏫᏯᏅ, ᎠᏂᏃ ᎢᏍᏗᎷᏨᎭ.\nᎠᎴ ᎾᏍᎩ ᎠᏰᎸ ᏤᎯ ᎾᏍᎩ ᎡᏍᎦ ᎢᏴᏛ ᎢᏗᎦᎸᏉᏗ ᎢᎩᏰᎸᏒ, ᎾᏍᎩ ᎤᏟ ᎢᏗᎦᎸᏉᏗ ᏂᏕᏛᏁᎰᎢ; ᎠᎴ ᏄᏬᏚᏒᎾ ᎨᏒ ᏂᎦᏛᏅᎢ ᎾᏍᎩ ᎤᏟ ᎤᏬᏚᎯᏳ ᏂᎦᎵᏍᏗᏍᎪᎢ;\nᎯᎠᏃ ᎾᏍᎩ ᎢᏥᎦᏔᎮᏍᏗ, ᎾᏍᎩ ᎢᏳ ᎦᏁᎳ ᏯᎦᏔᎮ ᎢᏳᏟᎶᏛ ᎠᎵᏰᎢᎵᏒ ᏗᎦᎷᏥᏒ ᎦᏃᏍᎩᏍᎩ, ᏳᏯᏫᏎᎢ, ᎠᎴ ᎥᏝ ᏩᎩᏴᏏ ᎠᏓᏁᎸ ᏱᎬᏪᎵᏎᎢ.\nᏣᏂ ᏥᏓᏓᏬᏍᎬᎩ, ᎦᎸᎳᏍᎪ ᏧᏓᎴᏁᎢ, ᏴᏫᏉᎨ ᎠᏁᎲᎢ? ᏍᎩᏃᎲᏏ.\nᎢᏳᏃ ᎠᏩᏛ ᎠᏃᎭᏢᎥᏍᎪᎢ ᎠᎵᎮᎵᎪᎢ.\nᎾᏍᎩ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ. ᎡᎺᏅ.\nᏥᎪᏃ ᎾᏍᎩ Ꮎ ᎣᏍᏛ ᎨᏒ ᎠᎩᎯᎯᏉ ᏄᎵᏍᏔᏁᎢ? ᎬᏩᏟᏍᏗ. ᎠᏍᎦᏂᏍᎩᏂ, ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩ ᏄᏍᏛ ᎠᏍᎦᏂ, ᏚᎸᏫᏍᏓᏁᎲᎩ ᎠᎩᎯᏍᏗᏱ ᎬᏗᏍᎬᎩ ᎾᏍᎩ Ꮎ ᎣᏍᏛ ᎨᏒᎢ; ᎾᏍᎩ ᎠᏍᎦᏂ ᎤᎵᏁᏨ ᎢᏳᏩᏂᏌᏛ ᎤᏣᏘ ᎠᏍᎦᎾᎯᏳ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᎴ ᏅᎦᏍᎪᎯ ᏧᏒᎯᏛ ᎤᎪᎵᏰᏍᎨ ᎠᏍᎩᎾ. ᎾᏍᎩᏃ ᎢᎪᎯᏛ ᎥᏝ ᎪᎱᏍᏗ ᏳᏎᎢ ᎾᏍᎩᏃ ᎤᎵᏍᏆᏛ ᎩᎳ ᎤᏲᏏᏌᏁᎢ.\nᎯᎠ ᎪᏪᎵ ᎧᏃᎮᎭ ᏧᏁᏢᏔᏅᏒ ᏥᏌ ᎦᎶᏁᏛ, ᏕᏫ ᎤᏪᏥ, ᎡᏆᎭᎻ ᎤᏪᏥ.\nᎠᎴ ᎠᎨᏴ ᎡᎳᏩᏱ ᎠᏕᎶᏆᏍᎨᏍᏗ ᎤᏣᏘ ᎤᏬᎯᏳᎯᏳ ᎨᏎᏍᏗ.\nᏭᎾᎵᏍᏔᏅᏃ ᎤᎾᏓᏛᏛᏁᎢ; ᎠᏂᏍᎪ ᎤᏬᎳ ᏌᏩᏂ ᏈᏓ ᏑᏙᎢᏛ, ᎤᎾᏛᏁᎢ.\nᎠᏰᎵ ᎢᏳᏥᎶᏛ ᎨᏰ ᎢᏴ ᎨᏴ ᏙᏥᎧᎯᏴ ᏐᏈᎵ, ᎡᏝᏪᎯ ᏬᎩᎾᎷᏒ ᎤᎭᎨᏛ ᎦᎳᎨᏴ ᏧᏯᏛᎯ ᏧᏆᎶᎦ.\nᏂᎦᏓ ᏓᏋᏔᏅ ᏄᏓᎴᏒ ᎢᎦᏪᏍᏗ ᏲᎾ ᏥᏯᏙᎴᏇᎸ ᏃᎴ ᎦᏥᏯᏙᎴᏇᎸ ᏧᏂᏲᎰᏒ ᏳᏩᏁᎦ ᏗᏃᏪᎵᏍᎩ ᏗᏥᎸᏉᏔᏅ ᏃᎴ ᏰᎵ ᏧᏙᏓᏆᏓ ᎦᏥᏯᏕᏙᏛ ᏗᏟᏰᎵᏓᏍᏘ ᎦᏙ ᏚᏂᏂᏴᏛ ᎠᎾᏓᏒᎯᎲ ᏃᎴ ᎤᎾᏤᎵᎪ ᎠᏥᎶᎥ ᏃᎴ ᎢᏳᏍᏘ ᎤᏤᎵ ᏩᎦ ᎤᏲᏍᏔᏅ ᎠᏐᎭᏴᎢ.\nᎡᎳᏆᏗ ᎤᏬᏰᏂ ᎦᎵ ᏭᎩᏎ ᎧᏁᏍᎦ ᎦᎸᎳᏗ ᎢᏣ ᏭᏗᏅᏎ ᏃᎴ ᏍᏓᏯ ᎤᏪᎷᏁᎢ.\nᏂᏓᏂᎵ ᎤᏅᏨ ᎯᎠ ᏄᏪᏒᎩ; ᏔᏕᏲᎲᏍᎩ, ᏂᎯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ; ᏂᎯ ᏣᎬᏫᏳᎯ ᎢᏏᎵ ᎤᎾᏤᎵᎦ.\nᎦᏅᎬᏃ ᎾᎥ ᎤᎴᏁ, ᎠᎴ ᎤᏍᎦᏤ ᎤᏗᎴᎲᏍᎬᎢ, ᎤᏙᎣᎴᏃ ᎤᏗᎴᎲᏍᎬᎢ, ᎩᎳᏉᏃ ᎢᏴᏛ ᎤᏗᏛᎮ, ᎠᎴ ᏚᏍᏕᎸᎪᏙᎴᎢ.\nᎤᏣᏘᏰᏃ ᏥᏕᎦᎯᏞᏫᏒ ᏌᏉ ᎠᏰᎸ ᎨᏒᎢ, ᎠᎴ ᎾᎦᏛ ᏕᎦᎯᏞᏫᏒ ᎤᏠᏱ ᏂᎨᏒᎾ ᏥᎩ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ ᎨᏒᎢ;\n“ᎭᎳᏑᏢᎩ! ᎭᎳᏑᏢᎩ!” ᎤᏃᏎᎴ ᏩᎭᏯ.\n”ᎦᎵᎡᎵᎦ ᏳᏣᎩᏒᎾ ᏥᎨᏎ ᎠᏓᎯ,” ᎤᏛᏁ.\nᎠᏂᎨᏯ ᎤᎵᏗᏨ ᏚᎾᏁᎢ.\nᎿᏉᏃ ᎤᎬᏫᏳᎯ ᎯᎠ ᏂᏚᏪᏎᎴ ᎨᏥᏅᏏᏓᏍᏗ; ᎡᏣᎸᏣ ᏧᏪᏰᏂ ᎠᎴ ᏧᎳᏏᏕᏂ; ᎠᎴ ᎡᏥᎾᏫᏛ, ᎠᎴ ᎥᏙᏱᏗᏢ ᏧᎵᏏᎬ ᏪᏣᏓᎤᎦ. ᎾᎿ ᏓᏂᏴᎨᏍᏗ ᎠᎴ ᏓᏂᎸᏓᎩᏍᎨᏍᏗ ᏓᏂᏄᏙᎬᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ; ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ ᎡᏥᏲᎭ, ᎾᏍᎩ ᏣᎦᏛᎥᏍᎬᎩ; ᏚᎴᎯᏌᏅ; ᎥᏝ ᎠᏂ ᏱᎦᏅ; ᏗᏣᎧᏅᎦ Ꭰ ᎤᏂᏅᏅᎢ.\n“ᎤᏙᎯᏳᎩ?” ᎤᏛᏁ ᏫᎵᎻ.\n“ᎭᏗ,” ᎤᏛᏁ ᏌᎳᏓ.\n”ᏙᎢᏳᏍᏗ ᎤᏦᎢᏎᏗ?” ᎤᏛᏛᏁ ᎰᎻ.\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏕᏥᏯᎵᏂᏆᏅᏁᎭ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ ᏥᏌ ᎦᎶᏁᏛ ᎤᏙᏓ,\nᎠᏆᎵᏍᏗ ᎠᏆᏦᎣᎯᏍᏗ ᎧᏁᏌᎢ.\nᎢᏳᏉ ᏫᏛᏂᎸᏂ ᏫᎵᎻ ᎧᏁᏌᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᏂᏥᏪᎭ ᎢᏓᎵᏅᏟ, ᎾᏍᎩ ᎤᏇᏓᎵ ᎨᏒ ᎠᎴ ᎩᎬ ᎥᏝ ᎤᎾᏤᎵ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ; ᎥᏝ ᎠᎴ ᎠᏲᎩ ᎨᏒ ᎤᏤᎵ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎩ ᎠᏲᎯ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏚᏂᏖᎸᏁᏃ ᎤᏂᏣᏘ ᏴᏫ ᎠᎴ ᏗᏂᎳᏫᎩ ᎠᎴ ᏗᏃᏪᎵᏍᎩ, ᎤᏂᏃᎴᏃ ᎠᎴ ᎤᏂᏂᏴᎮ ᎠᎴ ᏕᎦᎳᏫᎥ ᎤᎾᏘᏃᎴᎢ.\nᏛᎦ ᎠᏓᎾᏏᏂᏎᎢ ᏫᎵᎻ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ, ᏭᏟᏫᏛ, ᏌᎳᏓ ᏚᏏᎳᏛ ᏭᏩᏯᎸᏥᎴ.\nᏗᏍᎩᏯᏓᏂᎸᎩ; ᎥᏝ ᎩᎶ ᎤᏣᏘᏂ ᏱᏃᏨᏁᎸ, ᎥᏝ ᎩᎶ ᎠᏍᎦᎾ ᏱᏃᏨᏁᎸ, ᎥᏝ ᎩᎶ ᏲᏥᎶᏄᎡᎸ.\nᏴᏫ ᎢᏳᏍᏗ ᎠᎩᏃᎮᎸ, ᎣᎯᏍᏙᏗ ᎧᏁᎢᏍᏗ ᎠᏋᏔᏅ, ᎩᎳ ᏣᎾᏛᎩᏍᎪ ᎠᎩᏃᎮᎸ.\nᎩᎳ ᎤᏕᎶᎰᏎ ᎤᏂᎩᏏᏗᏒ, ᎡᏆ ᎠᏣᏗ ᏄᎵᏍᏔᏁ ᏃᎴ ᎨᏍᏗ ᏯᏍᎦᎢᎮ.\nᎧᏁᎬ ᎤᎶᏐᏅ ᎤᏩᏒᏉ ᎠᏥᏩᏛᎮ ᏥᏌ. ᎡᎳᏪᏱᏉᏃ ᎤᏅᏎᎢ, ᎠᎴ ᎥᏝ ᎩᎶ ᏳᏂᏃᏁᎴ ᎾᎯᏳ ᎨᏒ ᏄᏍᏛ ᎤᏂᎪᎲᎢ.\nᎤᏂᏁᎦᎳᎩᏍᏗ ᎤᏂᏁᎦᎸ, ᎤᏅᎨᏫᏍᏗ ᎤᎾᏅᏛ, ᎤᎾᏓᏅᏍᏗ.\nᎠᎴ ᎤᏂᏣᏛᎩ ᎬᏬᎯᏳᏅᎩ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎦᎶᏁᏛ ᎦᎷᏨᎭ, ᏥᎪᎤᏟ ᎢᎦᎢ ᎤᏍᏆᏂᎪᏗ ᏙᏓᏳᎸᏫᏍᏓᏁᎵ, ᎡᏍᎦᏉ ᎯᎠ ᎾᏍᎩ ᏥᏚᎸᏫᏍᏓᏁᎸ?\n”ᏰᎵ ᎤᎵᏍᎨᏓ ᎪᎱᏍᏗ,” ᎤᏛᏁ.\nᎠᎴ ᎯᎠ ᏥᏂᏓᏂᏪᏎᎰᎢ; ᎠᏤᎷᎩ ᎣᎬᏔᏅ ᏕᏨᏃᎩᎡᎸ, ᎠᏎᏃ ᎥᏝ ᏱᏣᎵᏍᎩᏒ; ᏙᏥᏴᎬᎩ ᎢᏣᏛᎪᏗ, ᎠᏎᏃ ᎥᏝ ᏱᏗᏣᏠᏱᎸ.\n“ᎨᏍᏗ ᎤᏩᏌ ᎤᏓᏅᏖᎸ ᏱᎩ ᎤᏍᏗᎩ ᎤᏕᏅ ᏣᎨ? \nᏧᎦᏴᎵᎨᏃ ᎬᏩᎪᎲ ᎤᏂᏍᏆᏂᎪᏎᎢ; ᎤᏥᏃ ᎯᎠ ᏄᏪᏎᎴᎢ ᎠᏇᏥ, ᎦᏙᏃ ᏅᏍᎩᎾᏛᏂᏏᏉ? ᏣᏙᏓ ᎢᏍᏛᏲᎲᎩ ᎤᏪᎵᎯᏍᏗ ᎣᎩᎾᏓᏅᏔᏩᏕᎬᎩ.\nᏂᎯᏍᎩᏂ ᎥᏞᏍᏗ ᎾᏍᎩ ᏱᏂᏨᏁᏍᏗ; ᎾᏍᎩᏍᎩᏂ Ꮎ ᏂᎯ ᏂᏣᏛᏅ ᎤᏟ ᎢᏯᏥᎸᏉᏗ; ᎾᏍᎩ ᎠᏫᎾᎨ ᎾᏍᎩᏯ ᎨᏎᏍᏗ; ᎾᏍᎩᏯ Ꮎ ᏄᎬᏫᏳᏌᏕᎩ ᏗᏍᏕᎸᎯᏙᎯ ᎾᏍᎩᏯ ᎨᏎᏍᏗ.\n”ᏱᎦᎵᎡᎵᎩ ᎬᏍᏕᎸᏗ.”\nᎠᎬᏱ ᏑᎾᎴ ᎤᏰᏤ ᎤᏃᎴ.\nᏌᏊ ᏥᏗᏩᏗ ᎠᎳᏑᎶᎢ.\nᎪᎩᏅᏍᏓᏕᎰᎢ ᏦᏥᏬᏁᏙᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎾᏍᎩ ᎦᎨᏥᏍᏕᎸᏗ ᎢᏳᎵᏍᏙᏗᏱ, ᎤᏂᎧᎵᎢᏍᏗᏱ ᏂᎪᎯᎸ ᎤᏂᏍᎦᏅᏨᎢ; ᎤᏔᎳᏬᎯᏍᏗᏍᎩᏂ ᎨᏒ ᏩᏍᏛ ᎢᏴᏛ ᎤᏂᎷᏤᎸ.\nᎿᏉᏃ ᏚᏒᏁᎸ ᏗᏂᎦᏙᎵ, ᎯᎠ ᏄᏪᏒᎩ; ᏄᏍᏛ ᎢᏍᏙᎯᏳᎲᏍᎬ ᎾᏍᎩᏯ ᏂᏍᏓᎵᏍᏓᏏ.\nᎠᏂᏫᏅ ᎾᏍᏉ ᏕᎯᏁᏤᎮᏍᏗ ᎤᎾᎵᏏᎾᎯᏍᏗ ᎢᏳᎾᎵᏍᏙᏗᏱ.\nᎤᏛᎦᏅᏃ ᎤᏢᎬᎢ, ᎾᎿ ᎡᏙᎲᎢ ᎠᏏᏔᎵ ᏅᎤᏙᏓᏋᎩ.\nᏔᎵᏁ ᏗᎦᏁᎲ ᎠᎹ ᏭᎷᏤ ᎤᏍᏗ ᎠᏣᏗ, ᏃᏗ ᎤᏛᎦᏁ ᏏᏲ ᎠᏗᏍᎬ.\n“ᏭᏲᎢᏴ ᏫᏣᎩᏍᏔᏁ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎢᏴᏛᎭᏰᏃ ᏗᎧᎿᏩᏗᏙᎯ ᎦᎷᏥᎯᎲᎩ ᎠᏓᏬᏍᏗᏱ, ᎠᎴ ᎠᏖᎸᎲᏍᎬᎩ ᎠᎹ, ᎩᎶᏃ ᎾᏍᎩ ᏧᏌᎴᏅᏔᏅᎯ ᎤᏚᏅᎯ ᎿᏉ ᎠᏖᎸᏅᎯ ᏥᎨᏐ ᎠᎹ, ᎤᏗᏩᏍᎬᎩ ᏂᎦᎥ ᎪᎱᏍᏗ ᎥᏳᎩ ᎤᏱᎵᏙᎲᎢ.\nᎠᎴ ᎿᏉ ᏂᎪᎯᎸ ᎠᎦᏘᏯ ᎬᏂ ᎬᏩᏍᎦᎩ ᏧᎳᏏᏗᏱ ᎦᏍᎩᎶ ᏂᎨᎬᏁᎸᎭ.\nᎣᏂᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᏔᎵᏁ ᏧᏗᏱ ᏫᏗᎶᎯ.\nᎠᎴᏫᏍᏘᏍᎨ ᎠᏔᏍᎩᏍᎬ ᎠᎴ ᎠᏓᏅᏫᏍᎨ.\nᏗᎨᏥᎾᏌᎢ ᎨᏥᏅᏙᏔᏁᎢ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᏥᏌᏃ ᎾᏍᎩ ᏚᎧᎿᏅ, ᎯᎠ ᏄᏪᏎᎢ, ᏴᏫ ᎨᏒ ᎾᏍᎩ ᎢᎬᏛᏁᏗ ᏂᎨᏒᎾ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎨᏒ ᎥᏝ; ᎤᏁᎳᏅᎯᏰᏃ ᎨᏒ ᏂᎦᎥ ᎪᎱᏍᏗ ᎢᎬᏛᏁᏗ.\nᎪᏫ ᎤᏓᏅᏒ ᏗᎦᎳᏫᎩ ᏬᎩᏂᏲᎯᏍᏔᏅ ᎣᏍᏗᏃᎮᏍᎬ ᎢᏯᏛᏁᎵᏓᏍᏗ, ᏧᏓᎴᏅᏓᏉ ᏬᎩᏂᏃᎮᎸ, ᎤᏛᏐᏅ ᎠᎾ ᎠᏫᎾᎨᏍᏗ.\nVan Buren ᎤᏍᏓᏩᏛᏎ ᏤᎩᏏᏂ ᎠᏰᎵᏒ ᎠᏂᏴᏫᏯ ᏧᎾᎳᏏᏙᏗ, ᎾᏍᎩᏯ ᎠᏓᏬᏍᎩ ᏧᏂᏱᏍᎪ ᎦᎾᎱᎩᏍᎬ.\nᎠᏓᎨᏳᏗ ᎨᏒ ᎥᏝ ᎤᏲ ᏱᏄᏩᏁᎰ ᎾᎥ ᎢᏳᎾᏓᎳ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏓᎨᏳᏗ ᎨᏒ ᎠᎧᎵᎢᎭ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬᎢ.\nᎩᎶᏍᎩᏂ ᎤᏣᏘᏂ ᎢᏯᏛᏁᎯ ᎠᏥᏍᏛᏗᏍᏙᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎤᏣᏘᏂ ᏄᏛᏁᎸᎢ; ᎥᏝᏃ ᎩᎶ ᎠᏥᎸᏉᏙᏗ ᏱᎨᏎᏍᏗ.\nᎠᏲᎵᎮᎢ, ᎭᎾᏉ ᎦᏙᎨ ᎤᎦᏙᏍᏕ ᏭᏕᎵᎬ ᏩᏕᏲᎲᎢ ᏗᎾᏙᎴᏆᏍᎩ ᏗᏘᏂᏙᎢ.\nᎢᏳᏃ ᎠᏍᎦᏯ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ ᏯᏥᏅᏍᏕᏎᎭ, ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᏗᎧᎿᏩᏛᏍᏗ ᎼᏏ ᎤᏤᎵ ᎤᏲᎢᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᏥᎪ ᎢᏍᎩᏍᎦᎦ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏍᎦᏯ ᏂᎬ ᎠᏰᎸ ᏥᏥᏅᏩᏅ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ?\nᏂᎦᏛ ᎠᏂ ᏃᎦᏛᏅᎢ ᏫᎨᏣᏲᎵᎦ. ᏕᎯᏲᎵᎸᎭ ᎾᏍᎩ Ꮎ ᎨᎩᎨᏳᎯ ᎪᎯᏳᏗ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ. ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᏤᎳᏗᏙᎮᏍᏗ ᏂᏥᎥᎢ. ᎡᎺᏅ.\nᎠᎨᏴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᏍᎦᏯ, ᎯᎠ ᎾᏍᎩ ᎠᎹ ᏍᎩᏁᎲᏏ, ᏞᏍᏗᏃ ᎠᎩᏔᏕᎦᏅᎩ, ᎠᎴ ᏞᏍᏗ ᎠᏂ ᎠᎩᏢᎯᎸᎩ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᎨᏴ ᎵᏗ ᏧᏙ-Ꮫ, ᎩᎦᎨ ᏗᏄᏬ ᎦᏃᏗᏍᎩ, ᏓᏱᏓᎵ ᎦᏚᎲ ᎡᎯ, ᎤᏁᎳᏅᎯ ᎠᏓᏙᎵᏍᏔᏁᎯ, ᎤᏛᏓᏍᏔᏅᎩ. ᎾᏍᎩ ᎤᎾᏫᏱ ᎤᎬᏫᏳᎯ ᎤᏍᏚᎢᏒᎩ, ᎤᏛᏓᏍᏙᏗᏱ ᏉᎳ ᎧᏁᎬᎢ.\nᎠᏎᏃ ᏂᎯ ᎡᏣᏓᏱᎸᎩ ᎾᏍᎩ ᎾᏯᎦᏅᎾ ᎠᎴ ᎤᏓᏅᏘ, ᎢᏥᏔᏲᎸᎩᏃ ᎤᏓᎸᎯ ᎡᏥᎧᏁᏗᏱ\nᏯᎩᏂᎬᎦᏰᏃ.\nᎠᎴ ᎤᏲᎴ ᏥᏌ ᎤᎪᏩᏛᏗᏱ, ᎾᏍᎩ ᏄᏍᏛᎢ; ᎠᏎᏃ ᎤᏄᎸᏁ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏂᏣᏘ ᎨᏒᎢ, ᎤᏍᏗᎩᏳᏰᏃ ᎨᏎᎢ.\nᏰᎵ ᏧᏙᏓᏆᏓ ᏃᎴ ᏧᏒᎯᏓ ᏧᎶᏐᏅ ᏰᎵ ᎢᏯᏂ ᎠᏂᏤ ᏧᎵᎢ ᏚᎾᏦᏎᎢ ᎠᏂᎩᏍᎬ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᏂᎪᎯᎸ ᎤᏁᎳᏅᎯ ᎦᎸᏉᏙᏗ ᎨᏒ ᎢᏓᎵᏍᎪᎸᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᏕᎩᎭᎦᎸ ᏧᎾᏄᎪᏫᏒᎯ ᎢᏓᎵᏍᎪᎸᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᏕᏅᏙᎥ ᎬᏂᎨᏒ ᏂᏛᏁᎲ ᎡᏓᎵᎡᎵᏤᎲᎢ.\nᏗᏄᎪᏗᏍᎩ ᏗᏂᏅ ᏧᏓᎾᏫᏛᎮ ᏣᏄᏏ ᏃᎴ ᎱᎵᏛᏓᏁᎢ.\nᏴᏫ ᎤᏪᏥ ᎠᎢ ᏄᏍᏛ ᎪᏪᎵ ᎠᏥᏃᎮᏍᎬᎢ; ᎠᏎᏃ ᎤᏲᎢᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ ᎠᏍᎦᏯ ᎠᏫ ᎤᏪᏥ ᎠᏡᏗᏍᎩ. ᎣᏏᏳ ᏱᎨᏎ ᎾᏍᎩ ᎠᏍᎦᏯ ᏄᏕᏅᎾᏉ ᏱᎨᏎᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎠᏲᎵ ᎤᏙᏓ ᎤᏪᎷᏁᎢ, ᎠᎴ ᏗᎬᎦᏌᏬᎢᎯ ᎯᎠ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᎪᎢᏳᎲᏍᎦ; ᏍᎩᏍᏕᎸᏏ ᎾᏉᎯᏳᏒᎾ ᎨᏒᎢ.\nᎣᏂᏃ ᏥᏌ ᎾᏍᎩ ᎤᏩᏓᎲᎩ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎬᏂᏳᏉ ᎡᏣᏅᏩᏅ; ᏞᏍᏗ ᎿᏉ ᎢᎸᎯᏳ ᏱᏣᏍᎦᏅᏤᏍᏗ, ᎤᏟᏰᏃ ᎢᏳᏲ ᏱᏣᎷᏥᏏ.\nᎿᏉᏃ ᎠᏂᏧᏏ ᎤᏂᏁᏨᎩ, ᎯᎠ ᏄᏂᏪᏎᎸᎩ; ᏝᏍᎪ ᏚᏳᎪᏛ ᏲᏥᏁᎦ, ᏌᎺᎵᏱ ᎮᎯ ᎠᎴ ᎠᏍᎩᎾ ᏣᏯᎢ, ᏥᏨᏲᏎᎭ?\nᏐᏉ ᏔᎵ ᏩᏍᏗ, ᎤᏢᏗ ᎤᏓᏅᏖᎴᎢ.\nᎾᎯᏳ ᏥᏌᎤᎵᎮᎵᏤ ᎤᏓᏅᏙᎩᎯ, ᎯᎠ ᏄᏪᏎᎢ, ᎬᏯᎵᎡᎵᏤᎭ ᎡᏙᏓ ᏣᎬᏫᏳᎯ ᎦᎸᎳᏗ ᎠᎴ ᎡᎶᎯ, ᎾᏍᎩ ᎯᎠ ᏥᏕᎲᏍᎦᎳᏁᎸ ᎠᏂᏏᎾᏌᏂ ᎠᎴ ᎠᏁᏯᏔᎯ, ᏗᏂᏲᎵᏃ ᏥᏕᎯᎾᏄᎪᏫᏎᎸ; ᎥᎥ, ᎡᏙᏓ; ᎾᏍᎩᏰᏃ ᎤᏏᏳ ᏣᏰᎸᏅᎯ.\nᏧᎦᏃᏮ ᎢᏣ ᏫᏚᎧᎾᏅ ᏣᎵ, ᏧᏟᏴᎦᏕᏩᏓ ᎬᏂᎨ ᎤᏍᎪᎸ ᏚᏅᏓᏎ ᎡᎶᎯ ᎢᏳᏓᏅᎯᏓ.\n“ᎠᏯ ᏍᏉ,” ᎤᏛᏁ ᎠᎵᏰᎾ.\nᎠᎴ ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎩᎶᏂᏗᏥᏲᏕᏍᏗᏍᎬᎾ ᎢᎨᏎᏍᏗ.\nᎥᏝ ᎠᎴ ᎤᏚᎸᏗ ᏱᏄᎵᏍᏓᏁᎮ ᎩᎶ ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ ᏄᏍᏛ ᏴᏫ, ᎠᎦᏔᎲᎩᏰᏃ ᏄᏍᏛ ᎭᏫᏂ ᎤᏪᎲ ᏴᏫ.\nᎢᎦᏛᏃ ᎠᏄᎦᎸᎯ ᎤᎳᎨᏯᏛᏤᎢ; ᎠᏄᎦᎸᏃ ᎢᏧᎳᎭ ᏗᎤᏛᏎᎢ, ᎠᎴ ᎤᏁᏄᎳᏍᏔᏁᎢ.\nᏣᏉ.\nᏣᎵ ᎨᏍᏗ ᏗᏟ ᏱᎩ.\nᎠᏎᏉ, ᎤᎸᏛ ᎡᏙᎰ ᏃᎴ ᎧᎾᏥᏍᏕᏥ ᏃᎴ ᏩᏚᎵᏏ ᎫᏩᏨᏯᏍᎪ ᏃᎴ ᏩᎶᏏ ᏃᎴ ᎢᎾᏓ ᏕᎦᏃᎯᎰ ᏗᏓᏁᎸ ᏃᎴ ᎢᏳᏍᏗᏉ ᎠᎡᏂᎲ ᎠᏲᏍᏗᏍᎪ.\nᏙᏰ ᏕᎦᏅᏙᎬ ᎠᏰᎳᏍᏗ ᏗᎦᏅᎯᏓ ᎾᎥᏂᎨ ᏂᏚᏍᏛ, ᎠᏯᏖᏅ ᎠᎫᏰᎸᏍᏗ.\nᏂᎦᏓ ᎾᏂᏪᏍᎨᎢ, ᎨᏍᏗ ᎯᎸᎢᏴ ᎤᏂᎪᎲ ᏱᎨᏎ ᏍᎩᎾᎾ ᎢᏳᏍᏆᏂᎩᏗ ᏏᏆ.\nᎠᏎᏃ ᎤᎵᏏᏂᏗ ᎤᏪᏅᏎ ᎤᏲ ᎤᎾᏗᏅᏗ. ᎪᎯᎢᏴ ᎱᎷᏤ ᎠᎦᎸᏓ ᎤᏥᎸ ᎠᎿᏬ ᎤᏃᎴ.\nᎠᎩᏁᎢᏍᏔᏅ ᎠᎦᎸᏥ ᎠᏆᏙᎴᏋ, ᎦᏬᏂᏍᏗ ᎠᏙᎴᏆᏍᏙᏗ ᏃᎴ ᎢᏗᎦᏪᏍᏗ ᎧᏃᎮᏍᎩ ᏗᎬᏗ. ᏍᎦᏫᏍᏗ ᎠᎦᎸᏥ ᎪᏪᎵ ᎠᏆᏚᎵᏍᎬ ᏗᎩᎪᎵᏰᏗ, ᎾᏍᎩᏂ Rousseau's Meditations of a Solitary Walker ᏃᎴ Abbé Prévost's Manon Lescaut, ᎢᏧᎳ ᎠᏆᏟᏂᎬᏁᎸ ᏚᎵᎬᏩᏢ, ᎭᏉ ᎠᎩᎾᎩᏛ ᎠᎩᏰᎸᏅ Voltaire.\nᎾᏍᎩᏃ ᎤᏇᏓᎵ ᏄᏍᏛ ᏕᎤᎸᏫᏍᏓᏁᎲ ᎬᏂᎨᏒᎢᏳ; ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ-ᎠᏓᏲᏁᏗ ᎨᏒᎢ, ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ, ᎦᏓᎭ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎤᏁᎫᏥᏛ ᎨᏒᎢ,\nᎢᏳᏃ ᏰᎵ ᏂᎨᏒᎾ ᏱᎩ, ᎠᏏ ᏐᎢ ᎢᏅᎯᏳ ᏨᎢᏐᎢ, ᏕᎦᏅᏍᎪ ᏧᏅᏏᏛ ᎠᏔᏲᎯᎰ ᏙᎯᏱ ᎢᏳᏅᏁᏗᏱ.\n”Ꭾ ᏧᏍᏆᏴᏍᏗ?” ᏭᏛᏁ.\nᏣᏉᎩ ᎪᎰᏍᏗ ᏱᏂᏓᎦᎵᏍᏔᏂ.\nᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎤᎦᎾᏏᏍᎩ ᏂᎨᏒᎾ, ᏗᏓᏛᏂᎯ ᏂᎨᏒᎾ, ᏧᎬᏩᎶᏗ ᎤᎬᎥᏍᎩ ᏂᎨᏒᎾ, ᎤᏓᏅᏘᏍᎩᏂ, ᏧᏘᏲᏌᏘ ᏂᎨᏒᎾ, ᎠᏕᎸ ᏧᎨᏳᎯ ᏂᎨᏒᎾ.\nᎨᏍᏗ ᎣᏍᏓ ᎦᏰᎵᏍᏗ ᏱᎨᏎᎢ ᎤᏍᏗ ᎠᎨᏳᏣ ᏓᏍᏆᏂᎪᏍᎬ ᏗᎦᎾᏌᎢ.\nᎿᏉᏃ ᎢᏨᏁᏤᎭ, ᎢᏓᎵᏅᏟ, ᎣᏨᏗᎭ ᏚᏙᎥ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᏗᏣᏓᏓᎴᏓᏁᏗᏱ ᎾᏂᎥ ᎠᎾᎵᏅᏟ ᎤᏣᏘᏂ ᎢᏯᎾᏛᏁᎵᏙᎯ, ᎠᎴ ᏂᏓᏂᎧᎿᏩᏕᎬᎾ ᏗᏕᏲᏗ ᎨᏒ ᎠᏴ ᏗᎪᎦᏓᏂᎸᏤᎸᎯ,\nᎠᏰᎸᏰᏃ ᎥᏝ ᏌᏉᏉ ᎤᏫᏞᏫᏒ ᏱᎩ, ᎤᏣᏘᏍᎩᏂ ᏚᏫᏞᏫᏒᎢ.\nᏥᏁᎢᏍᏗᎭ ᎾᏍᎩ Ꮎ ᎤᎵᎮᎵᏍᏗ ᏣᎩᎭ ᏂᎯ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ, ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎣᎦᏤᎵ ᏨᏗᏓᎴᎲᏍᎦ, ᏥᏲᎱᏍᎪ ᏂᏚᎩᏨᏂᏒᎢ.\nᏌᏉᏃ ᎠᏔᎸ ᏥᏳ ᎤᏣᏁᎢ ᎾᏍᎩ ᏌᏩᏂ ᎤᏤᎵᎦ ᎨᏎᎢ, ᎠᎴ ᎤᏔᏲᏎᎴ ᎤᏍᏗᎩᏛ ᎢᏴᏛ ᏭᎧᏙᏯᏍᏗᏱ. ᎤᏪᏁᏃ ᎠᎴ ᏚᏪᏲᏁ ᎤᏂᏣᏘ ᏥᏳᎯ ᎬᏩᏣᎢ.\nᎠᏍᎪᎯᏧᏈᏃ ᏗᏘᏂᏙᎯ ᎠᎢᏗᏢ ᏧᏳᎪᏗ ᎦᏙᎩ, ᎤᏙᎴᎰᏒ ᎾᏍᎩ ᎤᏪᎷᏅᎢ, ᎠᎴ ᎤᎵᏍᏆᏕᎸᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎤᏙᎯᏳᎯ ᎯᎠ ᎠᏍᎦᏯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏎᎢ.\nᏕᏗᎶᏅᎲᎳ ᎠᏂᎪᏕᏍᎩ, ᏃᎴ ᏍᏉ ᏂᎦᏓ ᎠᏂᏐᎢ.\nᎠᏏᏉᏃ ᏈᏓ ᎠᏓᏅᏖᏍᎨ ᎤᏁᎳᏫᏎᎸᎢ, ᎠᏓᏅᏙ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎬᏂᏳᏉ ᎠᏂᏦᎢ ᎠᏂᏫᏅ ᎨᏣᏲᎭ.\nᎠᏓᏅᏙ ᎠᏓᏪᎵᎩᏍᎬ ᏞᏍᏗ ᏴᎠᏗᏍᎨᏍᏗ.\n”ᎡᏆ ᎬᏂᎨ ᎤᏍᎪᎸ.\nᏞᏍᏗ ᎢᏣᏓᏅᏙ ᏳᏕᏍᏔᏁᎮᏍᏗ; ᎡᏦᎢᏳᎲᎦ ᎤᏁᎳᏅᎯ, ᎠᎴ ᎾᏍᏉ ᎠᏴ ᏍᎩᏲᎢᏳᎲᎦ.\n“ᎯᎦᏔᎭᏍᎪᏃ ᎤᏰᎸᏛ ᎭᎵᏦᎯᏓ ᏥᏂᎨᏨᏁ?\nᎠᎴᏬ ᏠᎠᏏ ᏗᎩᎷᏨ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵ ᎠᏆᎵᏥᏙᏂᎸ, ᎠᎴ ᎦᎶᎯᏍᏗᏱ ᎠᎩᏍᏚᎩᎡᎸ ᎤᎬᏫᏳᎯ,\nᏐᏉ ᎢᎦ ᎤᏍᏗ ᎠᏣᏗ ᎠᏓᎾᏫᏗᏍᎬ ᎤᏭᏓᎸᏤᎢ ᏚᏏᎳᏛ.\nᏂᏥᏪᏎᎸ ᎠᏉᏪᎳᏅ To C - ,  ᏥᏃᎯᏎᎸ ᎤᏃᏪᎳᏅ Arcadian ᎪᏪᎵ.\nᎤᏁᏨᏃ ᎯᎠ ᏄᏪᏎᎸ ᎤᏃᏁᎸᎯ; ᎦᎪ ᎡᏥ? ᎠᎴ ᎦᎪ ᎣᏣᎵᏅᏟ?\nᎤᏅᏓᏒ ᎾᎥᏂ ᎤᏍᏗ ᎠᎹ ᎦᏁᎮᎢ.\nᎤᏍᎩ ᎾᎿ ᏭᏓᎪᎾᏛᏔᏅᎯ ᎡᏉᎯᏳ ᎠᎴ ᎦᎸᏉᏗᏳ ᎡᎩᏚᎢᏍᏓᏁᎸᎯ ᏥᎩ, ᎾᏍᎩ ᎯᎠ ᏕᏨᏗᏍᎬ ᎨᏣᏠᏯ ᏍᏙᏗ ᏱᏂᎦᎵᏍᏓ ᎤᏁᎳᏅᎯ ᏄᏍᏛᎢ, ᎡᏣᏗᏫᏎᎸᎯ ᎨᏒ ᎤᏲᎢ ᎡᎶᎯ ᏤᎭ ᎠᏚᎸᏗ ᎨᏒ ᏨᏗᏓᎴᎲᏍᎦ.\nᏍᏈᏍᏓ ᏂᎦᎵᏍᏗᏍᎬ ᎨᏍᏗ ᏯᎦᏔᎭ ᏫᎵᎻ ᎡᎵᏍᎨ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏕᎤᎴᏔᏅ, ᏕᎤᎦᎵᏒ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎡᎯᏍᏗ ᎤᏪᎲᎢ, ᎥᏝᏰᏃ ᏴᎵ ᏂᎪᎯᎸ ᎾᏍᎩ ᎬᏩᏂᏴᏗ ᏱᎨᏎᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏨᏪᏎᎭ, ᏞᏍᏗ ᏱᏤᎵᎯᏍᎨᏍᏗ ᏕᏨᏅᎢ, ᎢᏳᏍᏗ ᎢᏣᎵᏍᏓᏴᏗᏱ; ᎠᎴ ᏗᏥᏰᎸᎢ, ᎢᏳᏍᏗ ᏗᏣᏄᏬᏍᏗᏱ.\nᎠᏎᏃ ᎤᏒ ᎢᎪᎯᏓ ᏫᎨᏙᎲ ᏧᎾᏦᎯᏍᏗ, ᎬᎩᎸᏉᏗᏍᎬ ᎠᏂᎨᏯ ᎠᏂᏯᎢ.\n“ᎤᎵᏬᏨᏉ ᏱᎩ,” ᎤᏛᏁ ᎡᎳᏆᏗ.\nᎤᏛᏅ.\nᎾᎥᏗ ᏧᏩᏓᎾᏏᏂᎴ ᎠᏂᏃᏟᏙ ᎦᏙ ᏗᏔᎳᎧᏒᎢ ᏃᎴ ᏗᎦᏟᏓ ᎫᎾᏗ ᏣᏚᏂᏲᎴ ᏍᎩᎾ ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏗ ᎠᏎᏃ ᏣᏓᎳᏍᏆᎵᏍᏗᏍᎨ ᏗᎦᏟᏓ ᏃᎴ ᎡᎳᏗ ᏣᏗᏥᏤᎮ ᏍᎩᏴ ᏯᏚᏅᏂᎵ ᏅᏱ ᎦᏁᎦ.\nᏍᏈᏍᏓ ᎠᎾᎴᏫᏍᏗᏍᎨ ᎤᎾᎧᏙᏍᏕ ᏃᎴ ᎠᏂᎸᏉᏗᏍᎨ ᎤᏁᎦ ᎤᏁᎦᎸ, ᎤᏓᏅᏘ ᏃᎴ ᎤᏔᎷᎩᏍᎩ ᏗᎧᏃᏗ.\nᏣᏂᏰᏃ ᎯᎠ ᎢᏳᏪᏎᎸᎯ ᎨᏎ ᎡᎶᏛ, ᎥᏝ ᏱᏚᏳᎪᏗ ᎡᏣᏅᏟ ᎤᏓᎵᎢ ᏣᏓᏰᎭ.\nᎾᏍᎩᏰᏃ ᏄᏍᏛ ᎢᏣᏓᎳᏫᏎᎸ ᎠᏎ ᎾᏍᏉ ᏛᎡᏥᎳᏫᏎᎵ, ᎠᎴ ᏄᏍᏛ ᎢᏣᏓᏟᎶᏒᎸ ᎾᏍᏉ ᏛᎡᏣᏟᎶᎡᎵ.\nᎨᏍᏗ ᎤᏂᎪᎲ ᏱᎨᏎ ᎢᎾᎨ ᎡᎯ ᎤᏛᏂᏗᎨᏍᏗ ᎣᎦᎾ, ᏩᏌᏅ ᎤᎾᏓᏅᏖᏗᏍᎬ.\nᎠᏆᏚᎵ ᎠᏆᏛᎵᏗ ᎤᏃᎴ ᏃᎴ ᎠᏆᎾᏏᏗ ᎤᏬᏚᏨ ᎠᎦᎵᏍᎬ.”\nᏂᎯᏍᎩᏂ ᎡᏣᏑᏰᏛ ᎢᏥᏠᏱ ᎨᏒᎢ, ᎢᏥᎬᏫᏳᎯ ᎠᏥᎸ-ᎢᏤᎶᎯ, ᎡᏥᎸᏉᏔᏅᎯ ᎢᏣᏓᏤᎵᏛ ᎨᏒᎢ, ᎤᏣᏘ ᏗᏣᎬᏩᎳᏅᎯ ᏴᏫ, ᎾᏍᎩ ᏧᎵᏏᎬᏫᏥᏯᏅᏛ, ᎤᏍᏆᏂᎪᏗᏳᏃ ᎢᎦ ᎦᎸᏌᏛ ᏫᏥᎧᏅᎯ;\nᎯᎠᏃ ᏂᏚᏪᏎᎴ ᏂᎦᏛ, ᎢᏳᏃ ᎩᎶ ᎤᏚᎵᏍᎨᏍᏗ ᎠᎩᏍᏓᏩᏛᏍᏗᏱ ᎤᏩᏒ ᎠᏓᏓᏱᎮᏍᏗ, ᎠᎴ ᎠᏱᏍᎨᏍᏗ ᏂᏚᎩᏨᏂᏒ ᎤᏤᎵ ᏧᏓᎿᏩᏛ, ᎠᎴ ᎠᎩᏍᏓᏩᏕᎨᏍᏗ.\nᎩᎶ ᎠᏂᏍᎦᏅᎬ ᎬᏂᎨᏒ ᎨᏐ ᎢᎬᏪᏅᏛ, ᎢᎬᏱ ᏫᎦᎷᎪ ᏗᎫᎪᏙᏗᏱ ᎨᏒᎢ, ᎩᎶᏃ ᎤᎨᏍᏓᏩᏕᎪᎢ.\n“ᎭᏗᏓ!” ᎤᏪᎷᏁ ᏫᎵᎻ.\n“ᎨᏍᏗ ᎪᎱᏍᏗ ᏯᏕᎶᎰᏍᎦ ᏃᏉ,” ᎤᏛᏁ.\nᎥᏝᏍᎩᏂ ᎤᏁᎳᎩ ᏱᏥᏰᎵᏎ ᎠᎨᏴ ᏧᏕᏲᏗᏱ ᎠᎴ ᎤᏓᎵᏁᎯᏕᏗᏱ ᎠᏍᎦᏯ, ᎡᎳᏪᏱᏉᏍᎩᏂ ᎤᏩᏗᏱ.\nᎮ ᏣᎵ, ᎤᎦᏃᏮ ᎭᎲᎦ ᏥᏲᏎᎸ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᏔᎵᏁᎢ, ᎠᎴ ᏦᎢᏁᎢ, ᎦᎵᏉᎩᏁ ᏫᎬᏗᏍᎩ.\nᏎᎦᏨ, ᏐᏉ ᏑᎾᎴᎢ ᎫᏰᏉᏂ ᎠᏰᎵ ᎠᏰᎵᏒ,” ᎤᏓᏅᏖᎴ.\nᎠᏔᎴᎦᏒ ᎤᏩᏌ ᎤᏍᎪᏒ ᎬᏂᎨᏒ ᏂᎬᏁᎮ ᎠᏍᎦᏯᏯ ᎨᏒ.\nᎠᏓᏫᏰᏃ ᎢᏳᏩᏂᏌᏛ ᏂᎦᏗᏳ ᏥᏓᏂᏲᎱᏍᎦ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ ᏂᎦᏗᏳ ᏗᏅᏃᏛ ᏅᏛᎨᎬᏁᎵ.\nᎤᏬᏗᎨ ᏓᏥᏍᏛ ᏓᏓᎾᏇᏍᎬ ᏕᎪᏪᎵᏍᎬ.\n“ᎯᎠ ᏏᏆ ᎠᎬᏱ ᎠᏓᏔᎶᎯ ᎦᏳᎳ.” \nᎤᎾᎦᏙᏍᏕᎢ ᏗᎦᏃᏣᏢ ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᎤᏍᏆᏂᎩᏗ ᏏᏆ.\nᎤᏥᏯ.\n“ᏃᎴ ᏤᏍᏗ ᎦᏓᎭ ᏱᏂᏍᏔᎵᏍᏔᏁᏍᏗ!”\nᎠᎬᏂᏗᏳᏃ ᎨᏒ ᎣᏩᏒ ᎣᏓᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎾᏓᏛᏁᎲᎢ; ᎣᏩᏒᏃ ᎣᏓᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᎠᏓᏩᏛᎡᎲᎢ;\nᎤᏘᏲᎸ ᎦᎷᏯᏍᏗ, ᏂᎦᏓ ᏚᏅᏓᏒ, ᏧᏍᏗ ᏕᎨᏴ ᏧᏔᏂᏛ ᏕᎨᏴ ᏫᏗᎦᎷᎩ, ᏂᎦᏓ ᎤᏲᎢᏴ.\nᏂᎬᎾᏛ ᎤᎧᏖᏃᎴ ᏫᎵᎻ.\nᎦᎵᏦᏕ ᏭᏴᎴ ᏃᎴ ᏭᎦᏛᏁ ᏧᎿᏬ ᏧᏍᏆᏂᎪᏙᏗ.\nᏙᎮᎵᎠ?”\nᎥᏝᏍᎩᏂ ᎾᏍᎩ Ꮎ ᎠᎰᎵ ᏭᏴᎸᎯ ᎦᏓᎭ ᏱᏄᏩᏁᎰ ᏴᏫ, ᎠᎰᎵᏍᎩᏂ ᏅᏓᏳᏄᎪᏨᎯ ᎾᏍᎩ ᎦᏓᎭ ᏄᏩᏁᎰ ᏴᏫ.\n“ᎤᏙᎯᏳᎭᏗ” ᎤᏛᏁ ᎠᎦᏴᎵ ᎤᏃᏕᎾ.\nᎠᎴ ᎾᏍᏉ ᎾᏂᎥ ᎤᎾᏚᎵᏍᎩ ᎤᏁᎳᏅᎯ ᏗᏁᎶᏙᏗ ᎨᏒ ᎤᏂᏍᏓᏩᏛᏍᏗᏱ ᎦᎶᏁᏛ ᏥᏌ ᎠᏃᎯᏳᎲᏍᎩ ᎢᏳᎾᏛᏁᏗ ᎾᏍᎩ ᎠᏎ ᎤᏲ ᎢᎨᎬᏁᏗ.\nᏣᏁᎳ ᏧᏕᏘᏴᏓ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎠᏥᎸᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏚᎸᏫᏍᏓᏁᎮ ᎤᎯᎳᏅᎯ ᎠᎦᏔᎲᎢ, ᎾᎯᏳ ᎤᎵᏱᎶᎸ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎾᎿ ᎨᎸᎢ,\nᎠᎴ ᎤᏂᏌᎳᏓᏁ ᎠᏂᏁᎬ ᎯᎠ ᏄᏂᏪᏎᎢ, ᏥᏌ ᏔᏕᏲᎲᏍᎩ, ᏍᎩᏯᏙᎵᎩ.\nᎣᏍᏓ ᎠᏆᏅᏛ ᏓᏥᏃᎡᎵ.\nᏅᏯ, ᏧᏆᎶᎦ, ᏃᎴ ᏅᎩ ᏗᏂᏅᏌᏗ ᏰᎵᏉ ᎦᏓ ᏫᎾᎵᏍᏗ.\nᎤᎦᎿᏩ ᏍᏊ ᎨᏒ.\nᎠᏎᏃ ᏰᎵ ᏎᎦ ᎣᎩᎾᎵᎪᏅ ᏍᎩᎾ ᎠᏍᎦᏯ, ᎠᏆᏕᎶᎰᏒ ᎤᎵᏗᏨ ᎡᏙᎲ ᎬᏂᎨ ᎠᏥᎾᏌᎢ ᎢᎪᎯᏛ ᏃᎴ ᎤᏓᎴᏨ ᏳᏩᏁᎦ ᎦᏬᏂᏍᎬ Bermuda ᏭᏙᎴᏋ.\nᏕᏥᏍᏆᏂᎪᏙ ᏓᏙᏓᏇᎬᎢ, ᎠᎴ ᏓᏦᎳᏁᎬᎢ, ᎠᎴ ᏓᏍᏆᎸᎮᎬᎢ, ᎠᎴ ᏓᏕᏘᏴᎮᎬᎢ.\nᎡᏙᏓ ᎦᏁᎸᎢ ᎤᏣᏔ ᏓᏓᏁᎸ. ᎢᏳᏃ ᎾᏍᎩ ᏄᏍᏛᎾ ᏱᎨᏎᎢ, ᏱᏨᏃᏁᎴᎢ. ᎦᏛᏅᎢᏍᏔᏂ ᎢᏥᏴᏍᏗᏱ.\n“ᎨᏍᏗ ᎠᏆᏛᎦᏅ ᏱᎩ ᏐᏉ ᎪᎱᏍᏗ ᎤᏛᏅ,” ᎤᏛᏁ.\nᎢᎦᏓ ᏧᏂᏯᎩᏍᏗ.\nᎪᎯᏃ ᎨᏒ ᎠᏁᎭ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏚᎩ ᎬᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎯᎠ ᎾᏍᎩ ᏦᎢ; ᏭᏓᎪᎾᏛᏛᏍᎩᏂ ᎦᎸᏉᏗ ᎬᏒ ᎠᏓᎨᏳᏗ ᎨᏒᎢ.\nᎣᏏᏉᏍᎪ ᎯᏰᎵ?”\nᏗᏃᏪᎵᏍᎩᏂ ᏧᎾᏤᎵ ᎠᎴ ᎠᏂᏆᎵᏏ ᏚᏂᏔᎳᏬᎯᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎦᏙᏃ ᎢᏧᎳᎭ ᎢᏣᎵᏍᏓᏴᎲᏍᎦ ᎠᎴ ᎢᏣᏗᏔᏍᎦ ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᎠᏂᏍᎦᎾᎢ?\nᎾᏍᎩᏃ ᎤᏄᎪᏨ, ᏥᏌ ᎯᎠ ᏄᏪᏒᎩ; ᎿᏉ ᏴᏫ ᎤᏪᏥ ᎠᏥᎸᏉᏓ, ᎾᏍᎩᏃ ᏂᎬᏂᏌ ᎤᏁᎳᏅᎯ ᎠᏥᎸᏉᏓ.\n”ᎨᏍᏗ ᏯᏆᏚᎵ ᎥᎩᏍᏗ.\nᏥᎾᏝᎥᎢ ᎤᏍᏗ ᏐᏈᎵ ᎤᎵᏎᎩᏳ ᏯᏰᎸᎭ\nᎨᏍᏗ ᎠᎾᏓᏍᏔᏴᎲᏍᎩ ᏱᎨᏎ ᎠᏂᏧᏣ.\nᎡᎶᏛᏍᎩᏂ ᎤᏛᎦᏅ, ᎯᎠ ᏄᏪᏎᎢ; ᏣᏂ ᎯᎠ, ᎾᏍᎩ ᎠᏴ ᏥᏥᏍᎫᏕᏒᎩ; ᎾᏍᎩ ᏚᎴᎯᏌᏅ ᎤᏲᎱᏒᎢ.\nᏚᎾᏘᏃᎸᏃ ᏕᎦᎳᏫᎥ ᎢᎬᏱᏗᏢ ᏑᏂᎧᏁᎢ. ᏄᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎨᎶᎯ ᏚᏛᏛᏁᎢ,\nᎤᎵᎦᎵᏴᎮᎢ ᎠᏴᏤᏂ ᏫᎵᎻ.\n“ᎩᎶ ᏰᎵᎠ ᏦᎢ ᎾᏂᎥ ᎠᏂᏨᏯ ᏌᏌ, ᏦᎢ ᏌᏌ ᏃᎴ ᏔᎵᏍᎪᏐᏉ ᏌᏌ ᎠᏂᏓ.\nᏌᏩᏂ, ᎾᏍᎩ ᎾᏍᏉ ᏈᏓ ᏚᏬᎡᎢ, ᎡᏂᏗᏃ ᎾᏍᎩᏉ ᎤᏅᏟ. ᏥᎻ ᎠᎴ ᏣᏂ, ᏈᎵᎩ ᎠᎴ ᏆᏙᎳᎻ,\nᎠᎴ ᎤᏁᎳᏅᎯ ᏙᏓᎦᏅᎦᎸᎯ ᏂᎦᏛ ᏓᏂᎦᏌᏬᎢᎲᎢ; ᎥᏝ ᎠᎴ ᎿᏉ ᏰᎮᏍᏗ ᎠᏲᎱᎯᏍᏗ, ᎠᎴ ᎤᏲ ᎠᏰᎸᏗ ᎨᏒ, ᎠᎴ ᏗᏠᏯᏍᏗ ᎨᏒᎢ, ᎥᏝ ᎠᎴ ᎿᏉ ᏰᎮᏍᏗ ᎡᎯᏍᏗ ᎨᏒᎢ; ᎢᎬᏱᏱᏰᏃ ᏧᏓᎴᏛ ᏤᎲ ᎤᎶᏐᏅ.\nᎦᎶᏁᏛᏍᎩᏂ ᎤᎷᏨᎯ ᏥᎩ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎢᏳᎵᏍᏔᏅᎯ ᏧᎸᏫᏍᏓᏁᏗᏱ ᎣᏍᏛ ᎨᏒ ᎤᎬᏩᎵ ᎤᎵᏰᎢᎶᎯᏍᏗ ᏥᎨᏒᎩ, ᎾᏍᎩ ᏴᏗᏍᎬ ᎢᏟ ᎢᎦᎸᏉᏗ ᎠᎴ ᏂᎦᎷᎶᏥᏙᎲᎾ ᎦᎵᏦᏛᎢ, ᎩᎶ ᏧᏬᏰᏂ ᏧᏮᏔᏅᎯ ᏂᎨᏒᎾ ᎤᏬᏢᏅᎯ, ᎾᏍᎩ ᏯᏛᏅ, ᎠᏁᎳᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ,\nᏂᎦᏓ ᎭᏂᎧᏔᎮᎢ.\nᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎥᏝ ᎦᎷᎶᎩ ᏂᎨᏒᎾ ᎢᎬᏁᎯ ᏱᎨᏎ ᎪᎱᏍᏗ; ᎤᏟᏍᎩᏂ ᎢᏝᏍᏛ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᎠᏴᏔᏂᎸᎯ ᏥᎩ, ᎾᏍᎩ ᎢᏛᏗᏍᎬ ᎾᎥ ᎦᏰᏗᎷᏤᏗ ᏥᏂᎦᎵᏍᏗᎭ ᎤᏁᎳᏅᎯ ᎦᎷᎶᎩ ᏂᎨᏒᎾ ᏂᎬᏁᎭ.\nᎠᏎᏃ ᏥᏌ ᎤᏙᎴᎰᏒ ᎾᎿᎤᏓᏅᏒᎩ; ᎤᏂᏣᏘᏃ ᎬᏩᏍᏓᏩᏛᏒᎩ; ᎠᎴ ᏂᎦᏛ ᏚᏅᏩᏅᎩ,\nᎾᏍᎩ ᏧᏂᏲᏒᎯ ᎨᏒᎢ, ᎬᏩᏟᏍᏗ ᏔᎵᏁ ᎢᏤ ᎢᎨᎬᏁᏗᏱ ᎦᏁᏟᏴᏍᏗ ᎨᏒ ᏚᎾᏓᏅᏛ ᏭᏂᎷᎯᏍᏗᏱ; ᎤᏅᏒᏰᏃ ᏔᎵᏁ ᎤᎾᏓᏛᏁᎸᎯ ᎢᎩ ᎤᏁᎳᏅᎯ ᎤᏪᏥ, ᎠᎴ ᎬᏂᎨᏒ ᎬᏩᏕᎰᎯᏍᏔᏅᎯ ᎢᎩ.\nᎤᏁᎳᏅᎯᏰᏃ ᏰᎵᏉ ᎨᏥᏁᏗ ᎤᏣᏘ ᏄᏓᎴᏒ ᎪᎱᏍᏗ, ᎾᏍᎩ ᏂᎯ ᏂᎪᎯᎸ ᏂᏥᏂᎬᏎᎲᎾ ᎨᏒ ᏂᎦᎥ ᏧᏓᎴᏅᏛ, ᎣᏍᏛ ᎨᏒ ᎤᏣᏘ ᏗᎨᏥᎸᏫᏍᏓᏁᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎾᏂᎥᏃ ᏴᏫ ᎤᎾᏰᎯᏍᏗᏳ ᎤᎾᏓᏅᏓᏕᎢ, ᎤᏣᏖᏃ ᏧᏓᎴᏅᏛ ᎤᏍᏆᏂᎪᏗ ᎠᎴ ᎤᏰᎸᏛ ᏚᏂᎸᏫᏍᏓᏁᎮ ᎨᏥᏅᏏᏛ.\nᎨᏍᏗ ᎡᎳᏗ ᎭᏫᏂ ᎾᎥᏂ ᏳᏓᏬᎠ.\nᎾᏍᎩ ᎢᏳᏃ ᏰᎵ ᎢᎬᏆᏛᏁᏗ ᏱᎩ, ᎾᏍᎩ ᎢᏯᏋᏂᏐᏗᏱ ᎤᎾᏟᏂᎬᏁᏗᏱ ᎣᎩᏠᏱ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎢᎦᏛ ᎦᏥᏍᏕᎸᏗᏱ.\nᎦᎸᏉᏗᏳᏍᎩᏂᏃᏅ ᎠᏓᏅᏙ ᎬᏂᎨᏒ ᏂᎬᏁᎭ ᏕᎦᏚᏩᏗᏒᎢ, ᎾᏍᎩ ᎬᎩᎦᏘᏴ ᎥᏆᎸᏍᏗ ᎨᏒ ᎠᎴ ᎤᏲ ᎢᏯᏆᎵᏍᏓᏁᏗ ᎨᏒᎢ.\nᏥᎩᏁᎸ ᎢᎦᏤᎵ ᎢᏳᎵᏍᏙᏗ ᏧᎬᏩᎶᏗ ᎠᏲᎩ ᏂᎨᏒᎾ, ᎠᎴ ᎦᏓᎭ ᏂᎨᏒᎾ, ᎠᎴ ᎠᏍᎪᎸᎩ ᏂᎨᏒᎾ, ᏦᏒ ᎡᏥᏍᏆᏂᎪᏓᏁᎸᎯ ᏂᎯ,\nᏧᏙᏓᏋᏓ ᎦᏙᎨ ᏫᎵᎻ ᎾᎥᏂ ᏚᎧᏙᏍᏕ ᏧᏓᏣᎦᎸᏓ ᏧᏏᏩ ᏓᏏᎳᏛ ᏃᎴ ᎭᎴᏉ ᎾᏦᏱᎮᎢ.\nᎤᏕᎶᎰᏎᎢ ᏄᏍᏛ ᎤᏃᏴᎬ ᎠᏛᎵᏍᎬ, ᎤᏩᏙᎯᏴᏓ ᎦᏟᎮ ᎭᏫᏂ ᎧᏁᏍᎪ.\nᏑᏕᏘᏴᏓ ᏥᎨᏎ ᎤᏩᎧᎮ ᎤᏓᎵ ᏃᎴ ᎤᏪᏥ. ᎠᎨᏯ ᎤᎨᏳᎯ ᏃᎴ ᎤᏍᎦᎡᏅ ᏂᎨᏒᎾ ᏧᏔᎷᎩᏍᎩ ᏗᎦᏙᎵ ᎠᏧᏣ.\nᎠᏎᏃ ᎨᏍᏗ ᎩᎶ ᏳᏁᎢᏍᏔᎾ ᎤᏍᏆᏂᎩᏗ ᎨᏒ ᏓᏏᎳᏛ.\nᎢᏳᏰᏃ ᏥᏍᎦᎾ ᏱᎩ, ᎠᎴ ᎬᎩᏲᎱᎯᏍᏗ ᎢᎦᎢ ᎠᎩᏍᎦᏅᏨᎯ ᏱᎩ, ᎥᏝ ᏱᏙᎬᏆᎵᏢᏫᏏ ᎠᎩᏲᎱᎯᏍᏗᏱ; ᎢᏳᏍᎩᏂ ᏄᏙᎯᏳᏒᎾ ᏱᎩ ᎯᎠ ᎾᏍᎩ ᏥᎬᏇᎯᏍᏗᎭ, ᎥᏝ ᎩᎶ ᏰᎵ ᏗᎬᏩᏂᏲᎯᏎᏗ ᏱᎩ ᎠᏴ. ᏏᏐᎢ ᏫᏥᎥᏍᏓ.\nᎤᏁᎳᏅᎯᏰᏃ ᏂᏚᎨᏳᏅᎾ ᏥᎨᏎ ᏗᏂᎧᎾᏩᏗᏙᎯ ᎤᏂᏍᎦᏅᏨᎯ, ᏨᏍᎩᏃᏉᏍᎩᏂ ᏥᏫᏚᏓᎢᏅᏎᎢ, ᎠᎴ ᏥᏚᏲᏎ ᏧᏓᏕᏒᏛ ᏗᎨᎦᎸᏍᏙᏗᏱ ᎤᎵᏏᎬ ᎨᏥᏍᏆᏂᎪᏙᏗᏱ ᏗᎨᎫᎪᏓᏁᏗ ᎨᏒ ᎢᏳᎢ,\nᎠᏴᏰᏃ ᏥᏲᎢᏳᏓᏁᎭ ᎾᏍᎩ ᎤᏣᏘᎢᏣᏕᎵᎯᏍᏓᏁᎲ ᏂᎯ ᎠᎴ ᎴᎣᏗᏏᏯ ᎠᏁᎯ, ᎠᎴ ᎭᏱᎳᏆᎵ ᎠᏁᎯ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎦᎶᏁᏛ ᎬᏬᎯᏳᏗ ᏥᎩ, ᎾᏍᎩᏯ ᎠᏂᎨᏴ ᏗᎬᏩᏂᏰᎯ ᏧᏃᎯᏳᏗ ᏂᎦᎥ [ᏂᎬᏩᏂᏪᏎᎲᎢ.]\nᎠᏴᏍᎩᏂ ᏥᎦᏔᎭ, ᎾᎿᏰᏃ ᏅᏛᏆᏓᎴᏅᎯ, ᎠᎴ ᎾᏍᎩ ᏗᎩᏅᏒ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏨᏍᏗᏰᏗᎭ ᎠᏴ ᏍᎩᏯᏕᎶᏆᎡᎯ ᎢᏣᎵᏍᏙᏗᏱ.\nᎬᏂᎬᎦ, ᏌᎳᏓ.\nᎠᏴ ᏉᎳ ᎠᎩᏅᏏᏛ ᏥᏌ ᎦᎶᏁᏛ ᏅᏧᎵᏍᏙᏔᏅ ᎤᏁᎳᏅᎯ ᎣᏏ ᎤᏰᎸᏅᎢ, ᎾᏍᎩᏯ ᎠᏚᎢᏍᏛ ᎬᏂᏛ ᎡᎩᏁᏗᏱ, ᎾᏍᎩ ᎦᎶᏁᏛ ᏥᏌ ᏨᏗᏓᎴᎲᏍᎦ;\nᏗᎩᎦᏴᎵᎨ ᎢᎾᎨ ᎤᏂᎮ ᎦᎵᏦᏛ ᎠᏙᎴᎰᎮᏍᏙᏗ, ᎾᏍᎩᏯ ᎤᏁᏨᎢ ᎼᏏ ᏧᏁᏤᎴ ᎤᏬᏢᏗᏱ ᏧᏟᎶᏍᏙᏗᏱ ᏄᏍᏛ ᎤᎪᎲᎢ.\nᎤᏇᏓᎵᏰᏃ ᎠᎦᏌᏯᏍᏙᏗᏱ ᎨᏒ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏗᎦᏘᎴᎩ; ᎥᏝᏰᏃ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏗᎧᎿᏩᏕᎩ ᏱᎩ, ᎥᏝ ᎠᎴ ᎤᏙᎩᏳᎯ ᎾᏍᎩ ᏰᎵ ᏱᏅᎬᏛᎦ;\nᎬᏩᎪᎲᏃ ᎡᎳᏗ ᏂᎬᏩᏛᏁᎸᎩ. ᎠᏎᏃ ᎢᎦᏛ ᎤᎾᏜᏏᏛᎡᎸᏉ.\nᎠᏂᎨᏴ ᎾᏍᏉ ᎠᏂᎦᏴᎵᎨᎢ, ᎾᏍᎩ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎤᎵᎶᎲᏍᎩ ᏱᎩ, ᎤᏐᏅ ᎠᎾᏓᏃᎮᏍᎩ ᏂᎨᏒᎾ, ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎤᏂᎦᎾᏏᏍᎩ ᏂᎨᏒᎾ, ᎣᏍᏛ ᎨᏒ ᏗᎾᏕᏲᎲᏍᎩ;\nᎠᏓᏅᏙᏃ ᎯᎠ ᎾᎩᏪᏎᎸᎩ; ᎪᎱᏍᏗ ᏂᏗᏣᏢᏫᏎᎲᎾ ᏘᏍᏓᏩᏚᎦ. ᎾᏍᏉᏃ ᎯᎠ ᎾᏍᎩ ᏑᏓᎵ ᎢᏯᏂᏛ ᎢᏓᏓᏅᏟ ᎬᏆᎵᎪᏁᎸᎩ, ᎠᎴ ᎾᏍᎩ ᎠᏍᎦᏯ ᏗᎦᏁᎸ ᏬᎩᏴᎸᎩ.\nᎤᏰᏨ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ ᎾᏍᎩᏯ ᎤᏬᏨᏗ ᏣᎩᏃᎮᎶ ᎠᎦᏴᎵ ᏌᎪᏂᎨ ᎬᎵ ᏗᎨᎮᎩ ᎩᏟ.\nᎥᏝ ᏥᏛᏓᏗᎧᏃ ᎢᏳᏍᏗ, ᏴᏫᏉ ᎣᏏᏳ ᎤᏂᏰᎸᏗ; ᎦᎶᏁᏛᏍᎩᏂ ᏧᏅᏏᏓᏍᏗ ᎢᏳᎾᏛᏁᏗ, ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎤᏰᎸᏗ ᏂᏣᏛᏁᎲᎢ, ᏗᏥᎾᏫᏱ ᏨᏗᏓᎴᎲᏍᎪᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎩᎶ ᏥᏙᎦ ᎡᎵᏍᎨᏍᏗ ᎨᏯᏔᎮᏍᏗ ᏱᎦᏅᎩᏰᏃ.\nᎤᎬᏩᎸᎩ ᎾᏍᎩ ᎪᎯ ᎨᏥᎸᏉᏗ ᎨᏒ ᎠᎴ ᏧᎾᎵᏂᎩᏛ ᎨᏒ ᎦᎸᎳᏗᏳ ᏕᎨᏌᏗᏒᎢ, ᎤᏂᎦᏙᎥᎯᏍᏗᏱ ᎤᏣᏘ ᎢᏳᏓᎴᎩ ᎠᎦᏙᎥᎯᏍᏙᏗ ᎨᏒ ᎤᏁᎳᏅᎯ, ᎨᎬᏗᏍᎬ ᏧᎾᏁᏟᏗ ᎤᎾᏓᏡᎬᎢ;\nᎿᏉ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ, ᏥᎷᎩ ᏄᏍᏛ ᏣᏚᎵᏍᎬ ᎢᏯᏆᏛᏁᏗᏱ ᏣᏁᎳᏅᎯ. ᎢᎬᏱᏱ [ᎤᏁᎢᏍᏔᏅ] ᎠᏲᏍᏗᎭ, ᎾᏍᎩ ᏔᎵᏁ [ᎤᏁᎢᏍᏔᏅ] ᎤᏍᏓᏱᏗᏍᏗᏱ.\nᏧᏓᎴᏅᏓ ᎤᏂᏑᎸᏓ, ᎠᎹ ᎤᎦᏃᏩ, ᏒᎧᏔ ᎦᏁᎦ, ᎠᏓᎶᏂᎨ ᏧᎾᏍᏕᏥ ᎦᏁᎦ, ᎭᏫᏯ ᎤᏂᏑᎸᏓ, ᏎᎷ ᏗᎦᏄᎳᎩᏓ ᏧᏂᎾᏦᏴᏍᏗ ᏃᎴ ᎤᏅᏗ ᎤᏍᏔᏲᏒ ᎦᏇᏅᏔᏅ.\nᏂᏥᎥᏰᏃ ᏤᏣᏬᎥᎯ ᏥᎩ ᎦᎶᏁᏛ ᎡᏣᎵᎪᏁᎲᎢ, ᎾᏍᎩ ᎦᎶᏁᏛ ᎡᏣᏄᏬᎥ.\nᎪᎱᏍᏗ ᏕᎪᏪᎳ ᎧᏁᏌᎢ.\nᎾᏍᎩᏴᏃ, ᎬᏂᎨᏒ ᏄᏩᏁᎴ ᎧᏴᏐᎴ ᏧᏍᏆᏴᏍᏗ ᎤᏗᏍᎦᎶᏗ ᏫᎵᎻ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᎭᏫᏂᏣ.\nᎠᏎᏃ ᎥᏝ ᏧᏃᎵᏤ ᎾᏍᎩ ᏄᏪᏒ ᎠᎴ ᎠᏂᏍᎦᎢᎮ ᎤᎾᏛᏛᏗᏱ.\nᎦᏙᏃ ᏗᎦᎵᏍᏙᏗᎭ ᏥᏕᏓᏛᎩᎠ ᏗᏗᏏᏴᏫᎭ ᏕᎦᏛᏒ ᏗᎩᏬᏂᎯᏍᏗ?\n“ᎠᏯᏗ ᏱᎬᏃᎯᏏ ᏓᏆᏙᎥ,” ᎤᏛᏁ ᎠᎬᏱ ᎧᏅᏂᏍᎩ, ᏱᏍᎩᏃᎯᏎᎳ ᎤᏰᎸᏛ ᏥᏣᏃᏫᎠ.”\n“ᎢᎦᏛ ᎠᏂᏴᏫᏯ ᏧᎾᏍᏗᎩᏓ ᏚᎾᎳᏑᏠᏓᎾᏗᏍᎪ ᎠᎴ ᏚᏂᏪᏍᏔᏁᎰ.\nᎾᏍᎩᏃ ᎾᏉ ᏥᏩᏘᎭ ᎯᎠ ᏗᎧᎿᏩᏛᏍᏗ, ᎾᏍᎩ ᎣᏍᏛ ᎢᏯᏆᏛᏁᏗᏱ ᎠᏆᏚᎸ, ᎤᏲ ᎨᏒ ᏓᎩᎧᎿᏩᏗᏙᎰᎢ.\nᎤᎵᏏᎩ ᎨᏎ ᏃᏉ, ᏭᎴᏅᎮ ᏚᎷᏫᏍᏔᏁᎲ ᏌᎳᏓ.\nᎤᏁᎳᏅᎯᏰᏃ ᏚᏙᎥ ᎬᏩᏂᏐᏢᏗ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲᎢ ᏂᎯ ᎢᏨᏂᏌᏛ, ᎾᏍᎩᏯ ᏂᎬᏅ ᎪᏪᎸᎢ.\nᎢᏳᏃ ᎩᎶ ᏄᎨᏳᏒᎾ ᎢᎨᏎᏍᏗ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎠᏥᏍᎩᏅᏛᎯ ᎨᏎᏍᏗ. ᎤᎬᏫᏳᎯ ᏓᎦᎷᏥ.\nᏳᎵᏍᏆᏙᎾ ᎢᎦ, ᎠᏗᏍᎬ ᎠᏌᎻᏓ, ᏧᎾᏦᏴᏍᏗ ᎪᏍᏔ ᏧᏅᏍᎦᏠ ᎢᏳᏍᏗ ᎤᏰᎸᎮ.\nᎥᏝ ᎠᎴ ᎿᏉ ᏗᎬᏩᏂᏲᎱᎯᏍᏗ ᏱᎨᏎᏍᏗ; ᏗᏂᎧᎿᏩᏗᏙᎯᏍᎩᏂ ᎦᎸᎳᏗ ᎠᏁᎯ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏄᎾᏍᏕᏍᏗ; ᎠᎴ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᎾᏍᎩ, ᎠᏲᎱᏒ ᏗᎴᎯᏐᏗ ᎨᏒ ᏧᏪᏥ ᎨᏒ ᎢᏳᏍᏗ.\nᎤᏂᎷᏤᏃ ᎠᎴ ᏚᏂᏍᏗᏰᏔᏁᎢ; ᏚᏂᏄ-ᎪᏫᏒᏃ ᏚᏂᏔᏲᏎᎴ ᎾᎿ ᎦᏚᎲ ᎤᎾᏓᏅᏍᏗᏱ.\n”ᏕᎭᏓᏟᏴᎲ ᏍᎩᎾᎾ ᎢᏣᏛᏁᏗ ᎨᏎᏍᏗ,” ᎤᏛᏁ, ”ᎠᏎᏃ ᏣᏓᏅᏘ ᎭᏅᏓᏛ ᎭᏂ ᎧᏁᏌᎢ ᎠᏆᏗᏍᎦᏢᎢ, ᎨᏍᏗ ᏯᏆᏚᎵ ᎥᏆᎳᏍᏛᏗ, ᎠᏆᎧᏛ ᎥᏆᎶᏕᏍᏗ, ᎠᎴ ᏍᏇᏅ ᎬᏗ ᎥᎩᎵᎥᏂᏍᏗ, ᎠᎴ ᎥᏆᏦᎥᏍᏙᏗ, ᎠᎴ ᎥᎩᎾᏑᎩᏍᏗ, ᎠᎴ ᎥᎩᏰᎵᏍᏗ.\nᎾᏍᎩ ᏥᏄᏍᏗ ᎬᏂᎨᏒᎢᏳ ᎤᏣᏘᏂ ᏂᏣᏛᏁᎲᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎢᏨᏒᏉ ᏕᏣᏓᏰᎢᎵᏙᎲᎢ. ᎦᏙᏃ ᎤᏟ ᎣᏏᏳ ᏂᏥᏰᎸᏍᎬᎾ ᏥᎩ ᎤᏲ ᎢᏰᏨᏁᏗᏱ? ᎦᏙᏃ ᎤᏟ ᎣᏏᏳ ᏂᏥᏰᎸᏍᎬᎾ ᏥᎩ ᏧᎬᏩᎶᏗ ᎡᏥᎩᎡᏗᏱ?\nᏞᏍᏗ ᎠᏎᏉ ᏱᏥᏰᎸᏍᎨᏍᏗ ᎠᏙᎴᎰᎯᏍᏗ ᎨᏒᎢ.\nᏌᏌ ᏍᏉ ᎾᎥᏂ ᎠᏁᏙᎮ ᎾᏍᎩᏯ ᎠᏂᏧᏣ ᏅᏬᏘ ᎤᏂᎾᏗᏅᏗ ᏣᏁᏙᎰ, ᏃᎴ ᏎᎷ ᏃᎴ ᏙᏈᏌᏂ ᏕᎨᏠᎮᎢ ᎰᎻ ᎤᎵᎮᎵᏍᏗ ᎤᎾᏓᏅᏖᏗ.\nᎯᎠᏃ ᏄᏪᏎᎢ; ᏂᎯ ᎡᏥᏁᎸᎯ ᎢᏦᎵᏍᏗᏱ ᎤᏕᎵᏛ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ; ᎠᏂᏐᎢᏍᎩᏂ ᏗᎨᎦᏟᎶᏍᏓᏁᏗ; ᎾᏍᎩ ᎠᏂᎪᏩᏘᏍᎬ ᎬᏩᏂᎪᏩᏛᏗ ᏂᎨᏒᎾ, ᎠᎴ ᎠᎾᏛᎩᏍᎬ ᎬᏩᏃᎵᏍᏗ ᏂᎨᏒᎾ.\nᏔᎵᎾ ᎯᎠ ᏅᎤᏪᏎᎸᎩ; ᏌᏩᏂ, ᏦᎾ ᎤᏪᏥ, ᏍᎩᎨᏳᎭᏧ? ᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᎥ ᏣᎬᏫᏳᎯ, ᎯᎦᏔᎭ ᎬᎨᏳᎢᏳ ᎨᏒᎢ. ᎯᎠ ᏄᏪᏎᎸᎩ; ᏕᎮᎶᎮᏍᏗ ᏗᏆᏤᎵᎦ ᎤᏂᏃᏕᎾ.\nᎾᏍᎩ ᎬᏩᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ, ᎦᎶᏁᏛ ᏥᏌ ᎢᏳᏩᏂᏌᏛ, ᏂᎪᎯᎸ ᏕᎨᏌᏗᏒᎢ, ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎨᏒᎢ. ᎡᎺᏅ.\nᏓᏂᏃᎩᎢᏍᏗᏍᎨᎢ ᎠᎵᏍᏆᏗᏍᎬ ᎪᎩ, ᎤᎯᏐᏗ ᎧᏃᎩᏍᏗ.\nᎤᏚᎵᏍᎨᏍᏗ ᎤᏛᎪᏗ.\n“ᏣᏁᎸᏔᏅᎯᏍᎪᏃ ᏣᏏᎳᏛᏗ?” ᎤᏛᏛᏁ ᎦᏂᎦᏔ ᎡᎹᏂᏓ.\nᎢᏨᎨᏳᎢ, ᎢᏳᏃ ᎠᏆᏟᏂᎬᏁᎸ ᏫᏨᏲᏪᎳᏁᏗᏱ ᏂᎦᏗᏳᏉ ᎢᎦᏤᎵ ᎢᎦᎵᏍᏕᎸᏙᏗ ᎤᎬᏩᎵ, ᎤᏚᎸᏗ ᎾᏆᎵᏍᏓᏁᎸᎩ ᏫᏨᏲᏪᏔᏁᎲ ᎢᏨᏍᏗᏰᏙᏗᏱ, ᎾᏍᎩ ᎤᎵᏂᎩᏛ ᎢᏣᏗᏒᏎᏗᏱ ᎪᎯᏳᏗ ᎨᏒ ᎾᏍᎩ ᎦᏳᎳ ᏗᎨᏥᏲᎯᏎᎸᎯ ᏥᎩ ᎤᎾᏓᏅᏘ.\nᏖᎾᎾᏏᎾᎩ ᎯᏍᎪᎵ, ᏃᏉ ᏛᎾᎢ.\nᎭᏫᏂᏰᏃ ᏅᏓᏳᏓᎴᏅᎯ, ᏴᏫ ᎤᎾᏫᏱ, ᏗᏓᎴᎲᏍᎦ ᎤᏲ ᎠᏓᏅᏖᏗ ᎨᏒᎢ, ᎠᏓᏲᏁᏗ ᎨᏒᎢ, ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ, ᎠᏓᎯᏍᏗ ᎨᏒᎢ,\n”ᏙᎢᏳᏍᏗ ᎤᏍᏆᏂᎩᏗ ᏏᏆ.” ᎤᏛᏛᏁ ᎠᎳᏂ, ᎩᎳ ᎣᏍᏓ ᏄᎵᏍᏗᏍᎨᎢ ᎤᏍᎦᏍᏓᏁᎸ.\nᎰᏩᏃ ᎤᏂᏟᏌᏅᎩ, ᎠᎴ ᏔᎳᏚ ᏔᎷᏣ ᏚᏂᎧᎵᏍᏔᏅᎩ ᎤᎵᎬᎭᎷᏴᎯ ᎯᏍᎩ ᎤᏣᎴᏍᏗ-ᎢᏳᏍᏗ ᎦᏚ ᎾᏍᎩ ᎤᎾᎵᏍᏓᏴᏅᎯ ᎤᎾᏘᏰᎸᎯ.\nᎠᏋᏌ ᏓᎦᏕᎶᎣᏏ.”\nᎡᏝᏪᎯ ᏚᎪᎵᏰᎥ ᏓᏴᏈᏛ ᎪᏪᎵ ᏗᎪᏪᎵᏍᎩ.\nᏰᎵᏉ ᏂᎯ ᏣᎬᏫᏳᎯ ᎦᏰᏣᏁᎢᏍᏓᏁᏗ ᎡᏣᎸᏉᏗᏳ ᎨᏒ, ᎠᎴ ᎡᏤᎸᏉᏙᏗ ᎨᏒ, ᎠᎴ ᏣᎵᏂᎩᏗᏳ ᎨᏒᎢ; ᏂᎦᏗᏳᏰᏃ ᎪᎱᏍᏗ ᏦᏢᏅᎯ, ᎠᎴ ᎭᏓᏅᏖᏍᎬ ᎢᏨᏁᎵᏓᏍᏗᏱ ᎡᎭ, ᎠᎴ ᎪᏢᏅᎯ.\nᎠᎨᏴᏃ ᎤᎵᏘᏒᎩ ᎢᎾᎨ ᏭᎶᏒᎩ, ᎾᎿ ᎤᏁᎳᏅᎯ ᎤᏛᎾᎢᏍᏓᏁᎸᎢ, ᎾᏍᎩ ᎠᎨᎳᏍᏗᏱ ᏌᏉ ᎢᏯᎦᏴᎵ ᏔᎵᏧᏈ ᏑᏓᎵᏍᎪᎯ ᏧᏒᎯᏛ.\nᎾᏍᏉᏃ ᎠᏕᎸ-ᎠᏂᎩᏏᏙᎯ ᎤᏂᎸᏐᎴ ᏗᎨᎦᏬᏍᏗᏱ, ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ; ᏔᏕᏲᎲᏍᎩ, ᎦᏙ ᏓᏲᏣᏛᏁᎵ?\nᎩᎳᏉᏃ ᎢᏴᏛ ᎤᏂᏣᏘ ᎦᎸᎳᏗ ᎠᏁᎯ ᎬᏩᎵᎪᏁᎴ ᏗᎧᎿᏩᏗᏙᎯ, ᎤᏁᎳᏅᎯ ᎠᏂᎸᏉᏗᏍᎨᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ;\nᎠᎴ ᏗᎩᎸᏙᏗ ᏗᏍᏓᏛᏅᎢᏍᏓ ᎾᏍᎩ ᏉᎳ ᎠᎾᎩᎸᏔᏅᎭ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᏩᎾᏘᏃᎮᎸᎭ ᏈᎵᏏ ᎤᎬᏫᏳᎯ.\n“ᎡᏯ!” ᎤᏪᎷᏁ.\nᏁᏓᏂᎵᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏰᎵᏍᎪ ᎪᎱᏍᏗ ᎣᏍᏛ ᏅᏓᎬᏩᎾᏄᎪᎢᏍᏗ ᎾᏎᎵᏗ? ᏈᎵᎩ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎢᏁᎾ, ᏩᎦᏔ.\n”ᎲᎦ ᎢᏳᏩᏂᎸ?” ᎡᏝᏪᎯ ᎤᏛᏛᏁ ᏌᏌ.\nᎠᏓ ᎠᏍᏆᎸᎩᏓ ᎤᏬᏢ ᎠᏥᏲᎴ ᎠᏫᎾ, ᎤᏍᎦᎸ ᎨᏎ ᎤᎴᏗ.\nᎾᏍᎩᏯ ᏄᏍᏕᏍᏗ ᎾᎯᏳ ᎢᎦ ᏴᏫ ᎤᏪᏥ ᎦᎾᏄᎪᏂᎸᎭ.\n”ᏃᏉ ᎱᎳᏛᎥᎦ ᏗᏣᏏᎳᏛᏙᏗ, ᎭᏓᎾᏫᏓ, ᎡᎳᏗ ᎾᏛᏁᎲ ᏩᏓᏏᎳᏛᎥᎦ!”\nᎤᎩᏨᏓᏍᎩᏂ ᎤᏒ ᎤᏠᏱ ᏄᏛᏁᎸ.\nᎤᎵᏗᏨ ᎤᏬᏟ ᎠᏍᎦᏯ ᎤᏕᎸ ᎦᏅᏃᏩ Perry. ᎫᎭᎳᎲ ᎤᏅᎦᎳᎲ, ᏔᎵ ᎢᏳᏩᎬᏘ ᎤᏬᎦᏒ ᏃᎴ ᏭᏓᏕᎸ.\nᏝᏍᎪ ᏱᏥᎦᏔᎭ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏗᎨᏚᎪᏓᏁᏗ ᎨᏒᎢ? ᎥᏝᏍᎪᏃ ᏰᎵ ᏱᏙᎨᏚᎪᏓ ᎪᎱᏍᏗ ᎪᎯᏉ ᎨᏒ ᎤᎬᏩᎵ?\nᏭᏩᎦᏘᏗᏒ ᎮᎲᎢ ᎣᏏᏉ ᎨᏎᏍᏗ.\n”ᏙᎢᏳᏍᏗ?” ᎤᏛᏁ ᎧᏅᏂᏍᎩ.\nᎤᏍᏆᏙᏅ ᎧᏃᎮᏍᎬ ᎤᏃᎮᏗ ᎦᎷᏯᏍᏗ, ᎠᏯᏍᏉ ᎠᏆᏓᏅᏖᏔᏅ ᎢᏳᏍᏗ ᎤᏲ ᎣᎩᎭᏲᎮᏗ ᏣᎵ, ᎠᏂᏲᏍᎩ ᎠᏂᎷᏨ.\nᎣᎭᏂ ᎤᎦᏎᏍᏙᏗ ᎠᏌᎻᏓ, ᏅᎩ ᎢᏳᏩᎭᏂᎸ ᎠᎴᏂᏍᎩ ᏅᏙ ᎧᎸᎬ ᎢᎪᎯᏛ, ᎠᏂᏐᎢ ᏦᎢ ᎠᏂᏧᏣ ᏭᏲᎢᏴ ᎤᎾᎦᏎᏍᏙᏗ, ᎠᏂᏔᎵᎭ ᎢᏯᏂ ᎤᏂᏰᏨ, ᎢᎪᎯᏛ ᏐᏉ ᏱᎦᏟ, ᏔᎵ ᎢᏳᏪᏅᏍᏘ ᏓᎾᏍᏕᏓᎵᏴᏍᎬ.\nᎾᏍᎩᏃ ᎦᎵᏉᎩ ᏧᏙᏓᏆᏛ ᎤᎶᏐᏅ, ᎣᎦᏂᎩᏒᎩ, ᏬᏥᎦᏛ ᎢᏗᏢ ᏬᎩᎶᏒᎩ; ᏂᎦᏛᏃ ᎾᏍᎩ, ᎠᎴ ᏧᎾᏓᎵᎢ ᎠᎴ ᏧᏁᏥ ᏗᎬᎾᏘᏁᎯ ᎦᏚᎲ ᏫᏚᎾᏄᎪᎬ ᏫᏕᎪᎩᎧᏅᎩ. ᎠᎹᏳᎶᏗᏃ ᏙᎦᎵᏂᏆᏅᏅ ᎣᎦᏓᏙᎵᏍᏔᏅᎩ.\nᎤᏲ ᏫᏄᎾᎵᏍᏓᏏ! ᎨᎾᏰᏃ ᎤᏅᏅ ᎤᏂᏍᏓᏩᏕᏅ, ᎠᎴ ᎨᎦᎫᏴᏓᏁᏗ ᎤᎾᏚᎵᏍᎬ ᎤᏂᎬᎥᏍᎬ ᎤᏂᎨᎮᎾ ᏇᎳᎻ ᎤᎵᏓᏍᏔᏅ, ᎠᎴ ᎨᏥᏛᏔᏅ, ᏚᏂᎦᏘᎸᏒ ᎪᎵ ᏧᎦᏘᎸᏛ ᎨᏒᎢ.\nᎠᎴ ᎯᎠ ᎾᎩᏪᏎᎸᎩ, ᎠᎹ ᏥᏕᏣᎪᎲᎩ, ᎾᎿ ᎤᏁᎫᏥᏛ ᎠᎨᏴ ᏧᏬᎳ, ᏴᏫ ᎦᏛᎦ, ᎠᎴ ᎤᏂᏣᏘ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏓᏤᎵᏗ ᏴᏫ, ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ.\nᎠᏎᏃ ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᎡᏍᎦ ᎬᏰᎸᎾᎲ ᎢᎩ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᎿ ᏕᏣᎧᎲ ᏇᎳᎻ ᏓᏕᏲᎲᏍᎬ ᏧᏂᏂᏴᎯ, ᎾᏍᎩ Ꮎ ᏇᎳᎻ ᏇᎳᎻ ᏧᏪᏲᏁ ᎢᎬᏱᏗᏢ ᏧᏁᏗᏱ ᏧᏃᏕᎯᎯ ᎢᏏᎵ ᏧᏪᏥ, ᎾᏍᎩ ᎤᏂᎩᏍᏗᏱ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ, ᎠᎴ ᎤᏕᎵᏛ ᏧᎾᏂᏏᏗᏱ.\nᏅᎩᏍᎪ ᎢᏯᏂ ᏱᎾᏓ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸ ᏔᎳᏚ ᎢᏯᏂᏛ; ᏥᎪ ᎾᏍᏉ ᏂᎯ ᏛᏣᏓᏅᏏ?\nᎢᎦ ᎤᏗᎴᎩ ᏄᎵᏍᏔᏁ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᎬᏪᏎᎭ, ᎥᏝ ᏴᏛᎦᎯᏄᎪᎢ, ᎬᏂ ᎤᎵᏍᏆᎸᏗ ᎠᏰᎵᎢᏯᏓᏅᏖᏗ ᎭᎫᏴᎲᎭ.\nᎠᎴ ᏓᎦᏟᏂᎬᏁᎵ ᎠᎩᎶᏐᏅᎯ ᎨᏎᏍᏗ ᏂᎪᎯᎸ ᎨᏨᎨᏫᏍᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎡᏥᏄᎪ ᎢᏣᏓᏑᏴ ᎠᏁᎲᎢ, ᎠᎴ ᎢᏣᏖᎴᏛ ᎨᏎᏍᏗ, ᎠᏗᎭ ᎤᎬᏫᏳᎯ, ᎠᎴ ᏞᏍᏗ ᎢᏣᏒᏂᎸᎩ ᎪᎱᏍᏗ ᎦᏓᎲᎢ; ᎠᏴᏃ ᏙᏓᏨᏯᏓᏂᎸᏥ,\nᎬᏂᏳᏉ ᏄᏍᏆᏂᎪᏗ ᎠᏓᎨᏳᏗ ᎨᏒ ᎠᎦᏴᎵᎨ ᎢᎩᏁᎸ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᎦᏰᎪᏎᏗ ᏥᎩ. ᎡᎶᎯ ᎠᏴ ᏂᎩᎦᏔᎲᎾ ᏥᎩ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᏄᎦᏔᎲᎾ ᏥᎨᏒᎩ.\nᏕᏥᏯᎦᎭᎾᏅ ᎠᏌᎻᏓ.\nᎦᏣᏄᎸ ᎤᏪᏅᏒ, ᏂᎪᎯᎸᎾ ᏭᎷᏤ ᎨᏴ, ᎨᏓᎵ ᎤᏍᏔᏩᏛᏎ ᎨᏴ.\nᎧᏅᏂᏍᎩ ᎠᏎ ᎪᎱᏍᏗ ᎤᏛᏁᏗ, ᎠᏯ ᏥᏌᏛᎥᏍᎩ.\nᎦᏥᏔᏲᏎᎲ ᎠᏓᏍᏕᎸᏓ, ᏕᎬᎦᏆᎾᏂᏍᎬ, ᏄᏓᎴ ᎠᏓᏅᏙ ᎠᎦᎾᏬᏗᏍᎩ ᏩᏂᏃᎮᏍᎪ, ᎤᏙᎯᎤ ᎪᎯᏳᏗ, ᎦᎵᏬᎩ ᎠᏍᎦᏯ ᎦᎶᏁᏛ ᏧᏟᏃᎮᏙ ᎾᎥᏂᎨ.\nᎯᎠᏰᏃ ᏂᎬᏅ ᎪᏪᎳ, ᎨᎥ ᏄᏙᎯᏳᏒᎢ, ᎠᏗᎭ ᏱᎰᏩ, ᏂᎦᏗᏳ ᏙᏓᎬᏆᎵᏂᏆᏅᏁᎵ ᎠᏴ, ᎠᎴ ᏂᎦᏗᏳ ᎬᏂᎨᏒ ᏅᏓᎬᏩᏁᎵ ᎤᏁᎳᏅᎯ.\nᏫᏥ ᎢᎦ ᎤᏃᎴ ᎠᏲᏙᏗ ᏗᎾᏓᎢ ᎠᎾᏂᎩᏍᎨᎢ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏌᏩᏂ, ᎠᎩᎭ ᎪᎱᏍᏗ ᎬᏲᏎᏗ. ᎯᎠᏃ ᏄᏪᏎᎢ; ᏔᏕᏲᎲᏍᎩ, ᏂᏫᎪᎦ.\nᎤᎵᏍᏆᎸᏗᏃ ᎢᎦ, ᎾᏍᎩ ᎦᎸᏉᏗ ᎢᎦ ᎨᏒ ᏓᎾᎵᏍᏓᏴᎲᏍᎬᎢ, ᏥᏌ ᏚᎴᏅᎩ ᎠᎴ ᎤᏪᎷᏅᎩ ᎯᎠ ᏄᏪᏒᎩ; ᎢᏳᏃ ᎩᎶ ᎤᏔᏕᎩᏍᎨᏍᏗ, ᎠᏴ ᏩᎩᎷᏥ, ᎠᎴ ᏩᏗᏔ.\nᎢᏳᏃ ᎩᎶ ᏕᎨᎦᏨᏍᏗᏍᎬ ᏤᏅ-ᏍᏗᏱ ᏣᏯᏅᎲᎭ, ᏞᏍᏗ ᏄᎬᏫᏳᏒ ᏗᏂᏢᏗᏱ ᏣᏂᏏᏅᎩ; ᎤᏟᏰᏃ ᎢᏯᏥᎸᏉ-Ꮧ ᎡᏍᎦᏉ ᏂᎯ ᏩᏥᏯᏅᏛ ᏱᏂᎦᎩ;\nᎬᏂᏳᏉ ᏕᏗᎭᎾᎳᏗᏍᎪ ᏐᏈᎵ ᎨᎪᎯᏳᏗᏱ, ᎠᎴ ᏂᎬ ᏗᏂᏰᎸ ᏕᏗᎪᎸᏏᏙᎰᎢ.\nᎯᎠᏍᎩᏂ ᎾᏍᎩᏯ ᎪᎱᏍᏗᏉ ᏤᎿᎠ ᎨᎪᏢᏅᎯ ᎨᎨᎢᏍᏗᏱ ᎠᎴ ᎨᏥᏛᏙᏗᏱ, ᎾᏍᎩ ᎠᏂᏐᎢᏍᏗᏱ ᎠᎴ ᎨᏥᏛᏙᏗᏱ, ᎾᏍᎩ ᎠᏂᏐᏢᎢᏍᏗᏍᎪ ᏧᏓᎴᏅᏛ ᎾᏃᎵᎬᎾ ᎨᏒᎢ, ᎠᎴ ᏛᎾᎵᏛᏔᏂ ᎤᏅᏒ ᎤᏂᏲᎢᏳ ᎨᏒᎢ.\nᎤᏟ ᎠᎯᏗᏳ ᎨᎻᎵ ᏴᎩ ᎦᏌᏁᎾᏛᏗᏱ ᎤᎦᏛᎴᎯᏍᏗᏱ, ᎠᏃ ᎤᏪᎿᎢ ᏴᏫ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᏭᏴᏍᏗᏱ.\nᏓᎩᎪᎲᎩᏃ ᎢᏤ ᎦᎸᎶᎢ ᎠᎴ ᎢᏤ ᎦᏙᎯ; ᎢᎬᏱᏱᏰᏃ ᎦᎸᎶᎢ ᎠᎴ ᎢᎬᏱᏱ ᎦᏙᎯ ᏥᎨᏒᎩ ᎤᏂᎶᏐᏅᎩ; ᎠᎴ ᎥᏝ ᎿᏉ ᎠᎺᏉᎯ ᏱᎨᏎᎢ.\nᎦᏥᏔᏲᏎᎸᏃ ᎨᏣᏍᏓᏩᏗᏙᎯ ᎤᏂᏄᎪᏫᏍᏗᏱ; ᎠᏎᏃ ᎤᏂᏄᎸᏍᎩ.\nᎤᏍᎦᏃᎵ ᎡᎳᏗ ᏄᏛᏁᎴ ᏫᎵᎻ ᎤᏴᏍᏗ ᎢᏣ.\nᏥᏌᏃ ᎤᏍᎦᏤᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎡᎳᏪ ᎲᎾ, ᎠᎴ ᎯᏄᎪᎢ ᎠᏍᎩᎾᏃ ᎠᏂᏅ ᎠᏰᎵ ᎤᏍᏢᏂᏍᏔᏅ ᎤᏄᎪᏤ ᎠᏍᎦᏲᎯ, ᎠᎴ ᎥᏝ ᎪᎱᏍᏗ ᏳᏩᏁᎴᎢ.\nᎦᏄᎸ ᎤᏰᎨ ᎤᏴᏍᏗ ᏃᎴ ᎤᏙᏩᏗᏍᎨ ᎦᏌᎾᎳ ᎤᏂᎵᏦᏩᏕ.\nᎠᏂᎵᎯᏰᏃ, ᏒᏃᏱ ᏓᏂᎵᎰᎢ; ᎠᎴ ᎾᏍᎩ Ꮎ ᏧᏂᏴᏍᏕᏍᎩ, ᏒᏃᏱ ᏚᏂᏴᏍᏕᏍᎪᎢ.\n“ᏑᎾᎴ ᎬᏃᎯᏎᎸ,” ᎤᏛᏁ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏔᎴᎲᎦ, ᎯᎾᎩ ᏣᏤᏍᏙ, ᎠᎴ ᎮᏓ.\nᏥᏰᎸᏍᎩᏂ ᎡᎳᏗ ᏂᏥᏴᏫᏕᎪᎢ, ᎠᎴ ᏥᎾᏝᎢ ᏂᏥᏴᏁᎰᎢ; ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎾᏆᏚᎵᏍᎬᎾ ᎨᏒ ᎾᏍᎩ ᎦᏥᏯᎵᏥᏙᏁᎸᎯ ᎨᏒ ᏭᏅᎫᏛᎢ, ᎠᏴ ᎠᏋᏒ ᎥᎩᏐᏅᎢᏍᏔᏅᎯ ᎢᏳᎵᏍᏙᏗᏱ.\nᎧ ᏃᏉ ᎤᏍᏆᎸ ᏣᏢᏗ ᏫᎵᎻ.”\nᎯᎠᏃ ᏄᏪᏒ ᏣᎵ, ᎤᏏᏩ ᎢᏳᏍᏗ ᎨᏒ ᎦᏇᏅᏛ ᎠᏧᏣ, ᏎᎷ ᏗᎦᏄᎶᏔᏅ ᏥᏕᎦᏇᏅᏙ ᎢᏳᏍᏗ ᏄᏍᏕ.\nᎤᏥᏯ ᎠᏩᏔ ᏃᎴ ᏧᏗᎩᏏ!\n”ᎠᎩᎸᏉᏗ ᎭᏂ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ,” ᎤᏛᏁ ᏫᎵᎻ.\nᏞᏍᏗ ᏕᏣᎧᏂᏍᎬᏉ ᏱᏗᏧᎪᏗᏍᎨᏍᏗ, ᏚᏳᎪᏛᏍᎩᏂ ᏕᏧᎪᏗᏍᎨᏍᏗ.\nᎿᏉᏃ ᏥᏌ ᎨᎵᎵ ᏧᎶᏎᎢ, ᏦᏓᏂ ᎤᎷᏤ ᏣᏂ ᎡᏙᎲᎢ ᎠᎦᏬᏍᏗᏱ ᎤᏰᎸᏎᎢ.\nᏍᎩᏄᏍᏛ, ᎠᏰᎵ ᏧᎾᏦᎯᏍᏗ ᎦᏎᎾᏔ Mont Blanc ᎢᎦᎸᎳᏗ ᏳᏓᎸᎳᏓ, ᎠᎹᏳᎸᏓ ᏌᏬᏚ ᏓᏳᏓᎴᏅᏓ, ᏃᎴ ᎠᏂᏍᎦᏯ ᎭᎾᎾ ᏓᏳᎾᏓᎴᏅ ᏧᎵᎦᏔ ᏯᎾᏓᏕᎵᏎᎮ.\nᏚᏯᏪᎨ ᏩᎶᏏ ᏑᎾᎴ ᎤᎵᏖᎸᏂᎸᎢ.\nᎠᏍᎪᎯᏃ ᎢᏯᏂᏛ ᎤᎾᏛᎦᏅ, ᎤᎾᎴᏅᎮ ᎤᏣᏘ ᎡᏍᎦ ᏚᏂᏰᎸᎾᏁᎴ ᏥᎻ ᎠᎴ ᏣᏂ.\nᎤᏂᏥ ᎤᏩᏇᏔᏅ ᎤᏐᏓᎸᏅ, ᎨᏓᎵ ᏫᎦᏅᏅ ᏭᎶᏒ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏗᏍᏓᏩᏗᏎᏍᏗ ᎾᏍᎩ ᏙᎯ ᎢᎬᏁᎯ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏗᎨᎦᏓᎵᏂᎪᎯᏍᏙᏗ ᎨᏒᎢ.\nᎡᏥᏅᏏᏓᏍᏗ, ᏕᏦᎯᏳᏎᏍᏗ ᎾᏍᎩ ᎨᏥᏅᏏᏙᎯ ᎠᏂ ᎤᏇᏓᎵ, ᎨᏒᎢ, ᎢᏥᎾᏰᏍᎨᏍᏗ ᎠᎴ ᏕᏥᎾᏫᏍᎨᏍᏗ, ᎣᏏᏳ ᎢᏥᏰᎸᎯ ᎨᏎᏍᏗ ᏗᏥᎾᏫᏱ, ᎦᎶᏁᏛ ᏥᏁᏣᏛᏁᎰ ᎾᏍᎩᏯᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎿᏉ ᏚᏂᎳᏫᏨ ᏆᎴᏗ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎦᎪ ᎢᏣᏚᎵ ᏗᏨᏲᎯᏎᏗᏱ? ᏆᎳᏆᏍᎪ? ᏥᏌᎨᎦᎶᏁᏛ ᏣᏃᏎᎰᎢ?\n”ᏣᎦᏎᏍᏕᏍᏗ ᏔᏕᎶᎰᏏ ᎾᏛᏁᎲ.” \nᎾᏍᎩᏯ ᎾᏍᏉ ᏄᏒᏁᎴ ᎤᎾᎵᏍᏓᏴᏃᏅ, ᎤᎵᏍᏈᏗ ᎤᎩᏎᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎯᎠ ᎾᏍᎩ ᎢᏤ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎠᏴ ᎠᎩᎩᎬ ᏨᏛᏍᏓᏱᏗ; ᎯᎠ ᎾᏍᎩ ᏂᏣᏛᏁᎮᏍᏗ, ᎢᏳᏍᏗᎭ ᎾᏍᎩ ᎢᏣᏗᏔᏍᎨᏍᏗ ᎠᏴ ᏍᎩᏯᏅᏓᏗᏍᎬᎢ.\nᎨᏍᏗ ᎩᎶ ᏳᎪᏩᏛᎭ.\nᎢᏳᏍᎩᏂᏃᏅ ᎩᎶ ᎤᏣᏘᏂ ᎠᏰᎸᏗ ᏂᏥᏯᏛᏁᎭ ᎠᏆᏤᎵ ᎠᏛ ᎢᎡᎵᏍᎨᏍᏗ, ᎢᎦᎶᏍᎨᏍᏗ ᏰᎵᎦᏯ ᎢᏳᏕᏘᏴᏛ ᎨᏒᎢ, ᎠᎴ ᎠᏎ ᎾᏍᎩ ᎢᏳᎵᏍᏙᏗ ᎢᎨᏎᏍᏗ, ᎤᏚᎵᏍᎬᏉ ᎾᏛᏁᎮᏍᏗ, ᎥᏝ ᏱᎬᏍᎦᏅᎨᏍᏗ; ᏓᎾᏤᎨᏍᏗᏉ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᎯᎠ ᏂᎦᏪᎠ ᏅᏩᏓᎴ ᎪᏪᎸᎢ; ᎾᏍᎦᏅᎾ ᏣᏤᎵ ᎥᏝ ᎤᏁᎳᎩ ᏭᎪᎯ ᎦᎯᏰᎵᏎᏗ ᏱᎩ.\nᎥᏝ ᎤᏕᎰᎯᏍᏗ ᏱᎾᏛᏁᎰᎢ; ᎥᏝ ᎤᏩᏒᏉ ᎤᏤᎵ ᏳᏲᎰᎢ; ᎥᏝ ᏳᏔᎳᏬᎯᏌᏙᎢ; ᎥᏝ ᎤᏲ ᏯᏓᎳᏫᏎᎰᎢ;\nᎭᎾᎢᏣ, ᏄᏓᎴ ᎠᏂᏬᏂᏍᎬ ᎠᏂᏍᎦᏯ, ᏚᎦᏌᏛ ᏚᏂᎭᎦᎸ ᎠᎬᏱᏣ, ᏥᏔᎦ ᎠᏂᎦᏌ ᎩᎳ ᎤᏪᏥ ᎤᏂᏅ ᏕᎬᏆᏅᏔᏗᏘᏍᎬ.\nᎤᎾᏛᏂᏛᏃ ᎩᎳ ᎤᎾᏙᎴᎰᏒᎩ ᎾᏍᎩ ᎠᎹᏰᎵ ᎻᎳᏗ ᏚᏙᎥᎢ,\nᎩᎳᏈᏴ ᏭᏅᎪᏤ, ᎢᎾ ᎢᎦᏘ ᎦᏄᎸ ᏗᎦᏙᎨ.\nᎠᎵᎮᎵᎨ ᏲᎾ ᎤᏤᏍᏙ ᎠᎧᏔᎲ ᎤᎦᏃᏫ ᎨᏒ ᎤᏢᏗ ᎤᏤᎵ ᎤᏍᏗ.\nᎾᏍᎩᏃ Ꮎ ᎤᏔᏅ ᎢᎾᏛ ᎠᏥᏄᎪᏫᏒᎩ, ᎾᏍᎩ ᎾᎠᎦᏴᎵ ᎢᎾᏛ, ᎠᏍᎩᎾ ᏣᎪᏎᎭ, ᎠᎴ ᏎᏓᏂ, ᎾᏍᎩ ᏥᏕᎦᎶᏄᎮᎭ ᏂᎬᎾᏛ ᎡᎶᎯ [ᎠᏁᎯ;] ᎾᏍᎩ ᏓᏰᏥᏄᎪᏫᏒᎩ ᎡᎶᎯ ᏓᏰᎦᏓᎢᏅᏒᎩ, ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎢᏧᎳᎭ ᏓᎨᏥᏄᎪᏫᏒᎩ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏕᏍᏗ ᏕᏣᏓᏅᏖᏍᏗ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏧᏓᏅᏖ ᎦᎶᏁᏛ ᏥᏌ;\nᏰᎵ ᏧᏕᏘᏴᏓ ᎣᎬᏌ ᎣᏣᏓᏍᏕᎵᏍᎩ ᏃᏤᎰ ᎠᏰᎵ ᏙᏰ.\nᏫᏥᎢᎦ ᎨᏒ ᎨᏍᏗ ᏗᎬᎪᏩᏛᏗᏱᎩ ᎤᎪᏏᏓ ᎢᏯᏅᏁ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏞᏍᏗ ᏱᏍᏗᏍᎨᎢᎮᏍᏗ; ᎢᏍᏕᎾ ᏫᏗᏍᏗᏃᎲᏏ ᎣᏣᎵᏅᏟ ᎨᎵᎵ ᏭᏂᎶᎯᏍᏗᏱ, ᎾᎿᏃ ᏓᎬᎩᎪᎯ.\nᎾᏍᎩᏃ ᏄᏪᏒ, ᎦᏚ ᎤᎩᏒᎩ ᎠᎴ ᎤᎵᎮᎵᏤᎸᎩ ᎤᏁᎳᏅᎯ ᏂᎦᏛ ᎠᏂᎦ-ᏔᎲᎢ, ᎤᎬᎭᎷᏴᏃ ᎤᎴᏅᎲᎩ ᎤᎵᏍᏓᏴᏅᎩ.\nᎣᏍᏓ ᎠᏛᏅ ᏏᏆ---ᎤᏁᎦ ᏥᏍᏕᏥ ᏂᎬᎸ ᎢᎬᏓ.”\nᎠᏎᏃ, ᎢᏧᎴᎭ ᏙᎩᎾᏗᏔᎲ Ridge ᎤᎬᏫᏳ ᎠᏂᏁᎵ, ᎣᏍᏓ ᎣᎩᎾᏟᏃᎮᎸ, ᎢᏯᏛᏁᎵᏓᏍᏗ ᏲᏍᏗᏃᎮᏍᎬᎾ ᏱᎩ.\nᏧᏃᏍᏛ ᎠᏥᎸ-ᏗᎨᎳᏍᏙᏗ ᎠᎴ ᏗᎵᏍᎪᎸᏙᏗ ᎠᏍᎦᏂ ᎠᎫᏴᏙᏗ ᎥᏝ ᎣᏏᏳ ᏱᏗᏣᏰᎸᏁᎢ;\nᎯᎠᏃ ᏅᏓᏥᏪᏎᎵ ᎠᏆᏓᏅᏙ; ᎠᏆᏓᏅᏙᎩ, ᎤᏣᏔ ᏣᏍᏆᏂᎪᏗ ᏧᎬᏩᎶᏗ ᎤᏣᏘ ᎢᏧᏕᏘᏴᏗ ᏣᎵᏍᏕᎸᏙᏗ; ᎭᏣᏪᏐᎸᏍᏓ, ᎭᎵᏍᏓᏴᎲᏍᎨᏍᏗ, ᎭᏗᏔᏍᏏᏍᏗ, ᎭᎵᎮᎵᎨᏍᏗ.\nᎯᎳᏳᎢ ᏳᏢᏂ ᎠᏲᏟ, ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏛ ᏥᏕᎦᏘᏍᏗᏍᎨ ᏍᎩᎾ ᎦᏂᎯᏓ ᎦᏁᎦᏗᏓᎸᎦᏍᏙᏗ ᎦᏰᏌᏛᎢ ᏃᎴ ᏧᏪᎳ ᏣᏕᎦᎵᎩᎡᎮᎢ.\nᎠᏎᏃ ᏄᏃᎯᏳᏒᎾ ᎠᏂᏧᏏ ᏚᏂᏖᎸᏁ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏚᎾᏓᏅᏛᎢ, ᎾᏍᎩᏃ ᏄᏅᏂᏌᏁ ᏗᏂᏍᎦᎩ ᏄᎵᏍᏔᏁ ᎠᎾᎵᏅᏟ.\nᏗᏓᎴᏂᏍᎬᎢ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎢᏧᎳᎭ ᎠᏁᎮᎢ.\nᎣᏁᏉ ᎢᏴ ᎤᎧᏌᏬᎸ ᎤᏓᏁᏁ ᎠᎦᏙᎵ ᏫᎵᎻ.\nᏴᏫ ᎤᏪᏥ ᎤᎷᏨ ᎠᎵᏍᏓᏴᎲᏍᎦ ᎠᎴ ᎠᏗᏔᏍᎦ, ᎯᎠᏃ ᏂᎠᏂᏪᎭ; ᎬᏂᏳᏉ ᎠᏍᎦᏯ ᎤᎬᎥᏍᎩ ᎠᎵᏍᏓᏴᏗ ᎠᎴ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ, ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᎠᏂᏍᏕᎾ ᎤᎾᎵᎢ. ᎠᏎᏃ ᎠᎦᏔᎿᎢ ᏧᏪᏥ ᎣᏏᏳ ᎢᎬᏩᏰᎸᎭ.\nᎡᎶᏛᏃ ᎤᎪᎲ ᏥᏌ, ᎤᏣᏘ ᎣᏎ ᎤᏰᎸᏁᎢ; ᎪᎯᏗᏳᏰᏃ ᏅᏩᏚᎵᏍᎨ ᎤᎪᏩᏛᏗᏱ, ᏅᏗᎦᎵᏍᏗᏙᏗᏍᎨ ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᎠᏥᏃᎮᏍᎬ ᎤᏛᎦᏅᎢ, ᎠᎴ ᎤᏚᎩ ᎤᏩᏎ ᎤᎪᏩᏛᏗᏱ ᎪᎱᏍᏗ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᎭᎴᏫᏍᏓ ᎭᏦᏱᎲ!\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎢᏤᎾ ᎾᏍᏉ ᏂᎯ ᏖᎸᎳᏗ ᏙᏗᎳᏗ ᏙᏗᏫᏒᎢ, ᏚᏳᎪᏛᏃ ᎨᏒ ᏓᏨᏯᏓᏴᎡᎵ. ᎤᏁᏅᏎᏃ.\nᎤᎦᏃᏩ ᎤᎵᏍᏓᏴᏗ ᏭᏤᎢ ᎠᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᏃᎴ ᏑᎾᎴ ᎠᎵᏍᏓᏴᏗ ᎠᎩᏍᎬ ᏫᎵᎻ, ᎦᎾᏍᏗ ᎬᏗ ᏓᏣᎪᏍᎨ ᏣᏄᏏ.\nᎢᏥᎦᏔᎭ ᎾᏍᎩ ᏂᏥᎦᏔᎾᎥᎾ ᏥᎨᏒᎩ, ᏥᏕᏥᏍᏓᏩᏗᏒᎩ ᎯᎠ ᎾᏍᎩ ᏧᏅᎨᏫ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᎾᏍᎩᏯ ᏥᏕᏣᏘᏂᏙᎲᎩ.\nᎠᏓᏅᏖᏍᎪ ᎢᏳᏍᏗ ᎠᎪᎵᏰᏍᎬ ᎦᏙᎯ.\n“ᏂᎦᏓ ᏗᎩᎷᏫᏍᏔᏏ, ᎠᎳᏂ, ᎩᏂᏧᎦ ᎤᏅᏗ ᏧᎾᏦᏴᏍᏗ!” \nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎠᏓᏙᎵᏍᏙᏗᏱ ᎣᎨᏅ, ᎩᎶ ᎢᏳᏍᏗ ᎠᏛ, ᎠᏓᏅᏙ ᎠᏙᏂᏍᎩ ᎤᏯᎢ, ᏙᎦᏠᏒᎩ, ᎾᏍᎩ ᎤᏣᏛ ᏧᎬᏩᎶᏗ ᏓᏩᏛᎡᎲᎩ ᎬᏩᎾᏝᎢ ᎠᏙᏂᏍᎬ ᎬᏗᏍᎩ.\nᎠᎴ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎺᎵᎩᏏᏕᎩ ᎾᏍᎩᏯ ᎤᏬᏎᎭ ᎤᏁᎳᏅᎯ.\nᎡᏣᏅᏓᏓ ᎶᏛ ᎤᏓᎵᎢ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᎾᏛᎦᏅ ᏚᏂᏅᏤ ᏚᏂᏯᏍᏚᏎᎢ, ᎤᏣᏘ ᎤᏂᏍᏕᎴᎢ.\nᏍᎩᏴ ᎣᎯᏍᏙᏗ ᎦᏓᏅᏖᏍᎪᎢ, ᏍᎩᏴᎯ ᏂᎦᏓ ᎩᎦ ᏥᏍᎪᎵ ᏫᎦᏁᎰᎢ.\nᎠᏥᏯᏙᏅ ᎨᏎ ᏤᎩᏏᏂ ᏄᎵᏍᎦᏂᏒ ᎦᎳᎱᏂ, ᏔᎵᏁ ᎤᎴᏁ, ᎤᏐᏱ ᏄᏛᏁᎴ ᏍᎦᏬᏂᏏ ᎠᏙᏫ ᎤᎬᏫᏳ ᏥᎨᏎ.\nᏫᎦᏃᎯᎵᏙ ᏣᏥ ᎤᏛᏅ.\nᎠᎴ ᎠᎦᏔ ᎥᏝ ᎯᎠ ᎢᎬᏩᏪᏎᏗ ᏱᎩ ᎤᏬᏰᏂ, ᎥᏝ ᏱᎬᏯᏚᎵᎭ; ᎠᎴᏬ ᎠᏍᎪᎵ ᎥᏝ ᎯᎠ ᎢᏗᎬᏩᏪᏎᏗ ᏱᎩ ᏧᎳᏏᏕᏂ, ᎥᏝ ᏱᏗᏍᏛᏯᏑᎵᎭ.\nᎢᏳᏰᏃ ᎨᏥᎨᏳᎯᏉ [ᎤᏅᏒ] ᏱᏗᏥᎨᏳᎭ, ᎦᏙ ᎢᏥᎭ ᎦᏰᏣᎵᎡᎵᏤᏗ ᎨᏒᎢ? ᎠᏂᏍᎦᎾᏰᏃ ᎾᏍᏉ ᏚᏂᎨᏳᏐ ᎬᏩᏂᎨᏳᎯ.\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᎳᎪ ᎦᏚ ᏕᏥᏰᎭ? ᎦᎵᏉᎩ, ᎢᎸᏍᎩᏃ ᏧᎾᏍᏗ ᎠᏣᏗ, ᎤᎾᏛᏅᎩ.\nᎢᎦᏛᏃ ᎤᎾᏓᏑᏴᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏝᏍᎪ ᎯᎠ ᏗᎨᏫ ᏗᎦᏙᎵ ᏧᏍᏚᎢᎡᎸᎯ, ᎾᏍᏉ ᎾᏍᎩ ᏱᏂᎬᏩᏂᏌᏁ ᏄᏲᎱᏒᎾ ᏱᎦᎨᏎ ᎯᎠ ᎠᏍᎦᏯ?\nᎿᏉᏃ ᎠᏴ ᏗᏛᏃᏛ ᎠᎴ ᎢᏓᎴᏂᏙᎯ ᎾᏍᎩ ᎢᏧᎳᎭ ᎡᎦᏘᎾᏫᏛᏗ ᎨᏎᏍᏗ ᎤᎶᎩᎸᎢ, ᏫᏕᏓᏠᎢᏍᏗᏱ ᎤᎬᏫᏳᎯ ᎦᎸᎶᎢ; ᎾᏍᎩᏃ ᏂᎪᎯᎸ ᎤᎬᏫᏳᎯ ᎢᏧᎳᎭ ᏫᏕᎮᏍᏗ.\nᎠᏴ ᎡᏙᏓᏃ ᏌᏉᏉ.\nᎢᏳᏃ ᎩᎶ ᏱᏥᎷᏤᎸ ᎠᎴ ᏄᏲᎸᎾ ᏱᎩ ᎯᎠ ᎾᏍᎩ ᏗᏕᏲᏗ ᎨᏒᎢ, ᏞᏍᏗ ᏕᏥᏁᎸ ᏱᏕᏣᎵᏂᎸᏤᏍᏗ, ᎠᎴ ᏞᏍᏗ ᏰᏥᏲᎵᎴᏍᏗ;\nᎾᏍᎩᏯ ᏂᏗᎨᏥᎾᏝᎥᎾ ᎢᏳᏍᏛᏁᏗ ᏂᏣᏛᏁᎮᏍᏗ, ᎥᏝᏍᏗ ᎠᏗᎾ ᏂᏕᏥᎾᏝᎥᎾ ᎨᏒ ᏱᏨᏗᏍᎨᏍᏗ ᏱᏧᏢᎥᏍᎨᏍᏗ ᎤᏲ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᏧᏅᏏᏓᏍᏗ ᎢᏳᎾᏛᏁᏗ ᏂᏣᏛᏁᎮᏍᏗ.\nᎤᏙᎯᏳᎯᏰᏃ ᏚᏓᏂᎸᏨᎩ ᏥᏬᏁᏔᏅᎢ; ᎠᏎᏃ ᎤᏟᎯᏳ ᏄᎵᎦᎵᏴᏒ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ, ᎤᏩᏒᏉ ᎤᏓᏅᏖᏛ ᎢᏥᏩᏛᎲᏒᎩ.\nᏓᏆᏒᎭᏂᎸ ᏕᎦᏰᏌᏛ ᏚᎦᏌᏛ ᏧᎪᎳ .\nᏧᏍᏆᏴᏍᏗ, ᎤᏪᏅᏒ ᎤᏣᏪᏐᎸᏍᏕ, ᎩᎳᏈᏴ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎢᏣ ᏭᏓᏒᏍᏔᏁᎢ.\nᎾᏍᎩ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸᎩ ᏗᎦᏐᎯᏍᏗᏱ ᏦᏓᏂ ᏍᎪᏂᏗᏢ ᎾᎿ ᏣᏂ ᏓᏓᏪᏍᎬᎢ.\nᏧᎬᏩᎶᏗ ᎢᏥᎲᎢ ᎤᎪᏒ; ᏗᏣᏄᏬᏃ ᏥᏍᎪᏴ ᎦᏂᏯᎥ;\nᎤᏓᏅᏘ ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎾᏰᏍᎩ, ᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᎦᏁᎸ ᎠᏂᎮ, ᎤᏣᏘ ᏗᏁᎸᎥᏍᎩ ᏴᏫ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏂᎪᎯᎸ ᎠᏓᏙᎵᏍᏓᏁᎯ.\nᎾᎿ ᎤᎾᏤᎵ ᏥᏍᎪᏴ ᏂᎦᎵᏬᎬᎾ ᏗᎨᏒᎢ, ᎠᎴ ᎠᏥᎸ ᏂᎬᏠᏍᎬᎾ ᏗᎨᏒᎢ.\nᎠᎳᏂ ᎤᏓᏍᏓᏴᏗ ᏦᎳᏂ ᏫᏗᎨᏰᎢ.\nᏄᏬᎯᏳᏒᎾᏰᏃ ᎠᏍᎦᏯ ᎤᏓᏅᎦᎸᏛ ᎢᎩ ᎤᏓᎵᎢ ᎢᏳᏩᏂᏌᏛ, ᎠᎴ ᏄᏬᎯᏳᏒᎾ ᎠᎨᏴ ᎤᏓᏅᎦᎸᏛ ᎢᎩ ᎤᏰᎯ ᎢᏳᏩᏂᏌᏛ; ᎥᏝᏰᏃ ᎾᏍᎩ, ᎿᏉ ᏗᏤᏥ ᎠᏂᎦᏓᎭ ᏱᎩ; ᎠᏎᏃ ᎪᎯ ᎨᏒ ᎤᎾᏓᏅᎦᎸᏛ ᎢᎩ.\nᎠᎴ ᎬᏂᏳᏉ ᎡᎮ ᎠᏍᎦᏯ ᏌᎩᏯ ᏧᏙᎢᏛ, ᎾᏍᎩ ᏄᎬᏫᏳᏒ ᎨᏎ ᎠᏕᎸᎠᎩᏏᏙᎯ, ᎠᎴ ᎤᏪᎿᎢᏳ ᎨᏎᎢ.\nᎪᎯᎢᏴ ᎤᎵᏛᏓᏁ ᏲᎾ ᎤᏤᏍᏙ, ᎨᎢ ᎦᏅᏅ ᏭᎶᏎᎢ ᎠᏂᎪᏕᏍᎩ ᏗᏁᎲ ᎢᏣ.\nᏯᎾᎵᎪᎲᏍᎬ?\nᎨᏍᏗ ᏯᏆᎵᏍᎪᎢ.\nᎾᎦᎥ ᎪᎱᏍᏗ ᎠᏂᏃᏗᏍᎬ ᎦᏃᏙᏗᏱ, ᎢᏥᎩᏍᎨᏍᏗ, ᎠᎴ ᏝᏍᏗ ᎪᎱᏍᏗ ᏱᏣᏛᏛᎲᏍᎨᏍᏗ ᎠᏓᏅᏙᎩ ᎨᏒ ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᎧᏂᎩᏛ ᏚᏳᎪᏛ ᎡᎶ.\nᎢᏳᏰᏃ ᎦᎶᏁᏛ ᎢᏧᎳᎭ ᏗᎩᏲᎱᏒᎯ ᎨᏎᏍᏗ, ᎢᏙᎯᏳᎲᏍᎦ ᎢᏧᎳᎭ ᏗᏛᏃᏛ ᎢᏳᎵᏍᏙᏗᏱ;\nᏔᎵ ᎢᏳᏩᎬᏘ ᏚᏏᏛᏂᎸ ᎠᎦᏴᎵᎨ.\nᎠᎴ ᎤᏂᏣᏛᎩ ᎠᏂᏌᎺᎵ ᎾᎿ ᎦᏚᎲ ᎠᏁᎯ ᎬᏬᎯᏳᏅᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏃᎮᎸ ᎠᎨᏴ ᎯᎠ ᏥᏄᏪᏎᎢ; ᎠᎩᏃᏁᎸᎩ ᏂᎦᎥ ᎾᏆᏛᏁᎵᏙᎸᎢ.\nᏞᏍᏗ ᏗᏣᏓᎨᏳᏔᏅᎩ ᎢᏗᏣᏓᏛᏁᏗ ᎨᏒᎢ, ᏂᎬ ᎣᏏᏳ ᏗᏣᏓᏰᎸᎾᏁᎸᎯ ᏱᎩ ᏞᎦ ᎾᏍᎩ ᎢᏣᏛᏁᏗᏱ, ᎾᏍᎩ ᎢᏣᏜᏅᏓᏕᏗᏱ ᎠᎹᏟ ᎢᏨᏗᏱ ᎠᎴ ᎠᏓᏙᎵᏍᏙᏗ ᎨᏒ ᏗᏥᎸᏫᏍᏓᏁᏗᏱ, ᎠᎴ ᏔᎵᏁᏉ ᏙᏣᏓᏩᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᏎᏓᏂ ᎢᏥᎪᎵᏰᏗᏱ ᏂᎨᏒᎾ ᎨᏣᎵᏍᏆᏂᎪᏙᏗ ᏂᎨᏒᎾ ᎨᏒ ᎢᏳᏍᏗ.\n “ᎢᎩᏅᏅᎢᏍᏗ ᏃᏉ\nᎠᎵᏉ ᎾᏍᎩ ᎢᏳᏍᏗ [ᎠᏍᎦᏯ] ᏅᏍᏛᏛᎢ ᎾᏍᎩ ᎤᏂᏣᏘ ᏥᎬᏩᏍᏛᏗᏍᏔᏅ.\nᎢᏣᏛᎦᏅᎯ ᎢᎩ ᎯᎠ ᏥᏂᎨᏥᏪᏎᎴ ᎡᏘ ᏣᏁᎮᎢ; ᏞᏍᏗ ᏣᏓᎸᎩ; ᎠᎴ ᎩᎶ ᎠᏓᎯᎮᏍᏗ ᎬᏩᏍᏛᏗᏍᏗ ᎨᏎᏍᏗ ᏗᏄᎪᏗᏍᎩᏱ.\nᏕᏥᏲᎵᎸᎭ ᏆᎶᎳᎦ, ᎠᎴ ᏧᎵᎠ, ᏂᎵᎠ, ᎠᎴ ᎾᏍᎩ ᎤᏙ, ᎠᎴ ᎣᎵᎻᏆ, ᎠᎴ ᎾᏂᎥᏉ ᎤᎾᏓᏅᏘ ᎾᏍᎩ ᎢᏧᎳᎭ ᏣᏁᎭ.\nᎬᏂᎨᏒ ᎬᎭᏂᎲ ᎠᏉᏰᏅ ᏃᎴ ᏥᎴᏂ ᎦᎸᎳᏗᏨ.\nᎿᏉᏃ ᏂᏚᏪᏎᎸᎩ; ᏥᏳᎯ ᎠᎦᏘᏏᏗᏢ ᎢᏥᎦᏯᎷᎥᎦ, ᏙᏓᏥᏩᏛᎯᏃ. ᎰᏩᏃ ᎤᏂᎦᏯᎷᏅᎩ, ᎿᏉᏃ ᎥᏝ ᏰᎵ ᎬᏩᎾᏎᎯᏍᏗ ᏱᎨᏎᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏂᏣᏛ ᎠᏣᏗ.\nᎦᏨ ᎮᎵ ᎠᏆᏚᎵ ᎠᏇᏓᏍᏗ ᎯᎪ ᎤᏓᏏᏂᏕᎾ?”\nᎩᎶ ᎼᏏ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏴᏛ ᎢᏳᏩᏁᏔᏅᎯ ᏥᎨᏎ ᎠᏲᎱᏍᎨ ᎦᏰᏥᏙᎵᏍᏗ ᏂᎨᏒᎾ ᎠᏂᏔᎵᎭ ᎠᏂᎦᏔᎯ ᎤᏂᏃᎮᎸᎯ ᎬᏔᏅᎯ;\nᎢᏳᏃ ᎩᎶ ᎤᏓᏅᎦᎸᏛ ᏱᎩ ᎯᎠ ᎾᏍᎩ ᎨᏒᎢ, ᎾᏍᎩ Ꮎ ᎠᏖᎵᏙ ᎦᎸᏉᏗ ᎨᏎᏍᏗ, ᎦᎸᏉᏔᏅᎯ, ᎠᎴ ᏱᏍᏛ ᎢᎬᏁᎸᎯ ᎪᎱᏍᏗ ᎤᏩᏙᏗᏱ ᎦᏁᎳ; ᎠᎴ ᎠᏛᏅᎢᏍᏔᏅᎯ ᎾᎦᎥ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎤᎬᏩᎵ.\nᎠᏎᏃ ᎯᎠ ᏄᏂᏪᏎᎢ; ᏞᏍᏗ ᏗᎵᏍᏓᏴᏗᏱ ᎨᏒᎢ, ᎾᎯᏳᏰᏃ ᏱᎩ ᎤᏣᏘ ᏯᎾᎵᏖᎸᎲᎦ ᏴᏫ.\nᏣᎢ ᎢᏳᏩᎬᏘ ᏩᏇᏙᎸ ᏩᏏᏓᏂ ᏍᎩᏴ ᏚᏕᏘᏴᏌᏗᏒ, ᎠᏆᏟᏂᎬᏁᎸ ᎨᏍᏗ ᏲᎦᎵᏍᏕᎸᏔᎾ.\nᎬᏩᏟᏍᏗ. ᎠᏴ ᏗᎩᏲᎱᏒᎯ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎤᎬᏩᎵ, ᎦᏙ ᏱᏚᎵᏍᏙᏓ ᏰᎵ ᎠᏏ ᎾᎿ ᎠᏓᎴᏂᏓ?\nᎠᎴ ᏓᎩᎪᎲ ᏕᎦᏍᎩᎸᎢ, ᎾᎿᏃ ᎤᎾᏅᏅᎩ ᎠᎴ ᏧᏄᎪᏙᏗᏱ ᎥᎨᎦᎵᏍᎪᎸᏓᏁᎸᎩ; ᎠᎴ ᏙᏥᎪᎥᎩ ᏧᎾᏓᏅᏙ ᏗᎨ ᏥᏍᎫᏕᏒᎯ ᎾᏍᎩ ᏥᏌ ᎠᏂᏃᎮᏍᎬ ᎤᏂᏍᏛᏛᎯ ᎠᎴ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏂᏃᎮᏍᎬᎢ, ᎠᎴ ᎾᏍᎩ ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎯ ᏂᎨᏒᎾ ᏅᎩ-ᏗᎦᏅᏌᏗ, ᎠᎴ ᎾᏍᎩ ᏣᎦᏟᎶᏍᏔᏅᎯ, ᎠᎴ ᏗᎨᎪᏪᎳᏅᎯ ᏂᎨᏒᎾ ᏗᏂᎬᏓᎨᏂ, ᎠᎴ ᏧᏃᏰᏂ; ᎠᎴ ᎾᏍᎩ ᎦᎶᏁᏛ ᎢᏧᎳᎭ ᎠᏁᎲᎩ ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎥᎨᏒᎩ ᏌᏉ ᎢᏯᎦᏴᎵᎢᏧᏕᏘᏴᏛ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏏ ᏔᎵ ᎤᏛᏕᎨᏍᏗ ᏕᏣᏓᏅᏛᎢ ᎡᎺᏅ\nᎠᏏᎳᏛᏗ!\nᎤᎦᏅᎾ ᏄᏪᏂᏌᏁ ᎤᎵᏌᎵᏓᏁ ᎨᏴ, ᏰᎵᏉ ᎠᏍᏛᎩ ᎨᏎ ᏦᎩ ᎢᏣ ᏭᏓᏬᎥᏍᏗ.\nᎾᏍᎩ ᎠᏕᎸ-ᏓᎶᏂᎨ ᎦᏃᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏕᎸ-ᎤᏁᎬ, ᎠᎴ ᎤᏣᏘ ᏧᎬᏩᎶᏗ ᏅᏯ, ᎠᎴ ᏓᎬᎾ-ᎢᏳᎾᏍᏗ, ᎠᎴ ᎤᏏᏙᎵ ᏙᎴᏛ, ᎠᎴ ᏗᏕᎭᎷᎨᎢ, ᎠᎴ ᏗᏩᎾᎨᎢ, ᎠᎴ ᏗᎩᎦᎨᎢ, ᎠᎴ ᎾᎦᎥ ᏗᎦᎸᏉᏗ ᎠᏓ, ᎠᎴ ᏂᎦᎥ ᏗᏖᎵᏙ ᎧᎹᎹ ᏧᏓᏄᏙᏅᎯ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᏂᎦᎥ ᏗᏖᎵᏙ ᎤᏣᏘ ᏧᎬᏩᎶᏗ ᎠᏓ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᎥᏣᏱ, ᎠᎴ ᏔᎷᎩᏍᎩ, ᎠᎴ ᎠᏂᏓᏫᏍᎦᎨ ᏅᏯ,\nᏉᎳ, ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏓᏍᏗ, ᎥᎩᏅᏏᏛ ᎢᏴᏋᏁᎸᎯ, ᎥᏆᏓᏓᎴᏔᏅᎯ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏆᎵᏥᏙᏗᏱ,\nᎠᏗᎾ ᎤᏁᎳᏅᎯ ᎤᏣᏔᏅᎯ ᎤᏓᏙᎵᏣᏘ ᎾᏍᎩ ᎢᎩᏯᏅᏛ ᏥᎩ ᎤᏤᎵ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎦᎸᏉᏗᏳ ᎨᏒ ᏫᎩᎷᎯᏍᏗᏱ, ᏥᏌ ᎦᎶᏁᏛ ᎠᎬᏗᏍᎬᎢ, ᎾᏍᎩ ᏞᎦ ᎢᏥᎩᎵᏲᏨᎯ ᎨᏎᏍᏗ, ᏂᏥᎪᎸᎾ ᏫᏂᏨᎦ, ᎠᎴ ᏫᏣᎵᏂᎪᎯᏍᏓ, ᎠᎴ ᎢᏣᎵᏂᎩᏛ ᏫᏂᏨᎦ, ᎠᎴ ᎦᏰᏥᏖᎸᏗ ᏂᎨᏒᎾ ᏫᏂᏨᎦ.\nᎦᎶᏁᏛ ᎢᎦᎫᏴᎲ ᎢᎫᏓᎴᏒ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏓᏍᎦᎢᏍᏙᏗ ᎨᏒᎢ, ᎠᏥᏍᎦᏨᎯ ᏄᎵᏍᏔᏅ ᎠᏴ ᎢᎩᏍᏕᎵᏍᎬᎢ; ᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎪᏪᎳ, ᎠᏥᏍᎦᏨᎯ ᎩᎶ ᏡᎬ ᎠᎦᏛᏅᎯ.\nᏓᎪᏩᏘᏍᎬ ᎤᏅᏌ ᏧᏂᎵᏏ ᎬᏂᎨᏒ ᏂᏓᏅᎭᏁᎲ ᏃᎴ ᎠᏂᏃᎮᏍᎬ ᏍᎩᏴ ᎢᎦ ᏧᎷᏤ ᎤᏂᎵᏦᏩᏛ ᎩᎦᎭ ᏗᎫᏍᎨᏂ ᎢᏴ, ᎤᏣᏍᏈᏗ ᎦᏐᎯ ᎦᎨᏒ ᎠᎵᏎᎲ, ᎡᏆ ᏲᎾ, ᎬᏂᎨ ᎦᏁᎦ ᎤᏩᏇᏅᏛ ᎭᏫᏯ.\nᏂᎦᏗᏳᏃ ᎬᏩᏕᏦᏁᎢ, ᎠᎴ ᎤᎾᎵᏎᎢ.\nᏥᏯᎵᎡᎵᏤᎭ ᎠᏆᏁᎳᏅᎯ, ᎾᏍᎩ ᎤᏟ ᎢᎦᎢ ᏗᎬᎩᏬᏂᎯᏍᏗ ᎨᏒ ᏧᏓᎴᏅᏛ ᏗᎦᏬᏂᎯᏍᏗ ᎨᏒ ᎡᏍᎦᏉ ᏂᎯ ᏂᏥᎥᎢ;\nᏣᎬᏫᏳᎯ, ᎯᏯᏙᎵᎩ ᎠᏧᏣ ᎠᏇᏥ, ᎬᎵᏰᏃ ᎬᏩᎯᎭ, ᎠᎴ ᎤᏣᏘ ᎠᎩᎵᏲᎦ, ᏯᏃᎩᏳᏰᏃ ᎠᏥᎸᏱ ᎬᏛᎪᎢ ᎠᎴ ᎠᎹᏱ ᎠᎬᎪᎢ.\n“ᏙᎯᏤᎵᎠ ᏍᎩᎾᎾ ᏏᏆ?” ᎠᏛᏛᎲᏍᎨᎢ ᎰᎻ, ᎡᏆ ᎤᏤᎸ.\nᎣᏂᏃ ᏅᏩᏓᎴ ᏄᏍᏕ ᎬᏂᎨᏒ ᏂᏚᏛᏁᎴ ᎠᏂᏔᎵ ᎾᎿ ᎠᏁᎳ ᎠᎾᎢᏎᎢ, ᏙᏗᎦᎶᎨᏒ ᏩᏂᎦᏖᎢ.\nᎠᎴ ᎾᏍᎩ ᎢᎦ-ᎦᏘᏍᏗᏍᎩ ᎤᎵᏏᎬ ᏚᎸᏌᏕᎢ, ᎤᎵᏏᎩᏃ ᎥᏝ ᏱᏑᏓᏂᎸᏤᎢ.\nᏅᏩᏍᏗ ᎠᏁᏉᎦ ᏂᏣᏓᎨᏒ.”\n“Ꭽ!” ᎤᏪᎵᏎ ᏥᏍᏚ. \nᏅᏩᏓᎴᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏂᎯᎾ ᎢᎳᎪ ᎡᏣᏚᎦ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏍᎪᎯᏧᏈ ᎢᏳᏟᎶᏛ ᎤᏣᎴᏍᏗ. ᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎯᎾᎩ ᎪᏪᎵ ᎡᏣᏚᎬᎢ, ᎠᎴ ᏁᎳᏍᎪᎯ ᎰᏪᎸᎦ.\nᎠᏴᏰᏃ ᏓᏨᏁᎵ ᎢᏥᏪᏍᏗᏱ ᎠᎴ ᎠᎦ-ᏙᎥᎯᏍᏗ ᎨᏒ ᎾᏍᎩ ᏂᎦᏛ ᎨᏣᏈᏗ-ᏍᎩ ᏰᎵ ᏗᎬᏩᏂ-ᏘᎸᏍᏗ ᎠᎴ Ꭼ-ᏩᏂᏎᎷᎩᏍᏗ Ꮒ-ᎨᏒᎾ ᎨᏎᏍᏗ.\nᏂᎯ ᎡᎵᏊ ᏱᏣᎾᏔ Ꮩ ᎤᏍᏗ ᎨᏒ.”\nᎯᎠᏰᏃ ᏂᏨᏪᏎᎭ, ᎢᏨᏃ ᎾᏍᎩ ᎢᏣᏓᏅᏘ ᎨᏒ ᏂᏗᏥᎪᎾᏛᏔᏅᎾ ᎢᎨᏎᏍᏗ ᏗᏃᏪᎵᏍᎩ ᎠᎴ ᎠᏂᏆᎵᏏ, ᎥᏝ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏴᎨᏥᏴᎭ.\nᎿᏉᏃ ᏚᏚᎪᏔᏅ ᎢᏓᎵ ᏭᎩᏅᏍᏙᏗᏱ ᏥᏳ, ᏚᏂᏲᏒᎩ ᏉᎳ ᎠᎴ ᎩᎶ ᎢᏳᎾᏍᏗ ᏅᏩᎾᏓᎴ ᎠᏂᏴᎩ, ᎾᏍᎩ ᏚᏂᏲᎯᏎᎸ ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ, ᏧᎵᏯᏏ ᏧᏐᎢᏛ, ᎨᎳ ᏑᎾᏓᏡᎩ ᎨᏒ ᎣᎦᏍᏓ ᏧᏤᎵᎦ.\nᎯᎠᏃ ᎾᏍᏉ ᎠᏄᎦᎸᎯ ᏣᏫᏎᎢ, ᎾᏯᎩ ᏣᏛᎩᏯᎪ ᎧᏃᎮᏛ, ᎡᎶᎯᏃ ᎤᏪᎵᎯᏍᏗ ᎨᏒ ᎠᎴ ᎨᏅᎢᏍᏗ ᎨᏒ ᎤᏓᎵᏓᏍᏛ ᎠᏂᏁᏄᎳᏍᏗᏍᎪ ᎧᏃᎮᏛ, ᎾᏍᎩᏃ ᎾᎦᏔᏛᎬᎾᏉ ᎨᏐᎢ.\nᎯᎸᎢᏴ ᎣᏏᏉ ᎨᏐᎢ. ᎯᎸᎢᏴ Ꮳ.\nᏕᏤᏯᏙᏤᎮᏍᏗ ᎠᏗᎾ ᏴᏫ, ᏕᎦᎳᏫᎥᏰᏃ ᏙᏓᎨᏣᏘᏃᎵ, ᏧᏂᎳᏫᎢᏍᏗᏱᏃ ᏙᏓᎨᏥᎵᎥᏂᎵ.\nᏌᎳᎻᏃ ᎠᏁᏙᎲᎢ ᎤᏂᏃᎮᎴ ᎠᏂᏧᏏ ᏧᏂᎳᏫᎢᏍᏗᏱ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎠᎾᏘᏁᎮᏃ ᎾᏍᏉ ᏣᏂ ᎤᏂᏍᏕᎸᎯᏙᎯ.\nᎢᏳ ᎠᎴ ᎦᎶᏁᏛ ᏧᎴᎯᏌᏅᎯ ᏂᎬᏒᎾ ᏱᎩ, ᎢᏦᎯᏳᏒ ᎠᏎᏉᏉ ᏂᎦᎵᏍᏗᎭ; ᎠᏏᏉ ᎢᏥᏍᎦᏅᏨ ᎢᏣᏚᏓᎳ.\nᎾᏍᎩ ᏂᏥᎥ ᎢᏥᏏᏴᏫᎭ ᏱᏥᎦᏔᎭ ᎢᏣᏛᏁᏗᏱ ᎢᏥᏍᏆᏂᎪᏙᏗᏱ ᎢᏥᏰᎸᎢ ᎤᏓᏅᎦᎸᏛ ᎨᏒ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒᎢ;\nᎤᎵᏂᏛᏃ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᎤᎬᏩᎵ, ᏕᏥᎩᎵᏲᎢᏍᏗᏍᎬᎩ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᎬᎢ; ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎤᎬᏩᎵ ᏗᎧᎿᏩᏛᏍᏗ ᏕᏥᎧᎿᏩᏗᏒᎢ, ᎦᏴᎩᎳᏫᏎᏗ ᏂᎨᏒᎾ ᎨᏒᎩ.\nᎿᏉᏃ ᏧᏓᏏ ᏚᏘᏁᏅ ᏑᎾᏓᏡᎩ ᎠᏂᏯᏫᏍᎩ, ᎠᎴ ᏗᎾᏓᏂᏱᏍᎩ, ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᎠᏂᏉᎵᏏ ᏅᏓᏳᎾᏓᎴᏅᎯ, ᎾᎿ ᎤᎷᏨᎩ, ᏓᏂᏁᎲᎩ ᏗᏨᏍᏙᏗ ᎠᎴ ᏗᎵᏍᎦᏍᏙᏙᎢ.\nᏗᏆᏤᎵᏃ ᎠᏂᏔᎵ ᎠᏂᎦᏔᎯ ᏓᎦᏥᏁᎵ [ᎤᎾᏙᎴᎰᎯᏍᏗᏱ] ᎠᎴ ᎠᎾᏙᎴᎰᏍᎨᏍᏗ ᏌᏉ ᎢᏯᎦᏴᎵ ᏔᎵᏧᏈ ᏑᏓᎵᏍᎪᎯᏃ ᏧᏒᎯᏛ, ᏧᏏᏕᏅ ᏚᎾᏄᏩᎡᏍᏗ.\nᎾᎿ ᎠᏂᏂᏜᎥᎩ ᎤᏂᏣᏘ ᏧᏂᏢᎩ, ᎠᎴ ᏗᏂᎨᏫ, ᎠᎴ ᏗᏂᏲᎤᎵ, ᎠᎴ ᎤᏅᎢᏒᎯ, ᎠᏂᎦᏘᏴᎩ ᎤᎵᏖᎸᏗᏱ ᎠᎹ.\nᏣᏥᏚᎢᏍᏓᏁᎴᏰᏃ ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ ᎡᎶᎯ, ᎥᏝ ᎡᏆᎭᎻ ᎠᎴ ᎾᏍᎩ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᏗᎧᎿᏩᏛᏍᏗ ᏅᏓᏳᏓᎴᏅᎯ ᏱᎨᏎᎢ, ᎪᎯᏳᏗᏍᎩᏂ ᎠᏚᏓᎴᏍᏙᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᎨᏎᎢ.\nᎠᎴ ᎩᎶ ᎤᎬᏫᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏚᎵᏍᎨᏍᏗ ᎾᏍᎩ ᎡᏥᎾᏝᎢ ᎨᏎᏍᏗ.\nᎢᎦ ᏧᏘᏍᏓᏁᏗᏱ ᎤᎵᏏᎬ ᎠᎴ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎤᏓᏩᏗᏍᏙᏛ ᏣᏂᎾ, ᎠᎴ ᏗᎦᏖᏅᏍᏗᏱ ᏅᏩᏙᎯᏯᏛ ᎦᏅᏅᎢ.\nᎯᎠ ᏄᏂᏪᏎᎢ; ᎯᎠ ᎣᏂᏱ ᎤᏂᎷᏨᎯ ᏌᏉᏉ ᎢᏳᏟᎶᏛ ᏚᏂᎸᏫᏍᏓᏏ, ᎢᏧᎳᎭᏉᏃ ᏅᏍᎩᏴᎦ ᎠᏴ ᎾᏍᎩ ᎦᎨᏒ ᎠᎴ ᎤᏗᎴᎬ ᎢᎦ ᏦᎩᎸᏫᏍᏓᏁᎸᎯ.\nᎾᏂᎥ ᏗᎨᏥᎾᏝᎢ ᎾᏍᎩ ᏗᎨᏥᎩᎳᎾᎳ ᏥᎩ ᎤᏣᏘ ᏧᏂᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏗᎬᏩᏂᎾᏝᎢ, ᎾᏍᎩ ᏚᏙᎥ ᎤᏁᎳᏅᎯ ᎠᎴ ᎤᏤᎵ ᏗᏕᏲᏗ ᎨᏒ ᎠᏐᏢᎯ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎨᏒᎾ.\nᎠᏂᏔᎵ ᎠᏂᎨᏴ ᎠᏂᏍᏙᏍᎨᏍᏗ ᎠᏍᏙᏍᎩᏱ, ᎠᏏᏴᏫ ᎠᏥᏯᏅᏗ ᎨᏎᏍᏗ ᏐᎢᏃ ᎠᏥᎧᎯᏯᏍᏗ ᎨᏎᏍᏗ.\n“Ꭳ, ᎪᎱᏍᏗ ᏂᎬᏁ,” ᎤᏛᏁ.\nᎤᏛᏅ ᎠᏌᎻᏓ, ᏑᎾᎴᎢᏉ ᎤᎾᏂᎩᏎ ᎠᏦᎭᏴ, ᏚᏂᎭᏯᎸᏎ ᏴᏫ ᏧᎾᏘᏃᎯᏍᏗ ᎠᏦᎭᏴ.\nᎢᏳᏍᎩᏂ ᏗᏍᏓᏓᏅᏟ ᎠᎵᏍᏓᏴᏗ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᎡᎯᏍᏗ ᏱᏯᏓᏅᏓᏗᏍᏔᏅ, ᎿᏉ ᎥᏝ ᎠᏓᎨᏳᏗ ᎨᏒ ᏴᏗᎭ ᎾᏍᎩ ᎿᏛᏁᎲᎢ. ᏞᏍᏗ ᎭᎵᏍᏓᏴᎲᏍᎬ ᎯᏛᏙᏔᏅᎩ ᎾᏍᎩ Ꮎ ᎦᎶᏁᏛ ᎤᏲᎱᎯᏎᎸᎯ.\nᎠᎴ ᎩᎶ ᏠᎨᏏ ᎡᏙᎯ ᏞᏍᏗ ᏴᏗᎤᏨᏎᏍᏗ ᎤᏄᏬ ᏳᏁᏐᎴᏍᏗ.\nᎿᏉᏃ ᏥᏌ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᏥᏍᏕᎾ ᎠᎴ ᏣᏂ ᏪᏍᏗᏃᎲᏏ ᏄᏍᏛ ᎢᏍᏗᎪᎲ ᎠᎴ ᏄᏍᏛ ᎢᏍᏓᏛᎦᏅᎢ; ᎾᏍᎩ ᏗᏂᎨᏫ ᎠᏂᎪᏩᏘᏍᎬᎢ, ᏗᏂᏲᎤᎵ ᎠᏁᏙᎲᎢ, ᎠᏓᏰᏍᎩ ᏧᏂᏢᎩ ᎨᏥᏅᎦᎵᏍᎬᎢ, ᏧᏂᎵᎡᏅ ᎠᎾᏛᎩᏍᎬᎢ, ᏧᏂᏲᎱᏒᎯ ᏕᎨᎦᎴᏗᏍᎬᎢ, ᎤᏲᏃ ᎢᏳᎾᏛᎿᏕᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎨᎦᎵᏥᏙᏁᎲᎢ.\nᎪᎯᏍᎩᏂ ᎿᏉ ᎢᎸᎯᏢ ᏄᏜᏅᏛᎾ ᏥᎩ ᎠᏂ ᎤᏚᏫᏛ, ᎠᎴ ᎢᎸᏍᎩ ᎾᏕᏘᏴ ᎤᏣᏘ ᏥᏅᏆᏚᎵᏍᎪ ᏫᏨᎷᏤᏗᏱ;\nᎩᎶᏍᎩᏂ ᎠᏥᎪᎵᏰᏍᎪᎢ ᎢᏳᏃ ᎤᏩᏒ ᎤᏚᎵᏍᎬ ᏧᏘᏁᎯ ᎠᎴ ᏧᏌᏛᎥᏍᎪᎢ.\nᎾᎿᏃ ᏦᎢ ᎢᏯᏅᏙ ᎤᏪᏙᎸ, ᎠᎴ ᎠᏂᏧᏏ ᏧᏄᎪᏔᏅ ᎪᎱᏍᏗ ᎬᏩᏁᏗᏱ, ᏏᎵᏱ ᏓᏰᏏᏒᎩ ᏥᏳᎯ ᏛᏣᏂᏒᎩ, ᎤᏓᏅᏖᎸᎩ ᏛᎤᏨᏍᏗᏱ ᎼᏏᏙᏂ ᏭᎶᎯᏍᏗᏱ.\nᎬᏂᎨᏒ ᏂᎦᏥᏴᏁᎲ ᎠᏂᏧᏏ ᎠᎴ ᎾᏍᏉ ᎠᏂᎪᎢ ᎾᏍᎩ ᎤᏁᎴᏅᎯ ᎦᏁᏟᏴᎡᏗ ᎨᏒ ᎣᏓᏅᏛᎢ, ᎠᎴ ᎪᎯᏳᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ.\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏁᏍᏗ ᏛᏥᎷᏥ ᎠᎴ ᏛᏥᎵᏦᏘᏌᏂ ᏕᏫ ᎤᏤᎵ ᎦᎵᏦᏛᎢ, ᎾᏍᎩ ᎡᎳᏗ ᎤᏪᏡᏒᎯ ᏥᎩ, ᎠᎴ ᏛᏥᎵᏦᏘᏌᏂ ᎤᎵᏦᏙᎠᏒᎢ, ᎠᎴ ᏛᏥᎧᎯᏌᏂ.\nᎤᏂᎸᏉᏗ ᎨᏒ ᎠᏂᏫᎾ ᎤᏂᏚᎩ ᏃᎴ ᎠᏂᎫᏌ ᏃᎴ ᎠᏂᏣᎳᎩ ᏃᎴ Seminole ᏗᏂᎳᏫᎩ ᏩᏏᏓᏂ ᎦᏚᎲ, ᏓᏂᏃᎮᏍᎬ ᎧᏃᎮᏛ ᏓᏦᎯᏍᏛ.\nᏯᎾᎵᏖᎸᎲᏍᎬᎾ ᎤᏂᏃᏕᎾ.\nᎩᎶᏰᏃ ᎾᏍᎩ ᏂᎦᏡᏗᏍᎬᎾ ᏥᎨᏐ, ᎾᏍᎩ ᎢᎦᎵᎪᏁᎯ ᎨᏐᎢ.\nᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᎠ ᎾᏍᎩ ᏓᏍᏗᏰᏗᎭ ᏴᏫ ᎤᏁᎳᏅᎯ ᎠᎾᏓᏙᎵᏍᏓᏁᎲ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏂᏲᏍᏙᏗᏱ.\n“ᎯᏃᏉ ᎨᏒ,” ᎤᏛᏁ ᎰᎻ, ”ᎭᏂ ᎡᎶᎯ ᏅᎩᏉ ᎾᏂᎠ ᏴᏫ ᎠᏂᎦᏔ ᎤᏍᏆᏂᎩᏘ ᏄᎵᏍᏔᏅᎢ---ᎠᏋᏌ, ᎠᏆᏓᎵ ᎠᎳᏂ, ᏥᎾᏌᎢ ᏣᏄᏏ, ᏃᎴ ᏂᎯ.”\nᎢᎦᏛᏃ ᎠᏄᎦᎸᎯ ᎤᎳᎨᏯᏛᏤᎢ; ᎠᏄᎦᎸᏃ ᏧᏛᏎᎢ, ᎠᎴ ᎤᏁᏄᎳᏍᏔᏁᎢ, ᎠᎴ ᏄᎾᏄᎪᏫᏒᎾ ᎨᏎ ᎤᎦᏔ.\nᎨᏍᏗ ᏱᏥᎪᎠ ᎡᏂᏏ ᎠᏂᏁᎵ ᏦᏲᏎᎸ ᏣᎵ.\nᎯᎢᏃ ᏍᏏᏉᏯ ᎠᏍᎦᏯ ᎤᎵᏍᎨᏓ ᎨᏎ, ᎢᏓᏗᎰ.\nᎠᏎᏃ ᏥᏌ ᏫᏚᏯᏅᎲ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎢᏥᎦᏔᎭ ᎾᏍᎩ ᎤᏂᎬᏫᏳᎯ ᎨᏥᏰᎸᎢ ᎨᏒ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ, ᏗᎬᏩᎾᏁᎶᏙᏗᏱ ᎾᏅᏁᎰᎢ; ᏧᏂᎸᏉᏗᏃ ᎨᏒ ᎬᏩᎾᏓᎵᏁᎯᏕᎰᎢ.\nᎯᎠᏍᎩᏂ [ᎠᏍᎦᏯ] ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᏤᎭ ᎤᎶᏏᎲᏍᏗ ᏂᎨᏒᎾ ᎠᏥᎸ-ᎨᎶᎯ ᎨᏒᎢ.\nᏁᎵᏍᎬᏃ, ᏗᏤ ᏗᎳᏑᎶ ᏦᎯᏍᏙᏗ ᏧᎳᏑᏝᏅ.\nᎣᏍᏓ ᎠᏓᎾᏫᏛᏗ ᏃᎴ ᎠᏗᏍᎦᎶᏗ.\nᎩᎶᏰᏃ ᏱᎦᏬᏂᎭ ᏅᏩᎾᏓᎴ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒᎢ, ᎥᏝ ᏴᏫ ᏱᏗᎦᏬᏁᏗᏍᎪᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ; ᎥᏝᏰᏃ ᎩᎶ ᏳᏬᎵᏤᎰᎢ; ᎠᏓᏅᏙᏍᎩᏂᏃᏅ ᎬᏗ ᎦᏬᏂᏍᎬ ᎤᏕᎵᏛ ᎦᎾᎸᎪᏫᏍᎪᎢ.\nᎠᏎᏃ ᎢᏙᎯᏳᎲᏍᎦ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎠᏴ ᎡᎩᏍᏕᎸᏗ ᎨᏒᎢ, ᎾᏍᎢᏯ ᎾᏍᎩ ᎨᏥᏍᏕᎸᏗ ᏥᎩ.\nᏃᎴ ᏍᏈᏍᏙᏒ ᎤᎵᎮᎵᏍᏗ ᎤᏩᏙᎯᏴᏓ ᎢᎦ ᏭᏩᎦᏘᏗᏒ.\nᎢᏓᎵᏅᏟ, ᎢᏣᏖᏆᎶᎯ ᏍᎩᏍᏓᏩᏕᎩ ᎨᏎᏍᏗ, ᎠᎴ ᏕᏣᎦᏌᏯᏍᏕᏍᏗ ᎾᏍᎩ ᎢᏯᎾᏛᏁᎯ ᎠᏁᏙᎲᎢ, ᎾᏍᎩ ᎠᏴ ᏍᎩᏯᏕᎶᏆᎡᎯ ᏥᏕᏍᎩᏯᎧᎭ.\nᏗᏃᏪᎵᏍᎩᏃ ᎠᎴ ᎠᏂᏆᎵᏏ ᎬᏩᎪᎲ ᎢᏧᎳᎭ ᎠᎾᎵᏍᏓᏴᎲᏍᎬ ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᎠᏂᏍᎦᎾ, ᎯᎠ ᏂᏚᏂᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎦᏙᏃ ᎢᏧᎳᎭ ᏣᎾᎵᏍᏓᏴᎲᏍᎦ ᎠᎴ ᎢᏧᎳᎭ ᏣᎾᏗᏔᏍᎦ ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᎠᏂᏍᎦᎾᎢ.\nᎿᏉᏃ ᏅᎩᏁ ᎢᏳᎾᏓᏁᏟᏴᏛ ᎨᏒ ᎠᏂᏯᏫᏍᎩ ᏒᏃᏱ ᏥᏌ ᏫᏚᎷᏤᎸᎩ ᎥᏓᎵ ᎦᏚᎢ ᎠᎢᏒᎩ.\nᏕᎤᎧᎿᏅᏰᏃ ᎤᏲ ᏄᏛᎿᏕᎬ ᎠᎨᏴ ᎤᏅᏏᏓᏍᏗ; ᎬᏂᏳᏉᏰᏃ ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎾᎾᏓᏁᏟᏴᏏᏒ ᏴᏫ ᎦᎸᏉᏗᏳ ᎬᏉᏎᎮᏍᏗ.\nᏅᏩᏙᎯᏯᏛᏃ ᎤᏁᎳᏅᎯ ᎤᏓᏁᏗ ᎨᏒ, ᎾᏍᎩ ᏥᎦᎶᏒᏍᏗᎭ ᏂᎦᎥ ᎬᏓᏅᏖᏗ ᎨᏒᎢ, ᏧᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᏗᏥᎾᏫ ᎠᎴ ᏗᏣᏓᏅᏙ, ᎦᎶᏁᏛ ᏥᏌ ᏂᎬᏂᏏᏍᎨᏍᏗ.\nᎠᎴ ᎾᏍᏉ ᎦᎸᏉᏗ ᎠᏓᏅᏙ ᎣᎪᎯᏳᏓᏁᎯ; ᎦᏳᎳᏰᏃ ᎯᎠ ᎾᏍᎩ ᎢᏳᏪᏛ ᏂᎨᏐᎢ,\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏎᎵᏔᏁ ᎤᏚᎢᏍᏓᏁᎴ ᎤᏁᏗᏱ ᏄᏍᏛᏉ ᎤᏔᏲᎸᎢ.\nᎾᏍᏉᏃ ᎤᏂᏣᏖ ᏕᎦᏚᏩᏗᏒ ᏅᏓᏳᏂᎶᏒᎯ ᏥᎷᏏᎵᎻ ᎠᏂᎷᎨᎢ, ᏓᎾᏖᏃᎯᎮ ᏧᏂᏢᎩ ᎠᎴ ᎠᏂᏍᎩᎾ ᎬᏩᏂᏱᎵᏙᎯ; ᏂᎦᏛᏃ ᏕᎨᏥᏅᏩᏁᎢ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎢᏳᏃ ᏔᎵ ᏄᏛᏛᎾ ᎢᎨᏎᏍᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎤᎵᏬᏨᎯ, ᎤᏩᏒᏉ ᎨᏒ ᎢᏳᏍᏗ.\nᎩᎶ ᎾᏱᏍᎬᎾ ᎢᎨᏎᏍᏗ ᎤᏤᎵ ᏧᏓᎿᏩᏛ ᎠᎴ ᎾᎩᏍᏓᏩᏕᎬᎾ ᎢᎨᏎᏍᏗ, ᎥᏝ ᏰᎵ ᎠᏴ ᎠᏆᏤᎵ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎨᏎᏍᏗ.\n”ᏩᎾᎢ ᏗᎦᎶᏅᎮᏗ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎡᎵᏍᏗ ᎯᏃᎯᏳᎲᎦ, ᎤᏛᏅ.\nᎢᏳ ᎠᎴ ᎩᎶ ᎢᎪᏣᎴᏍᎨᏍᏗ ᎢᎦᏛ ᎧᏃᎮᏛ ᎪᏪᎵᎯ ᎯᎠ ᎾᏍᎩ ᎠᏙᎴᎰᏒᎯ ᎨᏒᎢ, ᎤᏁᎳᏅᎯ ᎠᏎ ᏓᏳᏬᏣᎳᎡᎵ ᎤᏤᎵ ᎨᏒ ᎬᏂᏛ ᎠᏓᏁᎯ ᎪᏪᎵᎯ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎦᏚᎲᎢ, ᎠᎴ ᏧᏓᎴᏅᏛ ᎪᏪᎸ ᎠᏂ ᎪᏪᎵᎯ.\n“ᎨᏍᏗ ᏳᏩᎾᏔ ᏙᎤᏍᏗ ᎨᏒ,” ᎤᏛᏁ ᏌᎶᎵ.\nᎬᎾᏰᏍᎬᏰᏃ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎯᏍᏓᏱᏳ ᎨᏒ ᎯᏍᎦᏯ; ᎯᎩᏍᎪᏰᏃ ᎾᏍᎩ ᏂᏣᏅᎾ ᎨᏒᎢ, ᎠᎴ ᎯᏍᎫᏕᏍᎪ ᎾᏍᎩ ᏂᏣᏫᏒᎾ ᎨᏒᎢ.\nᎿᏉᏃ ᏔᎵᏁ ᏭᏂᏯᏅᎲᎩ ᎠᏍᎦᏯ ᏗᎨᏫ ᎢᏳᎵᏍᏔᏅᎯ; ᎯᎠᏃ ᏄᏂᏪᏎᎸᎩ; ᎯᎸᏉᏓ ᎤᏁᎳᏅᎯ, ᎠᏴ ᎣᏥᎦᏔᎭ ᎾᏍᎩ ᎯᎠ ᎠᏍᎦᏯ ᎠᏍᎦᎾ ᎨᏒᎢ.\nᎾᏍᎩ ᎩᎶ ᎠᏂᏍᏓᏩᏗᏒ ᎤᎾᏞᏒ ᎪᎯᏳᏗ ᎨᏒᎢ. [ᎤᏁᎳᏅᎯ] ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏕᏣᎧᏩᏗᏙᎮᏍᏗ. ᎡᎺᏅ.\nᎠᏎᏃ ᏥᏯᎵᏍᎦᏍᏙᏗᎭ ᎤᎬᏫᏳᎯ ᎤᎵᏍᎪᎸᏙᏗᏱ ᎠᏴ ᎾᏍᏉ ᎠᏋᏒ ᏂᎪᎯᎸᎾ ᏫᏨᎷᏤᏗᏱ.\nᎥᏃᏱᏃ ᎠᏰᎵ ᎩᎶ ᎠᏍᏓᏯ ᎤᏁᏤᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎬᏂᏳᏉ ᎠᏕᏒᎲᏍᎩ ᏓᏯᎢ! ᏫᏕᏣᏠᎢ!\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏌᏉ ᎢᎦ ᎾᎯᏳ ᎨᏒ, ᏕᎨᏲᎲᏍᎨ ᏴᏫ ᎤᏛᎾᏗᎦᎳᏫᎢᏍᏗᏱ, ᎣᏍᏛ ᎧᏃᎮᏛ ᎠᎵᏥᏙᎲᏍᎨᎢ, ᎾᏍᎩ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ, ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎬᏩᏃᎴᎢ, ᎤᎾᎵᎪᏎ ᏗᏂᎳᏫᎩ,\nᎢᎬᏱᏱᏃ ᎢᎦ ᎾᎪᏔᏅᎾ ᎦᏚ ᎠᎩᏍᏗᏱ, ᎾᎯᏳ ᎤᏂᎸ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ, ᎬᏩᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎭᏢ ᏣᏚᎵ ᏬᎦᏛᏅᎢᏍᏙᏗᏱ, ᎧᏃᎯᏰᎩ ᏣᎵᏍᏓᏴᏗᏱ?\nᎠᎴ ᏂᎪᎯᎸᏉ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏂᏯᎡᎢ, ᎠᎾᎵᎮᎵᏤᎮ ᎠᎴ ᎠᏂᎸᏉᏗᏍᎨ ᎤᏁᎳᏅᎯ. ᎡᎺᏅ.\nᏍᎩᏃ ᏄᎵᏍᏔᏃᏅ, ᏥᏔᎦ ᏧᎪᎳ ᏓᏳᏓᎴᏅᏓ, ᎨᏍᏗ ᎪᎱᏍᏗ ᎫᏩᏏ ᏱᎨᏎ ᏤᎩᏏᏂ.\nᏅᎩ ᎢᏳᏩᏂᎸ--ᎤᏒᎮᏱᏣ ᎠᎵᏍᏓᏴᏗ.\nᎨᎵᎠ ᎭᎦᏓ ᏄᏛᎾ ᏂᎯ ᎨᏒ.”\nᎣᏏᏉᏧ? \n“ᎣᏍᏓ ᎭᏓᏅᏛᎳ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎨᏍᏘᏃ ᏯᏆᏚᎵᏍᎨ ᏥᏣᏓᏅᏛᎾ ᏤᏣᎧᏃᏗ ᎬᏲᏎᏗ.\nᏅᏛᎩᏅᏏᏛ ᎣᎩᎾᎵᎪᎭ; ᎠᎦᏴᎵᎨ ᎥᏝ ᏯᏋᏕᏨ, ᏂᎪᎯᎸᏰᏃ ᏓᎩᎸᏫᏍᏓᏁᎰ ᎣᏍ-Ꮫ ᎤᏰᎸᏗ.\nᏞᏍᏗ ᎠᎴ ᎯᏍᎪᎵ ᏱᏣᏁᎢᏍᏔᏁᏍᏗ, ᏝᏰᏃ ᏰᎵ ᏌᏉ ᎩᏢ ᎤᏁᎬ ᎠᎴ ᎬᎿᎨ ᏱᏅᎦᎲᎦ.\nᎾᏍᎩ ᎣᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏗᏅᏂᏗᏳ ᎬᎾᎢᏒ ᏧᏂᏯᏍᏗᎭ ᏗᎬᏩᎸᏌᏛ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᎠᏲᎱᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎬᏂᏛ ᏧᎫᏴᏁᏗ ᏥᎩ;\nᏓᏆᎴᏅ ᏩᏁ ᏧᎬ ᎣᎭᏁ, ᎣᎩᎵᏦᏩᏛ ᎢᏣ ᎠᏇᏅᏒ, ᎡᏝᏪᎯ ᎪᎰᏍᏗ ᏣᎩᏁᏤᎰ ᏅᏩᏍᏛ ᎠᏌᎻᏓ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎢᏳᏃ ᎨᏦᎯᏳᏗ ᎨᏎᏍᏗ, ᏂᎦᏗᏳ ᎪᎱᏍᏗ ᎢᎦᏰᎦᏛᏁᏗ ᎪᎯᏳᎲᏍᎩ.\nᎾᏍᎩ Ꮎ ᎩᎳᏉ ᎢᏴᏛ ᏫᏚᏯᏅᎲ ᎠᏂᏯᏫᏍᎩ ᎠᎴ ᎠᏍᎪᎯᏧᏈ ᏗᎾᏘᏂᏙᎯ, ᎠᎴ ᏗᏁᏙᎲ ᏭᏗᏢᏍᏔᏅᎩ. ᏚᏂᎪᎲᏃ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᎠᎴ ᎠᏂᏯᏫᏍᎩ, ᎤᏂᏑᎵᎪᏨᎩ ᎠᏂᎸᏂᎲ ᏉᎳ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎠᏏᏉ ᎾᏍᎩ ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᎩᎶ ᎢᏳᏍᏗ ᎠᎨᏴ ᎨᎳ ᎤᎾᏓᏡᎬ ᎤᏌᎳᏓᏁ ᎧᏁᎬ ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᏂᎯ ᏣᎾᏄᎪᏫᏒᎯ ᎠᎴ ᎾᏍᎩ ᏣᏍᏛᏅᎯ.\n”ᎭᏕᏬ, ᎤᎧᏲᏓ ᏣᎵᏍᏓᏴᏗ ᏣᎶᏙᏗ, ᏣᏢᏗ ᎠᏆᏚᎵ.\nᎠᏎᏃ ᎤᏙᎯᏳᎯᏯ ᎢᏨᏃᏁᎭ; ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏨᏓᎨᏏ; ᎢᏳᏰᏃ ᎾᏇᏅᏒᎾ ᏱᎩ, ᎠᏓᏅᏬᎯᏍᏗᏍᎩ ᎥᏝ ᏴᎨᏥᎷᏥᏏ; ᏯᏇᏅᏍᎩᏂ ᏅᏓᏥᏅᏍᏗ ᎨᏎᏍᏗ ᎢᏥᎷᏤᏗᏱ.\nᎥᏝ ᎠᎴ ᎩᎶ ᎢᏎ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᏧᏪᏘ ᏗᏑᏢᏛ ᏱᏓᏟᏍᏗᏍᎪᎢ; ᎢᏤᏰᏃ ᎩᎦᎨ-ᎠᏕᏔᏍᏗ ᏱᏙᎦᏣᎦᎸ ᏗᏑᏢᏛ, ᎠᎴ ᏗᎦᎨ-ᎠᏗᏔᏍᏗ ᏯᏤᏬᎩ, ᎠᎴ ᏗᏑᏢᏛ ᏱᏓᏲᎩ; ᎢᏤᏍᎩᏂ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ, ᏗᏤ ᏗᏑᏢᏛ ᏗᏟᏍᏙᏗ ᎨᏐᎢ.\nᎠᎩᎾᏄᎪᏫᏎᎸᎩᏃ ᎤᏁᎬ ᎤᏪᏴ ᎠᎹ ᎬᏂᏛ ᎠᏓᏁᎯ, ᏗᎬᏩᎸᏌᏛ ᎨᏒᎩ, ᏓᎦᎾᏄᎪᎬᎩ ᎦᏍᎩᎸ ᎤᏁᎳᏅᎯ ᎠᎴ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᎾᏤᎵᎦ.\nᏭᎩᏎ ᎤᏁᏍᏔᎳ ᎡᎳᏆᏗ ᎤᏟᏍᏓ ᎤᏪᏅᏎ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ.\nᏂᎦᏓ ᏚᎭᏄᏩᎩᏐᏅ ᏧᎭᎾᏬ Perry ᎬᏂᎨ ᎤᏍᎪᎸ ᎤᏩᏂ ᏧᏍᏆᏅᎾ ᎤᏚᏒᏛ, ᏧᏁᎦ ᏗᏍᎬᏓᎨᏂ ᎢᏴ ᏫᎦᏓᎥ.\nᎧᏂᎩᏛ ᎠᏕᎳ? ᎤᏛᏅ.\nᎭᏂ ᏯᏛᏁᎵᏍᎬᎾ ᏱᎩ, ᎦᎵ ᏴᏫᏯ ᎦᏬᏂᏍᎩ ᏃᎴ ᎢᏯᏛᏁᏗ ᏩᏍᏛ ᎠᏓᏂ ᎠᏁᏦ, ᏩᏏᏓᏂ ᎦᏚᎲ ᏩᎵᏍᎩᏍᎪ ᏃᎴ ᏗᎳᏑᎶ ᏓᎦᎾᏕᎰ ᎠᏂᏍᎦᏰᏛᏍᏔ ᎠᏂᏩᏥᏂ, ᏍᎩᏃ ᎢᏳᏍᏗ ᎤᎾᏓᏓᏍᎬ ᏧᏤᎵ ᎠᏂᏴᏫᏯ ᏱᏚᎾᏕᏯᏙᏓᏅᎾ, ᎨᎦᎵᏍᎪᎳᏓᏁᎴ ᎤᎾᏕᏗ ᏚᏁᏅᏒ, ᏭᏅᎬᏛ ᎨᏥᏅᎪᏫᏎ ᎠᏙ, ᎾᏍᎩᏯ ᏏᏆ ᎤᎵᎪᎲᏍᏗ.\nᏂᎦᏓ ᏓᏥᏩᏛᏓ ᎨᏒ ᎦᏚᎲ ᏦᎯᏍᏙᏗ ᏗᎭᏄᏬ ᏃᎴ ᏗᎳᏑᎶ ᎢᏗᏅᏁ, ᏰᎵ ᏗᎬᎩᏩᎯᏍᏗ ᎨᏒ.\nᏲ ᎢᎾᏛ ᏧᏁᏥ ᏂᎯ! ᏥᏂᏥᏲᎢᏴ ᎦᎴ ᏡᎬ ᎤᏐᏅ ᏂᏨᎦ ᎤᏛᏃ ᎤᏐᏅᎢ; ᏡᎬᏰᏃ ᎪᎵᏍᏙᏗ ᎨᏐ ᏄᏍᏛ ᎤᏛᎢ.\n[ᎯᎠ ᏂᎦᏪᏍᎨᎢ;] ᎬᏂᏳᏉ ᏥᎷᏏᎵᎻ ᏫᏗᎦᏘ; ᎠᎴ ᏴᏫ ᎤᏪᏥ ᏙᏓᏰᏥᏲᏏ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᏙᏓᎨᏥᏲᎯᏎᎵ; ᎠᎴ ᏙᏓᎬᏭᎪᏓᏁᎵ ᎤᏲᎱᎯᏍᏗᏱ, ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏫᏙᏛᏂᏲᎯᏎᎵ;\nᏥᏌᏍᎩᏂ ᎡᏗᎪᏩᏘᎭ ᎾᏍᎩ ᎤᏍᏗᎩᏛ ᎡᏍᎦ ᎢᏯᎬᏁᎸᎯ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎨᏒ ᏂᎨᎬᏁᎸᎢ, ᎾᏍᎩ ᎤᏲᎱᎯᏍᏗᏱ, ᏗᎬᏩᎸᏌᏛ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᏥᏍᏕᎶᏔᏅ; ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏗᏱ ᎬᏩᎦᏘᏯ ᎤᏁᎳᏅᎯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎬᏗᏍᎬ ᎾᏂᎥ ᏴᏫ ᏧᏲᎱᏎᏗᏱ.\nᏙᏤᏝᎶᏅ ᏚᏯ ᏃᎴ ᎤᏴᏣ ᏎᎷ ᎦᏚ, ᎤᏂᏃᎮᎸ ᏔᎵᏚ ᎢᏯᏂ ᎤᎾᏗᏍᎦᏢ ᎤᎾᎵᏓᎩᏛ ᎠᎹᏱ ᏚᏦᏒ ᎾᎥᏂ, ᏔᎵ ᎠᎴ ᏦᎢ ᏧᏙᏓᏆᏓ ᎡᏅᏓ.\nᏂᎯ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᏤᏦᎯᏳᎲᏍᎦ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎤᏲᎱᏒ ᏥᏚᎴᏔᏁᎢ ᎠᎴ ᏧᏁᎴ ᎦᎸᏉᏗᏳ ᎨᏒᎢ; ᎾᏍᎩ ᎢᏦᎯᏳᏒ ᎠᎴ ᎤᏚᎩ ᎢᏨᏒ ᎤᏁᎳᏅᎯ ᎢᏗᏢ ᎢᏳᎵᏍᏙᏗᏱ.\nᎤᏍᎦᏃᎳ ᏚᎴᏁᎢ, ᎤᏁᎷᏁᎢ ᏌᏌ.\nᏗᏂᎦᏘᏯᏃ ᎤᎾᎵᏎᎢ, ᎠᎴ ᎦᏚᎲ ᏭᏂᏃᏁᎢ, ᎠᎴ ᎢᏴᏛ ᏓᏁᏩᏗᏒᎢ. ᎤᏂᏄᎪᏤᏃ ᎤᎾᎦᏔᏅᏎ ᎾᏍᎩ ᏄᎵᏍᏔᏅᎢ.\nᎢᏳᏃ ᏴᏫᏉ ᎠᏁᎲ ᏧᏓᎴᏁᎢ ᏲᎦᏛᏅ, ᏙᏥᏍᎦᎢᎭᏉ ᏴᏫ; ᏂᎦᏛᏰᏃ ᎠᏙᎴᎰᏍᎩ ᎤᏂᏰᎸᎭ ᏣᏂ.\nᎠᏍᎦᏯᏃ ᎤᏲ ᎠᏓᏅᏙ ᎤᏯᎢ ᏚᏁᎷᎩᎡᎴᎢ, ᎠᎴ ᎡᏍᎦ ᏂᏚᏩᏁᎴᎢ, ᎠᎴ ᏚᏎᎪᎩᏎᎢ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᎾᎵᏎ ᎾᎿ ᎠᏓᏁᎸ ᎤᏂᏄᎪᏤ ᏧᏂᏰᎸᎢᎭ ᎠᎴ ᏗᎨᏥᏐᏅᏅᎯ.\nᎤᏩᏒᏃ ᎨᏎᎢ, ᎾᏍᎩ ᎬᏩᏍᏓᏩᏗᏕᎩ ᎠᎴ ᏔᎳᏚ ᎢᏯᏂᏛ ᎬᏩᏛᏛᏁ ᎦᏛᎬ ᎾᏍᎩ ᏓᏟᎶᏍᏛᎢ.\nᎢᎦᏛᏍᎩᏂ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎠᏂᏍᎩᎾ ᏕᎦᏄᎪᏫᏍᎦ ᎤᏍᏕᎵᎭ ᏇᎵᏥᏆ ᎤᎬᏫᏳᎯ ᎠᏂᏍᎩᎾ ᎤᎾᏤᎵᎦ.\nᏒᏆᎶᏍᏗ ᎭᏫᏂᏣ ᏓᏩᏔ ᎤᎪᏏᏓ ᎢᏗᏅᏁ ᎠᎵᏰᎾ!\nᎨᏍᏗ ᎦᎵᏓᏍᏔᏅ ᏱᎩ.\nᎢᏳᏃ ᎠᏴ ᏇᎵᏥᏆ ᏯᎩᏍᏕᎵ ᎠᏂᏍᎩᎾ ᏱᏗᏥᏄᎪᏫᏍᎦ, ᎦᎪ ᎤᏂᏍᏕᎵᏍᎪ ᏗᏤᏥ ᏥᏓᏂᏄᎪᏫᏍᎪᎢ? ᎾᏍᎩ ᏍᎩᏂ ᏗᎨᏧᎪᏓᏁᎯ ᎨᏎᏍᏗ.\nᎨᏍᏗ ᏯᎦᏔᎮᎢ ᏏᏉ ᎫᏩᎶᎯᏍᏗ ᏱᎩ.\nᏑᎾᎴᏃ ᏥᎨᏐᎢ, ᎪᎯ ᎢᎦ ᏥᎩ ᏛᎦᎿᏂ, ᎦᎸᎶᏰᏃ ᎩᎦᎨᎢᏳ ᎢᎩ, ᎠᎴ\n“ᏲᎾ ᎤᏤᏍᏙ,” ᎤᏛᏁ ᎤᏥ ᏰᎵ ᎬᏣᏓᏘ, ᏤᏍᏗ ᏯᎵᏍᎪᎥᏍᎨᏍᏗ.\nᏚᎾᏓᏲᎵᎴ ᎠᎵᏥᏙᎲᏍᎩ, ᎱᏂᎩᏎᎢ.\nᏙᎢᏳᏍᏗ ᎤᎵᏍᏔᏁᎢ?\nᎠᏂᏯᏫᏍᎩᏃ ᎾᏍᏉ ᎢᎬᏩᏛᏛᏁ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎠᏴ ᎾᏃ ᎦᏙ ᏓᏲᏣᏛᏁᎵ? ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᏞᏍᏗ ᎩᎶ ᎬᏍᎦᎢᏍᏓᎩ ᎢᏰᏨᏁᎸᎩ, ᎠᎴ ᏞᏍᏗ ᎦᏰᎪᎩ ᏱᏣᏓᎳᏫᏎᎮᏍᏗ; ᎠᎴ ᏰᎵᏉ ᎢᏥᏰᎸᏎᏍᏗ ᎡᏣᎫᏴᎡᎲᎢ.\nᎢᏳᏰᏃ ᏥᏯᏢᏈᏎᎸᎯ ᎨᏎᏍᏗ, ᏂᎯ ᎢᏨᏁᎢᏍᏗᏍᎬᎢ, ᎥᏝ ᏱᎦᏕᎣᏍᎦ; ᏂᎦᏗᏳᏍᎩᏂ ᏧᏓᎴᏅᏛ ᎢᏨᏬᏁᏔᏅᎢ ᎤᏙᎯᏳᎯᏯ ᏥᎩ, ᎾᏍᎩᏯᏉ ᎣᎦᏢᏆᏒᎢ, ᎾᏍᎩ ᏓᏓᏏ ᎣᏣᏢᏆᏎᎸᎢ, ᎤᏙᎯᏳᎯᏯ ᏄᎵᏍᏔᏅ.\nᎦᏙᏗ ᎢᏳᏍᏗ ᏚᏂᏩᏛ ᎠᏁᎵᏍᎨ ᎠᏂᎨᏯ ᏩᏂᎷᏨ ᎠᏂᏫᎾ ᏧᎾᏛᏒ.\nᎠᏎᏃ ᏗᏂᎦᏙᎵ ᏕᎨᏥᏂᏴᎡᎴ ᎾᏍᎩ ᎬᏬᎵᏍᏗᏱ ᏂᎨᏒᎾ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏕᏍᏗ ᎯᏃᎮᏍᎨᏍᏗ, ᎠᎴ ᏕᎯᏬᏁᏗᏍᎨᏍᏗ, ᎠᎴ ᏕᎯᎬᏍᎪᎸᎥᏍᎨᏍᏗ ᎲᏗᏍᎨᏍᏗ ᏂᎦᎥ ᏣᏒᎦᎸᎢ. ᎲᏗᏍᎨᏍᏗ ᏞᏍᏗ ᎩᎶ ᎡᏍᎦ ᏱᏣᏰᎸᏎᏍᏗ.\nᎤᎾᎩᎡᎸ ᏗᎪᏪᎵᏍᎩ ᎪᏪᎵ, ᎤᏩᏓᏍᎬ ᏭᏓᎩᏅᏒ.\n”ᎣᏍᏓ ᏂᏣᏛᎦ, ᎣᏍᏓ ᏂᏣᏛᎦ!” ᎤᏛᏁ ᏌᏌ.\nᎯᎠᏃ ᏂᏚ-ᏪᏎᎴᎢ, ᎦᏙ ᏗᎦᎵᏍᏙᏗᎭ ᎦᎶᏁᏛ ᏕᏫ ᎤᏪᏥ ᏣᎾᏗᎭ?\nᎨᏆᏂᏃ ᎤᎷᏥᎴᎢ; ᎦᎵᏦᎦᏃ ᎠᏯᎥ ᏚᏛᏛᏁ, ᎦᏙ ᎾᏍᎩ ᏥᏥᏃᎮᏍᎬ ᎢᏨᏒ ᎨᏒ Ꭰ ᏗᏓᎢᏒᎢ.\nᎡᏣᏑᏰᏛ ᎾᏍᎩᏯ ᎾᎦᏔᎰ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨᎢ, ᎬᏔᏅᎯ ᎤᏓᏅᎦᎸᏗ ᎨᏒ ᎠᏓᏅᏙ, ᎾᏍᎩ ᎾᎿ ᏨᏗᏓᎴᎲᏍᎦ ᎪᎯᏳᏗ ᎨᏒ ᎠᎴ ᎠᏍᏚᏟᏍᏗ ᎨᏒ ᎤᎩᎬ ᏥᏌ ᎦᎶᏁᏛ; ᎦᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎤᏣᏘ ᎢᏣᏤᎵ ᎨᏎᏍᏗ.\nᎾᏍᎩᏰᏃ ᏄᏍᏗ ᎤᎬᏫᏳᎯ ᎣᎩᏂᏁᏤᎸ, [ᎯᎠ ᏂᎦᏪᎭ;] ᎬᏯᎧᏅ ᎢᎦ ᏔᏘᏍᏓᏁᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎤᎵᏍᏕᎸᏙᏗ ᎢᏣᎵᏍᏙᏗᏱ ᎡᎶᎯ ᏂᎬᎾᏛᎢ.\nᎨᎵ ᎨᏍᏗ ᏳᏌᎩᏒ ᎤᎦᏛ ᏥᏴᏤᏂ ᏃᎴ ᏥᏅᏬᎢ.\nᏔᎵᏁᏃ ᏦᏩ ᎠᎾᎵᏅᏟ ᎬᏬᎵᏤᎢ, ᎠᎴ ᏇᎵᏲ ᏕᎤᎦᏙᎥᏎ ᏦᏩ ᎪᎱᏍᏗ ᏧᏩᎿ.\nᎾᏳᏍᏗᏉ ᎤᎾᎵᏍᎪᏗ ᏗᏃᏪᎵᏍᎩ ᎤᏂᎷᏤᎲ ᏗᏂᏍᎪᎵ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏥᏨᏅᏒᎩ ᏂᏗᏥᏁᎲᎾ ᎠᏕᎸ-ᏗᎦᎶᏗ, ᎠᎴ ᏕᎦᎶᏗ, ᎠᎴ ᏗᎳᏑᎶ, ᎪᎱᏍᏗᏍᎪ ᎪᎱᏍᏗᏍᎪ ᎢᏥᏂᎬᏎᎮᎢ? ᎥᏝ ᎪᎱᏍᏗ, ᎤᎾᏛᏁᎢ.\nᎨᏥᏅᏏᏛᏃ ᎯᎠ ᏄᏂᏪᏎᎴ ᎤᎬᏫᏳᎯ, ᏍᎩᏁᏉᏏ ᎣᎪᎯᏳᏒᎢ.\nᎨᏍᏗ ᎣᏍᏓ ᏯᏆᏓᏅᏔ.\nᎾᏍᎩᏯ ᎤᏤᎵ ᎤᎵᏂᎩᏗ ᎨᏒ ᎤᏩᏔᏅᎢ ᎢᎩᏁᎸᎯ ᏥᎩ ᏄᏓᎴᏒ ᎪᎱᏍᏗ ᏕᏛᏅ ᎤᎬᏩᎵ ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᎤᎬᏩᎵ, ᏅᏓᏳᏓᎴᏅᎯ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎾᏍᎩ Ꮎ ᎢᎩᏯᏅᏛ ᏥᎩ ᎬᏔᏅᎯ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᏚᏳᎪᏛ ᎢᏍᏛᏁᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᎬᏆᏛᏁᏗ ᎨᏒ ᎢᎦᎢ, ᎠᏆᏛᏅᎢᏍᏗᏉ ᎣᏍᏛ ᎧᏃᎮᏛ ᎢᏨᏯᎵᏥᏙᏁᏗᏱ ᎶᎻ ᎾᏍᏉ ᎢᏤᎯ ᏂᎯ.\nᏦᏩᏃ ᎤᏓᏅᏎ ᏭᏯᏅᎮ ᎤᏙᏓ ᏤᎦᏈ ᎠᎴ ᏂᎦᏛ ᎤᏩᏒ ᎪᎱᏍᏗ ᏧᏩᎿ, ᎾᏍᎩ ᎦᎵᏆᏍᎪᎯ ᎯᏍᎩᎦᎵ ᎢᏯᏂᎢ.\nᎾᎯᏳ ᏗᏥᎦᏴᎵᎨ ᏥᎬᎩᎪᎵᏰᏍᎬᎩ, ᎠᎴ ᏥᎬᏆᎦᏘᏍᎬᎩ, ᎠᏂᎪᏩᏘᏍᎬᎩᏍᎩᎢᏃᏅ ᏓᎩᎸᏫᏍᏓᏁᎲ ᎥᎦᏍᎪᎯ ᏧᏕᏘᏴᏛ.\nᎦᎪ ᎤᏓᏑᏯ ᎯᎠ ᏥᏂᏣᏛᏅᎬᏂᎨᏒ ᎢᎬᏩᏁᏗ ᎠᎩᏍᎦᏅᏨᎯ ᎨᏒᎢ? ᎢᏳᏃ ᏚᏳᎪᏛ ᏱᏥᏁᎦ, ᎦᏙᏃ Ꮭ ᏱᏍᎩᏲᎢᏳᎲᏍᎦ?\nᏡᎬᏰᏃ ᎪᎵᏍᏙᏗ ᎨᏐ ᏄᏍᏛ ᎤᏩᏒ ᎠᏓᏛᏍᎬᎢ; ᏥᏍᏚᏂᎩᏍᏗᎯᏰᏃ ᎥᏝ ᏎᎦᏔ-ᎢᏳᎾᏍᏗ ᏱᏓᎾᏕᏍᎪ ᏴᏫ, ᎠᎴ ᎠᏄᎦᎸᎯ ᎥᏝ ᏖᎸᎳᏗ ᏱᏓᎾᏕᏍᎪᎢ.\nᎠᎴ ᏫᎾᏍᏛᎾ ᎠᏔᎴᏒ ᎤᏍᏚᎢᏒᎩ, ᏧᎦᏒᏍᏗᏃ ᎾᎿ ᎠᏔᎴᏒ ᏓᏳᎵᏌᎳᏓᏅᎩ, ᎾᏍᎩᏯ ᎡᏆ ᏔᎷᎩᏍᎩ ᎬᎾᏬᏙᏗᏱ ᏥᏚᎦᏒᏍᏙᎢ; ᏅᏙᏃ ᎢᎦ ᎡᎯ ᎠᎴ ᎦᏃᎴᏍᎬ ᎤᏜᏅᏛ ᏚᎵᏏᎲᏒᎩ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏧᎦᏒᏍᏗ ᎠᏔᎴᏒ ᏙᏗᎴᎲᏍᎬᎢ.\nᎤᏙᎯᏳᎯᏰᏃ ᏥᏨᏰᎳᏗᏙᎲᎩ, ᏂᏨᏃᏁᎶ ᎢᎩᎩᎵᏲᎢᏍᏗ ᎨᏒᎢ; ᎾᏍᎩᏯ ᏥᏄᎵᏍᏔᏅ, ᎠᎴ ᎾᏍᎩ ᏥᏥᎦᏔᎭ.\nᎢᎸᎯᏳ ᏥᎨᏒ ᏂᎦᏓ ᎢᎾᎨ ᎠᏁᎯ ᏣᎳᎩ ᏣᏂᏬᏂᏍᎬ.\nᏤᏏᏃ ᏕᏫ ᎤᎬᏫᏳᎯ ᎤᏕᏁᎴᎢ; ᏕᏫᏃ ᎤᎬᏫᏳᎯ ᏐᎵᎹᏅ ᎤᏕᏁᎴᎢ ᏳᎳᏯ ᎤᏓᏴᏛ ᎤᎾᏄᎪᏫᏎᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎪᎯᏳᏗ ᎨᏒ ᎠᎵᏍᎦᏍᏙᏗᎭ, ᎾᏍᎩ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏗᏱ; ᎾᏍᎩ ᎠᏚᎢᏍᏔᏅᎯ ᎨᏒ ᎤᎵᏂᎩᏗᏳ ᎢᏳᎾᎵᏓᏁᏗᏱ ᎾᏂᎥ ᎤᏁᏢᏔᏅᏛ ᎨᏒᎢ; ᎥᏝ ᎾᏍᎩ ᎤᏅᏒ ᏧᏁᏢᏔᏅᏛ ᎨᏒ ᎾᏍᎩᏯ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎬᏅᎢ, ᎾᏍᏉᏍᎩᏂ ᎾᏍᎩ ᏧᏁᏢᏔᏅᏛ ᎨᏒ ᎡᏆᎭᎻ ᎤᏬᎯᏳᏒ ᎾᏍᎩᏯ ᎤᏃᎯᏳᏅᎯ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩ ᎡᏆᎭᎻ ᏂᏗᎥ ᎢᎩᏙᏓ ᏥᎩ,\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᎴᏔᏅᎯ ᎨᏒ ᎥᏝ ᏳᎪᏎᎢ.\nᎥᎥ, ᎤᏙᎯᏳᎯ, ᎠᎴ ᏂᎦᎥᏉ ᎪᎱᏍᏗ ᎡᏍᎦ ᎢᏯᏋᏁᎯ ᎠᎩᏰᎸᎭ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏓᎪᎾᏛᏔᏅᎯ ᎨᏒ ᏥᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎦᎶᏁᏛ ᏥᏌ ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ; ᎾᏍᎩ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎠᎩᏲᎱᏎᎸᎯ ᏥᎩ, ᎠᎴ ᎤᏁᎢᎸᏗᏉ ᎠᎩᏰᎸᎭ ᎾᏍᎩ, ᎦᎶᏁᏛ ᎾᏍᎩ ᎠᏆᏤᎵ ᎢᏣᏴᏁᏗᏱ,\nᎣᎩᏨᏛᏃ ᏉᎳ ᏥᎻ ᏧᏬᎸ ᎢᏧᎳᎭ ᎣᎨᏅᏒᎩ, ᏂᎦᏛᏃ ᏗᎨᎦᏁᎶᏗ ᎠᏂᎦᏔᎲᎩ.\nᎠᎬᏱ ᎠᏍᎦᏯ ᏭᎷᏨ ᎦᏲᏟᏉ ᎠᎦᏴᎵᎨ ᎨᏎ ᏩᏏᏓᏂ ᏄᏕᏘᏴᎲ, ᎤᏓᎾᏏᏃᎴ ᎠᏰᎵ-ᎢᎦᎯ ᎨᏒ ᎠᏰᎳᏍᏗ ᎤᏅᏍᎦᎴ ᏃᎴ ᎦᏅᎯᏓ ᎦᎶᏇ ᎠᎵᏎᎮ, ᏕᎬᏂᏍᏗᏍᎨ ᏚᏩᏂᎦᏢ ᏃᎴ ᏚᏂᎩᏨ.\nᎰᎻ, ᎡᎶᏗ ᏃᎴ ᏣᏄᏏ ᎤᏂᏂᏴᎮ ᏏᏆ, ᎠᏍᎪᎵ ᎢᏣ ᏭᏂᏌᏙᏰᎢ ᎧᏁᏌᎢ.\nᏐᏉ ᎢᎦ ᏚᎾᏦᏒ ᎤᏍᏗ ᎨᏴᎢ ᏃᎴ ᎤᏔᏂᏗᎨ ᎨᏴᎢ, ᎤᏍᏗ ᎠᏣᏗ ᏭᏴᎴᎢ ᏫᏥᎢᎦ ᏯᏍᎦᎢᎲᎾ.\nᎠᎴ ᎤᎾᎴᏅᎮ ᎬᏩᏔᏲᏎᎴ ᎤᏓᏅᏍᏗᏱ ᎤᎾᏤᎵᎪᎯ.\nᏗᎧᎿᏩᏛᏍᏗᏱ ᎯᎠ ᏂᎬᏅ ᎪᏪᎳ, ᏅᏩᏓᎴ ᏗᏂᏬᏂᏍᎩ ᎠᎴ ᏅᏩᏓᎴ ᏧᏂᎭᏁᎦᎵ ᏓᎦᏥᏴᏔᏂ ᎦᏓᏥᏬᏁᏔᏂ ᎯᎠ ᎾᏍᎩ ᏴᏫ; ᎠᏎᏃ ᎠᏏ ᎥᏝ ᏱᎬᏆᏛᎦᏁᎮᏍᏗ, ᎠᏗᎭ ᏱᎰᏩ.\nIV. ᎤᎯᏐᏗ  \nᎢᏨᏲᏎᎭ ᏞᎩᏳ ᏙᏓᎫᎴᏏ. ᎠᏎᏃ, ᏴᏫ ᎤᏪᏥ ᎦᎷᏨᎭ, ᎪᎯᏳᏗᏍᎪ ᎨᏒ ᏛᏩᏛᎯ ᎡᎶᎯ?\nᎠᎵ ᏍᏓᏴᏗᏍᎩᏂ ᎥᏝ ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎢᎩᏰᎸᏗᏱ ᏱᏂᎬᏁᎭ; ᎥᏝᏰᏃ ᏱᏓᎵᏍᏓᏴᎲᏍᎦ ᎤᏟ ᎣᏏᏳ ᏱᏂᎬᏁᎰᎢ, ᎥᏝ ᎠᎴ ᏂᏓᎵᏍᏓᏴᏍᎬᎾ ᏱᎩ, ᎡᏍᎦ ᏱᏂᎬᏁᎰᎢ.\nᎢᎨᏲᎲᏍᎦ, ᎾᏍᎩ ᎢᏓᏓᏱᎲ ᎤᏁᎳᏅᎯ ᏗᏁᎶᏙᏗ ᏂᎨᏒᎾ ᎨᏒᎢ ᎠᎴ ᎡᎶᎯ ᎡᎯ ᎠᏚᎸᏅᏗ ᎨᏒᎢ, ᎢᎦᎵᏏᎾᎯᏍᏗ ᎠᎴ ᏚᏳᎪᏛᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎸᏉᏙᏗ ᎨᏒ ᏱᏓᎴᏂᏙᎭ ᎠᏂ ᎡᎶᎯ ᎨᏒᎢ;\nᎠᏥᎸᏳᎵ ᎾᎥᏂ ᏰᎵ ᎪᎯᏛ ᎤᏬᏢ ᎠᏓᏅᏖᏍᎬ ᎠᎵᏍᏔᏴᏗ ᏣᎵ.\nᏣᏄᏏ ᎤᎷᏤ ᏴᏫᏯᎯ ᎤᏩᏅ ᏧᏍᏆᏅᏂ ᎦᏁᎮᎢ ᎤᏓᏒᏅ.\nᎾᏍᎩ ᎤᏤᏓ ᎠᎴ ᎤᏥ ᎾᏁᎲᎾ ᏥᎨᏎ, ᎤᎾᏁᏢᏔᏅᎯ ᎠᏂᏂᎩᏛ ᏥᎨᏎ, ᏚᎩᏨᏁᎬ ᏅᎫᏓᎴᏅᎲᎾ ᏥᎨᏎ, ᎠᎴ ᎡᎲ ᏭᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ ᏥᎨᏎᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎾᏪᏥ ᎾᏍᎩᏯ ᏥᎾᎬᏁᎴᎢ, ᎠᏥᎸ-ᎨᎶᎯ ᏤᎭ ᏂᎪᎯᎸᎢ.\nᏕᏥᏁᎸ ᎧᏃᎮᏛ ᏤᏤᎵᎦ; ᎡᎶᎯᏃ ᏗᏍᎦᎩᏳ ᏄᎵᏍᏔᏅ, ᎡᎶᎯ ᎠᏁᎯ ᏂᎨᏒᎾ ᎨᏒ ᎢᏳᏍᏗ, ᎾᏍᎩᏯ ᎠᏴ ᎡᎶᎯ ᎨᎢ ᏂᎨᏒᎾ ᏥᎩ.\nᎠᎴ ᎠᏴ ᎣᎩᎪᎲ ᎠᎴ ᎣᏥᏃᎮᎭ ᎠᎦᏴᎵᎨ ᏧᏅᏒ ᎤᏪᏥ ᎡᎶᎯ ᎠᏍᏕᎵᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ.\nᎥᏝᏰᎭ ᎠᏧᏏ, ᎠᎴ ᎠᎪᎢ, ᎥᏝ ᎠᏥᎾᏝᎢ, ᎠᎴ ᎾᏥᎾᏝᎥᎾ, ᎥᏝ ᎠᏍᎦᏯ, ᎠᎴ ᎠᎨᏴ, ᏂᏥᎥᏰᏃ ᎢᎨᏣᏍᏗᎭ ᎦᎶᏁᏛ ᏥᏌ ᎡᏥᏯᎥᎢ.\nᎯᏍᎩᏰᏃ ᎾᏂᎥᎩ ᎨᏣᏰᎯ, ᎪᎯᏃ ᏥᏣᎧᎭ ᎥᏝ ᏣᏰᎯ ᏱᎩ; ᎾᏍᎩ ᏥᏂᏫ ᏚᏳᎪᏛ ᏂᏫ.\nᏞᏍᏗ ᎩᎶ ᎢᏥᎶᏄᎮᏔᏅᎩ ᎪᎱᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ ᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ; ᎾᏍᎩᏰᏃ ᎯᎠ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎳᏅᎯ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏂᎷᏤᎭ ᎪᎯᏳᏗ ᏂᎨᏒᎾ ᎨᏒ ᏧᏪᏥ.\n“ᎨᏍᏗ ᎦᏓᎭ ᏱᎩ ᏫᎵᎻ,” ᎤᏛᏁ ᎰᎻ ᎤᏨᏉᏗ.\nᎩᎶᏃ ᎬᏁᏍᏗ ᎠᎴ ᎠᏉᎯᏳᎲᏍᎨᏍᏗ, ᎥᏝ ᎢᎸᎯᏳ ᎤᏲᎱᎯᏍᏗ ᏱᎨᏎᏍᏗ. ᎰᎯᏳᎲᏍᎦᏍᎪ ᎾᏍᎩ ᎯᎠ?\nᎣᏍᏛᏃ ᎧᏃᎮᏛ ᎤᎬᏩᎵ ᎨᏒᎢ, ᎨᏥᏍᎦᎩ ᏄᎾᎵᏍᏔᏅ ᏂᎯ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ; ᏓᏑᏰᏍᎬᏍᎩᏂ ᎤᎬᏩᎵ, ᎨᏥᎨᏳᎭ ᎠᏂᎦᏴᎵᎨ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎩᎾᎵᎢ, ᎦᏙᏃ ᎥᎯᎷᎩ. ᎿᏉᏃ ᎤᏂᎷᏨᎩ ᎠᎴ ᏕᎬᏩᏏᏔᏛᎩ ᏥᏌ, ᎬᏩᏂᏴᎲᎩ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᎪᎥᎯ, ᎠᎴ ᎾᏍᎩ Ꮎ ᏥᏣᎵᏃᎮᏗᎭ.\nᏁᏓᏂᎵᎯᎠ ᏄᏪᏎᎸᎩ; ᎦᏙ ᏗᎦᎵᏍᏙᏗ ᎢᏍᎩᎦᏔᎭ? ᏥᏌ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎠᏏᏉ ᏈᎵᎩ ᏫᏂᏣᏯᏂᏍᎬᎾ ᏥᎨᏒᎩ, ᎡᎦᏔ-ᎢᏳᏍᏗ ᏡᎬᎢ ᎭᏫᏂᏗᏢ ᏥᏦᎸᎩ, ᏫᎬᎪᎥᎩ.\nᎠᏓᏍᏕᏓᎵᏴᏍᎩ.\nᏲᎾ ᎣᏍᏓ ᎤᎦᏎᏍᏗᏕᎬ ᏂᎦᎵᏍᏔᏂᏙᎲ, ᎠᏆᏛᏛᏅ ᎢᏳᏍᏗ ᏙᏍᏓᏓᎴᎬ.\nᎾᏍᎩᏃ ᎠᏆᎦᏙᏍᏔᏅ ᎠᏆᏓᏅᏖᎸᎩ ᎠᎴ ᏕᏥᎪᎥᎩ ᏅᎩ ᏗᏂᏅᏌᏗ ᎡᎶᎯ ᎠᏁᎯ ᎠᎴ ᎢᎾᎨ ᎠᏁᎯ ᎠᎴ ᎠᎾᏓᎾᏏᏂᏙᎯ ᎠᎴ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ.\nᏃᎴ ᎭᎾ ᏳᏪᎾ ᏫᎵᎻ, ᏰᎵᏉ ᎡᎳᏗ ᏫᏣᎶᎯᏍᏗ ᎯᏩᏛᎲᏍᏗ ᎢᏳᏉ ᎮᎵᏍᎬ.\nᎤᏁᎳᏅᎯᏃ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᏔᎵ ᎢᏨᏗᏍᎨᏍᏗ ᎠᎾᎵᏅᏢ ᏗᎨᏳᏗ ᎨᏒᎢ; ᎠᎾᎵᏅᏢᏃ ᏗᎨᏳᏗ ᎨᏒ ᏔᎵ ᎢᏨᏗᏍᎨᏍᏗ ᎢᎬᏂᎢᏛᏉ ᏗᎨᏳᏗ ᎨᏒᎢ.\nᎢᎬᏩᏍᏗᎭᏍᎩᏂ [ᎢᏥᏗᏱ;] ᎾᏍᎩ ᎪᎯ ᎨᏒ ᎤᏣᏘ ᎢᏥᎲ ᏱᏗᏥᏍᏕᎸᏗᎭ ᎤᏂᏂᎬᏎᎲᎢ, ᎾᏍᎩᏃ ᎾᏍᏉ ᎤᏣᏘ ᎤᏂᎲ ᎨᏥᏍᏕᎸᏗᏱ ᎢᏥᏂᎬᏎᎲᎢ, ᎾᏍᎩ ᎢᎬᏩᏍᏗᎭ ᎢᏥᏗᏱ.\n“ᏓᏆᏙᎥ,” ᎤᏛᏁ ᎧᏅᏂᏍᎩ, “ᏌᎳᏓ”\nᎢᏳᏃ ᎩᎶ ᎦᏬᎢᏍᎨᏍᏗ, ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᏄᏪᏒ ᎦᏬᏂᏍᎨᏍᏗ. ᎢᏳᏃ ᎩᎶ ᏓᏯᏙᎮᎮᏍᏗ, ᎾᏍᎩ ᏰᎵ ᎢᎬᏩᏛᏁᏗ ᎨᏒ ᎤᎵᏍᎪᎸᏓᏁᎲ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎾᏛᏁᎮᏍᏗ; ᎾᏍᎩᏃ ᎤᏁᎳᏅᎯ ᏂᎦᎥ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎠᏥᎸᏉᏗᏳ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎩ ᏥᏌ ᎦᎶᏁᏛ ᎨᏒ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ; ᎾᏍᎩ ᎤᏤᎵᎦ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᎤᎬᏫᏳᎯ ᎨᏒ ᏂᎪᎯᎸ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ. ᎡᎺᏅ.\nᎤᏰᎶᎢᏍᏔᏁᏃ ᎦᏙᎯ ᎤᎵᏖᎸᏁᎢ; ᎠᎴ ᏗᏓᏍᏚᏘᏱ ᏚᎵᏍᏓᏱᏗᏍᏛ ᏚᎵᏖᎸᏁᎢ, ᎩᎳᏉᏃ ᎢᏴᏛ ᏂᎦᏛ ᏓᏍᏚᎲ ᏚᎵᏍᏚᎢᏎᎢ, ᎠᎴ ᎾᏂᎥ ᏚᎾᏓᎸᏍᏛ ᏚᏢᏒᎮᎢ.\nᎠᎦᏴᎵ ᎤᏃᏕᎾ ᎤᎵᏍᎫᏪ.\nᎨᏍᏗ ᏍᎩᎦᎢ ᎠᎩᎷᏤᏗ ᏱᎨᏎᎢ.\nᎠᎴ ᏕᎬᏩᏂᏂᏴᎨ ᎠᎴ ᏕᎬᏩᏂᏍᏚᏁ ᎤᎩᏨᏛ ᎢᎪᎯᏛ, ᎿᏉᏰᏃ ᎤᏒᎢ ᎨᏎᎢ.\n“Ꮘ-Ꮘ-Ꮘ!”\nᏥᏌᏍᎩᏂ ᎦᏛ ᏭᏂᎷᏨ, ᎠᎴ ᎤᎾᏙᎴᎰᏒ ᎦᏳᎳ ᎤᏲᎱᏒᎯ ᎨᏒᎢ, ᎥᏝ ᏱᏚᏂᏍᏆᎵᏎ ᏗᎦᏅᏍᎨᏂ;\nᎾᏍᎩᏯ ᎾᏍᏉ ᏥᏄᏍᏕ ᎾᎯᏳ ᎶᏛ ᏤᎮᎢ; ᏓᎾᎵᏍᏓᏴᎲᏍᎨᎢ ᏓᎾᏗᏔᏍᎨᎢ, ᎤᏂᏩᎡᎥᏍᎨᎢ, ᎠᏂᏃᏔᏅᎥ ᏍᎨᎢ, ᏓᏂᏫᏒᎥᏍᎨᎢ, ᏓᎾᏁᏍᎨᏍᎨᎢ;\nᎥᏝ ᏧᏘᏲᏍᏗ ᎠᎴ ᎤᏪᎷᏗ ᏱᎨᏎᏍᏗ, ᎥᏝ ᎠᎴ ᎩᎶ ᎤᏛᎦᏁᏗ ᏱᎨᏎᏍᏗ ᎧᏁᎬ ᏕᎦᎳᏅᏛᎢ.\nᎤᎾᏛᎦᏅᏃ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᎠᎴ ᎤᎾᏓᏅᎡᎸᎩ.\nᎾᏍᎩ ᏄᏪᏒᎩ, ᎥᏝ ᎤᏩᏒ ᎤᏓᏅᏖᏛ ᏱᎨᏎᎢ; ᎾᎯᏳ ᎠᏥᎸ-ᎨᎶᎯᏍᎩᏂ ᎨᏒ ᎢᏳᏍᏗ ᎤᏕᏘᏴᏌᏗᏒ ᎤᏙᎴᎰᏒᎩ ᏥᏌ ᏧᏲᎱᎯᏎᏗᏱ ᎾᏍᎩ ᏑᎾᏓᎴᎩ ᎨᏒ ᏴᏫ,\nPerry ᎤᏍᏆᎸᏤᎸ ᎤᏁᎢᏍᏗ Galway ᎤᏛᏅ, Quay Street ᏳᎦᎢᏎ ᎦᎦᏙᏍᏓᏁᎩ ᏅᏙ ᏥᏗᎧᎸᎪ, ᏃᎴ ᏥᏗᏍᎪᎸᎪ ᎠᏨᏍᏛ Irishmore ᎠᎼ ᏍᎪᏁ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏂᎯ ᎡᎳᏗ ᎢᏣᏓᎴᏅᎯ; ᎠᏴ ᎦᎸᎳᏗ ᏅᏛᏆᏓᎴᏅᎯ. ᏂᎯ ᎠᏂ ᎡᎶᎯ ᎢᏣᏓᎴᏅᎯ; ᎠᏴ ᎥᏝ ᎠᏂ ᎡᎶᎯ ᎠᏆᏓᎴᏅᎯ ᏱᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎾᏍᎩ ᎯᎠ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏦᎩᎭ, ᎾᏍᎩᏯ ᎣᎩᏙᎵᏨᎢ, ᎥᏝ ᏱᏙᎩᏯᏪᎦ;\nᏥᏌ ᏚᏁᏤᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᏥᏕᎦᏕᏲᏍᎦ, ᎥᏝ ᎠᏆᏤᎵᎦ ᏱᎩ, ᎤᏤᎵᎦᏍᎩᏂ ᏅᏛᎩᏅᏏᏛ.\n“ᏌᎳᏓ ᏓᎦᎶᏏ.\nᏥᏌᏃ ᎤᏁᏟ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏞᏍᏗ ᎩᎶ ᎢᎸᎯᏳ ᏥᎠᎩ ᏂᎯ ᏣᏓᏔᏅᎯ ᎪᎯ ᎢᏳᏓᎴᏅᏛ. ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᎾᏛᎦᏁᎢ.\nᏫᏥᎷᏨᎭ ᎢᏯᏍᏘ ᏕᏣᎸᏫᏍᏓᏁᎮᏍᏗ ᎪᏪᎵ ᏕᎯᎪᎵᏰᏍᎬᎢ, ᎠᎴ ᏕᎯᏬᏁᏗᏍᎬᎢ, ᎠᎴ ᏕᎭᏕᏲᎲᏍᎬᎢ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᎷᏤᎸ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎦᏙᏃ ᏕᎯᏬᏁᏗᏍᎬ ᏥᏕᎭᏟᎶᏍᏓᏁᎭ?\nᎠᎵᏍᎦᏁᏛᏰᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᏟ ᎾᏏᎾᎯ ᎡᏍᎦᏉ ᏴᏫ; ᎠᎴ ᎠᏩᎾᎦᎳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᏟ ᏄᎵᏂᎬᎦ ᎡᏍᎦᏉ ᏴᏫ.\nᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᎠ ᏂᎦᏛ ᏱᏕᎬᏲᎯᏏ, ᎢᏳᏃ ᏱᏣᏓᏅᏅ, ᎠᎴ ᏱᏍᏆᏓᏙᎵᏍᏓᏁᎸ.\nᎣᎩᎶᏐᏅᏃ ᎠᎺᏉᎯ, ᏏᎵᏏᏱ ᎠᎴ ᏆᎻᏈᎵᏱ ᏧᏳᎪᏗ, ᎵᏏᏱ ᏬᎩᎷᏨᎩ, ᎹᎵ ᏕᎤᏙᎥ ᎦᏚᎲᎢ.\n“ᏭᏲᎢᏴ ᎪᎱᏍᏗ ᏏᏆ ᎰᏎᎭ?” \nᎯᎠ ᏄᏪᏎᎢ; ᏝᏍᎪ ᎤᎵᏂᎩᏛᏯ ᏱᏨᏅᏍᏓᏕᎴ ᏗᏣᏕᏲᏗᏱ ᎯᎠ ᎾᏍᎩ ᏕᎤᏙᎥ ᎢᏨᏙᏗᏱ? ᎬᏂᏳᏉᏃ ᏕᏣᏕᏲᎲᏍᎬ ᏥᎷᏏᎵᎻ ᎢᏥᎧᎵᎢᏍᏔᏅ, ᎠᎴ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᎩᎬ ᎣᎩᏍᏛᏗᏍᏗᏱ, ᎢᏥᏰᎸᎭ.\nᎣᏍᏓ ᏂᏚᏩᏁᎸ ᏚᎭᏄᏮ, ᎤᏰᏨ ᏃᎴ ᎠᏆᏔᏬᏙᏅ ᏥᎦᏆᎵ.\nᎥᏝᏰᏃ ᎾᏍᎩ Ꮎ ᎠᏧᏏ ᏱᎩ, ᎦᏚᏉ ᎢᏗᏢ ᎠᏧᏏ ᏱᎩ; ᎥᏝ ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᎱᏍᏕᏍᏗ ᎨᏒ ᏱᎩ, ᎦᏚᏉ ᎢᏗᏢ ᎤᏇᏓᎸᏉ ᏱᎩ;\nᎨᏍᏗ ᏱᏥᎦᏔᎮ ᎢᏴ ᎠᏆᎴᏅᏗ ᏕᎦᏘᏲᏍᏗᏍᎬ ᎯᎠ ᎠᏂᏴᏫ.\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎢᎳᏯ ᎤᏙᎯᏳᎯ ᎤᎷᏨ, ᎠᎴ ᏄᏍᏛ ᎤᎾᏚᎵᏍᎬ ᏂᎬᏩᏁᎸ, ᎾᏍᎩᏯ ᏂᎬᏅ ᎪᏪᎸ ᎾᏍᎩ ᎠᏥᏃᎮᏍᎬᎢ.\nᎼᏏᏰᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎸᏉᏕᏍᏗ ᏣᏙᏓ ᎠᎴ ᏣᏥ; ᎠᎴ, ᎩᎶ ᎠᏍᎩ ᏅᏗᏍᎨᏍᏗ ᎤᏙᏓ ᎠᎴ ᎤᏥ, ᎠᏎ ᎤᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩ Ꮎ ᎯᎠ ᎢᏯᏥᏪᏎᎸᎯ ᏥᎨᏎᎢ, ᎾᏍᎩ ᎡᏏᎩ ᏚᏙᎥ ᎨᏥᏯᏅᏗᏍᎨᏍᏗ ᏣᏁᏢᏔᏅᎯ ᎨᏒᎢ;\nᎤᏍᏗᏱᏛᏃ ᎤᏗᏗᏢᏍᏙᏗ ᎢᏴᏛ ᏭᎷᏤᎢ, ᎠᎴ ᎤᎵᏯᏍᏚᏁᎢ, ᎠᎴ ᎤᏓᏙᎵᏍᏔᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎡᏙᏓ, ᎢᏳᏃ ᏰᎵ ᎢᎬᏩᎵᏍᏙᏗ ᎨᏎᏍᏗ ᏩᎩᎶᎯᏏᏉ ᎯᎠ ᎤᎵᏍᏈᏗ; ᎢᏝᏍᎩᏂᏃᏅ ᎠᏴ ᏄᏍᏛ ᎦᏓᏅᏖᏍᎬᎢ, ᏂᎯᏍᎩᏂ.\nᎣᏍᏓ ᎤᎵᏍᏛᏧᏁᎢ ᏚᏂᏌᎾᎩᏎ ᏗᎦᏅᎯᏓ ᏚᏄᏌᏛ, ᏃᏗ ᎤᏲ ᎤᎾᏗᏅᏗ ᎤᏪᏅᏎ.\nᏅᏯ ᏚᏂᏅᏗᏍᏓᏁ.\nᎩᎶᏍᎩᏂ ᎡᏃᏱ ᏥᏙᎰᎢ, ᏚᏬᏕᎯᎰᎢ, ᎤᏗᎦᎵᏍᏙᏗᏍᎪ ᎢᎦ ᏂᏚᎸᏌᏓᏕᎲᎾ ᎨᏒᎢ.\nᎯᎠ ᏥᏨᏲᏪᎳᏏ ᎥᏝ ᏱᏅᏓᎦᎵᏍᏙᏓ ᏂᏥᎦᏔᏅᎾ ᎨᏒ ᏚᏳᎪᏛᎢ, ᎢᏥᎦᏔᎯᏳᏍᎩᏂ ᎨᏒᎢ, ᎠᎴ ᎢᏥᎦᏔᎯᏳ ᎨᏒ ᏂᎦᎥ ᎦᏰᎪᎩ ᎧᏃᎮᏛ ᏚᏳᎪᏛ ᏅᏓᏳᏓᎴᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ.\nXXI. ᎤᎵᏍᏆᎸᏗ ᎢᎦ  \nᎯᎠᏰᏃ ᎾᏍᎩ ᎢᏥᎦᏔᎭ, ᎾᏍᎩ ᎩᎶ ᎤᏕᎵᏛ ᏗᏂᏏᎲᏍᎩ, ᎠᎴ ᎠᎦᏓᎭᎢ, ᎠᎴ ᏧᎬᏩᎶᏗ ᎤᎬᎥᏍᎩ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎠᏓᏙᎵᏍᏓᏁᎯ ᎨᏒᎢ, ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗ ᏂᎨᏒᎾ ᎨᏒ ᎦᎶᏁᏛ ᎤᏤᎵᎪᎯ ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ.\nᎢᏳᏍᎩᏂ ᎢᏥᏍᏆᏂᎪᏕᏍᏗ ᏙᏗᏣᏓᏅᏛᎢ ᎠᏛᏳᎨᏗ ᎠᎴ ᎠᏗᏒᏍᏗ ᎨᏒᎢ, ᏞᏍᏗ ᏱᏣᏢᏆᏍᎨᏍᏗ ᎠᎴ ᏞᏍᏗ ᏱᏣᏤᎪᎥᏍᎨᏍᏗ ᎤᏙᎯᏳᏒ ᏱᏥᏲᏍᎨᏍᏗ.\nᎪᏪᎵᏃ ᎤᏍᏗ ᎤᏒᎦᎸᎩ ᎠᏍᏚᎢᏛ; ᎠᎦᏘᏏᏃ ᎤᎳᏏᏕᏂ ᎠᎺᏉᎯ ᎤᎳᏏᏅᎩ, ᎠᎦᏍᎦᏂᏃ [ᎤᎳᏏᏕᏂ] ᎦᏙᎯ ᎤᎳᏏᏅᎩ,\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏅ, ᏅᏩᎾᏓᎴ ᎾᏍᏉ ᏧᏂᏢᎩ ᎾᎿ ᎠᎹᏰᎵ ᎠᏁᎯ ᎤᏂᎷᏨᎩ, ᎠᎴ ᏕᎨᏥᏅᏩᏅᎩ;\nᎿᏉᏃ ᏙᏓᎦᏅᏏ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᏍᏓᏱᏳ ᏛᏂᏤᎷᎯᏏ, ᎠᎴ ᏙᏛᏂᏟᏌᏂ ᎨᎦᏑᏰᏛ ᏅᎩ ᏂᏙᏗᎦᎶᏍᎬ ᎤᏃᎴ, ᎦᎸᎶ ᎢᏴᏛ ᏫᏚᎵᏍᏘᏂᎸ.\n“ᎨᏍᏗ ᏱᏗᎪᏒᏍᎦ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏕᏥᎸᏫᏍᏓᏁᎲ ᏞᏍᏗ ᏧᎬᏩᎶᏗ ᎠᎬᎥᎯᏍᏗ ᎨᏒ ᏳᎵᏠᏯᏍᏕᏍᏗ; ᎠᎴ ᏰᎵᏉ ᎢᏥᏰᎵᏎᏍᏗ ᏄᏍᏛ ᎪᎱᏍᏗ ᎢᏥᎲᎢ; ᎯᎠᏰᏃ ᎢᏳᏪᏛ ᎢᎩ, ᎥᏝ ᎢᎸᎯᏳ ᎤᏁᎳᎩ ᏴᎦᎬᏰᎵᏏ, ᎥᏝ ᎠᎴ ᏴᎦᎬᏴᏕᎩ.\nᏦᎢ ᏅᎩ ᏩᏍᏗ, ᏯᎵᏖᎸᎲᏍᎬᎾ ᎤᎴᏗ ᎤᏓᏅᏖᏗ, ᎤᏓᏅᏖᏗ ᏄᏍᏛ ᎬᏅᎢ, ᏃᎴ ᏲᎾ ᎤᏤᏍᏙ ᎤᎦᏘᏗᏍᏗ ᎨᏎᎢ.\nᎠᏗᎾ ᎤᏁᎳᎩ ᎾᏍᎩ ᏄᏍᏕᏍᏗ, ᎾᏍᎩ ᎦᎨᏛ ᏂᏨᏴᏁᎸᎾ ᎨᏒᎢ; ᎠᏎᏃ ᏥᏏᎾᏌᏂᏳ ᎨᏒ, ᎦᎶᏄᎮᏛ ᎠᏆᏔᏅᎩ ᏕᏨᏂᏴᎲᎩ.\nᎿᏉᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏂᎷᏨᎩ, ᎠᎴ ᎤᏂᏍᏆᏂᎪᏒᎩ ᎠᎨᏴ ᎠᎵᏃᎮᏗᏍᎬᎢ. ᎠᏎᏃ ᎥᏝ ᎩᎶᎢ, ᎦᏙ ᏣᏲᎭ? ᎠᎴ ᎦᏙᏃ ᎢᎯᏯᎵᏃᎮᏍᏗ? ᏳᏬᏎᎴᎢ.\nᎠᏏᏉᏰᏃ ᎩᎶ ᎢᏳᎾᏍᏗ ᏥᎻᏱ ᏅᏗᏂᎶᏍᎬᎾ ᎨᏒᎢ, ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎢᏧᎳᎭ ᎠᎾᎵᏍᏓᏴᎲᏍᎬᎩ; ᎠᏎᏃ ᎾᏍᎩ ᎤᏂᎷᏨ, ᎤᏓᏅᏒᎩ ᏚᏓᏓᎴᏓᏁᎸᎩ, ᏕᎦᎾᏰᏍᎬᎩ ᎾᏍᎩ ᏗᎨᏥᏅᏍᏕᏎᎸᎯ.\nᎠᏎᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᏙᏃ ᎾᏍᏉ ᏂᎯ ᎡᏘ ᎠᏁᎯ ᎤᏂᏃᎮᎸᎯ ᎢᏨᏗᏍᎪ ᎢᏥᏲᏍᏗᏍᎪ ᎤᏁᎳᏅᎯ ᎤᏁᏨᎯ?\nᎪᎵᎬᏃ, ᎨᏍᏗ ᏳᎾᏓᏂᎸᏣ, ᎠᏎᏃ ᎨᏍᏗ ᏳᎾᏧᏔᏅ.\nᎠᎴ ᎠᏍᏓᏯ ᎤᏁᎷᏅᎩ ᎯᎠ ᏄᏂᏪᏒᎩ, ᎢᎳᎪ ᏅᏓᎪᎯᏥ ᏣᎬᏫᏳᎯ, ᏂᎯ ᏂᏍᎦᏅᎾ ᎠᎴ ᏚᏳᎪᏛ ᎢᎭᏛᏁᎯ, ᎩᎳ ᏙᏓᎩᏳᎪᏓᏁᎸ ᏓᎩᏍᏛᏗᏍᏔᏂ ᎠᎴ ᏓᎩᏯᏞᏤᎢ ᎣᎩᎩᎬ ᎤᏂᏨᏅ ᎾᏍᎩ Ꮎ ᎡᎶᎯ ᏣᏁᎭ.\nᏥᏌ ᎠᎦᏔᎯᏳ ᎨᏒᎩ ᎠᎦᏴᎵᎨᎢ ᏂᎦᎥ ᎪᎱᏍᏗ ᏕᎤᏲᎯᏎᎸᎢ; ᎠᎴ ᎤᏁᎳᏅᎯᏱ ᏅᏓᏳᏓᎴᏅᎯ ᎨᏒᎢ, ᎠᎴ ᎤᏁᎳᏅᎯᏱ ᏭᎶᎯᏍᏗ ᎨᏒᎢ,\nᏗᏃᏪᎵᏍᎩᏃ ᏥᎷᏏᎵᎻ ᏅᏓᏳᏂᎶᏒᎯ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᏇᎵᏥᏆ ᎤᏪᎭ, ᎠᎴ ᎤᎬᏫᏳᎯ ᎠᏂᏍᎩᎾ ᎤᎾᏤᎵᎦ ᎬᏗᎭ ᏕᎦᏄᎪᏫᏍᎦ ᎠᏂᏍᎩᎾ.\nᏣᏁᎳ ᏗᎦᏅᏍᎨᏂ ᏚᏣᏱᎵᎯᏍᏕ.\nᎾᏂᎥᏉᏰᏃ ᎩᎶ ᎠᎾᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᏚᏙᎥ ᎤᎬᏫᏳᎯ ᎠᏂᎡᎢᏍᏗᏍᎨᏍᏗ ᎨᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᎢᎦᏛᏉᏰᏃ ᎨᏒ ᎢᏗᎦᏔᎭ, ᎠᎴ ᎢᎦᏛᏉ ᎨᏒ ᎢᏓᏙᎴᎰᏍᎦ;\nᏄᏍᏛ ᎠᏓᏍᏕᏓᎵᏴᏍᎪ.\nᎠᏙᎯ ᎢᏣ ᏫᎶᎯ! \nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ, ᎤᎾᏁᎳᎩ, ᎾᏍᎩᏉ ᎢᎦᎢ ᎤᏒᏁᎴᏃ ᎦᎴᏂ ᎠᎴ ᎤᏅᏩᏁᎢ\nᎠᏎᏃ ᏄᏁᏤᎸᎾᏉ ᎥᎨᏒᎩ. ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᎷᏤᎸᎩ, ᎬᏩᏔᏲᏎᎸᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏫᎡᎾ, ᎢᎩᏍᎪᏂᎭᏰᏃ.\nᏚᏏᎳᏛ ᏰᎵ ᏫᎦᏓᎡᎢ ᎦᎨᏒ ᎠᏣᏗ.”\nᎨᏍᏗ ᎪᎰᏍᏗ ᎬᎪᏩᏛᏗ ᏱᎩ ᏍᎪᎯ ᎢᏯᎳᏏᏔᏅ ᎠᎫᏱᏣ, ᎩᎶ ᏧᏂᎭᎷᎪ ᎠᏁᎵᎠ ᏳᎾᏛᎦᎾ ᎤᏩᏂᎦᏢ ᏳᏬᎰᏌ ᎠᎴ ᏥᏍᏆ ᏱᏄᏪᏌ, ᎦᏥᏍᏛᏗᏍᏙᏗ ᎦᏥᏲᏎᎸ ᏎᏉ ᏱᏚᏂᏍᏔᏲᎳ.\nᎠᏴᏃ ᏗᎦᎵᏂᎩᏛ ᏥᎩ ᎤᏁᎳᎩ ᏱᏗᏕᎵᏎᎭ ᏓᏂᏩᎾᎦᎸ ᏗᏂᏩᎾᎦᎳᎢ, ᎠᎴ ᎥᏝ ᎢᎬᏒᏉ ᎣᏍᏛ ᎢᎩᏰᎸᏗ ᏱᏂᎨᏓᏛᏁᎵᏙᎭ.\nᏃᎴ ᏰᎵᏉ ᏄᏟᏂᎬᎨ ᏧᏚᏓᎸᏁᏗ ᎠᎬᏱᏣ ᎠᏂᎾᎷᏍᎩ ᏴᏫ, ᎧᏂᎩᏛ ᏱᎫᏩᎾᏓᏓᏍᎨᎢ ᎠᎪᎾ ᏧᏂᏲᏏᏍᎩ ᏃᎴ ᎤᎾᎵᏗᎩᏏᏗᏒ, ᏁᏂᏏ ᎠᏰᎸ ᎤᏂᎳᏗᏍᎬ ᎢᏳᏍᏗ.\nᏭᏯᏅᎮᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᏙ ᏗᎦᎵᏍᏙᏗᎭ ᏥᏄᏍᏗ ᏥᎬᏯᏛᎩᎭ? ᎬᏂᎨᏒ ᏅᎦ ᏄᏍᏛ ᏕᏣᎸᏫᏍᏓᏁᎸ ᏣᎦᏌᏯᏍᏗᏕᎩ ᎨᏒᎢ; ᎪᎯᏰᏃ ᎢᏳᏓᎴᏅᏛ ᎥᏝ ᎿᏉ ᏣᎦᏌᏯᏍᏗᏕᎩ ᏱᎨᏎᏍᏗ.\nᎾᏍᎩᏍᎩᏂ ᎯᎠ Ꮎ ᎨᎪᏪᎸ ᎯᎠ ᎠᏥᏃᎮᎸᏍᎬ ᏥᏂᎬᏅ; ᎬᏂᏳᏉ, ᏥᏅᎵ ᏥᏅᏏᏓᏍᏗ ᏣᎧᏛ ᎢᎬᏱᏗᏢ, ᎾᏍᎩ ᏓᏣᏛᏅᎢᏍᏓᏁᎵ ᏣᎶᎯᏍᏗᏱ ᎢᎬᏱᏗᏢ.\nᎥᎥ, ᎠᎴ ᎾᏍᏉ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂᎨᏴ ᎣᎦᏓᏡᎬ ᎠᏁᎳ ᎤᏍᏆᏂᎪᏗ ᎪᎦᏓᏅᏓᏗᏍᏔᏅᎩ, ᎾᏍᎩ ᎩᎳ ᏧᎩᏥᏍᎪ ᎠᏤᎵᏍᏛ ᏭᏁᏙᎸᎯ;\nᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ, ᎿᏉ ᎤᏟ ᎢᎪᎯᏛ ᎬᏆᏛᏂᏗᏍᏗ ᏂᎨᏒᎾ ᏄᎵᏍᏔᏅ, ᎠᏆᏓᏅᏒᎩ ᎠᏆᏙᎴᎰᎯᏍᏗᏱ ᏄᏍᏛ ᎢᏦᎯᏳᏒᎢ, ᎪᎱᏍᏗ ᏴᏗᎤᎵᏍᏙᏔᏅ ᎠᏓᎪᎵᏰᏍᎩ ᏳᏂᎪᎵᏰᎥ, ᏙᎩᎸᏫᏍᏓᏁᎸᏃ ᎠᏎᏉ ᏱᏄᎵᏍᏔᏂᏙᎸ, ᎠᏇᎵᏒᎩ.\nᎠᏂᏃᎮᏍᎬ ᎠᏍᎦᏯ, ᏰᎵᏉ ᎤᏥᏥᏙᏗ ᎾᏍᎩᏴ ᎤᏦᏩᏛ ᏳᏫᏓᎩᎳᎩ ᎠᏕᎳ ᎤᏍᏕᏓᎵᏴᏍᏙᏗ ᎫᎦ, ᎾᏍᎩᏯ ᏯᏍᎦᏅᎬᎾ ᎾᏛᏁᎲ.\nᎦᏄᎸ ᎤᎾᎴᏍᏗᏯᎥ ᏗᏩᏛᏗ ᎧᏁᏌᎢ ᏗᎦᎶᏔᏅ ᎠᏂᎳᏗᏍᎩ ᏚᏯ ᎪᏒᏅ ᏗᎨᎵᏍᎩ, ᏧᏪᏥ ᏗᎫᏅ, ᎦᏚ ᏧᏍᏓᎦᏴᎯᏓ ᏧᎵᎦᎸᏓ, ᎦᏚ ᏧᎦᎾᏍᏓ ᏗᏔᎸᎩᏓ ᏧᎵᎦᎸᏓ  ᏃᎴ ᎤᏅᏗ ᎤᏍᏔᏲᏒ ᏧᎵᎦᎸᏓ .\nᎩᎳᏉᏃ ᎢᏴᏛ ᎾᏍᎩ ᏫᏚᏯᏅᎮᎢ; ᎤᏅᏕᏨᏃ ᎤᏂᏙᏓ ᏤᏈᏗ ᎨᎦᎫᏴᎡᎯ ᏧᏂᏅᏏᏓᏍᏗ ᎢᏧᎳᎭ ᏥᏳᎯ ᎤᎾᏣᎥᎢ, ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᎠᏏᎳᏛᏗ!\n“ᏃᏗ ᎠᎾᏦᎥᏗ ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏏᏆ,” ᏧᏛᏁ ᏍᏓᏯ ᎦᏬᏂᏍᎩ.\nᎿᏉ ᎯᎠ ᏂᏚᏪᎭᎸ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎡᏉᎯᏳ ᏠᎨᏏ ᎤᎦᏛᎾᏨᎯ, ᎠᏎᏃ ᎠᏂᎦᏲᎵᏳ ᏧᏂᎸᏫᏍᏓᏁᎯ.\n“ᎭᏩ, ᏫᎵᎻ,” ᎤᏛᏁ ᏌᎳᏓ.\nᏔᎵᏁᏃ ᏚᏮᏕᏤ ᎠᎴ ᎤᏓᏅᏎᎢ, ᎠᎴ ᏦᎢᏁ ᏭᏓᏙᎵᏍᏔᏁᎢ, ᎾᏍᎩᏯ ᏫᏄᏪᏎᎢ.\nᎯᎠ ᏄᏂᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᎼᏏ ᎣᎪᏪᏁᎸ-Ꭹ ᎯᎠ ᏃᎩᏪᏎᎸᎩ, ᎩᎶ ᏗᎾᏓᏅᏟ ᎠᏲᎱᏍᎨᏍᏗ ᎤᏓᎵᎢ ᎤᏪᎧᎮᏍᏗ, ᎠᎴ ᏧᏪᏥ ᎾᏁ-ᎲᎾ ᎠᏲᎱᏍᎨᏍᏗ, ᎾᏍᎩ ᏗᎾᏓᏅᏟ ᎠᏓᏰᎨᏍᏗ ᎤᏓᏴᏛ, ᎠᎴ ᏓᏛᎯᏍᏓᏁᎮᏍᏗ ᏧᏪᏥᏗᎾᏓ-ᏅᏟ.\nᎢᏣᎵᏏᎾᎯᏍᏗ ᎨᏎᏍᏗ, ᎢᏥᏯᏫᏍᎨᏍᏗ, ᎢᏣᏡᏗᏍᎩᏰᏃ ᎠᏍᎩᎾ, ᏢᏓᏥ ᎤᏃᏕᎾ ᎤᏪᎷᎩ ᎾᏍᎩᏯ ᎡᏙᎭ ᏚᏲᎭ ᏧᏪᏰᏍᏗ.\nᏐᏉ ᎢᏳᏩᎧᏘ ᏧᎾᎩᎶᏍᏗ ᎤᏒᏱ Chapel Hill ᎨᏙᎲᎢ.\n“ᎲᎦᎢᏴ ᏓᏘᏏᎳᏛᏂ?” ᎤᏓᏛᏛᏁ ᏫᎵᎻ.\nᎤᎵᏍᏗᏳᏃ ᏭᏂᎷᏤᎢ, ᎠᎴ ᏚᏂᏩᏛᎮ ᎺᎵ ᎠᎴ ᏦᏩ, ᎠᎴ ᎠᏲᎵ ᏐᏈᎵ ᎤᎾᎵᏍᏓᏴᏗᏱ ᎦᏅᎨᎢ.\nᏂᎦᏓ ᎠᎪᏩᏛᏗ, ᏃᎴ ᎠᏛᎪᏗ ᏃᎴ ᎠᎵᏒᏍᏙᏗ ᏂᎯ ᏣᏤᎵ ᎨᏎᏍᏗ ᎣᏍᏓ ᏣᏰᎸᏗ, ᏫᎵᎻ-“ᎯᎠ ᎤᏬᏚ ᎡᎶᎯ, ᏗᎦᎸᏉᏗ ᎢᎦ...” \nᎠᎴ ᎠᏂᏍᎩᎾ ᎾᏍᏉ ᎬᏩᏂᏄᎪᎨ ᎤᏂᏣᏖᎢ, ᎠᏁᎷᎲᏍᎨ ᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᏂᎯ ᎦᎶᏁᏛ ᎤᏁᎳᏅᎯ ᎤᏪᏥ. ᏚᏍᎦᏤᏃ ᏚᏅᏍᏓᏕᎴ ᎤᏂᏁᎢᏍᏗᏱ; ᎠᏂᎦᏔᎮᏰᏃ ᎾᏍᎩ ᎦᎶᏁᏛ ᎨᏒᎢ.\nᎬᏂᏳᏉ ᏞᎩᏳ ᏓᏥᎷᏥ; ᎠᏍᏓᏱᏳ ᏕᏣᏂᏴᏎᏍᏗ ᎾᏍᎩ ᏣᎲᎢ, ᎾᏍᎩ ᎩᎶ ᎨᏣᎾᎡᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᎠᎵᏍᏚᎶ ᏣᏤᎵᎦ.\nᎠᎴ ᎿᏉ ᏭᏕᎵᎨ ᏅᏙ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᏧᏂᏢᎩ ᏧᏁᎯ ᏕᎬᏩᏘᏃᎮᎴᎢ, ᎠᎴ ᎠᏂᏏᏴᏫᎭ ᏚᏏᏔᏕ ᏚᏅᏩᏁᎢ\nᎠᎩᏰᏥᏍᏔᏅ ᏄᎬᏫᏳᏒ. ᎦᏰᎬᏍᏔ ᏱᏥᏏᎾᏒᎾ ᎨᏒ ᏗᏓᏁᏤᏘ.\n”Ꭳ, ᏂᎦᏓ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎠᏁᎯ.\nᎤᎾᎵ ᎤᏁᏝᏅ ᎤᏬᏒᏅ.\nᎤᎵᏏᎩ ᎠᎩᏰᏨ.\nᏥᎦᏔᎭ ᏄᏍᏛ ᏕᏣᎸᎾᏍᏓᏁᎲᎢ, ᎠᎴ ᎤᏕᏯᏙᏗ ᏂᏣᎵᏍᏓᏁᎲᎢ, ᎠᎴ ᎤᏲ ᏂᏣᏛᎿᏕᎬᎢ, - ᎠᏎᏃ ᏤᎿᎢᏳ. ᎠᎴ ᏥᎦᏔᎭ ᎾᏍᎩ ᎤᏂᏐᏢᎢᏍᏙᏗ ᎨᏒ ᎣᏥᏧᏏ ᎠᎾᏗᏍᎩ, ᎾᏍᎩᏃ ᏄᏍᏛᎾ ᏥᎩ, ᏎᏓᏂᏉᏍᎩᏂ ᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏁᎳ ᏥᎩ.\n“ᎦᏓᏍᏕᏓᎵᏴᏍᎩᏓ ᎤᏰᎸᏛᏃ, ᎩᎳᏈᏴ ᎠᏆᏍᏕᏓᎵᏴᏍᏗ ᏂᎦᏛᏁᎲ ᏯᎩᏄᎸᏅᎾ.\nᏰᎵ ᎪᎯᏛ ᏭᏭᏍᏓᏍᎪ ᎧᏴᏐᎵ ᏤᎩᏏᏂ ᎤᎦᏎᏂ, ᎨᏍᏗ ᎫᏩᏒᎢᏍᏗ ᏱᎩ ᎬᎾᎩᎳ, ᎠᏎ ᏗᎧᏃᎨ ᎦᎵ ᎤᏂᏥᎸᏅ ᏱᏗᎦᏅᏁᎳ.\nᏌᏌ ᏍᏉ ᎡᏝᏪᎯ ᎨᏎ.\nᎢᏳᏰᏃ ᎢᏤ ᏡᎬ ᎾᏍᎩ ᏱᏅᏛᏅᏁᎵ, ᎦᏙ ᎨᏎᏍᏗ ᎤᎧᏲᏛ ᏡᎬᎢ?\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏂᎯ ᏂᏥᎥ ᏙᏓᏦᏕᎵ ᎪᎯ ᏒᏃᏱ ᏥᎩ, ᎠᏴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ. ᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎪᏪᎳ, ᏓᏥᏴᏂᎵ ᎠᏫ-ᏗᎦᏘᏯ, ᎠᏫᏃ ᎤᎾᏓᏡᎬ ᏛᎾᏗᎦᎴᏲᏥ.\nᏗᎻᏟᏯ ᎾᏂᎥᏉ ᎣᏏᏳ ᎬᏩᏃᎮᎭ, ᎠᎴ ᎾᏍᏉ ᏚᏳᎪᏛ ᎨᏒ ᎣᏏᏳ ᎤᏃᎮᎭ, ᎠᎴ ᎾᏍᏉ ᎠᏴ ᎣᏥᏃᎮᎭ, ᎠᎴ ᎢᏥᎦᏔᎭ ᎣᏥᏃᎮᏍᎬ ᏚᏳᎪᏛ ᎨᏒᎢ.\nᎢᎾᎨᎢ ᎠᎴ ᎤᏁᏍᏓᎳᏛᎢ ᎥᏓᎵ ᎠᏰᎵ ᏚᏙᏢᏒᎢ\nᎢᏳᏃ ᏱᎩᎭ ᎠᎵᏍᏓᏴᏗ ᎠᎴ ᏗᎦᏄᏬ ᏱᏗᎩᎾᎠ, ᎾᏍᎩ ᏰᎵᏉ ᎢᎩᏰᎸᏎᏍᏗ.\nᎠᎴ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎿᏉ ᎤᏍᏆᏛ ᎠᏎᎸᎯ ᎨᏒ ᎢᎪᎯᏛ ᏧᎸᏫᏍᏓᏁᏗᏱ, ᎤᏪᏅᏎ ᏧᏪᏅᏒᎢ.\nᏧᎾᏛᏐᏅ, ᎠᏂᎨᏴ ᏃᎴ ᏗᏂᏲᏟ.\nᎯᏍᎩᏍᎪ ᎾᎥᏂᎨ.\nᏗᏣᎴᎲᎦ, ᎢᏕᎾ; ᎬᏂᏳᏉ ᎠᏆᏡᏗᏍᎩ ᎡᏍᎦᏂᏳ ᏓᏯᎢ.\nᎠᏎᏃ ᎤᎬᏫᏳᎯ ᎤᏣᏘ ᏥᏯᎵᎡᎵᏨᎩ, ᎾᏍᎩ ᎿᏉ ᎤᏬᎯᏨᎯ ᏍᎩᏯᏅᏛ ᏔᎵᏁ ᎠᏤᎯᏲᎩ, ᎾᏍᎩ ᎾᎿ ᎤᎬᏩᎵ ᎾᏍᏉ ᏍᎩᏯᏅᏛᎩ, ᎠᏎᏃ ᎥᏝ ᏱᏣᏜᏅᏓᏕᎮᎢ.\nᎢᏳᏃ ᏔᎵᏁ ᎠᏯᏫᏍᏗᏱ ᎨᏒ ᏳᎷᏨ, ᎠᎴ ᏦᎢᏁ ᎠᏯᏫᏍᏗᏱ ᎨᏒ ᏳᎷᏨ, ᎠᎴ ᏱᏚᏩᏛᎲ ᎾᏍᎩ ᎾᎾᏛᏁᎲᎢ, ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎾᏍᎩ ᎨᏥᏅᏏᏓᏍᏗ.\n”ᏂᎦᏓ ᎠᏆᏓᏅᏖᎸ ᎨᏒ ᎢᏯᏆᏛᏁᏗ, ᎠᏎᏃ ᏩᎦᎾ” ᎤᏛᏁ.\nᎠᏎᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎥᎥ, ᎤᏟᎯᏳᏍᎩᏂ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎠᎾᏛᎩᏍᎩ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦᎠᎴ ᎾᏍᎩ ᎠᏂᏍᏆᏂᎪᏗᏍᎩ.\n“ᏗᎨᏅᏒ ᏛᏕᏏ ᎯᎪ ᎢᎦ.\nᏗᎨᏫᏃ ᎤᏬᏯᏁᏒ, ᎦᏚᎲ ᎤᏄᎪᏫᏎᎢ; ᏗᎦᏙᎵᏃ ᏚᎵᏥᏍᏋ, ᎠᎴ ᏚᏏᏔᏛ, ᎪᎱᏍᏗᏍᎪ ᎯᎪᏩᏛᏗᎭ? ᎤᏬᏎᎴᎢ.\nᎬᏂᎨ ᎤᏍᎪᎸ ᎧᏅᏂᏍᎩᏉ.”\n“ᎨᏍᏗ ᏱᏥᎦᏔ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎾᎥᏃ ᎤᏂᎷᏤ ᎦᏚᎲ ᎾᎿ ᏩᏂᎦᏛᎢ; ᎤᏟᏃ ᎢᏴᏛ ᏥᏮᏗᎦᎶᏏᏐ ᎢᏳᏍᏗ ᏄᏛᏁᎴᎢ.\nᎠᎩᎷᏥᎸ ᎾᏍᎩ ᎢᏯᏋᏂᎢᏗᏱ ᎠᏥᎸ ᎦᏙᎯ ᎤᎷᎯᏍᏗᏱ; ᎠᎴ ᎦᏙ ᏯᏆᏚᎳ ᎢᏳᏃ ᎦᏳᎳ ᏳᏥᏍᏝ?\nᎯᎠ ᎾᏍᎩ ᏄᏍᏗᎦᏚ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ, ᎾᏍᎩ ᎩᎶ ᏳᎬ ᎥᏝ ᏴᎬᏲᎱᎯ.\nᎠᎴ ᏚᏁᏤᎴ ᎾᏍᎩ ᎪᎱᏍᏗ ᎤᏂᏴᏍᏗᏱ ᏂᎨᏒᎾ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎠᏁᏙᎲᎢ, ᎠᏙᎳᏅᏍᏗ ᎤᏩᏒ; ᎥᏝ ᏕᎦᎶᏗ, ᎠᎴ ᎦᏚ, ᎠᎴ ᎥᏣᏱ ᏚᎾᏓᏠᎲᎢ;\nᏂᎦᏓ ᎤᎾᏦᎣᏎᎢ.\nᎠᎴ ᎯᎠ ᎾᏍᎩ ᏂᏥᏪᎭ ᎢᏨᏒ ᎣᏍᏛ ᎢᏣᎵᏍᏓᏁᏗ ᎠᏆᏑᎵᏍᎬᎢ; ᎥᏝ ᎢᏨᏌᏛᎥᏍᎬᏉ ᏱᎩ, ᎣᏏᏳᏍᎩᏂ ᎠᏰᎸᏗ ᎨᏒ [ᎢᏣᏛᏁᏗᏱ, ] ᎠᎴ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏤᏥᎧᎿᏩᏗᏓᏍᏗᏱ ᎪᎱᏍᏗ ᏂᏥᏲᏍᏙᏓᏁᎲᎾ.\nᎠᏎ ᎦᏲᏟᏉ ᎨᏒ ᎢᏰᏆ ᎢᏳᎵᏍᏙᏗ ᏍᎪᎯ ᎾᏕᏘᏴᎲ, ᎠᏎᏃ ᏰᎵᏉ ᎤᏦᏍᏔᏅ ᎦᏚᎲ ᎢᏳᎵᏍᏙᏗ, ᏣᎳᎩᏱ ᎠᏰᎵ ᏙᏰ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏨᎨᏳᎢ ᎢᏓᎵᏅᏟ, ᎾᏂᎥ ᎣᏏᏄᎵᏳ ᎨᏎᏍᏗ Ꮎ ᎤᏛᎪᏗᏱ, ᎤᏍᎦᏃᎵᏳ ᎨᏎᏍᏗ ᎤᏂᏁᎢᏍᏗᏱ, ᎤᏍᎦᏃᎵᏳ ᎤᏂᏔᎳᏬᎯᏍᏗᏱ.\nᏴᏫᏃ ᎤᏁᎳᏁᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎦᎸᎳᏗ ᎡᎯ ᎧᏁᎦ, ᎥᏝᏃ ᏴᏫ.\nᎤᎾᎳᏅᎯᏃ ᎤᏩᏒ ᎾᏍᎩ ᎢᎩᏙᏓ, ᎠᎴ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎣᎦᏘᏅᏍᏗ ᎨᏎᏍᏗ ᏗᏤᎲᎢ.\nᏗᎪᏪᎵᏍᎩᏃ ᏚᏲᏍᏙᏓᏁᎸ ᏴᏫ, ᎯᎠ ᏄᏪᏒᎩ; ᎢᏥᏍᎦᏯ ᎡᏈᏌ ᎢᏤᎯ, ᎦᎪ ᎡᎭ ᎾᎦᏔᎲᎾ ᎦᏚᎲ ᎡᏈᏌ ᎾᏍᎩ ᎡᏓᏓᏙᎵᏍᏓᏁᎯ ᎨᏒ ᎦᎸᏉᏗᏳ ᎦᎸᎳᏗ ᎡᎯ ᏓᏰᏂ, ᎠᎴ ᏧᏉᏙ ᏅᏓᏳᎶᎣᏒᎯ ᏗᏟᎶᏍᏔᏅᎯ?\nᎾᏍᎩᏃ ᎾᏍᏉ ᎾᎯᏳᏉ ᎤᎷᏤ ᎤᎵᎮᎵᏤᎴ ᏱᎰᏩ, ᎾᏍᎩ ᏕᎧᏁᎢᏍᏓᏁᎮ ᎾᏂᎥᏉ ᏥᎷᏏᎵᎻ ᎠᏁᎯ ᎠᏂᎦᏖᏃᎯ ᎠᎫᏴᏙᏗ ᎨᏒ ᎤᎾᏄᎪᎢᏍᏗᏱ.\nᏄᏓᎴ ᏂᎦᏛᏁᎲ ᎠᎩᎸᏂᏗᏍᎩ ᎠᏁᎵᏍᎬ ᏴᏫ, ᎠᏙᏩᏗᏍᏗ ᏥᏁᎬ ᎠᏙᎯ ᎦᏓᏁ ᎢᎦ ᏱᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏳᏃ ᏣᏍᎦᎩ ᎠᎪᏄ ᎤᏲᏏᏍᎨᏍᏗ, ᎯᏰᎶᎮᏍᏗ; ᎢᏳᏃ ᎤᏔᏕᎩᏍᎨᏍᏗ, ᎯᎤᎥᏍᎨᏍᏗ; ᎾᏍᎩᏰᏃ ᎿᏛᏁᎲ ᏥᏃᏍᎦ ᏧᏥᏍᏟ ᏕᎯᏡᏍᎨᏍᏗ ᎠᏍᎪᎵ.\nᎯᎸᎢᏴ ᎤᏬᏒᏅ ᎢᎩᏁᎰ, ᏗᎦᏗᎩᏍᏗ ᎠᎴ ᏗᎩᎨᏬᏗ.\nᎠᎴ ᎾᎿ ᎥᏝ ᎪᎱᏍᏗ ᎤᏍᏆᏂᎪᏗ ᏗᎬᏩᎸᏫᏍᏓᏁᏗ ᏱᎨᏎᎢ, ᎤᏩᏒᏍᎩᏂᏃᏅ ᎢᎸᏍᎩ ᎢᏯᏂᏛ ᏧᏂᏢᎩ ᏚᏏᏔᏛ ᎠᎴ ᏚᏅᏩᏅᎢ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏓᎦᏓᎴᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎪᎯᏳᏗ ᏨᏗᏓᎴᎲᏍᎦ, ᎠᎴ ᎾᏍᎩ ᎾᏂᎥ ᎠᏃᎯᏳᎲᏍᎩ ᎤᏂᎷᏤᏗ ᎠᎴ ᎾᏍᎩ ᎾᏂᎥ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ ᏥᎩ; ᎥᏝᏰᏃ ᏧᎾᏓᎴᎿᎢ ᏱᎩ;\nᎣᎭᏁᎯ ᎦᏲᏟ ᎤᏆᏂᏲᎸ ᏥᏃᎯᏎᎲ ᎢᏴ ᏭᏍᏔᏅᏂ, ᎦᏚᎢᏣ ᎠᎦᏍᎦᏂ, ᎡᎳᏗᏣ ᎠᏰᎵ, ᎤᏕᎶᎰᏒ ᎢᏳᏍᏗ ᎦᏅᏗᏍᎬ Perry.\n~ᎠᎹ ᎣᏏᏳ; ᎢᏳᏍᎩᏂ ~ᎠᎹ ᏳᏥᏍᎪᎸ, ᎦᏙ ᏘᎦᎵᏍᏙᏓ ~ᎠᎹ ᏯᏙᏢᎾ.\nᎾᏍᎩ ᏥᏄᏍᏗ ᎢᏗᎪᏩᏘᎭ ᎾᏍᎩ ᎾᎬᏩᏂᎬᏍᏗ ᏂᎨᏒᎾ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏄᏃᎯᏅᎾ ᎨᏒᎢ.\n“ᏍᎩ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎡᎵᏍᏗᏉ ᎾᎴᎩᏉᏱᎩ ᏃᎴ ᏎᎷ ᎢᏣ ᏱᏥᏁᎸ.\nᎠᎴ ᎾᏍᎩ ᎠᎬᏗᏍᎬ ᎤᏩᏒ ᏙᎯᏱ ᎢᏳᏅᏁᏗᏱ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ, ᎤᎩᎬ ᏓᏓᎿᏩᏍᏛ ᎤᏨᏅᎯ ᎤᏬᎯᏳᏍᏔᏅ; ᎾᏍᎩ ᎠᎬᏗᏍᎬᎢ, ᎢᏳᏃ ᎡᎶᎯ ᎠᏁᎯ ᏱᎩ, ᎠᎴ ᎦᎸᎳᏗ ᎠᏁᎯ ᏱᎩ.\nᎢᏨᎨᏳᎢ, ᎢᏳᏃ ᏗᎩᎾᏫ ᏂᏗᎫᎰᏓᏁᎲᎾ ᏱᎩ, ᎤᎦᎵᏍᏗᏳ ᎢᎦᏓᏅᏔ ᎤᏁᎳᏅᎯ ᎡᏓᏓᏅᏖᏍᎬᎢ;\nᎢᏍᏔᏯᏊᏛ ᎤᏃᏴᏍᏕ ᎠᏒᏛᏗ.\n”ᎭᏂ ᎢᏴ ᎬᏯᏫᏒᎦ.\nᏥᏌᏃ ᎤᏬᎴ ᎠᏕᎸ-ᏗᏗᏱ ᏧᏳᎪᏗ, ᎠᎴ ᎤᎪᎮ ᎾᎾᏛᏁᎲ ᏴᏫ ᎠᏕᎸ ᏓᏂᎲᏍᎬ ᎠᏕᎸ-ᏗᏗᏱ; ᎤᏂᏣᏘᏃ ᏧᏁᎿᎢ ᎤᏣᏘ ᏓᏂᎲᏍᎨᎢ.\nᎿᏉᏃ ᏆᎴᏗ ᏔᎵᏁ ᏗᎫᎪᏗᏱ ᎤᏴᎸᎩ, ᎠᎴ ᏥᏌ ᏭᏯᏅᎲᎩ, ᎯᎠ ᏄᏪᏎᎸᎩ, ᏂᎯᏍᎪ ᏣᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ?\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏣᏕᏯᏔᏁᎭ? ᎠᎴ ᎦᏙᏃ ᏧᏢᏫᏛ ᏂᏣᎵᏍᏓᏁ ᏙᏗᏣᏓᏅᏛᎢ?\nᎤᏁᎳᏅᎯ ᎡᏗᎨᏳᎢ ᏥᎨᏐᎢ, ᎠᎴ ᏥᎩᏍᏆᏂᎪᏙ ᎤᏤᎵᎦ ᏗᎧᎿᏩᏛᏍᏗ, ᎾᏍᎩ ᎢᏓᏙᎴᎰᎯᏍᏗᏍᎪ ᎨᏗᎨᏳᎢᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᏧᏪᏥ.\nᎨᎦᎵᏱᎵᏕᏗᏰᏃ ᎪᎯ ᎢᎦ ᎤᏓᏑᏰᏛ ᏥᏓᎵᏖᎸᎲᎦ, ᎥᏝᏰᏃ ᎪᎱᏍᏗ ᏯᎭ ᎨᎩᏃᎮᏗ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎯᎠ ᎪᎯ ᏥᏓᏓᎶᏌ.\nᎤᎩᏨᏓ ᏭᎷᏣ ᎤᏂᎵᏦᏩᏛ ᏣᎵ, ᎨᏍᏗ ᏯᎵᏎᎭ ᎩᎦᎭ ᎤᏍᎪ ᎡᎳᏗᏣ ᏲᎾ ᎠᎴ ᎤᏍᏆᏂᎦᏔ ᎧᏃᎮᏗ.\nᎯᎠ ᏄᏍᏕᏍᏗ ᎢᎬᏱ ᎢᏣᏅᏖᏍᏗ, ᎾᏍᎩ ᎤᎵᏍᏆᏅᏗ ᎨᏎᏍᏗ ᎤᏂᎷᎯᏍᏗ ᎨᏒ ᎠᏂᏐᏢᎢᏍᏗᏍᎩ ᎤᏅᏒ ᎤᎾᏚᎸᏅᎥᏍᎬ ᎠᏂᏍᏓᏩᏕᎩ,\nᏝᏍᎪ ᎯᎠ ᎢᏤᏥᏪᏍᏗ ᏱᎩ; ᎠᏏ ᏅᎩ ᎢᏯᏅᏙ ᎩᎳ ᏛᎦᏛᎾᏥ? ᎬᏂᏳᏉ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏗᏥᎦᏙᎵ ᏗᏥᏌᎳᏛᎦ, ᎠᎴ ᏕᎦᎶᎨᏒ ᏗᏣᎧᏅᎦ, ᎿᏉᏰᏃ ᏧᏁᎩᏳ, ᎠᎴ ᎤᏍᏆᎸᎲ ᎠᏍᎫᏕᏍᏗᏱ.\nᎾᏍᎩᏃ ᎬᏬᎯᏳᏁᎢ; ᏫᏚᏂᏯᏅᎲᏃ ᎨᏥᏅᏏᏛ ᎠᎴ ᏚᏂᎵᎥᏂᎸ, ᏚᏂᏅᏍᏓᏕᎴ ᏥᏌ ᏚᏙᎥ ᎤᏂᏁᎢᏍᏙᏗᏱ, ᎠᎴ ᏚᏂᎧᏁᎢ.\nᎤᎾᎵᏍᏙᏗ, ᎦᏁᎦ ᎠᎧᎭᏲᏔᏅ ᎬᏔᏂᏓᏍᏗ, ᏗᎩᏣᏗ, ᏔᎷᎩᏍᎩ ᏗᏓᏍᏔᏴᏙᏗ ᏃᎴ ᏗᎦᏓᎭ ᏗᎭᎾᏬ.\nᎡᏙᏓ, ᎠᏆᏚᎵ ᎾᏍᏉ ᏗᏍᎩᎧᏁᎸᎯ ᎠᏴ ᎨᎥᎢ ᎾᏍᎩ ᎢᏧᎳᎭ ᎣᎦᏕᏗᏱ, -ᎾᏍᎩᏃ ᎤᏂᎪᏩᏛᏗᏱ ᎥᎩᎸᏉᏛᎢ, ᎾᏍᎩ ᏍᎩᏁᎸᎯ ᏥᎩ; ᏍᎩᎨᏳᎯᏳᏰᏃ ᎨᏒᎩ ᎠᏏ ᎡᎶᎯ ᎾᏓᎴᏂᏍᎬᎾ ᏥᎨᏒᎩ.\nᎠᏰᎵ ᎢᏴ ᏫᎦᎢᏒ ᏫᏥᎪᎥ ᎤᎵᏏᎩ ᏩᎢᏒ ᎠᏍᏆᏚᎸ.\n“ᏂᎦᎵᏍᏙᏗ ᎨᏍᏗ ᎯᎸᎯᏳ ᏫᏤᏙᎸᎯ ᏱᎩ,” ᎤᏛᏁ ᎠᎦᏴᎵ ᎤᏃᏕᎾ.\nᏦᎢᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏂᏍᏓᏩᏛᏒᎩ, ᎯᎠ ᏂᎦᏪᏍᎬᎩ ᎠᏍᏓᏯ ᎧᏁᎬᎩ, ᎢᏳᏃ ᎩᎶ ᎾᏍᎩ Ꮎ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎠᏓᏙᎵᏍᏓᏁᎮᏍᏗ, ᎠᎴ ᎾᏍᎩ ᏣᎦᏟᎶᏍᏔᏅᎯ, ᎠᎴ ᎠᎬᏓᎨᏂ ᎠᎴ ᎤᏬᏰᏂᏉ ᎠᎪᏪᎵᏍᎨᏍᏗ,\nᏣᏂ ᏓᏓᏬᏍᎨ ᎢᎾᎨᎢ, ᎠᎴ ᎠᎵᏥᏙᎲᏍᎨ ᎧᏃᎮᏍᎨ ᏗᏓᏪᏍᏗ ᎨᏒ ᎦᏁᏟᏴᏍᏗᏱ ᎣᏓᏅᏛ ᎤᎬᏩᎵ ᎾᏍᎩ ᎦᏴᏓᏘᏁᏗᏱ ᎠᏍᎦᏅᏨᎢ.\nᎢᏗᎦᏔᎭᏰᏃ ᎾᏍᎩ ᎾᏂᎥ ᎨᎦᏁᎳᏅᎯ ᎨᏒ ᎢᏧᎳᎭ ᎤᏂᎵᏰᏗᏍᎬ ᎠᎴ ᎠᏂᎩᎵᏲᎬ ᎪᎯ ᎢᏯᏍᏗ.\nᎩᎶ ᏣᏍᎦᏅᎪᎢ ᎠᎴ ᏂᏓᎧᎿᏩᏕᎬᎾ ᏥᎨᏐ ᎦᎶᏁᏛ ᏧᏕᏲᏅᎯ, ᎾᏍᎩ ᎥᏝ ᎤᏁᎳᏅᎢ ᏳᏪᎰᎢ. ᎾᏑᎵᎪᎬᎾᏍᎩᏂ Ꮎ ᏓᎧᎾᏩᏗᏒ ᏗᎧᎿᏩᏕᎩ ᎦᎶᏁᏛ ᏧᏕᏲᏅᎯ, ᎾᏍᎩ ᏚᏪᎭ ᎢᏧᎳ ᎠᎦᏴᎵᎨ ᎠᎴ ᎤᏪᏥ.\nᎥᏝ ᎠᎴ ᎯᎠ ᏱᏂᎬᏂᏪᏍᎨᏍᏗ, ᎬᏂᏳᏉ ᎠᏂ! ᎠᎴ, ᎬᏂᏳᏉ ᎾᎿᏂ! ᎬᏂᏳᏉᏰᏃ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎢᏤᎳᏗᏙᎭ.\nᎠᎴ ᎾᏍᎩ ᏥᏄᏍᏛ ᏥᏫᏨᏲᏪᎳᏁᎸᎩ, ᏞᏍᏗᏉ ᎾᎿ ᏫᏥᎷᏨᎭ, ᎤᏲ ᏱᎬᏆᏓᏅᏓᏗᏍᏔᏁᏍᏗ ᎾᏍᎦ Ꮎ ᎤᎵᎮᎵᏍᏗ ᎬᏆᏓᏅᏓᏗᏍᏙᏗ ᏥᎩ, ᎠᏇᎵᏒᎩ; ᏂᏥᎥᏉ ᎢᏨᏲᎢᏳᎭ ᎾᏍᎩ ᏄᏍᏛ ᎠᏆᎵᎮᎵᏍᏗᏍᎬ ᎾᏍᏉ ᎾᏍᎩ ᏂᎯ ᏂᏥᎥ ᎢᏣᎵᎮᎵᏍᏗᏍᎬᎢ.\nᎤᏗᎴᎩ ᏱᎩ ᎯᎠ ᏥᏄᏍᏗ, ᏧᏆᎶᎦ ᏃᎴ ᏗᏒᏆᎶᎩ ᎭᏫᏂᏣ ᏚᏲᎰ ᎤᎪᏏᏓ ᎢᏗᏅᏁ.\nᏉᎳᏃ ᏫᏚᏴᏎᏗᏱ ᏴᏫ ᎤᏓᏅᏖᎸ, ᎠᏃᎯᏳᎲᏍᎩ ᎬᏩᏅᏍᏓᏕᎸᎩ.\nᎧᎪ ᎤᏓᏅᏖᎸ?\nᏐᏉ ᎢᎦ ᎣᎭᏁ, ᏂᎦᏓ ᏓᏨᏅᎦᎸ ᏀᎾ ᎨᏒ.\nᏧᏆᎶᎬ ᎤᏩᏩᏙᎣᏒ ᎦᏁᎲ ᏚᎳᏍᎬ ᎾᎥᏂ, ᏚᏑᎬ ᎤᏗᏍᎦᏢ.\nᏣᎵ ᏭᏩᏅᏔᏛ ᎤᎵᏍᏆᏓ ᎤᎸ ᎤᎵᏦᎯᏓ ᎦᎳᎩᏅ.\nᏥᏌᏃ ᏚᏁᏤᎸ, ᎤᎴᏅᎮ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏤᏯᏔᎮᏍᏗ, ᏞᏍᏗ ᎩᎶ ᏥᏥᎶᏄᎮᎵ.\nᏭᏴᎴ ᏗᏯᎥ ᏫᎵᎻ ᏃᎴ ᎤᎴᏅᎮ ᏚᎷᏫᏍᏔᏁᎲ.\nᎢᏧᏓ-ᎴᏍᎨᏍᏗ ᎪᎯ ᎨᏒ ᎠᎵᏱᎵᏒᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎤᏲᎢᏳ ᎨᏒ ᎪᎯ ᎨᏒᎢ.\nᎠᎢᏒᏃ ᏕᎹᏍᎦ ᎾᎥ ᏭᎷᏤᎢ, ᎤᏰᎶᎢᏍᏔᏁᏃ ᎢᎦᎦᏘ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ ᏚᏚᏫᏍᏔᏁᎢ.\nᎨᏥᏒᏃᏁᎸ ᎦᏳᎳ ᎤᎾᏓᏟᏴᏍᏙᏗ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎤᎾᏙᏓᏆᏍᎬ ᎤᏙᏢᏁ ᏴᏫ ᎤᏗᎦᎵᏍᏙᏗᏍᎨᎢ; ᎥᏝᏃ ᎤᎾᏙᏓᏆᏍᎬ ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏴᏫ ᏱᎨᎪᏢᏁᎢ.\nᏙᏧᎾᏓᏅᏛᏃ ᎤᎾᏓᏅᏖᎴ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎢᏳᏃ ᎦᎸᎳᏗ, ᏲᎦᏛᏅ, ᎯᎠ ᏱᏃᎩᏪᏏ, ᎦᏙᏃ Ꮭ ᏱᎡᏦᎢᏳᏁᎢ?\nᎦᏓ ᎤᎮᎢ, ᎤᎾᏗᏅᏎᎢ, ᎠᎴ ᎠᏕᎸ ᏚᏲᎴᎢ, ᎠᎴ ᎾᏍᎩ ᏕᎤᏁ ᎨᏥᏅᏏᏛ ᏧᎾᎳᏏᏕᏄᎶᏗ.\n”ᎭᏩ,” ᎤᏛᏁ ᏣᏄᏏ.\nᎤᏂᏄᎪᏨᏃ ᏗᏓᏍᏚᏗᏱ ᎵᏗ ᎦᏁᎸ ᏭᏂᏴᎸᎩ; ᏚᏂᎪᎲᏃ ᎠᎾᏓᏅᏟ, ᏚᏂᎦᎵᏍᏓᏛᎩ, ᎠᎴ ᎤᎾᏂᎩᏒᎩ.\nᎠᎴ ᏅᏩᏙᎯᏍᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᎬᏫᏳᏌᏕᎨᏍᏗ ᏗᏥᎾᏫᏱ, ᎾᎿ ᎢᏗᏢ ᎾᏍᏉ ᎡᏥᏯᏅᏛ ᏥᎩ ᎾᏍᎩ ᏌᏉ ᎠᏰᎵ ᎢᏣᎵᏍᏙᏗᏱ; ᎠᎴ ᎤᎵᎮᎵᏍᏗᏳ ᎢᏣᏓᏅᏖᏍᏗ.\nᎠᎴ ᎠᏂᏯᏫᏍᎩ ᎿᏍᏉ ᎦᎬᏩᏐᏢᏕᎢ, ᎬᏩᎷᏤᎮ ᎠᎴ ᎬᏩᏁᏁᎮ ᏧᏂᏦᏯᏍᏗ,\nᎤᏔᎷᎩᏍᎨ ᏚᏏᎳᏛ, ᎤᏬᏚᏨ ᏃᎴ ᎠᏍᏆᏂᎪᎯᏍᏗ ᏄᏍᏕ, ᎾᎥᏂᎨ ᎤᏌᎨᎢ ᎠᏍᏚᎶᏙᏗ.\nᎦᏳᎸ ᎤᎨᏫᏒ ᎠᏍᎦᏍᏗ. ᎦᏳᎸ ᏚᏓᏂᎸᏨᎢ.\nᏥᏌᏃ ᎤᏛᏛᏁ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎦᏙ ᏕᏣᏙᎥ? ᎯᎠᏃ ᏅᏗᎤᏪᏎᎢ; ᏑᎾᏓᏡᎩ; ᎤᏂᏣᏖᏰᏃ ᎠᏂᏍᎩᎾ ᎬᏩᏴᎸᎯ ᎨᏎᎢ.\nᏥᎮᎾ ᏗᏤᏅᏒᎢ, ᎠᎴ ᎬᏂᎨᏒ ᏫᏅᎦ ᏂᎦᎥ ᎤᏍᏆᏂᎪᏗ ᏂᏣᏛᏁᎸ ᎤᏁᎳᏅᎯ. ᎤᏪᏅᎴᏃ, ᎠᎴ ᏭᏃᎮᎵᏙᎴ ᏂᎬᎢ ᎦᏚᎲ ᏂᎦᎥ ᎤᏍᏆᏂᎪᏗ ᏄᏛᏁᎸ ᏥᏌ.\n ᏃᏗ ᎠᎩᏩᏛᏗ ᎨᏎᏍᏗ ᎤᏓᏅᏗ ᏧᎬ ᏥᏯᎵᏍᎦᏍᏙᏗ.\nᏳᏃᏴᎬᎾ ᎨᏒ ᎨᏴ.\nᎿᏉᏃ ᏥᏳᎯ ᏕᎬᏩᏓᏂᎸᏨᎩ; ᎩᎳᏉᏃ ᎢᏴᏛ ᏥᏳ ᏭᏔᎳᏗᏨᎩ ᎾᎿ ᎤᎾᏅᏔᏩᏗᏒᎢ.\nᎨᏍᏗ ᏳᎾᏓᏅᏖᎳ ᏧᎾᏓᎯᏍᏗ.\nᏈᏗᏃ ᏭᏩᏂᎸ ᎠᏍᏚᎲ ᎦᎶᎯᏍᏗᏱ, ᎠᏛ ᎶᏗ ᏧᏙᎢᏛ ᏧᏛᏓᏍᏔᏅᏎᎢ;\nᏂᎦᏓ ᎠᏂᏴᏫᏯ ᎤᏁᏅᏍᏗ ᎤᏚᎵᏍᎨ, ᎨᏍᏗ ᎪᎰᏍᏗ ᏰᎵᏍᎨ ᎢᏳᏁᎾ ᎨᏒ ᎠᎴ ᎢᏳᏂᏁᎦ ᎨᏒ, ᎤᏬᏪᎳᎩᏎ ᏍᎩᎾᎾ ᎠᏓᏁᏢ .\nᎯᏣᏕᎶᎰᏍᎨᏍᏗ ᏄᏬᏍᎩᎸ ᏃᎴ ᏄᏁᎩᏴ ᎤᏁᎦᎸᎢ, ᎤᏩᏙᎯᏴᏓ ᎩᎦᎨ ᎤᏍᎪᎸ ᏚᏔᎷᎩ ᏗᎦᎴᏂ ᏃᎴ ᎧᏴᏐᎵ.”\nᎢᏕᏅ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏞᏍᏗ ᎡᏙᏓ ᎡᏆᎭᎻ, ᎢᏳᏍᎩᏂ ᎩᎶ ᎤᏲᎱᏒᎯ ᏱᏭᏂᎷᏤᎸ ᎠᏎ ᏱᏓᏂᏁᏟᏴᎾ ᏓᎾᏓᏅᏛᎢ.\nᎢᎬᏱᏱᏃ ᎢᎦ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒᎢ ᎦᏚ ᎠᎬᎭᎷᏯᏍᏗᏱ ᎤᎬᏩᎵ ᎠᏃᎯᏳᎲᏍᎩ ᎤᎾᏓᏟᏌᏅ, ᏉᎳ ᏚᎵᏥᏙᏁᎸᎩ, ᎤᎩᏨᏛᏉ ᎤᏪᏅᏍᏗ ᎨᏒᎢ; ᎠᎴ ᎡᏃᏱ ᎠᏰᎵ ᏫᎬᏩᏛᏅᎩ ᎦᏬᏂᏍᎬᎩ.\nᎤᏙᎯᏳᎮ ᏥᏂᎦᏪᏍᎬ ᎠᎦᏴᎵ ᎤᏃᏕᎾ, ᏦᏒᎢ ᎢᏳᏍᏗ ᎠᎾᏓᎪᎾᏗᏍᎬᎢ.\nᎠᎴ ᎬᏂᏳᏉ ᎠᏓᏰᏍᎩ ᎤᏢᎩ ᎤᎷᏤ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏣᎬᏫᏳᎯ, ᎢᏳᏃ ᏱᏣᏓᏅᏖᎸ ᏰᎵᏉ ᏱᏍᎩᏅᎦᎸ.\nᎠᏎᏃ ᏚᏳᎪᏛ ᏥᏁᎬ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎥᏝ ᏱᏍᎩᏲᎢᏳᎲᏍᎦ.\nᎠᏂᏲᏍᎩ ᎤᏣᏅᏗ ᎠᏂᏙᎾᎥ.\nᏢᏃ ᏔᎵ ᎢᏳᏟᎶᏓ ᎢᏳᏓᏅᎯᏓ ᎨᏒ ᏦᎨᏅᏒ ᏂᏛᎯᎩᏓ.\nᎠᏴᏃ ᏕᏣᏙᎥ ᎦᏥᎾᏄᎪᏫᏎᎸ, ᎠᎴ ᎠᏎ ᏓᎦᏥᎾᏄᎪᏫᏎᎵ, ᎤᏁᎳᏗᏍᏙᏗᏱ ᎠᏴ ᏍᎩᎨᏳᎯᏳ ᎨᏒᎢ, ᎠᎴ ᎠᏴ ᎾᏍᎩ ᎦᏥᏯᎢ ᎢᏳᎵᏍᏙᏗᏱ.\nᎥᏝᏃ ᏰᎵ ᏅᏓᎬᏪᏬᎯᎵᏴᏍᏓᏁᏗ ᏱᎨᏎ ᎾᏍᎩ ᎯᎠ.\nᏗᏓᏍᏚᏗᏱᏃ ᎠᎦᏘᏯ ᎾᏍᎩ ᏅᏧᏂᏪᏒ ᎤᏃᏁᎴ ᏉᎳ; ᏗᏄᎪᏗᏍᎩ ᏛᎾᏓᏅᎵ ᏗᏍᏛᏯᎪᏗᏱ; Ꭷ, ᏍᏗᏄᎪᎢ ᎠᎴ ᏅᏩᏙᎯᏩᏛ ᎢᏍᏕᎾ.\nᎠᏎᏃ ᏍᏏᏉᏯ, ᎠᎾᏗᏍᎪ, Ꮭ ᎠᏲᏩᏁᎦ ᎪᎵᎦ ᎠᎴ ᎠᎪᎵᏰᏍᎩ ᏱᎨᏎ ᏝᏍᏊ ᎠᎴ ᎠᏓᎴᏂᏍᎬ ᎠᏲᏩᏁᎦ ᎤᎪᎵᏰᏗ.\nᎩᎦ ᎤᏓᏅᏅ ᎠᏆᎧᏛ.\nᎯᏍᎩᏰᏃ ᎢᏯᎦᏴᎵ ᎢᏴᏛ ᎾᏂᎡ ᎠᏂᏍᎦᏯ. ᎯᎠᏃ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᏩᎾᏅᎥᎦ ᎯᏍᎦᏍᎪᎯ ᎢᎫᏂᏨᏛ ᎨᏎᏍᏗ.\nᎾᏍᎩ ᏚᏪᏟᏌᏅ ᎠᎴ ᏅᏩᎾᏓᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏚᏪᏟᏌᏅ ᎯᎠ ᏄᏪᏒᎩ; ᎢᏥᏍᎦᏯ, ᎢᏥᎦᏔᎭ ᎯᎠ ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏧᎬᏩᎶᏗ ᎢᏗᏩᏛᏗᏍᎬᎢ.\n“ᎤᏟᏂᎩᏓ ᎠᏓᏯ ᏧᎬ ᏓᏥᏯᏛᏛᏂ ᎨᎵᎠ ᏳᏣᏅᏓ,” ᎤᏛᏁ\n“ᎠᏯ ᏏᏆ! \nᏘᏰᎵᎯᏍᏓ, ᎾᏍᎩ ᏓᏓᏁᎳᏗᏒ ᎬᏩᏚᏫᏛ ᏩᏂᎶᎯ, ᎠᎴ ᏕᎦᏚᏩᏗᏒᎢ, ᎠᎴ ᏭᏂᏩᎯ ᎦᏚ, ᎥᏞᏰᏃ ᎪᎱᏍᏗ ᏯᏂᏰ ᎤᎾᎵᏍᏓᏴᏗ.\nᎠᏎᏃ ᎢᏅᎯᏳ ᏭᎪᎲ ᏥᏌ, ᏚᏍᏆᎸᏔᏁ ᎠᎴ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ,\nᎩᎶᏰᏃ ᎢᏥᎷᏤᎯ ᏅᏩᏓᎴ ᏥᏌ ᎠᎵᏥᏙᎲᏍᎨᏍᏗ, ᎾᏍᎩ Ꮎ ᎠᏴ ᎣᏣᎵᏥᏙᏅᎯ ᏂᎨᏒᎾ, ᎢᏳ ᎠᎴ ᏅᏩᏓᎴ ᎠᏓᏅᏙ ᏙᏣᏓᏂᎸᏨᎭ, ᎾᏍᎩ Ꮎ ᏗᏣᏓᏂᎸᏨᎯ ᏂᎨᏒᎾ, ᎠᎴ ᏅᏩᏓᎴ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎾᏍᎩ Ꮎ ᏗᏣᏓᏂᎸᏨᎯ ᏂᎨᏒᎾ, ᎣᏏᏳᏉ ᎤᏁᎳᎩ ᏱᏤᎵᏒ.\nᎤᏦᏍᏓᏁᎯ ᎢᏳᏍᏗ ᏄᎵᏍᏔᏁᎢ ᎤᎧᏛ ᎠᎳᏂ.\nᏐᎳᏃ ᏕᎤᎴᏅ ᎡᎳᏗ ᎦᏅᎢ, ᎠᎴ ᏗᎦᏙᎵ ᏚᎵᏍᏚᎢᏒ ᎥᏝ ᎩᎶ ᏳᎪᎮᎢ, ᎬᏬᏱᏅᏎᏃ ᏕᎹᏍᎦ ᏫᎬᏩᏴᏔᏁᎢ.\nᏗᏂᎦᏙᎵᏃ ᏚᎵᏍᏚᎩᏒᎩ. ᏥᏌᏃ ᏚᏅᏍᏓᏕᎸᎩ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏞᏍᏗ ᎩᎶ ᎤᏙᎴᎰᏒᎩ.\n“ᎠᏯ ᏥᎦᏔ ᏰᎵᏉ ᏱᎪᎯᏳᎲᎦ,” ᎤᏛᏁ ᎤᏔᎾᏯ ᎤᏃᏕᎾ.\nᏝᏍᎪ ᎠᏂᏔᎵ ᏥᏍᏆᏯ ᏌᏉ ᎢᏯᏓᏅᏖᏗ ᏧᎾᎬᏩᎶᏗ ᏱᎩ, ᎠᏎᏃ ᎥᏝᏌᏉ ᎡᎳᏗ ᎤᏅᎢᏍᏗ ᏱᎩ ᎢᏥᏙᏓ ᎤᏓᏅᏖᎸᎯ ᏂᎨᏒᎾ.\nᎠᏎᏃ ᏈᏓ ᏕᎤᎴᏔᏁ ᎯᎠ ᏄᏪᏎᎢ; ᏔᎴᎲᎦ, ᎠᏴ ᎾᏍᏉ ᏴᏫᏉ.\nᎠᎴ ᏌᎺᎵᏱ ᎠᏎ ᎤᎶᎯᏍᏗ ᎨᏒᎩ.\nᎤᏏᏩ ᎨᏎ ᏫᎵᎻ ᎤᏍᏉᏟ ᏃᎴ ᎧᎵ ᎨᏎ ᎤᏓᏅᏖᏗ.\n“ᎦᏨ ᏛᏰᏏ ᎦᎷᏯᏍᏗ?” ᎤᏛᏛᏁ ᎤᏥ ᏲᎾ ᎤᏤᏍᏙ, ᏧᏃᏩ ᏓᏂᏌᎲᏍᎨ ᎦᏍᎩᎸ ᏑᎾᎴ ᎤᎾᎵᏍᏓᏴᏗ.\nᏔᎳᎪᏰᏃ ᎢᎦᎢ ᎠᎵᎮᎵᏍᏗ ᏲᏣᎫᏴᏓᏏ ᎤᏁᎳᏅᎯ ᏂᎯ ᎨᏒ ᎢᏳᏍᏗ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏂᎦᎥ ᎣᏍᏛ ᎠᏓᏅᏓᏗᏍᏗ ᎬᏒ ᎾᏍᎩ ᎣᏣᏓᏅᏓᏗᏍᎬ ᏂᎯ ᎨᏒ ᎤᎬᏩᎵ ᎣᎦᏤᎵ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ;\nᎤᏓᏁᏙᏔᏁ ᎤᏃᎴ.\nᎤᎴᏅᎮ ᏓᎧᏌᏬᎢᎲ.\nᎠᎴ Ꮼ ᎤᏓᏙᎵᏍᏔᏅᎩ, ᎦᎸᎶᎢᏃ ᎤᎦᏃᏓᏁᎸᎩ, ᎪᏙᎯᏃ ᎤᎾᏄᎪᏫᏒᎩ ᎤᎾᏄᎪᏫᏍᏗ ᎨᏒᎢ.\nᎢᏳ ᎠᎴ ᎦᎶᏁᏛ ᏧᎴᎯᏌᏅᎯ ᏂᎨᏒᎾ ᏱᎩ, ᎿᏉ ᎣᏣᎵᏥᏙᎲᏍᎬ ᎠᏎᏉᏉ ᏂᎦᎵᏍᏗᎭ, ᎠᎴ ᎢᏦᎯᏳᏒ ᎾᏍᏉ ᎠᏎᏉᏉ ᏂᎦᎵᏍᏗᎭ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᎿᏉ ᏗᏥᏢ ᎠᎴ ᎠᎾᎵᏍᏓᏴᎲᏍᎬ ᎤᎬᏫᏳᏌᏕᎩ ᏪᏥᏁᎥᏏ. ᏭᏂᏁᎸᎩᏃ.\nᎠᎼ ᎡᎳᏗ ᎦᎵᏍᏓᏯᎲᏍᎩ ᏃᎴ ᏧᎾᏓᎴᏅᏓ ᎠᏣᏗ ᏗᏥᎪᎥ.\nᎿᏉᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎤᏂᏣᏘ ᎾᏍᎩ ᏗᎨᎦᏪᏍᏗᏱ ᎤᏂᎸᏐᎸᎯ; Ᏺ ᎢᎾᏛ ᏧᏁᏥ ᏂᎯ! ᎦᎪ ᎢᏤᏯᏔᏅ ᎡᏣᎵᎡᏗᏱ ᎤᏔᎳᏬᎯᏍᏗ ᎤᎷᎯᏍᏗ ᎨᏒᎢ?\nᏅᎩ ᎢᏴ ᏧᏥᏍᏔᏅ, ᎤᏃᎮᎸ ᏧᏙᏓᏋᏓ ᎡᏙᎲ ᏌᎷᏱ ᏃᎴ ᏚᏅᏓᏒ ᎤᏍᎦᎣᏅ ᎨᏐ.\n“Ꮟ ᎠᏍᎪᎵ ᏫᎯᏳᏓᎸᎥᎦ,” ᎤᏛᏁ ᏣᎵ.\nᎾᏍᎩᏃ ᎦᏓᏅᏖᏍᎬ ᎤᏟ ᎣᏏᏳ ᎾᏍᎩ ᎯᎠ ᎪᎯ ᎨᏒ ᎠᎩᎵᏯ ᏤᎭ; ᎾᏍᎩ ᎤᏟ ᎣᏏᏳ ᎯᎠ ᎾᏍᎩ ᏱᏄᏍᏗ ᏴᏫ ᎡᎲᎢ.\nᎠᏂᎷᎩ ᏌᏌ ᎠᏂᏓ.\n“ᎯᎠᏃ ᎤᏍᏆᏂᎩᏗ ᏅᎩ ᏗᎦᏅᏌᏗ,” ᎤᏛᏁ ᏍᏓᏯ ᎢᎬᏁ ᎦᏬᏂᏍᎩ, “ᎤᏙᎯᏳ ᎣᏍᏓ.” \nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᎬᏂᏳᏉ, ᎠᏂ ᏔᎵ ᎠᏰᎳᏍᏗ-ᏗᎦᏅᎯᏛ; ᎯᎠᏃ ᏂᏑᏪᏎᎴᎢ, ᏰᎵᏉ ᎾᏍᎩ.\nᎦᏚᏏ ᎤᏓᏩᎫᎾᏔ ᎦᏄᎸᎯ ᎤᏂᎦᏘᏕᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏥᏌ ᏚᏅᏫᏍᏔᏅᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏥᏳᎯ ᎤᎾᏦᏗᏱ, ᎠᎴ ᎢᎬᏱ ᏂᏚᏂᏐᎯᏍᏗᏱ ᎠᏏ ᏓᏰᎵᎯᏍᏗᏍᎬ ᎤᏂᏣᏘ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᎬᏪᏎᎭ, ᎾᏍᎩ ᎪᎯ ᎢᎦ, ᎠᎴ ᎪᎯᏉ ᏒᏃᏱ, ᎠᏏ ᏔᎵᏁ ᎾᏂᏴᎬᎾ ᏣᏔᎦ, ᏦᎢ ᏅᏓᏍᏆᏓᏱᎵ.\nᎤᏄᎪᏨᏃ ᎯᎠ ᏫᏄᏪᏎᎴ ᎤᏥ, ᎦᏙ ᏓᏥᏔᏲᎵ? ᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᏣᏂ ᏗᏓᏬᏍᎩ ᎠᏍᎪᎵ.\nᎾᏍᎩᏃ ᎢᎾᎨᎢ ᎤᏬᏚᎯ, ᎤᎵᎢᎩ, ᎠᎴ ᎭᏫᏂᏨ,\n”ᎭᎾᏗ ᏣᎵᏓᏍᏗᎭ ᎩᎾᎵ, ᎩᎾᎵ,” ᎤᏛᏁ ᎩᎶ.\nᏥᏌ ᎯᎠ ᏄᏪᏒᎩ; ᎠᎩᎬᏫᏳᎯ ᎨᏒ ᎥᏝ ᎠᏂ ᎡᎶᎯ ᎡᎯᏱᎩ. ᎢᏳᏃ ᎠᎩᎬᏫᏳᎯ ᎨᏒ ᎠᏂ ᎡᎶᎯ ᎡᎯ ᏱᎨᏎᎢ, ᏗᏆᏤᎵᎦ ᏱᏚᎾᏟᏴᎨᎢ, ᏞᏍᏗ ᎠᏂᏧᏏ ᏗᎨᏥᏲᎯᏎᎸᎩ, ᏳᏁᎵᏎᎢ. ᎠᏎᏃ ᎥᏝ ᎠᏂ ᎤᏓᎴᏅᎯ ᏱᎩ ᎠᎩᎬᏫᏳᎯ ᎨᏒᎢ.\nᎤᎾᏓᏤᎵᏛᏃ ᏴᏫ ᏓᎾᏩᏗᏒ ᎤᏂᎿᎸᏨᎩ, ᎠᎴ ᏂᎯ ᎾᎯᏳ ᏣᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏍᏆᎸᎲ, ᎠᎴ ᎾᎯᏳ ᏧᏂᏲᎱᏒᎯ ᏗᎨᎫᎪᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏔᎫᏴᎡᏗ ᎨᏒ ᏘᏅᏏᏓᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ, ᎠᎴ ᎤᎾᏓᏅᏘ, ᎠᎴ ᎾᏍᎩ Ꮎ ᏕᏣᏙᎥ ᎠᏂᎾᏰᏍᎩ, ᏧᎾᏍᏗ ᎠᎴ ᎾᏍᏉ ᏧᎾᏛᎾ; ᎠᎴ ᏗᏛᏙᏗᏱ ᎾᏍᎩ Ꮎ ᎡᎶᎯ ᎠᏂᏛ ᏗᏍᎩ ᎨᏒᎢ.\nᏈᎵᏃ ᎤᏩᏛᎲᎩ ᏁᏓᏂᎵ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎤᏥᏩᏛᎲ ᎾᏍᎩ ᎼᏏ ᎫᏬᏪᎳ ᏥᎧᏃᎮᎭ ᏗᎧᎿᏩᏛᏍᏗ ᎪᏪᎵᎯ, ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᏣᏂᏃᎮᎭ, ᎾᏍᎩ ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ ᏦᏩ ᎤᏪᏥ.\nᎦᎶᎯᏍᏘᏳᎸ ᎤᏨᏏᏰᏍᎬ, ᏎᎷ ᎦᏚ ᎤᏑᎸᏓ ᎤᏩᏓᏫᏔᏅ ᎤᎳᎨᏯᏛᏅ ᎾᏍᎩᏴ ᏧᏅᏏᏯ ᎠᏆᏂᏲᏍᏗ ᏱᏓᏗᏅ.\n“ᏙᎢᏳᏍᏗ ᏣᎶᏗ ᎭᏫᏂ?” ᎤᏛᏛᏁ ᏫᎵᎻ, \nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎥᏝ ᎾᏍᎩ ᎠᏴ ᏴᎨᏨᏃᎲᏏ ᎢᏳᏍᏗ ᎨᏒ ᎠᏆᎵᏍᎦᏍᏙᏛ ᎯᎠ ᎾᏍᎩ ᏥᏓᎩᎸᏫᏍᏓᏁᎭ.\nᎩᎶᏍᎩᏂ ᎡᎶᎯ ᎡᎯ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᏧᏪᎰᎢ, ᎠᎴ ᏣᎪᏩᏘᏍᎪ ᏗᎾᏓᏅᏟ ᎤᏂᎬᎬᎢ, ᎠᏎᏃ ᎾᏍᎩ ᏣᏍᏚᏁᎰᏉ ᎤᎾᏫ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏳᏪᎭ ᎤᏁᎳᏅᎯ ᎠᎨᏳᏗ ᎨᏒᎢ?\nᎯᎦᏔᎭ ᎨᏍᏗ ᎠᏂᏬᏂᏍᎩ ᏱᎩ ᏗᎦᎾᏌᎢ.\n“ᎣᏍᏓᏗ ᎯᏃᎦ ᎨᎵᎠ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᎴ ᎾᏍᎩ ᎤᎧᎵᏨᎯ ᎨᏒ ᏂᏗᎥ ᎡᎩᏁᎸᎯ, ᎬᏩᎦᏘᏯᏰᏃ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎶᏏᎶᏛ ᎡᎩᏁᎸ.\nᏂᎦᏛᏃ ᎤᏂᏣᏘ ᎨᏒ ᎤᏃᎯᏳᏅᎯ ᏌᏉᏉ ᏄᏅᏁ ᏧᏂᎾᏫ ᎠᎴ ᏧᎾᏓᏅᏙ; ᎥᏝ ᎠᎴ ᎩᎶ ᎠᏋᏒ ᎠᏆᏤᎵ ᏯᏗᏍᎨ ᎪᎱᏍᏗ ᎤᎲᎢ, ᎠᏰᎵᏉᏰᏃ ᏄᏅᏁᎢ ᏂᎦᎥ ᎪᎱᏍᏗ.\nᎯᎠᏰᏃ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎧᏃᎮᏛ ᏙᏓᎦᏥᏯᏠᎢᏍᏓᏁᎵ ᎢᏏᎵ ᏏᏓᏁᎸᎯ ᎨᏒ ᎾᎯᏳ ᎦᎶᏐᏅᎭ ᎠᏗᎭ ᎤᎬᏫᏳᎯ; ᏚᎾᏓᏅᏛ ᏓᏓᏥᎳᏂ ᏗᏆᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ, ᎠᎴ ᏧᏂᎾᏫᏱ ᏙᏓᎪᏪᎳᏂ; ᎠᎴ ᎠᏴ ᎦᏥᏯᏁᎳᏅᎯ ᎨᏎᏍᏗ, ᎤᏅᏒᏃ ᏗᏆᏤᎵ ᏴᏫ ᎨᏎᏍᏗ;\nᏃᎴ ᏔᎵᏁᎢ ᎤᏐᏱ ᏄᏛᏁᎴ.\nᎭᏂ ᎦᏲᏟ ᎤᎪᏏᏓ ᎢᏯᏅᏁ.\nᎤᎧᎭᏗ ᏱᎩ ᏑᎾᎴᎢ, ᏧᏬᏚᏨ ᎨᏐ ᏚᏏᎳᏛ ᏌᎳᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏴᏫ ᎤᏪᏥ ᎡᏥᏌᎳᏓᏅᎭ, ᎿᏉ ᏓᏣᏙᎴᎰᏏ ᎠᏴ ᎾᏍᎩ ᎨᏒᎢ, ᎠᎴ ᎠᏋᏒᏉ ᎠᏆᏓᏅᏖᏛ ᎪᎱᏍᏗ ᏂᏓᎩᎸᏫᏍᏓᏁᎲᎾ ᎨᏒᎢ, ᎡᏙᏓᏉᏍᎩᏂ ᎠᏇᏲᏅ ᎾᏍᎩ ᏥᏃᎮᏍᎬᎢ.\nᎠᏎᎩ ᎠᏆᎧᏛ ᎡᎶ ᏓᏥᎶᏍᏔᏅ ᎤᏍᎪᎸᏦᏅ ᎢᏳᏍᏗ ᏄᏍᏕ.\nᎠᏏ ᏭᏓᎪᎾᏛ ᎯᎠ ᎾᏍᎩ ᏄᎥᏁᎴᎢ, ᏣᏂ ᏗᏓᏍᏚᏗᏱ ᎤᏍᏚᏁᎢ.\nᎠᏎᏃ ᎦᏓᏅᏖᎭ.”\nᎭᎾ ᎨᏙᎲ, ᎦᎶᎯᏍᏗ ᎤᏅᏏᏴ ᏗᎧᎧᎾᎦ!\nᎭᏫᏯ ᎨᏒ ᎠᏫ ᎭᏫᏯ ᎠᎧᎭᏲᏔᏅ ᏭᏘᏴ ᎤᏩᏌ ᎤᏂᎲ, ᏎᎷ ᎢᏣ ᎤᎦᎹ ᎠᏑᏴᏗ ᎤᏩᏌ.\nᎤᏙᎯᏳ ᎠᎫᏯᎶᏘᏍᏙᏗ! \nᏆᏗᏱ ᎢᎦᎯ ᎠᎴ ᎻᏗᏱ ᎢᏕᎯ ᎠᎴ ᎢᎳᎻᏱ ᎢᏕᎯ ᎠᎴ ᎺᏌᏆᏕᎻ ᎢᏕᎯ, ᏧᏗᏱ ᎠᎴ ᎨᏆᏙᏏ ᎢᏕᎯ, ᏋᏗᏱᏃ ᎠᎴ ᎡᏏᏱ ᎢᏕᎯ,\nᎠᏎᏃ ᏂᏚᎿᏍᏕᏢᎾᏉ ᎨᏐᎢ, ᎠᎴ ᏞᎦᏉ ᏥᏓᎧᎿᏩᏕᎪᎢ; ᎠᎩᎵᏴᏰᏃ ᎦᎾᏄᎪᎢ ᎠᎴ ᎧᏃᎮᏛ ᏛᎵᏰᎢᎸᏍᏓ ᎠᎦᏕᏯᏙᏓ, ᎩᎳᏉ ᎢᏴᏛ ᏚᏬᏕᎯᎰᎢ.\nᎠᎴ ᏦᎢᏁ ᎠᏍᏚᎲ ᎤᏍᏚᎢᏒ, ᎠᏆᏛᎦᏅᎩ ᏦᎢᏁ ᎾᏍᎩ Ꮎ ᎬᏃᏛ ᎯᎠ ᏄᏪᏒᎩ, ᎡᎭᎦᏔᏄᎦ. ᎠᎴ ᏓᏆᎧᎾᏅᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎬᎿᎨ ᏐᏈᎵ; ᎠᎴ ᎾᎿ ᎤᎩᎵ ᏗᎦᏛᏗ ᏕᎦᏁᎲᎩ.\n“ᎭᏩ, ᏩᎭᏯ!” ᎤᏛᏁ ᏥᏍᏚ. \nᎯᎠ ᎾᏍᎩ Ꮎ ᎠᏂᎨᏴ ᎦᏓᎭ ᎢᎬᏩᏅᏁᎸᎯ ᏂᎨᏒᎾ; ᎤᎾᏓᏅᎦᎸᏛᏰᏃ ᎨᏒᎩ ᎾᏍᎩ. ᎯᎠ ᎾᏍᎩ Ꮎ ᎤᏃᏕᎾ ᎠᎩᎾ ᏥᎬᏩᏍᏓᏩᏗᏙᎭ ᏂᎦᎥ ᎡᏙᎲᎢ. ᎯᎠ ᎾᏍᎩ ᏴᏫ ᎠᏁᎲ ᎨᎪᏣᎴᏛ ᎨᎦᎫᏴᏛ, ᎢᎬᏱ ᎬᏩᎾᏓᏓᏁᎸᎯ ᎢᏳᎾᎵᏍᏔᏅᎯ ᏥᎩ ᎤᏁᎳᏅᎯ ᎠᎴ ᎤᏃᏕᎾ ᎠᎩᎾ.\n“ᎢᎾᎵᏍᏓᏴᎯ.”\nᏕᏣᎵᏃᎮᏍᎨᏍᏗ ᏕᏨᏗᏍᎨᏍᏗ ᎤᏁᎳᏅᎯ ᏗᎧᏃᎩᏍᏙᏗ, ᎠᎴ ᎦᎸᏉᏙᏗ ᏗᎧᏃᎩᏍᏗ, ᎠᎴ ᎠᏓᏅᏙ ᎤᎬᏩᎵ ᏗᎧᏃᎩᏍᏗ, ᏕᏥᏃᎩᏍᎨᏍᏗ ᏙᏗᏣᏓᏅᏛ ᏗᏓᎴᎲᏍᎨᏍᏗ ᎤᎬᏫᏳᎯ ᏕᏥᏃᎩᏍᏗᏍᎨᏍᏗ.\nᏂᏥᎥ ᎶᎻ, ᎤᏁᎳᏅᎯ ᎢᏥᎨᏳᎯ, ᎡᏥᏯᏅᏛ ᎢᏣᏓᏅᏘ; ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏍᏛ ᎨᏤᎳᏗᏙᎮᏍᏗ, ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᎢᏳᏃ ᎤᏣᏘᏂ ᏂᏣᏛᏁᎴᏍᏗ, ᎠᎴ ᎯᏚᎨᏍᏕ, ᎠᏴᏉ ᎠᏆᎫᏴᏗ ᏅᏁᎸᎭ;\nᎠᏎᏃ ᎥᏝ ᏯᎩᏲᎭ ᎠᏋᏒ ᎥᎩᎸᏉᏗᏱ; ᎡᎭ ᎤᏲᎯ ᎠᎴ ᏗᎫᎪᏗᏍᎩ.\nᎢᏨᎨᏳᎢ, ᎿᏉ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᎠᏴ, ᎠᏎᏃ ᎥᏝ ᎠᏏ ᎬᏂᎨᏒ ᏱᏂᎦᎵᏍᏗᎭ ᎢᎦᎵᏍᏙᏗ ᎨᏒᎢ; ᎠᏎᏃ ᎢᏗᎦᏔᎭ ᎾᎯᏳ ᎦᎾᏄᎪᏨᎭ ᎾᏍᎩᏯ ᏄᏍᏛ ᏂᎦᏍᏕᏍᏗ, ᎾᏍᎩᏰᏃ ᏄᏍᏛ ᎾᏍᎩ ᏓᏰᏗᎪᎢ.\nᎦᏲᏟ ᎤᏓᏅᏓ ᎤᏃᎴ ᎨᏴ ᏓᏳᏓᎴᏅ, ᎠᎭᏰᎲ ᎠᏒᎬ ᎾᏍᎩᏯ ᎩᏟ ᎦᏓᏁᎯ ᎤᎵᏏᎩ ᏧᏓᏴᎳᏛ ᎢᏣ ᎤᏪᏅᏒ ᏣᎵ.\nᏧᏂᏍᏗ ᎤᏂᏃᏕᎾ ᏧᏂᏥ ᎤᎾᏙᎴᏇᎴ.\nᏍᎩᎾ ᎤᏐᏯᏊ ᏗᎧᎾᏗ ᏥᎨᏎ ᏂᎦᏓ ᎠᏃᎳᎩ ᎭᎾ.\nᎠᎴ ᎾᏍᏉ ᏱᏨᏯᏛᏛᏅ ᎥᏝ ᏴᎨᏍᎩᏁᏥ, ᎠᎴ ᎥᏝ ᏱᏙᎨᏍᎩᏲᎯ.\nᏙᏓᎦᎴᏂ, ᎡᏙᏓ ᏮᏓᏥᏤᎢ, ᎯᎠ ᏫᏅᏓᏥᏪᏎᎵ; ᎡᏙᏓ, ᎦᎸᎳᏗ ᏥᏍᎦᏅᏤᎸ, ᎠᎴ ᏂᎯ ᎯᎦᏔᎲᎢ.\nᏐᏉ ᎤᎵᏏᏂᏕᎾ, ᎤᎾᏕᏘᏱᏍᎬ ᎤᏓᎷᎸ, ᎤᏭᏔᏁᎢ.\n“ᏧᏍᏆᏴᏍᏗ?” \nᏂᎯ ᎰᎯᏳᎲᏍᎦ ᎠᏏᏴᏫ ᎡᎲ ᎤᏁᎳᏅᎯ. ᎣᏏᏳ ᎿᏛᏁᎭ. ᎠᏂᏍᎩᎾ ᎾᏍᏉ ᎠᏃᎯᏳᎲᏍᎦ, ᎠᎴ ᏚᏂᎾᏫᎭ.\nᎯᏍᎩ ᎢᏳᎾᏙᏓᏆᏍᏗ ᎢᏳᏕᏘᏴᏓ ᏄᎵᏍᏔᎾ, ᏃᏗ ᏰᎵᏉ ᎦᎾᏗᏅᏗ ᎢᎬᏓ ᎤᏛᏁ ᎡᎶᏗ.\nᎾᏍᏉᏍᎩᏂ ᎢᎬᏱ ᏃᎩᎩᎵᏲᏦᎢ ᎠᎴ ᏂᎪᎩᏐᏢᏃᎢ ᏈᎵᎩᏱ, ᎾᏍᎩ ᏥᏥᎦᏔᎭ, ᏃᏥᏍᎦᎢᎲᎾ ᎣᎦᏁᎳᏅᎯ ᎣᏣᎵᏍᎦᏍᏙᏛ ᎢᏨᏃᎮᎮᎸᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᏔᎵ ᎤᏛᏛᎩ ᎤᏣᏘ ᎠᏟᏂᎬᏁᏗ ᎨᏒᎢ.\nᎯᎠᏰᏃ ᎢᎦᏪᏛ ᎢᎩ, ᎪᎯ ᎢᎦ ᎢᏳᏃ ᎢᏔᏚᎵᏍᎨᏍᏗ ᎧᏁᎬ ᎢᏣᏛᎪᏗᏱ, ᏞᏍᏗ ᏱᏗᏥᏍᏓᏲᏗᏍᎨᏍᏗ ᏗᏥᎾᏫ, ᎾᏍᎩᏯ ᏄᎾᏛᏁᎸ ᎾᎯᏳ ᏥᎬᎩᎾᎸᏍᏔᏅᎩ.\nᎢᏗᎦᏔᎭ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎢᎩᎶᏒᎢ ᎬᏂᏛᏃ ᏫᎩᎾᏄᏨᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏗᏗᎨᏳᎯᏳ ᎨᏒ ᎢᏓᏓᏅᏟ. ᎩᎶ ᎤᎨᏳᎯᏳ ᏂᎨᏒᎾ ᏱᎩ ᏗᎾᏓᏅᏟ, ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎡᎭ.\nᎤᏒᎮᎯ ᏃᎴ ᎯᎨᏠᎮ, ᏃᎴ Ꮟ ᏱᎦᏢᏁᎬᏁ ᎤᏒᎯ.\n“ᎤᏙᎯᏳᎯ ᎪᎨᏱ ᏏᏆ ᎠᏯ,” ᎤᏛᏁ ᎡᏚᏥ.\nᎦᏙ ᎰᏩ ᎤᏍᏗ, ᎢᏓᎵᏅᏟ? ᎢᏳᏃ ᏕᏥᎳᏫᎩ, ᎢᏥᏏᏴᏫᎭ ᏗᎧᏃᎩᏛ ᎢᏣᏛᏅᎢᏍᏙᎢ, ᏗᏕᏲᏗ ᎢᏣᏛᏅᎢᏍᏙᎢ, ᏧᏓᎴᏅᏛ ᏗᎦᏬᏂᎯᏍᏗ ᎢᏣᏛᏅᎢᏍᏙᎢ, ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᎢᏣᏛᏅᎢᏍᏙᎢ, ᎠᏁᏢᏙᏗ ᎢᏣᏛᏅᎢᏍᏙᎢ. ᏂᎦᏛ ᎠᏗᎾ ᏕᏥᎸᏫᏍᏓᏁᎲ ᏗᏣᏓᎵᏂᎪᎯᏍᏙᏗᏱ ᎤᎬᏩᎴᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎡᎶᏗᏏ ᎠᏍᎦᎨ ᏣᏂ ᎠᎴ ᏳᎴᎢ; ᎠᏎᏃ ᎥᏝ ᎾᏍᎩ ᎢᎬᏩᏛᏁᏗ ᏱᎨᏎᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏴᏛ ᏂᏨᎦ ᏄᏓᎴᏒ ᎤᏲ ᎨᏒᎢ ᎠᎴ ᏄᏓᎴᏒ ᎦᎶᏄᎮᏛ ᎠᎴ ᎤᏠᎾᏍᏗ ᎨᏒ ᎠᏛᏳᎨᏗ ᎠᎴ ᏄᏓᎴᏒ ᎤᏲ ᏗᏓᏃᎮᏗ ᎨᏒᎢ,\nᎠᏂᏐᎢ ᏗᏂᏲᏟ ᏚᏂᏂᎬᎬ ᏧᎾᏬᎥ.\nᎠᎴ ᎠᎨᏴ ᎥᏥᎪᎥᎩ ᎤᎾᏓᏅᏘ ᎤᏂᎩᎬ, ᎠᎴ ᏥᏌ ᎬᏩᏃᎮᏍᎩ ᎤᏂᎩᎬ ᎤᏴᎪᎯᏍᏗ ᎨᏒ ᎬᏗ ᎠᎩᏍᏆᏂᎪᏒᎩ.\nᏈᏓᏃ ᎤᏅᏓᏛ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏔᏕᏲᎲᏍᎩ, ᎬᏂᏳᏉ, ᎡᎦᏔ--ᎢᏳᏍᏗ ᏡᎬ ᏥᏍᎦᏨᎩ ᎤᏩᏴᏐᏅ.\nᏰᎵ ᏂᏥᎠ ᎯᏣᏅᏔ ᎨᏨᎨᏫᏍᏗ ᏱᎨᏒᎾ ᎡᏘ ᎪᎨ ᏣᏓᏴᎳᏔᏍᎬ ᏕᎪᏪᎸ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏓ ᎰᎻ ᎤᏤᎵ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᎢᏣᏛᎦᏁ ᎤᎵᏍᎨᏓ ᎨᏒᎢ ᎤᏍᏆᏂᎩᏗ ᏏᏆ.\nᎡᎳᏗ ᎠᏇᏅᏓ ᏩᎩᎷᏨ ᎠᏴᏫᏯ ᎤᎬᏫᏳ ᎠᏂᏁᎵ ᎤᏓᎷᎸᏉ ᏅᏙ ᏗᎧᎸᎬ, ᎢᎾᎨ ᎠᏁᎯ ᎩᏟ ᏅᏃ ᎠᏁᏙᎯ ᎣᎦᎵᎪᎲ, ᏎᎷ ᎤᏥᏣᏘ ᏅᏙ ᎾᎥ ᎦᎵ ᎨᏒ.\nᎣᎩᏴᏩᏛᎲᏃ ᏥᏳ ᏈᏂᏏ ᎠᏂᏂᏒᎢ, ᎣᎦᏣᏅᎩ ᎣᎩᏴᏫᏛᎲᎩ.\nᎫᎵᏍᏔᏅ ᏄᎵᏍᏔᎾ ᏔᎷᎩᏍᎩ ᎤᎸᏫᏒ ᎤᏓᏦᎲ ᎤᏛ ᎤᏥᏍᏔᏅ ᎤᏗᏔᎲ.\nᎨᏍᏗ ᎬᏕᏘᏱᎩ ᎠᏙᎯ.\nᎠᏎᏃ ᎢᏗᎦᏔᎭ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏕᎫᎪᏗᏍᎬ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎾᏍᎩ ᏕᎫᎪᏓᏁᎲ ᎾᏍᎩ ᎢᏯᎾᏛᏁᎯ.\nᎠᎴ ᎤᎧᎵᏨᎯ ᎤᏬᎯᏳᏎᎢ ᎾᏍᎩ ᏄᏍᏛ ᎤᏚᎢᏍᏔᏅ ᏰᎵᏉ ᎾᏍᏉ ᎢᎬᏩᏛᏁᏗ ᎨᏒᎢ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᏫᏥᎢᎦ ᏯᏓᏅᏖᏍᎨᎢ.\nᏔᎳᏚᏃ ᎢᏯᏂᏛ ᏫᏚᏯᏅᎮᎢ, ᎠᎴ ᏚᏅᏏᏙᎴ ᏔᎵᎭ ᏧᎵᎪᏅᏛ, ᎠᎴ ᏚᎵᏍᎪᎸᏓᏁᎴ ᏧᏂᏄᎪᏫᏍᏗᏱ ᏗᎦᏓᎭ ᏗᏓᏅᏙ;\nᎢᎬᏪᏅᏛᏃ ᏥᏳᎯ ᎤᏣᏁ ᎠᏁᎮ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎠᎴ ᏓᎵᎻᏄᏓ ᎠᏍᏛ ᏭᎷᏤᎢ.\n“ᎦᎸᎳᏗ ᏭᏔᎷᎪ ᏃᎴ ᏰᎵᏉ ᎦᏅᎪᏫᏍᎪ ᏧᏏᎳᏛᏙᏗ ᎤᏃᎴ ᎤᏲᏙᏗ.\nᏧᏭᎪᏓᏁᏗᏱ ᎾᏂᎥᎢ, ᎠᎴ ᏧᎬᏍᎪᎸᏗᏱ ᎾᏂᎥ ᎤᏁᎳᏅᎯ ᏂᏚᎾᏁᎶᏛᎾ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏂᎦᎥ ᎤᏣᏘᏂ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ, ᎠᎴ ᏂᎦᎥ ᏂᏚᏳᎪᏛᎾ ᏄᏂᏪᏒ ᎤᏁᎳᏅᎯ ᏂᏚᎾᏁᎶᏛᎾ ᎾᏍᎩ ᎬᏩᏡᏗᏍᎬᎢ.\nᏌᎳᏓ ᎠᎦᏘᏰᎢ ᎤᏣᏅᏓᏕᏗ, ᎤᏅᎪᏤ ᎧᏁᏌᎢ ᏃᎴ ᎤᎩᏠᏫᏎᎢ ᎠᏓ ᎨᏛᎢ ᎦᏌᎾᎳ ᎭᏫᏂᏣ.\nᏞᏍᏗ ᏕᏣᏓᏠᎲ ᏱᏣᏓᏁᎴᏍᏗ ᏓᎶᏂᎨ ᎠᏕᎸ ᎠᎴ ᎤᏁᎬ ᎠᏕᎸ ᎠᎴ ᎥᏣᏱ,\nᎤᏒᎯ ᎣᎦᎵᏍᏔᏴᏗ, ᏚᏯ ᏃᎴ ᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅ ᏃᎴ ᏑᎷ ᎢᏣ ᎠᎦᏅᎪᎢ ᏫᎬᏣᏝᏅ.\nᎠᎪᏄ ᏧᏂᏲᏏᏍᎩ ᎣᏍᏛ ᎨᏒ ᏚᎧᎵᎢᏍᏔᏅ, ᏧᏁᎿᎢᏃ ᎠᏒᎭ ᏙᎤᏁᏅᏍᏗᏱ ᏂᏚᏩᏁᎸᎩ.\nᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᎠᏁᎯ, ᎠᎴ ᎨᏥᎸᏉᏗ ᎠᏂᏍᎦᏯ, ᎠᎴ ᏧᏁᎿᎢ ᎠᏂᏍᎦᏯ, ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᏗᎾᏓᏘᏂᏙᎯ, ᎠᎴ ᏧᎾᎵᏂᎩᏛ ᎠᏂᏍᎦᏯ, ᎠᎴ ᎾᏂᎥ ᏗᎨᏥᎾᏝᎢ, ᎠᎴ ᎾᏂᎥ ᏂᏗᎨᏥᎾᏝᎥᎾ, ᎤᎾᏗᏍᎦᎳᏅᎩ ᏚᏍᏓᎦᎸᎢ, ᎠᎴ ᏅᏲᎯ ᏕᎨᏒ ᏙᏓᎸᎢ;\nᎤᎴᏅᎮᏃ ᏚᏪᏲᏁᎢ, ᎾᏍᎩ ᏴᏫ ᎤᏪᏥ ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᎤᎩ ᎵᏲᎢᏍᏗᏱ; ᎠᎴ ᎬᏩᏲᎢᏎᏗ ᎨᏒ ᏗᏂᎳᏫᎩ, ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ, ᎠᎴ ᎠᏥᎢᏍᏗᏱ ᎨᏒᎢ, ᏦᎢᏁᏃ ᎢᎦ ᏧᎴᎯᏐᏗ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᏂᎯ ᏅᏩᏓᎴ ᎯᏰᏲᎲᏍᎩ ᏥᎩ, ᏝᏍᎪ ᏨᏒ ᏯᏓᏕᏲᎲᏍᎦ? ᏂᎯ ᎭᎵᏥᏙᎲᏍᎬ ᏞᏍᏗ ᏣᏃᏍᎩᏒᎩ ᏣᏗᎭ, ᏥᎪ ᎢᎯᏃᏍᎩᎭ?\nᎾᏍᎩᏃ Ꮎ ᎠᏓᏅᏙ ᎢᏥᏁᎯ ᏥᎩ, ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏧᎸᏫᏍᏓᏁᎯ ᏥᎩ ᎢᏤᎲᎢ, ᏥᎪ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᎾᏛᏁᎲ ᏅᏗᎦᎵᏍᏙᏗᎭ? ᏥᎪᎨ ᎤᏬᎯᏳᎯ ᎠᏛᎩᏍᎬ ᏅᏗᎦᎵᏍᏙᏗᎭ?\nᏚᎧᎾᏁ ᎠᏧᏣ, Ꭾ ᎤᏛᏁ.\nᎠᎴ ᎦᏙᏃ ᏗᏄᏬ ᏙᏤᎵᎯᏍᎪᎢ? ᏗᏣᏓᏅᏛᎵ ᏧᏥᎸᎯ ᏠᎨᏏ ᏤᎯ ᏓᏛᏍᎬᎢ. ᎥᏝ ᏱᏚᏂᎸᏫᏍᏓᏁᎰᎢ, ᎠᎴ ᎥᏝ ᏯᏂᏍᏙᎰᎢ.\nᎪᎯ ᎢᎪᎯᏓ ᏚᎦᏙᏍᏔᏁ ᎤᎾᏓᏓᏍᎩᏌᎲ, ᎤᏂᎾᏰᎯᏍᏗ ᎢᎪᎯᏓ.\nᎠᎬᏱ ᎤᏩᎬᏘᏗᏒ ᎧᏂᎩᏛ ᎤᏚᎩ.\nᎠᎴ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏕᏣᏘᏃᎯᎮᏍᏗ, ᎠᎴ ᏄᏂᎬᏫᏳᏌ-ᏕᎩᏱ, ᎠᎴ ᎤᏂᎬᏫᏳᎯᏱ, ᏞᏍᏗ ᏱᏤᎵᎯᏍᎨᏍᏗ ᏄᏍᏛ ᎠᎴ ᎢᏳᏍᏗ ᎨᏒ ᎢᏣᏓᏁᏤᏗᏱ, ᎠᎴ ᎢᏥᏪᏍᏗᏱ;\nᎤᏙᎯᏳᎯᏍᎩᏂᏃᏅ ᎠᏩᎾᎦᎳᎯᏳ ᎨᏒ ᏓᏓᎾᏩᏍᏛ ᎠᎦᏛᏅᎩ, ᎠᏎᏃ ᎬᏃᏛ ᎢᏯᎬᏁᎸᎯ ᎬᏔᏅᎯ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ. ᎠᏴ ᎾᏍᏉ ᎾᏍᎩ ᎣᏥᏯᎥ ᏦᏥᏩᎾᎦᎳᎯᏳ, ᎠᏎᏃ ᎢᏧᎳᎭ ᏙᏨᏁᏍᏗ ᎾᏍᎩ, ᎤᏁᎳᏅᎯ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎢᏨᏴᏓᏁᎲ ᏂᎯ.\nWashington Irving ᎤᏬᏪᎳᏅ ᏥᎪᎵᏰᏍᎬ ᎧᏃᎮᏍᎩ ᏭᏕᎵᎬ ᎢᎪᏗ ᎤᏍᎪᎸ ᎠᏨᏍᏛ.\nᎠᏧᏣ ᏱᎩ; ᎠᏫᎾ ᎠᎴ ᏱᎩ; ᏲᎵᎪ ᎠᎨᏳᏣ, ᎤᏬᏟᏗ ᎨᏐ Ꮓ, ᏣᎳᏣᏯᏍᏗ ᎣᏤᎸᏍᎪ ᏂᎪᎯᎸᏫᏳᏍᏗ.\nᏦᎢ ᏧᏙᏓᏆᏓ ᏑᎾᎴ ᎢᏣ ᎤᏤᏥᏍᏗ ᎦᏁᎳᏓ ᎤᎴ ᎶᏩᎤᏂᎱᏁ ᎤᏛᎾ ᏧᏂᏍᏗ ᏚᏂᏒᎾᏔᏁ ᎪᏛ ᎦᏚᎢᏣ, ᏧᏂᏍᏗ ᏐᏉ ᎠᎵᏍᏔᎩᏛ.\nᏣᏂᏃ ᎤᏄᏪ ᎨᎻᎵ ᎤᏍᏗᏰᏅᎯ, ᎦᏃᏥᏃ ᎤᏓᏠᏍᏕᎢ; ᎥᎴᏃ ᎠᎴ ᏩᏚᎵᏏ ᎢᎾᎨ ᎡᎯ ᎠᎵᏍᏓᏴᏗᏍᎨᎢ.\nᎦᎶᎯᏍᏗ ᎦᎸᎳᏗᏣ ᏭᎩᎶᏫᏎ ᏌᎳᏓ.\nᎠᎴ ᏥᏍᎦᎢᎲᎢ ᎠᏇᏅᏒᎩ, ᏫᏓᎬᏍᎦᎳᏅᎩ ᎦᏙᎯ ᎠᏕᎸ ᏗᏣᏤᎵᎦ; ᎬᏂᏳᏉ ᎠᏂ ᎾᏍᎩ ᏗᏣᏤᎵᎦ.\nᎠᏎᏛ ᎢᎾᎯᎨᏍᏗ ᎠᎵᏦᏩᏛ ᏳᏫᏣᎷᏣ ᏕᎭᏗᎩᏒ.\nᎤᏍᎩᎾᏛ, ᎨᏍᏗᎦ ᎪᎰᏍᏗ ᏱᎨᏎ ᎤᏛᏅ.\nᎤᏰᎸᎭ ᎨᏒ, ᎦᏳᎳ ᎣᏍᏓ ᎢᏳᏅᏁᎸ ᎠᏂᎨᏯ.\nᏌᏊ ᎢᏳᏩᎬᏘ ᎤᎦᏔᏊ ᎨᏎᎢ, ᏃᏊᏃ ᏒᎦᏔ ᎢᏈᎬᎢ ᎢᎩ.\nᎠᎵᏰᎾ ᏩᏎᎯ ᎪᎯᏳᏙᏗ ᏕᏧᎬ ᏚᎪᏍᎬ ᎦᏙᎯ.\nᏧᏅᎪᏣ ᎧᏁᏌᎢ ᏫᎵᎻ, ᏚᎾᏏᏛᏂᎴ ᏃᎴ ᎤᏁᎷᏁᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᏍᏗ ᎤᏤᎵᎦ ᏗᎧᎿᏩᏛᏍᏗ, ᎢᎪᎯᏳᏗᏱ ᏕᎤᏙᎥ ᎤᏪᏥ ᏥᏌ ᎦᎶᏁᏛ, ᎠᎴ ᏗᎦᏓᎨᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩᏯ ᎢᎩᏁᏤᎸᎢ.\nᏥᏌᏃ ᎤᏪᎷᏅᎩ ᎯᎠ ᏄᏪᏒᎩ, ᎩᎶ ᎠᏉᎯᏳᎲᏍᎩ ᎥᏝ ᎠᏴ ᏯᏉᎯᏳᎲᏍᎦ, ᏅᏛᎩᏅᏏᏛᏍᎩᏂ ᎪᎯᏳᎲᏍᎪᎢ.\nᏌᏌ ᎤᏁᎢᏍᏔᏁᎴ, ᎤᏂᏃᏕᎾ ᎤᏂᏴᏍᏗ ᎤᏅᏏᏴ ᎤᏬᏞ.\nᏥᏍᎦᏍᏓᏁᏗ ᎦᏁᎸᏗᏍᎬ ᎡᎵᏍᎬ.\nᏭᏲᎢᏴ ᎠᎦᏴᎵ ᏏᏆ ᏍᎩᎾᎾ Haden.\nᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᎠᏍᎦᏯ ᎤᎪᎵᏰᏍᎩ ᏧᏱᎵᏙᎰ ᎬᏂᏗᏳ ᏥᎨᏐᎢ, ᎠᏥᎪᎵᏰᎥᎯᏰᏃ ᎨᏎᏍᏗ ᎬᏂᏛ ᎠᎵᏍᏚᎶ ᎠᏥᏅᏁᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏧᏚᎢᏍᏓᏁᎸᎯ ᏥᎩ ᎬᏩᎨᏳᎯ.\nᎤᏕᎰᎯᏍᏗᏳᏰᏃ ᎧᏁᎢᏍᏙᏗᏱᏉ ᎾᏍᏉ ᎾᏍᎩ Ꮎ ᎾᎾᏛᏁᎲ ᎤᏕᎵᏒᎢ.\nᎠᎴ ᎯᎠ ᏁᏪᏎᎢ, ᎠᏆ, ᎡᏙᏓ, ᏂᎯ, ᎨᏒ ᏰᎵᎦᏍᏉ ᎢᎨᏣᏛᏁᏗ ᏂᎦᎥᎢ; ᏍᎩᎲᏏᏉ ᎯᎠ ᎾᏍᎩ ᎤᎵᏍᏈᏗ; ᎥᏝᏍᎩᏂᏃᏅ ᎠᏴ ᎠᏆᏚᎵᏍᎬᎢ, ᏂᎯᏍᎩᏂ ᏣᏚᎵᏍᎬᎢ.\nᎩᎶᏍᎩᏂ ᎤᎬᏫᏳᎯ ᏥᏚᎾᏚᏓᏙᎢ ᏌᏉᏉ ᎠᏓᏅᏙ ᎾᎾᎵᏍᏗᏍᎪᎢ.\nᏚᏒᏁᎢ ᎠᏕᎳ.” \nᎣᏁ ᎢᏴ ᎤᏕᎶᎰᎯᏍᏗ ᎨᏎᏍᏗ ᎤᏙᎯᏳ ᏄᏍᏛ ᏌᎳᏓ.\nᎢᏣᏠᎾᏍᏗ, ᏰᎵᏉ ᎢᏌᏯ ᏧᏙᎴᎰᏎ ᏥᏥᏛᎨᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ;\nᎠᏎᏃ ᎾᎯᏳᏉ ᎢᎦ ᎶᏛ ᏐᏓᎻ ᎤᏄᎪᏨ, ᎦᎸᎳᏗ ᏧᎦᎿᏁ ᎠᏥᎸ ᎠᎴ ᏌᎪᏂᎨ ᎠᏓᏪᎳᎩᏍᎩ, ᏂᎦᏗᏳᏃ ᏚᏂᎰᏁᎢ.\nᎦᏙᎳᏗ ᎨᏒ ᎦᎦᏪᏍᏗ ᏥᏳ, ᎠᏎᏃ ᎣᏍᏓ ᎠᎩᏰᎸᎲ ᎧᎸᎬ ᎢᏣ ᏬᏥᎦᏛ.\nᎠᎴ ᏗᏣᏓᎨᏳᎯᏳ ᎨᏎᏍᏗ, ᎢᏣᏓᏙᎵᏍᏗ ᏗᏥᎾᏫᏱ, ᏕᏣᏓᏁᎮᏍᏗ ᏕᏣᏓᏍᎦᏅᏤᎲᎢ, ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᏥᎨᏥᏁᎸ ᎢᏥᏍᎦᏅᏨ ᎦᎶᏁᏛ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ.\nᎤᏂᎧᎵᏨᎯ ᎨᏒ ᏄᏓᎴᏒ ᏂᏚᏳᎪᏛᎾ ᎨᏒᎢ, ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ, ᎤᏲ ᎢᏯᏓᏛᏁᏗ ᎨᏒᎢ, ᏧᎬᏩᎶᏗ ᎠᎬᎥᎯᏍᏗ ᎨᏒᎢ, ᎤᏂᏲ ᎨᏒᎢ; ᎤᏂᎧᎵᏨᎯ ᎠᏛᏳᎨᏗ ᎨᏒᎢ, ᏗᏓᎯᏍᏗ ᎨᏒᎢ, ᏗᏘᏲᏍᏗ ᎨᏒᎢ, ᎠᏠᏄᎮᏛ, ᎤᏲ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎠᎾᏙᏅᎢᎯ,\nᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ ᏛᏂᏣᏐᏂ; ᎠᎩᏁᏨᏍᎩᏂ ᎥᏝ ᏴᏓᎦᎶᏐᏂ.\nᎠᏎᏃ ᎨᏍᏗ ᎠᏎ ᏍᎩᎾᎾ ᏱᏄᎵᏍᏔᏃ, ᎠᏎ ᎤᎵᏍᏚᎩᏛ ᏱᎩ ᎠᏍᎪᎵ, ᎭᎾᏉ ᏓᏥᏍᏆᏗ.\nᏂᎯᏍᎩᏂ ᎯᏍᎦᏯ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎾᏍᎩ ᎯᎠ ᏕᎭᏓᏅᎡᎮᏍᏗ, ᎠᎴ ᏕᎯᏍᏓᏩᏗᏎᏍᏗ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎠᎴ ᎬᏂᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎤᏓᏅᏘᏳ ᎨᏒᎢ.\nᎤᏩᏙᎵᎢᏍᏗ ᎤᎾᏓᏔᎶᏎ ᏴᏫ, ᎯᎸᎯᏳ ᏥᎨᏎ ᎤᏐᏱ ᎨᏎ.\nᎦᎸᎶᎢ ᏃᏈᏏ ᎤᎾᏓᏴᎳᏛ ᏫᏚᎧᎾᎾ ᎪᏱᏁᎢ ᎤᎪᎮᎢ ᎤᏤᎵ ᎠᎨᏳᏣ ᎮᏂᎵ ᎤᎵᏲᏗ  ᎤᎾᎵᎪᎮ ᎤᎾᎩᎴᎢ, ᎦᎸᎳᏗᎨ ᎠᎾᏓᏌᎳᏗᏍᎨᎢ, ᏃᎴ ᎤᏕᎶᎰᏎ ᎤᎵᎮᎵᏍᏗ ᏗᎧᏃᏗ ᎨᏒᎢ, ᎤᎵᏍᏛᏂᎴᎢ.\nᎠᏎᏃ ᎢᏳᏃ ᏰᎵ ᎾᏍᎩ ᏂᏓᏅᏂᎥᎾ ᏱᎩ, ᏓᎾᏤᎨᏍᏗᏉ; ᎤᏟᏰᏃ ᎣᏏᏳ ᏗᏨᏍᏗᏱ ᎠᏃ ᎦᎴᏴᎯᏍᏗᏱ.\nᎧᏃᎮᏛᏰᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎬᏃᏛ, ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎠᎴ ᎤᏟᎯᏳ ᏂᎪᏍᏓᏴ ᎡᏍᎦᏉ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎢᏧᎳᏗᏢ ᏗᎬᎦᏘ ᏗᎪᏍᏓᏴ, ᏕᎦᏘᎭ ᏔᎵ ᏂᎦᏗᎭ ᎠᏓᏖᏗᏱ ᎠᎴ ᎠᏓᏅᏙ, ᎠᎴ ᏚᏫᏢᎢ ᎠᎴ ᏚᏍᏛᏪᏙᎬᎢ, ᎠᎴ ᏗᎬᏭᎪᏙᏗ ᎢᎩ ᏄᏍᏛ ᎠᏓᏅᏖᏍᎬ ᎠᎴ ᏄᏍᏛ ᎤᏚᎵᏍᎬ ᎤᎾᏫ.\nᎠᏎᏃ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎤᏂᏣᏖ ᏧᏃᏑᎶᏨᎯ ᎢᏏᎵᏱ ᎾᎯᏳ ᎢᎳᏯ ᏤᎮᎢ, ᎦᎸᎶᎢ ᏧᎵᏍᏚᎯ ᏦᎢ ᏧᏕᏘᏴᏛ ᏑᏓᎵᏃ ᎢᏯᏅᏙ, ᎾᎯᏳ ᎤᏣᏘ ᏥᏚᎪᏄᎶᎭ ᏂᎬᎾᏛᎢ.\nᏚᏍᏚᏁᎸ ᏗᏂᎦᏙᎵ, ᎠᎴ ᏚᏍᏓᏱᏕᎸ ᏧᏂᎾᏫ; ᏗᎬᏩᏂᎪᏩᏛᏙᏗ ᏂᎨᏒᎾ ᏗᏂᎦᏙᎵ, ᎠᎴ ᎬᏩᏃᎵᏍᏙᏗ ᏂᎨᏒᎾ ᎤᏂᎾᏫ, ᎠᎴ ᎾᏍᎩ ᏗᎬᏩᎾᏓᏁᏟᏴᎡᏗ ᏂᎨᏒᎾ, ᎠᎴ ᏗᎦᎦᏥᏅᏬᏗ ᏂᎨᏒᎾ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎾᏍᏉᏍᎪ ᏂᎯ ᎾᏍᎩ ᎢᎦᎢ ᏂᏦᎵᎬᎾ ᎢᎩ? ᏝᏍᎪ ᏱᏥᎪᏩᏘᎭ, ᎾᏍᎩ ᎪᎱᏍᏗ ᏙᏱᏗᏢ ᎡᎯ ᎾᏍᎩ ᏳᏴᎯᎭ ᏴᏫ ᎦᏓᎭ ᎢᎬᏩᏁᏗ ᏂᎨᏒᎾ ᎨᏒᎢ;\nᏩᎭᏯ ᏥᏚᎳᏑᏝᏅ: ᏏᏉᏯ ᎤᏃᎮᏢᏅ\nᎢᎦᏃ ᏅᏓᎦᎵᏍᏔᏂᏒᎩ, ᏉᎳ ᏚᏔᏲᏎᎸᎩ ᏂᎦᏛ ᎤᎾᎵᏍᏓᏴᏗᏱ, ᎯᎠ ᏄᏪᏒᎩ; ᎪᎯ ᎿᏉ ᏂᎦᏚᏏᏁ ᎢᎦ ᏥᏥᎦᏘᏴ ᎠᎴ ᏂᏣᎵᏍᏓᏴᏍᎬᎾ ᎪᎱᏍᏗ ᏂᏥᎩ-ᏍᎬᎾ ᏥᎩ.\nᏑᎾᎴ ᏅᏓ ᎤᎸᏌᏖ ᏗᎦᎴᏂ, ᎩᎦᎨ ᏧᏍᎪᎸ ᏂᏕᎦᎵᏍᏗᏍᎨ.\nᎬᏩᏅᏁᎴᏃ ᎠᎬᎭᎸᏛ ᎠᏣᏗ ᎠᏒᎾᏘᎶᏛ, ᎠᎴ ᎠᎬᎭᎸᏛ ᏩᏚᎵᏏ.\nᏈᏓ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᏝ ᎢᎸᎯᏳᎯ ᏱᏙᏓᏍᏉᏑᎴᎵ ᏗᏆᎳᏏᏕᏂ. ᏥᏌ ᎤᏁᏤᎸᎩ; ᎢᏳᏃ ᏂᎬᏲᏑᎴᎥᎾ ᏱᎩ ᎥᏝ ᏣᏤᎵᎦ ᏳᏓᏑᏯ ᎠᏆᏤᎵᎦ ᎨᏒᎢ.\nᎨᏍᏗ ᏳᏦᎣᏌ ᏐᏈᎵ ᏍᎦᏰᎬᏍᏓ, ᏱᎦᎬᎭᏁᏍᏗ ᎪᎳ ᎦᎶᏐᏅ ᎤᏛᏅ.\nᎯᎠᏰᏃ ᏂᏨᏪᏎᎭ, ᎥᏝ ᏴᎦᎦᏗᏔ ᏖᎸᎳᏗ ᎤᏁᏅᎯ ᎬᏂ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎠᎵᏰᎢᎶᎸᎭ.\nᎯᎠ ᏄᏪᏎᎴᎢ; ᏣᎬᏫᏳᎯ, ᏥᏅᏏᏓᏍᏗ ᎦᏅᎦ ᏗᏇᏅᏒ ᎤᏢᎦ ᎤᎸᏓᎸᎥᏍᎦ ᎤᏣᏔᏅᎯ ᎠᎩᎵᏲᎦ.\nᎠᏎᏃ ᎿᏉ ᎤᏁᎳᏅᎯ ᎢᎩᏍᏕᎵᏍᎩ ᎤᏓᏅᏘᏳ ᎨᏒ ᎠᎴ ᏴᏫ ᏚᎨᏳᏒ ᎤᎦᏄᎪᏨ,\nᎠᎨᏴ ᏗᏤᎯ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏚᏓᎸᏙ ᎤᏰᎯ ᎠᎴᏂᏙᎲ ᎢᎪᎯᏛ; ᎤᏰᎯᏍᎩᏂ ᎤᏲᎱᏒᎯ ᏱᎩ, ᎿᏉ ᎤᏚᏓᎴᏛ, ᎾᏍᎩᏃ ᏗᎬᏩᏨᏍᏗᏉ ᎩᎶᏉ ᎤᏚᎵᏍᎬᎢ; ᎤᎬᏫᏳᎯ ᎪᎩᏳᎲᏍᎩ ᎤᏩᏒ.\nᎿᏉᏃ ᎤᏍᏆᎸᎲ ᎤᎾᏓᏅᎦᎸᏗᏱ ᎾᏍᎩᏯ ᏂᎬᏅ ᏗᎧᎿᏩᏛᏍᏗ ᎼᏏ ᎤᏬᏪᎳᏅᎯ, ᏥᎷᏏᎵᎻ ᎤᏂᏃᎴ ᏱᎰᏩ ᎤᏂᎧᏁᏗᏱ;\nᏃᎴ ᎨᏍᏗ ᏐᏉ ᎪᏪᎵ ᏧᏍᏗ ᎦᏅᎥᏍᎩᏱᎩ.\nᏏᏲ ᏧᏩ, ᎤᏛᏁ ᎤᏍᏗ ᎠᏣᏗ.\nᎦᏙᎯᏰᏃ ᎤᏩᏒᏉ ᎦᎾᏄᎪᏫᏍᎪ ᎤᎦᏔᏔᏅᎯ; ᎢᎬᏱᏱ ᎨᏒ ᎤᎦᎶᎬ, ᎿᏉᏃ ᎤᏍᎫᏓᏛᎢ, ᎣᏂᏃ ᎤᎧᎵᏨᎯ ᎤᎦᏔᏛ ᎤᏍᎫᏓᏛᎢ.\nᎿᏉᏃ ᏔᎵᏁ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏅᏩᏙᎯᏯᏛ ᎢᏣᏤᎵᎦ ᎨᏎᏍᏗ. ᎡᏙᏓ ᎠᎩᏅᏒᎢ ᎾᏍᎩᏯ ᎢᏨᏅᎵ.\nᎯᎠ ᏄᏪᏎᎢ, ᎡᏙᏓ, ᎢᏳᏃ ᎣᏏᏳ ᏱᏣᏰᎸᏅ ᏍᎩᎲᏏᏉ ᎯᎠ ᎤᎵᏍᏈᏗ; ᎠᏎᏃ ᎥᏞᏍᏗ ᎠᏴ ᎦᏓᏅᏖᏍᎬᎢ, ᏂᎯᏍᎩᏂ ᎭᏓᏅᏖᏍᎬ ᏫᏂᎦᎵᏍᏓ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏏᏞᎦ ᎢᎦ ᏚᎸᏌᏛ ᎢᏤᏙᎲᎢ; ᎢᏤᏙᎮᏍᏗ ᏂᎪᎯᎸ ᎢᎦ ᏕᏥᎸᏌᏓᏕᎲᎢ; ᎤᎵᏏᎩᎾᏏ ᏱᏧᏢᏓ; ᎩᎶᏰᏃ ᎤᎵᏏᎬ ᏤᏙᎰᎢ, ᎥᏝ ᏯᎦᏔᎰ ᏩᎦᏛᎢ.\nᏚᏑᎬ ᏧᏍᎩᏃᎢ ᎠᏍᏛᎢ ᎤᎴᏅ, ᏍᏔᏯ ᎤᏴᏨ ᎨᏓᎵ ᏓᎦᎶᏍᎬ, ᎤᏓᏅᏘ ᎢᏳᏍᏗ, ᎨᏍᏗ ᏱᏓᏖᎸᎮᏍᎨ ᏧᏆᎶᎦ ᏧᏟᏴᎦᏕᏩᏓ ᏕᎦᏓᎥ ᎠᏦᎭᏴ ᎠᎬᏱᏣ.\nᎢᏳᏰᏃ ᎢᎬᏒ ᎢᎦᏚᎸᏛ ᏱᏗᏍᎦᏅᎬ ᏚᏳᎳ ᎨᎩᎦᏁᎥᏒᎯ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎥᏝ ᏅᏩᏓᎴ ᏯᎵᏃᎯᏯ ᎠᏥᎸ-ᎨᎳᏍᏗ ᎠᏍᎦᏂ ᎠᎫᏴᏙᏗ,\nᏐᏉ ᎤᏓᏏᏂᏕᎾ ᏱᏕᏥᏏᎳᏛᎥᎦ.”\nᎠᏆᏍᎦᏍᏓᏁᎭ, ᎠᏍᎦᏯ ᎾᏍᎩ ᎦᎸᎳᏗ ᎠᏓᏅᏖᎵᏙ ᎨᏍᏗ ᏥᏳᎪᏗ ᎠᏥᏃᎯᏎᎸ ᏱᎩ, ᎠᏆᏛᏅ.\nᎠᏎᏃ ᎤᏚᎨ ᏲᎾ ᎦᏲᏟ ᏚᎾᎥ ᎦᏙ ᏚᏂᏴᎲ, ᏃᎴ ᎨᏍᏗ ᏳᏲᎰᏎᎸ ᎤᏬᎯᏳᎲ.\nVI. ᎪᎦ ᏚᏙᏓᏈᏒ  \nᎤᏙᎯᏳᎯᏍᎩᏂᏃᏅ ᎤᏇᏓᎸ ᎤᏤᏙᎭ, ᎠᏎᏃ ᎥᏝ ᎤᏇᏓᎵ ᏧᏟᏴᏙᏗ ᎨᏒ ᏱᏙᏣᏟᏴᏗᎭ;\nᎾᏍᎩᏯ ᎩᎳᎢ ᎤᎾᏕᏃᏅᎯ ᏗᏂᏲᎵ ᎤᏅᏗ ᏧᎾᏚᎵᏍᎪᎢ ᎢᏣᏚᎵᏍᎨᏍᏗ ᎦᎶᏄᎮᏛ ᏄᏓᏑᏴᏫ ᎧᏃᎮᏛ, ᎾᏍᎩ ᏗᏣᏛᎯᏍᏙᏗᏱ;\nᏝᏰᏃ ᎠᏏ ᏯᏃᎵᎨ ᎦᏛᎬ ᎪᏪᎸᎢ, ᎾᏍᎩ ᎤᏲᎱᏒ ᏧᎴᎯᏐᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᏗᎩᏁᏟᏴᎡᏗ ᏥᎩ ᏂᏗᎦᎸᏉᏛᎾ ᏗᏗᏰᎸᎢ, ᎾᏍᎩᏯ ᎢᏧᏩᏁᏗᏱ ᎤᏩᏒ ᎦᎸᏉᏗᏳ ᎠᏰᎸ ᏄᏍᏛᎢ, ᎾᏍᎩᏯ ᎤᎵᏂᎬᎬ ᎬᏗᏍᎬ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎤᏩᏒ ᏗᎬᏩᏁᎶᏙᏗᏱ ᎢᏳᏩᏁᏗᏱ.\nᏍᎩᏄᏍᏛ ᏓᏊᎪᏔᏅ, ᏥᏧᏣ ᏥᎨᏒ ᏗᎪᎵᎩ ᎨᏎ ᏧᎾᏛᏐᏅ ᎠᏂᏲᏍᎩ ᎤᏐᏱ ᏂᏚᏅᏅ ᏚᏂᏍᏘᏰᎬ ᏗᎾᏛᏍᎩ ᏥᎨᏎ ᏓᏳᏓᎴᏅᏓ, ᏍᎪᎯᏍᏆ ᏧᏕᏘᏴᏓ. ᏂᏚᏅᏅ ᏓᏂᏍᏚᏯᎩᏍᎬ ᎠᏰᎵ ᎢᏴ ᏗᏂᏍᎪᎵ ᏓᎫᎾ ᏧᏯᏍᎦ ᎬᏗ, ᏭᏩᎦᏛ ᏓᏂᏍᏕᏲᏍᎬ ᏗᏑᏫᏓ ᎠᏕᎳ ᏃᎴ ᎠᏕᎳ ᎤᏁᎦ ᎬᏗ ᎠᏃᏚᎢᏍᏗᏍᎬ, ᎦᏚᎢᏣ ᎤᏂᏍᏘᏰᎬ ᏲᎾ ᎪᎢ ᎬᏗ ᎠᏃᏚᎢᏍᏗᏍᎬ.\n“ᎠᏎᏃ ᎩᎶ ᏤᏲᏁ, ᏣᎨ?”\nᎣᎭᏁ ᎢᎦ ᏒᎮᏱᏣ, ᎠᏂᏲᏍᎩ ᎠᏂᏧᏣ ᏐᏉ ᏎᏂᏏ ᏧᎬᏩᏟ ᎠᏂᏆᏃᏲᎯᎲ, ᎦᏙ ᏓᏂᏍᏔᏅᎾᏍᎬ ᎠᏰᎳᏍᏘ ᎬᏘ ᎤᏂᏆᏂᏲᏍᏘ.\nᎨᎢᏗᏣ ᏫᎨᏴ ᏭᎧᏔᏁᎢ, ᏚᎧᏔᏍᏔᏁᎢ, ᏭᏅᎪᏤᎢ ᎠᎹ ᎦᏁᎲ.\nᎢᏳᏍᎩᏂ ᎣᏍᏛ ᎧᏃᎮᏛ ᎣᎦᏤᎵ ᎾᏍᏉ ᎬᏍᎦᎵ ᎢᎨᏎᏍᏗ, ᎾᏍᎩ Ꮎ ᎨᏥᏛᏙᏗ ᎨᏒ ᎨᎬᏍᎦᎳᏁᎸ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎤᏟ ᏫᎶᎯ, ᏎᏓᏂ, ᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎪᏪᎳ; ᎠᏎ ᎯᏯᏓᏙᎵᏍᏓᏁᎮᏍᏗ ᏱᎰᏩ ᏣᏁᎳᏅᎯ, ᎠᎴ ᎾᏍᎩᏉ ᎤᏩᏒᎯᏳ ᏕᎯᏯᏁᎶᏕᏍᏗ.\nᎤᏙᎯᏳᎯᏯᏰᏃ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎤᏂᏣᏘ ᎠᎾᏙᎴᎰᏍᎩ ᎠᎴ ᎤᎾᏓᏅᏘ ᎤᎾᏚᎸᏛ ᎤᏥᎪᏩᏛᏗᏱ ᎯᎠ ᎾᏍᎩ ᏥᏥᎪᏩᏘᎭ, ᎠᏎᏃ ᎥᏝ ᎤᏂᎪᎲᎯ ᏱᎩ; ᎠᎴ ᎤᎾᏛ ᎪᏗᏱ ᎯᎠ ᎾᏍᎩ ᏥᏣᏛᎩᎭ, ᎠᏎᏃ ᎥᏝ ᎤᎾᏛᎦᏅᎯ ᏱᎩ.\nᎠᏎᏃ ᎭᎵᎮᎵᎩ, ᎨᏍᏗ ᎠᏎ ᏱᏗᏣᏂᎬᎦ ᏗᏏᎳᏛᏗ.\nᎠᎦᏓᎢᏅᏃ ᏇᎵᏲ ᎤᏪᏥ ᎠᎨᏴ ᎤᏁᏎᎢ, ᎠᎴ ᎤᏍᏆᏂᎪᏔᏁᎢ ᎤᏩᏒ ᎤᏪᏥ ᎤᏰᎸᏁᎢ.\nᏴᏫᏰᏃ ᎤᏪᏥ ᏚᏲᎵᎸ ᎠᎴ ᏚᏍᏕᎸᎯᎸ ᎤᎾᎴᎾᎸᎯ ᏥᎨᏒᎩ.\nᏦᎢᏃ ᎢᏯᏅᏙ ᎤᎶᏐᏅ ᎣᎦᏂᎩᏒᎩ, ᎣᎦᏣᏅᎩ ᏥᏳᎯ ᎡᎵᎩᏱ ᎡᎯ, ᎾᎿ ᎠᎹᏰᎵ ᏏᎪᎳᏗᏱᏍᎩ ᎤᏂᏔᎳᏛᎯ, ᎾᏍᎩ ᎪᎵᏍᏙᏗ ᎧᏍᏓ ᎠᎴ ᏉᎳᏥ ᎪᏪᎸᎩ.\nᎥᏝ ᎩᎶ ᏥᏯᏚᎸᎡᎸᎯ ᏱᎩ ᎠᏕᎸ ᎤᏁᎬ ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᎠᎴ ᏗᏄᏬ.\nᎠᏎᏃ ᎠᏓᏅᏙ ᎧᏁᎬ ᎬᏂᎨᏒᎢᏳ ᏂᎬᏁᎭ ᎤᎵᏍᏆᎸᏗ ᎨᏎᏍᏗ ᎩᎶ ᏧᏂᏲᎯᏍᏗᏱ ᎪᎯᏳᏗ ᎨᏒᎢ, ᏓᎾᏛᏓᏍᏓᏁᎮᏍᏗ ᎤᎾᏠᎾᏍᏗ ᏗᏓᏅᏙ, ᎠᎴ ᏓᎾᏕᏲᎲᏍᎩ ᎠᏂᏍᎩᎾ,\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᎠᏎ ᏓᏍᎩᏁᎢᏍᏓᏁᎵ ᎯᎠ ᎢᎦᏪᏍᏗ ᏥᎩ; ᏔᏓᏅᏫᏍᎩ, ᏨᏒ ᎭᏓᏅᏮᎦ; ᏂᎦᎥ ᏄᏍᏛ ᎣᎦᏛᎦᏅ ᏕᏣᎸᏫᏍᏓᏁᎸ ᎨᏆᏂ, ᎾᏍᎩ ᎾᏍᏉ ᎿᏛᎦ ᎠᏂ ᏣᏤᎵᎪᎯ.\nᏓᏆᎴᎳ ᎠᏌᏅᏗ ᏓᏦᏴ ᏭᏒᏁ, ᎤᏍᏗ ᎦᎵᏦᏩᏛ ᎢᏳᏍᏗ ᏄᎵᏍᏔᏁ.\nᎠᎴᏬ ᎢᏓᎵᏅᏟ, ᎬᏂᎨᏒ ᏂᏨᏴᏁᎭ, ᎤᏁᎳᏅᎯ ᎬᏩᎦᏘᏯ ᎤᏓᏁᏗ ᎨᏒ ᎾᏍᎩ ᏚᏁᎸ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒ ᎹᏏᏙᏂ ᎠᏁᎯ;\nᎢᏳᏃ ᎠᏘᎹ ᏥᏅᏒᎭ ᏫᏣᎷᏤᏗᏱ, ᎠᎴ ᏗᎩᎦ, ᎭᏟᏂᎬᏁᎸᎭ ᎾᎪᏆᎵ ᏍᎩᎷᏤᏗᏱ; ᎾᎿᏰᏃ ᏓᏇᎪᏔᏅ ᎠᏆᎪᎳᏗᏴᏗᏱ.\nᎤᏓᎾᏫᏛᎮ ᏩᎶᏏ ᏃᎴ ᎣᎵᎭ ᎠᎹ ᎤᏥᏍᏛ ᎠᎳᏂ ᏭᎸᏥᎴ.\nᎢᎦᏛᏍᎩᏂ ᎣᏒ ᎦᏙᎯ ᎤᎳᎨᏯᏛᏤᎢ, ᎾᏍᎩᏃ ᎤᎦᏔᏔᏁᎢ, ᎢᎦᏛ ᎠᏍᎪᎯᏧᏈ ᎤᏁᏉᏤᎢ, ᎢᎦᏛᏃ ᏑᏓᎳᏍᎪᎯ ᎤᏁᏉᏤᎢ, ᎢᎦᏛᏃ ᏦᎠᏍᎪᎯ ᎤᏁᏉᏤᎢ.\nᎬᏂᏳᏉᏃ ᎠᏍᎦᏯ ᏦᏩ ᏧᏙᎢᏛ, ᏗᎦᎳᏫᎩ, ᎤᏓᏅᏘ ᎠᏍᎦᏯ, ᎠᎴ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ,\nᏂᎦᎥᏃ ᎪᎱᏍᏗ ᏓᏉᏙᎥ ᎢᏥᏔᏲᏍᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎢᏯᏆᏛᏁᏗ ᎨᏎᏍᏗ, ᎠᎦᏴᎵᎨᎢ ᎠᏥᎸᏉᏙᏗᏱ ᎤᏪᏥ ᎢᏳᏩᏂᏌᏅᎯ ᎨᏒᎢ.\nᎧᏂᎩᏓ ᎤᏦᎠᏎᏗ.\nᎿᏉᏃ ᎬᏂᏳᏉ ᎠᏆᏓᏅᏛ ᎦᎸᎢᏛ ᏥᎷᏏᎵᎻ ᏫᏥᎦᏘ, ᏂᏥᎦᏔᎲᎾ ᏅᏗᏆᎵᏍᏓᏁᎵᏒ ᎾᎿᏂ,\n“Ꭳ, ᏣᏉᎩ? ᎤᏂᎦᎸ ᏄᏓᏪᏎᎴ ᏌᎳᏓ.\nᎠᏎᏃ ᏰᎵᏉ ᏱᏂᎾᏛᎦ ᎭᏂᏉ ᎮᎮᏍᏗ ᎪᎳ ᎦᎶᏐᏅ ᎢᎪᎯᏓ.\nᏃᎴ ᏧᏓᎴᏅᏓ ᎢᏳᏛᏁᏗ ᎤᏪᎵᏒ ᎨᏎ.\nᎢᏳ ᎠᎴ ᎠᏰᎵ ᎪᏢᏒ ᏔᎵ ᏱᏄᏓᎠ, ᎤᏩᏒᏉ ᏯᏓᏡᏗᎭ, ᎥᏝ ᏰᎵ ᏱᏂᎬᏩᏍᏗᏉ ᎾᏍᎩ ᎠᏰᎵ ᎪᏢᏒᎢ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎯ, ᎢᏳᏃ ᏗᏥᏃᎪ ᏗᎬᏗ ᎦᎪᎵᏍᏗ ᏂᏥᏬᏂᏍᎬᎾ ᏱᎩ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎬᏙᎴᎰᎯᏍᏗ ᏱᎩ, ᏂᏥᏪᏒ ᎢᏥᏬᏂᏒᎢ? ᎦᏃᎴᏍᎬᏰᏃ ᎢᏥᏬᏁᏗᏍᎩ ᎨᏎᏍᏗ.\n“ᎭᏩ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎢᏣᎵᏃᎮᏍᎬ ᏂᎪᎯᎸ ᎤᏓᏅᏘ ᎨᏒ ᎤᎵᏠᏯᏍᏕᏍᏗ, ᎠᎹ ᎤᎶᏥᏛ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᎢᏥᏪᏍᏗᏱ ᏕᏥᏁᏤᎲ ᎾᏂᎥ ᏴᏫ.\nᎤᏣᏘᏰᏃ ᎤᎵᎮᎵᏍᏗ ᎣᎨᎭ ᎠᎴ ᎤᎦᎵᏍᏗ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᏣᏓᎨᏳᏒ ᎢᏳᏍᏗ, ᏛᏗᎦᎵᏍᏙᏗᎭ ᎤᎾᏓᏅᏘ ᏧᏂᎾᏫ ᏕᎯᎦᎵᏍᏓᏕᎲᎢ, ᎥᎩᏅᏟ.\nᏗᎦᎳᏫᎢᏍᏗᏱᏃ ᏭᏴᎸ ᎾᏍᎦᎢᎲᎾ ᎦᏬᏂᏍᎬᎩ, ᏦᎢ ᎢᏯᏅᏙ ᎢᎦᎯᏛ ᏕᎦᏬᏁᏗᏍᎬᎩ ᎠᎴ ᏓᏍᏗᏰᏗᏍᎬᎩ ᎤᏃᎯᏳᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᎤᎬᏩᎵ.\nᎥᎥ… ᎨᏙᎩ ᎠᎾᏗᎰ: ‘ᎤᏥᏯ ᎠᎩᎸᏨ ᎢᏳᏍᏗ ᏄᎵᏍᏔᏅ.’\nᎠᏗᏍ ᎦᎢᏒ ᎠᏰᏟ Ꮓ ᎢᏴ ᎠᏴ ᏗᏥᏁᎸ ᏃᎴ ᎤᎿ ᏗᎦᎴᏅ Ꮎ ᎠᎨᏳᏣ ᎠᏰᏟ ᎢᏴ ᎪᏢᏒ ᎭᎸ ᎢᎳᎯ ᎢᎸᎯᏳ ᏥᎨᏒ ᎤᎾᏁᎵᏛ ᎩᎶ.\nᎿᏉ ᏛᎵᏍᏆᏗ, ᎾᎯᏳ ᎤᎬᏫᏳᎯ ᎨᏒ ᏧᏲᎯᏎᎸᎯ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎠᎦᏴᎵᎨᎢ; ᎾᎯᏳ ᎠᏛᏔᏃᏅᎭ ᏂᎦᏗᏳ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎨᏒ ᎠᎴ ᏂᎦᏗᏳ ᏗᎨᎦᏁᎶᏗ ᎨᏒ, ᎠᎴ ᏚᎾᎵᏂᎬᎬᎢ.\nᏥᏌᏃ ᏂᎦᎥ ᏧᏛᎾ ᏕᎦᏚᎲ ᎠᎴ ᏧᏍᏗ ᏕᎦᏚᎲ ᎤᏪᏙᎸᎩ, ᏓᏕᏲᎲᏍᎬᎩ ᏧᏂᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎠᎵᏥᏙᎲᏍᎬᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎧᏃᎮᏍᎬᎩ, ᎠᎴ ᏕᎧᏅᏫᏍᎬ ᏂᎦᎥ ᏚᏂᏢᎬ ᎠᎴ ᏂᎦᎥ ᎥᏳᎩ ᏴᏫ ᎤᏂᏱᎵᏕᎲᎢ.\nᎠᎴ ᎥᏝ ᎠᏎᎾᎿ ᎤᏴᏍᏗ ᏱᎨᏎᏍᏗ ᎪᎱᏍᏗ ᎦᏓᎭ, ᎠᎴ ᎤᏂᏆᏘᏍᏗ ᏧᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎦᏰᎪᎩ; ᎤᏅᏒᏍᎩᏂ [ᎤᏂᏴᏍᏗ ᎨᏎᏍᏗ ᏚᎾᏙᎥ] ᏗᎪᏪᎵ ᎬᏂᏛ ᎠᏓᏁᎯ ᎪᏪᎵᎯ ᎤᏃᏕᎾᎠᎩᎾ ᎤᏤᎵᎦ.\nᎿᏉᏃ ᎤᎾᎴᏅᎲ ᎣᏍᏛ ᏄᏅᏁᎸ, ᏌᏉ ᎠᎦᏘᏃᎮᎴ ᎠᏍᎪᎯ ᎢᏳᏆᏗᏅᏛ ᎠᏕᎸ ᎤᏚᎩ.\nᏳᏟᏂᎬᎬᎾ ᎤᎾᏏᏁᎢ ᏗᎩᏏ, ᎦᎶᎯᏍᏗ ᎢᏣ ᏭᎧᏖᎢ.\nᎣᎾᏫᏱᏰᏃ ᏗᏓᎴᎲᏍᎪ ᎤᏐᏅ ᎠᏓᏅᏖᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏓᎯᏍᏗᏱ ᎨᏒᎢ, ᎠᎴ ᎠᏓᏲ ᏁᏗᏱ ᎨᏒᎢ, ᎠᎴ ᎤᏕᎵᏛ ᏗᏂᏏᏗᏱ ᎬᏒᎢ, ᎠᎴ ᎦᏃᏍᎩᏍᏗᏱ ᎨᏒᎢ, ᎠᎴ ᎠᏥᎪᏗᏱ ᏓᎾᏓᏱᎵᏙᎲᎢ, ᎠᎴ ᎠᏐᏢᎢᏍᏙᏗᏱ ᎨᏒᎢ.\nᎧᎪ ᎤᏍᏕᎸᎮ ᏌᎳᏓ ᏌᏌ ᎤᏪᏥ ᎤᎪᏏᏓ ᎬᏗ ᎤᎨᎯᏙᎸ ᎠᎴᏴᏍᎩ ᎠᏧᏣ?” \nᎩᎶᏰᏃ ᎠᏆᏕᎰᏍᎨᏍᏗ ᎠᏴ, ᎠᎴ ᎠᏴ ᏥᏁᎬᎢ, ᎤᏓᏑᏴ ᎠᏂ ᏗᎾᏓᏲᏁᎯ ᎠᎴ ᎠᏂᏍᎦᎾ ᎠᏁᎲᎢ, ᎾᏍᎩ ᎾᏍᏉ ᏴᏫ ᎤᏪᏥ ᎤᏕᎰᎯᏍᏗ ᎨᏎᏍᏗ, ᎦᎷᏨᎭ ᎤᏄᏬᏍᏕᏍᏗ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏙᏓ ᎤᏤᎵᎦ, ᎠᏁᎮᏍᏗ ᎨᏥᎸᏉᏗ ᏗᏂᎧᎿᏩᏗᏙᎯ.\n“Ꭵ,” ᎤᏛᏁ ᎦᏂᎦᏔ.\nᎢᎦᎥᏃ ᎤᏂᏁᎢᏍᏔᏅ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏂᎦᎥ ᎪᏚᎢᏍᏛ ᎬᏔᏅᏅᏯ ᏧᏬᏚᎯ ᎠᎴ ᏗᎵᏍᎪᎸᏔᏅᎯ, ᎯᎠ ᏄᏪᏎᎢ;\nᏃᏊᏛ ᏌᎶᎵ ᎤᎪᎮ ᏐᎢ ᎠᎳᏑᎶ.\nᏚᎧᏔᏍᏔᏁᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏥᏣᏛᎩᎭ ᎾᏍᎩ ᏂᎯ ᎢᏥᏯᎡᏍᏗ. ᎢᏳᏃ ᎾᏍᎩ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏥᏣᏛᎩᎭ ᎢᏥᏯᎡᏍᏗ, ᏂᎯ ᎾᏍᏉ ᎡᏥᏯᎡᏍᏗ ᎤᏪᏥ ᎠᎴ ᎠᎦᏴᎵᎨᎢ.\nᏣᏓᏅᏘ ᎡᏙᏓ, ᎡᎶᎯ ᎥᏝ ᏣᎦᏔᎯ ᏱᎩ, ᎠᏴᏍᎩᏂ ᎬᏩᏔᎯᏳ, ᎠᎴ ᎯᎠ ᎠᏂᎦᏔᎯᏳ ᏍᎩᏅᏏᏛ ᎨᏒᎢ.\nᎿᏉᏃ ᏈᏓ ᎤᎧᎵᏨᎯ ᎨᏎ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎢᏥᎬᏫᏳᎯ ᏴᏫ ᏧᎾᏤᎵᎦ ᎠᎴ ᎢᏏᎵ ᏗᏥᎳᏫᏤᎯ,\nᎯᎠᏃ ᏥᎩᎵᎵ ᏣᎧᏔᎮᎢ ᏍᎩᎾ ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏗ ᎤᏕᎵᏍᏛᎢ ᏍᎩᎾ ᎤᏓᎾᏛᎢ ᎨᏍᏓᏗ ᎦᏁᏥ ᏯᏄᏍᏕᎢ.\nᎾᏍᎩᏃ Ꮎ ᎤᎦᏔ ᎠᏫᏍᎩ ᎤᏁᎯ ᏥᎩ, ᎠᎴ ᎦᏚ ᎠᎵᏍᏓᏴᏙᏗ ᎠᏓᏁᎯ ᏥᎩ, ᎢᏥᏁᏗ ᎨᏎᏍᏗ ᎠᎴ ᎤᎪᏓᏗᏍᏗ ᎨᏎᏍᏗ ᎢᏥᏫᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏁᏉᏍᏗ ᎨᏎᏍᏗ ᎢᏣᏓᏅᏘᏳ ᎨᏒ ᎤᎦᏔᏔᏅᎯ;\nᎦᏌᎾᎵ ᏓᏳᏓᎴᏅ ᎦᏩᏙᎣᏍᎨ ᎤᎦᎾᏅ, ᏗᎦᎾᏌᎢ ᎤᏁᏓᏍᏗ ᏕᎨᏰᎢ ᏥᏥ ᏃᎴ ᎩᎦᎨ ᎤᎾᏍᏕᏥ ᏧᏰᎬ ᎢᏳᏓᏅᎯᏓ.\nᏣᏉᎩ?\nᎪᎯᏍᎩᏂ ᏥᎩ, ᎦᎶᏁᏛ ᏥᏌ ᎢᏳᏩᏂᏌᏛ, ᏂᎯ, ᎢᏅᎯᏳ ᏥᏂᏣᏛᎿᏕᎬᎩ, ᎾᎥ ᏕᏣᏘᏃᎸ ᎬᏔᏅᎯ ᎤᎩᎬ ᎦᎶᏁᏛ.\n”ᏲᎾ ᎤᏤᏍᏙ ᎤᏙᏓ ᏍᏉ?”\nᎨᏴ ᎠᏂᏍᏔᏩᏕᎦ ᎠᏂᏲᏍᎩ ᏓᏂᎭᏲᎲ ᎤᎾᎵᏗᎩᏛ.\nᏃᏗ ᏳᏫᏚᏲᏌ, ᎤᎦᏃᏩ ᎤᏃᎴ ᎤᏌᎳᏗᏍᎪᎢ ᎦᎸᎳᏗ.”\n“ᎭᏩ,” ᎤᏪᎵᏎ, “ᎠᏤ ᎣᎩᎾᎵ ᏥᏩᏔ.\nᎥᏝ ᎾᏍᎩ Ꮎ ᎢᎦ-ᎦᏘ ᏱᎨᏎᎢ, ᎧᏃᎮᏍᎩᏉᏍᎩᏂ ᎨᏒᎩ ᎾᏍᎩ ᎢᎦ-ᎦᏘ.\nᎬᏬᎵᏤᏃ ᎾᏍᎩ ᎨᏒ ᎤᏚᎳᏗᏍᏗᏱ ᏧᏰᎸᏎ ᏥᎦᎲᏍᎨ ᎤᏬᏚᎯ ᎦᎶᎯᏍᏗᏱ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ. ᎤᏣᏔᏅᎯᏃ ᎤᏂᏍᏆᏂᎪᏎ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎾᏍᎩ ᏄᎵᏍᏓᏁᎸᎢ.\nᎦᏂᎦᏔ ᏦᎯᏳᎭᏧ ᎠᏂᏬᏂᏍᎬ ᏗᎨᏥᎾᏌᎢ?”\nᎢᏥᏯᏫᏍᎨᏍᏗ, ᎤᎵᏂᎩᏛ ᏕᏥᏂᏴᏎᏍᏗ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎢᏥᏍᎦᏯ ᎨᏎᏍᏗ, ᏗᏣᎵᏂᎩᏗᏳ ᎨᏎᏍᏗ.\nᎤᏥᏐᏅᏤ-Ꭾ ᏅᏗᏕᎵᏍᏙᏗᏍᎨ ᏧᏁᏲᎲᏍᎬ ᏴᏫ, ᎠᎴ ᏥᏌ ᎠᏅᏗᏍᎬ ᎠᎾᎵᏥᏙᎲᏍᎬ ᎠᏲᎱᏒ ᏗᎴᎯᏐᏗ ᎨᏒᎢ.\nᎠᏎᏃ ᎡᎶᎯ ᎤᏙᎴᎰᎯᏍᏗᏱ ᎠᎦᏴᎵᎨᎢ ᏥᎨᏳᎢᏳ ᎨᏒᎢ, ᎠᎴ ᎠᎦᏴᎵᎨᎢ ᎠᎩᏁᏤᎸᎢ ᎾᏍᎩ ᏂᎦᏛᏁᎲᎢ. ᏗᏣᎴᎲᎦ, ᎢᏕᎾ.\nᏓᎾᏏᏛᏂᎲ ᎤᏩᏌ ᎤᏛᎦᏁ ᎡᎳᏆᏗ.\nᎿᏉᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᎠᏂᏉᎵᏏ ᏚᏂᎳᏫᏛᎩ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎪᏙ ᎢᏓᏛᏁᎭ? ᎯᎠᏰᏃ ᎠᏍᎦᏯ ᎤᏣᏔ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎭ.\nᎦᏥᏲᎢᏳᏓᏁᎭᏰᏃ ᎾᏍᎩ ᏂᏚᎾᎵᏂᎬᎬ ᎢᏴᏛ, ᎥᎥ, ᎠᎴ ᎠᏂᎶᏒᏍᏗᏍᎬ ᏂᏚᎾᎢᏂᎬᎬᎢ, ᎤᎾᎵᎦᏟᏴᎯᏉ ᎤᏅᏒ ᎤᎾᏓᏅᏖᏛ;\nᎠᏴᏰᏃ ᏂᏗᎥ ᎢᎬᏱᏗᏢ ᏫᎩᎾᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ ᎦᎶᏁᏛ ᏧᏭᎪᏙᏗᏱ ᎦᏍᎩᎸᎢ; ᎾᏍᎩ ᏂᏗᎥ ᎢᏗᏏᏴᏫᎭ ᎡᎩᏁᏗᏱ ᏄᏍᏛ ᏕᎩᎸᏫᏍᏓᏁᎸ ᏗᏗᏰᎸ ᎬᏗ, ᎾᏍᎩᏯ ᏂᎦᏛᏁᎵᏙᎸᎢ, ᎣᏏᏳ ᏱᎾᎩ, ᎠᎴ ᎤᏲ ᏱᎾᎩ.\nᎯᎠ ᏄᏪᏎᎸᎩ; ᎦᏙ ᎤᏍᏗ? ᏥᏌ ᎯᎠ ᏄᏪᎡᎩ; ᎯᎠ, ᏞᏍᏗ ᏣᏓᎸᎩ; ᏞᏍᏗ ᏣᏓᏲᏁᎸᎩ; ᏞᏍᏗ ᏣᏃᏍᎩᏒᎩ; ᏓᎾᏓᏱᎵᏙᎲ ᏞᏍᏗ ᎦᏰᎪᎩ ᏣᏃᎮᎸᎩ;\nᎨᏆᏂᏃ ᎤᏂᎷᏨ ᎠᏰᎵ ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎬᏩᎷᏤᎴ ᏈᏓ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᏝᏍᎪ ᏗᏤᏲᎲᏍᎩ ᎠᏰᎵ ᏯᏓᏱᏍᎪᎢ?\nᏕᎤᏬᏁᏔᏅᏃ ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᏚᏟᎶᏍᏓᏁᎸᎩ; ᎯᎠ ᏄᏪᏒᎩ; ᎬᏂᏳᏉ, ᎠᏫᏍᎩ ᎤᏫᏒᏎᎢ.\nᎠᏎᏃ ᏧᏁᏨ ᎯᎠ ᏄᏪᏎᎢ; ᎤᏙᎯᏳᎯᏯ ᎢᏨᏲᏎᎭ, ᎥᏝ ᏱᏨᎦᏔᎭ.\nᏥᎦᏔ, ᎠᏋᏌ ᎦᏕᎶᎣ, ᏫᎨᏓ ᎭᎾᏂ.\nᏫᏑᏯᏅᎲᏃ ᎠᏂᏔᎵ ᎠᏍᎪᎯᏧᏈ ᏗᎾᏓᏘᏂᏙᎯ, ᎯᎠ ᏄᏪᏒᎩ; ᏗᏍᏓᏛᏅᎢᏍᏓ ᏔᎵᏧᏈ ᎠᏂᏯᏫᏍᎩ, ᎠᎴ ᎦᎵᏆᏍᎪᎯ ᏧᎾᎩᎸᏗ, ᎠᎴ ᏗᏓᏘᏍᏗ ᏗᏂᏂᏙᎯ ᏔᎵᏧᏈ, ᏏᏌᎵᏱ ᎠᏁᏒᎭ ᏐᎣᏁᎵᏁ ᎢᏳᏟᎶᏛ ᏒᏃᏱ;\nᎿᏉ ᎩᎳ ᏥᎦᎳᏍᏚᎲᏍᎪᎢ, ᎾᏍᎩ ᎢᏥᎪᏩᏛ ᎢᏨᏒᏉ ᎨᏒ ᎢᏥᎦᏔᎰᎪᎩ ᎿᏉ ᎾᎥᏂᏳ ᎨᏒᎢ.\nᎨᎵᏍᎬᏃ ᎠᏂᏴᏫᏯ ᏗᏍᏕᎵᏍᎩ, ᎠᏂᏴᏫ ᎨᎵ, ᎠᏓᏅᏖᏏᏙ ᎤᎬᏫᏳ, ᏍᎩᎾᎾ ᎢᏧᏍᏗ ᏧᎭᏃᏍᏗ ᎠᏇᎵᏒ ᏫᏥᏂ ᏓᎾᏦᏍᎬ. ᏍᎩᏄᏍᏛ ᏓᏆᎭᏄᏬᎥ ᎠᎬᏱ ᏧᏥᏩᏛᎯᏙᎲ ᏓᎭᏃᏫ ᏗᏄᎪᏗᏍᏗ ᏗᎪᏪᎵᏍᎩ ᏧᎷᏫᏍᏔᏁᏗ, ᎭᎾᎾ. ᎠᏓᎴᏂᏍᎬ ᎠᏴᏫ ᎤᏓᏅᏖᏗ, ᎭᎾᎾ ᏍᏉ ᎠᏲᎯᏍᏗᏍᎬ.\nᎠᏎᏃ ᎾᏍᎩ ᎯᎠ ᏁᏍᏗ ᎢᏨᏃᎲᏏ, ᎠᏍᏆᎸᎲ ᎢᏣᏅᏓᏗᏍᏗᏱ ᎾᏍᎩ ᎢᏨᏃᏁᎸᎢ. ᎠᎴ ᎥᏝ ᎾᏍᎩ ᎢᎬᏱᏱᏉ ᏱᏨᏃᏁᎴᎢ, ᎢᏧᎳᎭ ᎢᏕᏙᎲ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ.\nᎾᏍᎩᏯ ᏎᎵ ᎢᎪᎯᏳᎲᏍᎨ ᎡᏆᎭᎻ, ᏍᎩᎾᏝᎢ ᏥᎪᏎᎮᎢ, ᎾᏍᎩ ᏧᏪᏥ ᏥᏂᏣᎵᏍᏗᎭ, ᎢᏳᏃ ᎣᏍᏛ ᏱᏗᏥᎸᏫᏍᏓᏁᎭ, ᎠᎴ ᎪᎱᏍᏗ ᏂᏥᏍᎦᎢᎲᎾ ᏱᎩ.\nᏄᏓᎴᏒᏍᎩᏂ ᎪᎱᏍᏗ ᎤᎵᏍᏆᏗᏗ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᎵᏏᎾᎯᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎢᏥᏯᏫᏍᎬ ᎢᏣᏓᏙᏓᏍᏗᏍᎨᏍᏗ.\nᏍᎩᏃ ᎢᏳᏍᏗ ᎤᏲᎰᏎ ᎦᎸᏓᏱ ᏍᎪᎯᏍᏆ ᏧᏕᏘᏴᏓ ᎠᏕᎭᏲᎲ.\nᎦᎸᎳᏗᏍᎩᏂ ᏅᏓᏳᏓᎴᏅᎯ ᏥᎩ ᎠᏏᎾᏌᏂᏳ ᎨᏒ ᎢᎬᏱᏱ ᎦᏓᎭ ᏂᎨᏒᎾ ᎨᏐᎢ, ᎿᏉᏃ ᎪᎯᏍᏗᏍᎩ, ᎠᎴ ᎤᏓᏅᏘ, ᎠᎴ ᎤᏬᎯᏳᎯᏍᏛ, ᎠᎴ ᎠᎧᎵᏬᎯ ᎠᏓᏙᎵᏍᏗ ᎨᏒᎢ ᎠᎴ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᏄᏓᎸᏉᏛᎾ, ᎠᎴ ᎤᏠᎾᏍᏗ ᏂᎨᏒᎾ.\nᎯᎠ ᏂᎦᏪᏍᎨᎢ; ᏗᏥᏁᏟᏴᎾ ᏕᏣᏓᏅᏛᎢ, ᎿᏉᏰᏃ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎡᏍᎦᏂᏳ ᏓᏯᎢ.\nᎠᏎᏃ ᎢᏓᎵᏅᏟ, ᎤᏟ ᎢᎦᎢ ᏂᏥᎾᏰᏍᎬᎾ ᏫᏨᏲᏪᎳᏏ ᎢᏨᏯᏅᏓᏗᏍᏗᏍᎬᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎳᏅᎯ ᎠᎩᏁᎸ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ,\nᎠᎾᏓᏤᎵ ᎢᎦᏪᏍᏗ ᎦᏣᏄᎸ ᎠᎵᏍᎩᏓ.\nᎦᎶᏁᏛᏍᎩᏂ ᎠᎦᏅᎩ ᎾᏍᎩᏯ ᏄᏓᎵᏓᏍᏛᎾ ᎨᏒᎩ ᎤᏩᏒ ᏚᏓᏘᎾᎥᎢ; ᎾᏍᎩ Ꮎ ᏚᏓᏘᎾᎥ ᎢᏖᎳ ᏥᎩ, ᎢᏳᏃ ᎤᎵᏂᎩᏛ ᏱᏗᎩᏂᏴᎭ ᎬᎵᏍᏆᏗᏍᎩ ᎾᏍᎩ Ꮎ ᎢᎦᎵᏍᎦᏍᏙᏛ ᎠᎴ ᎢᏓᏢᏈᏍᏙᏗᏍᎬ ᎤᏚᎩ ᎬᏗ ᎨᏒᎢ.\nᎯᎠᏃ ᎢᏣᏅᏖᏍᏗ, ᎢᏳᏃ ᎠᏍᎦᏯ ᎦᏁᎳ ᏱᎠᎦᏔᎮ ᎢᏳᏉ ᎦᏃᏍᎩᏍᎩ ᎤᎷᎯᏍᏗᏱ, ᏳᏯᏫᏎᎢ, ᎠᎴ ᎥᏝ ᎤᏁᎳᎩ ᏩᎩᏴᏏ ᎦᎵᏦᏕ ᏱᎬᏪᎵᏎᎢ.\nᎠᎬᏱ ᎠᎵᏍᏔᏴᎲᏍᎨᎢ ᏥᏍᏕᏥ.\nᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ. ᎡᎺᏅ.\n”ᎡᎭ!” ᎤᏪᎷᏁ ᎡᎳᏆᏗ.\nᏃᏗ, ᎤᏩᎨᏫᏎ ᏫᎵᎻ ᏑᎾᎴ ᎤᎵᏍᏓᏴᏗ, ᏗᏓᏁᎸ ᎢᏣ ᎤᏪᏅᏎ, ᎰᎻ ᏭᏯᏅᎮ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏣᏘ ᎢᎶᏟᏂᎬᏁᎲ ᎢᏦᎯᏳᏒ ᏔᎵ ᎢᏨᏗᏍᎨᏍᏗ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒᎢ; ᎠᎴ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᏔᎵ ᎢᏨᏗᏍᎨᏍᏗ ᎠᎪᏙᎥᎯᏍᏗ ᎨᏒᎢ;\nᎠᏥᏁᏤᎴᏃ ᎯᎠ ᏅᏗᎠᏥᏪᏎᎴᎢ; ᏈᏓ, ᏔᎴᎲᎦ, ᎯᎷᎦ ᎠᎴ ᎭᎵᏍᏓᏴᎲᎦ, ᎠᎪᏎᎴᎢ.\nᎥᏝᏰᏃ ᏅᏩᏓᎴ ᎪᎱᏍᏗ ᏱᏨᏲᏪᎳᏁᎭ, ᎾᏍᎩ Ꮎ ᎤᏩᏒ ᏥᏥᎦᏔᎭ ᎠᎴ ᎾᏍᏉ ᏥᏕᏣᏓᏂᎸᏨ; ᎠᎴ ᎤᏚᎩ ᎠᏋᎭ ᎬᎵᏍᏆᏗᏍᎩ ᏗᏣᏓᏂᎸᎢᏍᏗᏱ ᎨᏒᎢ;\nᏒᎦᎾᏲᎪ, ᎠᎪᎾ ᎠᎩᏲᏏᏍᎬ ᏯᎩᎵᏬᏤ ᏍᎩᎾᎾ ᎢᎪᎯᏓ ᏯᎩᎦᏘᏓ.\nᎤᎾᏙᏓᏆᏍᎬ ᏑᎾᎴ ᎪᏱᏁᎢ, ᎡᎶᏗ ᏃᎴ ᏲᎾ ᎤᏤᏍᏙ ᎠᎾᎵᏍᏓᏴᎲᏍᎨ ᏑᎾᎴ ᎠᎵᏍᏓᏴᏗ.\nᎠᏎᏃ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎤᏂᎪᎲ ᎤᏪᏥ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ; ᎾᏍᎩ ᎯᎠ ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗ; Ꭷ ᎡᏗᎷᎦ, ᎠᎴ ᎡᏗᏬᏅ ᎤᏤᎵ ᏳᎵᏍᏙᏗ ᏥᎩ.\nᎠᏥᏍᏛᏗᏍᏔᏁ ᏳᏬᎯᏳᏅᎾ ᎨᏒ ᏥᏔᎦ ᏧᎪᎳ ᏧᏭᏔᎩᏍᏗ.\nᏃᏉᏗ ᏚᏯᏪᎨ.\nᎠᏎᏉ ᏱᎾᎩᏪᏌ, ᎠᎬᏱᏣ ᎢᏣ ᎨᏒ ᎣᎯᏍᏙᏗ ᎡᏍᎦᏉ ᎣᎭᏁ ᎢᏣ.\nᏃᏗ ᏄᏟᏂᎬᎬ ᎤᏐᎸᏓᎩᏎ ᎠᎬᏱᏣ ᎦᏅᏌᏛ ᎬᏗ.\nᏥᏌᏰᏃ ᎤᏩᏒ ᎯᎠ ᏄᏪᏒᎩ; ᎠᏙᎴᎰᏍᎩ ᎥᏝ ᎠᏥᎸᏉᏗᏳ ᏱᎨᏐ ᎤᏩᏒ ᎤᏤᎵᎪᎯ.\nᎿᏉᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏥᏁᎫᏥ, ᎠᎴ ᎢᏣᏓᏅᏛ ᎢᏥᏍᎦᏃᎵᏳ ᎢᏦᎯᏳᏗᏱ ᏂᎦᎥ ᏄᏂᏪᏒ ᎠᎾᏙᎴᎰᏍᎩ!\nᏃᎴ ᏍᎩᎾᎾ ᎢᏴ ᏓᎫᏩᏓᎴᏅᏓ ᎤᏐᏱ ᎾᎾᏛᏁᎰ ᎧᏅᏂᏍᎩ.\nᎩᎶᏰᏃ ᎤᏚᎵᏍᎨᏍᏗ ᎤᏍᏕᎸᏗᏱ ᎬᏅᎢ ᎤᏲᎱᏎᏗ ᎨᏎᏍᏗ; ᎩᎶᏍᎩᏂ ᎬᏅ ᎤᏲᎱᏎᎮᏍᏗ ᎠᏴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎤᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᎤᏓᏅᏘ ᎨᏒᎢ, ᎠᎵᏏᎾᎯᏍᏗ ᎨᏒᎢ; ᎾᏍᎩ ᎢᏳᏍᏗᏓᏂ ᏗᎦᏘᎴᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎥᏝ ᏯᎭ.\nᏑᎾᎴ ᏱᏄᎵᏍᏔᎾ ᏄᏓᎴ ᎠᏕᎲᏍᎨ ᎤᏃᏕᎾ ᎠᏓᎯ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎦᏙ ᏓᏓᏛᏂ? ᎾᏍᎩ Ꮎ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎾᏍᎩ ᎠᏚᏓᎴᏍᏗ ᎨᏒ ᏄᏂᏍᏓᏩᏛᏒᎾ ᎨᏒ, ᎾᏍᎩ ᎠᏚᏓᎴᏍᏗ ᎨᏒ ᎤᏂᏩᏛᎲ, ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᎠᏚᏓᎴᏍᏙᏗ ᏥᎩ.\nᎤᎬᏫᏳᎯᏃ ᎤᏲᎢᏳ ᎤᏰᎸᏁᎢ, ᎠᏎᏃ ᎤᏎᎵᏔᏅᎢ, ᎠᎴ ᎾᏍᏉ ᎾᏍᎩ ᎠᎾᎵᏍᏓᏴᎲᏍᎩ ᏅᏧᎵᏍᏙᏔᏁᎢ, ᎤᏁᏤ ᎠᏥᏁᏗᏱ.\n”ᏂᎯᏗ ᏍᏉ!” ᎤᏛᏁ ᎡᎳᏆᏗ, ᎤᎾᎵᎪ ᏩᎶᏏ ᎠᎵᏖᎸᏂᎮᎢ.\nᎠᏎᏃ ᏂᏗᎥ ᎢᏗᏏᏴᏫᎭ ᎡᎩᏁᎸ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎾᏍᎩᏯ ᎠᏟᎶᎥ ᎦᎶᏁᏛ ᎤᏓᏁᏗ ᎨᏒᎢ.\nᎾᎿ ᎠᏴ ᏗᎩᎸᏫᏍᏓᏁᎯ ᏅᏋᏁᎸ ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᎤᏓᏁᏤᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏴ ᏨᎩᏁᎸ ᏂᎯ ᎢᏣᎵᏍᏕᎸᏙᏗ, ᎾᏍᎩ ᎠᎧᎵᎢ ᎠᏆᎵᏥᏙᏗᏱ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ;\nᎾᏒᎦ!\nᎠᏑᏫᏓ ᏔᏯ ᎠᏓ ᎢᏳᏍᏗ ᎤᎵᏑᏫᏓ ᎨᏒ ᏣᎵ ᎤᏁᎦᎸ, ᎤᎧᏛ ᏃᎴ ᎠᏴᏤᏂ ᎤᏓᏁᎪᏴᏓ, ᏰᎵᏉ ᎠᎫᏬᏰᏂ ᎦᎵ ᏣᎫᏲᎰᏎᏗ ᏓᎬᎾ ᎤᏓᏁᎪᏳᎲ.\nᎠᎴ ᏫᎬᏩᎷᏤᎴ ᏂᎬᎾᏛ ᏧᏗᏱ ᎠᎴ ᏥᎷᏏᎵᎻ ᎠᏁᎯ, ᎠᎴ ᏂᎦᏛ ᎾᏍᎩ ᏚᎾᏬᎡ ᏦᏓᏂ ᎤᏪᏴᎢ, ᎤᏂᏍᎦᏅᏨ ᎠᏂᏃᎲᏍᎨᎢ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᎦᏳᎳ ᎢᏨᏃᏁᎸ ᎠᏴ ᎾᏍᎩ ᎨᏒᎢ. ᎢᏳᏃ ᎠᏴ ᏍᎩᏲᎮᏍᏗ, ᎯᎠ ᎤᎾᏁᎳᎩ ᏩᎾᏓᏅᎾ;\nᎠᏣ ᎤᏃᎴ ᎠᏲᏙᏗ ᎤᏗᎴᎩ ᎠᏛᎴᏛ ᎠᎧᎵᏔᏅ.\nᎭᎴᏉ ᏄᎴᏫᏍᏔᏁ ᎤᏓᏅ ᏙᎩ ᏫᎵᎻ ᎤᏕᎶᎰᏌ ᏂᎦᎵᏍᏗᏍᎬ.\nᎤᏬᏪᎳᏅᎩᏃ ᎯᎠ ᏫᏄᏪᏎᎸᎩ;\nᎤᏣᏘᏃ ᎡᎯᏍᏗ ᎤᏓᏅᏖ ᎤᏟ ᎢᏳᎵᏂᎩᏛ ᎤᏓᏙᎵᏍᏔᏁᎢ; ᎠᎴ ᎠᎵ ᎤᎯᎲ ᎾᏍᎩᏯ ᎨᏎ ᎩᎬ ᎡᏉᎯᏳ ᎦᏙᎯ ᏥᏫᏗᎦᏬᎪᎢ.\nᎡᎵᏍᎨᎢᏃ ᏄᏩᏁᎰᏁᏍᏗ ᏃᎴ ᎦᏳᎳ ᎤᏪᏅᏒ ᎨᏎᏍᏗ ᏯᏂᎷᎬᎾᏉ ᎠᏂᏲᏍᎩ.\nᎠᎴ [ᏥᏌ] ᎯᎠ ᏄᏪᏎᎴᎢ, ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎤᏣᏘ ᏚᏕᎳᏍᏔᏁᎢ, ᎠᎴ ᎤᏂᏣᏘ ᏫᏚᏯᏅᎮᎢ;\nᎠᏎᏃ ᎤᏙᎴᎰᏎ ᎠᏂᏏᎾᏌᏅᎬᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏍᎩᏌᏛᎥᏍᎦ?\nᎥᏝ ᏱᏗᏣᏍᏗᎬᏎᎸ ᎠᏴ ᏦᎩᎾᏫ; ᎢᏨᏒᏍᎩᏂ ᏗᏥᎾᏫ ᏚᏍᏗᎬᏒ.\nᎾᏃ ᎠᏂᏍᎦᏅᎩ ᏕᎯᎬᏍᎪᎸᎥᏍᎨᏍᏗ ᏂᎦᏛ ᎠᏂᎦᏔᎲᎢ, ᎾᏍᎩ ᎠᏂᏐᎢ ᎾᏍᏉ ᎤᏂᎾᏰᏍᏗᏱ.\nᎾᎯᏳ ᏓᏣᏙᎴᎰᏏ ᎠᏴ ᎡᏙᏓ ᏥᏯᎥᎢ, ᎠᎴ ᏂᎯ ᏍᎩᏯᎥᎢ, ᎠᎴ ᎠᏴ ᎢᏨᏯᎥᎢ.\nᏂᎬᎾᏛ ᎡᎶᎯ ᏛᎾᏛᎦᏂ ᏂᏣᏛᏁᎸᎢ.\nᏕᏥᏲᎵᎸᎭ ᏈᏏᎳ ᎠᎴ ᎡᏈᎳ, ᎢᏧᎳᎭ ᏦᎩᎸᏫᏍᏓᏁᎯ ᎦᎶᏁᏛ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎯᎠ ᏄᏪᏎᎴᎢ; ᏔᎴᎲᎦ ᎠᎴ ᎭᏘᏄᎦ ᎠᏲᎵ ᎠᎴ ᎤᏥ, ᎠᎴ ᎮᎾ ᎢᏏᎵᏱ, ᎿᏉᏰᏃ ᏚᏂᏲᎱᏒ ᎠᏲᎵ ᎬᏅ ᏧᏂᏲᎲᎩ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᏣᏁᏢᏔᏅᏛ ᎠᏁᏙᎯ ᎨᏎᏍᏗ ᎾᎿ ᎤᎾᏤ-ᎵᎪᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᎾᎿ ᎠᏁᎯ ᏙᏓᎬᏩᏂᎾᏢᏂ ᎠᎴ ᎤᏲ ᏅᏓᎬᏅᏁᎵ ᏅᎩᏧᏈ ᏧᏕᏘᏴᏛ.\nᏗᎪᏍᏔᏱ ᏚᏂᏑᎦᏢ ᎫᏩᎾᎳᏍᏛᏅ ᎾᏍᎩᏯ ᏓᎭᏃᏫ ᏗᎦᎵᎥᏂᏍᏙᏗ ᎠᏥᎵᎥᎭᏂᎸ ᏄᏍᏕ.\nᎿᏉᏃ ᏈᏓ ᎯᎠ ᏂᎤᏪᏎᎢ, ᎬᏂᏳᏉ Ꭰ-Ᏼ ᏂᎦᏗᏳ ᏙᎩᏲᏐᏅ, ᎠᎴ ᎢᏨᏍᏓᏩᏕᏅ.\nᎠᎴ ᎩᎶ ᎤᏤᎵ ᏧᏓᎿᏩᏛ ᎾᏱᏍᎬᎾ ᎠᎴ ᎾᎩᏍᏓᏩᏕᎬᎾ ᎢᎨᏎᏍᏗ, ᎥᏝ ᏰᎵ ᎠᎩᏍᏓᏩᏗᏙᎯ ᏱᏅᎦᎵᏍᏓ.\nᎬᏂᏳᏉᏃ ᏂᎦᏗᏳ ᏍᎦᏚᎩ ᏧᏂᏄᎪᏤᎢ, ᏥᏌ ᏕᎬᏩᏠᏏᎴᎢ; ᎬᏩᎪᎲᏃ ᎬᏩᏔᏲᏎᎴ ᎤᏓᏅᏍᏗᏱᏉ ᎤᎾᏤᎵᎪᎯ ᎨᏒᎢ.\nᎨᏍᏗ ᏱᏥᎦᏔᎮ ᎢᏳᏍᏗ ᎠᏂᏃᎮᏍᎬ, ᎠᎴᏃ ᎠᎨᏯ ᏣᎦᏨᏍᏔᏅ ᎠᏗᏍᎩ ᎠᏎᏃ Ꮳ.\nᏥᏌ ᎤᏁᏤᎢ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎢᏳᏃ ᏱᎯᎦᏔᎮ ᎤᏁᎳᏅᎯ ᎤᏓᏁᏗ ᏥᎩ, ᎠᎴ ᏱᎯᎦᏔᎮ ᎯᎠ ᎾᏍᎩ ᏥᏂᏣᏪᏎᎭ, ᎠᏆᏗᏔᏍᏗ ᏍᎩᏁᎲᏏ; ᏨᏒ ᏱᏔᏲᏎᎴᎢ, ᎠᎴ ᏱᏣᏁᏁᎴ ᎬᏂᏛ ᎠᎹ.\nᎡᎳᏗᏃ ᎤᏅᏨ ᎤᏛᎦᏁ ᎩᎶ ᎧᏁᎬᎢ ᎯᎠ ᏄᏪᏎᎲᎢ; ᏐᎳ, ᏐᎳ, ᎦᏙᏃ ᎤᏲ ᏂᏍᏋᏁᎭ?\nᏙᏱᏗᏢᏍᎩᏂ ᎠᏁᎯ ᎤᏁᎳᏅᎯ ᏕᎫᎪᏓᏁᎰᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎡᏥᏄᎪᏩ ᎢᏤᎲ ᎾᏍᎩ Ꮎ ᎠᏍᎦᎾᎢ.\nᏑᎾᎴ ᏚᎸᏌᏛ ᎦᎶᏍᎨᎢ ᎩᎦᎨ ᎤᏍᎪᎢ ᏗᎦᎴᏂ.\nᎠᏴᏣᏗᏍᏗ ᎠᎩᏠᏫᏍᏗ ᎧᏁᏍᎦ ᎤᏂᏍᏆᏂᎪᏙᏗ ᎦᎸᎳᏗ.\nᎠᎴ ᏥᏌ, ᎾᏍᎩ ᏣᏍᏓ ᏣᎪᏎᎰᎢ; ᎾᏍᎩ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᏥᎩ. ᎾᏍᎩ ᎤᏅᏒ ᎢᏧᎳᎭ ᏦᎩᎸᏫᏍᏓᏁᎯ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᎤᎬᏩᎵ, ᎾᏍᎩ ᎬᎩᎦᎵᏍᏓᏗᏍᎬᎩ.\nᏚᏏᎳᏓ ᏫᎵᎻ ᎤᎶᎯᏍᏗ ᎦᎸᎳᏗᏣ.\n“ᎤᏔᎷᎩᏍᎩ ᏍᎩᎾᎾᏂ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ, ᏭᏩᏅᏓᏕ ᏣᏕᎲᏍᎨᎢ.\nᏚᎧᎿᏅᏃ ᎠᎴ ᎤᏍᎦᎸ ᎯᎠ ᏄᏪᏎᎢ; ᎦᏙᎢ, ᏣᎬᏫᏳᎯ. ᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᎭᏓᏙᎵᏍᏗᏍᎬ ᎠᎴ ᎭᏓᏁᎸᎥᏍᎬ ᏚᎵᏌᎳᏓᏅ ᎠᏅᏓᏗᏍᏙᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\nᎠᎴ ᏚᏅᏍᏓᏕᎸ ᎬᏂᎨᏒ ᎢᎬᏩᏁᏗᏱ.\nᎠᏰᎳᏍᏗᏃ-ᎦᏅᎯᏛ ᏧᏂᏅᎢᏍᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏗᎨᏥᏴᎩᏅᎯ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏁᏩᏗᏒ ᏫᏗᎨᎦᏘᏅᏍᏛᏗ ᎨᏎᏍᏗ; ᏥᎷᏏᎵᎻᏃ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᎾᎳᏍᏓᎡᏗ ᎨᏎᏍᏗ, ᎬᏂ ᎠᏍᏆᏛᎭ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎨᎦᏓᏁᎳᏁᎸᎯ ᎨᏒᎢ.\nᎠᎴ ᎾᏍᏉ ᎪᏪᎴ ᎤᎵᏍᏓᏛ ᎦᎸᎳᏗᏢ ᎠᏂᎪᎢ ᎤᏂᏬᏂᎯᏍᏗ, ᎠᎴ ᎠᏂᎶᎻ ᎤᏂᏬᏂᎯᏍᏗ, ᎠᎴ ᎠᏂᏈᎷ ᎤᏂᏬᏂᎯᏍᏗ ᎪᏪᎴ ᎯᎠ ᏂᎬᏁᎢ; ᎯᎠ ᎤᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ.\nᏂᎦᏛᏃ ᏥᏳᎯ ᎣᎦᏣᎢ ᏔᎵᏧᏈ ᎦᎵᏆᏍᎪᎯ ᏑᏓᎵᎦᎵ ᏃᏥᎥᎩ ᏴᏫ.\n“ᎠᏆᏓᏅᏙᎩ ᎢᏴ ᎠᏆᏒᏂᎦ!” \nᎤᏁᎷᏅᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎢᏥᏍᎦᏯ, ᎢᏏᎵ ᏧᏪᏥ, ᏍᎩᏍᏕᎸ! ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ ᎾᏍᎩ ᏥᏕᎨᏲᎲᏍᎦ ᎾᏂᎥ ᏴᏫ ᏂᎬᎾᏛᎢ, ᏥᏓᏡᏗᎭ ᎯᎠ ᏴᏫ ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎠᏂ ᎨᏒᎢ, ᎠᎴ ᎾᏍᏉ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏥᏚᏴᏔᏂᎸ ᎠᏂᎪᎢ, ᎠᎴ ᎦᏓᎭ ᏥᏄᏩᏁᎸ ᎠᏂ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\nᎬᏂᏳᏉᏃ, ᎩᎶ ᎢᏳᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎪᏏᏏᏍᎩ ᏚᎴᏁᎢ, ᎠᎴ ᎤᎪᎵᏰᏍᎬ ᎯᎠ ᏄᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᎦᏙ ᏯᏆᏛᏁᎸ ᎠᏆᏤᎵ ᏱᏂᎦᎵᏍᏓ ᎬᏂᏛ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ?\nᎩᎶᏍᎩᏂᏃᏅ ᎠᎩᎾᏝᎢ ᏂᎨᏒᎾ, ᎠᏎᏃ ᎾᏂᎥ ᎬᎩᎾᏝᎢ ᎾᏆᏓᏛᏁᎸ, ᎾᏍᎩ ᎤᏟ ᎢᏯᏂᎢ ᎬᎩᏁᏉᏤᏗᏱ.\nᎠᏓᎴᏴᏗᏍᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏴ ᎾᏍᏉ, ᎣᎦᏛᎦᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎥᏝ ᏲᏥᏲᎯᏍᏗᏍᎪ ᎣᏣᏓᏙᎵᏍᏗᏍᎬ ᎠᎴ ᎣᏥᏔᏲᎯᎲ ᎾᏍᎩ ᎠᏓᏅᏖᏍᎬ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎢᏥᎧᎵᎢᏍᏗᏱ, ᎾᏍᎩ ᏂᎦᎥ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᎴ ᎠᏓᏅᏙ ᎤᎬᏩᎵ ᎪᎵᏥᏓᏍᏗ ᎨᏒᎢ;\nᎢᎦ ᏒᎮᏱᏣ ᎡᎳᏗ ᎢᎦᏘ ᎦᏍᎩᎶᎩ ᎤᏬᏞ ᏲᎾ ᎤᏤᏍᏙ, ᎤᏓᏂᎵᎨᎢ ᎤᏃᏕᎾ ᎤᏴᎵᎴ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᏫᎵᎻ ᎠᏩᏛᎯᏙ.\nᎾᎯᏳ ᏥᏌ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ; ᎬᏯᎵᎡᎵᏤᎭ ᎡᏙᏓ, ᏣᎬᏫᏳᎯ ᎦᎸᎳᏗ ᎠᎴ ᎡᎶᎯ, ᎾᏍᎩ ᎯᎠ ᏥᏕᎲᏍᎦᎳᏁᎸ ᎠᏂᏏᎾᏌᏂ ᎠᎴ ᎠᏁᏯᏔᎯ, ᏗᏂᏲᎵᏃ ᏥᏕᎯᎾᏄᎪᏫᏎᎸ.\n“ᎬᏲᎵᎭᏛ ᎤᏛᏁ ᎩᎶᎢ.\nᏂᎦᏓ ᏏᏓᏁᎸ ᎠᏂᏌᏛᎥᏍᎩ ᎨᏎ.\nᎣᏏᏉᎨ ᎾᎾᏛᏁᎮ?\nᏐᎳᏍᎩᏂ ᎤᏣᏘ ᎤᏲ ᏂᏕᎬᏁᎮ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏈᎬᎢ, ᏓᏴᎵᏙᎮ ᏓᏓᏁᎳᏗᏒᎢ, ᏕᎦᎾᏌᏁᏏᏙᎮ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ, ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᎠᏴᏗᏍᎨᎢ.\nᎦᎸᎳᏗᏍᎩᏂ ᎡᎯ ᎾᎿ ᎤᎬᏫᏳᎯ ᎨᎡ ᎠᏁᎯ ᏓᎨᏥᏄᎪᏫᏏ ᏫᏙᏓᎨᎦᏓᎡᏏ ᏧᎵᏏᎬ ᏙᏱᏗᏢ, ᎾᎿ ᏓᏂᏴᎨᏍᏗ, ᎠᎴ ᏓᏂᎸᏓᎩᏍᎨᏍᏗ ᏓᏂᏄᏙᎬᎢ.\nᎠᎴ ᎦᎪ ᎢᏳᏍᏗ ᎠᎨᏴ ᎠᏍᎪᎯ ᏱᏚᎭ ᎠᎩᏏ ᏧᎾᎬᏩᎶᏗ, ᎢᏳᏃ ᏌᏉ ᏳᏲᎱᏎᎸ, ᎥᏝ ᏯᏨᏍᏛᏍᎪ ᎠᏨᏍᏙᏗ ᎠᎴ ᏱᎬᏃᏌᏍᎪ ᎦᎵᏦᏕ, ᎠᎴ ᎤᎵᏏᎾᎯᏍᏗ ᏳᏲᎰ ᎬᏂ ᎠᏩᏛ?\nᏕᏥᎧᏅᏍᎪ, ᏂᏥᎪᏩᏘᏍᎬᎾᏃ ᎢᎩ? ᏕᏥᎵᎷᎦᏍᎪ, ᏂᏣᏛᎩᏍᎬᎾᏃ ᎢᎩ? ᎠᎴ ᏂᏣᏅᏓᏗᏍᎬᎾᏍᎪ ᎢᎩ?\nᎬᏂᎨ ᏧᎳᏍᎩ ᎠᎹ ᏗᎵᏥᏍᎬ ᏚᏩᎭᏂᏍᏔᏅ.\nᎤᏫᏒᏃ ᎢᎦᏛ ᏅᏃᎱᎶᏗ ᎤᎳᎨᏯᏛᏤᎢ, ᏥᏍᏆᏃ ᎤᏂᎷᏤ ᎠᎴ ᎤᏄᏘᏐᏁᎢ.\nᏐᏈᎵ ᏃᎴ ᎤᏂᏃᏕᎾ ᎤᏂᏴᏍᏗ ᏂᏕᎬᏁ ᏃᎴ ᏩᎦ ᏗᎨᎵᏌᏛᏗ ᎡᎳᏗᏣ ᏃᎴ ᏫᎵᎻ ᎤᏴᏍᏗ. ᏍᏈᏍᏓ ᎠᎾᎡ, ᏗᏴᏣᏗᏍᏗ, ᏗᏍᏙᏍᏙᏗ ᏅᏯ, ᎦᏄᎸ ᏗᏣᎦᏍᏙᏗ, ᎤᏅᏗ ᏗᏥᏍᏙᏗ, ᎠᎹ ᏗᏥᏍᏙᏗ, ᎤᏂᏥ ᏗᎪᏓᎩᏍᏙᏗ, ᏧᎦᏣᏅᎪᏥᏓ ᏥᏍᏕᏥ ᏗᏌᏛᏙᏗ, ᏧᏏᏩ ᎤᎧᏔ ᏗᎦᏅᏙᏗ, ᏗᏍᏓᏱᏗᏍᏙᏗ ᏃᎴ ᎧᏁᏍᎦ ᎫᏔᎩᏍᏙᏗ ᏴᎩ.\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎥᏝ ᎢᎸᎯᏳ ᎪᎩ ᎢᏳᏓᎴᏅᏛ ᏴᎦᎦᏗᏔ ᎯᎠ ᏖᎸᎳᏗ ᎤᎾᏄᎪᏫᏒᎯ, ᎬᏂ ᎾᎯᏳ ᎢᎦ ᎢᏧᎳᎭ ᎢᏤ ᎢᏓᏗᏔᎲᎭ ᎡᏙᏓ ᎤᏤᎵᎪᎯ.\nᎿᏉᏃ ᎤᎬᏫᏳᎯ ᎤᏛᎦᏅ ᎤᏔᎳᏬᏎᎢ, ᎠᎴ ᏚᏅᏎ ᏧᏤᎵ ᎠᏂᏯᏫᏍᎩ, ᎠᎴ ᏫᏚᏂᎴ ᎾᏍᎩ ᏧᎾᏓᎸᎯ, ᎠᎴ ᏭᎾᎪᎲᏍᏔᏁ ᎤᏂᏚᎲᎢ.\nᎿᏉ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎠᏂᏧᏏ ᎬᏬᎯᏳᎲᏍᎩ; ᎢᏳᏃ ᏕᏥᎧᎿᏩᏗᏎᏍᏗ ᎠᎩᏁᏨᎢ, ᎤᏙᎯᏳᎯᏯ ᏍᎩᏍᏓᏩᏗᏙᎯ ᎨᏎᏍᏗ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏁᎳᎩ; ᎦᏙᏃ ᎢᎡᏣᏕᏯᏙᏗᎭ? ᎣᏏᏳ ᏕᎤᎸᏫᏍᏓᏏ ᏥᎾᏋᎦ.\nᎤᏓᏅᎯᏓ ᎢᎦ ᎢᏳᏍᏗ ᎾᏆᎵᏍᏔᏁ.” \nᎡᏆ ᎧᏁᏌᎢ ᏃᎴ ᎢᏤᎯ ᎯᏑᏫᏒ ᏃᎴ ᎠᏕᎳ ᏓᎶᏂᎨ ᎠᏑᏫᏍᏗ ᎲᏔᏅ ᏕᎰᏪᎳᏅ!”\nᏥᏲᎲ ᎩᎶ ᎦᏥᏅᏁᏗ ᎪᏪᎵ.\nᎾᏍᎩ ᎾᏍᎦᏅᎾ ᎢᏳᏩᏁᏗᏱ ᎦᏅᎦᎵᏍᎬᎢ ᎧᏃᎮᏛ ᎬᏗᏍᎬᎢ ᎠᎹ ᏥᎪᏑᎴᏗᏍᎪ ᎾᏍᎩᏯᎢ.\nᎠᏰᎳᏍᏘ ᎬᏘ ᎤᏍᏛᎪᏒ ᎤᎵᏓᏍᏔᏅ, ᎠᏣᏗ ᎤᎪᎳ ᎦᏓᏫᏔᏅ ᎤᎵᎨᏯᏛᏅ ᎤᏲᏍᏔᏅ ᎪᏪᎵ, ᏥᏳᎪᏘ ᏭᏬᏪᎳᏅ ᏄᏪᏒ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ.\nᏂᎦᎥ ᎪᎱᏍᏗ ᎤᏁᎳᎩ ᎥᏇᎵᏎᎸ, ᎠᏎᏃ ᎥᏝ ᏂᎦᏗᏳ ᎬᏩᏓᏍᏕᎸᏗ ᏱᎩ; ᏂᎦᎥ ᎪᎱᏍᏗ ᎤᏁᎳᎩ ᎥᏇᎵᏎᎸ, ᎠᏎᏃ ᎥᏝ ᎠᎩᎾᏝᎢ ᏱᎨᏎᏍᏗ ᎪᎱᏍᏗ.\nᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏓᏅᏒᎩ, ᎠᎴ ᏫᏚᏃᏁᎸᎩ ᎠᏂᏧᏏ, ᏥᏌ ᎤᏅᏩᏅᎯ ᎨᏒᎢ.\nᏙᏱ ᏗᏣ ᎦᎶᎯᏍᏗ ᏭᏅᎪᏤ ᎦᎸᎶᎢ ᎢᏣ, ᏩᎶᏏ ᎤᎾᎵᎪ.\n”ᏌᎳᏓ?” ᎤᏛᏁ ᎡᏝᏪᎯ.\nᎠᏴᏫᏯ ᏱᎩ, ᎠᏰᎵ ᎠᏴᏫᏯ ᎨᏎ ᎤᎵᏏ. ᎠᏎᏃ ᏰᎵᏉ ᎨᏎ.\nᎤᎾᏚᏓᎸ ᎠᏁᎵᏍᎨ ᏂᎦᏓ ᏧᏂᏃᎯᏎᏗ ᎨᏍᏗ ᎢᎪᎯᏓ ᎪᎩ ᏱᎨᏎᏍᏗ.\nᎯᎠᏃ ᏄᏪᏎ ᏚᏟᎶᏍᏓᏁᎴᎢ; ᏥᎪᏗᎨᏫ ᏰᎵᏉ ᏯᏘᏄᎦ ᏗᎨᏫ? ᏝᏍᎪ ᎢᏧᎳ ᎠᏔᎴᏒ ᏱᏙᎬᏂᎸᎩ?\nᎣᎦᏙᎴᎰᏒᏰᏃ ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏣᏔᏅᎯ ᎤᏕᏯᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎦᏂᎳᏗᏍᎩ ᏧᏓᎴᏅᏛ ᏂᎦᏛ ᎠᏂᏧᏏ ᎠᏁᎲ ᏂᎬᎾᏛ ᎡᎶᎯ, ᎠᎴ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᎤᎾᎵᎪᏒ ᎾᏎᎵᏂ ᏧᎾᏙᎢᏛ.\nᎧᏂᎩᏓ ᎤᏚᎩ, ᎠᏂᎦᏔᎮ ᎾᎦᎸᎳᏗᏴ ᎫᏩᎾᏗᏍᎦᎶᏗ ᏱᎨᏒᎾ.\nᏂᏥᏲᎯᏍᏗᏍᎬᎾ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ;\nᎤᏥ ᎦᏅᎦᎸᎯᏙᎮ ᎤᎾᏅᏗ ᎠᏍᏆᏚᎸ.\nᎥᏝ ᏱᏍᏆᏔᏪᏙᏁᎢ; ᎯᎠᏍᎩᏂ ᎠᎨᏴ, ᎠᎩᏴᎵᎸ ᏅᏓᎬᏩᏓᎴᏅᎥ, ᎥᏝ ᏳᏑᎵᎪᏨ ᏓᏆᏚᏣᎳᏁᎲ ᏗᏆᎳᏏᏕᏂ.\nᏅᏩᏍᏛ ᏂᎦᏓ ᎠᏂᎾᏣᎥ ᏧᎾᎾᏏᏗ, ᎠᏎᏃ ᏐᏉ ᎢᏳᏪᏅᏍᏗ ᎢᏴ ᎾᎦᎵᏍᎪ.\nᎯᎠ ᏄᏪᏎᎢ, ᎣᎦᏁᎳᎩ; ᎦᏙ ᏗᎦᏓᏛᏙᏗ ᏂᎯ, ᏥᏌ, ᎾᏎᎵᏗ ᎮᎯ? ᏥᏌ ᏍᎩᏛᏔᏂᎸ? ᎬᎦᏔᎭ, ᏂᎯ ᎾᏍᎩ ᎨᏒᎢ; ᎾᏍᎩ ᎠᏥᎸᏉᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎠᎴ ᎼᏏ ᎤᏙᎯᏳᎯ ᏄᏓᎵᏓᏍᏛᎾ ᎨᏒᎩ ᏂᎦᎥ ᏚᏓᏘᎾᎥᎢ ᎠᏥᏅᏏᏓᏍᏗ ᎾᏍᎩᏯᎢ, ᎾᏍᎩ ᎪᎯᏳᏗᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩ Ꮎ ᏧᏓᎴᏅᏛ ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᏥᎨᏎᎢ.\nᏣᎬᏫᏳᎯ, ᎿᏉ ᎯᏅᏏᏓᏍᏗ ᏅᏩᏙᎯᏯᏛ ᏕᎯᏲᏍᎦ, ᎾᏍᎩᏯ ᏂᏣᏪᏒ ᏣᏁᏨᎢ;\nᎿᏉᏃ ᎾᏍᎩ ᎠᎨᏴ ᏌᎺᎵᏱ ᎡᎯ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎦᏙ ᏗᎦᎵᏍᏙᏗᎭ ᏂᎯ ᎯᏧᏏ ᎠᏗᏔᏍᏗ ᎢᏍᎩᏔᏲᏎᎭ ᏥᎨᏴ ᏌᎺᎵᏱ ᎨᎢ. (ᎠᏂᏧᏏᏰᏃ ᎠᎴ ᏌᎺᎵᏱ ᎠᏁᎯ ᎥᏝ ᏱᏚᎾᏓᎦᏌᏯᏍᏙᎢ.)\nᎿᏉᏃ ᏈᏓ ᏌᏚ ᎢᏯᏂᏛ ᎠᏂᏙᎾᎥ ᎦᏙᎬᎢ, ᎠᏍᏓᏯ ᎤᏁᏤ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎢᏥᏍᎦᏯ ᎢᏥᏧᏏ, ᎠᎴ ᏂᎦᏛ ᏥᎷᏏᎵᎻ ᎢᏤᎯ, ᎯᎠ ᎾᏍᎩ ᎢᏣᏅᏖᏍᏗ, ᎠᎴ ᎢᏣᏛᏓᏍᏓ ᏥᏁᎬᎢ.\nᎠᎴ ᏓᏆᎧᎾᏅᎩ, ᎠᎴ ᎠᏆᏛᎦᏅᎩ ᏗᎧᎿᏩᏗᏙᎯ ᎦᎸᎶᎢ ᎠᏰᎵ ᎦᏃᎯᎵᏒᎩ ᎠᏍᏓᏯ ᎤᏪᎷᎬᎩ ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᎤᏲᎢᏳ, ᎤᏲᎢᏳ ᎤᏲᎢᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎡᎶᎯ ᏓᏁᏩᏗᏒᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏗᏐᎢ ᎠᏤᎷᎩ ᏗᏤᎷᎯᏍᏗ ᎨᏒ ᎾᏍᎩ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏦᎢ ᎢᏯᏂᏛ ᏓᏂᏁᎲᎢ, ᎠᏏ ᏧᏂᏤᎷᎯᏍᏗ ᏥᎩ.\nᎠᏂᏔᎵ ᏗᏂᏍᏔᏲᎯ ᏚᏂᎧᎲ, ᏏᏴᏫᎭ ᎠᏂᏍᎦᏯ, ᎤᎾᏛᏁᎢᏍᏔᏃᏅ ᎨᏎ ᏐᏉ ᏗᏅᏍᎪᎵ ᏧᏂᏐᏗ, ᏐᏉ ᏚᎾᏓᏅᏛ ᏧᏂᏲᏍᏗ.\nᎤᏓᏄᎸᎯ ᎢᏳᏍᏗ ᎠᏍᎪᎵ ᎣᏁ ᏫᏂᏚᏩᏁᎴ ᏧᏬᏰᏂ ᏃᎴ ᏗᎧᏂᎨᏂ ᏚᏩᏐᏍᏔᏁᎢ, ᏧᏣᏪᏐᎸᏍᏙ ᎢᏳᏍᏗ.\nᎢᏳ ᎠᎴ ᎯᎦᏙᎵ ᏙᏦᏕᏍᏗᏍᎨᏍᏗ, ᎭᏓᎦᏖᏙᎢᏍᎨᏍᏗ; ᎤᏟᏰᏃ ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏌᏉᏉ ᏱᎧᏅ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᏱᏫᏣᏴᎸ ᎠᏃ ᎢᏧᎳ ᏱᏘᎧᏅ ᏨᏍᎩᏃ ᎠᏥᎸᏱ ᏱᏪᏣᏓᎢᏅ;\nᏍᎩᏲᎮᏍᏗ, ᎠᏎᏃ ᏓᏍᎩᏯᏠᏥ; ᎠᎴ ᏫᎨᎥ ᎥᏝ ᏰᎵ ᏫᏴᎨᏥᎷᎩ.\nᎠᏏᏉᏃ ᏣᎢᏎᎢ ᎠᏍᎩᎾ ᎤᏍᏢᏂᏍᏔᏁᎢ, ᎠᎴ ᎤᎸᏕᏍᏔᏁᎢ, ᏥᏌᏃ ᎤᏍᎦᏤ ᎦᏓᎭ ᎠᏓᏅᏙ ᎠᎴ ᎤᏅᏩᏁ ᎠᏲᎵ, ᎠᎴ ᏔᎵᏁ ᎢᎤᏪᎧᏁᎴ ᎤᏙᏓ.\nᎯᎠ ᎠᏂᏃᏟᏙᎯ ᏧᏂᎪᎮᎢ ᏃᎴ ᏣᏂᎧᏔᎮᎢ ᎢᏳᏃ ᎢᏣ ᎤᎾᎳᏐᏍᏙᏗ.\nᎬᏩᎦᏌᏯᏍᏕᏃ, ᎠᎴ ᏙᏧᏂᏅᏎ ᎠᎾᏓᎦᏌᏯᏍᏗᏍᎩ, ᎾᏍᎩ ᎤᎾᏓᏅᏘ ᎤᎾᏣᎸᏗᏱ ᎾᏍᎩ ᎬᏩᎪᏁᎶᎯᏎᏗᏱ ᎦᏬᏂᏍᎬᎢ, ᎾᏍᎩᏃ ᏫᏚᏂᏲᎯᏎᏗᏱ ᎤᏰᎢᎵᏍᏗᏱ ᎤᎬᏫᏳᎯ.\nᎠᏎᏃ ᎠᎩᎭ ᎠᏓᏬᏍᏗ ᎨᏒ ᎥᏆᏬᏍᏙᏗ; ᎠᎴ ᏂᎦᎥ ᎤᏪᎵᎯᏍᏗ ᎠᏆᏓᏅᏔ ᎬᏂ ᎠᎵᏍᏆᏛᎭ!\nᎿᏉᏃ ᏚᏂᏅᏎ ᎠᏂᏍᎦᏯ ᎾᏍᎩ ᎯᎠ ᎢᏯᏂᏪᏍᎩ; ᏱᏣᏛᎦᏁᎸ ᎾᏍᎩ ᎧᏁᎬᎢ ᎠᏐᏢᎢᏍᏗᏍᎬ ᎼᏏ ᎠᎴ ᎤᏁᎳᏅᎯ.\nᎠᏛᏃ ᏔᎵᏁ ᎤᎪᎮᎢ, ᎠᎴ ᎤᎴᏅᎮ ᎯᎠ ᏂᏚᏪᏎᎴ ᎾᎥ ᎠᏂᏙᎾᎢ, ᎯᎠ ᎾᏍᎩ ᎾᎿ ᎨᎳ.\nᎠᎦᏔ ᎠᏰᎸ ᎢᎦ ᎦᏘᏍᏗᏍᎩ, ᎢᏳᏍᎩᏂ ᎯᎦᏙᎵ ᎪᎱᏍᏗ ᏄᏍᏛᎾ ᎨᏎᏍᏗ, ᏂᎬ ᎯᏰᎸᎢ ᎤᎧᎵᏦᏅᎯ ᎨᏎᏍᏗ ᎢᎦᎦᏘ.\nᎾᏍᎩ ᏎᏓᏂ ᏤᏥᏲᎯᏎᏗᏱ ᎾᏍᎩ ᎯᎠ, ᎾᏍᎩ ᎤᏲᎢᏍᏗᏱ ᎤᏇᏓᎸᎢ, ᎤᏓᏅᏙᏃ ᎠᏍᏕᎸᏗᏱ ᎾᎯᏳ ᎤᎬᏫᏳᎯ ᏥᏌ ᎤᏤᎵ ᎢᎦ ᎨᏎᏍᏗ.\nᎧ ᏣᎬᏫᏳᎯ, ᎿᏉ, ᏔᎧᏅᎦ ᎪᎩᏍᎦᎬ ᏣᏂᏁᎦ, ᎠᎴ ᏔᎵᏍᎪᎸᏓᏏ ᏘᏅᏏᏓᏍᏗ ᎤᏍᏗᎤᏅ ᎾᏂᏍᎦᎢᎲᎾ ᎢᏳᎵᏍᏙᏗᏱ ᏔᏁᏨ ᎠᏂᏃᎮᏍᎬᎢ,\nᎯᎠ ᎾᏍᎩ ᏓᏟᎶᏍᏗ; ᎯᎠᏰᏃ ᎾᏍᎩ ᏔᎵ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᏓᏟᎶᏍᏗ; ᏌᏉ ᎨᏒ ᏌᎾᏱ ᎣᏓᎸ ᏨᏗᏓᎴᎲᏍᎦ, ᎾᏍᎩ ᏥᏕᎦᎾᏄᎪᏫᏍᎦ ᏗᎨᏥᎾᏢᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎮᎦ ᏥᏓᏟᎶᏍᏗ.\n”ᎣᏍᏓ ᎭᏁᎸᏓ.”\nᏌᏌ ᎤᏂᎪᎭ ᎡᎳᏆᏗ ᎠᏯᎥ ᎧᏁᏌᎢ ᏃᎴ ᎤᏁᎷᏁᎢ.\n”ᎧᎩᏳᏍᏗ ᏧᏍᏆᏴᏍᏗ?” ᎤᏛᏛᏁ ᎪᏱᏁᎢ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎢᏨᏃᎮᎮᎸ, ᏗᏦᏕᏍᏗᏱ ᏂᎨᏒᎾ.\nᏍᎪᏯ ᏗᏂᏴᎯᎰ.\nᏃᏗ ᎩᎳ ᏫᏚᎧᎾᏁ ᏗᎦᏛᎢ ᏧᏪᏥ ᏗᎦᏅᏙᏗ.\nᎾᎥᏃ ᎢᏳᎾᏓᎳ ᎠᎴ ᎪᎱᏍᏗ ᏧᏩᎿ ᎤᎾᏛᎦᏁ ᎤᏁᎳᏅᎯ ᎤᏣᏘ ᎤᏪᏙᎵᏨᎢ, ᎠᎴ ᎢᏧᎳᎭ ᎤᎾᎵᎮᎵᏤᎢ.\nᏫᏚᎧᎾᏅ ᏕᏥᏴ ᎦᎶᏇ, Ꭾ ᏫᎵ ᎤᏛᏅ.\nᎿᏉᏃ ᏉᎳ ᏗᏐᏴ ᏮᏓᏰᏥᏴᏔᏂᏒᎢ, ᎯᎠ ᏄᏪᏎᎸᎩ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ; ᏥᏌ ᏰᎵ ᎪᎱᏍᏗ ᎦᎬᏲᏎᏗ? ᎾᏍᎩᏃ ᎯᎠ ᏄᏪᏒᎩ; ᏥᎪ ᎠᏂᎪᎢ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᏰᎵ ᎨᏣᏬᏂᎯᏍᏗ??\nᎾᏍᎩ ᎾᎪᎯᏳᎲᏍᎩ [ᎤᏁᎳᏅᎯ ᎤᏪᏥ, ᎾᏍᎩ ᎬᏂᏛ ᎠᎵᏍᏆᏗᏍᎩ ᏁᎨᏒᎾ ᎤᏤᎵᎦ, ᎾᏍᎩᏍᎩᏂ ᎤᏪᏥ ᎪᎯᏳᎲᏍᎩ ᏂᎨᏒᎾ ᎥᏝ ᎬᏂᏛ ᎤᎪᏩᏛᏗ ᏱᎩ; ᎤᏁᎳᏅᎯᏉᏍᎩᏂ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᎵᏃᎯᏰᎭ.\nᎠᎴ ᎥᏝ ᏱᏣᏜᏏᏛᎡᎭ ᏨᏒ ᏔᏘᏂᏙᎯ ᎨᏒ ᏗᏂᎨᏫ, ᎢᎦ ᏔᏘᏍᏓᏁᎯ ᎨᏒ ᎤᎵᏏᎬ ᎠᏂᏂ,\nᎾᏍᎩᏃ Ꮎ ᎠᏫᏍᎩ ᎠᎴ Ꮎ ᎠᎹ ᎠᏍᏚᏟᏍᎩ ᏌᏉᏉ ᎾᎾᎵᏍᏗᎭ; ᎠᎴ ᎾᏂᎥ ᎠᏂᏏᏴᏫᎭ ᎨᎦᎫᏴᎡᏗ ᎨᏎᏍᏗ ᎤᎾᏤᎵᎦᏯ ᎨᎦᎫᏴᏓᏁᏗ ᎨᏒ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏅᏒ ᏕᎤᏂᎸᏫᏍᏓᏁᎸᎢ.\nᎠᏁᎷᎲᏍᎨᎢ ᎠᎾᏓᏩᏛᎯᏙᎢ.\nᎨᏍᏗ ᏳᏓᏅᏖᏗᏍᎨᎢ ᎠᏥᎢᏍᏗ, ᎠᎧᏔᎮᎢ ᏰᎵ ᎪᎯᏓ ᎤᏍᏆᏂᎪᏙᏗ ᎰᎻ.\nᎠᏥᎸ ᎾᎥᏂ ᎤᎴᏅ ᎾᏍᎩᏯ ᎭᏫᏯ ᏱᏓᎦᏒᏍᏔᎾ ᎤᎦᎾᏬᏍᎬ.\nᎢᏣᎵᎮᎵᎨᏍᏗ ᏂᎪᎯᎸ ᎤᎬᏫᏳᎯ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ; ᎢᏣᎵᎮᎵᎨᏍᏗ, ᎦᏗᎭ ᏔᎵᏁ.\nᏓᏓᏁᏟᏴᏎᎬᏃ, ᎠᏧᏣᏃ ᎠᎴ ᏒᎦᏔ ᎢᏈᎬᎢ ᏓᎾᏛᏍᎨᎢ ...\nᏃᎴ ᎤᏟᏴᏍᎩᎸᎮ.\nᎠᏎᏰᏃ ᎢᎸᏍᎩ ᎢᏣᏓᏗᏍᏗ ᏂᎯ ᏂᏣᏛᏅᎢ, ᎾᏍᎩ ᎣᏏᏳ ᎨᏥᏰᎸᏅᎯ ᎬᏂᎨᏒ ᎢᏳᎾᎵᏍᏙᏗᏱ ᏂᎯ ᏂᏣᏛᏅᎢ.\nᎤᎾᏗᎦᎴᏲᏨᎯᏃ ᎾᎯᏳ ᎤᏲ ᏥᏄᎾᎵᏍᏓᏁᎴ, ᏨᏧᏓᎴᏅᎮ ᏍᏗᏫ, ᏈᏂᏏ ᎢᏴᏛ ᏭᏁᏙᎴᎢ, ᎠᎴ ᏌᏈ, ᎠᎴ ᎥᏘᎣᎩ, ᎠᏂᏧᏏᏉ ᎤᏅᏒ ᎧᏃᎮᏛ ᏓᏂᏃᎮᎮᎮᎢ.\nᏦᎢᏁᏃ ᎢᎦ ᏕᎨᎦᏨᏍᏗᏍᎬᎩ ᎨᎵᎵ ᎨᏂ ᎦᏚᎲᎢ; ᏥᏌ ᎤᏥ ᎾᎿ ᎡᏙᎲᎩ.\nᎠᏎᏉᏃ ᎠᎵᏃᎮᏗᏍᎨ, ᏭᏴᎴᎢ; ᎠᎴ ᏚᏩᏛᎮ ᎤᏂᏣᏖ ᏓᏂᎳᏫᎡᎢ.\nᎤᏃᎴ ᎤᏚᎵᏍᏛᏉ ᎢᏘᏢ ᏫᎦᏃᎸᏗᏍᎪᎢ, ᎠᎴ ᎤᏃᏴᎬ ᎭᏛᎩᏍᎪᎢ, ᎠᏎᏃ ᎥᏝ ᏱᎦᏔᎰ ᏗᎦᏛᎢ ᎠᎴ ᏩᎦᏛᎢ; ᎾᏍᎩᏯᏍᎩᏂ ᏄᏍᏗ ᎾᏂᎥ ᎩᎶ ᎾᏍᎩ ᎠᏓᏅᏙ ᏧᎾᏄᎪᏫᏒᎯ.\nᎡᎵᏍᏗ ᎠᏯ ᏭᏍᏆᏂᎧᏛᎢ ᎪᎯᏓ ᎤᏂᎪᎲᎢ ᎨᏒᎢ.\nᎦᎵᏦᏙᏗᏰᏃ ᎤᏃᏢᏁᎢ, ᎦᎸᏉᏗᏳ ᎨᏒ ᏣᏃᏍᎮᎢ, ᎾᎿ ᎢᎬᏱᏱ ᏓᏓᎯᏛᎢ, ᏥᎦᎧᎮ ᎠᏨᏍᏙᏗ ᎦᎪᏗᏱ, ᎠᎴ ᎦᏍᎩᎶᎢ, ᎠᎴ ᎾᎿ ᏣᏝᎮ ᎠᎦᏙᏗ ᎦᏚ;\nᎿᏉᏃ ᏥᏌ ᏚᏰᎵᎯᏍᏔᏅ ᎤᏂᏣᏘ, ᎠᏓᏁᎸ ᏭᏴᎸᎩ; ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᎷᏤᎸᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏗᏍᎩᏲᏏᏌᏏ ᏓᏟᎶᏍᏛ ᎤᏲ ᏧᎵᏰᏁ ᏠᎨᏏ.\nᎥᏝᏍᎩᏂᏃᏅ ᎩᎶ ᎠᎦᏴᎵᎨᎢ ᎤᎪᎲᎯ ᏱᎩ, Ꮎ ᎤᏩᏒ ᎤᏁᎳᏅᎯᏱ ᏅᏓᏳᏓᎴᏅᎯ; ᎾᏍᎩ ᎤᎪᎲᎯ ᎠᎦᏴᎵᎨᎢ.\nᎾᏍᎩᏃ ᏄᏪᏒ, ᏚᏦᏔᎲᎩ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏗᏣᏓᏂᎸᎩ.\nᏩᎩᎷᏣ ᏩᏏᏓᏂ ᎩᎳ ᎠᎬᏱ ᎠᏆᏛᎦᏅ ᎦᎸᏥ ᎠᏂᏬᏂᏍᎬ, ᎠᎩᎵᏓᏍᏔᏅ, ᎨᏍᏗ ᏱᎪᎵᎨᎢ.\nᏧᏩᎩ ᏧᎬ ᎤᏛᎦᏁ ᏗᏂᏃᎩᏍᎬ ᏔᎳᏚ ᏃᎴ ᎤᏍᎪᏍᏓ ᎩᎦᎨ ᏄᎵᏍᏔᏁᎢ ᎤᏪᎵᎯᏍᎬᎢ.\nᎤᏃᎴᏃ ᎤᏣᏘ ᎣᎩᏝᏗᏍᏔᏂᏙᎸ, ᎤᎩᏨᏛ ᎤᎾᎵᏁᏌᎴᏒᎩ.\n”ᏍᎩᏃᎯᏏ.”\nᏚᎧᎾᏅ ᎠᏰᎴᎩ.\nᎨᏥᏅᏏᏓᏍᏗ ᏕᎯᏁᏤᎮᏍᏗ ᏧᏃᎯᏳᏗᏱ ᎤᏅᏒ ᏗᎬᏩᏂᏅᏏᏙᎯ, ᏂᎦᎥᏉ ᎾᎾᏛᏁᎲ ᎣᏍᏛ ᎤᏂᏰᎸᏗ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ; ᏔᎵᏁᏉ ᏅᏗᏂᏁᎬᏫ.\nᎠᏫ ᏗᏆᏤᎵᎦ ᎠᎾᏛᎩᏍᎪ ᏥᏁᎬᎢ, ᎠᎴ ᎠᏴ ᎦᏥᎦᏔᎭ, ᎠᎴ ᎬᏂᏍᏓᏩᏕᎪᎢ,\nᎠᎢᏒᏃ ᏧᎾᏄᏬ ᏚᏂᏰᏍᏛᏁ ᏅᏃᎯ.\nᎢᏳᏃ ᎤᎵᏂᎩᏛ ᎠᏍᎦᏯ ᎤᎵᏍᎦᏍᏙᏗ ᎬᏰᎯ ᏯᎦᏘᏯ ᎦᏁᎸᎢ ᏅᏩᏙᎯᏯᏛ ᏄᏍᏛ ᎤᎿᎥᎢ.\nᎦᏅᏓᏗᏍᎪᎢᏃ ᏬᎩᏨᏓᏋ Ꮲ ᏔᎵᎭ ᎢᏳᏩᎪᏗ.\n”ᎦᏨ ᎮᏙᎭ?”\nᎤᏍᏚᎩᏒ ᏧᏍᏆᏅᎾ, ᏎᎦ ᎤᏓᏒᎾᏔᏅ.\nᏧᎾᏓᏥ, ᏚᎾᏓᏙᏗ, ᎠᎹᏟᏅᏢ ᎠᎴ ᏗᎾᏓᎸ ᎤᏁᎴᏅᎮ ᏓᎾᏓᏙᏪᎳᏁᎲ ᎪᏪᎵ ᎠᎴ ᎦᎵᏦᏕ ᎢᎸᏢ ᏓᏂᏢᏍᎨ ᏧᏂᎪᎵᏰᏗ ᎠᏰᎸᏎ ᎠᎴ ᏓᎾᏓᏕᏲᎲᏍᎨ ᏧᏂᎪᎵᏰᏗᎢ ᎠᏂᏴᏫᏃ ᎤᎾᎴᏅᎮ ᎢᎾ ᏓᏁᎨ ᎪᏪᎵ ᏧᎾᏓᏙᏪᎳᎾᏗ ᎤᏂᏰᎸᏎ.\n“ᎠᏯᏗ ᏏᏆ!” ᎤᏪᎷᏁ ᎡᎳᏆᏗ, ᏧᏬᏰᏂ ᎦᎵ ᎧᏁᏍᎦ ᎤᏗᏅᏎ.\nᎦᎶᎯᏍᏗᏱ ᎠᏴ; ᎢᏳᏃ ᏱᎶ ᎠᏴ ᎠᎩᏴᏍᏗᏍᎨᏍᏗ, ᎠᏎ ᎠᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏴᏍᏗ ᎠᎴ ᎤᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏩᏛᏗ ᎨᏎᏍᏗ ᎦᏄᎸᏒᎢ.\nᎤᏬᏚᏨ ᎨᏐ ᎦᏙ, ᎠᏎᏃ ᎦᏚᏏ ᎨᏒ, ᎨᏍᏗ ᎩᎶ ᏳᏚᎵᏍᎨ.\nᎢᏳᏍᎩᏂᏃᏅ ᎠᏉᎯᏤᎵᏙᎸᎭ ᎾᏍᎩ ᏣᏙᎴᎰᎯᏍᏗᏱ ᎢᏣᏛᏁᏗᏱ ᏗᏣᎸᏫᏍᏓᏁᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸᎢ, ᎾᏍᎩ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎬᏂᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏥᎩ, ᎦᎫᏍᏛᏗ ᎠᎴ ᎤᎵᏍᏓᏱᏙ ᏥᎩ ᏚᏳᎯᏛ ᎨᏒᎢ.\nᎤᎪᎮ ᏫᎵᎻ ᎦᏂᏓᏛ ᎾᎥᏂ.\nᎠᎴ ᏚᏅᏎ ᎦᏚᏱ, ᎯᎠ ᏄᏪᏎᎢ; ᎢᏤᎾ ᎣᏍᏛ ᏪᏥᏲᎦ ᎾᏍᎩ ᎤᏍᏗ ᎠᏲᎵ, ᎢᏳᏃ ᎡᏥᏩᏛᎲᎭ, ᎢᏍᎩᏃᏁᎵᎸᎭ, ᎠᏴᏃ ᎾᏍᏉ ᏫᏥᎷᏨᎭ, ᎠᎴ ᏥᏯᏓᏙᎵᏍᏓᏁᎸᎭ.\nᎾᎥ ᎾᎢ ᎠᎦᏳᎵᎨ ᎤᎷᏨᎩ ᏧᏓᏅᏠᎯᏗ ᎨᎸᏛᏍᏗ ᎯᎠ ᎤᏍᏗ ᎦᏅᏅ.\nᎠᎴ ᏫᏓᏆᎧᎾᏅᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎤᏁᎬ ᏐᏈᎵ ᏫᏥᎪᎥᎩ ᎠᎴ ᎾᎿ ᎤᎩᎵ ᎦᎶᏣᏗ ᎦᏁᎲᎩ; ᎠᎴ ᎠᎵᏍᏚᎶ ᎠᏥᏅᏁᎸᎩ; ᎠᎴ ᎤᏪᏅᏒᎩ ᏫᏓᏎᎪᎩᏍᎬᎩ, ᎠᎴ ᏫᎬᏓᏎᎪᎩᏏᏒᎩ.\nᎤᏓᎴᏨ ᎩᎦᎨ ᎠᏣᏗ ᏚᏩᏓᎷᏯᏛ ᎢᏧᏩᏂ ᏄᏪᏎ, ᏏᏲ ᎤᏍᏗ ᎠᏣᏗ, ᏥᏍᏆᎸᎾ ᎬᏉᏎᎰ ᏚᏅᏓᏒ ᎠᏁᎯ.\nᎨᏍᏗ ᏂᎯ ᏥᏂᏕᎯᏏᎾ ᏗᎧᏁᎢᏍᏗ ᏱᏥᏏᎾ.\n”ᏂᎦᏓ ᎠᎾᏓᏅᏖ ᎨᏥᏍᏗ---ᏣᏄᏏ, ᎰᎻ, ᏃᎴ ᎡᎶᏗ.”\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎢᎦᏤᎵᎦ ᎢᏤᎳᏗᏙᎮᏍᏗ ᏂᏥᎥᎢ. ᎡᎺᏅ.\nᎨᏍᏗ ᎤᏩᏙᎯᏴᏓ ᏱᎨᏐ ᏴᎦᏘᏯ ᎪᎱᏍᏗ ᎢᏳᎵᏍᏙᏗ ᎠᎴ ᎤᏣᎩᏍᏗ ᎤᏪᏥ.\nᎾᏍᎩᏰᏃ ᎯᎠ ᏄᎵᏍᏔᏅᎩ ᎤᏙᎯᏳᏗᏱ ᎪᏪᎸ ᎯᎠ ᏥᏂᎬᏅ; ᎥᏝ ᏌᏉ ᎤᎪᎳ ᏧᎵᏍᏆᎵᏍᏗ ᏱᎨᏎᏍᏗ.\nᎩᎶ ᎦᎵᎷᎨᏍᏗ ᏩᏛᎬᎦ ᎠᏓᏅᏙ ᏂᏕᎦᏪᏎᎲ ᏧᎾᏁᎶᏗ ᏕᎾᏓᏡᏩᏗᏒᎢ.\nᎢᏳᏃ ᎢᏣᏙᎴᎰᏎᏍᏗ ᎤᎬᏫᏳᎯ ᎤᏓᏅᏘᏳ ᎨᏒᎢ.\nᎨᏍᏗ ᎩᎶ ᏳᎪᎭ ᏧᏍᏆᏴᏍᏗ.\nᎠᎴ ᎿᏉ ᏕᏣᏗᏁᎨᏍᏗ, ᎠᎴ ᏕᏥᏲᏍᎨᏍᏗ, ᏞᏍᏗ ᎢᎬᏱ ᎦᏰᎯ ᏱᏤᎵᎯᏍᎨᏍᏗ ᎢᏥᏪᏍᏗᏱ ᎢᏥᏁᎢᏍᏗᏱ, ᎠᎴ ᏞᏍᏗ ᎢᎬᏱ ᎦᏰᎯ ᏱᏣᏓᏅᏖᏍᎨᏍᏗ; ᏄᏍᏛᏍᎩᏂ ᏫᎯᏳ ᎨᏒ ᎡᏥᏁᎸ ᎾᏍᎩ ᎢᏥᏁᎨᏍᏗ; ᎥᏝᏰᏃ ᏂᎯ ᏱᏣᏁᎪᎢ, ᎦᎸᏉᏗᏳᏍᎩᏂ ᎠᏓᏅᏙ.\nᎢᏳᏅᏁᎰᏅ ᏱᏄᏍᏗ, ᎣᎯᏍᏙᏗ ᎢᏳᏅᏁᏗ ᏱᎫᏩᏂᎷᎳ.\nᎤᏂᏁᏓᏃ ᎯᎠ ᏂᏚᏂᏪᏎᎴ ᎠᏂᎦᏔᎿᎢ; ᎢᎦᏛ ᎪᎢ ᎢᏣᏤᎵ ᏍᎩᏁᎥᏏ, ᏙᎬᏠᎯᏎᎭᏰᏃ ᏙᎩᏨᏍᏛᎢ.\nᎠᎴ ᎩᎶ ᎢᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎦᎸᎳᏗ, ᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏪᏗᏱ ᎠᎴ ᎾᎿ ᎤᏬᎵ.\nᏚᏂᎪᎲᏃ ᎢᎦᏛ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎦᏚ ᎠᏂᎩᏍᎬ ᏗᎦᏓᎭ ᏧᏃᏰᏂ ᎬᏗ, (ᎾᏍᎩ ᏂᏚᎾᏑᎴᎲᎾ ᎦᏛᎦ,) ᎤᏂᏐᏅᏤᎴᎢ.\nᎥᏝ ᎠᎴ ᎩᎶ ᎯᎠ ᎾᏍᎩ ᎦᎸᏉᏗ [ᏗᎦᎸᏫᏍᏓᏁᏗ] ᎤᏩᏒᏉ ᎤᏓᏅᏖᏛ ᏯᎩᏍᎪᎢ, ᎬᏂ ᎤᏁᎳᏅᎯ ᎤᏯᏅᏛ ᏱᎩ ᎾᏍᎩᏯ ᎡᎵᏂ ᎠᏥᏯᏅᎲᎢ.\n“ᎠᎳᏂ, ᏣᎸᏂᏗᏍᎩ,” ᎤᏛᏁᎢ ᎰᎻ.\nᎤᎵᎮᎵᏍᏗ ᎨᏎᏍᏗ ᏔᎵᏁ ᎪᎨᏱ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎡᎳᏗ ᎯᏍᎩᏍᏆᏂᎦᏚ ᎢᏯᏂ ᏧᏂᏍᏗ ᎧᏅᏂᏍᎩ ᎠᎾᏓᏌᎩᏙᎲ ᏂᎬᎾᏛ.\nᏣᏂᏰᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᎶᏛ; ᎥᏝ ᏚᏳᎪᏛ ᏱᎩ ᎾᏍᎩ ᏣᏓᏰᎭ.\nᎩᎶ ᎠᏍᎦᎾ ᎨᏎᏍᏗ, ᎠᏏᏉ ᎠᏍᎦᎾ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎦᏓᎭ ᎨᏎᏍᏗ, ᎠᏏᏉ ᎦᏓᎭ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎣᏏᏳ ᎢᏯᏛᏁᎯ ᎨᏎᏍᏗ, ᎠᏏᏉ ᎣᏏᏳ ᎢᏯᏛᏁᎯ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎠᏍᎦᎾ ᏂᎨᏒᎾ ᎨᏎᏍᏗ, ᎠᏏᏉ ᎠᏍᎦᎾ ᏂᎨᏒᎾ ᎨᏎᏍᏗ.\nᏃᏗ ᎤᏂᏄᎳᏒᏅ ᎤᏲᏨ ᎤᏪᏥ, ᎤᎵᎦᎵᏴᏓ ᎨᏎ ᎤᏃᎴ ᏃᎴ ᎣᏍᏓ ᎭᏒᎨ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᎬᏂᏳᏉ, ᎦᏃᏍᎩᏍᎩ ᏥᎦᎷᎪ ᎾᏍᎩᏯ ᏓᏥᎷᏥ. ᎣᏏᏳ ᎢᏳ ᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᎠᏯᏫᏍᎩ, ᎠᎴ ᏧᏄᏬ ᏗᏍᏆᏂᎪᏗᏍᎩ, ᎾᏍᎩ ᎤᏰᎸᎭ ᎤᏪᏓᏍᏗᏱ ᏂᎨᏒᎾ, ᎠᎴ ᎤᏕᎰᎯᏍᏗ ᎨᏒ ᎠᏥᎪᏩᏛᎡᏗᏱ ᏂᎨᏒᎾ.\nᎤᏟᏍᏓ, ᏴᏫ ᏛᏂᎷᏥ --- ᎢᏳᏉ ᎤᏂᎷᏤᏍᏗ.\nᎣᎦᎵᏍᏓᏴᏗ ᏍᎩᏁᎮᏍᏗ ᏂᏚᎩᏨᏂᏒᎢ.\nᎤᏩᏌ ᎤᏪᏅᏒ ᏣᎵ. ᎠᏙ ᎢᏣ ᎤᎾᎷᏒ, ᎠᎹ ᎢᏳᏍᏗ ᎦᎳᎨᏴ ᏃᏥ ᏧᏆᎶᎬ ᎦᏚᎢᏣ.\nᏄᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎤᏣᏖ ᏧᏓᎴᏅᏛ ᎬᏭᎯᏍᏗᎨᎢ.\nᏥᏌᏃ ᏈᏓ ᎦᏁᎸ ᎤᎷᏨ, ᎤᎪᎮ ᏈᏓ ᎤᏓᎵᎢ ᎤᏥ ᎦᏅᎨ ᎤᏗᎴᎲᏍᎨᎢ.\nᏉᎳ ᎠᎴ ᏗᎹᏗ, ᏥᏌ ᎦᎶᏁᏛ ᎬᏩᏂᏅᏏᏙᎯ, ᏫᏙᏍᏙᏪᎳᏏ ᎾᏂᎥ ᎤᎾᏓᏅᏘ ᎦᎶᏁᏛ ᏥᏌ ᎬᏬᎯᏳᎯ ᎾᏍᎩ ᏈᎵᎩᏱ ᎠᏁᎯ, ᏙᏍᎦᏠᏯᏍᏗᎭ ᎩᏂᎦᏘᏯ ᎠᎴ ᎠᏂᏯᏙᎯᎯ;\nᎤᏙᎰᏎ ᏫᎵᎻ.\n“ᏕᎾᏓᎪᎲᏳᏛ ᎤᏛᏁ ᎡᏝᏪᎯ.\nᎠᏓᎴᏂᏍᎬ ᏱᏍᏛ ᎧᏃᎮᏛ, ᏥᏌᎦᎶᏁᏛ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎤᏤᎵᎦ.\nᎥᏝ ᎠᎴ ᏴᏫ ᎠᏂᏨᏍᏛᎦ ᎠᏨᏍᏙᏗ ᎠᏟᎶᏍᏗ ᏯᏄᏢᏗᏍᎪᎢ, ᎦᎪᏗᏱᏍᎩᏂ ᎠᏂᎧᎲᏍᎪᎢ, ᎢᎦᏃ ᎤᎾᏘᏍᏓᏁᎰ ᏂᎦᏛ ᎦᎵᏦᏕ ᎠᏂᏯᎢ.\n“ᎪᎨ ᎠᎵᏍᏆᏓ ᏃᎴ ᎠᎵᏛᏓ,” ᏄᏂᏪᏎᎢ ᏔᎳᏚ.\nᏥᎾᏰᏍᎦᏰᏃ ᎾᏍᎩ ᏫᏥᎷᏨᎭ ᎾᏍᎩ ᏂᏣᏍᏛᎾᏉ ᎨᏒ ᏄᏍᏛ ᎠᏆᏚᎵᏍᎬ ᎢᏨᏩᏛᏗᏱ, ᎠᎴ ᎠᏋᏒ ᎨᏒ ᏍᎩᎪᏩᏛᏗᏱ ᎾᏍᎩᏯ ᏂᏣᏚᎵᏍᎬᎾ ᎨᏒᎢ; ᎠᎴ ᎠᎩᏩᏛᏗᏱ ᏗᏘᏲᏍᏗ ᎨᏒᎢ, ᎠᏛᏰᎨᏗ ᎨᏒᎢ, ᎠᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ, ᎠᏗᏒᏍᏗ ᎨᏒᎢ, ᎠᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ, ᎠᏗᏒᏍᏗ ᎨᏒᎢ, ᎤᏲ ᏗᏓᏃᎮᎵᏓᏍᏗ ᎨᏒᎢ, ᎠᏙᏅᏗ ᎨᏒᎢ, ᎤᏟ ᎠᏤᎸᏗ ᎨᏒᎢ, ᏧᏓᎴᏅᏛ ᎢᎬᏁᏗ ᎨᏒᎢ;\nᎤᏂᏣᏘ ᎤᏂᏁᏨᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎠᏍᎩᎾ ᏣᏯᎠ; ᎦᎪ ᎤᏚᎵ ᏣᎯᏍᏗᏱ?\nᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎢᏨᏬᏁᏔᏅ, ᏅᏩᏍᏗᏗᏎᏍᏗᏉ ᎦᏥᏯᎵᎡᎵᎬ ᎠᏇᎵᏒ, ᎠᎴ ᎠᎾᎵᎮᎵᎬ ᎤᎧᎵᏨᎯ ᎨᏎᏍᏗ ᎠᏇᎵᏒ.\nᏙᎤᏍᏗ ᎡᎶ ᏱᎩ ᎢᎦᏣᏅᏓᏕᎲ ᏱᏗᏓᎦᏘᎴᎩ ᎤᎾᎵᏍᏗ.\nᎠᏎᏃ ᎩᎶ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏚᏓᎴᏍᏗᏍᎬᎾ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲ ᎬᏂᎨᏒᎢᏳ; ᎾᏍᎩᏰᏃ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ ᎪᎯᏳᏗ ᎨᏒ ᎤᏛᏂᏗᏍᏕᏍᏗ.\nᎠᏎᏍᎩᏂᏃᏅ, ᎤᎬᏫᏳᎯᏱ ᏫᏓᎦᏔᎲᏍᏔᏅᎭ, ᎾᏍᎩ Ꮎ ᎠᎵᎬᏚᎶ ᎢᏴᏛ ᎢᎬᏁᏗ ᏅᏓᎦᎵᏍᏔᏂ.\nᎯᎠ ᎠᏗᎾ ᎨᎵ ᏅᏛᎯᏪᏏ, ᏚᏩᏂᎦᎸ ᏚᏅᏂᎦᎸᎲᎩ, ᎾᏍᎩ ᎠᏴ ᎥᏋᏱᏢᏗᏱ ᎾᎿᏂ.\nᎤᏂᎶᏐᏅᏃ ᏈᏥᏱ ᎠᎴ ᎨᎴᏏᏱ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏂᏅᏍᏓᏕᎸ ᎤᎾᎵᏥᏙᏗᏱ ᎧᏃᎮᏛ ᎡᏏᏱ,\nᏥᎷᏏᎵᎻᏂ ᎠᏫ ᎤᏂᏴᏍᏗᏱ ᎾᎥ ᎠᏓᏬᏍᏗᏱ ᎪᏢᎭ ᎾᏍᎩ ᎠᏂᏈᎷ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᏡᏕᏍᏗ ᏕᎤᏙᎥ; ᎾᎿᏂ ᎯᏍᎩ ᏓᏲᏓᏝᎭ.\nᎠᎦᏔᎮᏰᏃ ᎾᏍᎩ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᏅᏳᏤᎲᏉ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏕᎬᏩᏲᏒᎢ.\nᎾᎥᏂᎨ ᏭᎷᏣ, ᏅᏛᎦᏁ ᎡᏆ ᎠᏣᏗ ᏧᏪᎷᏁ.\nᎤᎵᏍᏗ ᎢᏳᏍᏗ ᎤᎵᏍᏛᏧᏁᎢ ᎰᎻ ᏃᎴ ᎤᎦᎾᏍᏓ ᎦᏚ ᎠᏔᎸᎩᏗ ᎤᎨᎢ.\nᎾᎿᏰᏃ ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ ᏄᏍᏛ ᎤᏓᏚᏓᎴᏍᏙᏗ ᎨᏒ ᎤᏁᎳᏅᎯ, ᎪᎯᏳᏗ ᎨᏒ ᏩᏍᏆᏗᏍᏗᏍᎩ; ᎾᏍᎩᏯ ᏂᎬᏅᎪᏪᎸᎢ, ᏚᏳᎪᏛᏍᎩᏂ ᎢᏯᏛᏁᎯ ᎪᎯᏳᏗ ᎨᏒ ᎤᏛᏂᏗᏍᏕᏍᏗ.\nᎠᎨᏴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᎯᏍᎦᏯ, ᎥᏝ ᎪᎱᏍᏗ ᏱᏰᎭ ᎠᏢᏗ, ᎭᏫᏂᏳᏃ ᎠᏔᎴᏒᎢ, ᎭᏢᏃ ᏣᏁᎩᏒ ᎾᏍᎩ ᎬᏂᏛ ᎠᎹ?\nᎿᏉᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏃᎵᏤ ᏣᏂ ᏗᏓᏬᏍᎩ ᎧᏁᎢᏍᏗᏍᎬᎢ.\nᎡᎵᏍᏗ ᏳᏩᎩᏌᎾ, ᏂᎦᏓ ᎠᎳᏍᎬᏓ ᏧᏍᎦᎢᎲ, ᏕᏥᏩᏛᎲ ᏓᎬᎩᎵ, ᎢᎾᎨ ᏓᎬᎩᏂᏱ ᏩᏯ ᎬᎩᏲᏍᏙᏗ.\nᎿᏉ ᏧᏗᏱ ᎠᏂᏂ ᎠᎾᎵᏒᎭ ᏙᏦᏓᎸ ᏩᏂᎶᏒᎭ.\nᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᏙᏃ ᏗᎦᎵᏍᏙᏗᎭ, ᏕᏫ ᎠᏓᏅᏙ ᎤᏪᏲᎲᏍᎬᎢ, ᏣᎬᏫᏳᎯ, ᏥᎪᏎᎭ? ᎯᎠ ᏥᏂᎦᏪᎭ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂᎦᏔᎲ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ, ᎬᏂᎨᏒ ᏂᏕᏨᏁᎸᎭ ᎾᏍᎩ ᎪᎯᏳᏗᏍᎩ ᎠᏓᎨᏳᏗ ᎨᏒ ᎢᏤᎲᎢ, ᎠᎴ ᎣᎦᏢᏆᏒ ᏂᎯ ᎢᏨᏁᎢᏍᏗᏍᎬᎢ ᎠᏎᏉ ᏂᎨᏒᎾ ᎨᏒᎢ.\n“ᎤᏅᏗ ᏧᎾᏦᏴᏍᏗᏗ,” ᎪᏱᏁᎢ ᎡᏝᏪᎯ ᏄᏪᏎᎴ ᎠᎳᏂ.\n“ᏙᏚᏙᎡ ᎠᎩᏥ ᎠᏰᎵ ᎠᎴᏅᏗᏍᎩ?” ᎤᏛᏛᏁ ᏔᎵᏁ ᎧᏅᏂᏍᎩ.\nᎠᎴ ᎠᏍᎩᎾ ᎯᎠ ᏁᏪᏎᎴᎢ; ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᏱᏕᎬᏲᎯᏏ, ᎠᎴ ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎨᏒᎢ; ᎠᏴᏰᏃ ᏛᎩᏲᎯᏎᎸ, ᎠᎴ ᎩᎶ ᏥᎥᏏ ᎨᎳ ᏥᏁᎰᎢ.\nᎤᎾᏨᏓᎵ ᎠᏎ ᎢᎪᎯᏓ ᎠᎬᏱ ᏗᏫᏍᏗ ᎨᏐᎢ.\nᎢᏳᏰᏃ ᎾᏍᏉ ᎤᏟ ᎢᎦᎢ ᏯᏆᏢᏈᏍᏔᏅ ᏄᏍᏛ ᎣᎦᏒᎦᎸᎢ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏦᎩᏁᎸ ᎢᏣᎵᏍᏕᎸᏙᏗ ᎨᏒᎢ, ᎥᏝᏃ ᎡᎳᏗ ᎢᏰᏨᏁᏙᏗ ᎨᏒᎢ, ᎥᏝ ᏱᎦᎦᏕᎣᏍᎦ.\n“ᎮᏂᎵ ᎤᎵᏲᏗ,” ᎤᏛᏁᎢ ᎡᏝᏪᎯ.\nᎾᎯᏳᏉᏃ ᎢᎦ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂᏆᎵᏏ ᎤᏂᎷᏤ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎯᏄᎪᎢ, ᎠᎴ ᎭᏓᏅᎾ ᎠᏂ; ᎡᎶᏛ ᎾᏏ ᎤᏚ-Ꮅ ᏣᎯᏍᏗᏱ.\nᎨᏍᏗ ᎤᏨᏉᏗ ᏱᎩ ᏃᎴ ᎦᏙ ᎾᎥᏂ ᏄᏛᏃ.” \nᏔᎵᎭᏉ ᎢᏳᏒᎯ ᏂᎦᎥᎢ ᏁᎳᎩ ᎤᏪᎵᏍᏗ ᎨᏎᏍᏗ ᏃᎴ ᎤᎴᏅᏗ ᎨᏎᏍᏗ ᎤᏬᏒᏗ ᏧᏪᏥ ᏧᎶᏙᏗ.\nᎯᎠ ᎢᏳᏪᏅᏍᏗ ᎤᏤᎵ ᎨᏎᎢ ᎤᏓᏔᎶᏒᎢ.\nᎯᎠᏃ ᏄᏪᏒᎩ; ᎪᎢᏳᎲᏍᎦ, ᏣᎬᏫᏳᎯ; ᎤᏓᏙᎵᏍᏓᏁᎸᎩᏃ.\nᎾᏍᎩ ᏗᎬᏩᏁᏲᏗ ᏱᎩ ᎠᏂᏫᎾᎨᏌᏂ ᎠᏂᎨᏴ ᎤᎾᎵᏏᎾᎯᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ, ᏧᏂᎨᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ ᏗᎬᏩᏂᏰᎯ, ᏧᏂᎨᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ ᏧᏁᏥ,\nᎾᏍᎩ ᎣᏏ ᎬᏰᎸᏗ ᎨᏥᏓᏍᏗ ᏱᎩ ᎠᏂᎦᏔᎲ ᎾᏍᎩ ᎠᏁᎳ ᏂᎨᏒᎾ, ᎠᎴ ᎪᎱᏍᏗ ᏂᏥᏂᎬᏎᎲᎾ ᏱᎩ.\nᎧᏁᎬᏃ ᎠᏆᏛᎦᏅᎩ ᎯᎠ ᎾᎩᏪᏎᎸᎩ; ᏔᎴᎲᎦ ᏈᏓ, ᎯᎷᎦ ᎠᎴ ᎭᎵᏍᏓᏴᎲᎦ.\nᎾᏍᎩᏃ ᎯᎠ ᏂᏕᎦᏪᏎᎮᎢ, ᏗᏃᏪᎵᏍᎩ ᎠᎴ ᎠᏂᏆᎵᏏ ᎤᎵᏂᎩᏛ ᎬᏩᏅᏫᏍᏗᏍᎨᎢ, ᎠᎴ ᎬᏩᏂᎳᏕᎮ ᎤᎪᏗᏗ ᏧᏓᎴᏅᏛ ᎤᏃᎮᏍᏗᏱ;\nᎤᏛᏛᏁᏃ ᎤᏙᏓ, ᎢᏔᎪ ᏂᎪᎯᎩ ᎾᏍᎩ ᎯᎠ ᎢᎬᏩᎵᏍᏓᏁᎸᎯ? ᎤᏬᏎᎴᎢ. ᎠᏲᎵᏉ ᎨᏒᎢ, ᎤᏛᏁᎢ;\nᎦᏲᏟᏉ ᎠᏓᏂᎴᎨ ᎨᏒ ᎠᏌᎻᏓ, ᏂᏄᎾᏕᏘᏴᎲ ᎠᏂᏧᏣ, ᎠᏎᏃ ᎠᏁᎸᏗᏍᎬ ᎤᏤᎸᏗ ᎤᏬᎯᏳᎲ ᎢᏳᏍᏗ ᎾᏛᏁᎲ.\nᎠᎴ ᎤᏂᏃᎮᎴ ᏄᎵᏍᏔᏂᏙᎸ ᎠᎾᎢᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏃᎵᏍᏔᏅ ᎦᏚ ᎠᎬᎭᎷᏯᏍᎬᎢ.\nᎥᏝ ᎠᏂ ᏱᎦᎾ, ᏚᎴᏅᏰᏃ; ᎢᏣᏅᏓᏓ ᏂᏥᏪᏎᎸᎢ ᎠᏏᏉ ᎨᎵᎵ ᏤᏙᎲᎩ,\nᎨᏍᏗ ᎯᎸ ᎤᏲᏨ ᏱᎨᏎᎢ ᎤᏩᏌ ᎤᏬᏒᏅ.\nᎤᏂᏣᏖᏰᏃ ᎦᏰᎪᎩ ᎠᏂᏃᎮᏍᎩ ᎬᏩᏡᏗᏍᎨᎢ, ᎠᏎᏃ ᎠᏂᏃᎮᏍᎬ ᎥᏝ ᎤᏠᏱ ᏱᎨᏎᎢ.\nᎦᏨ ᎢᏤᎦ?\n“ᎨᏍᏗ ᏥᎠᎴᏂ ᏱᎩ.”\nᎠᏎᏃ ᎠᏂᏧᏏ ᎥᏝ ᏯᏃᎯᏳᎲᏍᎨ ᏗᎨᏫ ᎢᏳᎵᏍᏔᏅᎯ ᎨᏒ ᎠᎴ ᎬᏩᎪᏩᏛᏗ ᏄᎵᏍᏔᏅᎢ, ᎬᏂ ᏫᏚᏂᏯᏅᎲ ᏧᎦᏴᎵᎨ ᎾᏍᎩ Ꮎ ᎬᏩᎪᏩᏛᏗ ᎢᏳᎵᏍᏓᏁᎸᎯ.\nᏧᏁᎵᏁ ᎢᎦ ᎥᎩᎱᏍᏕᏎᎸᎩ, ᎢᏏᎵ ᎤᎾᏓᏤᎵᏛ ᎨᏒ ᏅᏛᏆᏓᎴᏅᎯ, ᏇᏂ ᎠᏂᎳᏍᏓᎸ ᎨᎳ, ᏥᏈᎷ ᎠᏂᏈᎷ ᏅᏛᏆᏓᎴᏅᎯ; ᏗᎧᎿᏩᏛᏍᏗᏃ ᏕᏥᎧᎿᏩᏗᏒ ᏥᏆᎵᏏ;\nᎾᎿᏃ ᎣᏓᎷᎶᏗ ᎤᏂᏣᏘ ᏑᎾᏓᏡᎩ ᏏᏆ ᎠᎾᎵᏍᏓᏴᏂᏙᎮᎢ.\nᎤᏄᎪᏤᏃ ᏈᏓ, ᎠᎴ ᎡᎯᏍᏗ ᏚᏠᏱᎴᎢ\n“ᏙᎤᏍᏗ ᎦᏛᏁᎵᏍᎩ ᎮᎵᎠ?” ᎤᏛᏁ ᏌᎳᏓ ᎤᏲ ᎤᏰᎸᎯ.\nᎬᏂᏳᏉᏃ ᎢᎦᏛ ᏗᏃᏪᎵᏍᎩ ᎯᎠ ᏄᏂᏪᏎ ᏚᎾᏓᏅᏛᎢ; ᎯᎠ ᎠᏍᎦᏯ ᎦᎸᎳᏗ ᎡᎯ ᎠᏐᏢᎢᏍᏗᎭ.\nᏔᎵᏁᏃ ᎤᏓᏱᎴᎢ, ᎤᏁᎳᏅᎯ ᎤᏁᎢᏍᏔᏁᎢ; Ꮭ ᏱᏥᎦᏔᎭ Ꮎ ᎠᏍᎦᏯ, ᎤᏛᏁᎢ.\nᏅᏩᏙᎯᏯᏛ ᏕᏥᎧᎿᏩᏗᏎᏍᏗ ᎾᏂᎥᏉ ᎪᎱᏍᏗ ᏕᏣᏓᏛᏗᏍᎬᎢ, ᎠᎴ ᎾᏍᎦᏅᎾ ᎨᏒᎢ, ᎧᏂᎩᏛ ᏱᎩ ᎾᏍᎩ, ᎥᏝ ᎩᎶ ᏰᎵ ᎤᎬᏫᏳᎯ ᎬᏩᎪᏩᏛᏗ ᏱᎩ;\nᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᏱᎩᏯᏅᎲ ᎦᏓᎭ ᎢᎦᎵᏍᏙᏗᏱ ᎢᎦᏓᏅᎦᎸᏛᏍᎩᏂ ᎢᎦᎵᏍᏙᏗᏱ.\nᏲᎾ ᎤᏤᏍᏙ ᎠᏓᎴᏍᎩᏱᏍᎩ ᏗᏥᎶᏍᏔᏅ ᏗᏁᎶᏙᏗ ᎦᏁᎮ ᏃᎴ ᎤᎦᎾᏍᏓ ᏎᎷ ᎠᎾᏔᏍᎩᏍᎩ ᏓᎩᏍᎨ.\nᏝᏍᎪ ᎾᏍᏉ ᏂᎯ ᎦᎯᏯᏙᎵᏍᏗ ᏱᎨᏎ ᎢᏧᎳᎭ ᎡᏍᏗᏅᏏᏓᏍᏗ, ᎾᏍᎩᏯ ᎬᏯᏙᎵᏨᎢ?\nᎨᏍᏗ ᏳᏂᎬᎦ ᎤᏍᏓᎦᏴᎯᏓ ᎪᏪᎵ, ᏱᏥᏃᎯᏏ ᏣᎷᏨ.\nᎿᏉ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ, ᎭᏢ ᏣᏙᏓ? ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎥᏝ ᎠᏴ ᏱᏍᎩᎦᏔᎭ, ᎠᎴ ᎥᏝ ᏰᏥᎦᏔᎭ ᎡᏙᏓ. ᎢᏳᏃ ᎠᏴ ᏱᏍᎩᎦᏔᎮᎢ, ᎾᏍᏉ ᏰᏥᎦᏔᎮ ᎡᏙᏓ.\nᎠᎩᏃᎮᎵᏍᏗᏱ ᎠᏕᏘᏱᏍᎬ ᏱᎰᏩ ᏧᏓᏂᎸᎢᏍᏗ ᎨᏒᎢ.\nᎠᏴᏰᏃ ᎾᏍᎩ ᎠᏰᎸ ᏕᎦᏚᏓᏔ, ᎾᏍᎩ ᎤᏇᏓᎸ ᎠᎴ ᎾᏍᎩ ᏧᎪᎳ.\nᎡᏆ ᎨᏎ ᏩᎦ ᏃᎴ ᏐᏈᎵ ᏧᏂᏍᏆᏂᎪᏙᏗ ᏃᎴ ᎤᏪᏘ ᎨᏎ.\nᎤᏢᏗ ᏧᏚᎵᏍᎪ ᎠᎴ ᎤᏗᏔᏍᏗ.\n“ᎡᏙᏓ, ᎠᏯ ᏍᏉ ᎠᏆᏚᎵ ᏏᏆ?” ᎤᏛᏁ ᎡᎳᏆᏗ.\nᎠᎴ ᎾᎯᏳ ᎢᎦ ᏂᏓᏍᏆᎳᏅᎾ ᏱᎩ, ᎥᏝ ᎤᏇᏓᎵ ᎦᏰᏥᏍᏕᎸᏗ ᏱᎦᎩ; ᎠᏎᏃ ᎨᎦᏑᏰᏛ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎾᎯᏳ ᎢᎦ ᏗᏍᏆᎶᏗ ᎨᏎᏍᏗ\nᎩᎶ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ ᎦᏲᎵ ᎨᏒᎢ, ᎾᏍᏉ ᏚᏳᎪᏛ ᎾᏛᏁᎰ ᎤᎪᏗᏗ ᎨᏒᎢ; ᏂᏚᏳᎪᏛᎾᏃ ᎢᏯᏛᏁᎯ ᎤᏍᏗ ᎨᏒ, ᎾᏍᏉ ᏂᏚᏳᎪᏛᎾ ᎾᏛᏁᎰ ᎤᎪᏗᏗ ᎨᏒᎢ.\nᎿᏉᏃ ᎡᎪᎢ, ᎠᎴ ᏫᏓᏯᏂᏍᎪ ᎦᎵᏉᎩ ᏗᏓᏅᏙ ᏅᏩᎾᏓᎴ ᎤᏟ ᎢᏳᏂᏁᎫᏥᏛ ᎡᏍᎦᏉ ᎤᏩᏒ; ᎾᏍᎩᏃ ᎠᏂᏴᎯᎰ ᎠᎴ ᎾᎿ ᎠᎾᏁᎳᏗᏍᎪᎢ; ᎣᏂᏱᏃ ᏄᏍᏛ Ꮎ ᎠᏍᎦᏯ ᎤᏟ ᎤᏲᎢᏳ ᎨᏐᎢ ᎡᏍᎦᏉ ᎢᎬᏱᏱ.\n“ᏂᎦᏓ ᎨᏍᏗ ᎣᏍᏓ ᎣᏥᏰᎸᎯ ᏱᎩ.”\nᏥᏳᎪᏗ ᎨᏒ, ᎨᏍᏗ ᏱᎪᎵᎦ ᎢᏳᏍᏗ ᏄᎵᏍᎨᏗᏴ ᎯᎠ ᎦᏙ ᏃᎴ ᎠᏁᎯ, ᎤᏂᏁᎦ ᎠᎴ ᎠᏂᎩᎦᎨ.\nᏞᏍᏗ ᏣᏍᏆᏂᎪᏒᎩ ᎠᏎ ᏔᎵᏁ ᎢᏣᏕᏗ, ᏥᎬᏲᏏ.\nᎤᎸᏉᏗᏰᏃ, ᎾᏍᎩᏯ ᏥᏗᎸᏉᏗ. ᏓᏥᏃᎯᏎᎵ ᏄᏍᏛ ᏄᏩᎾᏕᎬᎢ ᏏᏆ ᏃᎴ ᏂᎦᏓ.\nᏗᏥᏲᎵ, ᏕᏤᏯᏙᎮᏍᏗ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ. ᎡᎺᏅ.\nᎢᏳᏃ ᏱᏗᎦᏔᎭ ᎢᎦᏛᏁᎲᎢ, ᏂᎦᎥ ᎪᎱᏍᏗ ᎡᏗᏔᏲᏏ ᎢᏗᎦᏔᎰ ᎢᎩᏁᎲ ᎢᏳᏍᏗ ᎡᏗᏔᏲᏎᎸᎢ.\nGranville Towers ᎢᏗᏣ ᎣᎨᏅᏒᎢ. ᏬᎩᎷᏨ ᎤᎾᎵᏱ ᏍᏚᏓ ᎾᎥ ᎦᏙᎬᎢ. \nᎣᎦᏤᎵ ᎦᏙ ᎨᏍᏗ ᎠᏰᎵ ᏱᎨᏎ, ᎠᎹᏰᎵᏰᏃ.\n“ᎤᎸᏓᎸᎥᎦ,” ᎤᏛᏁ ᎰᎻ.\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎥᏝ ᎿᏉ ᎡᏣᎾᏝᎢ ᏱᎩ, ᎤᏪᏥᏉᏍᎩᏂ; ᎠᎴ ᎢᏳ ᎤᏪᏥ ᏱᎩ, ᎿᏉ ᏧᎬᏩᎶᏗ ᎤᏁᎳᏅᎯ ᎤᏓᏁᏗ ᎨᏒ ᏣᏘᏰᎯ, ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏅᎯ.\nᏗᏣᏓᏲᏁᎯ ᎢᏥᏍᎦᏯ ᎠᎴ ᎢᏥᎨᏴ, ᏝᏍᎪ ᏱᏥᎦᏔᎭ ᎡᎶᎯ ᎤᎾᎵᎢ ᎨᏒᎢ ᎤᏁᎳᏅᎯ ᎠᏍᎦᎩ ᎨᏒᎢ? ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎢᏳᏃ ᎩᎶ ᎡᎶᎯ ᎤᎾᎵᎢ ᎢᏳᎵᏍᏙᏗᏱ ᏯᏓᏅᏖᎭ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎠᏍᎦᎩ ᎨᏐᎢ.\nᏂᎦᏓ ᎢᏥᏳᏩᏁᎦ ᎯᏌᎵᏥᏆᏍᎪ ᎤᏩᏙᎯᏴᏓ.\nᎯᎠᏃ ᎡᏘᏴ ᎫᏩᎵᏬᏨ ᏧᎬ.\nᎤᏃᏚ ᏅᎩ ᏗᏂᏅᏌᏗ ᏂᏚᏩᏁᎸ ᏕᎧᏃᎮᏍᎬ, ᎠᎦᏴᎵ ᎣᎯᏍᏙᏗ ᎡᎶ ᎤᎾᏕᏅ, ᏔᎵᏁ ᎤᎷᎯᏍᏗ ᏱᎨᏒᎾ.\nᏝᏍᎪ ᎠᏉᏰᏂ ᎠᏋᏔᏅᎯ ᎠᏉᏢᏅᎯ ᏱᎩ ᎯᎠ ᏂᎦᏛ ᏥᏄᏍᏗᏓᎾ?\nᎤᎧᏔ ᏗᏣᏲᎦ! \nᎰᏩᏃ ᎿᏉ ᎤᏲᎱᏒ ᏕᎤᎴᏅ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᎾᏅᏓᏛᎩ ᎾᏍᎩ ᏂᏚᏪᏎᎸᎢ; ᎠᎴ ᎤᏃᎯᏳᏅᎩ ᎪᏪᎵ ᎠᎴ ᎾᏍᎩ ᏥᏌ ᎤᏁᏨᎢ.\nᎿᏉ ᏓᏣᎴᏅᎯ ᎯᎠ ᏅᏓᏥᏪᏏ, ᎣᎦᎵᏍᏓᏴᏅᎩ ᎠᎴ ᎣᎦᏗᏔᎲᎩ ᎯᏚᏔᎲᎢ, ᎠᎴ ᏕᏣᏕᏲᏅᎩ ᎣᎩᏚᎲ ᎡᏓᏍᏗᏱ Ꮥ-ᎦᎳᏅᏛᎢ.\nᎩᎶᏃ ᎢᏳᎾᏍᏗ ᎠᏂᎪᎢ ᎠᏁᎸᎩ ᎤᎾᎵᏙᎵᏍᏔᏂᎸᎯ ᏗᎵᏍᏓᏴᏗᏱ.\nᎾᏍᎩ ᏇᏗᏂᏃ ᎦᏚᎲ ᏥᎷᏏᎵᎻ ᎾᎥ ᎨᏒᎩ, ᏔᎵᎭᏉ ᎢᏳᏟᎶᏛ.\n“ᎣᏏᏉᏗ ᏄᏍᏗ,” ᎤᏛᏁ ᎰᎻ ᎬᏣᏗ, ᎡᎳᏗ ᎭᏂᏗᏍᎨ ᎧᏁᏌᎢ ᏫᎵᎻ ᎦᏙᎬ ᎠᎬᏱᏣ.\nᎬᏂᏤᎭ ᏍᎩᏩᎯᏎᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᎠᏥᎸᏱ ᎬᏔᏅᎯ, ᎾᏍᎩ ᎤᏙᎯᏳᎯ ᏤᏅᎢᏍᏗᏱ; ᎠᎴ ᎤᏁᎬ ᎠᏄᏬ ᏣᏄᏬᏍᏗ, ᎾᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎨᏒᎾ; ᎠᎴ ᏘᎦᏙᎵ ᏗᏣᎶᏁᏙᏗᏱ ᏗᎦᏔ-ᏗᎦᎶᏁᏗ, ᎾᏍᎩ ᎨᏣᎪᏩᏛᏗ ᎢᏳ ᎵᏍᏙᏗᏱ.\nᎠᏂᏥᎸᏍᎩ?\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎡᏏᎩ ᎣᏍᏛ ᏥᏚᏁᏤᎴ ᏤᎦᏈ ᎠᎴ ᎢᏐ ᎪᎱᏍᏗ ᎠᏏ ᎤᎵᏰᎢᎶᎯᏍᏗ ᎨᏒ ᎤᎬᏩᎵ.\nᏂᎦᏛᏍᎪ ᎨᏥᏅᏏᏛ? ᏂᎦᏛᏍᎪ ᎠᎾᏙᎴᎰᏍᎩ? ᏂᎦᏛᏍᎪ ᏗᎾᏕᏲᎲᏍᎩ? ᏂᎦᏛᏍᎪ ᎤᏍᏆᏂᎪᏗ ᏧᏂᎸᏫᏍᏓᏁᎯ?\nᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᏂᎯ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏙᎩᎢᎭ ᏂᎪᎯᎸᎢ; ᎤᏂᏃᏕᎾᏉ ᏗᎯᏍᏗ ᎾᏍᎩᏯ ᎣᎩᏰᎸᎠ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᎣᎬᎾᏖᏉᎶᎯ ᏍᏇᎵᏎᎮᏍᏗ, ᏕᎯᏯᏓᏂᎸᏨᎭ ᎠᏴ ᏥᏕᏍᏆᏓᏂᎸᎪ ᎾᏍᎩᏯᎢ.\nᎠᏂᎦᎵᏍᏓᏓᏰᏃ ᎠᏆᏓᏅᏙ, ᎠᎴ ᏂᎯ ᏗᏣᏓᏅᏙ. ᎾᏍᎩ ᎢᏳᏍᏗ ᏕᏥᎸᏉᏕᏍᏗᏉ ᎾᏍᎩ ᎢᏳᎾᏍᏗ.\nᎠᎴᏬ, ᏥᎪ ᎣᏣᎵᏍᏕᎵ ᎢᏤᎵᎭ ᎢᏥᎦᏔᎲᎢ? ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲ ᎣᏥᏁᎦ ᎦᎶᏁᏛ ᏧᏪᏲᏅᎯ ᎾᏍᎩᏯᎢ; ᎠᏎᏃ ᎢᏨᎨᏳᎢ, ᏂᎦᎥ ᏂᎯ ᎢᏣᎵᏂᎯᏍᏙᏗ ᎤᎬᏩᎵ [ᎣᏥᏁᎦ.]\nᎾᏍᎩ ᏓᏏᎾᏌᏅᏤᎮ ᎪᎱᏍᏗ ᏗᎬᎿ, ᎠᎴ ᎤᏲ ᏂᏚᏩᏁᎴ ᏗᎩᎦᏴᎵᎨᎢ, ᎾᏍᎩ ᏗᎨᎦᏓᎢᏅᏗᏱ ᏧᎾᏍᏗ ᏧᏁᏥ, ᏗᎬᏩᎾᏛᎯᏍᏗ ᏂᎨᏒᎾ ᎢᏳ ᎵᏍᏙᏗᏱ.\nᎠᎴ ᎤᎾᏛᏓᏍᏙᏗᏱ ᏂᎨᏒᎾ ᎠᏎᏉ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᎠᎴ ᏫᎾᏍᏛᎾ ᎧᏃᎮᏗ ᎨᏒ ᎤᎾᏓᏁᏟᏴᏒᏒᎢ, ᎾᏍᎩ ᎦᏬᏂᎯᏍᏗᏉ ᏥᏩᎵᏱᎶᎯᎭ ᎥᏲᏃ ᎤᏁᎳᏅᎯ ᏗᏁᎳᏙᏗ ᎨᏒ ᎤᏛᎯᏍᏗᏱ, ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᏨᏗᏓᎴᎲᏍᎦ, [ᎾᏍᎩ ᎿᏛᏁᎸᎭ.]\nᎪᎯᎢᏴ, ᏩᎩᎷᏨ, Ꮒ ᎠᏇᏥ ᎠᏧᏣ.\nᎠᏆᎴᏅ ᏕᎦᏎᎯᎲ, ᎨᏍᏗ ᏯᏆᎴᏫᏍᏔᎾ-ᏄᏓᎴ ᎠᏆᏓᏅᏖᏗ ᏱᎨᏒᎾ.”\nᎩᎶᏃ ᎢᎳᏯ ᎦᎾᏄᎪᎩ ᎠᎾᏗᏍᎬᎢ; ᎢᎦᏛᏃ ᎩᎶ ᎢᏳᏍᏗ ᎢᎸᎯᏳ ᏣᏁᎮ ᎠᎾᏙᎴᎰᏍᎩ ᏚᎴᎯᏌᏅ ᎠᎾᏗᏍᎬᎢ.\nᏝᏍᎪ ᎾᏍᎩ Ꮎ ᏂᎦᏛ ᏗᏓᏅᏙ ᎨᏥᏅᏏᏛ ᏧᏂᏍᏕᎸᎯᏓᏍᏗᏱ ᎾᏍᎩ Ꮎ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ ᏥᎩ?\nᎤᎶᎩᎸᏃ ᎤᏄᏢᏔᏁᎢ; ᎧᏁᎬᏃ ᎤᎶᎩᎸ ᏧᎾᏄᎪᏤᎢ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᎯᎠ ᎾᏍᎩ ᏥᎨᏳᎢ ᎠᏇᏥ; ᎾᏍᎩ ᎡᏣᏛᏓᏍᏓᏏ.\nᎿᏉᏃ ᏥᏌ ᎤᎴᏅᎲᎩ ᏚᏃᏁᎸᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎠᏎ ᎤᏪᏅᏍᏗᏱ ᎨᏒ ᏥᎷᏏᎵᎻ, ᎠᎴ ᏧᏓᎴᏅᏛ ᏧᎩᎵᏲᏤᏗᏱ ᏗᏂᎳᏫᎩ ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ; ᎠᎴ ᎠᏥᎢᏍᏗᏱ, ᎠᎴ ᏦᎢᏁ ᎢᎦ ᏧᎴᏗᏱ.\nᏍᏓᏯ ᎦᏟᎲ ᎠᏥᏰᎢᏍᏔᏁ ᏥᏍᏕᏥ, ᎤᏯᏃᏒ ᏃᎴ ᎤᏂᎦᎸ ᎢᏳᏍᏗ ᎨᏎ ᏗᎧᏃᏗ.\nᏫᏥᎢᎦ ᎨᏒ ᎤᎾᏓᏕᏯᏙᏗ ᏛᎦ.\nᎣᏏᏳ ᎢᏣᏙᎩᏯᏍᎬᎩ; ᎦᎪ ᎢᏥᏲᏍᏙᏓᏁᎴ, ᎾᏍᎩ ᏗᎨᏥᎧᎿᏩᏛᏍᏗ ᏂᎨᏒᎾ ᏄᎵᏍᏔᏅ ᎤᏙᎯᏳᎯ ᎨᏒᎢ?\n”ᏤᏍᏗ ᏱᏣᎦᏎᏍᏔᏁᏍᏗ ᏍᎩᎾᎾᏂ---ᏂᏥᏪᏍᎬ ᎾᏛᏁᎸ! \nᎤᎵᏍᏔᏴᏗ ᎦᎵᏙᏗ ᏭᎷᏤᎢ, ᎤᏗᏔᎮ ᎦᏁᎲ, ᎤᏲᏏᏍᎩ ᎤᏗᏔᎮ ᎤᏅᏗ ᏃᎴ ᎤᎩᏍᏙᎡ ᏑᎾᎴ ᎠᎩᏍᏗ ᎤᏂᏑᎸᏓ.\nᏂᎦᏓ ᏧᏤᎵ ᏌᎳᏓ ᏧᏂᏍᏗ ᎠᎾᎵᏛᏗᏍᎨᎢ ᎦᏣᏄᎳ.\nᎠᎴ ᎾᏂᎥ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏓᏂᏙᎨ ᏚᏂᎸᏫᏍᏓᏁᎮ ᏂᏓᏙᏓᏈᏒᎢ, ᎠᎴ ᏂᎪᎯᎸ ᎤᏠᏱᏉ ᎠᏥᎸ-ᏗᎨᎳᏍᏙᏗ ᏧᎾᎵᏍᎪᎸᏗᏍᎨᎢ, ᎾᏍᎩ ᎠᏍᎦᏂ ᎨᏒ ᎢᎸᎯᏳ ᏰᎵ ᎬᏩᎲᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏣᏁᎳ ᏐᏁᎳ ᏩᏍᏗ, ᏙᏱᏨ ᎠᎦᎵᏍᎬ ᎤᏢᏅᏍᏗ ᎤᏪᎵᏎ.\nᎯᎠᏃ ᎾᏆᎵᏍᏓᏁᎸ ᏥᎷᏏᎵᎻ ᎢᎠᎩᎷᏨ, ᎾᏍᎩ ᎦᏓᏙᎵᏍᏗᏍᎬ ᎤᏛᏅ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏣᎦᎵᎰ ᎢᏳᏍᏗ ᎾᏆᎵᏍᏓᏁᎸᎩ;\nᏚᎴᏫᏍᏔᏁᎴ.\nᎤᏙᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᎬᏪᏎᎭ; ᎣᏂᎦᏔᎲ ᎣᏥᏁᎪᎢ, ᎠᎴ ᎣᎩᎪᎲᎯ ᎣᏥᏃᎮᏍᎪᎢ, ᎠᏎᏃ ᎥᏝ ᏱᏗᏣᏓᏂᎸᎪ ᎣᏥᏃᎮᏍᎬᎢ.\nᏅᏩᏓᎴᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎯᏍᎩ ᎢᏳᎾᎩᎳᎾᎳ ᏩᎦ ᏓᎩᏩᏒ, ᎠᎴ ᏕᏚᏁᎶᏔᏂ; ᎬᏔᏲᏎ ᎤᏁᎳᎩ ᏍᏇᎵᏎᏗᏱ.\nᎾᏍᎩᏃ ᏂᎦᏛᏁᎲᎢ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂᏧᏏ ᎡᏏᏱ ᎠᏁᎯ ᎬᎩᏩᏛᎲᎩ ᎠᏆᏓᏅᎦᎵᏌᏛ ᎨᏒᎩ ᏥᏯᎥᎩ ᎤᏛᏅᏗᎦᎳᏫᎢᏍᏗᏱ, ᎥᏝ ᏱᎨᎳᏗᏙᎮ ᎤᏂᏣᏘ ᎠᏁᏙᎲᎢ, ᎠᎴ ᎤᎾᏓᏑᏰᏛ ᎨᏒᎢ;\nᏄᏛᏅᏓᎩᏎ ᎠᏯᏖᎾ.\nᏦᎾᏰᏃ ᏦᎢ ᎢᎦ ᎠᎴ ᏦᎢ ᏒᏃᏱ ᎠᏣᏗ ᎡᏆ ᎤᏍᏉᎵᏱ ᏣᏯᏒᎢ, ᎾᏍᏉᏍᎩᏂ ᏴᏫ ᎤᏪᏥ ᏦᎢ ᎢᎦ ᎠᎴ ᏦᎢ ᏒᏃᏱ ᎦᏙᎯ ᎭᏫᏂ ᎠᏯᎡᏍᏗ.\nᏥᏧᏣ ᏥᎨᏒ ᎠᏋᏌ ᎭᏂ ᎡᎶ, ᎣᎯᏍᏙᏗ ᏥᎸᏍᎬ ᏅᏙ ᏥᏗᎧᎸᎪᎢ, ᏧᎨᎯᏙᏃ ᎤᏍᎦᏎᏗ ᎤᏓᏓᏍᎩᏌᏅ ᎤᎵᏏᎬ.\nᎤᎾᏓᏓᏍᎬ ᎤᎾᎵᏗᎩᏛ ᏍᏔᏯ ᎠᏁᎲ ᏃᎴ ᎤᏂᏂᎩᏛ, ᎠᎪᎾ ᏚᏂᏲᏏᏍᎬ ᏃᎴ ᏳᏂᏚᎬᎾ, ᎠᏎᏃ ᎤᎾᎵᎪᎲ ᎤᏰᎸᏛᎢ.\nᎤᎬᏫᏳᎯᏃ ᎤᎪᎲ ᎤᏪᏙᎵᏤᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏞᏍᏗ ᏗᏣᏠᏱᎸᎩ.\nᏑᎹᏂᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏗᎧᎿᏩᏗᏙᎯ ᏫᏲᏪᎳᏏ; ᎯᎠ ᎾᏍᎩ ᏫᏂᏪᏏ ᎠᏗᎭ ᎾᏍᎩ Ꮎ ᎢᎬᏱᏱ ᎠᎴ ᎤᎵᏍᏆᎸᏗ, ᎾᏍᎩ Ꮎ ᎤᏲᎱᏒᎯ ᏥᎨᏒ ᎠᎴ ᎾᏍᎩ ᏤᎭ.\nᎣᏍᏓ ᎠᎩᏰᎸᎰ ᎦᎸᎳᏗ ᎨᎥᎢ, ᏃᎴ ᏂᏪᏍᎬ ᎠᎩᎪᎵᏰᎠ.”\nᏞᏍᏗ ᎩᎶ ᎤᏩᏒ ᏥᎠᏓᎵᏓᏍᏔᏂ. ᎢᏳᏃ ᎩᎶ ᏂᎯ ᎢᏤᎲᎢ ᎠᎦᏔᎿᎢ ᏱᏅᏩᏍᏗ ᎠᏂ ᎡᎶᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏁᎫ ᏫᏂᎦᎵᏍᏓ, ᎾᏍᎩ ᎠᎦᏔᎿᎢ ᎢᏳᎵᏍᏙᏗᏱ.\nᎤᏙᎯᏳᏗᏱ ᎠᏙᎴᎰᏍᎩ ᎢᏌᏯ ᏧᏁᏤᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ;\nᎯᎠ ᎾᏍᎩ ᎪᏪᎸ ᎠᎪᎵᏰᏍᎨᎢ; ᎠᎦᏘᏃᎸᎩ ᎠᏫ ᎤᏃᏕᎾ ᎾᏍᎩᏯ ᏗᎯᏍᏗᏱ, ᎠᎴ ᎾᏍᎩᏯ ᎠᎩᎾ ᎠᏫ ᎡᎳᏪ ᏥᎨᏐ ᎬᏩᏍᏰᏍᎩ ᎠᏂᎦᏔᎲᎢ, ᎾᏍᎩᏯ ᎥᏝ ᏳᏍᏚᎢᏎ ᎠᎰᎵ.\nᏐᏉ ᎢᏳᏩᎫᏗ ᏣᎵ ᏃᎴ ᏍᏗᏫ ᎠᎵᏍᏓᏴᏗ ᎤᏂᏓᎾᏂᎩᏒᏎᎢ.\nᎥᏝ ᏃᎩᎲᎾ ᎨᏒ [ᏅᏩᏓᎴ ᎢᏲᎦᏛᏁᏗᏱ] ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ, ᏗᏣᏟᎶᏍᏙᏗᏍᎩᏂ ᏃᏣᏓᏛᏁᎲ ᎠᏴ ᏍᎩᏍᏓᏩᏛᏍᏗᏱ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ.\nᎩᎶ ᎦᎵᎷᎨᏍᏗ ᎾᏍᎩ ᏩᏛᎬᎦ.\nᎾᏍᎩ ᎫᏓᎴᏅᏛ ᏍᎩᏯᏕᎶᏆᎸᎯ ᎨᏒᎢ, ᎠᎴ ᏗᏍᎩᏯᏓᏂᎸᏤᎸᎯ ᎨᏒᎢ, ᎠᎴ ᏍᎩᏯᏛᎦᏁᎸᎯ ᎨᏒᎢ, ᎠᎴ ᏍᎩᎪᎡᎸᎯ ᎨᏒᎢ, ᏂᏣᏛᏁᎮᏍᏗ; ᎤᏁᎳᏅᎯᏃ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏁᎯ ᏗᏥᎧᎿᏩᏗᏓᏍᏗ ᎨᏎᏍᏗ.\nᏣᎬᏫᏳᎯ ᎡᎩᎵᏉ, ᎦᎵᎡᎵᎦ ᎪᎯ ᎢᎦ ᏥᎩ ᎯᎦᏔᎲ ᎦᎵᏍᏕᎵᏍᎬ ᏨᏓᏥᏁᎢᏍᏔᏂ ᏂᎦᎥ ᎬᏇᎯᏍᏗᏍᎬᎢ ᎠᏂᏧᏏ.\nᎠᎴ ᎤᏂᏣᏛ ᎠᏂᏧᏏ ᎬᏩᏂᎷᏤᎸᎩ ᎹᏗ ᎠᎴ ᎺᎵ ᎬᏩᏂᏄᏬᎯᏍᏔᏂᎸᎩ ᎤᏂᏙ ᎤᏲᎱᏒ ᎢᏳᏍᏗ.\n”ᎭᏩᏃ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎤᏂᎸᏉᏗ ᎨᏒ ᎤᏂᏆᏂᏲᏍᏗ, ᎤᎵᏨᏓᏆ ᎠᏂᏆᏂᏲᎯᎲ ᏧᎾᏦᎯᏍᏗ ᏃᎴ ᎠᏕᎳ ᏓᏂᏍᏕᏓᎵᏱᏙᎲ.\nᎠᏂᏩᏥᏂ ᎠᏁᎵᏍᎬ, ᎤᎬᏫᏳ Ross ᏃᎴ ᎠᏂRidges ᎤᏂᏲ ᎠᏂᏴᏫᏯ ᏃᎴ ᎨᏍᏗ ᏗᎬᏟᏃᎮᏙᏗᏱᎩ.\nᎨᏍᏗ ᏱᎪᎵᎦ, ᏃᎴ ᎨᏍᏗ ᎣᏍᏓ ᏯᎩᏰᎸᎰ ᏱᎪᎵᎬᎾ ᏱᎩ ᎪᎱᏍᏗ.”\nᎾᏍᎩ ᎿᏉ ᎤᏕᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎪᎯᎸ ᎤᏇᏓᎸ ᎢᎪᎯᏛ ᎤᎴᏂᏓᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏴᏫ ᎤᎾᏚᎸᏗ ᎨᏒᎢ, ᎤᏁᎳᏅᎯᏉᏍᎩᏂ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒᎢ.\nᎠᏂᎨᏯ ᏃᎴ ᏧᏂᏍᏗ ᏗᏂᏲᏟ ᎤᎾᎵᎪ ᎠᏂᏙᎾᎥ, ᎤᎵᏗᏨ ᎠᏂᏔᎵ ᎠᏂᏫᎾ ᎠᏂᏲᏍᎩ ᏚᎾᎦᏎᏍᏛ.\nᎦᏙᏃ? ᎢᏗᏍᎦᏅᎨᏍᏗᏍᎪ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᏗᎧᎿᏩᏛᏍᏗᏱ ᏂᎦᏓᏄᏴᏛᎾ ᎨᏒᎢ, ᎬᏩᎦᏘᏯᏍᎩᏂ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᎦᏓᏄᏴᏛᎢ? ᎬᏩᏟᏍᏗ.\nᎤᏬᏗᎨ ᎤᎵᏏᎩ ᎨᏎᎢ ᏃᎴ ᏌᏬᏚ ᎤᏓᏅᎵᏰᏓ ᏄᏍᏕᎢ.\nᏌᏩᏂᏃ ᏈᏓ ᎾᏍᎩ ᎤᎵᏍᎫᏫᏎᎸᎩ ᎤᏛᏛᏗᏱ ᎾᏍᎩ ᎨᏒᎢ ᎦᏛᎬᎢ.\nᎤᏂᏣᏘᏃ ᏫᏚᎪᎲ ᎤᏌᎯᎸ ᎤᎿᎷᏎᎢ, ᎤᏪᏅᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏩᎷᏤᎴᎢ.\nᎥᏝ ᎠᎴ ᏴᏫ ᎪᎩᎸᏉᏙᏗᏱ ᏲᎩᏲᎮᎢ, ᎥᏝ ᏂᎯ ᏱᏨᏲᏎᎮᎢ, ᎥᏝ ᎠᎴ ᏅᏩᎾᏓᎴᎢ; ᏰᎵᏉ ᎡᎦᏃ ᎦᎨᏛ ᎢᏗᎦᏲᏨᏁᏗ ᎨᏒᎩ, ᎦᎶᏁᏛ ᎣᎩᏅᏏᏛ ᎨᏒ ᎢᏳᏍᏗ.\nᏚᎧᎾᎾ, ᏌᎪᏂᎨᎢ ᎦᎸᎶᎢ ᎤᎪᎮ ᏃᎴ ᎦᎶᎯᏍᏗ ᎭᏫᏂ ᏭᎵᏖᎸᏂᎴᎢ.\nᎢᎦᏓᏃ, ᎤᏙᎯᏳ ᎠᏂᏴᏫ ᏄᎾᏍᏛ ᏃᎴ ᎤᏲ ᎤᎾᏓᏅᏛ ᏄᏍᏛ ᎾᎾᏛᏁᎲ.\nᏚᎾᏓᏒ ᎤᏂᎨᎲᏎ, ᏃᏉ ᎤᎾᏍᎪᏎ ᎠᏔᎴᎦᏒ ᎤᏂᏌᏛᏗ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ, ᎾᏍᎩ ᎤᎩᎬ ᎢᎦᏚᏓᎴᏍᏔᏅᎯ ᏥᎩ, ᎤᏟᎯ ᎤᏙᎯᏳᎯᏯ ᎡᎩᏍᏕᎸᏗ ᎨᏎᏍᏗ ᎡᎫᏓᎴᏍᏗ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ.\n“ᎤᎦᏃᏩ ᎦᏃᎸᎥᏍᎬ ᏓᏲᏣᏂᎩᏏ.\nᎾᏍᎩᏰᏃ ᏗᎬᎪᏩᏛᏗ ᏂᎨᏒᎾ ᎨᏒ ᏧᏤᎵᎦ ᎬᏂᎨᏒᎢᏳ ᏗᎬᎪᏩᏛᏗ ᎢᎩ ᎡᎶᎯ ᏧᏙᏢᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᏗᎦᎪᎵᏍᏙᏗ ᎢᎩ ᏧᏓᎴᏅᏛ ᏗᎪᏢᏅᎯ ᎨᏒᎢ, ᎾᏍᎩ ᏅᏧᏓᎴᏅᎲᎾ ᎤᎵᏂᎩᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎨᏒᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᏳᏂᎭ ᏧᎾᏢᏫᏍᏙᏗ;\nᎤᏂᏂᏴᏗᏱᏃ ᎤᎾᏓᏅᏖᎸ, ᎤᏂᏣᏘ ᏴᏫ ᏚᏂᏍᎦᎸᎩ, ᎾᏍᎩᏰᏃ ᎠᏙᎴᎰᏍᎩ ᎬᏩᏰᎸᏒᎩ.\nᎢᏳᏉ ᎤᎾᏛᏁ ᎠᏤ ᎢᏳᏍᏗ ᎠᏍᎦᏯ, ᎤᏁᏝᏅ ᏃᎴ ᎬᏂᎨ ᎤᎩᎸᏗ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᏍᎩ ᎤᎩᏨᏛ ᏧᏂᎦᏐᎠᏒ ᎣᏓᎸᎢ, ᎤᏂᏣᏘ ᏴᏫ ᏕᎬᏩᏠᏎᎢ.\nᎤᏣᏘᏃ ᎤᏂᏍᎦᎴᎢ, ᎠᎴ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᎦᏙ ᎤᏍᏗ ᎯᎠ ᎠᏍᎦᏯ, ᎾᏍᏉᏰᏃ ᎤᏃᎴ ᎠᎴ ᎥᏓᎵ ᎢᎬᏬᎯᏳᎲᏍᎦ.\nᏂᎦᏗᏳᏰᏃ ᎤᏂᏍᎦᏅᏨᎯ, ᎠᎴ ᎡᏍᎦ ᎤᏃᎭᏒ ᎤᏁᎳᏅᎯ ᎤᏓᎸᏉᏙᏗ ᎨᏒᎢ;\n“ᎦᏙᏃ ᏄᎵᏍᏔᏁᎢ?” ᎤᏛᏛᏁ ᎤᏥ, ᎤᏚᎵᏍᎬ ᎤᏕᎶᎰᎯᏍᏗ ᎤᎶᏒᏍᏓᏁᎴ.\nᎠᎴ ᎦᎵᏉᎩ ᎦᏚ ᏅᎩᏃ ᎢᏯᎦᏴᎵ ᏥᎾᏂᎥᎩ, ᎠᎴ ᎢᏯᎧᎵᎢ ᏔᎳᏣ ᎢᏧᏖᏒᎢ?\nᎢᎦᏛᏃ ᏅᏲᎯ ᎤᎳᎨᏯᏛᏤᎢ; ᏧᎵᏰᏅᏉᏃ ᎤᎿᏍᎬᏤ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏄᏬᏕᏫᏒᎾ ᎨᏒᎢ.\nᎾᏍᎩ ᎯᎠ Ꮎ ᎠᏓᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏥᎧᏃᎮᎭ, ᎠᎴ ᎾᏍᎩ ᎯᎠ ᎤᏬᏪᎳᏅᎯ ᏥᎩ, ᎠᎴ ᎢᏗᎦᏔᎭ ᎾᏍᎩ ᎧᏃᎮᏍᎬ ᎤᏙᎯᏳᎯᏯ ᎨᏒᎢ.\nᎠᏫᏄᏣ ᎠᏂᏴᏫ ᏧᎦᏎᏍᏗᏕᎩ ᏙᎩᎾᏦᏒ.\n”ᎠᏎᏃ ᏣᎾᏏᏗ ᏤᏅᏍᏗ ᎠᏆᏚᎵ ᎩᎳᏈᏴ.”\nᎰᎻ ᎠᎦᏕ ᎠᎵᎮᎵᎨ.\nᎠᏏᏴᏫᏃ ᎾᏍᎩ Ꮎ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᎨᏒ ᏗᏂᎧᎿᏩᏗᏐᎯ, ᎾᏍᎩ ᎦᎵᏉᎩ ᎫᎫ ᏥᏓᏂᏰᎲᎩ, ᎤᎷᏨᎩ ᎠᎴ ᎠᏆᎵᏃᎮᏔᏅᎩ, ᎯᎠ ᎾᎩᏪᏎᎸᎩ, ᎡᎮᎾ; ᏓᎬᎾᏄᎪᏫᏎᎵ ᏄᏍᏛ ᏣᎫᎪᏓᏁᏗ ᎨᏒ ᎤᏣᏘ ᎤᏁᎫᏥᏛ ᎠᎨᏴ, ᎤᏣᏘ ᎠᎹ ᏚᏪᏴ ᏧᏬᎳ;\nᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏂᏣᏓᏅᏛᎾ, ᎪᎯᏉ ᎤᏒᎢ ᏣᏓᏅᏙ ᏓᏰᏣᏯᏅᏒᎵ; ᎦᎪᏃ ᎤᏤᎵ ᎨᏎᏍᏗ ᎾᏍᎩ ᏥᏣᏓᏁᎳᏅ.\nᎨᏍᏗ ᏯᎦᏔᎮᎢ ᎾᎥᏂ ᏄᏛᏅ ᎤᎾᎵᎢ.\nᎾᏍᎩ ᏥᏚᏳᎪᏗ ᎾᏍᎩ ᎢᏨᏰᎵᏎᏗᏱ ᏂᏥᎥᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎠᎩᎾᏫᏱ ᎢᏨᏍᏆᏂᎪᏛᎢ; ᎾᏍᏉᏰᏃ ᎥᏆᎸᎢᏛ ᎨᏒᎢ, ᎠᎴ ᏥᏍᏕᎵᏍᎬ ᎠᎴ ᏥᏍᏓᏱᏗᏍᎬ ᎣᏍᏛ ᎧᏃᎮᏛ ᏂᎯ ᏂᏥᎥ ᎢᏤᎳᏗᏍᏗᎭ ᎬᏩᎦᏘᏯ ᎥᎩᏙᎵᎬᎢ.\nᎾᏍᎩ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ; ᎦᎪ ᎾᏍᎩ, ᏣᎬᏫᏳᎯ, ᎾᏍᎩ ᏥᏲᎢᏳᏗᏱ?\nᎾᏍᎩᏃ ᎠᏂᏍᎦᏯ ᏂᎦᏛ ᏔᎳᏚ ᎢᏴᏛ ᎾᏂᎥᎩ.\nᏧᎭᎾᏬᎩ ᏕᎬᏅ ᎦᎶᏍᎨ ᎤᏴᏨ ᏧᎪᎸ ᏚᏦᏒ ᎢᏴ.\nᎾᏍᎩᏃ ᎤᏪᎧᎲᏒ, ᏚᎾᏄᎪᏫᏎᎴ ᏕᏫ ᎤᎾᏤᎵ ᎤᎬᏫᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ; ᎾᏍᎩ ᎾᏍᏉ ᏧᏁᎢᏍᏔᏁ ᎯᎠ ᏥᏁᏪᏎᎢ; ᏥᏩᏛᎲ ᏕᏫ ᏤᏏ ᎤᏪᏥ, ᎠᏍᎦᏯ ᎣᏍᏛ ᏥᏰᎸᎢ, ᎾᏍᎩ ᏅᏛᏛᏁᎵ ᏂᎦᎥ ᎦᏓᏅᏖᏍᎬᎢ.\nᎾᎨ ᎢᏴ ᏏᏆ ᎠᏍᏚᏗ, ᎡᏝᏪᎯ ᏃᎴ ᎤᏩᏌ ᏌᎳᏓ, ᏂᎦᏓ ᎾᏂᏪᏍᎬ ᎠᏛᎩᏍᎨ ᏍᏓᏯ ᎦᏬᏂᏍᎩ.\nᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎡᎳᏆᏗ ᎣᏁ ᎠᏌᏅᏗ ᏓᏂᏙᎨ, ᎠᏦᏴ ᏚᏂᏂᏴᎮᎢ.”\nᎠᏏᏴᏫᏃ ᎾᏍᎩ ᎤᏂᏣᏘ ᎨᏒᎨᎳ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᎬᏯᏘᏃᎯᏏ ᎠᏇᏥ, ᎤᏩᎨᏫ ᎠᏓᏅᏙ ᎤᏪᎢ;\n”ᏃᎴ ᏍᏉ, ᎦᎵᏉᎩ ᏂᏚᏓᏓᏍᎦ ᏗᏥᏅᏍᎨᏂ, ᏥᎧᏍᎨᏂ, ᎤᏇᏓᏢ ᏚᏦᎯᏍᏛ ᏥᎧᏍᎨᏂ, ᏦᎢᏁ ᏚᏦᎯᏍᏛ, ᏥᏂᎨᏂ, ᏅᎩᏁ ᏚᏦᎯᏍᏛ, ᎠᏆᎳᏏᏕᎾ ᏃᎴ ᎯᏍᎩᏁᎢ ᏚᏦᎯᏍᏛ.\nᎨᏍᏗ ᎪᎰᏍᏗ ᎠᎬᏱ ᏯᎴᎲᏍᏗᏍᎨ ᎠᎫᏩᏌ ᎠᎫᏤᎵ ᏴᏫ ᎾᏍᎩᏯ ᎢᎾᎨ ᎡᎯ.\nᏃᏗ ᏐᏉ ᎤᏃᏕᎾ ᏭᏃᎯᏎᎴ ᏩᎦ, ᏂᎪᎯᎸᎾ ᏂᎦᏓ ᎠᏂᎧᏔᎮᎢ ᎤᏂᏃᏕᎾ.\nᎤᏁᎷᏁᎢ ᏌᏌ.\nᏣᎵ ᏧᏤᎵ ᏴᏫ ᏭᏂᏴᎸ ᎤᎾᏗᏍᎦᎶᏗ, ᎤᏅᏌ ᎠᎾᏟᏃᎮᏍᎬ, ᏣᎵ, ᎶᏩᏂ ᏃᎴ ᏤᎩ ᏚᎾᎩᏝᏅ ᎠᏥᎸ ᎾᎥᏂ.\nᎾᏍᎩᏰᏃ ᏂᏣᏛᏁᎲ ᎤᏣᏔᏅᎯ ᎡᏥᏁᏗ ᎨᏎᏍᏗ ᎢᏥᏴᏍᏗᏱ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎤᎬᏫᏳᎯ ᏗᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᎠᎴ ᎢᎩᏍᏕᎵᏍᎩ ᏥᏌ ᎦᎶᏁᏛ.\nᏖᏲᎲᏍᎩ ᎨᏒ ᏄᎾᏓᏅᏛᎾ, ᏗᏂᏲᎵ ᏖᏲᎲᏍᎩ, ᎾᏍᎩ ᏣᏍᏆᏂᎪᏗ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᎴ ᏚᏳᎪᏛ ᎨᏒ ᏗᏟᎶᏍᏔᏅᎯ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎪᏪᎸᎢ.\nᎦᏥᏯᏬᎢᎵᏴᏍᏓᏁᎲ ᎩᎶ ᎬᎩᎪᎵᏰᏍᎩ ᎾᏍᎩ ᎯᎠ ᏄᏍᏗ.\n”ᏗᏣᏏᎳᏛᏙᏗ ᏕᏣᏂᎬᎦ, ᏃᎴ ᎨᏍᏗ ᏱᏏᏁᎭ.\nᏂᏙᏣᎧᏂᏍᎬᎾ ᎨᏒ ᎾᏍᎩ ᏗᎬᎪᏩᏛᏗ ᏥᎩ, ᎾᏍᎩᏍᎩᏂ Ꮎ ᏗᎬᎪᏩᏛᏗ ᏂᎨᏒᎾ ᏥᎩ; ᎾᏍᎩᏰᏃ ᏗᎬᎪᏩᏛᏗ ᏥᎩ ᏗᎦᎶᏐᎲᏍᎩ; ᎾᏍᎩᏍᎩᏂ Ꮎ ᏗᎬᎪᏩᏛᏗ ᏂᎨᏒᎾ ᏥᎩ ᏗᎦᎶᏐᎲᏍᎩ ᏂᎨᏒᎾ.\nᎨᏍᏗ ᏱᏓᏆᏁᎶᏃ ᏧᏪᏥ ᏱᏓᏆᏁᏍᎩᎳ.\nᎨᏍᏗ ᎩᎶ ᎪᎱᏍᏗ ᏳᏛᎾ.\nᎠᎴ ᎾᏍᏉ, ᎢᏓᎵᏅᏟ, ᎢᏨᏔᏲᏎᎭ, ᎠᎴ ᎢᏨᏍᏗᏰᏕᎭ, ᎤᎬᏫᏳᎯ ᏥᏌ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎾᏍᎩ Ꮎ ᏍᎩᏯᏛᎦᏁᎸᎯ ᏥᎩ ᎢᏣᏛᏁᏗᏱ ᎢᏤᏓᏍᏗᏱ ᎾᏍᎩ ᎣᏏᏳ ᎬᏩᏰᎸᏗ ᎨᏒ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᏂᏣᏛᏁᎲ ᎧᏁᏉᏥᏎᏍᏗᏉ.\nᏙᎤᏍᏗ ᎢᎦ ᎨᏎᏍᏗ? ᎤᏪᎵᏎ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᎭᏢ ᏣᏑᎵᎭ ᎣᎩᎾᏛᏅᎢᏍᏙᏗᏱ?\nᏅᏩᏓᎴᏃ [ᏗᎧᎿᏩᏗᏙᎯ] ᎥᏥᏯᏛᎦᏁᎸᎩ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎯᎠ ᏅᏓᏳᏪᏒᎩ, ᎾᏍᎩᏯ ᏄᏍᏕᏍᏗ, ᏣᎬᏫᏳᎯ ᏣᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᏣᎵᏂᎩᏛ, ᎣᏏᏳ ᎠᎴ ᏚᏳᎪᏛ ᏂᎯ ᏗᎫᎪᏙᏗ ᎨᏒᎢ.\nᏧᏂᏯᏪᏨ ᏐᏈᎵ ᎠᎵ ᎤᏂᎴᏴᏒ ᎠᏒᎨ ᏃᎴ ᎤᎦᎾᏍᏓ ᏩᎦ ᎤᎾᏛᎸᏓ.\nᎾᏍᎩ ᎢᏥᎪᏩᏛᏗᏱ ᏧᏓᎴᏅᏛ ᏓᏚᎴᎿᎥᎢ; ᎾᏍᎩ ᏂᏣᏠᎾᏍᏛᎾ ᎢᏣᎵᏍᏙᏗᏱ, ᎠᎴ ᏂᏣᏓᎿᏍᏆᎶᏍᏗᏍᎬᎾ ᎦᎶᏁᏛ ᎤᏤᎵ ᎢᎦ ᎠᎵᏱᎶᎸ ᎬᏗᏍᎩ;\nᏂᎦᏓ ᎠᏂᏴᏫ ᎦᏚᏨ.\n ᎦᏅᏥᏙᎮ ᏃᎴ ᏚᏙᎨᏍᎨ.\nᎬᏩᏁᏁᎴᏃ ᎤᏗᏔᏍᏗ ᎩᎦᎨᎠᏗᏔᏍᏗ ᎻᎳ ᎠᏑᎵ; ᎠᏎᏃ ᎥᏝ ᏳᏁᎩᏎᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏓᎵᏅᏟ, ᎤᎵᏂᎩᏛ ᏕᏥᏙᎨᏍᏗ, ᎠᎴ ᏕᏥᏂᏴᏎᏍᏗ ᏗᏕᏲᏗ ᎨᏒ ᎾᏍᎩ ᏄᏍᏛ ᎡᏤᏲᏅᎢ, ᎾᏍᏉ ᎦᏬᏂᏒᎯᏉ ᏱᎩ, ᎠᎴ ᏫᏨᏲᏪᎳᏁᎸᎯ ᏱᎩ.\nᏥᏌᏃ ᎠᏥᏃᎮᏍᎬ ᎤᏛᎦᏅ, ᏚᏅᏎ ᏤᏙᎲ ᏗᏂᎳᏫᎩ ᎠᏂᏧᏏ ᏧᎾᏤᎵᎦ, ᏭᏔᏲᏎᎮ ᏅᏓᏳᏪᏅᏍᏗᏱ ᎤᏅᏬᏗᏱ ᎤᏅᏏᏗᏍᏗ.\nᎯᎠᏍᎩᏂ ᏴᏫ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏂᎦᏔᎲᎾ ᏥᎩ ᎨᏥᏍᎩᏅᏛᎯ.\nᎢᎦ ᎪᏱᏁᎢ ᎨᏠᎮ ᏗᏙᎴᏆᏍᏗ ᏪᏙᎲ ᏲᎾ ᎤᏤᏍᏙ.\nᎠᎴ ᎡᏍᎦ ᎤᏃᎭᏛ ᎠᏂ ᎡᎶᎯ, ᎠᎴ ᏅᎵᏌᎵ ᎨᏥᏰᎸᎯ ᎤᏁᎳᏅᎯ ᏚᏑᏰᏒ, ᎠᎴ ᎾᏍᎩ ᎾᏁᎲᎾ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏎᏉᏉ ᎢᏳᎾᎵᏍᏙᏗᏱ ᎾᏍᎩ ᏣᏁᎭ;\nᎢᎦᏘᎭ ᏏᏆ ᎠᏯ.\nᎾᏍᎩᏃ ᎢᎦᏛ ᏌᏈ ᎠᎴ ᏌᎵᏂ ᎠᏁᎯ ᎨᏎᎢ, ᎾᏍᎩ ᎥᏘᎣᎩ ᏭᏂᎷᏨ ᏚᏂᏬᏁᏔᏁ ᎠᏂᎪᎢ, ᎠᏂᏃᎮᏍᎨ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᎬᏫᏳᎯ ᏥᏌ ᎤᎬᏩᎵ.\nᎨᏍᏗ ᏱᏧᏁᏣ.\nᎠᏂᎨᏴᏃ ᎾᏍᏉ Ꭸ ᎢᏴᏛ ᏙᏗᏂᎧᏁᎢ; ᎾᎿᏃ ᎠᏁᎴ ᎺᎵ ᏑᎩᏕᎵ ᎡᎯ, ᎠᎴ ᎺᎵ ᏥᏌ ᎤᏍᏗ ᎠᎴ ᏦᏏ ᎤᏂᏥᎢ, ᎠᎴ ᏌᎶᎻ.\nᎾᏍᎩ ᎯᎠ ᏂᏥᏪᏍᎬ ᏥᏁᎬ ᎥᏝ ᎤᎬᏫᏳᎯ ᎢᏳᏪᏍᏗ ᏱᏥᏁᎦ, ᎠᎩᏁᎫᏍᎩᏂ ᎾᏍᎩᏯ ᏥᏁᎦ, ᎯᎠ ᎾᏍᎩ ᏂᏥᎾᏰᏍᎬᎾ ᎨᏒ ᏥᎬᏗᎭ ᏥᎦᏢᏆᏍᎦ.\nᎦᎳᎱᏂ ᎠᏗᏍᎬ ᎠᎳᏏᏓᏁᎸ ᏱᎨᏒᎾ ᎤᏁᎸᏗ ᎤᏃᏴᎩ ᎦᎸᏥ ᎠᏂᏬᏂᏍᎬ, ᎦᏬᏂᏍᏗ ᎨᏒ, ᎤᏩᏌ ᎦᏲᏟ ᎦᏬᏂ, ᎡᏘᏴ Yale ᏥᏓᏙᎴᏆᏍᎨ ᎢᏴ.\nᎠᏗᎾ ᎠᏎ ᏱᏥᏅᏒ ᎠᏇᎵᏒ ᎢᏆ'ᎶᏓᏔ ᏫᏥᎷᏤᏗᏱ, ᎾᏍᎩ ᎠᎩᏅᏟ ᎠᎴ ᎣᎩᎾᏖᏆᎶᎯ ᏙᎩᏂᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᎣᎩᎾᎵᎪᎯ ᎣᏍᏗᏯᏫᏍᎩ, ᏂᎯᏍᎩᏂ ᎡᏥᏅᏏᏛ, ᎠᎴ ᎾᏍᎩ ᎠᎩᏍᏕᎸᏛ ᎠᎩᏩᏛᏗᏱ ᎠᎩᏂᎪᎯᏎᎲᎢ.\nᎡᏕᎵᏛᏍᎩᏂ ᏗᏂᏏᏗ ᎨᏒᎢ, ᎠᎴ ᏄᏓᎴᏒᏉ ᎦᏓᎭ ᎨᏒᎢ, ᎠᎴ ᏧᎬᏩᎶᏗ ᎠᎬᎥᎯᏍᏗ ᎨᏒᎢ, ᏞᏍᏗ ᎧᏁᎢᏍᏙᏗ ᎤᏅᏱᎨᏎᏍᏗ ᎢᏤᎲᎢ, ᎾᏍᎩ ᏧᏂᎵᎶᎲᏍᎦ ᎤᎾᏓᏅᏘ;\n”Ꭵ, ᎤᏙᏳᎯ,” ᎤᏛᏁ ᏧᏍᏆᏴᏍᏗ, ᎠᏍᏆᏂᎪᏗᏍᎨ ᎠᏍᏓ.\nᎧ, ᎢᏓᏓᏅᏟ, ᎿᏉ ᏕᏨᏲᎯ ᎤᏁᎳᏅᎯ ᎢᏥᏙᎵᏍᏗᏱ, ᎤᏮᏙᏗᏱ, ᎧᏃᎮᏛ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎧᏃᎮᏍᎩ, ᎾᏍᎩ ᏰᎵ ᎨᏣᏁᏍᎨᏗ ᏥᎩ, ᎠᎴ ᎢᏣᏤᎵ ᏰᎵ ᎢᎨᏨᏁᏗ ᏥᎩ ᎾᏍᎩ ᏂᎦᏛ ᎤᎾᏓᏅᏘ ᎢᎨᎬᏁᎸᎯ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ.\nᎠᏎᏍᎩᏂᏃᏅ ᎦᎫᏍᏛᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎤᎵᏂᎩᏗᏳ ᏂᎬᏅ; ᎯᎠᏰᏃ ᏂᎬᏅ ᎪᏪᎸᎢ, ᎤᎬᏫᏳᎯ ᏓᎦᏔᎭ ᎾᏍᎩ ᏧᏤᎵᎦ; ᎠᎴ ᎯᎠ, ᎩᎶ ᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎦᎶᏁᏛ ᏚᏙᎥ ᎾᏍᎩ ᎠᏓᏅᎡᎮᏍᏗ ᎠᏍᎦᏂ.\nᏥᏗᎦᏔᎭᏍᎩᏂ ᎾᏍᎩ ᏴᏫ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᎾᏛᏁᎲ ᎾᏚᏓᎴᏍᏗᏍᎬᎾ ᎨᏒᎢ, ᎪᎯᏳᏗᏍᎩᏂ ᎨᏒ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎠᏴ ᎡᏙᎢᏳᏅ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎢᎦᏚᏓᎴᏍᏙᏗᏱ ᎪᎯᏳᏗ ᎨᏒ ᎦᎶᏁᏛ, ᎥᏝᏃ ᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᏂᎦᏪᏍᎬ ᎾᏛᏁᎲ ᎥᏝ ᎩᎶ ᎤᏇᏓᎵ ᏴᎬᏚᏓᎴᏍᏓ.\nᎦᏓᏁᏍᏛ ᏱᎩ ᏰᎵᏉ ᏚᏩᏩᏒᎪ ᏌᎶᎵ ᎤᏛᏅ ᎠᏧᏣ.\n“ᎠᎦᏓ ᏧᏬᏨᏗ ᏗᏆᏛᎦᏅ ᎠᏎ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏄᏪᏎᎢ, ᎡᏙᏓ, ᏘᏙᎵᎩ; ᎥᏝᏰᏃ ᏯᏂᎦᏔᎭ ᎾᎾᏛᏁᎲᎢ. ᎤᏂᏯᏙᎴᏃ ᎤᏄᏬ ᎠᎴ ᎠᎾᏎᏍᏗᏍᎨᎢ.\nᏣᎳᎩᏱ ᎠᏰᎵ ᎤᎬᏫᏳ ᎫᏫᏍᎫᏫ ᎤᏂᎦᎸᎮ ᏃᎴ ᎪᏪᎵ ᏚᏬᏒᏁ ᎠᎹᏰᎵ ᏭᎾᏓᎶᎩ, ᏃᎴ ᎤᏓᎭᏱᎴ ᏧᏳᎪᏗ ᎨᏒ ᎠᏂᎫᎾᏓᎴᎩ ᏚᎾᏓᏂᎸᏨ, ᎬᏂᎨᏒ ᏂᎬᏁᎮ ᎨᏍᏗ ᏱᏚᎾᎳᏏᏕ ᎤᏂᎾᏗᏅᏗ ᎠᏂᏣᎳᎩ ᎤᎾᏤᎵᎪ ᎦᏙ, ᎡᏆ ᎤᏂᏍᎦᏅᏨ ᏂᎦᎵᏍᏗᏍᎨ.\nᎬᎨᏳᎢ, ᏞᏍᏗ ᎤᏐᏅ ᎨᏒ ᏱᏣᏍᏓᏩᏛᏎᏍᏗ, ᎣᏍᏛᏍᎩᏂ ᎨᏒ ᎯᏍᏓᏩᏕᎨᏍᏗ. ᎣᏍᏛ ᏧᎸᏫᏍᏓᏁᎯ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ; ᎤᏲᏍᎩᏂ ᏧᎸᏫᏍᏓᏁᎯ ᎾᏍᎩ ᎥᏝ ᎤᏁᎳᏅᎯ ᎤᎪᎲᎯ ᏱᎩ.\nᎠᎴ ᎾᏍᏉ ᏂᎦᎥ ᎠᎩᎾᎥ ᏱᎦᏓᏃᏁᎭ, ᎠᎴ ᎾᏍᏉ ᏥᏰᎸ ᏱᏓᎩᏲᏒ ᎤᎾᎪᎲᏍᏙᏗᏱ, ᎾᎩᎲᎾᏃ ᏱᎩ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎥᏝ ᎪᎱᏍᏗ ᎠᎩᏁᏉᏤᎯ ᏱᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏲ ᎯᏰᎸᎾ ᎯᎠ ᎾᏍᎩ ᏥᏍᎦᏅᎩ, ᎠᎴ ᎯᏍᏙᏓᎵᏍᏓᏏ ᎤᏁᎳᏅᎯ, ᎦᏰᏣᏙᎵᏍᏗᏉ ᏱᏂᎦᎩ ᏄᏍᏛ ᏣᎾᏫᏱ ᏣᏓᏅᏖᎸᎢ.\n“ᏯᏛᎾ ᏯᏕᎰᏍᎦ,” ᎤᏛᏁ ᏌᎳᏓ ᎣᏍᏓ ᏳᏰᎸᎲᎾ.\nᏉᎳ, ᎠᏆᏑᏰᏛ ᎠᎩᏅᏏᏛ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏖᎸᎢ, ᎠᎴ ᏐᏍᏗᏂ ᎢᎩᏅᏟ,\nᎡᎶᏗ ᎤᏔᏪᏙᏁ ᎪᏱᏁᎢ.\nᎤᏩᏒᏰᏃ ᎠᏓᎪᏩᏘᏍᎪᎢ, ᎠᎴ ᎠᏓᏅᏍᎪᎢ, ᎩᎳᏉᏃ ᎢᏴᏛ ᎤᏩᎨᏫᏍᎪ ᏄᏍᏛᎢ.\n“ᏦᎢ ᎢᏲᏥ ᎣᏤᏙᎮᏍᏗᏉ.\nᎤᏩᏙᎯᏴᏓ ᎨᏎᏍᏗ.\nᎠᎬᏱᏣ ᏔᎵᏉ ᏧᏲᎢ ᎦᏲᎦᏑᏯᎩᏍᏗ.\nᎠᎴ ᎤᏲᎢᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᏗᏂᏁᎵᏛ, ᎠᎴ ᏧᏂᏍᏓᎢ ᎾᎯᏳ ᎨᏎᏍᏗ.\nᎤᏍᎦᏅᏥᏙᎸᏰᏃ ᎦᎸᎳᏗ ᎢᏴᏛ ᏭᎷᏨ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏅᏓᏛᎤᏲᏚᎸᏫᏍᏓᏁᎵᏙᎸᎢ.\n[ᎠᎴ ᎢᏥᎦᏔᎭ] ᎪᎱᏍᏗ ᎢᏣᎵᏍᏕᎸᏙᏗ ᎠᏋᏍᎦᎳᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎢᏨᎾᏄᎪᏫᏎᎸᏉᏍᎩᏂ ᎠᎴ ᏕᏨᏰᏲᏅ ᏕᎦᎳᏫᎥᎢ ᎠᎴ ᏓᏓᏁᎳᏗᏒᎢ,\nᎢᏳ ᎠᎴ ᎢᏗᏯᏙᎯᎮᏍᏗ, ᎢᏗᏯᏙᎯᎲᏉ ᏕᎩᎸᏫᏍᏓᏁᎮᏍᏗ; ᎠᎴ ᎩᎶ ᏓᏕᏲᎲᏍᎨᏍᏗ, ᏗᏕᏲᏗᏉ ᎨᏒ ᏚᎸᏫᏍᏓᏁᎮᏍᏗ;\nᎠᏏᏴᏫᏃ ᎤᎷᏰ ᏄᎬᏫᏳᏒ ᎠᏥᎸᎨᎶᎯ ᎤᏅᏏᏓᏍᏗ, ᎠᎴ ᎤᎵᏍᏕᏍᏔᏁ ᎠᎦᏘᏏ ᎦᎴᏂ.\n”ᎣᏍᏓ ᎧᏅᏂᏍᎩ ᏃᎴ ᏓᏥᏂᏴᎯ,” ᎤᏛᏁ ᎡᎳᏆᏗ.\nᎯᎠᏃ ᎾᏥᏪᏎᎴᎢ, ᎦᏙ ᎬᏅ ᎪᏪᎳ ᏗᎧᎿᏩᏛᏍᏗᏱ? ᎦᏙ ᎤᏍᏙ ᎯᎪᎵᏰᏍᎪᎢ?\nᏥᎷᏏᎵᎻᏃ ᎤᏂᎷᏤᎢ; ᏥᏌᏃ ᎤᏔᏅ-ᏗᎦᏔᏫᎢᏍᏗᏱ ᏭᏏᎸ, ᎤᎴᏅᎮ ᏚᏄᎪᏫᏎ ᎠᏂᎾᏕᎩ ᎠᎴ ᎤᏂᏩᏒᎥᏍᎩ ᎾᎿ ᎤᏔᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏚᎷᏆᏗᏅᏎ ᏚᏂᏍᎩᎸ ᎠᏕᎸ ᏗᏂᏟᏴᏍᎩ, ᎠᎴ ᎤᎾᏅᏗᏱ ᎫᎴ-ᏗᏂᏍᎪᏂᎯ ᏗᏂᎾᏕᎩ;\nᎨᏍᏗᏗ ᏂᎦᏓ ᎯᏤᏅᏍᏗ ᏱᎩ.\nᎠᏎ ᏯᏆᏁᎸᏔᏅ ᏗᏋᏂᏍᏙᏗ ᏥᏔᎦ, ᏧᎾᎳᏏᏕᏅ ᏧᎪᏅ ᎨᏐ ᏃᎴ ᏗᎦᎦᎳ ᏗᎦ ᏗᏔᏍᎩᏍᎩ ᎠᎪᏍᏓ, ᎦᏲᏟᏉ ᎤᎾᏂᏒ ᎨᏐ.\nᎾᏍᎩᏃ ᎬᏬᎯᏳᎲᏍᎨ ᎾᏂᎥ ᎨᏥᎸᏉᏗ ᎠᎴ ᎨᏥᎸᏉᏗ ᏂᎨᏒᎾ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᎤᏣᏘ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎯᎠ ᎠᏍᎦᏯ ᎤᏪᎭ.\nᎾᏍᎩ ᏧᎾᏛᏐᏅᎯ ᏧᏂᏴᏍᏕᏍᎩ ᏂᎬᏒᎾ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎨᏥᎸᏉᏗ, ᎤᎾᎵᏏᎾᎯᏍᏗ, ᏄᎪᎸᎾ ᎨᏒ ᎤᏃᎯᏳᏒᎢ, ᎠᎴ ᎤᎾᏓᎨᏳᏒᎢ, ᎠᎴ ᏗᏅᏂᏗᏳ ᎨᏒᎢ.\nᎡᎶᏛᏰᏃ ᎤᏩᏒ ᎤᏓᏅᏒᎯ ᎨᏎ ᏭᏂᏴᎲᎯ ᎨᏎ ᏣᏂ, ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᎤᎸᎸᎯ ᎨᏎᎢ, ᎠᏍᏛᏗᏍᏗᏍᎨ ᎡᎶᏗᏏ, ᎤᏅᏟ ᏈᎵᎩ ᎤᏓᎵᎢ; ᎾᏍᎩᏰᏃ ᎠᏓᏰᎮᎢ.\nᎢᏤᎾ, ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᏫᏣᎴᎲᎦ ᎠᎴ ᏫᏗᏥᏬᏁᏓ ᏴᏫ ᏫᏗᏥᏃᎲᏏ ᏂᎦᏛ ᎧᏃᎮᏛ ᎯᎠ ᎾᏍᎩ ᎬᏂᏛ ᎤᎬᏩᎵ.\nᎠᏏ ᎡᎶᎯ ᏥᎦᏥᏰᎳᏗᏙᎲᎩ, ᏕᏣᏙᎥ ᏕᏥᏍᏆᏂᎪᏙᏛᎩ; ᎾᏍᎩ ᏗᏍᎩᎧᏁᎸᎯ ᎦᏥᏍᏆᏂᎪᏔᏅ, ᎠᎴ ᎥᏝ ᎠᏏᏴᏫ ᏳᏲᎱᏒ Ꮎ ᎤᏩᏒ ᎠᏲᎱᎯᏍᏗ ᎤᏪᏥ, ᎤᏙᎯᏳᏗᏱ ᎪᏪᎸᎢ.\nᎾᎥᏂᎨ ᎤᎧᏙᏍᏓᏁᎢ ᏫᎵᎻ.\nᎠᎴ Ꮎ-ᏍᎩ ᏏᏆᏏ ᎤᎪᎲᎢ, ᎿᏉᏃ ᏔᎳᏚ ᎢᏯᏂᏛ.\nᏂᎦᎥ ᏧᏓᎴᏅᏛ ᎨᏒ ᎬᏂᎨᏒ ᏅᏁᎮᏍᏗ ᏗᎦᏰᏣᏟᎶᏍᏙᏗ ᎨᏒ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᏗᏕᏂᏗ ᎨᏒ ᎤᎬᏩᎵ ᎤᏲ ᏄᏓᏑᏴᎾ, ᎬᎸᏉᏗᏳ, ᏄᏠᎾᏍᏛᎾ,\n“ᎭᏩ!” ᎤᏁᎷᏁ ᎤᎾᏓᏓᏍᎩ.\nᏥᏌ ᎦᎶᏁᏛ ᎤᎾᏄᎪᏫᏒᎯ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᏲᎯᏎᎸᎯ, ᎬᏂᎨᏒ ᎢᏧᏩᏁᏗᏱ ᏧᏅᏏᏓᏍᏗ ᏧᏓᎴᏅᏛ ᏂᎪᎯᎸᏉ ᎢᏳ ᎵᏍᏔᏂᏓᏍᏗ ᎨᏒᎢ; ᎠᎴ ᏧᎨᏅᏛ ᎤᏤᎵ ᏗᎧᎿᏩᏗᏙᎯ ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ ᎤᏅᏏᏓᏍᏗ ᏣᏂ;\nᎨᏍᏗᏗ ᎠᏓᏅᏖᏙ ᏱᎩ ᏱᏗᏥᏂᏴ ᏧᎾᏓᎸ.\nᏅᏗᎦᎵᏍᏙᏗᎭ ᏚᏳᎪᏛᎢ ᎤᏁᎳᏅᎯ ᏧᎫᏴᏓᏁᏗᏱ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᎾᏍᎩ Ꮎ ᎨᏥᎩᎵᏲᎢᏍᏗᏍᎩ;\nᎠᏎᏃ ᎪᎱᏍᏗ ᎤᏓᏴᏙᏗ ᏄᎲᎾ ᎨᏒ ᎢᏳᏍᏗ, ᎤᎾᏝᎢ ᎤᏁᏤ ᎠᏥᎾᏗᏅᏗᏱ ᎠᎴ ᎤᏓᎵᎢ ᎠᎴ ᏧᏪᏥ ᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ ᎤᎲᎢ, ᎠᏓᏴᏗᏱᏃ.\nᎦᎶᎪᏗ, ᎦᏓᎷᎪᏗ, ᏍᏆᎳ ᎦᏂᏴᏗ ᎦᎷᏯᏍᏗ.\nᏔᏕᏲᎲᏍᎩ, ᎠᎴ ᏣᎬᏫᏳᎯ, ᏍᎩᏲᏎᎰᎢ; ᎠᎴ ᏚᏳᎪᏛ ᏂᏥᏪᏍᎪᎢ, ᎾᏍᎩᏰᏃ ᏄᏍᏗ.\nᎿᏉᏃ ᎠᏂᏆᎵᏏ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᏨᏒᏉ ᎭᏓᏃᎮᏎ, ᎯᏃᎮᏍᎬ ᎥᏝ ᏳᏙᎯᏳᎭ.\nᏍᎩᎾᎾ ᎢᏳᏍᏗ, ᎨᏍᏗ ᎫᎦᏓᏉ ᎠᏓᎩᏯᏍᏗ ᏱᎩ.\nᎠᎴ ᎢᏨᎨᏫᏒᎯ ᎢᎩ ᎡᏥᏬᏁᏗᏍᎬ ᏗᏂᏲᎵ ᏥᎨᏥᏬᏁᏗᏍᎪ ᎾᏍᎩᏯᎢ, ᎯᎠ ᏥᏂᎦᏪᎭ, ᎠᏇᏥ ᏞᏍᏗ ᏅᎵᏌᎵ ᏱᏣᏰᎸᏎᏍᏗ ᎤᎬᏫᏳᎯ ᏣᎩᎵᏲᎢᏍᏗᏍᎬᎢ, ᎠᎴ ᏞᏍᏗ ᏩᎾ ᎯᏳᏏᎦᎶᎨᏍᏗ ᏣᎬᏍᎪᎸᎢᏍᎨᏍᏗ,\nᏞᏍᏗ ᎠᎴ ᏱᏥᎪᏁᎶᏍᎨᏍᏗ, ᎾᏍᎩᏯ ᎾᏍᎩ Ꮎ ᎢᎦᏛ ᏥᏄᎾᏛᏁᎴ ᏧᏂᎪᏁᎶᏍᎨᎢ, ᎠᎴ ᏥᎬᏩᏂᏛᏔᏁ ᎠᎾᏓᏛᏗᏍᎩ.\n”ᎠᎳᏂ,” ᎤᏛᏁ, ᎤᎵᏏᏂᏗ ᎦᏬᏂᏍᎨᎢ. ”ᎨᎵᎠ ᏰᎵ ᎤᏍᏆᏂᎩᏗ ᎢᏗᎾᏌᎠ ᏏᏆ.”\nᎾᏍᎩᏰᏃ ᎢᏳᏍᏗ ᏱᎩ ᏞᎦ ᏳᏓᏅᏒ ᎾᏍᎩ ᏘᏯᏓᏂᎸᎢᏍᏗ ᏂᎪᎯᎸ ᎤᏕᏗᏱ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᎯᏳᎢ, ᎾᏍᎩ ᎤᏢᏨ ᎤᏲᎱᏎᎢ, ᎾᏍᎩᏃ ᎤᎾᏬᎥ ᎦᎸᎳᏗ ᎧᏅᏑᎸ ᎤᏂᏅᏁᎢ.\nᎠᏴᏰᏃ ᏗᏆᏓᏁᎶᏗᏉ, ᎠᎴ ᏓᎩᎧᎭ ᎠᏂᏯᏫᏍᎩ ᎾᏍᎩ ᏕᎬᏆᏁᎶᏙᎢ, ᎩᎶᏃ ᎮᎾ ᏥᏲᏏ, ᎡᎪᎢ; ᏅᏩᏓᎴᏃ ᎡᎮᎾ ᏥᏲᏏ, ᏗᎡᎪᎢ; ᏥᏅᏏᏓᏍᏗᏃ, ᎯᎠ ᎿᏛᎦ ᏥᏲᏏ, ᎾᏍᎩ ᎾᏛᏁᎰᎢ.\nᎧᏂᎩᏛ ᏓᏥᎶᎥ.\nᎠᏎᏃ ᎨᏍᏗ ᏳᏩᏅᎨᎢ ᏥᏍᏕᏥ.\nᎾᏍᎩᏃ ᎢᏳ ᎩᎶ ᎾᏍᎩ ᎯᎠ ᎦᎫᏍᏛᏗᎯ ᏳᏝᏅ, ᎠᏕᎸ ᏓᎶᏂᎨ ᏳᏁᏍᎨᏔᏅ, ᎠᏕᎸ ᎤᏁᎬ, ᏗᎦᎸᏉᏗ ᏅᏯ, ᎠᏓ, ᎧᏁᏍᎦ, ᎠᏍᎫᏕᏒᎯ ᎤᎵᏃᎯᏰᎯ,\nᎠᎴᏬ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎠᏴ ᏍᎩᏯᏅᏓᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎣᎩᏍᏚᎩᎡᏗᏱ ᎦᎶᎯᏍᏗᏱ ᎾᎿ ᎣᎦᎵᏥᏙᏗᏱ, ᎣᎩᏃᎮᏗᏱ ᎤᏕᎵᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎾᏍᏉ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ ᎥᏆᎸᎢᏛ ᏥᎩ;\nᎤᎪᎲᏃ ᎤᏕᏯᏔᏁᎴ ᎾᏍᎩ ᏄᏪᏎᎸᎢ, ᎠᎴ ᎤᏓᏅᏖᎴ ᏄᏍᏛ ᎤᏰᎸᏛ ᎯᎠ ᎾᏍᎩ ᎤᏲᎵᎸᎢ.\nᎠᎴ ᎤᏣᏘ ᏗᏥᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏓᎨᏳᏗ ᎬᏗ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ. ᎠᎴ ᏙᎯᏱ ᏂᏨᏁᏍᏗ ᎢᏨᏒ ᎢᏤᎲᎢ.\nᎠᎴ ᎤᎾᏫᏱ ᎢᏥᎨᏳᎯᏳ ᎨᏒ ᎤᏣᏘ ᎤᏁᏉᏨ, ᎤᏅᏓᏛ ᎢᏦᎯᏳᎯᏳ ᎨᏒ ᏂᏥᎥᎢ, ᎾᏍᎩ ᎢᏥᎾᏰᏍᎩ ᎠᎴ ᏗᏥᎾᏫᏍᎩ ᏕᏣᏓᏂᎸᏨᎢ.\nᏃᎴ ᎦᏙ ᏙᎩᏂᏴᎲ ᎪᏪᎵ ᏙᎩᏂᎾᎥ ᏲᎾ.\nᎾᏍᎩ ᏑᎾᏓᎴᎩ ᎨᏒ ᎠᏓᎯᎯ ᎦᏩᏒᎩ ᎾᏍᎩ ᎤᏂᎯᎯ ᏂᏙᏣᎵᏍᏓᏁᎭ; ᎠᏂᏐᎢᏃ ᎠᏓᏛᏂᏗᏍᎩ ᎦᏩᏒᎩ ᎾᏍᎩ ᎤᏅᏂᏗᏍᎩ ᏂᏙᏣᎵᏍᏓᏁᎭ. ᎦᎪᏃ ᏰᎵ ᎦᏰᎦᎨᏅᏗᏍᏗ ᎯᎠ ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᎦᏛ ᎠᏍᏔᏴ ᎠᏟᏃᎮᏙᏗ Crockett, ᎡᏍᎦᏉ ᎤᎬᏫᏳ.\nᏈᏓ ᎾᏍᎩ ᎤᎪᎲ, ᎯᎠ ᏄᏪᏎᎸᎩ ᏥᏌ; ᏣᎬᏫᏳᎯ, ᎯᎠᎾᏃ ᎦᏙᎢ?\n“Ꮟ ᏐᏉ ᎢᏳᏩᎬᏗ ---- ᎭᏩᏧᏛ ᎤᏛᏁ ᏌᎳᏓ.\nᏚᏟᎶᏍᏓᏁᎴᏃ, ᎯᎠ ᏄᏍᏕ ᎤᎬᏩᎴᎢ, ᎾᏍᎩ ᏴᏫ ᏂᎪᎯᎸ ᎤᎾᏓᏙᎵᏍᏙᏗᏱ, ᎠᎴ ᏧᏂᏯᏪᎢᏍᏗ ᏂᎨᏒᎾ;\nᎢᏳᏰᏃ ᎢᎬᏱᏱ ᎤᎬᏛᎾᏨᎯ ᎦᎸᏉᏗᏳ ᏱᎩ, ᏂᎦᏛ ᎾᏍᏉ [ᎦᎸᏉᏗᏳ;] ᎢᏳ ᎠᎴ ᏚᎿᏍᏕᏢ ᎦᎸᏉᏗᏳ ᏱᎩ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏚᏩᏂᎦᎸᎢ.\nᏗᏂᏲᏟ ᏐᏉ ᎦᎦᎳ, ᏭᏅᎬᏛ ᏧᎪᎸᎭ ᏗᎦᏐᎯ ᏃᎴ ᏗᎦᏁᏥ.\nᎾᏍᎩ ᎯᎠ ᎤᎬᏩᎵ ᏦᎢ ᏂᏥᏔᏲ-ᏎᎸᎩ ᎤᎬᏫᏳᎯ ᎾᏍᎩ ᎠᏆᏓᏅᎡᏗᏱ..\nᎤᏂᏣᏔᏍᎩᏂᏃᏅ ᎠᏁᎭ ᎤᎾᏁᎳᏅᎯ ᎨᎪᏎᎯ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ, (ᏧᏂᎶᏔᏉ ᎤᎾᏁᎳᏅᎯ, ᎠᎴ ᏧᏂᏣᏔᏉ ᎤᏂᎬᏫᏳᎯ,\nᏃᎴ ᏄᏓᎴᎯ ᎧᏅᏂᏍᎩ ᏭᎩᎸᏁ ᎠᏦᏴ, ᎤᏐᏱ ᏄᏛᏁᎴ.\nᎠᏲᎱᎯᏍᏗᏃ ᎨᏒ ᎠᎴ ᏨᏍᎩᏃ ᎠᏥᎸ ᏨᏓᎸ ᏫᏕᎨᎦᏓᎢᏅᏒᎩ. ᎯᎠ ᎾᏍᎩ ᏔᎵᏁ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ.\nᏥᏌ ᏭᎪᎲᎩ ᏁᏓᏂᎵ, ᎦᏙᎬ ᎢᏗᏢ ᏛᎦᏛᎩ; ᎯᎠᏃ ᏄᏪᏒᎩ, ᎾᏍᎩ ᎤᏁᎢᏍᏔᏅᎩ; ᎬᏂᏳᏉ ᎤᏙᎯᏳᎯᏯ ᎢᏏᎵ ᎤᏪᏥ, ᎾᏍᎩ ᎦᎶᏄᎮᏛ ᏄᏓᏑᏴᎾ.\nᎠᏴᏰᏃ ᎤᏁᎳᏅᎯ ᎢᏧᎳᎭ ᏦᎩᎸᏫᏍᏓᏁᎯ, ᏂᎯ ᎤᏁᎳᏅᎯ ᎤᎶᎨᏒᎢ, ᏂᎯ ᎤᏁᎳᏅᎯ ᎤᏁᏍᎨᎲᎯ.\nᎾᏍᎩᏃ ᎤᎾᏛᎦᏅ ᏚᏂᏘᎴ ᏧᏂᎾᏫᏱ, ᎠᎴ ᏗᏂᏄᏙᎬ ᏕᎬᏩᏄᏓᎨᎴᎢ.\nᎤᏂᏣᏘ ᎠᏂᏏᎾ ᎠᏤ ᎢᏳᎾᎵᏍᏙᏗ ᎩᎳᏈᏴ.\nᏌᏩᏂᏃ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏔᏕᏲᎲᏍᎩ ᎤᎵᏨᏓᏆᏛ ᏙᎩᎸᏫᏍᏓᏏ ᎥᏝᏃ ᎪᎱᏍᏗ ᏲᏥᏂᏴ; ᎠᏎᏃ ᏂᎯ ᏣᏁᏨ ᎢᏳᏍᏗ ᏓᎬᏂ ᎠᎦᏯᎷᏗ.\nᎤᎴᏴᏏᏙᎴ ᏃᎴ ᏭᎶᎣᏎ, ᏫᎵᎻ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᏗᏥᏴ ᏭᏅᏥᎴ.\nᎨᏥᏲᎮ ᎤᏅᏌ ᎠᏁᎲ ᎾᏍᎩᏯ ᎢᎾᎨ ᎠᏁᎯ.\nᏂᎯᏍᎩᏂ, ᎢᏓᎵᏅᏟ, ᏞᏍᏗ ᏱᏗᏥᏯᏪᎨᏍᏗ ᎣᏍᏛ ᏕᏥᎸᏫᏍᏓᏁᎲᎢ.\nᏞᏍᏗ ᎠᎴ ᎪᎱᏍᏗ ᎤᏁᎢᎸᏗ ᎨᏒᎢ, ᎠᎴ ᎠᎵᏍᎦᏁᏛ ᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎦᏪᏢᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏃᏒᎾ ᏥᎩ; ᎠᎵᎮᎵᏤᏗᏱᏉᏍᎩᏂ [ᎤᏁᎳᏅᎯ] ᎤᎬᏫᏳᏎᏍᏗ.\nᎤᏃᎴ ᎠᎭᏰᎬ ᎠᏒᎬ ᎠᎹᏱ ᎨᏴ ᏃᎴ ᏌᏬᏛ.\nᎠᎴ ᎾᏍᎩ ᏕᏥᏯᏁᎶᏛ ᎥᎩᏩᏛᏗᏱ, ᎠᏆᏚᏓᎴᏍᏙᏗ ᎠᏋᏒ ᎠᏆᏤᎵ ᎾᎩᎲᎾ ᎨᏒᎢ, ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎬᏩᏓᏁᏗ ᏥᎩ, Ꮎ-ᏍᎩᏂ ᎦᎶᏁᏛ ᎪᎯᏳᏗ ᎨᏒ ᏨᏗᏓᎴᎲᏍᎦ, ᎾᏍᎩ ᎠᏚᏓᎴᏍᏙᏗ ᎨᏒ ᏨᏗᏓᎴᎲᏍᎦ, ᎾᏍᎩ ᎠᏚᏓᎴᏍᏙᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᏥᎩ, ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᎬᏙᏗ ᏥᎩ.\nᎠᎴ ᎾᏍᏉ Ꮎ ᎦᎶᏁᏛ ᎤᏃᎯᏳᎯ ᎤᏂᎵᏅᏨᎯ ᏥᎩ ᎬᏩᏂᏲᏥᏙᎸᏉ.\nᎩᎳᏈᏴ ᏚᎴᏁᎢ.\nᎤᎵᏍᏆᎸᏗ ᎤᎲ ᎤᏟᏂᎬᎬ ᏲᎾᎠᎬᏱᏍᎩ, ᎤᎵᏬᏤ ᏲᎾ.\nᏧᏂᏦᏯᏍᏗ ᎤᏗᏔᏍᏗ ᎠᏓᎦ ᎠᏑᏱ ᎤᏂᏁᏁᎴᎢ, ᎤᏁᎸᏔᏅᏃ ᎥᏝ ᏳᏚᎸᎮ ᎤᏗᏔᏍᏗᏱ.\nᎠᎴ ᎠᏂᎦᏓᎭ ᏗᏓᏅᏙ ᎬᏩᎾᏕ ᏯᏙᏗᏕᎩ [ᎤᏂᎷᏤᎢ; ᎠᎴ ᏕᎨᏥᏅᏩᏁᎢ.\n”ᎣᏍᏓ!” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᎴ ᏗᎨᎦᏁᎶᏗ ᏥᎩ ᎣᏍᏛ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏔᎵ ᎢᏳᏩᎫᏗ ᏕᏥᎸᏉᏕᏍᏗ, ᎠᎴ ᎾᏍᎩ Ꮀ ᎤᎬᏫᏳᏎᏍᏗ ᎧᏃᎮᏛ ᎠᎴ ᏗᏕᏲᏗ ᎨᏒ ᏧᏂᎸᏫᏍᏓᏁᎯ.\nᏫᏚᏯᏅᎲᏃ ᏔᎳᏚ ᎢᏯᏂᏛ ᎬᏩᏍᏓᎦᏗᏙᎯ, ᏕᏁᎸ ᎠᏂᏍᎩᎾ ᏧᏂᏄᎪᏫᏍᏗᏱ, ᎠᎴ ᏧᎾᏓᏅᏬᏗᏱ ᏂᎦᎥ ᏚᏂᏢᎬ, ᎠᎴ ᏂᎦᎥ ᎥᏳᎩ.\nᏚᏯᏪᎬ ᎠᏫᎾᎨ ᏄᏍᏛ ᏗᎧᏃᏗ ᎠᎴᏉ ᎠᏫᎾᎨ, ᏩᏆᏅᏓᏛ ᎩᎳ ᏓᏳᏅᎪᏨ ᎨᏒ ᏗᏙᎴᏆᏍᏗ, ᎦᏲᏟ ᎠᏏᏀᎥ ᎤᎪᎵᏰᏗ Greek.\nᏯᎵᏖᎸᎮᏍᎬᎾ ᎦᏙᎨ ᏃᎴ ᎣᏍᏓ ᏗᎧᏃᏗ ᎤᏁᎸᏔᏁᎢ.\nᎡᏝᏪ ᎤᏰᏤ ᏲᎾ ᎤᏤᏍᏙ, ᏃᎴ ᏤᏆ ᏂᏚᎵᏍᏔᏁ ᏗᎦᏙᎵ ᎤᎨᏳᎲ ᏏᏆ.\nᎤᏛᏛᏁᏃ, ᎦᏙ ᏕᏣᏙᎥ? ᎤᏬᏎᎴᎢ. ᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᏑᎾᏓᏡᎩ ᏓᏆᏙᎥ; ᎣᎩᏣᏔᏰᏃ.\nᎠᏫᏃ-ᏗᏂᎦᏖᏯ ᎢᎤᎾᏨᏎᎢ, ᎠᏂᎸᏉᏗᏍᎨ ᎠᎴ ᎠᎾᎵᎮᎵᏤᎮ ᎤᏁᎳᏅᎯ ᏅᏗᎦᎵᏍᏙᏏᏍᎨ ᏂᎦᎥ ᎤᎾᏛᎦᏅ ᎠᎴ ᎤᏂᎪᎲᎢ, ᎾᏍᎩ ᏄᏍᏛ ᎨᏥᏃᏁᎸᎢ.\nᎠᏂᎦᏔᎿᎢᏍᎩᏂ ᏚᏂᏅᏎ ᏧᏂᏨᏍᏙᏗ, ᎠᎴ ᎾᏍᏉ ᎪᎢ ᎤᏂᏁᏨᏎ ᏚᏂᏟᏍᏔᏁ ᏗᏖᎵᏙ.\nᎦᏓᏁ ᎢᎦ, ᎤᏛᏅ ᎠᏌᎻᏓ.\nᎣᏍᏛ ᏕᏥᏁᏤᎮᏍᏗ ᎤᏲ ᎢᎨᏨᎿᏕᎩ; ᎣᏍᏛᏉ ᏕᏥᏁᏤᎮᏍᏗ, ᎠᎴ ᏞᏍᏗ ᏱᏗᏥᏍᎩᏅᏗᏍᎨᏍᏗ.\nᎤᏒᎯ ᎢᏴ ᎣᏍᏓ ᎤᎵᏍᏓᏴᏗ ᏥᏍᏕᏥ.\nᏥᏌ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎯᎠ ᎾᏍᎩ Ꮎ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎡᏦᎢᏳᏗᏱ ᎾᏍᎩ Ꮎ ᏅᏓᏳᏅᏏᏛ.\nᎠᏎᎩᏳ ᏯᏇᎵᏎ ᎤᏲ ᎢᏳᎾᏛᎾᏕᎩ ᎠᏂᏧᏣ ᎠᏰᎵ ᏗᎳᏍᏙᏗ ᎠᎾᏗᏍᎬ, ᎠᏎᏃ ᎣᎦᎵᎪᏅ ᎨᏒ ᎠᏂᏍᎦᏯ ᎤᎾᏓᏅᏖᎸ.\nᎠᏎᏃ ᏗᎧᎿᏩᏗᏙᎯ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏤᎦᎳᏯ ᏞᏍᏗ ᏣᏍᎦᎸᎩ; ᎭᏓᏙᎵᏍᏗᏍᎬᏰᏃ ᎡᏣᏛᎦᏁᎸ; ᎠᎴ ᏣᏓᎵᎢ ᎵᏏ ᏓᏣᎾᏄᎪᏫᏎᎵ ᏤᏥ ᎠᏧᏣ, ᏣᏂᏃ ᏕᎯᏲᎥᎭ.\nᎦᏙᏃ ᏱᏗᎦᏥᏳᎪᏓᏁᎭ ᎾᏍᎩ ᎾᏍᏉ ᏙᏱᏗᏢ ᎠᏁᎯ? ᏝᏍᎪ ᏂᎯ ᏱᏗᏧᎪᏓᏁᎰ ᎾᏍᎩ Ꮎ ᎠᏂᏯᎢ?\nᎾᏂᎥᏰᏃ ᎩᎶᎢ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᏧᎾᏘᏂᏙᎯ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᏪᏥ.\nᎤᏂᏴᏍᏗ ᎭᏫᏂ ᎠᏂᏯᎡ ᎢᎪᎯᏓ ᏩᎦ, ᏑᎾᎴ ᏯᎦᎵᎭ ᎤᏩᏌ ᏙᏱᏨ ᎤᏃᎸᏗ ᏱᎨᏒᎾ ᎧᏁᏍᎦ ᎦᏓᏍᎬᎢ ᎾᎥᏂ ᎠᏂᏙᎾᎡ.\nᎠᎧᏔᎮᎢ ᎨᏍᏗ ᎪᎯᏓ ᏳᎮᎢ.\nᎤᏁᎳᏅᎯ ᎡᏥᎨᏳᎢᏳ ᎨᏒ ᏕᏥᏂᏴᏎᏍᏗ, ᎢᏥᎦᏖᏃᎮᏍᏗ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎬᏂᏛ ᎠᏓᏁᎯ ᏥᎩ.\nᏚᏅᏎᏃ ᎠᏂᏔᎵ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏗᎦᏚᎲ ᎢᏍᏕᎾ, ᏙᏓᏣᏠᏏᏃ ᎠᏍᎦᏯ ᎠᏰᎮᏍᏗ ᎠᏖᎵᏙ ᎠᎹ ᎠᏟᏍᏕᏍᏗ; ᎡᏍᏗᏍᏓᏩᏕᏒᎭ.\nᎩᎳᏈᏴ ᎤᎾᏛᎦᏁ ᏍᏓᏯ ᎢᎬᏁ ᎦᏬᏂᏍᎬᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ; ᎠᏗᎾ ᎡᏙᏓ, ᎬᏔᏲᏎᎭ, ᎯᏅᏍᏗᏱ ᎡᏙᏓ ᏗᎦᏁᎸᎢ;\nᎤᎵᏍᎨᏛ ᎠᏓᏁᏗ ᏂᏛᏅᏁᎵ ᏔᎵᏍᎪ ᎢᏯᏔᏬᏍᏔᏅ ᎢᏴᎯ.\nᎢᏳᏃ ᎡᎶᎯ ᏂᎦᎵᏍᏔᏂᏙᎲ ᎢᏨᏃᎮᎮᎸ ᏂᏦᎯᏳᎲᏍᎬᎾ ᏱᎩ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏱᏦᎯᏳᎲᎦ, ᎦᎸᎳᏗ ᏂᎦᎵᏍᏔᏂᏙᎲ ᏱᏨᏃᎮᎮᎸ?\nᎣᏂᏃ ᎢᏴᏛ ᏓᏆᎧᎾᏅᎩ, ᎠᎴ ᎬᏂᏳᏉ, ᎤᏂᏧᏈᏍᏗ ᏴᏫ [ᏫᏕᏥᎪᎥᎩ] ᎾᏍᎩ ᎩᎶ ᏗᎬᏩᏎᎰᎲᏍᏗ ᏂᎨᏒᎾ, ᎾᏍᎩ ᏅᏓᏳᎾᏙᏣᎴᏛ ᎾᏂᎥ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ, ᎠᎴ ᎪᎱᏍᏗ ᏗᎾᏓᏛᎿ ᎨᏒᎢ, ᎠᎴ ᏴᏫ ᏓᏁᏩᏗᏒᎢ ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ, ᎠᏂᏙᎾᎥᎩ ᎦᏍᎩᎸ ᎢᎬᏱᏗᏢ, ᎠᎴ ᎤᏃᏕᎾ ᎠᎩᎾ ᏄᏛᏅ ᎢᎬᏱᏗᏢ, ᏧᏁᎬ ᏚᎾᏄᏩᎥᎩ, ᎠᎴ ᏗᏂᏁᎲᎩ ᏧᏪᏲᏔ ᏧᎦᏄᏓᏅᎯᏛ;\nᎾᎨᎢᏴ ᎠᎪᏩᏘᏍᎨᎢ ᏌᏌ ᏧᏬᏢ ᏫᎵᎻ.\nᎿᏉᏃ ᏥᏌ ᏧᏓᏅᏛ ᎤᏙᎴᎰᏒ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏂᎪᏁᎶᏍᎬᎢ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏥᎪ ᎾᏍᎩ ᎯᎠ ᏕᏦᏕᏍᏗᎭ?\nᏃᎴ ᏩᎩᏙᎵᎩ ᎦᎶᏁᏓ ᏯᏆᏓᏅᏛᎾ ᎨᏒᎢ.\n”Ꭵ, ᎪᎵᎦ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎤᏂᏁᏨ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᏅᎲᎢ ᎠᏍᎦᏂ ᎨᏒ ᏣᏕᏅᎩ, ᏥᎦᏃ ᎠᏴ ᎢᏍᎩᏰᏲᎲᏍᎦ? ᎥᎬᏩᏄᎪᏫᏒᎩᏃ.\n”ᎨᏍᏗ ᏯᏆᏚᎵ ᎠᎩᎵᏬᎢᏍᏗ!”\nᏧᏂᎦᏐᎠᏏᏗᏒᏃ ᎣᏓᎸᎢ, ᏚᏁᏤᎴ ᎾᏍᎩ ᎩᎶ ᎤᏂᏃᏁᏗᏱ ᏂᎨᏒᎾ ᏄᏍᏛ ᎤᏂᎪᎲᎢ, ᎬᏂ ᏴᏫ ᎤᏪᏥ ᎤᏲᎱᏒ ᏧᎴᎯᏌᏅᎯ ᎨᏎᏍᏗ ᏚᏬᏎᎴᎢ.\nᎠᎫᏴᏍᏔᎩᏍᏗ ᏱᎨᏒᎾ ᏱᎩ ᎡᎶ ᏂᎦᏓ ᏳᏩᏒᏓᏂᎸ ᏣᎫᎳᏏᏕᏅ, ᎦᏙᎭᏃ ᎤᏬᏒᏁ ᎠᏓᏴᏍᏔᎩᏍᏙᏗ ᎤᎾᏝᏅ?\nᏧᏓᏃ ᏇᎵᏏ ᎠᎴ ᏎᎳ ᎬᏩᏕᏁᎴᎢ ᏖᎹ ᏚᎾᏄᎪᏫᏎᎢ; ᏇᎵᏏᏃ ᎢᏏᎳᎻ ᎤᏕᏁᎴᎢ; ᎢᏏᎳᎻᏃ ᎡᎵᎻ ᎤᏕᏁᎴᎢ;\nᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᎾᏍᎩ ᏧᏬᏪᎳᏅᎯ ᎾᏍᎩ ᏂᏕᎬᏁᎰ ᎧᏁᎢᏍᏗᏍᎪ ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ; ᎾᎿ ᎤᏓᏑᏯ ᎢᎦᏛ ᎠᏍᏓᏱᏳ ᎪᎵᏍᏗᏱ, ᎾᏍᎩ Ꮎ ᏂᏭᎾᏕᎶᏆᎥᎾ ᎠᎴ ᏗᏂᏩᎾᎦᎳ ᏓᏂᏁᏟᏴᎭ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏗᏐᎢ ᎪᏪᎵ ᏂᏓᏅᏁᎲᎢ, ᎤᏅᏒᏉ ᎤᏂᏛᏗᏍᎩ ᎨᏒᎢ.\nᎠᎴ ᎠᏆᏛᎦᏅᎩ ᎤᏂᏣᏘ ᏣᏂᏁᎪ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎤᏣᏘ ᎠᎹ ᏧᏍᏆᏃᏴᎪ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎤᏣᏘ ᏓᏴᏓᏆᎶᏍᎬ ᏥᏚᏍᏆᏃᏴᎪ ᎾᏍᎩᏯᎢ, ᎯᎠ ᎾᏂᏪᏍᎬᎩ, ᏱᎰᏩ ᎡᏗᎸᏉᏓ; ᎤᎬᏫᏳᎯᏰᏃ ᎤᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ ᎤᎬᏫᏳᏌᏕᎦ.\nᏣᎵ ᎤᎴᏫᏍᏔᏅ ᎤᎦᏔᎲᏒ, ᎤᎪᎮ ᏯᏓᏅᏍᎬᎾ ᏅᎩ ᏧᎾᏏᏱ ᎤᎵᏏᎩ ᎠᏲᏍᏔᏁᎲ ᎤᎧᎭᏛ.\nᏗᏥᏲᎵ, ᏕᏦᎯᏳᏎᏍᏗ ᏗᏥᎦᏴᎵᎨᎢ ᎤᎬᏫᏳᎯ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ; ᏚᏳᎪᏗᏰᏃ ᎾᏍᎩ ᎯᎠ.\nᎤᎾᏓᏘᏰᏁ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᎤᏂᎩᎬ ᎤᏂᏨᏅ, ᎠᎴ ᎩᎬ ᏕᎯᏁᏁᎸ ᎤᎾᏘᏔᏍᏗ; ᏰᎵᎦᏯᏰᏃ ᏚᏳᎪᏗ ᎾᏍᎩ ᎢᏳᎾᎵᏍᏓᏁᏗᏱ.\nᎬᏂᎨᏒ ᏂᏕᏣᏓᏛᏁᎮᏍᏗ ᎢᏥᏍᎦᏅᏨᏗ, ᎠᎴ ᏕᏣᏓᏙᎵᏍᏓᏁᎮᏍᏗ, ᎢᏂᏔᏲᎯᎮᏍᏗ ᏗᏣᏗᏫᏍᏗᏱ. ᎤᏙᎯᏳᎯᏯ ᎤᏰᎸᎯ ᎤᏓᏙᎵᏍᏙᏗ ᎨᏒ ᎤᏓᏅᏘ ᎠᏓᏍᏕᎵᏍᎪᎢ.\nᎾᎿᏃ ᎤᏂᏔᏛ ᎬᏬᎯᏳᏅᎩ\nᎬᏩᎷᏤᎸᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏥᎦᏔᎭ ᎢᎬᏱᏱ ᎢᎦ ᎡᏏᏱ ᏣᎩᎾᏄᎪᏥᎸᎩ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᏄᏍᏛ ᎠᏆᎵᏂᏙᎸ ᎢᏤᎲ ᏂᎪᎯᎸᎢ.\n”ᎤᏰᎸᏘᏃ ᎨᏍᏗ ᎩᎶ ᎫᏩᏕᏗ ᏱᎨᏎᏍᏗ ᎭᏂ ᏂᎦᎵᏍᏙᏗ ᎠᏒᎨᏍᏗ.\n”ᏤᏍᏗ ᎤᏲ ᏱᏣᏓᏅᏖᏍᏗ, ᏫᎵᎻ,” ᎤᏛᏁ.\nᎠᏎᏃ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ ᎪᎯ ᏥᎩ, ᎾᏍᎩᏉ ᎤᏁᏨ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏓᏍᏆᏂᎪᏗ, ᎠᏥᎸᏱ ᏭᎾᎵᏰᎢᎶᎯᏍᏗᏱ ᏓᏍᏆᏂᎪᏗ ᎬᏂ ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏎᏍᏗ ᎠᎴ ᎨᏥᏛᏙᏗᏱ ᎠᏂᏍᎦᏯ ᎤᏁᎳᏅᎯ ᏂᏚᎾᏁᎶᏛᎾ.\nᏂᎦᏛᏃ ᎤᏇᏓᎵ ᏛᎪᎯ ᎤᏁᎳᏅᎯ ᎤᏓᏍᏕᎸᏙᏗ ᎨᏒᎢ.\nᏴᏫᏰᏃ ᎤᏙᎯᏳᎯ ᎤᏟ ᎢᏯᏥᎸᏉᏗ ᎡᎲ ᎨᎦᏎᎵᏙᏗᏍᎪᎢ; ᎠᎴ ᎠᏎᎵᏔᏅᎯ ᎨᏒ (ᎪᎱᏍᏗ) ᎠᏍᎦᏱᏗᏍᏙᏗ ᎠᏲᎯᏍᏗᏍᎩ ᎨᏐ ᎠᎾᏗᏒᎯᎲᎢ.\nᏏ ᎤᎵᏏᎩ ᎨᏎ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᏧᎦᏒᏍᏗ ᏃᎴ ᎤᏓᎴᏨ.\nᎥᏝᏰᏃ ᎠᎩᏍᎦᎸᎯ ᏱᎩ ᎬᏂᎨᏒ ᎢᏨᏴᏁᏗᏱ ᏂᎦᎥ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏖᎸᎢ.\n”ᏰᎵ ᎤᏍᏆᎸᎲ ᏍᏗᎷᎩ, ᎧᏩᏯ ᎨᎵᏍᎩ ᎠᎦᎸᏓ ᏍᏗᎩᏍᏗ,” ᎤᏛᏁ ᎠᎳᏂ.\nᎿᏉᏃ Ꮎ ᎾᎥ ᏗᏂᏁᎳ, ᎠᎴ ᎤᏂᎪᎯᏙᎸᎯ ᏗᎨᏫ ᎨᏒᎢ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏝᏍᎪ ᎯᎠ ᎾᏍᎩ ᏱᎩ Ꮎ ᏧᏬᎸ ᎠᎴ ᏣᏚᎳᏗᏍᎬᎩ?\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᏓᏙᎵᏍᏗ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎤᎵᏂᎩᏛ ᎤᏬᏰᏂ ᎭᏫᏂᏗᏢ ᏂᏣᏛᎾᏕᎬᎢ, ᎾᏍᎩᏃ ᎨᏥᏌᎳᏙᏗ ᎨᏎᏍᏗ ᎠᏎᎸᎯ ᎨᏒ ᎾᎯᏳᎢ.\nᎠᎴ ᎠᏴ ᎥᏝ ᎠᏓᏅᏙ ᎡᎶᎯ ᎡᎯ ᏱᏙᎦᏓᏂᎸᏨ, ᎠᏓᏅᏙᏍᎩᏂ ᎤᏁᎳᏅᎯᏱ ᏅᏓᏳᏓᎴᏅᎯ, ᎾᏍᎩ ᎣᎩᎦᏙᎥᎯᏍᏗᏱ ᎾᏍᎩ ᎬᏩᎦᏘᏯ ᎣᎩᏁᎸᎯ ᎨᏒ ᎤᏁᎳᏅᎯ.\nᎦᎸᎶ ᎠᎴ ᎡᎶᎯ ᏛᏂᎶᏐᏂ; ᎠᏴᏍᎩᏂ ᎠᎩᏁᏨ ᎥᏝ ᏴᏓᎦᎶᏐᏂ.\nᏭᎬᏫᏳᏒ ᎣᏍᏓ ᎤᏓᏅᏔᏕᎢ ᎰᎻ.\nᎤᏍᎪᏍᏓ ᏃᎴ ᏌᎪᏂᎨ ᎢᎦ ᎨᏒ, ᏩᏍᏛ ᎠᏦᎭᏴ ᎠᏍᏆᏚᎸ ᏫᎬᎩᏴᏍᏔᏅ, ᏦᎳᏂ ᏚᏄᏌᎥ, ᎤᎵᏏᏂᏕᏅ ᎢᏳᎵᏏᎩ.\nᏗᏂᎧᎿᏩᏗᏙᎯᏃ ᎯᎠ ᏂᏕᎦᏪᏎᎭ, ᎾᏍᎩ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏧᏤᎵ ᎤᏃᎴ ᏥᏂᏕᎬᏁᎭ, ᎠᎴ ᎠᏥᎸ ᎠᏓᏪᎳᎩᏍᎩ ᏧᏅᏏᏓᏍᏗ ᏥᏂᎬᏁᎭ.\nᏗᎦᎷᏫᏍᏔᏅᏗᏉᏗ ᎤᏛᏅ ᎠᏌᎻᏓ.\nᏕᎪᏏᏏᏍᎬᎩ ᎠᎴ ᎬᏂᎨᏒ ᏂᎬᏁᎲᎩ ᎦᎶᏁᏛ ᎠᏎ ᎤᎩᎵᏲᎢᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏲᎱᏒ ᏧᎵᎯᏐᏗ ᎨᏒᎢ; ᎠᎴ ᎯᎠ ᎾᏍᎩ ᏥᏌ ᎠᏴ ᏥᏨᏯᎵᏥᏙᏁᎭ ᎾᏍᎩ ᎪᎶᏁᏛ, ᎠᏗᏍᎬᎩ.\nᎤᏁᏒᎯᏴᏓ ᏥᏂᎦᎵᏍᏗ ᎤᏓᏏᏂᏕᎾ ᏣᏙᏩᏗᏍᎦ ᎤᎾᏓᎪᎾᏙᏗ, ᎤᏕᎵᏓ ᎤᏅᎪᏤ ᎧᏁᏌᎢ ᏧᏍᏆᏴᏍᏗ ᎤᎧᏖᏃᎴᎢ.\nᏧᎴᎯᏌᏅᎯ, ᏣᎳᎩ ᎬᏗ ᏗᎪᏪᎳᏅ ᏂᎦᏓ ᎾᎾᎨᏎ ᎠᏤᎯ ᎢᏦᏛ ᎠᏰᎵ, ᏂᎦᏓ ᎠᏥᎶᏓ ᎨᏎ ᎤᎾᏁᏍᎨᏗ.\nᎠᎴ ᏥᏯᎵᎡᎵᏤᎭ ᎦᎶᏁᏛ ᏥᏌ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏣᏆᎵᏂᎪᎯᏍᏔᏅ, ᏰᎵᏉ ᎢᎬᏩᏛᏁᏗ ᏣᏇᎵᏎᎸ, ᏣᎩᏁᏤᎸ ᏗᎩᎸᏫᏍᏓᏁᏗᏱ ᎠᎵᏥᏙᏗ ᎨᏒᎢ,\nᎥᏝ ᎠᎴ ᎤᏩᏒᏉ ᎨᏒ ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎪᏪᎳᏅᎯ ᏥᎩ, ᎾᏍᎩ [ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ] ᏣᏥᏰᎸᎾᏁᎴᎢ;\nI. ᎤᏓᎷᎸ ᏑᎾᎴ ᎠᎵᏍᏓᏴᏗ  \nᎾᏍᎩ ᎾᏍᏉ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏃᏥᏲᎯᏍᏗᏍᎬᎾ ᎣᏣᎵᎡᎵᏤᎭ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎢᏳᏃ ᏕᏣᏓᏂᎸᏨ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎠᏴ ᏍᎩᏯᏛᎦᏁᎸᎯ, ᎥᏝ ᏴᏫᏉ ᎤᎾᏤᎵ ᎧᏃᎮᏛ ᎢᏳᏍᏗ ᏱᏗᏣᏓᏂᎸᏤᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏤᎵ ᎧᏃᎮᏛ, ᎤᏙᎯᏳᎯᏯ ᏥᎩ, ᎾᏍᎩᏯ ᏕᏣᏓᏂᎸᏨᎩ, ᎾᏍᎩ ᎾᏍᏉ ᎤᏣᏘ ᏥᏚᎸᏫᏍᏓᏁᎭ ᏕᏣᏓᏅᏛ ᏂᎯ ᎾᏍᎩ ᎢᏦᎯᏳᏅᎯ.\nᎪᎩ ᎠᏰᎵ ᎤᎶᏐᏅ ᎨᏎᎢ.\nᎾᏃ ᏕᎤᎴᏔᏅᎢ ᎤᏲᏞᏒᎢ ᎿᏉ ᎤᎪᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎯᎠ ᏂᎤᏪᏎᎢ; ᏓᏨᏁᎵ ᎤᏲᎢᏍᏗ ᏂᎨᏒᎾ ᎣᏍᏛ ᎢᏳᎵᏍᏓᏁᏗ ᏕᏫ.\nᎰᎻ, ᏣᏄᏏ, ᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎡᎳᏆᏗ ᎣᏁ ᎤᎾᎩᎸᏁ, ᎠᏦᏴ ᏚᏂᏂᏴᎮ.\nᎨᏍᏗ ᏳᏛᎦᏍᏔᎾ ᏂᎦᏪᏍᎬᎢ.\nᎢᏣᎵᎮᎵᎨᏍᏗ ᎾᎯᏳ ᎢᎦ, ᎠᎴ ᏕᏣᎵᏔᏕᎨᏍᏗ ᎢᏣᎵᎮᎵᎬᎢ; ᎬᏂᏳᏉᏰᏃ ᎤᏣᏘ ᎡᏣᎫᏴᎡᏗ ᎦᎸᎳᏗ; ᎾᏍᎩᏯᏰᏃ ᏧᏂᏙᏓ ᏂᏚᏅᏁᎴ ᎠᎾᏙᎴᎰᏍᎩ.\nᎠᏎᏃ ᎨᏥᏅᏏᏛ ᏆᏂᏆ ᎠᎴ ᏉᎳ ᎤᎾᏛᎦᏅ ᏚᏂᏣᎦᎸᎮ ᏧᎾᏄᏬ, ᎤᏂᏣᏘᏃ ᏴᏫ ᏗᏁᏙᎲ ᏫᏚᎾᏗᏢᏍᏔᏁᎢ, ᎤᏁᎷᏁᎢ,\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᏓᏙᎵᏣᏘᏳ ᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᎢᏥᏙᏓ ᎾᏍᏉ ᎤᏓᏙᎵᏣᏗᏳ ᏥᎩ.\nᎾᏍᎩ ᏤᎦᏈ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎡᏏᎩ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎡᏆᎭᎻ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏕᎳ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏁᎰ ᎤᏪᏥ ᎨᏎᎢ,\nᎾᏍᎩ ᎣᎩᏁᎸᎯ ᏥᎩ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᎣᎩᏅᏏᏛ ᎨᏒᎢ, ᎾᏍᎩ ᏧᎾᏓᏂᎸᎢᏍᏗᏱ ᎪᎯᏳᏗ ᎨᏒ ᎾᏂᎥ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎾᏍᎩ ᏚᏙᎩ ᏚᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ;\nᏈᏓᏃ ᎠᏥᏍᏚᎮᎢ; ᎠᏎᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎤᎵᏂᎩᏗᏳ ᎤᎾᏓᏅᏖ ᎠᎾᏓᏙᎵᏍᏓᏁᎮ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎠᏥᏍᏕᎸᏗᏱ.\nᏧᎾᏁᎶᏗᏃ ᎤᎾᏓᏡᎬ ᏥᎷᏏᎵᎻ ᎠᏁᎯ ᎾᏍᎩ ᎯᎠ ᎤᎾᏛᎦᏁᎢ, ᎤᏂᏅᏎᏃ ᏆᏂᏆ ᎥᏖᎣᎩ ᎢᏴᏛ ᏭᏪᏓᏍᏗᏱ.\nᎾᏍᏉ ᏂᎯ ᎾᏍᎩ ᎯᏰᏯᏙᏤᎮᏍᏗ, ᎤᎵᏂᎩᏗᏳᏰᏃ ᎤᏡᏔᏅ ᎣᏥᏬᏂᏍᎬᎢ.\nᎠᏰᎵᏉ ᎦᎸᏅ ᎤᏂᏰᎴ ᏧᏍᏆᏴᏍᏗ ᎤᏪᎵᏎ ᏃᎴ ᎦᏲᏟ ᎤᏅᏗ.\nᎢᏓᎵᏅᏟ, ᏞᏍᏗ ᏗᏥᏲᎵ ᏱᎨᏎᏍᏗ ᏕᏣᏓᏅᏛᎢ; ᎠᏓᏍᎦᎢᏍᏗᏍᎩᏂᏃᏅ ᎨᏒ ᏗᏥᏲᎵ ᎨᏎᏍᏗ, ᏕᏣᏓᏅᏛᏍᎩᏂ ᏗᏣᏛᎾᏯ ᎨᏎᏍᏗ.\nᎠᎴ ᎾᏍᏉ ᎡᎮ ᎩᎶ ᎢᏳᏍᏗ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᎳᏏᎳ ᏧᏙᎢᏛ, ᎾᏍᏍᎩ ᎠᏥᏂᏏᏁ ᎤᏪᎿᎢ ᎤᏤᎵ ᎦᎶᎯᏍᏗᏱ, ᏧᏥᏓᎳ ᎨᏎᎢ,\nᏍᏈᏍᏓ ᏓᏆᎴᎳ ᎤᎾᏦᏛ ᎠᏂᏴᏫᏯ ᏃᎴ ᎠᏂᎱᏣ ᏗᎨᏥᎾᏌᎢ, ᎤᎾᎵᎪᎯ ᎠᏂᏲᏍᎩ ᏃᎴ ᎧᏃᎮᏓ ᏗᏂᏅᏏᏙ, ᎤᏏᏩ ᎾᏅᏁᎲ ᏣᎳᎩᏱ ᎠᏰᎵ ᏃᎴ ᎠᏂᎦᎵᎢᎲ ᎠᏤᎯ.\nᎢᏳᏃ ᎠᏩᏛ ᏫᏓᏯᏂᏍᎪ ᏥᎵᎢ ᎠᎴ ᎾᎥ ᎢᏳᎾᏓᎳ, ᎯᎠ ᏂᎦᏪᏍᎪᎢ, ᎢᏧᎳᎭ ᎢᏓᎵᎮᎵᎩ; ᎠᎩᏩᏛᎲᏰᏃ ᎠᏕᎸ ᏣᎩᏲᎱᏎᎲᎩ.\nᎠᎾᎵᏍᏓᏴᎲᏍᎬᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎯᎠ ᏥᏂᏣᏛᏅ ᏌᏉ ᎤᏓᏑᏯ ᏛᏆᏡᏔᏂ.\nᎤᏂᎩᏒ ᎨᎵ ᏧᏚᎪᏔᏅ ᏕᎨᎦᏛᏗ ᎢᏣ.\n“ᏧᏍᏆᏴᏍᏗ!” ᎤᏪᎷᏁ ᏫᎵᎻ.\nᎾᏍᎩᏯ ᎠᏂᏍᎦᏯ ᎤᏅᏒ ᏗᏂᏰᎸ ᏂᏚᏂᎨᏳᏒ ᎾᏍᎩᏯ ᏱᏂᏚᏂᎨᏳᎭ ᏧᎾᏓᎵᎢ. ᎩᎶ ᎤᏓᎵᎢ ᏧᎨᏳᏐ ᎤᏩᏒ ᎤᏓᎨᏳᏐᎢ.\nᏣᏂᏃ ᏗᏓᏍᏚᏗᏱ ᎾᏥᏴᏔᏁᎢ, ᏥᏌ ᎨᎵᎵ ᎤᎷᏤᎢ, ᎠᎵᏥᏙᎲᏍᎨ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᎬᏩᎵ,\nᎠᎴ ᏔᎵᏁ ᏱᎰᏩ ᎡᏗᎸᏉᏓ ᎤᎾᏛᏅᎩ. ᎠᎴ ᎾᏍᎩ ᎤᏤᎵ ᏧᎦᏒᏍᏗ ᏓᎴᎲᏍᎬᎩ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎢᏤᏙᎾ ᎡᎶᎯ ᏂᎬᎾᏛᎢ, ᎠᎴ ᏫᏗᏣᎵᏥᏙᎲᏏ ᎣᏍᏛ ᎧᏃᎮᏛ ᎾᏂᎥ ᎨᎪᏢᏅᎯ.\n”ᎨᏍᏗ ᎪᎱᏍᏗ ᎠᏛᏁᏗ ᏱᎩ ᎭᏂ,” ᎤᏪᎵᏎ.\nᏃᎴ ᏍᏉ ᎣᏏ ᏱᎦᎩ ᎭᏂᏉ ᏰᏙᎭ.\nᎯᎠᏍᎩᏂ ᎠᏍᎦᏯ ᏌᏉ ᎢᏳᎵᏍᎪᎸᏔᏅᎯ ᎨᏎ ᎠᏥᎸ-ᎨᎳᏍᏙᏗ ᎠᏍᎦᏂ ᎠᎫᎪᏙᏗ, ᎤᏪᏁ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎠᎦᏗᏏᏗᏢ ᎤᏁᎳᏅᎯ ᎤᏬᎸᎢ;\nᎾᏍᎩ ᎢᏳ-ᏍᏗ ᏂᏗᏧᎪᏕᏍᏗ ᏕᏣᏓᏅᏛᎢ ᎠᏏᏉ Ꭴ-ᏓᎷᎴᏍᏗ, ᎢᏣᏓᏅᏖᎯᏐᏗᏱ ᏂᎨᏒᎾ ᎢᏥᏪᏍᏗᏱ ᎢᏣᎵᏍᏕᎵᏍᎬᎢ.\nᏚᎳᏍᎬᏃ ᎠᏆᏓᏅᏅᎩ ᏓᏥᏯᏓᏙᎵᏍᏓᏁᎵᏒᎩ. ᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᎥᏞᏍᏗ. ᎠᏴᏰᏃ ᎤᏠᏱᏉ ᎡᎩᏂᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᏴ ᎾᏍᎩ ᎢᏣᎵᏅᏟ ᏥᎨᏒ ᎾᏍᎩ ᏥᏌ ᎤᏤᎵ ᎪᎯᏳᏗᏍᎩ ᎤᏂᎯ; ᎤᏁᎳᏅᎯ ᎯᏯᏓᏙᎵᏍᏓᏏ; ᎠᏙᎴᎰᎯᏍᏙᏗᏰᏃ ᎨᏒ ᎠᏓᏅᏙ ᎠᎴ ᏥᏌ ᎪᎯᏳᏓᏁᏗᏱ ᎤᏠᏱᏉ.\nᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒ ᎡᏥᏁᏉᎡᏗ ᎨᏎᏍᏗ.\nᎠᎾᏙᎴᎰᏍᎩ ᎠᏂᏔᎵᎭ ᎠᏂᏬᏂᏍᎨᏍᎩ, ᎠᏂᏐᎢᏃ ᏓᏄᎪᏗᏍᎨᏍᏗ.\nᎦᎶᏁᏛᏰᏃ ᏥᏌ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᎨᏒ ᎠᎱᏍᏕᏍᏗ ᎨᏒ ᎥᏝ ᎪᎱᏍᏗ ᎬᏙᏗ ᏱᎩ, ᎠᎴ ᎠᎱᏍᏕᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ; ᎪᎯᏳᏗᏍᎩᏂ ᎨᏒ ᎾᏍᎩ ᎠᏓᎨᏳᏗ ᎨᏒ ᏧᏮᏗᏗᏐ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᎤᏩᏓᎴᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏍᎩᏍᏓᏩᏚᎦ. ᎠᏎᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᏍᏆᎵᏍᎪᎸᏓᏏ ᎢᎬᏱ ᎠᏇᏅᏍᏗᏱ ᏫᏥᏂᏐᏗᏱ ᎡᏙᏓ.\nᏂᎯᏃ ᎢᏥᏃᎮᏍᎩ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ.\n“ᏃᏗ ᎤᏍᏆᎸ ᎣᎨᏅᏍᏗ ᏦᎨᏅᏒᎢ,” ᎤᏬᏎᎴ ᏏᏆ.\nᏥᏌᏃ ᎤᏙᎴᎰᏒ ᏄᏍᏛ ᏓᎾᏓᏅᏖᏍᎬ ᏙᏧᎾᏓᏅᏛᎢ, ᎠᏲᎵ ᏭᏯᏅᎮ ᎠᎴ ᎤᏬᎸ ᎾᎥ ᎤᏪᎧᏁᎢ,\nᎠᎧᏔᎮᎢ ᎦᏁᏄᎵ ᏄᎾᏛᏁ ᎤᏯᏍᎬ ᎭᏫᏂ ᏃᎴ ᎤᏅᏅᎨ ᎤᏂᏅᎪᎢᏍᏗ.\nᎠᏛᏗᏍᎩ ᎨᏒ ᎠᎴ ᎤᏲ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᏔᎵ ᎤᏛᏗᏕᎪ ᎠᏁᏙᎲᎢ.\nᏍᎩᏲᎢᏳᎲᎦ ᎠᏴ ᎠᎦᏴᎵᎨᎢ ᏥᏯᎥᎢ, ᎠᎴ ᎠᎦᏴᎵᎨᎢ ᎠᏴ ᎠᎩᏯᎥᎢ, ᎢᏳᏃ ᏂᏍᎩᏲᎢᏳᎲᏍᎬᎾ ᎢᎨᏎᏍᏗ, ᏓᎩᎸᏫᏍᏓᏁᎲᏉ ᏫᏂᎦᎵᏍᏙᏓ ᏍᎩᏲᎢᏳᎲᎦ.\nᏩᏆᏓᏅᏖᎸ ᎢᏳᏍᏗ ᎤᏂᏃᎮᎸ, ᏰᎵ ᎠᏓᏕᏴᏙᏗ ᎾᏆᎵᏍᏔᏅ.\nᎤᏲᎢᏳ.\nᎢᏓᎵᏅᏟ, ᎤᏣᏘ ᎤᎵᎮᎵᏍᏗᏳ ᎢᏥᏰᎸᏎᏍᏗ, ᎢᏳᏃ ᏧᏓᎴᏅᏛ ᎢᏥᎪᎵᏰᏍᎩ ᎢᏣᎵᏩᏛᎡᎮᏍᏗ.\nᎤᎯᏐᏗ ᎡᏙᎲ ᎦᏚᏏ, ᏚᎪᎮ ᎠᏂᎬᏂᎨ ᏧᎾᎩᎸᏗ ᎤᏂᏃᎯᎸᏍᏔᏁ ᎦᎸᎶᎢ, ᏧᏩ ᎤᏂᏰᏨ ᎦᏚᏏ ᎤᎾᏣᏪᏐᎸᏍᏔᏁ.\nᏚᏅᏍᏓᏕᎴᏃ ᎩᎶ ᎤᏂᏃᏁᏗᏱ; ᎠᏎᏃ ᏕᎦᏅᏍᏓᏗᏏ ᎤᏟᏉ ᎢᎦᎢ ᏓᏂᏰᎵᎯᏍᏗᏍᎨᎢ;\nᏃᏗ ᎪᎱᏍᏗ ᏄᏛᏁᎴᎢ ᎤᏍᏆᏂᎩ ᎤᏃᎯᏎ ᏫᎵᎻ.\nᎤᏔᎷᎾ, ᎤᎾᏂᎩᏐᏅ ᎨᏎ.\nᎰᏩᏃ ᎣᏂᏱ ᏥᎩ ᎬᏱ ᎨᏎᏍᏗ, ᎢᎬᏱᏃ ᏥᎩ ᎣᏂᏱ ᎨᏎᏍᏗ. ᎤᏂᏣᎳᏰᏃ ᎨᏥᏯᏅᎲ, ᎠᏎᏃ ᎠᏂᎦᏲᎵᏳ ᎨᎦᏑᏴᏒ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎾᏍᎩ ᎾᏴᏫᎯ ᎤᏄᎪᏨᎯ ᎾᏍᎩ ᎦᏓᎭ ᏄᏩᏁᎰ ᏴᏫ.\nᏄᎾᎦᏌᏯᏍᏛᎾᏉ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏂᏧᏏ ᎤᏁᏃᎮᎸᏗ ᎨᏒᎢ, ᎠᎴ ᏴᏫᏉ ᎾᏍᎩ ᏚᏳᎪᏛ ᎨᏒ ᏗᏂᎪᎸᏍᎩ ᎤᏂᏁᏨᎯ.\nᎠᏛᎯᏍᏗᏍᎩ ᏧᏆᎶᎬ ᏧᏓᏑᏴ ᎦᏙ ᎤᏓᏑᏯ ᏃᏉ.\nᏈᏓᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎯᏍᎦᏯ, ᎥᏝ ᏱᎪᎵᎦ ᏂᏪᏍᎬᎢ. ᎩᎳᏉᏃ ᎢᏴᏛ, ᎠᏏᏉ ᎧᏁᎨᎢ, ᏣᏔᎦ ᎤᏴᎳᏎᎢ.\n”ᎤᏲ ᏘᏰᎸᏂ-ᎤᏲ ᏘᏰᎸᏂ-ᎤᏲ ᏘᏰᎸᏂ,” ᏂᏧᏪᏎ ᏌᏌ.\nᏐᏁᎳ ᏐᏚᎯ ᏩᏍᏗ ᎤᏍᎪᏍᏗ ᎤᏓᏅᏖᎴ, ᎪᎱᏍᏗ ᎣᏍᏓ ᎠᎩᏍᏗ ᎦᏄᎳᏌᎥ ᏯᏩᏔ ᎤᏪᎵᏎᎢ.\nᎠᏓᎯ ᎧᏅᏂᏍᎩ ᎠᏏᎾ ᏧᏏᎳᏛᏗ ᎩᎶ ᎤᏪᏲᏅ ᏱᎨᏒᎾ.\nᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᏄᎵᏍᏔᏅᎩ, ᎤᏙᎯᏳᏗᏱ ᎠᏰᎸᏒᎢ ᎠᏙᎴᎰᏍᎩ ᏧᏁᏤᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ;\n“ᏤᏍᏗ ᏱᏤᎷᎨᏍᏗ ᏲᎾ ᎤᏤᏍᏙ!” ᎤᏛᏁ.\n“ᎠᏎ ᏳᏪᏝᎳ ᏣᏄᏏ, ᏗᎦᎴᏂ ᎢᏣ ᏫᎦᏩᏙᎣᏍᎪᎢ.\nᎾᏂᎥᏉ ᏚᏃᎯᏳᏎᏍᏗ ᎠᏰᎵ ᏕᎪᏢᏩᏗᏒᎢ. ᎥᏝᏰᏃ ᎠᏰᎵ ᏳᏙᏢᎭ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᏂᎨᏒᎾ; ᎠᏰᎵ ᏥᏕᎪᏢᎭ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏖᎸᎯ ᏗᎪᏢᏅᎯ.\nᎠᏎᏃ ᎾᏍᎩ ᎤᏟ ᎢᏯᏂᎢ ᎥᏝ ᎣᏏᏳ ᏱᏚᏰᎸᏎ ᎤᏁᎳᏅᎯ, ᎢᎾᎨᏉᏰᏃ ᎨᏥᏛᏔᏁᎢ.\nᏗᎨᎦᏁᎶᏗ ᏥᎨᏣᏓᏑᏯ ᎦᏥᏔᏲᏎᎭ, ᎠᏴ ᎾᏍᏉ ᏨᏆᏁᎶᏗ ᎠᎴ ᏥᎦᏔᎯ ᏥᏌ ᎦᎶᏁᏛ ᎤᎩᎵᏲᏨᎢ, ᎠᎴ ᎾᏍᏉ ᎠᏇᏔᏗᏍᏗᏍᎩ ᎦᎸᏉᏗᏳ ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᏥᎩ--\nᎢᏣᏟᏂᎬᏁᎮᏍᏗ ᎢᏥᏍᏆᏂᎪᏙᏗᏱ ᏌᏉ ᏂᏕᏨᏅ ᏕᏣᏓᏅᏛᎢ, ᏅᏩᏙᎯᏯᏛ ᏕᏣᏓᏂᏴᏛᎢ.\nᎠᏴᏍᎩᏂ ᎢᏙᎯᏳᎲᏍᎬ ᏌᏉᎯᏳ ᎡᎭ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎠᎦᏴᎵᎨᎢ, ᎾᏍᎩ ᎾᎿ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᏨᏗᏓᎴᎲᏍᎦ, ᎠᎴ ᎠᏴ ᎾᏍᎩ ᎡᏓᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ ᏥᏕᎭ; ᎠᎴ ᏌᏉᎯᏳ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᏤᎭ, ᎠᎴ ᎠᏴ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᏥᏕᎭ.\nᏌᏉ ᎾᏂᎥ ᎤᎾᎳᏅᎯ ᎠᎴ ᎤᏂᏙᏓ, ᎾᏍᎩ ᎾᏂᎥ ᎤᎾᏤᎵ ᎤᎬᏫᏳᎯ, ᎠᎴ ᏂᎦᎥ ᏕᎨᏌᏗᏒ ᏥᏕᏰᎵᏏᏕᎦ, ᎠᎴ ᏂᎯ ᏂᏥᎥ ᏥᏥᏯᎠ.\nᎡᎶᎯ ᎥᏝ ᎢᏥᏍᎦᎩ ᏱᏅᎦᎵᏍᏓ; ᎠᏴᏍᎩᏂ ᎠᎩᏍᏕᎦ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏥᏥᏃᎮᎭ ᎾᏍᎩ ᏚᎸᏫᏍᏓᏁᎲ ᎤᏲᎢᏳ ᎨᏒᎢ.\nᏞᏍᏗ ᎠᏗᎾ ᎢᏨᏲᏪᎳᏁᎲ ᎢᏨᏍᎦᏍᏓᏁᏗᏱᏉ ᏣᎩᏰᎸᏐ ᏱᏅᏩᏍᏕᏍᏗ.\nᎨᏍᏗ ᎤᏂᏔᏲᎸ ᏱᎨᏎ, ᎤᎭᏲᎴ.\nᏣᏄᏏ! \nᎾᏍᎩ ᎢᏳᏍᏗ ᎦᏙᎵᎪ ᎾᏍᎩ Ꮎ ᏥᏯᏙᎵᎩ ᎡᎳ, ᎠᎴ ᎩᎶ ᏥᏍᏓᏱᏓ ᎡᎳ ᎠᏍᏓᏱᏗᏍᎪᎢ.\nᎠᎴ ᎫᎾᏏᎴᏅᏛ ᏴᏫ ᏙᏛᏂᏲᎯᏎᎵ ᎤᏂᏪᏢᎾᏁᏗᏱ, ᎠᎴ ᎤᏂᎵᎥᏂᏍᏗᏱ, ᎠᎴ ᎤᎾᏛᏗᏱ ᏧᏓᎿᏩᏛ ᎨᏛᎢ; ᎠᎴ ᏦᎢᏁ ᎢᎦ ᏙᏛᎠᎴᏂ.\nᎾᏍᏉᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎠᎴ ᏗᏂᎳᏫᎩ ᎠᏂᏰᎵᏍᎬᎢ ᎯᎠ ᎾᏂᏪᏍᎨᎢ;\nᎠᎴ ᎾᎯᏳ ᎠᏆᏓᏅᏙ ᏓᎦᏥᏯᏐᏅᏰᎵ ᎦᏥᏅᏏᏓᏍᏗ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ, ᎠᎾᏙᎴᎰᏍᎨᏍᏗᏃ.\nᎣᏥᎦᏔᎭᏰᏃ ᎾᏍᎩ ᎢᏳᏃ ᎡᎶᎯ ᎡᎯ ᎣᏥᏁᎸ ᎣᎩᎵᏦᏛ ᏳᏲᏨ, ᎣᎩᎭ ᎠᏓᏁᎸ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ, ᎠᏓᏁᎸ ᏧᏬᏱ ᏗᎬᏔᏅᎯ ᏂᎨᏒᎾ ᎠᏁᏍᎨᎲᎯ, ᎠᏲᎩ ᏂᎨᏒᎾ ᎦᎸᎶᎢ ᏗᏓᏁᎸ.\nᎥᏝᏰᏃ ᎯᎠ ᏱᏚᏂᏴᏍᏕᎭ ᏚᏂᏴᏍᏕᎭ ᏥᏤᎵᎭ, ᎠᏏᏰᏃ ᏐᎣᏁᎳᏉ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒᎢ.\nᎢᎸᎯᏢᏃ ᏩᏴᎸᎭ, ᎯᎠ ᏁᏍᏗᏪᏎᎸᎭ ᎠᏍᎦᏯ ᎦᏁᎳ, ᏗᏕᏲᎲᏍᎩ ᎯᎠ ᏂᎦᏪᎭ, ᎭᏢ ᎠᏁᏙᎯ ᎤᏂᏴᏍᏗᏱ, ᎾᎿ ᎧᏃᎯᏰᎩ ᎢᏧᎳᎭ ᎣᎦᎵᏍᏓᏴᏗᏱ ᎬᎩᏍᏓᏩᏗᏙᎯ.\nᎦᎵᏣᏙᏗ ᎦᏙ, ᏍᏈᏍᏓ ᎤᏓᏑᏲ ᎠᏛᎯᏍᏗᏍᎩ.\nᎤᏍᏘᏰᎬ ᎬᏂᎨ ᎤᏍᎪᎸ ᏂᎦᎵᏍᏗᏍᎬ, ᏗᎦᎴᏂ ᎢᏴ ᎤᏍᏙᏰᏛ ᎨᏒ, ᏏᏅᏓ ᏂᎦᎵᏍᏗᏍᎬ ᎤᏍᏙᏰᏍᎬ ᎤᏓᎵ ᏁᏂᏏ, ᎠᏰᎳᏍᏗ ᎦᏁᎦ ᏗᎦᏁᎦᎸᏙᏗ ᎬᏗᏍᎨ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎠᏂᏅ ᏗᎤᎷᏨ ᏚᏩᏛᎮ ᎠᏂᎵᏁᎢ, ᎯᎠᏃ ᏄᏪᏎᎴ ᏈᏓ; ᎦᏙᏉ, ᏝᏍᎪ ᏥᏯᏫᏍᎬ ᏌᏉ ᎢᏳᏟᎶᏛ ᎢᎪᎯᏛ ᎨᏥᏯᏫᏍᏗ ᏱᎩ?\nᎠᏫᏒᎥᏍᎩ.\nᎤᏒᏃ ᏄᎵᏍᏔᏅ ᎤᎷᏤ ᏓᏖᏁᎮ ᏔᎳᏚ ᎢᏯᏂᏛ.\nᏰᎵ ᎢᏰᏆ ᎤᏩᏓᎷᎦᏅ ᎨᏎ ᎩᎳ ᎤᏕᎶᎰᏎ ᎠᎳᏂ.\nᎪᎰᏍᏗ ᎠᏍᏆᏂᎪᏙᏗ ᏭᏂᎶᏎ.\nᎾᏍᎩ ᎾᏍᏉ ᎤᏛᏅ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏐᏢᎢᏍᏙᏗᏱ ᎤᏰᎸᏅᎩ. ᎾᏍᎩ ᎣᏥᏂᏴᎲᎩ ᎠᎴ ᎣᎦᏚᎵᏍᎬᎩ ᏠᎩᎧᎿᏩᏛᏍᏗ ᎣᎬᏙᏗᏱ ᎣᏥᏱᎵᏓᏍᏗᏱ.\nᎠᎴ ᎠᏂᏐᎢ ᎠᏂᏧᏏ ᎤᎾᏠᎾᏍᏔᏅᎩ ᎾᏍᏉ ᎥᎬᏩᎵᎪᏁᎸᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏆᏂᏆ ᎾᏍᏉ ᎥᎬᏩᏘᎾᏫᏛᏔᏅᎩ ᎠᎾᏠᎾᏍᏗᏍᎬᎢ.\nᎤᎴᏫᏍᏔᏅ ᏚᏟᏂᏆᏛᏅ ᎤᏍᎪᏒ ᎬᏂᎨ ᎦᏙ ᎬᎾᏍᏔ ᎬᏘ ᏃᎴ ᏧᏬᏘᏓ ᏕᎦᏰᏌᏛ, ᏧᎪᎳ ᏚᎦᏌᏛ ᏧᏬᏘᏓ ᎾᏍᎩᏯ ᏄᎦᏟ ᎠᎭᏳᎩ ᎤᏂᏴᏓ.\nᏧᏓᏏᏃ ᎢᏯᎦᎳᏗ, ᎠᏏᏴᏫ ᎾᏍᎩ ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᏒᎢ, ᎤᏪᏅᏎ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏗᏂᏅᎢ, ᎾᏍᎩ ᏧᏲᎯᏎᏗᏱ.\nᎠᏥᏅᏏᏛᏍᎩᏂ, ᎠᏫ-ᏗᎦᏘᏯ ᏂᎨᏒᎾ, ᎠᎴ ᎠᏫ ᏧᏤᎵᎦ ᏂᎨᏒᎾ, ᏩᏯ ᏣᎢᏒᎢ ᏩᎪᏩᏛ, ᏕᎬᏕᎪ ᎠᏫ ᎠᎴ ᎠᎵᏘᏍᎪᎢ; ᏩᏯᏃ ᏕᎦᏂᏱᏍᎪ ᎠᎴ ᏓᏗᎦᎴᏯᏍᎪ ᎠᏫ.\nᏲᎾ ᎤᏤᏍᏙ ᏚᎧᎾᏁ, ᏃᏗ ᎤᏍᎦᏃᎵ ᎤᏓᎾᏏᏅᏍᏔᏁᎢ ᏌᏌ ᎤᏬᏢ ᎢᏣ, ᎠᏦᏴᎢ ᎾᎥᏂ.\nᎠᏯᏦᎯ ᎬᏗ ᏚᏅᎦᎸᎮᎢ ᏗᎦᏙᎵ ᎠᎳᏂ.\nᎾᏍᎩ ᏧᎵᏁᎬᎬᎩ ᎤᏛᏃᏒᎩ ᎠᎴ ᎤᏰᎵᏒᎩ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎾᏍᎩ, ᎤᏁᎳᏅᎯ ᎤᏓᏅᏖᎸᎯ ᎠᎴ ᎦᏳᎳ ᎬᏩᎪᎲᎯ ᏥᏂᎨᏎᎢ ᏥᏚᏲᏎᎢ, ᏂᎯ ᎡᏥᏂᏴᎲ ᎠᎴ ᏗᏍᎦᎾ ᏗᏦᏰᏂ ᏕᏨᏔᏅ ᎡᏣᏛᏅ ᎠᎴ ᎡᏥᎸ.\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ, ᏥᏌ ᏔᎵᏁ ᎬᏂᎨᏒ ᏂᏚᏛᏁᎸᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏔᏈᎵᏯ ᎥᏓᎸᎢ. ᎯᎠᏃ ᏄᎵᏍᏔᏂᏙᎸᎩ ᎬᏂᎨᏒ ᏄᏛᏁᎸᎩ.\nᎨᏍᏗ ᎤᏒᏂᎸ ᏱᎩ ᎤᎵᏍᏔᏴᏗ.”\nᎡᏍᎦ ᎤᏰᎸᎲ ᎠᏂᏴᏫᏯ ᏚᎾᏟᎸ ᎠᏎ ᎠᏂᎫᏌᏩᎩ ᏱᎩ. ᎠᏂᏳᏩᏁᎦ ᏯᏂᎷᎬᎾ ᏥᎨᏒ ᏗᏂᏓᎭᎣᏫ ᏥᏂᎨᏐ ᎠᏂᎫᏌᏩᎩ.\nᏓᏳᏍᏚᎢᏒᏃ ᎦᎶᎯᏍᏗ ᎠᎴ ᏓᏳᏣᏅᎢ ᎤᏣᎾᏃ ᎤᏍᏚᏅ ᎦᎶᎯᏍᏗ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᏪᏒ, ᏂᎦᏛ ᏗᎬᏩᎦᏗᎴᎩ ᎤᎾᏕᎰᏎᎢ; ᏂᎦᏛᏃ ᏴᏫ ᎠᎾᎵᎮᎵᎨ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏂᎦᏛ ᎦᎸᏉᏗᏳ ᎾᏍᎩ ᏕᎤᎸᏫᏍᏓᏁᎲᎢ.\nᎥᏍᎩᏕᎲ Ꮩ ᎠᏎ ᏄᎵᏍᏔᏁ ᏭᏲᎱᏒᎮᏃ ᎢᎸᏍᎩ ᏫᏄᏒᏝ.\nᏃᎴ Havana ᏏᎦᏫ ᎪᎢ ᎠᎭᎾᏬ ᏗᏇᏅᏔᏅ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᎠᏎ ᎾᏍᏉ ᏗᏐᎢ ᏕᎦᏚᏩᏗᏒ ᎦᏥᏯᎵᏥᏙᏁᏗ ᎠᎩᏃᎮᏗ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ; ᎾᏍᎩᏰᏃ ᎢᏯᏆᏛᏁᏗᏱ ᏨᎩᏅᏒ.\nᏚᏄᎪᏫᏒᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎢᏍᏗᏍᎦᏯ, ᎦᏙ ᏓᎦᏛᏁᎵ ᎥᎩᏍᏕᎸᏗᏱ?\n”ᎠᏯᏗᏍᏉ ᎠᏉᏟ ᏍᏉ ᎡᎵᏍᏗ,” ᎤᏛᏁ ᏏᏆ.\nᎤᏏᏙᎵ ᎠᏍᏔ ᎬᏔᏅ ᎬᏅᎯ ᎠᎵᏍᏚᎶ ᎠᏆᎵᏍᏚᎳᏅ, ᎧᎸᎬ ᎠᏂᏴᏫᏯ ᎤᏂᏐᏯᏍᏔᏅ, ᎤᎵᏍᎨᏛ ᎠᎾᏓᏅᏖᎵᏙᎲ.\nᎠᏂᏫᎾ ᎠᎾᏓᏍᏔᏴᎲᏍᎬ ᎤᎵᏏᏂᏕᏅ ᎤᏂᎩᏍᏗ, ᏄᎾ, ᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅ, ᏃᎴ ᏍᎨᏫ. ᎤᏲ ᏗᎧᏃᏗ ᎩᎳ ᎠᎵᏥᏍᎬ ᏧᎳᏍᎩ ᏦᎢ ᏗᎦᏅᏌᏗ ᏔᎷᎩᏍᎩ ᎤᎾᏛ.\nᎢᏳᏰᏃ ᎾᏍᎩ Ꮎ ᎠᎲᏛ ᏥᎩ ᎦᎸᏉᏗᏳ ᏱᎨᏎᎢ, ᎤᏟᎯᏳ ᏭᏓᎪᎾᏛᏗ ᎦᎸᏉᏗᏳ ᎾᏍᎩ Ꮎ ᏥᏅᏩᏍᏗᏉ.\nᎯᎠᏃ ᏧᎬ ᎡᏘᏴ ᎬᏩᎵᏬᏨ.\nᏙᏳ ᎠᎩᏠᎨ ᏩᎢᏒ ᏩᎭᏯ ᎠᎴ ᎤᎵᏰᏗᎮ.\n”ᎤᏰᎸᏗᏃ ᎠᏉᏠ ᏫᏥᎢᎦ ᎨᏒ ᎨᏍᏗ ᏂᎬᎾᏛ ᎨᏙᎢ ᏱᎩ.\nᎠᏋᏌ ᎢᏗᏋᏁᎸ ᎤᏛᏅ Mrs. Chapman.\nᎠᎴ ᎤᏣᏘ ᎠᏏ ᎢᏳᏓᎴᎩ ᎪᎱᏍᏗ ᎬᏬᏎᎮ ᎬᏩᏐᏢᎢᏍᏗᏍᎬᎢ.\nᎨᏍᏗ ᎠᎳᏑᎶ ᏱᎨᏎ ᎯᎠ.\nᎬᏩᏩᏛᎲᏃ ᎥᏓᎵ ᎢᏍᎪᏂᏗᏢ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᏔᏕᏲᎲᏍᎩ, ᎯᎳᎪ ᎢᏳ ᎠᏂ ᏣᎷᏤᎢ?\nᎤᏁᎳᏅᎯᏰᏃ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒ ᏕᎤᎸᏫᏍᏓᏁᎭ ᏕᏣᏓᏅᏛᎢ ᎾᏍᎩ ᎢᏣᏚᎸᏗᏱ ᎠᎴ ᎾᏍᏉ ᏗᏥᎸᏫᏍᏓᏁᏗᏱ.\nᎤᎾᏂᎩᏒᏃ ᎾᎿᏂ, ᎨᎵᎵ ᎠᏰᎵ ᎤᏂᎶᏎᎢ; ᎥᏝᏃ ᏳᏚᎵᏍᎨ ᎩᎶ ᎤᏙᎴᎱᎯᏍᏗᏱ.\n“ᎠᏎᏃ ᏌᎳᏓ,” ᎨᏍᏗ ᎤᏣᏓ ᎣᏍᏓ ᏱᎩ ᎠᏯ.”\nᏚᏯᏪᎨ ᏚᎵᏔᏕᏏᏙᎸ, ᎤᏓᏅᎦᎸᏓ ᎧᏁᏍᎪ ᎤᏂᏏᏁᎢ.\n “ᏣᏲᎪ ᎤᏲᏨ ᏥᏍᏆ ᎠᏯ ᏗᏆᏤᎵ ᏚᏩᏂᎦᏢ.\nᎠᎴ ᏂᎯ ᎦᎶᏁᏛ ᏧᏤᎵᎦ; ᎦᎶᏁᏛᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᏃᏗ ᏔᎵᏁ ᎱᏍᏚᎩᏎ ᎧᏁᏌᎢ, ᎤᎳᎩᏎ ᏏᏆ, ᎤᎧᏛ ᏭᎾᏓᏝᏁ.\nᏔᎵᏍᎪᎯᏍᎩ ᏧᏕᏘᏴᏓ ᎣᎭᏁ ᎩᎦᎭ ᏚᏙᏪᎳᏅ ᎦᏙ, ᎠᏯ ᎠᏰᎵ ᎢᏯᏆᏕᏘᏴᏓ, ᎦᏲᏟ ᏗᏆᏟᎸ, ᎤᏍᎦᏎᏗ ᏃᎴ ᎤᏲ, ᏓᏂᏍᏔᏲᎯᎲ, ᎠᏂᏍᎦᏯ ᎠᏂᏍᎩᎾᏗᏍᎬ, ᏎᎦᏉ ᎡᏝᏪᎯ ᏂᎦᎵᏍᏘᏍᎬ.\nᎦᎸᎳᏗ ᏭᏔᎷᎪ, ᎠᎦᏗᏓ ᏧᏏᎳᏛᏙᏗ ᎦᏅᎪᎢᏍᏗᏍᎪ, ᏃᏗ ᎦᏃᎸᎥᏍᎬ ᎤᏘᏁᎪ.\nᎨᏍᏗ ᏂᎯ ᎠᎬᏱ ᎠᏫᏂ ᏍᎩᎾᎾ ᎢᏳᏛᏁᎸᏱᎩ.\nᏑᏓᎵ ᎢᏳᏩᏂᎸ ᎤᏰᏤ, ᎤᎪᎮ ᎠᎦᏍᎬ, ᎤᏕᏯᏔᏁᎴ.\n“ᎭᏩ, ᏂᎯᏗ ᎣᏍᏓ ᎤᏍᏗ ᏏᏆ, ᏃᎴ ᏣᏔᎷᎩᏍᎩ ᎨᏎᏍᏗ.\n”ᏙᎩᎢᏳᏍᏗ? \nᎩᎶ ᏰᏥᎥᎡᎸ ᎪᎱᏍᏗ ᎤᏍᎦᏅᏨ, ᎠᏴ ᎾᏍᏉ ᏥᎥᎡᎭ; ᎢᏳᏰᏃ ᎠᏴ ᎪᎱᏍᏗ ᎠᏍᎦᏅᏨᎢ ᏱᏥᎥᏍᎦ, ᎾᏍᎩ ᏥᎥᎡᎸᎯ ᏂᎯ ᎨᏒ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᏥᎥᎡᎸᎩ ᎦᎶᏁᏛ ᎠᎦᏔᎲᎢ;\nᎿᏉᏃ ᏚᏂᎳᏫᏤ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎠᎴ ᏗᏂᎳᏫᎩ ᎠᏁᎲ ᏴᏫ, ᎦᏁᎸ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎧᏯᏆ ᏧᏙᎢᏛ;\nᎦᏅᎯᏓ ᎠᏍᏕᏯᏓ ᏫᎦᏓᎡᎢ ᎦᎶᎯᏍᏗ ᎦᎸᎳᏗᏣ.\nᏴᎩ ᏫᏚᏩᏘᏁᎢ ᏗᏯᏖᏃ ᏣᏄᏏ, ᏓᏳᏏᏅᏍᏗ ᏱᎨᏒᎾ ᏫᎵᎻ.\n“Ꭷ ᏃᏗ ᏔᎵᏁ ᎢᎦᏪᏍᏗ!”\n“ᏌᎳᏓ, ᎤᏛᏁ ᏫᎵᎻ.\nᎤᏴᏣ ᎧᏫ ᎤᏅᏗ ᎠᏑᏱ ᎤᏓᏅᎵᏰᎥ ᎠᏥᏍᏙᏗ.\nᏗᎨᏥᎤᏍᏕᏎᎸᎯᏃ ᎠᏃᎯᏳᎲᏍᎩ ᏂᎦᏛ ᏈᏓ ᏅᏓᎬᏩᏍᏓᏩᏛᏛ ᎤᏣᏘ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎾᏍᏉ ᎨᏥᏐᏅᏰᎸ ᎨᏥᏁᎸ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ.\nᎣᏂᏃ ᏏᎵᏱ ᎠᎴ ᏏᎵᏏᏱ ᏩᎩᎶᏒᎩ.\nᎠᎴ ᎨᏥᏲᎵᏍᏗᏱ ᏗᎦᏃᏙᏗᏱ, ᎠᎴ ᏔᏕᏲᎲᏍᎩ, ᏔᏕᏲᎲᏍᎩ, ᎬᏩᏃᏎᏗᏱ ᏴᏫ.\nᎠᎬᏱᏣ ᏂᏚᏩᏅ ᏧᏬᏰᏂ, ᏓᏒᎭᏂᎲ ᏚᏅᏏᏴ ᎦᏍᎩᎸ, ᏗᎦᏍᎩᎶ ᏗᎧᏃᎨ, ᎧᏁᏌ ᎦᎵᏗᏓᏅ ᏦᎯᏍᏙᏗ ᏧᏃᏩ, ᎧᏁᏌᎢ ᏗᎭᎾᏬ ᏕᎦᎸᏛ.\nᎤᎾᏛᎦ-ᏅᎯᏉᏍᎩᏂᏃᏅ ᎨᏎᎢ ᎯᎠ ᎾᏂᏪᏍᎬᎢ, ᎾᏍᎩ Ꮎ ᎤᏲ ᏥᏂᎬᎿᏕᎬ ᏧᏩᎫᏔᏅᏒ, ᎿᏉ ᎠᎵᏥᏙᎲᏍᎦ ᎢᎧᏃᎮᎭ ᎪᎯᏳᏗ ᎨᏒ ᎾᏍᎩ ᎢᎸᎯᏳ ᏣᏛᏗᏍᎬᎩ.\nᎠᏎᏃ ᎤᏟ ᎦᎸᏉᏗᏳ ᎠᎩᏃᎮᏍᎩ ᎠᏇᎭ ᎡᏍᎦᏉ ᏣᏂ; ᏗᎦᎸᏫᏍᏓᏁᏗᏰᏃ ᎠᎦᏴᎵᎨ ᎠᎩᏁᎸᎯ ᎠᎩᏍᏆᏗᏍᏗᏱ, ᎾᏍᎩ ᏥᏓᎩᎸᏫᏍᏓᏁᎭ, ᎠᎩᏃᎮᏍᎪ ᎠᏴ ᎠᎦᏴᎵᎨᎢ ᏅᏛᎩᏅᏏᏛ ᎨᏒᎢ;\n”ᎠᏤ ᏍᏔᎵᎢ ᏱᎩ, ᎠᏎᎩ ᎯᏲᏍᏓᏁ ᎤᏣᏪᏐᎸᏍᏛ; ᏃᎴ ᎠᎯᏗᎨ ᎠᏲᏍᏙᏗ ᏍᏔᎵᎢ ᎨᏒ ᎠᎬᏱ ᏯᏰᏍᏔᎾ ᏑᎾᎴᎢ.\nᎾᏍᎩ ᎾᏍᏉ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᏥᎩᎵᏲᎦ; ᎠᏎᏃ ᎥᏝ ᏱᎦᏕᎣᏍᎦ; ᏥᎦᏔᎭᏰᏃ ᎾᏍᎩ ᏥᏥᏯᎵᏍᎦᏍᏙᏔᏅ, ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎠᏉᎯᏳᎭ ᏰᎵᏉ ᎬᏩᏍᏆᏂᎪᏙᏗ ᎨᏒ ᎾᏍᎩ ᏥᏥᏯᎨᏅᏴ ᎬᏂ ᎾᎯᏳ ᎢᎦ ᎠᏍᏆᎲᎭ.\nᎨᏓᎵᏰ ᏭᏂᎶᏎ ᎤᏂᏃᏕᎾ, ᏌᏌ ᎠᏨᏯᎢ ᎣᏁ ᎠᎢᏎ, ᎬᏄᏯᎩᏍᎨ.\nᎤᏛᎦᎾ ᏑᏓᎵᏉ ᎠᏕᎸ ᏚᎵᎬᏩᏢ, ”ᏯᎩᏩᎯ,” ᎤᏛᏁ.\nᎢᏤ ᎤᎵᏑᏫᏓ ᎨᏎ ᎤᏴᏍᏗ.\nᎤᎾᏔᏂᏗᎨ ᎠᏂᏣᏗ ᎠᎾᎵᏍᎦᏰᎬᏍᏔᏁᎮ.\nᎾᏍᎩ ᎢᏣᎵᏍᎪᎸᏓᏁᏗᏱ, ᎾᏍᎩᏯ ᎤᏪᎿᎢᏳ ᎨᏒ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᎲᎢ, ᎾᏍᎩ ᎤᏣᏘ ᏗᏣᎵᏂᎪᎯᏍᏙᏗᏱ ᏕᏣᏓᏅᏛᎢ ᎤᏓᏅᏙ ᎤᏮᏙᏗᏱ;\nᎠᎴ ᏥᎻ ᏤᏈᏗ ᎤᏪᏥ, ᎠᎴ ᏣᏂ ᏥᎻ ᏗᎾᏓᏅᏟ; ᎠᎴ ᎾᏍᎩ ᏉᎠᎾᏥ ᏚᏬᎡᎢ, ᎾᏍᎩ ᎠᏴᏓᏆᎶᏍᎩ ᏧᏪᏥ ᎦᏛᎦ;\nᎢᏥᏁᎫ ᎨᎴᏏᏱ ᎢᏤᎯ, ᎦᎪ ᎢᏥᎶᎾᏍᎩᏔᏅ, ᎾᏍᎩ ᎢᏦᎯᏳᏗᏱ ᏂᎨᏒᎾ ᏂᏨᏁᎸ ᎤᏙᎯᏳᎯ ᎨᏒᎢ, ᏂᎯ ᏕᏥᎧᏅ ᏥᏌ ᎦᎶᏁᏛ ᎬᏂᎨᏒ ᎾᎬᏁᎸ ᏓᏓᎿᏩᏍᏛ ᎦᏛ ᎢᏤᎲᎢ.\nᎣᏍᏓ ᏘᏰᎸᏂ ᎤᏁᏍᏓᎶᏨ ᎡᎶᎯ, ᏣᎸᏉᏗ ᏰᏃ ᎰᎺ ᏃᎴ ᎨᏍᏗ ᎡᏍᎦ ᏱᏂᏓᏨᏁᎵ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎢᏥᏍᎦᏯ ᎨᎵᎵ ᎢᏤᎯ, ᎦᏙᏃ ᎢᏥᏙᎾᎠ ᎦᎸᎳᏗ ᏫᏙᏥᎧᎿ? ᎾᏍᎩ ᎯᎠ ᏥᏌ ᏤᏥᏯᏅᏏ ᎦᎸᎳᏗ ᏥᏫᎦᎶᎯ ᎾᏍᎩᏯ ᏅᏛᏛᏁᎵ ᏓᎦᎷᏥ ᏤᏥᎪᏩᏛ ᎦᎸᎳᏗ ᏥᏫᎦᎶᎯ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎤᎩᏨᏛ, ᎾᏍᎩ ᎤᏂᎬᏫᏳᎯ ᏧᎾᏤᎵ ᎠᎴ ᏗᏂᎳᏫᎩ ᎠᎴ ᏗᏃᏪᎵᏍᎩ,\nᎠᏎᏃ ᎭᏕᎶᎰᏍᎨᎢ ᎨᏍᏗ ᎣᏍᏓ ᏱᎨᏎ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᏃᏉ---ᏍᏈᏯ ᏴᏫ.\nᎢᎬᏱ ᎾᏍᎩ ᎯᎠ ᏂᏥᎦᏙᎥᏎᏍᏗ ᎾᏍᎩ ᏌᏉ ᎤᏅ ᎠᏙᎴᎰᏒᎯ ᎪᏪᎸᎢ ᎤᏩᏒ ᎨᏒ ᏗᎬᏁᏢᏙᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎪᏍᏘᏳᎳ ᎦᎶᎪᏗ ᏧᏙᎢᏓ ᎯᎸᎢᏴ ᏣᏂ ᎠᏃᏎᎲ.\nᎾᏍᎩ ᏂᎦᏛ ᎠᎾᏙᎴᎰᏍᎩ ᎤᏂᎩᎬ ᎠᏨᏅᎯ ᎨᏒ ᎡᎶᎯ ᏧᏙᏢᏅ ᏅᏓᏩᏓᎴᏅᏛ ᎨᏥᏔᏲᏎᏗᏱ ᎪᎯ ᏣᏁᎭ;\nᎢᏳᏰᏃ ᏕᏫ, ᏣᎬᏫᏳᎯ, ᏱᎪᏎᎭ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎤᏪᏥ ᏱᎩ?\nᎠᎴ ᎠᎦᏴᎵᎨ ᏅᏛᎩᏅᏏᏛ ᎾᏍᎩ ᎠᎩᏃᎮᎸ. ᎥᏝ ᎢᎸᎯᏳ ᏱᎨᏣᏛᎦᏃ ᎧᏁᎬᎢ, ᎠᎴ ᏱᎨᏥᎪᎰ ᏄᏍᏛᎢ.\nᎬᎪᏩᏛᏗ ᏱᎨᏒᎾ.\nᏥᏌᏃ ᎤᏛᎦᏅ ᏣᏂ ᎠᏥᏍᏚᎲᎢ, ᎨᎵᎵ ᏭᎶᏎᎢ.\n”ᎣᏍᏓ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎾᏍᎩ ᏎᎳᎩ ᏎᎳᎩ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎴᎪ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏇᎵᎩ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎯᏆ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏎᎳ ᎤᏪᏥ ᎨᏎᎢ,\nᎤᎩᏨᏛᏃ ᎤᏚᎵᏍᎬ ᎢᏳᏍᏗ ᏚᏳᎪᏛ ᎤᏙᎴᎰᎯᏍᏗᏱ ᏅᏓᎦᎵᏍᏙᏗᏍᎬ ᎠᏂᏧᏏ ᎬᏭᎯᏍᏗᏍᎬᎢ, ᎤᎸᏒᎲᎩ, ᎠᎴ ᎤᏁᏨᎩ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ ᎠᎴ ᏂᎦᏛ ᏗᏂᎳᏫᎩ, ᎤᎾᏓᏟᏐᏗᏱ, ᎠᎴ ᎤᏘᏃᎸᎩ ᏉᎳ, ᎠᏂᏅᎢᎬᏱᏢ ᎤᏪᎧᏅᎩ.\nᎠᏌᎻᏓ ᏃᎴ ᎠᏂᏐᎢ ᎠᏂᏲᏍᎩ ᏚᎾᏥᎭᎷᏅ, ᎤᎧᎵᎸ ᎦᏅᏃᏫ ᎤᏬᎦᏒ.\nᎤᏲᎯᏍᏔᏅ ᎪᎩᏍᎬ ᏓᏆᎧᎾᏅ, ᏂᎯᏍᎪᏃ ᏗᏘᏲᎯ? ᎤᏛᏅ.\nᎯᎠ ᎾᏍᎩ ᎤᏣᏘ ᎤᏕᎵᏗᏳ; ᎠᏎᏃ ᎦᎶᏁᏛ ᎠᎴ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎦᏥᏁᎢᏍᏗᎭ.\nᎠᎴ ᎤᏣᏛᎩ ᎤᏟ ᎢᎦᎢ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎸ ᏥᏌ ᎬᏩᏍᏓᏩᏗᏙᎭ ᎠᏂᎦᏔᎲᎢ, ᎠᏂ ᎪᏪᎵᎯ ᏂᎪᏪᎸᎾ;\nᏧᎾᏓᎴᏛᏰᏃ ᏴᏫ ᏙᏛᎾᎴᏂ ᏙᏛᎾᏓᏡᏔᏂ, ᎠᎴ ᎠᏰᎵ ᏕᎪᏢᏩᏗᏒ ᏙᏛᎾᏓᏡᏔᏂ; ᎠᎴ ᎦᏙᎯ ᏓᎵᏖᎸᏂᏙᎮᏍᏗ, ᎠᎴ ᏓᎪᏄᎶᏏᏙᎮᏍᏗ ᎠᎴ ᎤᏕᏯᏙᏗ ᏂᎦᎵᏍᏔᏂᏙᎮᏍᏗ; ᎯᎠ ᎾᏍᎩ ᎠᏓᎴᏂᏍᎬ ᎠᎩᎵᏯ.\nᎤᏏᏩ.\nᎯᎠ ᏄᏪᏎᎢ; ᎦᎶᏄᎮᏛ ᎠᎴ ᎤᏁᎫᏥᏛ ᏣᎧᎵᏨᎯ, ᎠᏍᎩᎾ ᎤᏪᏥ, ᎭᏡᏗᏍᎩ ᏂᎦᎥ ᏚᏳᎪᏛ ᎨᏒᎢ, ᏝᏍᎪ ᏴᏘᏑᎵᎪᏥ ᎤᏣᏘᏂ ᏂᏕᎲᏁᎲ ᏚᏳᎪᏛ ᏅᏃᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ?\nᎾᏍᎩᏃ ᎠᏍᎦᏯ ᎠᏂᏍᎩᎾ ᎬᏩᏄᎪᏤᎸᎯ, Ꭴ-ᏍᏗᏰᏔᏁ ᎤᎵᏍᎪᎸᏓᏁᏗᏱ ᎤᏍᏓᏩᏗᏓᏍᏗᏱ; ᎠᏎᏃ ᏥᏌ ᎤᏁᏤᎴ ᎤᏓᏅᏍᏗᏱ ᎯᎠ ᏄᏪᏎᎴᎢ,\nᎦᎶᎯᏍᏗ ᎱᎷᏨ ᎠᎨᏯ, ᎨᏍᏗᏗ ᎩᎶ ᏱᏓᎪᏩᏘ ᎨᎵ ᎤᏛᏅ.\nᎡᏝᏪᎯ ᎦᏙᎨ ᏌᎳᏓ, ᎭᏫᏂᏣ ᎦᎾᎡ ᏛᎦ, ᎠᏛᏅᎢᏍᏗᏍᎨ ᎤᏩᏯᎩᏍᏗ.\nᎢᏓᎵᏅᏟ, ᎢᏨ ᏔᏲᏎᎭ ᎠᏴ ᎾᏆᏍᏛ ᎾᏍᎩᏯ ᎢᏣᎵᏍᏙᏗᏱ; ᏂᏣᏍᏛᏰᏃ ᎾᏍᎩᏯ ᎾᏆᏍᏗ ᎠᏴ, ᎥᏝ ᎪᎱᏍᏗ ᎤᏐᏅ ᎢᏍᎩᏴᏁᎸᎯ ᏱᎩ;\nᎤᏁᎳᏅᎯᏰᏃ ᎾᏍᎩ Ꮎ ᏧᏁᏤ ᎢᎦᎦᏘ ᎤᎵᏏᎬ ᏧᎸᏌᏓᏗᏍᏗᏱ, ᏚᎸᏌᏓᏗᎸ ᏦᎩᎾᏫᏱ, ᎾᏍᎩ ᎣᎩᏁᏗᏱ ᎢᎦ-ᎦᏘ ᎠᎦᏙᎥᎯᏍᏙᏗ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎤᎧᏛ ᏨᏗᏓᎴᎲᏍᎦ.\nᎤᏩᏒ ᎤᏓᏅᏖᏛ ᎢᎩᎾᏄᎪᏫᏒ ᎤᏩᏔᏅ ᎧᏃᎮᏛ ᏂᎨᏒᎾ, ᎾᏍᎩ ᎠᏴ ᎢᎬᏱ ᎡᎦᏁᎳᏅᎯ ᎾᏍᎩᏯ ᎢᎦᎵᏍᏙᏗᏱ ᎾᏍᎩ ᎨᎦᏁᎳᏅᎯ ᎨᏒᎢ.\nᎾᏍᎩ ᎯᎠ ᏄᏪᏒᎩ ᏥᏌ ᎠᏕᎸ ᏗᏍᏆᏂᎪᏗᏱ, ᎾᎯᏳ ᏓᏕᏲᎲᏍᎬ ᎤᏛᎤ-ᏗᎦᎳᏫᎢᏍᏗᏱ; ᎠᎴ ᎥᏝ ᎩᎶ ᏳᏂᏴᎮᎢ, ᎥᏝᏰᏃ ᎠᏏ ᏳᏍᏆᎸᎡᎮᎢ.\nᏞᏍᏗ ᎢᏣᏓᎳᏫᏎᎸᎩ, ᏂᎯᏃ ᎥᏝ ᏴᎦᏰᎳᏫᏏ; ᏞᏍᏗ ᏗᏣᏓᏚᎪᏓᏁᎸᎩ, ᏂᎯᏃ ᎥᏝ ᏱᏙᎦᏰᏧᎪᏓᏏ; ᏕᏥᏙᎵᎨᏍᏗ ᎨᏥᏍᎦᏅᏤᎯ, ᏂᎯᏃ ᎠᏎ ᎡᏥᏙᎵᏍᏗ ᎨᏎᏍᏗ;\nᎢᏓᎵᏅᏟ, ᎢᏳᏃ ᎩᎶ ᏳᏎᎦᏤᎸ ᏳᏍᎦᏅᏨ, ᏂᎯ ᎠᏓᏅᏙ ᏗᏣᏘᏂᏙᎯ ᎡᏥᏯᏂᏐᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎢᏳᏛᏁᎸᎯ ᎤᏓᏙᎵᏍᏗ ᎢᏣᏓᏅᏛᎢ, ᎮᏯᏔᎮᏍᏗ ᏨᏒ ᎨᏒ ᏱᏅᏎᎦᎩ ᏂᎯ ᎾᏍᏉ ᏰᏣᎪᎵᏯ.\nᏃᏗ ᎦᎸᎶ ᎢᏣ ᏩᎵᏖᎸᏂᏍᏗ, ᏚᎧᎭᏛ ᏫᏓᎪᏩᏛᏗ, ᏃᎴ ᎠᏍᏕᏯᏓ ᎠᏓᏄᏖᏲᎰ.\nᎤᏬᎯᏨᏃ ᎾᏂᎾᏄᎪᎬᎾ ᏄᎵᏍᏔᏅ ᏅᏙ ᎠᎴ ᏃᏈᏏ, ᎠᎴ ᎦᏲᎵᏉ ᏂᎨᏒᎾ ᎣᎩᏃᎸᏅ, ᎿᏉ ᎦᏲᎦᏛᏂᏗᏍᏗ ᎨᏒ ᎤᏚᎩ ᎣᎬᏒ ᎤᎵᏛᏔᏅᎩ.\nᏣᏄᏏ ᎤᎵᏍᏙᏯᎲᏎ ᏃᎴ ᎤᎾᎶᎢᏓ ᎤᎿᏬᎥᏎ ᏃᎴ ᏕᎷᎨ ᎠᏯᏨᏗ.\n“ᎭᏕᏬ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᏰᎸᎢᏰᏃ ᎤᎬᏩᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎤᏍᏗᎩᏳ ᎠᏓᏍᏕᎵᎭ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᏗᏁᎶᏙᏗ ᎨᏒ ᏂᎦᎥ ᎪᎱᏍᏗ ᎤᎬᏩᎵ ᎬᏩᏓᏍᏕᎸᏗ, ᎾᏍᎩᏰᏃ ᎠᏚᎢᏍᏗ ᎠᏥᏁᏗᏱ ᎬᏅ ᎪᎯ ᏥᎩ, ᎠᎴ ᎾᏍᎩ ᎤᎵᏱᎶᎯᏍᏗ ᎨᏒᎢ.\nᎤᏙᎯᏳᎯᏍᎩᏂᏃᏅ ᏂᏗᎬᏩᏓᎴ ᏥᏳ ᏓᏈᎵᏯ ᏂᏙᏓᏳᏂᏅᏍᏔᏅᎯ ᏚᏂᏃᎸᎩ ᎾᎥᎢ ᎾᎿ ᎤᎬᏫᏳᎯ ᎤᎵᎮᎵᏨᎢ ᎠᎴ ᎤᎾᎵᏍᏓᏴᏅᎢ--\nᎾᏍᎩ ᏥᏓᏥᏲᏎ ᎠᏴ ᎢᎩᏍᎦᏅᏨ ᏥᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ, ᎠᎴ ᏥᏓᎦᎴᏔᏁ ᎠᏴ ᎢᎦᏚᏓᎴᏍᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏂᎥ ᎩᎶ ᎯᎠ ᏥᏂᏥᏪᎠ ᎠᎾᏛᎩᏍᎨᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎾᎾᏛᏁᎮᏍᏗ, ᎠᎦᏔᎿᎢ ᎠᏍᎦᏯ ᏙᏓᎦᏥᏯᏟᎶᏍᏔᏂ, ᎾᏍᎩ ᏅᏲᎯ ᏧᏁᏍᎨᎮᎢ;\nᎾᏍᎩᏃ Ꮎ ᏰᎵᏉ ᎢᎬᏩᏛᏁᏗ ᏥᎩ, ᎤᏣᏘ ᎤᎶᏒᏍᏗ ᎢᎦᎢ ᎢᏗᏔᏲᎯᎲᎢ, ᎠᎴ ᎢᏓᏓᏅᏖᏍᎬᎢ, ᎾᏍᎩᏯ ᎤᏠᏱ ᎤᎵᏂᎩᏛ ᎨᏒ ᏥᏚᎸᏫᏍᏓᏁᎭ ᎠᏴ ᏕᎦᏓᏅᏛᎢ,\nᎠᎳᏂ ᏃᎴ ᎰᎻ ᏐᏁᎳ ᎢᏳᏩᏂᎸ ᏫᏓᏂᏅᎨᎢ.\nᏧᏍᏆᏴᏍᏗ, ᎧᏁᏍᎪ ᎦᏟᎲ ᎤᏛᎦᎾ ᏂᎦᎵᏍᏔᏂᏙᎲ ᎤᏰᎢᏍᏔᏁ.\nᎠᎴ ᎤᏣᏛ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎡᎲ ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏂᏣᏖᏍᏗ ᎠᏓᎨᏳᏗ ᎨᏒ ᎤᏁᎲ ᏛᏴᏜᏗ.\nᎡᏈᏌᏍᎩᏂ ᎨᏙᎮᏍᏗ ᎯᏍᎦᏍᎪᎯᏁ ᎢᎦ ᎢᏯᏍᏗ.\nᎢᏤᎾ; ᎬᏂᏳᏉ ᎢᏨᏅᎵ ᎤᏂᏃᏕᎾ ᎠᏂᎩᎾ ᏩᏲᎯ ᏥᏩᏂᎶᏍᎪ ᎾᏍᎩᏯᎢ.\nᏂᎦᏗᏳᏃ ᎬᏩᎸᏉᏗᏍᎨᎢ ᎠᎴ ᎠᏂᏍᏆᏂᎪᏍᎨ ᎾᏍᎩ ᏃᏒ ᎤᏬᏂᏒᎢ. ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᏝᏍᎪ ᎯᎠ ᎾᏍᎩ ᏦᏩ ᎤᏪᏥ ᏱᎩ?\nᏥᏙᎬᏉ ᎠᏘᏲᏍᏙᏗ ᏄᎵᏍᎨᏗᏴ ᎠᎫᏩᏌ ᎠᎫᏤᎵᎪ ᎦᏙ.\nᎣᏍᏛ ᎢᏓᏓᏅᏓᏓ ᎠᎴ ᎢᏓᎵᎮᎵᎩ, ᎠᎴ ᎾᏍᎩ ᎡᏗᎸᏉᏓ; ᎤᏃᏕᎾᏰᏃ-ᎠᎩᎾ ᏣᎦᏨᏍᏙᏗᏱ ᎠᏍᏆᎸ, ᎤᏓᎵᎢᏃ ᎠᏛᏅᎢᏍᏔᏃᎾ.\n“ᎨᏍᏗ ᏳᏫᏗᏣᎧᎾᎾ ᎠᎩᏍᏘᏰᎬᎢ!” ᎤᏛᏁ ᎠᎳᏂ.\n”ᏍᏇᏲᎲᎦ, ᏱᏥᏏᎳᏛᎥᎦ.\nᏧᏪᏥ ᏗᎦᏅᏙᏗ, ᏭᎬᏫᏳᏒ ᎠᏉᏒᏅ.”\nᎠᏎᏃ ᏂᎦᏛ ᎠᏂᎦᏔᎲ ᎤᏓᏱᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎥᏝ ᏱᏥᎦᏔᎭ ᏂᏪᏍᎬᎢ.\nᏙᏓᏓᏛᏁᎵ ᎢᏕᎲᎢ?\n“ᎨᏍᏗ ᏂᎦᏓ ᏳᏩᎾᏔ ᏩᎭᏯ!”\nᎬᏩᎷᏤᎴᏃ ᎠᎴ ᎬᏩᏰᏍᏔᏁᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᏔᏕᏲᎲᏍᎩ, ᏔᏕᏲᎲᏍᎩ, ᏓᏲᏩᏗᏒᏂ! ᎿᏉᏃ ᎤᏗᏛᎮ ᎠᎴ Ꮪ-ᏍᎦᏤ ᎦᏃᎸᎥᏍᎬ ᎠᎴ ᏓᎵᏍᏗᎳᏁᎬ ᎠᎹ; ᎤᏂᏑᎵᎪᏤᏃ ᎠᎴ ᎤᏓᏥᎾᏍᏛᎯ ᏄᎵᏍᏔᏁᎢ.\nᏲᎾ ᏓᎶᏂᎨ ᎤᎵᏦᎯᏓ ᏦᎢ ᏕᎦᏰᏌᏛ ᎢᏳᎭᎨᏛ ᎦᏚᎢᏣ ᎩᎦᎨ ᎤᏇᏓᏢ, ᎤᎵᎪᎲᏍᏗ ᎠᎦᏗᏛ ᏚᎬ ᏘᎵ, ᏩᏁ ᏎᏗ, ᎫᎴ ᏃᎴ ᎧᏩᏯ .\nᎯᎠ ᎾᏂᏪᏍᎬᎩ, ᎡᎺᏅ; ᎣᏍᏛ ᎡᏣᏁᎢᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎡᏣᎸᏉᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎯᎦᏔᎾᎢᏳ ᎨᏒᎢ, ᎠᎴ ᎡᏣᎵᎮᎵᏤᏗ ᎨᏒᎢ, ᎠᎴ ᎡᏣᎸᏉᏗᏳ ᎨᏒᎢ, ᎠᎴ ᏣᎵᏂᎩ-ᏗᏳ ᎨᏒᎢ, ᎠᎴ ᏣᎵᏂᎪᎯᏍᏗ ᎨᏒᎢ, ᏣᏤᎵ ᎨᏎᏍᏗ ᏍᎩᏯᏁᎳᏅᎯ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ. ᎡᎺᏅ.\nᎩᎶ ᏕᎦᎷᎨᏍᏗ ᎤᏛᎪᏗᏱ ᏩᏛᎬᎦ.\nᎲᎦ ᏄᏍᏗ...ᏐᏉ, ᏔᎵ, ᏦᎢ, ᏅᎩ, ᎯᏍᎩ, ᏑᏓᎵ, ᎦᎵᏉᎩ.\nᏧᏂᏍᏗ ᏍᎦᏃᎵ ᎠᏁᏙᎯ ᏧᎵᏏ ᏣᎵ, ᎡᎳᏗᎨ ᎢᎾᏘ ᎠᏂᏧᏣ ᏃᎴ ᎠᏂᎨᏳᏣ ᎠᏂᏏᏴᏫᎭ ᎤᏂᏰᎶᏒ ᏣᎵ, ᏧᏃᏰᎾ, ᎤᏂᏍᏘᏰᎬ ᎠᎴ ᎤᏙᏌᏘ ᏗᏂᎦᏙᎵ - ᎣᎭᏂ ᎤᏂᎾᎵᏏᏗᏒ ᎦᏚᏏ.\nᎤᎭᎨᏛ ᎠᏙᎯ ᎦᏚᏏ.\nᏚᏁᏤᎸᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏌᏯ ᏰᎵᏉ ᏄᏪᏒ ᎤᏙᎴᎰᏒ ᏂᎯ ᎢᏣᏠᎾᏍᏗ ᎢᏥᏁᎢᏍᏗᏍᎬᎢ, ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎯᎠ ᎾᏍᎩ ᏴᏫ ᎬᎩᎸᏉᏗᎭ ᏚᏂᎭᏁᎦᎸ ᏓᏅᏗᎭ, ᏧᏂᎾᏫᏍᎩᏂ ᎢᏅᎯᏳ ᏂᏚᏅᎿᏕᎦ ᎠᏴ ᎾᏆᏛᏅᎢ.\nᎠᎴ ᎠᏴ ᎢᏓᎵᏅᏟ, ᏫᏨᎷᏤᎸ, ᎥᏝ ᎣᏌᏂ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᎠᎴ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏱᏨᎷᎯᏍᏓᏁᎴᎢ, ᎢᏨᏃᏁᎲ ᎪᎯᏳᏗᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎿᏉᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎤᎾᏙᎴᎰᏒ ᎤᏍᏆᏂᎪᏗᏳ ᏚᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᏗᏂᏲᎵ ᎤᏁᎷᎬ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎯᎠ ᎾᏂᏪᏍᎬᎢ, ᎰᏌᎾ ᏕᏫ ᎤᏪᏥ! ᎤᏣᏘ ᎤᏂᏐᏅᏤᎸᎩ;\nᎠᎴ ᎦᎵᏉᎩ ᎠᏂᏴᏓᏆᎶᏍᎩ ᎤᏂᏴᏓᏆᎶᎥ, ᏓᎪᏪᎳᏂᏒᎩ; ᎠᏆᏛᎦᏅᎩᏃ ᎧᏁᎬ ᎦᎸᎳᏗ ᏓᏳᎶᏒᎩ ᎯᎠ ᏅᏛᎩᏪᏎᎲᎩ, ᏘᏍᏚᎲᎦᏉ ᎾᏍᎩ ᎦᎵᏉᎩ ᎠᏂᏴᏓᏆᏍᎩ ᏄᏂᏪᏒᎢ, ᎠᎴ ᏞᏍᏗ ᏦᏪᎳᏅᎩ.\nᏫᏥ ᎢᎦ ᎨᏒ ᎤᏂᏇᏓᏢ ᏗᏂᏴᏤᏂ ᏃᎴ ᏗᏂᏅᏬ, ᎡᏉᎯᎨ ᏄᎾᎵᏍᏘᏍᎬ ᎩᎦᎨ ᏚᎦᏌᏛ ᎤᏂᏳᏩᏅ ᎾᏍᎩᏯ ᎣᎦᎾ ᎢᏳᏍᏗ ᏧᏣᏲᏍᏗ ᏗᏂᏍᎪᎵ ᎡᎳᏗᏣ ᏗᏂᏐᎯ ᏫᎦᎶᏍᎩ.\nᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏔᎳᏑᎳᎩ, ᎾᎿᏰᏃ ᏥᏙᎦ ᎦᎸᏉᏗᏳ ᎦᏙᎯ.\nᎾᏍᎩ ᎯᎠ ᏓᏟᎶᏍᏛ ᏥᏌ ᏚᏬᏁᏔᏅᎩ; ᎠᏎᏃ ᎥᏝ ᏳᏃᎵᏤ ᎾᏍᎩ ᏄᏍᏛ ᏚᏬᏁᏔᏅᎢ.\nᎧ ᎬᏂᏳᏉ ᎤᎬᏫᏳᎯ ᏣᏏᏔᏓ, ᎠᎴ ᏙᏘᎨᏩᏥ ᎥᏝ ᏱᎪᏩᏘᏍᎨᏍᏗ ᏅᏙ ᎢᎸᏍᎩ ᎢᎪᎯᏛ. ᎩᎳᏉᏃ ᎢᏴᏛ ᎤᎵᏏᎩ ᎤᏭᏢᏁᎢ, ᎠᎴ ᎡᏙᎮ ᏚᏲᎮ ᎩᎶ ᎬᏬᏱᏂᏙᎯ.\nᎠᎴ ᎠᏂᏐᎢ ᏴᏫ ᎾᏍᎩ ᎤᏕᏯᏙᏗ ᎨᏒ ᏧᏂᎸᎯ ᏂᎨᏒᎾ, ᎠᏏᏉ ᎥᏝ ᏱᏓᏂᏁᏟᏴᏍᎨ ᏚᎾᏓᏅᏛ ᎤᏲ ᏯᏂᏰᎸᏍᎨ ᏧᏃᏰᏂ ᎬᏗ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ, ᎾᏍᎩ ᎠᏂᏍᎩᎾ ᏧᎾᏓᏙᎵᏍᏓᏁᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᎠᏕᎸ ᎤᏁᎬ, ᎠᎴ ᎥᏣᏱ, ᎠᎴ ᏅᏯ, ᎠᎴ ᎠᏓ ᏗᎪᏢᏔᏅᎯ; ᎾᏍᎩ ᎬᏩᏂᎪᏩᏗ ᏂᎨᏒᎾ ᏥᎩ, ᎠᎴ ᎬᏩᎾᏛᎪᏗ ᏂᎨᏒᎾ ᏥᎩ, ᎠᎴ ᎬᏩᏁᏓᏍᏗ ᏂᎨᏒᎾ ᏥᎩ.\nᏍᏓᏯ ᎤᏓᏅᏖᎴ ᏫᎵᎻ.\nᎠᏍᏆᏗᎠ\nᎣᏂ ᏄᏍᏗᏗᏎ ᎠᏍᏓ.\nᎢᏧᎳ ᎢᏁᏆ!\nᏍᏆᏛᎦᏍᏓᏏ,” ᎡᏝᏪ ᏄᏪᏎᎴ ᏫᎵᎻ ᎠᎦᏴᎴ ᎤᏃᏕᎾ.\nᏣᏂᏰᏃ ᎥᏝ ᎠᏏ ᏗᏓᏍᏚᏗᏱ ᏯᏥᏴᏗᏍᎨᎢ.\nᎤᏂᏃᏕᎾ ᏗᏂᏐᎯᎢ ᎤᏂᎦᏍᎨᎢ.\nᎦᏥᏯᏘᏂᏓᏍᏗ ᎠᏆᏍᏉᏟᏔᏅ. Granville Towers ᏧᏙᎢᏓ ᎠᏓᏁᎳ ᎠᏂᎯᏲᎲᎢ, ᎤᏰᏟᏛᏃ ᎤᎿ ᎦᏂᎩᎸ ᎤᎾᎵᎢ.\nᎾᏍᎩ ᏰᎵ ᏗᎬᏪᏙᎵᏍᏗ ᎾᏂᎦᏔᎾᎥᎾ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎤᎾᎴᎾᎸᎯ; ᎤᏩᏒᏰᏃ ᎾᏍᏉ ᏚᎵᏚᏫᏍᏛᎩ ᎠᏩᏂᎦᎳ ᎨᏒᎢ.\nᎾᏍᎩ [ᎧᏃᎮᏛ] ᎬᏂᏛ ᎤᏪᎮᎢ; ᎠᎴ ᎾᏍᎩ ᎬᏂᏛ ᏴᏫ ᎢᎦ ᎤᎾᏘᏍᏓᏁᎯ ᎨᏎᎢ.\nᎢᎦ ᏒᎮᏱᏣ, ᏣᏄᏏ ᏭᎷᏤᎴ ᎰᎻ.\nᎦᏙᏃ ᎤᏛᎾᏕᎦ ᎡᎳᏆᏗ?” ᎤᏛᏛᏁ, ᎡᏆ ᏚᏍᏚᎩᏎ ᏗᎦᏙᎵ.\nᎤᏢᏲᎵᎳ ᎫᏫᏍᎫᏫ, ᎤᎴᏅᎮ ᎠᏰᎵᏒ ᎠᎹᏰᎵ ᎤᏈᏴᎡᏗ ᏏᏴᏫᏯᎯ ᏭᏚᏩᎪᏗ ᏭᏕᎵᎬ ᎢᏣ, ᎦᏙ ᏕᎦᏅᏅ ᎢᏣ.\nᎿᏉᏃ ᎠᏂᎦᏔᎯᏳ ᏄᎵᏍᏔᏅ, ᏂᎦᎥ ᎪᎱᏍᏗ ᏍᎩᏁᎸᎯ ᏥᎩ, ᏂᎯ ᏅᏓᏳᏓᎴᎲᎯ ᎨᏒᎢ.\nᏩᎦ ᏓᏂᏁᎩᎡᎲ ᎤᎾᏘ ᎦᏍᎩᎶ ᎠᏗᏅᏓ ᎤᏴᏩᏛᎮ. ᎤᏂᏃᏕᎾ ᎤᏂᏴᏍᏗ ᏫᎵᎻ ᎤᏴᏍᏗ ᎾᎥᏂ ᎤᏩᏍᎩᎳᏕ.\n”ᎣᏍᏓ ᎤᏒᎯ, ᏌᎳᏓ!” ᎤᏛᏁ ᏫᎵᎻ.\nᎬᏩᏓᎴᏍᎨᏍᏗ ᎨᏣᏡᏗᏍᎬ ᎯᎠ ᏴᏫ ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎾᏍᎩ ᏗᏁᎲ ᎿᏉ ᎬᏅᎵ,\nᎤᏓᏌᎧᏰᏃ ᎣᏥᎩᎵᏲᎬ ᏞᎦᏉ ᏥᎩ ᎣᎩᏩᏛᎡᎭ ᎤᏣᏘ ᎤᎶᏒᏍᏔᏅᎯ ᎢᏳᏓᎨᏛ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎦᎸᏉᏗᏳ ᎨᏒᎢ;\nᎡᎳᏗ ᎠᎧᏁᎮ ᎠᎵᏍᏛᏧᏍᏗ.\nᏚᎾᏛᏛᏅᎩᏃ, ᎾᏍᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᎠᏍᎪ ᏂᎯ ᎢᏍᏕᏥ, ᎾᏍᎩ ᏗᎨᏫ ᎤᏕᏅᎩ ᏥᏍᏓᏗᎭ? ᎦᏙᏃ ᎤᎵᏍᏙᏔᏅ ᎪᎯ ᏣᎪᏩᏘᎭ?\nᎤᏁᎳᏅᎯᏰᏃ ᎤᏓᏁᏗ ᎨᏒ ᎠᎴ ᎤᏓᏯᏅᏗ ᎨᏒ ᏝᏉ ᎤᏰᎸᏗ ᏂᎨᏒᎾ ᎨᏐᎢ.\nᎢᏥᏁᎫ ᎠᎴ ᏗᏥᎨᏫ! ᎦᏙ ᎤᏍᏗ ᎤᏟ ᎦᎸᏉᏗᏳ, ᎠᏕᎸᏍᎪ ᏓᎶᏂᎨᎢ, ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱᎨ ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᏥᏂᎬᏁᎭ ᎠᏕᎸ ᏓᎶᏂᎨᎢ?\nᎾᏍᎩ ᎢᏥᎷᏤᎸᎯ ᏥᎩ, ᎾᏍᎩᏯ ᏂᎬᎾᏛ ᎡᎶᎯ ᏧᏂᎷᏤᎸ; ᎠᎴ ᏥᎦᎾᏄᎪᏫᏍᎦ ᎤᏓᏔᏅᎯ ᎾᏍᎩᏯ ᏥᏂᎦᎵᏍᏗ ᏂᎯ ᎢᏤᎲᎢ, ᏅᏓᎬᏩᏓᎴᏅᏛ ᎢᏣᏛᎦᏅ ᎾᏍᎩ, ᎠᎴ ᎤᏙᎯᏳᎯ ᎢᏥᎦᏙᎥᏒ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ;\nᎾᎿᏃ ᎠᎾᏓᏅᏟ ᏗᎪᎦᏛᎦᏅ, ᎡᏈᏲᎢ ᎢᏴᏛ ᎠᎴ ᏦᎢ-ᎢᏗᎵᏍᏓᏴᏗᏱ ᏕᎪᎦᏠᏏᎸᎩ; ᏉᎳ ᎾᏍᎩ ᏚᎪᎲ ᎤᎵᎮᎵᏤᎸᎩ ᎤᏁᎳᏅᎯ, ᎠᎴ ᎤᎦᎵᏍᏗ ᎤᏓᏅᏓᏛᎩ.\nᏈᎵᎩᏃ ᎾᎿ ᏭᏗᏠᎸ ᎤᏛᎦᏁ ᎠᏙᎴᎰᏍᎩ ᎢᏌᏯ ᎠᎪᎵᏰᏍᎬᎢ, ᎯᎠᏃ ᏄᏪᏎᎢ; ᎰᎵᎦᎨᎵ ᎾᏍᎩ ᏥᎪᎵᏰᎭ?\nᎠᏂᏆᎵᏏᏃ ᎠᎴ ᏗᏄᏪᎵᏍᎩ ᎤᏂᏐᏅᏤᎴ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎯᎠ ᎠᏍᎦᏯ ᏓᏓᏂᎸᎪ ᎠᏂᏍᎦᎾᎢ, ᎠᎴ ᎢᏧᎳᎭ ᎠᎾᎵᏍᏓᏴᎲᏍᎪᎢ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎡᏣᎵᏍᏓᏴᏄᎦ. ᎥᏝᏃ ᎩᎶ ᎠᎾᏓᏍᏓᏩᏗᏙᎯ, ᎦᎪ ᏂᎯ, ᎬᏬᏎᏗ ᏱᎨᏎᎢ, ᎠᏂᎦᏔᎲᎩᏰᏃ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎭᏢ ᏱᏓᎩ ᎩᎶ ᎾᏍᎩ ᎢᎦᎢ ᎦᏚ ᎠᏂ ᎢᎾᎨᎢ, ᎯᎠ ᎾᏍᎩ ᏰᎵ ᎬᏩᏂᏛᏓᏁᏗ.\nᎠᎧᏘᏏ ᎢᏣ ᎦᎸᎳᏗ ᏚᏏᎳᏛ ᏭᎩᎶᏫᏎ ᏌᎳᏓ.\nᎦᏙᏓᎦᎵᏍᏔᏂ ᎠᏇᎵᏒ, ᎣᏍᏓ ᎠᏉᏪᎳᏅ ᎪᏪᎵ ᏩᎩᏅᏅ, ᎧᏃᎮᏍᎩ ᏲᎾ ᏧᏤᎵ ᏴᏫ ᎠᏁᎯ ᎨᏒ ᎡᏆ ᎦᏚᎲ, ᏂᎦᏓ ᏚᏓᏓᏍᎬ ᏫᏓᎩᏅᏅ ᎠᏰᎵ.\nᎾᎨᎢᏴ ᏫᏚᎪᎮ ᎠᏂᎴᏴᏍᎩ ᏃᎴ ᎠᏂᎪᏕᏍᎩ ᏗᎾᎢᏒ.\nᎠᏛᎪᏗ ᎨᏎ “ᏕᏓᏓᎪᎲᏳ, ᏕᏓᏓᎪᎲᏳ, ᏕᏓᏓᎪᎲᏳ!”  ᎤᎵᏍᏗ ᎦᎷᎨ ᏫᎵᎻ ᏗᎦᎴᏂ.\nᎠᎴ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᎦᎶᏁᏛ ᎤᏓᎨᏳᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏥᎦᎶᏒᏍᏗᎭ, ᎾᏍᎩ ᎡᏥᎧᎵᎢᏍᏙᏗᏱ ᎾᏍᎩ ᏂᎦᏛ ᎠᎧᎵᎢ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏝᏍᎪ ᏂᎦᏛ ᎯᎠ ᏱᏗᏥᎪᏩᏘᎭ? ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎥᏝ ᏌᏉᎤᏅ ᏅᏯ ᎠᏂ ᏱᏚᏓᏌᏝᎮᏍᏗ ᎾᏍᎩ ᏂᎪᎲᏔᏅᎾ ᏱᎨᏎᏍᏗ.\n“ᎭᏓᎾᏫᏓᏓ!” ᎤᏪᎷᏁ ᏌᎳᏓ.\nᎤᏂᏣᏘᏃ ᏴᏫ ᎬᏩᏍᏓᏩᏛᏎᎢ ᏅᏓᏳᏂᎶᏒᎯ ᎨᎵᎵ, ᎠᏍᎪᎯᏃ-ᎦᏚᎩᏱ, ᎠᎴ ᏥᎷᏏᎵᎻ, ᎠᎴ ᏧᏗᏱ, ᎠᎴ ᏦᏓᏂ ᏍᎪᏂᏗᏢ.\nᎪᎱᏍᏗ ᏧᏅᎾ ᏂᏚᏂᎨᏳᏒᎾ, ᏄᏃᎯᏍᏘᏒᎾ, ᎤᏐᏅ ᎠᎾᏓᏃᎮᎵᏙᎯ, ᏄᎾᎵᏏᎾᎯᏍᏛᎾ, ᎤᏂᎿᎸᎯ, ᎠᏂᏍᎦᎩ ᎣᏍᏛ,\nᏫᏥᎢᎦ ᎨᏒ ᎣᏍᏓ ᏥᏰᎸᎥ Crockett, ᏂᏛᏓᎴᏂᏍᎬ ᏴᏫ ᎤᏁᏓᏍᏗ, ᎤᎯᏐᏗ ᏄᏍᏛ ᎠᎰᎵ ᏃᎴ ᏧᎵᏬᏨ ᎢᏧᏍᏗ ᏗᎦᏙᎵ.\nᏂᎦᏛᏃ ᎬᏩᎦᏔᎯ ᎨᏒ ᎠᎴ ᎠᏂᎨᏴ ᎨᎵᎵ ᏅᏓᎬᏩᏍᏓᏩᏛᏛ ᎢᏅ ᏧᎾᎴᏅᏁᎢ ᎠᏂᎪᏩᏘᏍᎨ ᎾᏍᎩ ᎯᎠ.\nᎡᏙᏓ, ᎯᎸᏉᏓ ᏕᏣᏙᎥᎢ. ᎿᏉᏃ ᎦᎸᎳᏗ ᏓᏳᏁᏨᎩ, ᎯᎠ ᏅᏓᏳᏪᏒᎩ; ᎦᏳᎳ ᎠᎩᎸᏉᏔᏅ, ᎠᎴ ᏔᎵᏁ ᏛᏥᎸᏉᏔᏂ.\nᎩᎶ ᎦᎵᎷᎨᏍᏗ ᏩᏛᎬᎦ ᎠᏓᏅᏙ ᏂᏕᎦᏪᏎᎲ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ.\nᎾᏍᏉᏍᎩᏂ ᎢᏥᏍᏘᏰᎬ ᎢᏥᏍᎪᎵ ᏂᎦᏗᏳ ᏗᏎᎸᎯ.\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎯᎠ ᎾᏍᎩ ᏥᏄᏍᏗ ᏥᏨᏲᏪᎳᏁᎭ ᎠᎩᎪᏁᎸᎢ, ᎾᏍᎩ ᎾᎯᏳ ᏥᎦᏔᎮᏍᏗ ᎬᏍᎦᎢᏍᏓᎩ ᎠᏋᏔᏂᏓᏍᏗᏱ ᏂᎨᏒᎾ, ᎾᏍᎩᏯ ᎢᎬᏆᏛᏁᏗ ᎠᏆᎵᏍᎪᎸᏓᏁᎸ ᎤᎬᏫᏳᎯ, ᎾᏍᎩ ᏧᎾᎵᏂᎪᎯᏍᏗ ᎨᏒᎢ, ᎥᏝᏃ ᎤᏂᏛᏙᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᎵᏂᎩᏛ ᏕᏥᏙᎨᏍᏗ ᎾᏍᎩ ᎾᎿ ᏂᏕᎩᎾᏝᎥᎾ ᎨᏒ ᎦᎶᏁᏛ ᏂᎦᎩᎾᏝᎥᎾ ᏂᎬᏁᎸᎢ, ᎠᎴ ᏞᏍᏗ ᏔᎵᏁ ᏥᎡᏥᎩᎳᎾᎳᏗᏍᏔᏂ ᎠᏓᎾᏢᎥᏍᎩ ᎠᎩᎳᎾᎶ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᎯᎠ ᏄᏪᏒ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎾᎥᎢ, ᏓᎦᏥᏅᏏ ᏫᎬᏩᏂᎷᏤᏗᏱ ᎠᎾᏙᎴᎰᏍᎩ, ᎠᎴ ᎨᏥᏅᏏᏛ, ᎾᏍᎩᏃ ᎢᎦᏛ ᏙᏛᏂᎵ ᎠᎴ ᏙᏛᏂᎨᎯᏙᎵ,\nᎠᏂᏔᎵ ᎠᏂᏴᏫᏯ ᏚᎾᏓᏂᏴᎲ ᏃᎴ ᎦᏙᎯ ᎤᎾᏟᎸ, ᎠᏂᏲᏍᎩ ᏗᏂᏃᎨᏂ ᏚᏂᏂᏴᎲ ᏚᎾᎦᎴᏅᏔᏅ.\n”ᎤᏙᎯᏳᎯᏍᎪᏃ ᏂᏪᏍᎨ ᏥᏍᎩᏚᎢᏍᏓᏁᎲ, ᏔᎴᏫᏍᏓᏁᏗ ᎬᎩᏍᏗ?”\nᎯᏍᎩᏰᏃ ᎾᏂᎥ ᎣᏣᎵᏅᏟ ᎠᏁᎭ; ᎾᏍᎩᏃ ᏱᏫᏕᎧᏃᎲᏏ ᎾᏍᏉᏰᏃ ᎠᏂ ᎠᎩᎵᏲᎢᏍᏗᏱ ᎨᏒ ᏯᏂᎷᎩ.\nᎤᏙᎯᏳᎭᏍᎪ ᏥᏂᎦᏪ ᎠᎦᏴᎵ ᎤᏃᏕᎾ ᏌᎳᏓ? ᎤᏙᎯᏳᎯᏧ ᏓᎬᎩᎵ ᎤᏴᏣ ᏂᎦᎵᏍᏔᏅ?”\nᏞᏍᏗ ᎠᎦᏴᎵᎨᎢ ᏓᎧᏃᏁᎵ ᏓᏲᎫᎯᏍᏔᏂ ᏱᏍᎩᏰᎵᏎᎮᏍᏗ; ᎠᏏᏴᏫ ᎡᎭ ᎢᏧᎯᏍᏗᏍᎩ, ᎼᏏ, ᎾᏍᎩ ᏤᏣᏁᎶᏗ ᏥᎩ.\nᎠᎴ ᎾᎯᏳ ᏥᏨᏰᎳᏗᏙᎲᎩ ᎠᎴ ᎠᏆᏚᎸᎲᎥᎦ, ᎥᏝ ᎩᎶ ᏯᏆᎫᏱᏍᎨᎢ; ᎾᏍᎩᏰᏃ ᎠᎩᏂᎬᏎᎲᎢ, ᎣᏣᎵᏅᏟ ᎹᏏᏙᏂ ᏅᏓᏳᏂᎶᏒᎯ ᎬᎩᏁᎲᎩ; ᎠᎴ ᏂᎦᎥᏉ ᎠᏆᏟᏂᎬᏁᎸ ᎢᏨᏐᏈᎸᏗᏱ ᏂᎨᏒᎾ, ᎠᎴ ᎠᏏᏉ ᎾᏍᎩ ᏂᎦᏛᏁᎮᏍᏗ.\nᏚᎦᏗᏍᏛ ᎠᏌᎻᏛ, ᏗᎩᏣᏗ ᏭᎳᎩᏒ ᎠᏥᏍᏙᏗ, ᎦᏅᎯᏓ ᎤᏗᏔᎲ, ᏭᏍᏚᏅ ᏗᎩᏣᏗ.\nᏏᏆ ᎤᏂᎯᏍᏗ ᏱᎩ, ᏂᎦᏓ ᏓᎾᎵᏍᏕᎵᏍᎪ.\nᏗᏂᏁᏥ ᏃᎴ ᏗᏂᏅᏬ ᏚᎾᏐᏓᎸ ᏧᏂ ᏍᏔᏲᏍᏙᏗ.\nᎾᏍᎩᏃ ᎠᏓᏅᏙ ᎬᏗ ᎢᎾᎨ ᏩᏆᏘᏅᏍᏔᏅᎩ; ᎠᎨᏴᏃ ᎥᏥᎪᎲᎩ ᎩᎦᎨ ᏗᎧᏃᏗᏱ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎤᎩᎸᏛᎩ ᎾᏍᎩ ᎤᎧᎵᏨᎯ ᎨᏒᎩ ᎤᏁᎳᏅᎯ ᏚᏙᎥ ᎠᏐᏢᎢᏍᏙᏗ ᎨᏒᎢ ᎦᎵᏉᎩ ᏓᏍᎫᏓᏛᎩ, ᎠᎴ ᎠᏍᎪᎯ ᏕᎤᎷᎬᎩ.\nᎠᏗᏍᎩᎳ ᎠᏁᎰ ᎭᎾᏛᏅ ᎤᎿᏯ ᎠᎾᏗᎲ ᎢᎸᎯᏳ ᏥᎨᎲ ᎾᎥ ᏩᎩᎶᎯᏍᏗ ᏥᎨᎲ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᎦᏪᎭ, ᎾᎯᏳ ᏚᎴᏅᎦᎸᎳᏗ ᏭᎶᏒ, ᏚᏴᎩᏁ ᏗᎨᏥᏴᎩᏅᎯ, ᎠᎴ ᏚᏁᎴ ᏴᏫ ᎤᏓᏁᏗ ᎨᏒᎢ.\nᎤᏁᎳᏅᎯᏍᎩᏂ ᏗᏁᎶᏙᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ, ᎾᏍᎩ ᎤᏣᏘ ᎨᏅᎢᏍᏗ.\nᎡᏥᎸᏉᏗᏍᎨᏍᏗᏍᎩᏂ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᏙᏗᏣᏓᏅᏛᎢ. ᎠᎴ ᏯᏃᏉ ᎢᏨᏛᏅᎢᏍᏕᏍᏗ ᎾᏂᎥ ᎩᎶ ᎨᏣᏛᏛᎲᏍᎩ ᎤᏚᎩ ᎢᏨᏒ ᎤᎬᏩᎵ, ᏗᏥᏃᏁᏗᏱ ᎤᏓᏅᏘ ᎠᎴ ᎤᎾᏰᎯᏍᏗ ᎨᏒ ᎢᏨᏙᏗᏱ.\nᏰᎵᏉᎨ ᎠᏂᏧᏣ ᏱᏕᎯᏃᎯᏏ ᎤᏛᏅ ᎠᏌᎻᏓ.\nᎯᎠ ᎾᏍᎩ ᎤᏂᎪᏁᎶᎯᏌᏘ, ᎤᏁᎵᎯᏍᎩ, ᎤᏅᏒ ᎤᎾᏚᎸᏅᎥᏍᎬ ᎠᏂᏍᏓᏩᏕᎩ; ᏗᏂᎰᎵᏃ ᏓᏅᏗᏍᎪ ᎤᏣᏘ ᎠᏢᏈᏍᏗ ᎠᏂᏬᏂᏍᎪᎢ, ᏴᏫ ᏚᎾᎧᏛ ᏓᏂᎸᏉᏗᏍᎪ ᎣᏍᏛ ᎢᎬᏩᎾᎵᏍᏓᏁᏗ ᎤᏚᎩ ᎤᏅᏒ ᎢᏳᏍᏗ.\nᎤᏙᏳ ᏓᎩᏯᏪᎦ ᏃᎴ ᏥᎾᏬᎦ ᎨᏍᏗ ᎬᏆᏁᎸᏙᏗ ᏱᎩ ᎠᏇᏅᏍᏗ.\nᎾᏃ ᎤᎾᏓᏅᏘ ᏗᏍᏕᎸᏗᏱ ᎤᎬᏩᎵ, ᎠᏎᏉᏉ ᏱᏨᏲᏪᎳᏁᎭ.\nᎠᏎᏃ ᏚᏂᏅᎪᎥᏓᏁᎴᏉ ᎪᏍᏚ ᏧᎾᎳᏏᏕᏂ ᎤᏓᏅᎵᏰᎥᎢ, ᎢᎪᏂᏯᏃ ᏭᏂᎷᏤᎢ.\nᎠᏎᏃ Ꮳ ᏍᎩᏴ ᎤᏕᏘᏴᏌᏗᏒ.\nᎠᏂᏧᏏᏃ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᎠᎴ ᏄᏂᏪᏒᎩ; ᎦᏙ ᎤᎵᏍᏙᏔᏅ ᎯᎠ ᎠᏍᎦᏯ ᎪᏪᎵ ᏗᏏᎾᏏᏳ ᏥᎩ, ᏧᏕᎶᏆᎥᎯᏃ ᏂᎨᏒᎾ?\nᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᏌᏉ ᎢᎦᎦᏛ ᎾᏂᏲᎯᏍᏗᏍᎬᎾ ᎠᎾᏓᏙᎵᏍᏗᏍᎨᎢ ᎠᎴ ᎠᏂᏔᏲᎯᎮᎢ, ᎠᎴ ᎾᏍᏉ ᎠᏂᎨᏒ, ᎠᎴ ᎺᎵ ᏥᏌ ᎤᏥ, ᎠᎴ ᏥᏌ ᎠᎾᎵᏅᏟ.\nᏫᏥᎢᎦ ᎨᏒ ᏕᎦᏅᏅ ᏅᏯ ᎬᏗ ᏓᏰᏍᏓᎡ, ᎢᎪᎯᏓ ᎠᏛᎪᏗ ᎨᏎ ᏓᏆᎴᎸ ᏕᎦᏆᏛ ᏔᎷᎩᏍᎩ ᏓᏢᏍᏛ, ᎤᏒᎯ ᏐᏈᎵ ᏚᎾᎳᏑᎸ ᎠᏥᎳ ᎦᎾᏅᎪᎨ.\n”ᏁᎳᎩ ᎨᏎᏍᏗ ᏫᎵᎻ!” ᎤᏛᏁ.\nᎠᏎᏃ ᏥᎦᏔᎭ ᎾᏍᏉ ᎪᎯ ᎨᏒ ᏂᎦᎥ ᎪᎱᏍᏗ ᏱᏔᏲᏎᎸ ᎤᏁᎳᏅᎯ, ᏣᏁᏗᏉ ᎨᏒ ᎤᏁᎳᏅᎯ.\nᎠᎴ ᏂᎦᏛ ᎤᏤᏪᏅ ᎤᏣᏘ ᏚᎪᏄᎶᏎ ᎾᎿᏂ, ᎿᏉᏃ ᎤᎴᏅᎮ ᎤᏚᎸᎲᏁᎢ.\nᏈᏓᏃ ᏔᎵᏁ ᎤᏓᏱᎸᎩ. ᎩᎳᏉᏃ ᎢᏴᏛ ᏣᏔᎦ ᎤᏴᎳᏒᎩ.\nᏰᎵᏉ ᏱᏥᏍᏆᏂᎪᏓ ᎬᏅᎢ ᏫᎵᎻ,” ᎤᏪᎵᏎ.  ᏓᏥᎶᏅᎮᎵ ᎰᎻ.\nᎤᎵᏍᏔᏴᏗ ᎦᎶᏙᏗ ᏐᏉ ᎢᏯᏏᏔᏛ ᎠᎹ ᎠᏥᏍᏕ.\n”ᏥᏍᏕᏥ ᏱᎩ ᏥᏍᏕᏥ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎨᏍᏗ ᏏᏆ ᏦᏍᏓᏁᎶᎲᏍᎩ ᏱᎩ.”  \nᎤᏂᎪᎲᏃ ᎾᏍᎩ ᏃᏈᏏ, ᎤᎶᏔᏅᎯ ᎤᎾᎵᎮᎵᏤᎢ.\nᎢᏳᏰᏃ ᎢᎬᏒ ᏱᏗᏓᏓᏚᎪᏓᏁᎭ, ᎥᏝ ᏱᏙᎦᏰᎫᎪᏓᏏ.\n“ᎩᎳ ᎠᎬᏱ ᏓᎨᏏ ᏧᎦᏃᏮ ᏗᏣ ᎠᏮᏅᎦ ᎠᏆᏕᎶᎰᎯᏍᏗ Ꭳ!\nᎤᎬᏫᏳᎯᏍᎩᏂ ᏄᏓᎵᏓᏍᏛᎾ, ᎾᏍᎩ ᏨᏓᏣᎵᏂᎪᎯᏍᏔᏂ, ᎠᎴ ᏨᎵᏥᏲᏍᏙᏓᏁᎵ ᎤᏲ ᎢᏣᏛᏁᏗᏱ.\nᎦᏳᎳ ᏧᏭᎪᏔᏅ ᎨᏎ ᎧᏂᎩᏓ ᎢᏳᎵᏍᏙᏗ ᎠᏂᏴᏫᏯ.\n”ᏣᏉ ᎨᏎᏍᏗ,” ᎤᏛᏁ.\nᎠᏇᎵ ᎡᏥᏲᎵᎸᎭ, ᏣᎦᏓᏂᎸᏨᎯ ᎦᎶᏁᏛ ᎪᎯᏳᎲᏍᎩ ᎨᏒᎢ. ᎡᎵᏍᏓᏊᎳ ᏚᏓᏘᎾᎥ ᎠᏁᎳ ᏕᏥᏲᎵᎸᎭ.\nᎾᏍᎩ ᎾᏍᏉ ᏥᏣᎵᏍᏕᎸᏙᏗ, ᎢᏳᏃ ᎠᏍᏓᏯ ᏱᏗᏥᏂᏴ ᎾᏍᎩ ᏥᏨᏯᎵᏥᏙᏁᎸᎩ, ᎢᏳᏍᎩᏂᏃᏅ ᎠᏎᏉᏉ ᏱᎩ ᎢᏦᎯᏳᏒᎢ.\nᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᎠᎴᏂᏍᎬ ᎨᏒ ᎠᎩᎵᏯ ᎨᏒᎢ.\nᎠᏎᏃ ᎤᎧᎵᏨᎯ ᎨᏎ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏯᏅᏒᎯ ᎦᎸᎳᏗ ᏫᏚᎧᎿᏁᎢ, ᎠᎴ ᏭᎪᎮ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎠᎴ ᏥᏌ ᎦᏙᎨ ᎤᏁᎳᏅᎯ ᎠᎦᏘᏏᏗᏢ;\nᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᎢᏳᏃ ᏂᎯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏎᏍᏗ, ᎭᏓᎶᎥᏓ ᏨᏒ; ᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎪᏪᎳ; ᎠᏎ ᏙᏓᎧᏁᏤᎵ ᎫᏤᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏂᏌ ᎨᏒ ᎤᎬᏩᎵ, ᎠᎴ ᏧᏃᏰᏂ ᎨᏣᏌᎳᏙᏕᏍᏗ ᎾᏍᎩ ᎢᎸᎯᏳ ᏅᏲᎯ ᏣᎾᏍᏆᎶᏍᏙᏗᏱ ᏂᎨᏒᎾ.\nᎠᎴ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎢᏳᏃ ᏂᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵ ᎤᎬᏫᏳᎯ ᎨᏎᏍᏗ, ᏨᏒ ᎭᎵᏍᏕᎸ.\nᎦᏆᏘ ᎠᏗᏆᎸᏕᏲ ᎠᏍᎩᏗᏍᎨᎢ ᎡᎳᏆᏗ ᏃᎴ ᎦᎸᎳᏗ ᎤᎴᏫᏍᏔᏅ ᏓᏆᎴᎳ ᎤᏦᏛ.\nᎥᎥ, ᎡᏙᏓ, ᎾᏍᎩᏰᏃ ᎣᏏᏳ ᏣᏰᎸᏅᎯ.\nᎤᏂᎩᏎᏃ, ᎠᎴ ᎤᎴᏅᎮ ᏚᏃᏣᎳᏁ ᎠᏍᎪᎯ-ᎢᎦᏚᎩᏱ, ᏂᎦᎥ ᎤᏍᏆᏂᎪᏗ ᏥᏌ ᏄᏛᏁᎸᎢ; ᎠᎴ ᏂᎦᏛ ᏴᏫ ᎤᏂᏍᏆᏂᎪᏎᎤᏂᎩᏎᏃ, ᎠᎴ ᎤᎴᏅᎮ ᏚᏃᏣᎳᏁ ᎠᏍᎪᎯ-ᎢᎦᏚᎩᏱ, ᏂᎦᎥ ᎤᏍᏆᏂᎪᏗ ᏥᏌ ᏄᏛᏁᎸᎢ; ᎠᎴ ᏂᎦᏛ ᏴᏫ ᎤᏂᏍᏆᏂᎪᏎᎢ\nᎠᎴ ᎥᏝ ᎾᏍᎩᏉ ᏱᏂᎦᎥ, ᎾᏍᏉᏍᎩᏂ ᏚᎾᏓᏡᏩᏗᏒ ᏧᎾᏁᎶᏗ ᎬᏩᏑᏰᏒᎩ ᎠᏴ ᎢᏧᎳᎭ ᎣᎨᏅᏍᏗᏱ ᎣᎩᏴᏍᏗᏱ ᎯᎠ ᎾᏍᎩ ᎠᏓᏁᏗ, ᎾᏍᎩ ᏥᏙᎩᎸᏫᏍᏓᏁᎭ, ᎦᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᎤᎬᏫᏳᎯ ᎤᏩᏒ, ᎠᎴ [ᎬᏂᎨᏒ ᎢᎬᏩᏁᏗᏱ] ᎢᏣᎵᎦᎵᏴᏒ ᏙᏗᏣᏓᏅᏛᎢ;\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎢᏕᎾ ᎢᏨᏒᏉ ᎢᏴᏛ ᏫᏗᎶᎯ ᎢᎾᎨ ᏗᎨᏒᎢ, ᎠᎴ ᏞᎦ ᎢᏣᏣᏪᏐᎸᏍᏓ; ᎤᏂᏣᏖᏰᏃ ᎠᏂᎷᎨ ᎠᎴ ᏓᏁᎨᎢ, ᎥᏞᏃ ᏯᏜᏅᏓᏗᏍᎨ ᎾᏍᏉ ᎤᎾᎵᏍᏓᏴᏗᏱ ᎢᎪᎯᏛ.\nᎠᎵᏍᏙᏗ ᎠᏰᎾᎡ--- ᎦᎶᏇ ᏃᎴ ᎦᏅᎯᏓ ᎠᏰᎳᏍᏗ ᎠᏓ ᎪᏒᏔᏅ.\nᎭᏣᏪᏐᎸᏍᏓ ᎠᎦᏎᏍᏙᏗ, ᏐᏉ ᎠᏆᏤᎵ ᏃᎴ ᎤᏩᏌ, ᎭᏫᏂ ᏗᎩᏏ ᏃᎴ ᎤᎵᏏᎩ!”  \nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎲᏂᏗᏳ ᎨᏎᏍᏗ ᎯᎩᎵᏲᎬᎢ, ᎾᏍᎩᏯ ᎣᏍᏛ ᎠᏯᏫᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵᎦ.\nᎦᏘᏲᎯᎲ ᎠᎫᏤᎵᎪ ᎦᏙ, ᎨᏍᏗ ᎩᎦ.\nᏃᎴ ᏄᏓᎴ ᎱᏃᎮᎸ ᏣᎵ ᎠᏤᎯ ᎧᏃᎮᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᎬᏪᏎᎭ ᎤᏍᎦᏅᏨ, ᎾᏍᎩ ᏧᏈᏯ ᏥᎩ, ᎠᏥᏙᎵᎩ, ᎤᏣᏘᏰᏃ ᎤᏓᎨᏳᏎᎢ; ᎩᎶᏍᎩᏂ ᎤᏍᏗ ᎠᏥᏙᎵᏨᎯ, ᎾᏍᎩ ᎤᏍᏗ ᎤᏓᎨᏳᏐᎢ.\nᎾᏃ ᏥᎬᏔᏲᏎᎸᎩ ᏣᏗᎩᏯᏍᏗᏱ ᎡᏈᏌ, ᎹᏏᏙᏁ ᏥᏩᎩᎶᏒᎩ, ᎾᏍᎩ ᏘᏅᏍᏓᏕᏗᏱ ᎩᎶ ᏓᎾᏕᏲᎲᏍᎬ ᎤᏣᏘᏂ ᎢᏳᏂᏪᏍᏗᏱ ᏂᎨᏒᎾ,\nᎾᏍᎩᏃ ᎭᏓᏁᎲ ᎤᏕᎵᏒ ᎨᏎᏍᏗ, ᏣᏙᏓᏃ ᎤᏕᎵᏒ ᎠᎪᏩᏘᏍᎩ ᎤᏩᏒ ᎠᏎ ᏣᎫᏴᎡᏗ ᎨᏎᏍᏗ ᎬᏂᎨᏒᎢ.\nᎠᏎᏃ ᎤᎾᏠᏤᏉ; ᎤᏂᏣᏖᏍᎩᏂᏃᏅ ᎦᏰᎪᎩ ᎠᏂᏃᎮᏍᎩ ᎤᏂᎾᏄᎪᏤᎢ, ᎠᏎᏃ ᎤᎾᏠᏤᏉ. ᎣᏂᏱᏍᎩᏂᏃᏅ ᎠᏂᏔᎵ ᎦᏰᎪᎩ ᎠᏂᏃᎮᏍᎩ ᎤᏂᎷᏤᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ;\n“ᏍᎩ, ᏧᏍᏆᏴᏍᏗ,” ᎤᏛᏁ.\nᎠᎴ ᎢᏤ ᎢᏤᏨᏁᏗᏱ ᏄᏍᏛ ᏕᏣᏓᏅᏛᎢ;\nᎠᏎᏃ ᎾᏍᎩ ᏂᏨᏪᏎᎸ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎤᏲ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᎤᎧᎵᎸ ᎢᏥᎾᏫ.\nᏲᏎᎢ ᎬᏇᏓᏍᏗ ᏱᎨᏎ, ᏲᏎᎢ ᎬᏆᏛᎦᏍᏙᏗ ᎢygᎡᏎ ᏄᎾᏓᎴᎲ ᎠᏣᏗ ᏕᏣᏙᎥ ᎠᏎᏃ ᎤᏍᏗᎩ ᎢᏧᎳ ᎩᏂᏴᏍᏗ ᎠᎹ ᎦᏁᎲ, ᏫᏥ ᏫᏓᎦᏓᏬᎢ. ᏕᎾᏓᎪᎲᏳ ᎤᎬᏍᏕᎵ.\nᎤᎬᏫᏳᎯ ᏧᏁᏗ ᎨᏎᏍᏗ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏚᏓᏘᎿᎥ ᎣᏁᏏᏉᎳ, ᏯᏃᏰᏃ ᎠᎩᎦᎵᏍᏓᏗᏍᎬᎩ, ᎠᎴ ᎥᏝ ᏯᏉᏕᎰᎯᏎᎮ ᎠᏆᏤᎵ ᏧᏓᏕᏒᏛ;\n”ᎯᏣᏛᎦᏍᏓ, ᎭᏩᏧᎱ ᏍᏓᏯ ᏄᏪᏎ.\nᎯᎠᏃ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎢᎩᏁᎸᎯ, ᎾᏍᎩ ᎢᏳᏃ ᎩᎶ ᎤᎨᏳᎯᏳ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ, ᎾᏍᏉ ᎤᎨᏳᎯᏳ ᎨᏎᏍᏗ ᏗᎾᏓᏅᏟ.\nᏚᏬᏓᏢ ᎢᏴ ᏭᏗᎦᎴᏲᏤ ᎧᏃᎮᏓ ᏄᎵᏍᎨᏗᏴ ᏏᏆ, ᏃᎴ ᏗᏂᎶᎨᏍᎩ ᏧᎾᎩᎸᏗ ᏧᏪᏘ ᏓᏆᎴᎳ ᏃᎴ ᏗᎦᎾᏏᏅᏍᏗ ᏕᎦᎷᎨ, ᎢᏳᏪᏅᏍᏗ ᎠᏂᏙᎾᎡᎢ ᎤᎾᎧᏙᏍᏕᎢ ᏫᎵᎻ ᎤᏴᏍᏗ ᎠᏂᎸᏇᏍᎨ ᎤᏍᏆᏂᎩᏗ ᏅᎩ ᏗᎦᏅᏌᏗ.\nᎠᎴ ᏥᎳᏅᏓᏕᎸᎩ ᎤᏲ ᎤᏰᎸᏗᏱ ᎤᏕᎵᏛ ᏚᏂᏏᏂᏙᎸᎢ; ᎠᏎᏃ ᎥᏝ ᎤᏲ ᏳᏰᎸᏁᎢ.\n“ᎠᏎ ᎤᏪᏅᏍᏗ,” ᎤᏛᏁ.\nᏴᏫᏃ ᎬᏩᎦᏘᏰ ᏤᎦᎳᏯ, ᎠᎴ ᎤᏂᏍᏆᏂᎪᏍᎨ ᎪᎯᏗᏳ ᏩᏯᎥ ᎤᏛᏅᏗᎦᎳᏫᎢᏍᏗᏱ.\nᎠᏎᏃ ᎡᎳᏪᏱᏉ ᎤᏅᏎᎢ; ᏗᎾᎢᏒᏃ ᎠᏂᏃᎮᏍᎨ ᎤᏅᏒ ᎨᏒ ᎾᏍᎩ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ.\nᎣᏏ ᎢᏳᎵᏍᏓᏁᏗ ᏴᏫ ᎾᏍᎩ Ꮎ ᎤᎬᏫᏳᎯ ᎤᏍᏕᏅᏨ ᏄᏭᎪᏍᏗᏍᎬᎾ ᎨᏒᎢ.\nᏚᎪᎮᎢ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ, ᏃᎴ,ᎾᎥᏂᎨ ᏭᎷᏣ ᎤᎪᎮ ᏌᎳᏓ.\nᎠᎴ ᎩᎶ ᏂᎯ ᏂᏣᏛᏅ ᏄᎬᏫᏳᏒ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏚᎵᏍᎨᏍᏗ, ᎾᏍᎩ ᏂᎦᏛ ᎬᏩᏅᏏᏙᎯ ᎨᏎᏍᏗ.\nᏭᏓᏅᏖᎴ ᎤᎵᏬᎢᏍᏗ, ᎤᏩᏃᏪ ᏃᎴ ᎤᏍᎦᎴ.\n ᎤᏙᎳᏅ ᎤᏓᏔᏅ, ᎦᏙ ᎡᎯ ᎤᎦᎾᏍᏓ ᏃᎴ ᏧᎾᏍᏕᏥ, ᎤᏟᏂᎩᏓ ᏥᏴᏐᎵ ᎬᏗ ᏱᏗᏥᏌᏙᏱᏍᎦ ᏧᏆᎶᎦ, ᎠᎩᏯᎸᎥᏍᎬ ᏃᎴ ᎦᎵᏒᏍᏗᏍᎬ ᎦᏙ, ᎦᎵᏒᏍᏗᏍᎬ, ᎦᎵᏒᏍᏗᏍᎬ, ᎦᎵᏒᏍᏗᏍᎬ...”\nᎾᎯᏳᏃ ᎨᏒ ᎤᎶᏐᏅ, ᎣᎩᏟᏌᏅᎩ ᎣᎩᏱᏓᏍᏗ, ᎠᎴ ᏥᎷᏏᎵᎻ ᏬᎩᎶᏒᎩ.\nᎢᎤᏁᏅᏃ ᏥᏌ ᎤᎴᏅᎲᎩ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎤᏂᏣᏘ ᏣᏂ ᏚᏃᎮᏓᏁᎸᎩ; ᎦᏙ ᎢᏣᎦᏔᏅᏎ ᎢᎾᎨᎢ? ᏩᏐᎾᏍᎪ ᎤᏃᎴ ᎤᏖᎸᎮᏍᎬᎢ?\nᏓᏂᎯᏯᏍᎨ ᏓᏂᏂᎩᎸ, ᏯᏂᎦᏔᎲᎾ ᎢᏳᎾᎵᏍᏔᏁᏗ.\nᏅᏯ ᏕᎨᎬᏂᏍᏗᏍᎨᎢ, ᏗᎦᏄᏙᎩ ᎬᏗ ᏕᎨᏥᎦᎵᏍᎨᎢ, ᏕᎨᏥᎪᎵᏰᏍᎨᎢ, ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᏕᎨᏥᎢᏍᏗᏍᎨᎢ; ᎠᏫ ᎤᏂᏃᏕᎾ ᎠᎴ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᏧᏂᏁᎦᎸᏅᎯ ᏧᎾᏄᏩᎢ ᎠᏁᏙᎮᎢ; ᎤᏂᏂᎬᏎᎯ ᎨᏎᎢ, ᎠᏂᎩᎵᏲᏥᏙᎮᎢ.\nᎠᎴ ᎢᏗᎦᏔᎭ ᎾᏍᎩ ᏂᎦᎥ ᏂᎦᏪᏍᎬ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏂᏁᏤᎭ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎨᏥᏁᏄᎯ; ᎾᏍᎩ ᎾᏂᎥ ᏗᏂᎰᎵ ᏗᎨᏥᏍᏚᏁᏗᏱ, ᎠᎴ ᎡᎳᏂᎬ ᎠᏁᎯ ᎤᏂᏍᎦᏅᏨᎯ ᏧᏚᎪᏔᏅᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\nᎡᏝᏪ ᎢᎦ ᎨᏒ, ᎦᏛᎩᏍᎬ ᎠᏂᏬᏂᏍᎬ ᎭᏫᏂ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎥᏝ ᎩᎶᎢ, ᏧᏏᏔᏛᎯ ᎦᏓᎷᎪᏗ ᏱᎠᎦᏔᎲᏃ, ᏰᎵ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏫᎬᏩᏴᏍᏗ ᏱᎩ.\nᎤᎵᏒᏍᏔᏁᎢ ᎤᏃᎴ ᏃᎴ ᎤᎵᏴᏍᎪᏳᏁ.\nᎠᏎᏃ ᏔᎴᎲᎦ, ᎠᎴ ᎭᎴᎲᎦ, ᎯᎠᏰᏃ ᏅᏗᎦᎵᏍᏙᏖᎭ ᎬᏂᎨᏒ ᏥᏂᎬᏯᏛᏂᏏ, ᎭᎵᏥᏙᎲᏍᎩ ᎢᎬᏴᏁᏗᏱ ᎠᎴ ᎯᏃᎮᏍᎩᎯᎠ ᎾᏍᎩ ᏥᎪᏩᏛ, ᎠᎴ ᎠᏏ ᎬᎾᏄᎪᏫᏎᏗ ᏥᎩ.\nᎤᏂᎦᏙᎥᏒᏰᏃ ᎤᏁᎳᏅᎯ, ᎥᏝ ᎤᏁᎳᏅᎯ ᎦᎸᏉᏙᏗ ᎨᏒ ᏳᏂᎸᏉᏙᏔᏁᎢ, ᎥᏝ ᎠᎴ ᏯᎾᎵᎮᎵᎨᎢ, ᎠᎾᏓᏅᏖᏍᎬᏍᎩᏂ ᎠᏎᏉᏉ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᏧᏁᎫ ᏧᏂᎾᏫ ᏚᎵᏏᎲᏎᎢ;\nᎤᎾᏕᏘᏱᏍᎬ ᎤᎶᏐᏅ ᏍᎪᎯ ᎡᎳᏗᏣ ᏭᎷᏤᎢ ᎤᏴᏣ.\nᎬᏂᏳᏉᏃ ᎤᎷᏤᎴ ᎠᏍᎦᏯ ᏤᎳ ᏧᏙᎢᏛ ᏄᎬᏫ-ᏳᏌᏕᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ; ᏥᏌᏃ ᏚᎳᏍᎬ ᎤᏓᏅᏁᎢ, ᎠᎴ ᎤᏔᏲᏎᎴ ᎦᏁᎸ ᎤᏴᏍᏗᏱ;\nᎠᏥᏍᏚᏗ ᎠᎬᏱᏣ ᏭᏓᏐᎴᎢ ᏫᎵᎻ.\nᎤᏬᏚᏨ ᎤᏬᏚᏨ ᎨᏒ ᎨᎵ.\n“ᏤᏍᏗ ᏰᎷᎲᏍᎨᏍᏗ, ᏲᎾ ᎤᏤᏍᏙ!” ᎤᏛᏁ ᎤᏥ.\nᎦᏓᎭᏰᏃ ᏂᎨᏒᎾ ᎢᎬᏁᎸᎯ ᎬᏔᏅᎯ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎠᎴ ᎠᏓᏙᎵᏍᏙᏗ ᎨᏒᎢ.\nᏥᏲᎵ ᏥᎨᏒᎩ ᎠᏲᎵ ᎤᏬᏂᎯᏍᏗ ᏥᏬᏂᏍᎬᎩ, ᎠᏲᎵ ᎤᏬᎵᏍᏗ ᎨᏒ ᎪᎵᎬᎩ, ᎠᏲᎵ ᎤᏓᏅᏖᏗ ᎨᏒ ᎦᏓᏅᏖᏍᎬᎩ; ᎠᏆᏛᏅᏍᎩᏂ ᎿᏉ ᎾᏆᎵᏍᏔᏅ, ᎠᏲᎵ ᏧᏤᎵ ᎨᏒ ᎢᏴᏛ ᏂᏓᏋᏁᎸᎩ.\nᎯᎠ ᎤᏐᏱ ᎦᏅᏙᏗ, ᏧᏅᏓ ᎣᏂᏴ.\nᎦᏙᏃ ᏱᎩ ᎡᏍᎦᏉ ᎪᎱᏍᏗ ᏱᎨᏒᎾ.\nᎣᏍᏓ ᎠᎩᏰᎸᎲ ᎦᏓᏅᏖᏍᎬ, ᎢᏳᏃ ᏣᎵᏍᏙᏂ ᏓᏳᏂᎶᏒ ᎠᏂᎨᏯ ᏧᎾᏦᏒᏱᎩ.\nᎾᏍᎩ ᎾᏍᏉ [ᎠᏓᏅᏙ] ᎤᏩᏔᏁ ᎤᏪᏅᏎ ᏫᏚᎵᏥᏙᏁᎴ ᏗᏓᏅᏙ ᏗᏓᏍᏚᏗᏱ ᏣᏂᏯᎠ,\nᎦᎵᏉᎩ ᎢᏳᏩᏂᎸ ᎤᎵᏍᏔᏴᏃᏁᏍᏗ ᏑᎾᎴᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏓᎩᎧᎾᏩᏕᏅ ᏥᏧᏣ ᎨᏒ ᏅᏓᎬᏩᏓᎴ ᏅᏛ.\nᎠᎴ ᎦᏓ ᎠᎪᏢᏔᏅᎯ ᏄᏍᏛ ᎾᏍᎩᏯ ᏥᏂᎦᏍᏗ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎦᏍᏕᏍᏗ ᏄᏍᏛ ᎦᎸᎳᏗ ᎡᎯ.\nᎿᏉᏃ ᏂᎦᏛ ᎠᏂᎪᎢ ᎤᏂᏂᏴᎲ ᏐᏍᏗᏂ ᎠᏂᏧᏏ ᏧᏂᎳᏫᎢᏍᏗᏱ ᏄᎬᏫᏳᏒ ᎠᏥᎦᏘᏗᏍᏗ, ᎤᏂᎵᎥᏂᎸᎩ ᎢᎬᏱᏢ ᏗᎫᎪᏙᏗᏱ ᎦᏍᎩᎸᎢ. ᎨᎵᏲᏃ ᎥᏝ ᏳᎦᏌᏯᏍᏔᏁ ᎾᏍᎩ ᏄᏍᏗᏕᎬᎢ.\nᏂᎯ ᎤᏍᏗ ᏗᎩᏏ ᎦᏗᎨᏂ, ᎤᏛᏅ.\nᎠᎴ ᏥᏔᏲᎯᎭ ᎦᏓᏙᎵᏍᏗᏍᎬᎢ, ᎾᏍᎩ ᎠᏓᎨᏳᏗ ᎨᏒ ᎢᏤᎲ ᎠᏏ ᎤᏟ ᎢᎦᎢ ᎤᏁᏉᏨᏍᏗᏱ ᎤᎵᏠᏯᏍᏙᏗᏱ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ, ᎠᎴ ᏂᎦᎥ ᏚᏳᎪᏛ ᎪᎵᏍᏗ ᎨᏒᎢ;\nᏃᎴ ᎦᏲᏟ ᎠᏛᏁᎸ ᎭᎾᏂ, ᎠᎼᎯ ᎡᏙᎵᏓᏍᏗ ᎢᏣ.\nᎤᎾᏄᎪᏫᏎᏃ ᎢᎬᏱ ᏂᎯ ᎤᏪᏥ ᎠᏧᏣ, ᎠᎴ ᎤᏪᏣᏄᎳᏁᎢ, ᎠᎴ ᏐᏈᎵ ᎤᎾᎵᏍᏓᏴᏗᏱ ᎤᎸᏁᎢ; ᎥᏝᏰᏃ ᏳᏜᏅᏕ ᏧᏂᏒᏍᏗᏱ ᎠᏓᏁᎸᎢ.\nᏦᎢᏁᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ, ᎦᏙ ᎤᏍᏗ ᎤᏲ ᏚᎸᏫᏍᏓᏁᎸ? ᎥᏝ ᏱᏥᏩᏛᎡᎭ ᎪᎱᏍᏗ ᏰᎵ ᎬᏩᏲᎱᎯᏍᏗ ᎨᏒᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏓᏥᎵᎥᏂᎵ ᎠᎴ ᏙᏓᏥᏲᏏ.\nᎤᏛᎦᎾ, ᎡᎳᏗ ᏭᏓᏓᎩᏅᏎ ᏫᎵᎻ, ᎤᏲ ᎤᏓᏅᏔᏕᎢ.\nᎠᎦᏓᎩᏅᏓ ᎠᏧᏣ, ᎠᏇᎵᏒ.\nᎿᏉᏃ ᎤᏓᏅᏎ ᎠᏂᎦᎵᏗ ᎤᎾᏤᎵᎪᎯ, ᎨᎳᏂᏃ ᎤᏁᎳᏕᎢ, ᎾᎿᏃ ᏗᎤᏓᏅᏒ, ᎤᏙᏓ ᎤᏲᎱᏒ, ᎡᏍᎦᏂ ᎤᎷᏤᎴᎢ ᎾᏍᎩ ᎠᏂ ᎪᎯ ᏥᏤᎭ.\nᎾᏍᎩᏃ ᎤᎶᏒᏍᏔᏅᎯ ᎠᏆᎵᏌᎳᏙᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎤᏣᏘ ᎥᎩᎾᏄᎪᏫᏎᎸᎩ, ᎠᎩᎶᏲᎯᎯ ᎥᎩᏁᎸᎩ ᎠᎩᏇᏓᎸᎢ, ᏎᏓᏂ ᎤᏅᏏᏛ ᎠᏋᏂᎯ, ᎾᏍᎩ ᎤᎶᏒᏍᏔᏅᎯ ᎠᏆᎵᏌᎳᏙᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᎭᎾᏅᏂ, ᎦᎶᎯᏍᏗ, ᎦᏅᎨ ᎤᏔᏂᏓ ᎢᎾᏓ.\nᎤᏁᏨᎯᎠ ᏄᏪᏒᎩ; ᎠᏍᎦᏯ ᏥᏌ ᏥᏚᏙᎥ ᏝᏬᏔ ᎤᏬᏢᏅᎩ, ᎠᎴ ᏚᏅᎵᏰᎥ ᏗᏥᎦᏙᎵ; ᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ; ᏌᎶᎻ ᏨᏓᎸᎢ ᎮᎾ ᎠᎴ ᏩᏙᏑᎵ; ᎠᏇᏅᏃ ᎠᎴ ᏩᏆᏙᏑᎴᎢ ᏰᎵ ᎬᎩᎪᏩᏛᏗ ᏄᎵᏍᏔᏅᎩ.\n“ᎭᏗ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎯᎩ ᏣᏤᎵᎦ ᎠᎴ ᏥᎮᎾ. ᎣᏏ ᎠᎩᏰᎸ ᏥᏯᎫᏴᎡᏗᏱ ᎯᎠ ᎣᏂᏱ ᎤᎷᏨᎯ ᏂᎯ ᎬᏯᎫᏴᎡᎸ ᎢᎦᎢ.\nᎢᏳᏰᏃ ᎩᎶ ᎾᎦᏔᎲᎾ ᏱᎩ ᎤᏩᏒ ᏚᏓᏘᎿᎥ ᎣᏍᏛ ᏧᎧᎿᏩᏗᏓᏍᏗᏱ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏱᏓᎦᏌᏯᏍᏓ ᏧᎾᏁᎶᎯ ᎤᎾᏓᏡᎬ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ?\nᎾᏍᎩᏃ ᎯᎠ ᏥᏂᎦᏪᎭ ᎠᏏ ᏌᏉᎢ, ᎾᏍᎩ ᎢᏴᏛ ᎢᏗᎬᏁᏗ ᎨᏒ ᎾᏍᎩ ᏗᏖᎸᏅᎯ ᎨᏒ ᎦᏛᎦ, ᎾᏍᎩ ᏗᎪᏢᏅᎯᏉ ᎾᏍᎩᏯᎢ, ᎾᏍᎩᏃ Ꮎ ᏧᏓᎴᏅᏛ ᏗᎬᏤᎸᏗ ᏂᎨᏒᎾ ᎨᏒ ᎾᎿ Ꮙ ᏗᏍᏆᏂᎪᏛᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᏯ ᎠᏆᏤᎵ ᏕᎷᎨ ᎤᎵᏏᎩ ᏃᎴ ᎦᎶᏂᎨ ᏃᏥ ᏑᎦᏔ ᏗᏥᎶᏍᏗ ᎨᏒ.\nᎿᏉᏃ ᎤᏁᎳᏅᎯ ᎤᎦᏔᎲᏎᎢ, ᎠᎴ ᎤᎾᏁᎳᎩ ᏫᏓᏂᎸᏉᏓ ᎤᏂᏣᏘ ᎦᎸᎶ ᎠᏁᎯ ᏚᏪᎵᏎᎴᎢ, ᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ ᎠᎾᏙᎴᎰᏍᎩ ᏧᏃᏪᎳᏅᎯ; ᏂᎯ ᎢᏏᎵ ᏏᏓᏁᎸᎯ ᎨᏒᎢ, ᏥᎪ ᏕᏍᎩᏃᎮᎸ ᏗᎸᎯ ᎦᎾᏝᎢ ᎠᎴ ᎠᏥᎸ-ᎨᎳᏍᏗ ᏅᎦᏍᎪᎯ ᏥᎾᏕᏘᏴ ᎢᎾᎨᎢ?\nᎭᎾᎾ, ᎭᏫᏂ ᏚᎧᏁ ᎩᎳ ᎤᏕᏅ ᏏᏆ.\nᏧᏣᏲᏍᏗ ᏘᎵ ᏧᏯᏍᎦ ᎦᎳᎨᏴ, ᏚᏂᎪᏅ ᏘᎵ.\nᎿᏉᏃ ᏥᏌ ᎨᏆᏂ ᏫᎤᎷᏨ, ᎤᎷᏤᎴ ᎠᏍᎪᎯᎫᏈ ᎠᏂᏯᏫᏍᎩ ᏗᏘᏂᏙᎯ, ᎤᏍᏗᏰᏔᏁᎢ,\nᎠᏏᏉᏰᏃ ᎤᏇᏓᎵ ᏕᏣᏘᏂᏙᎭ; ᎾᏍᎩᏰᏃ ᏥᏤᎭ ᎠᏛᏳᎨᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏗᏒᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎢᎸᏍᏗ ᎢᏯᏓᏗᏍᏗ ᎨᏒᎢ, ᏝᏍᎪ ᎤᏇᏓᎵ ᎢᏣᏘᏂᏙᎯ ᏱᎩ, ᎠᎴ ᏴᏫᏉ ᎤᏁᏓᏍᏗ ᎾᏍᎩᏯ ᏱᏣᏙᎭ?\nᏄᏍᏗᏉ ᎭᏂᏫ.\nᎠᎾᎢᏒᏃ ᎬᏂᏳᏉ ᎢᎦᏛ ᎤᏂᏯᏫᏒᎯ ᎤᏂᎷᏤ ᎦᏚᎲᎢ, ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏚᏂᏃᏁᎴ ᏂᎦᏛ ᏄᎵᏍᏔᏂᏙᎸᎢ.\nᎦᏲᏟᎨᏉᏱᎩ.\n“ᎭᏩ ᎠᎵᏰᎾ ᏓᏆᏙᎡᏍᏗ,” ᎤᏛᏁ ᎧᏅᏂᏍᎩ.\nᏑᏓᎵ ᎢᏯᏂ ᎤᏣᎴᏓ ᎤᏎᎵ ᎠᏂᏃᎯᎵᏙ, ᎣᏍᏓ ᏂᏓᏅᏁᎲ ᎦᎶᏇ.\nᎣᎩᏍᏆᏛᏃ ᎣᎦᏅᏔᏩᏗᏒ ᏓᏯ ᏦᎦᏂᎩᏒᎢ ᏙᎵᎹᏱ ᎣᎩᎷᏨᎩ, ᎠᎴ ᏙᏥᏲᎵᎸ ᎠᎾᏓᏅᏟ, ᎾᎿ ᏑᏙᏓᏆᏛ ᎣᎨᏙᎸᎩ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᎨᏴ, ᏍᏉᎯᏳᎲᎦ, ᏛᏍᏆᎸᎯ ᎾᎯᏳ ᎥᏝ ᎠᏂ ᎣᏓᎸᎢ, ᎠᎴ ᎾᏍᏉ ᏥᎷᏏᎵᎻ, ᏱᎦᏰᏣᏓᏙᎵᏍᏓᏁᎮᏍᏗ ᎠᎦᏴᎵᎨᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎾᏍᏉ ᏅᏲᎯ ᏥᎨᏥᏫᏎᎴᎢ; ᎾᏍᎩ ᎿᏉ ᎧᏃᎮᏛ ᎠᎾᏛᎬᎦ ᎩᎳᏉ ᎢᏴᏛ ᎤᎾᎵᎮᎵᏨᎯ ᏓᎾᏓᏂᎸᎪᎢ;\nᎤᏲ ᏃᎬᎾᏕᎪᎢ, ᎠᏎᏃ ᎥᏝ ᎣᎬᏕᏨᎯ ᏱᎩ; ᏙᎩᏍᏢᏂᏍᏔᏅ, ᎠᏎᏃ ᎥᏝ ᎣᎩᏛᏔᏅᎯ ᏱᎩ.\nᎢᏳ ᎠᎴ ᎣᏍᏛ ᏱᏂᏗᏣᏛᏁᎭ ᎣᏍᏛ ᎢᎨᏣᏛᏁᎯ, ᎪᏙ ᎢᏥᎭ ᎦᏰᏣᎵᎡᎵᏤᏗ ᎨᏒᎢ? ᎠᏂᏍᎦᎾᏰᏃ ᎾᏍᏉ ᎾᏍᎩᏯ ᎾᎾᏛᏁᎰᎢ.\nᎠᏎᏃ ᏰᎵᏉ ᏫᎦᎾᏅᎪᎢᏍᏗ ᎠᏕᎰᏏᏓ ᏃᎴ ᎤᎵᏓᏍᏔᏅ ᎬᎭᏅ ᎢᎪᎯᏓ, ᏗᎧᏃᎮᏗ ᏱᎨᏒᎾ ᏗᎧᏃᎮᏗ ᎠᏎ ᎠᎫᏴᏍᏕᏓ ᏱᎩ.\nᎠᏎᏃ ᏗᏆᎴᏅᎯ ᎨᏎᏍᏗ ᎢᎬᏱ ᏅᏓᏨᏰᏅᎡᎵ ᎨᎵᎵ.\nᏭᎬᏫᏳᏒ ᎣᏍᏓ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎬᏩᏕᎰᏗᏍᎬ, ᎯᎠ ᏂᏓᎾᏓᏪᏎᎮᎢ, ᏅᏩᎾᏓᎴ ᏓᏍᏕᎵᏍᎬᎩ; ᎤᏩᏒ ᎥᏝ ᏴᎬᎵᏍᏕᎸ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏳᏃ ᎦᎶᏁᏛ ᎤᏲᎱᏒ ᏗᏥᏲᎱᏒᎯ ᎨᏎᏍᏗ ᎡᎶᎯ ᎡᎯ ᎠᎴᏅᏙᏗ ᏗᏕᎶᏆᏍᏗ ᎤᎬᏩᎵ, ᎦᏙᏃ ᎡᎶᎯ ᏥᏤᎰ ᎾᏍᎩᏯ ᏙᏣᏁᎶᏗ ᏗᎧᎿᏩᏛᏍᏗ,\nᏭᏙᎯᏳᎲ, ᎤᏓᎴᏟ: ᏄᎵᏍᏔᏁᎮ ᏙᏰ ᎠᏦᏴ ᎡᏙᎲ, ᎨᏍᏗ ᎪᎱᏍᏗ ᎠᎬᏱᏣ ᏱᏄᎵᏍᏔᏁᎮ ᎡᏆ ᎡᎶᎯ.\nᎦᏣᏄᎸ ᎤᏍᏗᏰᎵᏙᎲ ᏓᏆᎴᎳ ᎤᎨᏓᎵᏴ ᏕᎦᏅᏅ ᎢᏳᏉ ᎣᎩᎾᏚᎵᏍᎬ ᏑᎾᎴ ᎤᎩᏓᏍᏕᎯ ᏩᏍᏗ.\nᎩᎶᏰᏃ ᎬᏂᎨᏒ ᎾᏋᏁᎮᏍᏗ ᏴᏫ ᎠᏂᎦᏔᎲᎢ, ᎾᏍᏉ ᎠᏴ ᎾᏍᎩ ᎬᏂᎨᏒ ᎤᏓᏥᏴᏁᎵ ᎡᏙᏓ ᎦᎸᎳᏗ ᎡᎯ ᎠᎦᏔᎲᎢ.\nᎨᏍᏗ ᏱᎪᎵᎨᎢ ᏫᎵᎻ ᎢᏳᏍᏗ ᎤᏰᎸᏛᎢ “ᎠᎦᏍᎦᏃᎶᏍᎦ” ᏃᎴ ᎨᏍᏗ ᏳᏚᎵᏍᎨᎢ ᎤᏕᏯᏙᏙᏗ ᏌᎳᏓ.\nᏔᎵᏁᏃ ᎤᎷᏨᎯ, ᎯᎠ ᏄᏪᏎᎢ, ᏍᎩᎾᏝᎢ, ᏣᏤᎵ ᏑᏓᎨᏛ ᎩᏍᎩ ᎢᏳᏓᎨᏛ ᎤᏁᏉᏨ.\nᎾᏎᎵᏗᏃ ᎤᏓᏅᏒ ᎨᏆᏂ ᎨᎷᏤ ᎾᎿ ᏭᏕᏁᎢ, ᎾᏍᎩ ᎥᏓᎵ ᎠᎹᏳᎶᏗ ᏥᎦᏚᎭ, ᏤᏆᎳᏂ ᎠᎴ ᏁᏩᏔᎵ ᎤᎾᏤᎵᎪᎯ,\n“ᏣᎨ ᏯᎦᏓ ᏳᏕᏘᏱ ᏃᎴ ᏯᎦᏓ ᏳᏣᏅᏓᏕᎮ ᎤᏛᎯᏍᏗ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎢᏳᏓᎵᎭ ᎠᏩᏘᏍᎨ ᎩᎦ ᎤᏓᏁᎭ ᎦᏙ, ᎠᏯᏖᏅ ᎤᏓᏅᎵᏰᎥ ᎤᏯᎷᎬ, ᏁᎵᏍᎬ ᏂᎦᎵᏍᏗᏍᎨ.\nᎿᏉᏃ ᎨᎵᎵ ᏭᎷᏨ, ᎨᎵᎵ ᎠᏁᎯ ᏕᎬᏩᏓᏂᎸᏨᎩ, ᎤᏂᎪᎲᎯᏰᏃ ᎨᏒᎩ ᎾᏍᎩ ᏂᎦᏛ ᏚᎸᏫᏍᏓᏁᎸ ᏥᎷᏏᎵᎻ ᎾᎯᏳ ᏓᎾᎵᏍᏓᏴᎲᏍᎬᎢ; ᎾᏍᏉᏰᏃ ᎤᏁᏅᏒᎩ ᏙᏗᎾᎵᏍᏓᏴᎲᏍᎬᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎬᏂᏳᏉ, ᎦᏚᎲ ᎢᏍᏗᏴᎸᎭ, ᎠᏍᎦᏯ ᏙᏓᏣᏠᏏ, ᎠᏰᎮᏍᏗ ᎠᏖᎵᏙ ᎠᎹ ᎠᏟᏍᏕᏍᏗ; ᎡᏍᏗᏍᏓᏩᏕᏒᎭ ᎠᏓᏁᎸ ᏭᏴᎸᎢ ᏫᏍᏗᎷᏨᎭ.\nᎠᏎᏃ ᏭᏓᏅᏖᎳ ᏄᏍᏛᎢ ᎤᏃᎯᏎᎸ ᎤᏃᏕᎾ ᎠᎦᏴᎵ.\nᏄᏂᎬᏫᏳᏌᏕᏱᏰᏃ ᎥᏝ ᏗᎦᎾᏰᎯᏍᏗ ᏱᎩ ᎣᏍᏛ ᏱᏙᎸᏫᏍᏓᏁᎭ, ᎤᏲᏍᎩᏂ ᏱᏙᎸᏫᏍᏓᏁᎭ. ᏣᏚᎵᏍᎪᏃ ᏣᎾᏰᎯᏍᏗᏱ ᏂᎨᏒᎾ ᎠᏰᎵ ᎪᏢᏒᎢ? ᎣᏍᏛ ᎿᏛᏁᎮᏍᏗ, ᎾᏍᎩᏃ ᏣᎸᏉᏙᏗ ᎨᏎᏍᏗ.\nᏕᏫᏰᏃ ᎯᎠ ᏂᎦᏪ ᎾᏍᎩ ᎧᏃᎮᏍᎬᎢ; ᏂᎪᎯᎸ ᏥᎪᏩᏘᏍᎬᎩ ᏱᎰᏩ ᎢᎬᏱᏢ ᎠᏆᎧᏛᎢ, ᏥᎦᏘᏏᏗᏢᏰᏃ ᎦᏙᎦ, ᎾᏍᎩ ᎥᎩᏖᎸᏗᏱ ᏂᎨᏒᎾ.\nᏕᎤᏁᏤᎴᏃ ᏗᎨᎦᏬᏍᏗᏱ ᏕᎤᏙᏍᏛ ᎤᎬᏫᏳᎯ. ᎿᏉᏃ ᎬᏩᏔᏲᏎᎴ ᎢᎸᏍᎩ ᏧᏒᎯᏛ ᎤᏪᏗᏱ.\nᏧᎾᏓᎴᏅᏛᏰᏃ ᏴᏫ ᏙᏛᎾᎴᏂ ᏙᏛᎾᏓᏡᏔᏂ, ᎠᎴ ᎠᏰᎵ ᏚᏃᏢᏩᏗᏒ ᏙᏛᎾᏓᏡᏔᏂ, ᎠᎴ ᏓᎪᏄᎶᏏᏙᎮᏍᏗ, ᎠᎴ ᎥᏳᎩᎯᏳ ᏂᎦᎵᏍᏔᏂᏙᎮᏍᏗ, ᎠᎴ ᎦᏙᎯ ᏓᎵᏖᎸᏂᏙᎮᏍᏗ.\nᎾᏍᎩᏃ ᎦᎷᏨᎭ ᎬᏂᎨᏒ ᏅᏓᎬᏁᎵ ᎡᎶᎯ ᎠᏍᎦᏂ ᎨᏒᎢ, ᎠᎴ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎠᎴ ᏗᎫᎪᏙᏗ ᎨᏒᎢ.\nᎿᏉᏃ ᏧᎦᎿᏁᎢ, ᎠᎴ ᏥᏚᏃᎱᎦᏁᎢ, ᎠᎴ ᏧᏃᎸᏁᎢ, ᎾᎿ ᎠᏓᏁᎸ ᏥᏚᏱᎶᎴᎢ, ᎠᎴ ᏧᏲᏤᎢ, ᎠᎴ ᎤᏍᎦᏎᏗᏳ ᏥᏄᎵᏍᏔᏁ ᎤᏲᏨ.\nᏂᎯ ᎪᏪᎵ ᎣᎦᏤᎵᎦ, ᏥᎪᏪᎳ ᏦᎩᎾᏫᎯ, ᎾᏂᎥ ᏴᏫ ᏣᏂᎦᏔᎭ ᎠᎴ ᏣᏂᎪᎵᏰᎠ.\nᎠᏎᏃ ᎤᎾᏙᎴᎰᏒ ᎠᏧᏏ ᎨᏒᎢ, ᏌᏉ ᏥᎧᏁᎪ ᎾᏍᎩᏯ ᏂᎦᏛ ᎤᏁᎷᏅᎩ, ᏔᎵᎭ ᎢᏳᏟᎶᏛ ᎢᎪᎯᏛ ᎯᎠ ᎾᏂᏪᏍᎬᎩ; ᎦᎸᏉᏗᏳ ᏓᏰᏂ ᎡᏈᏌ ᎠᏁᎯ ᎤᎾᏤᎵᎦ.\nᎠᎴ ᏂᎯ ᏗᏣᏓᏅᏏᏙᎯ, ᎾᏍᎩᏯ ᎤᏠᏱ ᎾᏍᎩ ᏂᏕᏣᏛᏁᎮᏍᏗ, ᎤᏁᎳᎩ ᎢᏤᎵᏎᏍᏗ ᏕᏥᏣᏛᏁᎮᏍᏗ, ᎤᏁᎳᎩ ᎢᏤᎵᏎᏍᏗ ᏕᏥᎾᏰᏓᏁᎲᎢ, ᏥᏥᎦᏔᎭ ᎾᏍᎩ ᏂᎯ ᎾᏍᏉ ᎢᏥᏅᏏᏙᎯ ᎦᎸᏬᎢ ᎡᎲᎢ; ᎥᏝ ᎠᎴ ᏱᏚᏑᏰᏍᏗ ᏴᏫ ᏗᎬᏩᎸᏉᏙᏗ ᎨᏒᎢ.\nᎢᏨᎨᏳᎢ, ᎢᏳᏃ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎢᎦᎢ ᎢᎩᎨᏳᎯᏳ ᎢᏳᎵᏍᏔᏅᎯ ᏱᎩ, ᎠᏴ ᎾᏍᏉ ᏗᎦᏓᎨᏳᎯᏳ ᏱᎩ.\nᎡᎵᏍᏗ ᏐᏉ ᎢᏳᏩᎬᏘ ᏳᏩᎩᎸᎾ ᏓᏆᎴᎸ, ᏂᎦᏓ ᏄᏓᎴᎯ ᏱᏄᎵᏍᏔᏁ.\nᏖᎾᏍᎩᏍᏆ ᏂᎦᏚᎩ?” ᎤᏛᏁ ᏫᎵᎻ.\n“ᎣᏁ ᎢᏣ ᏔᏟᎷᏈᏚᎦ ᏃᎴ ᎠᏰᎵ ᎢᏴ ᎭᏓᏄᏖᏯ!” ᎤᏪᎷᏁ ᏌᎳᏓ.\nᎠᎴ ᎠᏂᏌᎺᎵ ᎬᏩᎷᏤᎸ ᎬᏩᏔᏲᏎᎸᎩ ᏧᏪᎳᏗᏓᏍᏗᏱ, ᎠᎴ ᎾᎿ ᏔᎵ ᏧᏒᎯᏛ ᎤᏪᏙᎸᎩ.\nᎯᎠᏃ ᎤᏆᎶᎦ ᏰᎵ ᏏᏅᏓ ᎬᏩᎵᏬᏨ.\nᎤᏲᏃ ᎤᏰᎸᏁ ᎾᏍᎩ ᎾᏥᏪᏎᎸ, ᎠᎴ ᎡᎯᏍᏗ ᎬᏩᏓᏅᏘ ᎤᏓᏅᏎᎢ; ᎤᏣᏘᏰᏃ ᎤᎿᎡᎢ.\nᏚᏔᏍᏆᎸᏛᎢ ᎢᏳᎯ, ᎤᎴᏫᏍᏔᏅ, ᏧᏙᎨᏍᎩ.\nᏂᎪᎯᎸ ᏑᎾᎴᎢ ᏳᎾᎵᏍᏓᏴᏃᎾ, ᎠᏁᎨ ᏫᎵᎻ ᏃᎴ ᏲᎾ ᎤᏤᏍᏙ ᏅᏃᎯ, ᎠᏂᎦᏘᏗᏍᎨᎢ ᏗᎾᏙᎴᏆᏍᎩ ᏗᏘᏂᏙᎢ.\nᏃᏗ ᏣᏄᏏ ᏚᎧᎾᏁ.\n“ᎭᏩ,” ᎤᏛᏁ ᏩᎭᏯ. \nᏧᎾᏁᎶᏗᏃ ᎥᏘᎣᎩ ᏧᎾᏓᏡᎬ ᎠᏁᎲᎩ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᎾᏙᎴᎰᏍᎩᎩ ᎠᎴ ᏗᎾᏕᏲᎲᏍᎩ, ᎾᏍᎩ ᏆᏂᏆ, ᎠᎴ ᏏᎻᏂ ᎾᎦ ᏧᏙᎢᏛ, ᎠᎴ ᎷᏏᏯ ᏌᎵᏂ ᎡᎯ, ᎠᎴ ᎹᏁᏂ ᎾᏍᎩ ᎢᏧᎳᎭ ᏧᎾᏛᏒᎯ ᎡᎶᏛ ᏅᎩ ᎢᎦᏚᎩ ᎨᏒ ᏍᎦᏚᎩ ᎠᏥᎦᏘᏗᏍᏗ, ᎠᎴ ᏐᎳ.\nᏧᏓᎴᏅᎲ ᏓᎫᏩᎾᎴᏅᏓ, ᎢᎾᎨ ᎠᏁᎯ ᏚᎾᏓᏲᏌ ᎤᏂᏂᎬᎬ ᏴᏫ, ᏕᎩᏲᏎᎸ ᎡᎯᏍᏗ ᏃᎴ ᎩᎦ, ᏩᏌᏅ ᎤᎵᏦᎯᏓ ᏃᎴ ᎭᏫᏯ.\n”ᏍᎩᏙᎵᎩ, ᎡᏧᏣ, ᏍᎩᏙᎵᎩ,” ᎤᏛᏁ ᏌᏌ.\nᎠᏂᏬᏂᏍᎬ ᏃᎴ ᎤᏂᏰᏗᏍᎬ, ᎨᏍᏗ ᏧᎾᏓᏅᏖᏗᏍᎨ ᏄᎾᎵᏍᏔᏁᎲ ᏃᏉ ᎨᏒ.\nᎤᏛᏂᏗᏍᏗ, ᎣᎯᏍᏙᏗ, ᎤᏔᎷᎩᏍᎩ, ᏍᎩᎾᎾ ᎢᏳᏓᎴᎩ. ᎣᎯᏍᏙᏗ ᎨᏒ.\nᏥᏌᏃ ᏇᏗᏂᏱ ᎡᏙᎲᎢ, ᏌᏩᏂ ᎠᏓᏰᏍᎩ ᎤᏢᎩ ᎦᏁᎸᎢ,\nᏂᎦᏛᏃ ᎤᎾᎵᏍᏓᏴᏅᎩ ᎠᎴ ᏚᏃᎸᏒᎩ, ᎠᎴ ᎤᏄᏘᏒᎩ ᎤᎵᎬᎭᎷᏴᎯ ᎤᏘᏴᎯ ᏔᎳᏚ ᎢᏯᎧᎵᎢ ᏔᎷᏣ.\nᎤᏁᎳᏅᎯ ᎾᏍᏉ ᏕᎪᎯᏳᏓᏁᎲᎩ, ᏕᎬᏗᏍᎬᎩ ᎤᏰᎸᏛ ᎠᎴ ᎤᏍᏆᏂᎪᏗ, ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏓᏁᏗ ᎨᏒ ᎾᏍᎩᏯ ᎤᏩᏒ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒᎢ.\nᎤᏬᏂᏎ, ᎤᏃᎮᎴ ᏄᏍᏆᏂᎦᏛ ᏃᎴ ᏄᏍᎦᏎᏛ ᏗᏟᏰᎵᏓᏍᏗ, ᎠᏎᏃ ᏎᏉ ᏓᏥᏲᏎ, ᏲᎾ ᏃᎴ ᏗᏘᏲᎯ ᎤᎾᏓᎵᏁᎯᏕ.\nᏑᏱᎩᎵᏍᎩᏂ ᏄᎬᏫᏳᏌᏕᎩ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏍᎩᎾ ᎤᎾᏗᏒᎸ, ᎤᎾᏗᏒᎸ ᎠᏂᏬᏂᏍᎬ ᎼᏏ ᎠᏰᎸᎢ, ᎹᏱᎩᎵ ᎥᏝ ᎪᎱᏍᏗ ᎤᏐᏅ ᏳᎳᏫᏎᎴᎢ, ᎯᎠᏉᏍᎩᏂ ᏄᏪᏎᎢ, ᎤᎬᏫᏳᎯ ᏫᏣᏍᎦᎩ.\nᏄᏂᎪᎸᎾ ᎢᎨᎬᏁᏗᏱ ᎤᎾᏓᏅᏘ, ᎠᎵᏥᏙᏗ ᎨᏒ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ, ᎦᎶᏁᏛ ᎠᏰᎸ ᎤᎾᎵᏂᎪᎯᏍᏙᏗᏱ;\nᎠᏎᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎥᏝ ᎠᏎ ᎥᎤᏁᏅᏍᏗ ᏱᎩ, ᏂᎯᏉ ᏗᏤᎳᏍᏓ.\nᎡᎶᏛᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏣᏂ ᏥᏍᎫᏕᏒᎩ; ᎯᎠᏍᎩᏂ ᎦᎪ, ᎾᏍᎩ ᎯᎠ ᏥᏄᏍᏗ ᏥᏥᏯᏛᎩᎭ? ᎤᏟᏂᎬᏁᎴᏃ ᎤᎪᏩᏛᏗᏱ.\nᎤᏣᏔᏅᎯ ᎠᏆᎵᎮᎵᏨᎩ ᎠᏆᏙᎴᎰᏒ ᎢᎦᏛ ᏗᏤᏥ ᏚᏳᎪᏛ ᎨᏒ ᎠᎾᎢᏒᎢ, ᎾᏍᎩᏯ ᏗᎧᎿᏩᏛᏍᏗ ᎢᎩᏁᎸ ᎠᎦᏴᎵᎨᎢ.\nᏗᏂᎦᏙᎵ ᏧᎵᏬᏨ ᏃᎴ ᏳᏂᏚᎬᎾ ᏂᏚᏍᏛ ᎾᏍᎩᏯ ᎠᏍᎪᎵᏰᏛ ᎠᎹᏱ ᏓᏳᎶᏒ ᏅᏯ.\nᎤᏛᎾᏃ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᎷᏨ, ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏧᎾᏛᏐᏅᎯ ᏴᏫ ᎠᏁᎲ ᎬᏩᎷᏤᎸᎩ ᏓᏕᏲᎲᏍᎬᎢ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎦᏙ ᏣᎵᏍᎦᏍᏙᏗ ᎯᎠ ᎾᏍᎩ ᏥᏕᏣᎸᏫᏍᏓᏁᎭ? ᎠᎴ ᎦᎪ ᏣᏁᏤᎸᎯ?\nᎦᏙᎨᏃ ᎦᎸᏉᏙᏗ ᏂᎦᎵᏍᏗᎭ, ᎢᏳᏃ ᎤᏣᏘᏂ ᏂᏣᏛᏁᎸ ᎢᏥᏍᏛᏗᏍᎨᏍᏗ ᎡᏥᎵᎥᏂᎮᏍᏗ ᎢᏨᏂᏗᏳ ᎨᏎᏍᏗ; ᎢᏳᏍᎩᏂ ᎣᏍᏛ ᏂᏣᏛᏁᎮᏍᏗ ᎠᎴ ᎢᏥᎩᎵᏲᎨᏍᏗ ᎢᏨᏂᏗᏳ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎣᏍᏛ ᎠᏰᎵ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᏓᏅᏖᏍᎬᎢ.\nᏞᏍᏗ ᎪᎱᏍᏗ ᏱᏤᎵᎯᏍᎨᏍᏗ; ᏄᏓᎴᏒᏍᎩᏂ ᎪᎱᏍᏗ ᎠᏓᏙᎵᏍᏙᏗ ᎠᎴ ᎠᏔᏲᏍᏗ ᎨᏒ ᎬᏗ ᎠᎵᎮᎵᏍᏗ ᎬᏩᎵᏠᏯᏍᏗ, ᎬᏂᎨᏒ ᏁᏨᏁᎮᏍᏗ ᎤᏁᎳᏅᎯ ᏄᏍᏛ ᎢᏣᏚᎵᏍᎬᎢ;\nᏙᏱᏨ ᏓᎪᎲᏍᎬ ᎩᎦᎨ ᎠᏥᎾ ᎤᏃᏛ, ᎣᏍᏓ ᎠᏒᎢᏍᏗᏍᎩ ᎢᏳᏍᏗ ᎠᏒᎬ.\nᎴᎹᏱ ᎧᏁᎬ ᎤᎾᏛᎦᏅᎩ, ᏓᏂᏴᎬᎢ, ᎠᎴ ᏓᎾᏠᏱᎲᎢ, ᎠᎴ ᎤᏣᏘ ᎤᏁᎷᎬᎢ; ᎴᏥᎵ ᏓᏍᎪᏂᎲ ᏧᏪᏥ, ᎠᎴ ᏄᏚᎵᏍᎬᎾ ᎨᏒ ᎤᏄᏬᎯᏍᏗᏱ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎾᏁᎲᎾᏉ ᎨᏒᎢ.\nᏃᎴ ᎠᏧᏣ ᏩᏏᏓᏂ, ᏣᎦᏨᏍᏔᏅ ᎡᏂᏏ, ᏃᎴ ᎠᏂᎦᏲᏟ ᎠᏂᎨᏯ.\nᎣᎩᎨᏳᎯ ᎡᏆ ᎪᎨ ᎣᎩᏫᏒᏅᎢ, ᎠᏎᏃ ᎨᏍᏗ ᎩᎶ ᏳᎸᏉᏙᎢ ᎠᏂᏤ ᏚᏯ ᏧᏓᎩᏍᏗ ᎤᏗᎴᎩ ᎨᏒ ᎪᎨᎢ!\nᏃᏗ ᏍᏓᏯ ᎠᏍᎪᎵ ᏭᏩᏂᎴᎢ, ᏓᏚᏣᎾᎩᏍᎨ ᏃᎴ ᎠᎵᏖᎸᏂᎮᎢ ᏚᏏᎳᏛ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎠᏨᏍᏙᏗᏍᎪ ᎠᏂᏃᎯᎰ ᎠᏟᎶᏍᏗ ᎦᎧᎲ ᎭᏫᏂᏗᏢ ᎤᏂᎪᏗᏱ, ᎠᎴ ᎦᏂᏢᏫᏉ? ᎥᏝᏃ ᎤᏂᎪᏗᏱ ᎠᏨᏍᏙᏗ ᎦᎪᏗᏱ?\nᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ ᎾᏍᎩ ᎩᎶ ᏂᎪᎯᏳᎲᏍᎬᎾ ᎢᎨᏎᏍᏗ ᎾᏍᎩ ᎠᏙᎴᎰᏍᎩ, ᎠᏥᏛᏙᏗ ᎠᎨᎳᏗᏍᏗ ᎨᏎᏍᏗ ᎤᏓᏑᏴ ᏴᏫ ᎠᏁᎲᎢ.\nᏗᏥᏲᎵ ᏗᏇᏥ, ᏞᏍᏗ ᎢᏗᏁᎬᏉ ᎠᎴ ᏗᏗᏃᎪᎢᏉ ᏱᏗᏛᏗᏍᎨᏍᏗ ᏱᎦᏓᎨᏳᏎᏍᏗ, ᏕᎩᎸᏫᏍᏓᏁᎲᏍᎩᏂ ᎠᎴ ᎤᏙᎯᏳᏒᎢ.\nᎾᏍᎩ Ꮎ ᏭᏩᎫᏗᏗᏒ ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ ᏂᎦᎥ ᎤᏪᎿᎢᏳ ᎨᏒ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᏂᎦᎥ ᎣᏍᏛ ᏂᎦᏛᏁᎲ ᎦᎶᏁᏛ ᏥᏌ ᏅᏓᏳᏓᎴᏅᎯ.\nᎠᎴ ᎩᎶ ᎧᏁᎬ ᎦᏍᎩᎸ ᏓᏳᏓᎴᏅᎩ, ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᎡᏥᎸᏉᏓ ᎣᎦᏁᎳᏅᎯ ᏂᎯ ᏂᏥᎥ ᎢᏥᏅᏏᏓᏍᏗ ᏥᎩ, ᎠᎴ ᏂᎯ ᎡᏥᎾᏰᏍᎩ ᏥᎩ, ᏗᏣᏍᏗᎦ ᎠᎴ ᏗᏣᏔᏅ.\nᏂᎯᏃ ᎾᏍᎩ ᎦᎶᏁᏛ ᎠᏰᎸᎢ, ᎠᎴ ᏚᏫᏞᏫᏒᎢ ᎾᏍᎩ ᎢᏥᏏᏴᏫᎭ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᎢᏳ ᎾᏆᏚᎵᏍᎬᎾ ᎨᏒ ᎾᏍᎩ ᏱᏂᎦᏛᏁᎭ, ᏗᎧᎿᏩᏛᏍᏗ ᎣᏏᏳ ᎨᏒ ᎪᎢᏳᎲᏍᎦ.\nᎡᎳᏪᏱᏃ ᎤᏅᏁᎢ. ᎤᏂᏴᎲᏃ ᎤᏅᏩᏁᎢ, ᎠᎴ ᏚᏲᏎᎢ;\nᎥᏝ ᎨᏣᏗᏔᏍᏗ ᏱᎩ ᎠᏟᏍᏛ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ, ᎠᎴ ᎾᏍᏉ ᎠᏂᏍᎩᎾ ᎤᎾᏤᎵ ᎠᏟᏍᏛᎢ. ᎥᏝ ᎨᏣᎵᏍᏓᏴᏗ ᏱᎩ ᎤᎬᏫᏳᎯ ᎤᏪᏍᎩᎸ, ᎠᎴ ᎾᏍᏉ ᎠᏂᏍᎩᎾ ᎤᏂᏍᎩᎸᎢ.\nᎢᎾ.\nᎠᏌᎹᏗ, ᎤᏬᏚᏨ, ᏃᎴ ᎤᏓᏅᏘ ᎨᏒ ᎢᎪᎯᏓ.\nᎠᎴ ᏕᎨᏥᏲᏍᎨᏍᏗ ᏗᏥᎦᏴᎵᎨᎢ, ᎠᎴ ᎢᏣᎵᏅᏟ, ᎠᎴ ᎪᎱᏍᏗ ᏗᏣᏓᏛᎿ, ᎠᎴ ᏗᏣᎵᎢ; ᎠᎴ ᎾᏍᎩ ᏅᏛᏅᏂᏌᏂ ᎩᎶ ᏂᎯ ᏤᏥᎢᏍᏗ ᎨᏎᏍᏗ.\nᎨᎵᏍᎬ ᎠᏰᎵ ᎤᏙᏓᏆᏓ ᏫᎦᎶᎯᏍᏗ ᏪᎵᏏ ᏧᎾᏗᏔᏍᏕ, ᏕᏥᎦᏔᎲ ᏧᏍᏆᎳ ᏕᎦᏅᏅ ᏃᎴ ᎣᏍᏓ ᏐᏈᎵ ᎠᎩᎸᏔᏅ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏥᏌ ᏧᏓᏅᏛ ᎤᏙᎴᎰᏒ ᏄᏍᏛ ᎠᎾᏓᏅᏖᏍᎬ ᏙᏧᎾᏓᏅᏛᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎦᏙᏃ ᎾᏍᎩ ᎯᎠ ᏂᎤᏍᏗ ᎢᏣᏓᏅᏖᎭ ᏙᏗᏣᏓᏅᏛᎢ?\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᎪᎲ ᎤᏂᏔᎳᏬᏒᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎦᏙᏃ ᎯᎠ ᏣᏤᏬᎩ?\nᏝᏍᎪ ᎠᏏ ᏱᏦᎵᎦ, ᎠᎴ ᏝᏍᎪ ᏱᏣᏅᏔ ᎯᏍᎩ ᎦᏚ ᎯᏍᎩ ᎢᏯᎦᏴᎵ ᏥᎾᏂᎥᎩ, ᎠᎴ ᎢᏯᎧᎵᎢ ᏔᎷᏣ ᎢᏧᏖᏒᎢ?\nᏂᎦᏓ ᎤᎦᏃᏮ ᏩᏁᏙᎮᏍᏗ ᎠᏂᏐᎢ.\nᎡᎵᏍᎨᎢᏃ ᎤᎸᏫᏒ ᎤᏴᏍᏗ ᎫᎵᏍᏔᏅ ᏩᏚᎵᏏ ᎠᏑᏱ ᏱᎨᏒᎾ ᎤᏩᏌ ᎤᏗᏔᎲ ᏰᎵᏉ ᎦᏃᎯᎵᏙ ᎢᎾᎯᏳ, ᎡᏘᏴ ᏄᎾᏛᏁᎸ.\nᎢᏧᎳ ᎤᏁᎾᎢ, ᎠᏫᏒᏗ ᏧᏂᎯ, ᎢᏧᎳᎭ ᎢᏳᎾᏟᏂᎩᏓ ᏣᎳᎩᏱ ᎠᏰᎵ, ᎤᎾᏰᎯᏍᏗ ᎦᏚᎲ ᎠᎹᏰᎵ ᎠᏰᎵ, ᎠᏓᎨᏗ ᎤᏲᏨ ᏧᏓᏴᎳᏙ ᎾᎥᏂᎨ.\nᏐᏈᎵ ᎠᏂᎾᏁᏍᎬ ᎠᏆᏛᎦᏅ, ᏦᎢ ᎢᏯᏂ ᏕᏥᏂᏴᎲ, ᏕᏥᎧᏁᎸ ᎤᎾᏂᎩᏍᏗ.\nᏥᏚᏂᎴ ᎠᏂᏲᏍᎩ, ᎤᏐᏱ ᎠᏓᏁᏄᎸᏗᏍᎩ ᏂᎦᏓ ᏗᎨᏥᎢᏍᏗ ᏗᎩᏴᏫ.\nᏃᎴ ᏔᎷᎩᏍᎩ ᏕᎦᎶᏛ ᎨᏂᏗ ᏃᎴ ᎣᏍᏓ ᏔᎾᏏ ᏫᏍᎩ ᎠᏥᏍᏛ.\nᎯᎠᏍᎩᏂᏃᏅ ᎬᏃᎲᏏ, ᎾᏍᎩ ᎤᎾᏓᏤᎵᏛ ᎤᎾᎵᎪᎯ ᏥᏓᏃᏎᎭ, ᎾᏍᎩ ᎦᏥᏍᏓᏩᏗᏒ ᏥᏯᏓᏙᎵᏍᏓᏁᎲ ᎤᏁᎳᏅᎯ ᏗᎩᎦᏴᎵᎨ ᎤᎾᏤᎵᎦ, ᎪᎢᏳᎲᏍᎬᎢ ᏂᎦᏛ ᎪᏪᎵ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᏚᏃᏪᎸᎢ;\nᏥᏌᏃ ᎤᏁᏨ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎤᏁᎳᏅᎯ ᎡᏦᎢᏳᏎᏍᏗ.\nᎠᏎᏃ ᎤᏪᏰᏂ ᎤᏖᎸᏅ ᎡᎳᏪ ᎤᏅᏗᏱ, ᏚᏃᏁᎴ ᏄᎵᏍᏔᏅ ᎤᎬᏫᏳᎯ ᎤᏄᎪᏫᏒ ᏗᏓᏍᏚᏗᏱ. ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ; ᎯᎠ ᎾᏍᎩ ᏫᏗᏥᏃᎲᏏ ᏥᎻ ᎠᎴ ᏦᏣᏓᏅᏟ. ᎤᏄᎪᏤᏃ ᎢᎸᎯᏢ ᏭᎶᏎᎢ.\n“Ꮟ ᏎᎦ!” ᎤᏪᎷᏁ ᏫᎵᎻ.\n”Ꭳ, ᏰᎵᏉ ᏓᎦᏓᏅᏖᎵ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏏᏉ ᎤᏁᏘᏰᎭ ᎤᎾᏣᏪᏐᎸᏍᏙᏗᏱ ᎨᏒ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᏴᏫ.\nᎠᏂᏁᏉᎨ ᎠᎾᏓᎭᏲᎯ ᏧᏙᏓᏋᏓ.\n”ᎯᏣᎦᏎᏍᏕᏍᏗ, ᏴᏫ ᏛᎾᎢ-ᎾᎢ-ᎾᎢ,” ᎤᏪᎷᏁ ᏌᏌ ᎠᏨᏯᎢ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎯᎨᏳᏎᏍᏗ ᏂᎦᎥ ᏣᎾᏫ ᎲᏗᏍᎨᏍᏗ, ᎠᎴ ᏂᎦᎥ ᏣᏓᏅᏙ, ᎠᎴ ᏂᎦᎥ ᏣᏓᏅᏖᏗᏱ.\nᏂᎦᏛᏃ ᏴᏫ ᎤᎾᏛᎦᏅᎯ, ᎠᎴ ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ, ᎤᏂᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ, ᏗᎨᎦᎧᏍᏔᏅᎯᏰᏃ ᎨᏎ ᏣᏂ ᏧᏓᏬᏍᏙᏗ ᎨᏒᎢ.\nᎰᎻ ᎠᏥᏲᎵᎴ,ᏫᎵᎻ ᎱᏙᎰᏎ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᎾᏍᎩ ᎢᎦᏪᏛ, ᎠᎴ ᏩᏍᏛ ᏧᏓᏂᎸᎢᏍᏗᏳ, ᎾᏍᎩ ᎦᎶᏁᏛ ᏥᎪ ᎡᎶᎯ ᎤᎷᏨᎢ, ᏚᏍᏕᎸᎯᎸ ᎠᏂᏍᎦᎾᎢ, ᎠᏴ ᎾᏍᎩ ᎾᎩᎬᏫᏳᏒ ᏥᏍᎦᎾᎢ.\nᎬᏂᎨᏒᏰᏃ ᏂᎦᏥᏴᏁᎭ ᎾᏂᎥᏉ ᎩᎶ ᎠᎾᏛᎩᏍᎩ ᎧᏃᎮᏛ ᎠᏙᎴᎰᏒᎯ ᎠᏂ ᎪᏪᎵᎯ ᏥᎪᏪᎳ, ᎾᏍᎩ ᎢᏳᏃ ᎩᎶ. ᎢᎧᏁᏉᏍᎨᏍᏗ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᎠᏂ ᎪᏪᎵᎯ ᏥᎪᏪᎳ, ᎤᏁᎳᏅᎯ ᎠᏎ ᎤᏁᏉᎡᏗ ᎨᏎᏍᏗ ᎤᏕᏯᏙᏗ ᎨᏒ ᎠᏂ ᎪᏪᎵᎯ ᏥᎪᏪᎳ;\nᏤᏍᏗ ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ.\nᏂᎯ ᏰᏃ ᏣᏤᎵ ᎯᎪ ᎢᎦ.\nᏥᏌ ᎦᎶᏁᏛ ᏅᏩᏍᏗᏉ ᎤᏒᎯ ᏥᏄᏍᏛ, ᎠᎴ ᎪᎯ ᎢᎦ, ᎠᎴ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ.\nᏂᏥᏲᎵᎪ ᏣᎵ ᎠᏧᏣᏉ ᏥᎨᏒ, ᎠᏆᏦᏍᏔᏁᎲ ᎦᏓᏅᏖᏍᎬ, ᎾᏍᎩ ᎠᏫᏒᎥᏍᎩ ᏃᎴ ᎤᎵᏘᎾᎥ ᎤᏂᏍᎦᏎᏗ ᎤᎾᎵᏓᎩᏛ ᎢᏳᎵᏍᏙᏗ.\nᎠᏎᏃ ᎿᏉ ᎣᏏᏳ ᎤᏰᎸᏅ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎾᎯᏳ ᎡᏥ ᎠᎩᎾᏄᎪᏫᏒ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎠᏆᏓᏓᎴᏔᏅᎯ ᏥᎩ, ᎠᎴ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎩᏯᏅᏔᏅᎯ ᏥᎩ,\nᎢᏥᏙᏓ ᎠᏍᎩᎾ ᏅᏓᏣᏓᎴᏅᎯ ᏂᎯ, ᎠᎴ ᎢᏥᏙᏓ ᎤᏲ ᏚᎸᏫᏍᏓᏁᎲ ᎢᏣᏛᏁᏗᏱ ᎢᏣᏚᎵᎭ. ᎾᏍᎩ ᏴᏫ ᏗᎯᎯ ᏂᎨᏐ ᏗᏓᎴᏂᏍᎬᎢ, ᎠᎴ ᎤᏙᎯᏳᎯ ᎨᏒ ᎥᏝ ᏱᏚᎴᏂᏍᎬᎢ, ᎠᎴ ᎤᏙᎯᏳᎯ ᎨᏒ ᎥᏝ ᏱᏚᎧᎿᏩᏛᏎᎢ, ᎥᏝᏰᏃ ᎤᏙᎯᏳᎯ ᎨᏒ ᏳᏪᎭ. ᎦᏰᎪᎩ ᎧᏁᎩ ᎤᏤᎵᎦᏉ ᎧᏁᎪᎢ; ᎦᏰᎪᎩᏰᏃ ᎾᏍᎩ, ᎠᎴ ᎤᎦᏴᎵᎨ ᎦᏰᎪᎩ ᎨᏒᎢ.\nᏓᏲᏍᏕᏏ ᏫᎵᎻ.\nᎠᏍᎦᏂᏰᏃ ᎤᎵᏁᏨ ᎬᏗᏍᎬ ᎠᎩᎶᏄᎮᎸᎩ, ᎠᎴ ᎾᏍᎩ ᎠᎩᎯᏍᏔᏅᎩ.\nᏱᎰᏩ, ᏕᏅᏂᎸ ᏗᏣᏤᎵ ᎠᎾᏙᎴᎰᏍᎩ, ᎠᎴ ᎠᏥᎸ ᏗᎨᎳᏍᏗᏱ ᏗᏣᏤᎵ ᏚᏂᏲᏍᏔᏅ; ᎠᎴ ᎠᏋᏒᎯᏳ ᎠᏆᎵᏃᎯᏴ, ᎠᎴ ᎠᏴ ᎬᎩᎯᏍᏗᏱ ᎤᏂᏲᎭ.\nᎯᏥᎳᏅᏓᏗᏏ ᎤᎶᎯᏍᏗ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ.\nᏚᏍᏓᏩᏛᏎᏃ, ᎠᎴ ᎾᏎᎵᏗ ᏭᎷᏤᎢ, ᎠᎴ ᏕᎤᏁᎶᏕᎢ. ᎤᏥᏍᎩᏂ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᎤᏍᏆᏂᎪᏔᏁ ᎤᎾᏫᏱ.\nᎾᏍᎩᏃ ᏞᏍᏗ ᎣᏏᏳ ᏂᏣᏛᏁᎲ ᎤᏐᏅ ᏳᏂᏃᎮᎴᏍᏗ.\nᎬᏅ ᎢᎪᎯᏛ ᎠᏆᏕᏯᏙᏓᏅ.\nᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎩᎶ ᎠᏢᏈᏍᎨᏍᏗ ᏱᎰᏩ ᎠᏢᏆᏍᏙᏗᏍᎨᏍᏗ.\nᎤᎩᏨᏓ ᎤᏂᎧᎲᏎ ᏫᎵᎻ, ᏑᎧᏔ ᏧᎬ ᎡᎲ, ᏗᎩᏏ ᏗᎦᏓᏍᎬ ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎡᎳᏗᏣ.\nᏧᎾᏍᏕᏥ ᏚᏍᎪᏎ ᏃᎴ ᎤᏅᎪᎥᏔᏁ ᎦᏓ, ᏚᏩᏯᎨ ᎾᏍᎩᏯ ᎠᎪᏍᏗ ᏒᎧᏔ.\nᎦᏅᏓᏗᏍᎪ ᏌᏊ ᎢᏳᏩᎪᏗ ᏥᏧᏔᏊ ᏥᎨᏒ ᎩᎶ ᎤᏛᏐᏅ ᎤᏢᎬ ᎢᎸᏍᎩ ᏧᏒᎯᏓ ᎤᏢᏨ ᎠᎴ ᏂᏚᎵᏏᏂᏒ ᎤᏣᏙᎬ ᏂᎬᏩᏍᏛ.\nᎩᎶ ᎾᏍᎩ Ꮎ ᏥᎪᎯᏳᎲᏍᎪᎢ, ᎥᏝ ᎤᏍᎦᏅᏨᎯ ᏧᏚᎪᏔᏅᎯ ᏱᎨᏐᎢ, ᎾᏍᎩᏍᎩᏂ Ꮎ ᏂᎪᎯᏳᎲᏍᎬᎾ ᎾᏍᎩ ᎦᏳᎳ ᎤᏍᎦᏅᏨᎯ ᏧᏚᎪᏔᏅᎯ ᎨᏐᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᏄᏬᎯᏳᏅᎾ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᏕᎤᏙᎥ ᎾᏍᎩ ᎤᏩᏒᎯᏳ ᎤᏕᏁᎸᎯ.\nᏧᏓᎴᏅᏓ ᎦᎵᎨᏴᏗ, ᎠᏥᏍᏙᏗ, ᏗᏗᏙᏗ ᏃᎴ ᏗᎫᎩᏍᏙᏗ.\n“ᎭᏩᏧ, ᎭᏩᏧ, ᎭᏩᏧ, ᎭᏩᏧ, ᎭᏩᏧ, ᎭᏩᏧ...” ᏰᎵ ᎤᎾᏓᏃᏴᎵᏍᏕᎢ.\nᏫᏥᎢᎦ ᎨᏒ ᎪᎰᏍᏗ ᏱᎾᏆᏛᏁᎸᎾ ᎨᏒ.\nᎦᎸᎳᏗᏣ ᎧᏅᏑᎸ ᎬᎪᏩᏛᏗ ᏱᎨᏒᎾ ᏚᎩᏥᏞᎢ ᏌᎳᏓ, ᎠᎬᏱᏣ ᏕᎦᏅᏌᏛᎢ ᏗᎬᏗ ᎤᏄᎩᏤᎢ ᏧᏪᏥ ᏗᎦᏅᏙᏗ.\nᎠᎴ ᏣᏥ ᏗᎦᏚᎲ ᎦᏚᏏᏣ, ᎠᎹᏱ ᎨᏴ ᏫᏙᏍᏓᎧᎾᏂᏍᎬ Alexandria ᎢᏣ, ᎠᏰᎵ ᏧᏂᎳᏫᎢᏍᏗ ᎢᏣ, ᏓᏂᏂᎩᎸ ᏃᎴ ᎠᏂᏩᏥᏂ ᏓᏓᏁᎸ ᎾᎥᏂ ᎣᏍᏗᎶᏍᎬ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎦᏙ ᎤᏍᏗ? ᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᏥᏌ ᎾᏎᎵᏗ ᏤᎲᎩ ᏄᎵᏍᏓᏁᎸᎢ, ᎾᏍᎩ ᎠᏙᎴᎰᏍᎩ ᏥᎨᏒᎩ, ᎤᎵᏂᎩᏛ ᏚᎸᏫᏍᏓᏁᎸ ᎠᎴ ᏓᏕᏲᎲᏍᎬ ᏥᎨᏎ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲ ᎠᎴ ᏂᎦᏛ ᏴᏫ ᎠᏂᎦᏔᎲᎢ.\nᎣᎦᏛᎦᏅᎩ ᎯᎠ ᏂᎧᏪᏍᎬᎩ, ᏓᏥᏲᏍᏔᏂ ᎯᎠ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎾᏍᎩ ᏗᎪᏱ ᏗᎬᏔᏅᎯ ᎪᏢᏅᎯ, ᏦᎢᏉᏃ ᏧᏒᎯᏛ ᏛᏥᏱᎵᏙᎵ ᏛᎦᏁᏍᎨᎯ ᏅᏩᏓᎴ ᏗᎪᏱ ᏗᎬᏔᏅᎯ ᏂᎨᏒᎾ.\n”ᏙᎢᏳᏍᏗ ᎤᏰᎸᏗ ᎠᎦᏗᏓ ᎭᎲᏍᎩ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᎾᏍᎩᏰᏃ ᏂᎦᎥ ᎪᎱᏍᏗ ᏧᏬᏢᏅᎯ, ᎾᏍᎩ ᎦᎸᎳᏗ ᏤᎭ, ᎠᎴ ᎡᎶᎯ ᏤᎭ, ᎬᎪᏩᏛᏗ ᎠᎴ ᎬᎪᏩᏛᏗ ᏂᎨᏒᎾ ᏥᎩ, ᎢᏳ ᎤᏂᎬᏫᏳᎯ ᏧᏂᏗᏱ ᏱᎩ, ᎠᎴ ᎤᏂᎬᏫᏳᏌᏕᎩ ᏘᎩ, ᎠᎴ ᎨᏥᎸᏉᏗ ᏱᎩ, ᎠᎴ ᏧᎾᎵᏂᎩᏛ ᏱᎩ; ᏂᎦᏗᏳ ᏄᏓᎴᏒ ᎾᏍᎩ ᏚᏬᏢᏁᎢ, ᎠᎴ ᎤᏩᏒ ᏚᏓᏙᏢᎾᏁᎴᎢ;\nᎨᏍᏗ ᏳᏚᎵᏍᎨ ᎤᏁᎸᏙᏗ, ᎠᎫᏩᏌ ᏴᎦᏓᏲᎵᎦ ᏗᏆᏓᎴᏅᎢ ᎤᏪᎵᏎ.\nᎾᏍᎩ ᎯᎠ ᎤᏟ ᎠᏃᏏᏳ ᎨᏒᎩ ᎡᏍᎦᏉ ᏕᏏᎶᏂᎦ ᎠᏁᎯ, ᏚᎾᏓᏂᎸᏨᎩᏰᏃ ᎧᏃᎮᏛ ᎠᎴ ᏂᏚᎩᏨᏂᏒ ᏓᏂᎪᎵᏰᏍᎬᎩ ᎪᏪᎵ, ᎾᏍᎩ ᏄᏍᏛ ᎠᎴ ᎾᏍᎩ ᏄᏍᏛᎾ ᎨᏒ ᎤᎾᏙᎴᎰᎯᏍᏗᏱ.\nᎤᎾᏓᏙᎵᏍᏔᏅᏃ ᎤᎵᏖᎸᏁ ᎾᎿ ᏓᏂᎳᏫᎥᎢ, ᏂᎦᏛᏃ ᏚᏂᎧᎵᏤ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎠᎴ ᎾᏂᏍᎦᎢᎲᎾ ᎤᏂᏃᎮᎴ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎠᎩᎪᎲᎩᏃ ᎦᎸᎶᎢ ᎤᎵᏍᏚᎢᏛ ᎨᏒᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎤᏁᎬ ᏐᏈᎵ (ᎥᏥᎪᎥᎩ;) ᎠᎴ ᎾᏍᎩ ᎾᎿ ᎤᎩᎵ, ᏄᏓᎵᏓᏍᏛᎾ ᎠᎴ ᏚᏳᎪᏛ (ᎢᏯᏛᏁᎯ) ᎠᎪᏎᎲᎩ, ᎠᎴ ᏚᏳᎪᏛ ᎬᏗᏍᎬ ᏕᎫᎪᏗᎭ ᎠᎴ ᏓᎿᏩ ᎪᏢᏍᎦ.\nᏃᏉ ᎩᎳᏈᏴ, ᎾᎥᏂ ᏗᏁᎨ ᎠᎾᏓᎭᏲᎯ.\nᎠᏴ, ᏉᎳ, ᎤᏁᎳᏅᎯ ᎠᎩᏅᏏᏙᎯ, ᎠᎴ ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏛ, ᎾᏍᎩᏯ ᎤᏃᎯᏳᏒ ᎤᏁᎳᏅᎯ ᏧᏑᏰᏛ, ᎠᎴ [ᎾᏍᎩᏯ] ᏗᏓᏂᎸᎢᏍᏗ ᎨᏒ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᎾᏍᎩᏯ ᏥᎩ,\nᏫᏚᏯᎲᏃ ᎤᏂᏣᏘ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏣᏛᎬᎦ ᎠᎴ ᎢᏦᎵᎩ.\nᎢᎫᏩᏟᏍᏔ ᎤᎴᏅᎲ ᏕᎪᏪᎵᏍᎬ ᎠᏌᎻᏓ.\nᎩᏟ ᎤᏛᎦᏁ ᎠᏂᎾᏁᏍᎬ, ᏧᏅᎪᏤ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎭᏫᏂᏣ, ᏚᏍᏕᎸᎲᏎ ᎠᏂᎨᎯᏒ.\nᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᏤᎦᏈ ᎣᏏᏳ ᏥᏰᎸᏅ, ᎢᏐᏍᎩᏂ ᏥᏂᏆᏘᎸ.\nᎾᎯᏳᏃ ᎢᎦ ᎠᏛᏅᎢᏍᏙᏗᏱ ᎨᏎᎢ, ᎤᎾᏙᏓᏆᏍᎬᏃ ᎿᏉ ᎤᎩᏥᏍᎨᎢ.\nᎤᏨᏉᏗ ᎨᏎᏍᏗ ᎰᎻ ᏃᎴ ᎠᎵᎮᎵᎨᏍᏗ ᏍᎩᎾᎾ ᎢᏳᏍᏗ ᎤᎾᏌᎥ ᏏᏆ.\nᎿᏉᏃ ᎾᏍᎩ ᎠᏂᏔᎵ ᎢᏧᎳᎭ ᏚᏂᏍᏆᎸᏔᏅᎩ; ᏐᎢᏃ ᎠᏓᏍᏓᏩᏗᏙᎯ ᏚᏓᎩᏴᎩ, ᎢᎬᏱ ᎠᏤᎵᏍᏛ ᎤᎷᏨᎩ.\nᏣᏓᏬᏍᎪ ᎤᏤᎸᏁ, ᎠᎵᏴᏍᎪᏳᎲᏍᎨ ᏃᎴ ᎠᎵᏍᎩᏏᏙᎮ ᎣᎳ ᎤᏰᎸ ᎠᏓᏅᎵᏰᏍᎨᎢ ᏗᎧᏃᎨᏂ ᎭᏫᏂᏣ.\nᎿᏉᏃ ᏗᏦᎸ ᏫᏥᎦᏘ, ᎾᏍᎩᏃ ᎯᎠ ᏂᏥᏪᎠ ᎠᏂ ᎡᎶᎯ, ᎬᏉᎵᎮᎵᎬ ᎤᏂᎧᎵᎢᏍᏗᏱ ᎤᎾᏓᏅᏛᎢ.\nᏇᏗᏂᏱᏃ ᎡᏙᎮᎢ, ᏌᏩᏂ ᎠᏓᏰᏍᎩ ᎤᏢᏨᎯ ᎦᏁᎸᎢ, ᎦᏅᎨᏃ ᎠᎵᏍᏓᏴᎲᏍᎨᎢ, ᎠᎨᏴ ᎤᎷᏤ ᎠᏰᎮ ᎫᎫ ᏅᏯ ᎤᏁᎬ ᎠᏢᏔᏅᎯ ᎠᏟᏍᏕ ᎠᏠᏁᏗ ᎾᏓ ᏧᏙᎢᏛ, ᎤᏣᏘ ᏧᎬᏩᎶᏗ; ᎠᎴ ᎤᎶᏒ ᎫᎫ, ᎠᎴ ᎤᎶᏁᏔᏁ ᎠᏍᎪᎵ.\nᏗᏃᏪᎵᏍᎩᏃ ᎠᎴ ᎠᏂᏆᎵᏏ ᎤᎾᏓᏅᏖᎴ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎦᎪ ᎯᎠ ᎾᏍᎩ ᏣᏐᏢᎢᏍᏗᎭ? ᎦᎪ ᎬᏩᏓᏙᎵᏍᏗ ᎠᏍᎦᏅᏨᎢ? ᏝᏍᎪ ᎤᏁᎳᏅᎯ ᎤᏩᏒ?\nᎤᏣᏘᏃ ᎤᏁᎷᏅᎩ; ᏗᏃᏪᎵᏍᎩᏃ ᎠᏂᏆᎵᏏ ᎤᎾᎵᎪᏒ ᎤᎾᎵᎪᎯ ᏚᎾᎴᏅᎤᎾᏗᏒᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎥᏝ ᎪᎱᏍᏗ ᎤᏲ ᏲᏥᏩᏛᎡᎭ ᎯᎠ ᎠᏍᎦᏯ, ᎢᏳᏍᎩᏂ ᎠᏓᏅᏙ ᎠᎴ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏁᏤᎸᎯ ᎨᏎᏍᏗ, ᏞᏍᏗ ᎤᏁᎳᏅᎯ ᏤᏓᏟᏴᎡᎸᎩ.\n”ᏤᏍᏗ ᏩᎦ ᏧᎾᏗᎩᏓ ᏳᏫᏣᏗᏅᏎᏍᏗ ᏏᏆ ᎤᏴᏍᏗ.\nᏃᎴ ᎦᏄᎾᏓᎴᎩ, ᎤᎵᏏᎩ ᎤᎾᎦᎸ, ᏫᏥᎢᏴ ᎾᏍᎦᏰᎬᏍᏓ ᎨᏎ ᎡᏍᎦᏉ ᎤᏁᎾᎢ ᏗᏂᎳᏫᎩ ᏃᎴ ᎤᏨᏉᏗ, ᎠᎦᏔᏁᎢ ᎠᏁᎵᏍᎨ.\nᎠᏕᎳ ᏓᎶᏂᎨ ᏍᏉ ᎧᏂᎩᏓ.\nᏂᎦᏗ ᏱᎬᏆᏓᎰᏓ.”\nᎾᎿᏃ ᎠᏂᏙᎾᎡ ᎤᏂᏣᏖ ᎠᏂᎨᏴ Ꭸ ᎢᏴᏛ ᏙᏗᏂᎧᏁᎢ, ᎾᏍᎩ ᏥᏌ ᎨᎵᎵ ᏅᏓᎬᏩᏍᏓᏩᏛᏛ ᎬᏩᏍᏕᎸᎯᏙᎸᎯ,\nᎠᎴ ᏥᎦᏔᎭ ᏂᎪᎯᎸᎢ ᏍᏆᏛᎦᏁᎲᎢ; ᎠᏎᏃ ᏴᏫ ᎠᏂ ᏣᏂᏙᎾᎠ ᏅᏓᎦᎵᏍᏙᏓ ᎾᏍᎩ ᏥᏂᏥᏫ, ᎤᏃᎯᏳᏗᏱ ᏂᎯ ᏅᏓᏍᎩᏅᏏᏛ ᎨᏒᎢ.\nᎢᏳᏃ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎠᏓᎯᎯ ᎨᏒ ᎤᎬᏩᎵ ᏥᎪᏪᎴ ᏣᏰᎶᎴ ᏅᏲᎯ ᎦᎸᏉᏗᏳ ᏥᎨᏎᎢ, ᎾᏍᎩ ᎢᏏᎵ ᏧᏪᏥ ᎪᎯᏛ ᏗᎬᏩᎾᎧᏃᏗ ᏂᎨᏒᎾ ᏥᎨᏎ ᎼᏏ ᎤᎧᏛᎢ, ᏥᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏗᎬᏩᎸᏌᏛ ᎨᏒ ᎤᎧᏛᎢ; ᎾᏍᎩ ᎠᎲᏍᏗᏉ ᏥᎨᏎᎢ;\nᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎯ, ᎿᏉ ᎢᏥᎪᏩᏘᏍᎨᏍᏗ ᎯᎠ ᎾᏍᎩ ᏂᎦᎵᏍᏔᏂᏙᎲᎢ, ᎢᏥᎦᏔᎮᏍᏗ ᎾᎥᏂᏳ ᎨᏒᎢ, ᎦᎶᎯᏍᏗᏱᏉ ᎨᏒᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎩᎶ ᎤᏓᎵᎢ ᎠᏓᎡᎨᏍᏗ, ᎠᎴ ᏅᏩᏓᎴ ᎠᏓᏰᎨᏍᏗ, ᎾᏍᎩ ᎠᏓᏲᏁᎮᏍᏗ ᎠᏍᎦᏅᏤᎮᏍᏗ ᎾᏍᎩ.\nᎯᎠ ᎾᏍᎩ ᎣᎵᏩ ᏔᎵ ᏕᏡᎬᎢ, ᎠᎴ ᏔᎵ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏙᏗᏱ ᏥᏕᎦᎧᎭ ᎤᏁᎳᏅᎯ ᎡᎶᎯ ᎤᏬᏢᏅᎯ ᏄᏛᏅ ᎢᎬᏱᏗᏢ.\nᎤᏙᏓ ᎤᏲᏏᏙᎸ ᎨᏎ ᏁᎳᏚᏔᎵᏚ ᎤᏕᏱᏴᏌᏗᏒ, ᎠᏘᎨ ᎤᏥ ᎠᏎ ᎤᏲᎰᏒ.\nᎠᏂᏰᏃ ᎣᏥᏯᎥ ᎣᎩᎵᏰᏗᎭ, ᎤᏣᏘ ᎣᎦᏚᎵᎭ ᎣᎦᏄᏬᏍᏙᏗᏱ ᎣᏥᏁᎸ ᎾᏍᎩ Ꮎ ᎦᎸᎶ ᏅᏓᏳᏓᎴᏅᎯ;\nᎤᎾᏙᏓᏆᏍᎬᏃ ᎢᎦ ᎨᏒᎩ ᏥᏌ ᏝᏬᏔ ᎤᏬᏢᏅ ᎠᎴ ᏗᎦᏙᎵ ᏚᏍᏚᎢᏒ.\n“ᎨᏍᏗ ᎭᏂ ᏣᏓᏂᏯᏍᏗ ᏱᎩ.\nᎠᎴ ᏁᎲᎾ ᎨᏎ ᎤᏁᏥ, ᎵᏏᏰᏃ ᎥᏝ ᏱᏓᎷᎸᎥᏍᎨᎢ, ᎠᎴ ᎢᏧᎳ ᎿᏉ ᎠᏂᎦᏴᎵᎨ ᎨᏎᎢ.\nᎠᎴ ᏩᎾᎦᎳ ᏂᎨᏒᎾ ᎨᏒ ᎤᏬᎯᏳᏒᎢ, ᎥᏝ ᏳᏓᏅᏖᎴ ᎤᏩᏒ ᎠᏰᎵ ᎤᎵᏬᏨᎯ ᎨᏒᎢ, ᎿᏉ ᎠᏍᎪᎯᏧᏈ ᎢᏴᏛ ᎢᏳᏕᏘᏴᏛ ᎨᏒᎢ, ᎥᏝ ᎠᎴ ᏳᏓᏅᏖᎴ ᎤᎶᏒᏍᏓᏁᎸᎯ ᎨᏒ ᏎᎵ ᏧᏓᎾᏄᎪᏫᏍᏗᏱ;\nᏍᎩᎾᎾ ᎢᏴ ᎤᏓᏲᏍᏔᏁᎴ ᏌᎳᏓ.\n”ᎮᎵᎠᎨ ᎧᏅᏂᏍᎩ...” ᎤᎴᏅᎮ ᎰᎻ---ᎤᎵᏍᏛᏂᎴᎢ, ᎨᏍᏗ ᏳᏍᏆᏙᎾ ᎢᏳᏪᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᎠᏥᎸᎨᎳᏍᏗᏱ ᎯᏲᎯᎮᏍᏗ ᏣᏓᏁᏗ, ᎾᎿᏃ ᎢᎭᏅᏓᏗᏍᎨᏍᏗ ᏗᏍᏓᏓᏅᏟ ᎪᎱᏍᏗ ᏤᎵᏎᎲᎢ,\nᎾᏍᎩᏯ ᎾᏍᏉ ᎦᏃᎦ ᎤᏍᏗᎩᏳ, ᎠᏎᏃ ᎠᏉᎯᏳ ᎦᏬᏂᏍᎪᎢ. ᎬᏂᏳᏉ ᎤᏍᏗ ᎠᏥᎸ ᏄᏣᏔ ᎠᏓ ᏓᏥᏍᏢᏍᎪᎢ.\nᏍᎩᏃᎲᏏ, ᎢᎳᎩᏳ ᎾᏍᎩ ᎯᎠ ᏅᏓᎦᎵᏍᏔᏂ? ᎠᎴ ᎦᏙ ᎤᏰᎸᏛ ᎨᏎᏍᏗ ᎾᎯᏳ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᎤᎵᏰᎢᎶᎯᏍᏗ ᎨᏒᎢ?\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏴ ᏥᏴᎩ ᎤᎬᏫᏳᎯ ᎠᎩᏍᏛᏗᏍᎬ ᎥᎩᏴᎩᏅᎯ, ᎢᏨᏔᏲᏎᎭ ᎢᏣᎴᏂᏓᏍᏗᏱ ᎾᏍᎩᏯ ᏄᏍᏛ ᎠᏓᏯᏅᏙᏗ ᎨᏒ ᎾᏍᎩ ᏂᎯ ᎡᏥᏯᏅᏔᏅᎯ ᏥᎩ;\n“ᎭᏩ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎠᏆᏚᎵᏍᎬ ᏗᏆᏔᏪᏙᏍᏗ, ᎠᏎᏃ ᏫᏥᏂᏴ ᎤᏬᏰᏂ, ᏓᏳᎾᏌᎾᎩᏒ.\nᎦᏁᏌ ᎠᏓᏴᏍᏕᏍᎩ ᏗᎦᎶᏔᏅ, ᎣᏍᏓ ᎪᏪᎵ ᏗᏒᏗ, ᏱᏗᎦᏒᏓᏅ ᎠᏦᎭᏴ, ᎦᏢᏗ ᎠᏍᏆᏚᎸ ᎠᏓᎾᏅ.\nᏎᎩᏃ ᎤᏓᏍᏛᏝᏁ.\nᎾᏍᎩ ᏞᏍᏗ ᎩᎦᎨ ᎠᏗᏔᏍᏗ ᏱᏗᏥᏴᏍᏕᏍᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎤᏣᏘ Ꭴ-ᏲᎢᏳ ᏥᎩ; ᎠᏓᏅᏙᏍᎩᏂ ᎢᏥᎧᎵᏬᎯ ᎨᏎᏍᏗ.\nᎢᏧᎳ ᎤᎾᏦᏍᏔᏁ, ᎫᏩᎾᎴᏗ ᏱᎨᏒᎾ ᏚᏓᏫᏍᎦᎨᎢᏴ ᏅᏯ.\nᏴᏫ ᎤᏪᏥ ᎤᏙᎯᏳᎯ ᎤᏪᏅᏍᏗ ᎾᏍᎩᏯ ᏂᎬᏅ ᎪᏪᎸ ᎠᏥᏃᎮᏍᎬᎢ; ᎠᏎᏃ ᎤᏲᎢᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ ᎠᏍᎦᏯ ᏴᏫ ᎤᏪᏥ ᎠᏡᏗᏍᎩ! ᎣᏏᏳ ᏱᎨᏎ ᎢᏳᏃ ᎾᏍᎩ ᎠᏍᎦᏯ ᏄᏕᏅᎾᏉ ᏱᎨᏎᎢ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᏯᎦᏓ ᎡᏍᎦ.\nᎢᏳ ᎠᎴ ᎦᎶᏁᏛ ᏧᏤᎵ ᏱᎩ ᏂᎯ, ᎿᏉ ᎡᏆᎭᎻ ᎤᏁᏢᏔᏅᏛ ᏂᏣᎵᏍᏗᎭ, ᎠᎴ ᎢᏣᏤᎵᎦ ᎤᏘᏴᎯ ᎾᏍᎩᏯ ᏂᎬᏅ ᎠᏚᎢᏍᏛᎢ.\nᏂᎦᏛᏃ ᎦᏚᎲ ᎤᎾᎵᏖᎸᏅᎩ, ᎠᎴ ᏴᏫ ᎤᎾᏓᏟᏌᏅᎩ, ᎠᎴ ᏉᎳ ᎤᏂᏂᏴᎲᎩ ᎤᏂᎾᏌᎾᏫᏛᎲᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏂᏄᎪᏫᏒᎩ; ᎩᎳᏉᏃ ᎢᏴᏛ ᎦᎶᎯᏍᏗᏱ ᏚᏂᏍᏚᏅᎩ.\nᏈᎵᎩᏃ ᎯᎠ ᏄᏪᏎᎢ; ᏰᎵᏉ ᎢᏳᏃ ᏂᎦᎥ ᏣᎾᏫ ᏴᏗᎭ ᏲᎯᏳᎲ-Ꭶ. ᎤᏁᏨᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎪᎢᏳᎲᏍᎦ ᏥᏌ ᎦᎶᏁᏛ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏒᎢ.\nᎬᏯᎵᎮᎵᏍᏓᏁᎭ!”\nᎦᏄᎪᎮᏃ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᏏᏴᏫ ᎾᏍᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏔᏕᏲᎲᏍᎩ, ᎬᏂᏳᏉ ᎾᏂᏕᎤᏍᏗ ᏅᏯ ᎠᎴ ᏂᏕᎤᏍᏗ ᏓᏓᏁᎸᎢ?\nᏂᎦᏛ ᎠᎾᎵᏅᏟ ᎦᎸᏉᏗᏳ ᏗᏓᏙᏪᏙᎥᏍᏗ ᏕᏥᏲᎵᏍᏗᏍᎨᏍᏗ.\nᎯᎠ ᏄᏪᏒ, ᎠᏲᎰᏎᎸ ᏥᏃᎮ, ᏂᎯ ᏍᏉ ᏓᏣᏲᎰᏎᎵ .\nᎥᏝᏰᏃ ᏴᏫ ᏗᎬᎩᏲᎯᏎᎸᎯ ᏱᎩ, ᎥᏝ ᎠᎴ ᎩᎶ ᎠᏇᏲᏅᎯ ᏱᎩ, ᏥᏌ ᎦᎶᏁᏛᏍᎩᏂ ᎬᏂᎨᏒ ᎢᏯᏋᏁᎸᎯ.\nᎤᎪᎵᏰᎡ ᏫᎵᎻ.\nᎦᏣᏄᎳ ᏕᎦᎵᎥᏂᏍᏗᏍᎨ ᏕᎪᏯᏛ ᎠᏁᎸᏗᏍᎬ ᏎᏉ ᎤᏟᏫᏛᏗ.\nᎨᏍᏗᏃ ᏳᎯᏯ ᎤᎾᏑᏯᎩᏍᏗ.\nᎤᏁᏤᎸ ᎤᏥ ᎤᏬᎯᏳᏁ ᎡᎳᏆᏗ, ᏓᏆᎴᎳ ᎠᏌᏅᏗ ᏭᎩᎶᏫᏎᎢ, ᎣᎯᏍᏗᎨ ᎤᎪᏩᏛᏗ.\nᎤᎾᏚᎵᏍᎩᏍᎩᏂ ᏥᎩ ᎤᏁᏅᎢᏍᏗᏱ, ᎤᏓᎴᎾᏍᏗᏱ ᎠᎴ ᎠᏌᏛ ᏫᏓᏂᏅᎪᎢ, ᎠᎴ ᎤᏣᏘ ᎢᏳᏓᎴᎩ ᎤᎵᏍᎦᏂᏍᏛ ᎠᎴ ᎤᏲ ᎢᏯᏓᏛᏁᎯ ᎠᎬᎥᎯᏍᏗ ᎨᏒᎢ; ᎾᏍᎩ ᏥᏚᏂᏃᏴᏘᏍᏗᎭ ᏴᏫ ᎾᎿ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᎠᎴ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ.\nᏣᏚᎵᏍᎪᏃ ᏣᎦᏙᎥᎯᏍᏗᏱ, ᏂᏣᏓᏅᏛᎾ ᎯᏍᎦᏯ, ᎪᎯᏳᏗ ᎨᏒ ᎤᎵᏬᏨᎯ ᎨᏒ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏔᎵ ᏄᏛᏛᎾ ᏱᎩ?\nᎩᎳᏈᏴ ᎤᏍᏗ ᎠᏣᏗ ᎱᎶᏎ ᏃᎴ ᎯᎠ ᏄᏪᏎ, ᏏᏲ ᎡᏆ ᎠᏣᏗ, ᏃᏗ ᏫᏥᎢᏣ ᏭᏓᏬᎡ.\nᎤᎦᏌᏯᏍᏗᏕᎩᏃ ᎯᎠ ᏄᏪᏎ ᎤᏩᏒ ᏧᏓᏅᏛᎢ, ᎦᏙ ᏓᎦᏛᏁᎵ, ᎠᎩᏅᏏᏙᎯᏰᏃ ᎠᎩᎩᎡᎭ ᎠᏆᎦᏌᏯᏍᏗᏕᎩ ᎨᏒᎢ? ᏝᏃ ᏰᎵ ᎬᏆᏍᎪᏍᏗ ᏱᎩ; ᎠᏆᏚᎳᏗᏓᏍᏗᏱᏃ ᎢᎦᏕᎣᏍᎦ.\nᎤᏪᎷᏁᎢ.\nᎤᏲᏰᏃ ᎠᏓᏅᏓᏗᏍᏗ ᎤᏁᎳᏅᎯ ᏗᎬᏩᏓᏂᎸᎢᏍᏗ ᎨᏒ ᎦᏁᏟᏴᏍᏗ ᎨᏒ ᎣᏓᏅᏛ ᏩᎵᏰᎢᎶᎯᎭ ᎥᏓᏗᏍᏕᎸᏗᏱ ᏫᎦᎷᎩ, ᎾᏍᎩ ᎤᏲ ᎠᏰᎸᏗ ᏂᎨᏒᎾ; ᎡᎶᎯᏍᏗᏂ ᎡᎯ ᎤᏲ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᏩᎵᏰᎢᎶᎯᎭ.\nᎠᏂᎪᏕᏍᎩ ᏃᎴ ᎠᏂᎴᏴᏍᎩ ᎤᎾᎧᏙᏍᏓᏁᎢ ᎦᏓᎥᎢ.\nᏣᏄᏏ Ꮟ ᎩᎳᎯ ᎦᏙᎨ, ᏃᎴ ᎠᏂᎪᏕᏍᎩ, ᏂᎦᏓ ᏦᎢ ᎢᏯᏂ ᏓᏂᏙᎨ ᏐᏉ ᎢᏳᏪᏅᏍᏗ ᎢᎪᎯᏓ, ᎠᏂᎪᎵᏰᏍᎨ ᎢᏗᎦᏪᏍᏗ ᎤᏩᎬᏘᎶᏓ, ᏃᎴ ᎤᎾᎦᏙᏍᏕ ᏫᎵᎻ.\nᎠᎹᏳᎸᏓ ᎾᎥᏂ ᏚᏂᏣᎦᏒ ᎠᎯᏯ ᎤᏓᏓᏍᎬ, ᎤᎾᎦᎰᏍᏔᏅ, ᏎᎦ ᎡᎶ ᏣᎵᏍᏆᏗᏍᎪ ᏄᏍᏛ.\nᎠᎴ ᎵᏃ ᏚᏂᎧᏅ ᎯᎠ ᏄᏂᏪᏎ ᏚᎾᏛᏛᏁᎢ; ᎦᎪ ᎤᎵᏂᎬᎬᎢ ᎠᎴ ᎦᎪ ᎦᏙᎥ ᎢᏍᏛᏔᏅ, ᎯᎠ ᏂᏍᏓᏛᏁᎸ?\nᎦᏓᏁ ᎤᏑᎸ ᎡᎳᏆᏗ ᎦᏓᏁ ᏄᏩᏁᎴ ᎦᏗ.\nᎢᏅ ᏗᏂᏙᎾᎡᏍᏗ ᎠᏂᏍᎦᎢᎲ ᎠᎩᎵᏲᎬ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᏍᏗ, ᎤᏲᏍᏛᏉ, ᎤᏲᏍᏛᏉ, ᎾᏍᎩ ᎾᎡᏆ ᏓᏓᎶᏂ, ᎾᏍᎩ ᎤᎵᏂᎩᏛ ᎦᏚᎲᎢ! ᏑᏟᎶᏛᏉᏰᏃ ᎢᎪᎯᏛ ᏗᏣᏚᎪᏓᏁᏗ ᎨᏒ ᏣᎷᏥᏏ.\nᎣᎬᏛᎦᏅ ᎩᎶ ᎢᏳᎾᏍᏗ ᎪᎦᏓᏑᏰᏛ ᎠᏂᏬᏂᏍᎬ ᎨᏣᏕᏯᏙᏔᏅᎢ ᏕᎨᏥᎦᏔᎲᎡᎲ ᏗᏣᏓᏅᏙ, ᎯᎠ ᎾᏂᏪᏍᎬᎢ; ᎠᏎ ᏤᏥᎤᏍᏕᏎᏗ ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏥᏍᏆᏂᎪᏙᏗ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏦᏥᏁᏤᎸᎯ ᏂᎨᏒᎾ;\nᎲᎦ ᎾᏂᎠᎭ?\nᎢᏳᏃ ᏕᏛᏂᎡᏍᏗ ᎠᏎ ᎾᏍᎩ ᎢᏧᎳᎭ ᎢᎩᎬᏫᏳᏌᏕᎨᏍᏗ; ᎢᏳᏃ ᎢᏒᏓᏓᏱᎸᎭ ᎾᏍᏉ ᎠᏎ ᏓᎦᏓᏱᎵ.\nᏕᏫᏰᏃ ᎪᎱᏍᏗ ᏚᏛᏁᎸ ᎾᎯᏳ ᎤᎾᏕᏅᎯ ᎤᏁᎳᏅᎯ ᎠᏓᏅᏖᏍᎬ ᎾᏍᎩᏯᎢ, ᎤᎸᏁᎢ, ᎠᎴ ᏧᎦᏴᎵᎨ ᏓᏂᎾᎥ ᎠᏥᏅᏁᎢ, ᎠᎴ ᎤᎪᏎᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᏕᎤᏲᏒᎩ ᎤᏕᎰᎯᏍᏗ ᎤᎾᏚᎸᏅᏗᏱ; ᎾᏍᏉᏰᏃ ᎠᏂᎨᏴ ᏧᎾᏤᎵᎦ ᎾᏍᎩ ᎠᎲ ᎢᏳᎾᏛᏁᏗ ᎨᏒ ᎤᏂᏁᏟᏴᏍᏔᏁ ᎾᏍᎩ ᎠᎲ ᎢᏳᎾᏛᏁᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏚᏪᏲᏁᏰᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏴᏫ ᎤᏪᏥ ᏓᏥᏲᎯ ᏕᎨᏥᏲᎯᏏ ᏴᏫ. ᎠᎴ ᏓᎬᏩᎵ; ᎠᎴ ᎣᏂ ᎿᏉ ᎠᏥᎸᎯ ᎨᏎᏍᏗ, ᏙᏛᎠᎴᎯᏌᏂ ᏦᎢᏁ ᎢᎦ.\nᎤᏓᏅᏙᎩᎯᏃ ᎭᏫᏂ ᎤᎵᏰᏔᏁᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙᏃ ᎪᎯ ᎯᎠ ᏣᏁᎭ ᎤᏰᎸᏛ ᎤᏂᏲᎭ? ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎥᏝ ᎬᏂᎨᏒ ᎢᎨᎬᏁᏗ ᏱᎨᏎᏍᏗ ᎤᏰᎸᏛ ᎯᎠ ᎪᎯ ᏣᏁᎭ.\nᎣᎩᎸᏉᏗ ᎨᏒ ᎾᎥ ᎢᏦᎦᏓᎵ ᏧᏁᏅᏒ ᏬᎨᏓᏍᏗ.\nᎠᏃᎯᏳᎲᏍᎩᏃ ᎤᏂᎧᎵᏨᎯ ᎨᏎ ᎠᎾᎵᎮᎵᎬᎢ ᎠᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ.\nᏰᎵ ᏧᏕᏘᏴᏓ ᏥᎨᏎ ᏣᎵ ᏧᏤᎵ ᏗᏂᏲᏟ ᏥᏚᏃᎯᏎᎴ ᏲᎾ.\nᏧᏍᏆᏴᏍᏗ, ᎤᏲ ᎤᏓᏅᏖᎢ ᎤᏲᎰᏎᎸ ᎤᎸᏉᏗ ᎤᏪᏥ.\nᏉᎳᏃ ᎤᏠᎣᏒ ᎤᎵᏢᏅᎩ, ᎠᎴ ᎤᏄᎶᎸ ᎯᎠ ᏄᏪᏒᎩ; ᏞᏍᏗ ᏱᏣᏕᏯᏔᏁᎴᏍᏗ, ᎬᏅᏰᏃ ᎠᏏᏉ ᎠᏯᎠ.\nᏃᏉ ᏚᏃᎩᏒ ᏲᎾ ᎠᏂᏃᎯᎵᏙ ᎤᏂᏃᎩᏍᏗ.\nᏱᎰᏩᏃ ᎤᏤᎵ ᏗᎧᎿᏩᏗᏙᎯ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᎦᏙᎨ ᎠᎦᏘᏏᏗᏢ ᎦᏩᏒᎩ ᎬᏙᏗᏱ ᎪᏢᏒᎢ.\nᎠᎴ ᎾᏍᏉ ᎠᎹᏟ ᎢᏨᏍᎨᏍᏗ, ᏞᏍᏗ ᏅᎾᏠᎾᏍᏗ ᏄᎾᏍᏛ ᏱᏂᏣᏍᏕᏍᏗ, ᎤᎾᏓᏙᎵᏍᏗ ᏥᎨᏐ ᏗᎧᏃᏗᏱ, ᏂᏓᏤᎸᎾᏰᏃ ᏂᏓᏅᏁᎰ ᏚᎾᎧᏛᎢ, ᏴᏫᏉ ᎤᎾᏙᎴᎰᎯᏍᏗᏱ ᎤᎾᏚᎵᏍᎪ ᎠᎹᏟ ᎠᏅᏍᎬᎢ. ᎤᏙᎯᏳᎯᏯ ᏂᏨᏪᏎᎭ ᎨᎦᎫᏴᎡᎸ.\n”ᏣᏰᏨᎯᏧ ᏌᎳᏓ?” ᎡᏝᏪ ᏄᏪᏎ.\nᎤᏜᏅᏛᏍᎩᏂ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏙᏱᏗᏢ ᏥᎪᏢᎭ, ᎯᏃᎯᏴᎭ, ᎠᎴ ᏞᏍᏗ ᏣᏟᎶᎥᎩ, ᏧᎾᏓᎴᏅᏛᏰᏃ ᏴᏫ ᎨᏥᏁᎸᎯ ᎾᏍᎩ; ᎠᎴ ᎦᎸᏉᏗᏳ ᎦᏚᎲ ᎤᎾᎳᏍᏓᎡᏗ ᎨᏎᏍᏗ ᏅᎦᏍᎪᎯ ᏔᎵᎦᎵ ᎢᏯᏅᏙ.\nᏌᎪᏂᎨ ᎤᏌᏃᎲ ᎠᏌᎥ ᎤᏬᏢ, ᎫᏂᎨᏒ ᏂᏚᏍᏛᏗᎦᎦᎶ, ᎤᏙᏩᏗᏍᏛ ᎠᏰᎵ.\nSam Houston ᎢᏳᏓᎵᎭ ᎤᏪᏓᏍᏗ ᎨᏎ, ᏏᏛ Texas ᎢᏣ ᏳᏩᎵᏗᏍᎩᏍᎬᎾ ᏥᎨᏎ, ᎩᎳᎯ ᎤᎯᏐᏗ ᎠᏂᏃᎮᏍᎨ.\nᎢᏣᎦᏌᏯᏍᏕᏍᏗ ᎾᏍᎩ Ꮎ ᎦᎸᎳᏗ ᎡᎯ ᎨᏒᎢ, ᎥᏞᏍᏗᏃ ᎡᎶᎯ ᎡᎯ ᎨᏒᎢ.\nᎢᏳᏃ ᏱᏥᏍᏆᏂᎪᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏆᏤᎵᎦ, ᏱᏅᏩᏍᏗᏗᏉ ᎢᏨᎨᏳᎢᏳ ᎨᏒᎢ; ᎾᏍᎩᏯ ᏣᎩᏍᏆᏂᎪᏔᏅ ᏗᎧᎿᏩᏛᏍᏗ ᎡᏙᏓ ᎤᏤᎵᎦ, ᎠᎴ ᏥᏅᏩᏍᏗᏗᏉ ᎠᎩᎨᏳᎯᏳ ᎨᏒᎢ.\nᎠᏎᏃ ᏓᏰᏣᎵᏂᎪᎯᏍᏔᏂ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎢᏥᎷᏤᎸᎭ, ᎠᎴ ᏍᎩᏃᎮᏍᎩ ᎨᏎᏍᏗ ᏥᎷᏏᎵᎻ ᎠᎴ ᏂᎬᎾᏛ ᏧᏗᏱ ᎠᎴ ᏌᎺᎵᏱ ᎠᎴ ᏂᎬᎾᏛ ᎡᎶᎯ.\nᎢᎬᏱᏱᏃ ᎨᏥᏅᏒᎯ ᎤᏂᎷᏨ ᎤᏟ ᎢᎦᎢ ᏓᏲᎦᎫᏴᎡᎵ ᎤᏁᎵᏎᎢ. ᎠᏎᏃ ᎾᏍᏉ ᎠᎩᏏᏉ ᏧᎬᏩᎶᏗ ᎠᏂᏏᏴᏫᎭ ᎢᎨᎦᎫᏴᎡᎴᎢ.\nᏑᏟᎶᏛᏉᏰᏃ ᎢᎪᎯᏛ ᎾᏍᎩ ᎢᎦᎢ ᏧᎬᏩᎶᏗ ᎠᏎᏉ ᏂᎦᎵᏍᏔᏂᏛ. ᎠᎴ ᎾᏂᎥ ᎤᏂᎬᏫᏳᏌᏕᎩ ᏥᏳ ᏧᏔᏅ ᏓᏂᏂᏙᎲᎢ, ᎠᎴ ᎾᏂᎥ ᏥᏳᎯ ᎤᎾᏣᎢ, ᎠᎴ ᏥᏳ ᏗᏂᏂᏙᎯ, ᎠᎴ ᎾᏂᎥᏉ ᎠᎺᏉᎯ ᎠᏂᏃᏔᏂᏙᎯ, ᎢᏅ ᏛᏂᏙᎾᎥᎩ,\nᎠᏎᏃ ᎤᏃᎯᏳᏅ ᏈᎵᎩ ᎠᎵᏥᏙᎲᏍᎬ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎠᎴ ᏕᎤᏙᎥ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏩᎵ, ᏕᎨᎦᏬᏍᎨ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨ-Ᏼ.\nᏥᏌᏃ ᏫᏚᏯᏅᎲ ᎯᎠ ᏄᏪᏎᎢ, ᎤᎾᏁᎳᎩ ᏗᏤᎵᏏ ᏗᏂᏲᎵ ᎬᎩᎷᏤᏗᏱ, ᎠᎴ ᏞᏍᏗ ᏗᏥᏅᏍᏓᏕᎸᎩ; ᎾᏍᎩᏰᏃ ᏄᎾᏍᏗ ᎾᎿ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᏕᏫᏰᏃ ᎤᏩᏒ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏪᏲᎲᏍᎬ ᎯᎠ ᏄᏪᏎᎢ, Ᏹ-ᎰᏩ ᎯᎠ ᏁᏪᏎᎴ ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ, ᏥᎦᏗᏏ ᎢᏗᏢ ᏦᎴᏍᏗ ᎬᏂ ᎨᏣᏍᎦᎩ ᏗᏣᎳᏏᏗᏱ ᎦᏍᎩᎶ ᏂᎦᏥᏴᏁᎸᎭ.\nᎢᏗᎦᏔᎭᏰᏃ ᎤᏁᎳᏅᎯ ᏂᏓᏛᎦᏁᎲᎾ ᎨᏒ ᎠᏂᏍᎦᎾᎢ, ᎢᏳᏍᎩᏂ ᎩᎶ ᎤᏁᎳᏅᎯ ᎠᏓᏙᎵᏍᏓᏁᎯ ᏱᎩ, ᎠᎴ ᎾᏍᎩ ᎠᏓᏅᏖᏍᎬ ᎢᏯᏛᏁᎯ ᏱᎩ, ᎾᏍᎩ ᎠᏛᎦᏁᎰᎢ.\nᏣᏄᏏ ᎤᏁᎸᏔᏁᎢ ᎤᏂᏴᏗ.\nᎬᏩᏍᏓᏩᏗᏙᎯ ᎨᏒ ᎠᏏᏴᏫ, ᎡᏂᏗ ᏧᏙᎢᏛ, ᏌᏩᏂ ᏈᏓ ᏗᎾᏓᏅᏟ, ᎯᎠ ᏄᏪᏎᎸᎩ;\nᎾᏍᎩ ᎢᎩᏍᏕᎸᏛ ᏥᎩ, ᎠᎴ ᎢᎩᏯᏅᏛ ᏥᎩ ᎤᏩᏔᏅᎯ ᎦᎸᏉᏗ ᎠᏓᏯᏅᏗ ᎨᏒᎢ, ᎥᏝ ᎠᏴ ᏕᎩᎸᏫᏍᏓᏁᎲ ᏱᏅᏧᎵᏍᏙᏔᏅ, ᎤᏩᏒᏍᎩᏂ ᎤᏓᏅᏖᎸᎢ ᎠᎴ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏅᏧᎵᏍᏙᏔᏅ, ᎾᏍᎩ ᎢᎩᏁᎸᎯ ᏥᎩ ᏅᏧᏓᎴᏅᎲᎾ, ᏥᏌ ᎦᎶᏁᏛ ᎨᏒ ᎢᏳᏍᏗ,\nᎠᎴ ᎤᎷᏤᎢ ᎠᎴ ᎤᎵᏂᏥᏙᏁ ᎢᏥᏃᎯᎮᎴ ᎾᏍᎩ ᏙᎯ ᎢᏥᏩᏛᎡᎯ ᎨᏒᎢ, ᏂᎯ ᎢᏅ ᎢᏣᏛᎿᏕᎩ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎾᎥ ᎢᏳᎾᏛᎿᏕᎩ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎾᎥ ᎢᏳᎾᏛᎿᏕᎩ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏧᏂᏄᎪᏨ, ᏌᏩᏂ ᎠᎴ ᎡᏂᏗ ᎠᏂᏁᎸ ᏭᏂᏴᎴᎢ, ᎠᏁᎮ ᏥᎻ ᎠᎴ ᏣᏂ.\nᎤᏂᏩᏘᏃ ᏴᏫ ᏙᏱᏗᏢ ᎠᎾᏓᏙᎵᏍᏗᏍᎨ ᎾᎯᏳ ᎠᏜ ᎦᏩᏒᎩ ᎬᏙᏗᏱ ᎤᏍᏆᎸᎲ.\n“Ꭳ, ᏫᏔᎧᎾᎦ! \nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎿᏉ ᏥᏌ ᎤᏍᏆᏛ ᎯᎠ ᎾᏍᎩ ᏓᏟᎶᏍᏗᏍᎬᎢ, ᎤᏂᎩᏒᎩ.\n“ᎠᏎᏃ ᏲᎾ ᎤᏤᏍᏙ, ᎣᏍᏓ ᏱᏥᏰᎸᎾ ᏙᏱ ᏱᏗᏣᏁᎶᎾ ᎯᎪ ᎢᎦ ᏣᏉ ᏣᏚᏥ ᎰᎻ ᎤᏤᎵᎪ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᏱᏘᏩᏛ ᏗᏣᎵᎢ, ᎪᎱᏍᏗ ᎣᏍᏓ ᏱᏂᏣᏛᏁᎳ ᏙᏱᏨ.\nᏌᏩᏂᏃ ᎤᏓᎵᎢ ᎤᏥ ᎦᏅᎨ ᎤᏢᎨ ᎤᏗᎴᎲᏍᎨᎢ; ᎩᎳᏉᏃ ᎢᏴᏛ ᎬᏩᏃᏁᎴᎢ.\nᏂᏓᏙᏓᏈᏒ ᎣᎦᎵᏍᏓᏴᏗ ᏍᎩᎥᏏ ᎪᎯ ᎢᎦ.\nᎤᏦᎣᏌ, ᎤᏙᎯ ᏭᏓᎩᏁᎴ ᎠᏍᏕᏯᏓ.\nᏈᏓᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏗᏍᎩᏲᏏᏌᏏ ᎯᎠ ᎾᏍᎩ ᏓᏟᎶᏍᏛᎢ.\n”ᎠᎩᏂᎬᎦ ᎠᎩᏏᎳᏛᏙᏗ.”\n“ᏧᏍᏆᏴᏍᏗᏗ! \nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏟ ᎢᎦᎢ ᎢᎦᎦᏌᏯᏍᏙᏗ ᏱᏂᎦᎵᏍᏓ ᏄᏍᏛ ᎢᎦᏛᎦᏅᎢ, ᎾᏍᎩ ᎢᎸᎯᏳ ᏗᎬᏍᎦᎶᎢᏍᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᏞᏍᏗ ᏱᏥᎨᏳᏎᏍᏗ ᎡᎶᎯ, ᎠᎴ ᎪᎱᏍᏗ ᎡᎶᎯ ᎡᎯ. ᎢᏳᏃ ᎩᎶ ᎡᎶᎯ ᏳᎨᏳᎭ, ᎥᏝ ᏱᎬᏩᎨᏳᎭ ᎠᎦᏴᎵᎨᎢ.\nᎤᏁᎳᏅᎯᏃ ᏧᏂᎾᏫ ᏗᎦᏔᎯ ᎬᏂᎨᏒ ᏄᏩᏁᎸᎩ ᏕᎨᎦᏓᏂᎸᏨᎢ, ᏕᎠᏁᎲ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎠᏴ ᎾᏍᎩᏯ ᏥᎩᏁᎸᎩ.\nᎠᎴ ᎢᎾᎩ, ᎠᏓᏫ ᎤᏕᏅ ᎦᎵᏉᎩᏁ ᏪᎯ, ᎾᏍᏉ ᎠᏙᎴᎰᏍᎬ ᎯᎠ ᎾᏍᎩ ᏚᏁᎢᏍᏔᏁ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ, ᎤᎬᏫᏳᎯ ᏓᎦᎷᏥ ᏓᏘᏁᎮᏍᏗ ᎠᏍᎪ ᎢᏯᎦᏴᎵ ᏧᏙᎵ ᎤᎾᏓᏅᏘ,\nᏗᎪᏪᎵᏍᎩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; Ꭷ, ᏔᏕᏲᎲᏍᎩ, ᏚᏳᎪᏒ ᏂᏫ; ᏌᏉᏉᏰᏃ ᎡᎭ ᎤᏁᎳᏅᎯ; ᎥᏝ ᎠᎴ ᏅᏩᏓᎴ ᏰᎭ ᎾᏍᎩ ᎤᏩᏒᎯᏳ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏚᎸᏗ ᏂᎦᎵᏍᏗᏍᎬᎩ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏄᏍᏗᏓᏅ ᎦᎸᎳᏗ ᏤᎯ ᏗᏟᎶᏍᏔᏅᎯ ᎨᏒ ᏗᎦᏅᎦᎸᏙᏗᏱ ᎯᎠ ᎾᏍᎩ (ᏗᎵᏍᎪᎸᏙᏗ,) ᎦᎸᎳᏗᏍᎩᏂ ᏤᎯ ᎨᏒ ᎾᏲᎪ ᎤᏟ ᎢᏗᎦᎸᏉᏗ ᏗᎵᏍᎪᎸᏔᏅᎯ ᏗᎦᏅᎦᎸᏙᏗ.\nᎤᎶᏒᏍᏔᏅᎯᏃ ᎤᏂᏍᏆᏂᎪᏍᎨᎢ, ᎯᎠ ᏂᏓᎾᏓᏪᏎᎮᎢ, ᎦᎪᎨ ᏰᎵ ᎦᏰᏥᏍᏕᎸᏗ?\nᎨᏍᏗ ᎤᎵᎮᎵᏍᏗ ᏯᎩᏰᎸᎰ ᏄᏍᏛ ᎠᏆᎵᏍᏓᏴᏗ, ᎠᏎᏃ ᏍᎩ ᏄᏍᏗ ᎥᏉᏒᏅ.\nᎦᎸᎳᏗᏍᎩᏂ ᏫᏥᏟᏏᏍᎨᏍᏗ ᏧᎬᏩᎶᏗ, ᎾᎿᏂ ᏥᏍᎪᏴ ᎠᏯᏍᏜᏗᏍᎩᏃ ᎤᏂᏲᏍᏙᏗᏱ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᎠᏂᏃᏍᎩᏍᎩ ᎤᏂᏴᏍᏗᏱ ᎠᎴ ᎤᏂᏃᏍᎩᏍᏗᏱ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᎨᏴ ᏔᎳᏚ ᏧᏕᏘᏴᏛ ᎬᏩᏓᎴᏅᏛ ᎩᎬ ᎤᏪᏅᎡᎮᎢ,\nᏞᏍᏗ ᎤᏁᎳᎩ ᏤᎵᏒᎩ ᎡᏣᏁᎸᎯ ᎾᏍᎩ ᏥᏣᎭ, ᎾᏍᎩ ᎡᏣᏁᎸᎯ ᏥᎩ ᎠᏅᏗᏍᎬ ᎤᎾᏙᎴᎰᏒ ᎠᎴ ᏕᎨᏣᏏᏔᏛ ᏗᎨᎦᏁᎶᏗ.\nᏰᎵᏉ ᎠᎩᏂᏴᎲ ᏥᏅᏙᎬ, ᎠᏉᎯᏳᏅ ᏐᏉ ᎢᎧᏁᏨ ᎾᎩᏪᏎᎸ, ᏫᏓᎦᎩᎸᏂ ᏫᏥ ᏫᏓᏥᎶᏏ, ᎤᏅᏌ ᎠᏂᏩᏛᎲ ᏭᏂᎶᎯᏍᏗ ᎤᏂᏅᎪᎢᏍᏗ ᏚᏅᏓᏒ, ᏃᎴ ᎭᎾᏎᎵᏙᎲ ᏓᎾᏟᏃᎮᏔᏅ ᏧᏂᏂᏴᏓ.\nᏚᏲᎵᎸᏉᏍᎩᏂ ᎯᎠ ᏄᏪᏒᎩ; ᎠᏎ ᎠᎩᏍᏆᏂᎪᏙᏗ ᏥᎷᏏᎵᎻ ᎯᎠ ᏗᎵᏍᏓᏴᏗᏱ ᏨᏛᏍᏆᎸᎯ. ᎠᏎᏃ ᏔᎵᏁ ᏛᏨᏩᏛᎯᎵ, ᎢᏳᏃ ᎤᏁᎳᏅᎯ ᎤᏏᏳ ᏳᏰᎸᏅ. ᎡᏈᏌᏃ ᏥᏳᎯ ᏭᏣᏅᎩ.\nᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ ᎤᎵᏍᏆᎸᏗ ᎨᏎᏍᏗ ᎠᏗᎭ ᎤᏁᎳᏅᎯ, ᎾᎦᎥ ᎤᏇᏓᎵ ᎨᏒ ᎠᏆᏓᏅᏙ ᏓᏥᏯᏐᏅᏰᎵ, ᏗᏤᏥᏃ ᎠᏂᏍᎦᏯ ᎠᎴ ᏗᏤᏥ ᎠᏂᎨᏴ ᎠᎾᏙᎴᎰᏍᎨᏍᏗ, ᎠᏂᏫᏅᏃ ᏗᏣᏤᎵ ᎤᎾᏁᎳᏫᏎᎮᏍᏗ, ᏧᎾᏛᏐᏅᎯᏃ ᏗᏣᏤᎵ ᎠᎾᏍᎩᏓᏒᎥᏍᎨᏍᏗ;\nCass ᏓᎩᎧᏅ, ᏙᏰ ᏓᏆᎭᏄᏮ, ᎠᏆᎧᏛ ᏃᎴ ᏥᏴᏥᏂ ᏃᎴ ᏗᏉᏰᏂ ᎦᏚᎢᏣᏂ - ᏕᎫᎪᏗᏍᎨᎢ ᎠᏴᏫᏯ ᎩᎦ ᎠᎩᏁᎲᎢ.\nᎠᏆᎦᏔᎲᏒᎩᏃ ᏥᎪᏩᏛᏗᏱ ᎠᎩᏰᎸᏅᎩ ᎤᏪᎷᎩ, ᎾᏍᎩ ᎠᏆᎵᏃᎮᏗᏍᎩ. ᎠᏆᎦᏔᎲᏒᏃ ᏓᎩᎪᎲᎩ ᎦᎵᏉᎩ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏙᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ;\nᏑᎾᎴᎢ ᎠᏂᎶᏍᎨ ᏴᏫ ᏫᎵᎻ ᎠᏯᎥ.\nᏚᎾᏓᏅᏛᏍᎩᏂ ᏧᏍᎦᏃᎵᏳ ᎨᏎᎢ; ᎪᎯᏰᏃ ᎢᏯᏍᏗ ᏅᏩᏍᏗᏉ ᎾᏍᎩ Ꮎ ᎠᎵᎬᏚᎶ ᎠᎲᏛ ᏂᎨᏒᎾ ᎢᏳᏃ ᏓᏂᎪᎵᏯ ᎤᏪᏘ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎪᏪᎸᎢ; ᎦᎶᏁᏛᏰᏃ ᏂᎬᏂᏏᏍᎪ ᎠᎲᏛ ᏂᎨᏐᎢ.\nᎠᏍᏕᏴᏙ ᎠᎧᏁᎲ ᏭᏩᏁ ᎡᎳᏆᏗ ᏃᎴ ᏭᏓᎾᏫᏛᎮᎢ.\nᎠᏴ ᎠᎢᏛᏐᏅᎯ ᏫᏥᏲᎵᎦ ᎠᏥᎨᏳᎢ ᎦᏯ, ᎾᏍᎩ ᎠᏴ ᏥᎨᏳᎢ.\n”ᎠᏓᏅᏖᏗ, ᎧᎪ ᏳᏚᎵ ᎤᏪᏘ ᎤᎪᏏᏓ ᎤᏪᏥ!” ᎤᏛᏁ.\nᎾᏍᎩ Ꮎ ᏄᎨᏳᏅᎾ ᏥᎨᏎ ᎤᏩᏒ ᎤᏪᏥ, ᏥᏚᏲᏎᏉᏍᎩᏂ ᎠᏴ ᏂᏗᎥ ᎢᎩᏍᏕᎵᏍᎬᎢ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎾᏍᎩ ᏕᎩᏲᎯᏎᎲ ᎠᏎᏉ ᏗᎨᎩᏲᎯᏎᏗ ᏂᎨᏒᎾ ᏱᏂᎦᎵᏍᏓ ᏂᎦᏗᏳ ᎪᎱᏍᏗ?\n”ᎨᏍᏗᏗ ᎭᎾᏉ ᏣᏴᏍᏗ ᏱᎩ, ᎦᏓᎭ ᎤᏍᏗ ᎦᏓᎭ ᎤᏍᏗ ᎦᏓᎭ ᎤᏍᏗ ᎠᏦᏴ, ᎤᏛᏁ ᏌᏌ, ᎦᏣᏄᎳ ᎦᏬᏂᏍᎩ.\nᎠᎴ ᏞᏍᏗ ᏱᏗᏣᎵᎪᏁᎮᏍᏗ ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ ᎤᎵᏏᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᏕᏥᎬᏍᎪᎸᎥᏍᎨᏍᏗᏉᏍᎩᏂ.\nᎾᎥᏃ ᎠᏂᏙᎾᎢ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏥᎪ ᎦᎯᏐᏢᏗᎭ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ?\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎠᏓᏁᏟᏴᏒᎢ, ᏴᏫ ᎤᏪᏥ ᎦᏅᎭ ᎦᎸᏉᏗᏳ ᎤᏪᏍᎩᎸᎢ, ᏂᎯ ᏍᎩᏍᏓᏩᏛᏛ ᎾᏍᏉ ᎢᏥᏁᏍᏗ ᏔᎳᏚ ᏕᎦᏍᎩᎸᎢ, ᏕᏧᎪᏓᏁᎮᏍᏗ ᏔᎳᏚ ᎾᏂᎳᏍᏓᎸ ᎢᏏᎵ.\n“ᎤᏙᎯᏳ ᎤᏒᎯ!” \nᎥᏝᏰᏃ ᎾᏂᎥ, ᏣᎬᏫᏳᎯ, ᏣᎬᏫᏳᎯ, ᎬᏉᏎᎯ, ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏭᏂᎾᏄᎪᎢᏍᏗ ᏱᎩ, ᎾᏍᎩᏍᎩᏂ Ꮎ ᎡᏙᏓ ᎦᎸᎳᏗ ᎡᎯ ᎠᏓᏅᏖᏍᎬ ᏧᏂᎸᏫᏍᏓᏁᎯ.\nᏂᏓᏠᏯᏍᏛᎾ ᏧᏓᎴᏅᏛ, ᎾᏍᎩ ᏂᏚᎩᏨᏂᏒ ᏣᎩᎷᏤᎭ, ᎾᏍᎩ Ꮎ ᏗᏆᎦᏌᏯᏍᏙᏗᏱ ᏂᎦᏛ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ.\n“Ꮒ!” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏫᎵᎻ ᏍᏉ ᏚᎧᏙᏍᏕᎢ ᏴᏫ ᏃᎴ ᎣᏍᏓ ᏗᎧᏃᏗ ᎠᏁᎸᏗᏍᎨᎢ.\nᎾᏍᏉᏰᏃ ᏴᏫ ᎤᏪᏥ ᎥᏝ ᏳᎷᏨ ᎪᎱᏍᏗ ᎠᎦᏛᏁᏗᏱ, ᎪᎱᏍᏗᏍᎩᏂ ᎤᏓᏛᏁᏗᏱ, ᎠᎴ ᎬᏅ ᏧᏲᎯᏍᏗᏱ ᏧᏓᏴᏙᏗᏱ ᎤᏂᏣᏘ.\nᎢᎦᏛᏃ ᏅᏲᎯ ᎨᏒ Ꭴ ᎳᎨᏯᏛᏤᎢ, ᎦᏲᎵ ᎦᏓ ᎦᎳᎨᏴᎢ, ᎩᎳᏉᏃ ᎢᏴᏛ ᎤᎵᏰᏁᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏌᎨᎢᏳᎨᏒ ᎦᏓ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏰᏃ ᏗᎦᏚᎲ ᏩᏁᏙᎲᎩ ᎠᎵᏍᏓᏴᏗ ᎤᏂᏩᏒᏒᎩ.\nᎠᏐᏴᎩᏃ ᎡᏆ ᎢᏅ ᎢᎦᏘ, ᎦᎶᎯᏍᏗᏱᏃ ᏔᎳᏚ ᏕᎪᏢᏒᎩ, ᎠᎴ ᎦᎶᎯᏍᏗᏱ ᏔᎳᏚ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᎩᎯ [ᏓᏂᏙᎬᎩ,] ᏚᎾᏙᎥᏃ ᏕᎪᏪᎸᎩ ᎦᎶᎯᏍᏗᏱ, ᎾᏍᎩ ᏔᎳᏚ ᎾᏂᎳᏍᏓᎸ ᎢᏏᎵ ᏧᏪᏥ ᏚᎾᏙᎥᎢ.\nᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎮᏯᏔᎮᏍᏗ ᏞᏍᏗ ᎩᎶ ᎪᎱᏍᏗ ᏥᎯᏃᏁᎵ; ᎮᎾᏉᏍᎩᏂ, ᎬᏂᎨᏒ ᏫᏂᏯᏛᏂᏏ ᎠᏥᎸᎨᎶᎯ, ᎠᎴ ᏩᎵᏍᎪᎸᏓ ᏣᏓᏅᎦᎸᎲ ᎤᎬᏩᎵ, ᎾᏍᎩ ᏱᏏ ᎤᏁᏨ ᎠᎵᏍᎪᎸᏙᏗᏱ, ᎾᏍᎩ ᎤᎾᏙᎯᏳᎾᏁᏗᏱ.\nᎨᏍᏗ ᏱᏥᎦᏔ ᎨᎩᏍᏕᎸᏗ ᏱᎩ.\n“ᎯᏢᎾ.\nᎠᎴ ᎠᎴᏂᏍᎨᏍᏗ ᏙᎦᎸᏂᎮᏍᏗ ᎢᏧᎳᎭ ᎨᏥᏅᏏᏓᏍᏗ, ᎠᎴ ᎢᏧᎳᎭ ᎠᎾᎵᏍᏓᏴᎲᏍᎨᏍᏗ ᎠᎴ ᏓᎾᏗᏔᏍᎨᏍᏗ ᏧᏂᏴᏍᏕᏍᎩ,\nᏧᎪᏅ ᏧᎪᎳ ᏃᎴ ᏧᏍᎧ ᏓᏑᏴ ᎤᏁᎦ ᎪᏍᏚ ᎤᏃᏔᏅ.\nᎾᏍᎩᏃ ᎠᏁᏙᎮ ᎩᎶ ᎬᏩᏃᏁᎸᎯ ᎬᏩᏁᎢᏍᏓᏁᎸᎯ ᎨᎵᎵ ᎠᏁᎯ, ᎾᏍᎩ ᎤᏂᎩᎬ ᏇᎴᏗ ᏚᏑᏰᏓᏁᎸ ᎠᏥᎸ-ᎠᏁᎶᎲᎢ.\n ᎠᏎᏃ ᎦᏳᎳ ᎬᎪᏩᏛᏗ ᏱᎨᏒᎾ ᎨᏎᎢ ᎧᏅᏂᏍᎩ.\n“ᎢᎨᏅᏍᏗᏉᏗ ᎦᏆᏛ ᎠᏗᏆᎸᏕᏲ ᎠᏆᎩᎸᏗ ᎠᏆᏚᎵ.” \nᎯᎠ ᏄᏂᏪᏒᎩ; ᏔᏕᏲᎲᏍᎩ, ᏱᏏ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎢ; ᎢᏳᏃ ᎠᏍᎦᏯ ᎠᏲᎱᏍᎨᏍᏗ ᏧᏪᏥ ᎾᏁᎲᎾ ᎨᏎᏍᏗ, ᏗᎾᏓᏅᏟ ᎠᏓᏰᎨᏍᏗ ᎤᏓᏴᏛ, ᎾᏍᎩᏃ ᏓᏛᎯᏍᏓᏁᎮᏍᏗ ᏗᏂᏲᎵ ᏗᎾᏓᏅᏟ.\n... ᏓᎶᏂᎨᏃ ᏒᎦᏔ ᎤᎾᏓᏛᏁᎢ.\nᎬᏂᏳᏉ ᎠᏤᏍᏙᎩᎯ ᏮᏓᏥᏯᏓᎡᏏ, ᎠᎴ ᎾᏍᎩ ᎤᏕᎵᏛ ᏗᎾᏂᏏᎲᏍᎩ ᎤᏣᏘ ᏓᎦᏥᏯᏕᏯᏙᏔᏂ ᎢᏳᏃ ᎤᏲ ᏄᏂᏁᏟᏴᏛ ᎢᎨᏎᏍᏗ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ.\nᏚᏒᏅᏃ ᎦᎵᏉᎩ ᎢᏳᎾᏓᎴᎩ ᏴᏫ ᎨᎾᏂ ᎠᏁᎯ, ᎾᏍᎩ ᎤᎾᏤᎵ ᎦᏙᎯ ᏚᏯᏙᎮᎴ ᏓᎾᏎᏍᎬᎢ.\nᏂᎯ ᎤᎶᏒᏍᏗ ᎯᏒᎩ.” \nᎾᏂᎥᏰᏃ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎨᏒ ᏴᏫ ᎠᏁᎲ ᎨᎪᏣᎴᏛ, ᏴᏫ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏥᏁᏤᎰᎢ, ᎾᏍᎩ [ᏧᏂᎸᏫᏍᏓᏁᏗᏱ] ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᎤᎬᏩᎵ, ᎾᏍᎩ ᏗᎬᏩᎾᎵᏍᎪᎸᏙᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏓᏁᏗ ᎨᏒ ᎠᎴ ᎠᏥᎸᎨᎳᏍᏙᏗ ᎾᏍᎩ ᎠᏍᎦᏂ ᎤᎬᏩᎵ;\nᎤᏂᎩᏍᏔᏁ ᏓᏆᎴᎳ ᎤᏅᏫᏍᏗᏍᎩ ᎡᎶᏗ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎯ, ᎾᏍᎩ ᎤᏣᏘ ᏥᏣᏚᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎠᏓᏅᏙ ᎤᏓᏁᏗ ᎨᏒᎢ, ᎢᏥᏲᎮᏍᏗ ᏗᏣᏓᏓᎵᏁᎯᏕᏗᏱ ᎾᏍᎩ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏗᏣᎵᏂᎪᎯᏍᏙᏗᏱ.\nᎩᎳᏈᏴ ᏭᎷᏤ ᎧᏁᏌᎢ ᏗᏥᏴ, ᏗᏯᏖᏃ ᎠᏰᎵ ᏭᏗᏍᎦᏝᏁ, ᎧᏁᏍᎦ ᎬᏗ ᎤᏚᏒᏁᎢ, ᎩᎶ ᎫᏩᎪᏩᏛᏗ ᏱᎨᏒᎾ.\nᎪᎳ ᎾᎥᏂ ᏃᏉ, ᎠᎦᏕᏍᏗ ᎤᏂᏂᎬᎨᏍᏗ ᎤᎾᏗᏍᎦᎶᏗ.\nᎾᏍᎩ ᎠᏴ, ᎢᎩᏯᏅᏛ ᏥᎩ, ᎥᏝ ᎠᏂᏧᏏᏉ ᎤᏅᏒ ᎠᏁᎲᎢ, ᎾᏍᏉᏍᎩᏂ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲᎢ;\nᎯᏲᏎᎸ ᏣᏚᏥ ᎰᎻ, ᏑᏓᎵ ᎠᏕᎸ ᏱᏕᎯᎬᏩᎶᏓ, ᎦᏙᏃ ᏛᏛᏂ.” \nᎡᎳᏗ ᎤᎨᏓᎵᏴ ᎤᎾᏟᎴ, ᎨᏴ ᎢᏳᏓᏅᎯᏓ, ᎤᏓᏦᏍᏗ ᎢᏴ ᎠᎼ.\nᎤᏪᏗᏱᏍᎩᏂ ᎠᏉᎸ ᏥᎦᏘᏏ ᎢᏗᏢ, ᎠᎴ ᏥᎦᏍᎦᏂ ᎢᏗᏢ, ᎥᏝ ᎠᏴ ᎠᏆᏓᏁᏗ ᏱᎩ; ᎤᏅᏒᏍᎩᏂ ᎾᏍᎩ ᎨᎦᏛᏅᎢᏍᏓᏁᎸᎯ ᏥᎩ\nᏈᏓᏃ ᎤᎦᏔᎲᏒ ᎤᎪᎲᎩ ᎠᏓᏍᏓᏩᏗᏒᎩ ᏥᏌ ᎤᎨᏳᎯ ᎠᏓᏍᏓᏩᏗᏙᎯ, ᎾᏍᎩ ᎤᏍᏛᎦᎸᏅᎯ ᏥᏌ ᎦᏁᏥᏱ ᎠᎾᎵᏍᏓᏴᎲᏍᎬᎢ, ᎠᎴ ᎯᎠ ᎢᏳᏪᏛ ᏥᎩ; ᏣᎬᏫᏳᎯ, ᎦᎪ ᎾᏍᎩ ᏣᏡᏗᏍᎩ.\nᎠᏎᏃ ᎣᎩᎲᎩ ᏦᎩᏲᎱᎯᏍᏗᏱ ᏚᏚᎪᏔᏅᎢ, ᎾᏍᎩ ᏱᎬᏮᏉ ᎣᎦᏓᎵᏍᎦᏍᏙᏗᏱ ᏂᎨᏒᎾ, ᎤᎾᎳᏅᎯᏍᎩᏂ ᎣᏣᎵᏍᎦᏍᏙᏗᏱ, ᎾᏍᎩ Ꮎ ᏓᏂᏲᎱᏒᎯ ᏗᎷᎯᏐᏗᏍᎩ;\nᎾᏍᎩᏂ ᎾᎦᏔᎲᎾ ᎨᏒ ᎠᎴ ᏰᎵᏉ ᎦᏰᏥᎵᎥᏂᏍᏗ ᎢᏳᏛᏁᎸᎯ ᎨᏎᏍᏗ ᎾᏍᎩ ᎦᏲᎵᏉ ᎢᏯᎬᏂᏍᏗ ᎨᏎᏍᏗ. ᏱᎶᏃ ᎤᏣᏘ ᎠᏥᏁᎸᎯ, ᎤᏣᏘ ᎠᏥᏔᏲᏎᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎩᎶ ᎤᏣᏘ ᏗᎬᏩᏲᎯᏎᎸᎯ ᏴᏫ, ᎾᏍᎩ ᎤᏟ ᎢᎦᎢ ᎬᏩᏔᏲᏎᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎤᏂᏍᎦᏅᏨ ᎠᎴ ᎤᏲ ᏄᎾᏛᏁᎵᏙᎸ ᎥᏝ ᎿᏉ ᎠᏆᏅᏓᏗᏍᏗ ᏱᎨᏎᏍᏗ.\nᎠᏓᏅᏙᏃ ᎯᎠ ᏄᏪᏎᎴ ᏈᎵᎩ; ᎾᎥ ᏫᎷᎩ ᏫᏯᎵᎪᎲᏏ ᎾᏍᎩ Ꮎ ᏓᏆᎴᎷ.\nᎤᏣᏔᏅᎯᏃ ᎠᎾᎵᎮᎵᎨ ᎾᎿ ᎦᏚᎲᎢ.\n”Ꮀ--Ꮋ!” ᎤᏪᎷᏁ.\nᎾᏍᎩ Ꮎ ᎠᏥᏅᏏᏓᏍᏗ ᎤᏅᏏᏙᎯ ᏓᎦᎷᏥ ᎢᏳᏉ ᎢᎦ ᎾᏓᎦᏖᏃᎲᎾ ᎨᏒᎢ, ᎠᎴ ᎢᏳᏉ ᎠᎵᏰᎵᏒ ᏁᎵᏍᎬᎾ ᎨᏒᎢ, ᎠᎴ ᏙᏓᏳᎦᎵᏏ, ᎠᎴ ᏮᏓᏳᏎᎮᎵ ᏄᏃᎯᏳᏒᎾ ᏗᏁᎲᎢ.\nᏫᎵᎻ ᏗᏯᎥ ᏗᏣ ᏭᏤᏪ ᎠᎹ, ᎠᏎᏃ ᎤᏅᏕ.\nᎤᏙᎯᏳᎯᏯ ᎬᏂᎨᏒ ᏂᏨᏁᎭ ᎾᏍᎩ ᎣᏏᏳ ᎢᏥᏰᎸᏒ ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎸ ᏗᏥᎦᏴᎵᎨᎢ; Ꮎ-ᏍᎩᏰᏃ ᎤᏙᎯᏳᎯ ᏚᏂᎸᎩ, ᏂᎯᏃ ᏕᏦᏢᎯᏏᎭ ᏕᎨᏥᏂᏎᎲᎢ.\nᎠᎴ ᏭᎷᏤ ᎠᎴ ᏚᎸᎡᎴ ᏓᏥᏐᏅᏅᎢ, ᎠᎴ ᎪᎢ ᎩᎦᎨᏃ-ᎠᏗᏔᏍᏗ ᏓᏍᏚᏞᎮᎢ, ᎠᎴ ᎤᏩᏒ ᎤᎩᎸᏙᏗ ᎤᎩᎸᎳᏁᎢ, ᏧᏂᏒᏍᏗᏱᏃ ᎠᏓᏁᎸ ᎤᏘᏃᎴᎢ, ᎠᎴ ᎤᏍᏆᏂᎪᏔᏁᎢ.\nᎩᎳᏈᏴ ᏚᎴᏁ ᏫᎵᎻ.\nᏔᎵᏁᏃ, ᎡᏥᎸᏉᏓ ᏱᎰᏩ, ᏂᎦᏗᏳ ᏗᏣᏓᎴᏅᏛ ᏴᏫ; ᎠᎴ ᎡᏥᎸᏉᏓ, ᏂᏥᎥᏉ ᏴᏫ.\nᎣᎩᎾᎵᎢᏰᏃ ᎠᎢᏒ ᎠᎩᎷᏥ, ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᏯᎩᎭ ᏥᏰᎳᏍᏙᏗ;\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᏥᏌ ᏫᎤᎷᏨ, ᎾᏍᎩ ᏴᏫ ᏕᎬᏩᏓᏂᎸᏤᎢ; ᏂᎦᏛᏰᏃ ᎬᏩᏕᏘᏰᎢ.\n”ᏙᎢᏳᏍᏗ ᎠᏴᏓᏆᎶᏍᎩ?” ᎤᏛᏁ.\nᎠᎳᏏᏗᏍᎨ ᏃᎴ ᎠᏍᎦᎢᎮ, ᎠᎾᎵᎪᎲᏍᎩ ᎠᏤ ᎤᏩᏛᎲ ᎤᎾᎵ.\nᎤᏛᎦᏁ ᎤᏥ ᎦᏬᏂᏍᎬ, ᎤᏍᏗ ᎠᏣᏗ, ᎤᏍᏗ ᎠᏣᏗ ᎣᏏᏉᏧ? ᎨᏍᏗ ᏫᎬᎩᎶᎯᏍᏗ ᏱᎩ ᏫᎬᎾᎩᏍᏗ, ᎠᏎᏃ ᏣᏟᏂᎩᏓ ᎤᏍᏗ ᎠᏣᏗ, ᏃᎴ ᏰᎵᏉ ᏘᏩᏛ ᏨᏌ ᏣᏁᎳᏗᏍᏗ ᎯᎸᎢᏴ.\nᏧᎾᏛᎾ ᏃᎴ ᏗᏂᏲᏟ ᏚᎾᏓᏂᏴᎮ ᏧᏃᏰᏂ ᏃᎴ ᎠᏂᏙᎾᎡᎢ ᎠᏂᎪᎵᏰᏍᎨ ᎠᏤᎯ ᏗᎦᏃᏣᏟ.\nᏰᎵ ᎠᏍᏆᏂᎪᏍᎨ ᏚᎷᏫᏍᏔᏁᎲ ᏌᎳᏓ; ᎤᏩᏌ ᎠᏓᏟᏃᎮᏗᏍᎨ, ᎦᏰᎵᏍᏗ ᎤᎵᎮᎵᏍᏗ ᎠᏓᏁᎮᎢ.\nᎾᏍᎩ Ꮎ ᎤᏢᏉᏗ, ᎪᎱᏍᏗ ᎾᎦᏔᎲᎾ, ᎤᎵᏰᏔᏁᎯ ᎦᏬᏂᎯᏍᏗ ᎨᏒ, ᎠᎴ ᏧᏘᏲᏌᏘ ᎠᎵᏃᎮᏍᎬᎢ, ᎾᎿ ᏨᏗᏓᎴᎲᏍᎦ ᎠᏛᏳᎨᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏗᏒᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏐᏢᎢᏍᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎪᎱᏍᏗ ᏗᏓᏕᎵᏎᏗ ᎨᏒᎢ,\nᏗᏰᎦᏟ ᏗᏆᏙᏃ ᏓᏂᏃᎯᎲ ᎤᏢᎩ ᏗᎦᏅᎬ ᏒᏃᏱᏃ ᏱᏄᎵᏍᏔᎾ ᎤᎿᏊ ᎠᏂᏟᏅᎬ ᎢᎦᏓ ᎦᏙᎯᏊ ᏓᏂᏰᏍᏛᎥᏍᎬ.\nᎾᏍᎩ ᎤᏚᎢᏍᏔᏅᎯ ᏥᏂᎨᏎ ᎠᎾᏙᎴᎰᏍᎩ ᏕᎬᏗᏍᎬ ᎾᎿ ᎦᎸᏉᏗᏳ ᎪᏪᎵᎯ,\nᏅᏩᏙᎯᏯᏛ ᎢᏨᎢᏯᏏ; ᏅᏩᏙᎯᏯᏛ ᎠᏆᏤᎵᎦ ᎢᏨᎥᏏ. ᎥᏝ ᎡᎶᎯ ᏣᏓᏁᎰ ᎾᏍᎩ ᎢᏳᏍᏗ ᏱᏨᎥᏏ; ᏞᏍᏗ ᎢᏣᏓᏅᏙ ᏳᏕᏯᏔᏁᎮᏍᏗ, ᎠᎴ ᏞᏍᏗ ᏯᏍᎦᎢᎮᏍᏗ.\nᎾᏍᎩ ᏥᏓᏂᏒᏁᎰ ᏧᏃᏑᎶᏨᎯ ᏓᏂᏁᎸᎢ, ᎠᎴ ᎤᎾᏠᎾᏍᏛ ᎪᎯᏗᏳ ᏣᎾᏓᏙᎵᏍᏗᏍᎪᎢ; ᎾᏍᎩ ᎤᏟᎯᏳ ᎢᎦᎢ ᎤᏂᎩᎵᏲᎢᏍᏗ ᎨᏎᏍᏗ.\n“ᏑᎾᎴ ᎠᎴ ᏔᎵ ᎢᏳᏒᎯ ᎠᎩᎵᏬᏨ ᎨᏎᏍᏗ.\nᎬᏅ ᎢᎪᎯᏛ ᎢᏯᏆᏦᎥᏁᏘ ᏃᎴ ᎠᏆᏓᏏᎳᏙᏘ, ᎤᏛᏅ .\nᎾᏍᎩᏰᏃ Ꮎ ᎤᏙᎯᏳᎯ ᏞᎦ ᎨᎩᎩᎵᏲᎢᏍᏗᏍᎬᎩ ᎤᏅᏒ ᎠᎾᏓᏅᏖᏍᎬ ᎾᎾᏛᏁᎲᎩ; [ᎤᏁᎳᏅᎯᏍᎩᏂ] ᎣᏍᏛ ᎢᎦᎵᏍᏓᏁᏗ ᎤᎬᏩᎸ, ᎾᏍᎩ ᎢᏣᏠᏯᏍᏗᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏩᏒ ᎠᏍᎦᎾ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎠᏓ ᎬᏗ ᏭᏂᏴᎮ ᎢᎾᏓ ᎠᏍᎪᎵ, Ꮓ ᏅᏲᎯ ᎦᏙ ᏫᏄᏩᏁᎴ.\nᎭᏫᏂᏗᏢᏃ ᎣᎩᏅᏍᏔᏅ ᎪᎱᏍᏗ ᎤᏍᏗ ᎠᎹᏰᎵ ᎤᏪᎧᎲ, ᏠᏗ ᏧᏙᎢᏛ, ᎤᏎᎦᏨᎯᏉ ᏗᎦᏲᎩᏂᏴᏗ ᏄᎵᏍᏔᏅᎩ ᎤᏍᏗ ᏥᏳ.\nᎤᎾᏝᎢᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏣᏁᎫᏥᏛ ᎠᎴ ᏣᏓᏄᎸᏗ ᎡᏣᏅᏏᏓᏍᏗ! ᎯᎦᏔᎲᎩ ᏥᏍᎫᏕᏍᎬ ᎾᎿ ᎾᎩᏫᏒᎾ ᎨᏒᎢ, ᎠᎴ ᎫᏖᏍᎬ ᎾᎿ ᎾᎩᎴᎳᏛᏅᎾ ᎨᏒᎢ!\n”ᎩᎳᏰᏃ ᎦᎴᏂ ᎦᏓᏅᏖᏍᎦ, ᎠᏎᏃ ᏥᏰᎵ ᎦᏓᏅᏖᏍᎬ.\nᎦᎶᏁᏛᏰᏃ ᎾᏍᏉ ᎥᏝ ᎤᏩᏒᏉ ᎣᏍᏳ ᎤᏰᎸᏗ ᏱᎾᏛᏁᎮᎢ; ᎯᎠᏍᎩᏂ ᏥᏂᎬᏅ ᏥᎪᏪᎳ ᎾᏍᎩᏯ [ᏄᎵᏍᏓᏁᎴᎢ,] ᎦᎬᏩᎾᏓᏐᏢᏛ ᎾᏍᎩ Ꮎ ᎦᎨᏣᏐᏢᏔᏅᎢ ᎠᏴ ᎠᎩᎷᏤᎸᎩ.\nᎠᏴ ᎠᏋᏒ ᎦᏓᏃᎮᏍᎩ, ᎠᎦᏴᎵᎨᏃ ᏅᏛᎩᏅᏏᏛ ᎾᏍᏉ ᎠᏴ ᎠᎩᏃᎮᎭ.\nᏚᎧᎿᏅᏃ, ᎯᎠ ᏄᏪᏎᎢ, ᏴᏫ ᎦᏥᎪᏩᏘᎭ ᎠᏁᎩᎭ ᏕᏡᎬ ᎾᏍᎩᏯᎢ.\nᏍᏈᏯ ᏣᎵᏍᏔᏴᏅ ᏃᎴ ᏣᏯᎶᏘᏓ, ᎨᏍᏗ ᏱᎦᏔ ᎢᏳᏍᏗ ᏂᏪᏍᎬᎢ.\nᏙᏉ ᎦᎵᏍᏓ ᏐᎢ ᎤᏪᏥ? ᎦᏙᏃ ᏳᏣᎩᏒᎾ?”\nᏥᏍᏚᏛ ᏙᏳ ᎤᏩᎾᏖ Ꮩ ᎤᏍᏗ ᎨᏒ.\n”ᎤᏙᎯᏳ ᎤᏍᏆᏂᎩᏗ ᏏᏆ,” ᎤᏛᏁ ᏣᏄᏏ.\nᎾᏍᎩ ᎤᏩᏒᎯ ᎠᏲᎱᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒ ᎤᎯ, ᎢᎦᎦᏛ ᎡᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎢᎦᎦᏛ ᎾᎿ ᎩᎶ ᎬᏩᎷᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎾᏍᎩ ᎩᎶ ᎤᎪᎲᎩ ᏂᎨᏒᎾ, ᎠᎴ ᎬᏩᎪᏩᏛᏗ ᏂᎨᏒᎾ ᎨᏒᎢ; ᎾᏍᎩ ᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎠᎴ ᎤᎵᏂᎩᏗ ᎨᏒ ᏫᎾᏍᏛᎾ ᎨᏎᏍᏗ. ᎡᎺᏅ.\nᎠᎴ ᏝᏍᎪ ᎠᏥᎤᏍᏕᏎᎸᎯ ᏂᎨᏒᎾ, ᎾᏍᎩ ᎤᏕᏅᏉ ᏄᏍᏛ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏍᏆᏂᎪᏗᏍᎩ ᏱᏙᎨᏧᎪᏓᏏ ᏂᎯ, ᎪᏪᎵ ᎠᎴ ᎠᎱᏍᏕᏍᏗ ᎨᏒ ᏗᎬᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎯᏲᏍᏗᏍᎩ?\nᏍᏈᏍᏓ ᏂᎦᎵᏍᏗᏍᎨ ᏍᎩᏴ ᎢᎦ --- ᎠᎬᏱ ᎢᎦ ᎤᏣᏓ ᎣᏍᏓ ᎨᏒ.\n“ᏃᏉ ᏂᎦᏓ, ᎯᏥᏧᏣ!” ᎤᏛᏁ ᎰᎻ.\n[ᎾᏍᎩ ᏄᎵᏍᏔᏅᎩ] ᎤᏙᎯᏳᏗᏱ ᏥᏌ ᎤᏁᏨᎢ, ᎦᏛᎬ ᎢᏳᎵᏍᏓᏁᏗᏱ ᎤᏲᎱᎯᏍᏗᏱ.\nᎤᎪᎲᏃ ᎠᏏᏴᏫ ᎦᏰᏥᏐᏢᏛᎢ, ᎤᏍᏕᎸᎮᎢ, ᎠᎴ ᎤᏞᏤᎴ ᎤᏲ ᎢᏯᎬᏁᎸᎯ, ᎠᎴ ᎤᎴ ᎢᏥᏈᏱ ᎡᎯ.\nᎠᎴ ᎠᏆᏛᎦᏅᎩ ᎩᎶ ᎧᏁᎬ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ, ᎠᎹ ᎤᏣᏘ ᏥᏚᏍᏆᏃᏴᎪ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎾᏍᎩᏯ ᎠᏴᏓᏆᎶᏍᎩ ᎤᏣᏘ ᏧᏍᏆᏃᏴᎪᎢ; ᎠᎴ ᏗᏂᏃᎩᏍᎩ ᏗᎧᏃᎩᏍᏙᏗ ᏗᏂᏃᎩᏍᏗᏍᎬ ᎤᏃᏴᎬ ᎠᏆᏛᎦᏅᎩ.\n”ᎨᏍᏗ ᏱᏗᎧᏔᎭ ᎢᏳᏍᏗ ᏄᏰᎵᏛᎢ, ᎠᏆᏓᏅᏖᏗ ᎨᏎᏍᏗ, ᏕᎪᏏᏌᏅ ᏔᎵᏁ ᎤᎾᏙᏓᏆᏍᎬ ᎦᎵᏥᏙᏅ.\n“ᎠᏋᏌᎩ? ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎤᏙᎯᏳ ᏲᏎ ᏲᎾ ᎤᏤᏍᏙ ᏰᏙᎮ, ᏳᏄᏝᎴ ᏃᎴ ᎤᏦᎠᏎᏗ ᏂᎨᏒᎾ ᏱᏄᏩᏁᎴ.\nᎾᏍᎩ ᏗᏂᎰᎵ ᏗᎧᎵᏬᎯ ᎠᏓᏍᎩᏅᏗᏍᏗ ᎨᏒ ᎠᎴ ᎤᏴᏍᏗ ᎨᏒᎢ.\nᎢᏳ ᎠᎴ ᎤᏪᏥ ᏳᏔᏲᏎᎸ, ᏥᎪ ᎦᏙᎬ-ᎠᏓᏨᏯᏍᏗᏍᎩ ᏱᎦᏅᎥᏏ.\nᏭᏓᏅᏖᎴ ᎤᏍᏗ ᎨᏴ ᏭᏘᏃᎸ ᎤᏔᏂᏗᎨ ᎨᏴᎢ.\nᎢᏨᏲᏎᎭ, ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏚᏓᎴᏛ ᏧᏪᏅᏒ ᏭᎶᏎᎢ, ᏐᎢᏃ ᎥᏝ. ᎩᎶᏰᏃ ᎤᏩᏒ ᎢᎠᏓᏌᎳᏗᏍᎨᏍᏗ ᎡᎳᏗ ᎢᏯᎬᏁᏗ ᎨᏎᏍᏗ, ᎩᎶᏃ ᎤᏩ-Ꮢ ᎡᎳᏗ ᏂᎠᏓᏛᏁᎮᏍᏗ ᎠᏥᏌᎳᏙᏗ ᎨᏎᏍᏗ.\nᏰᎵ ᎣᏍᏓ, Wilmington ᎠᎩᏩᏛᎲ ᎠᎹᏳᎸᏗ ᎤᎾᏨᏉᏛ ᎬᏂᎨ ᎤᏂᏍᎪᎸ ᏓᎬᎾ, ᎩᎳ ᏧᏂᏂᏴᏓ ᎠᎼ ᎡᏉ, ᎠᎾᏖᎸᎮᏍᎬ ᏧᏂᏍᏚᎩᏛ ᏧᏯᏍᎦ, France ᏓᏳᎶᏒ ᏓᎶᏂᎨ ᎠᏗᏔᏍᏗ ᎤᎵᏗᏨ ᏓᏂᏯᎩᏍᎬ ᏓᎬᎾ.\nᏗᏥᎦᏍᎩᏂ ᎡᏈᏌ ᏥᏅᏒ\nᏕᏥᏲᎵᎭ ᎾᏂᎥ ᎤᎾᏓᏅᏘ ᎦᎶᏁᏛ ᏥᏌ ᎠᏃᎯᏳᎲᏍᎩ. ᎣᏣᎵᏅᏟ ᎠᏂ ᏦᏤᏙᎭ ᏫᎨᏥᏲᎵᎭ.\n“ᏓᎴᎲᎦᏛ ᎤᏛᏁ ᎡᎶᏗ.\nᎠᏯᏦ?\n“ᎯᏢᎾ, ᎯᏢᎾ, ᎬᎨᏳᎯ, ᎠᏯ ᎠᏆᏤᎵ, ᎭᏫᏂ, ᎭᏫᏂ, ᏗᎩᏏ ᏃᎴ ᎤᎵᏏᎬᎢ; ᏤᏍᏗ ᏱᏍᎦᎢᎮᏍᏗ ᎠᎴ ᏤᏍᏗ ᎤᎯᏐᏗ ᏱᎨᏎᏍᏗ!\nᏣᏂ ᏧᏓᏬᏍᏗ ᎨᏒᎢ, ᎦᎸᎳᏗᏍᎪ ᏧᏓᎴᏁᎢ, ᏴᏫᏉᎨ ᎠᏁᎲᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᎭᏓᏁᎮᏍᏗ ᏞᏍᏗ ᎠᏤᎷᎩ ᎢᎬᏱ ᏫᏱᏃᏴᎵᏍᏗᏍᎨᏍᏗ ᎾᏍᎩ ᏥᎾᎾᏛᏁᎰ ᎤᎾᏠᎾᏍᏗ ᏧᎳᏫᎢᏍᏗᏱ ᎠᎴ ᎡᎾᎢᏓᏍᏗᏱ ᏕᎦᎳᏅᏛᎢ, ᏴᏫᏉ ᎬᏩᏂᎸᏉᏙᏗᏱ ᏧᏂᏰᎸᏐᎢ; ᎤᏙᎯᏳᎯᏯ ᎢᏨᏲᏎᎭ, ᎨᎦᎫᏴᎡᎸ.\nᎠᏯ ᎠᏆᏍᏗᎩ ᏱᎨᏎ ᏥᎦᏕᎥᏍᎬ ᏱᏍᎩᎴᎢᏍᎪ?\nᎠᏎᏃ ᎠᏴ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎩᎶ ᎤᏓᎵᎢ ᎢᎦᎧᎲᏍᎨᏍᏗ, ᏧᏂᏏᏅᎯᏍᎩᏂᏃᏅ ᎢᎨᏎᏍᏗ, ᎤᏓᏲᏁᏗᏱᏉ ᏂᎬᏂᏌᏁᎮᏍᏗ; ᎩᎶᏃ ᎠᏥᎧᏅᎯ ᎠᏓᏰᎨᏍᏗ ᎠᏓᏲᏁᎮᏍᏗ.\nᎠᎴ ᎬᏂᏳᏉ, ᎠᏓᏅᏙ ᎤᏂᏱᏍᎪᎢ, ᎠᎴ ᎩᎳᏉ ᎢᏴᏛ ᎨᎷᎲᏍᎪᎢ, ᎠᎴ ᎤᎸᏕᏍᏗᏍᎪᎢ ᎠᎴ ᏓᎭᏬᎢᎰᎢ, ᎤᏂᏆᎶᏛᏃ ᎦᏂᎳ ᎤᏓᏅᎡᎰᎢ.\nᏃᏥ ᏕᏧᎬ ᎾᎥ ᏭᎷᏨ, ᏅᏯ ᏚᏍᏓᎦᎸ ᏗᎦᏅᎯᏓ ᏧᏁᏍᏓᎳ ᏕᎦᏙᎥ ᏃᎴ ᏓᎶᏂᎨ ᎤᏣᎳ ᏄᏍᏛ.\nᎦᎳᎱᏂ ᎤᏬᏪᎳᏅ ᎪᏪᎵ ᎠᏆᏦᏩᎭᏂ, ᏩᎩᎷᏨ ᎤᏁᎦ ᎠᏓᏁᎸ, ᏩᎩᎶᏒ ᎠᏦᎭᏴ, ᏤᎩᏏᏂ ᎤᏤᎵ ᏐᏈᎵ ᎦᏙᎬ ᏕᎦᏫᏍᏛᏁᎲ ᏛᎦ ᏃᎴ ᎦᏟᎲ, ᎦᎶᎯᏍᏗ ᏩᎩᎶᏒ.\nᎤᎵᏏᎬ ᎨᏍᏗ ᎣᏍᏓ ᏗᎪᏩᏛᏗ ᏱᎨᏎ ᏚᎾᎧᏛ, ᎦᏲᏟ ᏗᎪᏩᏛᏗ ᎨᏒ ᎠᎾᏎᎵᏙᎲ ᏧᏃᏰᏂ.\nᎾᏍᎩ ᎾᏂᎥ ᎤᎾᏙᎴᎰᎯᏍᏙᏗ ᎨᏎᏍᏗ ᏍᎩᏍᏓᏩᏗᏙᎯ ᎨᏒᎢ, ᎢᏳᏃ ᏗᏣᏓᎨᏳᎯᏳ ᏱᎩ.\nᎤᏩᏙᎯᏴᏓ ᎨᏎ ᎠᏰᎸᎢ ᏃᎴ ᎧᏁᏉᎨ ᏂᎦᎨᏒ.\nᎥᏝ ᎠᎴ ᎦᎸᎳᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎭᏫᏂᏳ ᎨᏒᎢ, ᎥᏝ ᎠᎴ ᏅᏩᏓᎴ ᎠᏁᎳᏅᎯ ᎨᏒᎢ, ᏰᎵ ᎢᏴᏛ ᎢᎬᏩᏁᏗ ᏱᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎢᎩᎨᏳᏒᎢ, ᎾᏍᎩ ᎦᎶᏁᏛ ᏥᏌ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏅᏓᏳᏓᎴᏅᎯ ᏥᎩ.\nᏕᏥᎸᏫᏍᏓᏁᎲ ᏞᏍᏗ ᎢᏣᏓᏄᎸᏗ ᏱᎨᏎᏍᏗ; ᎤᎵᏂᎩᏛ ᏕᏣᏓᏅᏖᏍᏗ; ᎪᎱᏍᏗ ᎡᏣᏛᏁᎮᏍᏗ ᎤᎬᏫᏳᎯ.\nᏱᏓᏂᎳᏫᎦ ᎦᎵ ᎨᏐ ᎤᎵᏏᏂᏕᏅ ᏑᎾᎴ ᎢᎪᎯᏛ.\nᏂᎦᏓ ᎠᏰᎸ.\nᎢᏳᏃ ᎾᏍᎩ ᏚᏂᏅᏨ ᎤᏁᏅᎢᏍᏗᏍᎩ ᏱᎩ ᎡᎶᎯ, ᎠᎴ ᎾᏍᎩ ᎡᏍᎦ ᏄᎾᎵᏍᏓᏁᎲ ᎤᏁᏅᎢᏍᏗᏍᎩ ᏱᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᏂᎦᎥ ᎤᎶᏒᏍᏕᏍᏗ ᎠᏂᎧᎵᏨᎭ.\nᎿᏉᏃ ᏚᏍᏆᏃᏴᏔᏂᎩ, ᎠᎴ ᏚᏴᏓᏉᎶᎥᎩ, ᎠᎴ ᏚᎾᎦᎸᎲᎩ, ᎾᏍᎩ ᎢᎦᎢ ᎥᏝ ᎢᎸᎯᏳ ᏱᎬᏩᎵᏖᎸᏃ ᏴᏫ ᎡᎶᎯ ᎤᎾᏕᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎾᏍᎩ ᎢᏳᎵᏂᎩᏛ ᎠᎴ ᎾᏍᎩ ᎢᏳᏍᎦᏎᏗ.\nᎠᎴ ᎾᏍᎩ Ꮎ ᏓᏥᏁᎵ ᏑᎾᎴ ᎡᎯᏃᏈᏏ.\nᎬᏂᏳᏉᏃ ᎠᏏᏴᏫ ᎤᎷᏤᎸᎩ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎰᏍᏛ ᏔᏕᏲᎲᏍᎩ, ᎦᏙ ᎤᏍᏗ ᎣᏍᏛ ᎠᎱᏍᏗ ᏓᎦᏛᏁᎵ ᎠᎩᏩᏛᏙᏗ ᏫᎾᏍᏛᎾ ᎬᏂᏛ?\nᏥᎪ ᎾᏍᎩ ᏂᎦᎥ ᏧᏓᎴᏅᏛ ᎠᏎᏉᏉ ᎢᏥᎩᎵᏲᏨ? ᎢᏳᏃ ᎰᏩ ᎠᏎᏉᏉ ᏱᎩ.\nᏓᎾᎵᏍᏓᏴᎲᏍᎬᏃ ᎢᏳᎢ ᏓᏲᎯᏎᎮ ᎠᏏᏴᏫ ᎠᏴᎩ, ᎾᏍᎩᏉ ᎠᏂᏔᏲᎭ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏯᏫᏍᎨᏍᏗ, ᎥᏝᏰᏃ ᏱᏥᎦᏔᎭ ᎾᎯᏳ ᎢᎦ ᎨᏒ ᎠᎴ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎤᎷᎯᏍᏗᏱ ᏴᏫ ᎤᏪᏥ.\nᏏᏆ ᎤᏩᏌ ᎤᏂᎪᎮ.\nᏍᎩᏄᏍᏛ ᎣᏍᏓ ᎤᏂᏰᎸᎰ ᎠᏂᏣᎳᎩ.\nᎦᎵᏦᏕᏃ ᎠᏂᏯᎥ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏔᎵᏁ ᎢᎬᏩᏛᏛᏁ ᎾᏍᎩ ᎤᎬᏩᎵ.\n“ᏙᎤᏍᏗ ᏗᎧᏃᏗ?” ᎤᏛᏛᏁ ᎪᏱᏁᎢ.\n“ᏃᎴ ᎯᏍᏔᏖᎸᏂᎸ, ᏍᏔᏯ ᏕᏍᏗᏂᏴᎮᏍᏗ,” ᎤᏛᏁ ᎪᏱᏁᎢ, ᏍᏔᏯ ᏕᏍᏗᏂᏴᎮᏍᏗ.\n“ᎤᎵᏍᏆᎸᏗ ᏓᎪᏪᎳᏂ.” \nᎪᎯ ᎢᏯᏍᏗ ᎥᏝ ᎪᎱᏍᏗ ᏱᏥᎳᏲᏍᏔᏃ ᎠᏴ ᏓᏉᏙᎥᎢ. ᎢᏥᏔᏲᎭ ᏓᏰᏥᏁᎵᏃ, ᎢᏣᎵᎮᎵᎬ ᎤᎧᎵᎢᏍᏗᏱ.\n“ᎨᏍᏗ ᏱᏓᏓᎴᎦ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ, Ꮟ ᎩᎳᎯ ᎤᏂᏴᎮ ᎦᎷᏯᏍᏗ.\nᎢᏳᏃ ᎠᏁᎲ ᏂᏓᎩᎸᏫᏍᏓᏁᎲᎾ ᏱᎨᏎᎢ ᎩᎶ ᏧᎸᏫᏍᏓᏁᎸᎯ ᏂᎨᏒᎾ ᏥᎩ, ᎥᏝ ᎠᏍᎦᏂ ᏱᎬᏩᏁᎮᎢ; ᎠᏎᏃ ᎿᏉ ᎢᏧᎳ ᎪᎩᏂᎪᎲ ᎠᎴ ᎪᎩᏂᏍᎦᎩᏳ ᏄᎵᏍᏔᏅ ᎢᏧᎳ ᎠᏴ ᎡᏙᏓᏃ.\nᎤᎧᏛ ᎤᏍᎪᎵᏰᎥ ᎠᏓᏰᏍᏗᏍᎬ ᎦᎷᏯᏍᏗ, ᏚᎧᎾᏅ ᏣᎵ.\nᎾᎥᏂᎨ ᏚᎧᎾᏁ, ᎯᎸᎯᏳ ᏥᏲᎵᎩ ᏥᎨᏎ ᎠᏍᎦᏯ ᎾᎥᏂᎨ ᏤᏣᎧᏃᏗ.\nᎢᎦ ᏗᎧᎸᎬ ᎢᏣ ᏓᏳᏓᎴᏅ ᎣᏍᏓ ᎠᎪᏩᏛᏗ ᏂᎦᎵᏍᏕᏍᎨᎢ.\n“ᎦᏙᏃ ᏛᏁᎵ?” ᎤᏛᏁ ᏧᏍᏆᏴᏍᏗ, ᏚᎧᎾᏁᎢ ᏌᏌ.\nᎤᏂᏣᏘᏰᏃ ᏴᏫ ᎬᏩᏍᏓᏩᏛᏒᎩ, ᎠᏁᎷᎲᏍᎬᎩ ᎯᎠ ᎾᏂᏪᏍᎬᎩ; ᎯᎷᎦ.\nᎢᎬᏱᏱ ᎠᏍᎦᏯ ᎦᏙᎯ ᏅᏓᏳᏓᎴᏅᎯ, ᎦᏓᏉ ᎨᏎᎢ; ᏔᎵᏁ ᎠᏍᎦᏯ ᎤᎬᏫᏳᎯ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ.\nᎾᏍᎩᏃ ᎢᎦᏛ ᏚᎾᏕᏋᎯᏍᏗ ᏥᏫᏅᏗᏨᎷᏤᎵᏒᎾᏉ ᏥᎨᏐ ᎾᏍᎩᏯᎢ.\nᎠᏂᏅ ᏧᏩᏂ ᏧᎾᎵᏲ ᎠᏥᎸ ᎾᎥᏂ ᏫᏂᏚᏅᏅ ᏧᎾᎳᏏᏕᏅ, ᎤᏔᏃᎸᏓ ᎠᎵᏌ ᎳᏗᏍᎬ ᏓᏂᎾᏌᏛ.\nᏴᏫ ᎤᏂᏁᏨ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ, ᎠᏴ ᎣᎦᏛᎦᏅ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎡᎲᎢ; ᎦᏙᏃ ᏴᏫ ᎤᏪᏥ ᎠᏎ ᏓᏰᏥᏌᎳᏓᏂ ᎢᎭᏗᎭ? ᎦᎪ ᎾᏍᎩ Ꮎ ᏴᏫ ᎤᏪᏥ?\n”ᎣᏍᏓ!” ᎤᏛᏁ ᏌᎳᏓ.\nᎤᏬᏂᏒ.\nᎤᎬᏫᏳᎯᏰᏃ ᎤᏩᏒ ᏛᏠᎠᏏᎵ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ ᎤᎵᏠᏯᏍᏕᏍᏗ ᎤᏁᎷᎬᎢ, ᎠᎴ ᏄᎬᏫᏳᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎧᏁᎬᎢ, ᎠᎴ ᎠᏤᎷᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎤᏃᏴᎬᎢ; ᏧᏂᏲᎱᏒᎯᏃ ᎦᎶᏁᏛ ᎤᎾᎵᏍᎦᏙᏔᏅᎯ ᎢᎬᏱ ᏙᏛᎾᎴᏂ;\nᎾᏍᎩ ᎤᎾᏛᎦᏁᎢ, ᎠᎴ ᏚᎾᎵᏘᏎᎢ, ᎵᏍᏗ ᎠᎴ ᏓᏈ ᎵᎨᎣᏂᏯ ᏕᎦᏚᎲ ᏭᏂᎶᏎᎢ, ᎠᎴ ᎾᎿ ᎬᏩᏚᏫᏛ ᎨᏒᎢ.\nᏕᏥᏲᎵᎸᎭ ᏂᎦᏛ ᎨᏣᎦᏌᏯᏍᏗᏕᎩ, ᎠᎴ ᏂᎦᏛ ᎤᎾᏓᏅᏘ. ᎢᏓᎵ ᎠᏁᎯ ᏫᎨᏥᏲᎵᎦ.\nᎡᎳᏗ ᏄᎾᏛᎾᏕᎬ ᏚᏂᎷᏫᏍᏔᏁᎲ.\nᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏣᏓᏅᎾ, ᎾᎪᏃ ᎤᏲᎱᏒᎯ ᏱᎩ ᎠᎨᏳᏣ; ᎦᎵᎭᏉᏍᎩᏂ. ᎥᎬᏩᏰᏣᏍᏔᏅᏉᏃ.\nᏌᏩᏂ ᏧᏁᏨ ᎯᎠ ᏄᏪᏎᎢ; ᎠᏎᎨᎵ ᎾᏍᎩ Ꮎ ᎤᏟ ᎢᎦᎢ ᏗᎬᏩᏲᎯᏎᎸᎯ. ᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᏚᏳᎪᏛ ᏕᎱᎪᎵ.\nᎣᏏᏳᏰᏃ ᎠᏰᎸᏅᎯ ᎨᏎ ᎾᏍᎩ ᎤᏪᎯ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎦᎥ ᎠᎧᎵᎢᎯ ᎨᏒᎢ;\nᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎢᏣ ᏫᏚᎾᏓᏒᏍᏔᏁᎢ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎠᏃᎯᏍᏗᏍᎩ, ᎤᏁᎳᏅᎯᏰᏃ ᏧᏪᏥ ᏛᎨᎪᏎᎵ.\nᎠᎾᏍᎩᏓᏍᎬᏃ ᎤᏁᎳᏅᎯ ᏚᏁᏤᎸ ᎡᎶᏛᏱ ᏭᏂᎶᎯᏍᏗᏱ ᏂᎨᏒᎾ, ᎤᎾᏂᎩᏒ ᎤᏣᏘᏂᏉ ᎢᏗᏢ ᏭᏂᎶᏎ ᎢᎤᏁᏅ ᎤᎾᏤᎵᎪᎯ.\nᏈᏓᏃ ᎤᏅᏓᏕ ᏥᏌ ᎤᏁᏨᎯ, ᎯᎠ ᏥᏄᏪᏎᎴᎢ; ᎠᏏ ᏣᏔᎦ ᎾᏂᏴᎬᎾᎨᏎᏍᏗ ᏦᎢ ᏅᏓᏍᏆᏓᏱᎵ. ᎤᏄᎪᏨᏃ ᎡᎯᏍᏗ ᏫᏚᏠᏱᎴᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎤᏗᏛᎮ ᏓᏂᎧᏅᎢ, ᎠᎴ ᎤᏁᏎ ᎤᏤᏍᏙᎩ, ᎠᎴ ᏧᏪᏅᏒ ᏭᎶᏎᎢ, ᎦᎸᏉᏗᏍᎨ ᎤᏁᎳᏅᎯ.\n“Ꮘ-Ꮘ-Ꮘ!”\nᎥᏝᏍᎩᏂ ᏱᎬᎩᎪᏩᏔ ᎠᎭᏂ ᎦᎴᏫᏍᏗᎲᎢ\nᎠᎴ ᎾᏍᎩ ᏙᏛᏘᏂᏙᎵ ᎠᏙᎳᏅᏍᏗ ᏔᎷᎩᏍᎩ ᎪᏢᎳᏅᎯ ᏓᎬᏔᏂ; ᎠᎴ ᏗᏩᎵ ᏥᏕᎦᏓᏬᏗᏍᎪᎢ ᎾᏍᎩᏯ ᏙᏓᎦᏓᏬᏔᏂ; ᎾᏍᎩᏯ ᏓᎩᏲᎯᏎᎸ ᎡᏙᏓ.\nᏆᎩᏃ ᎧᏃᎮᏛ ᎤᎾᎵᏥᏙᏅ ᎠᏔᏓᏯ ᏭᏂᎷᏤᎢ.\nᏗᏣᏤᎵ ᏓᎶᏂᎨ ᎠᏕᎸ ᎠᎴ ᎤᏁᎬᎠᏕᎸ ᏚᏯᏍᏜᏛ, ᏚᏯᏍᏜᏛᏁ ᎢᏥᏃᎮᏍᎩ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏪᏰᏍᏗ ᎨᏎᏍᏗ ᎢᏥᏇᏓᎸ ᎠᏥᎸ ᏥᎦᏰᏍᎪ ᎾᏍᎩᏯᎢ. ᎢᏥᏟᏌᏅ ᏧᎬᏩᎶᏗ ᎤᎵᏍᏆᎸᏗ ᎢᎦ ᎨᏒ ᎤᎬᏩᎵ.\nᎠᏯᏖᎾ ᎧᏴᏌᏛᎢ ᎬᏗ ᏭᏩᏌᏙᏰᎢ ᎤᏪᏥ ᎤᏁᏍᎩᎸ ᏙᏰ, ᏂᎦᏓ ᎤᏂᏁᎵᏍᎩ ᎤᎾᎦᏙᏍᏕᎢ ᎤᏩᏌᏆᎸᏍᏔᎾ.\nᏉᎳ, ᎥᎩᏅᏏᏛ, ᏴᏫ ᎬᎩᏅᏏᏛ ᏂᎨᏒᎾ, ᎠᎴ ᏴᏫ ᎬᎩᏁᏤᎸᎯ ᏂᎨᏒᎾ, ᏥᏌᏍᎩᏂ ᎦᎶᏁᏛ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨ ᎾᏍᎩ ᏧᎴᏔᏅᎯ ᏥᎩ ᎤᏲᎱᏒᎢ ᎾᏍᎩ ᎬᎩᏁᏤᎸᎯ;\nᎥᏝ ᎠᎴ ᎾᏍᎩ ᎠᏴ ᏧᏃᏰᏂ ᏱᏚᎵᏍᏕᎸᏗ, ᏧᏂᎬᎪ ᎪᎱᏍᏗ ᎾᏍᎩᏯᎢ, ᏕᎠᏁᎮᏰᏃ ᏂᎦᏛ ᏓᏅᏅᎢ ᎠᎴ ᏓᏅᏬᎳᏕᏍᎬ ᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ.\nᎾᎿᏃ ᎠᎾᎵᏍᏓᏴᏂᏙᎮ ᎦᏚᏏ ᎤᏂᏣᏘ ᏑᎾᏓᏡᏈᎩ ᏏᏆ; ᎾᏍᎩᏃ ᎬᏩᏔᏲᏎᎴ ᎤᏁᎳᎩ ᏧᏪᎵᏎᏗᏱ ᎾᏍᎩ ᏫᏚᏂᏴᏍᏗᏱ; ᎤᏁᎳᎩᏃ ᏎᏪᎵᏎᎴᎢ\nᎦᎸᎶ ᎠᏰᎵ ᎢᏴ ᎤᏓᏍᏔᏅᏁᎢ ᎦᏂᏓᏛ, ᏑᎾᏙᏓᏆᏍᏗ ᎢᎪᎯᏓ ᎦᏃᎯᎵᏎ ᎤᏒᎯ.\nᏥᏍᎦᎢ ᎠᏋᏌ ᎨᏒ ᎤᏪᎵᏎ.\nᎤᏅᏏᏴ ᏓᏂᏒᎳᏍᎨ ᏌᏌ ᎠᏂᏓ.\nᎠᎴ ᎯᎠ ᎾᏂᏪᏍᎨᏍᏗ, ᎤᏲᏍᏛᏉ, ᎤᏲᏍᏛᏉ, ᎾᏍᎩ Ꮎ ᎡᏆ ᎦᏚᎲ ᎾᏍᎩ ᎤᏏᏙᎵ ᏙᎴᏛ, ᎠᎴ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ ᏥᏚᏣᏃᏛᎩ, ᎠᎴ ᎠᏕᎸᏓᎶᏂᎨᎢ, ᎠᎴ ᎤᏣᏘ ᏧᎾᎬᏩᎶᏗ ᏅᏯ, ᎠᎴ ᏓᎬᎾ-ᎢᏳᎾᏍᏗ, ᏥᏚᏣᏃᏛᎩ!\nᎠᏎᏃ ᎤᎾᏰᎯᏍᏗ ᎨᏎᏍᏗ ᎣᎩᎾᎵᎢᏴ! \nᎤᏕᎵᏍᏗ ᎤᏓᎾᏏᏅᏍᏔᏁᎢ ᎠᏦᏴ ᎾᎥᏂ, ᎤᏔᎴᎦᏒ ᏭᏕᎵᏤ ᎤᏩᏌ ᎤᏍᎪᏒ ᎠᏍᏚᏗ ᏃᎴ ᏫᎵᎻ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᎠᏰᎵ.\nᎾᏍᎩ ᎯᎠ ᏄᏂᏪᏒᎩ ᎠᏂᏌᏛᎥᏍᎬᎩ, ᎤᏄᎯᏍᏙᏗᏱᏉ ᎤᏂᏰᎸᏒᎩ. ᎠᏎᏃ ᏥᏌ ᎤᏗᏌᏓᏛᎩ, ᎦᏰᏌᏛᏃ ᎤᏩᏔᏅᎩ ᎤᏬᏪᎳᏅᎩ ᎦᏙᎯ.\nᏔᎵᏁᏃ ᎢᏴᏛ ᏭᎶᏒ, ᎤᏓᏙᎵᏍᏔᏁᎢ, ᏄᏪᏒ ᎾᏍᎩᏯ ᏫᏄᏪᏎᎢ.\nᎾᏍᎩ ᎬᎩᎪᎵᏰᎥ, ᏱᏗᎬᎩᏲᏎᎢ, ᎥᏝᏰᏃ ᎪᎱᏍᏗ ᎠᏲᎱᎯᏍᏗ ᎬᎩᏍᏛᏗᏍᏗ ᏱᎬᎩᏩᏛᎡᎴᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏚᏂᏲᏎ ᏥᏳ ᎠᎴ ᎤᏂᏙᏓ, ᎠᎴ ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᎠᏆᏛᎦᏅᎩᏃ ᎩᎶ ᎠᏍᏓᏯ ᏓᎧᏁᎬᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏛᏓᎴᎲᏍᎩ ᎯᎠ ᏂᏕᎦᏪᏎᎲᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ, ᎢᏤᎾ, ᎠᎴ ᎡᎶᎯ ᏫᏂᏐᏅᏯ ᎤᏁᎳᏅᎯ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎫᎫ ᏓᏟᏍᏛᎢ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᏍᏗ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎢᏤᎳᏗᏙᎮᏍᏗ ᏂᏥᎥᎢ. ᎡᎺᏅ.\nᎤᏲᎵᎴ ᎤᏍᏗ ᎧᏅᏂᏍᎩ.\nᎠᏂᏩᏥᏂ ᎤᏃᏟᏍᏗ ᎠᏉᏪᎳᏅ, ᏦᎢ ᎢᏳᏩᎬᏘ ᎠᎩᎪᎵᏰᎥ ᎩᎳ ᎠᏉᎵᏨ.\nᎾᏍᎩᏃ ᎩᎶ ᎠᏎ ᎾᎿ ᏭᏂᏴᏍᏗ ᏥᎩ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎢᎬᏱ ᎨᎦᎵᏥᏙᏁᎸᎯ ᎨᏒ ᎾᏄᏂᏴᎸᎾ ᏥᎨᏎᎢ., ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏄᏃᎯᏳᏒᎾ ᎨᏒᎢ.\nᏐᏉ ᎠᏫᎾᎨᏍᏗ ᎠᏍᎦᏰᎬᏍᏔ ᎠᏌᎻᏓ ᏧᏙᎢᏓ.\n(ᎾᏍᎩ Ꮎ ᎠᎨᏴ ᎠᎪᎢ ᎨᏎᎢ, ᎠᏌᎶᏈᏂᏏ ᎨᏎᎢ;) ᎠᎴ ᎾᏍᎩ ᎤᏍᏗᏰᏔᏁ ᎾᏍᎩ ᎤᏪᏥ ᎠᏛᏄᏣ ᎠᏍᎩᎾ ᎤᏄᎪᏫᏎᏗᏱ.\nᎠᎴ ᎠᏴ, ᎢᏓᎵᏅᏟ, ᎥᏝ ᎠᏓᏅᏙ ᏧᎾᏘᏂᏙᎯ ᎾᏍᎩᏯ ᎨᏨᏬᏁᏙᏗ ᏱᎨᏎᎢ, ᎤᏇᏓᎵᏉᏍᎩᏂ ᏧᎾᏘᏂᏙᎯ ᎾᏍᎩᏯᎢ, ᎾᏍᎩᏯᏉ ᏧᎾᏍᏗ ᏗᏂᏲᎵ ᎦᎶᏁᏛ ᏚᎾᏚᏓᏛ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎠᎦᏘᏏ ᎤᏬᏰᏂ ᎤᏩᏔᏅᎯ ᎤᏌᎳᏓᏅᎯ ᎨᏒᎢ, ᎠᎴ ᎠᎦᏴᎵᎨ ᎤᏚᎢᏍᏓᏁᎸᎯ ᎨᏒ ᏧᏁᏗᏱ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏪᏐᏅᏴ ᎯᎠ ᎪᎯ ᏥᏥᎪᏩᏘᎭ ᎠᎴ ᏥᏣᏛᎩᎭ.\nᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎧᏃᎮᏛ ᎨᏒ ᏓᏆᏢᏫᏎᎲᎢ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ, ᎯᎠ ᏅᏥᏪᏎᎸᎩ [ᏉᎳ]; ᏣᏚᎵᏍᎪ ᏥᎷᏏᎵᎻ ᏤᏅᏍᏗᏱ ᎾᎿᏃ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏤᏧᎪᏓᏁᏗᏱ.\nᎣᎭᏁ ᏃᏉ ᏩᏂᎷᎬ ᎠᏂᏫᎾᎨᏍᏗ ᏗᏂᎳᏫᎩ, ᏅᏙ ᏥᏗᎧᎸᎪ ᎢᎪᎯᏓ.\nᎦᏰᎵᏍᏗ ᎦᏲᏟ ᎤᎾᎵᏍᏕᎸᏙᏗ ᏍᎩᎾᎾ ᎨᏒ.\nᎢᏓᏓᏅᏟ, ᎥᏝ ᎢᏤ ᏗᎧᎿᏩᏛᏍᏗ ᏱᏨᏲᏪᎳᏁᎭ, ᎤᏪᏘᏉᏍᎩᏂ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩ ᏥᏥᎲᎩ ᏗᏓᎴᏂᏍᎬᎢ; ᎤᏪᏘ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩᏉ ᎧᏃᎮᏛ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏥᏁᏣᏛᎩᏍᎪᎢ.\nᎾᎿᏂ ᎬᏩᏛᏅᎩ, ᎠᎴ ᎠᏂᏔᎵ ᏅᏩᎾᏓᎴ ᎢᏧᎳᎭ ᏕᎨᎦᏛᏅᎩ ᎢᏧᎳ ᎢᏗᏢ ᏥᏌᏃ ᎠᏰᎵ.\n”ᎨᏓᎵ ᎢᏣ ᏩᏓᏒᏍᏓ!” ᎤᎾᏛᏁ ᏩᎦ.\nᎠᎴ ᎥᏝ ᎾᏍᎩ Ꮎ ᏑᎾᏓᎴᎩ ᎨᏒ ᎤᏅᏒ, ᎾᏍᏉᏍᎩᏂ ᏌᏉ ᎢᏧᏩᏁᏗᏱ ᏧᏪᏟᏐᏗᏱ ᎤᎾᏗᎦᎴᏲᏨᎯ ᎤᏁᎳᏅᎯ ᏧᏪᏥ.\nᎾᏍᎩ ᏥᎦᏙᎥᎯᏍᏗᏱ, ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎾᏍᎩ ᎤᏲᎱᏒ ᏚᎴᎯᏌᏅᎢ, ᎠᎴ ᎠᏇᎳᏗᏍᏗᏍᎬ ᎾᏍᎩ ᎤᎩᎵᏲᏥᏙᎸᎢ, ᎠᎴ ᎤᏲᎱᏒ ᎾᏍᎩᏯ ᎠᎩᏲᎱᎯᏍᏗᏱ;\nᎠᏎᏃ ᏥᏌ ᎠᏏ ᎠᎱᏍᏗ ᏯᏗᏯᎨᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏆᎴᏗ ᎤᏍᏆᏂᎪᎭᎢ.\nᏃᏊᏗ ᎠᏲᏟ ᎠᏍᎪᎵ ᎡᎳᏗ ᏥᏂᎬᏁᎮᎢ ᎠᏥᏒᏔᏁᎮ ᏃᎴ ᏍᎩᎾ ᎠᎦᏴᎵᎨ ᎠᏒᏂᎮ ᎠᎨᏳᏣ ᎤᏍᏘᏰᎬ ᏍᎩᎾ ᎦᏂᏰᎬ ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏍᏛᎢ ᎬᏗ.\nᏭᏂᎷᏣ ᏗᎾᏓᎪᎾᏗᏍᎬᎢ, ᎠᎾᏛᎩᏍᎨ ᎧᏃᎩᏍᏗ ᎦᏆᏛ ᎠᏗᏆᎸᏕᏲ ᏓᏳᏓᎴᏅ ᏃᎴ ᎠᏂᎪᏩᏘᏍᎨᎢ ᎠᏗᏆᎸᏕᏲᎲ ᎦᎸᎶᎢ.\nᎿᏉᏃ ᏚᏂᎦᎵᏒ ᏕᎦᏙᏌᏗᏍᏛ ᏔᎷᎩᏍᎩ ᏥᏳ ᏗᎦᎾᎯᏍᏙᏗ, ᎠᎺᏉ-Ꭿ ᏚᏂᏲᎯᏎᎸᎩ, ᎠᎴ ᏚᏂᎧᏁᏴᎲᎩ ᎦᏌᏛᏍᏗ ᏕᎦᎸᏍᏛᎢ, ᎠᎴ ᎦᏃᎸᎥᏍᎬᎢ ᎤᏂᏰᏙᎳᏛᏅᎩ ᎤᏍᏗ ᎠᏰᏙᎳᏛᏗ; ᏙᏱᏃ ᏫᏚᏄᎪᏔᏅᎩ.\nᎠᎴ ᎤᏦᏖ ᏧᏓᎴᏅᏛ ᏕᎦᏬᏁᏗᏍᎬ ᏚᎵᏥᏙᏁᎴ ᎠᏫ.\nᎢᏳᏃ ᎠᏩᏛ, ᎤᏙᎯᏳᎯᏯ ᎢᏨᏲᏎᎭ, ᎤᏟ ᏂᎦᎣ ᎠᎵᎮᎵᎪ ᎾᏍᎩ ᎨᏒ ᎢᏳᏍᏗ, ᏒᏍᎦᏉ ᏐᎣᏁᎳᏍᎪᎯ ᏐᎣᏁᎳᎦᎵ ᎢᏯᏂᏛ ᏄᎾᎴᏲᎥᎾ.\nᎯᎠ ᎾᏍᎩ ᏌᏉ ᏄᏅᏅ ᏚᎾᏓᏅᏛᎢ, ᎠᎴ ᏅᎩ-ᏗᎦᏅᏌᏗ ᏄᏍᏛ ᎤᎾᏒᎦᎸ ᎠᎴ ᏚᎾᎵᏂᎬᎬ ᏙᏛᏂᏲᎯᏎᎵ.\nᏂᎦᏛᏃ ᎤᏂᏍᏆᏂᎪᏎᎢ ᎠᎴ ᎤᎾᏓᏅᏖᏔᏁᎢ, ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᎦᏙ ᎯᎠ ᎦᏛᎦ?\nᎩᎶᏍᎩᏂ ᏳᏍᏆᏂᎪᏗ ᎾᏍᎩ ᎤᏁᏨᎯ, ᎾᏍᎩ ᎤᏙᎯᏳᎯᏯ ᎤᏁᎳᏅᎯ ᎠᎨᏳᏗ ᎨᏒ ᎤᎧᎵᏨᎯ ᎨᏐᎢ: ᎾᏍᎩ ᎯᎠ ᎢᏓᏙᎴᎰᎯᏍᏗᎭ ᎡᏗᏯᎥᎢ.\nᎠᎴ ᎠᏋᏒ ᎾᏍᏉ ᎠᏉᎯᏳᎭ ᏂᎯ ᎢᏨᏯᏓᏅᏖᏍᎬᎢ, ᎢᏓᎵᏅᏟ, ᎾᏍᎩ ᏂᎯ ᎾᏍᏉ ᎣᏍᏛ ᎨᏒ ᎢᏥᎧᎵᎢ ᎨᏒᎢ, ᎠᎴ ᏄᏓᎴᏒ ᎠᎦᏙᎥᎯᏍᏗᎨᏒ ᎢᏥᎧᎵᎥᎢ, ᏰᎵᏉ ᎾᏍᏉ ᏗᎨᏣᏓᎬᏍᎪᎸᏗ ᎨᏒᎢ.\nᎤᏲᎢᏴ ᎤᏕᏘᏴᏌᏗᏒ ᎦᏙᎯᏉ ᎠᏩᏛᏗ ᎪᎰᏍᏗ ᎠᎩᏍᏗ.\nᎤᎵᏍᏗᏳᏃ ᎠᏤᎵᏍᏛ ᎤᎾᏓᏅᏎᎢ, ᎠᏂᏍᎦᎢᎮ ᎠᎴ ᎤᏣᏘ ᎠᎾᎵᎮᎵᎨᎢ, ᎠᎴ ᏚᏂᏍᏆᎸᏔᏁ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏚᏂᏃᏁᎸᏎᎢ.\nᎤᏂᏣᏖᏰᏃ ᏚᏅᏩᏁᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎬᏩᏁᏄᎳᏍᏗᏍᎨ ᎬᏩᏃᏟᏍᏙᏗᏱ ᎤᎾᏚᎵᏍᎨᎢ, ᏂᎦᏛ ᎪᎱᏍᏗ ᏗᎾᎵᏍᏗᏍᎩ.\nᏦᎢᏁᏃ ᎢᎦ ᎣᎬᏒ ᏦᎪᏰᏂ ᏙᎬᏔᏅᎩ, ᎣᎦᏘᏅᏒᎩ ᎤᏤᎵᎦᏯ ᎤᎵᏁᏌᎸ ᏥᏳ.\nᎯᎠᏃ ᏄᏪᏎᎸᎩ; ᎦᏙ ᏣᏚᎵᎭ? ᎯᎠ ᏅᏓᏳᏪᏎᎸᎩ; ᎭᎵᏍᎪᎸᏓ ᎯᎠ ᎠᏂᏔᎵ ᏗᏇᏥ ᏧᏂᏗᏱ ᏣᏤᎵᎪᎯ ᎨᏒᎢ, ᏌᏉ ᎯᎦᏘᏏ ᎢᏗᏢ, ᏐᎢᏃ ᎯᎦᏍᎦᏂ.\n“ᎠᏯᏍᏉ ᏥᏚᎢᏍᏗ,” ᎤᏛᏁ ᎠᎵᎮᎵᎩ.\nᏥᏳᎯᏃᎢᎤᎾᏣᏅ ᎦᏃᎸᎥᏍᎬ ᎤᏑᎵᎪᏨᎩ.\n“ᏓᏁᏏᏃᎨ, ᏣᎨ ᏌᎳᏓ?” ᎤᏛᏛᏁ.\nᎿᏉ ᎯᎠ ᎡᎶᎯ ᏙᏓᏰᎫᎪᏓᏁᎵ, ᎿᏉ ᎤᎬᏫᏳᎯ ᎯᎠ ᎡᎶᎯ ᎤᏤᎵᎦ ᏓᏰᏥᏄᎪᏫᏏ.\nᎿᏉᏃ ᏥᏌ ᏔᎵᏁ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏓᎦᏓᏅᏏ, ᏂᎯᏃ ᏍᎩᏲᎮᏍᏗ, ᎠᎴ ᎠᏎ ᎠᏍᎦᏂ ᎨᏒ ᏙᏓᏥᏲᎱᏏ, ᎠᎴ ᏫᏥᎦᏛ ᎥᏝ ᏫᏴᎨᏥᎷᎩ.\nᎾᎿᏃ ᏭᎷᏧ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏣᏓᏙᎵᏍᏓ ᎤᏓᎴᎾᏍᏗᏱ ᎨᏒ ᏫᏥᏴᏍᏗᏱ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎤᏔᏂᏓ ᎢᎾᏓ ᎤᏍᎦᏎᏗ ᎤᏦᏔᎮ ᏃᎴ ᎤᏩᏂᏍᏓᏂᏙᎴ, ᎤᏔᎶᎩᏍᎨ.\nᏍᎩᏴ ᎤᏒᎯ, ᏫᏥ ᏫᏣᏚᎦ ᎤᎪᏅ ᏍᎨᏫ ᎦᏥᏲᏎᎸ ᎠᏂᏧᏣ, ᎢᎦᏲᏍᏔ ᎠᏋᎭᏂᏍᏔᏅ ᏇᎯ.\nᏚᏙᏩᏗᏍᎬ ᏕᎦᏅᎯᏤᎨ.\nᎢᏕᎾ, ᏪᏥᎪᏩᏛ ᎠᏍᎦᏯ ᎠᎩᏃᏁᎸᎯ ᏂᎦᎥ ᎾᏆᏛᏁᎵᏙᎸᎢ. ᏝᏍᎪ ᎾᏍᎩ ᎦᎶᏁᏛ ᏱᎩ?\n”ᏔᏕᎶᎰᏏᏗ.\nᏗᏂᎦᏙᎵᏃ ᏚᎵᏍᏚᎢᏎᎢ, ᎠᎴ ᎢᎬᏬᎵᏤᎢ, ᎠᎴ ᎤᎵᏛᏔᏁ ᏓᏂᎧᏅᎢ.\nᎬᏂᏳᏉᏃ ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎢᎬᏱᏗᏢ ᏄᏛᏁ ᎤᏢᎩ ᎠᎹ ᎤᏓᏁᏁᎯ.\nᏧᎧᎭᏲᏓ ᏚᏑᎦ ᏧᏆᎶᎦ ᎭᏫᏂᏨ ᏧᏬᏰᏂ ᏃᎴ ᏗᎧᏂᎨᏂ ᏃᎴ ᏧᎳᏏᏕᏅ ᎤᎭᎨᏛ ᎾᏍᎩᏯ ᎤᏓᏔᏅ ᏧᏯᏍᎦ.\nᎠᏂᏃᏍᎩᏍᎩᏃ ᎾᏍᎩ ᎢᏧᎳᎭ ᏗᎨᎦᏛᏅᎯ ᎾᏍᏉ ᎦᎬᏩᏐᏢᏕᎢ.\nᎩᎶᏰᏃ ᎬᏅ ᎤᎨᏳᏎᏍᏗ, ᎠᎴ ᎣᏍᏛ ᎢᎦ ᏧᎪᏩᏛᏗᏱ ᎤᏚᎵᏍᎨᏍᏗ, ᏩᏲᏍᏙᏓᏏ ᎦᏃᎪᎢ ᎤᏲ ᎨᏒᎢ, ᏚᎭᏁᎦᎸ ᎦᎶᏄᎮᏛ ᎤᏁᎢᏍᏗᏱ ᏂᎨᏒᎾ;\n“ᎯᎦᏘᏰᏍᏗ! ᎤᏛᏁ ᎪᏱᏁᎢ.\nᏂᎦᎥ ᎪᎱᏍᏗ ᏓᎩᏲᎯᏎᎸ ᎡᏙᏓ; ᎥᏝ ᎠᎴ ᎩᎶ ᏯᎦᏔᎭ ᎾᏍᎩ ᎨᏒ ᎤᏪᏥ, ᎠᎦᏴᎵᎨ ᎤᏩᏒ; ᎠᎴ ᎾᏍᎩ ᎠᎦᏴᎵᎨ ᎨᏒ ᎤᏪᏥ ᎤᏩᏒ, ᎠᎴ ᎩᎶ ᏥᎾᏄᎪᏫᏏ ᎡᎳ ᎤᏪᏥ.\nᏧᏓᎴᏅᎮ ᎠᏂᏳᏩᏁᎦ ᏚᎾᎵᎪᏁᎸ ᎠᏂᏴᏫᏯ, ᎠᏂᏳᏩᏁᎦ ᎨᏥᏔᎶᏎ.\nᎥᏝ ᎩᎶ ᎠᏥᏅᏏᏓᏍᏗ ᏰᎵ ᎠᏂᏔᎵ ᎬᏩᏅᏏᏙᎯ ᎪᎱᏍᏗ ᏱᏙᎬᏛᏂᏏ; ᏱᎠᏍᎦᎦᏰᏃ ᏌᏉ ᏱᎤᎨᏳᎭᏃ ᏐᎢ; ᏱᏃᎤᏂᏴᏆᎴ ᏌᏉ ᏱᎦᏂᏆᏘᎭᏃ ᏐᎢ. ᏝᏍᎩᏂ ᏰᎵ ᎤᏁᎳᏅᎯ ᎠᎴ ᎹᎹᏂ ᎪᎱᏍᏗ ᏱᏙᎨᏣᏛᏂᏏ.\nᎤᎵᏏᏅᏗ ᎤᏍᏚᏁ ᎧᏁᏌᎢ.\nᎠᏎᏃ ᎨᏍᏗ ᏳᏓᏁᏥᏴᏌ ᏁᎵᏍᎬ ᎤᏙᏓ.\nᎠᎴ ᎯᏍᎩᏁ ᎠᏍᏚᎲ ᎤᏍᏚᎢᏒ, ᎠᏥᎸᎨᎳᏍᏗᏱ ᎭᏫᏂᏢ ᏓᎩᎪᎲᎩ ᏧᎾᏓᏅᏙ ᎾᏍᎩ Ꮎ ᏗᎨᏥᎸᎯ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎧᏃᎮᏛ ᎤᏂᏍᏛᏛᎯ, ᎠᎴ ᏄᏍᏛ ᎤᏃᎯᏳᏔᏅ ᎤᏂᏍᏛᏛᎯ;\nᎾᏍᎩ ᎻᏚᏏᎳ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎢᏃᎩ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏤᎳᏗ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎹᎵᎵᎵ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎧᏱᏅ ᎤᏪᏥ ᎨᏎᎢ,\nᎠᏂᏍᎦᏯᏃ ᏥᏌ ᏗᎬᏩᏂᏴᎯ ᎦᎬᏩᏐᏢᏕ ᎠᎴ ᏕᎬᏩᏂᎮᎢ.\nᎩᎶᏍᎩᏂ ᎢᎠᏆᏓᏱᎮᏍᏗ ᏴᏫ ᎠᏂᎦᏔᎲᎢ, ᎾᏍᏉ ᎠᏴ ᎾᏍᎩ ᏓᏥᏯᏓᏱᎵ ᎡᏙᏓ ᎦᎸᎳᏗ ᎡᎯ ᎠᎦᏔᎲᎢ.\nᎠᎴ ᏂᎦᏗᏳ ᏗᎦᏃᎦ ᎬᏂᎨᏒ ᎢᏳᏅᏁᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎨᏒᎢ, ᎦᎸᏉᏗᏳ ᎢᏳᏩᏁᎯ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨᎢ.\nᎠᎴ ᎠᎹᏱ ᏗᎦᏘᏯ ᏗᎧᎿᏩᏗᏙᎯ ᎥᏥᏯᏛᎦᏁᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ, ᏂᏍᎦᏅᎾ ᏣᎬᏫᏳᎯ, ᏂᎯ ᎾᏍᎩ ᏤᎭ, ᎠᎴ ᏤᎲᎩ, ᎠᎴ ᏤᎮᏍᏗ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏄᏍᏛ ᏕᏧᎪᏔᏅᎢ.\nᏣᎵ ᎤᎷᏤᎴᎢ ᏧᏭᎪᏓᏁᏗ ᏂᎦᏓ, ᎤᏓᎨᏛ ᎤᎷᏤᎴᎢ ᎤᏕᏘᏴᏒ ᎢᏳᏍᏘ, ᎨᏍᏗ ᎢᏳᏍᏗᏉ ᏳᏓᏂᏴᎡᎸ ᎠᎧᏔᎾᎥ.\nᎫᏰᏉᏂ ᎧᎸ ᎠᎬᏱ, ᏐᏈᎵ ᏧᏂᎷᏫᏍᏔᏁ ᏓᏄᏓᎸᎥᏍᎨ ᎦᏄᎸ ᎠᏣᎩᏍᎩ, ᏃᎴ ᎰᎻ ᎦᏅᏫᏍᏗᏍᎨ.\nᎬᏂᎨᏒᏃ ᏄᏩᏁᎸ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ, ᏦᏩ ᏚᏲᎯᏎᎴ ᎠᏰᎸᎢ.\nᎢᏳᏰᏃ ᎩᎶ ᏰᎵ ᎩᎶ ᎤᏤᎸᏎᏍᏗ, ᎩᎶᏉᏃ ᏂᎨᏒᎾ ᎢᏳᏎᏍᏗ, ᎤᏩᏒᏉ ᏯᏓᎵᏓᏍᏗᎭ.\nᎠᏂᏃᎯᎵᏙ ᎤᏂᏃᎮᎴ, ᎤᏣᎴᏓ ᏧᏤᎵ ᏴᏫ ᎯᎸᎯᏨ ᎦᏚᏏ ᎤᎾᏗᏍᎦᏢ, ᎠᎪᎾ ᏧᏂᏲᏏᏍᎩ ᏃᎴ ᏗᏂᎾᏬᎩ ᏃᎴ ᏧᏂᏨᎩ.\nᏂᎪᎯᎸ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᏄᏓᎴᏒ ᎠᏓᏙᎵᏍᏗ ᎨᏒ, ᎠᎴ ᎠᏔᏲᏍᏗ ᎨᏒ ᎠᏓᏅᏙ ᎬᏗ, ᎠᎴ ᎢᏥᏯᏫᏍᎨᏍᏗ ᎾᎿᏂ ᎢᏨᏗᏍᎨᏍᏗ ᏗᏯᏪᎢᏍᏗ ᏂᎨᏒᎾ, ᎠᎴ ᎠᏔᏲᏍᏗ ᎨᏒ ᎨᏥᏍᏕᎸᏗᏱ ᎤᎾᏓᏅᏘ ᎾᏂᎥᎢ.\nᏥᏌ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎢᏳᏃ ᏱᏦᎯᏳᎭ, ᎠᎴ ᏂᏣᏜᏏᏛᎡᎲᎾ ᏱᎩ, ᎥᏝ ᎯᎠᏉ ᏒᎦᏔ-ᎢᏳᏍᏗ ᏡᎬ ᏥᎾᎬᎦ ᏱᏅᎨᏣᏛᎦ, ᎾᏍᏉᏍᎩᏂ ᎯᎠ ᏱᏂᏥᏪᏎᎸ ᎯᎠ ᏦᏓᎸ, ᎭᏓᏅᎾ, ᎠᎴ ᎠᎺᏉᎯ ᏪᏣᏚᎦ, ᎠᏎ ᎾᏍᎩ ᎢᏳᎵᏍᏙᏗ.\nᎨᏍᏗ ᎪᎰᏍᏗ ᏯᎦᏔᎮ ᏄᎾᏍᏛ ᏧᎦᏴᎵ, ᏃᎴ ᎨᏍᏗ ᏳᏚᎵᏍᎨ ᎤᏕᎶᎰᎯᏍᏗ.\nᎠᏗᎾ ᎤᏬᎯᏳᎯᏳ ᎨᏎᏍᏗ ᎠᏔᏲᎯᎮᏍᏗ, ᎪᎱᏍᏗ ᏄᏜᏏᏛᎡᎲᎾ; ᎤᏜᏏᏛᎡᎯᏰᏃ ᎾᏍᎩᏉ ᎠᎺᏉᎯ ᏓᎵᏍᏗᎳᏁᎬ ᎤᏃᎴ ᏧᏃᎸᏔᏂᏙᎰ ᎠᎴ ᏧᎨᎯᏙᎰᎢ.\nᎠᏍᎪᎵ ᏭᏍᏘᏅ, ᎤᏍᎫᏈᏓᎩᏒ, ᎤᏅᏍᎦᏝᏅ, ᏦᎳ ᏣᎩᏍᏙᏍᎪ ᎢᎦᎦᏓ ᏄᏩᏁᎸ.\nᎠᏴ ᎤᏙᎯᏳᎯ ᎠᎹ ᏕᏨᏯᏬᏍᏗᎭ ᏗᏥᏁᏟᏴᏍᏗᏱ ᏕᏣᏓᏅᏛ ᎤᎬᏩᎵ; ᎠᏎᏃ ᎾᏍᎩ Ꮎ ᎣᏂ ᏨᏓᏯᎢ ᎤᏟᎯᏳ ᎤᎵᏂᎩᏗᏳ ᎡᏍᎦᏉ ᎠᏴ, ᏧᎳᏑᎶ ᎥᏝ ᏰᎵ ᏱᏂᎪᎢ ᏗᎩᏂᏓᏍᏗᏱ; ᎾᏍᎩᏍᎩᏂ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎠᎴ ᎠᏥᎸ ᏙᏓᏣᏬᏍᏔᏂ.\n”ᏙᎢᏳᏍᏗ ᎤᏍᏗ ᎪᎱᏍᏗ ᏥᏄᏍᏆᏂᎩᏗ? \n“ᎾᏄᏍᏗ ᎯᎠ!” \nᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎯ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᏂᎦᎵᏍᏗᏍᎬ ᎢᏥᎪᏩᏘᏍᎨᏍᏗ, ᎢᏥᎦᏔᎮᏍᏗ ᎤᏁ-ᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᎥᏂᏳ ᎨᏒᎢ.\nᎣᏍᏓ ᏱᎾᏛᎦ ᏱᏣᏍᏚᏅ ᏧᏍᏆᏅᎾ ᎠᎬᏱ ᎭᎾᎦᏔᎲᏍᎬᎾ, ᎤᏛᏅ ᏣᎵᏍᏙᏂ ᏓᏳᎶᏒ ᎠᏧᏣ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏓᎵᏅᏟ, ᎢᏣᏚᎵᏍᎨᏍᏗ ᎢᏣᏙᎴᎰᎯᏍᏗᏱ, ᎠᎴ ᏞᏍᏗ ᏱᏥᏅᏍᏙᏍᎨᏍᏗ ᎦᏬᏂᎯᏍᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏧᏂᏬᏂᎯᏍᏗ ᎨᏒᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ ᎾᏍᎩ ᎤᏣᏘ ᎤᎾᏕᏯᏔᏁᎮ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ, ᎡᏂᏳᏉ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᎾᎥ ᏚᎾᎴᏂᎴ ᏗᎬᏩᏔᎷᎩᏍᎩ ᏧᎾᏄᏩᎢ;\nᏍᎩᏴ ᎢᎦ ᏒᎮᏱᏣ, ᎤᎴᏫᏍᏔᎾ ᎦᏃᎸᎥᏍᎬ ᎡᏝᏪᎯ ᏃᎴ ᎤᎦᏃᏩ ᏄᎵᏍᏔᎾ, ᎬᏂᎨ ᎤᏍᎪᎸ ᏌᏌ ᏙᏱ ᎡᎶᎯ ᏚᏘᏅᏎ ᎦᎵᏉᎩ ᎢᏯᏂ ᏌᏌ ᎠᏂᏓ.\nᎾᏄᎾᏍᏗ ᎠᏂᏣᏗ ᏂᎬᎾᏛᎢ.\nᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏥᏲᏏᏍᎩ ᎪᎯ ᎨᏒᎢ; ᏙᏓᏦᎸᏏᏰᏃ. ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏣᏠᏱᎯ ᎪᎯ ᎨᏒᎢ; ᏛᏥᏰᏥᏰᏃ.\nᎢᏳᏃ ᎩᎶ ᏚᎸᏫᏍᏓᏁᎸ ᏱᏁᎬᏩᏍᏗᏉ ᎾᎿ ᎤᏁᏍᎨᎲᎢ, ᎾᏍᎩ ᎠᎦᎫᏴᎡᏗ ᎨᏎᏍᏗ.\nᎢᏗᎦᏔᎭᏃ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎤᎷᏨᎢ, ᎠᎴ ᎢᎩᏁᎸ ᎢᎪᎵᏍᏗᏱ, ᎾᏍᎩ ᎡᏙᎵᏍᏗᏱ ᎾᏍᎩ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᏥᎩ; ᎠᎴ ᎾᏍᎩ ᎡᏗᏯᎠ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᏥᎩ, ᎾᏍᎩ ᎤᏪᏥ ᏥᏌ ᎦᎶᏁᏛ. ᎾᏍᎩ ᎯᎠ ᎤᏙᎯᏳᎯᏯ ᎤᏁᎳᏅᎯ, ᎠᎴ ᏫᎾᏍᏛᎾ ᎬᏂᏛ.\nᎿᏉᏃ ᏧᏙ ᏓᏳᎾᏓᏅᏒᎩ ᎤᏛᎪᏗ, ᎯᎠ ᏅᏓᏳᏂᏪᏒᎩ, ᏣᎬᏫᏳᎯ, ᎬᏂᏳᏉ ᎯᎨᏳᎢ ᏥᎩ ᎤᏢᎦ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏗᏐᎢ ᏙᏗᎦᏚᎲ ᏫᏗᎶᎯ, ᎾᎿ ᎾᏍᏉ ᎦᎵᏥᏙᏂᏙᎸᎭ; ᎾᏍᎩᏰᏃ ᎢᏳᏍᏗ ᎠᎩᎷᏥᎸ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎦᏅᎾ; ᎠᎴ ᎾᏍᎩ ᎤᎵᏁᏨ ᎾᏍᎦᏅᎾ, ᎠᎴ ᏚᏳᎪᏛᎢ, ᎠᎴ ᎣᏏᏳ.\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᏦᏩ ᎿᏉ ᎠᏲᎱᏍᎨᎢ, ᎤᏁᎢᏍᏔᏁ ᎢᏏᎵ ᏧᏪᏥ ᎤᎾᏓᏅᏍᏗᏱ; ᎠᎴ ᏧᏁᏤ ᏧᎪᎳ ᎤᎬᏩᎵ.\nᏔᎵ ᎢᏯᏅᏓ ᏚᎵᏰᎵᏙᎴ ᏭᏂᎷᎯᏍᏗ ᏣᎳᎩᏱ ᎠᏰᎵ, ᏂᏓᏓᎴᏂᏍᎨ ᏄᏯᎩ ᎤᎾᎴᏫᏍᏔᏁ ᏚᎾᎦᏙᏍᏔᏁ ᎠᎾᏛᏁᎵᏍᎩ, ᏩᏏᏓᏂ ᎦᏚᎲ.\nᏚᎨᏓᎵᏴᏅ ᏂᎦᏗᏳ ᏗᎧᎵᎢᏍᏗ ᎨᏎᏍᏗ, ᏙᏓᎸᏃ ᎠᎴ ᏚᏌᎯᎸ ᏂᎦᏗᏳ ᎡᎳᏗᎭ ᎢᏗᎬᏁᏗ ᎨᏎᏍᏗ, ᏧᏓᏥᏃᏍᏈᏗᏰᏛᏃ ᎨᏒ ᏗᎦᏥᏃᎯᏍᏙᏗ ᎨᏎᏍᏗ, ᎤᏲᏃ ᏕᎦᏅᏅ ᎬᎾᏕᏍᎩ ᎢᏗᎬᏁᏗ ᎨᏎᏍᏗ.\nᎠᏰᎵ ᎠᏴᏫᏯ, ᎣᎦᏤᎵᎪ ᏙᏰ ᎠᎯ.\nᎠᎬᏱᏗᏣ ᎠᏍᏆᏚᎸ ᏍᏉᏪᎳᏁᎸᎯ.\nᎠᏯ ᏃᎴ ᏫᎵ ᏓᏨᏍᏆᏂᎪᏔᏂ.\nᎢᎸᎯᏢᏃ ᎠᏓᏁᎸ ᎢᏥᏴᎯᎮᏍᏗ, ᎢᎬᏱ, ᏅᏩᏙᎯᏯᏛ ᎡᎮᏍᏗ ᎠᏂ ᎠᏓᏁᎸᎢ, ᎢᏣᏗᏍᎨᏍᏗ.\nᎢᎦᏛᏍᎩᏂ ᎠᏂᏆᎵᏏ ᏗᏂᏅ ᏭᏂᎶᏒᎩ, ᎠᎴ ᏫᏚᏂᏃᏁᎸᎩ ᏥᏌ ᏄᏛᏁᎸᎩ.\nᎠᎩᎨᏳᎯ ᏂᎨᏒᎾ ᎥᏝ ᏱᏓᎧᎿᏩᏕᎪ ᎠᎩᏁᏨᎢ. ᎧᏃᎮᏛᏃ ᏥᏣᏛᎩᎠ, ᎥᏝ ᎠᏴ ᎠᏆᏤᎵᎦ ᏱᎩ, ᎠᎦᏴᎵᎨᏍᎩᏂ ᏅᏛᎩᏅᏏᏛ ᎤᏤᎵᎦ.\nᎾᎯᏳᏰᏃ ᎤᏣᏖᏍᏗ ᎠᎩᎵᏯ, ᎾᏍᎩ ᎢᎦᎢ ᎥᏝ ᎢᎸᎯᏳ ᏱᏄᎵᏍᏔᏃ ᎡᎶᎯ ᏧᏙᏢᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎪᎯ ᎢᏯᏍᏘ, ᎥᏝ ᎠᎴ ᎢᎸᎯᏳ ᎾᏍᎩ ᎢᏳᎵᏍᏙᏗ ᏱᎨᏎᏍᏗ.\nᎠᏂᏐᎢ ᎠᏂᏯᎢ ᏚᎪᎮ ᏲᎾ ᎤᏤᏍᏙ ᎠᏎᏃ ᏦᎳᏂ ᏫᏓᎧᏁ, ᎠᏓᏅᏖᏍᎨ ᏄᎵᎮᎵᏍᏛ ᎡᎶᎯ ᏃᎴ ᎣᏍᏓ ᏄᎵᏍᏔᏁᎸ ᏍᎩᎾᎾ ᎤᏓᏅᏘ ᎨᏒ ᎡᎲ ᏏᏆ.\nᎠᎬᏴᎵ ᎤᏃᏕᎾ ᎤᏁᎢᏍᏔᏁᎴ ᏁᏆᎸᎢ.\nᏥᎦᏔᎲᎩ ᎠᏍᎦᏯ ᎦᎶᏁᏛ ᎪᎯᏳᏍᎩ, ᎿᏉ ᏂᎦᏚ ᎾᏕᏘᏴ, (ᎠᏯᎥ ᎠᏰᎸ ᎥᏝ ᏱᏥᎦᏔᎭ, ᎠᎴ ᎠᏰᎸ ᎾᏯᎥᎾ ᎨᏒ ᎥᏝ ᏱᏥᎦᏔᎭ; ᎤᏁᎳᏅᎯ ᎠᎦᏔᎭ;) ᎾᏍᎩ ᎯᎠ ᎠᎦᏘᎾᏫᏛᎲᎩ ᏦᎢᏁ ᎦᎸᎶ ᏗᎨᏒ ᏩᎦᏘᏃᎸᎩ.\nᏳᎯᏐᏓᏁᎴ ᏌᎳᏓ ᏳᎾᎵᎪᎲᎾ ᏱᎨᏎ.\nᎨᏍᏗ ᎨᏙᎲ ᎢᎪᎯᏓ ᏳᏫᏓᏥᎩᏏᏙᎳ ᎠᎴ ᏱᏓᏥᏱᏙᎵ.\nᎾᏍᎩᏃ ᏄᏪᏒ, ᎤᎬᏫᏳᎯ ᏚᎴᏅᎩ, ᎠᎴ ᎠᏥᎦᏘᏗᏍᏗ ᎤᎬᏫᏳᎯ, ᎠᎴ ᏆᏂᏏ, ᎠᎴ ᎾᏍᎩ ᎤᎾᏅᏅᎯ,\nᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᎢᏦᎵᏍᏙᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏅᏙ; ᎾᏍᎩ ᎠᏓᏅᏙ ᎯᎠ ᎢᎦᏪᏍᎩ, ᏥᏌ ᎦᎶᏁᏛ ᎤᏇᏓᎵ ᎤᎾᏄᎪᏥᎴᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ.\nᎿᏉᏃ ᏆᎴᏗ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯᏰᎧᏂ? ᏥᏌ ᎯᎠ ᏄᏪᏒᎩ; ᏰᎵ ᏂᏫ, ᎠᎩᎬᏫᏳᎯᏰᏃ ᎠᏴ. ᏥᏃᎮᏍᎩ ᎤᏙᎯᏳᏒ ᎢᏯᏆᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏆᏕᏅᎩ, ᎠᎴ ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎡᎶᎯ ᎠᎩᎾᏄᎪᏥᎸᎩ. ᎾᏂᎥ ᎤᏙᎯᏳᏒ ᎤᏂᎨᏳᎯ ᎠᎾᏛᎩᏍᎪ ᏥᏁᎬᎢ.\nᎾᏍᎩ ᏄᏪᏎ ᎤᏣᏘ ᏚᏟᎶᏍᏓᏁᎴᎢ, ᎧᏃᎮᏛ ᏚᎵᏥᏙᏁᎴᎢ, ᎾᏍᎩ ᏰᎵ ᎬᏩᎾᏛᎪᏗ ᏂᎦᎵᏍᏗᏍᎬᎢ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏍᏕᎾ Ꮎ ᏕᏍᏗᏙᎬ ᏧᏳᎪᏗ ᏨᏗᎦᏚᎭ ᏫᏍᏗᏣᎯ; ᏫᏍᏗᏴᎸᏉᏃ ᎾᎿᏂ, ᏓᏰᏍᏗᏩᏛᎯ ᏗᎦᎵᎠᏅᎯᏛ ᎠᎩᎾ ᎨᎵᏌᏕᏍᏗ, ᎾᏍᎩ ᎥᏝ ᎩᎶ ᏴᏫ ᎤᎩᎸᏔᏅᎯ ᏱᎩ; ᎡᏍᏕᎵᏌᏕᏒᎭ ᎠᎴ ᏤᏍᏓᏘᏁᏒᎭ.\nᎿᏉᏃ ᎠᏖᎵᏙ ᎠᎹ ᎤᏟᏍᏔᏅᎩ, ᎠᎴ ᎤᎴᏅᎲᎩ ᏚᏬᏑᎴᎸ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏧᎾᎳᏏᏕᏂ, ᎠᎴ ᏚᏅᎦᎸᎡᎸᎩ ᎠᏄᏬ-ᏗᏑᎴᏗ ᎾᏍᎩ ᎤᏓᏠᏍᏛ ᎤᏩᏔᏅᎩ.\nᎾᏍᎩᏰᏃ ᎢᏳᏍᏗ ᏕᎩᎸᏫᏍᏓᏁᎭ ᎠᎴ ᎦᏰᎩᏐᏢᏗᎭ ᏅᏗᎦᎵᏍᏙᏗ ᎡᏓᎵᏍᎦᏍᏙᏛ ᎬᏂᏛ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᏗᏍᏕᎵᏍᎩ ᏥᎩ ᎾᏂᎥ ᏴᏫ, ᎾᏍᎩ Ꮀ ᎤᎬᏫᏳᎭ ᎾᏍᎩ Ꮎ ᎠᏃᎯᏳᎲᏍᎩ.\nᎣᎯᏍᏙᏗ ᎠᎵᏖᎸᏂᏍᏗ ᎤᏓᎡ ᎰᎻ.\nᎤᏂᏯᎸᏁᏃ ᎦᎸᎳᏗᏢ ᎤᎵᏍᏓᏛᎢ ᎢᏳᏍᏗ ᎨᏒ ᎤᎵᏱᎵᏕᎲᎢ, ᎯᎠ ᏂᎬᏁ ᎪᏪᎴᎢ; ᎯᎠᏲ ᏥᏌ ᎤᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ.\nᎯᎠᏃ ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎸᎳᏗ ᎤᏤᎵᎪᎯ ᎡᎳᏂᎬ ᎤᎾᎵᏥᏙᏂᏂᏓᏍᏗ ᎨᏎᏍᏗ ᎤᎾᏙᎴᎰᎯᏍᏗᏱ ᎾᏂᎥ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎩᎳᏃ ᎿᏉ ᏛᎵᏍᏆᏗᎵ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎤᏴᎸ ᎩᎶ ᎢᏳᏍᏗ ᏣᎦᏁᎶᏗ ᎠᏆᎵᏏ ᎦᏁᎸ ᎤᎵᏍᏓᏴᏗᏱ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ, ᎾᏍᎩ ᎬᏩᎦᏌᏯᏍᏕᎢ.\nᎯᎠᏃ ᎾᏍᏉ ᏄᏪᏎᎴ ᏭᏯᏅᏛ, ᎢᏳᏃ ᏕᎭᏕᎳᏍᏗᏍᎨᏍᏗ ᎢᎦ ᎡᎯ ᎠᎴ ᎤᏒ ᎡᎯ, ᏞᏍᏗ ᏱᏫᏘᏯᏂᏍᎨᏍᏗ ᏗᏣᎵᎢ, ᎠᎴ ᎢᏣᎵᏅᏟ, ᎠᎴ ᎪᎱᏍᏗ ᏗᏨᏅ, ᎠᎴ ᏧᏁᎾᎢ ᎾᎥ ᎢᏣᏓᎳ; ᎾᏍᏉᏰᏃ ᏂᎯ ᏱᏮᎨᏣᏯᏅ ᎠᎴ ᏴᎨᏣᏓᏴᏏ.\n“ᎯᎠᏛ ᎾᏅᏛᏁᎰ ᏱᎾᏚᎳᏑᏝᎾ,”  ᎤᏛᏁ ᏩᎭᏯ - ᎭᎴ ᎾᏦᎯᏍᎬ. \n“ᎨᏍᏗ ᎠᎵᏍᎪᎥᏍᎩᏱᎩ ᏌᎳᏓ.\nᎾᎥᏂᎨ ᎦᏙᎩ ᏩᎦ ᏭᏃᎯᏎᎴᎢ ᏌᏌ ᏫᎵᎻ ᎤᏓᎵᏗᎩᎡᎸ, ᏂᎪᎯᎸᎾ ᏂᎦᏓ ᎠᏂᎧᏔᎮᎢ ᏩᎦ.\nᎤᏁᏔᏅᎯ ᏰᎵᏉ ᏄᎵᏂᎬᎦ ᏧᎴᏙᏗᏱ ᎡᎵᏍᎨᎢ, ᎾᏍᏉ ᎤᏲᎱᏒᎯ ᏱᎩ; ᎾᎿ ᎾᏍᏉ ᏥᏚᏓᏂᎸᏤ ᏗᏟᎶᏍᏔᏅᎯ ᎾᏍᎩᏯᎢ.\nᏤᏈᎳᏂ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ. ᏦᏩ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ. ᏇᏂ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᎳᏅᎩ.\nᎠᏎᏛ, Private Perry, ᎦᎸᎳᏗᎨ ᏱᏣᏒᏓᏅ ᎠᏓ ᏏᏛ ᏳᎵᏏᎬᎾ.\n”ᏍᎩ, ᏍᎩ, ᏍᎩ!” ᎤᏛᏁ ᏌᏌ, ᎤᎷᏍᎫᏪᎢ ᏯᏕᎰᏍᎬᎾ.\nᎩᎶ ᏱᎪᎯᏳᎲᏍᎦ ᏥᏌ ᎾᏍᎩ ᎦᎶᏁᏛ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏕᏔᏅᎯ, ᎩᎶᏃ ᏳᎨᏳᎭ ᎤᏓᎾᏄᎪᏫᏒᎯ, ᎾᏍᏉ ᎠᏥᎾᏄᎪᏫᏒᎯ ᎤᎨᏳᎯᏳ ᎨᏐᎢ.\nᎠᎴᏉᏃ ᏐᏈᎵ ᎤᎵᏓᏍᎩᏎ ᎾᏍᎩᏴ ᎭᏁᎸᏗᏍᎨ ᏣᎵᏒᏗ ᎦᎶᏇ.\nᏗᎦᏅᎯᏛ ᏗᎬᏂᎨ ᏚᏑᎦᏢᎢ, ᏧᎵᏏ ᏧᏂᏔᎸᎩᏍᏗ ᏧᎾᏯᏨᏗ ᎢᏧᏅᏁᏗ, ᏣᎵ ᏧᎾᏅᏓᏗᏍᏙᏗ, ᎪᎯᏛ ᎫᏩᎶᏐᏅ ᎤᎾᏅᏓᏗᏍᏙᏗ.\n“ᎾᎾᎲ ᏐᎢ ᏣᎳᏏᏕᎾ?”\nᏎᎦ ᎤᎴᏫᏍᏔᏁ ᏫᎵᎻ, ᏃᏗ ᏭᏓᎾᏫᏛᎮ.\nᎾᏍᎩ ᎦᎶᏁᏛ ᏥᏄᏛ'ᏁᎴᎢ ᎤᏲᎱᏒ ᏥᏚᎴᏔᏁᎢ, ᎠᎴ ᎤᏩᏒ ᎠᎦᏘᏏᏗᏢ ᏧᏪᎧᏁᎢ ᎦᎸᎳᏗ ᏗᎨᏒᎢ,\n”ᏣᏤᎵ ᎨᏎᏍᏗ ᎤᏪᏥ.\nᎠᏎᏃ ᎢᏨᏔᏲᏎᎭ ᎢᏨᏰᎳᏗᏙᎲ ᎾᏆᏓᎾᏰᏍᏛᎾ ᎢᏯᏆᎵᏍᏙᏗᏱ ᏂᎨᏒᎾ, ᎾᏍᎩᏯ ᎾᏆᏓᎾᏰᏍᏛᎾ ᎦᏥᏴᏓᏁᏗ ᏣᎩᏰᎸᎭ ᎢᎦᏛ, ᎾᏍᎩ ᎤᏇᏓᎵ ᎠᏓᏅᏖᏍᎬ ᏓᏂᎧᎿᏩᏗ ᏥᎪᎨᎵᏎᎭ.\nᏣᏂᏃ ᏗᏓᏬᏍᎩ ᎤᎾᏄᎪᏨ ᏅᏓᎬᏓᎴᏅᏛ ᎪᎯ ᎢᏯᏍᏘ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎠᎾᏁᎷᎩᎡᎭ, ᎠᎾᏁᎷᎩᏍᎩᏃ ᎬᏍᎦᎢᏍᏓᎩ ᏓᏂᏂᏱᎭ.\nᎾᏍᎩᏴ ᏚᏂᎦᏘᎸᏎ ᎠᏂᏍᎦᏯ, ᏚᏂᎵᏒᎮ ᏚᏅᏍᎦᎸ ᎦᎷᏯᏍᏘ.\nᎠᏂᏯᏫᏍᎩᏃ ᎬᏩᏘᎾᏫᏛᎮ ᏫᎬᏩᏴᏔᏁ ᎤᎬᏫᏳᎯᏱ ᎠᏓᏁᎸᎢ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏣᏥᎳᏫᏤᏗᏱ, ᏂᎦᏛᏃ ᏑᎾᏓᏡᎩ ᏫᏚᏂᏯᏅᎮᎢ.\nᎤᏠᏱᏃ ᏧᎸᏫᏍᏓᏁᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂᏁᎸ ᎤᏪᏅᎩ, ᎠᎴ ᏚᎸᏫᏍᏓᏁᎸᎩ; ᏚᏂᎸᏫᏍᏓᏁᎲᏰᏃ ᏗᎦᎵᏦᏙᏗ ᏗᏃᏢᏍᎩ ᎨᏒᎢ.\nᎠᎴ ᎡᏂᏗ, ᎠᎴ ᏈᎵᎩ, ᎠᎴ ᏆᏙᎳᎻ, ᎠᎴ ᎹᏚ, ᎠᎴ ᏓᎻ, ᎠᎴ ᏥᎻ ᎡᎵᏈ ᎤᏪᏥ, ᎠᎴ ᏓᏗᏯ, ᎠᎴ ᏌᏩᏂ ᎠᎨᎾᏂᏗ,\nᎣᏍᏓ ᏑᎾᎴ!\n“ᏌᎳᏓ,” ᎤᎵᏰᏔᏁᎢ.\nᎯᎠᏰᏃ ᏂᏨᏪᏎᎭ, ᎾᏍᎩ ᎾᏂᎥ ᎤᏂᎯ ᎨᏥᏁᏗ ᎨᏎᏍᏗ; ᏄᏂᎲᎾᏃ ᏥᎩ, ᎾᏍᎩ ᎾᏍᏉ ᎤᏂᎲ ᎨᏥᎩᎡᏗ ᎨᏎᏍᏗ.\nᏄᎬᏫᏳᏒᏃ ᎠᏫ-ᏗᎦᏘᏯ ᎦᎾᏄᎪᏥᎸᎭ ᎡᏥᏅᏁᏗ ᎨᏎᏍᏗ ᎦᎸᏉᏗ ᎠᎵᏍᏚᎶ ᎠᏍᎪᎸᎩ ᏂᎨᏒᎾ.\nᏕᏨᏰᎷᎦᏰᏃ ᎤᏁᎳᏅᎯ ᏗᎬᏩᏓ Ꮒ-ᎸᎢᏍᏗ ᎠᏛ-ᏳᎨᏗ ᎨᏒ ᎬᏗᎭ; ᏌᏉᏰᏃ ᎠᏍᎦᏯ ᏗᏣᏨᏍᏗᏱ ᏂᏨᏴᏁᎸ, ᎾᏍᎩ ᎤᎵᏏᎾᎯᏍᏗ ᎠᏛ ᎢᎦᎦᏛ ᎦᎶᏁᏛ ᏫᏗᏨᏲᎯᏎᏗᏱ.\nᎾᏍᎩᏍᎩᏂ ᎢᏳᏍᏗ ᏞᏍᏗ ᏗᏧᎪᏔᏅᎩ ᎠᏏᏉ ᏄᏍᏆᎸᎲᎾ, ᎬᏂ ᎤᎬᏫᏳᎯ ᎦᎷᏨᎭ, ᎾᏍᎩ ᎢᎦ ᎦᏛ ᏥᏙᏓᎦᏁᏄᎪᏫᏏ ᎤᎵᏏᎬ ᏗᎬᏍᎦᎵ ᏥᎩ, ᎠᎴ ᎬᏂᎨᏒ ᏂᏙᏓᎬᏁᎵ ᏧᏂᎾᏫᏱ ᏄᏍᏛ ᏕᎾᏓᏅᏖᎸᎢ; ᎿᏉᏃ ᎾᏂᎥ ᎨᏥᎸᏉᏙᏗ ᎨᏒ ᎤᏁᎳᏅᎯᏱ ᏅᏓᏳᏓᎴᏅᎯ ᎨᏎᏍᏗ.\nᎠᎴ ᎤᏂᏍᏕᏲᏅ ᎠᎵᏍᏚᎶ ᏧᏣᏲᏍᏗ ᎪᏢᏔᏅᎯ, ᎤᏂᏍᏚᎳᏁᎢ, ᎠᎴ ᎦᎾᏍᏓ ᎠᎦᏘᏏ ᎢᏗᏢ ᎤᎾᏒᎦᎳᏗᏍᏔᏁᎢ; ᎠᎴ ᏓᎾᎵᏂᏆᏅᏁᎮ ᎠᎴ ᎠᎾᏕᎰᏗᏍᎨᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᎢᏨᏲᎵᎦ, ᏣᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ.\n”ᎠᏎ ᏍᎩ ᏂᎦᏥᏯᏛᏁᎰ.” \n”Ꮒ,” ᏧᎵᎢᏍᏙᏴᏗ ᏄᏪᏎ, ᎦᎵᏉᎩ ᎢᏯᏂ ᏌᏌ ᎠᏂᏓ ᎭᏗ.\nᎩᎶᏃ ᎠᏂ ᏅᏲᎯ ᎠᏢᏨᎭ ᏓᏳᏐᏅᏂ, ᎩᎶᏃ ᎤᏐᏅᎭ ᏓᏳᏪᏓᏪᏔᏂ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎤᏲ ᎤᎾᏓᏅᏔᏩᏕᎩ, ᏛᎨᏥᏄᏬᎯᏍᏔᏂᏰᏃ.\nᏚᏟᏂᏆᏅᏁ ᏃᎴ ᎤᏓᏙᎵᏍᏔᏁᎢ.\nᎤᏛᎦᏁ ᎠᏥᎸᏉᏗᏍᎬ ᏫᎵᎻ.\nᏂᎯᎾᎲ!\nᎠᎬᏓᎨᏂᏃ ᏚᏙᎥ ᎪᏪᎸᎩ, [ᎯᎠ ᏂᎬᏅᎩ] ᎤᏕᎵᏛ ᎨᏒᎢ, ᏓᏓᎶᏂ ᎡᏆ, ᎤᏂᏁᎫᏥᏛ ᎠᏂᎨᏴ ᎤᏂᏥ ᎠᎴ ᎤᏂᏆᏘᏍᏗ ᎡᎶᎯ ᎡᎯ.\nᏌᏗᏏᏃ ᎤᎾᏓᏡᎬ ᏧᎾᏁᎶᏗ ᏗᎧᎿᏩᏗᏙᎯ ᏫᏲᏪᎳᏏ, ᎯᎠ ᎾᏍᎩ ᏫᏂᏪᏏ ᎠᏗᎭ ᎾᏍᎩ Ꮎ ᎦᎵᏉᎩ ᏗᏓᏅᏙ ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᏧᏪᎯ ᏥᎩ, ᎠᎴ ᎦᎵᏉᎩ ᏃᏈᏏ ᏧᏪᎯ ᏥᎩ; ᏥᎦᏔᎭ ᏄᏍᏛ ᏕᏣᎸᏫᏍᏓᏁᎲᎢ, ᎬᏃᏛ ᏥᎨᏦᏎᎭ, ᎠᏎᏃ ᏣᏲᎱᏒᎯᏉ ᏥᎩ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏒᎩ; ᏗᏬᎪᏙᏗᏱ ᎠᎩᏰᎸᎭ ᎡᎶᎯ ᎠᎩᎷᏥᎸ, ᎾᏍᎩ Ꮎ ᎾᏂᎪᏩᏘᏍᎬᎾ ᎤᏂᎪᏩᏛᏗᏱ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᏂᎪᏩᏘᏍᎩ ᏗᏂᎨᏫ ᎢᏳᎾᎵᏍᏙᏗᏱ.\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎡᏍᎦᏉ ᎢᎦᎢ ᎤᏂᎩᎵᏲᎢᏍᏗ ᎨᏎᏍᏗ ᏔᏯ ᎠᎴ ᏌᏙᏂ, ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏎᏍᏗ, ᎤᏟᎯᏳ ᏂᎯ.\nᏅᎩᏦᏁᏃ ᎢᏯᏂᏛ ᏧᎾᏛᏐᏅᎯ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏄᏛᏅ ᎢᎬᏱᏗᏢ ᏕᎦᏍᎩᎸ ᏣᏂᏅᎩ, ᏚᎾᎵᏯᏍᏚᏅᎩ, ᎠᎴ ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎩ ᎤᏁᎳᏅᎯ,\nᎤᎩᏨᏛᏃ ᎤᏂᏣᏘ ᎥᏓᎵ ᎢᏍᎪᎾ ᏅᏛᏂᏙᎾᎢ, ᎤᎾᏙᎴᎰᏒ ᏅᏩᏓᎵ ᏥᏳ ᎾᏔᎸᎾ ᎨᏒᎢ, ᎾᏍᎩ Ꮎ ᎤᏩᏒ ᎬᏩᏍᏓᏗᏙᎯ ᎤᎾᏦᏔᏅᎯ, ᎠᎴ ᏥᏌ ᏂᏚᎵᎪᏁᎸᎾ ᎨᏒ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏥᏳᎯ ᎤᎾᏣᏅ, ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏅᏒ ᎤᎾᏂᎩᏒᎢ;--\nᎿᏉᏃ ᎢᏳ ᎩᎶ ᎯᎠ ᏂᏥᏪᏎᎸᎭ, ᎬᏂᏳᏉ ᎠᏂ ᎦᎶᏁᏛ; ᎠᎴ ᎬᏂᏳᏉ ᎾᎿᏂ; ᏞᏍᏗ ᎢᏦᎢᏳᏅᎩ;\nᎢᏥᏯᏫᏍᎨᏍᏗ ᎠᎴ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎾᏍᎩ ᏞᏍᏗ ᎤᏓᎴᎾᏍᏗᏱ ᏫᏥᎾᏄᎪᏨᎩ; ᎠᏓᏅᏙ ᎤᏙᎯᏳᎯ ᎤᏛᏅᎢᏍᏗ, ᎤᏇᏓᎸᏍᎩᏂ ᎠᏩᎾᎦᎳᎯᏳ.\nᎯᎠ ᎾᎩᏪᏒ, ᏕᎦᎳᏑᎳᏍᎪᎢᏃ ᏃᎴ ᏔᎵᏍᎪ ᎢᏴ ᏕᎦᏎᎯᎰ ᏗᎬᏆᎳᏑᎵ ᏃᎴ ᏍᎦᏫᏍᏓ ᎤᏂᎬᏫᏳ.\nᏗᏨᏂᏗᏳ ᎨᏒ ᏕᏥᏍᏕᎸᏙᏗᏍᎨᏍᏗ ᏗᏣᏓᏅᏙᎩ.\nᎿᏉᏃ ᎤᏴᎸ ᎤᎬᏫᏳᎯ ᏚᎦᏔᏂᎸ ᎠᎾᎵᏍᏓᏴᎲᏍᎩ, ᎤᎪᎮ ᎾᎿ ᎠᏏᏴᏫ ᏄᏄᏩᎥᎾ ᎨᏎ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎠᏄᏬᏍᏗ.\nᎦᎸᎳᏗᏣ ᏫᏚᎧᎾᏁ ᏫᎵᎻ.\nᏚᏖᏅᏎᏃ ᏈᏓ ᎠᎴ ᏥᎻ ᎠᎴ ᏣᏂ, ᎠᎴ ᎤᎴᏅᎮ ᎤᏣᏘ ᎤᏕᏯᏔᏁᎴᎢ, ᎠᎴ ᎤᏣᏘ ᎡᎯᏍᏗ ᎤᏓᏅᏓᏕᎢ;\nᎯᎪ ᏑᎾᎴ ᎠᎹ ᏚᏬᏚᎢᏍᏕ ᏂᎦᏓ ᏚᏏᎳᏛ.\nᏧᏍᏆᏴᏍᏗ ᎤᏲᎯᏍᏔᏅ ᎨᏎ ᏚᎷᏫᏍᏔᏁᎲ ᏃᎴ ᎯᎸᎯᏨ ᏪᏙᎮ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ; ᎦᏙᏃ ᏣᏂ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏯᏃᎩᏳ ᎠᎹᏟ ᎠᏅᏍᎪᎢ ᎠᎴ ᎠᎾᏓᏙᎵᏍᏗᏍᎪᎢ, ᎠᎴ ᎾᏍᏉ ᎠᏂᏆᎵᏏ ᎬᏩᏂᏍᏓᏩᏗᏙᎯ; ᏂᎯᏍᎩᏂ ᎨᏣᏍᏓᏩᏗᏙᎯ ᎠᎾᎵᏍᏓᏴᎲᏍᎪ ᎠᎴ ᎠᎾᏗᏔᏍᎪᎢ.\nᎡᎾᏰᏃ ᎤᏁᏨᎯ ᎨᏒᎩ ᎠᎦᎸᎢᏛ ᎠᎦᏘᏅᏍᏗᏱ ᎧᏱᏆ ᏄᎬᏫᏳᏒ ᎠᏥᎸᎨᎶᎯ ᏧᏪᏅᏒᎢ.\nᎨᏍᏗ ᏳᏣᏅᏕ ᎪᎰᏍᏗ ᎠᏛᏗ.\nᎠᏎ ᏗᎩᎸᏫᏍᏓᏁᏗ ᏅᏛᎩᏅᏏᏛ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎠᏏᏉ ᎢᎦ ᏥᎩ; ᎡᏃᏱ ᏓᏯᎢ, ᎾᎯᏳ ᏰᎵ ᎩᎶ ᏗᎬᏩᎸᏫᏍᏓᏁᏗ ᏂᎨᏒᎾ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏯᏫᏍᎨᏍᏗ, ᎥᏝᏰᏃ ᏱᏥᎦᏔᎭ ᎢᏳᏉ ᎤᎷᎯᏍᏗᏱ ᎢᏣᏤᎵ ᎤᎬᏫᏳᎯ.\nᎠᏆᎵᏏᏃ ᎤᎪᎲ ᎤᏍᏆᏂᎪᏎ ᏂᏚᏪᏑᎴᎥᎾ ᎨᏒ ᎠᏏᏉ ᏄᎵᏍᏓᏴᏅᎾ.\nᎾᎯᏳᏃ ᎢᎦ ᎥᏝ ᎪᎱᏍᏗ ᏱᏍᎩᏯᏛᏛᎲᏍᎨᏍᏗ. ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏂᎦᎥ ᎪᎱᏍᏗ ᎠᎦᏴᎵᎨ ᎡᏥᏔᏲᏎᎮᏍᏗ, ᏓᏉᏙᎥ ᎢᏨᏗᏍᎨᏍᏗ, ᎠᏎ ᎡᏥᏁᏗ ᎨᏎᏍᏗ.\nᎤᎩᏨᏓ ᎤᎧᎭᏕ.\nᎨᏍᏗ ᎤᏩᏌ ᎤᏕᎶᎰᏒ ᏱᎨᏎ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᎯᎠ ᏂᎬᏅᎪᏪᎳ; ᎠᏆᏤᎵ ᎦᎵᏦᏕ ᎠᏓᏙᎵᏍᏙᏗᏱ ᎦᎵᏦᏕ ᏚᏙᎡᏍᏗ; ᎠᏎᏃ ᎯᎠ ᎠᏂᏃᏍᎩᏍᎩ ᎤᏂᏴᏍᏗᏱ ᏂᏨᏁᎸ.\nXX. ᎢᏳᏪᏅᏍᏗ ᎤᎵᎪᏅᏔᏅᎢ  \nᏤᎩ, ᏃᎴ ᎠᏧᏣ ᏩᏏᏓᏂ - ᏧᏬᏗᎨ ᏧᏬᏍᎩᎵ ᏚᎾᎵᏍ. ᏇᏚᎬ, ᎤᏛᏐᏅ ᏣᎵ ᎤᏁᎦ ᎠᎭᏄᏮ.\nᎠᎴ ᏧᏂᎦᎵᏴᏓ ᏌᎪᏂᎨ ᎠᏑᏫᏍᏙᏗ ᏃᎴ ᎤᏥᎸ ᏚᏂᏫᏒ, ᎠᏓᎸᏃᏗᏍᎩ ᏚᏍᏔᏅᏅ, ᎦᎸᎶ ᏃᎴ ᎡᎶᏚᏦᎯᏍᏛ ᎢᏳᏓᏅᎯᏓ, ᎯᎸᎯᏳ ᎠᎩᎪᎲ ᏱᎨᏒᎾ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᏄᏍᏛ ᏥᏌ ᏚᏁᏤᎸ ᎾᏍᎩ ᏄᎾᏛᏁᎸᎩ, ᎠᎴ ᎣᏍᏛ ᏄᏅᏁᎸᎩ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ.\nᏚᏓᏅᎡᎸᎩᏃ, ᎠᎴ ᎦᏚᎲ ᎤᏄᎪᏨᎩ, ᏇᏗᏂᏱ ᏭᎷᏨᎩ, ᎠᎴ ᎾᎿ ᎤᏒᎸᎩ.\nᏂᎦᏗᎹᏏ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎾᏍᎩ ᏱᏄᏍᏗ?\nᏦᏩᏃ ᎠᏰᎸ ᎤᏁᏒ ᎤᏪᏣᏄ ᎶᏔᏁ ᎦᏓᎭ ᏂᎨᏒᎾ ᎠᏄᏬ ᎤᏁᎬ;\nᎨᏍᏗ ᏱᏚᏓᏟᏴ ᏲᎾ, ᏐᏉ ᎤᏦᏔᎮ.\nᎠᏎᏃ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᎢᏳᏩᏂᏌᏛ ᎠᏴ ᎾᏆᏍᏛ ᎾᏆᏍᏗ; ᎠᎴ ᎾᏍᎩ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎥᎩᏁᎸᎯ ᏥᎩ, ᎥᏝ ᎠᏎᏉᏉ ᏱᏄᎵᏍᏔᏅ; ᎤᏟᏰᏃ ᎢᎦᎢ ᏓᎩᎸᏫᏍᏓᏁᎲ ᎡᏍᎦᏉ ᎾᏍᎩ Ꮎ ᎾᏂᎥᎢ; ᎥᏝ ᏍᎩᏂᏃᏅ ᎠᏴ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏗᎩᎧᎿ ᏩᏗᏙᎸᎯ.\nᎿᏉᏃ ᎤᏍᏆᎸᎮ ᎾᎪᏔᏅᎾ ᎨᏒ ᎦᏚ ᎠᎩᏍᏗᏱ, ᎾᏍᎩ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎠᎯᏍᏗ ᎨᏒᎢ.\nᎯᎪ ᎢᏳᎳ ᏳᏚᎵ ᏧᏨᏉᏓᏁᏘ ᏗᏂᏲᏟ, ᎬᏂᎨᏒ ᏂᏕᎬᏁᎮ ᏚᏁᎸᎲ ᎦᏐᎯ ᏃᎴ ᏕᎦᏄᎳᏥᏴ ᎦᏚᎢᏣ ᏚᏇᏄᎩᏒ ᎤᎪᎸ ᎢᏴ ᏲᎾ.\nᎾᎯᏳᏃ ᏗᎦᏃᏣᎵ ᎠᏴᎩ ᎤᏂᎧᎮ ᏆᎳᏆᏧᏙᎢᏛ.\nᎠᏚᏓᎴᏓ ᎠᏆᏓᎾᏛᎢ.\n“ᎯᏁᏒᎲᏛ ᎤᏓᏍᏗᏰᏕ ᏫᎵᎻ.\n”ᏍᎦᏃᎳ, ᏍᎦᏃᎳ!” ᎤᏛᏁ ᏌᎳᏓ.\nᏥᏌᏃ ᏧᏓᎿᏩᏛ ᎦᏁᎲᎩ ᎤᏄᎪᏨᎩ, ᎤᏍᏆᎷᎪ ᏚᏙᎥ ᎤᎷᏨᎩ, ᎾᏍᎩ ᎪᎵᎦᏓ ᏚᏙᎥ ᎠᏂᏧᏏ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᎠᏅᏗᏍᎬᎢ;\nᏆᎴᏗᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ, ᎦᏙ ᎤᏍᏗ ᎤᏲ ᏚᎸᏫᏍᏓᏁᎸ? ᎠᏎᏃ ᎤᏟᏉ ᎢᏯᏍᏓᏯ ᎤᏁᎷᏁᎢ, ᎯᏯᏛᎥᎦ, ᎤᎾᏛᏁᎢ.\nᎠᎴᏬ ᏥᏐ ᏚᏬᏁᏔᏅᎩ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏴ ᎡᎶᎯ ᎢᎦ ᏥᏯᏘᏍᏓᏁᎯ; ᎩᎶ ᎠᎩᏍᏓᏩᏕᎨᏍᏗ ᎥᏝ ᎤᎵᏏᎬ ᏱᎦᏰᏙᎮᏍᏗ; ᎠᏛᏂᏗᏍᏙᏗᏍᎩᏂ ᎢᎦ ᎤᏤᎵᎦ ᎨᏎᏍᏗ.\nᎤᏩᏙᎯᏴᏓ ᎨᏎᏍᏗ ᎮᎲᎢ, ᏫᎵᎻ.\nᎢᏳᏰᏃ ᏦᏑᏩ ᏱᏚᏁᎴ ᎤᎾᏣᏪᏐᎸᏍᏙᏗᏱ, ᎥᏝ [ᎤᏁᎳᏅᎯ] ᎣᏂ ᏱᎬᏩᏁᎢᏍᏔᏁ ᏅᏩᏓᎴ ᎢᎦ.\nᎩᏥ, ᏱᏣᏚᎵᎭᏍᎪ ᏍᎩᎾᎾ ᎢᏣᏛᏁᏗ?”\nᎦᏙᏃ ᎥᏆᎫᏴᎡᏗ ᎨᏎᏍᏗ? ᎯᎠ ᎾᏍᎩ, ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎵᏥᏙᎲᏍᎨᏍᏗ ᏧᎬᏩᎶᏗ ᏂᎨᏒᎾ ᎢᏯᏋᏁᏗᏱ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ; ᎾᏍᎩ ᎤᏲ ᎢᏯᏆᏛᏁᏗᏱ ᏂᎨᏒᎾ ᏄᏍᏛ ᎠᏆᏒᎦᎸ ᎣᏍᏛ ᎧᏃᎮᏛ ᎨᏒᎢ.\nᎠᎴ ᎠᏍᏓᏯ ᎤᏪᎷᏁ ᎯᎠ ᏄᏪᏎᎢ; ᎦᏙ ᏗᎩᎾᏓᏛᏙᏗ ᏂᎯ ᏥᏌ, ᏩᏍᏛ ᎦᎸᎳᏗᏳ ᎡᎯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ? ᎬᏁᏤᎭ, ᎤᏁᎳᏅᎯ ᎬᏁᎢᏍᏓᏁᎭ, ᎾᏍᎩ ᏍᎩᎩᎵᏲᎢᏍᏙᏗᏱ ᏂᎨᏒᎾ.\nᎾᏍᎩᏯ ᎡᏆᎭᎻ ᏧᏬᎯᏳᏁ ᎤᏁᎳᏅᎯ, ᎠᎴ ᏚᏳᎪᏛ ᏥᏄᏛᏁᎶ ᏣᏥᏰᎸᎾᏁᎴᎢ.\nᎯᎠᏃ ᏂᏚᏪᎭᎸᎩ; ᎦᎪ ᎯᎠ ᏓᎦᏟᎶᏍᏗ, ᎠᎴ ᎦᎪ ᎠᏥᏃᎮᎭ ᎯᎠ ᏥᎪᏪᎳ?\nᎤᏴᏍᏗᏍᎩᏂ ᎠᎵᏍᏓᏴᏗ ᏧᎾᏛᎾᏯ ᎤᏁᎵᏍᏓᏴᏙᏗ ᎨᏐᎢ, ᎾᏍᎩ Ꮎ ᎤᏂᎩᏌᎲ ᎢᏳᏍᏗ ᎬᏩᎾᏙᎴᎰᎯᏍᏗ ᎨᏐ ᎣᏍᏛ ᎨᏒ ᏄᏍᏛᎢ, ᎠᎴ ᏄᏍᏛ ᎤᏲ ᎨᏒᎢ.\nᎠᏴᏰᏃ ᎠᏆᏍᏗᎧᏂ ᎣᎩᏅᏏᏛ ᎨᏒᎢ, ᎾᏍᎩ ᎥᏝ ᏰᎵ ᎠᏥᏅᏏᏛ ᎦᏴᏉᏎᏗ ᏱᎩ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏲ ᏂᎦᏥᏁᎸ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᏃᎴ ᏍᏉ ᏄᏓᎴ ᎠᎪᎵᏰᏍᎪ, ᏱᏣᏕᎶᎰᏒᎾ ᏱᎩ -- ᎦᏓ.\nᎥᏝ ᎩᎶ ᏰᎵ ᎠᏂᏔᎵ ᎬᏩᎾᏝᎢ ᎪᎱᏍᏗ ᏱᏙᎬᏛᏂᏏ, ᏱᎠᏍᎦᎦᏰᏃ ᏌᏉ ᏱᏅᎨᏳᎭᏃ ᏐᎢ, ᎠᎴ ᏱᏙᎤᏂᏴᎭ ᏌᏉ ᏱᎦᏂᏆᏘᎭᏃ ᏐᎢ. ᏝᏍᎩᏂ ᏰᎵ ᎤᏁᎳᏅᎯ ᎠᎴ ᎹᎹᏂ ᎪᎱᏍᏗᏱᏙᎨᏣᏛᏂᏏ.\nᎾᎨ ᎢᏴ ᎤᎨᏓᎵᏴ ᏥᏔᎦ ᏥᏂᎦᏪᏍᎪ ᎢᏳᏍᏗ ᏓᏳᏰᏨ.\nᎯᎧᏔᎮᎢᏧ, ᎯᎪ ᎢᎦ ᎠᎴᏂᏍᎩ -  ᎧᏃᎮᏓᏉ ᏱᎩ -  ᏐᏉ ᎢᎦ ᎤᏕᏘᏴᏌᏗᏒ ᎢᏓᎵᎮᎵᏍᏗᏍᎪ ᎢᎪᎯᏓ ᎢᏤᎯ ᏕᏧᎬ.\nᎾᏍᎩ ᎹᏓᏗ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎵᏫ ᎤᏪᏥ ᎨᏎᎢ, ᎺᎵᎦᏱ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏣᎾ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏦᏩ ᎤᏪᏥ ᎨᏎᎢ,\nᎠᎴ ᏞᏍᏗ ᎩᎶ ᎡᏙᏓ ᎡᏦᏎᎸᎩ ᎠᏂ ᎡᎶᎯ; ᎠᏏᏴᏫᏉᏰᏃ ᎢᏥᏙᏓ, ᎾᏍᎩ ᎦᎸᎳᏗ ᏨᏤᎭ.\nᏂᎦᎥᏃ ᎪᎱᏍᏗ ᎢᏥᏔᏲᎯᎮᏍᏗ, ᎢᏣᏓᏙᎵᏍᏗᏍᎬᎢ, ᎢᏦᎯᏳᎲᏍᎨᏍᏗ, ᎢᏥᏩᏘᏍᎨᏍᏗ.\nᏂᎦᏗᏳᏰᏃ ᏧᏓᎴᏅᏛ ᏚᎳᏍᎬ ᎭᏫᏂᏗᏢ ᎢᎬᏁᎸᎯ. ᎠᏎᏃ, ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎭᏫᏂᏗᏢ ᎢᏯᎬᏁᎸᎯ ᏣᏗᎭ,, ᎬᏂᎨᏒ ᏂᎦᎵᏍᏗᎭ ᎾᎦᏠᏯᏍᏛᎾ ᎨᏒ ᎾᏍᎩ Ꮎ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎭᏫᏂᏗᏢ ᎢᏳᏩᏁᎸᎯ.\nᎦᎸᎳᏗ ᎢᏣ!\nᎣᏂᏃ ᎯᏍᎩᏧᏈ ᎤᎶᏒᏍᏗ ᎢᏯᏂᏛ ᎠᎾᎵᏅᏟ ᎢᏧᎳᎭ ᎬᏩᎪᎮᎢ; ᎾᏍᎩᏃ [ᎬᏩᎪᎲᎯ] ᎤᏟ ᎢᏯᏂᏛ ᎠᎾᎴᏂᏙ ᎠᏏ ᎪᎯ ᎨᏒᎢ, ᎢᎦᏛᏍᎩᏂᏃᏅ ᏚᏂᎵᏅᏨ.\nᎤᏛᏐᏅᎯ ᏞᏍᏗ ᏱᎬᏍᎪᎸᏁᏍᏗ, ᎯᏍᏗᏰᏗᏍᎨᏍᏗᏍᎩᏂ ᎠᎦᏴᎵᎨ ᎾᏍᎩᏯᎢ, ᎠᏂᏫᏅᏃ ᎢᏣᏓᏅᏟ ᎾᏍᎩᏯᎢ,\nᏌᏩᏂᏃ ᏈᏓ ᏚᏬᎡᎢ.\nᏍᎩᏴ ᎤᏒᎯ ᎤᎾᎦᏐᏍᏔᏅᎯ ᎠᏂᏍᎦᏰᎬᏍᏔ.\nᎨᎵᎠ ᏰᎵᏉ ᏓᏗᏍᏆᏂᎪᏔᏂ ᎬᏅᎢ ᏫᎵᎻ.\nᏥᎷᏏᎵᎻᏃ ᎢᏥᎪᏩᏘᏍᎨᏍᏗ ᎠᏂᏯᏫᏍᎩ ᎿᏉ ᏚᎾᏚᏫᏍᏕᏍᏗ, ᎢᏥᎦᏔᎮᏍᏗ ᎾᏍᎩ ᎤᏲᎢᏍᏗ ᎨᏒ ᎤᏍᏆᎸᎯᏗᏒᎢ.\n“ᎭᏩ ᎠᎵᎮᎵᎩ ᏓᏆᏙᎠ, ᎤᏛᏁ ᎠᎬᏱ ᎧᏅᏂᏍᎩ.\nᏈᏓᏃ ᏚᎴᏅ, ᏚᏍᏆᎸᏔᏁ ᎠᏤᎵᏍᏛ ᏭᎶᏎᎢ; ᎤᏗᏍᏚᏅᏃ ᏚᎪᎮ ᏙᎴᏛ ᏗᏄᏬ ᎤᏁᎳᎩ ᎢᏴᏛ ᏙᎦᏁᎢ, ᎤᏓᏅᏎᏃ ᎠᏍᏆᏂᎪᏍᎨ ᎾᏍᎩ ᏄᎵᏍᏔᏂᏙᎸᎢ.\nᎡᎾᏃ ᎠᎴ ᎦᏱᏆ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎨᏎᎢ, ᎤᏁᎳᏅᎯ ᎤᏬᏂᏒᎯ ᎢᎾᎨ ᎤᎷᏤᎴ ᏣᏂ ᏤᎦᎳᏯ ᎤᏪᏥ.\nᎾᎯᏳᏃ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᏥᏌ ᎾᏎᎵᏗ ᏧᎶᏎ ᎾᏍᎩ ᎨᎵᎵ ᏥᎦᏚᎭ, ᎠᎴ ᏣᏂ ᎤᏓᏬᎡ ᏦᏓᏂ.\nᏐᏉ ᏑᎾᎴ ᏙᏥᏩᏛᏓᏅ ᏓᎳᏚ ᎢᏯᏂ ᎤᎾᎵᏗᎩᏛ ᎬᏂᎨᏒ ᎠᎹᏳᎸᏓ ᎤᏂᎵᏦᏩᏛ, ᏯᏁᎵᏍᎬᎾ ᎤᎾᏗᏍᎦᎶᏗ.\nᎥᏝ ᎠᎴ ᎩᎶ ᏳᎵᏍᎪᎸᏓᏁᎴ ᎬᏩᏍᏓᏩᏛᏍᏗᏱ, ᏈᏓ, ᎠᎴ ᏥᎻ, ᎠᎴ ᏣᏂ ᏥᎻ ᏗᎾᏓᏅᏟ ᎤᏅᏒ.\nᏄᏛᏁᎰᎾ, ᎤᏍᎦ ᏭᎳᎩᏒ, ᎲᏲᎵᏛ ᏧᏄᏛᏁᎶ ᎢᎦᎦᏓ, ᏰᎵ ᎤᏂᏃᎮᏗ ᎤᏰᎸᏅ.\nᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎡᏥᏁᎸᏍᎪ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎨᏦᎯᏳᏅᎯ? ᎯᎠᏃ ᏅᎬᏩᏪᏎᎸᎩ; ᎥᏝ ᎣᎦᏛᎦᏅᎯᎤᏅ ᏱᎩ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎡᎲᎢ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ, ᎢᏓᎵᏅᏟ, ᎢᏳᏃ ᏕᏥᎳᏫᎨᏍᏗ ᎢᏣᎵᏍᏓᏴᏗᏱ, ᏕᏣᏓᎦᏘᏗᏍᎨᏍᏗ.\nᎠᎱᏍᏕᏍᏗ ᎨᏒ ᎪᎱᏍᏗ ᎬᏙᏗ ᏱᎩ; ᎠᎴ ᎾᎱᏍᏕᏒᎾ ᎨᏒ ᎥᏝ ᎪᎱᏍᏗ ᎬᏙᏗ ᏱᎩ, ᏗᏍᏆᏂᎪᏙᏗᏱᏍᎩᏂ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ.\nᎠᏎᏰᏃ ᏅᏩᏍᏕᏍᏗᏉ ᎤᎬᏫᏳᎯ ᎨᏒᎢ, ᎬᏂ ᏂᎦᏛ ᎬᏩᏍᎦᎩ ᏚᎳᏍᎬ ᎭᏫᏂᏗᏢ ᏂᏕᎬᏁᎸᎭ.\nᎨᏂᏗ ᎤᏍᏗ ᎢᎬᏓ.\nᎢᎦᏛᏃ ᏅᏲᎯ ᎨᏒ ᎤᎳᎨᏯᏛᏤᎢ, ᎾᎿ ᎦᏲᎵᏳ ᎨᏒ ᎦᏓ; ᎠᎴ ᎩᎳᏉ ᎢᏴᏛ ᏗᎤᎵᏰᏁᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏌᎨᎢᏳ ᎨᏒ ᎦᏓ;\nᏩᎶᏏ ᏧᎬ ᎦᎵᏙᎯ ᏂᎦᏪᏍᎬ ᎤᏛᎦᏁ ᏫᎵᎻ ᏃᎴ ᎢᏳᏓᎵᎭ ᎩᎶ ᎠᏍᏚᎲᏍᎬ ᎦᎶᎯᏍᏗ ᎠᏓᏍᏓᏴᏗ.\nᎤᏍᏗ ᏛᎦ ᏭᏩᏯᎸᏥᎴ ”ᏏᏆ,” ᎪᏪᎸ ᎾᎥᏂ, ᎩᎳᏈᏴ ᎡᎳᏗ ᏄᏛᏁᎴ, ᎤᏩᏇᏅᏔᏁᎢ ᏛᎦ, ᏫᏥ ᏭᏅᏍᏔᏁᎢ.\nᎾᏍᎩᏯᏉ ᏴᏫ ᎤᏪᏥ ᎤᏓᏅᏏᏓᏍᏗᏱ ᏄᏲᎵᎸᎾ ᏥᎩ, ᎠᏥᏅᏏᏓᏍᏗᏱᏉᏍᎩᏂ, ᎠᎴ ᎬᏅᎢ ᎤᎵᏍᎪᎸᏙᏗᏱ ᎤᏂᏣᏘ ᏗᏓᏴᏙᏗ.\nᎯᎠᏃ ᎢᏳᎵᏍᏙᏗ ᎤᏛᏁ ᎢᏤ ᎢᏳᏍᏗ ᎠᏍᎦᏯ, ᎨᏍᏗ ᎪᎰᏍᏗ ᏳᏭᏌᎾ ᎤᏁᏝᏅ ᏁᎵᏍᎬᎢ ᏚᏣᏯᎩᏎ ᏃᎴ ᏧᏆᎶᎦ ᏓᏥᎶᏍᏛ ᎠᏍᎦᏯ ᎤᏄᏮᎢ ᏃᎴ ᎤᎦᏔᏃᎴ ᎠᎬᏱ ᏣᎪᏩᏘᏍᎪ ᎤᏬᏒᏅ, ᎤᏍᏆᏂᎪᏎ ᏃᎴ ᎤᎵᎮᎵᏤ.\n“ᏤᏍᏗ ᏣᏛᏁᎵᎭ!” \nᎿᏉᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙ ᏓᏤᎸ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ? ᎠᎴ ᎦᏙ ᏙᏓᎦᏟᎶᏍᏔᏂ?\nᎣᏍᏛᏰᏃ ᏡᎬ ᎥᏝ ᎤᏲ ᏯᏓᏛᏍᎪᎢ; ᎠᎴ ᎤᏲ ᏡᎬ ᎥᏝ ᎣᏍᏛ ᏯᏓᏛᏍᎪᎢ.\n”ᏏᏆ, ᏏᏆ!” ᎤᏛᏁ ᎰᎻ ᎤᏓᏅᏘ ᎦᏬᏂᏍᎩ, ᏃᎴ ᎤᏍᎦᏃᎵ ᎠᎢᏎ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎢᏣ, ᎠᎧᏖᏃᎮ, ᏰᎵᏍᎬᎾ ᎤᏤᎸᎮ ᏏᏆ ᎤᏍᏓᏩᏗᏒᎢ.\nᏂᎯᏍᎩᏂ ᎢᏨᎨᏳᎢ, ᎤᏣᏘ ᎦᎸᏉᏗᏳ ᎢᏦᎯᏳᏒ ᎢᏣᎵᎫᏍᏛᏗᏍᎬᎢ, ᏓᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎬᏗ ᎢᏣᏙᎵᏍᏗᏍᎬᎢ,\nᎠᏁᎵᏍᎬᏉ ᎤᎬᏫᏳ ᎠᏁᎵᏍᎨᏍᏗ, ᏤᏍᏗ ᏥᏳᎪᏗ ᏘᏃᎯᏎᎸ ᎤᏛᏅ.\nᎥᏝ ᎠᎴ ᎣᏥᏬᏂᏍᎬ ᎢᎸᎯᏳ ᎠᏎᏉ ᎠᏓᎸᏉᏙᏗ ᎨᏒ ᏲᏨᏗᏍᎨᎢ, ᎾᏍᎩ ᏥᏥᎦᏔᎭ, ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᏲᏨᏗᏍᎨ ᏲᏧᏢᏗᏍᎨ ᏧᎬᏩᎶᏗ ᎠᎬᎥᎯᏍᏗ ᎨᏒᎢ; ᎤᏁᎳᏅᎯ ᎠᎦᏔᎯ;\nᎾᎥᏂᎨ ᏭᎷᏤᎢ ᏃᎴ ᏚᎦᏙᏍᏔᏁᎢ ᏧᏆᎶᎦ ᏃᎴ ᏧᏍᏗ ᏧᏩᏂᎦᏝᏅ ᏫᏓᏳᎢᏅᏍᎨᎢ ᎠᏔᎴᎦᏒ.\nᏚᏯᎨᏤ ᏃᎴ ᏚᎦᎭᎷᏰ, ᎤᏴᏍᏘ ᎫᎵᏍᏔᏅ ᎠᏗᏔᏍᏘ ᏄᏩᏁᎴ, ᎤᏴᏍᏘ ᎠᏗᎧᏓ ᎤᎵᏑᏫᏓ ᎾᎥᏂᎨ.\nᎠᏛᎪᏗ ᎾᏂᏪᏍᎬ ᏃᏉ.” \nᏈᏓ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᎦᏙᏃ ᎥᏝ ᏰᎵ ᎿᏉ ᎦᎬᏍᏓᏩᏛᏍᏗ ᏱᎩ? ᏂᎯ ᏅᏓᎦᎵᏍᏙᏔᏂ ᎡᎳᏗ ᏓᏥᏂ ᎬᏅᎢ.\nᏦᎳᏂ ᏗᏦᎯᏍᏙᏗ ᏃᎴ ᏐᏈᎵ ᏧᏔᎾᎶ.\nᏧᏍᏆᏴᏍᏗ ᎱᎷᏣ ᎤᎩᏓᏍᏕᎯ ᎤᏲ ᎤᎾᏗᏅᏗ ᎤᏪᏙᎸ, Ꮟ ᎩᎳᎯ ᏚᎷᏫᏍᏔᏁᎮ ᎧᏅᏂᏍᎩ.\nᎾᏍᎩ ᏏᎻᏯᏂ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎻᎾᏂ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎹᏓᏓ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏁᏓᏂ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏕᏫ ᎤᏪᏥ ᎨᏎᎢ,\nᎠᏫᏍᎩ ᎤᏫᏒᏎ ᎤᏤᎵ ᎤᎦᏔ; ᎤᏫᏒᏃ ᎢᎦᏛ ᏅᏃᎱᎶᏗ ᎤᎳᎨᏯᏛᏤᎢ; ᎤᎾᎳᏍᏓᎡᎴᏃ ᎠᎴ ᏥᏍᏆ ᎦᎳᏅᏛ ᎠᏂᏃᎯᎵᏙᎯ ᎤᏂᎪᏁᎢ.\nᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᏂᏚᏳᎪᏛᎾ ᎢᎬᏩᏛᏁᏗ ᏱᎩ ᎾᏍᎩ ᎤᏩᎨᏫᏍᏗᏱ ᏕᏥᎸᏫᏍᏓᏁᎸ ᎠᎴ ᎬᏂᎨᏒ ᏂᏨᏁᎸ ᎢᏥᎨᏳᏒ ᏕᎤᏙᎥᎢ. ᎾᏍᎩ ᏕᏥᏍᏕᎲᎯᏙᎸ ᎤᎾᏓᏅᏘ, ᎠᎴ ᎠᏏᏉ ᏕᏥᏍᏕᎵᏍᎬᎢ.\nᎤᏛᎦᏁ ᏗᎾᎢᏒ ᏫᎵᎻ ᏚᎴᏁ.\nᎾᏍᎩᏰᏃ ᎤᏁᎳᏅᎯ ᎤᏅᏏᏛ, ᎤᏁᎳᏅᎯ ᎤᏪᏂᎯᏍᏗ ᎨᏒ ᎦᏬᏂᎭ; ᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᎤᏟᎶᏛᏉ ᎠᏓᏅᏙ ᏳᏁᎭ.\nᎠᏎᏃ ᏔᎵᎭ ᎠᎴ ᏦᎢᎭ ᎭᎾᏉ ᎠᎾᏁᎳᏗᏍᎨ ᎦᎶᎯᏍᏗ ᎦᎸᎳᏗᏣ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏂᎦᏛ ᏴᏫ, ᎬᏩᎪᎲ, ᎤᏣᏘ ᎤᏂᏍᏆᏂᎪᏎᎢ; ᎬᏩᏗᏝᎣᎮᎸᏃ ᎬᏩᏲᎵᎴᎢ.\nᎾᏍᎩᏯᏃ ᎲᏂᏗᏳ ᎨᏒ ᏥᏣᏍᏆᏂᎪᏔᏅ ᎠᏆᏤᎵ ᎧᏃᎮᏛ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᎠᏴ ᏓᎬᏍᏆᏂᎪᏔᏂ ᏓᎬᏳᏓᎴᏏ ᎾᎯᏳ ᎤᏓᎪᎵᏰᏗ ᎨᏒ ᎠᏍᏆᎸᎲᎭ, ᎡᎳᏂᎬ ᎤᏂᎷᏤᏗ ᏥᎩ, ᎤᏂᎪᎵᏰᏗᏱ ᎾᏍᎩ Ꮎ ᎡᎶᎯ ᏣᏁᎭ.\nᎠᎦᏗᏓ ᎯᏢᏅ, ᏃᎴ ᏤᏍᏗ ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ.\nᎾᏍᎩᏯ ᎯᎢᎾ ᎢᏗᎦᏘ ᏕᏈᎬ ᏧᏔᏂᎩᏓ.\nᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ, ᎾᏍᎩ ᏴᏫ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎠᎵᏍᎪᎸᏗᏍᎬ ᎾᏍᏉ ᎤᏩᏒ ᎤᎵᏍᏕᎸᏙᏗ ᎠᏎ ᎤᎵᏍᎪᎸᏙᏗ ᎨᏐᎢ, ᎠᏍᎦᏂ ᎤᎬᏩᎵ ᎨᏒᎢ.\nᎥᎦᎷᎩᏃ ᎤᏪᏅᏒ ᏫᏓᏯᏂᏍᎪ ᏧᎵᎢ ᎠᎴ ᎾᎥ ᎢᏳᎾᏓᎳ, ᎯᎠ ᏂᏕᎦᏪᏎᎰᎢ, ᎢᏧᎳᎭ ᎢᏓᎵᎮᎵᎩ; ᎢᏥᏩᏛᎲᏰᏃ ᎤᏃᏕᎾ ᏣᎩᏲᎱᏎᎲᎩ.\nᎤᏬᏚᏨ ᎤᏓᏏᏂᏕᎾ.”\nᎬᏩᏟᏍᏗ; ᎥᎥ, ᎤᏁᎳᏅᎯ ᏚᏳᎪᏛ ᎧᏁᎩ ᎨᏎᏍᏗ, ᎾᏂᎥᏃ ᏴᏫ ᎠᏂᏰᎪᎩ ᎨᏎᏍᏗ; ᎾᏍᎩᏯ ᎯᎠ ᏂᎬᏅ ᎪᏪᎸᎢ, ᎾᏍᎩ ᏂᏍᎦᏅᎾ ᎢᏳᎵᏍᏙᏗᏱ ᎯᏁᎬᎢ, ᎠᎴ ᏣᏓᏎᎪᎩᏍᏗᏱ ᎿᏉ ᏕᎱᎪᏔᏅᎭ.\nᎠᎴ ᏫᏓᏆᎧᎾᏅᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎤᏬᏓᎸ ᏗᎧᏃᏗᏱ ᏐᏈᎵ ᏫᏥᎪᎥᎩ; ᎠᎴ ᎾᎿ ᎤᎩᎵ ᎠᏲᎱᎯᏍᏗ ᏚᏙᎥᎩ, ᎠᎴ ᏨᏍᎩᏃ ᎤᏍᏓᏩᏗᏒᎩ; ᎠᎴ ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎩ ᎾᏍᎩ ᏅᎩ ᎢᎦᏛᎯ ᎨᏒ ᎡᎶᎯ ᎾᏍᎩ ᏌᏉ ᏄᏓᎥ ᎾᎿ ᏧᏂᎯᏍᏗᏱ ᎠᏰᎳᏍᏗᎦᏅᎯᏛ ᎬᏗ, ᎠᎴ ᎠᎪᏄ ᎬᏗ, ᎠᎴ ᎥᎫᎩ ᎬᏗ, ᎠᎴ ᎢᎾᎨ ᎠᏁᎯ ᎤᏂᏍᎦᏎᏗ ᏗᎬᏗ.\nᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎡᎳᏆᏗ ᎤᎾᎩᎶᏫᏎ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ ᏃᎴ ᏚᎾᎾᏏᏁᎢ.\nᏰᎵᏉ ᏱᎩ ᎠᏆᏟᏃᎮᏔᏁᎢ ᎦᎾᏌᎢ ᎠᏎᏃ ᎨᏍᏗ ᏯᏆᏛᎦᎾ, ᎨᏍᏗ ᏯᏆᏛᎦᏍᏕᎢ.\nᎢᏳᏍᎩᏂ ᎠᏴ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᏱᎬᏗ ᎠᏂᏍᎩᎾ ᏱᏗᏥᏄᎪᏫᏍᎦ, ᎿᏉᏍᎩᏂ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎢᏥᎷᏤᎸ.\nᎤᎵᏍᏇᏚᏩᎩᏎ ᎰᎻ ᏃᎴ ᎡᎳᏗ ᏄᏩᏁᎴᎢ ᎠᏍᎪᎵ.\nᎠᎴ ᎦᏙ ᏯᏛᎶ ᎤᎵᏂᎩᏛ ᎠᏍᎦᏯ ᎦᏁᎸ ᏯᏴᎭ ᎠᎴ ᎤᎿᎥ ᏯᏬᏅ, ᎢᏳᏃ ᎢᎬᏱ ᏄᎸᎸᎾ ᏱᎩ ᎾᏍᎩ ᎤᎵᏂᎩᏛ ᎠᏍᎦᏯ? ᎩᎳ ᎿᏉ ᏯᏬᏅ ᎦᏁᎸᎢ ᎤᎿᎥᎢ.\nᏎᎦᏨ ᏚᏓᎩᏰᎢ.\nᎥᏝ ᏱᎨᏥᏩᏛ ᏅᏓᏳᎾᏨᏛ ᎤᏁᎳᏅᎯ ᎠᏂᎸᏉᏗᏍᎩ, ᎯᎠ ᏅᏩᏓᎴ ᏴᏫ ᎤᏩᏒ.\nᏯᏆᏚᎳᏃ ᏂᎯ ᏣᎩᏍᏗ ᎢᎬᏱᏃ ᏒᎦᏔ.\nᎢᏧᎳ ᎤᏂᎪᎵᏰᎡ ᎣᎳ ᏗᎦᏃᏣᏟ.\nᎥᏝᏃ ᏰᎵ ᎬᏩᏂᎭᎷᎩᏍᏗ ᏱᎨᏎ ᎠᏏᎾᏌᏅ ᎠᎴ ᎠᏓᏅᏙ ᏕᎬᏗᏍᎬ ᎦᏬᏂᏍᎬᎢ.\nᎤᏬᏑᎶᏨᎯ ᎠᎦᏎᏍᏗ ᎨᏎᏍᏗ ᎢᏳᏃ ᏑᏓᎳᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎨᏎᏍᏗ, ᎠᎴ ᎤᎶᏒᏍᏕᏍᏗ, ᏌᏉᏉ ᎠᏍᎦᏯ ᎤᎾᏁᎳᏛᎯ ᎨᏎᏍᏗ.\nᎠᏃᏍᏓᏍᎪ ᏗᎦᏯᎩᏍᏗ?” \nᎠᎴ ᏣᏂ ᎤᏃᎮᎸᎩ ᎯᎠ ᏄᏪᏒᎩ; ᎠᎩᎪᎲᎩ ᎠᏓᏅᏙ ᏧᎴ-ᏗᏍᎪᏂᎯ ᎾᏍᎩᏯ ᏓᏳᏁᏡᏅᎩ ᎦᎸᎳᏗ, ᎠᎴ ᎾᏍᎩ ᏚᎩᎸᏨᎩ.\nᎠᏂᎶᏍᎩᏃ ᎦᎬᏩᏐᏢᏗᏍᎨᎢ, ᎠᎴ ᏓᎾᎵᏍᏛᏂᎮ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, Ᏺ, ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎯᏲᏍᏗᏍᎩ, ᎠᎴ ᏦᎢᏉᏉ ᎢᎦ ᎯᏱᎵᏙᎯ ᎭᏁᏍᎨᏍᎩ,\nᎠᎴ ᏦᎢ ᎢᏯᏂᏛ ᎠᏂᎦᏓᎭ ᏗᏓᏅᏙ ᎦᏥᎪᎥᎩ ᏩᎶᏏ ᏗᎾᏤᎵᏛ, ᎢᎾᏛ ᎠᎰᎵ ᏓᏳᏂᏄᎪᏨᎩ, ᎠᎴ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎠᎰᎵ, ᎠᎴ ᎤᏠᎾᏍᏗ ᎠᏙᎴᎰᏍᎩ ᎠᎰᎵ.\nᎠᎴ ᏛᏂᎾᏄᎪᏥ, ᎾᏍᎩ ᎾᎣᏍᏛ ᏧᏂᎸᏫᏍᏓᏁᎸᎯ ᎬᏂᏛ ᎨᏒ ᏫᏙᏛᎾᎴᏔᏂ, ᎤᏲᏃ ᏧᏂᎸᏫᏍᏓᏁᎸᎯ ᎤᏓᏍᏛᏗᏍᏗ ᎨᏒ ᏫᏙᏛᎾᎴᏔᏂ.\nᏐᏉ ᎢᎦ, ᏴᏫᏯ ᎤᎬᏫᏳ ᎠᏂᏁᎵ ᏧᎾᏗᏔᏍᏗ ᏙᏍᏔᏗᏔᏍᎬ, ᎤᏕᎶᎰᏒ Crockett ᎪᏪᎵ ᎪᏪᎸ ᏓᏂᎦᏘᎴᎬ.\nᎤᏍᎦᏃᎵ ᎠᏓᏏᏎ ᏣᎵ, ᎡᎳᏗ ᏄᏛᎾᏗᏎ ᎤᎭᏲᎲ ᎤᎶᏒ.\nᎠᏍᎦᎢᎮ ᎤᏍᏗ ᎠᏣᏗ ᎠᏎᏃ ᎾᎥᏂ ᏭᎷᏤ, ᏏᏲ, ᎤᏍᏗ ᎠᏣᏗ ᎬᏉᏎᎰ ᏃᎴ ᎨᏍᏗ ᎯᎸᎯᏳ ᏥᎪᎥ ᎠᏣᏗ ᏂᎯ ᎢᏳᏍᏗ.\nᏫᏥᏌᏙᏯ!” \nᎾᏍᎩ ᏦᏏ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎢᎵᎡᏌ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏦᎵᎻ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎹᏓᏗ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎢᎳᏱᎩᎻ ᎤᏪᏥ ᎨᏎᎢ,\nᎠᏤ ᎪᎨᏱ ᎠᎾᏕᎲᏍᎨᎢ ᏧᏂᏍᏗ ᎧᏅᏂᏍᎩ ᎠᏂᏐ ᏱᏚᎾᏛᏌ.\nᎿᏉᏃ ᎬᏂᏳᏉ ᏥᎦᏔᎭ ᏂᎯ ᏂᏥᎥᎢ, ᎢᏨᏰᎳᏗᏙᎸᎯ ᎦᎵᏥᏙᎲᏍᎬ ᏥᏃᎮᏍᎬ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ, ᎠᏆᎧᏛ ᎿᏉ ᎢᏥᎪᏩᏛᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏣᎦᏟᎶᏍᏔᏅᎯ ᎨᏒᎢ, ᎥᏝ ᎦᏓᎾᏌᎲᏍᎦ ᏰᎵᏍᎨ ᎤᏁᎳᏅᎯ ᎾᏍᎩᏯ ᏄᏍᏛ ᏄᏛᏅᎢ.\n“ᎾᏍᎩ ᏧᏍᏆᏴᏍᏗ ᏛᏥᏍᏕᎸᎯ ᏔᎵᏁᎢ? \nᎡᎶᏛᏃ ᏚᏔᎳᏬᎯᏎᎴ ᏓᏯ ᎠᎴ ᏌᏙᏂ ᎠᏁᎯ; ᎠᏎᏃ ᏌᏉ ᎢᎦᎦᏛ ᎬᏩᎷᏤᎴᎢ, ᎤᎾᎵᎢᏛᏃ ᏆᎳᏍᏓ ᎤᎬᏫᏳᎯ ᎤᏂᏏᏗᏱ ᎠᏥᎦᏘᏗᏍᏗ, ᏙᎯᏱ ᎢᏳᏅᏁᏗᏱ ᎤᏂᏔᏲᏎᎴᎢ; ᎤᎾᏤᎵᎪᎯᏰᏃ ᎤᎵᏍᏕᎸᏙᏕ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎪᎯ.\nᎤᏚᎢᏍᏔᏁᎴ ᏫᎵᎻ ᎤᏍᏆᏂᎪᏙᏗ ᎬᏅᎢ, ᏚᏭᎪᏔᏁᎢ ᏄᏪᏒ ᎢᏳᏛᏁᏗ.\nᎠᏛᎯᏍᏗᏍᎩ ᎢᎾᏙ ᏓᏳᏓᎴᏅ ᎦᏓ ᏂᎦᎵᏍᏗᎭ.\nᎦᎶᏁᏛᏰᏃ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎠᎴᏉ ᏄᏲᎱᏒᎩ, ᎾᏍᏆᏂᎪᏗᏍᎬᎾ ᎬᏅᎢ, ᎾᏍᎩ ᎤᏍᏆᏗᏍᏗᏱ ᎦᎷᎶᎬ ᎠᏆᎵᏍᏕᎸᏙᏗ ᎢᏥᏅᎢ.\nᎠᎴ ᎤᎲᎩ ᎬᏃᏛ ᎢᏳᏩᏁᏗᏱ ᎾᏍᎩ Ꮎ ᏅᎩ-ᏗᎦᏅᏌᏗ ᏣᎦᏟᎶᏍᏔᏅᎯ, ᎾᏍᎩ ᎬᏩᏬᏂᎯᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩ Ꮎ ᏅᎩ-ᏗᎦᏅᏌᏗ ᏣᎦᏟᎶᏍᏔᏅᎯ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᏗᎨᏥᎢᏍᏗᏱ ᎾᏂᎥ ᎾᎾᏓᏙᎵᏍᏓᏁᎲᎾ ᎾᏍᎩ Ꮎ ᏅᎩᏗᎦᏅᏌᏗ ᏣᎦᏟᎶᏍᏔᏅᎯ.\nᎠᏦᎭᏴ ᎾᎥᏂ ᎤᏂᎾᏕᎨ ᏗᏂᎦᏘᏕᎯ ᎨᏥᎩᎡᎸ ᎦᎾᏏᏅᏍᏗ ᎧᏁᏌ ᎢᎪᎯᏛ.\nᏗᎨᏛ ᎢᏗᏢ ᏕᎦᎵᏍᏆᎵᎭ ᎠᏌᏍᏛ ᏗᎩᏂᏴᏗᏱ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ ᎠᏓᏯᏅᏙᏗ ᎨᏒ ᎦᎶᏁᏛ ᏥᏌ ᎠᎬᏗᏍᎬᎢ.\nᎤᏲᏨ ᏂᎦᏓ ᎠᎪᏨ, ᎤᏛᏅ.\nᏏ ᏯᎾᏂᎩᏍᎬᎾ ᏐᏉ ᎢᏳᏩᎬᏗ ᏚᎧᎾᏁ ᏫᎵᎻ ᎰᎻ.\nᎠᏥᎦᏘᏗᏍᏗ ᎠᏗᎾ ᎠᏎ ᎪᎱᏍᏗ ᎾᏍᎦᏅᎾ ᎨᏎᏍᏗ, ᏌᏉᏉ ᎠᏓᏰᎮᏍᏗ, ᎨᏯᏔᎯ, ᎤᎵᏏᎾᎯᏍᏗ, ᎣᏍᏛ ᏧᎸᏫᏍᏓᏁᎯ, ᏧᏓᏓᏂᎸᏣᏘ, ᏗᎬᏩᏕᏲᏗ;\nᎩᎶᏰᏃ ᎤᏩᏒ ᎠᏓᏌᎳᏗᏍᎨᏍᏗ ᎡᎳᏗ ᎢᏯᎬᏁᏗ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎤᏩᏒ ᎡᎳᏗ ᎾᏓᏛᏁᎮᏍᏗ ᎾᏍᎩ ᎠᏥᏌᎳᏙᏗ ᎨᏎᏍᏗ.\nᏥᎨᏳᎢ ᏍᎩᎾ ᎤᏛᏐᏅ ᏃᎴ ᏁᎵᏍᎬ ᎢᏥᏯᏛᎭᏁᏗ, ᏃᎴ ᎠᏉᎯᏳᎲ ᏲᎾ ᏧᏤᎵ ᎠᏂᏴᏫ ᎠᏁᎵᏍᎬᏉ ᎤᎾᏓᏘ, ᎾᏍᎩᏯ ᎠᏂᏐ ᎠᏂᏴᏫ.\nᎤᎾᎴᏅᎮᏃ ᏚᎾᏓᏛᏛᏁ ᎤᏅᏒ ᎨᏒ, ᎾᏍᎩ ᏅᏗᏛᏁᎵᏒ ᎯᎠ.\nᎢᎸᏍᎩᏃ ᏄᏬᎯᏨ ᎤᏁᏙᎸ, ᏅᏩᏙᎯᏯᏛ ᏕᎬᏩᏂᏲᏎ ᎠᎾᏓᏅᏟ ᎨᏥᏅᏏᏛ ᏗᏁᎲ ᏭᏂᎶᎯᏍᏗᏱ.\nᎢᏣᏓᏙᎵᏍᏗ ᎨᏎᏍᏗ ᏱᎰᏩ ᏙᏗᎧᏂᏍᎬᎢ, ᎾᏍᎩᏃ ᏓᏥᏌᎳᏓᏂ.\nᎤᏣᏘᏃ ᎢᏨᎨᏳᏒ ᎢᏳᏍᏗ, ᎣᎦᏝᏴᏉ ᏗᏨᏲᎯᏎᏗᏱ ᎥᏝ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏩᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᏉᏍᎩᏂ ᎣᎬᏒ ᏙᏨᏅᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎢᏨᎨᏳᎢᏳ ᎨᏒᎢ.\nᏦᎳᏂ ᏙᏱ ᏫᏓᎧᎭᏅ ᎠᏓᏅᏖᏍᎬ, ᎩᎳᏈᏴ ᎤᏬᏂᏒ. ᏥᎨᏥᏍᏚᎮ ᎠᏂᏴᏫᏯ, Cooper ᏚᎾᏗᏅᏎᎴ ᎤᏲ ᎠᏓᏴᏍᏔᎩᏍᎩ, ᎦᎸᎳᏗ ᏚᎬᏩᏝᏁ, ᎾᏍᎩᏯ ᏳᏩᏁᎦ ᏣᏈᏱᏍᎪ ᏗᎦᏓᎸᏅᎯ ᏔᎾᏏ ᏫᏍᎩ.\nᎢᏧᎳ ᎠᏂᎦᏓᎭ ᏃᎴ ᏗᏂᎴᏴᏍᎩ ᎨᏎᎢ.\nᎬᏩᎦᏘᏯᏰᏃ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎠᏓᏍᏕᎵᏍᎩ ᎾᏂᎥ ᏴᏫ ᎤᏂᎾᏄᎪᏤᎸ,\nᎢᏯᎾᏛᏁ ᎤᏂᎬᏫᏳᎯ ᏃᎴ ᎢᎦᏓ ᎠᏂᏳᏩᏁᎦ ᎤᎾᏓᏑᏴ, ᏓᏂᏙᎵᎬ ᎠᎴ ᎤᎾᏤᎸᎲᏉ, ᎠᏂᏌᏙᏴᏍᎦ ᎠᏧᏔᏅ ᏄᏍᏛ ᎤᎾᏚᎵᏍᎬ ᎠᏂᏩᏥᏂ.\nᎦᏚᎲᏃ ᎾᏎᎵᏗ ᏧᏙᎢᏛ ᏭᎷᏨ ᎾᎿ ᎡᎮᎢ. ᎾᏍᎩᏃ ᎤᏙᎯᏳᏁ ᎠᎾᏙᎴᎰᏍᎩ ᏧᏂᏁᏤᎢ, ᎾᏎᎵᏗ ᎡᎯ ᎠᎪᏎᎮᏍᏗ, ᏧᎾᏛᏁᎢ.\nᎤᏕᎶᎰᏎ ᎪᎱᏍᏗ ᎤᎵᏍᏔᏁᎲ ᏏᏆ.\nᎯᎠᏃ ᏄᏪᏎᎴ ᎾᏍᎩ, ᏔᎴᎲᎦ, ᎠᎴ ᏥᎮᎾ; ᏦᎯᏳᏒ ᏣᏗᏫᏍᏓ.\nᎠᏴ ᎠᏆᏓᎨᏳᏗ ᎨᏒ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ ᏂᏥᎥᎢ, ᏥᏌ ᎦᎶᏁᏛ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ. ᎡᎺᏅ.\nᎾᎿ ᎤᎷᏤ ᎠᎨᏴ ᏌᎺᎵᏱ ᎡᎯ ᎠᎹ ᎤᏢᎯᎴᎢ; ᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎠᏆᏗᏔᏍᏗ ᏍᎩᏁᎲᏏ.\nᎣᎦᏕᏯᏙᏗᎭ ᎬᏩᏚᏫᏛᏉ, ᎠᏎᏃ ᎥᏝ ᏲᎩᎩᎸᏍᎦ; ᎤᏪᎵᎯᏍᏗ ᎣᎦᏓᏅᏔᏩᏕᎦ, ᎠᏎᏃ ᎥᏝ ᎣᎦᎵᎲᏲᎵᎸᎯ ᏱᎩ;\nᎤᏍᏗ ᎠᏴᏈᏛᏗ ᎦᏍᎩᎸ ᏕᎪᏪᎵᏍᎬ ᎧᏃᎮᏍᎩ ᏄᎵᏍᏔᏂᏙᎸ, ᏧᎳᏏᏕᏂ ᎾᎥᏂ ᎦᎳᎨᏴ ᏧᏩᏂᎦᎸᏅ ᎪᏪᎵ.\nᎾ-ᏍᎩᏂ [ᎤᏁᎳᏅᎯ] ᏗᏂᎦᏘᎴᎩ ᏥᎩ, ᎠᎴ ᎾᏃᎯᏳᎲᏍᎬᎾ ᏥᎩ ᏚᏳᎪᏛ ᎨᏒᎢ, ᏂᏚᏳᎪᏛᎾᏍᎩᏂ ᎨᏒ ᎠᏃᎯᏳᎲᏍᎩ ᏥᎩ; ᎤᏔᎳᏬᎯᏍᏗ ᎠᎴ ᎤᎿᎸᎯ ᎨᏒ ᎤᏂᎷᏤᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏥᏚᏅᏎ ᏧᏅᏏᏓᏍᏗ ᏧᏂᏯᏅᎲᏍᏗᏱ ᏫᎨᏥᏯᏅᏛ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎤᏂᎷᎯᏍᏗᏱ; ᎠᏎᏃ ᏗᎤᏂᏳᎸᏁᏉ ᏅᏓᏳᏁᏅᏍᏗᏱ.\nᏤᎦᏈ ᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬᎢ, ᎿᏉ ᎠᎰᎱᏍᎨᎢ ᎣᏍᏛ ᏚᏁᏤᎴ ᎢᏧᎳ ᏦᏩ ᏧᏪᏥ; ᎠᎴ ᎤᏓᏙᎵᏍᏔᏁ ᎤᏙᎳᏅᏍᏗᏱ ᎤᏍᎪᎵ [ᎤᎵᏍᏕᎸᏕᎢ.]\nᏥᏳᏃ ᎿᏉ ᎠᏰᎵ ᎥᏓᎵ ᏩᏂᏂᏒᎩ ᎤᏝᏗᏍᏔᏂᏙᎲ ᎠᎹ ᏓᎵᏍᏗᎳᏁᎬᎢ, ᎤᏃᎴᏰᏃ ᎢᎬᏱᏢ ᏓᏳᎦᏛᎩ.\nᏏᏆ ᎠᏍᏚᏗ ᏭᎷᏣ ᎰᎻ, ᎠᏦᏴ ᎭᏫᏂ ᏭᏴᎴ, ᎠᏯᏖᎾ ᎤᏣᏅᏕᎢ ᏭᏴᏍᏗ ᏫᎵᎻ.\nᏗᎦᏘᏍᏗᎦᏰᏌᏗ ᎪᎰᏍᏘ ᎤᏍᎦᏎᏗ.\nᎢᏳᏃ ᎩᎶ ᏂᎯ ᎢᏤᎲ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎤᏂᎬᎨᏍᏗ, ᎤᏁᎳᏅᎯ ᎠᏔᏲᏎᎮᏍᏗ, ᎾᏍᎩ ᎾᏂᎥ ᏄᎵᏏᏅᏛᎾ ᏗᏁᎯᏥᎩ, ᎠᎴ ᏂᏓᏍᎦᎬᎾ ᏥᎩ; ᎠᎴ ᎠᏎ ᎠᏥᏁᏗ ᎨᏎᏍᏗ.\nᎢᏳᏰᏃ ᎠᎨᏴ ᏄᎵᏍᏚᎸᎾ ᏱᎩ, ᎾᏍᏉ ᎠᏥᏍᏙᏰᏍᎨᏍᏗ; ᎢᏳᏍᎩᏂ ᎤᏕᎰᎯᏍᏗᏳ ᏱᎩ ᎠᎨᏴ ᏗᎵᏍᏙᏰᏗ ᎠᎴ ᎠᎵᏍᏙᏰᏗ ᎤᏮᏙᏗᏱ ᎤᎵᏍᏙᏰᏗᏱ, ᎬᏩᎵᏍᏚᎴᏍᏗᏉ.\n”ᏌᎳᏓ?” ᎤᏛᏁ.\nᏝᏍᎪ ᏂᎯ ᏱᎩ Ꮎ ᎢᏥᏈᏱ ᏤᎲᎩ, ᎢᎸᎯᏳ ᎤᏓᏑᏰᏛ ᎤᎾᎵᏖᎸᏗᏱ ᏥᏄᏩᏁᎸᎩ, ᎠᎴ ᏥᏚᏘᎿᏫᏛᎲᎩ ᎢᎾᎨ ᏥᏫᏚᏘᏅᏍᏔᏅᎩ ᏅᎩ ᎢᏯᎦᏴᎵ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ ᏴᏫ ᏗᏂᎯᎯ?\nᎩᎶᏃ ᎤᏟ ᏄᎨᏳᏎᏍᏗ ᎤᏙᏓ ᎠᎴ ᎤᏥ ᎡᏍᎦᏉ ᎠᏴ ᎾᎩᎨᏳᏎᏍᏗ, ᎥᏝ ᏰᎵ ᎾᏍᎩ ᎠᏴ ᎠᏆᏤᎵ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎨᏎᏍᏗ. ᎩᎶᏃ ᎤᏟ ᏄᎨᏳᏎᏍᏗ ᎤᏪᏥ ᎠᏍᎦᏯ ᎠᎴ ᎤᏪᏥ ᎠᎨᏴ ᎡᏍᎦᏉ ᎠᏴ ᎾᎩᎨᏳᏎᏍᏗ, ᎥᏝ ᏰᎵ ᎾᏍᎩ ᎠᏴ ᎠᏆᏤᎵ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎨᏎᏍᏗ.\nᎾᏍᎩ ᎢᏣᎵᏍᏓᏴᏗᏱ ᎠᎴ ᎢᏣᏗᏔᏍᏗᏱ ᎠᎩᏍᎩᎸ ᎾᎿ ᎠᎩᎬᏫᏳᎯ ᎨᏒᎢ, ᎠᎴ ᎢᏣᏅᏗᏱ ᎤᏂᎬᏫᏳᎯ ᏧᏂᏗᏱ ᏕᎦᏍᎩᎸᎢ, ᏗᏧᎪᏓᏁᏗᏱ ᏔᎳᏚ ᎾᏂᎳᏍᏓᎸ ᎢᏏᎵ.\nᏰᎵ ᏧᏕᏘᏴᏓ ᎤᏒᎯ ᎢᎪᎯᏓ ᎣᏍᏓᏓᏅᏖᏍᎬ ᎠᎬᏱ ᎤᏩᎦᏘᏗᏒᎢ - ᎣᎩᏂᏚᎩ ᏃᎴ ᎣᎩᎾᏓᏅᏖᏗᏍᎬ, ᎣᎩᏃᎯᏳᏅ ᎣᎩᎾᏧᏙᏗᏂ ᎠᏂᏰᎵᏒ, ᎨᏍᏗ ᏯᏃᎵᎨ ᎠᏂᏴᏫ ᏱᏄᎵᏍᏔᎾ, ᎤᏂᏲᎰᏎᏗᏉ ᎠᏁᎲ.\nᎯᎠᏍᎩᏂ ᏂᏥᏪᎭ, ᎢᏓᎵᏅᏟ, ᎪᎯ ᎨᏒ ᎤᏍᏆᎳᎯᏳ; ᎯᎠᏉᏃ ᏄᏍᏗ ᎠᎵᏃᎯᏯᎭ, ᎾᏍᎩ ᏧᎾᏓᎵ ᏥᎩ, ᏧᎾᏓᎵᏉ ᏂᎨᏒᎾ ᏥᎨᏐ ᎢᏳᏍᏗ ᎨᏎᏍᏗ,\nᏚᏰᎵᎯᏍᏔᏅᏃ, ᎣᏓᎸ ᏭᎶᏎ ᎤᏓᏙᎵᏍᏔᏅᏎᎢ.\nᏌᎵᎹᏃ ᏉᏏ ᎤᏕᏁᎴᎢ ᎴᎭᏫ ᎤᎾᎸᎪᏫᏎᎢ; ᏉᏏᏃ ᎣᏇᏗ ᎤᏕᏁᎴᎢ ᎷᏏ ᎤᎾᏄᎪᏫᏎᎢ; ᎣᏇᏗᏃ ᏤᏏ ᎤᏕᏁᎴᎢ;\n”Ꭳ, ᎭᏕᏬ,” ᎤᏛᏁ ᎰᎻ.\nᎦᎵᏉᎩᏁᏍᎩᏂ ᏗᎧᎿᏩᏗᏙᎯ ᎧᏁᏨᎭ ᎢᏳᎢ, ᎿᏉ ᎠᎴᏅᎲᎭ ᎠᏤᎷᎯᏒᎭ, ᎤᏕᎵᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎤᎵᏰᎢᎶᎯᏍᏗ ᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᎬᏂᎨᏒ ᏂᏚᏩᏁᎸ ᏧᏅᏏᏓᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ.\nᏞᏍᏗ ᏱᏗᏥᎸᏫᏍᏓᏁᎮᏍᏗ ᎢᏥᏩᏛᏗᏱ ᎠᎵᏍᏓᏴᏗ ᎠᏲᎵ, ᎾᏍᎩᏍᎩᏂ Ꮎ ᎠᎵᏍᏓᏴᏗ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᏗᎨᏒᎢ ᎢᎬᏂᏛ ᏥᎩ, ᎾᏍᎩ ᏴᏫ ᎤᏪᏥ ᎢᏥᏁᏗ ᏥᎩ, ᎾᏍᎩᏰᏃ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨ ᎤᏍᏓᏱᏛ.\nᎤᏁᎳᏅᎯᏰᏃ ᎠᎦᏴᎵᎨ ᎤᎵᏍᎪᎸᏓᏁᎸᎩ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᎢᎦᏚᎸᏌᏛᎢ, ᎾᎯᏳ ᎧᏁᎬ ᏧᎷᏤᎸ ᎤᏣᏘ ᎦᎸᏉᏗᏳ ᎢᎦ-ᏚᎸᏌᏛ ᏅᏓᏳᏓᎴᎤᎯ, [ᎯᎠ ᏥᏂᎦᏪᏍᎬᎩ,] ᎯᎠ ᏥᎨᏳᎢ ᎠᏇᏥ, ᎾᏍᎩ ᎣᏏᏳ ᏥᏰᎸᎢ ᏥᎩ.\nᏕᎪᏯᏛ ᏚᎵᎥᏂᏍᏔᏁ ᎬᏂᎨᏒ ᏂᎬᏁᎲ ᏄᏟᏂᎬᎬ.\nᎿᏉᏃ ᏆᎳᏆ ᏕᎤᏲᎯᏎᎴᎢ; ᎤᎵᎥᏃᏅᏃ ᏥᏌ ᏚᏲᏎ ᎠᎦᏛᏗᏱ.\nᎩᏟᏃ ᏂᎬᏩᏍᏛ ᎤᏍᎦᏎᏗ ᏂᎦᏪᏍᎬ ᏓᏑᏫᏍᎬᎢ.\nᎠᎴ ᎢᏨᏲᏎᎭ, ᎢᏣᎵᎢᏓ ᎤᏓᎵᏓᏍᏗ ᎨᏅᎢᏍᏗ ᎨᏒᎢ; ᎾᏍᎩ ᎡᏍᎦ ᏂᏣᎵᏍᏓᏁᎸ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᏩᏕᏗᏱ ᎨᏒ ᎦᎨᏣᏓᏂᎸᎢᏍᏗ ᎨᏎᏍᏗ.\nᎡᎳᏗ ᏂᎦᎵᏍᏗ ᏣᏑᎶ.”\n“ᏙᎢᏳᏍᏗ ᎤᏧᏗᎭ?” ᎤᏛᏛᏁ ᏍᏓᏯ ᎢᎬᏁ ᎦᏬᏂᏍᎬ.\nᎠᎴ ᏚᏑᏰᏎ ᏔᎳᏚ ᎢᏯᏂᏛ, ᎾᏍᎩ ᎬᏩᏍᏓᏩᏗᏓᏍᏗᏱ, ᎠᎴ ᎾᏍᎩ ᏧᏅᏍᏗᏱ ᎤᎾᎵᏥᎽᏂᏓᏍᏗᏱ,\nᏂᎯᏍᎩᏂ ᎢᏨᏲᏎᎭ, ᎠᎴ ᎠᏂᏐᎢ ᏓᏱᏓᎵ ᎠᏁᎯ, ᎾᏍᎩ ᎾᏂᎥ ᎯᎠ ᏗᏕᏲᏗ ᎨᏒ ᏄᏂᎲᎾ, ᎠᎴ ᎾᏍᎩ ᏄᏂᎦᏙᎥᏒᎾ ᎾᎭᏫᏂᏴ ᏎᏓᏂ ᎤᏤᎵᎦ, ᏣᎾᏗᎭ; ᎥᏝ ᏅᏩᏓᎴ ᎦᎨᏛ ᏴᎨᏨᏐᏈᎸᎦ;\nᏩᎭᏯᏃ, “ᎭᏩ,” ᎤᏛᎮ ᏎᎦᏨ.\nᎠᎹᏳᎸᏓ ᏅᏲ ᏙᏍᏗᎾᏩᏕᎬ ᎢᎦ, ᎠᎦᎵᏍᎬ ᏙᎩᏂᎴᏴᏗᏍᎬ ᏦᏍᏗᏆᎵ ᎾᏍᎩᏯ ᎡᏘ ᏥᎨᏒ.\nᎠ-ᏍᎩᏂ ᎢᏗᏢ, ᎤᏂᎪᎲ ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᏂᏗᎨᏥᎤᏍᏕᏎᎸᎾ [ᎤᎾᏛᎪᏗᏱ] ᎠᏴ ᎥᏆᎨᏅᏛᎢ, ᎾᏍᎩᏯ ᏗᎨᏥᏅᏍᏕᏎᎸᎯ [ᎤᎾᏛᎪᏗᏱ] ᎣᏍᏛ ᎧᏃᎮᏛ ᏈᏓ ᏣᎦᎨᏅᏕᎢ;\n(ᎾᏍᎩᏂ ᏈᏓ ᎤᎵᏂᎩᏛ ᎢᏳᏩᏁᎯ ᎠᏥᏅᏏᏛ ᎨᏒ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᎤᏁᏤᎵᎦ, ᎾᏍᎩ ᎾᏍᏉ ᎠᏴ ᎠᏆᎵᏂᎩᏛ ᎾᏋᏁᎲᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏕᏥᏯᎵᏥᏙᏁᎲᎢ;)\nᎠᏏᏴᏫᏰᏃ ᎯᎠ ᏥᏂᎦᏪᏍᎪᎢ, ᎠᏴ ᏉᎳ ᏥᏯᎵᎪᏁᎯ, ᏅᏩᏓᎴᏃ, ᎠᏴ ᎠᏉᎳ ᏥᏯᎵᎪᏁᎯ; ᏝᏍᎪ ᎤᏇᏓᎵ ᏗᏣᏘᏂᏙᎯ ᏱᎩ?\nᎾᏍᎩ ᎤᏁᎳᏅᎯ, ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᎵᎦ, ᎠᎦᏴᎵᎨ ᎦᎸᏉᏗᏳ ᏥᎩ, ᎾᏍᎩ ᎢᏥᏁᏗᏱ ᎠᏓᏅᏙ ᎠᎦᏙᎥᎯᏍᏙᏗ ᎠᎴ ᎠᏓᎾᏄᎪᏫᏎᎯ, ᎾᏍᎩ ᎤᏩᏒ ᎡᏥᎦᏙᎥᎯᏍᏗᏱ;\nᏧᏬᏰᏂ ᎢᎬᏓ ᎤᏬᏛ ᏣᎵ, ᎤᎴᏅ ᎬᏓᎶᏍᎬ ᎦᏓ ᎬᏘ ᎤᏭᏌᏅ, ᎦᏅᏍᏘ ᎠᎹ ᎬᏘ ᎬᏓᎳᏗᏍᏗ.\nᎦᏓᏅᏖᏍᎬᏰᏃ ᎯᎠ ᎾᏍᎩ ᎪᎯ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᎥᏝ ᏗᎬᏟᎶᏍᏙᏗ ᏱᎩ ᎦᎸᏉᏗᏳ ᎨᏒ ᎾᏍᎩ ᎡᎩᎾᏄᎪᏫᏎᏗ ᎨᏒᎢ.\nᎿᏉᏃ ᎯᎠ ᏄᏪᏎᎸ ᎠᏍᎦᏯ; ᎭᏙᏯᏅᎯᏓ; ᎤᏙᏯᏅᎯᎩᏃ. ᎠᎴ ᎤᏗᏩᏒᎩ, ᎾᏍᎩᏯ ᏐᎢ ᏄᏍᏛ ᏄᎵᏍᏔᏅᎩ.\nᏄᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏂᎳᏫᎩ ᎬᏩᏱᎵᏙᎸ ᎥᏝ ᏳᏁᏤᎢ.\nᎠᎴ ᎾᏍᏉ ᎠᎾᎵᏍᏕᎵᏍᎩᏉ ᎨᏎᏍᏗ ᎾᏍᎩ ᏂᏙᏓᏳᏅᏏᏛ ᎤᎬᏫᏳᎯ ᎨᏥᎩᎵᏲᎢᏍᏙᏗᏱ ᎤᏲ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎨᏥᎸᏉᏙᏗᏱ ᎣᏍᏛ ᏧᏂᎸᏫᏍᏓᏁᎯ.\nᏣᎦᏎᏍᏕᏍᏗ ᎾᏛᏁᎲᎢ, ᎯᏔᎷᎩᏍᎩ, ᏪᏣᏌᏙᏴᎵ\n“ᎭᏂ ᎣᏁᎯ,” ᏧᏁᏤᎢ.\nᎠᏂᏔᎵᏃ ᏚᏂᎧᏁᎢ, ᏦᏩ ᏆᏏᏆ ᏧᏙᎢᏛ, ᏣᏍᏓ ᏣᎪᏎᎰᎢ, ᎹᏓᏯᏃ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᏍᎩ ᎦᏅᎨᎢ ᏗᎾᎵᏍᏓᏴᏂᏎᎢ, ᎦᏚ ᎤᎩᏒ ᎤᎵᎮᎵᏤᎢ, ᎠᎴ ᎤᎬᎭᎷᏴ ᏚᏁᎴᎢ.\nᎪᎱᏍᏗᏗᏍ ᎢᏳᏍᏗ ᎠᏆᏍᏓᏩᏗᏒ ᎠᏆᏕᎳᎰᏒ. \nᏥᎦᏂᎦᏔ.\nᎬᏂᏳᏉᏃ ᎠᏂᏔᎵ ᏗᏂᎨᏫ ᎤᏃᎱᎶᏗ ᏚᏃᎸᎩ, ᎤᎾᏛᎦᏅᏃ ᏥᏌ ᎤᎶᏒᎢ ᎤᏁᎷᏅᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏍᎩᏂᏙᎵᎩ, ᏣᎬᏫᏳᎯ ᏕᏫ ᎤᏪᏥ.\nᎤᏟᏍᏓ ᏧᏍᏆᏴᏍᏗ!” \nᎠᏳᎾᎦᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴ ᏈᎵᎩ; ᎦᎪ ᎧᏃᎮᎭ ᎠᏙᎴᎰᏍᎩ ᎯᎠ ᎾᏍᎩ ᏥᏂᎦᏪᏎ? ᎤᏩᏒᏍᎪ, ᏅᏩᏓᎴᎨ ᎩᎶᎢ?\nᎡᏥᏂᏌᏅ ᎾᏍᎩ ᎠᏥᏂᏌᏅ ᏗᏓᏬᏍᏗ ᎨᏒ ᎬᏔᏅᎯ, ᎾᏍᎩ ᎾᏍᏉ ᎬᏔᏅᎯ ᏕᏣᎴᏔᏅ ᎾᏍᎩ ᏓᎦᎴᏔᏅᎢ ᎬᏔᏅᎯ ᏕᏣᎴᏔᏅ ᎾᏍᎩ ᏓᎦᎴᏔᏅᎢ ᏅᏧᎵᏍᏙᏔᏅ ᎢᏦᎯᏳᏒ ᎤᏁᎳᏅᎯ ᏚᎸᏫᏍᏓᏁᎸᎢ, ᎾᏍᎩ ᏧᎴᏔᏅᎯ ᏥᎩ ᎤᏲᎱᏒᎢ.\nᎬᏂᏳᏰᏃ ᏛᎵᏰᎢᏣᎵ ᎢᎦ, ᎾᎯᏳ ᎯᎠ ᏅᏛᏂᏪᏏ, ᎣᏂᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᏗᎾᎷᎸᎥᏍᎩ ᏂᎨᏒᎾ, ᎠᎴ ᏧᎾᏓᎾᏄᎪᏫᏒᎯ ᏂᎨᏒᎾ, ᎠᎴ ᏧᎾᏓᏍᏛᏅᎯ ᏂᎨᏒᎾ.\nᏌᎳᏓ ᎠᎬᏱ ᎠᎧᏔᎮᎢ ᎤᎾᏕᏅ ᏌᏌ ᎠᏂᏓ.\nᏚᎾᏓᎴᎿᎠ ᎾᏍᏉ ᎠᏥᏰᎯ ᎠᎨᏴ ᎠᏃ ᎾᏥᏰᎲᎾ. ᎾᏥᏰᎲᎾ ᎠᎨᏴ ᎠᏓᏅᏖᏍᎪ ᏧᏓᎴᏅᏛ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎾᏍᎦᏅᎾ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏰᎵ ᎨᏒ ᎠᎴ ᎤᏓᏅᏙᎩᎯ ᎨᏒᎢ; Ꮎ-ᏍᎩᏂ ᎠᏥᏰᎯ ᎠᏓᏅᏖᏍᎪ ᏧᏓᎴᏅᏛ ᎡᎶᎯ ᎡᎯ, ᎢᏳᏛᏁᏗᏱ ᎤᏰᎯ ᎣᏍᏛ ᎤᏰᎸᏗ ᏧᎸᏫᏍᏓᏁᏗᏱ.\nᏆᎴᏗᏃ ᎣᏏᏳ ᎤᏰᎸᏎ ᎣᏍᏛ ᏧᏓᏅᏓᏗᏍᏙᏗᏱ ᎤᏂᏣᏘ, ᏚᏲᎯᏎᎴ ᏆᎳᏆ, ᏥᏌᏃ ᎤᎵᎥᏂᎸ ᏚᏲᏎ ᎠᎦᏛᏗᏱ.\nᏏᏗ ᎣᏣᏁᏦᎥᏍᎦᏉ ᏥᏲᏎᎸ.\nᏂᎯᏍᎩᏂ ᏕᏥᎨᏳᏎᏍᏗ ᎨᏥᏍᎦᎩ, ᎠᎴ ᎣᏍᏛ ᏕᏥᎸᏫᏍᏓᎡᎮᏍᏗ, ᎠᎴ ᎢᏣᏓᏙᎳᏍᏗᏍᎨᏍᏗ ᎤᏚᎩ ᏂᏨᏒᎾ ᎥᎡᏥᏂᏗᏱ ᎪᎱᏍᏗ; ᎤᏣᏘᏃ ᎡᏣᎫᏴᎡᏗ ᎨᏎᏍᏗ, ᏩᏍᏛᏃ ᎦᎸᎳᏗᏳ ᎡᎯ ᏧᏪᏥ ᎨᏎᏍᏗ ᏂᎯ; ᎾᏍᎩᏰᏃ ᎣᏍᏛ ᏂᏓᏛᏁᎰ ᏄᎾᎵᎮᎵᏣᏛᎾ ᎠᎴ ᎤᏂᏲᎢ.\nᎿᏉᏃ ᏆᎴᏗ ᎾᏍᎩ ᎤᏛᎦᏅ ᎤᏟ ᎢᎦᎢ ᎤᏍᎦᎸᎩ;\n”ᎭᏓᏅᎵᏰ ᎨᎵᏍᎩ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎠᎴ ᎡᏆᎭᎻ ᎠᎴ ᎾᏍᎩ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᏧᏓᎴᏅᏛ ᎨᏥᏚᎢᏍᏓᏁᎴᎢ. ᎥᏝ ᎯᎠ ᏱᏂᎦᏪᎭ, ᎠᎴ ᏂᎯ ᏗᏣᏁᏢᏔᏅᎯ, ᎢᎸᏍᎩ ᏥᎨᏐ ᎾᏍᎩᏯᎢ; ᏌᏉᏉᏍᎩᏂ ᏥᎨᏐ ᎾᏍᎩᏯ, ᎯᎠ ᏂᎦᏪᏎ,] ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ; ᎾᏍᎩ ᎦᎶᏁᏛ ᏥᎩ.\nᏤᏍᏗ ᏯᎦᏎᏍᏗᏍᎨᏍᏗ ᏫᎵᎻ!” \nᎨᏍᏗ ᎠᏎ ᎩᎶ ᎠᎫᏩᏌᏙᏱᏍᏗ ᏱᎨᏎᎢ.\nᎥᏝᏰᏃ ᎠᎵᏏᎾᎯᏍᏔᏅᎯ ᎠᏎᏉ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᏲᎩᏍᏓᏩᏛᏎ ᎬᏂᎨᏒ ᏂᏨᏴᏁᎸ ᎤᎵᏂᎩᏗ ᎨᏒ ᎠᎴ ᎤᎷᎯᏍᏗ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ; ᏱᎩᎪᎲᎯᏍᎩᏂ ᎨᏒᎩ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏤᎵᎦ.\nᎠᎴ [ᎾᏍᎩ ᏄᎾᏛᏁᎸᎩ] ᎥᏝ ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏚᎩ ᎣᎬᏅᎢ, ᎢᎬᏱᏍᎩᏂ ᎤᏅᏒ ᎤᎬᏫᏳᎯ ᏚᎾᏓᏲᎯᏎᎸᎩ, ᎠᎴ ᎠᏴ ᏕᎪᎦᏓᏲᎯᏎᎸᎩ, ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎠᏰᎸᏍᎬ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ.\nᎾᏍᎩ ᏂᎯ ᎢᏤᏙᎲ ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎤᏰᎸᏗ ᎢᏤᎵᏍᏗᏱ, ᎾᏍᎩ ᎢᏥᏯᏅᏛ ᏥᎩ ᏫᏥᎷᎯᏍᏗᏱ ᎤᏤᎵᎪᎯ ᎠᎴ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᏗᎨᏒᎢ.\nᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎠᏥᏰᎸᎾᏁᎴ ᎾᏍᎩ.\nᏧᏪᏥ ᏓᏆᏁᏍᎩᎳ.\nᏥᏌᏃ ᎤᏚᏫᏛ ᏚᎧᎿᏂᏙᎸ, ᎯᎠ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎾᏍᏓᏯ ᏧᎬᏩᎶᏗ ᎤᏂᎯ ᎤᏁᎳᎲᎯ ᎤᏤᎵᎪᎯ ᏭᏂᏴᏍᏗᏱ.\nᏭᎪᎮᏃ Ꭸ ᎢᏴᏛ ᏗᏡᎨ ᏒᎦᎳᎢᏳᏍᏗ, ᎤᎵᏍᏚᏎᎢ, ᏭᎷᏤᎢ, ᏯᏎᎦᎩ ᏱᏥᏩᏛ ᎪᏞᏍᏗ ᏳᏔ ᎤᏪᎵᏎᎢ; ᎾᎿᏃ ᏭᎷᏨ ᎥᏝ ᎪᏞᏍᏗ ᏳᏩᏛᎮ ᎤᎵᏍᏚᏒᏉ ᎤᏩᏒ; ᎥᏞᏰᏃ ᎠᏏ ᏳᏍᏆᎸᎮ ᏒᎦᏔᎢᏳᎾᏍᏗ ᎤᏅᏂᏍᏗᏱ.\nᎠᏂᏐᎢ ᏕᏧᎬ ᎾᎥᏂ ᎠᏂᏙᎾᎥ ᎠᏂᎦᏘᏴ.\nᏧᏚᏴᏗᏱ ᏧᏭᏓᎴᏍᏗᏱ ᎤᏰᎸᏎ ᎾᏍᎩ ᎤᎾᏓᏄᏴᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎲᎢ, ᎾᏍᎩ ᎠᏴ ᏧᏪᏥ ᎢᏰᎬᏁᏗᏱ.\nᏧᎾᏍᏗᏃ ᏗᏂᏲᎵ ᏕᎬᏩᏘᏃᎮᎴᎢ, ᎾᏍᎩ ᏧᏒᏂᏍᏗᏱ; ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᏚᏂᎬᏍᎪᎸᏁ ᎾᏍᎩ ᏧᎾᏘᏃᎸᎯ.\nᏅᎦᏍᎪᎯᏃ ᎤᏗᏢᏍᏙᏗ ᎾᏂᎥᎩ ᎾᏍᎩ ᎢᏧᎾᏓᏪᏎᎸᎯ.\nᎦᎸᏉᏗᏳᏰᏃ ᎠᏓᏅᏙ ᏓᏤᏲᏂ ᎾᎯᏳ ᎨᏒ ᎢᏥᏪᏍᏗᏱ.\nᎣᎭᏂ ᎡᎯ ᎠᏧᏣ ᏩᏏᏓᏂ ᏚᏙᎥ, ᎠᎬᏱ ᎤᎬᏫᏳ ᏚᏙᎥ ᏭᏂᎩᏓ, ᏧᏍᏗ ᏧᎪᎸ ᎠᎵᏎᎩ ᏐᏈᎵ ᎠᏘᎭᏁᎲ, ᏓᎵᏎᎲ ᎠᎵᏍᏔᏴᏗ, ᏗᏓᏍᏔᏴᏗ, ᏃᎴ ᏧᏍᏆᏅᎾ.\nᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎤᏣᏃᏛᎩ; ᎠᎴ ᎾᏍᎩ ᏚᎸᏌᏛ, ᏅᏯᎤᏣᏘ ᏧᎬᏩᎶᏗ ᎾᏍᎩᏯ ᎨᏒᎩ, ᎾᏍᎩ ᏣᏍᏆ ᏅᏯ ᎾᏍᎩᏯᎢ ᏗᎬᏩᎸᏌᏛ ᎨᏒᎩ.\n“ᎭᏩ,” ᎤᏛᏁ ᏌᎳᏓ, ”ᏚᏓᎴᏣᏗ ᎢᏁᎲ.\nᎤᎪᏏᏓ ᎢᏗᏅᏁ ᎪᎱᏍᏗ ᎤᎵᏬᏨ ᎦᏓ ᎾᏅᏁᎰ.\nᎤᏚᎵᏍᎨ ᏒᏕᏅ ᏔᎵ ᎢᏳᏩᎬᏘ ᏗᏍᏔᏲᎯ ᏂᎬᏛ ᎠᎦᏅᎯᏓ, ᎢᏳᏍᏗᏉ ᏧᏲᏍᏙᏗ, ᎠᏥᎪᏅᏗᏍᎬ ᎢᎪᎯᏛ.\nᎾᏍᎩᏯ ᏄᏪᏒ ᏕᎬᏗᏍᎬ ᏧᏤᎵ ᎨᏥᎸᏉᏗ ᎠᎾᏙᎴᎰᏍᎩ ᎤᎾᏕᏅᎯ ᏥᎩ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ;\nᎠᏯ ᏗᏥᏲᎵᏨ ᏄᏛᏁᎵᏙᎸ ᎠᏂᏃᎮᏍᎬ, Alamo ᏄᎵᏍᏔᏅ ᎩᎳ ᎠᏥᏌᎴᏓᏅ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᏂᎷᏤ ᎠᎴ ᎤᏂᏁᏎ ᎠᏰᎸᎢ, ᎠᎴ ᎤᏂᏂᏌᏁᎢ, ᎠᎴ ᎤᏁᏅᏎ ᏭᏂᏃᏁᎴ ᏥᏌ.\nᎦᏙᏃ ᎦᏓ ᏥᎾᎾᎵᏍᏗ ᏅᎩ ᏗᏂᏅᏌᏓ ᏃᎴ ᎠᏤ ᎡᎾᎢ?\nᏧᏁᎬ ᎨᏒ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ ᏗᎦᏙᎵ, ᎾᏍᎩᏯ ᏧᏓᎵ ᏓᏳᏓᎴᏅ ᎪᎢ ᏧᎵᏑᏫᏓ ᎨᏒ, ᎪᎯᏛ ᏓᏆᎧᎾᏅ, ᎩᎳ ᏄᏪᏒ, ᏙᏉ ᎠᏇᎵᏎ ᎢᏧᎳ ᏍᏔᎵᎪᎯ ᏫᏍᏛᏯᎧᏁ.\nᏍᏆᎴᏅᎲ ᏥᏯᏅᏓᏗᏍᏙᏗ ᎠᏌᎻᏓ ᎨᏍᏗ ᏍᎩᎾᎾ ᎧᏁᎬ ᏱᏓᎩᎷᏫᏍᏔᏁᎮ ᏃᎴ ᎨᏍᏗ ᏐᏉ ᏎᏂᏏ ᏱᎬᏆᏈᏴᎡ ᎠᏂᏩᏥᏂ, ᎠᏋᏌ ᎠᏆᏚᎵᏍᎬ ᏂᏓᎦᏛᏁᎵ.\nᏴᏫ ᎤᏪᏥ ᏙᏓᎦᏅᏏ ᏧᏤᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ, ᎠᎴ ᎾᏍᎩ ᎤᏤᎵᎪᎯ ᏙᏛᏃᏣᎴᏏ ᏂᎦᏛ ᏗᎾᏓᏙᏕᏍᏗᏍᎩ ᎠᎴ ᏂᎦᏛ ᎠᏂᏍᎦᏅᎩ,\nᏭᎾᏠᏨᏃ ᎠᏰᎸᎢ, ᎤᏂᎷᏤᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏗᏂᎧᎿᏩᏗᏙᎯ ᎾᏍᏉ ᏙᏥᎪᏩᏛ ᎾᏍᎩ ᎬᏅ ᎪᎪᏏ, ᎤᎾᏛᏁᎢ.\nᎾᎿ ᎤᎾᏤᎵ ᏥᏍᎪᏴ ᏂᎦᎵᏬᎬᎾ ᏗᎨᏒᎢ, ᎠᎴ ᎠᏥᎸ ᏂᎬᏠᏍᎬᎾ ᏗᎨᏒᎢ.\nᎠᎴ ᎤᏁᎷᏅᎩ ᎢᏳᏃ ᎤᏂᎪᎲ ᏚᎦᏒᏍᏛ ᎾᏍᎩ ᎠᎪᎲᏍᎬᎢ, ᎯᎠ ᎾᏂᏪᏍᎬᎩ, ᎦᏙ ᎤᏍᏗ ᎾᏍᎩᏯ ᎨᏎ ᎾᏍᎩ ᎯᎠ ᎡᏆ ᎦᏚᎲ ᏄᏍᏛᎢ?\nᏣᏅᏖᏍᏗ ᏥᏌ ᎦᎶᏁᏛ, ᏕᏫ ᎤᏪᏥ, ᎤᏲᎱᏒ ᏚᎴᎯᏌᏅᎢ, ᎾᏍᎩᏯ ᏂᎦᏪᏍᎬ ᎣᏍᏛ ᎧᏃᎮᏛ ᎠᏆᏤᎵᎦ,\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏥᏍᏕᎾ ᏣᏂ ᏫᎡᏍᏗᏃᎲᏏ ᏂᎦᎥ ᎢᏍᏓᏛᎩᏍᎬᎢ ᎠᎴ ᎢᏍᏗᎪᏩᏖᏍᎬᎢ:\nᏲᎾ ᎤᏤᏍᏙ ᎢᏳᏍᏗ ᏍᏉ ᎤᎨᏳ ᎨᏎ ᏫᎵᎻ, ᏍᎩᎾᎾ ᎤᏴᏍᏗ ᎠᏒᎩ ᏃᎴ ᎤᏪᏙᏨ ᎠᎵᏍᏓᏴᏗ ᏛᎦ ᎠᎾᏓᏓᏍᎩᏏᏍᎨᎢ ᏚᏂᎬᎬ ᏌᎳᏓ, ᏃᎴ ᎠᎵᎮᎵᏍᏓᏁᎮ ᎠᎴᏫᏍᏗᏍᎩ ᏱᎨᏒᎾ ᎨᏒ ᏃᎴ ᎱᏚᎵᏍᎨ ᎤᏁᎸᏙᏗ ᎤᏏᎳᏛᏗ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᏆᏟᏯ ᎤᏙᏓ ᎦᏅᎬᎩ ᎤᏗᎴᎲᏍᎬᎩ ᎠᎴ ᎩᎬ ᏚᏩᎫᏍᎬᎩ, ᎾᏍᎩ ᏉᎳ ᎤᏴᎸᎩ ᎦᏅᎬᎢ, ᎤᏓᏙᎵᏍᏔᏅᏃ ᎠᎴ ᏚᏏᏔᏛ ᎤᏅᏩᏅᎩ.\nᎯᎠ ᎾᏍᎩ ᎠᏍᎩ ᎠᏯᎦᏯ ᏆᎴᏗ ᏭᎷᏤᎴ ᎠᎴ ᎤᏔᏲᏎᎴ ᏥᏌ ᎠᏰᎸᎢ.\nᎢᎬᏱᏱᏃ ᎨᏒ ᎤᏪᏅᏒᎩ, ᎠᎴ ᎪᏙᎯ ᎤᏪᏐᏅᏴᎩ ᎫᎫ ᎠᏰᎲ ᎠᏟᏍᏛᎢ; ᎤᏕᏯᏙᏗᏃ ᎠᎴ ᎡᎯᏍᏗ ᏚᏂᏣᏍᏓᎳᏛᎩ ᏴᏫ ᎾᏍᎩ Ꮎ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎤᏤᎵ ᏗᎨᎪᏪᎶᏔᏅᎯ, ᎠᎴ ᎾᏍᎩ ᏣᎦᏟᎶᏍᏔᏅᎯ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ.\nᎾᏍᏉᏃ ᏔᎵ ᎢᏯᎦᏴᎵ ᏣᏥᏁᎸᎯ ᎤᎷᏨ ᎯᎠ ᏄᏪᏎᎢ; ᏍᎩᎾᏝᎢ, ᏔᎵ ᎢᏯᎦᏴᎵ ᎠᏕᎸ ᏕᏍᎩᏲᎯᏎᎸᎩ; ᎬᏂᏳᏉ ᎤᏩᎾᏓᎴ ᏔᎵ ᎢᏯᎦᏴᎵ ᎬᎩᏁᏉᏤᎸ.\nᏂᎯ ᎠᏈᏴᏗ ᏕᏣ.\nᏔᎵᏁᏃ ᎾᏍᎩᏯᏉ ᎾᏍᏉ; ᏨᏒ ᏥᏂᏣᏓᎨᏳᏒ ᏂᎨᏳᏎᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ.\nᎢᏳᏃ ᎰᏩ ᎢᏣᏛᎦᏅᎯ ᏱᎩ ᎤᏁᎳᏅᎯ ᎬᏩᎦᏗᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᏴ ᎥᎩᏁᎸᎢ ᎾᎿ ᏗᎩᎸᏫᏍᏓᏁᏗᏱ ᏂᎯ ᎣᏍᏛ ᎢᏨᏯᏛᏁᏗᏱ;\nᎠᏂᏍᎦᏰᎬᏍᏔ ᎤᎾᏗᏔᎰᏅ ᏍᎦᏥ ᏫᏍᎩ ᏓᏆᎴᎳ ᎦᎵ ᎦᎷᎬ ᏣᎵᏍᏙᏂ ᏓᏳᏓᎴᏅ.\nᏍᎩᏃ ᎢᏳᏍᏗ ᎤᎩᏨᏓ ᎩᎳ ᏩᎩᎷᏨ ᎨᏥᎸ ᎦᏙ, ᎦᏙ ᏄᏍᏛ ᎠᏆᏕᎶᎰᏒ ᏄᎵᏍᏔᏂᏙᎸ.\n “ᏑᎾᎴ ᏂᎦᎵᏍᏔᏅ ᏓᏥᎦᏘᏗ  ᎾᎯᏳ ᎨᏒ ᎤᏪᎵᏎ, ᎪᎱᏍᏗ ᏯᏍᎦᎢᎲᎾ.\nᎤᏟᏰᏃ ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᏱᎨᏎᎢ ᏄᏂᎦᏙᎥᏒᎾ ᏱᎨᏎ ᏚᏳᎪᏛ ᎦᏅᏅᎢ, ᎠᏃ ᎤᏂᎦᏙᎥᏒᎯ ᎨᏒ ᏯᎾᎦᏔᎲ ᏱᏚᏂᏲᏍᎦ ᎦᎸᏉᏗᏳ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩ ᏗᎨᏥᏲᎯᏎᎸᎯ.\nᎨᏍᏗ ᎤᎯᏐᏗ ᏱᎩ.”\nᎤᏛᏛᎮᎸᏁᏃ ᎤᏣᏘ ᏧᏓᎴᏅᏛ, ᎠᏎᏃ ᎥᏝ ᏳᏁᏤᎴᎢ.\nᎣᎾᏫᏰᏃ ᎬᏗ ᎠᎪᎯᏳᎲᏍᎪ ᎣᏚᏓᎴᏍᏗ ᏂᎦᎵᏍᏔᏂᎦ; ᎠᎴ ᎥᎰᎵ ᎬᏗ ᎬᏂᎨᏒ ᎾᎬᏁᎰ ᎥᏓᏗᏍᏕᎸᏗ ᏂᎦᎵᏍᏔᏂᎦ.\nᎯᎠᏃ ᏄᏪᏎᎢ ᎬᏲᏎᎭ ᏈᏓ, ᏣᏔᎦ ᎥᏝ ᎬᏛᏴᎳᏏ ᎪᎯ ᎢᎦ ᎬᏂ ᏦᎢ ᎢᏣᏓᏱᎸᎯ ᎨᏎᏍᏗ ᎠᏴ ᏍᎩᎦᏔᎲᎢ.\nᎠᎹ ᏱᏔᏑᏴᏂ, ᎢᏧᎴᎭ ᎠᏗᎬᏓ ᏱᏣᏗᏔ ᏪᎵᏏ ᏧᎾᏕᎪ ᏧᎾᏗᏔᏍᏗ.\nᏗᎧᎾᏩᏛᏍᏗ.\nᎠᎴ ᎾᏍᎩ [ᎤᏚᎵᏍᎬ] ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ ᎤᏤᎵ ᎤᏣᏔᏅᎯ ᎦᎸᏉᏗᏳ ᎨᏒ ᏕᎬᏗᏍᎬ ᏗᏖᎵᏙ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏗᏟᏍᏗ, ᎾᏍᎩ ᏧᏛᏅᎢᏍᏔᏅᎯ ᏥᏂᎨᏎ ᎦᎸᏉᏗᏳ ᏗᎨᏒ ᏭᎾᏕᏗᏱ,\nᏭᏂᎷᏣ ᎭᎾ ᏣᎵ ᏕᎨᏯᏔᎲᏍᎬ ᎠᏍᏓᏱ ᎤᏙᎯᏎ.\nᎢᎸᎯᏳᏃ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᎯᏳ ᏓᏕᏲᎲᏍᎨᎢ, ᎾᎿ ᎠᏂᏁ ᎠᏂᏆᎵᏏ ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏃᏏᏏᏍᎩ ᏕᎦᏚᏩᏗᏒ ᎨᎵᎵ ᏅᏓᏩᏂᎶᏒᎯ, ᎠᎴ ᏧᏗᏱ, ᎠᎴ ᏥᎷᏏᎵᎻ; ᎤᎬᏫᏳᎯᏃ ᎤᎵᏂᎬᎬ ᏚᎾᏗᏫᏍᏗᏍᎨᎢ.\nᎠᎴ ᎠᏂᏬᏂᏍᎬ ᎠᏓᏰᏍᎨᏍᏗ ᎾᏍᎩᏯ ᎤᎪᏏᏛ ᏣᏓᏰᏍᎪᎢ; ᎾᏍᎩ ᏄᎾᏍᏗ ᎭᎻᏂᏯ ᎠᎴ ᏆᎵᏓ,\nᏱᎩᎾᎵᎪᏁᎢ, ᏰᎵᏉ ᎪᎰᏍᏗ ᏯᏆᏛᏁ ᎤᏓᏍᏖᏓᎵᏴᏍᏙᏗ.\nᏂᎯᏃ ᎯᏲᎵ, ᏩᏍᏛ ᎦᎸᎳᏗᏳ ᎡᎯ ᎤᏤᎵ ᎠᏙᎴᎰᏍᎩ ᎡᏦᏎᎮᏍᏗ, ᏂᎯᏰᏃ ᎢᎬᏱ ᏘᏰᏅᎡᎵ ᏱᎰᏩ, ᎯᏯᏛᏅᎢᏍᏓᏁᏗᏱ ᎤᎶᎯᏍᏗᏱ;\nᎾᏍᎩᏃ ᏧᏪᏥ ᏅᎩ ᎢᏯᏂᏛ ᎠᏁᎲᎩ ᎠᎾᏛ ᎠᎾᏙᎴᎰᏍᎩ.\nᏲᎾ ᎤᏤᏍᏙ ᎤᎵᏍᏔᎩᏌ ᏒᏗᏩᏟ, ᎤᏲ ᎨᏎᎢ, ᏍᎪᏯ ᎤᏲ ᎭᏯᎡ ᎭᏫᏂ, ᎤᏲᎢᏍᏔᏁᎴᎢ.\nᎾᏍᎩ ᎤᏂᏍᏆᏗᏍᏙᏗ ᎨᏒ ᎠᏓᏛᏗᏍᎩ ᏥᎩ, ᎤᎾᏁᎳᏅᎯ ᎤᏂᏍᏉᎵᏱᏉ ᏥᎩ, ᎠᎴ ᎤᎾᏕᎰᎯᏍᏗᏍᎩᏉ ᎠᎾᏢᏈᏍᏗᏍᎩ ᏥᎩ, ᎾᏍᎩ ᎡᎶᎯᏉ ᎡᎯ ᎤᎾᎦᏌᏯᏍᏗ ᏥᎩ.\nᏲᎾ ᎤᏤᏍᏙ ᎠᎵᎮᎵᎨ, ᎡᎵᏍᎨᎢ ᏌᎳᏓ ᎠᏓᏪᎯᏴ ᎤᏔᏅ ᎨᏍᏗ ᏱᏛᏂᎵᏎ ᏫᎵᎻ.\nᏔᎵ ᏗᎦᎸᏓ ᎠᏫ ᎭᏫᏯ ᎠᎧᎭᏲᏔᏅ ᏚᎳᎩᏒ ᎦᏅᏙᏗ ᎠᏧᏣ, ᏚᏅᏁᎸ ᏣᎵ.\nᏂᎦᏓ ᎡᏝᏪ ᎨᏎᏍᏗ ᏓᏥᏯᎵᏃᎡᏔᏂ!”\nᎠᎵᏍᎦᏃᏍᏗᏍᎨ ᎪᏱᏁᎢ, ᎤᏔᏂᏗᎨ ᎧᏁᏌ ᎤᏂᏕᎴ, ᎠᏓ ᏗᏍᏆᏂᎪᏙᏗ ᏭᏂᎧᏁ.\nᎤᏙᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎾᏍᎩ Ꮎ ᎦᎶᎯᏍᏗᏱ ᎠᏴᏍᏗᏍᎩ ᏂᎨᏒᎾ ᎠᏫ ᎤᏂᏃᏕᎾ ᎤᏂᏴᏍᏗᏱ, ᎤᏣᏘᏂᏉᏍᎩᏂ ᎦᎸᏍᏗᏍᎩ, ᎾᏍᎩ ᎦᏃᏍᎩᏍᎩ ᎠᎴ ᎠᏓᎾᏌᎲᏍᎩ.\nᎠᎦᏗᏓ ᎯᏥᏬᏂᏍᎨᏍᏗ ᏌᏌ!” \nᎠᎴ ᎤᏙᎯᏳᎯᏯ ᎠᏴ ᎤᏪᏥ ᏓᏰᏏ ᎾᏍᎩᏯ ᏚᏚᎪᏔᏅᎢ, ᎠᏎᏃ ᎤᏲᎢᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ ᎾᎠᏍᎦᏯ ᎤᏡᏗᏍᎩ\nᏤᎦᎳᏯᏃ ᎤᎪᎲ, ᎤᏕᏯᏔᏁᎴ ᎠᎴ ᎤᏍᎦᎴᎢ.\nᏕᏅᏬᎯᏳᏁᏃ, ᎪᎱᏍᏗ ᏓᎬᎩᏁᎵ ᎡᎵᏍᎨᎢ.\nᎢᏳᏃ ᎩᎶ ᏂᎪᎯᏳᎲᏍᎬᎾ ᎢᎨᏎᏍᏗ ᎣᏥᏬᏂᏍᎬ ᎠᏂ ᎣᏦᏪᎵᏍᎬᎢ, ᎬᏂᎨᏒ ᏁᏨᏁᎸᎭ ᎾᏍᎩ, ᎠᎴ ᏞᏍᏗ ᎢᏧᎳᎭ ᎢᏤᏙᎸᎩ, ᎾᏍᎩ ᎬᏩᏕᎰᎯᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏗᏥᏁᏟᏴᎾ ᏕᏣᏓᏅᏛᎢ, ᎠᎴ ᎢᏣᎦᏔᎲᎾ, ᎤᏓᏅᎦᎸᏗᏱ ᎢᏥᏍᎦᏅᏨᎢ, ᎾᏍᎩ ᎣᏍᏛ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᎤᎾᏄᎪᎢᏍᏗᏱ ᎤᎬᏫᏳᎯᏱ ᏅᏓᏳᏓᎴᏅᎯ.\nᎾᎿ ᎤᎾᏤᎵ ᏥᏍᎪᏴ ᏂᎦᎵᏬᎬᎾ ᏗᎨᏒᎢ, ᎠᎴ ᎠᏥᎸ ᏂᎬᏠᏍᎬᎾ.\nᎾᎯᏳᏃ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎭᏫᏂᏗᏢ ᎢᏯᎬᏁᎸᎯ ᎨᏎᏍᏗ, ᎿᏉ ᎾᏍᏉ ᎤᏪᏥ ᎤᏩᏒ ᎭᏫᏂᏗᏢ ᏅᏛᏛᏁᎵ ᎾᏍᎩ Ꮎ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎯᏫᏂᏗᏢ ᎢᏳᏩᏁᎸᎯ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏂᎦᎥ ᎢᎬᏂᏏᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏂᎥ ᎠᏁᎲᎢ.\nᎺᎵᏃ ᎤᎷᏨ ᏥᏌ ᎡᏙᎲᎢ, ᎠᎴ ᎤᎪᎲ, ᏚᎳᏍᎬ ᎡᎳᏗ ᎤᏓᏅᏅᎩ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᎢᏳᏃ ᎠᏂ ᏱᎮᏙᎮᎢ, ᎥᏝ ᎥᎩᏙ ᏱᎬᏩᏲᎱᏎᎢ.\nᎠᏎᏍᎩᏂᏃᏅ ᎠᏇᏓᏍᏗ ᏂᎦᎵᏍᏗᎭ ᎪᎯ ᎢᎦ, ᎠᎴ ᎤᎩᏨᏅᎢ, ᎠᎴ ᎤᎩᏨᏛ; ᎥᏝᏰᏃ ᎠᏙᎴᎰᏍᎩ ᏰᎵ ᎢᎸᎯᏢ ᎦᏰᏥᎢᏍᏗ ᏱᎩ, ᏥᎷᏏᎵᎻ ᎤᏩᏒ.\nᏗᎦᎳᏫᎢᏍᏗᏱᏃ ᎠᏯᎡ ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎦᏓᎭ ᎠᏓᏅᏙ ᎠᏍᎩᎾ ᎤᏯᎢ, ᎠᎴ ᎠᏍᏓᏯ ᎤᏪᎷᏁᎢ,\nᎤᏙᎯᏳᎯᏯᏰᏃ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎩᎶ ᎯᎠ ᏂᎦᏪᏎᎮᏍᏗ ᎯᎠ ᏦᏓᎸ, ᏪᏣᎲᎾ, ᎠᎴ ᎠᎺᏉᎯ ᏪᏣᏚᎦ; ᎠᎴ ᏄᏜᏏᏛᎡᎲᎾ ᎢᎨᏎᏍᏗ ᎤᎾᏫᏱ, ᎪᎯᏳᎲᏍᎬᏍᏗᏉᏍᎩᏂ ᎾᏍᎩ ᏂᎦᏪᏍᎬ ᎠᏎ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ; ᎾᏍᎩ ᎤᎨᏍᏗ ᏂᎦᎥ ᏄᏪᏒᎢ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎢᎨᏓᏍᏗᏱ ᎾᏍᎩᏯ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏤᎵᎦ ᏂᎦᏪᏍᎬᎢ. ᎾᏍᎩ ᎯᎠ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏥᏁᏣᏛᎩᏍᎪᎢ, ᎾᏍᎩ ᏗᏥᎧᎿᏩᏛᏍᏗᏱ.\nᎤᏒᏃ ᏄᎵᏍᏔᏅ ᎬᏩᏍᏓᏩᏙᎯ ᎬᏩᎷᏤᎸᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎠᏂ ᎢᎾᎨᏉ, ᎠᎴ ᎢᎦ ᎤᎶᏐᏂᏗ, ᏥᏤᎾᏉᏃ ᎩᏲᏏᎯᎠ ᎤᏂᏣᏘ ᏴᏫ, ᎠᎴ ᏙᏗᎦᏚᎲ ᏫᎠᏂᎶᎯ, ᎾᎿ ᎤᏅᏒ ᎤᎾᎵᏍᏓᏴᏗ ᎤᏂᏩᏒᎭ.\nᏴᏫ ᎠᎩᏟᏲᏗ ᎤᏂᎶᎯᏍᏗ ᏃᎴ ᏓᏂᏲᎰᏍᎪ, ᏯᏂᎦᏔᎲᎾ ᎨᏒ ᏃᎴ ᎨᎦᏥᎪᏁᎸ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᏕᎦᏬᏁᏗᏍᎬᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏂᏧᏏ ᎠᎴ ᎤᏁᎳᏅᎯ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ, ᎠᎴ ᏂᏚᎩᏨᏂᏒ ᎦᏃᏗᏗᏱ ᏕᎦᏬᏁᏗᏍᎬᎩ ᎾᎿ ᏧᏩᏛᏔᏅᎯ.\nᎤᎬᏫᏳᎯᏃ ᎤᏣᏘ ᏞᏉ ᎤᏰᎸᏁᎢ; ᎠᏎᏃ ᎤᏎᎵᏔᏅᎢ, ᎠᎴ ᎾᏍᎩ ᎢᏧᎴᎭ ᎤᎾᏂᏜᏅᎯ ᏅᏧᎵᏍᏙᏔᏁ, ᎥᏝ ᎬᏩᎨᏳᏙᏗ ᏱᎨᏎᎢ.\nᎠᎴ ᏄᎬᏫᏳᏒ ᏕᎦᏍᎩᎸ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏄᎬᏫᏳᏒ ᏧᎾᏂᏢᏗᏱ ᏓᎾᎵᏍᏓᏴᎲᎬᎢ;\nᎦᏙᏃ ᎤᏍᏗ ᎠᎬᏩᏟ ᏒᎦᏔ ᎢᏈᎬᎢ ᏒᎦᏔᏃ ᎾᎾᏓᏛᏍᎬᎾ? ᎤᏓᏛᏛᏁᎢ Ꮎ ᎤᏍᏗ ᎢᏈᎬᎢ.\nᎠᎦᏔᎮᏰᏃ ᎠᏅᏳᎬᏉ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏚᏂᏲᏒᎢ.\nᎠᎴ ᎢᎾᏛ ᎤᎿᎸᏤᎸ-Ꭹ ᎠᎨᏴ, ᎠᎴ ᏓᎿᏩ ᎢᏧᏩᏁᏗᏱ ᎤᏰᎸᏅᎩ ᎤᎾᎵᏃᎯᏴᎯ ᎾᏍᎩ [ᎠᎨᏴ] ᎤᏁᏢᏔᏅᎯ ᎨᏒᎢ, ᎾᏍᎩ Ꮎ ᎠᏂᏍᏆᏂᎪᏗᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ, ᎠᎴ ᎤᏂᎯ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵ ᎪᎯᏳᏗᏍᎩ\nᎤᏰᏤ ᏥᏍᏕᏥ.\nᎠᎴ ᏚᏪᎧᏁᎴ ᎾᏍᎩ ᏧᏂᏔᏲᎴᎢ, ᏗᏓᏍᏚᏗᏱ ᎠᏥᏴᏔᏅᎯ ᏥᎨᏎᎢ ᏧᏍᏛᏗᏍᎨ ᎤᏓᏑᏰᏛ ᎤᎾᎵᏖᎸᏅ ᎠᎴ ᎤᏓᎸᎢ; ᏥᏌᏍᎩᏂ ᏚᏲᎯᏎᎴ ᎤᎾᏚᎵᏍᎬ ᎢᏳᏅᏁᏗᏱ.\nᏞᏍᏗ ᎩᎶ ᎤᏩᏒᏉ ᎤᏤᎵ ᏳᏲᎮᏍᏗ, ᏅᏩᏓᎴᏍᎩᏂ ᎤᏤᎵ ᎤᏲᎮᏍᏗ.\nᏅᏩᏓᎴ ᏚᏟᎶᏍᏓᏁᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᏍᎩᏯᏉ ᎠᏥᎸ ᎤᎦᏔ, ᎠᏍᎦᏯ ᏧᎩᏎ ᎠᎴ ᏧᏫᏎ ᎤᎶᎨᏒᎢ.\nᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᎠᏁᎯ, ᎾᏍᎩ ᎤᏕᎵᏛ ᏧᎾᏂᏏᏂᏙᎸᎯ ᎨᏒᎢ, ᎠᎴ ᎤᏢᏉᏗ ᎢᏧᎳᎭ ᎤᎾᏕᏅᎯ, ᎾᏍᎩ ᏓᎬᏩᏍᎪᏂᎵ, ᎠᎴ ᎾᏍᎩ ᏅᏓᎦᎵᏍᏙᏔᏂ ᏙᏛᏂᏴᎳᏏ, ᎿᏉ ᎠᏂᎪᎲᎭ ᏚᎦᏒᏍᏛ ᎾᏍᎩ ᎠᎪᎲᏍᎬᎢ,\nᎠᎴ ᎣᎦᏁᎳᏅᎯ ᏧᏤᎵ ᎣᎩᎬᏫ-ᏳᎯ ᎠᎴ ᎠᏥᎸ ᎣᏤᎶᎯ ᏂᏍᎩᏴᏁᎸ; ᎠᎴ ᎣᎩᎬᎾᏳᎯ ᎨᏎᏍᏗ ᎡᎶᎯ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᏄᎬᏫᏳᏌᏕᎩ ᎤᏛᏛᏁ, ᎯᎠ ᏄᏪᏎᎢ, ᎰᏍᏛ ᏔᏕᏲᎲᏍᎩ, ᎦᏙ ᏯᏆᏛᏁᎸ ᏫᎾᏍᏛᎾ ᎬᏂᏛ ᏱᏥᏩᏛ?\n“ᎤᏩᏛᎯᏙ ᎦᎷᎩ ᎯᎪ ᏑᎾᎴ ᎠᎵᏍᏓᏴᏗ,” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎪᏪᎸᏃ ᎤᏙᎯᏳᏁᎢ, ᎯᎠ ᏥᏂᎦᏪᎭ, ᎤᏂᏍᎦᏅᏨᎯ ᎨᎦᏎᎸ ᎠᎦᏠᏯᏍᏔᏅᎩ.\nᎯᎸᎯᏨ ᎠᎴᏫᏍᏙᏗ.\nᎢᏳᏃ ᎩᎶ ᎤᏁᎳᏅᎯ ᏥᎨᏳᎠ ᏯᏗᎭ, ᏯᏍᎦᎦᏃ ᏗᎾᏓᏅᏟ, ᎦᏰᎪᎩ ᎾᏍᎩ, ᎤᎨᏳᎯᏰᏃ ᏂᎨᏒᎾ ᏱᎩ ᏗᎾᏓᏅᏟ ᎾᏍᎩ ᎤᎪᎲᎯ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎤᎨᏳᎯᏳ ᏱᎩ ᎤᏁᎳᏅᎯ ᎤᎪᎲᎯ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎤᏙᎯᏳᎮ ᏄᏪᏒ.\nᎢᏓᎵᏅᏟ, ᎥᏝ ᎦᏳᎳ ᎠᎩᏂᏴᏛ ᏍᎩᏰᎸᎭ; ᏑᏓᎴᎩᏍᎩᏂ [ᏂᎦᏛᏁᎰᎢ;] ᎠᏋᎨᏫᏍᎪᎢ ᏧᏓᎴᏅᏛ ᎣᏂᏗᏢ ᏄᏍᏗᏕᎬᎢ, ᎢᎬᏱᏗᏢᏃ ᏧᏓᎴᏅᏛ ᏄᏍᏗᏕᎬ ᏫᏗᏥᏂᏱᏍᎪᎢ,\nᏗᏯᏖᏅ ᏃᎴ ᏗᎦᏌᏆᎸ ᎦᎸᎳᏗᏣ ᏓᎾᎵᏍᏇᏚᏍᎦ ᎯᎪᎢᏳᎳ.\n“ᎭᏕᏬ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᎩ ᏤᎦᏬᎥᎯ ᏥᎩ, ᎦᎶᏁᏛ ᎢᏧᎳᎭ ᏕᎩᏂᏌᏅᎩ, ᎠᎴ ᎾᏍᎩ ᏗᎩᏲᎱᏒᎯ ᏄᎵᏍᏔᏅᎩ; ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᏲᎱᏒ ᏥᏓᎦᎴᏔᏁᎢ ᎠᎦᏴᎵᎨ ᎦᎸᏉᏗᏳ ᎨᏒ ᎬᏔᏅᎯ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏴ ᎢᏓᎴᏂᏙᎲ ᎢᏤ ᏱᏓᎴᏂᏙᎭ.\nᎦᎸᎳᏗᏃ ᏫᏚᎧᎿᏅ ᎤᎵᏰᏔᏁᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎡᏇᏓ, ᎾᏍᎩ ᎦᏛᎬ ᎭᎵᏍᏚᎢ.\nᎾᏍᎩ ᎠᏴ ᏥᏕᎦᏓᎵᏲᎯᏎᎴᎢ, ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏗᏱ ᎢᎦᎫᏴᏗᏱ ᎢᎫᏓᎴᏍᏗᏱ ᏂᎦᎥ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏧᏅᎦᎸᏗᏱ ᎤᏩᏒ ᏧᏤᎵ ᎢᏧᏩᏁᏗᏱ ᎤᎾᏓᏤᎵᏛ ᏴᏫ, ᎤᎵᏂᎩᏛ ᎤᎾᏓᏅᏘ ᎣᏍᏛ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ.\nᎿᏉᏃ ᎾᏍᎩ ᎤᏂᏃᎮᎵᏙᎸ ᎤᏂᏣᏘ ᏚᏂᎳᏫᏤᎢ ᎠᎴ ᎤᎾᏕᏯᏔᏁᎴᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏓᎾᏛᎦᏁᎲ ᏓᏂᏬᏂᏍᎬ ᏗᏂᏏᏴᏫᎭ ᏧᏂᏬᏂᎯᏍᏗ ᎨᏒᎢ.\nᏞᏍᏗ ᎰᎱᏍᏗ ᎤᏲ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᏅᏓᏳᏄᎪᏨᎩ ᏗᏥᎰᎵ, ᎣᏍᏛᏍᎩᏂ ᎨᏒ ᎤᏩᏒ ᎾᏍᎩ ᎬᏩᏓᎵᏂᎪᎯᏍᏙᏗ ᏥᎩ, ᎾᏍᎩ ᎤᏚᎸᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎬᏩᎦᏘᎠ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏂᎷᏤᏗᏱ ᎠᎾᏛᎩᏍᎩ.\nᏔᎵᏁᏃ ᎤᏓᏱᎴᎢ. ᏂᎪᎯᎸᎾᏃ ᎣᏂ ᎾᏍᎩ ᎾᎥ ᎠᏂᏙᎾᎢ ᏔᎵᏁ ᎯᎠ ᏄᏂᏪᏎᎴ ᏈᏓ, ᎤᏙᎯᏳᎯ ᏂᎯ ᎾᎿ ᎮᎳ; ᎨᎵᎵᏰᏃ ᎮᎯ, ᎠᎴ ᎪᏬᏂᏍᎬ ᎤᏠᏱ ᎢᎩ.\n”ᎠᏯ ᎨᎵᏍᎬ ᎨᏍᏗ ᎪᎱᏍᏗ ᎡᎳᏗᎨ ᏱᎩ ᎪᎱᏍᏗ ᏧᎵᎬᏩᏟ ᏱᎨᏒᎾ.\n“ᎭᏗ,” ᎤᏛᏁ.\n”ᎠᏍᏓ ᎦᏲᏟ ᏣᎾ ᎬᏆᏙᎵᏍᏗ? ᎤᏛᏛᏁ ᏫᎵᎻ.\nᏄᏍᏛᏉ ᏓᎾᏓᎧᏂᏍᎬ, ᏧᏃᏰᏂ ᏓᎾᏓᏒᏂᎲ ᎤᎸᏫᏒ ᏯᏥᏁᎸ, ᎤᏃᏴᎬ ᏳᎾᏟᏃᎮᎸ.\nᎢᎬᏩᏂᏴᎮᏃ, ᎠᎴ ᎢᎬᏩᎵᎥᏂᎴᎢ, ᎠᎴ ᎠᏒᎭ ᎢᎬᏩᏂᎩᏍᏔᏁᎢ.\nᎥᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ ᎾᎯᏳ ᎩᎳ ᎤᏒ ᏗᏓᎾᎾ ᎠᏇᏙᎸ ᎥᎦᎢᏒ ᏗᏇᏅᏒ ᎢᏗᏜ.\nᎠᏴ ᎡᎵᏆ ᎠᎴ ᎣᎻᎦ, ᏗᏓᎴᏅᏗᏍᎩ ᎠᎴ ᎠᏍᏆᏗᏍᏗᏍᎩ, ᎠᏗᎭ ᎤᎬᏫᏳᎯ ᎾᏍᎩ ᏤᎭ, ᎠᎴ ᏤᎲᎩ, ᎠᎴ ᏤᎮᏍᏗ, ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ ᏥᎩ.\nᎤᏔᎾᏃ ᏂᎦᏅᏅ 33 ᎪᏪᎵ Ꮲ ᎩᏄᏘᏗ ᎢᏳᏟᎶᏓ ᎠᏂᎩᏓ ᏦᎨᏅᏒ ᎠᏎᏃ ᎠᎨ ᎢᏴ ᏗᎦᏁᎶ ᎾᎥ ᎢᏦᎦᏓᎵ ᎥᏍᎩᏃ ᏂᎪᎯᎸ ᎠᎪᏩᏛᏗ ᎨᏐ ᎡᎳᏗ ᎠᎢᏒ.\nᎯᎠ ᏫᏂᏚᏪᏎᎴᎢ; ᎦᏙ ᏓᏍᎩᏁᎵ ᎠᏴᏃ ᏙᏓᏨᏲᎯᏎᎵ? ᏦᎠᏍᎪᎯᏃ ᎠᏰᎵ-ᎠᏕᎸ ᏕᎬᏩᏌᏍᏓᏁᎴᎢ.\nᎬᏩᏘᏂᏎᏃ ᎤᏂᏂᏴᎮ ᎩᎶ ᎢᏳᏍᏗ ᏌᏩᏂ ᏧᏙᎢᏛ, ᏌᎵᏂ ᎡᎯ, ᏙᏗᎦᎶᎨᏒ ᏅᏓᏳᎶᏒᎯ, ᎾᏍᎩᏃ ᎤᎾᏃᏞᏗᏍᏔᏁ ᏧᏓᎿᏩᏛ, ᎾᏍᎩ ᏥᏌ ᎠᎢᏒ ᎣᏂᏗᏢ ᎤᏪᏅᏍᏗᏱ.\nᎬᏂᎨᏒ ᏂᎦᎵᏍᏗ ᎢᏳᎵᏍᏙᏗ ᎠᎬᏱ ᏯᏗᏗ ᎩᎶᎢ, ᎯᏓᎵᏍᏓᏴᎲᎦ!” \nᎧ ᏗᎣᏈᎵ, ᎢᎬᏱᏱ ᏣᏉᏪᎳᏅᎩ ᎧᏃᎮᏍᎬᎩ ᏂᎦᏛ ᏥᏌ ᎤᎴᏅᎲ ᏚᎸᏫᏍᏓᏁᎸ ᎠᎴ ᏚᏕᏲᏅᎢ,\nᎤᎩᏠᏫᏎ, ᎢᏯᏏᏔᏛ ᎢᏴ ᎠᎧᏘᏏ ᎢᏣ, ᏧᏏᎳᏛᏙᏗ ᏗᎬᏗ ᏫᏚᏒᏂᎴ ᏚᏏᎳᏛ, ᏃᏗ ᎠᎧᏘᏏ ᎢᏣ ᏭᏏᎳᏛᏁ.\nᎧᏁᏍᎦ ᎦᏓᏍᎬ ᏧᎧᏌᏔᏁᎢ ᎠᏍᎪᎵ ᏧᏍᏆᏴᏍᏗ.\nᏒᎧᏔ ᏕᏧᎬ ᎡᎳᏗᏣ, ᏅᏃᎯ ᏩᏓᏍᏆᏗᏍᎬ, ᎭᎾᎾ ᎤᏗᏅᏗ ᎤᏲ ᎤᏬᏒᎮᎢ ᎰᎻ. ᎭᎾᎾ ᏭᏕᎨᎢ ᎩᎶ ᏳᏚᎵᏍᎬᎾ.\nᎠᎴ ᎾᏍᎩ ᎣᏏ ᏄᏂᏰᎸᏒᎾ ᏥᎨᏎ ᏄᏍᏛ ᎤᏁᎳᏅᎯ ᎤᏂᎦᏙᎥᏒ ᎤᏂᏍᏆᏂᎪᏙᏗᏱ, ᎤᏁᎳᏅᎯ ᏕᎤᏲᏎ ᎨᏥᏐᏅᎢᏍᏔᏅᎯ ᎢᏳᎾᎵᏍᏙᏗᏱ ᏚᎾᏓᏅᏛᎢ, ᎾᏍᎩ ᎢᎬᏛᏁᏗ ᏂᎨᏒᎾ ᎨᏒ ᎢᏳᎾᏛᏁᏗᏱ;\nᏗᏂᏲᏟ ᎤᏂᎬ ᎤᏂᏍᏆᏂᎪᏒ ᏄᏍᏛ ᎠᎩᏍᏗ, ᏃᎴ ᎠᏂᏲᏍᎩ ᎠᏂᏧᏣ, ᎤᎵᏐᏯᏍᏗ ᎠᏍᎦᏰᎬᏍᏔ, ᎣᎭᏂ ᎠᎾᎢᏒ ᎣᏍᏓ ᎤᏂᏰᎸᎲ.\n”ᏘᏅᏗ ᏙᎯ ᎡᏓᏍᏗ,” ᎤᏛᏁ ᏌᏌ.\nᏥᏌᏃ ᎤᎦᏔᎲᏒ ᎠᎴ ᎤᎪᎲ, ᎯᎠ ᏄᏪᏒᎩ; ᎠᏇᏥ, ᎤᎦᎵᏍᏗᏉ ᎭᏓᏅᏓᏓ. ᏦᎯᏳᏒ ᏣᏗᏫᏍᏓ. ᎠᎨᏴᏃ ᎾᎯᏳᏉ ᎤᏗᏩᏒᎩ.\nᎠᏯᏖᏂᎨ ᏄᏍᏕ ᎦᎸᎶᎢ ᏃᎴ ᎤᎦᏃᏩ ᎦᏃᎸᎥᏍᎨ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᎤᏕᎸᏓ ᎢᎦᎬᏁᏗ ᏱᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎤᎦᎵᏍᏗ ᎢᏣᏓᏅᏛ ᎠᏴ ᎣᎩᎦᎵᏍᏓᏛᎩ; ᎥᎥ, ᎠᎴ ᎤᏟ ᎢᎦᎢ ᎣᎦᎵᎮᎵᏍᏗ ᏄᎵᏍᏔᏅᎩ, ᏓᏓᏏ ᎠᎵᎮᎵᎬ ᎢᏳᏍᏗ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎾᏍᎩ ᎤᏓᏅᏙ ᏂᏥᎥ ᎡᏥᎦᎵᏍᏓᏕᎸᎢ.\nᎠᏂᏐᎢᏃ ᎠᎾᏓᏍᏓᏩᏗᏙᎯ ᏥᏳ ᎤᎾᏦᏛᎩ, ᎤᏂᎷᏨᎩ, ᎥᏝᏰᏃ ᎢᏅᎯᏳ ᏱᎨᏎ ᏙᏱ, ᏔᎵᏧᏈᏉ ᎢᏯᎵᎩᏳᏍᏈᏛ ᎢᏴᏛ ᏅᏩᏍᏛᎩ, ᎠᎦᏯᎷᏗ ᎠᏣᏗ ᎠᎧᎵᏬᎯ ᎠᏂᎾᏏᏁᎲᎩ.\nᎠᏴ ᏓᏏᏯ, ᎯᎠ ᎪᏪᎵ ᎠᏆᏪᎳᏅᎯ ᏫᏨᏲᎵᎦ ᎤᎬᏫᏳᎯ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ.\nᏍᏉᏟ ᎠᏯᏂᎭ.”\nᎤᏩᏂᎦᏢ ᏭᏭᏓᎸᏤᎢ\nᎢᏳᏃ ᏗᏍᏓᏓᏅᏟ ᎢᏣᏍᎦᏅᏎᎮᏍᏗ, ᎮᎨᏍᏗ ᎯᏃᏁᎮᏍᏗ ᎤᏍᎦᏅᏨ ᎢᏍᏛᏒᏉ ᎨᏒᎢ; ᎢᏳᏃ ᎢᏣᏛᏓᏍᏓᏁᎮᏍᏗ, ᎯᏩᏛᎮᏍᏗ ᏗᏍᏓᏓᏅᏟ.\nᏐᏉ ᎢᎦ ᏒᎮᏱᏣ, ᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎡᎳᏆᏗ ᎠᎾᏓᏬᏍᎬ ᏧᎾᎿᏬᏍᏗ ᏚᎾᎿᏬᎡ, ᎨᏴᎢ ᎤᎾᏓᏬᎥᏎ.\nᏧᏌᎨ ᏗᎦᏌᏆᎸ ᏓᎩᎦᎷᏴ ᏄᎾ, ᎦᏖᏌᏗ ᏫᏓᎩᏝᏅ, ᎦᏚᎢᏣ ᎪᏒᏅ ᏃᎴ ᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅ, ᎠᏍᎦᏃᎵ ᏓᏋᎭᏂᏍᏔᏅ ᎦᏃᏍᎬ ᎦᏚᎢᏣ.\nᎺᎵᏃ ᎾᎯᏳ ᏚᎴᏁᎢ, ᎤᏩᏅᏤ ᎣᏓᎵ ᎨᏒ ᏭᎶᏎᎢ, ᏧᏗᏱ ᎦᏚᎲ ᏭᎷᏤᎢ.\nᎾᏍᎩ ᎤᏬᎳ ᎩᎶ ᎢᏳᏍᏗ ᎦᏁᎸ ᏌᏩᏂ ᏧᏙᎢᏛ, ᏗᏑᏫᏍᎩ, ᎾᏍᎩ ᎠᎹᏳᎶᏗ ᏥᎦᏁᎸ, ᎾᏍᎩ ᏓᏣᏃᏁᎵ ᎢᏣᏛᏁᏗᏱ.\nᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᎥᏝ ᎢᎬᏱᏗᏢ ᏱᏄᏍᏗ ᏗᏂᎧᏅᎢ.\nᏆᎴᏗᏃ ᎤᏬᏪᎳᏅᎩ ᎠᎪᎵᏰᏗ, ᎠᎴ ᏓᏓᎿᏩᏍᏛ ᎤᏪᏯᎸᏅᎩ; ᎯᎠ ᏂᎬᏅ ᎪᏪᎸᎩ; ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ, ᎤᎬᏫᏩᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ.\nᎠᎴ ᎦᏃᏙᏗᏱ ᏛᏂᎶᎯ, ᎢᏳᏃ ᏂᏚᎾᏑᎴᎲᎾ ᏱᎩ, ᎥᏝ ᏴᎬᎾᎵᏍᏓᏴᎲᎦ. ᎠᎴ ᎤᏣᏔ ᏄᏓᎴ ᎪᎱᏍᏗ ᏧᏂᎧᎿᏩᏛᏍᏗ ᏄᏅᏁᎸ, ᎾᏍᎩ ᏧᎵᏍᏈᏗ ᏗᎫᎯᎶᎥᎢ ᎠᎴ ᏗᏖᎵᏙ, ᎠᎴ ᎥᏣᏱᏗᎪᏢᏔᏅᎯ ᏗᏖᎵᏙ, ᎠᎴ ᏗᏂᏢᏗᏱ.\nᎣᎯᏍᏙᏗ ᎠᎵᏍᏓᏴᏗ ᏂᎬᏁᎮᎢ ᏫᎵᎻ ᎠᎳᏂ.\nᏱᏥᏍᏆᏗᏍᎬᎾ ᎠᏓᏅᏖᏗ.\nᏃᏗ ᎤᏩᏃᏫᏍᎨ ᏫᎵᎻ, ᎠᏎᏃ ᎪᎱᏍᏗ ᏱᏁᎵᏍᎬᎾ ᎨᏎ ᏌᎳᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᎢᏣᎵᏍᏓᏴᎲᏍᎨᏍᏗ, ᎠᎴ ᎢᏣᏗᏔᏍᎨᏍᏗ, ᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ ᏂᏣᏛᏁᎮᏍᏗ, ᎤᏁᎳᏅᎯ ᏅᎸᏉᏗᏍᎩ ᎨᏎᏍᏗ ᏂᎦᎥ ᏂᏣᏛᏁᎲᎢ.\nᎾᏍᎩ ᎢᏣᏅᏓᏗᏍᏗᏱ ᎧᏃᎮᏛ ᎢᎸᎯᏳ ᎤᏂᏃᎮᏛ ᎨᏥᎸᏉᏗ ᎠᎾᏙᎴᎰᏍᎩ, ᎠᎴ ᎠᏴ ᏦᎦᏕᏲᏅᎯ ᎣᎩᏅᏏᏛ ᎤᎬᏫᏳᎯ ᎠᎴ ᏗᏍᏕᎵᏍᎩ.\nᏌᏩᏂ ᏈᏓ ᎯᎠ ᏄᏪᏎᎸᎩ, ᏣᎬᏫᏳᎯ, ᎭᏢ ᎭᎢ? ᏥᏌ ᎤᏁᏤᎸᎩ; ᏫᏥᎦᏛ ᎥᏝ ᎿᏉ ᏴᎨᏍᎩᏍᏓᏩᏚᎦ; ᎣᏂᏍᎩᏂ ᏓᏍᎩᏍᏓᏩᏕᏏ.\nᎠᏎᏃ ᏚᏭᎪᏔᏁᎢ ᎤᏩᏛᏗ ᏱᎪᎵᎬᎾ ᎤᎾᎵᎢ.\nᏧᏂᏲᎱᏒᎯᏰᏃ ᏓᎾᎴᎯᏌᏅᎭ, ᎥᏝ ᏱᏓᎾᏕᏒᎲᏍᎪᎢ, ᎥᏝ ᎠᎴ ᏱᏗᎨᏥᏰᎪᎢ; ᏗᏂᎧᎿᏩᏗᏙᎯᏍᎩᏂ ᎦᎸᎳᏗ ᎠᏁᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᎾᏍᎩᏯ ᎨᏐᎢ.\nᎾᏍᎩ ᎬᏂᎨᏒ ᏄᏩᏁᎸ ᎠᎩᎾᏄᎪᏫᏎᎸᎩ ᎤᏕᎵᏛ ᎨᏒᎢ, ᎦᏳᎳ ᎢᎸᏍᎩ ᎢᎧᏁᏨᎯ ᎬᏗ ᏥᏨᏲᏪᎳᏁᎸ,\nᎾᎥᏂ ᎤᏬᏢ ᏍᎦᏰᎬᏍᏔ ᏕᎪᏪᎵᏍᎬ ᎠᏨᏍᏛ ᎧᏃᎮᏍᎩ ᏄᎵᏍᏔᏂᏙᎸ ᎢᎦ ᎨᏒ.\nᎤᎵᏏᎩ ᏃᎴ ᎤᏃᏴᎵᏓ ᎣᎯᏍᏙᏗ.\n”ᏃᏗ ᎠᎴᎾ ᎤᏦᎠᏎᏗ,” ᎤᏪᎵᏎ ᏫᎵᎻ.\nᎩᎶ ᎤᏓᎵᎢ ᎢᎠᏓᎡᎨᏍᏗ, ᎠᎴ ᏅᏩᏓᎴ ᎠᏓᏰᎨᏍᏗ, ᎠᏓᏲᏁᎮᏍᏗ; ᎩᎶᏃ ᎠᎦᏓᎢᏅᏛ ᎠᏓᏰᎨᏍᏗ ᎠᏓᏲᏁᎮᏍᏗ.\nᎠᏎᏃ ᏥᏌ ᎤᏙᎴᎰᏒ ᏄᏍᏛ ᏓᎾᏓᏅᏖᏍᎬᎢ, ᎤᏁᏤ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎦᏙ ᎢᏣᏓᏅᏖᎭ ᏙᏗᎶᏓᏅᏛᎢ?\nᎠᎴ ᏕᎦᎶᏗ, ᎠᎴ ᏔᎵ ᏗᏣᏄᏬ, ᎠᎴ ᏗᎳᏑᎶ, ᎠᎴ ᏗᏙᎳᏅᏍᏗ; ᏧᎸᏫᏍᏓᏁᎯᏰᏃ ᎤᏩᏛᏗ ᎨᏐ ᎤᎵᏍᏓᏴᏗ.\nᎾᏍᎩᏯᏍᎩᏂ ᎯᏍᏓᏱᏳ ᎨᏒ ᎠᎴ ᏣᏁᏟᏴᏛ ᏂᎨᏒᎾ ᏣᎾᏫ ᎯᏟᏏᎭ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᏣᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎾᎯᏳ ᎢᎦ ᎠᎵᏱᎶᎸᎭ ᎤᏓᎳᏬᎯᏍᏗ ᎨᏒ ᎠᎴ ᎤᏁᎳᏅᎯ ᏚᏳᎪᏛ ᏧᏭᎪᏙᏗ ᎨᏒ ᎦᎾᏄᎪᏫᏒᎭ;\nᎠᏆᏛᏅ, ᏣᏃᎮᏗ ᎨᏒ, ᏣᏓᏅᏖᏗᏍᎨᎢᏧ ᏕᏣᎪᎲ ᏚᏂᏰᏝᎸ ᏚᎾᏥᎶᎥ ᏂᏓᎾᏛ ᏗᏂᏲᏟ ᏗᎦᎶᎯᏍᏗ ᏓᎭᏦᎲᏴ, ᏧᏂᏍᏗ ᏥᎨᏎ ᏓᏳᏓᎴᏅᏓ?\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏂᎯ ᏱᏣᏠᏯᏍᏗᏍᎨᏍᏗ ᎤᎾᎵᏩᏛᎡᎲᎢ.\nᏂᎦᏓ ᎤᎾᎩᎸᏁ ᏃᎴ ᎤᏁᏅᏎ ᏗᏄᎪᏗᏍᎩ ᎤᎾᏅᏗ ᎠᎬᏱᏣ.\nᏂᎦᏓ ᎠᏂᏍᎦᏯ ᏃᎴ ᎠᏂᎦᏛ ᎠᏂᎨᏯ ᎣᏍᏓ ᎠᏓᏅᏓᏗᏍᎩ ᎠᏂᎪᏩᏘᏍᎬ.\nᎥᏝᏍᎩᏂᏃᏅ ᎦᏳᎳ ᏥᏓᎩᏂᏴᏐ ᎾᏍᎩᏯ ᏯᎩᏰᎸᎭ, ᎥᏝ ᎠᎴ ᎠᎩᏍᏆᏛᎯ ᎦᏳᎳ ᏯᎩᏰᎸᎭ; ᏥᏍᏓᏩᏕᎦᏍᎩᏂ, ᎢᏳ ᏰᎵ ᏱᎩ, ᎾᏍᎩ ᏗᎩᏂᏴᏗᏱ ᎾᏍᎩ ᎾᏍᏉ ᎤᎬᏩᎵ ᎦᎶᏁᏛ ᏥᏌ ᏥᏓᎩᏂᏴᎲᎩ.\nPerry ᏥᎾᏒᏅ ᎤᏍᏖᎸᏗ ᎠᏓᏍᏔᏴᎲᏍᎩ, ᎠᏂᏐ ᎠᏂᏔᎵ ᎣᎩᎵᏦᏩᏛ ᎾᎥᏂ ᎤᎾᎦᏎᏍᏛ.\nᏍᎩᏴᏃ ᏲᎾ ᎤᏤᎵᎪ ᏐᏉ ᎢᏯᎦᏴᎵ ᎢᏰᏆ, ᎤᏩᏌ ᎤᏤᎵᎪ, ᏃᎴ ᎠᏯ ᎠᏆᏤᎵᎪ ᏰᎵ ᎢᏰᏆ, ᎠᏎᏃ ᏓᏆᏓᏚᎬ, ᏧᏓᎸᏏᏴᏓ, ᎾᎥᏂᎨ ᎤᏁᏍᎩᎸ ᏥᏍᏆ ᎠᏣᏗ ᏗᎦᏯᎩᏍᎩ.\n“ᏕᏥᏰᏲᎾ,” ᎤᏪᎵᏎ ᏥᏍᏚ. \nᏄᎬᏫᏳᏒ ᎠᎦᏰᎬᏍᏔ ᎦᏰᏌᏛ ᏭᏭᏍᏘᏅ ᎤᏴᏣ ᎤᎦᎹ ᎠᏥᏍᏛ ᎤᏃᏮ, ᎤᏅᏍᎩᎳᏛ ᎦᏰᏌᏛ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏤᏯᏙᏤᎮᏍᏗ ᏧᎬᏩᎶᏗ ᎠᎬᎥᎯᏍᏗ ᎨᏒᎢ; ᏴᏫᏰᏃ ᎬᏅ ᎥᏝ ᎤᏣᏘ ᎤᎿᎥ ᏳᎵᏍᏕᎸᏙᏗ.\nᎠᏂᏐ ᎠᏂᏣᏗ ᎤᏍᏗ ᎠᏣᏗ ᎠᏃᏎᎮ.\nᎨᏍᏗ ᎣᏍᏓ ᏳᏰᎸᎰ ᎤᏩᏛᏗ ᎠᏗᏅᏓ ᎠᏙᎯ.\nᎾᏍᎩ ᎯᎠ ᎠᏙᎴᎰᏍᎬᎢ ᏅᏧᎵᏍᏙᏔᏁᎢ, ᎦᎶᏁᏛ ᏧᎴᎯᏐᏗ ᎨᏒ ᎤᏃᎮᎴᎢ, ᎾᏍᎩ ᎤᏓᏅᏙ ᏫᏂᏓᏥᏲᎯᏎᎸᎾ ᎨᏒ ᏧᏂᏲᎱᏒᎯ ᎤᎾᏤᎵᎪᎯ, ᎠᎴ ᎾᏍᎩ ᎤᏇᏓᎵ ᏄᎪᏒᎾ ᎨᏒᎢ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎯᎠ ᎪᎯ ᏣᏁᎭ ᎥᏝ ᏴᏛᏂᎶᏐᏂ, ᎬᏂ ᏂᎦᏛ ᎯᎠ ᏧᏓᎴᏅᏛ ᏂᎦᎵᏍᏔᏅᎭ.\nᏚᏁᏤᎴᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎪ ᎡᏥ, ᎠᎴ ᎣᏣᎵᏅᏟ?\nᎤᏍᏗ ᎠᎪᏙᏗ ᏂᎦᏛ ᎦᎸ ᎠᎪᏗᏍᎪᎢ.\nᎠᎴ ᏑᏓᎵᏁ ᎠᏍᏚᎲ ᎤᏍᏚᎢᏒ ᏕᏥᎦᏅᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎦᏙᎯ ᎤᏣᏘ ᎤᎵᏖᎸᏅᎩ; ᎠᎴ ᏅᏙ ᎢᎦ-ᎡᎯ ᎬᎿᎨ ᏄᎵᏖᎸᏅᎩ ᎾᏍᎩᏯ ᎤᏏᏕᏅ ᎠᏄᏬ ᎪᏢᏔᏅᎯ, ᏅᏙᏃ ᏒᏃᏱ ᎡᎯ ᎩᎬ ᎾᏍᎩᏯ ᏄᎵᏍᏔᏅᎩ.\nᎠᎴ ᎯᎨᏳᏎᏍᏗ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎲᏗᏍᎨᏍᏗ ᏂᎬ ᏣᎾᏫ, ᎠᎴ ᏂᎬᏣᏓᏅᏙ, ᎠᎴ ᏂᎬ ᏣᏓᏅᏖᏗᏱ, ᎠᎴ ᏂᎦᎥ ᏣᎵᏂᎬᎬᎢ. ᎯᎠ ᎾᏍᎩ ᏭᏓᎪᎾᏛᏛ ᎦᎸᏉᏗ ᏗᎧᎿᏩᏛᏍᏗ.\nᎤᏃᏴᎵᏗ ᎤᏍᏆᏄᏤ ᏃᎴ ᎤᎨᎢ ᎤᎵᏍᏓᏴᏗ, ᎤᏩᏅᎬ ᏂᎦᏓ ᎤᎩᏍᏗ.\n”ᎦᏅᎯᏓ, ᏃᎴ ᎤᏬᏍᎩᎵ,” ᎤᏛᏁ ᎰᎻ.\nᎢᏓᎵᏅᏟ, ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᏓᎧᎿᏩᏗᏙᎮᏍᏗ ᏗᏣᏓᏅᏙ. ᎡᎺᏅ.\nᎥᏳᎩ ᎠᏂᏱᏙᎯ ᏗᏥᎶᏍᏔᏅ ᎯᎠ.\nᎠᎴ ᎣᎩᏁᏤᎸᎩ ᏴᏫ ᏦᏣᎵᏥᏙᏁᏗᏱ, ᎠᎴ ᎣᎩᏃᎮᏗᏱ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏪᎧᏅ ᏗᎫᎪᏓᏁᎯ ᏄᏩᏁᎸ ᏗᏅᏃᏛ ᎠᎴ ᏧᏂᏲᎱᏒᎯ.\n”ᎡᎭ, ᎡᏝᏪᎯ!” ᎤᏛᏁ ᎤᏃᏕᎾ ᎠᏓᎯ.\nᎤᎵᏨᏓᏋ ᎤᏬᏂᏒ ᏃᎴ ᏙᎩᎾᏗᏔᎲ.\n“ᎯᎧᏔᎭ ᏍᎩᎾᎾ ᏱᏅᎬᎦᎵᏍᏓ.\nᎯᎠᏰᏃ ᏴᏫ ᎤᏂᎾᏫ ᎤᎵᏦᎲᏒ, ᎠᎴ ᏓᏂᎵᎷᎬ ᎦᏂᎵᏳ ᎠᎾᏛᎩᎠ, ᎠᎴ ᏗᏂᎦᏙᎵ ᏚᏂᏍᏚᎭ; ᎾᏍᎩ ᏗᏂᎦᏙᎵ ᏗᎬᏩᏂᎪᏩᏛᏙᏗ ᏂᎨᏒᎾ, ᎠᎴ ᏓᏂᎵᎷᎬ ᏗᎬᏩᎾᏛᎪᏙᏗ ᏂᎨᏒᎾ, ᎠᎴ ᎤᏂᎾᏫ ᎬᏩᏃᎵᏍᏙᏗ ᏂᎨᏒᎾ, ᎠᎴ ᏚᎾᏓᏅᏛ ᏧᏏᏁᏟᏴᏍᏗᏱ ᏂᎨᏒᎾ ᎠᎴ ᏗᎦᎦᏥᏅᏬᏗ ᏂᎨᏒᎾ.\nᎦᏃᏍᎩᏍᎩ ᎦᎷᎪᎢ, ᎤᏃᏍᎩᏍᏗᏱᏉ ᎠᎴ ᎤᏓᎯᏍᏗᏱᏉ ᎤᏰᎸᏐᎢ: ᎠᏴ ᎠᎩᎷᏥᎸ, ᎬᏂᏛ ᎤᎾᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᎤᏣᏔᏅᎯ ᎤᎾᏤᎵᎦ ᎢᏨᎵᏍᏙᏗᏱ.\nᏃᎴ ᏍᏉ, ᎤᏲ ᎧᏃᎮᏓ ᏥᏲᎦ.\nᎢᏳᏍᏗᏉ ᏧᎷᏫᏍᏔᏁᎯ ᏥᏍᏕᏥ ᎯᏤᎵᏍᎪᎢ?” \nᏛᎦ ᏕᎦᏂᏱᏍᎪ ᏃᎴ ᎩᎦ ᎤᏂᏁᎲ ᎭᏗᏔᏍᎪᎢ.\n”ᎭᏗ,” ᎤᏛᏁ ᎤᏙᏓ.\nᏗᏥᎪᎵᏯ ᎠᏪᎵ, ᎾᎿᏰᏃ ᎾᎵᏍᏆᏗᏍᎬᎾ ᎬᏂᏛ ᎢᏥᎭ ᎢᏥᏰᎸᎭ, ᎠᎴ ᎾᏍᎩ ᎾᎪᏪᎵ ᎠᏴ ᎠᎩᏃᎮᏍᎩ.\nᎠᏆᏛᏅ.\nᎠᏎᎩ ᏔᎵᏁᎢ ᏗᎪᏏᏐᏗ ᏫᎬᎾᎩᎡᏗ ᏛᏣᏚᎸ.”\nᎨᏍᏗ ᎯᎸ ᎡᏆ ᏍᎦᏚᎩ ᏍᎩᏲᏍᏓ ᏰᎭ ᎾᏍᎩ ᎢᎦᏤᎵ ᏏᏆ.”\nᏚᏳᎪᏛᎩ ᎣᏍᏛ ᎢᎦᏓᏅᏓᏗᏍᏗᏱ, ᎠᎴ ᎢᎩᎵᎮᎵᏍᏗᏱ; ᎯᎠᏰᏃ ᎡᏣᏅᏟ ᎤᏲᎱᏒᎯ ᎨᏒᎩ, ᏔᎵᏁᏃ ᎢᎡᎭ, ᎠᎴ ᎡᏓᏠᏨᎯ ᎨᏒᎢ, ᎢᎠᏥᏩᏛᎲᏃ.\nᎠᏌᎹᏓᏗ.”\n“ᏍᎩ, ᏍᎩ, ᏍᎩ!” ᎠᎾᏗᏍᎨ, ᏳᏂᎪᎭ ᎠᎵᏍᏓᏴᏗ.\nᎢᏨᏅᏒᎩ ᏫᏥᏍᎫᏕᏍᏗᏱ ᎾᎿ ᏂᎯ ᏗᏥᎸᏫᏍᏓᏁᎸᎯ ᏂᎨᏒᎾ ᎨᏒᎢ; ᏅᏩᎾᏓᎴ ᏗᏂᎸᏫᏍᏓᏁᎸᎩ, ᏂᎯᏃ ᎢᏥᏴᎸ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ.\nᎥᏝ ᎠᎴ ᎾᏍᎩ ᏰᎵ ᏂᎪᎢ ᏱᏇᎵᏎ ᏫᎬᎷᏤᏗᏱ; ᎯᏁᎩᏉᏍᎩᏂ, ᏥᏅᏏᏓᏍᏗᏃ ᏧᏳᏗᏩᏏ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎩᎭ ᎠᏆᏢᏉᏙᏗ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩ ᎾᎿ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᎬᏩᎵ ᎨᏒᎢ.\nᎤᏣᏓ ᎣᏍᏓ ᏥᎾᏌᎠ ᏏᏆ.\nᏚᏂᏄᏪᏒᏃ, ᎩᎦᎨ ᎦᏌᎴᎾ ᎤᏂᏄᏬᎡᎢ.\nᎾᏍᎩᏃ Ꮎ ᎠᏂᏍᎦᏯ, ᎤᏂᎪᎲ ᎤᏍᏆᏂᎪᏗ ᏥᏌ ᏚᎸᏫᏍᏓᏁᎸᎢ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᎠ ᎤᏙᎯᏳᎯᏯ ᎾᏍᎩ Ꮎ ᎠᏙᎴᎰᏍᎩ ᎡᎶᎯ ᎤᎷᎯᏍᏗ ᏥᎨᏒᎩ.\nᎾᏍᏉᏃ ᏧᎾᏓᎵᎢ ᎨᏥᎸᏉᏗ ᎨᏎᏍᏗ, ᎤᏐᏅ ᎠᎾᏓᏃᎮᎵᏙᎯ ᏂᎨᏒᎾ, ᎠᏁᏯᏔᎯᏍᎩᏂ ᎨᏎᏍᏗ, ᏰᎵᎦᏯ ᎢᏯᎾᏛᏁᎯ ᏂᎦᎥ ᎪᎱᏍᏗ.\nᎤᏒᏃ ᏄᎵᏍᏔᏅ, ᎬᏩᏍᏓᏩᏗᏙᎯ ᎥᏓᎸ ᏭᏂᎶᏒᎩ;\nᎧ ᏂᎯ ᏗᏤᎿᎢ ᏗᏣᏠᏱᎦ ᎠᎴ ᏗᏥᏴᎳ ᏫᏂᎦᎵᏍᏙᏓ ᎢᏥᎩᎵᏲᎢᏍᏗ ᎢᏥᎷᏤᏗ ᏥᎩ.\nᎦᏁᎦ ᏗᎪᏒᏍᏔᏅ ᎠᏂᏁᎸ ᏃᎴ ᏧᎩᏓᏟ ᏗᎪᏒᏍᏔᏅ ᏚᎾᎵᏍᏚᎸ ᎠᏎᏱᎩ.\nᎿᏉᏃ ᎢᎦᏛ ᏥᎷᏏᎵᎻ ᎠᏁᎯ ᎯᎠ ᏄᏂᏪᏒᎩ, ᏝᏍᎪ ᎾᏍᎩ Ꮎ ᎯᎠ ᏱᎩ ᏧᎾᏚᎵ ᎤᏂᎯᏍᏗᏱ?\nᎦᏙᎨ ᎢᏣᎦᏔᏅᏎᎢ? ᎠᏙᎴᎰᏍᎩᏍᎪ? ᎥᎥ, ᎢᏨᏲᏎᎭ, ᎠᎴ ᎤᏟᎯᏳ ᎡᏍᎦᏉ ᎠᏙᎴᎰᏍᎩ.\nᎿᏉᏃ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᏂᎦᏛ ᏴᏫ ᏕᎨᎦᏬᎥ ᏥᏌ ᎾᏍᏉ ᎠᎦᏬᎡᎢ, ᎠᎴ ᎤᏓᏙᎵᏍᏔᏅ ᎦᎸᎳᏗ ᎤᎵᏍᏚᎢᏎᎢ,\nᏄᏓᎴ ᎤᎵᏍᎪᎵᏙᏛ.\nᎢᎦᏃ ᎨᏒ ᏓᏕᏲᎲᏍᎨ ᎤᏛᎾᏗᎦᏔᏫᎢᏍᏗᏱ; ᎤᏒᏃ ᎦᏄᎪᎨᎢ, ᎠᎴ ᎣᎵᏩᏲᎯ ᏣᏃᏎᎰ ᎣᏓᎸ ᎤᏒᎯᎮᎢ.\nᎾᏍᎩ ᎠᏥᏅᏏᏓᏍᏗ ᎤᏅᏏᏙᎯ ᏓᎦᎷᏥ ᎾᎯᏳ ᎢᎦ ᎾᏓᎦᏖᏃᎲᎾ ᎨᏒᎢ, ᎠᎴ ᎢᏳ ᏁᎵᏍᎬᎾ ᎨᏒᎢ,\nᎤᏂᎬᏫᏳᎯ ᎠᎴ ᎾᏂᎥ ᎠᏰᎵ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎤᎬᏩᎵ, ᎾᏍᎩ ᏅᏩᏙᎯᏯᏛ ᎠᎴ ᏄᎾᏰᎯᏍᏛᎾ ᎢᎦᎴᏂᏓᏍᏗᏱ, ᏕᏗᎧᎿᏩᏗᏒ ᏚᏳᎪᏛ ᎨᏒ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\n”ᎭᏂᏉ ᎤᏩᏌ ᎬᏇᏓᏍᏗ ᎠᏎ ᏯᏆᏚᎵᏍᎬᎾ ᏱᎩ.\nᎰᎻ! \nᎾᏍᎩ ᎢᏰᎵᏍᎩ ᎯᎠ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎠᏓᏅᏖᏍᎨᏍᏗ, ᎾᏍᎩ ᎠᏴ ᎾᏍᎩᏯ ᏃᎦᏍᏛ ᎣᏥᏬᏂᏍᎬ ᏙᏦᏪᎵᏍᎬᎢ, ᎾᎿ ᏫᏃᏤᏙᎲᎾ ᎨᏒᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏃᎦᏍᏕᏍᏗ ᏙᎩᎸᏫᏍᏓᏁᎲ ᎿᏉ ᎾᎿ ᏬᏤᏙᎮᏍᏗ.\nᎤᎪᏏᏓ ᎤᏪᏥ ᏭᎶᏒᏍᏛ ᎠᏒᎩ.\n“ᎠᏕᎳᎨ ᏱᏕᏍᎬᏏ?” ᎤᏛᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏄᏪᎲᎾᏍᎩᏂ ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ ᎾᏍᎩ ᏗᎨᏫᏉ ᎠᎴ ᎢᏴᏛ ᎬᏩᎪᏩᏛᏗ ᏂᎨᏒᎾ, ᎠᎴ ᎤᏩᎨᏫᏒᎯ ᎠᏥᏅᎦᎸᏛ ᎨᏒ ᎢᎸᎯᏳ ᎤᏍᎦᏅᏥᏙᎸᎢ.\n”ᎲᎦ ᎢᏴ ᎭᏓᏅᏖᏍᎪ?” ᎤᏓᏍᏗᏰᏕ ᏫᎵᎻ.\nᎠᎺᏉᎯ ᎤᎿᎸᎯ ᏗᎵᏍᏗᎳᏁᎩ, ᎤᏅᏒ ᎤᎾᏕᎰᎯᏍᏗᏍᎩ ᎠᏂᎾᏄᎪᏫᏍᎩ; ᏃᏈᏏ ᎤᏂᏅᏅ ᎤᎾᏞᏛ, ᎾᏍᎩ ᎤᏣᏘ ᎬᎿᎨ ᎤᎵᏏᎬ ᏥᎨᎦᏛᏅᎢᏍᏓᏁᎸ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ.\nᎣᏂᏃ ᏥᎻ ᎤᎪᎮᎢ; ᎿᏉᏃ ᏂᎦᏛ ᎨᏥᏅᏏᏛ [ᎢᎬᏩᎪᎮᎢ.]\n”ᎯᏯᎦᏎᏍᏕᏍᏗ ᏣᏄᏏ!” ᎤᏁᎷᏁ ᏩᎦ.\nᎯᎦᏓᏅᏖᏍᎪ ᎯᎸᎢᏴ.\nᏍᎩᏄᏍᏛᎢ ᎣᏍᏓ ᎨᏐ ᎤᎾᏗᏍᎦᎳᏁᏗ ᎠᎦᎵᎲ.\nᎾᏍᎩ ᎤᏧᏈᏍᏗ ᏥᎩᏐᏅᏰᎵ, ᏥᏌ ᎦᎶᏁᏛ ᎢᎩᏍᏕᎵᏍᎩ ᎢᏳᏩᏂᏌᏛ;\nᎤᏤᎵ Pontiac ᏓᏆᎴᎳ, ᎦᏓᎥᎢ ᏗᎪᏪᎵ “H-2439” ᎯᎲᎾ ᎤᏣᏗᎾ ᏗᏍᏔᏲᏍᏙᏗ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎠᏓᏁᎸᎢ!”\nᎿᏉᏃ ᏛᎾᎴᏅᎯ ᎯᎠ ᏂᏙᏛᏂᏪᏎᎵ ᏙᏓᎸᎢ, ᏍᎩᏯᏐᎥᎦ; ᎠᎴ ᏚᏌᎯᎸᎢ, ᏍᎩᏳᏢᎥᎦ.\nᏗᎦᏃᏣᏢᏍᎩ ᎪᏪᎵ ᎤᏩᏕᏯᏍᏔᏁᎢ ᎢᏈᎬᎢ, ᎥᏍᎩᏃᎢᏳᏍᏗ ᎩᎶ ᎤᎳᏍᏓᏒᏗ ᏂᎨᏒᎾ.\nᎯᏆᎵᏏ ᏘᎨᏫ! ᎢᎬᏱ ᎯᏅᎦᎸ ᎠᏫᏂᏗᏢ ᎤᎵᏍᏈᏗ ᎠᎴ ᎠᏖᎵᏙ, ᎦᏚᎢᏗᏢᏃ ᎾᏍᏉ ᏧᏓᏅᎦᎸᏛ ᎨᏎᏍᏗ.\nᏔᎵ ᎢᏳᎾᏙᏓᏆᏍᏗ ᎢᏳᏕᏘᏴᏓ ᏄᎵᏍᏔᎾ, ᏙᏱᏨ ᏭᏂᎧᏁ.\nᎯᏍᎩᎦᏏᏁᏃ ᎤᏕᏘᏴᏌᏗᏒ ᏓᏈᎵᏯ ᏏᏌ ᎤᎬᏫᏳᎯ ᎨᏒᎢ, ᏋᏗᏯ ᏆᎴᏗ ᏧᏗᏱ ᏣᎦᏁᎶᏗ ᎨᏎᎢ, ᎠᎴ ᎡᎶᏛ ᎨᎵᎵ ᏍᎦᏚᎩ ᎨᎡ ᎠᏥᎦᏘᏗᏍᏗ ᎨᏎᎢ, ᎤᏅᏟᏃ ᏈᎵᎩ ᎢᏚᎵ ᎠᎴ ᏝᎪᏂᏗ ᎠᏥᎦᏘᏗᏍᏗ ᎨᏎᎢ, ᎵᏌᏂᏯᏃ ᎠᏈᎵᏂ ᎠᏥᎦᏘᏗᏍᏗ ᎨᏎᎢ;\nᎤᎵᏍᏆᎸᏗ ᎨᏒ.\nᎠᏎᏃ ᎥᏝ ᏌᏉᎤᏅ ᏱᏄᏁᏤᎢ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᎬᏫᏳᎯ ᎤᏣᏘ ᎤᏍᏆᏂᎪᏎᎢ.\nᎤᏪᏘᎨ ᎠᎵᏑᏫᏓ ᎠᏁᏟᏙᏘ ᏲᎾ ᎢᏳᏍᏗ ᎦᏚᎢ ᏥᏟᎲᎢ, ᏂᎦᏓ ᎬᏆᎧᏙᏍᏛᎢ.\nᏂᎯᏰᏃ, ᎢᏓᎵᏅᏟ, ᏗᏥᏍᏓᏩᏕᎩ ᏂᏣᎵᏍᏔᏅᎩ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᎬ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᏧᏗᏱ ᎠᏁᎯ, ᎾᏍᎩ ᎦᎶᏁᏛ ᏥᏌ ᎬᏬᎯᏳᎲᏍᎩ ᏥᎩ; ᏂᎯᏰᏃ ᎾᏍᏉ ᎤᏠᏱ ᏕᏥᎩᎵᏲᏤᎸᎩ ᏗᏣᏤᎵᎦ ᏴᏫ, ᎾᏍᎩᏯ ᎾᏍᎩ ᏥᏚᏂᎩᎵᏲᏤᎴ ᎠᏂᏧᏏ;\nᎾᏍᎩᏃ ᎯᎠ ᎣᎦᏛᎦᏅ, ᎠᏴ ᎠᎴ ᎾᎿ ᎠᏂᎯ ᎣᏥᏍᏗᏰᏔᏅᎩ ᏥᎷᏏᎵᎻ ᎤᏪᏅᏍᏗᏱ ᏂᎨᏒᎾ.\n“ᎡᏘᏴ ᏥᎨᏎ,” ᎤᎴᏅᏔᏁᎢ, “ᎤᏬᏚᏨ ᎣᏍᏓᏓᏤᎵ ᎤᏍᏗ ᎠᎹ ᎨᏴᎢ ᏚᏏᎳᏛᏁ.\nᎢᎬᏱᏱᏃ ᎢᎦ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒ ᎩᎳ ᎢᎦ ᏥᏂᎦᎵᏍᏗᏍᎪᎢ, ᎤᏂᎷᏤ ᎠᏤᎵᏍᏛᎢ, ᏚᏂᏲᎴ ᏗᎦᏩᏒᎩ ᎾᏍᎩ ᏧᎾᏓᏁᎳᏅᎯ, ᎠᎴ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏁᎮᎢ.\nᎾᏍᎩᏃ ᎦᏳᎳ ᏥᏂᏚᏑᏰᏐᎢ ᎾᏍᎩ ᎾᏍᏉ ᏚᏯᏅᎮᎢ; ᎠᎴ ᎾᏍᎩ ᏧᏯᏅᏛ ᎨᏒᎢ, ᎾᏍᎩ ᎾᏍᏉ ᏚᏭᏓᎴᏎᎢ; ᎠᎴ ᎾᏍᎩ ᏧᏭᏓᎴᏛ ᎨᏒ, ᎾᏍᎩ ᎾᏍᏉ ᎦᎸᏉᏗᏳ ᏂᏚᏩᏁᎴᎢ.\nᎾᏍᎩ ᎠᎦᏔᎮᏍᏗ, ᎾᏍᎩ ᎠᏍᎦᎾ ᎠᎦᏔᎲᏍᎩ ᎾᎿ ᎤᎵᏓᏍᏔᏅᎯ ᎠᎢᏒᎢ, ᎾᏍᎩ ᎠᏍᏕᎵᏍᎬ ᎫᏓᎵᏍᎬ ᎠᏓᏅᏙ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏣᏘ ᎢᏳᏓᎴᎩ ᎠᏍᏚᏅᏨᎯ ᎨᏒ ᎬᏍᎦᎸᏍᎬᎢ.\nᎤᏁᎳᏅᎯ ᎯᎠ ᏴᏫ ᎢᏏᎵ ᎤᎾᏤᎵᎦ ᏚᏑᏰᏎ ᏗᎩᎦᏴᎵᎨᎢ, ᎠᎴ ᏚᏌᎳᏓᏁ ᎯᎠ ᏴᏫ ᎠᏁᏙᎯᏉ ᏥᎨᏎ ᎢᏥᏈᏱ, ᎠᎴ ᎧᏃᎨᏂ ᎤᏌᎳᏛ ᎤᏩᏔᏁ ᎾᎿ ᏙᏧᏄᎪᏫᏎᎢ.\nᎤᏕᎶᎰᏎ ᏫᎵᎻ ᎠᎾᎵᎮᎵᎬ ᎤᏂᎪᎲ.\nᏂᎯᏃ ᏗᏥᏲᎱᏒᎯ ᏥᎨᏒ ᎤᏣᏘᏂ ᏂᏣᏛᏁᎸ ᎠᎴ ᎢᏥᏍᎦᏅᏨᎢ;--\n“ᏣᏉᏍᎪ ᎠᎧᏔᏍᏔᏅ ᎫᏩᏢᏗ ᏱᎩ ᏥᏍᏕᏥ, ᎾᎨ ᎢᏴ ᏩᎦᏓᎩᏅᏓ ᏱᎨᏒᎾ?”\nᎤᏂᎦᎵᏴ ᏓᏰᏙᎲ ᏣᎵ, ᏧᏓᏍᏈᏗ ᏗᎦᏅᏍᎨᏂ, ᏐᏈᎵ ᏗᎧᎸᏗᏍᎩ ᎢᏳᏍᏗ, ᎠᏎᏃ ᏎᎦᏨ ᎠᎩᎸᏗᏍᎩ ᏐᏈᎵ.\nᎠᎴ ᏅᏓᏳᏅᏍᏗᏱ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎦᏳᎳ ᎡᏣᎵᏥᏙᏁᎸᎯ ᏥᎩ;\nᏫᏓᎩᏴᎲ ᏃᏥ ᏚᏂᎳᎦᎸᎲ ᏔᎵ ᎦᎶᏇ, ᏧᏪᏘ ᏧᎾᏓᏍᏕᏓᎵᏴᏓ.\nᎾᏍᎩᏯᎢ ᎬᏂᏛ ᎠᎦᏴᎵᎨᎢ ᎠᎩᏅᏏᏛ ᏥᎩ, ᎠᎴ ᎠᎦᏴᎵᎨ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏴ ᏥᎬᏅ, ᎾᏍᎩᏯᎢ ᎠᏴ ᎠᏆᎵᏍᏓᏴᏗᏍᎩ ᎾᏍᎩ ᎠᏴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎬᏁᏍᏗ.\nᎠᎴ ᎠᏍᏓᏯ ᏙᎩᎸᏫᏍᏓᏁᎰᎢ, ᎣᎬᏒ ᏦᎪᏰᏂ ᏙᏨᏗᏍᎪ ᎪᎱᏍᏗ ᎣᏣᏛᏁᎰᎢ. ᎦᏲᎩᏐᏢᏗᏍᎬ ᎣᏍᏛ ᏙᏥᏁᏤᎰᎢ; ᎤᏲ ᏃᎬᏁᎲ ᎤᏁᎳᎩ ᎣᏤᎵᏍᎪᎢ;\nᎢᏳᏰᏃ ᏱᏓᎴᏂᏙᎭ, ᎤᎬᏫᏳᎯ ᎡᏓᎴᏂᏕᎭ; ᎠᎴ ᎢᏳ ᏱᏗᏗᏲᎱᏍᎦ, ᎤᎬᏫᏳᎯ ᎡᏗᏲᎱᎯᏎᎭ; ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎢᏳᏃ ᏱᏓᎴᏂᏙᎭ, ᎠᎴ ᏱᏗᏗᏲᎱᏍᎦ, ᎤᎬᏫᏳᎯ ᎡᏓᏤᎵᎦ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏂᎯ ᏌᏩᏂ ᏦᎾ ᎤᏪᏥ; ᎥᏝᏰᏃ ᎤᏇᏓᎵ ᎠᎴ ᎩᎬ ᎾᏍᎩ ᏱᏣᎾᏄᎪᏫᏎᎸ, ᎡᏙᏓᏍᎩᏂ ᎦᎸᎳᏗ ᎡᎯ.\nᎤᏂᏣᏔᏰᏃ ᏂᏚᎾᏓᏁᎶᏛᎾ, ᎠᏎᏉᏉ ᎠᏂᏬᏂᏍᎩ, ᎠᎴ ᎤᎾᏠᎾᏍᏗ, ᎨᎤᎬᏫᏳᎭ ᎾᏍᎩ Ꮎ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ;\n ᏣᏗᏲᎪ.\nᎠᎴ ᏌᏉ ᎩᎬ ᏚᏬᏢᏔᏅ ᎾᏂᎥ ᏄᎾᏓᎴᏒ ᏴᏫ ᎾᏍᎩ ᏧᎾᏁᎳᏗᏍᏗᏱ ᏂᎬᎾᏛ ᎦᏚᎢᏗᏢ ᎡᎶᎯ, ᎠᎴ ᏕᎤᏚᎪᏔᏅ ᎢᏳᎵᏍᏔᏂᏓᏍᏗᏱ, ᎠᎴ ᏫᏚᏍᏖᏅ ᎾᎿ ᏕᎨᏌᏗᏒ ᏧᎾᏁᎳᏗᏍᏗᏱ.\nᎠᏏᏉᏃ ᎠᏂᏱᎵᏒ ᎬᏩᏛᏛᏍᎬ ᎤᏓᏥᏃᎯᏍᏔᏅᎩ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎩᎶ ᎤᏓᏑᏰᏍᏗ ᎤᏍᏕᏅᏨᎯ ᏂᎨᏒᎾ ᎾᏍᎩ ᎢᎬᏱ ᏫᏓᏓᎴᏅᏓ ᏅᏯ ᏫᎬᏂᏍᏓ.\n”ᎫᏩᏣᎴ ᏲᎾ ᎤᏤᏍᏙ!” ᏚᏃᎩᏎ ᎡᎳᏆᏗ.\nᎿᏉᏃ ᏂᎦᏛ ᎤᎦᎵᏍᏗᏳ ᎤᎾᏓᏅᏓᏛᎩ, ᎠᎴ ᎾᏍᏉ ᎤᎾᎵᏍᏓᏴᏅᎩ.\nᎠᏂᏥᎸᏍᎩ ᎤᎦᎾᏍᏓ ᎾᏅᏁᎰ ᎤᏃᎴ, ᏃᎴ ᎠᏍᎪᎸᎪ.\nᎠᎴ ᎠᏴ ᎢᏓᎵᏅᏟ, ᎢᏳᏃ ᎠᎱᏍᏕᏍᏗ ᎨᏒ ᎠᏏ ᏱᎦᎵᏥᏙᎲᏍᎦ, ᎦᏙᏃ ᎠᏏᏉ ᎤᏲ ᏂᎥᏋᎿᏕᎦ? ᎿᏉ ᎠᎲᏛ ᏂᎦᎵᏍᏗᎭ ᏗᏓᏙᏕᏍᏗᏍᎩ ᎨᏒ ᏓᏓᎿᏩᏍᏛᎢ.\n“ᎬᏯᎵᎮᎵᏤᎭᏛ ᎤᎵᎮᎵᏍᏗ ᏄᏪᏎ ᏧᏍᏆᏴᏍᏗ.\nᏕᎬᏩᎳᏫᏦᎴᏃ ᎠᏂᏆᎵᏏ, ᎠᎴ ᎩᎶ ᎢᏳᎾᏍᎩ ᏗᏃᏪᎵᏍᎩ, ᏥᎷᏏᎵᎻ ᏅᏓᏳᏂᎶᏒᎯ.\n“ᏍᎩᎾ ᎣᏏᏉᏧ?” \nᏓᎾᎵᏂᎪᎯᏍᏗᏍᎨ ᏚᎾᏓᏅᏛ ᎠᏃᎯᏳᎲᏍᎩ, ᏓᏂᏔᏲᏎᎮ ᏧᏂᏲᎯᏍᏗᏱ ᏂᎨᏒᎾ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᏓᏂᏃᏁᎮ ᎤᏣᏘ ᎠᎩᎵᏴ ᎢᎩᎶᎯᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᏫᎩᏴᏍᏗᏱ.\nᏞᏍᏗ ᏗᏥᏅᏒᎩ ᎠᏕᏄ ᏗᎦᎶᏗ, ᎠᎴ ᏕᎦᎶᏗ, ᎠᎴ ᏗᎳᏑᎶ; ᎠᎴ ᏞᏍᏗ ᎩᎶ ᎡᏥᏲᎵᎸᎩ ᎢᏣᎢᏒᎢ.\nᎯᎠ ᎾᏍᎩ ᎢᏥᎦᏔᎮᏍᏗ, ᎢᏦᎯᏳᏒ ᎠᎪᎵᎡᏗ ᎨᏒ ᎢᏨᏂᏗᏳ ᏂᏨᏁᎲᎢ.\nᎠᏎᏃ ᎤᏁᏨᎩ ᎯᎠ ᏄᏪᏒᎩ; ᏂᎦᎥ ᏚᏰᎬ ᎡᏙᏓ ᏧᏫᏒᎯ ᏂᎨᏒᎾ ᏗᏰᎯᏍᏗ ᎨᏎᏍᏗ.\nᎠᎦᏔ ᎠᏰᎸ ᎢᎦ ᎠᏘᏍᏓᏁᎯ; ᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏳᏃ ᎪᎱᏍᏗ ᏄᏍᏛᎾ ᎨᏎᏍᏗ ᎯᎦᏙᎵ, ᏂᎬ ᎯᏰᎸ ᎾᏍᏉ ᎧᎵᏬᎯ ᎨᏎᏍᏗ ᎢᎦ ᎦᏘ; ᎢᏳᏍᎩᏂ ᎯᎦᏙᎵ ᎤᏲ ᎨᏎᏍᏗ ᏂᎬ ᎯᏰᎸ ᎾᏍᏉ ᎧᎵᏬᎯ ᎨᏎᏍᏗ ᎤᎵᏏᎩ.\nᎾᏍᎩ ᎨᏥᏚᎢᏍᏓᏁᎸ ᎤᎾᎵᏱᎶᎯᏍᏗᏱ ᎤᏚᎩ ᎤᏅᎭ ᏔᎳᏚ ᏃᏥᎳᏍᏓᎸᎢ, ᎤᎵᏂᎩᏗᏳ ᏥᏓᏂᎧᎿᏩᏗ ᎤᏁᎳᏅᎯ ᏗᎬᏩᎩᏨᏗ. ᎾᏍᎩ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᏣᎬᏫᏳᎯ ᎡᎩᎵᏈ, ᎠᏂᏧᏏ ᎬᏇᎯᏍᏗᎭ.\n”ᎣᏍᏓᏗ ᎨᏐ ᏗᏍᏆᏂᎪᏙᏗ ᎪᎱᏍᏗ” ᎠᏗᏍᎨ.\nᎾᏍᎩ ᎤᎳᏐᏫᏍᏗ ᎠᏰᎭ, ᎠᎴ ᏂᎦᏛ ᏓᎦᎳᏐᏫᏏ ᎠᏲᏓᏝᎲᎢ, ᎤᏣᎴᏍᏗᏃ ᏓᎦᏟᏌᏂ ᏛᏂ ᎤᏗᏱ; ᎤᏬᎭᏄᎶᏔᏅᎯᏍᎩᏂ ᏛᎪᎲᏍᏔᏂ ᎠᏥᎸᏱ ᏂᎬᏠᏍᎬᎾ.\nᎤᏍᏆᎳᎯ ᎨᏒ, ᏣᎵ ᏧᏤᎵ ᏴᏫ ᎦᎾᏰᎯᏍᏗ ᏄᏅᏁᎸ.\nᎾᏍᎩ ᎤᎾᎳᏅᎯ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎠᎴ ᎤᎵᏂᎩᏛ ᎨᏒ ᏥᏚᎶᏁᏔᏁ ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ, ᎾᏍᎩ ᏤᏙᎲ ᎣᏍᏛ ᏚᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᏕᎧᏅᏫ-Ꭼ ᏂᎦᏛ ᎤᏲ ᎢᏳᏅᎿᏕᎩ ᎠᏍᎩᎾ; ᎤᏁᎳᏅᎯᏰᏃ ᏚᎧᎿᏩᏗᏙᎲᎩ.\nᎾᏍᎩ ᎢᏤᏅᎢᏍᏔᏅᎯ ᏥᎩ ᏂᎦᎥ ᏄᏓᎴᏒᎢ-ᏂᎦᎥ ᏗᏕᏲᏗ ᎨᏒ ᎠᎴ ᏂᎦᎥ ᎠᏕᏙᎥᎯᏍᏗ ᎨᏒᎢ;\nᎢᏥᎾᏄᎪᏫᏍᎨᏍᏗ ᎧᏃᎮᏛ ᎬᏂᏛ ᎠᏓᏁᎯ; ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎠᏆᎵᎮᎵᏍᏗᏱ ᎦᎶᏁᏛ ᎤᏤᎵ ᎢᎦ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏎᏉ ᏗᎩᏍᏆᎸᏔᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᎠᏎᏉ ᏗᎩᎸᏫᏍᏓᏁᎸᎯ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎯᎠᏍᎩᏂᏃ ᏂᏨᏪᏎᎲ ᎥᏝ ᏱᏨᎸᏉᏗᎭ, ᎾᏍᎩ ᏕᏥᎳᏫᏦᎯᎲ ᎥᏝ ᎣᏍᏛ ᎢᏳᎵᏍᏙᏗ ᏱᎨᏐᎢ, ᎤᏲᏉᏍᎩᏂ.\nᎩᎳᏈᏴ ᎤᎯᏍᏗ ᏌᏌ ᎠᏓᎯ, ᎫᏩᏓᎩᏯᏍᏗ ᏱᎩ. ᎠᎧᏔᎮᎢ ᏌᏌ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎨᏴ ᎦᎸᏉᏗᏳ ᎢᏳᏩᏁᎯ ᏳᏭᏢᏗ ᎠᏍᎪᎵ ᎾᏍᎩ ᎨᏥᏅᏏᏛ ᎨᏒ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ.\nᎾᏍᎩ ᏌᏉ ᎠᎰᎵ ᏗᎦᏄᎪᎪ ᎦᎸᏉᏙᏗ ᎨᏒ ᎠᎴ ᎠᏍᎩᏅᏗᏍᏗ ᎨᏒᎢ. ᎢᏓᎵᏅᏟ, ᎥᏝ ᎣᏏᏳ ᏱᎩ ᎾᏍᎩ ᏥᏄᏍᏗ.\nᎯᎠᏰᏃ ᎾᏍᎩ ᎧᏃᎮᏛ ᏥᏣᏛᎩᎭ ᏗᏓᎴᏂᏍᎬ ᏂᎨᏣᏛᎩᏍᎪᎢ, ᎾᏍᎩ ᏗᎦᏓᎨᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ.\nᎥᏝ ᏚᏳᎪᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎬᏗ ᎠᏴ ᎾᏍᎩ ᏕᎩᎸᏫᏍᏓᏁᎸᎢ, ᎾᏍᎩᏯᏍᎩᏂ ᎤᏓᏙᎵᏣᏘᏳ ᎨᏒ ᎢᎩᏍᏕᎸᎲᎩ ᎤᏮᏔᏅᎩ ᏔᎵᏁ ᎠᏕᏗ ᎨᏒ ᎤᎬᏩᎵ ᎠᏙᏑᎴᏗᏱ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏓᏁᏟᏴᏍᏗ ᎨᏒᎢ;\nᏩᎩᎷᏣ ᏥᎪᎵᏰᏍᎬ: ᎭᏂ ᎠᏁᏙᎮ ᎢᎾᎨ ᎠᏁᎯ ᎠᏂᎩᎦᎨ ᎠᏂᏍᎦᏯ, ᎠᏎᏉ ᎠᏁᏙᎯ ᎬᏂᎨᎢ ᏚᏂᏍᏘᏰᎬ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᏰᎵᏉ ᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯ ᏓᏍᏓᏗᏔᎯ ᎤᎵᏍᏈᏗ ᎾᏍᎩ ᎠᏴ ᎠᏆᏗᏔᏍᏗ ᏥᎩ, ᎠᎴ ᏗᏓᏬᏍᏗ ᎨᏒ ᎠᏴ ᎥᏆᏬᏍᏙᏗ ᏥᎩ, ᎾᏍᎩ ᏙᏓᏰᏍᏓᏬᏍᏔᏂ;\nᎠᎬᏱᏣ ᎤᏩᏌ ᏫᎫᏩᏂᎶᎯᏍᏗ.\nᎠᎬᏅ ᎤᏟᎯᏳ ᎡᏍᎦᏉ ᎠᎵᏍᏓᏴᏗ, ᎠᎴ ᎠᏰᎸ ᎤᏟᎯᏳ ᎡᏍᎦᏉ ᏗᏄᏪ.\n”ᎤᎵᎮᎵᏍᏗ,” ᎤᏛᏁ ᏫᎵᎻ.\nᏓᏒᏍᏛᏃ ᎤᏍᏆᎸᎲ ᎡᎶᏛ ᎤᏄᏬᎥ ᎤᏂᎬᏫᏳᎯ ᎤᎾᏄᏬᏍᏗ, ᎤᏪᏁ ᎢᏅ ᎢᎦᏘ ᎦᏍᎩᎸᎢ, ᎠᎴ ᏚᎵᏥᏙᏁᎴᎢ.\n“ᎭᎳᏑᏢᎩ! ᎭᎳᏑᏢᎩ!” ᎤᏃᏎᎴ ᏩᎭᏯ.\nᏭᏩᏅᏓᏕᎢ ᎢᏳᏍᏗ ᎤᏃᎯᏎᎸ ᏌᎳᏓ --- ᎨᏍᏗ ᎦᏓᏁ ᎢᎦᎵᏍᏗᏍᎩ ᏱᎩ ᏃᎴ ᎤᏟᏂᎩᏓ.\nᎦᎪᎨᏃ ᎠᎦᎵᏯ ᎠᎴ ᎠᏏᎾᏌᏂ ᎠᏥᏅᏏᏓᏍᏗ, ᎾᏍᎩ ᎤᏅᏏᏙᎯ ᏄᎬᏫᏳᏒ ᎢᏳᏩᏁᎸᎯ ᎦᏁᎸ ᏚᏓᏘᎿᎥᎢ, ᎾᏍᎩ ᎤᎾᎵᏍᏓᏴᏗ ᏧᏁᏗᏱ ᎤᎾᎵᏍᏓᏴᏗᏱ ᏂᎦᎵᏍᏔᏂᏒᎢ?\nᎦᎸᎳᏗᏣ, ᎦᏳᎳ ᎦᏂᏏ ᏫᎦᏅᎨ ᎡᎳᏆᏗ ᏃᎴ ᎦᏟᎮ.\nᎤᏒᎯ ᎢᏴ ᎤᏲᎶᏨ ᎢᏳᏍᏗ ᏄᏍᏕᎢ ᏗᎧᏃᏗ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎤᏣᏘ ᎠᏆᏚᎵᏍᎬᎩ ᎯᎠ ᎧᏃᎯᏰᎩ ᎢᏧᎳᎭ ᎢᎦᎵᏍᏓᏛᏗᏱ ᎠᏏᏉ ᎾᎩᎩᎵᏲᏨᎾ.\n“ᎨᏍᏗ ᎢᎸᎯᏳ ᎠᎩᎪᏛᎲ ᏍᎩᎾ ᏥᏥᏩᏔ.\n”ᎣᏏᏉᏍᎪ ᎤᏅᏗ ᏳᏩᏆᏗᏔ?\nᎠᏲᏍᏗᏍᎬ ᎪᏪᎸ ᏗᎧᎿᏩᏛᏍᏗ ᎢᎦᏡᏗᏍᎩ, ᎾᏍᎩ ᎢᎩᏲᏍᏙᏓᏁᎯ ᏥᎨᏒᎩ, ᎠᎴ ᎤᎲᏒᎩ, ᎤᏤᎵ ᏓᏓᎿᏩᏍᏛ ᎤᏪᏯᎸᏅᎩ ᏴᏫ ᏚᏪᎭᏔᏅᎩ;\nᎡᏏᏃ ᏦᏏᏆ ᎤᏕᏁᎴᎢ. ᏦᏏᏆᏃ ᏦᎳᎻ ᎤᏕᏁᎴᎢ; ᏦᎳᎻᏃ ᎣᏌᏯ ᎤᏕᏁᎴᎢ;\nᎦᏅᏅ ᏍᎪᏁ ᏗᏗᎧᏃᎩᏍᎨ ”ᏩᎫᎵ, ᏩᎫᎵ!”\nᏫᎬᏲᏪᎳᏏ, ᏓᏓᏏ, ᎠᏇᏥᏯᎢ, ᎾᏍᎩᏯ ᎾᏂᎥ ᎠᏃᎯᏳᎲᏍᎩ ᎤᏃᎯᏳᏒᎢ; ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ, ᎠᎴ ᎤᏓᏙᎵᏣᏛᎢ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ, ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨᎢ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎢᎩᏍᏕᎵᏍᎩ, ᏕᏣᎧᎿᏩᏗᏙᎮᏍᏗ.\nᎧᏃᎮᏛ ᏧᏓᏅᏎ ᎢᏏᎵ ᏧᏪᏥ ᎤᎾᏛᎪᏗ ᏥᎧᏃᎮᏍᎨ ᎣᏍᏛ ᎧᏃᎮᏛ ᏅᏩᏙᎯᏯᏛ ᎤᎬᏩᎵ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎾᏂᎥ ᎤᎾᏤᎵᎦ,\nᎤᎪᎵᏰᎥ ᎫᎭᎳᎲ ᏃᎴ ᎠᏓᏪᎳᎩᏍᎬ ᎬᏘ ᎤᏅᎦᎳᎲ.\nᏂᏓᏟᎶᏍᏓᏁᎲᎾᏍᎩ ᎥᏝ ᏱᏚᏬᏁᏔᏁᎢ; ᎤᏅᏒᏃ ᎨᏎᎢ, ᏂᎦᏛ ᎾᏍᎩ ᏚᏬᏏᏌᏁᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ.\nᏚᎧᎾᏁ ᎤᎾᎵᎢ.\nᏥᏌᏃ ᎦᏙᎨ ᎢᎬᏱᏗᏢ ᎤᎬᏫᏳᎯ ᎤᏬᎸᎢ. ᎤᎬᏫᏩ ᎯᏃ ᎤᏛᏛᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏂᎯᏍᎪ ᏣᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ? ᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏰᎵᏂᏫ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏥᎪ ᏨᏒ ᏣᏓᏅᏖᏛ ᎾᏍᎩ ᏥᏂᏪᎠ, ᎩᎶᎨ ᎾᏍᎩ ᎨᏣᏃᎮᎮᎴᎢ?\nᎠᏍᎦᏯᏍᎩᏂ ᎤᏙᎯᏳᎯ ᎥᏝ ᏱᎬᎵᏍᏚᎸᏍᎦ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎾᏍᎩᏯ ᏥᎩ, ᎠᎴ ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎨᏒ ᏧᏄᏬᏍᏗ; ᎠᎨᏴᏍᎩᏂ ᎠᏍᎦᏯ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏄᏬᏍᏗ.\nᎠᏎ ᎢᏰᎦᏉ ᎤᎾᏓᏓᏍᎬ, ᏂᎦᏓ ᎠᏂᎦᏔᎲ ᎢᏴ ᎡᏙᎲ Crockett.\nᎢᏳᏃ ᎥᏝ ᏲᎩᏍᎦᏅᏨ ᏱᏓᏗᎭ, ᎡᏗᏰᎪᎥᏍᎦᏉ, ᎠᎴ ᎧᏃᎮᏛ ᎤᏤᎵᎦ ᎥᏝ ᏱᎨᎨᎭ.\nᎪᏫ ᏂᎦᏓ ᎠᏂᎦᏔᎲ ᎠᏍᎦᏯᏱ ᎨᏎ ᏧᏛᎯᏍᏙᏗ ᏒᎧᏔ ᏕᏧᎬ, ᏂᏚᏕᏘᏴᏒ ᎤᎾᏨᏏᏓᏍᏗ ᏄᎵᏍᏔᏅ ᏕᎦᎧᎲᏍᎨ.\nᎠᏎᏍᎩᏂᏃᏅ ᎪᎱᏍᏗ ᎤᏍᏗᎠᎹᏰᎵ ᎤᏪᎧᎲ ᏓᎩᏝᏗᏣᎵ.\nᏃᎴ ᎠᏰᎵ ᏓᏏᎳᏛ ᎯᎪᏪᎴ ’ᎤᏍᏆᏂᎩᏗ ᏏᏆ’.\nᏦᏏᏃ ᎨᏥᏅᏏᏛ ᏆᏂᏆ ᏥᏚᏃᎡᎢ, ᎾᏍᎩ ᎦᏛᎬ ᎣᏍᏛ ᎠᏓᏅᏓᏗᏍᏗ ᎤᏪᏥ, ᎠᎵᏫ ᏌᏈ ᎤᏕᏅᎯ,\nᎾᏍᎩᏃ, ᏌᏉ ᎠᏍᎦᏯ ᎢᏳᏩᏂᏌᏛ ᎠᏍᎦᏂ ᎡᎶᎯ ᏧᎾᏄᎪᏨ, ᎠᎴ ᎠᏲᎱᎯᏍᏗ ᎨᏒ [ᏧᎾᏄᎪᏨ;] ᎠᏍᎦᏂ ᎢᏳᏩᏂᏌᏛ ᎠᎴ ᎾᏍᎩ ᏥᏂᎦᎵᏍᏙᏗᎭ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᏂᎦᏗᏳ ᏴᏫ ᏧᏂᎷᏤᎸ, ᏂᎦᏗᏳᏰᏃ ᎤᏂᏍᎦᏅᏨ\nᎿᏉᏃ ᏈᏓ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎬᏂᏳᏉ ᎠᏴ ᏂᎦᏗᏳ ᏙᎩᏲᏐᏅ ᎠᎴ ᎢᏨᏍᏓᏩᏕᏅ; ᎦᏙᏃ ᎠᏴ ᏓᏲᏥᏩᏛᎯ?\n”ᎠᏯ ᏥᏙᎬ ᎢᏣ ᎧᏓᏒᏍᏓ!” ᎤᏪᎷᎾ ᏌᏌ ᎠᏨᏯ.\nᎯᎸᎢᏴ ᎦᏄᎸ ᎡᎯ ᎢᎾᏓ ᎠᏩᏘᏍᎪᎢ ᎧᏁᏍᎪ ᎡᎳᏆᏗ. ᎤᏦᏩᏛ ᏫᏓᎵᎪᏗᏍᎨᏍᏗ ᏚᏦᏩᏅ.\nᎤᏢᎩ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᏍᎦᏯ, ᎥᏝ ᎩᎶ ᏰᏙᎰ ᎠᎹ ᎠᎵᏖᎸᎲᎦ, ᎠᏓᏬᏍᏗᏱ ᏩᎩᎧᎲᏍᎩ; ᎠᏏᏉᏰᏃ ᏥᏫᎦᎢᏐᎢ, ᎩᎶ ᏓᎩᎪᏂᏍᎪᎢ ᎢᎬᏱ ᏩᏠᎠᏍᎪᎢ.\n“ᎭᏩ,” ᎤᏛᏁ ᏩᎭᏯ.\nᎠᎫᏬᎵᎩ ᎮᎵᎠ, ᏚᎵᏍᏙᏴᏗ, ᏃᎴ ᎤᎵᏍᏗ ᏂᎦᏪᏏᏏ.\nᎢᏳᏃ ᎥᏝ ᎠᏍᎦᏂ ᏲᎨᎭ ᏱᏓᏗᎭ, ᎢᎬᏒ ᏱᏓᏓᎵᏓᏍᏗᎭ, ᎠᎴ ᎥᏝ ᏱᎨᎨᎭ ᎤᏙᎯᏳᎯ ᎨᏒᎢ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎣᏏᏉ ᏂᏣᏛᏁᎭ ᏥᏥᏲᎢᏎᎭ ᎤᏁᎳᏅᎯ ᎤᏁᏨ, ᎾᏍᎩ ᎢᏣᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏥᏍᏆᏂᎪᏙᏗᏱ.\nᎠᎴ ᎾᏍᎩ Ꮎ ᏅᎩ ᎢᏯᏂᏛ ᏗᎾᎧᎿᏩᏗᏙᎯ ᏕᎨᎦᎸᏒᎲᎩ, ᎾᏍᎩ ᎨᎦᏛᏅᎢᏍᏔᏅᎩ ᏌᏉ ᏅᏙ ᎢᏳᏟᎶᏛ ᎢᎪᎯᏛ ᎨᏒᎢ, ᎠᎴ ᏏᎦ ᎨᏒ, ᎠᎴ ᏏᏅᏙ ᎨᏒ, ᎠᎴ ᏑᏕᏘᏴᏛ ᎨᏒᎢ, ᎾᏍᎩ ᏧᏂᎯᏍᏗᏱ ᏦᎢ ᎢᎨᏥᏛᎯ ᏴᏫ ᎾᏍᎩ ᏌᏉ ᎢᏳᏂᏨᎯ ᎨᏒᎢ.\nᎣᏏᏳ ᏱᏥᏰᎸᎾ ᎾᏍᏉ ᏱᏗᎨᏥᎧᎲᏒ ᎨᏣᏕᏯᏙᏗᏍᎩ ᏥᎩ.\nᏚᏏᎳᏛ ᎭᏫᏂᏣ ᎤᎴᏁ ᏫᎵᎻ.\nᎠᎴ ᎤᎬᏫᏳᎯ ᏂᏚᎪᎳᏛᎾ ᏱᎨᏎ ᎾᎯᏳ ᎢᎦ, ᎥᏝ ᎤᏇᏓᎵ ᏱᎦᏰᏥᏍᏕᎸᎮᎢ; ᎨᎦᏑᏰᏛᏍᎩᏂ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎾᏍᎩ ᏧᏑᏰᏛ ᎨᏒᎢ, ᎾᏍᎩ ᏚᎦᎳᏛ ᎾᎯᏳ ᎢᎦ.\n”ᎠᏏᎳᏛᎢᏍᎪ?”\nᎠᏫᎾ ᎦᏄᎾᏓᎴᎩ ᎤᏩᏌ ᎤᏤᎵ, ᏐᎢᏃ ᎤᏫᏂ Elias Boudinot, ᎦᎳᎩᎾ ᏧᏙᎢᏓ ᎨᏎ, ᎠᏎᏃ ᎤᏍᏕᏓᎵᏴᏎ ᎣᎯᏍᏙᏗ ᏄᎵᏍᏔᏁᎮ.\nᏞᏍᏗ ᏙᎯᏱ ᎤᎾᏄᎪᏫᏏᎸ ᎡᎶᎯ, ᏱᏍᎩᏰᎵᏎᎮᏍᏗ; ᎥᏝᏍᎩᏂ ᏙᎯᏱ ᏯᎩᎾᏄᎪᏫᎸ, ᎠᏰᎳᏍᏗᏍᎩᏂ ᎦᏅᎯᏛ.\nᎢᏨᏲᏪᎳᏏ ᎢᏥᎦᏴᎵᎨᎢ, ᎡᏥᎦᏙᎥᏒᏰᏃ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏤᎭ. ᎢᏨᏲᏪᎳᏏ ᎢᏥᏫᏅ, ᏗᏣᎵᏂᎩᏗᏳᏰᏃ, ᎠᎴ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎢᏥᏯᎠ, ᎠᎴ ᎡᏥᏎᎪᎩᏒ ᎤᏁᏧᏥᏛ.\nᎿᏉᏃ ᏚᎴᏅ ᎤᏘᏅᏎ ᎠᏲᎵ ᎠᎴ ᏅᏥ ᏒᏃᏱ, ᎠᎴ ᎢᏥᏈᏱ ᏭᎶᏎᎢ.\nᎤᎾᏓᏂᏴᏍᏗ ᎠᎴ ᎤᏁᏅᏍᏗ.\nᎢᏨᎾᏰᎢᏎᎭᏉ, ᎠᏎᏉᏉ ᎪᎱᏍᏗ ᏱᏚᏥᏯᏛᏁᎸ ᎨᎵᏍᎬ ᎢᏳᏍᏗ.\nᎦᏚᎲ ᎤᎵᏗᏨ ᎠᎾᏓᏌᎩᏙᎲ ᏏᏆ.\nᎢᎪᎯᏓ ᎠᏋᏅ ᏥᏓ ᎦᏨᏏᏰᏍᎪ.\nᎠᎼ ᎦᏚᎢᏣ ᎬᏂᎨ ᎨᏒ, ᎭᏫᏂ.\nᎠᏌᎻᏓ ᎠᎴ Ireland, Philadelphia ᏃᎴ ᏣᎵᏍᏙᏂ ᏓᏳᏂᎶᏒ ᎠᏂᏫᎾ, ᎨᏍᏗ ᎤᏲ ᎢᏯᎾᏛᏁ ᏱᎨᏎᎢ.\nᏩᏓᏬᎢᎡ ᏚᎪᎮ ᏓᎶᎨ, ᏥᏍᎪᎩᎳ, ᏧᏩ ᏃᎴ ᎤᎬᏍᏕᎵ.\nᏥᏌ ᎤᏁᏨᎩ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏑᏓᎴᎩ ᏓᎩᎸᏫᏍᏓᏁᎸ, ᏂᏥᎥᏃ ᎢᏥᏍᏆᏂᎪᏍᎦ.\nᎤᎦᏃᏮ ᎤᏂᏂᎬᎪ ᏏᏆ, ᎡᎳᏗᏣ ᎤᎦᏃᏩ ᏧᎦᏃᏮ ᏗᏣ.\nᎦᏥᏃᏁᎸᎩᏰᏃ ᎢᎬᏱ ᏕᎹᏍᎦ ᎠᏁᎯ, ᎠᎴ ᏥᎷᏏᎵᎻ ᎠᏁᎯ, ᎠᎴ ᏂᎬᎾᏛ ᏧᏗᏱ ᎠᎴ ᎾᏍᏉ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎾᏍᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎾᏍᎩ ᏧᏂᏁᏟᏴᏍᏗᏱ ᏚᎾᏓᏅᏛᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎢᏗᏢ ᏭᎾᎦᏔᎲᏍᏙᏗᏱ, ᎠᎴ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎠᏙᎴᎰᎯᏍᏙᏗ ᎨᏒ ᏚᏂᏁᏟᏴᏒ ᏚᎾᏓᏅᏛᎢ.\nᎯᎠᏃ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᏝᏍᎪ ᏗᎩᏂᎾᏫ ᏧᏗᎴᎩᏳ ᏱᎨᏎ ᎭᏫᏂ ᏥᎩᎾᎵᏃᎮᏗᏍᎬ ᏗᏓᎢᏒᎢ, ᎠᎴ ᏥᏕᎩᏃᏏᏌᏁᎲ ᎪᏪᎵ?\nᎿᏉ ᏅᎩᏦᏁ ᎢᏯᏂᏛ ᏧᎾᏛᏐᏅᎯ ᎡᎳᏗ ᏓᎾᏓᏅᎥᏍᎪ ᎢᎬᏱᏗᏢ ᎤᏬᎸ ᎾᏍᎩ ᎦᏍᎩᎸ ᎤᏬᎵ, ᎠᎴ ᎠᎾᏓᏙᎵᏍᏓᏁᎰ ᎾᏍᎩ Ꮎ ᏂᎪᎯᎸ ᎾᎵᏍᏆᏗᏍᎬᎾ ᏤᎭ, ᎠᎴ ᏧᎾᎵᏍᏚᎶ ᎦᏍᎩᎸ ᎢᎬᏱᏗᏢ ᏚᎾᏓᎡᎯ, ᎯᎠ ᎾᏂᏪᏍᎪᎢ;\nᎠᏎᏃ ᎥᏝ ᏌᏉᎤᏅ ᎢᏥᏍᏗᏰᎬ ᎢᏥᏍᎪᎵ ᎤᏲᎱᎯᏍᏗ ᏱᎨᏎᏍᏗ.\nᎠᏎᏃ ᎨᏍᏗ ᎤᎶᎣᏒ ᏱᎨᏎ ᎠᏲᏟ.\nᎤᎵᏍᏓᏴᏅᏃ ᎤᎵᏂᎪᏎᎢ. ᏐᎳᏃ ᎢᎸᏍᎩ ᏧᏒᎯᏛ ᏚᏪᎳᏗᏙᎴ ᎠᏃᎯᏳᎲᏍᎩ ᏕᎹᏍᎦ ᎠᏁᎯ.\nᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᎠᏁᎯ ᎤᏕᎵᏛ ᏧᎾᏂᏏᏅᎯ ᏥᎩ, ᎠᎴ ᎡᎶᎯ ᏓᏁᏩᏗᏒ ᏧᏂᏴᏍᏕᏍᏔᏅᎯ ᏥᎩ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎤᏕᎵᏛ ᏚᏂᏏᏂᏙᎸ ᎤᏩᏛᏛ.\n[ᎠᎴ] ᎬᏗᏍᎬ ᎤᏰᎸᏛᎢ ᎠᎴ ᎤᏍᏆᏂᎪᏗ, ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎬᏗᏍᎬᎢ; ᎾᏍᎩ ᏥᎷᏏᎵᎻ ᎤᏓᎴᏅᏛ, ᎠᎴ ᎤᏚᏫᏛ ᎢᎵᎵᎦᎻ ᏩᏍᏗ, ᎤᎧᎵᏨᎯ ᎠᏆᎵᏥᏙᏅ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ;\nᏰᎵ ᎢᏯᏂ ᎠᏂᏴᏫ, ᎨᏍᏗ ᎯᎸ ᎢᏴ ᎤᏁᏙᎵᏱᎩ, ᎠᎴᏃ ᎠᏂᎪᏩᏘᏍᎬ ᎤᏅᏓᏒ.\nᎿᏉᏃ ᎤᎶᏐᏂᏕᎾ ᎨᏎ ᎢᎦ, ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏩᎷᏤᎴ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎠᏂ ᎢᎾᎨᎢ, ᎠᎴ ᎿᏉ ᎤᎶᏐᏂᏗ ᎢᎦ.\nᎤᏂᏍᎦᎡᎾᏍᎩᏂ. ᎠᎴ ᏄᏃᎯᏳᏒᎾ, ᎠᎴ ᎤᏂᏍᎦᎢᏍᏗ, ᎠᎴ ᏗᎾᏓᎯᎯ, ᎠᎴ ᎤᏂᏁᎫᏥᏛ, ᎠᎴ ᏗᎾᏙᏂᏍᎩ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᎾᏓᏙᎵᏍᏓᏁᎯ, ᎠᎴ ᏂᎦᏗᏳ ᎠᏂᏰᎪᎩ, ᎤᎾᏤᎵ ᎢᎨᎬᏁᏗ ᎨᏎᏍᏗ ᎥᏓᎸ ᎾᎿ ᎠᏓᏪᎵᎩᏍᎬ ᎠᏥᎸ ᎠᎴ ᏌᎪᏂᎨ ᎠᏓᏪᎵᎩᏍᎩ; ᎾᏍᎩ ᏔᎵᏁ ᎠᏲᎱᎯᏍᏗ ᏥᎩ.\nᏥᎦᏔᎭᏰᏃ ᎾᏍᎩ ᎠᏴ ᎨᏒᎢ, (ᎾᏍᎩ ᎠᎩᏇᏓᎸ ᏯᏛᏅ,) ᎪᎱᏍᏗ ᎣᏍᏛ ᏄᎵᏠᏯᏍᏛᎾ ᎨᏒᎢ; ᎠᏚᎸᏗᏱᏰᏃ ᎠᎩᎭ; ᎾᏍᎩᏍᎩᏂ Ꮎ ᎣᏍᏛ ᎨᏒ ᎢᏯᏛ-ᏁᏗᏱ ᎥᏝ ᏱᏥᏩᏘᎭ.\nᎢᏧᎳᏃ ᎠᎬᏯᏗᏣ ᏕᏣᎳᏍᎬ ᏱᏕᏣᎳᏑᎶᎯ.”\nᏃᎴ ᎠᏂᎨᏯ ᎤᎾᎴᏅᎲ ᎠᏅᏂᏍᏗᏍᎬ ᎭᏫᏯ ᏃᎴ ᎠᏂᏍᎦᏯ ᎤᏂᏍᏔᏩᏛᏒ ᏣᎵ ᎦᏚᏏ, ᎢᏳᏅᎰᏁᏗ ᎠᏂᎦᎭᎷᏯᏍᎬ ᏲᎾ, ᏃᎴ ᎤᎾᏓᏍᏔᏴᏗ ᎪᏛ ᎾᎥᏂ ᎠᏂᏅ ᎠᎾᎵᏍᏔᏴᎲᏍᎬ ᎬᎦᏰᎯᏍᏔᏅ ᏧᏂᏍᏉᏟ.\nᏫᏚᏯᏅᎲᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎯᎠ ᎾᏍᎩ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᎤᏬᏑᎶᏨᎯ ᎤᏟ ᎢᎦᎢ ᎠᎲᎦ ᎡᏍᎦᏉ ᏂᎦᏛ ᎾᏍᎩ ᎠᏕᎸ-ᏗᏗᏱ ᏣᏂᎲᎦ.\nᎤᏬᏰᏂ ᎢᏯᏖᏅ ᎨᏴ ᎤᏍᏔᏩᏛᏎ ᏧᏓᎴᏅ, ᏂᎦᏓ ᎠᏂᎦᏔᎲ ᎢᎦᏓ ᏕᎦᏄᎪᎬ ᎠᎹ ᏩᏴᏍᏗ ᎭᏫᏂᏨ ᎡᎶ ᎠᏗᏍᎦᎶᏗ.\nᎦᎵᎡᎵᎩ ᏥᏕᎾᏦᎯ, ᏓᎶᎨ, ᎠᏎᏃ ᏰᎵ ᎪᎯᏓ ᎦᏓᏬᏍᎬ Ꮟ ᎤᏓᏅᎯᏓ ᎠᏇᏅᏍᏗ. ᏕᎾᏓᎪᎲᏳ ᏓᎶᎨ.\nᏆᎾ ᎢᏳᏍᏗ ᎤᎵᏑᏫᏓ ᎨᏎᎢ ᏃᎴ ᎧᎵᏎᏥ ᎨᏂᏗ ᎢᎬᏁᎸ.\nᏥᏌ ᎤᏁᏤᎸᎩ; ᏥᏌ ᎠᏴ ᏅᏓᎦᎵᏍᏙᏔᏂ ᎡᎳᏗ ᏘᏂ ᎲᏅᎢ? ᎤᏙᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᎬᏪᏎᎭ; ᏣᏔᎦᏨᏯᎢ ᎥᏝ ᏴᏛᏴᎳᏏ ᎬᏂ ᏦᎢ ᎢᏍᏆᏓᏱᎸᎯ ᎨᏎᏍᏗ.\nᏂᎦᏓ ᎤᎾᎦᏙᏍᏕᎢ, ᎨᏍᏗᏰᏃ ᎣᏍᏓ ᎠᏥᏰᎵᎢ ᏱᎨᏎᎢ.\nᏂᎯᏍᎩᏂ ᎢᏥᏆᎵᏏ ᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ! ᎠᏍᎪᎯᏁᏰᏃ ᎪᏣᎴᏛ ᎢᏣᎫᏱᏍᎪ ᏒᏟ ᎠᏟ ᎷᏫ ᎠᎴ ᏂᎦᎥ ᎤᏰᎿᎥᎢ, ᎢᏥᏃᎯᏯᏍᎪᏃ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎠᎴ ᎤᏁᎳᏅᎯ ᎠᎨᏳᏗ ᎨᏒᎢ; ᎾᏍᎩᏍᎩᏂ ᏱᏂᏣᏛᏁᎴᎢ, ᎠᎴ ᏐᎢ ᏂᏥᏃᎯᏴᎾᏉ ᏱᎨᏎᎢ.\n“ᎨᏂᏗ ᎦᏅᎵᏰᏓ ᏒᎧᏔ ᎠᏆᏚᎵᎭ.”\nᎠᎴ ᏓᏕᏲᎲᏍᎨ ᏧᏂᎳᏫᎢᏍᏗᏱ, ᎾᏂᎥᏃ ᎬᏩᎸᏉᏗᏳ ᎨᏎᎢ.\nᏕᎭᏅᏓᏗᏍᏗᏍᎨᏍᏗ ᏧᏃᎯᏳᏗ ᎨᏒ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎠᎴ ᏗᎨᎦᏁᎶᏗ ᎨᏒᎢ, ᎤᏃᎯᏳᎯᏍᏛ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ, ᏂᎪᎯᎸᏉ ᎤᎾᏛᏅᎢᏍᏗ ᎢᏳᎵᏍᏙᏗ ᎨᏒ ᏂᎦᎥᏉ ᎣᏍᏛ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ.\nᎠᎨᏴ ᎥᏝ ᎠᏓᏅᏖᏍᎬᏉ ᎢᎬᏩᏁᏗ ᏱᎩ ᎤᏩᏒ ᎠᏰᎸᎢ, ᎤᏰᎯᏍᎩᏂ; ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏍᎦᏯ ᎥᏝ ᎠᏓᏅᏖᏍᎬᏉ ᎢᎬᏩᏁᏗ ᏱᎩ ᎤᏩᏒ ᎠᏰᎸᎢ, ᎤᏓᎵᎢᏍᎩᏂ.\nᎤᏕᏯᎵᏙᎴ ᎠᏥᏍᏚᏗ.\nᏌᏉᏃ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ ᎦᎶᏐᏅ, ᏎᏓᏂ ᏛᎠᏥᎧᏂ ᏛᎠᏥᏄᎪᏫᏏ ᎠᏥᏍᏚᎲᎢ;\n“ᏄᏓᎴᏗ ᎯᎠ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂᏆᎵᏏ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎸᎩ; ᎢᏣᏙᎴᎰᏍᎦᏍᎪ ᏂᏣᎵᏰᎢᎴᎬᎾ ᏥᎩ? ᎬᏂᏳᏉ ᎡᎶᎯ ᎤᏍᏓᏩᏕᏅ.\nᎯᎠᏃ ᏧᏪᏥ ᏗᎦᏅᏙᏗ ᏭᎬᏫᏳᏒ ᎣᏍᏓ ᎠᏉᏒᏅ.”\nᏖᎸᎳᏗᏯ ᎠᏴ, ᎡᏙᏓᏃ ᏗᎦᎶᎩᏍᎩ.\nᏙᎦᏓᏲᎵᎸᏃ, ᏥᏳᎯ ᎣᎦᏣᏅᎩ; ᎾᏍᎩᏃ ᏙᏧᏁᏅᏒ ᏮᎤᏂᎶᏒᎩ.\nᏚᎪᎮ ᏦᎢ ᎢᏯᏂ ᎠᏂᏧᏣ ᎨᏥᎢᎲ, ᎠᏁᎸᏗᏍᎩ ᎤᎵᏒᏗ ᎦᎶᏇ.\nᎤᏓᏁᏅ ᎦᎵᏔᏅ ᎤᏁᏍᏓᎳ ᎢᎬᏓ ᎨᏎᎢ \nᎣᎯᏍᏙᏗ ᏱᏂᏣᎵᏍᏔᏏ, ᎤᎵᏏᏅᏗ ᏭᏅᎪᏨ ᎦᎶᎯᏍᏗ.\nᏥᏍᏗᏰᏗᎭ ᏳᎣᏗᏯ, ᎠᎴ ᏥᏍᏗᏰᏗᎭ ᏏᏂᏗᎩ ᎾᏍᎩ ᎤᏠᏱᏉ ᎢᏧᏅᏁᏗᏱ ᏚᎾᏓᏅᏛ ᎤᎬᏫᏳᎯ ᏓᏂᎧᎿᏩᏗᏒᎢ.\nᏍᎩᎾᎾ ᎠᏣᏗ ᏚᏩᏓᎷᏯᏛᎢ ᏂᏚᏩᏁ ᎠᎬᏱᏣ, ᏥᏍᏆ ᎧᏴᏌᏛ ᎢᏳᏍᏗ ᏂᏚᏍᏕᎢ ᏃᎴ ᎭᏫᏂ ᎠᎹᏱ ᎠᏓᎾᏏᏂᏙᎮ ᏧᎦᏃᏣ ᏤᏕᎦᏅᏌᏙ ᎢᏳᏍᏗ.\nᏞᏍᏗ ᏱᏗᏥᏍᏓᏲᏗᏍᎨᏍᏗ ᏗᏥᎾᏫ, ᎾᏍᎩᏯ ᏄᎾᏛᏁᎸ ᏥᎬᎩᎾᎸᏍᏔᏅᎩ, ᎾᎯᏳ ᎢᎦ ᏥᎬᎩᎪᎵᏰᎥᎩ ᎢᎾᎨᎢ;\nᎿᏉᏃ ᏌᏩᏂ ᏈᏓ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᎦᎪ ᏧᏬᎸ ᏮᏓᏲᏥᎶᏏ? ᏂᎯ ᏣᏍᏆᏂᎪᏗ ᎧᏃᎮᏛ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎠᏛᏂᏗᏍᏙᏗ.\nᎠᏎᏃ ᏂᎯ ᏴᏫᏉ ᎦᎪ ᎢᏣᏍᏗ ᏥᏁᏤᎭ ᏕᎯᎦᏘᎴᎬ ᎤᏁᎳᏅᎯ? ᏥᎪ ᎪᎱᏍᏗ ᎠᏢᏅᎯ ᎯᎠ ᏅᏓᎦᏪᏎᎵ ᎾᏍᎩ ᎤᏬᏢᏅᎯ, ᎦᏙᏃ ᎾᏍᎩ ᎯᎠ ᏂᏍᏋᏁᎸ ᎢᏍᏉᏢᏅ?\nᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎤᎦᏴᎵᎨ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ, ᎾᏍᎩ ᎤᏣᏘ ᎤᏓᏙᎵᏣᏘᏳ ᎨᏒ ᏥᏅᏗᎦᎵᏍᏙᏗ ᏔᎵᏁ ᏥᎩᎾᏄᎪᏫᏒ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᏥᎩᏁᎸ ᎬᏂᏛ ᎢᎩᎪᏩᏛᏗᏱ ᏅᏓᏳᏓᎴᏅᎯ ᎤᏲᎱᏒ ᏚᎴᎯᏌᏅ ᏥᏌ ᎦᎶᏁᏛ;--\nᎠᏎᏃ ᎠᏴ ᎥᏝ ᏱᏗᎦᏓᏂᎸᎦ ᏴᏫ ᎠᎩᏃᎮᏍᎬᎢ, ᎠᏎᏃ ᎾᏍᎩ ᎯᎠ ᏂᏥᏪᎠ ᎡᏥᏍᏕᎸᏗᏱ.\nᎭᏂᏣ ᏫᏛᏓᏬᎢᏎᎢ, ᎠᏎᏃ ᎣᏂᏱ ᎨᏎᎢ.\nᎠᎨᏴᏃ ᎤᏢᎨ ᎩᎬ ᎤᏪᏅᎡᎮ ᏔᎳᏚ ᎫᏕᏗᏴᏛ ᎬᏩᏓᎵᏅᎡᎸᎯ, ᎤᏒᏅᎯ ᎨᏎ ᏂᎦᏛ ᎤᎵᏍᏕᎸᏙᏗ ᏓᎫᏴᎡᎲ ᎠᏂᎦᎾᎦᏘ, Ꭰ-ᏎᏃ ᎥᏝ ᎩᎶ ᎬᏩᏅᏬᏗ ᏱᎨᏎᎢ,\nᏃᎴ, ᎪᎰᏍᏗ ᏂᎦᎵᏍᏗᏍᎬ ᎬᎩᏯᏂᏍᎬ ᎤᏁᏉᎥ.\n”ᎦᏨ?”\nᎢᏥᎨᏴ, ᏕᏦᎯᏳᏎᏍᏗ ᎢᏨᏒ ᏗᎨᏥᏰᎯ ᎾᏍᎩ ᎢᏨᏛᏁᏗᏱ ᏥᏚᏳᎪᏗ ᎤᎬᏫᏳᎯ ᏕᏥᎦᎿᏩᏗᏒᎢ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᏌᏩᏂ ᏧᏙᎢᏛ ᏌᎵᏂ ᎡᎯ ᎠᎢᏎᎢ, ᏙᏗᎦᎶᎨᏒ ᏅᏓᏳᎶᏒᎯ, ᎾᏍᎩ ᎡᎵᎩ ᎠᎴ ᎷᏆᏏ ᎤᏂᏙᏓ, ᎾᏍᎩ ᎤᏤᎵ ᏧᏓᎿᏩᏛ ᎤᏪᏅᏍᏗᏱ ᏄᏅᏁᎴᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎿᏉ ᏧᏂᏲᎱᏒᎯ ᏓᎾᎴᎯᏌᏅᎭ, ᎦᎪ ᎤᏓᎵᎢ ᎨᏎᏍᏗ ᎾᏍᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᎨᏒᎢ?\nᏂᎦᎸᏉᏗᏍᎬᎾᏃ ᎢᎨᏎᏍᏗ ᎤᏙᏓ, ᎠᎴ ᎤᏥ, [ᎥᏝ ᎤᏍᎦᏅᏨᎯ ᏱᎨᏎᏍᏗ,] ᎢᏣᏗᏍᎪᎢ. ᎾᏍᎩ ᎯᎠ ᎡᏘ ᎠᏁᎯ ᎤᏂᏃᎮᎸᎯ ᎢᏨᏔᏅ ᎠᏎᏉ ᏂᏨᏁᎸ ᎤᏁᎳᏅᎯ ᎤᏁᏨᎯ.\nᎥᏝᏰᏃ ᎾᏍᏉ ᎤᏅᏒ ᎾᏍᎩ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᏳᏂᏍᏆᏂᎪᏗ ᏗᎧᎿᏩᏛᏍᏗ; ᏂᎯᏍᎩᏂ ᏤᏥᎤᏍᏕᏎᏗᏱ ᎤᎾᏚᎵᎭ, ᎾᏍᎩ ᎢᏥᏇᏓᎸ ᎤᎾᏢᏈᏍᏗᏱ.\nᏫᎵᎻ ᎤᎸᏖᎴᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎾᏍᎩ ᎯᎠ ᏂᎬᏅ ᎪᏪᎳ, ᎠᎴ ᎾᏍᎩ ᎠᏎ ᎤᎩᎵᏲᎢᏍᏗ ᎨᏒᎩ ᎦᎶᏁᏛ, ᎠᎴ ᏧᎴᎯᏐᏗ ᎨᏒ ᎤᏲᎱᏒ ᏦᎢᏁ ᎢᎦ;\nᏄᏓᎴ ᏒᏆᎶᏍᏗ ᎭᏫᏂᏣ ᎱᎦᏓᎲᏍᎦ ᎠᎵᏰᎾ.\nᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ Ꮎ ᎦᏥᏲᏪᎳᏁᎸᎩ, ᎠᏎᏃ ᏓᏯᎶᏈ ᎢᎬᏱ ᎤᎴᏗᏱ ᎤᏚᎵᏍᎩ, ᎥᏝ ᏱᏙᎦᏓᏂᎸᎦ.\nᏂᎬᎾᏛ ᎤᎾᏛᎦᏅ ᏄᏍᏆᏂᎩᏛ ᎯᎠ ᏅᎩ ᏗᎦᏅᏌᏗ, ᏃᎴ ᏍᏈᏍᏓ ᎤᏂᎷᏣ ᎠᎾᏓᏩᏛᎯᏙᎢ ᎭᏂ ᏍᎦᏚᎩ.\nᎨᏍᏗ ᏱᏥᎦᏔ ᏧᏓᎴᏅᎲ ᎨᏍᏗ ᎣᏍᏓ ᏱᏙᎦᏙᎸᏣ ᎠᏂᏫᎾ.\nᏂᎦᎥᏍᎩᏂ ᏄᏓᎴᏒ ᏙᎩᎸᏫᏍᏓᏁᎲ ᎬᏂᎨᏒ ᏃᏨᏁᎰ ᎤᏁᎳᏅᎯ ᎪᎱᏍᏗ ᎣᏣᏛᏁᎯ ᎨᏒᎢ, ᎤᏣᏘ ᏦᏨᏂᏗᏳ ᎨᏒᎢ, ᎣᏥᎩᎵᏲᎬᎢ, ᎣᎩᏂᎬᏎᎲᎢ, ᎡᎯᏍᏗ ᎣᎦᏓᏅᏔᏩᏕᎬᎢ,\nᏆᏂᏆᏃ ᏧᏈᏓ ᏚᏃᎡᎢ, ᏉᎳᏃ ᏑᎫᎵ ᏚᏃᎡᎢ, ᎾᏍᎩᏰᏃ ᏄᎬᏫᏳᏒ ᎠᎵᏥᏙᎲᏍᎩ ᎨᏎᎢ.\nᎠᏎᏃ ᏍᎩᏴᏃ ᎤᏍᏗ ᏥᏍᏆ, ᏧᏃᎯᎵᏣᏁᎢ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎥᏝ ᎯᎠ ᏳᏍᎦᏅᏨ, ᎥᏝ ᎠᎴ ᏧᎦᏴᎵᎨᎢ; ᎤᏁᎳᏅᎯᏉᏍᎩᏂ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩ ᎠᎬᏗᏍᎬᎢ.\nᎢᏥᏙᏓ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏕᏥᎸᏫᏍᏓᏁᎰᎢ. ᎿᏉᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎥᏝ ᎤᏕᎵᏛ ᏗᏂᏏᏅᎯ ᎣᎩᎾᏄᎪᏨᎯ ᏱᎩ; ᏌᏉ ᎡᎭ ᎣᎩᏙᏓ-ᎾᏍᎩ ᎤᏁᎳᏅᎯ.\nᎯᎠ ᎾᏍᎩ ᏅᏲᎯ ᏚᏓᏓᎳ ᏗᏣᏁᎶᏗ ᏕᏣᎵᏍᏓᏴᎲᏍᎬᎢ, ᎾᎯᏳ ᎢᏧᎳᏕᏣᎵᏍᏓᏴᎲᎦ ᎾᏂᎾᏰᏍᎬᎾ ᎠᎾᎵᏍᏓᏴᎲᏍᎪᎢ; ᏚᎶᎩᎸ ᎠᎹ ᏂᏚᏁᎲᎾ, ᎤᏃᎴ ᏧᏱᎴᎪᎢ; ᏕᏡᎬ ᏧᎳᏍᏚᏬᎠᏔᎯ, ᎪᎱᏍᏗ ᏄᎾᏓᏓᏁᎲᎾ, ᏔᎵ ᎢᏳᏩᎫᏗ ᎤᏩᏴᏒᎯ ᏥᎨᏐᎢ, ᏗᏰᎯᏛ ᏗᎧᎾᏍᏕᏢᏔᏅᎯ ᏥᎨᏐᎢ.\n“ᎤᎸᏕᎦ ᏏᏆ,” ᎤᏛᏁ ᎠᎳᏂ.\nᎠᎴ ᏗᎧᎿᏩᏗᏙᎯ ᎤᎵᏂᎩᏛ ᎥᏥᎪᎥᎩ ᎤᏪᎷᎬᎩ ᎠᏍᏓᏯ ᎧᏁᎬᎩ, ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᎦᎪ ᏰᎵ ᎬᏩᏍᏚᎢᏍᏗ ᎪᏪᎵ, ᎠᎴ ᏗᎬᏩᏲᏍᏙᏗ ᎾᏍᎩ ᏓᏍᏚᏛᎢ?\nᏥᏁᏥ ᎠᏆᏒᎭᏂᎸ.\nᏥᎪ ᏗᎩᎧᎿᏩᏛᏍᏗ ᏚᏭᎪᏓᏁᎰ ᎩᎶ ᎠᏏ ᎾᎦᏛᎦᏁᎸᎾ ᏥᎨᏐᎢ, ᎠᎴ ᏚᎸᏫᏍᏓᏁᎲ ᎠᏙᎴᎰᏒᎯ ᏂᎨᏒᎾ ᏥᎨᏐᎢ?\nᏍᎩᎾᎾ ᏱᎾᎾᏛᎦ ᎠᎴ ᏣᏉ.\nᎠᏎᎪᎩᏓ ᎨᏒ ᎢᎾᏓ, ᏣᎵ ᎤᎳᏏᏂᏗ ᎾᎥ ᏭᎷᏤ.\n“ᎪᎨᏱ,” ᎤᏛᏁ ᎠᎦᏴᎵ ᎤᏃᏕᎾ, ᎠᏓᏅᏖᏍᎩ.\nᏧᎾᏓᎴᏅᏛᏃ ᏴᏫ ᎾᏍᎩ ᎤᎾᏛᎦᏅ ᎤᎾᎵᎮᎵᏤᎢ, ᎠᎴ ᎤᏂᎸᏉᏔᏁ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎧᏃᎮᏛ, ᎠᎴ ᎤᏃᎯᏳᏁ ᎾᏂᎥ ᎬᏂᏛ ᎤᏂᏩᏛᏗ ᎢᎨᎬᏁᎸᎯ.\n”ᎣᏍᏓ ᎠᏆᎦᏎᏍᏗᏕᎬ ᏃᎴ ᏍᏓᏯ ᏓᎩᎷᏫᏍᏔᏏ.” \nᎩᎶ ᎢᏤᎲ ᎤᏓᏑᏰᏍᏗ ᎠᎩᎵᏲᎨᏍᏗ, ᎠᏓᏙᎵᏍᏗᏍᎨᏍᏗ; ᎩᎶ ᎤᎦᎵᏍᏗ ᎤᏓᏅᏖᏍᏗ ᏕᎧᏃᎩᏍᎨᏍᏗ.\nᎿᏉᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎦᏙᏃ ᎤᏍᏗ ᎤᏰᎸᏛ ᎯᎾᏄᎪᏫᏍᎦ, ᎾᏍᎩ ᎣᎩᎪᏩᏛᏗᏱ ᎠᎴ ᎢᏨᏲᎢᏳᏗᏱ? ᎦᏙ ᎤᏍᏗ ᏕᏣᎸᏫᏍᏓᏁᎭ?\nᎭᎾ ᎦᏚᏏ ᏍᏈᏍᏔ ᎨᏒ ᎤᏂᏍᎦᏎᏗ ᎢᎾᎨ ᎠᏁᎯ ᏏᏆ.\nᎠᎴ ᎢᏤ ᏴᏫ ᎢᏣᏄᏬᏍᏔᏅᎯ, ᎾᏍᎩ ᎢᏤ ᎢᎬᏁᎸᎯ ᏥᎩ ᎾᏍᎩ ᎠᎦᏙᎥᎯᏍᏗᎨᏒ ᎤᎬᏩᎵ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎾᏍᎩ ᎤᏬᏢᏅᎯ ᎨᏒᎢ;\nᎨᏍᏗ ᏯᎩᏍᏕᎵᏍᎨ.\n“ᎠᎩᎵᏓᏍᏓ, ᎠᎩᎵᏓᏍᏓ, ᎠᎩᎵᏓᏍᏓ,” ᎤᏛᏁ ᏌᏌ ᎠᏨᏯᎢ.\nᎩᎳᏈᏴ ᎤᏂᏴᏍᏔᎩᏍᏗ ᏓᎾᏗᏔᏍᎬ.\n”ᎤᏍᏆᏂᎩᏘ ᏏᏆ!” ᎤᏛᏁᎢ ᎰᎻ ᎡᏝᏪᎯ.\n“ᎣᏏᏉᏍᎪ ᎤᎵᏍᏔᏴᏗ?”\nᏃᎴ ᏰᎵ ᏱᏚᏯᏪᎦ, ᏓᎧᏔᏍᏗᏍᎨᎢ ᏗᎦᏙᎵ, ᏫᎦᏢᏍᎨ ᎠᏁᎵᏗ ᎤᏤᎵ ᏧᏍᏆᏅᎾ ᎭᏫᏂᏣ.\nᏗᏓᏁᎸ ᏓᏳᏂᎩᏓ ᎤᎷᏤ ᎠᎳᏂ.\nᏥᏍᏕᏥ ᎣᏍᏓ ᏄᏛᏁᎴ.\nᎢᎦᏁᎳᏅᎯᏰᏃ ᎠᏥᎸ ᎠᏓᎪᎲᏍᏗᏍᎩ.\nᎨᏓᎵ ᎢᏣ ᎤᏪᏅᏒ ᏣᎵ, ᎠᎢᏒ ᎤᎭᎨᏛ ᏂᎦᎵᏍᏗᏍᎬ ᎤᎧᎭᏛ.\nᏓᏆᎴᎿ ᏂᎦᏓ ᎦᏥᏲᎵᎳ ᏃᎴ ᏓᏊᎧᏔᏅ ᎠᏆᏂᎩᏍᏗᏱ.\nᎠᎦᏗᏓ ᏗᎩᎷᏫᏍᏔᏁᏗ ᎯᎪ ᎤᎵᏏᏂᏕᎾ.\nᎿᏉᏃ ᏚᎾᏎᏒᎮᎢ; ᎹᏓᏯᏃ ᎠᎦᏑᏰᏎᎢ; ᎠᎴ ᎠᎨᎳᏕ ᏌᏚ ᎾᏂᎥ ᎨᏥᏅᏏᏛ ᎤᎾᏓᏡᎬᎢ.\nᏕᎹᏍᎦ ᏫᎨᏙᎲ ᏄᎬᏫᏳᏎᏕᎩ ᎡᎵᏓ ᎤᎬᏫᏳᎯ ᎤᏪᎧᏅᎯ, ᎠᏯᏫᏍᎬᎩ ᎠᏂᏕᎹᏍᎦ ᎤᏂᏚᎲᎢ ᎾᏍᎩ ᎤᏚᎵᏍᎬ ᎠᎩᏂᏴᏗᏱ;\nᏔᎵᏁᏃ ᏚᏅᏎ ᏅᏩᎾᏓᎴ ᏧᏅᏏᏓᏍᏗ ᎤᏟ ᎢᏯᏂᎢ; ᎾᏍᎩᏯᏉᏃ ᏂᏚᏅᏁᎴᎢ.\n“Ꮟ ᏎᎦ!” ᎤᏪᎷᏁ ᎡᎳᏆᏘ.\nᎨᏍᏗ ᎯᎸᎯᏳ ᏳᏩᎨᏫᏌ ᏌᎳᏓ.\nᎢᏣᏓᎪᎵᏯ ᎢᏨᏒ, ᎾᏍᎩ ᎢᏦᎯᏳᎯ ᏱᎩ, ᎠᎴ ᎢᏦᎯᏳᎯ ᏂᎨᏒᎾ ᏱᎩ; ᎢᏣᏙᎴᎰᎯ ᏂᏣᏍᏛᎢ. ᏝᏍᎪ ᎢᏨᏒ ᏱᏣᏓᎦᏔᎭ ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎢᏥᏯᎥᎢ, ᎢᏳᏍᎩᏂᏃᏅ ᎡᏥᏐᏅᎢᏍᏔᏅᎯ ᏱᎩ.\nᎦᎸᎳᏘ ᎢᎦᏗ ᏃᎴ ᎤᏬᏚᏨ, ᎤᏍᎪᎸ ᎠᏨᏍᏗ ᏧᏍᏔᏩᏗᏙᎰ ᎢᏳᏍᏗ.\nᎠᏥᎶᎥ ᏓᏥᏍᏔᏩᏕᏏ.\nᎠᏏᏉᏃ ᏈᏓ ᎠᏓᏅᏖᏍᎨ ᏄᏍᏛ ᎦᏛᎬ ᎾᏍᎩ ᎤᏁᎳᏫᏎᎸᎢ, ᎬᏂᏳᏉ ᎠᏂᏫᏅ ᎾᏍᎩ ᎧᏂᎵᏯ ᏂᏙᏓᏳᏅᏒᎯ ᎤᎾᏓᏛᏛᏅᎯ ᎨᏎ ᏌᏩᏂ ᎦᏁᎸᎢ, ᎠᎴ ᎠᏂᏙᎾᎡ ᎦᎶᎯᏍᏗᏳᎶᏗ;\nᏙᏱ ᏄᏍᏛ ᎧᏃᎮᏍᎩ ᎠᏗᏆᎸᏕᏲᎲ ᎤᏩᏌ ᎠᏛᎪᏗ ᎨᏎ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎢᏳᏃ ᎩᎶ ᎤᏚᎵᏍᎨᏍᏗ ᎠᎩᏍᏚᏩᏛᏍᏗᏱ, ᎠᏓᏓᏱᎮᏍᏗ ᎤᏩᏒ, ᎠᎴ ᏧᏓᎿᏩᏛ ᎠᏱᏍᎨᏍᏗ, ᎠᎴ ᎠᎩᏍᏓᏩᏕᎨᏍᏗ.\nᏥᎦᏔᎾᎥ ᏃᎴ ᎢᏗᎦᏪᏍᏘ ᎬᏘ ᎠᏆᏚᎵᏍᎬ ᏗᏥᎦᏆᎸᏂᏍᏙᏗ.\nᎢᏥᎦᏔᎭ ᏔᎵ ᎢᏳᏒᎯ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎨᏒᎢ, ᎠᎴ ᏴᏫ ᎤᏪᏥ ᏣᎦᏡᏔᏂᏒ ᎠᎦᏛᏗᏱ.\nᎠᏓᏥ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎾᎩᎷᏨᎾ ᎠᎴ ᏂᎦᏥᏬᏁᏔᏅᎾ ᏱᎨᏎᎢ, ᎥᏝ ᎠᏍᎦᏂ ᏱᎬᏩᏁᎮᎢ; ᎪᎯᏍᎩᏂ ᎥᏝ ᏳᏁᎭ ᎤᏄᏢᏙᏗ ᎤᎾᏍᎦᏅᏨᎢ.\nᏣ ᎤᏲ ᏱᎦᏣᏰᎸᎮᏍᏗ.\nᎡᎩᎵᏈᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᏇᏍᏓ; ᎯᎠ ᎠᏍᎦᏯ ᏗᎦᏰᏏᏲᎯᏍᏗᏉ ᏱᎨᏎᎢ, ᎢᏳᏃ ᏏᏐᎢ ᏫᏄᎲᏍᏔᏅᎾ ᏱᎨᏎᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᎩ ᏂᎦᏛ ᎠᎵ ᏍᎦᏍᏙᏙ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᏰᎵ ᏗᎨᏣᏟᏴᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎾᎯᏳ ᎤᏲᎢᏳ ᎢᎦ ᎨᏎᏍᏗ, ᎾᏍᎩᏃ ᏂᎦᏛ ᎢᏣᏛᏁᎸᎯ ᎨᏎᏍᏗ, ᎨᏣᎴᏗ ᎢᏳᎵᏍᏙᏗᏱ.\n“ᏱᎦᏓᏅᏍᎬᎾ ᎠᏆᏗ ᎣᏍᏓ ᎠᎩᏰᎸᎰ,” ᎤᏛᏁ.\nᎠᎹ ᏗᎦᏁᎲ, ᏧᎾᎵᏍᏙᏗ ᏗᏗᏂᏃᎩᏍᎨᎢ, ᏰᎵ ᏍᎪᎯᏍᏆ ᏧᏂᏍᏗ ᏩᎶᏏ.\nᎤᏇᏄᎩᏎ ᎦᏲᏟ ᎤᎵᏦᏅ ᎤᏍᏉᏟ ᏃᎴ ᏚᏭᎪᏔᏁ ᏎᎦᏉ ᎬᏅ ᎤᏓᏔᏅ ᏓᎩᏍᎬ ᏃᎴ ᎠᎹ ᎠᏗᏔᏍᎬ.\n“ᎤᏲ ᎢᏯᏛᏁᏗ,” ᎤᏛᏁ ᏫᎵᎻ, ᎨᏍᏗ ᏳᏚᎵᏍᎨ ᎤᏔᏲᏍᏗ ᏄᏍᏛ ᏁᎵᏍᎬ.\nᎢᏨᏒ ᎢᏣᏓᏯᏫᏍᎨᏍᏗ. ᎢᏳᏃᏗᏍᏓᏓᏅᏟ ᎢᏣᏍᎦᏅᏤᎮᏍᏗ, ᎯᎬᏍᎪᎸᎥᏍᎨᏍᏗ; ᎢᏳᏃ ᎤᏲ ᎢᏯᏰᎸᏍᎨᏍᏗ, ᎯᏯᏙᎵᎨᏍᏗ.\nᏄᏓᎴᏒᏰᏃ ᎪᎱᏍᏗ ᎡᏘ ᎪᏪᎳᏅᎯ ᎨᏒ ᎠᏴ ᎢᎦᏕᎶᏆᏍᏗ ᎠᏰᎸᏎ ᎪᏪᎳᏁᎢ, ᎾᏍᎩ ᏗᏛᏂᏗᏳ ᏂᎬᏁᎲ ᎠᎴ ᎤᎦᎵᏍᏗ ᎢᎦᏓᏅᏓᏗᏍᏗᏍᎬ ᎪᏪᎵ ᎾᏍᎩ ᎤᏚᎩ ᎢᎬᎯ ᎢᏳᎵᏍᏙᏗᏱ.\nᎣᏁ ᎢᏴ, ᎠᎵᎮᎵᎨ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏧᏓᏏ, ᎯᏯᏔᏬᏙᎲᏍᎬᏍᎪ ᎯᎶᏄᎡᏗᎭ ᏴᏫ ᎤᏪᏥ?\nᎥᏝ ᏂᎦᏛ ᏴᏫ, ᎠᏂᏃᎮᏍᎩᏉᏍᎩᏂ ᎤᏅᏒ ᎤᏁᎳᏅᎯ ᎦᏳᎳ ᏗᎬᏩᏑᏰᏛ ᏥᎨᏒᎩ, ᎾᏍᎩ ᎠᏴ ᎢᏧᎳᎭ ᎣᎦᎵᏍᏓᏴᏅᎯ ᎠᎴ ᏦᎦᏗᏔᎲᎯ ᎾᏍᎩ ᎤᏲᎱᏒ ᏧᎴᎯᏌᏅᎯ ᏥᏂᎨᏎᎢ.\nᎤᏓᏩᏛᎮ ᎭᏫᏂᏨ ᎾᏂᏪᏍᎬ ᏃᎴ ᎤᏁᎷᎬ ᎤᎾᎵᎪᏚᏅ ᏏᏆ, ᏧᎴᎯᏌᏅ ᎢᎾᎨᎢ.\nᎠᏎᏃ ᎠᏂᏆᎵᏏ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎠᏂᏍᎩᎾ ᎤᎾᏤᎵ ᎤᎬᏫᏳᎯ ᎬᏗᎭ ᏥᏕᎦᏄᎪᏫᏍᎦ ᎠᏂᏍᎩᎾ.\nᎥᎾᏕᏍᎩ ᏂᏨᎦ ᏕᎦᏅᏅ ᎢᏥᎶᎯᏍᏗᏱ, ᎾᏍᎩᏃ ᎠᏲᏅᎵ ᎨᏒ ᏞᏍᏗ ᏳᏂᎪᎸᏍᏔᏁᏍᏗ; ᎧᏅᏬᏗᏉᏍᎩᏂ ᎨᏎᏍᏗ.\n ᎤᏩᏃᏪᎢ ᏫᎵᎻ ᎤᏛᎦᎾ ᏄᏪᏒ ᎦᏬᏂᏍᎩ.\nᎢᏧᎳᎭᏃ ᎨᏥᏅᏏᏓᏍᏗ ᏚᎳᏍᎬ ᎡᎳᏗ ᎤᏓᏅᏁ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏍᎩᏙᎵᎩ ᏍᎩᎦᏘᏓ, ᏂᎦᏛᏃ ᏓᎬᏯᎫᏴᎡᎵ.\nᎤᎵᏍᏛᏧᏅ ᎠᏧᏣ ᎤᎵᏒᎯ ᎠᏰᎳᏍᏘ ᎠᎰᎵ, ᎤᏑᎸ ᎤᏅᎦᎶᏔᏅ ᏩᏥᎳ.\nᎩᎳᏉ ᎢᏴᏛ, ᏥᏛᎦᏔᎾᏫᏍᏗᏉ ᎢᎪᎯᏛ, ᎤᎵᏍᏆᎸᏗ ᎠᏤᎷᎩ ᏂᎦᎵᏍᏔᏅᎭ; ᎠᏤᎷᎩᏰᏃ ᏓᏳᏃᏴᎳᏏ, ᏧᏂᏲᎱᏒᎯᏃ ᏙᏓᎨᎦᎴᏔᏂ ᎠᏂᏲᎩ ᏁᎨᏒᎾ, ᎠᏴᏃ ᏓᏰᎩᏁᏟᏴᏏ.\nᏉᎳᏃ ᎤᏑᎡᏒ ᏌᏱᎳ, ᎤᏂᎩᏒᎩ, ᎠᏁᏓᏅᏟ ᏕᎬᏩᏲᏒ ᎤᏁᎳᏅᎯ ᎤᏪᏙᎵᏍᏗᏱ.\nᎯᎠ ᎾᏍᎩ ᎾᎿ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᎬᏂᎨᏒ ᎾᎾᎵᏍᏗᎭ, ᎠᎴ ᎠᏍᎩᎾ ᏧᏪᏥ; ᎩᎶ ᏚᏳᎪᏛ ᏧᎸᏫᏍᏓᏁᎯ ᏂᎨᏒᎾ ᏥᎨᏐᎢ, ᎥᏝ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᏱᎨᏐᎢ; ᎠᎴ ᏗᎾᏓᏅᏟ ᎤᎨᏳᎯ ᏂᎨᏒᎾ ᏥᎨᏐᎢ.\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏥᏅᏒᎩ ᏗᎹᏗ ᎢᏥᏩᏛᎲᏍᏗᏱ, ᎾᏍᎩ ᏥᎨᏳᎢ ᏥᎩ ᎠᏇᏥ, ᎠᎴ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ ᎤᎬᏫᏳᎯ ᏓᎧᎿᏩᏕᎬᎢ; ᎾᏍᎩ ᏓᏣᏅᏓᏗᏍᏔᏂ ᏄᏍᏛ ᎨᏙᎲ ᎦᎶᏁᏛ ᏕᏥᎦᎿᏩᏕᎬᎢ, ᎾᏍᎩᏯ ᏕᎦᏕᏲᎲᏍᎬ ᏂᎦᎥ ᏕᎨᏌᏗᏒ ᏚᎾᏓᏡᏩᏗᏒ ᏧᎾᏁᎶᏗ.\nᎤᏑᏰᎯᏙᎸ ᎪᏪᎵ ᏚᏌᎥ, ᎤᎾᏩᏛ, ᏎᎦ ᎤᎪᎢᏰᎥ, ᏗᎪᏪᎵᏍᎩ ᎤᏅᏁᎸ.\nᏧᎾᏕᎶᏆᏍᏗ ᏃᏊ ᏧᏓᎴᏅᎲ ᎠᏂᏲᏁᎦ ᎠᏂᏬᏂᏍᎩ ᏗᎾᏕᏲᎲᏍᎩ, ᎡᎵᏃ ᎪᎯᎩ ᏁᎲᎾ ᎢᎬᏩᎵᏍᏔᏅ ᎨᏎ ᏍᏏᏉᏯ ᏂᎬᏫᏍᏕᏃ ᏓᎾᏅᏓᏗᏍᎨ ᏣᎳᎩ ᏗᎪᏪᎳ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ, ᎢᏳᏃ ᎠᎵᏍᏓᏴᏗ ᏦᏍᏓᏓᏅᏟ ᏱᏚᏬᏕᏍᏗᎭ, ᎥᏝ ᏴᎦᏥᎦ ᎭᏫᏯ ᎡᎶᎯ ᎢᎪᎯᏛ ᎨᏒᎢ, ᏦᏍᏓᏓᏅᏟᏰᏃ ᏱᏙᏥᏲᏕᏍᏓ.\nᎿᏉᏃ ᎢᎦᏛ ᎠᏂᏆᎵᏏ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎾᏍᎩ ᎯᎠ ᎠᏍᎦᏯ ᎥᏝ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᏱᎩ, ᏝᏰᏃ ᏯᏍᏆᏂᎪᏗᎭ ᎤᎾᏙᏓᏆᏍᎬᎢ. ᎢᎦᏛᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏴᏫ ᎠᏍᎦᎾᎢ ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏍᏆᏂᎪᏗ ᏱᏚᎸᏫᏍᏓᏏ? ᏔᎵᏃ ᏄᎾᏓᏛᎩ.\nᎰᎻ ᎠᎪᏕᏍᎩ, ᎧᏁᏌᎢ ᎯᏍᏚᎲᎦ ᏏᏆ ᏃᎴ ᎯᎷᏨ ᏗᏄᎪᏗᏍᎩ ᎤᎾᏅᏗ ᎩᎳᏈᏴᎯ!” \nᎪᎰᏍᏗ ᏯᏆᏛᏁᎸᏓ.\nᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᏃ ᏂᎯ ᏱᎯᎦᏔᎮᎢ, ᎥᎥ, ᏂᎯ, ᎪᎯ ᎾᏍᏉ ᎾᏍᎩ ᎯᎠ ᏣᏤᎵ ᎢᎦ ᎨᏒᎢ, ᎾᏍᎩ ᏅᏩᏙᎯᏯᏛ ᏣᏁᎯ ᎨᏒᎢ! ᎠᏎᏃ ᎿᏉ ᎡᏨᏍᎦᎳᏁᎸ.\nᎢᏳᏍᎩᏂ ᎢᎩᎪᎲᎯ ᏂᎨᏒᎾ ᎨᏒ ᎤᏚᎩ ᏱᎬᎭ, ᎿᏉ ᏗᏛᏂᏗᏳ ᎢᏗᎦᏘᏲ ᎾᏍᎩ.\nᎾᏍᎩ ᎦᏰᏥᏐᏢᏔᏅ, ᎥᏝ ᏳᏞᏤ ᏱᎬᏩᏓᏐᏢᏔᏁᎢ; ᎤᎩᎵᏲᏨᏃ ᎥᏝ ᏳᏁᏤᎢ; ᏚᏓᏲᎯᏎᎴᏉᏍᎩᏂ ᎾᏍᎩ ᏚᏳᎪᏛ ᏗᎫᎪᏓᏁᎯ.\nᎤᏓᏅᏎᏃ ᎢᎾᎨ ᏬᎶᏎ ᎠᎴ ᎠᏓᏙᎵᏍᏗᏍᎨᎢ.\nᎤᎿᏛ ᎠᏒᏛ ᏗᎦᎾᎥ ᏗᏣ ᏭᎶᏎ ᏩᎭᏯ.\nᏥᏌ ᎤᏛᎦᏅᎩ ᎬᏩᏄᎪᏫᏒᎢ; ᎤᏩᏛᎲᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᏲᎢᏳᎲᏍᎦᏍᎪ ᎤᏁᎳᏅᎯ ᎤᏪᏥ?\nᎥᏝᏍᎩᏂᏃᏅ ᎾᏂᎥ ᎾᏍᎩ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏳᏁᎭ; ᎩᎶᏰᏃ ᏙᏧᎾᏓᏅᏛ ᎤᏂᎸᏉᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎪᎯ ᎨᏒ ᎢᏯᏍᏗ ᎠᎾᎵᏍᏓᏴᏗᏍᎪ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎠᎵᏍᎪᎸᏓᏁᎸᎯ ᏣᏂᎩᏍᎪ ᎾᏍᎩᏯᎢ; ᏚᎾᏓᏅᏛᏃ ᏗᏩᎾᎦᎳᎯᏳ ᎨᏒ ᏗᎦᏓᎭ ᏂᏙᎦᎵᏍᏗᏍᎪᎢ.\nᎤᎩᏨᏛᏃ ᎠᎾᎢᏎ ᎠᎴ ᎿᏉ ᎾᎥᏂᎨ ᎤᏂᎷᎴ ᏗᎦᏚᎲᎢ, ᏈᏓ ᎤᎩᎳᏫᏎ ᎦᏌᎾᎵ ᎤᏓᏙᎵᏍᏔᏅᏎ ᏔᎳᏚ ᎢᏳᏟᎶᏛ ᎢᏴᏛ ᎧᎳᏩᏗᏒᎢ.\nᎠᏎᏃ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎤᏂᎪᎲ, ᎤᏅᏒ ᎨᏒ ᎤᎾᎵᏃᎮᎴ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᎯᎠ ᎾᏍᎩ ᎤᏘᏰᏗ ᏥᎩ ᏧᎬᏩᎶᏗ, Ꭷ, ᎡᏗᎷᎦ, ᎾᏍᎩᏃ ᏧᎬᏩᎶᏗ ᎤᏘᏯᏍᏓᏁᏗ ᎨᏒ ᎢᎦᏤᎵ ᏱᏂᎦᎵᏍᏓ.\nᎯᎠ ᎾᏍᎩ ᏂᏥᏪᎭ, ᎾᏍᎩ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᎯᎠ ᏂᏥᏪᏍᎬᎢ, ᎠᏴ ᏉᎳ ᏥᏯᎵᎪᏁᎯ; ᎠᏴᏃ ᎠᏉᎳ; ᎠᏴᏃ ᏏᏆᏏ; ᎠᏴᏃ ᎦᎶᏁᏛ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎢᏳᏃ ᎩᎶ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏂᏓᏓᏂᎸᎬᎾ ᎢᎨᏎᏍᏗ ᎾᏍᎩᏯ ᎠᏲᎵ ᏥᏓᏓᏂᎸᎪᎢ, ᎥᏝ ᎾᎿ ᏱᏮᎬᏴᎭ.\nᏍᏈᏍᏓ ᏧᎪᎲ ᏏᏆ ᎤᏂᎷᏨ ᏃᎴ ᎤᎾᎵᏛᏔᏅ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᏓᎨᏏ.”\nᎾᎯᏳ ᎨᏒ ᎢᏳᏃ ᎩᎶ ᎯᎠ ᏂᏥᏪᏎᎮᏍᏗ, ᎬᏂᏳᏉ ᎠᏂ ᎦᎶᏁᏛ ᎡᏙᎭ; ᎠᎴ ᎠᏂ; ᏞᏍᏗ ᏥᏦᎯᏳᏂ\nᎤᏍᏗ ᎠᎦᎸᏓ ᏄᎾ ᎦᏁᎦ ᎤᏩᏛᎮ, ᎤᏩᏯᎨᎢ.\nᎾᏍᎩᏃ ᎠᏍᎦᏂ ᏧᎬᏫᏳᏌᏕᎬᎩ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎦᎾᏄᎪᏫᏍᎬᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎬᏫᏳᏌᏕᎩ ᎢᏳᎵᏍᏙᏗᏱ ᎬᏂᏛ ᎦᎾᏄᎪᏫᏍᎬ ᎬᏔᏅᎯ ᎠᏚᏓᎴᏍᏙᏗ ᎨᏒ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᎢᏳᏩᏂᏌᏛ.\nᎣᏂᏄᎸᏅᏃ ᎣᏥᏍᏗᏰᏗᏍᎬᎢ, ᎣᎩᏑᎵᎪᏨᎩ, ᎯᎠ ᏃᎩᏪᏒᎩ; ᎤᎬᏫᏳᎯ ᎠᏓᏅᏖᏍᎬ ᏫᏂᎦᎵᏍᏓ.\nᎿᏉᏃ ᎯᏍᎩ ᎢᏯᎦᏴᎵ ᏣᏥᏁᎸᎯ ᎤᏪᏅᏎ ᏭᏃᏔᏁᎢ, ᎯᏍᎩᏃ ᎢᏯᎦᏴᎵ ᎤᏁᏉᏤᎴᎢ.\nᎢᏳᏃ ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᏂᎨᏒᎾ ᏱᎩ, ᎥᏝ ᏰᎵ ᎪᎱᏍᏗ ᏱᏙᎬᏩᎸᏫᏍᏓᏏ.\nᎤᎬᏫᏳᎯ ᎤᏁᏗ ᎨᏎᏍᏗ ᎤᏩᏛᏗᏱ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎾᎯᏳ ᎢᎦ. ᎠᎴ ᏂᎦᎥ ᎠᎩᏍᏕᎸᎯᏙᎸ ᎡᏈᏌ ᎣᏏᏳ ᎯᎦᏔᎭ.\nᎠᎧᏔᎮᎢ ᎾᎥᏂ ᎨᏒ ᏍᎦᏚᎩ ᎤᎾᏓᎪᎾᏙᏗ, ᏃᎴ ᎤᏩᏅᎨ ᎤᏪᏅᏍᏗ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪ ᏎᎭ; ᎢᏳᏃ ᏂᏥᎬᎾ ᏴᏫ ᎤᏪᏥ ᎤᏫᏯ, ᎠᎴ ᎤᎩᎬ ᎢᏣᏗᏔᎲ ᏱᎩ, ᎥᏝ ᎬᏂᏛ ᏱᏥᏯᎠ.\nᎯᎠ ᏂᎦᏪᏍᎬᎩ ᎠᏍᏓᏯ ᎧᏁᎬᎩ, ᎤᏁᎳᏅᎯ ᎡᏥᎾᏰᏍᎨᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎡᏥᎸᏉᏗᏍᎨᏍᏗ; ᎾᎯᏳᏰᏃ ᏧᏭᎪᏙᏗ ᎨᏒ ᎠᎵᏰᎢᎶᎦ; ᎠᎴ ᎡᏣᏓᏙᎵᏍᏓᏏ ᎾᏍᎩ Ꮎ ᎦᎸᎶᎢ ᎤᏬᏢᏅᎯ, ᎠᎴ ᎡᎶᎯ, ᎠᎴ ᎠᎺᏉᎯ, ᎠᎴ ᎠᎹ ᏕᎦᏄᎪᎬᎢ.\nᎾᏍᎩ ᎤᏛᎦᏁ ᎦᏬᏂᏍᎬ ᏉᎳ, ᎾᏍᎩ ᎤᏯᎾ ᏒᎯ ᏚᎧᎿᏅ ᎠᎴ ᎤᏙᎴᎰᏒ ᎤᎲ ᎪᎯᏳᏗ ᎨᏒ ᎠᏅᏪᏗ,\nᏥᏌ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏥᎪᎯᎠ ᏥᏂᎬᏪᏏ, ᎬᎪᎥᎩ ᎭᏫᏂᏗᏢ ᏒᎦᏔ-ᎢᏳᏍᏗ ᏡᎬᎢ, ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎰᎯᏳᎲᏍᎦ? ᎤᏟ ᎢᏳᏍᏆᏂᎪᏗ ᎯᎪᏩᏘᏍᎨᏍᏗ, ᎡᏍᎦᏉ ᎾᏍᎩ.\nᎾᏍᎩ [ᎤᏓᏅᏘ] ᎤᏁᎳᏅᎯ ᎤᏚᎵᏍᎨ ᎬᏂᎨᏒ ᎢᏧᏩᏁᏗᏱ ᏂᎦᎥ ᎦᎸᏉᏗᏳ ᎨᏒ ᎯᎠ ᎾᏍᎩ ᎤᏕᎵᏛ ᎨᏒ ᏧᎾᏓᎴᏅᏛ ᎠᏴ ᎠᏁᎲ [ᎬᏂᎨᏒ ᏥᏄᏩᏁᎸ;] ᎾᏍᎩ ᎦᎶᏁᏛ ᏥᎩ ᏂᎯ ᎢᏥᏯᎢ, ᎾᏍᎩ ᎤᏚᎩ ᎨᏨᏗ ᏥᏂᎬᏁ ᎦᎸᏉᏗᏳ ᏗᎨᏒ ᏫᏥᎾᏄᎪᎢᏍᏗᏱ.\nᏐᏉ ᎢᎦ, ᎤᏍᏗ ᏥᏍᏆ ᏭᏂᎸᏅ ᎤᎦᎹ ᎤᏂᎬ, ᎠᎹᏉ ᎢᏳᏍᏗ, ᏯᎦᏕ ᎪᎰᏍᏘ ᎠᏑᏱ ᏅᏯ ᏱᏭᏂᏝᏁ.\nᏂᎦᏛᏃ ᎤᏮᏕᏦᏁ ᎠᎴ ᏚᎴᏁ ᎤᏍᏓᏩᏛᏎᎢ.\nᎾᎨ ᎢᏴ ᎠᏂᎩᏍᎨ, ᎤᏗᏍᎩ ᎠᎢᏎ ᏰᎵ ᏄᎵᏍᏔᏅᎲ, ᏫᏥ ᎢᎦ ᎨᏎ ᎠᏓᏓᏏᏂᏎ ᏕᏧᎬ ᎡᎳᏗ ᏧᎧᏁᎸ ᏃᎴ ᏧᏩᏂᎦᏝᏅᎯ, ᏍᎩᏉ ᎢᏳᏛᏁᏘ ᎨᏎ.\nᎦᏙᏰᏃ ᏳᏁᏉᏥ ᏴᏫ ᎢᏳᏃ ᏂᎬ ᎡᎶᎯ ᎤᏤᎵ ᏱᏄᎵᏍᏔᏅ, ᎤᏩᏒᏃ ᏳᏲᎱᏒ ᎠᎴ ᏯᎦᏓᎢᏅ.\nᎬᏩᏔᏲᏎᎸᎩᏃ ᎦᏓᎷᏯᏛᏉ ᎾᏍᏉ ᎤᏄᏩᎥ ᎤᎾᏒᏁᏗᏱ, ᏂᎦᏛᏃ ᎤᎾᏒᏂᎸᎯ ᏚᎾᏗᏩᏒᎩ.\nᏂᎦᏓ ᎣᎪᎵᏍᏗ.\nᎠᏏᏉᏃ ᎦᏬᏂᏍᎨ ᎩᎶ ᎢᏳᏍᏗ ᎠᏆᎵᏏ ᎤᏔᏲᏎᎴ ᎤᎵᏍᏓᏴᎾᏁᏗᏱ; ᎤᏴᎴᏃ, ᎠᎴ ᎤᎵᎩᏳᏍᏓᏅᏁᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏗᎧᎿᏩᏗᏙᎯ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎤᏩᏂᎴᎢ, ᏅᏧᎵᏍᏙᏔᏁᎤᏁᎳᏅᎯ ᏄᎸᏉᏔᏅᎾ ᎨᏒᎢ. ᏥᏍᎪᏴᏃ ᎬᏩᏯᎥ ᎤᏲᎱᏎᎢ.\nᎾᏍᎩᏴ ᎠᏤᎯ ᏏᏆ ᎭᏫᏯ ᏃᎴ ᏗᎦᏒᏍᏔᏅ ᏏᏆ ᎭᏫᏯ ᎱᏚᎴᎲ! \nᎤᏁᎦ ᎦᎸᎶᎢ ᎧᏂᎩᏛ ᏥᏍᏆ.\nᎠᎵᏰᎾ ᎬᏂᎨᏒ ᏂᎬᏁ ᎫᎪᏗᏍᎩ ᏧᏆᎶᎦ ᏫᏚᎪᏍᎬ ᎦᏙᎯ.\nᏩᎦ ᏓᏂᏁᎩᎡᎲ ᎦᏍᎩᎶ ᎤᏬᏠ ᎤᏅᏏᏴ, ᏏᏆ ᎤᏴᏍᏗ ᎾᎥᏂ ᏃᎴ ᏚᎦᏙᏍᏙ ᏰᎵ ᎢᏳᏪᏅᏍᎥᏗᏏ ᎭᎾᏉ ᎤᏬᏠ ᎤᏛᎦᏍᏙ.”\nFlorida ᎢᎨᏅᏍᏗ ᎠᏆᏚᎵ, ᎤᏛᏅ Perry.\nᎯᎠᏃ ᏂᏨᏪᏎᎭ; ᏂᎦᎥ ᎤᏲ ᎠᏂᏬᏂᏍᎬ ᏴᏫ, ᎤᏂᏃᎮᏗ ᎨᏎᏍᏗ ᏗᎫᎪᏗᏱ ᎢᎦ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᎤᏁᏨ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ ᎣᎦᏛᎦᏅᎩ, ᎾᎯᏳ ᎦᎸᏉᏗ ᎣᏓᎸ ᎢᏧᎳᎭ ᎣᏤᏙᎲᎢ.\nᎦᎸᏓᏱ ᎤᏲᎰᏎ ᏱᎪᎵᎬᎾ ᎤᏂᏌᎭᏙᎭᏴ ᎠᎴ ᏳᏬᎯᏳᏔᏅᏓ.\nᎢᏳᏃ ᎣᏍᏛ ᏃᏍᏓᏛᏁᎸᎢ ᎯᎠ ᎠᏲᎤᎵ ᎠᏍᎦᏯ, ᎢᏳᏍᏗ ᎬᏔᏅᎯ ᎨᏒ ᎠᏥᏅᏩᏅᎢ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎪᎯ ᎢᎦ ᎢᎣᎩᎾᎵᏱᎵᏕᎮᏍᏗ,\nᎠᏎ ᏓᎾᏓᏟᏱᏍᎪ ᏏᏆ ᏱᎨᏥᎸᎾ.”\nᎾᏍᏉᏃ ᎥᎤᎷᏨᎩ ᏂᎦᏗᎹᏏ, ᎾᏍᎩ ᎢᎬᏱᏱ ᏥᏌ ᎡᏃᏱ ᎤᎷᏤᎸᎯ, ᎤᏲᎸᎩ ᏗᏜᏍᏔᏅᎯ ᎻᎳ ᎡᎳᏫᏃ, ᎠᏍᎪᎯᏧᏈ ᎢᏴᏛ ᎢᏳᏓᎨᏛ.\nᏧᏁᎶᎸᎯᏃ ᎤᏂᎪᎲ ᏄᎵᏍᏔᏅᎢ ᏚᎾᎵᏘᏎᎢ, ᎠᎴ ᎤᏁᏅᏎ ᏭᏂᏃᏁ ᏗᎦᏚᎲ ᎠᎴ ᎢᏴᏛ ᏭᏩᎫᏛᎢ.\nᏧᎦᏴᎵᎨ ᏚᏂᏁᏤᎸ ᎯᎠ ᏂᏚᏂᏪᏎᎸᎩ; ᎣᏍᏗᎦᏔᎭ ᎯᎠ ᎣᎩᏁᏥ ᎨᏒᎢ, ᎠᎴ ᏗᎨᏫ ᎤᏕᏅᎢ;\nᏯᎵᏖᎸᎮᏍᎬᎾ ᎤᏬᏞ, ᎠᏓᏅᏖᏍᎨᎢ.\nᎠᏎᏍᎩᏂᏃᏅ ᎥᏝ ᎠᏍᎦᏯ ᏂᎨᏴ ᏔᎵ ᏄᏛᏛᎾ ᏰᎭ, ᎥᏝ ᎠᎴ ᎠᎨᏴ ᎠᏍᎦᏯ ᏔᎵ ᏄᏛᏛᎾ ᏰᎭ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏄᏩᎾᏅᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏴ ᎦᏓᏅᏖᏍᎬ ᎯᎠ ᏄᏍᏗ, ᎾᏍᎩ ᏗᏓᏕᏯᏙᏙᏗᏱᏉ ᏂᎨᏒᎾ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲ ᎤᎾᏖᎴᏛ ᎤᏁᎳᏅᎯ ᎢᏗᏢ ᏭᎾᎦᏔᎲᏍᏔᏅᎯ ᏥᎩ;\nᏔᎵᏁ ᎤᏲ ᎨᏒ ᎤᎶᏐᏅ; ᎬᏂᏳᏉ ᏦᎢᏁ ᎤᏲ ᎬᏒ ᏞᎩᏳ ᏓᎦᎷᏥ.\nᎠᏎᏃ ᎯᎠ ᎾᏍᎩ ᏧᎬᏩᎶᏗ ᎦᏓᏉ ᏗᎪᏢᏔᏅᎯ ᏕᎩᎶᏗ, ᎾᏍᎩ ᎤᏣᏘ ᎤᎵᏂᎩᏛ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ, ᎥᏝᏃ ᎠᏴ.\nᎤᏂᏁᏨᏃ, ᎥᏝ ᏲᏥᎦᏔᎭ ᏧᏓᎴᏅᎢ, ᎤᎾᏛᏁᎢ.\nᏣᎵᏍᏙᏂ ᏓᏳᎶᏒ ᎠᏧᏣ ᏓᏆᎧᎾᏅ ᏃᎴ ᏭᏅᎦᎳᎲ ᏓᏍᏔᏅᏅ, ᏧᏍᎩᏃᎢ ᎤᏛᏅ, ᏰᎵᏉ ᏦᎳ ᎠᎩᏩᎯᏍᏙᏗ ᏱᏗᏥᏒᏁ ᏃᏉ ᎠᏓᎴᏂᏍᎩ, ᎠᏎᏃ ᎦᏳᎳ ᎭᏁᏌᎦ.\nᎠᏆᏍᎦᏱᏛ ᏄᎵᏍᏔᏅ.\nᎾᏍᎩᏃ ᏧᎾᎩᎸᏗ ᏏᏌᎵᏱ ᏭᏂᎷᏨ, ᎠᎴ ᎤᎬᏫᏳᎯ ᎪᏪᎵ ᎤᏂᏅᏁᎸ, ᎾᏍᏉ ᏉᎳ ᏚᏂᏲᎯᏎᎸᎩ.\nᎬᏪ!! ᎢᏍᏓᏯᏊ ᎤᏃᎸᏎ.\nᎢᏳᏃ ᏅᏩᎾᏓᎴ ᎾᏍᎩ ᎯᎠ ᎢᎨᏨᏁᏗᏱ ᏳᏂᎭ; ᏝᏍᎪ ᎠᏴ ᎤᏟ ᎢᎦᎢ? ᎥᏝᏍᎩᏂᏃᏅ ᎾᏍᎩ ᎯᎠ ᎢᎦᏲᎦᏛᏁᏗ ᎣᎩᎲ ᏱᏃᎦᏛᏁᎸ; ᎤᏁᎳᎩᏉᏍᎩᏂ ᎣᎨᎵᏒ ᏂᎦᎥ ᏧᏓᎴᏅᏛ ᎣᎩᏂᎬᏎᎲᎢ, ᎾᏍᎩ ᎣᎦᎵᏫᏍᏙᏗᏱ ᏂᎨᏒᎾ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵ ᎠᎢᏒᎢ.\nᏝᏍᎪ ᏱᏥᎦᏔᎭ, ᎾᏍᎩ ᎩᎶ ᏱᏕᏣᏓᏲᎯᏎᎸ ᎢᏥᏅᏏᏙᎲ ᎡᏦᎢᏳᏗᏱ, ᎾᏍᎩ ᎢᏥᎾᏝᎢ ᎨᏒ ᎡᏦᎢᏳᎲᏍᎩ; ᎾᏍᏉ ᎠᏍᎦᏂ ᏱᎩ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎬᏗᏍᎩ ᏱᎩ, ᎠᎴ ᎪᎯᏳᏗ ᎨᏒ ᏱᎩ, ᎠᏚᏓᎴᏍᏗ ᎨᏒ ᎬᏗᏍᎩ?\nᎠᏴ ᏥᏧᏏ ᏏᎵᏏᏱ ᎠᏆᏕᏅᎯ ᏓᏌ ᎦᏚᎲᎢ, ᎠᏎᏃ ᎠᏂ ᎦᏚᎲ ᎠᏆᏛᏒᎯ, ᎨᎺᎵ ᏚᎳᏍᎬᎢ ᎥᏇᏲᏅᎯ ᏭᏂᎫᏛ ᏗᎧᎿᏩᏛᏍᏗ ᎨᏒ ᏗᎩᎦᏴᎵᎨ ᎨᏥᏁᎸᎯ, ᎤᎵᏂᎩᏗᏳᏃ ᎠᏆᏓᏅᏛᎩ ᏕᏥᎦᎿᏩᏗᏒ ᎤᏁᎳᏅᎯ ᎾᏍᎩᏯ ᏂᏥᎥ ᏂᎯ ᏥᏄᏍᏗ ᏥᏣᏓᏅᏔ ᎪᎯ ᎢᎦ ᏥᎩ.\nᏧᎾᎵᏂᎩᏛ ᏚᏪᎧᎲᏒ ᎤᎾᏅᏗᏱ, ᎠᎴ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᏚᏌᎳᏓᏅ.\nᎿᏉᏃ ᎤᎾᏝᎢ ᏭᏯᏅᎲ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏣᏁᎫᏥᏛ ᎬᏅᏏᏓᏍᏗ, ᎤᏁᎳᎩ ᎬᏰᎵᏎᎸᎩ ᏂᎦᏛ ᏂᎯ ᏥᎬᏚᎬᎩ, ᏍᎩᏔᏲᏎᎸ ᎢᏳᏍᏗ.\nᎨᏍᏗ ᎩᎶ ᏲᏥᎸ, ᎣᏣᏍᎩᏗᏍᎬ ᎤᏩᏌ. ᎠᏎᏃ ᎣᎩᏍᏛᏗᏍᏗ ᎩᎦ ᎣᎩᏁᎲ ᏓᏳᏓᎴᏅᏓ.\nᎾᏍᏉ ᎤᏣᏘ ᎢᏳᏓᎴᎩ ᏱᏓᏂᏬᏂᎭ ᎡᎶᎯ, ᎠᏎᏃ ᎥᏝ ᏌᏉ ᎾᏍᎩ ᎪᎱᏍᏗ ᏂᎦᏛᎬᎾ ᏱᎩ.\nᎤᏛᏅᎢᏍᏛ ᏧᏓᏟᏴᏗ ᎤᏪᎵᏎ ᏣᎵ.\nᏥᏏᎾᏒ ᎣᏍᏓ ᎾᏆᎵᏍᏔᏁᎸ, ᎤᏃᎯᏳᏅ ᎬᎩᏍᏗ ᏱᎨᏒᎾ ᎤᏣᎴᏛ ᏃᎴ ᏧᏤᎵ ᏴᏫ.\nᎠᎴ ᎢᏨᏲᏎᎭ ᏂᎯ ᎢᎦᎵᎢ, ᏞᏍᏗ ᏱᏗᏥᏍᎦᎢᎮᏍᏗ ᎠᏰᎸ ᎠᏂᎯᎯ, ᎿᏉᏃ ᎪᎱᏏᏗ ᎤᏟ ᎢᏴᏛ ᏫᎬᏩᎾᏛᏁᏗ ᏂᎨᏒᎾ ᏥᎩ.\nᎦᎶᎯᏍᏗ ᎦᎸᎳᏗᏣ ᎡᏆ ᏓᏏᎳᏕ, ᏃᎴ ᎦᎸᎳᏗᏣ ᏓᏏᎳᏛ, ᎡᎳᏗ ᎢᏳᏩᏂ ᎠᏍᎪᎵ ᎯᎦᏓᎡ ᎡᏆ ᎬᏂᎨ ᎤᏍᎪᎸ ᎧᏅᏂᏍᎩ.\nᎮᎵᎠᏍᎪ ᎣᏍᏓ ᏄᏪᏎ?”\nᎾᏍᎩᏯ ᎾᏍᏉ ᏄᏍᏗ ᏧᎾᎴᎯᏐᏗ ᎨᏒ ᏧᏂᏲᎱᏒᎯ. ᎠᏲᎩ ᎠᏫᏒᎯ ᎨᏐᎢ; ᎠᏲᎩ ᏂᎨᏒᎾ ᏗᎴᏙᏗ ᎨᏎᏍᏗ.\nᎢᏓᏓᏅᏟ ᏞᏍᏗ ᏱᏗᏣᏓᏍᎦᎨᏍᏗ ᏱᏕᏧᎪᏓᏏᏰᏃ ᎢᏥᏍᎦᏅᏨᎢ. ᎬᏂᏳᏉ ᏗᎫᎪᏗᏍᎩ ᎦᎶᎯᏍᏗᏱ ᎦᏙᎦ.\nᎾᏍᎩ ᎠᎺ ᎠᎴ ᎩᎬ ᎤᎷᎯᏍᏔᏅᎯ, ᎯᎠ ᏥᏌ ᎦᎶᏁᏛ; ᎥᏝ ᎠᎹᏉ ᎤᏩᏒ, ᎠᎹᏍᎩᏂ ᎠᎴ ᎩᎬ. ᎬᏩᏠᏯᏍᏗ ᎠᎴ ᎠᏓᏅᏙ ᎾᏍᎩ ᎧᏃᎮᏍᎩ, ᎠᏓᏅᏙᏰᏃ ᎦᏱᎪᎩ ᏂᎨᏒᎾ.\nᎪᎯᏃ ᎨᏒ ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ ᎾᏍᎩ ᎤᎾᏄᎪᏥᎸ ᎢᎩᏍᏕᎵᏍᎩ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎤᏲᏍᏔᏅᎯ ᏥᎩ ᎠᏲᎱᎯᏍᏗ ᎨᏒ, ᎠᎴ ᎤᎾᏄᎪᏫᏒᎯ ᏥᎩ ᎬᏂᏛ ᎠᎴ ᎠᏲᎱᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒ, ᎣᏍᏛ ᎧᏃᎮᏛ ᎬᏔᏅᎯ,\nᎤᎾᏘᏃᎮᎴᏃ; ᎤᎪᎲᏃ ᎩᎳᏉ ᎢᏴᏛ ᎠᏓᏅᏙ ᎤᎩᎸᏁᎢ; ᎡᎳᏗᏃ ᎤᏅᏤᎢ, ᎠᎴ ᏓᎭᏬᎢᎲ ᎠᎵᏗᏒᏂᎮᎢ.\nᎤᎵᏍᏈᏗᏃ ᎤᎩᏒ ᎠᎴ ᎤᎵᎮᎵᏨ ᏚᏁᏁᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᏂᏥᎥ ᎢᏣᏗᏔ;\nᏥᏔᏲᎯᎲᎢ, ᎾᏍᎩ ᎢᏳᏃ ᏰᎵ ᎣᎩ ᎪᎯ ᎿᏉ ᎣᏍᏛ ᎢᏯᏆᎵᏍᏓᏁᎸᏍᏗᏱ ᎦᎢᏒ ᏫᏨᎷᏤᏗᏱ, ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎠᏰᎸᏍᎬ ᏅᏓᏳᎵᏍᏙᏗᏱ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏧᎿᎷᏒ ᎠᎹᏱ ᎫᏓᏅᏒ, ᎤᎪᎮ ᎦᎸᎶᎢ\nᎠᏂᏍᎦᏰᎬᏍᏓ, ᎢᏳᏉ ᎣᏁᏙᎵᏓᏍᏗ ᎨᏒ, ᏫᏥᎢᎦ ᎨᏒ, ᎠᏆᏓᎾᏅ ᎠᏁᏙᎲ.\nᎤᎾᎵᏍᏓᏴᏁᏃ, ᎠᎴ ᏂᎦᏛ ᏚᏃᎸᏎᎢ; ᎠᎴ ᎤᏄᏖᏎ ᎤᎵᎬᎭᎷᏴᎯ ᎤᎾᏘᏰᎸᎯ ᏔᎳᏚ ᎢᏯᎧᎵᎢ ᏔᎷᏣ.\nᎠᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏧᏠᎠᏎ ᎾᏍᎩ ᎤᏪᏯᎸᏤᎢ, ᎠᏰᎸ ᏧᎴ-ᏗᏍᎪᏂᎯ ᎾᏍᎩᏯ ᎨᏌ ᎤᏙᏢᏒᎢ; ᎧᏁᎬᏃ ᎦᎸᎳᏗ ᏧᎶᏎᎯᎠ ᏅᏧᏪᏎᎢ; ᏂᎯ ᎬᎨᏳᎢ ᎠᏇᏥ; ᎣᏏᏳ ᎬᏰᎸᎢ ᏂᎯ.\n”ᎦᏙᏃ ᏔᏛᏁᎵ ᏓᏍᎩᏍᏆᏂᎪᏔᏂ? ᎤᏛᏛᏁ ᏫᎵᎻ, ᎤᏟᏂᎩᏓ ᎤᏓᏅᏖᎸ ᏄᏪᏎ.\n”ᎠᎳᏂ, ᎪᎱᏍᏗ ᎬᏃᎯᏎᏗ,” ᎤᏛᏁ.\nᎾᏍᎩᏃ ᎠᏴ ᏉᎳ ᎠᏋᏒ ᎢᏨᏍᏗᏰᏗᎭ ᏥᏁᎢᏍᏗᎭ ᎤᏙᎵᏍᏙᏏᏳ ᎨᏒ ᎠᎴ ᎤᏓᏅᏘᏳ ᎨᏒ ᎦᎶᏁᏛ, ᎠᏴ ᎾᏍᎩ ᏥᏨᏰᎳᏗᏙᎰ ᎠᏆᏓᎾᏰᏍᏗ ᏥᎨᎰᎢ, ᎠᏎᏃ ᎠᎩᎪᏁᎸ ᏂᏨᎾᏰᏍᎬᎾ ᏥᎩ ᏂᎯ--\nᏣᏂᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᎬᏩᏃᏁᎴᎢ.\nᎾᏍᎩᏰᏃ [ᎦᎶᏁᏛ] ᎠᏰᎸᎢ ᎠᏯᎠ ᏂᎦᏛ ᎠᎧᎵᎢ ᎤᏁᎳᏅᎯ.\nᏙᎢᏳᏍᏘ ᏣᏂᎬᎦ?\nᎨᏍᏗ ᎪᎱᏍᏗ ᏣᏓᏅᏖᏙᏗ ᏱᎩ.\nᏥᏌᏃ ᏚᎴᏅ ᎤᏍᏓᏩᏛᏒᎩ, ᎠᎴ ᎾᏍᏉ ᎬᏩᏍᏓᏩᏗᏙᎯ.\n”ᎭᏓᎾᏫᏗᏍᎨᏍᏗ, ᎠᏯ ᏥᏙᎬ ᎢᏣ ᎩᎶᎯ, ᏔᏓᏅᏗᏍᏓ, ᏔᏓᏅᏗᏍᏓ, ᏔᏓᏅᏗᏍᏓ! \nᎩᎳᏉᏃ ᎢᏴᏛ ᎠᏓᏅᏙ ᎠᏆᏘᏂᏙᎲᎩ; ᎠᎴ ᎬᏂᏳᏉ ᎦᏍᎩᎶ ᎦᎸᎶᎢ ᎤᏂᏍᎩᎳᏛᎩ, ᎩᎶᏃ ᎾᎿ ᎦᏍᎩᎸ ᎤᏪᏅᎩ.\nᏃᏗ ᏒᎾᎢ ᏃᎴ ᎠᎾᏓᎴᏴᏗᏍᎩ ᎢᏳᏂᏍᏗ ᎭᏁᎰᎢ ᎭᎾᏂ.\nᎠᎴ ᏥᎬᎵᏲᎬ ᎾᏍᎩ ᎠᎩᏇᏓᎸ ᏣᏇᎲᎩ, ᎥᏝ ᏅᎵᏌᎵ ᏱᏥᏰᎸᏁᎢ, ᎠᎴ ᎥᏝ ᏱᏥᏲᎢᏎᎴᎢ; ᏕᏍᎩᏯᏓᏂᎸᏨᎩᏍᎩᏂ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎦᎶᏁᏛ ᏥᏌ ᎾᏍᎩᏯᎢ.\nᎠᎴ ᏕᏥᏅᏫᏍᎨᏍᏗ ᏧᏂᏢᎩ ᎾᎿ ᎠᏁᎲᎢ, ᎠᎴ ᎯᎠ ᏂᏕᏥᏪᏎᎮᏍᏗ, ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᎥᏂᏳ ᎢᏥᎷᏤᎸ.\nᎢᏳᏰᏃ ᏱᏅᏩᏎᎦᏨ ᎹᏏᏙᏂ ᎠᏁᎯ ᏱᎬᎩᏍᏓᏩᏕᏅ, ᏱᏨᏩᏛᏔᏅᏃ ᏂᏣᏛᏅᎢᏍᏔᏅᎾ, ᎠᏴ, (ᎥᏝᏰᏃ ᏂᎯ ᏱᎦᏗᎭ,) ᏲᏣᏕᎰᎯ ᎯᎠ ᎾᏍᎩ ᎤᏣᏘ ᎣᎪᎯᏳᎯ ᎣᎦᏢᏈᏒᎢ.\n”ᎦᏨ ᎮᎵ ᏯᏇᎾ?” \nᏥᏛᏍᎩᏗᏍᎪ ᏒᎧᏔ ᎢᏗᎬᏓ ᏓᏛᎯᏍᏗᏍᎨ ᏒᎧᏔ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᎤᎾᏛᎦᏅᎩ ᏂᎦᏛ ᎠᏂᏧᏏ ᎠᎴ ᎠᏂᎪᎢ ᎡᏈᏌ ᎠᏁᎯ; ᏂᎦᏛᏃ ᎤᏂᎾᏰᏒᎩ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᏚᏙᎥ ᎦᎸᏉᏗᏳ ᏄᎵᏍᏔᏅᎩ.\nᏥᏌᏃ ᎤᏁᏨ ᏓᏕᏲᎲᏍᎬ ᎤᏛᏅᏗᎦᎳᏫᎢᏍᏗᏱ, ᎯᎠ ᏄᏪᏎᎢ; ᎦᏙᏃ ᏗᏃᏪᎵᏍᎩ ᎦᎶᏁᏛ ᏕᏫ ᎤᏪᏥ, ᏣᎾᏗᏍᎪᎢ?\nᎠᎴ ᎤᏂᏁᏟᏴᏎ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᏲᎱᏍᎩ ᏂᎨᏒᎾ ᎤᏤᎵᎦ, ᎠᏲᎱᏍᎩ ᏴᏫ ᏗᏟᎶᏍᏔᏅᎯ ᎾᏍᎩᏯ ᏄᏅᏁᎴᎢ, ᎠᎴ ᏥᏍᏆ, ᎠᎴ ᏅᎩ ᏗᏂᏅᏌᏗ, ᎠᎴ ᎠᎾᏓᎾᏏᏂᏙᎯ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᎬᏱᏱ ᎧᏃᎮᏛ ᏗᏠᎯᏍᏔᏅᎯ ᎨᏒ ᎥᏝ ᎠᏍᏓᏱᏛᎯ ᏱᎨᏎ ᎩᎬ ᎬᏔᏅᎾ ᏂᎨᏒᎾ ᏱᎩ.\nᎤᏩᎾᏬᏐᏁ ᎤᏂᏥ.\nᏦᏚᎯ!\nᎥᏝᏰᏃ ᎠᏓᏅᏙ ᎠᏥᎾᏝᎢ ᏔᎵᏁ ᎡᏥᏁᎸᎯ ᏱᎩ, ᎾᏍᎩ ᎢᏥᎾᏰᎯᏍᏗᏱ; ᏧᏪᏥᏍᎩᏂ ᎢᎨᎬᏁᎸᎯ ᎤᎾᏓᏅᏙ ᎡᏥᏁᎸ, ᎾᏍᎩ ᎢᏛᏗᏍᎬ, ᎠᏆ! ᎡᏙᏓ! ᏥᏓᏗᏍᎪᎢ.\nᎠᏏᏉᏃ ᎠᏥᏅᏩᏅᎯ ᎠᏲᎤᎵ ᏕᎤᏂᏴᏎ ᏈᏓ ᎠᎴ ᏣᏂ, ᏂᎦᏛ ᏴᏫ ᏕᎬᏩᏂᏔᏫᏤ ᎠᏲᏓᏝᎲᎢ ᏐᎵᎹᏅ ᎤᏤᎵ ᏥᏕᎤᏙᎥ, ᎤᏣᏔᏅᎯ ᎤᏂᏍᏆᏂᎪᏍᎨᎢ.\nᏧᏂᎩᏣᏅ ᏃᎴ ᏧᏩᏂᎦᏝᏅ ᎦᎳᎨᏰ ᎾᏍᎩᏯ ᏧᏪᏘ ᏧᎪᎳ.\nᎤᏬᎯᏤᏃ ᎾᎿ ᎤᏁᏙᎴᎢ, ᎾᏂᏍᎦᎢᎲᎾ ᎠᏂᏬᏂᏍᎨ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᎾᎵᏍᎦᏍᏙᏛ ᎤᎬᏫᏳᎯ, ᎾᏍᎩ ᎠᏍᏓᏱᏗᏍᎨ ᎧᏃᎮᏛ ᎤᏩᏒ ᎤᏓᏙᎵᏣᏛ ᎧᏃᎮᏍᎩ, ᏓᏁᎮ ᏧᏃᏰᏂ ᏧᏅᏙᏗᏱ ᎤᏰᎸᏛ ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ.\nᎨᏍᏗ ᏱᏓᎬᏯᎵᏍᎪᎸᏓᏁᎵ ᏣᎵᏬᎢᏍᏗ, ᏫᎵᎻ.”\nᏂᎦᏛ ᎤᎾᏓᏅᏘ ᏫᎨᏥᏲᎵᎭ.\nᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᏩᎵᏰᎢᎶᎯᎭ; ᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎾᎿ ᎾᎲᎾ ᎨᏒ, ᎾᎿ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏲᏍᏙᏗ ᎨᏒ ᎥᏝ ᏰᎭ.\nᎾᏍᎩ ᎢᏳᏏᏗ, ᎢᏳᏃ ᎩᎶ ᎦᎶᏁᏛᏱ ᎠᏯᎡᏍᏗ ᎾᏍᎩ ᎢᏤ ᎾᎬᏁᎸ; ᏧᏓᎴᏅᏛ ᎤᏪᏘ ᎨᏒ ᎤᎶᏐᏅ; ᎬᏂᏳᏉ, ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎢᏤ ᏄᎵᏍᏔᏅ.\nᏰᎵᏉ ᏗᎦᏔᏍᏔᏅ ᏗᏎᏍᏗ ᎨᏒ, ᏂᎦᎥ ᎤᏐᏱᎭ ᎨᏒ.\nᏛᏍᏆᎸᎯᏍᎩᏂ ᎾᎯᏳ ᎨᏥᏯᏅᎡᏗᏱ ᎠᏕᏒᎲᏍᎩ, ᎾᎯᏳᏃ ᎿᏉ ᎠᎹᏟ ᏛᏅᏂ.\nᏕᎾᏓᎪᎲᏳ ᏫᎵᎻ ᏳᏨᏉᏛᎾ! \n”ᎯᎠᎾ?” ᎤᏛᏛᏁ.\nᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᏱᎦᏑᏰᏒ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎢᎩᎷᏤᏗᏱ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ;\nᎠᎦᏗᏓ ᎨᏒ ᎤᏓᏔᏅ, ᏫᏥᎢᎦ ᎨᏒ ᏘᎳ, ᎠᏎᏃ ᎦᏲᏟᏉ ᎢᎾᎨ ᎡᎯ ᏗᎪᏩᏛᏗ, ᎠᏂᏃᎯᎵᏙ ᏚᏂᏒᏅ ᏯᎾᏏ ᏃᎴ ᎠᏫ ᎢᏳᏂᏍᏗ ᏃᎴ ᎠᏫ ᎦᏣᏄᎳ ᎠᎾᏓᏒᎲᏍᎦ, ᏰᎵ ᏧᏒᎯᏓ ᎤᎧᎭᏲᏓ ᎠᏓᏁᏢ ᎣᏥᎩᏍᎪ.\nᎠᏂᎨᏯ ᏚᏂᏗᏍᎩᏌᎲ, ᎣᎭᏂ ᎠᏁᎯ ᏗᏂᏲᏟ ᎠᏂᎨᏯ ᏧᏪᏛᏨ ᏧᏅᏣᏘ ᏚᎾᏏᏃᎲ ᎣᎭᏁ ᏛᎾᎦᏘᏍᎬ.\nᎤᎵᏍᏔᏴᏗ ᎦᎶᏙᏗ ᏭᏝᏁ ᎠᎵᏍᏔᏴᏗ ᎤᏂᏑᎸᏓ, ᏫᏥ ᏭᎶᏎ.\nᎠᏯᏃ ᎨᏒ ᎣᏏᏉ ᎠᎩᏰᎸᎲ, ᎨᎵ ᏃᎴ ᎤᎩᏓᏟᏅᏯ ᏛᎾᏓᏂᏱ Cranshaw, ᏃᎴ ᎾᎥ ᎡᏙᎲ ᎨᎵ ᏚᎦ ᎠᎩᏁᎲ, ᏰᎵᏉ ᎪᎰᏍᏗ ᎤᎵᏍᏙᏗ, ᎤᏓᏅᏙ ᏛᏩᏅᎯᏌᏂ.\nᎤᏲᎱᏒᎯᏃ ᎤᏗᏛᎮ ᎤᏪᏁᎢ, ᎠᎴ ᎤᎴᏅᎮ ᎤᏬᏂᏎᎢ; ᎤᏥᏃ ᎤᏪᎧᏁᎴᎢ.\nᏣᏍᎪ ᎤᏍᏆᏂᎩᏗ ᏰᎵᎠ?”\n”ᏙᎩ ᎾᏛᎦ ᏌᏌ?” ᎤᏛᏛᏁ ᎪᏱᏁ, ᎤᎾᏰᎯᏍᏗ ᏚᎧᎾᏁᎢ ᎤᏪᏥ ᎠᎨᏳᏣ.\n“ᎭᏩ,” ᎤᏛᏁ ᎠᎳᏂ, “ᎤᏓᏅᎦᎸᏓᏗ ᎠᏌᎯ.\nᎠᎴ ᏧᎬᏩᎶᏗ ᎤᏂᎬᎥᏍᎬ ᎢᏳᏍᏗ, ᎠᎴ ᎦᎶᏄᎮᏛ ᎠᏅᏗᏍᎬ ᎠᏂᏬᏂᏍᎬ ᎦᏃᏙᏗ ᏓᎨᏥᏰᎸᏥ; ᎾᏍᎩ ᏧᎾᏚᎪᏓᏁᏗ ᎨᏒ ᎡᏘ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎥᏝ ᏯᎵᎾᎯᏍᏗᎭ, ᎠᎴ ᎤᏂᏛᏗᏍᎩ ᎥᏝ ᏱᎦᎸᏍᎦ.\nᎠᏍᏓᏱᎨᏍᏗ ᏓᎾᏕᎣ ᏗᏂᏲᏟ ᎠᏁᎵᏍᎬ ᏧᏂᎦᏴᎵ.\nᎿᏉᏃ ᏥᏳᎯ ᏭᏣᏅ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᎡᎶᎯ ᏅᏓᏳᎾᏓᎴᏅᎯ ᎾᏍᎩ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎡᎶᎯ ᎡᎯ ᎠᏂᏬᏂᎭ, ᎠᎴ ᎡᎶᎯ ᎤᎾᏛᎦᏁᎰᎢ.\nᎤᏍᏆᏓ ᎤᏯᏤᎢ; ᏗᎦᏅᏙᏗ ᎧᏅᏂᏍᎩ ᏧᏪᏥ ᎧᎵ ᎤᏅᏍᎦᏞᎢ.\nᏍᎩᏯᎡᏍᏗ, ᎠᏎᏃ ᎢᏨᏯᎡᏍᏗ. ᎾᏍᎩᏯ ᎤᏩᏂᎦᎸᎢ ᎡᏩᏒ ᏰᎵ ᎬᏩᏓᏛᏗ ᏂᎨᏒᎾ ᏥᎨᏐ ᎬᏂ ᎤᏖᎸᎳᏛ ᏧᏩᏂᎦᎶᎢ, ᎾᏍᏉᏍᎩᏂ ᏂᎯ ᎥᏝ ᏰᎵᎦ ᎬᏂ ᎠᏴ ᏱᏍᎩᏯᎠ.\nᎠᏂᏓᎶᏂᎨ ᎠᏂᎦᎾᎵ ᏓᏂᎾᏌᎾᎩᏍᎬ ᏧᎾᏍᏕᏥ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏰᎵ ᎠᎴᎲᏍᎩ ᏂᎦᎵᏍᏗᎭ ᎢᏤ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎾᏍᎩ ᎤᏲᎱᏒᎯ ᎨᏒ ᎬᏗᏍᎬ ᏗᎬᏬᏓᎴᏍᏗ ᎢᏳᏓᏍᏙᏗᏱ ᎢᎬᏱᏱ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎤᏂᏲᏍᏔᏅᎢ, ᎾᏍᎩ ᎨᏥᏯᏅᏛ ᏥᎩ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏚᎢᏍᏛ ᏫᎾᏍᏛᎾ ᎤᎾᏘᏯᏍᏓᏁᏗ ᎨᏒᎢ;\nᏁᎵ ᏍᏉᏎᎮᏍᏗ.” \nᎾᏍᎩᏯ ᎤᏕᏅ ᏱᎨᏒᎾ.\nᎤᏁᏤᏃ ᏚᏟᎶᏍᏓᏁᎴᎢ; ᏗᏣᎧᏅᎦ ᎡᎦᎳ-ᎢᏳᏍᏗ ᏡᎬᎢ, ᎠᎴ ᏂᎦᎥ ᏕᏡᎬᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᏗᏣᏢᏫᏍᏙᏗ ᏱᏣᎭ, ᏂᎯ ᏴᏫ ᏂᏥᎥᏉ ᏗᏧᎪᏗᏍᎩ; ᎾᎿᏰᏃ ᏅᏩᏓᎴ ᏕᎯᏳᎪᏓᏁᎲ ᏨᏒ ᏕᎭᏓᏚᎪᏓᏁᎭ; ᏂᎯᏰᏃ ᏚᎪᏗᏍᎩ ᎾᏍᎩᏯ ᏂᎭᏛᏁᎭ.\nᎩᎶᏍᎩᏂ ᏳᏗᏔᎲ ᎾᏍᎩ ᎠᎹ ᎠᏴ ᏥᏁᏁᏗ ᏥᎩ ᎥᏝ ᎢᏳᎯᏳ ᎤᏔᏕᎪᏗ ᏱᎩ, ᎠᏴᏍᎩᏂ ᏥᏁᏁᏗ ᏥᎩ ᎠᎹ, ᎭᏫᏂ ᎠᏰᎸ ᎠᎹ ᎦᏄᎪᎬ ᎨᏎᏍᏗ, ᏫᎦᎾᏄᎪᎨᏍᏗ ᎬᏂᏛ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᏗᎨᏒᎢ.\nᎤᏂᏣᏔᏰᏃ ᎠᏁᏙᎭ, ᎾᏍᎩ ᎤᏩᎫᏘᎶᏛ ᎦᏥᏁᎢᏍᏔᏅᎯ ᎢᏨᏃᏁᎸᎯ, ᎠᎴ ᎪᎯ ᎨᏒ ᎾᏍᏉ ᏗᎦᎦᏠᏱᎯ ᎢᏨᏃᏁᎭ, ᎾᏍᎩ ᎠᏂᏍᎦᎩ ᎨᏒ ᏧᏓᎿᏩᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ;\nᏂᎦᏓ ᎤᎵᏛᏙᎾ.\nᎤᏬᎦᏐᏅ, ᎤᎳᏑᎶ ᎦᏗᎨᏂ ᎤᏩᏅᏍᏔᏅ ᎦᏅᏃᏩ.\nᏧᎶᏒ ᎧᏃᎮᏛ ᏂᎦᎵᏍᏗᏍᎬ, ᎠᏏᏴᏫ ᎨᏒ, ᎤᏩᏙᎵᎢᏍᏗ ᎤᏩᏌ.\nᎺᎵᏍᎩᏂ ᎠᏤᎵᏍᏛ ᏙᏱᏗᏢ ᎦᎶᎯᏍᏗᏱ ᎦᏙᎬᎩ, ᏓᏠᏱᎲᎩ; ᏓᏠᏱᎲᎩ ᎤᏗᏌᏓᏛᎩ, ᎠᏤᎵᏍᏛ ᎭᏫᏂ ᏫᏚᎧᎾᏅᎩ,\nᎩᎳᏈᏴ ᏄᎵᏍᏔᏅ.\nᎠᏎᏃ ᏂᎨᎵᏍᎬ ᎦᏲᏟᏉ ᎤᏁᏉᏨ ᏰᎵ ᎪᎯᏓ ᏫᎫᏩᏂᎷᏨ ᎦᏚᏏ, ᎨᏍᏗ ᎪᎰᏍᏗ ᎤᏲᎢ ᏱᏂᏓᎦᎵᏍᏔᏂ ᎤᏁᎵᏎ, ᎱᏁᏅᏎ ᏱᏓᏚᎬᎾ ᎡᎶ ᏧᎾᎳᎩᏒ.\nᎾᏍᎩᏰᏃ ᎯᎠ ᎤᎬᏩᎴ ᎦᎶᏁᏛ ᏧᏲᎱᏎᎢ, ᎠᎴ ᏥᏚᎴᎯᏌᏁᎢ, ᎠᎴ ᏧᏩᏃᏎᎢ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎢᏳᎵᏍᏙᏗᏱ ᏧᏂᏲᎱᏒᎯ ᎠᎴ ᎾᏍᏉ ᏗᏅᏃᏛ ᎤᎾᏤᎵᎦ.\nᎠᏎᏃ ᏣᏂ ᏚᏢᏫᏎᎴᏉ, ᎯᎠ ᏄᏪᏎᎢ; ᎠᏴᏍᎩᏂ ᏱᏍᏆᏬᎥ; ᏥᎪᏃ ᎢᏍᎩᎷᏤᎭ?\nᎠᎾᏓᏙᎵᎩ ᏗᎧᎾᏩᏛᏍᏗ ᎢᏗᏅᏁ ᎤᏟᏂᎩᏓ ᎤᏂᏬᏂᏒ ᎠᎾᏧᏗᏍᎬ ᏤᎩᏏᏂ, ᏃᏉᎴ ᏄᏓᎴ ᏫᏥᎢᎦ ᎤᎵᏍᎨᏛ ᏩᎾᎴᏂᏍᎬ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏗ ᏚᎾᏙᎥ ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᏥᏅᏏᏛ. ᎢᎬᏱᏱ ᏌᏩᏂ ᏈᏓ ᏣᏃᏎᎰᎢ, ᎡᏂᏗᏃ ᎾᏍᎩᏉ ᎤᏅᏟ, ᏥᎻᏃ ᏤᏈᏗ ᎤᏪᏥ, ᏣᏂᏃ ᎾᏍᎩᏉ ᎤᏅᏟ.\nᎤᏙᎯᏳᎯᏯ ᎢᎦᏪᏛ; ᎢᏳᏃ ᎩᎶ ᎤᏚᏝᏍᎨᏍᏗ ᎠᏥᎦᏘᏗᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ, ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎤᏚᎵᏍᎨᏍᏗ.\nᎯᎪᏩᏘᎭ ᎪᎯᏳᏗ ᎨᏒ ᎤᏍᏕᎸᎲ ᏚᎸᏫᏍᏓᏁᎸᎢ, ᎾᏍᎩᏃ ᏚᎸᏫᏍᏓᏁᎸ ᎤᏩᏔᏅ ᎪᎯᏳᏗ ᎨᏒ ᎤᎧᎵᎸᎢ.\nXIX. ᏧᏪᏥ ᏗᎦᎶᏙᏗ  \nᏗᏔᎳᏗᏍᏗᏱᏃ ᏃᏒᎾ ᎨᏒ ᎾᎿ ᎤᎪᎳᏗᏴᏗᏱ, ᎤᏟ ᎢᏯᏂᎢ ᎤᏂᏁᏨᎩ ᎾᏍᏉ ᎾᎿ ᎤᏂᏴᏫᏛᏗᏱ, ᏰᎵ ᏈᏂᏏ ᏫᎦᏲᎩᏃᎯᏍᏗ ᎠᎴ ᏫᎦᏲᎦᎪᎳᏗᏴᏗ ᏱᎩ ᎠᏁᎵᏍᎬᎩ, ᎾᏍᎩ ᎾᎿ ᏟᏗ ᏗᏔᎳᏗᏍᏗᏱ, ᎠᎴ ᎾᏍᎩ ᏭᏕᎵᎬ ᎢᏗᏢ ᏭᎦᏘ.\nᎤᏁᎳᏅᎯ ᏥᏯᎵᎡᎵᏤᎭ ᏂᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᎢᏤᎲ ᎩᎶ ᏂᏥᏯᏬᎥᎾ ᎨᏒ ᏟᏍᏆ ᎠᎴ ᎦᏯ ᎤᏅᏒ;\nᎤᎦᏖᏃᎸ Cranshaw ᎨᎵ, ᏂᎦᏓ ᏯᏆᎪᎲᏍᏔᏁ, ᏐᏉ ᎢᎦᏁᏨ ᏱᏣᏁᏤ ᎤᏛᏅ.\nᎠᎴ ᎢᏣᏛᎦᏅᎯ ᎢᎩ ᎯᎠ ᏥᏂᎨᏥᏪᏎᎴ ᎡᏘ ᏣᏁᎮᎢ; ᏞᏍᏗ ᏣᏲᏍᏔᏅ ᏣᏎᎵᏔᏅᎢ, ᏱᎰᏩᏍᎩᏂ ᏂᏯᏛᏁᎮᏍᏗ ᏄᏍᏛ ᏣᏁᏨᎢ.\nᏂᎦᏓ ᎤᎾᏛᎦᏁ ᏔᎳᏚ ᎤᏂᏃᎩᏓ.\nᎠᏴᏍᎩᏂ ᎣᏥᏬᏂᏍᎪ ᎣᏨᏗᏍᎪ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎤᏕᎵᏛ ᎨᏒᎢ, ᎾᏍᎩ ᎬᏍᎦᎵ, ᎾᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ ᏥᏚᏭᎪᏔᏁ ᎤᏁᎳᏅᎯ ᎡᎶᎯ ᎠᏏ ᏂᎨᏒᎾ ᏥᎨᏎᎢ, ᏧᎬᏩᎴ ᎠᏴ ᎡᎩᎸᏉᏙᏗᏱ.\nᎤᎪᎵᏰᎥ ᎤᏍᏆᏂᎩᏗ ᏥᎨᏐ ᎢᏳᏍᏘ.\nᏑᏓᎵ ᎠᏰᎵ ᏔᎷᎩᏍᎩ ᎦᎵᎥᏂᎲ ᎤᏛᎦᏁ ᏫᎵᎻ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏙᎯᏳᎯ ᏂᎬᏁᎸ ᎠᏴ ᎾᏍᎩ ᏧᏁᏥ, ᎾᏍᎩ ᏥᏌ ᏕᎤᎴᏔᏅᎢ; ᎾᏍᎩᏯ ᎾᏍᏉ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ ᏗᎧᏃᎩᏍᏗᏱ ᏔᎵᏁᎢ; ᎠᏇᏥ ᏂᎯ, ᎪᎯ ᎢᎦ ᏍᏆᏕᏁᎸ.\nᏚᏄᎪᏔᏅᎢ, ᎯᏗᎦᏔᎭ ᎤᏍᏆᏂᎩᏗ ᎨᏒᎢ, ᏃᎴ ᎢᏓᎵᎮᎵᎨᏍᏗ ᏃᎴ  ᎢᎦᏨᏉᏕᏍᏗ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏂᏍᎦᏅᏨ ᏥᏚᎾᏚᎦᏓᏁᎭ, ᎾᏍᎩ ᎢᎦᎦᏘ ᎡᎶᎯ ᎤᎾᏄᎪᏥᎸ, ᎠᎴ ᏴᏫ ᎤᏟ ᎤᏂᏰᎸᏅ ᎤᎵᏏᎩ ᎡᏍᎦᏉ ᎢᎦᎦᏘ, ᏚᏂᎸᏫᏍᏓᏁᎲᏰᏃ ᎤᏲᎢᏳ ᎨᏒᎦᎴ ᎾᏍᎩ ᎯᎠ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏂᏍᎦᏅᏨ ᏥᏚᎾᏚᎦᏓᏁᎭ, ᎾᏍᎩ ᎢᎦᎦᏘ ᎡᎶᎯ ᎤᎾᏄᎪᏥᎸ, ᎠᎴ ᏴᏫ ᎤᏟ ᎤᏂᏰᎸᏅ ᎤᎵᏏᎩ ᎡᏍᎦᏉ ᎢᎦᎦᏘ, ᏚᏂᎸᏫᏍᏓᏁᎲᏰᏃ ᎤᏲᎢᏳ ᎨᏒᎩ.\nᎤᎾᏛᎦᏃᏁᎸᏃ ᎤᎬᏫᏳᎯ ᎤᎾᏂᎩᏎᎢ, ᎬᏂᏳᏉᏃ ᏃᏈᏏ, ᎾᏍᎩ ᎤᏂᎪᎲᎯ ᏗᎧᎸᎬ ᎢᏗᏢ, ᎢᎬᏱ ᎤᏁᏅᎡᎴᎢ, ᎬᏂ ᏭᎷᏥᎸ ᎠᎴ ᎤᎴᏫᏍᏔᏅ ᎦᎸᎳᏗᏢ ᎾᎿ ᎠᏥᎵ ᎡᎲᎢ.\nᎾᎾᏃ ᏩᎭᏯ ᎦᏂᏓᏛ ᏃᎴ ᏗᎦᎴᎾ ᏗᏍᏛᎦᏴᎮᏗ ᏄᎵᏍᏔᏁ.\nᎢᏳᏃ ᏱᏥᎦᏔᎭ ᎾᏍᎦᏅᎾ ᎨᏒ ᏥᏌ, ᎤᏥᎦᏔᎭ [ᎾᏍᏉ] ᎾᏂᎥ ᏚᏳᎪᏛ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎾᏍᎩ ᏧᎾᏄᎪᏫᏒᎯ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏄᎪᏩ ᎤᏪᏘ ᎠᎪᏙᏗ, ᎾᏍᎩ ᎦᎸ ᎢᏤ ᎢᏣᎵᏍᏙᏗᏱ, ᎾᏍᎩᏯ ᏁᏣᎪᎳᏅᎾ ᏥᎩ. ᎾᏍᏉᏰᏃ ᎦᎶᏁᏛ ᎧᏃᎯᏰᎩ ᎢᎦᏤᎵ ᎢᎩᏲᎱᎯᏎᎸ;\nᎾᏍᎩ ᎡᎶᎯ ᎾᎯᏳ ᏥᎨᏎ ᎠᎹᏱᎭ ᏥᏄᎵᏍᏔᏁᎢ, ᎤᏲᏤᎢ.\nᏥᎷᏏᎵᎻᏍᎩᏂ ᎦᎸᎳᏗ ᏨᏗᎦᏚᎭ ᎾᏍᎩ ᎾᏥᎾᏝᎥᎾ, ᎾᏍᎩ ᎠᏴ ᏂᏗᎥ ᎢᎩᏥ.\nᎡᎳᏗ ᎣᏣᏂᎩᏍᎬ ᏧᏪᏅᏒ ᎣᏤᎪ ᎤᎿ ᎩᏓᏅᎬ.\nᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᎤᏲᎢ ᎭᏫᏂ ᏗᏓᎴᎲᏍᎪᎢ, ᎠᎴ ᎦᏓᎭ ᏄᏩᏁᎰ ᏴᏫ.\nᎨᏍᏗ ᏱᏥᎦᏔ ᎠᎬᏱ ᎤᏓᏅᏖᎸ ᎧᏅᏂᏍᎩ ᏧᏏᎳᏛᏗ ᎭᏂ ᎡᎶᎯ, ᎠᏎᏃ ᏍᎩ ᏄᏛᏁᎴ, ᏃᎴ ᎠᏌᎹᏗ ᎨᏎᎢ.\nᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒ ᎬᏂᎨᏒ ᏂᏨᏁᎮᏍᏗ ᎢᏤᎲᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎦᎶᏁᏛ ᎢᎩᎨᏳᎯᏳ ᏥᎨᏒᎩ, ᎠᎴ ᏥᏕᎦᏓᏲᎯᏎᎸᎩ, ᎠᎵᏍᎪᎸᏓᏁᏗ ᎠᎴ ᎠᏥᎸ ᎨᎴᏗ ᏥᏄᎵᏍᏔᏅ ᎤᏁᎳᏅᎯ ᎤᎦᎾᏍᏛ ᎤᏪᏩᏒᎢᏍᏗ.\nᎯᎠᏃ ᏄᏍᏕ ᎤᏓᏅᏖᎸ: ᏑᎾᎴ ᎠᎵᏍᏓᏴᏗ ᏑᏓᎵ ᎠᏰᎵ.\nᎨᏍᏗ ᏱᏓᎨᏏ ᎤᏛᏅ ᏣᎵ.\nᎢᏳᏃ ᎢᎠᏓᏔᏅᎭ, ᎤᏁᎳᎩᏉ ᎨᏎᏍᏗ; ᎢᏳᏃ ᏄᏔᏅᎾ ᏱᎩ, ᎩᎳ ᎣᏂᎯᎴᏴᏍᏔᏅᎭ.\nᎠᏂᏍᎦᏯᏃ ᎬᏩᎷᏤᎸ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᏣᏂ ᏗᏓᏬᏍᎩ ᏦᎩᏂᏅᏒ ᎢᏍᏛᎷᏤᏗᏱ, ᎯᎠ ᏅᏗᎦᏪᎭ; ᏂᎯᏍᎪ ᎤᎷᎯᏍᏗ ᏥᎨᏒᎩ? ᏥᎪᎨ ᏅᏩᏓᎴ ᎣᏥᎦᏖᏃᎮᏍᏗ?\nᎠᎴ ᎤᏁᎳᏅᎯ ᏕᎤᏪᎧᏅ ᎠᏂᏏᏴᏫᎭ ᎾᎿ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ; ᎢᎬᏱ ᎨᏒ, ᎨᏥᏅᏏᏛ; ᏔᎵᏁᏃ ᎨᏒ, ᎠᎾᏙᎴᎰᏍᎩ; ᏦᎢᏁᏃ ᎨᏒ, ᏗᎾᏕᏲᎲᏍᎩ; ᎣᏂᏃ, ᎤᏍᏆᏂᎪᏗ ᏧᏂᎸᏫᏍᏓᏁᎯ; ᎿᏉᏃ ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎯ ᏧᎾᏓᏅᏬᏗᏱ, ᎠᎾᎵᏍᏕᎵᏍᎩ, ᏄᏂᎬᏫᏳᏌᏕᎩ, ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᏗᏂᏬᏂᏍᎩ.\nᎠᎨᏴ ᎤᎪᎵᏰᎥ ᎠᎬᏱᏣ ᎤᏍᏓᎦᏴᎯᏓ ᎪᏪᎵ, ᏚᏒᏂᎸ ᏕᎪᏪᎸ, ᏚᎷᎬᏒ ᎣᎭᏁ ᎢᏣ ᎤᎪᎵᏰᎥ.\nᏓᏳᎾᏂᎩᏛ ᏧᏁᏅᏒ ᏅᏙ ᎠᏰᎵ ᏗᎨᏴ, ᎨᏴ ᏧᏂᏍᏔᏩᏛᏎ ᎬᏂᎨᏍᏛ ᎤᎨᏓᎵᏴ ᏧᏂᎶᏎ, ᏤᏆ ᏅᏯ ᏚᎦᏌᏛ ᎠᎹ ᎨᏴ, ᎤᏁᎦ ᎠᎹ ᎦᎶᏍᎩ ᎠᏰᎵ ᏚᎦᏌᏛᎢ ᏅᏯ, ᏃᎴ ᎦᎸᎳᏗ ᎠᏦᎭᏴ, ᎢᎦ ᎢᏴ ᎩᎳ ᎠᎦᎵᎰ.\nᏕᎦᏁᎲ ᏧᏩᏍᏉᎸ ᏂᏕᎦᎵᏍᏗᏍᎨ.\n“ᎤᏐᏱᏉᏗ, ᎨᏍᏗ ᏱᎬᏳᏤᎭ,” ᎤᏛᏁ ᎠᏓᏂᎵᎨ ᎤᏃᏕᎾ.\nᎦᏙᎨᏃ? ᎤᏁᎳᎩ, ᎾᎾᏛᏁᎲᎢ, ᎾᏍᏉ ᎠᏎᏉᏉ ᏱᎾᎾᏛᏁᎭ, ᎠᎴ ᎤᏙᎯᏳᎯ ᏳᏂᏰᎸᎭ, ᎪᎶᏁᏛ ᎠᏥᏃᎮᎭ; ᎠᎴ ᎾᎿᏂ ᎦᎵᎡᎵᎦ, ᎥᎥ, ᎠᎴ ᎠᏎ ᎦᎵᎡᎵᎨᏍᏗ.\nᏦᎢ ᏓᏂᎾᏌᏛ ᏗᎬᏘ ᏚᎾᏣᏍᎪᎸ ᎦᏙᎯ, ᎤᏂᎬ ᏎᎷ ᎦᏚ ᎦᏓᏫᏔᏅ, ᎤᎾᏓᏌᎩᏙᎸ ᎤᏏᏩ ᎦᏙᎯ ᏥᏔᎦ, ᎫᎴ ᏗᏂᏍᎪᏂ ᎤᎾᏝᏫᏛᎲ, ᎤᏃᏴᎬ ᎾᎥᏂᎨ ᏧᎾᎵᏰᏑᎵ ᏥᏓᎾᏏᏛᏁᎰ ᏗᏂᏲᏟ.\nᎤᏃᏴᎵᏎ ᏭᏩᎭᏂᎸ, ᎨᏍᏗ ᏯᎪᏩᏘᏍᎨᎢ ᎢᏳᏍᏘ ᎤᏩᎭᏂᎸ.\nᎥᏝ ᎠᏗᎾ ᎠᏆᏚᎵᏍᎬ ᎠᏓᏁᏗ ᎨᏒ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ; ᎤᏓᏔᏅᎯᏍᎩᏂ ᎠᏆᏚᎵᎭ ᎤᏣᏘ ᎢᏣᎵᏍᏕᎸᏙᏗ ᎢᏳᎵᏍᏙᏗᏱ.\n”ᏤᏍᏗ ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ, ᏓᏣᎾᏲᏏ,” ᎤᏛᏁ ᏧᏍᏆᏴᏍᏗ.\nᏃᏗ ᎭᏫᏂ ᎤᏛᎴᎮ.\nᏑᎾᎴ ᏄᎵᏍᏔᎾ ᎤᏩᏓᎷᎦᏁ ᎤᏂᏥ ᏕᎦᏓᏍᎬᎢ ᏙᏱ ᎤᏪᏓᏍᏗ, ᎤᏬᏨᏛᎢᏉ.\nᎪᎱᏍᏗ ᏳᏛᏅᎾ ᎤᏪᏅᏎ.\nᎠᏎᏃ ᏥᏌ ᎯᎠ ᏂᎤᏪᏎᎴᎢ, ᎢᎬᏱ ᏗᏂᏲᎵ ᏫᏓᏃᎸᎯ; ᎥᏝᏰᏃ ᎣᏏᏳ ᏱᎩ, ᏗᏂᏲᎵ ᏧᎾᏤᎵ ᎦᏚ ᏗᎩᎡᏗᏱ, ᎠᎴ ᎩᎵ ᏫᏓᏗᏁᏗᏱ.\nᏐᏉ ᏓᎩᏂᏴᎲ ᎤᏓᏄᏖᏴᏓ ᏓᎩᏂᏴᏛ, ᏔᎵᏁ ᏱᏓᏆᏙᎸᏌ ᎠᏕᎳ ᏯᏋᏓᎸᏔᏅ, ᏦᎨᏏ ᏧᎷᏫᏍᏔᏁ ᎤᎵᎪᎯ.\nᏓᎳᏚ ᎠᎴ ᎦᎵᏆᏚ ᎢᏳᏕᏘᏴ ᎨᏎ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᏧᎾᎵᎬᏩᏟ ᏱᎩ ᏏᏆ.” \nᎤᏁᎳᏅᎯ ᏄᏓᎵᏓᏍᏛᎾ, ᎾᏍᎩ ᎢᏥᏯᏅᏛ ᏥᎩ ᎢᏣᎵᎪᏗᏱ ᎾᏍᎩ ᎤᏪᏥ ᏥᏌ ᎦᎶᏁᏛ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ.\n“ᎨᎵᎠ ᏏᏆ ᎤᏴᏍᏗ ᏤᏅᏍᏗ,” ᎤᏛᏁ.\nᏑᎾᎴ ᎠᎴᏂᏍᎨᏍᏗ ᎠᎾᏓᎪᎾᏗᏍᎬ.\nᎱᏂᎷᏣ ᏣᎳᎩᏱ ᎠᏰᎵ ᎤᏂᎷᏨᎯ ᎩᎳ ᏕᎨᎦᏨᏍᏔᏅ ᎠᏂᎨᏯ, ᎤᏂᏍᎪᎸ ᏃᎴ ᎤᏂᏍᎦᏍᏔᏁᎸ ᎢᏳᏍᏗ ᏗᎨᎦᎦᏅᏗ ᎨᏎ, ᎠᏎᏃ ᎤᎾᏛᏅᎢᏍᏕ ᎤᎾᎴᏅᏗ ᎠᎾᏁᎳᏗᏍᎬ ᎩᎳ ᏧᏂᏯᏅᏓ ᎠᏂᎦᏔᎾᎢ ᏧᏂᎭᏰᎯ.\nᏐᏉ ᎧᏅᏂᏍᎩ ᎠᏦᏴ ᎦᏚ ᏭᎩᎸᏁᎢ.\nᎾᏍᎩ ᎭᎳᏍᏕᎵᏴᏌ ᏍᎩᎵ ᏃᏗ ᎠᎦᏴᎵᎨᎢ ᏣᎦᎾᏅᎪᎨᎢ.\nᎤᏂᎷᏨᏃ, ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᏔᏕᏲᎲᏍᎩ, ᎣᏥᎦᏔᎭ ᏚᏳᎦᎲ ᎯᏬᏂᏍᎬ ᎨᏒᎢ, ᎠᎴ ᎩᎶ ᏂᏖᎾᏰᏍᎬᎾ ᎨᏒᎢ; ᎥᏝᏰᏃ ᏄᎾᏍᏛ ᏴᏫ ᏱᏖᎸᏉᏙᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏅᏅ ᎤᏙᎯᏳᏒ ᏕᎭᏕᏲᎲᏍᎪᎢ; ᏚᏳᎪᏗᏍᎪ ᎠᏰᎵ ᎠᎾᏓᏱᏍᎬ ᏏᏌ ᎠᎫᏴᎡᏗᏱ, ᏝᎨ?\nᎪᎩ ᏱᎩ ᏚᏂᎦᏒᏍᏙᎢ ᏱᎩ ᏙᏌ ᏚᏂᏖᏍᏛᎢ ᏃᏊᎴ ᏓᎾᏓᏁᏟᏴᏍᎬ ᎠᏂᎦᏘᏗᏍᎬ ᎤᏢᎩ.\nᏭᎳᎩᏒ ᎠᎹ ᎤᏥᏍᏛ, ᎠᏎᏃ ᎨᏍᏗ ᏯᏆᏚᎵᏍᎨ ᏍᎩᏳᏍᏗ ᎠᏆᏛᎪᏗ.\nᎠᏆᏦᏩᏛ ᏩᎩᎳᎩᏒ ᎪᏪᎵ ᎠᎩᏃᎮᏍᎩ, ᎦᎸᎳᏗ ᏧᎵᎬᏩᏟ ᏩᏏᏓᏂ ᏗᎾᏦᎥᏍᏗᏍᎩ ᎢᏧᏅᏁᎸ, ᎾᏍᏉ ᏓᎾᏦᎥᏍᏗ ᏗᏉᏪᎳᏅ.\nᎯᎠᏃ ᎾᏍᏉ ᎯᎦᏔᎮᏍᏗ, ᎤᎵᏍᏆ ᎸᏗ ᎨᏎᏍᏗ ᎠᏎ ᎤᏕᏯᏙᏗ ᎤᎵᏰᎢᎶᎯᏍᏗ ᎨᏎᏍᏗ.\n“ᏣᏉᏍᎪ ᏯᏕᎶᎰᏍᎦ ᏓᎩᎷᏫᏍᏔᏁᎲ? ᏰᎵ ᎤᏂᎦᎸᎯ ᏄᏪᏎ ᎡᎳᏆᏗ.\nᎠᎴ ᏫᎬᏆᏕᏗ ᏱᏂᎦᎩ, ᎠᎴ ᎾᏍᏉ ᏯᏆᎪᎳᏗᏴ ᎢᏤᎲᎢ, ᎾᏍᎩ ᏍᎩᏯᏘᏅᏍᏗᏱ ᎦᎢᏒ ᎢᎸᎯᏢ ᏫᏥᎦᏛᎢ.\nᏰᎵ ᎣᏍᏓ ᏂᏓᏣᎵᏍᏔᏁᎵ ᎭᏫᏯ ᏗᎦᏒᏔᏂᎯ ᎰᎻ, ᎠᏍᏆᎸᎲ ᎯᎯᏍᏗ ᏍᎩᎾᎾ ᏏᏆ.” \nᏣᏂ ᎤᏁᏤ ᎯᎠ ᏂᏚᏪᏎᎴ ᏂᎦᏛ, ᎠᏴ ᎤᏙᎯᏳᎯ ᎠᎹ ᏕᏨᏯᏬᏍᏗᎭ; ᏓᏯᎢᏍᎩᏂ ᎤᏟ ᎤᎵᏂᎩᏗᏳ ᎡᏍᎦᏉ ᎠᏴ, ᎾᏍᎩ ᏓᎧᏁᏌᏛ ᏧᎳᏑᎶᎩ ᎥᏝ ᏰᎵ ᏱᏂᎪᎢ ᏗᎩᎧᏁᏴᏗᏱ; ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎠᎴ ᎠᏥᎸ ᏙᏓᏣᏪᏍᏔᏂ;\nᎡᎳᏗ ᏥᏥᎥᏍᎦ ᎬᏅᎢ ᎾᏍᎩ ᏔᎵᏁ ᎠᎩᎩᏏᏐᏗ ᏥᎩ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᎦᏴᎵᎨ ᎠᎩᎨᏳᎭ.\nᏃᎴ ᏌᏌ ᏚᏂᎧᎮᏍᏗ ᏌᏌ ᎠᏂᏓ, ᏃᎴ ᎤᏂᏃᏕᎾ ᏍᏉ ᏚᏂᎧᎮᏍᏗ ᎠᏂᏓ...” \n“ᎲᏥᎷᎩ,” ᎤᏎᎦᎳᎯ ᏄᏪᏎ.\nᎦᏙ ᎦᏛᎦ ᎯᎠ ᏥᏄᏪᏒ; ᏍᎩᏲᎮᏍᏗ ᎠᏎᏃ ᏓᏍᎩᏯᏠᏥ, ᎠᎴ ᏫᎨᎥᎢ ᎥᏝ ᏫᏴᎨᏥᎷᎩ?\n“ᎭᏦᎣᏓ ᏏᏆ ᎭᏩᏧ!” ᎤᏛᏁ ᏍᏓᏯ ᎦᏬᏂᏍᎩ.\nᎯᎠᏃ ᎤᏍᏆᏂᎩᏗ ᎨᏍᏗ ᎩᎶ ᎧᎵ ᏧᏬᏏᏌᏅ ᏱᎩ, ᎠᏎᏃ ᏰᎵ ᎢᏯᏂ ᏧᎾᏙᎴᏋ ᎠᏂᏍᎦᏯ ᏭᏁᏙᎴ ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏏᏆ ᎤᏴᏍᏗ, ᎤᎾᎦᏎᏍᏔᏁᎢ ᏏᏆ.\nᎠᏎᏃ ᎤᏂᏣᏖ ᎧᏃᎮᏛ ᎤᎾᏛᎦᏅᎯ ᎤᏃᎯᏳᏁᎢ, ᎾᏍᎩᏃ ᎠᏂᏍᎦᏯ ᎯᏍᎩᎭ ᎢᏯᎦᏴᎵ ᎾᏂᎡᎢ.\nᎠᏍᎪᎯᏧᏈᏃ ᏗᏘᏂᏙᎯ ᏗᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ; ᏣᎬᏫᏳᎯ, ᏝᏰᎵ ᏱᏂᎪᎢ ᏥᏁᎸ ᏣᏴᏍᏗᏱ; ᎯᏁᎩᏉᏍᎩᏂ ᎤᏩᏒ, ᏥᏅᏏᏓᏍᏗᏃ ᏓᏳᏗᏩᏏ.\nᎠᏎᏃ ᏍᏉ ᏄᏍᏕ.\nᎢᏳ ᎠᎴ ᏣᎳᏏᏕᏂ ᏙᏦᏕᏍᏗᏍᎨᏍᏗ, ᎯᏍᏆᎵᏍᎨᏍᏗ; ᎤᏟᏰᏃ ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᎯᏲᎤᎵ ᎬᏂᏛ ᏗᎨᏒ ᏱᏫᏣᏴᎸ, ᎠᏃ ᎢᏧᎳ ᏗᎨᏣᎳᏍᎩ ᏨᏍᎩᏃ ᏱᏪᏣᏓᎢᏅ, ᎾᎿ ᎠᏥᎸᏱ ᎦᎬ ᏜᏗᏍᏗ ᏂᎨᏒᎾ;\nᎠᎴ ᏂᎦᎥ ᏂᏣᏛᏁᎵᏙᎲᎢ, ᎢᏥᏬᏂᏍᎬ ᎠᎴ ᏕᏥᎸᏫᏍᏓᏁᎲ ᏱᎩ, ᏂᎦᎥ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᏙᎥ ᎢᏨᏗᏍᎨᏍᏗ, ᎡᏣᎵᎡᎵᏤᎮᏍᏗ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎠᎦᏴᎵᎨᎢ, ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᏂᎦᏛᏃ ᏴᏫ ᎾᎿ ᎠᎪᏩᏛᏗ ᎨᏒ ᎤᎾᎦᏙᏍᏔᏂᎸᎯ, ᎤᏂᎪᎲ ᏄᎵᏍᏔᏂᏙᎸ ᏚᏅᏂᎴ ᏗᏂᏁᏥᏱ, ᎠᎴ ᎤᎾᏨᏎᎢ.\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᎹ ᏗᏥᎧᎵᎢᏍᏓ ᎠᎹ ᏗᏟᏍᏗ. ᎾᏍᎩᏃ ᎠᎧᎵᎢ ᏚᏂᎧᎵᎸᎩ.\nᎨᏍᏗ ᏰᎵ ᏱᎾᏆᎵᏍᏔᏁ ᎯᎸ ᎠᏇᏅᏍᏗ, ᎠᏎ ᏔᎵᎭ ᏧᏙᏓᏆᏓ.”\nᏧᏓᏅᏛ ᎢᏴ ᎡᏍᎦ ᎤᏰᎸᎲ ᏳᎸᎾ ᏥᎨᏎ ᏤᎩᏏᏂ ᏧᏣᏅᏓᏕᎮᎢ, ᎾᎥ ᏚᎾᏓᎴ ᏓᏂᏙᎨ. ᏂᎦᏓ ᎠᏂᎧᏔᎲ ᎩᎳᏊ ᎤᏙᏗ ᎠᏰᎳᏍᏗ.\nᏔᎵᏃ ᏫᏄᏒᎸ ᎧᏃᎯᏴᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎠᎴ ᎾᎪᏔᏅᎾ ᎦᏚ ᎠᎩᏍᏗᏱ ᎤᏍᏆᎸᏗ ᎨᏎᎢ, ᏄᏂᎬᏫᏒᏃ ᎠᏥᎸᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᎤᏂᏲᎴ ᎢᏳᎾᏛᏁᏗᏱ ᎦᎶᏄᎮᏛ ᎤᏅᏙᏗᏱ ᎤᏂᏂᏴᏗᏱ, ᎠᎴ ᎤᏂᎯᏍᏗᏱ.\nᎯᎠᏃ ᏂᏚᏪᏎᎵᎢ, ᏏᏌ ᎠᏗᎾ ᎡᏣᎫᏴᏏ ᏏᏌ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎨᏍᏗ ᏥᏓᎯ ᏱᎩ, ᏫᎵᎻ.\nᎤᏁᎷᏁ ᎠᏂᏍᎦᎡᎲᎢ, ᏓᏃᏱᏁᎲ ᏚᏃᎰᏎᎴ.\nᎾᏍᎩᏯ ᎢᎦᏑᏰᏒ ᎾᏍᎩ Ꮎ ᎠᎬᏗᏍᎬᎢ ᎠᏏ ᎡᎶᎯ ᎾᏙᏢᏍᎬᎾ ᎨᏒᎢ, ᎾᏍᎩ ᏂᏗᏍᎦᏅᎾ ᎢᎦᎵᏍᏙᏗᏱ, ᎠᎴ ᎪᎱᏍᏗ ᏁᎫᎢᏍᏛᎾ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩ ᎠᎦᏔᎲ ᎠᏓᎨᏳᏗ ᎨᏒ ᎢᏛᏗᏍᎬᎢ;\nᏝ ᏳᏚᎵᏍᎨ ᏣᎳᎩ ᎢᏗᏁᎬ ᎤᏍᎪᎸᏍᏗ.\nᎾᏍᎩ ᎯᎠ ᎧᏱᏆ ᏥᏚᏁᏤᎴ ᎠᏂᏧᏏ, ᎯᎠ ᏥᏂᏚᏪᏎᎴᎢ; ᎤᏟ ᎣᏏᏳ ᎢᎦᎵᏍᏓᏁᏗ ᎠᏏᏴᏫ ᏱᏚᏲᎱᎯᎭᎸ ᏴᏫ.\nᎿᏉ ᏞᏍᏗ ᎠᎹᏉ ᏯᏗᏔᏍᎨᏍᏗ, ᎤᏍᏗᏍᎩᏂ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎭᏗᏍᎨᏍᏗ, ᎪᎱᏍᏗ ᎭᎵᏍᏗᏍᎬ ᎢᏳᏍᏗ ᏦᎸᎯᏍᏗᏱ ᎠᎴ ᏯᏃᏉ ᏣᏢᏥᏰᏍᎬᎢ.\nᎠᎴ ᎥᏝ ᏱᏣᏓᏅᏖᎭ ᎤᏟ ᎣᏏᏳ ᎢᎨᎦᎵᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᏏᏴᏫ ᎩᎶ ᏱᏓᏲᎱᎯᏎᎭ ᏴᏫ, ᎠᏃ ᎤᏂᏣᏘ ᎤᏅᏒ ᏯᎾᏗᏒᎲᏍᎦ.\nᏓᏇᎪᏔᏅᎩᏰᏃ ᎾᏍᎩ ᎪᎱᏍᏗ ᎠᎩᎦᏙᎥᎯᏍᏗᏱ ᏂᎨᏒᎾ ᏂᎯ ᎢᏤᎲ, ᎤᏩᏒᎯᏳ ᏥᏌ ᎦᎶᏁᏛ ᎠᎴ ᎾᏍᎩ ᏓᏓᎿᏩᏍᏛ ᎠᎦᏛᏅᎯ.\nᎦᎪ ᏂᏣᎾᏰᏍᎬᎾ ᎨᏎᏍᏗ ᏂᎯ ᏣᎬᏫᏳᎯ, ᎠᎴ ᏂᎦᎸᏉᏗᏍᎬᎾ ᎨᏎᏍᏗ ᏕᏣᏙᎥᎢ? ᏂᎯᏰᏃ ᏨᏒᎯᏳ ᏂᏍᎦᏅᎾ, ᏂᎦᏗᏳᏰᏃ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᏁᏩᏗᏒ ᏛᏂᎷᏥ ᎠᎴ ᏂᏣᏛᏅ ᎢᎬᏱᏢ ᏛᎾᏓᏙᎵᏍᏔᏂ; ᏂᎯᏰᏃ ᏗᏦᎪᏙᏗ ᎨᏒ ᎬᏂᎨᏒ ᏄᎵᏍᏔᏅ.\nᏧᏩᏗᏔᏯ ᏗᏥᎩᎵᎨᏂ, ᎠᎴ ᏂᏕᏥᎤᏍᏕᏎᎸᎾ ᏗᏥᎾᏫ ᎠᎴ ᏕᏥᎵᎷᎬᎢ, ᏂᎪᎯᎸ ᎡᏣᏡᏗᏍᎪ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ; ᏗᏥᎦᏴᎵᎨ ᏄᎾᏛᏁᎸ ᎾᏍᎩᏯ ᏂᎯ ᏂᏣᏛᏁᎰᎢ.\nᎤᎾᏓᏙᎵᏍᏓᏁᎸᏃ ᏥᎷᏏᎵᎻ ᏔᎵᏁ ᏫᎤᏂᎶᏎ ᎤᏣᏘ ᎠᎾᎵᎮᎵᎨᎢ;\nᎢᎸᎯᏢᏰᏃ ᎪᎱᏍᏗ ᎤᎵᏬᏨᎯ ᏥᎦᏃᎢ, ᎾᎿ ᎠᏬᎭᎵ ᎠᎾᏓᏟᏏᏍᎪᎢ.\nᏤᏍᏗ ᏯᎵᏗᏒᏂᎮᏍᏗ!”\nᎠᎦᏗᏛ ᏙᏍᏓᏓᎪᏩᏘᏍᎬ Mrs. Chapman.\nᎠᎴ ᎬᏂᏳᏉ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂᏍᎦᏯ ᎤᏂᏃᎴ ᎠᏤᏍᏙᎩᎯ ᎦᏅᎨ ᎠᏍᎦᏯ ᎤᎸᏓᎸᎥᏍᎩ; ᎤᎾᏁᎶᎳᏁᏃ ᎤᏂᏴᏔᏂᎯᏍᏗᏱ, ᎠᎴ [ᏥᏌ] ᎢᎬᏱᏢ ᎤᏂᏅᏁᏗᏱ.\nᏧᏳᎪᏘ ᏱᏥᏃᎲᎳ, ᎨᏍᏗᎭ ᎣᏍᏓ ᏱᎾᏆᎵᏍᏔᏁ.\nᎦᏨ ᎮᎵᎠ ᎮᎦ?”\nᎣᏍᏓ ᏳᏂᏰᎸᎲᎾ ᏚᎾᏓᎧᎾᏁᎢ ᎤᏂᏃᏕᎾ.\nᎠᏏᏉ ᎾᏍᎩ ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᎤᏂᏣᏛ ᎬᏬᎯᏳᏅᎩ.\nᏗᎧᎸᎬᏃ ᎢᏗᏢ ᏗᏂᎶᏍᎨᏍᏗ, ᎠᎴ ᏭᏕᎵᎬᎢ, ᎠᎴ ᏧᏴᏢᎢ, ᎠᎴ ᏧᎦᎾᏮᎢ, ᎠᎴ ᎠᎾᏅᎥᏍᎨᏍᏗ ᎤᏁᎳᏅᎯ ᎾᎿ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᏚᏅᏓᏒ ᏳᏂᎷᏣ ᎠᏂᏲᏍᎩ, ᏳᏂᏗᏍᎩᏌᎾ ᏂᎦᏓ ᎠᏂᏣᎳᎩ, ᏭᏕᎵᎬ ᎢᏣ ᏳᏫᏚᏂᎧᎾ, ᎨᏍᏗ ᏯᏉᎯᏳᎮ ᎣᎩᏍᏕᎸᏗ ᏧᎵᏍᎨᏛ ᎪᏪᎵ ᏃᎴ ᎦᏙ ᏗᎦᏂᏴᏙᏗ, ᎨᏍᏗ ᏱᏓᏛᎴᏫᏍᏔᎾ ᎭᏂ ᏩᏯ ᏃᎴ ᏚᎨᏓᎵᏛ ᎤᏏᏩ ᎢᏧᏅᏂᏗ.\nᎯᎠᏃ ᏅᎬᏩᏪᏎᎸᎩ; ᎠᏂ ᎯᏍᎩᏉ ᎦᏚ ᏙᎩᎭ, ᏔᎵᏉᏃ ᎠᏣᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏚᎵᏍᎬ ᎤᏟ ᎢᎦᎢ ᎬᏂᎨᏒ ᎢᏧᏩᏁᏗᏱ ᎨᏥᏚᎢᏍᏓᏁᎸᎯ ᎾᏍᎩ ᎬᏩᏓᏁᏟᏴᏍᏗ ᏂᎨᏒᎾ ᎨᏒ ᏄᏍᏛ ᎠᏓᏅᏖᏍᎬᎢ, ᎠᏎᎵᏛᏍᎬ ᎤᏍᏓᏱᏍᏔᏁᎢ.\nᎢᏥᏔᎳᏬᏍᎨᏍᏗ, ᎠᎴ ᏞᏍᏗ ᏱᏥᏍᎦᏅᎨᏍᏗ; ᏞᏍᏗ ᏅᏙ ᏭᏕᎵᏨᎩ ᎨᏥᏔᎳᏬᏍᎩ;\n”Ꭷ ᎲᎦ ᏄᏍᏗ, ᎠᎬᏱ ᎠᎴᏂᏍᎬ Ꭴ.”\nᎾᏍᎩ ᏥᏃᎮᏍᎬᎢ, ᎥᏝ ᎪᎱᏍᏗ ᎤᏍᏆᏂᎪᏗ ᏯᎩᎭ ᎦᏥᏲᏪᎳᏁᏗ ᎤᎬᏫᏳᎯ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏨᏯᏘᏃᎯᏏ, ᎠᎴ ᏂᎯ Ꮀ ᎤᎬᏫᏳᎭ ᎬᏩᏘᏃᎯᏏ, ᏣᎬᏫᏳᎯ ᎡᎩᎵᏈ, ᎾᏍᎩᏃ ᎡᏗᎪᎵᏰᎥᎯ ᎨᏎᏍᏗ, ᎪᎱᏍᏗ ᏰᎵ ᎬᏉᏪᎶᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᏕᏣᏓᎦᎵᏍᏓᏗᏍᎨᏍᏗ, ᎠᎴ ᏕᏣᏓᎵᏂᎪᎯᏍᏗᏍᎨᏍᏗ, ᎾᏍᎩᏯ ᏥᏂᏣᏛᏁᎭ.\nᎢᏳᏃ ᎠᏴ ᏱᏍᎩᎦᏔᎮᎢ ᎾᏍᏉ ᎡᏙᏓ ᏰᏥᎦᏔᎮᎢ; ᎪᎯᏃ ᎢᏳᏓᎴᏅᏛ ᎡᏥᎦᏔᏎ ᎠᎴ ᎡᏥᎪᏩᏛᎲ.\nᎰᏩᏃ ᎹᏏᏙᏂ ᏕᎤᏅᏒᎩ ᎠᏂᏔᎵ ᎬᏩᏍᏕᎸᎯᏙᎯ, ᏗᎹᏗ ᎠᎴ ᎢᎳᏍᏓ, ᎤᏩᏒᏍᎩᏂ ᎤᏗᎩᏴᎩ ᎡᏏᏱ ᎢᎸᏍᎩ ᎢᎪᎯᏛ.\nᎩᎶᏰᏃ ᎾᏍᎩ ᎯᎠ ᎤᏮᏗᏕᎬ ᎦᎶᏁᏛ ᎪᎱᏍᏗ ᎠᏛᏁᎮᏍᏗ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏗᎬᏩᏓᏂᎸᎢᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎣᏏᏳ ᎦᎬᏩᏰᎸᏗ ᎨᏎᏍᏗ ᏴᏫ.\nᎩᎶᏃ ᎯᎪᏆᎵᎢ ᎢᏨᏂᎮᏍᏗ ᏐᎢᏱ ᎾᏍᏉ ᎯᏯᎵᏍᎪᎸᏓᏁᎮᏍᏗ; ᎩᎶᏃ ᎤᏛᏃᎯ ᏣᎾᎡᎮᏍᏗ, ᎾᏍᏉ ᎭᏫᏂ ᏣᏄᏬ ᏞᏍᏗ ᎯᎨᏳᏔᏅᎩ.\nᎾᏍᎩᏃ ᎤᎬᏫᏳᎯ ᏚᏬᏁᏔᏅ, ᎦᎸᎳᏗ ᏙᏣᏕᏓᏂᎸᏤᎢ, ᎠᎴ ᎠᎦᏘᏏ ᎢᏗᏢ ᎤᏁᎳᏅᎯ ᎤᏬᎸ ᎤᏪᏁᎢ.\n“ᎯᎠᎾ, “ᏭᏔᏅᎢ ᏏᏆ”? ᎤᏛᏛᏁ ᏐᏉ ᎤᏃᏕᎾ ᎠᏓᎯ.\n”ᏂᏪᏏᎭᏉᏗᎾ,” ᎤᏛᏁ.\nᎠᏴ ᎤᏙᎯᏳᎯ ᎠᎹ ᏕᏨᏯᏬᏍᏔᏅ, ᎾᏍᎩᏍᎩᏂ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏙᏓᏣᏬᏍᏔᏂ.\nᎩᎦᎨᏃ ᎬᏩᏄᏪᎡᎢ, ᎠᎴ ᎠᎵᏍᏚᎶ ᏧᏣᏲᏍᏗ ᎪᏢᏔᏅᎯ ᎤᏂᏍᏕᏲᏅ, ᎾᏍᎩ ᎤᏂᏍᏚᎶᏔᏁᎢ.\n”Ꭵ, ᎤᏙᎯᏳ ᎤᏬᏚᎯ,” ᎤᏛᏁ ᏌᎳᏓ, ᎠᎬᏱᏣ ᏕᎦᏅᏌᏛ ᏚᏔᏁ ᎤᏒᏂᎴ ᏗᎦᏅᏙᏗ.\nᎠᎴ ᎾᏍᎩ ᎡᏆ ᎦᏚᎲ ᏦᎢ ᏄᏓᏛᎩ, ᎠᎴ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᏁᏩᏗᏒ ᏚᏂᏚᎲ ᏚᏲᏨᎩ; ᎠᎴ ᏓᏓᎶᏂ ᎦᎸᏉᏗ ᎦᏚᎲ ᎠᏅᏓᏗᏍᏗ ᏄᎵᏍᏔᏅᎩ ᎤᏁᎳᏅᎯ ᏄᏛᏅᎢ, ᎾᏍᎩ ᎠᏥᏁᏗᏱ [ᏓᏓᎶᏂ] ᎤᎵᏍᏈᏗ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎠᏟᏍᏛ ᎤᏣᏘ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏩᏛᏗ.\nᎣᎦᏛᎦᏅᎯ ᎨᏒ ᎦᎶᏁᏛ ᏥᏌ ᎡᏦᎢᏳᏒᎢ, ᎠᎴ ᏕᏥᎨᏳᏒ ᎾᏂᎥ ᎤᎾᏓᏅᏘ;\nᎠᎴ ᎤᏂᎸᏉᏙ ᏄᎬᏫᏳᏒ ᏧᎾᏂᏢᏗᏱ ᏓᎾᎵᏍᏓᏴᎲᏍᎬᎢ, ᎠᎴ ᏄᎬᏫᏳᏒ ᏕᎦᏍᎩᎸ ᏗᎦᎳᏫᎢᏍᏗᏱ,\nᏓᏓᎶᏂ ᎠᏁᎯ ᎨᎦᏑᏰᏛ ᏂᎯ ᎡᏣᏑᏰᏛ ᎨᏒ ᎾᏍᎩᏯᎢ ᏫᎨᏥᏲᎵᎭ, ᎠᎴ ᎾᏍᏉ ᎹᎦ ᎠᏇᏥ.\nᏑᎾᎴᎢᏳᏃ ᎢᎬᏱᏱ ᎢᎦ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒᎢ, ᎤᏂᎷᏤ ᎠᏤᎵᏍᏛ ᏨᏗᎧᎸᎪᏉ.\nᎢᏳᏃ ᏇᎵᏥᏆ ᏯᎩᏍᏕᎵᎭ ᎠᏂᏍᎩᎾ ᏕᏥᏄᎪᏫᏍᎬᎢ, ᎦᎪ ᎤᏂᏍᏕᎵᎭ ᏗᏤᏥ ᎾᏍᎩ ᏓᏂᏄᎪᏫᏍᎬᎢ? ᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᎩ ᏗᎨᏧᎪᏓᏁᎯ ᎨᏎᏍᏗ.\nᎤᏩᏛᎮ ᏩᏴᏍᏗ ᏃᎴ ᏭᏪᎷᏁ, ᏏᏲ ᎩᏥ! ᎤᏍᏗ ᎠᏣᏗ ᎭᏂ.\nᎠᎴ ᎠᏴ ᏣᏂ ᎠᎩᎪᎲᎩ ᎦᎸᏉᏗᏳ ᎦᏚᎲ ᎾᏍᎩ ᎢᏤ ᏥᎷᏏᎵᎻ ᏓᏳᏠᎠᏒᎩ ᎤᏁᎳᏅᎯᏱ ᎦᎸᎶᎢ, ᎤᏛᏅᎢᏍᏛᎩ ᎾᏍᎩᏯ ᎠᏥᏰᎯ ᏣᏙᏚᎢᏍᏗᏍᎪ ᏣᏛᏅᎢᏍᏓᏁᎰ ᎤᏰᎯ.\nᎨᏍᏗ ᏯᏆᏓᏅᏖᎳ ᎢᏳᏍᏗ ᏄᏰᎸᎲ.\nᎿᏉᏃ ᏚᎾᎴᏁ ᎩᎶ ᎢᏳᎾᏍᏗ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏁᎳ ᎠᏂᎵᏆᏗᏂ ᏥᏂᎳᏫᎢᏍᏗᏱ ᏥᏚᏙᎥ, ᎠᎴ ᏌᎵᏂ ᎠᏂᎯ, ᎠᎴ ᎡᎵᏱᎩ ᎠᏁᎯ, ᎠᎴ ᏏᎵᏏᏱ ᎠᏁᎯ, ᎠᎴ ᎡᏗᏱ ᎠᏁᎯ, ᎤᎾᎵᏃᎮᏔᏁᏍᏗᏫ.\nᎾᏉᏃ ᎢᏨᏔᏲᏎᎭ ᎤᎦᎵᏍᏗ ᎢᏣᏓᏅᏓᏗᏍᏗᏱ; ᎯᎠᏰᏃ ᏥᏂᏣᏛᏅ ᎥᏝ ᎩᎶᎬᏅ ᏴᎬᏩᏲᎱᏏ, ᏥᏳ ᎤᏩᏒ ᏓᎩᏲᎱᏎᎵ.\nᎥᏝ ᎩᎶ ᎪᎵᎩ ᏱᎩ; ᎥᏝ ᎩᎶ ᎤᏁᎳᏅᎯ ᎤᏲᎯ ᏱᎩ.\nᎯᎠᏃ ᎠᎨᏴ ᎡᏆᎭᎻ ᎤᏪᏥ ᏥᎩ, ᎾᏍᎩ ᏎᏓᏂ ᎿᏉ ᎬᏂᏳ ᏁᎳᏚ ᏧᏕᏗᏴᏛ ᎬᏩᎸᎸᎯ ᏥᎩ, ᏝᏍᎪ ᏱᏚᏳᎪᏕ ᎤᎾᏙᏓᏆᏍᎬ ᎠᎦᎸᏒᏗᏱ ᎯᎠ ᎾᏍᎩ ᎤᏓᎸᏍᏛᎢ?\nᎿᏉᏃ ᏈᏓ ᎤᎷᏤᎸ ᎯᎠ ᏄᏪᏒᎩ; ᏣᎬᏫᏳᎯ, ᎢᎳᎪ ᎾᎩᏍᎦᏅᏤᎨᏍᏗ ᏦᏍᏓᏓᏅᏟ, ᎠᏏᏉ ᎢᏥᏯᏙᎵᎨᏍᏗ? ᎦᎵᏉᎩᏍᎪ?\nᎾᏂᎥ ᏴᏫ ᏚᏂᎸᏫᏍᏓᏁᎸ ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᎨᏎᏍᏗ; ᎾᎯᏳᏰᏃ ᎤᎾᏄᎪᏫᏍᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎠᏥᎸ ᎤᎪᎵᏰᏗ ᎨᏎᏍᏗ ᎾᏂᎥ ᏴᏫ ᏚᏂᎸᏫᏍᏓᏁᎸ ᎢᏳᏍᏗ ᎾᏍᎩ ᎨᏒᎢ.\nᎾᏆᏓᏬᏅ ᏃᎴ ᏗᎧᏅᏩᏛᏍᏗ ᏂᎨᏒᎾ ᎢᏳᏍᏗ ᎤᏁᏌᏴᏥ ᎦᏃᎸᎥᏍᎦ ᏙᏱ ᎦᎢᏒᎩ. ᏃᏆᎴ Franklin Street ᎢᎦᎢᏒᎢ.\nᏌᏩᏂᏃ ᎾᏍᏉ ᎤᏬᎯᏳᏁᎢ, ᎠᎦᏬᎥᏃ ᎤᏍᏓᏩᏗᏙᎴ ᏈᎵᎩ; ᎠᎪᏩᏗᏍᎬᏃ ᎤᏍᏆᏂᎪᏗ ᎠᎴ ᎤᏰᎸᏛ ᏚᎸᏫᏍᏓᏁᎲᎢ, ᎠᏍᏆᏂᎪᏍᎨᎢ.\nᎤᎭᏳᎾᏚᎴ ᎠᏰᎳᏍᏗ ᏃᎴ ᏭᏴᎮ ᎩᎦᎭ ᎦᎷᏯᏍᏘ ᏥᏴ ᎦᏙ, ᎦᏣᏄᎸ ᎤᎨᎲᏎ.\nᎾᏍᎩᏰᏃ Ꮎ ᎤᏲᎱᏒᎯ ᎤᏚᏓᎳᎡᎸᎯ ᎨᏐ ᎠᏍᎦᏂ.\nᎠᏴᏰᏃ ᎾᏍᏉ ᏗᏆᏓᏁᎶᏗᏉ, ᎠᎴ ᏗᎩᎧᎭ ᎠᏂᏯᏫᏍᎩ ᎠᎴ ᎠᏴ ᏕᎬᏆᏁᎶᏙᎢ, ᎩᎶᏃ ᎮᎾ ᏥᏲᏏ, ᎡᎪᎢ; ᏅᏩᏓᎴᏃ ᎡᎮᎾ ᏥᏲᏏ, ᏗᎡᎪᎢ; ᏥᏅᏏᎠᏍᏗᏃ ᎯᎠ ᎿᏛᏏ ᏥᏲᏏ, ᎾᏍᎩ ᎾᏛᏁᎰᎢ.\nᎦᏂᏓᏛᏃ ᏃᏈᏏ ᎦᎸᎳᏗ ᎠᏂᎧᎸ ᏦᎢ ᎢᏗᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᏕᎤ-ᏎᏒᏔᏅᎩ, ᎠᎴ ᎦᏙᎯ ᏫᏚᏗᏅᏒᎩ; ᎢᎾᏛᏃ ᎢᎬᏱᏗᏢ ᎤᎴᏅᎩ ᎠᎨᏴ ᏄᏛᏅᎢ, ᎾᏍᎩ ᎤᎾᏄᎪᏫᏏᏕᎾ [ᎠᏲᎵ] ᎾᏍᎩ ᎤᏕᏃᏅᎯᏉ ᎤᏪᏯᎣᎲᏍᏗᏱ ᎤᏰᎸᏒᎩ.\nᎭᎩᏅᏁᎸ ᎤᏍᏓᎦᏴᎯᏓ ᎪᏪᎵ, ᎤᏍᏚᏅ ᎠᏍᏚᏗ.\nᎠᏰᎵ ᎢᏳᏕᏘᏴᏓ ᎨᏎ, ᏑᏓᎵ ᎢᏯᏂ ᏗᏂᏲᏟ, ᏫᏥ ᎢᏯᏂ ᎤᎾᏛᏒ ᎨᏎ.\n“ᎠᎴ ᏨᏌᎨ ᎰᏒᏍᎦ?”\n“Ꭵ, ᎨᎵᎠ ᏍᎩᎾᎾ ᎢᏳᎾᏛᏁᏗ,” ᎤᏛᏁ ᎪᏱᏁᎢ, ᏎᎦᏨ.\nᎷᏆ ᎡᏥᏲᎵᎸᎭ, ᎾᏍᎩ ᎠᎦᏑᏰᏛ ᎤᎬᏫᏳᎯ ᎪᎯᏳᎲᏍᎩ, ᎠᎴ ᎾᏍᎩ ᎣᎩᏂᏥ.\nᎡᏝᏪᎯ ᎤᎾᎵᏍᏔᏴᏅ ᎠᏂᏲᏍᎩ, ᏧᏏᏩ ᏂᏚᎵᏍᏔᏅ ᏧᏃᏩ, ᎦᏲᏟ ᎦᎳᎨᏴ ᏧᏂᏅᎦᎴᎰᏅ ᏧᎪᎳ ᏃᎴ ᏒᏕᏅ ᎦᏂ, ᎤᎭᏄᏮ ᎪᎭᏯᏛ ᎬᏘ ᎤᏅᎦᎳᎲ ᎠᎰᎵ Perry, ᎤᏛᎾ ᎤᏁᏝᏅᎯ ᎤᏛᏅ.\n“ᏃᏗ ᏙᎢᏳᏍᏗ ᏄᎵᏍᏔᏁᎢ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᏄᏓᎴᏒ ᎪᎱᏍᏗ ᎢᏥᎪᎵᏰᏍᎨᏍᏗ; ᎠᏍᏓᏯ ᏕᏥᏂᏴᏎᏍᏗ ᎾᏍᎩ Ꮎ ᎣᏍᏛ ᎨᏒᎢ.\nᎢᏳᏰᏃ ᎢᎬᏱ ᎨᏒ ᎩᎶ ᏯᎦᎵᏴ ᏧᏓᏅᏛᎢ, ᏣᎦᏓᏂᎸᏤᏗ ᎨᏐ ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᎲᎢ, ᎥᏝᏃ ᎾᏍᎩᏯ ᏄᎲᎾ ᎨᏒᎢ.\nᏏᏲ ᎤᏍᏗ ᎠᏣᏗ, ᏧᏩ ᎬᏉᏎᎰ ᎠᏂᏣᎳᎩ ᏃᎴ ᎨᏍᏗ ᎠᏣᏗ ᏱᎩ ᎠᏯ, ᎠᏯᏃ ᎤᏔᏂᏓ ᏚᏪᎦ.\nᏲᎾ ᎣᎦᎦᏙᏍᎬ ᏍᎩᏴ ᎢᎦ.\nᏂᎦᏓ ᎤᏂᎾᎥ ᏕᎯᎩᎣᎲᏏ.\nᎾᏍᎩᏃ ᏅᎩ ᎢᏯᏂᏛ ᏗᏅᏃᏛ ᎠᏂᏏᏴᏫᎭ ᏑᏓᎵ ᏓᏃᏯᏛᎩ; ᎬᏩᏚᏫᏛᏃ ᎠᎴ ᎭᏫᏂ ᎧᎵᏬᎯ ᎨᏒ ᏗᏂᎧᏅᎢ; ᎠᎴ ᎾᎾᏣᏪᏐᎸᏍᏗᏍᎬᎾ ᎨᏐ ᎢᎦ ᎠᎴ ᏒᏃᏱ ᎯᎠ ᎾᏂᏪᏍᎬᎢ; ᎦᎸᏉᏗᏳ, ᎦᎸᏉᏗᏳ, ᎦᎸᏉᏗᏳ, ᎤᎬᏫᏳᎯ ᎤᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ, ᎾᏍᎩ ᏤᎲᎩ, ᎠᎴ ᏤᎭ, ᎠᎴ ᏤᎮᏍᏗ.\nᎾᎿᏃ ᏫᎣᎨᏅ ᎠᎪᎸᏛ ᏬᎩᏅᏍᏔᏅᎩ, ᎵᏥᏯ ᏬᎩᎷᏨᎩ. ᏑᏙᏓᏆᏛᏃ ᎤᎶᏐᏅ ᏧᎦᎾᏮ ᎢᏗᏢ ᏓᏳᏃᎸᏔᏅᎩ; ᎤᎩᏨᏛᏃ ᏇᏗᎣᎵ ᏬᎩᎷᏨᎩ.\nᎠᎴ ᎦᎪ ᏚᏓᎴᏅᏔᏅ ᎤᏁᎸ, ᎠᎴ ᏔᎵᏁ ᏛᎠᎦᎫᏴᎡᎵ?\nᎯᎠᏰᏃ ᏂᎬᏅ ᎪᏪᎳ ᏗᎧᏃᎩᏍᏗ ᎪᏪᎵᎯ, ᎦᏁᎸᎢ ᏅᏔ ᏫᏂᎦᎵᏍᏓ, ᎠᎴ ᏞᏍᏗ ᎩᎶ ᎾᎿ ᏳᏁᎳᏕᏍᏗ; ᎠᎴ ᎾᏍᏉ ᎯᎠ ᏂᎬᏅ, ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏅᏩᏓᎴ ᏩᎩᏍᏓ.\nᎿᏉᏃ ᎯᎠ ᏅᎤᏪᏎᎸᎩ ᎤᏍᏓᏩᏗᏙᎯ; ᎬᏂᏳᏉ ᏣᏥᎢ. ᎾᎯᏳᏉᏃ ᎾᏍᎩ ᎤᏍᏓᏩᏗᏙᎯ ᏧᏪᏅᏒ ᏭᏘᏅᏍᏔᏅᎩ.\nᎦᏙᏃ? ᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᏄᏅᏔᏅᎾ ᎨᏒᎢ, ᏗᎧᎿᏩᏛᏍᏗᏍᎩᏂ ᏂᎦᏪᏍᎬ ᎢᏯᏛᏁᏗ ᎨᏒ ᎤᏅᏔᏅᎢ; ᏚᏃᏕᏍᏔᏁᏰᏃ ᎾᏍᎩ Ꮎ ᏅᏯ ᏗᏓᏙᏕᎯᎯ ᎨᏒᎢ;\nᎠᎴ ᎾᏍᎩ ᏔᎵ ᏄᎵᏁᏨ ᏕᏒᏗᏍᎬ ᎾᏍᎩ ᎬᏩᏓᏁᏟᏴᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎾᎿ ᎬᏩᏥᎪᏗ ᏂᎨᏒᎾ ᏥᎨᎭ ᎤᏁᎳᏅᎯ, ᎠᏴ ᎢᎩᏲᎸᎯ ᏥᎩ ᎢᎦᏗᏍᎦᎶᏗᏱ, ᎤᎵᏂᎩᏛ ᎢᎩᎦᎵᏍᏓᏗᏍᎩ ᎨᎩᏩᏛᏗ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᏗᎩᏂᏴᏗᏱ ᎤᏚᎩ ᎬᏗ ᎡᎩᏩᏌᏓᏁᎲᎢ;\nᏈᏓ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎾᏍᏉ ᏂᎦᏛ ᏱᏚᏃᏕᎸ ᏂᎯ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ, ᎠᏎ ᎠᏴ ᎥᏝ ᏱᏙᎬᏉᏕᎦ.\nᎠᎴ ᎾᏍᎩ ᏯᎩᎭ ᎠᏆᏙᎴᎰᎯᏍᏗᏱ, ᎠᎴ ᏱᎪᎵᎦ ᏂᎦᏗᏳ ᎤᏕᎵᏛ ᎨᏒᎢ, ᎠᎴ ᏂᎦᏗᏳ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ; ᎠᎴ ᏂᎦᎥ ᎪᎯᏳᏗ ᎨᏒ ᏯᎩᎭ, ᎾᏍᎩ ᏰᎵᏉ ᏗᎬᎩᎲᏍᏗ ᏱᎩ ᏙᏓᎸᎢ; ᎠᏓᎨᏳᏗᏃ ᎨᏒ ᎾᎩᎲᎾ ᏱᎩ, ᎪᎱᏍᏗᏉ ᏂᎨᏒᎾ ᎠᏴ.\nᎠᏂᏧᏣᎾ---ᏗᎪᎵᎩᎨ ᎠᏂᏧᏣ?”\nᎤᏣᏘᏰᏃ ᎠᏆᏚᎵ ᎢᏨᎪᏩᏛᏗᏱ, ᎾᏍᎩ ᏗᏨᏲᎯᏎᏗᏱ ᎪᎱᏍᏗ ᎤᏍᏗ ᎠᏓᏅᏙ ᎤᎵᏍᏕᎸᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏗᏣᎵᏂᎪᎯᏍᏗᏱ ᏭᎵᏱᎶᎯᏍᏗᏱ;\nᏗᏣᏓᏅᏏᏙᎯ, ᏕᏥᏁᎮᏍᏗ ᏗᏥᏅᏏᏓᏍᏗ ᏚᏳᎪᏛ ᎠᎴ ᏰᎵᏉ ᎨᏒᎢ; ᎢᏣᏅᏖᏍᏗ ᏂᎯ ᎾᏍᏉ ᎢᏥᏅᏏᏙᎯ ᎦᎸᎳᏗ ᏤᎲᎢ.\nᎡᎶᎯᏰᏃ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎡᎶᎯ ᏣᎧᎵᎢᎭ.\nᎡᎵᏍᎨ ᎠᎾᏛᎩᏍᎨ ᎦᎾᏁᏍᎬ.\nᎤᏂᏃᎮᎸᏃ, ᎤᏂᏩᎯᏍᏔᏁ ᎥᏘ ᏗᎪᏢᏍᎩ ᎤᎶᎨᏒᎢ ᎾᎿ ᎠᏁᏙᎯ ᏗᎨᏥᏂᏐᏗᏱ.\nᏤᎦᎳᏯᏃ ᎯᎠ ᏄᏪᏎᎴ ᏗᎧᎿᏩᏗᏙᎯ, ᎦᏙᏃ ᎠᏆᏙᎴᎰᎯᏍᏙᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎯᎠ? ᎠᏆᏛᏐᏅᎯᏰᏃ, ᎠᎴ ᎠᏆᏓᎵᎢ ᎿᏉ ᎠᎦᏴᎵᎨᎢ\nᎠᎴ ᏞᏍᏗ ᎡᏥᎳᏅᏓᏕᎸᎩ ᎠᏍᎩᎾ.\nᏕᎯᎸᏉᏕᏍᏗ ᏧᏃᏑᎶᏨᎯ, ᎢᏳᏃ ᎤᏙᎯᏳᏒ ᏧᏃᏑᎶᏨᎯ ᏱᎩ.\nᎢᎦ ᎤᏟᏂᎪᏎ, ᎠᎯᏗᎨ ᎦᎷᎨ ᏑᎾᎴ.\nᏞᏍᏗ ᎪᎱᏍᏗ ᎦᎸᏉᏗ ᎩᎵ ᏗᏥᏁᎸᎩ, ᏞᏍᏗ ᎠᎴ ᏓᎬᎾ-ᎢᏳᎾᏍᏗ ᏗᏣᏤᎵᎦ ᏏᏆ ᏫᏗᏣᏗᏁᎸᎩ, ᏱᏓᎾᎳᏍᏓᎥᎵᏉᏰᏃ, ᎠᎴ ᏯᎾᎦᏔᎲᎾ ᏴᎨᏥᏓᎦᎸᎥᎦ.\nᎠᎴ ᎠᏜ ᎦᏩᏒᎩ ᏚᎦᏒᏍᏛ ᎾᎯᏳ ᎠᎵᏌᎳᏗᏍᎬᎩ ᎤᎾᏓᏅᏘ ᎠᎾᏓᏙᎵᏍᏗᏍᎬ ᏓᎵᏌᎳᏗᏍᎬ ᎤᏁᎳᏅᎯ ᏄᏛᏅ ᎢᎬᏱᏗᏢ ᏫᎦᎷᎬᎩ, ᏗᎧᎿᏩᏗᏙᎯ ᎤᏬᏰᏂ ᎠᏓᎴᎲᏍᎬᎩ.\nᏣᏂ ᏚᏁᏤᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ, ᎠᏴ ᎠᎹ ᏕᎦᏓᏬᏍᏗᎭ; ᎠᏎᏃ ᎦᏙᎦ ᎩᎶ ᎢᏥᏙᎾᎥ ᎤᏓᏑᏯ ᎾᏍᎩ ᏄᏥᎦᏔᎲᎾ;\nᏔᎵᏃ ᏫᏄᏕᎢᏴᎲ ᏈᎵᏏ ᎤᏪᏅᎢ ᏉᏏᏯ ᏇᏍᏓ ᎤᏪᏔᏅᎩ; ᏈᎵᏏᏃ ᎤᏚᎵᏍᎬᎢ ᎠᏂᏧᏏ ᎣᏍᏛ ᏧᏓᏅᏓᏗᏍᏙᏗᏱ, ᎤᏪᎧᎯᏴᎩ ᏉᎳ ᎠᎦᎸᎢᏛ.\nᏚᏛᏛᏁᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎢᎳᎪ ᎦᏚ ᏕᏥᏰᎭ? ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎦᎵᏉᎩ.\n”ᎭᏩ, ᎠᎬᏱ ᎤᎧᏌᏔᎾ ᏌᏌ ᎠᏓᎯ ᎠᏍᎪᎵ ᏌᏌ ᎠᎩᏌ ᎭᏫᏂᏣ, ᎤᏍᏗ ᎦᏍᎩᎶᎩ ᎠᏉᏢ ᎤᏅᏏᏴᎢ, ᏌᎳᏓ ᎤᏏᎳᏛ ᎤᏬᏢ.\nᎤᏂᎪᎲᏃ ᎾᏍᎩ ᏂᎦᏛ ᎤᏂᏐᏅᏤᎴᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏩᏴᏢ ᏮᏛᏒᏎᎵ ᎠᏍᎦᏯ ᎠᏍᎦᎾᎢ.\nᎠᏓᎨᏳᏗ ᎨᏒ ᎢᏥᏍᏓᏩᏕᎨᏍᏗ; ᎠᎴ ᎢᏣᏚᎵᏍᎨᏍᏗ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏙᏗ; ᎠᏗᎾ Ꮀ ᎤᎬᏫᏳᏎᏍᏗ ᎾᏍᎩ ᎨᏣᏙᎴᎰᎯᏍᏗ ᎨᏒᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ ᎠᏏᏉ ᎣᏍᏛ ᏕᎧᏁᏤᎮᎢ ᎠᎦᏓᏓᎴᏔᏁ ᎠᏂᏙᎾᎥᎢ, ᎦᎸᎳᏗᏃ ᏩᎦᏘᏅᏍᏔᏁᎢ.\nᏑᏓᎵᏍᎪᎯ ᎢᏳᏕᏘᏴᏓ, ᎠᏎᏃ ᏁᎵᏍᎪ ᎢᏳᏕᏘᏴᏓ ᏄᏍᏛ ᏗᎧᏃᏗ, ᏰᎵ ᎢᏳᏩᎦᏘ ᎠᏓᏚᏚ.\nᎡᏓᎴᏫᏍᏙᏙᏗ ᎠᎾᏗᏍᎨᎢ.\nᏳᏟᏴᏧᎩᏒᎾ ᎤᏴᎵᎸ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏗ ᏧᏬᏪᎳᏁᎯ ᎠᏌᎻᏓ ᎤᎵᏦᏩᏛ. ᎢᏧᎳ, ᏃᏉ ᎤᏛᏅ.\nᎼᏏᏰᏃ ᎯᎠ ᏂᏕᎤᏪᏎᎴ ᏗᎩᏙᏓ; ᏱᎰᏩ ᎢᏣᏁᎳᏅᎯ ᏓᏥᎾᏄᎪᏫᏎᎵ ᎠᏙᎴᎰᏍᎩ ᎢᏣᎵᏅᏟ ᎨᏒ ᏓᎦᎾᏄᎪᏥ, ᎠᏴ ᎾᏍᎩᏯᎢ; ᎾᏍᎩ ᏓᏰᏣᏛᏓᏍᏓᏁᎵ ᏂᎦᎥ ᎢᏥᏁᏤᏗ ᎨᏒᎢ.\nᎤᏩᏇᏅᏔᏁ ᎠᏣᏗ, ᏃᏗ ᎤᏩᏯᎨᎢ ᎣᏍᏓ ᎤᏛᏅᎢᏍᏔᎾ.\nᎠᏰᎵ ᎢᏴ ᎠᏥᏍᏛ ᎫᎦ ᏫᏍᎩ ᏃᎴ ᎠᏰᎵ ᎢᏴ ᎠᏥᏍᏛ ᎤᏁᏍᏔᎸ ᏚᏌᎲ ᎦᏍᎩᎸ.\n“ᎠᎩᏥ ᎠᏇᏲᏅ.”\nᎡᎶᏛᏃ ᏅᎩ ᎢᎦᏚᎩ ᎨᏒ ᏍᎦᏚᎩ ᎠᏥᎦᏘᏗᏍᏗ ᎤᏛᎦᏁ ᏂᎦᏛ ᏕᎤᎸᏫᏍᏓᏁᎲᎢ; ᎠᎴ ᎤᏕᏯᏔᏁᎴᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎩᎶ ᏣᏂ ᎤᏲᎱᏒ ᏕᎤᎴᎯᏌᏅ ᎠᎾᏗᏍᎬᎢ;\nᎣᎯᏍᏙᏗ ᎠᏒᏍᏗ ᎠᏆᏚᎵᎭ ᏥᏲᏎᎸ.\nᏐᎳᏃ ᎣᏏᏳᎠᏰᎸᏍᎨ ᎠᏥᎸᎢ. ᎾᎯᏳᏃ ᎤᎶᏘ ᎤᏲ ᏂᎨᎬᎾᏕᎨ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏈᎬ ᏘᎷᏏᎵᎻ; ᎠᎴ ᏂᎦᏛ ᎤᎾᏗᎦᎵᏲᏤ ᏂᎬᎾᏛ ᏧᏗᏱ ᎠᎴ ᏌᎺᎵᏱ, ᎨᏥᏅᏏᏛ ᎤᏅᏒ.\nᎠᎭᏲᎮᏉ ᏣᎵ ᎤᎵᏏᎩ ᎬᏕᎶᎰᎯᏍᏗ ᏱᎨᏒᎾ ᏂᏚᏓᎴᏒ ᏧᏆᎶᎦ.\nᎨᏱᏗᏣ ᏬᏥᎦᏛ ᎠᎹᏳᎸᏓ, ᏃᏥᏳ ᏃᎴ ᏌᏬᏚ ᏃᎴ ᏕᎮᏴ, ᎨᏍᏗᎭ ᏕᎨᏴ ᎢᏳᏍᏗ ᏱᎨᏎ ᏂᏚᏍᏛ ᎠᏯ ᏗᎩᎶᏒ, ᎬᏂᎨ ᏌᏬᏚ ᏃᎴ ᎠᏒᎩ ᎠᎹ ᎤᏓᏑᏱ ᎠᎹ ᎨᏒ. ᎤᏍᏆᏂᎩᏗ ᎠᎩᏰᎸᎲ, ᎾᏍᎩᏴ ᎠᏁᏙᎵᏙ ᏗᏃᏪᎵᏍᎩ ᏅᎩᏁᎢᎦ ᏓᎩᎸᏉᏛ.\nᎠᏚᎢᏍᏛᏃ ᎤᏍᏆᎸᎯᏗᏎᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏎᎵᏔᏅᎯ ᏧᏁᏤᎴ ᎡᏆᎭᎻ, ᎾᏍᎩ ᎤᏂᏁᏉᏤ ᏴᏫ ᎠᎴ ᎤᏂᏣᏔᏅᎯ ᏄᎾᎵᏍᏔᏁ ᎢᏥᏈᏱ.\nᎠᎴ ᎾᏍᎩ ᎾᏅᎩ-ᏗᎦᏅᏌᏗ ᎥᏥᎪᎥᎩ, ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᏓᏁᏩᏗᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏧᎾᏤᎵ ᎠᏂᏯᏫᏍᎩ, ᎤᎾᏓᏟᏌᏅᎩ ᏓᎿᏩ ᎢᏳᏅᏁᏗᏱ ᎤᏂᏰᎸᏒᎩ ᎾᏍᎩ Ꮎ ᏐᏈᎵᎯ ᎤᎩᎵ, ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᎠᏂᏯᏫᏍᎩ.\nᎤᏓᏂᎢᎨᏃ ᎤᏪᏥ ᏠᎨᏏ ᏪᏙᎮᎢ; ᏗᎤᏪᏅᏃ ᎠᎴ ᎠᏓᏁᎸ ᎾᎥ ᎤᎷᏨ, ᏓᏂᏃᎩᏍᎬ ᎠᎴ ᎠᎾᎵᏍᎩᏍᎬ ᎤᏛᎦᏁᎢ\nᎤᏂᏣᏘᏃ ᎤᏁᎷᏅᎩ ᏧᏓᎴᏅᏛᏉ ᏄᏂᏪᏒᎩ. ᎤᏄᎸᏅᏃ ᏚᏳᎪᏛ ᎤᏙᎴᎰᎯᏍᏗᏱ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎤᏓᏑᏰᏛ ᎠᎾᎵᏖᎸᎲᏍᎬᎢ, ᎤᏁᏨᎩ ᏗᏐᏴ ᏩᎦᏘᏅᏍᏙᏗᏱ.\n“ᏙᎤᏍᏗ ᎧᏃᎮᏗ ᎤᏃᎮᎴ?” ᎤᏓᏛᏛᏁ ᎪᏱᏁᎢ.\nᎦᎪᏍᏂ ᎤᏤᎵᎠ ᎠᎭᏂ ᎢᎾᎨᎢ ᎠᏆᏂᏔ ᎨᎵᎠ.\nᎠᏏᎳᏛᎥᏍᎬ ᏭᏏᎳᏛᏁ ᎠᏏᎳᏛ.\nᎠᏆᏁᎸᏔᏅ ᎤᏕᎸᏓ ᎨᏥᎾᏌ ᎠᏂᎦᏔᎲ, ᎨᎵ ᎨᏍᏗ ᎪᎰᏍᏗ ᏰᎵᏍᎨ ᎢᏳᏍᏗ ᎤᏂᏃᎮᏗ ᏭᏕᎵᎬ ᎠᏁᏒ.\nᎣᏍᏓ ᎠᎵᏍᏓᏴᏗ ᎠᏥᏁᎮ ᏃᎴ ᎣᏍᏓ ᎤᎾᎦᏎᏍᏛᎢ ᎬᏂᎨᏒ ᏂᎦᎵᏍᏗᏍᎨᎢ. ᎢᏳᏍᏗᏉ ᎠᏍᎦᏯ ᏯᏨᏇᏍᎨᎢ ᏳᎾᏌᎡᎢ ᏏᏆ ᏫᎵᎻ.\nᎠᏓᏙᎵᏍᏗᎨᏃ ᏄᏍᏛ ᎤᎧᏛ ᎤᏓᏁᏟᏴᏎᎢ, ᎠᎴ ᏚᏄᏩᎥ ᎤᏁᎩᏳ ᎠᎴ ᎬᏩᏥᏍᏓᎷᎩᏍᎩ ᏄᎵᏍᏔᏁᎢ.\nᎾᎨᎢᏴ ᎠᏛᎩᏍᎨ ᎧᏃᎩᏍᏗ ᏧᏃᏴᎬ ᏐᏈᎵ ᏗᏥᎶᏍᏔᏅ ᏗᎩᎸᏙᏗ ᏓᏳᏓᎴᏅ.\nᏓᎦᎷᏥ ᎠᎴ ᏙᏛᏛᏔᏂ ᎾᏍᎩ Ꮎ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᏅᏩᎾᏓᎴ ᏙᏛᏁᎵ ᏖᎸᎳᏗ ᏓᏫᏒᎢ. ᎾᏍᎩᏃ ᎤᎾᏛᎦᏁᎸ, ᎥᏞᏍᏗ, ᎤᎾᏛᏁᎢ.\nᎾᎯᏳᏃ ᎾᏍᎩ Ꮎ ᎠᏍᎦᎾ ᎬᏂᎨᏒ ᏅᏓᏰᎬᏁᎵ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏨᏛᏛᏔᏂ ᎠᏓᏅᏙ ᎠᎰᎵ ᏅᏓᏳᏓᎴᏅᎯ ᎬᏗ, ᎠᎴ ᏨᏛᏛᏔᏂ ᏓᎬᏔᏂ ᎬᏂᎨᏒ ᎾᎬᏁᎲ ᎾᎯᏳ ᎦᎷᏨᎭ;\nᏝᏍᎪ ᏱᏏ ᏱᏥᏁᎴ ᏗᎧᎿᏩᏛᏍᏗ? ᎠᏎᏃ ᎥᏝ ᎩᎶ ᏳᏓᏑᏯ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᏱᎾᏛᏁᎭ. ᎦᏙᏃ ᎢᏣᏚᎵ ᏍᎩᎢᏍᏗᏱ?\nᎠᏍᎦᏯ ᎡᎲᎩ ᏂᎦᏗᎹᏏ ᏧᏙᎢᏛ, ᎠᏂᏆᎵᏏᏱ ᎤᏤᎵᎪᎯ, ᎠᏂᏥᏏ ᏗᎬᏩᏁᎶᏗ ᎨᏒᎩ.\nᎾᏍᎩ ᎾᏍᏉ ᎬᏃᏛ ᎬᏂᎨᏒ ᏂᏚᏛᏁᎴᎢ, ᎤᎩᎵᏲᏨᎯ ᏂᎨᏎᎢ, ᎤᏣᏘ ᏄᏜᏏᏛᏒᎾ ᎠᏙᎵᏲᏨᎯ ᏂᎨᏎᎢ, ᎤᏣᏘ ᏄᏜᏏᏛᏒᎾ ᎠᏙᎴᎰᎯᏍᏙᏗ ᎬᏗᏍᎬᎢ, ᏅᎦᏍᎪᎯ ᏧᏒᎯᏛ ᎬᏩᎪᎲᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎬᏩᎪᎲᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᎬᏩᎵ ᎤᏃᎮᎸᎯ ᏂᎨᏎᎢ.\nᎱᏓᎾᏫᏛᎮ, ᎱᏗᏆᎸᏕᏰ, ᎾᎨ ᎢᏳᏛᏅᎯᏓ ᏭᏓᏒᏍᏔᏁ, ᎱᎴᏫᏍᏔᏁ, ᎤᎵᏒᏍᏔᏁ ᎤᏃᎴ, ᏃᏉ ᎠᎾᏔᏍᎩ ᏕᏧᎬ ᎠᏰᎵ ᏭᎶᏎ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯᏯ ᎬᏲᏎᎭ, ᎪᎯ ᎢᎦ ᏥᎩ ᏫᏁᏙᎮᏍᏗ ᏅᏩᏙᎯᏯᏛ ᏗᎨᏒᎢ.\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎢᏥᏈᏱ ᎤᏓᏅᏎᎢ, ᎾᏍᎦᎢᎲᎾ ᎨᏎ ᎤᎬᏫᏳᎯ ᎤᏔᎳᏬᏍᎬᎢ; ᎬᏂᏗᏳᏍᎩᏂ ᎨᏒ ᎾᏍᎩᏯᏉ ᏣᎪᏩᏘᏍᎪ ᎾᏍᎩ Ꮎ ᎦᏰᏥᎪᏩᏛᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎠᎴ ᎾᏍᏉ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᏍᎩᏯᏉ ᎦᏃᏗᏍᎩ ᏥᏚᏲᎮ ᏧᏬᏚᎯ ᏓᎬᎾ-ᎢᏳᎾᏍᏗ.\nᎥᏆᏒᏲᏍᏔᏅ.\nᎾᎿᏃ ᎬᏩᏚᏫᏛ ᏗᏂᏁᎸ ᏂᎦᏛ ᎤᏂᎾᏰᏎᎢ; ᎠᎴ ᏂᎦᏛ ᎾᏍᎩ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸ ᏚᏃᏣᎶᏤ ᏂᎬᎾᏛ ᎣᏓᎵ ᎨᏒ ᏧᏗᏱ.\nᎤᎾᏛᎦᏅᏃ ᎠᏂᏧᏏ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᎬᏗᏍᎬ ᎤᏂᏬᏁᏗᏍᎬᎢ, ᎤᏟ ᎢᎦᎢ ᎡᎳᏪ ᎤᏅᏅᎩ; ᎯᎠᏃ ᏄᏪᏒᎩ;\nᎤᏂᎩᏌᏃ, ᎤᎪᎮᎢ ᎠᎴ ᎤᏲ ᎤᏓᏅᏖᎢ ᎢᏈᎬᎢ.\nᏂᎯᏰᏃ ᎤᏙᎯᏳᎯ ᎣᏏᏳ ᏂᏪᎭ ᎭᎵᎮᎵᎬᎢ, ᏐᎢᏍᎩᏂ ᎥᏝ ᏳᎵᏂᎪᎯᏍᏗᎭ.\nᎭᏗᏔ ᎠᎴ ᏣᏉ ᎠᏆᏛᏅ.\nᎠᏎᏃ ᎤᏂᎾᏰᏎᎢ, ᎠᎴ ᎤᏂᏍᎦᎴᎢ, ᎠᏓᏅᏙ ᎣᏥᎪᏩᏛ ᎠᏁᎵᏍᎨᎢ.\nᎤᏅᏌ ᎤᎾᏤᎵ ᎤᏁᏝᏅᎯ ᎦᏥᏯᏓᏙᎵᏍᏔᏁᎸ, ᎠᏇᏙᏅ ᎠᎩᎦᏔᎲᏍᎬ ᎢᏳᏍᏗ ᏄᎵᏍᏔᏅ.\nᎯᎠᏃ ᏄᏪᏎᎴ ᎠᎨᏴ, ᏦᎯᏳᏒ ᏣᏍᏕᎸ; ᏅᏩᏙᎯᏯᏛ ᏥᎮᎾ.\nᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ ᏭᏂᏌᏕ ᎧᏁᏌᎢ ᎠᏯᎥ ᏫᎵᎻ.\nᎤᏪᎵᏎᏃ, ᏴᎦᎪᎵᎩ ᏳᏩᏁᎦ, ᎨᏍᏗ ᎢᎪᎯᏛ ᎡᎲ ᏯᏓᏅᏔᏗᏍᎨᎢ, ᎠᏎ ᎤᏚᏓᎴ ᏧᏪᎵᏍᏗ.\nᎠᎬᏱ ᏄᏛᏁᎸ ᎤᏐᏱ ᏄᏛᏁᎴ ᏓᏏᎳᏛᎥᏍᎬ ᏃᎴ ᏕᎪᏪᎵᏍᎬ.\nᎠᎴ ᎬᏂᏳᏉ ᎢᏍᏗᏠᏱ ᎵᏏ ᎾᏍᎩ ᎠᏧᏣ ᎤᏁᎵᏨ ᎿᏉ ᎠᎦᏴᎵᎨ ᎨᏒᎢ; ᎠᎴ ᎪᎯ ᏥᎩ ᎿᏉ ᏑᏓᎵᏁ ᎧᎳ ᎬᏩᏁᎵᏨᎯ ᎾᏍᎩ ᏗᎷᎸᎥᏍᎩ ᏂᎨᏒᎾ ᏣᎪᏎᎲᎩ.\nᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎥᏝ ᎢᏨᏅᏏᏓᏍᏗ ᏱᏨᏲᏎᎭ; ᎠᏥᏅᏏᏓᏍᏗᏰᏃ ᎥᏝ ᏯᎦᏔᎰ ᎤᎾᏞᎢ ᎾᏛᏁᎲᎢ. ᏂᎯᏍᎩᏂ ᎢᎦᎵᎢ ᎢᏨᏲᏎᎭ; ᏂᎦᎥᏰᏃ ᎪᎱᏍᏗ ᎡᏙᏓ ᏥᏯᏛᎦᏁᎸᎢ ᎾᏍᎩ ᎢᏨᎾᏄᎪᏫᏎᎸ.\nᏍᎩᏃ ᎢᎾᏓ ᎨᏍᏗ ᎯᎸᎯᏳ ᏔᎵᏁ ᏳᏂᎪᎮ ᎠᎴ ᏳᎾᏛᎪᏓᏁᎢ.\nᎦᏙᏃ ᎭᏂ ᎤᏩᏌ ᏱᎭᏗᎭ? ᎦᏙᏃ ᎠᏎ ᎤᏩᎦᏘᎶᏓ ᎢᏣᏪᏍᏗ ᏥᎨᏐᎢ?”\n“Ꭰ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎥᏆᎸᎢᏛᏰᏃ ᎨᏒ ᎢᏳᏍᏗ ᎥᏍᎩᏯ-ᏙᎵᏨᎩ, ᎠᎴ ᎤᎵᎮᎵᏍᏗᏉ ᎥᏣᏓᏅᏛᎩ ᎡᏥᏬᏅᎲ ᏧᎬᏩᎶᏗ ᎢᏥᎲᎢ, ᎢᏥᎦᏔᎲᎩᏰᏃ ᎦᎸᎳᏗ ᏫᏥᏍᏆᏂᎪᏛ ᎤᏟ ᎢᏲᏍᏛ ᎠᎴ ᎠᏲᎩ ᏂᎨᏒᎾ ᏧᎬᏩᎶᏗ.\nᎿᏉᏃ ᎠᏂᏧᏏ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎸᎩ, ᎭᏢ ᏮᏓᎦᎶᏏ, ᎦᏰᏗᏩᏛᏗ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ? ᏧᎾᏓᎴᏅᏛᏍᎪ ᏴᏫ ᏓᏁᏩᏗᏒ ᎤᎾᏗᎦᎴᏲᏨᎯ ᏙᏛᏩᏛᎮᏏ, ᎠᎴ ᏫᏙᏓᎨᏲᏂ ᏧᎾᏓᎴᏅᏛ ᏴᏫ?\nᎪᏍᏓᏱ ᏗᎦᏥᏙᏗ ᎦᏰᏌᏗ ᎠᏓᏪᎯ ᏥᎨᏎᎢ ᏃᎴ ᏂᎪᎯᎸ ᏧᏲᏏᏍᎨᎢ.\nᏃᏗ ᎭᏕᎶᎰ ᎢᏳᏍᏗ ᎠᎪᎵᏰᏍᎬ ᎠᏙᎯ ᎦᏓ ᎠᎪᎵᏰᏍᎩ ᎾᏍᎩᏯ ᎠᎵᏰᎾ.\nᎠᎴ ᎦᏙ ᎠᏏ ᏓᎦᏛᏂ? ᎥᏝᏰᏃ ᎬᎩᏍᏆᏗᏍᏗ ᏱᎩ ᏱᎦᏥᏃᎮᎸ ᎩᏗᏯᏂ, ᎠᎴ ᏇᎴᎩ, ᎠᎴ ᏌᎻᏏᏂ, ᎠᎴ ᏤᏈᏓ; ᏕᏫ ᎾᏍᏉ, ᎠᎴ ᏌᎻ, ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ.\n“ᎠᏯᏗ ᏍᏉ ᏓᎨᏏ,” ᎡᏝᏪᎯ ᏄᏪᏎ.\nᏅᎦᏍᎪᎯᏃ ᏧᏙᏓᏆᏛ ᎠᎴ ᏅᎦᏍᎪᎯ ᏧᏒᎯᏛ ᎠᎹᏟ ᎤᏩᏅ ᎩᎳ ᎤᏲᏏᏌᏁᎢ\nᏅᏩᏓᎴᏍᎩᏂ ᎥᏝ ᏴᎬᏂᏍᏓᏩᏚᎦ, ᎠᎾᎵᎡᎰᏉ, ᎥᏝᏰᏃ ᏯᏃᎵᎪ ᏅᏩᎾᏓᎴ ᎠᏂᏁᎬᎢ.\nᎯᎠᏃ ᏄᏪᏎᎸᎩ; ᎦᏙᏃ ᎰᏍᏛ ᎢᏍᏉᏎᎭ? ᎥᏝ ᎩᎶ ᎣᏍᏛ ᏱᎩ ᏌᏉ ᎤᏩᏒᎯᏳ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ. ᎠᏎᏃ ᏣᏚᎵᏍᎨᏍᏗ ᎬᏂᏛ ᏗᎨᏒ ᏫᏣᎾᏄᎪᎢᏍᏗᏱ ᏘᏍᏆᏂᎪᏓ ᏗᎧᎿᏩᏛᏍᏗ.\n”ᏓᏓᎾᏁᎶᏂᎨ?” ᎤᏛᏛᏁ.\nᎠᎴ ᏧᎵᏍᎪᎸᏓᏁᏗᏱ ᏚᏂᏢᎬ ᏧᏂᏅᏬᏗᏱ, ᎠᎴ ᎠᏂᏍᎩᎾ ᏧᏂᏄᎪᏫᏍᏗᏱ;\nᎢᏣᏅᏖᏍᏗ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎢᏥᏁᏗ ᎨᏒ ᎡᏣᎫᏴᏓᏁᏗ ᎢᏣᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ; ᎤᎬᏫᏳᎯᏰᏃ ᎦᎶᏁᏛ ᎪᎱᏍᏗ ᎡᏣᏛᏁᎭ.\nᎩᎶᎨ ᏯᏆᏙᎳᏍᏛ?\nᏄᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎨᎶᎯ ᏚᎴᏁᎢ, ᎯᎠ ᏄᏪᏎᎴᎢ; ᏝᏍᎪ ᏱᏁᎦ? ᎦᏙ ᎯᎠ ᎠᏂᎦᏔᎲ ᏣᏂᏃᎮᎭ ᏥᎨᏣᏡᏗᎭ?\nᏃᏉ ᎠᏂᏳᏩᏁᎦ ᎠᏂᏁᎬ ᏃᎴ ᎠᏂᏴᏫᏯ ᎠᏂᏁᎬ, ᎢᏧᎳ ᎫᏩᎭᏲᎲ.\nᎤᏲ ᏗᎾᏓᏃᎮᎵᏙᎯ, ᎤᏁᎳᏅᎯ ᎠᏂᏂᏆᏘᎯ, ᎬᏩᎾᏓᏐᏢᏗ; ᎤᎾᏢᏉᏗ, ᎤᎾᏢᏆᏌᏗ, ᎠᏃᎷᏩᏘᏍᎩ ᏧᏓᎴᏅᏛ ᎤᏲᎢ, ᏂᏚᏃᎯᏳᏒᎾ ᏧᏂᎦᏴᎵᎨᎢ,\n“ᏲᎾ ᎤᏤᏍᏙ, ᏙᏉ ᏯᏛᎦ ᎠᏣᏗ ᏱᎫᏓᎸᎩ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ?” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎾᏍᎩᏃ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎤᏗᏒᎲᏍᏗ ᏥᎩ, ᏂᎦᎥ ᏂᏥᏍᎦᏅᎾ ᏱᎩ ᎢᏣᎴᏂᏙᎲᎢ ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᎢᏤᎲᎢ!\nᎠᏎᏃ ᎭᏕᏬ-“ᎠᏂᏍᎦᏯ ᎨᏒ ᎤᏟᏍᏓ, ᎤᏟᏍᏓ, ᎤᏟᏍᏓ, ᎢᎪᎯᏓ.\nᎠᎴ ᎡᏥᎦᏘᏗᏍᏗᏱ ᎾᏍᎩ ᎤᏪᏥ ᎦᎸᎳᏗ ᏅᏓᏳᎶᎯᏍᏗᏱ, ᎾᏍᎩ ᎤᏲᎱᏒ ᏥᏕᎤᎴᏔᏁᎢ, ᎾᏍᎩ ᏥᏌ, ᎾᏍᎩ ᏥᎫᏓᎴᏒ ᎤᏔᎳᏬᎯᏍᏗ ᎤᎷᎯᏍᏗ ᏥᎩ.\nᎦᏁᎸᏃ ᏚᏴᏔᏂᎸ ᏚᏪᎳᏍᏔᏁᎢ, ᎠᎴ ᎪᎯᏳᎲᏍᎬ ᎤᏁᎳᏅᎯ ᎤᎵᎮᎵᏤᎢ, ᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᎦᏁᎸᎢ.\nᎤᏩᏙᎯᏴᏓ ᎨᏒ, ᏰᎵ ᏧᏕᏘᏴᏓ ᎦᏁᎸᏗᏍᎬ ᎠᎩᏩᏛᏗ ᎦᏅᏅ ᎭᎾᎾ ᏫᎦᎷᎩ.\nᎦᎸᏉᏗ ᏂᎨᏒᎾ ᎠᏫᏒᎯ ᎨᏐᎢ, ᎦᎸᏉᏗᏳ ᏗᎴᏙᏗ ᎨᏎᏍᏗ; ᎠᏩᎾᎦᎳ ᎠᏫᏒᎯ ᎨᏐᎢ, ᎤᎵᏂᎩᏛ ᏗᎴᏙᏗ ᎨᏎᏍᏗ;\nᏏ ᏐᏉ ᏄᎳᏏᏁᎢ ᏔᎷᎩᏍᎩ ᎢᏣ.\nᎠᏎᏃ ᎠᎦᏔᎮ ᏄᏍᏛ ᏓᎾᏓᏅᏖᏍᎬ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏂᎦᎥ ᎠᏰᎵ ᏕᎪᏢᏒᎢ ᏔᎵ ᏥᎾᏓᏗᏍᎪ ᎤᏩᏒ ᏣᏓᏡᏗᏍᎪᎢ, ᎠᏲᎪᏉ; ᎠᎴ ᏏᏓᏁᎸ ᏔᎵ ᏥᏄᏓᎣ ᎤᏩᏒ ᏣᏓᏡᏗᏍᎪ ᎠᏲᎪᎢ.\nᎤᏩᏌ ᏚᎵᎬᏩᏢ ᎠᏂᏳᏩᏁᎦ ᎤᎾᎵᏍᏕᎸᏙᏗ, ᏩᎦ ᏃᎴ ᏏᏆ ᎤᏁᏓᏍᏗ, ᏃᎴ ᎠᏂᎦᏗᏓ ᏳᎾᏁᎳᏓ ᎩᎳ ᎣᏍᏓ ᎢᎫᏩᎵᏍᏙᏗ, ᎠᏂᎦᏲᏟ ᎤᎾᎵ ᏗᎩᏛ. ᎠᏂᏴᏫᏯ ᎠᏁᎯ, ᎪᎰᏍᏗ ᎤᏂᏲᏍᏔᏁᏗ ᏱᎩ ᎾᎥ ᎠᏁᎯ ᎠᏂᏳᏩᏁᎦ, ᎦᏲᏟ ᏧᏂᏲᎰᏎᏗ ᏏᏆ ᏃᎴ ᏎᎷ. ᎯᎠ ᏂᏥᏫ, ᏂᎦᎥ ᎤᏂᎾᎥ ᎠᏂᏳᏩᏁᎦ ᎠᏂᏴᏫᏯ ᏧᏂᏩᎯᏎᎸ.\nᏝᏍᎪ ᏯᏓᏅᏖᎭ ᏰᎵ ᎦᏥᏯᏓᏙᎵᏍᏓᏁᏗ ᎨᏒ ᎡᏙᏓ, ᎩᎳᏉᏃ ᎢᏴᏛ ᎥᏝ ᏔᎳᏚᏉ ᎢᏳᎾᏓᏡᎩ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏱᏙᎬᎩᎧᏏ?\nᏥᎪ ᎩᎶ ᏄᏂᎬᏫᏳᏒ ᎠᎴ ᎠᏂᏆᎵᏏ ᎬᏬᎯᏳᏅ?\nᎦᏃᎸᎥᏍᎬ ᎤᎭᏲᎴ ᎠᏒᎬ ᏦᎢ ᏧᏆᎾᏕᎾ- ᎤᎦᎾᏍᏓ ᎠᏒᎬ ᎡᎶᎯ ᎠᏦᏴ ᏙᏰ.\nᏃᎴ ᏓᎭᏃᏫ ᎨᏍᏗ ᏱᏓᏲᎩᏍᏆᏂᎪᏔᏂ.\nᏦᎢᏁ ᎤᏒᎯ, ᏧᎩᎾᎭᏄᏫ ᏙᎩᏂᏢᏅ ᏦᎩᏂᏯᏪᏨ.\nᎠᏎᏃ ᏗᎧᎿᏩᏗᏙᎯ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ ᏒᏃᏱ ᏚᏍᏚᎢᏎ ᏗᏓᏍᏚᏗᏱ ᎦᎶᎯᏍᏗᏱ, ᏚᏄᎪᏫᏒᏃ ᎯᎠ ᏄᏪᏎᎢ;\nᎢᏣᏛᎦᏅᎯ, ᏛᎨᏏ ᎠᎴ ᏛᏨᎷᏤᎵ, ᏥᏨᏲᏎᎸᎩ. ᎢᏳᏃ ᏍᎩᎨᏳᎢᏳ ᏱᎩ, ᏳᏣᎵᎮᎵᎦ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᎦᏴᎵᎨᏍᏛᏱ ᏫᏥᎦᏘ ᏣᏆᏛᏅᎩ; ᎡᏙᏓᏰᏃ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎡᏍᎦᏉ ᎠᏴ.\nᏚᏂᏐᏨᏃ, ᎨᏂᏏᎳᏗ ᏭᏂᎷᏤᎢ, ᎠᎴ ᎤᏂᏔᎳᏕᎢ.\nᎾᏍᎩᏍᎩᏂ ᎯᎠ ᏦᎢᎵ ᎠᏙᎴᎰᏍᎩ ᏧᏁᏤᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ;\nᎠᏎᏃ ᎨᏍᏗ ᎪᎱᏍᏗ ᎠᏤᎯ ᏯᎪᏩᏘᏍᎨᎢ.\nᎢᏌᏯ ᎾᏍᏉ ᎯᎠ ᏂᎦᏪᎭ ᎢᏏᎵ ᏕᎧᏁᎢᏍᏗᏍᎬᎢ; ᎢᏏᎵ ᏧᏪᏥ ᎾᏍᏉ ᏃᏳ ᎠᎺᏉᎯ ᎦᎳᎨᏴ ᎾᏍᎩᏯ ᏱᏄᎾᏧᏈᏍᏗ, ᎤᎾᎵᏃᎯᏰᎯ ᎠᏎ ᎨᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᏄᏓᎴ ᎤᏍᏆᏂᎩᏗ.\n“ᏰᎵᏉᎨ ᎠᏕᎳ ᏱᏕᏍᎬᏏ?” ᎤᏛᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏔᎵᏁᏃ ᎤᏴᎵᏎ ᏣᏔᎦ. ᏈᏓᏃ ᎤᏅᏓᏕ ᏥᏌ ᏄᏪᏒᎢ, ᎯᎠ ᏥᏄᏪᏎᎴᎢ, ᎠᏏ ᏣᏔᎦ ᏔᎵ ᏄᏴᎳᏒᎾ ᎨᏎᏍᏗ, ᏦᎢ ᏅᏓᏍᏆᏓᏱᎵ. ᎾᏍᎩᏃ ᎤᏓᏅᏖᎸ ᏚᏠᏱᎴᎢ.\nᏅᎩᏃ-ᏗᎦᏅᏌᏗ ᎠᏥᏴᎩᏅᎩ, ᎠᎴ ᎠᎦᏠᏯᏍᏔᏅᎩ ᎤᏠᎾᏍᏗ ᎠᏙᎴᎰᏍᎩ ᎾᏍᎩ ᎠᎦᏔᎲ ᎤᏍᏆᏂᎪᏗ ᏥᏚᎸᏫᏍᏓᏁᎲᎩ, ᎾᏍᎩ ᏥᏕᎦᎶᏄᎮᏗᏍᎬᎩ ᎾᏍᎩ Ꮎ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎤᏤᎵ ᎤᏓᏰᎸᏙᏗ ᏗᎨᏥᏰᎸᏔᏅᎯ, ᎠᎴ ᎾᏍᎩ Ꮎ ᏣᎦᏟᎶᏍᏔᏅᎯ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ. ᎯᎠ ᎾᏍᎩ ᎢᏧᎳ ᏗᎬᏅᏃᏛ ᏫᎡᎨᎦᏓᎢᏅᏒᎩ ᎠᏥᎸ ᏨᏓᎸ ᎾᎿ ᏌᎪᏂᎨ ᎠᏓᏪᎳᎩᏍᎩ ᏗᏓᏪᎳᎩᏍᎬᎢ.\nᎢᏨᏲᏎᎭ, ᎾᏍᏉᏍᎩᏂ ᎤᏟᎯᏳ ᎾᎾᎵᎮᎵᎨᏍᏗ ᎦᎸᎳᏗ ᏦᏒ ᏌᏉ ᎠᏍᎦᎾ ᎦᏁᏟᏴᏍᎨᏍᏗ ᎤᏓᏅᏛᎢ, ᎡᏍᎦᏉ ᎢᏴᏛ ᏐᏱᏁᎳᏍᎪᎯ ᏐᏱᏁᎳᎦᎵ ᎢᏯᏂᏛ ᎤᎾᏓᏅᏘ ᎠᏂᏍᎦᏯ ᏧᏂᏁᏟᏴᏍᏗ ᏄᎾᎵᏍᏓᏁᎲᎾ ᏚᎾᏓᏅᏛᎢ.\nᎠᎴ ᎤᏣᏘ ᎣᏏᏳ ᎠᎩᏰᎸᏎᏍᏗ ᎠᏆᎫᏴᎯᏓᏍᏗᏱ ᎠᎴ ᎠᏋᏒ ᎠᏆᏗᏒᎲᏍᏗᏱ ᏗᏣᏓᏅᏙ ᏕᏥᏍᏕᎵᏍᎬᎢ, ᎾᏍᏉ ᎧᏁᏉᎬ ᎢᏨᎨᏳᏒᎢ ᎤᎦᏲᎶᎯᏍᏗᏱ ᏱᏂᎬᏁᎭ ᏍᎩᎨᏳᏒᎢ.\nᏛᏍᏆᏗᏰᏃ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᏚᏳᎪᏛ ᎬᏗ ᎤᎵᏍᏗᏳ ᎾᏍᎩ ᏅᏛᏛᏁᎵ; ᎤᎵᏍᏗᏰᏃ ᏅᏛᏛᏁᎵ ᏄᏍᏛ ᏚᏭᎪᏔᏅ ᎡᎶᎯ.\nᎠᏆᏙᎴᎰᏒᏃ ᏄᏍᎦᏅᏨᎾ ᎨᏒ ᏰᎵ ᎬᏩᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏩᏒ ᎣᎦᏍᏙᎢ ᏭᎲᏍᏔᏅ, ᏓᏇᎪᏔᏅ ᎠᎦᏘᏅᏍᏗᏱ.\nᎠᏲᏓᏌᎲ ᏚᏰᏍᏛᏅ ᏧᏍᏆᏅᎾ, ᏚᏩᏇᏅᏔᏅ ᏧᎾᏍᏕᏥ ᏃᎴ ᏧᎳᏍᎩ, ᏚᎧᏁᎸ ᎤᎵᏎᏗ.\nᎤᏁᏅᏎᏃ; ᎠᎴ ᎤᏂᏣᏖ ᏴᏫ ᎬᏩᏍᏓᏩᏛᏎᎢ, ᎠᎴ ᎬᏩᏁᏄᎳᏍᏗᏍᎨᎢ.\nᎠᏎᏃ ᏑᎾᎴ ᏄᎵᏍᏔᎾ ᎠᎧᏔᎮᎢ ᎫᏩᏟᏫᏛᏗ ᏱᎨᏒᎾ.\nᏚᏂᏅᏒᎩᏃ ᏤᏙᎲ ᎬᏩᏂᏍᏓᏩᏗᏙᎯ ᎠᎴ ᎡᎶᏛ ᎨᏩᏍᏕᎵᏍᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏔᏕᏲᎲᏍᎩ, ᎣᏥᎦᏔᎭ ᎤᏙᎯᏳᎩᏯ ᎨᏒ ᏂᎯ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᏚᏳᎪᏛ ᏕᎭᏕᏲᎲᏍᎬᎢ, ᎥᏝ ᎠᎴ ᏴᏫ ᏱᏘᎾᏰᏍᎦ, ᎥᏝᏰᏃ ᏄᎾᏍᏛᏉ ᏴᏫ ᏱᏘᎸᏉᏙᎢ.\nᎾᏃ ᏂᏓᎾᏤᎲᎾ ᎤᎬᏩᎵ ᎨᏒᎢ, ᎥᏝ ᎤᎬᏫᏳᎯ ᎤᏁᏨᎯ ᏯᎩᎭ; ᎠᏎᏃ ᎣᏏᏳ ᎬᏰᎸᏗ ᎨᏒ ᎬᏂᎨᏒ ᏂᎬᏁᎭ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎠᎩᏙᎵᏨᎯ ᏥᎩ ᏚᏳᎪᏛ ᎢᎦᏛᏁᎯ ᎢᏯᏆᎵᏍᏙᏗᏱ.\nᏎᎦ ᎤᎴᏫᏍᏔᏁ ᏒᎧᏔ ᏧᎬ ᎭᏫᏂᏣ. ᎧᏴᏐᎵ ᏭᏭᏍᏔᏁ ᎦᏙ, ᎱᏩᏌᏙᏰ ᏃᎴ ᎤᏍᎪᏎ.\nᏂᎦᏓᏃ ᎨᏒ, ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏏᏆ ᎠᏍᏚᏗ ᎤᎾᎦᏎᏍᏕᎢ.\nᎭᏟᏃᎮᏔᏁ ᎠᏓᏅᏖᎵᏙ?\nᎯᎠᏰᏃ ᎠᏇᏥ ᎤᏲᎱᏒᎯ ᎨᏒᎩ, ᏔᎵᏁᏃ ᎢᎡᎭ, ᎠᎴ ᎡᏓᏠᏨᎯ ᎨᏒᎩ, ᎢᎠᏥᏩᏛᎲᏃ; ᎤᎾᎴᏅᎮᏃ ᎣᏍᏛ ᎤᎾᏓᏅᏓᏕᎢ.\nᎢᏍᎪᏂᏗᏢᏃ ᎥᏓᎵ ᏭᏂᎷᏤ ᎠᏂᎨᏕᎵ ᎤᎾᏤᎵᎪᎯ.\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏥᎪ ᏰᎵ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎠᏂᎦᏔᎯ ᏱᏓᎾᏠᏱᎦ ᎠᏏᏉ ᎤᏕᏒᏂᎸᎯ ᎤᏁᎳᏗᏙᎲᎢ? ᎠᏎᏃ ᎢᎦ ᏛᎵᏱᎶᎵ ᏓᎨᏥᏯᏅᎡᎵ ᎤᏕᏒᏂᎸᎯ, ᎩᎳ ᎿᏉ ᎠᎹᏟ ᏛᏅᏂ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏓᎵᏅᏟ ᎢᏨᎨᏳᎢ ᎠᎴ ᎤᏣᏘ ᎢᏨᏯᏅᏘ, ᏍᎩᏯᎵᎡᎵᏍᏗᏍᎩ ᎠᎴ ᎠᏆᎵᏍᏚᎶᏙᏗ, ᏅᏩᏍᏕᏍᏗ ᎤᎵᏂᎩᏛ ᏕᏥᏙᎨᏍᏗ ᎤᎬᏫᏳᎯ ᎡᏣᎵᏍᎦᏍᏙᏛᎢ, ᎢᏨᎨᏳᎢ.\nᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏍᎩᏯᏘᏃᎮᎸ ᎯᎠ ᎠᏍᎦᏯ ᏴᏫ ᏚᎾᏓᏅᏛ ᏗᎴᎾᏍᏗᏍᎩ ᎾᏍᎩᏯᎢ; ᎬᏂᏳᏉᏃ ᏥᎪᎵᏰᎥᎯ ᏥᎩ ᎢᏥᎦᏔᎲᎢ, ᎥᏝ ᎪᎱᏍᏗ ᏱᏥᏩᏘ ᎤᏍᎦᏅᏨ ᎯᎠ ᎠᏍᎦᏯ ᎾᏍᎩ ᏄᏍᏛ ᎡᏧᎢᏍᏗᏍᎬᎢ;\nᏗᎦᏅᏍᎨ ᎠᏎ ᏗᎬᏙᏗ.\nᎢᏣᏅᏖᏍᏗ ᎾᏍᎩ ᏗᎹᏗ ᎢᏓᎵᏅᏟ ᎤᏁᎳᏛᎢ; ᎢᏳᏃ ᏂᎪᎯᎸᎾ ᎢᎦᎷᏨᎭ ᎢᏨᎭ ᎢᏨᎪᏩᏛᏗ ᎢᎨᏎᏍᏗ ᎾᏍᎩ ᎣᏍᏕᎮᏍᏗ.\nᎾᏂᎦᏔᎲᎾᏰᏃ ᎨᏒ ᏄᏍᏛ ᎤᏁᎳᏅᎯ ᎤᏓᏚᏓᎴᏍᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎠᎾᏟᏂᎬᏁᎲ ᎤᏂᏍᏓᏱᏗᏍᏗᏱ ᎤᏅᏒ ᎤᎾᏤᎵ ᎤᎾᏚᏓᎴᏍᏙᏗ ᎨᏒᎢ, ᎥᏝ ᏧᎾᏓᏲᎯᏎᎸᎯ ᏱᎩ ᎤᏁᎳᏅᎯ ᎤᏓᏚᏓᎴᏍᏙᏗ ᎨᏒᎢ.\nᎠᎴ ᎢᏣᏙᎴᎰᎯ ᏧᎦᎾᏮ ᏗᎦᏃᎸᏗᏍᎬᎢ, ᎯᎠ ᏂᏥᏪᏍᎪᎢ, ᎤᏗᎴᎩᏳ ᎨᏎᏍᏗ; ᎠᎴ ᎾᏍᎩ ᏂᎦᎵᏍᏗᏍᎪᎢ.\n“ᏂᎦᏓ ᎯᏥᏴᎭᎦ,” ᏧᏛᏁᎢ ᎡᎶᏗ.\nᏳᏕᎶᎰᏒᎾ ᎦᎸᎶ ᎤᏭᏌᎥᏍᎬ, ᎬᏂᎨ ᎤᏍᎪᎸ ᎦᏓᏁ ᏂᎦᎵᏍᏗᏍᎬ.\n“ᎦᏙᎲ ᎾᏅᏛᏁᎰ ᏱᏓᏚᎳᏑᏠᎾ ᎠᏂᏴᏫᏯ?” ᎤᏛᏁ ᏥᏍᏚ.\nᏃᎴ ᎦᏅᎯᏛ ᎦᏐᎯ ᏃᎴ ᏕᎦᏄᎳᏥᏴ ᎡᏆ ᎤᏣᎾᏔ, ᏩᏏᏓᏂ ᎤᎸ, ᎤᏛᏅᎢᏍᏔᎾ ᎤᏓᏛᏂᏍᏘ, ᎠᏍᎪᎵ ᎭᏫᏂᏨ ᎤᏩᎭᏂᎴ, ᏅᏯ ᎬᏘ ᎤᎯᏐᏁ, ᎠᏓᏄᏖᏲᎮ ᎠᏍᎪᎵ ᎤᏲᏣᏃᏅ, ᏧᏆᎶᎬ.\nᎬᏍᏗᏰᏗᎭ ᎠᏇᏥ ᎣᏂᏏᎹ ᎤᎬᏩᎵᎾᏍᎩ ᎥᏆᎸᎢᏛ ᎨᏒ ᎠᏆᏕᏁᎸᎯ ᏥᎩ.\nᏔᎵᏁ ᎤᏩᎭᏂᎴ ᏤᎩ ᎠᏯᏖᎥ ᎢᏣ ᎤᏣ ᎪᏍᏔᏴ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᎨᏴ, ᎦᏙᏃ ᏙᎭᏠᏱᎭ? ᎦᎪ ᎯᏲᎭ? ᎠᏫᎡᏗᏱ ᎣᏍᏛ ᎢᏳᏩᎿᏕᎩ ᎤᏪᎵᏒᎩ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᏍᎦᏯ, ᎢᏳᏃ ᏂᎯ ᎯᎾᏫᏛᎮᏍᏗ, ᏍᎩᏃᎲᏏ ᏫᏅᏅᎢ, ᎠᏴᏃ ᏓᏥᎾᏫᏛᎯ.\nᎾᎿᏃ ᏥᏳᎯ ᏭᎾᏣᏅ ᎥᏘᎣᎩ ᏭᏂᎷᏤᎢ, ᎾᎿ ᏗᎨᏥᏲᏒᎯ ᏥᎨᏎ ᎤᏁᎳᏅᎯ ᎤᏂᏙᎵᏍᏗᏱ, ᎾᏍᎩ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎾᏍᎩ ᎿᏉ ᎤᏂᏍᏆᏛᎯ ᏥᎨᏎᎢ.\nᎭᏓᏅᏗᏍᏗᏍᎨᏍᏗ, ᎭᏓᏅᏗᏍᏗᏍᎨᏍᏗ!” ᎤᏛᏁ ᏌᏌ.\nᎤᏍᎦᏃᎵ ᏭᎷᏤ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏛ ᏃᎴ ᎤᎵᏒᏍᏔᏁᎢ, ᎤᎦᏛᏁ ᎪᎱᏍᏗ ᏳᏅᏓ ᎢᎦ ᎤᎵᏍᏔᏴᏗ.\nᎢᏳᏃ ᎰᏩ ᎡᏣᏛᎦᏁᎸᎯ ᎨᏎᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎢᏤᏲᏅᎯ ᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᏄᏍᏛ ᏚᏳᎪᏛ ᎤᏪᎲ ᏥᏌ;\nᎢᏳᏍᏗᏉ ᎨᏒ ᎠᎾᏛᎩᏍᎪ ᏗᏂᏲᏟ.\nᎠᏎᏃ ᎠᎬᏱ ᎨᏒ, ᎨᏍᏗ ᏱᎪᎵᎦ ᎭᎾ ᎤᏙᎴᏋ ᏧᏏᎳᏛᏗ ᎧᏅᏂᏍᎩ.\nᎠᎫᏍᎨᏂ ᎢᏴ ᎤᏍᎪᏒ, ᏭᎳᎩᏒ ᎤᎾᏍᏕᏥ, ᎾᏍᎩᏯ ᎠᏧᎲᏍᎩ ᏱᏭᎾᎩᏒ ᏌᏬᏚᎭ ᎠᎼ ᎦᎨᏛ ᏧᎵᏍᏔᎾᎵ.\nᏣᎪᎨ ᎠᏴ ᎠᎴ ᏆᏂᏆ ᎣᎩᏅᏒ, ᎥᏝ ᏲᎩᏂᎭ ᎣᎩᏂᏲᎯᏍᏙᏗᏱ ᎪᎱᏍᏗ ᎣᏍᏓᏛᏁᎲᎢ?\nᎯᎠ ᎾᏍᎩ ᎤᏂᎭ ᎦᎸᎳᏗ ᎤᏂᏍᏚᏗᏱ, ᎾᏍᎩ ᎤᎦᏅᏗᏱ ᏂᎨᏒᎾ ᎠᎾᏙᎡᎰᏍᎬ ᎢᎪᎯᏛ; ᎠᎴ ᎤᏂᎭ ᎠᎹᏱ ᏚᏪᏯᏗᏒ ᎩᎬ ᎢᏧᏅᏁᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏅᏂᏐᏗᏱ ᏂᎦᎥᏉ ᎤᏕᏯᏙᏗ ᎨᏒ ᎡᎶᎯ ᎤᎷᏤᏗᏱ ᎢᎦᎢᏉ ᎠᏁᎵᏍᎬᎢ.\nᎾᏍᎩᏃ ᎦᏁᎵᏛ Ꭸ-Ꮢ ᎢᏳᏍᏗ, ᎤᏪᎷᏅᎩ ᎠᎴ ᎤᎾᏄᎪᏫᏏᏕᎾ ᎨᏒᎩ, ᎠᎴ ᎡᎯᏍᏗ ᎤᏓᏅᏛ ᎤᏚᎵᏍᎬᎩ ᎤᎾᏄᎪᏫᏍᏗᏱ [ᎠᏰᎵ.]\nᎾᏍᎩᏃ ᎦᎵᏉᎩ ᎠᎾᎵᏅᏟ ᎠᏁᎲᎩ; ᎢᎬᏱᏃ ᎡᎯ ᎤᏕᏒᏅᎩ, ᎠᎴ ᎤᏲᎱᏒᎩ ᏧᏪᏥ ᎾᏁᎲᎾ.\nᏰᎵᏉ ᎠᎪᏩᏛᏗ ᏓᏦᏍᎬ ᎦᎸᎶ ᏃᎴ ᏚᏅᏓᏒ, ᏃᎴ ᎠᏕᎶᎰᎯᏍᏗ ᎢᎪᎯᏓ ᏂᏚᏍᏛ ᏚᏅᏓᏒ.\nᎨᏍᏗ ᏱᎦᏕᎶᎣᏍᎦ ᎫᏩᎵᏍᏕᎶᏙᏗ ᎨᏒ ᎠᏍᎦᏯ ᎤᏩᏌ, ᏁᎳᎩ ᎤᏂᏍᏈᏍᏓ ᎤᎾᎵᏗᎩᏛ.\nᎯᎠ ᏄᏪᏒᎩ; ᎥᏝ ᎩᎶ, ᏣᎬᏫᏳᎯ. ᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᏝ ᎾᏍᏉ ᎠᏴ ᏣᏍᏕᏅᏨ ᏱᏗᏧᎪᏗᎭ. ᏥᎮᎾ, ᎠᎴ ᏞᏍᏗ ᎢᎸᎯᏳ ᎿᏉ ᏱᏣᏍᎦᏅᏤᏍᏗ.\nᎯᎸᎯᏨ ᎧᎸᎬ ᎢᏣ ᎠᎾᎢᏒ, ᏚᏂᏐᏤ ᎠᏥᎶᎥ, ᎭᎾ ᏧᏂᎯᏰ ᏣᎳᎩᏱ ᎠᏰᎵ ᎠᎹᏰᎵ ᎤᏂᏴᎴ, ᎤᎾᎵᏓᎩᏛ ᏄᎾᎵᏍᏔᏁ.\nᏐᏉ ᎢᎦ ᎡᏆ ᏅᏯ ᎤᎵᏗᏨ ᎠᏓᏬᏍᎬ ᎤᎪᎮᎢ ᎤᏍᏗ ᎠᏔᎴᎦᏒ ᎠᎹ ᎦᏁᎲᎢ ᏫᎦᎶᏍᎨᎢ.\n”ᎭᏛᎦᎦᏧ ᎤᏰᎸᎲ ᎠᏂᏬᏂᏍᎬ ᏗᎦᎾᏌᎢ?” ᎤᏰᏤ ᎡᎶᏗ.\nᎡᎳᏗ ᏭᏁ ᏔᎷᎩᏍᎩ ᎪᏱᏅᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᎩᎶ ᏳᏂᏆᏘᎮᏍᏗ; ᏅᏩᏙᎯᏯᏛᏉᏍᎩᏂ ᏤᏣᏂᎩᏍᏔᏅᎭ, ᎾᏍᎩ ᎠᏴ ᎠᎩᎷᏤᏗᏱ; ᏥᎦᏖᏃᎭᏰᏃ ᎤᎷᎯᏍᏗᏱ ᎠᎾᎵᏅᏟ ᎠᏂᎷᏨᎭ.\nᎠᎴ ᎤᎵᏍᏗᏳ ᎢᏍᏕᎾ ᏫᏗᏍᏗᏃᎲᏏ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏕᎤᎴᏅ ᎤᏲᎱᏒᎢ; ᎠᎴ ᎬᏂᏳᏉ ᎢᎬᏱ ᎨᎵᎵ ᏅᏓᏰᏏ, ᎾᎿ ᏓᏰᏥᎪᎢ. ᎬᏂᏳᏉ ᎢᏍᏛᏃᎲᏏ.\nᎠᏎᏃ ᎿᏉ ᏗᏆᎴᏅᎯ ᎨᏎᏍᏗ, ᎢᎬᏱ ᏓᏨᏰᏅᎡᎵ ᎨᎵᎵ ᎢᏴᏛ.\nᎥᏝ ᏱᏥᏲᏍᏗᏎ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ; ᎢᏳᏰᏃ ᎠᏚᏓᎴᏍᏗ ᎨᏒ ᏗᎧᎿᏩᏛᏍᏗ ᏴᏗᏓᎴᎲᏍᎦ, ᎿᏉ ᎦᎶᏁᏛ ᎠᏎᏉᏉ ᏳᏲᏞᏒ.\nᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗ ᏱᏣᏓᏁᎮᏍᏗ ᎠᏂᎦᏔᎲ ᏴᏫ ᎨᏥᎪᏩᏛᏗᏱᏉ ᏱᏥᏰᎸᏍᎨᏍᏗ, ᎢᏳᏰᏃ ᎾᏍᎩᏉ ᏱᏄᏍᏗ ᎥᏝ ᏴᎨᏣᎫᏴᏏ ᎢᏥᏙᏓ ᎦᎸᎳᏗ ᎡᎯ.\nᏣᏁᎫ! ᎾᏍᎩ ᏥᏫᏍᎪᎢ ᎥᏝ ᏴᎬᎵᏰᎲᎦ ᎬᏂ ᎤᎪᎯ;\nᏗᏓᎴᏂᏍᎬᏍᎩᏂ ᎤᏪᏢᏅᏅᎢ, ᎤᏁᎳᏅᎯ ᎠᏍᎦᏯ ᎠᎴ ᎠᎨᏴ ᏚᏪᏢᏁᎢ.\nᎤᏙᏓ ᏚᎧᎾᏁ.\nᏤᏥᎾᏝᎢ, ᏕᏦᎯᏳᏎᏍᏗ ᏗᎨᏥᎾᏝᎢ ᎤᎶᏘ ᎦᎾᏰᎯᏍᏗ ᎢᏨᏗᏍᎨᏍᏗ; ᎥᏞᏍᏗ ᎠᏃᏍᏛ ᎠᎴ ᎤᎾᏓᏅᏘ ᎤᏅᏒ ᏱᏗᏦᎯᏳᏎᏍᏗ, ᎾᏍᏉᏍᎩᏂ ᎤᏂᎾᎸᏣᏘ.\nᎤᎾᎵᎪᏒᎢᏍᎩᏂ Ꮭ ᏱᏥᏲᎵᏤᎢ ᎠᏎᏃ ᏫᎦᏥᏯᏢᏔᎭ ᎠᏆᎴᏫᏍᏔᏅ ᎤᎾᏦᏗ ᎤᎬᏩᏟ.\nᏥᏍᏆᏯ ᏧᎶᎸᏗ ᎦᏁᏥᎢ ᎤᎷᏤ ᏚᏃᎩᏎ.\nᎾᏍᎩ ᏣᏓᏁᎳᏅᎯ ᏥᎩ ᎾᏂᎥ ᏴᏫ ᎠᏂᎦᏔᎲᎢ,\nᎠᏎᏃ ᎤᏕᎶᎰᏒ ᎦᎳᎱᏂ ᎦᏲᏟ ᏓᏆᎵᎬᏩᏢ, ᎠᎴ ᎪᎰᏍᏗ ᎤᎵᎮᎵᏍᏙᏗ.\nᎾᏍᎩ ᎤᏣᏘ ᎤᏁᏉᏨᏍᏗᏱ ᎢᏣᎵᎮᎵᎬ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ, ᎠᏴ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ, ᎾᏍᎩ ᏔᎵᏁ ᏫᏨᎷᏤᏗ ᎨᏒ ᎢᏳᏍᏗ.\nᎾᏍᎩᏃ ᎠᏍᎦᏂ ᎨᏒ ᏂᏗᏥᎾᏝᎥᎾ ᏥᏄᎵᏍᏔᏅ, ᏚᏳᎪᏛ ᎨᏒ ᏗᏥᎾᏝᎢ ᏄᎵᏍᏔᏅᎩ.\n”ᏰᎵᏉ ᏱᏥᏏᎳᏛᎥᎦ ᏯᏆᏁᎸᏔᎾ,” ᎤᏛᏁ ᏫᎵᎻ, ᎠᏨᏇᏍᎨ.\nᎰᎻ ᎣᏍᏓ ᎤᎦᏎᏍᏗᏕᎨ ᏫᎵᎻ ᎬᏅᎢ ᎢᎪᎯᏓ, ᏃᎴ ᏧᎵᎢ ᏃᎴ ᎠᏂᎸᏉᏗᏍᎩ ᎠᏂᏩᏛᎯᏙᎮ ᎢᏳᏓᎵᎭ, ᎨᏍᏗ ᎩᎶ ᏳᏩᎨᏫᏍᎨ ᎾᏍᎩᏴ ᏣᎵᏓᎪᎾᏗᏍᎨᎢ ᏃᎴ ᎤᏍᏆᏂᎩᏗ ᏣᏓᏴᎳᏔᏍᎨᎢ ᏓᏏᎳᏛ.\nᎠᏎᏃ ᏚᎾᎴᏁ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂᏆᎵᏏ ᎤᎾᎵᎪᏒ ᎠᏁᎳ ᎾᏍᎩ ᎤᏃᎯᏳᏅᎯ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎠᏎ ᏗᎨᏥᎤᏍᏕᏎᏗ, ᎠᎴ ᏗᎧᏁᏤᏗ ᏧᏂᎧᎿᏩᏛᏍᏗᏱ ᎼᏏ ᎤᏁᏨᎯ.\nᎢᏳᏃ ᎩᎶ ᎠᏥᎤᏍᏕᏎᎸᎯ ᎠᏥᏯᏂᏍᎨᏍᏗ, ᏞᏍᏗ ᎾᏥᎤᏍᏕᏎᎸᎾ ᏱᏄᎵᏍᏔᏁᏍᏗ. ᎢᏳᏃ ᎩᎶ ᎠᏥᎤᏍᏕᏎᎸᎯ ᏂᎨᏒᎾ ᎨᏒ ᎠᏥᏯᏂᏍᎨᏍᏗ, ᏞᏍᏗ ᏯᏥᎤᏍᏕᏎᎴᏍᏗ.\n Ꮒ! ᏗᏐᎢ ᏕᏧᎬ ᏚᏂᏲᎰᏎᎴ ᏧᏆᎶᎦ. ᎯᎠᏃ ᎢᎪᎯᏓ ᎢᏤᎯ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᏙ ᏣᏚᎷ ᎬᏯᏛᏁᏗᏱ? ᏗᎨᏫᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏣᎬᏫᏳᎯ, ᎥᎠᎩᎪᏩᏛᏗᏱ [ᎠᏆᏚᎵᎭ.]\nᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏴ, ᎢᎩᏣᏘ ᏥᎩ, ᏌᏉᏉ ᎠᏰᎸ ᏂᏓᎵᏍᏗᎭ ᎦᎶᏁᏛ ᏕᏓᏁᎶᏛᎢ, ᎠᎴ ᏂᏗᎥ ᎢᏗᏏᏴᏫᎭ ᎢᎦᏚᏓᏕᏫᏒ.\n“ᎤᏙᏳᎯ,” ᎤᏛᏁ ᎦᏂᎦᏔ.\nᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎢᏣ ᎱᏁᏅᏎ ᏗᏂᏲᏟ.\nᎠᏎᏍᎩᏂᏃᏅ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎡᎲᎩ ᎠᏓᏫ ᏤᎮ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎼᏏᏃ ᏤᎮ ᏫᎬᏍᏘ, ᎾᏍᎩ ᎾᏍᏉ ᎠᏁᎲ ᏄᏂᏍᎦᏅᏨᎾ ᎨᏒ ᎾᏍᎩᏯ ᏄᏛᏁᎸ ᎤᏍᎦᏅᏨ ᎠᏓᏫ, ᎾᏍᎩ ᎤᎷᎯᏍᏗ ᏥᎨᏒ ᏣᎦᏟᎶᏍᏙᏗ ᏥᎨᏎᎢ.\nᏄᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏧᎾᏛᏐᏅᎯ ᎠᎴ ᏂᎦᏛ ᏗᏂᎳᏫᎩ ᎤᏂᏲᎴ ᎦᏰᎪᎩ ᎤᏂᏃᎮᎸᎯ ᏥᏌ ᎤᏡᏗᏍᎩ, ᎾᏍᎩ ᎤᏂᎯᏍᏗᏱ ᎤᎾᏚᎵᏍᎨᎢ;\nᎢᎦᏚᎵᎪᎢ, ᎠᏎᏃ ᎥᏝ ᏱᏥᏩᏘᏍᎪᎢ; ᏕᏣᏓᎯᎰᎢ ᎠᎴ ᎢᏤᎵᎯᏍᎪ ᎢᏥᏩᏛᏗᏱ ᎠᏎᏃ ᎥᏝ ᏱᏥᏩᏘᏍᎪᎢ; ᏕᏣᎵᎰᎢ ᎠᎴ ᏓᎿᏩ ᎢᏤᎪᎢ, ᎠᏎᏃ ᎥᏝ ᏱᏥᏩᏘᏍᎪ ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᏂᏥᏔᏲᎯᎲᎾ ᎨᏒᎢ.\nᎢᎦᏓ ᎤᏁᎦ ᎤᏂᏁᎦᎵ ᎤᏁᎾᎢ ᎠᏂᏴᏫᏯ ᎤᎾᏓᏅᏖᎴ ᎤᎾᏖᎳᎩᏍᏗ ᎠᏂᏣᎳᎩ, ᎤᎾᏓᏑᏲᏗ ᎠᏂᏳᏩᏁᎦ, ᎠᏎᏃ ᏚᏓᏦᎯᏍᏛ ᏣᏥᏯ, ᏓᏂᏂᏱᏍᎨ ᏧᎾᎵᎩᏛ, ᎠᏎᏉ ᏂᎦᎥ ᏴᏫᏯ ᎩᎦ ᎤᏂᏁᎯ, ᏓᏂᎦᎯᏴᏍᎨ ᏭᏕᎵᎬ ᎢᏣ, ᏧᏚᎪᏓᏁᏗ ᎢᏳᏍᏗ ᏂᎨᎬᏁᎮ.\n(ᏂᎦᏛᏰᏃ ᎾᏍᎩ ᎤᎾᎵᏛᏙᏗ ᎪᎱᏍᏗ ᏕᎲᏗᏍᎬ ᎢᏳᎢ;)\nᏓᏆᎴᎳ ᎠᏍᏚᏗ ᎤᏬᏢ ᎠᏂᎩᏍᎬ, ᎠᏰᎴᎩ ᏕᎦᎾᏤᏍᏗᏍᎬ ᏧᏔᎾᎶ ᏃᎴ ᏗᏯᏖᏅ ᏚᏃᏴᎬ ᏌᏬᏚ ᏕᎦᎶᏍᎬ ᏕᎦᏆᏛ.\nᎠᎴ ᎢᏍᏛᎨᏳᎢ ᎠᏈᏯ, ᎠᎴ ᎠᎩᏆ, ᎢᏧᎳᎭ ᎢᏗᏩᏫᏍᎩ, ᎠᎴ ᏧᎾᏁᎶᏗᎤᎾᏓᏈᎬ ᎯᏁᎸᎢ;\nᎬᏩᏠᏨᏃ ᎢᎤᎾᏨᏎᎢ ᏥᎷᏏᎵᎻ ᏭᏂᎶᏎ ᎬᏩᏲᎮᎢ.\nᎠᎯᏓ ᏄᎳᏍᏓᏁᎮ ᎤᏗᏍᎦᎳᏗ ᎾᏍᎩ ᎤᏓᎾᎢᏍᏙᏗ ᏐᎢ ᎤᏐᏅᏅᏍᏙᏗ.\n“ᎡᎭ, ᏒᎦᎾᏲᎪ!” ᎤᏪᎷᏁ ᎰᎻ, ᏂᎦᏓ ᎦᏓᏁ ᎨᏎ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᏁᎩ ᎠᏍᏓᏯ ᎢᏳᏅᏁᏗᏱ ᎠᏤᎵᏍᏛᎢ ᏦᎢᏁ ᎢᎦ ᎢᎪᎯᏛ, ᎬᏩᏍᏓᏩᏗᏙᎯᏰᏃ ᏒᏃᏱ ᏯᏂᎷᎩ ᏱᎬᏩᏃᏍᎩ, ᎯᎠᏃ ᏱᏂᏓᏂᏪᏏ ᏴᏫ; ᏧᏲᎱᏒ ᏙᎤᎴᏅ; ᎣᏂᏱᏃ ᎤᎾᏠᏄᎮᎸᎢ ᎤᏟ ᎤᏲᎢᏳ ᏱᎩ ᎡᏍᎦᏉ ᎢᎬᏱᏱ.\nᎠᏏᏴᏫᏃ ᎾᏍᎩ ᎢᏧᎳᎭ ᎤᎾᎵᏍᏓᏴᏅᎯ ᎾᏍᎩ ᎤᏛᎦᏅ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᎿ ᎬᏩᎵᏍᏓᏴᏗ ᏂᎦᎵᏍᏓᏅᎭ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎾᏍᏉ ᎤᎾᏙᏓᏆᏍᎬ ᏴᏫ ᎤᏪᏥ ᎤᏤᎵᎦ.\nᏧᏙᏓᏋᏓ ᏕᎦᎶᏍᎬ, ᎠᏛᏍᎨᎢ ᏫᎵᎻ.\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎼᏏ ᎿᏉ ᎤᏔᏅ ᏄᎵᏍᏔᏅ ᎤᏲᎢᏎᎴᏉ ᏇᎵᏲ ᎤᏪᏥ ᎠᎨᏴ, ᎤᏪᏥ ᎠᎪᏎᏗᏱ;\n“ᎠᏯᏗ ᏍᏉ,” ᎱᏛᏁᎢ ᏄᏓᎴ ᏂᎦᏪᏍᎬ.\nᎤᏛᏐᏅ.\nᎯᎠ ᎾᏍᎩ ᏥᏂᏥᏪᎭ ᎥᏝ ᏗᏨᏳᎪᏓᏁᏗᏱ ᏯᎩᏰᎸᎭ; ᎦᏳᎳᏰᏃ ᎯᎠ ᏥᏂᎠᎩᏪᏒ, ᏦᎩᎾᏫᏱ ᎢᏥᏯᎠ, ᎣᎦᏛᏅᎢᏍᏗᏉ ᎢᏧᎳᎭ ᏗᎩᏂᏲᎱᎯᏍᏗᏱ, ᎠᎴ ᎢᏧᎳᎭ ᎢᎦᏕᏗᏱ.\nᏐᏉ ᎢᎦ ᎤᏂᏴᎮ ᏧᎶᎸᏗ ᏩᏁ ᎦᏅᏍᏔ ᎪᏍᏔᏰ ᎬᏘ, ᎤᏍᏗ ᎤᏬᏔᏁ ᎤᏬᏰᏂ ᎢᎬᏓ, ᎦᏚᎢᏣ ᎤᎪᎲᏍᏔᏁ.\nᎾᏍᎩᏯᏉᏰᏃ ᎩᎶ ᎠᏍᎦᏯ ᎢᏅᏥᏮᏗᎦᎶᏏᏎᎢ, ᎠᎴ ᏥᏫᏚᏯᏅᎮ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᏥᏚᏲᎯᏎᎴ ᎤᎿᎥᎢ.\n“ᏙᏕᏣᏙᎠ?” ᎤᏛᏛᏁ ᏫᎵᎻ, ᎤᏩᏃᏫᏍᎨ ᎠᎵᎮᎵᎬ.\n“ᎣᏍᏓ, ᎠᎦᏗᏓ ᎣᏍᏓ ᎠᎩᏰᎸᎭ,” ᎤᏛᏁ ᏦᎢᏁ ᎧᏅᏂᏍᎩ.\nᏂᎦᏓ ᎡᎾᎢ ᏓᎦᎵᏬᏥ ᎯᎸᎢᏴ.\nᎥᏝ, ᎾᏍᎩᏍᎩᏂ ᎠᏰᎸ ᏤᎯ ᎤᏟ ᎢᏗᏩᎾᎦᎳ ᏥᏅᏩᏍᏙᎢ, ᎾᏍᎩ ᎤᏟ ᎤᎵᏍᎨᏛ ᎨᏐᎢ.\n”ᏓᎨᏣᎵ.\nᏌᏉᏉᏰᏃ ᎡᎭ ᎤᏁᎳᏅᎯ, ᎠᎴ ᏌᏉ ᏗᎪᎯᏍᏗᏍᎩ ᎠᏰᎵ ᏗᎴᏁᎯ ᎤᏁᎳᏅᎯ ᎠᎴ ᏴᏫ, ᎾᏍᎩ Ꮎ ᏴᏫ ᏥᏌ ᎦᎶᏁᏛ;\nᎣᏌᏯᏃ ᏦᏓᎻ ᎤᏕᏁᎴᎢ; ᏦᏓᎻᏃ ᎡᎭᏏ ᎤᏕᏁᎴᎢ; ᎡᎭᏏᏃ ᎮᏏᎦᏯ ᎤᏕᏁᎴᎢ;\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏝᏍᎪ ᏱᏥᎪᎵᏰᎣ, ᎾᏍᎩ ᏗᏓᎴᏂᏍᎬ ᏧᏪᏢᏅᎯ ᎠᏍᎦᏯ ᎠᎴ ᎠᎨᏴ ᏚᏬᏢᏅᎢ?\nᎦᎸᎳᏗᏰᏃ ᏗᏆᏠᎣᏒ, ᎥᏝ ᎠᏋᏒ ᎦᏓᏅᏖᏍᎬ ᏗᎩᎸᏫᏍᏓᏁᏗᏱ, ᎠᏓᏅᏖᏍᎬᎢᏍᎩᏂ ᎾᏍᎩ Ꮎ ᏅᏛᎩᏅᏏᏛ.\nᎢᏥᏍᎦᏯ ᎢᏏᎵ ᏧᏪᏥ ᎢᏣᏛᏓᏍᏓ ᎯᎠ ᏥᏁᎬᎢ. ᏥᏍ ᎾᏎᎵᏗ ᎡᎯ ᏥᎨᏒᎩ ᎤᏁᎳᏅᎯ ᎬᏂᎨᏒ ᎢᏳᏩᏁᎸᎯ ᎢᏤᎲᎢ, ᎾᏍᎩ ᎤᏩᏗᏍᎬ ᎤᏓᎴᎯ ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᎠᎴ ᎤᏰᎸᏛᎢ ᏥᏚᎸᏫᏍᏓᏁᎸᎩ ᎢᏤᎲᎢ, ᎾᏍᎩ ᏂᎯ ᎾᏍᏉ ᏥᏥᎦᏔᎭ,\nᎿᏉᏃ ᏚᏬᏑᎴᎣᏁᎸ ᏧᎾᎳᏏᏕᏂ, ᎠᎴ ᎢᎤᏄᏬ; ᎠᎴ ᏔᎵᏁ ᎢᎤᏪᏅ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏥᎦᏔᎭᏍᎪ ᎯᎠ ᎾᏍᎩ ᏥᏂᏨᏯᏛᏂᏏ?\nᎡᏣᏯᏂᏍᎨᏍᏗᏍᎩᏂ, ᎮᎨᏍᏗ ᎠᎴ ᏣᏂᏏᎲᏍᎨᏍᏗ ᎡᎳᏗ ᎨᏒ ᏗᏂᏢᏗᏱ; ᎾᏍᎩᏃ ᏫᏣᏯᏅᏛ ᎦᎷᎨᏍᏗ, ᎯᎠ ᎢᏳᏣᏪᏎᏗ ᏱᎩ, ᎩᎾᎵᎢ, ᎦᎸᎳᏗᏢᏍᏙᏗ ᏫᎶᎯ; ᎿᏉ ᎡᏣᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎠᏂᎦᏔᎲ ᎢᏧᎳᎭ ᎢᏥᏂᏜᎢ [ᏗᎵᏍᏓᏴᏗᏱ.]\nᎤᏠᏱᏉ ᏦᎩᎭ ᎠᏓᏅᏙ ᎪᎯᏳᏙᏗ ᎨᏒᎢ, ᎯᎠ ᎾᏍᎩᏯ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎠᏉᎯᏳᏅ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎩᏁᏨ; ᎠᏴ ᎾᏍᏉ ᎣᏦᎯᏳᎲᏍᎦ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎣᏥᏁᎦ.\nᎠᏍᏆᏓ\nᎠᎴ ᎠᏴᎥᏝ ᏱᏥᎦᏔᎮᎢ; ᎠᏎᏃ ᎾᏍᎩ ᎾᏅᏛᎩᏅᏏᏛ ᎠᎹ ᏗᏆᏓᏬᏍᏙᏗᏱ ᎾᏍᎩ ᎯᎠ ᎾᎩᏪᏎᎸᎩ; ᎩᎶ ᎯᎪᎥᎭ ᎠᏓᏅᏙ ᎠᏁᏡᎲᏍᎬᎢ ᏚᎩᎸᏨᎭ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏗᏓᏬᏍᏗᏍᎩ.\nᎧᏂᎩᏛ.\nᎯᎠᏰᏃ ᎾᏍᎩ Ꮎ ᎤᎾᏠᎾᏍᎩ ᎨᏥᏅᏏᏛ, ᎤᎾᏓᎵᏓᏍᏗ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎦᎶᏁᏛ ᏧᏤᎵ ᎨᏥᏅᏏᏛ ᎠᎾᏤᎸᏍᎩ.\nᎠᎳᏂ ᎤᏚᎵᏍᎨ ᎭᏫᏂ ᏗᎦᏁᏍᏔᎳᏗᏍᏗᏍᎩ ᎤᎪᏩᏛᏗ.\nᎣᏏᏳᏰᏃ ᎣᎩᏰᎸᎭ ᏦᏥᏩᎾᎦᎳ ᏥᎨᏐᎢ, ᏂᎯᏃ ᏥᏕᏣᎵᏂᎬᎪᎢ; ᎯᎠᏃ ᎾᏍᏉ ᎣᎦᏚᎵᎭ, ᎾᏍᎩ ᏂᏥᎪᎸᎾ ᎢᏣᎵᏍᏙᏗᏱ.\nᎿᏉᏃ ᎠᏂᏆᎵᏏ ᎤᏁᏅᏒᎩ ᏭᏂᏃᎮᎸᎩ ᎢᏳᎾᏛᏁᏗᏱ ᎤᏂᏌᏛᏗᏱ ᎦᏬᏂᏍᎬᎢ.\nᎠᎴ ᎾᎿ ᏂᎦᏗᏳ ᎤᎾᏓᏟᏌᎲᎢ, ᎠᎴ ᎢᎬᏱ ᎤᎾᏕᏅᎯ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ, ᎾᏍᎩ [ᏚᎾᏙᎥ] ᎦᎸᎳᏗ ᏥᏕᎪᏪᎳ, ᎠᎴ ᎾᎿ ᎤᏁᎳᏅᎯ ᏂᎦᏗᏳ ᏗᎫᎪᏓᏁᎯ [ᎡᎲᎢ,] ᎠᎴ ᎾᎿ ᏧᎾᏓᏅᏙ ᎤᎾᏓᏅᏘ ᏴᏫ ᎾᏂᏍᎦᏅᎾ ᎢᎨᎬᏁᎸᎯ [ᎠᏁᎲᎢ,]\nᏥᏌᏃ ᎯᎠ ᏂᏑᏪᏎᎸᎩ; ᎢᏦᎵᎩᏧ ᏂᎦᏛ ᎯᎠ? ᎥᎥ, ᏣᎬᏫᏳᎯ, ᎥᎬᏬᏎᎸᎩ.\nᏝᏍᎪ ᏱᏥᎦᏔᎭ, ᎠᏓᎵᏅᏟ, (ᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎠᏂᎦᏔᎯ ᎦᏥᏬᏁᏗᎭ,) ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎤᎾᏝᎥ ᏴᏫ ᏂᎪᎯᎸ ᎡᎲᎢ?\nᎯᎪᎢᎦ ᎯᎠ ᏥᏍᏆ ᎦᏯᎪᎦ ᏍᏆᎳ ᎦᎾᎪᎢ ᏃᎴ ᎯᎠ ᎠᏂᏣᎳᎩ ᎭᏂᎧᏔ ᎦᏯᎪᎦ ᎨᏒᎢ.\nᏣᏄᏏ ᎤᎷᏣ ᏑᎾᎴ ᎠᎵᏍᏓᏴᏗ ᎠᏰᎯ, ᎭᎾᎾ ᎯᎦᏙᎨ ᎤᏬᏚ ᏏᏆ, ᏃᎴ ᎦᎸᎳᏗᏣ ᎯᎪᏪᎴ ᎤᏣᏓ ᎣᏍᏓ.\nᏌᎳᏓ ᏚᏂᎬᎦ ᏗᏤ ᎠᏓᏅᏖᎸ ᎢᏳᏍᏗ ᎤᏬᏪᎶᏗ ᏚᏏᎳᏛᎢ ᎤᏍᏆᏂᎪᏙᏗ ᏫᎵᎻ ᎬᏅᎢ.”\n”ᏗᏁᎸᏙᏗᎩ?\nᎠᏴ ᎾᏍᎩ ᎪᎯ ᎨᏒ ᏥᎦᎵᎡᎵᎦ ᎢᏨᎩᎵᏲᏤᎲᎢ, ᎠᎴ ᏥᏥᎧᎵᏏᏏ ᎠᏏ ᎤᏃᏒᎢ ᎦᎶᏁᏛ ᎤᎩᎵᏲᏨ ᎾᏍᎩᏯ ᎠᎩᏇᏓᎸ ᏥᎩᎵᏲᎬᎢ, ᎾᏍᎩ ᎠᏰᎸ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ, ᎾᏍᎩ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏥᎩ;\nᎤᏅᏌ ᏣᎵ, ᏁᏂᏏ ᏃᎴ ᏧᎾᏛᎾ ᎠᏂᏧᏣ, ᏅᏙ ᎠᏰᎵ ᏤᎩ ᏃᎴ ᎶᏩᏂ.\nᎤᏂᏣᏘᏃ ᎠᏍᏓᏯ ᎤᎾᎵᏍᏕᎢ, ᎤᎾᎴᏅᎮ ᎤᏂᏔᏲᎴ ᎾᏍᎩᏯ ᏂᏚᏛᏁᎸ ᏧᏩᎫᏔᏅᏒ ᎢᏧᏛᏁᏗᏱ.\nᎠᎾᎵᏅᏟᏃ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎨᏣᏍᏓᏩᏗᏙᎯ ᎾᏍᏉ ᎠᏂᎪᎲᎭ ᏄᏍᏛ ᏕᏣᎸᏫᏍᏓᏁᎲᎢ.\nᏎᎦᏨ, ᏭᎷᏤ ᎤᏍᏗ ᎠᎹ ᎦᏁᎲ ᎡᏆ ᏅᏯ ᎤᎵᏗᏨ.\nᏗᎦᏓᏁ ᎢᏧ ᎵᏍᏔᏅ ᎨᏎ ᏧᎳᏑᎶ ᏭᏨᏔ ᎤᏙᏓ.\nᎾᏍᎩ Ꮎ ᏨᏧᏠᎠᏎᎢ ᎾᏍᎩᏉ ᎾᏍᏉ ᏥᏚᎴᏁᎢ ᎦᎸᎳᏗᏢ ᏂᎦᎥ ᎦᎸᎶᎢ ᏕᎨᏌᏗᏒ ᏥᏭᎷᏤᎢ, ᎾᏍᎩ ᏧᎧᎵᎢᏍᏗᏱ ᏂᎦᎥ ᏄᏓᎴᏒ ᎪᎱᏍᏗ.\nᎾᏍᎩᏃ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏣᏤᎵᎦ ᎢᏳᏩᏂᏌᏛ ᎠᏩᎾᎦᎳ ᏗᏍᏓᏓᏅᏟ ᏴᎬᏲᎱᎯ, ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᏲᎱᎯᏎᎸᎯ?\nᎤᏛᎦᏁᎢ ᏫᎵᎻ ᎣᏍᏓ ᎾᏂᏪᏍᎬ ᎠᏂᏃᎮᏍᎬ ᏁᏆᎸ ᎡᏚᏥ.\nᏉᎳᏃ ᎠᎴ ᏆᏂᏆ ᎾᏍᏉ ᎬᏁᏙᎮ ᎥᏘᏍᎩ ᏓᎾᏕᏲᎲᏍᎨᎢ, ᎠᎴ ᎠᎾᎵᏥᏙᎲᏍᎨ ᎧᏃᎮᏛ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ, ᎠᎴ ᎾᏍᏉ ᎤᏂᏨᏖ ᏅᏩᎾᏓᎴᎢ.\nᎿᏉᏃ ᏛᏂᎪᎯ ᏴᏫ ᎤᏪᏥ ᏣᎢᏎᏍᏗ ᎤᎶᎩᎸᎢ ᎤᎵᏂᎩᏛ ᎠᎴ ᎤᏣᏘ ᎦᎸᏉᏗ ᏅᏧᏛᎿᏗᏎᏍᏗ.\nᎤᎵᏂᎩᏛᏃ ᏚᏁᏤᎴ ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᎬᏩᏁᏗᏱ ᏂᎨᏒᎾ.\nᏏ ᏐᏉ ᎢᏳᏩᎫᏗ ᏭᏂᎷᏣ ᎠᏓᏁᎸ, ᏗᎦᎳᏛ ᏭᏂᎪᏩᏛᎮ ᎤᏔᏂᏓ ᏅᏯ.\nᎾᏍᎩ ᏂᎦᏛ ᎠᎾᏙᎴᎰᏍᎩ ᎬᏩᏃᎮᎭ, ᎯᎠ ᎾᏂᏪᎭ; ᎾᏍᎩ ᎩᎶ ᎪᎯᏳᎲᏍᎨᏍᏗ ᎾᏍᎩ ᏕᎤᏙᎥᎢ, ᎠᏥᏙᎵᏍᏗ ᎨᏎᏍᏗ ᎤᏍᎦᏅᏨᎢ.\nᏍᎩᏄᏍᏛ ᎧᏃᎮᏍᎬ ᎪᏪᎵ.\n“ᎭᎴᏫᏍᏔ ᏥᏕᎰᏒᏍᎦ ᏳᏙᎯᏳᎲᎾ!”\nᏥᏌᏃ ᎾᏍᎩ ᎤᏙᎴᎰᏒ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏍᏗ ᎢᏦᎯᏳᎯ, ᎦᏙᏃ ᎢᏨᏒ ᎨᏒ ᎢᏥᏃᎮᎭ ᎠᎵᏍᏓᏴᏗ ᏂᏥᏰᎲᎾ ᎨᏒᎢ?\nᎠᏴᏃ ᏧᏤᎵ ᎣᏥᏃᎮᏍᎩ ᎾᏍᎩ ᎯᎠ ᏄᏍᏛᎢ, ᎠᎴ ᎾᏍᏉ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᏁᎸᎯ ᏥᎩ ᎬᏬᎯᏳᎲᏍᎩ.\nᎠᎬᏱ ᎠᏥᎳ ᎦᏆᎴᎳ ᏥᎦᏂᎩᏍᎬ, ᎦᎵᎡᎵᎬ, ᎠᎬᏱ ᎯᏍᎩᏍᎪ ᎢᏳᏥᎶᏓ, ᎠᎬᏱᏣ ᏩᏉᏢ, ᏙᏣᏟᏃᎮᏍᎬ ᎠᏥᎳ ᏓᏆᎴᎳ ᎠᏂᏅᏫᏍᏗᏍᎩ, ᎦᏥᏍᏕᎵᏍᎬ ᎠᏓ ᏓᏂᎳᏗᏍᎬ ᎠᏓ ᏗᎦᎳᏗᏍᏗ.\nᎤᎾᎵᎮᎵᏤᏃ, ᎠᎴ ᎬᏩᏁᏤᎴ ᎠᏕᎸ ᏗᎬᏩᏁᏗᏱ.\nᎠᎴ ᎩᎶ ᎢᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ,\n”ᏔᎵ ᎠᏗᏙᏗ ᎧᎵ ᎥᏳᎩ ᎠᎴᏫᏍᏗᎩ ᏃᎴ ᏩᏚᎵᏏ ᎦᏲᏟ ᎯᏁᎲᏏ,” ᎤᏛᏁ ᎰᎻ.\nᎢᏣᏕᎰᎯᏍᏗᏍᎩ ᎯᎠ ᏥᏂᏥᏪᎠ. ᎰᏩᏍᎪ ᎥᏝ ᏰᎭ ᏂᏣᏛᏅ ᏌᏉᎤᏅ ᎠᎦᏔᎿᎢ ᏰᎵ ᏗᎬᏭᎪᏓᏁᏗ ᎠᏁᎵᏅᏟ ᏓᎾᏓᏰᎢᎵᏙᎲᎢ?\nᎯᎠᏰᏃ ᎢᏳᏪᏛ ᏥᎩ, ᏞᏍᏗ ᏣᏓᏲᏁᎸᎩ, ᎾᏍᏉ ᎯᎠ ᎢᏳᏪᏛ ᎢᎩ, ᏞᏍᏗ ᏣᏓᎸᎩ; ᎾᏍᎩᏃ ᎢᏳᏃ ᏂᏣᏓᏲᏁᎸᎾ ᏱᎩ, ᎠᏎᏃ ᏱᏣᏓᎸ, ᎿᏉ ᏗᎧᎿᏩᏛᏍᏗ ᎯᏲᏍᏗᏍᎩ ᏄᎵᏍᏔᏅ.\nᎣᏍᏓ ᎱᎵᏍᏓᏴᏁ ᏫᎵᎻ.\nᎿᏉᏃ ᎤᏜᏅᏛ ᎠᏰᎵ ᎤᏃᏔᏅ, ᎠᎴ ᎢᏧᎳᎭ ᎤᎾᏅᏅ, ᏈᏓ ᎤᏪᏁ ᎠᏂᏅᎢ.\nᏏ ᎩᎳᎯ ᎭᏓᏅᏖᏍᎨ ᏏᏆ, ᏗᏕᏲᎲᏍᎩ ᎤᏛᏛᏁ, ”ᏲᎾ ᎤᏤᏍᏙ ᏙᏚᏙᎠ ᎠᏰᎵ ᏧᏂᎳᏫᎢᏍᏗ ᏅᎩᏓᎵᏃ ᏍᎦᏚᎩ?” \nᎨᏍᏗ ᏳᏚᎵᏍᎨ ᎤᏪᎵᏍᏗ ᎡᎶᏗ.\nᏣᏚᎵᎭᎨ ᎪᏪᎵ ᏦᏪᎶᏗ ᎩᏃᎯᏳᏅ?\nᎠᏎᏃ ᎤᏩᎨᏫᏎ ᎭᏂᏣ ᎠᏍᏓ ᎯᎵᎯᏨ ᏭᎧᏁᏍᏗ, ᎨᏍᏗ ᏳᎵᏍᏕᎸᏙᏔᎾ. ᏭᏅᏥᎴ ᏃᎴ ᎤᏪᎯᏍᏔᏁᎴ ᏫᎵᎻ.\nᎠᏎᏃ ᎤᏟ ᎢᎦᎢ ᏧᏃᏣᎶᎢᏍᏗᏱ ᏂᎨᏒᎾ ᏴᏫ ᎠᏁᎲᎢ, ᎤᎵᏂᎩᏛᏯ ᏗᏗᏍᎦᎩ ᏗᏗᏁᏥ, ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎯᎠ ᎾᏍᎩ ᏚᏙᎥ ᎠᏂᏁᎢᏍᏗᏍᎬ ᎩᎶ ᎤᏂᏬᏁᏙᏗᏱ ᏂᎨᏒᎾ.\nᎠᏎᏃ ᎦᏙ ᎠᏗᎭ? ᎧᏃᎮᏛ ᎮᎲ ᎾᎥᏂᏳ ᏄᏍᏗᏕᎦ, ᎾᏍᎩ ᎯᎰᎵᏉ, ᎠᎴ ᏣᎾᏫᏱᏉ ᎡᎭ; ᎾᏍᎩ ᎯᎠ ᎧᏃᎮᏛ ᎪᎯᏳᏗ ᎨᏒ ᎧᏃᎮᏍᎩ, ᎾᏍᎩ ᎠᏴ ᏦᏣᎵᏥᏙᎲᏍᎦ;\nᎨᏍᏗ ᎫᏓᎸᏉᏙᏗ ᏱᎩ ᎭᏂ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᏦᎯᏍᏙᏗ ᏗᎿᏬ ᏓᎿᏬᏍᎨ ᎢᎪᎯᏓ ᏃᏉ - “ᏑᎾᎴ ᏳᏗᏛᎭ ᏓᎿᏬᏍᎨ.\nᎠᎴ Ꮼ ᎢᏓᎵᏅᏟ, ᎢᏨᏍᏗᏰᏗᎭ ᏗᏣᎦᏌᏯᏍᏙᏗᏱ ᏗᎦᎴᏅᏗᏱ ᎠᎴ ᎤᏓᎿᏍᏆᎶᏍᏗᏱ ᎢᏯᏅᏁᎯ, ᏗᎦᏘᎸᏍᏗᏱ ᏗᏕᏲᏅᎯ ᎨᏒ ᏄᏍᏛ ᏄᏍᏛ ᎢᏣᏕᎶᏆᎥᎢ; ᎠᎴ ᏕᏣᏓᏅᎡᎮᏍᏗ.\n”ᏨᏌ ᏫᎪᏩᏔ.”\nᎨᏍᏗ ᏐᏉ ᎢᏯᏔᏬᏍᏔᏅ ᏳᎦᏘᏓ ᏥᏍᏕᏥ.\nᏂᎦᏗᏳᏃ ᎪᏢᏅᎯ ᎨᏒ ᎦᎸᎳᏗ ᎡᎲ, ᎠᎴ ᎡᎶᎯ ᎡᎲ, ᎠᎴ ᎡᎶᎯ ᎭᏫᏂᏗᏢ ᎡᎲ, ᎠᎴ ᎾᏍᎩ ᎠᎺᏉᎯ ᎠᏁᎲ, ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎠᏂᏯᎥᎢ, ᎠᏆᏛᎦᏅᎩ ᎯᎠ ᎾᏂᏪᏍᎬᎢ, ᎣᏍᏛ ᎧᏁᎢᏍᏓᏁᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎦᏍᎩᎸ ᎤᏬᎵ, ᎠᎴ ᎾᏍᏉ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᏂᎪᎯᎸᎢ.\nᎠᎴ ᎦᎪ ᏚᏁᏤᎴ ᎠᏎᎵᏛᏍᎬ ᎾᏍᎩ ᎤᏂᏴᏍᏗᏱ ᏂᎨᏒᎾ ᎨᏒ ᎤᏤᎵ ᎠᏣᏪᏴᏄᏍᏙᏗᏱ? ᏝᏍᎪ ᎾᏍᎩ ᏱᎨᏎ Ꮎ ᏄᏃᎯᏳᏒᎾ ᏥᎨᏎᎢ?\n“ᏤᏍᏗ ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ,” ᎤᏛᏁ ᎦᏂᎦᏔ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎦᏅᎬ [ᎠᎵᏍᏓᏴᎲᏍᎬ] ᎦᎵᏦᏕ, ᎬᏂᏳᏉ ᎤᏂᏣᏛᎩ ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᎠᏂᏍᎦᎾ ᎤᏂᎷᏨ ᎤᎾᏂᏢᏅᎩ ᎠᏂᏅᏜᎥ ᏥᏌ ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ.\nᎠᏎᏃ ᏚᎷᏫᏍᏔᏁᎮ ᏧᏍᏆᏴᏍᏗ, ᏃᎴ ᏰᎵ ᏄᏩᏅᏓᎩᏎ ᏗᎦᏅᏙᏗ ᏃᎴ ᎦᏙᎯ ᏭᏁᎢ, ᏫᎵᎻ ᎦᏙᎬ ᎠᎬᏱᏣ ᏭᏁᎢ.\nᎾᎿᏃ ᎾᎥᎢ ᎠᏫ-ᏗᏂᎦᏘᏯ ᎠᏁᏙᎮ ᎤᏜᏅᏛᎢ, ᎠᏫ ᏓᏂᎦᏘᏰ ᏒᏃᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏯᏫᏍᎨᏍᏗ ᏂᎪᎯᎸᎢ, ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ, ᎾᏍ-ᎩᏃ ᏰᎵᏉ ᎯᎠ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎤᎵᏰᎢᎶᎯᏍᏗ ᏥᎩ ᎬᏩᎾᏗᏫᏎᏗ, ᎠᎴ ᏴᏫ ᎤᏪᏤ ᎤᏬᎸ ᎢᎬᏱᏗᏢ ᎬᏩᎾᎴᏗ ᎦᏰᏤᎵᏎᏗ ᏱᏂᎦᎵᏍᏓ\nᎢᏳᏰᏃ ᏩᎦ ᏧᎾᎪᏅᏍᏓᎵ ᎤᏂᎩᎬ, ᎠᎴ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᎤᏂᎩᎬ, ᎠᎴ ᏩᎦ ᎠᎩᏏ ᎤᎪᏅᎯ ᎪᏍᏚ ᏕᎨᏩᏅᏁᏗ ᏱᎩ ᎾᏍᎩ ᎤᏂᏇᏓᎸ ᎤᎬᏩᎵ ᎨᏒᎢ.\nᎪᎯ ᎤᎵᏍᏆᎸᏗ ᏕᎨᏌᏗᏒ ᎢᎩᏁᏤᎸ ᎤᏪᏥ ᎤᏮᏔᏅ, ᎾᏍᎩ ᎤᏪᎧᏅ ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ, ᎾᏍᎩ ᎾᏍᏉ ᎬᏗᏍᎬ ᎡᎶᎯ ᏚᏬᏢᏁᎢ;\nᎤᏁᎵᏎ ᎣᎯᏍᏙᏗ ᏳᎾᏛᏅᎢᏍᏗ ᎤᎾᎵᏍᏙᏗ.\nᎯᎠ ᏱᏂᎦᏪᏍᎨ ᏗᎦᏃᏣᏟ: ”ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᎤᏍᏆᏂᎩᏗ ᏏᏆ ᏃᎴ ᎠᏂᏔᎵ ᎤᎾᏗᏍᎦᏟ.”\nᏧᏁᏨᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎨᏳᏎᏍᏗ ᏱᎰᏩ ᏣᏁᎳᏅᎯ, ᎲᏗᏍᎨᏍᏗ ᏂᎦᎥ ᏣᎾᏫ ᏣᎸᎢ, ᎠᎴ ᏂᎦᎥ ᏣᏓᏅᏙᎩ, ᎠᎴ ᏂᎦᎥ ᏣᎵᏂᎬᎬᎢ, ᎠᎴ ᏂᎦᎥ ᏣᏓᏅᏖᏗ ᎨᏒᎢ; ᎾᎥᏃ ᎢᏗᏍᏓᏓᎳ ᏨᏒ ᏂᏣᏓᎨᏳᏒ ᎾᏍᎩᏯ ᏂᎨᏳᏎᏍᏗ.\n(ᎾᏍᎩ ᎥᏝ ᎣᏏᏳ ᏳᏰᎸᏁ ᎾᏍᎩ ᏄᏍᏛ ᏚᏄᎪᏔᏅ ᎠᎴ ᏄᎾᏛᏁᎸᎢ,) ᎠᎵᎹᏗᏱ ᎡᎯ ᎨᏎᎢ, ᎾᏍᎩ ᎠᏂᏧᏏ ᎤᏂᏚᎲᎢ, ᎾᏍᎩ ᎾᏍᏉ ᎠᎦᏘᏰ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ,--\nᎢᎪᎯᏓ ᎢᎦ ᏒᎮᏱᏣ ᏪᏙᎰ ᎭᎾᏂ, ᏣᎨ? \nᏍᎩᎾ ᎪᏍᏓᏱ ᎦᏰᏌᏗ ᏙᏳᏕᎦ ᎤᎶᏒᏍᏗ ᎤᏲᎢ ᏥᎨᏎᎢ ᏍᎩᎵ ᏤᎮᎢ ᎦᎸᎳᏗᏳ ᎦᏚᏏ.\nᎠᏦᎳᏅᏃ ᏓᎬᎩᏄᎪᏫᏒᎩ ᏔᎷᏣᎩᎯ ᎬᏆᏦᏗ ᎬᏆᏠᎥᏔᏅᎩ ᎠᏐᏳᎶᏗ, ᎠᎴ ᏥᏯᏗᏫᏎᎸᎩ.\nᏉᎳᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎢᏓᏓᏅᏟ, ᎥᏝ ᏱᎨᎵᏍᎨ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎨᏒᎢ; ᎯᎠᏰᏃ ᏥᏂᎬᏅ ᏥᎪᏪᎳ; ᏞᏍᏗ ᎤᏐᏅ ᏱᏁᏤᎮᏍᏗ ᏣᎦᏁᎶᏗ ᏗᏣᏤᎵ ᏴᏫ ᎤᎾᏤᎵᎦ.\nᎾᏍᏉᏰᏃ ᎪᎱᏍᏗᏉ ᎬᏃᏛ ᏂᎨᏒᎾ, ᏳᏃᏴᎦ, ᎠᏤᎷᎯᏍᏗ ᎠᎴ ᏗᎧᏃᎩᏍᏙᏗ ᏱᎩ, ᎢᏳᏃ ᏧᏓᎴᎿᎢ ᏂᏚᏃᏴᎬᎾ ᏱᎩ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏴᏙᎴᎰᎯ ᎾᏍᎩ ᎠᏤᎷᎯᏛ ᎨᏒ ᎠᎴ ᎾᏍᎩ ᏗᎧᏃᎩᏛ ᎨᏒᎢ?\nᎤᏟᏍᏓ ᎤᏓᏅᏖᏗ ᎨᏎᎢ.\nᎿᏉᏃ ᏧᎦᏐᎠᏒ ᎤᏌᎯᎸᎢ, ᎤᏂᏣᏘ ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ; ᏥᏌ ᎤᏍᏆᏛ ᏕᎧᏁᏤᎲ ᏔᎳᏚ ᎢᏯᏂᏛ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎤᏂᎩᏒᎩ ᎾᎿᏂ, ᏚᏕᏲᏅᏛᎩ ᎠᎴ ᎤᎵᏥᏙᎾᏒᎩ ᏚᏂᏚᎿᎥᎢ.\nᏥᎦᏴᎵ ᎤᏃᏕᎾ. ᏚᏕᏘᏴᏌᏗᏒ ᎤᏐᏱᎭ ᏥᎪᏩᏘᏍᎪ.\nᎠᏓᏍᏓᏴᏗ, ᎩᎳᏈᏴ ᏚᏃᏣᏝᏁᎢ ᎠᎳᏂ.\n“ᎠᏂᏴᏫᏯᏃ ‘ᎠᎳᏑᎶ’ ᏓᏃᏎᎰ…”\nᎤᏂᎶᏌ ᎠᏗᏆᎸᏕᏲ ᎦᏆᏘ, ᎦᎸᎳᏗ ᏫᏚᎧᎾᏁ ᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᏚᎦ ᎤᏪᎮᎢ ᎦᎸᎳᏗ ᏂᏗᎬᏅ ᎠᎩᎸᏙᏗ ᏳᎩᎴᎢ ᏃᎴ ᎮᏂᎵ ᎤᎵᏲᏗ ᎤᎵᏗᏨ ᏳᏬᏞᎢ.\nᏦᏣᎢᏒ, ᏙᏧᏔᎩᏍᏔᏅ ᎣᎭᏂ ᎠᏁᎩ ᎤᎾᎵᏓᎩᏛ.\nᎯᎠᏃ ᎤᎵᏬᏨ ᏧᎬ.\nᎤᏍᎦᏃᎵ ᎤᎧᏐᏔᏂᎴ ᎦᎸᎳᏗ ᏓᏳᎶᏒ ᏲᎾ ᎤᏤᏍᏙ.\nᏳᎾᎵᏍᏔᏴᎾ ᏍᏉ ᎬᏇᎸᏍᏗᏍᎬ, ᎦᏚ ᎠᏑᏴᏅ ᏃᎴ ᏩᎦ ᎭᏫᏯ ᎤᏌᎨ ᎠᎦᎷᏯᏓ ᎩᎦᎨ ᏃᎴ ᎬᏂᎨ ᏗᏆᏲᏓᏅ, ᎦᏣᏄᎳ ᏗᎬᏣᏝᏅ, ᎦᏖᏌᏗᏍᏗ ᎠᏓ ᏧᏂᎳᏗᏍᏗ ᎤᏂᏙᎥᏔᏅ, ᎩᎦᎨ ᎤᏗᎴᎩ ᎾᎥᏂ.\nᎢᏳᏃ ᎩᎶ ᏚᎸᏫᏍᏓᏁᎸ ᏯᎪᎲᏍᏔᏅ, ᎾᏍᎩ ᎤᏲᎱᏎᎮᏍᏗ; ᎤᏩᏒᏍᎩᏂ ᎠᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ; ᎠᏎᏃ ᎠᏥᎸ ᏣᏥᏍᏕᎸᏔᏃ ᎾᏍᎩᏯᎢ.\nᎤᏁᎳᏫᏎᎸᏃ ᎩᎳᏉ ᎢᏴᏛ ᎣᎦᏁᎶᏔᏅᎩ ᎹᏏᏙᏂ ᏬᎩᎶᎯᏍᏗᏱ, ᎣᏣᏙᎴᎰᏍᎬᎩ ᎤᎬᏫᏳᎯ ᎣᎩᏯᏂᏍᎬᎢ ᎾᏍᎩ ᏦᏣᎵᏥᏙᏁᏗᏱ ᎣᏍᏛ ᎧᏃᎮᏛ.\nᎣᏍᏓ ᎤᏰᎸᎯ ᏚᎧᏙᏍᏕᎢ ᏌᎳᏓ.\nᏐᏉ ᎦᏚᎲ, ᎦᎵ ᎨᏒ ᏧᏂᏍᏗ ᎤᎾᏟᏂᎩᏓ ᎠᏂᏓᏥ, ᎭᎾ ᏓᎩᎬ ᏦᎯᏍᏙᏗ ᏏᏆ ᎭᏫᏯ ᎠᏍᏙᏓ, ᏩᏁ ᎦᏃᏍᎦ ᎦᏚ ᏧᏅᏂᏍᏔᏅ, ᏍᎨᏫ ᏧᎾᏦᏍᏗ ᏗᎵᎪᏔᏅ ᏃᎴ ᎤᏬᏗᎨ ᎠᏓᏴᏍᏕᏍᎩ, ᎤᏬᏗᎨ ᎦᏓᎫᎩ ᎤᏂᎫᎩᏓ, ᎠᎼ ᎤᏪᏴᎢ ᎤᏂᏴᏣᏗᏍᏔᏅ.\nᎠᎴ ᎠᏨᏍᏙᏗ ᏚᎸᏌᏛ ᎥᏝ ᎿᏉ ᏗᏣᎸᏌᏓᏕᏗ ᏱᎨᏎᏍᏗ; ᎠᎴ ᎠᏕᏒᎲᏍᎩ ᎠᎴ ᎠᏥᏰᎯ ᎠᏂᏁᎬ ᎥᏝ ᎿᏉ ᎡᏣᏛᎦᏁᏗ ᏱᎨᏎᏍᏗ; ᏗᏣᏤᎵᏰᏃ ᎠᏂᏃᏗᏍᏍᎩ ᎨᏥᎸᏉᏗ ᎨᏒᎩ ᏴᏫ ᎡᎶᎯ ᏓᏁᏩᏗᏒᎢ; ᏂᎦᏗᏳᏰᏃ ᎤᎾᏓᏤᎵᏛ ᎨᏒ ᏴᏫ ᏓᏁᏩᏗᏒ ᎠᏙᏅᏗ ᏕᏣᎸᏫᏍᏓᏁᎲ ᏕᎯᎶᏄᎮᏔᏅᎩ.\n“ᎠᏗᎭᏃ ᎪᎨᏱ ᏏᏆ,” ᎬᏂᎨᏒ ᏄᏩᏁᎴ ᏌᎳᏓ, ᎭᏩᏉᏗᏃ ᏱᎩ.\nᏂᎦᏛᏃ ᎤᎾᎵᏍᏓᏴᏁᎢ; ᎠᎴ ᏚᏃᎸᏎᎢ.\nᏤᏍᏗ ᏱᏍᎦᎢᎮᏍᏗ, ᏫᎵᎻ-“ᎨᏍᏗ ᎪᎱᏍᏗ ᏣᏓᏅᏕᏙᏗ ᏱᎩ.\nᎠᏎᏃ ᏰᎵᏉ ᏂᏗᎦᎵᏍᏔᏂ, ᏱᎬᏍᏕᎸᎭ.”\nᎢᏣᎵᎮᎵᎨᏍᏗ ᏂᎪᎯᎸᎢ;\nᎩᎶᏃ ᎢᏳᎾᏍᏗ ᎠᏂᏧᏏ ᏅᏁᏙᎯ, ᎠᏂᏍᎩᎾ ᏗᏂᏄᎪᏫᏍᎩ, ᎤᎾᏓᏅᏖᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᏕᎤᏙᎥ ᏧᏂᏁᎢᏍᏓᏁᏗᏱ ᎤᏂᏲ ᏗᏓᏅᏙ ᏧᏂᏯᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎢᏨᏁᎢᏍᏓᏏ ᏥᏌ, ᎾᏍᎩ ᏉᎳ ᎠᎵᏥᏙᎲᏍᎬ ᏥᎦᏃᎮᎭ.\nᎿᏉᏃ ᎠᎹᏟ ᎤᏅᏅ ᎠᎴ ᎤᎾᏓᏙᎵᏍᏔᏅ ᎠᎴ ᏚᎾᏏᏔᏛ, ᏚᏂᏅᏎᎢ.\nᎯᎠ ᎾᏍᎩ ᏦᎢ ᎢᏳᏓᎴᎩ ᎨᏒ ᏓᏅᏗᏍᎬ, ᏴᏫ ᏦᎢ ᎢᎨᏥᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏂᏨᎯ ᏕᎨᏥᎸᎩ, ᎾᏍᎩ ᎠᏥᎸ ᎬᏗ, ᎠᎴ ᏧᎦᏒᏍᏗ ᎬᏗ, ᎠᎴ ᏌᎪᏂᎨ ᎠᏓᏪᎳᎩᏍᎩ ᎬᏗ, ᎾᏍᎩ ᏗᏂᎰᎵ ᏥᏙᏓᎦᏄᎪᎬᎢ.\nᎠᎦᏴᎵᎨᏰᏃ ᎤᎨᏳᎯᏳ ᎤᏪᏥ, ᎠᎴ ᎦᎾᏄᎪᏫᏎᎰ ᏂᎦᏛ ᎤᏩᏒ ᏚᎸᏫᏍᏓᏁᎲᎢ; ᎠᎴ ᎤᏟ ᎢᎦᎢ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏓᎦᎾᏄᎪᏫᏎᎵ ᎡᏍᎦᏉ ᎯᎠ; ᎾᏍᎩ ᎢᏥᏍᏆᏂᎪᎯᏍᏗᏱ.\nᏥᏌᏃ ᏚᏁᏤᎸ ᎯᎠ ᏄᏪᏎᎢ; ᏝᏍᎪ ᎾᏍᏉ ᎯᎠ ᎾᏍᎩ ᏱᏥᎪᎵᏰᎣᎢ, ᎾᏍᎩ ᏕᏫ ᏄᏛᏁᎸᎢ, ᎠᎪᏄ ᏧᏲᏏᏍᎨ ᎤᏩᏒ ᎠᎴ ᎾᏍᎩ ᏣᏁᎮᎢ?\nᎿᏉ ᎣᏥᎦᏔᎭ ᏂᎦᎥ ᎪᎱᏍᏗ ᎯᎦᏔᎯᏳ ᎨᏒᎢ, ᎠᎴ ᎠᏎᏉᏉ ᎨᏒ ᎩᎶ ᏱᏨᏛᏛᎲᏍᎦ. ᎾᏍᎩ ᎤᏗᎦᎵᏍᏙᏗᎭ ᎣᏦᎯᏳᎲᏍᎦ ᎤᏁᎳᏅᎯᏱ ᏅᏓᏣᏓᎴᏅᎯ ᎨᏒᎢ.\nᎥᏝ ᎠᎴ ᎩᎶ ᎢᏤ ᏱᎦᎳᏍᏢᏗᏍᎪ ᎤᏪᏘ ᎠᏄᏬᎩᎯ, ᎦᎳᏍᏢᏛᏰᏃ ᏴᎦᏣᎦᎸᏓ ᎠᏄᏬ, ᎤᏓᏣᎦᎸᎲᏃ ᎤᏟ ᎡᏉᎯᏳ ᏱᏂᎦᎵᏍᏓ.\nᎠᎴ ᎤᏪᏑᎶᏨᎯ ᎨᏎ ᏁᎳᏍᎪᎯ ᏅᎩᎦᎵ ᎢᏴᏛ ᎢᏳᏕᏘᏴᏛ, ᎾᏍᎩ ᎥᏝ ᏱᏓᏅᏍᎨ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎤᏁᎳᏅᎯᏉ ᏓᎧᎿᏩᏗᏎᎢ ᎠᎹᏟ ᎬᏍᎬ ᎠᎴ ᎠᏓᏙᎵᏍᏗᏍᎬ ᏂᏚᎵᏏᏂᏒ ᎠᎴ ᏂᏚᎩᏨᏂᏒᎢ.\nᎤᏆᏙᏓ.\nᎤᎵᎪᎲᏍᏗᏃ ᎨᏒ ᎠᎴ ᏧᎵᏍᏚᏬᏐᏅ ᎨᏒ ᏕᏢᎬ ᎠᎴ ᏒᏃᏱ ᎡᎯ ᏅᏓ ᎥᏍᏊ ᎢᎦᎯ ᎤᏘᏍᏛᎢ.\nᏂᎦᏚᏏᏁᏃ ᎤᎵᏏᏅ, ᎠᎺᏉᎯ ᎡᏟᏯ ᏠᏙᎢᏛ ᎣᎩᏃᎸᏔᏂᏙᎲᎢ, ᏒᏃᏱ ᎠᏰᎵ ᏥᏳ ᎠᏂᏂᏙᎯ ᎢᎸᎯᏢ ᎦᏙᎯ ᎾᎥᏂᎨ ᎣᏥᏂ ᎤᏁᎵᏒᎩ.\nᏴᏫᏰᏃ ᎤᏪᏥ ᏧᎷᏥᎸ ᎥᏝ ᏴᏫ ᏓᏅᏅ Ᏹ-ᏚᏛᏔᏂᎸ, ᏚᏍᏕᎸᎯᎸᏉᏍᎩᏂ. ᏅᏩᏓᎴᏃ Ꮧ-ᎦᏚᎲ ᏭᏂᎶᏎᎢ.\nᎥᏝ ᎠᎴ ᎩᎶ ᎤᏪᏘ ᎠᏄᏬ ᎢᏤ ᎠᎬᎭᎸᏛ ᏱᎦᎵᏍᏢᏗᏍᎪᎢ, ᎢᏤᏰᏃ ᎠᎬᎭᎸᏛ ᎦᎳᏍᏢᏔᏅᎯ ᏴᎦᏣᎦᎸᏙᏓ ᎤᏪᏘ, ᎾᏍᎩᏃ ᎤᏓᏣᏕᎸᎲ ᎤᏟ ᎡᏉᎯᏳ ᏱᏅᎦᎵᏍᏓ.\nᎯᏍᎩᏃ ᎦᏚ ᏚᎩᏒ ᎠᎴ ᏔᎵ ᎠᏣᏗ ᏚᏁᏒ, ᎦᎸᎳᏗ ᏫᏚᎧᎿᏁᎢ, ᎠᎴ ᎤᎵᎮᎵᏤᎢ, ᎠᎴ ᏚᎬᎭᎷᏰ ᎦᏚ, ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏚᏁᎴ ᏧᏂᏁᏗᏱ; ᏔᎵᏃ ᎠᏣᏗ ᏂᎦᏛ ᏚᏯᏙᎮᎴᎢ.\nᎢᎾᏛᏃ ᎤᏙᎴᎰᏒ ᎦᏙᎯ ᏣᎦᏓᎢᏅᏒᎢ, ᎤᏕᏯᏙᏔᏅᎩ ᎠᎨᏴ ᎾᏍᎩ Ꮎ ᎠᏍᎦᏯ ᎤᎾᏄᎪᏫᏒᎯ.\nᎤᎷᏨᏃ ᎤᏏᏔᏕ ᎠᏥᏢᏛᎢ, ᎬᏩᏁᎩᏃ ᎤᎾᎴᎾᏫᏍᏔᏁᎢ. ᎯᎠᏃ ᏄᏪᏎᎢ; ᎯᏫᏅ, ᎭᏗᏛ, ᎬᏲᏎᎭ.\nᎣᎵᏩᏲᏃ ᎤᏌᎯᎸ ᎤᏬᎸᎢ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏅᏒ ᎨᏒ ᎬᏩᎷᏤᎸᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏍᎩᏃᎲᏏ ᎯᎳᎪ ᎢᏳ ᎯᎠ ᎾᏍᎩ ᏅᏓᎦᎵᏍᏔᏂ; ᎠᎴ ᎦᏙ ᎤᏍᏗ ᎤᏰᎸᏛ ᎨᏎᏍᏗ ᏣᎷᎯᏍᏗᏱ, ᎠᎴ ᎪᎯ ᎨᏒ ᎤᎵᏍᏆᏗᏍᏗᏱ?\n“ᎤᏅᏗ ᏧᎾᏦᏴᏍᏗ ᎬᏗ ᏓᏥᏯᏬᎢ.\nᏭᎳᏕ ᎦᏂᏧ Ꮎ ᎤᏥᏍᏛ ᏧᎾᏦᏴᏍᏗ ᎤᏅᏗ, ᏂᎬᎾᏛ ᎠᏰᎸ ᎤᏅᎵᏰᎡ.\nᏍᎩᏃ ᏚᏂᏅᏎ ᎢᎾᏓ ᏗᎦᏅᎬ ᎢᏗᏣ, ᎠᏍᎪᎵᏃ ᎤᏁᎯᏍᏙᏗ ᎤᏁᎵᏎ.\nᎢᏳ ᎠᎴ ᎩᎶ ᎯᎠ ᏥᏂᏣᏛᏅ ᎢᏥᎦᏴᎵᎨ ᎨᏒ ᎤᏪᏥ ᎦᏚ ᏳᏔᏲᏎᎭ, ᏥᏌ ᏅᏯᏉ ᏯᎲᏏ? ᎢᏳ ᎠᎴ ᎠᏣᏗ ᏳᏔᏲᏎᎭ, ᏥᎪ ᎠᏣᏗ ᎤᏅᏁᏗ ᎨᏒ ᎢᎾᏛᏉ ᏱᎦᏅᎥᏏ?\nᏢ ᎠᏎ ᏓᎳᏚ ᎢᏯᏆᏕᏘᏴᏓ ᎨᏎ ᎩᎳᎢᏊ ᎢᏳᏍᏗ ᎠᎩᏁᏓ ᎨᏒ ᎠᏆᎵᏍᎪᎸᏓᏁᎯ ᏓᏆᎴᎳ ᎠᎩᎯᎵᏓᏍᏗ.\nᏴᏫᏃ ᎤᎾᎴᎾᏫᏍᏕ ᏚᎾᎦᏙᏍᏕᎢ. ᏄᏂᎬᏫᏳᏌᏕᎩᏃ ᎾᏍᏉ ᏚᎾᎵᎪᏁᎴ ᎢᎬᏩᏕᎨᏔᏁᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎠᏂᏐᎢ ᏓᏍᏕᎵᏍᎬᎩ; ᎤᏩᏒ ᏩᎵᏍᏕᎸ ᎢᏳᏃ ᎦᎶᏁᏛ ᎤᏁᎳᏅᎯ ᎤᏑᏰᏛ ᎨᏎᏍᏗ.\nᎠᏎᏃ ᎦᏳᎳ ᏂᎫᏩᏕᎶᎰᏒ ᏂᎨᏎ ᏲᎾ ᏚᎷᏫᏍᏔᏁᎲ ᏤᎩᏏᏂ.\nᎾᏂᎥᎩᎶ ᏄᏛᏅᏉ ᎠᏥᏯᏅᎲ ᎾᎿᏉ ᏅᏩᏛᏁᏍᏗ.\nᎠᏎᏃ ᎢᏨᎨᏳᎢ, ᎯᎠ ᎾᏍᎩ ᏑᏓᎴᎩ ᏞᏍᏗ ᏂᏥᎦᏔᎲᎾᏉ ᏱᎨᏎᏍᏗ, ᎾᏍᎩ ᏌᏉ ᎢᎦ ᎨᏒ ᎤᎬᏫᏳᎯ ᏙᏗᎧᏂᏍᎬ ᏌᏉ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ ᎤᏠᏱ, ᏌᏉᏃ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ ᏌᏉ ᎢᎦ ᎨᏒ ᎤᏠᏱ.\nᎾᏍᎩᏃ ᎠᏓᏅᏙ ᎯᎠ ᎢᎦᏪᏍᎩ ᏂᎨᏒᎾ, ᏥᏌ ᎦᎶᏁᏛ ᎤᏇᏓᎵ ᎤᎾᏄᎪᏥᎴᎢ, ᎥᏝ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᏱᎩ. ᎾᏍᎩᏍᎩᏂ ᎯᎠ ᎦᎶᏁᏛ-ᎠᏡᏗᏍᎩ ᎤᏤᎵᎦ ᎠᏓᏅᏙ, ᎾᏍᎩ ᎤᎷᎯᏍᏗᏱ ᎢᏣᏛᎦᏅᎯ ᏥᎩ, ᎠᎴ ᎿᏉ ᎦᏳᎳ ᎡᎶᎯ ᎡᎭ.\nᎩᎳ ᏭᏢᎾ ᎤᏍᎩᏗᏎ ᏥᎦᎶᎣᏍᎪᎢ, ᎤᏪᎷᏁ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᏗᎾᏰᏍᎬᎾ ᎯᎠ ᎢᎨᎩᏪᏍᏗ, ᎤᎬᏫᏳᎯ ᎠᎩᏍᏕᎵᏍᎩ, ᎠᎴ ᎥᏝ ᏴᎦᏥᏍᎦᏯ ᏴᏫ ᎢᎦᎬᏋᏁᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᎣᏏᏳ ᎢᎨᏣᎵᏍᏓᏁᏗ ᏱᎩ, ᎠᎴ ᎪᎯᏗᏳ ᎨᏣᎴᏂᏓᏍᏗ ᏱᎩ ᎡᎶᎯ.\n“ᎭᏗ ᎪᎱᏍᏗ” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᏎᏃ, ᎨᏍᏗ ᎪᎱᏍᏗ ᏱᎪᎯᏳᏗ.\nᏥᏌᏃ ᎤᎪᎲ ᎤᏃᎯᏳᏒᎢ, ᎯᎠ ᏄᏪᏎᎴ ᎤᎸᏓᎸᎥᏍᎩ, ᎠᏯᏥ, ᏣᏍᏕᏅᏨ ᎡᏣᏙᎵᎩ.\nᎥᎥ, ᏗᎾᏓᏅᏟ, ᎤᎵᎮᏍᏗ ᏍᏆᏓᏅᏓᏗᏍᏓ ᎤᎬᏫᏳᎯ ᎢᏳᏩᏂᏌᏛ; ᎪᎯᎵᏍᏓᏓᏉ ᎠᎩᎾᏫ ᎤᎬᏫᏳᎯ ᏕᎾᏁᎶᏛᎢ.\nᎠᏏᏉᏃ ᎧᏁᎨᎢ, ᎬᏂᏳᏉ ᎤᏂᏣᏘ, ᎾᏃ ᏧᏓᏏ ᏣᎪᏎᎮᎢ, ᎾᏍᎩ ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᏒ ᎨᎳ, ᎢᎬᏱ ᎠᎢᏎ, ᎠᎴ ᎾᎥ ᎤᎷᏤᎴ ᏥᏌ ᏧᏔᏪᏙᏂᏎᎢ,\nᎾᏍᎩ ᏄᏂᏪᏒᎩ ᏧᎦᏴᎵᎨᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏓᏂᏍᎦᎢᎲ ᎠᏂᏧᏏ; ᎦᏳᎳᏰᏃ ᎠᏂᏧᏏ ᏧᏄᎪᏔᏅᎯ ᎨᏒᎩ, ᎾᏍᎩ ᎢᏳ ᎩᎶ ᏳᏁᏨ ᎾᏍᎩ ᎦᎶᏁᏛ ᎨᏒ ᎠᏥᏄᎪᏫᏍᏗᏱ ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᎢᎸᏍᎩᏃ ᏄᏬᎯᏨ ᎾᎿ ᎤᏁᏙᎸ, ᏇᏍᏓ ᎤᏃᎮᎮᎸᎩ ᎤᎬᏫᏳᎯ ᏄᏍᏛ ᏉᎳ ᎤᎵᏱᎵᏕᎲᎢ, ᎯᎠ ᏄᏪᏒᎩ; ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎠᏴᎩ ᎠᏥᎧᎭ ᏈᎵᏏ ᎤᏪᎧᎯᏴᎯ.\nᏕᎨᏴ ᏙᏥᎭᏯᎸ ᎾᏍᎩᏯ ᎩᏟ ᏥᏓᏂᎭᏲᎰ ᏧᎳ.\nᎡᏝᏪᎯ ᏯᎵᏖᎸᎮᏍᎬᎾ, ᏃᎴ ᎦᏲᏟᎨ ᎦᏬᏂᏍᎨ.\nᏙᎯᏉ ᎨᏎᏍᏗ.” \nᎠᎾᏗᏍᎪᏃ ᎠᏂᏴᏫ ᎤᏟᏍᏗ ᎤᎾᏕᎶᏆᎡ ᏣᎳᎩ ᎤᏃᏪᎶᏗ.\nᎾᏍᎩ ᎻᎵᎠ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎻᎾᏂ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎹᏓᏓ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏁᏓᏂ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏕᏫ ᎤᏪᏥ ᎨᏎᎢ,\nᎠᎴ ᎣᏣᎵᏍᎦᏍᏙᏗ ᎤᎬᏫᏳᎯ ᏂᎯ ᎨᏒ ᎤᎬᏩᎵ, ᎾᏍᎩ ᏂᏣᏛᏁᎲᎢ, ᎠᎴ ᎠᏎ ᎾᏍᎩ ᎢᏣᏛᏁᏗ ᎨᏒ ᏄᏍᏛ ᎢᏨᏁᏤᎲᎢ.\nᎤᏲᎯᏍᏔᎾ ᎦᎵᎤᏂᎲ ᎠᎱᎵ, ᎤᎴᏅᎮ ᎦᏬᏂᏍᎬ, ᎤᏐᏱ ᏄᏪᏎ ᎤᏂᏃᎮᏓ ᎠᏤᎯ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᏃᎴ ᎤᏁᏝᏅᎯ.\nᏣᏆᏛᏏᏗᏒ ᎢᎸᏢ 57 ᏧᏕᏘᏴᏌᏗᏒ Ꮭ ᎠᏏ ᏗᎾᎦᎵᏍᎩ ᏱᏙᎩᏏᎳᏕ ᎣᎨᏅᏒ ᎦᎵᏦᏕ.\nᎾᎿᏃ ᎠᎦᏛᏅ ᎠᏫᎡᏗᏱ ᎪᏢᏒᎩ; ᎾᎿᏃ ᎠᏫᏒᏗᏱ ᎢᏤ ᏗᏓᏂᏐᏗᏱ ᎪᏢᏒᎩ ᎩᎶ ᎠᏥᏂᏌᏅ ᎠᏏ ᏂᎨᏒᎾ.\nᎾᏍᎩᏃ, ᎢᏓᎵᏅᏟ, ᎢᏨᏔᏲᏎᎭ ᎤᎷᎯᏍᏗ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎠᎴ ᎾᏍᎩ ᏪᏓᏓᏟᏌᏁᏗ ᎨᏒ ᎤᎬᏩᎵ,\nᎠᎦᏴᎵᎨᏍᏛᏱ ᏗᏆᏓᎴᏅ, ᎡᎶᎯ ᎠᎩᎷᏥᎸ; ᏔᎵᏁ ᎡᎶᎯ ᏛᎦᏓᏅᏏ, ᎠᎦᏴᎵᎨᏍᏛᏱ ᏮᏛᏥᎶᏏ.\nᏔᎵ ᏦᎢ ᏩᏍᏗ, ᎠᏦᏴ ᏭᏓᏣᎪᏍᏗ ᏚᏲᏓᎩᏍᎬ ᎤᏓᏅᏖᎴ.\nᎾᏍᎩᏍᎩᏂ ᎯᎠ ᏥᏄᎵᏍᏔᏅ ᎤᏁᎳᏅᎯ ᎤᎧᎵᎸ ᎾᏍᎩ ᎦᏳᎳ ᎬᏂᎨᏒ ᎢᏳᏩᏁᎸᎯ ᏥᎨᏎᎢ ᎦᎶᏁᏛ ᎤᎩᎵᏲᎢᏍᏗᏱ, ᏂᎦᏛ ᏧᏤᎵ ᎠᎾᏙᎴᎰᏍᎩ ᏗᏂᎰᎵ ᏥᏕᎬᏗᏍᎨᎢ.\nᏴᏫᏰᏃ ᎤᏪᏥ ᎤᎷᏨ ᎤᏍᏕᎸᏭᎸ ᎤᎴᎾᎸᎯ.\nᏲᎯᏉ ᎤᏍᏗᎩᏛ ᎤᏁᎳᎩ ᎨᏍᎩᏰᎵᏎᏗ ᏱᎩ ᎠᎩᏁᎫ ᎨᏒᎢ; ᎠᎴ ᎤᏙᎯᏳᎯ ᎤᏁᎳᎩ ᏍᎩᏰᎵᏏ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎾᏍᎩ ᎯᎠ ᏥᏂᏫ ᏫᏂᎦᎵᏍᏙᏓ, ᏥᎮᎾ; ᎠᏍᎩᎾ ᏤᏥᏱ ᎠᏯᎥ ᎤᏄᎪᎩ.\nᏓᏗᏍᏆᏂᎪᏔᏂᏍᎪ ᎤᏲᏦᏅ ᎡᎶᎯ?\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎡᏍᎦᏉ ᎢᎦᎢ ᎤᏂᎩᎵᏲᎢᏍᏗ ᎨᏎᏍᏗ ᏐᏓᎻ ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏎᏍᏗ, ᎤᏅᎯᏳ ᏂᎯ.\n“ᎤᎾᏛᏁᎸᏗ ᎠᏆᏚᎵ ᎠᏇᏅᏍᏗ.”\nᎤᏁᏨᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎢᏧᎳᎭ ᏦᏍᏓᏑᏫᏍᎦ ᎠᏖᎵᏙᎩᎯ ᎾᏍᎩ ᏛᏆᏡᏔᏂ.\nᎾᏍᎩᏍᎩᏂ Ꮎ ᏥᏍᏚᏂᎩᏍᏗ ᎠᎴ ᎧᏄᎦᎸ ᎠᏛᏍᎬᎢ ᎠᏗᏅᏗᏉ, ᎠᎴ ᎠᏍᎦᎢᏍᏗᏱ ᎨᏒ ᎾᎥᏂᏳ ᏄᏍᏗᏕᎪᎢ, ᎾᏍᎩ ᎤᎵᏍᏆᎸᏗ ᎨᏒ ᎠᎪᎲᏍᏙᏗ ᏥᎩ.\nᎨᏍᏗ ᏂᎦᏓ ᏍᎩᎾᎾ ᏱᏃᏣᏛᏁᎰ, ᎠᏆᏛᏅ.\n”ᎠᏆᏓᏅᏖᏗ ᏄᏍᏛ ᏂᎦᏪᏍᎬ ᏲᎾ ᎤᏤᏍᏙ,” ᎤᏛᏁ.\n”ᎠᏯᏗ ᎠᏆᎵᏖᎸᏂᏍᏗ ᎤᏍᏆᎸᎭ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎠᎴ ᎣᎦᏚᎵᎭ ᏂᏥᎥ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᎬᎵᏍᏆᏗᏍᎩ ᎾᏍᎩᏯ ᎢᎦᎢ ᎢᏣᏟᏂᎬᏁᏗᏱ ᎬᏂ ᎤᏣᏘ ᏄᏜᏏᏛᏒᎾ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᏫᏥᏱᎶᎸᎭ;\nᏍᎩᎾᏃ ᏧᏪᎷᏁ ᏃᎴ ᏚᏩᏯᏑᎦᎸ ᎾᏍᎩᎾ ᎠᏔᎸᎦᏒ ᎪᏍᏓᏱ ᎦᏁᎦᏗᏓᎸᎦᏍᏙᏗ ᎦᏰᏌᏗ ᏍᎩᎾ ᏣᏚᏩᏘᎴ ᏂᎬᏛᎢ ᎠᏁᎳᏗᏍᎬ ᏧᏩᏘᏍᏗ ᎢᏳᏍᏓᏊ ᎩᎶ ᎾᎥ ᎾᎢ ᏳᎷᏥ ᎦᎸᏗᏣ ᎦᏙ ᎠᏔᎸᎦᏒᎢ.\nᎥᏝᏰᏃ ᎣᏓᎸ ᎬᏒᏂᏍᏗ ᎨᏒ ᎤᏥᎷᏨ, ᎠᎴ ᎾᏍᎩ ᏣᏓᏪᎵᎩᏍᎨᎢ, ᎥᏝ ᎠᎴ ᎬᎿᎨ ᎤᎶᎩᎸᎢ, ᎠᎴ ᎤᎵᏏᎩᏳ ᎰᏒ ᎠᎴ ᎦᏃᎸᎥᏍᎬᎢ,\nᎤᏂᏴᎲᎩᏃ ᎢᎾᏛ, ᎾᏍᎩ ᎠᎦᏴᎵ ᎢᎾᏛ, ᎾᏍᎩ ᎠᏍᎩᎾ ᎠᎴ ᏎᏓᏂ ᏣᎪᏎᎰᎢ, ᏌᏉᏃ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ ᎠᎦᎸᎸᎩ,\nᎩᎶ ᎠᏓᏎᎪᎩᏍᎨᏍᏗ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎠᏴ ᏥᏯᏁᎳᏅᎯ ᎨᏎᏍᏗ, ᎤᏩᏒᏃ ᎠᏴ ᎠᏇᏥ ᎨᏎᏍᏗ.\nᎠᎴ ᎾᏍᎩ ᏍᏆᏛᎦᏁᎸᎯ ᏥᎩ ᎤᏂᏣᏘ ᎠᏂᎦᏔᎲᎢ, ᎾᏍᎩ ᏕᎭᎨᏅᏗᏍᎨᏍᏗ ᎠᏃᏍᏛ ᎠᏂᏍᎦᏯ ᎾᏍᎩ ᏰᎵ ᏗᎬᏩᏁᏲᏗ ᎨᏒ ᎾᏍᏉ Ꮎ ᏭᏅᎫᏛᎢ.\nᎢᏧᎳ ᎨᏎᎢ ᏌᎳᏓ.\nᎡᏣᎵᏗᏏ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ. ᏂᎦᎥ ᏴᏫ ᎠᏍᎦᏅᎬ ᎪᎱᏍᏗ ᏂᎬᏁᎲᎾ ᎨᏐ ᎠᏰᎸᎢ; ᎩᎶᏍᎩᏂ ᎤᏕᎵᏛ ᏥᏓᏂᏏᎲᏍᎪ ᎤᏩᏒ ᎠᏰᎸ ᎠᏍᎦᏅᏤᎰᎢ.\nᎩᎶ ᏂᎯ ᎢᏣᏛᏓᏍᏓᏁᎮᏍᏗ ᎠᏴ ᎠᏆᏛᏓᏍᏓᏁᎮᏍᏗ; ᎩᎶᏃ ᎢᏥᏂᏆᏘᎮᏍᏗ, ᎠᏴ ᎠᎩᏂᏆᏘᎮᏍᏗ; ᎩᎶᏃ ᎠᏴ ᎠᎩᏂᏆᏘᎮᏍᏗ ᎦᏂᏆᏘᎮᏍᏗ ᏅᏛᎩᏅᏏᏛ.\nᏂᎦᏛᏃ ᎤᏂᏍᏆᏂᎪᏎ ᎤᏣᏘ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ. ᏂᎦᏛᏃ ᎤᏂᏍᏆᏂᎪᏒ ᏂᎦᎥ ᏥᏌ ᏄᏛᏁᎸᎢ, ᎯᎠ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ;\nᏔᎵ ᎢᏳᏩᎬᏗ ᏫᏚᎧᏁᎴ ᏏᏆ ᎦᏂᏓᏛ.\n”ᎠᏎᏗ, ᎠᏆᏓᏅᏖᏗᏍᎪ,” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎬᏩᏔᏲᏎᎸᎩ ᏧᏓᏅᏖᎮᏗᏱ ᎾᏍᎩ ᎠᏄᎯᏍᏗᏍᎬᎢ, ᎾᏍᎩ ᎤᏓᏅᏍᏗᏱ ᏥᎷᏏᎵᎻ ᎠᎦᏘᏃᎯᏍᏗᏱ; ᏭᏂᎭᎷᎨᏰᏃ ᏅᏃᎯ ᎤᏂᎯᏍᏗᏱ ᎤᏂᎸᏎᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏓᎵᏅᏟ, ᎢᏨᏍᏗᏰᏗᎭ ᎤᏁᎳᏅᎯ ᎤᏓᏙᎵᏣᏘᏳ ᎨᏒ ᎢᏳᏍᏗ, ᎾᏍᎩ ᏗᏥᏰᎸ ᏗᏣᎵᏍᎪᎸᏙᏗᏱ ᎬᏃᏛ ᎠᏥᎸ ᎨᎳᏍᏗ, ᎪᎱᏍᏗ ᏄᏍᏛᎾ, ᏗᎬᏩᏓᏂᎸᎢᏍᏗ ᎤᏁᎳᏅᎯ, ᏕᏣᏓᏅᏛ ᎬᏗ ᎪᎱᏍᏗ ᎡᏣᏛᏁᎲᎢ.\nᎤᏂᏁᏨᎩ ᎯᎠ ᎤᎬᏩᏪᏎᎸᎩ; ᎢᏳᏃ ᎤᏍᎦᏅᏨᎯ ᏂᎨᏒᎾ ᏱᎨᏎᎢ ᎥᏝ ᏱᏙᎨᏨᏲᎯᏎᎴᎢ.\n“ᏤᏍᏗ ᎤᏲ ᎠᏲᏟ ᎢᏳᏍᏗ ᏱᏣᏤᎸᎮᏍᏗ!” \nᎣᏤᎯᏃ ᎤᏙᎢᏳᎯ ᎠᏂᎪᏩᏘᏍᎬᎩ ᎢᎦ ᎦᏛᎢ, ᎠᎴ ᎠᏂᏍᎦᎢᎲᎩ, ᎠᏎᏃ ᎥᏝ ᏳᎾᏛᎦᏁ ᎧᏁᎬ ᎠᎩᏬᏁᏗᏍᎩ.\n“ᎨᏍᏗ ᎩᎶ ᏱᎪᎵᎦ,” ᎤᏛᏁ ᎦᏂᎦᏔ ᎡᎹᏂᏓ, ᎤᏓᏅᏖᏙᏗ ᎤᏛᎸᎮ.\nᎾᏍᎩᏃ ᎿᏉ ᎤᎧᎵᏨ ᎠᎹᏳᎶᏗ ᎤᏂᎾᏏᏃᎴᎢ, ᎠᎴ ᎤᎾᏅᏁᎢ, ᎠᏃᏍᏛᏃ ᏗᏖᎵᏙ ᏚᏂᎸᏔᏁᎢ, ᎤᏂᏲᏃ ᏚᎾᏓᎢᏅᏎᎢ.\nᏃᎴ ᏍᏉ ᏕᎦᏅᏙᎬ.\nᎤᏙᎯᏳᎯᏍᎩᏂᏃᏅ ᎤᏣᏘ ᎠᎩᎭ ᎦᎶᏁᏛ ᎠᎩᏁᎸᎢ, ᎾᏍᎩ ᎬᏁᏤᎲ ᏥᏚᏳᎪᏗ ᎢᏣᏛᏁᏗᏱ;\nᏔᎵ ᎢᏳᏩᎬᏘ ᏂᎬᎴᎢ ᎠᏰᎸᎢ ᎤᏬᏘᏒ ᏥᏍᏕᏥ.\nᎾᏍᎩᏃ ᎿᏉ ᏗᎴᎯᏐᏗ ᏂᎦᎵᏍᏔᏂᎸᎭ, ᎦᎪ ᎤᏓᎵᎢ ᎨᏎᏍᏗ ᎾᏍᎩ, ᎦᎵᏉ-ᎩᏰᏃ ᎢᏯᏂᏛ ᎤᎾᏓᏴᏛ ᎢᎩ.\nᏥᏌ ᎤᏁᏨᎩ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏋᏒᏉ ᎾᏍᏉ ᏱᎦᏓᏃᎮᎭ, ᎠᏎ ᏥᏃᎮᏍᎬ ᎤᏙᎯᏳᎭ; ᏥᎦᏔᎭᏰᏃ ᏗᏆᏓᎴᏅᎢ ᎠᎴ ᏫᏥᎦᏛᎢ. ᏂᎯᏍᎩᏂ ᎥᏝ ᏱᏥᎦᏔᎭ ᏗᏆᏓᎴᏅᎢ ᎠᎴ ᏫᏥᎦᏛᎢ.\nᎿᏉᏃ ᏣᏂ ᎬᏩᏍᏓᏩᏗᏙᎯ [ᏥᏌ] ᎬᏩᎷᏤᎸᎩ, ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎦᏙᏃ ᎠᏴ ᎠᏂᏆᎵᏏᏃ ᏯᏃ ᎠᎹᏟ ᏦᏨᏍᎦ, ᏂᎯᏃ ᎨᏣᏍᏓᏩᏗᏙᎯ ᎠᎹᏟ ᎾᏅᏍᎬᎾ ᏥᎩ?\nᏎᎦᏨ ᎤᏓᏅᏖᎴ ᎠᏎ ᎤᏬᏂᎯᏍᏗ ᎨᏎᏍᏗ.\nᎤᏙᎯᏳᏗᏱ ᎠᏰᎸᏒᎩ ᎠᏙᎴᎰ ᏍᎩ ᏧᏁᏤᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ; ᏓᏥᏍᏚᎢᏏ ᏥᎣᎵ ᏕᎦᏟᎶᏍᏗᏍᎬᎢ, ᏓᏥᏁᎢᏍᏔᏂ ᎤᏕᎵᏛ ᎠᏍᏆᏂᎪᏛ ᎡᎶᎯ ᏧᏙᏢᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ.\nᎤᎾᏂᎩᏐᎾ ᏴᏫ, ᏫᎵᎻ ᎤᏟᏃᎮᏔᏁᎢ ᏌᎳᏓ.\nᎤᏗᎴᎩ ᎢᎦ ᎨᏎᎢ.\n“ᎤᏙᎯᏳᏛ,” ᎤᏛᏅ Michael, “ᎡᎵᏊ ᏱᏣᎷᎦ ᎥᏍᎩ ᏱᏣᏛᏁᎸ.”\nᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᏦᏕᏆᏠᏥ ᎣᏍᏓ ᎤᏂᏰᎸᎮ ᏧᎾᏁᏍᎩᎸᏗ.\nᎾᏍᎩ ᎯᎠ ᏄᏪᏒᎩ ᏥᏌ, ᎠᎴ ᏚᏌᎳᏓᏅᎩ ᏗᎦᏙᎵ ᎦᎸᎳᏗ ᏫᏚᎧᎿᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎡᏙᏓ, ᎿᏉ ᎤᏍᏆᎸᎲ; ᎯᎸᏉᏓ ᏤᏥ, ᏤᏥ ᎾᏍᏉ ᏂᎯ ᏣᎸᏉᏙᏗᏱ.\nᎩᎳᏈᏴ ᎤᏓᏅᏖᎴ.\nᎤᏂᎩᏎ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ.\nᎣᏂᏃ ᎢᏴᏛ ᎤᏓᎵᎢ ᎵᏏ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎤᏗᏍᎦᎳᏁ ᎯᏍᎩ ᎢᏯᏅᏙ, ᎯᎠ ᏄᏪᏎᎢ,\nᎯᏃᎮᏍᎩᏰᏃ ᎨᏎᏍᏗ ᎾᏂᎥ ᏴᏫ ᎠᏁᎲᎢ ᏄᏍᏛ ᏣᏙᎲᎢ ᎠᎴ ᏣᏛᎦᏅᎢ.\nᎠᏲᎵᏃ ᏭᏯᏅᎲ, ᎠᏂᏅ ᎠᏰᎵ ᎤᏪᎧᏁᎢ; ᎤᏄᎶᎸᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ,\nᎦᏳᎳ ᎯᎠ ᎢᏳᏪᏛ ᏥᎩ, ᎠᏥᎸᎨᎳᏍᏙᏗ ᎠᎴ ᎠᎵᏍᎪᎸᏙᏗ, ᎠᎴ ᏧᏃᏍᏗ ᎠᏥᎸ-ᏗᎨᎳᏍᏙᏗ, ᎠᎴ ᏗᎵᏍᎪᎸᏙᏗ ᎠᏍᎦᏂ ᎠᎫᏴᏙᏗ, ᎥᏝ ᏰᎵ ᏱᏗᏣᏰᎸᏁᎢ, ᎥᏝ ᎠᎴ ᎣᏏᏳ ᏱᏗᏣᏰᎸᏁᎢ; ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩᏯ ᏂᎬᏅ ᏗᎵᏍᎪᎸᏔᏅᎯ ᏥᎨᏎᎢ;\nᎠᏁᎵᏍᎬ ᏅᎩᏍᏆ ᎢᎦ, ᏫᏥ ᎢᎦ ᎨᏒ ᏧᏲᏨ ᏃᎴ ᎣᏍᏓ ᎢᏧᏅᏁᏗ.\nᏥᏌᏃ ᎤᎴᏫᏍᏔᏅ ᎤᏁᏤ ᎠᎦᏘᏃᎮᏗᏱ; ᎿᏉᏃ ᎾᎥ ᎤᎷᏨ ᎤᏛᏛᏁᎢ,\nᏫᏚᎾᏠᏨᏃ ᏫᏚᏂᎾᏌᏁᏒᎩ ᏤᏌᏂ ᎠᎴ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᎾᏓᏅᏟ, ᎦᏚᎲ ᎨᏥᎦᏘᏗᏍᏗ ᏫᏚᎾᏘᏃᎮᎸᎩ, ᎤᏁᎷᎬᎩ ᎯᎠ ᎾᏂᏪᏍᎬᎩ; ᎯᎠ ᎡᎶᎯ ᏧᏂᎷᏆᏗᏅᏛ, ᎾᏍᏉ ᎠᏂ ᎢᎤᏂᎷᏨ;\n“ᏄᎦᏌᏍᏛ ᏓᎬᏔᏂ, ᏍᎩᎾᎾ ᏰᏃ ᎤᎶᏒᏍᏗ ᎤᎦᏌᏍᏗ.\nᏌᏩᏂ ᏈᏓ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᎥᏝ ᏗᏆᎳᏏᏕᏂᏉ ᏧᏩᏒ, ᎾᏍᏉᏍᎩᏂ ᏗᏉᏰᏂ ᎠᎴ ᏥᏍᎪᎵ.\nᎦᏅᎯᏓ ᎦᏍᎩᎶᎩ ᎦᏅᎬ ᏤᎩᏏᏂ, ᎦᏬᏂᏍᎬ ᏃᎴ ᎨᏂᏗ ᏅᏬᏘ ᎤᏓᏑᏱ ᎠᏍᏆᏄᏛᏍᎬ ᎤᏓᏁᎪᏳᎲᏍᎬ ᎠᎰᎵ ᎠᏍᏚᎩᏍᎬ, ᎠᏦᎳᏍᏙᏗ ᎾᎥᏂᎨ.\nᎢᏳᏃ ᏍᎩᎨᏳᎢᏳ ᎨᏎᏍᏗ, ᎢᏥᏍᏆᏂᎪᏓ ᎠᏆᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ;\nᎢᏳᏃ ᏂᎯ ᏍᎩᏯᎡᏍᏗ, ᎠᎴ ᎠᎩᏁᏨ ᎢᏥᏯᎡᏍᏗ, ᏂᎦᎥ ᎢᏣᏚᎵᏍᎬ ᎢᏥᏔᏲᎯᎮᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎠᏎ ᎢᏰᏣᏛᏁᏗ ᎨᏎᏍᏗ.\nᎤᏁᎳᏅᎯ, ᎤᎾᏄᎪᏫᏒ ᎤᏪᏥ ᏥᏌ, ᏂᎯ ᎢᏤᎲ ᎢᎬᏱ ᎤᏅᏒᎩ ᎣᏍᏛ ᎢᏣᏛᏁᏗᏱ ᏕᏥᎦᏔᎲᏍᎬ ᏗᏥᏲᎯᏍᏗᏱ ᏂᏨᏁᎲ ᏂᏥᎥ ᎢᏥᏍᎦᏅᏨᎢ.\nᏍᎩᏃ ᏂᎨᎵᏍᎬ, ᎤᏛᏅ ᎠᏌᎻᏓ.\nᏂᎯᏃ ᎬᏍᏕᎵᏍᎬ, ᏰᎵᏉ ᎠᏋᏌ ᎨᎥᎢ ᏱᏥᏌᎴᏓᎦ ᎨᎵᏍᎬ.\nᎾᏍᎩ Ꮎ ᎠᎦᏘᎾᏫᏛᎲᎩ ᏅᏩᏙᎯᏯᏛ ᏗᎨᏒ ᏩᎦᏘᏃᎸᎩ, ᎠᎴ ᎤᏛᎦᏅᎩ ᎠᏂᏬᏂᏍᎬ ᎢᎦᏪᏍᏗ ᏂᎨᏒᎾ, ᏂᏚᏳᎪᏛᎾ ᎨᏒ ᏴᏫ ᎾᏍᎩ ᎢᏳᏪᏍᏗᏱ.\n[ᏴᏫᏰᏃ ᎤᏪᏥ ᎾᏍᎩᏯᏉ ᎠᏍᎦᏯ ᏣᏂᎩᏍᎪ ᎢᎸᎯᏢ ᏤᎪᎢ, ᎾᏍᎩ ᏥᎬᏕᎪ ᎦᏁᎸᎢ, ᎠᎴ ᎠᏂᎦᏘᏯ ᏥᏂᏕᎬᏁᎰ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᏂᏏᏴᏫᎭ ᏧᏂᎸᏫᏍᏓᏁᏗ ᏥᏓᏁᎰᎢ, ᎠᎴ ᎦᎶᎯᏍᏗᏱ ᎠᎦᏘᏯ ᏥᎧᏁᏤᎰ ᎤᏯᏫᏗᏱ.\nᎠᎴ ᎾᏍᎩ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᏍᎩᏯᏉ ᎠᎦᏯᎷᏗ ᏥᏭᎾᏓᎢᏅᏎ ᎠᎺᏉᎯ, ᎠᎴ ᏥᏚᏂᏂᏴᎮ ᎾᏂᎥ ᏧᎾᏓᎴᏅᏛ;\nᎠᏴ ᏉᎳ ᎠᏆᏓᏲᎵᏍᏗ ᎨᏒ ᎠᏋᏒ ᎠᏉᏰᏂ ᎠᏋᏔᏅᎯ ᎠᏉᏪᎳᏅᎯ.\nᎤᎾᏓᏓᏍᎬ ᎠᏂᏩᏥᏂ ᎠᎳᏗ ᏚᎨᏓᎵᏴ ᎢᏗᎬᏓ, ᏧᏂᏲᎰᏎᎸ ᎠᏂᏴᏫ ᏧᎾᏙᎢᏓ.\nᏗᏓᎴᏂᏍᎬ ᎧᏃᎮᏛ ᎡᎮᎢ, ᎠᎴ ᎾᏍᎩ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎢᏧᎳᎭ ᎠᏁᎮᎢ, ᎠᎴ ᎾᏍᎩ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎨᏎᎢ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎯᎠ ᎠᎾᏍᎩᏓᏒᎥᏍᎩ ᎦᏓᎭ ᎾᏅᏁᎭ ᎤᏂᏇᏓᎸᎢ, ᏗᏂᏍᎦᎩ ᏄᏂᎬᏫᏳᏌᏕᎩ, ᎠᎴ ᏗᎬᏩᏂᏐᏢᏗ ᎨᏥᎸᏉᏗ.\nᎬᏂᏳᏉᏃ ᎩᎳᏉ ᎢᏴᏛ ᏦᎢ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ ᎠᏂᏙᎾᎥ ᎠᏓᏁᎸ ᎾᎿ ᎠᏉᎸᎢ, ᎬᎩᏯᏅᎰᎸᎯ ᏏᏌᎵᏱ ᏅᏓᎨᏥᏅᏒᎯ.\nᎤᎬᏫᏳᎯ ᎠᏍᏕᎵᏍᎩ ᎯᎠ ᏄᏪᏎᎸᎩ, ᏣᎬᏫᏳᎯ, ᎮᎾ ᎠᏏᏉ ᎾᏲᎱᏍᎬᎾ ᎠᏇᏥ.\nᎾᏍᎩ ᏌᏉ ᏕᏣᏓᏅᏛᎢ ᎠᎴ ᏌᏉ ᎢᏥᎰᎵ ᎢᏨᏙᏗᏱ ᎡᏥᎸᏉᏙᏗᏱ ᎤᏁᎳᏅᎯ ᎾᏍᎩ Ꮎ ᎤᏙᏓ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ.\nᏁᏆᎸ ᎡᎶ, ᎤᏐᏱᏉ ᎾᎥ ᎠᏁᎯ ᎠᏂᏳᏩᏁᎦ. ᎾᎥᏂ ᏚᎨᏓᎵᏴ, ᏚᏅᏓᏒ ᏃᎴ ᏕᎨᏴᎢ , ᏃᎴ ᎤᏅᏌ ᎱᏂᎪᎲ ᎠᏂᎦᏔ, ᏄᏍᏛ ᎡᎶ, ᎤᏅᏌ ᎠᏁᎵᏍᎬ.\nᎤᏁᏅᏎᏃ ᎤᎾᎦᏔᏅᏎ ᏄᎵᏍᏔᏅᎢ; ᏥᏌᏃ ᏭᏂᎷᏤᎴᎢ, ᎠᎴ ᎤᏂᏩᏛᎮ ᎠᏍᎦᏯ, ᎾᏍᎩ ᎬᏩᏄᎯᏨᎯ ᎠᏂᏍᎩᎾ, ᎤᏬᎴ ᏥᏌ ᏚᎳᏍᎬᎢ, ᏚᏄᏩᎡᎢ, ᎠᎴ ᎤᏓᏅᏘᏌᏅᎯ ᎨᏎᎢ; ᎤᏂᏍᎦᎴᏃ.\nᏥᏌᏃ ᎾᏍᎩ ᏚᎧᎿᏅ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏴᏫ ᎨᏒ ᎥᏝ ᎾᏍᎩ ᏱᏅᎦᎵᏍᏓ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎨᏒ ᏂᎦᎥ ᎪᎱᏍᏗ ᎢᏳᎵᏍᏙᏗᏉ.\nᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎤᏪᎿᎢ ᎡᎮᎢ, ᎩᎦᎨ ᎠᎴ ᎤᏏᏙᎵ ᏙᎴᏛ ᏗᏄᏬ ᏓᏄᏬᏍᎨᎢ, ᎠᎴ ᏂᏓᏙᏓᏈᏒ ᎣᏍᏛ ᏓᎵᏍᏓᏴᎲᏍᎨᎢ.\nᏲᎾ ᎤᏤᏍᏙ ᎤᏩᏗ ᏭᏌᏕ.\nᎿᏉᏃ ᎠᏂᏧᏏ ᎯᎠ ᏅᎬᏪᏎᎸᎩ; ᎥᏝ ᎠᏏ ᎯᏍᎩᏍᎪᎯ ᎢᏣᏕᏘᏴᏛ ᏱᎩ; ᏥᏌᏃ ᎯᎪᎥᎯ ᎢᎩ ᎡᏆᎭᎻ?\nᏗᎦᎳᏫᎢᏍᏗᏱ ᏓᏰᏥᏄᎪᏫᏏ; ᎥᎥ, ᏛᏍᏆᎸᎯ, ᎩᎶ ᎢᏥᎯᎮᏍᏗ, ᎤᏁᎳᏅᎯ ᏂᏥᏯᏛᏁᎭ, ᎡᎵᏍᎨᏍᏗ.\nᎠᏎᏃ, ᏍᎩᏴ ᏥᎨᏒ ᏰᎵ ᎣᎩᏂᎵᎪᏩᏕᎬ, ᎠᏴ Crockett ᏱᎨᏎ, ᎣᏏᏉ ᏱᎨᏎ.\nᏏᏊᎴ ᏦᎢᏁ ᏃᏊ ᎥᎣᎦᏛᎦᏅ ᏃᏊᏛ ᎤᏙᎯᏳ ᎬᏂ ᎨᏒ ᎡᏍᎦ ᏣᎢᏒ ᎠᎴ ᏂᎦᏪᏏᏒ ᎠᏍᏓᏲᏍᎬ.\nᎤᎾᏓᏓᏍᎩᏌᎲ ᎠᏂᎦᏲᏟ ᏴᏫ ᏓᎾᏟᏃᎮᏍᎬ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏥᏍᎩᎪᏩᏛ ᏅᏩᎦᏍᏙᏓ ᎰᎯᏳᎲᏍᎦ; ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎬᎩᎪᎲᎯ ᏂᎨᏒᎾ ᎠᏎᏃ ᏥᎬᏉᎯᏳᎲᏍᎪᎢ.\nᎠᎴ ᎢᏨᏯᎵᏍᎪᎸᏓᏁᎭ ᎢᏥᎬᏫᏳᎯ ᎢᏣᎵᏍᏙᏗᏱ, ᎾᏍᎩᏯ ᎡᏙᏓ ᎠᏴ ᏣᏆᎵᏍᎪᎸᏓᏁᎸ;\nᎾᏍᎩ ᎯᎠ ᏔᎵᏁ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎸ ᏥᏌ ᎨᎵᎵ ᎤᎷᏦᏅᎯ, ᏧᏗᏱ ᏅᏓᏳᎶᏒᎯ.\nᎦᎵᏉᏗᏃ [ᎦᏚ] ᏅᎩ ᎢᏯᎦᏴᎵ ᏕᏥᏁᎸ, ᎢᎳᎪ ᎢᏯᎧᎵᎢ ᏔᎷᏣ ᎤᎵᎬᎭᎷᏴᎯ ᎢᏧᏖᏎᎢ? ᎦᎵᏉᎩ ᎤᎾᏛᏁᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏕᏥᎯᎮᏍᏗ ᏗᏥᏰᎸ ᏕᏣᏚᏓᏕᏫᏒ ᎠᏂ ᎡᎶᎯ; ᎾᏍᎩ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ, ᎦᏓᎭ ᎨᏒᎢ, ᎠᎬᎥᎯᏍᏗ ᎨᏒᎢ, ᎤᏲ ᎠᏚᎸᏅᏗ ᎨᏒᎢ, ᎠᎴ ᏧᎬᏩᎶᏗ ᎠᎬᎥᎯᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎠᏓᏙᎵᏍᏓᏁᏗ ᏥᎩ;\nᎠᎴ ᏫᏓᏆᎧᎾᏅᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎤᏁᎬ ᎤᎶᎩᎸᎩ, ᎠᎴ ᎤᎶᎩᎸ ᎩᎶ ᎤᏬᎸᎩ ᏴᏫ ᎤᏪᏥ ᎾᏍᎩᏯᎢ, ᎤᎵᏍᏚᎸᎩ ᎠᏕᎸ-ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎠᎵᏍᏚᎶ, ᎠᎴ ᎪᏍᏓᏯ ᎠᏍᎫᏕᏍᏗ ᎦᏁᎲᎩ.\nᎾᏍᎩ ᎬᎩᏃᎮᎮᎸᎩ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏂᎳᏫᎩ ᎠᏂᏧᏏ ᏧᎾᏤᎵᎦ, ᏥᎷᏏᎵᎻ ᏥᏫᎨᏙᎲᎩ, ᎠᏂᏔᏲᎯᎲᎩ ᎤᏍᎦᏅᏨ ᏧᏚᎪᏙᏗᏱ.\nᏣᎵ ᎧᏃᎮᏍᎬ, ᎠᏍᏆᏂᎪᎯᏍᏗ ᎦᎶᏍᎨ, ᏳᎵᏍᏆᏙᏅ ᎠᏤᎯ ᎤᎾᎡ ᎠᏑᎶ.\nᎾᏍᎩᏃ ᏄᏪᏒ ᏚᎾᏄᎪᏫᏎᎴ ᏧᏬᏰᏂ ᎠᎴ ᏧᎳᏏᏕᏂ.\nᎠᎺᏉᎯᏃ ᏚᏲᏒᎩ ᏧᏂᏲᎱᏒᎯ ᎾᎿ ᏄᎾᏛᏅᎢ; ᎠᏲᎱᎯᏍᏗᏃ ᎠᎴ ᏨᏍᎩᏃ ᏚᏂᏲᏒ ᏧᏂᏲᎱᏒᎯ ᎾᎿ ᎠᏁᎲᎢ; ᎠᎴ ᏕᎨᎫᎪᏓᏁᎸᎩ ᏂᎦᏗᏳ ᎠᏂᏏᏴᏫᎭ ᎾᏍᎩᏯ ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ.\nᎠᎴ ᏅᏩᏓᎴ ᏗᎧᎿᏩᏗᏙᎯ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎢᏳᏄᎪᏨᎩ ᎠᏍᏓᏯ ᎤᏪᎷᎬᎩ ᎯᎠ ᏂᎦᏪᏎᎲᎩ ᎤᎶᎩᎸ ᎤᏬᎵ, ᎠᏍᎫᏕᏍᏗ ᎲᏓ ᎠᎴ ᎯᏍᎫᏛᎦ; ᏣᏍᎫᏕᏍᏗ ᎲᏓ ᎠᎴ ᎯᏍᎫᏛᎦ; ᏣᏍᎫᏕᏍᏗᏱᏰᏃ ᎨᏒ ᎿᏉ ᎠᏍᏆᎸᎯᎦ; ᎡᎶᎯᏰᏃ ᎠᏍᎫᏕᏍᏗᏱ ᎨᏒ ᎤᎦᏛᎾᏨ.\nᎾᏍᎩᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎢᏥᎦᏔᎭᏉ ᎤᏓᏅᏍᏙᏒᎯ ᎨᏒ ᎩᎶ ᎠᏧᏏ ᎤᏁᏓᏍᏗᏱ ᎠᎴ ᎤᏩᏛᏗᏱ ᎩᎶ ᏅᏩᏓᎴ ᏴᏫ; ᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎬᏂᎨᏒ ᎾᏋᏁᎸ ᎠᏴᎩᎶ ᏴᏫ ᎦᏓᎭ ᎠᎴ ᎾᏥᏅᎦᎸᎥᎾ ᏥᏲᏎᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎤᏂᏲᎰᏎᎸ ᏓᏂᏕᎪ ᏧᏂᏲᎰᏒ ᎭᎾᏉ ᏚᏂᏅᏨ, ᏓᎾᎵᏓᏍᎩᏍᎪ ᏧᏂᎩᏍᏔᏂᏕᏅ ᎤᏂᏍᎦᎣᏅ.\nᏃᏈᏏᏃ ᎦᎸᎶᎢ ᎠᏂᎧᎸ ᎤᏂᏅᎪᎣᏒᎩ ᎠᎴ ᎡᎶᎯ ᎤᏂᎳᎨᏯᏛᏨᎩ, ᎾᏍᎩᏯ ᏒᎦᏔ-ᎢᏳᏍᏗ ᏡᎬ ᏨᏂᏅᎪᎠᏍᎪ ᎤᎾᏓᏙᏗᏱ ᏂᎨᏒᎾ ᎨᏒ ᎤᎾᏓᏔᏅᎯ, ᎾᎯᏳ ᎤᏣᏘ ᎦᏃᎸᎥᏍᎬ ᏧᏖᎸᎲᏍᎪᎢ;\nᎠᏰᎵ ᎢᏳᏪᏅᏍᏗ ᎠᎬᏱ ᏯᎧᎸᎬᎾ, ᎤᏰᏤ ᏫᎵᎻ ᏃᎴ ᎤᏛᎦᏍᏔᏁᎢ.\nᎤᏔᎷᎩᏍᎩ ᎢᏳᏍᏗ ᎨᏎᎢ ᎠᎵᏍᏓᏴᏗ ᏳᏫᎦᏠᏍᎬᎾ ᏗᎦᎴᏂ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᏛᏁᎸᎩ ᏔᎵ ᏧᏕᏘᏴᏛ ᎢᎪᎯᏛ, ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᏂᎦᏛ ᎡᏏᏱ ᎠᏁᎯ ᎠᏂᏧᏏ ᎠᎴ ᎠᏂᎪᎢ ᎤᎾᏛᎦᏅᎩ ᎧᏃᎮᏛ ᎤᎬᏫᏳᎯ ᏥᏌ ᎤᏤᎵᎦ.\nᎿᏉᏃ ᎤᏃᎵᏨᎩ ᏄᏂᏁᏤᎲᎾ ᎨᏒ ᎤᏁᏯᏙᎢᏍᏗᏱ ᎦᏚ ᎠᎪᏙᏗ, ᏓᎾᏕᏲᎲᏍᎬᏍᎩᏂ ᎠᏂᏆᎵᏏ ᎠᎴ ᎠᏂᏌᏚᏏ.\nᎤᏦᏱᎴ.\nᎠᎬᏱ ᎤᏓᏏᏁᏛ ᎣᏣᎵᏍᏔᏴᎲᏍᎬ, ᎠᏉᏢ ᎤᎩᎸᎭᏂᎸ, ᎤᏌᏃᎲ ᎤᏓᏓᏍᎬ ᎢᏧᎳ ᎢᏣ ᏙᎩᏃᏢ.\n(ᎾᏍᎩᏰᏃ ᎤᏓᏅᏘ ᎠᏍᎦᏯ ᎠᏁᎲ ᏤᎮᎢ, ᎠᎪᏩᏘᏍᎬ ᎠᎴ ᎠᏛᎩᏍᎬ [ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ] ᎤᏓᏅᏘ ᎤᏓᏅᏙ ᏂᏚᎩᏨᏂᏒ ᎤᏕᏯᏙᏗ ᎤᏓᏅᏖ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏂᏚᏳᎪᏛᎾ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ,)\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᏓᎦᏌᏯᏍᏕᏍᏗ ᎢᏨᏒ, ᎠᎴ ᏕᏥᎦᏌᏯᏍᏕᏍᏗ ᏂᎦᏛ ᏑᎾᏓᏡᎩ ᎨᏒᎢ, ᎾᏍᎩ ᏗᏥᎦᏘᏯ ᎢᏨᏁᎸᎯ ᏥᎩ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᏗᏤᎳᏍᏗᏱ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ, ᎾᏍᎩ ᎤᏩᏒ ᎤᎩᎬ ᏧᎫᏴᏔᏅᎯ ᏥᎩ.\nᎢᏳᏍᏗᏉ ᎬᏍᏕᎸᏗ ᏱᎩ.\nᎢᏣᏛᎦᏅᎯ ᎢᎩ ᎯᎠ ᏥᏂᎨᏥᏪᏎᎴ ᎡᏘ ᏣᏁᎮᎢ; ᏞᏍᏗ ᏣᏓᏲᏁᎸᎩ.\nᎣᏍᏛᏍᎩᏂ ᏗᏥᎸᏫᏍᏓᏁᏗᏱ ᎠᎴ ᎢᏣᏓᏁᏗᏱ ᏗᎵᏍᎪᎸᏙᏗ ᎨᏒ ᎣᏏᏳ ᎤᏰᎸᎭ ᎤᏁᎳᏅᎯ.\nᏧᏓᎴᏅᎲᏃ ᏦᏣᎵᏍᎪᎸᏓᏁᎸ ᏲᎾ ᎤᏤᏍᏙ ᎫᎫ ᎬᏗ ᎤᏛᎯᏍᏙᏗ ᏏᏆ.\nᎩᎳ ᎠᎬᏱ ᎤᏂᎬ ᏍᎩᏲᏍᏓ.\n“ᎭᏩ,” ᎤᏛᏁ ᏩᎭᏯ\nᏥᏌᏃ ᎯᎠ ᏄᏪᎭᎴ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ; ᎮᎾ, ᎠᎴ ᏄᏍᏛ ᏦᎯᏳᏅ ᎾᏍᎩ ᏫᏂᏣᎵᏍᏓᏏ. ᎤᏅᏏᏓᏍᏗᏃ ᎾᎯᏳᏉ ᎤᏗᏩᏎᎢ.\nᎠᏎᏃ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏥᎭ, ᏗᏨᏲᎯᏎᏗᏱ ᎠᏏᏴᏫ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎠᏍᏆᎵᏍᎬ ᎢᏳᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᏚᎵᏍᎪ ᏗᏨᏲᏎᏗᏱ ᎤᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ?\nᎤᏂᏴᎲᏃ ᏗᏓᏍᏚᏗᏱ ᎤᏴᏔᏁᎢ, ᎠᎴ ᏚᏲᎯᏎᎴ ᏅᎩ ᎢᏗᏂᎢᏛ ᏅᎩ ᏄᎾᏓᏡᎬ ᎠᏂᏯᏫᏍᎩ ᎬᏩᎦᏘᏗᏍᎩ, ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎤᎶᏐᏅᎯ ᏴᏫ ᏧᎾᏄᎪᏫᏎᏗᏱ ᎤᏰᎸᏎᎢ.\nᎢᏳᏃ ᎡᎶᎯ ᎢᏥᏍᎦᎩᏳ ᏱᎩ, ᎢᏥᎦᏔᎭ ᎠᏴ ᎢᎬᏱ ᎠᎩᏍᎦᎩᏳ ᏄᎵᏍᏔᏅ ᏂᎯ ᎣᏂ.\nᎿᏉᏃ ᏆᎴᏗ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏝᏍᎪ ᏯᏛᎩᎭ ᏂᎦᎥ ᎬᏂᎨᏒ ᎾᏅᏁᎲ ᎠᏂᎦᏔᎯ ᎨᏣᏡᏗᏍᎬᎢ\nᏂᎦᏓ ᎠᏲᏣᏃᎲᏍᎬ.\nᎤᏓᎴᏨ ᎠᏤᎯ ᎠᏣᏗ, ᏅᎩ ᏕᎦᏅᏌᏛ ᏕᎬᏗᏍᎨ ᎡᏙᎲ ᎠᎼ ᎡᎳᏗ.\nᎡᎳᏗ ᏄᏩᎾᏗᏒ ᎠᏍᎪᎵ ᎩᏟ, ᎭᎴᏉ ᎦᏙ ᏩᏒᏂᎲ, ᎯᎸᎢᏴ ᎠᏙᎯ ᎢᏣ ᏭᎾᏌᎾᎩᏍᎬ ᎧᏴᏐᎵ.\nᎾᎯᏳ ᏧᏤᎵ ᎤᎾᏓᏅᏘ ᎬᏩᎸᏉᏙᏗᏱ ᎤᎬᏩᎵ ᎦᎷᏨᎭ, ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏧᏓᏅᏓᏗᏍᏙᏗᏱ ᎾᏂᎥ ᎾᏍᎩ Ꮎ ᎬᏬᎯᏳᎲᏍᎩ ᎾᎯᏳ ᎢᎦ ᎨᏎᏍᏗ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎪᎯᏳᏅᎯ ᎨᏒ ᎣᎩᏃᎮᎸ ᎢᏤᎲᎢ.\n“ᎣᏏᏗ ᎦᏣᎪᏩᏛᏗ ᏱᎨᏒᎾ ᏥᎩ ᎠᏯ ᏥᎪᏩᏗᏍᎬ,” ᎤᏛᏁ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ, ᎥᏝ ᎾᏂᎥ ᎯᎠ ᏥᏂᏥ Ꮻ ᏱᏙᎬᎾᏓᏂᎸᎩ, ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᏅᏒ.\n“ᏃᏉ ᎩᏅᎪᎢ!” ᎤᏪᎷᏁ ᎪᏱᏁᎢ.\nᎠᏎᏃ ᎦᏣᏄᎵ ᏫᎨᏰᎢ ᎠᎹ ᎤᏍᏗ ᎠᏣᏗ ᎭᏂᏣ ᏭᏓᏬᏍᏗ.\n“ᎣᏍᏓ ᏑᎾᎴ ᎠᎵᏍᏔᏴᏗ.”\nᏎᎦ ᎠᏆᏓᏅᏖᎸ, ᏃᏉ ᏩᏇᎵᏒ, ᎨᏍᏗ ᏫᏥᎢᎦ ᎠᏆᏓᏅᏖᏗ ᏱᎩ.\nᏧᎵᏨᏯᏍᏗ ᎤᏟᎳ ᏓᏘᏁᎬ ᏧᏤᎵ ᎠᏂᏴᏫ.\nᎿᏉᏃ ᏚᏅᏍᏓᏕᎸᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎩᎶ ᎤᏂᏃᏁᏗᏱ ᎾᏍᎩ ᎤᏩᏒ ᎦᎶᏁᏛ ᎨᏒᎢ.\nᎥᏝ ᎠᎴ ᎤᏲ ᏳᏂᏰᎸᏅ ᏚᎾᏓᎸᎢ, ᎠᎴ ᏚᎾᏙᏅᎸᎢ, ᎠᎴ ᎤᏕᎵᏛ ᏚᎾᏂᏏᏂᏙᎸᎢ, ᎠᎴ ᎤᏂᏃᏍᎩᏒᎢ.\nᏉᎳᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎤᏁᎳᏅᎯ ᏓᏨᏂᎵ ᏂᎯ, ᎠᏐᏱ ᎤᏁᎬᎢᎬᏁᎸᎯ; ᏦᎳᏰᏃ ᎨᎵ ᏗᏍᏇᎪᏓᏁᏗᏱ ᎾᏍᎩᏬ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬᎢ? ᏥᎪᏃ ᎢᎯᏁᎦ ᎥᏋᏂᏍᏗᏱ ᏗᎧᎿᏩᏛᏍᏗ ᏙᎯᎦᏘᎴᎦ?\nᎤᏥᏍᏈᏍᏗ ᎤᏁᏡᎬ ᎠᏰᏟ ᎠᎩᏰᏨ ᏑᎾᎴᏱ. ᎤᏂᏍᏆᎾᎪᏒ ᏯᏖᏃᎢ ᏥᎬᎢ.\nᎬᏂᏳᏉ ᏥᎷᏏᎵᎻ ᏫᏗᎦᏘ, ᎠᎴ ᏴᏫ ᎤᏪᏥ ᏙᏓᏰᏥᏲᏏ ᏙᏓᎨᏦᏲᎯᏎᎵ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ, ᎾᏍᎩᏃ ᏙᏛᏄᎪᎳᏂ ᎤᏲᎱᎯᏍᏗᏱ,\nᎠᏰᎵᏃ ᏄᏮᏔᏁ ᎩᎶ ᎢᏳᏍᏗ ᎠᏥᎸ-ᎨᎶᎯ ᎾᎿ ᏂᎦᏅᏅ ᏗᎤᎶᏎᎢ; ᎤᎪᎲᏃ ᎠᏂᏗᏢᏉᏉ ᏄᎶᏎᎢ.\nᎤᎶᎩᎸᏃ ᎤᏬᎵ ᎠᏍᎫᏕᏍᏗ ᎤᏤᎵ ᎤᏮᏔᏅᎩ; ᎠᎴ ᎡᎶᎯ ᎤᏍᎫᏕᏐᏅᎩ.\nᎤᏓᎨᏳᎯᏃ ᏂᎨᏒᎾ, ᎥᏝ ᏯᎦᏔᎰ ᎤᏁᎳᏅᎯ; ᎤᏁᎳᏅᎯᏰᏃ ᎤᏓᎨᏳᏗ ᎨᏒ ᏚᏙᎥ.\nᎤᏙᎯᏳ ᎣᏍᏓ ᏏᏆ!” \nᎡᎳᏗ ᎢᎦᏘ ᎠᏍᎦᏯ, ᎨᏍᏗ ᎣᏍᏓ ᎦᏬᏂᏍᎩᏱᎩ ᏣᎳᎩ, ᏴᎬᏁᎵᏓ ᎤᏬᏂᏍᏗ ᎤᏂᏣᏛ ᏃᎴ ᎨᏍᏗ ᎠᎪᎵᏰᏍᎩᏱᎩ ᏣᎳᎩ ᎪᏪᎳᏅ.\nᎠᎦᏔᎲ Crockett ᏄᏓᎴᏨ ᏓᎾᎧᎾᏂᏍᎬ ᎤᏂᏣᏘ, ᎠᏎᏃ ᎨᏍᏗ ᎪᎰᏍᏗ ᎦᏳᏩᏛᏁᏗ ᏱᎨᏎ ᎣᏍᏓ ᎢᏳᏩᏁᏗ, ᏙᏱ ᏰᏙᎭ ᎤᎵᏍᏇᏚᏮ ᎡᎳᏗ ᏱᏄᏩᏁᎸ, ᏳᎦᎵᎢᏍᏔᎾ ᎦᏴᏐᎵ.\nᎠᎴ ᎬᏂᏲᎱᏍᎩ ᎦᏥᏯᏕᏯᏙᏗᏍᎬᎩ ᎯᎠ ᎦᏅᏅ ᏗᏂᎧᎿᏩᏕᎩ, ᏕᎦᏥᏯᎸᎢᎲᎩ ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᏕᎦᏥᏴᏗᏍᎬᎩ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ.\nᎠᎴ ᏅᏩᏓᎴ ᏐᏈᎵ ᎤᏄᎪᏨᎩ, ᎠᎩᎦᎨᎢ; ᎠᎴ ᎠᎦᎵᏍᎪᎸᏓᏁᎸᎩ ᎾᎿ ᎤᎩᎵ ᏅᏩᏙᎯᏯᏛ ᎨᏒ ᎤᏄᎪᏫᏍᏗᏱ ᎡᎶᎯ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎤᏅᏒᏉ ᏧᎾᏓᎯᏍᏗᏱ; ᎠᎴ ᎡᏆ ᎠᏰᎳᏍᏗᎦᏅᎯᏛ ᎠᏥᏕᎸᎩ.\nᎩᏓᏟᏅᏯ ᎤᏓᎵ ᎯᏅᏁᎸᎲ, ᎠᏆᏛᏅ.\nᏓᏏᎳᏛ ᏫᏗᎬᏅ ᎨᏎᎢ, ᎠᎳᏂ.\nᎿᏉᏃ ᎬᏩᎷᏤᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᎤᏥ, ᎠᎴ ᏙᏱᏗᏢ ᏓᏂᏙᎨ, ᎤᎾᏓᏅᏎ ᏫᎬᏩᏯᏂᏍᎨᎢ.\nᎠᏂᏧᏏᏃ ᎤᏂᏁᏨ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎦᏙ ᎠᏙᎴᎰᎯᏍᏙᏗ ᎬᏂᎨᏒ ᏅᏓᏍᎩᏴᏁᎵ, ᎾᏍᎩ ᏥᏄᏍᏗ ᏥᏕᏣᎸᏫᏍᏓᏁᎭ?\nᎦᏙᏃ ᎤᏰᎸᏗ ᎥᎬᏅᎢ, ᎠᏎᏃ? \nᎠᎴ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎾᏂᎥ ᏴᏫ ᎠᎾᎴᏅᏗᏍᎪ ᎠᏂᏝᎲᏍᎪ ᎣᏌᏂ ᎩᎦᎨᎠᏗᏔᏍᏗ, ᎿᏉᏃ ᎤᏣᏘ ᎤᎾᏗᏔᎲᎯ ᏥᎨᏐᎢ ᎩᎳ ᎤᏐᏅ ᎠᏂᏝᎲᏍᎪᎢ; ᏂᎯᏍᎩᏂ ᏣᏍᏆᏂᎪᏕ ᎣᏍᏛ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎪᎯ ᎢᏯᏍᏗ.\n“ᏙᎢᏳᏍᏗ ᎤᏰᎸᏗ “ᎠᎦᏍᎦᏃᎸᏍᎦᏈ? \nᎬᏂᎨᏒ ᎾᏅᏁᎭ ᎠᏂᎦᏔᎯᏳ ᎨᏒ ᎤᏁᎳᏅᎯ; ᎠᏎᏃ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎢᎬᏩᏓᏱᎭ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏂᏂᏆᏘᏍᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎤᏃᎯᏳᎯᏍᏛ ᏂᎨᏒᎾ ᎨᏒᎢ; ᎠᎴ ᏂᎦᎥ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎨᏥᏐᏅᎢᏍᏔᏅᎯ.\nᎾᎯᏳᏉᏃ ᎠᎵᏰᎢᎵᏒ ᏚᎾᎴᏁᎢ, ᎠᎴ ᏥᎷᏏᎵᎻ ᏔᎵᏁ ᏫᎤᏂᎶᏎᎢ, ᎠᎴ ᏚᏂᏩᏛᎮ ᏓᏂᎳᏫᎡ ᏌᏚ ᎢᏯᏂᏛ, ᎠᎴ ᎾᏍᎩ ᎬᏩᎾᏓᏡᏩᏍᏗᏕᎩ,\nᎤᏃᎮᎸ ᎠᎹᏰᎵ ᎢᏣ ᏥᏓᏄᎪᏗᏍᎨ ᎤᎵᏘᎾᎥ, ᎤᎾᏓᏩᏛᎮ Spiddal, Galway ᏥᏤᎢ.\nᏔᏕᏲᎲᏍᎩ, ᎦᏙ ᎤᏍᏗ ᎤᏟ ᎦᎸᏉᏗᏳ ᎤᎵᏁᏨ ᏗᎧᎿᏩᏛᏍᏗ?\nᏦᎳᏂ ᎡᎳᏗᏣ, ᎧᏅᏑᎸ ᎦᎸᎳᏗᏣ ᎪᎯᏓ ᏫᏓᎧᏁᎢ.\nᎤᎾᏰᎯᏍᏗᏳ ᎬᏂᏛ ᎤᏁᎳᏅᎯ ᏧᏬᏰᏂ ᏫᏗᎩᏅᎢᏍᏗᏱ.\nVII. ᎤᏲ ᎧᏃᎮᏓ  \nᎢᏣᏓᏙᎵᏍᏗᏍᎬ ᎬᏩᎫᏗᏗᏎᏍᏗ, ᎠᎴ ᎾᎿ ᎢᏥᏯᏫᏍᎨᏍᏗ ᎤᎵᏠᏯᏍᏕᏍᏗ ᎠᎵᎮᎵᏍᏗ ᎨᏒᎢ;\nᎯᎪᎯᏗ ᏙᏱᏨ ᏭᎷᏣ ... ᎠᎵᎬᏓᏃᏍᏙᏗ ᎤᏯᏤᎢ ᏃᎴ ᎢᎾ ᎢᏗᎦᏘ ᏚᎳᏑᏞ.\n”ᎡᎵᏍᏗ ᎣᏏ ᎠᎩᏰᎸ.” \nᎨᏍᏗ ᎣᏍᏓ ᎠᏓᏅᏘ ᎭᏂᏣ ᏫᎦᎦᎾᏅᎪᎥᏍᏗ ᏱᎨᏎ.\nᎠᏏᏴᏫ ᎾᏍᎩ Ꮎ ᎠᏂᏔᎵ ᏣᏂ ᎤᎾᏛᎦᏁᎸᎯ, ᎠᎴ [ᏥᏌ] ᎤᏂᏍᏓᏩᏛᏛ, ᎾᏍᎩ ᎡᏂᏗ ᎨᏒᎩ, ᏌᏩᏂ ᏈᏓ ᏗᎾᏓᏅᏟ.\nᏂᎯᏍᎩᏂ ᎯᏃᎮᏍᎨᏍᏗ ᎾᏍᎩ ᎣᏍᏛ ᏗᏕᏲᏗ ᎨᏒ ᎤᎵᎶᎲᏍᎩ;\nᏂᎦᎵᏍᏙᏗᏍᎨᎢ ᏭᎶᏒᏍᏛᎢ ᎤᏲ ᎤᏓᏅᏖᏗ ᏃᎴ ᎤᏓᏅᏘ ᏱᎨᏒᎾ ᏍᎩᎾᎾ ᏥᏍᏕᏥ.\nᎤᎾᏂᎩᏒᏃ ᏕᎦᏚᏩᏗᏒ ᎤᏁᏙᎴ ᎠᎾᎵᏥᏙᎲᏍᎨ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎠᎴ ᏓᎾᏓᏅᏫᏍᎨ ᏂᎦᎥ ᎠᏁᏙᎲᎢ.\nᏔᎵᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎠᎺᏉᎯ ᎤᏪᏐᏅᏴᎩ ᎫᎫ ᎠᏰᎲ ᎠᏟᏍᏛᎢ; ᎤᏲᎲᏒᎯᏃ ᏴᏫ ᎤᎩᎬ ᎾᏍᎩᏯ ᏄᎵᏍᏔᏅᎩ; ᎠᎴ ᏂᎦᏗᏳ ᏗᏅᏃᏛ ᎨᏒ ᎠᎺᏉᎯ ᎠᏁᎲ ᏚᏂᎵᏬᏨᎩ.\nᎾᏍᎩᏴ ᏑᎾᎴ, ᎠᏌᎻᏛ ᏓᏘᎭᏁᎲ ᎤᎨᏓᎵᏴ ᏭᏂᎷᏤ, ᎠᎦᏴᎵᎨ ᎤᏬᏑᎶᏨ, ᎤᏩᏌ ᎦᏂᎩᎵ ᎤᏂᏅᎪᏫᏍᏗ ᎨᏎ, ᏎᏥ ᏒᎭᎵ ᏗᏇᏅ ᏚᎧᎭᏲᏕ ᎠᏲᏓᏌᎲ ᎦᏌᎾᎵ, ᎦᎵᏦᏕ ᏃᎴ ᎠᏫᏌᏅ ᎠᏦᎭᏴ, ᎠᏫᏌᏅ ᏎᎷ, ᏚᏯ ᏃᎴ ᏩᎩᎦ, ᏥᏔᎦ ᏓᎾᏣᎪᏍᎬ ᎣᏂ, ᏩᏚᎵᏏ ᎠᏂᏃᎯᎵᏙᎲ ᎦᏁᏍᎬ, ᎣᏍᏓ ᏧᏂᏍᏙᏰᏛ ᏒᎦᏔ ᏃᎴ ᏆᎾ ᏕᏧᎬ, ᏓᎾᏓᏔᏍᎬ.\nᎾᏍᎩᏰᏃ ᎾᏍᏉ ᎦᎸᏉᏗᏳ ᎢᎬᏁᎸᎯ ᏥᎨᏎ ᎥᏝ ᎰᏩ ᎦᎸᏉᏗᏳ ᏱᎨᏎᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎬᏩᏓᎪᎾᏛᏛ ᎦᎸᏉᏗᏳ ᎨᏒ ᏐᎢ.\nᎤᏁᎳᏅᎯᏰᏃ ᎡᏆᎭᎻ ᎤᏚᎢᏍᏓᏁᎸ, ᎾᏍᎩ ᎩᎶ ᏅᏩᏓᎴ ᎤᏟ ᎢᏯᏥᎸᏉᏗ ᏒᎲ ᎬᏩᏎᎵᏙᏗ ᏂᎨᏒᎾ ᎨᏎᎢ, ᎤᏩᏒ ᎡᎲ ᎤᏎᎵᏙᏔᏁᎢ,\nᎣᏏᏳ ᎤᏂᏰᎸᏅ ᎤᏙᎯᏳᎯ; ᎠᎴ ᎾᏍᎩ ᎬᏩᏂᏚᎦ. ᎢᏳᏰᏃ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏁᎳᏗᏍᏔᏅᎯ ᏱᎩ ᎾᏍᎩ ᎤᎾᏤᎵ ᏧᏓᎴᏅᏛ ᎠᏓᏅᏙ ᎤᎵᏍᏕᎸᏙᏗ ᎤᎬᏩᎵ, ᎢᏳᎾᏛᏁᏗ ᎾᏍᏉ ᏄᎾᎵᏍᏓᏁᎲᎩ ᎾᏍᎩ ᏧᏂᏍᏕᎸᏗᏱ ᎤᏇᏓᎵ ᎤᎵᏍᏕᎸᏙᏗ ᎤᎬᏩᎵ.\nᎢᏳᏃ ᎩᎶ ᎪᎱᏍᏗ ᏙᎬᏁᎮᏍᏗ ᎾᏍᎩ, ᎠᏥᎸ ᏗᏂᎰᎵ ᏗᎦᏄᎪᎨᏍᏗ, ᎠᎴ ᎤᏂᏛᏗᏍᎨᏍᏗ ᎬᏩᏂᏍᎦᎩ; ᎢᏳ ᎠᎴ ᎪᎱᏍᏗ ᏧᏩᏁᏗᏱ ᎤᏚᎵᏍᎨᏍᏗ, ᎾᏍᎩ ᎢᏯᎬᏁᏗ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ.\nᏂᎯᏃ ᎡᏥᎩᎵᏲᎢᏍᏗᏍᎩ, ᎠᏣᏪᏐᎸᏍᏙᏗ ᎨᏒ ᎡᎦᎫᏴᏓᏁᏗᏱ, ᎾᎯᏳ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎸᎶ ᏅᏓᏳᏓᎴᏅᎯ ᎬᏂᎨᏒ ᎾᎬᏁᎸᎭ ᎠᏁᎮᏍᏗ ᏧᎾᎵᏂᎩᏛ ᏧᏤᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ,\n“ᎦᏍᎩᎶᎩ ᎤᏤᎵ ᏫᏌᏗᎦ!” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎢᎦᏛ, ᎾᏍᎩ, ᎤᎾᏛᏅᎩ; ᎢᎦᏛᏃ, ᏓᎾᏤᎸ ᎤᎾᏛᏅᎩ. ᎤᏩᏒᏍᎩᏂ, ᎠᏴ ᎾᏍᎩ, ᎤᏛᏅᎩ.\nᎢᏳᏃ ᏗᏓᏅᏙ ᎤᎬᏩᎵ ᏱᏨᏫᏎᎸ, ᏥᏌ ᎡᏉᎯᏳᏉ ᎢᎩ, ᎢᏳᏃ ᎤᏇᏓᎵ ᎤᎬᏩᎵ ᏱᏨᏍᎫᏕᏎᎭ?\nᎤᎾᏛᎦᏅᏃ ᎠᏲᎱᏒ ᏗᎴᎯᏐᏗ ᎨᏒᎢ, ᎢᎦᏛ ᎤᏂᏰᎵᎥᎩ, ᎢᎦᏛᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏔᎵᏁ ᎯᎠ ᏛᏨᏯᏛᎦᏁᎵ.\nᎤᏂᎩᏒᏃ ᎦᏅᏅ ᏭᎷᏨ, ᎩᎶ ᎢᏳᏍᏗ ᎤᏗᏠᎡᎸᎩ, ᎠᎴ ᏚᎵᏂᏆᏅᏁᎸᎩ, ᎤᏛᏛᏁ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎰᏍᏛ ᏔᏕᏲᎲᏍᎩ, ᎦᏙ ᏓᎦᏛᏁᎵ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎬᏂᏛ ᎠᏆᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ?\n“ᎤᏔᎷᎩᏍᎩ ᏍᎩᎾᎾ ᏏᏆ.”\nᏫᎵᎻ ᎦᏟᎮ ᎧᏁᏍᎬ.\n”ᏃᎴᏍᏉ,” ᎤᏛᏁ ᎰᎻ, ”ᎠᏆᏚᎵ ᏣᎴᏅᏗ ᎭᏁᏍᎨᏍᎬ ᎧᏁᏌᎢ ᎤᏴᏍᏗ ᏫᎵᎻ.\nᎠᏎᏃ ᎥᏝ ᏳᏬᎯᏳᏁᎢ, ᏗᏓᏍᏚᏗᏱᏉ ᏭᎶᏎᎢ, ᎠᎴ ᎾᎿ ᏭᏴᏔᏁ ᎤᎫᏴᏗᏱ ᎠᏥᏚᎬ ᎢᎪᎯᏛ.\nᏅᏯ ᏭᏗᏅᏓ ᎢᏳᏓᏅᎯᏓ ᎾᏍᎩᏯ ᎢᏳᏛᎾᎯᏓ ᏰᎵᏉ ᏭᏲᏍᏗ ᏬᏯ ᎠᏍᎪᎵ.\nᎢᏳᏃ ᎥᎩᏅᏏᏛ ᎬᎩᏰᎸᏗ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ ᏭᏅᏧᏛᎢ, ᏂᎯᏍᎩᏂ ᎠᏎ ᏄᏜᏏᏛᏒᎾ ᎥᎩᏅᏏᏛ ᏍᎩᏰᎸᏗ; ᏂᎯᏰᏃ ᎠᏙᎴᎰᎯᏍᏙᏗ ᎠᏴ ᎥᎩᏅᏏᏛ ᎨᏒ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎡᏥᏍᏓᏩᏕᎩ ᎨᏒᎢ.\nᎠᏎᏃ ᎢᏣᏅᏓᏓ ᏧᏩᎫᏔᏅᏒᎢ, ᎾᏍᎩ ᎾᎯᏳ ᎢᎦ ᏂᏕᏣᏗᏍᏓᏁᎶᎢ, ᎤᏣᏘ ᎢᏣᏟᏂᎬᏁᎸ ᏕᏥᎦᏘᎸᏒ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒᎢ;\nᎥᏝ ᎠᎴ ᎩᎶ ᎠᏎᏉ ᏲᏣᎵᏍᏓᏴᎾᏁᎮᎢ; ᏙᎩᎸᏫᏍᏓᏁᎲᎩᏍᎩᏂ ᎠᎴ ᏙᎩᏯᏪᏥᏙᎲᎩ ᎬᏩᎩᏨᏗ, ᏃᎦᏚᎵᏍᎬᎾ ᎨᏒ ᎢᏳᏍᏗ ᎠᏴ ᎠᏏᏴᏫ ᏂᏣᏛᏅ ᎦᎨᏛ ᎢᏲᏨᏴᏁᏗᏱ;\nᎬᏆᏚᎸᏗᏉᏰᏃ ᎠᏋᏒ ᎨᏒ ᎥᎩᏍᎦᏨᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎥᏆᏓᏓᎴᏙᏗᏱ ᎦᎶᏁᏛ ᎡᎲᎢ ᎦᏥᏍᏕᎵᏍᎬ ᎣᏣᏓᏅᏟ, ᎪᎱᏍᏗ ᏗᏋᏅ Ꭰ ᎤᏇᏓᎵ ᎨᏒᎢ;\nᎤᏒᏃ ᏄᎵᏍᏔᏅ ᎤᏄᎪᏤ ᎦᏚᎲᎢ.\nᏫᏥ ᏫᏘᏌᏆᏞᎵ, ᏫᏙᏣᏝᏂ ᎤᏁᎸᏗ ᏣᏍᏆᏂᎪᏛ.” \nᎨᎦᏎᏍᏗᏱ ᎤᏰᎸᏎ ᎤᏰᎸᏎ ᎤᏩᏒ ᎠᎴ ᎺᎵ ᎤᏓᏴᏍᏗ, ᎾᏍᎩ ᎦᏁᎵᏛ ᎨᏎᎢ.\nᏥᏌᏃ ᎡᏙᎲᎩ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏐᎵᎹᏅ ᎤᏤᎵᎦ ᎠᏲᏓᏝᎲᎢ.\nᎤᏙᎯᏳ ᏭᎶᏒᏍᏛ ᎦᏓᎭ ᎤᏂᎶᏅᎮᎸ.\nᎠᏎ ᎤᏛᎪᏗ ᎨᏎ ᎾᏂᏪᏍᎬ, ᏃᎴ ᎠᏎ ᎤᏓᏅᏖᏗᏍᎨᎢ.\nᏗᏥᏲᎵ, ᏕᏦᎯᏳᏎᏍᏗ ᏗᏥᎦᏴᎵᎢ ᏂᎦᎥ ᏂᎨᏥᏪᏎᎲᎢ; ᎣᏏᏳᏰᏃ ᎤᏰᎸᏗ ᎤᎬᏫᏳᎯ ᎾᏍᎩ ᎯᎠ.\nᎾᏍᎩᏃ ᎪᎯ ᎨᏒ ᏰᏥᏙᎵᏨᏉ, ᎠᎴ ᏰᏥᎦᎵᏍᏓᏛ, ᏱᏅᏎᎦᎩ ᎾᏍᎩ ᎤᏣᏘ ᎤᏲ ᎤᏰᎸᏒ ᏳᏃᏴᏘᏍᏓ.\nᎦᏲᏟᎨ ᎠᎵᏒᎢᏍᏙᏗ ᏂᎦᏓ ᎤᎾᏨᏓ ᏓᏥᏍᏛ ᏑᎾᎴ.\nᎤᏁᎷᏅᎯ ᏧᏓᎴᏅᏛᏉ ᏂᏚᏂᏪᏒᎩ; ᏓᏂᎳᏫᎥᏰᏃ ᎤᎾᏓᏑᏰᏛᏉ ᎨᏒᎩ, ᎠᎴ ᎤᏟ ᎢᏯᏂᏛ ᎥᏝ ᏯᏂᎦᏔᎮ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎤᎾᏓᏟᏌᏅᎢ.\nᎧᏂᎩᏛ ᎤᎵᏑᏫᏓ, ᎠᎴᏃ ᎦᏲᏟ ᏧᏂᏍᏗ ᎢᏯ ᏓᎾᏛᏍᎬ ᎦᏝᏛ ᏃᎴ ᎦᏲᏟ ᎠᏂᎩᎦᎨ ᏒᎦᏔ ᎤᎾᏛ ᏕᏧᎬ.\nᎠᎦᏗᏓ ᎧᏃᎮᏗ ᎨᏐ ᏅᏙ ᏥᏭᏕᎵᎪ ᏃᎴ ᏥᏗᎠᎧᎸᎦ.\nᎤᎵᎪᎲᏍᏗ ᎢᎦ ᏓᏛᏍᏆᎶᏥ ᏃᎴ ᏛᏴᏣᏗ.\nᎤᏃᎴ ᎤᏍᎦᏎᏗ ᏓᎦᎷᏥ, ᏁᏩᏓ ᎢᎬᏓ ᏓᎦᏁᏐᎣᏏ ᎬᏁᎨ ᎦᎸᎶᎢ ᏓᏳᏓᎴᏅ, ᏂᎦᏓ ᎠᏂᏳᏩᏁᎦ ᏓᏛᎰᏂ ᏃᎴ ᎦᏚᏏ ᎤᎾᏗᏍᎦᏟ.\nᎠᏂᎦᏓᏁ ᏄᎾᎵᏍᏔᏁᎢ.\nᏝᏍᎪ ᏱᏥᎦᏔᎭ ᎾᏍᎩ ᏂᎯ ᏗᏥᏰᎸ ᎦᎶᏁᏛ ᎤᏚᏓᏕᏫᏍᏛᎢ? ᏥᎪᏃ ᎦᎶᏁᏛ ᎤᏚᏓᏕᏫᏒ ᏙᏓᏥᏯᏅᎯ, ᎤᏁᎫᏥᏛᏃ ᎠᎨᏴ ᏧᎾᏚᏓᏕᏫᏍᏙᏗ ᏅᏓᎦᏥᏴᏁᎵ? ᎬᏩᏟᏍᏗ!\n“ᎨᏍᏗ ᏱᏗᎬᏕᏥ ᏨᏌ ᏣᎵᏬᎢᏍᏗ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎦᎶᏁᏛ ᎥᏝ ᎤᏩᏒ ᎯᎠ ᎦᎸᏉᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏳᎩᏎ ᏄᎬᏫᏳᏒ ᎠᏥᎸᎨᎶᎯ ᎾᎬᏁᎸᎢ; ᎯᎠᏍᎩᏂ ᎢᏳᏪᏎᎸᎯ, ᎠᏇᏥ ᏂᎯ, ᎪᎯ ᎢᎦ ᏍᏆᏕᎲᏏ, [ᎾᏍᎩ ᎤᏯᏅᎮᎢ.]\nᎢᏥᎧᎵᏣᎪᎦ ᏗᏥᏙᏓ ᎤᎾᏟᎶᎥᎢ.\nᎾᏍᎩᏯᏰᏃ ᎠᎾᎦᎵᏍᎩ ᏌᏉ ᎢᏗᏢ ᎦᎸᎶᎢ ᏨᏗᎦᎵᏍᎪᎢ, ᎤᏣᏘᏂᏃ ᎢᏗᏢ ᎦᎸᎶᎢ ᏥᏫᏗᎦᎵᏍᎪᎢ, ᎤᏣᏘᏂᏃ ᎢᏗᏢ ᎦᎸᎶᎢ ᏥᏫᏗᎦᎸᏌᏓᏗᏍᎪᎢ; ᎾᏍᎩ ᎾᏍᏉ ᏄᏍᏕᏍᏗ ᏴᏫ ᎤᏪᏥ ᎤᏤᎵ ᎢᎦ ᎠᎵᏱᎶᎸᎭ.\nᎢᎦᏪᏍᏗ ᏯᎫᏚᎵᏍᎬᎾ ᎠᏛᎪᏗ ᎠᎫᏩᏌ ᏴᏙ ᎦᏚᏏ.\nᎣᎭᏂ ᎠᏁᎬ ᎤᏓᏂᏴ ᏃᎴ ᎤᎴᏫᏍᏔᏅ.\nᎤᏂᏣᏛᏃ ᎬᏩᎷᏤᎸᎩ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏣᏂ ᎥᏝ ᎤᏍᏆᏂᎪᏗ ᏱᏚᎸᏫᏍᏓᏁᎮᎢ, ᎠᏎᏃ ᏂᎦᎥ ᏣᏂ ᏄᏪᏒ ᎤᏃᎮᎸ ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ, ᎤᏙᎯᏳᎯᏯ ᎨᏎᎢ.\nᎭᏓᏅᏖᏍᎪᎢᏧ ᎭᎾ ᏗᏓᎴᎲᏍᎬ ᎦᏓ?\nᎠᏎᏃ ᎥᏝ ᎾᏂᎥ ᎤᏃᎯᏳᏅᎯ ᏱᎩ ᎣᏍᏛ ᎧᏃᎮᏛ. ᎢᏌᏯᏰᏃ ᎯᎠ ᏂᎦᏪᎭ, ᏱᎰᏩ, ᎦᎪ ᎤᏬᎯᏳᏅ ᎣᏥᏃᎮᏍᎬᎢ?\nᎦᏙᏰᏃ ᎤᏚᎩ ᎣᎬᎭ, ᎠᎴ ᎦᏙ ᎣᏍᏛ ᏱᎦᏓᏅᏓᏗᎭ, ᎠᎴ ᎦᏙ ᎤᏍᏗ ᎠᎵᏍᏚᎶ ᏯᎦᎵᎮᎵᏍᏙᏗ? ᏝᏍᎪ ᏂᎯ ᏱᎨᏎᏍᏗ ᎠᎦᏔᎲ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎾᎯᏳ ᎦᎷᏨᎭ?\nᎠᏎᏃ ᎠᏏᏴᏫ ᎤᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎩᎾᎵᎢ, ᎥᏝ ᎤᏣᏘᏂ ᏱᏂᎬᏴᏁᎭ. ᏝᏍᎪ ᎣᏏ ᏱᏣᏰᎸᏁ ᎠᎩᏏ ᏧᎬᏩᎶᏗ ᎬᏯᎫᏴᎡᏗᏱ?\nᏚᎾᏁᎶᏥᏁᎴᏃ ᎤᎾᎵᎪᎯ ᏐᎢᏱ ᏥᏳᎯ ᎤᎾᏣᎢ ᏅᏓᎬᏩᏂᏍᏕᎸᎲᏍᏗᏱ. ᎤᏂᎷᏤᏃ, ᎠᎴ ᎢᏧᎳ ᏥᏳ ᏚᏂᎧᎵᎴᎢ, ᎾᏍᎩᏃ ᎿᏉ ᏕᎦᏃᏴᎨᎢ.\n“ᎨᏍᏗ ᎬᏕᏘᏱᎩ.\nᎠᏯᏦᎯ ᏭᎳᎩᏎ ᏣᏄᏏ ᏃᎴ ᎠᎵ ᎤᎴᏴᏒ ᎤᏅᎦᎸᎮᎢ ᎠᏴᏤᏂ ᎣᏁ ᎢᏣ.\nᎨᏍᏗ ᏯᏓᏁᏝᏍᎨ ᎠᎵᏍᏔᏴᏗ ᎠᏙ.\nᎤᏍᎦᏃᎵ ᎤᏰᎸᏎ ᏓᏆᎴᎳ ᎡᎶᏗ ᏏᏆ ᎠᏍᏚᏗ ᎢᏳᏓᏅᎯᏓ.\nᎠᏎᏃ ᎨᏍᏗ ᎭᏂ ᏍᎩᎾᎾ ᏱᏂᏓᎦᎵᏍᏔᏂ.\n“ᏎᎦᏃ ᎤᏍᏆᏂᎪᏔᏁᎢ, ᏃᏗ ᎤᏍᏆᎸᎭ, ᎤᏩᏯᎨᎢ.”\nᎠᏴ ᏉᎳ ᎠᏋᏒ ᎠᏉᏰᏂ ᎬᏗᎭ ᏫᏨᏲᎵᎭ. ᎢᏣᏅᏖᏍᏗ ᎥᏆᎸᎥᎢ. ᎬᏩᎦᏘᏯ ᎠᏓᏙᎵᏍᏗ ᎨᏒ ᎢᏤᎳᏗᏙᎮᏍᏗ. ᎡᎺᏅ.\n”ᎨᎵᎠ ᎪᎱᏍᏗ ᎦᎵᏍᏗ ᎢᎯ ᏣᏤᎵ ᏏᏆ.\n“ᎭᏓᏅᎦᎳ ᏃᎴ ᎭᎵᏍᏔᏴᎲᎦ ᏑᎾᎴ ᎠᎵᏍᏔᏴᏗ, ᎡᎳᏆᏗ!” ᎤᏛᏁ ᎤᏤ.\nᏚᏅᏎᏃ ᎢᎬᏱ ᎠᏁᎩ; ᎤᏁᏅᏎᏃ, ᎠᎴ ᏌᎺᎵ ᎠᏁᎯ ᎤᏂᏚᎲ ᏭᏂᏴᎴᎢ, ᎾᏍᎩ ᎬᏩᏛᏅᎢᏍᏓᏁᏗᏱ.\nᎬᏂᏳᏉ ᏥᏙᎦ ᎦᎶᎯᏍᏗᏱ ᎠᎴ ᎬᏂᎭ; ᎩᎶ ᎠᏛᎩᏍᎨᏍᏗ ᏥᏁᎬ ᎠᎴ ᎠᏍᏚᎢᏍᎩᏍᏗ ᎦᎶᎯᏍᏗᏱ, ᏓᏥᏴᎵ ᎠᏯᎥᎢ, ᎠᎴ ᏓᎦᎵᏍᏓᏴᏂ ᎠᎵᏍᏓᏴᎲᏍᎬᎢ, ᎠᎴ ᎾᏍᎩ ᏛᎵᏍᏓᏴᏂ ᎦᎵᏍᏓᏴᎲᏍᎬᎢ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎤᎵᏍᏈᏗ ᏅᎩᏎ ᎤᎾᎵᏍᏓᏴᏃᏅ, ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᎤᎵᏍᏈᏗ ᎢᏤ ᎧᏃᎮᏛ ᏧᏠᎯᏍᏛᎢ ᎠᏴ ᎠᎩᎩᎬᎯ, ᎾᏍᎩ ᏂᎯ ᎢᏣᏤᏬᏤᎸᎯ ᏥᎩ\nᏥᏌᏃ ᏓᏳᎾᏄᎪᏨᎩ, ᎤᎵᏍᏚᎸᎩ ᎠᎵᏍᏚᎶ ᏧᏣᏲᏍᏗ ᎪᏢᏔᏅᎯ, ᎠᎴ ᎤᏄᏮᎩ ᎩᎦᎨ ᎠᏄᏬ. ᏆᎴᏗᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎬᏂᏳᏉ ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ.\nᎦᏙ ᏗᎦᎵᏍᏙᏗ ᏂᏦᎵᎬᎾ ᏥᎩ, ᎾᏍᎩ ᎯᎠ ᏥᏂᏨᏪᏏ ᏝᏍᎩᏂ ᎦᏚ ᏱᏥᏛᎦ, ᎢᏤᏯᏔᎮᏍᏗ ᎠᎪᏙᏗ ᎠᏂᏆᎵᏏ ᎠᎴ ᎠᏂᏌᏚᏏ ᎤᎾᏤᎵᎦ, ᏥᏨᏲᏏ?\n“ᏏᏲ,” ᎤᏛᎮ ᏩᎭᏯ. \nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᏥᎻ ᎠᎴ ᏣᏂ ᎾᏍᎩ ᎤᏂᎪᎲ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᎣᏏᏉᏍᎪ ᏱᏰᎸᎾ ᏲᎩᏂᏁᏨ ᎠᏥᎸ ᎦᎸᎳᏗ ᏅᏓᏳᎶᎯᏍᏗᏱ ᎠᎴ ᎤᎾᎪᎲᏍᏙᏗᏱ ᎾᏍᎩᏯ ᎢᎳᏯ ᏄᏛᏁᎸᎢ?\nᏧᎵᎢ ᎤᏂᏃᏕᎾ ᏃᎴ ᏌᏌ ᎠᎾᎵᎮᎵᎨ ᎱᎷᏨᎢ.\nᎣᏍᏓ ᎤᏰᎸᎮ ᎠᏤ ᎤᏁᎳᏗᏍᏗ.\nᎤᎾᏓᏍᏕᏓᎵᏴᏓ ᎦᏲᏟᏉ ᎠᏂᎭᏰᎲ ᏚᏯ, ᏎᎷ ᎢᏣ, ᎦᏲᏟ ᎢᏯ ᏃᎴ ᏍᎨᏫ.\nᎠᏓᏅᏙᏰᏃ ᎤᏩᏒ ᏓᎵᎪᏁᎭ ᏗᎦᏓᏅᏙ ᎬᏂᎨᏒ ᎾᏅᏁᎲ, ᎾᏍᎩ ᎠᏴ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᎨᏒᎢ.\nᏉᎳᏃ ᏭᏯᏅᎲ ᎠᏏᏴᏫ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ, ᎯᎠ ᏄᏪᏒᎩ; ᎯᎠ ᎠᏫᏅ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᏄᏬᎸ ᏫᏯᏘᏅᏍᏓ, ᎪᎱᏍᏗᏰᏃ ᎤᎭ ᎤᏃᏁᏗ.\nᎠᎪᏄᏰᏃ ᎠᎩᏲᏏᏍᎬᎩ, ᎥᏍᎩᏰᎳᏍᏔᏅᏃ; ᎠᎩᏔᏕᎩᏍᎬᎩ, ᎥᏍᎩᎤᏅᏃ; ᏅᎩᎦᏔᎲᎾ ᎨᏒᎩ, ᎥᏍᎩᏴᏔᏅᎩ;\nᎾᏍᎩ ᎠᏥᎩ-ᎨᎶᎯ ᎾᎬᏁᎸ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏇᏓᎵ ᎤᎬᏩᎵ ᎾᏍᎩᏯ ᎾᎬᏁᎸᎾ ᎨᏒᎢ, ᎬᏂᏛᏍᎩᏂ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎤᎵᏂᎬᎬ ᎾᏍᎩᏯᎢ.\nᎤᏩᏝᎥᏃ ᏚᏂᏔᎳᏗᎸ ᏥᏳ, ᏂᎦᏛ ᏚᏂᏲᏐᏁ ᎠᎴ ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᎾᏍᎩᏃ ᎢᏧᎳᎭ ᏧᏂᎦᏐᎠᏒ ᎤᏬᏓᎸ ᎤᎴᏁᎢ. ᎠᎴ ᎤᏂᏣᏘ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎠᎴ ᎤᏂᏧᏈᏍᏗ ᏴᏫ ᏂᎬᎾᏛ ᏧᏗᏱ ᎠᎴ ᏥᎷᏏᎵᎻ ᏅᏓᏳᏂᎶᏒᎯ, ᎠᎴ ᏔᏯ ᎠᎴ ᏌᏙᏂ ᎠᎺᏉᎯ ᎤᏣᏗ ᏅᏓᏳᏂᎶᏒᎯ, ᎾᏍᎩ ᏧᏂᎷᏤ ᎬᏩᏛᎦᏁᏗᏱ, ᎠᎴ ᏗᎨᏥᏅᏬᏗᏱ ᏚᏂᏢᎬᎢ.\nᏫᏨᏲᏪᎳᏏ ᏗᏣᏁᎶᏗ ᎢᏣᏓᏡᎬ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎪᎵᏂᏗᏱ ᏥᏣᏓᏡᎦ, ᎾᏍᎩ ᎢᏥᏍᎦᎾ ᏂᎨᏒᎾ ᎢᏰᏨᏁᎸᎯ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ, ᎡᏥᏯᏅᏛ ᎢᏣᏓᏅᏘ, ᎠᎴ ᎾᏂᎥ ᏂᎦᎥ ᏕᎨᏌᏗᏒ ᏥᏌ ᎦᎶᏁᏛ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏚᏙᎥ ᎠᏂᏁᎢᏍᏗᏍᎩ, ᎾᏍᎩ ᎢᏧᎳᏉ ᎾᏍᎩ ᎤᎾᏤᎵᎦ ᎠᎴ ᎠᏴ ᎢᎦᏤᎵᎦ;\nᎾᏍᎩᏃ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᎾᏍᏉ ᎠᏴ ᎾᏆᎵᏍᏓᏁᎵᏕᎬ ᎠᎴ ᎾᏆᏛᎿᏕᎬᎢ, ᏗᎩᎦ, ᎣᏥᎨᏳᎢ ᎣᏣᎵᏅᏟ ᎠᎴ ᎣᏍᏛ ᎢᏯᏛᏁᎯ ᏧᎸᏫᏍᏓᏁᎯ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎤᎬᏩᎵ, ᎬᏂᎨᏒ ᏅᏓᏨᏁᎵ ᏄᏓᎴᏒ ᎪᎱᏍᏗ;\nᎨᏍᏗ ᏳᏬᎯᏳᎮ ᏄᏍᏛᏉ ᏄᎵᏍᏔᏁᎲ ᎤᏂᏴ ᏣᏄᏏ ᏃᎴ ᎠᏎ ᎤᏗᏔᏍᏗ ᏅᏬᏘ ᏥᏄᏩᏁᎮ.\nᎥᏝ ᎪᎱᏍᏗ ᎠᏋᏒ ᏰᎵ ᏱᏙᎬᎩᎸᏫᏍᏓᏏ; ᎦᏛᎩᏍᎬ ᎾᏍᎩᏯ ᏕᎫᎪᏗᏍᎪᎢ, ᎠᎴ ᏓᏉᎪᏔᏅ ᏚᏳᎪᏛ ᎨᏐᎢ; ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎾᎩᏲᎲᎾ ᎨᏒ ᎠᏋᏒ ᎦᏓᏅᏖᏍᎬᎢ, ᎠᎩᏲᎲᏍᎩᏂ ᎠᏓᏅᏖᏍᎬ ᎡᏙᏓ ᎾᏍᎩ ᏅᏛᎩᏅᏏᏛ.\nᎾᏂᎥ ᎩᎶ ᎾᏍᎩᏯ ᏄᏍᏛ ᎠᎾᏓᏅᏖᏍᎬ ᏧᏂᎾᏫᏱ [ᎠᏂᎲᏍᎨᏍᏗ;] ᎥᏝᏍᏗ ᏝᏉ ᎤᏂᏰᎸᎯ, ᎥᏝ ᎠᎴ ᎠᏎ ᎤᏂᏗᏱ ᏥᏂᎨᎬᏁᎰ ᎢᏳᏍᏗ; ᎤᏁᎳᏅᎯᏰᏃ ᎤᎨᏳᎭ ᎤᎦᎵᏍᏗ ᎤᏓᏁᏘ ᎠᎲᏍᎩ.\nᏤᏪᏥᏃ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᏙᏓᎦᏥᎢᏍᏔᏂ; ᏂᎦᏗᏳᏃ ᏓᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒ ᎠᏂᎦᏔᎮᏍᏗ ᎾᏍᎩ ᎠᏴ ᏗᏥᎪᎵᏰᏍᎩ ᎨᏒ ᎤᏕᎵᏛ ᎨᏒ ᎠᎴ ᏧᏂᎾᏫ; ᎠᎴ ᏓᏨᏁᎵ ᏂᏥᎥ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᎾᏍᎩᏯ ᏄᏍᏛ ᏕᏥᎸᏫᏍᏓᏁᎸᎢ.\n“ᎠᎳᏑᎶ ᎠᎩ?” ᎤᎾᏛᏁ ᎠᏂᏐ.\nᎠᎴ ᎤᏂᎪᎲ ᎤᏣᏘ ᎤᎾᏰᎯᏍᏗᏳ ᎨᏒ ᎾᏍᎩ ᎢᏳᏍᏗ ᎼᏏ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏣᏘ ᏥᎾᏰᏍᎦ ᎠᎴ ᎠᎩᎾᏫᎭ.\nᏧᎾᏙᎴᏆᏍᏗ ᏭᏂᎷᏣ ᎦᏳᎳ ᏄᏬᎡ ᎤᏤᎵ ᎦᎾᏌᎢ. ᏍᎩᎾ ᎤᏬᏚᏨ ᎫᏩᏓᏅᏖᏗ ᎨᏒ ᏚᏬᎡ.\nᎢᏳᏃ ᎦᏅᏓᏓ ᎤᏠᎾᏍᏗ ᏂᎨᏒᎾ ᎪᎯᏳᏗ ᎨᏒ ᏥᏣᏯᎠ, ᎾᏍᎩ ᎢᎬᏱ ᏧᏯᎢ ᏣᎵᏏ ᎶᏏ ᎠᎴ ᏣᏂ ᏳᏂᏏ, ᎠᎴ ᏄᏜᏏᏛᏒᎾ ᎠᎩᏰᎸᎭ ᏂᎯ ᎾᏍᏉ ᏣᏯᎥᎢ.\nᎤᏕᏘᏴᏌᏗᏒ ᏱᎨᎬᏬᎥᏗᏍᎬᎾ ᏥᎨᏒ, ᎠᏯ ᏃᎴ ᏲᎾ ᏍᎪᎯ ᎢᏯᎦᏴᎵ ᎢᏰᏆ ᏙᎩᏂᏂᏴᎲ.\nᏣᏄᏏ! \nᏣᎬᏫᏳᎯ ᎡᎩᎵᏈ, ᏕᎰᎯᏳᎲᏍᎦᏍᎪ ᎠᎾᏙᎴᎰᏍᎩ? ᏥᎦᏔᎭ ᏕᎰᎯᏳᎲᏍᎬᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎠᎱᎵ ᎤᎵᏍᏚᎢᏎᎢ, ᎦᏃᎪᏃ ᎤᏕᎵᏌᏕᏎᎢ, ᎠᎴ ᎤᏬᏂᏎ ᎤᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ.\nᎠᎴ ᏴᏫ ᎾᏍᎩᏯ ᏄᏍᏛ ᎨᏎᎢ, ᎤᏩᏒ ᎾᏥᎸᏉᏛᎾ ᏄᏓᏛᏁᎴᎢ, ᎠᎴ ᎤᏬᎯᏳᎯᏍᏛ ᏄᎵᏍᏔᏁ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎬᏗᏍᎩ, ᎾᏍᎩ ᏓᏓᎿᏩᏍᏛ ᎠᏲᎱᎯᏍᏙᏗ ᎨᏒᎢ.\nᎠᏎᏃ ᏉᎳ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎬᏂᎨᏒ ᏕᎪᎩᏂᎵᎥᏂᎸ ᏧᏚᎪᏔᏅᎯ ᏂᎨᏒᎾ ᎣᎩᏂᏍᎦᏅᏨᎢ, ᎣᏍᏗᎶᎻ, ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᏕᎪᎩᏂᏴᏔᏅ, ᏥᎪᏃ ᎿᏉ ᎤᏕᎵᏛ ᎢᎪᎩᏂᏄᎪᏫᏍᎦ? ᎤᏙᎯᏳᎯ ᎥᏝ, ᎤᏅᏒᏍᎩᏂ ᏩᏂᎷᎩ ᏫᎪᎩᏂᏄᎪᏩ.\n“ᎦᏙᏃ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᏂᎯᏍᎩᏂ ᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏦᏪᎵᏍᎩ ᎠᎴ ᎢᏥᏆᎵᏏ ᎢᏣᏠᎾᏍᏗ! ᏕᏥᏍᏚᏁᎰᏰᏃ ᏴᏫ ᎦᎸᎳᏗ ᎤᏤᎵᎪᎯ; ᎥᏝᏰᏃ ᎢᏨᏒ ᏱᏥᏴᎯᎰᎢ, ᎠᎴ ᎥᏝ ᎤᎾᏁᎳᎩ ᏩᏂᏴᎭ ᏱᏗᏤᎵᏎᎰ ᏩᏂᏴᎯᎯ.\nᎾᎿᏃ ᏫᎤᏪᏅ ᎤᏍᏗᎩᏛ, ᏚᎪᎮ ᏥᎻ, ᏤᏈᏗ ᎤᏪᏥ, ᏣᏂᏃ ᎾᏍᎩ ᏗᎾᏓᏅᏟ, ᎾᏍᎩᏃ ᎾᏍᏉ ᎤᎾᏣᎡ ᏥᏳᎯ ᏓᏃᏢᎯᏏᏍᎨ ᏧᏂᎦᏯᎷᏗ.\nᏍᏓᎵᎪᏒᎾᎲ Ꮭ ᏱᏛᏣᏂ? ᏥᏲᏎᎸ.\nᎠᏯ ᎠᏇᏅᏒ.\n”ᏱᏓᏆᏓᏟᏴᎭ, ᎦᏓᎭ ᏱᎾᏆᎵᏍᏔ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎠᎴ ᎾᎿ ᎠᏂᏲᎯᎮᏍᏗ ᏧᎾᏓᎴᏅᏛ ᎠᏴ ᎤᎾᏤᎵ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᏣᏓᎴᏅᏛ ᏗᎦᎸᏉᏗ.\n“ᎭᏩ, ᎦᏓᎭᏗ ᏃᎴ ᎠᏎ ᏛᏓᏅᎦᎸᎯ.”\nᎦᏙᏃ? ᏥᎪ ᏂᏨᎨᏳᏒᎾ ᎨᏒ ᎢᏳᏍᏗ? ᎤᏁᎳᏅᎯ ᎠᎠᏔᎭ.\nᏐᎣᏁᎳᏃ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎨᏎᎢ, ᎠᎴ ᎬᏩᏛᏁᎢ.\nᏂᎯ ᎠᎹ ᎡᎶᎯ ᎤᏤᎵᎦ; ᎢᏳᏍᎩᏂ ᎠᎹ ᏳᏥᏍᎪᎸ ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎠᎹ ᏯᏙᏢᎾ; ᎥᏝ ᎿᏉ ᎪᎱᏍᏗ ᎬᏙᏗ ᏱᎦᎩ, ᎠᏗᏅᏗᏉ ᎤᏩᏒ, ᎠᎴ ᏴᏫᏉ ᎤᎾᎳᏍᏓᎡᏗ.\nᏂᏥᎦᏔᎲᎾᏃ ᎢᏳᎵᏍᏙᏗ ᎨᏒ ᏑᎾᎴᎢ; ᏕᏨᏅᏰᏃ ᎦᏙ ᎤᏍᏗ? ᎤᎬᏎᏛᏉ ᎾᏍᎩᏯᎢ ᎾᏍᎩ ᏞᎦ ᏥᏚᎾᏄᎪᎪᎢ ᎿᏉᏃ ᏣᎵᏛᏗᏍᎪᎢ.\nᏦᎳ ᎠᏂᏝᏍᎬ ᎦᏅᏃᏩ, ᎾᏍᎩᏯ ᎨᏛᏍᏗ ᏧᎧᎵᎢᎰ.\nᎿᏉᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ, ᎦᏙ ᎤᎵᏍᏙᏔᏁ ᏘᎦᏙᎵ ᏚᎵᏍᏚᎢᏎᎢ?\nᎤᏤᎵᎦᏰᏃ ᏥᏓᏕᏲᎲᏍᎪ ᎢᏳᏍᏗ ᎨᏎᎢ, ᎥᏝᏃ ᏗᏃᏪᎵᏍᎩᏉ ᏥᏓᎾᏕᏲᎲᏍᎪ ᎢᏳᏍᏗ ᏱᎨᏎᎢ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᏧᏓᏅᎦᎸᏛ ᏧᏂᎾᏫ, ᎤᏁᎳᏅᎯᏰᏃ ᎤᏂᎪᏩᏛᏗ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏴ ᎢᏗᎾᏰᏍᎨᏍᏗ ᎾᏍᎩ ᏒᎩᏚᎢᏍᏓᏁᎸ ᎾᎩᏴᏍᏗᏱ ᏥᎩ ᎤᏤᎵ ᎠᏣᏪᏐᎸᏍᏙᏗᏱ, ᎾᏍᎩ ᎬᏂᎨᏒ ᏱᏅᎦᎵᏍᏓ ᏂᎯ ᎩᎶ ᎡᏍᎦ ᎢᏦᎭᏒᎢ.\nᏦᏩᏃ ᎠᎴ ᎠᏲᎵ ᎤᏥ ᎠᏂᏍᏆᏂᎪᏍᎨ ᏄᏍᏛ ᎠᏥᏁᎢᏍᏗᏍᎬ ᎾᏍᎩ.\nᏲᎾ ᎤᏤᏍᏙ ᏭᎩᎶᏫᏎ ᎧᏁᏌᎢ ᎦᏚᎢᏣ ᎤᏩᏁᎢ.\nᎠᎴ ᎾᏍᎩ ᎨᏥᏁᎸᎩ ᎾᏍᎩ ᏧᏂᎯᏍᏗᏱ ᏂᎨᏒᎾ ᎨᏒᎢ, ᏧᏂᎩᎸᏗᏉᏍᎩᏂ ᎯᏍᎩ ᎢᏯᏅᏙ; ᎤᎾᏓᎩᎸᏗᏃ ᎨᏒ ᎦᏙᎬ ᎠᏓᏨᏯᏍᏗᏍᎩ ᎤᎾᏓᎩᎸᏗ ᎨᏒ ᎾᏍᎩᏯ ᎨᏒᎩ ᏴᎾ ᎿᏉ ᎤᏪᏨᏯ.\n”ᎧᎪᏃ ᏂᎦᏓ?” ᎤᏛᏛᏁ ᎡᎶᏗ.\nᎠᏎᏃ ᏫᎬᏩᎪᎲ ᎥᏓᎵ ᎦᏚᎢ ᎠᎢᏒᎢ, ᎤᏤᎸᏅᎯ ᎤᏁᎵᏎᎢ, ᎠᎴ ᎤᏁᎷᏁᎢ.\nᎢᏳᏍᎩᏂ ᎩᎶ ᎦᎶᏁᏛ ᎠᏍᏓᏩᏗᏙᎯ ᎨᏒ ᎤᏍᏛᏗᏍᎨᏍᏗ ᎠᎩᎵᏲᎨᏍᏗ, ᏞᏍᏗ ᏯᏕᎰᏍᎨᏍᏗ, ᏫᎦᎸᏉᏓᏉᏍᎩᏂ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᏫᏂᎦᎵᏍᏙᏓ.\nᎾᏍᎩ ᎯᎠ ᏥᏄᏂᏪᏒᎩ, ᎤᎵᏍᏆᎸᏗ ᎨᏎᏍᏗ ᎠᏁᎮᏍᏗ ᎠᏂᏐᏢᎢᏍᏗᏍᎩ, ᎾᏍᎩ ᎤᏅᏒ ᎤᎾᏚᎸᏅᎥᏍᎬ ᏂᏚᏳᎪᏛᎾ ᎠᏂᏍᏓᏩᏕᎩ.\nᎾᏍᎩᏰᏃ Ꮎ ᎤᏩᏒ ᎤᏇᏓᎵ ᎠᏫᏍᎨᏍᏗ, ᎾᏍᎩ ᎤᏇᏓᎵ ᎤᎾᏄᎪᏫᏒᎯ ᎠᏲᎩ ᎦᏟᏏᏍᎨᏍᏗ; ᎾᏍᎩᏍᎩᏂ Ꮎ ᎠᏓᏅᏙᎩᎯ ᎠᏫᏍᎨᏍᏗ, ᎾᏍᎩ ᎠᎦᏅᏙ ᎤᎾᏄᎪᏫᏒᎯ ᎬᏂᏛ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎦᏟᏏᏍᎨᏍᏗ.\nᏃᏉ ᏴᏫ ᏚᏂᏯᏪᎦ ᎠᏂᎪᎵᏰᏍᎬ “ᎤᏍᏆᏂᎩᏗ ᏏᏆ!’\nᎢᏳ ᎠᎴ ᎩᎶ ᏳᏬᎯᏳᎭ ᎪᎱᏍᏗ ᎠᎦᏔᎲᎢ, ᎥᏝ ᎪᎱᏍᏗᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᏏ ᎤᎦᏙᎥᏒᎯ ᏱᎩ.\nᏒᎦᎾᏲᎪ!” \nᏆᎦᎹᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏗᎧᎿᏩᏗᏙᎯ ᏫᏲᏪᎳᏏ, ᎯᎠ ᎾᏍᎩ ᏫᏂᏪᏏ ᎠᏗᎭ ᎾᏍᎩ Ꮎ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎢᏧᎳᏗᏢ ᏗᎪᏍᏓᏯ ᏥᎦᏁᎭ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᏂᎪᎲ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎾᏞᎬᏉ ᎬᏴᎯ ᏒᎦᏔ-ᎢᏳᏍᏗ ᏡᎬᎢ!\nᎠᎴ ᎩᎶ ᎢᏳᏍᏗ ᎠᎨᏴ ᎡᏂᏧᏙᎢᏛ ᎠᏙᎴᎰᏍᎩ ᎡᎮᎢ, ᎾᏍᎩ ᏆᏄᎡᎵ ᎤᏪᏥ ᎨᏎᎢ, ᎡᏌ ᎠᏂᎳᏍᏓᎸ ᎤᏠᏱ, ᎾᏍᎩ ᎤᏣᏘ ᎠᎦᏴᎵᎨ ᎨᏎᎢ, ᎠᎴ ᎦᎵᏉᎩ ᎢᎫᏕᏘᏴᏛ ᎤᎾᏁᎳᏛᎯ ᎨᏎ ᎠᏍᎦᏯ ᎠᏛᏉ ᎨᏒ ᏧᎾᏨᏛ;\nᏗᏣᏓᏍᏆᏂᎪᏗᏳ ᎨᏎᏍᏗ ᎪᎱᏍᏗ ᏂᏗᏣᏓᏕᎵᏎᎲᎾ.\nᎢᏳᏍᎩᏂ ᎾᏍᎩ Ꮎ ᎠᏥᏅᏏᏓᏍᏗ ᎯᎠ ᏂᎦᏪᏒ ᎤᎾᏫᏱ, ᎠᎩᏅᏏᏙᎯ ᎪᎯᏗᎭ ᎤᎷᎯᏍᏗᏱ; ᎠᎴ ᎠᎴᏅᎲᎭ ᏙᎦᎵᎥᏂᎮᏍᏗ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎨᏥᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᎵᏍᏓᏴᎲᏍᎨᏍᏗ ᎠᎴ ᎠᏗᏔᏍᎨᏍᏗ, ᎠᎴ ᎤᏴᏍᏕᏍᎨᏍᏗ;\nᎠᎴ ᎩᎶ ᎦᏌᎾᎵ ᎤᎩᎴᏍᏗ, ᏞᏍᏗ ᏴᏗᏠᎠᏍᎨᏍᏗ ᎠᏓᏁᎸ ᏫᏯᏴᎯᎮᏍᏗ, ᎠᎴ ᏞᏍᏗ ᎾᎿ ᏫᏯᏴᎯᎮᏍᏗ ᏭᎩᏍᏗᏱ ᎪᎱᏍᏗ ᎤᎿᎥ ᎦᏁᎸᎢ.\nᎠᏍᎩᏗᏍᎨ ᎠᏂᏍᎦᏯ ᎠᏂᎷᎬᎢ ᎠᏰᎳᏍᏗ ᏃᎴ ᎦᎶᏇ ᏗᏂᏁ.\nᎠᎴ ᏄᎪᎸᎾ ᎾᎬᏁᎸ, ᎾᏍᎩ ᎠᏩᏘᏍᎩ ᏄᎵᏍᏔᏁ ᏫᎾᏍᏛᎾ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎾᏂᎥ ᎬᏬᎯᏳᎲᏍᎩ;\nᎿᏉᏃ ᎡᎩᎵᏈ ᎯᎠ ᏄᏪᏎᎸᎩ ᏉᎳ; ᏨᏒ ᎭᎵᏍᏕᎵᏍᎬ ᎨᏣᏁᎢᏍᏗ ᏂᎦᎵᏍᏓ. ᎿᏉᏃ ᏉᎳ ᎤᏙᏯᏅᎯᏛ ᎤᏩᏒ ᎠᎵᏍᏕᎵᏍᎬ ᎤᏬᏂᏒᎩ, ᎯᎠ ᏄᏪᏒᎩ;\nᎧᏃᎯᏰᏃ ᏗᎵᏍᏓᏴᏗᏱ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ ᎤᏍᏆᎸᎯᏕᎾ ᎨᏒᎩ.\n“ᎤᏅᏌ ᏩᏁᎾ ᏗᏂᏲᏟ,” ᎤᏛᏁ ᎡᎶᏗ.\nᎤᏂᏁᏨᏃ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎭᏢ, ᏣᎬᏫᏳᎯ? ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎢᎸᎯᏢ ᎪᎱᏍᏗ ᎤᎵᏬᏨᎯ ᏥᎦᏃᎢ, ᎾᎿ ᎠᏬᎭᎵ ᎠᎾᏓᏟᏏᏍᎪᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯ ᎠᏆᏤᎵ ᎤᎵᏍᏈᏗ ᎠᏟᏍᏛ ᏓᏣᏗᏔᎯ, ᎠᎴ ᎠᏴ ᎥᏆᏬᏍᏙᏗ ᎨᏒ ᏙᏓᏰᏣᏬᏍᏔᏂ. ᏥᎦᏘᏏᏍᎩᏂ ᎠᎴ ᏥᎦᏍᎦᏂ ᎩᎶ ᎤᏪᏗᏱ ᎥᏝ ᎠᏴ ᎠᏆᏓᏁᏗ ᏱᎩ, ᎨᏥᏁᏗᏍᎩᏂᏃᏅ ᎨᏎᏍᏗ ᎾᏍᎩ ᎡᏙᏓ ᏧᏓᏁᎳᏁᎸᎯ.\nᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎦᏙᏃ, ᎦᏙ ᎤᏛᏁᎸ ᎤᏍᎦᏅᏨ? ᎠᏎᏃ ᎤᏟᏉ ᏂᎦᎡ ᎤᏁᎷᏁᎢ, ᏩᎦᏛᎥᎦ, ᎠᎾᏗᏍᎬᎢ.\nᎠᏎᏉ ᎫᏩᏲᎴ ᎠᎹᏰᎵ ᎤᎾᏕᏅ ᎠᏂᏳᏩᏁᎦ.\nᎠᎵᏣᏙᏂᎰ Worcester ᏧᏙᎩᏓ ᎤᏍᏕᎸᎮ ᏍᏏᏉᏯ ᏗᎦᏁᏟᏰᏍᏗ ᏕᎪᏪᎸ ᎢᎦᏓ ᎾᏍᎩ ᎪᏪᎵ ᏗᎦᎴᏴᏙᏗ ᎡᎵᏊ ᏗᎬᏩᏂᎴᏴᏙᏗ ᎢᎬᏩᎵᏍᏙᏗ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎢᏳᏃ ᏥᎷᏨᎭ ᎬᏗᏍᎩ ᎡᎮᏍᏗ ᏯᏇᎵᏒ, ᎦᏙ ᎾᏍᎩ ᏨᏙᏗ? ᏍᎩᏍᏓᏩᏚᎦᏉ.\nᏔᎵᏁᏃ ᎤᏪᏅᏎᎢ, ᏭᏓᏙᎵᏍᏔᏁᎢ, ᎯᎠ ᏫᏄᏪᏎᎢ; ᎡᏙᏓ,\nᎠᏎᏃ ᏐᎵᎹᏅ ᎤᏁᏍᎨᎴᎢ.\nᏄᏓᎴᏨ ᎤᏓᏅᏛ, ᎤᏍᎦᏃᎵ ᎤᏪᏙᎸ ᎠᏁᏙᎲ, ᏭᏓᏑᏴᏅ ᎤᏟᏂᎩᏛ ᏌᎪᏂᎨ ᏭᎾᏓᏴᎳᏛ ᎦᏚᏏ.\nᎠᎬᏱ ᏙᎩᎾᏦᏒ ᏧᎷᏫᏍᏔᏁᏗ ᎠᏰᎵ ᏧᏂᎳᏫᎢᏍᏗ, ᎢᎦᎦᏘᎭ ᏙᎩᎾᏙᎵᏨ, ᎠᏎᏃ ᎠᎩᏙᏓ ᏄᏕᏘᏴᎲ ᎾᎥᏂᎨ ᎨᏒ Crockett.\nᏃ ᏣᎵ ᎤᎩᏒᏎ ᎤᎵᏍᏙᏗ.\nᎾᏍᎩ ᎢᏦᎯᏳᏒ ᎠᎪᎵᏰᏗ ᎨᏒ ᎤᏟ ᎦᎸᏉᏗᏳ ᎡᏍᎦᏉ ᎠᏕᎸ ᏓᎶᏂᎨ ᎠᎪᎵᏰᏗ ᎨᏒ ᎾᏍᎩ ᎠᏲᎩ ᏥᎩ, ᎾᏍᏉ ᎠᏥᎸ ᎬᏔᏅᎯ ᎠᎪᎵᏰᎥᎯ ᏱᎩ, ᏱᏩᎵᏰᎢᎶᎦ ᎦᎸᏉᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎣᏍᏛ ᎠᏰᎸᏗ ᎨᏒᎢ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, ᏥᏌ ᎦᎶᏁᏛ ᎦᎾᏄᎪᏥᎸ ᎢᏳᎢ.\nᎢᏧᎳ ᏧᏬᏰᏂ ᏗᎬᏘ ᎤᏎᎸ ᏂᎬᎾᏛ ᎦᏙᎯ ᏄᏍᏗᏓᏅ.\nᎾᏋ ᏄᎾᏓᎸ ᎠᏂᏧᏣ, ᏃᎴ ᏚᏙᏪᎸ ᎦᏙ ᎢᏳᏍᏗ ᏄᎵᏍᏔᏅ.\nᎠᏂᏆᎵᏏᏃ ᎤᏂᏄᎪᏨ, ᎩᎳᏉ ᎢᏴᏛ ᏭᎾᎵᏃᎮᎴ ᎡᎶᏛ ᎬᏩᏍᏕᎵᏍᎩ ᎬᏩᏡᏗᏍᎬ, ᎾᏍᎩ ᎢᏳᏅᏁᏗᏱ ᎤᏂᎯᏍᏗᏱ.\nᎤᏍᏗ ᎤᏔᏅ ᎫᎦ ᎤᏩᏛᎮ ᎪᏱᏁᎢ.\nᎩᏂᎨᏒᏃ ᏄᏛᏁᎴ ᏗᎧᎿᏩᏗᏙᎯ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ, ᎤᎵᏂᎪᎯᏍᏗᏍᎨᎢ.\nᎤᏍᏆᏂᎩᏓᏁᎴ ᎣᏍᏓᏓᏤᎵ.\nᎾᎯᏳ ᎤᎾᏨᏓᎵ ᎠᎾᏓᏛᎥᎦ, ᎤᏙᎯᏳ ᎤᏂᎦᎾᏍᏓ, ᏙᏣᏓᎩᏍᎪ ᏃᎴ ᎭᎾᏊ ᏙᏥᏯᎩᏍᎪ.\nᎠᏍᎪᎯᏃ ᎢᏯᏂᏛ ᎤᎾᏛᎦᏅ ᎤᏣᏘ ᎤᏂᏔᎳᏬᏒᎩ ᏚᏂᏂᏆᏘᎸ ᎠᏂᏔᎵ ᏗᎾᏓᏅᏟ.\nᎪᏍᏔᏱ ᎨᏒ ᎤᎧᏛ, ᏧᏍᏗ ᏗᎧᎵᏏᏐᏗ ᏓᎧᎭᏅ, ᏃᎴ ᏗᎪᏍᏔᏱ ᏕᎦᎾᏙᎬ ᎤᏤᏍᏗ ᎢᏳᏍᏗ.\nᎡᏣᏓᏅᏛᎵᎾᏗ ᏂᎦᎥ ᎠᏥᎸᏉᏗᏳ ᎨᏒ ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ, ᎾᏍᎩ ᎠᎦᏴᎵᎨ ᎡᏆᎭᎻ ᎤᏩᏒ ᎠᏍᎪᎯᏁ ᎪᏣᎴᏛ ᎤᏓᏬᏅᏛ ᎠᏰᎲ ᎤᏁᎸᎢ.\nᎠᎩᏰᏗᏒ.\nᎠᎴ ᎤᏄᏪᎩᎯ ᎠᎴ ᎦᎦᎶᎢ ᏧᏙᏍᏙᏗ ᎪᏪᎸᎩ, (ᎯᎠ ᏂᎬᏅᎩ,) ᏄᏂᎬᏫᏳᏕᎩ ᎠᏁᎲ ᏄᎬᏫᏳᏌᏕᎩ, ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎠᏁᎲ ᎤᎬᏫᏳᎯ.\nᎪᏪᎵᏃ ᎤᏍᏗ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏒᎦᎸ ᏩᎩᏁᏒᎩ, ᎠᎴ ᎠᎩᏯᎣᏅᎩ; ᏥᎰᎵᏃ ᎠᏆᏅᏍᎦᎸ ᏩᏚᎵᏏ ᏥᏄᎦᎾᎯ ᏄᎦᎾᏒᎩ; ᎠᎩᏯᎥᏃ ᎠᎩᏍᏉᎵᏱ ᎡᎯᏍᏗᏳ ᏄᏩᏁᎸᎩ.\nᎠᎴ ᎩᎬᎯ ᎬᏅᎯ ᎠᏄᏬ ᎤᏄᏩᎥᎩ; ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎧᏃᎮᏛ ᎠᎪᏎᎭ ᎠᏥᏯᏂᏍᎬᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎬᏂᏳᏉ ᏕᏥᏅᎵ ᎾᎿ ᏗᏤᎲ ᎠᎾᏙᎴᎰᏍᎩ ᎠᎴ ᎠᏂᎦᏔᎿᎢ ᎠᎴ ᏗᏃᏪᎵᏍᎩ; ᎢᎦᏛᏃ ᏙᏓᏥᎵ ᎠᎴ ᏙᏓᏣᏛᏂ ᏓᏓᎿᏩᏍᏛᎢ, ᎢᎦᏛᏃ ᏙᏓᏥᎵᎥᏂᎵ ᏗᏥᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎤᏲ ᏂᏙᏓᏨᏁᎵ ᏕᎦᏚᎿᎥᎢ;\n“ᏄᏂᏍᏆᏂᎩᏗ ᎠᏂᏧᏣ! \nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ, ᏗᏥᎨᏫ ᏗᏣᏓᏘᏂᏙᎯ! ᎯᎠ ᎢᏥᏪᏍᎩ; ᎩᎶ ᎢᎠᏎᎵᏛᏍᎨᏍᏗ ᎢᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᏎᏉᏉ ᎾᏍᎩ; ᎩᎶᏍᎩᏂ ᎢᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᎲᎢ, ᎾᏍᎩ ᎠᏍᏓᏱᏳ ᎤᏚᏓᎳ.\nᏂᏥᎥᎢ ᎢᎦ-ᎦᏘ ᏧᏪᏥ, ᎠᎴ ᎢᎦ ᏧᏪᏥ; ᎥᏝ ᏒᏃᏱ ᎠᎴ ᎤᎵᏏᎬ ᎢᏕᎯ ᏱᎩ.\nᎤᏁᏤᏃ ᏓᏆᎴᎷ ᎤᎴᏫᏍᏙᏗᏱ. ᎿᏉᏃ ᏭᏂᎦᏐᎠᏏᎴ ᎠᎹᏱ ᎢᏧᎳ ᏈᎵᎩ ᎠᎴ ᎠᏳᎾᎦ, ᎾᏍᎩᏃ ᎠᎦᏬᎡᎢ.\nᏕᎭᏓᏅᎡᎮᏍᏗᏍᎩᏂ ᏄᎵᏌᎶᏛᎾ ᎠᎴ ᏅᎦᏔᎲᎾ ᏚᏬᏂᎯᏍᏗ ᎨᏒᎢ, ᎯᎦᏔᎭᏰᏃ ᏗᏘᏲᏍᏗ ᎨᏒ ᏩᎵᏰᎢᎶᎯᎲᎢ.\nᏅᎩᎦᏔᎲᎾ ᎨᏒᎩ, ᎥᏝᏃ ᏱᏍᎩᏴᏔᏁᎢ; ᎠᎩᏰᎸᎭ ᎨᏒᎩ, ᎥᏝᏃ ᏱᏗᏍᎩᏄᏬᎡᎢ; ᎠᎩᏢᎬᎩ, ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᎥᎩᏍᏚᎲᎩ, ᎥᏝᏃ ᏱᏍᎩᏩᏛᎯᎴᎢ.\nᏔᎷᏦ ᏭᎸᏅ ᏫᏚᎵᎪᏔᏅ ᏧᎾᏍᏗᏥ, ᏭᏭᏌᏅ ᏔᎷᏣ ᏣᎵ, ᎠᎴ ᏱᏚᏲᎰᏏ.\nᎬᎨᏳ ᎡᏆ ᎠᏣᏗ. ᏫᏥ ᏩᏓᏬᏣ, ᏫᏥ ᏩᏓᏬᏣ…\nᎠᎴ ᏅᏓᏳᎵᏍᎪᎸᏔᏅᎯ ᏥᏌ ᎦᎶᏁᏛ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎧᏃᎮᏍᎩ, ᎠᎴ ᏗᏓᎴᏅᏗᏍᎩ ᎠᏲᏞᏒ ᏗᎴᎯᏐᏗ ᎨᏒᎢ, ᎠᎴ ᎤᎬᏫᏳᎯ ᎡᎶᎯ ᎠᏁᎯ ᎤᏂᎬᏫᏳᎯ ᎤᎾᏤᎵᎦ. ᎾᏍᎩ ᎢᎩᎨᏳᎯ ᏥᎨᏒᎩ ᎠᎴ ᎤᏩᏒ ᎤᎩᎬ ᎢᎪᏑᎴᏔᏅᎯ ᏞᎩᏅᎦᎸᏛ ᎢᎩᏍᎦᏅᏨᎢ,\nᏦᏈ ᎦᏚᎲ ᎨᏙᎲᎩ ᎦᏓᏙᎵᏍᏗᏍᎬᎩ; ᏩᎦᎵᎰᏃ ᎾᏍᎩᏯ ᎾᏆᎵᏍᏓᏁᎸ ᎠᏆᏁᎳᏫᏎᎸᎩ, ᎠᏖᎵᏙ ᎠᎩᎪᎲᎩ ᎡᎳᏗ ᏅᏓᏳᏍᏗᏗᏒᎩ, ᎡᏆ ᎠᏄᏬ ᎾᏍᎩᏯᎢ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ, ᏅᎩ ᏂᏚᏅᏏᏴ ᏥᏚᏂᏂᏴᏐᎢ; ᎠᎴ ᎠᏴ ᎠᎩᎷᏤᎸᎩ.\nᎤᏂᏁᏨᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸ ᏥᏌ; ᎥᏝ ᏲᏥᎦᏔᎭ. ᎯᎠᏃ\nᎤᎦᏃᏫ ᎨᏎ ᏩᎦ ᏃᎴ ᏐᏈᎵ ᎤᏂᏴᏍᏗ ᎭᏫᏂ ᏯᏂᏯᎠ ᏗᎦᎾᏌᎢ, ᏃᎴ ᎤᏁᏌᏴᏗ ᎨᏐ ᎪᎨ, ᏤᏆ ᏗᏍᏚᏗ ᏗᏍᏚᎩᏓ ᏱᎩ.\nᎤᏕᎵᏛᏰᏃ ᎠᏍᎦᎾ ᎦᏳᎳ ᏚᎸᏫᏍᏓᏁᎭ; ᎪᎯᏍᎩᏂ ᎨᏒ ᎠᏲᏍᏙᏗᏍᎩ ᏥᎩ ᎤᏲᏍᏙᏓᏁᎮᏍᏗ ᎬᏂ ᎠᏥᎧᎲᏒᎭ.\nᎠᎴ ᎾᏍᏉ ᎤᏁᎸ ᏧᏭᎪᏙᏗᏱ, ᏅᏧᎵᏍᏙᏔᏅ ᏴᏫ ᎤᏪᏥ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ, ᏥᏌ ᏚᏪᏐᏨᎩ ᎨᎵᎵ ᎥᏓᎸᎢ, ᎾᏍᎩ ᏓᏈᎵᏯ ᎥᏓᎸ ᏥᏚᏙᎥ.\nᎩᎶᏃ ᏓᏓᏂᎸᎨᏍᏗ ᎠᏙᎴᎰᏍᎩ ᎠᏙᎴᎰᏍᎩ ᎨᏒ ᎤᏗᎦᎵᏍᏙᏗᎨᏍᏗ, ᎠᏙᎴᎰᏍᎩ ᎠᎦᎫᏴᏓᏁᏗ ᎨᏒ ᎾᏍᎩ ᎠᎦᎫᏴᏓᏁᎮᏍᏗ; ᎩᎶᏃ ᏓᏓᏂᎸᎨᏍᏗ ᎤᏓᏅᏘ ᎠᏍᎦᏯ ᎤᏓᏅᏘ ᎨᏒ ᎤᏗᎦᎵᏍᏙ ᏗᏍᎨᏍᏗ, ᎤᏓᏅᏘ ᎠᏍᎦᏯ ᎠᎦᎫᏴᏓᏁᏗ ᎨᏒ ᎾᏍᎩ ᎠᎦᎫᏴᏓᏁᎮᏍᏗ.\nᎠᏎᏃ ᏉᎳ ᎥᏝ ᎣᏏᏳ ᏳᏰᎸᏁ ᎤᎾᏘᏅᏍᏗᏱ, ᎾᏍᎩᏰᏃ ᎤᎾᏓᏓᎴᏓᏁᎴ ᏆᎻᏈᎵᏱ, ᎠᎴ ᎥᏝ ᏳᎾᎵᎪᏁᎴ ᏚᏂᎸᏫᏍᏓᏁᎵᏙᎲᎢ.\nᏕᎹᏍᎦᏃ ᏫᏥᎦᏛᎢ, ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎬᎩᏁᏤᎸᎢ,\nᎠᎴ ᎾᏍᏉ ᎠᏍᎦᏯ ᎥᏝ ᎠᎨᏴ ᏯᎪᏢᎾᏁᎴᎢ, ᎠᎨᏴᏍᎩᏂ ᎠᏍᎦᏯ ᎠᎪᏢᎾᏁᎴᎢ.\nᎢᎾᏛ ᏂᎯ! ᎤᏂᏍᎦᏎᏗ ᎢᎾᏛ ᏧᏁᏥ ᏂᎯ! ᎦᏙᏃ ᏱᎦᎵᏍᏙᏓ ᏰᏣᏗᏫᏏ ᎠᎩᎵᏲᎢᏍᏗ ᏗᎨᏒ ᏨᏍᎩᏃᎢ?\nᎾᏍᎩ ᎩᎶ ᎤᎶᏒᏍᏓᏁᏗᏱ ᎠᎴ ᎤᎶᏄᎮᏗᏱ ᏂᎨᏒᎾ ᎠᎾᎵᏅᏟ ᏥᏂᎦᎥᏉ ᎪᎱᏍᏗ ᎤᎬᏩᎵ; ᎤᎬᏫᏳᎯᏰᏃ ᏗᏞᏤᎯ ᎯᎠ ᎾᏍᎩ ᎾᎦᎥ ᏧᏓᎴᏅᏛ, ᎾᏍᎩ ᎦᏳᎳ ᎢᏨᏃᏁᎸᎯ ᎠᎴ ᎢᏨᏲᎢᏳᏓᏁᎸᎯ ᏥᎩ.\nᏫᏚᎾᎧᎿᏅᏃ ᎤᏂᎪᎮ ᏅᏯ ᎠᎲᏛ ᎨᏒᎢ, ᎤᏣᏘᏰᏃ ᎡᏉᎯᏳ ᎨᏎᎢ.\nᎬᏩᏂᏴᎲᏃ ᎬᏩᎴᎢ, ᎠᎴ ᏖᎸᎳᏗ ᏓᏫᏒ ᏙᏱᏗᏢ ᏫᎬᏩᏓᎢᏅᏎᎢ.\nᏉᎳᏃ ᎤᏯᏅᏒᎯ ᏚᎧᎿᏅ ᏗᏂᎳᏫᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ, ᎪᎯ ᎢᎦ ᎢᏯᏍᏗ, ᎠᏆᏓᏅᏙ ᎠᏆᏎᎮᎲ ᏓᎩᎸᏫᏍᏓᏁᎲᎩ ᏂᎦᎥ ᏚᏳᎪᏛ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\nᏣ ᎪᎯᎢᎪᎯᏛ ᏱᎬᏅᎭᏁᏍᏗ, ᏗᎨᏥᏴᏣᎬ ᎨᏎᏍᏗ, ᏗᏒᎾᏔᏅ ᏓᏂᏯᎩᏍᎨᏍᏗ.\nᎨᏍᏗ ᎪᎰᏍᏗ ᎢᏥᏰᏍᏙᏗ ᏱᎩ.\nᎠᎴ ᏥᎻ, ᎠᎴ ᏏᏆᏏ, ᎠᎴ ᏣᏂ, ᎾᏍᎩ ᏗᎵᎫᏍᏙ ᎨᏥᏰᎸᎢ, ᎤᏂᎪᎲ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎾᏍᎩ ᎥᎩᏁᎸᎢ, ᎠᏂᎦᏘᏏᏗᏢ ᏕᎪᎩᎾᏌᏕᏔᏅᎩ ᎠᏴ ᎠᎴ ᏆᏂᏆ ᎬᏂᎨᏒ ᎢᎬᏁᎯ ᏙᎦᏚᏓᏛᎢ; ᎠᏴᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏗᏁᎲ ᏬᎩᏂᎶᎯᏍᏗᏱ ᎤᎬᏩᎵ, ᎤᏅᏒᏃ ᏗᎨᏥᎤᏍᏕᏎᎴᎯ ᏗᏁᎲᎢ;\nᎠᏙᎴᎰᏍᎩᏍᎩᏂ ᎨᏒ ᎢᏳᏍᏗ, ᎠᎴ ᎠᎦᏔᎯᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏎᎵᏔᏅ ᎤᏁᏤᎸᎢ, ᎠᏰᎵ ᎤᏇᏓᎵ ᎨᏒ ᎤᎾᏄᎪᏫᏍᏗᏱ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎤᏪᏅ ᎤᏪᏗᏱ,\nᏗᎬᎩᎶᏛ ᏧᎧᎭᏲᏛ ᏗᎭᎾᏬ ᏓᎩᎸᏙ ᎠᎶᏁᎥᎢ ᏕᎦᎶᏗ.\nᎥᏝᏰᏃ ᎩᎶ ᎠᏏ ᎢᎸᎯᏳ ᏳᏂᏆᏘᎶ ᎤᏩᏒ ᎤᏇᏓᎸᎢ; ᎨᎶᎰᏍᎩᏂ ᎠᎴ ᎠᏍᏆᏂᎪᏗᏍᎪᎢ, ᎾᏍᎩᏯ ᎤᎬᏫᏳᎯ ᏂᏓᏛᏁᎲ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ;\nᏗᏓᏥᎶᏍᏗᏍᎩ ᏚᏥᎶᏍᏔᏁ ᏫᎵᎻ.\nᎢᏓᏓᏅᏟ ᎠᏙᎴᎰᎯᏍᏙᏗ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᎠᎴ ᎬᏂᏗᏳ ᎨᏒᎢ, ᎠᎾᏙᎴᎰᏍᎩ ᎤᎬᏫᏳᎯ ᏕᎤᏙᏍᏛ ᎤᏂᏁᎢᏍᏔᏅᎯ ᏥᎩ, ᏗᏥᎧᎿᏩᏛᏍᏗ ᎨᏎᏍᏗ.\nᏂᎦᏛᏃ ᏴᏫ ᏫᏚᏯᏅᎲ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏍᎩᏯᏛᏓᏍᏓᏏ ᏂᏥᎥᎢ, ᎠᎴ ᎢᏦᎵᎩ;\nᎤᎧᏛ ᎠᎬᏱᏣ ᏄᏩᏁᎴ ᎤᏬᏯᏅ ᎠᏎᏃ ᎨᏍᏗ ᎪᎰᏍᏗ ᎬᎪᏩᏛᏗ ᏱᎨᏎ.\nᏣᏓᏏᏂᏕᏍᏗ-- -ᏤᏍᏗ ᎲᏅᏤᎸ! \nᎤᏍᎦᎣᏅ ᎨᏎᎢ ᏫᎵᎻ.\nᏅᏩᏓᎴ ᏚᏟᎶᏍᏓᏁᎸᎩ, ᎯᎠ ᏄᏬᏒᎩ; ᎦᎸᎳᏗᎡᎯ ᎤᎬᏫᏳᎯᎨᏒ ᎾᏍᎩᏯᏉ ᎠᎪᏙᏗ, ᎾᏍᎩ ᎠᎨᏴ ᏧᎩᏎ ᎠᎴ ᏧᏑᏴᏁ ᏦᎢ ᎢᏳᏟᎶᏛ ᎢᏒ ᎦᎸᎢ, ᎬᏂ ᏂᎦᏛ ᎤᎪᏐᏅ.\nᎠᎴ ᏝᏍᏗ ᎯᎠ ᏅᏓᏲᏥᏪᏏ ᎢᏤᎵᏒᎩ ᏙᏗᏣᏓᏅᏛᎢ; ᎡᏆᎭᎻ ᎣᎩᏙᏓ; ᎢᏨᏲᏎᏰᏃ ᎤᏁᎳᏅᎯ ᏰᎵᏉ ᎯᎠ ᏅᏯ ᏱᏕᎬᏓ ᏱᏕᎪᏢᎾ ᎡᏆᎭᎻ ᏧᏪᏥ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏗᏥᏌᎳᏛᎦ ᏗᏦᏰᏂ ᎡᎳᏗ ᎢᏧᎵᏍᏔᏅᎯ ᏥᎩ, ᎠᎴ ᏗᏥᏂᎨᏂ ᏗᏩᎾᎦᎳᎢ;\nᏑᎾᎴ ᎣᏏᏉ ᏂᏓᎦᎵᏍᏔᏂ.\nᎠᎴ ᎦᏙᏃ ᎤᎾᏰᎯᏍᏗ ᏂᎦᏛᎿᏕᎦ ᏂᎪᎯᎸᎢ?\nᎠᏎᏃ ᎦᏲᏟ ᎤᏦᏍᏔᏁ, ᎠᏓᎾᏩᏍᏘ. ᏍᎩ ᎠᏧᏍᏛ, ᏃᎴ ᎠᏓᏅᏓᏍᏗᏍᎩ, ᎤᏩᏌ ᏣᏓᎵᏓᏍᏔᏁᎰ ᎢᏳᏍᏗ.\nᎠᏎᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎥᏝ, ᎢᏥᏰᎯᏍᎬᏰᏃ ᎤᏲ, ᏱᏕᏥᎿᏍᏕᏢᏓ ᎾᏍᏉ ᎤᏣᎴᏍᏗ.\n“ᏰᎵ ᎤᏟᏂᎬᏁᎴ ᎣᏍᏓᏓᏤᎵ, ᏃᎴ ᎠᏍᎪᎵ ᎠᏥᎵᎥᏂᎴ ᎠᏣᏗ ᎦᏂᏓᏛ ᎬᏘ, ᏚᏓᎨᏏᏙᎴ ᏚᏏᎳᏛ ᎠᏟᏗ.” \nᏑᎾᎴ ᎤᏃᎴ ᎤᏛᎴᎮ ᎭᏫᏂ.\nᏧᎾᏚᎪᏓᏁᎸᎯ ᎨᏐᎢ ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᏕᎤᏂᏲᏒ ᎢᎬᏱᏱ ᎤᏃᎯᏳᏅᎢ.\n“ᎠᏯ ᎠᏆᏤᎵ ᎨᏎᏍᏗ ᏂᎬᏁᎰᏅ.\nᏑᎾᏙᏓᏆᏍᏗ ᎢᎪᎯᏓ, ᎦᏲᏟ ᎪᏪᎵ ᎬᏂᎨᏒ ᎢᏗᎬᏁ, ᎠᏂᏖᎵᏙ ᏃᎴ ᎤᎬᏫᏳ ᏍᏉ ᏗᏟᏃᎮᏙᏗ.\n“Ꭳ, ᏤᏍᏗ ᏯᎦᏎᏍᏗᏍᎨᏍᏗ ᏂᎦᏛᏁᎲ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᎩᏚᏓ ᏂᎪᎯᎸ ᎠᏎ ᏓᏁᎶᏗᏍᎪ ᎤᎾᏗᎴᎩ ᎨᏒᎢ, ᎢᎦᏛ ᏍᏆᏂᏯ ᎠᎹᏰᎵ ᏧᎦᎾᏮ ᏗᏳᎾᏓᎴᏅᎯ.\nᎡᎳᏗ ᏩᎩᏅᏅ, ᎠᏆᏁᎸᏔᏅ ᎠᎩᏁᏥᏳᏍᏔᏁᏗ ᏥᎪᏩᏘᏍᎬ ᎠᏍᎦᏯ, ᎨᏍᏗᏰᏃ Crockett ᎤᏁᏨ ᏱᎨᏎ ᎤᏃᏪᎳᏅ.\n”ᏫᎵᎻ ᎪᏎᎰ ᏔᎵᏁ ᎠᏇᏥ.\nᎤᏩᏒ ᏚᏓᏘᎿᎥ ᎣᏍᏛ ᏗᎧᎿᏩᏗᏙᎯ, ᏧᏪᏥ ᎬᏬᎯᏳᎯᏳ ᎠᎴ ᎬᏩᎸᏉᏗᏳ ᎢᎬᏁᎯ.\n“ᎩᎳᏈᏴ ᎩᏅᎪᎢ ᏏᏆ ᎤᏴᏍᏗ,” ᎤᏪᎷᏁ ᎪᏱᏁ.\nᎢᏏᎵᏍᎩᏂ ᎤᏂᏍᏓᏩᏛᏛ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏚᏓᎴᏍᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎥᏝ ᏳᏂᏩᏛᎲ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏚᏓᎴᏍᏙᏗ ᎨᏒᎢ.\nᏰᎵ ᎠᎵᎮᎵᎬ ᎠᏴᏫᏯ ᎤᎬᏫᏳ ᎠᏂᏁᎵ ᏧᏂᏒᏍᏗ, ᏃᎴ ᎨᏍᏗ ᏯᎴᏫᏍᏗᏍᎨ ᎧᏃᎮᏍᎬ ᎣᏍᏓᎢᏒ.\nᎤᏂᏲᎯᏍᏔᎾ ᎠᎾᏓᏌᎩᏙᎲ, ᎩᎦ ᎠᏔᏍᎩᏍᎨ ᏃᎴ ᎤᎾᏑᎩᏍᏔᏅ ᎨᏎ, ᎠᏎᏃ ᎨᏍᏗ ᎪᎰᏍᏗ ᎤᎵᏍᏆᎵᏓ ᏱᎨᏎ.\n”ᎲᎦ ᎢᏯᏂ ᏌᏌ ᎠᏂᏓ?\nᎯᎠᏰᏃ ᎾᏍᎩ [ᏗᎧᎿᏩᏛᏍᏗ,] ᏞᏍᏗ ᏣᏓᏲᏁᎸᎩ, ᏞᏍᏗ ᏣᏓᎸᎩ, ᏞᏍᏗ ᏣᏃᏍᎩᏒᎩ, ᏞᏍᏗ ᎦᏰᎪᎩ ᏣᏃᎮᎸᎩ, ᏞᏍᏗ ᎪᎱᏍᏗ ᏱᏣᎬᎥᏍᎨᏍᏗ, ᎠᎴ ᏂᎦᎥ ᏅᏩᏓᎴ ᏗᎧᎿᏩᏛᏍᏗ, ᎯᎠᏉ ᎢᎦᏪᏛ ᏥᎩ ᎾᎿ ᎠᏙᏣᎸᏍᎦ ᎤᏍᏆᎳ ᎧᏁᎢᏍᏗ ᎨᏒᎢ, ᏨᏒ ᏂᏣᏓᎨᏳᏒ ᎾᏍᎩᏯ ᏂᎨᏳᏎᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ.\nᎯᏣᏅᏔ ᏍᎩᎾᎾ ᎢᏴ ᎢᎦ ᏣᏓᏴᎳᏔᏍᎬ “ᎤᏔᎷᎩᏍᎩ ᏓᏏᎳᏛ.\nᎯᎠᏃ ᏄᏪᎡᎴᎢ; ᎠᏇᏥ, ᏂᎪᎯᎸ Ꮙ ᎢᏧᎳᎭ ᎢᏂᏁᎸ , ᎠᎴ ᏣᏤᎵᏉ ᏂᎦᎥ ᎠᎩᎾᎥᎢ.\nᎠᏍᏆᏂᎪᎯᏍᏗ, ᏎᎦ ᎠᎪᎵᏰᏗ ᏃᏉ ᏩᏍᏆᏂᎪᏙᏗ.\n”ᎣᏍᏓ ᎤᏒᎯ, ᏫᎵᎻ!”\nᎥᎴᏃ ᎤᎾᏙᏢᏒ ᎾᏍᎩᏯ ᎨᏒᎩ, ᏐᏈᎵ ᏓᏅᏩ ᎤᏁᏅᏍᏗᏱ ᏥᎨᎦᏛᏅᎢᏍᏙᎢ; ᏚᏄᎵᏍᏚᎸᎩᏃ ᏗᎵᏍᏚᎶ ᎠᏕᎸᏓᎶᏁᎨ ᏗᎪᏢᏔᏅᎯ ᎾᏍᎩᏯᎢ, ᏚᎾᎧᏛᏃ ᏴᏫ ᏚᎾᎧᏛ ᎾᏍᎩᏯ ᎨᏒᎩ.\nᎤᏁᎷᏁᎢ ᏌᏌ.\nᏥᏌᏃ ᎤᏛᎦᏅ ᎯᎠ ᏄᏪᏒᎩ; ᎯᎠ ᎾᏍᎩ ᏧᏢᎦᎥᏝ ᎤᏲᎱᎯᏍᏗ ᏱᎩ, ᎠᏥᎸᏉᏙᏗᏱᏉᏍᎩᏂ ᎤᏁᎳᏅᎯ, ᎾᏍᎩᏃ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎠᏥᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ.\nᎤᏂᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏦᏪᎵᏍᎩ ᎠᎴ ᎢᏥᏆᎵᏏ ᎢᏣᏠᎾᏍᏗ! ᎢᏦᏑᎴᏍᎪᏰᏃ ᎦᏚᎢᏗᏢ ᎤᎵᏍᏈᏗ ᎠᎴ ᎠᏖᎵᏙ, ᎠᏎᏃ ᎠᏫᏂᏗᏢ ᎤᎧᎵᏨᎯ ᎨᏐ ᎠᏎᏉ ᎠᏓᎩᎡᏗ ᎨᏒᎢ ᎠᎴ ᏚᏳᎪᏛ ᏂᎨᏒᎾ.\nX. ᎠᎵᎪᏛᎾ  \nᎤᏓᎷᎸᎢ ᎤᎾᏙᏓᏆᏍᎬ, ᎦᏳᎳ ᏍᎦᏚᎩ ᎢᎬᎾᏕᎾ ᎤᏗᎦᎴᏲᏨ ᎨᏎ.\nᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ ᏧᎷᏫᏍᏔᏁᏗ ᎦᎶᎯᏍᏗ ᎾᎥᏂ ᏬᎩᏂᎷᏣ, ᎤᎵᏍᎩᏃᎳᏛ ᎠᏌᎻᏓ, ᏩᎩᏴᎳ ᎣᎭᏁ ᏭᏴᎸ.\nᎤᎵᎦᎵᏴᎭ ᎠᏙᎯ ᎤᎾᏛᏁᎸᏗ ᎠᏲᏓᏌᎲ ᎢᎬᎾᏕᏅ ᏕᏥᏩᏛᎲ ᎨᏥᎸ ᎠᏂᏧᏣ. ᎤᏍᏗ ᎦᏌᏆᎸ ᎠᏙᎯ.\nᎤᏎᎦᏨᎯᏰᏃ ᎤᏓᏅᏘ ᎠᏍᎦᏯ ᎩᎶ ᏯᏲᎱᎯᏏ; ᏯᏎᎦᎩᏍᎩᏂᏃᏅ ᎣᏍᏛ ᎠᏍᎦᏯ ᎩᎶ ᎬᏩᏲᎱᎯᏎᏗ ᏱᏂᎦᎩ.\nᎤᎦᏔᎲᏎ ᎣᎭᏁ ᎢᏣ, ᎤᎪᎮ ᎬᏂᎨ ᎤᏓᏴᎳᏛ ᎡᎵᏍᏘ ᏲᎾ.\nᎠᏏ ᎢᎦ ᏥᏚᏥᎸᏌᏓᏕᎭ, ᎢᏦᎯᏳᎲᎦ ᎢᎦ ᏚᎸᏌᏛᎢ, ᎾᏍᎩᏃ ᏂᎯ ᎢᎦ ᏚᎸᏌᏛ ᏧᏪᏥ ᎨᏎᏍᏗ. ᎾᏍᎩ ᎯᎠ ᏄᏪᏒᎩ ᏥᏌ, ᎠᎴ ᎤᏓᏅᏒᎩ ᏚᏗᏍᎦᎳᏁᎸᎩ.\nᏥᎦᎵᎰ ᎢᏳᏍᏗ ᏄᏛᏁ.\nᎠᎴ ᏙᏓᏳᎦᎵᏏ, ᎠᎴ ᎤᎾᏠᎾᏍᏗ ᏩᏁᎲ ᏮᏓᏳᏎᎮᎵ; ᎾᎿ ᏓᏂᏴᎨᏍᏗ ᎠᎴ ᏓᏂᎸᏓᎩᏍᎨᏍᏗ ᏓᏂᏄᏙᎬᎢ.\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎠᏙᎴᎰᏍᎩ ᎥᏝ ᎾᏥᎸᏉᏛᎾ ᏱᎨᏐᎢ, ᎤᏤᎵᎪᎯᏍᎩᏂᏃᏅ ᎤᏩᏒ, ᎠᎴ ᏧᏴᏫ ᎠᏁᎲᎢ, ᎠᎴ ᎤᏩᏒ ᎦᏁᎸᎢ.\nᎿᏉᏃ ᎤᏍᏆᏛ ᏂᎦᏛ ᎦᏬᏂᏍᎬ ᎠᎾᏛᎩᏍᎬ ᏴᏫ, ᎨᏐᏂ ᏭᏴᎴᎢ.\nᎠᎴ ᎩᎶ ᎠᏴ ᎠᎩᎪᏩᏘᏍᎩ ᏅᏛᎩᏅᏏᏛ ᎠᎪᏩᏘᏍᎪᎢ.\nᎠᎹᎢᏒᏃ ᏅᏃᎯ, ᎠᎹᏱ ᎤᏂᎷᏤᎢ. ᎠᏳᎾᎦᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎠᏂ ᎠᎹ, ᎦᏙ ᎠᎩᏲᏍᏙᏓᏁ ᎥᏆᏬᏍᏗᏱ?\nᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ--ᎤᏤᎵ ᎤᏁᎳᏅᎯ ᎠᎴ ᎤᏙᏓ, ᎾᏍᎩ ᏂᎪᎯᎸ ᎦᎸᏉᏙᏗ ᏥᎩ, ᎠᎦᏔᎭ ᏂᎦᏥᎪᎥᏍᎬᎾ ᎨᏒᎢ.\nᎿᏉᏃ ᏇᏍᏓ ᏚᎵᏃᎮᏔᏅ ᏗᏂᎳᏫᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᏏᏐᎢᏧ ᏫᎲᏍᏓ? ᏏᏐᎢ ᏖᏏ.\nᎠᎴ ᎶᏗ ᎤᏓᏅᏘ ᏧᏭᏓᎴᏎᎢ, ᎤᏕᏯᏔᏁᎸ ᏄᎾᎵᏏᎾᎯᏍᏛᎾ ᎠᏁᎲ ᎠᏂᏍᏚᎾᎢ.\nᎾᏍᎩ ᏗᎩᎦᏴᎵᎨ ᎥᏝ ᏳᏚᎵᏍᎨ ᎤᏃᎯᏳᏗᏱ, ᎢᏴᏛᏉᏍᎩᏂ ᏄᏅᏁᏔᏁᎢ, ᎠᎴ ᏚᎾᏓᏅᏛ ᎢᏥᏈᏱᏉ ᏫᏂᏚᏅᏁᎢ,\nᎯᎠᏃ ᏁᏍᏗᏪᏎᎸᎭ ᎠᏍᎦᏯ ᎦᏁᎳ, ᏗᏕᏲᎲᏍᎩ ᎯᎠ ᏅᏗᏣᏪᏎᎭ, ᎮᏢ ᎠᏁᏙᎯ ᎤᏂᏴᏍᏗᏱ ᎾᎿ ᎧᏃᎯᏰᎩ ᎢᏧᎳᎭ ᎣᎦᎵᏍᏓᏴᏗᏱ ᎬᏂᏍᏓᏩᏗᏙᎯ?\nᎨᏍᏗ ᎪᎰᏍᏗ ᎤᏐᏱ ᏱᎨᏎ Houston ᏱᎦᏁᎳ ᎤᎬᏫᏳ ᎠᏂᏁᎵ, ᎤᏒ ᎢᏴ ᏱᎦᏬᏂ ᎤᎾᏅᏗ, ᎯᎸᎢᏴ ᏅᏙ ᎧᎸᎬ ᎢᎪᎯᏛ, ᎨᏍᏗ ᎣᏍᏓ ᎦᏢᏍᎩ ᏱᎨᏎ ᎤᎵᏏᎬ, ᎤᎵᏨᏓᏆ ᎦᏬᏂᏍᎨ ᏃᎴ ᎠᏗᏔᏍᎨ ᏃᎴ ᎤᏛᎦᏍᏕ ᎠᏂᏃᎩᏍᏗᏍᎬ ᎧᏃᎩᏍᏗ.\nᎥᎥ, ᎪᎱᏍᏗ. \nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏥᎮᎾ, ᏤᏥ ᎬᏅ. ᎠᎴ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏬᎯᏳᏅᎩ ᏥᏌ ᏄᏪᏎᎸᎢ, ᎠᎴ ᎤᏪᏅᏒᎩ.\nᎢᎦᎦᏛᏍᎩᏂ ᏱᏕᏙᎭ, ᎾᏍᎩᏯ ᎾᏍᎩ ᎢᎦᎦᏛᎢ ᏤᎭ, ᏕᎦᏚᏓᏕᏫᏒ ᎢᎬᏒ ᎨᏒᎢ; ᎠᎴ ᎤᏪᏥ ᏥᏌ ᎦᎶᏁᏛ ᎤᎩᎬ ᎢᎩᏅᎦᎵᎭ ᏂᎦᎥ ᎢᎩᏍᎦᏅᏨᎢ.\nᎠᎴ ᎤᎾᏓᏅᏘᏐᏗᏱ ᎤᏅᏒ ᎤᎾᏚᏓᎴᏍᏗᏱ ᎠᏍᎩᎾ ᎤᏌᏛᎢ, ᎾᏍᎩ ᎫᏴᎩᏅᎯ ᏥᎩ ᎤᏩᏒᏉ ᎠᏓᏅᏖᏍᎬ ᎢᏧᏩᏁᎸᎯ.\n”ᎤᏙᎯᏳᏗ,” ᎤᏛᏁ ᏣᏄᏏ.\nᏐᏉ ᎤᏒᎯ, ᏩᏏᏓᏂ ᎠᏁᎯ ᎢᏳᎾᏛᏁᏗ ᎾᏆᏛᏁᎸ, ᎠᏤᎯ ᏗᎦᎳᏫᎩ Alabama ᏗᎾᏓᏬᏍᎩ ᏗᏁᎲᎢ ᏓᏳᎶᏒᎯ ᎠᏓᎦᏘᏕᎯ ᏥᏯᏘᏅᏒ ᎤᎦᏖᏃᎵᏙᎸ.\nᏑᎾᎴᏃ ᏗᎦᏚᎲ ᏮᎠᎦᏛᎢ ᎠᎪᏄ ᎤᏲᏏᏌᏅᎩ.\n”ᎨᏍᏗᏗ ᎣᏍᏓ ᎠᎫᎷᏤᏗ ᏯᏆᎵᏍᏕᎸᏙᏔᎾ,” ᎤᏛᏁ ᏌᏌ.\nᎾᏍᎩ ᎠᏂᎦᏗᏓ ᎦᎵ ᎠᏂᏴᏫᏯ.\nᎿᏉᏃ ᏅᏯ ᎤᏂᎲᏍᎩ ᎤᏲᎱᏒᎯ ᎦᏅᎢ. ᏥᏌᏃ ᏚᏌᎳᏓᏅᎩ ᏗᎦᏙᎵ, ᎯᎠ ᏄᏪᏒᎩ; ᎡᏙᏓ, ᎬᏯᎵᎡᎵᏤᎭ ᏥᏍᏆᏛᎦᏁᎸ.\n“ᏣᏗᏍᏉ ᎠᏯ,” ᎤᏛᏁ ᏥᏍᏕᏥ, ᏕᎦᏅᏙᎬ ᏕᎦᏅᎦᎵᏍᎨᎢ.\n“ᎪᎱᏍᏗ ᏳᏰᎵᏛᎾ ᏂᎦ ᎾᎾᏛᎦ!”  \nᏫᏕᎦᎦᏂᏍᎬ ᎠᎬᏱ ᏙᎦᏦᏒ ᎤᎬᏫᏳ ᎠᏂᏁᎵ, ᏯᏛᎾ ᎣᏍᏓ, ᏱᏙᎦᏙᎵᏤ.\nᎠᎴ ᎦᏙ ᏯᎲᎦ ᏴᏫ ᏱᎦᏁᏟᏴᏍᏓ ᎤᏓᏅᏙ?\nᎤᏂᏣᏘᏃ ᏴᏫ ᎬᏩᏍᏓᏩᏛᏎᎢ; ᎤᎦᏔᎲᏒᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ,\nᎯᎠᏃ ᏄᏪᏎᎴ ᏥᏌ, ᏣᎬᏫᏳᎯ, ᏍᏆᏅᏓᏛᎭ ᏫᎷᏨᎭ ᏣᏤᎵᎪᎯ.\nᎯᏁᎢᏍᏗ ᎤᏂᏲ ᎠᏂᏴᏩᏁᎦ ᎠᏂᏍᎦᏯ ᏓᏂᏁᎲ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎤᎾᎵᎩᏛ ᏚᏅᏓᏒ ᎤᎾᏗᏍᎦᏟ, ᎠᏎᏃ ᎨᏍᏗ ᏱᏥᎪᏩᏘ ᏍᎩᎾᎾ.\nᏍᏓᏯ ᎢᏥᏟᏅᏨ ᏕᏣᏍᎩᏨ ᏗᏣᎵᎢ.\nᎾᏍᎩ ᏥᏌ ᏚᏙᎥ ᏂᎦᏗᏳ ᏧᎾᎵᏂᏆᏁᏗᏱ ᎾᏍᏉ ᎦᎸᎶᎢ ᎠᏁᎯ, ᎠᎴ ᎡᎶᎯ ᎠᏁᎯ, ᎠᎴ ᎡᎶᎯ ᎭᏫᏂᏗᏢ ᎠᏁᎯ;\nᎾᎯᏳ ᎢᎦ ᎩᎶ ᎦᏌᎾᎵ ᎤᎩᎴᏍᏗ, ᎤᎿᎥᏃ ᎦᎵᏦᏕ ᎠᎮᏍᏗ, ᏞᏍᏗ ᏅᏓᏳᏠᎠᏒᎩ ᎤᏫᏛᏗᏱ; ᎠᎴ ᎩᎶ ᏠᎨᏏᏫᎡᏙᎮᏍᏗ, ᏞᏍᏗ ᎾᏍᏉ ᏅᏓᏳᏨᏒᎩ.\nᎨᏍᏓᏗ ᏂᎦᎾ ᏰᎬᏁ ᎯᎠ ᎠᏂᏣᎳᎩ ᏃᎴ ᏣᎾᏁᎳᏗᏍᎨ ᎠᏂᏔᎵᎭ ᏧᎾᎵᎪᏗ ᎠᎴ ᎤᎵᎢᎦᎢ ᎱᎾᏓᏍᎬᎢ ᎤᏁᏓᏍᏗ.\nᎾᏍᎩ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᏗᎩᏲᎱᏒᎯ ᏥᎨᏒᎩ, ᎢᎬᏂᏛ ᎢᎦᏠᏯᏍᏔᏅ ᎦᎶᏁᏛ ᎠᎬᏂᏛᎢ, (ᎬᏩᎦᏘᏯ ᏅᏓᏙᎵᏍᏗ ᎨᏒ ᎡᏥᏍᏕᎸᏔᏅ;)\nᎿᏉᏃ, ᎠᏴ ᎾᏍᎩ, ᏚᏬᏎᎸ, ᎤᎾᏏᏅᏒᎩ, ᎡᎳᏗ ᏫᏚᏂᏅᏨᎩ.\nᎦᎪ ᎢᏴᏛ ᏅᏓᎬᏁᎵ ᎦᎶᏁᏛ ᎢᎩᎨᏒᎢ? ᏥᏌ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏪᎵᎯᏍᏗ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏲ ᎢᏴᏓᏛᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏓᎪᏄᎶᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏗᎩᏰᎸᎭ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏰᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ?\nᎾᏍᎩᏃ ᎤᏂᏌᎳᏓᏅ, ᏗᎵᏍᏕᎸᏙᏗ ᏚᏅᏔᏅᎩ, ᎤᎾᎸᎸᎩ ᏥᏳ; ᎠᏂᏍᎦᎢᎲᏃ ᎤᏍᏓᎾᎸ ᎤᏂᏃᏠᎯᏍᏗᏱ ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎡᎳᏗ ᏂᏚᏅᏁᎸᎩ ᏓᏰᏙᎳᏛᎢ, ᎤᏂᏄᎯᏒᏉᏃ.\nᏍᎩᎾᎾ ᏄᎾᏛᏁᎴ ᎠᏂᏳᏩᏁᎦ ᎠᏂᏴᏫᏯ ᏄᏍᏛ ᎠᏃᎵᎬ.\nᎾᏍᎩ [ᏥᏌ ᎦᎶᏁᏛ] ᎤᏁᎳᏅᎯ ᎬᏂᎨᏒ ᏥᏄᏩᏁᎸ ᎠᎵᏍᎪᎸᏔᏅᎯ ᎪᎯᏍᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎪᎯᏳᏗᏱ ᎤᎩᎬ; ᏧᎾᏄᎪᏫᏎᏗᏱ ᎾᏍᎩ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎦᏳᎳ ᎠᏍᎦᏅᏨᎯ ᎨᏒ ᎦᎬᏩᏓᏁᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎬᏂᏗᏳ ᎨᏒ ᎢᏳᏩᏂᏌᏅᎯ;\nᏐᏉ ᎤᏒᎯ ᎣᎩᏃᏔᏅ ᏙᏱᏨ ᎤᏪᏘ ᎬᏂᎨ ᎦᏌᏆᎸ.\nᎠᎴ ᎾᏍᎩᏯᏉ ᏥᏌ ᏄᏪᏒ ᎤᏁᏨ ᏂᏚᏂᏪᏎᎴᎢ: ᏚᏂᏲᏎᏃ.\nᎠᏴ ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ. ᎥᏝ ᎤᏁᎳᏅᎯ ᏧᏂᏲᎱᏒᎯ ᎤᎾᏤᎵ ᏘᎩ, ᏗᏅᏃᏛᏉᏍᎩᏂ ᎤᏅᏒ.\nᎠᏃ ᏍᎩᏄᏍᏛ ᎤᏤᏥᏍᏗ, ᏧᏓᏁᏥᏴᏍᏔᏁᏗ ᎤᎾᏓᏁᏛᏗ ᎠᏂᏴᏫ, ᎾᏍᎩᏯ ᎤᏃᎴ ᏥᏓᏌᏙᏱᏍᎪ ᎠᎴ ᎤᏃᎴ ᏥᏕᎦᏂᏏᏂᎩᏍᎪ ᎯᎸ ᎢᏣ.\nᎠᎩᏐᏅᎢᏍᏗᏍᎩ ᎠᎴ ᏗᏓᏂᎸᎩ ᏂᎨᏒᎾ ᏥᏁᎬᎢ ᏧᏬᎪᏓᏁᎯ ᎤᏪᎭ. ᎧᏃᎮᏛ ᎠᎩᏁᏨᎯ ᎾᏍᎩ ᏧᏬᎪᏓᏁᏗ ᎨᏎᏍᏗ ᎤᎵᏍᏆᎸᏗ ᎢᎦ ᎨᏎᏍᏗ.\nᏥᏌᏃ ᏧᎨᏳᎯᏳᎨᏒᎩ ᎹᏗ ᎠᎴ ᎤᎸᎢ ᎠᎴ ᎳᏏᎳ.\nᏓᎩᏯᏪᎢᏍᏗᏍᎪ ᏓᎾᏦᏍᎬ.”\nᎦᎸᎳᏗ ᎠᎩᏗᏱ ᎡᎶᎯᏃ ᏗᏆᎳᏏᏗᏱ. ᎦᏙ ᎤᏍᏕᏍᏗ ᎦᎵᏦᏕ ᏓᏍᎩᏯᏁᏍᎨᎵ? ᎠᏗᎭ ᎤᎬᏫᏳᎯ; ᎠᎴ ᎭᏢ ᎠᏆᎵᏙᎯᏍᏙᏗᏱ;\nᎿᏉᏃ, ᏂᎯ ᎡᏙᏓ, ᏍᎩᎸᏉᏓ ᏨᏒ ᏗᏦᎸᎢ, ᎾᏍᎩᏯ ᎥᎩᎸᏉᏗᏳ ᏥᎨᏒᎩ ᏗᏦᎸ ᎠᏏᏉ ᏂᎬᎾᏛ ᎾᏓᎴᏂᏍᎬᎾ ᏥᎨᏒᎩ.\nᎿᏉᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎦᏙ ᏓᏲᏣᏛᏁᎵ ᏙᏓᏲᎩᎸᏫᏍᏓᏁᎵ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ?\nᏕᏣᎵᏂᎪᏍᎬᎢ ᎬᏔᏅᎯ ᎤᏣᏘ ᎤᎵᏂᎩᏛ ᎨᏒᎢ, ᎾᏍᎩᏯ ᏄᎵᏂᎬᎬ ᎦᎸᏉᏗᏳᎤᏤᎵᎦ, ᎾᏍᎩ ᏂᎦᎥᏉ ᎤᎬᏩᎵ ᏗᏨᏂᏗᎦ, ᎾᏍᎩ ᏂᎦᎥᏉ ᎤᎬᏩᎵ ᏗᏨᏂᏗᏳ ᎢᏣᎴᏍᏙᏗᏱ, ᎠᎴ ᎪᎯᏗᏳ ᎤᏁᎳᎩ ᎢᏤᎵᏍᎬ ᎢᏥᎩᎵᏲᎬᎢ, ᎤᎵᏠᏯᏍᏙᏗᏱ ᎠᎵᎮᎵᏍᏗ ᎨᏒᎢ;\nᎾᎿᏃ ᏫᎣᎩᎧᏙᏴ ᏌᏈ ᎭᏫᏂᏗᏢ ᎣᎩᏅᏍᏔᏅᎩ, ᎦᏃᎸᎥᏍᎬᏰᏃ ᎢᎬᏱᏗᏢ ᏓᏳᎦᏛᎩ.\n“Ꮎ!” ᎤᏛᏁ, ᎤᎵᎮᎵᏍᏗ.\nᏥᏌᏃ ᎤᎷᏨ ᏏᏌᎵᏱ ᏇᎵᎩᏱ, ᏚᏛᏛᏅᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏴ ᏴᏫ ᎤᏪᏥ ᏥᎩ ᎦᎪ ᎬᏉᏎᎰ ᏴᏫ?\nᎤᎵᎮᎵᏍᏗ ᏱᎩ.”\nᎠᏂᏆᎵᏏ ᏚᎾᏘᏃ ᎮᎸ ᎾᏍᎩ ᏗᎨᏫᎢᏳᎵᏍᏔᏅᎯ.\nᏣᏗ ᎧᏅᏂᏍᎩ, ᏍᎩᎾᎾ ᎯᏗᎦᏔᎭ.\nᏂᎦᏓ ᎠᏯ ᏕᎬᏆᎧᎾᏅ.\nᏥᎦᏔᎭ ᏄᏍᏛ ᏕᏣᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᎯᎩᎵᏲᎬᎢ, ᎠᎴ ᎲᏂᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎤᏁᎳᎩ ᏗᎦᎮᎵᏎᏗ ᏂᎨᏒᎾ ᎨᏒ ᎾᏍᎩ Ꮎ ᎤᏂᏲ ᏥᎩ; ᎠᎴ ᏘᎪᎵᏰᎥᎯ ᎢᎩ ᎾᏍᎩ ᎣᎩᏅᏏᏛ ᏣᎾᏗᎭ ᎾᏍᎩᏃ ᏄᏍᏛᎾ ᎨᏒᎢ, ᎠᎴ ᏣᏙᎴᎰᏒ ᎠᏂᏰᎪᎩ ᎨᏒᎢ;\nᎾᏍᎩᏃ ᎯᎠ ᏧᏓᎴᏅᏛ ᎠᎴᏅᎲᎭ ᎾᏍᎩ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ, ᎿᏉ ᎦᎸᎳᏗ ᏫᏗᏣᎧᎾᏅᎭ, ᎠᎴ ᏕᏥᏌᎳᏓᏅᎭ ᏗᏥᏍᎪᎵ; ᎡᏧᏓᎴᏍᏗᏰᏃ ᎨᏒ ᎾᎥᏂᏳ ᏣᎢᏎᏍᏗ.\nᏗᎧᎿᏩᏛᏍᏗᎪᏃ ᏓᏡᏗᎭ ᎤᏁᎳᏅᎯ ᏚᏚᎢᏍᏔᏅᎢ? ᎬᏩᏟᏍᏗ, ᎢᏳᏰᏃ ᏗᎧᎿᏩᏛᏍᏗ ᏴᏫ ᎨᏥᏁᎸᎯ ᏱᎨᏎ, ᎾᏍᎩ ᏰᎵ ᎬᏂᏛ ᎬᏩᏓᏁᏗ ᎨᏒᎢ, ᎤᏙᎯᏳᎯᏯ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎲ ᎠᏚᏓᎴᏍᏗ ᎨᏒ ᏴᏗᏓᎴᎲᏍᎨᎢ.\nᏏ ᏯᏍᏈᏙᎲᏍᎬᎾᏉ ᎦᏬᏂᏍᎬ, ᎦᏟᎮ ᏫᎵᎻ.\nᏑᎾᏙᏓᏆᏍᏗ ᎨᏒ ᏔᎵ ᎠᎹᏟ ᏂᎬᏍᎪᎢ;ᎠᎴ ᏂᎦᎥ ᎠᎩᎾᎥ ᎠᏍᎪᎯᏁ ᎪᏣᎴᏛ ᏥᎥᏍᎪᎢ.\n“Ꭵ, ᏍᎩ ᏄᏍᏗ,” ᎤᏬᎯᏳᏔᏁᎢ ᏌᎳᏓ.\nᎨᎵᎠ ᎦᏲᏟ ᎠᏆᏘᏰᎴ ᏄᎾ ᏗᎦᏓᏫᏔᏅ.”\nᎢᏤᏯᏔᎮᏍᏗ, ᎢᏓᎵᏅᏟ, ᏞᏍᏗᏉ ᏂᎯ ᎩᎶ ᎤᏬᎯᏳᎯᏍᏛ ᏂᎨᏒᎾ ᎤᎾᏫ ᏳᏯᎡᏍᏗ, ᎾᏍᎩ ᎠᏓᏅᏒᎯ ᎬᏂᏛ ᎤᏁᎳᏅᎯ.\nᏌᏩᏂᏃ ᏁᏨ ᎯᎠ ᏄᏪᎡᎢ; ᏂᎯ ᎡᏍᏗᏔᏲᏏ ᎤᎬᏫᏳᎯ ᎠᎩᏙᎵᏍᏗᏱ, ᎾᏍᎩᏃ ᏞᏍᏗ ᏌᏉᎤᏅ ᎯᎠ ᏥᏍᏗᏁᎩ ᏯᎩᎷᏤᎴᏍᏗ.\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏴ ᎾᏍᎩ Ꮎ ᎠᏛᏂᏗᏍᏙᏗ ᎦᏚ. ᎩᎶ ᎠᎩᎷᏤᎮᏍᏗ ᎤᏲᏏᏐᏗ ᏱᎨᏎᏍᏗ, ᎠᎴ ᎩᎶ ᎠᏉᎯᏳᎲᏍᎨᏍᏗ ᎥᏝ ᎤᏔᏕᎪᏗ ᏱᎨᏎᏍᏗ.\nᏏᏅᏓ ᎢᎪᏓ ᏯᏓᏅᏖᎳ, ᎤᏐᏱᏉ ᏗᎫᎪᏙᏗ, ᏄᏦᏍᏛᎾ ᎠᏑᏯᎩᏍᏗ.\nᎢᏥᎦᏔᎮᏍᏗ ᎾᏍᎩ Ꮎ ᏱᏄᏍᏗ ᎩᎶ ᎤᎪᎸᏛ ᎨᏒᎢ, ᎠᎴ ᎤᏍᎦᏅᏨᎢ, ᎤᏩᏒᏉ ᏓᏓᏚᎪᏓᏁᎲᎢ.\nᎠᏆᎦᏌᎴᏍᎩ ᏣᏉ ᎤᎵᎮᎵᏍᏗ ᎢᏯᏛᏁᏗ.\nᎾᏍᎩᏃ ᏂᎦᏛ ᏚᏃᎮᎮᎸ, ᏦᏈ ᏚᏅᏎᎢ.\nᎠᎧᏔᎮᎢ ᎰᎻ ᏗᎩᏏ ᎦᏓᏍᎬᎢ ᎣᏍᏓ ᎠᏛᎯᏍᏙᏗ ᏏᏆ.\n“ᎧᏂᎩᏓ ᏓᏆᏙᎥ,” ᎤᏛᏁ ᎤᏟᏂᎩᏓ ᎤᏬᏂᎯᏍᏗ.\nᏕᎫᎪᏓᏏᏍᎩᏂ ᎤᎬᏫᏳᎯ ᎢᎩᎩᎵᏲᎢᏍᏗᏍᎪ ᎾᏍᎩ ᎡᎶᎯ ᎤᏂᏍᎦᏅᏨ ᏕᎨᎫᎪᏓᏁᎲ ᎢᎦᏠᏯᏍᏙᏗᏱ ᏂᎨᏒᎾ.\nᎢᏥᏍᎦᏯ ᏗᏓᏓᏅᏟ, ᎯᎠ ᎪᏪᎸ ᎠᏎ ᎤᏙᎯᏳᏗ ᎨᏒᎩ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏕᏫ ᎠᎰᎵ ᏧᏩᏔᏁ ᏧᏁᏤ ᏧᏓᏏ ᎠᏥᏃᎮᏍᎬᎢ, ᎾᏍᎩ ᏧᏘᏂᏙᎸᎯ ᏥᏌ ᏥᎬᏩᏂᏱᏍᎬᎩ;\nᎼᏏᏰᏃ ᎧᏃᎮᎭ ᏄᏍᏛ ᎤᏓᏚᏓᎴᏍᏙᏗ ᎨᏒ ᏗᎧᎿᏩᏛᏍᏗ, ᎯᎠ ᏥᏂᎦᏪᎭ, ᎩᎶ ᏴᏫ ᎾᏍᎩ ᎾᏛᏁᎮᏍᏗ ᎬᏂᏛ ᎠᏩᏛᏗᏍᎨᏍᏗ.\nᎤᏃᏴᎬ ᎤᎭᎨᏛ ᏚᏑᎬ ᎭᏫᏂ ᏧᏍᏚᎲᏍᎪ ᏅᏩᏍᏛ, ᏚᏩᏂᎦᏢ ᏚᏓᏢᏍᏛ ᎪᎰᏍᏗ ᏄᏦᏍᏛᎾ ᏫᏂᎦᎵᏍᏗᏍᎬ, ᎾᏍᎩᏯ ᏔᎷᎩᏍᎩ ᏗᎬᏅ ᎠᏰᎵ ᎦᏆᏘ, ᎭᎾ ᎠᏰᎵ ᏄᏛᏁ.\nᎠᏎᏃ ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏗ ᏙᏳ ᏣᏏᎾᏏᏁ ᏃᎴ ᎤᏕᎵᏍᏗ ᏣᏕᎦᏂᏱᏍᎨ ᎩᎶ ᎤᏩᏏᎧ ᎢᏴ ᏰᏙᎭ ᏍᎩᎾ ᏯᏓᎢᏗᏏ ᏓᏰᏠᎮᎢ ᏧᏪᎳ ᏕᎦᎵᎩᎡᎮᎢ ᏃᎴ ᎤᎬᎭᏓ ᎢᏣ ᏣᏗᏍᎦᎳᏍᎨᎢ.\n“ᎠᏤ ᎧᏁᏍᎪ ᎦᏅᎪᎢ,” ᎤᏬᏒᎯᏌᏁᎢ ᎰᎻ.\nᏥᏌᏃ, ᎦᏙᎵᎬ ᎤᏙᏯᏅᎯᏕᎢ, ᎠᎴ ᎤᏒᏂᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎣᏏᏳ ᏥᏰᎸᏅ; ᏣᏓᏅᎦᎸᏛ ᎨᏎᏍᏗ.\nᎦᏙᎨᏃ ᏓᏓᏛᏂ? ᏥᎪ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏍᎦᏂᏉ? ᎬᏩᏟᏍᏗ. ᎥᏝᏍᎩᏂ ᎠᏍᎦᏂ ᏱᎬᎩᎦᏙᎥᏎ ᎥᏝ ᏗᎧᎿᏩᏛᏍᏗ; ᎥᏝᏰᏃ ᏱᎦᏥᎦᏔᎮ ᎤᏲ ᎠᏚᎸᏅᏗ ᎨᏒᎢ, ᎢᏳᏃ ᏗᎧᎿᏩᏛᏍᏗ ᎯᎠ ᏄᏪᏒᎾ ᏱᎨᏎᎢ, ᏞᏍᏗ ᏣᏓᏚᎸᎡᎸᎩ.\nᎾᏍᎦᎢᎲᎾᏃ ᎧᏁᎢᏍᏗᏍᎨ ᏕᎤᏙᎥ ᎤᎬᏫᏳᎯ ᏥᏌ, ᎠᎴ ᎠᏂᎪᎢ ᎤᏂᏬᏂᏍᏗ ᎠᏂᏬᏂᏍᎩ ᎠᎾᏗᏒᎯᎮ ᎠᏂᏭᏂᏍᎬᎢ. ᎠᏎᏃ ᎤᎾᏁᎶᏔᏁ ᎬᏩᎯᏍᏗᏱ.\nᎾᎯᏳᏃ ᏈᏓ ᎤᎴᏁ ᎠᏰᎵ ᎠᏂᏅ ᎠᏃᎯᏳᎲᏍᎩ, ᎾᏍᎩ ᎾᏂᎥ ᏚᎾᏙᎥ ᎠᏍᎪᎯᏧᏈ ᏔᎳᏍᎪᎯ ᎢᏴᏛ ᎨᏎᎢ, ᎯᎠᏃ ᏄᏪᏎᎢ;\nᎾᏍᎩᏃ ᎣᎩᏃᏁᎸᎩ ᎤᎪᎲᎢ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏩᏒ ᎦᏁᎸᎢ ᎾᏍᎩ ᎦᏙᎨ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏦᏈ ᏘᏅᎵ ᎠᏂᏫᏅ, ᎠᎴ ᏫᏯᏅ ᏌᏩᏂ ᏈᏓ ᏧᏙᎢᏛ;\nᏥᏌᏃ ᏔᎵᏁ ᎤᎷᏨᎩ ᎨᏂ ᎦᏚᎲᎢ ᎨᎵᎵᏱ, ᎾᎿ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎠᎹ ᎤᏬᏢᏔᏅᎢ. ᎠᎴ ᎩᎶ ᎢᏳᏍᏗ ᎤᎬᏫᏳᎯ ᎠᏍᏕᎵᏍᎩ ᎡᎲᎩ, ᎾᏍᎩ ᎤᏪᏥ ᎤᏢᎬᎩ ᎨᏆᏂ.\nᎾᏍᎩᏍᎩᏂ Ꮎ ᎦᏳᎳ ᏥᏥᎭ ᏕᏥᏂᏴᏎᏍᏗ ᎬᏂ ᎢᏥᎷᏨᎭ.\nᎢᏳᏃ ᎡᎶᎯ ᎢᏣᎵᎪᎯ ᏱᎨᏎᎢ, ᎡᎶᎯ ᏧᎨᏳᎯᏳ ᏱᎨᏎ ᏧᏤᎵᎦ. ᎠᏎᏃ ᎡᎶᎯ ᎢᏣᎵᎪᎯ ᏂᎨᏒᎾ ᏥᎩ, ᎢᏨᏯᏑᏰᏛᏍᎩᏂ ᎡᎶᎯ ᏥᎩ, ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎡᎶᎯ ᎢᏥᏍᎦᎦ.\nᏅᎦᏍᎪᎯᏃ ᏄᏕᏘᏴᎲ ᏗᎧᎿᏩᏗᏙᎯ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᎢᎾᎨ ᏓᎾᏱ ᎣᏓᎸ ᎤᏪᏲᏓᏛ ᎠᏓᏪᎵᎩᏍᎬᎢ.\nᎾᎥ ᎦᏙᎨ ᎤᏓᎸᏉᏗ ᏓᏓᎧᏁᎢ.\nᎬᎨᏳ.\nᎠᎴ ᏅᏩᏓᎴ ᎤᎵᏂᎩᏛ ᏗᎧᎿᏩᏗᏙᎯ ᎥᏥᎪᎥᎩ ᎦᎸᎳᏗ ᏓᏳᏠᎠᏒᎩ, ᎤᎶᎩᎸ ᎤᏄᏬᏍᏛᎩ; ᎠᎴ ᎠᏍᎪᎵ ᎤᏅᎪᎳᏛᎩ, ᎠᎴ ᎤᎧᏛ ᏅᏙ ᎢᎦ ᎡᎯ ᎾᏍᎩᏯ ᎨᏒᎩ, ᏧᎳᏏᏕᏂᏃ ᏗᎦᎫᏍᏗᏗ ᎠᏥᎸ ᏗᎪᏢᏔᏅᎯ ᎾᏍᎩᏯ ᎨᏒᎩ.\nᏗᎾᏓᏅᏟᏍᎩᏂ ᎠᏍᎦᎩ ᎤᎵᏏᎬᏉ ᎡᎭ, ᎠᎴ ᎤᎵᏏᎬᏉ ᎡᏙᎭ, ᎥᏝ ᎠᎴ ᏯᎦᏔᎭ ᏩᎦᏛᎢ, ᎤᎵᏏᎬᏰᏃ ᏚᎨᏩᏛ.\nᏤᎵᎪᏃ ᎤᎾᏂᎩᏒ ᎤᏂᏣᏘ ᏴᏫ ᎬᏩᏍᏓᏩᏛᏒᎩ.\nᏗᎧᎿᏩᏛᏍᏗ ᎠᏆᏤᎵᎦ ᎯᎠ ᏄᏍᏗ, ᏗᏣᏓᎨᏳᎯᏳ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩᏯ ᎢᏨᎨᏳᎢᏳ ᏄᎵᏍᏔᏅᎢ.\nᎠᏏᏉᏃ ᎦᏬᏂᏍᎨᎢ, ᎬᏂᏳᏉ ᎤᏍᎪᏍᏛ ᎤᏣᎩᎳ\nᏂᎦᏓ ᏗᎦᏟᏃᎡᏔᏅ ᎤᏐᏱ ᏚᏄᎪᏔᏅ ᏓᎭᏃᏫ ᏗᏄᎪᏗᏍᎩ ᏗᎪᏪᎵᏍᎩ ᏚᏭᎪᏔᏅ.\nᎢᏣᏓᏅᏟ ᎨᏒ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᏩᎵᎮᎵᎩ ᎠᏥᏌᎳᏓᏅᎢ,\nᎤᏓᏅᏖᎴ ᎤᏍᏗ ᎠᏣᏗ, ᎾᏍᎩᏃ ᏂᎬᏪᏎᎰ ᏂᎦᎵᏍᏙᏗ.\nᎯᎠᏰᏃ ᎤᏅᏒ ᎤᎾᏚᎸᏛ ᎾᏂᎦᏔᎲᎾ ᏥᎩ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏁᏨ ᏅᏧᎵᏍᏙᏔᏅ ᎦᎸᎶ ᎢᎸᎯᏳ ᏥᎨᏎᎢ ᎠᎴ ᎡᎶᎯ ᎠᎹᏱ ᎦᏚ ᏧᎦᏚᏕᎢ, ᎠᎴ ᎠᏭᎯ ᏥᎦᏙᎨᎢ;\nᎢᏥᏔᏲᎯᎰᎢ, ᎠᏎᏃ ᎥᏝ ᏱᏥᏩᏘᏍᎪᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᏂᏚᏳᎪᏛᎾ ᎨᏒ ᎢᏥᏔᏲᎯᎲᎢ, ᎢᏣᏚᎵᏍᎬ ᎾᏍᎩ ᎢᏨᏙᏗᏱ ᎣᏍᏛ ᎢᏣᏓᏅᏓᏗᏍᏗᏍᎩ ᎢᏥᏩᏛᏗᏱ.\nᎠᎴ ᎯᎠ ᏁᎵᏍᎨᎢ, ᏛᏃᎵᏥ ᎣᏣᎵᏅᏟ ᎤᏁᎳᏅᎯ ᎠᏴ ᎠᏉᏰᏂ ᏗᎬᏔᏂᏒ ᏙᏗᏍᏕᎸᎯᏒᎢ; ᎠᏎᏃ ᎥᏝ ᏳᏃᎵᏤᎢ.\nᏂᎦᏛᏃ ᏚᏂᎧᎵᏤ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎠᎴ ᎤᎾᎴᏅᎮ ᏅᏩᎾᏓᎴ ᏧᏂᏬᏂᎯᏍᏗ ᏚᏂᏬᏂᏎᎢ, ᎾᏍᎩ ᎬᏩᏂᏁᎢᏍᏗ ᏄᏅᏁᎲ ᎠᏓᏅᏙ.\nᎠᎴ ᎤᏣᏘ ᎤᏂᏲᏠᎯᏎᎸᎩ, ᎾᏍᎩ ᎢᏳᏍᏗ ᏫᏕᎬᏩᎾᎦᏅᎲᎩ; ᏆᏂᏆᏃ ᎤᏘᏅᏒᎩ ᎹᎦ, ᎠᎴ ᏥᏳᎯ ᏭᏣᏅ ᏌᏈ ᏭᎶᏒᎩ.\nᎤᏰᏣ ᎢᎦ ᏒᎮᏱᏣ ᎨᏎᎢ.\nᎾᏍᏉ Ꭲ-ᏨᏲᏎᎭ, ᎩᎶ ᎬᏂᎨᏒ ᎾᏋᏁᎮᏍᏗ ᏴᏫ ᎠᏂᎦᏔᎲᎢ, ᎾᏍᎩ ᏴᏫ ᎤᏪᏥ ᎬᏂᎨᏒ ᎾᏍᏉ ᏅᏓᏳᏩᏁᎵ ᎠᏂᎦᏔᎲ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ.\nᎤᎴᏫᏍᏔᏁ ᎤᏛᎦᏍᏔᏁ, ᎡᏝᏪᎯ ᎨᏎ, ᎡᏆ ᎤᏔᎶᏁ ᎣᏍᏓ ᎤᏛᎪᏗ.\nᎤᏓᏅᏘᏰᏃ ᎨᏎ ᎠᏍᎦᏯ, ᎠᎴ ᎤᎧᎵᏨᎯ ᎨᏎ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎠᎴ ᎪᎯᏳᏗ ᎨᏒᎢ. ᎤᏂᏣᏖᏃ ᏴᏫ ᎬᏩᏁᏉᏤᎴ ᎤᎬᏫᏳᎯ.\nᎠᏎᏃ ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏚᎢᏍᏔᏅ ᎢᏗᎦᏖᏃᎭ ᎢᏤ ᎦᎸᎶᎢ ᎠᎴ ᎢᏤ ᎡᎶᎯ ᎾᎿ ᎡᎲ ᏚᏳᎪᏛ ᎨᏒᎢ.\n ᏃᏗ ᎦᏙ ᏭᏅᏥᎴᎢ\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ, ᏥᏌ ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏧᏗᏱ ᏭᏂᎶᏒᎩ, ᎾᎿᏃ ᎤᏁᏙᎸᎩ, ᎠᎴ ᏚᏓᏬᎥᎩ.\nᏕᎦᏚᏓᏕᏫᏒᏰᏃ ᎦᎶᏁᏛ, ᎢᏳᏃ ᏱᏅᏩᏍᏗᏉ ᏕᎩᏂᏴᏒ ᎤᎵᏂᎩᏛ ᎬᎵᏍᏆᏗᏍᎩ ᏕᎩᏂᏴᏒ ᎤᎵᏂᎩᏛ ᎬᎵᏍᏆᏗᏍᎩ ᎢᎬᏱᏱ ᎢᎦᎵᏍᎦᏍᏙᏔᏅᎢ;\nᏣᏲᎯᏍᏙᏗ ᏍᎩᏄᏍᏛ ᎭᏓᏅᏖᏍᎬ, ᏥᏲᏎᎸ.\nᎤᎬᏫᏳᎯᏰᏃ ᎤᏅᏏᏓᏍᏗ ᎥᏝ ᏧᏘᏲᏍᏗ ᏱᎩ, ᏧᎨᏳᎯᏍᎩᏂ ᏱᎩ ᎾᏂᎥᎢ, ᏗᎬᏩᏕᏲᏗ ᏱᎩ, ᎬᏂᏗᏳ ᏱᎩ,\nᎯᎠ ᎾᏍᎩ ᏑᏓᎴᎩ ᎨᏒ ᎾᏆᏜᏏᏛᎡᎲᎾ, ᎾᏍᎩ Ꮎ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎤᎴᏅᏛ ᏙᏗᏣᏓᏅᏛᎢ ᎾᏍᎩ ᎤᏰᎢᎸᏍᏗᏱ ᎬᎵᏍᏆᏗᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵ ᎢᎦ ᎠᎵᏰᎵᎢᎶᎸ ᎬᏗᏍᎩ;\nᎢᎳᏯᏗᏃ ᎢᎵᎡᏌ ᎤᏕᏁᎴᎢ; ᎢᎵᎡᏌᏃ ᎹᏓᏂ ᎤᏕᏁᎴᎢ; ᎹᏓᏂᏃ ᏤᎦᏈ ᎤᏕᏁᎴᎢ;\nᎿᏉᏃ ᏦᎢ ᏫᏄᏕᏘᏴᎲ ᏥᎷᏏᎵᎻ ᎠᏇᏅᏒᎩ ᏈᏓ ᎥᏥᏩᏛᎲᏒᎩ, ᎯᏍᎩᎦᏚᏃ ᏧᏒᎯᏛ ᎦᏁᎸ ᎠᎩᏅᎩ.\nᎠᏎᏃ, ᎨᏍᏗ ᏱᎪᎵᎦ ᎢᏗᎦᏪᏍᏗ ᏚᏓᏴᎳᏔᏅ ᏓᏏᎳᏛ.\nᎠᏍᎩᎾᏃ ᎤᏍᏆᏛ ᏂᎦᏛ ᎤᎪᎵᏰᏍᎬᎢ, ᎤᏓᏅᎡᎴ ᎢᎸᏍᎩ ᎢᎪᎯᏛ.\nᎰᎻ ᏃᎴ ᎡᎳᏆᏗ ᏚᏍᏚᏤ.\nᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᎠᏅᏗᏍᎬ ᎠᏰᎵ ᏕᎪᏢᏒ ᏥᏓᎾᏓᎵᏁᎯᏕᎮᎢ, ᏚᏳᎪᏛ ᏥᏚᏂᎸᏫᏍᏓᏁᎮᎢ, ᎤᎾᏤᎵ ᏥᎾᏅᏁᎮ ᏄᏍᏛ ᎨᏥᏚᎢᏍᏓᎸᎢ, ᏢᏓᏥ ᎤᏂᏃᏕᏅ ᏗᏂᎰᎵ ᏥᏓᏂᏍᏚᎲᏍᎨᎢ,\nᎠᏂᏌᎹᏗ ᎧᏅᏂᏍᎩ, ᎠᏎᏃ ᎨᏍᏗ ᏯᏂᏏᎾ ᏧᏃᏪᎶᏗ.”\nᎾᏍᎩ ᎾᏍᏉ ᎢᏳᏩᏂᏌᏅᎯ ᏤᏥᎤᏍᏕᏎᎸᎯ ᏥᎩ, ᎠᎱᏍᏕᏍᏗ ᎬᏔᏅᎯ ᎾᏍᎩ ᎩᎶ ᏧᏬᏰᏂ ᏧᏩᏔᏅᎯ ᏂᎨᏒᎾ, ᎾᏍᎩ ᎢᏴᏛ ᏂᏨᏁᎲ ᎠᏰᎵ ᎾᏍᎩ ᎤᏇᏓᎵ ᎨᏒ ᎤᏍᎦᏅᎢᏍᏔᏅᎢ ᎢᏨᏗᏍᎬ ᎦᎶᏁᏛ ᎤᏤᎵ ᎠᎱᏍᏕᏍᏗ ᎨᏒᎢ;\nᎠᏓᏅᏙᏍᎩᏂ ᎦᎾᏄᎪᏫᏍᎦ, ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎤᎵᎮᎵᏍᏗ, ᏅᏩᏙᎯᏯᏛ, ᎬᏂᏗᏳ ᎨᏒᎢ, ᎤᏓᏅᏘ ᎨᏒᎢ, ᎣᏍᏛ ᎨᏒᎢ, ᎪᎯᏳᏗ ᎨᏒᎢ.\nᎢᏳᏃ ᎩᎶ ᎠᏛᎩᏍᎨᏍᏗ ᏥᏁᎬᎢ, ᏂᎪᎯᏳᎲᏍᎬᎾᏃ ᎢᎨᏎᏍᏗ, ᎥᏝ ᎠᏴ ᏱᏗᏥᏳᎪᏓᏁᎭ; ᎥᏝᏰᏃ ᎡᎶᎯ ᏱᏗᏥᏳᎪᏓᏁᎵᎸ, ᏥᏍᏕᎸᎯᎸᏍᎩᏂ ᎡᎶᎯ.\nᏫᎵᎻ ᎤᎵᏍᏓᏴᏗ ᏂᎯ ᏍᏉ ᏣᎵᏍᏓᏴᏗ; ᏫᎵᎻ ᎢᏳᎵᏍᏔᏁᏗ ᎨᏒ ᏂᎯ ᏍᏉ ᎢᏣᎵᏍᏔᏁᏗ.\nᏚᏯ ᏗᏑᏱ ᏂᏚᏩᏁᎸ ᏁᏂᏏ, ᏎᎷ ᏧᏆᎶᎦ ᎬᏘ ᏚᏩᏇᏅᏔᏅ.\nᎤᎵᏏᏂᏕᏅ, ᏧᏯᎷᎦ ᏚᎾᎧᏛ ᎠᏂᏲᎯᏍᏗᏍᎪ ᎤᎾᏗᏍᎦᏢ ᏃᎴ ᏕᎫᎧᏃ, ᏗᎾᏓᏂᎸᎩ ᏃᎴ ᎡᏍᎦ ᎢᏯᎾᏛᏁ, ᎤᏂᏁᏙᎸ.\nᎠᏎᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎤᏟ ᎬᎩᏰᎸᏗ ᎾᎿ ᎯᏍᎩᏉ ᎢᎧᏁᏨᎯ ᎠᎩᏁᎢᏍᏗᏱ ᎠᏆᏓᏅᏛ ᎠᏆᏙᏗᏱ, ᎾᏍᎩ ᏅᏩᎾᏓᎴ ᎾᏍᏉ ᎦᏥᏰᏲᏗᏱ, ᎠᏃ ᎠᏍᎪᎯ ᎢᏯᎦᏴᎵ ᎢᎧᏁᏨᎯ ᎠᎩᏁᎢᏍᏗᏱ ᏅᏩᎾᏓᎴ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᎠᏆᏙᏗᏱ.\nᏚᎴᏅ ᎠᏌᎻᏓ ᎧᏁᏌᎢ ᏭᎳᎩᏒ ᎤᏁᏍᏔᎵ ᎠᎩᏤᎸ ᎠᏆᏗᏔᏍᏗ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᏰᎵᏍᎨ ᏫᎵᎻ.\n”ᏙᎢᏳᏍᏗ ᎭᏓᏅᏖᎭ, ᏌᎳᏓ?” ᎤᏛᏛᏁ.\nᎠᏎᏃ ᎨᏍᏗ ᎣᏍᏓ ᏳᏰᎸᎮ ᏌᎳᏓ.\n“ᎨᏍᏗ ᎤᏨᏉᏗ ᏱᎩ, ᏍᏉ” ᎤᏛᏁ ᎠᎨᏯ, ᎠᎪᎵᏰᏍᎨ ᎪᏪᎸ ᏓᏏᎳᏛᎢ.\n“ᎡᎳᏆᏗᏗ ᎠᏎ ᎣᏍᏓ ᎨᏐ.\nᎤᎬᏫᏳᎯᏍᎩᏂ ᎤᏤᎵ ᎢᎦ ᎠᏎ ᏓᎦᎷᏥ ᎾᏍᎩᏯ ᎦᏃᏍᎩᏍᎩ ᏒᏃᏱ ᏥᎦᎷᎪᎢ, ᎾᎯᏳ ᎦᎸᎶᎢ ᏓᎦᎶᏐᏂ ᎤᏣᏘ ᎤᏃᏴᎨᏍᏗ, ᎪᏢᏔᏅᎯᏃ ᎠᏓᏪᎵᎩᏍᎬ ᏛᎪᏂ, ᎠᎴ ᎡᎶᎯ ᎾᎿᏃ ᎪᏢᏅᏅᎯ ᎨᏒ ᎠᎪᎲᏍᏙᏗ ᎨᏎᏍᏗ.\nᎦᏆᏘ ᎠᏗᏆᎸᏕᏲ ᏓᏨᏍᏕ ᏃᏉ.\nᎩᎶᏰᏃ ᎤᏩᏒᏉ ᏚᏙᎥ ᏓᏓᏬᏍᏗᎭ, ᏱᎬᏉᏎᎭ.\nᎾᏍᎩᏃ ᎠᎴ ᏗᏂᎳᏫᎩ ᏚᏂᎳᏫᏨ ᎠᎴ ᎤᏂᏃᎮᎸ, ᎤᏣᏘ ᎠᏕᎸ ᏚᏂᏁᎴ ᎠᏂᏯᏫᏍᎩ,\nᏍᏘᎬᏓ ᎣᏍᏓ ᎱᏓᏅᏖᎳ, ᏃᏉ ᎱᏬᏂᏎᎢ.\nᎬᏩᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎢᏳᏃ ᎾᏍᎩ ᏱᏄᏍᏗ ᎠᏍᎦᏯ ᎤᏓᎵᎢ ᏓᎾᏤᎲᎢ, ᎥᏝ ᎣᏏᏳ ᏱᎩ ᎠᏕᏒᎲᏍᏗᏱ.\nᎠᎵᎮᎵᏍᏗ ᎡᎳᏗ ᏫᎦᎶᎯᏍᏗ, ᎡᎶ ᏣᎫᎾᏌᎾᎩᏍᎪ ᎢᏧᎴᎭ ᎠᎵᏍᏕᎸᏙᏗ.\n“ᎾᎨ ᎤᏅᏏᏴ, ᎧᏁᏍᎪ ᎭᏫᏂᏣ ᎦᏟᎭ,” ᎤᏛᏁ ᏌᎳᏓ.\nᏥᏌᏃ ᏂᎬᎾᏛ ᎨᎵᎵ ᎡᏙᎮᎢ ᏓᏕᏲᎲᏍᎨ ᏧᏂᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎠᎵᏥᏙᎲᏍᎨ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎧᏃᎮᏍᎨᎢ, ᎠᎴ ᏕᎧᏅᏫᏍᎨ ᏧᎵᎴᏅᏛ ᏚᏂᏢᎬᎢ, ᎠᎴ ᏧᏓᎴᏅᏛ ᎥᏳᎩ ᏴᏫ ᎤᏁᎲᎢ.\nᏍᎩᏴ ᏓᏳᏓᎴᏅᏓ, ᎠᎦᏗᏛ ᏫᏥᏃᎮᏍᎬ ᎾᏆᏛᏁᎵᏙᎸ ᎣᏣᎵᏍᏔᏴᎲᏍᎬ ᏃᎴ ᎤᎬᏫᏳ ᏱᎬᏉᏎ ᏕᎦᏥᏯᏓᏂᎸᎬ.\nᎾᏍᏉᏃ ᎢᏧᎳᎭ ᏕᎨᎦᏛᏁ ᎠᏂᏔᎵ ᎠᏂᏃᏍᎩᏍᎩ, ᏌᏉ ᎠᎦᏘᏏ ᎢᏗᏢ, ᏐᎢᏃ ᎠᎦᏍᎦᏂ ᎢᏗᏢ.\nᎾᏃ ᏧᏓᎴᏅᏛ ᎾᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᎬᏩᎵ, ᎢᏗᎦᏔᎭ ᎾᏍᎩ ᏂᏗᎥ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎢᎨᎲᎢ. ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᏢᏆᏍᎪᎢ, ᎠᏓᎨᏳᏗᏍᎩᏂ ᎨᏒ ᎠᏓᏍᏕᎵᏍᎪᎢ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎦᏙᏃ ᎢᎬᏙᏗ ᎠᏏ ᎪᎯᏳᏗᏍᎩ? ᎢᎬᏒᏰᏃ ᎡᏓᏛᎦᏏ ᎤᏩᏒ ᎧᏁᎬᎢ.\nᎠᎴ ᎣᏏᏳ ᎠᎩᏰᎸᎭ ᎾᎿ ᏫᏂᎨᏙᎲᎾ ᏥᎨᏒᎩ, ᏂᎯ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎢᏦᎯᏳᏗᏱ. ᎠᏎᏃ ᎡᏗᏩᏛᎱᎦ.\nᎠᏂᏧᏏ ᎤᏂᏁᏨ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎥᏝ ᏴᎨᏣᏍᏛᏓ ᏅᏯ ᏱᏙᎨᏨᏴᏂᏍᏓ, ᎯᏐᏢᎢᏍᏗᏍᎬᏍᎩᏂ, ᏂᎯ ᏴᏫᏉ ᏥᎩ ᎤᏁᎳᏅᎯ ᏣᏤᎸᏍᎦ.\nᏂᎦᏛ ᎤᏇᏓᎵ ᎨᏒ ᎥᏝ ᎤᏠᏱᎭ ᏱᎩ; ᏴᏫᏰᏃ ᎤᏂᏇᏓᎸ ᏑᏓᎴᎩ; ᏅᏩᏓᎴᏃ ᏅᎩ ᏗᏂᏅᏌᏗ ᎤᏂᏇᏓᎸᎢ, ᏅᏩᏓᎴᏃ ᎠᏣᏗ, ᏅᏩᏓᎴᏃ ᏥᏍᏆ.\nᎤᏅᏌ ᏧᎾᏤᎵ ᏗᎧᎾᏩᏛᏍᏗ ᏚᏂᎮ ᏃᎴ ᎠᎴᎲᏍᎩ ᎤᎬᏫᏳ ᏃᎴ ᏔᎵ ᎸᎾᏓᏓᏍᎬ ᏗᏂᎳᏫᎩ, ᎦᏚᎲᎢ ᎠᏰᎵ ᏧᎾᏦᎯᏍᏗ, ᏃᎴ ᏭᏯᏅᎢ ᏧᎾᏟᏰᎵᏓᏍᏗ ᏃᎴᏍᏉ ᎠᎬᏱ ᎤᏛᎾ ᏧᎾᏙᎴᏆᏍᏗ ᏃᎴ ᎤᏪᏘ ᎤᏃᏒᏅ ᏗᏍᏆᏂᎪᏙᏗ ᎬᏂᎨᏒ ᎾᏅᏁᎲ ᎡᏘᏴ ᏄᎾᏕᏁᎵᏙᎸ ᎠᏂᏴᏫ, ᏃᎴ ᎧᏃᎮᏛ ᎪᏪᎵ.\nᎯᏯᎵᏍᎪᎸᏓᏁᎸᏰᏃ ᏂᎦᎥ ᎤᏇᏓᎵ, ᏧᏁᏗᏱ ᎾᎵᏍᏆᏗᏍᎬᎾ ᎬᏂᏛ ᎾᏂᎥ ᏖᎧᏁᎸᎯ ᎨᏒᎢ.\nᏅᏙ ᎢᎦ ᎡᎯ ᎤᎵᏏᎩᏳ ᏅᏓᎦᎵᏍᏔᏂ, ᏅᏙᏃ ᏒᏃᏱ ᎡᎯ ᎩᎬ ᏅᏓᎦᎵᏍᏔᏂ, ᎤᏍᏆᎸᎯᏕᎾ ᎨᏎᏍᏗ ᎾᎯᏳ ᎢᎦ ᎦᎸᏉᏗᏳ ᎠᎴ ᎤᏍᏆᏂᎪᏗᏳ ᏱᎰᏩ ᎤᏤᎵᎦ.\nᎩᎳᏈᏴ ᏂᎬᎾᏛ ᎠᏓᏴᎳᏔᏍᎪ ᎢᎦ, ᏚᏓᏴᎳᏛ ᏓᏓᏅᏏᏙᎰ, ᏃᎴ ᎪᎰᏍᏘ ᎤᏃᏴᎬ ᎣᏍᏓ ᎠᏛᎪᏗ.\nᎠᏓᎨᏳᏗ ᎨᏒ ᎬᏂᏗᏳ, ᎠᎴ ᎤᏓᏅᏘᏳ; ᎠᏓᎨᏳᏗ ᎨᏒ ᎥᏝ ᏱᎬᏳᎪᎢ; ᎠᏓᎨᏳᏗ ᎨᏒ ᎥᏝ ᏯᏢᏆᏍᎪᎢ; ᎥᏝ ᎤᏟ ᏳᏕᏋᎯᏍᏙᎢ;\nᏂᎪᎯᎸᎾᏉ ᎿᏉ ᎥᏝ ᏱᏍᎩᎪᏩᏘᏍᎨᏍᏗ; ᎠᎴ ᎿᏉ ᏔᎵᏁ ᏂᎪᎯᎸᎾᏉ ᎢᏍᎩᎪᏩᏘᏍᎨᏍᏗ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᎦᏴᎵᎨᏍᏛᏱ ᏫᏥᎦᏛᎢ.\nᎤᏓᎴᏨᏗ ᏍᎩᎾᎾ ᎠᏲᏟ---ᏧᏓᎴᏅᏓ ᎠᏓᏅᏖᏍᎪ.\nᏙᎩᏲᏒᏍᎩᏂ ᏧᏓᎴᏅᏛ ᎬᏍᎦᎵ ᎤᏕᎰᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎥᏝ ᏲᏤᏙᎭ ᎠᏏᎾᏌᏅᎢᏍᏗ ᎨᏒᎢ, ᎥᏝ ᎠᎴ ᎣᎦᏠᎾᏍᏛ ᏱᏙᎩᎸᏫᏍᏓᏁᎭ ᎧᏃᎮᏛ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎬᏂᎨᏒᏍᎩᏂ ᏃᏨᏁᎲ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎪᎩᎸᏉᏙᏗᏱ ᏃᏨᏁᎭ ᎾᏂᎥ ᏴᏫ ᏚᎾᏓᏅᏛ ᎬᏗ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\nᎠᏍᏕᏯᏓ ᎦᏓᎥ ᎠᏦᏴ ᎾᎥᏂ ᎤᎩᏠᏫᏎ ᏥᏍᏕᏥ.\nᎤᏍᏆᏘ ᎠᏯᏨᏗ ᎩᎳᎯ ᎦᏓᎡᎢ ᎠᏴᏤᏂ; ᎤᏅᏏᏴ ᎠᎦᏙᎵ ᏳᏫᏚᎧᎾᎾ ᎠᎪᏩᏘᏍᎨᎢ.\nᏚᎾᎴᏁᎢ, ᎢᏧᎳ ᎤᏁᏅᏎ ᏫᎵᎻ ᎤᏴᏍᏗ.\nᎾᎯᏳᏉᏃ ᎢᎦ, ᎤᏒ ᏄᎵᏍᏔᏅ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏗᏗᏐᎩ ᏍᎪᎾ ᏫᏗᎶᎯ.\nᏕᎬᏩᏒᏍᏓᏁᎸᏃ, ᎤᏂᏣᏛ ᎬᏩᎷᏤᎸᎩ ᎤᏪᏗᏱ; ᎾᏍᎩ ᎬᏂᎨᏒ ᏂᏚᏩᏁᎸᎩ, ᏚᏃᎮᎮᎸᎩ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ, ᏑᎾᎴ ᎤᎴᏅᏛ ᎤᏒᎢ ᎬᏗᏍᎩ, ᏓᏍᏗᏰᏗᏍᎬ ᏥᏌ ᎧᏃᎮᏍᎬᎢ; ᏕᎬᏗᏍᎬ ᏗᎧᎿᏩᏛᏍᏗ ᎼᏏ ᎤᏤᎵᎦ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ.\nPerry ᏚᏙᎥ.\nᎠᎴ ᎤᏣᏖ ᎤᏟ ᎢᎦᎢ ᎢᎧᏁᏨᎯ ᏚᏬᏁᏔᏁᎢ ᎯᎠ ᏄᏪᏎᎢ; ᏗᏣᎵᏏ ᎯᎠ ᏂᏚᏳᎪᏛᎾ ᎢᏯᎾᏛᏁᎯ ᏣᏁᎭ.\nᎢᎦᏛ ᎤᏙᎯᏳᎯ ᎠᏛᏳᎨᏗ ᎨᏒ ᎠᎴ ᎠᏗᏒᏍᏗ ᎨᏒ ᎤᎾᏚᎵᏍᎬ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᎾᎵᏥᏙᎲᏍᎦ ᎦᎶᏁᏛ ᎠᏂᏃᎮᎭ, ᎢᎦᏛᏃ ᎾᏍᏉ ᎣᏏᏳ ᎤᏂᏰᎸᏒᎢ.\nᎤᏄᎪᏤᏃ ᎾᎿᏂ, ᎠᎴ ᎤᏩᏒ ᎤᏤᎵᎪᎯ ᏬᎷᏤᎢ; ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᎠᏯᏖᏂ ᎦᏙ ᎩᎦᎨ ᏌᏬᏚ, ᎤᎾᏨᏏᏰᎥ ᎠᏂᏍᎦᏯ ᏃᎴ ᏐᏈᎵ, ᎤᏲᏨ ᏱᎨᏒᎾ ᎤᏬᏗᎨ ᎤᎦᏛ ᏫᎨᏴ ᎦᏣᏃᏍᏔ ᏃᎴ ᏩᏗᏍᏈᏛᎥᏍᎬ, ᎢᏤᎯ ᏚᏅᏓᏒ ᏅᎩ ᏚᏅᏏᏴ ᏫᏗᎦᎶᏍᎩ.\nᎤᎵᏏᏂᏗ ᎤᏅᏍᎦᏝᏁᎢ, ᎦᏅᎪᎢ ᎦᏚᎢᏣ ᎤᏌᏁᎢ.\nᎾ-ᏍᎩᏂ ᏂᏚᎸᏫᏍᏓᏁᎲᎾ, ᎪᎯᏳᎲᏍᎩᏉᏍᎩᏂ ᎾᏍᎩ Ꮎ ᎫᏓᎴᏍᎩ ᎠᏍᎦᎾᎢ, ᎾᏍᎩ ᎤᏬᎯᏳᏒ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎠᏥᏰᎸᎾᏁᎰᎢ.\nᏍᏈᏯ ᎪᎱᏍᏗ ᏂᎦᎵᏍᏗ ᎭᏂ ᎾᎥᏂ.”\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏂᎯᎾᏃ ᎦᎪ ᏍᎩᏲᏎᎭ?\nᎠᎬᏱᏣ ᎤᎵᏍᎫᏮ.\nᏕᎯᎦᏔᎭᏉ ᏗᎧᎿᏩᏛᏍᏗ, ᏞᏍᏗ ᏣᏓᏲᏁᎸᎩ, ᏞᏍᏗ ᏣᏓᎸᎩ, ᏞᏍᏗ ᏣᏃᏍᎩᏒᎩ, ᏞᏍᏗ ᎦᏰᎪᎩ ᏣᏃᎮᎸᎩ, ᏕᎩᎸᏉᏕᏍᏗ ᏣᏙᏓ ᎠᎴ ᏣᏥ.\nᎠᏴᏃ ᎯᎠ ᏂᎬᏪᏎᎭ; ᏈᏓ ᏂᎯ ᎠᎴ ᎾᏍᎩ ᎠᏂ ᎯᎠ ᏅᏲᎯ ᏓᎦᏁᏍᎨᎯ ᎠᏆᏤᎵ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ, ᎠᎴ ᏨᏍᎩᏃᎢ ᏓᏍᏚᎲᎢ ᎡᏍᏕ ᎢᏳᏅᏁᏗ ᏂᎨᏒᎾ ᎨᏎᏍᏗ.\nᎾᎥᏃ ᎤᎷᏨ, ᏚᎧᎿᏅ ᎦᏚᎲᎢ, ᎤᏍᎪᏂᎴᎢ,\nᎠᏛᎪᏗ ᏱᎨᏒᎾ ᎪᎱᏍᏗ ᎤᏛᏁ ᏥᏍᏕᏥ ᏭᏕᎵᏤ ᎤᎵᏏᎬᎢ.\nᎠᎴ ᎾᏂᎥ ᎡᎶᎯ ᏓᏁᏩᏗᏒ ᏓᎬᏩᏓᏙᎵᏍᏓᏁᎵ, ᎾᏍᎩ ᏚᎾᏙᎥ ᏂᏗᎪᏪᎸᎾ ᎬᏂᏛ ᎪᏪᎵᎯ ᎾᏍᎩ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᏤᎵᎦ, ᎾᏍᎩ [ᎤᏃᏕᎾ ᎠᎩᎾ] ᎡᎶᎯ ᏧᏙᏢᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎠᏥᎸᎯ ᏥᎨᏎᎢ.\nᏃᏗ ᎤᏍᏆᏔ ᎠᏯᏨᏗ ᎧᏴᏤᏂ ᎤᏩᏯᏨᏁ ᏫᎵᎻ.\nᏓᏓᏁᎸ ᎤᎾᏕᎭᏲᏍᏗ, ᎠᏰᎵ ᎢᏳᏪᏅᏍᏗ ᏧᏂᏓᏍᎩᏐᏗ ᎦᏲᏟ ᎤᏂᎭᏴᏍᏗ, ᏧᏂᏰᎸᏍᏗ ᏅᏃᎯ, ᏔᎵᏁ ᎠᏓᏁᎸ, ᏃᎴ ᎤᏐᏱ ᎢᏳᎾᏛᏁᏗ.\nᎾᎯᏳᏍᎩᏂ ᎢᎦ ᎨᏒ ᎠᎴ ᎢᏳ ᎧᎳᏩᏗᏒ ᎥᏝ ᎩᎶ ᏯᎦᏔᎭ, ᎥᏝ ᎾᏍᏉ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎦᎸᎳᏗ ᎠᏁᎯ, Ꮭ ᎾᏉᏃ ᎤᏪᏥ, ᎠᎦᏴᎵᎨᏍᎩᏂ ᎤᏩᏒ.\nᎿᏉᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᏂᏧᏏ ᏧᎾᏤᎵᎦ ᎯᎠ ᏄᏂᏪᏎᎸᎩ ᏆᎴᏗ; ᏞᏍᏗ ᎯᎠ ᎢᏨᏁᎸ ᏦᏪᎳᏅᎩ; ᎤᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ; ᎯᎠᏍᎩᏂ; ᎠᎩᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ ᎠᏗᏍᎬᎩ.\nᏏᏓᏁᎸᎯ ᏲᎾ ᎤᏤᏍᏙ ᎤᏂᏯᎸᏎ.\nᎾᏍᎩ ᏨᎦᎾᏄᎪᏫᏏ ᎾᎯᏳ ᏧᎾᏄᎪᏫᏎᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏅᏩᏙᎯᏯᏛ ᎤᏓᏅᏘ ᎠᎴ ᎤᏩᏒᎯ ᎤᎵᏂᎩᏛ ᎨᏒᎢ, ᎤᎬᏫᏳᎯ ᎤᏂᎬᏫᏳᎯ ᎠᏁᎲᎢ, ᎠᎴ ᎤᎬᏫᏳᏌᏕᎩ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎠᏁᎲᎢ;\nᏚᎧᏔᏍᏔᏁᎢ, ᎧᏁᏍᎦ ᎤᎾᏬᏍᏔᏁᎢ, ᏃᏗ ᏍᏔᏯ ᏭᏢᏁᎢ.\nᎦᏅᏍᎨᏂ ᎤᏖᎸᏁ, “ᎠᏯ ᏱᏗᏥᏂᏱᏍᎬᎾ ᏱᎩ, ᏃᎴ ᏱᏗᏥᏯᎩᏍᎬᎾ ᏱᎩ, ᏍᏈᏍᏓ ᏱᎾᎾᎵᏍᏓ, ᎡᎶᎯ ᏯᏂᏲᏍᏔᏃᎾ.”\nᎠᎴ ᎤᏂᏣᏖᏍᏗ ᏛᏂᏍᏓᏩᏕᏏ ᎾᏍᎩ ᎤᎾᏤᎵ ᎠᏓᏛᏗᏍᎩ; ᎾᏍᎩ ᏅᏛᏅᏂᏌᏂ ᏚᏳᎪᏛ ᏅᏃᎯ ᎤᏂᏐᏢᎢᏍᏙᏗ ᎨᏎᏍᏗ.\nᎢᏣᏅᏖᏍᏗ ᎯᎠ ᏥᏂᏨᏪᏎᎸᎩ; ᎠᏥᎾᏝᎢ ᎥᏝ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᏱᎨᏐ ᎡᏍᎦᏉ ᎤᎾᏝᎢ. ᎢᏳᏃ ᎠᏴ ᎬᎩᏐᏢᏔᏅᎯ ᏱᎩ, ᏂᎯ ᎾᏍᏉ ᏓᎨᏥᏐᏢᏔᏂ. ᎢᏳᏃ ᎠᏴ ᎠᎩᏁᏨ ᎤᏂᏍᏆᏂᎪᏔᏅᎯ ᏱᎩ, ᏂᎯ ᎾᏍᏉ ᎢᏥᏁᏨ ᏛᏂᏍᏆᏂᎪᏔᏂ.\nᎠᎦᏘᏏᏗᏢᏃ ᎤᏪᏰᏂ ᎦᎵᏉᎩ ᏃᏈᏏ ᏚᏒᎦᎸᎩ; ᎠᎰᎵᏃ ᏓᏳᎦᏌᏛᎩ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎢᏧᎳᏗᏢ ᏗᎪᏍᏓᏯ; ᎤᎧᏛᏃ ᏅᏙ ᎢᎦ-ᎡᎯ ᎤᎵᏂᎩᏛ ᏣᎦᎵᏍᎪ ᎾᏍᎩᏯ ᎨᏒᎩ.\nᎩᎶᏍᎩᏂ ᎤᎵᏂᎩᏛᏯ ᏚᏭᎪᏕᏍᏗ ᏧᏓᏅᏛᎢ, ᎠᏎ ᎾᏍᎩ ᎢᏳᏛᏁᏗᏱ ᏄᎵᏍᏓᏁᎲᎾ ᎢᎨᏎᏍᏗ, ᎾᏍᎩ ᏰᎵᏉ ᎠᏓᏅᏖᏍᎬ ᎢᎬᏩᏛᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏛᏁᏗᏱ ᏚᏭᎪᏔᏁᏍᏗ ᏧᏓᏅᏛᎢ, ᎾᏍᎩ ᎤᏍᏆᏂᎪᏙᏗᏱᏉ ᎤᏤᎵ ᎠᏛ, ᎾᏍᎩ ᎣᏏᏳ ᎾᏛᏁᎮᏍᏗ.\nᏥᏳᏃ ᎠᏂᏂᏙᎯ ᎤᎾᎵᏍᏗᏱ ᎤᏂᏰᎸᏅ, ᎠᎴ ᎿᏉ ᎤᏍᏗ ᏥᏳ ᎠᏂᏔᎳᏗᏍᎬᎢ, ᎠᎾᏠᎾᏍᏗᏍᎬ ᏔᎷᎩᏍᎩ ᏥᏳ ᏗᎦᎾᎯᏍᏙᏗ ᎢᎬᏴᏗᏢ ᏥᏫᏙᏧᎾᏕᏏᏐ ᎤᏠᏱ ᎾᎾᏛᏁᎲᎢ.\nᎯᎠ ᏄᏂᏪᎡᎢ; ᏂᏗᎨᏥᎤᏍᏕᏎᎸᎾ ᏕᎯᏴᏎᎴᎢ, ᎠᎴ ᎾᏍᎩ ᎢᏧᎳᎭ ᎢᏣᎵᏍᏓᏴᏁᎢ.\nᎠᏎᏃ ᏓᏨᏰᏯᏔᏂ ᎾᏍᎩ ᎡᏥᎾᏰᏍᏗ ᎨᏒᎢ; ᎡᏥᎾᏰᏍᎨᏍᏗ ᎾᏍᎩ Ꮎ ᏳᏓᎸ, ᏰᎵᏉ ᏨᏍᎩᏃ ᏫᎬᏩᏓᏓᎢᏅᏗ ᎨᏒᎢ; ᎥᎥ ᎢᏨᏲᏎᎭ ᎡᏥᎾᏰᏍᎨᏍᏗ ᎾᏍᎩ.\nᏚᏁᏤᎴᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏂᎯ ᏗᏤᎳᏍᏓ. ᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᏥᎪ ᏓᏲᏤᏏ ᏔᎵᏧᏈ ᎠᏂᎩᏏ ᏧᎬᏩᎶᏗ ᎦᏚ ᏴᏓᏲᎩᏩᏏ, ᎠᎴ ᏙᏓᏲᏤᎳᏍᏔᏂ?\nᎾᏍᎩ ᎯᎠ Ꮎ ᏥᎧᏁᎢᏍᏗᏍᎨ ᎠᏙᎴᎰᏍᎩ ᎢᏌᏯ, ᎯᎠ ᏥᏂᎦᏪᏍᎨᎢ; ᎤᏪᎷᎦ ᎩᎶ ᎢᎾᎨᎢ, ᎯᎠ ᏂᎦᏪᎭ; ᎣᏍᏛ ᏂᏨᎦ ᏱᎰᏩ ᎤᎶᎯᏍᏗᏱ, ᏚᏅᏅ ᏗᏥᏥᏃᎯᏍᏓ.\nᎤᎵᏍᎨᏛ ᏂᎦᎵᏍᏗᏍᎨ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎡᎳᏗᏣ.\nᎠᏗᎾ ᎾᎿ ᎦᏳᎳ ᏫᎦᎵᏱᎶᎸᎢ, ᎤᏠᏱᏉ ᏗᎧᎿᏩᏛᏍᏗ ᏕᎦᏁᎶᏗᏗᏎᏍᏗ, ᎤᏠᏱᏉ ᎢᏓᏓᏅᏖᏍᎨᏍᏗ.\nᎠᏎᏗ, ᏤᏍᏗ ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ ᏂᎦᏪᏍᎬ ᏲᎾ ᎤᏤᏍᏙ-“ᎠᏛᏁᎸᏗ ᎠᏓᏅᏖᏍᎩ.\nᎢᏥᏴ ᎠᏆᎩᎳᎾᎶ ᎠᎴ ᏍᎩᏯᏕᎶᏆᏏ, ᎠᏆᏓᏅᏖᏳᏰᏃ ᎠᎴ ᎠᏆᏓᏙᎵᏍᏗᏳ ᎠᎩᎾᏫᏱ, ᏓᏥᏩᏛᎯᏃ ᏗᏣᏓᏅᏙ ᏧᏯᏪᏐᎸᏍᏗᏱ.\nᎯᎠᏰᏃ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏦᏣᎵᎮᎵᎦ, ᎾᏍᎩ ᏦᎦᏓᏅᏙᎩ ᎪᎯᏳᏗᏍᎬᎢ, ᏃᏅᏗᏍᎬᎾ ᎤᏇᏓᎵᏉ ᎤᎬᏩᎵ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎣᎩᏍᏕᎵᏍᎬᎢ, ᏄᏠᎾᏍᏛᎾ ᎨᏒ ᎣᏨᏗᏍᎬ ᎣᎨᏙᎸ ᎠᏂ ᎡᎶᎯ ᎨᏒᎢ; ᎠᎴ Ꮀ ᎤᎬᏫᏳᎭ ᏂᎯ ᎢᏤᎲᎢ.\nᏔᎵᏰᏃ ᎢᏳᏓᎴᎩ ᎨᏒ ᎠᏍᏓᏱᏳ ᎾᏆᎵᏍᏓᏁᎭ, ᏅᏗᎦᎵᏍᏙᏗ ᎠᏆᏚᎵᏍᎬ ᎠᏆᏚᎵᏍᎬ ᎠᏆᏂᎩᏍᏗᏱ, ᎠᎴ ᎦᎶᏁᏛ ᏤᎲ ᏩᏆᏕᏗᏱ; ᎾᏍᎩ ᏭᏓᎪᎾᏛᏛ ᎤᏟ ᎣᏏᏳ ᏥᎩ;\nᏌᏃᏂᏃ ᏈᏓ ᎤᎪᎲ ᎤᏓᏅᏁ ᏥᏌ ᏗᎧᏂᎨᏂ ᎾᎥᎢ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ; ᏣᎬᏫᏳᎯ ᏍᏆᏓᏅᏏ, ᏥᏍᎦᎾᎯᏳᏰᏃ ᎠᏴ.\nᎠᏎᏃ ᎦᏙ ᎢᏤᎵᎭ? ᎩᎶ ᎠᏍᎦᏯ ᎠᏂᏔᎵ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᏁᎮᎢ; ᎠᏏᏴᏫᏃ ᎢᎬᏱ ᏭᎷᏤᎸ, ᎯᎠ ᏄᏪᏎᎴᎢ; ᎠᏇᏥ, ᎮᎾ ᎪᎯ ᏫᏗᏣᎸᏫᏍᏓᏏ ᏖᎸᎳᏗ ᏓᎩᏫᏒᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏅᏨᎯ ᎨᏒ ᎦᏴᏓᏗᏁᎸᎯ ᏱᎩ, ᎥᏝ ᎿᏉ ᎠᏍᎦᏂ ᎠᎫᏴᏙᏗ ᎠᎵᏍᎪᎸᏙᏗ ᏱᏂᎦᎵᏍᏗᎭ.\nᎬᏂ ᎨᏣᏍᎦᎩ ᎨᏣᏍᎦᎩ ᏗᏣᎳᏏᏗᏱ ᎦᏍᎩᎶ ᏂᎦᏥᏴᏁᎸᎭ.\nᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎢᎪᏢᎭ, ᎾᎿ ᎥᏝ ᏱᏚᏳᎪᏗ ᎤᎾᎵᏍᏓᏴᏗᏱ ᎦᎵᏦᏛᏉ ᎪᎱᏍᏗ ᎠᎾᏛᏁᎯ ᏥᎩ.\nᎠᏰᎳᏍᏗᏃ ᎦᏅᎯᏛ ᎤᏩᏔᏁ ᎤᎴ ᏥᎻ ᏣᏂ ᏗᎾᏓᏅᏟ.\nᎠᏂᏃᎮᎸᎥᏍᎬ, ᎠᏆᎵᏍᎫᏮ ᎤᏂᏲᎯᏍᏙᏗ ᏱᎨᏒᎾ.\nᎠᎴ ᎾᏍᎩ ᎤᎪᎲᎢ ᎤᏛᎦᏅᎾᏍᎩ ᎧᏃᎮᎭ, ᎠᏎᏃ ᎥᏝ ᎩᎶ ᏱᏓᏓᏂᎸᎦ ᎾᏍᎩ ᎤᏃᎮᎸᎢ.\nᎯᎠᏰᏃ ᎠᏠᏁᏗ ᏳᎾᏗᏅᏎ ᎤᏣᏘ ᏱᏚᎬᏩᎳᏁᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᏗᏁᏗ ᏱᎨᏎᎢ.\n“ᎯᏃᎯᏯ ᎠᎬᏱ ᎤᎵᏬᎢᏍᏗ.\nᎠᎴ ᎬᏩᎵᏃᎮᏔᏁ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏍᎩᏃᎲᏏ, ᎦᏙ ᏣᎵᏍᎦᏍᏙᏗ ᎯᎠ ᎾᏍᎩ ᏥᏄᏍᏗ ᏥᏕᏣᎸᏫᏍᏓᏁᎭ? ᎠᎴ ᎦᎪ ᎾᏍᎩ ᎾᏣᏁᎸᎯ ᎾᏍᎩ ᎢᏣᏛᏁᏗᏱ?\nᎨᏍᏗ ᎪᎱᏍᏗ ᏰᎵᏍᎨ ᏫᎵᎻ.\nᎿᏉᏃ ᏧᏓᏏ ᎾᏍᎩ ᎤᎶᏄᎮᎸᎯ ᎤᏙᎴᎰᏒ ᏓᎫᎪᏓᏁᎸᎢ ᎤᏁᏟᏴᏎ ᎤᏓᏅᏛᎢ, ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏧᎾᏛᏐᏅᎯ ᏙᎤᏲᎮᎴ ᏦᎠᏍᎪᎯ ᎠᏰᎵ-ᎠᏕᎸ ᏧᎾᎬᏩᎶᏗ,\nᏂᎦᎥ ᏚᏳᎪᏛ ᏂᎨᏒᎾ ᎾᏍᎩ ᎠᏍᎦᏂ, ᎡᎭᏃ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎠᏲᎱᎯᏍᏗ ᏂᎨᏒᎾ.\nᎤᏁᎸᏔᏁ ᏫᏄᏪᏎᏗ, ᎠᏎᏃ ᎡᏝᏪᎯ ᎦᏬᏂᏍᎨ, ᎠᎹ ᎤᏃᏴᎬ ᏭᎵᏛᏓᏁᎢ.\nᏂᎦᏛᏃ ᎾᏍᎩ ᎤᏂᏣᏘ ᎨᏒ ᏚᎾᎴᏅ ᏆᎴᏗ ᏫᎬᏩᏘᏃᎮᎴᎢ.\n“ᏤᏍᏗ ᏍᎩ ᏱᏂᏪᏍᎨᏍᏗ!” ᎤᎵᏰᏔᏁᎢ ᏫᎵᎻ, ᏤᏍᏗ ᏍᎩᏱᏂᏪᏍᎨᏍᏗ, ᎭᏩᏧ!”\nᎠᏴᏃ ᎠᎩᏁᏨ ᎯᎠ ᎾᎩᏪᏒᎩ; ᎦᎪ ᏂᎯ, ᏣᎬᏫᏳᎯ? ᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᎠᏴ ᏥᏌ ᎾᏎᎵᏘ ᏤᏍᎩ, ᎾᏍᎩ ᎤᏲ ᏥᏂᏴᏁᎭ.\nᎠᎴ ᎾᎿᏉ ᎠᏓᏁᎸ ᎢᏥᏁᏍᏗ, ᎢᏣᎵᏍᏓᏴᏗᏍᎨᏍᏗ ᎠᎴ ᎢᏣᏗᏔᏍᎨᏍᏗ ᏄᏍᏛ ᎡᏥᏁᎲᎢ; ᏧᎸᏫᏍᏓᏁᎯᏰᏃ ᏚᏳᎪᏗ ᎠᎫᏴᎡᏗᏱ ᏚᎸᏫᏍᏓᏁᎸᎢ. ᏞᏍᏗ ᏓᏓᏁᎳᏗᏒ ᏱᏤᏙᎵᏙᎮᏍᏗ\nᎬᏂᏳᏉᏃ ᎾᎿ ᎡᏙᎮ ᎠᎨᏴ ᎠᏓᏅᏙ ᎥᏳᎩ ᎪᏢᏍᎩ ᎤᏯᎢ ᏁᎳᏚ ᎢᏳᏕᏘᏴᏛ ᎢᎬᏩᎵᏍ-ᏔᏅᎯ ᎨᏎᎢ, ᎠᎴ ᎤᏗᏌᏕᎢ, ᎠᎴ ᎬᏩᏟᏍᏛ ᎤᎵᏥᏃᎯᏍᏙᏗᏱ ᎨᏎᎢ.\nᎠᎴ ᏄᏓᎴᏛ ᎪᎱᏍᏗ ᏚᎳᏍᎬ ᎭᏫᏂᏗᏢ ᏥᏂᏚᏩᏁᎸ, ᎠᎴ ᎾᏍᎩ ᎤᎬᏫᏳᏌᏕᎩ ᏥᎾᎬᏁᎸ ᏄᏓᎴᏒ ᎪᎱᏍᏗ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎠᏁᎲᎢ,\nᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᎾᏓᏙᎵᏍᏔᏅᏎᎢ, ᎠᏏᏴᏫ ᎠᏆᎵᏏ ᎨᏎᎢ, ᏐᎢᏃ ᎠᏕᎸ-ᎠᎩᏏᏙᎯ.\nᎠᎴ ᎤᏬᏑᎶᏨᎯ ᎾᎿ ᎦᏚᎲ ᎡᎮᎢ; ᎾᏍᎩᏃ ᎤᎷᏤᎴᎢ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᏚᏳᎪᏛ ᏂᏍᎩᎾᏛᏂᏏ ᏦᏍᏓᏓᏱᎵᏙᎯ.\nᎠᎴ ᎾᏍᏉ ᎬᏂᎨᏒ ᏂᎦᎵᏍᏗᎭ ᎦᏰᎪᎩ ᎣᏥᏃᎮᏍᎩ ᎨᏒ ᎤᏁᎳᏅᎯ; ᎣᏥᏃᎮᎸᏰᏃ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎤᏲᎱᏒ ᏕᎤᎴᏔᏅ ᎦᎶᏁᏛ; ᏧᎴᎳᏅᎯ ᏂᎨᏒᎾ ᏥᎩ, ᎢᏳᏃ ᎰᏩ ᏧᎾᎴᎯᏐᏗ ᏂᎨᏒᎾ ᏱᎩ ᏧᏂᏲᎱᏒᎯ.\nᎨᏍᏗ ᏳᏍᏕᎵᏍᎨᎢ ᏥᏍᏕᏥ.\nᎠᎴ ᎭᎵᎮᎵᎨᏍᏗ ᎠᎴ ᎣᏍᏛ ᏣᏰᎸᏎᏍᏗ; ᎠᎴ ᎤᏂᏣᏘ ᎠᎾᎵᎮᎵᎨᏍᏗ ᎤᏕᏅ ᎢᏳᏍᏗ.\n“ᎰᎵᎦᏍᎪᏃ ᎪᎱᏍᏗ  ᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ?”\n“ᎨᏍᏗ ᏱᎬᎪᏩᏘᎭ.\nᎠᏙᎯ ᏭᏂᎶᏎ, Ꮓ ᏗᏓᎾᏅ ᎢᏗᏣ.\nᎤᏁᎢᏍᏔᏅ ᎪᎵᎩ ᎨᏒ ᎠᎦᏴᎵ ᏗᎪᏪᎵᏍᎩ Boston ᏓᏳᏓᎴᏅ, ᎤᏃᎯᏎᎴ ᎨᏍᏗ ᏙᏓᏆᏓ ᎫᏩᎶᎯᏍᏗ ᏱᎩ, ᎠᏎ ᎠᎦᏗᏓ ᏚᏓᏍᏔᏅᏅ ᏧᏬᏪᎶᏗ.\nᎤᏅᏂᏍᏗᏱᏃ ᎨᏒ ᎢᏳᎢ, ᎤᏅᏎ ᎤᏅᏏᏓᏍᏗ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏗᏁᎲᎢ, ᎾᏍᎩ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏅᏓᎬᏩᏁᏗᏱ ᎤᏁᏉᏨᎯ ᏖᎸᎳᏗ ᏓᏫᏒᎢ.\nᎠᎴ ᎯᎠ ᎾᏍᏉ ᏄᏪᏒᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏥᏂᏨᏪᏎᎸᎩ; ᎥᏝ ᎩᎶ ᏴᎬᎩᎷᏥ, ᎬᏂ ᎡᏙᏓ ᎤᏁᎸᎯ ᏱᎩ.\nᏧᏄᎪᏨᏃ ᎥᏝ ᏗᎬᏩᎵᏃᎮᏙᏗ ᏱᎨᏎᎢ; ᎤᎾᏙᎴᎰᏎᏃ ᎤᏁᎳᏫᏎᎸ ᏩᏯᎥ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ. ᏓᏁᎶᏓᏁᎮᏃ ᎠᎴ ᏅᏩᏍᏕᏉ ᎤᏩᎨᏫ ᎨᏎᎢ.\nᎠᏄᎯᏍᏗᏍᎬᏍᎩᏂ ᎪᎱᏍᏗᏉ ᎤᏍᏗ ᎾᏍᎩ ᎧᏃᎮᏗ ᎨᏒ ᎤᏅᏒᏉ ᎤᎾᏤᎵᏛ ᎤᏁᎳᏅᎯ ᏧᏂᎧᎿᏩᏛᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎩᎶ ᎢᏳᏍᏗ ᏥᏌ, ᎤᏲᎱᏒᎯ, ᎾᏍᎩ ᎡᎭ ᎠᏗᏍᎨ ᎨᎵ ᏉᎳ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏣᏅᏖᏍᏗ ᎢᏥᏍᎦᏯ ᏗᏓᏓᏅᏟ, ᎾᏍᎩ ᎯᎠ [ᎠᏍᎦᏯ] ᎢᏳᏩᏂᏌᏛ ᎡᏥᏃᏁᎭ ᎦᏰᏥᏙᎵᏍᏗ ᎨᏒ ᎢᏥᏍᎦᏅᏨᎢ.\nᎣᎯᏍᏙᏗ ᏗᎧᏃᏗ ᏣᎦᏥᎶᏍᏔᏅ, ᎠᎦᏛ ᎤᎦᏴᎵᏴ ᏄᏍᏛ ᏗᎧᏃᏗ, ᎠᏎᎩ ᏑᏓᎵᏍᎪᎯᏍᎩ ᎢᏴ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎦᎵᎡᎵᎦ ᏥᏩᎾᎦᎵᏳ ᎨᏒᎢ, ᎦᏴᎩᏐᏢᏛᎢ, ᎠᎩᏂᎩᏛ ᎨᏒᎢ, ᎤᏲ ᏅᏋᎿᏕᎬᎢ, ᎡᎯᏍᏗ ᎠᏆᏓᏅᏔᏩᏕᎬ ᎦᎶᏁᏛ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ; ᏥᏩᏂᎦᎵᏳᏰᏃ ᏥᎨᏐ, ᎾᎯᏳ ᎠᏆᎵᏂᎩᏗᏳ ᎨᏐᎢ.\nᏄᏓᎴ ᎠᏍᏆᎵᏍᎬᎢ, ᎣᎩᎾᏚᎯᏍᏔᏅ, ᏂᎦᏓ ᎠᎵᏍᎩᏍᏗ ᎣᎩᎾᎵᏍᎩᏒ.\nᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏍᏕᎾ ᎢᏢ Ꮎ ᏨᏗᎦᏚᎭ, ᎩᎳᏉᏃ ᎢᏴᏛ ᏓᏰᏍᏗᏩᏛᎯ ᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ ᎨᎵᏌᏕᏍᏗ, ᎠᎴ ᎠᎩᎾ ᎠᏘᏁᎮᏍᏗ, ᏕᏍᏕᎵᏌᏕᏒᎭ, ᎠᎴ ᏕᏍᎩᎾᏘᏃᎮᎸᎭ.\nᎤᏬᏯᏁᏒᏃ ᎠᎨᏳᏣ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᏔᎵᏓ ᎫᎻ; ᎾᏍᎩ ᎠᏁᏢᏔᏅᎯ ᎯᎠ ᏄᏍᏗ ᎦᏛᎦ; ᎯᎨᏳᏣ, ᎬᏲᏎᎭ, ᏔᎴᎲᎦ.\n”ᎠᏎᏉᏗ ᏂᏪᎠ.”\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ, ᎤᎬᏫᏳᎯ ᏅᏩᎾᏓᎴ ᎦᎵᏆᏍᎪᎯ ᎢᏯᏂᏛ ᎾᏍᏉ ᏚᏑᏰᏎᎢ ᎠᎴ ᏚᏅᏎ ᏔᎵ ᏧᎾᎵᎪᏅᏛ ᎢᎬᏱ ᏄᏁᏅᏍᏗᏱ ᏂᎦᏛ ᏕᎦᏚᏩᏗᏒ ᎠᎴ ᏂᎬᎾᏛ, ᎾᎿ ᎤᏩᏒ ᏭᎷᎯᏍᏗ ᎨᏒᎢ.\nᎤᎵᏏᏂᏕᏅ ᏲᎦᎴᏫᏍᏔᏅ, ᏕᎦᎾᏩᎩᏍᎬ ᏗᎦᏓᏁ ᏓᏆᎭᏄᏮ, ᎨᏴ ᎦᏓᏬᏍᎪ, ᏧᎧᎭᏲᏓ ᏓᎦᎾᏬᏍᎪ.\nᎤᏅᏒᏰᏃ ᎬᏂᎨᏒ ᏂᎪᎬᏁᎭ ᏄᏍᏛ ᏫᏨᎷᏖᎸᎢ, ᎠᎴ ᏂᏣᏛᏁᎸ ᎤᏁᎳᏅᎯ ᎢᏗᏢ ᎢᏣᎦᏔᎲᏍᏔᏅ ᏕᏥᏲᏒ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ, ᏗᏥᎧᎿᏩᏛᏍᏗᏱ ᎬᏃᏛ ᎠᎴ ᎤᏙᎯᏳᎯᏯ ᎤᏁᎳᏅᎯ ᏥᎩ;\nᏆᎴᏗ ᎯᎠ ᏄᏪᏒᎩ; ᏥᎾᏋᏁᎸ ᏣᏉᏪᎳᏅ, ᎿᏉ ᎠᏎ ᎠᏉᏪᎳᏅ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏨᎨᏳᎢ ᎢᏓᎵᏅᏟ, ᏗᏣᎵᏂᎩᏗᏳ ᎨᏎᏍᏗ, ᎦᏰᏥᏖᎸᏗ ᏂᎨᏒᎾ ᎨᏎᏍᏗ, ᏂᎪᎯᎸ ᎤᏣᏘ ᏕᏥᎸᏫᏍᏓᏁᎮᏍᏗ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎢᏥᎦᏔᎭᏰᏃ ᎾᏍᎩ ᎢᏣᎵᏂᎬᏁᎲ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎠᏎᏉᏉ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᎤᏙᎯᏳᏅᎩ ᎤᏁᏨ ᎢᏌᏯ ᎠᏙᎴᎰᏍᎩ, ᎯᎠ ᏥᏄᏪᏎᎢ; ᏣᎬᏫᏳᎰ, ᎦᎪ ᎤᏬᎯᏳᏅ ᎣᎩᏃᎮᎸᎢ? ᎠᎴ ᎦᎪ ᎠᏥᎾᏄᎪᏫᏎᎸ ᎤᎬᏫᏳᎯ ᎧᏃᎨᏂ?\nᎦᏙᏃ ᎾᏍᎩ ᏛᏛᏁᎵ ᏖᎸᎳᏗ ᏓᏫᏒ ᎤᏤᎵᎦ? ᏓᎦᎷᏥ ᎠᎴ ᏙᏛᏛᏔᏂ ᎾᏍᎩ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᏅᏩᎾᏓᎴ ᏙᏛᏁᎵ ᏖᎸᎳᏗ ᏓᏫᏒᎢ.\nᏂᎦᏛᏃ ᏴᏫ ᎤᏂᏁᏤᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎤᎩᎬ ᎠᏴ ᎠᎴ ᏦᎨᏥ ᎣᎩᏅᎦᎴᏍᏗ.\nᏌᎳᏓ ᎤᏣᏪᏐᎸᏍᏕᎢ ᏃᎴ ᏙᎵᏓᏍᏆ ᎤᏩᏯᎨᎢ.\nᏗᏂᏲᏟ ᏍᏓᏯ ᎤᏁᎷᏁ ᎠᏂᎸᏉᏗᏍᎬ.\nᎩᎶ ᏯᏕᎶᎰᏍᎬᎾ ᎱᎷᏤ ᏣᏥ, ᎤᏃᎮᏗ ᏄᎾᎵᏍᏔᏁᎸ ᎤᏓᎵ ᏃᎴ ᏗᏂᏲᏟ.\nᎤᏪᏅᏎᏃ ᎤᎵᎪᏁᎴ ᎾᎿ ᎡᎯ ᎠᏍᎦᏯ; ᏙᏧᎶᎨᏒᏃ ᏏᏆ ᏗᎨᎶᎸ ᎤᏅᏎᎢ.\nᏂᎦᏛᏃ ᎬᏩᏛᎦᏁᎸᎯ ᎤᏂᏍᏆᏂᎪᏎ ᏃᏒ ᎪᎵᎬᎢ, ᎠᎴ ᎬᏩᏛᏛᎲᏍᎬ ᏕᎦᏬᎯᎵᏴᏍᏓᏁᎲᎢ.\nᎿᏉᏃ ᏌᏩᏂ ᏈᏓ ᎠᏰᎳᏍᏗᎦᏅᎯᏛ ᎦᏁᎲᎢ, ᎤᎸᎲᎩ, ᎠᎴ ᎤᎷᏏᎩ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎤᏅᏏᏓᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎠᎦᏘᏏ ᎦᎴᏂ ᎤᎵᏍᏕᏍᏔᏅᎩ. ᎾᏍᎩ ᎠᏥᏅᏏᏓᏍᏗ ᎹᎵᎦ ᏧᏙᎢᏛ ᎨᏒᎩ.\n”ᎠᏯ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎾᏍᎩᏃ ᎤᎵᎮᎵᏨ, ᎤᎬᎭᎷᏰᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏥᎩ, ᎢᏥᎦ; ᎯᎠ ᎾᏍᎩ ᎠᏴ ᏥᏰᎸᎢ, ᏂᎯ ᎾᏍᎩ ᎢᏣᎵᎬᎭᎷᏰᎸᎯ ᏥᎩ; ᎯᎠ ᎾᏍᎩ ᏂᏣᏛᏁᎮᏍᏗ ᎠᏴ ᏍᎩᏯᏅᏓᏗᏍᎬᎢ.\nᎾᏍᎩ ᎣᎩᏍᏓᏩᏗᏒ ᏉᎳ ᎠᎴ ᎠᏴ, ᎤᏪᎷᏅᎩ ᎯᎠ ᏄᏪᏒᎩ; ᎯᎠ ᎠᏂᏍᎦᏯ ᎤᏁᎳᏅᎯ ᏩᏍᏛ ᎦᎸᎳᏗᏳ ᎡᎯ ᏧᏅᏏᏓᏍᏗ, ᎾᏍᎩ ᎬᏂᎨᏒ ᏥᏂᎨᎬᏁᎭ ᏅᏃᎯ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒᎢ.\nᎠᏏᏴᏫᏃ ᎯᏍᎩ ᎢᏯᎦᏴᎵ ᎠᏕᎸ ᏚᏁᎴᎢ, ᏐᎢᏃ ᏔᎵ ᎢᏯᎦᏴᎵ, ᏐᎢᏃ ᏌᏉ ᎢᏯᎦᏴᎵ, ᎠᏂᏏᏴᏫᎭ ᎾᏍᎩ ᏰᎵ ᎢᎬᏩᎾᏛᏁᏗ ᎨᏒᎢ. ᎿᏉᏃ ᎤᏂᎩᏎᎢ.\nᎤᏁᎵᏎ ᎦᎷᏯᏍᏘ ᏃᎴ ᎠᏰᎳᏍᏘ, ᎢᏧᎳ ᎠᎵᏍᏙᏗ ᏃᎴ ᎬᏔᏂᏓᏍᏗ, ᎠᏁᎵᏍᎨ ᎤᎾᎵᏍᎪᎸᏛ ᎠᏂᏲᏍᎩ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎠᏰᎳᏍᏘ ᏃᎴ ᎦᎷᏯᏍᏘ.\nᎨᏥᏅᏏᏓᏍᏗᏃ ᎠᎴ ᏗᎾᏓᏂᏱᏍᎩ ᎾᎿ ᎠᎾᏙᎾᎥᎩ, ᎧᏃᏍᎦ ᎤᏃᏙᏔᏅᎯ ᎨᏒᎩ, -ᎤᏴᏢᎩᏰᏃ, ᎠᎴ ᎤᏂᎦᎾᏬᏍᎬᎩ. ᏈᏓᏃ ᎨᎸᎩ ᎦᏙᎬᎩ ᎠᎴ ᎤᎦᎾᏬᏍᎬᎩ.\nᎢᏣᏓᏅᎡᎮᏍᏗ ᏂᎦᎥ ᏄᏓᎴᏒ ᎤᏲᎢ.\nᎠᏎᏍᎩᏂᏃᏅ ᎣᏏᏳ ᏂᏣᏛᏁᎸ ᏥᏍᎩᏁᎸ ᎠᏆᎵᏍᏕᎸᏙᏗ ᏥᎩᎵᏲᎬ ᎢᏳᎢ.\nᎨᏍᏗ ᏓᏆᎴᎳ ᎤᎶᎯᏍᏗ ᎦᎪᏒᏗ ᏱᎨᏎ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏧᎳ ᏚᏂᏔᎴᏐᎢ, ᏥᏍᏆᏃ ᎦᎸᎶ ᎠᏁᎯ ᏚᎾᏁᏍᏓᏝᎰᎢ, ᏴᏫᏍᎩᏂ ᎤᏪᏥ ᎥᏝ ᎢᎸᎯᏢ ᎠᏍᎪᎵ ᎤᏗᏱ ᏱᎩ.\nᎢᎦᏛᏃ ᎠᏄᎦᎸᎯ ᎤᎳᎨᏯᏛᏤᎢ, ᎠᏄᎦᎸᏃ ᏧᏛᏒ ᎤᏁᏄᎳᏍᏔᏁᎢ.\nᎤᏩᏎ ᎠᎹᏰᎵ ᏚᎬᏩᏝᏅ ᎫᏫᏍᎩᏫ.\nᎤᏙᎯᏳ ᏭᏲᎢᏴ ᏄᎵᏍᏔᏁᎮ.\nᎾᏍᎩᏃ ᏰᎵᏉ ᏗᏣᎵᏂᎪᎯᏍᏙᏗ ᏥᎩ ᎾᏍᎩᏯ ᏂᎦᏪᏍᎬ ᎣᏍᏛ ᎧᏃᎮᏛ ᎠᏆᏤᎵᎦ, ᎠᎴ ᎾᏍᎩᏯ ᏥᏌ ᎦᎶᏁᏛ ᎠᎦᎵᏥᏙᏅᎢ, ᎾᏍᎩᏯ ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ ᎨᏒ ᎤᏕᎵᏛ, ᎾᏍᎩ ᎡᎶᎯ ᏧᏓᎴᏅᎲ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎠᏕᎵᏍᏔᏅᎯ ᏥᎨᏎᎢ,\n“ᎦᏙᎢᏳᏍᏗ ᎮᎵᎠ ᏂᎯ?”\nᎠᎴ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎮᎾ ᏩᏙᏑᎵ ᏌᎶᎻ ᏨᏓᎸᎢ,--ᎾᏍᎩ ᎠᏁᏢᏔᏅᎯ ᎠᏥᏅᏏᏛ ᎦᏛᎦ. ᎤᏪᏅᏒᎩᏃ ᎠᎴ ᏭᏙᏑᎴᎥᎩ, ᎤᎷᏨᏃ ᎠᎪᏩᏘᏍᎬᎩ.\nᎠᎴ ᏂᎦᎥᏉ ᎢᏳᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎬᏅ ᎩᎬ ᎦᏅᎦᎸᏙᏗ ᎨᏒᎩ; ᎠᎴ ᎩᎬ ᎠᏨᏅᎯ ᏂᎨᏒᎾ ᏱᎩ, ᎠᏍᎦᏅᏨ ᎥᏝ ᏴᎦᏴᏓᏗᏙᎵᎩ.\nᏧᏯᏪᎢᏍᏗ ᎢᎦ ᏒᎮᏱᏣ ᏄᎵᏍᏔᏁ.\nᎠᏁᎯ ᏯᏂᎦᏔᎲᎾ ᎭᎾ ᏧᎾᏓᎴᏅ, ᏃᎴ ᏧᏓᎴᏅᏓ ᎩᎦ ᎤᏂᏁᎯ, ᏃᎴ ᎾᎥᏂ ᏂᎨᏒᎾ ᎡᏆ ᎦᏚᎲ ᎠᏰᎵ, ᎠᏂᏩᏥᏂ ᎪᎰᏍᏗ ᏱᎬᏁᎵ ᎢᏳᏍᏗ ᎨᏒ ᎠᎴ ᎢᏳᏍᏗ ᏃᏣᏛᏁᎲ ᎭᏂ ᏚᎨᏓᎵᏴ.\nᏥᏔᎦ ᎠᏂᎩᏌ ᎤᎾᎩᎸ ᏚᏂᎶᎣᏎ ᏃᎴ ᏕᏧᎬ ᏓᏖᎸᎲᏍᎨ ᎠᏎᏃ ᎨᏍᏗ ᏱᎦᏃᎸᎤᏍᎨ.\nᏃᎴ ᏄᏪᏎ, ᏍᎩᎷᏥᏏ.\nᎠᏏᏉᏃ ᏉᎳ ᎾᏍᎩ ᏓᎦᏘᏴᎩ ᎡᏗᏂᏱ, ᏧᏓᏅᏛ ᎤᏣᏘ ᎤᏕᏯᏔᏁᎸᎩ, ᎤᏙᎴᎰᏒ ᎦᏚᎲ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᏓᏙᎵᏍᏓᏁᎯ ᎨᏒᎢ.\nᎠ-ᏍᎩᏂ ᎠᎾᎵᏅᏟ ᏧᎾᏓᎨᏳᏗ ᎨᏒ ᎤᎬᏩᎵ ᎥᏝ ᎤᏚᎸᏗ ᏱᏂᏣᎵᏍᏓᏁᎭ ᏫᏨᏲᏪᎳᏁᏗᏱ; ᏨᏒᏰᏃ ᎤᏁᎳᏅᎯ ᎢᏤᏲᏅᎯ ᎢᎩ ᏗᏣᏓᎨᏳᏗᏱ.\nᎾᏍᎩᏃ ᎬᏂᏗᏳ ᎨᏒ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ ᎠᎵᏍᏕᎸᏙᏗ ᎢᏥᏰᎸᏎᏍᏗ; ᎾᏍᎩᏯ ᎾᏍᏉ ᎡᏗᎨᏳᎢ ᎢᏓᎵᏅᏟ ᏉᎳ ᎬᏗᏍᎬ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᏥᏁᎸ ᏥᏦᏪᎳᏁᎸ;\nᎾᏍᎩ ᏔᎵᏁ ᎥᏥᏅᎵ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᏕᎯᏯᏓᏂᎸᏨᎭ, ᎾᏍᎩ ᎠᏋᏒ ᎠᎩᎾᏫ ᏥᎩ.\nᎤᏴᏣ ᎠᎹ ᏚᏍᏚᏣ, ᎤᏰᏤ ᏫᎵᎻ.\nᎪᎯᏍᎩᏂ ᎿᏉ ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ, ᎠᎴ ᎠᎾᏙᎴᎰᏍᏗ ᏧᏃᏪᎳᏅᎯ ᏗᎬᏔᏅᎯ ᎾᏍᎩᏯ ᎠᏓᏅᏖᏍᎬ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎡᎯ ᎡᏁᎳᏅᎯ ᎬᏂᎨᏒ ᎢᎨᎬᎸᎯ ᏂᎦᏗᏳ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒ ᎤᏃᎯᏳᏏᏱ ᎤᎬᏩᎵ--\nᎢᎦ ᏒᎯᏰᏣ ᏚᎾᏦᏎ Boudinot ᎤᏕᎳᏓ ᏕᎨᎦᏨᏍᏔᏁ, ᎤᏂᏙᎵᏨ ᎠᎵᏥᏙᎲᏍᎩ, ᎣᎭᏁ ᎤᎾᏂᎩᏎ ᏧᎦᏃᏮ ᎢᏣ, Ridge ᏃᎴ ᎤᏍᎦᎢᏓ ᎤᏓᎵ, ᏂᎦᏓ ᎤᎾᏂᎩᏎ.\nᎾᎿ ᎾᏍᏉ ᎢᏣᏓᏑᏯ ᏂᎯ, ᏥᏌ ᎦᎶᏁᏛ ᎢᏥᏯᏅᏛ ᏥᎩ;\nᏱᏭᎪᏌ ᎡᎾᎢ, ᎦᎵᏣᏙᏗ ᏂᎦᎵᏍᏗ ᎦᏙᎯ.\nᎢᏳᏍᎩᏂ ᎩᎶ ᎤᏁᎳᏅᎯ ᏳᎨᏳᎭ, [ᎤᏁᎳᏅᎯ] ᎾᏍᎩ ᎤᎦᏔᎰᎢ.\nᎤᎵᏍᏆᎸᏗᏴ ᎤᎾᏰᎯᏍᏗᏳ ᎤᏛᏁ ᏲᎾ.\nᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᏚᏳᎪᏛ ᎨᏒ ᏥᎩᏯᎠ, ᎠᎴ ᎾᏍᎩ ᎠᏎ ᏥᎨᎳᏗᏙᎮᏍᏗ ᏂᎪᎯᎸᎢ.\nᏚᏍᎩᎾᏛ ᏚᏅᏓᏒ.\nᎿᏉᏃ ᎧᏃᎮᏗ ᏄᎾᎵᏍᏓᏁᎸᎩ ᏣᏂ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎠᏂᏧᏏᏃ ᎠᏓᏅᎦᎸᏗᏱ ᎤᎬᏩᎵ.\nᏚᎦᎴᏅᏔᏁ ᏚᏑᎬ ᏚᏩᏂᎦᏢ, ᏕᎦᎾᏤᏍᎨ ᎠᏰᎸᎢ ᎦᎶᏍᎬ ᎦᎶᎯᏍᏗ ᎤᏗᏍᎩᎩ.\nᎠᏎ ᎠᎦᏗᏓ ᎦᏙ ᎤᏂᏂᎬᎨ.\nᎥᏝ ᎠᏗᎾ ᎤᏁᎳᏅᎯ ᎤᏁᏨ ᎠᏎᏉᏉ ᏥᏄᎵᏍᏔᏃ ᎾᏍᎩᏯ [ᏱᏥᏁᎦ,] ᎥᏝᏰᏃ ᏂᎦᏛ ᎢᏏᎵ ᏱᎩ ᎾᏍᎩ ᎢᏏᎵ ᏧᏁᏢᏔᏅᏛ ᏥᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏔᎵᏁ ᎤᎾᏁᎶᏔᏅᎩ ᎬᏩᏂᏴᏗᏱ; ᎠᏎᏃ ᏚᏗᏫᏎᎸᎩ,\nᎨᎵᎵᏃ ᎥᏓᎵ ᎤᎶᏗ ᎠᎢᏒᎢ, ᏚᎪᎮ ᏌᏩᏂ ᎠᎴ ᎡᏂᏗ ᎾᏍᎩ ᏗᎾᏓᏅᏟ, ᎥᏓᎵ ᎠᏂᎦᏯᎷᎥᏍᎨᎢ; ᎠᏂᎦᏯᎷᎥᏍᎩᏰᏃ ᎨᏎᎢ.\nᎨᏍᏗ ᎩᎶᎢ ᏍᎩᎾᎾ ᎢᏲᏍᏓ ᎤᎾᎵ ᎢᏳᎵᏍᏔᏅ ᏱᎨᏎᎢ --- ᎤᏓᏅᏘ, ᎠᏓᏍᏕᎵᏍᎩ, ᏃᎴ ᎠᏏᎾᏌᏂ.\nᎠᏎᏃ ᎨᏍᏗ ᏱᏧᏁᏣ.\nᎾᏍᎩ ᏥᏅᎵ ᏗᏤᎲᎢ ᎾᏍᎩᏉ ᎤᎬᏩᎵ, ᎾᏍᎩ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᏃᎦᎵᏍᏓᏁᎵᏕᎬᎢ, ᎠᎴ ᎾᏍᎩ ᏧᎦᎵᏍᏓᏗᏍᏗᏱ ᏗᏥᎾᏫ.\n“ᏃᏉ!” \nᎢᏧᎳ ᎢᏣ, ᏰᎵᏉ ᏕᏥᎾᎩᏍᎬ ᏗᏥᎶᏍᏔᏅ ᏗᎪᏪᎵ.\nᏚᏯᏪᎬ ᏃᎴ ᏫᏍᎩ ᎤᏩᎭᏂᎴ ᎦᏣᏄᎸ.\nᎾᏍᎩ ᏗᎨᎪᏍᏔᏅᎯ ᏥᎩ ᎾᏂᎥ ᏏᏓᏁᎸᎯ ᎨᏒᎢ, ᎦᎸᎶ ᎠᎴ ᎡᎶᎯ ᎠᏁᎯ,\nᎭᎾᏉ ᎠᎴᏂᏍᎩ ᎩᎦᎭ ᏄᎵᏍᏔᏅ, ᎯᏍᎩᏉ ᎢᏯᏛᎸᏓ.\nᎢᏳᏰᏃ ᎠᎵᎮᎵᏍᏗ ᎨᏒ ᎬᏗ ᏱᎦᎵᏍᏓᏴᎲᏍᎦ, ᎦᏙᏃ ᎾᏲ ᎥᎩᏃᎮᎭ ᏅᏗᎦᎵᏍᏙᏗ ᎾᏍᎩ Ꮎ ᎤᎬᏩᎵ ᏥᎦᎵᎡᎵᎦ?\n“ᎭᏕᏬ, ᎠᎬᏱ ᎠᎾᏗᏗᏍᎩ ᎤᏅᏌ ᏕᏥᎧᏁᎰ ᏏᏆ.” ᎤᏛᏁ ᎡᎶᏗ.\nᎢᏳᏍᎩᏂᏃ ᏂᏣᏛᏓᏍᏓᏁᎲᎾᏉ ᎢᎨᏎᏍᏗ, ᎠᏏᏴᏫ ᎠᎴ ᎠᏂᏔᎵ ᏕᎭᏘᏁᎨᏍᏗ, ᎾᏍᎩᏃ ᎠᏂᏃᎮᏍᎬ ᎠᏂᏔᎵ ᎠᎴ ᎠᏂᏦᎢ ᎠᏂᎦᏔᎯ ᏂᎦᏛ ᏣᏁᏨ ᎠᏍᏓᏲᏍᎨᏍᏗ.\nᎭᎾ ᎡᏝᏪᎯ ᎤᏬᏞ ᎢᎦ ᏒᎮᏱᏣ ᎠᏓᏅᏖᏍᎨ ᏃᎴ ᎤᎦᏙᏍᏕ ᏫᎵᎻ.\nᎪᏍᏓ ᎢᏳᏍᏗ ᏄᏍᏛ ᎤᏁᎦᎸ ᏃᎴ ᏧᏬᏘᏓ ᎨᏒ ᏗᎦᏙᎵ ᎭᏫᏂᏣ ᏃᎴ ᎠᎵ ᎤᎴᏴᏒ ᎨᏐ ᎤᏔᎣᎸᏐᏅ ᎤᏓᏏᏁᏕᏅ.\nᎯᎠ ᏄᏂᏪᏎᎢ; ᎭᏢ Ꮎ ᏧᏕᏅ ᎤᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ, ᎣᎩᎪᎲᏰᏃ ᎤᏤᎵ ᏃᏈᏏ ᏗᎧᎸᎬ ᎢᏗᏢ, ᎠᎴ ᎣᏣᏓᏙᎵᏍᏓᏁᎵᎦ.\nᏥᏌ ᎤᏟ ᎡᎶᎸᏉᏗᏳ ᏂᎯ, ᎡᏍᎦᏉ ᎢᎩᏙᏓ ᏤᎦᏈ ᎾᏍᎩ ᎢᎩᏁᎸᎯ ᎯᎠ ᎠᏔᎴᏒᎢ, ᎠᎴ ᎾᎿ ᎤᏩᏒ ᎤᏗᏔᎲᎢ ᎠᎴ ᏚᎾᏗᏔᎲᎢ ᏧᏪᏥ ᎠᎴ ᎤᎾᏝᎾᎥᎢ.\nᎠᏁᎵᏌᏕᏍᎨᏃ ᎠᎩᎾ, ᎤᏂᎾᏝᎢ ᎯᎠ ᏂᎬᏩᏂᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᎡᏍᏕᎵᏌᏕ ᎠᎩᎾ?\nᏍᏈᏍᏓ ᏚᎾᏙᎡ ᎠᏣᏗ, ᏎᏃ ᏧᏂᎶᎸᏗ ᏓᏃᏎᎮ ᎠᏂᏣᎳᎩ.\nᎠᏎᏃ ᏥᏌ ᎤᏙᎴᎰᏒᎩ ᎤᏲᏉ ᎠᎾᏓᏅᏖᏍᎬᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᏙᏃ ᎢᏍᎩᏌᏛᎥᏍᎦ, ᎢᏣᏠᎾᏍᏗ?\nᎠᏂᏆᎵᏏᏃ ᎡᏙᎲ ᎠᏁᏙᎯ ᎾᏍᎩ ᎤᎾᏛᎦᏅᎩ, ᎠᎴ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᏥᎪ ᎾᏍᏉ ᎠᏴ ᏦᏥᎨᏫ?\nᏆᎴᏗ ᎤᏙᎴᎰᏒ ᏗᎬᏩᏎᎪᎩᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏓᏑᏰᏛ ᎤᎾᎵᏔᎸᏅᎩ, ᎠᎹ ᏬᏁᎩᏎᎢ, ᎠᎴ ᏚᏑᎴᎮ ᎤᏂᏣᏘ ᎠᏂᎦᏔᎲᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎠᏴ ᎥᏝ ᎠᎩᏍᎦᏅᏨᎯ ᏱᎩ ᎯᎠ ᏄᏍᎦᏅᏨᎾ ᏴᏫ ᎤᎩᎬ. ᏂᎯ ᎢᏣᎦᏌᏯᏍᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏂᎦᎥ ᏄᏓᎴᏒ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎠᎴ ᎠᏐᏢᏙᏗ ᎨᏒ ᎨᏥᏙᎵᏍᏗᏉ ᎨᏎᏍᏗ ᏴᏫ; ᎦᎸᏉᏗᏳᏍᎩᏂ ᎠᏓᏅᏙ ᎠᏐᏢᏙᏗ ᎨᏒ ᎥᏝ ᎨᏥᏙᎵᏍᏗ ᏱᎨᏎᏍᏗ ᏴᏫ.\nᏕᎦᏃᏣᏢ ᏧᏬᏣᎳᎩᏍᏗ ᏧᏃᎯᏍᏗ ᎭᏂ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎡᎳᏗ, ᏃᏗ ᎪᎱᏍᏗ ᏱᏓᏥᎶᏍᏓ ᏌᎳᏓ.\nᎠᎴ ᏞᏍᏗ ᏍᏆᏘᏂᏙᎯ ᏰᏦᏎᎮᏍᏗ ᏂᎯ, ᎠᏏᏴᏫᏉᏰᏃ ᏗᏣᏘᏂᏙᎯ, ᎾᏍᎩ ᎦᎶᏁᏛ.\nᏰᎵ ᎪᎯᏛ ᎠᏋᏌ ᎦᏓᏂᏆᏘᎲ, ᏂᏥᏃᎯᏎᎸᎾ ᎨᏒ ᏄᏍᏛ ᎦᏓᏅᏖᏍᎬ.\nᎾᏍᎩ Ꮎ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎠᏓᏅᏙ, ᎾᏍᎩ ᎡᎶᎯ ᏗᎬᏩᏓᏂᎸᎢᏍᏗ ᏂᎨᏒᎾ ᏥᎩ, ᎾᏍᎩ ᏳᎪᏩᏘᎭ ᎠᎴ ᎥᏝ ᏳᎦᏔᎭ; ᏂᎯᏍᎩᏂ ᎡᏥᎦᏔᎭ, ᎢᏤᎳᏗᏙᎭᏰᏃ, ᎠᎴ ᎾᏍᎩ ᎢᏥᏯᎡᏍᏗ.\nᎠᎴ ᎤᏍᏆᏂᎪᏗ ᎦᎸᎶ ᎦᎸᎳᏗ ᏓᏥᎾᏄᎪᏫᏏ ᎠᎴ ᎤᏰᎸᏛ ᎡᎶᎯ ᎡᎳᏗ, ᎩᎬ ᎠᎴ ᎠᏥᎸ ᎠᎴ ᏧᎦᏒᏍᏗ.\nᎤᏙᎯᏳ ᎣᏍᏓ ᎤᏰᎸᏁ ᎤᏂᏣᏘ ᏴᏫ ᎠᏂᎦᏔᎲ ᎤᎵᎪᎾᏔᏅᎢ.\nᎣᎩᎾᏓᏴᎳᏛ ᎣᏍᏓᏕᎭᏲᎲ ᎠᏓᎨᏗ ᎦᏛ.\nᎠᎵᏍᏓᏴᏗ ᎤᏍᏉᎵᏱ ᎤᎬᏩᎵ ᎪᏢᏅᎯ, ᎠᎴ ᎤᏍᏉᎵᏱ ᎠᎵᏍᏓᏴᏗ ᎤᎬᏩᎵ ᎪᏢᏅᎯ; ᎠᏎᏃ ᎤᏁᎳᏅᎯ ᏙᏛᏛᏔᏂ ᎢᏧᎳ ᎤᏍᏉᎵᎩ ᎠᎴ ᎠᎵᏍᏓᏴᏗ. ᎠᏰᎸᏃ ᎥᏝ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒ ᎤᎬᏩᎵ ᎪᏢᏅᎯ ᏱᎩ, ᎤᎬᏫᏳᎯᏍᎩᏂ ᎤᎬᏩᎵ ᎪᏢᏅᎯ; ᎠᎴ ᎤᎬᏫᏳᎯ ᎠᏰᎵ ᎤᎬᏩᎵ ᎠᎵᏍᎪᎸᏔᏅᎯ.\nᎠᎴ ᎬᏂᏳᏉ ᎠᏁᎭ ᎣᏂ ᏥᎩ, ᎾᏍᎩ ᎢᎬᏱ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏁᎭ ᎢᎬᏱ ᏥᎩ, ᎾᏍᎩ ᎣᏂ ᎨᏎᏏᏗ.\nᏧᏁᎵᏁᏃ ᎢᎦ ᎤᏍᏆᎸᎲ ᎾᏍᎩ ᎠᎱᏍᏕᏎᏗ ᎨᏒ ᎠᏲᎵ, ᏥᏌ ᏚᏃᎡᎢ, ᎾᏍᎩ ᏗᎧᎿᏩᏗᏙᎯ ᏂᏚᏬᎡ ᎠᏏᏉ ᏣᏥᏁᎵᎬᎾ ᎨᏎᎢ.\nᎿᏉᏃ ᏔᎵᏁ ᏙᎤᏛᏛᏅᎩ, ᎦᎪ ᎡᏥᏲᎭ? ᏚᏪᏎᎸᎩ ᎯᎠᏃ ᏄᏂᏪᏒᎩ; ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ.\nᎪᎪᏃ ᎾᏍᎩ ᎣᏏᏅ ᏱᏂᏨᎦ ᎢᏳᏃ ᎣᏍᏛ ᎨᏒ ᎢᏥᏍᏓᏩᏕᎩ ᏱᎩ?\nᎧᏂᎩᏓ ᎨᏎ ᎦᏙ ᎠᏍᎪᏍᏙᏗ, ᏅᏯ ᎬᏗ ᎤᏂᏐᏗ ᎨᏎᏍᏗ.\n ᏧᎦᏃᏮ ᏗᏁᏏᏎᎢ.\nᏳᎵᏍᏇᏚᏮᎾ, ᏓᎶᏂᎨ ᎤᏍᏘᏰᎬ ᎤᎵᏍᎩᏃᏘᏍᏛ, ᎢᏳᏓᎵᎭ ᏕᎦᏰᏌᏛ ᏕᎬᏗᏍᎬ ᎠᎵᏔᏬᏍᎬ.\nᎢᏧᎳᎭᏃ ᏕᎨᎦᏛᏁ ᎠᏂᏔᎵ ᏗᎾᏓᎾᏌᎲᏍᎩ; ᎠᏏᏴᏫ ᎠᎦᏘᏏᏗᏢ, ᏐᎢᏃ ᎠᎦᏍᎦᏂ ᎢᏗᏢ.\nᎢᏳᏃ ᏂᎬ ᎠᏰᎸ ᎠᎦᏔ ᏱᎩ, ᎭᏢ ᎠᏛᎪᏙᏗ ᏱᎩ? ᎢᏳᏃ ᏂᎬ ᎠᏛᎪᏙᏗ ᏱᎩ, ᎭᏢ ᎣᏪᏩᏒᎢᏍᏙᏗᏱ ᏱᎩ?\nᎤᏚᎵᏍᎨ ᎤᏅᎢᏍᏗ Philadelphia, ᏚᏂᏆᏅᏤᎢᏉ, ᏣᏥ ᎠᏍᏛᏧᏍᏗᏍᎨ ᎦᎾᏌᎾᎩᏍᎬ ᎦᎷᏯᏍᏘ.\nᏥᏯᎵᎡᎵᏤᎰ ᎠᏆᏁᎳᏅᎯ ᎬᏁᎢᏍᏗᏍᎪ ᏂᎪᎯᎸ ᎦᏓᏙᎵᏍᏗᏍᎬᎢ,\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᎠᎦᏅᎩ ᏂᏕᏥᎾᏝᎥᎾ ᏱᏂᏨᏁᎸ ᎤᏙᎯᏳᏒ ᏂᏕᏥᎾᏝᎥᎾ ᏱᎩ.\n“Ꭳ,” ᎤᏛᏁ.\nᎨᏍᏗ ᏐᏉ ᎤᏲᎸ ᏱᎨᏎ ᎦᎶᏇ, ᎠᎴᏃ ᎠᎾᏙᎴᏆᏍᎬ ᎠᎴ ᏓᎾᏁᎶᎲᏍᎬ ᎠᎴ ᎠᎾᏁᎸᏗᏍᎬ ᎤᏂᏃᎯᎵᏓᏍᏗ.\nᎨᏍᏓᏛ ᏯᏂᏍᎦᎮ ᏩᎭᏯ, ᎠᏎᏍᎩᎾ ᏙᏳ ᎤᏦᏎᏗ ᏣᏁᎵᏍᎬ ᏍᎩᎾ ᏩᎭᏯ.\nᏧᏁᏨᏃ, ᎥᏝ, ᎤᏛᏁᎢ; ᎠᏎᏃ ᎣᏂ ᎤᏁᏟᏴᏎ ᎤᏓᏅᏛᎢ, ᎠᎴ ᎤᏪᏅᏎᎢ.\nᎾᏍᎩᏃ ᎿᏉ ᎤᏩᏛᎲ ᏌᏉ ᎤᏣᏘ ᏧᎬᏩᎶᏗ ᏓᎬᎾ ᎢᏳᏍᏗ ᎤᏪᏅᏎ ᏭᎾᏗᏅᎭ ᏂᎦᏛ ᎤᏍᏆᏂᎪᏛᎢ, ᎾᏍᎩᏃ ᎤᏩᏎᎢ.\nᎦᏌᎴᎾ ᏠᏯ ᏨᏛᎩᏂᏴᎩ ᎦᏆ ᎦᏁᎸᎢ ᏖᏒ ᏘᏁᏒᎭ, ᎠᎴ ᎪᏪᎵ ᏙᏘᏁᏒᎭ ᎾᏍᎩ Ꮀ ᎤᎬᏫᏳᏎᏍᏗ ᎦᏁᎦ ᏗᎪᏪᎶᏗ.\nᎾᏍᎩ- ᎢᏳᏍᏗ ᎯᎠ ᏄᏪᏎᎢ, ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏰᎬᏍᏓ ᎢᎸᎯᏢ ᎢᏅ ᏭᎶᏎᎢ, ᎤᎸᏒᎭ ᎤᎬᏫᏳᎯ ᎢᏯᎬᏁᏗᏱ ᎠᎴ ᎥᎤᎷᎯᏍᏗᏱ.\nᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ Ꮎ ᎤᏁᎳᏅᎯ ᏰᎵ ᎬᎦᏙᎥᎯᏍᏙᏗ ᎨᏒ ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ ᎠᏁᎲᎢ; ᎤᏁᎳᏅᎯᏰᏃ ᏚᎾᏄᎪᏫᏎᎸ.\nᎤᏂᏄᎪᏤᏃ, ᏭᎾᎵᏥᏙᏁ ᎾᏍᎩ ᏴᏫ ᎠᏎ ᏧᏂᏁᏟᏴᏍᏗ ᎨᏒ ᏚᎾᏓᏅᏛᎢ.\nᎭᏩᏧ, ᎭᏩᏧ, ᎭᏩᏧ, ᏧᏍᏆᏴᏍᏗ, ᎭᎩᏠᏩ ᏫᎩ ᏧᏪᏥ ᏗᎦᏅᏙᏗ.” \n”ᏙᎢᏳᏍᏗ ᎮᎵᎠ ᎤᏛᏁ ᏌᎳᏓ ᏣᎾᏕᎲᏍᎬ ᏌᏌ ᎠᏂᏓ?”\nᎤᏩᏛᎮ ᏍᎩᎾ ᎠᏗᏍᎬ ᏙᏯ.\nᎢᏳᏃ ᎩᎶ ᏅᏩᎾᏓᎴ ᏧᏂᏬᏂᎯᏍᏗ ᎨᏒ ᏱᎦᏬᏂᎭ, ᎠᏂᏔᎵ, ᎠᎴ ᏦᎢ ᎢᏴᏛ ᏩᏍᏕᏍᏗ ᏓᏂᏬᏂᏎᎨᏍᏗ ᏌᏉ ᎤᏪᏒᏛ; ᎠᏏᏴᏫᏃ ᎠᏁᏢᏗᏍᎨᏍᏗ.\nᎠᎴ ᎾᏍᎩ ᎠᏎᎵᏔᏅᎯ ᎨᏒ ᎬᏔᏅᎯ ᏥᎩ [ᎦᎶᏁᏛ ᎠᏥᎸ-ᎨᎶᎯ ᎢᏯᎬᏁᎸᎯ ᏥᎩ,]\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎢᏤᎳᏗᏙᎮᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏁ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᏈᏓᏃ ᎤᏙᎴᎰᏒ ᎯᎠ ᏂᏚᏪᏎᎴ ᏴᏫ; ᎢᏥᏍᎨᏯ ᎢᏏᎵ ᏧᏪᏥ, ᎦᏙᏃ ᎢᏥᏍᏆᏂᎪᏍᎦ ᎯᎠ, ᎠᎴ ᎦᏙᏃ ᎤᏯᏅᏒᎯ ᏙᏍᎩᎾᎦᏂᎭ, ᎾᏍᎩᏯ ᎣᎩᏅᏒ ᏙᎩᎾᎵᏂᎬᎬ ᎠᎴ ᎣᏍᏙᏏᏳ ᎨᏒ ᏦᎩᏅᏔᏃᎢ ᎯᎠ ᎬᏪᏓᏍᏗ ᏥᏃᏍᏛᏁᎶᎢ.\nᎤᏍᏚᏁ ᎦᏅᏫᏍᏗᏍᎩ ᎡᎶᏗ, ᎤᏅᎪᏤ ᎣᏁ ᎢᏣ ᏭᎶᏎᎢ, ᏃᎴ ᎡᎳᏗ ᏄᏩᏁᎴ ᎠᏍᏚᏗ ᎣᏁᎢᏣ.\nᎠᎴ ᏞᏍᏗ ᎤᏓᎪᎵᏰᏗᏱ ᎨᏒ ᏫᏗᏍᎩᏯᏘᏅᏍᏔᏅᎩ, ᏍᎩᏳᏓᎴᏍᎨᏍᏗᏉᏍᎩᏂ ᎤᏥ ᎨᏒᎢ. ᏣᏤᎵᎦᏰᏃ ᏣᎬᏫᏳᎯ ᎨᏒᎢ, ᎠᎴ ᏣᎵᏂᎩᏗᏱ ᎨᏒᎢ, ᎠᎴ ᎡᏣᎸᏉᏗᏳ ᎨᏒ ᏂᎪᎯᎸᎢ. ᎡᎺᏅ.\n“ᎣᏁ ᎢᏣ ᏫᎶᎯ ᏣᏄᏏ,” ᎤᏛᏁ ᎰᎻ, ”ᎠᏯ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏗᏍᏆᏂᎪᏙᏗ ᎢᏣ ᏱᏥᏌᏙᏯ! \nᎥᏝᏍᎩᏂᏃᏅ ᎤᎷᏨᏉ ᎤᏩᏒ, ᎤᎦᎵᏍᏗᏍᎩᏂ ᎾᏍᏉ ᎤᏓᏅᏓᏛᎢ ᏂᎯ ᎨᏒ ᎢᏳᏍᏗ, ᎣᎩᏃᏁᎸ ᏂᎯ ᎤᏣᏘ ᎢᏣᏚᎵᏍᎬᎢ, ᎤᏲ ᎢᏥᏰᎸᏒᎯ, ᎤᏣᏘ ᏍᎩᎨᏳᎢᏳ ᎨᏒᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏟ ᎢᎦᎢ ᎠᏆᎵᎮᎵᏨᎩ.\nᎢᏳᏃ ᎿᏉ ᏴᏫ ᎤᏪᏥ ᎦᎷᏨᎭ ᎤᏩᏒ ᎤᏤᎵᎦ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏄᏬᏍᏕᏍᏗ, ᎠᎴ ᏂᎦᏛ ᎨᏥᎸᏉᏗ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏓᏘ ᏁᎮᏍᏗ, ᎿᏉ ᏓᎦᏂ ᎦᎸᏉᏗᏳ ᎤᏪᏍᎩᎸᎢ;\nᏂᎦᏓ ᏄᏓᎴᎯ ᏄᎵᏍᏔᏂᏙᎴ, ᎠᏎᏍᎪᏃ ᏍᎩᏳᎵᏍᏙᏗ ᎨᏎ?\nᎷᎦ ᎤᏩᏒ ᎣᏍᏕᏙᎭ; ᎹᎦ ᏘᏯᏗᏁᏒᎭ, ᎬᎩᏍᏕᎸᎯᏓᏍᏗᏰᏃ ᏓᎩᎸᏫᏍᏓᏁᎲᎢ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎠᏂ ᎡᎶᎯ ᎠᏁᎯ ᏓᎾᏕᏒᎲᏍᎪᎢ ᎠᎴ ᏕᎨᏥᏰᎪᎢ;\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎺᎵ ᎤᎦᏔᎲᏒ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎳᏉᏂ, ᎾᏍᎩ ᎦᏛᎬᎢ, ᏗᏍᏇᏲᎲᏍᎩ.\nᎤᎵᏍᏙᏴᎮᎢ ᎤᎧᏛᎢ ᏃᎴ ᎠᏍᎪᎵ ᏣᏄᏏ; ᏃᎴ ᏭᎬᏫᏳᏒ ᏧᎷᏫᏍᏓᏁᏗ, ᏏᏆ ᎤᏪᎵᏍᏗ ᎨᏎ ᎾᏍᎩᏴ ᏴᏫ ᎤᎾᎦᏙᏍᏛᎢ.\nᎠᏆᎵᎸ ᎣᏍᏛ ᎠᎵᏍᏗ ᎨᏒᎢ, ᎠᎩᏍᏆᏛ ᎦᏙᎩᏯᏍᎬᎢ, ᎠᎩᏍᏆᏂᎪᏔᏅ ᎪᎯᏳᏗ ᎨᏒᎢ,\nᎤᏣᏔᏅᎯᏰᏃ ᎠᏆᎵᎮᎵᏨᎩ, ᎢᏓᏓᏅᏟ ᎤᏂᎵᏨ ᎠᎴ ᎤᏂᏃᎮᎸ ᏣᏠᎾᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎾᏍᎩ ᎮᏙᎲ ᏚᏳᎪᏛ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎾᏍᎩ Ꮎ ᏄᏍᏛ ᎠᏓᏅᏖᏍᎬ ᎤᏁᎳᏅᎯ ᎠᏂᎩᎵᏲᎩ, ᏫᏓᏂᏲᎯᏏ ᏧᏍᏆᏂᎪᏙᏗᏱ ᏧᎾᏓᏅᏙ, ᎣᏍᏛ ᏕᎤᏂᎸᏫᏍᏓᏁᎲᎢ, ᎾᏍᎩᏯ ᏄᏓᎵᏓᏍᏛᎾ ᎤᏬᏢᏅᏅᎯ ᏥᏓᏂᏲᎯᏎᎰᎢ.\nᎨᏍᏗ ᎩᎳ ᎦᎶᏇ ᎪᏍᏔᏴ ᏗᏂᏆᎵ ᏧᎾᎵᏐᏍᏔᏅ ᏱᏚᏂᏰᎴᏅ.\nᎠᎴ ᎤᎾᎴᏅᎮ ᎬᏭᎯᏍᏗᏍᎨ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎯᎠ ᎾᏍᎩ ᏙᏥᏩᏛᎲᎩ ᏕᏂᏪᏍᎨᎢ, ᎯᎠ ᎾᏍᎩ ᏙᏥᏩᏛᎲᎩ ᏕᏓᎴᎾᏍᏗᏍᎬᎩ ᏴᏫ, ᎠᎴ ᏕᎧᏅᎡᏗᏱ, ᎯᎠ ᏂᎧᏪᏍᎬᎩ, ᎠᏴ ᎠᎩᎬᏫᏳᎯ, ᎦᎶᏁᏛ.\nᏣᏄᏏ ᏂᎦᏓ ᎤᏬᏰᏂ ᎬᏗ ᏚᏲᎵᎴ.\nᎪᎯᏳᏗᏍᎩᏂ ᎠᏚᏓᎴᏍᏙᏗ ᎨᏒ ᎯᎠ ᏂᎦᏪᎭ, ᏞᏍᏗ ᏣᎾᏫᏱ ᎯᎠ ᏱᏂᏪᏍᎨᏍᏗ, ᎦᎪ ᎦᎸᎶᎢ ᏓᏰᏏ? (ᎾᏍᎩ ᎦᎶᏁᏛ ᎠᎦᏠᎥᏙᏗᏱ;)\nᎥᏝ ᏂᏥᎥ ᏱᏨᏯᏛᎦ; ᎦᏥᎦᏔᎭ ᎦᏥᏯᏑᏰᏛ ᎨᏒᎢ; ᎠᏎᏃ ᎤᏙᎯᏳᏗᏱ ᎪᏪᎸᎢ, ᎢᏧᎳᎭ ᎣᏍᏓᎵᏍᏓᏴᎲᏍᎩ ᎤᏌᎳᏓᏅ ᎦᏗᎨᏂ ᎠᏆᏡᏗᏍᎬᎢ.\n“ᎤᏙᎯᏳᏗ ᏥᏂᏪᎠ,” ᎤᏛᏁ.\n“Ꭳ, ᎣᏍᏓᏗ ᏤᏣᎧᏃᏗ.”\nᎤᏟᏂᎩᏓ ᎨᏎ ᎨᏴᎢ ᎠᎹ, ᏚᎧᏔᏍᏔᏁᎢ ᎤᏍᏗ ᎠᏣᏗ ᏭᎾᏌᎾᎩᏎ, ᎠᏲᏟᎨ ᏗᎦᏁᎲ ᏭᎸᏥᎴ.\nᎤᏰᎶᎢᏍᏔᏁᏃ ᎤᏍᏆᏃᏴᎬ ᎦᎸᎳᏗ ᏧᎶᏎᎢ ᎾᏍᎩᏯ ᎤᏃᎴ ᎤᏣᏘ ᏣᏱᎵᏐᎢ, ᎤᎧᎵᎣᏁᏃ ᎠᏓᏁᎸ ᎾᎿ ᎠᏂᏅᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎾᏍᎩ ᏕᎦᏃᏣᎸ ᏚᏰᎵᏎ ᎨᎵᎵ ᎾᎿ ᎬᏩᏚᏫᏛ ᎨᏒᎢ.\nᎠᎴ ᎢᏧᎳᎭ ᏕᎦᎴᎯᏐᏔᏅ, ᎠᎴ ᎢᏧᎳᎭ ᎢᎦᏅᏗᏱ ᏂᎬᏁᎸ ᎦᎸᎳᏗ ᏗᎨᏒ ᎦᎶᏁᏛ ᏥᏌ ᎢᏳᏩᏂᏌᏛ;\nᎾᏍᎩᏃ ᎯᎠ ᏥᏗᏃᎮᎭ, ᎯᎠ ᎾᏍᎩ Ꮀ ᏄᎬᏫᏳᏒ ᏂᎦᎵᏍᏗᎭ; ᎾᏍᎩ ᏄᏍᏗ ᎢᎩᎧᎭ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ, ᎾᏍᎩ ᎠᎦᏘᏏᏗᏢ ᎦᎸᏉᏗᏳ ᎦᏍᎩᎸ ᎦᎸᎶᎢ ᎤᏪᏅ;\nᏧᏍᏗ ᏓᏂᏰᏌᏛ ᎢᏳᏍᏗ ᏕᎦᎾᏅᎪᎪ ᎠᏍᏘ ᏧᏂᏂᏙᏗ.\nᎥᏝ ᎠᎴ ᏳᏍᏆᏂᎪᏗ; ᏎᏓᏂᏰᏃ ᎤᏩᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎢᎦ-ᎦᏛ ᎡᎯ ᎠᏤᎸᏍᎪᎢ.\nᏉᎳ, ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏛ ᎾᏍᎩᏯ ᎣᏏᏳ ᎤᏰᎸᏅ ᎤᏁᎳᏅᎯ, ᎠᎴ ᏗᎹᏗ ᎢᎩᏅᏟ,\nᏅᏃᎯ ᏭᎾᏓᏐᎴ ᏗᏂᏲᏟ ᏃᎴ ᏗᎾᏙᎴᏆᏍᎩ ᏗᏘᏂᏙᎯ ᏭᎾᏦᏁ.\nᏝᏉᏍᎪ ᏱᏥᎦᏔᎭ ᎾᏍᎩ ᏗᏥᏰᎸ ᎦᏁᎸ ᎨᏒ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎾᏍᎩ ᏥᏥᏯᎠ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎢᏥᏁᎸᎯ ᎨᏒᎢ, ᎠᎴ ᏂᎯ ᎢᏨᏒ ᎢᏣᏓᏤᎵ ᏂᎨᏒᎾ ᎨᏒᎢ?\nᏯᏆᏨᏉᏛᎾ ᏥᏃᎮ.\n“Ꮒ,” ᎤᏛᏁ ᎤᏔᎾᏯ ᎤᏃᏕᎾ, “ᏔᎵᏁ ᏫᎮᏙᎸ ᎤᏲ ᎤᎾᏗᏅᏗ, ᏧᏍᏆᏴᏍᏗ, ᎪᏪᎵ ᎠᎪᎵᏰᏗ ᎠᎦᎸᏓ ᎯᏃᎸ.\nᎠᏍᏓᏯᏃ ᎤᏁᎷᏅ ᏗᏂᎴᏂ ᏚᏂᏍᏚᏁᎢ, ᎠᎴ ᎤᎴᏃᏅᎯ ᎤᎾᏁᎷᎩᎡᎴᎢ;\nᎭᏛᎩᎠᏧ?\n“ᏙᎢᏳᏍᏗ, ᏃᎴ ᎦᏨ ᎮᏙ?” ᎤᏪᎷᏁ ᏫᎵᎻ.\nᎠᎴ ᎾᏍᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏂᎸᏉᏙᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏓᏙᎵᏍᏗᏳ ᎨᏒ ᎢᏳᏍᏗ; ᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎾᏍᎩ ᎢᏳᏍᏗ ᏓᎬᏁᎢᏍᏔᏂ ᎠᏁᎲ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎠᎴ ᏙᏓᏥᏃᎩᏍᏔᏂ ᏕᏣᏙᎥᎢ.\nᏃᏗ ᎱᎦᎿᏁ ᏃᎴ ᎦᏃᎸᎥᏍᎨ, ᎠᎹ ᎦᏁᎲ ᏭᏃᎸᏔᏁ ᎤᎵᏍᏇᏔᏬ.\nᏙᏳ ᎤᏪᏍᏓᏁᎸ ᏩᎭᏯ.\nᏗᏛᎯᏍᏗᏍᎩ ᎠᏑᏴᎥᏍᎦ ᎦᏙ ᏧᎾᏗᎩᏓ.\nᏍᏔᏛᎩᎠᏧ?”\n“ᎠᎹᏗ ᏣᏚᎳᏓ,” ᎤᎵᏏᏂᏗ ᏄᏪᏎ ᏣᏄᏏ.\nᎾᏍᎩ ᏥᏓᏂᏒᏁᎰ ᏧᏃᏑᎶᏨᎯ ᏓᏂᏁᎸᎢ, ᎠᎴ ᎤᎾᏠᎾᏍᏛ ᎪᎯᏗᏳ ᏣᎾᏓᏙᎵᏍᏗᏍᎪᎢ; ᎯᎠ ᎾᏍᎩ ᎤᏟ ᎢᎦᎢ ᎤᏂᎩᎵᏲᎢᏍᏗ ᏗᎨᎫᎪᏓᏁᏗ ᎨᏎᏍᏗ.\nᎯᎠᏃ ᏄᏪᏒᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᏱᏣᏓᏑᏯᏰᎵ ᎢᎨᏣᏛᏁᏗ ᎨᏎᏍᏗ ᎢᏕᏒᎭ ᏪᏥᏱᎵᏙᎸᎭ ᎾᏍᎩ Ꮎ ᎠᏍᎦᏯ, ᎢᏳᏃ ᎤᏍᎦᏅᏨᎯ ᎨᏎᏍᏗ.\nᏚᏂᎳᏫᏨᏃ ᏚᏁᏤᎴ ᏥᎷᏏᎵᎻ ᎤᏂᎷᎪᎢᏍᏗᏱ ᏂᎨᏒᎾ, ᎤᏂᎦᏘᏗᏍᏗᏱᏍᎩᏂ ᎠᎦᏴᎵᎨ ᎤᏚᎢᏍᏔᏅᎢ, ᎾᏍᎩ ᏍᎩᏯᏛᎦᏁᎸᎯ ᏥᎩ, [ᏚᏬᏎᎴᎢ.]\nᎠᎴ ᏞᏍᏗ ᎪᎱᏍᏗ ᎠᎾᏛᏁᎲ ᎨᏣᏈᏗᏍᎩ ᏱᏥᏍᎦᏍᏓᏁᎮᏍᏗ; ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᏳᏅᏁᎯ ᎨᏥᏛᏙᏗ ᎨᏒᎢ, ᏂᎯᏍᎩᏂ ᎬᏂᎨᏒ ᎢᏨᏁᎯ ᎡᏥᏍᏕᎸᏗ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎢᏥᏍᏕᎸᏗ ᎨᏒᎢ.\nᎣᏍᏓ ᎤᏓᏅᏔᏕ ᏌᎳᏓ.\nᎤᎴᏫᏍᏔᏁ ᎡᎶᏗ.\nᎾᎨᎢᏴ, ᏗᏧᎴᏅᎮ ᎠᎾᏔᏍᎩᏍᎩ---ᏓᎵᎪᏛᏍᎨᎢ, ᎠᏥᎸᎭ ᏗᎦᏌᏆᎸ ᏓᏗᎦᎴᏲᎨᎢ ᎦᎸᎶᎢ.\nᎦᎷᏯᏍᏘ ᏚᏓᏴᎳᏔᏅ ᏧᏍᏆᏅᎾ ᏚᎾᏐᏓᎸ.\nᎪᎱᏍᏗ ᏱᎨᏒᎾ ᏱᎩ, ᎨᏍᏗ ᎪᎱᏍᏗ ᏱᎩ.\nᎾᏍᎩᏃ Ꮎ ᏃᏈᏏ ᎤᏴᏍᏗ ᎦᏙᎥ; ᏦᎢᏃ ᎢᏗᎦᏛᎯ ᎨᏒ ᎡᏉᏂ ᏚᏪᏴ ᎾᏍᎩ ᏌᏉᎢᏳᏪᏨᎯ ᎤᏴᏍᏗ ᏂᏚᎵᏍᏔᏅᎩ; ᎠᎴ ᎤᏂᏣᏘ ᏴᏫ ᎠᎹ ᎤᎾᏗᏔᎲ ᏚᏂᏲᎱᏒᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎠᎹ ᎤᏴᏍᏗ ᏂᏚᎵᏍᏔᏅᎢ.\nᎦᎵᎡᎵᎦ ᏥᏕᎾᏦᎯ ᏥᏍᏆᎸᎾ, ᎠᏎᏃ ᏫᏥ ᏩᏆᏓᏬᏍᏗ, ᎤᏛᏁ ᎤᏍᏗ ᎠᏣᏗ.\nᏦᎢᏃ ᏫᏄᏒᎸ ᎯᎠ ᏄᎵᏍᏔᏅᎩ; ᏉᎳ ᏚᏪᏟᏌᏅᎩ ᏄᏂᎬᏫᏳᏒ ᎠᏂᏧᏏ; ᎤᎾᏓᏟᏌᏅᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ, ᎠᏴ ᎥᏝ ᎪᎱᏍᏗ ᎦᏥᏍᎦᏅᏤᎸᎯ ᏱᎩ ᏗᎦᏤᎵ ᏴᏫ, ᎥᏝ ᎠᎴ ᎠᎩᏲᏍᏔᏅᎯ ᏱᎩ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎩᎦᏴᎵᎨ ᎨᎩᏁᎸᎯ; ᎠᏎᏃ ᏥᎷᏏᎵᎻ ᏥᏴᎩ ᏗᎬᏆᏘᎾᏫᏛᎲᎩ ᏕᎬᎩᏲᏒᎩ ᎠᏂᎶᎻᏱ.\nᎾᏍᏉ ᎤᏂᏣᏛᎩ ᎤᏍᏆᏂᎪᏗ ᎠᎾᏛᏁᎵᏍᎩ ᏚᏂᏟᏌᏅᎩ ᎪᏪᎵ, ᎠᎴ ᏚᎾᎪᎲᏍᏔᏅᎩ ᏂᎦᏛ ᎠᏂᎦᏔᎲᎢ. ᎤᎾᏎᎸᏃ ᏧᎬᏩᎶᏗᎯ ᎤᎾᏙᎴᎰᏒᎩ ᎯᏍᎦᏍᎪᎯ ᎢᏯᎦᏴᎵ ᎨᏒ ᎤᏂᏁᎬ ᎠᏕᎸ.\nᎠᏂᎪᏩᏘᏍᎨᏃ ᎠᏍᎦᏯ ᎠᏥᏅᏩᏅᎯ ᎢᏧᎳᎭ ᎠᏂᏙᎾᎡᎢ, ᎥᏝᏃ ᎪᎱᏍᏗ ᏫᎬᏩᎾᏛᏗ ᏱᎨᏎᎢ.\nᎯᏁᎬᏰᏃ ᏣᏚᏓᎴᏍᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎯᏁᎬ ᏣᏍᎦᏅᏨ ᏗᏣᏚᎪᏓᏁᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᎯᎠ ᎠᏴ ᎥᎩᏁᏤᎸᎯ ᎦᎵᏥᏙᎲᏍᎩ ᎠᎴ ᎥᎩᏅᏏᏛ, ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏗᎦᏥᏰᏲᎲᏍᎩ ᎦᎶᎯᏳᎯᏯ ᏥᏁᎦ ᎦᎶᏁᏛ ᎠᎦᏔᎲᎢ, ᎥᏝ ᏱᎦᏥᎪᎥᏍᎦ.\nᎠᏏᏉᏃ ᎧᏃᎮᏍᎬ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎠᎴ ᎠᎵᏏᎾᎯᏍᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏧᏬᎪᏙᏗᏱ ᎤᎵᏱᎶᎯᏍᏗ ᎨᏒᎢ, ᏈᎵᏏ ᎤᏪᎾᏮᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᏁᏗ ᏂᎦᎵᏍᏔᏅᎭ ᏫᎬᏯᏅᎲᎭ.\nᎯᎠᏰᏃ ᏂᎬᏅ ᎪᏪᎳ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎼᏏ ᎤᏬᏪᎳᏅᎯ; ᎥᏝ ᎯᏴᏑᎶᏗ ᏱᎨᏎᏍᏗ ᏩᎦ ᎠᎦᏔᏙᎥᏗᏍᎩ ᎤᏣᎴᏍᏗ. ᏩᎦᏉᏍᎪ ᏓᏓᏅᏖᎭ ᎤᏁᎳᏅᎯ?\n“ᎨᏍᏗ ᏍᎩᎾᎾ ᎢᏣ ᏱᏥᎪᏩᏘᏍᎨᎢ ᎠᎬᏱ.\nᎦᎵᏉᎩ ᎢᏯᏂ ᏧᏂᏍᏗ ᏌᏌ.\nᎩᏃᎯᏳᏅᎾ? ᏥᏲᏎᎸ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏘ.\nᎠᏕᎳ ᎠᏓᎶᏂᎨ ᎤᎵᏑᏫᏓ ᏕᎪᏪᎴ ᎠᏗᏍᎩ: ᎠᏂᎪᏚᏍᎩ ᎤᎾᏤᎵ ᏗᎦᏃᏣᏟ ᏏᏆ  ᎣᏍᏓ ᏂᏚᏩᏁᎢ ᏚᏏᎳᏛ ᏌᎳᏓ ᏂᎦᎵᏍᏗᏍᎬᎢ.\nᎤᎵᎮᎵᏍᏗ ᎤᏂᎷᏤᎴ ᎠᏂᎪᏕᏍᎩ ᏃᎴ ᎠᏂᎴᏴᏍᎩ.\nᎠᎴ ᎬᏂᏳᏉ, ᎾᎯᏳᏉ ᎢᎦ ᎠᏂᏔᎵ ᎤᎾᏓᏍᏓᏩᏗᏙᎸᎯ ᏗᎦᏚᎲ ᎡᎺᏯᏏ ᏧᏙᎢᏛ ᏩᏂᎦᏖᎢ, ᎾᏍᎩ ᏧᏁᎳ ᎢᏴᏛ ᎢᏳᏟᎶᏛ ᏂᏚᏓᎴ ᏥᎷᏏᎵᎻ.\nᎾᏍᎩ ᎢᏨᏃᎮᎮᎸ ᎠᏏ ᏥᏨᏰᎳᏗᏙᎭ.\nᎦᎶᏏᏙᎮ ᏚᏅᏓᏒ ᏗᎧᏃᎩᏍᎨ, ᎤᏬᏚ ᎨᏎ ᎣᏍᏓ ᏯᏛᎦᏍᏔᏅᎾ ᏱᎩ ᏂᎦᏪᏍᎬ, ᎧᏃᎮᏍᎩ ᏴᏫ ᏧᏪᎵᏏᏯ ᏗᎩᏍᏗ.\nᏧᎾᏓᎴᏅᏛᏰᏃ ᏴᏫ ᏙᏓᎨᏥᏲᎯᏎᎵ, ᎠᎴ ᏓᏰ ᎦᏕᎰᏔᏂ, ᎠᎴ ᏓᎦᏰᏥᏐᏢᏔᏂ, ᎠᎴ ᏙᏓᏰᎦᎵᏥᏍᏈ,\nᏩᏙ, ᎤᏓᏙᏎᎴᎢ Ꮎ ᎠᏧᏣ.\nᎤᎬᏫᏳ Ross ᏫᏥᎢᎦ ᎨᏒ ᏍᎦᏥ ᎩᎦ ᎤᏁᎯ. ᎦᎵᏉᎩ ᏣᏁᎵᏁ ᏭᏙᎯᏳᎲ.\nᎤᎵᏒᏍᏔᏁᎢ, ᎣᏍᏓ ᎠᏒᎨ - “ᎤᎦᏃᏩ ᎤᏅᏗ, ᏄᎾ ᎦᏁᎦ, ᏑᎾᎴ ᎠᎩᏍᏗ ᎤᏂᏑᎸᏓ.\nᎢᏧᎳ ᏙᎩᎾᏒᎭᏂᎸ ᏚᎭᏁᎦᎸ, garnet ᎣᎩᎾᏛᏅ, ᏱᏂᎨᏒᎾᏉ ᎢᎦᏪᏍᏗ ᏗᏃᏪᎵᏍᎩ ᎤᏅᏙᏗ ᎢᎦᏪᏍᏗ.\nᏐᎳᏃ ᏥᎷᏏᎵᎻ ᎤᎷᏨ ᏧᎾᏁᎶᏗ ᏧᎵᎪᏁᏗᏱ ᎤᏰᎸᏁᎢ. ᏂᎦᏛᏃ ᎬᏩᏍᎦᎢᎮᎢ, ᎠᎴ ᎥᏝ ᏯᏃᎯᏳᎲᏍᎨ ᏧᏁᎶᏗ ᎨᏒᎢ.\nᎤᏔᎳᏪᏎᏃ, ᎠᎴ ᏫᏄᏴᎸᎾᏉ ᎨᏎᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏙᏓ ᏧᏄᎪᏤ ᎤᏍᏗᏰᏔᏁᎢ.\nᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᏕᏤᎲᎩ ᏣᏂ ᎤᎾᏄᎪᏥᎸ ᎢᏯᏍᏗ; ᎾᎯᏳ ᏅᏓᎬᏓᎴᏅᏛ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎠᏂᏃᎮᎭ ᎠᎾᎵᏥᏙᎲᏍᎦ, ᎠᎴ ᎾᏂᎥ ᏴᏫ ᎠᎾᏁᎷᎩ ᎠᏂᏴᎯᎭ.\nᏭᏓᏏᏁᎢ ᎤᏔᎴᎦᏒ ᎧᏁᏍᎪ.\n“ᎨᏍᏗ ᎣᏍᏓ ᏥᏁᎩ ᏱᎩ.\nᎠᎴ ᎯᎠ ᏄᏂᏪᏎᎸᎩ ᎠᎨᏴ; ᎿᏉ ᎣᏦᎯᏳᎲᏍᎦ ᎥᏝ ᏂᎯᏉ ᏣᏁᏨ ᏱᏅᏗᎦᎵᏍᏙᎭ ᏦᏦᎯᏳᎲᏍᎦ, ᎣᎬᎡᏰᏃ ᎣᏣᏛᎦᏏ, ᎠᎴ ᎣᏥᎦᏔᎭ ᎾᏍᎩ ᎯᎠ ᎤᏙᎯᏳᎯᏯ ᎦᎶᏁᏛ ᎨᏒ ᎡᎶᎯ ᎠᏍᏕᎵᏍᎩ.\nᎠᏎᏃ ᎧᏂᎩᏓ ᏲᎾ ᎨᏴ ᎾᎥᏂ.\nᎠᎴ ᎯᎠ ᏄᏪᏒᎩ; ᎭᏢ ᎡᏥᏅᏁᎢ? ᏣᎬᏫᏳᎯ, ᎡᎭᎦᏔ, ᎬᏬᏎᎸᎩ.\nᎾᎿ ᏗᏥᎿᏍᏕᏜᏛᎯ ᎠᎴ ᎾᎿ ᎡᏣᏁᏍᎨᎲᎯ, ᎠᎴ ᎤᎵᏂᎩᏛ ᎢᏰᏨᏁᎸᎯ ᎢᏦᎯᏳᏒᎢ, ᎾᏍᎩᏯ ᎡᏤᏲᏅᎢ, ᎾᏍᎩ ᎤᏣᏘ ᎨᏎᏍᏗ [ᎢᏦᎯᏳᏒᎢ] ᎤᎵᏠᏯᏍᏕᏍᏗ ᎠᎵᎮᎵᏤᏗ ᎨᏒ ᎤᏁᎳᏅᎯ.\n“ᏰᎵᏉᏍᎪ ᏱᏕᏍᎬᏏ ᎠᏕᎳ?” ᎤᏛᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎠᏎᏃ ᎤᏁᎳᏅᎯ ᏚᏫᏞᏫᏒ ᏂᎦᏛ ᏌᏉᎭ ᎨᏒ ᎾᎿ ᎠᏰᎸ ᎾᏍᎩᏯ ᎣᏏᏳ ᎤᏰᎸᏅᎢ.\n“ᎣᏍᏓ,” ᎤᏛᏁ ᏌᎳᏓ, ᎤᎧᏨᏩᏍᏔᏁᎴ ᎠᎦᏴᎵ ᎤᏃᏕᎾ.\nᎠᏎᏃ ᎠᏂᏧᏏ ᏄᏃᎯᏳᏒᎾ, ᎠᏅᏳᎬ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ, ᏫᏚᏂᏯᏅᎲᎩ ᎩᎶ ᎢᏳᎾᏍᏗ ᎤᏂᏁᎫᏥᏛ ᎤᏁᏙᎯ, ᏚᏂᏟᏌᏅᏃ ᎤᏂᏖᎸᏅᎩ ᎦᏚᎲᎢ; ᏚᏂᎦᏘᎴᏅᏃ ᏤᏌᏂ ᎦᏁᎸᎢ, ᏴᏫ ᏧᏂᏄᎪᏫᏎᏗᏱ ᎤᎾᏁᎶᏔᏅᎩ.\nᎩᎶ ᎠᏓᏎᎪᎩᏍᎨᏍᏗ ᎦᎫᏍᏛᏗ ᏅᏓᏥᏴᏁᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏆᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎥᏝᏃ ᎿᏉ ᎢᎸᎯᏳ ᎤᏄᎪᎢᏍᏗ ᏱᎨᏎᏍᏗ; ᎠᎴ ᏓᏥᏲᏪᎶᏔᏂ ᏚᏙᎥ ᎠᏆᏁᎳᏅᎯ, ᎠᎴ ᏚᏙᎥ ᎦᏚᎲ ᎠᏆᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎢᏤ ᏥᎷᏏᎵᎻ ᏥᎩ, ᎾᏍᎩ ᎦᎸᎶᎢ ᎤᏁᎳᏅᎯᏱ ᏣᏗᏓᎴᎲᏍᎩ; ᎠᎴ ᏓᏥᏲᏪᎶᏔᏂ ᎢᏤ ᏓᏆᏙᎥᎢ.\nᎾᏍᎩᏍᎩᏂ ᏄᏍᏗ ᏂᎦᎥ ᎣᏍᏛ ᏡᎬ ᎣᏍᏛ ᎠᏓᏛᏍᎪᎢ, ᎤᏲᏃ ᏡᎬ ᎤᏲ ᎠᏓᏛᏍᎪᎢ.\nᏦᎢ ᎢᏳᏩᎬᏘ ᎠᎨᏠᎲ ᏫᎵᎻ, ᏅᎩ ᎢᏳᏩᎬᏘ ᎤᏪᏠᏍᏗ ᎠᎪᏎᎴ ᏣᏄᏏ.\nᎤᎩᏨᏓ ᏑᎾᎴ ᏙᏓᏆᏍᎬ, ᎤᏗᏛᎮ ᏦᎯᏍᏙᏗ ᏚᎭᎾᏬᎡ, ᎤᏩᏌ ᏭᎶᏎ ᏗᎦᏚᎲ, ᎾᎥᏂ ᏭᎶᏎ ᎤᎾᎦᎰᏍᏔᏅᎢ ᏣᎦᏥᎶᏍᏔᏅ, ᎦᏲᏟ ᏚᎦᏒᏍᏕ ᎪᏍᏓ, ᏧᏂᎳᏫᎢᏍᏗ ᏭᎷᏣ ᎠᎬᏱ ᎤᎾᏅᏗ ᏭᏩᏁ, ᏐᏉ ᎢᏳᏪᏅᏍᏗ ᎢᎪᎯᏓ ᎤᏂᏂᎦᎸᎯ ᎤᎾᎦᏙᏍᏕ ᎠᏍᎪᎵ ᎣᎭᏁᎢᏣ.\nᎦᏍᎩᎶᎩ ᎤᏩᏁ ᎠᎳᏂ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᎢᏓᏙᎴᎰᎯᏍᏗᎭ ᏚᏳᎪᏛ ᏅᏓᎦᏓᎴᏅᎯ ᎨᏒᎢ; ᏙᎯᏱᏃ ᏂᏙᏓᏛᏁᎵ ᏗᎩᎾᏫ ᎾᏍᎩ ᎠᎦᏔᎲᎢ.\n”ᎣᏍᏓ ᏣᏓᏅᏖᎴ ᏍᎩᎾᎾ ᏥᏂᎭᏛᏁᎰ,” ᎤᏬᏎᎴ ᏌᎳᏓ.\nᏔᎷᏣ ᏧᎾᏍᏖᏥ ᏚᎸᏛ ᎤᏩᏌ.\nᎦᏚᎲᏃ ᏅᎩ ᏧᏅᏏᏴ ᎨᏒᎩ, ᎦᏅᎯᏒ ᎠᎴ ᎠᏯᏛᎥ ᎤᏠᏱᏉ ᎨᏒᎩ. ᎤᏟᎶᎥᎩᏃ ᎦᏚᎲ ᎤᏩᏔᏅᎩ ᎠᏟᎶᏍᏗ, ᎯᏍᎩᎦᏚ ᎢᏯᏍᎪᎯᏧᏈ ᎢᏳᏟᎶᏛ ᏂᎬᎩ. ᏂᎦᏅᎯᏒ ᎠᎴ ᎾᏯᏛᎲ ᎠᎴ ᏂᎦᏛᎢ ᎤᏠᏱᏉ ᎨᏒᎢ.\nᎯᎠᏃ ᎾᎩᏪᏒᎩ; ᎦᎪ ᏂᎯ, ᏣᎬᏫᏳᎯ? ᎯᎠᏃ ᏄᏪᏒᎩ; ᎠᏏ ᏥᏌ ᎾᏍᎩ ᎤᏲ ᏥᏂᏴᏁᎭ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎸᎩ; ᏥᎪ ᎩᎶ ᎤᏲᎮᎸ ᎤᎵᏍᏓᏴᏗ?\nᎬᏩᏍᏓᏩᏙᎯᏃ ᏚᏂᏐᏨ ᎤᏅᎨᏫᏒᎯ ᎨᏒᎩ ᎤᎾᏕᏃᏗᏱ.\nᎤᏛᎦᏅᏉᏃ ᏥᏌ ᏄᏍᏛ ᎤᏂᏬᏂᏒᎢ, ᎯᎠ ᏄᏪᏎᎴ ᏄᎬᏫᏳᏌᏕᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏞᏍᏗ ᏱᏍᎦᎢᎮᏍᏗ, ᏦᎯᏳᏎᏍᏗᏉ.\nᎠᎴ ᎠᎩᎪᎲᎩ ᎥᏓᎸ ᎠᏓᎨᏗ ᏗᎬᏩᎸᏌᏛ ᎾᏍᎩᏯᎢ ᎠᏥᎸ ᎤᏓᏑᏱ ᎨᏒᎩ; ᎠᎴ ᎾᏍᎩ Ꮎ [ᎥᎦᏥᎪᎥᎩ] ᏅᎩᏗᎦᏅᏌᏗ ᎤᎾᏓᎵᏁᎯᏕᎸᎯ, ᎠᎴ ᎾᏍᎩ Ꮎ ᏣᎦᏟᎶᏍᏔᏅᎯ, ᎠᎴ ᎤᏤᎵ ᏧᏬᏪᎶᏙᏗ, ᎠᎴ ᎾᏍᎩ ᏚᏙᎥ ᎢᎦᎢ ᎠᏎᏍᏗ ᎨᏒᎢ, ᎠᏂᏙᎾᎥᎩ ᎥᏓᎸ ᎠᏓᎨᏗ ᏗᎬᏩᎸᏌᏛ ᎾᏍᎩᏯᎢ, ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᏗᎧᏃᎩᏍᏙᏗ ᏓᏂᏁᎲᎩ\nᎦᏚᏏ ᎤᎾᎷᏎ ᏣᎵ, ᏐᏉ ᎢᏳᏩᏍᏉᎸ ᎢᏳᏓᎵ, ᎧᏂᎩᏛ ᏫᏂᎦᎵᏍᎩ ᎠᎬᏱᏣ.\nᎩᎶ ᎯᎠ ᎢᎦᏪᏍᎩ ᏥᏌ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎣᏯᎣᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏁᎳᏅᎯᏱ ᎠᏯᎣᎢ.\nᏐᏉᎯᎭ ᏚᏏᎳᏛ ᎤᏍᎪᏍᏓ ᎤᏰᏌᎭᏛ ᏚᏓᏅᎵᏰᎡ.\n“ᎲᎦ ᏄᏓᎨᏎ ᎠᏣᏗ?” ᎤᏓᏛᏛᏁ ᏫᎵᎻ.\nᏫᏥ ᎢᏣ ᏭᏓᏬᎠ ᎤᏍᏗᎢ ᎠᏣᏗ, ᎤᏓᏅᏖᎴ ᏄᏪᏒ ᎡᏆ ᎠᏣᏗ.\nᎠᏦᏱᎮ ᏲᎾ ᎤᏤᏍᏙ.\nᎢᏳᏍᎩᏂᏃᏅ ᏄᏬᎯᏳᏒᎾ ᏳᏓᏅᏒ, ᎤᏁᎳᎩ ᎠᏓᏅᏍᎨᏍᏗ. ᎩᎶ ᎢᎩᏅᏟ ᎠᎴ ᎢᎩᏙ, ᎥᏝ ᏳᏚᏓᎶ ᎾᏍᎩ ᏥᏄᏍᏙᎢ. ᎤᏁᎳᏅᎯᏍᎩᏂ ᏅᏩᏙᎯᏯᏛ ᎢᎦᏕᏗᏱ ᎢᎩᏯᏅᎲ.\nᎤᎬᏫᏳᎯᏰᏃ ᎤᏯᏅᏛ ᎾᏍᎩ ᎠᏥᎾᏝᎢ ᎨᏒᎢ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ ᎾᏥᎾᏝᎥᎾ; ᎾᏍᎩᏯᏃ ᎾᏍᏉ ᎠᏥᏯᏅᏛ ᎾᏥᎾᏝᎥᎾ ᎨᏒᎢ, ᎾᏍᎩ ᎦᎶᏁᏛ ᎤᎾᏝᎢ.\nᏱᏥᎦᏖᏃᎭ ᎠᎴ ᎤᏣᏘ ᏱᏣᏚᎵᎭ ᎤᎷᎯᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎢᎦ, ᎾᎯᏳ ᎦᎸᎶ ᎤᏥᏍᏢ ᏨᏛᏗᏒᏂ, ᎠᎴ ᎾᏍᎩ ᎪᏢᏔᏅᎯ ᎠᏓᏪᎵᎩᏍᎬ ᏛᏗᏌᏂ.\nᎠᎴ ᏔᎵᏁ ᎠᏍᏚᎲ ᎤᏍᏚᎢᏒ, ᎠᏆᏛᎦᏅᎩ ᏔᎵᏁ ᎬᏃᏛ ᎯᎠ ᏄᏪᏒᎩ, ᎡᎭᎦᏔᏄᎦ.\nᏧᏔᎾ ᏍᏏᏉᏯ ᏓᏃᏎᎰᎢ.\n“Ꭽ! ᏙᎧ ᎭᏗ ᎪᎱᏍᏗ ᏯᏕᏠᏆᏍᎦ,” ᎤᏪᎵᏎ Ꮎ ᏥᏍᏚ… \nᎯᎠᏍᎩᏂᏃᏅ ᎢᏳᏍᏗ ᎥᏝ ᎤᏄᎪᎢᏍᏗ ᏱᎩ, ᎬᏂ ᏴᏓᏙᎵᏍᏗᎭ ᎠᎴ ᎠᎹᏟ ᏯᎬᏍᎦ.\nᎾᏍᎩ ᎢᏛᏗᏍᎪᎢ ᎡᏗᎸᏉᏗᏍᎪ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨᎢ, ᎠᎴ ᎾᏍᎩ ᎢᏛᏗᏍᎪᎢ ᏕᏗᏍᎩᏅᏗᏍᎪ ᏴᏫ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏄᏍᏛ ᎢᎨᎬᏁᎸᎯ ᎨᎪᏢᏅᎯ\nᏃᎴ ᎨᏍᏗ ᎫᏬᏂᎯᏍᏗ ᏱᎨᏎ.\nᎠᏎᏃ ᎤᎾᏠᎾᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ ᎢᎬᏩᎾᏓᏑᏰ ᏴᏫ, ᎾᏍᎩᏯ ᎤᎾᏠᎾᏍᏗ ᏗᎾᏕᏲᎲᏍᎩ ᎨᏣᏓᏑᏴᏗ ᏥᎩ, ᎾᏍᎩ ᎤᏕᎵᏛ ᎤᏂᏴᏔᏂᎯᏍᏗ ᎨᏎᏍᏗ ᎤᎾᏓᏤᎵᏛ ᎨᏒ ᎠᏓᏛᏗᏍᎩ, ᎾᏍᎩ ᎠᎾᏓᏱᎮᏍᏗ ᎤᎬᏫᏳᎯ ᎤᎾᎫᏴᏛ, ᎠᎴ ᎤᏅᏒ ᎢᏳᏅᏂᏌᏛ ᎤᏂᎷᏤᏗ ᎨᏎᏍᏗ ᏞᎩᏳ ᎤᏂᏛᏗᏍᎩ.\nᎦᏙᎢᏳᏍᏘ ᎤᏰᎸᏗ?\nᏥᎷᏏᎵᎻᏃ ᎤᎷᏨ ᏂᎬ ᎦᏚᎲ ᎤᎾᎵᏖᎸᏅᎩ, ᎯᎠ ᎾᏂᏪᏍᎬᎩ; ᎦᎪ ᎯᎠ?\n“ᎤᏂᏃᏕᎾ ᎠᏂᏓ?”\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏴ ᏉᎳ ᏥᏴᎩ ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏍᏛᏗᏍᎬ ᎥᎩᏴᎩᏅᎯ ᏂᎯ ᎨᏒ ᏗᏣᏓᎴᏅᏛ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ--\nᎠᏍᎩᏯᏃ ᎠᏲᎵ ᎤᎾᏄᎪᏫᏒᎩ ᎾᏍᎩ ᎠᏙᎳᏅᏍᏗ ᏔᎷᎩᏍᎩ ᎪᏢᏔᏅᎯ ᎤᏮᏙᏗ ᎨᏒᎩ ᏗᎬᏩᏁᎶᏙᏗᏱ ᎢᏳᏩᏁᏗᏱ ᏂᎦᏛ ᎤᎾᏓᏤᎵᏛ ᏓᏁᏩᏗᏒ ᏴᏫ; ᎾᏍᎩ ᎤᏪᏥ ᎤᎾᎳᏅᏱ ᏩᏥᏅᏍᏔᏅᎩ, ᎠᎴ ᎤᎾᎳᏅᎯ ᎤᏪᏍᎩᎸᎢ.\nᎩᎶ ᎦᎵᎷᎨᏍᏗ ᏩᏛᎬᎦ ᎠᏓᏅᏙ ᏂᏕᎦᏪᏎᎲ ᎫᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ; ᎩᎶ ᎠᏓᏎᎪᎩᏍᎨᏍᏗ ᏓᏥᏯᎵᏍᎪᎸᏓᏁᎵ ᎤᎵᏍᏓᏴᏙᏗᏱ ᎤᏓᏔᏅᎯ ᏡᎬ ᎬᏂᏛ ᎠᏓᏁᎯ, ᎾᏍᎩ ᎠᏰᎵ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏫᏒᏗᏱ ᏥᏡᎦ.\nᎢᏨᏗᏍᎨᏍᏗ ᎤᏣᏘ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ ᎠᎴ ᎤᏓᏅᏘ ᎨᏒᎢ, ᎤᎵᏠᏯᏍᏕᏍᏗ ᎬᏂᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎤᏁᎳᎩ ᏗᏓᎵᏎᏗ ᎨᏒ ᎠᏓᎨᏳᏗ ᎨᏒ ᎬᏗ;\nᎠᏴ ᎬᏃᏛ ᎠᎩᏲᎰᏒᎯ ᏥᎨᏒᎩ; ᎠᎴ ᎬᏂᏳᏉ ᎬᏃᏛ ᎨᏎᏍᏗ ᎾᎵᏍᏆᏗᏍᎬᎾ, ᎡᎺᏅ; ᎠᎴ ᏗᏍᏚᎢᏍᏗ ᏨᏍᎩᏃ ᎠᎴ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᏕᏥᏁᎠ.\nᎠᎴ ᎡᎶᎯ ᎦᎶᏐᎲᏍᎦ, ᎠᎴ ᎾᏍᎩ ᎾᎿ ᎠᏚᎸᏗ ᎨᏒᎢ, ᎾᏍᎩᏍᎩᏂ ᎾᎤᏁᎳᏅᎯ ᎠᏓᏅᏖᏍᎬ ᏧᎸᏫᏍᏓᏁᎯ ᏂᎪᎯᎸ ᎡᎭ.\nᎨ ᏗᎦᏙᎪ ᏐᏈᎵ; \nᎩᎳᏉᏃ ᎢᏴᏛ ᎠᎨᏳᏣ ᏚᎴᏁᎢ, ᎠᎴ ᎤᏪᏙᎴᎢ; ᏔᎳᏚᏰᏃ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ. ᎤᏣᏔᏅᎯᏃ ᎤᏂᏍᏆᏂᎪᏎᎢ.\nᎨᏍᏗ ᎣᏍᏓ ᏳᏰᎸᎮ ᎠᏰᎵ ᎱᏓᏑᏴ ᏂᎦᎵᏍᏔᏂᏙᎲ.\nᎠᏍᎦᏯᏰᏃ ᏄᎬᏫᏳᏌᏕᎩ ᎤᏓᎵᎢ ᎡᎲᎢ, ᎾᏍᎩᏯ ᎦᎶᏁᏛ ᏄᎬᏫᏳᏌᏕᎩ ᏥᎩ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎠᏁᎲᎢ; ᎠᎴ ᎾᏍᎩ ᎠᏍᏕᎵᏍᎩ ᎠᏰᎸᎢ.\nᎠᏏᏉᏃ ᎾᏍᎩ ᎾᏂᏪᏍᎨᎢ, ᏥᏌ ᎤᏩᏒ ᎤᎴᏂᎴ ᎠᏰᎵ ᎠᏂᏅᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏅᏩᏙᎯᏯᏛ ᎢᏣᏤᎵᎦ ᎨᏎᏍᏗ.\nᏂᎦᎥᏰᏃ ᏗᎧᎿᏩᏛᏍᏗ ᏚᎵᏁᏨ ᏌᏉᏉ ᎢᎧᏁᏨᎯ ᎠᎧᎵᎢᎭ, ᎯᎠᏉ ᎾᏍᎩ, ᎾᎥ ᎢᏗᏍᏓᏓᎳ ᎯᎨᏳᏎᏍᏗ ᎾᏍᎩᏯ ᏨᏒ ᏂᏣᏓᎨᏳᏒᎢ.\nᎢᎬᏱᏃ ᎠᏁᎩ ᎬᏩᎬᏍᎪᎸᏁᎢ, ᎡᎳᏪ ᎲᎾ ᎬᏬᏎᎴᎢ; ᎠᏎᏃ ᎤᏟᏉ ᎢᎦᎢ ᎤᏪᎷᏁᎢ; ᏕᏫ ᎤᏪᏥ ᏍᎩᏙᎵᎩ, ᎠᏗᏍᎨᎢ.\nᎠᏋᏌ ᎨᏎᏍᏗ ᎧᏂᎩᏓ ᏗᏆᎵᎢ.\nᎾᏍᎩ ᏕᎤᎪᎲ ᏈᏓ ᎠᎴ ᏣᏂ ᎿᏉ ᏗᏂᏴᎵᏎ ᎤᏛᏅᏗᎦᎳᏫᎢᏍᏗᏱ, ᏚᏚᎳᏕᎴᎢ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎠᏲᏅᎵ ᏂᎨᏎ ᎤᏕᏅ -ᎠᏥᏁᎨᎢ, ᎾᏍᎩ ᏂᏚᎩᏨᏂᏒ ᎠᏂᎧᎲᏍᎨ ᎦᎶᎯᏍᏗᏳᎶᏗ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎾᏍᎩ ᎦᎶᎯᏍᏗᏱ ᎤᏬᏚᎯ ᏥᏕᎤᏙᎥ, ᏧᏚᎳᏕᏗᏱ ᎤᏂᏰᎸᏎ ᎠᏂᏴᎯᎯ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᏣᎵ ᎤᎵᏘᎾᎥ ᏃᎴ ᎦᎷᏯᏍᏗ ᏃᎴ ᎤᏓᎵ ᎠᏥᎷᏴᎳᏗ ᎤᎾᏅᏅ, ᎤᎾᎵᏍᏔᏴᏅ, ᎠᏓ ᏗᎪᏒᏔᏅ ᏧᏃᏩ ᏃᎴ ᎢᎯᏯ ᏗᎪᏒᏔᏅ ᏗᎵᏍᏔᏴᏙᏗ ᏓᏅᏗᏍᎬ.\nᎤᏂᏣᏔᏰᏃ ᎤᏠᎾᏍᏗ ᎠᏁᏙᎭ ᎡᎶᎯ, ᎾᏍᎩ ᎠᏃᎯᏳᎲᏍᎩ ᏂᎨᏒᎾ ᏥᏌ ᎦᎶᏁᏛ ᎤᏇᏓᎵ ᎤᎾᏄᎪᏥᎸᎢ; ᎾᏍᎩ ᎯᎠ ᎤᏠᎾᏍᏗ ᎠᎴ ᎦᎶᏁᏛᎠᏡᏗᏍᎩ.\nᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᏧᏂᏲᎱᏒᎯ ᎤᎾᏤᎵᎦ ᏱᎩ, ᏗᏅᏃᏛᏍᎩᏂ; ᎾᏍᎩᏰᏃ ᎠᏓᏅᏖᏍᎬ ᏂᎦᏗᏳ ᏗᏅ-ᏃᏛ.\nᎢᏥᏰᎩ ᏚᏳᎪᏛ ᎢᏣᏛᏁᏗᏱ, ᎠᎴ ᏞᏍᏗ ᏱᏥᏍᎦᏅᎨᏍᏗ; ᎢᎦᏛᏰᏃ ᎥᏝ ᏯᏂᎦᏔᎭ ᎤᏁᎳᏅᎯ; ᎤᏕᎰᎯᏍᏗᏳ ᎢᏨᏃᎮᎭ ᎾᏍᎩ ᎯᎠ ᏥᏂᏥᏪᎭ.\nᎠᏴ ᏉᎳ ᎠᏆᏓᏲᎵᏍᏗ ᎨᏒ ᎠᏋᏒ ᎠᏉᏰᏂ ᎠᏋᏔᏅᎯ ᎠᏉᏪᎳᏅᎯ, ᎾᏍᎩ ᏗᎪᎵᏍᏙᏗ ᏥᎩ ᏂᎦᏛ ᎪᏪᎵ; ᎾᏍᎩᏯ ᏂᎬᏁᎰ ᎪᏪᎵᏍᎪᎢ.\nᏓᏆᎧᎾᎾ, ᏓᏌᏬᎢᎲ.\n”ᎤᏙᎯᏳᎭ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎤᏍᎦᏅᏨ ᏱᎨᏒᎾ ᎤᏍᏗ ᏏᏆ.\nᎾᏍᎩᏃ ᎠᏴ, ᎢᏓᎵᏅᏟ, ᎠᏚᎢᏍᏛ ᎢᎦᏕᏔᏅᎯ ᎾᏍᎩᏯ ᎡᏏᎩ ᏥᏄᏍᏕᎢ.\nᎥᏝᏃ ᎪᎱᏍᏗ ᏴᏫᎯ ᏙᏱᏗᏢ ᎡᎯ, ᎤᏴᎭ, ᎾᏍᎩ ᎦᏓᎭ ᏱᏄᏩᏁᎰᎢ; ᎾᏍᎩᏂ ᏅᏓᏳᏄᎪᏨᎯ, ᎾᏍᎩ ᎦᏓᎭ ᏄᏩᏁᎰ ᏴᏫ.\nᎾᏍᎩᏰᏃ ᎠᏴ ᎢᎪᏢᏅᎯ, ᎦᎶᏁᏛ ᏥᏌ ᎢᏳᏩᏂᏌᏛ ᎡᎪᏢᏅᎯ ᎣᏍᏛ ᏗᎩᎸᏫᏍᏓᏁᏗᏱ, ᎤᏁᎳᏅ-Ꭿ ᎾᏍᎩ ᏥᏂᎦᏛᏅᎢᏍᏓᏁᏟ ᎾᎿ ᎢᎨᏓᏍᏗᏱ.\nᏄᏓᎴ ᎪᎨᏱ.” \n”ᎨᏍᏗᏗ ᎡᏝᏪ ᎢᎬᏆᎵᏍᏙᏗ ᏱᎩ,” ᎤᏪᎷᏁ ᏫᎵᎻ, ᎠᏨᏏᏰᏍᎨ.\nᎤᎩᏨᏛᏃ ᏚᎾᏄᎪᏤᎴ ᎠᎾᎵᎲᎢ, ᎠᎴ ᎦᎪᎯᏍᏓᏁᎮ ᎯᎠ ᏄᏪᏎᎢ; ᎢᏍᏗᏍᎦᏯ, ᏗᏍᏓᏓᏅᏟᏉ; ᎦᏙᏃ ᎤᏲ ᏂᏙᏍᏓᏓᏛᏁᎭ?\nᎩᎶᏰᏃ ᎤᏚᎵᏍᎨᏍᏗ ᎬᏅ ᎤᏍᏕᎸᏗᏱ, ᎾᏍᎩ ᎤᏲᎱᏎᎮᏍᏗ; ᎩᎶᏍᎩᏂ ᎬᏅ ᎤᏲᎱᏎᎮᏍᏗ ᎠᏴ ᎠᎴ ᎣᏍᏛ ᎧᏃᎮᏛ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎠᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᏃᎴ ᏤᏍᏗ ᎭᏯᏛᎩᏍᎬᎾ ᏱᏣᏤᎸᎮᏍᏗ ᎬᏅᏫᏍᏗᏍᎬᎢ.\nᏞᏍᏗ ᏱᏥᏍᏆᏂᎪᏍᎨᏍᏗ, ᎢᏓᏓᏅᏟ, ᎢᏳᏃ ᎡᎶᎯ ᎢᎩᏍᎦᎩᏳ ᎢᎨᏎᏍᏗ.\nᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎥᏝ ᎤᏣᏘ ᏴᎨᏨᏯᎵᏃᎮᏓ; ᎤᎬᏫᏳᎯᏰᏃ ᎯᎠ ᎡᎶᎯ ᎤᏤᎵᎦ ᏓᏯᎢ; ᎥᏝᏃ ᎪᎱᏍᏗ ᎤᏤᎵ ᏯᏇᎭ.\nᎠᏎᏃ ᎠᏆᏓᏙᎵᏍᏔᏅ ᎡᏣᏍᏕᎸᏗᏱ, ᎾᏍᎩ ᏦᎯᏳᏒ ᎤᏓᎵᏛᏙᏗᏱ ᏂᎨᏒᎾ; ᏣᎦᏔᎲᏛᏃ ᎨᏎᏍᏗ ᏕᎭᎵᏂᎪᎯᏍᏔᏅᎭ ᎢᏣᎵᏅᏟ.\nᎾᏍᎩ Ꮎ ᎣᎫᏓᎴᏛ ᎾᏍᎩ ᎢᏳᎾᏰᎯᏍᏗ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᏏ ᏦᎫᏓᎴᎭ; ᎾᏍᎩ ᎤᏕᎩ ᏦᏨᎾᏁᎭ ᎠᏏᏉ ᎣᏚᏓᎴᏍᏗᏱ;\nᏥᏌᏃ ᏥᎷᏏᎵᎻ ᏩᎦᏛᎢ, ᏔᎳᏚ ᎢᏯᏂᏛ ᎠᎾᏓᏍᏓᏩᏗᏙᎯ ᎤᎾᏁᎳᎩ ᎢᏴᏛ ᏫᏚᏘᏅᏍᏔᏅᎩ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎸᎩ;\nᎠᎯᏛᏃ ᎾᏍᎩ ᎢᎬᏛᏁᏗ ᎨᏒ ᎤᏍᏆᎸᎲ, ᎾᏍᎩ ᎡᎶᏛ ᎤᏕᏅ ᎢᏳ ᎢᎦ ᎤᏛᏅᎢᏍᏔᏁ ᎬᏩᎵᏍᏓᏴᎾᏁᏗᏱ ᏧᏤᎵ ᎤᏂᎬᏫᏳᎯ, ᎠᎴ ᎠᏂᏍᎦᏰᎬᏍᏓ, ᎠᎴ ᏗᎨᎦᏁᎶᏗ ᎨᎵᎵ ᎠᏁᎯ,\nᎠᏴ ᎨᏒ, ᎨᏍᏗ ᏳᏙᎯᏳᎮ, ᎾᏍᎩᏯ Byron ᏧᏬᏪᎳᏅ.\nᎩᎶ ᎠᏂᏍᎦᏯ ᎨᏒ ᏯᏓᏙᎵᏍᏗᎭ ᎠᎴ ᏯᏙᎴᎰᏍᎦ, ᎬᏩᎵᏍᏚᎵ, ᎠᏕᎰᎯᏍᏗᏍᎪ ᎠᏍᎪᎵ ᎨᏒᎢ.\nᏦᎢᎭᏃ ᎢᏳᏟᎶᏛ ᎢᏴᏛ ᎣᏂ ᎤᏓᎵᎢ ᎤᏴᎵᎴᎢ, ᎾᎦᏔᎲᎾ ᎨᏎ ᏄᎵᏍᏔᏅᎢ,\nᏫᎵᎻ ᎤᎵᏍᏓᏴᏗ ᎤᏲᎳ ᎰᎻ ᏚᎪᎮ.\nᎤᎾᏛᏅᎢᏍᏔᎾ ᏓᏳᎾᏂᎩᏍᏗ, ᏫᏤᎾᏗᎾ ᎤᏛᏅ.\nᏕᏥᏲᎵᎸᎭ ᎢᏓᎵᏅᏟ ᎴᎣᏗᏏᏯ ᎠᏁᎯ, ᎠᎴ ᏂᎻᏆ, ᎠᎴ ᏧᎾᏁᎶᏗ ᎾᏍᎩ ᎦᏁᎸ ᏧᎾᏓᏡᎦ.\nᎠᏦᏴᎢ ᏭᎷᏤ ᏃᎴ ᎤᎩᏠᏫᏎ.\nᎠᎴ ᎠᏴ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᏚᏃᎸ ᎢᎬᏱᏗᏢ ᏕᏣᏘᏃᎯᎮᏍᏗ, ᎾᏍᎩ ᎤᏅᏒ ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᎾᏙᎴᎰᎯᏍᏙᏗ.\nᎠᏎᏃ ᎠᏥᎬᏍᎪᎸᏁ ᎤᏍᎦᏅᏨᎢ: ᎤᏩᎨᏫ ᏗᎦᎵᎠᏅᎯᏛ ᏴᏫ ᎤᏁᎢᏍᏗ ᎤᏩᏔᏁ ᎤᏁᏤᎢ, ᎤᏍᎦᏤ ᏄᏓᏅᏛᎾ ᎨᏒ ᎠᏙᎴᎰᏍᎩ.\nᎩᎶ ᎠᎩᎷᏤᎮᏍᏗ, ᎠᎴ ᎠᏛᎩᏍᎨᏍᏗ ᏂᏥᏪᏍᎬᎢ, ᎠᎴ ᎾᏍᎩ ᎾᏛᏁᎮᏍᏗ, ᏓᏨᎾᏄᎪᏫᏎᎵ ᏓᏤᎸ ᎾᏍᎩ;\nᏔᎵᏁ ᎯᎠ ᏂᏥᏪᎭ, ᏞᏍᏗ ᎩᎶ ᎤᏁᎫ ᏯᏇᎵᏎᎮᏍᏗ; ᎢᏳ ᎠᏗᎾ ᎾᏍᎩ ᏄᏍᏕᏍᏗ, ᎠᏎ ᎠᎩᏁᎫ ᎾᏍᎩᏯ ᏗᏍᎩᏯᏓᏂᎸᎩ, ᎾᏍᎩ ᎠᏴ ᎤᏍᏗ ᎠᏆᏢᏈᏍᏗᏱ.\nᎠᏎᏃ ᎩᎶ ᎯᎠ ᏱᏅᎦᏫ, ᎦᏙ ᏓᎨᎬᏁᎵ ᏙᏓᎨᎦᎴᏔᏂ ᏧᏂᏲᎱᏒᎯ? ᎠᎴ ᎦᏙ ᎤᏍᏕᏍᏗ ᎤᏙᏢᏒ ᏗᏂᏰᎸ ᎠᏂᎷᏨᎭ?\nᎠᎩᎷᏤᎸᎩᏃ ᎠᏏᏴᏫ ᎾᏍᎩ Ꮎ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ, ᎾᏍᎩ ᏥᏓᏂᏰᎲᎩ ᏚᎵᏉᎩ ᎫᎫ ᎦᎵᏉᎩ ᎤᎵᏍᏆᎸᏗ ᎤᏕᏯᏙᏗ ᏗᏟᏍᏗ, ᎠᎴ ᎠᏆᎵᏃᎮᏔᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎡᎮᎾ, ᏓᎬᏯᏎᎮᎵᏃ ᎠᏥᏰᎯ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᏓᎵᎢ.\nᎠᎴ ᎾᏍᎩ ᏂᎦᏗᏳ ᎤᏪᎵᎯᏍᏗ ᎢᏤᎲ ᏤᏥᏲᎯᏏ, ᎾᏍᎩᏰᏃ ᎢᏣᏓᏅᏖᏍᎪᎢ.\nᏭᎾᎩᏎ ᏛᎦ, ᏗᏏᎳᏛᏙᏗ ᎬᏗ ᎤᏩᏇᏅᏔᏁ, ᎫᏩᎵᏖᎸᎮᏗ ᏱᎨᏒᎾ.\nᎤᏂᎾᎥ ᏃᎴ ᏗᎭᎾᏬ ᎦᎳᎨᏴ.\nᎠᏎᏃ ᎥᏝ ᎪᎱᏍᏗ ᎠᏋᏔᏅᎯ ᏱᎩ ᎾᏍᎩ ᎯᎠ; ᎥᏝ ᎠᎴ ᎾᏍᎩ ᎯᎠ ᏱᎪᏪᎸᎦ, ᎠᏴ ᎾᏍᎩ ᎢᏴᏆᏛᏁᏗᏱ; ᎤᏟᏰᏃ ᎣᏏᏳ ᎢᏯᏆᎵᏍᏓᏁᏗ ᏯᎩᏲᎱᏒᏉ, ᎠᏃ ᎩᎶ ᎠᏎᏉ ᏱᏄᏩᏁᎸ ᎠᏆᏢᏆᏍᏙᏗ ᎨᏒᎢ.\nᎤᏓᏍᏆᏂᎪᏙᏗᏱᏍᎩᏂ ᎣᏏᏳ ᎤᏰᎸᎯ, ᎣᏍᏛ ᎨᏒ ᎤᎨᏳᎯ, ᎤᏴᏍᏕᏍᎩ ᏂᎨᏒᎾ, ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ, ᎾᏍᎦᏅᎾ, ᎤᎵᏏᎾᏍᏗ;\nᎢᏥᎦᏴᎵᎨᎢ, ᏞᏍᏗ ᏱᏗᏥᎿᎸᏍᏗᏍᎨᏍᏗ ᏗᏤᏥ, ᏱᏩᎾᎵᎲᏲᎵᎵᎦᏉᏰᏃ.\nᎣᎩᏃᎮᏍᎬᎢ, ᎣᏥᏔᏲᎯᎰᏉ; ᎤᏁᎢᎸᏗ ᎡᎶᎯ ᎡᎯ ᎾᏍᎩᏯ ᎾᎦᎵᏍᏔᏅ, ᎠᎴ ᎦᏓᎭ ᎨᏒ ᎾᎦᎥ ᏧᏓᎴᏅᏛ ᎠᏍᏛᎪᏒᎯ ᏃᎦᎵᏍᏔᏅ ᎪᎯ ᎢᏯᏍᏗ.\nᎠᎦᏬᎥᏃ ᎤᏩᏒ ᎠᎴ ᎾᏍᎩ ᏚᏓᏘᎾᎥᎢ, ᎣᎩᏔᏲᏎᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎢᏳᏃ ᎤᏙᎯᏳᏒ ᎤᎬᏫᏳᎯ ᎪᎯᏳᎲᏍᎩ ᏍᎩᏰᎵᏎᎮᏍᏗ, ᏥᏁᎸ ᎢᏥᏴᎭ ᎠᎴ ᎾᎿ ᎢᏥᏁᏍᏗ. ᎣᎩᏍᏗᏰᏗᏍᎬᏃ ᎣᎩᏎᎪᎩᏒᎩ.\nᎠᎦᏕᏍᏗ ᏗᎦᎷᏫᏍᏓᏁᏗ ᎨᏎᏍᏗ ᏃᏉ ᎤᎵᏍᎨᏓ ᎤᏂᎧᎲ ᏏᏆ ᎤᏪᎵᏎ.\nᏗᎪᏍᏔᏱ ᏅᏯ ᎦᎳᎨᏰ, ᏅᏯ ᏚᏍᏓᎦᎸ ᎤᏅᎪᎣᏒ.\nᏂᎦᏛᏃ ᎤᏂᏣᏘ ᎨᏒ ᎠᎾᏟᏂᎬᏁᎮ ᎬᏩᏒᏏᏍᏗᏱ. ᎾᏍᎩᏰᏃ ᎨᏒ ᏗᏓᎴᎲᏍᎨ ᎤᏓᏅᏬᏗ ᎨᏒ ᎠᎴ ᏚᎾᏗᏫᏍᏗᏍᎨ ᎾᏂᎥᎢ.\nᏃᎴ ᎠᏓᏍᏕᎸᏓ ᏳᏂᎬᎦ ᎤᏩᏛᏗ ᎢᏗᎦᏪᏍᏗ ᏌᎳᏓ, ᏰᎵᏉ ᎢᎦᎵᎢ ᏧᏍᏆᏴᏍᏗ ᎤᏍᏕᎸᏗ.\nᎠᎴ ᎾᏁᎵᏍᎬᎾ ᏥᎨᏎᎢ, ᎬᏂ ᎤᏃᎱᎦᏂᎸ, ᎠᎴ ᏂᎦᏛ ᏚᏂᎬᏨ, ᎾᏍᎩᏯᏉᏍᎩᏂ ᎾᏍᏉ ᏄᏍᏕᏍᏗ ᏴᏫ ᎤᏪᏥ ᎦᎷᏨᎭ.\nᎨᏥᏅᏏᏛᏃ ᎤᎾᏓᏟᏌᏁ ᏥᏌ ᎡᏙᎲᎢ, ᎠᎴ ᎬᏩᏃᏁᎴ ᏂᎦᏛ ᏄᎾᏛᏁᎵᏙᎸ, ᎠᎴ ᎾᏍᏉ ᏄᏍᏛ ᏚᎾᏕᏲᏅᎢ.\nᎤᏪᏅᏒ ᎱᎷᏤ ᏫᎵᎻ ᎤᎸᏉᏛ ᏗᎩᏏ ᎦᏓᏍᎬᎢ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎡᎳᏗ.\nᎤᎬᏫᏳᎯ ᎥᏝ ᎤᏍᎦᏃᎵᏳ ᏱᎩ ᏄᏍᏛ ᎤᏚᎢᏍᏔᏅ ᎢᏳᏛᏁᏗᏱ, ᎾᏍᎩ ᎩᎶ ᎾᏍᎦᏃᎳ ᏣᏁᎵᎭ, ᎬᏂᏗᏳᏍᎩᏂ ᎠᏴ ᎢᎩᎦᏘᏴᎢ, ᏄᏚᎵᏍᎬᎾ ᎨᏒ ᎩᎶ ᎤᏲᎱᎯᏍᏗᏱ, ᏂᎦᏗᏳᏍᎩᏂ ᎤᏂᎷᎯᏍᏗᏱ ᎦᏁᏟᏴᏍᏗ ᎨᏒ ᎣᏓᏅᏛᎢ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏄᏪᏒᎩ; ᎤᏁᎳᎩ; ᎥᎩᏂᏐᏗᏱ ᎨᏒ ᎢᎦ ᎬᏗᏍᎩ ᎤᏍᏆᏂᎪᏔᏅ ᎾᏍᎩ ᎯᎠ.\nᎧᏃᎩᏍᏗ ᎢᏳᏍᏗ ᎠᏂᏒᎳᏍᎨ, ᎠᏂᏤᎷᎩᏍᎩ ᎢᏳᏍᏗ.\nᏚᎦᏔᏍᏔᏁᎢ.\nᎤᏍᏆᏂᎩᏘ ᎤᏃᎮᏗ ᎤᏩᏌ ᎤᎵᏓᎩᏛ.\nᏃᏗ ᏎᎦᏨ ᏯᏛᏅᎢᏍᏔᎾ, ᎭᏫᏂ ᎠᏛᎵᏗ, ᏃᎴ ᏩᏓᎾᏫᏛᏗ.\nᎾᏍᎩ ᎢᎫᏓᎴᏛ ᏥᎩ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎤᎵᏏᎩ, ᎠᎴ ᎾᏍᎩ ᏫᏗᎩᎧᏅᎯ ᏥᎩ ᎾᎿ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᎨᏳᎯ ᎤᏪᏥ;\n“ᏙᎯᏳ ᏓᎩᏯᏪᎦ.” \nᎪᎯᏳᏗ ᎨᏒ ᎠᏅᏗᏍᎬ ᎠᎺᏉᎯᎩᎦᎨᏍᏛᏱ ᎠᏰᎵ ᎤᏂᎶᏎ ᎤᎧᏲᏛᎯ ᏣᏂᎶᏍᎪ ᎾᏍᎩᏯᎢ; ᎢᏥᏈᏱᏃ ᎠᏁᎯ ᎤᎾᏁᎶᏔᏅ ᎾᏍᎩ ᎢᏳᎾᏛᏁᏗᏱ ᏚᏂᎬᏤᎢ.\nᎿᏉᏃ ᎯᏌ ᏅᎬᏩᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᏂᎪᎯᎸ ᏍᎩᏁᎮᏍᏗ ᎾᏍᎩ ᎯᎠ ᎦᏚ.\n“ᏍᎩᎪᎵᏰᎡᏗᏗ”\nᏫᏓᏆᎧᎾᏅ, ᎤᎧᎭᏓ ᎦᏅᎪᎬ ᎠᎰᎵ ᎠᏌᎻᏓ.\nᎿᏉᏃ ᎾᏍᎩ Ꮎ ᏰᎵᏉ ᎬᏩᏲᏍᏙᏙᏗ ᏥᎩ ᏗᏥᏅᎢᏍᏗᏱ, ᎠᎴ ᎬᏂᎨᏒ ᎢᎨᏨᏁᏗ ᏥᎩ ᎤᏣᏘ ᎤᎵᎮᎵᏍᏗ ᎢᏣᏓᏅᏛᎢ ᎪᎱᏍᏗ ᏁᏥᎳᏫᏎᎲᎾ ᎢᎬᏱᏗᏢ ᏓᎧᏅ ᎦᎸᏉᏗᏳ ᎨᏒᎢ,\nᎠᏎᏃ ᎠᏫᏅ ᎾᏍᎩ ᎤᏛᎦᏅ ᎤᏓᏅᏒᎩ ᎤᏲᎢᏳ ᎤᏰᎸᏅᎩ, ᎤᏣᏘᏰᏃ ᎤᏪᎿᎢᏳ ᎨᏒᎩ.\nᏄᏓᎴᏒᏉ ᎪᎱᏍᏗ ᎤᏁᎳᎩ ᎥᏇᎵᏎᎸᎯ ᎠᏆᎵᏍᏓᏴᏗᏱ, ᎠᏎᏃ ᎥᏝ ᏄᏓᎴᏒ ᎪᎱᏍᏗ ᎣᏏᏳ ᎢᏯᏓᏛᏁᎯ ᏱᎩ; ᏄᏌᎴᏒᏉ ᎪᎱᏍᏗ ᎤᏁᎳᎩ ᎥᏇᎵᏎᎸᎯ ᎠᏆᎵᏍᏓᏴᏙᏗᏱ, ᎠᏎᏃ ᎥᏝ ᏄᏓᎴᏒ ᎪᎱᏍᏗ ᎬᏩᏓᏍᏕᎸᏗ ᏱᎩ.\nᏴᏫ ᎬᎩᎸᏉᏗᏍᎬ ᎥᏝ ᏱᏗᏓᏓᏂᎸᎦ;\nᎠᎴ ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᎯᎠ ᏱᏂᏪᏏ ᏗᏍᏓᏓᏅᏟ, ᎬᎸᏏ ᎤᏢᏓᎸᏛ ᏣᎦᏑᎲᎢ, ᎬᏂᏳᏉᏃ ᎤᏃᏍᏛ ᎠᏓ ᏨᏒ ᏣᎦᏑᎭ.\nᎠᏎᎩ ᎠᏤᎯ ᎠᏫᎾ ᏍᎦᏰᎬᏍᏔ ᏯᎦᏔᎲᎾ ᏧᏳᎪᏘ ᎨᏒ.\nᎶᏩᏂ, ᏣᏥ ᏃᎴ ᏤᎩ ᏚᎧᎾᏅ ᏣᎵ, ᎨᏍᏗ ᎤᏁᎵᏒ ᏱᎨᏎ ᎢᏳᏍᏗᏉ.\nᎨᏍᏗ ᏯᎦᏔᎮᎢ ᎢᏳᏛᏁᏗ ᏫᎵᎻ ᎠᎴ ᎢᏣ ᏭᎶᎯᏍᏗ.\nᎿᏉᏃ ᏉᎳ ᏚᏏᏔᏛ, ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏂᎷᏤᎸᎩ, ᏚᏂᏬᏂᏒᎩᏃ ᏧᏓᎴᏅᏛ ᏗᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏙᎴᎰᏒᎩ.\nᎾᏍᎩᏃ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᎥᏝ ᎠᏕᎰᎯᏍᏗᏱ ᏴᎬᏓᏩᏛᏗ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎳᏅᎯ ᎠᎨᏳᏗ ᎨᏒ ᎡᎩᏐᏅᏰᎸ ᏗᎩᎾᏫᏱ, ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩ ᎡᎩᏁᎸᎯ ᏥᎩ.\nᎢᏨᏲᏎᎭ ᎬᏩᏗᏛᏗ ᏂᎨᏒᎾ ᎠᎴ ᏗᎬᏩᏁᏗ ᏂᎨᏒᎾ ᏱᎩ, ᎤᎾᎵᎢᏉ ᎨᏒ ᎢᏳᏍᏗ, ᎾᏑᎵᎪᎬᎾᏍᎩᏂ ᎨᏒ ᎢᏳᏍᏗ ᏯᏗᏛ ᎠᎴ ᏱᏕᎠᎲᏏ ᏂᎦᎥ ᏚᏚᎵᏍᎬᎢ.\nᎣᎰᏂ ᏫᎦᎢᏒ ᎠᏆᏛᎪᏔᏅ ᎠᎵᏥᏙᎲᏍᎬ, ᎠᏎᎩ ᎠᏂᏍᎦᎢᎮ ᎠᏂᎱᏣ, ᏓᏂᎪᏩᏘᏍᎬ ᏧᏂᎾᏌᎢ ᎤᏂᏲᎰᏎᎸ ᏂᎦᏓ ᎤᏂᎾᎥ, ᎤᏅᏌᏣ.\nᏗᎵᏍᏓᏴᏗᏱᏃ ᎨᏒ ᎢᏳᎢ ᎤᎬᏫᏳᎯ ᏧᏲᎯᏎᏗ ᎨᏐ ᏌᏉ ᎠᏴᎩ, ᎯᎠᏉ ᎠᏁᎳ ᏴᏫ.\nᎻᏏᏱᏃ ᎤᏂᎶᏒ, ᏠᎠᏏ ᏭᏂᎷᏨᎩ.\nᎠᎴ ᏍᎩ ᏳᏂᏰᎸ.\nᎪᏱᏁᎢ ᎤᏄᎩᏣᏁ ᎠᎳᏂ.\nᎾᏍᎩ ᏥᏚᏓᏲᏎ ᎠᏴ ᎢᎩᏍᎦᏅᏨ ᏥᏍᏗ ᎦᎵᏍᏙᏗᏍᎨᎢ, ᎾᏍᎩ ᎢᎫᏓᎴᏍᏗᏱ ᎪᎯ ᎨᏒ ᎡᎲ ᎤᏲᎢ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎠᏓᏅᏖᏍᎬ ᎤᏁᎳᏅᎯ ᎠᎴ ᎢᎩᏙᏓ;\nᎢᏨᎨᏳᎢ, ᎢᏨᏔᏲᏎᎭ, ᎾᏍᎩᏯ ᏂᎨᏥᎦᏔᎲᎾ ᎠᎴ ᎠᏁᏙᎯ ᎢᏳᎾᏛᏁᏗ ᏂᏣᏛᎦ, ᏗᏥᏲᎯ ᎤᏇᏓᎸ ᎤᎬᎥᎯᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏓᏅᏙ ᏥᏓᏁᏓᎿᏫᏯ.\nᎠᏎᏃ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎾᏍᎩᏉ ᏌᏉ ᎠᏓᏅᏙ ᏕᎤᎸᏫᏍᏓᏁᎰᎢ, ᏓᏯᏙᎮᎰ ᎾᏂᎥ ᏧᎾᏁᎳᎩᎭ ᏧᎾᏤᎵ, ᎯᎠᏉ ᏄᏍᏕᏍᏗ ᎡᎵᏍᎬᎢ.\nᎠᏎᏃ ᎤᏟᏉ ᎢᎦᎢ ᏚᏰᎵᏎ ᎾᏍᎩ ᏕᎦᏃᏣᎸᎢ. ᎤᏂᏣᏘᏃ ᏚᏂᎳᏫᏦᎴ ᎤᎾᏚᎵᏍᎨ ᎤᎾᏛᎪᏗᏱ ᎠᎴ ᏧᏅᏬᏗᏱ ᏚᏂᏢᎬᎢ.\nᎦᏙ ᏓᏥᏲᏎᎵ, ᏍᎩᎨᏳᎮᏍᏗ ᏍᎩᎨᏳᎮᏍᏗ.\nᎤᏪᏥᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎡᏙᏓ, ᎦᎸᎳᏗ ᏥᏍᎦᏅᏤᎸ, ᎠᎴ ᏂᎯ ᎯᎦᏔᎲᎢ; ᎠᎴ Ꮭ ᎿᏉ ᎠᏇᏥ ᎨᏍᏉᏎᏗ ᏱᎩ.\nᎢᏗᎦᏔᎭ ᎤᏁᎳᏅᎯ ᏅᏓᎦᏓᎴᏅᎯ ᎨᏒᎢ, ᎠᎴ ᏂᎬᎾᏛ ᎡᎶᎯ ᎤᏃᏴᏨ ᎤᏲ ᎨᏒᎢ.\nᎯᎠᏃ ᏅᎬᏩᏪᏎᎸᎩ; ᎥᏝ ᏂᎯ ᎡᏣᏃᎮᏍᎬ ᎪᏪᎵ ᏧᏗᏱ ᏂᏙᏓᏳᏃᏪᎳᏅᎯ ᏱᏙᎩᏃᎮᎭ, ᎥᏝ ᎠᎴ ᎩᎶ ᎢᏓᏓᏅᏟ ᎾᎿ ᏅᏓᏳᏂᎶᏒᎯ ᎬᏂᎨᏒ ᏱᏂᎨᏨᏁᎴᎢ, ᎥᏝ ᎠᎴ ᎤᏐᏅ ᏱᎨᏣᏃᎮᎴᎢ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎺᎵ ᏞᏍᏗ ᏣᏍᎦᎸᎩ; ᎤᏁᎳᏅᎯᏰᏃ ᎣᏍᏛ ᏣᏰᎸᏗ ᎨᏒ ᏣᏩᏛᎲ.\nᎠᏎᏃ Ꮭ ᎾᏍᎩᎾ ᏳᏗᏅᏖᏔᏁ ᏍᏏᏉᏯ.\nᏃᎴ ᎠᏛᏍᎨ ᎨᏴᎢ, ᎭᏫᏂᎨ ᏃᎴ ᎦᏣᏄᎵᎨ ᏂᎦᎵᏍᏗᏍᎨ ᎨᏴᎢ.\nᎠᏏᏉᏃ ᏭᎶᏒ ᎤᏯᏅᏒᎯ ᏫᏓᏂᎧᏁ ᎦᎸᎳᏗ, ᎬᏂᏳᏉ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᏧᏁᎬ ᏧᎾᏄᏫ ᎤᎶᏗᏢ ᎦᎾᎴᏂᎴᎢ;\nᎨᏍᏗ ᏳᏚᎵᏍᎨ ᏫᏚᏩᏐᎯᏍᏗ ᏍᎩᎾᎾ ᎠᏥᎶᎥ, ᏐᏉ ᎢᏳᏩᎬᏔ ᏚᏩᏐᏨ ᎤᏛᎾ ᎤᎫᎫ ᎡᏆ ᎠᏍᎪᎳ ᎡᏝᏪᎯ ᎤᏃᎯᎸᏍᏔᏁ ᎠᎬᏱᏣ ᎠᏰᎵ ᎤᎵᏏᎬ ᏃᏥ ᎭᏫᏂᏣ.\nᎾᏍᎩ ᎤᏣᏘ ᎡᎯᏍᏗ ᎠᏆᏓᏅᏔᏩᏕᎬ ᎠᎴ ᏂᎪᎯᎸ ᎤᏲ ᎠᎩᏰᎸᏒ ᎠᎩᎾᏫᏱ.\nᎿᏉᏃ ᏈᏓ ᎯᎠ ᏄᏪᏎᎢ; ᎠᏕᎸ ᎤᏂᏁᎬ ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᎥᏝ ᏱᏓᎩᎭ, ᎢᏳᏍᏗᏍᎩᏂᏃᏅ ᎠᎩᎲ ᎬᎥᏏ; ᏥᏌ ᎦᎶᏁᏛ ᎾᏎᎵᏗ ᏤᎲ ᏕᎤᏙᏍᏛ ᏔᎴᎲᎦ ᎠᎴ ᎮᏓ.\nᎠᎴ ᎾᏍᏉ ᎠᏂᏍᎦᏯ ᏚᏂᏲᏍᎨ ᎢᏳᎾᏛᏁᏗ ᎨᏒ ᎾᏍᎩ ᎠᏂᎨᏴ ᎨᎦᏁᎳᏅᎯ ᎤᎬᏩᎵ ᎨᏒᎢ, ᎤᏤᏘ ᏓᎾᏓᏕᎳᏲᏍᎨ ᎤᏅᏒᏉ ᎨᏒᎢ; ᎠᏂᏍᎦᏯ ᎠᏂᏍᎦᏯᏉ ᎪᎱᏍᏗ ᏓᎾᏓᏛᏗᏍᎨ ᏚᏂᎸᏫᏍᏓᏁᎮ ᎾᏍᎩ ᎤᏕᎰᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏅᏒ ᎨᏒ ᎤᎾᎵᏩᏛᎡᎮ ᏚᏳᎪᏛ ᎨᎦᎫᏴᎡᏗ ᎨᏒ ᎾᏍᎩ ᎤᏂᎵᏓᏍᏗᏍᎬᎢ.\n”ᎤᎵᏍᎨᏓ ᎦᏢᏗ.”\nᎯᎠ ᎾᏍᎩ Ꮎ ᎠᎾᏓᏓᎴᏗᏍᎩ ᏥᎩ, ᎤᏇᏓᎵᏉ ᎠᏂᏍᏓᏩᏕᎩ, ᎠᎠᏅᏙ ᏄᏁᎲᎾ.\nᎠᏂᎪᏍᏔ, ᏗᏒᎾᏔᏅ ᏃᎴ ᎦᏚ ᏗᏑᏴᏅ.\nᎠᏎᏗ ᏄᏪᎵᏍᎬᎾ ᎨᏎ ᏌᎳᏓ.\nᎠᏎᏃ ᏥᏌ ᎤᏬᏯᏁᏒ, ᏚᎴᏔᏁᎢ, ᎠᎴ ᏚᎴᏁᎢ.\nᎬᏩᏍᏓᏩᏗᏎᏃ ᎤᏂᏣᏘ ᏴᏫ, ᎠᎴ ᎠᏂᎨᏴ, ᎾᏍᎩ ᎾᏍᏉ ᏓᏂᏴᎨ ᎠᎴ ᎬᏩᏍᎪᏂᎮᎢ.\nᏅᏩᏓᎴᏃ ᏗᎧᎿᏩᏗᏙᎯ ᎠᎵᏍᏓᏩᏗᏒᎩ, ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᏓᏓᎶᏂ ᎠᏲᎩ, ᎠᏲᎩ, ᎾᏍᎩ Ꮎ ᎡᏆ ᏥᎦᏚᎲᎩ, ᏅᏓᎦᎵᏍᏙᏓ ᏂᎦᏗᏳ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᏁᏩᏗᏒ ᎤᎾᏗᏔᏍᏗᏱ ᏂᏚᏩᏁᎸ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏓᏑᏱ ᎤᏕᎵᏛ ᏚᏂᏏᏂᏙᎸ ᎢᏳᏩᏂᏌᏛ.\nᎤᎩᏓᏟᏅᏯ ᎤᏓᎵ.\nᏂᎯᏍᎩᏂ ᎯᎠ ᏂᏥᏪᎭ, ᎢᏳᏃ ᎩᎶ ᎯᎠ ᏂᎦᏪᏎᎮᏍᏗ ᎤᏙᏓ ᎠᎴ ᎤᏥ, ᎪᏆᏂ, (ᎾᏍᎩ ᎦᏛᎬ, ᎠᏆᎵᏍᎪᎸᏔᏅᎯ,) ᏂᎦᎥ ᎨᏣᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎠᏴ ᎬᏍᏕᎵᏍᎬᎢ; [ᎾᏍᎩ ᎤᏚᏓᎴᏛ ᎨᏎᏍᏗ.]\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎾᏍᎩ ᎢᏣᏛᏅᎢᏍᏕᏍᏗ, ᏂᏤᎵᏍᎬᎾᏉᏰᏃ ᎨᏒ ᎢᏳ ᏴᏫ ᎤᏪᏥ ᏓᎦᎷᏥ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏱᏗᎵᎮᏍᏗ, ᎾᏍᎩᏯ ᎠᏂᏐᎢ ᎾᎾᏛᏁᎲᎢ; ᎢᏗᏯᏫᏍᎨᏍᏗᏍᎩᏂ ᎠᎴ ᏂᏗᎩᏴᏍᏕᏍᎬᎾ ᎨᏎᏍᏗ.\nᎯᎠᏰᏃ ᏂᎬᏅ ᎪᏪᎳ, ᎢᏥᏍᎦᎾ ᏂᎨᏒᎾ ᎨᏎᏍᏗ, ᎠᏴᏰᏃ ᏥᏍᎦᎾ ᏂᎨᏒᎾ ᎢᎩ.\nᎠᎴ ᎠᎩᎪᎲᎩ ᎪᏪᎵ ᎠᎦᏘᏏᏗᏢ ᎤᏬᏰᏂ ᎤᏒᎦᎸᎩ ᎾᏍᎩ Ꮎ ᎦᏍᎩᎸ ᎤᏬᎵ, ᎭᏫᏂᏗᏢ, ᎠᎴ ᎦᏚᎢᏗᏢ ᎪᏪᎸᎩ ᎦᎵᏉᎩ ᎪᏪᎵ ᏗᏍᏚᏗ ᏓᏍᏚᏛᎩ.\nᏚᎾᏓᎶᏅ, ᎤᎾᎵᏗᎩᏎ ᏐᏈᎵ ᎠᏙᎯ ᎢᏣ, ᏃᎴ ᎤᎾᎴᏫᏍᏔᏁ ᎤᏂᎷᏤ, ᎤᎾᏦᏍᏔᏁ ᎠᏁᏙᎮ, ᏓᎾᎳᏍᏘᏰᏍᎨ ᏧᏙᎣᏒ ᏧᎾᏔᎾᎶ ᏃᎴ ᎾᏂᏪᏍᎨ.\nᎢᎬᏪᏅᏛᏉᏃ ᎤᎵᏍᏗ ᎤᏴᎵᎴ ᎤᎬᏫᏳᎯ ᎠᏯᎥᎢ, ᎠᎴ ᎤᏔᏲᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏆᏚᎵ ᎩᎳᏉ ᎢᏴᏛ ᏍᎩᏁᏗᏱ, ᎠᏖᎵᏙᎩᎯ, ᏣᏂ ᏗᏓᏬᏍᎩ ᎤᏍᎪ.\nᏚᎴᏅᏃ ᎤᏘᏅᏎ ᎠᏲᎵ ᎠᎴ ᎤᏥ, ᎠᎴ ᎢᏏᎵᏱ ᏭᎷᏤᎢ.\nᎤᏍᏆᏂᎩᏗ ᏂᎦᎵᏍᏓ ᎭᏂ ᏕᎦᎶᎨᏒ.\nᎡᏘᏴ ᎤᏍᎦᏅᏥᏙᎸ ᎤᎴᏅᏔᏅ ᎤᏬᏂᏒ.\nᎩᎶᏰᏃ ᎾᏛᏁᎮᏍᏗ ᏄᏍᏛ ᎤᏚᎵᏍᎬ ᎡᏙᏓ ᎦᎸᎳᏗ ᎡᎯ, ᎾᏍᎩ ᎥᎩᏅᏟ ᎠᎴ ᎥᎩᏙ ᎠᎴ ᎡᏥ.\nᎠᎴ ᎤᏂᏣᏘ ᎢᏏᎵ ᏧᏪᏥ Ꮩ ᏛᎪᎸᏏ ᏱᎰᏩ ᎤᎾᏁᎳᏅᎯ ᎢᏗᏢ ᏙᏛᎦᏔᎲᏍᏔᏂ.\nᎢᎦ ᎩᎳᏈᏴ ᎤᏒᎯ ᏂᎵᏍᏔᏁ, ᎠᏎᏃ ᎠᏤ ᎢᏳᏍᏗ ᎤᎵᏑᏫᏓ, ᎤᏍᎦᏃᎵ ᎠᏓᏅᏍᎨ ᎾᏍᎩᏯ ᎠᏍᎦᏃᎵ ᎠᎹᏱ ᎭᏫᏂ ᏣᏓᏏᏂᏐᎢ.\nᎣᎭᏁᏃ ᎤᏂᎵᏦᏩᏛ ᏭᏂᏟᏅᏣ ᏣᎵ ᏚᎵᏘᎾᎥ, ᎦᎷᏯᏍᏗ ᏃᎴ ᎤᏓᎵ ᎦᏂᏏ ᏓᏂᏅᎬ ᎡᏝᏪᎯ ᎠᎾᏟᏃᎮᏍᎬ, ᎠᏂᏃᎮᏍᎬ ᎢᎫᏩᎾᏛᏁᏗ ᎨᏒ ᏧᏂᎨᎯᏓᏍᏗ ᎤᏂᏍᎦᏎᏗ ᎫᏂᏩᏛᎯᏙ.\nᏣᏂ ᎧᏃᎮᏍᎬᎩ ᎾᏍᎩ [ᎧᏃᎮᏛ,] ᎠᎴ ᎤᏪᎷᏅᎩ ᎯᎠ ᏄᏪᏒᎩ; ᎯᎠ ᎾᏍᎩ ᏥᏥᏃᎮᏍᎬᎩ, ᎯᎠ ᏥᏂᏥᏪᏍᎬᎩ, ᎣᏂ ᏨᏓᏯᎢ ᎢᎬᏱ ᎠᎦᎴᏗ, ᎾᏍᎩᏰᏃ ᎡᎲᎩ ᎠᏏ ᏂᎨᎥᎾ ᏥᎨᏒᎩ.\nᎠᏉᎵᏨ ᏚᏳᎪᏛ ᎾᏆᎵᏍᏔᏁᎸ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᏥᏌ ᎤᏍᏆᏛ ᏂᎦᏛ ᎯᎠ ᎾᏍᎩ ᏂᎦᏪᏍᎬᎢ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ;\nᏝᏍᎪ ᏱᏥᎦᏔᎭ ᎤᎾᏓᏅᏘ ᎡᎶᎯ ᏧᏄᎪᏓᏁᏗ ᎨᏒᎢ? ᎢᏳᏃ ᎡᎶᎯ ᏗᏧᎪᏓᏁᏗ ᎨᏎᏍᏗ, ᏝᏍᎪ ᏰᎵ ᎤᏍᏗ ᎧᏂ ᎨᏒ ᏗᎨᏧᎪᏙᏗ ᏱᎩ?\nᎤᏣᏘᏃ ᎤᏲᏏᏌᏁᎢ, ᎠᎴ ᎤᏚᎵᏍᎨ ᎤᎵᏍᏓᏴᏗᏱ, ᎠᏎᏃ ᎠᏏᏉ ᎠᎾᏛᏅᎢᏍᏗᏍᎨ ᏣᎦᎵᎰ ᎾᏍᎩᏯ ᏄᎵᏍᏓᏁᎴᎢ.\nᎤᏰᏥ ᏌᏌ.\nᎤᏙᏯᏅᎯᏛᏃ ᎤᏒᏂᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎣᏏᏳ ᏥᏰᎸᎾ; ᏣᏓᏅᎦᎸᏛ ᎨᏎᏍᏗ. ᎩᎳᏉᏃ ᎢᏴᏛ ᎠᏓᏰᏍᎩ ᎤᏢᎬ ᎤᏓᏅᎡᎴᎢ.\nᏃᏗ ᎤᏔᎾᏯ ᎤᏃᏕᎾ ᎤᏁᏤ, “ᎠᏯ ᎪᎢᏳᏗ, ᏄᏓᎴ ᎠᏤᎯ ᎪᏪᎶᏗ ᏓᏏᎳᏛ, ᎠᏍᏆᏂᎪᏙᏗ ᎬᏅᎢ ᏫᎵᎻ.\nᎪᎯᏰᏃ ᎢᏳᏓᎴᏅᏛ ᏏᏓᏁᎸᎯ ᎨᏒ ᎯᎠᎩ ᎢᏯᏂᏛ ᏔᎵ ᏄᎾᏓᎡᏍᏗ, ᏦᎢ ᎢᏯᏂᏛ ᎤᎾᎵᎪᏎᏍᏗ ᎠᏂᏔᎵ ᏚᎾᏡᏕᏍᏗ, ᎠᎴ ᎠᏂᏔᎵ ᎤᎾᎵᎪᏎᏍᏗ ᏦᎢ ᏚᎾᏡᏕᏍᏗ.\nᎦᎵᏬᎦ ᎪᎩ, ᎦᎵᏬᎦ.”\nᎵᏫᏃ ᎤᏣᏘ ᏣᎦᎵᏍᏓᏴᎾᏁᏗᏱ ᎤᏛᏅᎢᏍᏓᏁᎴ ᎤᏩᏒ ᎦᏁᎸᎢ; ᎠᎴ ᎤᏂᏣᏖ ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᏅᏩᎾᏓᎴ ᎢᏧᎳᎭ ᎠᏂᏅᏜᎡᎢ.\nᎤᏟᏂᎩᏛ ᎤᏛᏅ ᎠᏌᎻᏓ ᎤᏚᎩᏐᏅ.\nᎤᏁᎳᎩᏉ ᎡᎵᏍᎪ ᏂᎦᎥ ᎪᎱᏍᏗ; ᎪᎯᏳᎲᏍᎪ ᏂᎦᎥ ᎪᎱᏍᏗ; ᏂᎦᎥᏉ ᎪᎱᏍᏗ ᎤᏚᎩ ᎤᏩᏐᎢ; ᎬᏂᏗᏳ ᎨᏐ ᏂᎦᎥᎢ.\nᎢᏳᏃ ᎩᎶ ᏄᏃᎯᏳᏒᎾ ᎨᏒ ᎢᎨᏣᏯᏂᏍᎨᏍᏗ, ᎠᎴ ᎢᏣᏚᎵᏍᎨᏍᏗ ᎢᏤᏅᏍᏗᏱ; ᏄᏍᏛᏉ ᎪᎱᏍᏗ ᎢᎬᏱᏗᏢ ᎡᏥᏝᏁᎲ ᎢᏣᎵᏍᏓᏴᏗᏍᎨᏍᏗ, ᎠᎴ ᏞᏍᏗ ᎪᎱᏍᏗ ᏱᏣᏛᏛᎲᏍᎨᏍᏗ, ᎠᎦᏅᏙᎩ ᎨᏒ ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᎾᎿᏃ ᏫᎣᎦᏣᏅ, ᏈᎵᎩᏱ ᏬᎩᏃᎸᎩ, ᎾᏍᎩ ᏄᎬᏫᏳᏒ ᎦᏚᎲ ᎾᎿ ᎢᏗᏢ ᎹᏏᏙᏂ, ᎠᎴ ᎾᏍᎩ ᎤᎾᏓᏅᏛ ᎤᏂᏚᎲ ᏥᎩ. ᎾᎿᏃ ᎦᏚᎲ ᎢᎸᏍᎩ ᏧᏒᎯᏛ ᎣᎨᏙᎸᎩ.\nᎤᏟ ᎦᎸᎳᏗᏳ ᎡᏍᎦᏉ ᎾᏂᎥ ᏗᎨᎦᏁᎶᏗ ᎨᏒᎢ, ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎨᎦᎨᏅᏴ ᎨᏒᎢ, ᎠᎴ ᎤᏂᎬᏫᏳᏎᏕᎩ ᎨᏒᎢ, ᎠᎴ ᎾᏂᎥ ᏚᎾᏙᎠᏗᏒ ᏗᎪᎥᎯ ᏥᎩ, ᎥᏝ ᎠᏂᏉ ᎤᏩᏒ ᎪᎯ ᏥᎩ, ᎾᏍᏉᏍᎩᏂ ᎾᎿ Ꮒ ᎠᏏ ᎤᎵᏰᎢᎶᎯᏍᏗ ᏥᎩ,\nᎨᏍᏗ ᏱᏓᎨᏏ ᎤᏛᏅ ᏣᎵ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏆᏚᎵᎭ ᎢᏨᏯᏅᏓᏗᏍᏙᏗᏱ ᎾᏍᎩ ᎯᎠ ᎦᏳᎳ ᏥᏥᎦᏔᎭ, ᎾᏍᎩ Ꮎ ᎤᎬᏫᏳᎯ ᏥᏚᏭᏓᏓᏎ ᏴᏫ ᎢᏥᏈᏱ ᎦᏓ ᎠᎲ, ᎣᏂ ᏥᏚᏛᏔᏁ ᎾᏍᎩ Ꮎ ᏄᏃᎯᏳᏅᎾ.\nᎢᏳᏃ ᏧᎾᎴᎯᏐᏗ ᏂᎨᏒᎾ ᏱᎩ ᏧᏂᏲᎱᏒᎯ, ᎿᏉ ᎦᎶᏁᏛ ᎥᏝ ᏧᎴᎯᏌᏅᎯ ᏱᎩ.\nᏫᎬᏩᏩᏛᎲᏃ, ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᏂᎦᏛᏉ ᏴᏫ ᎨᏣᏲᏎ.\n ᎨᏍᏗ ᎩᎶ ᏳᏚᎵ ᎠᎩᏍᏕᎸᏗ\nᎠᏆᏅᏔ ᏐᏉ ᎤᏓᏏᏂᏕᏅ, ᎨᏍᏗ ᏱᏥᎦᏔ ᎢᏳᏍᏗ ᎤᏰᎸᏛ, ᎤᏐᏱᎭ ᎨᏒ.\nᎤᎬᏫᏳᎯᏃ ᎤᎪᎵᏰᎥ, ᎤᏛᏛᏅᎩ ᎾᎿ ᏍᎦᏚᎩ ᎡᎯ ᎨᏒᎢ, ᎤᏛᎦᏅᏃ ᏏᎵᏏᏱ ᎡᎯ ᎨᏒᎢ,\nᎠᎴ ᎤᎾᏁᎶᏔᏅᎯ ᏥᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎠᎴ ᎤᎵᏂᎩᏛ ᎨᏒ ᎤᎵᏍᏆᎸᏗ ᎨᏒᎢ,\nᎩᎶ ᏕᎦᎵᎷᎨᏍᏗ ᎤᏛᎪᏗᏱ, ᎾᏍᎩ ᏩᏛᎬᎦ.\nᎤᏪᎷᏅ, ᎤᎾᎵᏗᏍᎩᏎ ᏏᏆ, ᎦᏅᎬ ᎦᏚᎢᏣ.\nᎥᏝᏰᏃ ᎤᏁᎳᎩ ᎦᏲᎩᏂᏰᎸᏗ ᏱᎩ, ᎣᎩᏂᏁᎢᏍᏙᏗᏱ ᏄᏍᏛ ᎣᎩᏂᎪᎲᎢ, ᎠᎴ ᎣᎩᎾᏛᎦᏅᎢ.\nᏂᎦᎥᏍᎩᏂ ᎤᏟᎯᏳ ᎠᏥᎸᏉᏗᏳ ᏴᏫ ᎡᏉᎦᏉ ᎠᏫ ᎤᏃᏕᎾ. ᎾᏍᎩᏍᎩᏂ ᎢᏳᏍᏗ ᏰᎵᏉ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ.\nᏥᏳ, ᏚᏙᎣᏐᏅ ᏗᏯᏖᏅ ᏧᏆᎶᎦ, ᏧᏔᎷᎩᏍᎩ ᏫᏚᎸᏌᏛ ᎤᏬᏗᎨ ᏚᏅᏓᏒ.\nᎥᎬᏩᎪᏁᎶᎯᏎᎸᎩᏃ; ᎠᏎᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎠᏙᎴᎰᏍᎩ ᎥᏝ ᎾᏥᎸᏉᏛᎾ ᏱᎨᏐᎢ, ᎤᏩᏒᏍᎩᏂᏃᏅ ᎤᏤᎵᎪᎯ ᎠᎴ ᎤᏩᏒ ᎦᏁᎸᎢ.\nᎤᎧᎭᏛ ᏓᎪᏩᏘᏍᎨ ᏲᎾ ᏗᎦᎴᏂ ᏃᎴ ᎤᏬᏗᎨ ᎤᏍᎪᎸ ᎧᏴᏐᎵ.\nᏥᎪ ᎢᎾᏈᎷ ᎾᏍᎩ? ᎠᏴ ᎾᏍᏉ. ᏥᎪ ᎠᏂᎢᏏᎵ? ᎠᏴ ᎾᏍᏉ. ᎡᏆᎭᎻᏍᎪ ᏧᏁᏢᏔᏅᏛ ᎾᏍᎩ? ᎠᏴ ᎾᏍᏉ.\nᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗᏉ ᎡᏥᏲᎢᏎᎸᎩ ᎾᏍᎩ Ꮎ ᏥᎧᏁᎦ. ᎢᏳᏰᏃ ᏄᎾᏓᏗᏫᏎᎸᎾ ᏱᎩ ᎾᏍᎩ Ꮎ ᎤᏂᏲᎢᏎᏛ ᎡᎶᎯ ᎤᏁᏨᎯ, ᎤᏟᎯᏳ ᎬᏩᏟᏍᏗ ᎢᎦᏓᏗᏫᏎᏗᏱ ᎢᏳᏃ ᎢᏴᏛ ᏱᏁᏓᏛᏁᎸ ᎦᎸᎳᏗ ᏨᏗᎧᏁᎦ;\nᎤᏃᎴ ᏙᎦᏘᏁᎪ, ᎣᏤᎵᏍᎬ ᎣᏤᎪ.”\nᎾᏂᎥᏰᏃ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᎢᏯᏛᏁᏗᏱ ᎠᎾᎵᏍᎦᏍᏙᏗᏍᎩ, ᎾᏍᎩ ᎨᏥᏍᎦᏨᎯ; ᎯᎠᏰᏃ ᏂᎬᏅ ᎢᎬᏪᎳ, ᎨᏥᏍᎦᏨᎯ ᎨᏎᏍᏗ ᎾᏂᎥ ᎩᎶ ᏂᏓᏂᎧᎿᏩᏕᎬᎾ ᎢᎨᏎᏍᏗ ᎾᎾᏛᏁᎲ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎪᏪᎸᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᏈᏓ ᏂᎬᎾᏛ ᎤᏪᏙᎸ ᎾᏍᏉ ᏫᏚᎷᏤᎴ ᎤᎾᏓᏅᏘ ᎵᏓ ᎠᏁᎯ.\nᏍᏗᏫ ᎠᏥᏁᏤᎴ ᎤᏂᏴᏗ ᎢᎾᏓ ᎪᎢ ᎠᏍᏚᏥᏍᎬ ᎢᏳᎯ.\nᎤᏪᏯ ᎾᎥ ᏩᎾᎢᏒ, ᏩᎭᏯ ᎾᎥ ᎤᎦᏌᏗᏣ…\n[ᎯᎠ ᏥᏂᎦᏪᎭ,] ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎤᏂᏍᎦᏅᏨ ᎦᎨᏥ-ᏁᎸᎯ, ᎠᎴ ᎤᏲ ᏄᎾᏛᏁᎸ ᎨᎫᏢᎾᏁᎸᎯ;\nᎠᎨᏴᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎥᏝ ᏱᏚᏳᎪᏗ ᏗᎩᎡᏗᏱ ᏗᏂᏲᎵ ᎤᎾᏤᎵ ᎦᏚ, ᎩᎵᏃ ᏫᏓᏗᏁᏗᏱ.\nᎠᎴ ᎥᏝ ᎯᎠᏉ Ꮎ ᎤᏅᏒ ᏱᎦᏥᏯᏓᏙᎵᏍᏓᏁᎭ, ᎾᏍᏉᏍᎩᏂ Ꮎ ᎠᎾᎵᏥᏙᎲᏍᎬ ᎬᏉᎯᏳᎲᏍᎩ ᎢᏳᎵᏍᏙᏗ ᏥᎩ ᎦᏥᏯᏓᏙᎵᏍᏓᏁᎭ;\nᎡᎵᏍᏗ ᎦᏲᏟ ᏗᎩᏏᎳᏛᏙᏗ ᎡᎳᏗ ᎢᏯᏆᏛᏁᏗ.” \nᎠᏴ ᎤᏙᎯᏳᎯ ᎯᎠ ᏂᎨᎵᏍᎬᎩ; ᏚᏳᎪᏛ ᏱᏂᎦᏛᏁᎭ ᎤᏣᏘ ᎪᎱᏍᏗ ᏱᏓᎩᎸᏫᏍᏓᏁ ᎦᏡᏗᏍᎬ ᏕᎤᏙᎥ ᏥᏌ ᎾᏎᎵᏘ ᏤᎲᎩ.\nᎾᏍᎩᏃ ᎦᎸᎳᏗ ᎡᎯ ᎢᏥᏙᏓ ᏧᏪᏥ ᏂᏣᎵᏍᏗᏍᎨᏍᏗ; ᎾᏍᎩᏰᏃ ᎤᏤᎵ ᏅᏙ ᏕᎦᎾᏄᎪᏫᏎᎰ ᎤᏂᏲ ᎠᎴ ᎠᏃᏍᏛ, ᎠᎴ ᏓᎦᏅᏓᏁᎰ ᎤᎾᏓᏅᏘ ᎠᎴ ᎤᏂᏁᎫᏥᏛ.\nᏚᎴᏅ ᎠᏧᏣ ᎠᎹ ᏄᏩᏅᏓᎩᏎ ᎤᏍᏘᏰᎬ, ᎦᏁᎮ ᎠᏰᎳᏍᏗ, ᎠᎼ ᎤᏓᏅᎦᎸᏓ.\nᏅᏃ ᏚᎾᏦᎭᏱᎸ.\nᎠᎴ ᏔᎵᏁ ᎤᏴᎸᎩ ᏗᎫᎪᏗᏱ, ᎯᎠ ᏫᏄᏪᏎᎸᎩ ᏥᏌ; ᎭᏢ ᏅᏓᏣᏓᎴᏅᎯ? ᎠᏎᏃ ᏥᏌ ᎥᏝ ᏳᏁᏤᎴᎢ.\nᎨᏍᏗ ᎯᎸᎯᏳ ᏭᏙᎯᏳᎲ ᏧᎵᎢ ᏏᏆ ᏯᏁᎮᎢ, ᏃᎴ ᎤᏕᎶᎰᏎ ᎠᎵᎢ ᎣᎯᏍᏙᏗ ᎠᏓᏅᏖᏙᏗ ᎭᏂ ᎡᎶᎯ.\nᎪᎰᏍᏘ ᎤᏰᎸᏗ ᏓᏳᎾᏘᏲᎸ, ᎠᏂᏐ ᎠᏂᏧᏣ ᎤᎾᏦᎣᏒ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵᎦ ᎢᏤᎳᏗᏙᎮᏍᏗ ᏂᏥᎥᎢ. ᎡᎺᏅ.\n“Ꭵ, ᎤᏙᏳᎯ,”\nᏃᎴ ᏍᏓᏱᎨᏍᏗ ᎯᎧᏁᎦ ᏣᏓᏦᎲᎢ.\nᎩᎶᏰᏃ ᏂᏚᏳᎪᏛᎾ ᎾᏛᏁᎮᏍᏗ ᎠᎩᏍᎨᏍᏗ ᎠᎴ ᎠᏗᏔᏍᎨᏍᏗ, ᎾᏍᎩ ᎠᎩᏍᎨᏍᏗ ᎠᎴ ᎠᏗᏔᏍᎨᏍᏗ ᏧᏭᎪᏓᏁᎯ ᎤᏩᏛ ᎤᏍᎦᏅᏨᎢ, ᎾᎪᏩᏘᏍᎬᎾ ᎨᏒ ᎤᎬᏫᏳᎯ ᎠᏰᎸᎢ.\nᎠᎦᏴᎵ ᎤᏤᏥᏍᏗ ᎤᏍᏆᏙᏁ ᏣᏁᎳ ᏧᏕᏘᏴᏓ, ᎤᎴᏅᎮ ᎤᏩᏌ ᎡᎲ Nashville ᏙᏰ, ᎣᏍᏓ ᎤᏰᎸᎮ ᎤᏬᏰᏂ ᎬᏘ ᏳᏎᎵᏙᎳ ᏂᎬᎾᏛ ᎦᏙ, ᎾᏍᏉ ᎤᎸᏂᏗᏍᎬ.\n“ᎭᏩ, ᎨᏍᏗᏗ ᎤᎵᏬᏨ ᏏᏆ ᎨᏗᏁᏗ ᏱᎩ ᎤᎵᎪᎾᏔᏅᎯ,” ᎤᏛᏁ ᏍᏓᏯ ᎢᎬᏁ ᎦᏬᏂᏍᎩ.\nᎤᎦᏃᏫ ᎨᏒ ᎤᏍᏔᎦᏢ.\n”ᎭᏂ ᎦᎸᎳᏗᏣ,” ᎤᏛᏁ ᎦᏬᏂᏍᎩ.\nᏔᎵᏚ ᎢᏳᏩᏂᎸ----ᎢᎦ ᎠᎵᏍᏓᏴᏗ.\nᎢᎦᏓ ᎠᏂᎨᏯ ᏚᏂᏁᎦᎳᎲ ᏃᎴ ᏚᏂᎦᏧᎳᎩᏒ ᏌᎶᎵ ᎾᏍᎩᏯ ᏎᎷ ᎣᏍᏓ ᏥᏂᏓᏅᏁᎰ, ᏗᎪᏍᏓᏱ ᎠᏓᏒᎩ ᎠᏓ ᏫᏚᏄᏍᏙᏅ ᏧᎾᎦᏎᏂ ᏗᏂᎰᎵ ᏫᏗᎦᏅᎪᎩ, ᎪᏍᏓ ᏧᏗᎴᎩ ᎦᏚᎢᏣ ᏫᏚᏂᏒᎾᏔᏅ.\nᎠᏎᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎥᏝ ᏂᎯ ᎢᏥᎦᏙᎥᎯᏍᏗ ᏱᎩ ᎢᏳ ᎠᎴ ᎾᎯᏳ ᏕᎨᏌᏗᏒᎢ, ᎾᏍᎩ ᎠᎦᏴᎵᎨ ᎤᏩᏒ ᎢᏧᏩᏁᎵᏓᏍᏗ ᏥᏄᏩᏅ.\nᏌᏉᎯᏰᏃ ᎠᏓᏅᏙ ᎢᏳᏩᏂᏌᏛ ᏂᏗᎥ ᏤᎦᏬᎥᎯ ᏌᏉ ᎠᏰᎸ ᎢᏰᎬᏁᎸᎯ, ᎾᏍᏉ ᎢᏗᏧᏏ ᎠᎴ ᏗᎦᏓᎴᏅᏛ ᏴᏫ ᏱᎩ; ᎾᏍᏉ ᏤᎩᎾᏝᎢ ᎠᎴ ᏤᎩᎾᏝᎢ ᏂᎨᏒᎾ ᏱᎩ; ᎠᎴ ᏂᏗᎥ ᏌᏉᏉ ᎠᏓᏅᏙ ᎢᎦᏗᏔᏍᏗᏱ ᎢᏰᎬᏁᎸᎯ.\nᏗᎦᎷᏯᏍᏙᏗ ᏚᎾᏚᎵᏍᎨᏍᏗ.\nᎠᏂᏆᎵᏏᏍᎩᏂ ᎤᎾᏛᎦᏅ ᎡᎳᏪᏱ ᏚᏩᏅ ᎠᏂᏌᏚᏏ, ᎾᏍᎩ ᏚᏂᎳᏫᏨᎩ.\nᏧᏩᏤᎷᎩᏍᏔᏁ ᏗᎾᏙᎴᏆᏍᎩ ᏗᏘᏂᏙ ᏅᏃᎯ.\nᎥᏝᏰᏃ ᎾᏍᎩ Ꮎ ᎤᏩᏒ ᎠᏓᎸᏉᏗᏍᎩ ᏣᎦᏓᏂᎸᎢᏍᏗ ᏱᎩ, ᎾᏍᎩᏍᎩᏂ Ꮎ ᎤᎬᏫᏳᎯ ᎤᎸᏉᏔᏅᎯ.\nᎢᎬᏱ ᎦᏰᎯ ᎣᏣᎦᏌᏯᏍᏗᏍᎬ ᎣᏏᏳ ᎠᏰᎸᏗ ᎨᏒᎢ, ᎥᏝ ᎤᎬᏫᏳᎯᏉ ᎠᎦᏔᎲᎢ, ᏴᏫᏍᎩᏂ ᎾᏍᏉ ᎠᏂᎦᏔᎲᎢ.\nᏓᏆᏒᎾᏔᏅ ᎧᏫ ᏚᏯ, Perry ᏥᏅᏫᏍᏔᏅ ᎤᎪᏗ ᎤᎧᏔ, ᎤᏂᎧᎭᏲᏓ ᏆᎾ ᏧᏑᏴᏗ ᏃᎴ ᎠᎦᏗᏛ ᏭᎵᏗ ᎠᏑᏴᏗ ᏃᎴ ᎤᎵᏏᎩ ᎧᎵᏎᏥ ᏃᎴ ᎪᏒᏅ.\nᎢᏳ ᎠᎴ ᏎᏓᏂ ᏱᏚᎴᏅ ᎤᏩᏒ ᏱᏚᏓᎦᏘᎴᏅ, ᎠᎴ ᏔᎵ ᏱᏄᏓᎠ, ᎥᏝ ᏰᎵ ᏱᏂᎬᏩᏍᏗᏉ, ᏱᏩᏍᏔᏉᏍᎩᏂ ᎡᎲᎢ.\n“ᎭᏩ,” ᎤᏛᏁ ᎦᏂᎦᏔ ᎡᎹᏂᏓ, “ᎨᎵᎠ ᎠᏎ ᏧᎸᏉᏗ ᏅᎩ ᏗᏂᏅᏌᏗ ᎨᏎᏍᏗ.\nᏐᏉ ᎢᎦ ᏕᎭᎷᏱ ᎧᎸᎢ, ᏔᎵ ᎢᏯᏅᏓ ᎾᎥᏂ ᎢᏳᏕᏘᏴᏓ ᏥᎨᏎ ᏫᎵᎻ, ᏙᏱᏨ ᎡᏙᎮ.\nᏍᏈᏍᏓ ᎠᏣᏗ ᎠᏁᎮᎢ ᎠᎹ ᎦᏁᎲ.\nᎥᏝᏰᏃ ᎠᏆᏓᏅᏙ ᏫᏱᏙᎦᎯᏲᎯ ᏧᏂᏲᎱᏒᎯ ᎤᎾᏤᎵᎪᎯ, ᎥᏝ ᎠᎴ ᎾᏍᎦᏅᎾ ᏣᏤᎵ ᎤᏁᎳᎩ ᏭᎪᎯ ᎦᎯᏰᎵᏎᏗ ᏱᎩ.\nᏃᎴ ᏍᏉ, ᏌᎳᏓ ᎣᏍᏓ ᏳᏓᏅᏛᎾ ᎨᏒ… ᎤᏪᎵᏎ \nᎠᏕᏗᏱᎩ ᎤᏲ ᎦᎶᎯᏍᏗ.\nᎤᎵᏍᎫᏮ ᏣᎵ ᎤᏬᏢ ᎢᏣ, ᎢᏧᎳ ᏚᏃᏢ ᎤᏬᎯᏳᏅ ᏣᎵ ᎤᏚᎵᏍᎬ ᎤᏕᏘ.\nᎠᎴ ᎾᏍᏉ, ᎾᎯᏳ ᎢᎬᏱ ᎤᏕᏁᎸᎯ ᎡᎶᎯ ᎤᎾᏄᎪᏫᏒ ᎯᎠ ᏄᏪᏎᎢ; ᎠᎴ ᎾᏂᎥ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᏫᎬᏩᏓᏙᎵᏍᏓᏏ.\nᎿᏉᏃ ᎯᎠ ᎾᎩᏪᏒᎩ, ᎬᏂᏳᏉ ᏥᎷᎩ, [ᎪᏪᎵᎯ ᎪᏪᎳ ᎥᎩᏃᎮᏍᎬᎢ,] [ᏥᎷᎩ] ᏄᏍᏛ ᏣᏚᎵᏍᎬ ᎢᏯᏆᏛᏁᏗ Ᏹ, ᏣᏁᎳᏅᎯ.\nᎠᏎᏃ ᎤᎴᏅᎮ ᎤᏍᎩᏅᏕ ᎠᎴ ᎤᏎᎵᎳᏁ ᎯᎠ ᏁᏪᏎᎢ, ᎥᏝ ᏱᏥᎦᏔᎭ Ꮎ ᎠᏍᎦᏯ ᎾᏍᎩ ᏤᏥᏃᎮᎭ.\nᎨᏍᏗ ᏳᏣᏅᏓᏕᎳ ᎤᎶᎪᏗ ᏎᎷ ᏓᏫᏒ ᏣᏄᏏ.\nᎱᎷᏣ ᏌᎪᏂᎨ-ᏃᎴ-ᎤᏁᎦ ᎪᏪᎵ ᎤᎭᎨᏓ ᎤᏅᏍᎦᎴᎢ.\nᎾᎿᏃ ᏕᎦᎧᎲᎩ ᏑᏓᎵ ᎠᎹ ᏗᏟᏍᏗ ᏅᏯ ᏗᎪᏢᎳᏅᎯ ᎠᏂᏧᏏ ᏥᏂᏕᎤᏅᏃ ᎤᎾᏓᏅᎦᏗᏱ ᏥᏂᏕᎬᏅᎩ, ᏦᎠᏍᎪᎯ ᎢᏴᏛ ᎢᏳᏟᎶᏛ ᏗᏟᏍᏙᏗ ᎨᏒᎢ\nᎨᏍᏗ ᎯᎸᎯᏳ ᎠᎩᎪᎲᎯ ᏱᎨᏎ ᏍᎩᎾᎾ ᎢᎦᎢ ᎤᎾᏗᏅᏓ ᎠᎵᏍᏓᏴᏗ, ᏃᎴ ᏂᎦᏓ ᎣᏍᏓ ᎤᏩᏂᏒ, ᎠᎦᎵᏍᎬ ᎠᎲᎢ.\nᎢᏳᏃ ᎩᎶ ᏂᏗᏣᏓᏂᎸᎬᎾ ᎢᎨᏎᏍᏗ, ᎠᎴ ᎢᏥᏁᎬ ᎾᏛᎩᏍᎬᎾ ᎢᎨᏎᏍᏗ, ᎾᎿ ᎦᎵᏦᏕ ᎠᎴ ᎦᏚᎲ ᎢᏥᏄᎪᎩ, ᏕᏥᏅᎪᎥᏗᏍᎨᏍᏗ ᎦᏓ ᏗᏣᎳᏏᏕᏂ.\nᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᎥ, ᏣᎬᏫᏳᎯ; ᎪᎢᏳᎲᏍᎦ ᏂᎯ ᎦᎶᏁᏛ ᎨᏒᎯ ᎤᎷᎯᏍᏗ ᏥᎨᏒᎩ.\nᏂᎯ ᎤᏁᎳᏅᎯ ᏅᏓᏣᏓᎴᏅᎯ, ᏗᏥᏲᎵ, ᎠᎴ ᏕᏥᏎᎪᎩᏒ ᎾᏍᎩ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏟ ᎤᎵᏂᏗᎩᏗᏳ ᎨᏒ ᎢᏥᏯᎢ ᎡᏍᎦᏉ ᎡᎶᎯ ᎠᏯᎢ.\nᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏗ ᎤᎵᏬᏨ ᏗᎦᎾᏗ ᏣᏄᏍᏕᎢ, ᎠᏎᏃ ᏥᏳᎧᏗ ᎤᎾᏕᎶᎰᏍᏗ ᏧᎾᏚᎵᏍᎨ ᎠᏂᏣᎳᎩ ᏍᎩᏳᏍᏗ ᎡᏆ ᏧᏃᏔᏁᎢ ᏃᎴ ᎭᎾ ᏣᏭᎾᏓᎩᏅᏎᎢ ᏍᎩᎾ ᏍᎩᎵ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᏪᏒ, ᎠᏏᏉ ᎤᎾᎦᏙᏍᏕ ᎠᏥᏌᎳᏓᏁᎢ, ᎤᎶᎩᎸᏃ ᏭᏕᎵᏤ ᏓᏂᎧᏅᎢ.\nᏍᏈᏍᏓ ᏃᎴ ᎦᏣᏄᎳ ᎫᏘᎭ\nᎤᏙᎯᏳᏗᏱ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎢ; ᏗᏍᎩᎧᏁᎸᎯ ᎥᏝ ᎠᏏᏴᏫ ᏍᎩᏲᎱᏎᎸ.\nᏥᏓᏓᏴᎳᏔᏍᎨᎢ ᏗᎧᏁᎢᏍᏗ, ᏂᎦᏓ ᎤᏍᏆᏂᎩᏗ ᎠᏁᎵᏍᎨ.\nᎯᎠᏰᏃ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎠᏥᏰᎸᏎ ᎡᏍᎦᏉ ᎼᏏ, ᎩᎶᏰᏃ ᎠᏓᏁᎸ ᎤᏁᏍᎨᎲᎯ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎨᏐ ᎡᏍᎦᏉ ᎠᏓᏁᎸᎢ.\nᎾᏍ-Ꭹ Ꮎ ᏥᏁᎢᏍᏗᏍᎬ ᏱᎦᏢᏈ; ᎠᏋᏒᏍᎩᏂ ᎦᏓᏁᎢᏍᏗᏍᎬ ᎥᏝ ᏴᎦᎦᏢᏈ, ᏥᏩᎾᎦᎵᏳ ᎨᏒ ᎤᏩᏒ.\nᏧᎸᏫᏍᏓᏁᎯ ᎦᎸᏉᏗᏳ ᏗᎨᏒᎢ ᎠᎴ ᎤᏙᎯᏳᎯ ᏗᎦᎵᏦᏛᎢ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎤᎵᏦᏔᏅᎯ ᎨᏒᎢ, ᎥᏝᏃ ᏴᏫ.\nᎤᏪᎳᏗᏓᏍᏗᏱ ᎯᎠ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎠᎴ ᎠᏓᏅᏏᏛ ᎨᏒᎢ, ᎾᏍᎩ ᏧᏓᏏ ᏥᏚᏲᏒᎩ ᎤᏩᏒ ᎤᏤᎵᎪᎯ ᏭᎶᎯᏍᏗᏱ.\nᎾᏍᎩ Ꮎ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎠᎾᏙᎴᎰᏍᎩ ᎣᏍᏛ ᎣᏂᎨᏛᏅᎯ ᎠᎴ ᎤᏂᏲᎸᎯ, ᎾᏍᎩ ᎤᎾᏙᎴᎰᏒᎯ ᎤᏂᏁᎢᏍᏔᏅᎯ ᏂᎯ ᎡᏥᏙᎵᏍᏗ ᎨᏒᎢ;\nᎠᏎᏃ ᎠᏏ ᎤᏟ ᎢᎦᎢ ᏂᏗᎬᏯᏪᎢᏍᏔᏅᎾ, ᎬᏔᏲᏎᎭ ᏣᏓᏅᏘᏳ ᎨᏒ ᏨᏙᏗᏱ ᏍᎩᏯᏛᎦᏁᏗᏱ ᎢᎸᏍᎩ ᎢᎧᏁᏨᎯ.\nᎠᎴ ᎯᎠ ᎾᏍᎩ ᎢᎩᏚᎢᏍᏓᏁᎸᎯ ᏥᎩ, ᎾᏍᎩ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎬᏂᏛ.\nᎢᏳᏰᏃ ᎤᏲ ᏱᏨ ᏯᏓᏅᏓᏗᏍᏔᏅ, ᎦᎪ ᎣᏍᏛ ᏯᏆᏓᏅᏓᏗᏍᏓ, ᎾᏍᎩᏉ Ꮎ ᎤᏩᏒ ᎤᏲ ᏥᏯᏓᏅᏓᏗᏍᏔᏅᎯ?\nᎥᏝ ᎠᏗᎾ ᎿᏉ ᎠᏎ [ᎢᏤᏓᏍᏗᏱ ᏂᎨᏒᎾ] ᎾᏍᏉ ᎡᎶᎯ ᏗᏂᎧᏩᏕᎩ ᎤᏕᎵᏛ ᏗᎾᏂᏏᎲᏍᎩ ᎠᎴ ᎤᏂᎬᎥᏍᎩ ᎤᏕᎵᏛ ᏗᎾᏂᏏᎲᏍᎩ ᎠᎴ ᎤᏂᎬᎥᏍᎩ, ᎠᎴ ᎤᎶᏒᏍᏗ ᎠᎾᏓᎩᎡᎯ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏗᏟᎶᏍᏔᏅᎯ ᏗᎾᏓᏙᎵᏍᏓᏁᎯ; ᎢᏳᏰᏃ ᎾᏍᎩ ᏱᏄᏍᏗ, ᎠᏎ ᎢᏥᏄᎪᎢᏍᏗ ᏱᎩ ᎡᎶᎯ.\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎾᏍᏉ ᏐᎵᎹᏅ ᏂᎦᎥ ᏄᏬᏚᏒᎢ Ꮭ ᎾᏍᎩ ᏱᏄᏍᏕ ᏚᏄᏮᎢ ᏌᏉ ᎯᎠ ᏄᏍᏛᎢ.\nᏞᏍᏗ Ꭹ-Ꮆ ᎢᏳᏃ ᎠᏥᎪᎵᏰᏍᎨᏍᏗ, ᎤᏁᎳᏅᎯ ᎠᎩᎪᎵᏰᎭ ᎤᏛᏅᎩ; ᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᎦᏰᏥᎪᎵᏰᏗ ᏱᎩ ᎤᏲ ᎠᎬᏓᏁᎲᎢ, ᎥᏝ ᎠᎴ ᎤᏩᏒ ᎩᎶ ᏯᎪᎵᏰᏍᎪᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏈᏓ ᎤᏄᎪᏨᎩ, ᎠᎴ ᏐᎢ ᎠᏓᏍᏓᏩᏗᏙᎯ, ᎠᎴ ᎠᏤᎵᏍᏛ ᎤᏂᎷᏨᎩ.\nᏐᏉᏃ ᎤᏙᎯᏳᎭ, ᎨᏍᏗ ᎤᏓᏅᏗ ᏱᎩ.\nᎾᏍᎩ ᎬᏂᎨᏒ ᎢᏯᏋᏁᏗᏱ, ᎾᏍᎩᏯ ᏥᏚᏳᎪᏗ ᎢᏯᎩᏪᏍᏗᏱ.\nᎠᎴ ᏂᏍᎬᎢᏃ ᎢᎦ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒᎢ, ᎺᎵ ᎹᎩᏕᎵ ᎡᎯ ᏑᎾᎴᎢᏳ, ᎠᏏᏉ ᎤᎵᏏᎬᎩ, ᎤᎷᏨᎩ ᎠᏤᎵᏍᏛᎢ, ᎠᎴ ᎤᎪᎲᎩ ᏅᏯ ᎠᎲᏛ ᎨᏒᎩ ᎠᏤᎵᏍᏛᎢ.\nᏐᏈᎵ ᏓᏂᏁᎵᏍᎨᎢ.\nᏰᎵ ᎪᎯᏓ ᎦᎾᏩᏕᎨ, ᎠᏰᎵ ᎦᏟ, ᎠᏍᎩᏥᏍᎨᎢ ᎣᏍᏓ ᎠᏍᎩᏗᏍᎨᎢ.\nᎩᎦᎨ ᎠᏓᏪᎳᎩᏍᎬ ᏃᎴ ᎬᏂᎨ ᏚᎦᏒᏍᏛ ᎦᎸᎶ ᎢᏴ ᏫᎦᎷᎬ, ᏔᎵ ᏧᏙᏓᏆᏓ ᎬᏂᎨ ᎤᏍᎪᎸ ᎠᎯᏯ ᎪᏍᏓ ᎦᏃᎯᎵᏙᎲ, ᎤᎨᏓᎵᏴ ᎨᏴ ᏫᎦᎷᎬ.\n“ᎬᏃᎯᏎᎭ ᏄᎵᏍᏔᏂᏙᎸ.”\nᎿᏉ ᏂᎯ ᎢᏣᏓᏅᎦᎸᏔᏅ ᎧᏃᎮᏛ ᎾᏍᎩ ᎢᏨᏁᏤᎸᎯ ᏥᎩ.\nᎯᎠᏰᏃ ᏂᎦᏪᎭ, ᎬᏩᏛᎦᏁᎸ ᎾᎯᏳ ᏗᏓᏂᎸᏨᎯ ᎨᏒᎢ, ᎠᎴ ᎾᎯᏳ ᎢᎦ ᎦᏴᏓᏗᏍᏕᎸᏗ ᎨᏒ ᎬᏍᏕᎸᎲ; (ᎬᏂᏳᏉ, ᎪᎯ ᎿᏉ ᎾᎯᏳ ᏗᏓᏂᎸᏨᎯ ᎨᏒᎢ; ᎬᏂᏳᏉ, ᎪᎯ ᎿᏉ ᎾᎯᏳ ᏗᏓᏂᎸᏨᎯ ᎨᏒᎢ; ᎬᏂᏳᏉ, ᎪᎯ ᎿᏉ ᎾᎯᏳ ᎢᎦ ᎦᏴᏓᏗᏍᏕᎸᏗ ᎨᏒᎢ;)\nᎾᏍᎩ ᎯᎠ ᎠᎨᏲᏅᎯ ᎨᏒᎩ ᎤᎬᏫᏳᎯ ᎤᏅᏅᎢ, ᎠᎴ ᎤᎵᏂᎩᏛ ᎨᏒ ᎤᏓᏅᏛᎢ, ᎧᏃᎮᏍᎬᎩ ᎠᎴ ᏓᏕᏲᎲᏍᎬᎩ ᎾᏑᎵᎪᎬᎾ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎤᎬᏩᎵ ᎨᏒᎢ, ᏣᏂ ᎤᏤᎵ ᏗᏓᏬᏍᏗ ᎤᏩᏒ ᎠᎦᏔᎲᎩ.\nᏞᏍᏗ ᎩᎶ ᎤᏩᏒᏉ ᎤᏤᎵ ᏳᎦᏌᏯᏍᏕᏍᏗ, ᎾᏂᎥᏍᎩᏂ ᎠᏂᏐᎢ ᎾᏍᏉ ᎤᎾᏤᎵᎦ.\nᏝᏍᎪ ᏱᏥᎦᏔ ᎾᏍᎩ Ꮎ ᎠᎾᏙᎩᏯᏍᎩ, ᏂᎦᏛ ᎠᎾᏙᎩᏯᏍᎬᎢ, ᎠᏎᏃ ᎠᏏᏴᏫᏉ ᎤᏤᎵ ᏂᎭᎵᏍᏗᏍᎬ ᎠᏌᏍᏛᎢ? ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎢᏣᏙᎩᏯᏍᎨᏍᏗ ᎾᏍᎩ ᎢᏣᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ.\nᎤᏙᏓᏃ ᏤᎦᎳᏯ ᎤᎧᎵᏨᎯ ᎨᏎ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎠᎴ ᎤᏙᎴᎰᏎ ᎯᎠ ᏄᏪᏎᎢ;\nᎠᏁᏅᏍᏓ ᎣᏂᏏᎹ, ᎣᏍᏛ ᎢᏯᏛᏁᎯ ᎠᎴ ᎣᏥᎨᏳᎢ ᎣᏣᎵᏅᏟ ᎾᏍᎩ ᎢᏤᎲ ᎡᎯ ᏥᎩ, ᎾᏍᎩ ᎬᏂᎨᏒ ᏅᏓᎨᏨᏁᎵ ᏂᎦᏛ ᏂᎦᎵᏍᏔᏂᏙᎲ ᎠᏂ.\nᏄᏁᏤᎶᏰᏃ ᎦᏓᎭ ᎠᏓᏅᏙ ᎤᏄᎪᎢᏍᏗᏱ ᎠᏍᎦᏯ. ᏯᏃᏉᏰᏃ ᎤᏂᏱᏍᎨᎢ; ᏧᏓᏕᏒᏛᏃ ᎠᎴ ᏗᎵᏰᏌᎾᎶ ᏓᎦᎸᏍᏗᏍᎨᎢ; ᏓᎦᎵᏍᎨᏁ ᏚᏓᎸᏍᏛᎢ, ᎠᎴ ᎠᏍᎩᎾ ᎢᎾᎨ ᏭᏱᎸᏍᏗᏍᎨᎢ.\nᎯᎳᏳᎢ ᏍᎩᎾ ᏩᏚᎳᏏᏁ ᎦᏚᎢ ᎭᏫᎾ ᏗᏔᎳᎧᏒᎢ ᏣᏭᎶᎢᏎᎢ ᏍᎩᎾ ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏗ ᏣᎾᎤᎳᏍᏓᏁ ᎱᎳᏍᏕᎵᏴᏌ.\nᎠᏍᎦᏯᏯ ᏥᏍᏕᏥ ᎨᏎ ᏧᏍᏆᏴᏍᏗ, ᎤᏩᏌ ᏁᎵᏍᎬ ᎾᏛᏁᎮ.\nᎢᏳᏛᏁᏗᏱ ᏚᏚᎢᏍᏓᏁᎸ ᏗᎩᎦᏴᎵᎨ ᏧᏪᏙᎵᏍᏗᏱ, ᎠᎴ ᎤᏅᏓᏗᏍᏗᏱ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ,\nᏳᎾᏟᎶᎾ, ᎠᏂᏍᎦᏯ ᎠᏂᎳᎨᏲ ᏓᏂᏲᎰᏍᎪ, ᎨᏥᎢᏍᏔᏅ ᏃᎴ ᎩᎦ ᎠᎾᏔᏍᎩᏍᎬ ᏃᎴ ᎤᏂᏍᎪᎸᏨ.\nᎠᏒ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ. ᏁᏈᏓᎵ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ.\nᎿᏉᏃ ᎤᏂᏍᎦᎸ ᏅᏲᎯ ᎤᏂᏝᏗᏤᏗᏱ, ᎣᏂᏗᏢ ᏫᏚᎾᏗᏅᏒᎩ ᏅᎩ ᏔᎷᎩᏍᎩ ᏥᏳ ᏗᎦᎾᎯᏍᏙᏗ, ᎠᎴ ᎤᎾᏚᎸᎲᎩ ᎢᎦ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᏎᏃ ᎢᏳᏃ ᏳᏓᏅᏒ, ᏅᏩᏛᏁᏍᏗ ᏂᏓᏤᎲᎾ ᎨᏒᎢ, ᎠᎴ ᏙᎯᏉ ᎾᏅᏁᎮᏍᏗ ᎤᏰᎯ; ᎠᎴ ᎠᏍᎦᏯ ᏞᏍᏗ ᎢᏴᏛ ᏱᎦᎧᎲᏍᎨᏍᏗ ᎤᏓᎵᎢ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎠᏴ ᏥᎬ ᏬᏁᏗᎭ ᎾᏍᎩ [ᎺᏌᏯ.]\nᎩᎶᏃ ᏕᏣᏓᏂᎸᎨᏍᏗ, ᎾᏍᎩ ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ; ᎩᎶᏃ ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ, ᎾᏍᎩ ᏓᏓᏂᎸᎨᏍᏗ ᏅᏛᎩᏅᏒᎯ\nᎾᎯᏳ ᎢᎦ ᎠᏂᏌᏚᏏ ᏗᎴᎯᏐᏗ ᎨᏒ ᎤᎾᏜᏏᏛᎡᎯ ᎬᏩᎷᏤᎸᎩ, ᎠᎴ ᎬᏩᏛᏛᏅᎩ,\nᏂᎯᏍᎩᏂ ᏞᏍᏗ ᎾᏍᎩ ᏱᏂᏨᏁᏍᏗ; ᎩᎶᏍᎩᏂ ᎠᏥᎸᏉᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏚᎵᏍᎨᏍᏗ ᎾᏍᎩ ᎡᏥᏅᏏᏓᏍᏗ ᎨᏎᏍᏗ.\nᎣᏍᏓ ᎠᏓᏍᏕᎳ ᏧᎾᏦᏴᏍᏗ ᎤᏂᏗ.”\nᎤᎾᎳᏅᎯᏍᎩᏂ ᏚᏑᏰᏒ ᎤᎾᎵᏍᎦᏂᏍᏛ ᎨᏥᏰᎸᎯ ᎠᏁ ᎡᎶᎯ, ᎾᏍᎩ ᏧᏕᎰᎯᏍᏙᏗᏱ ᎠᏂᎦᏔᎾᎢ; ᎠᎴ ᎤᏁᎳᏅᎯ ᏚᏑᏰᏒ ᎠᏂᏩᎾᎦᎳ ᎨᏥᏰᎸᎯ ᎠᏂ ᎡᎶᎯ, ᎾᏍᎩ ᏧᏕᎰᎯᏍᏙᏗᏱ ᏧᎾᎵᏂᎩᏛ;\nᎠᏎᏃ ᏌᎳᏓ ᏧᏪᏥ, ᏧᎵᏏ ᏃᎴ ᏔᎵᏁ ᏧᎵᏏ ᎠᎾᏕᎲᏍᎨᎢ ᎤᏕᏘᏴᏌᏗᏒᎢ ᎠᏂᏂᎩᎴ ᎦᎶᎯᏍᏗ ᎦᎸᎳᏗᏣ.\nᎠᏂᏐ ᎤᏃᎯᏳᏔᏅ.\nᎧᏂᎵᏯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᏅᎩ ᏄᏒᎭ ᎠᎹᏟ ᎬᏍᎬᎩ ᎯᎠ ᎢᏳ ᎧᎳᏩᏗᏒ ᎢᏯᏍᏗ, ᏦᎢᏃ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎦᏓᏙᎵᏍᏗᏍᎬ ᏥᏁᎸᎢ, ᎬᏂᏳᏉᏃ ᎠᏍᎦᏯ ᏗᎬᏩᎸᏌᏓ ᏧᏄᏫ ᎢᎬᏱᏢ ᎠᏆᎴᏁᎸᎩ.\nᏂᎦᏓᏉ ᎧᏅᏂᏍᎩ ᏧᏃᏚᎯ.\nClaire ᏥᏯᏚᎵᏍᎬ, ᎠᏎᏃ ᏗᏥᎶᏍᏔᏅ ᏓᏍᏆᏂᎪᏛ ᎠᏁᏙ ᎠᏂᎨᏯ ᎠᏃᎯᏍᏙᏗ ᎨᏒ, ᎡᏍᎦᏉ ᎠᏍᎦᏯ ᎤᏩᏌᏉ.\nᏥᏌᏃ ᎠᏍᏓᏯ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ, ᎡᏙᏓ, ᏂᎯ ᏕᎬᏲᎯᏏ ᎠᏆᏓᏅᏙᎩ; ᎾᏍᎩᏃ ᏄᏪᏒ ᎤᎵᏍᏆᏕᎴᎢ.\nᏂᎦᏛᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎤᏣᏔᏅᎯ ᎤᏂᎾᏰᏎᎢ, ᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᎯᎠ ᎾᏍᎩ ᏄᎵᏍᏔᏅ ᎠᎾᏛᎩᏍᎩ.\nᎾᏍᎩ ᎯᎠ ᏄᏪᏒᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏓᏕᏲᎲᏍᎬ ᎨᏆᏂ.\nᎤᏚᎵᏍᎬ ᎢᎾ ᎢᏗᎾᏘ ᏧᎾᎳᏗ ᎾᏍᎩᏯ ᎾᏂᎥ ᏴᏫ ᎡᎶᎯ ᎠᏁᎮ.\n“ᎯᏣᏛᎦᏍᏓ ᎭᏩᏧ!” \nᎨᏍᏗ ᎣᏍᏓ ᏯᎩᏰᎸ ᎤᏍᏗ ᎠᏣᏗ ᎨᏒ ᎠᏯ.\nᎤᏣᏛ ᎢᏣᏓᏛᎥᏍᎬ ᎾᏍᎩ ᏅᏓᎦᎵᏍᏙᏔᏂ ᎡᏙᏓ ᏓᏰᏥᎸᏉᏔᏂ; ᎰᏩᏃ ᏍᎩᏍᏓᏩᏗᏙᎯ ᎨᏎᏍᏗ.\nᎯᎠ ᏄᏪᏒᎩ; ᏓᎬᏯᏛᎦᏁᎵ ᎨᏧᎯᏍᏗᏍᎩ ᎾᏍᏉ ᎠᏂᎷᏨᎭ. ᎤᏁᏨᎩᏃ ᎠᏥᎦᏘᏗᏍᏗᏱ ᎡᎶᏛ ᎤᏤᎵ ᏗᎫᎪᏙᏗᏱ ᎠᏓᏁᎸᎢ.\nᎾᏍᎩᏃ ᏦᏥᎦᏔᎭ ᎦᎾᏰᎢᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ, ᏙᏥᏍᏗᏰᏗ ᏴᏫ; ᎠᎴ ᎬᏂᎨᏒ ᏃᏣᎵᏍᏗᎭ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ; ᎠᎴ ᎤᏚᎩ ᎠᏋᎭ ᎬᏂᎨᏒ ᎢᏯᏉᎵᏍᏙᏗᏱ ᎾᏍᏉ ᏂᎯ ᏕᏣᏓᏅᏛᎢ.\n“ᏙᎩ ᎢᏳᏍᏗ?” ᎤᏛᏁ ᎰᎻ.\nᎠᎦᏛ ᏚᎾᎧᏛ ᏚᎾᏓᏴᎳᏛ ᎤᏬᏗᎨᏍᏛ ᎤᏍᎪᎸ ᎠᏨᏍᏛ, ᏗᏂᎦᏙᎵ ᏗᎦᏁᎯ ᏃᎴ ᏧᎾᎴᎿᎸ ᏂᏚᏍᏛ.\nᎠᏎ ᏯᏌᎩᏒ ᎤᎾᎵᏍᎪᏅ ᏧᏕᏘᏴᏓ ᎤᎶᏐᏅ, ᎡᏆ ᎨᏎ ᏲᎾ.\nᏩᏕᎭᏲᎲ ᎨᏴ, ᎤᏩᎾᏕᏍᎩ ᎦᏙ ᎦᏲᏟ ᎤᏓᏓᏍᎬ ᎦᏄᎸ ᏃᎴ ᎦᏲᏟ ᏕᏧᎬ ᏧᏁᏃᏅᏗ ᏃᎴ ᎦᏲᏟ ᏤᏆ ᏅᏯ.\nᎾᏍᎩᏍᎩᏂ Ꮎ ᏧᏓᏂᎸᏨᎯᏍᎩᏂ ᎤᏃᎮᎸᎢ ᎾᏍᎩ ᎤᏍᏓᏱᏛ ᎤᏁᎳᏅᎯ ᎬᏩᏥᎪᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏄᏍᏛᏰᏃ ᏓᎩᎸᏫᏍᏓᏁᎲᎢ, ᎥᏝ ᎣᏏᏳ Ꮿ-ᎩᏰᎸᎭ; ᏄᏍᏛᏍᎩᏂ ᎠᏆᏚᎵᏍᎬᎢ ᎥᏝ ᎾᏍᎩ ᏱᏂᎦᏛᏁᎰᎢ; ᎾᏍᎩᏍᎩᏂ ᏥᏂᏆᏘᎲᎢ, ᎾᏍᎩ ᏂᎦᏛᏁᎰᎢ.\nᏙᏕᏣᏙᎠ? ᏍᎩᏃᎯᏏ ᏕᏣᏙᎥ.”\nᎬᏂᎨᏒ ᏂᏨᏴᏁᎭ ᎣᎩᏙ ᏈᎩ, ᎾᏍᎩ ᎠᏯᏙᎯᎯ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎡᏟᏯ;\nᎤᎯᏐᏓᏁ ᏎᎦ ᎭᏫᏂ ᎤᎴᏁ.\nᎨᏍᏗ ᎬᎩᏍᏕᏓᎵᏴᏍᏗ Ꮙ ᏱᎩ ᏏᏓᏁᎸ ᏕᎦᎦᏎᏍᏛᎢ, ᎠᎾᏓᎪᎾᏗᏍᎬᎢ ᎾᏁᎵᏍᎬ.\nᎯᎢᏃ ᏗᏤ ᏚᎾᏔᏁ ᏃᏊ ᏣᎳᎩ ᎠᏰᎵ ᎡᎵᏊ ᏗᎪᏪᎵ ᏚᏂᎴᏴᎠᏁ ᎯᎠ ᏣᎳᎩ ᏗᎬᎪᎵᏰᏗ ᎠᎴ ᎤᏍᏙᎸᏍᏗ ᏂᎨᏒᎾ.\nᎱᏂᎷᏣ ᏗᎦᎨᏓ ᏓᏃᏱᏁᎮ.\nᎤᏁᎳᏅᎯ ᏗᏁᎶᏙᏗ ᏗᏤᎵᏛ ᎤᏂᎯ, ᎠᏎᏃ ᎠᎾᏓᏙᏗ ᎨᏒᎢ. ᎾᏍᎩ ᎢᏳᎾᏍᏗ ᏕᎭᏓᏅᎡᎮᏍᏗ.\nᏂᎯ ᎾᏍᏉ ᎢᏥᏫᏅ ᏕᏦᎯᏳᏎᏍᏗ ᏧᎾᏛᏐᏅᎯ; ᎥᎥ, ᏂᏥᎥᎢ ᏕᏣᏓᏙᎯᏳᏎᏍᏗ, ᎠᎴ ᎢᏣᏄᏬᏍᏕᏍᏗ ᎤᏓᏙᎵᏍᏗ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒᎢ; ᎤᏁᎳᏅᎯᏰᏃ ᎤᎾᏢᏉᏗ ᏓᏡᏗᏍᎪᎢ, ᎤᎾᏓᏙᎵᏍᏗᏍᎩᏂ ᎬᏩᎦᏗᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏓᎵᏍᎪᎸᏓᏁᎰᎢ.\nᏃᎴ ᎾᏍᎩᏯ ᏅᎪᎵᎬᎾ ᏥᏛᏦᏍᎪᎢ ᏅᏃᎯ ᏂᏥᏪᏎᎸ, ᏤᏍᏗ ᎭᏱᏍᎦᎢᎮᏍᏗ ᎡᎶᎯ, ᎯᏫᎾ ᎯᏍᎦᏰᎬᏍᏔ .\n“ᎠᎳᏑᎶᎢ. ᏚᏂᎳᏏᏕᎾ ᏚᏁᏍᏔᏁᎰ ᏱᏚᏂᎳᏑᏝ ᎠᏂᏴᏫᏯ.”\nᎠᎴ ᎤᎶᏒᏍᏔᏅᎯ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᏂᎦᏛ ᎣᏏᏳ ᏕᎤᎸᏫᏍᏓᏏ; ᎤᎾᏛᎪᏗᏱ ᏂᏕᎬᏁ ᏧᏂᎵᎡᎾ, ᏧᏅᎨᏫᏃ ᎤᏂᏬᏂᎯᏍᏗᏱ.\n“ᎪᎱᏍᏗᏍ ᎠᏓᏍᎩᎵ ᏰᎪ ᎨᏒ” ᎨᎵᏍᎬ ᏃᏊ.\nᎠᎴ ᎬᏂᏳᏉ ᎬᏩᎵᏃᎮᏔᏁ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ, ᎾᏍᎩ ᎼᏏ ᎠᎴ ᎢᎳᏯᎨᏎᎢ,\nᏅᎩᏃ ᎢᏯᏂᏛ ᏗᏅᏃᏛ ᎡᎺᏅ ᎤᎾᏛᏅᎩ ᎡᎳᏗ ᏚᎾᏓᏅᏅᎩ ᎠᎴ ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎩ ᎾᏍᎩ Ꮎ ᏂᎪᎯᎸ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎡᎯ.\nᎦᏲᏟ ᏚᏏᎳᏛᏅ ᏌᎳᏓ ᏚᎵᏛᏓᏁᎢ.\nᎾᏍᎩ ᎾᏍᏉ ᏰᎵ ᎢᎦᏲᎦᏛᏁᏗ ᏥᏃᎬᏁᎸ ᏦᏠᎯᏍᏛᎢ; ᎥᏝ ᎠᏗᎾ ᏄᏍᏛ ᎪᏪᎸᎢ, ᎠᏓᏅᏙᏍᎩᏂ ᏓᏕᏲᎲᏍᎬᎢ; ᏄᏍᏛᏰᏃ ᎪᏪᎸ ᎠᏓᎯᎰᏉ, ᎠᏓᏅᏙᏍᎩᏂ ᎠᏓᏛᏂᏗᏍᎪᎢ.\nᏂᎦᏗᎹᏏᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎦᏙ ᏘᎦᎵᏍᏙᏓ ᏴᏫ ᏯᏕᎲᎦ ᎿᏉ ᎠᎦᏴᎵᎨ ᏱᎩ? ᏥᎪ ᏔᎵᏁ ᎤᏥᏏᏱ ᏫᏯᏴᎭ, ᏯᏕᎲᎦ?\nᎠᏓᎾᏩᏍᏗᏍᎨᎢ ᏌᎳᏓ ᎠᎾᏓᏤᎵ ᏃᎴ ᏰᎵ ᎠᏍᎪᎵ ᎤᎵᎥᏂᎴ ᎦᏂᏓᏛ ᎠᏣᏗ...”\n“ᎭᎴᏫᏍᏔ!”\nᎤᏨᏉᏕ ᏌᏌ ᎤᎵᏍᏕᎸᎲ ᏄᎵᏍᏔᏂᏙᎸ.\nᎭᎦᏛ ᎤᏃᎮᏗ ᎨᏎ ᏣᎵ.\nᎾᏍᎩ ᏳᏍᏗ ᎩᎶ ᎤᏓᏙᎵᏍᏗ ᎨᏎᏍᏗᎾᏍᎩᏯ ᎯᎠ ᎠᏲᎵ, ᎾᏍᎩ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎾᎿ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎠᏎᏃ ᎥᏝ ᎾᏍᎩᏯ ᏥᏄᏍᏕ ᎠᏍᎦᏅᏨᎢ, ᎾᏍᎩ ᎾᏍᏉ ᏱᏄᏍᏕ ᎬᏩᎦᏘᏯ ᎠᏓᏁᏗ ᎨᏒᎢ. ᎢᏳᏍᏕ ᎬᏩᎦᏘᏯ ᎠᏓᏁᏗ ᎨᏒᎢ. ᎢᏳᏰᏃ ᎠᏏᏴᏫ ᎤᏍᎦᏅᏨ ᎤᏂᏣᏘ ᏧᏂᏲᎱᎯᏍᏔᏅᎯ ᏱᎩ; ᎤᏟᎯᏳ ᎢᎦᎢ ᎤᏂᏣᏘ ᎤᏣᏘ ᎤᏂᎷᏤᎸ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ, ᎠᎴ ᎤᏓᏁᏗ ᎨᏒ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᏥᎩ, ᎾᏍᎩ ᎠᏏᏴᏮ ᎠᏍᎦᏯ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ.\nᎠᎴ ᎠᏂᏏᏴᏫᎭ ᎨᏒ ᏧᏁᎬ ᏕᎨᏥᏅᏁᎸᎩ ᏗᏄᏬ; ᎠᎴ ᎨᏥᏃᏁᎸᎩ ᎠᏏ ᏞᎦ ᎤᎾᏣᏪᏐᎸᏍᏙᏗᏱ ᎨᏒ ᎬᏂ ᎢᏧᎳᎭ ᎨᏥᏅᏏᏙᎸᎯ ᎠᎴ ᎾᏍᏉ ᎠᎾᎵᏅᏟ ᏄᏂᎪᎸᎾ ᏂᎨᎬᏁᎸ, ᎾᏍᎩ ᏕᎨᏥᎸ ᎾᏍᎩᏯ ᎤᏅᏒ ᏂᎨᎬᏁᎸᎢ.\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏤᏯᏔᎮᏍᏗ ᎠᎪᏙᏗ ᎠᏂᏆᎵᏏ ᎠᎴ ᎠᏂᏌᏚᏏ ᎤᎾᏤᎵᎦ.\nᎪᏪᎵᏰᏃ ᎯᎠ ᏂᎦᏪᎭ, ᎩᎶ ᎾᏍᎩ ᎪᎯᏳᎲᏍᎨᏍᏗ ᎥᏝ ᎤᏕᎰᎯᏍᏗ ᏱᎨᏎᏍᏗ.\nᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎩᎶ ᎤᏓᎵᎢ ᎢᎠᎨᎯᏙᎮᏍᏗ ᏧᏂᏏᏅᎯᏍᎩᏂᏃᏅ ᎢᎨᏎᏍᏗ, ᏅᏩᏓᎴᏃ ᎢᎠᏓᏰᎨᏍᏗ, ᎠᏓᏲᏁᎮᏍᏗ. ᎩᎶᏃ ᎠᏥᎨᎯᏙᎸᎯ ᎠᏓᏰᎨᏍᏗ ᎠᏓᏲᏁᎮᏍᏗ.\nᏱᏗᎦᏘᏯ ᎣᏍᏛ ᎤᏚᎩ ᎬᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᏄᏛᏁᏍᏗ ᎦᎾᏄᎪᏥᎸ ᎦᎸᏉᏗ ᎤᏁᎳᏅᎯ ᎠᎴ ᎢᎩᏍᏕᎵᏍᎩ ᏥᏌ ᎦᎶᏁᏛ;\nᎢᎾ ᎢᎦᏘ ᎦᏄᎸ ᎣᏁ ᏩᎦ ᎤᏂᏴᏍᏗ ᎤᎾᏩᏛᎮᎢ ᎠᏴᏈᏛᏅ ᎪᏪᎵ ᏗᎦᏃᏣᏝᏍᎩ.\nᎠᎩᏲᏓᎩᎠ!” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎢᏳᏍᎩᏂ ᏂᏣᏓᏁᎲᎾ ᎢᎨᏎᏍᏗ ᎡᏥᏍᎦᏅᏤᎸᎢ, ᎥᏝ ᎾᏍᏉ ᎢᏥᏙᏓ ᎦᎸᎳᏗ ᎡᎯ ᏴᎨᏥᏙᎵᎩ ᎢᏥᏍᎦᏅᏨᎢ.\nᎨᏍᏗ ᎪᎯᏓ ᎩᏁᏓᏍᏗ ᏱᎩ ᎭᏂ.”\nᎾᏍᎩᏃ ᎯᎠ ᏥᏨᏲᏪᏁᎭ, ᎬᏂᏳᏉ, ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ, ᎥᏝ ᏱᎦᏥᎪᎥᏍᎦ.\nᎦᏙ ᏃᎴ ᏴᏫ ᏃᎴ ᏂᎦᏓ.\nᎤᏍᎦᏃᎳ ᎤᏓᎪᎵᏰᎡ ᏫᎵᎻ, ᎤᏍᎦᏃᎳ ᏭᎷᏤ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ.\nᎤᎧᏛ ᎢᏣ ᎤᏅᏤ Perry.\nᎠᏏᏉᏃ ᎤᏁᎷᎬᎩ ᎠᎴ ᏚᎾᏓᎡᎬᎩ ᏧᎾᏄᏬ ᎠᎴ ᎪᏍᏚ ᎤᎾᏕᏏᏙᎲᎩ;\nᎠᏍᎦᏯ ᏓᏤᎸ ᎾᏍᎩ ᎾᏧᏁᏍᎨᎮᎢ, ᎠᎴ ᎭᏫᏂ ᏧᏍᎪᏎᎢ, ᎠᎴ ᎦᎫᏍᏛᏗ ᏅᏲᎯ ᏧᏝᏁᎢ; ᎤᏃᎱᎦᏅᏃ ᎡᏉᏂ ᎾᎿ ᎠᏓᏁᎸ ᎠᏍᏓᏱᏳ ᎬᏂᎵᎯᎮᎢ, ᎠᎴ ᎥᏝ ᎬᏩᏖᎸᏗ ᏱᎨᏎᎢ; ᏅᏲᎯᏰᏃ ᎦᎧᎮᎠᏍᎦᏯ ᏓᏤᎸ ᎾᏍᎩ ᎾᏧᏁᏍᎨᎮᎢ, ᎠᎴ ᎭᏫᏂ ᏧᏍᎪᏎᎢ, ᎠᎴ ᎦᎫᏍᏛᏗ ᏅᏲᎯ ᏧᏝᏁᎢ; ᎤᏃᎱᎦᏅᏃ ᎡᏉᏂ ᎾᎿ ᎠᏓᏁᎸ ᎠᏍᏓᏱᏳ ᎬᏂᎵᎯᎮᎢ, ᎠᎴ ᎥᏝ ᎬᏩᏖᎸᏗ ᏱᎨᏎᎢ; ᏅᏲᎯᏰᏃ ᎦᎧᎮᎢ.\nᎡᏆ ᎠᏣᏗ ᏭᎷᏤᎴᎢ, ᏏᏲ, ᎤᏍᏗ ᎠᏣᏗ ᎬᏉᏎᎰ ᏃᎴ ᎠᏯ ᎢᏳᏍᏗ ᏤᏣᎧᏃᏗ.\nᎦᏰᎵᏍᏗ ᏳᎾᏛᏅᎢᏍᏗ ᎤᎾᎵᏍᏕᎸᏙᏗ ᏄᏍᏗᏓᏅ ᏙᏰ, ᏃᎴ ᎦᎶᏇ ᏃᎴ ᏗᏍᏔᏲᏍᏙᏗ ᏳᎾᏛᏅᎢᏍᏗ, ᏰᎵᏉ ᏧᎾᏓᏟᏴᏗ ᏯᏁᎸᏔᏅ ᏗᎦᏅᎪᏫᏍᏗ, ᎠᏓᏅᏖᏗ ᎢᎬ ᎾᏕᏅ ᎠᏁᎲ ᎦᏚᏏ, ᎠᏂᎦᏲᏟ ᎠᏁᎭ ᎠᏂᏳᏩᏁᎦ, ᏫᎦᎷᎯᏍᏗ ᏱᎨᏒᎾ ᎤᎾᏗᏍᎦᎶᏗ ᏃᎴ ᏫᎬᏴᏍᏗ ᏱᎨᏒᎾ, ᎠᎦᏗᏛ ᎠᏛᏍᎩ ᎤᎾᏗᏍᎦᎶᏗ.\nᎤᏘᎷᎾ, ᎾᎥᏂ ᎯᎦᏙᎨ ᎰᎻ ᏔᎷᎩᏍᎩ ᎪᏱᏂᏓᏍᏗ ᎪᏱᏁ ᎤᎦᏃᏩ ᎠᎵᏍᏓᏴᏗ ᎦᎶᏛ,  ᎣᎯᏍᏙᏗ ᎤᏓᏅᏔᏕᎢ.\nᎨᏍᏗ ᎯᎸᎯᏳ ᏱᎦᎷᎪᎢ ᎾᏍᎩᏯ ᎤᎾᎵᎢ ᏃᎴ ᏍᎩᏲᏍᏓ ᏗᎪᏪᎵᏍᎩ.\nᏓᏓᎿᏩᏍᏛ ᎢᏧᎳᎭ ᎦᎶᏁᏛ ᏙᎩᎾᏛᏅ; ᎠᏎᏃ ᎠᏴ ᎬᏃᏛ ᎢᎩ, ᎥᏝᏍᎩᏂᏃᏅ ᎿᏉ ᎠᏴ ᏱᎩ, ᎦᎶᏁᏛᏍᎩᏂ ᎬᏃᏛ ᎠᎩᏯᎠ; ᏄᏍᏛᏃ ᎿᏉ ᎦᎴᏂᏙᎲ ᎠᏂ ᎤᏇᏓᎵ ᎨᎥᎢ, ᎦᎴᏂᏙᎭ ᏥᏯᎵᏍᎦᏍᏙᏛ ᎤᏁᎳᏅᎯ ᎤᏪᏥ; ᎾᏍᎩ ᎠᎩᎨᏳᎯᏳ ᏥᎨᏒᎩ, ᎠᎴ ᎤᏩᏒ ᏥᏚᏓᏲᏎ ᎠᏴ ᎠᎩᏍᏕᎵᏍᎬᎢ.\nᎠᏆᏚᎵᏰᏃ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᏂᎦᎥ ᏥᎩᎵᏲᎬ ᎦᏟᏂᎬᏁᎲ ᏂᎯ ᎨᏒ ᎢᏳᏍᏗ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎴᎣᏗᏏᏯ ᎠᏁᎯ, ᎠᎴ ᎾᏂᎥᏉ ᎤᏂᎪᎲᎯ ᏂᎨᏒᎾ ᎠᏆᎧᏛ ᎠᏂ ᎤᏇᏓᎵ ᎨᏒᎢ;\nᎿᏉᏃ ᎠᎾᏓᏍᏓᏩᏗᏙᎯ ᎤᎾᏓᏅᏒᎩ, ᏔᎵᏁ ᏙᏧᏁᏅᏒ ᏭᏂᎶᏒᎩ.\nᎠᏦᎭᏴ ᎾᎥᏂ ᎤᏬᏢ ᎠᎵᏥᏙᎲᏍᎩ, ᎧᏁᏌᎢ ᎤᏏᏩ ᎠᏓᏴᏍᏔᎩᏍᎩ ᏗᏥᏍᏔᏅ ᏗᎦᎶᏔᏅ ᎤᏌᎲ ᎤᎦᏎᏂ.\nᏂᎦᎥ ᎠᏓᏂᏆᏗᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎧᎾᎸᎢᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏍᏓᏯ ᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᎿᎸᎯ ᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ, ᎢᏴᏛ ᎢᎬᏁᏗ ᎨᏎᏍᏗ ᎢᏤᎲᎢ, ᎤᎵᏠᏯᏍᏕᏍᏗ ᏂᎦᎥ ᎤᏐᏅ ᎨᏒᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᏙᏓᏦᎵᏍᏔᏂ ᏄᏍᏛ ᎠᎾᏓᏛᏍᎬᎢ.\n”ᎠᎳᏂ, ᎪᎱᏍᏗ ᏂᎦᎵᏍᏓ,” ᎤᏛᏁ, ᏎᎦᎳᎯ.\nᏍᎩᏴ ᎤᏴᎵᎴ ᎤᏙ ᎡᎳᏆᏗ.\nᎤᏍᎦᏃᎵ ᎤᏩᏏᏃᎴ ᏓᏆᎴᎳ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ, ᏣᏄᏏ ᏃᎴ ᎰᎻ ᎤᎵᏗᏨ ᎠᎾᎢᏎᎢ.\nᏧᏒᏓᎷᎩᏃ ᏓᏟᎶᏍᏗᏍᎨ ᏗᎧᏁᎢᏍᏗ ᎠᎴ ᎦᎵᏦᏕ ᎤᎧᎵᎡ ᏧᏬᏪᎳᏅ.\nᏐᏉᎯᎭ ᎠᎾᎩᏠᏫᏍᎨ ᏓᏆᎴᎳ ᎠᏌᏅᏗ ᏃᎴ ᏚᏂᏍᏚᎩᏎ ᎧᏁᏌᎢ ᏚᎾᏕᏅ.\nᏈᏓᏃ ᎤᏬᎴ ᎤᏜᏅᏛᎢ, ᎤᎷᏤᎴᏃ ᎠᏛ ᎯᎠ ᏄᏪᏎᎢ; ᏂᎯ ᎾᏍᏉ ᏍᏕᏙᎲᎩ ᏥᏌ ᎨᎵᎵ ᎡᎯ.\nᎯᎠ ᎾᏍᎩ ᏓᎿᏩ ᏅᏛᏅᏁᎵ ᎤᏃᏕᎾ ᎠᎩᎾ, ᎠᎴ ᎤᏃᏕᎾ ᎠᎩᎾ ᏙᏛᏎᎪᎩᏏ ᎾᏍᎩ; ᎾᏍᎩᏰᏃ ᎤᏂᎬᏫᏳᎯ ᎠᏁᎲ ᎤᎬᏫᏳᎯ; ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏁᎲ ᎾᏍᎩ ᏄᎬᏫᏳᏌᏕᎩ; ᎠᎴ ᎾᏍᎩ ᎬᏩᏜᏩᏍᏗᏕᎩ ᏥᎩ ᎨᏥᏯᏅᏛ, ᎠᎴ ᎨᎦᏑᏰᏛ, ᎠᎴ ᏄᎾᏓᎵᏓᏍᏛᎾ.\nᎠᏎᏃ ᎤᏂᏣᏘ ᎤᏂᎸᏉᏔᏁᎢ.\nᏏᎻᏯᏂᏃ ᎣᏍᏛ ᏚᏁᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴ ᎺᎵ ᎠᏲᎵ ᎤᏥ, ᎬᏂᏳᏉ ᎯᎠ ᎾᏍᎩ ᎠᏲᎵ ᎠᏥᎧᏅ ᎾᏍᎩ ᎢᏏᎵ ᎠᏁᎯ ᎤᏂᏣᏘ ᏧᏂᏅᎢᏍᏗᏱ ᎠᎴ ᏧᎾᎴᎯᏐᏙᏗᏱ; ᎠᎴ ᎤᏰᎸᏛ ᎤᎾᏡᏙᏗ ᎠᏂᏬᏂᏍᎬᎢ.\nᎾᏍᎩ Ꮎ ᏦᎯᏳᏒ ᏤᎳᏗᏍᏗᏍᎬᎢ ᎾᏍᎩ ᏱᏂᎬᏂᏒ ᎬᏂᎨᏒ ᏱᏂᎦᎵᏍᏓ ᏂᎦᎥ ᎣᏍᏛ ᎨᏒ ᎢᏥᏯᎥᎢ ᏥᏌ ᎦᎶᏁᏛ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ.\nᏍᎦᏥ ᏫᏍᎩ ᎤᏓᏅᏖᏗ ᎨᏎ ᎤᎵᏏᏂᏕᏅ ᎠᏆᏛᏅ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎪᎯ ᎢᎦ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎦᎷᎩ ᎠᏂ ᎠᏓᏁᎸᎢ, ᏅᏗᎦᎵᏍᏙᏗ ᎾᏍᎩ ᎾᏍᏉ ᎡᏆᎭᎻ ᎤᏪᏥ ᎨᏒᎢ.\nᏥᎾ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎪᏏᏏᏍᎩ ᎠᎴ ᎠᏉᎳ ᎭᏟᏂᎬᏁᎸᎭ ᎩᏍᏕᎸᏗᏱ ᎠᎾᎢᏒᎢ, ᎾᏍᎩ ᎪᎱᏍᏗ ᏄᏂᏂᎬᏎᎲᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᎴ, ᎾᏍᏉ [ᎯᎠ ᏂᎦᏪᎭ] ᏂᎯ, ᏣᎬᏫᏳᎯ, ᏗᏓᎴᏂᏍᎬ ᎡᎶᎯ ᎦᎫᏍᏓᎥ ᏣᏁᎢ; ᎠᎴ ᎦᎸᎶᎢ ᏗᏦᏰᏂ ᏦᏢᏔᏁᎢ;\n”ᏄᏓᎴ ᏅᎦᎵᏍᏓ!” ᎤᎵᏰᏔᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎤᏟᏍᏓ ᎤᎾᎩᎶᏫᏍᏗ ᎠᏂᏲᏍᎩ ᎤᏃᏒᎭ ᎠᎬᏱᏣ.\nᎠᏥᎸ ᎠᏓᏪᎵᎩᏍᎩ ᎤᏄᏬᏍᏕᏍᏗ ᏓᎩᎵᏲᎢᏍᏗᏍᎨᏍᏗ ᎾᏍᎩ Ꮎ ᏂᎬᏩᎦᏔᎲᎾ ᎤᏁᎳᏅᎯ, ᎠᎴ ᏄᏃᎯᏳᏒᎾ ᎣᏍᏛ ᎧᏃᎮᏛ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵᎦ.\nᎠᎾᎵᏅᏟᏍᎩᏂ ᏓᎾᏓᏰᎢᎵᏙᎭ ᎤᏅᏒ, ᎠᎴ ᎾᏍᎩ ᏚᏃᎸ ᏄᏃᎯᏳᏒᎾ.\nᎦᎵᎡᎵᎬ ᏂᏚᏓᎴᏨ ᏕᎦᏚᎲ ᏬᎩᎶᎯᏍᏗ, ᏯᏆᎴᏫᏍᏔᎾ ᏑᏒᎯᏓ ᎠᎴ ᏐᏉ ᎢᏳᏪᏅᏍᏗ ᏯᏆᏣᏪᏐᎸᏍᏔᎾ ᏃᎴ ᏯᏆᎵᏍᏔᏴᎾ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎠᏜ ᎦᏩᏒᎩ ᎠᎪᎲᏍᏙᏗᏱ ᎤᎩᏒᎩ, ᎠᎴ ᎠᏥᎸ ᎤᎧᎵ-ᎢᏍᏔᏅᎩ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎠᏞᏛ, ᎠᎴ ᎡᎶᎯ ᏭᏗᏅᏒᎩ; ᏚᏃᏴᎳᏒᎩᏃ, ᎠᎴ ᎤᏴᏓᏆᎶᎥᎩ, ᎠᎴ ᎠᎾᎦᎵᏍᎬᎩ, ᎠᎴ ᎡᎶᎯ ᎤᎵᏖᎸᏅᎩ.\nᎤᏂᏣᏘᏃ ᎬᏩᏍᏓᏩᏛᏒᎩ, ᎠᎴ ᎾᎿ ᏚᏅᏩᏅᎩ.\nᎤᏂᏣᏘᏃ ᏔᎵᏁ ᏚᏂᎳᏫᏦᎴᎢ, ᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᏂᎤᏟᏍᏕ ᎦᏚ ᎤᏂᎩᏍᏗᏱ.\nᎢᎬᏱᏗᏢᏃ ᏙᏓᎨᏥᎳᏫᏗ ᏂᎦᏗᏳ ᏄᎾᏓᎴᏒ ᏴᏫ, ᎠᎴ ᏙᏛᎦᎴᏅᏔᏂ ᎾᏍᎩᏯ ᎠᏫ-ᏗᎦᏘᏯ ᏥᏓᎦᎴᏅᏗᏍᎪᏧᏤᎵ ᎠᏫ ᎤᏂᏃᏕᎾ ᎠᎴ ᎠᏫ ᏗᏂᎭᏄᎸᎯ.\nᎠᎹᏱᏃ ᏧᎾᏓᏅᏒ ᏧᏂᎿᎷᏒ, ᎤᎬᏫᏳᎯ ᎤᏓᏅᏙ ᎤᏘᎿᏫᏛᎮ ᏈᎵᎩ, ᎠᏳᎾᎦᏃ Ᏺ ᎿᏉ ᎣᏂ ᏳᎪᎮᎢ, ᎤᏩᏒᏰᏃ ᏩᎦᏛᎢ ᏭᎶᏎ ᎠᎵᎮᎵᎨᎢ.\nᏥᏌᏃ ᏚᎴᎯᏌᏅ ᏑᎾᎴᎢᏳ ᎢᎬᏱᏱ ᎢᎦ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒᎢ, ᎢᎬᏱ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᎺᎵ ᎹᎩᏕᎵ ᎡᎯ, ᎾᏍᎩ ᎦᎵᏉᎩ ᎠᏂᏍᎩᎾ ᏥᏚᏄᎪᏫᏎᎴᎢ.\n(ᏂᎦᏛᏰᏃ ᎬᏩᎪᎮᎢ, ᎠᎴ ᎤᎾᏕᏯᏔᏁᎴᎢ.) ᎩᎳᏉᏃ ᎢᏴᏛ ᏚᎵᏃᎮᏔᏁᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎤᎦᎵᏍᏗᏉ ᎢᏣᏓᏅᏓᏓ; ᎠᏴᏉ; ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ.\nᏥᏍᏆ?\nᏆᎴᏗ ᎯᎠ ᏄᏪᏒᎩ; ᏥᎪ ᎠᏴ ᏥᏧᏏ? ᏗᏣᏤᎵᎦ ᏴᏫ, ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏕᎨᏣᏲᏒ ᎦᏙ ᏣᏛᏁᎸ.\nᏔᎵᏁᏃ ᎯᎠ ᏂᎦᏪᎭ, ᎢᏣᎵᎮᎵᎩ ᏗᏣᏓᎴᏅᏛ ᏴᏫ, ᏗᏣᎵᎪᎲᏏ ᏧᏤᎵ ᏴᏫ.\nᎢᏥᏁᎫ, ᏝᏍᎪ ᎾᏍᎩ ᎦᏚᎢᏢ ᎡᎯ ᎤᏬᏢᏅᎯ ᎾᏍᏉ ᎭᏫᏂᏗᏢ ᎡᎯ ᏳᏬᏢᏁᎢ?\nᏁᎵ!” ᎤᎴᏅᎮ.\nᎿᏉᏃ ᏰᎵ ᎤᎾᎵᏍᏓᏴᏅ, ᎤᎾᏓᏌᎧᎲᏍᏔᏅᎩ ᏥᏳ, ᎤᏣᎴᏍᏗ ᎠᎺᏉᎯ ᏭᎾᏗᏅᏒᎩ.\nᎠᏗᏙᏗ ᎬᏘ ᎤᏑᏰᎲ ᎬᏂᎨ ᎤᏍᎪᎸ ᎤᏅᎭᏂᏍᏛ Perry, ᎡᎳᏗ ᏓᏳᏓᎴᏅ ᏭᎳᎩᏒ, ᎤᎪᏅ ᎪᏍᏔ ᎢᎬᏂᎨ.\nᎦᏙᎨ ᎤᏍᏗ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎨᏒ ᎯᎠ ᏄᏪᏎᎶᎢ, ᏥᎦᏘᏏᏗᏢ ᏦᎴᏍᏗ ᎬᏂ ᎨᏤᏍᎦᎩ ᎦᏍᎩᎶ ᏗᏣᎳᏏᏗᏱ ᏂᎦᏥᏴᏁᎸᎭ?\nᎤᎿᏛ ᎢᎾ ᎤᏛᏒ ᎨᏒ ᎦᏅᎦᏟ ᏭᎶᏎ ᏩᎭᏯ. \nᎿᏉᏃ ᎠᏂᏍᎩᎾ ᎬᏩᏄᎪᏤ ᎠᏍᎦᏯ, ᎠᎴ ᏏᏆ ᏫᎬᏩᏂᏴᎴᎢ; ᏑᎾᏓᏡᎩᏃ ᎠᏯᏄᎵᏳ ᎤᎾᎵᏎ ᏭᏂᎦᏐᎠᏎ ᎦᏁᏡᎩ ᎨᏒ ᎥᏓᎸ ᏭᏂᎷᏤ ᎠᎴ ᏚᏂᎬᏤᎢ.\n ᏃᎴᏍᏉ, ᎨᏍᏗ ᏱᏗᏥᏍᏆᏂᎪᏏ ᎭᏍᏕᏓᎵᏴᏒ ᏣᏓᏅᏖᏍᎬᎢ ᎰᎻ.\nᎠᎴ ᏥᏳᎯ ᎤᎾᏣᏅᎩ ᎨᏆᏂ ᎢᏗᏢ ᏫᏚᏂᏐᎯᏍᏔᏅᎩ. ᎠᎴ ᎿᏉ ᎤᎵᏏᎬᎩ, ᎠᎴ ᏥᏌ ᎥᏝ ᏳᏂᎷᏤᎮᎠᎴ ᏥᏳᎯ ᎤᎾᏣᏅᎩ ᎨᏆᏂ ᎢᏗᏢ ᏫᏚᏂᏐᎯᏍᏔᏅᎩ. ᎠᎴ ᎿᏉ ᎤᎵᏏᎬᎩ, ᎠᎴ ᏥᏌ ᎥᏝ ᏳᏂᎷᏤᎮᎢ.\nᎿᏉ ᎾᏍᎩ ᎤᏁᏎᎢ, ᎠᎴ ᎤᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ, ᎯᎠ ᏄᏪᏎᎢ;\nᏂᎦᏛᏃ ᎦᏚᎲ ᎠᏁᎯ ᎤᎾᏓᏟᏌᎮ ᎦᎶᎯᏍᏗᏱ.\nᎣᏍᏓ ᏥᏯᏙᎴᏇᎸ Crockett ᎢᏳᏓᎵᎭ ᎠᏆᏗᏔᏍᏗ ᎠᎹ ᏫᏥᏂ ᏓᏳᏓᎴᏅ.\nᏚᏂᏯᏪᏣ ᎠᎦᏍᎩ ᎠᏂᏙᎾᎥ ᎤᏂᏃᏕᎾ, ᎤᏂᏴᏍᏗ ᎱᏁᏅᏎ ᎤᏍᎦᏃᎵ.\n”ᏥᏂᏓᏛ ᎯᎧᏁᎦ, ᎭᏩᏧ ᏧᏍᏆᏴᏍᏗ?” \nᏥᏳ ᏃᎴ ᏧᏩᎩ ᏧᏆᎶᎦ ᏃᎴ ᏘᎵ ᎦᎳᎨᏴ ᎦᏙ, ᎤᏒᎯ ᏚᏩᏂᎦᏢ ᏫᏚᏓᏴᎳᏛ ᎨᏴ ᏍᎪᏁ ᏅᏲ.\n”ᏙᎢᏳᏍᏗ ᎤᏰᎸᏗ “ᎢᏳᏍᏗᏉ ᎤᏃᎯᏳᏗ?”\nᎠᎫᏤᎵᎪ ᎠᏚᏓᎸᏙᏗ ᎩᎦ ᎢᏳᏟᏂᎩᏓ.\nᎫᎾᏓᎴᎩ ᎤᏑᏯᎩᏒ, ᎤᏑᏯᎩᏎ ᎤᎩᏓᏟᏅᏯ - ᎤᏩᏌ ᏄᏪᏒ - ᎡᎳᏗ ᏭᏂᎶᏎ ᏭᏂᎷᎯᏍᏗ ᎠᏤᎯ ᏣᎳᎩᏱ ᎠᏰᎵ, ᎡᏍᎦ ᎤᏂᏰᎸᏁ ᎠᎼ ᏭᏂᎶᎯᏍᏗ, ᏰᎵᏉ ᎠᎭᎾᏬ ᎠᏰᏍᏓ ᎦᏍᎩᎸ ᏯᎵᏍᏔᏴᎾ, ᎠᎴ ᎦᏆᎵ ᎢᏳᏍᏗ ᎠᏔᎴᎦᏒ ᏗᏗᎩᏍᏗ, ᎤᏬᏗᎨ ᎠᎹ ᎦᎶᏍᎬ ᎦᎸᎳᏗᏣ.\nᎢᎳᏯ ᏴᏫᏉ ᎨᏒᎩ ᎠᏴ ᏂᎦᎵᏍᏓᏁᎲ ᎾᏍᎩᏯ ᎢᎬᏩᎵᏍᏓᏁᏗ ᎨᏒᎩ; ᎠᎴ ᎤᎵᏂᎩᏛ ᎤᏓᏅᏛᎩ ᎤᏓᏙᎵᏍᏔᏅᎩ ᎤᏔᏲᎸᎩ ᎤᎦᏃᏗᏱ ᏂᎨᏒᎾ; ᎰᏩᏃ ᏄᏚᎾᏅᎾ ᎨᏒᎩ ᎦᏙᎯ ᏦᎢ ᏧᏕᏘᏴᏛ ᏑᏓᎵᏃ ᎢᏯᏅᏙ ᎢᎪᎯᏛ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎥᏝ ᎠᏍᎩᎾ ᏯᎩᏯᎠ, ᏥᎸᏉᏗᏉᏍᎩᏂ ᎡᏙᏓ; ᏂᎯᏃ ᎠᏴ ᎨᏍᎩᏐᏢᎢᏍᏗᎭ.\nᎤᏢᏂᏕᎾ ᏥᎨᏐ ᎤᏟᏃᎮᏔᏁᎢ ᏌᎳᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᎯᎠ ᏂᎬᏅ ᎪᏪᎵᎯ--ᎬᏂᏳᏉ ᏥᎲᎦ ᏌᏯᏂ ᏄᎬᏫᏳᏒ ᎤᏅᏏᏴ ᎠᏗ ᏅᏯ ᎠᏑᏰᏛ, ᎦᎸᏉᏗ, ᎠᎴ ᎩᎶ ᎾᏍᎩ ᎪᎯᏳᎲᏍᎨᏍᏗ ᎥᏝ ᎤᏕᎰᎯᏍᏗ ᏱᎨᏎᏍᏗ.\nᎠᎦᏁᎳᏅᎯᏰᏃ ᎠᏲᎩ ᎾᎬᏁᎴᎢ, ᎥᏝ ᎣᏏᏳ ᎤᏰᎸᏒ ᎢᏳᏍᏗ, ᎣᏏᏳᏍᎩᏂ ᎤᏰᎸᏅ ᎢᏳᏍᏗ ᎾᏍᎩ Ꮎ ᎾᏍᎩ ᎢᏳᏩᏁᎸᎯ, ᎤᏚᎩ ᎤᏮᏗᏱ ᎤᏰᎸᏅ,\nᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏱᏦᎯᏳᎲᎦ, ᎢᏨᏒ ᏕᏣᏓᎸᏉᏗᏍᎬ ᏥᏕᏣᏓᏂᎸᎦ, ᏂᏥᏲᎲᎾᏃ ᏥᎩ ᎥᏓᏗᎸᏉᏙᏗ ᎨᏒ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏩᏒᎯᏳ ᏅᏓᏳᎵᏍᎪᎸᏙᏗ ᏥᎩ?\nᎾᏍᎩ ᏥᎩᏲᎱᎯᏎᎴᎢ, ᎾᏍᎩ ᎾᏍᏉ ᏱᏗᎵᎭ ᎠᎴ ᏂᏗᎵᎲᎾ ᏱᎩ, ᎾᏍᎩ ᎢᏧᎳᎭ ᏫᎦᏕᏗᏱ ᎢᏳᎵᏍᏙᏗᏱ.\nᏱᏂᎪᎯᎸᎾ ᏓᎦᎵᏬᏥ.\n“ᎭᏩ,” ᎤᎴᏅᎮ ᏲᎾ ᎤᏤᏍᏙ, ᏦᎩᏃᎯᏎᎸ ᎠᎾᏓᏤᎵ ᏚᏏᎳᏛ ᎬᏗ ᏥᎦᏂᏱᏍᎨ ᎠᏣᏗ.\nᎣᎵᏩᏲᏃ ᎤᏌᎯᎸ ᎤᏬᎸᎢ, ᎤᏛᏅᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏓᏁᎸ ᏧᏳᎪᏗ, ᏈᏓ, ᎠᎴ ᏥᎻ, ᎠᎴ ᏣᏂ, ᎠᎴ ᎡᏂᏗ, ᎤᏅᏒ ᎨᏒ ᎬᏩᏛᏛᏁᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ,\nᎠᎴ ᏦᏓᏂ ᏍᎪᎾ ᏭᎶᏒᎩ, ᎾᎿ ᏣᏂ ᎢᎬᏱᏱ ᏚᏓᏬᎥᎢ. ᎾᎿᏃ ᎤᏪᏙᎸᎩ.\nᎠᎴᏬ ᎢᏓᎵᏅᏟ, ᎬᏂᎨᏒ ᏂᏨᏴᏁᎭ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎾᏍᎩ ᏥᏨᏯᎵᏥᏙᏁᎸᎩ, ᎠᎴ ᎾᏍᎩ ᎾᏍᏉ ᏥᏕᏣᏓᏂᎸᏨ, ᎠᎴ ᎾᏍᎩ ᎤᎵᏂᎩᏛ ᏥᏕᏥᏂᏴᎭ;\nᏂᎯᏃ ᎾᏍᏉ ᎢᏥᏃᎮᏍᎩ ᎨᏎᏍᏗ, ᎢᏧᎳᎭᏰᏃ ᎢᏕᏓ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ.\nᎢᏳᏍᎩᏂ ᏱᏣᏕᏒᎾ ᎥᏝ ᏱᎦᎯᏍᎦᏅᎦ; ᎢᏳ ᎠᎴ ᎠᏛ ᏱᏚᏤᏅ ᎥᏝ ᏱᎬᏍᎦᏅᎦ. ᎠᏎᏃ ᎾᏍᎩ ᎢᏳᎾᏍᏗ ᎤᏂᎩᎵᏲᎢᏍᏗ ᎨᏎᏍᏗ ᎤᏇᏓᎵ ᎨᏒᎢ. ᎠᏎᏃ ᎤᏁᎳᎩᏉ ᎢᏨᏰᎵᏎᎭ.\nᏗᎦᏙᎵ ᏓᏌᏬᎢᎮ.\nᎠᏁᎸᏗᏍᎨᎢ ᏫᎵᎻ ᎤᏓᏅᏖᏗ ᏱᎨᏒᎾ ᎢᏳᏍᏗ ᏄᏪᏒ ᏥᏍᏕᏥ.\nᎤᏛᏅᎢᏍᏖ ᎠᏰᎳᏍᏘ ᏃᎴ ᎦᎷᏯᏍᏘ, ᎾᏍᎩ ᏳᎷᏤᎸ ᎤᎵᏏᎩ ᎤᏓᏴᎳᏘ, ᏱᏚᏓᏲᏌ ᎬᏅ.\n“ᏃᏗ ᎠᏆᏛᏅᎢᏍᏔᏃᏂᏗ,” ᎤᏛᏁ ᎤᏥ\nᎠᎾᎦᎵᏍᎩᏰᏃ ᏗᎧᎸᎬ ᏨᏗᎦᎾᏄᎪᎪᎢ, ᏭᏕᎵᎬᏃ ᎢᏴᏛ ᏥᏫᏗᎦᎸᏌᏓᏗᏍᎪᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏄᏍᏕᏍᏗ ᏴᏫ ᎤᏪᏥ ᎦᎷᏥᎸᎭ.\nᏂᎦᏓ ᎠᏂᏴᏫᏯᎭ? ᎤᏛᏅ ᏗᎪᏪᎵᏍᎩ.\nᎤᏔᎷᎩᏍᎩ ᏃᎴ ᎤᎵᎮᎵᏍᏗ ᏄᎵᏍᏔᏁᎮᎢ.\nᎠᏌᎻᏗ ᏭᎾᏌᎾᎩᏒ ᏩᏏᏓᏂ ᎤᎾᏓᏍᎬ, ᎠᏂᎨᏴ ᏧᎾᏓᏍᎬ ᎢᏣ.\nᎢᎬᏱᏱ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏤᎷᎯᏒᎩ, ᎠᎴ ᎤᎨᎲ ᏔᏅᏒᎩ ᎠᏥᎸ ᎠᎴ ᎤᏁᏍᏓᎳ ᎩᎬ ᎤᏓᏑᏱ ᎨᏒᎩ, ᎠᎴ ᎡᎶᎯ ᏫᏕᎨᎦᏗᏅᏒᎩ, ᎠᎴ ᏕᏡᎬ ᏦᎢ ᎢᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᏚᎪᏅᎩ, ᎠᎴ ᏂᎦᏛ ᎢᏤ ᎧᏁᏍᎦ ᎤᎪᏅᎩ.\nᎿᏉᏃ ᎤᏨᏏᏗᏎᎢ, ᎠᎴ ᏓᏆᎴᎷᎯ ᎤᏣᎡᎢ, ᎠᎪᎵᏰᏍᎨ ᎢᏌᏯ ᎠᏙᎴᎰᏍᎩ.\nᎠᏯᏖᏅ ᎦᏙ ᏱᏭᏪᏙᎳ ᏲᎾ, ᏧᏗᎦᎶᎣᏏᏐ ᎡᎶ ᏄᎵᏍᏔᏁᎮ, ᎨᏍᏗᏰᏃ ᎪᎰᏍᏗ ᎫᏩᎴᏩᏍᏙᏙᏗ ᏱᎩ, ᎤᏏᏩᏉ.\n”ᎠᎬᏱ ᎨᏒ, ᎨᏍᏗ ᏫᎬᎩᏴᏍᏗ ᏱᎩ ᏣᏴᏍᏗ, ᎨᏍᏗ ᏰᎵ ᎢᏯᏆᏕᏘᏴᏓ ᏱᎩ ᏩᏆᏓᎾᏫᏛᏗ ᎠᏦᏴ.\nᏥᎻᏃ ᎠᎴ ᏣᏂ, ᏤᏈᏗ ᏧᏪᏥ ᎬᏩᎷᏤᎴᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᏍᎩᎾᏚᎵᎭ ᎢᏍᎩᎾᏛᏁᏗᏱ ᏄᏍᏛ ᎢᏍᏛᏔᏲᏎᏗ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᏄᏂᏪᏒᎢ ᎣᏏᏳ ᎤᏂᏰᎸᏁ ᏂᎦᏛ ᎤᏂᏣᏘ ᎨᏒᎢ; ᎠᎴ ᎤᎾᏑᏰᏎ ᏍᏗᏫ, ᎠᏍᎦᏯ ᎤᎧᎵᏨᎯ ᎤᏬᎯᏳᏒ ᎠᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎠᎴ ᏈᎵᎩ ᎠᎴ ᏉᎪᎳ ᎠᎴ ᎾᎨᎾ ᎠᎴ ᏔᎹᏂ ᎠᎴ ᏆᎻᎾ ᎠᎴ ᏂᎩ ᎥᏘᎣᎩ ᎡᎯ ᎠᏂᏧᏏ ᏧᎵᎪᏁᎸᎯ;\nᏃᏉᏗ ᏚᏟᎷᏆᏗᏅᏎ.\nᎤᏁᏒᏃ ᎪᏪᎵ, ᎾᏍᎩ Ꮎ ᏅᎩ ᎢᏯᏂᏛ ᏗᏅᏃᏛ ᎠᎴ ᏅᎩᏦᏁ ᎢᏯᏂᏛ ᏧᎾᏛᏐᏅᎯ ᎡᎳᏗ ᏓᎾᏓᏅᏅᎩ ᎠᎦᏔᎲ ᎤᏃᏕᎾ ᎠᎩᎾ, ᏗᏂᏁᎯᎭ ᎨᏒᎩ ᏗᎧᏃᎩᏍᏙᏗ, ᎠᎴ ᏗᏖᎵᏙ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ ᏗᎧᎵᎢ ᎨᏒᎩ ᎠᏜ ᎦᏩᏒᎩ, ᎾᏍᎩ ᎤᎾᏓᏅᏘ ᎠᎾᏓᏙᎵᏍᏗᏍᎬ ᏥᎩ.\nᎤᎾᏓᏙᎵᏍᏔᏁᏃ ᎯᎠ ᏄᏂᏪᏎᎢ; ᏂᎯ ᏣᎬᏫᏳᎯ, ᏂᎦᏛ ᏧᏂᎾᏫ ᏘᎦᏔᎯ, ᎬᏂᎨᏒ ᏅᎦ ᎾᏍᎩ ᎯᎠ ᎠᏂᏔᎵ ᎨᏒ ᎾᏍᎩ ᎯᏯᏑᏰᏒᎢ,\nᎾᏍᎩᏃ ᎢᏓᎵᏅᏟ ᎥᏝ ᎾᏂᎦᏔᎲᎾᏉ ᎨᏎᏍᏗ ᏱᏨᏰᎵᏎᎭ, ᎾᏍᎩ ᎤᏣᏘ ᎢᏳᏩᎫᏗ ᏓᏇᎪᏔᏅ ᏫᏨᎷᏤᏗᏱ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎤᎦᏔᏔᏅᎯ ᏂᎯ ᎾᏍᏉ ᎢᏤᎲ ᎠᎩᎪᏩᏛᏗᏱ ᎠᎩᏰᎸᏒᎩ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎠᏂᏐᎢ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ; ᎠᏎᏃ ᎪᎯ ᎢᏯᏍᏗ ᎠᏆᏓᏄᎴᎭ.\nᎾᏍᎩ ᏤᏣᏓᏂᎸᎢᏍᏗᏱ ᎤᎬᏫᏳᎯ ᎨᏒ ᏅᏓᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩᏯ ᏥᏚᏳᎪᏗ ᎢᏳᎾᏛᏁᏗᏱ ᎤᎾᏓᏅᏘ, ᎠᎴ ᎾᏍᎩ ᎡᏥᏍᏕᎸᏗᏱ ᏂᎦᎥᏉ ᎪᎱᏍᏗ ᎡᏥᏍᏕᎸᏗᏱ ᎤᏚᎵᏍᎬᎢ; ᎾᏍᎩᏰᏃ ᎤᏂᏣᏘ ᏧᏍᏕᎸᏛ, ᎠᎴ ᎠᏴ ᎾᏍᏉ ᎠᎩᏍᏕᎸᏛ.\nᎾᏍᎩᏃ ᎢᏳᏃ ᎠᏴ ᎾᏆᏚᎵᏍᎬᎾ ᎨᏒ ᎾᏍᎩ ᏱᏂᎦᏛᏁᎭ, ᎥᏝ ᎠᏴ ᎿᏉ ᎾᏍᎩ ᏱᏂᎦᎦᏛᏁᎭ, ᎠᏍᎦᏂᏍᎩᏂ ᎾᏍᎩ ᏣᎩᏯᎠ.\nᏯᏂᏍᏆᏂᎪᎳ ᏧᎧᎭᏲᏛ ᏩᏁᎢ ᏗᏍᏔᎷᏴᏓ ᏍᎩᎾᎾ ᏴᏫ.\nᎾᏎᏫᏂᏴ ᎤᏣᏔᏅᎯ ᎠᎦᏙᏌᏂᏳ ᎨᏒ ᎠᎴ ᎠᎦᏔᎾᎢᏳ ᎨᏒ ᎤᏁᎳᏅᎯ! ᎾᎦᎥᏉ ᎬᎪᎵᏰᏗ ᏂᎨᏒᎾ ᏄᏍᏛ ᏕᎫᎪᏗᏍᎬᎢ, ᎠᎴ ᎤᏪᏓᏍᏗᏱ ᎨᏒ ᎦᎪᎷᏩᏛᏗ ᏂᎨᏒᎾ!\nᎠᏎᏃ ᎾᏍᎩ ᎯᎠ ᏥᏂᏥᏪᎭ ᎠᎵᏍᎪᎸᏔᏅᎯᏉ ᎾᏍᎩ ᎢᏣᏛᏁᏗᏱ, ᎥᏝᏃ ᎠᏎ ᎾᏍᎩ ᎢᏣᏛᏁᏗᏱ ᎤᎵᏁᏨᎯ ᏱᎩ.\nᎠᎴ ᎾᎿ ᏥᏌ [ᎡᎲᎢ] ᎾᏍᎩ ᎠᏰᎵ ᎠᎴᎲᏍᎩ ᎢᏤ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎠᎴ ᎾᎿ ᎩᎬ ᎠᏍᏚᏢᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏟ ᎢᏲᏍᏛ ᎠᏔᏲᎯᎯ ᏥᎩ ᎡᏍᎦᏉ ᎡᏈᎵ [ᎤᎩᎬ.]\nᎩᎳᏋ ᏛᎾᏦᎥᏔᏂ ᏏᏆ ᏧᏄᎪᏙᏗ ᎠᎬᏱᏣ. ᎭᎾᎾ ᎤᎵᏍᎨᏓ ᎠᏓᏔᎶᎯᏍᏗ ᏂᏛᏅᏁᎵ.\nᎠᏎᏃ ᏥᏌ ᎡᎳᏪᏱᏉ ᎨᏎᎢ. ᏄᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎨᎶᎯ ᎢᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎬᎳᏲᏏ ᎤᏁᎳᏅᎯ ᎬᏂᏛ ᎯᏁᎢᏍᏙᏗᏱ, ᏍᎩᏃᎲᏏ, ᏥᎪ ᏂᎯ ᎦᎶᏁᏛ ᎤᏁᎳᏅᎯ ᎤᏪᏥ?\nᎠᏂᏍᏚᎩᏒ ᎧᏁᏌᎢ ᏃᎴ ᎠᎾᏁᎸᏔᏅ ᎨᏣᎸᏗ ᎧᏁᏌᎢ, ᏕᎭᏓᏟᏴᎲ! \nᎿᏉᏃ ᏓᎻ, ᏗᏗᎹ ᏧᏙᎢᏛ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎤᎾᎵᎪᎯ ᎠᎾᏓᏍᏓᏩᏗᏙᎯ, ᎾᏍᏉ ᎠᏴ ᎢᏕᎾ, ᎠᏲᎱᏒᎭ ᎢᎦᏠᏯᏍᏔᏅᎭ.\nᏠᎨᏏᏃ ᎾᏍᎩ ᎡᎳᏂᎬᎢ; ᎣᏍᏛ ᎤᎦᏔ ᎾᏍᎩ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎠᏁᎯ; ᎤᏲᏃ ᏧᎵᏰᏁ ᎾᏍᎩ ᎤᏁᎫᏥᏛ ᏧᏪᏥ;\nᎤᏁᎳᏅᎯᏍᎪ ᎠᏂᏧᏏᏉ ᎤᏅᏒ ᎤᎾᏤᎵᎦ? ᏝᏍᎪ ᎾᏍᏉ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᎾᏤᎵᎦ ᏱᎩ? ᎥᎥ, ᏧᎾᏓᎴᏅᏛ ᎾᏍᏉ ᏴᏫ ᎤᎾᏤᎵᎦ.\nᎠᏎᏃ ᎨᏍᏗ ᎫᏩᎵᏍᏓᏴᏗ ᏱᎨᏎ ᏲᎾ ᎤᏤᏍᏙ, ᎩᎳ ᎤᏅᏗ ᎤᏗᏔᎲ ᏱᎩ ᏏᏆ.\nᎤᏂᎸᏉᏔᏁᏃ ᎤᏁᎳᏅᎯ ᎠᏴ ᏅᏗᎦᎵᏍ-ᏙᏗᏍᎨᎢ.\nᎡᏘᏴ, ᏍᎩᏄᏍᏛ ᏓᏃᏒᏍᎨ ᎦᏓ ᎦᏓᏍᎬᎢ ᏃᎴ ᏚᏂᏚᎲ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᎾᎵᏍᏕᎸᏙᏗ ᏱᎨᏥᎦᏘᎴᏅ ᏃᎴ ᎤᏂᏫᏒᏗ, ᎤᎾᎵᏍᎩᏍᏗ ᏃᎴ ᎤᎾᏁᏦᏗ ᏃᎴ ᎠᎹ ᏕᎨᏴ ᎤᎵᏍᎨᏗ ᎨᏒ.\nᎠᏍᎦᏯ ᏔᎵ ᎢᏳᏓᎢ ᎤᏓᏅᏛᎢ ᎤᏁᏟᏴᏌᏘ ᎨᏐᎢ ᏂᎦᎥ ᏚᎸᏫᏍᏓᏁᎲᎢ.\n”ᏣᏍᎪ ᏱᎧᎾᏬᎨᏍᏗ ᎤᏒᎯ? ᎤᏓᏛᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎣᎦᎾ ᎢᎬᏓ ᎨᏎᎢ.\nᎰᏪᎸᎦ ᎾᏍᎩ Ꮎ ᏥᎪᏩᏛ, ᎠᎴ ᎪᎯ ᎨᏒ ᏄᏍᏗᏕᎬᎢ, ᎠᎴ ᎣᏂ ᎢᏳᎵᏍᏔᏂᏓᏍᏗ ᎨᏒᎢ.\nᎾᏍᎩᏃ Ꮎ ᎠᏫᏍᎩ ᎥᏝ ᎪᎱᏍᏗ ᏱᎩ, Ꮎ ᎠᎴ ᎠᎹ ᎠᏍᏚᏟᏍᎩ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏁᏉᎢᏍᏗᏱ ᎢᎬᏁᎯ ᏥᎩ.\nᎤᏟᏰᏃ ᎠᎯᏗᏳ ᎨᎻᎵ ᎤᎦᏛᎴᎯᏍᏗᏱ ᏴᎩ ᎦᏌᏁᎾᏛᏗᏱ ᎠᏃ ᎤᏪᎿᎢ ᏴᏫ ᏭᏴᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᏗᎨᏒᎢ.\nᏃᏗ ᏒᏃ ᎤᏓᏱᏐᏚᎢᏍᏊ ᎠᏆᏍᎦᏱ ᎦᏱᏐᏃ ᏃᏗᏍᏊ ᏒᏃᏱ ᏫᎦᎢᏒ ᏙᏳᏍᏊ ᎠᏆᏍᎦᏱᏓ ᏫᎦᎢᏒ.\nᎠᏎᏃ ᎤᏚᎩ ᎠᏋᎭ ᎤᎬᏫᏳᎯ ᏥᏌ ᎢᏳᏩᏂᏐᏗᏱ ᏗᎹᏗ ᏥᏅᏍᏗᏱ ᏗᏤᎲ ᏂᎪᎯᎸᎾ, ᎾᏍᎩ ᎠᏴ ᎾᏍᏉ ᎣᏍᏛ ᎠᎩᎦᎵᏍᏓᏗᏍᏗᏱ ᎦᏙᎴᎰᏒᎭ ᏂᏣᏛᎿᏕᎬᎢ.\nᎬᏩᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᏔᏕᏲᎲᏍᎩ, ᎥᏝ ᏱᎪᎯᎩ ᎠᏂᏧᏏ ᎤᎾᏁᎶᏔᏅᎩ ᏅᏯ ᏗᎨᏨᏂᏍᏙᏗᏱ, ᏔᎵᏁᏍᎪᏃ ᎾᎿ ᏴᏛᎯᎶᏏ?\nᏕᏫᏰᏃ ᏣᎬᏫᏳᎯ ᎪᏎᎭ; ᎦᏙᏃ ᏗᎦᎵᏍᏙᏗᎭ ᎤᏪᏥ ᎢᎩ?\nᎠᏎ ᎩᎶ ᎤᏪᏅᏍᏗ ᎠᏏᎾᎯ ᏧᏬᏪᎶᏗ.\nᎠᏴᏰᏃ ᏤᎩᎤᏍᏕᏎᎸᎯ, ᎤᏁᎳᏅᎯ ᎠᏓᏅᏙ ᎬᏗ ᎡᏓᏓᏙᎵᏍᏓᏁᎯ ᏥᎩ, ᎠᎴ ᎢᏓᎵᎮᎵᎩ ᎦᎶᏁᏛ ᏥᏌ ᎡᏓᎵᏍᎦᏍᏙᏛ ᎢᏳᏍᏗ, ᎠᎴ ᎤᏇᏓᎵ ᎨᏒ ᏂᎦᎵᏍᎦᏍᏙᏛᎾ ᏥᎩ.\nᎾᎯᏳᏃ ᎡᎶᏛ ᎤᎾᏄᎪᏫᏏᏗᏎᎢ, ᎾᎯᏳ ᏒᏃᏱ ᏈᏓ ᎦᎵᎮ ᎠᏰᎵ ᎠᏂᏔᎵ ᎠᏂᏯᏫᏍᎩ ᏓᏂᏅᎬᎢ, ᏔᎵ ᏧᏓᏕᏒᏛ ᏓᎦᎸᏍᏕᎢ, ᎠᏂᎦᏘᏯᏃ ᎦᎶᎯᏍᏗᏳᎶᏗ ᎠᏂᏂ ᎠᏂᏯᏫᏍᎨ ᏗᏓᏍᏚᏗᏱ.\nᎠᎴ ᎢᏣᎴᏂᏙᎲ ᎣᏍᏛ ᎨᏎᏍᏗ ᎠᏁᎲ ᏧᎾᏓᎴᏅᏛ ᏴᎾ, ᎾᏍᎩ ᎨᏣᏡᏗᏍᎬ ᎤᏲ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏥᎨᏦᏎᎭ, ᎾᏍᎩ ᎣᏍᏛ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎠᏂᎪᏩᏘᏍᎬ ᏱᏅᏓᎦᎵᏍᏙᏓ ᏯᏂᎸᏉᏓ ᎤᏁᎳᏅᎯ ᎾᎯᏳ ᎢᎦ ᏓᏩᏛᎯᎸᎭ.\n“ᎯᎠᏗ ᏥᎣᎵ ᎦᏚᎢᏣ ᎦᏯᎸᎪ,” ᎧᎵᏎᏥ ᎪᏒᏔᏅ ᎨᏂᏗ ᎢᏴ ᏄᏲᎢᏯ.” \n“ᏗᏂᏍᎬᎾᏕᏏ! ᏗᏂᏍᎬᎾᏕᏏ!” ᎤᏪᏢᎮ ᏩᎭᏯ.\nᎥᏝ ᎪᎱᏍᏗ ᎤᏍᏗ ᎠᏓᎪᎵᏰᏍᎩ ᎢᏣᏢᏔᎲᎯ ᏱᎩ ᎾᏂᎥᏉ ᏴᏫ ᎢᎬᏩᎵᏍᏓᏁᏗ ᎤᏩᏒ; ᎠᎴ ᎤᏁᎳᏅᎯ ᏄᏓᎵᏓᏍᏛᎾ, ᎾᏍᎩ ᎥᏝ ᎤᏁᎳᎩ ᏴᎨᏤᎵᏏ ᎠᏓᎪᎵᏰᏍᎩ ᎢᏥᎷᏤᏗᏱ ᏕᏣᎵᏂᎬᎬ ᎤᎶᏒᏍᏙᏗᏱ; ᎾᏍᎩᏍᎩᏂ ᎠᏓᎪᎵᏰᏍᎩ ᎢᏥᎷᏤᎲ ᏔᎵ ᎾᏛᏕᏍᏗ ᎾᎿ ᎦᏰᏣᏗᏫᏎᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏰᎵ ᎨᏣᏓᎵᏁᎯᏗᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᏤᏣᏛᎦᏁᎸ ᎡᎦᏆ ᎣᏥᎨᏳᎢ ᎢᏧᎳᎭ ᎣᎩᏅᏏᏓᏍᏗ, ᏂᎯᏃ ᏥᏅᏗᎦᎵᏍᏙᏗ ᎣᏍᏛ ᎢᏯᏛᏁᎯ ᎦᎶᏁᏛ ᎤᏅᏏᏓᏍᏗ.\nᎾᏍᎩᏃ ᏂᎪᎵᎬᎾ ᏱᎩ ᎦᏛᎬ ᎦᏬᏂᏍᎬᎢ, ᏅᏆᏓᎴᏉ ᎾᏍᎩᏯ ᏱᎩ ᎠᏆᏓᏅᏖᏍᎬ ᎾᏍᎩ ᎦᏬᏂᏍᎩ; ᎠᎴ ᎾᏍᎩ ᎦᏬᏂᏍᎩ ᏅᏩᏓᎴᏉ ᎾᏍᎩᏯ ᏱᎩ ᎠᏴ ᏥᏯᏓᏅᏖᏍᎬᎢ.\nᏓᏂᏓᎾᏆᏗᏍᎩ, ᎠᏎᏃ ᎢᏧᎳ ᎠᎾᏧᏉᏗᏍᎬ ᏚᏂᏍᏘᏰᎬ, ᎡᎳᏗ ᏥᏚᏂᎰ ᏗᏔᏍᎩᏍᎩ ᏗᏂᏍᎪᎵ ᎤᏤᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᎠᏓᏅᏖᏍᎬ ᎦᏙᎴᎣᏍᎩ ᎠᎴ ᎠᏓᏅᏙ ᎤᏓᏁᏗ ᎠᎩᎯ ᎢᎬᎵᏍᎨᏍᏗ, ᎾᏍᎩ ᎬᏂᎨᏒ ᏂᎬᏁᎮᏍᏗ ᎾᏍᎩ ᎯᎠ ᏥᏫᏨᏲᏪᎳᏁᎭ ᎤᎬᏫᏳᎯ ᎤᏁᏨᎯ ᎨᏒᎢ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎢᏨᏲᏪᎳᏏ ᎢᏦᎯᏳᎲᏍᎩ ᏚᏙᎥ ᎤᏁᎳᏅᎯ ᎤᏪᏥ, ᎢᏣᏙᎴᎰᎯᏍᏗᏱ ᎬᏂᏛ ᎢᏤᎲᎢ ᎨᏒᎢ, ᎠᎴ ᎢᏦᎯᏳᏗᏱ ᏚᏙᎥ ᎤᏁᎳᏅᎯ ᎤᏪᏥ.\nᎿᏉᏃ ᏖᎸᎳᏗ ᏓᏫᏒ ᎤᏤᎵᎦ, ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙ ᏓᎦᏛᏁᎵ? ᎠᏇᏥ ᏥᎨᏳᎢ ᏓᏥᏅᏏ; ᏯᏂᎸᏉᏓ ᏱᎩ ᎾᏍᎩ ᎠᏂᎪᎲᎭ.\nᏙᏓᏆᏍᎬ ᎣᎩᎾᎩᎳᏩᏕᎬ, ᏙᏍᏔᎦᏁᎬ ᎠᎼ ᏤᏙ ᏥᏳ ᏧᎶᎯᏍᏗ, Chesapeake ᏃᎴ Ohio ᎠᎹ ᏧᎶᎯᏍᏗ.\nᎠᎴ ᎢᏨᏔᏲᏎᎭ, ᎢᏓᎵᏅᏟ, ᎾᏍᎩ ᏗᏥᎦᏔᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩ Ꮎ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎢᏤᎲᎢ, ᎠᎴ ᏗᎨᏣᏁᎶᏗ ᏥᎩ ᎤᎬᏫᏳᎯ ᏕᏣᏁᎶᏛᎢ, ᎠᎴ ᏥᎨᏣᏅᏓᏗᏍᏗᎭ;\nᎾᎥᏂᎨ ᏭᎷᏤ ᎤᎦᏙᏍᏓᏁᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎩᎶ ᎠᏲᏍᏗᏍᎨᏍᏗ ᏌᏉ ᎯᎠ ᎤᏍᏗᎧᏂ ᎤᎵᏁᏨᎢ, ᎠᎴ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᏴᏫ ᏕᎨᏲᎲᏍᎨᏍᏗ, ᎾᏍᎩ ᎤᏍᏗᎧᏂ ᎠᎪᏎᎮᏍᏗ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ; ᎩᎶᏍᎩᏂ ᏓᎧᎿᏩᏕᎨᏍᏗ, ᎠᎴ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᏓᏕᏲᎲᏍᎨᏍᏗ, ᎦᎸᏉᏗᏳ ᎠᎪᏎᎮᏍᏗ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏥᎷᏤᏗᏱ ᏂᎦᏛ ᎣᏍᏛ ᎩᎬ ᎡᎶᎯ ᎤᏤᏪᏨᎯ, ᎤᏓᏅᏘ ᎡᏈᎵ ᎤᎩᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᏤᎦᎳᏯ ᎤᎩᎬ ᏇᎵᎦᏯ ᎤᏪᏥ ᎤᏛᏍᏗ, ᎾᏍᎩ ᏤᏥᎸ ᎤᏜᏅᏛ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏥᎸᏃ-ᎨᎳᏍᏗᏱ.\nᎾᏍᎩ ᎾᎿ ᏥᏥᎩᎵᏲᎦ ᎥᏆᎸᏍᏗᏱ ᎢᏴᏛ, ᎤᏲ ᏧᎸᏫᏍᏓᏁᎯ ᎾᏍᎩᏯᎢ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏤᎵᎦ ᎧᏃᎮᏛ ᎥᏝ ᎦᎸᎸᎯ ᏱᎩ.\nᎠᎴ ᏂᎦᏛ ᏕᎨᎦᏬᏍᎨ ᎤᏣᎩᎸ ᎠᎴ ᎠᎺᏉᎯ ᎼᏏ ᎬᏩᎵᎪᏁᎮᎢ.\nᎤᏩᏌ ᏧᏤᎵ ᏴᏫ ᎫᏩᎨᎯᏒ ᎠᏙᎯ ᎾᏍᎩᏯ ᎢᎾᎨ ᎡᎯ ᏏᏆ.\nᏕᏣᏓᏙᎯᏳᎲᏍᎨᏍᏗ ᎢᏥᏏᏴᏫᎭ ᎨᏒ ᎤᏁᎳᏅᎯ ᎡᏥᎾᏰᏍᎬᎢ.\n ”ᏒᎦᎾᏲᎪ!” ᎤᏛᏁ ᏫᎵᎻ, ᎡᎳᏗ ᏫᏚᎧᎾᏁ ᏗᎦᎵᏦᎯᏓ ᏗᎦᏅᏍᎨᏂ, ”ᎨᎵᎠ ᎨᏍᏗ ᎦᎵᏉᎩ ᏱᏂᏚᏓᏓᏍᎦ ᏗᏥᏅᏍᎨᏂ.”\nᎤᏓᏅᏘ ᎬᏗᏍᎬ ᏱᎩ ᏕᎨᏲᎲᏍᎬ ᎬᏩᏡᏗᏍᎩ; ᎤᏚᎩ ᏳᏩᎭ ᎤᏁᎳᏅᎯ ᏧᏂᏁᏟᏴᏍᏗᏱ ᏚᎾᏓᏅᏛᎢ, ᎠᎴ ᏧᎾᏓᏂᎸᎢᏍᏗᏱ ᎤᏙᎯᏳᎯ ᎨᏒᎢ;\nᎤᏃᎵᏍᏗᏱ ᏧᎾᎵᏏᎲᏎᎸᎯ, ᎤᎾᏞᏛ ᎾᎿ ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒ ᎠᎴᏂᏓᏍᏗᏱ, ᎾᏍᎩ ᎾᏂᎦᏔᎾᎥᎾ ᎨᏒ ᎢᏳᏩᏂᏌᏛ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏧᏂᎾᏫ ᏗᏍᏓᏱᏳ ᎨᏒᎢ.\nᎧ, ᏦᏈ ᎭᏓᏅᎵ, ᎠᎴ ᏫᏯᏅ ᏌᏩᏂ ᏈᏓ ᏧᏙᎢᏛ; ᎾᏍᎩ ᎤᏬᎳ ᏌᏩᏂ ᏗᏑᏫᏍᎩ ᎦᏁᎸᎢ ᎠᎹᏳᎶᏗ, ᎾᏍᎩ ᎦᎷᏨᎭ ᏓᏣᏬᏁᏔᏂ.\nᎬᏂᏳᏉ, ᎠᏧᏏ ᏕᏣᏙᎥ, ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᏣᎵᏍᎦᏍᏙᏗ, ᎠᎴ ᎯᏯᏢᏆᏍᏙᏗ ᎤᏁᎳᏅᎯ,\nᎠᏰᎵ ᏧᎦᎴᏅᏓ ᎨᏎ ᎤᏍᏗᏰᎬ, ᎤᏁᎦ ᎠᏍᏗ ᎬᏘ ᎤᏬᏚᎢᏍᏕ.\nᎥᏝ ᎢᏨᏲᏎᎭ; ᏂᎯᏍᎩᏂ ᏂᏗᏥᏁᏟᏴᏒᎾ ᎢᎨᏎᏍᏗ ᏕᏣᏓᏅᏛᎢ, ᏂᎦᏛ ᎾᏍᎩᏯ ᏓᏣᏗᏒᏂ.\nᏴᏫ ᎤᎵᏏᎬ ᏣᏂᏅᎩ ᎤᏣᏘ ᎢᎦᎦᏘ ᎤᏂᎪᎲ, ᎾᏃ ᎠᏲᎱᎯᏍᏗᏱ ᎨᏒ ᎤᏤᎵᎪᎯ ᎠᎴ ᎤᏓᏩᏗᏍᎬ ᏣᏂᏅᎩ, ᎢᎦᎦᏘ ᎤᏂᎾᏄᎪᏤᎸ.\nᏧᏙᏓᏆᏓ ᎣᎭᏁ, ᎦᎷᏯᏍᏗ ᏚᏃᏴᎬ ᎤᏩᏌ ᎠᏛᎪᏗ ᎨᏒ, ᎠᏂᏲᏍᎩ ᏓᏂᎴᏴᏍᏗᏍᎬ ᏃᏥ ᏕᏧᎬ.\nᏚᎴᏅᏃ ᎤᏪᏅᏎᎢ; ᎬᏂᏳᏉᏃ ᎠᏍᎦᏯ ᎢᏘᏱᏈ ᎡᎯ ᎠᏳᎾᎦ ᎠᏥᎸᏉᏗ ᎤᏁᏤᎸᎯ ᎬᏗᏏ ᎠᎨᏴ ᎤᎬᏫᏳᎯ ᎢᏗᎣᏈ ᎠᏁᎯ ᎤᎾᏤᎵᎦ, ᎾᏍᎩ ᏂᎦᏛ ᎠᏕᎸ ᎤᎦᏘᏕᎯ, ᎾᏍᎩ ᎤᏓᏙᎵᏍᏔᏂᎸᎯ ᎨᏎ ᏥᎷᏏᎵᎻ,\nᎠᏎᏃ ᎾᏍᏉ ᏱᏗᏧᎪᏗᎭ, ᏓᏇᎪᏔᏅ ᏑᏳᎪᏛ ᏱᎩ. ᎥᏝᏰᏃ ᎠᏋᏒᏉ ᏱᎩ, ᎠᎦᏴᎵᎨᏰᏃ ᏅᏛᎩᏅᏏᏛ ᎣᎩᎾᎵᎪᎭ.\nᎢᏳᏰᏃ ᎤᏁᎳᏅᎯ ᏂᏚᎨᏳᏅᎾ ᏱᎩ ᏅᏁᎯᏯ ᏚᏩᏂᎦᎸᎢ, ᏂᎯ ᎾᏍᏉ ᏂᏣᎨᏳᏅᎾᏉ ᏱᎩ.\nᎯᎠ ᏄᏪᏎᎢ, ᎡᎮ ᏗᎫᎪᏗᏍᏗ ᎢᎸᎯᏢ ᎦᏚᎲᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏂᎦᎾᏰᏍᎬᎾ, ᎠᎴ ᏴᏫ ᏂᏚᏁᎶᏛᎾ;\nᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏚᎩ ᎢᏨᏒ ᎾᏍᎩ ᎦᎸᎳᏗ ᏤᏣᏛᏅᎢᏍᏓᏁᎸᎢ, ᎾᏍᎩ ᎦᏳᎳ ᎢᏣᏛᎦᏅᎯ ᏥᎩ ᎾᎿ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎣᏍᏛ ᎧᏃᎮᏛᏱ,\nᎯᎠ ᏄᏂᏪᏎᎢ; ᎦᏙ ᏙᏓᏛᏁᎵ ᎯᎠ ᎠᏂᏍᎦᏯ, ᏄᏜᏏᏛᏒᎾᏰᏃ ᎤᏍᏆᏂᎪᏗ ᏚᏂᎸᏫᏍᏓᏁᎸ ᎬᏂᎨᏒ ᏄᎾᎵᏍᏓᏁᎸ ᏂᎦᏛ ᏥᎷᏏᎵᎻ ᎠᏁᎯ, ᎠᎴ ᎥᏝ ᏰᎵ ᏴᎨᏓᏓᏱᎦ.\nᎥᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ ᎯᎠ ᏥᏥᏃᎮᎭ.\nPerry ᏃᎴ ᏣᎵᏍᏙᏂ ᏯᎾᏓᏅᏍᎬᎾ ᏓᏂᎾᎡ ᏃᎴ Philadelphia, ᎠᎦᏗᏛ ᎩᎦ ᎠᏔᏍᎨᏍᎨ, ᏓᏖᎸᎮᏍᎨ ᏧᏬᏰᏂ ᎾᏍᎩᏯ ᎡᎶᎯ ᏥᎦᏂᏱᏍᎪ.\nᎯᎠᏃ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ, ᎾᏂᎥᏉ ᎩᎶ ᎠᎾᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎤᎬᏫᏳᎯ ᏚᏙᎥ ᎠᏅᏗᏍᎨᏍᏗ ᎠᏂᏔᏲᎯᎮᏍᏗ ᎨᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᏣᏂ ᏥᏓᏓᏬᏍᎬᎩ ᎭᏢ ᏧᏓᎴᏁᎢ? ᎦᎸᎳᏗᏍᎪ, ᏴᏫᏉᎨ ᎠᏁᎲ ᏧᏓᎴᏁᎢ? ᎡᎳᏪᏱᏃ ᎤᎾᏓᏅᏖᎸᎩ, ᎯᎠ ᎾᏂᏪᏍᎬᎩ; ᎢᏳᏃ ᎦᎸᎳᏗ, ᏲᎦᏛᏅ, ᎦᏙᏃ Ꮭ ᏱᎡᏦᎢᏳᏁᎢ? ᏲᎪᏏ.\nᏂᎯ ᎡᏣᏃᎯᏎᏗ, ᎯᏍᎩᏍᏆ ᏂᎦᏚ ᏧᏪᏥ ᏕᎦᎶᏗ ᏆᎾ ᎢᏳᏍᏗ ᎤᎵᏑᏫᏓ ᎦᏅᏙᏗ.”\nᎤᏂᏄᎪᏨᏃ ᎤᏂᏩᏛᎮ ᎠᏍᎦᏯ ᏌᎵᏂ ᎡᎯ ᏌᏩᏂ ᏧᏙᎢᏛ; ᎾᏍᎩ ᎬᏍᎦᎢᏍᏓᎩ ᏄᏅᏁᎴ ᎤᏪᏅᏍᏗᏱ ᏧᏓᎿᏩᏛ.\nᎠᎴ ᎥᏝ ᎠᏂᎦᏔᎯ ᏱᎨᏎ ᎠᏆᎧᏛ ᎾᏍᎩᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒ ᏧᏗᏱ, ᎾᏍᎩ ᎦᎶᏁᏛ ᏗᎬᏩᏁᎶᏗ;\nᎤᏕᎵᏒᏍᎩᏂ ᎣᏓᏅᏛ ᎡᎯ ᏴᏫ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏲᎩ ᏂᎨᏒᎾ ᏥᎩ, ᎾᏍᎩ ᎤᏓᏙᎵᏍᏗ ᎠᎴ ᎤᏓᏅᏘ ᎠᏓᏅᏙ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏙᏗᎧᏂᏍᎬ ᎤᏣᏘ ᏧᎬᏩᎶᏗ ᏥᎩ.\nᎣᎦᏛᎦᏅᏰᏃ ᎯᎠ ᏂᎧᏪᏍᎬᎩ; ᎾᏍᎩ ᎯᎠ ᏥᏌ ᎾᏎᎵᏗ ᏤᎲᎩ ᏛᏲᏍᏔᏂ ᎠᏂ, ᎠᎴ ᏓᎦᏁᏟᏴᏏ ᎢᏯᏛᏁᎵᏓᏍᏗ ᎾᏍᎩ ᎼᏏ ᎢᎩᏁᎸᎯ.\nᎾᏍᎩ ᎠᏓᏪᎵᎩᏍᎩ ᎠᎴ ᏧᎸᏌᏓ ᎠᏨᏍᏙᏗ ᎨᏒᎩ; ᏂᎯᏃ ᏞᎦ ᎣᏏᏳ ᎢᏥᏰᎸᏒᎩ ᎢᏣᎵᎮᎵᏍᏗᏱ ᎾᏍᎩ ᎢᎦᎤᏘᏍᏛᎢ.\nᎯᎠᏃ ᎤᏆᎶᎦ.\nᎦᏳᎳ ᏂᏚᏭᎪᏔᏁᎢ ᎤᎭᏴᏍᏗ ᏧᏪᏥ ᏗᎦᏅᏙᏗ --- ᏐᏉ ᎤᏩᏌ ᏰᎵᏉ ᎢᏳᎵᏍᏙᏗ ᎨᏎᎢ.\nᏏᏅᏓ ᎢᎪᎯᏛ ᎯᎪ ᎢᎦ ᎠᎴᏂᏍᎩ.\nᎠᏂᏐ ᏄᎾᏍᏛ ᎣᎯᏍᏙᏗ ᎤᎾᏓᏅᏖᏗ, ᎤᎵᏨᏓᏆᏓ ᏳᏗᏔ, ᎣᎯᏍᏙᏗ ᏍᎦᏥ ᏫᏍᎩ ᎤᎸᏉᏛ, ᎩᎶ ᏄᏓᎴᎯ ᏳᏩᏍᎦ.\n ᏧᏌᏬᎸ ᏚᎧᎵᏤ ᏗᎦᏙᎵ.\nᎾᎿᏃ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ ᎤᏴᏩᏛᎲᎩ ᏥᏳ ᎢᏓᎵ ᎠᏂᏂᏒᎩ, ᎡᎵᎩᏱ ᎡᎯ, ᎾᎿᏃ ᏙᎩᏯᏅᎩ.\nᎥᏝᏰᏃ ᏰᎵ ᎦᏲᎦᎵᏠᏯᏍᏙᏗ ᏱᎩ, ᎠᎴ ᏗᎦᏲᎦᏓᏟᎶᏍᏙᏗ ᏱᎩ ᏄᎾᏍᏛ ᎾᏍᎩ ᎤᏅᏒ ᎠᎾᏓᎸᏉᏗᏍᎩ; ᎾᏍᎩᏰᏃ ᎤᏅᏒ ᎠᎾᎸᏉᏗᏍᎩ; ᎾᏍᎩᏰᏃ ᎤᏅᏒ ᎨᏒ ᎤᏅᏒᏉ ᏄᎾᏍᏛ ᏓᎾᏓᏟᎶᏍᏗᏍᎬ, ᎠᎴ ᎤᏅᏒᏉ ᏄᎾᏍᏛ ᏓᎾᏓᏟᎶᏍᏗᏍᎬ, ᎠᎴ ᎤᏅᏒᏉ ᏓᎾᏓᏤᎳᏍᏗᏍᎬ ᎥᏝ ᏳᎾᏓᏅᏔ.\nᎥᏝ ᏂᎯ ᎠᏴ ᏍᎩᏯᏑᏰᏛ ᏱᎩ, ᎠᏴᏍᎩᏂ ᏂᎯ ᎢᏨᏯᏑᏰᏛ, ᎠᎴ ᏕᏨᏯᎧᏅ ᎢᏤᏅᏍᏗᏱ ᎤᏁᏉᏨᎯ ᎢᏥᎾᏄᎪᏫᏍᏗᏱ, ᎠᎴ ᎤᏁᏉᏨᎯ ᎢᏣᏤᎵᎦ ᎦᎶᏐᎲᏍᎩ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᏂᎦᎥᏃ ᎪᎱᏍᏗ ᎡᏥᏔᏲᏎᎮᏍᏗ ᎠᎦᏴᎵᎨᎢ, ᎠᏴ ᏓᏆᏙᎥ ᎢᏥᏔᏲᏍᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎢᏥᏁᏗᏱ.\nᏐᏉ ᎢᎦ, ᎤᏔᏂᏓ ᎨᏴ ᎠᏓᏬᏍᎬ, ᎤᎴᏅᎮ ᎠᎦᏍᎬ.\nᎠᏎᏃ ᏧᏯᏪᎩ ᏄᏍᏛ ᏗᎧᏃᏗ ᎠᏌᎻᏓ ᏃᎴ ᏧᏁᎦ ᏗᎦᏙᎵ ᏃᎴ ᎤᏓᏅᏖᏗᏍᎬ ᏚᎷᏫᏍᏔᏁᎲ ᎠᏙᎯ, ᎤᏦᏍᏔᏁᎲ ᏃᎴ ᎤᏍᎦᏍᏓᏁᎲ.\nᎢᏳ ᎠᎴ ᎤᏓᏅᏘ ᎤᏎᎦᏨᎯ ᎠᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᏂᏚᏁᎶᏛᎾ ᎠᎴ ᎠᏍᎦᎾᎢ.\nᎤᏃᏕᎾᏰᏃ ᎠᎩᎾ ᎾᏍᎩ Ꮎ ᎦᏍᎩᎸ ᎠᏰᎵ ᏥᏄᏛᏅ ᏓᏳᏁᎶᎵ ᎠᎴ ᏙᏓᏳᎾᏘᏁᏏ ᎠᎹ ᎬᏂᏛ ᎠᎹ ᏙᏗᎦᏄᎪᎬᎢ; ᎠᎴ ᎤᏁᎳᏅᎯ ᏙᏓᎦᏅᎦᎸᎯ ᏂᎦᏛ ᏚᏂᎦᏌᏬᎸᎢ.\n“ᎤᏙᎯᏳᎯ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎿᏉᏃ ᎤᎴᏅᎮ ᎤᏍᎩᏅᏕᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏁᎢᏍᏔᏁᎢ; Ꮭ ᏱᏥᎦᏔᎭ Ꮎ ᎠᏍᎦᏯ, ᎤᏛᏁᎢ; ᎩᎳᏉᏃ ᎢᏴᏛ ᏣᏔᎦ ᎤᏴᎳᏎᎢ.\nᏚᎾᏓᏟᏴᎲ ᎤᏃᎴ ᎢᏳᏍᏗ ᎢᎦᏪᏍᏗ.\nᎠᏎᏃ ᎤᏁᎷᏁ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎯᏍᏛᎥᎦ, ᎯᏯᏛᎥᎦ.\nᎾᏍᎩ Ꮎ ᎾᏍᏉ ᎢᎩᏰᎸᏔᏅᎯ ᏥᎩ, ᎠᎴ ᎢᎩᏁᎸᎯ ᏥᎩ ᏗᎩᎾᏫᏱ ᎠᏓᏅᏙ ᎠᎦᏘᏗᏍᏙᏗ ᎨᏒᎢ.\nᎿᏉᏃ ᎤᎵᏰᏅ ᎠᎴ ᎤᎦᏔᏔᏅ ᎾᏍᏉ ᎤᏲ ᎤᎾᏄᎪᏤᎢ.\nᎠᏎᏃ, ᎢᏓᎵᏅᏟ, ᎥᏝ ᎾᏂᎦᏔᎥᎾᏉ ᎨᏎᏍᏗ ᏱᏨᏰᎵᏎᎭ ᎾᏍᎩ Ꮎ ᎤᏂᎵᏅᏨᎯ ᎤᎬᏩᎵ, ᎾᏍᎩ ᎤᏲ ᎢᏣᏓᏅᏓᏗᏍᏗᏱ ᏂᎨᏒᎾ ᎾᏍᎩ ᏅᏩᎾᏓᎴ ᎤᏚᎩ ᏄᏅᏒᎾ ᎾᏍᎩᏯ ᏄᎾᏍᏛᎢ.\nᎾᏍᎩ ᏗᏂᎰᎵ ᎠᏎ ᏗᎨᏥᏍᏚᏁᏗ, ᎾᏍᎩ ᎾᏂᎥ ᏏᏓᏁᎸᎯ ᎠᏁᎯ ᏗᏂᎦᏔᎲᏍᎩ, ᎾᏍᎩ ᏥᏓᎾᏕᏲᎲᏍᎦ ᏂᏚᏳᎪᏛᎾ ᏥᎩ ᏧᎾᏕᏲᏗᏱ, ᏧᎬᏩᎶᏗ ᎦᏓᎭ ᎤᏂᎬᎥᏍᎬ ᎢᏳᏍᏗ.\nᎤᎾᏂᎩᏒᏃ ᎬᏂᏳᏉ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏅᏏᏛ ᏱᎰᏩ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᏦᏩ ᎠᏍᎩᏓᏍᎬᎢ, ᎯᎠ ᏄᏪᏎᎴᎢ; ᏔᎴᎲᎦ, ᎠᎴ ᏔᏘᏄᎦ ᎠᏲᎵ ᎠᎴ ᎤᏥ ᎠᎴ ᎭᎵᏘ, ᎢᏥᏈ ᏫᎶᎯ, ᎾᎿᏃ ᏪᎮᏍᏗ ᎬᏂ ᏫᎬᏁᏤᎸᎭ, ᎡᎶᏛᏰᏃ ᎠᏎ ᏛᏲᎵ ᎤᏍᏗ ᎠᏲᎵ ᎤᎯᏍᏗᏱ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏂᎦᎥ ᎪᎱᏍᏗ ᎢᏣᎸᎢᎮᏍᏗ ᎡᎶᎯ, ᎦᎸᏍᏗ ᎨᏎᏍᏗ ᎦᎸᎳᏗ; ᏂᎦᎥᏃ ᎪᎱᏍᏗ ᎢᏣᎸᎩᏍᎨᏍᏗ ᎡᎶᎯ ᎦᎸᎩᏍᏗ ᎨᏎᏍᏗ ᎦᎸᎳᏗ.\nᎤᎦᏃᏫ ᎤᏃᎴ ᎤᏂᏃᎸᏔᏁᎢ ᏧᏂᏍᏗ ᎧᏅᏂᏍᎩ.\nᎠᏰᎵᏃ ᏕᎦᎧᎲ ᎦᎵᏉᎩ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏙᏗ [ᎦᏙᎬᎩ] ᎩᎶᎢ ᏴᏫ ᎤᏪᏥ ᎾᏍᎩᏯᎢ, ᎤᏄᏩᎥᎩ ᏧᎳᏏᏕᏂ ᏂᏚᎸᎩ, ᎠᏓᏠᏍᏗᏃ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎤᏓᏠᎲᎩ ᏗᎦᏅᏗᏱ ᏧᏳᎪᏗ.\nᎾᏂᎥᏉᏰᏃ ᎩᎶ ᏣᏂᏔᏲᎯᎰ ᎨᏥᏁᎰᎢ; ᎩᎶᏃ ᏧᏲᎰ ᎠᏩᏘᏍᎪᎢ; ᎩᎶᏃ ᏥᏫᎬᏂᎰ ᎠᏥᏍᏚᎢᎡᎰᎢ.\nᎪᎯᏳᏗᏍᎩᏂ ᎨᏒ ᏂᏛᏗᏍᎬᎾ ᏱᎩ ᎬᏩᏟᏍᏗ ᎣᏍᏛ ᎤᏰᎸᏗ [ᎤᏁᎳᏅᎯ] ᏗᎩᎸᏫᏍᏓᏁᏗᏱ; ᎩᎶᏰᏃ ᎤᏁᎳᏅᎯ ᏱᎦᎷᏤᎭ ᎠᏎ ᏱᎦᎯᏳᎲᏍᎦ ᎡᎲᎢ, ᎠᎴ ᎾᏍᎩ ᏗᎫᏴᎡᎯ ᎨᏒ ᎤᎵᏂᎩᏛ ᎬᏩᏲᎯ.\nᏈᏓᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴ ᏥᏌ, ᏔᏕᏲᎲᏍᎩ, ᎣᏏᏳ ᎠᏂ ᏥᏕᏙᎭ; ᎠᎴ ᏦᎢ ᏫᏙᏥᎵᏦᏛᎦ; ᏌᏉ ᏂᎯ ᏣᏤᎵᎦ, ᏌᏉᏃ ᎼᏏ ᎤᏤᎵᎦ, ᏌᏉᏃ ᎢᎳᏯ ᎤᏤᎵᎦ.\nᎦᎪ ᎯᎠ ᎠᏂᏔᎵ ᎤᏙᏓ ᎤᏁᏨ ᏄᏛᏁᎴᎢ? ᎢᎬᏱ ᏭᎷᏤᎸᎯ, ᎥᎬᏪᏎᎸᎩ. ᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᏧᎾᏤᏌᏘ ᎠᏂᎨᏴ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏩᏂᏴᎯᎭ ᏕᎨᏥᎪᏂᎭ.\n“ᎰᎻ,” ᎤᏬᏎᎴ ᎤᏰᎯ, “ᎤᏅᏗ ᏧᏂᏦᏴᏍᏗ ᎬᏗ ᏓᏥᏯᏬᎢ ᏏᏆ.”\nᎿᏉᏃ ᏂᎦᏚ ᏫᏄᏕᏘᏴᎲ ᎣᏂ, ᏔᎵᏁ ᏥᎷᏏᎵᎻ ᎠᏇᏅᏒᎩ ᎣᏍᏕᎲᎩ ᏆᏂᏆ, ᎠᎴ ᏓᏓᏏ ᎾᏍᏉ ᎥᏥᏯᏘᏅᏒᎩ.\nᎠᎴ ᎢᏓᎵᏅᏟ, ᎥᏝ ᎾᏂᎦᏔᎲᎾᏉ ᎨᏎᏍᏗ ᏱᏨᏰᎵᏎᎭ, ᎾᏍᎩ ᎾᏂᎥᏉ ᏗᎩᎦᏴᎵᎨ ᎤᎶᎩᎸ ᎭᏫᏂᏗᏢ ᎤᏁᏙᎸᎢ, ᎠᎴ ᏂᎦᏛ ᎠᎹᏉᎯ ᎤᏂᎶᏒᎢ,\nᎾᏍᎩ ᎢᏳᏍᏗ (ᎦᎶᏁᏛ) ᎡᎶᎯ ᎤᎾᏄᎪᏥᎸ, ᎯᎠ ᏄᏪᏎᎢ, ᎠᏥᎸ-ᎨᎳᏍᏙᏗ ᎠᎴ ᎢᎵᏍᎪᎸᏙᏗ ᎨᏒ ᎥᏝ ᏰᎵ ᏱᏗᏣᏰᎸᏁᎢ, ᎠᏰᎸᏍᎩᏂ ᏍᏆᏛᏅᎢᏍᏓᏁᎸ.\nᎢᎸᏍᎩᏃ ᏫᏄᏒᎸ ᏉᎳ ᎯᎠ ᏄᏪᏎᎸᎩ ᏆᏂᏆ; Ꭷ ᏔᎵᏁ ᏥᏙᏂᏩᏛᎱᎦ ᎢᏓᏓᏅᏟ ᏂᎦᎥ ᏕᎦᏚᏩᏗᏒ ᎾᎿ ᎩᎾᎵᏥᏙᏂᏙᎸ ᎧᏃᎮᏛ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ, ᏫᎾᏙᎴᎰᎯ ᏄᎾᏛᎿᏕᎬᎢ.\nᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎤᎵᏁᏨ ᎠᏍᎦᏂ ᏁᎰ ᎡᎶᎯ; ᎠᏎᏃ ᎥᏝ ᎤᏂᏍᎦᏅᏨᎯ ᎨᏥᏰᎸᏗ ᏱᎩ ᎾᎿ ᏗᎧᎿᏩᏛᏍᏗ ᎾᎲᎾ ᎨᏒᎢ.\nᎣᏍᏓ ᎣᎦᎵᎪ ᎣᎦᎵᏍᏔᏴᏅ ᏑᎾᎴ ᎠᎵᏍᏔᏴᏗ.\nᏂᎯ ᎠᏴ ᎢᎦᎵᎢ, ᎢᏳᏃ ᏂᎦᎥ ᎢᏨᏁᏤᎲ ᏱᏂᏣᏛᏁᎭ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎢᎸᎯᏳ ᎢᏴᏛ, ᎾᏍᎩ ᎤᏣᏁ ᏥᏳᎯ ᎤᎾᎵᎪᏎ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎯᎠᏙ ᏂᏚᏪᏎᎴᎢ, ᏗᏗᏐᎩ ᎥᏓᎸ ᏍᎪᎾ ᏫᏗᎶᎯ. ᎠᎴ ᎤᏂᏴᏫᏛᎮ.\nᏥᎪ ᏥᏍᎦᏅᎩ ᎡᎳᏗ ᏥᎾᏆᏓᏛᏁᎸ, ᏂᎯ ᎡᏥᏌᎳᏙᏗᏱ, ᎾᏍᎩ ᏂᏗᏨᎬᏩᎶᏓᏁᎸᎾ ᏥᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎢᏨᏯᎵᏥᏙᏁᎸᎢ?\nᎤᏓᏔᏅ ᎨᎵᏍᎩ ᎢᏳᏍᏗ ᎠᎩᎦᎷᏴ, ᏓᎩᎷᎬᏒ, ᏕᎦᏥᏌᏁᎸ ᏧᏃᏮ, ᎦᏚᎢᏣ ᎤᏬᏗᎨ ᏃᎴ ᎤᏍᏔᎦᏴᎯᏓ, ᎭᏫᏂ ᏩᎾᎢ, ᎭᎴᏉ ᎤᏩᎾᏬᏒ.\nᎠᏎᏃ ᎤᏲᎱᏒ ᎦᏛᎬᎩ ᎾᏍᎩ ᏄᏪᏒ ᏥᏌ: ᎾᏍᎩᏍᎩᏂ Ꮎ ᎠᎦᎵᎲᏉ ᏦᏯᏪᏐᎵᎰ ᎦᏛᏓ ᎤᏁᎵᏒᎩ.\n“ᎩᎾᎵᎢᏗ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎾᏍᎩᏃ ᎯᎠ ᏧᏓᎴᏅᏛ ᎨᏒ ᎠᏴ ᏗᎦᏟᎶᏍᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏲ ᎢᎩᎬᎥᏍᎩ ᎢᎦᎵᏍᏙᏗᏱ ᏂᎨᏒᎾ ᎾᏍᎩᏯ ᎾᏍᎩ Ꮎ ᏧᏂᎬᎥᏍᎨᎢ.\n“ᏧᏫᎯᏢᎾᏃ.\nᎤᎬᏫᏳᎯᏃ ᎤᏤᎵ ᎧᏃᎮᏛ ᏚᏰᎵᏎ ᎾᎿ ᏂᎬᎾᏛᎢ.\nᎪᎯᏃ ᎢᏥᏙᎦ ᎢᎬᎩᏱᎵᏙᎭ, ᎠᎩᏍᏛᏗᎭ ᎤᏚᎩ ᎬᏗ ᎨᏒ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏥᏚᏚᎢᏍᏓᏁᎴ ᏦᎩᎦᏴᎵᎨᎢ;\nᎠᏎᏃ, ᏂᎯ ᎨᏒ ᎢᏨᎨᏳᎢ, ᏅᏟᎯᏳ ᎣᏍᏛ ᎤᏚᎩ ᎢᏨᏴᎾᏁᎭ, ᎠᎴ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎤᎬᏩᎵ ᏔᎵ ᎤᏛᏗᏕᎬᎢ, ᎯᎠᏍᎩᏂᏃᏅ ᏃᏥᏪᎭ.\nᏙᎯᏳᎮᏃ ᏚᏪᏍᏔᏁᎮ ᏚᎳᏏᏕᎾ Ꮎ ᏩᎭᏯ.\nᎬᏂᎨᏒᏰᏃ ᏅᏓᏥᏴᏁᎵ ᏄᏣᏛ ᎠᏎ ᎤᎩᎵᏲᎢᏍᏗᏱ ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ.\nᎪᎱᏍᏗᏰᏃ ᎤᏍᏆᏂᎪᏗ ᏕᎯᎾᏄᎪᏫᏎᎭ ᏦᏥᎴᏂ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎣᎦᏚᎵᎭ ᎣᎦᏙᎴᎰᎯᏍᏗᏱ ᎾᏍᎩ ᏄᏍᏛ ᎦᏛᎬᎢ.\nᏔᎵᏍᎪ ᏅᎩ ᎢᏯᏂ ᏓᎩᏯᎬ ᎦᏣᏄᎳ, ᏗᎬᎩᏯᎩᏍᏗ ᏱᎨᏒᎾ ᏄᎵᏍᏔᎾ, ᏕᎦᎵᎡᏍᏗᏍᎬ ᎠᏰᎵ ᏧᏏᏫ ᏧᏯᏍᎦ, ᎢᏳᏓᎵᎭ ᎦᏗᏔᏍᎬ ᎠᏗᏔᏍᏗ, ᎦᏓᏅᏔᏗᏘᏍᎬ ᏄᏍᏆᏂᎦᏛ ᎠᎵᏍᏔᏴᏗ.\nᎤᏛᏅ ᎠᏓᏅᏖᎵᏙ.\nᏂᎦᏓ ᎬᏔᏂᏓᏍᏗ ᎦᏓᏁᎯ ᎨᏎᎢ.\nᎠᏍᏓᏯ ᏧᏂᏴᎯ ᏄᏓᎵᏍᏛᎾ ᎧᏃᎮᏛ ᎾᏍᎩᏯ ᎠᎨᏲᏅᎢ, ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏗᏱ ᏰᎵᏉ ᏗᎬᏩᏬᏁᏙᏗ ᎣᏍᏛ ᏗᏕᏲᏗ ᎨᏒ ᎬᏗᏍᎬᎢ; ᎠᎴ ᎬᏩᎾᏙᎯᏳᎾᏁᏗ ᎢᎬᏩᏁᏗ ᏗᏂᎦᏘᎴᎩ ᎨᏒᎢ.\nᏣᏂ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ; ᏴᏫ ᎥᏝ ᎪᎱᏍᏗ ᏴᎬᏩᏛ ᎬᏂ ᎦᎸᎳᏗ ᏅᏓᏰᏥᏁᎸᎯ ᏱᎩ.\nᎯᎠ ᎾᏍᎩ ᎠᏏᎾᏌᏂᏳ ᎨᏒ ᎥᏝ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ ᏱᎩ, ᎡᎶᎯᏉᏍᎩᏂ ᎡᎯ ᎠᎴ ᎤᏊᏓᎸᏉ ᎡᎯ ᎠᎴ ᎠᏍᎩᎾ ᎢᏳᏍᏗ.\nᎡᏆᎭᎻ ᎡᏏᎩ ᎤᏕᏁᎴᎢ; ᎡᏏᎩᏃ ᏤᎦᏈ ᎤᏕᏁᎴᎢ, ᏤᎦᏈᏃ ᏧᏓ ᎠᎴ ᎾᏍᎩ ᎠᎾᏓᏅᏟ ᎬᏩᏕᏁᎴᎢ;\nᏥᏌ ᎤᏁᏨᎩ ᎯᎠ ᏚᏂᏪᏎᎸᎩ, ᎤᏣᏔ ᏱᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎡᏙᏙᏱ ᏅᏓᏳᏓᎴᏅᎯ ᎬᏂᎨᏒ ᏂᏨᏴᏁᎸ; ᎦᏙ ᎤᏍᏗ ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎠᎩᏍᏛᏗᎠ ᏅᏯ ᏥᏕᏍᎩᏴᏂᏍᏗᎭ?\nᎨᏍᏗ ᏳᏣᏅᏓᏕᎸ ᎤᏗᏍᎦᎶᏗ, ᏚᏥᏝᏁ ᏧᎬ ᎾᎥᏂ ᏯᏓᏅᏍᎬᎾ.\nᎾᎿᏃ ᏑᏕᏘᏴᏛ ᏑᏓᎵᏃ ᎢᏯᏅᏙ ᎤᏪᏙᎸᎩ, ᏓᏕᏲᎲᏍᎬᎩ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎾᎿ ᎠᏁᎲᎢ.\nᎦᎵᏦᏕ ᏳᏪᎾ, ᎡᎨ ᏍᏉ ᏫᎵᎻ.\nᎺᎵᏃ ᏦᎢ ᎢᏯᏅᏙ ᎢᏴᏛ ᎵᏏᏱ ᎤᏕᏁᎢ, ᎩᎳᏃ ᎤᏩᏒ ᏧᏪᏅᏒ ᏫᎤᎶᏎᎢ.\nᎠᏰᏙᎳᏛᏗᏃ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎦᏛ ᎤᏓᏣᎦᎸᎮ ᏔᎵ ᏄᏓᏕᎢ, ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᏛ ᎡᎳᏗ ᏩᏍᏗ.\nᎠᎴ ᎩᎶ ᎢᏳᏍᏗ ᎾᏍᎩ ᎣᏤᎯ ᎤᏁᏅᏒᎩ ᎠᏤᎵᏍᏛᎢ, ᎠᎴ ᏭᏂᏩᏛᎮ ᎾᏍᎩᏯ ᏄᏍᏕ ᎠᏂᎨᏴ ᏄᏂᏪᏒᎢ; ᎾᏍᎩᏍᎩᏂ ᎾᎥᏝ ᏳᏂᎪᎮᎢ.\nᎠᎴ ᏞᏍᏗ ᎡᎶᎯ ᎠᏂᎮ ᏄᎾᏍᏛ ᏱᏂᏨᏍᏕᏍᏗ; ᏗᏣᏓᏁᏟᏴᏛᏍᎩᏂ ᎨᏎᏍᏗ ᏗᏤ ᎢᏗᎬᏁᎸᎯ ᎨᏒ ᏕᏣᏓᏅᏛᎢ, ᎾᏍᎩ ᎨᏥᎪᎵᏰᏗ ᎢᏳᎵᏍᏙᏗᏱ ᏄᏍᏛ ᎤᏚᎵᏍᎬ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎣᏍᏛ ᎨᏒᎢ, ᎠᎴ ᏗᎬᏩᏓᏂᎸᎢᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᎧᎵᎢ ᎨᏒᎢ.\nᎿᏉᏃ ᏎᏓᏂ ᎤᏴᏎᎴ ᏧᏓᏏ ᎢᏍᎦᎳᏗ ᏧᏙᎢᏛ, ᎾᏍᎩ ᎨᎳ ᎨᏎ ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᏒᎢ.\n”ᎨᏍᏗ ᏍᏗᎬᏓ ᏱᎨᎵᎠ,” ᎤᏛᏁ ᎡᎶᏗ.\nᎩᎶᏍᎩᏂᏃᏅ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎾᎿ ᎡᎮ ᏌᏩᏂ ᏧᏙᎢᏛ ᎾᏍᎩ ᎾᎿ ᎦᏚᎲ ᎠᏙᏅᏗ ᏧᎸᏫᏍᏓᏁᎸᎯ ᎨᏎᎢ, ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏧᏓᏅᏓᏗᏍᏔᏅᎯ ᎨᏎ ᏌᎺᎵᏱ ᎠᏁᎯ, ᎩᎶ ᎢᏳᏍᏗ ᎠᏥᎸᏉᏗ ᎠᏤᎸᏍᎨᎢ.\nᎢᏳᏃ ᏗᎨᏣᏓᏂᎸᎢᏍᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎯᎠ ᎢᎳᏯ ᎤᎷᎯᏍᏗ ᏥᎨᏒᎩ.\nᏝᏃ ᎢᏳᏬᎯᏤ ᏂᎦᏓ ᏣᎳᎩ ᏗᏂᎪᎵᏰᏍᎩ ᏄᎵᏍᏔᏁ.\nᎿᏉᏃ ᎾᏍᎩ ᎤᎾᏛᎦᏅ ᏧᏂᎾᏫᏱ ᏚᏂᏣᏲᎴᎢ; ᎯᎠᏃ ᏂᏚᏂᏪᏎᎴ ᏈᏓ ᎠᎴ ᎠᏂᏐᎢ ᎨᏥᏅᏏᏛ; ᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ, ᎦᏙ ᏓᏲᏣᏛᏁᎵ?\nᎤᏍᎦᎣᏅ ᎨᏎᎢ ᏫᎵᎻ.\nᎢᏳᏰᏃ ᏗᎩᎾᏫ ᎢᎩᏍᎦᏅᏨ ᏱᏗᎫᎪᏗᎭ, ᎤᏁᎳᏅᎯ ᎤᏟ ᎦᎸᏉᏗᏳ ᎡᏍᎦᏉ ᏗᎩᎾᏫ, ᎠᎴ ᎠᎦᏔᎯᏳ ᏂᎦᎥᎢ.\nᎠᎴ Ꮀ ᎤᎬᏫᏳᏎᏍᏗ ᎤᎵᏂᎩᏛ ᏕᏣᏓᎨᏳᏎᏍᏗ; ᎠᏓᎨᏳᏗᏰᏃ ᎨᏒ ᏓᎫᏢᏂ ᎤᏣᏘ ᎢᏯᏍᎦᏅᎢᏍᏗ ᎨᏒᎢ.\nᎢᎸᏍᎩ ᎢᏯᏓᏁᎸ ᏓᎾᏠᏏᎯᎲ ᏗᏓᏴᎳᏛᏍᎩ ᏧᎾᎦᏙᏍᏔᏂᏢᎢ.\nᎦᏲᏟᎨ ᏄᏍᏕ ᎩᎦ.\nᎠᏍᎦᏯᏰᏃ ᎾᏍᎩ ᎤᏍᏆᏂᎪᏗ ᎢᏯᎬᏁᎸᎯ ᎠᏥᏅᏩᏅᎯ ᎤᎶᏒᏍᏗ ᏅᎦᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᏱᎰᏎᎢ.\nᎤᏙᏓᏆᏓ ᏓᏟᏰᎵᏙᎲ ᎡᏓᏍᏗ ᎤᎨᏓᎵᏴ ᎨᏴ ᏃᎴ ᏩᏯ.\nᎢᏳᏃ ᎾᏍᎩ ᏂᏓᏛᏓᏍᏓᏁᎲᎾᏉ ᎢᎨᏎᏍᏗ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᎯᏃᎲᏍᎨᏍᏗ; ᎢᏳᏍᎩᏂᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏂᏓᏛᏓᏍᏓᏁᎲᎾ ᎢᎨᏎᏍᏗ, ᏅᏩᏓᎴᏉ ᏴᏫ ᎠᎴ ᎠᏰᎵᏉ-ᎠᏕᎸ ᎠᎩᏏᏙᎯ ᎾᏍᎩᏯ ᎯᏯᏓᏅᏖᏍᎨᏍᏗ.\nᏚᏅᏎᏃ ᎤᎾᎵᏥᏙᏅᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᎬᏩᎵ, ᎠᎴ ᏤᏂᏢᎩ ᏧᏂᏅᏬᏗᏱ\nᎢᎦᏃ ᏄᎵᏍᏔᏅ ᎥᏝ ᎤᏍᏗᏉ ᏳᎾᏕᏯᏔᏁᎴ ᎠᏂᏯᏫᏍᎩ ᎾᏍᎩ ᏈᏓ ᏫᏄᏛᏁᏔᏅᎢ.\nᎠᏴᏍᎩᏂ ᎤᏙᎯᏳᎯ ᏚᏳᎪᏛᎢ; ᎠᏴᏰᏃ ᏕᎩᏂᎸᏫᏍᏓᏁᎸ ᏚᏳᎪᏛ ᎩᏂᏍᏛᏗᎭ, ᎯᎠᏍᎩᏂ ᎥᏝ ᎪᎱᏍᏗ ᎤᏣᏘᏂ ᎢᏳᏛᏁᎸᎯ ᏱᎩ.\nᎠᎴ ᏕᏥᎦᏘᏴ [ᎤᏁᎳᏅᎯ] ᏧᏤᎵᎦ ᏞᏍᏗ ᎤᏂᎬᏫᏳᎯ ᎾᎾᏛᏁᎲ ᏱᏂᏣᏛᏁᎮᏍᏗ, ᎦᎨᏣᏕᎶᏉᎡᏗᏍᎩᏂ ᎨᏎᏍᏗ ᎾᏍᎩ ᎤᎾᏓᏡᎬᎢ.\nᏗᏂᏲᎵᏰᏃ ᎠᏏ ᎾᎾᏕᎲᏍᎬᎾ ᎨᏎᎢ, ᎠᎴ ᎠᏏ ᎪᎱᏍᏗ ᎣᏍᏛ ᎠᎴ ᎤᏲᎢ ᎾᎾᏛᏁᎲᎾ ᎨᏎᎢ, ᎾᏍᎩ ᎤᏓᏅᏖᎸ ᎤᏁᎳᏅᎯ ᎾᏍᎩᏯ ᏧᏑᏰᏍᏗ ᎨᏒ ᎤᏲᎢᏍᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎥᏝ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ, ᎾᏍᎩᏯᏍᎩᏂ ᏗᏯᏂᏍᎩ ᎤᏓᏅᏖᎸᎢ;\nᎾᏍᎩᏃ ᎿᏉ ᎤᏂᏃᎮᏗᏱ ᏚᏂᎳᏫᏤ ᎨᏥᏅᏏᏛ ᎠᎴ ᏗᎨᎦᏁᎶᏗ.\nᏕᏣᏅᏓᏗᏍᎨᏍᏗ ᏗᎨᎦᎸᎢᏛ ᎨᏒᎢ, ᎾᏍᎩᏯ ᎢᏧᎳᎭ ᏥᏕᏣᎸᎣᎢ; ᎠᎴ ᎾᏍᎩ Ꮎ ᎤᏲ ᎢᎨᎬᎾᏕᎩ, ᎢᏨᏒᏰᏃ ᎾᏍᏉ ᎠᏰᎸ ᎢᏤᎭ.\nᎠᎴ ᎤᏁᎳᏅᎯ ᏕᎤᎴᏔᏅ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎾᏍᏉ ᎠᏴ ᏙᏓᎦᎴᏔᏂ ᏓᎬᏔᏂ ᎤᏩᏒ ᎤᎵᏂᎩᏗᏳ ᎨᏒᎢ.\nᎯᎳᏳᎢ ᏍᎩᎾᏃ ᏱᏄᎳᏍᏓᎾ, ᏍᎩᎾ. ᏣᎧᏔᎮ ᎠᏂᏣᎳᎩ ᏧᏆᎶᎩ ᏓᎾᎪᎰᏍᏗᏍᎬᎢ ᎣᎴ ᏘᎵ ᎭᏂᎳᎨᏴᎢ ᎡᎳᏗ.\nᏂᎦᎥ ᎢᎬᏩᏛᏁᏗ ᎨᏒ ᎾᏛᎦ; ᎢᎬᏱ ᎦᏰᎯ ᎦᎷᎩ ᎤᎶᏁᏗᏱ ᏥᏰᎴ ᎥᎩᏂᏐᏗᏱ ᎤᎬᏩᎵ.\nᎾᏍᎩ ᏦᎠᎾ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎵᏌ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏥᎳᏇᎵ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏌᎳᏓᏱᎵ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏏᎳᏱ ᎤᏪᏥ ᎨᏎᎢ,\nᎬᏂᏛ ᏕᎦᏅᏅ ᏕᏍᎩᎾᏄᎪᏫᏎᎸ, ᎠᎵᎮᎵᏍᏗ ᎨᏒ ᏓᏍᎩᎧᎵᎢᏍᏔᏂ ᏣᎧᏛ ᏛᏔᏂ.\nᎿᏉᏃ ᎠᏓᏅᏙ ᎢᎾᎨ ᏭᏘᏅᏍᏔᏁ ᏥᏌ, ᎠᏍᎩᎾ ᎤᎪᎵᏰᏗᏱ ᎠᏰᎸᏎᎢ.\nᎾᏍᎩᏰᏃ ᎤᏇᏓᎵ ᏧᎾᏘᏂᏙᎯ ᎤᏇᏓᎵᏉ ᎤᏤᎵ ᎤᎬᏩᎵ ᎤᎾᎦᏌᏯᏍᏙᎢ, ᎾᏍᎩᏍᎩᏂ Ꮎ ᎠᏓᏅᏙ ᏧᎾᏘᏂᏙᎯ ᎠᏓᏅᏙᏉ ᎤᏤᎵ ᎤᎬᏩᎵ ᎤᎾᎦᏌᏯᏍᏙᎢ.\nᏞᏍᏗ ᏥᏣᏓᎳᏫᏎᎵ ᎾᏍᎩᏃ ᏂᎯ ᏞᏍᏗ ᎡᏥᎳᏫᏎᎸᎩ.\nᏴᎦᎨᏣᏂᏯ ᎭᎾᏂ.” \nᏔᎳᏚᏃ ᎢᏴᏛ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎨᏎᎢ, ᎠᎴ ᏂᎬᎾᏛ ᎠᏂ ᎦᏙᎯ ᎤᎵᏏᎲᏎ ᏦᎢᏁ ᎢᏳᏟᎶᏛ ᎢᏯᏍᏖ.\nᎦᏅᎯᏓ ᎦᎾᎸ ᎤᏓᏂᏏᏅᏎ ᏔᎵᏁ ᎠᏦᏴ ᎦᎸᎳᏗᏣ.\nᎿᏉᏃ ᏚᎾᏏᏔᏕᎢ, ᎠᎴ ᎾᏍᎩ ᎨᏥᏁᎴ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ.\n”ᎠᏂᎦᏲᏟ ᎤᏁᏝᏅ ᏧᏬᏒᏁ ᎠᏂᏏᎾ ᏧᏂᏏᎳᏛᏗ.\nᎤᎾᏗᎦᎴᏲᏨᎯᏃ ᎠᏁᏙᎮ ᎠᎾᎵᏥᏙᏂᏙᎮ ᎣᏍᏛ ᎧᏃᎮᏛ.\n”ᎭᏗ--ᏣᏃ,” ᎤᏛᏁ ᏣᏄᏏ.\nᎤᎾᏛᎦᏅᏃ ᎣᏏᏳ ᎤᏂᏰᎸᏁᎢ, ᎠᎴ ᎤᏂᏚᎢᏍᏓᏁᎴ ᎠᏕᎸ ᏧᏂᏁᏗᏱ. ᎤᏲᎴᏃ ᎣᏍᏛ ᎤᏜᏅᏓᏕᏗᏱ ᏧᏲᎯᏎᏗᏱ.\n“ᎣᏏᏉᏗ ᏂᏣᏍᏗ ᎠᎳᏂ,” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᏤᏆ ᏚᏇᏓᏢ, ᎣᏍᏓ ᎠᎵᏍᏔᏴᏗ.\nᎠᏍᏓᏯ ᏕᎩᏂᏴᏎᏍᏗ ᎬᏂᎨᏒ ᏂᎬᏁᎸ ᎤᏚᎩ ᎢᎬᏒ ᏂᎦᏜᏏᏛᎡᎲᎾ; ᏄᏓᎵᏓᏍᏛᎾᏰᏃ ᎾᏍᎩ Ꮎ ᎤᏚᎢᏍᏔᏅᎯ ᎨᏒᎢ.\nᎢᏴᏛᏍᎩᏂ ᏅᏁᎮᏍᏗ ᎦᏪᏢᏗ ᎨᏒ ᎠᎴ ᏄᎵᏌᎶᏛᎾ ᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ, ᎾᏍᎩᏰᏃ ᎠᏂᏁᏉᏍᎨᏍᏗ ᎤᏁᎳᏅᎯ ᏗᏁᎶᏙᏗ ᏂᎨᏒᎾ ᎨᏒᎢ,\nᎠᏫᏍᎩᏂ ᎤᎾᎴᎾᎯᏛ ᎢᏏᎵ ᏏᏓᏁᎸ ᎨᏒ ᏗᏥᏩᏛᎱᎦ.\nᎾᏍᏉ ᏴᏫ ᎠᎴ ᎦᎸᎳᏗ ᎠᏁᎯ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏧᏂᏬᏂᎯᏍᏗ ᏱᏥᏬᏂᎭ, ᎾᎩᎲᎾᏃ ᏱᎩ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎥᏣᏱᏉ ᎤᏃᏴᎵᏛ ᎠᎴ ᎤᏃᏴᎩ ᎤᎭᎸᏂᎯ ᏕᎦᏤᎳᎦ.\nᎠᏂᏍᎩᎵ ᎢᎾᎨ ᎠᏁᎯ ᎬᏂᎨᏒ ᎾᎾᎵᏍᏘᏍᎪ ᏱᏓᏂᏍᎦᎬᎾ ᏴᏫ.\nᎢᏳᏍᎩᏂ ᎪᎱᏍᏗ ᏅᏩᏓᎴ ᎢᏥᏱᎵᏙᎮᏍᏗ, ᎤᎵᏁᏨᎯ ᏕᎦᎳᏫᎥ ᏓᏚᎪᏔᏅᎭ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏆᎵᏏ ᎤᏔᏲᏎᎴ ᎤᎵᏍᏓᏴᎾᏁᏗᏱ ᏭᏴᎵᏏ ᎠᏆᎵᏏ ᎦᏁᎸᎢ, ᎠᎴ ᎤᎵᎩᏳᏍᎠᏅᏁ ᎠᎵᏍᏓᏴᏗᏱ.\nᏕᏣᏅᏓᏗᏍᎨᏍᏗ ᎾᏍᎩ Ꮎ ᎨᏣᎦᏌᏯᏍᏗᏕᎩ, ᎾᏍᎩ Ꮎ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎧᏃᎮᏛ ᎨᏥᎾᏄᎪᏫᏎᎸᎯ; ᎾᏍᎩ ᏄᏍᏛ ᎤᏃᎯᏳᏒ ᎢᏥᏍᏓᏩᏗᏎᏍᏗ, ᎣᏍᏛ ᎢᏣᏓᏅᏖᎯᏌᏛ ᎨᏎᏍᏗ ᏄᏍᏛ ᏭᎵᏰᎢᎶᎸ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ,\nᎠᎴ Ꮼ, ᎤᏇᏓᎵ ᎨᏒ ᏗᎩᏙᏓ ᏕᎨᎲᎩ, ᎾᏍᎩ ᏥᎨᎩᎩᎵᏲᎢᏍᏗᏍᎬᎩ; ᎠᎴ ᎨᏗᎸᏉᏗᏳ ᏥᎨᏒᎩ; ᏝᏍᎪ ᎤᏟ ᏱᏂᏙᎬᏩᏳᎪᏗ ᏤᏓᏓᏲᎯᏎᏗᏱ ᏗᎦᏓᏅᏙ ᏧᏬᏢᏅᎯ ᏥᎩ, ᎠᎴ ᎢᎦᏛᏂᏗᏍᏗᏱ?\n ᎤᎵᏏᎩ ᏄᎵᏍᏔᏁᎢ ᏂᎬᎾᏛᎢ.\nᎦᏙᏃ ᎦᏗᎭ? ᏥᎪ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎪᎱᏍᏗ ᎦᏗᎭ? ᏥᎪᎨ ᎾᏍᎩ Ꮎ ᎠᎵᏍᎪᎸᏔᏅᎯ ᎠᏥᎸ ᎨᎳᏍᏓᏁᏗ ᎤᏁᎳᏅᎯ ᎠᏰᎸᎯ ᎪᎱᏍᏗ, ᎦᏗᎭ?\nᎠᏎᏃ ᎤᏂᏣᏔ ᎾᏍᎩ ᎢᎬᏱ ᏥᎩ, ᎣᏂ ᎨᏎᏍᏗ; ᎣᏂᏃ ᏥᎩ, ᎢᎬᏱ ᎨᏎᏍᏗ.\nᎤᏛᎦᏁ ᏫᎵᎻ ᏄᏪᏒ ᏃᎴ ᎭᎴᏉ ᏄᎴᏫᏍᏔᏁᎴ ᎤᏓᏅᏙᎩ, “ᎨᎵᎠ ᏗᏆᎸᏖᎵ,” ᎡᏝᏪᎯ ᏄᏪᏎᎴ ᎠᎦᏴᎵ ᎤᏃᏕᎾ, ᎾᎥᏂ ᎤᎦᏎᏍᏕᎢ.\nᏫᏥ ᏭᏌᏙᏰ ᎦᏍᎩᎶ ᏲᎾ ᎤᏤᏍᏙ ᏙᏱ ᏭᏓᏒᏍᏔᏁᎢ.\nᎠᎦᏕ ᎠᎵᏍᏔᏴᎲᏍᎨ, ᎤᏘᏴ ᎠᎵᏍᏓᏴᏗ ᏃᎴ ᎤᏅᏗ.\nᎠᎴ ᏥᏬᏂᏍᎬ ᎠᎴ ᎦᎵᏥᏙᎲᏍᎬᎢ ᎥᏝ ᏴᏫ ᎤᏤᎵ ᎠᏓᏍᏗᏰᏗᏍᎩ ᎠᎦᏙᎥᎪᏍᏗ ᎨᏒ ᏱᎬᏗᏍᎨᎢ, ᎠᏓᏅᏙᏍᎩᏂ ᎠᎴ ᎤᎵᏂᎩᏗ ᎨᏒ ᏄᏜᏗᏛᏒᎾ ᏂᎬᏁᎲᎢ;\nᏥᏌ ᎤᏁᏨ, ᎯᎠ ᏄᏪᏒᎩ; ᎥᏝ ᎠᏴ ᎨᏒ ᏱᏅᏓᎦᎵᏍᏙᏓ, ᏂᎯᏍᎩᏂ ᎨᏒ ᏅᏓᎦᎵᏍᏙᏓ, ᎯᎠ ᎧᏁᎬ ᏥᏌᎾᏄᎪᏥᎦ.\nᎹᏗᏍᎩᏂ ᎤᏪᎵᎯᏍᏗᏍᎨ ᎤᏣᏘ ᏚᎸᏫᏍᏓᏁ-ᎲᎢ, ᎠᎴ ᎤᎷᏤᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏣᎬᏫᏳᎯ, ᏝᏍᎪ ᎪᎱᏍᏗ ᏰᎵᎭ ᎥᎩᎸ ᏣᏋᏕᏨ ᏣᎩᎯᏯᏍᏓᏁᎸ ᎠᏋᏒᏉ ᎪᎱᏍᏗ ᎢᏨᏯᏛᏁᏗᏱ? ᎾᏍᎩᎢᏳᏍᏗ ᏘᏁᏥ ᏓᎩᏍᏕᎸᏗᏱ.\nᎿᏉᏃ ᏚᏍᏚᎢᎡᎴ ᏚᎾᏓᏅᏛᎢ, ᎾᏍᎩ ᏧᏃᎵᏍᏗᏱ ᎪᏪᎵ;\nᎤᎩᏨᏓ, ᎠᏂᏲᏍᏗᏍᎬ ᎦᏆᏘ ᎠᏗᏆᎸᏕᏲ ᎠᎩᎸᏙᏗ ᏃᎴ ᏐᏈᎵ ᎠᎾᎵᏙᎩᏯᏍᎩ ᏓᏂᏴᏍᏗᏍᎬ ᏓᏆᎴᎸ ᏃᎴ ᎠᎾᏛᏁᎵᏍᎩ ᎠᏂᏝᏅᎥᏍᎬ ᎤᎾᏤᎵ ᏃᎴ ᏓᏂᎩᏍᎬ ᏧᏂᏒᏍᏗ ᏗᎦᏅᏏᏅᏍᏗ, ᎤᎵᏬᏤ ᏌᎳᏓ.\nᎾᏍᎩ ᎤᏍᏆᏂᎪᏗᏳ ᎤᏂᏰᎸᎭ, ᎾᎿ ᏂᏣᎢᏒᎾ ᎨᏒ ᎠᎾᎢᏒ ᏩᏂᎦᏛ ᎤᎶᏒᏍᏔᏅᎯ ᎤᏲ ᎢᏯᏛᏁᎵᏓᏍᏗ ᏗᎨᏒᎢ, ᎾᏍᎩ ᎤᏐᏅ ᎨᏥᏃᎮᏍᎬᎢ;\nᎤᏔᏂᏓ ᎦᏰᏌᏛ ᏃᎴ ᎠᏎᎵᏓᏍᏙᏗ ᎦᏰᏌᏛ ᎬᏘ ᎱᏂᏴ ᎦᏅᏍᎨᏂ ᎠᏧᏣ, ᏏᎤᏣᏅᏖ.\nᎠᏂᏌ ᎠᏂᏍᎦᏯ ᎪᎰᏍᏗ ᏯᏁᎵᏍᎬᎾ ᎠᎾᏓᏅᏖᎵᏙᎰ.\nᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᎩᎶ ᏗᎦᎸᏉᏗᏍᎩ ᏱᎩ.\nᎾᎯᏳᏃ ᏒᏃᏱ ᏫᏄᎵᏍᏔᏅ, ᎤᎬᏫᏳᎯ ᎾᎥ ᎤᎴᏁᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎤᎦᎵᏍᏗ ᏣᏓᏅᏖᏍᏗ, ᏉᎳ, ᎬᏂᎨᏒᏰᏃ ᏥᏂᏍᏋᏁᎸ ᏥᎷᏏᎵᎻ, ᎾᏍᏉ ᎬᏂᎨᏒ ᏅᏓᏍᏋᏁᎵ ᏣᏂ.\nᎾᏍᎩᏃ ᎢᏳ ᎦᎶᏁᏛ ᎤᏲᎱᏒᎯ ᏕᎤᎴᎯᏌᏅ ᏯᎦᎵᏥᏙᎲᏍᎦ, ᎦᏙᏃ ᎢᎦᏛ ᎨᏣᏓᏑᏴ ᎯᎠ ᏂᎠᏂᏪᎭ, ᎥᏝ ᏧᎾᎴᎯᏐᏗ ᏱᎩ ᏧᏂᏲᎱᏒᎯ?\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏦᏪᎵᏍᎩ ᎠᎴ ᎠᏥᏆᎵᏏ ᎢᏣᏠᎾᏍᏗ! ᎾᏍᎩᏯᏉᏰᏃ ᏂᎯ ᏧᏁᎬ ᎢᏗᎬᏁᎸᎯ ᏓᏤᎵᏍᏛᎢ, ᎾᏍᎩ ᎦᏚᎢᏗᏢ ᎤᏙᎯᏳᎯ ᏧᏬᏚᎯᏳ ᏥᎨᏐᎢ, ᎠᏎᏃ ᎠᏫᏂᏗᏢ ᏧᎧᎵᏨᎯ ᏥᎨᏐ ᏧᏂᏲᎱᏒᎯ ᏧᏂᎪᎳ ᎠᎴ ᏂᎦᎥ ᎦᏓᎭ ᎨᏒᎢ\nᎪᎯᏍᎩᏂ ᏥᎩ ᎠᏇᏏᏗ ᏥᎷᏏᎵᎻ ᎦᏥᏍᏕᎸᎯ ᎤᎾᏓᏅᏘ.\nᎯᏎᏃ ᎢᏨᏃᏁᎭ ᎢᏓᎵᏅᏟ, ᎾᏍᎩ ᎯᎠ ᎣᏍᏛ ᎧᏃᎮᏛ ᏣᏆᎵᏥᏙᏅᎩ, ᎥᏝ ᏴᏫ ᏧᏕᏲᏅᎯ ᏱᎩ.\nᎤᏙᎯᏳ ᎠᏂᎶᏅᎮᏍᎩ ᎨᏒ, ᎾᏍᎩᏴ ᎦᎾ ᏗᎦᎳᏗᏍᎩ ᎦᎶᏇ ᏃᎴ ᎠᏓᏪᎯ ᏚᏳᎾᏍᏗ.\nᎤᏂᏩᏎᏅᏃ ᎠᏕᏒᎲᏍᎩ ᎤᎷᏤᎢ, ᎤᎾᏛᏅᎢᏍᏗᏃ ᎾᏍᎩ ᎢᏧᎳᎭ ᏣᎦᏨᏍᏙᏗᏱ ᏭᏂᏴᎴᎢ, ᎠᎴ ᎤᏂᏍᏚᏁ ᎦᎶᎯᏍᏗᏱ.\nᏝᏍᎪ ᏱᏥᎦᏔᎭ ᎾᏍᎩ ᏂᏚᏳᎪᏛᎾ ᎢᏯᎾᏛᏁᎯ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ ᏂᎨᏒᎾ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ? ᏞᏍᏗ ᎢᏥᎵᏓᏍᏔᏅᎩ; ᎾᏍᏉ ᎤᏕᎵᏛ ᏗᎾᏂᏏᎲᏍᎩ, ᎠᎴ ᎤᎾᎳᏅᎯ ᏗᏰᎸᎯ ᏗᎾᏓᏙᎵᏍᏓᏁᎯ, ᎠᎴ ᏗᎾᏓᏲᏁᎯ, ᎠᎴ ᎠᏂᏍᎦᏯ ᏗᎨᏥᏰᎩ, ᎠᎴ ᎠᏂᏍᎦᏯ ᎠᏂᏍᎦᏯᏉ ᏗᏂᏐᏢᏗᏍᎩ,\nᎥᏝ ᏧᏂᏲᎱᏒᎯ ᎤᎾᏤᎵ ᎤᏁᎳᏅᎯ ᏱᎩ, ᏗᏅᏃᏛᏍᎩᏂ ᎤᎾᏤᎵ ᎤᏁᎳᏅᎯ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏣᏘ ᎢᏥᎵᏓᏍᏗᎭ.\nᎬᎩᏚᎦ ᎢᏧᎳ ᎠᏂᎪᎢ ᎠᎴ ᏅᏩᎾᏓᎴ ᏴᏫ, ᎠᏂᎦᏔᎾᎢ ᎠᎴ ᎠᏂᎦᏔᎾᎢ ᏂᎨᏒᎾ.\nᎾᏍᎩᏴ, ᏤᎩ ᎤᏩᎭᏂᎴ ᏣᎵᏍᏙᏂ ᎠᏍᎪᎵ, ᎩᎳᏈᏴ ᎤᎯᏍᏗ ᎤᏪᎵᏎ, ᎠᏎᏃ ᎦᏲᏟᏉ ᎤᏩᎭᏂᎴ ᏚᏙᎨᏔᏁᏉ ᏃᎴ ᎤᏍᎫᏓᏁᎦᎸ ᎦᎴᏂ ᎦᎸᎳᏗᏣ ᎤᏰᏝᎴ.\nᏟᏍᏆᏃ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏄᎬᏫᏳᏒ ᎠᏥᎦᏘᏗᏍᏗ ᎤᏬᎯᏳᏅᎩ ᎤᎬᏫᏳᎯ, ᎠᎴ ᏂᎦᏛ ᏚᏓᏘᎾᎥᎢ, ᎤᏂᏣᏘᏃ ᎪᎵᏂᏗᏱ ᎠᏁᎯ ᎤᎾᏛᎦᏅ ᎤᏃᎯᏳᏅᎩ; ᎠᎴ ᏕᎨᎦᏬᎥᎩ.\nᎤᏛᎦᏍᏔᏁ ᎠᎹ ᏫᎦᎶᏍᎬ ᎠᏔᎴᎦᏒ ᏃᎴ ᎤᏓᏅᏖᎴ ᎭᎾ ᏫᏗᎦᎶᏍᎬ ᎠᎹ, ᏧᏆᎶᎦ ᏃᎴ ᏧᏍᏗ ᏧᏩᏂᎦᏝᏅ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎩᎶ ᏂᏚᏳᎪᏛᎾ ᎾᏛᏁᎮᏍᏗ ᎠᎩᏍᎨᏍᏗ ᎯᎠ ᎦᏚ, ᎠᎴ ᎠᏗᏔᏍᎨᏍᏗ ᎯᎠ ᎤᎵᏍᏈᏗ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ, ᎠᏍᎦᏅᏤᎮᏍᏗ ᎠᏰᎸ ᎠᎴ ᎤᎩᎬ ᎤᎬᏫᏳᎯ.\nᏌᏌ ᎤᏛᎦᏍᏕᎢ ᎠᏂᏬᏂᏍᎬ ᏃᎴ ᎤᏰᏥᏍᎨᎢ.\nᎾᏍᎩᏃ ᎠᏥᏅᏏᏓᏍᏗ ᎤᎾᏝᎢ ᎤᏪᏙᎵᏤᎢ, ᎠᎴ ᎤᏪᎧᏁᎢ, ᎠᎴ ᎤᏚᎬ ᎤᏁᎳᎩ ᎤᏪᎵᏎᎴᎢ.\nᎤᏁᎳᏅᎯᏰᏃ ᎤᏤᎵᎪᎯ ᎥᏝ ᎠᎵᏍᏓᏴᏗᏉ ᎠᎴ ᎠᏗᏔᏍᏗᏉ ᎨᏒ ᏱᎩ; ᏚᏳᎪᏛᏍᎩᏂ ᎨᏒᎢ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎨᏒᎢ, ᎠᎴ ᎠᎵᎮᎵᏍᏗ ᎨᏒᎢ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎢᏳᏩᏂᏌᏛ.\nᎤᏓᏏᏁᎢ ᏫᎵᎻ, ᏚᎦᏔᏍᏔᏁᎢ.\nᏧᏙᏓᏋᏓ ᎠᏩᏔᎰᎯᎮ ᏲᎾ ᎤᏤᏍᏙ.\nᏗᏘᎭᏁᎩ ᎠᏍᎦᏯ ᎤᏟᏂᎩᏓ, ᎡᏆ ᎤᏍᏘᏰᎩ, Major ᏚᏂᏴᎲ ᏃᎴ ᏗᎪᏚᎢᏍᏔᏅ ᏧᎭᏄᏫ, ᎢᏳᏍᏗᏉ ᎠᏂᏳᏩᏁᎦ ᏓᎾᎿᏬᏍᎬ ᎠᎹᏰᎵ.\nᎪᏪᎸᏃ ᎤᏙᎯᏳᏁᎢ ᎯᎠ ᏥᏂᎦᏪᎭ; ᎡᏆᎭᎻ ᎤᏬᎯᏳᏅᎩ ᎤᏁᎸᏅᎯ, ᎾᏍᎩᏃ ᏚᏳᎪᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎤᏠᏱ ᎠᏥᏰᎸᎾᏁᎸᎩ. ᎾᏍᎩᏃ ᎤᏁᎳᏅᎯ ᎤᎾᎵᎢ ᎠᎪᏎᎲᎩ.\nᏰᎵ ᏧᏕᏘᏴᏓ ᏧᎵᎬᏩᏟ ᎤᎾᏘᏲᏒ ᎤᎬᏫᏳ ᎫᏫᏍᎫᏫ ᏃᎴ ᎠᏂRidges, ᎨᏍᏗ ᎪᎰᏍᏗ ᏳᏓᎵᏍᏕᏓᎵᏴᏌ.\nᎠᎢᏒ ᏣᎵ, ᎪᎰᏍᏗ ᏤᏙᎲ ᎠᏙᎯ ᏄᎵᏍᏔᏁᎴ. ᎩᎶ ᏧᎦᏎᏍᏙ ᎤᎧᎭᏛ.\nᎤᏁᎳᏅᎯᏍᎩᏂ ᏅᏓᏳᏓᎴᏅᎯ ᎢᎨᏎᏍᏗ, ᎥᏝ ᏰᎵ ᏴᎨᏥᏲᏍᏓ; ᏯᎵᎦᏚᏓᎩᏰᏃ ᎤᏁᎳᏅᎯᏉ ᏤᏣᏟᏴᎡᎯ ᎨᏒᎢ.\nᎨᏍᏗ ᏫᏥᎢᎦ ᎦᏓᏙᎵᏍᏗᏍᎩ ᏱᎨᏎ, ᎠᏎᏃ ᏕᎦᎦᎭᎾᏅ ᏧᏂᏲᎰᏒ ᎠᏂᏧᏣ, ᎠᏆᏓᏙᎵᏍᏔᏅ, ᎣᎭᏁ ᎢᏴ ᏤᎩᏏᏂ ᎢᏳᏍᏘ ᎦᎾᎡᏍᏘ ᎦᏃ, ᎤᏣ ᎤᏲ ᎢᏳᎾᏛᎾᏕᎩ ᎠᏂᏧᏣ, ᏔᎵ ᎢᏯᏂᏎᏂᏏ ᏱᏚᏂᏢᎾ ᏧᏂᏍᎪᎵᏰᏗ, ᏚᏂᏲᎰᏎ ᎤᏂᎦᏌᎴᎩ ᏧᎾᏛᏐᏅ ᎤᎾᏓᏅᏖᎸ.\nᎾᎯᏳᏰᏃ ᏧᎾᎴᎯᏐᏗ ᎨᏒ ᏧᏂᏲᎱᏒᎯ, ᎥᏝ ᏱᏓᎾᏕᏒᎲᏍᎪᎢ, ᎥᏝ ᎠᎴ ᏱᏗᎨᏥᏰᎪᎢ; ᎦᎸᎳᏗᏍᎩᏂ ᎠᏁᎯ ᎨᏥᏅᏏᏓᏍᏗ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏄᎾᏍᏗ.\nᎢᎦᏓ ᎣᎯᏍᏙᏗ ᏭᎦᏖᏅᏗᎭ?\nᎠᏴ ᎤᏁᎳᏅᎯ ᏗᏣᎦᏴᎵᎨ ᎤᎾᏤᎵᎦ, ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏤᎦᏈ ᏅᏤᎵᎦ. ᎣᏏᏃ ᎤᏪᎿᏪᎢ, ᎠᎴ ᎤᏍᎦᎴ ᎤᎪᎵᏰᏗᏱ.\nᏄᏓᎴ ᎤᏃᎮᎴ, ᏣᎵᏍᏙᏂ ᏭᏪᏙᎸ, ᏗᎧᎾᏩᏛᏍᏗ ᏚᏩᏛᎲ, ᎤᏩᏌ ᎤᎵᏍᏕᎸᏙᏗ, ᎦᎷᏯᏍᏗ ᎪᏍᏓᏱ ᎤᎵᏗᏨ ᎠᏰᎸᎢ ᏃᎴ ᎤᏩᏌ ᎤᏚᎵᏍᎬ.\nᎠᏂᏔᎵ ᏠᎨᏏ ᎠᏁᏙᎮᏍᏗ; ᎠᏏᏴᏫ ᎠᏥᏯᏅᏗ ᎨᏎᏍᏗ, ᏐᎢᏃ ᎠᏥᎧᎯᏯᏍᏗ ᎨᏎᏍᏗ.\n”ᎯᎪᏩᏘᎭᏧ ᏄᏍᏛ ᏥᎪᏩᏘᏍᎬᎢ?” ᎤᏛᏛᏁ.\nᎤᏍᎪᎸ ᏫᏚᎸᏌᏛ ᏓᎶᏂᎨ ᏧᏆᎶᎬ ᏃᎴ ᏗᎦᏣᏃᏍᏔ ᏕᏧᎬ.\nᏃᎴ ᎣᏍᏓ ᎦᏬᏂ.\nᎠᎴ ᎤᎾᏠᏤ ᎢᏳᎾᏛᏁᏗᏱ; ᏂᎦᏛᏰᏃ ᏴᏫ ᎬᏩᏝᏫᏍᏗᏕᎨ ᎬᏩᏛᏓᏍᏓᏁᏗᏱ.\nᎦᏙᏃ ᎠᏛᏁᏗ? ᎠᏎ ᎤᎾᏓᏟᏐᏗ ᎤᏂᏣᏘ, ᏛᎾᏛᎦᏂᏰᏃ ᏣᎷᏨᎢ.\nᎤᎵᏂᎩᏗᏳᏃ ᎾᏂᏪᏍᎨ ᎨᏂᏪᏍᎨ ᎨᏥᏅᏏᏛ ᎬᏂᎨᏒ ᎾᏅᏁᎲ ᏕᏅᎴᎯᏌᏅ ᎤᎬᏫᏳᎯ ᏥᏌ; ᏂᎦᏛᏃ ᎤᏣᏘ ᎣᏏᏳ ᎨᎦᏓᏅᏖᏍᎨᎢ.\nᎢᏳᏍᎩᏂ ᎩᎶ ᎾᎦᏔᎲᎾ ᎢᎨᏎᏍᏗ, ᎤᏁᎳᎩᏉ ᎾᎦᏔᎲᎾ ᎨᏎᏍᏗ.\nᎡᏈᏌᏃ ᏭᎷᏨᎩ ᎠᎴ ᎾᎿ ᏚᏩᏕᎲᎩ, ᎤᏩᏒᏍᎩᏂ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏭᏴᎸᎩ ᎠᎴ ᏚᏭᏁᏔᏅᎩ ᎠᏂᏧᏏ.\nᎤᏩᏒᎳᎲ ᎠᏰᎴᎩ, ᏚᏂᎩᏒ ᏓᏆᎴᎳ.\nᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎤᏁᎳᏅᎯ ᏚᏁᎸ ᎠᏓᎵᏔᏗᏍᎩ ᎠᏓᏅᏙ, ᎠᎴ ᏗᏂᎦᏙᎵ ᏗᎬᏩᏂᎪᏩᏛᏙᏗ ᏂᎨᏒᎾ, ᎠᎴ ᏗᏂᎴᏂ ᏗᎬᏩᎾᏛᎪᏙᏗ ᏂᎨᏒᎾ, ᎪᎯ ᎨᏒ ᎢᏯᏍᏗ.\nᎾᏍᎩ ᎤᎴᏅᎲᎩ ᎾᏍᎦᎢᎲᎾ ᎤᏬᏂᏒᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ. ᎾᏍᎩᏃ ᎡᏈᎳ ᎠᎴ ᏈᏏᎳ ᎤᎾᏛᎦᏁᎸ ᎤᏂᏯᏅᎲᎩ, ᎠᎴ ᎤᏟ ᎢᏲᏍᏛ ᏚᏃᏏᏌᏁᎸᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎦᏅᏅᎢ.\n“ᎤᏙᎯᏳ ᎤᏒᎯ ᎨᏎᎢ!” \nᎾᏍᎩ Ꮎ ᎤᏚᎸᏗ ᏄᎵᏍᏓᏁᎲᎾ ᏂᏚᎩᏨᏂᏒ ᎠᏥᎸ-ᎤᏪᎳᏍᏗᏱ, ᎾᏍᎩ ᎾᎾᏛᏁᎲ ᏄᏂᏛᏁᎲ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎠᏥᎸᎠᏁᎶᎯ, ᎢᎬᏱ ᎤᏅᏒ ᎤᏂᏍᎦᏅᏨ ᎠᎫᏴᏙᏗ, ᎢᏉᏃ ᏴᏫ ᎤᏂᏍᎦᏅᏨ ᎠᎫᏴᏙᏗ; ᎾᏍᎩᏰᏃ ᎯᎠ ᏌᏉ ᏄᏛᏁᎴᎢ, ᎾᎯᏳ ᎤᏩᏒ ᎤᏓᎵᏍᎪᎸᏔᏅ.\nᎣᏍᏓ ᎱᏰᎸᎮ.\nᎾᏍᎩᏃ ᎤᎾᏛᎦᏅ ᎤᎬᏫᏳᎯ ᏥᏌ ᏚᏙᎥ ᏕᎨᎦᏬᏍᏔᏅᎩ.\nᏱᏂᏚᏩᏁᎰᏅ ᏓᏥᎶᏍᏗᏍᎬ, ᎤᎵᏏᏅᏗ ᎠᏗᏗᏍᎨ ᏣᎵ, ᏃᎴ ᏓᏥᎶᏍᎨ ᎤᏓᏦᏍᏗ ᏃᎴ ᎡᎳᏗ ᎤᏑᎶ ᏗᎦᏅᏍᎨᏂ.\nᏂᎦᏓ ᏧᎾᏕᎶᏆᏍᏗ ᏓᏓᏁᎳ ᎨᏙᎵᏙᎲᎢ. ᏦᎢ ᎠᏂᎨᏳᏣ ᎦᏥᎪᎥᎢ ᏙᎦᏓᏲᎵᎸ ᏃᎴ ᎣᎦᏟᏃᎮᏢ ᏄᏓᎴ ᏧᎾᏕᎶᏆᏍᏗ ᏗᎾᏕᎶᏆᏍᎩ ᎨᏒᎢ.\nᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᎬᏂᎨᏒ ᎢᎬᏁᎯ, ᎯᎠ ᏂᎦᏪᎭ, ᎤᏙᎯᏳᎯᏯ ᏞᎩᏳ ᏓᏥᎷᏥ. ᎡᎺᏅ; ᎰᏩᏉ; ᏞᎩᏳ ᎯᎷᎩ ᏣᎬᏫᏳᎯ ᏥᏌ.\nᏈᏓᏃ ᎤᏓᏅᏘᏌᏅ ᎯᎠ ᏄᏪᏎᎢ; ᎿᏉ ᎦᏙᎴᎣᎯ ᎤᏙᎯᏳᎯ ᎤᎬᏫᏳᎯ ᏧᏅᏒ ᎤᏤᎵ ᏗᎧᎿᏩᏗᏙᎯ, ᎠᎴ ᎠᏇᏓᎴᏒ ᎡᎶᏛ ᏥᏓᎩᏂᏴᏒᎢ, ᎠᎴ ᏂᎦᎥ ᎤᏚᎩ ᏧᏅᏒ ᎠᏂᏧᏏ.\nᎭᏫᏂ. ᏃᏗ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎢᏣ \nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎨᏤᎳᏗᏙᎮᏍᏗ, ᎨᏣᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨᎢ, ᎠᎴ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ,\nᎢᎸᏍᎩᏃ ᏫᏄᏒᎸ ᏏᏌᎵᏱ ᎤᏂᎷᏨᎩ ᎤᎬᏫᏳᎯ ᎡᎩᎵᏈ ᎠᎴ ᏆᏂᏏ, ᎤᏂᏲᎵᎵᎸᎩ ᏇᏍᏓ.\nᎢᏳᏰᏃ ᎾᏍᎩ ᏗᎩᏲᏍᏔᏅᎯ ᎨᏒ ᏔᎵᏁ ᏱᏙᎦᏁᏍᎨᎭ, ᎠᎩᏍᎦᏅᏨᎯ ᎨᏒ ᎬᏂᎨᏒ ᏱᏂᎬᏁᎭ.\n“ᎦᏙᏃ ᎢᏳᏍᏗ ᎤᏃᎴ ᎠᏲᏙᏗ ᎠᎩᎸᏗᏍᎩ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᎦᏣᏃᏍᏓ ᎤᏩᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎠᎴ ᎢᏥᏍᏆᏂᎪᏕᏍᏗ ᎣᏍᏛ ᏗᎫᎪᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏐᏅ ᏥᎨᏥᏃᎮᎭ ᎤᏲ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏥᎨᏦᏎᎭ, ᏯᎾᏕᎰᎯ ᎾᏍᎩ ᎦᏰᎪᎩ ᎨᏥᏃᎮᏍᎩ ᎣᏍᏛ ᎢᏣᎴᏂᏙᎲ ᎦᎶᏁᏛ ᏕᏥᎧᎿᏩᏗᏒᎢ ᎠᏂᏁᎢᏍᏗᏍᎩ.\nᏗᎧᏃᏗᏱ ᎠᎾᎦᎵᏍᎩ ᎾᏍᎩᏯ ᎨᏎᎢ, ᎤᏄᏩᎥᏃ ᎥᏃᏥ ᏥᏄᏁᎩᏴ ᏄᎺᎩᏰᎢ.\nᏏᏆ ᎦᏅᎪᎢ.\nᎧᏂᎩᏓ ᎤᎾᎵᎢ, ᎤᎯᏐᏓᏁ ᏃᎴ ᎤᏲᏏᏍᎩ, ᏗᎩᏏ ᎦᏓᏍᎬ ᏭᏓᏓᎩᏅᏎ ᏃᎴ ᎤᏦᏱᎴᎢ.\nᎤᎦᏔᎲᏓ ᎠᏥᎸᏳᎵ ᎾᎥᏂ ᎦᏙᎬ.\nᎿᏉᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏂᎷᏨ ᎯᎠ ᏂᎬᏩᏎᎸᎩ; ᎯᎦᏔᎭᏍᎪ ᎠᏂᏆᎵᏏ ᎤᏂᎿᎸᏨᎢ ᎤᎾᏛᎦᏅ ᎾᏍᎩ ᎯᎠ ᏂᏣᏪᏒᎢ.\nᏥᎪ ᎯᏐᏢᎢᏍᏗᎭ ᎢᎡᏦᏎᎭ ᎠᎦᏴᎵᎨᎢ ᎤᎸᏉᏔᏅᎯ ᎠᎴ ᎡᎶᎯ ᎤᎷᎯᏍᏗᏱ ᎤᏅᏏᏛ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏴ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᏥᎦᏛ?\nᎠᎴ ᎧᏃᎮᏛ ᎤᏇᏓᎵ ᏄᎵᏍᏔᏅᎩ, ᎠᎴ ᎢᏕᎲ ᎤᎴᏂᏙᎸᎩ, ᎤᎧᎵᏨᎯ ᎨᏒᎩ ᎤᏓᏙᎵᏣᏛ ᎠᎴ ᏚᏳᎪᏛᎢ; ᎠᎴ ᎢᏗᎪᏩᏘᏍᎬᎩ ᎤᏤᎵᎦ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᎦᏴᎵᎨ ᎤᏩᏒᎯᏳ ᎤᏕᏁᎸᎯ ᎤᏤᎵᎦ ᎾᏍᎩᏯ ᎨᏒᎩ.\nᏍᎩᏍᏕᎳ!\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᏂᎯ ᎢᏥᏲᎢ, ᏱᏥᏏᎾᎯ ᎣᏍᏛ ᎨᏒ ᏗᏥᏁᏗᏱ ᏗᏤᏥ, ᎤᏟᎯᏳ ᏄᏛᏅᎢᏍᏗ ᎢᏥᏙᏓ ᎦᎸᎳᏗ ᎡᎯ ᏧᏁᏗᏱ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎬᏩᏔᏲᏎᎯ!\nᎢᏤ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏨᎥᏏ, ᏗᏣᏓᎨᏳᎯᏳ ᎢᏳᎵᏍᏙᏗᏱ; ᎾᏍᎩᏯ ᎢᏨᎨᏳᎢᏳ ᏄᎵᏍᏔᏅᎢ, ᎾᏍᎩ ᎾᏍᏉ ᏗᏣᏓᎨᏳᎯᏳ ᎢᏳᎵᏍᏙᏗᏱ.\nᎤᏂᎶᏐᏅᏃ ᏂᎬᎾᏛ ᎠᎹᏰᎵ ᎨᏒᎢ ᎨᏆ ᎢᏴᏛ, ᎾᎿ ᎤᏂᏩᏛᎮ ᎩᎶ ᎢᏳᏍᏗ ᎠᏧᏏ ᏆᏥᏌ ᏧᏙᎢᏛ, ᎠᏙᏂᏍᎩ, ᎤᏠᎾᏍᏗ ᎠᏙᎴᎰᏍᎩ,\nᎠᎴ ᎥᏝ ᏳᎦᏙᎥᏎᎢ ᎬᏂ ᎤᎾᏄᎪᏫᏒ ᎢᎬᏱ ᎡᎯ ᎤᏪᏥ ᎠᏧᏣ, ᏥᏌᏃ ᏑᏬᎡᎢ.\nᎠᎴ ᎦᏙ ᎤᏍᏗ ᏗᏙᎵᎩ ᏂᎦᎵᏍᏗᎭ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸ ᎠᎴ ᎤᏁᎳᏅᎯ ᏗᏟᎶᏍᏔᏅᎯ? ᏂᎯᏰᏃ ᎾᏍᎩ ᎬᏂᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎤᏁᎳᏗᏍᏗᏱ; ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᎯᎠ ᏥᏁᏪᏒ, ᎾᏍᎩ Ꮎ ᎦᏥᏯᎡᏍᏗ, ᎠᎴ ᎠᏁᎲ ᎨᏙᎮᏍᏗ; ᎠᎴ ᎠᏴ ᎦᏥᏯᏁᎳᏅᎯ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏅᏒ ᏗᏆᏤᎵ ᏴᏫ ᎨᏎᏍᏗ.\nᎿᏉᏃ ᎩᎳᏉ ᎢᏴᏛ ᎠᎾᏓᏅᏟ ᎬᏩᏘᎿᏫᏛᎲᎩ ᏉᎳ, ᎠᎺᏉᎯ ᎢᏗᏢ ᏫᎬᏩᏘᏅᏍᏔᏅᎩ. ᏌᏱᎳᏍᎩᏂ ᎠᎴ ᏗᎹᏗ ᎾᎿᏉ ᎤᎾᏗᎩᏴᎩ.\nᏧᎾᏁᎶᏗᏃ ᏚᎾᏓᏡᏩᏗᏒ ᏚᎾᎵᏂᎪᏒᎩ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᏂᏚᎩᏨᏂᏒ ᎠᏂᎪᏙᏍᎬᎩ.\nᏃᏊᏃ ᎡᎵᏏ ᏥᎨᏒ ᎣᎦᏛᏅᎢᏍᏓᏁᎸ ᎣᎩᏒᏍᏗ ᏚᏰᏍᏛᏂᏙᎸ ᎣᎦᏅᏢᏗ ᎣᎦᏅᏢᎾᏃ ᏃᏊ Ꮩ ᏃᎦᏛᏁᎳ ᎠᏏ ᏫᏃᎩᎵᏅᏨᎾᏊ ᏂᎦᏓ ᎣᎦᏛᎦᏅ ᏪᏌ ᏂᎦᏪᏍᎬ.\nᏧᏂᏲᎱᏒᎯᏰᏃ ᏧᎾᎴᎯᏐᏗ ᏂᎨᏒᎾ ᏱᎩ, ᎿᏉ ᎦᎶᏁᏛ ᎥᏝ ᏧᎴᎯᏌᏅᎯ ᏱᎩ.\nᏃᏗ ᎡᏚᏥ ᎤᎾᎦᏙᏍᏔᏁᎢ.\nᏔᎵᏁ ᎱᎦᎾᎾ, ᎭᎧᎵᎨ ᎠᎹ ᎦᏁᎲ.\nᏫᎵᎻ ᎤᎸᏉᏗ ᎨᏎ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᏍᎩᎾᎾ ᏱᏄᏍᏗ-ᎡᏝᏪᎯ, ᎠᎦᏘᏴ ᎢᎦ ᎢᏳᎵᏍᏙᏗ.\nᎠᏂᏧᏏ ᎠᏂᎦᏔᎲ ᏥᏧᏏ ᎾᏍᎩᏯ ᎾᏆᎵᏍᏔᏅᎩ ᎾᏍᎩ ᎠᏂᏧᏏ ᎬᎩᏁᏉᏤᏗᏱ; ᎾᏃ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎤᎾᏓᏄᏴᏗ ᎠᏂᎦᏔᎲ ᏗᎧᎿᏩᏛᏍᏗᏱ ᏣᏆᏓᏄᏴᏙ ᎾᏍᎩᏯᎢ, ᎾᏍᎩ ᎬᎩᏁᏉᏤᏗᏱ ᎾᏍᎩ Ꮎ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎤᎾᏓᏄᏴᏗ.\nᎦᏚᎱᎢ, ᎠᏎᏃ ᎯᎠ ᏗᎾᏔᎾᎢ ᎠᏂᎦᏴᎵ ᏣᏂᎧᏔᎮᎢ ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏗ ᎨᏒ ᏚᏓᏥᎶᏚ, ᎠᏎᏃ ᎨᏍᏓᏗ ᎩᎶ ᎪᎱᏍᏓ ᏳᏛᎾ ᎱᎾᏓᏓᏰᏙᏗᏍᎬ ᏍᎩᎾ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏗ ᎬᏂᏛ ᎾᎵᏍᏆᏗᏍᎬᎾ-ᎾᏍᎩ ᎨᏣᎦᏙᎥᎯᏍᏗᏱ ᏂᎯ ᏨᏒᎯᏳ ᎤᏙᎯᏳᏒ ᏣᏁᎳᏅᎯ, ᎠᎴ ᎤᏂᎦᏙᎥᎯᏍᏗᏱ ᏥᏌ ᎦᎶᏁᏛ ᎾᏍᎩ ᎾᎯᏅᏏᏛ ᏥᎩ.\nᎾᏍᎩ ᏧᏎᎵᏔᏁ ᏧᏚᎢᏍᏓᏁᎴ ᎢᎩᎦᏴᎵᎨᎡᏆᎭᎻ,\nᎨᏍᏗ ᎠᏰᎵ ᏯᎾᏓᏬᎠ ᎦᏣᏄᎵ ᎨᏴᎢ ᎠᎹ, ᎭᎾᎾ ᎠᎾᏓᏉᏍᎪ ᎠᏁᏉᎯᎨ ᎠᏂᏣᏗ, ᎭᏂ ᏥᎾᏓᏬ ᏃᏉ!\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎪᎱᏍᏗ ᎾᏍᎪᏁᎶᏍᎬᎾ ᏛᏇᏅᏒᎩ ᏮᎩᏯᏅᎮᎸᏉ. ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎢᏨᏰᏛᏛᎲᎦ ᏅᏧᎵᏍᏙᏔᏅ ᏫᏍᎩᏯᏅᎲᎢ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎭᏢᏃ ᏲᏥᎩ ᎾᏍᎩ ᎢᎦᎢ ᎠᎵᏍᏓᏴᏗ ᎢᎾᎨᎢ, ᎾᏍᎩ ᎢᏳᏂᏣᏘ ᏰᎵ ᏧᏃᎸᎯᏍᏗ?\nᎠᏯᏗ ᏓᎦᎦᏎᏍᏔᏂ,” ᎤᏬᏨᏗ ᎤᏰᎸᏁ.\nᎨᏍᏗ ᎪᎰᏍᏗ ᎬᏫᏒᏗ ᏱᎨᏎ.\nᎠᎴ ᏧᏃᏰᏂ ᎨᏣᏌᎳᏙᏗᏕᎨᏍᏗ, ᎾᏍᎩ ᎢᎸᎯᏳ ᏅᏲᎯ ᏣᎾᏍᏆᎶᏍᏙᏗᏱ ᏂᎨᏒᎾ.\n”ᎤᏰᎸᏗᏗ ᏧᏳᏩᏂᎭ ᏥᎩ ᏗᏥᏅᏍᎨᏂ,” ᎤᏛᏁ ᏌᎳᏓ.\n“Ꭳ, ᎡᎳᏆᏗ,” ᎤᏰᏤ ᎪᏱᏁᎢ.\nᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᏍᎩᏂᏍᏓᏩᏚᎦ, ᏴᏫᏃ ᏗᏍᏗᎦᏯᎷᎥᏍᎩ ᏅᏓᏍᏛᏴᏁᎵ.\nᏚᏏᎳᏛ ᎤᏬᏞ ᏌᎳᏓ ᏓᎹᎦ ᎦᏯᎩᏍᎨ ᎠᏓᏅᏖᏍᎨ ᏭᏩᎦᏘᏗᏒᎢ.\nᏞᏍᏗ ᏧᎬᏩᎶᏗ ᎡᎶᎯ ᏱᏥᏟᏏᏍᎨᏍᏗ, ᏥᏍᎪᏴ ᎠᎴ ᎠᏯᏍᏜᏗᏍᎩ ᎤᏂᏲᏍᏙᏗᏱ ᎠᎴ ᎠᏂᏃᏍᎩᏍᎩ ᎤᏂᏴᏍᏗᏱ ᎠᎴ ᎤᏂᏃᏍᎩᏍᏗᏱ;\n ᎦᏳᎳ ᎠᎾᏂᎩ ᎠᏂᏐᎢ ᏥᏍᏆ\nᎤᏚᎢᏍᏔᏁᏃ, ᎠᎴ ᎤᏲᎴ ᏧᏳᎯᏎᏗᏱ, ᎾᎯᏳ ᎤᏂᎪᏁᎸ ᎤᏂᏣᏘ.\nᎤᎵᏍᏆᎸᏗᏃ ᎨᏒᎢ ᏂᎦᏗᏳ ᏌᏉᏉ ᏂᏕᏨᏁᏍᏗ ᏕᏣᏓᏅᏛᎢ; ᏕᏣᏓᏙᎵᎨᏍᏗ; ᏕᏣᏓᎨᏳᏎᏍᏗ ᎢᏣᎵᏅᏢᎢ; ᎢᏣᏓᏙᎵᏣᏗᏳ ᎨᏎᏍᏗ; ᎢᏣᏓᏙᎵᏍᏗ ᎨᏎᏍᏗ;\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎤᏂᎬᏫᏳᎯ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏧᎾᏤᎵᎦ, ᏗᎬᏩᎾᏁᎶᏛᏗᏱ ᎾᏅᏁᎰ ᏴᏫ; ᎠᎴ ᎾᏍᎩ ᏗᎬᏩᎾᏁᎶᏙᏗ ᎢᏯᏅᏁᎯ ᎣᏍᏛ ᎢᏗᎾᏛᏁᎯ ᎨᏍᏎᎰᎢ.\nᏐᏉ ᎦᏅᏍᎨᏂ ᏭᏬᎯᎶᏔᏁᎢ ᎠᏦᏴ ᏏᏆ ᎤᏴᏍᏗ.\nᎠᎴᏃ ᎾᏍᏉ ᎠᏴ ᎣᏤᎲ ᏂᎯᏃ ᎢᏤᎲ ᎾᎿ ᎠᏰᎵ ᎨᏒ ᎡᏉᎯᏳ ᎤᏜᏅᏛᎢ ᎪᏢᎭ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎩᎶ ᏳᎾᏚᎵᎭ ᎠᏂ ᎤᎾᏓᎴᏍᏗᏱ ᏗᏤᎲ ᏭᏂᎶᎯᏍᏗᏱ, ᎥᏝ ᏰᎵ ᏱᏅᎬᎾᏛᎦ, ᎠᎴ ᎾᏍᏉ ᎠᏂ ᎣᏤᎲᎢ ᎥᏝ ᏴᎬᏂᎷᎩ ᎾᎿ ᏅᏓᏳᏂᎶᎯᏍᏗᏱ ᏳᎾᏚᎵᎭ.\nᏥᎦᏔᎭ ᎢᏯᏆᏛᏁᏗᏱ ᎡᎳᏗ ᏱᎾᏆᏛᎿᏕᎦ, ᎠᎴ ᏥᎦᏔᎭ ᎢᏯᏆᏛᏁᏗᏱ ᎤᏣᏘ ᏯᎩᎭ; ᏂᎦᎥ ᏕᎨᏌᏗᏒᎢ, ᎠᎴ ᎾᎦᎥ ᎾᏆᎵᏍᏓᏁᎵᏕᎬᎢ, ᎥᏇᏲᏅ ᎢᏯᏆᏛᏁᏗᏱ ᎾᏍᏉ ᏯᏉᎳᏅ ᎠᎴ ᎾᏍᏉ ᏯᎩᏲᏏᎭ, ᎾᏍᏉ ᎤᏣᏘ ᏯᎩᎭ ᎠᎴ ᎾᏍᏉ ᏯᎩᏂᎬᏎᎭ\nᎤᎾᏛ ᏚᏗᏨ ᏥᏍᏚ ᎤᏩᎾᏛ Ꮭ ᎫᎱᏍᏗ ᏳᏗᏠᏆᏍᏔᏁ ᏩᎭᏯ.\nᎷᎦ ᎠᏥᎨᏳᎯ ᎠᎦᎾᎦᏘ ᏫᏥᏲᎵᎦ, ᎠᎴ ᏗᎹ.\nᎿᏉᏃ ᏥᎷᏏᎵᎻ ᎾᎥ ᎤᏂᎷᏨ, ᏒᎦᏙᎯ, ᎣᎵᏩ ᎤᏌᎯᎸᎢ ᎢᏴᏛ, ᏥᏌ ᎠᏂᏔᎵ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏚᏅᏒᎩ,\nᎾᏍᎩᏍᎩᏂ Ꮎ ᎦᎶᎯᏍᏗᏱ ᎠᏴᏍᏗᏍᎩ ᎾᏍᎩ ᎠᏫ ᎤᏂᏃᏕᎾ ᏗᎦᏘᏯ.\nᎾᏍᎩ ᎢᏳᏃ ᎯᎪᎵ ᏱᏨᏔᏅ ᎬᏂᎨᏒ ᏱᏂᏴᏁᎸ ᎤᎬᏫᏳᎯ ᏥᏌ, ᎠᎴ ᏣᎾᏫᏱ ᎢᏴᏛ ᏱᏦᎯᏳᏅ ᎤᏁᎳᏅᎯ ᏕᎤᎴᏔᏅ ᎤᏲᎱᏒᎢ, ᎠᏎ ᎡᏣᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᎠᎬᏱ ᎤᏙᏓ ᎤᏔᏪᏙᏁ, ᏃᏗ ᎤᏥ ᎤᏔᏪᏙᏁ.\nᎠᏛᏁᎵᏍᎩ ᎢᏳᏍᏗ ᎾᏛᏁᎲ ᏲᎾ, ᎠᏨᏏᏰᏍᎬ ᎪᏛ ᎾᎥᏂ.\nᎬᏂᏛᏰᏃ ᎬᏂᎨᏒ ᏄᎵᏍᏔᏅᎩ, ᎠᎴ ᎣᎩᎪᎲᎩ, ᎠᎴ ᎣᏥᏃᎮᎭ, ᎠᎴ ᎢᏨᎾᏄᏫᏎᎭ ᎾᏍᎩ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎬᏂᏛ, ᎾᏍᎩ ᎠᎦᏴᎵᎨᎢ ᎡᎲ ᏤᎮᎢ, ᎠᎴ ᎬᏂᎨᏒ ᎢᏲᎬᏁᎸᎯ ᏥᎩ--\n“ᎯᎠᏗ ᏂᏓᎦᏛᏁᎵ,” ᎤᏛᏁ ᏧᏍᏆᏴᏍᏗ.\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᏝ ᏴᎨᏦᎯᏳᎲᎦ, ᎬᏂ ᏱᏥᎪᏩᏘᎭ ᎤᏰᎸᏛᎢ ᎠᎴ ᎤᏍᏆᏂᎪᏗ.\nᎠᎴ ᎾᏍᎩ ᎢᎬᏱ ᏁᎰᎢ ᎣᏂ ᏂᎦᎥ ᏧᏓᎴᏅᏛ, ᎠᎴ ᎾᏍᎩ ᏂᎬᏂᏏᎭ ᏂᎦᎥ ᎪᎱᏍᏗ ᏤᎭ;\nᎡᎳᏆᏗ ᎭᎦᏕ ᎠᏓᏍᏕᎵᏍᎨᎢ.\nᎠᏍᎪᎯᏃ ᎤᏗᏢᏍᏙᏗ ᏄᏒᎸ ᏚᏪᎳᏗᏙᎸ, ᏏᏌᎵᏱ ᏭᎶᏒᎩ; ᎤᎩᏨᏛᏃ ᏗᎫᎪᏙᏗᏱ ᎦᏍᎩᎸ ᎤᏬᎸᎢ ᎤᏁᏨᎩ ᏉᎳ ᏩᏥᏯᏅᏗᏱ.\nᎠᎩᎵᏏ ᏍᏉ ᎠᏌᏛᎥᏍᎩ ᎨᏎ.\nᎦᎸᎳᏗᏣ ᏫᏚᎧᎾᏁᎢ.\nᏥᎾᏬᎦ ...  ᎤᏩᏃᏪ.\nᎢᏳᏃ ᎾᏍᎩ ᏱᏄᏩᏂᏌᏅ ᎤᏁᎳᏅᎯ ᏯᏥᎸᏉᏔᏅ, ᎤᏁᎳᏅᎯ ᎤᏩᏒ ᏅᏓᎬᏂᏌᏂ ᎾᏍᎩ ᏓᏳᎸᏉᏔᏂ, ᎠᎴ ᎢᎳᏉ ᎢᏴᏛ ᏓᏳᎸᏉᏔᏂ.\nᎾᏍᎩ ᎦᏳᎳ ᎢᏲᎩᏪᏛ ᏥᎩ, ᎤᏠᏱᏉ ᎯᎠ ᎪᎯ ᎨᏒ ᏂᏥᏪᎭ, ᎢᏳᏃ ᎩᎶ ᎢᏣᎵᏥᏙᏁᎮᏍᏗ ᏅᏩᏓᎴ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎾᏃ ᎾᏍᎩ ᎦᏳᎳ ᏗᏣᏓᏂᎸᏨᎯ ᏥᎩ, ᎾᏍᎩ ᎠᏥᏍᎦᏨᎯ ᎨᏎᏍᏗ.\nᏔᎵᏁᏃ ᏅᏩᎾᏓᎴ ᏧᏅᏏᏓᏍᏗ ᏚᏅᏎᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎯᎠ ᏫᏂᏗᏥᏪᏏ ᏫᎨᏥᏯᏅᏛ; ᎬᏂᏳᏉ ᎠᏆᏛᏅᎢᏍᏗ ᎠᎵᏍᏓᏴᏗ, ᏗᏆᏤᎵ ᏩᎦ ᎠᎴ ᏗᎦᎵᏦᏔᏅᎯ ᏚᏂᎸ, ᏂᎦᏗᏳᏃ ᎠᏛᏅᎢᏍᏔᏃᏅᎯ; ᏕᎨᎦᏨᏍᏗᏍᎬ ᎢᏥᎷᎩ.\nᎠᏎᏃ ᎠᏂᏆᎵᏏ ᎤᎾᏙᎴᎰᏒ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎬᏂᏳᏉ ᎢᎬᏛᏁᏗ ᏂᎨᏒᎾ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ ᎾᎾᏛᏁ ᎨᏣᏍᏓᏩᏗᏙᎯ.\nᎾᏍᎩᏃ ᏧᎴᏅᎯ ᏣᏗᎭ, ᎦᏙ ᎦᏛᎦ, ᎢᏳᏃ ᎢᎬᏱᏱ ᎾᏍᏉ ᏧᏠᎠᏒ ᎡᎳᏗᏢ ᏕᎨᏌᏗᏒ ᎡᎶᎯ ᎤᎷᏨ ᏂᎦᏛᎬᎾ ᏱᎩ?\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏧᏁᎵᏁ ᎢᎦ ᎤᏂᎱᏍᏕᏎᎸᎭ ᎠᏲᎵ, ᎠᎴ ᏤᎦᎳᏯ ᏚᏃᎡᎢ, ᎤᏙᏓ ᏚᏙᎥ ᏚᏃᏍᏔᏁᎢ.\nᎤᏒᏃ ᏄᎵᏍᏔᏅ ᎤᎷᏤ ᎤᏪᎿᎢ ᎠᏍᎨᏯ ᎠᎵᎹᏗᏱ ᎡᎯ ᏦᏩ ᏧᏙᎢᏛ, ᎾᏍᏉ ᎾᏍᎩ ᏥᏌ ᎤᏍᏓᏩᏗᏙᎯ ᎨᏎᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏤᏯᏔᎮᏍᏗ ᏄᏍᏛ ᎢᏣᏛᎩᏍᎬᎢ, ᎩᎶᏰᏃ ᎤᎮᏍᏗ, ᎾᏍᎩ ᎠᏥᏁᏗ ᎨᏎᏍᏗ; ᎩᎶᏃ ᏄᎲᎾ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏥᎩᏒᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎾᏧᎰ ᏥᏅᏩᏍᏙᎢ.\nᏕᏫᏃ ᎤᏩᏒ ᎯᎠ ᏂᎦᏪᎭ ᏗᎧᏃᎩᏍᏗᏱ ᎪᏪᎵ, ᏱᎰᏩ ᎯᎠ ᏄᏪᏎᎴ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ, ᏥᎦᏘᏏ ᎢᏗᏢ ᏦᎴᏍᏗ,\nᏚᎭᏄᏩᎩᏐᏅ ᎤᏩᏣᏍᎬ ᏧᎭᎾᏬ, ᎤᏍᎪᎸᏨ ᏃᎴ ᎦᎸᏙᏟ ᎤᏓᏴᎳᏛ ᏅᏙ ᎠᎦᎵᏍᎬ.\n“ᎤᎵᏍᎨᏓ ᏗᎦᏃᏣᎶᏗ!”  ᏂᏧᏪᏎ ᏍᏓᏯ ᎢᎬᏁ ᎦᏬᏂᏍᎬ ᎤᏨᏉᏗ ᎢᏳᏍᏗ ᎤᏃᏴᎩ.\nᏂᎦᏓ ᎤᏬᏗᎨ ᏄᏍᏛ, ᏴᏫ ᏃᎴ ᏚᎭᏄᏮ, ᏐᏈᎵ ᏃᎴ ᏓᏆᎴᎳ, ᏃᎴ ᏌᏬᏚᎭ ᏅᏃ.\nᎠᎨᏳᏗ ᎠᏂᏲᏍᎩ ᎤᎾᏤᎵ.\nᎦᎵᏦᏕᏃ ᏫᎤᏴᎸ, ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏅᏒ ᎨᏒ ᎬᏩᏛᏛᏁᎢ, ᎦᏙᏃ ᎠᏴ ᎥᏝ ᎦᏲᏥᏄᎪᏫᏍᏗ ᏱᎨᏎᎢ? ᎤᎾᏛᏁᎢ.\nᏫᎵᎻ?”\nᎤᏲ ᎢᏳᎾᏛᎾᏕᎩ, ᏯᏂᎦᏔᎲᎾ ᎠᏕᎳ ᎤᏃᏒᏗ, ᎠᏂᏫᏒᎥᏍᎩ ᎤᎾᎵᏍᏔᏴᏗ, ᎣᎯᏍᏙᏗ ᎠᏫ ᎤᏂᎨᎲᏍᏗ ᏃᎴ ᎠᏫ ᏄᏓᏄᎸᎲ ᎡᏍᎦᏉ ᎠᏕᎳ ᎤᏃᏒᏗ.\nᎧ ᎦᏙᏃ ᎢᎡᏥᎪᎵᏰ ᎤᏁᎳᏅᎯ, ᏕᏥᎩᎳᎾᎳᏗᏍᎬ ᎠᏃᎯᏳᎲᏍᎩ, ᎾᏍᎩ ᏗᎩᎦᏴᎵᎨ ᎠᎴ ᎾᏍᏉ ᎢᎬᏒ ᏰᎵ ᎨᎦᎩᎳᎾᎳᏗᏍᏗ ᏂᎨᏒᎾ ᏥᎨᏒᎩ.\nᎠᏌᎻᏓ ᎤᏬᏢ ᎤᎾᏲᏒ ᎤᎦᏙᏍᏛ ᎪᏛ.\nᎤᎪᏃᏂᏕᏅ ᎨᏒ ᎤᏃᏛ, ᎤᎭᎨᏛ ᎤᏍᎪᎸ ᏚᎦᏒᏍᏛ ᎤᏍᏔᎦᎸ ᎦᎸᎳᏗᏨ ᎤᎴᏫᏍᏛ, ᎤᏄᎸᏅ ᎤᏅᎪᎢᏍᏘ.\nᎯᎠ ᏄᏪᏎ ᎠᏍᏓᏯ; ᎦᏥᏃᏍᏛ ᎭᎴᎲᎦ. ᏚᎵᏔᏗᏅᏎᏃ ᎠᎴ ᎤᏪᏙᎴᎢ.\nᏭᏎᎴᎢ ᏌᎪᏂᎨ ᎠᏇᏡᏍᏗ ᎦᏓᎥ ᎡᏚᏥ ᎤᏴᏍᏗ.\nᎯᏍᎩᏃ ᏫᏄᏒᎳ ᎡᏂᎾᏯ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎤᎷᏨᎩ, ᎠᏁᎲ ᏗᎨᎦᏁᎶᏗ, ᎠᎴ ᎩᎶ ᎢᏳᏍᏗ ᏗᏘᏲᎯ-Ꭿ, ᏔᏓᎳ ᏧᏙᎢᏛ, ᎾᏍᎩ ᎤᏂᏃᏁᎸᎩ ᎤᎬᏫᏳᎯ, ᎠᏄᎯᏍᏗᏍᎬ ᏉᎳ.\nᎠᏌᎻᏓ, ᏄᏩᏁᎰᏅ ᎬᏂᎨᏒ ᎢᎬᏁᏗ, ᎤᎷᏨ, ᎩᎶ ᏳᏑᏰᎲ ᏧᎳᏍᎩ ᎤᏛᏅ.\nᏫᏥᎷᏨᏃ ᎾᏍᎩ Ꮎ ᎣᏏᏳ ᏗᏥᏰᎸᏅᎯ, ᎾᏍᎩ ᏗᎦᏥᏯᎨᏅᏗᏍᏗ ᎨᏎᏍᏗ ᎪᏪᎵ, ᎾᏍᎩ ᎠᏂᏰᎩ ᏥᎷᏏᎵᎻ ᏂᎯ ᎢᏣᎵᏍᎪᎸᏔᏅᎯ.\nᎭᎾᎾ ᎭᏫᏂᏣ ᎠᎮᎢ ᏌᏌ ᎤᏪᏥ.\nᎠᏎᏃ ᎢᏤᏯᏔᎮᏍᏗ ᏤᏍᏗ ᎾᏍᎩ ᎢᎨᏣᏛᏁᏗ ᎢᏥᎲ ᏗᏂᏩᎾᎦᎳ ᏧᏃᏕᏍᏗᏍᎩ ᏱᏄᎵᏍᏔᏁᏍᏗ.\nᎤᏙᎯᏳ ᎢᏅᎯ ᏅᏩᏍᏕ ᎠᏙᎯ, ᏃᎴ ᎨᏍᏗ ᎯᎸᎯᏳ ᎤᏪᏙᎸ ᏱᎨᏎ ᎠᏙᎯ ᏃᎴ ᎨᏍᏗ ᏯᎦᏔᎮᎢ ᎣᏍᏓ ᎤᏰᎸᏗ.\nᏦᏞᏍᏗ.”\nᏎᎦᏨ ᎤᏓᏅᏖᎴ ᎪᏱᏁᎢ ᎤᏩᏛᎲᏍᏗ ᎦᏂᎦᏔ ᎡᎹᏂᏓ ᏃᎴ ᎤᏛᏛᏗ ᎢᏳᏍᏗ ᎢᎫᏩᏛᏁᏗ ᎨᏒ.\nᎾᏍᎩᏍᎩᏂ ᎾᎧᏃᎮᏛ ᎤᏙᎯᏳᏒ ᎢᎦ-ᎦᏘ ᎨᏒᎩ; ᎾᏍᎩ ᎡᎶᎯ ᏧᎷᏨ, ᎢᎦ ᏥᏕᎠᏘᏍᏓᏁ ᎾᏂᎥ ᏴᏫ.\nᎩᎶᏍᎩᏂ ᏧᏢᏫᏎᎯ ᏕᎫᎪᏗᏍᎪ ᎤᏍᎦᏅᏨ ᎢᏳᏃ ᏳᎵᏍᏓᏴᏅ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᏄᏬᎯᏳᏒᎾ ᎨᏒ ᎠᎵᏍᏓᏴᎲᏍᎬᎢ; ᏂᎦᎥᏰᏃ ᎪᎱᏍᏗ ᎪᎯᏳᏗ ᎨᏒ ᏅᏗᏓᎴᎲᏍᎬᎾ ᏱᎩ ᎠᏍᎦᏂ ᎨᏐᎢ.\nᎤᏔᎶᏁ ᏃᎴ ᏭᏥᏤᎢ ᏧᎾᏦᏴᏍᏗ ᎤᏅᏗ.\nᎠᎴ ᎾᏍᎩ ᎤᏘᏃᎸᎩ ᏥᏌ ᎡᏙᎲᎢ. ᏥᏌᏃ ᏚᎧᎿᏅᎯᎠ ᏄᏪᏒᎩ; ᏌᏩᏂ ᏂᎯ, ᏦᎾ ᎤᏪᏥ, ᏏᏆᏏ ᏕᏣᏙᎡᏍᏗ; ᎾᏍᎩ ᎠᏁᏢᏔᏅᎯ ᏈᏓ ᎦᏛᎦ.\nᎤᏙᎴᎰᏒᏉᏃ ᎡᎶᏛ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᎿ ᎡᏗ ᎨᏒᎢ, ᎡᎶᏛ ᏭᏪᎧᎾᎴᎢ, ᎾᏍᎩ ᎡᎶᏛ ᎤᏩᏒ ᏥᎷᏏᎵᎻ ᎡᏙᎮ ᎾᎯᏳᎢ.\nᏔᎵᏁᏃ ᎢᏌᏯ ᎯᎠ ᏂᎦᏪᎭ; ᎤᎿᏍᏕᏢ ᎦᎾᏄᎪᎨᏍᏗ ᏤᏏᏱ, ᎠᎴ ᎠᏏᏴᏫ ᏙᏛᎴᏂ ᎤᎬᏫᏳᏌᏕᎩ ᎢᏳᎵᏍᏙᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲᎢ; ᎾᏍᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᎬᏩᎵᏍᎦᏍᏙᏔᏂ.\nᎠᏓᏅᎡᎮᏍᏗ ᎤᏲ ᎨᏒᎢ ᎣᏍᏛᏃ ᏚᎸᏫᏍᏓᏁᎮᏍᏗ; ᏅᏩᏙᎯᏯᏛ ᎨᏒ ᎤᏲᎮᏍᏗ ᎠᎴ ᎾᏍᎩ ᏓᎧᎿᏩᏕᎨᏍᏗ.\nᎨᏥᏅᏏᏛᏃ ᏥᎷᏏᎵᎻ ᎠᏂᏂ ᎤᎾᏛᎦᏅ ᏌᎺᎵᏱ ᏕᎤᎾᏓᏂᎸᏨ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᏚᏂᏅᏎ ᏈᏓ ᎠᎴ ᏣᏂ ᎾᏍᎩ ᏧᏂᏩᏛᎲᏍᏗᏱ.\nᏐᏉ ᏄᎳᏏᏁ ᏔᎷᎩᏍᎩ ᎢᏣ.\nᎾᏍᎩ ᏥᏄᏍᏗ ᎤᏙᎯᏳᎯᏍᎩᏂᏃᏅ ᏫᏨᏲᏪᎳᏁᎸᎩ, ᎠᏎᏃ ᎥᏝ ᎤᏣᏘᏂ ᎢᏳᏛᏁᎸᎯ ᏳᎬᏩᎴᎢ, ᎥᏝ ᎠᎴ ᎾᎤᏣᏘᏂ ᎢᏯᎦᏛᏁᎸᎯ ᏳᎬᏩᎡᎢ; ᎠᏍᎩᏂ ᎢᏨᏍᏆᏂᎪᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲ ᎬᏂᎨᏒ ᎢᏣᎵᏍᏓᏁᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎯᎠ ᏥᏂᎦᏪᎭ, ᎪᎯ ᎢᎦ ᎢᏳᏃ ᎧᏁᎬ ᎢᏣᏛᎪᏗᏱ ᎢᏣᏚᎵᏍᎨᏍᏗ,\nᎠᏎᏃ [ᎾᏍᎩ ᏄᎵᏍᏔᏅᎩ] ᎤᏙᎯᏳᏗᏱ ᎠᏰᎸᏒ ᎤᎵᏁᏨ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ ᏧᏂᎧᎿᏩᏛᏍᏗᏱ; ᎠᏎᏉ ᎬᎩᏍᎦᎬᎩ.\nᎾᏍᎩᏃ Ꮎ ᎢᎪᏢᏅᎯ ᎯᎠ ᎾᏍᎩ ᎤᎬᏩᎵ ᎨᏒ ᎾᏍᎩ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎾᏍᏉ ᏦᎩᏁᎸ ᎠᏓᏅᏙ ᎠᎦᏗᏗᏍᏙᏗ ᎨᏒᎢ.\nᎤᏁᎳᏅᎯᏍᎩᏂ ᏰᎵᏉ ᏧᏰᎸᏅ ᎣᎦᎨᏅᏗᏍᏗᏱ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎾᏍᎩᏯ ᎣᏥᏁᎦ; ᎥᏝ ᏴᏫᏉ ᎣᏏᏳ ᎤᏂᏰᎸᏗ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎾᏍᎩ ᏗᎪᎵᏰᏍᎩ ᏥᎩ ᏗᎩᎾᏫ.\nᎦᎸᎳᏗ ᏩᏌᏅ ᏚᎵᎬᏩᏢ, ᎠᏎᏃ New Jersey ᎢᏴ ᏭᏂᏩᎯᏍᏗᏉ ᎠᏰᎵ ᎢᏴ ᎤᎾᏈᏴᏗ ᎠᎾᏗᏍᎬ.\nᏓᏍᏓᏎᎮᎵᏃ Ꭴ-ᏛᎾ ᎦᎸᎳᏗ ᎧᏅᏑᎸ ᎣᏍᏛ ᎢᎬᏁᎸᎯ; ᎾᎿ ᎢᏍᏓᏛᏅᎢᏍᏔᏅᎭ.\nᎾᏍᎩ [ᎣᏍᏛ ᎧᏃᎮᏛ] ᏥᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏴ ᎥᎩᏅᏏᏛ ᏥᎩ; ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎾᎿᏂ ᏂᏥᏍᎦᎢᎲᎾ ᎠᎩᏁᎢᏍᏗᏱ, ᎾᏍᎩᏯ ᎢᏯᎩᏪᏍᏗᏱ ᏥᏚᏳᎪᏗ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᎾᎯᏳ ᏂᎦᏗᏳ ᏴᏫ ᎣᏏᏳ ᎨᏥᏃᎮᏍᎨᏍᏗ! ᎾᏍᎩᏯᏰᏃ ᏧᏂᎦᏴᎵᎨ ᏂᏚᏂᎸᏉᏕ ᎤᎾᏠᎾᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ.\nᏓᎾᎵᏍᏓᏴᎲᏍᎨᎢ, ᏓᎾᏗᏔᏍᎨᎢ, ᏓᎾᏕᏒᎲᏍᎨᎢ, ᏕᎨᏥᏰᎨᎢ, ᎬᏂ ᎾᎯᏳ ᎢᎦ ᏃᏯ ᎤᏣᏅ ᏥᏳᎯ, ᎠᎴ ᎤᏃᎱᎦᏂᎸ ᎠᎴ ᏂᎦᏛ ᏚᏂᎬᏦᏅ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᏪᏒᎩ ᏄᏪᏒᎩ ᎠᏥᎪᎵᏰᏍᎬᎩ, ᎤᏩᏒᏰᏃ ᎠᎦᏔᎲᎩ ᎢᏳᏛᏁᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏓᏓᏅᏟ, ᎢᏨᏒ ᎢᏣᏓᏡᎬ ᏗᏣᏑᏯᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ ᎣᏍᏛ ᎨᏥᏃᎮᏍᎩ ᎤᏂᎧᎵᏨᎯ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎠᎴ ᎠᏂᎦᏔᎾᎢ, ᎾᏍᎩ ᎯᎠ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᏗᎦᏲᏥᏁᏤᏗ.\nᏂᎯ ᏥᏔᏲᎯᎲ ᏰᎵᏉ ᎠᎩᏲᎰᏎᏗ ᎬᏅ, ᎨᏍᏗ ᏰᎵ ᏱᏗᏣᎭ ᎠᏂᏩᏥᏂ ᎠᏕᎳ ᏍᏆᏈᏴᎡᏗ ᎠᎩᏲᎰᎡᎸ.\nᏚᏂᎪᎮᏃ ᏔᎵ ᎢᏧᏓᎢ ᏗᎦᏃᎦ ᎠᏥᎸ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎾᏍᎩ ᏚᏂᏯᎸᏤ ᎠᏂᏏᏴᏫᎭ ᎨᏒᎢ.\nᏥᏌᏃ ᎤᎾᏘᏃᎮᎴᎢ; ᏧᎾᏄᏬᏃ ᎠᎩᎾ ᎦᏐᎯ ᏚᏂᏢᏁᎢ, ᎠᎴ ᎾᎿ ᎤᎾᎩᎸᏔᏁ ᏥᏌ.\nᎠᎴ ᎢᏣᏟᏂᎬᏁᏗᏱ ᏅᏩᏙᎯᏯᏛ ᎢᏣᏕᏗᏱ, ᎠᎴ ᎢᏨᏒ ᎢᏣᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏗᏥᎸᏫᏍᏓᏁᏗᏱ, ᎠᎴ ᎢᏨᏒ ᏗᏦᏰᏂ ᏗᏨᏙᏗᏱ ᎪᎱᏍᏗ ᎢᏣᏛᏁᏗᏱ, ᎾᏍᎩᏯ ᏂᏨᏪᏎᎸᎢ;\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏂᎦᏛ ᎤᎿᎥᎢ ᏛᎦᏘᏗᏍᏔᏂ.\nᏥᏌᏃ ᎤᏛᎦᏅ ᎤᏍᏆᏂᎪᏎᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴ ᎤᏓᎬᏩᏍᏓᏩᏛᏛ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎥᏝ ᎾᏍᏉ ᎢᏏᎵ ᏚᏙᎥ ᎾᏍᎩ ᎢᎦᎢ ᎪᎯᏳᏗ ᎨᏒ ᏯᎩᏩᏛᎲ.\nᎦᏄᎸ ᎤᏔᎷᎩᏍᎩ ᎠᏰᏍᏓᎥᎢ ᎢᏳᏍᏗ ᏄᏍᏕᎢ.\nᎤᏒᏃ ᏄᎵᏍᏔᏅ, ᏖᎸᎳᏗ ᏓᏫᏒ ᎤᏤᎵᎦ ᎯᎠ ᏄᏪᏎᎴ ᎠᏕᎸ ᎤᎦᏘᏕᎯ, ᏫᏘᏯᏅ ᎪᎱᏍᏗ ᎠᎾᏛᎾᎯ ᎠᎴ ᏔᎫᏴᏏ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ, ᎣᏂᏱ ᎨᏥᏅᏒᎯ ᏔᎴᏅᏓ ᎢᎬᏱᏱᏃ ᎨᏥᏅᏒᎯ ᏘᏍᏆᎸᏓ\n“ᎪᎱᏍᏗᎨ ᏓᏨᎩᎡᎵ? \nᏥᎪᏩᏛ ᎠᏕᎸ ᎠᏰᎵ ᎠᎫᏴᏙᏗ. ᎠᎩᏏᏃ ᏧᎬᏩᎶᏗ ᎬᏩᏲᎮᎸᎩ.\nᎠᏎᏃ ᎢᏓᏓᏅᏟ, ᏭᏓᎪᎾᏛᏛᎢ, ᏞᏍᏗ ᏱᏣᏎᎵᏛᏍᎨᏍᏗ ᏱᏥᏁᎢᏍᏗᏍᎨᏍᏗ ᎦᎸᎶᎢ, ᎠᎴ ᎡᎶᎯ, ᎠᎴ ᏞᏍᏗ ᏄᏓᎴᏒᏉ ᎠᏎᎵᏙᏗ ᎨᏒᎢ; ᎠᎴ ᏞᏍᏗ ᏄᏓᎴᏒᏉ ᎠᏎᎵᏙᏗ ᎨᏒᎢ; ᎢᏣᏤᎵᏍᎩᏂ ᎥᎥ ᎢᏣᏛᏗ ᎨᏒ ᎥᎥ ᎨᏎᏍᏗ, ᎠᎴ ᎢᏣᏤᎵ ᎥᏝ ᎢᏣᏛᏗ ᎨᏒ ᎥᏝ ᎨᏎᏍᏗ; ᎾᏍᎩᏃ ᏞᏍᏗ ᏤᏧᎪᏓᏁᎸᎩ ᎢᏥᏍᎦᏅᏨᎢ.\nᎨᏆᏂᏃ ᏭᏂᏴᎴᎢ; ᎩᎳᏉᏃ ᎢᏴᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏭᏴᎸ ᏚᏕᏲᏁ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ.\nᏆᎴᏗ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎦᏙ ᎤᏍᏗ ᎤᏙᎯᏳᏒ ᎨᏒᎢ? ᎾᏍᎩᏃ ᎯᎠ ᏄᏪᏒ, ᏔᎵᏁ ᎤᏄᎪᏨᎩ ᎠᏂᏧᏏ ᎠᏂᏙᎾᎥ ᏭᎶᏒᎩ, ᎠᎴ ᎯᎠ ᏫᏂᏚᏪᏎᎸᎩ; ᎥᏝ ᏱᏥᏩᏘᎭ ᎤᏍᎦᏅᏨᎢ.\nᏚᎳᏫᏛᏃ ᏂᎦᏛ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ ᎠᏁᎶᎯ, ᎠᎴ ᏴᏫ ᏗᏃᏪᎳᏁᎯ, ᏚᏛᏛᏁᎢ, ᎾᎿ ᎤᏕᏗ ᎨᏒ ᎦᎶᏁᏛ.\nᎤᏙᎯᏳᎯᏯ ᎠᎩᎪᎲ ᎤᏲ ᏄᎾᎵᏍᏓᏁᎵᏕᎬ ᏴᏫ ᏗᏆᏤᎵ ᎢᏥᏈᏱ ᏣᏁᎭ, ᎠᎴ ᎠᏆᏛᎦᏅ ᏚᏂᎵᏰᏗᏍᎬᎢ, ᎠᎴ ᎠᏆᏠᏱᏏᎸ ᏕᎫᏓᎴᏏᎸ; Ꭷ ᎿᏉ ᏓᎬᏅᏏ ᎢᏥᏈᏱ.\nᏓᎦᏥᏯᏙᎵᏥᏰᏃ ᎤᏣᏘᏂ ᏄᎾᏛᏁᎸᎢ, ᎤᏂᏍᎦᏅᏨᏃ ᎠᎴ ᎤᏲ ᏄᎾᏛᏁᎵᏙᎸ ᎿᏉ ᎠᏆᏅᏓᏗᏍᏗ ᏱᎨᏎᏍᏗ.\nᎵᎧᎸᎩᏉᏰᏃ ᏅᏙ ᎤᏗᎴᎩ, ᎿᏉ ᎬᏴᏗᏍᎪ ᎧᏃᏍᎦ, ᎠᎴ ᎤᏥᎸᏒ ᎦᏙᎠᏍᎪᎢ, ᎠᎴ ᎤᏬᏚᎯᏳ ᎨᏒ ᎤᏙᏢᏒ ᎠᏲᎪᎢ. ᎾᏍᎩᏯ ᎾᏍᏉ ᎤᏪᎿᎢ ᏓᎬᏴᏏ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᎬᏂᎨ ᎠᏙ ᏂᎬᎾᏛ.\nᎠᎴ ᏚᎴᏁ ᎤᏙᏓ ᏭᎷᏤᎴᎢ. ᎠᏎᏃ ᎠᏏ ᎢᏅᎯᏳ ᎤᏙᏓ ᏭᎪᎮᎢ, ᎠᎴ ᎤᏪᏙᎵᏤᎢ, ᎠᎴ ᏚᏍᏆᎸᏔᏁᎢ, ᎠᎴ ᎠᎩᎵᎨᏂ ᎤᏪᏯᎸᏤᎢ, ᎠᎴ ᎤᏔᏪᏙᏁᎢ.\nᎾᎿᏃ ᎠᏔᎴᏒᎩ ᎠᎹ ᏧᏂᏢᏗᏱ ᏤᎦᏈ ᎤᏤᎵᎦ; ᏥᏌᏃ ᏚᏯᏪᏨ ᎠᎢᏒ ᎤᏪᏅᎩ ᎠᏔᎴᏒᎢ; ᏔᎳᏚᏃ ᎢᏴᏛ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎨᏒᎩ.\nᎠᎴ ᎥᎩᏃᏁᎸ ᎠᏂᏧᏏ ᎤᏂᎭᎷᎬ ᎾᏍᎩ ᎠᏍᎦᏯ, ᎩᎳᏉ ᎢᏴᏛ ᎠᏆᏓᏅᏒ ᏗᏦᎸᎢ, ᎠᎴ ᎾᏍᏉ ᎦᏥᏁᏤᎸ ᎬᏬᎯᏍᏗᏍᎩ ᎯᎦᏔᎲ ᎤᏂᏃᎮᏗᏱ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎠᏄᎯᏍᏗᏍᎬᎢ. ᏙᎯᏱ ᏂᏣᏛᎿᏕᎨᏍᏗ.\nᎠᏎᏃ ᎣᎦᏕᏲᏅ ᏧᏍᎦ ᏡᎬ ᏝᏃ ᎥᏍᏊ ᎪᎱᏍᏗ ᎤᎩᎸ ᏲᏥᎪᎡ.\nᎠᏎᏃ ᎢᎬᏩᏍᏗᏰᏔᏁᎢ, ᎯᎠ Ꮔ-ᏴᏪᏎᎢ, ᎠᏴ ᏍᎩᏂᏒᏏ, ᎿᏉᏰᏃ ᎤᏒᎯᏰᎯᏳ, ᎠᎴ ᎡᎳᏗᏳ ᏫᎧᎳ. ᎤᏴᎴᏃ ᏙᏗᏒᏎᎵᏎᎢ.\nᎾᏍᎩ ᎾᏍᏉ ᏫᏂᎦᎵᏍᏙᏓ ᏂᎯ ᎢᏣᎵᎮᎵᎩ ᎠᎴ ᏍᎩᏯᎵᎪᎲᏏ ᎠᏴ ᎦᎵᎡᎵᎬᎢ.\nᎢᏳᏰᏃ ᏌᏉ ᏴᏫ ᎤᏍᎦᏅᏨ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᏰᎭ ᎾᏍᎩ ᎠᏏᏴᏫ ᎢᏳᏩᏂᏌᏛ; ᎤᏟᎯᏳ ᏄᏓᎷᎸᎾ ᎾᏍᎩ ᎤᏣᏘ ᎨᏥᏁᎸᎯ ᏥᎩ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᎬᏩᎦᏘᏯ ᎠᏚᏓᎴᏍᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎬᏂᏛ ᏗᎨᏒ ᎤᏂᎬᏫᏳᎯ ᎨᏎᏍᏗ ᎠᏏᏴᏫ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ.\nᎯᏍᎩ ᎦᏚ ᏓᎩᎬᎭᎷᏴ ᎯᏍᎩ ᎢᏯᎦᏴᎵ ᏕᏥᏁᎸ, ᎢᎳᎪ ᎢᏯᎧᎵᎢ ᏔᎷᏣ ᎤᎵᎬᎭᎷᏴᎯ ᎢᏧᏖᏎᎢ? ᏔᎳᏚ ᎢᎬᏬᏎᎴᎢ.\n”ᎭᏗ ᎪᎱᏍᏗ,” ᎤᏛᏁ ᏌᎳᏓ.\nᏗᏆᎵᎢ ᎠᏁᎰ ᎭᎾᎾ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎡᎳᏓ.\nᏄᏂᏩᏛᎲᎾᏃ ᎨᏎ ᏰᎵ ᎬᏩᏲᏞᎯᏍᏗ ᎨᏒᎢ, ᎠᏎᏃ ᎤᏂᏔᏲᏎᎴ ᏆᎴᏗ ᎾᏍᎩ ᎠᏥᎢᏍᏗᏱ.\nᎢᏳᏰᏃ ᎢᏤᎲ ᎤᏇᏓᎵ ᎨᏒ ᎢᏥᏍᏓᏩᏗᏙᎮᏍᏗ, ᏙᏓᏥᏲᎱᏏ; ᎢᏳᏍᎩᏂ ᎠᏓᏅᏙ ᎬᏗ ᎠᏰᎸ ᏚᎸᏫᏍᏓᏁᎲ ᎢᏥᎯᎮᏍᏗ, ᏕᏨᏁᏍᏗ.\nᎤᏁᏅᏎᏃ ᎠᎴ ᏂᎬᎾᏛ ᎤᎾᎵᏥᏙᏂᏙᎴᎢ, ᎤᎬᏫᏳᎯ ᏔᎵ ᎤᏛᏗᏕᎨ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᎠᏂᏁᎬ ᎠᏍᏓᏱᏗᏍᏗᏍᎨ ᎤᏰᎸᏛ ᎤᎵᏠᏯᏍᏗᏕᎬᎢ. ᎡᎺᏅ.\nᎢᏳ ᎠᎴ ᎯᎦᏙᎵ ᏕᏦᏕᏍᏗᏍᎨᏍᏗ, ᎭᏓᎦᏖᏙᎢᏍᎨᏍᏗ ᎠᎴ ᏫᏣᏕᎨᏍᏗ; ᎤᏟ ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏌᏉ ᏱᎧᎿ ᎬᏂᏛ ᏗᎨᏒ ᏫᏱᏣᏴᎸ, ᎠᏃ ᎢᏧᎳ ᏱᏘᎧᎿ ᏨᏍᎩᏃᎢ ᎠᏥᎸᏱ ᏫᏰᏣᏓᎢᏅ.\nᎾᎿᏃ ᎠᏂᏯᏒ ᏂᎦᏛ ᏧᎾᏓᎴᏅᏛ ᏅᎩ ᏗᏂᏅᏌᏗ ᎡᎶᎯ ᎠᏁᎯ, ᎠᎴ ᎢᎾᎨ ᎠᏁᎯ, ᎠᎴ ᎠᎾᏓᎾᏏᏂᏙᎯ, ᎠᎴ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ.\nᏚᎪᎲᏃ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏤᎾ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎬᏂᎨᏒ ᏫᏂᏗᏣᏛᏂᏏ. ᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎠᎾᎢᏒᏉ ᏚᎾᏓᏅᎦᎸᎮᎢ.\n“ᎨᏍᏗ ᎠᏯ ᎠᏆᏣᏅᏓᏕᎲ ᏯᏍᏆᎵ ᎠᎾᏓᎪᎾᏗᏍᎬ.\nᎾᎿᏃ ᎢᎤᏓᏅᏒ, ᏧᏂᎳᏫᎢᏍᏗᏱ ᏭᏴᎸᎩ.\nᎤᏛᎦᏍᏕ ᏫᎵᎻ, ᎤᏓᏅᏙᎩ ᎤᎧᎵᏤ ᎠᏓᎨᏳᏗ.\nᏕᏥᎳᏫᎩᏰᏃ ᎢᎸᎯᏢᎢ, ᎥᏝ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎠᎵᏍᏓᏴᏗ ᏱᏣᎵᏍᏓᏴᏂᎰᎢ.\nᏳᏰᏃ ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ ᎣᏤᎭ ᎠᎴ ᏱᎧᏁᏉᎦ, ᎾᏍᎩ ᏱᏂᎬᏂᏌ ᎥᏝ ᎢᏥᏍᎦᏃᎸ ᎠᎴ ᏂᏥᏁᏉᏣᏛᎾ ᏱᎦᎩ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ.\nᎾᏍᎩ ᏤᏌᏂ ᏚᏓᏂᎸᏨ; ᎠᎴ ᎾᏍᎩ ᏂᎦᏛ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎠᎾᏡᏗᎭ ᏏᏌ ᎤᏁᏨᎢ, ᎯᎠ ᎾᏂᏪᎭ; ᏅᏩᏓᎴ ᎤᎬᏫᏳᎯ ᎡᎭ, ᎾᏍᎩ ᏥᏌ.\nᎠᎵᎮᎵᎨ ᏕᎦᏟᏔᏗᏍᎬ ᏍᎪᏯ ᎠᎬᏱ ᎩᎳ ᏕᎦᏯᎩᏍᎨᎢ.\nᏂᎦᏓ ᏚᏂᏁᎸ ᎨᎦᎫᏴᎡ ᎠᎾᏕᏒᎲᏍᎩ ᎤᏃᏴᎬ ᎧᏃᎩᏍᏗ, ᏃᎴ ᎦᎾᏅᎪᎬ ᎠᏒᎬ ᎠᏙᏁᏙᏗ ᏃᎴ ᎠᎵ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᏫᏯᎩᎷᏨ ᏓᎦᏅᏓᏗ ᏚᎸᏫᏍᏓᏁᎲᎢ, ᎾᏍᎩ ᎤᏲ ᎦᏬᏂᏍᎬᎬᏗ ᏦᎦᏡᏗᎭ, ᎠᎴ ᎥᏝ ᎾᏍᎩᏉ ᏰᎵ ᏳᏰᎸᎭ, ᎥᏝᏰᏃ ᏂᏓᏓᏂᎸᎬᎾᏉ ᎤᏩᏒ ᏱᎩ ᎠᎾᏓᏅᏟ, ᎾᏍᏉᏍᎩᏂ ᏕᎦᏅᏍᏓᏕᎭ ᏗᎬᏩᎾᏓᏂᎸᎢᏍᏗ ᏥᎨᏒᎢ, ᎠᎴ ᏕᎦᏄᎪᏫᏍᎦ ᏧᎾᏁᎶᏗ ᎤᏁᏓᏡᎬ.\nᎥᏝᏃ ᏳᏣᏖ ᎤᏍᏆᏂᎪᏗ ᎾᎿ ᏱᏚᎸᏫᏍᏓᏁᎴᎢ, ᎾᏃᎯᏳᎲᏍᎨᎾ ᎬᏒ ᎤᏓᎦᎵᏍᏙᏗᏍᎬᎩ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏚᏅᏫᏍᏔᏁ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏥᏳᎯ ᎤᎾᏦᏗᏱ, ᎠᎴ ᎢᎬᏱ ᏧᏂᏐᎯᏍᏗᏱ, ᏇᏤᏱᏗ ᏭᏂᎷᎯᏍᏗᏱ, ᎠᏏᏉ ᎤᏩᏒ ᏓᏰᎵᎯᏍᏗᏍᎬ ᎤᏂᏣᏘ.\nᎠᏏᏃ ᎤᎪᏂᏲᎨ ᎠᏕᏒᎲᏍᎩ, ᏂᎦᏛ ᎠᏂᎵᏅᎨᎢ, ᎠᎴ ᎤᏂᎵᏅᏤᎢ.\nᏔᎵᏁ ᎢᏣᏕᏅᎯ ᎨᏒᎢ, ᎥᏝ ᎠᏲᎩ ᎤᎦᏔ ᎢᏣᏕᏔᏅᎯ ᏱᎩ, ᎠᏲᎩᏍᎩᏂ ᏂᎨᏒᎾ ᎧᏃᎥᏛ ᎤᏁᎳᏅᎯ ᎤᏟᎵ ᎢᏳᏩᏂᏌᏛ ᎾᏍᎩ ᎬᏃᏛ ᏥᎩ ᎠᎴ ᏂᎪᎯᎸ ᎡᎯ ᏥᎩ.\nᏰᎵ ᎣᏍᏓ ᎤᏓᏅᏖᏗ ᎨᏎ, ᏍᎩ ᎤᏛᏅ.\nᏚᎧᏔᎾᏫᏍᏔᏅ ᏧᏍᏗ ᏧᏁᎫᏥᏓ ᏗᎧᏅ ᎭᏫᏂᏨ ᎤᎵᏍᎩᏃᏘᏍᏗ ᎤᏁᎦ ᎤᏍᏘᏰᎬ. ᏃᎴ ᎨᏍᏗ ᎣᏍᏓ ᏯᎩᎪᎵᏰ, ᎠᏓᏅᏖᏍᎬ ᎾᏍᏓᏴ ᎠᎩᏍᏘ ᎦᎶᏇ ᎬᏘ ᏲᎩᎾᏟᎳ ᎠᎴ ᎠᏰᎳᏍᏘ ᎬᏘ ᏲᎩᎾᏟᎳ ᏧᎾᏗᏔᏍᏗ. ᎢᏧᎳ ᏧᏍᏆᏙᏅ ᎨᏎ ᏓᏟᎲ ᎠᏫᏄᏣ ᏃᎴ ᎤᏛᏒ ᏥᎨᏎ.\nᎠᏓ ᎠᏲᏍᏗᏍᎩ ᎤᏉᏓᏘ, ᎦᏓ ᏫᏂᎦᎵᏍᏗ.\n”ᎣᏍᏓᏧ ᏣᏰᎸᎮ ᏪᏙᎲ ᏗᎾᏓᎪᎾᏗᏍᎬ?” ᎤᏛᏛᏁ ᎤᏤᎵ ᎠᎨᏳᏣ ᎠᏔᏪᏙᏍᎬ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏓᎵᏅᏟ ᎤᏟ ᎢᎦᎢ ᎢᏣᏟᏂᎬᏁᎮᏍᏗ ᏄᏜᏏᏛᏒᎾ ᎢᏨᏁᏗᏱ ᎡᏥᏯᏅᎲ ᎠᎴ ᎡᏣᏑᏰᏒᎢ; ᎢᏳᏰᏃ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᏱᏂᏣᏛᏁᎭ, ᎥᏝ ᎢᎸᎯᏳ ᏱᏙᎨᏥᏅᎩ.\nᎤᏲ ᎢᏣᏓᏅᏓᏓ ᎠᎴ ᏗᏥᏴᎳ ᎠᎴ ᏗᏣᏠᏱᎦ; ᎢᏥᏰᏣᏍᎬᎢ ᎠᏴᎵᏍᏗ ᎨᏒ ᏩᏓᏁᏟᏴᏍᏓ, ᎠᎴ ᎢᏣᎵᎮᎵᎬ ᎤᏲ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᏩᏓᏁᏟᏴᏍᏓ.\nᎠᎴ ᏕᎭᏓᏅᎡᎮᏍᏗ ᎩᎳ ᏗᎾᏛᏍᎩ ᎤᎾᏚᎸᏅᏗ ᎨᏒᎢ; ᎯᏍᏓᏩᏕᎨᏍᏗᏃ ᏚᏳᎪᏛ ᎨᏒ, ᎠᎴ ᎪᎯᏳᏗ ᎨᏒ, ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎨᏒᎢ, ᎢᏣᎵᎪᏎᏍᏗ ᎾᏍᎩ Ꮎ ᎤᎬᏫᏳᎯ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ ᎤᎾᏫ ᎦᏓᎭ ᏂᎨᏒᎾ ᎠᏅᏗᏍᎩ.\nᎯᎠᏃ ᎾᏍᎩ ᏫᎾᏍᏛᎾ ᎠᎩᎵᏲᎢᏍᏗᏱ ᏗᎨᏒ ᏮᏛᏂᎶᏏ; ᎤᎾᏓᏅᏘᏍᎩᏂ ᏫᎾᏍᏛᎾ ᎬᏂᏛ ᏗᎨᏒᎢ.\n”ᎨᏍᏗ ᎠᏆᏁᎸᏔᏅ ᏱᎩ.”\nᏚᏁᏤᎴᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎾᏍᎩ ᏥᏳ ᎤᎦᏘᏗᏍᏗᏱ, ᎤᏂᏣᏘ ᎨᏒ ᎢᏳᏍᏗ, ᎾᏍᎩ ᎬᏩᏁᏄᎳᏍᏙᏗᏱ ᏂᎨᏒᎾ.\nᎠᏉᏠᎢᏉ ᏥᎦᏘᏲ.\nᎠᎦᏍᎩ ᏗᎦᏙᎨ ᏣᏄᏏ, ᎠᏑᏰᏍᎨ ᏑᎾᎴ ᎠᎵᏍᏔᏴᏗ.\nᏞᏍᏗ ᎠᎴ ᎡᎶᎯ, ᏧᎳᏏᏗᏱᏰᏃ ᎾᏍᎩ; ᎠᎴ ᏥᎷᏏᎵᎻ, ᎾᏍᎩᏰᏃ ᎠᏥᎸᏉᏗ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎦᏚᎲᎢ;\n”ᏥᏓᎯ ᎠᏋᏌ ᎠᏇᏅᏍᏗ ᎡᎶᎯ,” ᎤᏪᎵᏎ ᎤᏂᏏᎾ.\nᎾᏍᎩᏂ ᎥᎰᎵ ᏅᏓᏳᏄᎪᏨᎯ ᎣᎾᏫᏱ ᏗᏓᎴᎲᏍᎪᎢ, ᎾᏍᎩᏃ ᎦᏓᎭᏄᏩᏁᎰ ᏴᏫ.\nᎡᏆ ᎤᏔᎶᏁ ᎡᎳᏗ ᏄᏩᏁᎴ ᎠᏍᎪᎵ ᏣᎵ, ᎤᏛᎦᏍᏕ ᎠᏂᎾᏁᏍᎬ ᎠᎾᏓᎭᏲᎯ, ᎠᏎᏃ ᏧᏤᎵ ᏴᏫ ᎠᏂᎾᏁᏍᎬ ᎨᏍᏗ ᎫᏩᏕᎶᎰᎯᏍᏗ ᏱᎨᏎ ᎢᏴ ᏗᎾᎢᏒ ᎠᎾᏓᎭᏲᎯ.\n”ᎦᎵᏉᎩ ᎾᏂᎠ,” ᎤᏛᏁ ᏌᏌ.\nᏚᎾᎧᎾᏅᏃ ᎥᏝ ᎩᎶ ᏳᏂᎪᎮ ᏥᏌ ᎤᏩᏒ.\nᏚᏂᎩᏒᏃ ᎠᏕᎸ, ᏂᎨᏥᏪᏎᎸ ᏄᎾᏛᏁᎴᎢ. ᎾᏍᎩᏃ ᎯᎠ ᎧᏃᎮᏛ ᎠᏏ ᎠᏂᏃᎮᎵᏙᎭ ᎠᏂᏧᏏ.\nᎤᎾᏁᎶᏔᏁᏃ ᎬᏩᏂᏴᏗᏱ, ᎠᏎᏃ ᎤᏂᏣᏘ ᏴᏫ ᏓᏂᏍᎦᎢᎮᎢ; ᎠᏂᎦᏔᎮᏰᏃ ᎤᏅᏒ ᎨᏥᏛᎬ ᎾᏍᎩ ᏚᏟᎶᏍᏔᏅᎢ; ᎢᎬᏩᏓᏅᎡᎴᏃ ᎠᎴ ᏚᏁᏅᏎᎢ.\nᎩᎶᏰᏃ ᎢᏳᎾᏍᏗ ᎠᏂᏍᎦᏯ ᎤᏕᎵᏛ ᎤᏂᏴᎸᎯ ᎢᎩ ᎾᏍᎩ ᎢᎸᎯᏳ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏗᎨᎪᎥᎯ ᏥᎩ ᎾᏍᎩ ᎢᏳᏍᏗ ᏗᎨᎫᎪᏓᏁᏗᏱ; ᎤᏁᎳᏅᎯ ᏂᏚᎾᏁᎶᏛᎾ ᎠᏂᏍᎦᏯ, ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᎠᏂᏁᏟᏴᏍᎩ ᎾᎵᏏᎾᎯᏍᏛᎾ ᎠᎴᏂᏓᏍᏗ ᎨᏒ ᎢᏯᏅᏁᎯ, ᎠᎴ ᎠᎾᏓᏱᎯ ᎤᏩᏒᎯᏳ ᎤᎬᏫᏳᎯ ᎤᏁᎳᏅᎯ, ᎠᎴ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᎤᎧᏲᏓ ᏄᎵᏍᏔᏁ ᏓᏏᎳᏛ, ᎨᏍᏗ ᏍᎩᏲᏍᏓ ᎠᎪᏩᏛᏗ ᏱᎨᏎ ᏕᎪᏪᎸ.\n“ᏑᎾᎴ ᏕᎾᏓᎪᏴᏳ.” \nᎤᎵᏍᎨᏓ ᏏᏆ ᏫᎵᎻ ᎡᎵᎠ ᎰᎻ, ᏃᎴ ᎨᎵᎠ ᏱᎫᏩᏚᎵ ᎤᎯᏍᏗ ᎠᎴ ᎤᏩᏯᎩᏍᏗ.\nᎠᏎᏃ ᎨᏍᏗ ᎩᎶ ᏳᎪᏩᏛ ᏌᎳᏓ.\nᏗᎹᏗ ᎢᏧᎳᎭ ᏦᎩᏂᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎷᏏᏯ, ᎠᎴ ᏤᏌᏂ, ᎠᎴ ᏐᏏᏇᏓ ᎪᎱᏍᏗ ᏗᏋᏅ, ᏫᎨᏥᏲᎵᎦ.\nᎠᏁᎭᏰᏃ ᎠᏂᎾᎵ ᏅᏩᎾᏍᏙ ᏧᏂᏥ ᎬᏩᏂᎾᏄᎪᏫᏒ, ᎠᎴ ᎠᏁᎭ ᎠᏂᎾᎵ ᏴᏫ ᎬᏩᏂᎾᎵᏛᎯ, ᎠᎴ ᎠᏁᎭ ᎠᏂᎾᎵ ᎤᏅᏒ ᎤᎾᏓᎾᎵᏛᎯ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏗᎵᏰᎢᎸᏍᏗᏍᎬᎢ. ᎩᎶ ᏗᎬᏩᏓᏂᎸᎢᏍᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏓᏓᏂᎸᎨᏍᏗ.\nᎠᎴ ᎢᏧᎳ ᏚᏳᎪᏛ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎨᏎ ᎤᏁᎳᏅᎯ ᏙᏗᎧᏅᎢ, ᏓᏂᎧᎿᏩᏗᎭ ᏂᎦᏛ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎤᎵᏁᏨ ᎢᏯᏛᏁᎵᏓᏍᏗ ᎨᏒ ᏱᎰᏩ ᏧᏤᎵᎦ, ᎤᏐᏅ ᏂᎨᏥᎳᎾᏎᎲᎾ.\nᎠᏏᏴᏫᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏣᎬᏫᏳᎯ, ᎠᏂᎦᏲᎵᏉᏍᎪ ᎨᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ? ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ,\nᎿᏉᏃ ᎤᎾᏓᏟᏌᏅ ᎬᏩᏛᏛᏁᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᏣᎬᏫᏳᎯ, ᎿᏉᏍᎪ ᎠᏰᎵ ᎪᏢᏒ ᏙᏛᎯᏁᎵ ᎢᏏᎵ?\nᎠᏤ ᎡᎾᎢ ᎠᏂᎩᏍᎪ ᏃᎴ ᏧᎾᏗᎩᏓ ᏓᏂᎯᏯᏍᎪ ᎦᏙᎯ.\nᎣᏍᏛ ᏗᏁᎶᏙᏗ ᎨᏒ ᎠᎴ ᎦᏓᎭ ᏂᎨᏒᎾ ᎠᎦᏔᎲ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨᎢ, ᎯᎠ ᏄᏍᏗ, ᏗᏩᏛᎯᏓᏍᏗᏱ ᏧᎾᏓᏂᏯᏛ ᎠᎴ ᏧᏃᏑᎶᏨᎯ ᎤᏲ ᏄᎾᏛᎾᏕᎬᎢ, ᎠᎴ ᎤᎵᏍᏆᏂᎪᏙᏗᏱ ᎤᏩᏒ ᏄᏚᏯᏍᏛᎾ ᎢᏳᎵᏍᏙᏗᏱ ᎡᎶᎯ ᎠᏁᎯ ᏄᎾᏍᏛ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎨᏒᎾ.\nᏃᏊᏃ ᎩᎦᎨ ᏧᏂᏥᎸᏍᎩ ᎤᏂᏥᎸᏙᏎᎢ ...\nᏚᏓᏟᏴᎮᎢ ᏫᎵᎻ.\nᎿᏉᏃ ᏈᏓ ᎤᎴᏅᎮ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎬᏂᏳᏉ ᎠᏴ ᏂᎦᏗᏳ ᎣᎬᏕᏦᏅ, ᎠᎴ ᏂᎯ ᎢᏨᏍᏓᏩᏕᏅ.\nᎠᏓᎾᏫᏗᏍᎩ ᎱᎷᏤ ᏫᎵᎻ.\nᏂᎦᏓ ᎤᎾᎦᏙᏍᏕᎢ ᎦᏓᎥᎢ.\nᏐᏉ ᎢᎦ ᎯᎠ ᎠᏂᏣᎳᎩ ᏣᏚᎧᏔᏁ ᎤᎾᎴᏫᏍᏓᏗ ᎤᎾᏰᎯᏍᏗ ᎠᏁᎲᎢ ᎾᏍᎩ ᎪᏍᏓᏱ ᏗᎦtᎢᏍᏙᏗ ᎦᏰᏌᏗ.\nᎾᏍᎩᏃ ᏄᏪᏒ ᎼᏏ ᎤᎵᏘᏎᎢ, ᎠᎴ ᎻᏗᏂ ᎦᏓ ᎠᎲ ᏒᏙᎯ ᏄᎵᏍᏔᏁᎢ, ᎾᎿᏃ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᏧᏪᏥ ᎬᏩᏕᏁᎴᎢ.\n”ᏨᏌ ᏫᏔᏁᎶᎲᎦ! \nᎩᎶᏰᏃ ᎢᏳᏍᏗ ᏗᎻᏟᏯ ᏧᏙᎢᏛ, ᎠᏕᎸ ᎠᏢᏅᎥᏍᎩ, ᎠᏕᎸ ᏗᎪᏢᏔᏅᎯ ᏓᏓᏁᎸ ᏕᎪᏢᎾᏁᎲ ᏓᏰᏂ, ᎥᏝ ᎤᏍᏗᏉ ᏧᎬᏩᎶᏗ ᏱᏓᏩᏛᎡᎮ ᎠᏃᏢᏅᎥᏍᎩ.\n”ᎭᏗ, ᎨᏍᏗ ᎣᏍᏓ ᎠᏓᏅᏖᎸ ᏱᎩ,” ᎤᏛᏁ ᏌᎳᏓ.\n“ᏰᎵ ᏑᎾᏙᏓᏆᏍᏗ ᎫᏩᎶᏐᏅ ᎠᎾᏓᎪᎾᏗᏍᎬᎢ.”\nᏗᏂᏩᎾᎦᎳ ᎠᏂᎦᏔᎲ, ᏥᏩᎾᎦᎳ ᎾᏍᎩᏯ ᎾᏆᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᏗᏂᏩᎾᎦᎳ ᎬᎩᏁᏉᏤᏗᏱ; ᏂᎦᎥᏉ ᏄᏓᎴᏒ ᎾᏆᎵᏍᏔᏅ ᎾᏂᎥ ᏄᎾᏓᎴᏒ ᎠᏂᎦᏔᎲᎢ, ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏗᏱ ᎠᏎ ᎢᎦᏛ ᎦᏥᏍᏕᎸᏗᏱ.\nᎢᏳᏍᏗᏉ ᎤᏃᎯᏳᏗ ᏴᏫ ᎪᏪᎳᏅ ᏱᎩ.\nᎨᎵ.\nᎢᏨᏁᏤᎭ ᎤᎬᏫᏳᎯ ᎢᏨᏁᎢᏍᏓᏁᎭ, ᎯᎠ ᎾᏍᎩ ᎪᏪᎵ ᎨᏥᎪᎵᏰᏗᏱ ᎾᏂᎥ ᎤᎾᏓᏅᏘ ᎠᎾᎵᏅᏟ.\nᏰᎵ ᎪᎯᏓ ᎤᏕᏅ ᎭᏂ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᎿᏉᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡ Ꭼ ᏅᏩᏙᎯᏯᏛ ᏄᎾᎵᏍᏓᏁᎴ ᏂᎬᎾᏛ ᏧᏗᏱ ᎠᎴ ᎨᎵᎵ ᎠᎴ ᏌᎺᎵᏱ, ᎠᎴ ᎨᎦᎵᏂᎪᎯᏍᏔᏁᎢ, ᎠᎴ ᎠᎾᎢᏎ ᎾᎿ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎣᏍᏛ ᎤᏂᎦᎵᏍᏓᏗᏍᎬ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎠᏂᏁᏉᎨᎢ.\nᎢᏣᎵᎮᎵᎨᏍᏗᏍᎩᏂ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎦᎶᏁᏛ ᎤᎩᎵᏲᏨ ᎢᏤᎳᏗᏍᏗᏍᎬᎢ, ᎾᏍᎩᏃ ᎤᏖᎵ ᎦᎸᏉᏗᏳ ᎨᏒ ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ ᎨᏎᏍᏗ ᏂᎯ ᎾᏍᏉ ᎤᏣᏔᏅᎯ ᎨᏣᎵᎮᎵᏍᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᎤᏩᎾᏓᎴ ᏴᏫ ᎤᏂᎪᎲ ᎢᎾᏛ ᎦᏖᎳᏛ ᎤᏬᏰᏂ, ᎯᎠ ᏂᏚᎾᏓᏪᏎᎸᎩ; ᎥᏝ ᏳᏝᏏᏛᎭ ᎯᎠ ᎠᏍᎦᏯ ᏴᏫ ᏗᎯᎯ ᎨᏒᎢ; ᎤᏙᎯᏳᎯᏍᎩᏂᏃᏅ ᎾᏍᎩ ᎠᎺᏉᎯ ᎠᏗᏫᏏ, ᎠᏎᏃ ᎤᏞᎩ ᎥᏝ ᎬᏁᏍᏗ ᏳᏪᎵᏎᎭ.\nᏗᎦᎳᏫᎢᏍᏗᏱᏃ ᎤᏂᎾᎦᎸᎲ ᏓᎾᎵᏍᏓᏴᎲᏍᎬᎩ ᏥᎷᏏᎵᎻ, ᎠᎴ ᎪᎳ ᎨᏒᎩ.\nᎨᏍᏗ ᏗᎬᏍᎩ ᏃᎴ ᏗᏥᏌᏛᎥᏍᎩ ᎤᏩᏌ ᏱᎩ.\nᏰᎵ ᎤᏟᏂᎩᏓ ᏏᏆ.\nᎠᎴ ᎠᎨᏴ ᎤᏰᎯ ᏰᎭ ᎾᏍᎩ ᏄᏬᎯᏳᏒᎾ, ᎠᎴ ᎣᏏᏳᏉ ᏳᏰᎸᎭ ᎠᏏᏉ ᎤᎾᏁᎳᏗᏍᏗᏱ, ᏞᏍᏗ ᏯᏓᏅᎡᎮᏍᏗ.\nᎯᏍᎩᏁᏃ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎨᏥᏅᏒᎯ ᎤᏂᎷᏨ, ᎠᏂᏏᏴᏫᎭ ᎠᎩᏏ ᏧᎬᏩᎶᏗ ᎨᎦᎫᏴᎡᎴᎢ.\nᏰᎵ ᎤᏓᏅᎯᏓ ᎠᏆᏂᎩᏓ.\nᎾᏍᎩᏃ Ꮎ ᎤᎷᏨᎩ ᎠᎴ ᎤᏁᏒᎩ ᎪᏪᎵ ᎾᏍᎩ ᎠᎦᏘᏏᏗᏢ ᎤᏬᏰᏂ ᎤᏒᎦᎸ ᎾᏍᎩ Ꮎ ᎦᏍᎩᎸ ᎤᏬᎵ.\n“ᎾᏉ ᎮᏂᎵ!”\nᎤᏂᏍᏆᏂᎪᏎᏃ ᏄᏍᏛ ᏓᏕᏲᎲᏍᎬᎢ, ᏚᏕᏲᏁᏰᏃ ᎤᎵᏂᎩᏛ ᏧᎰ ᎾᏍᎩᏯᎢ, ᎥᏝᏃ ᏗᏃᏪᎵᏍᎩ ᏓᎾᏕᏲᎲᏍᎬ ᎾᏍᎩᏯ ᏱᎨᏎᎢ.\nᎠᏓᎯᏉᏗ ᎨᏎ ᏫᎵᎻ.\nᎥᏝᏰᏃ ᎩᎶ ᎢᎦᏁᎳᎩᏯ ᏱᎩ ᎢᏕᎲᎢ, ᎥᏝ ᎠᎴ ᎩᎶ ᎤᏁᎳᎩᏯ ᏱᎩ ᎠᏲᎱᏍᎬᎢ.\n“ᏄᏲᎢᏯᏉ!” ᎤᏪᎵᏎ ᏥᏍᏕᏥ.\nᎤᏇᏓᎸᏉᏰᏃ ᎠᏏ ᏥᏕᎲᎢ, ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎤᏚᎸᏅᎥᏍᎬᎢ, ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏳᏩᏂᏌᏛ ᎨᏒᎢ, ᎾᏍᎩ ᏚᎸᏫᏍᏓᏁᎲᎩ ᏗᏗᏰᎸ ᎤᏚᏓᏕᏫᏒᎢ ᎤᎦᏔᏔᏅᎯ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎡᏗᎾᏄᎪᏫᏎᏗᏱ.\nᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᎥᏞᏍᏗ. ᎠᏴᏰᏃ ᎤᏠᏱᏉ ᎡᎩᏂᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᏴ ᎾᏍᎩ ᎠᎾᏙᎴᎰᏍᎩ ᏥᎨᏒ ᎢᏣᎵᏅᏟ, ᎠᎴ ᎾᏍᎩ ᎠᏂᏍᏆᏂᎪᏗᏍᎩ ᎧᏃᎮᏛ ᎠᏂ ᎪᏪᎵᎯ ᎪᏪᎸᎢ; ᎤᏁᎳᏅᎯ ᎯᏯᏓᏙᎵᏍᏓᏏ.\nᎠᏎᏃ ᎦᏙ ᎠᏗᎭ ᎪᏪᎵ? ᎯᏄᎪᏩ ᎠᏥᎾᏝᎢ ᎠᎨᏴ ᎠᎴ ᎾᏍᎩ ᎤᏪᏥ; ᎠᏥᎾᏝᎢᏰᏃ ᎠᎨᏴ ᎤᏪᏥ, ᎥᏝ ᎤᏪᎳᏗᏍᏙᏗ ᏱᎨᏎᏍᏗ ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒ ᎾᏥᎾᏝᎥᎾ ᎠᎨᏴ ᎤᏪᏥ.\nᎾᏂᎥᏰᏃ ᎩᎶ ᎤᏅᏗ ᎠᎾᎵᏍᏓᏴᏗᏍᎩ ᎥᏝ ᎤᏂᎦᏙᎥᏒᎯ ᏱᎨᏐ ᎧᏃᎮᏛ ᎠᏚᏓᎴᏍᏙᏗ ᎨᏒᎢ; ᏗᏂᏲᎵᏉᏰᏃ.\nᎰᏩᏃ ᎤᏁᏅᏎ ᎠᏍᏓᏱᏳ ᏫᏄᏅᏁᎴ ᎠᏤᎵᏍᏛᎢ, ᎤᏂᏰᎸᏔᏁ ᏅᏲᎯ, ᎠᎴ ᏚᏂᎧᏁ ᎠᏂᎦᏘᏗᏍᎩ.\nᎭᏰᎳᏍᏗ ᏓᏣᎳᏕᎵ, ᎠᏆᏤᎵ ᎠᏧᏣ.”\nᎠᏏᏉᏃ ᎦᏬᏂᏍᎬᎢ ᎬᏂᏳᏉ ᏧᏓᏏ ᎠᏏᏴᏫ ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᏒ ᎤᎷᏨᎩ, ᎠᎴ ᏓᏘᏁᎲᎩ ᎤᏂᏣᏘ ᏴᏫ, ᎠᏰᎳᏍᏗ-ᏗᎦᏅᎯᏛ ᎠᎴ ᎠᏓ ᏗᏂᏁᎯ, ᏅᏓᎬᏂᏅᏏᏛ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ ᏗᏂᎳᏫᎩ ᎠᏁᎲ ᏴᏫ.\nᎤᏒᏃ ᏄᎵᏍᏔᏅ, ᎤᏂᏣᏖ ᎠᏂᏍᎩᎾ ᏗᎬᏩᏂᏯᎢ ᏕᎬᏩᏘᏃᎮᎴᎢ; ᏚᏄᎪᏫᏎᏃ ᎠᏂᏍᎩᎾ ᎧᏁᎬᏉ ᎬᏗᏍᎨᎢ, ᎠᎴ ᏂᎦᏛ ᏧᏂᏢᎩ ᏚᏅᏩᏁᎢ.\nᏃᏗ ᎭᏫᏂ ᎠᏛᎵᏍᎨᎢ.\nᏯᏃᎩᏳᏰᏃ ᏣᏥᏅᏠᎸᎯ ᎨᏎᎢ, ᎠᎴ ᏧᏓᏕᏒᏛ ᏣᎦᎸᏍᏔᏅᎯ ᎨᏎᎢ, ᏧᏓᏕᏒᏛᏃ ᏓᎦᎵᏍᎨᎢ, ᎠᎴ ᏗᎦᏅᏠᏍᏗ ᏓᏍᏆᎵᏍᎨᎢ; ᎥᏝ ᎠᎴ ᎩᎶ ᎬᏩᏓᏅᏘᏐᏗ ᏱᎨᏎᎢ.\nᏏᏛ ᏌᏊ ᎯᎳᏒᏓ, ᎠᎪᏎᎴ ᏩᎭᏯ. \n”ᏧᎦᏣᎳᎩᏍᏗ ᎠᏍᏓ ᏯᏋᏔᎾ ᏯᏉᏪᎳᎾ ’ᎤᏣᏓ ᎣᏍᏓ’ ᎤᏪᎵᏎ, ᎢᏳᏍᏗᏉ ᏍᎪᏯ ᎦᏃᎯᎸᏍᏗᏍᎬ ᏱᎦᏯᎸᎩ ᏃᎴ ᏯᏲᏍᏓ ᏄᏍᏛᎢ.”\nᎠᏍᎪᎵ ᎠᎴ ᎤᏍᏗᏰᎬ ᎤᏁᎩᏳ ᎨᏒᎩ ᎤᏩᏅ ᎾᏍᎩᏯᎢ, ᎥᏃᏥ ᏥᏄᏁᎩᏴ ᏄᏁᎩᏴᎩ; ᏗᎦᏙᎵᏃ ᎠᏥᎸ ᎠᏓᏪᎵᎩᏍᎩ ᎾᏍᎩᏯ ᎨᏒᎩ;\nᎥᏝᏰᏃ ᏲᎦᏚᎵᎭ, ᎢᏓᎵᏅᎵ, ᏂᏥᎦᏔᎲᎾᏉ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩ ᎤᏕᏯᏙᏗ ᎣᎩᎷᏤᎸ ᎡᏏᏱ, ᎾᏍᎩ ᎤᎶᏒᏍᏔᏅᎯ ᎦᎨᏛ ᎣᎩᎷᏤᎸᎢ, ᎤᎶᏒᏍᏔᏅᎯ ᏂᏙᎦᎵᏂᎬᎬᎢ, ᎾᏍᎩᏃ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎣᎦᎸᏲᎵᎸᎩ ᏦᎦᏛᏂᏗᏍᏗᏱ;\nᎠᎧᏔᎮᎢ ᏰᎵ ᏳᎦᏘᏓ, ᏛᎦ ᏳᎷᏥᏏ ᏚᏏᎳᏛᎢ; ᏃᎴ ᎡᎵᏍᎨ ᏰᎵ ᏳᎧᏘᏓ ᏳᎷᏥᏏ ᎠᏓᏅᏖᎸ ᎢᏳᏛᏁᏗ ᎤᏍᏕᎵᏗ ᏫᎵᎻ.\nᏧᏍᏗ ᎨᏒ ᏓᏍᏆᏚᎸ ᏥᏳ, ᏙᏱᏨ ᏓᏓᏁᎸ ᎠᏨᏏᏓᏍᏗ ᎢᏧᏍᏗ. ᏓᏒᎬ ᏗᏤᏍᏙ, ᎠᏰᎸ ᏓᏳᏓᎴᏅ ᏚᏓᏅᎵᏰᎥ, ᏃᎴ ᎤᎾᏨᏓ ᏓᏥᏍᏛ ᏃᎴ ᎤᏲ ᎤᏃᎴ ᎤᎶᎯᏍᏗ.\nᎯᎠ ᏄᏂᏪᏒᎩ: ᏣᎬᏫᏳᎯ, ᏦᏍᏗᎦᏙᎵ ᏧᎵᏍᏚᎢᏍᏗᏱ ᎣᎩᎾᏚᎵᎭ.\nᎠᎬᏱᏣ ᎠᏟᏰᎵᏎᏍᏗ ᎾᏍᎩᏯ ᎠᎹᎡᏉ ᎠᏓᎾᏇᏍᎬ, ᏯᎾᏕᎶᎰᏍᎬᎾ ᏏᏴᏫᎭ ᎤᏁᎯᏍᏔᏁᎲ.\nᎣᏍᏓ ᎠᎩᏰᎸ ᏕᎩᎾᏦᏒ.\nᎿᏉᏃ ᎯᎠ ᏂᎦᏪᏍᎪᎢ; ᏗᏥᏁᎸ ᏗᎩᏄᎪᏨ ᏴᏛᏥᎶᏏ. ᎿᏉᏃ ᏫᎦᎷᎩ ᎠᏩᏘᏍᎪ ᎤᏏᏩ ᎨᏐ ᎠᎴ ᎬᏃᏌᏛᎯ ᎠᎴ ᎪᏚᎢᏍᏙᎢ.\nᏓᏥᏲᎰᏏᎾᏏ.\nᎠᎴ ᏥᎦᏔᎭ ᎾᏍᎩ ᎤᏁᏨᎯ ᏫᎾᏍᏛᎾ ᎬᏂᏛ ᎨᏒᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎦᎥ ᏥᏁᎬᎢ, ᎾᏍᎩᏯ ᎠᎦᏴᎵᎨᎢ ᎾᎩᏪᏎᎸᎢ, ᎾᏍᎩ ᏂᏥᏪᎠ.\nᎯᎠᏃ ᏄᏪᏎ, ᏔᎵᏁᏫᏃ ᎨᏒ, ᎢᎬᏌ ᎢᎦᏤᎵ ᎢᎩᎧ ᏗᏘᏲᎯ.\nᎠᎴ ᎠᏥᎸ-ᎨᎳᏍᏗ ᎤᎾᎵᏍᎪᎸᏙᏗᏱ ᎾᏍᎩᏯ ᎯᎠ ᏂᎦᏪᏍᎬ ᏗᎧᎿᏩᏛᏍᏗ ᎼᎰᏩ ᎤᏤᎵᎦ; ᎠᏂᏔᎵ ᏧᎴᏗᏂᏍᎪᏂᎯ, ᎠᎴ ᎠᏂᏔᎵ ᎠᏂᏛ ᏬᏱ.\nᎯᎠᏃ ᎾᏍᏉ ᏄᎵᏍᏔᏁ ᏅᎵᏍᏔᏁ ᏅᏩᏓᎴ ᎤᎾᏙᏓᏆᏍᎬᎢ, ᎾᏍᎩ ᏭᏴᎴ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᎴ ᏚᏕᏲᏁᎢ; ᎾᎿᏃ ᎡᏙᎮ ᎠᏍᎦᏯ ᎠᎦᏘᏏᏗᏢ ᎤᏬᏰᏂ ᎤᏩᎢᏎᎸᎯ\nᎠᏍᎩᎾᏃ ᎿᏉ ᎤᎳᏁᎸᎯ ᎨᏒᎩ ᎤᎾᏫᏱ ᏧᏓᏏ ᎢᏍᎦᎳᏗ ᏌᏩᏂ ᎤᏪᏥ ᎾᏍᎩ ᎤᎶᏄᎮᏗᏱ, ᎤᎾᎵᏍᏓᏴᏃᏅᏃ,\nᎥᏝ ᏙᎯ ᎬᏆᏓᏅᏓᏗᏍᏗ ᏱᎨᏎ ᏗᏆᏓᏅᏛᎢ, ᏅᏌᎦᎵᏍᏙᏗᏍᎬᎩ ᏓᏓᏏ ᎥᎩᏅᏟ ᏂᏥᏩᏛᎲᎾ ᎨᏒᎢ; ᎥᎦᏥᏴᏕᏨᎩᏃ ᎾᎿ ᎠᏆᏂᎩᏒᎩ ᎹᏏᏙᏂ ᏩᎩᎷᏨᎩ.\nᎠᎧᏔᎮᎢ ᏄᏍᏛ ᎤᏲ ᎤᎾᏗᏅᏗ ᏧᏍᏆᏴᏍᏗ ᏃᎴ ᎣᏍᏓ ᎤᏰᎸᎮ.\nᎭ,Ꭽ - “ᎣᏍᏓᎦ ᏍᎩᎾᎾ, Ꭱ ᎥᎩᎸᎢ?”\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎢᎳᎪ ᎦᏚ ᏕᏥᏰᎭ? ᏫᏣᎦᏔ. ᎤᎾᏙᎴᎰᏒᏃ, ᎯᎠ ᏄᎯᏪᏎᎢ, ᎯᏍᎩ, ᏔᎵᏃ ᎠᏣᏗ.\nᎠᏎ ᎢᏳᏍᏗᏉ ᎤᏁᏝᏅ ᎤᏬᏒᏅ ᏳᏓᎵᏗᎩᎡᎳ ᎠᏂᏐᎢ ᎠᏂᏍᏆᏂᎪᏍᎨ.\nᏧᎾᏍᏗᎧᎨ ᏗᏂᏲᏟ ᎪᏍᏓᏯ ᎠᏓ ᎬᏗ ᏓᏂᏔᎴᏍᎪ Ꮓ ᎤᏂᏖᎸᏅ ᎤᎾᏨᏓᎵ ᏐᏉᎭ ᏓᏂᏔᏁᎪᎢ ᏓᏔᎴᏒᎢ.\nᏂᎦᎥ ᎭᏍᎪᎳ! \nᏂᎦᏓ ᎨᏒ ᏦᎢ ᎢᏯᏔᏬᏍᏔᏅ ᎢᎪᎯᏛ ᏚᏟᏰᎵᏙᎸ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎾᏍᎩ ᏴᏫ ᏰᎵ ᎢᎬᏩᎾᏛᏁᏗ ᏂᎨᏒᎾ ᏥᎩ, ᏰᎵᏉ ᎢᎬᏩᏛᏁᏗ ᎤᏁᎳᏅᎯ.\nᏤᏆᎳᏂ ᎤᎾᏤᎵᎪᎯ, ᎠᎴ ᏁᏩᏔᎵ ᎤᎾᏤᎵᎪᎯ, ᎢᏓᎵ ᎢᏗᏢ, ᏦᏓᏂ ᎤᏗᏗᏢ, ᎨᎵᎵ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏂᏁᎸᎢ,\nᎾᏍᎩ ᎦᏥᏯᏚᏓᎳᎡᏗᏱ ᎾᏍᎩ Ꮎ ᎠᏃᎯᏳᎲᏍᎩ ᏂᎨᏒᎾ ᏧᏗᏱ ᎠᏁᎯ; ᎠᎴ ᎾᏍᎩ ᎦᏥᏴᎡᎲ ᏥᎷᏏᎵᎻ ᎠᏁᎯ, ᏧᎾᏓᏂᎸᎢᏍᏗᏱᏉ ᎤᎾᏓᏅᏘ;\nᎠᏎᏃ ᎵᏏᏯ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᎤᎷᏨ ᎤᏣᏘ ᎬᏍᎦᎢᏍᏓᎩᏯ ᏙᎦᏑᎦᎸᏔᏅᎩ,\nᎾᏍᎩ ᎾᏍᏉ ᎣᏥᏃᎮᏍᎪᎢ, ᎥᏝ ᏲᏨᏗᏍᎪ ᎦᏬᏂᎯᏍᏗ ᏴᏫ ᎤᏤᎵ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏧᏕᏲᏅᎯ, ᎦᎸᏉᏘᏳᏍᎩᏂ ᎠᏓᏅᏙ ᏧᏕᏲᏅᎯ; ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏔᏅᎯ ᎬᏂᎨᏒ ᏂᏙᏨᏁᎰ ᎠᏓᏅᏙ ᎤᏁᎯ.\nᎠᏴᎾᏍᎩ ᎦᏥᏯᎥᎢ, ᎠᎴ ᏂᎯ ᎠᏴ ᏍᎩᏯᎥᎢ, ᎾᏍᎩ ᏧᏳᏙᏗᏯ ᏌᏉᏉ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎾᏍᎩᏃ ᎡᎶᎯ ᎤᎦᏙᎥᎯᏍᏗᏱ ᏅᏓᏍᎩᏅᏏᏛ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏘᎨᏳᎯᏳ ᎨᏒᎢ, ᎾᏍᎩᏯ ᏍᎩᎨᏳᎢᏳ ᏥᎩ.\n”ᎠᏎᏃ, ᎪᎨᏱ ᎩᎳ ᏛᎾᏓᏴᎳᏔᏂ.\nᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎠᏂᏧᏏ ᎬᎩᏂᏴᎩ ᎤᏛᏅ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎬᎩᎯᏍᏗᏱ ᎤᏂᏰᎸᏒᎩ.\nᎯᎠᏰᏃ ᏂᏨᏪᏎᎭ; ᎠᏂᎨᏴ ᎬᏩᏂᎾᏄᎪᏫᏒᎯ ᏥᎩ ᎥᏝ ᏳᏜᏍᏗ ᎩᎶ ᎠᏙᎴᎰᏍᎩ ᎤᏟ ᎢᏯᏥᎷᏉᏗ ᎡᏍᎦᏉ ᏣᏂ ᏗᏓᏬᏍᎩ; ᎠᏎᏃ ᎤᏍᏗᎧᏂ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᎨᎳ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎡᏍᎦᏉ ᏣᏂ.\nᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂᏧᏏ ᎤᎾᏕᏯᏙᏔᏅᎩ ᏥᏌ, ᎠᎴ ᎤᏂᏲᎸᎩ ᎤᏂᎯᏍᏗᏱ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎾᏍᎩ ᏄᏛᏁᎸ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ.\nᎢᎦ ᏒᎮᏱᏣ, ᏗᎾᏙᎴᏆᏍᎩ ᏗᏘᏂᏙ ᏳᎴᏫᏍᏔᎾ ᎤᏪᏅᏒ ᎠᎬᏱᏣ, ᎩᎳᏈᏴ ᏩᏓᏐᎯᎮ ᎠᏓᏍᏓᏴᏗ ᎣᏍᏓ ᏂᎬᏁᎮ ᎫᎦ.\nᎿᏉ ᎾᏍᎩ ᏧᏗᏱ ᎠᏁᎯ ᎠᎾᎵᏒᎭ ᎣᏓᎵ ᏩᏂᎶᏒᎭ; ᎠᎴ ᎾᏍᎩ ᎠᏰᎵ ᎨᏒ Ꭰ-ᏁᏙᎯ ᎠᏂᏄᎪᏨᎭ; ᎢᏴᏛᏃ ᏭᏩᏓᏛ ᏗᏁᎯ ᏞᏍᏗ ᎾᎿ ᏳᏂᏴᎴᏍᏗ.\n“ᎠᎩᏃᏫᎠ ᎦᎵᎡᎵᎬ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎧ ᎯᎠ ᎢᏥᏪᏍᎩ; ᎪᎯ ᎢᎦ ᎠᎴ ᏑᎾᎴᎢ ᏓᏲᏤᏏ ᎨᎯ ᏗᎦᏚᎲᎢ, ᏑᏕᏘᏴᏛᏃ ᏬᏤᎮᏍᏗ ᎠᎴ ᏬᏥᏃᏗᏍᎨᏍᏗ ᎠᎴ ᏬᎩᏁᏉᏤᎮᏍᏗ;\nᏧᏂᏲᎰᏒ ᏃᎴ ᎨᏥᏐᏅᏅ, ᏧᏳᎪᏘ ᎨᏒ.\nᎢᏳᏃ ᎪᎱᏍᏗ ᏱᏥᎭ ᏗᎫᎪᏙᏗ ᎪᎯᏉ ᎨᏒ ᎤᎬᏩᎵ, ᎾᏍᎩ ᏕᏥᎧᎲᏍᎨᏍᏗ ᏧᏄᎪᏙᏗᏱ ᎡᏍᎦ ᎢᏴᏛ ᎨᏥᏰᎸᎢ ᎾᎿ ᎢᏣᏓᏡᎬᎢ.\nᎾᏍᎩᏰᏃ [ᏄᎬᏫᏳᏌᏕᎩ] ᎤᏁᎳᏅᎯ ᎤᏅᏏᏓᏍᏗ ᏂᎯ ᎣᏍᏛ ᎢᏣᎵᏍᏓᏁᏗ ᏧᎸᏫᏍᏓᏁᎯ. ᎢᏳᏍᎩᏂ ᎤᏲᏉ ᏙᏣᎸᏫᏍᏓᏁᎮᏍᏗ, ᎯᏍᎦᎢᎮᏍᏗ-ᎦᏅᎯᏛ; ᎤᏁᎳᏅᎯᏰᏃ ᎤᏅᏏᏓᏍᏗ ᎾᏍᎩ, ᎤᏞᎩ, ᎠᏍᏛᏗᏍᏗᏍᎩ ᎾᏍᎩ ᎾᎤᏲ ᏧᎸᏫᏍᏓᏁᎯ.\nᎠᏂᏆᎵᏏᏍᎩᏂ ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏃᏏᏏᏍᎩ ᎤᏁᎳᏅᎯ ᏚᏓᏅᏖᎮᎸᎢ ᎤᏂᏲᎢᏎᎴ ᎤᏅᏒ ᎤᎾᏓᏡᏔᏁᎢ, ᏂᏗᎨᎦᏬᎥᎾ ᎨᏒᎢ.\nᎤᏩᏙᎯᏯᏛ ᏚᏂᎧᎿᏩᏗᏙᎮᏍᏗ ᎠᎾᎵᏅᏟ, ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒ ᎤᎵᏠᏯᏍᏕᏍᏗ ᎪᎯᏳᏗ ᎨᏒᎢ, ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨᎢ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᎾᏍᎩ ᏄᎾᏓᎴ ᏴᏫ ᎬᏩᏂᏯᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏆᏙᎥ ᏗᎨᎪᏍᏔᏅᎯ ᏥᎩ, ᎠᏗᎭ ᎤᎬᏫᏳᎯ, ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᏧᎸᏫᏍᏓᏁᎯ ᏥᎩ.\n ᏍᏓᏯ ᏭᏅᏥᎴ ᎤᎸᏔᎵᏕᎾ ᏄᎵᏍᏔᏁᎢ.\nᏱᏂᎪᎯᎸᎾ ᎠᏆᏕᎶᎰᏒ ᎢᏯᏛᏁᏗ ᎪᎰᏍᏗ ᏯᎫᏚᎵ, ᎠᏎᏃ ᎦᏲᏟ ᏓᎬ ᎠᏕᎳ.\nᏕᏣᏓᏬᏂᏗᏍᎨᏍᏗᏍᎩᏂ ᏂᏚᎩᏨᏂᏒᎢ, ᎠᏏᏉ ᎪᎯ ᎢᎦ ᎦᎪᏎᏗ ᏥᎩ; ᎾᏍᎩ ᏂᎯ ᎩᎶ ᎨᏥᏍᏓᏲᎯᏍᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏓᎵᏓᏍᏗ ᎠᏍᎦᏂ ᎢᏳᏩᏂᏌᏛ.\nᏎᎦ ᎤᎴᏫᏍᏔᏅ ᏃᎴ ᎤᏁᎢᏍᏔᏅ ᎢᎦ ᎨᏒ.\nᎣᏣᎵᎡᎵᏤᎭ ᎤᏁᎳᏅᎯ ᎠᎴ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ ᎤᏙᏓ, ᎣᏣᏓᏙᎵᏍᏗᏍᎪ ᏂᎪᎯᎸ ᎢᏧᏯᏅᏓᏗᏍᎪᎢ,\nᎣᏍᏓ ᎾᏆᎵᏍᏓᏏ.\nᎾᏍᎩᏃ ᎢᏓᎵᏅᏟ ᎢᏨᏔᏲᏎᎭ ᏚᏙᎥ ᎬᏗᎭ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎤᏠᏱᎭ ᎢᏥᏁᎢᏍᏗᏱ, ᎠᎴ ᏗᏣᎦᎴᏅᏗᏍᎩ ᏂᏤᎲᎾ ᎢᏳᎵᏍᏙᏗᏱ; ᎤᎧᎵᏨᏉᏍᎩᏂ ᏗᏣᏚᏙᏙᏗᏱ ᎤᏠᏱᏉ ᎢᏣᏓᏅᏖᎵᏙᎲᎢ, ᎠᎴ ᎤᏠᏱᏉ ᏕᏧᎪᏗᏍᎬᎢ.\nᏂᎬᏃ ᎦᏚᎲ ᎤᎾᏓᏑᏰᏛᏉ ᏄᎵᏍᏔᏅᎩ, ᏚᏂᏂᏴᎲᏃ ᎦᏯ ᎠᎴ ᎡᎵᏍᏔᎦ ᎹᏏᏙᏂ ᎠᏁᎯ, ᏉᎳ ᎤᎾᎵᎪᎯ ᎠᏁᏙᎲᎢ, ᎤᎴᏃᏅᎯ ᎤᎾᏁᎷᎩᏒᎩ ᏭᏂᏴᎸᎩ ᎤᎾᏛᏁᎸᏗᏱ.\nᏐᏉ ᎪᎱᏍᏗ ᎠᏍᏆᎵᏍᎬ ᏗᏥᎶᏍᏔᏅ ᏗᏍᏆᏂᎪᏗᏍᎩ ᎦᏂᎩᎸ, ᎨᏍᏗ ᏲᎩᎾᎵᏍᎩᏒ Mrs. Chapman, ᏗᏥᎶᏍᏔᏅ ᏙᎩᏂᎪᎵᏰᎥ ᏙᎩᏄᎪᏔᏅ ᎣᎩᏂᎶᎯᏍᏗᏉ ᎡᎶᎯ ᏗᏥᎶᏍᏔᏅ, ᎣᎯᏍᏙᏓ ᏓᎩᏰᎸᎲ, ᏃᎴ ᎠᏓᏅᏍᎩ ᏱᎨᏒᎾ ᎡᎲᎢ, ᎨᏍᏗ ᏧᏍᏆᏂᎩᏗ ᏰᎵᏍᎨ ᎤᏅᏪᏓ ᏕᎦᎶᏛ ᏆᎷᏌ ᏃᎴ ᏒᎦᏔ ᏗᏥᎶᏍᏔᏅ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏰᎵ ᎢᎨᎦᏛᏁᏗ ᏗᏜᏅᏓᏗᏍᎨᏍᏗ, ᎾᏂᎥ ᎣᏍᏛ ᏂᏕᏓᏛᏁᎮᏍᏗ, Ꮀ ᎤᎬᏫᏳᏎᏍᏗ ᎾᏍᎩ Ꮎ ᎠᏃᎯᏳᎲᏍᎩ ᏏᏓᏁᎸᎯ ᎤᎾᏓᏡᎬᎢ.\nᎯᎠᏰᏃ ᏂᎦᏪᎭ ᎧᏁᎬᎢ, ᎠᏥᎸᎮᎶᎯ ᎨᎭ ᏂᎪᎯᎸᎢ ᎺᎵᎩᏎᏕᎩ ᏄᏍᏛ ᎾᏍᎩᏯᎢ.\nᏚᏁᏒᏃ ᎠᎴ ᏚᏏᏔᏛ, ᎣᏍᏛ ᏚᏁᏤᎴᎢ.\nᏗᏕᎶᏆᏍᎩ ᎥᏝ ᎤᏟ ᏱᎾᏥᎸᏉᏙ ᎡᏍᎦᏉ ᏧᏪᏲᎲᏍᎩ; ᎾᏂᎥᏍᎩᏂ ᎤᏂᏍᏆᏛᎯ ᏧᏁᏲᎲᏍᎩ ᏄᏍᏛ ᎾᏍᎩᏯ ᎨᏎᏍᏗ.\nᎤᏂᏄᎪᏤᏃ ᏕᎦᎳᏫᎥᎢ ᎠᎾᎵᎮᎵᎨ ᏰᎵ ᎤᏕᎰᎯᏍᏗ ᎢᎬᏩᎾᎵᏍᏓᏁᏗ ᎨᏒ ᎾᏍᎩ ᏕᎤᏙᎥ ᏅᏗᎦᎵᏍᏙᏍᎬᎢ.\nᎾᏍᎩ ᎠᏰᎵ ᏥᎩ, ᎾᏍᎩ ᎤᎧᎵᎢᎯ, ᎾᏍᎩ ᎤᏩᏒ ᏂᎦᏗᏳ ᏂᎬᎾᏛ ᎠᎧᎵᎢᎯ ᏥᎩ.\n“ᏌᎳᏓ ᎣᎯᏍᏙᏗ ᏧᏃᎮᏗ ᏗᎧᏃᎮᏓ ᎠᏆᏛᎦᏅ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ, ᏑᎾᎴ ᎠᎩᏍᏗ ᎦᎵᏙᏗ ᎤᏅᏪᏓ ᎠᎧᏲᏗᏍᎬ.\nᏎᎦᏨ ᏄᏪᏤ…\nᎥᎥ, ᎠᎴ ᎢᏳ ᏯᏆᏓᎵᏍᎪᎸᏔᏅ ᎾᎿ ᎠᏥᎸ ᎢᏤᎶᎲᎢ ᎠᎴ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎪᎯᏳᏗ ᎢᏨᏗᏍᎬᎢ, ᎦᎵᎡᎵᎦ, ᎠᎴ ᎢᏨᏯᎵᎪᏁᎭ ᎢᏣᎵᎮᎵᎬᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᎧᏃᎮᏛ ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎡᏣᎵᏥᏙᏁᎲᎢ ᏤᏣᎵᏥᏙᏁᎭ.\nᏍᏗᏫᏃ ᎤᎧᎵᏨᎯ ᎤᏬᎯᏳᏒ ᎠᎴ ᎤᎵᏂᎬᎬ ᎤᏣᏖ ᎤᏍᏆᏂᎪᏗ ᎠᎴ ᎤᏰᎸᏛ ᏚᎸᏫᏍᏓᏁᎮ ᏴᏫ ᎠᏁᎲᎢ.\nᎾᏍᎩᏃ ᏥᏄᏍᏛ ᏣᏆᏓᏅᏖᎸᎩ, ᏅᎵᏌᎵᏉᏍᎪ ᎠᎩᏰᎸᎯ ᎨᏎᎢ? ᎠᎴ ᎪᎱᏍᏗ ᎦᏓᏅᏛᎵ, ᏥᎪ ᎤᏇᏓᎵ ᎤᏓᏅᏖᏗ ᎦᏓᏖᏍᎪᎢ, ᎾᏍᎩᏃ ᎠᏴ ᏥᏁᏦ ᎯᎠᏉ ᏱᏄᏍᏗ, ᎥᎥ, ᎥᎥ, ᎠᎴ ᎥᏝ, ᎥᏝ?\n“ᏣᏓᏏᏅᏕᏍᏗᏛ ᎤᏛᏁ.\nᎠᎨᏴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᏍᎦᏯ, ᎦᏐᎴᎣᏍᎦ ᎭᏙᎴᎰᏍᎩ ᎨᏒᎢ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎥᏝ ᎿᏉ ᎢᎸᎯᏳ ᏴᎦᎦᏗᏔ ᏖᎸᎳᏗ ᎤᎾᏄᎪᏫᏒᎯ, ᎬᏂ ᎾᎯᏳ ᎢᎦ ᎢᏤ ᎦᏗᏔᎲᎭ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ.\nᏂᎦᏓ ᏧᏣᏬᏓ ᏚᎾᎳᏑᎸ ᏃᎴ ᏗᎬᏅ ᏚᎾᎭᏄᏮ ᏃᎴ ᏚᎾᏑᎸ ᏃᎴ ᎤᏍᎪᎸᏨ ᎤᏅᏣᏘ.\nᎥᏝ ᎪᎱᏍᏗ ᏣᏤᎵ ᏳᏓᏑᏯ ᎯᎠ ᎠᏂ, ᏝᏰᏃ ᏚᏳᎪᏛ ᏱᎩ ᏣᎾᏫ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\nᎡᎶ ᎤᏓᏅᎦᎸᏓ ᎨᏎᏍᏗ.\nᏭᎶᎯᏍᏗ ᏓᏫᏍᎩᎨ, ᎣᎯᏍᏙᏗ ᏭᎶᎯᏍᏗ ᎠᏍᎧᏅᎢ ᎢᏣ ᏯᏛᎩ ᎨᏴ ᏃᎴ ᏳᎾᎷᏒᎾ ᏱᎩ ᏚᏅᏓᏒ ᎠᎧᏘᏏ ᎢᏣ.\nᏃᎴ ᏗᏩᏛᏗ ᏔᎷᎩᏍᎩ ᎠᎵᏍᏓᏴᏗ ᎤᏓᏅᎵᏰᏓ ᎭᏫᏂ.\nᎡᏝᏪ ᎤᏟᏃᎮᏔᏁ ᎤᎭᏰᎯ ᎪᏱᏁᎢ.\nᎢᏳᏃ ᎩᎶ ᎠᏛᎬᎦ ᎧᏃᎮᏛ ᎦᎸᎳᏗ ᎡᎯᎤᎬᎾᏳᎯ ᎨᏒ ᎤᎬᏩᎵ, ᏂᎪᎵᎬᎾᏃ ᏥᎨᏐᎢ, ᎿᏉ ᎤᏁᎫᏥᏛ ᎦᎷᎪᎢ ᎠᎴ ᎤᎩᎡᎰ ᎠᏫᏒ ᎤᎾᏫᏱ. ᎾᏍᎩ ᎯᎠ ᎤᏃᎱᎶᏗ ᏣᏫᏎᎢ.\nᎯᎠ ᎾᏍᎩ ᎠᎪᎵᏰᏗ ᎤᏂᏣᏛ ᎠᏂᏧᏏ ᎠᏂᎪᎵᏰᏍᎬᎩ, ᏥᏌᏰᏃ ᎠᎦᏛᏅ ᎦᏚᎲ ᎾᎥ ᎨᏒᎩ, ᎠᏂᏧᏏᏃ, ᎠᎴ ᎠᏂᎪᎢ, ᎠᎴ ᎠᏂᎶᎻ ᏧᏂᏬᏂᎯᏍᏗ ᎨᏒ ᎪᏪᎸᎩ.\n“ᎭᏂ, ᎭᏂ, ᎭᏂ!” ᎤᏛᏁ ᏌᏌ.\nᎠᏂᏁᎩᏰᏃ ᎤᏣᏘ ᎠᏢᏆᏍᏗ ᎪᎱᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ ᎠᏂᏬᏂᏍᎬᎢ, ᏓᏂᎶᏄᎮᏍᎪ ᎠᏅᏗᏍᎪ ᎤᏇᏓᎵ ᎠᏚᎸᏗ ᎨᏒᎢ, [ᎠᎴ] ᏃᎵᏏᎾᎯᏍᏛᎾ ᏂᏓᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏙᏗᏳᎯ ᏧᎾᏗᏫᏎᎸᎯ ᎾᏍᎩ Ꮎ ᎠᏏ ᎤᏓᎵᏓᏍᏗ ᎨᏒ ᎠᎾᎴᏂᏙᎯ ᏥᎩ.\nᎠᏇᏅᏒᎩᏃ ᏗᎧᎿᏩᏗᏙᎯ ᏗᎦᏙᎬᎢ, ᎠᎴ ᎯᎠ ᏅᏥᏪᏎᎸᎩ, ᏍᎩᏅᎥᏏ Ꮎ ᎤᏍᏗ ᎪᏪᎵ. ᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᎯᎾᎩ ᎠᎴ ᎯᏯᎣᎾ; ᏣᏍᏉᎵᏱᏂ ᏩᏚᎵᏏ ᏥᏄᎦᎾᎯ ᎢᏳᎦᎾᏍᏛ ᏅᏓᏨᏁᎵ.\nᏗᏥᏲᎵ ᏗᏇᏥ, ᎯᎠ ᎾᏍᎩ ᎢᏨᏲᏪᎳᏁᎭ, ᎢᏥᏍᎦᏅᎢᏍᏗᏱ ᏂᎨᏒᎾ. ᎢᏳᏃ ᎩᎶ ᏯᏍᎦᏅᎦ, ᎢᎨᎭ ᏗᎪᎯᏍᏓᏁᎯ ᎠᎦᏴᎵᎨ ᎡᎲᎢ, ᏥᏌ ᎦᎶᏁᏛ ᎾᏍᎦᏅᎾ.\nᏂᎦᏒᏃ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏂᏯᎢ ᎾᏍᎩ ᎯᎠ ᎤᎾᏛᎦᏅ ᎤᏂᎧᎵᏤ ᎤᏂᏔᎳᏬᏍᎬᎢ.\nᎠᎴ ᎦᏃᎦ ᎠᏥᎸ ᎾᏍᎩᏯᎢ ᎠᎴ ᎡᎶᎯ ᎠᎧᎵᎢ ᏂᏚᏳᎪᏛᎾ ᎨᏒ ᎾᏍᎩᏯ. ᎾᏍᎩᏯ ᏄᏍᏗ ᎦᏃᎦ ᎤᏓᏑᏴ ᎢᎦᏙᏢᏒᎢ, ᎾᏍᎩ ᎦᏓᎭ ᎢᎬᏁᎯ ᏂᎬ ᎠᏰᎸᎢ, ᎠᎴ ᎠᏥᏍᏢᏍᎩ ᎠᎢᏒ ᎠᏁᎳᏅᎯ ᎨᏒᎢ, ᎠᎴ ᏨᏍᎩᏃᎢ ᎤᏓᏳᏓᎴᏅᎯ ᎠᏥᏥᏍᏝᏫᏍᏗᏍᎩ.\nᏴᏫᏰᏃ ᎤᏅᏒ ᎤᎾᏓᎸᏉᏗᏳ ᎨᏎᏍᏗ, ᎠᏕᎸ ᎤᏂᎬᎥᏍᎩ, ᎠᎾᏢᏆᏍᎩ, ᎤᎾᏢᏉᏗ, ᎤᏁᎳᏅᎯ ᎬᏩᏂᏐᏢᏗ, ᏧᏂᎦᏴᎵᎨ ᏗᏂᎳᏏᏘᏍᎩ, ᏄᎾᎵᎮᎵᏣᏛᎾ, ᎠᏂᎦᏓᎭᎢ,\nᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎦᏙ ᏣᎵᏍᎦᏍᏙᏗ ᎯᎠ ᎾᏍᎩ ᏥᎿᏛᏁᎭ? ᎠᎴ ᎦᎪ ᏣᏁᎴ ᎾᏍᎩ ᎯᎠ ᎢᏣᏛᏁᏗᏱ?\nᏙᏱ ᏭᎷᏣ ᎠᎦᎵᎮ, ᎠᏎᏃ ᎤᏴᏣ ᎨᏎ ᏃᎴ ᎤᏩᏃᏪ.\nᎣᏏᏳ ᏣᏰᎸᏅ ᏚᏳᎪᏛ ᎨᏒᎢ; ᎠᎴ ᏣᏂᏆᏘᎸ ᎤᏲ ᎨᏒᎢ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᏂᎯ ᏣᏁᎳᏅᎯ ᎤᏟ ᎢᎦᎢ ᏣᎶᏁᏔᏅ ᎠᏠᏁᏗᎣᏍᏛ ᎠᏓᏓᏅᏓᏗᏍᏗᏍᎩ, ᎡᏍᎦᏉ ᎾᏍᎩ Ꮎ ᎢᏣᎵᎪᎯ.\nᏥᏌᏃ ᎤᏂᏂᏴᏛ ᎧᏯᏉᎢ ᏭᎾᏘᏅᏍᏔᏅᎩ ᎾᏍᎩ ᏄᎬᏫᏳᏒ ᎠᏥᎸᎨᎶᎯ, ᎾᎿ ᏗᏃᏪᎵᏍᎩ ᎠᎴ ᏗᏂᎳᏫᎩ ᏓᏂᎳᏫᎥᎢ.\n“ᏗᎦᏣᏃᏍᏓ ᏂᏕᏨᏁᏍᏗ ᏘᏂᎨᏂ ᏃᎴ ᎦᏙ ᏫᏔᏒᏂᏍᏙᏓ ᏘᎴᏂ!” ᎤᏛᏁ ᏌᎳᏓ.\nᏐᏉ ᎠᎴ ᏔᎵ ᎢᏳᏪᏅᏍᏗ ᎠᏂᎶᏍᎨᏍᏗ ᏴᏫ, ᎠᏂᎸᏉᏗᏍᎨᏍᏗ ᏫᎵᎻ ᏃᎴ ᎠᏂᎪᎵᏰᏍᎨᏍᏗ ᎪᏪᎸᎢ, ᏃᎴ ᎠᏂᏍᏆᏂᎪᏍᎨᏍᏗ ᏄᏍᏆᏂᎩᏛ.\nᎤᏙᎰᏎ ᏫᎵᎻ.\n”ᎭᏕᏬ, ᏣᏉ.”\nᎾᏍᎩ ᎤᏕᎵᏛ ᎨᏒ ᎦᎵᏉᎩ ᏃᏈᏏ ᏥᏕᏣᎪᎲᎩ ᏥᎦᏘᏏᏗᏢ ᎠᏉᏰᏂ ᏥᏓᏆᏒᎦᎸᎩ, ᎠᎴ ᎦᎵᏉᎩ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏙᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ. ᎾᏍᎩ Ꮎ ᎦᎵᏉᎩ ᏃᏈᏏ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎦᎵᏉᎩ ᏄᎾᏓᏡᎬ ᏧᎾᏁᎶᏗ ᎨᏥᏛᎦ; ᎾᏃ ᎦᎵᏉᎩ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏙᏗᏱ ᏥᏕᏣᎪᎲᎩ, ᎾᏍᎩ ᎦᎵᏉᎩ ᏄᎾᏓᏡᎬ ᏧᎾᏁᎶᏗ ᎦᏛᎦ.\nᎢᏣᏓᏟᏌᎮᏍᏗ, ᎠᏆᏓᏅᏙᏃ ᎠᎦᏔᏩᏕᎨᏍᏗ, ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᏔᎵ ᎤᏛᏕᏍᏗ, ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᏚᏙᎥ ᎢᏨᏙᏗᏱ,\nᎠᏎᏃ ᎠᎾᎵᏅᏟ ᎤᏁᏅᏛ ᏂᎨᏐᎢ, ᎿᏉ ᎾᏍᏉ ᏙᏗᎾᎵᏍᏓᏴᎲᏍᎬ ᎤᏪᏅᏒᎩ, ᎥᏝ ᎬᏂᎨᏒᎢ, ᎤᏕᎵᏛᏉᏍᎩᏂ ᎢᏳᏍᏗ.\nᏂᎦᏛ ᎡᏙᏓ ᏗᎩᎧᏁᎸᎯ ᎠᏎ ᏓᎬᎩᎷᏤᎵ; ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᎩᎷᏤᎸᎯ ᎠᏎ ᎥᏝ ᏥᏄᎪᏫᏍᏗ ᏱᎩ.\nᎾᏍᎩ ᏂᎦᏛ ᎤᏂᎸᏉᏙᏗᏱ ᎤᏪᏥ, ᎾᏍᎩᏯ ᏥᎾᏂᎸᏉᏗᎭ ᎠᎦᏴᎵᎨᎢ. ᎩᎶ ᏂᎦᎸᏉᏗᏍᎬᎾ ᏥᎨᏐ ᎤᏁᎳᏅᎯ ᎤᏪᏥ, ᎥᏝ ᏱᎦᎸᏉᏗᏍᎪ ᎠᎦᏴᎵᎨ ᎾᏍᎩ ᏅᏓᏳᏅᏏᏛ.\n“ᎤᏩᏙᎯᏴᏓ,” ᎤᏛᏁ.\nᎠᏎᏍᎩᏂᏃᏅ ᎠᏥᏍᏕᎸᏗ ᎢᎨᏎᏍᏗ ᏗᏂᏲᎵ ᏕᎦᎾᏄᎪᏫᏍᎬᎢ, ᎢᏳᏃ ᏌᏂᎧᎿᏩᏏᏎᏍᏗ ᎪᎯᏳᏗ ᎨᏒ, ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒᎢ, ᎠᎴ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎠᎴ ᎠᎵᏏᎾᎯᏍᏙᏗ ᎨᏒᎢ.\nᏕᎦᏥᏕᎸ ᏏᎦᏫ ᎠᏂᏍᎦᏯ, ᎤᏍᏘ ᎬᎾᏍᏔ ᎣᎩᏥᏍᏔᏝᏅ ᏦᎩᏥᏍᏓᎶᏗ, ᎣᎩᏕᎭᏲᎸ ᎠᏥᏍᏛ.\nᎠᎴ ᏦᎢᏁ ᏪᎯ ᎤᏓᏴᏒᎩ; ᎠᎴ ᎾᏍᎩᏯ ᎾᏍᏉ ᎦᎵᏉᎩ ᎢᏯᏂᏛ; ᎠᎴ ᏧᏁᏥ ᎾᏁᎲᎾ ᏚᏂᏲᎱᏒᎩ.\nᎿᏉᏃ ᏆᎴᏗ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏝᏍᎪ ᏱᏍᎩᏁᏤᎭ? ᏝᏍᎪ ᏱᎦᏔᎭ ᏰᎵᏉ ᎦᎬᏯᏛᏗ ᎨᏒᎢ, ᎠᎴ ᏰᎵᏉ ᏗᎦᎬᏲᎯᏍᏗ ᎨᏒᎢ?\n“ᎨᏍᏗᏗ ᎪᎱᏍᏗ ᏱᎦᎵᏍᏗ ᎯᎠ ᏏᏆ,” ᎤᏛᏁ ᎰᎻ ᎤᏰᏥᏍᎩ, ᎧᏂᎨᏂ ᎬᏗ ᎦᏆᎵ ᎢᏣ ᏭᏩᏌᏙᏰᎢ ᏫᎵᎻ.\nᎤᏴᏍᏗ ᎤᎧᏖᏃᎴ.\nᏥᎷᏏᎵᎻᏰᏃ ᎠᏁᎯ, ᎠᎴ ᏧᎾᏤᎵ ᎤᏂᎬᏫᏳᏌᏕᎩ, ᎾᏍᎩ ᏂᎬᏩᎦᏔᎲᎾ ᎨᏒ ᎢᏳᏍᏗ ᎠᎴ ᎾᏍᏉ ᎾᏂᎦᏔᎲᎾ ᎨᏒ ᎢᏳᏍᏗ ᎠᏂᏁᎬ ᎠᎾᏙᎴᎲᏍᎩ ᏄᎾᏙᏓᏈᏒ ᏥᏓᏂᎪᎵᏰᎠ, ᎾᏍᎩ ᏚᏃᎯᏳᏔᏅ ᏥᏚᏄᎪᏓᏁᎴᎢ.\nᏚᏂᎧᏅᏃ ᏗᎨᎦᏁᎶᏘ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ, ᎠᎴ ᎤᎾᏓᏙᎵᏍᏔᏅ ᎠᎹᏟ ᎠᏅᏍᎬᎢ, ᏚᏂᏲᎯᏎᎴ ᎤᎬᏫᏳᎯ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎤᏃᎯᏳᏅᎯ.\nᏝᏍᎪ ᎯᏍᎩ ᏥᏍᏆᏯ ᏔᎵ ᎢᏯᏓᏅᏖᏗ ᏱᏓᎾᎵᎬᏩᎸᏍᎪᎢ? ᎥᏝᏃ ᏌᏉ ᎾᏍᎩ ᎠᎬᎨᏫᏒᎯ ᏱᎩ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\n“ᏥᎦᏔᎭ ᎤᎾᏓᏅᏘ ᏕᏧᎬ.”\nᎬᏂᏳᏉᏰᏃ ᎯᎠ ᎾᏍᎩ ᎤᏲ ᏥᏣᏓᏅᏓᏛᎩ ᎾᏍᎩ ᏗᎬᏩᏓᏂᎸᎢᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ, ᏂᎦᎥ ᎢᏣᎵᏂᎬᏁᏗ ᎨᏒ ᏭᎵᏰᎢᎶᎸ; ᏂᎦᎥ ᏗᏣᏢᏫᏍᏙᏗ ᎢᏥᏲᎲᎢ, ᎢᎢ ᏂᎦᎥ ᎢᏥᏂᏆᏘᎲᎢ, ᎥᎥ, ᏂᎦᎥ ᎢᏥᎾᏰᏍᎬᎢ, ᎥᎥ, ᏂᎦᎥ ᎤᏣᏘ ᎢᏣᏑᎵᏍᎬᎢ, ᎥᎥ ᏂᎦᎥ ᎤᎵᏂᎩᏛ ᎢᏣᏓᏅᏛᎢ, ᎥᎥ, ᏂᎦᎥ ᎠᏓᏍᏛᏗᏍᏙᏗ ᎨᏒᎢ! ᏂᎦᎥ ᏧᏌᎴᏅᏛ ᎬᏂᎨᏒ ᏂᏨᏁᎸ ᏂᏥᏍᎦᏅᎾ ᎨᏒ ᎯᎠ ᎾᏍᎩ ᎧᏃᎮᏗ ᏥᎩ.\nᎦᏙ ᎤᏂᎶᏒ ᎦᏓᎷᎦᏅ ᏱᎨᏐ ᏄᏍᏛ.\nᎢᏥᎧᎵᏣ ᎦᎵᎡᎵᎬᎢ, ᎤᏠᏱ ᎢᏳᎵᏍᏙᏗᏱ ᎢᏣᏓᏅᏖᏍᎬᎢ, ᎤᏠᏱᏉ ᎢᏳᎵᏍᏙᏗᏱ ᏕᏣᏓᎨᏳᏒᎢ, ᎤᏠᏱᏉ ᎢᏳᎵᏍᏙᏗᏱ ᏕᏣᏓᏅᏛᎢ, ᎤᏠᏱᏉ ᎢᏳᎵᏍᏙᏗᏱ ᏗᏣᏓᏅᏙ.\nᎾᏍᎩᏃ ᏄᏍᏗ ᏱᏣᎵᏍᎦᏍᏙᏛ ᎤᏁᎳᏅᎯ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ.\nᏚᏃᎩᏎ ᏌᎳᏓ, ᎾᏍᎩ ᎾᏂᏪᏍᎨ ᏔᎳᏚ ᎦᏄᎸᎯ ᏃᎴ ᎤᎵᏏᎩ ᏄᎵᏍᏔᏁ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᎠᎴ ᏫᎾᏍᏛᎾ ᏗᏔᎴᏒ ᏩᎦᏓᎢᏅᏒᎩ, ᎠᎴ ᎠᏥᏍᏚᏅᎩ, ᎠᎴ ᎤᏰᎸᏔᏅᎩ ᎠᏍᏚᎲᎢ, ᎾᏍᎩ ᏗᎬᏩᎶᏄᎮᏗ ᎿᏉ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ, ᎬᏂ ᏌᏉ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ ᏳᎶᏐᏅ; ᎣᏂᏃ ᎿᏉ ᎠᏥᎪᏗ ᎢᎨᏎᏍᏗ ᏞᎦ.\nᎺᎵ ᎡᏥᏲᎵᎸᎭ, ᎤᏤᏘ ᏧᎸᏫᏍᏓᏁᎸᎯ ᏥᎩ ᎠᏴ ᎣᎩᏍᏕᎵᏍᎬᎢ.\n”ᏙᎤᏍᏗ ᏎᏉ ᎡᏓᏍᏗ?” ᎤᏛᏛᏁ.\nᏅᏙ ᏗᎧᎸᎬ ᎢᏗᏢ ᏦᎢ ᎦᎶᎯᏍᏗᏱ [ᏕᎪᏢᏒᎩ,] ᏧᏴᏢᏃ ᎢᏗᏢ ᏦᎢ ᎦᎶᎯᏍᏗᏱ; ᏧᎦᎾᏮᏃ ᎢᏗᏢ ᏦᎢ ᎦᎶᎯᏍᏗᏱ; ᏭᏕᎵᎬᏃ ᎢᏗᏢ ᏦᎢ ᎦᎶᎯᏍᏗᏱ.\n”ᎭᏕᏬ,” ᎤᏛᏁ ᎤᏃᏕᎾ ᎠᏓᎯ.\nᎤᏤᏴᏍᏔᏁ ᏃᎴ ᏚᎧᏔᏍᏔᏁᎢ ᎦᏂᎦᏔ ᎡᎹᏂᏓ.\nᎠᏎᏃ ᎯᎠ ᎾᎩᏪᏒᎩ; ᏞᏍᏗ, ᏣᎬᏫᏳᎯ, ᏝᏰᏃ ᎢᎸᎯᏳ ᎪᎱᏍᏗ ᎦᏓᎭ ᎠᎴ ᏂᎦᏅᎦᎸᎲᎾ ᏳᏴᎶ ᏥᎣᎵ.\nᎯᎠᏰᏃ ᎾᏍᎩ ᎢᏗᎦᏔᎭ, ᎾᏍᎩ ᎢᎦᏤᎵ ᎤᏪᏥ ᎠᏍᎦᏯ ᏓᏓᎿᏩᏍᏛ ᎠᎦᏛᏅ ᎢᏧᎳᎭ ᎾᏍᎩ [ᎦᎶᏁᏛ] ᎠᎦᏛᏅᎢ, ᎾᏍᎩ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎠᏰᎸ ᎡᎲ ᎤᏲᎱᎯᏍᏗᏱ, ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎠᏍᎦᏂ ᏗᎩᎾᏢᏗᏱ ᏂᎨᏒᎾ.\nᎡᎶᏗ ᎤᏒᏂᎴᎢ.\nᎨᏍᏗ ᏳᏬᎯᏳᎮ ᎤᏣᎴᏓ ᎤᎦᏐᏍᏙᏗ ᏚᏅᏓᏒ ᎠᎴ ᎤᎵᎪᏗ ᎠᏂᎭᏲᎲ ᏣᎵ.\nᎤᎪᏂᏕᏅ ᎤᏃᏛ ᏓᎴᎲᏍᎬ ᎤᏁᎦ ᏚᎦᏒᏍᏛ, ᎦᎶᏇ ᏚᏂᎳᎦᎸ ᏃᏥ ᏧᎬ ᏓᎪᏩᏘᏍᎬ ᎤᏛᏅ ᎠᏌᎻᏓ.\nᎦᎪᏃ ᎯᎠ ᏥᏂᏣᏛᏅ ᎤᏪᎵᎯᏍᎬᏉ ᏖᎵ ᏱᎦᏅᎯᏓ ᎬᏅᎢ ᏌᏉ ᎢᏯᎩᏳᏍᏈᏛ.\nᎢᎬᏱᎢ ᎠᏁᎩ, ᎠᎴ ᎣᏂ ᎠᏁᎩ, ᎤᏁᎷᎨᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎰᏌᎾ, ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏱᎰᏩ ᏕᎤᏙᏍᏛ ᏥᎦᎷᎯᏍᏗᏓ.\nᎾᏍᎩ ᎾᏂᎥ ᏧᎫᏴᎡᏗ ᏥᎩ ᎾᏍᎩᏯ ᏄᏍᏛ ᏚᏂᎸᏫᏍᏓᏁᎸᎢ;\nᎤᏦᏍᏔᏁ ᎦᏬᏂᏍᎬ ᏄᎬᏫᏳᏒ ᏍᎦᏰᎬᏍᏔ ᏧᏬᏪᎳᏁ ᎤᏬᏪᎶᏗ, ᎦᏣᏄᎸ ᏕᎪᏪᎵᏍᎬ ᎦᏣᏄᎵ ᎦᏬᏂᏍᎬ.\nᏑᎾᎴ ᏳᏰᏨ ᏧᏓᏄᏖᏴᏓ ᎨᏐ ᏧᏍᏆᏅᎾ, ᎠᎦᏙ ᏧᏯᏪᏨ ᏳᏰᏨ, ᎡᏍᎦᏉ ᏱᏭᏂᏏᏅ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏂᎥ ᎢᏏᎢ ᏏᏓᏁᎸᎯ ᎨᏒ ᎤᏙᎯᏳᏒ ᏩᎾᏙᎴᎰᎯ, ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎠᎴ ᎦᎶᏁᏛ ᏄᏩᏁᎸ ᎾᏍᎩ ᏥᏌ ᏂᎯ ᏤᏣᏛᏅᎩ.\nᎤᏂᏣᏘᏃ ᎾᎿ ᎦᏚᎲ ᎠᏁᎯ ᏔᎵ ᏄᎾᏓᏕᎢ; ᎢᎦᏛ ᎠᏂᏧᏏ ᏚᎾᎵᎪᏁᎴᎢ, ᎢᎦᏛᏃ ᎨᏥᏅᏏᏛ.\nᎨᏍᏗ ᏳᏂᏁᏨ ᎢᏧᎳ.\nᏉᎳᏃ ᎠᎴ ᏆᏂᏆ ᎤᏤᏘ ᎤᏂᏲᏠᎯᏎᎸ ᎠᎴ ᎤᎾᏗᏒᎸ ᎠᏂᏬᏂᏍᎬ ᎾᏍᎩ, ᏚᏄᎪᏔᏁ ᏉᎳ ᎠᎴ ᏆᏂᏆ ᎠᎴ ᎩᎶ ᎢᏳᎾᏍᏗ ᏅᏩᎾᏓᎴ ᏥᎷᏏᎵᎻ ᎤᏁᏅᏍᏗᏱ ᏧᎾᏛᏛᏅᏍᏗᏱ ᎨᏥᏅᏏᏛ ᎠᎴ ᏗᎨᎦᏁᎶᏗ ᎾᏍᎩ ᎯᎠ ᎠᏂᏱᎵᏙᎲ ᎤᎬᏩᎵ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴ ᎾᎥ ᎠᏂᏙᎾᎢ, ᎡᏥᎩᏏ ᎾᏍᎩ Ꮎ ᏑᏓᎨ-Ꮫ, ᎠᎴ ᎠᏍᎪᎯ ᎢᏳᏓᎨᏛ ᏧᎯ ᎡᏥᎥᏏ--\nᎣᎯᏍᏙᏗ ᏯᏆᏓᏅᏖ ᏱᏚᎾᏓᏟᏴᎮᎢ.\nᏧᏌᎨᎢ ᏚᏏᎳᏛ, ᎠᏎᏃ ᎨᏍᏗ ᏩᎾᎢ ᏱᎩ ᏗᏲᏍᏙᏗ.\nᏥᏍᏆ ᎤᏂᏃᎯᏎᎴ ᎢᏴ ᎤᎾᎵᏐᏍᏗ ᎦᏝᏗ, ᎠᏰᎵ ᏚᏩᏥᏍᎦᏢ ᏅᏯ ᎤᏅᏂᏍᏘ ᎤᏓᏅᏙ.\nᏦᏓᏂᏃ ᏕᎤᏬᎡᎢ, ᎠᏂᏃᎲᏍᎨ ᎤᏂᏍᎦᏅᏨᎢ.\nᎯᎠᏃ ᎠᎦᏴᎵᎨ, ᎬᏂᎨ ᎤᏍᎪᎸ ᎤᏍᏘᏰᎬ ᎠᎫᏬᏯᏅ ᎠᏇᏅᎯ ᎢᎬᏓ ᎣᎭᏁ ᎢᏣ ᏭᏍᏖᏴ, ᎪᎢᎭ ᎤᏤᏌᏛ ᎦᏚᎢᏣ ᏌᎪᏂᎨ ᎠᏌᏃ, ᏗᏯᏖᏅ ᏗᎧᏍᎨᏂ ᏫᎦᏓᎥ ᎠᏌᏃ.\nᎾᎿᏃ ᎤᏂᎩᏒ, ᏭᏴᎸᎩ ᎩᎶ ᎢᏳᏍᏗ ᎦᏁᎸ ᏣᏍᏓ ᏧᏙᎢᏛ, ᎤᏁᎳᏅᎯ ᎠᏓᏙᎵᏍᏓᏁᎯ, ᎾᏍᎩ ᎦᏁᎸ ᏚᏓᏯᎸᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᏈᏓᏃ Ꭸ ᎢᏴᏛ ᎤᏍᏓᏩᏗᏎᎢ, ᎾᏍᎩ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏗᎦᏁᎸ ᏭᏴᎴᎢ, ᎤᏬᎴᏃ ᎨᏥᏅᏏᏓᏍᏗ ᎠᏂᏅᎢ, ᎠᎴ ᎪᏛ ᎤᎦᎾᏬᏍᎨᎢ.\nᏐᏈᎵ ᏃᎴ ᏩᎦ ᎤᏁᏓᏍᏗ ᎤᎯᏐᏗ ᏃᎴ ᎤᏁᏍᏓᎶᏨ ᏄᏍᏕᎢ.\nᏥᏳᎯᏃ ᎤᏣᏅ ᎾᏍᎩ ᎠᏂᏍᎩᎾ ᎬᏩᏴᎸᎯ ᎤᏔᏲᏎᎴ ᎤᏁᎳᎩ ᎤᏪᎵᏎᏗᏱ ᎤᏍᏓᏩᏗᏓᏍᏗᏱ.\n“ᎠᏯᏗ ᏍᏉ,” ᎤᏛᏁ ᏁᎵ, ᎩᎳᏈᏴ ᎤᏂᏴᎮ ᏙᏌ ᎤᏍᏗᎢ.\nᎫᎭᏢ ᏭᏂᏴᎮ Philadelphia ᎤᏍᎪ ᎡᎳᏗᏣ, ᏎᎦ ᎤᎾᏓᏒᎴ ᎠᏎᏃ ᎤᏄᎸᏁ ᏭᎵᏒᏗ ᎦᎷᏯᏍᏘ ᏣᏥ.\nᏍᎩᏴ ᏑᎾᎴᎢ, ᏭᏢᎾ ᏫᎵᎻ, ᎡᎳᏆᏗ ᎤᎷᏤ ᏙᏱᏟ: ᎠᏂᏂᎩᎸ ᎠᏂᎪᏕᏍᎩ, ᏲᎾ ᎤᏤᏍᏙ ᎤᏍᏓᏩᏗᏎ.\nᎤᏛᎦᏍᏔᏁᎢ ᏫᎵᎻ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᏄᏛᏁᎲ ᎥᏝ ᎩᎶ ᎤᏇᏓᎵ ᏴᎬᏚᏓᎴᏍᏓ ᎾᏍᎩ ᎠᎦᏔᎲᎢ; ᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎠᎦᏙᎥᎯᏍᏙᏗ.\nᏆᎴᏗᏃ ᎤᏛᏛᏁ ᎯᎠ ᏁᏪᏎᎴᎢ, ᏂᎯᏍᎪ ᏣᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ? ᎤᏁᏨᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏰᎵᏉ ᏂᏫ.\nᎩᎶᏍᎩᏂ ᎢᏳᏍᏗ ᏌᎺᎵᏱ ᎡᎯ ᎠᎢᏒᎢ, ᎤᎷᏤ ᎦᏅᎢ; ᎤᎪᎲᏃ ᎤᏪᏙᎵᏤᎢ;\nᎬᏂᏳᏉᏃ ᎤᏣᏘ ᎤᏱᎶᎴ ᎤᏃᎴ ᎢᏓᎵ; ᏥᏳᏰᏃ ᎠᎹ ᏓᎵᏍᏗᎳᏁᎬ ᎤᏭᏢᎥᏍᎨᎢ; ᎠᏎᏃ ᎢᎦᎵᎮᏉ.\nᎠᏂᎪᏕᏍᎩ ᏃᎴ ᏣᏄᏏ ᏗᏓᏁᎸ ᎱᏁᏅᏎ.\nᏦᏚᎯ!\nᎯᎠ ᏱᎾᏂᏫ, ᎯᎠ ᎠᏍᎦᏯ ᎤᎴᏅᎲᎩ ᎠᏁᏍᎨᏍᎬᎢ, ᎠᎴ ᎥᏝ ᏰᎵ ᎬᏩᏍᏆᏗᏍᏗ ᏱᎨᏎᎢ.\nᎠᏧᏣᏃ ᎢᏄᏪᏎᎢ, ᏃᏊᏃ ᎢᎩᎾᏔᎾ ᏂᎾᎵᏍᏔᏅᎢ, ᏧᏓᎴᏅᏓ ᎪᎱᏍᏗ ᏱᎨᎦᎾᏛᏁᏗ ᎨᏎᏍᏗ!\n”ᎭᏩ, ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ, ᎠᏓᏅᏖᏍᎩ, “ᏣᏁᎳ ᏕᎦᏅᏌᏓ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎴ ᎠᏂᎨᏴ; ᏞᏍᏗ ᏂᎯ ᏱᏍᏗᏍᎦᎢᎮᏍᏗ, ᏥᎦᏔᎭᏰᏃ ᏥᏌ ᎠᎦᏛᏅᎯ ᎡᏍᏗᏲᎲᎢ.\n”ᎤᏙᎯᏳ ᏧᏳᏩᏂᎭ ᏘᏅᏍᎨᏂ, ᏌᎳᏓ,” ᎤᏛᏁ ᏫᎵᎻ, ᏚᎷᏫᏍᏔᏁᎮ ᎾᎥᏂ ᎧᏅᏂᏍᎩ.\nᎤᎵᏌᎵᏓᏁ ᎦᏲᏟ ᏌᏌ ᏃᎴ ᎦᏲᏟ ᏚᎲᏎ ᏧᏪᏥ ᎤᏍᏉᏟ ᎭᏫᏂᏣ ᎤᎦᏃᏮ ᏧᎩᏓᏟ ᏓᏳᏓᎴᏅ ᎤᎦᏃᏮ.\nᎠᏗᏍᎬ ᎧᏂᎩᏛ ᏚᏅᏓᏒ ᏴᏙᎭ, ᎾᎥᏂᎨ ᏓᏆᎴᎳ ᏣᎫᎩᎶ ᎨᏓᎵᏯ ᎢᏣ ᏗᏦᏱ ᏱᎨᏒᎾ ᎨᏓᎵ ᎢᏣ.\nᎡᏣᏯᏅᎲᏍᎪ ᎡᏣᎾᏝᎢ ᎨᏒᎢ? ᎤᏁᎳᎩ; ᎢᏳᏍᎩᏂᏃᏅ ᏁᏣᎾᏝᎥᎾ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎩ, ᎾᏍᎩ ᎯᎬᏫᏳᏔᏅᎭ.\nᎠᎴ ᎣᏥᏅᎵ ᎢᏧᎳᎭ ᎠᏁᎩ ᎣᏣᎵᏅᏟ, ᎾᏍᎩ ᎤᏩᎫᏘᎶᏛ ᎣᏥᎪᎵᏰᏛ ᎣᎦᏙᎴᎰᏒᎯ ᎤᏣᏘ ᎠᎦᎵᏱᏳ ᎨᏒᎢ, ᎠᏎᏃ ᎪᎯ ᎨᏨ ᎤᏟ ᎾᎦᎵᏴ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏣᏘ ᎢᏦᎯᏳᏒᎢ.\nᎤᏂᏣᏘᏃ ᏚᏁᏤᎸᎩ ᎦᏙᎯ ᎤᎾᏅᏗᏱ.\nᏥᏌ ᎾᏍᎩ ᏄᏪᏒ ᎤᏕᏯᏔᏁᎸ ᎤᏓᏅᏛᎢ, ᎠᎴ ᎬᏂᎨᏒ ᏄᏩᏁᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᎭ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎯᎠ ᏥᏂᏣᏛᏅ ᎠᏏᏴᏫ ᎤᏓᏑᏯ ᏛᎩᎶᏄᎮᎵ.\nᏚᎪᎵᏰᎡ ᎢᏗᎦᏪᏍᏗ ᏌᎳᏓ, “ᎠᏤᎯ ᎤᏔᎷᎩᏍᎩ ᎢᏯᏛᏁᎯ.”\nᏣᏠᎾᏍᏗ! ᎢᎬᏱ ᎯᎸ ᎤᏃᏍᏛ ᎠᏓ ᏨᏒ ᏣᎦᏑᎲᎢ, ᎿᏉᏃ ᎬᏂᎨᏒᎢᏳ ᏣᎪᏩᏛᏗᏱ ᎨᏎᏍᏗ ᎯᎸᎡᏗᏱ ᎤᏢᏓᎸᏛ ᏗᏍᏓᏓᏅᏟ ᎤᎦᏑᎲᎢ.\n”ᏥᎦᏔᎭ,” ᎤᏛᏁ, ”ᏂᎦᏗ ᎢᏓᎵᎮᎵᎦ ᏅᎩ ᎢᏳᎾᏙᏓᏆᏍᏗ ᎤᎧᏘᏛ ᎢᎦᎵᎢ ᏌᏌ, ᏃᏉ ᎬᏂᎨᏒ ᏄᎵᏍᏓᏏ.\n“ᏥᎦᏔ ᏍᎩᎾᎾ ᏱᏂᎭᏛᎦ.\nᏥᏌᏃ ᎠᎦᏔᎲᎩ ᎤᎾᏚᎵᏍᎬ ᎬᏩᏛᏛᏗᏱ, ᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏥᎪᏕᏣᏓᏛᏛᎲᏍᎦ ᎦᏛᎬᎢ ᎯᎠ ᏥᎾᎩᏪᏒᎩ; ᏂᎪᎯᎸᎾᏉ ᎿᏉ ᎥᏝ ᏱᏍᎩᎪᏩᏘᏍᎨᏍᏗ, ᎠᎴ ᎿᏉ ᏔᎵᏁ ᏂᎪᎯᎸᎾᏉ ᎢᏍᎩᎪᏩᏘᏍᎨᏍᏗ?\nᏔᎵᏁ ᏗᎦᏁᎲ ᏭᎷᏣ, ᎤᏍᏗ ᎠᏣᏗ ᎤᎪᎮ. ᏅᏲ ᏥᎦᏯᎶ ᎢᏳᏍᏗ ᏄᏍᏕ.\nᏂᎦᏓ ᎠᏃᎵᎩ ᏲᎾᎠᎬᏱᏍᎩ, ᏲᎾᏉᏗ ᎠᏃᏎᎰ, ᏚᏙᎥ ᏫᎩᏛ, ᎠᏧᏣᏉ ᏥᎨᏎ, ᏧᎴ ᏭᎬᏫᏳᏒ ᎡᏆ ᏲᎾ, ᎠᎬᏱ ᎤᏐᏅᏁ ᎤᏛᎵᏍᏙᏗ ᎦᏟᏓ ᎬᏘ, ᏃᏉ ᎠᏰᎳᏍᏗ ᎬᏘ ᏭᎯᏐᏁ, ᎢᏧᎳ ᎠᏂᎩᎦᎲ ᏄᎾᎵᏍᏔᏁ.\nᏂᎦᏓ ᎥᏳᎩ ᏗᏂᏱᏙ ᏥᏓᏥᎶᏍᏗ ᏰᎵᏉ ᏗᎦᎸᏗ ᎠᎴᏫᏍᏙᏗ ᎠᏍᏆᏗᏍᎬ.\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎥᏝ ᏱᏙᎩᏯᏪᎦ; ᎤᏙᎯᏳᎯᏍᎩᏂᏃᏅ ᎦᏚᎢᏗᏢ ᎡᎯ ᎨᏒ ᎣᎩᏩᎾᎦᎶᏤᎭ, ᎭᏫᏂᏗᏢᏍᎩᏂ ᎡᎯ ᎨᏒ ᎣᎦᎵᏂᎪᎯᏎᎭ ᏂᏓᏙᏓᏈᏒᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎯᎠ ᏂᏥᏪᏍᎨᏍᏗ, ᎣᎩᏙᏓ ᎦᎸᎳᏗ ᎮᎯ, ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏕᏣᏙᎥᎢ; ᏨᎬᏫᏳᎯ ᎨᏒ ᏫᎦᎾᏄᎪᎢ; ᎭᏓᏅᏖᏍᎬ ᏫᏂᎦᎵᏍᏓ ᎡᎶᎯ ᎾᏍᎩᏯ ᎦᎸᎳᏗ ᏥᏂᎦᎵᏍᏗᎭ.\n”ᎠᏆᏚᎵ ᎬᏃᏓ ᎠᏇᏓᏍᏗ ᎭᏂᏉ ᏗᎩᏏ ᎦᏓᏍᎬᎢ ᏗᏆᎵᎢ ᎠᏁᏙᎲ ᎾᎥᏂ.\nᎠᎴ ᎾᏍᏉ ᎠᎾᏕ-ᎶᏆᏍᎪ ᎤᎾᏓᏄᎸᏗ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎠᏁᏙᎵᏙᎰ ᏓᏓᏁᎳᏗᏒᎢ; ᎥᏝ ᎠᎴ ᎤᎾᏓᏄᎸᏗᏉ ᎤᏩᏒ ᏱᎨᏐᎢ, ᎾᏍᏉᏍᎩᏂ ᎧᏃᎮᏛ ᎠᏂᏱᏙᎯ ᎨᏐᎢ ᎠᎴ ᎤᏂᏂᎳᏗᏌᏘ, ᎠᏂᏃᎮᏍᎩ ᎾᏍᎩ ᏂᏚᏳᎪᏛᎾ ᎨᏒ ᎤᏂᏃᏄᏍᎩ ᎾᏍᎩ ᏂᏚᏳᎪᏛᎾ ᎨᏒ ᎤᏂᏃᎮᏗᏱ.\nᎠᏎ ᏤᏅᏍᏗ.”\nᎾᏍᎩ ᎯᏳᏍᏗ ᏂᎦᎥ ᎪᎱᏍᏗ ᏗᏥᎧᎿᏩᏚᎦ ᎨᏦᏎᎮᏍᏗ ᏕᏥᎧᎿᏩᏕᎨᏍᏗ ᎠᎴ ᎾᏍᎩ ᏂᏣᏛᏁᎮᏍᏗ; ᎠᏎᏃ ᎾᏍᎩ ᎾᎾᏛᏁᎲᎢ ᏞᏍᏗ ᏱᏂᏣᏛᏁᎮᏍᏗ; ᎠᏂᏁᎪᏰᏃ ᎠᏎᏃ ᎥᏝ ᎾᏍᎩ ᏱᎾᎾᏛᏁᎰᎢ\nᎡᏣᏁᏍᎨᎲᎯ ᎨᏒ ᎡᏥᏝᏅᎯ ᎨᏥᏅᏏᏛ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᎡᏥᎫᏍᏛᏔᏅᎯ, ᏥᏌ ᎦᎶᏁᏛ ᎤᏩᏒ ᏄᎬᏫᏳᏒ ᎤᏅᏏᏴ ᎠᏅᎯ ᏅᏯ ᎢᏳᎵᏍᏔᏅᎯ;\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᏍᎩ ᏥᎷᏏᎵᎻ ᏩᎦᏖᎢ, ᏌᎺᎵᏱ ᎠᎴ ᎨᎵᎵ ᎠᏰᎵ ᎤᎶᏎᎢ.\nᎢᏳᏃ ᎤᏁᎳᏅᎯ ᏧᏁᎸᎯ ᏱᎩ ᎤᏓᏁᏗ ᎨᏒ ᎾᏍᎩᏯ ᏥᎩᏁᎸᎩ ᎠᏴ ᎾᏍᎩ ᎡᏙᎢᏳᏅᎯ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎦᏙ ᎠᏴ ᎨᏎ ᏰᎵ ᎦᏥᏲᏍᏙᏓᏁᏗ ᎨᏎ ᎤᏁᎳᏅᎯ.\nᎭᎾ ᏭᏓᏐᎴ ᏫᎵᎻ, ᎤᏟᏂᎩᏓ ᎧᏴᏐᎵ ᎱᏮᏔᏁᎢ, ᎾᎨᎢᏴ ᏭᏓᎩᏅᏎ ᏥᏍᏕᏥ.\nᎠᏏᏴᏫᏃ ᎡᎮ ᏆᎳᏆ ᏧᏙᎢᏛ ᎾᏍᎩ ᎢᏧᎳᎭ ᏕᎨᎦᎸᎡ ᎬᏩᎵᎪᏁᎸᎯ ᎤᎾᏓᏑᏰᏛ ᎤᎾᎵᏖᎸᏅᎯ, ᎾᏍᎩ ᎤᎾᏓᎸᎯ ᎨᏎ ᎾᎯᏳ ᎤᎾᏓᏑᏰᏛ ᎤᎾᎵᏖᎸᏅᎢ.\n“ᎧᎪᏃ ᎤᏪᏲᏁ ᎧᏅᏂᏍᎩ?\n“ᏑᎾᎴᏗ ᎩᎳ,” ᎤᏛᏁ ᎰᎻ.\nᏧᎳᏏᏕᏂᏃ ᏗᎬᏩᏔᎷᎩᏍᎩ ᎥᏣᏱ ᎾᏍᎩᏯ ᎨᏒᎩ, ᎠᏥᎸᏱ ᎬᏔᏅᎯ ᎣᏍᏛ ᎢᎬᏁᎸᎯ ᎾᏍᎩᏯᎢ; ᎧᏁᎬᏃ ᎤᏣᏘ ᎠᎹ ᏥᏚᏍᏆᏃᏴᎪ ᎾᏍᎩᏯ ᎨᏒᎩ.\nᏍᎩᎾᎾ ᏱᎩ, ᏅᎩ ᏧᏅᏏᏱ ᏗᏗᎧᏁ ᏯᏓᏅᏍᎬᎾ.\nᎠᎴ ᎦᎶᎯᏍᏗᏱ ᎾᎿ ᏕᎪᏢᏒ ᎥᏝ ᏧᏂᏍᏚᏗ ᏱᎨᏎᏍᏗ ᎢᎦ, ᎥᏝᏰᏃ ᏒᏃᏱ ᏱᎨᏎᏍᏗ ᎾᎿᏂ.\nᎰᏩᏃ ᎾᏍᎩ ᎠᏃᎯᏳᎲᏍᎩ ᎨᏒ ᎣᏍᏛ ᏄᎾᎵᏍᏓᏁᎰ ᎨᎦᏠᏯᏍᏗᏍᎪ ᎣᏍᏛ ᏄᎵᏍᏓᏁᎸ ᎤᏬᎯᏳᎯᏍᏗ ᎡᏆᎭᎻ.\nᎢᏳᏪᏅᏍᏗ ᎤᏕᏅ.\nᏂᎦᏓ ᎠᎾᏓᏅᏖ ᎨᏥᏍᏗ ᎤᎾᏕᏘᏱᏍᎬ ᎢᏴ.\nᎣᎦᏁᏦᎿᎾ, ᎣᎩᏔᎶᏒ, ᎠᏆᏛᏛᏅ ᏲᎾ ᏯᏆᏓᏖᎶᏒ ᎠᎴ ᏴᎩᏔᎶᏌ ᎠᏂᏩᏥᏂ ᎣᏣᏁᏦᎥᏍᎬ.\nᎩᎶᏰᏃ ᎤᎮᏍᏗ ᎠᏥᏁᏗ ᎨᏎᏍᏗ, ᎤᏣᏘᏃ ᎤᎮᏍᏗ; ᎩᎶᏍᎩᏂ ᏄᎲᎾ ᎨᏎᏍᏗ ᎠᏥᎩᎡᏗᏉ ᎨᏎᏍᏗ ᎾᏍᎩ ᎾᏍᏉ ᎤᎲᎢ.\nᎠᏎᏃ ᏭᏓᏅᏖᎴ ᏥᏍᏕᏥ ᎤᎵᏍᏕᎸᏓ ᎨᏎ ᎤᏂᏍᏆᏂᎪᏔᏅ ᏌᎳᏓ ᎬᏅᎢ.\nᎠᏂᏆᎵᏏ ᎾᏍᏉ ᎬᏩᎷᏤᎸ ᎬᏩᎪᎵᏰᏍᎬᎩ, ᎯᎠ ᏂᎬᏩᏪᏎᎲᎩ; ᏚᏳᎪᏗᏍᎪ ᎠᏍᎦᏯ ᎤᏓᎢᏅᏗᏱ ᎤᏓᎵᎢ ᏂᎦᎥᏉ ᎪᎱᏍᏗ ᏴᏗᎵᏰᎢᎸᏍᏗᎭ?\nᏥᎪᎨ ᏅᎵᏌᎵᏉ ᎯᏰᎸᏍᎦ ᏄᏧᏈᏍᏛ ᎤᏓᏅᏘᏳ ᎨᏒ ᎠᎴ ᎬᏂᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎪᎯᏗᏳ ᎤᏁᎳᎩ ᎡᎵᏍᎬᎢ, ᏒᎢ, ᎠᎴ ᎪᎯᏗᏳ ᎤᏁᎳᎩ ᎡᎵᏍᎬᎢ, ᏂᎦᏔᎲᎾᏉ ᎨᏒ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏘᏳ ᎨᏒ ᏣᏘᏁᎬ ᏣᏁᏟᏴᏍᏗ ᎨᏒ ᏣᏓᏅᏛᎢ?\nᎢᏴ ᎠᏁᏙᎲ ᎠᏂᏴᏫᏯ ᎦᏚᏏ, ᎠᎦᏗᏓ ᎧᏃᎮᏗ ᏧᎾᏓᏟᏴᏗ ᏃᎴ ᎤᎾᏗᏍᎦᎶᏗ.\nᏴᎬᏂᎷᎩᏗ ᏱᎨᎩᎪᏩᏛ, ᎠᏆᏛᏅ.\nᎠᏏᏃ ᎨᎵᎵ ᎠᏁᏙᎲᎢ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏴᏫ ᎤᏪᏥ ᏴᏫ ᏙᏓᎨᏥᏲᎯᏎᎵ,\nᎢᏥᎪᏩᏗᎭᏰᏃ , ᎢᏓᎵᏅᏟ, ᏄᏍᏛ ᎡᏥᏯᏅᎲᎢ, ᎾᏍᎩ ᎥᏝ ᏳᏂᏣᏔ ᎠᏂᏏᎾᏌᏂ ᎤᏇᏓᎵ ᎤᎬᏩᎵ ᎨᏒᎢ, ᎥᏝ ᎠᎴ ᏳᏂᏣᏔ ᏧᎾᎵᏂᎩᏛ, ᎥᏝ ᎠᎴ ᏳᏂᏣᏔ ᎨᏥᎸᏉᏗ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᎤᏁᎳᏅᎯ ᎤᏣᏘ ᎦᎸᎳᏗᏳ ᎤᏌᎳᏓᏅ, ᎠᎴ ᎤᏁᎸ ᏧᏙᏍᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏟ ᎦᎸᏉᏗᏳ ᎡᏍᎦᏉ ᏂᎦᎥ ᏧᎾᏙᏍᏙᏗ ᎨᏒᎢ,\nᎥᏝ ᎠᏗᎾ ᎠᎩᏂᎬᏎᎲ ᏥᏁᎢᏍᏗᏍᎬ ᏱᎩ, ᎠᏆᏕᎶᏆᎥᏰᏃ ᏂᎦᎥ ᎾᏆᎵᏍᏓᏁᎵᏕᎬ ᎣᏏᏳᏉ ᎠᎩᏰᎸᏗᏱ.\nᎩᎦᎨ ᎤᏓᏴᎳᏔᏅ ᎤᏁᎦ ᎠᎬᏓᎨᏂ ᏣᎵ ᎤᎵᏍᏚᎸ.\nᎢᏳ ᎠᎴ ᎠᎨᏴ ᎤᏰᎯ ᎠᏓᎡᎨᏍᏗ, ᎠᎴ ᏅᏩᏓᎴ ᏓᎾᏤᎨᏍᏗ, ᎾᏍᎩ ᎠᏓᏲᏁᎮᏍᏗ.\nᏑᎾᎴᏃ, ᎠᏏ ᎪᎯᏗᏳ ᎬᏩᎩᏨᏗ ᎨᏒ ᎤᏗᏛᎮ ᎤᏄᎪᏤᎢ, ᎠᎴ ᎢᎾᎨ ᏭᎶᏎᎢ, ᎠᎴ ᎾᎿ ᎤᏓᏙᎵᏍᏔᏁᎢ.\nᎤᏍᏗ ᎤᏪᏴ ᏩᎦᎬᏍᏉᎥ ᎠᎹ ᎤᏴᏣ ᎬᏘ, ᏩᏆᏁᏦᏅ.\nᎥᏝᏰᏃ ᎩᎶ ᏲᎩᎾᎵᎪᎭ ᎤᏠᏱ ᎤᏓᏅᏔᏩᏕᎩ, ᎾᏍᎩ ᎠᏎ ᎬᏩᎦᏌᏯᏍᏙᏗ ᎨᏒ ᏂᏣᏛᎿᏕᎬᎢ.\nᎾᏍᎩ ᎾᏍᏉ ᏗᎩᎦᏴᎵᎨ ᏗᎨᏥᏲᎯᏎᎸᎯ ᎨᏒ ᏦᏑᏩ ᏧᎾᏖᏉᎶᏎ ᏧᏂᏲᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᎾᏤᎵᎪᎯ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏥᏚᎨᎯᏕᎴ ᏗᎩᎦᏴᎵᎨ ᏕᏫ ᏤᎮ ᎢᏯᏍᏗ.\nᎿᏉᏃ ᎠᏥᎸ-ᎨᎶᎯ ᎠᎴ ᎣᏍᏛ ᎢᏳᏩᎿᏕᎩ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ, ᎾᏍᎩ ᎯᎠ ᏄᏂᏪᏒ ᎤᎾᏛᎦᏅ, ᎾᏍᎩ ᎤᎾᏓᏅᏖᏔᏁᎢ, ᎭᏢ ᏮᏛᏍᏗᏥ ᎯᎠ, ᎤᏁᎵᏎᎢ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎤᏙᎯᏳᎯ ᎢᎳᏯ ᎢᎬᏱ ᎤᎷᎯᏍᏗ ᎠᎴ ᎤᏬᏢᎯᏐᏗ ᏂᎦᎥ ᎪᎱᏍᏗ.\nᏚᎦᏒᏍᏛᏃ ᏓᏳᏂᏄᎪᏨᎩ ᎥᎴ ᎠᎴ ᎡᎶᎯ ᏚᏂᏰᎵᏒᎩ; ᎠᎴ ᎤᎵᏂᎩᏛ ᎨᏒ ᎨᏥᏁᎸᎩ ᎾᏍᎩᏯ ᏗᏂᏙᎬ ᎠᎾᏓᏨᏯᏍᏗᏍᎩ ᎡᎶᎯ ᎠᏁᎯ ᎤᎵᏂᎩᏛ ᏧᏂᎭ.\nᏰᎵᏉᎨ ᏳᏫᏂᏴᎭᎦ ᏐᏉ?\nᎥᏝᏰᏃ ᏲᏥᎶᏒᏍᏗᎭ ᎣᎦᏟᎶᏒᎸᎢ, ᎾᏍᎩᏯ ᏂᎯ ᏗᏤᎲ ᏫᎦᏲᎩᎷᎯᏍᏗ ᏂᎨᏒᎾ ᏥᎨᏐ ᎢᏳᏍᏗ; ᏂᎯᏰᏃ ᎾᏍᏉ ᏗᏤᎲ ᎢᏴᏛ ᏬᎩᎷᏨ ᎣᏣᎵᏥᏙᎲᏍᎬ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ;\n”ᎣᏍᏓ ᎤᏒᎯ!”  \nᏑᎾᎴ ᎢᏣ ᎠᏛᎪᏗ ᎨᏎ ᎤᏃᏴᎬ ᎦᏄᎸ ᎠᏣᎩᏍᎩ ᎠᏕᏲᎲ, ᎢᎾ ᎢᎦᏘ ᎦᏄᎸ ᎦᎴᏴᏍᎨ.\nᎾᎯᏳᏍᎩᏂ ᎨᏒᎢ ᎠᎴ ᎾᎯᏳ ᏕᎨᏌᏗᏒᎢ, ᎢᏓᎵᏅᏟ, ᎥᏝ ᎤᏚᎸᏗ ᏱᏂᏣᎵᏍᏓᏁᎭ ᎢᏨᏲᏪᎳᏁᏗᏱ.\nᏥᏄᏓᎴᏰᏃ Ꭱ-ᎶᎯ ᏤᎭ, ᎠᏰᎸ ᎤᏚᎸᏗ ᏥᎩ, ᎠᎴ ᏨᎦᏙᎵ ᎤᏙᎸᏗ ᏥᎩ, ᎠᎴ ᎠᏢᏉᏗ ᎠᎴᏂᏓᏍᏗᏱ, ᎾᏍᎩ ᎥᏝ ᎠᎦᏴᎵᎨᏍᏗᏱ ᏅᏓᏳᏓᎴᏅᎯ ᏱᎩ, ᎡᎶᎯᏉᏍᎩᏂ ᎤᏓᎴᏅᎯ.\nᎧᎹᎹ, ᏥᏍᏆ, ᎠᎴ ᏩᏚᎵᏏ ᎠᏂᏩᏛᎰᎯᎲᎢ.\n”ᏍᎩᎾᎾᏂ,” ᎤᏛᏁ.\nᎠᏎᏃ ᎢᏨᎦᏔᎭ, ᎤᏁᎳᏅᎯ ᎡᏥᎨᏳᎢᏳ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏍᏔᏯ ᏥᏯᏄᎩᏣᏅ, ᎠᏆᎵᎮᎵᏨ, ᏍᎩᎾᎾ ᎤᏩᏌ ᏲᎩᏂᎭᏍᏗ.\nᎤᏙᎯᏳᎯᏰᏃ ᎥᏝ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏱᏚᏬᏯᏁᏎᎢ, ᎡᏆᎭᎻᏍᎩᏂ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᏚᏬᏯᏁᏎᎢ.\nᎾᏍᎩ ᎢᏦᎯᏳᏒ ᏴᏫ ᎠᏂᎦᏔᎿᎥᎢ ᏄᎵᏍᎦᏍᏙᏛᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎤᏁᎳᏅᎯᏍᎩ ᎤᎵᏂᎩᏗᏳ ᎨᏒᎢ.\nᎿᏉᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎠᏎ ᏗᏓᏙᏕᏍᏗᏍᎩ ᎤᎾᏄᎪᎢᏍᏗ; ᎠᏎᏃ ᎤᏲᎢᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᎤᎾᏄᎪᏫᏒᎯ!\nᏤᎵᎪᏃ ᎤᏂᎷᏤᎢ, ᎠᎴ ᎾᏍᎩ ᏤᎵᎪ ᎢᎤᏄᎪᏨ ᎠᎴ ᎾᏍᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎠᎴ ᎤᏂᏣᏘ ᏴᏫ, ᏗᎨᏫ ᏆᏗᎻᏯ, ᎾᏍᎩ ᏗᎻᏯ ᎤᏪᏥ, ᎤᏪᎴ ᏅᏃᎱᎶᏗ ᎠᏚᎳᏗᏍᎨᎢ.\nᏃᏉ ᎦᏓ.\nᎠᎴ ᏦᎢᏁ ᎤᏓᎵᎢ ᏧᏌ ᎾᏍᎩ ᎡᎶᏛ ᎤᏤᎵ ᏧᎬᏩᎶᏗ ᎤᎦᏌᏯᏍᏗᏕᎩ, ᎠᎴ ᏑᏌᏂ, ᎠᎴ ᎠᏂᎪᏗᏳ ᏅᏩᎾᏓᎴ ᎾᏍᎩ ᏥᎬᏩᏍᏕᎸᏙᏗᏍᎨ ᎪᎱᏍᏗ ᎤᏂᎿᎥᎢ.\nᎿᏉᏃ ᏛᏂᎪᎯ ᏴᏫ ᎤᏪᏥ ᏣᎢᏎᏍᏗ ᎤᎶᎩᎸᎢ, ᎤᏄᏬᏍᏕᏍᏗ ᎤᏣᏘ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\nᎾᏃ ᎬᎩᏍᎦᎩ, ᏄᎾᏚᎵᏍᎬᎾ ᏥᎨᏒ ᎠᎩᎬᏫᏳᎯ ᎢᏯᏆᎵᏍᏙᏗᏱ ᎠᏁᎲᎢ, ᎡᏗᏣᏘᏄᎦ, ᎠᎴ ᏗᏥᎷᎦ ᏥᎦᏔᎲᎢ\nᎠᏓᏅᏙᏍᎩᏂ ᏱᏗᏣᏘᏂᏙᎭ, ᎥᏝ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎲ ᏱᎨᏣᏚᏓᎸ.\nᏓᏍᏓᏎᎮᎵᏃ ᎤᏛᏅ ᎦᎸᎳᏗ ᎧᏅᏑᎸᎢ, ᎦᏳᎳ ᎬᎿᎢ, ᎠᎴ ᎠᏛᏅᎢᏍᏔᏅᎯ; ᎾᎿ ᏍᎩᏯᏛᏅᎢᏍᏓᏁᎸᎭ.\nᎢᎪᎯᏛ ᏥᏍᎦᎢᎲ, ᏐᏉ ᎦᏂᏍᏗ ᏳᎾᏌᎾᎩᏒ, ᏂᎦᏓ ᎤᏁᏍᎩᎸ ᏱᎦᏅᎪᎣᏐᎾ.\nᎠᏂᏃ ᎤᎭ ᎬᏩᏁᏤᎸᎯ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏧᎸᏍᏗᏱ ᏂᎦᏛ ᏕᏣᏙᎥ ᎠᏂᏁᎢᏍᏗᏍᎩ.\nᎠᎴ ᎠᏥᏁᎴ ᎠᎱᏍᏕᏍᏗ ᎨᏒ ᎤᏰᎸᏛᎢ, ᎠᏍᏓᏱᏗᏍᎩ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎠᏥᏰᎸᎾᏁᎲᎢ ᏅᏓᏳᏓᎴᏅᎯ ᎤᏬᎯᏳᏒ ᎠᏏ ᎾᏥᎤᏍᏕᏎᎸᎾ ᏥᎨᏎᎢ; ᎾᏍᎩ ᎤᏂᏙᏓ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏂᎥ ᎠᏃᎯᏳᎲᏍᎩ, ᏂᏗᎨᏥᎤᏍᏕᏎᎸᎾ ᎨᏒᎢ; ᎾᏍᎩ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎾᏍᎩ ᎾᏍᏉ ᎨᏥᏰᎸᎾᏁᏗᏱ;\nᎿᏉᏃ ᎣᏏᏳ ᎤᏂᏰᎸᏁ ᎨᏥᏅᏏᏛ ᎠᎴ ᏗᎨᎦᏁᎶᏗ ᎠᎴ ᏂᎦᏛ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏧᏂᏅᏍᏗᏱ ᎠᏂᏍᎦᏯ ᏧᎾᏑᏰᏛ ᎤᏅᏒ ᎤᎾᏓᏡᎬᎢ, ᎾᏍᎩ ᏧᏓᏏ ᏆᏏᏆ ᏧᏙᎢᏛ ᎠᎴ ᏌᏱᎳ ᎨᏥᎸᏉᏗ ᎠᎾᏓᏅᏢᎢ, ᏉᎳ ᎠᎴ ᏆᏂᏆᎢᏧᎳᎭ ᎤᏁᏅᏍᏗᏱ ᎥᏘᏍᎩ,\n“ᏰᎵᏉᏍᎪ ᎠᏕᎳ ᏱᏕᏍᎬᏏ?” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎾᏍᎩᏃ ᎤᏁᎳᏅᎯ ᎠᎬᏂᏗᏳ Ꭰ-Ꮄ ᎤᎦᎵᏍᏗ ᎢᏯᏓᏛᏁᎯ ᎢᏥᏁᏗ ᎨᏎᏍᏗ ᎤᏠᏱᏉ ᎢᏣᏓᏅᏓᏗᏍᏗᏱ, ᎾᏍᎩᏯ ᎪᎶᏁᏛ ᏥᏌ ᎠᏓᏅᏖᏍᎬᎢ;\n“ᎨᏍᏗ ᏐᏉ ᎤᏪᏥ ᏯᏆᏚᎵ ᎡᏍᎦ ᎢᏳᎵᏍᏙᏗ.”\nᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎤᏙᏓ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ, ᎤᏓᏙᎵᏣᏘ ᎠᎦᏴᎵᎨᎢ, ᎾᏍᎩ Ꭴ-ᏁᎳᏅᎯ ᏂᎦᎥ ᎠᏓᎦᎵᏍᏓᏗᏍᎩ;\nᎠᎬᏱ ᎡᎩ ᎠᎱᎵ ᎦᎵᎥᏂᎮ, ᎡᎶ ᎢᎬᎾᏕᏅ ᎠᎵᏖᎸᏍᎨ ᎤᏃᏴᎬ.\n“ᎠᎭᏂ ᏐᎢ! ᎠᎭᏂ ᏐᎢ!” ᎤᏛᏁ ᏙᏯ.\n“ᏌᎳᏓ ᎠᎾᏓᏤᎵ ᎤᏓᎵᏁᎯᏕ.\nᎤᏥ ᏃᎴ ᎤᏙᏓ ᎱᏂᎷᏣ ᏚᏃᎯᏎᎴ ᏄᏛᏁᎸ ᏃᎴ ᎢᏳᏍᏗ ᎤᎪᎲ\nᏧᏪᏅᏒ ᎤᏚᎵᏍᎬ ᎤᏪᏅᏍᏗ.\nᏥᏌᏃ ᎤᏣᎢᏒ, ᏚᎪᎮ ᎤᏂᏣᏘ ᏴᏫ, ᎠᎴ ᏚᏪᏙᎵᏤᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎠᏫ ᎤᏂᏃᏕᎾ ᏓᎾᏤᎳᎬ ᏁᎲᎾ ᏥᎨᏐ ᎤᏂᎦᏘᏯ; ᎤᎴᏅᎮᏃ ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᏚᏪᏲᏁᎢ.\nᎠᎴ ᏚᏪᏟᏌᏅᎩ ᎠᎹᎨᏙᏂ ᏚᏙᎥ ᎠᏂᏈᎷ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᏯᎬᏗᎭ.\nᏗᎦᏓᏁ ᏧᎭᏄᏬ ᏚᏓᎥ ᏦᎢ ᏗᎦᏅᏌᏗ ᏔᎷᎩᏍᎩ ᎠᏥᎸᏳᎸᏗ ᎾᎥᏂ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏓᎵᏅᏟ, ᏂᏗᎾᏰᏍᎬᎾ ᏫᎨᎩᏴᏍᏗ ᏥᏄᎵᏍᏔᎤ ᎤᏟᎢᎦᎸᏉᏗᎨᏒ ᏥᏌ ᎤᎩᎬ ᎢᏳᏩᏂᏌᏅᎯ.\nᎯᎠᏃ ᏄᏂᏪᏒᎩ; ᏝᏍᎪ ᎯᎠ ᎾᏍᎩ Ꮎ ᏥᏌ ᏱᎩ, ᏦᏩ ᎤᏪᏥ, ᎾᏍᎩ ᎤᏙᏓ ᎠᎴ ᎤᏥ ᏗᏗᎦᏔᎯ ᏥᎩ? ᎦᏙᏃ ᎤᎵᏍᏙᏔᏅ, ᎦᎸᎳᏗ ᏅᏛᏆᏠᎠᏒᎯ, ᏣᏗᎭ?\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᎾᏄᎪᏩ ᎠᏙᎴᎰᎯᏍᏙᏗ ᏕᏥᏁᏟᏴᏒ ᏕᏣᏓᏅᏛᎢ; ᎠᎴ ᏞᏍᏗ ᎢᏣᎴᏅᎲ ᎯᎠ ᎢᏥᏪᏒ ᏕᏣᏓᏅᏛᎢ; ᎡᏆᎭᎻ ᎣᎩᏙᏓ ᎠᏴ; ᎢᏨᏲᏎᏰᏃ ᎤᏁᎳᏅᎯ ᏰᎵᏉ ᎯᎠ ᏅᏯ ᏱᏕᎬᏓ ᏱᏕᎪᏢᎾ ᎡᏆᎭᎻ ᏧᏪᏥ.\n“ᎳᏘᏂᏗ,” ᏚᏬᏏᏌᏁᎢ ᏌᎳᏓ.\nᎿᏉᏃ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂᏌᏚᏏ, ᎾᏍᎩ ᏣᎾᏓᏱᎭ ᎠᏲᎱᏒ ᏗᎴᎯᏐᏗ ᎨᏒᎢ, ᎬᏩᎷᏤᎸ ᎬᏩᏛᏛᏁᎢ,\nᎠᏂᎦᏔᎲᏍᎩ ᏳᏂᎪᎵᏯᎠ ᏂᎬᏩᏍᏛ ᎡᎶᎯ.\nᎭᏫᏂ ᏭᏴᎴ ᏥᏍᏕᏥ ᏃᎴ ᏂᎦᏓ ᎤᎪᏁ ᎤᏘᏴ.\nᏂᎦᏓ ᎤᏒᎾ, ᎤᎵᏰᏔᏁᎢ, ᎧᏁᏌᎢ ᏭᏴᎴᎢ ᎦᏢᏍᎩ.\nᎤᏁᎷᏁᎢ ᏌᏌ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏟ ᏞᎩᏳ ᏥᏅᎵ, ᎾᏍᎩ ᎿᏉ ᏔᎵᏁ ᎢᎡᏥᎪᎥᎭ, ᎨᏣᎵᎮᎵᏍᏗ ᏱᎩ, ᎠᎴ ᎠᏴ ᎡᏍᎦ ᎢᏴᏛ ᎤᏲ ᏯᏆᏓᏅᏔᏩᏕᎦ.\n“ᏌᏌ ᎠᏨᏯᎢ?”\nᎠᎴ ᎠᏂ ᎾᏍᎩ ᏄᏍᏛ ᎦᏓᏅᏖᏍᎬ ᎬᏂᎨᏒ ᏂᎬᏁᎭ; ᎣᏏᏳᏰᏃ ᎢᎨᏣᎵᏍᏓᏁᏗ, ᎾᏍᎩ ᎦᏳᎳ ᎢᏣᎴᏅᏛ ᏥᎩ, ᎿᏉ ᏑᏕᏘᏴᏛ, ᎥᏝ ᎢᏣᏛᏁᏗᏱᏉ ᎾᏍᎩ, ᎾᏍᏉᏍᎩᏂ ᎣᏏᏳ ᎢᏥᏰᎸᏗᏱ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᏛᏛᏁ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ; ᎦᏙ ᎦᏛᎦ ᎯᎠ ᏓᏟᎶᏍᏛᎢ.\n“Ꭳ, ᎨᏍᏗ ᏯᏆᏚᎵ ᏁᎳᎩ ᎠᏇᎵᏍᏗ ᏓᎩᏏᎳᏛ.\nᎤᏒᏃ ᏄᎵᏍᏔᏅ ᏥᏳ ᎥᏓᎵ ᎠᏰᎵ ᎠᏂᏂᏎᎢ, ᎤᏩᏒᏃ ᏙᏱ ᎡᏙᎮᎢ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎤᎾᏓᏙᎵᏣᏘ, ᏛᎨᏥᏙᎵᏥᏰᏃ.\n”ᎨᏍᏗ ᏱᏥᎦᏔ ᎢᏳᏍᏗ ᎨᏒ ᏭᎬᏫᏳᏒ ᏦᏒᏅ,” ᎤᏛᏁ ᏫᎵᎻ.\nᏄᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎨᎶᎯ ᎾᏍᏉ ᎬᏂᎨᏒ ᎾᏋᏁᎭ, ᎠᎴ ᎾᎦᏛ ᏗᎨᎦᏁᎶᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎾᏍᏉ ᎪᏪᎵ ᏕᎬᎩᏅᏁᎸᎩ ᎢᏓᎵᏅᏟ ᏧᏂᎪᏩᏛᏗ, ᎠᎴ ᏕᎹᏍᎦ ᏩᎩᎶᏒᎩ, ᏕᏥᏯᏅᎲᏒ ᎾᎿ ᎠᏁᎯ ᏗᎨᎦᎸᎢᏛ ᏗᎦᏥᏯᏘᏃᎯᏍᏗᏱ ᏥᎷᏏᎵᎻ, ᎨᏥᎩᎵᏲᎢᏍᏙᏗᏱ.\nᎠᎴ ᏥᎦᏔᎯ ᎨᏒᎩ ᎾᏍᎩ, (ᎠᏰᎸ ᎠᏯᎥ, ᎠᎴ ᎠᏰᎸ ᎾᏯᎥᎾ ᎨᏒ ᎥᏝ ᏱᏥᎦᏔᎭ; ᎤᏁᎳᏅᎯ ᎠᎦᏔᎭ;)\nᎥᏝ ᎩᎶ ᎠᏛᎩᎩᎡᎵ, ᎠᏋᏒᏉᏍᎩᏂ ᎠᏆᏓᏅᏖᏛ ᎡᎳᏗ ᏓᏥᏂ. ᎠᎩᎭ ᏰᎵᏉ ᎡᎳᏗ ᎬᎩᏗ ᎨᏒᎢ, ᎠᎴ ᎠᎩᎭ ᏰᎵᏉ ᎬᎩᎩᏏᏐᏗ ᎨᏒᎢ. ᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎡᏙᏓ ᎠᎩᏁᏤᎸ.\nᎾᏍᎩ ᏛᎩᎸᏉᏔᏂ ᎠᏴ, ᎠᏆᏤᎵᏰᏃ ᎨᏒ ᏛᎩᏏ ᎠᎴ ᏓᏥᎾᏄᎪᏫᏎᎵ.\nᏂᎦᏛ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎤᏬᏚᎯ ᎠᎴ ᎣᏍᏛ Ꭰ'ᏱᎸᏛ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎠᏂᏉ ᎢᏕᎲ ᎤᏩᏒ ᎤᏚᎩ ᏱᎬᎭ ᎦᎶᏁᏛ ᎢᎩᏍᏕᎸᏗᏱ, ᎾᏂᎥ ᏴᏫ ᏕᏗᎪᎾᏛᏗ ᎤᏲ ᏂᎦᏛᏅᎢ.\nᎥᏝ ᎠᎴ ᏅᏩᏓᎴ ᎩᎶᎢ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᏯᎭ, ᎥᏝᏰᏃ ᏅᏩᏓᎴ ᏕᎤᏙᎥ ᎦᎸᎶ ᎭᏫᏂᏗᏢ ᏴᏫ ᎠᏁᎲ ᎠᎵᏍᎪᎸᏔᏅᎯ ᏱᎩ ᎢᎦᎵᏍᏕᎸᏙᏗ.\nᏚᎾᏕᏯᏙᏔᏅᎩᏃ ᏴᏫ ᎠᎴ ᎦᏚᎲ ᎨᏥᎦᏘᏗᏍᏗ, ᎾᏍᎩ ᎯᎠ ᎤᎾᏛᎦᏅ.\nᎠᏎᏍᎩᏃ, ᏥᏍᏚ ᎤᏩᎾᏖ ᎠᎵᏍᎪᏍᎬ ᏩᎭᏯ.\nᏃᎴ ᏍᏉ, ᎦᏓᏁ ᎢᎦᎵᏍᏗᏍᎩ ᏱᎨᏒᎾ.\nᎠᎴ ᏅᏩᏓᎴ ᏗᎧᎿᏩᏗᏙᎯ ᎥᏥᎪᎥᎩ ᎦᎸᎶᎢ ᎠᏰᎵ ᎨᏒ ᎦᏃᎯᎵᏒᎩ, ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎣᏍᎩ Ꮎ ᎡᎶᎯ ᎠᏁᎯ, ᎠᎴ ᏂᎦᏗᏳ ᎤᎾᏓᏤᎵᏛ ᏓᏁᏩᏗᏒ ᏴᏫ, ᎠᎴ ᏗᏂᎳᏍᏓᎳᏩᏗᏒᎢ, ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ, ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ,\nᎡᎾᎢ ᎤᎵᏬᏨ ᏓᏳᏓᎴᏅ.\nᎠᏴ, ᏉᎳ, ᏥᏴᎩ ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏍᏛᏗᏍᎬᎢ, ᎠᎴ ᏗᎹᏗ ᎢᎩᏅᏟ, ᏫᏍᏛᏲᏪᎳᏏ ᏆᎵᎹᏂ ᎤᏣᏘ ᎢᏍᏛᎨᏳᎢ, ᎠᎴ ᎤᏠᏱ ᏗᎩᎸᏫᏍᏓᏁᎯ,\nᎠᏏᏉᏃ ᏓᏂᏬᏁᏗᏍᎨ ᏴᏫ, ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᎣᏍᏛ ᎢᏳᏩᎿᏕᎩ ᎤᏛᏅ-ᏗᏚᎳᏫᎢᏍᏗᏱ ᎠᎴ ᎠᏂᏌᏚᏏ ᎬᏩᏂᏃᎴᎢ;\nᎢᏳᏃ ᎩᎶ ᎢᎩᏅᏟ ᎠᎴ ᎢᎩᏙ ᏧᏂᏰᎸᎭ ᏱᎩ, ᎠᎴ ᏳᏂᏂᎬᎦ ᏂᏚᎩᏨᏂᏒ ᎠᎵᏍᏓᏴᏗ ᎨᏒᎢ,\nᎡᎵᏍᏓᎦ ᎢᏧᎳᎭ ᎣᏍᏗᏴᎩ, ᏫᏥᏲᎵᎭ, ᎠᎴ ᎹᎦ ᏆᏂᏆ ᎤᏙ ᎤᏪᏥ, (ᎾᏍᎩ ᎤᎬᏩᎵ ᎢᏣᏛᎦᏅᎯ ᏥᎩ; ᎢᏳᏃ ᏫᏥᎷᏤᎸᎭ ᏕᏣᏓᏂᎸᏨᎭ;)\nᎦᏓᎭᏃ ᎠᏓᏅᏙ ᎤᎸᏕᏍᏔᏅ, ᎠᎴ ᎠᏍᏓᏯ ᎤᏪᎷᏅ, ᎤᏄᎪᏤᎢ.\nᎠᏎᏃ ᎨᏍᏗ ᎠᎵᏍᏆᏙᏅᏱᎩ.\nᎾᏍᎩᏯ ᎤᏪᎵᏎ, ᎨᏍᏗ ᏳᏫᏚᎧᎾᎾ ᎣᎭᏁ.\nᎥ\nᎤᏂᏣᏘᏃ ᎠᏂᎦᏖᏃᎮᎢ, ᎠᎴ ᏂᎦᏛᏉ ᎠᏫ ᏙᏧᎾᏓᏅᏛ ᎬᏩᏓᏅᏖᏍᎨ ᏣᏂ, ᎾᏍᎩ ᎦᎶᏁᏛ ᎨᏒ, ᎠᎴ ᎦᎶᏁᏛ ᏂᎨᏒᎾ ᎨᏒᎢ;\nᏚᏟᎶᏍᏓᏁᎴᏃ ᎾᏍᏉ [ᎯᎠ ᏄᏪᏎᎢ; ᎥᏝ ᎩᎶ ᎢᏤ ᎠᏄᏬ ᎤᏪᏘᎯ ᏱᎦᎳᏍᏢᎥᏍᎪᎢ; ᎢᏳᏰᏃ ᎾᏍᎩ ᏱᏄᏛᏁᎸ, ᎢᏤ ᎠᏄᏬ ᎦᏣᎦᎵᏍᎪ ᎤᏪᏘ, ᎠᎴ ᎾᏍᏉ ᎢᏤ ᎠᎬᎭᎸᏛ ᎥᏝ ᏱᏓᎾᏙᎵᎪ ᎤᏪᏘ.\nᎯᎢᎾ ᎠᏍᎦᏯ ᏍᏏᏉᏯ ᎠᏲᎤᏟ ᎨᏎᎢ.\nᏣᎵ ᏫᏥᎢᎦ ᎦᏬᏂᏍᎬ, ᎧᏃᎮᏍᎬ ᎡᏘᏴ ᏣᏁᎮ ᎠᏫ ᎢᏳᎾᏍᏘ ᏃᎴ ᏯᎾᏌ, ᎨᏍᏗ ᎩᎶ ᏧᏂᎪᎲ ᏱᎨᏎ, ᏣᎵ ᎤᏩᏌ.\n“ᏙᎤᏍᏗ ᏗᏣᎷᏫᏍᏔᏁᏗ? ᎤᏛᏛᏁ ᏫᎵᎻ.\nᎤᏩᎾᏕᏍᎩ ᎦᏙ ᎤᏂᏏᏗ ᎾᎬᎭᏁᎮ, ᎦᎶᎯᏍᏗ ᏙᏰ.\nᏂᎦᏓ ᎤᏁᏅᏎ ᏧᏪᏯ ᏗᏣ.\nᏚᎾᏛᎦᏁᎴᏰᏃ ᏧᏓᎴᏅᏛ ᏓᏂᏬᏂᏍᎬ ᎠᎴ ᎠᏂᎸᏉᏗᏍᎬ ᎤᏁᎳᏅᎯ. ᎿᏉᏃ ᏈᏓ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎢ;\nᎪᎯᏳᏗ ᎨᏒ ᎠᏅᏗᏍᎬ ᎼᏏ ᏧᎦᏴᎵᎨ ᎾᎯᏳ ᎤᏕᏅ ᏦᎢ ᎢᏯᏅᏙ ᏥᎬᏩᏍᎦᎸᏁᎢ, ᎠᏂᎪᏩᏘᏍᎨᏰᏃ ᎤᏬᏚᎯᏳ ᎨᏒ ᎠᏲᎵ; ᎥᏝ ᎠᎴ ᏯᏂᏍᎦᎢᎮ ᎤᎬᏫᏳᎯ ᎤᏁᏨᎢ.\nᎾᏍᎩ ᎢᎩᎾᏄᎪᏫᏎᎸᎯ ᏥᎩ ᎤᏕᎵᏛ ᎤᏓᏅᏖᎸᎯ, ᎾᏍᎩᏯ ᎣᏏᏳ ᎤᏰᎸᏅᎢ, ᎾᏍᎩ ᎤᏩᏒ ᎨᏒ ᎤᏓᏅᏖᎸᎯ ᎨᏒᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂᏧᏏ ᎯᎠ ᏄᏂᏪᏎᎴ ᎠᏥᏅᏩᏅᎯ; ᎪᎯ ᎤᎾᏙᏓᏆᏍᎬᎢ, ᎥᏝ ᏚᏳᎪᏛ ᏱᎩ ᏣᏤᏍᏙ ᏣᏂᏓᏍᏗᏱ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎤᏬᎴ ᎵᏍᏗ ᎠᏲᎤᎵ ᏧᎳᏏᏕᏂ, ᎾᏲᎤᎴ ᎤᏕᏅ, ᎢᎸᎯᏳ ᎤᏪᏙᎸᎯ ᏂᎨᏒᎾ.\n”ᎨᏍᏗᎭ ᏳᏚᎵᏍᎨ ᎤᏪᏥ ᎤᏬᏎᎴ ᏧᏍᏆᏴᏍᏗ,” ᏔᎵᏁ ᏄᏪᏎ ᏲᎾ ᎤᏤᏍᏙ.\nᏎᎦᏨ ᏭᎷᏤ ᏗᏄᎪᏗᏍᎩ ᎤᎾᏅᏗ.\nᎾᏍᎩᏍᎩᏂ ᎯᎠ ᎦᏓᎭ ᎢᏳᏩᏁᎯ ᏴᏫ; ᏂᏓᏑᎴᎲᎾᏍᎩᏂ ᎠᎵᏍᏓᏴᏗᏱ ᎥᏝ ᎦᏓᎭ ᏱᏄᏩᏁᎰ ᏴᏫ.\nᎾᏍᎩ ᏞᏍᏗ ᏴᏫᏉ ᎨᏣᏙᎴᎰᎯᏎᏗᏱ ᏱᏣᏰᎵᏎᏍᏗ ᎠᎹᏟ ᏨᏒᎢ, ᏣᏙᏓᏍᎩᏂ ᎤᏕᎵᏒ ᎡᎯ, ᏣᏙᏓᏃ ᎤᏕᎵᏒ ᎠᎪᏩᏘᏍᎩ, ᎠᏎ ᏣᎫᏴᎡᏗ ᎬᏂᎨᏒᎢ.\nᎠᏴᏰᏃ ᎣᏍᏛ ᎧᏃᎮᏛ ᎡᎦᎵᏥᏙᏁᎸᎩ, ᎾᏍᎩᏯᏉ ᏥᎨᎦᎵᏥᏙᏁᎸᎩ ᎾᏍᎩ; ᎠᏎᏃ ᎾᏍᎩ Ꮎ ᎧᏃᎮᏛ ᎤᎾᏛᎦᏅ ᎥᏝ ᏅᏂᏍᏕᎸᎮᎢ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎪᎯᏳᏗ ᎨᏒ ᏄᏓᏑᏴᎾ ᎨᏒ ᎠᎾᏛᎩᏍᎬᎢ.\nᎤᏁᎳᏅᎯ ᎥᏝ ᎢᏴᏛ ᏱᏂᏚᏩᏁᎸ ᏧᏤᎵ ᏴᏫ ᎾᏍᎩ ᎦᏳᎳ ᏥᏂᏓᎦᏔᎰᎢ. ᏝᏍᎪ ᏱᏥᎦᏔᎭ ᏂᎦᏪᏍᎬ ᎪᏪᎵ ᎾᎿ ᎢᎳᏯ ᎠᏥᏃᎮᏍᎬᎢ? ᎾᏍᎩ ᎠᏔᏲᎯᎲ ᏕᎠᏡᏗᏍᎬ ᎢᏏᎵ ᎯᎠ ᏂᎦᏪᏍᎬᎢ,\n“ᎭᎵᎮᎵᎩ,” ᎤᏬᏎᎴ ᎪᏱᏁᎢ, “ᎣᏍᏓ ᎠᏰᎸᏗ.”\nᎾᏍᎩ ᎾᎯᏳ ᎠᏎᎸᎯ ᎨᏒ ᎠᎵᏰᎢᎶᎸᎭ ᏧᏪᏟᏐᏗᏱ ᏌᏉ ᎢᏧᏩᏁᏗᏱ ᎦᎶᏁᏛ ᏧᏲᎯᏎᏗ ᎦᎸᎶᎯ ᎠᎴ ᎾᏍᏉ ᎡᎶᎯ ᏤᎭ; ᎾᏍᎩ ᏧᏲᎯᏎᏗ,\nᏩᎩᎷᏣ ᏩᏯ, ᏦᎢ ᎢᏳᏪᏅᏍᏗ ᎠᏆᏁᏦᏅ ᎠᏁᏦᏗ, ᏥᏴᏐᎵ ᎠᎩᏍᏆᎵᏍᏔᏅ.\n“ᎣᏏᏉᎨ ᏄᏍᏗ ᎠᎦᏍᏘᏰᎬᎢ? ᎤᏛᏛᏁ ᎠᎳᏂ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏚᏂᎧᎿᏩᏗᏙᎮᏍᏗ ᎾᏂᎥ ᏄᎾᏠᎾᏍᏛᎾ ᎤᏂᎨᏳᎯ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ. ᎡᎺᏅ.\nᎠᏂᎨᏯ ᏃᎴ ᏗᏂᏲᏟ ᎤᎾᏓᏄᎸᎢᏍᏛ ᏎᎦᏨ ᎠᏂᏬᏂᏍᎬ.\nᏥᏌᏃ ᏧᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎩᎶ ᎢᏳᏍᏗ ᏥᎷᏏᎵᎻ ᎤᏂᎩᏎ ᏤᎵᎪ ᎤᏪᏅᏎᎢ, ᏗᎾᏓᎾᏌᎲᏍᎩᏃ ᏚᎾᏓᏩᏛᏔᏁᎢ, ᎾᏍᎩ ᏕᎬᏩᏄᏪᏎ ᏚᏄᏩᎥᎢ, ᎠᎴ ᎬᏩᎵᎥᏂᎴᎢ, ᎠᎴ ᎤᎾᏓᏅᏎ ᎬᏩᏕᏤ ᎠᏰᎵ ᎢᏴᏛ ᎤᏲᎱᏒᎯ ᎨᏎᎢ.\nᎤᏒᏃ ᎿᏉ ᏅᏙ ᏭᏕᎵᏨ, ᏕᎬᏩᏘᏃᎮᎴ ᏂᎦᏛ ᏧᏂᏢᎩ, ᎠᎴ ᎠᏂᏍᎩᎾ ᏗᎬᏩᏂᏯᎢ;\nᏗᏣᎧᏅᎦ ᎢᏏᎵ ᎾᏍᎩ ᎤᏇᏓᎵᏉ ᎨᏒᎢ; ᏝᏍᎪ ᎾᏍᎩ Ꮎ ᏗᎵᏍᎪᎸᏔᏅᎯ ᏣᎾᎵᏍᏓᏴᏗᏍᎪ ᎤᏁᎳᏗᏍᏗᏍᎩ ᏱᎨᏐ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎠᎵᏍᎪᎸᏔᏅᎯ?\n”ᎭᏓᏄᏖᏯᎦ ᏃᎴ ᎭᎧᏔᎲᎾ!” ᏧᏪᎷᏁ ᏌᏌ.\nᏔᎳᏚᏃ ᎢᏳᏕᏘᏴᏛ ᎨᏎ ᏥᎷᏏᎵᎻ ᎤᏁᏅᎭ ᎾᏍᎩᏯ ᎢᏳᎾᏛᏁᏗ ᎨᏒ ᏓᎾᎵᏍᏓᏴᎲᏍᎬ ᎢᏳᎢ.\nᎦᎶᎯᏍᏗ ᎦᎸᎳᏗᏣ ᏦᎢ ᏧᏂᏍᏗ ᏓᏂᏏᎳᏛᎥᏍᎨ.\nᎤᎦᏛᎴᏏᏙᎴᏃ ᎤᏪᏙᎴ ᏧᏛᎾ ᏕᎦᏚᎲ ᎠᎴ ᏧᏍᏗ ᏕᎦᏚᎲᎢ, ᏓᏕᏲᎲᏍᎨᎢ, ᎠᎴ ᏥᎷᏏᎵᎻ ᏩᎦᏖᎢ.\n”ᎡᎵᏍᏗ ᏔᎵᏁ ᏛᎦᏁᎸᏔᏂ,” ᎤᏛᏁ ᏫᎵᎻ, ᎤᎵᎮᎵᏍᏗ.\nᎥᏝ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎢᏳᏩᏂᏌᏛ ᏱᎩ, ᎾᏍᎩ ᎩᎶ ᎤᏢᏈᏍᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᏂᎳᎩᏍᎬ ᎧᏁᏌᎢ ᏫᎵᎻ, ᎠᎾᏓᏓᏍᎩᏏᏍᎨᎢ ᏴᏫ ᎤᎾᎦᏙᏍᏕᎢ.\nᎿᏉ ᎧᏱᏆ ᎦᏁᎸ ᎤᎾᏘᎿᏫᏛᎲᎩ ᏥᏌ, ᏗᎫᎪᏙᏗᏱ ᏭᎾᏘᏅᏍᏔᏅᎩ; ᎠᎴ ᏑᎾᎴ ᎨᏒᎩ. ᎤᏅᏒᏍᎩᏂ ᎥᏝ ᏗᎫᎪᏙᏗᏱ ᏳᏁᏅᏎᎢ, ᎦᏓᎭ ᏱᏃᏣᎵᏍᏓ ᎠᏁᎵᏍᎬᎩ, ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᏧᎾᎵᏍᏓᏴᏗᏱ ᎤᏂᏰᎸᏒᎩ.\nᎢᏣᏓᏅᏛᎵ ᏧᏥᎸᎯ ᏓᏛᏍᎬᎢ; ᎥᏝ ᏱᏚᏂᎸᏫᏍᏓᏁᎰᎢ, ᎥᏝ ᎠᎴ ᏯᏂᏍᏙᎰᎢ; ᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎾᏍᏉ ᏐᎵᎹᏅ ᏂᎦᎥ ᎤᏬᏚᎯᏳ ᎨᏒ ᎥᏝ ᎾᏍᎩ ᏱᏄᏍᏕ ᏚᏄᏩᎥᎢ ᎯᎠ ᎾᏍᎩ ᏌᏉ ᏄᏍᏛᎢ.\n”ᎾᎥᏂ---ᎥᏂ ᏦᏍᎪ ᏧᏙᏓᏆᏓ, ᏂᎦᏓ ᏱᎧᏃᎮᎳ,” ᎤᏛᏁ ᏌᏌ.\nᏍᎩᎾᎾ ᎤᏩᏌ ᎤᏙᎯᏳ ᎣᏍᏓ.\nᏂᎯᎾᎲ!\nᎤᏂᏍᏆᏛᏃ ᏂᎦᎥ ᎪᏪᎸ ᎾᏍᎩ ᎠᏥᏃᎮᏍᎬᎢ, ᎤᎾᏕᏎ ᎠᏓ ᎨᏛᎢ, ᎠᎴ ᎠᏤᎵᏍᏛ ᎤᏂᏅᏁᎢ.\nᎠᏏᏃ ᏌᏉ ᎤᏪᏥ ᎡᎮᎢ, ᎤᎨᏳᎯ, ᎾᏍᎩ ᎾᏍᏉ ᎤᏅᏎ ᎣᏂᏱ ᏗᏁᎲᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎠᏎ ᏛᏂᎸᏉᏔᏂ ᎠᏇᏥ.\nᏃᎴ ᏐᏉ ᎢᏣ ᎦᏓᎭ ᎨᏐᎢ ᏗᎩᏏ ᎤᎾᏏᏅᎢ.\nᎠᏎᏃ ᏌᏱᎳ ᎣᏏᏳ ᎤᏰᎸᏁ ᎾᎿᏉ ᎤᏗᎩᏯᏍᏗᏱ.\nᎠᎦᏴᎵᎨᏰᏃ ᎤᏩᏒ ᎢᏥᎨᏳᎭ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏍᎩᎨᏳᎢᏳ ᎨᏒᎢ, ᎠᎴ ᎢᏦᎯᏳᏅ ᎤᏁᎳᏅᎯᏱ ᏅᏛᏆᏓᎴᏅᎯ ᎨᏒᎢ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎠᏍᎫᏕᏍᏗ ᎤᏤᎵ ᎤᏪᏂᏙᎸᎩ ᎡᎶᎯ, ᎠᎴ ᎤᏪᏟᏌᏅᎩ ᏖᎸᎳᏗ ᎡᎶᎯ ᎤᏛᏒᎯ, ᎠᎴ ᏭᏓᎢᏅᏒᎩ ᏭᎸᏅᎩ ᎤᏔᏅ ᏖᎸᎳᏗ-ᎦᏨᏩᏍᏙᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏤᎦ.\nᏥᏅᏩᏍᏛᏉ ᏝᏍᎪ ᏣᏤᎵᎦᏯ ᏱᎨᏎᎢ? ᏣᎾᏗᏅᏃ ᏝᏍᎪ ᏱᏣᎮ ᎭᏓᏅᏖᏍᎬᏉ ᎢᏨᏁᏗᏱ? ᎦᏙᏃ ᎯᎠ ᎾᏍᎩ ᏂᎤᏍᏗ ᎢᏦᏢᏅ ᏣᎾᏫᏱ? ᎥᏝᏍᎩᏂ ᏴᏫᏉ ᏱᎩᏯᏥᎪᏁᎸ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎯᏯᏥᎪᏁᎸ.\nᎿᏉᏃ ᎾᏍᏉ ᏐᎢ ᎠᏓᏍᏓᏩᏗᏙᎯ, ᎢᎬᏱ ᎤᎷᏨᎯ ᎠᏤᎵᏍᏛ, ᎤᏴᎸᎩ; ᎠᎴ ᎤᎪᎲᎩ ᎠᎴ ᎤᏬᎯᏳᏅᎩ.\nᎠᏎᏃ ᎤᎾᏓᏅᏒᏉ ᏚᏂᏃᏣᎳᏅᎩ ᎾᎿ ᏂᎬᎾᏛᎢ.\nᏗᎪᏢᏒᏃ ᎠᏥᎸᏱ ᏫᏙᏛᎾᏓᎡᏏ; ᎾᎿ ᏓᏂᏴᎨᏍᏗ ᎠᎴ ᏓᏂᎸᏓᎩᏍᎨᏍᏗ ᏓᏂᏄᏙᎬᎢ.\nᏂᎯᏍᎩᏂ, ᎢᏓᎵᏅᏟ, ᎥᏝ ᎤᎵᏏᎬ ᏱᏤᎭ, ᎾᏍᎩ Ꮎ ᎾᎯᏳ ᎢᎦ ᎨᏣᏢᏔᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩᏯ ᎦᏃᏍᎩᏍᎩ ᏧᏢᏔᏍᎪᎢ.\nᏥᏯᏛᏛᏅ ᎢᏴ ᎣᎯᏍᏙᏗ ᎠᎩᎷᎯᏍᏗ, ᏣᏗ ᎯᎸᎢᏴ.\nᎠᎴ ᎬᏍᎦᎢᏍᏓᎩ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᏴᏫ ᎤᎪᏏᏛ ᏧᎾᏓᏅᏘ, ᎤᏂᏂᎩᏛ ᏚᏳ-ᎪᏛᎢ, ᎨᏅᎢᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᏗᏁᎶᏙᏗ ᎢᏧᎳᎭ ᎠᏁᎵᏍᎩ. ᎾᏍᎩ ᎢᏳᎾᏍᏗ ᏕᎭᏓᏅᎡᎮᏍᏗ.\nᎠᎴ ᏞᏍᏗ ᎠᏍᎦᏂ ᏤᏥᏲᎯᏎᎸᎩ ᏗᏥᏰᎸ ᎤᏚᏓᏕᏫᏒᎢ, ᎾᏍᎩ ᏗᏨᏙᏗᏱ ᏂᏚᏳᎪᏛᎾ ᏗᏥᎸᏫᏍᏓᏁᏗᏱ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᎢᏨᏒ ᏤᏣᏓᏲᎯᏏ, ᎾᏍᎩ ᎢᏳᎾᏛᏁᏗ ᎤᎾᏛᏂᏛᎯ ᏧᏂᏲᎱᏒᎯ ᎨᏒ ᎠᎴ ᏗᏥᏰᎸ ᎤᏚᏓᏕᏫᏒ ᎤᏁᎳᏅᎯ ᏕᏥᏲᎯᏎᎸᎩ ᎾᏍᎩ ᏗᏨᏙᏗᏱ ᏚᏳᎪᏛ ᏗᏥᎸᏫᏍᏓᏁᏗᏱ,\nᎠᎵᏥᏙᎲᏍᎨᏃ ᎯᎠ ᏂᎦᏪᏍᎨᎢ; ᎤᏟ ᎤᎵᏂᎩᏗᏳ ᎡᏍᎦᏉ ᎠᏴ ᎣᏂ ᏓᏯᎢ, ᎾᏍᎩ ᏧᎳᏑᎶᎩᎯ ᏓᎧᏁᏌᏛ ᎥᏝ ᏰᎵ ᏱᏂᎪᎢ ᎠᏆᏗᏌᏓᏗᏍᏗᏱ ᎠᎴ ᏗᎩᎧᏁᏴᏗᏱ.\nᎦᏙ ᏴᏫ ᏳᏁᏉᏥ ᎢᏳᏃ ᎡᎳᏂᎬ ᎤᏤᎵ ᏱᏄᎵᏍᏔᏅ, ᎤᏓᏅᏙᏃ ᏳᏲᎱᏍᎸ; ᎠᎴ ᎦᏙ ᏯᎲᎦ ᏴᏫ ᏱᎦᏁᏟᏴᏍᏓ ᎤᏓᏅᏙ.\nᏥᏍᎪᎵ ᎥᏝ ᏱᏍᎩᎶᏁᏔᏁ ᎪᎢ; ᎯᎠᏍᎩᏂ ᎠᎨᏴ ᎠᏠᏁᏗ ᏚᎶᏁᏔᏅ ᏗᏆᎳᏏᏕᏂ.\n“ᎠᏂᏍᎦᏰᎬᏍᏗ ᏙᏣᏦᏍᎦ,” ᎤᏛᏁ ᎤᏔᎾᏯ ᎤᏃᏕᎾ.\nᏥᏌᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏳᏃ ᎠᏋᏒ ᏱᎦᏓᎸᏉᏗᎭ, ᎥᎩᎸᏉᏗᏳ ᎠᏎᏉᏉ ᏱᎩ; ᎡᏙᏓᏍᎩᏂ ᎠᎩᎸᏉᏗᏍᎩ, ᎾᏍᎩ ᎠᏴ ᎣᎦᏁᎳᏅᎯ ᏥᏣᏗᎭ.\nᎥᏝᏰᏃ ᎪᎱᏍᏗ ᏱᎬᏍᎦᎳ ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏙᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᎤᏕ-ᎵᏛ ᏱᎩ ᎾᏍᎩ ᎠᎦᏙᎥᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎤᏂᏰᏤ ᏗᎾᏙᎴᏆᏍᎩ, ᎤᏕᎰᏎ ᏲᎾ ᎤᏤᏍᏙ.\nᏔᎵᏁ ᎤᏃᏕᎾ ᎠᏓᎯ ᎤᏁᎸᏔᏁᎢ.\nᎠᏰᎸᏰᏃ ᎠᏓᏅᏙ ᏄᏪᎲᎾ ᏱᎩ ᎤᏓᏬᏨᎯ ᏥᎨᏐᎢ, ᎾᏍᎩᏯᏉ ᎪᎯᏳᏗ ᎨᏒ ᏔᎵ ᏄᏛᏛᎾ ᏱᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎾᏍᏉ ᎤᎵᏬᏨᎯ ᎨᏐᎢ.\nᎠᎾᎵᏅᏟᏰᏃ ᎥᏝ ᏱᎬᏬᎯᏳᎲᏍᎨᎢ.\nᎾᎿᏰᏃ ᎠᏛᏳᎨᏗ ᎠᎴ ᎠᏗᏒᏍᏗ ᎠᏁᎲᎢ, ᎾᎿ ᎡᎰ ᏧᏓᎴᏅᏛ ᎠᎴ ᏂᎦᎥ ᎤᏲ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎾᎯᏳᏃ ᎠᏃᎯᏳᎲᏍᎩ ᎤᏂᏣᏔᏅ, ᎠᏂᎪᎢ ᎤᏂᏬᏂᎯᏍᏗ ᎠᏂᏬᏂᏍᎩ ᎪᎱᏍᏗ ᏓᏃᏎᎮ ᎠᏂᏈᎷ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏂᎨᎦᎦᏌᏯᏍᏛᎾ ᎨᏒ ᏧᎾᏤᎵ ᎠᏂᎨᏴ ᏧᏃᏑᎶᏨᎯ ᏂᏚᎩᏨᏂᏒ ᎠᏂᏯᏙᎯᎲᎢ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎯᏍᎦᏯ, ᎦᎪ ᏗᏍᏛᏳᎪᏓᏁᎯ ᎠᎴ ᎢᏍᏛᏯᏙᎮᎯ ᎾᏋᏁᎸ?\nᎾᏍᎩ Ꮎ ᎬᏂᎨᏒ ᏥᏃᏨᏁᎭ, ᎾᏂᎥ ᏥᏙᏤᏯᏔᎲᏍᎦ, ᎠᎴ ᎾᏂᎥ ᏥᏙᏤᏲᎲᏍᎦ ᏦᏨᏗᎭ ᏂᎦᎥ ᎠᎵᏏᎾᎯᏍᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎾᏂᎥ ᎬᏂᎨᏒ ᎢᏦᏨᏁᏗᏱ ᏄᏂᎪᎸᎾ ᎦᎶᏁᏛ ᏥᏌ ᏚᎾᏁᎶᏛᎢ;\nᏂᎦᎥᏰᏃ ᎪᎱᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏕᏔᏅᎯ ᎠᏎᎪᎩᏍᎪ ᎡᎶᎯ. ᎢᎪᎯᏳᏒᏃ ᎾᏍᎩ ᎠᏎᎪᎩᏍᎩ ᎡᎶᎯ.\nᏫᎬᏲᏪᎳᏏ ᏘᎹᏗ ᎠᏋᏒ ᎠᏆᏤᎵ ᎠᏇᏥ ᎪᎯᏳᏗ ᎨᏒ ᎢᏳᏩᏂᏌᏛ; ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᎤᏓᏙᎵᏣᏛ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᏕᏣᎧᎿᏩᏗᏙᎮᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁ-ᎳᏅᎯ ᎢᎩᏙᏓ ᎠᎴ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ.\nᎯᎾ - ᎨᏙᎩ ᏱᏓᏃᏎᎰ Ꮎ:\nᏙᏱ ᏳᏗᎧᎴᏅ, ᎧᏃᎮᏛ ᎠᏗᎦᎴᏲᏍᎬ ᎡᏆ ᏓᏍᏆᏚᎸ, ᏱᏓᎧᏁᏍᎬᏃᏉ ᏃᎴ ᎭᏫᏂ ᏯᏴᎵᎲᎾ.\nᎠᏎᏃ ᎾᏍᎩ Ꮎ ᎠᏥᏅᏏᏓᏍᏗ ᎤᏄᎪᏨ, ᎤᏩᏛᎮ ᎠᏏᏴᏫ ᎢᏧᎳᎭ ᎨᏥᏅᏏᏓᏍᏗ ᎾᏍᎩ ᎤᏁᏨᎯ ᎤᎫᏴᎡᏗᏱ ᎠᏍᎪᎯᏧᏈ ᎠᎩᏏ ᏧᎾᎬᏩᎶᏗ; ᎤᏂᏴᎮᏃ, ᎠᎴ ᎤᏴᏍᎩᏴᎮᎢ; ᏍᏆᎫᏴᏏ ᏥᎬᏚᎦ, ᎤᏛᏁᎢ.\nᎤᎯᏐᏗ ᎠᏂᏲᏍᎩ ᏧᎾᏙᎴᏆᏍᏗ ᏭᏪᏙᎸ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎠᏴ ᏂᏗᎥ ᎢᎩᏍᏆᏛᎯ ᎨᏒᎢ, ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎢᎦᏓᏅᏖᏍᏗ; ᎠᎴ ᎢᏳ ᎪᎱᏍᏗ ᎨᏒ ᏅᏩᏓᎴ ᏄᏍᏕᏍᏗ ᏙᏣᏓᏅᏖᏍᏗ, ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎯᎠ ᎾᏍᏉ ᎬᏂᎨᏒ ᏅᏓᏨᏁᎵ.\nᏥᎪᏃ ᏍᎩᏍᎦᎩ ᏄᎵᏍᏔᏅ ᏂᎦᎵᏍᏙᏗᎭ ᎤᏙᎯᏳᎯ ᎨᏒ ᎢᏨᏃᏁᎸᎢ?\nᎾᏍᎩᏰᏃ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ, ᎠᎴ ᎾᏍᎩ ᎤᎬᏩᎳ; [ᎠᎴ] ᎾᏍᎩ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏂᎪᎯᎸᎢ. ᎡᎺᏅ.\nᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᎦᏤ-Ꮅ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ ᏂᏥᎥᎢ. ᎡᎺᏅ.\nᏓᏓᏒᏂᏉᎨ ᎦᏲᏟ ᎩᎦ ᏧᏩᏥᎪ ᎤᏅᏗ ᎠᏥᏍᏛ ᏥᏂᎦᎵᏍᏗᏍᎪ, ᎠᎴ ᏓᏓᏓᎸᏥᎨᎭ. ᎤᏍᏗ ᏅᏯ ᏥᏩᎫᏕᏉ ᎠᎹᏱ ᎨᏴ.\nᎡᎳᏆᏗ ᏧᏦᎣᏎᎢ ᏃᎴ ᏚᏍᏕᎸᎮ ᎠᏂᏍᎦᏯ.\n ᎠᏎᏃ ᎠᎵᎮᎵᎬ ᎨᏍᏗ ᏳᎪᎭ ᎤᏩᏂᎦᏢ.\nᎠᏨᏍᏙᏗᏃ ᎤᏔᏲᎸ ᎤᎵᏍᏗ ᏭᏴᎴᎢ, ᎠᎴ ᏭᎷᏤ ᎤᏪᎾᏫᏍᎨᎢ, ᎤᏓᏅᏂᎴ ᎢᎬᏱᏢ ᏉᎳ ᎠᎴ ᏌᏱᎳ ᏚᏃᎸᎢ.\nᏥᏌᏃ ᏫᏚᏯᏅᎲ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠ ᏄᏪᏒᎩ; ᎦᏥᏯᏙᎵᎦ ᎯᎠ ᎤᏂᏣᏘ ᎨᏒᎢ, ᏦᎢᏰᏃ ᎾᏙᏓᏆ ᎠᏂ ᎨᏙᎲ ᎠᏁᏙᎭ, ᎠᎴ ᎥᏝ ᏱᏂᏰᎭ ᎤᎾᎵᏍᏓᏴᏗ. ᎠᎴ ᎢᏝ ᏯᏆᏚᎵᎭ ᏙᎤᏁᏅᏍᏗᏱ ᏗᎬᏩᏂᏲᏏᏍᎩ, ᏩᎾᏰᏃ ᏱᏓᏂᏩᏂᎦᎶᎩ ᏩᎾᎢᏒᎢ.\nᎢᏳᏃ ᏂᎯ ᎢᏥᏲᎢ ᏱᏥᏏᎾᎯ ᎣᏍᏛ ᎨᏒ ᏗᏥᏁᏗᏱ ᏗᏤᏥ, ᎤᏟᎯᏳ ᎤᏙᎯᏳᎯᏯ ᎢᏥᏙᏓ ᎦᎸᎳᏗ ᎡᎯ ᎣᏍᏛ ᏓᏁᎮᏍᏗ ᎬᏩᏔᏲᏎᎯ.\n”ᎦᏙᎩ ᏛᎾᏛᏁᎵ?” ᎤᏪᎷᏁ ᏫᎵᎻ.\nᎤᏂᏣᏘᏃ ᎢᎬᏱ ᎠᏁᎩ, ᎠᎴ ᎣᏂ ᎠᏁᎩ ᎤᏁᎷᎬᎩ, ᎯᎠ ᎾᏂᏪᏍᎬᎩ; ᎰᏌᎾ ᏕᏫ ᎤᏪᏥ! ᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏱᎰᏩ ᏕᎤᏙᎥ ᏥᎦᎷᎯᏍᏗᎭ! ᎰᏌᎾ ᏩᏍᏛ ᎦᎸᎳᏗᏳ!\nᎤᎾᎵᏍᏓᏴᏅᎯᏃ ᏅᎩ ᎢᏯᎦᏴᎵ ᎢᏴᏛ ᎾᏂᎡᎢ; ᏚᏰᎵᎯᏍᏔᏁᏃ.\nᎠᏂᏤ ᎠᏂᏳᏩᏁᎦ ᎠᏂᏲᏍᏗᏍᎬ ᎤᏬᏨᏛ ᏓᎭᏃᏫ, ᎠᏓᏔᎶᎯᏍᏗ ᎤᏩᏌ ᎠᎾᏓᏅᏖᏍᎬ.\nᎠᎵᏰᎾ ᎮᎵᎠ ᏓᏓᏗᏩᏛᎯᏍᎪᏃ ᎤᎪᏏᏓ ᎢᏗᏅᏁ.\nᎡᎳᏗ ᎨᏎᏍᏗ ᏌᎳᏓ! \nᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎩᎶ ᏔᎵ ᏗᎦᏌᎴᎾ ᏚᎾᎡᏍᏗ, ᏄᎾᎥᎾ ᎨᏒ ᎦᏅᏁᎮᏍᏗ; ᎩᎶᏃ ᎠᎵᏍᏓᏴᏗ ᎤᎮᏍᏗ, ᎾᏍᎩᏯ ᎾᏛᏁᎮᏍᏗ.\n“ᏍᏆᏛᎦᏍᏓᏏᏛ ᎤᏦᏱᎴᎢ ᏫᎵᎻ.\nᎡᎶᏛᏍᎩᏂ ᏍᎦᏚᎩ ᎠᏥᎦᏘᏗᏍᏗ ᎨᏒᎢ, ᏣᏂ ᎤᎬᏍᎪᎸᏁ ᏗᎵᏰᎢᎸᏍᏗᏍᎨ ᎡᎶᏗᏏ ᎤᏅᏟ ᏈᎵᎩ ᎤᏓᎴᎢ, ᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᎤᏣᏘᏂ ᏄᏛᏁᎸ ᎡᎶᏛ,\nᎾᏍᎩ ᎢᏣᎴᏂᏓᏍᏗᏱ ᎾᏍᎩᏯ ᎤᎬᏫᏳᎯ ᏗᏂᎧᎿᏩᏕᎩ ᎢᏳᎾᏛᏁᏗ ᎨᏒᎢ, ᏂᎦᎥ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎤᏣᏘ ᎢᏥᎾᏄᎪᏫᏍᎬᎢ, ᎠᎴ ᎧᏁᏉᎬ ᎡᏥᎦᏙᎥᏍᎬ ᎤᏁᎳᏅᎯ;\nᎠᏓᏅᏙᏰᏃ ᎬᏂᏛ ᎠᏓᏁᎯ, ᎾᏍᎩ ᎬᏂᏛ ᎦᎶᏁᏛ ᏥᏌ ᏨᏗᏓᎴᎲᏍᎦ, ᎾᏍᎩ ᎠᏓᏅᏙ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏇᏓᎴᏒ ᎠᏍᎦᏂ ᎠᎴ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎤᎾᏤᎵ ᏗᎧᎿᏩᏛᏍᏗᏱ ᎠᏆᏚᏓᎸᎢ.\nᎾᏍᎩᏰᏃ ᎯᎠ ᎢᏳᎾᏍᏗ ᏥᏓᏂᏴᎵᏙᎰ ᏓᏓᏁᎸᎢ ᎠᎴ ᏥᏓᎾᏘᎾᏫᏗᏍᎪ ᏄᎾᏓᏅᏛᎾ ᎠᏂᎨᏴ ᎤᏂᎧᎵᏨᎯ ᎠᏍᎦᎾᎢ, ᏚᎾᏘᏂᏒ ᏧᏓᎴᏅᏛ ᎠᏚᎸᏗ ᎨᏒᎢ,\nᎤᏩᎬᏘᎶᏓ ᏄᏛᏁᎴ.\nᎢᎦᏛᏃ ᎣᏒ ᎦᏙᎯ ᎤᎳᎨᏯᏛᏤᎢ, ᎠᎴ ᎤᎵᏰᏁᎢ, ᎠᎴ ᎠᏛᏍᎨᎢ, ᎠᎴ ᎧᏁᏉᎨᎢ, ᎠᎴ ᎤᎦᏔᏔᏁᎢ, ᎢᎦᏛ ᏦᎠᏍᎪᎯ ᎢᏳᏩᎫᏗ, ᎢᎦᏛᏃ ᏑᏓᎵᏍᎪᎯ, ᎢᎦᏛᏃ ᎠᏍᎪᎯᏧᏈ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ; ᎥᏝ ᎩᎶ ᎢᏥᏠᏱ ᎨᏒ ᎾᏍᎩ ᏱᏄᏍᏗ ᏱᏚᏙᎥ.\nᎠᏎᏰᏃ ᎾᏍᎩ ᎢᏳᏛᏁᏗ ᎨᏎᎢ, ᎾᏍᎩ Ꮎ ᏄᏓᎴᏒ ᎪᎱᏍᏗ ᎠᎪᏢᎾᏁᎸᎯ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᏄᏓᎴᏒ ᎪᎱᏍᏗ ᎪᏢᏅᎯ ᏥᎩ, ᎾᏍᎩ ᏗᎬᏩᎸᏌᏛ ᏗᎨᏒ ᏫᏓᏘᏃᎯᎲ ᎤᏂᏣᏘ ᏧᏪᏥ, ᎾᏍᎩ ᎤᎾᎵᏍᏕᎸᏙᏗ ᏗᏩᏛᎡᎯ, ᏂᎦᎷᎶᎬᎾ ᎢᏯᎬᏁᏗᏱ ᎠᎩᎵᏲᎬᎢ.\nᏂᎯᏍᎩᏂ ᎾᏍᎩ ᎢᏥᎾᏄᎪᏫᏒᎯ ᎢᎩ, ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᎴ ᏚᏳᎪᏛ ᎨᏒ ᎠᎴ ᎾᏍᎦᏅᎾ ᎢᎬᏁᏗ ᎨᏒ, ᎠᎴ ᎠᎫᏴᏙᏗ ᎨᏒ, ᎠᏴ ᎢᎬᏁᎸᎯ ᏥᎩ ᎤᏁᎳᏅᎯ;\nᏥᏌᏃ ᎤᏣᎢᏒ ᏚᎪᎲᎩ ᎤᏂᏣᏘ ᏴᏫ, ᎠᎴ ᏚᏪᏙᎵᏨᎩ, ᎠᎴ ᏚᏅᏩᏅᏧᏂᏢᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎭᎦᏌᏯᏍᏓ ᎤᏓᏅᏖᏳ ᎨᏒ ᎠᎴ ᎠᏍᏓᏱᏳ ᎨᏒ ᎤᏁᎳᏅᎯ; ᎠᏍᏓᏱᏳ ᏂᏕᎬᏁᎲ ᎾᏍᎩ Ꮎ ᏧᏂᏅᏨᎯ; ᏂᎯᏍᎩᏂ ᎤᏓᏅᏘᏳ ᎨᏒ ᏣᎾᏄᎪᏫᏎᎲᎢ; ᎢᏳᏃ ᏱᏅᏩᏍᏗᏗ ᏕᏣᏂᏴᏒ ᎤᏓᏅᏘᏳ ᎨᏒᎢ; ᎥᏝᏰᏃ ᎾᏍᎩ ᏂᎯ ᎾᏍᏉ ᎡᏨᎾᎦᎴᏍᏗ ᎨᏎᏍᏗ.\nᎤᏕᏯᏙᏗ ᎨᏒ ᎠᎴ ᎤᏪᎵᎯᏍᏗ ᎨᏒ ᎤᏂᎷᏤᏗ ᎨᏎᏍᏗ ᎾᏂᎥ ᎠᏂᏏᏴᏫᎭ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏲ ᎢᏯᎾᏛᏁᎯ, ᎠᏂᏧᏏ ᎢᎬᏱ, ᎠᎴ ᎾᏍᏉ ᎠᏂᎪᎢ;\nᎾᏍᎩ ᎯᎠ ᏱᎰᏩ ᏄᏛᏁᎸ, ᎠᎴ ᎤᏍᏆᏂᎪᏗᏳ ᏕᏓᎧᏂᏍᎬᎢ.\nᎾᏍᎩᏃ ᏄᏍᏛᎩ ᎠᏆᏟᏂᎬᏁᎸᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎠᏆᎵᏥᏙᏗᏱ, ᎥᏝ ᎾᎿ ᎦᎶᏁᏛ ᎠᏥᏁᎢᏍᏔᏅᎢ, ᎩᎶ ᎤᏅᎯ ᎦᎫᏍᏛᏗ ᎠᏆᏁᏍᎨᏍᏗᏱ ᏂᎨᏒᎾ;\nᎩᎳᏈᏴ ᎤᏦᎣᏎ ᎡᎳᏆᏗ ᎡᎳᏗ ᏄᏩᏁᎴ ᎠᏍᏚᏗ.\nPerry, ᎠᏎᏛ ᏱᏣᎪᎰᏍᏔᏅᎾ ᏱᎩ ᏏᏆ ᎭᏫᏯ ᏗᎦᏒᏍᏔᏅ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎠᏓᏅᏙ ᎢᎾᎨ ᏭᏘᏅᏍᏔᏁᎢ.\nᎨᏍᏗ ᏐᏉ ᎦᏰᏌᏛ ᏧᏌᎴᏓᏁᎸ ᏱᎨᏎ ᎠᎹᏰᎵ ᎠᏁᎮ ᎠᎴ ᏍᎪᏂᏴ ᏓᏳᏂᎶᏒ ᎠᏳᏩᏁᎦ, ᎨᏍᏗ ᏯᎦᏔᎮ ᏂᏚᎾᏓᎴᏒ ᏃᎴ ᎤᏦᏍᏔᏁᎮ ᎢᏳᏍᏗ ᎤᏰᎸᏗ ᎠᎾᏟᎲ.\nᎠᏴ ᎠᎩᏫᏒᎩ, ᎠᏉᎳ ᎠᎹ ᎤᏍᏚᏢᎩ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏁᏉᎢᏍᏗᏱ ᏄᏩᏁᎸᎩ.\nᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ ᎤᏬᏢ ᎣᎭᏁ ᎦᏍᎬᎸ ᏃᎴ ᎤᏑᎸᏓ ᎠᎵᏥᏍᏔᏅ ᏩᎦ ᎭᏫᏯ, ᎦᎵ ᎠᏥᏍᏛ ᎤᏃᏫ ᎤᏍᏔᏲᏒ ᏧᏓᎵ ᎾᎥᏂ ᏓᏳᏓᎴᏅ ᎪᎢ.\nᏌᏉᏃ ᎠᏍᎫᏓᏛ ᎠᎩᎪᎲᎩ ᎬᏩᏲᎱᎯᏍᏗ ᎢᏴᏛ ᏣᏥᏐᏅᏃ ᏓᏤᎸᎩ; ᎠᎴ ᎾᏍᎩ ᎬᏩᏲᎱᎯᏍᏗ ᎢᏴᏛ ᎠᏥᏐᏅᏅ ᎤᏗᏩᏒᎯ ᎨᏒᎩ; ᎠᎴ ᏂᎬᎾᏛ ᎡᎶᎯ [ᎠᏁᎯ] ᎠᏂᏍᏆᏂᎪᏍᎬᎩ [ᎠᎴ] ᎠᏂᏍᏓᏩᏗᏒᎩ ᎾᏍᎩ ᎾᏅᎩ-ᏗᎦᏅᏌᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏕᏣᏓᏓᏂᎸᎨᏍᏗᏉ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎦᎶᏁᏛ ᏕᎦᏓᏂᎸᏨ ᎠᏴ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎢᏯᎬᏁᏗᏱ ᎤᏁᎳᏅᎯ.\n“ᎯᎸᎯᏴ ᎦᎬᎨᏫᏍᏗ ᏱᎨᏒᎾ ᎤᎾᏟᎴ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎭᎵᏍᎪᎸᏓᏁᎸ ᏧᏩᏛᎯᏓᏍᏗ ᏧᎵᎢ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎠᏁᎯ.\nᎾᏍᎩᏃ ᎾᏅᎩᏦᏁ ᎢᏯᏂᏛ ᏧᎾᏛᏐᏅᎯ, ᎠᎴ Ꮎ ᏅᎩ ᎢᏯᏂᏛ ᏗᏅᏃᏛ ᎡᎳᏗ ᏚᎾᏓᏅᏅᎩ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎩ, ᎾᏍᎩ ᎦᏍᎩᎸ ᎤᏪᎵ, ᎯᎠ ᎾᏂᏪᏍᎬᎩ, ᎡᎺᏅ; ᏱᎰᏩ ᎡᏗᎸᏉᏓ.\n“ᎦᏙᏃ?\nᎾᏍᎩ ᎾᎿ ᎠᏴ ᏗᎩᎸᏫᏍᏓᏁᎯ ᎠᏴᏋᏁᎸᎯ ᏥᎩ, ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎴᏍᏗ ᎨᏒ ᎥᏆᎵᏍᎪᎸᏓᏁᎸᎯ ᏥᎩ ᎬᏩᏄᎸᏗ ᏂᎨᏒᎾ ᎨᏒ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎢᏳᏩᏂᏌᏛ.\nᏛᏍᏆᎸᎯᏰᏃ ᎿᏉ ᎾᎯᏳ ᎥᏝ ᏳᎾᏚᎵᏍ-ᎨᏍᏗ ᎤᎾᏛᏓᏍᏙᏗᏱ ᎣᏍᏛ ᏗᏕᏲᏗ ᎨᏒᎢ; ᏚᏂᏲᏕᏍᎬᏍᎩᏂ ᏗᏂᎴᏂ ᎠᏅᏗᏍᎨᏍᏗ ᎤᏅᏒᏉ ᎤᎾᏚᎸᏅᏗ ᎨᏒ ᏓᏂᏍᏓᏩᏗᏒ ᏓᏂᏟᏏᏍᎨᏍᏗ ᏗᎾᏕᏲᎲᏍᎩ;\nᎧᏁᎢᏍᏗ ᎨᏒ ᎩᎦ ᎤᏂᏁᎲ, ᏦᏍᎪ ᏔᎵᎢᏁ ᎤᎵᏏᎩ ᎩᎦ ᎤᏁᎯᏱᎩ, ᎨᏍᏗ ᏳᏩᏁᎦ ᎫᏩᎾᏛᏗ ᏱᎩ.\nᎩᎶᏍᎩᏂ ᎠᏂᎨᏴ ᎨᏒ ᏯᏓᏙᎵᏍᏗᎭ ᎠᎴ ᏯᏙᎴᎰᏍᎦ ᏄᎵᏍᏚᎸᎾ, ᎠᏕᎰᎯᏍᏗᏍᎪ ᎠᏍᎪᎵ ᎨᏒᎢ; ᏧᎵᏍᏙᏴᎰᏉᏰᏃ ᎢᏧᎳᎭ ᎾᏍᎩ.\n”ᎭᏗ,” ᎤᏛᏁ ᏌᎳᏓ.\nᏅᎯᏍᏊ ᏙᎯᏳᏍᏊ, ᏥᏫᎾᏭ ᎨᏒ ᎠᏎᏏᏂᏍᏊ, ᎠᏆᏍᎦᏰᏂᏍᏊ ᏥᎨᏒ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏚᏂᏲᏎ ᏧᏂᎦᏯᎷᏗ, ᎠᎴ ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᏙᏥᏩᏛᎲᏃ ᎠᏃᎯᏳᎲᏍᎩ ᎾᎿ ᎣᎦᏅᏅᎩ ᎦᎵᏉᎩ ᏧᏙᏓᏆᏛ; ᎾᏍᎩ ᏉᎳ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ ᎠᏓᏅᏙ ᎢᏳᏩᏂᏌᏛ; ᏞᏍᏗ ᏥᎷᏏᎵᎻ ᏤᏅᏒᎩ.\nᎠᎴᏬ ᏅᏩᏓᎴ ᎪᏪᎸ ᎯᎠ ᏂᎦᏩᎭ; ᏙᏓᎬᏩᎧᎾᏂ ᏗᎬᏪᏘᎸᎯ.\nᎠᏎᏃ ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏯᏙᎯᏳᎲᎦ ᏄᏍᏛ ᎪᏪᎸᎢ, ᎠᏎ ᎾᏍᎩ ᎢᏳᎵᏍᏙᏗ ᏥᎩ?\nᎠᏌᎻᏓ ᏃᎴ ᎠᏯ ᎣᏍᏔᎦᏙᏍᏛ ᎠᏥᎸ ᎨᏍᏗ ᎪᎰᏍᏗ ᏯᏗᏍᎨ ᎠᏌᎻᏓ.\nᎯᏍᎩᏃ ᎢᏯᎦᏴᎵ ᏣᏥᏁᎸᎯ ᎤᎷᏤᎢ, ᎠᎴ ᏚᏲᎴ ᏅᏩᎾᏓᎴ ᎯᏍᎩ ᎢᏯᎦᏴᎵ ᎠᏕᎸ, ᎯᎠ ᏄᏪᏎᎢ; ᏍᎩᎾᏝᎢ, ᎯᏍᎩ ᎢᏯᎦᏴᎵ ᎠᏕᎸ ᏕᏍᎩᏲᎯᏎᎸᎩ; ᎬᏂᏳᏉ ᏅᏩᎾᏓᎴ ᎯᏍᎩ ᎢᏯᏕᏴᎵ ᎬᎩᏁᏉᏤᎸ.\nᏏ ᎩᎳᎯ ᎤᏍᏘᏰᎬ ᎤᏓᏑᏰᎢ ᎧᏁᏍᎦ ᏃᎴ ᎤᏬᏚ ᏗᎧᏃᏗ ᎨᏎ ᏃᎴ ᎤᎳᎾᎩᏍᎨᎢ.\nᏧᎾᏗᎩᏓ ᎠᏓᏍᏕᎵ ᎠᏤ ᎦᏓ ᎾᏅᏁ.\nᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎠᎵᎮᎵᏤᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᏓᏓᏏ ᎤᎾᏫᏱ ᏧᎳᏁᎸ ᎾᏍᎩ ᎢᎦᎢ ᏗᏤᎷᎢᏍᏗᏱ.\nᎯᎠ ᏄᏂᏪᏎᎢ; ᎯᎠ ᏂᏥᏪᏒᎭ; ᎬᏩᏍᏓᏩᏗᏙᎯ ᏒᏃᏱ ᎤᏂᎷᏨᎩ, ᎣᏥᎵᏅ ᎬᏩᏃᏍᎩᏒᎩ.\nᎾᏍᎩ ᎣᏂᏗᏢ ᎤᎷᎯᏍᏓᏁᎢ, ᎠᎴ ᎦᏓᎷᏯᏛ ᎤᏄᏩᎥᎤᏒᏂᎴᎢ; ᎩᎳᏉᏃ ᎢᏴᏛ ᎩᎬ ᎤᏪᏅᎡᎲ ᎤᏲᎯᏍᏔᏁᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎾᏍᎩ Ꮎ ᎤᏪᏙᎵᏨᎯ. ᎿᏉᏃ ᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎮᎾ, ᎠᎴ ᏂᎯ ᎾᏍᎩᏯ ᏫᎾᏛᎦ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏂᎦᏛᏁᎰᎢ ᎦᏟᏂᎬᏁᎰ ᎠᏆᏓᏅᏙᎩ ᎠᏆᏎᎮᎲᎢ ᏂᎪᎯᎸ ᏂᏥᏍᎦᏅᏤᎲᎾ ᎤᏁᎳᏅᎯ ᎠᎴ ᏂᎦᏥᏍᎦᏅᏤᎲᎾ ᏴᏫ ᎢᏳᎵᏍᏙᏗᏱ.\n“Ꭵ,” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎢᎸᎯᏳᏰᏃ ᏥᎨᏒ ᎤᎵᏏᎬ ᎢᏤᎲᎩ, ᎪᎯᏍᎩᏂ ᎨᏒ ᎢᎦ-ᎦᏛ ᎢᏤᎭ ᎤᎬᏫᏳᎯ ᎢᏳᏩᏂᏌᏛ; ᎢᎦ-ᎦᏛ ᏧᏪᏥ ᎤᏁᏓᏍᏗ ᎨᏒ ᎢᏤᏙᎮᏍᏗ;\n”ᎯᏲᎯᏍᏓ, ᎡᎳᏆᏗ!” ᎤᏦᏱᎴᎢ ᏲᎾ ᎤᏤᏍᏙ.\nᎥᏝᏰᏃ ᏱᏙᎬᏩᏳᎪᏗ ᎨᎵᎠ, ᎢᏳᏃ ᏱᎦᏓᏅᏍᎦ ᎠᎦᏘᏅᏍᏗᏱ ᎠᏴᎩ, ᎾᎩᏁᎢᏍᏔᏅᎾᏃ ᏱᎩ ᏄᏍᏛ ᎠᎫᎢᏍᏗᏍᎬᎢ.\nᎠᎩᎪᏁᎸᏍᎩᏂᏃᏅ ᎠᎩᏇᏓᎸ ᎨᏒᎢ, ᎠᏎᏃ ᎠᏆᏓᏅᏙ ᎨᏒ ᎢᏨᏰᎳᏗᏙᎭ, ᎦᎵᎡᎵᎦ ᎠᎴ ᏕᎦᎦᏂᎭ ᎣᏏᏳ ᏂᏣᏛᏁᎲ, ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎡᏦᎢᏳᏒ ᎦᎶᏁᏛ.\nᎿᏉᏃ ᎠᏏᏴᏫ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎪᏏᏏᏍᎩ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏔᏕᏲᎲᏍᎩ, ᎾᏍᎩ ᎯᎠ ᏥᏂᏪᎭ ᎠᏴ ᎾᏍᏉ ᎨᏍᎩᏐᏢᏗᎭ.\nᎾᏍᎩᏃ ᎤᏗᏌᏓᏛ ᏚᎪᎲᎩ ᏙᎴᏛ ᏗᏄᏬ ᏕᎦᏅᎩ; ᎠᏎᏃ ᎥᏝ ᏳᏴᎴᎢ.\nᎤᏂᏃᏕᎾ ᎤᎾᏛᎦᏁ ᎾᏂᏪᏍᎬ ᏔᎳᏚ, ᏃᎴ ᎤᎾᏕᏯᏔᏁᎴᎢ, ᎤᏂᏲᏍᏔᏁ ᎠᏦᏴ, ᏭᏂᏅᎪᏤ, ᏅᏃ ᏍᎪᏁᎯ ᏦᎨᏏ ᎠᏁᏙᎮ.\n[ᏥᏌᏃ] ᎤᎶᏒ ᎤᎪᎲᎩ ᎠᏍᎦᏯ, ᎾᏍᎩ ᏗᎨᏫ ᏂᎨᏎ ᎤᏕᏅ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏕᏯᏙᏗᏍᎩ ᎨᏒ ᏏᏉᏃ ᎤᎷᎯᏍᏗ ᎨᏎᏍᏗ, ᎠᏲᎱᎯᏍᏗ ᎨᏒ, ᎠᎴ ᎠᎦᎪᎲᏍᏙᏗ ᎨᏎᏍᏗ ᎠᏥᎸ ᎬᏗ; ᎤᎵᏂᎩᏗᏳᏰᏃ ᎤᎬᏫᏳᎯ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᏧᏭᎪᏓᏁᎯ ᏥᎩ.\nᏩᏏᏓᏂ ᏗᎦᏚᎲ ᏚᏭᎦᏘᏗ, ᏓᏛᏟᏃᎮᏔᏂ ᏤᎩᏏᏂ ᏃᎴ ᏗᏂᎳᏫᎩ ᎠᏂᏴᏫ ᏧᏤᎵ ᎤᎾᎵᏍᏕᎸᏙᏗ.\nᎢᏨᎨᏳᎢ, ᏞᏍᏗ ᎾᏂᎥ ᏗᏓᏅᏙ ᏱᏗᏦᎯᏳᎲᏍᎨᏍᏗ, ᏕᏥᎪᎵᏰᏍᎨᏍᏗᏍᎩᏂ ᏗᏓᏅᏙ, ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᎨᏒ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏅᏓᏳ ᏓᎴᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ. ᎤᏂᏣᏔᏰᏃ ᎤᎾᏠᎾᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ ᎠᏁᏙᎭ ᎡᎶᎯ.\nᎠᏎᏃ ᎾᎯᏳ ᎠᏎᎸᎯ ᎨᏒ ᎬᏂᎨᏒ ᏄᏩᏁᎴ ᎤᏤᎵ ᎧᏃᎮᏛ ᎤᏴᏔᏁ ᎠᎵᏥᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏴ ᎥᏆᎨᏅᏛᎯ ᏥᎩ, ᎾᏍᎩᏯ ᎤᏁᏨ ᎤᏁᎳᏅᎯ ᎢᎩᏍᏕᎵᏍᎩ;\nᎠᏎᏃ ᎤᏚᎩ ᎣᎬᏒᎩ ᎾᏍᎩ ᎢᏏᎵ ᏗᏓᏘᏍᎩ ᎨᏒᎢ. ᎠᎴ ᎾᏍᏉ ᎪᎯ ᎢᎦ ᏥᎩ ᏦᎢᏁ ᎤᎩᏥᎭ ᎾᏍᎩ ᎯᎠ ᎢᎬᎵᏍᏔᏅᎯ;\nᎤᏂᏴᎸᏃ ᎥᏝ ᏳᏂᎾᏩᏛᎮ ᎠᏰᎸ ᎤᎬᏫᏳᎯ ᏥᏌ.\nᏞᏍᏗ ᎩᎶ ᎤᏲ ᎾᎬᏁᎸ ᏳᏞᎨᏍᏗ ᎤᏲ ᏱᎾᏓᏛᏁᎮᏍᏗ; ᎢᏥᏍᏓᏩᏕᎨᏍᏗᏍᎩᏂ ᏂᎪᎯᎸ ᎾᏍᎩ ᎣᏍᏛ ᎨᏒᎢ, ᎾᏍᏉ ᎢᏨᏒ ᎪᎱᏍᏗ ᏕᏣᏓᏛᏗᏍᎬ, ᎠᎴ ᎾᏂᎥᏉ.\nᎨᏍᏗ ᎯᎸᎯᏳ ᎤᎪᎲ ᏱᎨᏎ ᎤᏂᏥ ᏫᎵᎻ.\nᎧ ᎢᏓᏓᏅᏟ ᏥᎦᎳᎭ ᏂᏥᎦᏔᎲᎾ ᎨᏒ ᏅᏧᎵᏍᏙᏔᏅ ᎾᏍᎩ ᏂᏣᏛᏁᎸᎢ, ᎠᎴ ᎾᏍᏉ ᏗᏣᏤᎵ ᎤᏂᎬᏫᏳᎯ.\nᏞᏍᏗ ᏱᎾᏚᎵᏍᎨᏍᏗ Ꮎ ᎦᎸᏉᏗᏳ ᎨᏒ ᎪᎱᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ ᏥᎩ; [ᏞᏍᏗ] ᏱᏗᏓᏓᎿᎸᏍᏗᏍᎨᏍᏗ, ᎠᎴ ᏱᏗᏓᏓᏛᏳᏤᎮᏍᏗ.\nᎩᎶᏍᎩᏂ ᎠᏓᏎᎪᎩᏍᎨᏍᏗ ᎠᎴ ᎠᏍᏆᏂᎪᏗᏍᎨᏍᏗ ᎠᏆᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎬᎵᏍᏆᏗᏍᎩ, ᎾᏍᎩ ᏓᏥᏁᎵ ᏧᏎᎪᎩᏍᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ.\nᏥᏳᎯᏃ ᎤᎾᏣᎡᎢ, ᎤᎾᏂᎩᏎ ᎢᎾᎨ ᏭᏂᎶᏎ ᎤᏕᎵᏛ.\nᎤᏐᏱ ᎢᏯᏆᏕᏘᏴᏓ.\nᎠᏎᏃ ᏮᏓᏨᎷᏤᎵ ᏂᎪᎯᎸᎾ, ᎢᏳᏃ ᎤᎬᏫᏳᎯ ᎣᏏᏳ ᏳᏰᎸᏅ; ᎠᎴ ᏮᏓᎦᏙᎴᎣᏏ, ᎥᏝ ᎠᏂᏬᏂᏍᎬᏉ ᎾᏍᎩ ᏧᎾᏕᏋᎯᏍᏗ, ᏚᎾᎵᏂᎬᎬᏍᎩᏂ ᏄᏍᏛᎢ.\nᎿᏉᏃ ᎤᎬᏫᏳᎯ ᎯᎠ ᏂᏙᏓᎦᏪᏎᎵ ᎠᎦᏘᏏ ᎢᏗᏢ ᎠᏂᏙᎾᎢ; ᎡᏤᎾ, ᎡᏙᏓ ᎢᏥᎸᏉᏔᏅᎯ, ᎢᏣᏤᎵ ᏫᏂᎦᎵᏍᏓ ᎤᏤᎵᎪᎯ ᎡᏣᎵᏍᎪᎸᏓᏁᎸᎯ ᎡᎶᎯ ᏧᏙᏢᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ.\n“Ꭷ, ᎭᏂ ᏥᎭᏓᏐᎦ, ᎦᏣᏄᎵᎨᎢ!” ᎤᏛᏁ ᏌᎳᏓ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ; ᎧᏂᎵᏯ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ, ᏚᏳᎯᏛ ᎢᏯᏛᏁᎯ ᎠᏍᎦᏯ ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎾᏰᏍᎩ, ᎠᎴ ᎣᏍᏛ ᎬᏩᏃᎮᏍᎩ ᎾᏂᎥ ᏑᎾᏓᎴᎩ ᎨᏒ ᎠᏂᏧᏏ, ᎤᏁᏤᎸᎩ ᎦᎸᏉᏗ ᏗᎧᎿᏩᏗᏙᎯ, ᎤᏓᏅᏍᏗᏱ ᏧᏪᏅᏒ ᏫᏣᎷᎯᏍᏗᏱ ᎠᎴ ᎯᏬᏂᏍᎬ ᎤᏛᎪᏗᏱ.\nᎤᎵᏍᎨᏛ ᎠᎾᎵᏍᎩᏍᎬ, ᎤᎾᏓᏂᎳᎩ ᎤᏅᏌ ᎨᏍᏗ ᎠᏎ ᏦᎯᏍᏙᏗ ᏧᎾᎭᎾᏬᏍᏗ ᏱᎨᏎ, ᏍᎩᎾᎾ ᏄᏪᏒ ᎦᎳᎱᏂ, ᎠᏓᏅᏖᎵᏙ ᎠᏣᏅᏙᏗ ᏱᏚᏩᏛᎲᎾ.\nᎨᏍᏗᏃ ᏳᏚᎵᏍᎨ ᎩᎶ ᎤᎵᏍᎩᏰᎬᏍᏗᏕᏗ ᎦᎳᎱᏂ, ᎠᏎᏃ ᎦᎸᎳᏗ ᏭᏓᎧᏁ.\nᏔᎵᏁᏃ ᏅᏩᏓᎴ ᎤᏅᏏᏓᏍᏗ ᎤᏅᏎ ᏗᏁᎲᎢ; ᎾᏍᎩᏃ ᏅᏯᏉ ᏙᎬᏩᏂᏍᏔᏁᎢ, ᎠᎴ ᎢᎬᏩᏐᏅᏁ ᎠᏍᎪᎵ, ᎠᎴ ᎢᎬᏩᏂᎩᏍᏔᏁ ᎤᏕᎰᎯᏍᏗ ᎢᎬᏩᏁᎸᎯ.\nᎤᏙᏓᏃ ᏓᎾᏁᎶᏓᏁᎲ ᎤᎾᏛᏛᏁ ᏄᏍᏛ ᎤᏑᎵᏍᎬ ᏣᎪᏍᏗᏱ.\nᎠᎴ ᏥᏩᎾᎦᎸᎢ, ᎠᎴ ᏥᎾᏰᏍᎬᎢ, ᎠᎴ ᎤᏣᏘ ᎠᎩᎾᏫᏍᎬ ᎢᏨᏰᎳᏗᏙᎲᎩ.\nᎠᎹ ᏫᏁᎩ ᏣᏄᏏ!” \n“ᎨᏍᏗ ᏚᏳᎪᏛᎢ ᏱᎩ.” \nᏱᏕᎦᏘᏃᎦ.\nᎾᏍᎩᏯᏉᏍᎩᏂ ᎾᏍᏉ ᏂᎯ ᎦᏚᎢᏗᏢ ᎢᏣᏓᏅᏘᏳ ᏅᏩᏍᏙᎢ ᏴᏫ ᏗᎨᏣᎧᏃᏗᏱ, ᎠᏎᏃ ᎠᏫᏂᏗᏢ ᎢᏥᎧᎵᏨᎯ ᎨᏐ ᎢᏣᏠᎾᏍᏛᎢ ᎠᎴ ᎤᏲᎢ.\nᎠᎴ ᏗᎦᏟᏓ ᎤᏪᏘᎸᎩ ᏆᎾᎥᎢ ᎤᏬᏰᏂ ᏃᎴ ᏍᎩᏴᏃ ᏧᎵᏬᏤᎢ.\nᎥᏝᏰᏃ ᏱᏚᎾᏓᏅᏖᎴ ᎦᏚ; ᏧᏂᎾᏫᏰᏃ ᏗᏍᏓᏱᏳ ᎨᏎᎢ.\nᎧᏃᎯᏰᎩᏃ ᏗᎵᏍᏓᏴᏗᏱ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ ᎤᏍᏆᎸᎯᏗᏒᎩ; ᏥᏌᏃ ᏥᎷᏏᎵᎻ ᏭᎶᏒᎩ.\nᎠᎴ ᎩᎶ ᏂᏗᏣᏓᏂᎸᎬᎾ ᎠᎴ ᏂᏣᏛᏓᏍᏓᏁᎲᎾ ᎢᎨᏎᏍᏗ, ᎿᏉ ᎾᎿ ᎢᏣᏂᎩᏍᎨᏍᏗ, ᏗᏣᎳᏏᏕᏂ ᎪᏍᏚ ᏕᏥᏅᎪᎥᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎪᎯᏳᏗᏍᎩ ᎤᎾᏡᏗᏍᎩ. ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎡᏍᎦᏉ ᎢᎦᎢ ᎤᏂᎩᎵᏲᎢᏍᏗ ᎨᏎᏍᏗ ᏐᏓᎻ, ᎠᎴ ᎪᎹᎵ, ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏎᏍᏗ, ᎤᏟᎯᏳ ᎾᎿ ᎦᏚᎲᎢ.\nᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎠᏉᎯᏳᎲᏍᎩ ᎤᎭ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎬᏂᏛ.\nᎠᏂᏆᎵᏏᏃ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎬᏂᏳᏉ, ᎦᏙᏃ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ ᏂᏚᏳᎪᏛᎾ ᎨᏒ ᎾᎾᏛᏁᎭ.\nᎠᏎᏃ ᎿᏉ ᏕᎨᏣᏘᏃᎯᎮᏍᏗ ᏞᏍᏗ ᏱᏤᎵᎯᏍᎨᏍᏗ ᎢᏳᏍᏗ ᎢᏥᏁᎢᏍᏗᏱ ᎠᎴ ᎢᏥᏪᏍᏗᏱ; ᎾᎯᏳᏉᏰᏃ ᎡᏥᏁᏗ ᎨᏎᏍᏗ ᎢᏥᏪᏍᏗᏱ.\nᎤᏄᎸᏁ ᎤᏣᏘᎾ ᏫᏚᎧᏃᏗ ᏲᎾ ᎤᏤᏍᏙ.\nᎦᎵᏆᏍᎪᎯᏃ ᎢᏯᏂᏛ ᏔᎵᏁ ᎤᏂᎷᏤ ᎤᎵᎮᎵᏍᏗ ᏚᏁᏓᏅᏖᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᏣᎬᏫᏳᎯ, Ꭰ-ᏂᏍᎩᎾ ᎾᏍᏉ ᎢᎪᎪᎯᏳᎲᏍᎦ ᏂᎯ ᏕᏣᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᎭ.\nᎤᎾᏘᎿᏫᏛᎲᎩᏃ ᎠᏫᏄᏣ ᎬᏃᏛ, ᎠᎴ ᎥᏝ ᎤᏍᏗᏉ ᎣᏍᏛ ᏳᎾᏓᏅᏓᏕᎢ.\nᎬᏂᏳᏉᏰᏃ ᎠᏆᏛᎦᏅᏉ ᎯᏁᎬ ᏍᎩᏲᎵᎲᎢ, ᎠᏲᎵ ᏥᏁᎵᏒ ᎤᎵᏖᎸᏅ ᎠᎵᎮᎵᎬᎢ.\nᎠᏎᏃ ᏇᏍᏓ ᎤᏚᎵᏍᎬᎢ ᎠᏂᏧᏏ ᎣᏍᏛ ᏧᏓᏅᏓᏗᏍᏙᏗᏱ ᏅᏓᏳᎵᏍᏙᏔᏅ, ᎤᏁᏤᎸᎩ ᏉᎳᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᏚᎵᏍᎪ ᏥᎷᏏᎵᎻ ᏤᏅᏍᏗᏱ ᎠᎴ ᎾᎿ ᎯᎠ ᎾᏍᎩ ᏗᎬᏳᎪᏓᏁᏗᏱ?\nᎾᏍᎩ ᎥᏝ ᎩᎶ ᏗᎨᎦᏁᎶᏗ ᎡᎶᎯ ᎠᏁᎯ ᏱᏂᎦᏔᎮᎢ; ᏱᎠᏂᎦᏔᎮᏰᏃ ᎥᏝ ᎦᎸᏉᏗᏳ ᎤᎬᏫᏳᎯ ᏓᏓᎿᏩᏍᏛ ᏱᎬᏩᎾᏛᏁᎢ;\nᎤᏍᏓᎦᎸ ᎤᏂᏩᏛᏗ ᎨᏎᏍᏗ, ᎨᏍᏗ ᎤᏓᏅᏖᎸ ᏱᎨᏎ ᎢᏳᎾᏛᏁᏗ ᎪᎳ ᏣᎵ.\nᏄᏩᏅᎰᎾ ᏣᎵ, ᏕᏧᎬ ᏚᏩᏂᎦᏢ ᎤᏃᏴᎬ ᎫᏘᏍᎬ.\nᎠᎴ ᎢᏥᎪᏩᏘᎭ ᎠᎴ ᎢᏣᏛᎩᎭ, ᎥᏝ ᎡᏈᏌᏉ ᎤᏩᏒ, ᎾᏍᏉᏍᎩᏂ ᎠᎴᏉ ᏂᎬᎾᏛ ᎡᏏᏱ, ᎯᎠ ᏉᎳ ᏓᏍᏗᏰᏗᏍᎬ ᏚᎦᏔᎲᏒ ᎤᏂᏣᏘ ᏴᏫ, ᎯᎠ ᏂᏕᎦᏪᏎᎲᎢ, ᎥᏝ ᎦᎸᎳᏗ ᎠᏁᎯ ᏱᎩ ᎩᎶ ᏧᏬᏰᏂᏉ ᏧᏬᏢᏔᏅᎯ ᏥᎩ.\nᎿᏉᏃ ᎤᏙᎯᏳᏁ ᏤᎵᎹᏯ ᎠᏙᎴᎰᏍᎩ ᎤᏁᏨᎯ, ᎠᎴ ᏥᏄᏪᏎᎢ;\nᏄᎳᏉ ᎣᏍᏛ ᏂᏍᏛ ᏣᏱᎵᏙᎯ, ᎠᏏᏉ ᎢᏍᏓᎢᏒᎢ, ᏗᎫᎪᏗᏍᎩᏱᎾᏏ ᏫᏱᏣᎧᎲᎦ ᏣᏱᎵᏙᎯ, ᏗᎫᎪᏗᏍᎩᏃ ᏗᏓᏂᏱᏍᎩᏱ ᏫᏱᏣᎧᎲᎦ, ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᏱᏪᏣᏴᏓ.\n“ᎭᏗ ᎪᎱᏍᏗ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᎴ ᎦᏙᏃ ᎢᎯᎪᏩᏘᏍᎪ ᎤᏢᏓᎸᏛ ᎤᎦᏑᎲᎢ ᏗᏍᏓᏓᏅᏟ, ᏁᎵᏍᎬᎾᏃ ᎢᎨᏐ ᎤᏃᏍᏛ ᎠᏓ ᏨᏒ ᏣᎦᏑᎲᎢ?\nᏂᎦᏛ ᎢᎬᏱ ᎤᏂᎷᏨᎯ ᎠᏴ ᎣᏂ, ᎾᏍᎩ ᎠᏂᏃᏍᎩᏍᎩ ᎠᎴ ᎠᎾᏓᎾᏌᎲᏍᎩ. ᎠᏎᏃ ᎠᏫ ᎥᏝ ᏱᎬᏩᎾᏛᎦᏁᎴᎢ.\nᎥᏝ ᎠᏏ ᎢᏥᎩᎬ ᎤᏨᎢᏍᏗᏱ ᎢᏴᏛ ᏱᏗᏣᏟᏴᎲ ᎠᏍᎦᏂ ᏕᏣᏟᏴᎡᎲᎢ.\nᎤᏣᏘᏃ ᏂᏚᏅᏂᎸ, ᏗᏓᏍᏚᏗᏱ ᏚᏂᏴᏔᏅᎩ, ᎤᏂᏁᏤᎸᎩ ᎾᏍᎩ ᎠᏥᎦᏘᏗᏍᏗ ᎣᏍᏛ ᏧᎦᏘᏗᏍᏗᏱ.\nᎬᏂᎨᏒ ᎢᎫᏩᏁᏗ ᏱᎩ ᎤᎵᎪᎾᏙᏗ ᎠᎾᏓᎪᎾᏗᏍᎬ, ᏃᎴ ᎠᏕᎳ ᏱᏚᏓᏒᎾ, ᏰᎵᏉ ᏳᎵᏍᎪᎸᏓᏏ ᎬᏅᎢ ᎰᎻ.\nᎯᏥᎦᏔᎭ ᏄᏍᏛ ᎤᏓᏅᏖᏗ---ᎠᏎ ᎤᏩᏌ ᎤᏓᎦᏎᏍᏙᎢ, ᏣᏉ ᏄᏓᎴ ᎩᎶᎢ.”\n”ᏭᏙᎯᏳᎲ ᏂᏥᏪᎠ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎩᎶ ᎠᏓᏂᏉᏘᎯ, ᎥᏝ ᏴᏫ ᏱᎦᏂᏆᏘᎭ, ᎤᏁᎳᏅᎯᏍᎩᏂ, ᎾᏍᎩ ᎾᏍᏉ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎢᎩᏁᎸᎯ ᏥᎩ.\nᎠᎴ ᎤᏁᎢᏍᏔᏅᎩ, ᎾᏍᎩ Ꮎ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸ ᏤᎭ, ᎾᏍᎩ ᎦᎸᎶᎢ ᎤᏬᏢᏅᎯ ᏥᎩ, ᎠᎴ ᎾᏍᎩ ᎾᎿ ᏤᎿᎠ, ᎠᎴ ᎡᎶᎯ, ᎠᎴ ᎾᏍᎩ ᎾᎿ ᏤᎿᎠ, ᎠᎴ ᎠᎺᏉᎯ, ᎠᎴ ᎾᏍᎩ ᎾᎿ ᏤᎿᎠ, ᎥᏝ ᎿᏉ ᎤᏟ ᎢᎪᎯᏛ ᏱᎪᎯᏗᏏᏎᏍᏗ ᎤᏛᏅᎩ.\nᎠᏎᏃ ᎧᏁᎬ ᏔᎵᏁ ᎯᎠ ᏅᏛᎠᎩᏪᎡᎸᎩ ᎦᎸᎳᏗ ᏓᎤᎶᏒᎩ; ᎤᏁᎳᏅᎯ ᎤᏅᎦᎸᏛ ᎾᏍᎩ ᏞᏍᏗ ᎦᏓᎭ ᏲᏎᎮᏍᏗ.\nᎠᏗᎾ ᎠᏆᏚᎵᎭ ᏂᏤᎵᎯᏍᎬᎾᏉ ᎢᏣᎵᏍᏙᏗᏱ. ᎾᏍᎩ Ꮎ ᏄᏓᎸᎾ ᎠᏓᏅᏖᏍᎪ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ ᎨᏒᎢ, ᎢᏳᏛᏁᏗᏱ ᎤᎬᏫᏳᎯ ᎣᏍᏛ ᎤᏰᎸᏗ ᏧᎸᏫᏍᏓᏁᏗᏱ.\nᎾᏍᎩ ᏣᏂᎦᏔᎭ ᏄᏍᏛ ᏕᎫᎪᏗᏍᎬ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎩᎶ ᎾᏍᎩ ᎢᏳᏍᏗ ᏧᎸᏫᏍᏓᏁᎯ ᏰᎵᏉ ᏗᎬᏩᏂᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎥᏝ ᎾᏍᎩᏉ ᎾᎾᏛᏁᎲ ᎤᏩᏒ ᏱᎩ, ᎣᏏᏳᏍᎩᏂ ᏚᏂᏰᎸᎭ ᎾᏍᎩ ᎢᏯᎾᏛᏁᎯ.\nᎤᏁᎳᏅᎯᏰᏃ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎢ; ᎯᎸᏉᏕᏍᏗ ᏨᏙᏓ ᎠᎴ ᏣᏥ; ᎠᎴ ᎾᏍᏉ ᎯᎠ; ᎩᎶ ᏓᏍᎩᏅ ᏗᏍᎨᏍᏗ ᎤᏙᏓ ᎠᎴ ᎤᏥ ᎠᏎ ᎤᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᏍᎩᎾᎾ ᎭᎾᏛᎦ.\nᏗᎨᏍᎩᎥᏏᏉᏃ ᏕᏍᎩᏚᎬᎢ, ᎾᏍᎩᏯ ᏥᏗᎦᏲᏥᏁᎰ ᏦᏥᏚᎩ.\n”ᏥᏣᏁᎸᏓ, ᏥᏣᏁᎸᏓ!”\nᎠᎴᏬ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏩ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎢᏥᎪᏩᏘᏍᎨᏍᏗ ᎦᎸᎳᏗ ᎤᎵᏍᏚᎢᏛ ᎨᏎᏍᏗ, ᎠᎴ ᏕᏥᎪᏩᏘᏍᎨᏍᏗ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᎠᎾᎵᏌᎳᏗᏍᎨᏍᏗ ᎠᎴ ᎡᎳᏗ ᎾᎾᏛᏁᎮᏍᏗ ᎬᏩᎷᏤᎮᏍᏗ ᏴᏫ ᎤᏪᏥ.\nᏧᏓᏏ, ᎥᏝ ᎢᏍᎦᎳᏗ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᎦᏙ ᏓᎦᎵᏍᏙᏔᏂ ᎬᏂᎨᏒ ᎠᏴ ᏅᏛᏍᎩᏯᏛᏁᎵ, ᎥᏝᏃ ᎡᎶᎯ?\nᎢᏳᏃ ᎦᏓᎭ ᎠᏓᏅᏙ ᏴᏫ ᎤᏄᎪᎩ, ᎡᏙᎰ ᎤᎧᏲᏛᎯ ᎨᏒᎢ, ᎤᏲᎰ ᎠᏣᏪᏐᎸᏍᏙᏗᏱ; ᎤᏠᎩᏃ, ᎯᎠ ᏂᎦᏪᏍᎪᎢ, ᏛᎦᏨᏏ ᏗᏇᏅᏒ ᏗᎩᏄᎪᏨ ᏮᏛᏥᎶᏏ.\nᎪᎳ ᎢᎪᎯᏛ ᎤᎦᎾᏬ ᎠᎾᏗᏍᎪ ᏃᎴ ᏍᏈᏍᏔ ᎠᏣᏗ ᏗᎬᏣᎶᏗ.\n”ᎭᎴᏫᏍᏓ!” ᎤᏪᎷᏁ ᏫᎵᎻ.\nᎾᏍᎩ ᏯᏛᏅ, ᎤᏇᏓᎵ ᎨᏒ ᎤᎾᏕᏔᏅᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎯᎠ ᎥᏝ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᏱᎩ; ᎠᏚᎢᏍᏛᏍᎩᏂ ᎤᎾᏕᏔᏅᎯ ᎨᏒ ᎾᏍᎩ ᏧᏪᏥ ᏧᏰᎸᏗ.\nᎤᎵᏍᏗᏳᏃ ᏥᏌ ᎦᏙᎬ ᎤᎷᏨᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᏙᎯᏱ ᏕᎾᏓᎪᏩᏛ, ᏍᎩᎾᏝᎢ; ᎠᎴ ᎤᏚᏣᎳᏅᎩ.\nᎿᏉᏃ ᏥᏌ ᎤᏙᎴᎰᏒ ᏗᏂᎷᏥᏒᎩ ᎠᎴ ᏗᎬᏩᏗᏝᎥᏔᏂᏒ ᎤᎬᏫᏳᎯ ᏅᏗᎬᏩᏁᎵᏒᎢ, ᎤᏓᏅᏒᎩ ᏔᎵᏁ ᏦᏓᎸ ᏭᏣᏒᎩ ᎤᏩᏒ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᎾᎨᎢ ᏤᏙᎵᏙᎮᎢ ᎢᎪᎯᏓ ᏃᎴ ᎢᏳᏊ ᎱᏚᎵᏍᎬᎢ ᏣᎳᏍᏕᎵᏴᏍᎨᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎤᎦᏛᎾᏨᎯ ᎤᏙᎯᏳᎯ ᎤᏣᏔ, ᏧᏂᎸᏫᏍᏓᏁᎯᏍᎩᏂ ᎠᏂᎦᏲᎵᏳ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎡᏣᏓᏙᎵᏍᏓᏏ ᎤᎬᏫᏳᎯ ᎤᎦᏛᎾᏨᎯ ᎤᏤᎵᎦ, ᏂᏙᏓᏳᏅᏍᏗᏱ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎾᎿ ᎤᎦᏛᎾᏤᎸᎢ.\nᏫᎵᎻ ᎤᏓᏐᎴ ᎤᏬᏢ ᎾᎥᏂ, ᎤᏂᏴᎡᎵ ᎫᎦ ᎠᏗᏔᏍᎬᎢ.\nᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᎠᏰᎵ ᎦᏙᎨ ᏫᎵᎻ,  ᏓᎭᏬᎢᎮ ᎤᏲᏏᏍᎬ, ᎤᏥᏍᏔᏁ ᏣᏄᏏ.\n”ᏃᏉ ᏓᏥᏂᏴᎯ.” \nᎠᎴ ᎾᏍᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᎤᎾᏓᏴᏒᎩ, ᎠᎴ ᎥᏝ ᏱᏚᏂᎯᎧᎯᏰ ᏧᏁᏥ; ᎣᏂᏱᏃ ᎠᎨᏴ ᎾᏍᏉ ᎤᏲᎱᏎᎢ.\nᎠᏏᏉ ᎦᏬᏂᏍᎨ ᎩᎶ ᎤᎷᏤ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᎬᏫᏳᏌᏕᎩ ᎦᏁᎸ ᏅᏓᏳᎶᏒᎯ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᏤᏥ ᎤᏲᎱᏒ, ᏞᏍᏗ ᎯᏯᏕᏯᏙᏔᏅ ᏗᏕᏲᎲᏍᎩ.\nᏥᏌ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᎠ ᏥᏂᎦᏛᏁᎭ ᎥᏝ ᎪᎯ ᎨᏒ ᏱᎦᏔᎭ, ᎣᏂᏍᎩᏂ ᏘᎦᏙᎥᏏ.\n”ᎡᎭ! ᏂᎨᎵᏍᎪᏗ ᏥᏍᏕᏥ ᎤᏁᏍᎩᎸᏗ ᏏᏆ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᎭᏫᏂᏣ.\nᏧᏗᎦᎴᏴᏓ ᏓᎭᏦᏴ ᏣᎳᎩᏱ ᎠᏰᎵ, ᏂᎦᏓ ᎠᎾᏂᎩᏍᎬ ᏭᏕᎵᎬ ᎢᏣ.\nᎿᏉᏃ ᏥᏌ ᎦᏁᏥᎢ ᎤᏍᏛᎦᎵ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᎦᎪ?\n“ᎠᏯᏗᏍᏉ ᎠᎩᏲᏏ,” ᎤᏛᏁ ᏣᎵ.\n“ᎤᎵᎮᎵ-ᎤᎵᎮᎵ-ᎤᎵᎮᎵᏍᏗ!” ᎤᏁᎷᏁᎢ.\nᎠᎴ ᏗᏄᎪᏗᏍᎩ ᏫᏚᎾᏘᏃᎮᎸᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᎠ ᎠᏂᏍᎦᏯ ᎠᎠᏧᏏ ᎤᏣᏔᏅᎯ ᎠᎾᏕᏯᏙ ᏗᎭ ᎢᎩᏚᎲᎢ,\nᎦᏲᏟᎨ ᏯᏂᏬᏂ ᏴᏫ, ᏯᎦᏓ ᏯᏂᏬᏂ ᏗᎦᎾᏌᎢ.\nᎢᎦᏛᏃ ᎾᏍᎩ Ꮎ ᏴᏫ, ᎠᎴ ᎪᎱᏍᏗ ᏗᎾᏓᏛᎿ ᎨᏒᎢ, ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᏂᏩᏗᏒᎢ, ᏓᏂᎪᏩᏗᏍᎨᏍᏗ ᏧᏂᏲᎱᏒᎯ ᏗᏂᏰᎸᎢ ᏦᎢ ᎢᎦ ᏅᎩᏁᏃ ᎠᏰᎵ, ᎥᏝᏃ ᎤᏁᎳᎩ ᎤᏁᎵᏍᏗ ᏱᎨᏎᏍᏗ ᏧᏂᏲᎱᏒᎯ ᏗᏂᏰᎸ ᏗᏓᏂᏐᏗᏱ ᏧᏂᏅᏗᏱ.\nᎠᏎᎩ ᏧᎬ ᎤᏂᎩᏢ ᎠᎴ ᎦᏓᏁ ᏅᏯ.\n“ᏙᏯ ᎪᎱᏍᏗ ᎠᏩᏔ ᏧᏪᏯ ᎾᎥ,” ᎤᏛᏁ ᏥᏍᏚ.\nᏦᎩᏴᏫᎾ?\nᎠᏎᏃ ᎢᎦᏓ ᎠᏕᏅᏓ ᎨᏍᏗ ᎠᎪᏍᎩ ᏱᎩ.\nᏞᏍᏗ ᏧᏃᏕᏍᏗᏍᎩ ᏘᏂᏣᎵᏍᏔᏁᏍᏗ ᎾᏍᏉ ᎠᏂᏧᏏ ᎠᎴ ᏧᎾᏓᎴᏛ ᏴᏫ, ᎠᎴ ᎤᎾᏓᏡᎬ ᏧᎾᏁᎶᏗ ᎤᏁᎳᎥᎯ ᎤᏤᎵᎦ;\nᎠᏯᏙᎵ, ᎠᏰᎵ ᎦᏲᏟ ᎠᏴᏈᏛᏅ ᏩᎩᏌᏅ.\nᎠᎴ ᎠᎾᏙᎴᎰᏍᎩ ᏧᎾᏤᎵ ᏗᏓᏅᏙ ᏓᏃᎯᏳᎲᏍᎪ ᎠᎾᏙᎴᎰᏍᎩ.\nᎡᎦᏆ ᎾᏍᎩ ᎢᏤᎲ ᎡᎯ ᏥᎩ, ᎦᎶᏁᏛ ᎤᏅᏏᏙᎯ, ᏫᏥᏲᎵᎦ, ᏂᎪᎯᎸ ᎠᎵᏂᎬᏁᎭ ᎠᏓᏙᎵᏍᏗᏍᎬ ᎾᏍᎩ ᏂᎯ ᎢᏣᎵᏗᏱ ᏂᏥᎪᎸᎾ ᎠᎴ ᎠᎧᎵᎢ ᏂᎦᎥ ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒᎢ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎫᎴ-ᏗᏂᏍᎪᏂᎯ ᏗᏂᎾᏕᎩ; ᎯᎠ ᏗᏥᎧᎲᎾ, ᏞᏍᏗ ᎡᏙᏓ ᎦᏁᎸ ᎦᏃᏙᏗᏱ ᎠᏓᏁᎸ ᎢᏨᏁᎸᎢ.\nᎠᏎᏃ ᎾᏍᎩ ᎾᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᎯᎠ ᎾᏍᎩ ᏧᎬᏩᎶᏗ ᏭᏘᏰᎵᎯᏍᏗ ᎨᏒᎢ; Ꭷ, ᎡᏗᎷᎦ, ᏧᎬᏩᎶᏗᏃ ᎤᏖᏰᏗ ᎢᎦᏤᎵᎦ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᎤᏪᎾᏪ ᎠᎴ ᎤᏍᏆᏂᎪᏎ ᎯᎠ ᏄᏪᏎᎢ; ᏣᎬᏫᏳᎯ, ᎦᏙ ᏣᏚᎵ ᎠᏆᏛᏁᏗᏱ? ᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᏔᎴᎲᎦ, ᏗᎦᏚᎲ ᎮᎾ, ᏓᏰᏣᏃᏁᎵᏃ ᎢᏣᏛᏁᏗᏱ.\nᏗᏂᏙᎬᏃ ᏗᎾᏓᏨᏯᏍᎩ ᏥᎩ ᎾᏍᎩᏯ ᏓᏂᏂᏓᏛᎩ, ᎠᎴ ᏧᎾᏓᏨᏯᏍᏙᏗ ᏗᏂᏙᎬ ᏚᏙᏢᏒᎩ; ᎠᎴ ᎤᏂᎲᎩ ᎪᎱᏍᏗ ᏧᏅᏁᏗᏱ ᏴᏫ ᎯᏍᎩ ᎢᏯᏅᏙ.\nᎤᏥ ᎤᎧᎯᏴᏎ ᎡᎳᏆᏗ ᎤᎾᏛᏁᎸᏗ ᏃᎴ ᎠᎬᏱᏣ ᏓᏆᎴᎳ ᎦᏗ ᎤᏩᏗ ᎾᎬᏁᎴᎢ ᎤᎵᎦᏲᏙᏗ.\nᏏᏆ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᎭᏫᏂᏣ ᎦᏂᎩᎸ ᎤᏴᏥ ᎨᏎᎢ. ᎤᎦᏃᏩ ᎤᏁᏍᎩᎸᏁ ᎤᎧᏔ ᎤᏂᏍᏆᏂᎪᏙᏗ ᎣᏁᎯ. \nᏥᏌ ᏚᏁᏤᎸ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎩᎶ ᏣᏍᎦᏅᎪᎢ ᎠᏍᎦᏂ ᎤᎾᏝᎢ ᎨᏐᎢ.\nᏄᏓᎴ ᎢᎦᏪᏍᎩ ᏫᎾᎩ, ᏧᏍᏆᏴᏍᏗ.\nᏥᏌ ᏅᏩᏙᎯᏯᏛ ᏚᏁᎵᎸ ᎡᎶᎯ ᏍᎩᏰᎵᏎᎭ? ᎥᏝ ᎢᏨᏲᏎᎭ; ᏔᎵᏉᏍᎩᏂ ᎢᏳᎾᏓᏗᏍᏗᏱ;\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ. ᏂᎯ ᎡᏥᏁᎸ ᎢᏦᎵᏍᏗᏱ ᎤᏕᎵᏛ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ; Ꮎ-ᏍᎩᏂ ᏙᏱᏗᏢ ᎠᏁᏙᎯ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏕᎨᎦᏟᎶᏍᏓᏁᎰᎢ;\nᎤᏬᏰᏂ ᎬᏘ ᎱᎫᏩᎩᏍᏗ ᏱᎨᏎ ᏄᏲᎢᏴ ᏧᏂᎶᏒ ᏴᏫ, ᏍᎩᎾᎾ ᏱᏄᏛᏁᎴ.\nᎢᏨᎨᏳᎢ, ᏞᏍᏗ ᎤᏍᏆᏂᎪᏗ ᎢᏥᎪᎵᏰᏗ ᏥᎩ, ᎾᏍᎩᏯ ᎪᎱᏍᏗ ᎤᏍᏆᏂᎪᏗ ᏥᏥᎷᏤᎶᎢ;\nᏈᏓᏃ ᏂᎦᏛ ᏚᏄᎪᏫᏒ ᏚᎵᏂᏆᏅᏁ ᎠᎴ ᎤᏓᏙᎵᏍᏔᏁᎢ, ᏕᏛᏅᏃ ᎢᏗᏢ ᏭᎦᏔᎲᏍᏔᏅ, ᏓᏈᏗ ᏔᎴᎲᎦ, ᎤᏛᏁᎢ. ᏚᏍᏚᎢᏎᏃ ᏗᎦᏙᎵ, ᏈᏓᏃ ᎤᎪᎲ, ᎤᏗᏛᎮ ᎤᏪᏁᎢ.\nᏝᏍᎪ ᏱᏥᎦᏔᎭ ᏂᎯ ᎤᏁᎳᏅᎯ ᎦᏁᎸ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᎢᏥᏯᎥᎢ?\nᏰᎵ ᎠᎦᏗ ᏪᏙᎰ ᎭᎾᏂ? \nᎦᏚᎲ ᏩᏚᏂᏐᏤ, ᏍᏗᏫ ᎤᏤᎵ ᎦᎶᎯᏍᏗ ᎾᎥᏂ ᏭᏂᎷᏤ.\nᎠᏂᏲᏍᎩ ᏧᎾᎴᏅᎯ ᏓᏂᏱᎳᏫᏍᏗᏍᎬ ᎠᏂᏣᎳᎩ ᏚᏁᏅᏒ ᎠᎴ ᎦᏓ ᏚᏂᎲ ᏚᏂᎯᏰᎢ ᎠᏎ ᎤᎾᏓᏅᏍᏗ ᏥᏄᎵᏍᏔᏁ ᏁᎳᏚᎢᏍᎪᎯᏧᏈ ᏦᏍᎪᎯ ᎤᏕᏘᏴᏌᏗᏒ ᎨᏒᎢ. ᎠᎴ ᎪᏪᎵ ᏧᏃᏪᎳᏅ ᏚᏂᎾᏫᏛᎮ.\nᎭᏩ, ᏗᎨᏅᏒ ᎯᏕᎾ!” \nᎤᏕᎶᎰᏎ ᏫᎵᎻ ᎤᎯᏐᏗ ᎢᏳᏍᏗ ᎤᏃᏴᎬ ᏌᎳᏓ ᎦᏬᏂᏍᎬ.\nᎧ ᏄᏬᏚᎭ!”  \nᎢᏣᏓᏙᎵᏍᏗᏍᎬ ᎠᏴ ᏍᎩᏁᎢᏍᏗᏍᎨᏍᏗ; ᎣᎪᎯᏳᎭᏰᏃ ᎣᏏᏳ ᏂᏙᎬᏅ ᏦᎦᏓᏅᏙ, ᎠᎴ ᎣᎦᏚᎵᎭ ᏂᎦᎥᏉ ᏃᏣᏛᏁᎵᏙᎲ ᏱᏍᏛ ᎢᏲᎦᏛᏁᏗᏱ.\nᎾᏍᎩᏯᏍᎩᏂ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎩᎶ ᎤᎬᎲᎯ ᏂᎨᏒᎾ, ᎠᎴ ᎤᏛᎦᏅᎯ ᏂᎨᏒᎾ, ᎠᎴ ᏴᏫ ᎤᎾᏫᏱ ᎤᏴᎸᎯ ᏂᎨᏒᎾ, ᎾᏍᎩ ᏄᏍᏛ ᎤᏁᎳᏅᎯ ᏚᏛᏅᎢᏍᏓᏁᎸ ᎾᏍᎩ ᎬᏩᎨᏳᎯ.\nᎦᏙᏃ ᎨᏣᏍᏓᏩᏗᏙᎯ ᎠᏂᏲᏍᏗᏍᎪ ᎡᏘ ᎠᏁᎯ ᎤᏂᏃᎮᎸᎯ? ᏝᏰᏃ ᏱᏓᏃᏑᎴᏍᎪ ᏧᏃᏰᏂ ᏨᏗᎾᎵᏍᏓᏴᏂᏐᎢ.\nᏳᏫᎬᏩᏙᎯᏙᎴ, ᎠᏎᏃ ᏱᏮᎦᏥᎶᎢ ᎠᏔᎴᎦᏒ.\nᎤᎿᎮᎾ ᏫᎫᏓᎴ ᎠᏒᏛᏓ.\nᎾᏍᎩ ᎺᎵ ᎠᏠᏁᏗ ᏧᎶᏁᏔᏁ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎤᏍᏘᏰᎬ ᏧᏩᏔᏁ ᏥᏚᏅᎦᎸᎡᎴ ᏧᎳᏏᏕᏂ, ᎾᏍᎩ ᏅᏙ ᎳᏏᎳ ᎤᏢᎬᎩ.\nᏒᎧᏔ ᏧᎬ ᎭᏫᏂᏣ ᎤᎵᏍᏛᏧᏁᎢ ᏣᏄᏏ, ᎤᏥᏍᏔᏝᏁ ᎦᏅᏃᏩ, ᏗᎨᏥᎾᏌᎢ ᎤᏂᏩᏒᎨᎢ ᎤᏴᏍᏗ ᏦᎳ.\nᎨᏍᏗ ᎠᎵᏍᏔᏴᏗ ᏳᏚᎵᏍᎨ ᏫᎵᎻ, ᎠᏓᎨᏳᏗ ᎤᏚᎵᏍᎨ.\nᎤᏛᏅᏃ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᏚᏩᏛᎲᎩ ᎠᏂᏅᎩ ᏗᏂᎾᏕᎩ ᏩᎦ ᎠᎴ ᎠᏫ ᎠᎴ ᎫᎴ-ᏗᏂᏍᎪᏂᎯ, ᎠᎴ ᎠᏕᎸ ᏗᏂᏁᏟᏴᏍᎩ.\nᎠᎴᏬ ᏦᎢᏁ ᎤᏅᏎᎢ; ᎾᏍᎩᏃ ᎾᏍᏉ ᎤᏂᏐᏅᏅ ᎤᏂᏄᎪᏫᏎᎢ.\nᎾᎾᏛᏁᎲ ᎡᏆ ᎡᎶ, ᏤᎩᏏᏂ ᎠᏰᎵᏒ ᏧᏒᎲᏍᏗ ᏂᎦᏓ ᎠᏂᏴᏫᏯ ᎧᎸᎬ ᎢᏣ Mississippi, ᎾᎥᏂᎨᏉ Siam ᎤᎬᏫᏴ ᏓᎭᏃᏫ ᏂᏕᎬᏁᎲ, ᎨᏍᏗ ᎪᎰᏍᏗ ᏯᏁᎵᏍᎨ.\nᎢᎦᏓ ᎤᎾᏓᎪᏳᎲ ᎠᎾᏁᎸᏗᏍᎬ ᎤᏂᏢᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏨᏒ ᎬᏂᎨᏒ ᏂᏣᏓᏛᏁ ᎾᏍᎩ ᏗᏥᏙᏓ ᎨᏒ ᎠᎾᏙᎴᎰᏍᎩ ᏧᏂᎸᎯ.\nᎠᎴ ᏥᏌ ᎦᏚ ᏚᎩᏒᎩ, ᎠᎴ ᎤᎵᎮᎵᏨ ᏚᏯᏙᎮᎸᎩ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᏚᏂᏯᏙᎮᎸᎩ ᎤᎾᏅᏅᎯ, ᎠᎴ ᎾᏍᏉ ᎠᏣᏗ ᎾᎦᎥ ᏚᎾᏚᎵᏍᎬᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏔᎵ ᏄᎾᏓᏛᎩ ᏴᏫ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎾᏍᎩ ᎬᏩᏍᏛᏗᏍᎬᎢ.\nᎤᏪᎵᏍᏗ ᏑᎾᎴ Potomac ᎨᏴ ᎾᎥ ᏳᎾᏟᎴ.\nᏈᏓᏃ ᏚᎴᏅ ᏚᏍᏓᏩᏛᏎᎢ; ᎤᎷᏨᏃ ᎦᎸᎳᏗ ᎧᏅᏑᎸ ᏫᎬᏩᏴᏔᏁᎢ; ᏂᎦᏛᏃ ᎠᏂᎨᏴ ᏧᏃᏑᎶᏨᎯ ᎦᏙᎬ ᎾᎥ ᎠᏂᏙᎾᎡ ᏓᏂᏴᎨᎢ, ᎠᎴ ᏓᏂᎾᏄᎪᏫᏍᎨ ᎭᏫᏂ ᏗᏄᏬ ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᏄᏬ ᎾᏍᎩ ᏓᎩ ᏧᏪᏰᏫᏒᎯ ᎠᏏ ᎤᏁᎳᏗᏙᎮᎢ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᏴ ᏂᏑᏪᏎᎴᎢ; ᏂᏚᏂᏢᎬᎾ ᎥᏝ ᎤᏚᎸᏗ ᏱᏄᎾᎴᏍᏓᏁᎰ ᏗᏓᏅᎾᏍᎩ, ᏧᏂᏢᎩᏍᎩᏂ.\nᏍᎩᏃ ᏂᎦᏪᎠ, ’ᎤᏍᏆᏂᎩᏗ ᏏᏆ,’ ᎤᏍᎪᏍᏓ ᎨᏒ.\nᏲᎾ ᎦᏐᎯ ᎤᏩᏌ ᎠᎪᏩᏛᏗ ᎠᏲᏍᏗᏍᎬ ᎤᎵᏏᎩ ᎠᎼ ᎦᏚᎢᏣ.\nᎠᏂᏆᎵᏏᏃ ᎾᏍᏉ, ᎾᏍᎩ ᎠᏕᎸ ᎤᏂᎬᎥᏍᎩ ᏥᎨᏎᎢ, ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᎤᎾᏛᎦᏁᎢ; ᎠᎴ ᎬᏩᏕᎰᏔᏁᎢ.\nᎢᏗᎦᏔᎭ ᎢᏳᏍᏗᏉ ᎬᏅᎢ ᎤᎵᏍᏕᎸᏙᏗ ᎦᏲᏟ.\nᏐᏉ ᎠᏲᏍᎩ ᎠᏧᏣ ᎤᏦᎣᏒ, ᎤᎦᏛᏅᏒ ᎢᏳᏍᏘ ᏂᎦᎵᏍᏗᏍᎬ.\n“ᎮᎵᏍᎬᏉ ᎢᎪᎯᏓ ᏱᎬᏍᏆᏂᎪᏓ ᏱᏣᏚᎵ ᎠᏯ ᎬᏍᏆᏂᎪᏙᏗ.”\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ, ᎾᏍᎩ ᎤᏂᏣᏘ ᎬᏩᏜᏫᏍᏗᏕᎨ ᎤᎾᏛᎪᏗᏱ ᎧᏃᎮᏛ ᎤᎾᎳᏅᎯ ᎤᏤᎵᎦ, ᎨᏂᏏᎳᏗ ᎥᏓᎷᎶᏗ ᎦᏙᎨᎢ.\n”ᎨᏍᏗ ᎦᎬᎪᏩᏘᏱᎩ,” ᎤᏛᏁ ᏫᎵᎻ, ᎩᎳᏈᏴ ᏚᎴᏁ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᏚᎴᏁᎢ, ᎤᏁᏒᏃ ᎠᏤᏍᏙ, ᎤᏄᎪᏤ ᏂᎦᏛ ᎠᏂᎦᏔᎲᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎦᏛ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏂᎸᏉᎳᏁ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎥᏝ ᎢᎸᎯᏳ ᎾᏍᎩ ᎢᏳᏍᏗ ᏲᎩᎪᎰᎢ.\nᎠᏓᏍᏕᏓᎵᏴᏍᎬ ᏕᎪᏪᎸ ᏚᎾᏙᎥ ᎠᎾᏦᎥᏍᎬ ᏃᎴ ᏓᏄᏔᎩᏍᎬᎢ ᏴᏫ ᏕᎦᏚᎲ.\nᏍᏔᏯ ᎤᏃᎸᏁ\nᏒᏛᏓ ᏗᏥᏯ ᏭᏏᏅᏎ, ᏭᏔᏍᏖᏎ ᎣᏂ ᏗᏣ ᎦᏅᏒᏓ.  \nᎡᎳᏗ ᎦᏙ.\nᎯᎠ ᏂᏚᏪᏒᎩ; ᏰᎵᏉ ᏱᏥᏲᏍᏓ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏦᎢᏉᏃ ᏧᏙᏓᏆᏛ [ᏔᎵᏁ] ᏴᎦᏁᏍᎬᎵ.\nᎯᎠᏃ ᎤᎵᏬᏨ ᎤᏆᎶᎦ.\nᎾᏍᎩ ᎤᏂᏯᏍᏗᏱ ᎤᎬᏫᏳᎯ, ᎾᏍᎩ ᎬᏩᎾᏒᏂᏍᏗ ᎠᎴ ᎬᏩᏂᏩᏛᏗ ᎢᏳᎵᏍᏙᏗᏱ, ᎥᏝᏍᎩᏂᏃᏅ ᎢᏗᏏᏴᏫᎭ ᏂᎦᏛᎿᏕᎬᎢ ᎢᏅᎯᏳ ᏱᏄᏛᎿᏕᎦ.\nᏧᏪᏅᎡᏃ ᎥᎿᎾᏂ ᎤᏍᏗᎢ ᎦᏚᎲᎢ, ᎠᏎᏍᎩᏂ;\nᎦᏨ ᏧᎶᏎ ᎤᏍᏆᏂᎩᏗ ᏕᎪᏪᎸ? \nᎯᎠᏃ ᎠᏂᏃᏟᏙᎯ ᎯᎠ ᏂᎦᏪᏍᎬᎢ ᏧᏁᎵᏎᎢ ᎤᎾᎱ, ᎱᏰᎳᏚᎢ ᎯᎠ ᎪᏪᎸᎢ ᎤᏓᎾᏛᎢ, ᎠᏎᏃ ᏣᏓᏍᏆᎵᏍᏗᏍᎨ ᏗᎦᏟᏓ ᏃᎴ ᎡᎳᏗ ᏣᏗᏥᎮᎢ.\n“Ꭳ, Ꭵ.”\nᎦᎪ ᏂᎯ ᏥᏕᎯᏳᎪᏓᏁ ᏅᏩᏓᎴ ᎤᏅᏏᏓᏍᏗ? ᎤᏩᏒᏉ ᎤᏅᏏᏙᎯ ᎤᎵᏍᎦᏍᏙᏗ ᎦᏙᎬ ᎠᎴ ᎦᏅᎬᎢ. ᎥᎥ, ᎠᏥᏲᏍᏙᏓᏁᏗ ᎨᏎᏍᏗ ᎤᏅᎢᏍᏗᏱ; ᎤᏁᎳᏅᎯᏰᏃ ᏰᎵᏉ ᎤᎴᏗᏱ ᎢᎬᏩᏁᏗ.\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎡᏥ ᎠᎴ ᎣᏣᎵᏅᏟ ᎯᎠ ᎾᏍᎩ ᏣᎾᏛᎩᎠ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎠᎴ ᎾᏍᎩ ᏂᎦᏪᏍᎬ ᎢᏯᎾᏛᏁᎯ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏥᎪ ᎠᏯᎦᏯ ᎤᎦᏑᏯ ᎢᏤᎲᎢ, ᎢᏳᏃ ᏌᏉ ᎠᏫ ᎤᏃᏕᎾ ᏳᎾᏝᎠ, ᎠᏔᎴᏒᏃ ᏳᎸᏨ ᎤᎾᏙᏓᏆᏍᎬᎢ, ᎾᏍᎩ ᏭᏂᏴᏗ ᎠᎴ ᏭᎴᏍᏗ ᏂᎨᏒᎾ?\nᎤᎦᏃᏫ ᎪᏒᏅ ᎦᏓᎸ ᎤᏃᏫ.\nᎾᏍᎩ ᎺᎵᎦᏱ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎠᏓᏱ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎪᏌᎻ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎡᎵᎼᏓᎻ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎥᎵ ᎤᏪᏥ ᎨᏎᎢ,\nᏄᏦᏎᏛᎾ ᏯᎩᎨᏳᎦᏧ?\nᎤᎾᏓᏓᏍᎬ ᏴᏫ ᎢᏣ ᏚᎾᎵᏐᏫᏍᏛ ᎦᎶᏇ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᎦᎥ ᎪᎱᏍᏗ ᎤᎵᏏᎬ ᎢᏥᏁᏨ ᎢᎦ ᎦᏛ ᎠᏛᎪᏗ ᎨᏎᏍᏗ; ᎾᏍᎩᏃ Ꮎ ᎢᏣᏙᏅᎸᎢ ᏕᎧᏅ-ᏑᎸ, ᎦᏌᎾᎵ ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᎨᏎᏍᏗ.\nᎯᎠᏃ ᏄᏂᏪᏒᎩ; ᎢᎦᏛ ᏣᎦᏛ ᏣᏂ ᏗᏓᏬᏍᎩ [ᎨᏦᏎᎰᎢ,] ᎢᎦᏛᏃ ᎢᎳᏯ, ᎠᏂᏐᎢᏃ ᏤᎵᎹᏯ ᎠᎴ ᎩᎶ ᎢᏳᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ ᎨᏒᎢ.\n“ᎠᏍᎪᎸᎦ”\nᎤᏃᎯᏳᏒᏃ ᎤᏙᎴᎰᏒ, ᎯᎠ ᏄᏪᏎᎴᎢ; ᎯᏍᎦᏯ, ᏣᏍᎦᏅᏨ ᎡᏣᏙᎵᎩ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎩᎬ ᎤᏪᏅᎡᎲ ᎤᏲᎯᏍᏔᏁᎢ; ᎤᏙᎴᎱᏎᏃ ᎠᏰᎸ ᎤᏗᏩᏒ ᎾᏍᎩ ᎤᏢᎬᎢ.\nᎠᏂᏧᏏ ᎯᎠ ᏫᏅᎬᏩᏪᏎᎸᎩ; ᏗᎧᎿᏩᏛᏍᏗ ᎣᎩᎭ, ᏦᎩᎧᎿᏩᏛᏍᏗᏃ ᏂᎬᏅ ᏰᎵᏉ ᎬᏩᏲᎱᎯᏍᏗ, ᎤᏁᎳᏅᎯᏰᏃ ᎤᏪᏥ ᎤᏤᎸᏅᎩ.\nᎠᏴᏍᎩᏂ ᎢᎦ ᎢᏕᎯ ᏥᎩ ᏂᏗᎩᏴᏍᏕᏍᎬᎾ ᎨᏎᏍᏗ, ᎠᏓᏁᏣᏍᏚᎶ ᎪᎯᏳᏗ ᎨᏒ ᎠᎴ ᎠᏓᎨᏳᏗ ᎨᏒ ᎢᏓᏓᏁᏥᏍᏚᎶᏗᏍᎨᏍᏗ, ᎡᎩᏍᏕᎸᏗᏱᏃ ᎨᏒ ᎤᏚᎩ ᎢᎬᏒ ᎢᎦᎵᏍᏚᎶᏕᏍᏗ.\nᎯᎠᏃ ᏄᏪᏒᎩ; ᎠᏂ ᏗᏍᎩᏲᎯᏏ.\nᎦᏙ ᎠᏁᎰ.\nᎢᏳᏃ ᎠᏓᏅᏙᎩᎯ ᎢᏕᎮᏍᏗ, ᎾᏍᏉ ᎠᏓᏅᏙ ᏕᎦᏘᏂᏒ ᎢᏓᎢᏎᏍᏗ.\nᎥᏝ ᎠᎴ ᎩᎶ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᏧᏪᏘ ᏗᏑᏢᏛ ᏱᏓᏟᏍᏗᏍᎪᎢ; ᎢᏤᏰᏃ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᏱᏙᎦᏣᎦᎸ ᏗᏑᏢᏛ ᎠᎴ ᏯᏤᏬᎩ, ᏗᏑᏢᏛᏃ ᏱᏓᏲᎩ.\nᎾᏍᎩ ᎤᏩᏒᎯ ᎠᎦᏔᎾᎢ ᏥᎩ ᎤᏁᎳᏅᎯ ᎢᎩᏍᏕᎵᏍᎩ, ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎦᎸᏉᏗᏳ, ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ, ᏄᎬᏫᏳᏌᏕᎩ ᎨᏎᏍᏗ, ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎨᏎᏍᏗ, ᎪᎯ ᎨᏒ ᎠᎴ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ. ᎡᎺᏅ.\nᎤᎩᏨᏓ ᎤᎾᏙᏓᏈᏕᎾ ᎨᏎᎢ.\nᏚᎴᏁ ᏲᎾ ᎤᏤᏍᏙ ᎦᏍᎩᎶᎩ ᎤᏬᏢ, ᏧᏪᏅᏒ ᎢᏣ ᎤᏪᏅᏎ, ᎠᏓᏅᏖᏍᎨ ᏄᏍᏛ ᎤᏕᎶᎰᏒ ᏃᎴ ᎤᏛᎦᏅ.\n“ᎦᏛᎩᏍᎪ ᎠᏂᏃᎮᏍᎬ ᏍᎩᎾᎾ ᏏᏆ,” ᎤᏛᏁ ᎦᏂᎦᏔ ᎡᎹᏂᏓ, ᏚᏍᏚᎩᏎ ᏗᎦᏙᎵ.\nᎠᏎᏃ ᎠᏴ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎩᎶ ᎠᎨᏴ ᏓᎧᏂᏍᎨᏍᏗ ᏧᎾᏂᏏᏗᏱ ᎤᏚᎵᏍᎨᏍᏗ, ᎦᏳᎳ ᎤᏓᏲᏁᎸᎯ ᎨᏎᏍᏗ ᏧᏓᏅᏛᎢ.\nᎾᏍᎩ ᏣᎦᏙᎥᎯᏍᏗᏱ ᎤᏙᎯᏳᎯᏯ ᎨᏒ ᎾᏍᎩ ᎾᎿ ᏧᏓᎴᏅᏛ ᎡᏤᏲᏅᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏳᏃ ᎠᏏᏉ ᎡᎲ ᎤᏰᎯ, ᏅᏩᏓᎴ ᎠᏍᎦᏯ ᏱᏚᎾᏤᏅ, ᎠᏓᏲᏁᎯ ᎠᎪᏎᎮᏍᏗ; ᎢᏳᏍᎩᏂ ᎤᏰᎯ ᎤᏲᎱᏒᎯ ᏱᎩ, ᎤᏚᏓᎴᏛ ᎨᏐ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏚᏓᎸᏛᎢ; ᎾᏍᎩᏃ ᎥᏝ ᎠᏓᏲᏁᎯ ᏱᎩ, ᎤᏁᎳᎩ ᏅᏩᏓᎴ ᎠᏍᎦᏯ ᏱᏓᎾᏤᎭ.\nᏧᏁᎦ ᏧᏃᏩ ᏓᎶᏂᎨ ᏚᏓᏅᎵᏰᎥ ᎦᏲᏟ ᏧᏅᎭᏂᏍᏔᏅ ᏧᏪᏥ.\n(ᎾᏍᎩᏰᏃ Ꮎ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏂᎨᎬᏁᎮ ᎠᏎᎵᏔᏅᎯ ᏂᎨᏒᎾ; ᎯᎠᏍᎩᏂ Ꮎ ᎠᏎᎵᏔᏅᎯ ᎨᏒ ᎠᎬᏓᏁᎴᎢ, ᎯᎠ ᎾᏍᎩ ᎢᏳᏪᏎᎸᎯ, ᎤᎬᏫᏳᎯ ᎤᏎᎵᏔᏅ ᎠᎴ ᎥᏝ ᎠᎦᏁᏟᏴᎾ ᏂᎯ ᎠᏥᎸ-ᎮᎶᎯ ᏂᎪᎯᎸᎢ ᎺᎵᎩᏏᏕᎩ ᏄᏍᏛ ᎾᏍᎩᏯᎢ.)\nᏄᏓᎴᏒ ᎪᎱᏍᏗ ᏧᎳᏏᏕᏂ ᎭᏫᏂᏗᏢ ᏂᏕᏨᏁᎸ. ᎾᏍᎩᏰᏃ ᏂᎦᏛ ᎭᏫᏂᏗᏢ ᏥᏄᏩᏁᎴᎢ, ᎥᏝ ᎪᎱᏍᏗ ᏳᏃᎯᏰ ᎾᏍᎩ ᎭᏫᏂᏗᏢ ᏄᏩᏁᎸᎾ ᎨᏒᎢ. ᎠᏎᏃ ᎪᎯ ᎨᏒ ᎥᏝ ᏱᏗᎪᏩᏘᎭ ᏂᎦᏛ ᎭᏫᏂᏗᏢ ᏱᎾᎬᏁᎸ.\nᎢᏳᏃ ᎣᏍᏛ ᎠᏥᏃᎮᏍᎩ ᎨᏎᏍᏗ ᎣᏏ ᏕᎤᎸᏫᏍᏓᏁᎲᎢ, ᎢᏳᏃ ᏗᏂᏲᎵ ᏧᏛᎯᏍᏔᏅᎯ ᎨᏎᏍᏗ, ᎢᏳᏃ ᎠᏁᏙᎯ ᏧᏍᏆᏂᎪᏔᏅᎯ ᎨᏎᏍᏗ, ᎢᏳᏃ ᎤᎾᏓᏅᏘ ᏧᎾᎳᏏᏕᏂ ᏧᏬᏑᎴᎸᎯ ᎨᏎᏍᏗ, ᎢᏳᏃ ᏧᏍᏕᎸᏛ ᎨᏎᏍᏗ ᎠᏂᎩᎵᏲᎩ, ᎢᏳᏃ ᎤᏍᏓᏩᏛᏛ ᎨᏎᏍᏗ ᏂᎦᎥ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᏍᎦᏯᏰᏃ ᎥᏝ ᎠᎨᏴᎯ ᏴᏧᏓᎴᏁ ᎠᎪᏢᏅ; ᎠᎨᏴᏍᎩᏂ ᎠᏍᎦᏲᎯ ᏧᏓᎴᏁ ᎠᎪᏢᏅ.\nᎦᏙᏃ [ᏫᎬᏛᏗ ᏂᎦᎵᏍᏗᎭ?] ᎢᏏᎵ ᎥᏝ ᏳᏩᏛᎲ ᎾᏍᎩ ᏧᏲᎲᎩ; ᎨᎦᏑᏰᏛᏍᎩᏂ ᎨᏒ ᎤᏂᏩᏛᎲ, ᎠᏂᏐᎢᏃ ᏚᏂᎫᏏᏲᏨᎩ.\nᎠᏍᎪᎯᏧᏈᏃ ᏗᏓᏖᏁᎯ ᎤᎪᎲ ᏄᎵᏍᏔᏂᏙᎸᎢ ᎤᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏙᎯᏳᎯᏯ ᎤᏓᏅᏗ ᎠᏍᎦᏯ ᎨᏎ ᎯᎠ.\nᏃᏗ ᎠᏍᏛᎢ ᎢᏣ ᏳᏓᏬᎠ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᏤᏍᏗ ᎭᎾ ᏯᏓᏬᏍᎨᏍᏗ, ᎬᎳ ᏏᏓᏁᎸ ᏓᎨᏣᎾᎩᏏ ᏃᎴ ᏓᎨᏣᏯᎪᏂ!\nᏍᎩᎾᎾ ᎢᏳᏍᏗ ᏕᎬᏏᎳᏛᏁᎸ ᏃᎴ ᎣᏍᏓ ᎬᏰᎸᎲ.\nᎤᎾᎵᏏᎾᎯᏍᏗ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎠᏁᏯᏔᎯ, ᏚᏁᏅᏒᏉ ᎠᏁᏙᎯ, ᎠᏃᏍᏛ, ᏧᏃᎯᏳᎯ ᎤᏅᏒ ᏗᎬᏩᏂᏰᎯ, ᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏗᏱ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎦᎬᏩᏂᏐᏢᏙᏗᏱ ᏂᎨᏒᎾ.\nᎠᏯ ᏲᎪ, ᎣᏍᏓ ᎠᎩᏰᎸᎲ ᏅᏃ ᎤᎵᏗᏨ ᎠᏓᏍᏔᏴᏅ, ᎠᏆᏕᎭᏃ ᎧᏫ ᎦᏓᏫᏗᏍᎩ ᏃᎴ ᏚᏯ ᎠᏂᏤᎯ, ᎤᎧᎭᏲᏛ ᎦᏖᏌᏗ ᏕᏥᎸᏗᏍᎪ ᏕᏥᏒᎾᏔᏍᎪᎢ ᎠᏂᎬᏂᎨ ᏃᎴ ᎠᏂᎪᎢᎭ ᎾᎾᎵᏍᏗᏍᎬ ᎢᎪᎯᏛ.\nᎤᎵᏏᎩ ᏄᎵᏍᏔᏁ ᎤᏒᎯ ᎧᎾᏬᎨ ᏃᏉ\nᎠᏗᎾ ᎢᏤᏯᏔᎮᏍᏗ; ᏓᏂᎳᏫᎥᏰᏃ ᏕᎨᏥᏲᏍᏗ; ᏧᏂᏔᏫᎢᏍᏗᏱᏃ ᏕᏥᎵᎥᏂᎮᏍᏗ; ᎠᎴ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᎠᏂᏅ ᏤᏣᏖᏃᎯᏍᏗ ᎨᏎᏍᏗᎠᏴ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎪᎯᏳᏗᏍᎩ ᏧᏂᏕᏖᎴᎩ.\nᎬᏲᏎᎭ, ᏔᎴᎲᎦ, ᎠᎴ ᎯᎾᎩ ᏣᏤᏍᏙ, ᎠᎴ ᏗᏤᏅᏒ ᏫᎶᎯ\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ; Ᏺ, ᏂᏦᎯᏳᏒᎾ ᎠᎴ ᎢᏣᎦᏔᎲᏛ ᎪᎯ ᏥᏤᎭ! ᎢᎳᎪ ᏂᎪᎯᎴᏍᏗ ᎢᏨᏰᎳᏗᏙᎮᏍᏗ, ᎠᎴ ᎤᎾᏁᎳᎩ ᎢᏨᏰᎵᏎᎮᏍᏗ? ᎡᎯᏯᏘᏄᎦ ᏤᏥ.\nᎠᎴ ᎾᏍᏉ ᎤᏟ ᎢᎦᎢ ᏄᏜᏏᏛᏒᎾ ᎧᏃᎮᏛ ᎠᏙᎴᎰᏒᎯ ᎢᎩᎭ, ᎾᏍᎩ ᎣᏏᏳ ᏱᏂᏣᏛᎦ ᏱᏣᎦᏌᏯᏍᏔᏅ ᎾᏍᎩᏯ ᎢᎦ-ᏚᎸᏌᏛ ᎤᎵᏏᎬ ᏨᎦᏌᏯᏍᏗᏍᎪᎢ, ᎬᏂ ᎢᎦ ᏓᎦᏙᎩ, ᎠᎴ ᏑᎾᎴ ᎡᎯ ᏃᏈᏏ ᏓᎧᎸᎩ ᏗᏥᎾᏫᏱ;\nᏓᏳᏓᎴᏅᏓ ᎧᏅᏂᏍᎩ ᏧᎵᎢᏕᎮᎢ ᎠᏁᎸᏗᏍᎨᎢ ᎢᏳᏛᏁᏗ ᏄᏍᏛ ᎠᏂᏃᎮᏍᎬᎢ.\nᎲᎦ ᎢᏯᏂ ᎠᏂᏴᏫᏯ ᏕᎯᏍᏕᎵᎭ? ᎤᏛᏅ ᏗᎪᏪᎵᏍᎩ.\nᏈᏓᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎾᏍᏉ ᎢᎴᎳᎭ ᏗᏱᏂᏲᎱᎯᏍᏗ ᏱᎩ, ᎠᏎ ᎥᏝ ᏴᎦᎬᏯᏓᏱᎦ. ᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎦᏛ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎾᏍᎩ ᏄᏂᏪᏒᎩ.\nᏣᏁᎸᏔᏅᎯᏍᎪ ᏣᏢᏗ ᏣᏁᎳ ᏧᏪᏥ ᏱᏗᏣᏍᎩᏝ?” \nᎾᏍᎩ ᎢᏃᏏ ᎤᏪᏥᎨᏎᎢ, ᎾᏍᎩ ᏎᏗ ᎤᏪᏥ, ᎾᏍᎩ ᎠᏓᏫ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏎᎢ.\nᏥᎦᏔ ᎣᏍᏓ ᏱᎩ ᏯᎩᎪᎭ, ᎣᏍᏓᏰᏃ ᏓᎩᏏᎳᏛ.\nᏂᎦᏛᏃ ᏚᏄᎪᏫᏒ ᎠᎴ ᎤᏬᏯᏁᏒ ᎤᏯᏅᎮ ᎯᎠ ᏄᏪᏎᎢ; ᎯᎨᏳᏣ, ᎭᏗᏛ.\n“Ꮒ,” ᎤᏪᎷᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏌᏊᏃ ᎢᎦ ᎤᏍᏗ ᎠᏣᎳᎩ ᎠᏧᏣ ᏒᎦᏔ ᎤᎦᏔ ᎤᏫᏎᎢ ᎣᏂᏗᏜ ᏧᏪᏅᏒᎢ.\nᎤᏍᎦᎴᎢ ᎤᏂᏴᏗ ᎣᏍᏓᏓᏤᎵ.\nᎠᎴ ᏗᏣᎵᏦᏩᏛ.\nᏰᎵᏉᏍᎪ ᏱᏕᏍᎩᏩᎯᏏ ᎤᏁᏍᏔᎶᏨ ᎤᏅᏗ ᎤᏪᏥ ᎠᏑᏰᏓ ᏃᎴ ᏩᎦ ᎭᏫᏴ ᎠᏍᏙᏓ ᎨᎵᏍᎩ ᎤᏅᏗ ᎤᏍᏔᏲᏒ ᎠᏌᎯ ᏃᎴ ᏒᏗᏩᏟ ᎪᎸᏍᏔᏅ?” ᎤᏛᏛᏁ ᎡᎳᏆᏗ.\nᏃᎴ ᏍᏉ ᏧᏍᏆᏴᏍᏗ ᎤᎵᏏᏂᏗ ᏧᎦᏔᏁᎢ ᎤᎪᏩᏛᏗ ᏫᎵᎻ ᏧᎾᏦᏴᏍᏗ ᎤᏅᏗ ᎬᏗ ᎠᎦᏬᏍᎬᎢ.\nᏗᏫᏌᏅ ᎠᏰᎵ ᏫᎶᎯ, ᏗᏂᎳᏗᏍᎩ ᏔᏍᎪᎳ! \nᎿᏉᏃ ᎤᏙᎯᏳᏁ ᏧᏁᏤ ᏤᎵᎹᏯ ᎠᏙᎴᎰᏍᎩ, ᎯᎠ ᏥᏄᏪᏎᎢ; ᎠᎴ ᏚᏂᎩᏒᎩ ᏦᎠᏍᎪᎯ ᎠᏰᎵ-ᎠᏕᎸ ᎾᏍᎩ ᎾᏧᎬᏩᏔᏅᎯ, ᎾᏍᎩ ᏣᏥᎬᏩᎶᏔᏅᎯ, ᎢᏏᎵ ᏧᏪᏥ ᏧᏂᎬᏩᎶᏔᏅᎯ,\nᏚᏘᏅᏒᎩᏃ ᏈᏓ ᎠᎴ ᎠᏂᏔᎵ ᏤᏈᏗ ᏧᏪᏥ, ᎠᎴ ᎤᎴᏅᎮ ᎡᎯᏍᏗ ᎤᏓᏅᏓᏕᎢ, ᎠᎴ ᎤᏣᏘ ᎦᎨᏗᏳ ᏄᎵᏍᏓᏁᎴ ᎤᏓᏅᏛᎢ.\nᎾᏍᎩᏍᎩᏂ ᎾᎣᏂ ᏨᏓᏯᎢ, ᎢᎬᏱ ᏣᎦᎴᏗ; ᎾᏍᎩ ᏧᎳᏑᎶ ᏕᎪᎸᏌᏛ ᎥᏝ ᏰᎵ ᏱᏂᎪᎢ ᏗᏍᎩᎧᏁᏴᏴᏗᏱ.\nᎤᎾᏙᏓᏆᏍᎬᏃ ᎤᎵᏰᎶᎸ, ᎤᎴᏅᎮ ᏚᏕᏲᏁ ᏗᎦᎳᏫᎢᏍᏗᏱ; ᎤᏂᏣᏘᏃ ᎬᏩᏛᎦᏁᎸ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎭᏢ ᎠᎩᎭ ᎯᎠ ᎠᏍᎦᏯ ᎯᎠ ᎾᏍᎩ ᎢᎬᏩᏛᏁᏗ ᏥᎩ? ᎠᎴ ᎦᏙ ᎤᏍᏗ ᎠᎦᏙᎥᎯᏍᏗ ᎾᏍᎩ ᎠᏥᏁᎸᎯ ᏥᎩ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏍᏆᏂᎪᏗ ᏥᏚᎸᏫᏍᏓᏁᎭ?\nᏙᏰ ᎢᏣ ᏫᏚᎧᎾᏁ, ᎤᏕᎶᎰᏎ ᎠᎦᎵᏍᎬ.\nᎤᏣᏘ ᎨᏥᎨᏳᎭ, ᎠᏎᏃ ᎥᏝ ᎣᏍᏛ ᎤᎬᏩᎵ ᏱᎩ; ᎠᎴ ᏂᎯ ᏱᎨᏣᎵᏍᏚᏓ, ᎾᏍᎩ ᎤᏣᏘ ᏗᏥᎨᏳᎯᏳ ᎢᏳᎵᏍᏙᏗᏱ.\nᎩᎶ ᎠᏓᏎᎪᎩᏍᎨᏍᏗ ᎾᏍᎩ ᏧᏁᎬ ᏣᏥᏄᏬᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎥᏝ ᏥᏲᏍᏓᏁᏗ ᏱᎨᏎᏍᏗ ᏚᏙᎥ ᎬᏂᏛ ᎠᏓᏁᎯ ᎪᏪᎵᎯ ᎪᏪᎸᎢ; ᎠᎴ ᎬᏂᎨᏒ ᎢᏥᏴᏁᏗ ᎨᏎᏍᏗ ᏕᎤᏙᎥ ᎡᏙᏓ ᎠᎦᏔᎲᎢ, ᎠᎴ ᏧᏤᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎠᏂᎧᏔᎲᎢ.\nᎩᎶᏰᏃ ᏧᎸᏫᏍᏓᏁᎯ ᎠᎦᎫᏴᎡᏗ ᎨᏒ ᎥᏝ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎤᏤᎵ ᏯᏥᏰᎸᎾᏁᎰᎢ, ᎤᏧᏚᎬᏍᎩᏂ ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎤᏤᎵ ᎠᏥᏰᎸᎾᏁᎰᎢ.\nᎪᎨᏱ, Ꮓ ᏗᏂᏲᏟ ᎦᏚᏏ ᎢᏣ ᎢᎾᎨᎢ ᎡᎯ ᎠᏂ ᏣᎾᏗᎩᏏᏙᎮᎢ ᎾᏍᎩ ᎾᎥᎢ ᏣᎦᎷᎧᎨᎢ ᎤᏂᎵᏏ ᎢᏳᏍᏗ ᏗᎧᎾᏗ ᏥᎨᏎᎢ.\nᎥᏝ ᎠᎴ ᎢᏤ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᏧᏪᏘ ᏗᏑᏢᏛ ᏱᏓᏂᏟᏍᏗᏍᎪᎢ; ᏗᏑᏢᏛᏰᏃ ᏱᏓᏓᏣᎦᎸ, ᎠᎴ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᏯᏤᏬᎩ, ᏗᏑᏢᏛᏃ ᏱᏓᏲᎩ. ᎢᏤᏍᎩᏂ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᏗᏤ ᏗᏑᏢᏛ ᏓᏂᏟᏍᏗᏍᎪᎢ, ᎢᏧᎳᏃ ᏚᏂᏍᏆᏂᎪᏙᎢ.\n”ᎣᏍᏓ ᎤᏒᎯ!”\nᏧᎪᎸ ᎢᏴ ᎤᏓᏂᏴᎮ ᎪᏍᏔᏴ, ᎾᏍᎩᏯ ᎤᎧᎭᏲᏓ ᎠᏒᏆᎶᏍᏗ ᏳᏫᎦᏂᏌᎾ.\nᎦᎶᏁᏛ ᎦᎷᏨ ᎢᏳᎢ, ᎾᏍᎩ ᎬᏂᏛ ᎢᎩᏁᎯ ᏥᎩ, ᎿᏉ ᎾᏍᏉ ᏂᎯ ᎢᏥᎾᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎢᏤᎮᏍᏗ ᎦᎸᏉᏗᏳ ᎨᏒ ᎢᏣᏄᏬᏍᏕᏍᏗ.\nᎤᎾᏛᏁᏃ ᎠᎴ ᏚᏂᏯᏙᎴ ᏧᏄᏬ ᎠᎾᏌᏍᏗᏍᎨᎢ; ᎾᏍᎩᏃ ᎤᏙᎯᏳᏁ ᎠᏙᎴᎰᏍᎩ ᏧᏁᏤᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ; ᏗᏆᏄᏬ ᏚᏂᏯᏙᎸᎩ, ᎠᎴ ᎠᏆᏄᏬ ᎤᎾᏌᏍᏔᏅᎩ.\nᎢᏯᏔᏬᏍᏔᏅ ᎣᏁ, ᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎡᎳᏆᏘ ᎱᏂᎷᏤ.\nᏍᎪᏁ ᎢᏴ ᏥᎪᏩᏘᏍᎬ ᎣᎩᏃᏔᏅ ᏣᎵ, ᎭᎾᎾ ᏙᎩᎾᏅ ᎤᎵᏨᏓᏆᏓ ᎣᏍᏘᏬᏂᏍᎬ.\nᎤᎬᏫᏳᎯᏍᎩᏂ ᏥᏌ ᎦᎶᏁᏛ ᎡᏣᏄᏬᏍᏓ, ᎠᎴ ᏞᏍᏗ ᏱᏣᏛᏅᎢᏍᏓᏁᎴᏍᏗ ᎤᏇᏓᎵ ᎨᏒᎢ, ᎾᏍᎩ ᎤᎬᎥᏍᎬ ᎢᏣᏛᏁᏗᏱ.\nᎠᏂᏍᎦᏯᏃ ᎤᏁᎳᏅᎯ ᎠᏂᎾᏰᏍᎩ ᎤᏂᎾᏫᏛᎮ ᏍᏗᏫ, ᎠᎴ ᎤᏣᏔᏅᎯ ᎤᏂᏍᎪᏂᎴᎢ.\nᎠᎴ ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᎿᏉ ᎠᎵᏱᎶᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎡᏍᎦᏂᏳ ᏓᏯᎢ; ᏗᏥᏁᏟᏴᎾ ᏕᏣᏓᏅᏛᎢ, ᎠᎴ ᎢᏦᎯᏳᎲᎦ ᎣᏍᏛ ᎧᏃᎮᏛ.\nᎠᎴ ᎤᏁᏤᎴ ᏧᏪᏅᏒ ᏭᎶᎯᏍᏗᏱ, ᎯᎠ ᏄᏪᏎᎢ, ᏞᏍᏗ ᏗᎦᏚᎲ ᏫᏣᏴᎸᎩ, ᎠᎴ ᏞᏍᏗ ᎩᎶ ᎦᏚᎲ ᎡᎯ ᎯᏃᏁᎸᎩ.\nᏅᏃᎯ ᎦᎵ ᎨᏒ ᎠᏂᏩᏥᏂ ᎠᏂᏲᏍᎩ ᏃᎴ ᎦᎶᏇ ᏗᏂᏁ ᏔᎾᏏ ᏓᏳᏂᎶᏒ ᎨᎦᎫᏴᎡ, ᏗᎾᏓᎾᏌᎲᏍᎩ ᎢᏳᏍᏗ ᏚᎾᎭᏄᏭ, ᎪᎩ ᎤᏩᏌ ᎨᏥᎾᏒᏅ ᎠᏂᏴᏫᏯ ᏗᏂᎭᏲᎯ.\nᎿᏉᏃ ᎤᎷᏤᎸᎩ ᏤᏈᏘ ᏧᏪᏥ ᎤᏂᏥ, ᏓᏘᏁᎲᎩ ᏧᏪᏥ ᎠᏂᏫᏅ, ᎡᎳᏗ ᎤᏓᏅᏅᎩ, ᎠᎴ ᎠᎱᏍᏗ ᎤᎳᏲᏎᎲᎩ.\nᎠᏏᏴᏫᏃ ᎾᎥ ᎠᏂᏙᎿᎢ, ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎤᎸᎮᎢ, ᎠᎴ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎤᏅᏏᏓᏍᏗ ᎤᎷᏰ ᎠᎴ ᎤᎵᏍᏕᏍᏔᏁᎢ.\nᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᎢᏳᏃ ᏴᏫ ᎤᏐᏅ ᏂᎨᏥᏪᏎᎮᏍᏗ ᎠᎴ ᎤᏲ ᏂᎨᏨᏁᎮᏍᏗ, ᎠᎴ ᏂᎦᎥ ᏧᏓᎴᏅᏛ ᎤᏐᏅ ᎦᏰᎪᎩ ᎨᏥᏃᎮᏍᎨᏍᏗ ᎠᏴ ᎨᏒ ᎢᏥᏍᏛᏗᏍᎨᏍᏗ.\nᎡᎶᏛ ᎠᎴ ᎾᏍᏉ ᎥᏝ; ᎾᎿᏰᏃ ᎢᏤᏅᏍᏗᏱ ᎢᏨᏁᏤᎸᎩ; ᎬᏂᏳᏉᏃ ᎥᏝ ᎪᎱᏍᏗ ᏖᎵ ᎬᏩᏲᎱᎯᏍᏗ ᎨᏒ ᏱᏄᏛᏁᎸ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᎦᏔᎮᏍᏗ ᎾᏍᎩ Ꮎ ᎠᏃᎯᏳᎲᏍᎩ ᎨᏒ, ᎾᏍᎩ ᎡᏆᎭᎻ ᏧᏪᏥ ᎨᏒᎢ.\nᏭᏂᎷᏣ, ᎠᏂᏄᏓᎴᎩ ᎠᏂᏁᎸ ᏃᎴ ᎠᏂᎱᏣ ᏚᏂᎷᏫᏍᏔᏁᎲ ᏍᎪᎯᏍᏆ ᎢᏰᏆ ᎠᏫᏌᏅ ᎤᏥᎸ ᏃᎴ ᏦᎳ, ᎤᎧᎭᏛ ᏧᏓᏴᎳᏙ ᎢᎦᎦᏓ ᏄᎾᏛᏂᏎ ᎠᏂᎱᏣ.\nᎦᏨ ᏭᏩᎬᏛ ᎢᎾᏓ?\nᏚᎧᏔᏍᏔᏁᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ; ᎾᏍᎩ ᎤᏲᎢᏳᏛᎿᏕᎩ ᎤᏲᎱᏎᎢ, ᎠᎴ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎬᏩᏅᏎ ᎡᏆᎭᎻ ᎦᏁᏥᎢ ᏫᎬᏪᎧᏁᎢ. ᎤᏪᎿᎢᏃ ᎾᏍᏉ ᎤᏲᎱᏎᎢ ᎠᎴ ᎠᏥᏂᏌᏁᎢ.\nᎠᎴ ᎾᏍᎩ ᏗᏂᏲᎵ ᎤᏂᏲᎵ ᎠᎴ ᎩᎬ ᎤᏂᏁᎯ ᏥᎩ, ᎤᏩᏒ ᎾᏍᏉ ᎾᏍᎩ ᎤᏠᏯᏍᏔᏁ ᎤᎩᏎᎢ; ᎾᏍᎩ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎢᏳᏩᏂᏐᏗᏱ ᎠᏎᏉᏉ ᎢᏳᏩᏁᏗᏱ ᎾᏍᎩ Ꮎ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎤᎵᏂᎬᎬ ᎤᎯ, ᎾᏍᎩ ᎠᏍᎩᎾ ᏥᎩ.\nᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᎰᏪᎸᎦ, (ᎯᎠᏅᎦ,) ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᎤᏃᏕᎾ-ᎠᎩᎾ ᏣᎦᏨᏍᏙᏗᏱ ᏧᎾᎵᏍᏓᏴᏗᏱ ᎨᏒ ᎤᏂᎷᎯᏍᏗᏱ ᎨᏥᏯᏅᎥ ᎨᏎᏍᏗ. ᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᎯᎠ ᎾᏍᎩ ᎤᏙᎯᏳᎯ ᎢᏳᏪᏛ ᎤᏁᎳᏅᎯ.\nᎠᏍᎦᎢᎮ, ᎠᏎᏃ ᎾᎥᏂ ᏭᎷᏤ ᎠᏤᎯ ᎠᏣᏗ ᏃᎴ ᎤᏍᎦᎣᏅ ᎤᏬᏂᏎ, ᏏᏲ, ᎤᏍᏗ ᎠᏣᏗ ᎬᏉᏎᎰ, ᎨᏍᏗ ᎯᎸᎯᏳ ᏥᎪᎥᏱᎩ ᏂᎯ ᎢᏳᏍᏗ ᎠᏣᏗ.\nᎠᏎᏃ ᎢᏳᏃ ᎡᎶᎯ ᎥᎩᏌᎳᏓᏅᎭ, ᎾᏂᎥ ᏴᏫ ᏙᏓᎦᏎᏒᎯ.\nᎤᏐᏱ ᎤᏬᎯᏳᎮ ᏃᏉ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᎬᏪᏎᎭ; ᎪᎯᏉ ᏒᏃᏱ ᏥᎩ ᎠᏏ ᏣᏔᎦ ᎾᏂᏴᎬᎾ ᎨᏎᏍᏗ ᏦᎢ ᏅᏓᏍᏆᏓᏱᎵ.\nᎠᏫᎾᎨᏍᏗ ᎨᏒ ᎠᏯ ᎨᏒ, ᏔᎵᎭ ᎠᎴ ᏦᎢᎭ ᏧᏕᏘᏴᏓ ᎠᏫᎾᎨᏍᏗᏱᎩ, ᎠᎦᏗᏓ ᏅᏩᏍᏙ.\nᏲᎾ ᎤᏤᏍᏙ ᎤᏬᏞ ᎤᏍᏗ ᎦᏍᎩᎶᎩ ᏄᎵᏍᏔᎾ.\nᎤᏛᏐᏅ ᎫᎾᏓᎴᎩ ᏓᏍᏖᎵᏍᎬ ᏧᏄᎪᏙᏗ, ᎠᏏᎾᏌᏅ ᎤᏙᎴᏋ ᏓᏍᏕᎵᏍᎬ ᎠᏂᏳᏩᏁᎦ ᏃᎴ ᏓᎵᏍᏗᏍᎬ ᎠᏂᏳᏩᏁᎦ.\nᎤᏣᏛᏃ ᎤᏕᎵᏛ ᏓᎾᎵᏃᎮᎵᏙᎲᎩ ᏴᏫ ᎾᏍᎩ ᎬᏩᏃᎮᏍᎬᎢ; ᎢᎦᏛᏰᏃ ᎯᎠ ᎾᏂᏪᏍᎬᎩ; ᎣᏏᏳ ᎠᏍᎦᏯ; ᎢᎦᏛᏃ, ᎥᏝ ᏕᎦᎶᏄᎮᏉ ᏴᏫ, ᎠᎾᏗᏍᎬᎩ.\nᏣᎵ ᏧᏤᎵ ᏴᏫ ᏚᏃᏒᎲ ᎤᎾᏗᏍᎦᎶᏗ ᏧᎬ ᎭᏫᏂᏨ, ᎦᏅᎯᏛ ᎠᏓ ᏭᏂᎳᎦᎸ ᏧᎬ, ᎦᏚᎢᏣ ᏫᏚᏂᏒ ᏧᏩᏂᎦᏝᏅ ᏃᎴ ᏧᏆᎶᎦ.\nᎢᏳᏃ ᎠᏎ ᎠᏆᏢᏈᏍᏗ ᎨᏎᏍᏗ, ᏥᏩᎾᎦᎵᏳ ᎨᏒ ᎤᎬᏩᎵ ᏓᎦᏢᏆᏏ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴ ᏧᏅᏏᏓᏍᏗ; ᎯᎠ ᎾᏍᎩ ᏣᏂ ᏗᏓᏪᏍᎩ; ᏙᏅᎴᏅ ᏧᏲᎱᏒᎩ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏍᏆᏂᎪᏗᏳ ᏥᏚᎸᏫᏍᏓᏁᎭ.\n“ᏥᏕᎩ ᎯᎪ ᎤᏒᎯ,” ᎤᏛᏁ.\nᎤᏛᏅ Perry.\nᏱᏏᏃ ᎠᎨᏲᏅᎯ ᎨᏎ ᏂᎦᎥ ᎠᏂᎦᏔᎿᎢᏳ ᎨᏒ ᎢᏥᏈᏱ ᎠᏁᎯ, ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎨᏎ ᎤᏁᎢᏍᏗᏱ ᎠᎴ ᏧᎸᏫᏍᏓᏁᏗᏱ.\nᎢᎦᏛᏃ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎤᏁᎳᎩ, ᎢᏓᏙᎴᎰᎯ, ᏥᏌᏃ ᎢᎳᏯ ᏓᎦᎷᏥ ᏓᏳᏍᏕᎸᎯᎵ.\nᎠᎴᏃ ᎦᎸᎳᏗᎨ ᏚᏅᏓᏒ ᏳᏪᎾ, ᏱᏚᏍᏔᏩᏕᏅ ᏧᏴᏨ ᎧᎸᎬ ᎢᏣ, ᎾᎨ ᎢᏴ ᎠᎾᏓᎭᏲᎯ, ᎦᏙᏉ Ꮓ?\nᎦᏨ ᏁᏂᏏ ᎯᎪ ᎤᏒ, ᏃᎴ ᏗᏂᏲᏟ ᎡᎵᏍᎨ.\nᎯᎠ ᎢᎦᏪᏛ ᎢᎩ; ᎩᎶ ᎤᏓᎵᎢ ᎢᎦᎧᎲᏍᎨᏍᏗ, ᎦᏅᏁᎮᏍᏗ ᎪᏪᎵ ᎾᏍᎩ ᏚᎾᎦᎴᏅᎲᎢ.\nᎠᎴ ᏓᏂᎾᏕᎨ ᏚᏂᎶᎨᏒ ᎠᎴ ᏧᎬᏩᎶᏗ ᎤᏂᎲᎢ, ᎠᎡ ᏓᏂᏯᏙᎮᎮ ᎾᏂᎥ ᎾᏍᎩᏯ ᎤᏂᏂᎬᏎᎲᎢ.\nᎤᏂᏣᏖᏍᏗᏰᏃ ᏴᏫ ᏓᏆᏙᏍᏛ ᎠᏂᎷᎯᏍᏗᏍᎨᏍᏗ, ᎯᎠ ᎾᏂᏪᏍᎨᏍᏗ, ᎠᏴ ᎾᏍᎩ; ᎠᎴ ᎤᏂᏣᏖᏍᏗ ᏓᏂᎶᏄᎮᏍᎨᏍᏗ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᏁᏅᏒᎩ, ᏥᏌ ᏄᏂᏪᏎᎸ ᎾᏍᎩᏯ ᏫᏄᎾᏛᏁᎸᎩ;\nᎠᎴᏍᎪ ᎥᏝ ᎾᏍᎩ ᎯᎠ ᏳᎬᏫᏳᎭ, (ᎾᏍᎩ ᎦᏲᎩᏐᏢᏛ ᏥᎪᎩᏃᎮᎭ, ᎠᎴ ᎩᎶ ᎾᏍᎩ ᎾᏂᏪ ᏥᎪᎪᏎᎭ,) ᎤᏲ ᏕᎩᎸᏫᏍᏓᏁᎮᏍᏗ ᎾᏍᎩ ᎣᏍᏛ ᎨᏒ ᎤᎵᏰᎢᎸᏍᏗᏱ? ᎾᏍᎩ ᎤᏂᏍᎦᏅᏨ ᏧᎾᏚᎪᏓᏁᏗᏱ ᏚᏳᎪᏗ.\nᎾᏍᎩ ᎯᎠ ᏄᏪᏒᎩ; ᎿᏉᏃ ᎯᎠ ᏄᏚᏪᏎᎸᎩ; ᎳᏏᎳ ᎢᎦᎵᎢ ᎦᎵᎭ; ᎠᏎᏃ ᏓᎨᏏ, ᏴᏓᏥᏰᏍᏔᏂ.\nᎭᏕᎶᎰᏍᎦ ᏂᏚᏟᏂᎬᎬ ᏗᎦᏅᏬᎢ ᏣᏄᏏ?”\nᎤᏚᏓᎳᎩᏍᏓᎾ, ᎾᎥ ᏅᏲᎯ ᎢᏗᏣ ᏭᏓᏂᏏᏅᏍᏓᏁ.\nᏰᎵᏃ ᎤᏬᎯᏨ ᎤᏪᏙᎸ, ᎤᏂᎩᏒᎩ, ᎠᎴ ᎨᎴᏏᏱ ᎠᎴ ᏈᏥᏱ ᎣᏍᏛ ᎤᏱᎸᏒᎩ ᎤᏪᏐᎸᎩ, ᏓᎵᏂᎪᎯᏍᏗᏍᎬᎩ ᏂᎦᏛ ᎠᏃᎯᏳᎲᏍᎩ\nᎤᎾᏛᎦᏅᎯᏃ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎦᎪᏃ ᏰᎵ ᏯᏥᏍᏕᎸ?\nᏂᎦᏓᏗ ᏧᏐᏱᎭ.\nᎰᏩᏃ ᎤᏯᏅᎲ, ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᏭᏘᏃᎮᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᏉᎳ ᎠᏴᎩ ᏩᎩᏯᏅᎲᎩ, ᎠᎩᏔᏲᏎᎸᎩ ᎯᎠ ᎠᏫᏅ ᎬᏯᏘᏃᎮᏗᏱ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎤᎭ ᏣᏃᏁᏗ.\nᎧᏃᎮᎸᎥᏍᎩ ᎠᏉᏪᎳᏅ, ᏧᏑᎵᎪᎬ ᎧᏃᎮᏍᎩ, ᏣᏉ Mrs. Chapman, The Chesapeake Review ᎤᏃᏣᎸᏅ.\n”ᎤᏣᏓ ᎣᏍᏓ!” ᎡᏝᏪ ᏄᏪᏎ ᎰᎻ, ᎤᎵᎮᎵᏍᏗ ᎦᎸᏉᏗᏍᎨ.\nᎠᎩᏫᏯ ᎠᎩᏍᎩ, ᎠᎴ ᎠᎩᎩᎬ ᎠᏗᏔᏍᎩ, ᎾᏍᎩ ᎠᎩᏯᎠ, ᎠᏴ ᎠᎴ ᎾᏍᎩ ᏥᏯᎠ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴ ᏓᏕᏲᎲᏍᎬᎢ, ᏕᏤᏯᏙᏤᎮᏍᏗ ᏗᏃᏪᎵᏍᎩ ᎣᏏᏳ ᏧᏂᏰᎸ ᏗᎦᏅᎯᏛ ᏧᎾᏄᏩᎢ ᎤᏁᏓᏍᏗᏱ, ᎠᎴ ᎨᏥᏲᎵᏍᏗᏱ ᏗᎦᏃᏙᏗᏱ,\nᎠᏎᏃ ᏅᏙᎴᎰᏒ ᎠᏍᏓᏱᏳ ᎦᏃᎸᎥᏍᎬ ᎤᏍᎦᎸᎩ, ᎠᎴ ᎤᎴᏅᎲ ᎦᏃᏴᎬ ᎤᏪᎷᏅᎩ, ᏣᎬᏫᏳᎯ ᏍᎩᏍᏕᎸ, ᎤᏛᏅᎩ.\nᎤᏂᏁᎫ ᏚᏂᏅᏎ ᏗᏨᏍᏙᏗ ᎠᏎᏃ ᎪᎢ ᏄᏂᏁᏨᏒᎾ ᎨᏎᎢ,\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂᏯᏫᏍᎩ ᎤᏂᎷᏨᎩ, ᏚᏂᏍᏆᎵᏒᎩ ᏗᎦᏅᏍᎨᏂ ᎢᎬᏱᏱ ᎦᏗ ᎠᎴ ᏐᎢ ᎢᏧᎳᎭ ᏥᏌ ᏗᎨᎦᏛᏅᎯ.\nᏚᎪᎮᏃ ᎠᏂᎩᎵᏲᎬ ᎠᏂᎦᏪᎯᎲᎢ; ᏩᏂᎦᏛᏃ ᎢᏗᏏ ᏗᎦᏃᎸᏗᏍᎨᎢ. ᏅᎩᏁᏃ ᎢᏴᏛ ᎠᏂᏯᏫᏍᎬ ᏒᏃᏱ ᏚᎷᏤᎴᎢ, ᎥᏓᎵ ᎦᏚᎢ ᎠᎢᏎᎢ, ᎠᎴ ᏱᏚᎶᎯᏎᎴᎢ.\nᎬᎨᏳᎢ, ᎤᏟ ᎢᎦᎢ ᎠᏆᏚᎵᎭ ᎣᏍᏛ ᏣᏁᏉᏤᏗᏱ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᏣᎴᏂᏓᏍᏗᏱ, ᎾᏍᎩᏯ ᏣᏓᏅᏙ ᎣᏍᏛ ᎤᏁᏉᏤᎲᎢ.\nᎾᎿ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎯᎯᏯᏍᎨᏍᏗ ᏣᏓᏁᏗ ᎠᎴ ᎭᏓᏅᏍᎨᏍᏗ, ᎢᎬᏱ ᎣᏍᏛ ᏂᏍᏛᏁᎮᏍᏗ ᏗᏍᏓᏓᏅᏟ; ᎩᎳᏃ ᎯᎷᎨᏍᏗ ᎭᎵᏍᎪᎸᏗᏍᎨᏍᏗ ᏣᏓᏁᏗ.\nᎠᏴ ᎡᎵᏆ ᎠᎴ ᎣᎻᎦ, ᏗᏓᎴᏅᏗᏍᎩ ᎠᎴ ᎠᏍᏆᏗᏍᏗᏍᎩ, ᎠᎴ ᎢᎬᏱᏱ ᎠᎴ ᎤᎵᏍᏆᎸᎢ.\nᎾᏍᎩ ᎬᎩᎦᏔᎲᎩ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎢᏳᏃ ᏳᏂᏃ-ᎮᎸ, ᎠᏂᎦᏔᎯᏳᏰᏃ ᎠᏆᎵᏏ ᎤᎴᏂᏓᏍᏗ ᎠᏆᎴᏂᏙᎸᎢ, ᏕᏥᏍᏓᏩᏗᏒ ᎤᎾᏓᏤᎵᏛ ᎤᎾᎵᎪᎯ ᏭᏂᎫᏛ ᏗᏂᎧᎿᏩᏕᎩ ᎣᎦᏤᎵ ᎤᏁᎳᏅᎯ ᏦᏥᎧᎿᏩᏛᏍᏗ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᏂᎦᎥᎩ ᏅᏩᏙᎯᏯᏛ ᎢᏣᏓᏅᏛᎩ! ᎢᏨᏲᎢ-ᏳᏓᏁᎭᏰᏃ, ᎾᏍᎩ ᎢᏳᏃ ᏰᎵ ᎾᏍᎩ ᎢᎬᏩᎵᏍᏙᏗ ᏱᎨᏎᎢ, ᎢᏨᏒ ᏱᏗᏣᏓᎦᏖᏙᎢᏎᎢ, ᎠᎴ ᎠᏴ ᏱᏗᏍᎩᏁᎴᎢ.\nᎠᏌᎻᏓ ᏃᎴ ᎠᏂᏧᏣ ᎤᏲ ᎤᎾᏓᏅᏛ.\nᎿᏉᏃ ᏔᎵᏁ ᏗᎦᏙᎵ ᏚᏏᏔᏕᎢ, ᎠᎴ ᏧᎧᏃᏗᏱ ᏄᏩᏁᎴᎢ; ᎠᎴ ᎤᏗᏩᏎᎢ, ᎠᎴ ᎾᏂᎥ ᎣᏏᏳ ᏓᎪᏩᏗᏍᎨᎢ.\n“ᎣᏍᏓ!” ᎤᏛᏁ ᎦᏂᎦᏔ.\nᏅᏩᏓᎴᏃ ᎤᏍᏆᏂᎪᏗ ᏧᎸᏫᏍᏓᏁᏗᏱ; ᏅᏩᏓᎴᏃ ᎤᏙᎴᎰᎯᏍᏗᏱ; ᏅᏩᏓᎴᏃ ᏗᏓᏅᏙ ᏄᎾᏍᏛ ᏧᎪᎵᏰᏗᏱ; ᏅᏩᏓᎴᏃ ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᏧᏬᏂᎯᏍᏗᏱ; ᏅᏩᏓᎴᏃ ᏧᏁᏢᏙᏗᏱ ᏧᏓᎴᏅᏛ ᏗᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ;\nᎠᏎᏃ ᎨᏍᏗ ᎤᏬᏨᏗ ᏱᎾᏛᏁᎮ -  ᎧᏂᎩᏓ ᎠᏁᏙᎲ, ᎧᏂᎩᏓ ᎪᎱᏍᏗ ᎠᎩᎸᏗᏍᎬ, ᎧᏂᎩᏓ ᎤᎾᏓᏬᏍᏗ.\nᎰᎻ, ᎠᎳᏂ ᏃᎴ ᎡᎳᏆᏗ ᏭᏂᏴᎴᎢ ᏫᎵᎻ ᎤᏴᏍᏗ.\nᎠᏌᎻᏓ ᏓᏘᎭᏁᎲ ᎠᎾᎢᏒ, ᏰᎵᏉ ᎠᏆᏣᏅᏓᏕᎲ ᏑᏒᎯᏓ ᎣᎦᎵᎪᏗ ᏪᎵᏏ ᏚᎾᏌᎥ ᎠᏂᎨᏯ, ᎤᎩᏨᏓ ᏫᏗᎦᏨᏙᏗ.\nᎤᏍᏗᎩᏛᏉᏰᏃ ᎡᏍᎦ ᏂᏴᏁᎸ ᏂᎩᏴᏁᎸ ᏗᏂᎧᎿᏩᏗᏙᎯ; ᏗᎬᏩᎸᏌᏓ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒ ᎯᏍᏚᎶᏔᏅ, ᎠᎴ ᎤᎬᏫᏳᏌᏕᎩ ᏂᏴᏁᎸ ᎪᎱᏍᏗ ᏦᏢᏅᏅᎯ ᎨᏒᎢ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎤᏁᏤᎴ ᏈᎵᎩ, ᎯᎠ ᏄᏪᏎᎢ; ᏔᎴᎲᎦ ᏧᎦᎾᏮ ᎢᏗᏢ ᏫᎶᎯ ᏂᎦᏅᏅᎢ ᏥᎷᏏᎵᎻ ᎨᏏᏃ, ᎾᎿ ᎢᎾᎨ ᏥᎩ.\nᏌᏉ [ᎡᎭ] ᎠᏰᎸᎢ, ᎠᎴ ᏌᏉ ᎠᏓᏅᏙ, ᎾᏍᎩᏯ ᏌᏉ ᎤᏚᎩ ᎢᏨᏗᏱ ᎡᏥᏯᏅᏛ ᏥᎩ, ᎾᏍᎩ ᎡᏥᏯᏅᎲ ᏨᏗᏓᎴᎲᏍᎦ;\nᎠᏂᏲᎯᏍᏗᏍᎪ ᏓᎾᏙᎴᏆᏍᎬ ᏗᏂᏲᏟ ᎤᎾᏣᏅᏓᏕᎮ ᏧᎾᏁᎶᏗ ᏃᎴ ᎤᎾᏧ Ꮧ ᎨᏴᎢ.\nᎰᏩᏃ ᎪᎯᏗᏳ ᎤᎦᏘᏛ ᎠᏥᏁᎴ ᎠᏚᎢᏍᏔᏅᎯ ᎨᏒᎢ.\nᎥᏝ ᎩᎶ ᎤᎵᏂᎩᏛ ᎠᏍᎦᏯ ᎦᏁᎸ ᏴᎬᏴᎭ, ᎠᎴ ᏴᎬᏬᏅ ᎤᎿᎥᎢ, ᎬᏂ ᎢᎬᏱ ᏳᎸᎸ ᎾᏍᎩ ᎤᎵᏂᎩᏛ ᎠᏍᎦᏯ; ᎩᎳ ᎿᏉ ᏯᏬᏅ ᎦᏁᎸ ᎤᎿᎥᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏨᏔᏲᏎᎭ ᎡᏥᏍᏓᏱᏕᏗᏱ ᎡᏥᎨᏳᎢᏳ ᎨᏒᎢ.\n“ᏐᏉ “ᎤᏣᏓ ᎣᏍᏓ’ ᏱᎩ,” ᎤᏛᏁ ᏌᎳᏓ.\nᏓᏏᎳᏛ ᎠᏰᎵ ᏭᎷᏤ, ᎭᎾ ᎤᎴᏅᎮ ᏓᎦᎵᏍᎬ ᎢᎦᏓ ᏓᏏᎳᏛ.\nᏗᏂᏲᎵᏉ ᎾᏍᎩᏯ ᎦᏃᏙᏗᏱ ᏣᏂᏃᎢ, ᎠᎴ ᏥᏫᏓᎾᏓᏯᏂᏍᎪᎢ, ᎯᎠ ᏥᏫᎾᏂᏪᏍᎪᎢ; ᎠᏤᎷᎩ ᎣᎬᏔᏅ ᏕᏨᏃᎩᎡᎸ, ᎠᏎᏃ ᎥᏝ ᏱᏣᎵᏍᎩᏎᎢ; ᏙᏥᏴᎬ ᎢᏣᏛᎪᏗ, ᎠᏎᏃ ᎥᏝ ᏱᏗᏣᏠᏱᎴᎢ.\nᎢᎦ ᏒᎮᏱᏣ ᎢᎪᎯᏓ ᎤᏍᏔᏩᏛᏎ ᎤᎶᏒ ᏲᎾ, ᏯᎴᏫᏍᏘᏍᎬᎾ ᎧᎾᎷᏍᎬ.\nᎤᏂᏣᏓ ᎤᏐᏱ ᏄᎾᎵᏍᏔᏁᎴ.\n”ᎤᏙᎯᏳᎯ ᎤᏛᏁ ᏣᏄᏏ.\nᎾᏍᎩᏰᏃ ᏂᎦᎥᎩ ᎤᏁᎳᏅᎯ ᎤᎨᏳᏒᎩ ᎡᎶᎯ, ᏕᏅᏲᏒᎩ ᎤᏤᎵᎦ ᎤᏪᏥ ᎤᏩᏒᎯᏳ ᎤᏕᏁᎸᎯ, ᎩᎶ ᎾᏍᎩ ᏱᎪᎯᏳᎲᏍᎦ ᎤᏲᎱᎯᏍᏗᏱ ᏂᎨᏒᎾ, ᎬᏂᏛᏉᏍᎩᏂ ᎤᏩᏛᏗ.\nᎠᏎᏃ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ ᏚᏲᏍᏙᏓᏁᎸᎩ ᏄᏍᏛ ᎠᎾᏓᏅᏖᏍᎬ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎤᏚᎵᏍᎬ ᎤᏍᏕᎸᏗᏱ ᏉᎳ, ᎠᎴ ᏚᏁᏤᎸᎩ ᏰᎵ ᎬᏩᎾᏴᎢᏅᏍᏗ ᎨᏒ, ᎢᎬᏱ ᎤᎾᎵᏔᏗᏅᏗᏱ ᎠᎴ ᏭᎾᏚᎩᏍᏗᏱ,\nᎾᏍᏛᎲᏃ ᎤᎾᏟᎶᎥ ᎤᎾᏙᎴᎰᏒᎩ ᏔᎳᏍᎪᎯ ᎢᎪᎷᏅᏗ ᎨᏒᎢ; ᎤᏍᏗᎩᏛᏃ ᎤᏗᏢᏍᏙᏗ ᎢᎤᏁᏅ ᏔᎵᏁ ᎤᎾᏟᎶᎥᎩ, ᎤᎾᏙᎴᎰᏒᎩ ᎯᏍᎩᎦᏚᏉ ᎢᎪᎷᏅᏗ ᎨᏒᎢ.\nᎯᎸᏉᏕᏍᏗ ᏣᏙᏓ ᎠᎴ ᏣᏥ; ᎠᎴ ᎾᏍᏉ Ꭿ; ᏨᏒ ᏂᏣᏓᎨᏳᏒ ᏂᎨᏳᏎᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ.\nᎾᏍᎩ ᏓᏓᏂᏌᎲᏉ ᎡᎮᎢ; ᎥᏝ ᎠᎴ ᎾᏍᏉ ᏧᏓᏕᏒᏛ ᎬᏗ ᎩᎶ ᎬᏩᎸᏍᏗ ᏱᎨᏎᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏂᏚᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎾᏍᎩ ᎩᎶ ᎠᏂ ᏥᏓᏂᏙᎦ, ᎥᏝ\nᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏥᏍᎦᏯ, ᎦᏙᎴᎣᏍᎦ ᎯᎠ ᎾᏍᎩ ᏥᏳ ᏥᏗᏂ ᎪᎱᏍᏗ ᏗᎦᎵᏍᏓᏁᎵᏒᎢ,ᎠᎴ ᎤᏣᏛ ᏗᎩᏲᎱᏎᎵᏒᎢ, ᎥᏝ ᎠᎵᏁᏌᎸᏉ ᎠᎴ ᏥᏳ ᎤᏩᏒ, ᎾᏍᏉᏍᎩᏂ ᏕᏛᏅᎢ.\nᎠᏎᏃ ᎨᏍᏗ ᏂᎦᏓ ᏱᎪᎵᎦ, ᏃᎴ ᎨᏍᏗ ᏱᏓᏆᏓᏅᏖᏔᏂ.\nᏝᏍᎪᏃ ᎤᏁᎳᏅᎯ ᏚᏳᎪᏛ ᏱᏂᏙᎬᏛᏂᏏ ᎤᏩᏒ ᏧᏤᎵ ᎨᎦᏑᏴᏛ, ᎾᏍᎩ ᏗᎬᏩᎩᏨᏗ ᏥᎬᏩᏓᏙᎵᏍᏓᏁᎭ, ᎾᏍᏉ ᎪᎯᏗᏳ ᏱᏓᏙᎯᏕᎭ?\nᎾᏍᎩ Ꮎ ᏄᏁᎸᎾ ᎡᎯ ᎤᏲᎱᏒᎯ ᎨᏐ ᎠᏏᏉ ᎠᎴᏂᏙᎲᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎤᏰᎸᏛ ᏗᎪᎵᏍᏙᏗ ᏔᎵ ᏚᏛᏗᏕᎨᏍᏗ ᎠᏃᎯᏳᎲᏍᎩ; ᎠᏴ ᏓᏆᏙᎥ ᎠᏅᏗᏍᎨᏍᏗ ᎠᏂᏍᎩᎾ ᏓᏂᏄᎪᏫᏍᎨᏍᏗ; ᏅᏩᎾᏓᎴ ᏧᏂᏬᏂᎯᏍᏗ ᏓᏂᏬᏂᏍᎨᏍᏗ;\nᎨᏍᏗ ᏳᎾᏁᎸᏔᏅ ᎡᏝᏪᎯ ᎤᎾᏓᏅᏏᏓᏍᏗ, ᎠᏂᎾᏁᏍᎬ ᎠᏂᏍᎦᏯ ᎠᎾᏓᏏᏂᏒ ᎦᏙ ᎦᎳᎨᏴ ᏃᎴ ᏚᏑᎬ ᏧᏩᏂᎦᏝᏅ ᏓᏂᏍᏆᎵᏍᏗᏍᎬ ᎢᎬᎾᏕᏅ ᏛᏓᎴᎲᏍᎬ.\nᎠᎴ ᎯᎠ ᎾᏍᎩ ᏂᏥᏪᎭ ᎾᏍᎩ ᎩᎶ ᎢᏥᎶᏄᎮᏍᏗᏱ ᏂᎨᏒᎾ ᎾᏍᎩ ᎤᏬᏚᎯ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᎬᏗ.\nᎠᏴ ᎡᏙᏓ ᏕᎤᏙᎥ ᎠᎩᎷᎯᏍᏔᏅ, ᎥᏝᏃ ᏱᏗᏍᎩᏯᏓᏂᎸᎦ. ᎢᏳᏃ ᏅᏩᏓᎴ ᎤᏩᏒ ᏕᏅᏙᎥ ᏳᎷᎯᏍᏔᏅ, ᎾᏍᎩ ᎠᏎ ᏱᏕᏣᏓᏂᎸᎩ.\nᎾᏍᎩᏃ ᏠᎠᏏ ᏥᏳᎯ ᎣᎦᏣᏅ ᏧᏳᎪᏗ ᏬᎩᏅᏍᏔᏅᎩ, ᏎᎹᏞᏏ ᏬᎩᏃᎸᎩ; ᎤᎩᏨᏛᏃ ᏂᎠᏆᎵᏏ ᏬᎩᏃᎸᎩ.\nᎦᏨ ᏫᏗᎦᏘ? ᎤᏛᏅ ᏣᎵ.\nᏍᎩᎾᎾ ᏃᎴ ᏦᎢ ᎢᏯᏂ ᎠᏂᏫᎾᎨ ᎠᏂᏍᎦᏯ ᎤᎾᏗᎨᎴᏴ, ᏥᏳᎬᏘ ᎦᏚᏏ ᏭᎶᏒ ᏣᎵ.\nᎾᏍᎩ ᎦᎶᏁᏛ ᎤᎩᎵᏲᎢᏍᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎢᎬᏱ ᎤᏲᎱᏒ ᏧᎴᎯᏐᏗᏱ, ᎠᎴ ᎢᎦᎦᏘ ᏧᎾᏄᎪᏫᏎᏗᏱ ᎯᎠ ᏴᏫ ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ.\nᎨᏍᏗ ᎠᏉᏚ ᏱᎩ ᏓᏆᏂᎦᏢ ᎨᏍᏗ ᏧᏟᏂᎩᏓ ᏱᎩ.\nᏥᏌᏍᎩᏂ ᎤᎪᎲ ᎤᏣᏘ ᏒᏍᎦ ᎤᏰᎸᏁᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎤᏁᎳᎩ ᏕᏤᎵᏎᎮᏍᏗ ᏧᎾᏍᏗ ᏗᏂᏲᎵ ᎬᎩᎷᏤᏗᏱ, ᎠᎴ ᏞᏍᏗ ᏱᏗᏥᏅᏍᏓᏕᎮᏍᏗ; ᎾᏍᎩᏰᏃ ᏄᎾᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ, ᎠᏴ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᏥᎩ, ᎥᏝ ᎯᎠᏉ ᏱᏂᎨᏕᎵᎭ; ᎤᏁᎳᏅᎯ ᎾᏍᎩᏯᏉ ᎠᏕᎸ ᏓᎶᏂᎨ ᎠᎴ ᎠᏕᎸ ᎤᏁᎬ ᎠᎴ ᏅᏯ, ᏴᏫ ᎠᏂᏏᎾᏌᏅ ᎠᎴ ᎤᎾᏓᏅᏖᎸᎯ ᎬᏔᏅᎯ ᎪᏢᏅᎯ.\nᎥᏣ ᎢᏧᎳᎭ, ᎤᏛᏅ ᏁᏂᏏ.\nᎯᎠᏃ ᎤᏲ ᏄᎵᏍᏔᏅ ᎤᏓᏅᎵᏰᎥ ᎦᏙ ᎠᎬᏱᏣ, ᏅᏩᏍᏛᏃ ᏐᏉ ᎠᏍᎦᏯ, ᎶᏩᏂ ᏱᏓᏓ, ᎦᎸᎳᏗ ᏍᏔᏯ ᎤᏩᎭᏂᎴ Perry ᎦᎷᏯᏍᏘ ᎬᏘ, ᎤᏍᎫᏓᏁᎦᎸ ᏕᎦᏅᏙᎬ ᏩᏍᏘ.\nᏂᎦᏓ ᏗᎨᏥᎾᏌᎢ ᏑᎾᎴᎢ ᎤᎾᏗᏓᎾᎩᏍᏗ ᎤᏁᎵᏎ, ᎤᎾᎦᏙᏍᏙᏗ ᏫᎵᎻ ᎠᏂᎩᏍᎬ.\nᎢᏳᏍᎩᏂ ᏂᏗᎨᏥᏁᎲᎾ ᏱᎩ ᏴᏫ ᎨᏥᏍᎦᏅᏤᎲᎢ, ᎾᏍᏉ ᎢᏥᏙᏓ ᎥᏝ ᏱᏙᎨᏥᎲᏏ ᎢᏥᏍᎦᏅᏨᎢ.\nᎤᏲ ᏅᏋᏁᎵᏙᎸᎢ, ᎠᎩᎩᎵᏲᏥᏙᎸᎢ ᎥᏘᎣᎩ, ᎢᎪᏂᏯ, ᎵᏍᏗ--ᏂᎦᎥ ᎤᏲ ᏅᏋᏁᎵᏙᎸᎢ; ᎠᏎᏃ ᎾᏍᎩ ᏂᎦᏛ ᎾᎿ ᎤᎬᏫᏳᎯ ᎠᏯᏓᎴᏒᎩ.\nᎦᎵᏉᎩ ᎢᏯᏂ ᏌᏌ ᎠᏂᏓ ᎠᎾᏕᏯᎵᏙᎮ ᎤᏂᏥ.\nᎠᎵᏍᎦᏁᏍᏗ ᏄᏍᏛ ᏄᏪᏒ ᎠᏂᏴᏫ ᏧᎦᏎᏍᏗᏕᎩ, ᎣᏍᏓ ᎨᏒ ᎠᎵᏍᏔᏴᏗ, ᎠᏎᏃ ᎤᏒᎯ ᎠᎵᏍᏔᏴᏗ, ᎣᏍᏓ ᎠᏣᏗ ᎤᎦᎹ, ᏓᎶᏂᎨ ᎪᏒᏅ ᏃᎴ ᎤᏅᏗ ᎤᏓᏑᏱ ᏃᎴ ᏧᏂᏍᏗ ᎦᎦᎹ ᏧᏂᎾᏦᏴᏍᏗ, ᎤᏁᎦ ᎠᏖᎵᏙ ᏧᎾᏦᏴᏍᏗ ᎤᏓᏅᎵᏰᏛ.\nᎾᎥᏃ ᎠᏁᏙᎯ ᎤᎾᏙᎴᎰᏒ ᏄᏍᏛ ᏫᎬᏩᎵᏰᎢᎶᎯᏍᏗ ᎨᏒ, ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᏣᎬᏫᏳᎯ, ᎠᏰᎳᏍᏗᏍᎪ-ᎦᏅᎯᏛ ᏙᏓᏲᏥᎷᏯᏍᏔᏂ?\nᎯᏁᏉᎥ ᏂᏣᏓᎨᏒᎢ ᏃᎴ ᏙᎯᏉ ᎨᏎᏍᏗ---ᏍᎩᎾᎾ ᏱᏂᏣᏛᏁᎳ ᏱᏍᎩᏍᏕᎳ.\nᏗᎩᎦᎨ ᎨᏎ ᏗᎦᏙᎵ ᎤᏦᏱᎸ.\nᎾᏍᎩᏰᏃ ᎠᏅᏗᏍᎬ ᎡᏘ ᎤᎾᏕᏅᎯ ᎣᏍᏛ ᎨᏥᏃᎮᏗᏱ ᎤᏂᏩᏛᎲᎩ.\nᎢᎦ ᏒᎮᏱᏣ ᎣᏍᏓ ᎤᏰᎸᎮ ᏧᏮᏗ ᏌᎳᏓ, ᏃᎴ ᎣᏍᏓ ᎤᏰᎸᎰ ᎾᎥ ᎤᏩᏗ ᏲᎾ ᎤᏤᏍᏙ ᎤᎧᏙᏍᏙᏗ.\nᎿᏉᏃ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏚᏄᏩᎥ ᏚᏪᏣᎦᎸᎮᎢ; ᎠᏐᏢᎢᏍᏓ, ᎤᏛᏁᎢ; ᎦᏙᏃ ᎠᏏ ᎠᏂᎦᏔᎯ ᏯᏂᏃᎮᎭ? ᎬᏂᏳᏉ ᎿᏉ ᎢᏣᏛᎬᎦ ᎠᏐᏢᎢᏍᏗᏍᎬᎢ.\nᎥᏝᏰᏃ ᏂᎯ ᏱᏥᏁᎪᎢ, ᎢᏥᏙᏓᏍᎩᏂ ᎤᏓᏅᏙ ᎧᏁᎪᎢ ᏂᎯ ᎢᏨᏗᏍᎪᎢ.\nᎠᎴ ᏔᎵᏁᎢ, ᎾᏍᎩ ᏓᏥᏯᎵᏍᎦᏍᏙᏔᏂ. ᎠᎴᏬ, ᎬᏂᏳᏉ ᎠᏴ ᎠᎴ ᎾᏍᎩ Ꮎ ᏗᏂᏲᎵ ᎤᏁᎳᏅᎯ ᏗᎩᎧᏁᎸᎯ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏨᏪᏏ; ᎠᏎ ᎨᏥᏍᎦᏂᏉ ᎨᏒ ᏙᏓᏥᏲᎱᏏ; ᎢᏳᏰᏃ ᏂᏦᎯᏳᎲᏍᎬᎾ ᎢᎨᏎᏍᏗ ᎠᏴ ᎾᏍᎩ ᎨᏒᎢ, ᎠᏎ ᎨᏥᏍᎦᏂ ᎨᏒ ᏙᏓᏥᏲᎱᏏ.\nᎠᏏᏉᏃ ᏈᏓ ᎯᎠ ᎾᏍᎩ ᏂᎦᏪᏍᎨᎢ, ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎡᎳᏗ ᏄᏛᏁᎴ ᎤᏂᎷᏤᎴ ᏂᎦᏛ ᎠᎾᏛᎩᏍᎩ ᎧᏃᎮᏛ.\nᎯᏍᎩᏃ ᎦᏚ ᏚᎩᏎᎢ, ᎠᎴ ᏔᎵ ᎠᏣᏗ ᏚᏁᏎᎢ; ᎦᎸᎳᏗᏃ ᏫᏚᎧᎿᏅ ᎤᎵᎮᎵᏤᎢ, ᎠᎴ ᎤᎬᎭᎷᏰᎢ, ᎠᎴ ᏚᏁᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏧᏂᏁᏗᏱ ᎤᏂᏣᏘ.\nᎾᏍᎩ ᎡᎻᏂᏓ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎡᎵᎻ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎢᏏᎳᎻ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏇᎵᏏ ᎤᏪᏥᎨᏎᎢ, ᎾᏍᎩ ᏧᏓ ᎤᏪᏥ ᎨᏎᎢ,\nᎠᎩᎦᏘᏛ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏦᏪᎵᏍᎩ ᎠᎴ ᎢᏥᏆᎵᏏ ᎢᏣᏠᎾᏍᏗ! ᏕᏦᏢᎯᏏᏍᎪᏰᏃ ᏕᎦᏂᏌᎲ ᎠᎾᏙᎴᎰᏍᎩ, ᎠᎴ ᏕᏦᏚᎢᏍᏗᏍᎪ ᏓᏤᎵᏍᏛ ᎤᎾᏓᏁᏘ;\nᎤᏣᎴᏓ ᎤᏩᏓᏍᎬ ᏗᏂᎭᏲᎯ, ᏧᏓᎴᏅᏓ ᎢᏣ ᏓᎾᏓᎴᎬ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏄᏂᏪᏒᎩ, ᎦᏙ ᎦᏛᎦ ᏂᎪᎯᎸᎾᏉ ᏣᏗᎭ? ᎥᏝ ᏲᏦᎵᎦ ᏄᏍᏛ ᎦᏛᎬᎢ.\nᎦᏓᏅᏛᎳ ᏗᎾᏓᎪᎾᏗᏍᎬ ᎦᏘᏅᏍᏗ ᏚᎵᎢᏍᏗ ᏑᏓᎵᏁᎢ.\nᎠᎴ ᎤᏚᎩ ᎢᏨᏴᏒ ᎤᎵᏂᎩᏗᏳ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏦᏥᎦᏔᎭ, ᎾᏍᎩ Ꭲ-ᏣᏠᏯᏍᏗᏍᎬ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎢᏣᏠᏯᏍᏙᏗ ᎨᏎᏍᏗ ᎤᎦᎵᏍᏗ ᎨᏒᎢ.\nᎾᎿᏂ ᎾᏍᏉ ᏂᎯ ᏤᏣᏜᏍᏔᏅᎯ ᎡᏣᏁᏍᎨᎲᎯ ᎡᏥᏝᏅᎯ, ᎤᏁᎳᏅᎯ ᎤᏁᎳᏗᏍᏗᏱ ᎡᏓᏅᏙ ᎬᏗᏍᎬᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎣᏏᏳ, ᎰᏍᏛ ᎡᏣᏅᏏᏓᏍᏗ; ᎤᏍᏗ ᎨᏒ ᎣᏏᏳ ᏂᏣᏛᏁᎸ; ᏣᎬᏫᏳᏌᏕᎩ ᎨᏎᏍᏗ ᎠᏍᎪᎯ ᏕᎦᏚᎲᎢ.\nᎠᎬᏱ ᎦᏂᎩᎸ ᏃᎴ ᏚᎾᏌᎥᎢ ᏃᎴ ᎤᏫᏌᏅ ᏃᎴ ᎾᎥᏂ ᎠᏁᎯ, ᏃᏉ ᏏᏓᏁᎸᎯ.\n”ᎨᏍᏗ ᏗᎦᏣᏏᎳᏛᏗ ᏱᎩ, ᏫᎵᎻ, ᏃᎴ ᏂᎬᏪᏎᎭ, ᏫᏨᎨᏩᏉ ᏗᏣᏏᎳᏛᏗ.\nᎢᏧᎳ ᎠᏂᏍᎦᏯ ᎡᏝᏪᎯ ᎤᏁᏅᏎ ᏫᎵᎻ ᎤᏴᏍᏗ.\nᎢᏧᎳ ᎤᏂᏃᏪᎢ.\nᎦᏲᏟᏉ ᏚᏅᏯ ᎦᎶᏇ ᏃᎴ ᏗᏲᏍᏙᏗ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎠᏏᏍᎪ ᎾᏍᏉ ᏂᎯ ᏂᏦᎵᎬᎾᏉ ᎢᎩ?\nᎤᏍᏗ ᎪᏛ ᎾᎥᏂ ᎣᏥᏅᎬ ᎠᏯ ᏃᎴ ᏦᎢ ᎢᏯᏂ ᎠᏂᏧᏣ, ᎾᎥᏉ ᏩᏍᏗ ᎠᏨᏍᏛ.\nᏥᏌᏃ ᎤᎵᏩᏲᎢ ᎣᏓᎸ ᏬᎶᏒᎩ.\nᎤᎩᏨᏛᏃ ᏧᎾᎩᎸᏗ ᎤᎾᏘᏅᏍᏗ ᏄᏅᏁᎸ, ᎠᏂᏯᏫᏍᎩ ᎤᎾᏨᏒᎩ, ᏗᏐᏴ ᏭᏂᎶᏒᎩ.\nᏫᏕᏓᎦᏂᏍᎨᏍᏗ ᏥᏌ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ, ᎠᎴ ᎠᏍᏆᏗᏍᎩ ᏥᎩ ᎢᎪᎯᏳᏒᎢ. ᎾᏍᎩ ᎤᎵᎮᎵᏍᏗ ᎨᏒ ᎢᎬᏱᏗᏢ ᎾᎬᏁᎸ ᎢᏳᏍᏗ ᎬᏂᏗᏳ ᏓᏓᎿᏩᏍᏛ ᎤᎩᎵᏲᏤᎢ, ᎤᎵᏌᎵᏉ ᎤᏰᎸᏎ ᎤᏕᎰᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᎦᏘᏏᏗᏢ ᎤᏪᏅ ᎤᏁᎳᏅᎯ ᎤᏪᏍᎩᎸᎢ.\nᏑᏓᎴᎩᏉ ᏍᎩᏂ ᎤᏚᎸᏗ; ᎠᎴ ᎺᎵ ᎤᏑᏰᏒ ᎾᏍᎩ ᎣᏌᏂ ᎨᏒᎢ, ᎾᏍᎩ ᎦᏰ-ᏥᎩᎡᏗ ᏂᎨᏒᎾ ᏥᎩ.\n“ᎯᎪ ᎢᎦ ᏒᎮᏱᏣ, ᏱᏓᎩᏯᏪᎬᎾ ᎨᏎᏍᏗ,” ᎤᏛᏁ ᏌᎳᏓ.\nᏄᎾᏓᎴᏒᏰᏃ ᎢᎾᎨ ᎠᏁᎯ ᎠᎴ ᎠᏂᏃᎯᎵᏙᎯ ᎠᎴ ᎠᎾᏓᎾᏏᏂᏙᎯ ᎠᎴ ᎠᎺᏉᎯ ᎠᏁᎯ, ᏗᏓᏅᏘᏐᏙᏗ ᎠᎴ ᏧᏓᏅᏘᏐᏔᏅᎯ ᏴᏫ.\nᏔᎵ ᏧᏙᏓᏆᏓ ᎣᎭᏁ ᏩᏯᎯ, ᎦᏚᎲ ᎦᎵᏦᏕ ᏙᎩᏃᏢ ᏲᎾ.\nᎦᏙᎨᏃ ᎤᏍᏛ ᎤᏟ ᏄᏛᏅ ᎠᏧᏏ? ᎠᎴ ᎦᏙ ᎤᏍᏛ ᎬᏩᏓᏍᏕᎸᏗ ᎠᎱᏍᏕᏍᏗ ᎨᏒᎢ?\nᎢᏳᏃ ᎰᏩ ᏱᏙᎦᏄᏩᎥ, ᎥᏝ ᏦᎩᏰᎸᎭ ᏱᎦᎨᏎᏍᏗ.\nᎠᎵᏰᎾ ᏩᏎᎯ ᎠᏗᏅᏓ ᎦᎳᎨᏴ ᎤᏃᎯ ᎾᎥᏂ.\nᏈᏓᏃ ᎯᎠ ᏂᏅᏪᏎᎴᎢ; ᏍᎩᏃᎲᏏ, ᏥᏌ ᎾᏍᎩᏉ ᎢᎦᎢ ᏕᏍᏓᎬᏩᎳᏁᎴ ᎾᏍᎩ ᎦᏙᎯ? ᎯᎠᏃ ᏄᏪᏎᎢ; ᎥᎥ, ᎾᏍᎩᏉ ᎢᎦᎢ.\n“ᏕᏓᏓᎪᎲᏳ! ᏧᎾᏛᏁᎢ.\nᏰᎵᏉᏍᎪ ᎣᏍᏓ ᏓᏥᏰᎸᏂ, ᎠᏎᏃ ᎤᏬᏚᎯ ᏃᎴ ᎠᏌᎹᏗ ᏥᎩ?” \nᎥᏝ ᏳᏃᎵᏤ ᎠᎦᏴᎵᎨ ᎦᏛᎬ ᎾᏍᎩ ᏕᎦᏬᏁᏗᏍᎬᎢ.\nᏣᎵ ᏃᎴ ᏧᏤᎵ ᏴᏫ ᏔᎵ ᏕᎨᏴ ᏓᏦᏍᎬ ᎤᏂᎵᏦᏩᏛ.\n“Ꭳ, ᎤᏙᎯᏳᎭᏗ ᏍᎩᎾᎾ ᏄᎵᏍᏔᏁᎢ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎠᏎᏃ ᏲᎾ ᎦᏙᎬ ᎾᎥ ᎠᏆᎴᏅ ᎠᏥᎸ ᏚᎸᏌᏛ, ᏱᎦᏁᎸᏓ, ᎦᏂᏍᏚᎩ ᏱᎨᏅ, ᏱᎦᏁᎸᏓ ᎢᏳᏍᏗ ᎢᏯᏆᏛᏁᏗ ᎨᏒ ᎢᎦᎵᏍᏕᎸᏙᏗ.\nᎠᏎᏃ ᎢᏗᎦᏔᎭ ᏗᎧᎿᏩᏛᏍᏗ ᎣᏏᏳ ᎨᏒ, ᎢᏳᏃ ᎩᎶ ᎤᏙᎯᏳᎯᏯ ᏱᏓᎧᎿᏩᏕᎦ,\nᎠᏍᏔᏯ ᎾᎩᏪᏒ, ᎠᏯ ᏲᎦ ᏄᏓᎴ ᎾᏆᎵᏍᏓᏁᎰ.\nᎣᏍᏓ ᎾᏛᎦ.” \nᎤᏂᏁᏓᏥᏛᏃ ᏫᏙᏛᎾᏓᎡᏏ ᏗᎪᏢᏒ ᎠᏥᎸᏱ, ᎾᎿ ᏓᏂᏴᎨᏍᏗ ᎠᎴ ᏓᏂᎸᏓᎩᏍᎨᏍᏗ ᏓᏂᏄᏙᎬᎢ.\nᎢᎦ ᏒᎮᏱᏣ ᏕᎦᎦᏎᏍᏗᏍᎬ ᎤᎾᏓᏅᎭᏂ ᏓᎾᏘᏃᎯᎲ ᏏᏓᏁᎸ ᏃᎴ ᏣᏂᎦᏴᎵ, ᏫᏓᏂᏴᏍᏗᏍᎬ ᎠᏦᎭᏴ, ᎾᏍᎩ ᎨᏥᏍᏚᏗ ᏄᎵᏍᏔᏅ.\nᎠᎴ ᎬᏍᏗᏰᏗᎭ ᎾᏍᏉ ᏂᎯ ᏂᏣᏠᎾᏍᏛᎾ ᎬᎩ Ꮎ ᏖᏆᎶᎯ, ᎬᎩ ᏍᏕᎸᏗᏱ Ꮎ ᎠᏂᎨᏴ ᎬᎩᏍᏕᎸᎯᏙᎸᎯ ᏓᎩᎸᏫᏍᏓᏁᎸ ᎦᎵᏥᏙᏂᏙᎲ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎯᏯᏠᏯᏍᏔᏅᎭ ᎾᏍᏉ ᏞᎻᎾ ᎠᎴ ᎠᏂᏐᎢ ᎤᏠᏱ ᏦᎩᎸᏫᏍᏓᏁᎯ, ᎾᏍᎩ ᏚᎾᏙᎥ ᏥᏕᎪᏪᎳ ᎬᏂᏛ ᎠᏓᏁᎯ ᎪᏪᎵᎯ.\nᎤᏟᏂᎩᏓ ᏏᏆ.\nᏂᎯᏰᏃ ᎡᏥᏁᎸᎯ ᎦᎶᏁᏛ ᎨᏒ ᎢᏳᏍᏗ, ᎥᏝ ᎡᏦᎢᏳᏗᏱᏉ ᎤᏩᏒ, ᎾᏍᏉᏍᎩᏂ ᎡᏥᎩᎵᏤᏗᏱ;\nᎠᎴ ᎢᎦᏛ ᏂᎯ ᎾᏍᎩ ᏂᏣᏍᏛᎩ; ᎠᏎᏃ ᎡᏦᏑᎴᎥᎯ, ᎠᏎᏃ ᎢᏣᏓᏅᏘ ᎢᏰᏨᏁᎸᎯ, ᎠᏎᏃ ᎡᏧᏓᎴᏛ ᎤᎬᏫᏳᎯ ᏥᏌ ᏚᏙᏍᏛᎢ, ᎠᎴ ᎬᏔᏅᎯ ᎢᎦᏁᎳᏅᎯ ᎤᏓᏅᏙ.\nᏏᎻᏯᏂ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎷᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ. ᎵᏫ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ ᎢᏏᎦ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᎳᏅᎩ.\nᏥᎪ ᏔᎵᏁ ᎣᏣᎴᏂ ᎣᎬᏒ ᎣᏣᏓᎸᏉᏗᎭ? ᏥᎪᎨ ᎠᏎ ᏫᏗᏨᏃᎮᏗ ᏃᎦᎵᏍᏓᏁᎭ, ᎪᏪᎵ ᎣᎩᎸᏉᏗᏍᎩ ᎩᎶ ᏥᏄᎾᎵᏍᏓᏁᎰᎢ, ᎠᎴ ᏂᎯ ᏗᏍᎩᏅᏁᎸᎯ ᏍᎩᎸᏉᏗᏍᎩ?\n“ᎤᏙᎯᏳᎦ ᎤᏗᎴᎦ?” ᎤᏛᏁ ᎠᎳᏂ.\nᎬᏂᏳᏉ ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎢᎩᏰᎸᏐ ᏗᏅᏂᏗᏳ ᏥᎨᏐᎢ. ᎢᏣᏛᎦᏅ ᎬᏂᏗᏳ ᎨᏒ ᏦᏈ, ᎠᎴ ᎢᏥᎪᎲ ᏄᏍᏛ ᏭᏰᎢᎶᎯᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎤᏣᏘ ᎤᏓᏅᏘᏳ ᎨᏒ ᎠᎴ ᎤᏓᏙᎵᏣᏘᏳ ᎨᏒᎢ.\nᏧᎵᏏᏅᏓ ᏙᏧᏒᎥᏍᎪ ᏗᏓᎨ ᏗᏰᎲᏍᏓᏅ Ꮓ … ᎰᏥᎦᏘᏗᏍᎪ ᏳᎦᎾᏬᏒ ᏙᏥᎦᎵᎯᏍᏗᏍᎪ.\nᏂᎦᏓᏗ ᎠᎾᎥ ᎠᏙᎯ ᏰᎵᏉ ᎦᏓ ᎢᏳᎵᏍᏙᏗ.\nᎯᎠ ᎾᏍᎩ ᏓᏔᎴᏒ ᎠᎹ-ᏗᏢᏗᏱ ᎠᎹ ᏂᏗᎦᏁᎲᎾ, [ᎠᎴ] ᎤᎶᎩᎸ ᎤᏃᎴ ᏧᏃᎸᏔᏂᏙᎰᎢ, ᎾᏍᎩ Ꮎ ᎬᎾᎨ ᎤᎵᏏᎬ ᏥᎨᎦᏛᏅᎢᏍᏓᏁᎸ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ.\nᎤᏓᏅᏖᏙᏗ ᎤᏛᎴᎮ ᏫᎵᎻ, ”ᏰᎵ ᎠᎦᏓ ᎯᏌᎹᏗᏯ ᎠᏯ ᎨᏒᎢ ᏌᎳᏓ.\nᎠᎬᏱ ᎠᏓᏔᎶᎯ.\nᏰᎵ ᏧᏙᏓᏆᏓ ᏃᎴ ᏧᏒᎯᏓ ᏂᎬᎾᏛ ᎠᎾᏓᏏᏂᏙᎮ, ᏃᎴ ᎠᏂᏲᎵᎮ ᏫᎵᎻ, ᏓᏂᎾᏏᏂᏙᎮ ᏧᏂᏏᎳᏛᏙᏗ, ᏃᎴ ᎠᏂᎪᎵᏰᏍᎨ ᎠᏤᎯ ᎠᏂᏂᎩᎸ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎢᏨᎨᏳᎢ, ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ ᏥᏥᎦᏖᏃᎭ, ᎢᏣᏟᏂᎬᏏ ᎾᏍᎩ ᏅᏩᏙᎯᏯᏛ ᎢᏨᏓᏅᏛ ᎢᏥᏩᏛᏗᏱ ᏄᏓᏓᎸᎾ ᎠᎴ ᎪᎱᏍᏗ ᏁᏤᎵᏎᎲᎾ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏦᏪᎵᏍᎩᎠᎴ ᎢᏥᏆᎵᏏ ᎢᏣᏠᎾᏍᏗ! ᏕᏥᏒᏁᎰᏰᏃ ᏧᏃᏑᎶᏨᎯ ᏓᏂᏁᎸᎢ, ᎠᎴ ᎢᏣᏠᎾᏍᏛ ᎪᎯᏗᏳ ᎢᏣᏓᏙᎵᏍᏗᏍᎪᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏟᎯᏳ ᎢᎦᎢ ᎢᏥᎩᎵᏲᎢᏍᏗ ᎨᏎᏍᏗ.\nᏂᎯᏍᎩᏂ ᎢᏤᎲ ᎥᏞᏍᏗ ᎾᏍᎩ ᏱᏂᏨᏁᏍᏗ; ᎩᎶᏍᎩᏂ ᎠᏥᎸᏉᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏚᎵᏍᎨᏍᏗ, ᎾᏍᎩ ᎡᏥᏅᏏᏓᏍᏗ ᎨᏎᏍᏗ.\nᎨᏍᏗ ᏥᏚᏂᏲᏏᏍᎪᎢ ᏱᏅᏩᏍᏕᎢ.\nᏃᏉ ᎮᎾ!”\nᎾᏍᎩᏃ ᏭᏂᎷᏨ ᎤᎾᏓᏙᎵᏍᏔᏁ ᎨᎦᎵᏍᎪᎸᏓᏁᏗᏱ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ.\nᎦᏙᏰᏃ ᏳᏁᏉᏥ ᏴᏫ, ᎢᏳᏃ ᏂᎬᎾᏛ ᎡᎶᎯ ᎤᏤᎵ ᏱᏄᎵᏍᏔᏅ, ᎤᏩᏒᏃ ᎤᏓᏅᏙ ᏳᏲᎱᏎᎸ?\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎢᏳᏃ ᏂᏣᏓᏁᏟᏴᏒᎾ ᎢᎨᏎᏍᏗ, ᎠᎴ ᏗᏂᏲᎵ ᏥᏄᎾᏍᏗ ᏂᏣᎵᏍᏔᏅᎾ ᎢᎨᏎᏍᏗ, ᎥᏝ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏴᎨᏥᏴᎭ.\nᎿᏉᏃ ᏌᏉ ᎢᏯᏕᏴᎵ ᏣᏥᏁᎸᎯ ᎤᎷᏨ ᎯᎠ ᏄᏪᏎᎢ; ᏍᎩᎾᏝᎢ, ᎬᎦᏔᎲᎩ, ᎯᏍᏓᏱᏳ ᎨᏒᎢ, ᎠᎴ ᎯᏍᎫᏕᏍᎬᎢ ᎾᎿ ᏂᏣᏫᏒᎾ ᎨᏒᎢ, ᎠᎴ ᎱᏖᏍᎬᎢ ᎾᎿ ᏂᏣᎴᎳᏛᏅᎾ ᎨᏒᎢ.\nᎩᎶ ᎢᏳᏍᏗ ᎡᎮ ᏧᏓᏚᎩ, ᎾᏍᎩ ᎠᏂᏔᎵ ᏧᏚᎩ ᎠᏁᎮᎢ; ᏏᏴᏫ ᎯᏍᎩᏧᏈ ᎠᏂᎩᏏ ᏧᎾᎬᏩᎶᏗ ᎠᏥᏚᎨᎢ, ᏐᎢᏃ ᎯᏍᎩᏍᎪᎯ.\n“ᎠᏯᎾ?” ᎤᏛᏛᏁ ᏦᎢᏁ ᎧᏅᏂᏍᎩ.\nᎾᏍᎩᏃ ᎤᏍᎦᏅᏨᎢ ᏧᎬᏩᎳᏅᎯ ᏥᎤᏩᎯᏍᏔᏁ ᏠᎨᏏ, ᎤᏙᎠᏒᏃ ᏧᏣᎷᏘᏎᎢ, ᎠᎴ ᏂᎦᏛ ᏧᎵᎩᏏ ᏥᏚᏄᎪᏤᎢ.\nᎿᏉᏃ ᏔᎳᏚ ᎢᏯᏂᏛ ᎤᏂᏣᏘ ᎠᏃᎯᏳᎲᏍᎩ ᏫᏚᏂᏯᏅᎲ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎥᏝ ᏚᏳᎪᏛ ᏱᎦᎩ ᎢᏳᏃ ᏱᏙᎩᏲᏍᎦ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎧᏃᎮᏛ ᏕᎦᏍᎩᎸᏃ ᏱᏙᎩᎸᏫᏍᏓᏁᎭ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏧᏏ ᎠᏉᎳ ᏧᏙᎢᏛ, ᎡᎵᎩᏱ ᎤᏛᏒᎯ, ᎠᏏᎾᏍᏛ ᎤᏬᏂᎯᏍᏗᏱ, ᎠᎴ ᏗᎦᎸᏉᏗ ᎪᏪᎵ ᏗᏏᎾᏍᏛ, ᎡᏈᏌ ᎤᎷᏨᎩ.\nᎢᏳ ᎠᎴ ᏦᏰᏂ ᏕᏦᏕᏍᏗᏍᎨᏍᏗ, ᎯᏍᏆᎵᏍᎨᏍᏗ; ᎤᏟ ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏣᎪᎳᏂ ᎬᏂᏛ ᏗᎨᏒ ᏱᏫᏣᏴᎸ, ᎠᏃ ᎢᏧᎳ ᏗᎨᎰᏯᏗ ᏨᏍᎩᏃ ᏱᏫᏣᏴᎸ, ᎾᎿ ᎠᏥᎸᏱ ᎦᎬᏜᏗᏍᏗ ᏂᎨᏒᎾ;\nᎠᎴ ᎦᎪ ᏅᎦᏍᎪᎯ ᏧᏕᏘᏴᏛ ᏚᏂᏆᏘᎴᎢ? ᏝᏍᎪ ᎾᏍᎩ Ꮎ ᎤᏂᏍᎦᏅᏨᎯ ᏥᎨᏎᎢ, ᎾᏍᎩ Ꮎ ᏗᏂᏰᎸ ᎢᎾᎨ ᏥᏚᏅᏤᎢ?\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎯᎠ ᏄᏜᏏᏛᎡᏗ ᏂᎨᏒᎾ ᏥᎩ, ᏙᎯᏱᏉᏍᎩᏂ ᏱᏂᏣᏛᏅ, ᎠᎴ ᎪᎱᏍᏗ ᎬᏁᎳᎩ ᏂᏣᏛᏁᎸᎾ ᏱᎩ.\nᏱᏚᎴᏅᎾ ᎤᎦᏔᎲᏒ ᏁᏂᏏ ᎤᎦᏆᎸᏂᎸ ᎤᎧᏛᎢ ᏍᏔᏯ ᎤᎵᏗᏨ ᎤᏬᏢ ᏔᎵ ᎢᏳᏩᎬᏗ, ᎤᏬᏰᏂ ᎣᎭᏁ ᎢᏣ ᎠᎬᏱ ᏃᎴ ᏔᎵᏁᎢ ᎠᎬᏱᏣ ᎤᏬᏯᏂ.\nᎠᎴ ᎾᏍᎩᏯ ᎢᏌᏯ ᎦᏳᎳ ᎯᎠ ᏥᏄᏪᏐᎢ, ᎢᏳᏃ ᏱᎰᏩ ᎤᏂᏣᏘ ᏧᏓᏘᎾᎢ ᏂᎩᏃᎯᏰᎸᎾ ᏱᎨᏎ ᎤᎵᏃᎯᏴᎯ, ᎾᏍᎩᏯ ᏱᏂᎦᏍᏕᎢ.\nᎾᎦᎸᎳᏗᏴ ᎤᏓᎾᏫᏛᎮ ᏫᎵᎻ.\nᏩᏯᎯ, ᏥᏃᎯᏎᎸ ᏲᎾ ᏂᎦᏓ ᏄᎵᏍᏔᏂᏙᎸ ᏧᎶᏒᎢ.\nᎠᏎᏃ ᏅᏙ ᏧᎧᎸᏨ ᎤᎴᏴᏎᎢ, ᏂᏚᎿᏍᏕᏢᎾᏃ ᎨᏒ ᎢᏳᏍᏗᎤᎿᏍᎬᏤᏉ.\nᎾᏃ ᎠᏥᎾᏝᎢ ᎠᎨᏴ ᎤᎾᏄᎪᏫᏒᎯ, ᎤᏇᏓᎵ ᎤᏕᏔᏁᎢ; ᎾᏍᎩᏯ ᎾᏥᎾᏝᎥᎾ ᎠᎨᏴ ᎤᎾᏄᎪᏫᏒᎯ ᎠᏚᎢᏍᏛ ᎾᏍᎩᏯ ᎤᏕᏁᎢ.\nᏥᏌᏃ ᏚᏁᏤᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏣᏓᏅᏖᏍᎬᏍᎪ ᎯᎠ ᎾᏍᎩ ᎨᎵᎵ ᎠᏁᎯ ᏧᏂᎪᎾᏛᏔᏅᎯ ᎨᏎ ᎠᏂᏍᎦᎾᎯᏳ ᎨᏒ ᏂᎦᏛ ᎨᎵᎵ ᎠᏁᎯ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᏥᏄᎾᎵᏍᏓᏁᎴᎢ?\nᎥᏝᏃ ᏱᏗᎬᏩᏓᏂᎸᏤᎢ, ᎤᏗᎦᎵᏍᏙᏗᏍᎨ ᏥᎷᏏᎵᎻ ᏥᏩᎦᏙ ᏅᏩᏍᏕᎢ.\nᎯᎠ ᏄᏪᏒᎩ; ᏗᏃᏪᎵᏍᎩ ᎠᎴ ᎠᏂᏆᎵᏏ ᎼᏏ ᎤᏪᏍᎩᎸ ᎠᏂᎾ;\nᎿᏉᏃ ᏆᏂᏆ ᏓᏌ ᏭᎶᏎ ᎤᏲᎸᏎ ᏐᎳ;\n”ᎤᎵᏬᏥᏕᎾ, ᏍᎩᎾᎾ ᏩᎶᏏ.”\nᎠᎴ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎢᏥᏔᏲᎯᏍᏗ ᎪᎳ ᎢᏣᎵᏍᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᏐᏉ ᎠᎩᎬ, ᎣᏏᏉᏗ ᏥᏲᏎᎸ.\nᏃᎴ Philadelphia ᏓᏳᎶᏒ ᎠᏧᏣ ᏛᎤᏁᏨ South Street ᏳᏫᎦᎢᏎ ᎣᏍᏓ ᏯᎩᏰᎸ.\nᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᏚᏙᎥ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᏓᎶᏁᏛ ᎦᎸᏉᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎯ ᎢᏨᏂᏌᏛ, ᎠᎴ ᏂᎯ ᎦᎸᏉᏗᏳ ᎢᏰᏨᏁᏗᏱ ᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᎦᏁᎳᏅᎯ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\nᏈᏥᏱᏃ ᎠᎴ ᏆᎢᏈᎵᏱ ᎢᏕᎯ, ᎢᏥᏈᏃ ᎠᎴ ᎵᏈᏱ ᏌᎵᏂ ᎤᏚᏫᏛ ᎢᏕᎯ, ᎢᎦᏙᎯᏃ ᎶᎻ ᎢᏕᎯ, ᎢᏗᏧᏏ ᎠᎴ ᎠᏂᏧᏏ ᏗᏓᎵᎪᏁᎸᎯ,\nᏲᎾ ᎢᏳᏍᏘ ᎡᎳᏗ ᎢᎦᏘ ᏣᎵ, ᎤᏟᏂᎩᏛ ᎦᏆᎵ ᏃᎴ ᏗᎦᎦᎶ, ᏧᏍᏆᎳ ᏗᎦᏅᏍᎨᏂ, ᎣᏍᏓ ᎤᎾᎷᎯᏍᏗ.\nᏧᏂᏍᏗ ᏓᎾᏦᎭᏱᎲ, ᏧᏂᏥ ᏓᏂᏖᎸᎮᏍᎬ ᏓᏂᏂᏒ, ᏗᏂᏅᏗ ᏫᏚᏂᎾᏓᏢ, ᎦᏳᎳ ᏧᏲᎯᏍᏔᏅ ᎤᏅᏗ ᎠᏓᏁᎮᏍᎬ.\nᎢᏳᏃ ᏱᏗᏃᎲᏍᎦ ᎢᎩᏍᎦᏅᏨᎢ, ᏄᏓᎵᏓᏍᏛᎾ ᎠᎴ ᎤᏓᏅᏘᏳ, ᎾᏍᎩ ᎢᎩᏁᏗᏱ ᎢᎩᏍᎦᏅᏨᎢ, ᎠᎴ ᎢᎩᏅᎦᎸᏗᏱ ᏂᎦᎥ ᎤᏲ ᏗᎦᎸᏫᏍᏓᏗ ᎨᏒᎢ.\nᎨᏍᏗ ᎦᏚᎢ ᎾᎥᏂ ᏳᏓᏬᎠ.\nᎦᏣᏃᏍᏔ ᎦᏍᎩᎶᎩ ᎤᏬᏢ ᎦᎷᏯᏍᏗ ᎦᏟᎲ, ᎠᏳᎨᏂ ᎦᏁᏥ ᏩᏌᎲ.\nᎾᏍᏉᏰᏃ ᏱᎦᎵᏥᏙᎲᏍᎦ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎥᏝ ᎪᎱᏍᏗ ᏯᎩᎭ ᎠᏆᏢᏈᏍᏙᏗ. ᎠᏎᏰᏃ ᎾᏍᎩ ᎢᏯᏆᏛᏁᏗ ᏅᏋᏁᎸ; ᎥᎥ, ᎤᏲ ᎢᏯᏆᎵᏍᏓᏁᏗ, ᎢᏳᏃ ᎣᏍᏛ ᎧᏃᎮᏛ ᏂᎦᎵᏥᏙᎲᏍᎬᎾ ᎢᎨᏎᏍᏗ.\nᎤᏂᎪᎲᎯᏃ ᎾᏍᏉ ᏚᏂᏃᏁᎴ ᏄᎵᏍᏙᏔᏅ ᎠᏂᏍᎩᎾ ᎬᏩᏯᎢ ᎠᏥᏅᏩᏅᎢ.\nᎤᏇᏓᎸ ᎬᏗᏍᎬ ᎤᏛᏔᏅ ᏗᏓᏓᏍᎦᎩ ᎢᎬᏁᎯ, ᎾᏍᎩ ᏯᏛᏅ ᏗᎧᎿᏩᏛᏍᏗ ᎤᎵᏁᏨᎢ ᏧᏓᎴᏅᏛ ᎢᏯᏛᏁᎵᏓᏍᏗ ᎨᏒᎢ; ᎾᏍᎩ ᎠᏂᏔᎵ ᎨᏒ ᏌᏉ ᎢᏤ ᏴᏫ ᎤᏬᏢᏗᏱ ᎤᏩᏒ ᎢᏳᏩᏂᏐᏗᏱ, ᎾᏍᎩᏃ ᏙᎯ ᎢᏳᏩᏁᏗᏱ;\nᎨᏍᏗ ᎯᎸᎯᏳ ᎤᏓᏅᏘ ᏱᏂᏍᎩᏪᏎᎰ, ᎠᏎ ᎤᏲ ᏂᏍᎩᏪᏎᎰ ᏃᎴ ᏍᎩᏯᏕᎰᏗᏍᎪ.\nᏧᎾᏛᎾ ᎤᏍᎦᏃᎵ ᏭᎾᎩᎸᏁ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ. ᎤᏛᎦᏁ ᏫᎵᎻ ᎤᏅᏫᏍᏗᏍᎩ ᎤᏃᏴᎬ ᏃᎴ ᎤᏛᎦᏁ ᎠᏂᎩᏍᎬ ᎤᏍᎦᏃᎵ.\nᎠᏎᏃ ᎤᏁᎳᏅᎯ ᏚᎴᏔᏁ ᎤᏲᏞᏒᎢ.\nᎩᎶ ᏥᎦᏔᎭ ᎠᏗᏍᎩ, ᎠᏎᏃ ᏂᏚᏍᏆᏂᎪᏛᎾ ᏱᎩ ᏧᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ, ᎾᏍᎩ ᎦᏰᎪᎩ ᎠᎴ ᎤᏙᎯᏳᎯ ᎨᏒ ᏄᏪᎲᎾ.\nᎠᏌᎻᏓ ᎤᏚᎸᎲ ᏁᎳᎩᏉ ᎤᏬᏎᏗ.\nᎾᏍᎩ Ꮎ ᎠᎩᏍᎦᎩ ᎠᏴ, ᎾᏍᏉ ᎠᏍᎦᏱᏳ ᎨᏐ ᎡᏙᏓ.\nᏥᏳᏃ ᏔᎵ ᏚᎪᎮ ᎥᏓᎷᎶᏗ ᏓᏔᎴᎢ; ᎠᏂᎦᏯᎷᎥᏍᎩᏍᎩᏂ ᎤᎾᏣᎢᏛ ᎨᏎᎢ, ᎠᎴ ᏓᏅᎩᎶᏍᎨ ᎫᏂᎦᏯᎷᏗ.\nᎼᏏᏰᏃ ᏂᎦᏛ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᏚᎾᏄᎪᏫᏎᎸ ᏴᏫ ᎾᏍᎩᏯ ᏂᎬᏅ ᏗᎧᎿᏩᏛᏍᏗ, ᏩᎦ ᎠᏂᎩᎾ ᎤᏂᎩᎬ ᎠᎴ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᎤᏂᎩᎬ ᎤᏁᎩᏎᎢ, ᎠᎴ ᎠᎹ ᎠᎴ ᎤᏩᏅ ᎩᎦᎨᎢ, ᎠᎴ ᏗᏐᏈ, ᏚᏍᏚᏞᏃ ᎪᏪᎵ ᎠᎴ ᎾᏂᎥ ᏴᏫ.\nᎠᏓᏅᏙᏍᎩᏂ ᎠᏓᏛᏂᏗᏍᎩ; ᎤᏇᏓᎵ ᎥᏝ ᎬᏩᏓᏍᏕᎸᏗ ᏱᎩ. ᎧᏃᎮᏛ ᎠᏴ ᏥᏨᏬᏁᏗᎭ ᎾᏍᎩ ᎠᏓᏅᏙ, ᎠᎴ ᎾᏍᎩ ᎬᏂᏛ.\nᎿᏉᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᏧᏅᏏᏓᏍᏗ; ᏗᎨᎦᏨᏍᏙᏗᏱ ᎠᏛᏅᎢᏍᏗ, ᎠᏎᏃ ᏫᎨᏥᏯᏅᏛ ᎥᏝ ᏰᎵ ᏱᎾᏃᏎ ᎤᏂᎷᎯᏍᏱ.\nᎠᏂᎫᎾᏓᎴᎩ ᏃᎴ ᏧᏂᏍᏔᏩᏕᎩ, ᎤᎩᏓᏟᏅᏯ ᎨᎵ, ᏚᎾᎴᏫᏍᏔᏁᎸ ᏎᎬ, ᎠᏎᏃ ᏏᏛ ᏱᎪᎰᏍᎬᎾ ᎦᎷᏯᏍᏗ, ᏚᏄᎪᏔᏅ ᎢᎫᏩᎾᏛᏁᏗ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎤᏅᏌ ᏓᏅᎭᏅ ᏃᎴ ᏧᎬᏩᏟ.\nᎠᏏᏴᏫᏍᎩᏂ ᎠᏯᏫᏍᎩ, ᏗᏓᏖᏍᏗ ᎤᏪᏘᏍᏔᏅᎩ ᎠᏍᏉᎨᏂ, ᎩᎳᏉᏃ ᎢᏴᏛ ᎾᎿ ᏓᏳᏨᏨᎩ ᎩᎬ ᎠᎴ ᎠᎹ.\nᎥᏝᏰᏃ ᎪᎱᏍᏗ ᎤᏕᎵᏛ ᏱᎩ ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᏂᎨᏒᎾ; ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᏱᎬᏍᎦᎸ ᎾᏍᎩ ᎠᎦᏙᎥᎯᏍᏗ ᎠᎴ ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᏂᎨᏒᎾ.\n“ᎤᏃᎴ ᎠᏲᏙᏗᎨ ᏱᏍᎩᎾᎩᎢ?” ᎤᏛᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᏂᎯ ᎢᏨᏁᎸ?”\nᎨᏍᏗᏗ ᎠᏯ ᏱᎬᎩᏃᎮᏍᎨ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎩᎶ ᎤᏙᏑᎵᏌᏛ ᏥᎨᏐᎢ ᏧᎳᏏᏕᏂᏉ ᏧᏩᏒ ᏧᏬᏑᎴᏗ ᎨᏐᎢ; ᏂᎬᏃ ᎤᏓᏅᎦᎸᏛ ᎨᏐᎢ. ᎠᎴ ᏂᎯ ᎢᏣᏓᏅᎦᎸᏛ, ᎠᏎᏃ ᎥᏝ ᏂᏥᎥ ᏱᎩ.\nᎢᏣᏕᎶᏆᏃ ᏒᎦᏔ-ᎢᏳᏍᏗ ᏡᎬ ᏓᏟᎶᏍᏛᎢ; ᎤᏩᏂᎦᎸ ᎿᏉ ᎤᏓᎨ ᏂᎦᎵᏍᏓ, ᎠᎴ ᏥᎦᎵᏍᏚᎲᏍᎪᎢ, ᎢᏥᎦᏔᎰ ᎪᎩ ᎾᎥᏂᏳ ᎨᏒᎢ;\nᏄᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎨᎶᎯ ᎯᎠ ᏄᏪᏎᎢ; ᎾᏍᎩᏍᎪ ᎤᏃᎯᏳᎯ ᏄᏍᏗ?\nᏥᏍᏆᏙᎾ ᎠᎩᎾᏕᎬ ᎯᎪ ᎤᎵᏏᏂᏕᏅ.\nᎠᏎᏃ ᏗᎾᏓᏂᏱᏍᎩ ᏭᏂᎷᏨ ᏫᏚᎾᏠᏤ ᏗᏓᏍᏚᏗᏱ, ᏗᎤᎾᏨᏒᏃ ᎤᏂᏃᏁᎢ,\nᎾᎪᏔᏅᎾᏃ ᎦᏚ ᎠᎩᏍᏗᏱ ᎨᏒ ᎤᎶᏐᏅ, ᏈᎵᎩᏱ ᏥᏳᎯ ᎣᎦᏣᏅᎩ, ᎯᏍᎩᏃ ᏫᏄᏒᎸ ᏠᎠᏏ ᏫᏙᏥᏩᏛᎲᎩ; ᎾᎿᏃ ᎦᎵᏉᎩ ᏧᏒᎯᏛ ᎣᎨᏙᎸᎩ.\nᏂᎯ ᎣᎯᏍᏙᏗ ᎩᎾᎵᎢ ᏃᎴ ᏂᎯ ᏭᎬᏫᏳᏒ ᎣᏍᏓ.\nᏃᎴ ᎨᏍᏗ ᏂᎯ ᏂᏣᏁᎩᏴ ᎤᏓᏅᎦᎸᏓ ᏱᎩ.\nᏃᏗ ᎤᏓᏄᎸ ᎢᏳᏍᏗ ᎠᏦᏴ ᎾᎥᏂ ᏚᎾᎴᏁ ᏣᏄᏏ ᏃᎴ ᎰᎻ. ᎦᎾᏍᏗ ᎬᏗ ᏚᏣᎪᏎ ᎦᏐᎯ ᏫᎵᎻ.\n”ᎡᎭ!\nᎤᎶᏐᏅ, ᏩᏏᏓᏂ ᏚᏇᏍᏘ ᎦᏅᎯᏓ ᎬᏘ ᏓᏲᎯᎮ ᏕᏧᎬ ᎤᎾᎩᎸ, ᎤᏇᏓᏢ ᎦᏁᏥ ᏃᎴ ᎤᏍᏉᏟ ᎤᎵᏍᏗ ᏄᏩᏁᎮ ᎠᏦᏔᏍᎬ ᏃᎴ ᏑᏓᎵ ᎢᎦ ᏩᏁ ᏗᎪᏒᏔᏅ ᏗᏲᏍᏙᏗ ᏗᎩᎦᎭ ᏂᏕᎦᎵᏍᏗᏍᎨ.\n“ᎤᏙᎯᏳᎯ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎤᏒᎯ ᎤᏴᏣ ᏱᏄᎵᏍᏔᎾ, ᎾᎥᏂ ᎦᏅᎨ ᎠᏛᎵᏍᎬ ᎬᏗ ᎠᎦᎾᏬᏗᏍᎨᎢ.\nᎠᎦᏴᎵᎨᎢ ᏔᎵ ᏄᎾᏓᎡᏍᏗ ᎠᏍᎦᏯ ᎤᏪᏥ, ᎠᎦᏅᎩᏃ ᎠᏍᎦᏯ ᏔᎵ ᏄᎾᏓᎡᏍᏗ ᎤᏙᏓ; ᎠᎴ ᎠᎨᏴ ᏔᎵ ᏄᎾᏓᎡᏍᏗ ᎠᎨᏴ ᎤᏪᏥ, ᎠᎴ ᎠᎦᏅᎩ ᎠᎨᏴ ᏔᎵ ᏄᎾᏓᎡᏍᏗ ᎤᏥ; ᎤᏦᎯᏃ ᏔᎵ ᏄᎾᏓᎡᏍᏗ ᎤᏓᏦᎯᏯ, ᎠᎴ ᎤᏓᏦᎯᏯ ᏔᎵ ᏄᎾᏓᎡᏍᏗ ᎤᏦᎯ.\nᎠᏏᏴᏫᏰᏃ ᏴᏫ ᏄᏬᎯᏳᏅᎾ ᎨᏒ ᎢᏳᏩᏂᏌᏛ ᎤᏂᏣᏘ ᎠᏂᏍᎦᎾ ᏥᏄᎾᎵᏍᏔᏅ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏏᏴᏫ ᎤᏬᎯᏴᏅ ᏅᏓᎦᎵᏍᏙᏔᏂ ᎤᏂᏣᏘ ᎠᏂᏍᎦᎾ ᏂᎨᏒᎾ ᏅᏛᎾᎵᏍᏔᏂ.\nᎰᏩᏃ ᎤᎩᏨᏛ ᎤᏣᏘ ᎤᎾᏣᏅᎯ ᎤᏂᎷᏨ ᎡᎩᎵᏈ ᎠᎴ ᏆᏂᏏ, ᎾᏍᎩᏃ ᏗᏓᏱᎵᏓᏍᏗᏱ ᎤᏂᏴᎸ, ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᏗᎾᏓᏘᏂᏙᎯ, ᎠᎴ ᎨᏥᎸᏉᏗ ᎾᎿ ᎦᏚᎲ ᎠᏁᎯ, ᏇᏍᏓ ᎤᏁᏨ, ᏉᎳ ᏩᏥᏯᏅᎲᎩ.\nᏈᏓᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᎢᏳᏃ ᏂᎯ ᎨᏎᏍᏗ, ᏍᎩᏁᏥ ᏫᎬᎷᏤᏗᏱ ᎠᎹᏱ ᎦᏚᎢ.\nᎤᎵᏰᏔᏁ ᏫᎵᎻ.\nᎣᎭᏁ ᎦᏙᎬ, ᎭᏂᏨ ᏫᏓᎧᏅ.\nᏃᎴ ᏔᎵᏁᎢ ᏚᎧᏔᏍᏔᏁᎢ ᎦᏂᎦᏔ ᎡᎹᏂᏓ.\nᎠᏆᏏᏅᏌ ᎭᎴᏉ ᏂᏥᏯᏓᎩᏅᏔᏅ ᎠᏌᎢᏂᏓ.\nᎪᏪᎵᎯᏰᏃ ᎯᎠ ᎾᏥᏪᏎ ᏇᏓᏲ, ᎾᏍᎩ ᎯᎠ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏕᎬᏯᎴᏔᏅ, ᎾᏍᎩ ᎠᎩᎾᏄᎪᏫᏍᏗᏱ ᎠᏆᎵᏂᎩᏗᏳ ᎨᏒ ᏂᎯ ᎬᏴᏗᏍᎬᎢ, ᎠᎴ ᎾᏍᎩ ᎠᏴ ᏓᏆᏙᎥ ᏧᏃᏣᎶᎢᏍᏗᏱ ᎡᎶᎯ ᏂᎬᎾᏛᎢ.\nᎧᏁᏍᎬ ᎭᏫᏂᏣ ᎤᏗᏍᎦᏞᎢ ᏧᏍᏆᏴᏍᏗ.\nᎥᏝᏰᏃ ᏯᎦᏔᎮ ᎢᏳᏪᏍᏗᏱ; ᎤᏣᏖᏰᏃ ᎠᏂᏍᎦᎢᎮᎢ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎤᏁᏨᎯᎠ ᏄᏪᏎᎴᎢ; ᎠᏴ ᎨᏈᎵ, ᏥᏥᏙᎪ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ; ᎠᎴ ᏨᎩᏅᏒ ᎬᏯᎵᏃᎮᏙᏗᏱ, ᎠᎴ ᎬᎾᏄᎪᏫᏎᏗᏱ ᎯᎠ ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ.\nᏍᎩᏃ ᎢᏴ ᏧᏕᎶᎰᏎ ᏤᎩᏏᏂ ᎤᏁᏨ ᏣᏥᎴᎢ ᎠᏫᎾ ᎠᏲᏍᎩ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎥᏝ ᎿᏉ ᏄᏣᏓᎴ, ᎠᎴ ᎢᏤᏙᎯᏉ ᏱᎩ, ᎤᎾᏓᏅᏘᏍᎩᏂ ᎢᏧᎳᎭ ᎢᏤᎯ, ᎤᏁᎳᏅᎯ ᎦᏓᏘᎾᎥ ᎢᏖᎳ;\nᎢᏨᏒ ᎨᏒ ᏕᏣᏓᏲᎵᎮᏍᏗ ᎢᏨᏗᏍᎨᏍᏗ ᎦᎸᏉᏗᏳ ᏗᏓᏙᏪᏙᎥᎯᏍᏗ ᎨᏒᎢ. ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒ ᎦᎶᏁᏛ ᏧᏤᎵᎦ ᏫᎨᏥᏲᎵᎭ.\nᎤᏁᎳᏅᎯ ᎤᎵᏍᎦᏍᏙᏛᎩ; ᎿᏉ ᏭᏍᏕᎸ ᎢᏳᏃ ᎤᎸᏉᏕᏍᏗ; ᎯᎠᏰᏃ ᏥᏂᎦᏪᏍᎬᎩ, ᎤᏁᎳᏅᎯ ᎡᏙᏓ.\nᏐᏚᎯ ᏔᎵᏚ ᏩᏍᏗ ᏙᏱᏨ ᎤᎴᏗ ᏛᎦ ᏧᎦᏙᏍᏙᏗ, ᏩᏚᎵᏏ ᏃᎴ ᏦᏕᏆᏠᏥ ᏧᎦᏙᏍᏙᏗ ᎠᏂᏃᎯᎵᏙᎲ ᎤᏓᏅᏖᎴ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏦᏪᎵᏍᎩ ᎠᎴ ᎢᏥᏆᎵᏏ ᎢᏣᏠᎾᏍᏗ! ᎠᏍᎪᎯᏁᏰᏃ ᎢᏣᎫᏱᏍᎪ ᏒᏟ ᎠᎴ ᎡᏒ ᎠᎴ ᎦᎻᏂ; ᏕᏥᏃᎯᏯᏍᎪᏃ ᎤᏟ ᎤᎵᏍᎨᏛᏯ ᎨᏒ ᏗᎧᎿᏩᏛᏍᏗ, ᏚᏳᎪᏛ ᎨᏒᎢ, ᎠᎴ ᎠᏓᏙᎵᏍᏗᏱ, ᎠᎴ ᎪᎯᏳᏗᏱ. ᎾᏍᎩᏍᎩᏂ ᎯᎠ ᏱᏂᏣᏛᏁᎴᎢ, ᎠᎴ ᏐᎢ ᏂᏥᏃᎯᏴᎾᏉ ᏱᎨᏎᎢ.\nᏔᎵ ᎢᎦ ᎤᏯᎷᎦ ᏗᎬᏔᏅ ᏗᎦᏎᎾᎵ ᏓᏓᏁᎸ ᏚᏅᏏᏴ ᎠᏦᎭᏴ, ᎤᎾᏗᏍᎦᎶᏗ ᏗᏂᏍᏔᏲᎯ ᏧᏂᎦᏘᎴᎩ.\nᏗᏃᏪᎵᏍᎩᏃ ᎠᎴ ᎠᏂᏆᎵᏏ ᎬᏩᏯᏫᏍᎨᎢ, ᏥᏌ ᎬᏩᏓᏅᏬᏗᏉ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ ᎠᏁᎵᏍᎨᎢ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏩᏄᎯᏍᏙᏗ ᎤᏂᏲᎮᎢ.\nᎬᏩᏃᏁᎴᏃ ᎾᏍᎩ ᏥᏌ ᎾᏎᎵᏗ ᎡᎯ ᎦᎶᏍᎬᎢ.\nᎠᎴ ᏗᎦᏓᎭ ᏗᏓᏅᏙ, ᎢᏳᏃ ᎬᏩᎪᏩᏛ, ᎡᎳᏗ ᎬᏩᏓᏅᏁᎮ, ᎠᎴ ᎠᏁᎷᎲᏍᎨ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᏂᎯ.\nᏧᏂᎦᏐᎠᏏᏗᏒᏃ ᎣᏓᎸᎢ ᏥᏌ ᏚᏅᏍᏓᏕᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᏞᏍᏗ ᎩᎶ ᎡᏥᏃᏁᎸᎭ ᎾᏍᎩ ᏥᏥᎪᏩᏛ ᎬᏂ ᏴᏫ ᎤᏪᏥ ᎤᏲᎱᏒ ᏚᎴᏁᏍᏗ.\nᎤᏒᎮᏱᏣ ᎦᏲᏟᎨ ᎤᏗᎴᎨ ᏂᎦᏓ ᏚᎾᏓᏂᎸᏤ.\nᏰᎵ ᎡᏆ ᎤᏛᏎ.\nᎤᏪᎷᏁᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏥᏌ, ᏕᏫ ᎤᏪᏥ, ᏍᎩᏙᎵᎩ.\nᎤᎧᏔᎲᏎ ᎤᎦᏛᎲᏍᎬ ᏳᏍᏓᏩᏕ ᎠᏍᏕᏯᏓ ᎤᏂᏱᏍᎩ, ᎠᏎᏃ ᎨᏍᏗ ᎪᎱᏍᏗ ᏱᎦᎵᏍᏗᏍᎨ ᎦᏆᎵᎢ, ᏔᎵᏁ ᏭᏕᎶᎰᏌ, ᏭᏅᏥᎴ.\nᏴᏫᏃ ᎤᎾᏙᎴᎰᏒ ᎬᏩᏍᏓᏩᏛᏎᎢ; ᎠᎴ ᏚᏓᏂᎸᏤᎢ, ᏚᏁᎢᏍᏓᏁᎴ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᎬᏩᎵ, ᎠᎴ ᏚᏅᏩᏁ ᎤᏚᎸᏗ ᎢᏳᎾᎵᏍᏓᏁᎯ ᏗᎨᏥᏅᏬᏗᏱ.\nᎯᎠᏰᏃ ᎠᏯᏔᏍᏗ ᎨᏒ ᎢᏥᏅᎯ, ᎥᏝ ᎤᎾᏓᏅᏘ ᎤᏂᏂᎬᏎᎲ ᎠᎧᎵᎢᎯ ᎤᏩᏒ ᏱᎩ, ᎾᏍᏉᏍᎩᏂ ᎤᏣᏘ ᎤᎾᎵᎮᎵᏤᏗ ᎤᏁᎳᏅᎯ ᏂᎬᏁᎭ;\nᎤᏣᏘ ᎪᎱᏍᏗ ᎠᎩᎭ ᎢᏨᏲᏎᏗ, ᎠᎴ ᏗᏨᏳᎪᏓᏁᏗ; ᎠᏎᏃ ᏅᏛᎩᏅᏏᏛ ᏚᏳᎪᏛᎢ; ᎠᏴᏃ ᎡᎶᎯ ᏥᏃᎮᎮᎭ ᎾᏍᎩ ᏄᏍᏛ ᏥᏯᏛᎦᏁᎸᎢ.\nᎿᏉᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏚᎾᏓᎧᎿᏅᎩ ᎤᎾᏠᎬᎩ ᎾᏍᎩ ᎠᏥᏛᎦ ᎤᏁᎵᏍᏗᏱ.\nᎠᎴ ᎿᏉ ᎤᎴᏅᎮ ᎾᏍᎩ ᎯᎠ ᏚᏟᎶᏍᏓᏁᎴ ᏴᏫ; ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᏖᎸᎳᏗ ᏚᏫᏎᎢ, ᎠᎴ ᏚᏙᎳᏍᏔᏁ ᏠᎨᏏ ᏭᏂᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎢᏅ ᏭᎶᏎ ᎪᎯᏛ ᏭᏪᏙᎴᎢ.\nᎠᏎᏃ ᏧᏂᏍᏗ, ᏧᏂᏯᏪᏨ ᎠᎾᏔ ᏃᎴ ᎬᏂᎨ ᎤᏍᎪᎸ ᎤᏂᏍᏘᏰᎩ ᏣᏂᎦᏴᎵ ᏧᏬᏘᏓ ᏓᏂᏰᏌᏛ ᏳᏂᏐᏯᏍᏗ, ᏃᏉ ᎠᎵᏓᎩᏛ ᏱᎩ ᎤᏍᎦᏎᏗ ᏃᎴ ᏯᎫᏚᎬᎾ.\nᎡᏐᏏᏃ ᎣᎩᏩᏛᎲ ᎣᏥᏴᏔᏅᎩ, ᎠᎴ ᎻᏗᎵᏂ ᏬᎩᎷᏨᎩ;\nᏂᎦᏓ ᎠᏂᎦᏔᎲ ᏩᏏᏓᏂ ᎦᎳᎱᏂ ᏃᎴ ᏤᎩᏏᏂ ᎢᏧᎳ ᏧᎾᏛᏐᏅ, ᏥᏔᎦ ᎠᏂᏨᏯ ᏗᎾᏟ ᎢᏳᏂᏁᎫᏥᏓ ᎨᏒ, ᎢᏧᎳ ᏧᎾᏓᎯᏍᏗ ᎤᎾᏚᎵᏍᎩ.\nᎯᎠ ᎾᏂᏪᏍᎨᎢ. ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎾᏍᎩ Ꮎ ᎤᎬᏫᏳᎯ ᏱᎰᏩ ᏚᏙᏍᏛ ᏥᎦᎷᎯᏍᏗᎭ; ᎦᎸᎳᏗ ᏅᏩᏙᎯᏍᏛ ᎨᏎᏍᏗ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏩᏍᏛ ᎦᎸᎳᏗᏳ ᎨᏒᎢ!\nᎢᏳᏃ ᏱᏗᏗᏂᏱᎭ ᏴᏫ ᎤᏂᏃᎮᎸᎯ, ᎤᏁᎳᏅᎯ ᎤᏃᎮᎸᎯ ᎤᏟ ᎦᎸᏉᏗᏳ; ᎯᎠᏰᏃ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏃᎮᎸᎯ, ᎾᏍᎩ ᎤᏁᎢᏍᏔᏅᎯ ᏥᎩ ᎤᏪᏥ.\n”ᎡᎶᏗᎩ?” ᎤᏦᏱᎴ ᏫᎵᎻ.\nᎤᎪᏏᏓ ᎢᏗᎬᏁ ᏂᎦᏓ ᎦᏓ ᏂᏗᎬᏁᎵ.\nᏈᎵᎩ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏣᎬᏫᏳᎯ, ᏍᎩᎾᏄᎪᏫᏏ ᎠᎦᏴᎵᎨᎢ, ᎿᏉᏃ ᏰᎵᎦ ᏓᏲᏥᏰᎸᏂ.\nᏐᏉ ᎤᏍᏗ ᎠᏓᏪᎳᎩᏍᎬ ᎤᏃᏛ ᏧᎾᏦᎯᏍᏗ, ᏌᎪᏂᎨ ᏃᎴ ᏓᎶᏂᎨ ᏓᏓᏪᎳᎩᏍᎬ ᏩᏁ ᏃᎴ, ᏘᎵ ᏚᏅᏛ.\nᎠᏆᏘᎾᏫᏛᎲᎩᏃ ᏗᏆᏓᏅᏛ ᎡᏆ ᎠᎴ ᎢᏅ ᎢᎦᏘ ᏦᏓᎸᎢ ᏩᏆᏘᏅᏍᏔᏅᎩ, ᎠᎴ ᎠᎩᎾᏄᎪᏫᏎᎸᎩ ᎾᎡᏆ ᎦᏚᎲᎢ, ᎾᏍᎩ ᎦᎸᏉᏗ ᏥᎷᏏᎵᎻ, ᎡᎳᏗ ᏅᏓᏳᏍᏗᏗᏒᎩ ᎦᎸᎳᏗ ᎤᏁᎳᏅᎯᏱ ᏛᏓᎴᎲᏍᎬᎩ.\nᎾᏍᎩᏃ Ꮎ ᎦᏚ ᏧᏂᎬᎯ ᎯᏍᎩ ᎢᏯᎦᏴᎵ ᎢᏴᏛ ᎾᏂᎡ ᎾᏂᎡ ᎠᏂᏍᎦᏯ.\nᎠᎴ ᎥᏞᏍᏗ ᎩᎳᎢ ᎤᎵᎪᏃᏅᎯ ᏱᎨᏎᏍᏗ, ᎠᏢᏉᏙᏗᏰᏃ ᎨᏒ ᏯᎵᏌᎳᏙᏓ ᎾᏍᎩᏃ ᎤᏍᎦᏅᏨᎯ ᎨᏒ ᏱᏚᏚᎪᏓᏏ ᎾᏍᎩᏯ ᎠᏍᎩᎾ ᏚᏚᎪᏓᏅᎢ.\nᎢᎸᎯᏳ ᏛᏍᏆᎸᎯ ᏴᏫ ᎤᏪᏥ ᏓᎦᏂ ᎠᎦᏘᏏᏗᏢ ᎤᎵᏂᎩᏛ ᎤᏁᎳᏅᎯ ᎤᏬᎸᎢ.\nᎠᏰᎵ ᏧᎾᏦᎯᏍᏗ ᎢᏣ ᎦᏚᏏ ᏫᎦᏅᏅ ᎨᏍᏗ ᏅᏯ ᎬᏗ ᏯᏰᏍᏓᎡ, ᎬᏂᎨ ᏌᏬᏚ ᏄᏍᏛ, ᏗᎦᏆᏙᏗ ᎢᎦᏘ ᏌᏬᏚ ᎨᏒ, ᎦᏚᏏ ᎦᏝᏛ ᎢᏣ ᏩᏂᎶᏍᎬ, ᎠᏤᎯ ᎦᏓᎷᎦᏅ ᎢᏳᏍᏗ ᏫᏚᏓᏍᏔᏅᏅ ᏓᏆᎴᎳ ᏫᏚᎶᏒ ᏃᎴ ᏐᏈᎵ ᏃᎴ ᏗᏂᎳᏅᏴᎯᏓ ᏭᏂᎶᏒ ᎬᏂᎨᏒ ᎨᏒ ᎠᏰᎵ ᏧᎾᏦᎯᏍᏗ ᎢᏳᏓᏅᎯᏓ.\nᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᏂᏗᎾᏰᏍᎬᎾ ᎠᎴ ᎦᏰᏗᎷᏤᏗ ᏄᎵᏍᏔᏅ ᏔᎵ ᎤᏛᏗ ᎡᏓᎵᏍᎦᏍᏙᏛ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᎡᏙᎢᏳᏒᎢ.\nᏃᏗ, ᏳᏬᏢᏌ  ᏧᏍᏆᏴᏍᏗ, ᎩᎳ ᎠᎵᏍᏓᏴᎲᏍᎨ ᏫᎵᎻ.\nᏙᏳ ᎣᎯᏍᏗᏳ ᏧᏪᎳ ᏧᎸᏉᏗ ᏥᎨᏎᎢ ᎠᏂᏣᎳᎩ ᏗᏂᏲᏟ ᏚᏂᎸᎢ!\nᎩᎶᎨ ᎠᏓᏅᏖᎭ ᎠᏤ ᎢᎦᏪᏍᏗ?”\n”ᎲᎦ ᎢᎦ ᏓᏓᏥᎬᏩᎶᏔᏂ? ᎤᏛᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᏔᏕᏲᎲᏍᎩ, ᎯᎠ ᎠᎨᏴ ᎠᏓᏲᏁᎲ ᏕᎦᏅᎬᎢ ᎠᏥᏂᏴᎲᎩ.\nᏌᎳᏓ ᏧᏤᎵ ᏗᏂᏲᏟ ᎤᎾᎩᎸ ᎠᎬᏱᏣ ᎤᎴᏫᏍᏔᏁᎢ.\nᏌᏊᏃ ᏌᎾᎴ ᎤᎵᏍᏚᎩᏒᎩ.\nᎤᎩᏨᏛ ᎤᏂᏣᏛᎩ ᏴᏫ ᏗᎵᏍᏓᏴᏗᏱ ᎤᏂᎷᏨᎯ, ᎤᎾᏛᎦᏅ ᏥᎷᏥᎵᎻ ᏗᎦᎷᏥᏒᎢ,\nᎾᎿᏃ ᎾᎥ ᏚᎶᎨᏒᎩ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏯ ᎾᎿ ᎠᎹᏰᎵ ᎤᏪᎧᎲᎢ, ᏆᏟᏯ ᏧᏙᎢᏛ; ᎾᏍᎩ ᏙᎦᏓᏂᎸᏨᎩ, ᎠᎴ ᏦᎢ ᏧᏒᎯᏛ ᎤᏙᎵᏍᏙᏌᏳ ᎣᎩᏍᏆᏂᎪᏔᏅᎩ ᎦᏁᎸᎢ.\nXVI. ᏗᎾᏓᎪᎾᏗᏍᎬ ᎡᏅᏍᏗ  \nᏍᎩᏂᎩᎸᏍᏔᏅ ᎾᎦᎸᎳᏗᏴ ᎤᏤᎸᎲ ᏃᎴ ᎤᏓᏅᏖᏗ ᎠᎵᏍᎬ ᎣᎦᏓᏓᏍᎬ.\nᎿᏉᏃ ᎠᏥᎸ-ᎨᎶᏎᎯ ᏧᏈᏓ ᎾᏍᎩ ᎦᏚᎲ ᎢᎬᏱᏗᏢ ᎪᏢᏒᎢ, ᎦᎶᎯᏍᏗᏳᎶᏗ ᏚᏘᏃᎴ ᏩᎦ ᎠᎴ ᏗᎪᏛᎢᏛ ᎤᏂᏥᎸᏅᎯ ᏕᎤᏃᎴᎢ, ᎾᏍᎩ ᎤᏩᏒ ᎠᎴ ᎤᏂᏣᏘ ᎨᏒ ᎠᏥᎸ-ᎤᏁᎳᏍᏗᏱ ᎤᏰᎸᏎᎢ.\nᎠᎴ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ, ᎾᏍᎩ ᎦᎵᏉᎩ ᏗᏤᎷᎩ ᏗᏂᏁᎯ ᎤᎾᏛᏅᎢᏍᏔᏅᎩ ᏧᏂᏃᏴᎵᏍᏙᏗᏱ.\nᏫᎵᎻᏰᏃ ᎤᏑᎸᏓ ᎯᎩᏍᎪ, ᏧᏍᏆᏴᏍᏗ.\nᏔᎵᎭ ᏧᏕᏘᏴᏓ ᏱᎦᎷᏣ, ᏗᏂᏳᎨᏂ ᎢᏴ ᏱᏚᎾᎭᏄᏩ.\nᎠᏎᏃ ᎾᏍᎩᏯ ᏄᎾᎵᏍᏓᏁᎸ ᎯᎠ ᎤᏙᎯᏳᎯ ᎢᎦᏪᏛ ᏥᎩ, ᎩᎵ ᎤᏩᏒ ᏚᎵᎦᏍᏔᏅ ᏔᎵᏁ ᏮᎠᎦᏔᎲᏍᏓ; ᏏᏉᏃ ᎠᎪᏑᎴᎥᎯ ᎤᏓᏬᏍᏗᏱ ᏝᏬᏚᎯ ᏮᎠᎦᏔᎲᏍᏓ.\nᏗᏁᎶᏗᎩ?\nᎠᏂᏍᎦᏯ ᎨᏍᏗ ᎧᏅᏂᏍᎩ ᎾᏂᏏᎾᎲ ᏯᏂᏏᎾ, ᎠᏎᏃ ᎠᏂᏏᎾᏌᏂ ᎠᏁᎵᏍᎪ, ᎢᏳᏍᏗᏉ ᎨᏒ ᏯᎾᏁᎸᏓ.\nᎾᎨᎢᏴ ᏭᏓᏏᏃᎴ ᏫᎵᎻ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᏃᎴ ᎦᏓ ᏭᎶᏘᎴᎢ ᏥᏍᏕᏥ ᎤᏁᏍᎩᎸ, ᎤᏭᏌᏁ ᎤᏲᏨ ᎤᏪᏥ ᏃᎴ ᏂᎦᏓ ᎤᎾᎥ ᏧᏍᏆᏴᏍᏗ.\nᏂᎦᎥᏍᎩᏂ ᏕᏡᎬ ᎣᏍᏛ ᎾᎾᏓᏛᏍᎬᎾ, ᏗᎦᎴᏴᏍᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏥᎸᏱ ᏫᏓᏗᏅᏗ.\nᏈᎵᎩ ᎤᎷᏨᎩ ᎠᎴ ᎡᏂᏗ ᏭᏃᏁᎸᎩ; ᎿᏉᏃ ᎡᏂᏗ ᎠᎴ ᏈᎵᎩ ᏥᏌ ᏭᏂᏃᏁᎸᎩ.\nᎠᏎᏃ ᎬᏩᏟᏍᏗ ᎪᎱᏍᏗ ᎠᏆᏢᏈᏍᏙᏗᏱ ᎤᏩᏒᏍᎩᏂᏃᏅ ᏓᏓᎿᏩᏍᏛ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵᎦ, ᎾᏍᎩ ᏥᏅᏗᎦᎵᏍᏙᏗᎭ, ᎾᏍᎩ ᎡᎶᎯ ᏓᏓᎿᏩᏍᏛ ᎠᎦᏛᏅᎯ ᏥᎩ ᎠᏴ ᎨᏒ ᎢᏗᏢ,ᎠᎴ ᎠᏴ ᎥᏆᏛᏅᎯ ᏥᎩ ᎡᎶᎯ ᎨᏒ ᎢᏗᏢ.\nᎠᏆᎵᏏ ᎤᎴᏁ ᎤᏩᏒ ᎨᏒᎢ ᎤᏓᏙᎵᏍᏔᏁ ᎯᎠ ᏄᏪᏎᎢ; ᏣᏁᎳᏅᎯ ᎬᏯᎵᎡᎵᏤᎭ ᎠᏂᏐᎢ ᏴᏫ ᏄᎾᏍᏛᎢ ᎾᏍᎩ ᎾᏆᏍᏛᎾ ᏥᎩ, ᎾᏍᎩ ᎠᏎᏉ ᎠᎾᏓᎩᎡᎯ ᏥᎩ, ᎠᎴ ᏂᏚᏳᎪᏛᎾ ᎢᏯᎾᏛᏁᎯ, ᎠᎴ ᏗᎾᏓᏲᏁᎯ, ᎠᎴ ᎾᏍᏉ ᎯᎠ ᎠᏕᎸ--ᎠᎩᏏᏙᎯ ᎾᏍᎩ ᏄᏍᏛ ᎾᏆᏍᏛᎾ ᏥᎩ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎡᏂᎾᏯ ᏧᏤᎢᏛ, ᎤᏓᎵᎢᏃ ᏌᏉᎵ ᎤᏂᎾᏗᏅᏎ ᎫᎱᏍᏗ ᎤᏂᎲᎢ,\nᎾᎿ ᎤᎾᏓᏑᏰ ᎺᎵ ᎹᎩᏕᎵ ᎡᎯ, ᎠᎴ ᎺᎵ ᏥᎻ ᎠᎴ ᏦᏏ ᎤᏂᏥ, ᎠᎴ ᏤᏈᏗ ᏧᏪᏥ ᎤᏂᏥ.\nᎡᏂᎾᏯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᏣᎬᏫᏳᎯ, ᏥᏯᏛᎦᏁᎸ ᎯᎠ ᎠᏍᎦᏯ ᎤᏂᏣᏔ ᎬᎩᏃᏁᎸ ᎤᏣᏘ ᎤᏲ ᏂᏚᏩᏁᎸ ᏗᏣᏤᎵ ᎤᎾᏓᏅᏘ ᏥᎷᏏᎵᎻ.\nᎾᏍᎩ Ꮎ ᎠᏎ ᏛᏛᏃᏏ, ᎠᏴᏍᎩᏂ ᎠᏎ ᏓᏥᏲᎶᏥ.\nᏣᏄᏏ ᎤᎴᏅᎮ ᏚᎷᏫᏍᏔᏁᎲ.\nᏂᎦᏓ ᎠᏂᏫᏄᏣ ᎠᏂᏂ ᎤᏂᏁᎢᏍᏔᏅ ᏂᏙᏒ ᏗᎳᏑᎶ.\nᏂᎦᏛᏃ ᏴᏫ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏝᏍᎪ ᎯᎠ ᏕᏫ ᎤᏪᏥᏱᎩ?\nᎯᎠᏃ ᏄᏪᏒᎩ; ᎧᏂᎵᏯ, ᎭᏓᏙᎵᏍᏗᏍᎬ ᎡᏣᏛᎦᏁᎸ ᎠᎴ ᎭᏓᏁᎸᎢᏍᎬ ᎠᏅᏔ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\nᎿᏉᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎩᎶ ᏗᎪᏪᎵᏍᎩ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᎬᏩᎵ ᎠᎨᏲᏅᎯ ᏥᎨᏐᎢ, ᎾᏍᎩᏯᏉ ᎠᏍᎦᏯ ᎦᏁᎳ ᏥᏙᏗᎦᎾᏄᎪᏫᏍᎪ ᏧᎬᏩᎶᏗ ᎤᏍᏆᏂᎪᏛ ᏧᏓᎴᏅᏛ ᏗᏤ ᎠᎴ ᏧᏪᏘ.\nᎦᏔᏎᏰᏃ ᏗᎦᎵᏱᏳ ᎨᏒ ᏕᏣᏓᏅᏛᎢ, ᎾᏍᎩ ᎢᏨᏁᎢᏍᏗᏍᎬ ᎹᏏᏙᏂ ᎠᏁᎯ ᎦᏥᏯᏢᏈᏌᎭ, [ᎦᏥᏃᏁᎭ] ᎾᏍᎩ ᎡᎧᏯ ᎿᏉ ᏑᏕᏘᏴᏛ ᎬᏩᏛᏅᎢᏍᏔᏅᎯ ᎨᏒᎢ; ᎠᎴ ᏂᎯ ᎤᎵᏂᎩᏛ ᎢᏣᏓᏅᏛ ᎤᏂᏣᏔ ᎤᏂᏖᎸᏅ.\nᎠᏥᏅᏏᏛ ᎠᎵᏘᏍᎪᎢ ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎠᏥᏅᏏᏛᏉ ᎨᏒᎢ.\nᎤᏣᏘᏃ ᎤᏱᎶᎴ ᎤᏃᎴ, ᎠᎴ ᏓᎵᏍᏗᎳᏁᎬ ᏥᏳᎯ ᎠᏟᎨᎢ, ᎠᎴ ᎿᏉ ᎠᎧᎵᏬᎯ ᎨᏎᎢ.\n”ᎣᏏᏉᏍᎪ ᏧᏪᏥ ᏱᏓᎩᏯᎳ ᏧᏪᏥ ᏧᏂᏗ, ᎡᏠᎩ ᎠᎳᏂ?”\nᏝᏍᎪ Ꮀ ᏳᎬᏫᏳᏎᏍᏗ ᎦᎸᏉᏗᏳ ᏱᎨᏎᏍᏗ ᎠᏓᏅᏙ ᎤᎬᏩᎵ ᎨᏒ ᏗᎦᎸᏫᏍᏓᏁᏗ?\nᎠᏯ ᏏᏆ!” \nᏃᎴᏍᏉ ᏳᏚᎵ ᏳᏩᏁᎦ ᎠᏉᏎᏗ, ᎤᏩᏌ ᎤᏓᏁᏖᏗ.\nᎤᏂᎦᎸ ᏚᎧᎾᏁ ᏌᎳᏓ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎣᏣᎵᏂᎬᏁᎭ, ᎾᏍᏉ ᎾᎿ ᏱᏬᏥᏁᎳ, ᎠᎴ ᏲᎩᎪᏁᎳ, ᏦᎦᏓᏂᎸᎢᏍᏗᏱ ᎢᏳᎵᏍᏙᏗᏱ.\nᎥᏝ ᎠᎴ ᎾᏍᎩᏉ ᏱᏄᏍᏗ; ᎵᏇᎩᏍᎩᏂ ᎾᏍᏉ ᎤᏁᎵᏨ, ᎾᏍᎩ ᎠᏏᏴᏫ ᎠᏥᏁᎵᏤᎸ, ᎾᏍᎩ ᎢᎩᏙᏓ ᎡᏏᎩ;\nᎿᏉᏃ ᏈᏓ ᏗᏴᎵᏎ ᎧᏂᎵᏯ ᏕᎤᏠᏎᎢ, ᎡᎳᏗᏃ ᎤᏅᏨ ᏈᏓ ᏚᎳᏍᎬ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ.\nᎦᏄᎸ ᎧᏁᏍᎦ ᎢᏳᏍᏗ ᏃᎴ ᏦᎢ ᏧᏆᏅᏕᎾ ᎤᎦᎾᏍᏓ ᎠᏒᎨᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᎪᎱᏍᏗ ᎢᏍᏙᏎᎸᎭ, ᎯᎠ ᏁᏍᏗᏪᏎᎸᎭ; ᎤᎬᏫᏳᎯ ᏚᏚᎵᎭ; ᎩᎳᏉᏃ ᎢᏴᏛ ᏙᏓᏳᏲᏏ.\nᎠᏂᏔᎵ ᏃᎴ ᎱᏂᏅᎪᏤ ᏃᎴ ᎱᏂᏲᎵᎴ.\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎡᏈᎵ ᎤᏟ ᎢᏲᏍᏛ ᎤᎵᏍᎪᎸᏓᏁᎴ ᎤᏁᎳᏅᎯ ᎠᏥᎸ-ᎨᏔᏍᏙᏗ ᎨᏒ ᎡᏍᎦᏉ ᎨᏂ, ᎾᏍᎩ ᏄᏛᏁᎸ ᎤᏩᏛᏔᏁ ᎪᎯᏳᏍᎩ ᎤᏓᎤᏗᏳ ᎨᏒᎢ, ᎤᏁᎳᏅᎯ ᎬᏂᎨᏒ ᏄᏩᏁᎴ ᏚᏓᏂᎸᏤᎸ ᎤᎵᏍᎪᎸᏔᏅᎯ ᎨᏒᎢ; ᎾᏍᎩᏃ ᏄᏛᏁᎸ ᎬᏗᎭ ᎧᏁᎦ ᎾᏍᏉ ᎤᏲᎱᏒᎯ ᏥᎩ.\nᎤᏡᏗᏍᎩᏃ ᎬᏂᎨᏒ ᎢᏧᏩᏁᎸᎯ ᎨᏎ ᎤᎾᏙᎴᎰᎯᏍᏙᏗ, ᎯᎠ ᎢᏳᏪᏒᎯ ᎨᏎᎢ, ᎩᎶ ᏥᏯᏚᏣᎳᏅᎭ, ᎾᏍᎩ ᎨᏎᏍᏗ, ᏒᏥᏏᏴᎲᎭ, ᎡᏣᏘᎾᏫᏛᎲᎭ ᎬᏩᏚᏓᎴᏍᏗ ᏂᎨᏒᎾ ᏁᏨᏁᏍᏗ.\nᏕᎾᏓᎪᎲᏳ ᏃᎴ ᎬᏯᎵᎡᎵᏤ ᎣᏍᏓ ᏍᎩᏃᎯᏎᎸ ᎤᏓᏙᏎᎴ.\nᎠᎴ ᎠᏁᎲ ᎤᏙᎯᏳᏅ ᎢᏌᏯ ᏧᏙᎴᎰᏎᎢ, ᎯᎠ ᏥᏄᏪᏎᎢ; ᎢᏣᏛᎩᏍᎬ ᎢᏣᏛᎩᏍᎨᏍᏗ, ᎠᏎᏃ ᎥᏝ ᏱᏦᎵᎨᏍᏗ; ᎠᎴ ᎢᏥᎪᏩᏘᏍᎬ ᎢᏥᎪᏩᏘᏍᎨᏍᏗ, ᎠᏎᏃ ᎥᏝ ᏱᏣᏙᎴᎰᏍᎨᏍᏗ.\nᎠᏎᏃ ᏈᏓ ᎠᏏᏉ ᏗᎬᏂᎮᎢ; ᎤᏂᏍᏚᎢᏒᏃ ᎬᏩᎪᎮᎢ ᎠᎴ ᎤᏂᏍᏆᏂᎪᏎᎢ.\nᎠᎴ ᎩᎶ ᎠᏏᏴᏫ ᎯᎠ ᏧᎾᏍᏗ ᎨᏒ ᎾᏍᎩ ᏥᎬᏉᎯᏳᎲᏍᎦ ᏙᎪᏕᏍᏗᏍᎨᏍᏗ, ᎤᏟ ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎠᏍᏙᏍᎩ ᏅᏯ ᏯᏥᏯᏝᏅ, ᎠᎴ ᎠᎺᏉᎯ ᏱᏩᎦᏓᎢᏅ.\nᎤᎦᏙᏍᏔᏁᎢ ᏕᎪᏪᎸ ᏓᏏᎳᏛ ᎰᎻ.\nᎤᎦᏔᎲᏒ ᏣᎵ ᏃᎴ ᎤᎵᏍᎫᏮ.\nᎿᏉᏃ ᏈᏓ ᎢᏴᏛ ᏭᏘᏅᏔᏅ ᎤᏕᎴᏅᎲᎩ ᎤᏓᏅᏍᏓᏕᎸᎩ, ᎯᎠ ᏄᏪᏒᎩ, ᎤᏁᎳᏅᎯ ᏭᏅᏍᏙᎯ, ᏣᎬᏫᏳᎯ, ᎥᏝ ᎾᏍᎩ ᏱᏅᎨᏣᎵᏍᏓᏏ.\nᎾᏍᎩ ᎤᏙᎯᏳᎯ ᎾᏥᎦᏔᎰᎢ ᎠᏏ ᎡᎶᎯ ᎾᏙᏢᏍᎬᎾ ᏥᎨᏎᎢ; ᎠᏎᏃ ᎬᏂᎨᏒ ᎾᎬᏁᎴ ᎪᎯ ᎤᎵᏍᏆᎸᏗ ᏕᎨᏌᏗᏒᎢ ᏂᎯ ᎢᏣᎵᏍᏕᎸᏙᏗ,\nᏓᏆᎴᎳ ᎤᏪᏅᏎ ᏭᎩᏎᎢ ᏑᏥᎶᏓ ᎠᏥᏍᏛ ᎤᏅᏗ ᏧᎾᏦᏴᏍᏗ.\nᏌᏩᏂ ᎤᏃᎮᎸ ᎤᏁᎳᏅᎯ ᎢᎬᏱᏱ ᏚᏩᏛᎲᎢ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎾᎿ ᏧᏪᎴᏍᏗᏱ ᏴᏫ ᎾᏍᎩ ᏚᏙᎥ ᏗᎨᎪᏍᏙᏗᏱ.\n“ᏰᎵ ᏍᎪᎯᏍᏆ ᎤᎶᏒᏍᏗ ᏕᎩᎧᎾ.”\nᏞᏍᏗ ᏱᏔᏢᏈ-ᏎᎮᏍᏗ ᏚᏩᏂᎦᎸᎢ. ᎢᏳᏍᎩᏂ ᏯᏢᏈᏍᎦ, ᎥᏝ ᏂᎯ ᏚᎿᏍᏕᏢ ᏱᏘᎾᏄᎪᏫᏍᎦ, ᏚᎿᏍᏕᏢᏍᎩᏂ ᏂᎯ ᎨᏣᎾᏄᎪᏫᏍᎦ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᎤᏁᎳᎩ ᏴᏓᎨᎵᏏ ᏂᎪᎯᎸ ᎢᏨᏯᏅᏓᏗᏍᏙᏗᏱ ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ, ᎢᏥᎦᎳᎭᏍᎩᏂᏃᏅ, ᎠᎴ ᏕᏣᎵᏂᎪᏒ ᎾᎿ ᏚᏳᎪᏛ ᎨᏒ ᎪᎯ ᏥᏣᏛᎩᎭ.\nᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᎠᎾᏙᎴᎰᏍᎩ ᏌᎻ ᏅᏓᏳᏓᎴᏅᏛ, ᎾᏍᎩ ᎣᏂ ᎤᏂᎾᏄᎪᏨᎯ, ᎾᏂ ᎤᏂᏬᏂᏒᎯ, ᎾᏍᏉ ᎤᏂᏁᎢᏍᏔᏅ ᎪᎯ ᎨᏒᎢ.\nᏃᏊᏃ ᎠᏆᏞᏌ 33 ᎪᏪᎵ ᎦᏅᏅ ᎠᎴ ᏗᏇᏅᏒ ᎢᏗᏜ ᏫᎦᏅᏅ ᏩᏆᏕᏙᎾ ᏓᏆᎴᎳ ᏚᏨᏍᏛ ᏫᏚᎸᏌᏓᏓ ᏫᎦᏅᏅ ᏫᎦᏥᎪᎥ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᏩᎾᎢᏒᎢ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᎠᏇᏥ,ᎤᎦᎵᏍᏗ ᎭᏓᏅᏓᏓ; ᏦᎯᏳᏒ ᏣᏗᏫᏍᏓ; ᏅᏩᏙᎯᏯᏛ ᏥᎮᎾ.\nᎡᏝᏪᎯ ᎠᎢᏒ, ᎠᏓᏯ ᏗᎪᏒᏔᏅ ᎡᏓᏍᏗ ᎾᎥᏂ ᏂᏚᏩᏅ ᏧᎳᏏᏕᏂ, ᎤᏅᎢᏍᏗ ᏱᎨᏒᎾ.\nᎨᏍᏗ ᏧᏍᎩᏃᏱᎩ.\n“ᏃᎴ ᏤᏍᏗ ᏱᏍᏓᎴᏃᎴᏍᏗ!” ᎤᏛᏁ ᎠᎳᏂ.\nᎦᏙᏃ ᏱᎦᎵᏍᏙᏓ ᏯᎾᏓᏙᎵᏍᏓᏏ ᎩᎶ ᏄᏃᎯᏳᏒᎾ ᏱᎩ ᎡᎲᎢ? ᎠᎴ ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏯᏃᎯᏳᎲᎦ ᎩᎶ ᎡᎲ ᎾᏍᎩ ᎤᎾᏛᎦᏅᎯ ᏂᎨᏒᎾ ᏱᎩ ᎡᎲᎢ? ᎠᎴ ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏯᎾᏛᎬᎦ ᎩᎶ ᎠᎵᏥᏙᎲᏍᎩ ᏄᏁᎲᎾ ᏱᎩ?\nᎾᏍᎩᏯ ᎾᏍᏉ ᎯᎠ ᏥᏂᎦᏪ ᎰᏏᎠ ᎤᏬᏪᎸᎢ; ᏗᏆᏤᎵ ᏴᏫ ᎦᏥᏲᏎᎮᏍᏗ ᎾᏍᎩ Ꮎ ᏗᏆᏤᎵ ᏴᏫ ᏂᎨᏒᎾ ᏥᎨᏒᎩ; ᎠᎴ ᏥᎨᏳᎢ (ᏥᏲᏎᎮᏍᏗ,) ᎾᏍᎩ Ꮎ ᏥᎨᏳᎢ ᏂᎨᏒᎾ ᏥᎨᏒᎩ.\n”ᎭᏩ,” ᎤᏛᏁ ᏫᎵᎻ.\nᏂᎦᎥᏉ ᏂᏣᎵᏍᏓᏁᎵᏕᎬ ᎡᏣᎵᎡᎵᏤᎮᏍᏗ [ᎤᏁᎳᏅᎯ;] ᎯᎠᏰᏃ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎢᏣᏓᏅᏖᎮᎲ ᏥᏌ ᎦᎶᏁᏛ ᏕᏣᏁᎶᏛ ᎢᏳᏍᏗ.\nᎨᏍᏗ ᎠᏍᏛᎢ ᎾᎥᏂ ᏳᏓᏬᎠ.\nᎾᏍᎩ ᎢᎸᎯᏳ ᏄᏃᎯᏳᏒᎾ ᏥᎨᏎᎢ, ᎾᎯᏳ ᎤᏁᎳᏅᎯ ᎬᏂᏗᏳ ᎨᏒ ᏣᎦᏘᏰᎢ, ᏃᏯ ᎾᎯᏳ ᏤᎥᎢ, ᏣᏛᏅᎢᏍᏗᏍᎨ ᏥᏳ, ᎾᎿ ᎢᎸᏍᎩ ᎾᏍᎩ ᏧᏁᎳᏉ ᎢᏯᏂᏛ ᏥᎨᏥᏍᏕᎸᎮᎢ, ᎠᎹ ᏥᎨᏥᏍᏕᎸᏔᏁᎢ;\nᎩᎦᎨᏃ-ᎠᏗᏔᏍᏗ ᎤᏗᏒᏅ, ᏥᏌ ᎤᏥ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᏝ ᏳᏂᏁᎭ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ.\nᏝᏍᎪ ᏱᏥᎦᏔᎭ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎠᎾᎵᏍᏓᏴᏗᏍᎬ ᏗᎦᎸᏉᏗ ᎨᏒᎢ; ᎠᎴ ᎾᏍᎩ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎠᏂᎦᏘᏯᏕᎩ ᎾᏍᎩ ᎤᏁᎳᏗᏍᏗᏍᎬ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎠᎵᏍᎪᎸᏔᏅᎯ?\n”ᎭᏕᏬ -- ᎭᏕᏬ -- ᎭᏕᏬ!” ᎤᏛᏁ ᏌᏌ.\nᎠᏎᏍᎩᏃ, ᏙᏯ ᎤᎴᏴᎯᏍᏗ ᎨᏎ ᏗᏧᎬᎢ.\nᎢᏥᎦᏔᎭᏰᏃ ᎪᎱᏍᏗ ᎠᏲᎩ, ᎠᏕᎸ ᎤᏁᎬ ᏯᏛᏅ ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ, ᎡᏣᎫᏴᏔᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎡᎫᏓᎴᏒᎢ ᎪᎱᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ ᎢᏣᎴᏂᏙᎸᎢ ᏗᏥᎦᏴᎵᎨ ᏗᎨᏥᏲᎯᏎᎸᎯ ᎨᏒᎢ,\nᎾᎯᏳᏉᏃ ᏕᎠᏂᎳᏫᎡ ᎤᏂᏧᏈᏍᏗ ᏴᏫ, ᎾᏍᎩ ᎢᏳᏍᏗ ᏕᎠᎾᏓᎳᏍᏛᏗᏍᎨᎢ, ᎾᏍᎩ ᎤᎴᏅᎮ ᎯᎠ ᎢᎬᏴ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎢᏤᏯᏔᎮᏍᏗ ᎠᎪᏙᏗ ᎠᏂᏆᎵᏏ ᎤᎾᏤᎵᎦ, ᎾᏍᎩ ᎠᏠᎾᏍᏗ ᏥᎩ.\nᎢᏳᏃ ᏍᏆᏂᏱ ᎨᏒᎭ, ᏫᏨᎷᏤᏗ ᎨᏎᏍᏗ; ᎤᏚᎩᏰᏃ ᎠᏋᎭ ᎢᏨᎪᏩᏛᏗᏱ ᎾᎿ ᏫᏥᏕᏖᏍᏗ, ᎠᎴ ᎾᎿ ᎢᏗᏢ ᏫᏍᎩᏯᎪᏗᏱ, ᎢᏳᏃ ᎢᎬᏱ ᎠᎴᏉ ᏰᎵ ᎾᎩᏰᎸᏁᏍᏗ ᎢᏨᏰᎳᏗᏙᎸᎢ.\nᎩᎳᏈᏴ ᎤᎵᏍᏛᏧᏁᎢ ᏥᏍᏕᏥ.\nᏩᎩᎷᏣ ᎤᎨᏓᎵᏴ ᎨᏴ ᎠᎩᎦᏛᏂᏙ ᎠᏓᎾᏅ, ᎬᎩᏃᎯᏎᎸ ᎱᏂᎷᏨ ᎨᎵ ᏃᎴ ᎤᎩᏓᏟᏅᏯ.\nᎤᎾᏠᎾᏍᏛ ᎦᏰᎪᎩ ᎠᏂᏬᏂᏍᎨᏍᏗ, ᏚᎾᏓᏅᏛ ᏗᎦᎴᏴᏔᏅᎯ ᏔᎷᎩᏍᎩ ᎤᏗᎴᎩ ᎬᏔᏅᎯ;\nᏚᏅᏉ ᎳᏛᎢ ᏚᎵᏏᏫᏒ ᎢᏳᏍᏗ ᎤᎾᎵᏏᏫᏒ ᎤᏂᏥᎸᎢ: ᏕᎷᎨ, ᏓᎶᏂᎨ, ᎠᏤ, ᎩᎦᎨ, ᎠᏓᎶᏂᎨᎢ ᏃᎴ ᎤᏁᎦ.\nᎦᎸᎳᏗᏣ ᏳᏪᎾ, ᎠᎩᏠᏫᏍᏗ ᎡᎳᏗ ᎠᎦᏘᏰ ᏫᎵᎻ, ᎠᎦᏐᏗᏍᎬ ᎢᎪᎯᏓ.\nᎯᎠᏰᏃ ᎠᏠᏁᏗ ᏥᏰᎸᎢ ᏣᎩᎶᏁᏓ, ᎥᎩᏂᏐᏗᏱ ᎠᏆᏛᏅᎢᏍᏗᎭ.\nᏫᏚᏂᏯᏅᎲᏃ ᏚᏂᏁᏤᎴ ᏥᏌ ᏚᏙᎥ ᎤᏅᏙᏗᏱ ᎤᏂᏁᎢᏍᏗᏱ ᎠᎴ ᏧᎾᏕᏲᏗᏱ ᏂᎨᏒᎾ.\nᎿᏉᏃ ᏨᏆᏓᏁᎳᏁᎸ ᎠᎵᏍᏚᎶ ᏚᏳᎪᏛ ᎢᏳᎾᏛᏁᎸᎯ ᎨᎦᎫᏴᏓᏁᏗ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎾᏍᎦᏅᎾ ᏗᎫᎪᏗᏍᎩ ᎠᏗ-ᏅᏁᏗ ᎾᎯᏳ ᎢᎦ, ᎥᏝ ᎠᎴ ᎠᏴᏉ ᎠᏋᏒ, ᎾᏍᏉᏍᎩᏂ ᎾᏂᎥ ᎤᎾᏄᎪᎢᏍᏗ ᎨᏒ ᎣᏏᏳ ᎣᏂᏰᎸᎯ.\nᎠᏍᏆᏙᏅ ᏥᏃᎮᏍᎬ, ᎠᎩᎦᏘᏛ.\nᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏕᎾ, ᏫᏍᏓᎦᏔ. ᎤᏁᏅᏒᎩᏃ ᎠᎴ ᎤᎾᎦᏔᏅᎩ ᎦᏁᎸᎢ, ᎠᎴ ᎢᏧᎳᎭ ᎤᏁᏙᎸᎯ ᎾᎯᏳ ᎢᎦ; ᏅᎩᏁᏰᏃ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎨᏒᎩ.\nᏞᏍᏗ ᎤᏐᏅ ᏱᏗᏣᏓᏃᎮᏍᎨᏍᏗ ᎢᏓᏓᏅᏟ; ᎤᏐᏅ ᏥᎧᏃᎮᏍᎪ ᏥᎧᏁᎢᏍᏗᏍᎪ ᏗᎾᏓᏅᏟ ᎠᎴ ᏥᏕᎫᎪᏓᏁᎰ ᏗᎾᏓᏅᏟ, ᎾᏍᎩ ᎤᏐᏅ ᎧᏃᎮᏍᎪ ᎧᏁᎢᏍᏗᏍᎪ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᏕᎫᎪᏓᏁᎰ ᏗᎧᎿᏩᏛᏍᏗ; ᎢᏳᏃ ᏗᎧᎿᏩᏛᏍᏗ ᏱᏚᎪᏓᏁᎭ ᎥᏝ ᏗᎧᎿᏩᏛᏍᏗ ᏘᎧᎿᏩᏕᎩ ᏱᎦᎩ ᏚᎪᏓᏁᎯᏍᎩᏂ.\nᎤᏖᎸᏁ ᎡᏆ ᎠᏍᏚᏅ ᏩᎩᎦ, ᎤᎦᏛᏁ ᎦᎵ ᏱᎩ ᎤᎵᏍᏆᎶᏗ ᎨᏴ ᎤᏁᎨᏒ.\nᎠᏎᏃ ᏉᎳ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ ᎦᏙ ᎢᏥᏰᎸᏗ, ᏥᏕᏥᏴᎦ ᎠᎴ ᏥᏥᏓᏬᏗᎭ ᎠᎩᎾᏫ; ᎠᏆᏛᏅᎢᏍᏗᏰᏃ, ᎥᏝ ᎥᏆᎸᏍᏗᏱᏉ ᎤᏩᏒ, ᎾᏍᏉᏍᎩᏂ ᎠᎩᏲᎱᎯᏍᏗᏱ ᏥᎷᏏᎵᎻ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏚᏙᎥ ᎤᎬᏫᏳᎯ ᏥᏌ.\nᎩᎳᏈᏴ ᎤᎯᏐᏗ ᏄᎵᏍᏔᏁᎴ ᏫᎵᎻ.\nᎠᏰᎵ ᏄᏍᏛ ᏃᎴ ᏙᏰ ᏄᏍᏗᏓᏅ ᎠᏍᏔᏱ ᎠᏥᎶᏍᏗ ᏂᎦᎵᏍᏔᏂᏙᎲ, ᏃᎴ ᎡᎵᏍᏗ ᏍᏔᏯ ᏄᎾᎵᏍᏔᏁ.\nᏍᏔᏯ ᏚᏂᏴᎲ ᎠᏍᏚᏗ ᎠᏦᎭᏴ, ᏧᏁᎦᏉ ᎨᏒ ᏧᎪᎳ ᏚᎦᏌᏛ.\nᏍᏓᏯ ᎤᏂᏰᏤ ᎤᏂᏣᏘ.\nᏍᎪᎯ ᎾᏂᎥ ᎠᏂᏧᏣ, ᎡᏆ ᏕᎦᏚᎲ ᏓᏳᏂᎶᏒ.\nᎢᏳᏃ ᏂᎦᏛ ᏌᏉᏉ ᎤᏫᏢ ᏱᎩ, ᎭᏢ ᎠᏰᎸ ᏱᎩ?\nᎢᏳ ᎠᎴ ᏳᎾᏚᎵ ᎪᎱᏍᏗ ᎤᎾᏕᎶᏆᏍᏗᏱ, ᏗᎬᏩᏂᏰᎯ ᏧᎾᏛᏛᎲᏍᎨᏍᏗ ᏙᏧᏁᏅᏒᎢ; ᎤᏕᎰᎯᏍᏗᏳᏰᏃ ᎠᏂᎨᏴ ᎤᏂᏬᏂᎯᏍᏗᏱ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎠᏴ ᎾᏍᎩ ᏑᏓᎴᎩ ᏛᏨᏯᏛᏛᏂ, ᎠᎴ ᏍᎩᏃᎲᏏ, ᎠᏴᏃ ᏓᏨᏃᏁᎵ ᏄᏍᏛ ᎠᏆᎵᏍᎦᏍᏙᏛ ᎯᎠ ᎾᏍᎩ ᏥᏂᎦᏛᏁᎭ.\n”ᎰᎻ ᎠᎪᏕᏍᎩ, ᏙᎢᏳᏍᏗ ᎯᏃᎮᎭ?” ᎤᏛᏁ.\nᎤᎵᏏᏅᏗ ᏩᏗᎦ ᎠᏒᏆᎶᏍᏗ ᎠᎵᏰᎾ, ᏥᏄᏍᏛᎩ ᎤᏩᏛᎲ.\nᎤᏂᏃᏴᎵᏓ ᎤᎾᏓᏂᎸᏤ ᏌᏌ.\nᎦᎪ ᎢᎸᎯᏳ ᏓᎿᏩ ᎡᎪᎢ ᎤᏩᏒᏉ ᎤᎫᏴᎯᏓᏍᏗ ᎠᎫᏴᏗ ᎨᏒᎢ? ᎦᎪ ᏓᏫᏍᎪ ᏖᎸᎳᏗ ᏂᏗᎨᏰᏍᎬᎾᏃ ᎨᏐ ᎤᎾᏓᏛᏅᎯ? ᎠᎴ ᎦᎪ ᏓᎦᏘᏲ ᎠᏫ, ᎾᎵᏍᏓᏴᏗᏍᎬᎾᏃ ᎨᏐ ᎤᏅᏗ ᎠᏫ ᎤᏂᏁᏅᎯ?\nᎤᎾᏝᎢᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎣᏏᏳ! ᎰᏍᏛ ᎠᎴ ᎯᎦᎵᏯ ᎡᏣᏅᏏᏓᏍᏗ! ᏚᏳᎪᏛ ᏂᏣᏛᏁᎸ ᎤᏍᏗ ᏧᏓᎴᏅᏛ ᏕᏣᎸᏫᏍᏓᏁᎸᎢ; ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᏣᎬᏫᏳᏌᏕᎩ ᏅᏓᎬᏴᏁᎵ; ᎯᏴᎭ ᎣᏍᏛ ᎠᏓᏅᏓᏗᏍᏗᏱ ᏣᎾᏝᎢ ᎤᏤᎵᎪᎯ.\nᏧᎦᏴᎵᎨᏃ ᏥᎷᏏᎵᎻ ᎠᏁᎨ ᏂᏓᏕᏘᏴᎯᏒ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎠᏍᏆᎵᏍᎬ ᎢᏳᎢ.\nᎤᏁᏤᎴᏃ ᎩᎶ ᎤᏃᏁᏗᏱ ᏂᎨᏒᎾ; ᎮᎾᏉᏍᎩᏂ, [ᎤᏬᏎᎴᎢ,] ᏫᏯᏓᎾᏄᎪᏫᏏ ᎠᏥᎸ-ᎨᎶᎯ, ᎠᎴ ᎼᏏ ᎤᏁᏨ ᏣᏓᏅᎦᎸᎲ ᎠᎵᏍᎪᎸᏙᏗ ᏫᎲᎦ, ᎾᏍᎩ ᎤᎾᏙᎴᎰᎯᏍᏙᏗ.\nᎤᎵᏑᏫᏓ ᏥᎨᏒ ᎬᏂᎨ ᎤᏍᎪᎸ ᏄᎵᏍᏔᏅ.\nᎤᎧᏛᏃ ᎠᏂᎪᏩᏘᏍᏕᏍᏗ; ᏚᏙᎥᏃ ᎾᏍᎩ ᏗᏂᎬᏓᎨᏂ ᏕᎪᏪᎴᏍᏗ.\nᎠᎾᏛᎩᏍᎨ ᎤᏂᏃᏕᎾ ᏂᏗᏂᏪᏍᎬ ᎨᏥᏍᏚᎲ.\nᎤᏍᏗ ᎢᏳᏍᏗ ᏔᎴᏅ.\nᏝᏍᎪ ᎠᏴ ᎥᎩᏅᏏᏛ ᏱᎩ? ᏝᏍᎪ ᎠᏆᏓᏤᎵᎦ ᏱᎩ? ᏝᏍᎪ ᏥᎪᎥᎯ ᏱᎩ ᏥᏌ ᎦᎶᏁᏛ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ? ᏝᏍᎪ ᎠᏴ ᏓᎩᎸᏫᏍᏓᏁᎲ ᎢᏳᏩᏂᏌᏛ ᏱᎩ ᏂᎯ ᎤᎬᏫᏳᎯ ᎡᏥᏍᏓᏩᏕᎩ ᏥᎩ?\nᏥᏌᏃ ᎠᎦᏔᎮ ᏄᏍᏛ ᎠᎾᏓᏅᏖᏍᎬᎢ, ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᎦᏙᏃ ᎤᏥ ᎢᏣᏓᏅᏖᎭ ᏗᏥᎾᏫᏱ?\nᏉᎳᏰᏃ ᏧᏭᎪᏔᏅᎯ ᎨᏒᎩ ᎤᎶᎯᏍᏗᏱᏉ ᎡᏈᏌ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏄᏚᎵᏍᎬᎾ ᎨᏒ ᎡᏏᏱ ᎤᏪᏓᏍᏗᏱ; ᎤᏩᏅᎬᎩᏰᏃ, ᎢᏳᏃ ᏰᎵ ᎾᏍᎩ ᎢᎬᏩᏛᏁᏗ ᏱᎩ, ᏥᎷᏏᎵᎻ ᏭᎷᎯᏍᏗᏱ ᎭᏍᎦᏍᎪᎯᏁ ᎢᎦ ᎠᏍᏆᎵᏍᎬᎢ.\nᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᎡᎦᎫᏴᏛ ᏥᎩ ᎤᎩᎬ ᎬᏔᏅᎯ, ᎾᏍᎩ ᎢᎩᏍᎦᏅᏨ ᎡᎩᏙᎵᏨᎢ;\nᏕᎦᏥᎾᏌᏅ ᏅᏩᎾᏓᎴ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ, ᏥᎩᏍᎬᎩ ᎬᏆᎫᏴᎡᎲᎢ, ᏂᎯ ᎪᎱᏍᏗ ᎢᏨᏯᏛᏁᏗᏱ.\nᏗᏂᏲᏟ ᎣᎯᏍᏙᏗ ᎤᎾᏛᎦᏍᏙᎢ ᎠᏎᏉ ᏧᎾᏛᎾ.\nᎠᏴ ᎠᏆᏛᏐᏅᎯ ᏫᏥᏲᎵᎦ ᎠᎦᏑᏰᏛ ᎠᎨᏴ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎾᏍᎩ ᎦᏥᎨᏳᎢ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎠᎴ ᎥᏝ ᎠᏋᏒᏉ ᏱᎩ ᎾᏍᏉᏍᎩᏂ ᏂᎦᏛ ᎤᏂᎦᏙᎥᏒᎯ ᏚᏳᎪᏛ ᎨᏒᎢ;\nᏣᏥ ᏥᎨᏒ ᏱᎬᏩᏚᎵ ᏍᎩᎾᎾ ᎢᏳᎵᏍᏙᏗ, ᏥᎦᏔᎭ.” \nᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ ᎡᏆ ᏏᏆ ᎢᎬᏓ ᎨᏒ, ᎤᏣᎴᏍᏗ ᎦᏚ ᎤᏩᏙᏫᏨ ᎤᏓᏑᏴ ᏚᏄᎴᎲ ᏃᎴ ᎤᎦᎹ ᎠᏑᏍᏗ ᎤᏓᏅᎵᏰᎥ ᎤᎭᏄᏮ.\nᎠᏏᏰᏃ ᏯᏆᎴᏂᏙᎸ ᎦᎶᏅᏛ ᏥᎸᏉᏙᏗ, ᏯᎩᏲᎱᏒᏃ ᎠᏴ ᎠᎩᏁᏉᏤᏗ.\nᏧᎾᏓᎴᏅᏛᏃ ᏴᏫ ᎠᎴ ᎠᏂᏧᏏ ᎠᎴ ᏗᎨᎦᏁᎶᏗ ᎠᎾᏁᎷᎩᏍᎨ ᏗᎬᏩᏂᏐᏢᏙᏗᏱ ᎠᎴ ᏅᏯ ᏧᏅᏂᏍᏙᏗᏱ,\nᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵ ᎤᏣᏘ ᎢᏥᏯᎡᏍᏗ ᎦᎾᏄᎪᏫᏍᎨᏍᏗ ᏂᎦᎥ ᎠᎵᏏᎾᎯᏍᏙᏗ ᎨᏒᎢ; ᏕᏣᏓᏕᏲᎲᏍᎨᏍᏗ ᎠᎴ ᏕᏣᏓᏬᏁᏗᏍᎨᏍᏗ ᏕᏨᏗᏍᎨᏍᏗ ᎤᏁᎳᏅᎯ ᏗᎧᏃᎩᏍᏙᏗ, ᎠᎴ ᎦᎸᏉᏙᏗ ᏗᎧᏃᎩᏍᏗ, ᎠᎴ ᎠᏓᏅᏙ ᎤᎬᏩᎵ ᏗᎧᏃᎩᏍᏗ, ᏕᏥᏃᎩᏍᎨᏍᏗ, ᏗᏥᎾᏫᏱ ᏗᏓᎴᎲᏍᎨᏍᏗ ᎤᎬᏫᏳᎯ ᏕᏥᏃᎩᏍᎨᏍᏗ ᎡᏣᎵᎡᎵᏤᎮᏍᏗ.\nᏚᏂᏯᏪᏣ ᎠᎾᎵᏖᎸᏂᎲ ᏩᎦ ᎤᏂᏴᏍᏗ ᎠᏦᏴ ᏒᏗᏩᏟ ᎤᎾᏓᎩᏎ ᏃᎴ ᏚᏂᎨᎢ.\nᎠᎴ ᎠᏂᎪᏗᏳ ᎠᏂᎦᎾᎦᏗ ᎤᏣᏘ ᎬᏩᎩᎸᏅᎯ ᎨᏎᎢ, ᎠᎴ ᎪᎱᏍᏗ ᎤᎲ ᏂᎦᏛ ᎤᏒᏅᎯ ᎨᏎ ᎠᏓᏱᏍᎬᎢ, ᎠᏎᏃ ᎥᏝ ᎣᏏᏳ ᏱᏄᎵᏍᏓᏁᎮᎢ, ᎧᏁᏉᎨᏉᏍᎩᏂ ᎤᏢᎬᎢ;\nᎤᎸᏖᏍᏗ ᎢᏳᏍᏗ ᏄᎵᏍᏔᏁᎴ ᎡᎳᏗ ᏫᏄᏛᏁᎳ. ᎠᎵᏖᎸᏂᏍᏗ ᎤᎵᏍᏕᎸᏙᏔᏁᎢ.\nᎬᏅᎢ ᎠᎴ ᎤᎵᏬᎢᏍᏗ ᎤᏰᎸᏗ, ᏃᎴ ᎠᏆᏓᏓᏏᏅᎲᏍᏙᏗ ᎯᎯᏃᎮ.” \n ᎨᏍᏗ ᎭᏩ ᏱᎩ ᎮᎵᏍᎨ ᏧᏓᏏ\nᎨᏂᏗ ᏗᎦᎶᏔᏅ ᎤᏩᏛᎮᎢ ᎡᎳᏆᏗ, ᎭᎾᎾ ᎤᎸᏁ ᏩᎶᏏ.\nᎠᎴ ᎠᎩᏁᏉᏤᎲ ᎠᏂᏧᏏ ᏧᎾᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᏥᎦᏙᎥᏍᎬᎢ ᏕᏥᎪᎾᏛᏛᎩ ᎤᏂᏣᏘ ᎢᏗᎦᏲᎦᏛᏅ ᏗᏆᏤᎵ ᏴᏫ, ᎤᏟ ᎢᎦᎢ ᎤᎵᏂᎩᏛ ᎠᏆᏓᏅᏛᎩ ᏓᏇᎷᎬᎩ ᏗᎩᎦᏴᎵᎨ ᎤᏂᏃᎮᎸᎯ.\n”ᏌᎳᏓᎩ?” ᎤᏛᏁ ᎪᏱᏁ.\nᎨᏍᏗ ᏧᏄᎪᏔᏅ ᏱᎨᏎ ᎢᏴ ᏫᏚᏂᎪᏗ ᏭᏕᎵᎬ ᎠᏂᏴᏫᏯ, ᎠᏎᏃ ᎦᏣᏄᎳ ᎢᎦᏓ ᎠᏂᏍᎦᏣ ᎠᏂᏴᏫᏯ ᎨᏍᏗ ᏳᎾᎦᏎᏍᏔᎾ, ᎠᏁᎵᏍᎨ ᏰᎵᏉ ᏧᏂᎬᏩᎶᏗ ᎤᏁᏅᏍᏗ ᏱᎨᏒᎾ.\nᎾᏍᎩᏯᏍᎩᏂ ᎤᏁᎳᏅᎯ ᎠᏂᏏᏴᏫᎭ ᏥᏚᏯᏙᎮᎸ, ᎠᎴ ᎾᏍᎩᏯ ᎤᎬᏫᏳᎯ ᎠᏂᏏᏴᏫᎭ ᏥᏚᏯᏅᎲ, ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎠᏁᎮᏍᏗ. ᎠᎴ ᎾᏍᎩ ᏄᏍᏗ ᏕᏥᏁᏤᎭ ᏂᎦᏛ ᏚᎾᏓᏡᏩᏗᏒᎢ.\nᎪᏍᏗᏳᎵ ᎦᎶᎪᏗ ᎾᏰᎯ ᏗᏁᎲ ᎤᏪᏓᏍᏗ ᎨᏎ ᎭᎾᎾ ᎡᎮ ᏫᏥᎢᎦ, ᎭᏂ ᎡᎶ ᎤᎪᎠᏎᏗ ᎠᏍᎩᏍᎨᎢ.\nᏂᎦᏗ ᎠᏂᎧᏔᎮᎢ ᎪᎱᏍᏗ ᎤᏓᏴᎳᏔᏅᎢ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵᎪ.\nᏧᏴᏨ ᎢᏣ ᏫᎦᏅᏅ, ᎡᏘᏴ ᏚᏂᎶᏒ ᏓᏃᏫ ᎤᏁᏙᎸ ᏃᎴ ᎠᎾᏓᎾᏅᎥᏍᎩ.\nᎢᎤᎷᏤᏃ ᎠᎴ ᏚᏩᏛᎮ ᎠᏂᎵᎾᎡᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴ ᏈᏓ, ᏌᏩᏂ, ᎯᎵᎭᏉᏧ? ᏝᏍᎪ ᏑᏟᎶᏛᏉ ᎢᎪᎯᏛ ᎾᏍᏉ ᎨᏣᏯᏫᏍᏗ ᏱᎨᏎᎢ?\n“ᏂᎯ ᏣᏤᎵ,” ᎤᏛᏁ ᎡᎶᏗ.\nᎤᎾᎵᏍᏓᏴᏅᎯᏃ ᎯᏍᎩᎭ ᎢᏯᎦ ᏴᎵ ᎠᏂᏍᎦᏯ ᎾᏂᎥᎩ, ᏂᏓᏁᏢᏛᎾ ᎠᏂᎨᏴ ᎠᎴ ᏗᏂᏲᎵ.\nᎦᎸᎳᏗ ᎠᏓᏅᏖᎵᏙ ᎤᏥᎸ ᎤᏛᏅ.\nᏧᏣᏲᏍᏗ ᏄᏍᏕ ᎧᏁᏍᎦ --- ᎨᏍᏗ ᏩᎦ ᏧᎾᏗᎩᏓ ᏩᎾᎢ ᏱᏄᏍᏕ ᎧᏁᏍᎦ.\nᎠᎴ ᎥᏝ ᎾᏍᎩᏉ ᏱᏂᎦᎥ, ᎾᏍᏉᏍᎩᏂ ᎠᎩᎵᏯ ᎢᎩᎷᏤᎲ ᎢᏓᎵᎮᎵᎪᎢ; ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎢᏗᎦᏔᎲ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᎠᎬᏂᏗᏳ ᎾᏓᏛᏁᎲᎢ;\nᎾᏍᎩᏃ ᎢᏓᎵᏅᏟ, ᎥᏝ ᎠᏥᎾᏝᎢ ᎠᎨᏴ ᏧᏪᏥ ᏱᎩ ᎠᏴ, ᎾᏥᎾᏝᎥᎾᏍᎩᏂ.\nᎨᏙᎲ ᏯᏃᏉ; ᎡᏉᏂ ᏕᎨᏴ ᎤᎾᏰᎯᏍᏗᏳ ᎨᏒᎢ; ᏗᎾᏓᎾᏌᎲᏍᎩ ᎤᏂᎾᏴᎯᏍᏗᏳ ᎨᏒᎢ; ᏗᏆᏤᎵ ᏴᏫ ᎤᏂᎾᏰᎯᏍᏗᏳ ᎨᏒᎢ; ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏂᎾᏰᎯᏍᏗᏳ ᎨᏒᎢ; ᎦᏚᎲ ᎤᎾᏰᎯᏍᏗᏳ ᎨᏒᎢ; ᎢᎾᎨ ᎨᏒ ᎤᎾᏰᎯᏍᏗᏳ ᎨᏒᎢ; ᎠᎺᏉᎯ ᎤᎾᏰᎯᏍᏗᏳ ᎨᏒᎢ; ᎤᎾᏠᎾᏍᏗ ᎣᏣᎵᏅᏟ ᎤᏂᎾᏰᎯᏍᏗᏳ ᎨᏒᎢ;\nᎠᎴ ᎤᏂᏣᏔᏅᎯ ᎬᏩᏍᏓᏩᏛᏒᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎠᏂᎪᏩᏘᏍᎬ ᎾᏍᎩ ᎤᏂᏍᏆᏂᎪᏗ ᏂᏓᏛᏁᎲ ᎫᏂᏢᎩ.\n“ᏣᏄᏏ ᏍᎩᏍᏕᎳ ᏫᏂᏯ ᎧᏁᏌᎢ.”\nᏰᎵ ᎪᎯᏓ ᏫᎫᏩᏂᎷᏨ ᎦᏚᏏ, ᎨᏍᏗ ᎪᎰᏍᏗ ᎤᏲᎢ ᏱᏂᏓᎦᎵᏍᏔᏂ ᎤᏁᎵᏎ, ᎱᏁᏅᏎ ᏱᏓᏚᎬᎾ ᎡᎶ ᏧᎾᎳᎩᏒ.\nᏈᏓᏃ ᎯᎠ ᏄᏪᏎᎢ; ᏞᏍᏗ, ᏣᎬᏫᏳᎯ, ᏞᏰᏃ ᎢᎸᎯᏳ ᏯᎩᎪ ᎰᎱᏍᏗ ᎦᏓᎭ ᎠᎴ ᏂᎦᏅᎦᎸᎲᎾ.\nᏃᏗ ᎤᏢᏁ.\nᎣᏍᏓ ᎭᏂ ᏙᏱ.” \nᎭᎾ ᏪᏙᎮ ᏧᏍᏆᏴᏍᏗ, ᎠᏑᏰᎯᏙᎮ.\nᎤᏍᏗ ᎢᏈᎬᎢ ᏝᏃ ᏙᏳ ᎤᏬᏚᎯ ᏱᎩᏎᎢ, ᎠᏎᏃ ᎠᏧᏣ ᎤᎨᏳᏎᎢ ᎢᏈᎬᎢ, ᎤᏬᏚᎯ ᎡᎵᏍᎨᎢ.\nᏫᎵᎻ ᎦᎷᏯᏍᏗ ᎠᎩᏩᏛᎲ ᏩᎩᎷᏣᏉ.\nᎢᎦᏛᏃ ᎤᏃᎯᏳᏅᎩ ᎾᏍᎩ ᎤᏬᏂᏒᎢ, ᎢᎦᏛᏃ ᎥᏝ ᏳᏃᎯᏳᏁᎢ.\nᎬᏩᏯᏫᏎᏃ ᎤᎾᏚᎵᏍᎨ ᎤᎾᏙᎴᎰᎯᏍᏗᏱ ᎬᏩᏓᏅᏬᏗ ᎨᏒ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ, ᎾᏍᎩ ᎬᏩᏰᎢᎵᏓᏍᏗᏱ.\nᎨᏍᏗ ᏰᎵᏉ ᏱᎩ ᏇᎯ ᎤᏩᏌ.\n“ᎣᏁ ᎤᏅᏏᏴᎢ.”\nᎯᎠ ᏍᎩᏂᏃᏅ ᏑᏓᎴᎩ ᎤᏩᏒ ᎠᎩᏁᏨᎢ, ᎯᎠ ᎾᎩᏪᏒ ᎠᏇᎷᏅ ᎠᏂᎦᏔᎲ ᏥᏙᎬᎢ; ᏗᎴᎯᏐᏗ ᎨᏒᎠᏲᎱᏒ ᏅᏗᎦᎵᏍᏙᏗ ᏍᎩᏱᎵᏙᎭ ᎪᎯ ᎢᎦ ᏥᎩ.\nᎤᏙᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎢᏳᏃ ᏌᏉ ᎤᏣᎴᏍᏗ ᎤᎦᏔ ᎡᎳᏗ ᏄᏬᏨᎾ ᎠᎴ ᏄᎪᏒᎾ ᏱᎩ, ᎤᏩᏒᏉ ᎨᏐ ᏂᎪᎯᎸᎢ; ᎢᏳᏍᎩᏂ ᎤᎪᎯ ᎤᏣᏙ ᎧᏁᏉᎪᎢ.\n“Ꭵ, ᎤᏙᎯᏳᎭ,” ᎤᏓᏅᏖᏙᏗ ᏄᏪᏎ ᏌᎳᏓ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏥᎪ ᏴᎪᎯᎩ ᎢᏧᎳᎭ ᎢᏁᏓ, ᎠᏏᏍᎪᏃ ᎥᏝ ᏱᏍᎩᎦᏙᎥᏍᎦ, ᏈᎵᎩ; ᎩᎶ ᎠᏴ ᎠᎩᎪᎲᎯ ᏥᎨᏐᎢ, ᎤᎪᎲᎯ ᎨᏐ ᎠᎦᏴᎵᎨᎢ; ᎦᏙᏃ ᎯᎠ ᏂᎯᏪᎠ; ᏍᎩᎾᏄᎪᏫᏏ ᎠᎦᏴᎵᎨᎢ?\nᎾᏍᎩ ᎢᏳᏍᏗ ᎬᏁᏤᎭ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ ᎠᎴ ᎠᎦᏔᎲ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᏧᏭᎪᏓᏁᏗ ᏥᎩ ᏗᏅᏃᏛ ᎠᎴ ᏧᏂᏲᎱᏒᎯ ᎾᎯᏳ ᎦᎾᏄᎪᏥᎸᎭ ᎠᎴ ᎤᎬᏫᏳᎯ ᎿᏉ ᏂᎦᎵᏍᏔᏅᎭ,\nᎠᏆᏍᎫᏆᏛ ᏩᏍᏛ ᎩᎦᎨ ᎾᏆᎵᏍᏔᏅ, ᏓᏆᎴᏅ ᎦᏲᏟ ᎠᏆᎵᏍᎫᎭᏴ, ᎠᎩᏅᎪᏨ.\nᎠᏰᎸᏰᏃ ᏌᏉᏉ ᏥᎩ, ᎠᎴ ᎤᏣᏘ ᏥᏚᏫᏞᏫᏒ, ᎠᎴ ᏂᎦᏛ ᎾᏍᎩ ᏌᏉ ᎠᏰᎸ ᏚᏫᏞᏫᏒ, ᎤᏣᏘ ᎨᏒ, ᏌᏉᏉ ᎠᏰᎸ ᏥᏂᎦᎵᏍᏗᎭ; ᎾᏍᎩᏯ ᎾᏍᏉ ᏄᏍᏗ ᎦᎶᏁᏛ.\nᎩᎶᏰᏃ ᏣᏔᏲᎯᎰ ᎠᏥᏁᎰᎢ, ᎩᎶᏃ ᏧᏲᎰ ᎠᏩᏘᏍᎪᎢ, ᎩᎶᏃ ᏥᏫᎬᏂᎰ ᎠᏥᏍᏚᎢᎡᎰᎢ.\n“ᎭᏕᏬ,” ᎤᏛᏁ ᎦᏂᎦᏔ ᎡᎹᏂᏓ.\nᎦᎵ ᎤᏃᎵᏨ ᏱᎨᏎ ᎠᏎ ᎤᏁᏅᏍᏘ ᎨᏒ, ᏳᎾᏛᏅᎢᏍᏕ ᎠᏎᏉ ᎢᏳᎾᎵᏍᏔᏁᏗ.\nᎾᏍᎩᏃ ᎤᏂᏅᏍᏗ ᎤᏃᏪᎳᏁ ᎯᎠ ᏄᏅᏁᎴᎢ; ᎣᎩᏅᏏᏛ ᎠᎴ ᏦᎦᏁᎶᏗ ᎠᎴ ᎣᏣᏓᏅᏟ ᏫᏨᏲᎵᎦ ᎢᏣᏓᏅᏟ ᏗᏣᏓᎴᏅᏛ ᏴᏫ ᎥᏘᏍᎩ ᎠᎴ ᏏᎵᏱ ᎠᎴ ᏏᎵᏏᏱ ᎢᏤᎯ.\nᏅᏯ ᏓᎵᎦᎷᏯᏍᎬ ᏗᏓᎴᎲᏍᎦ ᎦᏓ.\nᎾᎿ ᎾᏍᏉ ᏂᎯ ᎢᎸᎯᏳ ᏥᏤᏙᎲᎩ, ᎾᎯᏳ ᎾᏍᎩ ᏂᏣᏛᏁᎲ ᏥᏤᎲᎩ.\nᏚᎦᏔᎾᏫᏍᏔᏅ ᏧᎦᏌᏬᎸ ᏃᎴ ᎡᏝᏪᎯ ᏄᎵᏍᏔᏅ ᏩᏏᏓᏂ .\nᎾᏍᎩᏃ ᎤᏠᏱᏉ ᏍᎩᏯᎫᏴᏓᏁᎲ -ᏗᏇᏥ ᏥᎦᏥᏬᏁᏗᏍᎪ ᎾᏍᎩᏯ ᎢᏨᏬᏁᏗᎭ-ᎾᏍᏉ ᏂᎯ ᏗᏣᏛᏃᎯ.\nᎯᎠ ᎾᏍᎩ ᏑᎾᏓᎴᎩ ᎨᏒ ᎠᎾᎵᏥᏙᎲᏍᎦ ᎦᎶᏁᏛ ᎠᏂᏃᎮᎭ ᎠᏗᏒᏍᏗᏉ ᎨᏒ ᎤᎾᏚᎵᏍᎬ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎥᏝᏃ ᏄᎾᏠᎾᏍᏛᎾ ᎨᏒ ᏯᏅᏗᎭ, ᎤᏂᏁᏉᏍᏗᏱ ᎤᏂᏰᎸᎭ ᏥᎩᎵᏲᎬ ᎥᏆᎸᎢᏛ ᎨᏒᎢ.\nᏌᎳᏓ ᏥᏄᏍᏕ ᎤᏐᏱ ᎨᏎᎢ.\nᎠᎴ ᎾᏍᏉ ᎯᎠ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎩᎶ ᎢᏳᏍᏗ ᎡᎮ ᎤᏪᎿᎢ ᎠᏍᎦᏯ ᎾᏍᎩ ᎤᏪᎧᎮ ᎤᎦᏌᏯᏍᏗᏕᎩ ᎤᎿᎥᎢ; ᎠᎴ ᎾᏍᎩ ᎠᏥᎳᏫᏎᎲ ᏧᎬᏩᎶᏗ ᎤᏓᏤᏪᎸ ᎠᏥᏃᏁᎴᎢ.\nᎤᏂᏣᏛᎩᏃ ᎠᏂᏧᏏ ᎤᎾᏛᎦᏅᎯ ᎨᏒᎩ ᎾᎿ ᎡᏙᎲᎢ, ᎠᎴ ᎤᏂᎷᏨᎩ ᎥᏝ ᏥᏌ ᎤᏩᏒ ᎨᏒ ᏱᏅᏧᎵᏍᏙᏔᏁᎢ, ᎾᏍᏉᏍᎩᏂ ᎳᏏᎳ ᎤᏂᎪᏩᏛᏗᏱ ᎤᏂᏰᎸᏒᎩ, ᎾᏍᎩ ᎤᏲᎱᏒ ᏧᎴᏔᏅᎯ.\nᏙᎩᎾᏓᏍᎦᏍᏓᏁᎴ Ꮑ ᎠᏰᏟ ᏅᏃ, ᎦᏙᎬ ᎦᏟᎲ.\nᎢᏳᏰᏃ ᎾᏍᎩ ᎨᏥᏐᏅᎢᏍᏔᏅᎢ ᎤᏃᎯᏍᏓᏁᎯ ᏱᏂᎦᎵᏍᏗ ᎡᎶᎯ, ᎦᏙ ᎤᎵᏍᏙᏗ ᎨᏎᏍᏗ ᏕᎨᎦᏓᏂᎸᏨᎭ, ᏚᏂᏲᎱᏒᏍᎩᏂ ᏚᎾᎴᎯᏌᏅ ᎨᏎᏍᏗ.\nᎠᎬᏱ ᎢᏣ ᎤᏓᎾᏫᏛᎮ ᏲᎾ, ᎠᎼ ᎭᏫᏂᏨ ᎤᏦᎥᏍᏔᏁ ᎠᏧᏣ, ᎦᎵ ᏂᎦᎨᏒ ᎬᏘ.\nᏂᎯᏍᎩᏂ ᎾᏍᎦᏅᎾ ᎢᏥᎶᏁᎥ, ᎠᎴ ᎢᏥᎦᏔᎯᏳ ᏂᎦᎥᎢ.\nᏫᎵᎻ ᏍᏉ, ᎢᏳᏍᏗᏉ ᎠᎩᏍᎩ, ᎤᏁᎸᎮ.\nᎾᏍᎩ ᎤᏙᎯᏳᏒ ᏥᏬᏓᎪᎾᏛᏗ ᎤᏍᏗᎩᏳ ᎨᏒ ᏂᎦᎥ\nᎤᏰᏌᏛ ᎤᏓᏅᎵᏰᎥ ᎦᏂᏱᏍᎨ ᏅᏓ, ᎣᏍᏓ ᎠᎪᏩᏛᏗ ᎨᏎ ᏓᏏᎳᏛ.\nᎠᏴ ᎾᏍᎩ ᎢᎸᎯᏳ ᏥᏐᏢᏗᏍᎩ ᏥᎨᏒᎩ, ᎠᎴ ᎤᏲ ᎢᏗᎬᏁᎯ, ᎠᎴ ᏗᎦᏂᏐᏢᏗ; ᎠᏎᏃ ᎥᎩᏙᎵᏨᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏂᏥᎦᏔᎿᎥᎾ ᎨᏒᎢ, ᎠᎴ ᎾᏉᎯᏳᏒᎾ ᎨᏒ ᎾᏍᎩ ᎾᏆᏛᏁᎸᎢ.\nᎾᏍᎩᏃ ᏥᏄᏍᏗ ᎢᏳᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏂᎦᏛ ᎢᎸᎯᏢ ᏱᏚᏂᎳᏫᏦᏅ, ᎠᎴ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᏗᎦᏬᏂᎯᏍᏗ ᎨᏒ ᏱᏓᏂᏬᏂᎭ, ᏳᏂᏴᎵᎸᏃ ᎾᎿᏂ ᎾᏂᎦᏔᎾᎥᎾ, ᎠᎴ ᎠᏃᎯᏳᎲᏍᎩᏂ ᏂᎨᏒᎾ, ᏝᏍᎪ ᏚᏂᎸᏃᏘᎭ ᏴᎬᎾᏛ?\nᎾᏍᎩᏃ ᏑᎾᏓᎴᎩ ᏴᏫ ᏗᎬᏩᏂᎾᏢᏅᎯ ᏙᏓᎦᏥᏳᎪᏓᏁᎵ, ᎣᏂᏃ ᎤᏂᎾᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ ᎠᎴ ᎠᏂ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗ ᎨᏎᏍᏗ, ᎤᏛᏁ ᎤᏁᎳᏅᎯ.\nᏂᎦᏓ ᏧᎵᎬᏩᏟ ᎨᏒ ᎤᏃᏪᎳᏅ ᎪᏪᎵ.\nᏫᎵᎻ ᎤᏣᏪᏐᎸᏍᏕ ᏚᏯᏪᎢᏍᏔᏅ ᏄᎵᏍᏔᏂᏙᎸ.\nᎹᎦ, ᎡᎵᏍᏓᎦ, ᏗᎹ, ᎷᎦ, ᎢᏧᎳᎭ ᏦᎩᎸᏫᏍᏓᏁᎯ\nᎤᏒᎢᏴ ᏌᎪᏂᎨ ᎠᏑᏫᏍᏙᏗ ᎠᏫᏍᎩ ᎤᏓᎵ ᏓᏳᏩᏂᎸ ᎦᎶᎯᏍᏗ, ᎣᎩᎾᏕᏒᏅ ᏦᎩᎭᏄᏫ ᏙᏍᏗᏙᎬ, ᎨᏍᏗ ᎠᏒᎩ ᎦᏂᏏ ᏲᎩᎾᏕᏒᎾ.\nᎯᎠᏃ ᎾᏍᎩ ᎢᏓᏙᎴᎰᎯᏍᏗᎭ ᎡᏗᎦᏔᎲᎢ, ᎾᏍᎩ ᏱᏗᎩᏍᏆᏂᎪᏗ ᏧᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ.\nᎠᎴ ᎠᏴ ᎥᎩᏍᏕᎸᏗᏱ, ᎾᏍᎩ ᎥᏆᎵᏍᎪᎸᏓᏁᏗᏱ ᎠᎩᏬᏂᎯᏍᏗᏱ, ᎠᎩᏍᏚᎢᏍᏗᏱ ᏥᎣᎵ ᏂᏥᏍᎦᎢᎲᎾ, ᎬᏂᎨᏒ ᎢᏯᏋᏁᏗᏱ ᎤᏕᎵᏛ ᎨᏒ ᎣᏍᏛ ᎧᏁᎮᏛ;\nᎠᏂᏆᎵᏏᏃ ᎬᏩᏛᏛᏅ ᎢᏳᏉ ᎤᎷᎯᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ, ᏚᏁᏤᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎥᏝ ᎬᎪᏩᏛᏗ ᏱᎨᏎᏍᏗ ᎦᎷᏨᎭ.\nᏔᎵᏁᏃ ᏫᎤᎾᏙᏓᏋ ᎠᎴᏉ ᏂᎦᏛ ᎦᏚᎲ ᏂᏚᏂᏔᏫᏤ ᎤᎾᏛᏓᏍᏔᏂᎴ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎦᎶᏁᏛᏰᏃ ᎤᎾᏤᎸᎯ ᎠᎴ ᎠᎾᏙᎴᎱᏍᎩ ᎤᎾᏤᎸᎯ ᏛᏂᎾᏄᎪᏥ, ᎠᎴ ᎠᏂᎾᏄᎪᏫᏍᎨᏍᏗ ᎤᏰᎸᏛ ᎠᎴ ᎤᏍᏆᏂᎪᏗ, ᎾᏍᎩ ᏧᏂᎶᏄᎮᏗᏱ, ᎢᏳᏃ ᏰᎵᏱᎩ, ᎾᏍᏉ ᎨᎦᏑᏰᏛ.\nᏄᎬᏫᏳᏒᏃ ᏗᏓᏘᏂᏙᎯ ᎯᎠ ᏄᏪᏒᎩ; ᎤᏤᏘ ᎠᏆᎫᏴᏛ ᎯᎠ ᎾᏍᎩ ᎠᏆᏓᏤᎵᎦᏯ ᎨᏒᎢ. ᏉᎳᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎠᏴᏍᎩᏂ ᎠᏆᏓᏤᎵᎦᏯ ᎠᏆᏕᏅᎩ.\nᎬᏩᏚᏫᏛᏃ ᏚᎧᎿᏂᏙᎸ ᎤᏬᎸᎾᎥ ᎠᏂᏂ ᏚᎧᎾᏅ ᎯᎠ ᏄᏪᏎᎢ; ᎬᏂᏳᏉ ᎡᏥ, ᎠᎴ ᎣᏣᎵᏅᏟ?\n“Ꭵ, Ꭵ, Ꭵ!”\nᎾᎯᏳ ᎤᎷᏤ ᏣᏂ ᏗᏓᏬᏍᎩ ᎠᎵᏥᏙᎲᏍᎨ ᎢᎾᎨ ᏧᏗᏱ,\nᏤᎩᏏᏂ ᎤᏁᎸ ᎨᏎ ᎢᏴ ᎦᏙᎬ ᎦᏄᎾᏓᎴᎩ ᎠᏂᎫᏌ ᏥᏓᎾᏟᎮ, ᏧᏤᎵ ᎠᏂᏫᎾ ᏓᏘᎭᏁᎲ, ᎠᏯ ᎢᏳᎾᏛᎾ.\nᎠᏎᏃ ᏗᏂᎿᎸᏙᏍᏗᏱ ᏂᎨᏒᎾ, ᎥᏓᎵ ᎮᎾ, ᎠᏑᏗᏃ ᏫᏣᏓᎡᏒᎭ, ᎢᎬᏱᏱᏃ ᎯᏴᎩᏛ ᎠᏣᏗ ᎯᏁᏒᎭ, ᎠᎴ ᎯᏍᏚᎢᏒ ᎠᎰᎵ ᎠᏰᎵ-ᎠᏕᎸ ᏘᏩᏛᎯ; ᎾᏍᎩ ᎯᎩᏒᎭ ᎠᎴ ᏕᎯᏁᎸᎭ ᎠᏴ ᎩᎾᎫᏴᏗ.\nᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎡᎳᏆᏗ ᏧᎾᏓᎾᏫᏛᎮ.\nᎤᏍᏆᏙᎾᏃ, ᎤᏂᎾᏅᎩᏒ ᏧᏪᏯ ᏗᏣ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏗ ᎧᏃᎮᎸᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎢᎩᏁᎸ ᏫᎾᏍᏛᎾ ᎬᏂᏛ, ᎠᎴ ᎾᏍᎩ ᎯᎠ ᎬᏂᏛ ᎤᏪᏥ ᎤᏤᎵᎦ ᎨᏒᎢ.\nᎤᏔᎴᎦᏒ ᏭᏴᎴᎢ, ᏫᏥ ᏭᏩᏌᏙᏰᎢ ᏌᏌ ᎤᏪᏥ. ᎱᎷᏣ ᎦᏁᎮᎢ ᎦᏓᎭ ᎤᏁᎦ ᎠᏍᏓ.\nᎢᏳᏃ ᎩᎶ ᎪᎯᏳᎲᏍᎩ ᎠᏍᎦᏯ ᎠᎴ ᎠᎨᏴ ᏚᏪᎧᎮᏍᏗ ᏧᏃᏑᎶᏨᎯ, ᎤᏅᏒᏉ ᏗᏂᏍᏕᎵᏍᎨᏍᏗ, ᏞᏍᏗᏃ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏱᏚᏂᏓᏁᎴᏍᏗ, ᎾᏍᎩ ᏗᎬᏩᏂᏍᏕᎸᏗ ᏱᎩ ᎤᏙᎯᏳᏒ ᏧᏃᏑᎶᏅᎯ ᎨᏒᎢ.\nᎢᏳᏰᏃ ᎾᏍᎩ ᏱᏄᏍᏕᎢ ᎿᏉ ᎤᏣᏘ ᎠᏎ ᎢᏳᎩᎵᏲᏨᎯ ᏱᏂᎦᎵᏍᏗᏍᎨ ᎡᎶᎯ ᏧᏙᏢᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ; ᎪᎯᏍᎩᏂ ᎨᏒ ᎤᏩᏒ ᎠᏓᎵᏍᎪᎸᏗᏍᎬ ᎠᏍᎦᏂ ᎨᏒ ᎠᎲᏍᎬᎢ ᏌᏉ ᎬᏂᎨᏒ ᏄᏓᏛᏁᎸ ᎤᎵᏍᏆᎸᏗ ᏕᎨᏌᏗᏒᎢ.\nᎢᏳᏍᏗᏉ ᎢᏳᎾᏛᏁᏗ ᏴᏫ!” ᏚᏌᏬᎴ ᏫᎵᎻ.\nᎤᏤᏍᏙ ᎤᏩᏌᏆᎴᎲ ᎾᎥᏂ ᎤᎵᏍᏛᏧᏅ.\nᏂᎦᏗᏳᏰᏃ ᏧᏓᎴᏅᏛ ᏤᎭ ᏂᎯ ᏅᏗᎦᎵᏍᏙᏗᎭ; ᎾᏍᎩ ᎤᏣᏘ ᎬᏩᎦᏘᏯ ᎤᏙᏓᎵᏍᏗ ᎨᏒ ᎢᏳᏩᏂᏐᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏣᏘ ᎦᎸᏉᏙᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏂᏣᏘ ᎠᎾᏄᎮᎵᎬᎢ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎤᏢᎬᎩ, ᎳᏏᎳ ᏧᏙᎢᏛ, ᏇᏗᏂᏱ ᎡᎯ, ᎺᎵ ᎠᎴ ᎤᎸᎢ ᎹᏗ ᎤᏂᏚᎲᎢ.\nᎦᏅᏍᏓ ᏭᏴᎮ.\n”ᎭᏩ,” ᎤᏛᏁ ᏌᏌ, ”ᎨᏍᏗᏗ ᎠᏯ ᎪᎱᏍᏗ ᎠᏆᏓᏅᏖᏙᏗ ᏱᎩ.\nᏥᏍᎦᎲᎾ. \nᎤᏁᎳᏅᎯ ᏗᎩᏙᏓ ᎤᎾᏤᎵᎦ ᏕᎤᎴᏔᏅ ᏥᏌ, ᎾᏍᎩ ᏤᏥᎸᎩ ᎨᏛ ᏤᏣᏛᏅᎩ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏳᏃ ᏗᏥᎨᏫ ᏱᎨᏎᎢ ᎥᏝ ᏱᎨᏥᏍᎦᏅᎨᎢ, ᎠᏎᏃ ᎣᏥᎪᏩᏘᎭ ᎢᏣᏗᎭ; ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎢᏥᏍᎦᎾᎯᏳ ᎨᏒ ᎠᎵᏃᎯᏯᏍᎦ.\nᎤᎵᏍᏆᎸᏗᏃ ᎠᎨᏴ ᎾᏍᏉ ᎤᏲᎱᏒᎩ.\n”ᏧᏍᏆᏅᎾ.”\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᎩᏍᏆᏂᎪᏕᏍᏗ ᏗᎵᏍᏓᏴᏗᏱ ᎨᏒᎢ, ᎥᏞᏍᏗ ᎤᏪᏘ ᎠᎪᏙᏗ ᎬᏗ, ᎠᎴ ᎥᏞᏍᏗ ᎤᏲ ᎠᎴ ᎠᏍᎦᏂ ᎨᏒ ᎠᎪᏙᏗ ᎬᏗ, ᏂᏓᎪᏔᏅᎾᏍᎩᏂ ᎦᏚ ᏄᏠᎾᏍᏛᎾ ᎨᏒ ᎠᎴ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎬᏗ.\nᎩᎶᏃ ᎤᏩᏒᏉ ᎢᎠᏓᏌᎳᏗᏍᎨᏍᏗ ᎡᎳᏗ ᎢᏯᎬᏁᏗ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎤᏩᏒᏉ ᎡᎳᏗ ᎾᏓᏛᏁᎮᏍᏗ ᎠᏥᏌᎳᏙᏗ ᎨᏎᏍᏗ.\nᎤᎾᏰᎯᏍᏗᏉᏍᎩᏂ ᎣᏓᏅᏛ ᎠᎦᏖᎾᏍᏗᏱ ᏗᎫᎪᏙᏗ ᎢᎦ ᎨᏒᎢ, ᎠᎴ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎠᏥᎸ ᎾᏍᎩᏯ, ᎾᏍᎩ ᎤᏂᏛᏙᏗ ᏥᎩ ᎬᏩᏍᎦᎩ.\nᏗᏂᎨᏫ ᎠᏂᎪᏩᏖᎭ, ᏗᏂᏲᎤᎵᏃ ᎠᏁᏙᎭ, ᎠᏓᏰᏍᎩ ᏧᏂᏢᎩ ᏚᎾᏗᏩᏍᎦ, ᏧᏂᎵᎡᎾᏃ ᎠᎾᏛᎩᎭ, ᏧᏂᏲᏞᏒᎯᏃ ᏕᎨᎦᎴᏗᎭ ᎤᏲᏃ ᎢᏳᎾᏛᎿᏕᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎢᎨᎦᎵᏥᏙᏁᎭ.\nᎤᎬᏫᏳᎯᏃ ᎤᎦᏔᎲᏒ ᏚᎧᎿᏁ ᏈᏓ. ᏈᏓᏃ ᎤᏅᏓᏕ ᎤᏁᏨ ᎤᎬᏫᏳᎯ, ᎯᎠ ᏥᏄᏪᏎᎴᎢ; ᎠᏏᏉ ᏄᏴᎳᏒᎾ ᏣᏔᎦ ᏦᎢ ᏅᏓᏍᏆᏓᏱᎵ.\nᎢᏓᎵᏅᏟ ᏍᎩᏯᏅᏓᏗᏍᎨᏍᏗ ᎢᏣᏓᏙᎵᏍᏗᏍᎬᎢ.\nᎢᏳᏰᏃ ᎩᎶ ᎠᏛᎩᏍᎩᏉ ᏱᎩ ᎢᏯᏛᏁᎯᏃ ᏂᎨᏒᎾ ᏱᎩ ᎧᏃᎮᏛ ᏂᎦᏪᏍᎬᎢ, ᎾᏍᎩ ᎠᏍᎦᏯ ᏓᏤᎸ ᏣᎪᏩᏘᏍᎪ ᏄᏍᏛ ᎤᏩᏒ ᎤᎧᏛᎢ ᎠᏓᎨᏗᏱ;\nᎾᏍᎩ ᎾᏍᏉ ᎬᏂᎨᏒ ᎢᏲᎲᏁᎸᎯ ᏕᏣᏓᎨᏒ ᎠᏓᏅᏙ ᎢᏳᏩᏂᏌᏛ.\nᏫᏥᎢᎦ ᎨᏒ ᎤᏚᎵᏍᎬ ᎤᏓᎾᏅᏗ, ᏧᎾᏗᏅᏗ ᏦᎯᏍᏙᏗ ᎠᏂᏍᎦᏯ ᏃᎴ ᎠᏂᎨᏯ ᏧᎾᎭᎾᏬ.\nᎦᎵᏉᎩᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎦᎳᏅᏛᏉ ᎦᎸᎶᎢ ᎤᏪᏐᏅᏴᎩ ᎫᎫ ᎠᏰᎲ ᎠᏟᏍᏛᎢ; ᎠᎴ ᎠᏍᏓᏯ ᏗᎧᏁᎬ ᎩᎶ ᎦᎸᎳᏗ ᏗᎦᏔᏫᎢᏍᏗᏱ ᎠᎴ ᎾᎿ ᏗᎦᏍᎩᎸ ᏓᏳᏓᎴᏅᎩ, ᎯᎠ ᏅᏓᎦᏪᏍᎬᎩ, ᎿᏉ ᎠᎵᏍᏆᏓ.\nᎤᏃᎮᎸ, ᏳᏚᎵᏍᎬᎾ ᎨᏒ ᎤᏬᎯᏳᏗ ᎤᎵᏍᏆᎸᏗ ᏓᎪᏩᏘᏍᎬ.\nᎠᏁᎮᏃ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏏᏫ ᏧᏙᎢᏛ ᏧᏪᏥ ᎠᏧᏏ ᏄᎬᏫᏳᏒ ᎠᏥᎸᎨᎶᎯ ᎾᏍᎩ ᎾᎾᏛᏁᎮᎢ.\nᎠᏎᏃ ᎤᏩᏙᎯᏴᏓ ᎠᏆᏓᏅᏔ.\nᎨᏍᏗ ᏐᏉ ᏔᎵᏍᎪ ᎢᏳᏕᏘᏴᏓ ᎤᎶᏐᏅ ᏱᎨᏎ, ᎠᏌᎻᏓ ᎤᏩᏌ.\nᎪᎯᏳᏗᏍᎪ ᎨᏒ ᏤᎭ? ᏣᏤᎵᏛ ᏦᎯᏳᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ. ᏅᏩᏙᎯᏍᏛ ᎤᏓᏅᏖᏍᏗ ᎩᎶ ᏄᏍᏛ ᎣᏏᏳ ᎤᎡᎸᏒ ᎬᏗᏍᎬ ᎤᏩᏒ ᏂᏓᏓᏚᎪᏓᏁᎲᎾ ᎢᎨᏎᏍᏗ.\nᎯᎠᏃ ᎾᏍᎩ ᎧᏃᎮᏛ ᎣᏣᏛᎦᏁᎸᎯ ᏥᎩ ᎠᎴ ᏥᏨᎾᏄᏫᏎᎭ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎢᎦᎦᏘ ᎨᏒᎢ, ᎠᎴ ᎤᏍᏗ ᎤᏅᎤᎵᏏᎩ ᏄᏪᎲᎾ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᏄᎵᏍᏔᏂᏙᎸ ᏥᏌ ᎨᎵᎵ ᎤᏪᏙᎸᎩ; ᎥᏝᏰᏃ ᏳᏚᎵᏍᎨ ᏧᏗᏱ ᎤᏪᏓᏍᏗᏱ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎠᏂᏧᏏ ᎠᎾᏁᎶᏗᏍᎬ ᎬᏩᎯᏍᏗᏱ.\nᎠᎴ ᎠᏴ ᏫᏥᎦᏛ ᎢᏥᎦᏔᎭ, ᎠᎴ ᏫᎦᏅᏅ ᎢᏥᎦᏔᎭ.\nᎠᎵᏌᎳᏓᏍᎩ ᎤᏃᎴ ᎢᏳᏍᏗ ᎤᏃᏴᎬ ᏗᏁᎬ ᏧᏂᎨᎮᎩ.\nᏆᎴᏗᏃ ᏚᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏣᏚᎵᏍᎪ ᎤᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ ᏗᏳᏲᎯᏎᏗᏱ.\nᎢᏳᏍᎩᏂᏃᏅ ᎩᎶ ᎡᎯᏍᏗ ᏧᏓᏅᏓᏗᏍᏔᏅᎯ ᎨᏎᏍᏗ, ᎥᏝ ᎠᏴᏉ ᎡᎯᏍᏗ ᏯᏆᏓᏅᏓᏗᏍᏔᏅ; ᏂᎯᏍᎩᏂ ᏂᏥᎥ ᏰᎵ ᎡᎯᏍᏗ ᎢᏣᏓᏅᏓᏗᏍᏔᏅ; ᎾᏍᎩ ᏥᎶᏒᏍᏓᏁᏗᏱ ᏂᎨᏒᎾ ᏥᎳᏫᏎᎲᎢ.\nᎾᏍᎩᏍᎩᏂ Ꮎ ᏓᎾᎵᏍᎪᎸᏗᏍᎬᎢ, ᏂᏓᏕᏘᏴᎯᏒ ᎤᎾᏅᏓᏗᏏᏐᏗᏉ ᏂᎦᎵᏍᏗᏍᎪ ᎤᏂᏍᎦᏅᏨᎢ.\nᎠᏂᏦᎢᏃ ᎠᏂᏃᎮᏍᎩ ᎡᎶᎯ, ᎠᏓᏅᏙ, ᎠᎹ, ᎠᎴ ᎩᎬ, ᎾᏍᎩᏃ ᎯᎠ ᎠᏂᏦᎢ ᎨᏒ ᎤᏠᏱ ᎠᏂᏃᎮᎭ.\nᎾᏍᎩᏃ ᏥᏗᎪᏩᏗᎭ ᎢᎩᎧᎲ ᎠᏥᎸᏉᏗ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ, ᎾᏍᎩ ᎦᎸᎶ ᏭᎶᏒᎯ ᏥᎩ, ᎾᏍᎩ ᏥᏌ ᎤᏁᎳᏅᎯ ᎤᏪᏥ, ᎠᏍᏓᏯ ᏕᎩᏂᏴᏎᏍᏗ ᏕᏓᏁᎶᏛᎢ.\nᎦᏰᎵᏍᏗ, ᎠᏂᏔᎵ ᏄᎾᏓᎴ ᎠᏂᏍᎦᏯ ᎭᏂ ᎡᎶ, ᏂᏓᏅᏁ ᎠᏂᏳᏩᏁᎦ.\nᎯᏂᏅᎪᎢ!”\nᏫᏚᏐᏅᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏄᏪᏒᎩ; ᎬᏂᏳᏉ ᎡᏥ ᎠᎴ ᏱᏣᎵᏅᏟ.\nᎤᏃᎴ ᎤᏤᎵ ᎢᎦ ᎨᏎ!\nᎢᏨᏒᏰᏃ ᎣᏏᏳ ᎢᏥᎦᏔ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎢᎦ ᎤᎵᏰᎢᎶᎯᏍᏗ ᎨᏒ ᎾᏍᎩᏯ ᎦᏃᏍᎩᏍᎩ ᏒᏃᏱ ᏥᎦᎷᎪᎢ.\nᎠᏴᏍᎩᏂ ᎢᏓᎵᏅᏟ, ᏞᎦ ᎣᎦᏓᏓᎴᏔᏅ ᏦᏥᏰᎸᎢ, ᎥᏝᏃ ᏦᎩᎾᏫᏱ, ᎤᏟ ᎢᎦᎢ ᎣᎦᏟᏂᎬᏁᎸᎩ ᏕᏣᎧᏛ ᏦᎩᎪᏩᏛᏗᏱ, ᎤᏣᏘ ᎠᏚᎸᏗ ᎣᎬᏔᏅᎩ.\nᎠᎴ ᎾᏍᏉ ᏍᏆᏛᏅᎢᏍᏓᏁᎸᎭ ᏍᎩᏍᏆᏂᎪᏙᏗᏱ; ᎤᏚᎩᏰᏃ ᎠᏋᎭ ᎢᏣᏓᏙᎵᏍᏗᏍᎬ ᎢᏳᏩᏂᏐᏗᏱ ᏔᎵᏁ ᏫᏨᎷᏤᏗᏱ.\nᏉᎳᏃ ᎤᏙ ᎤᏪᏥ ᎤᏛᎦᏅ ᎤᏂᎭᎷᎬᎢ, ᎤᏬᏅᏒᎩ, ᏗᏐᏴ ᏭᏴᎸᎩ, ᎠᎴ ᏭᏃᏁᎸᎩ ᏉᎳ.\nᎧ, ᎢᏓᎵᏅᏟ, ᎢᏨᎸᏉᏗᎭ ᎾᏍᎩ ᎠᏴ ᏂᎦᎥ ᏧᏓᎴᏅᏛ ᏂᏣᏛᏁᎲ ᏍᎩᏯᏅᏓᏗᏍᎬᎢ, ᎠᎴ ᎢᏥᏍᏆᏂᎪᏗᏍᎬ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩᏯ ᏕᏨᏲᎯᏎᎸᎢ.\nᎠᏎᏃ ᏈᏓ ᎤᎴᏅᎮ ᏚᏃᎮᎮᎴ ᏂᎦᏛ ᎣᏍᏛ ᎤᏱᎸᏎᎢ, ᎯᎠ ᏄᏪᏎᎢ;\nᎠᎴ ᎥᏝ ᎦᏓ ᎠᏂ ᏳᏁᎴᎢ ᏂᎤᏟᏍᏕ ᏏᎳᏏᏅᎯᏉ ᎢᎩᏛ, ᎠᏎᏃ ᎤᏚᎢᏍᏓᏁᎴ ᎾᏍᎩ ᎤᏤᎵ ᎢᏳᏩᏁᏗᏱ ᎠᎴ ᎾᏍᎩ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᎠᏏᏉ ᎤᏪᏥ ᏁᎲᎾ ᎨᏎᎢ.\nᎠᏎᏃ ᏚᏂᏁᏥᎸ ᎤᏂᏄᎪᎢᏍᏗᏱ ᏓᏂᎳᏫᎥᎢ ᎤᏅᏒ ᎨᏒ ᎤᎾᎵᏃᎮᎴᎢ,\n”ᎡᎵᏍᏗ ᎤᏲ ᎨᏎᎢ,” ᎤᏛᏁ ᏌᏌ.\nᏧᏙᏓᏋᏓ ᏃᎴ ᎤᏒᎯ ᎤᏩᏙᎯᏴᏓ ᎨᏎ.\nᎾᎿ ᎬᏩᏍᏓᏴᏅᎩ; ᎠᎴ ᎹᏗ ᏚᏕᎳᏍᏔᏅᎩ; ᎳᏏᎳᏍᎩᏂ ᎨᎸᎩ ᎠᎾᎵᏍᏓᏴᎲᏍᎬᎢ.\nᏗᎦᏍᎩᎶ ᏕᎦᏍᎩᎸ ᎠᏲᏓᏌᎲ, ᎠᏎᏃ ᎠᎩᏠᏫᏍᏗ ᎠᏆᎵᏍᏛᏦᏅ, ᏥᏐᎯ ᎣᎭᏁ ᎢᏣ ᎨᏒ ᎠᏍᏚᏗ.\nᎤᏚᎩ ᏂᎨᏒᎾ ᏫᎦᎶᎯᏍᏗ ᎠᎵᏌᎳᏗᏍᎬ ᏫᎦᎶᎯᏍᏗ, ᎤᏬᏚᏨ ᎡᎶ ᎦᎸᏉᏔᏅ ᏃᏉ ᎤᎾᏰᎯᏍᏙ ᏃᎴ ᎤᏍᎦᏎᏗ.\nᎠᎩᎾᏃ ᏥᏌ ᎤᎾᏘᏃᎮᎴᎢ, ᎠᎴ ᏧᎾᏄᏬ ᏚᏂᏢᏁᎴᎢ; ᏥᏌᏃ ᎤᎩᎸᏔᏁᎢ.\nᏃᎴ ᏄᎾ ᎤᏆᎶᎬ ᎭᏫᏂᏣ ᎤᎾᏓᏍᏔᎣᎢ ᎠᎾᏓᎶᏂᎨ ᏧᏪᏥ ᏄᏃ ᎠᏂᎵᏙ ᏧᏂᏅ.\nᎤᏓᏅᎯᏓ ᏅᏩᏍᏕ ᎤᏒᎯ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎦᏗᏳ ᏗᎫᏴᎡᏗ ᎨᏒ ᏕᏣᎫᏴᎡᎮᏍᏗ; ᎠᏰᎵ ᎡᏣᎫᏴᎡᏗ ᎨᏒ ᎠᏰᎵ ᎡᏣᎫᏴᎡᎮᏍᏗ; ᎢᏥᏃᏔᏅᏗᏱ ᎢᏣᎵᏍᎪᎸᏓᏁᎸ ᎡᏣᎫᏴᎡᏗ ᎨᏒ ᎡᏣᎫᏴᎡᎮᏍᏗ; ᎾᏍᎩ ᎡᏥᎾᏰᎢᏍᏗ ᎨᏒ ᎾᏍᎩ Ꮎ ᎡᏥᎾᏰᏍᎨᏍᏗ; ᎾᏍᎩ ᎡᏥᎸᏉᏙᏗ ᎨᏒ ᎾᏍᎩ Ꮎ ᎡᏥᎸᏉᏕᏍᏗ.\nᎢᏨᏒᏃ ᏕᏣᏤᎴᏍᏗ ᎠᏂᏍᎦᏯ ᎾᏍᎩ ᏣᏂᎦᏘᏲ ᎤᏂᏅᏏᏙᎯ, ᎢᏳᏉ ᎤᎷᎯᏍᏗᏱ ᏕᎨᎦᏨᏍᏗᏍᎬ ᏭᏪᏙᎸᎯ; ᎾᏍᎩᏃ ᏳᎷᏨ ᎠᎴ ᏳᏩᏂᎸ, ᎾᏍᎩ ᎩᎳᏉ ᎢᏴᏛ ᏫᎬᏩᏍᏚᎢᎡᏗᏱ.\nᎥᏝ ᎠᎴ ᎡᏆᎭᎻ ᏧᏁᏢᏔᏅᏛ ᏥᎩ ᎾᏍᎩ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᎦᏛ ᏧᏪᏥ ᏱᎩ; ᎡᏏᎩᏉᏍᎩᏂ ᏚᏙᎥ ᎨᏥᏯᏅᏗᏍᎨᏍᏗ ᏣᏁᏢᏔᏅᎯ.\nᎠᎴ ᏂᎦᎥᏉ ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᎪᎯ ᎨᏒ ᎥᏝ ᎣᏍᏛ ᎣᏓᏅᏓᏗᏍᏗᏍᎩ ᏱᎩ, ᎤᏲᏉᏍᎩᏂ; ᎣᏂᏍᎩᏂᏃᏅ ᎢᏴᏛ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᎦᎾᏄᎪᏫᏍᎪ ᏚᏳᎪᏛ ᎨᏒ ᎤᎾᏄᎪᏫᏒᎯ, ᎾᏍᎩ ᎢᏳᎾᎵᏍᏓᏁᎸᎯ.\nᏥᏌᏃ ᎠᎦᏬᎥ, ᎩᎳᏉ ᎢᏴᏛ ᎤᎿᎷᏎᎢ, ᎠᎹᏱ ᎤᏓᏅᏎᎢ, ᎠᎴ ᎬᏂᏳᏉ ᎦᎸᎳᏗ ᏣᏥᏍᏚᎩᎡᎴᎢ, ᎠᎴ ᏭᎪᎮ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᎡᎳᏗ ᏅᏧᏛᎿᏗᏎ ᎫᎴ-ᏗᏍᎪᏂᎯ ᏗᏤᎵᏛ; ᎠᎴ ᎤᏪᏯᎸᏤᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎮᏯᏔᎮᏍᏗ ᎾᏍᎩ ᎢᎦ ᎦᏘ ᎭᏫᏂ ᏤᎲ ᏞᏍᏗ ᎤᎵᏏᎩ ᏱᎨᏎᏍᏗ.\nᎠᎴ, ᎩᎶ ᎢᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ, ᎠᏎᏉᏉ ᎾᏍᎩ; ᎩᎶᏍᎩᏂ ᎢᎧᏁᎢᏍᏗᏍᎨᏍᏗ ᎠᎵᏍᎪᎸᏔᏅᎯ ᎾᎿ ᎠᎲᎢ, ᎾᏍᎩ ᎠᏍᏓᏱᏳ ᎤᏚᏓᎳ.\nᏕᏥᎦᎾᏬᏗᎭ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎪᎯᎸ ᏰᎵᏉ ᎾᏍᏉ ᏗᎬᏩᏍᏕᎸᏗ ᎾᏍᎩ Ꮎ ᎤᏩᏒ ᎬᏩᎷᎯᏍᏓᏁᎯ ᎤᏁᎳᏅᎯ ᎠᏂᎷᏤᎲᎢ, ᏫᎾᏍᏛᎾᏰᏃ ᎡᎭ ᏧᎵᏍᏗᏰᏓᏁᏗᏱ.\nᎾᏍᎩ ᎯᎠ ᏄᎾᏛᏁᎸ ᎭᎻᏂᏯ ᎠᎴ ᎡᎵᎩ, ᎾᏍᎩ ᏕᎦᏥᏲᏒ ᏌᏓᏂ ᏕᏥᏲᎯᏎᎸ ᎤᎾᏕᎶᏆᏍᏗᏱ ᎤᏂᏐᏢᏙᏗᏱ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎠᏂᏯᏫᏍᎩᏃ ᎤᏂᏍᏕᏲᎸ ᏧᏣᏲᏍᏗ ᎠᎵᏍᏚᎶ ᎤᏃᏢᏅᎩ ᎠᎴ ᎬᏩᏍᏚᎳᏅᎩ, ᎠᎴ ᎩᎦᎨ ᎠᏄᏬ ᎬᏩᏄᏬᎥᎩ,\nᎤᏁᏨᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏙᏓ; ᎬᏂᏳᏉ ᎤᏣᏔ ᎾᏕᏘᏴ ᎬᏍᏕᎸᎯᏓ, ᎠᎴᎥᏝ ᎢᎸᎯᏳ ᎾᏉᎯᏳᏅᎾ ᏱᎩ ᏣᏁᏨᎢ, ᎠᏎᏃ ᎥᏝ ᎢᎸᎯᏳ ᎠᏫ-ᎠᎩᎾ ᎠᏎᏄᎸᎯ ᏱᏍᎩᎧᏁᎶᎢ, ᎣᏍᏛ ᎣᎦᏓᏅᏓᏗᏍᏙᏗ ᏗᏆᎵᎢ.\nᎤᏰᏤ, ᎤᏍᏗ ᎭᎸᏂ ᎢᏳᏍᏗ.\nᎪᎱᏍᏗ ᎣᏍᏓ ᎠᏒᎩ ᎤᏩᏩᏒᏤ ᏧᏍᏆᏴᏍᏗ.\nᏗᎦᎳᏫᎢᏍᏗᏱᏃ ᎤᎧᎵᏨᎩ ᏧᎧᎵᏨᎩ ᏧᎦᏒᏍᏗ ᎤᏁᎳᏅᎯ ᎠᏥᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ; ᎥᏝ ᎠᎴ ᎩᎶ ᏫᎬᏩᏴᏍᏗ ᏱᎨᏎ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎬᏂ ᎾᏍᎩ Ꮎ ᎦᎵᏉᎩ ᏧᏕᏯᏙᏗ ᎨᏒ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏥᏚᎾᏒᎦᎸ ᏱᏚᎵᏍᏆᏛ.\nᎠᏂᎨᏯ ᏃᎴ ᏗᏂᏲᏟ ᎠᏂᏙᎾᎡ ᏯᎾᏓᏅᏍᎬᎾ, ᎾᎥᏂ ᎤᎾᏓᏓᏍᎨ. ᎬᎭᏅ ᎢᎪᎯᏓ ᎤᏩᏅᏖᏍᏗ ᎠᏌᎻᏓ, ᎾᏍᎩᏯ ᏏᏓᏁᎸ ᏗᎨᎦᏥᎶᏍᏔᏅ.\nᏗᏇᏥ ᏗᏣᏍᏗᎢ, ᎾᏍᎩ ᏔᎵᏁ ᎢᏨᏁᎵᏨᎯ ᏥᎩ [ᎢᏗᎬᏤᎵᏛ] ᎢᏣᏕᏗᏱ, ᎬᏂ ᎦᎶᏁᏛ ᎠᏙᏢᏅᎭ ᏕᏣᏓᏅᏛᎢ,\nᎠᎴ ᎯᎠ ᏂᎨᏥᏪᏎᎮᏍᏗ, ᎬᏂᏳᏉ ᎠᏂ; ᎠᎴ ᎬᏂᏳᏉ ᎾᎿᏂ; ᏞᏍᏗ ᎢᏤᏅᏒᎩ, ᎠᎴ ᏞᏍᏗ ᏗᏥᏍᏓᏩᏛᏒᎩ.\nᏲᎾ ᎤᏤᏍᏙ ᎤᎷᏤ, ᎤᏅᏏᏴ ᎦᏍᎩᎶᎩ ᎤᏩᏁ.\nᏗᏑᏫᏓ ᏧᎳᏑᏟ ᏓᏣᏯᏓᏍᎩᏍᎬ.\nᎯᎠ ᏄᏪᏎᎢ; ᎠᏴ ᎾᏍᏉ ᏍᎩᏂᎥᏏ ᎯᎠ ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ, ᎾᏍᎩ ᎩᎶ ᏥᏯᏏᏔᏗᏍᎨᏍᏗ ᎠᏥᏁᏗ ᎨᏎᏍᏗ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ.\n”ᏍᎩᏉᏗ ᏄᏍᏕᏍᏗ ᏎᏉ ᎡᏓᏍᏗ,” ᎡᎵᏍᏗ ᎣᎯᏍᏙᏗ ᎠᎩᏴᏍᏗ ᏱᏥᏯᎡ ᎡᎵᏍᎨ.” \nᎨᏍᏗ ᎪᎱᏍᏗ ᏰᎵᏍᎨ ᏫᎵᎻ.\nᏓᏥᏩᏛᎯ ᎢᏗᎬᎾᏗ ᏗᎪᏪᎶᏗ ᎠᏯ ᎢᎩᏠᏯ ᎢᏗᏴᏫ, ᎤᏛᏁᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎣᏏᏳ ᎢᏳᏓᎵᏍᏓᏁᏗ ᎨᏒ ᏗᎨᏥᎤᏍᏕᏎᎸᎯᏉᏍᎪ ᎤᏂᎷᏤᎭ, ᏥᎪᎨ ᎾᏍᏉ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᏂᎨᏒᎾ? ᎪᎯᏳᏗᏰᏃ ᎨᏒ ᏚᏳ-ᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎠᏥᏰᎸᎾᏁᎴ ᎡᏆᎭᎻ ᎢᏓᏗᎭ.\nᎣᏏᏉ ᏄᏛᎾᏕᎦ.”\nᎢᎳᎩᏳᏃ ᎾᏍᎩ ᏄᏍᏕ ᎠᏥᏰᎸᎾᏁᎴᎢ? ᏥᎪ ᎠᏥᎤᏍᏕᏎᎸᎯ ᏥᎨᏎᎢ? ᏥᎪᎨ ᎠᏥᎤᏍᏕᏎᎸᎯ ᏂᎨᏒᎾ ᏥᎨᏎᎢ? ᎥᏝ ᎠᏥᎤᏍᏕᏎᎸᎯ ᏥᎨᏎᎢ, ᎠᏥᎤᏍᏕᏎᎸᎯᏍᎩᏂ ᏂᎨᏒᎾ ᏥᎨᏎᎢ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎤᏂᏣᏘ ᏚᏂᎳᏫᏦᎴᎢ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᏳᏜᏅᏕ, ᎥᏝ ᎾᏍᏉ ᎦᎶᎯᏍᏗᏳᎶᏗ; ᎧᏃᎮᏛᏃ ᏚᎵᏥᏙᏁᎴᎢ.\nᎾᏍᎩ ᎡᏥᎷᏤᎲᎢ, ᎾᏍᎩ ᎬᏃᏛ ᏅᏯ ᎤᏂᏲᎢᏎᎸᎯᏍᎩᏂᏃᏅ ᎤᏙᎯᏳᎯ ᏴᏫ, ᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎤᏑᏰᏛ ᎠᎴ ᎦᎸᏉᏗᏳ,\nᎤᏁᎳᎩᏃ ᎤᏪᎵᏎᎸ, ᏉᎳ ᎤᎴᏅᎩ ᎠᎩᎳᏫᏍᏗᏱ, ᎤᏬᏰᏂ ᏴᏫ ᏚᏖᎸᎾᏁᎸᎩ; ᎤᏣᏘᏃ ᎡᎳᏪ ᎤᏅᏅ, ᏚᏬᏁᏔᏅᎩ ᎠᏂᏧᏏ ᎤᏂᏬᏂᎯᏍᏗ ᎤᏮᏔᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ;\nᎠᏎᏃ ᏄᏂᎬᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏄᏅᏂᏌᏁ ᎤᏂᏣᏘ ᏴᏫ, ᎾᏍᎩ ᏆᎳᏆ ᎤᏂᏔᏲᏍᏗᏱ ᏧᏲᎯᏎᏗᏱ.\nᏥᏌᏃ ᎤᎪᎲ ᏓᏠᏱᎲᎢ, ᎠᎴ ᏚᎪᎲ ᎠᏂᏧᏏ ᎾᏍᎩ ᎤᏂᏍᏓᏩᏙᎸᎯ ᏓᎾᏠᏱᎲᎢ, ᎡᎯᏍᏗ ᎤᏓᏅᏓᏛᎩ, ᎠᎴ ᎤᏕᏯᏙᏗ Ꮔ ᎵᏍᏓᏁᎸᎩ.\nᎦᎸᎳᏗ ᏭᏔᎷᏁᎢ, ᎦᎸᎳᏗ ᏫᏄᏩᏁᎴ ᏧᏏᎳᏛᏙᏗ, ᏚᏲᏎ ᏰᎵ ᎢᎦᎢ, ᎤᏃᎴ ᎠᏲᏙᏗ ᏄᏩᏁᎴ.\nᎿᏉᏃ ᏙᏓᎦᏅᏏ ᏧᏤᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ, ᎠᎴ ᏙᏓᎦᏟᏌᏂ ᎨᎦᏑᏰᏛ ᏧᏤᎵᎦ ᏫᏙᏛᏯᏅᎯ ᏅᎩ ᏂᏙᏗᎨᎶᏍᎬ ᎤᏃᎴ, ᎡᎶᎯ ᏭᎵᏍᏘᏂᎸ ᏅᏓᏳᏓᎴᏛ ᎦᎸᎳᏃ ᏭᎵᏍᏘᏂᎸ ᏫᎦᎷᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᏥᏌ ᎤᏍᏆᏛ ᎾᏍᎩ ᎯᎠ ᏂᎦᏪᏍᎬᎢ, ᎨᎵᎵ ᎤᏓᏅᏒᎩ, ᏧᏗᏱ ᎠᏍᏛ ᏭᎷᏨᎩ ᏦᏓᏂ ᎠᏍᎪᏂᏗᏢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᏉ ᏴᏫ ᎤᏪᏥ ᎤᎾᏙᏓᏆᏍᎬ ᎤᎬᏫᏳᎯ.\nᏤᏍᏗ ᎤᏁᎦᎭ ᏣᎧᏛ ᏱᏍᎩᏃᎯᏎᎮᏍᏗ ᏄᏍᏛ ᎤᏩᏙᎯᏴᏓ.\nᏥᏌᏃ ᎤᎴᏫᏍᏔᏅ ᏫᏚᏯᏅᎲᎩ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎦᏙ ᎢᏍᏓᏚᎵ ᎠᏴ ᎢᏍᏛᏯᏛᏁᏗᏱ?\nᎤᏂᏣᏘᏃ ᏌᏉ ᎢᎦᎦᏛ ᎤᎾᎦᏌᏯᏍᏔᏁ ᏈᎵᎩ ᎧᏃᎮᏍᎬᎢ, ᎤᎾᏛᎦᏅ ᎠᎴ ᎤᏂᎪᎲ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᎠᏎᏰᏃ ᏌᏉ ᏧᏲᎯᏎᏗ ᎨᏐ ᏗᎵᏍᏓᏴᏗᏱ ᎨᏒ ᎢᏳᎢ.\nᎿᏉᏃ ᏉᎳ ᎤᏓᏅᏒᎩ ᎠᏂᏅᎢ.\nᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎦᏪᎳ, ᎬᏂᏳᏉ ᏌᏯᏂ ᏓᏥᏂ ᏅᏯ ᏗᏓᏙᏕᎯᎯ, ᎠᎴ ᏅᏯ ᎠᏓᎿᏍᏆᎶᏍᏗᏍᎩ; ᎠᎴ ᎩᎶ ᎪᎯᏳᎲᏍᎨᏍᏗ ᎾᏍᎩ ᎥᏝ ᎤᏕᎰᎯᏍᏗ ᏱᎨᏎᏍᏗ.\nᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎾᏍᎩ, ᎠᎴ ᏩᏍᏛ ᎦᎸᎳᏗᏳ ᎡᎯ ᎤᏪᏥ ᎠᎪᏎᎮᏍᏗ; ᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᏓᏳᏁᎵ ᎤᏙᏓ ᏕᏫ ᎤᏪᏍᎩᎸᎢ.\nᎠᏍᏕᎵᎭ ᎦᏓᏁ ᏃᎴ ᎤᎵᏏᎩ ᎤᏳᏓᏍᏙᏗ ᎠᏒᏆᎶᏍᏗ ᎭᏫᏂᏣ.\nᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎢᏨᏲᎵᎦ ᏣᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ. ᎠᎴ ᎦᎬᏩᏏᏛᏂᎸᎩ.\nᎬᏩᏯᏫᏍᎨᎢ, ᎠᎴ ᎤᏂᏲᎮ ᎤᏂᏩᏛᎡᏗᏱ ᎪᎱᏍᏗ ᎦᎬᏩᎳᏫᏎᏗ ᎨᏒᎢ.\nᎡᏝᏪᎯ ᎤᏪᏞ ᏌᎳᏓ.\nᏧᏓᎴᏅᏓ ᏄᎾᏛᏁᎴ ᎠᎾᏟᎲ ᎠᏣᏗ ᏃᎴ ᎣᏍᏓᏓᏤᎵ. \nᎦᎶᎯᏍᏗᏳᎳ ᏭᎷᏤᎢ, ᏌᎳᏓ ᏚᏏᎳᏛᏅ ᏥᎦᏓᎡᎢ.\nᎢᎦᏉᏃ ᏄᎵᏍᏔᏅ ᏗᏂᎳᏫᎩ ᏴᏫ ᎠᏁᎲ ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ ᏚᏂᎳᏫᏤᎢ, ᎠᎴ ᏓᏂᎳᏫᎥ ᎬᏩᏘᏃᎴ ᎯᎠ ᏄᏂᏪᏎᎢ;\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏧᎳ ᏚᏂᏔᎴᏐᎢ, ᏥᏍᏆᏃ ᎦᎳᏅᏛ Ꭰ-ᏂᏃᎯᎵᏙᎯ ᏚᎾᏁᏍᏓᏝᎰᎢ; ᏴᏫᏍᎩᏂ ᎤᏪᏥ ᎥᏝ ᎢᎸᎯᏢ ᎠᏍᎪᎵ ᎤᏠᏗᏱ ᏱᎩ.\nᎠᎴ ᎾᏍᏉ ᎠᎵᏫ ᎾᎿ ᎡᏙᎲ, ᎤᎷᏤ ᎤᎦᏔᏁᎢ, ᎠᎴ ᎠᏂᏗᏢᏉ Ꮔ-ᎶᏎᎢ.\nᎢᏥᏁᎫ ᎠᎴ ᏗᏥᎨᏫ! ᎦᏙ ᎤᏍᏗ ᎤᏟ ᎦᎸᏉᏗᏳ, ᎠᎵᏍᎪᎸᏔᏅᎯᏍᎪ, ᎠᏥᎸᎨ-ᎨᎳᏍᏗᏱ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᏥᏂᎬᏁᎭ ᎠᎵᏍᎪᎸᏔᏅᎯ?\nᎠᏯᏗ ᏗᏥᏅᎥᏍᎩ.\nᏂᎦᎥ ᎪᎱᏍᏗ ᎾᏍᎩ ᎤᏬᏢᏁᎢ, ᎠᎴ ᏂᎦᎥ ᎪᏢᏅᎯ ᏥᎩ ᎥᏝ ᎪᎱᏍᏗ ᎾᏍᎩ ᏄᏬᏢᏅᎾ ᏱᎩ.\nᏐᏉ ᎪᎳ ᎤᏒᎯ ᎠᏤᎯ ᎡᏦᏛ, ᎠᏂᎦᏲᏟ ᎤᏁᎾᎢ ᎠᏂRidge ᎠᏂᏍᎦᏯ, ᎤᎩᏓᏟᏅᏯ ᎨᎵ ᎤᎾᏓᏓᏍᎩᏌᏁ ᎠᏨᏍᏛ ᎦᏍᎩᎸ, ᎤᏁᎦ ᎪᏪᎵ ᎤᏂᏌᎡ, ᎤᏕᎳᏓ ᎤᏂᏍᏓᏱᏕ ᎧᏃᎮᏛ ᏓᏦᎯᏍᏛ, ᎤᏂᎾᏗᏅᏎᎴ ᎠᎹᏰᎵ ᏂᎦᏓ ᏣᎳᎩᏱ ᎠᏰᎵ ᎦᏙ, ᎠᏁᎵᏍᎨ ᎣᏍᏓ ᎠᏓᎴᏂᏍᎬ, ᏳᏂᏃᎮᎸᎾ, ᎨᏥᎧᎯᏴᏍᏗ, ᎠᏤᎯ ᏳᏫᏯᏍᏗ ᎾᎿ ᎨᏒ.\nᏂᎦᏓ ᎠᏍᏆᏂᎪᏗᏍᎨ.)  ”ᎤᏙᎯᏳᎯ, ᎢᏳᎯ, ᎢᏳᎯ,” ᎤᏛᏁ ᏌᏌ ᎠᏨᏯᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏍᎪᎯᏧᏈ ᎢᏳᏟᎶᏛ ᎪᎢ. ᎯᎠᏃ ᏄᏪᏎᎢ, ᎯᎾᎩ ᎪᏪᎵ ᎡᏣᏚᎬᎢ, ᎠᎴ ᏄᎳ ᎯᎲᎦ, ᎠᎴ ᎯᏍᎩᏍᎪᎯ ᎰᏪᎸᎦ.\nᏄᏓᎴᏒ ᎪᎱᏍᏗ ᎢᏤᏅᎢᏍᏔᏅᎯ ᎨᏒ, ᎾᏍᎩ ᎤᏣᏘ ᎨᏣᏓᏁᏗ Ꭸ-ᏒᎢ, ᎾᏍᎩ ᎢᏳᎬᏂᏐᏗᏱ ᎠᎦᎵᎮᎵᏤᏗᏱ ᎤᏁᎳᏅᎯ.\nᎾᏃ ᎦᏟᏐᏗ ᎨᏒ ᎤᎾᏓᏅᏘ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎤᎬᏩᎵ, ᎾᏍᎩᏯ ᏥᎦᏥᏁᏤᎸᎢ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᎬ ᎨᎴᏏᏱ, ᎾᏍᎩᏯ ᏂᏣᏛᏁᎮᏍᏗ.\nᎤᎿᎷᏎᏃ ᎣᏓᎸᎢ, ᎠᎴ ᏚᏯᏅᎮ ᎾᏍᎩ ᎤᏚᎵᏍᎬ ᏧᏯᏅᏗᏱ; ᎠᎴ ᎬᏩᎷᏤᎮᎢ.\nᏕᎪᏪᎵᏍᎬᏰᏃ ᏗᎦᎨᏗᏳ ᎠᎴ ᏧᎵᏂᎩᏗᏳ, ᎤᏙᎯᏳ, ᎠᎾᏗᎭ; ᎠᏰᎸᏍᎩᏂ ᏲᏪᎳ-ᏗᏙᎭ ᎠᏩᎾᎦᎳᎯᏳ, ᎦᏬᏂᏍᎬᏃ ᎬᏕᎰᏙᏗᏉ.\nᎦᏳᎳ ᎯᎠ ᎾᎩᏪᏒ, ᎠᎴ ᎢᎬᏱ ᎦᏰᎯ ᎯᎠ ᏂᏥᏪᎭ, ᏔᎵᏁ ᏥᏫᏥᎦᏔᎰ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎠᎩᎪᏁᎸ ᎪᎯ ᎨᏒ ᎦᏥᏲᎳᏁᎭ ᎾᏍᎩ Ꮎ ᎦᏳᎳ ᎤᏂᏍᎦᏅᏨᎯ ᏥᎩ, ᎠᎴ ᏂᎦᏛᏉ ᎠᏂᏐᎢ, ᎾᏍᎩ ᎢᏳ ᏔᎵᏁ ᏱᏫᎠᎩᎷᏨ, ᎥᏝ ᏴᎦᎦᎵᏏᏅᏓ;\n”ᎯᏣᏛᎦᏍᏓ, ᎭᏩᏧ!” ᎱᏛᏁᎢ.\nᎠᎴ ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎢᏧᎳ ᏌᏉ ᎠᏰᎸ ᏄᎾᏛᏅ ᏙᎯᏱ ᎢᏳᏅᏁᏗᏱ ᎤᏁᎳᏅᎯ, ᏓᏓᎿᏩᏍᏛ ᎤᏮᏙᏗᏱ, ᎾᏍᎩ ᎤᏮᏔᏅ ᎤᎸ ᏓᎾᏓᏍᎦᎬᎢ.\nᏂᎦᏛᏃ ᏕᎦᎳᏫᎥ ᎠᏂᏂ ᎤᏯᏅᏒᎯ ᏓᏂᎧᏅ ᎤᏂᎪᎮ ᎤᎧᏛ ᏗᎧᎿᏩᏗᏙᎯ ᎤᎧᏛ ᎾᏍᎩᏯ ᎨᏎᎢ.\nᏐᏉ ᎢᏯᎦᏴᎵᏉ ᎾᏂᎠ.\nᎠᏍᎡᏃ ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᏅᏓᎨᏨᏁᎵ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᏓᏆᏙᎥᎢ, ᏂᎬᏩᎦᏔᎲᎾ ᎨᏒ ᎢᏳᏍᏗ ᏅᏛᎩᏅᏏᏛ.\nᎤᏂᏣᏘᏃ ᎨᏒ ᏕᎬᏩᏂᎦᏘᎸᏒᎩ; ᏗᏄᎪᏗᏍᎩᏃ ᏚᏂᏄᏪᏒ ᎤᏂᏁᏨᎩ ᏗᎨᏥᎵᎥᏂᏍᏗᏱ.\nᎾᏍᎩ ᎯᎠ ᎺᎵ ᎹᎩᏕᎵ ᎡᎯ, ᎠᎴ ᏦᎠᎾ, ᎠᎴ ᎺᎵ ᏥᎻ ᎤᏥ, ᎠᎴ ᏅᏩᎾᏓᎴ ᎠᏂᎨᏴ ᎠᏁᎯ, ᎾᏍᎩ ᏥᏫᎬᏩᏂᏃᏁᎴ ᎨᏥᏅᏏᏛ.\nᎠᎴ ᎠᏴ ᎢᎬᏱ ᏃᎨᏅᏒᎩ ᏥᏳ ᏗᏔᎸᎢ, ᎠᎴ ᎣᎦᏣᏅ, ᎡᏐᏏ ᏬᎩᎶᏒᎩ; ᎾᎿ ᏉᎳ ᎣᏥᏲᏗᏱ ᎣᎩᏰᎸᏒᎩ, ᎾᏍᎩᏰᏃ ᎢᏳᏪᏛ ᎨᏒᎩ, ᎤᏩᏒ ᎡᎳᏗᏉ ᏭᎶᎯᏍᏗᏱ ᎤᏰᎸᏒᎩ.\nᎾᏍᎩᏴ ᎠᏲᎰᏒ ᏲᎾ, ᎢᎦᏅᏛᎢ ᎦᎸᏓᏱ ᏛᏂᎩᏏ ᎡᎶ, ᎯᎸᎯᏳ ᏫᎬᎩᏍᏗ ᏱᎨᏒᎾ.\nᎢᎸᎯᏢᏃ ᎤᏛᎾ ᎦᏚᎲ ᎠᎴ ᎤᏍᏗ ᎦᏚᎲ ᎢᏥᎷᎨᏍᏗ, ᎢᏣᏓᏛᏛᎲᏍᎨᏍᏗ ᎩᎶ ᎡᎲ ᎤᏓᏅᏘ, ᎾᎿᏃ ᎢᏥᏁᏍᏗ ᎬᏂ ᎥᏣᏂᎩ.\nᎠᎬᏱ ᎪᎦ ᎠᎴᏂᏍᎬ ᏕᎦᎶᎨᏒ, ᎤᎵᎮᎵᏍᏗ ᎤᏕᏘᏴᏌᏗᏒ.\nᏔᎵᏁᏃ ᏪᎯ ᎾᏍᎩ ᎤᏓᏴᏒᎩ, ᎠᎴ ᎤᏲᎱᏒᎩ; ᎾᏍᏉᏃ ᎾᏍᎩ ᎥᏝ ᏧᏪᏥ ᏱᏚᏪᎧᎯᏰᎢ; ᎠᎴ ᎾᏍᎩᏯ ᎾᏍᏉ ᏦᎢᏁ ᏪᎯ.\nᎤᎬᏫᏳᎯᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏣᎦᏌᏯᏍᏓ ᏂᏚᏳᎪᏛᎾ ᎢᏯᏛᏁᎯ ᏗᎫᎪᏗᏍᎩ ᏂᎦᏪᏍᎬᎢ.\nᎦᎵᏦᏩᏛ ᎦᏍᎩᎶ ᎠᏉᏢ ᏧᎦᏘᏴ ᎢᏳᏪᏍᏘ.\nᎾᏍᎩᏃ ᏄᏪᏒ ᎤᎾᎦᏌᏯᏍᏔᏁᎢ, ᏓᎾᏓᏛᏛᎲᏍᎨ ᎦᏛᎬ ᎠᏲᎱᏒ ᏗᎴᎯᏐᏗ ᎨᏒᎢ.\nᏧᎾᏓᎴᏅᏛᏍᎩᏂ ᏴᏫ ᎤᏃᎯᏳᏅᎯ ᏥᎩ, ᏙᏦᏪᎳᏁᎸ ᏙᎫᎪᏔᏅ ᎤᏂᏍᏆᏂᎪᏙᏗᏱ ᏂᎨᏒᎾ ᎪᎱᏍᏗ ᎾᏍᎩ ᎢᏳᏍᏗ ᏧᏁᏯᏙᏤᏗᏉᏍᎩᏂ ᎤᏩᏒ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ, ᎠᎴ ᎩᎬ ᎠᎴ ᎪᎱᏍᏗ ᎬᏬᏍᏔᏅᎯ ᎠᎴ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ.\nᎠᎴ ᎠᏏ ᎤᏂᏣᏛᎩ ᎤᏃᎯᏳᏅᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏩᏒ ᎧᏁᎬᎢ;\n“ᎭᏩ,” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎭᏩ.\nᎠᏓᏔᏍᎩ ᏅᏙ ᏎᎦᏨ ᎤᏓᏴᎳᏔᏅ ᏍᎩᏴ ᏏᏅᏓ ᎤᎶᎩᎶᏅ.\n“ᎦᏙᏃ ᎦᎷᏯᏍᏗ ᎤᏂᎬᎨᎢ.” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ, ᏣᏁᎳᏉ ᎢᏳᏕᏘᏴᏓ ᎨᏎ.\nᎥᏝ ᎡᎶᎯ ᏗᎧᎲᏍᏗᏱ ᏱᏥᏔᏲᎯᎭ, ᏘᏲᏍᏙᏓᏁᏗᏱᏉᏍᎩᏂ ᎤᏲ ᎨᏒᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎢᏤᏯᏔᎮᏍᏗ ᏞᏍᏗ ᏥᎡᏥᎶᎾᏍᏔᏂ; ᎤᏂ-ᏣᏖᏍᏗᏰᏃ ᎠᏴ ᏓᏆᏙᎥ ᎠᏂᎷᎯᏍᏗᏍᎨᏍᏗ, ᎠᏴ ᎦᎶᏁᏛ] ᎠᎾᏗᏍᎨᏍᏗ, ᎠᎴ ᎿᏉ ᎤᏍᏆᎸᎯᏗ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏗᏥ-ᏍᏓᏩᏛᏒᎩ.\nᎿᏉᏃ ᎠᏍᎩᎾ ᎦᎸᏉᏗᏳ ᏗᎦᏚᎲ ᏭᏘᏅᏍᏔᏁᎢ, ᎠᎴ ᏭᎩᎸᏔᏁ ᎤᏍᎪᎵ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ;\nᎿᏉᏃ ᎠᏂᏧᏏ ᎬᏩᏲᎸᎩ ᎬᏩᏲᎸᎩ ᏓᎾᎵᏍᏓᏴᎲᏍᎬᎢ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎭᏢ ᎾᏍᎩ ᎡᏙᎭ?\n”ᏍᎩᏙᎵᎩ, ᏧᏍᏆᏴᏍᏗ,” ᎤᏛᏁ, ”ᎠᎬᏱ ᎤᏂᏲᎸᎢᏍᏔᏅ ᎨᏍᏗ ᎦᎬᏙᏗ ᏱᎩ.\nᎠᎴ ᎦᏙᏃ ᏣᎬᏫᏳᎯ, ᏣᎬᏫᏳᎯ, ᎢᏍᎩᏲᎰᎢ, ᏂᏥᏪᏍᎬᏃ ᏂᏣᏛᏁᎲᎾ ᎢᎨᏐᎢ?\nᏧᏙᏓᏆᏓ ᏓᏂᎨᎯᏒ - ᏕᎨᏴ, ᏚᏅᏓᏒ, ᏚᎨᏓᎵᏴ - ᎾᎥᏉ ᎣᎭᏁ ᎠᏁᎨ ᏗᎾᏓᎭᏲᎯ ᎠᏙ.\nᎢᎾᏛᏃ ᎠᎰᎵ ᏓᏳᏄᎪᏫᏒᎩ ᎠᎹ ᏥᎦᏃᎱᎩᏍᎪ ᎾᏍᎩᏯᎢ, ᎠᎨᏴ ᎤᎨᎮᎩ ᎾᏍᎩ ᎦᏃᎱᎩᏍᎬ ᎤᏅᏍᏙᏗᏱ ᎤᏰᎸᏅᎩ.\nᎬᏂᏳᏉ ᏥᏅᏏᏓᏍᏗ ᏥᏯᏑᏰᏛ ᏥᎨᏳᎢ ᏗᏆᏓᏅᏛ ᎢᏴᏛ ᎣᏍᏛ ᏥᏰᎸᎢ; ᏓᏥᏁᎵ ᎠᏆᏓᏅᏙ, ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏚᏳᎪᏛ ᏧᎾᏄᎪᏫᏎᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎩᎶ ᏣᏓᏓᏟᏌᏁᎰ ᏧᎬᏩᏩᏗ ᎤᏩᏒ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯᏱᏃ ᎢᏗᏢ ᏄᏪᎿᎥᎾ ᏥᎨᏐᎢ.\nᎦᏲᏟ ᏧᏕᏘᏴᏓ ᏧᏲᏣᏃᎰᏍᏗ, ᎦᏙ ᏭᏩᎾᏬᎯᏍᏗ.\nᎤᏂᏍᏆᏂᎪᏎᏃ ᏄᏍᏛ ᏓᏕᏲᎲᏍᎬᎢ, ᎤᎵᏂᎩᏗᏳᏰᏃ ᎧᏁᎨᎢ.\nᎦᎪ ᎯᎠ ᏘᏂᏣᏛᏅ, ᎠᏍᎪᎯᏧᏈ ᏱᏚᎾᏝᎠ ᎤᏂᏃᏕᎾ, ᎢᏳᏃ ᏌᏉ ᏳᏲᎱᏎᎸ, ᎥᏝ ᏱᏗᎬᏕᎪ ᎢᎾᎨ ᎠᏁᏙᎲ ᏐᎣᏁᎳᏍᎪᎯ ᏐᎣᏁᎳᎦᎵ ᎢᏯᏂᏛ, ᎠᎴ ᏳᏲᎴᎪ ᎤᏲᎱᏎᎸᎯ, ᎬᏂ ᎠᏩᏛ?\nᎣᏍᏓ ᎠᎩᏰᎸᏗ ᎢᏯᏆᏛᏁᏗ ᎠᎩᏰᎸ ᎨᏙᎲ ᎠᎾᏓᎪᎾᏗᏍᎬ, ᎥᏣ ᎪᏪᎵ ᏗᎩᏂᏓᏍᏗ.”\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎢᎪᏂᏯ, ᎾᏍᎩ ᎢᏧᎳᎭ ᏭᏂᏴᎴ ᎠᏂᏧᏏ ᏧᏂᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏄᏍᏛ ᎠᏂᏬᏂᏍᎬ ᏅᏧᎵᏍᏙᏔᏁ ᎤᏂᏣᏘ ᎠᏂᏧᏏ ᎠᎴ ᎾᏍᏉ ᎠᏂᎪᎢ ᎤᏃᎯᏳᏁᎢ.\nᏕᏯᏙᏤᎮᏍᏗ ᏗᏃᏪᎵᏍᎩ, ᎾᏍᎩ ᏧᎾᏚᎵᏍᎪ ᏗᎦᏅᎯᏛ ᏧᎾᏄᏩᎢ ᎤᏁᏓᏍᏗᏱ, ᎠᎴ ᎣᏏᏳ ᏧᏂᏰᎸᎭ ᎨᏥᏲᎵᏍᏗᏱ ᏗᎦᏃᏙᏗᏱ, ᎠᎴ ᏄᎬᏫᏳᏒ ᏕᎦᏍᏗᎸ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏄᎬᏫᏳᏒ ᏗᎾᏢᏗᏱ ᏓᎾᎵᏍᏓᏴᎲᏍᎬᎢ;\n”ᎬᏂᎨ ᎤᏍᎪᎸ ᎧᏅᏂᏍᎩᏉ,” ᎤᏛᏁ ᎰᎻ.\nᏅᏩᏓᎴᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏆᏕᏒᏅ, ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎥᏝ ᏰᎵ ᏫᎬᎩᎷᎯᏍᏗ ᏱᎩ.\n“ᎠᏎ ᏍᎩᎾᎾ ᎾᏆᏍᏗ ᎠᎦᏗᏓ ᎦᎵᏍᏔᏴᎲᏍᎩ ᏃᎴ ᎣᏍᏓ ᎠᎩᏰᎸᎰ ᎠᏆᎵᏍᏔᏴᏗ.” \nᎾᏍᎩ ᎩᎶ ᎪᎯᏳᎲᏍᎨᏍᏗ, ᎤᏲᎱᎯᏍᏗᏱ ᏁᎨᏒᎾ, ᎬᏂᏛᏍᎩᏂ ᎤᏩᏛᏗ.\nᏥᎦᏔᎭ ᏄᏍᏛ ᏕᏣᎸᏫᏍᏓᏁᎲᎢ, ᎠᎴ ᎾᎿᎮᎲᎢ, ᎾᎿ ᏎᏓᏂ ᎤᏪᏘᏱ ᎨᏒᎢ; ᎠᎴ ᎾᏍᎩ ᎠᏍᏓᏱᏳ ᏕᏣᏂᏴᏒ ᏓᏆᏙᎥᎢ, ᎠᎴ ᏂᏣᏓᏱᎸᎾ ᎨᏒ ᎠᏆᏤᎵ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎾᎯᏳᎢ ᎥᏗᏆᏏ ᎤᏓᎵᏓᏍᏗ ᏂᎨᏒᎾ ᎠᎩᏃᎮᏍᎩ ᏄᎵᏍᏔᏅ, ᎾᏍᎩ ᏂᎯ ᎢᏤᎲ ᏣᏥᎸᎩ, ᎾᎿ ᏎᏓᏂ ᏒᎲᎢ.\nᎡᎳᏗ ᏄᏛᏁᎴ ᏫᎵᎻ, ᏥᏍᏕᏥ ᎦᏙᎬ ᎢᏣ ᏫᏄᏩᏁᎴ ᎤᎵᏇᏅ ᎦᏂᏓᏛ.\nᎾᏍᎩᏃ ᏑᎾᏓᏡᎩ ᎠᎾᎢᏒ ᎨᎳᏗ ᎠᏁᎵᏍᎬ ᏏᎦ ᎡᏅᏍᏗ ᎢᏴᏛ ᎤᏁᏅᏎᎢ; ᎪᎱᏍᏗᏃ ᏧᏅᏅ ᎠᎴ ᏗᎾᏓᎦᏔᎯ ᎠᏂᏅ ᎤᏂᏲᎴᎢ.\nᏝ ᎤᏟᎢᎦ ᏲᏣᎦᏎᏍᏓᏁᎴ ᎢᎬᏱ ᎥᏍᎩ ᏄᏛᏁᎳ.\nᎠᎴ ᎢᎳᎩᏳ ᎢᏨᎪᎡ ᏣᏢᎨᎢ, ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᎡᏣᏍᏚᎮᎢ, ᎢᏨᏯᎦᏔᏂᎴᏃ?\nᏲᎾ ᎤᏤᏍᏙ ᎤᎵᎢ ᎮᏂᎵ ᎤᎵᏲᏗ ᏚᎾᏦᏎᎢ ᏃᎴ ᎤᏴᏅᎮᎢ ᎤᎾᎩᎸᏙᏗ ᎦᏆᏘ ᎠᏗᏆᎸᏕᏲ. ᎠᏗᏆᎸᏕᏲ.\nᎹᏚ ᎠᎴ ᏓᎻ ᎡᎵᏈ ᎤᏫᏥ, ᏌᏩᏂᏃ ᏏᎶᏗ ᏣᏃᏎᎰᎢ,\nᎩᎶ ᏗᎾᏓᏅᏟ ᏳᎨᏳᎭ ᎢᎦᎦᏛ ᎡᎭ, ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᎠᏓᏙᏕᏍᏗᏍᎩ ᏳᏪᎭ.\nᎾᏍᎩᏃ ᏧᏪᏅᏒ ᏫᎤᎷᏨ, ᎤᏙᎴᎰᏎ ᎠᏍᎩᎾ ᎤᏄᎪᏨᎢ, ᎤᏪᏥᏃ ᎠᏤᏍᏙᎩᎯ ᎦᏅᎬᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏥᏕ-ᏥᎪᏩᏗᎭ, ᏛᏍᏆᎸᎯ, ᎾᏍᎩ ᎥᏝ ᏌᏉᎤᏅ ᏅᏯ ᏱᏚᏓᏌᏞᎮᏍᏗ ᎾᏍᎩ ᏂᎪᎲᏔᏅᎾ ᏱᎨᏎᏍᏗ.\nᎤᏟᏍᏓ ᎰᎻ ᏭᏴᏅᎮ ᏣᏄᏏ.\nᎠᎩᏍᏆᏂᎪᏍᎦ ᏥᎾᏞᎬ ᎡᏣᏓᏅᎡᎸ ᎾᏍᎩ Ꮎ ᎢᏥᏯᏅᏛ ᏫᏥᎧᏅᎯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎦᎶᏁᏛ, ᏅᏩᏓᎴ ᎣᏍᏛ ᎧᏃᎮᏛ ᏥᏥᎬᏫᏳᏔᏅ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎠᏏ ᎾᎿ ᎠᏁᏙᎮᎢ, ᎤᏍᏆᎸᎮ ᎠᏲᎵ ᎤᎾᏄᎪᏫᏍᏗᏱ.\nᎣᏥᎦᏔᎭ ᎤᏁᎳᏅᎯ ᎼᏏ ᎤᏬᏁᏔᏅᎢ; ᎾᏍᎩᏂ ᎯᎠ ᎥᏝ ᏲᏥᎦᏔᎭᏧᏓᎴᏅᎢ.\nᏎᎦ ᏚᏃᏣᏝᏃᎾ, ᎤᏂᏄᎸᏁ ᎤᏂᏬᏂᎯᏍᏗ ᎠᎴ ᎤᎾᎵᏖᎸᎮᏗ ᎠᏂᎪᏕᏍᎩ ᏃᎴ ᎠᏂᎴᏴᏍᎩ.\nᎤᏕᏅᏃ ᎧᎸᎬᎢᏗᏟ ᏖᎾᏏ ᎦᎵᏆᏚᎢᏍᎪᎯᏧᏈ ᏑᏓᎵᏍᎪᎯ ᎤᏕᏘᏴᏌᏗᏒ, ᎤᏥᏃ ᎠᏣᎳᎩ ᎠᎴ ᎤᏙᏓ ᎠᏲᏩᏁᎦ ᏱᎨᏎ.\nᎠᏯ, ᎬᏲᎯᏳᎯ W. G. Williams, ᎦᎸᎳᏗ ᎠᏍᎦᏰᎬᏍᏔ\nᏦᏈᏃ ᏂᎬᎾᏛ ᎤᎾᏛᎦᏁᎢ, ᎠᎴ ᎤᏂᏣᏖ ᎤᏃᎯᏳᏁ ᎤᎬᏫᏳᎯ.\nᎢᏳᏰᏃ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏗᏓᏚᎪᏓᏁᎯ ᎨᏒ ᎦᎾᏄᏫᏍᎩ ᎦᎸᏉᏗᏳ ᏱᎩ, Ꮀ ᎤᎬᏫᏳᎭ ᎤᏓᎪᎾᏛᏗ ᎦᎸᏉᏗᏳ ᎠᏓᏚᏓᎴᏍᎩ ᎨᏒ ᏗᎦᎸᏫᏍᏓᏁᏗ.\nᏔᎵ ᏍᎪᎯ ᎠᏕᎳ ᏃᎴ ᏐᏉ ᎯᏍᎦᏕᎸ ᏚᏅᏁᎴ ᎰᎻ.\nᏏ ᏐᏉ ᎢᏳᏩᎬᏗ ᏭᏂᏌᏙᏴ ᏭᏂᏴᏍᏔᏁᎢ ᎧᏁᏌᎢ.\nᎩᎶ ᏯᏰᎴᎲᎾ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ ᎨᏓᎵ ᎢᏣ ᎤᏓᏌᏆᏟᎴᎢ.\nᏁᎵᏍᎬᏃ ᏲᎾ, ᎦᏙ ᎤᏂᎲ ᎤᏩᏌ ᎤᏂᎵᎶᎲᏍᎨ.\nᎡᏝᏪᎯ ᏚᎷᏫᏍᏔᏁᎮ ᎪᏱᏁᎢ.\nᎡᏝᏪᎯ ᎤᏟᏃᎮᏔᏅ, ᏍᎩᎷᏥᏏ, ᏍᎩᎷᏥᏏ, ᎤᏛᏅ.\nᏏᎵᏱᏃ ᎠᎴ ᏏᎵᏏᏱ ᎤᎶᏒᎩ, ᏓᎵᏂᎪᎯᏍᏗᏍᎬᎩ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏈᏩᏗᏒᎢ.\nᏅᏩᎾᏓᎴᎢ, ᎤᏓᏙᏎᎸᎩ ᏈᏓ. ᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏧᏁᏥᏍᎩᏂᎨᏃ ᎤᎾᏁᎳᎩᏉ.\nᎭᏫᏂ ᎠᏙᎯ ᎤᏍᎦᏎᏗ ᎤᎧᎭᏛ.\nᎥᏝ ᎢᏣᏓᏂᏯᏛ ᏴᏓᏨᏴᏕᏥ; ᏛᏨᎷᏤᎵ.\nᏔᎵᏁᏃ ᎢᎸᏍᎩ ᏫᏄᏒᎸ ᎨᏆᏂ ᏭᏴᎴᎢ; ᏚᏃᏣᎶᏤᏃ ᎦᎵᏦᏕ ᎠᏯᎥᎢ.\nᎾᏍᎩᏰᏃ Ꮎ ᎤᏙᎯᏳᎯ ᎤᏬᏑᎶᏨᎯ ᏥᎨᏐᎢ, ᎠᎴ ᎤᏩᏒᎯᏳ ᏥᎨᏐᎢ, ᎤᏁᎳᏅᎯ ᎠᎵᏍᎦᏍᏙᏗᏍᎪᎢ, ᎠᎴ ᏓᎧᎿᏩᏗᏐ ᎠᏔᏲᏍᏗ ᎨᏒ ᎠᎴ ᎠᏓᏙᎵᏍᏙᏗ ᎨᏒ ᏂᏚᎵᏏᏂᏒ ᎠᎴ ᏂᏚᎩᏨᏂᏒᎢ.\nᏤᏌᏂᏃ ᎠᎴ ᎠᏂᏐᎢ ᏔᎵ ᎬᏩᎾᏛᏓᏁᎯ ᏚᏂᏩᏛᎲ ᏙᎨᏥᎧᏅᎩ.\nᎿᏉᏃ ᎤᎪᎵᏰᏍᎩ ᎤᎷᏤᎸ ᎯᎠ ᏄᏪᏎᎢ; ᎢᏳᏃ ᏂᎯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏎᏍᏗ, ᎯᎠ ᏅᏯ ᎦᏚ ᎤᎾᏙᏢᏗᏱ ᎯᏁᎩ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ. ᏝᏍᎪ ᏂᎯ ᏔᎳᏚ ᎢᏥᏛ ᏱᏨᏯᏑᏰᏎᎢ? ᎠᏎᏃ ᎠᏏᏴᏫ ᎤᏓᏑᏯ ᎠᏍᎩᎾ ᎢᎩ.\nᏧᎳᏏᏕᏅ ᎭᏫᏂᏣ ᏧᏁᎦ ᎨᏒ, ᎩᎳ ᎠᎬᏱ ᏓᎪᏩᏘᏍᎨ ᏣᎵ ᎡᏍᎦᏉ ᎠᏂᏳᏩᏁᎦ.\nᏙᏓᏆᏓ ᎦᏅᎨ ᎾᎥᏂ ᎤᏬᏔᏅ ᎪᎰᏍᏗ ᏯᏓᏅᏖᏍᎬᎾ, ᎤᏚᎵᏍᎨ ᎤᏲᎰᎯᏍᏗ ᎯᎸᎯᏳ ᎤᏂᏩᏛᏗ ᏱᎨᏒᎾ.\nᎢᎾᏛ ᏓᏂᏁᏍᎨᏍᏗ; ᎢᏳ ᎠᎴ ᎪᎱᏍᏗ ᎠᏓᎯᎯ ᏳᎾᏗᏔᎲ, ᎥᏝ ᎪᎱᏍᏗ ᏳᏅᏁᎮᏍᏗ; ᏧᏂᏢᎩ ᏓᎾᏏᏔᏗᏍᎨᏍᏗ, ᎠᎴ ᏚᎾᏗᏩᏍᎨᏍᏗ.\nᎨᎵ ᎧᏂᎩᏓ.\nᎠᎰᎵᏃ ᎤᏍᏚᎢᏒ ᏚᏪᏲᏁ ᎯᎠ ᏄᏪᏎᎢ;\n”ᎣᎯᏍᏙᏗ ᏗᎦᎷᏫᏍᏔᏁᎸ.” \nᎾᏍᎩ ᏓᏣᏃᏁᎵ ᎢᏣᏛᏁᏗᏱ ᏣᎵᏍᏕᎸᏗᏱ ᏂᎯ ᎠᎴ ᏂᎦᏛ ᏗᏣᏤᎵ ᏏᏓᏁᎸᎢ.\nᎦᏙᏃ ᎦᎪᎯᏳᏗ ᏂᎨᏒᎾ ᎢᏥᏰᎸᏐ ᎤᏁᎳᏅᎯ ᏧᎴᏙᏗ ᎨᏒ ᏧᏂᏲᎱᏒᎯ?\nᎠᎴ ᎤᏂᏣᏛᎩ ᎤᎾᏓᏑᏴᎩ ᎠᏂᏧᏏ ᎺᎵ ᎬᏩᎷᏤᎸᎯ, ᎠᎴ ᎤᏂᎪᎲᎯ ᎾᏍᎩ ᏥᏌ ᏄᏛᏁᎸᎢ, ᎬᏬᎯᏳᏅᎩ.\nᏂᎦᏛᏃ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎠᎴ ᎤᎾᎵᏃᎮᎴ ᎤᏅᏒ ᎨᏒ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ; ᎦᏙ ᎤᏍᏗ ᎧᏁᎢᏍᏗ ᎯᎠ? ᎤᏤᎵᎦᏯᏰᏃ ᎠᎴ ᎤᎵᏂᎩᏛ ᎨᏒ ᏕᎬᏗᎭ ᏕᎧᏁᏤ ᎠᏂᎦᏓᎭ ᏗᏓᏅᏙ, ᎠᎴ ᎠᏂᏄᎪᎦ.\nᎩᏴᎭᎦ.\nᎠᏏ ᎤᏣᏔ ᎠᎩᎷᎳ ᎪᎱᏍᏗ ᎢᏨᏃᏁᏗ, ᎠᏎᏃ ᎪᎯ ᎨᏒ ᎥᏝ ᏰᎵ ᎾᏍᎩ ᎨᏣᏛᎪᏗ ᏱᎩ;\nᎤᏂᎦᎾᏍᏓ ᎤᏂᏥᎸᎢ ᏃᎴ ᎤᏂᏍᏓᎦᏴᎯᏓ, ᎠᎹ ᎤᏂᏁ ᎢᏳᏍᏗ ᏃᎴ ᎪᎨ ᎢᏳᏍᏗ ᎦᏫᏒᎢᏍᏗ ᏱᏩᏥᏍᏓᎩᏌ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎪᎯ ᎢᎦ ᎢᏥᎦᏔᎯ ᏂᏨᏴᎦ, ᎩᎶ ᎤᏂᎩᎬ ᎾᏆᏓᏅᎦᎸᎾ ᎨᏒᎢ.\n”ᏥᏂᎦᏕᎶᎣᏍᎪ ᎤᏍᏆᏂᎩᏗ ᎨᏒ ᏏᏆ.”\nᎦᎸᎶᎢᏃ ᎦᎸᏉᏗ ᎤᏰᎸᏛ ᎤᎾᏄᎪᏨᎩ; ᎠᎨᏴ ᏅᏙ ᎢᎦ-ᎡᎯ ᎤᏄᏬᏍᏛᎩ, ᏅᏙᏃ ᏒᏃᏱ-ᎡᎯ ᎤᏔᏍᏓᎥᎩ, ᎤᎵᏍᏚᎸᎩᏃ ᎠᎵᏍᏚᎶ ᏔᏔᏚ ᏃᏈᏏ ᏗᎰᏢᏔᏅᎯ.\nᎾᏍᎩᏃ ᎠᏂᏅᏜᎡᎢ ᎠᎴ ᎠᎾᎵᏍᏓᏴᎲᏍᎨᎢ, ᏥᏌ ᎯᎠ ᏁᏪᏎᎢ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎠᏏᏴᏫ ᎯᎠ ᏥᏂᏣᏛᏅ ᎢᏧᎳᎭ ᏦᏍᏓᎵᏍᏓᏴᎲᏍᎦ, ᏛᏆᏡᏔᏂ.\nᎤᏓᏅᏖᎴᏃ ᎤᏩᏒ ᏧᏓᏅᏛᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙ ᏓᎦᏛᏁᎵ, ᎥᏝᏰᏃ ᏰᎵ ᏳᏜᏅᏛ ᎠᎩᏗᏱ ᎠᏆᏛᎯᏎᎸᎯ.\n“ᏥᏙᎩᏯᎷᎦ ᏔᎵ ᎢᎦ ᏗᎳᏑᎶᎢ.”\nᎾᏍᎩ ᎯᎠ ᏔᎵ ᏄᎵᏁᏨ ᏚᎵᏍᏓᏱᏗᏍᏗ ᏂᎦᏗᏳ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎤᎾᏙᎴᎰᏒᎢ.\nᎦᎶᏁᏛ ᎪᎱᏍᏗ ᎦᏰᏣᎵᏍᏕᎥᏙᏗ ᏂᎨᏒᎾ ᏂᎦᎵᏍᏓ, ᏂᎯ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏣᏚᏓᎴᏍᏗᏍᎩ; ᏕᏥᏲᎯ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ.\nᎠᎴ ᎾᏍᎩ, ᏥᏗᎦᏔᎭ ᎢᏴᏛ ᎠᎵᏱᎵᏒᎢ, ᎾᏍᎩ ᎾᎯᏳ ᎠᏰᎢᏍᏗᏱ ᎢᏗᎵᎲ ᎿᏉ ᎤᎵᏰᎢᎶᎸ; ᎪᎯᏰᏃ ᎡᎩᏍᏕᎸᏗᏱ ᎨᏒ ᎤᏟ ᎾᎥᏂᏳ ᎠᏃ ᎢᎬᏱᏱ ᏗᎪᎯᏳᏅᎢ.\nᎿᏉᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎦᎪᏂᎯ? ᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎾᏍᎩᏉ ᏥᏨᏲᏎᎰᎢ, ᎤᏙᎯᏳᎯᏯ ᎾᏍᎩᏉ.\nᎠᎴ ᎯᎠᏉ ᏱᎾᎩᏪᏒ, ᎵᏫ ᎾᏍᏉ ᎠᏍᎪᎯᏁ ᎪᏣᎴᏛ ᏗᏓᏂᎸᎩ ᏥᎩ, ᎠᏍᎪᎯᏁ ᎪᏣᎴᏛ ᎤᎫᏴᎮ ᎾᎯᏳ ᎡᏆᎭᎻ ᎤᎫᏴᎲ.\nᎠᎴ ᏕᏫ ᎯᎠ ᏂᎦᏪᎭ, ᎠᎵᏍᏓᏴᏗᏱ ᎤᏂᏍᎩᎸ ᎤᏁᏍᎩ, ᎠᎴ ᎤᏂᏌᏛᎥᏍᎩ, ᎠᎴ ᏧᏃᏕᎯᎯ, ᎠᎴ ᎤᏂᏍᏛᏗᏍᏙᏗ ᏫᏄᎾᎵᏍᏓᏏ;\nᎠᏍᏓ ᎦᏗᏆᎸᏕᏯᏍᏛ ᎠᎩᎬ ᎢᏳᏍᏗ ᎾᏆᎵᏍᏔᏁ.\nᎤᏛᏐᏅ ᏥᏂᎨᏐ ᎢᏳᏍᏗ, ᎠᏍᎦᏃᎵ ᏃᎴ ᏧᏃᏰᏂ ᏃᎴ ᏗᏂᏂᎨᏂ.\nᎡᎵᏍᎬ ᎠᏎᏉ ᏄᎾᏛᎾ, ᎡᏝᏪᎯ ᎤᏃᎮᎸ ᎤᎾᏓᎭᎷᎬ, ᏃᎴ ᎢᏳᎾᏛᏁᏘ ᏧᎾᏓᎩᏯᏍᏗ, ᎠᏎᏃ ᎨᏍᏗ ᏍᎩᏴ ᏭᎾᏓᏅᏖᏗ ᏱᎨᏎ, ᎤᎾᎵᏍᏗ ᎠᏂᏴᏫ, ᎤᏂᏲᎰᏎᎸ ᎠᏁᎲ, ᎾᏍᎩᏯ ᎨᎦᏙᏁᏛ, ᏭᏕᎵᎬ ᎢᏣ ᏭᏩᎾᏬᏒ -ᏴᎬᎾᏟᎦ.\nᎠᎼ ᎦᏚᎢᏣ ᏳᏓᏬᎠ ᎯᎠ ᎾᏂᏪᏎᎮ, ᏤᏍᏗ ᎭᎾ ᏯᏓᏬᏍᎨᏍᏗ ᎤᏍᏗ ᎠᏣᏗ, ᏣᏠᎯ ᏓᎦᏃᎯᎸᏍᏔᏂ ᏃᎴ ᏓᏣᎾᎩᏍᏔᏂ!\nᎤᎵᏍᏆᎸᏗ ᏓᏓᎪᏪᎳᏂ ᎯᎪ ᎤᏒᎯ.” \nᏚᎧᎿᏅᏃ ᏚᎪᎮ ᏧᏁᎿᎢ ᎠᏂᎲᏍᎨ ᎠᏕᎸ-ᏗᏗᏱ ᎤᎾᎵᏍᎪᎸᏔᏅᎯ.\nᏕᎦᏚᏩᏗᏒᏃ ᎠᏂᎶᏍᎬᎢ, ᏓᏂᏲᎯᏎᎲᎩ ᎤᏂᏍᏆᏂᎪᏙᏗ ᏗᎧᎿᏩᏛᏍᏗ, ᎾᏍᎩ ᏧᏄᎪᏔᏅᎯ ᎨᏥᏅᏏᏛ ᎠᎴ ᏗᎨᎦᏁᎶᏗ ᏥᎷᏏᎵᎻ ᎠᏁᎯ.\nᏎᎦᏨ ᏚᎭᎾᏬᎩᏐᏅ ᏗᏴᎦᎴᏴᏓ ᏚᎭᏄᏮ, ᏗᏌᎧ ᎭᏫᏂ ᏚᎭᏄᏮ, ᏔᎵᏁ ᏧᏁᎦᎶ ᎢᏗᏌᎧ, ᎤᏬᏗᎨ ᎤᏍᎪᎸ ᏗᏑᏫᏓ ᎢᏤ ᎢᏳᏍᏗ ᎠᏑᏫᏓ ᎪᏚᎢᏍᏛ.\nᏎᎦᏨ ᏍᏉ ᎤᏰᏤ ᎰᎻ.\n(ᎥᏝᏍᎩᏂᏃᏅ ᏥᏌ ᎤᏩᏒ ᏱᏓᏓᏬᏍᎨᎢ, ᎬᏩᏍᏓᏩᏗᏙᎯᏉᏍᎩᏂ,)\nᏁᎳᎩ ᏂᏚᏍᏕ ᎠᏰᎵ ᏗᎴᏂᏍᎩ ᎦᎸᎳᏗ ᏫᏗᎦᎷᎩ, ᏍᎩᎾᎾ ᏚᏂᎬᎨ ᏗᏍᏕᎵᏍᎩ ᏗᏐᎢ ᏧᏏᎳᏛᏗ.\nᏉᎳᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎠᏴ ᏥᏧᏏ ᏗᎵᏏᏱ ᎨᎢ ᏓᏌ ᎦᏚᎲᎢ, ᎥᏝ ᎡᏍᎦᏉ ᎤᏬᎭᏛ ᎦᏚᎲᎢ ᎨᎢ ᏱᎩ; ᎠᎴ ᎬᏔᏲᏎᎭ ᎤᏁᎳᎩ ᏍᏇᎵᏎᏗᏱ ᏗᏥᏬᏁᏙᏗᏱ ᏴᏫ.\nᎨᏍᏗ ᎤᏩᏌ ᎤᏪᏅᏒ ᎠᏰᎵ ᏱᎨᏎ, ᎨᏍᏗ ᏱᎪᎵᎨ, ᎡᎵᏍᎬ ᏰᎵᏉ ᏭᎷᎯᏍᏗ ᎤᏂᎵᏦᏩᏛ ᏃᎴ ᎤᎦᏃᏮ ᎤᏃᏛ ᎤᎵᏏᎩ ᏱᏂᎦᎵᏍᏘᏍᎬᎾ.\nᏏ ᎨᏍᏗ ᏱᏧᏁᏣ.\nᎤᏑᏰᎭ ᎤᏟ ᎤᏰᎸᏁ ᎤᏁᎳᏅᎯ ᏧᏤᎵ ᏴᏫ ᎠᏂᎩᎵᏲᏥᏙᎲ ᎤᏠᏯᏍᏙᏗᏱ, ᎠᏃ ᎠᏍᎦᏂ ᏞᎦ ᎣᏍᏛ ᎤᏓᏓᏅᏓᏗᏍᏙᏗ ᎨᏒᎢ;\nᎠᎦᏓ ᏄᏟᏂᎬᎦ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ, ᎠᏎᏉ ᏄᏍᏛᎢ ᏗᎧᏃᏗ.\nᏂᎯ ᏧᏪᏥ ᎯᏥᎨᏳᏣ, ᏥᏚᎢᏍᏗ ᎢᎦᎵᎢᏴ, ᎢᎪᎯᏓ.\nᎦᏛᏃ ᎠᏂᏆᎵᏏ ᎾᎿ ᎤᏂᏣᏘ ᏄᎾᏛᏅ ᎯᎠ ᏅᏗᎬᏩᏪᏎᎴᎢ, ᏔᏕᏲᎲᏍᎩ, ᏘᏅᏍᏓᏗᏏ ᎨᏣᏍᏓᏩᏗᏙᎯ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂᏐᎢ ᎠᎾᏓᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎣᏥᎪᎥ ᎤᎬᏫᏳᎯ. ᎠᏎᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎥᏝ ᏴᎦᎪᎢᏳᎲᎦ ᎬᏂ ᏧᏪᏰᏂ ᏴᎩ ᏚᏰᎸᏒ ᏱᏓᎩᎪᎲ, ᎠᎴ ᏥᏰᏌᏛ ᏯᏋᏔᏅ ᏯᎩᏃᏟᏍᏔᏅ ᏴᎩ ᏚᏰᎸᏒᎢ, ᎠᎴ ᎠᏍᏆᎨᏂ ᏯᏆᏐᎾᏛ.\nᎠᏗᎾ ᏞᏍᏗ ᎩᎶ ᏂᎯ ᏂᏣᏛᏅ ᏳᎩᎵᏲᏤᏍᏗ ᏴᏫ ᎤᎸᎢ ᏳᏍᏛᏗᏍᎨᏍᏗ, ᎠᎴ ᎤᏃᏍᎩᏒᎢ, ᎠᎴ ᎤᏲ ᏚᎸᏫᏍᏓᏁᎸᎢ, ᎠᎴ ᎤᎵᏌᎳᏁᎯ ᎨᏒ ᏅᏩᎾᏓᎴ ᏧᏂᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎤᏁᎳᏅᎯᏰᏃ ᎤᏪᏥ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎢᏤᎲ ᎢᏨᏯᎵᏥ ᏙᏁᎸᎯ ᏥᎩ, ᎾᏍᎩ ᎠᏴ, ᎠᎴ ᏏᎵᏪᎾ, ᎠᎴ ᏗᎹᏗ ᎢᏨᏯᎵᏥᏙᏁᎸᎯ ᏥᎩ, ᎥᎥ ᎠᎴ ᎥᏝ ᎤᏛᏗᏱ ᎥᏝ ᏲᎦᏛᏁᎢ, ᎥᎥᏍᎩᏂ ᎤᏩᏒ ᎤᏛᏗᏱ ᎬᏂᎨᏒ ᏃᎬᏁᎸᎩ.\nᎠᏓᏕᎭᏯᏙᏔᏅᎾ ᎤᏂᏍᏆᏙᏅ ᎠᎾᏛᏁᎵᏍᎩ, ᎤᏣᏘᏅ ᎦᏚᎲ ᏭᎶᏒ Mrs. Chapman, ᎠᎹᏳᎸᏓ ᎨᏙᎲ ᏰᎵ ᏧᏙᏓᏆᏓ ᏥᏑᎵᎪᎬ, ᎨᏍᏗ ᏱᏓᏉᏪᎳᎾ ᎪᏪᎵ ᏓᎭᏃᏫ ᎠᎾᏓᏅᏖᏍᎩ ᏧᏂᎾᎩᏍᏗ ᏃᎴ ᏗᏇᏅᏒ Tallent.\nᎤᏣᏛᎩ ᎢᏳᏓᎴᎩ ᎢᏨᏲᏪᎳᏁᏗ ᎠᎩᎲᎩ, ᎠᏎᏃ ᎥᏝ ᎪᏪᎵᏉ ᎠᎴ ᏗᎪᏪᎶᏗ ᏗᎬᏙᏗ ᏯᎩᏰᎸᏎᎢ, ᎤᏚᎩᏰᏃ ᎠᏋᎭ ᎢᏨᏩᏛᎲᏍᏗᏱ, ᎠᎴ ᏗᏗᎰᎵ ᏗᎬᏙᏗᏱ ᎢᎦᎵᏃᎮᏗᏱ, ᎠᎴ ᎢᏓᎵᎮᎵᎬ ᎤᎧᎵᎢᏍᏗᏱ.\nᎯᎠ ᏂᏑᏪᏎᎴᎢ; ᎠᎩᏅᏩᏅᎯ ᎯᎠ ᎾᎩᏪᏎᎸᎩ; ᎯᎾᎩ ᏣᏤᏍᏙ, ᎠᎴ ᎮᏓ.\nᎠᏴᏍᎩᏂ ᎥᏝ ᏴᎦᏲᏣᏢᏈ ᎠᎦᏲᏥᎶᏒᏍᏓ ᎠᏟᎶᎥᎢ; ᎾᏍᎩᏯᏉᏍᎩᏂ ᏩᏍᏛ ᎢᏴᏛ ᎠᏟᎶᎥ ᎤᏁᎳᏅᎯ ᏙᎩᏲᎯᏎᎸᎢ, ᎾᏍᎩ ᎠᏟᎶᏍᏗ ᏂᎯ ᏗᏤᎲ ᏫᎦᎷᎩ.\nᎢᏳᏍᎩᏂ ᎢᎸᎯᏳ ᏁᏥᎩᏲᎢᏍᏗᏍᎬᎾ ᏱᎩ, ᎾᏍᎩ ᏂᎦᏗᏳ ᏗᏂᏲᎵ ᎾᏍᎩ ᎢᎨᎬᏁᏗ ᏥᎩ, ᎿᏉ ᎢᏴᏛᏉ ᎢᏣᏕᏂᏙᎸᎯ, ᎥᏝᏃ ᎣᏍᏛ ᎢᏣᏕᏅᎯ ᏱᎩ.\nᎠᏎᏃ ᏤᏍᏗ ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ.\nᎯᏌᏙᏯ- ᎯᏌᏙᏯ - ᎯᏌᏙᏯ - ᎯᏌᏙᏯ, ᏃᏗ ᎩᏅᎪᎢ!”\nᎤᏁᎳᏅᎯᏃ ᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏓᏳᏂᏍᏚᎢᏒᎩ ᎦᎸᎳᏗ, ᎠᎴ ᏩᎪᏩᏛᏗ ᎨᏒᎩ ᎾᎿ ᎤᏤᎵᏗᎦᎳᏫᎢᏍᏗᏱ ᎦᏁᏌᎢ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎦᎶᏗ; ᎠᎴ ᏚᎾᎦᎸᎲᎩ, ᎠᎴ ᏚᏂᏁᏨᎩ, ᎠᎴ ᏚᏴᏓᏆᎶᎥᎩ, ᎠᎴ ᎪᏙᎯ ᎤᎵᏖᎸᏅᎩ, ᎠᎴ ᎤᏍᎦᏎᏗ ᎤᏁᏐᎠᏒᎩ.\nᎾᏍᎩ ᎢᎦᎢ ᎤᏟ ᎢᏳᏓᎵᏁᎯᏯᏛ ᎾᎬᏁᎴ ᎡᏍᎦ ᏗᏂᎧᎿᏩᏗᏙᎯ, ᎾᏍᎩ ᎤᏘᏯᏍᏓᏁᏗ ᎨᏒ ᎤᏟ ᎢᎦᎸᏉᏗ ᏧᏙᏍᏙᏗ ᏧᏩᏛᏔᏅ.\nᎢᏳᏃ ᏚᏳᎪᏛ ᏂᏣᏛᏁᎸᎾ ᏱᎩ ᏅᏩᏓᎴ ᎤᏤᎵᎦ ᎨᏒᎢ, ᎦᎪ ᏓᏥᏁᎵ ᎢᏨᏒ ᎢᏣᏤᎵ ᎨᏒᎢ?\nᏰᎵ ᎪᎯᏛ ᏂᏓᎩᎷᏍᏔᏁᎰ ᏥᏍᏕᎵᏍᎬ ᏲᎾ, ᏗᎦᏤᎵ ᏴᏫ ᎤᎾᎵᏍᏕᎸᏙᏗ.\nᎠᏏᏉᏃ ᎾᏍᎩ ᏂᎦᏪᏍᎬᎩ, ᎤᏩᏒ ᎠᎵᏍᏕᎵᏍᎬᎢ, ᏇᏍᏓ ᎯᎠ ᎠᏍᏓᏯ ᏄᏪᏒᎩ; ᏣᎸᏃᏘᎭ ᏉᎳ, ᎤᏣᏘ ᎪᏪᎵ ᏘᏏᎾᏏᏳ ᎨᏒ ᎾᏍᎩ ᏣᎸᏃᏙᏗᎭ.\nᎤᏔᎷᎩᏍᎨ ᎤᏁᎦᎸ.\nᎾᎯᏳᏃ ᎤᏂᏣᏘ ᎨᏒ ᏴᏫ ᏧᏈᏯ. ᎨᏒ ᎢᏳᏍᏗ, ᎠᎴ ᏄᏂᎲᎾ ᎨᏒ ᎤᎾᎵᏍᏓᏴᏗ, ᏥᏌ ᏫᏚᏯᏅᎲ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ;\nᏃᏗ ᎤᏂᏍᏆᏙᏅ ᏗᏙᎴᏆᏍᏗ, ᏧᏙᏓᏋᏓ ᎮᏙᎮ ᏲᎾ ᎤᏤᏍᏙ, ᎤᏍᏗ ᎦᏍᎩᎶᎩ ᎤᏬᏞ ᎡᏝᏪᎯ.\nᎿᏉᏃ ᏑᏓᎵ ᎢᎦ ᏚᏃᏒᎩ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎤᏍᏆᎸᏗᏱ ᏥᏌ ᏇᏗᏂ ᏭᎷᏨᎩ, ᎾᎿ ᎡᎲ ᎳᏏᎳ, ᎤᏲᎱᏒᎯ ᏥᎨᏒᎩ, ᎾᏍᎩ ᎤᏲᎱᏒ ᏥᏚᎴᏔᏅᎩ.\nᏗᏥᎨᏫ ᏗᏣᏓᏘᏂᏙᎯ! ᏙᏒ ᎢᏥᎿᏐᎸᏍᏗᏍᎩ ᎨᎻᎵᏃ ᎢᏥᎩᏍᎩ.\nᎠᎴ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᎾᏠᎾᏍᏗ ᎠᎾᎵᏅᏟ ᏄᏪᎵᏍᏛᎾ ᎨᏥᏴᏔᏂᎸᎯ, ᎾᏍᎩ ᏅᏕᎵᏛ ᎤᏂᏴᎵᎸ ᎤᏂᎨᏛᏗᏱ ᎣᎦᏓᏤᎵᎦᏯ ᎨᏒ ᏥᏌ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏛ ᎣᎩᎲᎢ, ᏦᎩᎾᏝᎢ ᎢᎪᎬᏁᏗᏱ;\nᎠᏓᏅᏬᎯᏍᏗᏍᎩᏍᎩᏂ, ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ, ᎾᏍᎩ ᎠᎦᏴᎵᎨᎢ ᏅᏓᏳᏅᏍᏗ ᏥᎩ ᏓᏆᏙᏍᏛᎢ, ᎾᏍᎩ ᏂᎦᏛ ᏓᏤᏲᏂ, ᎠᎴ ᏓᏣᏅᏓᏗᏍᏔᏂ ᏂᎦᎥ ᎢᏨᏁᏤᎸᎢ.\nᏑᎾᎴ, ᎠᏤ ᎧᏁᏍᎦ ᎤᏝᏁ ᏫᎵᎻ ᎤᏴᏍᏗ ᏣᏄᏏ ᏃᎴ ᏏᏆ ᎤᏴᏍᏗ ᏭᏝᏁᎢ.\n“ᎧᏃᎮᏗ ᏍᎩᏃᎯᏏ, ᏌᎳᏓ!”  ᏍᏉᏃ ᏚᏯᏪᎨ ᏌᎳᏓ, ᎠᏎᏃ ᏫᎵᎻ ᎤᏚᎵᏍᎬ ᏄᏛᏁᎴ.\nᏂᎦᏓ ᏲᎾ ᎤᏤᏍᏙ ᎤᏚᏥ ᎰᎻ ᎠᎪᏕᏍᎩ ᎤᏤᎵ ᎨᏎᎢ.\nᎾᏍᎩᏃ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏂᏅᏒ, ᏗᎷᏏᏱ ᏭᏂᎶᏎᎢ, ᎾᎿᏃ ᏫᎤᏁᏅ ᏥᏳᎯ ᏫᎤᎾᏣᏁ ᏌᏈ ᏫᎤᏂᎷᏤᎢ.\nᎤᏂᎷᏣ ᏗᎾᏦᏏᏙ, ᎨᎵᏍᎬ ᎤᎩᏓᏟᏅᏯ ᎨᎴᏍᏗ, ᎠᏎᏃ ᎨᏍᏗ ᏱᎨᎴ.\nᎠᎵᏍᏓᏴᏗᏱᏃ ᎨᏒ ᎤᏍᏆᎸᎲᎤᏅᏎ ᎤᏅᏏᏓᏍᏗ ᎯᎠ ᏫᏂᏚᏪᏎᏗᏱ ᏫᎨᏥᏯᏅᏛ; ᎡᏤᎾ, ᏂᎦᏗᏳᏰᏃ ᎿᏉ ᎠᏛᏅᎢᏍᏗ.\nᏣᎳᎩᏱ ᎠᏰᎵ ᏙᏰ ᏩᏯ, ᏥᏩᏛᎲ ᏲᎾ ᎤᏒᎯ ᎢᏴ ᎤᏰᏨ ᎠᏓᏅᏖᎯᎶᏍᎬ ᎤᏬᏒᎯᏐᏗ ᎠᏤᎯ ᎤᏍᏗ ᎡᎶ ᎤᏪᏘ ᏧᏥᎶᏍᏔᏅ.\nᎣᏥᎦᏔᎭᏰᏃ ᎾᏍᎩ Ꮎ ᎤᎬᏫᏳᎯ ᏥᏌ ᏧᎴᏔᏅᎯ, ᎾᏍᏉ ᎠᏴ ᏥᏌ ᎠᎬᏗᏍᎬ ᏙᏓᏲᎦᎴᏔᏂ, ᎠᎴ ᎠᏴ ᏂᎯᏃ ᎢᏧᎳᎭ ᏫᏗᎩᏲᏏᎯᏍᏗ ᎨᏎᏍᏗ.\nᏞᏍᏗ ᎤᎵᏍᏗ ᏱᏘᏯᏏᏔᏕᏍᏗ ᎩᎶᎢ, ᎠᎴ ᏞᏍᏗ ᏯᏖᎳᏗᏍᎨᏍᏗ ᎩᎶ ᎠᏂᏍᎦᏅᎬᎢ. ᏣᏓᎦᏌᏩᏍᏕᏍᏗ ᎯᎦᏓᎭ ᏂᎨᏒᎾ ᎨᏎᏍᏗ.\nᏅᏩᏓᎴᏃ ᎪᎯᏳᏗ ᎨᏒ ᎾᏍᎩᏉ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏓᏁᎸᎯ ᎨᏐᎢ; ᏅᏩᏓᎴᏃ ᎠᏥᏁᎰ ᏧᏓᏅᏬᏗᏱ, ᎾᏍᎩᏉ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏓᏁᎸᎯ ᎨᏐᎢ;\nᎯᎠ ᎾᏍᎩ ᏔᎵᏁ ᎪᏪᎵ ᎿᏉ ᎢᏨᏲᏪᎳᏏ ᎢᏨᎨᏳᎢ; ᎾᏍᎩ ᎾᎿ ᏕᏨᏰᏍᏓᏁ ᎤᏠᎾᏍᏗ ᏂᎨᏒᎾ ᏕᏣᏓᏅᏛ ᎾᏍᎩ ᎢᏨᏯᏅᏓᏗᏍᏗᏍᎬᎢ,\nᏂᎦᏓ ᏗᏂᏅᎦᎵᏙ ᏃᎴ ᏗᏃᏪᎵᏍᎩ ᏓᎾᏓᏂᎸᎨ ᏍᎩᏴ ᏥᎨᏎ ᎣᏍᏓ ᏄᏍᏗᏓᏁ, ᎣᎭᏂ ᏧᏩᎬᏗᏒ ᎡᎳᏗ ᏂᎦᎵᏍᏔᏂᏗᏍᎪ.\nᎢᏣᏢᏆᏍᎬ ᎥᏝ ᎣᏏᏳ ᏱᎩ. ᎥᏝᏍᎪ ᏱᏥᎦᏔᎭ ᎤᏍᏗ ᎠᎪᏙᏗ ᏂᎦᏛ ᎦᎸ ᎠᎪᏗᏍᎬᎢ.\nᏉᎳᏃ ᎯᎠ ᏄᏪᏒᎩ; ᏏᏌ ᎤᏪᏍᎩᎸ ᏗᎫᎪᏙᏗᏱ ᏥᏙᎦ, ᎾᎿ ᎠᏆᎵᏰᎢᎵᏕᏗᏱ. ᎠᏂᏧᏏ ᎥᏝ ᎪᎱᏍᏗ ᎦᏥᏍᎦᏅᏤᎸᎯ ᏱᎩ, ᎾᏍᎩ ᎣᏏᏳ ᏂᎯ ᏥᎦᏔᎭ.\nᎯᎠ ᎾᏍᎩ ᎢᏓᏙᎴᎰᎯᏍᏗᎭ ᎡᏗᏯᎥᎢ ᎠᎴ ᎠᏴ ᎢᎩᏯᎥᎢ, ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎢᎦᎵᏍᎪᎸᏓᏁᎸᎯ ᎨᏒ ᎤᏩᏒ ᎤᏤᎵ ᎠᏓᏅᏙ.\nᎾᏍᎩ ᏂᎯ ᎾᏍᏉ [ᏤᏣᎵᏍᎦᏍᏙᏔᏅᎩ] ᎿᏉ ᎢᏣᏛᎦᏅ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎧᏃᎮᏛ, ᎾᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎢᏣᎵᏍᏕᎸᏙᏗ ᏥᎩ; ᎾᏍᎩ ᎾᏍᏉ ᎡᏦᎢᏳᏅ, ᎿᏉ ᎢᏥᏰᎸᏔᏅᎩ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎾᏍᎩ ᎠᏚᎢᏍᏔᏅᎯ ᎨᏒᎢ,\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏩᎷᏤᎴ ᎬᏩᏰᏍᏔᏁᎢ, ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ; ᏣᎬᏫᏳᎯ, ᏍᎩᏍᏕᎸ, ᏓᏲᏣᏗᏒᏂᏉ.\nᎤᎾᎵᏍᏓᏴᏁᏃ, ᎠᎴ ᏚᏃᎸᏎᎢ; ᎤᏄᏖᏎᏃ ᎤᎵᎬᎭᎷᏴᎯ ᎤᏘᏴᎯ ᎦᎵᏉᎩ ᎢᏯᎧᎵᎢ ᏔᎷᏣ.\n[ᎾᏍᎩ ᎯᎠ ᎥᏝ ᎡᎶᎯ ᎬᏩᎾᏕᏗ ᏱᎨᏎᎢ;] ᎢᎾᎨ ᎠᏁᏙᎮᎢ, ᎠᎴ ᏙᏓᎸᎢ, ᎠᎴ ᏚᏍᏓᎦᎸᎢ, ᎠᎴ ᎦᏙᎯ ᏓᏔᎴᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎠᏇᏥ ᏣᎵᏂᎪᎯᏍᏗᏍᎨᏍᏗ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᏅᏓᏳᎵᏍᎪᎸᏔᏅᎯ.\nᏌᎴᎫᏏᏃ ᎣᎦᏚᎩᏒ, ᎾᎿ ᏦᎢ ᏃᎩᏒᎸᎩ.\nᎨᏍᏗ ᎣᏍᏓ ᏱᏥᏰᎸᎡ ᎦᏲᏟᏉ ᎣᎩᎾᏟᏃᎮᎸ.\nᎢᎬᏒᏰᏃ ᎾᏍᏉ ᎢᎸᎯᏳ ᏥᎨᏒ ᎢᎩᏁᎫ ᎨᏒᎩ, ᏂᎪᎯᏳᏒᎾ, ᎢᎩᎵᏓᏍᏔᏅᎯ, ᎪᎱᏍᏗ ᏕᏓᏛᏁᎲᎩ ᏧᏓᎴᏅᏛ ᎠᏚᎸᏅᏗ ᎨᏒ ᎠᎴ ᎣᏍᏛ ᎠᏓᏓᏅᏓᏗᏍᏗᏍᎩ ᎨᏒᎢ, ᎤᏲ ᎨᏒ ᎠᎴ ᎠᏛᏳᎨᏗ ᎢᏕᎲᎩ, ᎢᎩᏂᏆᏘᏍᏗ, ᎠᎴ ᏗᏓᏓᏂᏆᏘᎯ ᎨᏒᎩ.\nᎧᏂᎩᏓ ᏤᏠᎯ.\nᎾᏍᎩ ᎩᎬ ᏧᎾᏄᎪᏫᏒᎯ ᏂᎨᏒᎾ, ᎠᎴ ᎤᏇᏓᎵ ᎠᏓᏅᏖᏍᎬ ᏧᎾᏄᎪᏫᏒᎯ ᏂᎨᏒᎾ, ᎠᎴ ᏴᏫ ᎠᏓᏅᏖᏍᎬ ᏧᎾᏄᎪᏫᏒᎯ ᏂᎨᏒᎾ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᏧᎾᏄᎪᏫᏒᎯ.\nᎾᏍᎩᏯ ᏄᏍᏛ ᎦᎸᏉᏗᏳ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᏅᏩᏙᎯᏯᏛ ᎡᎯ ᎤᏤᎵᎦ; ᎾᏍᎩ ᎠᏴ ᎥᏆᏒᎦᎶᏔᏅᎯ ᏥᎩ.\nᏗᎹᏗ, ᏣᏍᏆᏂᎪᏕᏍᏗ ᎾᏍᎩ ᏣᏣᎨᏅᏴ, ᎢᏴᏛ ᏅᏁᎮᏍᏗ ᎦᏪᏢᏗ ᎨᏒ ᎠᎴ ᎠᏎᏉᏉ ᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏗᏒᏍᏗ ᎨᏒ ᎠᎦᏙᎥᎯᏍᏗ ᏂᏚᏳᎪᏛᎾ ᏥᏚᏙᎥ;\nᎩᎳᎯᏳᏉᏍᎩᏂ ᎪᎯ ᎢᎦ ᎢᏯᏍᏗ ᎢᏳᏃ ᎼᏏ ᏓᏥᎪᎵᏯ ᎠᎵᎬᏚᎶ ᏧᏂᎾᏫ ᏚᏭᏢᏙᎢ.\nᎧᏂᎩᏛ ᏥᏍᏚ ᎠᎴ ᎬᎵ.\nᎾᏍᎩᏃ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ ᎠᏁᎶᎯ ᎠᎴ ᏗᏂᎳᏫᎩ, ᏚᏂᎷᏨᎸᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎣᎦᏎᎵᏔᏅ ᏙᎦᏓᏁᏤᎸ ᎣᎩᏍᏛᏗᏍᏗᏱ, ᎪᎱᏍᏗ ᎣᎦᏅᏍᎦᎶᏗᏱ ᎠᎴ ᎣᎦᏚᎩᏍᏗᏱ ᏂᎨᏒᎾ ᎬᏂ ᏉᎳ ᎣᏥᎸᎯ ᎨᏎᏍᏗ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎦᎶᏁᏛ ᏌᏉ ᎢᏯᎦᎵᏍᏙᎸᏔᏅᎯ ᎤᎩᏍᏗᏱ ᎤᏂᏣᏘ ᎨᏒ ᎤᏂᏍᎦᏅᏨᎢ; ᎾᏍᎩᏃ Ꮎ ᎬᏩᎦᏖᏃᎯ ᎨᏒ ᏔᎵᏁ ᎬᏂᎨᏒ ᏂᏙᏛᎠᏛᏁᎵ ᏧᏍᏕᎸᏗᏱ, ᎠᏍᎦᏂ ᎠᎫᏴᏙᏗ ᎾᏰᎲᎾ\nᏌᎳᏓ ᎱᎴᏅᎮ ᏓᏏᎳᏛᎥᏍᎬ.\nᎩᎶᏃ ᎾᏍᎩ ᎯᎠ ᏥᏄᏍᏙ ᎤᏚᎩ ᏧᏩᏐ [ᏥᏌ], ᎤᏩᏒ ᎠᏓᏅᎦᎵᏍᎪᎢ, ᎾᏍᎩᏯ [ᏥᏌ] ᏄᏅᎦᎸᎾ ᏥᎩ ᎾᏍᎩᏯ ᎾᏓᏛᏁᎰᎢ.\nᏓᏤᎵᏍᏛᏃ ᏚᎵᏍᏚᎢᏎᎢ, ᎠᎴ ᎤᏂᏣᏘ ᎤᎾᏓᏅᏘ ᎤᏂᎵᏅᏨᎯ ᎤᎾᏗᏓᏁᏎᎢ,\nᎤᎿᏛ ᎤᏪᏯ ᏗᏣ ᏗᎠᎢᏒ ᏙᏯ.\nᎤᎾᏥᏍᏈᏍᏛᏃ ᏓᎶᏂᎨ ᏒᎦᏔ ᎤᎾᏔ, ᏚᏩᏅᎦᏢᏃ ᏚᏓᎨᏒᎢ ᏚᏘᏌᏕᎢ.\nᏂᎪᎯᎸᏃ ᏄᏓᎴ ᎤᏍᏗ ᏥᏍᏆ, ᏥᎩᎵ, ᎱᏃᎯᎵᏣᏁ ᎡᎳᏗ ᎨᏒᎢ ᎯᎠ ᎦᎸᎳᏗ ᏚᏩᏂᎦᎸᎢ ᏃᎴ ᏍᎩᎾ ᏍᎩᎵ ᎦᏃᎨᎾ.\nᎠᎴ ᎠᏂᏯᏫᏍᎩ ᏐᏈᎵ ᏧᎾᎩᎸᏗ ᏔᎵᏧᏈ ᎢᏳᏆᏗᏅᏛ ᎾᏂᎥᎩ; ᎠᎴ ᎠᏆᏛᎦᏅᎩ ᎾᏂᎥᎢ.\nᎤᏕᏘᏴᏌᏗᏒ ᎨᏍᏗ ᎠᏕᎶᎰᎯᏍᏗ ᏱᎨᏎ ᎢᏳᎵᏍᏔᏂᏓᏍᏗ, ᎨᏍᏗ ᎬᏛᏅᎢᏍᏙᏗ ᏱᎨᏎ.\nᏥᎷᏏᎵᎻᏃ ᏬᎩᎷᏨ, ᎠᎾᏓᏅᏟ ᎤᎵᎮᎵᏨᎯ ᏕᎪᎦᏓᏂᎸᏨᎩ.\nᎤᏙᎯᏳᎲᏉ!\nᎤᏍᏉᏟ ᎠᎩᏟᏲᎨ ᏄᏍᏛᏉ ᎠᎵᏍᏔᏴᎲᏍᎬ.\nᎯᏯᏫᏍᎨᏍᏗ, ᎠᎴ ᏔᎵᏂᎪᎯᏍᏓ ᎾᏍᎩ Ꮎ ᏧᎵᏃᎯᏴᎯ, ᎾᏍᎩ ᏧᎵᏬᏥᏕᎾ ᏥᎩ; ᎥᏝᏰᏃ ᏯᎩᏩᏛᎲ ᎤᎧᎵᏨᎯ ᎣᏍᏛ ᎨᏒ ᏕᏣᎸᏫᏍᏓᏁᎲ ᎤᏁᎳᏅᎯ ᏙᏗᎧᏅᎢ.\nᎾᏍᎩ ᎤᏤᎵ ᎨᏎᏍᏗ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᎤᎬᏫᏳᎯ ᎨᏒ ᏂᎪᎯᎸ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ. ᎡᎺᏅ.\nᎪᏪᎵᏃ ᎦᎸᏉᏗ ᎢᎬᏱ ᎦᏰᎯ ᏣᎪᏩᏘᏍᎨ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎪᎯᏳᏗ ᎬᏗ ᏙᏗᎫᏓᏏᏒ ᏧᎾᏓᎴᏅᏛ ᏴᏫ, ᎢᎬᏱ ᎦᏰᎯ ᎣᏍᏛ ᎧᏃᎮᏛ ᎬᏂᎨᏒ ᎾᎬᏁᎴ ᎡᏆᎭᎻ, ᎯᎠ ᎾᏥᏪᏎᎴᎢ, ᏂᎯ ᏅᏛᏂᏌᏂ ᏂᎦᏛ ᏴᏫ ᏓᏁᏩᏗᏒ ᎡᎳᏂᎬ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ.\n“ᎬᏲᎵᎭ ᏯᏆᏛᎾ, ᎠᏉᏚᎢᏍᏔᏅ ᏏᏲ ᎠᎴ ᎣᏍᏓ ᏑᎾᎴᎢ.\nᎠᎴ ᎾᏍᎩ Ꮎ ᏗᎪᎵᏰᏍᏗ ᏧᎾᏫ ᎠᎦᏔᎭ ᏄᏍᏛ ᎠᏓᏅᏖᎵᏙᎲ ᎠᏓᏅᏙ ᏅᏗᎦᎵᏍᏙᏗ ᎤᎾᏓᏅᏘ ᏓᎵᏍᏗᏰᏓᏁᎲ ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᎣᏏᏳ ᎤᏰᎸᏗ ᎨᏒᎢ.\nᎠᏤᎯᎨᏍᏗᏗᏅ ᎠᏆᏛᏅ.\nᎤᏟᏰᏃ ᎣᏏᏳ, ᎾᏍᎩ ᏱᏄᏍᏗ ᎤᏁᎳᏅᎯ ᎠᏓᏅᏖᏍᎬᎢ, ᎾᏍᎩ ᎢᏥᎩᏲᎢᏍᏗᏱ ᎣᏍᏛ ᏕᏥᎸᏫᏍᏓᏁᎲᎢ, ᎠᏃ ᎤᏲ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎢᏥᎩᎵᏲᎢᏍᏗᏱ.\nᎿᏉᏃ ᎠᏂᏧᏏ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎬᏂᏳᏉ ᏂᎦᎡ ᎤᎨᏳᎯᏳ ᎨᏎᎢ.\nᏝ ᎩᎶ ᎰᏩ ᏰᎵᏍᎨ.\nᎠᏁᏍᏔᏅ ᎠᏕᎶᎰᎯᏍᏘ ᎨᏒ, ᏄᎾᏍᏛ ᏧᏂᏲᎰᏒ ᎠᏂᏧᏣ ᏃᎴ ᎦᎳᎨᏴ ᎤᎾᏤᎵ ᏃᎴ ᏚᏙᏪᎸ ᎦᏙ ᏚᎾᏓᏟᏴᎲ.\nᎨᏥᏅᏏᏛᏃ ᎤᏣᏖ ᎤᏰᎸᏛ ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏚᏂᎸ ᏫᏍᏓᏁᎮ ᏴᏫ ᎠᏁᎲᎢ. ᏂᎦᏛᏃ ᏌᏉ ᎢᎦᎦᏛ ᎠᏂᏁ ᏐᎵᎹᏅ ᎤᏤᎵ ᎠᏲᏓᏝᎲᎢ.\nᎢᏳᏃ ᎣᎳᏏᏕᏂ ᎯᎠ ᏱᏄᏪᏒ, ᎠᏴ ᎤᏬᏰᏂ ᏂᎨᏒᎾ ᏥᎩ ᎥᏝ ᎠᏰᎸ ᏯᏆᏘᏝ, ᎾᏍᎩᏍᎪ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎥᏝ ᎠᏰᎸ ᏳᏘᏝ?\nᎦᎷᏨᎭᏍᎩᏂ ᎾᏍᎩ Ꮎ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎠᏓᏅᏙ, ᏂᎦᎥ ᎤᏙᎯᏳᎯ ᎨᏒ ᏙᏓᏣᏘᏂᏙᎵ, ᎥᏝᏰᏃ ᎤᏩᏒᏉ ᎤᏓᏅᏖᏛ ᏱᎧᏁᎨᏍᏗ, ᏂᎦᎥᏍᎩᏂ ᎠᏛᎩᏍᎨᏍᏗ ᎾᏍᎩ ᎧᏁᎨᏍᏍᏗ; ᎠᎴ ᏓᏥᎾᏄᎪᏫᏎᎵ ᏧᏓᎴᏅᏛ ᎣᏂ ᎢᏳᎵᏍᏔᏂᏓᏍᏗ ᎨᏒᎢ.\nᎦᏐᎯ ᏫᎦᎶᏍᎩ ᎠᏰᎳᏍᏗ, ᏥᎧᏍᎨᏂ ᎠᏆᎧᏍᎩᎸ.\n“ᎦᏨ ᎢᏴᎯ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\n“ᏙᎢᏳᏍᏗ ᎯᎪᏩᏗᎭ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nBoudinot ᏃᎴ ᎠᏫᎾ ᎦᏄᎾᏓᎴᎩ ᎤᎾᏨᏉᏗ ᎤᎾᏤᎸ, ᎤᏂᏣᏘ ᏍᎩᏄᎾᏍᏛ ᎠᏂᏫᎾ, ᎠᏯ ᏍᏉ.\nᎾᏍᎩᏃ ᎤᏙᏓ ᎤᏙᎴᎰᏒᎩ ᎾᎯᏳ ᎨᏒ ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎢ; ᏤᏥ ᎬᏅ. ᎤᏩᏒᏃ ᎤᏬᎯᏳᏅᎩ ᎠᎴ ᎾᏍᏉ ᏂᎦᏛ ᏧᏤᎵ ᏏᏓᏁᎸᎯ ᎨᏒᎢ.\nᎥᏝ ᎠᎴ ᎡᏅᏒᏉ, ᎢᎬᏒᏍᎩᏂ ᎾᏍᏉ ᎢᎬᏱᏱ ᎤᎾᏄᎪᏫᏒᎯ ᎠᏓᏅᏙ ᏥᎨᎭ, ᎠᏴ ᎾᏍᏉ ᎢᎬᏒ ᎨᏒ ᎭᏫᏂ ᏕᎩᎵᏰᏗᎭ, ᎢᏗᎦᏘᏴ ᏧᏪᏥ ᎢᎨᎬᏁᏗ, ᎾᏍᎩ ᏗᏗᏰᎸ ᏧᎫᏴᏗᏱ ᏧᏭᏓᎴᏍᏗᏱ.\nᎢᏳᏃ ᎯᎦᏙᎵ ᎯᎦᏘᏏ ᏕᏦᏕᏍᏗᏍᎨᏍᏗ, ᎭᏓᎦᏖᏙᎢᏍᎨᏍᏗ, ᎠᎴ ᏣᏕᎨᏍᏗ; ᎣᏏᏳᏰᏃ ᎢᏣᎵᏍᏓᏁᏗ ᏌᏉᏉ ᏣᎵᎬᎭᎸᏛ ᏱᏣᏲᎱᏎᎭ, ᎠᏃ ᎤᏃᏍᏛ ᎯᏰᎸ ᏨᏍᎩᏃ ᏫᏰᏣᏓᎢᏁᎭ.\nᎣᏍᏓ ᎠᏒᎨ ᎠᎵᏍᏓᏴᏗ.\nᎣᏂᏃ ᏓᏆᎧᎿᏅᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎦᎶᎯᏍᏗᏱ ᎤᎵᏍᏚᎢᏛ ᎨᏒᎩ ᎦᎸᎳᏗ; ᎢᎬᏱᏱᏃ ᎧᏁᎬ ᎠᏆᏛᎦᏅᎯ ᎠᏤᎷᎩ ᏣᏆᎵᏃᎮᏗᏍᎪ ᎾᏍᎩᏯ ᎨᏒᎩ; ᎯᎠ ᏥᎾᎩᏪᏎᎰᎢ, ᎡᎭᎩᎳᏩ, ᏓᎬᎾᏄᎪᏫᏎᎵᏃ ᏧᏓᎴᏅᏛ ᎾᏍᎩ ᎣᏂ ᎢᏳᎵᏍᏔᏂᏓᏍᏗ ᎨᏒᎢ.\nᏂᎦᏛᏰᏃ ᎾᏍᎩ ᎯᎠ ᎤᏂᏲᎰ ᏧᎾᏖᎴᏅᏛ ᏴᏫ. ᎦᎸᎳᏗᏰᏃ ᎡᎯ ᎢᏥᏙᏓ ᎠᎦᏔᎭ ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᎢᏥᏂᎬᏎᎲᎢ.\nᏓᏓᎿᏩᏍᏛᏰᏃ ᎧᏃᎮᏗ ᎨᏒ ᎠᎵᏍᏓᏁᏛ ᎤᏂᏰᎸᎭ ᎾᏍᎩ Ꮎ ᏧᏂᏲᎱᎯᏍᏗ ᏥᎩ; ᎠᏴᏍᎩᏂ ᎡᎩᏍᏕᎸᏗ ᏥᎩ ᎤᏁᎳᏅᎯ ᎤᎵᏂᎬᎬ ᎢᎩᏰᎸᎯ.\nᎤᏂᏣᏘᏃ ᎬᏩᏛᏛᏁ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ; ᎦᏙ ᏓᏲᏣᏛᏁᎵ?\nᏥᏍᏕᏥ, ᎧᏅᏂᏍᎩ ᏃᎴ ᎠᎨᏳᏣ ᎤᎾᎦᏙᏍᏕᎢ ᏫᎵᎻ ᏭᎩᎶᏫᏌ ᏗᎩᏏ ᎦᏓᏍᎬᎢ, ᎤᎧᎵᏨ ᏄᏟᏂᎬᎬ ᏃᎴ ᎤᏚᎩ.\nᎠᎴ ᎥᏝ ᏱᏚᏂᎿᏍᏕᏠᎢ, ᏞᎦᏉᏍᎩᏂ ᏓᏂᎧᎿᏩᏕᎪᎢ; ᎿᏉᏃ, ᎠᎩᎵᏯ ᎠᎴ ᎤᏕᏯᏙᏗ ᎠᎵᏰᎢᎶᎦ ᎧᏃᎮᏛ ᏛᎵᏰᎢᎸᏍᏓ, ᎩᎳᏉ ᎢᏴᏛ ᏚᏃᏕᎯᎰᎢ.\nᎠᏍᎩᎾᏃ ᎾᏍᎩ ᎤᏂᎶᏄᎮᎸᎯ ᎠᏥᎸ ᎠᎴ ᏌᎪᏂᎨ ᎠᏓᏪᎳᎩᏍᎩ ᎥᏓᎸ ᏩᎦᏓᎢᏅᏒᎩ, ᎾᎿ ᎠᏁᎲ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎠᎴ ᎤᏠᎾᏍᏗ ᎠᏙᎴᎰᏍᎩ, ᎠᎴ ᎨᏥᎩᎵᏲᎢᏍᏙᏗ ᎨᏎᏍᏗ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ.\nᏄᎾᏙᏓᏈᏒᏃ ᎠᏂᏧᏏ ᏧᏂᎳᏫᎢᏍᏗᏱ ᎦᏬᏂᏍᎬᎩ, ᎠᎴ ᏓᏍᏗᏰᏗᏍᎬᎩ ᎠᏂᏧᏏ ᎠᎴ ᎠᏂᎪᎢ.\nᎢᎦ ᏒᎮᏱᏣ ᎤᎶᏐᏅ, ᏃᎴ ᎤᏓᏏᏂᏕᎾ ᎤᎷᏨ.\nᎾᏍᎩᏰᏃ ᎤᏩᏒ ᎤᎩᎵᏲᏨᎯ ᏥᎩ, ᎾᏍᎩ ᎠᏥᎪᎵᏰᏍᎬᎢ ᏰᎵᏉ ᏗᎬᏩᏍᏕᎸᏗ ᏄᎵᏍᏔᏅ ᎾᏍᎩ Ꮎ ᎨᏥᎪᎵᏰᏍᎩ\nᎠᎾᏓᏴᎳᏘᏍᎩ ᏙᏍᏗᎦᏙᏍᏙ Ꮓ; ᎪᎱᏍᏗ ᎠᎾᏛᏁᎵᏍᎬ ᏒᏃ ᎢᎪᎯᏓ.\nᎤᏣᏘ ᎠᏗᎾ ᎢᏣᏚᎵᏍᎨᏍᏗ ᎣᏌᏂ ᎤᏓᏁᏗ ᎨᏒᎢ; ᎠᏎᏃ ᎬᏂᎨᏒ ᏅᏛᏨᏴᏁᎵ ᎤᏟ ᎢᏲᏍᏛ ᎢᏯᏛᏁᏗᏱ.\nᏣᎵ ᏧᏤᎵ ᏴᏫ ᎤᏂᏃᎮᎴ, ᎤᏃᎯᏳᏁ ᏱᎫᏩᏂᏍᎦᏃᎳᏗᏍᏛ ᏐᏈᎵ ᎤᏲᎢᏴ ᎦᏚᏏ, ᏧᏂᏲᎭᏒ ᎠᏂᏧᏣ ᏓᏂᎾᎥ ᎾᎥᏂ ᏚᏂᎧᎯᏰ ᎤᏂᏍᎦᎢᏓ ᏃᎴ ᎤᎾᏦᏍᏔᏁ.\nᎢᏳᏍᎩᏂ ᎩᎶ ᎯᎠ ᏂᏥᏪᏎᎮᏍᏗ, ᎯᎠ ᎾᏍᎩ ᎠᎵᏍᎪᎸᏔᏅᎯ ᎠᏥᎸ ᏗᎨᎴᏗ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ, ᏞᏍᏗ ᏱᏥᎩᏍᎨᏍᏗ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎾᏍᎩ Ꮎ ᎤᎾᏄᎪᏫᏒᎯ ᎨᏒᎢ, ᎠᎴ ᎠᏓᏅᏙᎩ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ; ᎡᎶᎯᏰᏃ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎡᎶᎯ ᏣᎧᎵᎢᎭ.\nᏌᏌ ᎤᏛᎦᏁ ᎠᏂᎾᏁᏍᎬ, ᏍᏉ ᎤᏪᎷᏁ, ”ᎭᎵᏙᎩ-- ᎭᎵᏙᎩ--ᎭᎵᏙᎩ, ᎠᏙᎯ ᎢᏣ, ᎠᏙᎯ ᎢᏣ! \nᎠᎴ ᎠᏍᏓᏯ ᎤᏪᎷᏅᎩ ᎤᎵᏂᎩᏛ ᎧᏁᎬ ᎬᏗ, ᎯᎠ ᏂᎦᏩᏍᎬᎩ, ᏓᏓᎶᏂ ᎡᏆ ᎠᏲᎩ, ᎠᏲᎩ, ᎠᎴ ᎠᏂᏍᎩᎾ ᎤᎾᏕᏗᏱ ᏂᎦᎵᏍᏓ, ᎠᎴ ᎾᏂᎥ ᎠᏂᎦᏓᎭ ᏗᏓᏅᏙ ᎤᏂᏴᏍᏗᏱ, ᎠᎴ ᎾᏂᎥ ᎠᏂᎦᏓᎭ ᎠᎴ ᎤᏂᏂᏆᏘᏍᏗ ᏥᏍᏆ ᎤᎾᏁᎳᏗᏍᏗᏱ.\nᏕᏨᏍᏚᎩᎡᎸ ᏦᏥᎰᎵ, ᎢᏥᎪᎵᏂᏗ, ᏦᎩᎾᏫ ᏕᏨᏯᏛᏃᎯᏍᏓᏁᎸ.\nᎦᏣᏃᏍᏔ ᎤᎵᏍᏛᏧᏅ ᎨᎵ, ᎣᎭᏁ ᏫᏄᏩᏁᎸ ᎤᏍᏘᏰᎬ.\nᎤᏂᏃᎮᎸᎯᏃ ᎠᏎᏉᏉ ᏅᏩᏍᏕᎢ, ᎠᎴ ᎥᏝ ᏱᎨᎪᎢᏳᏁᎢ.\nᎿᏉᏃ ᎠᏥᎦᏘᏗᏍᏗ ᎤᎪᎲ ᎾᏍᎩ ᏄᎵᏍᏔᏅᎢ, ᎤᏬᎯᏳᏁᎢ, ᎠᏍᏆᏂᎪᏍᎨ ᏄᏍᏛ ᏓᎾᏕᏲᎲᏍᎬ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ.\nᎾᏍᎩ ᏉᎳ ᎤᏚᎸᎲᎩ ᎤᏘᏅᏍᏗᏱ; ᎤᎱᏍᏕᏎᎸᎩᏃ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎠᏂᏧᏏ ᎾᎿ ᏓᏁᏩᏗᏒᎢ, ᏂᎦᏛᏰᏃ ᎠᏂᎦᏔᎲᎩ ᎤᏙᏓ ᎠᎪᎢ ᎨᏒᎢ.\nᎠᏓᏅᏖᏗᏉ ᏄᏍᏆᏂᎩᏛ ᏄᎵᏍᏔᏁᎸ ᎩᎶ ᎦᏬᏂᏍᎬ ᎤᏛᎦᎾ.\nᎤᏕᎰᎯᏍᏗ ᎨᏒ ᎤᎬᏩᎵ ᏥᏁᎦ, ᎾᏍᎩ ᏦᏥᏩᎾᎦᎳ ᎪᎪᏎᎲᎢ. ᎾᎿᏍᎩᏂᏃᏅ ᎩᎶ ᎬᏩ-ᎾᏰᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒ (ᎤᏁᎫ ᎤᏁᎢᏍᏗ ᏥᏁᎦ,) ᎠᏴ ᎾᏍᏉ ᏂᏥᎾᏰᏍᎬᎾ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏓᏅᏙ ᎢᎩᏍᏕᎵᎭ ᏗᏗᏩᎾᎦᎳᎯᏳ ᎨᏒᎢ; ᎥᏝᏰᏃ ᏱᏗᎦᏔᎭ ᎢᏳᏍᏗ ᏚᏳᎪᏛ ᎨᏒ ᎢᎩᏔᏲᏍᏗᏱ ᎢᏓᏓᏙᎵᏍᏗᏍᎬᎢ; ᎠᏓᏅᏙᏍᎩᏂ ᎤᏩᏒ ᎢᎦᎵᏍᏗᏰᏓᏁᎭ ᎤᎵᏰᏗᏍᎬ ᎬᏗᎭ ᎾᏍᎩ ᎦᏁᎢᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎦᎸᎳᏗ ᏕᏧᎦ ᎤᎭᏯᎴ ᏃᎴ ᎦᎸᎵᎢ ᏫᏥᏤᎢ, ᎯᎸᎯᏨ ᏭᏟᏫᏛᎮ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᏕᎦᏅᎿᏩᏗᏒ ᏫᏥᎶᎯ, ᎾᏂᎥᏃ ᏕᏥᏩᏘᏍᎨᏍᏗ ᏕᏥᏁᏤᎮᏍᏗ ᎤᏂᎷᎯᏍᏗᏱ ᎠᏂ ᏙᏗᎨᎦᏨᏍᏔᏂᏒᎢ.\nᎠᎴ ᎢᎬᏱ ᏓᏳᏪᏅᎡᎵ [ᎤᎬᏫᏳᎯ] ᎢᎳᏯ ᎾᏍᎩᏯ ᎨᏎᏍᏗ ᎤᏓᏅᏙᎩ ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎨᏒᎢ, ᏔᎦᏔᎲᏍᏗᏱ ᏧᏂᎾᏫ ᎠᏂᎦᏴᎵᎨᎢ ᏗᏂᏲᎵ ᎢᏗᏢ ᏫᏚᎦᏔᎲᏍᏙᏗᏱ, ᎠᎴ ᏄᏃᎯᏳᏒᎾ ᏧᎦᏔᎲᏍᏗᏱ ᎤᎾᏓᏅᏘ ᎠᏂᎦᏔᎿᎥ ᎢᏗᏢ ᏫᏚᎦᏔᎲᏍᏙᏗᏱ; ᏧᏛᏅᎢᏍᏙᏗᏱ ᏴᏫ, ᎤᎬᏫᏳᎯ ᏧᏛᏅᎢᏍᏓᏁᏗᏱ.\nᏃᏉ, ᎨᎵᏍᎬ, ᎦᏙᎭᏃ ᏳᏛᏁᎢ?\n“ᎭᏩ, ᎠᏯᏗ ᏔᎵᏁᎢ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎤᎩᎶᏫᏎ ᏃᎴ ᏄᏓᎴ ᏭᏭᏓᎸᏁ, ᎤᎵᏗᏨ ᎠᎬᏱ ᏭᏭᏓᎸᏅ.\nᎠᏍᎦᏂ ᎨᏒᎢ, ᏂᎬᏉᎯᏳᎲᏍᎬᎾ ᎨᏒ ᎢᏳᏍᏗ;\nᎾᏍᎩᏍᎩᏂ ᎯᎠ ᎾᏥᏥᏁᎢᏍᏗᏍᎬᎩ; ᎣᏂ ᏓᏯᎢ ᎢᎬᏱ ᎠᎦᎴᏗ ᏥᎦᏗᏍᎬᎩ, ᎾᏍᎩᏰᏃ ᎡᎲᎩ ᎠᏏ ᏂᎨᎥᎾ ᏥᎨᏒᎢ.\nᎢᏳᏃ ᎩᎶ ᎤᏣᏘᏂ ᏂᎦᏪᏍᎨᏍᏗ ᏓᏕᏲᎲᏍᎨᏍᏗ, ᎠᎴ ᎣᏏ ᎾᏰᎸᏍᎬᎾ ᎢᎨᏎᏍᏗ ᎣᏍᏛ ᎤᏬᏂᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎠᎴ ᏗᏕᏲᏗ ᎨᏒ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏗᏂᎶᏙᏗ ᎨᏒ ᏥᏓᏕᏲᎲᏍᎦ;\nᎠᏓ ᎦᏓᏍᎬ, ᏫᏓᎬᏔᏅ ᎠᏥᎸ, ᏫᏥᏯᏅᎲ ᎠᏌᎻᏓ ᏃᎴ ᎠᏂᏧᏣ.\nᏐᏉ ᎢᎦ ᎤᏕᎶᎰᏎ ᎠᏲᏟᎨ ᏂᎦᎵᏍᏗᏍᎬ ᎠᎹ ᎦᏁᎲ.\nᏥᏌᏃ ᎠᏲᎵ ᏭᏯᏅᎲ ᎠᏰᎵ ᎠᏂᏅ ᎤᏪᎧᏅᎩ, ᎠᎴ ᎯᎠ ᏄᏪᏒᎩ;\nᎾᏍᎩᏃ ᎤᎾᏛᎦᏅ ᏌᏉ ᎢᎦᎦᏛ ᎤᏁᎳᏅᎯ ᎤᏂᏌᎳᏓᏁᎴ ᎠᏂᏁᎬᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᏣᎬᏫᏳᎯ, ᏂᎯ ᏣᏁᎳᏅᎯ, ᏗᏦᏢᏅᎯ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ ᎠᎴ ᎠᎺᏉᎯ ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎠᏁᎯ;\nᎤᏁᎳᏅᎯᏃ ᎠᎩᏍᏕᎸᎲᎢ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏏ ᎦᎴᏂᏙᎭ ᎪᎯ ᎢᎦ ᏥᎩ, ᎬᏂᎨᏒ ᏂᎦᏥᏴᏁᎭ ᏂᎨᏥᎸᏉᏛᎾ ᎠᎴ ᎾᏍᏉ ᎨᏥᎸᏉᏗ, ᎪᎱᏍᏗ ᏂᏥᏃᎮᏍᎬᎾ Ꮎ ᎤᏩᏒ ᎠᎾᏙᎴᎰᏍᎩ ᎠᎴ ᎼᏏ ᎤᎾᏄᎪᎢᏍᏗ ᎤᎾᏛᏅᎯ ᏥᎩ;\nᎠᎴ ᎤᏂᏣᏖᏍᏗ ᎤᎾᏠᎾᏍᏗ ᎠᎾᏙᎴᎰᏍᎩ ᎠᏂᎾᏄᎪᎨᏍᏗ, ᎠᎴ ᎤᏂᏣᏖᏍᏗ ᏓᏂᎶᏄᎮᏍᎨᏍᏗ.\nᎠᎴ ᎾᏍᎩ Ꮎ ᎯᎠ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎤᏂᏣᏛᎩ, ᎥᏝᏰᏃ ᎪᎯᏛ ᎬᏩᎾᏕᏗ ᏱᎨᏎ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎢᏳᏍᏗ.\nᎠᎴ ᎾᏍᎩ ᏗᏂᎰᎵ ᎨᏒ ᎥᏝ ᎦᎶᏄᎮᏛ ᎬᏩᏛᏗ ᏱᎨᏎᎢ; ᎾᏂᏍᎦᏅᎾᏰᏃ ᎤᏁᎳᏅᎯ ᎤᏪᏍᎩᎸ ᎢᎬᏱᏗᏢ ᏄᎾᏛᏅᎢ.\nᎬᏲᏎᎭ, ᎥᏝ ᎾᎿ ᏴᏛᎦᎯᏄᎪᎢ, ᎬᏂ ᏣᏓᏴᎮᏍᏗ ᎤᎵᏍᏆᎸᏗ ᎠᎩᏄᏛᏗ ᎢᏯᏓᏅᏖᏗ.\nᎠᏤᎯ ᎤᏪᏅᏒ ᏫᎵᎻ, ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎡᎳᏗᎨᏍᏗ ᎨᏎᎢ, ᏩᎦ ᎤᏂᏴᏍᏗ ᎭᏫᏂᏣ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎴ ᎤᏕᏅᏥᏌ ᎦᎶᏁᏛ. ᎾᏍᎩ ᎺᎵ ᏥᏌ ᎤᏥ ᏦᏩ ᎤᏓᏴᏍᏗ, ᎠᏏᏉ ᏂᏓᎾᏤᎬᎾ ᎨᏎᎢ, ᎤᏁᎵᏤ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏓᏅᏖᎸᎯ.\nᏚᏑᎬ ᎠᏕᎶᎰᏍᎬ ᎤᏳᏨ ᏍᏉ, ᎠᎾᎴᏂᏍᎬ ᏓᎵᏇᏅᏍᎬ ᏧᏆᎶᎦ ᏗᎦᏅᎯᏓ ᏗᎦᏌᏆᎸ, ᎠᏫ ᎭᏫᏯ ᎠᎦᎷᏴᏓ ᎠᎧᎭᏲᏔᏅ ᎢᏳᏍᏗ ᏂᏚᏍᏛ.\nᎤᎵᏍᏆᎸᏗᏃ ᎨᏒ ᎢᏓᎵᏅᏟ, ᎢᏣᎵᎮᎵᎩ ᎤᎬᏫᏳᎯ ᎨᏒ ᎢᏳᏍᏗ. ᎯᎠ ᎾᏍᎩ ᏫᏨᏲᏪᎳᏁᏗᏱ, ᎤᏙᎯᏳᎯ ᎥᏝ ᏧᏯᏪᎢᏍᏗ ᏯᎩᏰᎸᎭ ᎠᏴ, ᏂᎯᏍᎩᏂ ᎤᎾᏰᎯᏍᏗ ᎨᏒ ᎢᏧᏓᎴᏍᎩ.\nᏧᏓᏁᎪᏴᏓ ᏗᎦᏓᏁ ᏧᎾᎳᏑᎶ ᎠᏍᏚᎩᏛ ᎢᏣ ᎠᎾᏁᎸᏗᏍᎬ ᏧᏂᎧᎭᏲᏙᏗ, ᎠᏎ ᏎᎦᏉ ᏱᎩ, ᏑᎾᎴ ᏂᎦᎵᏍᏗᏍᎬ ᏗᎦᏓᏁ ᏧᏴᏣ ᏧᎾᎵᏑᎶᏗ ᏱᎩ.\nᎦᏙᎨ ᏙᏓᎦᏥᏯᏟᎶᏍᏔᏂ ᎯᎠ ᎪᎯ ᏣᏁᎭ? ᏗᏂᏲᎵᏉ ᎾᏍᎩᏯ ᎦᏃᏙᏗᏱ ᏣᏂᏃᎢ ᎠᎴ ᏥᏫᏓᏂᏯᏂᏍᎪ ᎤᏁᏓᏍᏗ;\nᎠᏂᏐᎢᏃ ᎠᏂᏍᎦᎢᎮ ᎬᏩᎾᎵᎪᏁᏗᏱ; ᎤᏂᏣᏘᏍᎩᏂ ᏴᏫ ᎬᏩᏂᎸᏉᏗᏳ ᎨᏎᎢ.\nᏱᏤᎵᏌ, ᏙᏳᏍᏗ ᎠᏙᎯ ᎧᏂᎩᏓ ᏱᎩ ᎤᎪᏏᏓ ᎢᏯᏅᏁ?\nᎦᏲᏟ ᎤᎧᏔᎲᏓ ᏓᎧᏔᎾᏫᏍᏗᏍᎨᎢ ᏗᎦᏅᎯᏓ ᏚᎧᏔᏳᏩᏅ.\nᎾᏍᎩᏃ ᎠᏴ ᎣᏤᎲ ᎠᏁᎲᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᎠᎾᏓᏅᏟ; ᎤᏓᏂᎵᎨᏃ ᎤᏕᏒᏅ ᎤᏲᎱᏒᏉ, ᏧᏪᏥᏃ ᎾᏁᎲᎾ ᎨᏒ ᎢᏳᏍᏗ ᎤᏓᎵᎢ ᎤᏪᎪᏓᏁᎸ ᎤᏅᏟ.\nᎾᏍᎩ Ꮎ ᎢᏤ ᎠᎴ ᎬᏂᏛ ᎠᏓᏁᎯ ᎦᏅᏅ ᎬᏔᏅᎯ, ᎾᏍᎩ ᎢᎩᏍᏓᏱᏕᎸᎯ ᏥᎩ ᎠᏰᏙᎳᏛ ᎤᎶᏒᎢ, ᎾᏍᎩ ᎤᏇᏓᎸ ᏥᎦᏛᎦ;\nᎥᏝᏰᏃ ᏱᏗᎦᏟᏴᎭ ᎤᏇᏓᎵ ᎨᏒ ᎠᎴ ᎩᎬ, ᎤᏂᎬᏫᏳᎯᏍᎩᏂ, ᎠᎴ ᏧᎾᎵᏂᎩᏛ, ᎠᎴ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎠᏂᎡᎶᎯ ᎤᎵᏏᎩ ᎨᏒᎢ, ᏗᏓᏅᏙ ᎤᏂᏁᎫᏥᏛ ᎦᎸᎶ ᏄᎾᏛᎿᏕᎬᎢ.\nᎠᏰᎵᏍᎨᎢᏉ ᏂᎦᏪᏍᎬ ᏫᎵᎻ.\nᎤᎭᏯᎸᎾ ᎤᎾᏗᏍᎦᎶᏗ ᎠᏌᎻᏓ ᎨᏍᏗ ᏱᏚᏩᏛ ᎦᎷᏯᏍᏘ, ᎠᏁᎵᏍᎨ ᎠᏂᏍᎦᏯ ᎨᏍᏗ ᎠᏎ ᎤᏂᏃᎯᏎᏗ ᏱᎨᏎ.\n“ᏂᎦᏓᏍᎪᏃ ᏓᏤᏏ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᏥᏌ ᎤᏁᏨᎩ ᎯᎠ ᏚᏂᏪᏎᎸᎩ; ᎢᏨᏃᏁᎸᎩ, ᎠᏎᏃ ᎥᏝ ᏱᏍᎩᏲᎢᏳᏁᎢ. ᏗᎦᎸᏫᏍᏓᏁᏗ ᏥᏓᎩᎸᏫᏍᏓᏁᎭ ᎡᏙᏓ ᏚᏙᏍᏛᎢ, ᎾᏍᎩ ᎬᏂᎨᏒ ᎾᏋᏁᎭ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏤᏣᎴᏲᎯᏏ ᎤᏁᎳᏅᎯ; ᏤᏣᏟᏴᏏ ᎠᏍᎩᎾ, ᎠᎴ ᎠᏎ ᏓᏣᏓᏅᎡᎵ.\nᎦᏅᏆᎶᏍᏗ ᏭᏴᎮ ᏣᏄᏏ ᏃᎴ ᏣᏁᎳ ᎠᏂᏎᏂᏏ ᏴᎩ, ᎣᏍᏓ ᏄᏩᏁᎴ ᎠᏦᏴ.\nᎤᏗᎦᎴᏲᏤ ᎧᏃᎮᏓ.\nᎩᎶᏃ ᎾᏍᎩ ᎤᏤᎵᎦ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏍᏆᏂᎪᏗᏍᎩ ᎾᏍᎩ ᎠᏯᎣᎢ [ᎤᏁᎳᏅᎯᏱ], ᎠᎴ ᎾᏍᎩ ᎤᏯᎣᎢ [ᎤᏁᎳᏅᎯ]. ᎠᎴ ᎠᏓᏅᏙ ᎢᎩᏁᎸᎯ ᎨᏒ ᎾᏍᎩ ᎢᏓᏙᎴᎰᎯᏍᏗᎭ ᎠᏴ ᎢᎩᏯᎥᎢ.\nᎾᏍᎩᏃ ᎢᏳᏂᏧᏈᏍᏗ ᎠᏂᎦᏔᎯ ᏥᎦᎨᎦᏚᏫᏍᏗ, ᎢᏴᏛ ᏂᏛᏁᏓ ᏄᏓᎴᏒ ᎦᎨᏛ ᎢᎬᏁᎯ, ᎠᎴ ᎠᏍᎦᏂ ᎠᎯᏛ ᎨᎦᏢᏔᏍᏗ ᏥᎩ, ᎠᎴ ᏗᏛᏂᏗᏳ ᎨᏎᏍᏗ ᎢᏓᏙᎩᏯᏍᎨᏍᏗ ᎠᏙᎩᏯᏍᏗ ᎢᎬᏱᏗᏢ ᏁᎬᏁᎸᎢ,\nᎠᏴᏃ ᏦᎩᎸᏫᏍᏓᏁᎯ ᎣᏥᏍᏕᎵᏍᎩ ᎾᏍᏉ ᎢᏨᏍᏗᏰᏗᎭ ᎠᏎᏉᏉ ᎡᏥᏁᏗᏱ ᏂᎨᏒᎾ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ.\nᎩᎦᎨᏃ ᎠᏓ ᏥᏕᏈᎦ.\nᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏌᏛᎢ\nᎪᎯᎢᏴ ᎩᎳ ᎤᏬᏂᏎ.\nᎫᏒᏗ ᏄᏩᏅᏓᎩᏎ ᎨᏂᏗ ᏗᎦᎶᏔᏅ ᎧᏁᏌᎢ.\nᎤᎩᏨᏓ ᎨᏍᏗ ᏳᏗᏛ ᎦᏙ ᎤᏢᏅ.\nᎤᏬᎸᏃ ᏗᎫᎪᏙᏗᏱ ᎦᏍᎩᎸᎢ ᎤᏓᎵᎢ ᏧᏓᏅᏎᎢ, ᎯᎠ ᏅᏧᏪᏎᎴᎢ; ᏞᏍᏗ ᏂᎯ ᎪᎱᏍᏗ Ꮎ ᎾᏍᎦᏅᎾ ᎠᏍᎦᏯ ᎤᎬᏩᎵ ᏱᏗᏣᎸᏫᏍᏓᏁᎴᏍᏗ, ᎤᏣᏘᏰᏃ ᏥᎩᎵᏲᎩ ᎪᎯ ᎢᎦ ᎦᏍᎩᏓᏍᎬᎢ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ.\nᎿᏉᏃ ᎢᎦᏛ ᎬᏩᏍᏓᏩᏗᏐᎯ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎸᎩ; ᎦᏙ ᎦᏛᎦ ᎯᎠ ᏥᏂᎩᏪᏎᎭ; ᏂᎪᎯᎸᎾᏉ ᎿᏉ ᎥᏝ ᏱᏍᎩᎪᏩᏘᏍᎨᏍᏗ, ᎠᎴ ᎿᏉ ᏔᎵᏁ ᏂᎪᎯᎸᎾᏉ ᎢᏍᎩᎪᏩᏘᏍᎨᏍᏗ? ᎠᎴ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᎦᏴᎵᎨᏍᏛᏱ ᏫᏥᎦᏛᎢ?\nᎾᏍᎩᏃ ᏂᎦᎥ ᏧᏓᎴᎥᏛ ᎤᏣᏘ ᏥᏥᎭ, ᎾᏍᎩ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᎦᏭᏂᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏂᎦᎥ ᏧᏓᎴᏅᏛ ᎢᏥᎦᎵᏴᎢ, ᎠᎴ ᎠᏴ ᏍᎩᎨᏳᎢᏳ ᎨᏒᎢ, ᎯᎠ ᎾᏍᎩ ᎠᏓᏁᏗ ᎨᏒ ᎾᏍᏉ ᎤᏣᏘ ᎢᏥᎮᏍᏗ.\nᎯᎠᏃ ᏄᏪᏒᎩ; ᎠᏂᏧᏏ ᎤᎾᏓᏅᏖᎸ ᎨᏣᏔᏲᏎᏗᏱ ᎤᎩᏨᏅ ᏕᎦᎳᏫᎥ ᏫᏯᏘᏃᎯᏍᏗᏱ ᏉᎳ, ᎾᏍᎩᏯ ᎪᎱᏍᏗ ᎤᏟ ᎢᎦᎢ ᏨᏗᎾᏛᏛᏂᏐᎢ.\nᏍᏔᏯ ᏓᏆᎧᎾᏅ ᎦᏲᏟ ᎤᏔᎶᎩ.\nᎪᎱᏍᏗ ᎡᏍᎦᏉ ᏱᎩ ᎪᎱᏍᏗ ᏱᎨᏒᎾ---ᎠᏎ ᎦᏲᏟᏉ ᏱᎩ.\n“ᎭᏩᏃ, ᎠᏉᏚᎯ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎤᏍᏗ ᏦᎳᏂ ᎤᏓᏴᎳᏔᏁ ᎤᎸᏌᏛ.\nᏎᎦᏨ ᎠᎩᏆᏂᏲᎸ ᏃᎴ ᎠᎬᏱᏱᎨᏍᏗ ᏥᏲᎯᏍᏗᏍᎬ, ᎨᏍᏗ ᎠᎦᏗᏓ ᎠᏕᎳ ᏗᎩᏲᎰᏎᏗ ᏯᏆᏚᎵᏍᎨ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᏰᎵ ᎤᏬᎯᏤ ᎤᏕᏁ ᏦᏈ, ᏗᏑᏫᏍᎩ ᏌᏩᏂ ᏧᏙᎢᏛ ᎦᏁᎸᎢ.\nᎠᏎᏃ ᎡᏆ ᏣᏓᏁᎶ ᎾᎿ ᏓᎰ ᏗᏖᎵᏙ ᎥᏝ ᎠᏕᎸᏉ ᏓᎶᏂᎨ ᎠᎴ ᎠᏕᎸᎤᏁᎬ ᎤᏩᏒ ᏗᎪᏢᏔᏅᎯ ᏱᎨᏐᎢ, ᎾᏍᏉᏍᎩᏂ ᎠᏓ ᎠᎴ ᎦᏓ ᏗᎪᏢᏔᏅᎯ; ᎠᎴ ᎢᎦᏛ ᏗᎦᎸᏉᏗ ᎢᎦᏛᏃ ᏗᎦᎸᏉᏗ ᏂᎨᏒᎾ.\nᎠᏎᏃ ᎪᎱᏍᏗ ᎢᎬᏰᎵᏎᎭ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎢᎬᏱᏱ ᏍᎩᎨᏳᎯᏳ ᏄᎵᏍᏔᏅ ᏕᏣᏲᏒᎢ.\nᎤᎾᏓᏓᏍᎩᏌᏁᎢ ᏌᏌ ᎤᎾᏕᎶᎰᎯᏍᏗ ᎤᏬᏨᏛᎢ ᏃᎴ ᏍᏉ ᎤᏂᏃᏕᎾ ᏃᎴ ᎠᏂᏓ ᎤᏂᏃᏕᎾ.\n“ᏗᏥᏲᏟ, ᎡᏝᏪ ᎨᏎᏍᏗ ᏏᏆ ᎣᏣᏦᎣᏔᏅ ᎢᎪᎯᏓ,” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎠᏎᏃ ᏍᎩᏍᏆᏂᎪᏓ ᎬᏅᎢ, ᏌᎳᏓ, ᏃᎴ ᎤᎵᎮᎵᏍᏗ ᎠᏯ ᎬᏅᎢ ᏱᎬᎥᏏ---ᎤᏙᎯᏳ ᏍᎩᎾᎾ ᏱᏂᎦᏛᎦ.\nᎬᏂᎨ ᏧᎪᏒ ᏧᏆᎶᎦ ᏃᎴ ᎦᏅᏃᏩ-ᎦᏄᎸ ᏓᎵᏍᏆᎵᏍᎬ ᎠᎾᎢᏒ.\nᎨᏍᏗ ᎪᎰᏍᏗ ᏳᏛᎾ ᎠᏌᎻᏓ, ᎱᏂᎷᏣ ᎠᏄᏧᏣ. ᏗᎾᏘᎭᏁ ᏐᏈᎵ, ᎠᎵᏍᏔᏴᏗ ᏩᏆᎦᏎᏍᏔᏅ.\n “ᏗᏤᎾ!” ᎤᏦᏱᎴᎢ\nᎠᎴ ᏕᏥᎦᏅᎩ ᎤᏃᏕᎾ ᎠᎩᎾ ᎤᏲᏍᏔᏅ ᏌᏉ ᎠᏍᎦᏛ ᎪᏪᎵ; ᎠᎴ ᎠᏆᏛᎦᏅᎩ ᎠᏴᏓᏆᎶᏍᎩ ᏧᏃᏴᎪ ᎾᏍᎩᏯ.Ꭲ, ᎾᏍᎩ Ꮎ ᎠᏏᏴᏫ ᏅᎩ ᎢᏯᏂᏛ ᎨᏒ ᏗᏅᏃᏛ, ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᎡᎭᎦᏔᏄᎦ.\nᎩᎶᏍᎩᏂ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎠᏐᏢᎢᏍᏗᏍᎨᏍᏗ, ᎥᏝ ᎢᎸᎯᏳ ᎦᏰᏥᏙᎵᏍᏗ ᏱᎨᏎᏍᏗ, ᏗᎦᏰᎫᎪᏓᏁᏗᏉᏍᎩᏂ ᏫᎾᏍᏛᎾ ᎤᏍᏛᏗᏍᏗᏱ;\nᎾᎿᏂ ᏂᎬ ᎠᏓᏁᎸ ᎣᏍᏛ ᏗᏓᏙᎵᎩ ᎢᎬᏁᎸᎯ, ᎠᏛᏍᎪᎢ ᎦᎸᏉᏗ ᎠᏓᏁᎸ ᏂᎦᎵᏍᏗᏍᎪ ᎤᎬᏫᏳᎯᏱ ᎠᏝᏅᎯ;\nᏥᎸᏍᎦ ᏃᏉ.\nᎠᏲᎳᏔᏅ ᎤᏅᏗ, ᎦᏚ ᎤᏯᏍᎦ ᏧᏓᎴᏅᏓ ᎤᏂᏑᎸᏓ, ᎦᏚ ᎤᎦᎾᏍᏓ ᎠᏔᎸᎩᏓ, ᎤᏣᎴᏍᏓ ᎦᏚ ᏩᏚᎵᏏ ᎤᏓᏅᎵᏰᏓ, ᏄᎾ ᎦᏁᎦ, ᏧᏪᏥ ᎠᏑᏰᏓ ᎠᎦᏅ ᏆᎷᏏ ᎤᏂᎧᏲᏓ ᏗᏑᏴᏅ ᏃᎴ ᏑᎾᎴ ᎠᎩᏍᏗ ᏧᎵᎦᎸᏓ.\n”ᏗᏁᎶᏗᎩ?” ᎤᏛᏁ ᏧᏍᏆᏴᏍᏗ, ᏕᎦᏄᏖᏲᎮ ᏚᏄᏌᏛ.\nᎨᎵᏲᏃ ᏂᎯᏳ ᎠᎧᏯ ᎠᏥᎦᏘᏗᏍᏛᎢ, ᎠᏂᏧᏏ ᏌᏉ ᎢᎦᎦᏛ ᎬᏩᏁᎷᎩᎡᎸᎩ ᏉᎳ, ᎠᎴ ᎬᏩᏘᏃᎸ ᏗᎫᎪᏙᏗᏱ ᎦᏍᎩᎸᎢ,\nᏑᏥᎶᏛ ᎢᎬᎾᏕᏅ ᎤᏂᎵᏦᏩᏛ ᏧᏲᎸ ᎨᏒ ᏂᎦᏓ ᏌᎶᎵ ᎫᏇᏗ ᎬᏘ ᏩᏏᏓᏂ.\nᎠᏎᏃ ᎥᏝ ᏱᏣᏚᎵᎭ ᏍᎩᎷᏤᏗᏱ ᎬᏂᏛ ᎢᏣᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ.\nᏣᏂ ᏧᏬᎸ ᎢᏣᏓᏅᏒᎩ, ᎠᎴ ᎾᏍᎩ ᏚᏳᎪᏛ ᎤᏃᎮᎸᎩ.\nᎢᏳᏃ ᎪᎱᏍᏗ ᏯᏥᎾᏄᎪᏫᏎᎸ ᎩᎶ ᎾᎥ ᎤᏬᎵ, ᎢᎬᏱ ᎤᎴᏅᏛ ᎡᎳᏪ ᎬᏍᎨᏍᏗ.\nᎯᎠ ᎾᏍᎩ ᎣᏥᏲᏍᏙᏗᏍᎬᎢ, ᎩᎶ ᎪᎱᏍᏗ ᎪᎨᎵᏎᏗᏱ ᎯᎠ ᎾᏍᎩ ᎤᏣᏘ ᎤᎬᏩᎵ ᎪᎱᏍᏗ ᎣᎬᏁᏗ ᏥᏂᎦᎵᏍᏗᎭ;\nᎿᏉᏃ ᎠᎦᏛᎾᎩ ᎩᎳᏉ ᎢᏴᏛ ᎠᏍᎫᏕᏍᎪᎢ, ᎠᏍᎫᏕᏍᏗᏱᏰᏃ ᎤᎵᏰᎢᎶᎶᎢ.\nᎠᏎᏃ ᏂᏦᎯᏳᎲᏍᎬᎾ ᏱᎩ ᎾᏍᎩ ᎤᏬᏪᎳᏅᎯ, ᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏱᏦᎯᏳᎲᎦ ᎠᏴ ᏥᏁᎬᎢ?\nᎠᏥᎦᏘᏗᏍᏗᏰᏃ ᎪᎱᏍᏗ ᎾᎫᎢᏍᏛᎾ ᏱᎩ, ᎾᏍᎩᏯ ᎣᏍᏛ ᎢᏳᏩᎿᏕᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ; ᎥᏝ ᎤᏩᏒ ᎠᏓᏅᏖᏍᎬ ᎤᏟ ᎤᏰᎸᎯ, ᎥᏝ ᎤᎿᎸᏣᏘ, ᎥᏝ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎤᎦᎾᏏᏍᎩ, ᎥᏝ ᎠᏓᏛᏂᎯ, ᎥᏝ ᏧᎬᏩᎶᏗ ᎤᎬᎥᏍᎩ.\nᎧᏅᏂᏍᎩ ᏲᎪ ᎤᏰᏟ: ᎨᏎ, ᎤᎸᏉᏗ ᎤᎦᏙᏍᏕᎢ ᏏᏆ, ᎠᏓᏅᏖᏍᎨᎢ ᎢᏳᎵᏍᏔᏁᏗ ᏭᏩᎦᏘᏗᏒᎢ.\nᎠᏂᎧᏔᎮᎢ ᎢᏳᏉ ᎤᎴᏅᏗ ᏗᏙᎴᏆᏍᏗ.\nᏗᏂᎦᏘᏯᏃ ᎤᎾᎵᏎᎢ, ᏗᎦᏚᎲ ᏭᏂᎶᏎᎢ, ᏂᎦᏛ ᏭᏂᏃᎮᎴᎢ, ᎠᎴ ᎠᏂᏍᎩᎾ ᎬᏩᏂᏯᎢ ᏄᎾᎵᏍᏓᏁᎸᎢ.\nᎾᏍᎩᏃ ᏄᏪᏒ ᎤᎦᏔᎲᏒᎩ; ᎠᎴ ᎤᎪᎲᎩ ᏥᏌ ᎦᏙᎬᎩ, ᎠᎴ ᎥᏝ ᏳᏬᎵᏤ ᏥᏌ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᎠᏥᎤᏍᏕᏎᎸᎯ ᏂᎨᏒᎾ ᏯᏍᏆᏂᎪᏗᎭ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩᏯ ᏂᎬᏅᎢ, ᏝᏍᎪ ᎾᏥᎤᏍᏕᏎᎸᎾ ᎨᏒ ᎠᏥᎤᏍᏕᏎᎸᎯ ᎨᏒ ᎠᏥᏰᎸᎾᏁᏗ ᏱᎦᎩ?\n”ᏥᎦᏔ ᎢᏳᏍᏗ ᏂᎦᏛᏁᎲ.\nᎠᏏᏴᏫᏍᎩᏂ ᎢᎸᎯᏢ ᎤᏁᏤ, ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙ ᏴᏫ ᎾᏍᎩ ᏥᏯᏓᏅᏖᏍᎪᎢ? ᎠᎴ ᏴᏫ ᎤᏪᏥ, ᎾᏍᎩ ᏥᏯᎦᏔᏂᎯᎰᎢ?\nᏴᏫ ᎤᏪᏥ ᎤᎷᏨ ᎠᎵᏍᏓᏴᎲᏍᎦ ᎠᎴ ᎠᏗᏔᏍᎦ; ᎯᎠᏃ ᏂᏥᏪᏎ; ᎬᏂᏳᏉ ᎠᏍᎦᏯ ᎤᎬᎥᏍᎩ ᎠᎵᏍᏓᏴᏗ ᎠᎴ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎠᏗᏔᏍᎩ, ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᎠᏂᏍᎦᎾ ᎤᎾᎵᎢ.\nᏝᏍᎪ ᎠᏏ ᏱᏦᎵᎦ ᎾᏍᎩ ᏂᎦᎥ ᎪᎱᏍᏗ ᎥᎰᎵ ᎤᏴᏍᏔᏅᎯ ᎨᏒ ᎣᏍᏉᎵᏱ ᏫᎦᎷᎬᎢ, ᎾᏍᎩᏃ ᏫᎦᎶᎯᏍᏗᏍᎬᏉ?\n”ᏧᎬᎢ ᎦᎵᏦᏕ ᎯᎾᏁᏍᎬᎳ,” ᎤᏛᏁ ᎡᎳᏆᏗ.\nᎯᎩᏍᎪᎯ ᏳᏕᏘᏴᏓ ᏥᎨᏎ, ᎠᎾᏗᏍᎬ, ᏚᏭᎪᏔᏅ ᏧᏂᏰᏗ ᎠᎴ ᏧᏬᏪᎶᏗ ᎢᏗᏬᏂᏍᎬ.\nᎠᏙᎯ ᏱᏤᏙᎳ, ᏙᎢᏳᏍᏗ ᎭᎦᏙᏍᏙᎢ?\nᎤᏁᎷᏁᎢ ᏌᏌ.\nᎤᏁᎳᏅᎯ ᎠᎦᏔᎯᏳ ᏅᏧᏓᎴᏅᎲᎾ ᏂᎦᏛ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᎾᏍᎩᏃ ᎤᏲ ᏣᏂᏟᏏᏍᎪ ᎠᎴ ᏣᎾᎪᎲᏍᏗᏍᎪ ᎠᏥᎸᏱ, ᎾᏍᎩᏯᏍᎩᏂ ᎾᏍᏉ ᏄᏍᏕᏍᏗ ᎠᎵᏍᏆᏛᎭ ᎯᎠ ᎡᎶᎯ.\nᎭᏓᏄᏖᏯᎦ ᏃᎴ ᎭᎧᏔᎲᎾ!” \nᏥᏌ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎤᏙ ᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᎬᏪᏎᎭ, ᎩᎶ ᏔᎵᏁ ᎤᏕᏅᎯ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ ᎥᏝ ᏴᎬᎪᏩᏛ ᎾᎿ ᎤᏁᎳᏅᎯ ᎤᎬᏫ ᏳᎯ ᎨᏒᎢ.\nᎿᏉᏃ ᏥᏌ ᏚᏬᏁᏔᏅᎩ ᎤᏂᏣᏘ ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ,\nᎤᏖᎸᎳᏛᎢ ᎠᏴ, ᏚᏩᏂᎦᎸᎢ ᏂᎯ. ᎠᏴ ᎠᎩᏯᎢ, ᎠᏴᏃ ᏥᏯᎢ, ᎾᏍᎩ ᎤᏣᏙ ᎠᎾᏓᏛᎥᏍᎪᎢ. ᎥᏝᏰᏃ ᎠᏴ ᎥᏝ ᏰᎵ ᎪᎱᏍᏗ ᏴᎨᏣᏛᎦ.\nᎩᎶ ᎾᏍᎩ ᎾᎿ ᏅᏲᎯ ᎠᏢᏨᎭ ᏓᏳᏐᏅᏂ; ᎩᎶᏃ ᎾᏍᎩ ᎤᏐᏅᎭ ᏓᏳᏪᎵᏬᏔᏂ.\nᏈᏓᏃ ᎤᏍᏓᏩᏛᏎ Ꭸ ᎢᏴᏛ ᏣᎢᏎ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏗᎦᏁᎸ ᎬᏗᏍᎩ, ᎤᏴᎴᎢ, ᎠᎴ ᎨᏥᏅᏏᏓᏍᏗ ᎢᏧᎳᎭ ᎠᏂᏁᎢ, ᎤᎪᏩᏛᏗᏱ ᎤᏰᎸᏎ ᏩᎵᏍᏆᏗᎯᎲᎢ.\nᏗᏥᏲᎵ, ᎿᏉ ᎤᎵᏍᏆᎸᏗ, ᎢᏣᏛᎦᏅᎯᏃ ᏥᎩ ᎤᎷᎯᏍᏗᏱ ᎦᎶᏁᏛ-ᎠᏡᏗᏍᎩ, ᎠᎴ ᎪᎯ ᎨᏒ ᎤᏂᏣᏔ ᎦᎶᏁᏛ-ᎠᎾᏡᏗᏍᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏗᎦᏔᎭ ᎤᎵᏍᏆᎸᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᎨᏥᏍᏛᏗᏍᏙᏗ ᎨᏎᏍᏗ ᎨᎬᏓᏁᏗ ᏫᎾᏍᏛᎾ ᎠᏓᏛᏗᏍᎩ ᎤᎬᏫᏳᎯ ᎠᎦᏔᎲ ᏅᏓᏳᏓᎴᏅᎯ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎤᎵᏂᎩᏗᏳ ᎨᏒᎢ,\nᎢᏳᏓᎵ ᎠᏓᏅᏖᏍᎨ ᏌᎳᏓ.\nᎥᏝᏃ ᎩᎶ ᎦᎸᎳᏗ, ᎠᎴ ᎡᎶᎯ, ᎠᎴ ᎡᎶᎯ ᎭᏫᏂᏗᏢ ᏰᎵ ᎬᏩᏛᏗ ᏱᎨᏎ ᎪᏪᎵ ᎬᏩᏍᏚᎢᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎾᎿ ᏗᎬᏩᎧᏃᏗ.\nᏙᎩᏃᏣᏝ ᎦᏓᏁᏍᏙ ᎨᏒ, ᎠᏆᏛᏅ.\nᎤᎷᏨ ᎤᏩᏅ.\nᎬᏁᏤᎭ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ, ᎾᏍᎩ ᏗᎬᏂᏗᏍᎩ ᏥᎩ ᏂᎦᎥ ᏄᎾᏓᎴᏒᎢ, ᎠᎴ ᎠᎦᏔᎲ ᏥᏌ ᎦᎶᏁᏛ ᎾᏍᎩ ᏆᏂᏗ ᏆᎴᏗ ᎠᎦᏔᎲ ᎤᏃᏅᎯ ᏥᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎨᏒᎢ,\nᎠᎴ ᎥᏝ ᎤᏁᎳᎩ ᏳᏪᎵᏎᎴ ᎩᎶ ᎪᏞᏍᏗ ᎤᏍᏗ ᎠᏖᎵᏙ ᎤᏴᏙᏗᏱ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᎠᎴ ᎠᏴ ᏍᎩᏍᏓᏩᏕᎩ ᏂᏣᎵᏍᏔᏅᎩ, ᎠᎴ ᎤᎬᏫᏳᎯ [ᎡᏥᏍᏓᏩᏕᎩ,] ᏕᏣᏓᏂᎸᏨ ᎧᏃᎮᏛ ᎤᏣᏘ ᎢᏥᎩᎵᏲᎬᎢ, ᎤᎵᏠᏯᏍᏛ ᎤᎵᎮᎵᏍᏗ ᎨᏒ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏅᏓᏩᏓᎴᏅᎯ;\nᎾᏍᎩᏰᏃ ᏧᏭᎪᏙᏗ ᎨᏒ ᏚᏳᎪᏛᎢ ᎠᎴ ᎣᏍᏛ; ᎾᏍᎩᏰᏃ ᏚᏭᎪᏓᏁᎸ ᎤᏣᏘ ᎤᏁᎫᏥᏛ ᎠᎨᏴ, ᎾᏍᎩ ᎤᏕᎵᏛ ᏓᏂᏏᏂᏙᎲ ᎤᏂᏲ ᏥᏂᏚᏩᏁᎸ ᎡᎶᎯ ᎠᏁᎯ, ᎠᎴ ᎤᏞᏨ ᏧᏅᏏᏓᏍᏗ ᎤᏂᎩᎬ ᏚᏨᏁᎸᎢ.\nᎪᎱᏍᏗ ᎠᏍᏆᎵᏍᎬ ᎭᏂᏣ ᎠᏍᏆᏚᎸ, ᎦᏅᎯᏛ ᎤᎵᏏᎦ ᎠᏑᏫᏓ ᎦᏍᎩᎸ ᎣᏍᏓᏕᎭᏲᎲ, ᎦᎵ ᏓᏌᏁᎥ ᏧᏃᏩ ᏧᏓᎴᏅᏓ ᎠᎵᏍᏔᏴᏗ.\nᎤᎾᏓᏍᏔᏴᏃᎾ, ᏧᏂᏍᏗ ᎨᏒ ᏌᎶᎵ ᏳᏂᏁᎦᎸᎾ, ᎠᏎᏃ ᎠᏂᏬᏗᎨ ᏃᎴ ᎪᎢᎭ ᎤᏂᏔᎷᎩᏍᎬ.\nᎤᎵᏂᎩᏛᏰᏃ ᏥᎩ ᎾᏍᎩ ᎤᏍᏆᏂᎪᏗᏳ ᎾᏆᏛᏁᎸ; ᎠᎴ ᎦᎸᏉᏗᏳ ᎾᏍᎩ ᏕᎤᏙᎥᎢ.\nᎯᎠ ᎾᏍᎩ ᎯᎦᏔᎭ, ᏂᎦᏛ ᎡᏏᏱ ᎠᏁᎯ ᎬᏋᏕᏨᎢ, ᎾᏍᎩ ᎤᎾᏓᏑᏯ ᏆᏤᎳ ᎠᎴ ᎭᎹᏥᏂ.\n“ᏫᎵᎻ!” ᏭᏯᏅᎮ.\nᏂᎦᏓ ᎤᏁᏅᏎ ᏫᎵᎻ ᏤᏙᎲ ᎢᏣ. ᎨᏍᏗ ᏯᎦᏔᎮ ᎢᏳᏛᏁᏗ ᏫᎵᎻ.\nᎯᎠ ᎤᏉᏔᏗ ᏧᎬ ᎤᎵᏬᏨ ᎡᎰᎢ.\nᎠᎧᏔᎮᎢ ᎦᏓᏁ ᏂᎦᎵᏍᏗᏍᎬ ᏧᏍᏆᏴᏍᏗ. ᎨᏍᏗ ᎣᏍᏓ ᎫᏩᏓᏅᏖᏗ ᏱᎨᏎ.\nᎠᎴ ᎠᏍᏓᏯ ᎤᏁᏤᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎠᏂᎨᏴ ᎠᏁᎲ ᏂᎯ ᏭᏓᎪᎾᏛᏗ ᎡᏣᎸᏉᏗᏳ; ᎠᎴ ᎦᎸᏉᏗᏳ ᎾᏍᎩ ᏂᎯ ᏨᏘᎾᏄᎪᏫᏏ.\nᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏓᏚᏓᎴᏍᏙᏗ ᎨᏒ, ᏗᎧᎿᏩᏛᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ, ᎬᏂᎨᏒ ᎢᎬᏁᎸᎯ, ᎪᎯᏳᏙᏔᏅᎯ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎠᎾᏙᎴᎰᏍᎬ ᏚᏃᏪᎸᎢ;\nᎾᏍᎩᏯ ᎾᏍᏉ ᏂᎯ, ᎢᏳᏃ ᎩᎾ ᏂᏚᏲᏐᎲᏍᎬᎾ ᎢᎨᏎᏍᏗ ᏂᎦᏛ ᎤᏤᎵ ᎨᏒᎢ, ᎥᏝ ᏰᎵ ᎠᎩᏍᏓᏩᏕᎩ ᏱᏅᎦᎵᏍᏓ.\nᏧᏆᎶᎬ ᏫᏓᏆᎧᎾᏅ, ᎠᎩᎦᏓᎲᏍᎬ ᎢᏣ ᎦᏃᎸᎥᏍᎬ, ᎠᏌᎻᏓ ᏕᏥᏯᎦᏅ, ᎦᎶᏇ ᎠᎦᏙᏗ ᏫᏄᏩᏅ ᎠᎦᏙᎵ, ᎨᏍᏗ ᏱᏚᎴᏫᏍᏔᏁᎸ ᏓᏂᏥᏍᏔᎳᏍᎬ ᎦᏅᏃᏫ, ᎡᎳᏗ ᏨᏌᏙᏯᏍᎪ ᎢᏳᏍᏗ ᎠᏆᏤᎸᏅ, ᎣᏂᏲᎯᏍᏔᏅ ᏓᏂᏥᏍᏔᎳᏍᎬ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎠᏓᏙᎵᏍᏗᏍᎬ ᎢᎸᎯᏢ, ᎤᏑᎵᎪᏨ, ᎠᏏᏴᏫ ᎤᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏣᎬᏫᏳᎯ, ᏍᎩᏰᏲᎲᎦ ᎣᎦᏓᏙᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᏣᏂ ᏥᏄᏛᏁᎴ ᏥᏚᏪᏲᏁ ᎬᏩᏍᏓᏩᏗᏙᎯ.\nᏦᏍᏓᏓᏅᏟᏃ ᎠᏴᏃ ᎡᏙᏓᎴ ᏃᏊ ᎣᏥᏓᏩᏛᏒ ᎩᏟ.\nᎢᏗᎦᏪᏍᏗ ᏕᎯᏔᏲᎯᎲ ᏕᎬᏃᎯᏏ.\n“ᎦᏙᏃ ᏱᏣᏓᏅᏖᏗ ᏗᏣᏌᏛᏗ ᎠᎵᏍᏓᏴᏗ?” \n“ᏥᏗᏤᎾ, ᏗᏥᏲᏟ!” ᎤᏦᏱᎴᎢ.\nVIII. ᏚᏁᏅᏒ ᏚᎾᏟᏃᎮᎸ  \nᎠᎴ ᏥᎪᎥᎩ ᎯᎠ ᎾᎩᏪᏎᎲᎩ; ᎾᏞᎬᏉ ᎢᏴᏛ ᎯᏄᎪᎢ ᏥᎷᏏᎵᎻ; ᎥᏝᏰᏃ ᏱᏙᏛᏂᏂᏴᎯ ᎠᏴ ᏍᎩᏃᎮᏍᎬᎢ.\nᎤᏍᏆᏘ ᎤᏯᏨ ᏫᎵᎻ ᏄᏩᏅᏓᎩᏎ ᎰᎻ, ᏴᎩ ᎦᎭᏛ ᏏᏆ ᎤᏴᏍᏗ ᎦᎸᎳᏗᏣ ᎤᏛᏁ, ᎠᎾᏓᏩᏛᎯᏙ ᎤᏂᎪᎵᏰᏗ.\nᎠᏴᏰᏃ ᎦᎸᎳᏗ ᎢᏕᎯ; ᎾᎿ ᎾᏍᏉ ᏅᏓᏳᎶᎯᏍᏗᏱ ᏥᏗᎦᏖᏃᎭ ᎢᎩᏍᏕᎵᏍᎩ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ;\n“ᏲᎾ ᎤᏤᏍᏙ, ᎠᎦᏓ ᏥᎦᏔ ᏗᏛᎯᏍᏙᏗ ᏏᏆ ᎠᏂᏓ,” ᎤᏛᏁ ᎡᎶᏗ.\nᎤᎾᎵᏍᏓᏴᎯᏃ ᏅᎩᎭ ᎢᏯᎦᏴᎵ ᎾᏂᎥᎩ ᎠᏂᏍᎦᏯ, ᏂᏓᏁᏢᏛᎾ ᎠᏂᎨᏴ ᎠᎴ ᏗᏂᏲᎵ.\nᏧᏐᏱᎭ ᎨᏎ ᎢᎦ, ᎠᏗᏍᎨ ᎠᏌᎻᏓ.\nᎠᏂᏃᎮᏍᎬ, ᎠᎬᏱ ᎠᏂᏐᏅᏍᎨ ᎦᎶᏇ ᎠᎴ ᎦᎵᏣᏗ ᎬᏘ, ᏃᏉ ᎩᎦ ᎠᏔᏍᎩᏍᎬ ᎤᎵᏍᏗ ᎤᎵᏍᏙᏗ.\nᏍᎩᏴ ᎤᏕᏘᏴᏌᏗᏒ, ᎠᏏᎠ ᏓᏓᏳᎶᏒ ᏚᏂᎸᏉᏛ ᎢᏧᎳ ᎠᏂᎨᏯ ᏃᎴ ᎠᏂᏍᎦᏯ, ᎠᏎᏃ ᏗᏗᎦᎴᏴᏓ ᎨᏒ pirates, gauchos, ᏃᎴ ᎠᏂᏴᏫᏯ ᎠᏂᎨᏯ ᏃᎴ ᎤᏂᎬᏫᏳ, ᏍᎩᏴ ᎠᎩᏩᏛᎲ ᏗᏋᏙᏗ ᏕᎷᎨ ᎠᎵᏍᏚᎶ ᏃᎴ ᎦᎸᎳᏗ ᎢᏗᎦᏘ ᏧᏣᏬᏓ.\nᎾᏍᎩᏍᎩᏂ ᏐᎢᏱ ᏗᎨᏒ ᎠᎴ ᎠᏲᎱᏛ Ꮧ-ᎴᎯᏐᏗ ᎨᏒ ᏰᎵᏉ ᎬᏩᎾᏖᎳᏗᏍᏗ ᎨᏥᏰᎸᎯ, ᎥᏝ ᏱᏓᎾᏕᏒᎲᏍᎪᎢ, ᎥᏝ ᎠᎴ Ᏹ-ᏗᎨᏥᏰᎪᎢ.\nᎤᎶᏐᏁ ᎪᎳ ᏎᎦᏨᎯ.\nᏱᎰᏩ ᎤᏓᏙᎵᏣᏘᏳ ᎨᏒ ᎢᎦᏁᎳᏅᎯ, ᎾᏍᎩ ᏥᏂᎦᎴᏍᏙᏗᎭ ᎢᎦᎦᏘ ᏗᏰᎵᎯᏍᏗᏍᎩ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ ᎢᎩᏩᏛᎯᎸᎯ ᏥᎩ,\nᎿᏉᏃ ᏥᏌ ᎤᏪᎷᏅᎩ ᎤᏛᏅᏗᎦᎳᏫᎢᏍᏗᏱ ᏓᏕᏲᎲᏍᎬᎢ, ᎯᎠ ᏄᏪᏒᎩ; ᏍᎩᎦᏔᎭ, ᎠᎴ ᎾᏍᏉ ᎢᏥᎦᏔᎭ ᏗᏆᏓᎴᏅᎢ; ᎠᎴ ᎥᏝ ᎠᏋᏒᏉ ᎠᏆᏓᏅᏖᏛ ᏯᎩᎷᏨ, ᏅᏛᎩᏅᏏᏛᏍᎩᏂ ᏚᏳᎪᏛᎢ, ᎾᏍᎩ ᏁᏥᎦᏔᎲᎾ ᏥᎩ.\nᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎧᏃᎮᏛ ᎣᏨᏗᏍᎬᎢ, ᎤᎵᏂᎩᏛ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎣᏨᏗᏍᎬᎢ, ᏚᏳ-ᎪᏛ ᎨᏒ ᎠᎦᏘᏏᏗᏢ ᎠᎴ ᎠᎦᏍᎦᏂᏗᏢ ᎣᎦᏣᏅᏛᎢ,\nᎾᏍᎩ ᎯᎠ ᎤᎴᏅᏔᏅᎩ ᏥᏌ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎸᎩ ᎨᎵᎵ ᎨᏂ ᎦᏚᎲᎢ, ᎠᎴ ᎬᏂᎨᏒ ᏄᏩᏁᎸᎩ ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ. ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎬᏬᎯᏳᏅᎩ.\n”ᎤᎸᏂᏗᏍᎩ ᏥᏍᏕᏥ!” ᎤᏪᎵᏎ ᏫᎵᎻ.\nᎤᏬᏚᏨ ᎤᏉᏔᏗ ᎠᏩᏔ ᎠᎵᏰᎾ.\nᎦᏙᎨ ᏣᎵ ᎤᏛᎦᏍᏕ ᏓᏍᏆᎵᏍᏘᏍᎬ ᏧᏩᏂᎦᏝᏅ ᏃᎴ ᎠᏓᏅᏖᏍᎨ ᏂᏕᏆᎸ ᏗᎦᏆᎵ.\nᏧᎾᏓᎸᎯ.\nᎩᎶᏃ ᏂᏗᏣᏓᏂᎸᎬᎾ ᎢᎨᏎᏍᏗ, ᎾᎿ ᎦᏚᎲ ᎢᏥᏄᎪᎨᏍᏗ, ᏗᏣᎳᏏᏕᏂ ᎪᏍᏚ ᏚᏅᎦᎸ ᏕᏥᏅᎪᎥᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎧᏃᎮᏍᎩ ᎨᏎᏍᏗ ᎤᎾᏡᏗᏍᎩ.\nᎢᎦᏓ ᏄᎾᏍᏛ ᏣᎳᎩᏱ ᎠᏰᎵ ᏄᏍᏛ, ᎠᎵᏍᎨᎢᏃ ᎤᏁᎦ ᏱᏄᎵᏍᏔᎾ, ᏯᎵᏍᏕᎸᏙᏓ.\n“ᎭᏩ,” ᎤᏛᏁ ᏥᏍᏚ, “ᎢᏕᎾ.”\nᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᎢᏥᏍᎦᏯ, ᎦᏙᏃ ᎾᏍᎩ ᎯᎠ ᏂᏣᏛᏁᎭ? ᎠᏴ ᎾᏍᏉ ᏴᏫᏉ ᎾᏍᎩᏯ ᏂᏣᎵᏍᏓᏁᎲ ᎢᏲᎩᎾᎵᏍᏓᏁᎯ, ᎠᎴ ᎢᏨᏯᎵᏥᏙᏁᎭ ᏗᏥᏲᎯᏍᏗᏱ ᎯᎠ ᎠᏎᏉᏉ ᏂᏣᏛᏁᎲᎢ, ᏫᏣᎦᏔᎲᏍᏗᏱᏃ ᎬᏂᏛ ᎤᏁᎳᏅᎯ ᎢᏗᏢ, ᎾᏍᎩ ᎤᏬᏢᏅᎯ ᏥᎩ ᎦᎸᎶᎢ ᎠᎴ ᎦᏙᎯ ᎠᎴ ᎠᎺᏉᎯ ᎠᎴ ᎾᏂᎥ ᎾᎿ ᎠᏁᎯ;\nᎠᎨᏴᏃ ᎤᏁᏤᎢ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎥᏝ ᏰᎭ ᎠᎩᏰᎯ. ᏥᏌᎯᎠ ᏄᏪᏎᎴᎢ; ᏰᎵ ᏂᏫ ᏴᎭ ᎠᎩᏰᎯ, ᏣᏛ;\nᏚᏂᏰᎵᎯᏍᏔᏅᏃ ᎤᏂᏣᏘ ᏅᏩᏛᏁᏉ ᏥᏳᎯ ᎤᏣᎥ ᎬᏩᏘᎾᏫᏛᎮᎢ; ᎠᎴ ᎾᏍᏉ ᏂᏗᎬᏩᏓᎴ ᏧᏍᏗ ᏥᏳ ᎤᎾᎵᎪᏩᏗᏎᎢ.\nᏧᏬᏚᎢ ᏓᎭᏃᏍᏗ ᎨᏒ.\nᎡᎳᏗ ᎦᏙ ᎠᏆᏚᎵ ᏗᏥᏅᏗ.\nᎠᏏᏉᏰᏃ ᎤᏙᏓ ᎠᏰᎸ ᎠᏯᎡᎢ ᎾᎯᏳ ᎹᎵᎩᏏᏕᎩ ᏥᏚᏠᏍᎨᎢ.\n”ᎬᎪᏩᏔ ᎾᏛᏁᎲᎢ,” ᎤᏛᏁ ᏌᎳᏓ.\n“ᎭᎵᏖᎸᎮᏍᎬ ᎠᏆᏚᎵ ᎬᎪᏩᏛᏗ, ᎠᏆᏕᎶᎰᎯᏍᏗ ᏱᏣᏔᎷᎩᎠ.”\nᎧᏁᏌᎢ ᏭᏴᎴᎢ. ᎠᏔᎴᎦᏒ ᎦᏚᎢᏣ ᎠᏯᏖᏅ ᏭᏗᏍᎦᏝᏁᎢ.\nᎾᏂᎥ ᎤᎾᏚᎵᏍᎩ ᎣᏍᏛ ᎢᏳᎵᏍᏙᏗᏱ ᏗᎨᎦᎦᏅᏗᏱ ᎤᏇᏓᎵ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏎ ᏤᏥᎤᏍᏕᏎᏗᏱ ᏂᎨᏨᏁᎰᎢ; ᏄᎾᏚᎵᏍᎬᎾ ᎨᏒ ᎢᏳᏍᏗ ᎨᏥᎩᎵᏲᎢᏍᏙᏗᏱ ᎤᏂᏍᏛᏗᏍᏗᏱ ᎦᎶᏁᏛ ᎤᏤᎵ ᏓᏓᎿᏩᏍᏛᎢ.\nᏌᏩᏂᏃ ᎤᏙᎴᎰᏒ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎨᏥᏁᎲᎢ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᏓᎾᏏᏔᏗᏍᎬ ᎨᏥᏅᏏᏛ, ᎾᏍᎩ ᏕᎤᎵᏍᎪᎸᏓᏁᎴ ᎠᏕᎸ,\nᎾᏍᎩᏯ ᎾᏍᏉ ᎥᏝ ᏳᏚᎵ ᎢᏥᏙᏓ ᎦᎸᎳᏗ ᎡᎯ, ᏌᏉ ᎯᎠ ᏧᎾᏍᏗᎦ ᎨᏒ ᏧᏂᏲᎱᎯᏍᏗᏱ.\nᎠᎩᏥ ᏥᎨᏒ ᎠᏌᏛᎥᏍᎩ ᎨᏒ.\nᎥᏝᏰᏃ ᎩᎶ ᎦᎸᎳᏗ ᏫᏳᎶᏐᎢ, ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ ᎤᏩᏒ, ᏴᏫ ᎤᏪᏥ, ᎾᏍᎩ ᎦᎸᎳᏗ ᏤᎭ.\nᎠᎴ ᏂᎦᏛ ᎠᎹᏰᎵ ᏚᏪᎧᏩᏗᏒ ᎤᎾᎵᏒᎩ, ᎠᎴ ᏙᏓᎸ ᎥᏝ ᏗᎬᏩᏛᏗ ᏱᎨᏎᎢ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏂᎦᏛᏁᎰ ᎣᏍᏛ ᎧᏃᎮᏛ ᏅᏗᎦᎵᏍᏙᏗᏍᎪᎢ, ᎾᏍᎩ ᎾᎿ ᎠᏇᎳᏗᏍᎩ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᏎᏃ ᎾᎿ ᎠᏂᏁ ᎩᎶ ᎢᏳᎾᏍᏗ ᏗᏃᏪᎵᏍᎩ, ᎯᎠ ᏄᏍᏕ ᎠᎾᏓᏅᏖᏍᎨ ᏙᏧᎾᏓᏅᏛᎢ,\nᎾᏍᎩᏃ ᎯᎠ ᏂᏥᏪᎭ, ᎠᏓᏅᏙᎩᎯ ᎢᏣᎢᏎᏍᏗ, ᎤᏇᏓᎵᏃ ᎤᎬᎥᏍᎬ ᎥᏝ ᏱᏂᎨᏣᏛᏁᏍᏗ.\nᏤᏍᏗ ᏱᏨᏅᎨᏍᏗ ᏃᎴ ᏤᏍᏗ ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ!\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏗᏍᏓᏱᏳ ᎨᏒ ᎢᏳᏍᏗ ᏗᏥᎾᏫ ᎼᏏ ᎤᎾᏁᎳᎩ ᏓᏂᎨᏙᎯᎮᏍᏗ ᏧᎾᏓᎵᎢ, ᎢᏤᎵᏎᎸᎩ; ᏗᏓᎴᏂᏍᎬᏍᎩᏂ ᎥᏝ ᎾᏍᎩ ᏱᏄᏍᏕᎢ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᏗᏍᎩᎾᏝᎢ, ᎠᏍᎪᎯ ᎢᏳᏓᎨᏛ ᏕᎤᎭ--\nᎭᏫᏂ ᎤᏛᎸᎮ ᏫᎵᎻ.\nᏗᎦᎶᎩᏍᎩ ᏥᏚᎸᏫᏍᏓᏁᎰᎢ ᎢᎬᏱ ᎤᏪᎳᏗᏍᏙᏗ ᎨᏐ ᎤᎾᏄᎪᏫᏒᎯ.\nᏚᎭᏄᏮ ᏂᎦᏓ ᎤᏁᎦ ᏃᎴ ᏥᏳ ᏧᏆᎶᎦ ᏗᎪᏒᏔᏅ ᎨᏎ, ᎢᎾᏓ ᏚᏩᏥᏍᎧᎸ ᎾᎥᏂᎨ ᏂᏚᏍᏕ. ᏚᏑᎦ ᏧᏆᎶᎦ ᎪᏒᏔᏅ ᎤᎵᏍᏇᏚᎨ.\nᎤᏍᏆᎸᎲᏰᏃ ᎾᏍᎩ ᏗᎫᎪᏙᏘ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸ ᎤᏓᎴᏅᏗᏱ; ᎢᏳᏃ ᎠᏴ ᏰᎦᎴᏅᏔᏅ ᎦᏙ ᎤᏍᏗ ᏭᎾᎵᏱᎶᎯᏍᏗ ᎨᏎᏍᏗ ᎾᏍᎩ Ꮎ ᏄᏃᎯᏳᏒᎾ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎠᎨᏴᏍᎪ ᏕᏍᏓᏚᏓᏔ? ᏞᏍᏗ ᏗᏍᏓᏚᏓᏕᏍᏗᏱ ᏣᏲᎸᎩ. ᎠᎨᏴᏍᎪ ᏂᏗᏍᏓᏚᏓᏛᎾ? ᏞᏍᏗ ᏣᏲᎸ ᏣᏓᎵᎢ.\nᎬᏂᏳᏉᏃ ᏗᎧᎿᏩᏗᏙᎯ ᏱᎰᏩ ᎤᏤᎵᎦ ᎤᏂᎷᏤᎴᎢ, ᎠᎴ ᎦᏄᏉᏗᏳ ᏚᎸᏌᏛ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦᏚᎾᏚᏫᏍᏔᏁᎢ ᎠᎴ ᎤᏣᏔᏅᎯ ᎤᏂᏍᎦᎴᎢ.\nᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ ᎢᏳᏃ ᏴᏫ ᎨᏥᏂᏆᏘᎮᏍᏗ, ᎠᎴ ᎨᏣᏓᏓᎴᏗᏍᎨᏍᏗ, ᎠᎴ ᎦᎨᏥᏐᏢᏕᏍᏗ, ᎠᎴ ᎠᏂᏍᎦᎩᏳ ᎨᏎᏍᏗ ᏕᏣᏙᎥ ᎪᎱᏍᏗ ᎤᏲ ᎾᏍᎩᏯᎢ, ᏴᏫ ᎤᏪᏥ ᎤᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᎣᏍᏓ ᏱᎨᏎ ᎯᎸᎯᏴ ᏗᏥᎪᎥ ᏱᎨᏎ ᏚᏅᏓᏒ ᎤᏛᏅ.\nᎠᏂᏲᏟᎨ ᎠᎹᏱ ᎠᏍᏛᎢ ᎠᎾᏓᏬ, ᎥᏣ ᎾᎥᏂ, ᎥᏣ ᎭᏫᏂ, ᏃᎴ Ꮳ ᎦᏚᎢᏣ.\nᎾᏍᎩᏃ ᎬᏬᎯᏳᎲᏍᎨᎢ, ᎪᎯᏗᏳᏲᏰᏃ ᎬᏩᎴᏅᏛ ᎨᏎ ᎤᏍᏆᏂᎪᏗ ᏓᏓᏅᏓᏗᏍᏗᏍᎨ ᎠᏙᏂᏍᎬᎢ.\nᎠᏂᏲᏍᎩ ᎠᏂᏧᏣ ᎤᎾᎵᏍᏔᏴᏃᎾ ᎤᎾᏁᎸᏔᏅ ᏐᏉ ᎢᏳᏪᏅᏍᏘ ᎠᎴ ᏔᎵ ᎤᏂᏢᏗ, ᎠᏎᏃ ᎠᎾᏓᏌᏆᎴᏍᎬ ᏧᏍᏆᏅᏂ ᏃᎴ ᎡᏝᏪᎯ ᎠᏂᏬᏂᏍᎬ.\nᎤᏍᎦᏍᏓᏁᎴ ᏫᎵᎻ.\nᎤᏟᏃ ᎢᏯᏂᎢ ᏴᏫ ᏧᎾᏄᏬ ᏚᏂᏰᏍᏛᏅᎩ ᏅᏃᎯ, ᎢᎦᏛᏃ ᏚᏅᏂᎦᎸᎲᎩ ᏧᏪᏲᏔ ᏕᏡᎬᎢ, ᎠᎴ ᏅᏃᎯ ᏚᏂᏲᏔᏅᏅᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏕᏚᎪᏗᎭ ᎾᏍᎩ ᏴᏫ ᎪᎯᏳᏗ ᎨᏒ ᎠᏚᏓᎴᏍᏗᏍᎬ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎬᏅ ᏄᏛᏁᎸᎾ.\nᎠᏴ ᎢᏗᏧᏏ ᎢᎦᏕᏅᎯ ᏥᎩ, ᎠᏂᏍᎦᎾᏃ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏄᎾᏍᏛ ᎢᎦᏕᏅᎯ ᏂᎨᏒᎾ ᏥᎩ,\nᏙᏯᏛ ᎤᏍᎪᎵᏍᏗ ᎥᎨᏒ ᏗᏧᎬ ᎠᏒᏛᏗ ᏫᎫᏓᎸ.\nᏂᎦᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎠᎵᏍᎦᏍᏙᏙ ᎢᏣᏣᏅᏓ, ᎾᏍᎩ ᏰᎵ ᎨᏣᎴᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏍᎩᎾ ᎠᏏᎾᏌᏅ ᏕᏥᎦᏘᎸᏍᏗᏍᎬᎢ.\n”ᎧᏅᏂᏍᎩᏕᎩ ᏌᎳᏓ?” ᎤᏛᏛᏁ ᏲᎾ ᎤᏤᏍᏙ ᎤᏥ.\nᎤᎴᏅᏔᏅᏃ ᎼᏏ, ᎠᎴ ᏂᎦᏛ ᎠᎾᏙᎴᎰᏍᎩ, ᏚᏬᏏᏌᏁᎴ ᎾᎦᎥ ᎪᏪᎸ ᎾᏍᎩ ᎤᏩᏒ ᎤᏃᎮᏍᎬᎢ.\nᎣᏍᏓ ᎤᎪᎵᏰᎡ ᎤᏍᏗ ᎠᏣᏗ ᎡᏆ ᎠᏣᏗ, ᏃᎴ ᎯᎠ ᏄᏪᏎ, ᎦᏙᏃ ᎤᏍᏗ ᎠᏣᏗ ᎯᎨᏦᏎᎰ?\nᎤᎦᏔᎲᏒᏃ ᎯᎠ ᎾᏥᏪᏎᎸ ᏈᏓ; ᎠᏆᏐᎭᏛ ᎭᎴᎲᎦ, ᏎᏓᏂ, ᏗᏍᏉᏕᏍᏗᏍᎩᏉ ᏂᎯ, ᎥᏝᏰᏃ ᏯᏓᏅᏕᎭ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᏴᏫᏉᏍᎩᏂ ᎤᏁᏤᎵ ᎭᏓᏅᏕᎭ.\nᎠᎴᏉ ᎦᏣᏃᏍᏔ ᏄᏩᏅ, ᏃᎴ ᏣᏉ ᎤᏪᎵᏒ.\nᎠᎴ ᏚᏟᎶᏍᏔᏁᎴ ᎾᏍᎩ ᎾᏫᎨᏥᏯᏅᏛ, ᏚᎪᎲ ᏓᎾᏑᏰᏍᎬ ᏄᎬᏫᏳᏒ ᏗᏂᏢᏗᏱ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ,\nᏚᏯᏪᎨ ᎤᎵᏨᏓᏆᏓ ᎭᎦᏘᏴ ᏧᎾᏦᎯᏍᏗ ᎠᏤ ᎤᎾᎵ.\nᎥᏝ ᎩᎶ ᎢᎸᎯᏳ ᏱᎬᏩᎪᎰ ᎤᏁᎳᏅᎯ; ᎤᏩᏒᎯᏳ ᎤᏕᏁᎸᎯ ᎤᏪᏥ, ᎠᎦᏴᎵᎨ ᎦᏁᏥᎢ ᎡᎯ, ᎾᏍᎩ ᎬᏂᎨᏒ ᏄᏩᏁᎸ.\nᎠᎴ ᎬᏂᏳᏉ ᎩᎶ ᎢᏳᏍᏗ ᎠᏯᎦᏯ ᏥᎷᏏᎵᎻ ᎡᎮ ᏏᎻᏯᏂ ᏧᏙᎢᏛ; ᎠᎴ ᎾᏍᎩ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ ᎠᎴ ᎤᏁᎳᏅᎯ ᏗᎧᎿᏩᏎᎩ ᎨᏎᎢ, ᎠᎦᏘᏰ ᎢᏏᎵ ᎨᏥᏄᏬᎯᏍᏙᏗᏱ; ᎦᎸᏉᏗᏳᏃ ᎠᏓᏅᏙ ᏔᎵ ᎤᏛᏗᏕᎨᎢ.\nᎾᏍᎩ ᎯᎠ ᎢᏳᏪᏅᏍᏗ, ᎧᏂᎩᏓ ᏴᏫ ᎨᏎᎢ ᏏᏆ ᎤᏴᏍᏗ ᎾᎥᏂ, ᏥᏍᏕᏥ, ᎧᏅᏂᏍᎩ ᏃᎴ ᏏᏆ ᎤᏅᏌ ᎨᏎᎢ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎤᎾᏁᎳᎩ ᏗᏤᎵᏏ ᏧᎾᏍᏗ ᏗᏂᏲᎵ, ᎠᎴ ᏞᏍᏗ ᏗᏥᏅᏍᏓᏕᎸᎩ ᎬᎩᎷᏤᏗᏱ; ᎾᏍᎩᏰᏃ ᏄᎾᏍᏗ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ.\nᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏳᏃ ᎤᏁᎳᏅᎯ ᎢᏥᏙᏓ ᏱᎩ, ᏍᎩᎨᏳᎢᏳ ᏱᎩ; ᎤᏁᎳᏅᎯᏱᏰᏃ ᏗᏆᏓᎴᏅ ᎠᎩᎷᏥᎸ; ᎠᎴ ᎥᏝ ᎠᏋᏒᏉ ᎠᏆᏓᏅᏖᏛᏯᎩᎷᏥᎸ, ᏗᎩᏅᏒᏍᎩᏂ.\nᎢᏳᏰᏃ ᎩᎶ ᎠᏍᎦᏯ ᏳᏴᎵᎸ ᏕᏥᎳᏫᎥᎢ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᎵᏰᏑᏍᏙᎩ ᏧᏬᏚᎯ ᏧᏄᏩᎢ, ᎾᏍᏉᏃ ᏳᏴᎵᎸ ᎤᏲ ᎢᏳᏛᎾᏕᎩ ᏗᎦᏓᎭ ᏧᏄᏩᎢ;\nᎪᎯ ᎨᏒ ᎢᏯᏍᏗ, ᎠᎪᏄ ᏙᏱᏲᏏᎭ, ᎠᎴ ᏙᎩᏔᏕᎩᎭ, ᎠᎴ ᏦᎩᏰᎸᏌᎢ, ᎠᎴ ᎠᏍᏈᏅ ᏙᎬᏂᏍᏗᎭ, ᎠᎴ ᎢᎸᎯᏢ ᎣᎨᏅᏒ ᏂᎨᏒᎾ;\nᎩᎶ ᎤᎾᎵᏱ ᎠᏃᏝᎬ ᎠᏂᎯᏲᎲᎢ. ᎨᏍᏗ ᎤᏁᏙᎸ ᏱᎨᏎ ᏃᎴ Ꮳ ᎤᏂᎩᏌᏓ ᏱᎨᏎ ᎤᏁᏓᏍᏗ Chapel Hill.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ; ᎤᏟᏰᏃ ᏂᎦᎥ ᏗᏣᎬᏩᎶᏗ ᏂᎯ ᎡᏍᎦᏉ ᎤᏂᏣᏘ ᏥᏍᏆᏯ.\nᎯᎠ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎧᏃᎮᏛ ᏙᏓᎦᏥᏯᏠᎢᏍᏓᏁᎵ ᎾᎯᏳ ᎦᎶᏐᏅᎭ ᎠᏗᎭ ᎤᎬᏫᏳᎯ; ᏗᏆᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᏧᏂᎾᏫᏱ ᏙᏓᏥᎳᏂ, ᎠᎴ ᏚᎾᏓᏅᏛ ᏙᏓᎪᏪᎳᏂ.\nᎯᎠ ᎢᎾᏓ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏗᏩᏒᎩ, ᎠᎴ ᎤᏁᏒᎩ ᎤᏤᏍᏙ, ᎠᎴ ᎤᏪᏙᎸᎩ. ᎠᎴ ᎤᎾᏙᏓᏆᏍᎬ ᎨᏒᎩ ᎾᎯᏳ ᎢᎦ.\nᏚᎧᏔᏍᏔᏁᎢ. ᎡᏝᏪ ᎨᏎ ᏎᎦ.\nᎦᏙᏃ ᏯᎫᏕᏯᏙᏓᎾ?\nᎯᎠ ᎾᏥᏪᏎᎴᎢ, ᎤᏓᏂᎵᎨ ᏚᏁᎶᏕᏍᏗ ᎣᏂ ᎡᎯ;\nᎩᎶ ᏱᎦᏬᏂᎭ ᏅᏩᎾᏓᎴ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ, ᎤᏩᏒ ᎠᏓᎵᏂᎪᎯᏍᏗᏍᎪᎢ; ᎩᎶᏍᎩᏂ ᏯᏙᎴᎰᏍᎦ ᏓᎵᏂᎪᎯᏍᏗᏍᎪ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ.\nᏥᏌᏃ ᎤᏂᏲᎸᎩ, ᎠᎴ ᎤᏛᏅᏗᎦᎳᏫᏍᏗᏱ ᎠᏂᏙᎾᎥ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎸᎩ; ᎦᏙ ᎢᏤᎵᎭ? ᏝᏍᎪ ᏓᎾᎵᏍᏓᏴᎲᏍᎬ ᏴᏓᎦᎷᏥ?\nᎿᏉᏃ ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ ᏈᏓ; ᏥᎯᎳᏓ ᏣᏤᎵ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎦᎳ-ᏗᏍᏗᏱ; ᎤᎵᏍᏈᏗ ᎡᏙᏓ ᎠᎩᏁᎸᎯ, ᏝᏍᎪ ᏴᏓᎦᏗᏔᎯ?\n”Ooomp!” ᎤᎵᏰᏔᏁ.\nᎠᎴ ᎤᏍᏆᏂᎪᏎ ᎾᏃᎯᏳᎲᏍᎬᎾ ᎨᏒᎢ. ᎠᎴ ᎤᏪᏙᎴ ᎤᏚᎾᏛ ᏕᎦᏚᏩᏗᏒᎢ ᏓᏕᏲᎲᏍᎨᎢ.\nᎬᏂᎨ ᏱᎨᏎ, ᏳᏩᏁᎦ, ᎬᏂᎨᎢ ᏃᎴ ᏧᏓᎴᏅᏓ ᎩᎦ ᎤᏁᎯ ᏱᎨᏎ.\nᎤᎵᏖᎸᏂᏍᏔᏁᎢ ᎤᏏᎳᏛ ᏃᎴ ᎤᎧᏙᏍᏔᏁᎢ.\nᎠᎴ ᎨᏥᏁᏤᎸᎩ ᎪᎱᏍᏗ ᎤᏅᏁᏗᏱ ᏂᎨᏒᎾ ᎧᏁᏍᎦ ᎡᎶᎯ ᎤᏰᎬᎢ, ᎠᎴ ᏂᎦᎥᏉᎪᎱᏍᏗ ᎢᏤ ᎤᏴᎾᎥᎢ, ᎠᎴ ᏂᎦᎥᏉ ᏕᏡᎬᎢ; ᎾᏍᎩᏉᏍᎩᏂ Ꮎ ᎤᏅᏒ ᏴᏫ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᏓᏰᎸᏙᏗ ᎨᏒ ᏄᏂᏰᎸᏒᎾ ᏗᏂᎬᏓᎨᏂ.\nᎠᏓᎨᏳᏗ ᎨᏒ ᏄᏠᎾᏍᏛᎾ ᎨᏎᏍᏗ. ᎢᏥᏂᏆᏘᎮᏍᏗ Ꮎ ᎤᏲ ᎨᏒᎢ; ᏕᏥᏂᏴᏎᏍᏗ ᎣᏍᏛ ᎨᏒᎢ.\nᎨᏍᏗ ᏯᏂᎦᏔᎮ ᏄᏓᏅᎯᏒ ᏭᏕᎵᎬ, ᎠᎴ ᎢᎪᎯᏓ ᏫᎦᎶᎯᏍᏗ ᎨᏒ, ᎠᎴ ᏄᏍᎦᏎᏛ ᏭᏂᎶᎯᏍᏗ.\nᎾᏍᎩ ᎯᎠ ᎼᏏ ᏧᏂᏲᎢᏎᎴ ᎯᎠ ᏥᏄᏂᏪᏎᎢ, ᎦᎪ ᏂᏣᎬᏫᏳᏌᏕᎩ ᎠᎴ ᏚᎪᏗᏍᎩ ᏣᎧᏅ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏅᏎ ᏄᎬᏫᏳᏌᏕᎩ ᎠᎴ ᎤᏄᏓᎴᏍᎩ ᏄᏩᏁᎴ ᎤᏩᏔᏁ ᏗᎧᎿᏩᏗᏙᎯ ᎬᏂᎨᏒ ᎢᏳᏛᏁᎸᎯ ᎤᏪᏲᏓᏛᎢ.\nᎡᎵᏍᏗ ᏦᏍᎪᎯ ᎢᎦ ᏧᏂᏑᎸᏓ ᏧᎾᏕᎾᏅᎯ ᏕᏥᎦ.\n“ᎤᏙᎯᏳᎯ, ᏥᎦᏔᎭ,” ᎤᏛᏁ ᏣᏄᏏ.\nᎡᎳᏗ ᎢᏳᎾᏛᏂ ᏳᎾᏓᏛᎾ, ᎡᏝᏪᎯ ᏳᏂᎦᏘᏓ, ᏰᎵᏉ ᎪᎱᏍᏗ ᎣᏍᏓ ᏱᎦᎶᎯ.\nᎠᎹ ᎤᏩᏩᏙᎢᏍᏗ ᏭᎷᏤ ᏫᏚᏑᎸᎮ ᏃᎴ ᎠᏓᏌᏆᎴᏍᎩ ᎠᎵᎧᏲᏙᏗ ᏚᎧᏲᏔᏁ ᏧᏬᏰᏂ.\nᎤᏓᎾᏏᏅᏔᏁᎢ ᏧᏪᏥ ᏗᎦᏅᏙᏗ ᏗᎦᏓᎥᎢ ᎢᏳᏓᏅᎯᏓ.\nᎠᎨᏴᏃ ᎦᏙᎬ ᎢᏗᏢ ᏭᎦᏔᎲᏍᏔᏅ ᎯᎠ ᎾᏥᏪᏎᎴ ᏌᏩᏂ; ᎯᎪᏩᏘᏍᎪ ᎯᎠ ᎠᎨᏴ? ᎯᏁᎸ ᎠᎩᏴᎸᎩ, ᎠᎹ ᎥᏝ ᏱᏍᎩᏁᏁᎴ ᏗᏉᏑᎴᏗ ᏗᏆᎳᏏᏕᏂ; ᎾᏍᎩᏍᎩᏂ Ꮎ ᏓᏉᏑᎵᏏ ᏗᏆᎳᏗᏕᏂ ᏧᎦᏌᏬᎸᎯ ᎬᏓ, ᎠᎴ ᏓᎩᎧᏲᏙᏓᏏ ᎤᏍᏘᏰᎬᎢ.\nᎦᏙᎨᏃ ᏓᏓᏛᏂ? ᏥᎪ ᎠᏏᏉ ᎨᏗᏍᎦᏅᎨᏍᏗ ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎤᏁᏉᎢᏍᏗᏱ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ?\nᏍᏆᎳᎯᎨ ᎭᏅᎦ ᎤᎵᏍᎨᏛ ᎨᏒᎢ.\nᎨᏍᏗᎭ ᏥᏔᎷᎩᏍᎩ ᏱᎩ, ᎠᏎᏃ ᏰᎵᏉ ᏱᏂᎦᏛᎦ.\nᏓᏓᏏ ᏥᏔᏲᏎᎸᎩ, ᎠᎴ ᎠᏁᎩ ᎥᏥᏅᏒᎩ ᎢᏓᎵᏅᏟ. ᏥᎪ ᏓᏓᏏ ᎢᏥᎶᏄᎮᎴᎢ? ᏝᏍᎪ ᎤᏠᏱᏉ ᎠᏓᏅᏙ ᏲᏍᏛᏗᏍᎨ ᎣᏍᏕᏙᎲᎢ? ᏝᏍᎪ ᏌᏉ ᏱᎨᏎ ᏙᏍᏓᎳᏏᏂᏙᎲᎢ?\nᏅᎦᏍᎪᎯᏃ ᏧᏕᏘᏴᏛ ᎢᎪᎯᏛ ᎤᏁᎳᎩ ᎤᏪᎵᏎ ᏄᎾᏛᏁᎵᏙᎸ ᎢᎾᎨᎢ.\n“Ꭳ, Ꭵ ᎤᏙᎯᏳᎯ,” ᎤᏛᏁ ᏫᎵᎻ.\nᎿᏉᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᏓᎻ; ᎡᏍᎦ ᎡᏅᎦ ᎯᏰᏌᏛᎢ, ᏘᎪᎵᏯ ᏗᏉᏰᏂ, ᎠᎴ ᎡᏍᎦ ᎡᏅᎦ ᏦᏰᏂ ᏥᏍᏆᎨᏂ ᏩᏐᎾᏓ, ᎠᎴ ᏞᏍᏗ ᏃᎯᏳᎲᏍᎬᎾ ᏱᎨᏎᏍᏗ, ᎰᎯᏳᎲᏍᎩᏍᎩᏂ ᎨᏎᏍᏗ.\nᎾᏍᎩ ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᏱᏗᏓᏓᏂᎸᎦ ᎾᏍᎩ ᎢᏳᎾᏍᏗ, ᎾᏍᎩ ᎢᏧᎳᎭ ᏕᎩᎸᏫᏍᏓᏁᎲ ᏱᏗᏍᏕᎵᎭ ᏚᏳᎪᏛ ᎨᏒᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᏞᏍᏗ ᏱᏥᎶᏒᏍᏗᏍᎨᏍᏗ ᎢᎦᎢ ᎡᏥᏁᏤᎸ ᎢᏥᎩᏏᏓᏍᏗᏱ.\nᏤᎦᏈᏃ ᎤᏛᎦᏅ ᎤᏣᎴᏍᏗ ᎡᎲ ᎢᏥᏈᏱ, ᏕᎤᏅᏎ ᏗᎩᎦᏴᎵᎨ ᎩᎳ ᎾᎨᏎᎢ.\nᎤᏒᎯᏰᏱ ᏓᏘᏍᎬ ᎦᎴᏫᏍᏗᎭ ᎢᎾᎨᎢ ᎾᎥᎢ\nᎫᎦ ᎤᏅᏗ ᎠᏥᏍᏛ ᎠᏰᎯ, ᏑᎧᏔ ᏧᎬ ᎭᏫᏂᏣ ᎤᏓᏍᏛᏧᏁᎢ ᏲᎾ ᎤᏤᏍᏙ.\nᎤᎩᏨᏓ, ᏯᏴᏓᏆᎶᏍᎬᎾ ᏱᎩ ᏯᎦᏍᎬᎾ ᏱᎩ, ᏂᎦᏓ ᏧᏂᎷᏫᏍᏔᏁ ᎠᏂᏗᏍᎩᏏᏍᎨ ᎧᏁᏍᎦ, ᏓᏆᎴᎳ ᎠᏂᏐᏗᏍᎨᏍᏗ ᏃᎴ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ  ᎦᎸᎳᏗ ᏫᏛᏂᏌᏂ. ᏲᎾ ᎤᏤᏍᏙ ᏃᎴ ᎡᎳᏆᏗ ᎧᏁᏍᎪ ᎦᏚᎢ ᎤᎾᎩᎴᏍᏗ.\nᎠᎴ ᏄᎾᏓᎴ ᎠᏫ ᏓᎩᎧᎭ, ᎾᏍᎩ ᎥᏝ ᎯᎠ ᎤᏂᏴᏍᏗᏱ ᏯᏂᏯᎠ; ᎾᏍᎩ ᎾᏍᏉ ᎠᏎ ᏙᏓᎦᏘᏃᎵ, ᎠᎴ ᏛᎾᏛᎦᏂ ᏥᏁᎬᎢ; ᎠᎴ ᏑᎾᏓᏡᎩ ᏅᏛᎾᎵᏍᏔᏂ; ᎠᎴ ᏌᏉ ᎨᏎᏍᏗ ᎠᏫᏗᎦᏘᏯ.\nᎧᎩᏳᏍᏗ ᏌᎳᏓ?”\nᏗᎧᎿᏩᏛᏍᏗᏃ ᎤᏁᎴ ᎠᎱᏍᏕᏍᏗ ᎨᏒ ᎤᎬᏩᎵ; ᎡᏆᎭᎻᏃ ᎤᏕᏁᎴ ᎡᏏᎩ, ᎤᎱᏍᏕᏎᎴᏃ ᏧᏁᎵᏁ ᎢᎦ, ᎡᏏᎩᏃ ᏤᎦᏈ, ᏤᎦᏈᏃ ᏔᎳᏚ ᎢᏯᏂᏛ ᏗᎩᎦᏴᎵᎨᎢ.\nᏥᏌᏃ ᎾᎿ ᎤᎷᏨ, ᎦᎸᎳᏗ ᏫᏚᎧᎿᏁᎢ, ᎠᎴ ᎤᎪᎮᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏌᎩᏯ, ᏞᎩᏳ ᎡᎭᏠᎠᎯ; ᎪᎯᏰᏃ ᎢᎦ ᏥᎩ ᏘᏁᎸ ᏫᎨᏙᎮᏍᏗ.\nᏃᏊᏗ ᎡᏆ ᏧᏃᏔᏁᎢ ᎾᎥᏂ ᎤᏍᏗ ᎦᏅᏅ ᏃᎴ ᏧᎾᏗᏍᎦᎳᏁ ᏌᎷᏱ. \nᏍᏔᏯ ᏭᏗᏅᏎ, ᎤᏟᏂᎬᎬ ᎢᎦ, ᏔᎵᏉ ᏧᏟᎷᎬᏓ ᎦᎷᏯᏍᏘ, ᏲᎾ ᎠᏰᎸᎢ ᏭᏂᏌᏁ ᏍᏔᏯ.\nᏃᎴ ᎣᎭᏂ ᎠᏓᏙᎵᏍᏙᏗ ᎠᎬᏱ ᏯᎯᎲᎾ. ᏧᏆᎶᎦ ᏕᎫᏌᎡᏍᏘ ᎩᎦ ᎤᏍᏔᏲᏒ ᎬᏘ, ᏤᏍᏗ ᎤᎴᏫᏍᏔᏅᎯ.\nᏚᏂᎵᏦᏩᏛ, ᎢᎦᏓ ᎠᏂᎨᏯ ᎤᏅᏌ ᏚᎾᏓᎸ.\nᎥᏝᏰᏃ ᎣᏏᏳ ᏳᏂᏰᎸᏁ ᏄᏍᏛ ᎤᎵᏁᏨᎢ, ᎾᏍᎩ ᎦᎾᏜᎢᏉ ᎾᏍᏉ ᏳᏃᏟᏍᏔ ᎣᏓᎸᎢ ᎠᏎ ᏅᏯ ᏣᎬᏂᏍᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏥᏲᏍᏗᏉ ᎨᏒ ᏗᎬᏩᎶᏒᎯ.\nᎠᎴ ᎦᏙ ᏱᎦᎵᏍᏙᏗ ᏯᎾᎵᏥᏙᎲᎦ ᎢᏳᏃ ᏂᎨᏥᏅᏒᎾ ᏱᎩ? ᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᏂᏚᏬᏚᎭ ᏧᎾᎳᏏᏕᏂ ᎾᏍᎩ Ꮎ ᎣᏍᏛ ᎧᏃᎮᏛ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏁᎯ ᎠᎾᎵᏥᏙᎲᏍᎩ, ᎣᏍᏛ ᎧᏃᎮᏛ ᎠᎾᎵᏥᏙᎲᏍᎩ ᎾᏍᎩ ᎣᏍᏛ ᎤᎬᏩᎵ ᎨᏒᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ [ᏥᏌ] ᎦᏅᎬ ᎠᎵᏍᏓᏴᎲᏍᎬ ᎾᏍᎩ ᎦᏁᎸᎢ, ᎤᏂᏣᏖ ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ ᎠᎴ ᎠᏂᏍᎦᎾ ᎢᏧᎳᎭ ᏓᏂᏅᎨ ᏥᏌ ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎤᏂᏣᏖᏰᏃ, ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎮᎢ.\nᏕᏥᎸᏉᏕᏍᏗ ᎾᏂᎥᎢ; ᏕᏥᎨᏳᏎᏍᏗ ᎠᎾᎵᏅᏢᎢ; ᎤᏁᎳᏅᎯ ᎡᏥᎾᏰᏍᎨᏍᏗ; ᎤᎬᏫᏳᎯ ᎡᏥᎸᏉᏆᏍᏗ.\nᎠᎩᎨᏳᏔᏅ ᏥᎾᏄᎩᏣᏗ, ᎦᎶᎯᏍᏗᏳᎳ ᎦᏙᎬ ᎦᏥᏃᏍᏔ ᎠᎹ ᎨᏴ ᎢᏣ ᏫᏓᎧᏅ, ᎦᏐᎯ ᎣᎭᏁ ᏂᏚᏩᏅ ᏧᏬᏰᏂ.\nᎤᏃᏕᎾ?”\nᎿᏉᏃ ᎹᏗ ᎤᏛᎦᏅᏉ ᏥᏌ ᏣᎢᏒᎢ ᏫᏚᏠᏒᎩ. ᎺᎵᏍᎩᏂ ᎦᎵᏦᏕᏉᎬᏬᎸᎩ.\nᎤᏃᏴᎵᏓ ᏭᏂᎷᏨ ᎦᎵᏦᏩᏛ, ᏂᎦᏓ ᎤᎾᏗᏍᎦᏟ ᎤᏂᏰᏨ, ᎤᎾᏗᏛᎲ ᏗᎫᏩᎭᏄᏫ.\nᏎᎷ ᎦᏓᏫᏔᏅ ᏧᎾᏦᏴᏍᏗ ᏧᏓᏅᎵᏰᏓ ᏔᎷᎩᏍᎩ ᏗᎪᏱᏅᏍᏗ, ᏔᎷᎩᏍᎩ ᎠᏣᏗ ᏧᏓᏅᎵᏰᏓ, ᏗᎪᎢᎭ ᎪᏪᎵ ᏗᎦᏅᏙᏗ ᎤᎪᏏᏓ...\nᎤᏙᎯᏳᎯᏯ ᎢᎦᏪᏛ; ᎠᎴ ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ ᎠᏆᏚᎵᎭ ᏣᏍᏓᏱᏗᏍᏗᏱ, ᎾᏍᎩ Ꮎ ᎤᏁᎳᏅᎯ ᎤᏃᎯᏳᏅᎯ ᎤᎾᎦᏌᏯᏍᏙᏗᏱ ᏂᎪᎯᎸᏉ ᎣᏍᏛ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ. ᎯᎠ ᎾᏍᎩ ᎣᏏᏳ ᎠᎴ ᎬᏩᎾᎵᏍᏕᎸᏙᏗ ᏴᏫ.\nᎠᏇᏙᏅ ᎤᎵᏏᎩ ᏕᎦᎳᏅᏛ, ᏕᎦᏒᎭᏂᏙᎲ ᏓᏦᎭᏴ.\nᎤᏛᏅ.\nᎠᎴ ᏞᏍᏗ ᏱᏗᏥᏍᎦᎢᎮᏍᏗ ᎠᏰᎸᎢ ᎠᏂᎯᎯ, ᎠᏎᏃ ᎠᏓᏅᏙ ᎬᏩᏂᎯᏍᏗ ᏂᎨᏒᎾ ᏥᎩ. ᎤᎬᏫᏳᏎᏍᏗᏍᎩᏂ ᎡᏥᏍᎦᎢᎮᏍᏗ ᎾᏍᎩ ᏗᎬᏩᎯᏍᏗ ᏥᎩᎠᏰᎸᎢ ᎠᎴ ᎠᏓᏅᏙ ᎢᏧᎳ ᏨᏍᎩᏃᎢ.\nᎿᏉᏃ ᎡᎶᏛ ᎤᏙᎴᎰᏒ ᎠᏂᎦᏔᎿᎢ ᎬᏩᎵᏓᏍᏔᏅᎢ, ᎤᏣᏔᏅᎯ ᎤᏔᎳᏬᏎᎢ, ᎠᎴ ᎤᏓᏅᏎ ᏫᏚᏂᎰᏁ ᏂᎦᏛ ᏗᏂᏲᎵ ᎦᏚᏱ ᎠᏁᎯ, ᎠᎴ ᏂᎦᏛ ᏂᎬᎾᏛ ᎾᎿᏂ, ᏔᎵ ᎢᏳᎾᏕᏘᏴᏛ ᏩᏍᏘ, ᎾᎯᏳ ᏅᏓᏳᏓᎴᏅᏛ ᏥᏓᎵᏏᎾᎯᏍᏓᏁᎮ ᏥᏓᏛᏛᎮᎸᎥᏍᎨ ᎠᏂᎦᏔᎿᎢ.\nᎢᎦᏓᏅᏖᏗ ᎢᎦᏛᏁᏗ ᏓᎩᏏᎳᏛᎢ.\nᏲᎾ ᏃᎴ ᏂᎦᏓ ᎬᎩᏍᏆᏂᎪᏔᏅ ᏥᏧᏣ ᏥᎨᏒ, ᏭᏕᎵᎬ ᎠᏁᎬ.\nᎾᏍᎩᏍᎩᏂ, ᏗᏓᏁᎸ ᎢᏣ ᎱᏪᏅᏎᎢ, ᎤᏓᎵᎢ ᎤᏟᏃᎮᏔᏁᎢ.\nᏭᏚᎯᏅᏒ ᏧᏙᎨᏍᎩ, ᏧᎳᏏᏕᏅ ᏕᎦᏂᏱᏍᎬ ᏅᏯ ᎦᎳᎨᏴ ᎠᎼ ᎡᎳᏗ.\nᎠᎴ ᎤᏪᎷᏁ ᎯᎠ ᏄᏪᏎᎢ; ᎡᏙᏓ ᎡᏆᎭᎻ, ᏍᎩᏙᎵᎩ, ᎠᎴ ᎡᎯᏅᎵ ᎳᏏᎳ, ᎠᎴ ᎾᏍᎩ ᎤᏍᎪᎵ ᎦᏰᏌᏛ ᎠᎼᎯ ᏩᎱᏓ, ᎠᎴ----ᏩᎩᏙᎣᎸᏍᏓᏏ ᏥᏃᎪᎢ; ᏥᎩᎵᏲᎦᏰᏃ ᎠᏂ ᎠᏓᏪᎵᎩᏍᎬᎢ.\nᎤᎵᏏᎬ ᎤᏅᏏᏴ ᎤᏴᏍᏗ ᏭᎷᏤ ᏭᏓᏓᎩᏅᏎ.\nᏂᏚᎩᏨᏂᏒ ᎢᏨᏰᎳᏗᏙᎲᎩ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏕᎦᏕᏲᎲᏍᎬᎩ, ᎠᎴ ᎥᏝ ᏱᏍᎩᏂᏴᎮᎢ; ᎤᏙᎯᏳᏗᏍᎩᏂᏃᏅ ᏂᎬᏅ ᎪᏪᎸᎢ.\nᏲᎾ ᎦᏳᎳ ᏂᏚᏭᎪᏔᏃ ᎤᏓᏂᏯᏍᏗ ᏚᏅᏓᏒ, ᎨᏍᏗ ᎪᎰᏍᏗ ᎫᏩᏍᏕᏓᎵᏴᏍᏔᏁᏗ ᏱᎨᏎ, Ꮳ ᎠᏂᏩᏥᏂ ᎤᏂᏁᏨ ᎠᎴ ᏗᏤ ᏗᏥᎶᏍᏔᏅ ᎢᎬᎾᏕᏅ ᎠᎴ ᏗᏲᏍᏔᏅ ᏓᏍᏔᏅᎭᏅ.\nᎯᎠ ᏄᏪᏎᎢ, ᎦᏙ ᏣᏚᎵ ᎬᏯᏛᏁᏗᏱ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᎥᎠᎩᎪᏩᏛᏗᏱ ᎠᏆᏚᎵᎭ.\nᎢᏳᏰᏃ, ᎠᏏ ᎡᏗᏍᎦᎩ ᏥᎨᏒᎩ ᎡᏙᎢᏍᏓᏁᎸᎯ ᏱᎩ ᎤᏁᎳᏅᎯ ᎬᏔᏅᎯ ᎤᏪᏥ ᎤᏲᎱᏒᎢ, ᎿᏉ ᎪᎯ ᎡᏙᎢᏍᏓᏁᎸᎯ ᏥᎩ, ᎤᏟᎯ ᎤᏙᎯᏳᎯᏯ ᎡᎩᏍᏕᎸᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎬᏃᏛ ᎨᏒ ᎢᏳᏍᏗ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᏥᎪ ᏕᎨᎦᏨᏍᏗᏍᎬ ᎠᏂᎦᏔᎯ ᎠᎹᏟ ᎤᏅᏗᏱ ᏱᏂᏕᏨᏂᏏ ᎠᏏᏉ ᎤᏁᎳᏗᏙᎲ ᎤᏕᏒᏂᎸᎯ?\nᎠᏂᏐᎢ ᏓᏍᏕᎵᏍᎬᎩ, ᎤᏩᏒᏍᎩᏂ ᎥᏝ ᏴᎬᎵᏍᏕᎸ. ᎢᏳᏃ ᎤᎬᏫᏳᎯ ᎢᏏᎵ ᎤᎾᏤᎵ ᎨᏎᏍᏗ, ᎿᏉ ᏓᏓᎿᏩᏍᏛ ᎡᎠᏠᎠᎯ, ᎩᎳᏃ ᏓᏰᏙᎢᏳᏂ.\nᎯᎠ ᏄᏪᏒᎩ; ᏞᏍᏗ ᏱᏍᎦᎢᎮᏍᏗ, ᏉᎳ, ᏏᏌ ᎤᏪᎸ ᎢᎬᏱᏗᏢ ᎠᏎ ᏔᎴᏂ; ᎬᏂᏉᏃ ᎤᏁᎳᏅᎯ ᎦᏣᎧᏁᎸ ᏂᎦᏛ ᏥᏳᎯ ᏥᏣᏣᎠ.\nᎠᏥᎸ-ᎨᎳᏍᏗᏰᏃ ᎨᏒ ᎤᏓᏁᏟᏴᏛ ᎨᏒᎢ, ᎠᏎ ᎾᏍᏉ ᎦᏁᏟᏴᏛ ᏂᎦᎵᏍᏗᎭ ᏗᎧᎿᏩᏛᏍᏗ.\nᎨᏍᏗ ᏯᏆᏓᏚᎦ ᏁᎳᎩ ᎠᏇᎵᏍᏗ.\nᏄᏍᏛ ᎾᏍᎩ Ꮎ ᎦᏓᏉ ᎠᎪᏢᏔᏅᎯ ᏥᎩ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏄᎾᏍᏗ ᎦᏓᏉ ᎨᎪᏢᏔᏅᎯ; ᎠᎴ ᏄᏍᏛ ᎾᏍᎩ Ꮎ ᎦᎸᎳᏗ ᎡᎯ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏄᎾᏍᏗ ᎦᎸᎳᏗ ᎠᏁᎯ.\nᏗᏒᏆᎶᏍᏗ ᎪᏒᏔᏅ ᎠᏦᎭᏴ ᎤᎵᏏᎩ ᏃᎴ ᎡᎳᏗᎨᏍᏗ ᎠᏰᎵ, ᎤᎵᏏᎩ ᎤᏲᎢᏴ ᏩᏂᎦᏛ.\nᎠᏥᎶᏍᏗ ᎤᏢᏍᏔᏅ ᏥᏍᎪᎵ, ᎲᏲᎳᏛ ᎤᏛᏅ.\nᏥᏌᏃ ᎤᎿᎷᏒᎩ ᎣᏓᎸᎢ, ᎠᎴ ᎾᎿ ᎤᏪᏅᎩ, ᎠᎴ ᎾᏍᏉ ᎬᏩᏍᏓᏩᏗᏙᎯ.\nᎠᎴ ᎤᎯᏰ ᎢᎦᏛ ᏧᎬᏩᎳᏅᎯ, ᎠᎴ ᎤᏓᎵᎢ ᎾᏍᏉ ᎠᎦᏔᎮᎢ; ᎤᏲᎴᏃ ᎢᎦᏛ, ᎠᎴ ᎨᏥᏅᏏᏛ ᏧᎾᎳᏏᏕᏄᎶᏗ ᎤᏁᎢ.\nᎠᏆᏟᏂᎬᏁᎸ ᎣᎯᏍᏙᏗ ᏗᏟᎯ ᎢᏯᏆᎵᏍᏙᏗ.\nᎾᏍᎩᏰᏃ ᎠᎨᏴ ᎠᏍᎦᏲᎯ ᏅᏓᏳᏓᎴᏅᎯ ᏥᎩ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏍᎦᏯ ᎠᎨᏴ ᎤᎾᏄᎪᏫᏒᎯ; ᎠᏎᏃ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎤᏁᎳᏅᎯ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ.\nᏕᏥᏯᏙᎯᎲ ᏄᎾᏛᏁᎸ ᏗᎾᏓᎯ.\nᎤᎵᏍᎩᏃᎳᏓ, ᎠᏛᎩᏍᎨ ᏗᎾᎢᏒ.\nᎯᎠ Ꭷ ᎨᎵ ᏅᏛᏍᎩᏪᏎᎵ, ᎦᏙᏃ ᎠᏏᏉ ᎡᏍᎦ ᎠᏰᎸᏍᎦ? ᎦᎪᏰᏃ ᏚᎦᏘᎴᏅ ᏄᏍᏛ ᎠᏓᏅᏖᏍᎬᎢ?\nᎤᎿᏛ ᏚᏂᏙᎬ ᏥᏍᏚ ᎠᎴ ᏌᎶᎵ ᏭᎷᏤ ᏙᏯ.\nᎣᎩᎾᏟᏃᎮᎸ ᏣᎵ, ᎾᎥᏂ ᎤᏬᏢ ᎠᏌᎻᏓ ᎤᏛᎦᏍᏛ, ᏯᏎᎦᎩ ᏱᎪᎵᎩ ᎧᏁᏨ ᎢᏳᏓᎵᎭ ᎡᎵᏍᎬ.\nᏂᎪᎯᎸᎾ ᏰᎵ ᎢᏯᏂ ᎤᎾᏓᏓᏍᎩᏎᎢ.\nᏚᏁᏤᎴᏃ ᎾᏍᎩ ᎩᎶ ᎤᏂᏃᏁᏗᏱ ᏂᎨᏒᎾ.\nᎠᎴ ᏔᎵᏁ ᎢᎦᏥᏲᎢᏳᏓᏁᎭ ᎾᏂᎥ ᎾᏍᎩ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ, ᎾᏍᎩ ᎠᎾᏚᏓᎸᎥᏍᎦ ᏂᎦᏛ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎦᏪᏍᎬ ᎢᏳᎾᏛᏁᎰᎲᏍᏗᏱ.\nᎤᎬᏫᏳᎯ ᎠᎨᏴ ᏧᎦᎾᏮ ᏤᎮᎢ ᏙᏛᎾᎴᏂ ᎪᎯ ᏣᏁᎭ ᏗᎫᎪᏙᏗᏱ ᎨᏎᏍᏗ, ᎠᎴ ᏧᎾᏚᎪᏓᏁᏗᏱ ᏂᏙᏓᎬᏁᎵ; ᎾᏍᎩᏰᏃ ᏩᏍᏛ ᎢᏴᏛ ᎦᏙᎯ ᏧᏅᏎ ᎤᏛᎦᏂᎴ ᏐᎵᎹᏅ ᎠᎦᏔᎾᎥᎢ; ᎬᏂᏳᏉᏃ ᎠᏂ ᎡᏙᎭ ᎤᏟ ᎢᏯᏥᎸᏉᏗ ᎡᏍᎦᏉ ᏐᎵᎹᏅ.\nᏚᎴᏅᏃ ᎠᏓᏙᎵᏍᏗᏍᎬ ᎠᎴ ᏫᏙᎤᎷᏤᎸ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᏚᏩᏛᎮ ᏓᏂᎵᎮ ᎤᏲ ᎤᏂᏰᎸᏒ ᎢᏳᏍᏗ.\n“ᎣᏍᏓᏗ ᎭᏓᏍᏕᎵᏍᎩ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎾᎯᏳᏰᏃ ᎠᏍᎦᏂ ᏗᏥᎾᏝᎢ ᏥᎨᏒᎩ, ᏚᏳᎪᏛ ᎨᏒ ᏂᏗᏥᎾᏝᎥᎾ ᎨᏒᎩ.\nᏎᏥ ᎤᎧᎭᏲᏛ, ᎠᎹ ᏃᎴ ᎩᎦᎨ ᏗᎧᏲᏗ ᏓᎩᏅᎵᏰᎥ ᏗᎫᏯᎬ ᏚᏂᏁᎦᎸ.\nᏦᎾᏰᏃ ᎤᏰᎸᏛ ᏥᏂᎨᎬᏁᎴ ᏂᏂᏫ ᎠᏁᎯ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏴᏫ ᎤᏪᏥ ᎤᏰᎸᏛ ᏅᏓᎨᎬᏁᎵ ᎪᎯ ᏣᏁᎭ.\nᎰᎻᏃ ᏧᏩᏒ ᏏᏆ, ᏍᎩᏴ ᏣᏂᎩᏍᎬ ᏓᏳᎴᏅᏓ ᎤᏚᏥ ᎡᎪ ᎾᎥᏂ ᎤᏪᏓᏍᏗ ᎮᎵᏍᎬ.\n“Ꮩ ᎤᏍᏗ, ᏙᏯ?” ᎤᏛᏁ ᏥᏍᏚ.\nᎢᏳᏰᏃ ᎧᏃᎮᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎬᏂᎨᏒ ᎢᏳᏅᏁᎸᎯ ᎨᏒ ᎤᎵᏂᎩᏗᏳ ᏱᎩ, ᎠᎴ ᏄᏓᎴᏒ ᎠᏍᎦᏅᏨᎯ ᎨᏒ ᎠᎴ ᏄᏃᎯᏳᏒᎾ ᎨᏒ ᏚᏳᎪᏛ ᎨᏥᏍᏛᏗᏔᏅᎯ ᏱᎩ;\nᏆᎴᏗᏃ ᏚᎳᏫᏛ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ, ᎠᎴ ᏄᏂᎬᏫᏳᏌᏕᎩ, ᎠᎴ ᎤᏂᏣᏘ ᎨᏒ ᏴᏫ,\nᏗᏂᏃᎨᏅ ᎭᏫᏂᏨ ᏃᎴ ᏩᏍᏗ ᎢᏳᏍᏗ ᎠᏂᏒᎨ ᎠᎾᏓᏍᏓᏩᏕᎩ.\nᎠᏫ, ᏲᎾ, ᎬᎾ, ᏯᎾᏌ ᏃᎴ ᎠᏫ ᎢᏳᏂᏍᏗ ᏭᏂᎶᏒ ᏭᏂᎶᏌ.\nᎤᏩᏌ ᎤᎦᏛ ᎢᎬᏓ ᎨᏎ ᎤᎫᎫ ᎤᎦᏛ ᏃᎴ ᎤᏍᎪᎸ, ᎾᏍᎩᏯ ᏅᏙ.\nᎠᏕᎸᏰᏃ ᏗᎨᏳᏗ ᎨᏒ ᎾᎿ ᏗᏓᎴᎲᏍᎦ ᏄᏓᎴᏒ ᎤᏲᎢ, ᎾᏍᎩ ᎩᎶ ᎤᏂᎬᎥᏍᎬᎢ ᎤᎾᏞᏒ ᎪᎯᏳᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏅᏒ ᏚᎾᏓᏘᏍᏔᏅ ᎤᏣᏘ ᎤᏲ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒᎢ.\nᎪᎱᏍᏗᎨ ᎢᏥᏂᎬᎦ? \nᎠᏆᎵᎩᏍᏗ ᎠᏆᏚᎸᎲ, ᏄᏍᏛ ᎠᎵᏍᏗ ᎧᏃᎮᏍᎬ ᏲᎾ.\nᎠᏛᎵᏍᎩ ᏄᏪᏒ ᏣᎵ ᎾᏍᎩᏯ ᎠᎦᏗᏛ F ᏥᏂᏕᎦᏪᏍᎪ ᎢᏳᏍᏗ.\n“Ꮀ,Ꮀ.\nᎢᏥᏲᎮᏍᏗᏍᎩᏂ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ; ᎾᏍᎩᏃ ᎯᎠ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎡᏣᏠᏯᏍᏓᏁᏗ ᎨᏎᏍᏗ.\nᏍᎩᏴ ᎤᏐᏅᎢ ᎠᏓᏪᎯ ᎪᏍᏓᏱ ᏗᎦᏘᏍᏙᏗ ᎦᏰᏍᏗ ᎩᎳᎯᏯ ᏧᏂᏲᏍᏓᏁᎢ, ᏗᏓᏅᏫᏍᎩ ᎠᏓᏪᎯ ᏣᏄᎳᏍᏓᏁ.\nᎾᏍᎩ ᎤᏓᏩᏗᏍᏙᏛᏉ ᎨᏒᎩ ᎾᏍᎩ Ꮎ ᏧᏓᎴᏅᏛ ᎤᎵᏱᎶᎯᏍᏗ ᎨᏒᎢ; ᎠᏓᏩᏗᏍᏙᏗᏍᎩᏍᎩᏂ ᎦᎶᏁᏛ ᎨᏒᎩ.\nᎾᏍᎩ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᎤᏁᎳᏅᎯ ᎾᏍᎩᏯ ᎤᏚᎢᏍᏛᎢ ᎦᎾᏄᎪᏫᏎᎸ ᎢᏏᎵ ᎤᏂᏍᏕᎵᏍᎩ, ᎾᏍᎩ ᏥᏌ;\nᏉᎳ, ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏛ ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏖᎸᎢ, ᎠᎴ ᏗᎹᏗ ᎢᎩᏅᏟ. ᏫᏨᏲᏪᎳᏏ ᏗᏣᏁᎶᏗ ᎢᏣᏓᏡᎬ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎪᎵᏂᏗᏱ ᏥᏣᏓᏡᎬ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎪᎵᏂᏗᏱ ᏥᏣᏓᏡᎬ, ᎠᎴ ᏂᎦᏛ ᎢᏣᏓᏅᏘ ᏂᎬᎾᏛ ᎠᎦᏯ ᎢᏤᎲᎢ;\nᎩᎶᏃ ᎢᏳᏍᏗ ᎡᏂᎾᏯ ᏧᏙᎢᏛ, ᎤᏓᏅᏘ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏍᏓᏩᏕᎩ, ᏂᎦᏛ ᎠᏂᏧᏏ ᎾᎿ ᎠᏁᎯ ᎣᏍᏛ ᎬᏩᏃᎮᏍᎩ,\nᎩᏟ ᎠᏓᎯ ᏥᏂᎦᏪᏍᎪ ᏂᏓᏳᏪᏒ.\nᎠᏎᏃ, ᎨᏍᏗ ᏯᏆᏚᎵ ᏣᏓᏅᏖᏙᏗ - “ᏴᎭᎴᏐᏣᏰᏃ ᎯᎠᏉ ᏄᏍᏕᏍᏗ: ᏱᎨᎾ ᏗᎾᏓᎪᎾᏗᏍᎬᎢ ᏰᎵ ᏂᎦᎵᏍᏔᏅ.\nᎩᎶᏃ ᏂᎯ ᎢᏣᏓᏡᎬ ᎯᎠ ᏱᏂᏑᏪᏎᎸ; ᏅᏩᏙᎯᏯᏛ ᏥᏤᎾ, ᎢᏥᎦᎾᏬᏒᎯ ᎠᎴ ᏗᏦᎸᏒᎯ ᎨᏎᏍᏗ; ᏂᏗᏥᏁᎲᎾᏃ ᎢᎨᏎᏍᏗ ᎠᏰᎸ ᎤᎵᏍᏕᎸᏙᏗ ᎨᏒᎢ; ᎦᏙ ᎬᏙᏗ ᎾᏍᎩ?\n”ᏣᏄᏏ!” ᏭᏛᏁ.\nᎾᏍᎩᏃ ᏄᎾᏛᏁᎸ ᎤᏂᏣᏘ ᏚᏂᏂᏴᎮ ᎠᏣᏗ; ᎠᎴ ᎤᏂᎦᏯᎷᏗ ᏚᎾᎵᎦᎵᏎᎴᎢ\nᏫᏓᏆᎧᎾᏅᎩᏃ, ᎠᎴ ᎬᏂᏳᏉ ᎤᏃᏕᎾ ᎠᎩᎾ ᏌᏯᏂ ᎣᏓᎸ ᎦᏙᎬᎩ, ᎠᎴ ᎤᎾᎵᎪᏒᎩ ᎠᏍᎪᎯᏧᏈ ᏅᎦᏍᎪᎯ ᏅᎩᎦᎵ ᎢᏯᎦᎵ ᎢᏯᏂᏛ, ᎾᏍᎩ ᎤᏙᏓ ᏚᏙᎥ ᏚᏃᏪᎸᎩ ᏗᏂᎬᏓᎨᏂ.\nᎠᏂᏧᏏᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏅᎦᏍᎪᎯ ᏑᏓᎵᎦᎵ ᏧᏕᏘᏴᏛ ᎤᏂᏱᎵᏙᎸᎯ ᎠᎾᏁᏍᎨᏍᎬ ᎯᎠ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ; ᏥᏌᏃ ᏂᎯ ᏦᎢᏉ ᎢᎦ ᏛᎯᏱᎵᏙᎵ ᏛᎭᏁᏍᎨᎰᏂ?\nᎯᎠᏃ ᏄᏂᏪᏎᎢ; ᎯᏲᎢᏳᎲᎦ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᏓᏰᏣᏍᏕᎸᎯᏃ, ᏂᎯ ᎠᎴ ᏕᏣᏓᏘᎾᎥᎢ.\nᎾᏍᎩ ᏗᏥᏲᎯᏍᏗᏱ ᎠᎵᏍᏓᏴᏗ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᎵᏍᎪᎸᏓᏁᎸᎯ, ᎠᎴ ᎩᎬ, ᎠᎴ ᎪᎱᏍᏗ ᎬᏬᏍᏔᏅᎯ, ᎠᎴ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ. ᎢᏳᏃ ᎾᏍᎩ ᏱᏗᏤᏯᏙᏤᎸ ᎣᏏᏳ ᏱᏂᏣᏛᎦ. ᏙᎯᏱ ᏂᏣᏛᎿᏕᎨᏍᏗ.\nᎪᏫ ᎦᎵᏦᏕ ᎤᏪᏘ ᎨᏎ, ᎾᏍᎩᏴ ᏥᏓᏂᏂᏏᏍᎨ ᏧᏂᎸᏉᏗ ᎡᏓᏍᏘ ᎭᏫᏂᏨ, ᎠᏎᏃ ᎨᏍᏗ ᏳᏩᏅᏖ ᏣᎵ ᎢᏳᏍᏗ ᏧᏤᎵ ᎨᏒ ᏧᎪᎳ ᏕᎦᏂᏌᎲ ᎤᏢᏗ ᎭᏫᏂᏣ.\nᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ ᎠᎾᏙᎴᎰᏍᎩᏱ; ᎬᏂᏳᏉ, ᏥᏅᎵ ᏥᏅᏏᏓᏍᏗ ᏣᎧᏛ ᎢᎬᏱᏗᏢ, ᎾᏍᎩ ᏓᏣᏛᏅᎢᏍᏓᏁᎵ ᏣᎶᎯᏍᏗᏱ ᎢᎬᏱᏗᏢ.\nᎨᏍᏗ ᏫᏥ ᎢᎦ ᏱᏚᎵᎬᏩᏞ ᎠᏤ ᎦᏚᎲ.\nᎫᎫ ᎤᏛᎯᏍᏔᏅ, ᏏᏅᏓ ᎢᏳᏕᏘᏴᏓ ᏥᎨᏒ ᏥᏩᏒ.”\nᎯᎠᏃ ᏄᏪᏎ ᏚᏟᎶᏍᏔᏁᎴᎢ,\nᎪᎯᏍᎩᏂ ᎢᏨᏲᏪᎳᏏ ᎢᏧᎳᎭ ᎢᏤᏓᏍᏗᏱ ᏂᎨᏒᎾ, ᎢᏳᏃ ᎩᎶ ᎠᎾᎵᏅᏟ ᎠᎪᏎᎯ ᏱᎩ ᎾᏍᎩ ᎤᏕᎵᏛ ᏗᏂᏏᎲᏍᎩ ᏱᎩ, ᎠᎴ ᎤᎬᎥᏍᎩ ᏱᎩ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏗᏟᎶᏍᏔᏅᎯ ᎠᏓᏙᎵᏍᏏᏁᎯ ᏱᎩ, ᎠᎴ ᎠᏓᏐᎮᎯ, ᎠᎴ ᎤᏴᏍᏕᏍᎩ, ᎠᎴ ᎤᎶᏒᏍᏗ ᎠᏓᎩᎡᎯ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝᏍᏗ ᎾᏍᏉ ᎢᏧᎳᎭ ᏱᏣᎵᏍᏓᏴᏁᏍᏗ.\nᏃᏗ ᎤᏬᏚᎯᎨᏍᏗ ᎤᎾᎥ ᎤᎿᏬ ᎤᎿᏬᎡ, ᎠᎧᏔᎮᎢ ᎠᏂᏧᏣ ᏧᎪᏩᏛᏗ ᏗᎾᏓᎪᎾᏗᏍᎬᎢ.\nᎠᎧᏔᎮᎢ ᎨᏍᏗ ᎪᎯᏓ ᎤᏍᏖᎸᏗ ᏱᎨᏎᏍᏗ ᏫᎵᎻ.\nᎯᎠᏃ ᏅᎬᏩᏪᏎᎸᎩ; ᎤᏲᎢᏳ ᏂᏙᏓᎬᏁᎵ ᏙᏛᎵ ᎾᏍᎩ Ꮎ ᎤᏂᏲᎢ, ᎠᎴ ᏅᏩᎾᏓᎴ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏙᏛᏙᎳᏍᏔᏂ, ᎾᏍᎩ ᏰᎵ ᎬᏩᎾᎫᏴᏗ ᎾᏅᎾᏏᏒᎢ.\nᎦᎪᏰᏃ ᎿᏉ ᎤᎾᏛᎦᏅ, ᎤᏂᎿᎸᏍᏔᏁᎢ; ᏝᏍᎪ ᏂᎦᏛ ᎢᏥᏈᏱ ᏂᏙᏓᏳᏗᏅᏍᏔᏅᎯ ᏱᏏ, ᎾᏍᎩ ᏱᏄᎾᏛᏁᎴᎢ?\nᎣᏣᏛᎩᎭᏰᏃ ᎾᏍᎩ ᎩᎶ ᎨᏣᏓᏑᏴ ᎤᏣᏘᏂ ᎾᎾᏛᏁᎵᏙᎲᎢ, ᎪᎱᏍᏗ ᎾᎾᏛᏁᎲᎾ, ᎠᏎᏃ ᎠᎾᏛᏁᎵᏙᎯ ᎢᎩ.\nᏥᏌ ᎤᏁᏨᎩ; ᎾᏍᎩ ᎨᏎᏍᏗ ᎠᎬᏎᎸᏛ ᏥᏁᎸᎭ ᎾᏍᎩ ᎠᏊᏅᎯ ᎨᏎᏍᏗ. ᎤᏭᏅᏃ ᎠᎬᎭᎸᏛ ᎤᏁᎸᎩ ᏧᏓᏏ ᎢᏍᎦᎳᏗ ᏌᏩᏂ ᎤᏪᏥ.\nᎠᏥᎸᏍᎩ, ᎠᎨᏳᏣ ᎤᏍᏕᎸᎲ ᎠᏥᎾᏗᏅᏍᏗ ᏱᎨᏒᎾ, ᏍᏉ ᎠᏯᎡ ᎦᏘᏱ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᏳᏕᎶᎰᏌ ᏚᎷᏫᏍᏔᏁᎲ.\nᎯᎸᎢᏴ ᎦᏓ ᎨᏎᏍᏗ ᏧᎪᎳ ᏍᏉ.\nᎠᎴ ᎠᏴ ᏣᏂ ᎠᎩᎪᎲᎩ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ, ᎠᎴ ᎠᏆᏛᎦᏅᎩ. ᎠᏆᏛᎦᏅᏃ ᎠᎴ ᎠᎩᎪᎲ, ᎡᎳᏗ ᎠᏆᏓᏅᏅᎩ ᏓᎦᏓᏙᎵᏍᏔᏂᏒᎩ ᏚᎳᏍᎬ ᎾᏍᎩ ᎾᏗᎧᎿᏩᏗᏙᎯ ᎯᎠ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᎠᎩᎾᏄᎪᏫᏎᎸᎯ.\n“ᎯᎠᎾ, “ᎤᏣᏓ ᎣᏍᏓ, ᎤᏣᏓ ᎣᏍᏓ, ᎤᏣᏓ ᎣᏍᏓ’?” ᎤᏛᏛᏁ ᏌᏌ.\nᏌᏩᏂᏃ ᎠᎴ ᎾᏍᎩ ᎠᏁᎯ, ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᏗᏤᏅᏒ ᏥᎮᎾ ᏥᏲᏎᎸ.\nᎩᎳᏉᏃ ᎢᏴᏛ ᎬᏩᎪᏩ-ᏛᏗ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᎤᏍᏓᏩᏛᏎ ᎦᎸᏉᏗᏍᎨ ᎤᏁᎳᏅᎯ; ᏂᎦᏛᏃ ᏴᏫ ᎤᏂᎪᎲ ᎤᏂᎸᏉᏔᏁ ᎤᏁᎳᏅᎯ.\nᎾᏍᎩ Ꮎ ᎢᏦᎵᏍᏙᏗ ᎨᏒ ᏓᎧᏅᎢᎦ ᏤᏣᏗᏍᏓᏁᏗᏱ; ᎾᏍᎩ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᏄᏍᏛ ᎤᏚᎩ ᎬᏗ ᎨᏒ, ᎾᏍᎩ ᎤᏓᏯᏅᏗ ᎨᏒᎢ, ᎠᎴ ᏂᎦᎥ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᎾᏓᏅᏘ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒ ᎾᏍᎩ ᏧᏁᏗ ᏥᎩ,\nᏉᎳ ᎠᎴ ᏌᏱᎳ ᎠᎴ ᏗᎹᏗ ᏫᏨᏲᏪᎳᏏ ᏗᏣᏁᎶᏗ ᎢᏣᏓᏡᎬ ᏕᏏᎶᏂᎦ ᎾᏍᎩ ᎡᏦᎯᏳᎲᏍᎩ ᎤᏁᎳᏅᎯ ᎠᎦᏴᎵᎨᎢ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ; ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎨᏤᎳᏗᏙᎮᏍᏗ ᏅᏓᏳᎾᎵᏍᎪᎸᏔᏅᎯ ᎤᏁᎳᏅᎯ ᎢᎩᏙᏓ ᎠᎴ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ.\n“ᏃᎴ ᏤᏍᏗ ᏯᏎᎵᏙᎮᏍᏗ!”\nᎤᎾᏛᎦᏅᎩᏃ ᎠᏍᏓᏯ ᏗᎧᏁᎬ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ, ᎯᎠ ᏄᏂᏪᏎᎲᎢ, ᎡᏍᏓᎩᎳᏩ ᎠᏂ ᎢᏍᏗᎷᎩ. ᎦᎸᎳᏗᏃ ᏭᏂᎶᏒᎩ ᎤᎶᎩᎸ ᎤᎾᎵᏌᎳᏓᏅᎩ. ᎠᎴ ᎬᏩᏂᏍᎦᎩ ᎬᏩᏂᎪᎲᎩ.\nᎠᎴ ᎾᏍᏉ ᎢᏨᏒ ᎢᏣᏓᏡᎬ ᏛᏂᎾᏄᎪᏥ ᎠᏂᏍᎦᏯ ᎤᏣᏘᏂ ᎾᏂᏪᏍᎨᏍᏗ ᎠᏂᏬᏂᏍᎨᏍᏗ, ᎠᏃᎯᏳᎲᏍᎩ ᏧᎾᏘᎿᏫᏛᏗᏱ ᎤᏂᏰᎸᏎᏍᏗ.\nᎤᎬᏫᏳᎯ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᏕᏦᎯᏳᏎᏍᏗ ᎾᏂᎥ ᏴᏫ ᏗᎨᎦᏁᎶᏗ ᎨᏒᎢ--ᎾᏍᏉ ᎤᎬᏫᏳᎯ ᏄᎬᏫᏳᏒ ᎨᏎᏍᏗ,\nᎠᎴ ᎾᏍᎩ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᏍᎩᏯᏉ ᏧᎬᏩᎶᏗ ᎤᏕᎵᏛ ᏠᎨᏏ ᏣᎰᎢ, ᎾᏍᎩ ᎢᏳ ᎠᏍᎦᏯ ᎠᏩᏛ, ᏣᏕᎸᏍᎪᎢ, ᎠᎵᎮᎵᎬᏃ ᎢᏳᏍᏘ ᏤᎪᎢ ᏥᏫᎦᎾᏕᎪᏂᎦᏛ ᎤᏍᏆᏂᎪᏛᎢ, ᎠᎴ ᏥᏭᏩᏍᎪ ᎾᏍᎩ ᏠᎨᏏ.\nᎿᏉᏃ ᏂᎦᏛ ᎤᏂᏣᏘ ᎨᏒ ᎡᎳᏪ ᎤᏅᏁᎢ, ᎠᎴ ᏚᎾᏛᏓᏍᏓᏁᎴ ᏆᏂᏆ ᎠᎴ ᏉᎳ ᎠᏂᏃᎮᏍᎬ ᏂᎦᎥ ᎤᏰᎸᏛ ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎤᏅᏗᏍᎬ ᏚᎸᏫᏍᏓᏁᎸ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏓᏁᏩᏗᏒᎢ.\nᎿᏉᏃ ᎤᏁᏨᎩ ᎯᎠ ᏄᏪᏒᎩ; ᎢᏳᏃ ᎠᏍᎦᎾ ᏱᎩ ᎥᏝ ᏱᏥᎦᏔᎭ; ᏑᏓᎴᎩ ᏥᎦᏔᎭ; ᏗᏥᎨᏫ ᏥᎨᏒᎩ ᎿᏉ ᎢᏥᎪᏩᏘᎭ.\nᎦᎶᎯᏍᏗ ᏭᎷᏨ ᎨᎵ, ᎠᏲᏓᏌᎲ ᏭᎶᏒ, ᎣᏂ ᏭᎶᏒ ᎠᎹᏳᎸᏓ ᏭᎷᏨ.\n”ᎦᏙᏃ ᎣᏍᏓ ᏱᏣᏓᏅᏛᎾ ᏥᎩ? \nᎩᎶᏃ ᎢᏳᏍᏗ ᏧᏁᎶᏗ ᎡᎮ ᏕᎹᏍᎦ, ᎡᏂᎾᏯ ᏧᏙᎢᏛ; ᎾᏍᎩᏃ ᎤᏁᎳᏫᏎᎲ ᎤᎬᏫᏳᎯ ᎯᎠ ᏄᏪᎡᎴᎢ; ᎡᏂᎾᏯ. ᎯᎠᏃ ᏄᏪᏎᎢ; ᎠᏂ, ᏣᎬᏫᏳᎯ.\nᏩᏍᏛᎢ ᏙᏱ ᎤᏪᏓᏍᏗ ᏭᏓᏐᎴᎢ ᏫᎵᎻ.\nᏤᎦᏈᏃ ᏦᏩ ᎤᏕᏁᎴᎢ, ᎾᏍᎩ ᎺᎵ ᎤᏰᎯ ᎾᏍᎩ ᏧᎾᏄᎪᏫᏎ ᏥᏌ ᎦᎶᏁᏛ ᏣᏃᎭᎰᎢ.\nᎠᏎ ᎢᏳᏍᏗᏉ ᏗᎦᎷᏫᏍᏔᏅᏗ ᏩᎫᎩᏐᏗ.\nᏂᎪᎯᎸᎾ ᎦᎾ ᎦᏌᏆᎸ ᎢᏨᎾᏓ ᎨᏎᎢ.\nᎦᏙᏃ ᎯᎠ ᎠᏠᏁᏗ ᎥᏝ ᏳᏂᎾᏗᏅᏎ ᎠᎴ ᏦᎢᏧᏈ ᎠᎩᏏ ᏧᎾᏩᎶᏗ ᏱᏚᏂᏩᏛᎮᎢ, ᎠᎴ ᎥᏝ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᎾᏍᎩ ᏱᏚᏂᏁᎴᎢ?\nᎤᏂᏂᏴᎮᏃ, ᎠᎴ ᎤᏂᏄᎪᏫᏎ ᏖᎸᎳᏗ ᏓᏫᏒᎢ, ᎠᎴ ᎤᏂᎴᎢ.\nᎿᏉᏃ ᎤᏲᎯᏍᏔᏅ ᎦᏬᏂᏍᎬ ᎯᎠ ᏄᏪᏎᎴ ᏌᏩᏂ, ᏗᏍᏛᎬ ᏫᏅᏍᏛ ᎠᎴ ᎡᎳᏗ ᏂᏗᏨᎦ ᏗᏥᎦᏯᎷᏗ ᏗᏥᏂᏴᏗᏱ.\nᎠᏕᎸ ᏗᏂᏍᏆᏂᎪᏗᏍᎩᏱ ᏱᏫᏙᏣᏁ ᎠᏕᎸ ᏗᏆᏤᎵᎦ, ᎾᏍᎩᏃ ᎪᎯ ᏥᏥᎷᎩ ᏱᏓᎩᎪᎮ ᏗᏆᏤᎵ ᎠᎴ ᎤᏂᏁᏉᏨᎯ.\nᏝᏍᎪ ᏱᏣᏅᏔ, ᎾᏍᎩ ᎠᏏ ᏥᏨᏰᎳᏗᏙᎲᎩ ᎾᏍᎩ ᎯᎠ ᎢᏨᏃᎮᎮᎸᎢ?\nᏃᏗ ᎤᏍᏚᎩᏎ ᎧᏁᏌᎢ.\nᎤᎷᏤᏃ ᎦᏁᎸ ᏄᎬᏫᏳᏌᏕᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏚᎦᎮ ᎤᎾᏓᏑᏰᏛ ᏴᏫ, ᎠᎴ ᎤᏣᏘ ᏓᎾᏠᏱᎲ ᎠᎴ ᏓᏂᏴᎬᎢ.\nᏅᎩᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏤᎷᎯᏒᎩ, ᏅᏙᏃ ᎢᎦ ᎡᎯ ᏦᎢ ᎢᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᎤᏩᏂᎸᎩ, ᎠᎴ ᏦᎢ ᎢᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᏅᏙ ᏒᏃᏱ ᎡᎯ ᎤᏩᏂᎸᎩ, ᎠᎴ ᏦᎢ ᎢᏗᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᏃᏈᏏ ᎠᏂᎧᎸ ᏚᏩᏂᎸᎩ; ᎾᏍᎩᏃ ᏦᎢ ᎢᏗᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᏚᎵᏏᎲᏒᎩ, ᎠᎴ ᎢᎦ ᏦᎢ ᎢᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᎥᏝ ᏯᎦᎵᏍᎨᎢ, ᎠᎴ ᏒᏃᏱ ᏦᎢ ᎢᎦᏛᎯ ᎨᏒ ᎾᏍᎩ ᏌᏉ ᎢᏳᏪᏨᎯ ᎾᏍᏉ ᎥᏝ ᏯᎦᎵᏍᎨᎢ.\nᎾᏍᎩ ᎾᏍᏉ ᏧᏩᎫᏔᏅᏒ ᏂᏗᎥ ᎨᏓᎵᎪᏁᎲᎩ ᎾᎿ ᎢᎩᏇᏓᎸ ᎤᎬᎥᏍᎬᎢ, ᎠᎴ ᎤᏇᏓᎸ ᎠᎴ ᎠᏓᏅᏖᏗ ᎨᏒ ᎤᎾᏚᎵᏍᎬ ᏂᏓᏛᏁᎲᎩ; ᎠᎴ ᏗᎦᏕᏅ ᏂᎦᏍᏛ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᏧᏪᏥ ᎨᏒᎩ, ᎾᏍᎩᏯᏉ ᎠᏂᏐᎢ ᏄᎾᏍᏛᎢ.\nᏰᎵ ᎦᏲᏟ ᎤᏲᏍᏔᏁᎢ ᏚᏏᎳᏛ ᏌᎳᏓ, ᎠᏰᎵ ᎤᏣᏅᏕᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᎯᏳ ᎠᏉᎳ ᎪᎵᏂᏗᏱ ᎡᏙᎲᎩ, ᏉᎳ ᎠᏰᎵ ᎨᏒ ᎤᎶᏒ, ᎡᏈᏌ ᏭᎷᏨᎩ. ᏚᏩᏛᎲᏃ ᎩᎶᎢᏳᎾᏍᏗ ᎠᏃᎯᏳᎲᏍᎩ,\nᎯᎦᏔᎭᏰᏃ.\nᏙᎢᏳᏍᏗ ᎤᏧᏗᎭ ᏣᏤᎵ ᏏᏆ?” \nᏥᎪ ᏂᎯ ᎢᏤᎲ ᏧᏓᎴᏁ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ? ᏥᎪᎨ ᏂᎯᏉ ᎢᏨᏒ ᎢᏥᎷᏤᎴᎢ?\nᎠᏆᏓᏅᏙᎩ ᎠᎩᏍᏆᏂᎪᏙ ᎨᎸ ᎠᏂᏴᏫ.\nᎾᏍᎩ ᏧᏂᏙᏓ ᏥᎩ ᎠᏂᎦᏴᎵᎨᎢ, ᎠᎴ ᎾᏍᎩ ᎠᏁᎲᎢ, Ꭰ ᎠᏇᏓᎵ ᎨᏒ ᏧᎷᏤ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏥᎩ, ᏄᏓᎴᏒ ᎤᎬᏫᏳᏌᏕᎩ, ᏫᎾᏍᏛᎾ ᎦᎸᏉᏙᏗ. ᎡᎹᏅ.\nᎠᏍᎩ ᎢᏳᏍᏗ, ᎾᏍᎩᏯ ᎢᏳᎾᏛᏁᏗ ᎤᏁᎳᏅᎯ ᏧᏑᏰᏛ ᎨᏒᎢ, ᎤᎾᏓᏅᏘ ᎠᎴ ᎨᏥᎨᏳᎢ, ᎢᏣᏄᏬᏍᏓ ᎤᏬᏙᎵᏍᏗ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᎤᏓᏅᏘ ᎨᏒᎢ, ᎠᎴ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᎤᏓᏅᏘ ᎨᏒᎢ, ᎪᎯᏗᏳ ᎤᏁᎳᎩ ᏗᏓᏕᎵᏎᏗ ᎨᏒᎢ;\nᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎠᏉᎯᏳᎲᏍᎩ, ᎠᏴ ᏥᏓᎩᎸᏫᏍᏓᏁᎭ ᎾᏍᏉᎾᏍᎩ ᏙᏓᏳᎸᏫᏍᏓᏁᎵ, ᎠᎴ ᎤᏟ ᎤᏍᏆᏂᎪᏗᏳ ᏙᏓᏳᎸᏫᏍᏓᏁᎵ ᎡᏍᎦᏉ ᎯᎠ; ᎡᏙᏙᏱᏰᏃ ᎦᎢ,\nᏖᎾᏍᎩᏍᏆ ᏂᎦᏚ ᎢᏯᏂᎢ,” ᎤᏛᏁ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎠᏴ ᎾᏍᎩ ᏅᏃᎯ, ᎠᎴ ᏚᏳᎪᏛᎢ, ᎠᎴ ᎬᏂᏛ. ᎥᏝ ᎩᎶ ᎠᎦᏴᎵᎨᎢ ᏱᎦᎷᏤᎰᎢ, ᎬᏂ ᎠᏴ ᎠᎩᎶᎯᏎᎸᎯ ᏥᎨᏐᎢ.\nᎥᏝᏰᏃ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎾᏛᎩᏍᎩ ᎾᏂᏍᎦᏅᎾ ᏱᎩ ᎤᏁᎳᎨᎯ ᏓᎧᏅᎢ, ᏗᎧᎿᏩᏛᏍᏗᏍᎩᏂ ᏂᎦᏪᏍᎬ ᎢᏯᎾᏛᏁᎯ ᎾᏍᎩ ᎤᎾᏚᏓᎴᏍᏗ ᎨᏎᏍᏗ.\nᎤᏍᏆᏂᎪᏎᏰᏃ ᎠᎴ ᏂᎦᏛ ᎠᏁᎯ ᎤᏂᏍᏆᏂᎪᏎ ᏅᏗᎦᎴᏍᏙᏗᏍᎨ ᎾᏂᎥ ᎠᏣᏗ ᏚᏂᏂᏴᎲᎢ;\nᎯᎠᏰᏃ ᎾᏍᎩ ᏄᏍᏗ ᎧᏃᎮᏛ ᏕᎦᏥᏯᏠᎢᏍᏓᏁᎸᎢ, ᎾᎯᏳ ᎦᏥᎥᎡᏗ ᏂᎦᎵᏍᏔᏅᎭ ᎤᏂᏍᎦᏅᏨᎢ.\nᎭᎾ ᎦᏓᏁ ᏃᎴ ᎤᎵᏏᎩ ᎨᏐᎢ.\nᎤᏙᎯᏳᎯᏰᏃ ᎤᏢᎬᎩ ᎠᎴ ᎠᎴᏉ ᏄᏲᎱᏒᎩ; ᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎤᏪᏙᎵᏨᎩ; ᎥᏝ ᎠᎴ ᎾᏍᎩᏉ ᎤᏩᏒ, ᎠᏴᏍᎩᏂ ᎾᏍᏉ, ᎾᏍᎩ ᎤᎶᏏᎶᏛ ᎤᏲ ᎠᏆᏓᏅᏓᏗᏍᏗᏱ ᏂᎨᏒᎾ.\nᎠᎴ ᎬᏂᏳᏉ ᎠᏏᏴᏫ ᏥᏌ ᎠᏁᎯ ᎤᏌᎳᏓᏅᎩ ᎧᏃᎨᏂ ᎤᎸᎲᎩ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ, ᎠᎴ ᎤᎷᏴ ᎤᎬᏫᏳᎯ ᎠᏥᎸ-ᎨᎶᎯ ᎤᏅᏏᏓᏍᏗ, ᎠᎴ ᎤᎵᏍᏕᏍᏔᏅᎩ.\nᏣᎬᏫᏳᎯ ᎨᏒ ᏫᎦᎾᏄᎪᎢ. ᎠᏂ ᎡᎶᎯ ᏫᏂᎦᎵᏍᏓ ᎭᏓᏅᏖᏍᎬᎢ, ᎾᏍᎩᏯ ᎦᎸᎳᏗ ᏥᏂᎦᎵᏍᏗᎭ.\nᎠᎴ ᎬᏂᏳᏉ ᎤᏣᏘ ᎦᏙᎯ ᎤᎵᏖᎸᏁᎢ, ᏱᎰᏩᏰᏃ ᎤᏤᎵ ᏗᎧᎿᏩᏗᏙᎯ ᎦᎸᎳᏗ ᏧᏠᎠᏎᎢ, ᎤᎷᏨᏃ ᏅᏯ ᎤᏪᏌᏆᎴᎴ ᎤᎲᏎ ᎦᎶᎯᏍᏗᏱ ᎠᎲᎢ; ᎠᎴ ᎤᏍᎩᎳᏁᎢ.\nᎠᏎ ᏧᏬᏚᏨ ᎢᎦ ᎤᏕᏘᏴᏌᏗᏒ - “ᎪᎩ ᏣᏓᏍᏕᏓᎵᏴᏍᎪ ᎤᎵᎪᎲᏍᏗ ᏥᏂᎦᎵᏍᏗᏍᎪ - “ᏔᎳᏚ ᏓᏃᏣᏝᏍᎪ ᎤᎯᏐᏗ ᏃᎴ ᎠᏓᏍᏕᏓᎵᏴᏍᎬ.\nᎨᏍᏗ ᏳᎯᏐᏓᏁᎮ ᏌᎳᏓ ᎾᎥᏂ ᏰᏙᎭ.\nᏏ ᎤᏬᏘᏎᎢ ᎤᏍᏉᏟᎢ ᎤᏒᎯ ᎤᎦᏌᎴᏍᏔᏅᎢ.\nᎩᎶᏍᎩᏂ ᏯᏙᎴᎰᏍᎦ ᏴᏫ ᏕᎦᏬᏁᏗᏍᎪ ᏓᎵᏂᎪᎯᏍᏗᏍᎪᎢ, ᎠᎴ ᏕᎦᏂᎳᏕᎰᎢ, ᎠᎴ ᏓᎦᎵᏍᏓᏗᏍᎪᎢ.\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᎳᏯ ᎤᏙᎯᏳᎯ ᎢᎬᏴ ᎤᎷᎯᏍᏗ, ᎠᎴ ᏂᎦᏛ ᎤᏬᏢᎯᏐᏗ; ᎠᎴ ᎾᏍᏉ ᎯᎠ ᏂᎬᏅᎪᏪᎳ ᏴᏫ ᎤᏪᏥ ᎠᏥᏃᎮᏍᎬᎢ, ᎾᏍᎩ ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᎤᎩᎵᏲᎢᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏎᏉ ᏓᏰᏥᏰᎸᏂ.\nᎢᏏᎵᏍᎩᏂ ᎯᎠ ᏂᏕᎦᏪᏎᎭ, ᎤᏙᏓᏇᏛ ᏓᏆᏎᎵᏛᎩ ᎦᏥᏯᏂᏍᎬ ᏄᏃᎯᏳᏒᎾ ᎠᎴ ᎤᏂᎪᏁᎶᎯᏌᏘ ᏴᏫ.\nᎤᎦᏃᏩ ᏱᎩ ᎢᎦ ᏒᎮᏱᏣ, ᎧᏁᏍᎦ ᏫᏥᏌᎲᏍᎪ ᎦᏚᎢ ᏧᏪᏥ, ᏙᏱ ᏫᎨᏙᎰ.\nᎠᏯ, ᏓᏊᎪᏔᏅ ᏗᎦᎸᎳᏗ ᎦᏗᎨᏂ ᎠᏍᎦᏯ ᏧᎳᏑᎶ. ᎠᏋᏌ ᏍᎩᏄᏍᏛ ᎦᏓᏅᏖᏍᎬ, ᏤᎩᏏᏂ ᏧᎵ ᏓᏂᎸᏆᏍᎬ ᏗᎳᏑᎶ, ᏤᎩᏏᏂ ᎠᏍᎪᎵ ᏥᎪᎵᏰᏍᎬ ᎦᏓᏅᏖᏍᎬ ᏤᎩᏏᏂ ᏃᎴ ᎦᎳᎱᏂ ᎤᏍᎦᏎᏗ ᎤᏂᏍᏘᏰᎬ ᎾᏍᎩ ᎠᏂᏳᏩᏁᎦ.\nᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎼᏏ ᎬᏂᎨᏒ ᎢᏳᏩᏁᎸᎯ ᎨᏒᎩ, ᎤᏓᏙᎵᏣᏛᏍᎩᏂ ᎠᎴ ᏚᏳᎪᏛᎢ ᏥᏌ ᎦᎶᏁᏛ ᏂᏙᏓᏳᎵᏍᎦᎸᏔᏅᎯ.\nᎠᎴ ᏂᎯ, ᎪᏙᏃ ᏙᎯᏳᎪᏓᏁᎭ ᎢᏍᏓᎵᏅᏟ? ᎠᎴ ᏂᎯ ᎾᏍᏉ, ᎦᏙᏃ ᏅᎵᏌᎵᏉ ᎢᎯᏰᎸᏍᎦ ᎢᏍᏓᎵᏅᏟ? ᏂᎦᏗᏳᏰᏃ ᎢᎬᏱᏗᏢ ᏫᎦᎴᏗ ᎨᏎᏍᏗ ᎦᎶᏁᏛ ᏧᏭᎪᏗᏱ ᎤᏪᏍᎩᎸᎢ.\nᎠᏎᏃ ᎠᏍᎩᏗᏍᎨᎢᏉ.\nᎾᏍᎩᏃ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯ, ᏣᎬᏫᏳᎯ; ᎠᏎᏃ ᎩᎵ ᎦᏍᎩᎸ ᎭᏫᏂᏗᏢ ᏗᏂᏲᎵ ᎤᏂᏅᎪᎠᎯᏎᎸᎯ ᎦᏚ ᎠᎾᎵᏍᏓᏴᏗᏍᎪᎢ.\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎳᏅᎯ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏂᎷᏤᎭ ᎤᏃᎯᏳᎯᏍᏛ ᏂᎨᏒᎾ ᏴᏫ.\nᎩᎶ ᏄᎸᏉᏙ ᎪᎱᏍᏗ ᎤᏍᏗ ᎢᎦ ᎡᏍᎦᏉ ᏅᏩᏓᎴ ᎢᎦ; ᎩᎶᏃ ᏂᎦᎥᏉ ᎢᎦ ᏚᎸᏉᏙᎢ. ᎾᏂᎥ ᎩᎶ ᎠᎧᎵᎢ ᎤᏃᎯᏳᏎᏍᏗ ᎤᏅᏒ ᏙᏧᎾᏓᏅᏛᎢ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᎢᏥᏆᎵᏏ! ᏕᏥᎸᏉᏙᏰᏃ ᏄᎬᏫᏳᏒ ᏕᎦᏍᎩᎸ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎡᏥᏲᎵᏍᏗᏱ ᏗᎦᏃᏙᏗᏱ.\nᏂᎦᎥ ᎪᏪᎵ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏖᎸᎯ ᏗᎪᏪᎳᏅᎯ, ᎠᎴ ᎣᏏᏳ ᎤᏓᏕᏲᏗᏱ, ᎤᏓᎬᏍᎪᎸᏗᏱ, ᎤᏓᎪᏗᏱ ᏚᏳᎪᏛᎢ, ᎤᏓᏕᏲᏗᏱ ᎣᏍᏛ ᎨᏒᎢ,\nᎤᏩᏌ ᏧᏓᏅᏖᏙᏗ ᏚᎮᎢ ᏌᎳᏓ ᎠᏎᏃ ᎡᏝᏪᎯ ᎨᏎᎢ.\nᏰᎵ ᎢᏗᏎᎸ ᎤᎾᎵᏗᎩᏛ, ᏦᎢ ᎤᎾᏁᎶᏔᏅ.\n”ᏚᏙᎥ ᎦᏯᎸ ᎤᏪᏘ ᎠᎿᏬ.”\nᎢᏗᎦᏔᎭ ᎩᎶ ᎤᏁᎳᏅᎯ ᎤᏕᏔᏅᎯ ᏥᎨᏐᎢ ᎥᏝ ᏯᏍᎦᏅᎪᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏕᏔᏅᎯ ᎤᎵᏍᏆᏂᎪᏙᎢ, ᎾᏍᎩᏃ Ꮎ ᎤᏁᎫᏥᏛ ᎥᏝ ᏳᏒᏂᎰᎢ.\nᏧᏒᎯᏓ ᏐᏈᎵ ᎦᏐᎯ ᎠᏆᎩᎸ ᎧᎸᎬ ᎢᏣ ᎾᎥᏂᎨ ᏗᎦᏚᎲ, ᏴᏫ ᏗᏘᏂᏙᎯ ᎠᏩᏛᏗ.\nᎨᏍᏗ ᎩᎶ ᏳᎾᎵᎪᎮᎢ ᎤᎵᏬᏣ.\nᎠᎹ ᏅᏬᏘ .\nᎯᎠ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏙᎯ ᏂᎬᏁᎲᎩ ᎡᎶᎯ ᎬᏩᏍᎦᎩ ᎨᏒ ᎦᎶᏁᏛ ᎬᏗᏍᎬᎩ, ᎤᏂᏍᎦᏅᏨ ᎤᏂᏍᎦᏅᏨᎯ ᏂᏓᏰᎸᎾᏁᎲᎾ; ᎠᎴ ᎠᏴ ᎣᎦᏒᎶᏔᏅ ᎧᏃᎮᏛ ᏙᎯ ᎢᎬᏁᎯ.\nᏓᏓᏏᏃ ᎨᏒᎢ, ᎣᎩᎾᎵᎪᎯ ᎾᏍᎩ, ᎠᎴ ᎢᏧᎳᎭ ᏦᎩᏂᎸᏫᏍᏓᏁᎯ ᏂᎯ ᎪᎱᏍᏗ ᎢᏨᏯᏛᏁᎲᎢ; ᎣᏣᎵᏅᏟᏃ ᎨᏒ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒ ᎬᏩᏂᏅᏏᏛ ᎾᏍᎩ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎢᏯᏅᏁᎯ ᎦᎶᏁᏛ..\n”ᏙᏱ ᏫᎦᎲᎦ ᏩᎶᏏ!” ᎤᏅᏫᏍᏔᏁᎢ ᏲᎾ ᎤᏤᏍᏙ.\n”ᎯᎠᎾ ᎣᏏᏉᏍᎪ?” ᎤᏛᏛᏁ, ᏌᎳᏓ ᎬᏂᎨᏒ ᏄᏩᏁᎴ.\nᏗᎧᎸᎬᎢ, ᏭᏕᎵᎬ, ᏧᏴᏨ, ᏧᎦᏃᏮ.\nᎠᎦᏰᏃᎮᏰᏃ ᎦᏚᎲᎢ ᏗᎦᎫᏍᏓᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏁᏍᎨᎲᎢ ᎠᎴ ᎤᏬᏢᏅᎯ ᏥᎩ.\nᎠᎵᎮᎵᎨ ᏫᎵᎻ ᎠᎧᏔᎲᎢ ᎾᎥᏂ ᎤᏬᏢ ᏙᏰ ᎠᏥᏍᏚᎲ.\nᎤᏚᎩ ᎢᏨᏒ ᎢᏣᎵᎮᎵᎨᏍᏗ; ᏗᏨᏂᏗᏳ ᎨᏎᏍᏗ ᎢᏥᎩᎵᏲᎬᎢ; ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᏂᎪᎯᎸᎢ;\nᎿᏉ ᎥᏝ ᎠᎪᏄ ᏧᏂᏲᏏᏐᏗ ᏱᎨᏎᏍᏗ. ᎥᏝ ᎠᎴ ᎿᏉ ᏧᏂᏔᏕᎪᏗ ᏱᎨᏎᏍᏗ; ᎥᏝ ᎠᎴ ᏅᏙ ᎢᎦ ᎡᎯ ᎤᏗᎴᎩ ᏳᏂᎦᎵᏍᎨᏍᏗ, ᎠᎴ ᎪᎱᏍᏗ ᎤᏗᎴᎩ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᎯᎠ ᎤᎾᏛᎦᏅ ᎤᏁᏉᎡᏚᏟᎶᏍᏓᏁᎴᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏥᎷᏏᎵᎻ ᎾᎥ ᎤᎷᏥᏗᏒᎢ, ᎠᎴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎢᎬᏪᏅᏛ ᏓᎦᎾᏄᎪᏥ ᎠᏁᎵᏍᎬᎢ.\nᎤᏂᏦᎴ ᎠᎹ ᏣᏄᏏ, ᏭᏍᏚᏤᎢ ᏫᎵᎻ.\nᎪᏍᏓᏱ ᎠᏂᎴᎩ ᏓᏫᏒ ᎤᏔᎷᎩᏍᎩ ᎢᎾᎨᎢ ᎢᏳᏍᏗ ᏄᏍᏕᎢ.\nᎠᎴ ᏂᎪᎯᎸ, ᏒᏃᏱ ᎠᎴ ᎢᎦ, ᎦᏚᏏ ᎠᎴ ᏓᏓᏂᏌᎲᎢ, ᎤᏪᎷᎨᎢ, ᎠᎴ ᏅᏯ ᎬᏗ ᎠᏓᏰᎶᎮᎢ.\nᏈᏓᏃ ᎡᎳᏗᏢ ᎾᎿ ᎠᏓᏁᎸ ᎡᏙᎮᎢ, ᎤᎷᏤ ᎠᏏᏴᏫ ᎠᎨᏴ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎤᏅᏏᏓᏍᏗ.\nᏚᎧᎿᏅᏃ ᏥᏌ ᎠᎢᏒᎢ ᎯᎠ ᏄᏪᏒᎩ; ᏤᏣᎦᏅᎦ ᎠᏫ-ᎠᎩᎾ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ;\nᎠᏂᏲᏍᎩ ᏐᏈᎵ ᏧᎾᎩᎸᏗ, ᏓᏆᎴᎳ ᏓᏐᏗᏓᏅ ᎤᏅᏔᏂᏓᏍᏗ ᎠᎭᏃᏬ ᎬᏘ ᏚᎫᏒᏅ, ᎠᏂᏴᏫᏯ ᏃᎴ ᏚᏂᎾᏌᎥ ᎠᏂᎱᏥ ᎣᎭᏂ ᎠᏂᏍᏔᏩᏗᏒ, ᏗᏂᏲᏟ ᎠᏁᎬ, ᏧᏂᏍᏗ ᏓᏂᎭᏂᏒ.\nᎡᎳᏗ ᏭᏄᏛᏁᎴᎢ ᏃᎴ ᎩᎳᏈᏴ ᏗᏏᎳᏛᏙᏗ ᎤᏩᏇᏅᏔᏁᎢ ᎠᏣᏗ ᏃᎴ ᏰᎵ ᎤᏟᏂᎬᏁᎸ ᎤᏂᏴᎮᎢ.”\nᎣᏍᏓ ᎠᏒᎨ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᏃᎴ ᏄᏓᎴᎯ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏚᏳᎪᏛᎩ ᏂᎦᎥ ᏄᏛᏅᏅ ᎠᎾᎵᏅᏟ ᎾᏍᎩᏯ ᏄᎾᏍᏛ ᎢᏳᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᎤᏓᏙᎵᏍᏗ ᎠᎴ ᏄᏓᎵᏍᏛᎾ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᎬᏩᎵ, ᎾᏍᎩ ᎠᎵᏍᎪᎸᏔᏅᎯ ᎠᎫᏴᏙᏗ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏂᏍᎦᏅᏨ ᏴᏫ;\nᎿᏆᎴ ᎠᏍᎩᎾ ᎤᏣᏘ ᎢᏅ-ᎢᎦᏘ ᎣᏓᎸ ᏫᎤᏘᏅᏍᏔᏁᎢ, ᎠᎴ ᏚᏎᎮᎴ ᏂᎦᎥ ᎠᏰᎵ ᏕᎪᏢᏩᏗᏒ ᎡᎳᏂᎬᎢ, ᎠᎴ ᎾᏍᎩ ᏂᏚᏬᏚᏒᎢ;\nᎾᎿ ᏓᏂᏴᎨᏍᏗ ᎠᎴ ᏓᏂᎸᏓᎩᏍᎨᏍᏗ ᏓᏂᏄᏙᎬᎢ, ᎾᎯᏳ ᏕᏥᎪᎲᎭ ᎡᏆᎭᎻ ᎠᎴ ᎡᏏᎩ ᎠᎴ ᏤᎦᏈ ᎠᎴ ᏂᎦᏛ ᎠᎾᏙᎴᎰᏍᎩ, ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᎿ ᎠᏂᏯᎡᏍᏗ, ᎢᏨᏒᏃ ᎡᏥᏄᎪᏫᏒᎯ ᎨᏎᏍᏗ.\nᎠᏓᏍᏓᏴᏗ ᎢᏣ ᏭᎾᏓᏒᏍᏔᏁᎢ.\nᎾᏍᎩᏃ ᏂᎦᏛ ᏄᎾᏓᏁᏟᏴᏒ ᎡᏆᎭᎻ ᏤᎮ ᎾᎯᏳ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏕᏫᏃ ᏤᎮ ᏅᏛᏍᏘ ᏂᎦᏚ ᏄᎾᏓᏁᏟᏴᏎᎢ; ᏕᏫᏃ ᏤᎮ ᎾᎯᏳ ᏅᎵᎬᏩᏓᎴᏅᏛ ᏓᏗᎶᏂᏃ ᏥᏫᏗᎨᎦᏘᏅᏍᏔᏁ ᎾᎯᏳ ᏅᏛᏍᏘ ᏂᎦᏚ ᏄᎾᏓᏁᏟᏴᏎᎢ; ᏓᏗᎶᏂᏃ ᎾᎯᏳ ᏥᏫᏗᎨᎦᏘᏅᏍᏔᏁ ᎤᏓᏳᏓᎴᏅᏛ ᏥᏌᏃ ᏧᏕᏁ ᎾᎯᏳ ᏅᏛᏍᏘ ᏂᎦᏚ ᏄᎾᏓᏁᏟᏴᏎᎢ.\nᎤᏙᎯᏳ ᏥᏁᎵᏍᎪ ᏥᏍᏕᏥ!”\nᎠᏎᏃ ᎣᎦᏚᎵᎭ ᎢᏨᏯᏛᎦᏁᏗᏱ ᏄᏍᏛ ᎭᏓᏅᏖᏍᎬᎢ, ᎯᎠᏰᏃ ᎤᎾᏓᏤᎵᏛ ᎤᎾᎵᎪᏒᎢ, ᎣᏥᎦᏔᎭ ᏂᎬᎾᏛ ᎨᏥᏃᎮᏍᎬ ᎨᎦᏡᏗᏍᎬᎢ.\nᎠᎴ ᎤᏂᏣᏖ ᎠᏁᎮ ᎠᏓᏰᏍᎩ ᏧᏂᏢᎩ ᎢᏏᎵᏱ ᎾᎯᏳ ᎢᎳᏏᏯ ᎠᏙᎴᎰᏍᎩ ᏤᎮᎢ; ᎠᏎᏃ ᎥᏝ ᎩᎶ ᏯᏥᏅᎦᎸᎡ, ᏁᎹᏂ ᏏᎵᏱ ᎡᎯ ᎤᏩᏒ.\nᎿᏉᏃ ᏌᏱᎳ ᎠᎴ ᏗᎹᏗ ᎤᏂᎷᏨ, ᎹᏏᏙᏂ ᏧᏂᎶᏒ,. ᏉᎳ ᎤᏓᏅᏛ ᎤᏱᎸᏒᎩ, ᎠᎴ ᎾᏍᎩ ᎬᏂᎨᏒ ᏂᏚᏩᏁᎸᎩ ᎠᏂᏧᏏ ᏥᏌ ᎾᏍᎩ ᎦᎶᏁᏛ ᎨᏒᎢ.\nᎢᏳᏒᏰᏃ ᎢᏥᎦᏔᎭ ᎢᏣᏛᏁᏗᏱ ᏍᎩᏍᏓᏩᏛᏍᏗᏱ; ᎥᏝᏰᏃ ᎤᏣᏘᏂ ᏱᏃᏣᏛᏁᎵᏙᎮ ᎢᏨᏰᎳᏗᏙᎲᎢ;\n“ᏐᏉ ᎢᎦ ᎤᏐᏱᏉ ᏄᏓᎴᎯ;” ᎤᎵᏰᏔᏁ.\n“ᎮᎾ ᏗᎾᏓᎪᎾᏗᏍᎬᎢ, ᏧᏍᏆᏴᏍᏗ.\nᏧᏓᏏᏃ ᏥᎻ ᏗᎾᏓᏅᏟ, ᎠᎴ ᏧᏓᏏ ᎢᏍᎦᎳᏗ ᎾᏍᎩ ᎠᏓᎶᎸᎮᏍᎩ ᏥᏄᎵᏍᏔᏁᎢ.\nᎾᏂᎥᏃ ᎩᎶ ᎯᎠ ᏥᏂᏥᏪᎠ ᎠᎾᏛᎩᏍᎨᏍᏗ, ᎾᏍᎩᏃ ᎾᎾᏛᏁᎲᎾ ᎢᎨᏎᏍᏗ, ᎤᏁᎫ ᎠᏍᎦᏯ ᏗᎨᎦᏟᎶᏍᏙᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏃᏳᎯ ᏧᏁᏍᎨᎮᎢ.\nᎠᎵᏍᏛᏂᎲᏃ ᏕᎦᏃᏴᎵᏍᏗᎭ ᏚᏯᏢ ᏧᏯᎸᏂ\n“ᏱᎪᎯᎳ ᏴᎾ ᎦᏲᏟᎨ ᏯᎵᏍᏔᏴᎲᏍᎦ,” ᎤᏬᏎᎴ.\nᏂᏓᏳᏓᎴᏅᏓ ᎠᏂᏣᎳᎩ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎨᏙᎲ, ᏍᎩᎾᎾ ᎢᏳᏍᏗ ᏓᏆᎭᏁᏬᎥ.\nᎠᏏᏴᏫᏃ ᎾᏍᎩ ᎤᏲ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎾᏍᎩ ᏗᎨᎦᏛᏅᎯ ᎦᎬᏩᏐᏢᏕᎢ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᎢᏳᏃ ᏂᎯ ᎩᎶᏁᏛ ᎨᏎᏍᏗ, ᎭᎵᏍᏕᎸ ᏨᏒ ᎠᎴ ᎠᏴ ᏍᎩᏂᏍᏕᎸ\nᎤᎩᏨᏓ ᏑᎾᎴ, ᎤᏗᏛᎮ ᏫᎵᎻ ᏃᎴ ᏓᏏᎳᏛ ᎭᏫᏂᏣ ᎤᎴᏁ.\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎨᏣᎪᏩᏛᏗ ᏫᏂᎦᎵᏍᏓ; ᏦᎯᏳᏒ ᏣᏍᏕᎸ.\nᏥᎪᎨ ᎠᏴ Ꮀ ᎤᎬᏫᏳᎭ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᏥᏂᎦᏪᎭ? ᎥᏝ ᏳᏜᏏᏛᎭ ᎠᏴᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎾᏍᎩ ᏥᏂᎬᏅ ᏥᎪᏪᎳ; ᎩᎶᏰᏃ ᎦᏓᎷᎩᏍᎩ ᎾᏍᎩ ᎤᏚᎩ ᏳᏩᎭ ᎦᏓᎷᎩᏍᎬᎢ; ᎠᎴ ᎩᎶ ᎤᏚᎩ ᎤᏩᎯ ᎠᎦᏔᏙᎥᏗᏍᎩ ᎾᏍᎩ ᏳᏪᎳᏗᏍᏗᎭ ᎾᏍᎩ ᎤᏚᎩ ᎤᏩᏒᎢ\nᎠᏒᏛᏓ ᏗᏥᏯ ᏭᎶᏎ ᏩᎭᏯ ᏃᎴ ᏭᎳᏏᏁ.\nᎦᏍᎩᎸᏃ ᎤᏬᎵ, ᎯᎠ ᏄᏪᏒᎩ, ᎬᏂᏳᏉ ᏂᎦᏗᏳ ᏧᏓᎴᏅᏛ ᎢᏤ ᏂᎬᏁᎭ. ᎠᎴ ᎯᎠ ᎾᎩᏪᏎᎸᎩ, ᎰᏪᎸᎦ; ᎯᎠᏰᏃ ᎾᏍᎩ ᎧᏃᎮᏛ ᎬᏜᏏᏛᎡᏗ ᏂᎨᏒᎾ ᎠᎴ ᎤᏙᎯᏳᎯᏯ.\nᎠᎴ ᎠᏍᏓᏯ ᎤᏪᎷᏅᎩ, ᏢᏓᏥ ᎤᏃᏕᏅ ᏣᏴᎪ ᎾᏍᎩᏯᎢ; ᎾᏍᎩᏃ ᎤᏪᎷᏅ, ᎦᎵᏉᎩ ᎠᏂᏴᏓᏆᎶᏍᎩ ᎤᏂᏴᏓᏆᎶᎥᎩ.\nᏝᏍᎪ ᏯᏂᏐᏢᎢᏍᏗᏍᎪ ᎦᎸᏉᏗᏳ ᏕᎤᏙᎥ ᎾᏍᎩ ᏂᎯ ᏤᏦᏍᏔᏅᎯ ᏥᎩ?\nᎤᏓᎴᏨ ᏄᎵᏍᏔᏁᎮ ᎦᏅᎪᎢ ᏃᎴ ᏓᎭᏬᎢᎮ.\nᏚᎧᎿᏅᏃ, ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙᏃ ᎾᏍᎩ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᏗᎾᏁᏍᎨᏍᎩ ᎤᏂᏲᎢᏎᎸᎯ ᏅᏯ ᎾᏍᎩ ᏄᎬᏫᏳᏒ ᎤᏅᏏᏴ ᎠᏗ ᏄᎵᏍᏔᏅ?\nᏍᎩᎾᎾ ᎢᏳᎾᏛᏁᎸ ᎠᏂᏍᎦᏯ, ᏴᏫ ᎤᏂᏃᎮᎸ ᎨᏎ ᎾᎥᏂ ᎤᏂᎸ ᏲᎾ.\nᎠᏴᏰᏃ ᎢᎩᏣᏘ ᏥᎩ, ᏌᏉᏉ ᎦᏚ, ᎠᎴ ᏌᏉᏉ ᎠᏰᎸᎢ; ᏂᏗᎥᏰᏃ ᎢᎦᏖᏆᎶᏐ ᎾᏍᎩ ᏌᏉ ᎦᏚ ᎢᏓᎵᏍᏓᏴᏗᏍᎬᎢ.\nᎠᏂᏣᎳᎩ ᏥᏳᎧᏗ ᎦᏃᎮᏍᎦ ᎭᏃᏎᎰᎢ ᎯᎠ ᏥᎩᎵᎵ.\nᏐᏉ ᎠᎦᎵᏍᎩ ᏑᎾᎴᎢ, ᎤᎵᏍᏔᏴᏃᎾ, ᎦᏙᎨ ᏫᎵᎻ ᎤᎧᏙᏍᏕᎢ ᎤᎸᏉᏗ ᏧᏪᏥ ᏗᎦᏅᏙᏗ.\nᎾᏍᎩᏃ ᎯᎠ ᏂᎦᏥᏪᏎᎸᎩ; ᎠᏂᎶᎻ ᎥᏝ ᎾᏍᎩ ᏱᏄᏅᏅ, ᎾᏍᎩ ᏧᏂᏲᎯᏍᏗᏱ ᎩᎶ ᎤᏲᎱᎯᏍᏗᏱ, ᎬᏂ ᎠᎫᎢᏍᏗᏍᎩ ᎩᎶ ᎤᏲᎱᎯᏍᏗᏱ, ᎬᏂ ᎠᎫᎢᏍᏗᏍᎩ ᎬᏭᎯᏍᏗᏍᎩ ᏚᎾᎧᏛ ᏧᎪᎲᎯ ᏥᎨᏐ ᎠᎴ ᎠᎦᎵᏍᎪᎸᏓᏁᎸᎯ ᏥᎨᏐ ᎤᏩᏒ ᎠᎵᏍᏕᎵᏍᎬ ᎤᏁᎢᏍᏗᏱ ᎤᏃᎮᏗᏱ ᎤᏍᎦᏅᏨ ᎠᎫᎢᏍᏗᏍᎬ ᎤᎬᏩᎵ.\nᎣᏏᏉ ᎨᏎᏍᏗ ᎤᏍᏗ ᎠᏣᏗ, ᎭᏓᏬᏣ, ᎭᏓᏬᏣ.\nᎯᎠᏃ ᎾᏍᎩ ᏅᏲᎯ ᏣᏫᏎᎢ; ᎾᏍᎩ ᏣᏛᎩᏍᎪ ᎧᏃᎮᏛ, ᎠᎴ ᎩᎳᏉ ᎢᏴᏛ ᎤᎵᎮᎵᏨᎯ ᏥᏓᏓᏂᎸᎪᎢ;\nᎧᏁᎬᏃ ᎠᏆᏛᎦᏅᎯ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ ᏔᎵᏁ ᎠᎩᏁᏤᎸᎩ, ᎠᎴ ᎯᎠ ᏄᏪᏒᎩ, ᎮᎾ, ᎠᎴ ᏫᎾᎩ ᎤᏍᏗ ᎪᏪᎵ ᎠᏍᏚᎢᏛ ᏧᏒᎦᎸ ᏗᎧᎿᏩᏗᏙᎯ ᏥᎦᏙᎦ ᏥᏚᎳᏍᎦ ᎠᎺᏉᎯ ᎠᎴ ᎦᏙᎯ.\nᎢᏦᎯᏳᎯᏍᏛ ᎨᏎᏍᏗ, ᏞᏍᏗ ᎢᎸᎯᏳ ᏥᏂᏣᏍᏛ ᏥᏣᏚᎸᏅᎥᏍᎬ ᎾᎯᏳ ᏂᏥᎦᏔᎿᎥᎾ ᏥᎨᏒᎩ;\nᎠᏴ ᏭᏓᎪᎾᏛᏛ ᎠᏆᏍᏗᎧᏂ ᏥᎩ ᎾᏂᎥ ᎤᎾᏓᏅᏘ ᎨᏒ, ᎯᎠ ᎾᏍᎩ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎥᎩᏁᎸ, ᎾᏍᎩ ᎤᎬᏩᎸᎩ ᎠᏆᎵᏥᏙᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲ ᎬᎪᎵᏰᏗ ᏂᎨᏒᎾ ᎤᏪᎿᎢᏳ ᎨᏒ ᎦᎶᏁᏛ;\nᏂᎠ ᎤᏁᎩᎸᏗ-ᎠᎦᏴᎵ ᏧᎸᏆᏕ ᎤᎧᎯᏓ ᏃᎴ ᎤᎦᏒᏍᏗ.\nᎠᎴ ᎢᏗᎦᏔᎭ ᎾᏍᎩ ᏂᎦᎥ ᏂᎦᎵᏍᏔᏂᏙᎲ ᎤᎾᏖᏆᎶᏒ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗᏱ ᏚᏂᏖᏆᎶᏒ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗᏱ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎤᏁᎳᏅᎯ ᎤᏂᎨᏳᎯ, ᎾᏍᎩ Ꮎ ᎨᏥᏯᏅᏛ ᏥᎩ ᎾᏍᎩᏯ ᎤᏓᏅᏖᎸᎢ.\nᎠᏆᎴᏅᎲᏃ ᎠᎩᏬᏂᏒ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎡᎳᏗ ᏄᏛᏁᎸᎩ, ᎤᏂᎷᏤᎩ, ᎾᏍᎩᏯ ᎠᏴ ᏥᎩᎷᏤᎸ ᏗᏓᎴᏂᏍᎬᎢ.\nᎠᎾᏓᏙᎵᏍᏓᏁᎲᏃ ᎤᎬᏫᏳᎯ ᎠᎴ ᎠᎹᏟ ᎠᏅᏍᎬᎢ, ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎯᎠ ᏄᏪᏎᎢ; ᏗᏍᎩᏯᏓᏓᎴᏓᏏ ᏆᏂᏆ ᎠᎴ ᏐᎳ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎦᏥᏯᏑᏰᏒ ᎤᎬᏩᎵ.\nᎤᎵᏰᏗᏍᎨᎢ, ᎤᏍᎦᏃᎵ ᎠᎩᏠᏫᏍᎬ ᎠᏦᏴᎢ.\nᎠᎴ ᏅᏙ ᎤᎵᏏᎲᏎᎢ, ᎠᎴ ᎠᏄᏬ ᎠᏰᏙᎳᏛ ᎤᏛᎾ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏰᎵ ᏚᎵᏍᏡᏰᎢ.\nᎩᎳᏈᏴ ᏭᎴᏅᎮ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎹᏗ, ᎹᏗ, ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᏣᎦᏌᏯᏍᏛ ᏤᎵᎯᏍᏗᎭ ᎠᎴ ᏣᏕᏯᏙᏗᎭ;\nᏍᎩᏴ ᎢᎦ ᏒᎮᏱᏣ, ᏩᎦ ᎤᏅᏗ ᏚᏁᎩᎡᎾ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎤᏒᎯ ᏚᏅᎦᎳᎮᎾ ᎰᎻ, ᎠᏓᏅᏖᏍᎨ ᏄᏍᏆᏂᎩᏛ ᏏᏆ ᎤᎾᏌᎥ.\n“Ꮳ ᏄᏍᏗᎩᎨᎢ.\nᏔᏕᏲᎲᏍᎩ, ᎼᏏ ᎣᎪᏪᎳᏁᎸᎩ ᎯᎠ ᏃᎩᏪᏎᎸᎩ, ᎠᎾᎵᏅᏟ ᎩᎶ ᎠᏲᎱᏍᎨᏍᏗ, ᎠᎴ ᎤᏓᎵᎢ ᎢᎦᎧᎯᏯᏍᎨᏍᏗ, ᏧᏪᏥᏃ ᏂᏗᎦᎧᎯᏯᏍᎬᎾ ᎢᎨᏎᏍᏗ, ᎠᎾᎵᏅᏟ ᎠᏯᏂᏍᎨᏍᏗ ᎤᏓᎵᎢ, ᎠᎴ ᎾᏍᎩ ᎠᎾᎵᏅᏟ ᏧᏪᏥ ᏓᏛᎯᏍᏓᏁᎮᏍᏗ.\nᏗᎧᏁᎢᏍᏗ ᏕᎪᏪᎸ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ ᎬᏂᎨᏒ ᏂᎬᏁ ᎤᏍᏆᏂᎩᏗ ᎤᎷᎯᏍᏗ.\nᏐᎢᏍᎩᏂ ᏧᏁᏨ ᎤᎬᏍᎪᎸᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᏝᏍᎪ ᎤᏁᎳᏅᎯ ᏱᎾᏰᏍᎦ ᎤᏠᏱᏉ ᏕᏣᏚᎪᏓᏁᎸ ᏥᎩ?\nᏑᎾᎴᎩ ᎠᏎ ᏔᏓᏒᏂ.\nᎾᏂᎥᏃ ᎠᏃᎯᏳᎲᏍᎩ ᎤᎾᏓᏡᎨᎢ, ᎠᎴ ᎠᏰᎵᏉ ᏄᏅᏁ ᏂᎦᎥ ᏧᎬᏩᎶᏗ ᎤᏂᎲᎢ;\nᎠᏓᎨᏳᎲᏍᎩ.\nᎦᏙ ᎤᏩᏌ ᏫᏓᎧᏁ ᏧᎳᏏᏕᏅ ᎠᏰᎵ, ᏱᏚᎾᏓᎧᎾᏅ ᎠᏥᎭᏲᎯ ᏃᎴ ᎠᏓᎭᏲᎯ ᏓᎾᏓᏙᎵᎪ.\nᎾᏍᎩ ᎾᏍᏉ ᎪᎩᎸᏉᏗᏍᎬᎢ ᎤᏣᏛᎩ ᎪᎩᏁᎸᏅᎩ; ᎢᎣᎦᏂᎩᏒᏃ ᎪᎦᎵᏁᏌᎳᏁᎸᎩ ᏧᏓᎴᎳᏅᏛ ᎣᎦᎵᏍᏕᎸᏙᏗ.\n“ᏩᎶᏏ ᎾᏂᏪᏍᎬ ᎦᏛᎦᎦ,” ᎤᏛᏁ ᎠᎦᏴᎵ ᎤᏃᏕᎾ ᏐᏉ ᎤᏓᏏᏂᏕᎾ.\nᎢᏣᎢᏒᏃ ᎢᏣᎵᏥᏙᎲᏍᎨᏍᏗ, ᎯᎠ ᏂᏥᏪᏍᎨᏍᏗ; ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎡᏍᎦᏂᏳ ᏓᏯᎢ.\nᏍᏕᏯᏓ ᎦᏓᎥ ᏭᎩᎶᏫᏎ, ᎧᏅᏑᎸ ᎠᏔᎴᎦᏒ ᏭᏕᎵᏤ.\nᏃᏗ ᎤᏩᏥᎬᎸᎮ ᎢᎦᏪᏍᏗ.\nᎣᏏᏉᏍᎪ ᏣᏓᏅᏔ?”\nᏔᎵᏁ ᎱᏰᏣ ᏫᎵᎻ, ᎤᏛᎦᏁ ᏌᏌ ᎠᎦᏔᎲᏍᎬ ᎤᏁᏍᎩᎸ ᏃᎴ ᎡᏝᏪᎯ ᎤᏰᏥᏍᎬ.\nᎦᏲᏟᏉ ᎬᎾ ᎠᎴ ᏇᎯ ᎠᎴ ᏗᏂᏃᎩᏍᎩ ᏥᏍᏆ ᎤᎾᏓᏂᏴ ᎠᏙᎯ.\nᎦᎸᎳᏗ ᎢᎦᏘ ᏳᏂᏗᏍᎩᏌᏅ ᏗᏒᏆᎶᏍᏗ, ᏰᎵ ᎢᎦ ᏧᎾᏁᏍᎨᏗ ᏧᎾᏁᎳᏗᏍᏗ, ᎦᏅᎯᏛ ᎠᎾᏍᎪᏍᎬ, ᏫᏓᏂᎳᏗᏍᎬ ᏃᏥ ᏗᏒᏆᎶᏍᏗ, ᎠᏂᏦᏯᏍᎬ, ᏗᎦᏁᎦᎸᏓ ᏱᎨᏒᎾ ᏗᏒᏆᎶᏍᏗ, ᏗᎪᏪᎶᏗ ᎢᏗᎪᏍᏔᏱ ᎡᎳᏗ.\nᎿᏉᏃ ᎠᏂᏧᏏ ᎦᎵᏦᏕ ᎤᏪᎸ ᎠᏂᏂ, ᎠᎴ ᎬᏩᏄᏬᎯᏍᏗᏍᎩ, ᎤᏂᎪᎲ ᎺᎵ ᎤᎵᏍᏗᏳ ᏚᎴᏅ ᎠᎴ ᎤᏄᎪᏨ ᎬᏩᏍᏓᏩᏛᏒᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᏗᎦᏂᏌᎲ ᏩᎦᏘ ᎾᎿ ᏮᏛᏍᎪᏂᎵ.\nᎤᏕᏯᏔᏁᎮ ᎦᏬᏂᏍᎬ ᎬᏗ ᎤᏲᏍᏙᏗ ᎤᏬᏚ ᎡᏝᏪᎯ ᎨᏒ ᎧᎸᎬᎢ. ᎠᏎᏃ ᏍᎩᏉ ᎤᏩᏌ ᎠᎧᏔᎮᎢ ᎤᏩᏛᏗ ᎠᏤ ᎤᎾᎵᎢ, ᎯᎸᎯᏨ ᎬᎪᏩᏛᏗ ᏱᎨᏒᎾ.\nᏰᎵᏉ ᏦᎢ ᎢᏳᏩᎬᏗ ᏤᏠᎰ ᎰᎻ.\nᎨᏍᏗ ᎤᏙᎯᏳ ᏱᏥᎦᏔ ᎾᏛᏁᎲ ᏫᎵᎻ ᎤᏔᎷᎩᏍᎩ ᏱᎩ, ᎠᏎᏃ ᎤᏍᏆᏂᎩᏗ.”\nᎩᎶ ᏩᎾᎦᎳ ᎨᏎᏍᏗ ᎤᏬᎯᏳᏒᎢ ᏕᏣᏓᏂᎸᎨᏍᏗ, ᎥᏝ ᎠᏗᎾ ᏗᏧᎪᏙᏗᏱᏉ ᏄᏍᏛ ᎠᏓᏅᏕᏍᎬᎢ.\nᏧᎦᏃᏮ ᎢᏣ ᏚᏅᏓᏒ ᏨᏍᎩᏃ ᎢᏳᏍᏗ, ᎤᏲᎢᏴ, ᎠᏍᏔᏴ ᎦᏅᎪᎢᏍᏗ ᏚᏑᎬ, ᎤᎾᎴᎭᏃᎰ ᎠᏂᏍᎦᏯ ᏱᏭᏂᏴᎳ, ᎭᎾᏉ ᏫᏓᏂᏲᎰᏍᎪ.\nᎪᎯᏰᏃ ᏒᏃᏱ ᏥᎨᏒᎩ ᎤᎶᏗᏢ ᎠᏆᎴᏁᎸ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏴ ᎠᎩᎾᏝᎢ ᏥᎩ ᎠᎴ ᎾᏍᎩ ᏥᏕᏥᎦᎿᏩᏕᎦ,\n“ᎤᏙᎯᏳ ᎤᏒᎯ!” ᏄᏪᏎᎢ ᎤᏎᎦᎳᎯ.\nᎾᏍᏉᏃ ᎾᏍᎩ ᏛᏂᏁᏥ, ᎯᎠ ᏅᏓᎬᏩᏪᏎᎵ, ᏣᎬᏫᏳᎯ, ᎢᎳᎩᏳ ᎢᏨᎪᎡ ᏣᏲᏏᏍᎨᎢ, ᎠᎴ ᏣᏔᏕᎩᏍᎨᎢ, ᎠᎴ ᏁᏣᎦᏔᎲᎾ ᎨᏎᎢ, ᎠᎴ ᏣᏰᎸᎭ ᎨᏎᎢ, ᎠᎴ ᏣᏢᎨᎢ, ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᎡᏣᏍᏚᎮᎢ, ᏂᏨᏍᏕᎸᎲᎾᏃ ᎨᏎᎢ?\nᎩᎳᏈᏴ ᎤᏓᏅᏖᎴᎢ - “ᏭᏩᏅᏓᏕᎢ ᏧᏪᏥ ᏗᎦᏅᏙᏗ ᏃᎴ ᎯᏍᎩᏍᏆ ᏂᎦᏚ ᏧᏂᏍᏗ ᎧᏅᏂᏍᎩ ᎤᎾᏕᏗ ᎪᎨᏱ.\n”ᎠᏯᏍᎪᏃ ᏱᏥᎦᏔ?” ᎤᏛᏁ ᏧᏍᏆᏴᏍᏗ.\nᎠᎴ ᎯᎦᏔᎭ ᏣᏍᏗ ᎨᏒ ᏅᏓᎬᏩᏓᎴᏅᏛ ᏕᎯᎦᏔᎲ ᏗᎦᎸᏉᏗ ᎪᏪᎵ, ᎾᏍᎩ ᏰᎵ ᎯᎦᏔᎿᎢᏳ ᎢᎬᏩᏁᏗ, ᏣᎵᏍᏕᎸᏙᏗ ᎨᏒ ᏫᎬᏩᎵᏱᎶᎯᏍᏗ, ᎦᎶᏁᏛ ᏥᏌ ᎯᏲᎢᏳᏒ ᎢᏳᏩᏂᏐᏗ.\n”ᏤᏍᏗ ᏱᏨᏅᎨᏍᏗ ᏃᎴ ᏤᏍᏗ ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ!”\nᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎢᎬᏩᏛᏁᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎠᏩᎾᎦᎳᎯᏳ ᎨᏒ ᎤᏪᏓᎵ ᎢᏳᏩᏂᏌᏛ, - ᎤᏁᎳᏅᎯ ᎤᏩᏒ ᎤᏪᏥ ᏧᏅᏎ ᎾᏍᎩᏯ ᏗᏟᎶᏍᏔᏅᎯ ᎠᏍᎦᎾ ᎤᏇᏓᎵ, ᎠᎴ ᎠᏍᎦᏂ ᏧᎬᏩᎴᎢ, ᏚᏭᎦᏓᏁᎴ ᎤᏎᎪᎩᏎ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᎤᏇᏓᎸ ᎠᏯᎥᎢ;\nᎾᏍᎩ ᎣᎩᎦᎵᏍᏓᏗᏍᎩ ᏥᎩ ᏂᎦᎥ ᎫᏓᎴᏅᏛ ᎣᏥᎩᎵᏲᎬᎢ, ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᏰᎵ ᏗᎦᏲᏥᎵᏍᏓᏗᏍᏗ ᎠᏂᎩᎵᏲᎩ, ᎦᏲᎬᏙᏗ ᎾᏍᎩ ᎠᏓᎦᎵᏍᏓᏗᏍᎩ ᎣᎬᏒ ᎣᎩᎦᎵᏍᏓᏗᏍᏗᏍᎬ ᎤᏁᎳᏅᎯ.\nᎠᏓᏯ ᏧᏩᏌ ᏚᏟᏂᎬᏁᎴ ᎤᏴᏨ, ᎦᏲᏟ ᎠᏂᏓᎶᏂᎨ ᏧᏆᎶᎦ ᏕᎦᏂᏤᎬ ᎦᏃᎸᎥᏍᎬ.\nᎤᏟᏍᏓ ᏭᏓᏐᎴᎢ ᎡᎶᏗ ᏭᎾᏌᎾᎩᏎ ᏗᎦᏅᏐᏍᏙᏗ.\nᎠᏲᎵᏃ ᎠᏛᏍᎨᎢ ᎠᎴ ᎤᏓᏅᏛ ᎠᎵᏂᎪᏍᎨᎢ, ᎤᎧᎵᏨᎯ ᎨᏎ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ; ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏚᎧᎿᏩᏗᏙᎮᎢ.\nᏥᎦᏔᎭ ᏂᎯ ᎡᏆᎭᎻ ᎤᏁᏢᏔᏅᏛ ᎨᏒᎢ; ᎠᏎᏃ ᎢᏣᏚᎵ ᏍᎩᎢᏍᏗᏱ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏥᏁᎬ ᏕᏣᏓᏅᏛ ᏫᎾᏴᎯᎲᎾ ᎨᏒᎢ.\nᎿᏉᏃ ᎩᎳᏉ ᎢᏴᏛ ᎬᏩᏓᏅᎡᎸᎩ ᎬᏩᎪᎵᏰᏍᎩ; ᎾᏍᏉᏃ ᏄᎬᏫᏴᏒ ᏗᏓᏘᏂᏙᎯ ᎠᏍᎦᎢᎲᎩ, ᎤᏙ-ᎴᎰᏒ ᎠᎶᎻ ᎨᏒᎢ, ᎠᎴ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎾᏍᎩ ᎤᎸᎸᎢ.\nᏞᏍᏗ ᏱᏨᎨᏫᏍᎨᏍᏗ ᏂᏗᏣᏓᎦᏔᎲᎾ ᏗᏥᏍᏆᏂᎪᏙᏗᏱ; ᎩᎶᏰᏃ ᎾᏍᎩ ᎾᎾᏛᏁᎲ ᎦᎸᎳᏗ ᎠᏁᎯ ᎨᏥᏅᏏᏓᏍᏗ ᏧᏂᏍᏆᏂᎪᏔᏅᎯ ᎢᎩ.\nᎠᎴ ᎤᏣᏘ ᎤᏍᏗᏰᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎠᏇᏥ ᎠᎨᏳᏣ ᎿᏉ ᎠᏲᎱᏍᎦ; ᎠᏎᏃ ᎢᏁᎾ, ᎯᏯᏏᏔᏛᎭ, ᎾᏍᎩ ᎤᏗᏫᏍᏗᏱ, ᎬᏁᏍᏗᏃ.\nᏂᎯ ᏙᏗᎾᎵᏍᏓᏴᎲᏍᎬ ᎢᏤᎾ; ᎥᏝ ᎠᏏ ᎠᏴ ᏙᏗᎾᎵᏍᏓᏴᎲᏍᎬ ᏴᏓᎨᏏ; ᎥᏝᏰᏃ ᎠᏏ ᏯᎩᏍᏆᎸᎡᎸ.\nᎡᏉᎯᏳᏰᏃ ᎥᎩᎳᏅᏓᏕᎸ ᎠᎴ ᎤᏣᏘ ᎪᎱᏍᏗ ᎦᎬᏙᏗ, ᎠᎴ ᎤᏂᏣᏔ ᏗᏂᎦᏘᎴᎩ.\nᎪᎯᏓ ᏓᏟᏰᎵᏙ ᎤᎪᎰᎯᏍᏗ ᎠᏗᏅᏓ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎮ, ᎯᎠ ᎾᏍᎩ ᎪᎯ ᏣᏁᎭ ᎥᏝ ᏴᏛᏂᎶᏐᏂ ᎬᏂ ᎯᎠ ᎾᏍᎩ ᏂᎦᏗᏳ ᏂᎦᎵᏍᏔᏅᎭ.\nᎿᏉᏃ ᎤᏁᏨ ᎤᎵᎮᎵᏨᎯ ᏗᎬᏩᏓᏂᎸᏤᎯ ᏕᎨᎦᏬᎡᎢ, ᎾᎯᏳᏃ ᎢᎦ ᎤᏂᏁᏉᏤ ᏦᎢ ᎢᏯᎦᏴᎵ ᎢᏴᏛ.\n”ᎭᏩ,” ᎤᏛᏁ ᎧᏅᏂᏍᎩ, ᏚᏭᏣᏅᎩᏎ ᏚᏏᎳᏛ”\nᎾᏃ ᎠᏃᎯᏳᎲᏍᎩ ᏗᎬᏩᏂᎾᏝᎢ ᎨᏒ ᏞᏍᏗ ᏱᏚᏂᏂᏆᏘᎴᏍᏗ ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎠᎾᎵᏅᏟ ᎨᏒᎢ, ᎪᎱᏍᏗᏍᎩᏂ ᏓᎾᏛᏁᎮᏍᏗ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎠᏃᎯᏳᎲᏍᎩ ᎠᎴ ᎨᏥᎨᏳᎢ ᎨᏒᎢ, ᎤᎾᏠᏯᏍᏗᏍᎩ ᎣᏍᏛ ᎾᎦᏛᏁᎸᎢ. ᎾᏍᎩ ᎯᎠ ᏄᏍᏕᏍᏗ ᏕᎭᏕᏲᎲᏍᎨᏍᏗ, ᎠᎴ ᏕᎯᏁᏤᎮᏍᏗ.\n“ᎯᎠᏛ ᎾᏅᏛᏁᎰ,” ᎤᏛᏁ ᏩᎭᏯ.\n”ᏧᏪᏥᎨ?” \nᎨᏍᏗ ᎤᏍᏆᏂᎩᏗᏱᎩ ᎤᏛᏅ Crockett.\nᎩᎳ ᏫᏓᎦᏒᏅ ᏐᏈᎵ ᏧᏔᎾᎶ ᎨᏛ ᎤᏓᏐᎸ ᏥᏙᎬ ᎠᎩᏠᏫᏍᏗ ᎾᎥ, ᏥᏯᏄᎫᎢᏣᏅ.\nᎠᎴ ᏭᏴᎴ ᏤᎦᎳᏯ ᎦᏁᎸᎢ, ᎠᎴ ᎤᏲᎵᎴ ᎵᏏ\nᎤᏛᎯᏍᏔᏁ ᎤᏎᎵᏓᏍᏙᏗ ᎦᏰᏌᏛ ᎾᏍᎩᏯ ᏗᎦᏘᏍᏙᏗ ᏃᎴ ᏕᎦᏘᎮ ᏂᎦᏓ ᏓᎾᏦᏍᎬ ᎤᎾᏓᏅᏙᎩ, ᎠᏂᏍᎦᏯ ᏃᎴ ᎠᏂᎨᏯ ᏃᎴ ᏗᏂᏲᏟ.\nᏝ ᏳᏂᏲᏎᎴᎢ.\nᎯᎠᏃ ᎾᎩᏪᎡᎸᎩ, ᏔᎵᏁ ᏛᎭᏙᎴᎰᏏ ᎤᏂᏣᏘ ᎠᏂᎦᏔᎲᎢ, ᎠᎴ ᏑᎾᏓᎴᎩ ᎠᏁᎲ ᏴᏫ, ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᏂᏬᏂᏍᎩ ᎨᏒ ᏴᏫ, ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᎤᏂᎬᏫᏳᎯ.\nXV. ᏔᎳᏚ  \nᏌᏌ ᎠᏂᏓ ᎤᎾᏛᎦᏁ ᏃᎴ ᎠᏂᎧᏔᎮᎢ ᎨᏍᏗ ᎠᏂᏓ ᏱᎨᏎᏍᏗ ᎪᎯᏓ, ᏌᎳᏓ ᎤᏛᎦᏁᎢ ᏃᎴ ᎠᎧᏔᎮᎢ ᎨᏍᏗ ᎪᎯᏓ ᏳᏣᏅᏓᏕᎮᎢ.\nᏫᎵᎻ ᏃᎴ ᏌᎳᏓ ᎤᎾᎵᎮᎵᏤ ᎤᏂᏛᏔᏅᎢ ᏎᎦ.\nᎾᏍᎩ ᎾᏍᏉ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏣᏘ ᎫᏓᎴᏅᏛ ᎠᎩᏲᏍᏙᏓᏏ ᏫᏨᎷᏤᏗᏱ;\n”ᎤᏙᎯᏳᎭ ᎨᏍᏗ ᏍᎩᎾᎾ ᏱᏣᏚᎵ,” ᎤᏛᏁ ᏌᎳᏓ, ᎤᏓᏅᏘ ᏄᏪᏎ.\nᎨᏍᏗ ᏍᏗᎧᏓ ᏱᏥᏍᏆᏂᎪᏍᎦ ᎠᎾᏓᎪᎾᏗᏍᎬᎢ.”\nᎾᏍᎩ ᏅᏩᏓᎴ ᏂᎨᏒᎾ ᏥᎩ; ᎠᏁᎭᏍᎩᏂᏃᏅ ᎨᏣᏕᏯᏙᏗᏍᎩ, ᎠᎴ ᎤᏂᏁᏟᏴᏍᏗᏱ ᎤᎾᏚᎵᏍᎩ ᎣᏍᏛ ᎧᏃᎮᏛ ᎦᎶᏁᏛ ᎤᏤᎵᎦ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᎾᏛᎦᏅ, ᎤᏂᎷᏤ ᎠᎴ ᎤᏂᏁᏎ ᎠᏰᎸᎢ, ᎠᎴ ᎠᏤᎵᏍᏛ ᎤᏂᏅᏁᎢ.\nᏙᎩᏂᏥᏍᏔᏅ ᎠᏗᏔᏍᏗ, ᏙᎩᎾᏗᏔᎲ ᎪᎰᏍᏗ ᏲᏍᏔᏗᏍᎬᎾ, ᎨᏍᏗ ᏲᎩᏃᎯᏳᎮ ᏱᏙᏍᏔᏓᏲᏍᏔᏁᎲᎾ ᎨᏒ.\nᏦᎢᏃ ᎾᏍᎩ ᎯᎠ ᏄᎵᏍᏔᏅᎩ, ᏂᎦᏛᏃ ᎦᎸᎳᏗ ᏔᎵᏁ ᏭᎵᏌᎳᏓᏅᎩ.\n”ᎯᎦᏔᎮᎢᏧ ᎦᏳᎳ ᎤᎾᏕᏅ ᎡᏚᏧ ᎰᎻ ᏧᏤᎵ ᏌᏌ ᎠᏂᏓ?” ᎤᏛᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎾᏍᎩ ᎯᎠ ᎢᎬᏱ ᏄᏁᏅᏒᎩ ᏠᎠᏏ ᏓᎪᎩᏚᏘᏴᎩ.\nᏗᎩᎷᏫᏍᏔᏁᏗ.\nᏫᎫᏩᎪᏩᏛᏗ ᏱᎨᏒᎾ ᏍᎪᏁ ᏃᎴ ᏲᎾ ᎤᏤᏍᏙ ᏓᎴᎲᏍᎬ ᏅᏲ.\nᎾᏍᎩ ᏣᎦᏟᎶᏍᏔᏅᎯ ᏥᎩ ᏄᏍᏛ ᎬᎪᏩᏛᏗ ᏂᎨᏒᎾ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎢᎬᏱ ᎤᏕᏅᎯ ᏥᎩ ᏂᎦᏗᏳ ᎨᎦᏁᎳᏅᎯ ᎠᏁᎲᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏥᎵᎥᏂᎸᎭ ᏓᏥᏯᎧᏂ.\nᏫᏓᏙᎴᏈᏙᎲ ᏲᎾ ᎤᏤᏍᏙ, ᎠᏥᏍᏚᎲᏍᎨ ᏫᎵᎻ.\nᎤᎾᏙᎴᎰᏒᏃ ᏈᏓ ᎠᎴ ᏣᏂ ᎾᏂᏯᎦᎢᎲᎾ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏓᏅᏖᎸ ᎪᏪᎵ ᏂᏓᏂᏏᎾᏒᎾ ᎠᎴ ᎾᏂᎦᏔᎿᎥᎾ ᎨᏒᎢ, ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎠᎴ ᏚᏃᎵᏤ ᎾᏍᎩ ᏥᏌ ᎤᏁᏙᎸᎯ ᎨᏒᎢ.\nᎤᏙᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᎬᏪᏎᎭ; ᎯᏫᏅ ᏥᎨᏒᎩ ᏨᏒ ᎭᏓᏠᎯᎲᎩ, ᎠᎴ ᏣᏚᎵᏍᎬ ᎮᏙᎲᎩ; ᏣᏛᏐᏅᎯᏍᎩᏂ ᎨᏎᏍᏗ ᏙᏔᏐᎸᏔᏂ, ᏅᏩᏓᎴᏃ ᏓᏣᏠᎵ, ᎠᎴ ᏂᏣᏚᎵᏍᎬᎾ ᎨᏒ ᏮᏓᏣᏘᏅᏍᏔᏂ.\nᏙᎢᏳᏍᏗ ᎭᏗ, ᎪᎱᏍᏗ ᏧᎵᎬᏩᏟ ᏱᎨᏒᎾ?” ᎤᏛᏁ ᏫᎵᎻ.\nᎿᏉᏃ ᎾᏍᎩ ᎦᎵᏉᎩ ᎢᎦ ᏚᎵᏍᏆᏗᏗᏒᎩ, ᎠᏂᏧᏏ ᎡᏏᏱ ᏅᏓᏳᏂᎶᏒᎯ ᎬᏩᎪᎲ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏚᏂᏖᎸᏅᎩ ᏂᎦᏛ ᏴᏫ, ᎠᎴ ᎬᏩᏂᏴᎲᎩ,\nᏭᏂᎷᏨᏃ ᎪᎵᎦᏓ ᏚᏙᎥᎢ, ᎾᏍᎩ ᎤᏍᏆᎷᎪᎢ ᏥᎦᏛᎦ,\nᎾᎿ ᏥᏕᏲᎧᏅ ᎣᏍᏛ ᎧᏃᎮᏛ ᎣᎦᏤᎵ ᏥᏥᏯᏅᏔᏅ, ᎢᏥᏩᏛᏗᏱ ᎦᎸᏉᏗᏳ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎤᏤᎵᎦ.\nᏄᏓᎴ ᎤᏃᎯᏳᎲ ᏧᏤᎵ ᏴᏫ ᎤᏂᎷᏨ, ᎨᏍᏗ ᎠᏕᎳ ᏧᏅᏫᏍᏘᏍᎩ ᏱᎩ ᏃᏈᏏ ᏥᏕᎦᎶᏍᎪ ᎤᏒᎯ ᎦᎸᎶᎢ.\nᎤᏂᏴᎸᏃ, ᎤᎾᎩᎳᏫᏎ ᎦᎸᎳᏗ ᎧᏅᏑᎸ ᏭᏂᏴᎴᎢ, ᎾᎿᏃ ᎠᏂᏁ ᏈᏓ ᎠᎴ ᏥᎻ ᎠᎴ ᏣᏂ ᎠᎴ ᎡᏂᏗ, ᏈᎵᎩᏃ ᎠᎡ ᏓᎻ, ᏆᏓᎳᎻ ᎠᎴ ᎹᏚ, ᏥᎻᏃ ᎡᎵᏈ ᎤᏪᏥ ᎠᎴ ᏌᏩᏂ ᎠᏏᎶᏗ, ᏧᏓᏏᏃ ᏥᎻ ᏗᎾᏓᏅᏟ.\nᎾᏍᎩ ᎯᎠ ᏂᏚᏪᏎᎸ, ᎠᏏᏉ ᎤᏪᏙᎸᎩ ᎨᎵᎵ.\nᎠᏥᏅᎪᏫᏎ ᎠᏦᎭᏴ, ᎤᎾᏂᎩᏍᏗ ᎢᎪᎯᏛ.\nᎭᏫᏂᏣ ᏱᏥᏯᎠ, ᏙᏱᏨ ᎤᏩᏌ ᎬᏇᏅᏍᏗ.”\nᎠᏎᏃ ᎤᏂᎷᏤ ᎠᏂᏧᏏ ᎥᏘᎣᎩ ᎠᎴ ᎢᎪᏂᏯ ᏅᏓᏳᏂᎶᏒᎯ, ᎾᏍᎩ ᏚᏂᏔᏲᏎᎴ ᎤᏂᏣᏘ, ᏉᎳᏃ ᏅᏯ ᏕᎬᏩᏂᏍᏔᏅ ᎬᏩᎾᏌᎾᏫᏛᎮ ᎦᏚᎲ ᎬᏩᏄᎯᏎᎢ, ᎤᏲᎱᏒ ᎠᏁᎵᏍᎨᎢ.\nᎠᎴ ᎠᏂ ᏴᏫ ᏗᏂᏲᎱᏍᎩ ᏥᎩ ᎠᏍᎪᎯᏁ ᎪᏣᎴᏛ ᎢᎨᏥᏁᎰᎢ; ᎾᎿ ᏍᎩᏂ ᎤᎩᏎᎢ ᎾᏍᎩ Ꮎ ᎡᎭ ᎠᎪᏎᎸᎯ ᏥᎩ.\nᎨᏍᏗ ᏱᎦᎷᎨ Ꮟ ᏲᎾ ᎤᏤᏍᏙ.\n“ᏧᏪᏥ ᏗᏗ.\nᎢᎬᏪᏅᏓᏉ ᎣᏂ ᎾᏍᎩ ᎾᎯᏳ ᎠᎩᎵᏯ ᎦᎶᏐᏅᎭ, ᏅᏙ ᎢᎦ ᎡᎯ ᏛᎵᏏᎲᏏ, ᎠᎴ ᏅᏙ ᏒᏃᏱ ᎡᎯ ᎥᏝᎢᎦ ᏳᏘᏍᏕᏍᏗ, ᎠᎴ ᏃᏈᏏ ᏛᏂᏅᎪᎠᏏ, ᎠᎴ ᎤᏂᏣᏘ ᎦᎸᎶᎢ ᏣᏂᎧᎳ ᏛᎾᎵᏖᎸᏂ.\n”ᎠᏎᏃ ᎦᏲᏟ ᎦᏓᏂᎳᏗᏍᎪ.\nᎠᏁᎸᏙᏗᏉ ᎠᎴᏂᏓᏍᏗ, ᎢᏧᎴᎭ ᎢᎬᏁᏗ ᎤᏲ ᎾᎫᎵᏍᏔᏁᎸ, ᏰᎵ ᎪᎯᏓ ᎬᎭᏃᏛ ᎢᎬᏁᏗ ᎠᎫᏩᏅᏛ.\nᎠᏂᏐ ᏄᎾᏍᏛ ᏄᎾᏍᏗ, ᎠᏂᎦᏔᎲ ᏗᏂᏰᎸ ᎤᏂᏍᏚᎭ.\nᎠᎴ ᏅᏯ ᎠᏓᎿᏍᏆᎶᏍᏗᏍᎩ ᎠᎴ ᏅᏯ ᏗᏓᏙᏕᏍᏗᏍᎩ, ᎾᏍᎩ Ꮎ ᎧᏃᎮᏛ ᏥᏚᏂᎾᏍᏆᎶᏍᏗᎭ, ᎾᏃᎯᏳᎲᏍᎬᎾ ᎨᏒ ᎢᏳᏍᏗ, ᎾᏍᎩ ᎢᏳᎾᎵᏍᏓᏁᏗᏱ ᎾᏍᏉ ᏥᏕᎨᏥᎧᏁᎢ.\n“ᏰᎵᏉᏗ ᏱᎾᏛᎦ!” ᎤᏛᏁ ᎪᎱᏍᏗ\nᎾᏍᎩᏰᏃ ᎤᏲᎱᏒᎯ ᏥᎩ, ᎠᏍᎦᏂ ᎤᎬᏩᎵ ᏌᏉ ᏄᏲᎱᏒᎩ; ᎠᏍᎩᏂ ᎬᏃᏛ ᏥᎩ, ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᎬᏩᎵ ᎬᏃᏛ.\nᎨᏍᏗᏗᎩ ᎤᏦᎠᏎᏗ ᏱᏓᏲᎩᎷᏤᎸ ᎭᏂ ᎯᎪ ᎢᎦ ᎠᏆᏛᏅ.\nᏫᎵᎻ ᎦᎸᏉᏗᏍᎨ ᏌᎳᏓ ᎤᏓᏅᏖᎵᏓᏍᏗ.\nᎠᏂᎦᏘᏯᏃ ᎠᏂᏍᎦᎢᎲ ᏚᏂᎾᏪᎢ, ᎠᎴ ᏧᏂᏲᎱᏒᎯ ᎾᏍᎩᏯ ᏄᎾᎵᏍᏔᏁᎢ.\nᎦᏣᏄᎳ ᎤᏗᎦᎴᏲᏤ ᎧᏃᎮᏓ ᏫᎵᎻ ᎤᏓᎵᏓᎩᎡᎸ, ᏂᎦᏓ ᏗᎨᏥᎾᏌᎢ ᎠᏂᎦᏔᎮᎢ.\nᏚᏑᎬ ᎭᏫᏂᏣ ᏚᏥᏢᏁ, ᎦᏓᎭ ᏧᏃᏩ ᏗᎦᏅᎦᎶᏙᏗ ᎦᏄᏖᏲᏅ ᎢᏳᏍᏘ ᏄᏍᏕ ᎭᏫᏂ.\nᏂᎦᎵᏍᏙᏗᎭ ᏥᏥᏲᎭ ᎪᎯᏳᏗᏍᎩ ᎦᎶᏁᏛ ᎠᎥ ᎠᏋᏗᏍᎬ ᎧᏁᎬᎢ, ᎾᏍᎩ ᎢᏥᎦᏔᎲ ᎥᏝ ᎠᏩᎾᎦᎳ ᏱᎩ, ᎤᎵᏂᎩᏗᏳᏍᎩᏂ ᎢᎬᏁᎸᎯ ᎢᏤᎲᎢ,\nᎤᏙᎯᏳᎯᏯ ᎢᏨᏲᏎᎭ, ᏂᎦᎥ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ, ᎦᎨᏥᏙᎵᏍᏗᏉ ᎨᏎᏍᏗ ᏴᏫ ᏧᏁᏥ, ᎠᎴ ᎠᏐᏢᎢᏍᏙᏗ ᎨᏒ, ᏂᎦᎥ ᎬᏩᏂᏐᏢᎢᏍᏙᏗ ᎨᏒᎢ;\nᎯᎠ ᎾᏍᎩ ᏕᎭᏅᏓᏗᏍᏗᏍᎨᏍᏗ, ᎤᎵᏂᎩᏛᏯ ᏕᎯᏁᏤᎮᏍᏗ ᎤᎬᏫᏳᎯ ᎠᎦᏔᎲᎢ, ᎤᎾᏗᏒᏍᏗᏱ ᏂᎨᏒᎾ ᎨᏒ ᏓᏂᏬᏂᏍᎬᎢ, ᎪᎱᏍᏗ ᎬᏙᏗ ᏂᎨᏒᎾ ᏥᎩ, ᏓᏂᎦᏔᎲᏍᎬᏉᏍᎩᏂ ᎬᏩᎾᏛᏓᏍᏓᏁᎯ.\nᎠᏎᏃ ᏕᎦᎾᏗᏁᎭ ᎠᏓᏴᏍᏔᎩᏍᎩ ᎢᎦᏉ ᎤᎾᏚᎵᏍᎬ ᏃᎴ ᎤᎾᏈᏴᏗ ᎨᏒ, ᎫᎬ ᏫᎦᎷᎩ ᏗᏂᏍᎪᎵ.\nᎦᏲᏟ ᎤᏂᏥ ᏚᎵᏍᏚᎸ ᎦᎸᎳᏗᎨᏍᏗ ᏃᏥᏱ ᏚᏅᏓᏒ, ᎤᏍᎪᏍᏓ ᎤᏓᏅᏅ ᎬᏂᎨ ᎤᏍᎪᎸ ᏚᏅᏓᏒ ᏃᎴ ᎤᎵᏏᎩ ᎦᎸᎶᎢ, ᎢᎦ ᎾᎥᏂ ᎢᏴ ᎬᎾᏬᏍᎬ.\nᎠᏂᏌᏚᏏᏰᏃ ᎯᎠ ᎾᏂᏪᏎᎪᎢ; ᎥᏝ ᏗᎴᎯᏐᏗ ᏱᎩ, ᎥᏝ ᎠᎴ ᏰᎭ ᏗᎧᎿᏩᏗᏙᎯ ᎠᎴ ᎠᏓᏅᏙ; ᎠᏂᏆᎵᏏᏍᎩᏂ ᎢᏧᎳ ᎠᏃᎯᏳᎲᏍᎦ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ; Ꮳ-ᎬᏫᏳᎯ, ᎠᏆᏛᏅᎢᏍᏗ ᎬᏍᏓᏩᏛᏍᏗᏱ ᎾᏍᏉ ᏗᏓᏍᏚᏗᏱ ᎠᎴ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ.\nᏗᏣᎧᏅᎦ ᏥᏍᏆ ᎦᎸᎶᎢ ᎠᏁᎯ, ᏝᏰᏃ ᏯᏂᏫᏍᎪᎢ, ᎠᎴ Ꮭ ᏯᏂᏁᏣᎢᏍᎪᎢ, Ꮭ ᎠᎴ ᏓᏓᏁᎸ ᏯᏂᏟᏏᏍᎪᎢ, ᎠᏎᏃ ᎢᏥᏙᏓ ᎦᎸᎳᏗ ᎡᎯ ᏙᎨᎶᎰᎢ. ᏝᏍᎪ ᏂᎯ ᎤᏟ ᏱᏁᏥᎸᏉᏗ ᎡᏍᎦᏉ ᎾᏍᎩ?\nᎥᏝ ᎠᎴ ᏥᎷᏏᎵᎻ ᏱᏩᎩᎶᏎᎢ, ᏱᎦᏥᏩᏛᎲᏎ ᎢᎬᏱ ᎨᏥᏅᏏᏛ ᎢᏳᎾᎵᏍᏔᏅᎯ ᎠᏴ ᎣᏂ; ᎠᎴᏈᏱᏍᎩᏂ ᏩᎩᎶᏒᎩ, ᎠᎴ ᏔᎵᏁ ᏕᎹᏍᎦ ᏛᎠᎩᎷᏨᎩ.\nᎠᎾᏟᎯ ᎤᎾᏓᎵᏗᎩᏛ ᎣᏍᏓ ᎤᏰᎸᎰ ᏕᎪᏎᎲ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏔ, ᎦᏚᏏ ᎤᎾᏗᏍᎦᏟ.\nᎠᏁᎯᏃ ᎠᏂᏫᏅ ᏧᏅᎨᏫ ᎾᏍᎩᏯ ᏓᏂᏙᎨᎢ, ᎠᎾᏛᎩᏍᎨ ᎧᏁᎬᎢ, ᎠᏎᏃ ᎥᏝ ᎩᎶ ᏯᏂᎪᏩᏘᏍᎨᎢ.\nᎨᏍᏗᎭ ᎤᏍᏆᏂᎩᏗ ᏱᎨᏎ ᏧᏍᏆᏴᏍᏗ ᎠᏟᏃᎮᏙᏗ.\nᎤᎧᏖᏃᎴ ᏎᎦ, ᎤᎪᎮᎢ ᎩᎦᎨ ᎠᏣᏗ ᏧᏅᎪᏤᎢ ᏅᏲ ᎭᏫᏂᏣ.\nᏚᏘᏅᏎᏃ ᏇᏗᏂᏱ ᎢᏴᏛ; ᏧᏬᏰᏂᏃ ᏚᏌᎳᏓᏅ ᎣᏍᏛ ᏚᏁᏤᎴᎢ.\nᎿᏉᏃ ᏓᎦᏘᏃᎮᎸᎩ ᏧᎾᏍᏗ ᏗᏂᏲᎵ ᎾᏍᎩ ᏧᏏᏔᏗᏍᏗᏱ ᎠᎴ ᎤᏓᏙᎵᏍᏙᏗᏱ; ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᏚᏂᏅᏍᏓᏕᎸᎩ.\nᎠᏎᏃ ᎯᎦᎷᎬᏉ ᎢᎦ ᏒᎮᏱᏣ, ᎠᏯᎩᏍᎨ. ᎢᏣᏉ ᎡᏙᎲ ᎠᏍᏓᏩᏗᏙᎮ.\nᎢᎦ ᏧᎦᏃᏩ ᏂᏕᎦᎵᏍᏗᏍᎪ.\nᏧᏂᏢᎩ ᏕᏥᏅᏫᏍᎨᏍᏗ, ᎠᏓᏰᏍᎩ ᏧᏂᏢᎩ ᏕᏥᏅᎦᎵᏍᎨᏍᏗ, ᏧᏂᏲᎱᏒᎯ ᏕᏣᎴᏗᏍᎨᏍᏗ, ᎠᏂᏍᎩᎾ ᏕᏥᏄᎪᏫᏍᎨᏍᏗ. ᎠᏎᏉ ᎡᏥᏁᎸᎯ, ᎠᏎᏉ ᎢᏣᏓᏁᎮᏍᏗ.\n“ᏓᏣᏓᏅᏖᏔᏂᏗ ᎪᎳ ᎦᎷᏨ,” ᎤᏛᏁ ᎤᏃᏕᎾ.\nᎠᏎᏃ ᎡᎵᏑ ᎠᏙᏂᏍᎩ, ᎾᏍᎩᏰᏃ ᏄᏍᏗ ᏕᏅᏙᎥ ᎠᏁᏢᏔᏅᎯ, ᎤᏂᎭᎷᎩᏍᎨᎢ, ᎤᏚᎵᏍᎨ ᎠᏥᎦᏘᏗᏍᏗ ᎤᎦᏔᎲᎡᏗᏱ ᎤᏬᎯᏳᏒᎢ.\nᎡᏍᎦ ᎤᏰᎸᎲ ᎡᏘᏴ ᏤᎩᏏᏂ ᎤᏍᏕᎸᎲ ᎠᏂᎫᏌᏩᎩ ᏚᎾᏟᎸ.\nᎺᎵᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎬᏂᏳᏉ ᎠᏉ ᎤᏅᏏᏓᏍᏗ ᎠᎨᏴ; ᏱᎱᏩ ᎾᏍᎩᏯ ᏂᏣᏪᏒ ᏫᎾᏆᎵᏍᏓᏏ. ᏗᎧᎿᏣᏗᏙᎯᏃ ᎤᏓᏅᎡᎴᎢ.\nᏰᎵ ᎢᏯᏂ ᏧᎾᏓᎴᏅᏓ ᎠᏣᏗ ᏕᏥᎪᏩᏔ ᏗᎦᏓᏬᎢᎡ, ᏃᏗ ᎭᏇᏅᏍᏗ ᎤᏍᏆᎸ, ᎨᏉᎢ ᎯᎠ ᎦᏁᎲ ᎠᎹ.\nᎠᎬᏱᏣ ᎤᏅᏤ Philadelphia, ᎠᏲᎰᏍᎨ ᎫᎭᏢ ᎤᎴᏫᏍᏘᏍᎨ ᏃᎴ ᎠᏟᏂᎬᏍᎨ ᎦᏙ ᎤᏂᏴᏗ.\nᎯᏍᎩᏉ ᏧᏕᏘᏴᏓ ᎬᎭᏃᏓ ᎨᏎ.\nᎾᏍᎩ ᎠᏂᎪᏩᏗᏍᎬ ᎤᏂᎪᏩᏛᏗᏱ, ᎠᎴ ᎬᏩᎾᏙᎴᎰᎯᏍᏗ ᏂᎨᏒᎾᎢᏳᎵᏍᏙᏗᏱ; ᎠᎴ ᎠᎾᏛᎩᏍᎬ ᎤᎾᏛᎪᏗᏱ, ᎠᎴ ᎬᏩᏃᎵᏍᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ; ᎾᏍᎩ ᏧᎾᏓᏁᏟᏴᎡᏗᏱ ᏂᎨᏒᎾ ᏚᎾᏓᏅᏛ, ᎠᎴ ᎤᏂᏍᎦᏅᏨ ᎦᎨᏥᏁᏗᏱ ᏂᎨᏒᎾ.\nᎢᏳᎾᏛᏁᏗ ᎨᏒ ᎠᏂᏍᎦᏯ, ᏙᏰ ᎡᎯ ᎤᏂᎸᏉᏗ, Boudinot ᏃᎴ ᎠᏫᎾ Ridge ᏚᏃᏪᎳᏁ ᏧᏓᎴᏅᏓ ᏓᏂᎪᏩᏘᏍᎬ ᎢᎾᎨ ᎡᎯ ᏃᎴ ᎢᎾᎨ ᎠᏕᎲᏍᎩ.\nᏎᎦᏃ ᎡᏝᏪᎯ ᎨᏎᎢ.\nᏗᏂᎧᎿᏩᏗᏙᎯᏍᎩᏂ ᎤᏟ ᎢᏧᎾᎵᏂᎩᏛ ᏥᎩ ᎥᏝ ᎪᎱᏍᏗ ᎤᏐᏅ ᏱᏓᏂᎳᏫᏎᎰ ᎤᎬᏫᏳᎯ ᎠᎦᏔᎲᎢ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᎢᎬᏱ ᏗᎪᎵᏰᎥᎯ ᎨᏎᏍᏗ, ᎩᎳ ᏚᏂᎸᏫᏍᏓᏁᎮᏍᏗ ᎠᏂᏯᏙᎯᎲ ᎪᎱᏍᏗ ᎦᎨᎫᎢᏍᏙᏗ ᏂᎨᏒᎾ ᎨᏎᏍᏗ.\nᏫᎵᎻ ᎦᏅᏍᎨᏂ ᏚᏭᎪᏔᏁᎢ ᎩᏟ.\nᏯᏛᎾ ᎤᏙᎯᏳ ᎢᏳᏍᏗ ᏱᏓᏛᎾ.\nᎠᏇᏅᏒ ᏩᏯ, ᎤᎯᏐᏗ ᎤᎨᏓᎵᏴ ᏩᎩᎶᏒ, ᏂᎦᏓ ᎡᎶ ᏣᎵᏍᏔᎷᏯᏍᎪ ᎠᎩᏰᎸᎲ.\nᎤᏬᏰᏂ ᎧᎵ ᎠᎩᏍᎪ ᎦᏓ.\nᏥᎷᏏᎵᎻ! ᏥᎷᏏᎵᎻ! ᎠᎾᏙᎴᎰᏍᎩ ᏘᎯᎯ, ᎠᎴ ᏅᏯ ᏛᏂᏍᏗᏍᎩ ᎨᏣᎷᏤᏗᏱ ᎨᏥᏅᏒᎯ; ᏯᏃᎩᏳ ᎠᏆᏚᎵᏍᎬ ᎦᏥᏯᏟᏐᏗᏱ ᏗᏤᏥ, ᎾᏍᎩᏯ Ꮳ-ᏔᎦ ᏥᏕᎦᏟᏏᏍᎪ ᏧᏪᏥ ᎠᏂᏛ ᎠᏫᏂᏗᏢ ᏗᎧᏃᎨᏂ, ᎠᏎᏃ ᎥᏝ ᏱᏣᏚᎵᏍᎨᎢ!\nᎯᎸ ᎢᏴ.\nᏌᏊ ᎢᏳᏩᎬᏘ ᎤᎦᏔᏊ ᎨᏎᎢ, ᏃᏊᏃ ᎤᏔᏅ ᏒᎦᏔ ᎢᏈᎬᎢ ᎢᎩ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ, ᏝᏍᎪ ᎠᏍᎪᎯ ᏱᎨᏥᏅᎦᎸᎡᎢ? ᎠᏎᏃ ᏐᎣᏁᎳ ᎢᏯᏂᏛ ᎭᏢ?\nᎡᎳᏗ ᏂᏙᏨᏁᎰ ᎠᏓᏅᏖᏗ ᎨᏒ, ᎠᎴ ᏄᏓᎴᏒ ᎢᏅ ᎢᎦᏘ ᎾᏍᎩ ᎠᏓᎵᏌᎳᏗᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᏗᎦᏘᎴᎩ, ᎠᎴ ᏙᏥᏎᎪᎩᏍᎪ ᏙᏣᏘᏁᎪ ᏄᏓᎴᏒ ᎠᏓᏅᏖᏗ ᎨᏒ ᎦᎶᏁᏛ ᎬᏬᎯᏳᏗᏱ ᏃᏨᏁᎰᎢ;\nᏓᏂᏚᎢᏍᏓᏁᎰ ᏗᎨᏥᎾᏝᎢ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᎤᏅᏒᏃ ᎤᏲ ᎨᏒ ᏗᎬᏩᏂᎾᏝᎢ ᎨᏐᎢ: ᎩᎶᏰᏃ ᎠᏥᏎᎪᎩ ᎾᏍᎩ Ꮎ ᎤᏎᎪᎩᏛ ᎤᎾᏝᎢ ᏂᎦᎵᏍᏗᏍᎪᎢ.\nᏗᎧᎿᏩᏛᏍᏗᏰᏃ ᎥᏝ ᎪᎯᏳᏗ ᎨᏒ ᎠᎵᏍᏕᎸᏙᏗ ᏱᏂᎬᏁᎭ; ᎯᎠᏍᎩᏂ, ᎩᎶ ᏴᏫ ᎾᏍᎩ ᎾᏛᏁᎮᏍᏗ ᎾᏍᎩ ᎤᏛᏂᏗᏍᏕᏍᏗ.\nᎾᏍᎩ ᎨᏓᏚᏓᏔᎡᎸᎯ ᎨᏒ ᎨᎩᏍᎦᎩ ᎢᎦᎵᏍᎪᎸᏓᏁᏗᏱ ᏂᏗᎾᏰᏍᎬᎾ ᎡᏓᏓᏙᎵᏍᏓᏁᏗᏱ,\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎯᎠ ᎾᎩᏪᏎᎸᎩ, ᎦᏙᏃ ᎥᏣᏍᏆᏂᎪᎵ? ᏓᎬᏃᏁᎵ ᏄᏍᏛ ᎦᏛᎬ ᎠᎨᏴ, ᎠᎴ ᏄᏍᏛ ᎦᏛᎬ ᏅᎩᏗᎦᏅᏌᏗ ᎾᏍᎩ ᏧᎩᎸᏗ, ᎾᏍᎩ ᎦᎵᏉᎩ ᏥᏓᏍᎫᏓᏛ ᎠᎴ ᎠᏍᎪᎯ ᏥᏚᎷᎦ.\nᎢᏳᏃ ᎩᎶ ᎢᏤᎲ ᏳᏓᏑᏯ ᏧᏁᎶᏗ ᏱᏅᏩᏍᏗ, ᏂᎦᎾᎯᏍᏗᏍᎬᎾᏃ ᏱᎩ ᎦᏃᎪᎢ, ᎤᏩᏒᏉᏍᎩᏂ ᎤᎾᏫ ᎦᎵᏓᏍᏗᏍᎩ ᏱᎩ, ᎾᏍᎩ ᎠᏍᎦᏯ ᏧᏁᎶᏗ ᎨᏒ ᎠᏎᏉᎢ.\nᎠᎦᎵᏍᎬ ᎦᏙᎨ ᏫᎵᎻ, ᎤᎯᏐᏗ ᎤᏓᏅᏖᎢ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎠᏂᎨᏴ ᎬᏩᏂᎾᏄᎪᏫᏒᎯ ᏥᎩ ᎥᏝ ᎩᎶ ᏳᎾᏄᎪᏨ ᎬᏩᏓᎵᏁᎯᏕᏗ ᏣᏂ ᏗᏓᏬᏍᎩ; ᎠᏎᏃ ᎤᏍᏗᎧᏂ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎡᏍᎦᏉ ᏣᏂ.\nᎠᏏ ᏞᎦ, ᎿᏉ ᎡᎶᎯ ᎥᏝ ᏯᎩᎪᏩᏘᏍᎨᏍᏗ, ᏂᎯᏍᎩᏂ ᏍᎩᎪᏩᏘᏍᎨᏍᏗ, ᎠᏴᏰᏃ ᎬᏅ, ᎠᎴ ᏂᎯ ᎾᏍᏉ ᏕᏨᏁᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏍᎦᏯ, ᎤᎦᎵᏍᏗ ᎢᏣᏓᏅᏓᏓ; ᏥᏲᎢᏳᎲᏍᎦᏰᏃ ᎤᏁᎳᏅᎯ, ᎾᎩᏪᏎᎸ ᎾᏍᎩᏯ ᎢᏳᎵᏍᏙᏗᏱ.\nᏔᎵᏁᎢ ᎠᎹ ᎦᏁᎲᎢ, ᎤᏓᎴᏨ ᏗᎧᏃᏗ ᎠᏣᏗ ᎤᎪᎮᎢ.\n”ᎤᏍᏓᎦᏴᎯᏓ” ᎣᏍᏓ ᏦᏪᎶᏗ ᏕᏣᏏᎳᏛ.”\n”ᏙᏱ ᏍᏕᎾ ᎢᏧᎳ!” \nᏩᏁ ᎤᎴᏴᏒ ᎣᎭᏁ ᎦᏅᎬ ᎠᏌᎻᏓ ᎣᎩᎵᏦᏩᏛ ᎾᎥᏂ.\nᎯᎠᏃ ᏚᏃᎩᏎ.\nᎦᎸᎳᏗᏣ Ꭴ ᎤᎴᏅᎮ.\n“ᎠᏯᏍᏉ ᏍᎩᏍᏚᏣ!” ᎤᏛᏁ ᎡᎳᏆᏗ, \nᎦᎪ ᎤᏂᏍᎦᏅᏨ ᏙᏓᎫᎯᏍᏔᏂ ᎤᎾᎴᏅᎯ ᏧᏑᏰᏛ? ᏥᏌ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎤᏄᏓᎴᏍᎩ?\nᏎᎦ ᏤᏍᏗ ᏱᎾᏟᏃᎮᏍᎨᏍᏗ, ᏌᎳᏓ.\nᏔᎵᏁ ᏅᏙ ᎢᎪᎯᏛ ᎤᏂᎩᏍᏗ ᎭᏫᏯ.\nᏭᏓᎾᏫᏛ ᏭᏏᎳᏛᏁ, ᎦᏆᎵ ᏓᏳᏓᎴᏅ.\nᎣᏍᏛ ᏴᏫ, ᎣᏍᏛ ᎤᏍᏆᏂᎪᏛ ᎤᎾᏫᏱ, ᎣᏍᏛ ᎦᎾᏄᎪᏫᏍᎪᎢ. ᎤᏲᏃ ᏴᏫ, ᎤᏲ ᎤᏍᏆᏂᎪᏛ ᎤᏲ ᎦᎾᏄᎪᏫᏍᎪᎢ.\nᎩᎳᏈᏴ ᏚᎴᏁ ᏫᎵᎻ.\n”Ꮟ-Ꮟ-Ꮟ, Ꮟ ᏔᎵᏁ ᎢᏯᎩᏪᏍᏗ ᏱᎨᏒᎾ,” ᎤᏛᏁ ᏌᏌ, ”ᎠᏯ ᎬᏁᏤᎭ, ᎩᏅᎪᎢᏉ.\nᎠᏍᎦᏯᏃ ᏙᏓᏳᏲᏏ ᎤᏲᎱᎯᏍᏗᏱ ᏗᎾᏓᏅᏟ, ᎠᎦᏴᎵᎨᏃ ᎤᏪᏥ ᏙᏓᏳᏲᏏ, ᎠᎴ ᎣᏂ ᏧᎾᏛᏒᎯ ᏙᏛᎾᏡᏔᏂ ᏧᏂᎦᏴᎵᎨᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏛᏅᏂᏌᏂ ᏗᎨᏥᎢᏍᏗ ᎨᏎᏍᏗ.\nᏌᏩᏂᏃ ᏈᏓ ᎦᏙᎬᎩ ᎤᎦᎾᏬᏍᎬᎩ. ᎿᏉᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᏂᎯᎧ ᎾᏍᏉ ᎯᎠ ᎯᏍᏓᏩᏗᏙᎯ? ᎤᏓᏱᎸᎩ, ᎥᏝ, ᎤᏛᏅᎩ.\nᏂᎦᏓ ᏓᏓᏗᎪᎯ.\nᎤᏩᏛᎲᏃ ᎥᏖᎣᎩ ᎤᏘᏃᎴᎢ. ᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏑᏕᏘᏴᏛ ᎾᎿ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬ ᏓᏂᎳᏫᎨᎢ, ᎠᎴ ᎤᏂᏣᏖ ᏴᏫ ᏚᏁᏲᏁᎢ. ᎥᏖᎣᎩᏃ ᎢᎬᏱᏱ ᎠᏂᎦᎶᏁᏛ ᎨᎪᏎᎴ ᎠᏃᎯᏳᎲᏍᎩ.\nᎬᏂᎨᏒ ᎢᏧᏩᏁᏗᏱ ᏧᏤᎵ ᏴᏫ ᎾᏍᎩ ᎤᎾᎵᏍᏕᎸᏙᏗ ᎨᏒᎢ, ᎦᎨᏥᏁᎲ ᎤᏂᏍᎦᏅᏨᎢ,\nᎥᏝ ᏍᎩᏂᏃᏅ ᎣᎬᏒ ᎨᏒ ᏰᎵ ᎦᏲᎦᏓᏅᏖᏗ ᏱᎩ ᎪᎱᏍᏗ ᎣᎬ ᏒᏉ ᎨᏒ ᏅᏛᏓᎴᎲᏍᎩ, ᏰᎵᏉᏍᎩᏂ ᎢᎦᏲᎦᏛᏁᏗ ᎨᏒ ᎤᏁᎳᏅᎯᏱ ᏗᏓᎴᎲᏍᎦ.\nᎠᎴ ᎾᏍᎩ ᏦᏣᏚᏓᎳᎡᏗᏱ ᎤᏂᏲ ᎠᎴ ᎠᏂᏍᎦᎾ ᎠᏂᏍᎦᏯ; ᎥᏝᏰᏃ ᎾᏂᎥ ᎪᎯᏳᏗ ᎨᏒ ᏳᏁᎭ.\nᎤᎬᏍᏉᎡ, ᏕᎦᏅᏙᎬ ᏚᏅᎦᎸᎮ, ᏃᏉ ᏚᎭᏯᎴ ᏧᎿᏬᏍᏗ.\nᎦᏚᏏ ᏳᏫᏕᏗᏌᏙᎭᏯ ᎧᏂᎩᏛ ᏗᎨᏒ, ᏱᏕᎨᎩᏘᎷᎦ, ᎠᏎᏃ ᎧᏂᎩᏓ ᎤᎾᎵᏍᏕᎸᏙᏗ ᏃᎴ ᎤᎾᏟᏍᏙᏗ.\nᎠᏛᏍᎨ, ᏃᎴ ᎨᏍᏗ ᎠᎨᏳᏣ ᎢᏳᎾᏛᏁᏗ ᏱᎾᏛᏁᎮ ᏃᏉ, ᎨᏍᏗ ᎡᎳᏗ ᎢᎦᏘ ᎦᏍᎩᎶᎩ ᏯᎵᏍᏛᏧᏍᎨᎢ ᏏᏆ ᎤᏴᏍᏗ ᎾᎥᏂ.\nᎭᏪᎾᏗᏅ, ᎠᏆᏛᏅ.\nᎢᎴᎯᏳᏃ ᎪᎱᏍᏗ ᏃᏒᎾ ᏂᎦᎵᏍᏗᏍᎪ, ᏄᏓᎴ ᎢᎦᏛᏁᏗ ᎠᏰᎸᏐᎢ.\nᏌᏩᏂᏃ ᎠᎨᎾᏂᏗ, ᏧᏓᏏᏃ ᎢᏍᎦᎳᏗ ᎾᏍᎩ ᏥᏌ ᏧᎶᏄᎮᎸᎩ.\nᎢᏤ ᎤᎵᏑᏫᏓ ᏧᏍᏆᎳ ᏗᎦᏅᏌᏗ ᎤᏑᎳᏁ ᏃᎴ ᏌᎪᏂᎨ ᎤᏁᎦ ᏧᎶᎳᏗ ᏧᏍᏆᎳ ᏗᎪᎭᏯᏗ ᎤᎿᏬᎡ.\nᎠᎴ ᎠᎦᏴᎵᎨ ᎠᏴ ᏓᏥᏔᏲᏎᎵ, ᎾᏍᎩᏃ ᏓᏣᎵᏍᎪᎸᏓᏁᎵ ᏅᏩᏓᎴ ᎢᏥᏅᏬᎯᏍᏗᏍᎩ, ᎾᏍᎩ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎢᏤᎳᏗᏙᎯ,\nᎤᎾᏓᎪᎾᏙᏗ ᎤᏏᏩ ᎨᏎᏍᏗ ᏃᎴ ᎨᏍᏗ ᎩᎶ ᏰᏙᎮᏍᏗ.\nᎠᎴ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏕᎦᎾᏄᎪᏫᏎᎭ ᎬᏩᎾᏰᏍᎩ ᎾᎾᏓᏁᏟᏴᏏᏒᎢ.\nᎥᏝ ᎢᏨᏍᏕᏲᎯᏍᏙᏗᏱ ᏱᎩᏰᎸ ᎯᎠ ᎾᏍᎩ ᏥᏨᏲᏪᎳᏁᎭ; ᏗᏇᏥᏍᎩᏂ ᎢᏨᎨᏳᎢ ᎾᏍᎩᏯᎢ ᎢᏨᏯᏅᏓᏗᏍᏗᎭ.\nᎾᏍᎩᏴ ᏍᏔᏱ ᎨᏒ ᎠᎦᏓᏅᏖᏗ ᎡᎫᏬᏟᏍᏗ ᏩᏏᏛᏂ, ᏂᏛᏓᎴᏂᏍᎬ Crockett ᎠᏨᏉᏗᏍᎬ ᎢᎾᎨᎯ ᎡᎯ ᎤᏤᎸᎲ.\nᏚᏂᏂᏴᏎᏍᏗᏍᎩᏂ ᎤᏕᎵᏛ ᎪᎯᏳᏗ ᎨᏒᎢ ᎠᏅᏗᏍᎨᏍᏗ ᎦᏓᎭ ᏂᎨᏒᎾ ᏗᎫᎪᏙᏗ ᎨᏒᎢ.\nᏆᏂᏉᏃ ᎠᎴ ᏐᎳ ᏭᏂᏍᏆᏛ ᎨᏥᏁᏤᎸᎢ, ᎤᏂᎷᏤ ᏥᎷᏏᎵᎻ ᏗᎤᏂᎶᏎᎢ, ᎤᎾᏘᏃᎴᏃ ᏣᏂ ᎹᎦ ᏧᏙᎢᏛ.\nᎠᎴ ᎤᏁᎳᏅᎯ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏁᎯ ᏂᎪᎯᎸᎾᏉ ᏎᏓᏂ ᎤᏪᏓᏫᏙᏗ ᏅᏓᎦᎵᏍᏓᏂ ᏗᏣᎳᏏᏕᏂ ᎭᏫᏂᏗᏢ. ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᎢᏤᎳᏗᏙᎮᏍᏗ. ᎡᎺᏅ.\n”ᎭᏗ,” ᎤᏛᏁ ᏫᎵᎻ.\nᏧᏍᏆᏴᏍᏗ ᎯᎠ ᎾᏛᎦ, ᏧᏍᏆᏴᏍᏗ ᏃᎴ ᎯᎠ ᎾᏛᎦ, ᏧᏍᏆᏴᏍᏗ ᎤᏲ ᎤᎾᏗᏅᏗ ᏫᏍᎩᎾᎩ ᎪᏪᎵ ᎠᎦᎸᏓ, ᏧᏍᏆᏴᏍᏗ ᎠᏍᏓ ᏫᏍᎩᎾᎩᎢ ᏗᎩᏏᎳᏛᏙᏗ.”\nᏂᎬᎾᏛ ᎭᏓᏏᏓ! \nᎠᏎᏃ ᏍᏔᏯ ᎨᏎᏍᏗ ᎠᏔᎶᎯᏍᏗ, ᏫᎵᎻ, ᏂᏗᎦᎵᏍᏙᏗ ᏁᏆᎸ ᏃᎴ ᏄᏓᎨᏒ.\n”ᎤᏍᏆᏂᎩᏘ ᏏᏆ!” ᎤᏛᏁ ᏣᏄᏏ ᎡᏝᏪᎯ.\nᎢᏳᏃ ᎩᎶ ᎤᏚᎵᏍᎨᏍᏗ ᎾᏍᎩ ᏄᏍᏛ ᎤᏚᎵᏍᎬ ᏧᎸᏫᏍᏓᏁᏗᏱ, ᎠᏎ ᎤᏙᎴᎰᎯᏍᏗ ᎾᏍᎩ ᎯᎠ ᏥᏕᎦᏕᏲᎲᏍᎦ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᎨᏎᏍᏗ, ᎠᎴ ᏥᏬᏂᏍᎬ ᎠᏋᏒᏉ ᎠᏆᏓᏅᏖᎸᎯ ᎢᎨᏎᏍᏗ.\nᎩᏟ ᎤᏂᏍᏔᏩᏗᏒ, ᎦᎪᏟᏍᏗ ᏱᎨᏒᎾ ᏧᏓᎴᏅ, ᎠᎴᏃ ᎠᏂᎩᎦᎨ ᏩᏯ, ᏚᏂᏒᏅᏉ ᎠᏂᏳᏩᏁᎦ ᏃᎴ ᎠᏂᏴᏫᏯ ᎤᏅᎨᏫᏒ ᏧᏂᎯᏍᏗ ᏱᎨᏒᎾ, ᎾᏍᎩ ᎾᎥᏂ ᎠᎾᏓᏤᎵᎨᏒ ᎠᏍᎦᏯ ᏃᎴ ᏩᏯ.\nᎠᎰᎵ ᎤᏅᎦᎸᎮ ᏃᏗ ᎦᎸᎳᏗ ᎢᏣ ᏭᏓᏒᏍᏔᏁᎢ.\nᎾᏍᏉᏃ ᏂᎯ ᎢᏥᎨᏴ ᏗᏦᎯᏳᎯᏳ ᎨᏎᏍᏗ ᏗᎨᏥᏰᎯ, ᎾᏍᎩ ᎢᏳᏃ ᎩᎶ ᎧᏃᎮᏛ ᏂᏓᏂᎧᎿᏩᏕᎬᎾ ᏱᎩ, ᎾᏍᎩ ᎾᏍᏉ ᎧᏃᎮᏛ ᎬᏗ ᏂᎨᏒᎾ ᏱᎨᏥᏎᎪᎩᏍᏓ [ᎠᏂᎪᏩᏘᏍᎬ] ᏄᏍᏛ ᎢᏣᎴᏂᏙᎲ ᎢᏥᎨᏴ,\nᎤᏠᏱ ᎾᏛᏁᎲ ᎠᏁᎷᎩᏍᎬ ᎠᎨ ᎢᏳᏓᏅᎯᏓ ᏃᏊᎴ ᏗᎠᏨᏍᎪ ᎠᏊᎢᏴ ᎢᎦᎷᎪᎢ ᎠᎴ ᏓᏑᏫᏍᎬ ᏂᎬᏩᏍᏙᎢ.\nᎥᏠᏂᎦ ᎠᎴ ᏧᏂᏯ ᏕᏥᏲᎵᎸᎭ, ᎾᏍᎩ ᎪᎱᏍᏗ ᏗᏋᏅ, ᎠᎴ ᎢᏧᎳᎭ ᏦᎩᏴᎩᏅᎯ, ᎾᏍᎩ ᎨᏥᎸᏉᏗ ᏥᎩ ᎨᏥᏅᏏᏛ ᎠᏁᎲᎢ; ᎾᏍᎩ ᎾᏍᏉ ᎢᎬᏱ ᎦᎶᏁᏛ ᏧᎾᏁᎶᏗ ᎢᏳᎾᎵᏍᏔᏅᎯ ᎠᏴ ᎣᏂ.\nᎾᏍᎩ Ꮎ ᎧᏃᎮᏛ ᎠᎨᏲᏅᎯ ᎠᏁᎮᏍᏗ ᎾᏍᎩ Ꮎ ᎤᏪᏲᎲᏍᎩ ᏄᏓᎴᏒ ᎣᏍᏛ ᎨᏒᎢ.\n”ᎡᏝᏪᎯ, ᎡᏝᏪᎯ, ᎡᏝᏪᎯ!”\nᎤᏕᎶᎰᏌ ᎢᏳᎾᏍᏗ ᎨᏒ ᏃᎴ ᎢᏳᏍᏗ ᎤᏰᎸᏛ ᎤᏂᎷᏨ, ᎤᏟᏍᏔ ᏭᏴᎸ ᎦᎵᏦᏕ, ᏔᎵ ᏧᏍᏆᏅᎾ ᏚᎭᏃᎸ ᏃᎴ ᎤᏍᏗ ᏧᎳᏍᎩ.\nᎠᏂᎦᏲᏟ ᏲᎾ ᏧᏤᎵ ᏴᏫ ᏃᎴ ᎢᏅᎯ ᏗᏁᎲ ᎠᎹᏰᎵ ᏧᏍᏆᏂᎪᏍᏗ.\nᎠᎩᏰᎸᎭ ᎨᏒᎩ, ᏙᏍᎩᏄᏬᎥᎩᏃ; ᎠᎩᏢᎬᎩ, ᎥᏍᎩᏯᎦᏔᏂᎸᎩᏃ; ᏗᏓᏍᏚᏗᏱ ᎥᎩᏍᏚᎲᎩ, ᎥᏍᎩᏩᏛᎯᎸᎩᏃ.\nᏍᏗᏫ ᏚᏓᎵᏴᎮ ᎠᏁᎸᏗᏍᎬ ᎣᏍᏓ ᎤᏂᏴᏗ, ᎦᏚᎲ ᏗᏁ ᎤᎾᏰᎶᎴ.\n“ᎠᎦᏛ ᎣᏍᏓ ᎠᏰᎸᏗ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ, “ᎦᏆᏘ ᎠᏗᏆᎸᏕᏲ ᎠᎩᎸᏙᏗ ᎦᎸᎳᏗ ᏱᏭᎴᏫᏍᏔᎾ ᏃᎴ ᎠᏯ ᏃᎴ ᎮᏂᎵ ᎣᎩᎾᎩᎸᏛ ᏯᎵᏖᏅᎵᏍᏙᏗ ᎮᏂᎵ, ᎾᎨ ᎢᏴ ᏩᎪᏩᏛᏗ ᎨᏐᎢ.”\nᎨᏍᏗ ᏯᎦᏔᎮ ᎢᏳᎾᎵᏍᏙᏗ ᎤᎵᏘᎾᎥ.\nᎠᎴ ᎤᏟ ᎠᎯᏗᏳ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ ᎤᏂᎶᏐᎲᏍᏗᏱ, ᎠᏃ ᏌᏉ ᎤᏍᏗᎧᏂ ᏗᎧᎿᏩᏛᏍᏗ ᎡᏍᎦ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᏴᏍᎩᏂ ᎦᎶᏁᏛ ᏓᏓᎿᏩᏍᏛ ᎠᎦᏛᏅᎯ ᎣᏣᎵᏥᏙᎲᏍᎦ, ᎾᏍᎩ ᎠᏂᏧᏏ ᏧᏃᏕᏍᏗᏍᎩ, ᎠᏂᎪᎢᏃ ᎠᎵᏍᎦᏁᏛ ᎤᏂᏰᎸᎯ;\nᎤᏭᎬᏙᏗ ᎠᏩᏘᏍᎪ ᏅᎩ ᏗᏂᏅᏌᏗ ᏚᎾᎪᏍᎬ ᎦᏙᎯ ᎠᎵᏰᎾ.\nᎠᏎᏃ ᎾᏥᎸᏉᏛᎾ ᏄᏓᏛᏁᎴ ᎤᏩᏒ, ᎠᎴ ᎠᏥᏅᏏᏓᏍᏗ ᏄᏍᏛ ᎾᏍᎩᏯ ᏄᏓᏛᏁᎴᎢ, ᎠᎴ ᏴᏫ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏄᎵᏍᏔᏁᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᏕᏥᏙᎨᏍᏗ, ᏕᏣᏓᏠᏍᏕᏍᏗ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᏚᏳᎪᏛ ᎨᏒ ᏕᏣᏓᏁᏣᏍᏚᎶᏕᏍᏗ;\nᎡᏝᏪ ᎦᏙᎨ ᏚᎦᏙᏍᏔᏁᎢ ᎤᎾᏂᎩᏌ ᎪᏱᏁ.\nᎢᏳ ᎠᎴ ᎾᏍᏉ ᏲᏥᎩᎵᏲᎦ, ᎢᏥᎦᎵᏍᏓᏗᏍᏗ ᎠᎴ ᎢᏣᎵᏍᏕᎸᏙᏗ ᎤᎬᏩᎳ, ᎾᏍᎩ ᏥᏥᏩᏛᎡᎭ ᏗᏨᏂᏗᏳ ᎢᏥᎩᎵᏲᎢᏍᏗᏱ ᎠᏴ ᎣᏥ ᎩᎵᏲᎬ ᎤᏠᏱ; ᎢᏳ ᎠᎴ ᎤᎦᎵᏍᏗ ᏲᎦᏓᏅᏔ, ᎢᏥᎦᎵᏍᏓᏗᏍᏗ ᎠᎴ ᎢᏣᎵᏍᏕᎸᏙᏗ ᎤᎬᏩᎳ.\nᎯᎠᏃ ᎾᏍᎩ ᏦᎢ ᎢᏯᏂᏛ ᎨᏒ, ᏂᎯ ᎭᏓᏅᏖᏍᎬ, ᎦᎪ ᎾᎥ ᎢᏧᎾᏓᎳ ᏅᏩᏍᏗ ᎾᏍᎩ ᏗᎾᏓᎾᏌᎲᏍᎩ ᏥᏚᎾᏓᏩᏛᏔᏁᎢ?\nᎩᎶ ᎦᎵᎷᎨᏍᏗ ᏩᏛᎬᎦ ᎠᏓᏅᏙ ᏂᏕᎦᏪᏎᎲ ᏧᎾᏁᎶᏗ ᏚᎾᏓᏡᏩᏗᏒᎢ; ᎩᎶ ᎠᏓᏎᎪᎩᏍᎨᏍᏗ ᏓᏥᏁᎵ ᎤᎵᏍᏓᏴᏙᏗ ᎬᏍᎦᎳᏅᎯ ᎹᎾ, ᎠᎴ ᎤᏁᎬ ᏅᏯ ᏓᏥᏁᎵ, ᎠᎴ ᏅᏲᎯ ᎪᏪᎴᏍᏗ ᎢᏤ ᏧᏙᏍᏙᏗ, ᎾᏍᎩ ᎩᎶ ᎾᎦᏔᎲᎾ Ꮎ ᏅᏯ ᎠᏥᏁᎸᎯ ᎤᏩᏒ.\nᎤᏙᎯᏳᎯᏯ ᎠᏙᎴᎰᎯᏍᏙᏗ ᎥᎩᏅᏏᏛ ᎨᏒ ᏗᎦᎸᏫᏍᏓᏁᎸᎯ ᏂᎦᎵᏍᏗᎭ ᎢᏤᎲᎢ, ᎬᏔᏅᎯ ᎤᏣᏘ ᎬᏂᏗᏳ ᎨᏒᎢ, ᎤᏰᎸᏛᎢ, ᎤᏍᏆᏂᎪᏗ ᏕᎦᎸᏫᏍᏓᏁᎸᎢ, ᎠᎴ ᎤᎵᏂᎩᏛ ᏕᎦᎸᏫᏍᏓᏁᎸᎢ.\nᎢᎬᏱᏱᏉᏃ ᎢᎦ ᎾᎪᏔᏅᎾ ᎦᏚ ᎠᎩᏍᏗᏱ ᎨᏒ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎬᏩᎷᏤᎸ ᏥᏌ, ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ, ᎭᏢ ᏣᏚᎵᎭ ᎣᎦᏛᏅᎢᏍᏙᏗᏱ ᏣᎵᏍᏓᏴᏗᏱ ᎧᏃᎯᏰᎩ.\nᎦᏣᏄᎸ ᎦᏚᏏ ᏭᏓᏒᏍᏔᏁ, ᏚᏑᎬ ᎢᏣ ᎤᎧᎭᏛ ᏭᏕᎵᏤ.\nᏂᎦᎥᏉ ᎠᏂᏃᎮᎭ ᎾᏍᎩ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒ ᎢᏤᎲᎢ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒ ᎾᏍᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎥᏝ ᎬᏩᏂᏃᎮᏗ ᎾᏍᏉ ᏱᎩ, ᎾᏍᎩ ᎩᎶ ᎤᏙᏓ ᎤᏓᎵᎢ ᎤᏓᏴᏍᏗᏱ.\nᎾᏍᎩ Ꮎ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏆᏤᎵᎦ ᎤᏍᏆᏂᎬᏗ ᎠᎴ ᏗᎧᎿᏩᏕᎩ, ᎾᏍᎩ ᎠᏴ ᎠᎩᎨᏳᎯ, ᎠᎴ ᎠᏴ ᎠᎩᎨᏳᎯ ᎤᎨᏳᎯ ᎨᏎᏍᏗ ᎡᏙᏓ, ᎠᎴ ᎠᏴ ᏥᎨᏳᎢᏳ ᎨᏎᏍᏗ, ᎠᎴ ᎬᏂᎨᏒ ᏅᏓᏥᏯᏛᏁᎵ.\nᏗᏂᎦᏙᎵ ᏧᎧᎵᏨᎯ ᎠᏓᏲᏁᏗ ᎨᏒᎢ, ᎠᎴ ᏗᎬᏩᏂᏲᎯᏍᏗ ᏂᎨᏒᎾ ᎠᏍᎦᏂ ᎨᏒᎢ: ᏗᏂᎶᏄᎮᏍᎩ ᏂᏚᎾᎵᏂᎬᎬᎾ ᎦᎾᏓᏅᏛᎢ; ᏧᏂᎾᏫ ᏧᎩᏌᏛ ᎠᎬᎥᎯᏍᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎠᎩᎵᏲᎢᏍᏗ ᎨᏒ ᏧᏪᏥ,\nᎿᏉᏃ ᎤᎾᏛᏛᏁᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎦᎪ ᎢᏳᏍᏗ ᎾᏍᎩ ᎠᏍᎦᏯ, ᏣᏤᏍᏙ ᎯᎾᎩ ᎠᎴ ᎮᏓ, ᏦᏎᎸᎯ?\n“ᏏᏆ ᎠᏯ ᏔᎵᏁ ᎠᏦᏴ ᏃᎴ ᎡᏆ.\nᏉᎳ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ ᎠᎴ ᎠᏂᏯᏫᏍᎩ; ᎢᏳᏃ ᎯᎠ ᎾᏍᎩ ᏥᏳᎯ ᏄᎾᏣᎥᎾ ᏱᎩ ᎥᏝ ᏴᎨᏣᏛᏂᏓ.\nᎠᏎᏃ ᎦᎶᏁᏛ ᏕᎤᎴᎯᏌᏅ ᎤᏲᎱᏒᎢ, ᎠᎴ ᏧᏓᎴᏅᏔᏅᎯ ᏄᎵᏍᏔᏅ ᎾᏍᎩ ᎤᏂᎵᏅᏨᎯ ᏥᎨᏒᎩ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏍᎪᎯᏧᏈ ᎠᏂᏯᏫᏍᎩ ᏗᏖᏂᏙᎯ ᎤᏅᏏᏓᏍᏗ, ᎣᏍᏛ ᎤᏰᎸᎯ, ᎤᏢᎨᎢ, ᎠᎴ ᎤᏲᎱᏏᏕᎾ ᎨᏎᎢ.\nᎠᏎᏃ ᏇᏍᏓ ᎤᏁᏨᎩ ᏉᎳ ᎠᎦᏘᏗᏍᏗᏱ ᏏᏓᎵᏱ, ᎠᎴ ᎤᏩᏒ ᏂᎪᎸᎾᏉ ᎾᎿ ᏭᎶᎯᏍᏗᏱ.\nᏗᏂᏲᏟ ᏯᏂᎦᏔᎲᎾ ᏂᎦᎵᏍᏔᏂᏙᎲ ᎠᎾᏨᏏᏰᏍᎬ.\nᎣᎯᏍᏙᏗ ᎤᎾᏓᏅᏖᎢ ᏗᏂᏲᏟ ᎤᏂᏰᏣ ᏎᎦ ᎤᏂᏢᏅ.\nᎭᏩ ᏱᎨᏒᎾ ᏳᏫᎦᎷᏣ ᎡᎶ, ᏯᎴᏫᏍᏗᏍᎬᎾ ᎤᏍᎦᎢᎰ.\nᏩᎾᏗᎳᏍᎦᎶᏗ ᏥᎾᏕᏆᎳ ᎢᏗᎩᏓ ᎤᏂᏁᎫᎯᏍᏗ ᏃᎴ ᎢᎦᏛ ᏩᏥᎾᏚᏍᏗᎧᎸ ᏎᏗ ᏥᏂᏚᏍᏗᎧᎸ ᎨᏒᎢ.\nᎿᏉᏃ ᎤᎧᏛ ᏚᎾᎵᏥᏍᏇᎢ, ᎠᎴ ᎠᏍᏈᏅ ᏕᎬᏩᎾᏍᏗᏍᎨᎢ ᎠᎴ ᎠᏂᏐᎢ ᏧᏃᏰᏂ ᏕᎬᏩᎾᏍᏗᏍᎨᎢ,\nᏗᎾᎳᏫᎩ ᎠᏁᏙᎲ ᎦᏚᎲ, ᏩᏏᏓᏂ ᎦᏚᎲ ᏧᏍᏈᏯ ᏗᎦᎷᏫᏍᏓᏁᏗ ᎨᏎ.\nᎤᏙᎴᎰᏒᏃ ᎣᏏᏳ ᎠᏂᏰᎸᏍᎬ ᎠᏂᏧᏏ, ᏈᏓ ᎾᏍᏉ ᎤᏂᏴᎮᎢ. ᎾᎯᏳᏃ ᎾᎪᏔᏅᎾ ᎦᏚ ᎠᎩᏍᏗᏱ ᎨᏎᎢ.\nᎡᎳᏗ ᏱᎦᎢ, ᎦᏂᏴᏗ ᏥᎳᏗᏍᎬ ᏥᏐᎯ ᏃᎴ ᏥᎵᏎᎲ ᎠᏰᎵ, ᏎᏉ ᏂᏚᏍᏙ ᏗᏉᏰᏂ, ᎠᏎᎩ ᎤᏙᎯᏳ ᎦᎾᏰᎯᏍᏗ ᎬᏇᎵᏎᎮ ᏱᏙᎦᏦᏌ ᏅᏃ.\nᎪᏱᏁ ᏍᏉ ᎤᏅᎪᏤ ᏓᏆᎴᎷ.\n“ᎪᎨ ᎠᎵᏍᏆᏙᎾ ᏃᎴ ᎠᎵᏛᏓ,” ᏓᏂᏃᎩᏍᎨ \nᎤᎩᏨᏓ ᏑᎾᎴ ᎤᏂᎩᏎ ᎤᎩᏓᏟᏅᏯ ᏭᏕᎵᎬ ᎢᏣ, ᎠᏰᎵ - ᏧᎬᏩᏟ ᏐᏈᎵ ᎤᎩᎸᏔᏁ, ᎤᎾᏗᏅᏗ ᎤᏪᎵᏎ ᎠᎹᏱ ᏫᎦᎷᎬ, ᏳᏩᎩᎸᎥᏍᎬᎾᏉ ᏥᏳ.\n”ᎤᏙᎯᏳᎩ?” ᎤᏛᏁ ᎪᏱᏁᎢ, ᏰᎵ ᎤᎾᏰᎯᏍᏗ.\nᏍᎩᎾᎾ ᎢᏳᏍᏗ ᏂᎦᏛᏁᎰ ᎢᎪᎯᏓ.”\nᎾᏍᎩᏃ ᏄᏪᏒ, ᎠᏍᏓᏯ ᎤᏪᎷᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎳᏏᎳ, ᎡᎯᏄᎪᎢ.\nᏚᎾᎦᎴᏅᎲᏃ ᏓᎾᏓᏅᏖᏍᎬᎢ ᏙᎤᏁᏅᏒᎩ, ᏉᎳᏍᎩᏂᏃᏅ ᎠᏏ ᏌᏉ ᎢᎧᏁᏨᎯ ᎤᏁᏨᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᏰᎵᏉ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏥᏚᏁᏤᎴ ᏗᎩᎦᏴᎵᎨᎢ, ᎢᏌᏯ ᎠᏙᎴᎰᏍᎩ ᏧᏩᏔᏁᎢ,\nᏃᏉᏃ ᎦᎶᎯᏍᏗᏳᎳ ᏭᎴᏁ.\n”ᎮᎵᏍᎬᏉᏗ ᏤᏅᏍᏗ, ᎮᎵᏍᎬᏉᏗ ᏤᏅᏍᏗ,” ᎤᏛᏁ ᏌᏌ.\nᎤᏂᏣᏘᏃ ᏴᏫ ᎬᏩᎷᏤᎸᎩ, ᏓᎾᏘᏁᎲ ᏗᏂᏲᏅᎵ, ᎠᎴ ᏗᏂᎨᏫ, ᎠᎴ ᏧᏅᎨᏫ, ᎠᎴ ᎪᎱᏍᏗ ᎤᏍᏛ ᏗᏂᏰᎸ ᏧᏂᏲᎱᏎᎸᎯ, ᎠᎴ ᎤᏂᏣᏘ ᏅᏩᎾᏓᎴᎢ, ᎠᎴ ᏥᏌ ᏚᎳᏍᎬ ᎾᎥ ᏚᏂᏅᏅᎩ, ᏚᏅᏩᏅᎩᏃ.\nᎦᎶᎯᏍᏗᏳᎳ ᏥᏙᎬ ᏥᏯᎦᏎᏍᏗ ᏓᎭᎾᏩᎩᏍᎬ ᏅᏙ ᎠᎦᎵᏍᎬ.\nᎨᏍᏗ ᎪᎰᏍᏗ ᏯᏆᏛᎾ.\nᏌᏉ ᎤᏲ ᎨᏒ ᎤᎶᏐᏅ; ᎬᏂᏳᏉᏃ ᎠᏏ ᏔᎵ ᎤᏲ ᎨᏒ ᏙᏛᏍᏆᎸᎯ.\nᎠᎵ ᎾᏍᎩ ᎯᎠ ᏧᏓᎴᏅᏛ, ᎢᏓᎵᏅᏟ, ᏕᎦᏟᎶᏍᏗᏍᎬ ᎠᏋᏒ ᎦᏓᏁᎢᏍᏓ ᎠᎴ ᎠᏉᎳ ᏥᏁᎢᏍᏓ ᏂᎯ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ; ᎾᏍᎩ ᏍᎩᏯᏕᎶᏆᎡᏗᏱ ᎢᏣᏓᏅᏖᏍᎬ ᎢᏥᎶᏒᏍᏙᏗᏱ ᏂᎨᏒᎾ ᏂᎬᏅ ᎪᏪᎸᎢ, ᎾᏍᎩ ᎩᎶ ᎤᏢᏈᏍᏗᏱ ᏂᎨᏒᎾ ᎠᏏᏴᏫ ᎦᎸᏉᏗᏍᎬ ᏅᏩᏓᎴᏃ ᎠᏡᏗᏍᎬᎢ.\nᏝᏍᎪ ᎢᏨᏒ ᎢᏥᎦᏔᎲ ᏱᏤᏲᎲᏍᎦ, ᎾᏍᎩ ᎠᏍᏚᏯ ᎦᏅᎯᏛ ᏳᏍᏘᏰᎦ ᎤᏕᎰᎯᏍᏗᏳ ᎨᏒᎢ?\nᎡᏗᎦᏔᎮᏰᏃ ᎾᏍᎩ Ꮎ ᎯᎠ ᎢᏳᏪᏛ ᏥᎩ, ᎠᏞᎢᏍᏗ ᎨᏒ ᎠᏴ ᎠᏆᏤᎵᎦ, ᎠᏴ ᏓᎦᎫᏴᎯ, ᎠᏗᎭ ᏱᎰᏩ. ᎠᎴ ᏔᎵᏁᎢ, ᏱᎰᏩ ᏙᏓᎫᎪᏓᏁᎵ ᏧᏤᎵ ᏴᏫ.\nᎿᏉᏃ ᎠᏆᏅᏓᏛᎩ ᎤᎬᏫᏳᎯ ᎤᏁᏨᎢ, ᎯᎠ ᏥᏄᏪᏒᎩ; ᏣᏂ ᎤᏙᎯᏳᎯ ᎠᎹ ᏓᏓᏬᏍᏗᏍᎬᎩ, ᏂᎯᏍᎩᏂ ᎦᎸᏉᏗᏳ ᎠᏓ-ᏅᏙ ᏙᏓᏰᏣᏬᏍᏔᏂ.\nᏔᎳᏚᏃ ᏕᎪᏢᏒ ᏗᏍᏚᏗ ᏔᎳᏚ ᏓᎬᎾᎢᏳᎾᏍᏗ ᏕᎪᏢᏛᎩ; ᏌᏉ ᎠᏍᏚᏗ ᏌᏉ ᏓᎬᎾᎢᏳᏍᏗ ᎪᏢᏛᎩ ᎡᏓᏍᏗᏱ ᎤᏜᏅᏛ ᎦᏚᎲ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎠᏕᎸ ᏓᎶᏂᎨ ᎠᏢᏛᎩ, ᏧᎸᏌᏛ ᎠᏓᎨᏗ ᎾᏍᎩᏯᎢ.\nᎥᏝ ᎬᏩᏓᏍᏕᎸᏗ ᏱᎩ ᎤᏙᎯᏳᎯ ᎠᏆᏢᏈᏍᏗᏱ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏓᏥᏁᎢᏍᏔᏂ [ᎩᎶ] ᎤᏁᎳᏫᏎᎸ ᎠᎴ ᎤᎬᏫᏳᎯ ᎬᏂᎨᏒ ᏄᏩᏁᎸᎢ.\nᎠᎴ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵᎦ ᎤᏣᏔᏅᎯ ᎡᏉᎯᏳ ᎨᏒᎩ, ᎤᎵᏠᏯᏍᏛᎩ ᎦᎶᏁᏛ ᏥᏌ ᏥᏲᎢᏳᏗ ᎨᏒ ᎠᎴ ᏥᎨᏳᎢ, ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ.\nᎢᏳᏃ ᎩᎶ ᎾᎩᏯᎥᎾ ᏥᎨᏐᎢ, ᎠᎦᏓᎡᎪᎢ ᎾᏍᎩᏯ ᎤᏩᏂᎦᎳᏅᎯ ᏧᎾᏓᎡᎪᎢ, ᎠᎴ ᎬᏴᏍᎪᎢ; ᏴᏫᏃ ᏓᏂᏟᏏᏍᎪᎢ, ᎠᏥᎸᏱᏃ ᏫᏚᎾᏕᎪᎢ, ᎠᎴ ᏓᎪᎲᏍᎪᎢ.\nᏣᏂᏃ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᎣᏥᎪᎥᎩ ᎠᏏᏴᏫ ᎠᏂᏍᎩᎾ ᏕᎦᏄᎪᏫᏍᎬᎩ ᏕᏣᏙᎢ ᎬᏗᏍᎬᎩ; ᎣᏥᏅᏍᏓᏕᎸᎩᏃ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏂᎩᏍᏓᏩᏕᎬᎾ ᎨᏒᎢ.\nᎾᏍᎩᏍᎩᏂ ᏥᏌ ᎢᏥᎶᏁᏔᏅᎯ ᎨᏒ ᏥᏥᏯᎠ, ᎠᎴ ᎤᏚᎸᏗ ᏂᏣᎵᏍᏓᏁᎲᎾ ᏥᎩ ᎩᎶ ᎢᏤᏲᏗᏱ, ᎾᏍᎩᏰᏃ ᏥᏌ ᎢᏥᎶᏁᏔᏅᎯ ᏥᏤᏲᎲᏍᎦ ᏂᎦᎥᎢ, ᎠᎴ ᎤᏙᎯᏳᏒ ᏥᎩ, ᎠᎴ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᏥᎩ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎢᏤᏲᎲᏍᎬ ᎡᏥᏯᎡᏍᏗ.\nᎾᏍᎩ Ꮎ ᎦᎸᏉᏙᏗ ᎤᎵᏍᏈᏗ, ᎾᏍᎩ ᏥᏗᎸᏉᏗᏍᎪᎢ, ᏝᏍᎪ ᎾᏍᎩ ᎢᏓᎵᎪᎲᏍᎬ ᏱᎩ ᎦᎶᏁᏛ ᎤᎩᎬ ᎢᏓᏗᏔᏍᎬᎢ? ᎦᏚ ᏥᏗᎬᎭᎷᏯᏍᎪᎢ, ᏝᏍᎪ ᎾᏍᎩ ᎢᏓᎵᎪᎲᏍᎬ ᏱᎩ ᎦᎶᏁᏛ ᎠᏰᎸ ᎢᏓᎵᏍᏓᏴᏗᏍᎬᎢ?\nᎾᏍᎩ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎠᏆᏎᎵᏔᏅᎩ ᎠᎩᏔᎳᏬᏍᎬ, ᎾᏍᎩ ᎤᏂᏴᏍᏗᏳ ᏂᎨᏒᎾ ᎨᏒ ᎠᏆᏤᎵ ᎠᏣᏪᏐᎸᏍᏙᏗᏱ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᏄᏪᏒ, ᎠᏏᏴᏫ ᏗᏓᏂᏱᏍᎩ ᎾᎥ ᎦᏙᎩ ᎤᏏᏛᏂᎸᎩ ᏥᏌ, ᎯᎠ ᏄᏪᏒᎩ; ᎾᏍᎩᏍᎪ ᏂᏪᏎ ᎯᏁᏤᎭ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ?\nᎾᏍᎩ ᎢᏳᏍᏗ ᏆᎴᏗ ᎾᏍᎩ ᎤᏛᎦᏅ ᎤᏄᎪᏫᏒᎩ ᏥᏌ, ᎠᎴ ᎤᏪᏅᎩ ᏗᎫᎪᏙᏗᏱ ᎦᏍᎩᎸᎢ, ᏅᏯ-ᎠᏰᏍᏓᎥ ᏕᏅᏙᎥᎢ, ᎠᏂᏧᏏᏍᎩᏂ ᎤᏂᏬᏂᎯᏍᏗ ᎨᏒ ᎨᏆᏓ ᏕᎤᏙᎥ.\nᎢᏓᎵᏅᏟ, ᏴᏫ ᎤᏂᏁᎢᏍᏗ ᏥᏁᎦ; ᎾᏍᏉ ᏴᏫᏉ ᎧᏃᎮᏛ ᏚᎾᏠᎯᏍᏛ ᎠᏍᏓᏱᏛᎯ ᏱᎩ, ᎥᏝ ᎩᎶ ᏴᎬᏲᏍᏓ, ᎠᎴ ᎥᏝ ᎠᎦᏁᏉᏨ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎠᏓᏅᏖᏍᎬ ᎠᎦᏴᎵᎨᎢ ᎾᏍᎩ ᏅᏛᎩᏅᏏᏛ, ᎾᏍᎩ ᏂᎦᏛ ᏗᎩᏲᎯᏎᎸᎯ ᎨᏒᎢ, ᎪᎱᏍᏗ ᎠᎩᏲᎮᏎᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᏗᎦᎴᏙᏗᏱᏍᎩᏂ ᎤᎵᏍᏆᎸᏗ ᎢᎦ ᎨᏎᏍᏗ.\n”ᎤᏬᏚᏨ ᏧᏪᏥ ᏗᎦᏅᏙᏗ,” ᎤᏛᏁ ᏫᎵᎻ, ᎤᎵᎮᎵᏍᏗ, ᎤᏩᏌ ᎤᏬᏒᏅ ᏥᎨᏐ ᏄᎵᏍᏔᏁᎮᎢ.\nᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎤᏍᏆᏗᏍᏗᏱ, ᎤᏓᏁᎵᏌᏛ ᎢᏳᎵᏍᏙᏗᏱ ᏂᎦᎥ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎣᏥᏃᎯᎵᏙᏰᏃ ᏃᎴ ᎡᎶᎯ ᏓᏲᏤᏏ ᎣᎬᏌ ᏂᏓᏓᏲᏨᏁᎵ ᏓᏏᎳᏛᎢ.\nᎤᏬᎯᏨᏃ ᎦᏂᎳ ᎣᎩᏁᏅ, ᎠᎴ ᎠᏏᏉ ᏃᎩᎶᏐᏅᎾ ᎨᏒ ᎾᏓ, ᏟᏗ ᎭᏫᏂᏗᏢ ᏬᎩᏅᏍᏔᏅᎩ, ᏌᎳᎼᏂ ᏧᏳᎪᏗ, ᎦᏃᎸᎥᏍᎬᏰᏃ ᎣᎩᏲᏍᏙ ᏓᏁᎲᎩ.\nᎠᏒᎬ ᎤᎾᏨᏏᏙᎸ ᏓᎩᏌᏬᎸᏍᏔᏅ ᏗᏥᎦᏙᎵ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᏍᏕᎾ. ᎤᏂᏄᎪᏨᏃ, ᏏᏆ ᏑᎾᏓᏡᎩ ᏫᏚᏂᏴᎴᎢ. ᎠᎴ ᎬᏂᏳᏉ ᏂᎦᏛ ᏑᎾᏓᏡᎩ ᏏᏆ ᎠᏯᏄᎵᏳ ᎤᎾᎵᏎᎢ, ᏭᏂᎦᏐᎠᏎ ᎦᏁᏡᎩ ᎬᏒᎢ, ᎥᏓᏝ ᏭᎾᎵᏔᏗᏅᏎᎢ, ᎠᎴ ᎠᎹᏱ ᏚᏂᎵᏬᏤᎢ.\nᎦᎪᏰᏃ ᎢᏳᏍᏗ ᏴᏫ ᏧᏓᎴᏅᏛ ᏴᏫ ᏧᏤᎵᎦ ᎠᎦᏔᎭ? ᎤᏩᏒᏉᏍᎩᏂ ᏴᏫ ᎤᏓᏅᏙ ᎾᏍᎩ ᏧᏯᎠ. ᎾᏍᎩᏯ ᎾᏍᏉ ᏧᏌᎴᏅᏛ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᎥᏝ ᎩᎶ ᏯᎦᏔᎭ, ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᎤᏩᏒ.\nᎢᏥᏍᎦᏯ, ᏕᏥᎨᏳᏎᏍᏗ ᏗᏣᏓᎵᎢ, ᎠᎴ ᏞᏍᏗ ᏱᏗᏥᏂᏆᏘᎮᏍᏗ.\nᎤᏏᎾᏛᏎ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᏝᏍᎪ ᏱᏥᎵᏓᏍᏗᎭ, ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᏦᎵᎬᎾ ᎨᏒ ᎪᏪᎵ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᎵᏂᎩᏗᏳ ᎨᏒᎢ?\nᎤᎾᎵ ᎤᏚᎵᏍᎨ---ᎩᎶ ᏗᎾᏁᎶᎲᏍᎩ.\nᎡᎵᏃ Ꮲ ᏦᎢ ᎢᏳᏟᎶᏓ ᎢᏴ ᎠᏂᎩᏓ ᏛᏓᎾᏅ.\nᎧᏁᏍᎬ ᏗᏧᎦᏔᏁᎢ ᏧᏍᏆᏴᏍᏗ.\nᎾᏍᎩᏯᏍᎩᏂ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᎾᏍᎩᎨᏥᏁᎢᏍᏓᏁᎸᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎾᏍᎩ ᏛᏂᎪᎯ; ᎠᎴ ᎾᏍᎩ Ꮎ ᎤᎾᏛᎦᏅᎯ ᏂᎨᏒᎾ ᎨᏒ ᎾᏍᎩ ᏛᏃᎵᏥ.\n“ᏙᎢᏳᏍᏗ ᏄᏍᏆᏂᎩᏗ ᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ?” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎢᎾᎨᎢ ᎠᏁᎯ ᏒᎧᏔ ᏕᏧᎬ ᎭᏫᏂᏣ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᎤᏁᏓᏍᏗ, ᏍᏈᏍᏓ ᎠᏂᎳᎨᏰ ᎦᏙᎯ ᏧᏂᏍᏗ ᏒᎧᏔ, ᎤᏒᎯ ᎤᏂᏃᏕᎾ ᏃᎴ ᏌᏌ ᏓᏂᎩᏍᎨᎢ ᏃᎴ ᏧᎳ ᎠᏂᎷᎨᎢ ᏓᎾᎵᏒᏍᏗᏍᎨᎢ.\nᎠᎴ [ᎦᏁᏌᎢ] ᏥᏴ ᎦᎸᎳᏗᏢ ᎠᏂᎩᎷᏫ ᎦᎸᏉᏗᏳ ᎢᏯᏅᏁᎯ, ᎾᏍᎩ ᏧᏄᏢᏕ ᎦᏁᏌᎢ ᎫᏢᏗ; ᎾᏍᎩ ᎤᎬᏩᎵ ᎥᏝ ᎪᎯ ᎨᏒ ᏂᎦᏛ ᎦᏁᎢᏍᏙᏗ ᏱᎩ.\nᎿᏉᏃ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᏚᎴᏅ ᎠᎴ ᏂᎦᏛ ᎬᏩᎵᎪᏁᎯ, ᎾᏍᎩ ᎠᏂᏌᏚᏏ ᏧᎾᏙᎢᏛ ᏥᎩ, ᎤᏂᎧᎵᏤ ᎤᏂᏔᎳᏬᏍᎬᎢ;\nᏎᎦ ᎡᎳᏗ ᏫᏘᏅᏥᎵ ᎡᎵᏍᏗ, ᎠᏎᏃ ᎠᎧᏁᎸ ᏩᎫᏂᏱ, ᏃᏗ ᎦᏣᏄᎳ ᎠᎵᏖᎸᏂᏍᏗ ᏙᏱ ᎢᏴ, ᎤᏃᎴ ᎦᏒᎳᏍᎪ ᏘᎦᏙᎵ ᏃᎴ ᏘᎴᏂ ᏃᎴ ᏍᏘᏰᎬᎢ.\nᎠᎴ ᎾᏍᎩ ᎠᏂᎩᎵᏲᎬ ᏚᎦᏒᏍᏛ ᏓᎴᎲᏍᎦ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ; ᎠᎴ ᎥᏝ ᎬᏩᎾᏣᏪᏐᎸᏍᏙᏗ ᏱᎩ, ᎢᎦ ᎠᎴ ᎡᏃᏱ, ᎾᏍᎩ Ꮎ ᏅᎩ-ᏗᎦᏅᏌᏗ ᎠᎾᏓᏙᎵᏍᏓᏁᎯ ᎠᎴ ᎾᏍᎩ ᏣᎦᏟᎶᏍᏔᏅᎯ, ᎠᎴ ᎾᏂᎥᏉ ᎩᎶ ᎾᏍᎩ ᏚᏙᎥ ᎨᎪᏪᎶᏔᏅᎯ.\nᎠᎴ ᎤᏅᏁ ᎤᏩᏒ ᎤᏤᎵ ᎢᏤ ᏗᏓᏂᏐᏗᏱ, ᎾᏍᎩ ᎤᏲᎯ ᎤᏔᎴᏒᎢ; ᎡᏆᏃ ᏅᏯ ᎦᎶᎯᏍᏗᏱ ᎠᏤᎵᏍᏛ ᏭᏪᏌᏆᎴᎸ ᎤᏓᏅᏎᎢ.\nᎦᎶᏁᏛᏰᏃ ᎤᏓᎨᏳᏗ ᎨᏒ ᏙᎦᏘᏁᎦ; ᎯᎠᏰᏃ ᏄᏍᏗ ᏙᏧᎪᏗᎭ, ᎾᏍᎩ, ᎢᏳᏃ ᎠᏏᏴᏫ ᎾᏂᎥ ᏱᏚᏲᎱᎯᏎᎸ, ᎿᏉ ᎾᏍᎩ ᎾᎯᎥ ᏚᏂᏲᎱᏒᎩ;\nᎦᎵᏦᏕ ᏭᏴᎴ ᎤᏃᎴ ᏃᎴ ᎫᏘᏍᎬ ᎠᎿᏬᏍᏗ ᎤᎿᏬᎡ. \n“ᎤᏃᎴ ᎠᏲᏙᏗ ᎠᎩᎸᏗᏍᎩ,” ᎤᏛᏁ ᏌᎳᏓ.\nᏃᎴ ᏍᏉ, ᎠᎩᎵᏬᎢᏍᏗ ᎨᏎᏍᏗ, ᎨᏍᏗ ᏯᏆᏚᎵ ᎥᎩᏂᏐᏗ ᎥᎩᎾᏌᎢ.\nᎬᏂᏳᏉ, ᏦᎢᏁ ᎠᏆᏛᏅᎢᏍᏗ ᏫᏨᎷᏤᏗᏱ; ᎥᏝ ᎠᎴ ᎦᎨᏛ ᏱᏅᎨᏨᏴᎦ; ᎥᏝᏰᏃ ᎪᎱᏍᏗ ᎢᏥᎲ ᏱᎩᏲᎭ, ᏂᎯᏍᎩᏂ ᎢᏨᏲᎭ; ᏗᏂᏲᎵᏰᏃ ᎥᏝ ᏧᏂᎦᏴᎵᎨ ᏧᎾᏓᏁᎳᏁᏗ ᏱᎩ, ᎠᏂᎦᏴᎵᎨᏍᎩᏂ ᏧᏁᏥ ᏧᎾᏓᏁᎳᏁᏗ ᎨᏐᎢ.\nᎠᎴᏬ ᎤᎩᏨᏛ ᏣᏂ ᎦᏙᎬᎩ, ᎠᎴ ᎠᏂᏔᎵ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏓᏂᏙᎬᎩ.\nᏣᏁᎳ ᎢᎦ.\nᏚᏁᏤᎴᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏥᏯᏫᏍᎨᏍᏗ, ᎠᏂᏆᎵᏏ ᎤᎾᏤᎵ ᎠᎪᏙᏗ ᎢᏤᏯᏙᏤᎮᏍᏗ, ᎠᎴ ᎡᎶᏗ ᎤᏤᎵ ᎠᎪᏙᏗ.\nᎠᎴ ᎾᏍᎩ ᎠᏂ ᎤᏙᎯᏳᎯ ᏂᎦᎵᏍᏗᎭ ᎯᎠ ᎢᎦᏪᏛ ᏥᎩ; ᎩᎶ ᎠᏫᏍᎪᎢ ᏅᏩᏓᎴᏃ ᎠᏍᎫᏕᏍᎪᎢ.\nᎮᎵᎠᏍᎪᏃ ᎨᏍᏗ ᎠᏆᏓᏅᏖᏙᏗ ᏱᎩ ᏄᏍᏛ ᏲᎾ ᎤᏤᏍᏙ?”\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᏝ ᏱᎨᏣᎭ ᏰᎵ ᎠᏴ ᎪᎱᏍᏗ ᏍᏋᏁᏗᏱ, ᎦᎸᎳᏗ ᏅᏓᏰᏣᎵᏍᎪᎸᏓᏁᎸᎯ ᏂᎨᏒᎾ ᏱᎩ. ᎾᏍᎩ ᎢᏳᏍᏗ, ᎠᏴ ᏗᎩᏲᏒᎯ ᏂᎯ ᏗᏣᏲᎯᏎᎸᎯ ᎤᏟ ᎡᏉᎯᏳ ᎤᏍᎦᏅᏨ.\nᏗᏧᎪᏓ ᎢᏨᏒ ᎨᏒᎢ; ᎤᎵᎶᎲᏍᎦᏍᎪ ᎠᎨᏴ ᎤᏁᎳᏅᎯ ᏯᏓᏙᎵᏍᏓᏁ ᏄᎵᏍᏚᎸᎾ?\nᎦᎸᎳᏗ ᎠᏯᏖᏃ ᏫᏂᏚᏩᏁᎴᎢ ᎠᎬᏱᏣ ᏧᎳᏏᏕᎾ ᏭᎦᏖᏃᎴᎢ.\nᎠᏂᏫᏒᎥᏍᎩ, ᎠᏆᏛᏅ.\nᎠᏯᏲᎪ ᎨᏍᏗ ᏱᏥᏏᎾ ᏍᎩᎾᎾ ᎢᏯᏆᏛᏁᏗ.\nᏃᏗ ᎦᏂᏴᏗ ᎠᏍᏕᏯᏓ, ᎠᏎ ᏴᏍᎦᎢ ᏃᎴ ᎠᎫᎸᏔᏂᏕᎾ ᏱᎩ. \nᏧᏂᏍᏗ ᏓᎾᏦᎭᏱᎲ ᎤᎵᏍᏙᎭᏴᏗ, ᏣᏂᎦᏴᎵ ᏚᏂᏏᏩᏍᎬ, ᎭᏫᏂ ᎤᎾᏛᎶᏗ ᎤᏃᏴᎬ.\nᎾᏍᎩ ᏥᏓᎦᏘᎴᎦ ᎠᎴ ᎦᎸᎳᏗᏢ ᏥᎾᏓᏛᏁᎭ ᏂᎦᎥ ᎤᎾᎳᏅᎯ ᎨᎪᏎᏗ ᏥᎩ, ᎠᎴ ᎨᎦᏓᏙᎵᏍᏓᏁᎯ ᏥᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎾᏍᎩᏯ ᎤᏬᎳ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸᎢ, ᎤᏩᏒ ᎬᏂᎨᏒ ᎾᏓᏛᏁᎭ ᎤᏁᎳᏅᎯ ᎨᏒᎢ.\nᎤᏍᏆᎸᎲᏃ ᎾᎯᏳ ᎨᏒᎢ, ᎤᏂᏏᏁᎢ, ᎠᎴ ᎾᏍᏉ ᏔᎳᏚ ᎢᏯᏂᏛ ᎨᏥᏅᏏᏛ.\nᏑᎾᎴᏃ ᏄᎵᏍᏔᏅ, ᏥᏌ ᎤᏩᏝᎥ ᎦᏙᎬᎩ; ᎠᏎᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎥᏝ ᏯᏂᎦᏔᎮ ᏥᏌ ᎨᏒᎢ.\nᎠᎴᎧᏂ ᏧᏙ ᏂᎦᏛ ᎡᏍᎦᏂ ᏣᏁᎭ? ᎦᏙᏃ ᎤᎵᏍᏙᏔᏅ ᎯᎠ ᏂᎦᏛ ᏧᏪᎭ?\nᎤᎵᏒᎲ ᎤᏍᏗ ᎦᎷᏯᏍᏗ ᏃᎴ ᎠᏰᎳᏍᏗ ᏃᎴ ᎤᎦᏛᏅ ᏂᏕᎦᎨᏒ ᏃᎴ ᏂᏕᎪᏍᏔᏴ. ᏩᏥᎳ ᏃᎴ ᎤᏩᎾᏕᏍᎩ ᎨᏴ ᏅᏯ ᎬᏘ ᎪᏍᏔᏱ ᎢᏳᏩᏁᎸ.\nᏚᎴᏅᏃ ᏧᏪᏅᏒ ᏭᎶᏎᎢ.\nᏚᏛᏛᏁᏃ ᏗᏃᏪᎵᏍᎩ, ᎦᏙ ᏕᏣᏛᏛᎮᎸᎥᏍᎦ ᏚᏪᏎᎴᎢ?\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᎾᏛᎦᏅ ᎤᏣᏔᏅᎯ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ ᎦᎪᏃ ᏰᎵ ᏯᏥᏍᏕᎸ?\nᎠᏎᏃ ᎠᏆᏁᎳᏅᎯ ᎢᏥᏁᏗ ᎨᏎᏍᏗ ᏂᎦᎥ ᎢᏥᏂᎬᏎᎲᎢ, ᎾᏍᎩᏯ ᎤᏪᎿᎢᏳ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, ᎦᎶᏁᏛ ᏥᏌ ᎢᏳᏩᏂᏌᏛ.\nᎠᏎᏃ ᎡᏥᎦᏔᎭ ᏄᏍᏛ ᎾᏍᎩ ᎠᏥᎪᎵᏰᎥᎢ, ᎾᏍᎩ ᎩᎶ ᎤᏪᏥ ᎤᏙᏓ ᏣᏍᏕᎵᏍᎪ ᎾᏍᎩᏯ ᎠᎩᏍᏕᎸᎯᏙᎸ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᎵᏱᎸᏍᏗᏱ ᏓᎩᎸᏫᏍᏓᏁᎲᎢ.\nᎯᎠᏰᏃ ᎾᏍᎩ ᏥᎦᏔᎭ, ᎿᏉ ᎠᎩᏁᎴᏍᏗ, ᎤᏂᎬᎥᏍᎩ ᏩᏯ ᏓᎨᏣᏓᏑᏴᏂ, ᏂᏓᏂᏙᎵᎬᎾ ᎨᏎᏍᏗ ᏑᎾᏓᏡᎩ ᎨᏒᎢ.\nᏕᎾᏓᎪᎬᏳ ᏌᎳᏓ ᎯᎶᏅᎮᏍᎩ.\nᏄᏓᎴ ᎦᏚᎲ ᎤᏃᏒᎲ ᏧᎾᏗᏔᏍᏗ, ᎭᎾ ᏧᏓᎴᏅᎲ ᎣᎯᏍᏙᏗ ᏩᎦ ᎭᏫᏯ ᎠᎩᏍᏗ ᎠᎾᏗᏍᎬ, ᎠᏎᏃ ᎨᏍᏗ ᏯᏉᎯᏳᎮ, ᏂᎬᎾᏛ ᎠᏁᎰ ᏩᎦ ᎤᏐᏱ ᎭᏫᏯ ᎭᏫᏂ ᏗᏂᏰᎸ.\nᏅᎩ ᎤᎾᏓᏅᏂ ᎠᏂᏲᏍᎩ, ᎦᏰᎵᏍᏗᏱᎩ ᎤᎾᏓᏅᏂ ᏅᎩ ᎢᏯᏂ.\nᎭᏫᏂ ᏚᎭᏄᏮ ᎤᏩᏌ, ᏧᏍᏆᏅᎾ ᎦᏚᎢ ᎤᏬᏢ, ᎦᏌᎴᏅ ᎤᏐᏓᎸ ᏱᏚᎧᏁᎲᎾ ᏧᎳᏑᎶ.\nᎢᏥᎦᏔᎭᏰᏃ ᎣᏂ ᎢᏴᏛ ᎣᏍᏛ ᎢᏯᎦᏛᏁᏗᏱ ᏧᏚᎵᏍᎨ ᏣᏥᏐᏅᎢᏍᏔᏁᎢ; ᎥᏝ ᏰᏃ [ᎤᏙᏓ] ᎤᏓᏅᏛ ᎬᏩᏁᏟᏴᏍᏗ ᎨᏒ ᏳᏩᏛᎮᎢ, ᎤᎵᏏᎾᎯᏍᏗᏳᏍᎩᏂᏃᏅ ᎠᎴ ᏗᎬᎦᏌᏬᎢᎯ ᎤᏲᎴᎢ.\n”ᎭᏫᏂ ᎭᏛᎵᎦ!” ᎤᏛᏁ ᏌᎳᏓ, ᎤᏰᏥᏍᎩ.\nᏝᏍᎪ ᎡᏆᎭᎻ ᎢᎩᏙᏓ ᏳᏚᏓᎴᏍᏔᏁ ᏚᎸᏫᏍᏓᏁᎲᎢ, ᎤᎵᏍᎪᎸᏔᏅ ᎤᏪᏥ ᎡᏏᎩ ᎠᏥᎸ ᎨᎳᏍᏗᏱ?\n”ᎦᏙᏃ ᏱᎦᎷᎬᎾ ᏥᎩ ᏲᎾ ᎤᏤᏍᏙ?” ᎤᏪᎵᏎ.\nᏃᏉ ᎾᎥᏂ ᏛᏗᏏ ᏓᏆᎴᎳ ᎠᏌᏅᏙᏗ ᎤᎩᎸᏛ ᏍᎩᎾᎾ ᏅᎩ ᏗᎦᏅᏌᏗ.\nᏧᏓ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ. ᎷᏈᏂ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ. ᎦᏗ ᎠᏂᎳᏍᏓᎸ ᏗᎪᏣᎴᏛ ᏔᎳᏚ ᎢᏯᎦᏴᎵ ᏕᎨᏥᏰᎸᏔᏅᎩ.\nᏕᏧᎬ?\n“ᏤᏍᏗ ᏱᏣᎸᏂᏗᏍᎨᏍᏗ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎠᏂᏔᎵ ᎠᏂᎨᏴ ᎢᏧᎳᎭ ᎠᏂᏍᏙᏍᎨᏍᏗ; ᎠᏏᏴᏫ ᎠᏥᏯᏅᏗ ᎨᏎᏍᏗ, ᏐᎢᏃ ᎠᏥᎧᎯᏯᏍᏗ ᎨᏎᏍᏗ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ! ᏕᏦᏢᎯᏏᏍᎪᏰᏃ ᎠᎾᏙᎴᎰᏍᎩ ᏕᎨᏥᏂᏌᎲᎢ, ᎠᎴ ᏗᏥᏙᏓ ᏕᎤᏂᎸᎩ.\nᎤᏁᎳᏅᎯᏰᏃ ᎥᏝ ᎪᎱᏍᏗ ᎤᏄᎸᏗ ᏱᎨᏎᏍᏗ.\nᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᎠᏴ ᎡᎵᏆ ᎠᎴ ᎣᎻᎦ, ᎢᎬᏱᏱ ᎨᏒ ᎠᎴ ᎤᎵᏍᏆᎸᏗ ᎨᏒᎢ; ᎠᎴ ᏄᏍᏛ ᎯᎪᏩᏘᏍᎬ ᎰᏪᎸᎦ ᎪᏪᎵᎯ ᎠᎴ ᏫᎩᏅᎥᏏ ᏧᎾᏁᎶᏗ ᎦᎵᏉᎩ ᏄᎾᏓᏡᎬ ᎡᏏᏱ, ᏫᎩᏅᎥᏏ ᎡᏈᏌ ᎠᏁᎯ, ᎠᎴ ᏑᎹᏂ, ᎠᎴ ᏆᎩᎹ, ᎠᎴ ᏓᏱᏓᎵ, ᎠᎴ ᏌᏗᏏ, ᎠᎴ ᏈᎵᏕᎵᏈ, ᎠᎴ ᎴᎣᏗᏏᏯ.\nᎤᏡᏗᏍᎩᏃ ᏧᏃᏁᎸᎯ ᎨᏎ ᎤᎾᏙᎴᎰᎯᏍᏙᏗ ᎯᎠ ᎢᏳᏪᏒᎯ ᎨᏎᎢ; ᎩᎶ ᏥᏯᏚᏣᎳᏅᎭ ᎾᏍᎩ ᎨᏎᏍᏗ, ᎠᏍᏓᏯ ᏕᏥᏂᏴᎲᎭ.\nᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ ᏓᎧᎿᏩᏗᏙᎮᏍᏗ ᏩᏓᏅᏙ. ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏕᏣᎧᎿᏩᏗᏙᎮᏍᏗ. ᎡᎺᏅ.\nᎩᎶ ᏧᎸᏉᏙ ᎢᎦ ᎤᎬᏫᏳᎯ ᎦᎸᏉᏓᏁᎰᎢ; ᎩᎶᏃ ᏄᎸᏉᏛᎾ ᏥᎨᏐ ᎢᎦ, ᎤᎬᏫᏳᎯ ᎦᎸᏉᏗᏍᎪ ᏄᎸᏉᏛᎾ ᎨᏒᎢ. ᎩᎶ ᏣᎵᏍᏓᏴᎲᏍᎪᎢ, ᎤᎬᏫᏳᎯ ᎠᎵᏍᏓᏴᎾᏁᎰᎢ; ᎤᏁᎳᏅᎯᏰᏃ ᎠᎵᎮᎵᏤᎰᎢ; ᎠᎴ ᎩᎶ ᎾᎵᏍᏓᏴᎲᏍᎬᎾ ᏥᎨᏐᎢ, ᎤᎬᏫᏳᎯ ᎦᎸᏉᏙᏗᏍᎪ ᎾᎵᏍᏓᏴᎲᏍᎬᎾ ᎨᏒᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎠᎵᎮᎵᏤᎰᎢ.\nᎢᎾᏧ ᏫᎦᎶᎯᏍᏗ?\nᎬᏂᏳᏉ ᏎᏓᏂ ᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏁᎳ ᏅᏓᎦᏥᏴᏁᎵ, ᎾᏍᎩ Ꮎ ᎣᏥᏧᏏ ᏣᎾᏗᎭ, ᎠᏎᏃ ᎾᏍᎩ ᏄᎾᏍᏛᎾ ᏥᎩ, ᎠᎴ ᏣᎾᏥᎪᎥᏍᏚᏉ, ᎬᏂᏳᏉ ᎤᏂᎷᎯᏍᏗᏱ ᏅᏓᎦᏥᏴᏁᎵ ᎠᎴ ᎤᎾᏓᏙᎵᏍᏔᏂᎪᏍᏗᏱ ᏕᏣᎳᏍᎬᎢ, ᎠᎴ ᎤᏂᎦᏙᎥᏍᏗᏱ ᎬᎨᏳᎢᏳ ᎨᏒᎢ.\nᏃᏗ ᏐᏉ ᏗᎫᎪᏗᏍᎩ ᎤᏴᎵᎴ ᎠᏦᏴᎢ ᏗᎦᏁᎯ ᏗᏓᏔᎶᎯᏍᏗ.\nᏔᎵ ᏧᏙᏓᏆᏓ ᏥᏯᎥ ᎠᏥᎳ ᏓᏆᎴᎳ ᎦᏣᏄᎳ ᎠᏓᏏᏒ, ᎯᎸᎢᏴ ᏔᎵᏍᎪ ᎢᏳᏥᎶᏓ ᎠᏓᏏᏒ, ᎦᏂᏍᏚᎩ ᎠᏰᎵ ᏧᎾᏦᎯᏍᏗ ᎢᏳᏓᏅᎯᏓ.\nᏕᎫᎪᏓ ᎢᏯᏆᏛᏁᏗᏱ, ᎾᏍᎩ ᎥᎩᏌᏕᏒ ᎠᏆᎦᏌᏯᏍᏗᏕᎩ ᎨᏒ ᏗᎦᎬᏆᏓᏂᎸᎢᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ ᏓᏂᏁᎸᎢ.\nᎾᎿᏃ ᏫᎤᏪᏅ, ᎠᏂᏔᎵ ᏅᏩᎾᏓᎴ ᎠᎾᎵᏅᏟ ᏚᎪᎮᎢ, ᏥᎻ ᏤᏈᏗ ᎤᏪᏥ ᎤᏅᏟᏃ ᏣᏂ, ᏤᏈᏗ ᎤᏂᏙᏓ ᏥᏳᎯ ᎤᎾᏣᎡᎢ, ᏓᏃᏢᎯᏏᏍᎨ ᏧᏂᎦᏯᎷᏗ; ᏫᏚᏯᏅᎮᏃ.\nᏑᏓᎵᏁᏃ ᎧᎸᎢ ᏗᎧᎿᏩᏗᏙᎯ ᎨᏈᎵ ᎤᏁᎳᏅᎯ ᎤᏓᏳᏅᏏᏛ ᎤᎷᏤ ᎦᏚᎲ ᎨᎵᎵ ᎾᏎᎵᏗ ᏧᏙᎢᏛ,\nᎤᏣᏘᏅ ᎢᏣ ᏫᏥᎦᏘ ᎤᏛᏅ ᎦᎷᏯᏍᏗ.\n”ᏍᎩᏗ ᏂᏥᏫ, ᏍᎩᏗ ᏂᏥᏫ,” ᎤᏛᏁ ᏌᏌ.\nᎾᎥ ᏂᏄᎾᏓᎸ ᏃᎴ ᎤᏗᎴᎩ ᎨᏒ ᎪᎨ. ᎦᏲᏟ ᏒᏃᏰ ᏙᏌ ᏳᎾᏕᏙᏛᎾ ᏱᎩ, ᎣᎯᏍᏙᏗ ᎠᎩᏰᎸᎲ ᏙᏱᏨ ᎠᎩᏢᏗ ᎠᏲᏓᏌᎲ, ᎦᎦᏙᏍᏛ ᏅᏙ ᎤᏒᎯ ᎡᎯ, ᎠᎹᏱ ᎤᏓᏴᎳᏛ ᏃᎴ ᎠᏙ ᎾᎥ ᎣᏥᎶᏍᎬ.\nᏯᎵᏖᎸᎲᏍᎬᎾ ᎤᏬᏞ ᎤᏛᎦᏍᏕ ᎠᏂᏬᏂᏍᎬ ᏴᏫ.\nᎠᏂᏴᏫᏯ ᏗᏂᎭᏲᎯ ᏱᏕᎬᏂᎷᎦ ᎠᏂᎨᏯ ᏃᎴ ᏗᏂᏲᏟ, ᎠᏂᏲᏍᎩ ᏍᏉ ᏰᎵᏉ ᏁᎳᎩᏉ ᏯᏁᎳ.\n”ᎣᏍᏓ ᎤᏒᎯ ᏫᎵᎻ!”\nᎠᎴ ᏧᎦᎪᏔᏅᎯ ᏥᎩ ᏴᏫ ᏌᏉ ᎢᏧᏂᏲᎯᏍᏗᏱ, ᎣᏂᏃ ᏗᎫᎪᏙᏗ ᎢᎦ ᎨᏒᎢ;\nᎠᏂᏍᎦᏯᏃ ᎤᏂᏍᏆᏂᎪᏎᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ; ᎦᏙ ᎤᏍᏗ ᎯᎠ ᎠᏍᎦᏯ, ᎾᏍᏉᏰᏃ ᎤᏃᎴ ᎠᎴ ᎥᏓᎵ ᎢᎬᏬᎯᏳᎲᏍᎦ.\nᏂᎦᏓᏗ ᏓᏍᏆᏚᎸ, ᏩᏴᏍᏗ, ᎠᏍᏚᏗ ᎦᎶᎯᏍᏗ, ᎤᏐᏱᏉ ᏱᏓᎦᏔᏍᏔᎾ.\nᏣᏓᎦᏌᏍᏕᏍᏗ ᏨᏒ ᎠᎴ ᏄᏍᏛ ᏕᎭᏕᏲᎲᏍᎩᎢ, ᎾᏍᎩ ᏕᎯᏍᏓᏩᏗᏎᏍᏗ; ᎾᏍᎩᏰᏃ ᎿᏛᏁᎲ ᏨᏒ ᏔᏓᏍᏕᎸᎯ ᎠᎴ ᎾᏍᏉ ᎾᏍᎩ Ꮎ ᎨᏣᏛᏓᏍᏓᏁᎯ ᏙᏘᏍᏕᎸᎯ.\nᎤᏔᏍᎩᏎ ᎤᏲᏤ, ᏃᏗ ᎤᏲ ᎠᏒᎩ.\nᎿᏉᏃ ᎤᏂᏔᏲᎴ ᎤᎬᏫᏳᎯ; ᎤᏁᎳᏅᎯᏃ ᏚᏪᎧᏁᎴ ᏐᎳ ᎩᏌ ᎤᏪᏥ ᏇᏂ ᏧᏴᏫ, ᏅᎦᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎢᎪᎯᏛ.\nᎠᎴ ᏂᎦᏗᏳ ᏴᏫ ᎨᏥᏍᎦᎩ ᎨᏎᏍᏗ ᎠᏴ ᏧᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ; ᎩᎶᏍᎩᏂ ᎬᎵᏍᏆᏗᏍᎩ ᏗᎧᎿᏩᏕᎩ, ᎾᏍᎩ ᎠᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᎨᏍᏗ ᏱᏗᏥᎪᏩᏘᏍᎨ ᏚᎾᎧᏛ ᏴᏫ, ᎠᏂᏬᏂᏍᎬᏉ ᏕᎪᎵᎬ, ᎢᎦᏓ ᏥᏧᏣ ᏥᎨᏒ ᏦᎦᏙᎵᏨ.\nᏧᎧᏌᏔᏁᎢ ᎠᏍᎪᎵ ᏥᏍᏕᏥ ᏏᏆ ᎤᎵᏍᏓᏴᏗ ᎦᎶᏙᏗ ᎭᏫᏂᏣ.\nᏕᏫᏰᏃ ᎥᏝ ᏳᎵᏌᎳᏓᏅ ᎦᎸᎳᏗ ᏫᏳᎶᏒ, ᎯᎠᏰᏃ ᏂᎦᏪ ᎤᏩᏒ; ᏱᎰᏩ ᎯᎠ ᏄᏪᏎᎸ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ; ᏥᎦᏘᏏ ᎢᏗᏢᏦᎴᏍᏗ,\nᎯᎠᏍᎩᏂ [ᏄᏍᏗ;] ᎩᎶ ᎦᏲᎵ ᎠᏫᏍᎩ, ᎾᏍᎩ Ꮎ ᎾᏍᏉ ᎦᏲᎵ ᎤᏍᏚᏕᏍᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎩᎶ ᎤᎪᏗ ᎠᏫᏍᎩ ᎾᏍᎩ Ꮎ ᎾᏍᏉ ᎤᏍᎫᏕᏍᏗ ᎨᏎᏍᏗ.\nᏭᏓᏅᏖᎴ ᏄᏪᏎᎸ ᎤᏥ, ᏁᎳᎩᏃ ᏣᏍᎦᎢᎮ, ᏫᏥ ᏭᏓᏬᎥᏍᏗ ᏚᏭᎪᏔᏁᎢ.\nᎠᎴ ᎤᏚᎵᏍᎨ ᎤᎯᏍᏗᏱ, ᎠᏎᏃ ᏓᏍᎦᎢᎮ ᏴᏫ, ᎠᏙᎴᎰᏍᎩᏰᏃ ᎤᏂᏰᎸᏎ ᏣᏂ.\nᎠᏎᏃ ᎢᏳᏃ ᏂᏚᏳᎪᏛᎾ ᏃᎦᏛᏁᎸ ᎬᏂᎨᏒ ᏱᏂᎬᏁᎭ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎯ ᎨᏒ ᎤᏁᎳᏅᎯ, ᎦᏙ ᏓᏓᏛᏂ? ᎠᏍᎦᏅᎦᏍᎪ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᏥᏓᏍᏛᏗᏍᏙᏗᎭ? (ᏴᏫᏉ ᎢᏳᏪᏍᏗ ᏂᏥᏪᎭ).\nᏩᏲᎯ, ᎨᏍᏗ ᏳᏩᏁᎦ ᎢᏳᏍᏗ ᎫᏩᎾᏓᏍᏕᏓᎵᏴᏍᏗ ᎠᏎ ᎢᎦᏉ ᏳᎾᏁᎸᏔᏅ ᎡᎵᏍᎨ ᏲᎾ.\nᏧᎾᏓᎴᏅᏓ ᎠᏣᏗ ᏚᎪᎮ.\nᎠᏏᏴᏫᏃ ᎾᏍᎩ ᎤᎾᏓᏡᎬ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏔᏕᏲᎲᏍᎩ, ᎯᏁᏥ ᏦᏍᏓᏓᏅᏟ ᏔᎵ ᎢᏲᎩᏂᏗᏍᏗᏱ ᏧᎬᏩᎶᏗ ᎤᏘᏴᎯ.\nᎠᏫᎾ ᎠᏍᎦᏰᎬᏍᏓ ᏃᎴ ᏦᎢ ᎢᏯᏂ ᏕᎨᎪᏪᎵ ᎠᏂᏲᏍᎩ, ᎠᏂᏧᏣ Ireland, Philadelphia ᏃᎴ ᏣᎵᏍᏙᏂ ᏓᏳᏂᎶᏒ.\nᎠᏟᏅᏨ ᎦᏳᎳ ᏧᏂᎾᏗᏅᏓ ᎨᏎ.\nᎾᏍᎩᏃ ᎤᏓᎢᏅ ᎤᏄᏬ ᏚᎴᏁᎢ, ᎠᎴ ᏥᏌ ᏭᎷᏤᎴᎢ.\nᏄᏓᏅᏛᎾᏛ, ᎠᎾᏗᏍᎨ ᎠᏂᏴᏫ.\nᏄᏓᎴ ᎠᎨᏳᏣ ᏃᎴ ᏄᏓᎴᎯ ᎤᏍᏗᎩᎨ ᏏᏆ.\nᎤᏁᎦ ᏗᎧᏃᏗ, ᎠᏂᏳᏩᏁᎦ ᏧᎾᎭᎾᏬ, ᏳᏩᏁᎦ ᎾᎾᏛᏁᎲ ᎢᏯᏛᏁᏗ, ᏳᏩᏁᎦ ᎢᎦᎵᏍᏙᏗ.\nᎦᏛᎩᏍᎬ ᏣᏓᎨᏳᏒ ᎠᎴ ᏦᎯᏳᏒᎢ, ᎾᏍᎩ ᏥᎨᏳᎭ ᎤᎬᏫᏳᎯ ᏥᏌ, ᎠᎴ ᎾᏂᎥ ᎤᎾᏓᏅᏘ ᏥᏕᎯᎨᏳᎭ;\nᎠᎴ ᎬᏂᎨᏒ ᏅᏋᏁᎸᎢ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ ᎠᏇᏅᏒᎩ, ᎠᎴ ᎬᏂᎨᏒ ᏂᎦᏥᏴᏁᎸ ᎣᏍᏛ ᎧᏃᎮᏛ ᎾᏍᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎦᏥᏯᎵᏥᏙᏁᎲᎢ; ᎠᏂᏏᏴᏫᎭᏍᎩᏂ ᎤᏕᎵᏛ ᎬᏂᎨᏒ ᏂᎦᏥᏴᏁᎸᎩ ᏗᏂᏃᏣᎵ ᎨᏒᎢ, ᏯᏎᎦᎩ ᎠᏎᏉ ᏱᏙᏥᏍᏆᎸᏓ ᎠᎴ ᎠᏎᏉ ᏱᏓᎩᏍᏆᎸᏔᏅ ᎠᏇᎵᏒᎩ.\nᏄᎬᏫᏳᏒᏃ ᏗᏓᏘᏂᏙᎯ ᎤᏬᏯᏁᏒ, ᎢᏴᏛ ᎤᏕᎵᏒ ᏭᏘᏅᏍᏔᏅᎩ, ᎤᏛᏛᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎦᏙ ᎾᏍᎩ Ꮎ ᏍᎩᏃᏁᏗ ᏥᎩ?\nᏥᏌᏃ ᎤᎴᏫᏍᏔᏅ ᎤᏁᏤ ᏩᏥᏯᏅᏗᏱ. ᎤᏂᏯᏅᎮᏃ ᏗᎨᏫ, ᎯᎠ ᏄᏂᏪᏎᎴᎢ, ᎤᎦᎵᏍᏗᏉ ᎭᏓᏅᏓᏓ; ᏔᎴᎲᎦ; ᏗᏣᏯᏂᎭ.\nᎪᎯᏳᏗ ᎨᏒ ᎬᏗᏍᎬ ᎡᏆᎭᎻ ᎾᎯᏳ ᎠᏥᏯᏅᎲ ᎢᎸᎯᏢ ᎤᏪᏅᏍᏗᏱ ᎾᏍᎩ ᎾᎿ ᎣᏂ ᎢᏴᏛ ᎤᏤᎵᎦ ᎢᏯᎬᏁᏗ ᎨᏒᎢ, ᏧᏬᎯᏳᏁᎢ; ᎠᎴ ᏧᏄᎪᏤᎢ ᎾᎦᏔᎲ ᎾᎿ ᎠᎢᏒᎢ.\nᎿᏉᏃ ᏧᎦᎾᏮ ᎢᏗᏢ ᏧᏃᎸᏔᏅ, ᎾᏍᎩ ᎢᎦᏚᎵᏍᎬ ᏂᎦᎵᏍᏓ ᎤᏁᎵᏒ, ᎤᏂᎧᏙᏴᎩ, ᏟᏗ ᎾᎥᎢ ᎤᏂᏅᏍᏔᏅᎩ.\nᎾᏍᎩ ᎨᏒ ᏨᏗᏓᎴᎲᏍᎦ ᏂᎬ ᎠᏰᎸ ᎣᏍᏛ ᏗᏙᎵᎩ ᏥᎩ, ᎠᎴ ᏥᏚᏚᏓᏕᏫᏍᏗ ᏂᎦᎥ ᏚᎯᏢᎾᎥ ᏥᏚᎵᏍᏕᎸᏙᏗ, ᎾᏍᎩᏯ ᎠᏟᎶᎥ ᏧᎸᏫᏍᏓᏁᏗᏱ ᏧᏓᏤᎵᏛ ᏕᎨᏌᏗᏒᎢ, ᎧᏁᏉᏍᎪ ᎠᏰᎸᎢ, ᎠᏓᎵᏂᎪᎯᏍᏗᏍᎪ ᎤᏩᏒ ᎠᏓᎨᏳᏗ ᎨᏒᎢ.\nᏗᎩᎦᏴᎵᎨᏃ ᎠᏅᏳᏤᎲ ᏅᏗᎤᎵᏍᏙᏔᏁ ᎤᏂᎾᏗᏅᏎ ᏦᏩ ᎢᏥᏈᏱ ᏩᎦᏘᏅᏍᏙᏗᏱ; ᎠᏎᏃ ᎤᏁᎳᏅᎯ ᏚᎧᎿᏩᏗᏙᎮᎢ,\nᏓᏂᏍᎦᎢᎯ ᏧᏟᎶᏍᏔᏅ ᎠᎴ ᏧᏬᏪᎳᏅ ᎤᏐᏅᎢᏃ ᎠᏁᎵᏍᎨ ᏄᏍᏛ ᏚᏟᎶᏍᏛ ᎠᎴ ᏚᏬᏪᎸ.\nᎩᎶᏃ ᎤᎾᏓᏑᏴ ᎤᏅᏳᏤ ᏙᏧᎾᏓᏅᏛᎢ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎦᏙᏃ ᎯᎠ ᎠᏤᏬᎩ ᎠᏠᏁᏗ?\nᏍᎩᎾᎾ ᎣᏍᏓ ᎠᎩᏰᎸ.”\n“ᏌᎳᏓ,” ᎠᏍᎩᏗᏍᎩ ᏄᏪᏎ ᏫᎵᎻ, ᎤᏙᎯᏳᎯᏍᎪ ᎯᏍᎩᏍᏆ ᏂᎦᏚ ᏗᏂᏲᏟ ᏕᏣᎧᎮᏍᏗ?  \nᏍᎩᎾᎾ ᎡᎾᎢ ᎤᎪᏏᏓ ᎢᏯᏅᏁ ᏓᏃᏎᎰ.\n“ᎭᏩ,” ᎤᏛᏁ ᎤᏥ, “ᏐᏉᏃ ᏏᏆ ᎤᏍᏗᎩᎨ.\nᏥᏌᏃ ᎤᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎢ; ᎯᎠ ᏂᎬᏅ ᎪᏪᎳ; ᏴᏫ ᎥᏝ ᎦᏚᏉ ᎤᏩᏒ ᏱᎬᎿᏗᏍᏕᏍᏗ, ᏂᎦᎥᏍᎩᏂ ᎤᏁᎳᏅᎯ ᎤᏁᏨᎢ.\nᎠᏎᏃ ᏆᏂᏆ ᏭᏯᏅᎲ ᏚᏘᏃᎮᎴ ᎨᏥᏅᏏᏛ, ᎠᎴ ᏚᏃ ᏁᎴ ᎤᎬᏫᏳᎯ ᎤᎪᎲᎢ ᎠᎢᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏬᏁᏔᏅᎢ, ᎠᎴ ᎾᏍᎦᎢᎲᎾ ᏥᏌ ᏕᎤᏙᎥ ᎤᏁᎢᏍᏔᏅᎢ ᏕᎹᏍᎦ.\nᎩᎶᏃ ᎦᏌᎾᎵ ᎤᎩᎴᏍᏗ ᏞᏍᏗ ᏴᏗᎤᏠᎠᏎᏍᏗ ᏳᎩᏐᎴᏍᏗ ᎪᎱᏍᏗ ᎤᎲ ᎦᏁᎸᎢ;\nᏈᎵᏏᏃ ᎾᏍᎩ ᎤᏛᎦᏅ, ᎠᎴ ᎤᏟ ᎢᎦᎢ ᎤᎦᏙᎥᏒ ᎾᏍᎩ ᎦᏅᏅᎢ, ᏚᏬᎯᏕᎸᎩ ᎯᎠ ᏄᏪᏒᎩ; ᎵᏏᏯ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᎦᎷᏨᎭ ᏓᎦᏛᎦᏃᏂ ᏥᏥᏱᎵᏙᎭ.\nᏔᎵ ᎢᏯᏅᏓ ᎤᎶᏒᏍᏗ ᎤᏪᏘᏲᏨ ᎡᎶ ᎤᎵᏖᎸᏁ ᎤᏩᏒᏙᎥᏔᏁ ᏐᏉ ᎢᏣ ᏧᎾᏦᎯᏍᏗ ᏃᎴ ᎦᏌᎾᎵ ᎤᏩᏒᏙᎣᏎ.\nᎠᏂᏐᎢ ᎠᏂᏔᎵ ᎠᏂᏴᏫᏯ ᏅᏲ ᏫᏚᏂᎵᎢᎳᏛ ᎦᎶᏇ, ᎠᏙᎯ ᎢᏣ ᏭᏂᎶᏒ, ᎨᏍᏗ ᏳᏂᎷᏨ.\n“ᏌᎳᏓ,” ᎤᏛᏁ ᎪᎯᎢᏴ, “ᎮᎵᎠᏍᎪ ᏰᎵᏉ ᏛᏆᎵᏍᎪᎸᏓᏁᎵ ᎠᏆᏕᏗ ᎰᎻ ᏃᎴ ᎨᏍᏗ ᏱᏛᎩᎵ ᎤᏴᏣ ᏂᎦᎵᏍᏔᏅ? \nᏞᏍᏗ ᎤᏲ ᏁᏨᏁᎲ ᏱᏣᏞᎨᏍᏗ ᎤᏲ ᏱᏂᏣᏓᏛᏁᎮᏍᏗ, ᎠᎴ ᎦᏰᏥᏐᏢᏔᏅ ᏞᏍᏗ ᏱᏣᏞᎨᏍᏗ ᏱᎨᏣᏓᏐᏢᏗᏍᎨᏍᏗ, ᎣᏍᏛᏉᏍᏗᏂ ᎨᏥᏁᏤᎮᏍᏗ; ᎢᏥᎦᏔᎭᏰᏃ ᎾᏍᎩ ᎢᏣᏛᏁᏗᏱ ᎡᏥᏯᏅᏛ ᎨᏒᎢ, ᎾᏍᎩ ᎢᏣᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ ᎣᏍᏛ ᎡᏥᏁᏤᏗᏱ.\n“ᎮᏂᎵ ᎤᎵᏲᏗ ᎪᎵᎩ,” ᎤᏛᏁ ᎪᏱᏁ ᎤᏰᏥᏍᎩ.\nᎥᏝ ᎤᎾᏓᏅᏘ ᏱᏗᏥᏯᏅᎯᎸ, ᎠᏂᏍᎦᎾᏍᎩᏂ ᏧᏂᏁᏟᏴᏍᏗᏱ ᏚᎾᏓᏅᏛᎢ.\nᎺᎵᏍᎩᏂ ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᎤᏍᏆᏂᎪᏔᏁᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏓᏅᏖᎯᎶᏒ ᏧᏓᏅᏛᎢ.\nᎾᎥᏃ ᎠᏂᎶᏍᎩ ᎦᎬᏩᏢᏕᎢ, ᎠᎴ ᏓᎾᎵᏍᏛᏁᎮᎢ,\nᎠᎴ ᎡᎾ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ, ᎠᎴ ᎧᏱᏆ ᎠᎴ ᏣᏂ ᎠᎴ ᎡᎵᎩ ᎠᎴ ᏂᎦᏛ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎪᎱᏍᏗ ᏧᏩᏅᏚᏂᎳᏫᏤ ᏥᎷᏏᎵᎻ.\nᎠᏯᏦᎯ ᏭᎳᎩᏎᎢ ᏣᏄᏏ, ᎤᏓᏃᏴᎵᏓ ᎤᏟᏴᏍᎩᎸᎮᎢ, ᏰᎵ ᏐᏈᎵ ᏗᏂᎦᏘᏱ ᎤᎾᏛᎦᏁᎢ ᏐᏈᎵ ᎤᏂᏴᏍᏗ ᎢᏴ.\nᎾᎯᏳᏃ ᏥᎷᏏᎵᎻ ᏅᏓᏳᏂᎶᏒᎯ ᎠᎾᏙᎴᎰᏍᎩ ᎤᏂᎷᏤ ᎥᏖᎣᎩ.\nᎭᏩ ᎣᏍᏓ ᏱᎩ ᏭᏕᎵᎬ ᎢᏣ, ᏂᎪᎯᎸᎾᏉ ᎠᏂᏳᏩᏁᎦ ᏯᏂᎩᏐᎾ ᎦᏙ, ᏍᎩᎾᎾ ᏄᎾᏍᏗ, ᎨᏍᏘᏰᏃ ᏰᎵᏉ ᎠᏁᎵᏍᎩᏱᎩ.\nᎦᏙᎯᏰᏃ ᏣᏗᏔᏍᎪ ᎠᎹ ᏯᏃ ᎤᎦᎿᏂᎯᎲᎢ, ᎠᎴ ᏥᎦᎾᏄᎪᏫᏍᎪ ᎠᏛᏒᎥᏍᎩ ᎪᎱᏍᏗ ᎤᏅᏙᏗ ᎾᏍᎩ Ꮎ ᎦᏙᎯ ᎨᏥᎶᎦᏁᎸᎯ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎣᏍᏛ ᎾᏛᏁᎰᎢ.\nᎦᎶᏁᏛᏰᏃ-ᏥᏌ ᏗᏁᎶᏙᏗ ᎨᏒ ᎠᎱᏍᏕᏍᏗ ᎨᏒ ᎥᏝ ᎪᎱᏍᏗ ᎬᏙᏗ ᏱᎩ, ᎠᎴ ᎠᎱᏍᏕᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ; ᎢᏤᏍᎩᏂ ᎢᏯᎬᏁᎸᎯ ᎰᏒᎢ.\nᎿᏉᏃ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎦᎪ ᏂᎯ? ᏫᏙᏥᏃᏁᏗᏱᏰᏃ ᏅᏓᎪᎩᏅᏒᎯ; ᎦᏙ ᎭᏗᎭ ᏨᏒ ᎭᏓᏃᎮᏍᎬᎢ?\nᏞᏍᏗ ᎠᎴ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᏣᏓᏙᎵᏍᏓᏁᎯ ᏱᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᎢᎦᏛ ᎾᏍᎩ Ꮎ ᏥᏄᎾᏍᏕᎢ; ᎾᏍᎩᏯ ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ, ᏴᏫ ᎤᎾᏅᏅᎩ ᏛᎾᎵᏍᏓᏴᏂᏒᎩ ᎠᎴ ᏛᎾᏗᏔᎯᏒᎩ, ᏚᎾᎴᏅᎩ ᎤᎾᏁᏦᏅᎩ.\nᏗᎾᏤᎯᏃ ᏕᏥᏁᏤᎭ, ᎥᏝ ᎠᏴᏉ, ᎤᎬᏫᏳᎯᏍᎩᏂ ᏕᎧᏁᏤᎭ, ᏞᏍᏗ ᎠᎨᏴ ᏳᏓᏅᎡᎴᏍᏗ ᎤᏰᎯ;\nᎨᏍᏗ ᏳᏓᏍᏕᏓᎵᏴᏌ ᏫᎵᎻ.\nᎦᏙᏃ ᎯᎠ ᎠᏍᎦᏯ ᎯᎠ ᏂᎦᏪᎭ ᎢᎠᏐᏢᎢᏍᏗᎭ? ᎦᎪ ᏰᎵ ᎠᏍᎦᏅᏨ ᎬᏩᏓᏙᎵᏍᏗ, ᏌᏉᏉ ᎤᏩᏒ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ?\n“ᏌᎳᏓᏗ ᏰᎵᏉ ᏱᎾᏛᎦ,” ᎤᏛᏁ ᏲᎾ ᎤᏤᏍᏙ.\nᎤᎾᏌᎯᏴᏓ ᎦᏃᎸᎥᏍᎬ ᎦᎶᏍᎨ ᏗᎦᎶᎯᏍᏗ ᏃᎴ ᏦᎳᎾ.\nᎣᏍᏓ ᏄᎵᏍᏔᏁᎮ ᎤᏩᏌ ᎤᏪᏅᏒ ᎡᏙᎲ.\nᏥᏌᏃ ᎤᏙᏯᏅᎯᏛ ᎤᏒᏂᎴᎢ, ᎦᏓᏅᏛᎵ, ᏣᏓᏅᎦᎸᏛ ᎨᏎᏍᏗ, ᎤᏬᏎᎴᎢ; ᎩᎳᏉᏃ ᎢᏴᏛ ᎠᏓᏰᏍᎩ ᎤᏢᎬ ᎤᏓᏅᎦᎸᎮᎢ.\nᏥᏌᏃ ᎥᏝ ᎠᏏ ᏱᎦᎷᎨ ᎦᏚᎲᎢ, ᎾᎿᏉᏍᎩᏂ ᎹᏗ ᏫᏚᏠᏒ ᎡᏙᎲᎩ.\nᏥᎪᎥᏃ ᏚᎳᏍᎬ ᎠᎩᏅᏨᎩ ᎠᎩᏲᎱᏒᎯ ᎢᎦᎦᏛ. ᎠᎦᏘᏏᏗᏢᏃ ᎤᏬᏰᏂ ᎠᏆᏏᏔᏗᏍᏔᏅᎩ, ᎯᎠ ᎾᎩᏪᏎᎸᎩ, ᏞᏍᏗ ᏱᏍᎦᎢᎮᏍᏗ, ᎠᏴ ᎾᏍᎩ Ꮎ ᎢᎬᏱᏱ, ᎠᎴ ᎤᎵᏍᏆᎸᏗ ᏥᎩ.\nᎤᏍᏚᎩᏒ ᏧᏍᏆᏅᎾ, ᎤᎳᎩᏒ ᎤᏲᎰᏒ ᎠᏧᏣ, ᎤᏁᏍᏓᎶᏨ ᎦᏙ ᎤᏅᏁ ᎠᏧᏣ, ᎨᏍᏗ ᎤᏙᏓᏆᏓ ᎫᏩᏲᎰᏒ ᏱᎨᏎ, ᎠᏎᏃ ᎦᏳᎳ ᎪᏍᏓ ᎢᏳᏍᏗ ᏄᏍᏕ ᎤᎧᏛ ᏃᎴ ᎤᏍᏗᏰᎬ.\nᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎠᎪᎵᏰᏍᎩ, ᎠᎴ ᎾᏍᎩ ᎠᎾᏛᎩᏍᎩ ᎧᏃᎮᏛ ᎯᎠ ᎾᏍᎩ ᎠᏙᎴᎰᏒᎯ, ᎠᎴ ᎠᏂᏍᏆᏂᎪᏗᏍᎩ ᎾᏍᎩ Ꮎ ᏧᏓᎴᏅᏛ ᎾᎿ ᎪᏪᎸᎢ; ᎤᏍᏆᎸᎯᏗᏰᏃ.\nᎾᏍᎩᏰᏃ ᎯᎠ ᎣᏏᏳ ᎤᏰᎸᏗ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎣᏏᏳ ᏕᏥᎸᏫᏍᏓᏁᎲ ᎡᎳᏪ ᏗᏨᏗᏱ ᎾᏂᎦᏔᎿᎥᎾ ᎠᎴ ᎤᏂᏁᎫ ᏴᏫ.\nᎡᎳᏗ ᎢᎦᏛ ᎠᏍᎦᏯ, ᎠᏎᏃ ᏗᏯᏖᏅ ᏗᎦᏅᏬᎢ, ᎤᏟᏂᎩᏛ ᎠᏰᎸᎢ, ᎦᏌᏆᎸ ᎠᏍᎪᎵ, ᏤᏆ ᏧᏬᏰᏂ.\nᎾᏂᎥᏃ ᎾᏍᎩ ᎤᎾᏛᎦᏅᎯ ᏧᎾᏛᎦᏅᎯ ᏧᏂᎾᏫᏱ ᎤᏂᏍᏆᏂᎪᏔᏁᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᎦᏙ ᎤᏍᏕᏍᏗ ᎯᎠ ᎠᏲᎵ? ᏱᎰᏩᏃ ᎤᏍᏕᎸᎯᏙᎮᎢ.\nᎨᏥᏅᏒᎯᏃ ᎤᏁᏅᏎ ᎠᎴ ᏭᏂᏳᏛᎮ ᎾᏍᎩᏯ ᏂᏚᏪᏎᎸᎢ.\nᎠᏆᏛᎦᏅᎩᏃ ᎠᏍᏓᏯ ᎧᏁᎬ ᎯᎠ ᏅᏗᎦᏪᏍᎬ ᎦᎸᎳᏗ, ᎿᏉ ᎠᎵᏰᎢᎶᎦ ᎠᎵᏍᏕᎸᏙᏗ ᎨᏒ ᎠᎴ ᎤᎵᏂᎩᏛ ᎨᏒᎢ, ᎠᎴ ᎢᎦᏁᎳᏅᎯ ᎾᎿ ᎤᎬᏫᏳᎯ ᎨᏒᎢ, ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎦᎶᏁᏛ ᎾᏍᎩ ᎤᏤᎵᎦ; ᎢᏓᎵᏅᏟᏰᏃ ᎨᏒ ᎤᏄᎩᏍᏗᏍᎩ ᎡᎳᏗ ᏩᎦᏓᎤᎦ; ᎾᏍᎩ ᏧᏄᎯᏍᏗᏍᎬ ᎢᎦᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ ᎢᎦ ᎠᎴ ᏒᏃᏱ ᏗᎬᏩᏜᏍᏗ.\nᏣᏂᏰᏃ ᎤᎷᏨᎩ ᎥᏝ ᏯᎵᏍᏓᏴᎲᏍᎨᎢ ᎠᎴ ᎥᏝ ᏯᏗᏔᏍᎨᎢ, ᎠᏎᏃ ᏂᎠᏂᏪᎭ; ᎠᏍᎩᎾ ᎤᏯᎠ.\nᎾᏂᎥᏃ ᎾᏍᎩ ᎯᎠ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏂᎧᎿᏩᏕᎩ, ᏅᏩᏙᎯᏍᏛ ᎠᎴ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏭᏁᎳᏗᏓ, ᎠᎴ ᎾᏍᏉ ᎢᏏᎵ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᏭᏁᎳᏗᏓ.\n“ᎨᏍᏗ ᏱᎪᎵᎦ.”\nᏔᎵ ᏓᏆ ᎪᎢ ᏗᎪᏒᏔᏅ ᎤᎧᎾᏫ ᏗᏨᏍᏘ ᏓᏓᏪᎳᎩᏍᎬ.\nᎢᏳᏰᏃ ᏱᏗᏥᎨᏳᎭ ᎨᏥᎨᏳᎯ, ᎦᏙ ᏰᏣᎫᏴᏓᏏ? ᏝᏍᎪ ᎾᏍᎩ ᏱᎾᎾᏛᏁᎰ ᎠᏰᎵ-ᎠᏕᎸ ᎠᏂᎩᏏᏙᎯ?\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᎩ ᎨᎵᎭ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎾᏆᎵᏍᏓᏁᎵᏙᎲᎢ ᎨᎦᏑᏰᏛ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎠᎴ ᎤᏂᏩᏛᏗᏱ ᎠᎵᏍᏕᎸᏙᏗ ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᏅᏓᏳᎵᏍᎪᎸᏔᏅᎯ, ᎠᎴ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\nᎿᏉᏃ ᎯᎠ ᏄᏂᏪᏎ ᏂᎦᏛ, ᏂᎯᏍᎪ ᎤᏁᎳᏅᎯ ᎤᏪᏥ? ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏰᎵ ᏂᏥᏫ, ᎠᏴᏰᏃ ᎾᏍᎩ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎠᏆᏓᏅᏙ ᎤᏣᏘ ᎤᏕᏯᏔᏁᎭ ᎠᏲᏞᎯᏍᏗ ᎾᏍᎩᏯᎢ; ᎠᏂ ᎢᏥᏁᏍᏗ, ᎠᎴ ᎢᏥᏯᏫᏍᎨᏍᏗ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᏗᏓᏬᏍᏗ ᎨᏒ ᎪᎯ ᎨᏒ ᎢᎩᏍᏕᎵᎭ; ᎥᏝ ᎢᏴᏛ ᎾᎬᏁᎲ ᎠᏰᎸ ᎦᏓᎭ ᎨᏒᎢ, ᎧᏁᏤᏗᏍᎩᏂ ᎤᏁᎳᏅᎯ ᎬᏙᏗ ᎣᏍᏛ ᎠᏓᏅᏖᏗ ᎨᏒ ᎢᎩᏍᏕᎵᎭ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏚᎴᎯᏌᏅ ᏥᏌ ᎦᎶᏁᏛ,\nᎢᎬᏱᏱ ᎠᎩᏬᏂᏒ ᎦᎵᏍᏕᎵᏍᎬ ᎥᏝ ᎩᎶ ᎾᎥ ᏱᎦᏙᎨᎢ, ᎾᏂᎥᏉᏍᎩᏂ ᎬᏆᏕᏨᎩ; ᏞᏍᏗ ᎤᏂᏍᎦᏅᏨ ᏱᏚᏚᎪᏔᏁᏍᏗ;\nᎤᏍᏆᏂᎩᏗ ᏚᏕᏘᏴᏌᏗᏒ ᎠᎾᎵᏍᏕᏓᎵᏴᏍᎦ ᏗᏂᏲᏟ.\nᎿᏉᏃ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᎤᎷᏨ, ᎯᎠ ᏄᏪᏎᎸᎩ; ᏍᎩᏃᎲᏏ, ᎯᎶᎻᏍᎪᏂᎯ? ᎥᎥ, ᎤᏛᏅᎩ.\nᎦᏚᎲᏃ ᎤᏂᏄᎪᏫᏒ ᏅᏯ ᏚᏅᏂᏍᏔᏁᎢ. ᎠᏂᎦᏔᎯᏃ ᏧᎾᏅᏬ ᏚᏂᏅᏁ ᏚᎳᏍᎬ ᎾᎥ ᎠᏫᏅ ᏐᎳ ᏧᏙᎢᏛ.\nᎡᏣᏓᏅᏛᎵᏉᏍᎩᏂ Ꮎ ᎾᏍᎩ ᎢᎦᎢ ᎦᎬᏩᏐᏢᏛ ᎠᏂᏍᎦᎾ ᎤᏁᎳᎩ ᏚᏪᎵᏎᎸᎢ, ᎾᏍᎩᏃ ᏞᏍᏗ ᏗᏥᏯᏪᏨᎩ ᎠᎴ ᏞᏍᏗ ᏧᏩᎾᎦᎶᏨᎩ ᏕᏣᏓᏅᏛᎢ.\nᎾᏍᎩ ᎾᏍᏉ ᎨᎵᎵ ᏤᏙᎮ ᎬᏩᏍᏓᏩᏗᏙᎮ ᎠᎴ ᎬᏩᏍᏕᎸᎯᏙᎮᎢ; ᎠᎴ ᎤᏂᏣᏖ ᏅᏩᎾᏓᎴ ᎠᏂᎨᏴ ᏥᎷᏏᎵᎻ ᏅᏓᎬᏩᏍᏓᏩᏙᎸᎯ.\nᏂᎯᏍᎩᏂ ᎭᏓᏁᎮᏍᏗ ᏞᏍᏗ ᏦᏰᏂ ᎯᎦᏍᎦᏂ ᎤᏙᎴᎰᏒ ᎯᎦᏘᏏ ᏦᏰᏂ ᎾᏛᏁᎲᎢ.\nᎠᏓᎨᏳᏗ ᎨᏒ ᎠᎵᏛᏗᏍᎩ ᏂᎨᏒᎾ; ᏙᎴᎰᎯᏍᏗᏍᎩᏂ ᎨᏒ ᏛᎵᏛᏔᏂᏉ; ᏧᏓᎴᏅᏛ ᏗᎦᏬᏂᎯᏍᏗ ᎨᏒ ᏙᏓᎦᎶᏐᏂ; ᎠᎦᏙᎥᎯᏍᏗ ᎾᏍᏉ ᎨᏒ ᏛᎵᏛᏔᏂ.\nᎠᏴ ᎤᏁᎳᏅᎯ ᏅᏓᏲᎦᏓᎴᏅᎯ; ᎾᏍᎩ Ꮎ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎯ ᎣᎦᏛᎦᏁᎰᎢ. ᎾᏃ ᎤᏁᎳᏅᎯ ᏅᏓᏳᏓᎴᏅᎯ ᏂᎨᏒᎾ ᎥᏝ ᏲᎦᏛᎦᏁᎰᎢ. ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏕᏗᎦᏔᎭ ᏚᏳᎪᏛ ᎢᏯᎾᏛᏁᎯ ᎠᏓᏅᏙ, ᎠᎴ ᏚᏳᎪᏛ ᎢᏯᏌᏛᏁᎯ ᏂᎨᏒᎾ ᏗᏓᏅᏙ.\nᎦᏅᎯᏛ ᎠᏇᏅᏓ, ᏎᎦᏨ ᏕᏥᏩᏛᎲ ᎤᏣᎴᏓ ᎤᏩᏓᏓᏍᎬ ᎤᏍᏔᎦᏢ.\nᏍᏏᏉᏯ ᎪᎯᏗ ᎤᎴᏂᏙᎴ Ꮭ ᏧᏓᏃᏣᎵ ᏱᎨᏎ.\nᎠᎨᏴᏃ ᏗᏕᎭᎷᎨ ᎠᎴ ᏗᎩᎦᎨ ᏚᏄᏩᎥᎩ, ᎠᎴ ᎠᏕᎸ-ᏓᎶᏂᎨ ᎠᎴ ᏗᎦᎸᏉᏗ, ᏅᏯ ᎠᎴ ᏓᎬᎾ-ᎢᏳᎾᏍᏗ ᏚᏣᏅᏛᎩ, ᎠᎴ ᎠᏕᎸ-ᏓᎶᏂᎨ ᎠᏢᎳᏅᎯ ᎤᎵᏍᏈᏗ ᎠᏰᎲᎩ ᎠᎧᎵᎢ ᎤᏂᏆᏘᏍᏗ ᎨᏒ, ᎠᎴ ᎤᏁᎢᎸᏗ ᎾᏍᎩ ᎤᏕᎵᏛ ᏚᏂᏏᏂᏙᎸ ᎤᏩᏛᏛ.\nᎨᏍᏗ ᎪᎱᏍᏗ ᏱᎦᏓᏅᏖᏗ, ᎠᏎᏃ ᏍᏈᏍᏓ ᎭᏫᏂᏣ ᏥᏆᎵᎢ.\n“ᏰᎵᏉ,” ᎤᏪᎷᏁ ᏧᏍᏆᏴᏍᏗ.\nᏆᎴᏗᏃ ᏓᏳᏄᎪᏨᎩ ᎠᏂᏙᎾᎥ ᎤᎷᏨᎩ, ᎯᎠ ᏄᏪᏒᎩ; ᎪᏙ ᎡᏧᎢᏍᏗᎭ ᎯᎠ ᎠᏍᎦᏯ?\nᎨᏍᏗ ᏯᏍᎦᎢᎮ ᏥᏄᏍᏕ ᎠᎬᏱ ᏣᎴᏂᏍᎨ ᎠᏂᎩᏍᎬ, ᎾᎥᏂ ᏭᎷᏤᎢ, ᏏᏲ, ᎤᏍᏗ ᎠᏣᏗ ᎬᏉᏎᎰ ᏃᎴ ᎨᏍᏗ ᎯᎸᎯᏳ ᏥᎪᎥ ᏂᎯ ᎢᏳᏍᏗ ᎠᏣᏗ.\n“ᎤᏨᏉᏗ ᏱᎨᏒᎾ,” ᎤᏛᏁ ᏥᏍᏕᏥ.\nᎬᏂᏳᏉᏃ ᎡᏙᎲᎩ ᎠᏍᎦᏯ ᎤᏬᏰᏂ ᎤᏩᎢᏎᎸᎯ. ᎬᏩᏛᏛᏅᎩᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏥᎪ ᏰᎵᏉ ᎬᏓᏅᏬᏗ ᎤᎾᏙᏓᏆᏍᎬᎢ; ᎬᏩᏱᎵᏓᏍᏗᏱ ᎤᎾᏚᎵᏍᎬᎩ.\nᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏥᏌ ᎦᏃᏍᎩᏍᎩ ᏨᏤᏥᏂᏴᎯᏐ ᎾᏍᎩᏯ ᎢᏥᎷᎩ, ᏗᏥᏁᎯ ᎠᏰᎳᏍᏗ-ᏗᎦᏅᎯᏛ ᎠᎴ ᎠᏓ ᎠᏴ ᏍᎩᏂᏴᎰᎦ?\nᎯᎠ ᎾᏂᏪᏍᎨᎢ; ᏍᎩᏯᏙᎴᎣᎯᏏ, ᎦᎶᏁᏛ, ᎦᎪ ᏥᏨᏂᎦ?\nᎠᎴ ᎠᏍᎪᎯ ᏕᎤᎷᎬ ᏥᏕᏣᎪᎲᎩ, ᎾᏍᎩ ᏅᎩ-ᏗᎨᏅᏌᏗ ᏚᎷᎬᎢ, ᎾᏍᎩ ᏓᎬᏩᏂᏆᏘᎵ ᎤᏁᎫᏥᏛ ᎠᎨᏴ, ᎠᎴ ᏅᏔ ᎠᎴ ᎤᏰᎸᎭ ᏅᏓᏰᎬᏁᎵ, ᎠᎴ ᎤᏇᏓᎸ ᏓᎬᏩᎨᎵ, ᎠᎴ ᎠᏥᎸ ᎬᏗ ᏓᎬᏩᎪᎲᏍᏔᏂ.\nᎠᏆᏚᎵ ᎠᏍᏆᏗᏍᎬ ᏣᎵ ᎤᏤᎵ ᎧᏃᎮᏛ, ᎤᏬᏚ ᎪᏪᎳᏅ ᏃᎴ ᎧᏃᎮᏍᎩ ᏄᏲᎢᏴ ᎤᎶᏒ, ᎠᏎᏃ ᎨᏍᏗ ᎪᎰᏍᏗ ᎧᏃᎮᏓᏉ ᎠᎴ ᎤᏲᎢ ᏱᎨᏐ ᎾᏍᎩᏴ ᏂᎦᎵᏍᏗᏍᎬ.\nᎿᏉᏃ ᎡᎩᎵᏈ ᎯᎠ ᏄᏪᏎᎸᎩ ᏉᎳ; ᎠᎴᏉ ᏂᏍᎩᏎᎪᎩᎠ ᎦᎶᏁᏛ ᏥᏲᎢᏳᎲᏍᎩ ᎢᏯᏆᎵᏍᏙᏗᏱ.\nᎤᏂᏲ ᎠᎴ ᎤᏂᏁᎫᏥᏛ ᏣᏁᎭ ᎤᏂᏲᎰ ᎤᏰᎸᏛᎢ, ᎠᏎᏃ ᎥᏝ ᏴᎦᎨᎦᎵᏍᎪᎸᏓᏏ ᎤᏰᎸᏛᎢ, ᏦᎾ ᎠᏙᎴᎰᏍᎩ ᎤᏤᎵᏅᏰᎸᏛ ᎤᏩᏒ. ᏚᏓᏅᎡᎸᏃ ᎤᏂᎩᏒᎩ.\nᎿᏉᏃ ᏆᎴᏗ ᏔᎵᏁ ᎤᏄᎪᏨᎩ, ᎯᎠ ᏫᏂᏚᏪᏎᎸᎩ; ᎬᏂᏳᏉ ᎢᏨᎾᏄᎪᏫᏏ, ᎢᏣᏙᎴᎰᎯᏍᏗᏱ ᎤᏍᎦᏅᏨ ᎾᎩᏩᏛᎲᎾ ᎨᏒᎢ.\nᏂᎯ ᎢᎦ ᎢᏣᏘᏍᏗᏍᎩ ᎡᎶᎯ. ᎦᏚᎲ ᎤᏌᎯᎸ ᏥᎦᎧᎰᎢ ᎥᏝ ᏰᎵ ᏴᎦᏰᎬᏍᎦᎸᎦ.\nᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᏴᏫ ᎤᏪᏥ ᎠᏎ ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᏧᎩᎵᏳᏤᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏗᎬᏩᏲᎯᏍᏗ ᎨᏎᏍᏗ ᏗᏂᎳᏫᎩ ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ, ᎠᎴ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏦᎢᏁ ᎢᎦ ᏣᎦᎴᏙᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎾᏍᎩ ᏙᎦᏚᏓᏔ ᏱᏓᏗᎭ, ᎤᎵᏏᎬᏃ ᏱᏕᏙᎭ, ᏱᏓᏥᎪᎥᏍᎦᏉ ᎠᎴ ᎥᏝ ᏱᎨᏗᏍᏓᏩᏕᎦ ᎤᏙᎯᏳᎯ ᎨᏒᎢ.\nᏥᏌᏃ ᎤᎪᎲ ᎠᎦᏔᎿᎢ ᎢᏳᏪᏍᏗ ᏁᏪᏒ ᎤᏁᏨᎢ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᎥᏝ ᎢᏅᎯᏳ ᏱᏂᏣᏛᎿᏕᎦ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᎨᏒᎢ. ᎾᎪᏳᏃ ᎢᏳᏓᎴᏅᏛ ᎥᏝ ᎩᎶ ᎪᎱᏍᏗ ᎬᏩᏛᏛᏗ ᏱᎨᏎᎢ.\nᏜᏈᎾ ᎠᎴ ᏜᏉᏏ ᏕᏥᏲᎵᎸᎭ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎤᏤᎵᏧᏂᎸᏫᏍᏓᏁᎯ ᏥᎩ. ᎡᏥᏲᎵᎸᎭ ᎠᏥᎨᏳᎢ ᏆᏏ, ᎤᏣᏘ ᏧᎸᏫᏍᏓᏁᎸᎯ ᏥᎩ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎦ.\nᏄᏂᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᎾᏍᏉ ᎠᏂᏆᎵᏏ ᎤᏂᏁᏨᎯ ᎨᏒᎩ, ᎢᏳᏃ ᎩᎶ ᏯᎦᏔᎭ ᎡᏙᎲᎢ, ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ, ᎤᏂᏂᏴᏗᏱ ᎤᏂᏰᎸᏒᎩ.\nᎢᏳᏃ ᏰᎵ ᎨᏎᏍᏗ ᏂᎦᎥ ᎢᎨᏣᏛᏁᏗ ᎨᏒ ᎢᏣᏟᏂᎬᏁᎮᏍᏗ ᏙᎯᏳ ᎢᏣᏕᏗᏱ ᎾᏂᎥ ᏴᏫ.\nᏰᎵ ᏑᏥᎶᏓ ᎢᏴ ᎠᏂᎴᏴᏍᎩ ᏧᏁᏅᏒ, ᎠᏓᏍᏓᏴᏗ ᎦᏍᎩᎸᎢ ᎠᏂᏁ ᎠᏂᏍᎦᏯ ᎠᏂᏃᎮᏍᎨ ᏄᎵᏍᏔᏂᏙᎸ ᎢᎦ ᏃᎴ ᏆᎾ ᏗᎦᎶᏔᏅ ᏓᏂᎩᏍᎨᎢ.\nᎣᎦᏂᎩᏒ ᎦᏂᎩᎸ, ᎦᏓᏅᏖᏍᎬ ᎤᏲᎢᏉ ᎠᏂᏫᎾᎨᏍᏗ ᎠᎫᏩᏌ ᏣᎫᏤᎵ ᏣᎫᎵᏏ ᏳᎾᏓᏅᏖᎸ ᏄᏍᏚ ᎤᎶᎯᏍᏗ ᎥᎬᎭᏅ.\nᎠᏎᏃ ᎢᎬᏱ ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᎤᎩᎵᏲᎢᏍᏗ, ᎠᎴ ᏗᎬᏩᏲᎯᏍᏗ ᎨᏎᏍᏗ ᎪᎯ ᏣᏁᎭ.\nᏚᏳᎪᏛ ᎨᏎᏍᏗ ᎢᏕᎲᎢ, ᎢᎦ ᏂᎨᏐ ᎾᏍᎩᏯᎢ; ᎥᏝᏍᏗᏃ ᎠᎵᏍᎦᎾᏩᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏓᏴᏍᏕᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏕᎵᏛ ᏗᏂᏏᏗ ᎨᏒᎢ, ᎠᎴ Ꮓ-ᎵᏏᎾᎯᏍᏛᎾ ᎠᎴᏂᏓᏍᏗ ᎨᏒᎢ, ᎥᏞᏍᏗᏃ ᎠᏗᏒᏍᏗ ᎨᏒᎢ ᎠᎴ ᏗᏓᏛᏳᏤᏗ ᎨᏒᎢ.\nᎦᏙᎨ ᎢᏣᎦᏔᏅᏎᎢ? ᎠᏍᎦᏯᏍᎪ ᏗᏬᏍᎩᎵ ᏧᏄᏩᎢ? ᎬᏂᏳᏉ ᏧᏬᏚᎯ ᏧᎾᏄᏩᎢ ᎠᎴ ᎣᏍᏛ ᏗᎾᎵᏍᏓᏴᎲᏍᎩ ᎤᏂᎬᏫᏳᎯ ᏓᏂᏁᎸ ᎠᏁᎰᎢ.\n“ᎤᏙᎯᏳ.\n“ᎾᏄᏍᏗ ᏌᎳᏓ ᏚᏏᎳᏛᎢ! \nᎠᎴ ᏥᎷᏏᎵᎻ, ᎠᎴ ᎢᏙᎻᏱ, ᎠᎴ ᏦᏓᏂ ᎢᏍᎪᏂᏗᏢ; ᎠᎴ ᏓᏯ ᎠᎴ ᏌᏙᏂ ᎾᎥ ᏗᏁᎯ, ᎤᏣᏘ ᎠᏂᎪᏗᏳ, ᎾᏍᎩ ᎤᎾᏛᎦᏅ ᏂᎦᎥ ᎤᏍᏆᏂᎪᏗ ᏕᎤᎸᏫᏍᏓᏁᎸ, ᎬᏩᎷᏤᎴᎢ.\nᎾᏍᎩ ᎦᎶᎯᏍᏗᏱ ᎠᎦᏘᏯ ᎤᏍᏚᎢᏒᎰᎢ, ᎠᎴ ᎠᏫ ᎠᎾᏛᎩᏍᎪ ᎧᏁᎬᎢ, ᎠᎴ ᏚᎾᏙᎥ ᏓᏯᏂᏍᎪ ᎠᏫ ᏧᏤᎵᎦ, ᎠᎴ ᏓᏘᏂᏒᏍᎩᏂ ᏕᎦᏄᎪᏫᏍᎪᎢ.\nᏚᏂᏃᎩᏒᏃ, ᎤᏂᏄᎪᏤ ᎣᎵᏩᏲ ᎣᏓᎸ ᏭᏂᎶᏎᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏳᏃ ᏚᏳᎪᏛ ᏂᏣᏛᏁᎲᎾ ᎢᎨᏎᏍᏗ ᎤᏓᎵᏓᏍᏗ ᎨᏅᎢᏍᏗ ᎨᏒ ᎪᎱᏍᏗ ᎢᏨᏗᏍᎬᎢ, ᎦᎪ ᏱᏥᎦᏘᏗᏍᏓ ᏄᏓᎵᏓᏍᏛᎾ ᎨᏅᎢᏍᏗ ᎨᏒᎢ?\nᏚᏒᎭᏂᎸ ᎩᎦᎨ ᎤᏂᏳᏩᏅ ᏗᏂᏐᎯᎢ ᏃᎴ ᏚᏟᏃᎮᏔᏅ, ᎨᏍᏗ ᎪᎰᏍᏗ ᏱᏓᏚᎸᎡᎭ, ᎤᏚᎵᏍᎨᎢᏉ ᎣᏍᏓ ᎢᏳᎾᎵᏍᏔᏁᏗ ᎢᏳᏍᏗ ᎠᏂᏰᎵᏒ.\nᎠᏓ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎤᏪᏅᏎ ᎤᏓᎵᎢ.\n“ᎤᏲᎢ ᎠᎩᏰᎸ ᎣᏍᏓ ᏱᏣᏓᏅᏛᎾ ᎨᏒᎢ ᏌᎳᏓ,” ᎤᏛᏁ.\nᏝᏍᎪ ᎯᎠ ᏱᎬᏩᎬᏫᏳ ᏱᏅᎦᏰᏥᏪᏏ, ᎭᏛᏅᎢᏍᏓ ᎠᏆᎵᏍᏓᏴᏗᏱ, ᎠᎴ ᎭᏓᏠᎦ, ᎠᎴ ᏍᎩᏍᏕᎸᎯᏓ ᎦᎵᏍᏓᏴᎲᏍᎬ ᎠᎴ ᎦᏗᏔᏍᎬ ᎢᎬᎯᏛ; ᎣᏂᏃ ᏨᏒ ᎭᎵᏍᏓᏴᏅᎭ ᎠᎴ ᎭᏗᏔᎲᎭ?\nᎾᏍᎩ ᏦᎢᎭ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᎬᏂᎨᏒᎢᏳ ᎤᎪᎮ ᏗᎧᎿᏩᏗᏙᎯ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎤᎷᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ; ᎧᏂᎵᏯ.\nᎾᏍᎩᏃ ᎤᎾᏛᎦᏅ ᎩᎳ ᏧᎩᏥᏍᎪᎢ ᏭᏂᏴᎴ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᎴ ᏚᎾᏕᏲᏁᎢ. ᎠᏎᏃ ᏄᎬᏫᏳᏒ ᎠᏥᎸ-ᎨᎶᎯ ᎤᎷᏨ, ᎠᎴ ᎾᏍᎩ ᎬᏩᎵᎪᏁᎯ, ᏚᏂᏟᏌᏁ ᏗᏂᎳᏫᎩ, ᎠᎴ ᏂᎦᏛ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎢᏏᎵ ᏧᏪᏥ ᏧᎾᏤᎵᎦ, ᎠᎴ ᏫᏓᏯᏅᎲ ᎤᎾᏓᏅᏎ ᏗᏓᏍᏚᏗᏱ.\nᎠᏂᏍᎦᎢᎮᏃ ᎠᎴ ᎡᎳᏗ ᏂᏚᏅᏁ ᏚᎾᎧᏛᎢ, ᎾᏍᎩ ᎯᎠ ᏂᎬᏩᏂᏪᏎᎴᎢ, ᎦᏙᏃ ᎬᏃᏛ ᎢᎡᏥᏲᎭ ᏧᏂᏲᎱᏒᎯ ᏄᎾᏛᏅᎢ?\nᎯᎸᎢᏴ ᎤᏦᏩᏛ ᎤᎳᎡ ᏧᎶᎸᏗ ᎡᎳᏆᏗ, ᎤᎦᏃᏩ ᎦᏁᏔᏱ ᏃᎴ ᎠᏛᏂᎢᏍᏔᏅ ᎤᏅᏣᎳᏗ ᎤᏒᎮᏱᏣ ᎤᏂᏯᎩᏍᏗ.\nᎢᎦᏓ ᏕᎦᏚᎲ ᎨᎪᎵᏨ ᎨᏒ, ᏏᏆ ᎭᏫᏯ ᎤᏅᏂᏍᏙᏗ, ᎦᏙ ᏓᎾᏍᎪᏍᎬ, ᎭᎾ ᏓᏃᏔᏍᎬ, ᎠᏓ ᏱᏚᏓᏪᎳᎪᏅ ᎭᎾ ᏫᏓᏂᎸᎥᏍᎬ ᏏᏆ, ᎦᏃᏍᎦ ᏃᎴ ᎩᎦᎨ ᎦᏓᏆᏟ ᎬᏗ ᏓᏄᏒᏗᏍᎬ.\nᏚᎴᏁᏃ, ᎤᏃᎴ ᎤᏍᎦᏤᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴ ᎥᏓᎵ, ᏙᏉ; ᎤᏓᏥᎾᏍᏛᎯ ᎿᎵᏍᏓ. ᎦᏃᎸᎥᏍᎬᏃ ᎤᏑᎵᎪᏤᎢ, ᎠᎴ ᎤᏣᏘ ᎤᏓᏥᎾᏍᏛᎯ ᏄᎵᏍᏔᏁᎢ.\nᎦᏐᎯ ᎤᏲᏓᎩᏍᎨ, ᎠᏦᏴ ᏗᏯᏖᏃ ᏫᏚᏣᎪᏎ.\n“ᎤᏙᎯᏳ ᏗᏦᎯᏍᏗ ᏂᎦᎵᏍᏗᎭ,” ᎤᏛᏁ ᏌᎳᏓ.\nᎡᏝᏪ ᎨᏎᎢ.\nᎣᏂᏃ ᏧᎾᏄᎪᏤ ᏧᏓᏏ ᎨᎵᎵ ᎡᎯ ᏣᎾᏎᎵᏙᎮ ᎢᏳᎢ, ᎠᎴ ᎤᏂᏣᏘ ᏴᏫ ᏥᏚᏘᎿᏫᏛᎮᎢ, ᎾᏍᎩᏃ ᎾᏍᏉ ᏥᎤᏲᎱᏎᎢ ᎠᎴ ᏂᎦᏛ ᎾᏂᎥ ᎬᏬᎯᏳᏅᎯ ᏧᎾᏗᎦᎴᏲᏤᎢ.\n”ᎤᎵᏍᏆᎸᏗ ᎠᏆᏖᎸᏂᎸ, ᎭᎴᏉ ᏦᏕᏆᏠᏥ ᏂᏥᏴᏂᎸ,” ᎤᏪᎷᏁ.\nᎢᎸᏍᎩᏃ ᏫᏄᏕᏘᏴᎲ ᏗᏆᏤᎵᎦ ᏴᏫ ᏕᏥᏲᎮᎸᎩ ᎨᏥᏁᎸᎯ, ᎠᎴ ᎠᎩᏲᎸᎩ ᎠᏥᎸᎨᎳᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎪᎯ ᎨᏒ ᎤᏲ ᎢᏣᏓᏅᏔ; ᎠᏎᏃ ᏔᎵᏁ ᏛᏨᎪᎢ, ᎠᎴ ᎢᏥᎾᏫ ᏛᎵᎮᎵᏥ, ᎢᏣᎵᎮᎵᎬᏃ ᎥᏝ ᎩᎶ ᏴᎨᏥᎩᏏ.\n“ᎠᏎᏗ ᏧᎾᏛᎯᏍᏗ ᎯᎸᎢᏴ,” ᎤᏛᏁ ᎡᎶᏗ.\nᎠᏍᎦᏰᎬᏍᏔ ᎠᏌᎻᏓ ᏃᎴ ᏄᏓᎴ ᎠᏍᎦᏰᎬᏍᏔ ᎾᎥᏂ ᏓᏂᏙᎬ ᎠᎾᏟᏃᎮᏍᎬ ᏃᎴ ᎠᎾᏘᏲᎯᎲ ᏅᏩᏍᏛ.\nᏂᏗᏍᎦᏅᎾ ᎠᎴ ᏚᏳᎪᏛ ᎢᎨᏓᏍᏗᏱ ᎠᎦᏔᎲ ᏂᎪᎯᎸ ᎢᏓᎴᏂᏙᎲᎢ.\nᏦᏩ ᎾᏍᎩ Ꮎ ᏧᎾᏨᏍᏗ ᎤᏓᏅᏘᏳ ᎨᏒ ᎢᏳᏍᏗ, ᎠᎴ ᏄᏚᎵᏍᎬᎾ ᎨᏒ ᎢᏳᏍᏗ ᎬᏂᎨᏒ ᎤᏕᎰᎯᏍᏙᏗᏱ, ᎤᏕᎵᏛᏉ ᎢᏴᏛ ᏮᏓᏥᏯᎧᏂ, ᎤᏪᎵᏎᎢ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏣᏂ ᎤᏃᎮᎸᎯ, ᎾᎯᏳ ᎠᏂᏧᏏ ᏥᎷᏏᎵᎻ ᏙᏧᏂᏅᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᎠᏂᎵᏫ ᎬᏩᏛᏛᏗᏱ, ᎯᎠ ᎢᏳᏂᏪᏍᏗᏱ; ᎦᎪ ᏂᎯ?\nᎢᏳᏃ ᎩᎶ ᎢᏤᎲ ᎪᎱᏍᏗ ᏳᎭ ᏅᏩᏓᎴ ᎤᏰᎢᎵᏓᏍᏙᏗ, ᏰᎵᏉᏍᎪ ᏂᏚᏳᎪᏛᎾ ᎢᏯᎾᏛᏁᎯ ᏚᏃᎸ ᏱᏕᏣᏓᏰᎢᎵᏓ, ᎥᏝᏃ ᎤᎾᏓᏅᏘ ᏚᏃᎸᎢ?\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎯᎠ ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᏴᎦᏰᎦᏄᎪᏩ, ᎬᏂ ᎠᏓᏙᎵᏍᏔᏅᎯ ᎠᎴ ᎠᎹᏟ ᎬᏅᎯ ᏥᎨᏐᎢ.\nᎯᎠᏃ ᏥᏌ ᏄᏪᏎᎴᎢ; Ꭷ ᏞᏍᏗ ᎩᎶ ᏥᎯᏃᏁᎵ, ᎮᎾᏉᏍᎩᏂ, ᏫᏣᎪᏩᏛ ᎠᏥᎸ-ᎨᎶᎯ, ᎠᎴ ᎠᎵᏍᎪᎸᏙᏗ ᏫᎲᎦ ᏱᏏ ᎤᏁᏨ ᎠᎵᏍᎪᎸᏙᏗ ᎾᏍᎩ ᎤᎾᏙᎴᎰᎯᏍᏙᏗ.\nᎿᏉᏃ ᎾᎯᏳ ᎤᎾᎴᏅᎲᎩ ᎤᏂᏃᎮᎸᎩ ᎤᏂᎯᏍᏗᏱ.\nᎾᏍᎩᏰᏃ ᎢᏳᎾᏍᏗ ᎥᏝ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ ᎪᎱᏍᏗ ᏯᎾᏛᏁᎭ, ᎤᏅᏒᏉᏍᎩᏂ ᎤᏂᏍᏉᎵᏱ; ᎠᎴ ᎤᏬᏚᎯ ᎠᎴ ᎣᏍᏛ ᎦᏬᏂᎯᏍᏗ ᎨᏒ ᎠᏅᏗᏍᎬᎢ ᏓᏂᎶᏄᎮᏍᎪ ᏧᏂᎾᏫ ᎾᏁᏯᏔᎲᎾ.\nᎠᎾᎵᏍᏓᏴᎲᏍᎬᏃ ᏥᏌ ᎦᏚ ᎤᎩᏒᎩ, ᎠᎴ ᎤᎵᎮᎵᏨᎩ, ᎠᎴ ᎤᎬᎭᎷᏴᎩ, ᎠᎴ ᏚᏁᎸ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠᏃ ᏄᏪᏒᎩ; ᎢᏥᎩ, ᎢᏥᎦ, ᎯᎠ ᎾᏍᎩ ᎠᏴ ᏥᏰᎸᎢ.\nᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏓᏆᎴᎳ ᏧᎶᎯᏍᏗ ᏍᏈᏍᏓ ᏓᎮᎢ ᏓᏆᎴᎳ, ᏑᎾᎴ ᎠᎴᏂᏍᎩ ᎤᏒᎯ ᏩᏍᏗ ᏕᎦᎷᎬ - “ᏧᏓᎴᏅᏓ ᏓᏆᎴᎳ.\nᎤᏚᎨᎢ ᏙᏱ ᎤᏪᏅᏍᏗ ᏲᎾ ᎤᏤᏍᏙ ᎠᏂᏐᎢ ᏗᏂᏲᏟ ᏧᏁᎸᏙᏗ ᏣᏉ ᎠᏂᎪᏕᏍᎩ ᎤᎾᏤᎵ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ ᎤᏪᏅᏍᏗ ᏃᎴ ᏧᎦᏙᏍᏙᏗ ᎠᏂᎾᏌᎢ.\n”ᎭᏩ,” ᎤᏛᏁ ᏐᏉ ᎤᏃᏕᎾ ᎠᏓᎯ, ”ᎣᏏᏉᏃ ᏄᎵᏍᏔᏏ ᏌᎳᏓ, ᎣᏥᏐᎢᎾ?\nᎠᏯᏛᎥ ᎦᏅᎯᏓ ᎠᏰᎳᏍᏗ ᎬᏗ, ᎢᏴ ᎤᏌᎵᏓᏁ, ᎠᏓ ᏓᏓᏧᎬ ᏭᏓᎩᏅᏎᎢ.\nᏫᏓᏟᏃᎮᏗ ᏭᏓᏐᎴᎢ ᎠᎳᏂ ᏃᎴ ᏭᏚᏏᎳᏛᏁᎴ ᎠᏂᎴᏴᏍᎩ.\nᎣᎭᏁᎯ, ᎠᎩᏲᎯᏍᏔᏅ ᎠᏆᏓᏅᏖᏗᏍᎬ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏓᎵᏅᏟ ᏂᎯ ᎾᏍᏉ ᏗᏥᏲᎱᏒᎯ ᏂᏣ-ᎵᏍᏔᏅ ᏗᎧᎿᏩᏛᏍᏗ ᎤᎬᏩᎵ, ᎦᎶᏁᏛ ᎠᏰᎸ ᎢᏳᏩᏂᏌᏛ; ᎾᏍᎩ ᏅᏩᏓᎴ ᏗᏣᏨᏍᏗᏱ ᎠᏰᎸᏒᎩ, ᎾᏍᎩ ᎠᏲᎱᏒ ᏣᎦᎴᏔᏅᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎤᎦᏔᏔᏅᎯ ᎡᏗᎾᏄᎪᏫᏎᏍᏱ ᎤᏁᎳᏅᎯ.\nᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎦᎶᏁᏛ ᎠᎩᏍᏛᏗᏍᎬ ᎥᏆᎸᎥᎢ ᎤᎬᏫᏳᎯ ᎦᏁᎸ ᏂᎬ ᎬᏂᎨᏒ ᏄᎵᏍᏔᏅ, ᎠᎴ ᏂᎬᎾᏛᏉ;\nᏲᎾ ᏥᏁᎵᏍᎨ ᎢᏳᏪᏍᏘ ᎤᏣᎴᏓ, ᎤᏁᎢᏍᏔᏅ ᎯᎸᎢᏴ ᏥᏃᎯᏎᏗ ᎧᏃᎨᏗ ᎤᏢᎾᏔ.\nᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᎾᏄᏬᏍᏕ ᎬᏂᎨᏒ ᏄᎾᏛᏁᎴᎢ; ᎠᎴ ᎤᏂᏁᎢᏍᏔᏁ ᎤᎵᏍᏆᏕᏗᏱ ᎨᏒ ᏥᎷᏏᎵᎻ.\nᎢᎳᏍᏓ ᎪᎴᏂᏗ ᏓᏳᏗᎩᏴᎩ, ᏠᏆᎹᏍᎩᏂ ᎹᎵᏓ ᏓᏥᏯᎧᎯᏴᎩ ᎤᏢᎩ.\nᏧᏤᎵ ᎠᏂᎬᏂᎨ ᏧᎾᏌᎢ ᏃᎴ ᎦᏲᏟ ᎠᏂᏴᏫᏯ ᏧᎾᏁᎸᏗ ᎤᎾᏓᏕᏴᏍᏛ ᎤᏬᏢ, ᎤᎾᏛᎦᏍᏛ ᏄᏪᏒ ᎤᏁᏝᏅᎯ, ᏥᏳᎪᏗ ᎢᏳᎾᏛᏁᏗ ᎠᏂᏴᏫ.\nᏥᎪᎵᏰᏍᎬ ᏥᏰᎵᏒ ᎦᏕᎶᎣᏍᎬ ᏳᏙᎯᏳᎲᎾ ᎨᏒ.\nᏧᎵᎩᏒ ᏗᎦᎳᎩᎡᏗ, ᎦᏓᏅᏖᏍᎬ ᏍᎩᎾᎾ ᎢᏯᏆᏛᏁᏗ.\nᎿᏉᏃ ᏉᎳ, ᎤᎬᏫᏳᎯ ᎤᎵᏍᎫᏫᏎᎸ ᎤᏁᎢᏍᏗᏱ ᎤᎵᏍᎪᎸᏓᏁᎸ, ᎯᎠ ᏄᏪᏒᎩ; ᏏᎦᏔᎯᏳ ᏥᎩ ᎢᎸᏍᎩ ᏧᏕᏘᏴᏛ ᏚᎪᏓᏁᎯ ᎢᎬᏩᎵᏍᏔᏅᎯ ᎨᏒ ᎯᎠ ᏑᎾᏓᎴᎩ ᏴᏫ, ᎾᏍᎩ ᏅᏓᎦᎵᏍᏙᏓ ᎤᏟ ᎤᎦᎵᏍᏗᏳ ᏴᏫ, ᎾᏍᎩ ᏅᏓᎦᎵᏍᏙᏓ ᎤᏟ ᎤᎦᎵᏍᏗᏳ ᎦᏓᏅᏓᏓ, ᎠᏋᏒ ᎦᎵᏍᏕᎵᏍᎬ ᎬᎩᏁᎢᏍᏗ ᏥᏂᎦᎵᏍᏓ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᏨᏒ ᏂᏣᏪᏒ ᏓᎬᏔᏂ ᏙᏓᎬᏳᎪᏓᏁᎵ ᏣᏲ ᎡᏣᏅᏏᏓᏍᏗ. ᎯᎦᏔᎲᎩ ᏥᏍᏓᏱᏳ ᎨᏒᎢ, ᏥᎩᏍᎬ ᎾᏍᎩ ᎠᎩᏅᎯ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᏥᏍᎫᏕᏍᎬ ᎾᏍᎩ ᎠᎩᏫᏒᎯ ᏂᎨᏒᎾ ᎨᏒᎢ;\nᏙᏱᏗᏢᏰᏃ ᎠᏁᏙᎭ ᎩᎶ, ᎠᎴ ᏗᎾᏙᏂᏍᎩ, ᎠᎴ ᎤᏂᏁᎫᏥᏛ, ᎠᎴ ᏗᎾᏓᎯᎯ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏗᎾᏓᏙᎵᏍᏓᏁᎯ, ᎠᎴ ᏂᎦᏗᏳ ᎣᏏᏳ ᎤᏂᏰᎸᎯ ᎦᏰᎪᎩ ᎨᏒ, ᎠᎴ ᎦᏰᎪᎩ ᎠᏃᏢᏍᎩ.\n“Ꭷ, ᎯᏓᎴᎾ ᏕᏓᏦᏍᎬᎢ, ᎯᏗᏃᎲᎳ ᎢᎦᏛᏁᏗ.\nᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᎾᏅᏓᏛᎩ ᎯᎠ ᏂᎬᏅ ᎪᏪᎸᎢ; ᏣᏤᎵ ᎠᏓᏁᎸ ᏓᏇᎷᎬ ᎠᎩᏯᎣᏅ.\nᎢᏥᎨᏴ, ᎢᏨᏒ ᏗᎨᏥᏰᎯ ᏕᏦᎯᏳᏎᏍᏗ, ᎤᎬᏫᏳᎯ ᎪᎯᏳᏗ ᏥᎩ ᎾᏍᎩᏯᎢ.\nᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎠᎴ ᎾᏍᎦᏅᎾ ᎾᏍᎩ ᎾᎤᏪᎳᏗᏍᏗᏍᎩ ᎢᎬᏱᏱ ᏗᎴᎯᏐᏗ ᎨᏒᎢ; ᎾᏍᎩ ᎥᏝ ᎪᎱᏍᏗ ᏴᎬᏩᏅᎦ ᏔᎵᏁ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎠᏥᎸᏍᎩᏂ-ᏗᏁᎶᎯ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎠᎴ ᎦᎶᏁᏛ, ᎠᎴ [ᎦᎶᏁᏛ] ᎢᏧᎳᎭ ᎤᏂᎬᏫᏳᎯ ᎨᏎᏍᏗ ᏌᏉ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ.\nᎤᏙᎯᏳ ᎤᎨᏳᎯ ᎨᏎ ᏫᎵᎻ ᏲᎾ ᎤᏤᏍᏙ.\nᎤᏣᏘᏃ ᎤᏂᏲᏠᎯᏎᎸ, ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ ᎠᏍᎦᎢᎲᎢ ᏉᎳ ᏱᎬᏪᏓᎦᎸᎥᎦ ᎡᎵᏍᎬᎢ, ᏚᏁᏤᎸᎩ ᎠᏂᏯᏫᏍᎩ ᎤᏁᏅᏍᏗᏱ ᎠᎴ ᏫᏚᎾᏑᎦᎸᏙᏗᏱ, ᎠᎴ ᎤᏂᏴᏔᏂᎯᏍᏗᏱ ᏗᏐᏴᎢ.\nᎤᏍᏗ ᎨᏎ ᏏᏆ, ᎠᏎᏃ ᎩᎳᏈᏴ ᎤᏙᎴᏇ.\nᎤᏁᎳᏅᎯᏍᎩᏂ ᎦᎾᏄᎪᏫᏍᎦ ᎢᎩᎨᏳᎯᏳ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏏ ᎢᏗᏍᎦᎾ ᏥᎨᏎᎢ ᎦᎶᏁᏛ ᎢᎩᏲᎱᎯᏎᎴᎢ.\n”ᏃᏉ ᎤᏍᏆᎸ ᎢᎦᏛᏅᎢᏍᏙᏗ ᏗᎩᎳᏫᏨᏍᏗ.\nᎠᏂᏐᎢᏃ ᎬᏩᎪᎵᏰᏍᎬ, ᎬᏩᏔᏲᏎᎴ ᏧᎾᏄᎪᏫᏎᏗᏱ ᎤᏰᎸᏛ ᎦᎸᎳᏗ ᏅᏓᏳᎶᏒᎯ.\nᎤᏩᏅᏤᏃ ᏗᎤᏠᎠᏎᎢ, ᎠᎴ ᎤᎵᎮᎵᏨᎯ ᏚᏓᏂᎸᏤᎢ.\nᏕᎦᎵᏦᏩᏛ ᏃᎴ ᏓᏓᏁᎸ ᏧᏏᏩ ᏃᎴ ᎤᎯᏐᏗ ᏂᏚᏍᏕᎢ.\nᎠᎴ ᏧᏄᎪᏨ, ᎤᏪᏅᏎ ᎣᎵᏩᏲ ᎤᏌᎯᎸᎢ ᎾᏍᎩ ᎢᏳᏛᏁᏗ ᎨᏒᎢ; ᎠᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎾᏍᏉ ᎬᏩᏍᏓᏩᏛᏎᎢ.\nᏍᏔᏯ ᎤᎦᎭᎾᏅ, ᎦᏣᏃᏍᏓ ᎡᎳᏗ, ᎤᏃᎴ ᎠᎹ ᏥᏄᎵᏍᏔᏃ ᎢᏳᏍᏗ.\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎩᎶ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏂᏓᏓᏂᎸᎬᎾ ᎢᎨᏎᏍᏗ ᎾᏍᎩᏯ ᎠᏲᎵ ᏥᏓᏓᏂᎸᎪᎢ, ᎥᏝ ᎾᎿ ᎤᏴᏍᏗ ᏱᎨᏎᏍᏗ.\nᎠᏲᏟ ᎦᎭᏁᎮ, ᎤᏁᏝᏅ ᎨᏎ ᎠᏗᏍᎨ ᎡᎶ ᎤᏲᏍᏙᏗ ᎤᏁᏝᏅ ᎡᏘᏴ ᏄᎾᏕᏂᎵᏙᎸ ᏱᏄᎾᏛᏁᎸᏓ ᏱᎩ ᏃᎴ ᏁᎳᎩ ᎤᏁᎵᏍᏗ ᏗᎬᏅ ᏗᎭᎾᏬ, ᏗᎦᎶᏇ, ᏗᎦᏓᎷᎩᏍᏗ ᏃᎴ ᏂᎦᏓ ᏔᎷᎩᏍᎩ ᏗᎪᏒᏔᏅ ᏃᎴ ᎤᏂᏲᎯᏍᏙᏗ ᏓᎶᏂᎨ ᏎᎷ ᏓᎾᏛᎯᏗᏍᎬ, ᏎᎷᏯ ᏧᎾᏛᎯᏍᏙᏗ ᎤᏩᏌ ᏃᎴ ᎤᏂᏲᎯᏍᏙᏗ ᏗᏍᏙᏍᏗ ᎨᏥᏍᏙᎡᎲ ᏎᎷ, ᎤᏅᏌ ᎤᏂᏍᏙᏍᏗ ᎧᏃᎾ ᎬᏗ ᏃᎴ ᏚᏃᏒᎯᏍᏙᏗ ᏧᏪᏘ ᏕᎦᏛᎲ ᏃᎴ ᏚᎾᏁᏍᎨᏗ ᏧᎾᏦᎯᏍᏗ ᎦᏓ ᎦᏓᏍᎬᎢ ᎤᎾᎴᏅᏗ ᏧᏪᏘ ᎠᏛᏁᎸᏗ ᏃᎴ ᎠᎵᏍᎩᏍᏗ.\nᎯᏍᎩᏃ ᏌᏙᏂᎩ, ᏑᏓᎵᏁᏃ ᏌᏗᏱ, ᎦᎵᏉᎩᏁᏃ ᎩᏐᎳᏗ, ᏧᏁᎵᏁᏃ ᏇᎵ, ᏐᎣᏁᎵᏁᏃ ᏙᏆᏏ, ᎠᏍᎪᎯᏁᏃ ᏟᏌᏇᏌ, ᏌᏚᏏᏁᏃ ᏤᏏᏂ, ᏔᎳᏚᏏᏁᏃ ᎠᎻᏗᏏ.\nᏩᎦ ᏓᏂᎾᏆᏘᏍᎨᎢ.\nᎠᏏᏉ ᏕᎦᏬᏁᏗᏍᎬ ᏴᏫ, ᎬᏂᏳᏉ ᎤᏥ ᎠᎴ ᎠᎾᎵᏅᏟ ᏙᏱᏢ ᎠᏂᏙᎾᎥᎩ, ᎤᎾᏚᎵᏍᎬᎩ ᎬᏩᎵᏃᎮᏙᏗᏱ.\nᎠᎴ ᏗᏍᏚᎢᏍᏗ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏧᏤᎵ ᏙᏓᎬᏕᎵ, ᏂᎦᎥᏃ ᎪᎱᏍᏗ ᎭᎸᎢᎮᏍᏗ ᎡᎶᎯ, ᎦᎸᏍᏗ ᎨᏎᏍᏗ ᎦᎸᎳᏗ, ᏂᎦᎥᏃ ᎪᎱᏍᏗ ᎭᎸᎩᏍᎨᏍᏗ ᎡᎶᎯ ᎦᎸᎩᏍᏗ ᎨᏎᏍᏗ ᎦᎸᎳᏗ.\nᎾᏍᎩ ᎺᎠᏗ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎹᏗᏓᏯ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏏᎻᏯ ᎨᏎᎢ, ᎾᏍᎩ ᏦᏩ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏧᏓ ᎤᏪᏥ ᎨᏎᎢ,\nᎨᏍᏗ ᏂᎦᏓ ᏱᏓᏥᏃᎮᎵ ᎤᏦᎠᏎᏗ ᎤᎶᏒ ᎠᏆᏓᏅᏖᏗ ᎾᏍᎩᏴ ᏚᏙᏓᏋ, ᎯᎠ ᏥᏂᏥᏩ, ᏧᏒᎯᏓ ᏥᏐᎯ ᏥᏅᎬ, ᏕᎦᎦᏙᏍᏛ ᏃᏈᏏ ᏚᏓᏴᎳᏛ ᏕᎦᎶᏍᎬ ᏚᏩᏂᎦᏢ ᏃᎴ ᎦᏓᏅᏖᏍᎬ ᎨᎵ ᏱᏭᎷᏨ ᏭᏕᎵᎬ ᏃᎴ ᏥᏍᎦᎢᎲ ᏱᏭᎷᏨᎾ.\nᏣᏍᎪᏃ ᏱᏣᏓᏅᏖᏍᎪᎢ ᏓᎩᏯᏪᎬ ᎢᏨᏍᏕᎵᏍᎬ ᎦᏓᏏᏙᎲ ᎢᎪᎯᏓ? \nᎠᏂᏳᏩᏁᎦ ᏄᎾᏍᏛ ᏱᏂᎦᎵᏍᏔᎾ ᎤᏩᏌ ᏓᏓᏂᏱ ᎤᏁᎵᏎ.\nᏞᏍᏗ ᎩᎶ ᎤᏕᎵᏛ ᏗᏂᏏᎲᏍᎩ ᏱᏣᏓᏑᏰᏍᏗ, ᎠᎴ ᎠᏍᎦᎾ ᏴᏫ, ᎢᏐ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎠᏍᎦᎾ ᏴᏫ, ᎢᏐ ᎾᏍᎩᏯᎢ, ᎤᏍᎩ ᏌᏉᏉ ᎢᏯᎵᏍᏓᏴᏗ ᏥᏚᎬᏩᎶᏔᏁ ᏧᎾᏗᏅᏎ ᎢᎬᏱ ᎡᎯ ᎨᏒᎢ.\nᏣᏂᏃ ᎾᏍᏉ ᎢᏃᏂ ᏓᏓᏬᏍᎬᎩ, ᏎᎵᎻ ᎾᎥᎢ, ᎾᎿᏰᏃ ᎤᏣᏛᎩ ᎠᎹ. ᎠᏂᎷᎬᎩᏃ ᎠᎴ ᏕᎨᎦᏬᏍᎬᎩ.\nᎠᏯ ᎠᎩᏅᏫᏍᏔᏅ ᎠᏆᎦᏎᏙᏗ ᎠᎬᏱ, ᏅᏙ ᏭᏕᎵᎬ ᎠᎴᏂᏍᎩ ᎠᏂᏏᏗ ᎠᏍᏆᎵᏍᎬ ᎢᎪᎯᏛ, ᏄᏓᏅᏖᎴᏗ, ᎨᏍᏗ ᎪᎰᏍᏗ ᎬᏙᏗ ᏱᎨᏎ ᏯᏆᏚᎵᏍᎬᎾ ᎨᏎ ᎠᎦᏎᏙᏗ.\nᎠᎴ ᎤᏁᎳᏫᏎᎲ ᎤᎪᎲ ᎠᏍᎦᏯ ᎡᏂᎾᏯ ᏧᏙᎢᏛ ᎤᏴᎵᎸ ᎠᎴ ᎤᏏᏔᏛ ᎥᎤᎪᏩᏛᏗᏱ.\nᎠᎴ ᏅᏩᏓᎴ ᏗᎧᎿᏩᏗᏙᎯ ᎠᏥᎸᎨᎳᏍᏗᏱ ᎾᎥ ᏓᏳᏄᎪᏨᎩ, ᎾᏍᎩ ᎤᎲᎩ ᎠᏓᏅᏖᏍᎬᏉ ᎢᏳᏩᏗᏱ ᎠᏥᎸ; ᎠᎴ ᎠᏍᏓᏯ ᎤᎵᏍᏓᏁᎸᎩ ᎪᏍᏓᏯ ᎠᏍᎫᏕᏍᏗ ᎦᏁᎯ, ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᎠᏍᎫᏕᏍᏗ ᏣᏤᎵ ᎪᏍᏓᏯ ᎲᏓ, ᎠᎴ ᎯᏟᏌ ᏖᎸᎳᏗ ᎡᎶᎯ ᎤᏛᏒᎯ; ᏖᎸᎳᏗᏰᏃ ᎿᏉ ᎤᏅᎾᏏᏌᏛ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᏍᏕᏍᏗ ᎯᏁᎨᏍᏗ, ᎾᏍᎩ ᎦᎨᎫᎢᏍᏙᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᎾᏍᎩ ᎾᎿ ᏥᏚᏂᎸᏫᏍᏓᏁᎭ ᏗᏟᎶᏍᏔᏅᎯ ᎠᎴ ᎤᏓᏩᏗᏍᏙᏛ ᎦᎸᎳᏗ ᎡᎯ ᎦᎵᏦᏛᎢ, ᎾᏍᎩᏯ [ᎤᏁᎳᏅᎯ] ᎼᏏ ᏧᏁᏤᎴ ᎾᎯᏳ ᎦᎵᏦᏙᏗ ᏨᏗᎪᏢᏂᏎᎢ; ᎭᎦᏌᏯᏍᏔᏅᎭ ᏧᏛᏁᎢ, ᏕᎰᏢᏍᎬ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎾᏍᎩᏯ ᏗᏟᎶᏍᏙᏗ ᎠᎲ ᎾᏍᎩ ᏤᏣᎾᏄᎪᏫᏎᎸ ᎣᏓᎸ ᏅᏁᎸᎭ.\nᎢᎬᏱᏍᎩᏂ ᎢᏥᏲᎦ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎠᎴ ᎤᏤᎵ ᏚᏳᎪᏛᎢ, ᎯᎠᏃ ᏂᎦᏗᏳ ᏓᏰᏥᏁᏉᎡᎵ.\nᎠᏥᎸ ᎤᏍᎦᏎᏗ ᏣᏅᏜᏗᏍᎨᎢ, ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᏣᎾᏗᏫᏎᎮᎢ, ᏗᏂᏩᎦᎳ ᎨᏒ ᏧᎾᎵᏂᎩᏛ ᏥᏂᎨᎬᏁᎮᎢ, ᎾᏂᏍᎦᎢᎲᎾ ᏂᎾᎾᎵᏍᏗᏍᎨ ᏓᎾᎵᎲᎢ, ᏥᏓᏂᎨᎯᏙᎮ ᏅᏩᎾᏓᎴ ᎠᏂᏯᏫᏍᎩ.\n“ᏱᏕᏍᎩᏃᎩᎢᎾ, ᎧᏃᎮᏍᎩ ᏗᎩᏏ ᏃᎴ ᎤᎵᏏᎬᎢ.” ᎤᏍᏗᏰᏔᏁ.\nᎪᎱᏍᏗ ᏃᏣᏛᏁᎲᎾ ᎬᏩᏓᏙᏕᏍᏙᏗ ᎨᏒᎢ, ᎯᎠ ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎤᏐᏅ ᎬᏩᏂᏃᎮᏗ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ;\n“ᏥᎧᏍᎨᏂ, ᎤᏇᏓᏢ ᏚᏦᎯᏍᏛ ᏥᎧᏍᎨᏂ, ᏦᎢᏁ ᏚᏦᎯᏍᏛ, ᏥᏂᎨᏂ, ᏅᎩᏁ ᏚᏦᎯᏍᏛ, ᎠᏆᎳᏏᏕᎾ ᏃᎴ ᎯᏍᎩᏁᎢ ᏚᏦᎯᏍᏛ.” \nᎿᏉᏃ ᎾᎥᏂᏳ ᎨᏎ ᎤᏅᏂᏍᏗᏱ ᏚᏅᏎ ᏧᏅᎢᏓᏍᏗ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏗᏁᎲᎢ, ᏚᏂᏁᏒᏎ ᎤᎾᏓᏛᏅᎯ.\nᎩᎶᏃ ᎢᏳᎾᏍᏗ ᏧᏗᏱ ᏅᏓᏳᏂᎶᏒᎯ ᏚᏁᏲᏁ ᎠᎾᏓᏅᏟ ᎯᎠ ᏄᏂᏪᏎᎢ; ᎢᏳᏃ ᏤᏥᎤᏍᏕᏎᎸᎯ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ, ᎾᏍᎩ ᎼᏏ ᏂᎦᏪᏍᎬᎢ, ᎥᏝ ᏴᎦᏰᏥᏍᏕᎸ.\n“ᏃᏉᏗᎾ ᎯᏥᏧᏣ!” ᎤᏪᎷᏁ ᎰᎻ.\nᎾᏍᎩ ᏔᏘᏄᎦ, ᎠᎴ ᎢᏧᎳᎭ ᎢᏣᏓᏅᎦᎸ, ᎠᎴ ᎢᏧᎳᎭ ᎢᏣᎫᏴ, ᎾᏍᎩᏃ ᏗᏂᏍᎪᎵ ᏕᎠᎾᎵᏍᏙᏰᎲᎭ; ᎠᎴ ᏂᎦᏛ ᎠᎾᏙᎴᎰᏒᎭ ᏄᏍᏛ ᎨᏣᏛᎦᏁᎸᎢ ᎠᏎᏉᏉ ᎨᏒᎢ, ᎠᎴ ᎠᎾᏙᎴᎰᏒᎭ ᏨᏒ ᎾᏍᏉ ᏚᏳᎪᏛ ᎭᎴᏂᏙᎲᎢ, ᏗᎧᎿᏩᏛᏍᏗ ᎯᏍᏓᏩᏕᎬᎢ.\nᎤᎩᏨᏓ ᏑᎾᎴ ᎤᏰᏨ, ᏯᏓᏅᏍᎬᎾ ᎤᏬᏢ ᏰᎵ ᎪᎯᏛ ᏧᏳᎪᏗ ᏂᎬᏁᎲ ᎤᏓᏅᏖᏗ.\n“ᎨᎵᎠ ᎣᏍᏓ ᏯᏰᎸᎾ ᎰᎻ.”\nᎾᏍᎩ ᎾᎯᏳ ᏥᎨᏎ ᎦᎶᏁᏛ ᏂᏤᎲᎾ ᎨᏎᎢ, ᏂᏤᎸᎾᏉ ᎨᏎ ᎢᏏᎵ ᎠᏰᎵ ᎤᏃᏢᏒᎢ, ᎠᎴ ᎢᏥᎪᏁᎳ ᎨᏎ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎠᏚᎢᏍᏛᎢ, ᎤᏚᎩ ᏂᏨᏒᎾ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏂᏤᎲᎾ ᎨᏎ ᎠᏂ ᎡᎶᎯ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏥᏌ ᎤᏍᏆᏛ ᎾᏍᎩ ᏂᎦᏪᏍᎬᎢ, ᎤᏂᏍᏆᏂᎪᏎ ᏓᏕᏲᎲᏍᎬᎢ.\nᎠᎴ ᏧᏓᏏ ᎢᏍᎦᎳᏗ, ᎾᏍᎩ ᏍᏉ ᏧᎶᏄᎮᎴᎢ; ᎠᏓᏁᎸᏃ ᏭᏂᎶᏎᎢ.\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎠᏴ ᎾᏍᏉ ᏑᏓᎴᎩ ᏓᏨᏯᏛᏛᏂ; ᎠᎴ ᏍᎩᏃᎲᏏ;\nᏐᏉ ᎤᏓᏏᏂᏕᎾ, ᏔᎵᎭ ᏧᏙᏓᏆᏓ ᎣᏁᎯ ᏣᏓᏴᎳᏔᏍᎨᎢ ᏗᎪᏪᎳᏅ ᏌᎳᏓ ᏚᏏᎳᏛ, ᏧᎾᏦᎯᏍᏗ ᏂᎦᏓ ᎨᏥᎾᏌᎢ ᏚᏒᏍᏔᏁ ᎧᏅᏂᏍᎩ ᎭᏫᏂ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ.\nᏃᏗ ᎡᎶᎯ ᏣᎵᏍᏆᏗᏍᎪ ᎢᏳᏍᏗ ᏄᎵᏍᏔᏁᎴ, ᎫᏩᏕᏨ ᏌᎳᏓ ᏧᏤᎵ ᏗᏂᏲᏟ.\nᎠᎴ ᎯᎠ ᏂᏥᏪᎭ, ᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᎤᏂᏅᏏᏓᏍᏗ ᏄᎵᏍᏔᏅᎩ ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎨᏒ ᎤᏁᎳᏅᎯ, ᏧᏍᏓᏱᏗᏍᏗᏱ ᎨᏥᏚᎢᏍᏓᏁᎸᎯ ᎨᏒ ᎠᏂᎦᏴᎵᎨᎢ.\nᎿᏉᏃ ᎠᎦᏘᏃᎮᎸᎩ ᎠᏍᎩᎾ ᎤᏯᎢ ᏗᎨᏫ ᎠᎴ ᎤᏩᎨᏫ, ᎠᎴ ᎤᏅᏩᏅᎩ; ᎾᏍᎩᏃ ᏗᎨᏫ ᎠᎴ ᎤᏩᎨᏫ ᎤᏬᏂᏒᎩ ᎠᎴ ᎤᎪᎲᎩ.\nᎠᎴ ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎩᎶ ᎠᏴ ᏂᏗᏥᏲᏕᏍᏗᏍᎬᎾ. ᎢᎨᏎᏍᏗ.\nᎾᏍᎩ ᎢᏳᏩᏂᏌᏛ ᎡᎦᎫᏴᏛ ᏥᎩ ᎤᎩᎬ ᎬᏔᏅᎯ, ᎡᎩᏙᎵᏨᎯ ᎢᎩᏍᎦᏅᏨᎢ, ᎾᏍᎩᏯ ᏄᏧᏈᏍᏛ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ;\nᏥᏌ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏥᎪ ᏔᏕᏲᎲᏍᎩ ᎢᏏᎵ ᎠᏁᎲᎢ, ᏂᎦᏔᎲᎾᏃ ᎢᎩ ᎾᏍᎩ ᎯᎠ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎤᎾᏓᏅᏘ, ᎦᏙᎯᏰᏃ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ.\nᎬᏂ ᎨᏣᏍᎦᎩ ᏗᏣᎳᏏᏗᏱ ᎦᏍᎩᎶ ᏂᎦᏥᏴᏁᎸᎭ.\nᎢᏳᏰᏃ ᎡᎶᎯ ᏱᎦᏰᎮᎢ, ᎥᏝ ᎠᏥᎸᎨᎶᎯ ᏱᎦᎨᏎᎢ, ᎢᎠᏁᎭᏰᏃ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᏓᏁᏗ ᎨᏒ ᎠᎾᎵᏍᎪᎸᏗᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎬᏅ ᎾᏍᎩᏯᎢ;\nᎠᎴ ᎾᏍᎩ ᎠᎵᏍᎪᎸᏔᏅᎯ ᎠᎫᏴᏙᏗ ᎠᏴ ᎢᎩᏍᎦᏅᏨᎢ, ᎠᎴ ᎥᏝ ᎠᏴᏉ ᎢᎬᏒ ᎢᎩᏍᎦᏅᏨᎢ, ᎾᏍᏉᏍᎩᏂ ᎡᎶᎯ ᏂᎬᎾᏛᎢ.\nᏤᏍᏗ ᎦᏲᏟ ᎢᏯᏔᏬᏍᏔᏅ ᏱᏕᏍᏗᏒᏁᏍᏗ.\nᎨᎯᏃ ᎢᏴᏛ ᏗᏁᏙᎮ ᎤᏂᏣᏘ ᏑᎾᏓᏡᎩ ᏏᏆ ᎠᎾᎵᏍᏓᏴᏂᏙᎮᎢ.\nᎨᏍᏗ ᏱᏛᎣᏥᎩᏏ ᎣᎩᏲᎰᏎᎸ.\nᏅᏁᎰᎾ ᏕᎯᏏᎳᏛᎥᏍᎬ, ᎭᏂᏉ ᏥᏅᎨᏍᏗ ᎬᏯᎦᏙᏍᏕᏍᏗ.\nᎤᏂᏍᏈᏍᏓᏗ ᎾᏂ.\nᎢᎦᏛᏃ ᎾᎿ ᎠᏂᏙᎾᎢ ᎾᏍᎩ ᎤᎾᏛᎦᏅ, ᎢᎳᏯ ᎠᏯᏂᎭ ᎯᎠ, ᎤᎾᏛᏁᎢ.\nᎣᎩᎶᎨᏒ ᏧᎾᏓᎴᏅᏓ ᎤᏂᏥᎸ ᏙᎦᏛᎯᏍᏗ.\nᎠᏎᏃ ᎤᏐᏱ ᎤᎾᏚᎵᏍᎨ Ross ᏃᎴ Ridge, ᎤᎾᏕᏗᏉ ᎠᏂᏣᎳᎩ, ᏗᏂᏓᎭᏃᏫᎨᏎ, ᎠᏎᏉ ᎦᎳᎱᏂ ᏃᎴ ᏤᎩᏏᏂ.\nᎤᏅᏗ ᎤᏆᎳᏛ ᎠᏥᏍᏛ ᎤᏌᏁ ᎦᏍᎩᎸ ᎪᏱᏁᎢ.\nᏓᎾᎵᏍᏔᏴᎲᏍᎬ ᏃᎴ ᎠᎾᎵᏗᏍᎩᏍᎬ ᎨᏙᎲ ᎠᏎᎩ ᎯᏍᎩ ᎢᏳᏩᎦᏔ ᏑᎾᏙᏓᏆᏍᏗ.\nᏥᏌᏃ ᏚᏍᏓᏩᏛᏎᎢ. ᎿᏉᏃ ᎾᎥᏉ ᎤᎷᎴ ᏗᏓᏁᎸ, ᎠᏍᎪᎯᏧᏈ ᎠᏂᏯᏫᏍᏍᎩ ᏗᏘᏂᏙᎯ ᏙᏧᏅᏎ ᏧᎵᎢ ᏂᏙᏓᎬᏩᏠᎯᏍᏗᏱ, ᎯᎠ ᏅᏧᏪᏎᎴᎢ; ᏣᎬᏫᏳᎯ, ᏞᏍᏗ ᏨᏒ ᏣᏓᏕᏯᏙᏔᏅᎩ; ᎥᏝᏰᏃ ᏰᎵ ᏱᏂᎪᎯ ᏣᏴᏍᏗᏱ ᏥᏁᎸᎢ ᏥᎾᏆᏍᏗᏉ;\nᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎠᎾᎵᏥᏙᏂᏙᎸᎭ ᎯᎠ ᎣᏍᏛ ᎧᏃᎮᏛ ᎢᎸᎯᏢ ᎡᎳᏂᎬᎢ, ᎾᏍᏉ ᎯᎠ ᎠᎨᏴ ᏥᎾᏛᎦ ᎤᏂᏃᎮᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᎦᏅᏓᏗᏍᏙᏗ.\nᎤᏂᏃᎮᎴᏃ ᎦᎶᏄᎮᏛ ᎤᏅᏙᏗᏱ ᎤᏂᏂᏴᏗᏱ ᏥᏌ, ᎠᎴ ᎤᏂᎯᏍᏗᏱ.\nᎠᏎᏃ ᎠᏏᏉ ᎯᎠ ᎾᏍᎩ ᏄᏍᏕᎠᏓᏅᏖᏍᎨᎢ, ᎬᏂᏳᏉ ᏗᎧᎿᏩᏗᏙᎯ ᏱᎰᏩ ᎤᏅᏏᏛ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᎠᏍᎩᏓᏍᎬᎢ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ; ᏦᏩ, ᏕᏫ ᎤᏪᏥ, ᏞᏍᏗ ᏣᏍᎦᎸ ᎯᏯᏅᏗᏱ ᎺᎵ ᏣᏓᏴᏍᏗ, ᎾᏍᎩᏰᏃ Ꮎ ᏥᎦᏁᎵ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏓᏅᏖᎸᎯ;\nᎨᏥᏅᏏᏛᏃ ᎠᎴ ᎠᎾᎵᏅᏟ ᏧᏗᏱ ᎠᏁᎯ ᎤᎾᏛᎦᏁ ᎾᏍᎩ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎾᏍᏉ ᏚᎾᏓᏂᎸᏨ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎭᏂ ᏱᏓᎴᏅ ᎢᏗᏍᏔᏩᏗᏒ ᏣᎵ, ᎤᏛᏅ ᏲᎾ.\nᎤᎩᏨᏛ ᏥᏌ ᎤᏚᎵᏍᎬᎩ ᎨᎵᎵ ᎤᏪᏅᏍᏗᏱ; ᏈᎵᎩᏃ ᎤᏩᏛᎲᎩ, ᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏍᎩᏍᏓᏩᏚᎦ.\nᎤᏂᏃᏕᎾ ᎠᏃᎵᎨᎢ ᏃᎴ ᎠᏂᎦᏔᎮᎢ ᎣᏍᏓ ᏴᏫ ᎨᏒᎢ.\nᏚᏥᎭᎷᏁ ᏣᎵ, ᎠᏓ ᏗᏍᏆᎸᎩᏓ ᏥᏕᎪᎰᏍᎪ ᎢᏳᏍᏗ ᏂᏚᎵᏍᏔᏁ ᏗᎧᏂᎨᎾ.\n“ᏕᏓᏓᎪᎲᏳ, ᎪᎩ, ᏕᏓᏓᎪᎲᏳ, ᏕᏓᏓᎪᎲᏳ!” \nᎩᎶ ᏣᏍᎦᏅᎪ ᎠᏲᏍᏗᏍᎪ ᎾᏍᏉ ᏗᎧᎿᏩᏛᏍᏗ, ᎠᏍᎦᏂᏰᏃ ᎠᏲᏍᏗᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ.\nᎿᏉᏃ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎾᏍᎩᏯ ᎨᏎᏍᏗ ᎠᏍᎪᎯ ᎢᏯᏂᏛ ᎠᎾᏛ, ᎾᏍᎩ ᏥᏚᏂᏅᏎ ᏗᏨᏍᏙᏗ ᎠᎴ ᏥᏚᎾᏠᏒᏎ ᎠᏕᏒᎲᏍᎩ.\nᎠᏂ ᎠᎦᏙᎲᎯᏍᏗ ᎨᏒ ᎠᏓᏅᏙ ᎬᏙᏗ ᎪᎵᏍᏗ. ᎾᏍᎩ Ꮎ ᎦᎵᏉᎩ ᏓᏍᎫᏓᏛ ᎦᎵᏉᎩ ᏙᏓᎸ ᎦᏛᎦ, ᎾᎿ ᎠᎨᏴ ᏧᏬᎳ.\nᎠᎴ ᎢᎸᎯᏢ ᏫᎦᎷᎩ, ᏧᏍᏗ ᏕᎦᏚᎲ, ᎠᎴ ᏧᏛᎾ ᏕᎦᏚᎲ, ᎠᎴ ᎢᏴᏛ ᏗᏓᏁᎶᎯ ᎨᏒᎢ, ᏧᏂᏢᎩ ᏕᎦᎳᏅᏛ ᏓᏂᏅᎥᏍᎨᎢ, ᎠᎴ ᎬᏩᏔᏲᏎᎮ ᎤᎾᏒᏂᏍᏗᏱ, ᎦᏓᎷᏯᏛᏉ ᎾᏍᏉ ᎤᏄᏴᎢ; ᎾᏂᎥᏃ ᎾᏍᎩ ᎬᏩᏒᏂᎸᎯ ᏚᎾᏗᏩᏍᎨᎢ.\nᏓᏈᏃ ᎠᎴ ᎵᏍᏗ ᏭᎷᏨᎩ, ᎬᏂᏳᏉᏃ ᎾᎿ ᎡᎲᎩ ᎩᎶ ᎢᎨᏍᏗ ᎪᎯᏳᎲᏍᎩ, ᏗᎹᏗ ᏧᏙᎢᏛ, ᎠᏧᏏ, ᎤᏙᏓᏍᎩᏂ ᎠᎪᎢ ᎨᏒᎩ.\nᏂᎦᏓ ᎤᏲᎰᏐᏁᎸ.\nᏫᎦᎸᎳᏗᏴ ᏗᏟᏰᎵᏓᏍᏗ ᏚᏄᎪᏔᏅ ᎠᏂᏴᏫᏯ ᏚᎾᎵᎪᏓᏁᎸ, ᎠᏎᏃ ᏄᏪᏒ ᏤᎩᏏᏂ, ᏃᏉ ᏩᏂᏌᏙᏯ.\nᎢᏴᏛᏃ ᏭᏘᏅᏍᏔᏅ ᎤᏓᏰᎵᎸ ᎤᏂᏣᏘ ᎠᏁᏙᎲᎢ, ᏕᎦᏰᏌᏛ ᏗᎦᎴᏂ ᏚᏐᎾᏕᎢ, ᎠᎴ ᏚᎵᏥᏍᏇᎢ, ᎠᎴ ᎦᏃᎪ ᎤᏒᏂᎴᎢ;\nᎤᎾᎴᏅᎮᏃ ᎤᏲ ᎤᏂᏰᎸᏁᎢ, ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᏌᏉᎬᏪᏒᏛ, ᏥᎪ ᎠᏴ? ᏅᏩᏓᎴᏃ, ᏥᎪ ᎠᏴ? ᎠᏗᏍᎨᎢ.\nᏘᎵ ᏚᏂᏒᎾᏛ ᎪᏍᏛ.\nᎥᏝ ᎠᏗᎾ ᎢᏨᏯᏓᏅᏖᎮᎯ ᎨᏒ ᎢᏦᎯᏳᏒᎢ, ᎣᏥᏍᏕᎵᏍᎩᏉᏍᎩᏂ ᎨᏒ ᎢᏣᎵᎮᎵᎬᎢ; ᎢᏦᎯᏳᏒᏰᏃ ᏂᎦᎵᏍᏙᏗ ᎠᏏ ᏥᏕᏥᏙᎦ.\nᎠᎴ ᎾᏂᎥ ᎤᎾᏓᏎᎪᎩᏍᏗᏱ ᏣᎾᏟᏂᎬᏁᎰ ᏂᎦᎥ ᎤᎾᎵᏍᏆᏂᎪᏗᏳ ᎨᏐᎢ. ᎠᎴ ᎾᏍᎩ ᎠᏲᎩᏉ ᎠᎵᏍᏚᎶ ᎨᏥᏅᏁᏗᏱ ᎤᎾᏚᎵᏍᎪᎢ, ᎠᏴᏍᎩᏂ ᎠᏲᎩ ᏂᎨᏒᎾ.\nᏣᏉᏍᎪ ᏯᏕᎶᎰᏍᎦ ᎣᏏᏉ ᎨᏒ ᏏᏆ?”\nᎠᏍᎦᏂᏰᏃ ᎥᏝ ᏱᎨᏣᏓᎵᏁᎯᏕᎮᏍᏗ; ᎥᏝᏰᏃ ᏗᎧᎿᏩᏛᏍᏗᏱ ᏱᏣᏓᏄᏴᏗ, ᎬᏩᎦᏘᏯᏍᎩᏂ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᏣᏓᏄᏴᏗ.\nᎤᎧᏛ ᏚᏍᏚᏤ ᎤᎦᎾᏅ.\nᏦᎢᏁᏃ ᎨᏒ ᏗᎧᎿᏩᏗᏙᎯ ᎡᏉᏂ ᏕᎨᏴ ᎠᎴ ᎠᎹ ᏕᎦᏄᎪᎬ ᎤᏪᏐᏅᏴᎩ ᎫᎫ ᎠᏰᎲ ᎠᏟᏍᏛᎢ; ᎩᎬᏃ ᏂᏚᎵᏍᏔᏅᎩ.\nᎠᏎᏃ ᎠᏴ ᎯᎠ ᏂᏣᏪᏎᎭ; ᏞᏍᏗ ᏱᏣᏞᎨᏍᏗ ᎤᏐᏅ ᏁᏨᏁᎸᎢ; ᎩᎶᏍᎩᏂ ᎯᎦᏘᏏ ᏣᎪᏇᎷᎲᏍᎨᏍᏗ, ᏐᎢ ᎾᏍᏉ ᎯᏯᎵᏍᎪᎸᏓᏁᎮᏍᏗ.\nᎠᎬᏱᏃ ᎨᏒ ᏧᏂᏒᏍᏗ ᎠᏍᏆᏚᎸ ᎠᎩᏩᏒ ᎡᎳᏗ ᏧᎵᎬᏩᏟ, ᎨᏍᏗ ᎣᏍᏓ ᎾᎿᎨᏒ ᏃᎴ ᎠᏂᏫᎾᎨᏍᏗ ᎦᏲᏟᏉ ᎠᏂᏖᎵᏕᎩ ᏗᎾᎳᏫᎩ ᏃᎴ ᏳᎾᎵᏍᎨᏗᏴᏓ ᎤᏂᏒᏍᏗ.\nᎯ-ᎠᏃ ᏚᏟᎶᏍᏓᏁᎴ ᎩᎶ ᎢᏳᎾᏍᏗ ᎤᏅᏒ ᎠᎾᏓᎸᏉᏗᏍᎩ, ᎾᏂᏍᎦᏅᎾ ᎤᎾᏤᎸᎯ, ᎤᏩᎾᏓᎴᏃ ᏅᎵᏌᎵ ᏗᏂᏰᎸᏍᎩ.\nᎠᏓᏍᏕᎸᏓ ᎠᏔᏲᎯ ᎠᏓᏅᏖᎵᏙ, ᎠᏆᏛᏅ.\nᏍᎩᏴ ᎤᏲ ᏂᎦᎵᏍᏘᏍᎬ ᏙᏰ, ᎣᎦᎵᎪᏅ ᏍᎦᏰᎬᏍᏔ ᎠᏌᎻᏓ ᏃᎴ ᏧᏤᎵ ᎠᏂᏲᏍᎩ, ᏚᎨᏓᎵᏴ ᏙᏥᎭᏲᎲ ᎤᎾᎵᏗᎩᏛ.\nᎠᎴ ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏂᎨᏴ ᏓᎾᏣᎤᏍᎬ ᎤᏢᏉᏗ ᏂᎨᏒᎾ ᏓᎾᏄᏬᏍᎨᏍᏗ, ᎤᎾᏓᎾᏰᎯᏍᏗ ᎠᎴ ᎤᎾᎵᏏᎾᎯᏍᏗ ᎨᏎᏍᏗ; ᎥᏝᏍᏗᏃ ᏓᏂᏍᏕᏲᎲ ᏚᏂᏍᏘᏰᎬᎢ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ, ᎠᎴ ᏓᎬᎾ-ᎢᏳᎾᏍᏗ, ᎠᎴ ᎤᏣᏘ ᏧᎬᏩᎶᏗ ᏗᏄᏬ ᏱᏓᎾᏣᏅᏗᏍᎨᏍᏗ;\nᎾᏍᎩ ᎯᎠ ᎿᏉ ᏦᎢᏁ ᏥᏌ ᎬᏂᎨᏒ ᏂᏚᏛᏁᎸ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎤᏲᎱᏒ ᏚᎴᏅ ᏅᏓᏳᏓᎴᏅᏛ.\nᎤᏙᎯᏳᎯᏰᏃ ᎢᏴᏛ ᎢᎬᏁᎸᎯ ᏂᎦᎵᏍᏗᎭ ᎢᎬᏱᏱ ᎤᎵᏁᏨᎯ ᏗᎧᎿᏩᏛᏍᏗ, ᎠᏩᏂᎦᎳᎯᏳ ᎨᏒ ᎠᎴ ᎬᏩᏓᏍᏕᎸᏗ ᏂᎨᏒᎾ ᎨᏒ ᎢᏳᏍᏗ.\nᏍᏗᏫ ᎤᏩᏒ ᎠᏓᏅᏖᏍᎬ ᎣᎯᏍᏗ ᎡᎵᏍᎨ.\n“ᎨᏍᏗ ᏱᏥᎪᏩᏘ ᎤᏍᏆᏂᎩᏗ ᎨᏒ --- ᏓᏏᎳᏛᏉᏰᏃ.”\nᎾᎯᏳᏃ ᎥᏝ ᎤᏍᏗᏉ ᎤᏕᏯᏙᏗ ᏱᏄᎵᏍᏔᏁᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎾᏍᎩ ᎦᏅᏅ ᎤᎬᏩᎵ.\nᎠᎨᏴᏰᏃ ᏥᏓᏤᎰᎢ, ᏗᎧᎿᏩᏛᏍᏗ ᎤᏚᏓᎸᏙ ᎤᏰᎯᎤᎾᏁᎳᏗᏍᏗᏱ ᎢᎩᎯᏛ ᎠᎴᏂᏙᎲ ᎤᏰᎯ; ᎤᏰᎯᏍᎩᏂ ᎤᏲᎱᏒᎯ ᏱᎩ, ᎤᏚᏓᎴᏛ ᎨᏐ ᏗᎧᎿᏩᏛᏍᏗ ᎤᏚᏓᎸᏛ ᎤᏰᎯ ᎤᎾᏁᎳᏗᏍᏗᏱ.\nᎾᎯᏳᏃ ᎢᏳᏓᎴᏅᏛ ᏆᎴᏗ ᎤᏲᎸᎩ ᎥᎤᏪᎪᏗᏱ. ᎠᏎᏃ ᎠᏂᏧᏏ ᎤᏁᎷᏅᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎢᏳᏃ ᎯᎠ ᎠᏍᎦᏯ ᎢᎯᏯᎧᏅᎭ ᎥᏝ ᏏᏌ ᎢᏍᏓᎵᎢ ᏱᎦᎨᏎᏍᏗ. ᎩᎶ ᎤᎬᏫᏳᎯ ᎠᏤᎸᏍᎩ, ᎧᏁᎬ ᏏᏌ ᎠᏡᏗᏍᎪᎢ.\nᎠᏎᎩᏍᏉ ᏂᎯ ᎤᏍᏗ ᎠᏣᏗ, ᎤᏛᏁ ᎤᏍᏗ ᎠᏣᏗ.\nᎠᎴ ᏂᎦᏛ ᎢᏓᎵᏅᏟ ᏦᏤᏙᎭ, ᏫᏨᏲᏪᎳᏏ ᏗᏣᏁᎶᏗ ᏕᏣᏓᏡᏩᏗᏒ ᎨᎴᏏᏱ;\nᏣᏉ ᏂᎦᏓ ᏚᎵᏘᎾᎥ ᏣᎵ, ᏩᏍᏗ ᏗᏂᏍᏔᎢ, ᎠᏁᏙᎯ ᏱᎨᏒᎾ.\nᎤᏪᏘ ᏓᏍᏔᏅᏅ ᏓᏥᏍᏔᏩᏕᏏ ᎤᏛᏅ ᏣᎵ.\nᎠᏌᎻᏓ ᎠᏰᎵ ᎦᏟ ᎤᎩᎸᏕ ᏐᏈᎵ, ᏙᎯᏉ ᏓᏌᎡ ᏧᏔᎾᎶ, ᎦᏅᏃᏫ ᎤᏅᏍᎦᎴ.\nᏅᎦᏍᎪᎯᏃ ᎢᏳᏕᏘᏴᏛ ᏄᎵᏍᏔᏅ, ᎤᏓᏅᏖᎴ ᏓᏩᏛᎲᏍᏗᏱ ᎠᎾᎵᏅᏟ ᎢᏏᎵ ᏧᏪᏥ.\nᏍᎩᏉᎴᏃ ᏱᎩ.\nᎠᎬᏱ ᎤᏰᏣ, ᎤᏛᎦᏁ ᏧᏍᏆᏴᏍᏗ ᎠᏍᎪᎩᏍᎬ ᎤᏔᎴᎦᏒᎢ ᎤᎧᏔ ᎤᏂᏍᏆᏂᎪᏙᏗ.\nᎠᎴ ᏂᎦᏛ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎦᏍᎩᎸ ᏚᎾᏚᏫᏍᏛᎩ ᏓᏂᏙᎬᎩ, ᎠᎴ ᏧᎾᏛᏐᏅᎯ ᎠᎴ ᏅᎩ ᎢᏯᏂᏛ ᏗᏅᏃᏛ ᏄᎾᏛᏅᎢ, ᎠᎴ ᏅᎩ ᎢᏯᏂᏛ ᏗᏅᏃᏛ ᏄᎾᏛᏅᎢ, ᎠᎴ ᎦᏍᎩᎸ ᎢᎬᏱᏗᏢ ᏚᎾᎵᏯᏍᏚᏅᎩ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎩ;\nᎠᎴ ᎤᏲᎢᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᏗᏂᏁᎵᏛ ᎠᎴ ᏧᏂᏍᏓᎢ ᎾᎯᏳ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎢᏣᏛᎬᎦ ᏓᏟᎶᏍᏛ ᎠᏫᏍᎩ.\nᏉᎳᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎤᏁᎳᏅᎯ ᏥᏯᏚᎸᎡᎭ, ᎥᏝ ᏂᎯᏉ ᏨᏒ, ᎾᏍᏉᏍᎩᏂ ᏂᎦᏛ ᏥᎬᏆᏛᎦᏁᎭ ᎪᎯ ᎢᎦ ᏥᎩ, ᎾᏍᎩ, ᎥᏝ ᎠᎴᏉ ᎾᏆᏍᏛᎢ, ᎾᏍᎩᏯᏍᎩᏂ ᎾᏆᏍᏛ ᎢᏣᎵᏍᏙᏗᏱ, ᎯᎠ ᎾᏍᎩ ᏨᏆᎸᎥ ᎤᏩᏒ.\nᎠᏎᏃ ᎾᏍᎩ Ꮎ ᎬᎵᏍᏆᏗᏍᎩ ᎠᏟᏂᎬᏁᎯ ᎾᏍᎩ ᎠᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᎠᎪᎪᎲᎩᏃ ᎠᎴ ᎠᎩᏃᎮᎸᎩ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏪᏥ ᎨᏒᎢ.\nᎪᎱᏍᏗᏍᎪ ᎤᏧᏗ ᏏᏆ?”\nᎾᏍᎩᏃ ᎤᎧᏌᎴᏍᎬ ᎢᏳᏍᏗ ᎠᏛᏍᎨ ᏃᎴ ᎦᎵᏦᎲᏍᎨ. ᎨᏍᏗ ᎯᎸ ᎠᎪᏩᏛᏙ ᏱᎨᏎᎢ ᏍᎩᎾᎾ ᎢᏢᏭᏆ ᏥᏍᏕᏥ.\nᏍᎩᏯᎵᎮᎵᏤᎰᎢᏍᎪ ᏂᎦᎥ ᎢᏨᏍᏕᎵᏍᎬ? \nᎦᎸᎳᏗᏣ ᏩᏚᎧᏃᏁ ᏅᏯ ᏗᎪᎰᏍᎬ.\nᎨᎵᏍᎬ ᏳᏂᎨᏳᎾᎥᎾ ᎨᏒ ᎢᏳᏍᏗ ᎠᎹ ᎤᎵᏍᎨᏛ ᎠᏁᎵᏍᎪ, ᎠᏎᏃ ᎦᏓᏁᎯ ᎦᏙ ᏳᏕᏯᏙᏗ.\nᎠᏰᎵᏎᏉ ᎤᎸᏔᎵᏕᎾ ᏄᎵᏍᏗᏍᎬ ᏫᎵᎻ ᎤᏓᏅᎯᏓ ᎤᏬᏂᏒ.\nᎢᎾᏓ ᎤᏙᏳ ᏥᎨᏐ ᏧᏂᎦᎸᏍᏓᏁ ᏚᏴᎯᎲ ᎠᏒᎬ ᎪᎢ.\nᎣᎩᏰᎸ ᏓᏍᎩᏍᏕᎸ ᏦᏥᏩᏛᏗ ᎤᎾᎵᏗᎩᏛ, ᎤᏛᏅ ᎠᏓᏅᏖᎵᏙ.\nᎠᎨᏴ ᎤᏲ ᎤᏓᏅᏙ ᏣᏕᎲᏍᎪ ᎠᏲᎵ, ᎤᏍᏆᎸᎡᎸ ᏅᏗᎦᎵᏍᏙᏗᏍᎪᎢ; ᎠᏎᏃ ᎿᏉ ᎦᎾᏄᎪᏩ ᎠᏲᎵ, ᎥᏝ ᎿᏉ ᏯᏅᏓᏗᏍᎪ ᎡᎯᏍᏗ ᎤᏓᏅᏓᏛᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎠᎵᎮᎵᎬ ᏴᏫ ᎤᎾᏄᎪᏫᏒ ᏒᎶᎯ.\nᎥᏝ ᎠᎴ ᎩᎶ ᎠᏏᏴᏫ ᎨᏒ ᎾᎥ ᎢᏧ-ᎾᏓᎵ, ᎠᎴ ᏗᎾᏓᏅᏟ ᎨᏒ ᏱᎨᏲᎲᏍᎨᏍᏗ, ᎯᎠ ᏱᏂᎦᏪᏍᎨᏍᏗ, ᎯᎦᏙᎥᎯ ᎤᎬᏫᏳᎯ; ᎾᏂᎥᏉᏰᏃ ᎬᎩᎦᏔᎯᏳ ᎨᏎᏍᏗ, ᎤᏍᏗᎧᏂ ᎡᎲ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎤᏟ ᎢᏯᏥᎸᏉᏗ ᎡᎲ ᏫᎬᏍᏗ.\nᎠᎴ ᏚᏙᎥ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᎾᎵᏍᎦᏍᏙᏗᏍᎨᏍᏗ.\nᎤᎾᏓᏅᏖᏗᏍᎨ ᎢᎦᏓ ᏧᎵᎢ ᏫᎵᎻ, ᎠᏁᎵᏍᎨ Ꭲ ᏂᎦᎥ ᎤᎾᎦᏎᏍᏛ ᎤᏨᏉᏗ ᎢᏳᎵᏍᏙᏗ.\nᏫᎦᏢᏍᎩ ᎢᎪᎯᏓ ᎤᏦᏱᎴ.\n“ᏓᎦᎴᏅᏔᏂ ᏕᏥᏯᏂᏍᎬ ᏚᎾᏙᎥ.\nᎿᏉᏃ ᏈᏓ ᎤᏞᎠᏒ ᏫᏚᎷᏤᎸ ᎠᏂᏫᏅ ᎧᏂᎵᏯ ᏧᏅᏏᏛ ᎬᏩᏯᏅᎯᎸᎯ, ᎯᎠ ᏄᏪᏎᎢ; ᎬᏂᏳᏉ ᎠᏴ ᎾᏍᎩ ᏤᏥᏲᎭ. ᎦᏙ ᏧᎵᏰᎢᎸᏍᏔᏅ ᎯᎠ ᏥᏥᎷᎩ?\nᎢᏣᏟᏂᎬᏁᎮᏍᏗ ᎢᏥᏴᏍᏗᏱ ᎠᏯᏙᎵ ᎦᎶᎯᏍᏗᏱ; ᎤᏂᏣᏘᏰᏃ, ᎢᏨᏲᏎᎭ, ᏓᏳᏂᏲᎵ ᎤᏂᏰᏍᎢᏱ, ᎠᎴ ᎥᏝ ᏰᎵ ᏫᎬᏩᏂᏴᏍᏗ ᏱᎨᏎᏍᏗ.\nᏍᎩᏴ ᎠᏆᏣᏅᏓᏕᎰ ᎠᏆᏓᏅᏖᏗ.”\nᎾᏍᎩ ᎧᏱᏅ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎠᏆᏣ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᏎᎻ ᎤᏪᏥᎨᏎᎢ, ᎾᏍᎩ ᏃᏯ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎴᎻᎩ ᎤᏪᏥ ᎨᏎᎢ,\nᎰᎻ ᏃᎴ ᏣᏄᏏ ᏃᎴ ᎡᎶᏗ ᎩᎳᏋᎯ ᎱᏂᎷᏤᏍᏗ, ᏃᎴ ᎧᏁᏌᎢ ᏫᏛᎨᏣᏌᏙᏱ ᏃᎴ ᏛᎭᏂᎩᏏ.\nᎠᎴ ᎾᏍᎩ ᎰᎤᎬᏫᏳᎭ [ᎨᏂᎩᎵᏲᎢᏍᏙᏗ ᎨᏎᏍᏗ] ᎤᏇᏓᎵ ᎠᏂᏍᏓᏩᏕᎩ ᎤᏂᎬᎥᏍᎬ ᎦᏓᎭ ᎨᏒᎢ, ᎠᎴ ᏗᏂᏍᎦᎩ ᏄᏂᎬᏫᏳᏌᏕᎩ. ᎤᏂᏍᎦᎢᏍᏗ, ᎤᏅᏒ ᎠᎾᏓᏅᏖᏍᎬ ᎤᏂᎸᏉᏗ; ᎥᏝ ᏯᏂᏍᎦᎢᎭ ᏗᎬᏩᏂᏐᏢᏙᏗᏱ ᎨᏥᎸᏉᏗ.\nᎾᏍᎩᏃ ᎢᏧᎳᎭ ᎠᏁᏙᎮ ᏥᎷᏏᎵᎻ.\nᎠᎴ ᎧᏁᎬᎠᏆᏛᎦᏅᎩ ᏛᏓᎴᎲᏍᎬᎩ ᎠᏰᎵ ᏅᎩ ᎢᏯᏂᏛ ᏗᏅᏃᏛ ᏄᎾᏛᏅᎢ, ᎯᎠ ᏅᏓᎦᏪᏍᎬᎩ, ᏥᏂᎩ ᎠᏟᎶᏍᏗ ᎠᎧᎵᎢ ᎤᏣᎴᏍᏗ ᎠᎩᏏᏧᎬᏩᎶᏗ ᎠᎫᏴᏗ, ᎠᎴ ᏥᏂᎩ ᎠᏟᎶᏍᏗ ᏦᎢ ᎢᏯᎧᎵᎢ ᎤᏣᎴᏍᏗ ᎢᏳᏍᏗ ᎠᎩᏏ-ᏧᎬᏩᎶᏗ ᎠᎫᏴᏗ; ᎠᎴ ᏞᏍᏗ ᎪᎱᏍᏗ ᏗᏨᏁᎸᎩ ᎪᎢ ᎠᎴ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ.\nᎦᏙᏃ ᎠᏇᎵᏒ, ᎠᏎᏃ ᎨᏍᏗ ᏯᏆᏓᏛᏛᎾ, ᏁᏆᎸ ᏥᏍᎪᎵ ᏍᎩᎾᎾ ᎢᏳᏪᏍᏗ ᎯᎨᏎᎢ.\nᎠᎬᏱᏣ ᎠᏍᏆᏚᎸ ᎤᏪᏅᏎ ᏃᎴ ᎤᏩᏁ, ᎤᏍᏓᏩᏛᏎ ᎠᎳᏂ.\nᎯᎠ ᎾᏂᏪᏍᎬᎩ ᎠᏍᏓᏯ ᎤᏁᎷᎬᎩ; ᎤᏃᏕᎾ ᎠᎩᎾ ᎠᏥᎸᎯ ᏰᎵᏉ ᎦᏁᎢᏍᏓᏁᏗ ᎤᎵᏂᎩᏗᏳ ᎨᏒ, ᎠᎴ ᎤᏪᎿᎢᏳ ᎨᏒ, ᎠᎴ ᎠᏏᎾᏌᏂᏳ ᎨᏒ, ᎠᎴ ᎬᏩᏄᎸᏗ ᏂᎨᏒᎾ ᎨᏒ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒ, ᎠᎴ ᎣᏍᏛ ᎧᏁᎢᏍᏓᏁᏗ ᎨᏒᎢ.\nᎭᎾᎾ ᎡᎮᎢ ᎪᎨᏱ ᎢᎪᎯᏓ ᎤᏙᏳ ᎤᏓᏅᏘ ᏧᎬ.\nᎾᏍᎩ ᎯᎠ ᎾᎾᏛᏁᎮᏍᏗ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎾᏂᎦᏔᎲᎾ ᎨᏒ ᎠᎦᏴᎵᎨᎢ, ᎠᎴ ᎠᏴ ᏂᎬᎩᎦᏔᎲᎾ ᎨᏒᎢ.\nᎾᏍᎩ ᏗᏓᏚᏓᎳᎡᏗᏱ ᎨᎩᏍᎦᎩ, ᎠᎴ ᎠᏍᏓᏯ ᏂᎨᎬᏅ ᏗᏓᏚᏓᎳᎡᏗᏱ ᏂᎦᏗᏳ ᎨᎩᏂᏆᏘᎯ;\nᎦᏓᏍᏕᏓᎵᏴᏍᎩ.”\nᎠᎴ ᎠᏂᏯᏫᏍᎩ ᎦᎸᎳᏗ ᎠᏁᎲ ᎬᏩᏍᏓᏩᏛᏒᎩ ᎤᏂᏁᎬ ᏐᏈᎵ ᏧᎾᎩᎸᏗ, ᏧᏏᏙᎵ ᏙᎴᏛ ᏗᏄᏬ ᏚᎾᏄᏬᏍᏛᎩ, ᏧᏁᎬ ᎠᎴ ᏗᎦᏓᎭ ᏂᎨᏒᎾ.\nᎨᏍᏗ ᏯᏆᏚᎵ ᎠᏇᏅᏍᏗ ᏗᎾᏓᎪᎾᏗᏍᎬ ᏂᎯ ᏱᏤᏅᏓ ᏱᎩ.\nᎤᎾᏓᏅᏘ ᎤᏂᏂᎬᏎᎲ ᏕᏥᏯᏙᎮᎮᏍᏗ; ᎢᏥᎦᎵᏱᏳ ᎨᏎᏍᏗ ᏗᏣᏓᏍᏆᏂᎪᏙᏗᏱ.\nᎤᏙᎯᏳ ᎩᎾᎵᎢ!”\nᎯᎠ ᏗᏂᎳᏫᎦ ᏣᏚᎧᏔᏁ ᎾᏍᏊ ᎤᏂᏌᏛᏗ ᎦᏙ ᎠᏔᎳᎧᏒᎢ ᏃᎴ ᏣᏚᎩᎬᏗᏤ ᎾᏍᎩ ᏂᎦᏓ ᏗᏂᏟᎯ ᏣᏚᏗᎦᏘᎸᏍᏗ ᎦᏟᏓ ᏍᎩᎾ. ᏣᏚᏂᏘᏏᎶᎡ ᏍᎩᎾ. ᎤᏅᏱᎭ ᎤᏁᎦᎸᎢ.\nᎾᏃ ᎠᏧᏣ ᎠᎹ ᎦᏁᏁᎮᎢ ᎤᎦᏔ ᎠᎴ ᎦᏄᎸ ᎧᎾᏍᏕᎸᎩᏍᎬᎢ.\nᎣᏁ ᏚᏟᎷᏆᏗᏅᏎ, ᎠᏓᏄᏖᏲ ᏫᎵᎻ.\nᏕᎦᏃᏣᎸᏃ ᎾᎿ ᏂᎬᎾᏛ ᏚᏰᎵᏏᏙᎴᎢ.\n“ᎯᏓ ᎾᏅᏛᏁᎰ,” ᎤᏛᏁ.\nᎤᏟ ᎦᎸᏉᏗᏳ ᎡᎵᏍᎨ ᎦᏰᏥᏐᏢᏙᏗᏱ ᎦᎶᏁᏛ ᎨᏒ ᎢᏳᏍᏗ, ᎠᏃ ᏧᎬᏩᎶᏗ ᎠᏍᏆᏂᎪᏛ ᎢᏥᏈᏱ; ᎠᎦᎫᏴᎡᏗᏰᏃ ᎨᏒ ᎢᏴᏛ ᏫᏓᎧᏂᏍᎨᎢ.\nᏂᎦᏓ ᏚᏂᏯᏪᎨ ᏃᎴ ᎠᎾᎵᎮᎵᎨ.\nᏂᎦᏓ ᎤᎾᎵᎮᎵᏤ.\nᎾᏍᎩᏍᎩᏂ ᎠᏂ ᏦᎸᎢ ᏱᎠᏁᏙᎮᎢ, ᎠᎴ ᏳᏂᏃᎮᎴᎢ, ᎢᏳᏃ ᎪᎱᏍᏗ ᏱᎬᏇᎯᏍᏗᎭ.\nᎾᏍᎩ ᏂᎦᎥ ᎤᏩᏒ ᎤᏓᎸᏉᏔᏅᎢ ᎠᎴ ᎤᏢᏉᏗ ᎤᏕᏅᎢ, ᎾᏍᎩ ᎢᎦᎢ ᎠᎩᎵᏯ ᎠᎴ ᎤᏲ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᎡᏥᎥᏏ; ᎤᎾᏫᏱᏰᏃ ᎯᎠ ᏂᎦᏪᎭ, ᎠᎩᎬᏫᏳᎯ ᎠᏉᎳ, ᎥᏝ ᎠᏉᏑᎶᏨᎯ ᏱᎩ, ᎥᏝ ᎠᎴ ᎤᏲ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᏴᎦᏥᎪᏩᏛ.\nᎩᎵᏗᏃ ᎠᎴ ᎠᎴᏈᏱ ᎢᏕᎯ, ᎢᏓᏛᎩᎭ ᏗᎩᏬᏂᎯᎯᏍᏗ ᎨᏒ ᎠᏂᏬᏂᏍᎬᎢ, ᎤᏍᏆᏂᎪᏗᏳ ᎤᏁᎳᏅᎯ ᏚᎸᏫᏍᏓᏁᎸ ᎠᏂᏃᎮᏍᎬᎢ.\nᎥᏝ ᎠᎴ ᏯᎩᎪᎮ ᎾᎿ ᏗᎦᎳᏫᎢᏍᏗᏱ; ᎤᎬᏫᏳᎯᏰᏃ ᎤᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ ᎠᎴ ᎤᏃᏕᎾ-ᎠᎩᎾ ᎾᏍᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎢᎩ.\nᏍᏗᏫ ᎤᏚᎵᏍᎨ ᏭᏥᏍᏓᎵᏗ, ᎠᏎᏃ ᏣᎵ ᎤᏅᏍᏓᏕᎴ.\n“ᎨᏍᏗᏃ ᏱᏥᎦᏔ ᏃᏉ ᎨᏒ,” ᎤᏛᏁ ᎰᎻ.\nᎧᏅᏂᏍᎩ ᏚᏏᎳᏛ ᎢᏳᏪᏓ, ᎯᏥᎨᏯ ᏃᎴ ᎯᏥᏍᎦᏯ, ᎭᏂ ᎤᏣᏔ ᎣᏍᏓ ᏏᏆ.” \n”ᎨᎾ ᏏᏆ.” \nᎠᏎᏃ, ᎤᎾᏟᎶᎾ ᏐᏈᎵ ᎠᎳᏑᎶ, ᎠᏂᎫᏑᏩᎩ ᏗᏂᏐᎯ ᏚᏂᏁᎦᎸᎮ ᏐᏈᎵ ᏧᏔᎾᎶ ᎢᏧᏅᏁᏙᏗ ᏃᎴ ᏗᏂᏴᏐᎵ ᏚᏂᏣᎦᏎ ᎬᏂᎨᏒ ᎢᏳᏅᏁᏗ ᏄᏂᎥ.\nᏑᏓᎵᏃ ᏫᏄᏒᎸ ᏥᏌ ᏚᏘᏅᏎ ᏈᏓ, ᎠᎴ ᏥᎻ, ᎠᎴ ᏣᏂ, ᎢᏅᏃ ᎢᎦᏘ ᎣᏓᎸ ᏚᎿᎷᏔᏁ ᎢᏴᏛ ᎤᏅᏒ ᎨᏒᎢ; ᎠᎴ ᎤᏓᏁᏟᏴᏎ ᎠᏂᎦᏔᎲᎢ.\nᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᏗᏦᎸᏒᎯ! ᏙᏛᏥᏲᏏᏌᏂᏰᏃ. ᎤᏲᎢᏳ ᎢᏣᎵᏍᏓᏁᏗ ᎢᏥᏰᏣᏍᎩ ᏥᎩ ᎪᎯ! ᎤᏲᏰᏃ ᎢᏣᏓᏅᏔᏩᏕᎨᏍᏗ ᎠᎴ ᏕᏣᏠᏱᎮᏍᏗ.\nᎤᎾᏗᏍᎦᎶᏗ ᏫᏚᎭᏯᎸ ᏧᎾᎵᏍᏙᏗ, ᎠᏎᏃ ᏫᏚᏦᏨ.\nᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎠᏏᏴᏫ ᏔᎳᏚ ᎢᏥᏛ ᎨᏒ ᎾᏍᎩ ᎢᏧᎳᎭ ᎢᏖᎵᏙᎩᎯ ᏦᏍᏓᏑᏩᏍᎦ.\nᏅᏍᎩᎮᎾᏳᏍᏗ ᎤᏩᏌ ᏤᏙᎰ ᏩᎭᏯ.\nᎾᏍᎩᏃ ᎢᏳᎾᏍᏗ ᎨᏒᎢ, ᏙᏥᏁᏤᎭ ᎠᎴ ᏙᏥᏍᏗᏰᏗᎭ ᏙᏥ-ᏁᎢᏍᏓᏁᎭ ᎢᎦᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᏙᎯᏉ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ, ᎠᎴ ᎤᏅᏒ ᎤᎾᏤᎵ ᎠᎵᏍᏓᏴᏗ ᎤᎾᎵᏍᏓᏴᏙᏗᏱ.\nᎠᏗᎾ ᎢᏳᏃ ᎠᏴ ᏱᎩ, ᎠᎴ ᎾᏍᎩ Ꮎ ᏱᎩ, ᎾᏍᎩ ᏃᏥᏪᎭ ᎣᏣᎵᏥᏙᎲᏍᎦ, ᎠᎴ ᎾᏍᎩ ᏄᏍᏗ ᎢᏦᎯᏳᏅ.\nᏄᏩᏁᎰᎾ, ᎤᏲᏏᏍᎨ.\nᏈᏓᏃ ᎤᏍᏚᎢᏒ ᎠᎰᎵ, ᎯᎠ ᏄᏪᏎᎢ; ᎤᏙᎯᏳᎯᏯ ᎦᏙᎴᎣᏍᎦ ᎤᏁᎳᏅᎯ ᎩᎶ ᏧᎸᏉᏙᏗ ᏂᎨᏒᎾ ᎨᏒᎢ;\nᎠᎴ ᏕᏣᏣᏅᏍᎬ ᎥᏝᏍᏗ ᎦᏚᎢᏉ ᎡᎯ ᎠᏣᏅᏗ ᎨᏒ ᏱᎨᏎᏍᏗ, ᎾᏍᎩ ᎣᏍᏗᏰᎬ ᎠᏍᏕᏯᏍᏗ ᎨᏒᎢ ᎠᎴ ᎠᏕᎸᏓᎶᏂᎨ ᎠᏣᏅᏙᏗ, ᎠᎴ ᏗᏄᏬ ᏛᏄᏬᏍᎬᎢ,\nᏆᎴᏗᏃ ᎤᏛᏛᏁ, ᎯᎠ ᏄᏪᏎᎢ, ᏂᎯᏍᎪ ᏣᎬᏫᏳᎯ ᎠᏂᏧᏏ ᎤᎾᏤᎵᎦ? ᎤᏁᏤᎴᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎾᏍᎩ ᏂᏫ.\nᏚᎾᏓᎪᎲ, ᎤᎾᎴᏅᎭ ᎤᏁᏡᎬᎢ. ᏃᏉ ᎠᏯ ᎣᎩᎾᎵᏱ, Michael ᏧᏙᎢᏓ, ᏥᎪᎥ ᎾᎥ ᎦᏙᎬᎢ.\nᎤᏓᏴᏍᏗ ᎤᏪᎧᎯ ᎾᏍᎩ ᎠᏕᏒᎲᏍᎩ; ᎠᏎᏃ ᎠᏕᏒᎲᏍᎩ ᎤᎾᎵᎢ, ᎾᏍᎩ ᏥᎦᏙᎯ ᏧᏛᎦᏁᎰᎢ, ᎤᏣᎳᏅᎯ ᎠᎵᎮᎵᎪ ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎠᏕᏒᎲᏍᎩ ᎧᏁᎬᎢ. ᎾᏍᎩᏍᎩᏂ ᎠᏴ ᎦᎵᎡᎵᎬ ᎤᎧᎵᏨ.\nᎦᎵᏦᏕᏃ ᎤᏴᎸ, ᏗᏂᎨᏫ ᎬᏩᎷᏤᎸᎩ, ᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎢᏍᏙᎯᏳᎲᏍᎦᏍᎪ ᏰᎵ ᎾᏍᎩ ᎢᎬᏆᏛᏁᏗ ᎨᏒᎢ? ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎥᎥ, ᏣᎬᏫᏳᎯ.\n”ᏏᏆᏗ ᎤᎬᏫᏳ ᎤᏍᏆᏂᎩᏗ.\nᎤᏒᏂᎴᏃ ᎤᏬᏰᏂ, ᎤᏗᎴᎲᏍᎬᏃ ᎤᏗᏩᎭᎢ. ᏚᎴᏁᏃ ᎠᎴ ᏚᏍᏕᎸᎯᏙᎴᎢ.\n”ᎤᎪᏗᏳ.”\nᏗᏁᎨᎢ ᏴᏫ.\nᎾᏍᎩᏃ ᎯᎠ ᎾᏍᎩᏯ ᏂᏕᎦᎵᏍᏗᎭ ᎠᎾᏙᎴᎰᏍᎩ ᎤᏂᏁᏨᎢ, ᎯᎠ ᏥᏂᎬᏅ ᏥᎪᏪᎳ;\n“ᏃᎴ ᏤᏍᏗ ᏱᏕᏍᏗᏐᏤᏍᏗ ᏐᏈᎵ ᎤᎾᎵᏙᎩᏯᏍᏗ ᏗᎾᏓᏌᎩᏒᎢ ᏐᏈᎵ,” ᎤᏪᎷᏁ ᎠᎳᏂ.\nᎧᎪ ᎠᏏᎾ ᎤᏍᏇᎵᏰᏗ “ᎤᏣᏓ ᎣᏍᏓ’?”\nᏕᎾᏓᎪᎲᏳ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᏕᏫ ᏥᎧᏁᎢᏍᏗᎭ ᎣᏍᏛ ᎢᏳᎵᏍᏓᏁᏗ ᎨᏒ ᏴᏫ, ᎾᏍᎩ Ꮎ ᎤᏁᎳᏅᎯ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎾᏍᎩᏯ ᎤᏰᎸᎾᏁᎭ ᏂᏚᎸᏫᏍᏓᏁᎸᎾ ᎨᏒᎢ,\nᏗᏥᏲᎱᏒᎯᏰᏃ, ᏕᏨᏅᏃ ᎦᎶᏁᏛ ᏪᎲ ᏚᏩᏍᎦᎸ ᎤᏁᎳᏅᎯ.\n“ᏐᏉ ᎢᏳᏩᎬᏘ ᎤᏕᏘᏴᏌᏗᏒ ᎦᎷᎦ ᎠᎾᏓᎪᎾᏗᏍᎬ.” \nᏈᏓᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏣᎬᏫᏳᎯ, ᎠᏴᏍᎪ ᎯᎠ ᎾᏍᎩ ᏕᏍᎩᏯᏟᎶᏍᏓᏁᎭ, ᏂᎦᏛᏉᎨ?\nᎠᎴ ᎠᎰᎵ ᎠᏥᏁᎸᎩ ᎾᏍᎩ ᎬᏗᏍᎬ ᎤᏣᏘ ᎠᏢᏈᏍᏗ ᎨᏒ ᎦᏬᏂᏍᎬᎩ ᎠᎴ ᎠᏐᏢᎢᏍᏗᏍᎬᎩ; ᎠᎴ ᎠᎦᎵᏍᎪᎸᏓᏁᎸᎩ ᏅᎦᏍᎪᎯ ᏔᎵᎦᎵ ᎢᏯᏅᏙ ᎤᏕᏗᏱ.\nᎬᏂᎨ ᎤᏍᎪᎸ ᏃᎴ ᎤᏬᏗᎨ ᎤᏍᎪᎸ ᎨᏎ ᏗᎦᏅᏍᎨᏂ.\nᎤᎦᏃᏩ ᎤᏃᎸᏔᏁ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᎨᏥᏍᏆᏂᎪᏙᏗ.\nᏩᎩᎷᏨ ᎣᎩᎵᏦᏩᏛ, ᎠᏰᎵ ᎠᏆᎴᏅ ᏴᏫ ᏃᎴ ᎦᎶᏇ.\nᎠᏎ ᏞᏍᏗ ᎩᎶ ᏱᏥᎵᏓᏍᏔᏁᏍᏗ; ᎥᏝᏰᏃ [ᎾᎯᏳ ᎢᎦ ᎤᎵᏰᎢᎶᎯᏍᏗ ᏱᎩ] ᎬᏂ ᎢᎬᏱ ᎠᏂᏑᎵᎪᎨᏍᏗ, ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᏍᎦᏯ ᎠᏍᎦᎾ ᏧᎸᏫᏍᏓᏁᎯ ᎬᏂᎨᏒ ᎾᎬᏁᎸᎭ, ᎾᏍᎩ ᎠᏛᏗᏍᎩ ᎤᏪᏥ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏯᏫᏍᎨᏍᏗ, ᎠᎴ ᎢᏣᏅᏖᏍᏗ ᏦᎢ ᏧᏕᏘᏴᏛ ᏂᏥᏑᎵᎪᎬᎾ ᏒᏃᏱ ᎠᎴ ᎢᎦ ᏗᎦᏥᎦᏌᎢᎯ ᎢᏥᏏᏴᏫᎭ ᎢᏨᏰᏯᏔᏅᎢ.\nᎭᏓᏅᏓᏛᎵ ᎯᎠ ᏥᏂᏥᏪᎭ; ᎤᎬᏫᏳᎯᏃ ᏫᏣᎲᏏ ᏣᎦᏙᎥᎯᏍᏗᏱ ᏂᎦᎥ ᏧᏓᎴᏅᏛ.\nᏫᎵᎻ ᎠᏓᎵᏗᎩᎢ ᎤᎾᏛᏁ.\n ᎨᏍᏗ ᏱᏓᎨᏏ.\nᏫᏗᎷᏨ ᎩᎾᏓᏅᏖᏗ.\nᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ ᎠᎴ ᎠᎩᎾ ᏚᎾᏘᏃᎸᎩ; ᏗᏂᏐᎯᏱᏃ ᏧᎾᏄᏬ ᏚᏂᏢᏅᎩ, ᎠᎴ ᎾᎿ ᎤᎾᎩᎸᏔᏅᎩ.\nᎨᏍᏗ ᏳᎾᏚᎵᏍᎨ ᏧᏂᎵᏬᎢᏍᏗ, ᎾᏍᎩᏃ ᎠᏂᎾᎷᏍᎨ.\nᎾᏍᎩᏰᏃ Ꮎ ᎤᎬᏫᏳᎯ ᎤᎨᏳᎯ ᎠᎩᎵᏲᎢᏍᏗᏍᎪᎢ, ᎠᎴ ᏕᎦᎵᎥᏂᎰ ᎾᏂᎥ ᏧᏪᏥ ᎾᏍᎩ ᏧᏓᏂᎸᏨᎯ ᎨᏒᎢ.\nᎾᎯᏳᏰᏃ ᎨᏎᏍᏗ ᎠᎩᎵᏯ ᎡᎮᏍᏗ, ᎾᏍᎩ ᎪᏢᏅᎢ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᏬᏢᏁ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎪᎯ ᎢᏯᏍᏗ ᎥᏝ ᎾᏍᎩ ᎢᏳᏍᏗ ᏳᏕᏃᎢ, ᎥᏝ ᎠᎴ ᎤᏕᏗ ᏱᎨᏎᏍᏗ.\nᎠᎴ ᎿᏉ ᎠᏂᏆᎵᏏ ᎾᏍᏉ ᎥᎬᏩᏛᏛᏅᎩ ᏄᎵᏍᏙᏔᏅ ᎬᏩᎪᏩᏛᏗ ᏄᎵᏍᏔᏅᎢ. ᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏗᏥᎦᏙᎵ ᏝᏬᏔ ᏚᏅᎵᏰᎥᎩ, ᎠᏆᏙᏑᎴᎥᎩᏃ ᎠᎴ ᎢᏥᎪᏩᏘᎭ.\nᎤᏁᎳᏅᎯᏰᏃ ᎠᏏᎾᏌᏂᏳ ᎨᏒ ᏥᏄᏩᏂᏌᏁ ᎡᎶᎯ ᎠᏂᏏᎾᏌᏅ ᎠᏅᏗᏍᎬ ᎤᏁᎳᏅᎯ ᏂᎬᏩᎦᏔᎲᎾ ᏥᎨᏎᎢ, ᎤᏁᎳᏅᎯ ᏂᎬᏩᎦᏔᎲᎾ ᏥᎨᏎᎢ, ᎤᏁᎳᏅᎯ ᎣᏏ ᎤᏰᎸᏁ ᎠᎵᏍᎦᏁᏛ ᎠᎵᏥᏙᏗ ᎨᏒ ᎤᏮᏙᏗᏱ ᏧᏍᏕᎸᏗᏱ ᎠᏃᎯᏳᎲᏍᎩ.\nᎥᏝᏰᏃ ᎠᏏ ᏳᏓᏑᏰ ᎩᎶ ᎾᏍᎩ ᎤᎷᏤᎸᎯ, ᏗᎨᎦᏬᏍᏔᏅᎯᏉ ᎤᏩᏒ ᎨᏎ ᏕᎤᏙᎥ ᎤᎬᏫᏳᎯ ᏥᏌ.\nᎾᏂᎥ ᎦᏥᎨᏳᎢ ᎨᏒ ᏕᏥᎬᏍᎪᎸᎥᏍᎪ ᎠᎴ ᏕᏥᎩᎵᏲᎢᏍᏗᏍᎪᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᎵᏂᎩᏛ ᎭᏓᏅᏓᏓ ᎯᏁᏟᏴᎾ ᏣᏓᏅᏛᎢ.\nᏗᎦᏘᏍᏗ ᎦᏰᏌᏗ ᏚᏩᏌᏙᎭᏰ ᎤᎾᏓᏓᏍᎩᏐᏗ ᏃᎴ ᎤᏂᏩᏛᏗ ᎤᏂᎯᏍᏗ, ᎠᏎᏃ ᎯᎸᎯᏳ ᏥᎨᏎ ᎤᏐᏱ ᎨᏎ.\nᎥ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎤᎷᏤᎸ ᎯᎠ ᏄᏪᏎᎢ; ᎬᏲᎵᎦ ᏂᎯ ᎡᏣᎸᏉᏔᏅᎯ, ᏱᎰᏩ ᏫᏗᏣᎧᎿᏩᏗᏓ; ᎠᏂᎨᏴ ᎠᏁᎲ ᏂᎯ ᏭᏓᎪᎾᏛᏗ ᎣᏏᏳ ᎢᏣᎵᏍᏓᏁᏗ.\nᎾᏍᎩᏃ ᎯᎠ ᏄᏪᎡᎢ; ᎦᏙ ᏱᎦᎵᏍᏙᏓ, ᎢᏳᏃ ᎩᎶ ᎾᏆᏎᎮᎲᎾ ᏱᎩ? ᎤᏔᏲᎴᏃ ᏈᎵᎩ ᎤᏦᏗᏱ ᎠᎴ ᎢᏧᎳᎭ ᏧᏂᏗᏱ.\nᎤᎵᏏᎬ ᏭᏗᏅᏒ ᎤᏲᏨ ᏦᎳ ᎦᎵᏙᏗ, ᎫᎭᎳᏗ ᎤᏦᏩᏛ ᏭᎳᏛ ᏰᎵ ᎨᏎᏍᏗ ᏄᏓᎴᎯ ᎤᏩᎯᏍᏗ ᏦᎳ ᎦᎵᏙᏗ ᎠᎴ ᎤᏓ ᏳᏩᏛ ᎤᏔᎸᎩᏍᏗ, ᎭᎾ ᏭᏭᏍᏙᏗ.\nᎯᎠ ᏄᏪᏎᎢ, ᎤᏙᎯᏳᎯᏯ ᎤᏣᏘ ᎣᏍᏛ ᏅᏓᎬᏯᏛᏁᎵ, ᎠᎴ ᎤᏣᏘ ᏓᎬᏁᏉᎢ.\nᎤᏣᏗ ᎢᏳᏓᎴᎩ ᎠᏉᏪᎶᏗ ᎠᎩᎲᎩ, ᎠᏎᏃ ᎥᏝ ᏗᎪᏪᎶᏗ ᏱᏙᏓᎬᏔᏂ Ꮎ ᏴᏓᎬᏲᏪᎳᏁᎵ;\nᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᏙᏃ ᎰᏍᏛ ᎢᏍᏉᏎᎭ? ᎥᏝ ᎩᎶ ᎣᏍᏛ ᏱᎩ ᏌᏉ ᎤᏩᏒᎯᏳ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ.\nᎤᏲ ᎤᏓᏅᏖ ᏂᎦᎵᏍᏙᏗ ᎠᏤ ᎤᎾᎵ ᎩᎦ ᎤᏔᏕᎩᏍᎬ.\nᎾᏍᏉ ᎠᏴ ᎣᏏᏳ ᎠᎩᏰᎸᏅ ᏫᎬᏲᏪᎳᏁᏗᏱ ᎣᏍᏛ ᎠᎩᏰᎢᎸᏍᏗᏱ, ᏂᎯ ᎡᏣᎸᏉᏗ ᏗᎣᏈᎵ, ᎠᎩᏍᏆᏂᏰᏛᏰᏃ ᏂᎦᏛ ᎯᎠ ᏧᏓᎴᏅᏛ ᏗᏓᎴᏂᏍᎬ ᏅᏓᎬᏩᏓᎴᏅᏛ,\nᏗᎩᏃᏣᎶᏗ ᎣᏍᏓ ᏄᏍᏛ ᏫᎵᎻ, ᎥᏣ ᏃᏒ ᎠᎩᏍᏗ.\nᎠᎴ ᎢᎩᎾᏄᎪᏫᏎᎸ ᎤᏲᏅ ᎢᎦᎵᏍᏕᎸᏙᏗ, ᏕᏫ ᎤᏅᏏᏓᏍᏗ ᎤᏁᏢᏔᏅᏛ ᎨᏒ ᎠᏁᎲ ᎤᎾᏄᎪᏨ.\nᏄᎬᏫᏳᏒᏃ ᎠᏥᎸ-ᎨᎶᎯ ᎠᏰᎵ ᎤᎴᏅ, ᎤᏛᏛᏁ ᏥᏌ, ᎯᎠ ᏁᏪᏎᎢ, ᏝᏍᎪ ᎪᎱᏍᏗ ᏯᏗᎭ? ᎦᏙ ᎾᏍᎩ ᎯᎠ ᏣᏂᏃᎮᎭ ᎨᏣᏡᏗᏍᎬᎢ?\nᎿᏉᏃ ᏣᏂ ᏣᏥᏍᏚᎲ ᏧᏛᎦᏅ ᏄᏍᏛ ᏚᎸᏫᏍᏓᏁᎲ ᎦᎶᏁᏛ, ᏙᏧᏅᏎ ᎠᏂᏔᎵ ᎬᏩᏍᏓᏩᏗᏙᎯ,\nᎾᏍᎩ ᏥᏚᏓᏲᏎ ᎤᏩᏒ ᏥᏚᎫᏴᎮ ᎾᏂᎥᎢ, ᎬᏂᎨᏒ ᎢᎬᏁᏗ ᎠᏎᎸᎯ ᎨᏒ ᎾᎯᏳᎢ,\nᎠᎴ ᏗᎨᏍᎩᎥᏏᏉ ᎣᎩ-ᏍᎦᏅᏨᎢ; ᎠᏴᏰᏃ ᎾᏍᏉ ᏗᎦᏲᏥᏁᎰ ᏂᎦᏛ ᏦᏥᏚᎩ; ᎠᎴ ᏞᏍᏗ ᎤᏓᎪᎵᏰᏗᏱ ᏫᏗᏍᎩᏯᏘᏅᏍᏔᏅᎩ; ᏍᎩᏳᏓᎴᏍᎨᏍᏗᏉᏍᎩᏂ ᎤᏲ ᎨᏒᎢ.\nᎠᏫᏅ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏓᎩᎧᎿᏩᏕᏅ ᏥᏧᏣ ᎨᏒ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎦᏙ ᎠᏏ ᎠᎩᎷᎳ?\n“ᏙᎢᏳᏍᏗ ᎤᏰᎸᏗ “ᎭᏓᏍᏕᏓᎵᏴᏍᎩᏞ-ᏧᏪᏥ ᏣᎧᎵᏨ?” ᎤᏛᏛᏁ ᏫᎵᎻ.\nᎢᏳᏰᏃ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᏱᏂᎬᏁᎭ ᏱᎦᏄᏬᎭ ᎧᏁᏍᎦ, ᎾᏍᎩ ᎪᎯ ᎢᎦ ᏠᎨᏏ ᏤᎭ, ᎤᎩᏨᏅᏃ ᏗᎦᏚᏗᏱ ᏬᎾᏗᏅᏗ ᏥᎩ, ᎤᏟᎯᏳᏍᎩᏂ ᏂᎯ ᏂᏙᏓᏥᏄᏬᎢ ᎤᏍᏗ ᎢᏦᎯᏳᎯ!\nᎦᏙᎯ ᎤᏓᏑᏯ.\nᎠᏎᏃ ᎿᏉ ᎡᎶᏛ ᎤᏕᏅ ᎢᏳ ᎢᎦᏚᎳᏫᏨ, ᎡᎶᏗᏏ ᎤᏪᏥ ᎠᏛ ᎤᎾᎵᏍᎩᎡᎴᎢ, ᎠᎴ ᎣᏎ ᎤᏰᎸᏁ ᎡᎶᏛ.\n”ᏙᎢᏳᏍᏗ, ᏫᎵᎻ?”\nᎾᏎᎵᏗᏃ ᎤᎷᏤ ᎾᎿ ᎠᎦᎥᎯᏍᏔᏅᎢ; ᎢᏳᏛᏁᏗᏃ ᎨᏒ ᏄᏛᏁᎴ ᏭᏴᎴ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ, ᎠᎴ ᏚᎴᏁ ᏧᎪᎵᏰᏗᏱ ᎪᏪᎵ.\n”ᎡᎵᏍᏗ--ᎵᏍᏗ--ᎵᏍᏗ ᏐᏚᎯ ᎠᏰᎵ,” ᎤᏛᏁ ᏌᏌ.\nᏫᎵᎻ ᎤᏩᏌ ᎤᎾᎦᏎᏍᏕᎢ ᏕᎦᎶᎨᏒ.\nᎠᏂ ᎢᏗᎪ ᏩᏘᎭ ᎤᏓᎨᏳᏗ ᎨᏒᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎬᏅ ᎡᎳᏗ ᎢᎩᏁᎸᎢ, ᎠᎴ ᎾᏍᏉ ᎠᏴ ᏕᏛᏅ ᎡᎳᏗ ᏱᏗᏗᏁᎭ ᎢᏓᏓᏅᏟ.\nᎤᎪᏏᏓ ᎢᎬᏁ ᏍᏉ ᎤᏉᏔᏗ.\nᎤᏍᎦᎣᏅ ᏗᎧᏃᏗ ᎨᏎᎢ.\nᎿᏉᏃ ᏥᎷᏏᎵᎻ ᏫᎤᏂᎶᏎᎢ ᎣᎵᏩ ᏧᏙᎢᏛ ᎤᏌᎯᎸ ᎤᎾᏓᏅᏎᎢ, ᎾᏍᎩ ᏥᎷᏏᎵᎻ ᎾᎥ ᏥᎩ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ ᎡᏅᏍᏗ ᎢᏴᏛ ᏥᎩ.\nᏄᎾ ᎦᏲᏟ ᎤᏩᏛᎮ, ᎤᎵᏏᏂᏗ ᎤᎩᏍᏙᎡ, ᎤᎩᏎ ᏃᏉ ᎤᏂᏏᏗ ᎤᏪᏅᏎ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᎤᏬᏑᎶᏨᎯ ᎤᎷᏨ, ᏔᎵ ᎠᎩᏄᏛᏗ ᎢᏯᏓᏅᏖᏗ ᎤᏁᎢ, ᎾᏍᎩ ᎠᏰᎵ ᎢᏯᏓᏅᏖᏗ ᎢᎦᎢ ᏥᎩ.\n“ᎠᎹ ᎯᏍᏚᏣ.”\nᎢᏳᏃ ᎢᏣᎴᎲᏍᎨᏍᏗ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ, ᎨᏣᏓᏁᎮᏍᏗ ᎡᏥᏍᎦᏅᏤᎸᎢ, ᎢᏳᏃ ᎪᎱᏍᏗ ᎡᏤᎵᏎᎮᏍᏗ ᎩᎶᎢ; ᎾᏍᎩ ᎾᏍᏉ ᎢᏥᏙᏓ ᎦᎸᏔᏗ ᏤᎭ ᎦᎨᏥᏁᏗᏱ ᎯᎠ ᎢᏥᏍᎦᏅᏨᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎠᏙᎴᎰᏍᎩ ᎥᏝ ᏱᏓᎦᏓᏂᎸᎪ ᎤᏩᏒ ᎤᏤᎵᎪᎯ.\nᏃᏯ ᎢᎬᏓ ᎨᏎᎢ, ᎤᏍᏆᏔ ᎪᏍᏓᏴᎢ ᎢᎬᏓ ᎨᏎᎢ.\nᎡᎶᏛᏰᏃ ᎤᏂᏴᎮ ᏣᏂ ᎠᎴ ᎤᎸᎴᎢ ᎠᎴ ᎤᏍᏚᏁ ᏗᏓᏍᏚᏗᏱ, ᏈᎵᎩ ᎡᎶᏛ ᏗᎾᏓᏅᏟ ᎤᏓᎵᎢ ᎡᎶᏗᏏ ᏧᏙᎢᏛ ᎤᏍᏛᏗᏍᎨᎢ.\nᎡᎵᎻᏃ ᎡᎻᏂᏓᏈ ᎤᏕᏁᎴᎢ; ᎡᎻᏂᏓᏈᏃ ᎾᏐᏂ ᎤᏕᏁᎴᎢ; ᎾᏐᏂᏃ ᏌᎵᎹ ᎤᏕᏁᎴᎢ;\nᎿᏉᏃ ᏥᏳᎯ ᎤᎾᏣᎢ ᎤᏂᎷᏨ ᎬᏩᏓᏙᎵᏍᏓᏁᎸᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎤᏙᎯᏳᎯᏯ ᏂᎯ ᎤᏁᎳᏅᎯ ᎤᏪᏥ.\nᎠᎴ ᏂᎯ ᎦᏚᏱ ᎦᏚᎲ ᏧᏗᏱ, ᎥᏝᏍᎩᏂ ᏣᏍᏗᎧᏂ ᏱᎩ, ᏥᎶᏓᏑᏯ ᏄᏂᎬᏫᏳᏒ ᏧᏗᏱ, ᏂᎯᏰᏃ ᏓᏣᏄᎪᏥ ᏗᏆᏤᎵ ᏴᏫ ᎢᏏᎵ-ᏗᎧᏁᏤᎯ.\nᎢᏳᏃ, ᎢᏓᎵᏅᏟ, ᏱᏂᏨᎷᏤᎸ ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᏱᏗᏥᏬᏂᎭ, ᎦᏙ ᎤᏍᏗ ᏱᏨᏁᏉᏏ, ᎢᏳᏍᎩᏂᏃᏅ ᎢᏨᏬᏁᏗᏍᎬ ᎪᎱᏍᏗ ᏱᏨᎾᏄᎪᏫᏎᎭ, ᎠᎴ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᏱᏂᏨᏴᏁᎭ, ᎠᎴ ᏱᎦᏙᎴᎰᏍᎦ, ᎠᎴ ᏱᏗᎦᏕᏲᎲᏍᎦ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏨᏪᏎᎲ ᎿᏛᎦ. ᏅᎩ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ ᎪᎨᎳᏗᏙᎭ ᎤᏁᎳᏅᎯ ᏄᎾᏚᎵᏄᏁᎸ.\nᎠᏎᏃ ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ ᎤᏟ ᏂᏚᏬᎯᏳᏒᎩ ᎧᏁᏥᏙᎯ ᎠᎴ ᎤᏤᎵᎦ ᏥᏳ ᎠᏂᏁᎬᎢ, ᎡᏍᎦᏉ ᏉᎳ ᏂᎦᏪᏍᎬᎢ.\nᏕᏦᎯᏳᏎᏍᏗ ᎾᏍᎩ Ꮎ ᎨᏣᎦᏌᏯᏍᏗᏕᎩ, ᎠᎴ ᏕᏣᏓᏲᏍᎨᏍᏗᏉ; ᏗᏣᏓᏅᏙᏰᏃ ᏚᎾᎦᏌᏯᏍᏗᏕᎦ, ᎾᏍᎩᏯ ᎢᏳᎾᏛᏁᏗ ᏥᎩ ᎾᏍᎩ Ꮎ ᎬᏂᎨᏒ ᎢᏳᏅᏁᏗ ᏥᎨᏐ ᏄᎾᏛᏁᎵᏙᎸᎢ; ᎾᏍᎩ ᎠᎾᎵᎮᎵᎬ ᎬᏂᎨᏒ ᎢᎬᏩᏅᏁᏗ ᏱᎩ, ᎥᏝᏃ ᎤᏲᏉ ᏚᎾᏓᏅᏛᎢ; ᎾᏍᎩᏰᏃ ᎥᏝ ᎨᏣᎵᏍᏕᎸᏙᏗ ᏱᎩ.\nᎩᎶᏰᏃ ᎤᏁᎳᏅᎯ ᎤᏚᎵᏍᎬ ᎾᏛᏁᎮᏍᏗ, ᎾᏍᎩ ᏦᏍᏓᏓᏅᏟ, ᎠᎴ ᎥᎩᏙ, ᎠᎴ ᎡᏥ.\nᎣᏍᏓ ᎨᏎᎢ.\nᏚᏂᏅᏎᏃ ᏫᎬᏩᎷᏤᏗᏱ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂᏆᎵᏏ ᎠᎴ ᎡᎶᏛ ᎬᏩᏍᏕᎵᏍᎩ, ᎤᏂᏌᏛᏗᏱ ᎤᎾᏚᎵᏍᎨ ᎦᏬᏂᏍᎬᎢ.\nᏰᎵ ᎢᏗᏎᎸ ᎾᏂᎡᎢ.\nᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ, ᎦᏓᎭ ᎠᏓᏅᏙ ᎤᏯᎠ, ᎤᎾᏛᏅᎢ.\nᎠᎴ ᎤᏣᏘ ᎤᏍᏆᏂᎪᏗ ᏕᎤᎸᏫᏍᏓᏁᎭ, ᎾᏍᎩ ᎠᏥᎸ ᎦᎸᎳᏗ ᏅᏓᏳᎶᎯᏍᏗᏱ ᎠᏂᏃ ᎡᎶᎯ ᎤᏬᏥᎯᏍᏗᏱ ᏂᎬᏁᎭ ᏴᏫ ᎠᏥᎦᏔᎲᎢ,\nᏱᎦᎷᎩᏰᏃ ᏯᏰᎶᎢᏍᏓ, ᏴᏥᏩᏛᏓ ᎢᏥᎵᎾᎥᎢ.\nᎠᏦᎭᏴ ᎭᏫᏂ ᎦᎵ ᏴᏫ ᎨᏒ, ᎤᏂᏍᎦᏅᏨ.\nᎿᏉᏃ ᎠᏂᏧᏏ ᏔᎵᏁ ᏅᏯ ᏚᏂᎩᏒᎩ ᏗᎬᏩᏂᏍᏙᏗ.\nᎯᏍᎩᏁᏃ ᎢᏳᏟᎶᏛ ᎧᎳᏩᏗᏒ ᏔᎵᏁ ᎢᎤᏪᏅᏎᎢ, ᎠᎴ ᏚᏩᏛᎮ ᏅᏩᎾᏓᎴ ᎠᏂᏙᎾᎡ ᎪᎱᏍᏗ ᎾᎾᏛᏁᎲᎾ, ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; ᎦᏙᏃ ᎠᏂ ᎢᏥᏙᎾᎠ ᎤᏙᏓᏆᏛ ᎪᎱᏍᏗ ᏂᏣᏛᏁᎲᎾ?\nᎾᏍᎩᏃ ᏄᏪᏒ, ᎤᏂᏲᏠᎯᏎᎸᎩ ᎠᏂᏆᎵᏏ ᎠᎴ ᎠᏂᏌᏚᏏ, ᎤᏂᏣᏘᏃ ᎨᏒ ᏔᎵ ᏄᎾᏓᏛᎩ.\nᎾᏍᎩ ᎦᏥᏯᏓᏙᎵᏍᏓᏁᎭ; ᎥᏝ ᎡᎶᎯ ᏱᏥᏯᏓᏙᎵᏍᏓᏁᎭ, ᎾᏍᎩᏉᏍᎩᏂ Ꮎ ᏗᏍᎩᎧᏁᎸᎯ ᏥᎩ; ᏂᎯᏰᏃ ᏗᏣᏤᎵᎦ.\nᎾᎿᏃ ᎤᏩᏛᎮ ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎢᏂᏯ ᏧᏙᎢᏛ, ᏧᏁᎳ ᎢᏧᏕᏘᏴᏛ ᎬᏩᏂᏏᏅᎯ ᎨᏎ ᎦᏂᏟ ᎤᎸᏓᎸᎥᏍᎨᎢ.\n“ᏧᏍᏆᏴᏍᏗ,” ᎤᏍᎦᎣᏅ ᎢᏳᏍᏗ ᏄᏪᏎ ᏫᎵᎻ, ᏱᏣᎴᏫᏍᏔᏅᎾ ᎨᏎᏍᏗ ᎯᏬᏂᏍᎬ ᏃᎴ ᏱᏣᏅᏨᎾ ᎨᏎᏍᏗ, ᏂᎦᏓ ᏓᎩᏲᎰᏎᎵ, ᎤᏲᏨ ᎠᏆᏓᏅᏙᎩ ᏓᏥᎵᏬᏥ.\nᎠᎾᎵᏅᏟᏍᎩᏂ ᎾᏍᎩ ᎤᎾᏛᎦᏅ, ᏏᏌᎵᏱ ᏭᎾᏘᏃᎴᎢ, ᎿᏉᏃ ᏓᏌ ᏭᏂᏅᏎᎢ.\nᎢᏧᎳᏃ ᎢᏗᎾᏘ ᎠᎴ ᏧᎾᏟᏂᎩᏓ ᏄᎾᎵᏍᏔᏁᎢ.\nᎠᏎᏃ ᏍᎩᎨᏳᎯᏳ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏟ ᏥᏰᎸᏍᎦ ᎬᏍᏗᏰᏙᏗᏱ, ᏉᎳ ᎤᏛᏐᏅᎯ ᎢᏯᏆᏍᏗ ᏥᎩ, ᎠᎴ ᎪᎯ ᎨᏒ ᎠᏴᎩ, ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏍᏛᏗᏍᎬᎢ.\nᎠᎴ ᎤᏂᏁ ᎨᏥᏅᏏᏛ ᏧᎾᎳᏏᏕᏄᎶᏗ, ᎾᏂᎥᏃ ᎾᏍᎩᏯ ᎤᏂᏂᎬᏎᎲ ᎨᏥᏯᏙᎮᎮᎢ.\nᎫᎾᏓᎴᎩ ᏃᎴ ᎠᏂᏁᎵ ᎠᎼ ᎡᏙᎯ ᏥᏳ ᎤᎾᏂᎨᏎ, ᎤᏟᏍᏓ ᏃᎴ ᎪᎰᏍᏗ ᏱᏂᎦᎵᏍᏗᏍᎬᎾ.\nᏫᎵᎻ ᎠᏍᎩᏗᏍᎨᎢ ᎰᎻ.\nᎤᏓᏅᏘᏌᏅᏃ ᎯᎠ ᏄᏪᏎᎢ; ᏄᏂᏣᏔ ᎨᎦᎫᏴᎡᎯ ᎨᏥᏅᏏᏓᏍᏗ ᎡᏙᏓ ᏧᏤᎵᎦ ᎤᎶᏒᏍᏔᏅᎯ ᎤᏂᎭ ᎤᎾᎵᏍᏓᏴᏗ, ᎠᏴᏃ ᎠᎪᏄᏉ ᎠᎩᎯᎭ!\nᎤᎩᎳᏫᏎᏃ ᏫᏚᏣᏁᎴ ᏥᏳᎯ; ᎦᏃᎸᎥᏍᎬᏃ ᎤᏎᎵᎪᏤᎢ; ᎠᎴ ᎤᎶᏒᏍᏔᏅᎯ ᎤᎾᏓᏅᏖᏔᏁ ᏙᏧᎾᏓᏅᏛᎢ, ᎠᎴ ᎤᏂᏍᏆᏂᎪᏎᎢ.\nᎠᏏᏴᏫᏃ ᎾᎿ ᎤᏓᏑᏴᎩ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎪᏏᏏᏍᎩ, ᎤᏛᏛᏅᎩ ᎤᏌᏛᎥᏍᎬᎢ, ᎯᎠ ᏄᏪᏒᎩ;\nᎠᎴ ᎨᏆᏂ ᏭᎷᏤ ᎾᏍᎩ ᎨᎵᎵ ᎦᏚᎲᎢ, ᎠᎴ ᏕᎨᏲᎲᏍᎨ ᎤᎾᏙᏓᏆᏍᎬ ᎢᎦ ᏓᏍᏆᎸᎮᎬᎢ.\n”ᎠᏆᎵᏍᎪᎸᏓᏁᎰ ᏗᏥᏣᎪᏍᏗ ᏗᎦᏙᎵ ᎠᏰᎵ.” \nᎠᎾᎵᏅᏟ ᏧᎾᏓᎨᏳᏗ ᎨᏒ ᎬᏗ ᎣᏍᏛ ᏕᏣᏓᎨᏳᏎᏍᏗ; ᏗᏓᎸᏉᏙᏗ ᎨᏒ ᎢᏨᏗᏍᎬ ᏕᏣᏓᎬᏫᏳᏗᏍᎨᏍᏗ.\nᎪᎯᏳᏗ ᎨᏒ ᎢᏛᏗᏍᎬ ᎢᏙᎵᎦ ᎤᏁᎳᏅᎯ ᎧᏁᎬ ᎬᏔᏅᎯ ᎨᏒ ᎡᎶᎯ ᏚᏙᏢᏅᎢ, ᎾᏍᎩᏃ ᏧᏓᎴᏅᏛ ᎠᎪᏩᏛᏗ ᏥᎩ ᎥᏝ ᎾᏍᎩ Ꮎ ᎬᏂᎨᏒ ᎢᏳᎵᏍᏔᏅᎯ ᎨᏒ ᏗᎪᏢᏔᏅᎯ ᏱᎩ.\n[ᎦᏙᏃ ᏳᏍᏗ,] ᎢᏳᏃ ᎤᏁᎳᏅᎯ ᎤᏚᎵᏍᎬ ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᎵᏂᎬᎬ ᎤᎾᏄᎪᏫᏍᏗᏱ, ᎬᏂᏗᏳ ᎨᏒ ᎬᏗᏍᎬ ᎪᎯᏗᏳ ᎤᏁᎳᎩ ᏱᏚᏪᎵᏎᎸ ᏗᏖᎵᏙ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᏗᏟᏍᏗ, ᏗᏛᏅᎢᏍᏔᏅᎯ ᏗᏛᏙᏗᏱ;\n“ᎾᏍᎩᏍᎪᏃ 'ᎤᏟᏍᏓ, ᏧᏍᏆᏴᏍᏗ,’ ᏣᎨ?”\nᎥ\nᏞᏍᏗ ᎿᏉ ᏕᏣᏓᏅᏛ ᏱᏗᏣᏓᎸᏉᏗᎭ, ᎠᎴ ᏝᏍᎪ ᏗᏧᎪᏗᏍᎩ ᎤᏲ ᎢᏣᏓᏅᏖᏍᎩ ᏱᏂᏣᎵᏍᏔᏅ?\nᎿᏉᏃ ᎬᏩᏂᏴᎮᎢ, ᎠᎴ ᎬᏩᏘᏅᏎ ᎠᎴ ᏫᎬᏩᏴᏔᏁ ᏄᎬᏫᏳᏒ ᎠᏥᎸᎨᎶᎯ ᏗᎦᏁᎸᎢ. ᏈᏓᏃ ᎢᏅ ᎣᏂ ᏗᎵᏍᏓᏩᏗᏎᎢ.\nᏗᏥᏲᎵ, ᎠᏏ ᏞᎦ ᎢᏨᏰᎳᏗᏙᎭ; ᏍᎩᏲᎮᏍᏗ; ᎠᎴ ᎾᏍᎩᏯ ᎠᏂᏧᏏ ᏥᏂᎦᏥᏪᏎᎸᎩ, ᏫᏥᎦᏛ ᎥᏝ ᏫᏴᎨᏥᎶᎯ, ᏥᎦᏥᏲᏎᎸᎩ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎿᏉ ᏂᎯ ᏂᏨᏪᏎᎭ.\nᎠᎴ ᏥᏌ ᎯᎠ ᏄᏪᏒᎩ; ᏩᎾᏅᎥᎦ ᏴᏫ. ᎾᎿᏃ ᎤᏣᏛᎩ ᎦᏄᎸᏒᎩ. ᎰᏩᏃ ᎤᎾᏅᏅᎩ ᎠᏂᏍᎦᏯ ᎯᏍᎩᎭ ᎢᏯᎦᏴᎵ ᎢᏴᏛ ᎢᏯᏂᎢ.\nᎠᎴ ᎤᎬᏫᏳᎯ ᎢᏳᏩᏂᏐᏗ ᎨᏎᏍᏗ ᎢᏥᏁᏉᏤᏗᏱ ᎠᎴ ᎤᏣᏘ ᎢᏳᎵᏍᏙᏗᏱ ᏕᏣᏓᎨᏳᏒᎢ, ᎠᎴ ᎾᏂᎥ ᏕᏥᎨᏳᏒᎢ, ᎾᏍᎩᏯ ᎠᏴ ᏂᎯ ᎢᏨᎨᏳᏒᎢ;\nᏞᏍᏗ ᎡᏥᎵᏓᏍᏔᏅᎩ; ᎾᏲ ᏗᎵᏃᎮᎵᏓᏍᏗ ᎨᏒ ᎠᏲᏍᏗᏍᎪ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᏧᏆᎶᎦ ᏓᏛᎵᏖᎸᏂ ᏃᎴ ᏓᏓᎦᏙᎣᏏ.\nᎾᏂᎥᏃ ᎩᎶ (ᏚᎾᏙᎥ) ᏂᏗᎪᏪᎸᎾ ᎨᏒ ᎯᎠ ᎾᏍᎩ ᎬᏂᏛ ᎠᏓᏁᎯ ᎪᏪᎵᎯ, ᏫᏕᎨᎦᏓᎢᎡᎬᎩ ᎠᏥᎸ ᏨᏓᎸᎢ.\nᎿᏉᏃ ᎢᎡᎪᎢ ᏫᏓᏯᏂᏍᎪ ᎤᏩᎾᏓᎴ ᎦᎵᏉᎩ ᎠᏂᏍᎩᎾ ᎤᏟ ᎢᏳᏂᏁᎫᏥᏛ ᎡᏍᎦᏉ ᎤᏩᏒ, ᎾᎿᏃ ᎠᏂᏴᎯᎰᎢ ᎠᎴ ᎠᎾᏁᎳᏗᏍᎪᎢ, ᎣᏂᏃ ᏄᏍᏛ Ꮎ ᎠᏍᎦᏯ ᎤᏟ ᎤᏲᎢᏳ ᎨᏐᎢ ᎡᏍᎦᏉ ᎢᎬᏱᏱ. ᎾᏍᎩᏍᎩᏂ ᏄᎾᏍᏕᏍᏗ ᎪᎯ ᎤᏂᏁᎫᏥᏛ ᏣᏁᎭ.\n“ᏌᎳᏓ! \nᏉᎳᏃ ᎤᏙᎴᎰᏒ ᎢᎦᏛ ᎠᏂᏌᏚᏏ ᎨᏒᎢ, ᎢᎦᏛᏃ ᎠᏂᏆᎵᏏ, ᎤᏪᎷᏅᎩ ᏕᎦᎳᏫᎥᎢ ᎯᎠ ᏄᏪᏒᎩ; ᎢᏥᏍᎦᏯ ᎢᏓᏓᏅᏟ, ᎠᏴ ᏥᏆᎵᏏ, ᎠᏆᎵᏏ ᎤᏪᏥ; ᎤᏚᎩ ᎬᏗ ᎨᏒ ᎠᎴ ᎠᏲᎱᏒ ᏗᎴᎯᏐᏗ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏆᎵᏱᎵᏕᎭ.\nᏗᎦᏅᏬ ᎢᏴ ᏭᎷᏨ ᎦᎸᎶ ᏭᏚᎧᎾᏅ ᏕᏧᎬ ᎠᏰᎵ, ᎤᏓᎨᏛ ᎠᎼ ᏄᏍᏛᎢ.\nᎾᏍᎩ ᏂᏗᎨᏒᎾ ᎠᏂᏴᏫᏯ, ᏲᎾ, ᏩᏯ, ᏨᏓᏥ ᎠᏁᏙᎰ ᎢᎾᎨ.\nᎨᏍᏗ ᏯᏂᎦᏔᎮᎢ ᎧᏁᏍᎪ ᎭᏫᏂᏣ ᎤᏗᏍᎦᏢᎢ ᏥᏍᏕᏥ ᏃᎴ ᎠᏔᎴᎦᏒ ᎤᏗᏍᎦᏢ ᎡᏆ ᎬᏂᎨ ᎤᏍᎪᎸ ᎧᏅᏂᏍᎩ.\nᎠᎴ ᎠᏴ ᎢᏥᏙᏓ ᎨᏎᏍᏗ, ᏂᎯᏃ ᏗᏇᏥ ᎨᏎᏍᏗ ᎢᏥᏍᎦᏯ ᎠᎴ ᎢᏥᎨᏴ, ᎠᏗᎭ ᎤᎬᏫᏳᎯ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ.\nᎯᎠᏰᏃ ᏂᎦᏛ ᎤᏣᏘ ᎤᏂᎲ ᎤᏃᏣᎴᏛ ᎠᏂᎲᎦ ᎤᏁᎳᏅᎯ ᎠᎵᏍᎪᎸᏓᏁᏗ ᎨᏒᎢ; ᎯᎠᏍᎩᏂ ᎤᏲ ᎢᏳ-ᏛᎿᏕᎩ ᎨᏒ ᏂᎦᏗᏳ ᎤᎵᏍᏕᎸᏙᏗ ᎤᎲᎠᎲᎦ.\n“ᏍᏓᏓᏒᏍᏓᏛ ᎤᏛᏁ ᎪᏱᏁᎢ, ᎱᎾᎩᎡᎴ ᏏᏆ ᏲᎾ ᎤᏤᏍᏙ. ᎦᏚ ᎤᎦᎾᏍᏓ ᎠᏔᎵᎩᏓ ᎤᏁᎴ.\n“ᎤᎵᏨᏓᏆᏓ ᏫᏓᎨᏙᎵ,” ᎤᏛᏁ.\nᏲᎾ ᎤᏤᏍᏙ ᎠᏍᎩᏗᏍᎨᎢ ᎤᏨᎢᏍᏗᏍᎬ ᏗᎵᏖᎸᏂᏍᏗ.\nᏂᏥᎥᏰᏃ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᏂᏣᎵᏍᏔᏅ ᎦᎶᏁᏛ ᏥᏌ ᎡᏦᎢᏳᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ.\n“ᏃᎴ ᏍᏓᏅᏖᏍᏗ, ᏙᏓᏆᏓ ᏓᏟᏰᎵᏙᎸ ᎠᏕᎳ.\nᏈᏓᏃ ᎤᏯᏅᏒᎯ ᏚᎧᎿᏁᎢ, ᎠᎴ ᎾᏍᏉ ᏣᏂ; ᏈᏓᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏗᏍᎩᎾᎦᏅᎦ.\nᎤᏁᎳᎩᏰᏃ ᎢᏤᎵᏍᎪ ᎢᏳᏃ ᎩᎶ ᏱᏗᏥᎾᏢᏅ, ᎢᏳᏃ ᎩᎶ ᎠᏒᎭ ᏱᏂᏨᏁᎸ, ᎢᏳᏃ ᎩᎶ [ᎪᎱᏍᏗ ᎢᏥᎲ] ᏱᏥᎩᎡᎸ, ᎢᏳᏃ ᎩᎶ ᎤᏩᏒ ᏳᏓᎵᏌᎳᏓᏅ, ᎢᏳᏃ ᎩᎶ ᏕᏣᎧᏛ ᏱᏨᏂᎸ.\nᎧ ᎾᏍᎩ ᎢᏳᏍᏗ ᏂᎯ ᎠᎴ ᏗᏂᎳᏫᎩ ᎢᏣᎵᎪᎲᎦ, ᎡᏥᏔᏂᏲᏏ ᏄᎬᏫᏳᏒ ᏗᏓᏘᏂᏙᎯ, ᎤᎩᏨᏅ ᎢᏣᏘᏃᎮᏗᏱ ᏥᏣᏚᎵᏍᎪ ᎾᏍᎩᏯᎢ ᎯᎠ ᎾᏍᎩ ᎠᎫᎢᏍᏗᏍᎬᎢ, ᎠᏴᏃ ᎠᏏᏉ ᎾᎥ ᏂᎦᎷᎬᎾ ᎨᏎᏍᏗ, ᎣᎦᏛᏅᎢᏍᏗ ᎣᏥᎢᏍᏗᏱ.\nᎩᎶ ᏍᎩᏍᏕᎳ!”\nᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏱᏓᎫᏓᎳᎩ, ᎢᏳᏃ ᏂᎦᎦᏌᏯᏍᏔᏅᎾ ᏱᎩ ᎾᏍᎩ ᎢᎦᎸᏉᏗ ᎠᎵᏍᏕᎸᏙᏗ; ᎾᏍᎩ ᎢᎬᏱ ᏧᎴᏅᎲ ᏧᏃᎮᏛ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎾᏍᎩ ᎠᏴ ᏥᎨᎩᏍᏓᏱᏕᎸᎩ ᎾᏍᎩ Ꮎ ᎬᏩᏛᎦᏁᎸᎯ;\nᎿᏉᏃ ᏥᏌ ᎬᏩᎷᏤᎸᎩ ᏗᏃᏪᎵᏍᎩ ᎠᎴ ᎠᏂᏆᎵᏏ ᏥᎷᏏᎵᎻ ᎠᏁᎯ, ᎯᎠ ᏄᏂᏪᏒᎩ;\n“ᏌᎳᏓ,” ᎤᏛᏁ ᏫᎵᎻ ᎪᎯᎢᏴ, “ᎦᏙᏃ ᎡᏝᏪᎯ ᏥᎩ ᏂᎯ?”\n”ᎯᎪᏩᏘᎭᏧ, ᎠᎳᏂ?\nᎾᏍᎩᏃ ᎯᎠ ᏄᏍᏛ ᎠᏉᎯᏳᏒ ᎠᏆᏓᏅᏖᎸᎩ ᎪᎯ ᎨᏒ ᎠᏏ ᎾᏍᏆᎵᏍᎬᎾ ᏫᏨᎷᏤᏗᏱ, ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᏔᎵᏁ ᎣᏍᏛ ᎢᎶᏓᏅᏓᏗᏍᏗᏱ;\nᏃᎴ ᏁᎳᎩ ᎨᏎᏍᏗ ᏥᏔᎦ ᎠᏂᎩᏌ!”\nᏙᏯᏃ ᎤᎴᏴᏎ ᏗᏧᎬ ᎠᏒᏛ ᏫᎫᏓᎸ\nᎨᎵᏍᎬᏃ ᎪᎯᎩ ᎫᏩᎶᏐᏅ Mr. Chapman, ᎧᎪᏊ ᏱᎩ, ᎠᎴ Ohio ᎠᎴ Illinois ᏳᏪᏅ.\nᎩᎶᏃ ᎤᏚᎵᏍᎨᏍᏗ ᏣᏱᎵᏓᏍᏗᏱ, ᎠᎴ ᏣᎾᎡᏗᏱ ᎭᏫᏂ ᏣᏄᏬ, ᎤᏛᏃᎯ ᎾᏍᏉ ᎯᏅᏁᎮᏍᏗ.\n“ᎨᏍᏗ ᏱᏛᎨᏏ ᏐᏈᎵ ᏃᎴ ᏩᎦ ᏧᏂᏍᏆᏂᎪᏙᏗ,” ᎤᏛᏁ.\nᎾᏍᎩ, ᎤᏲ ᎠᏓᏅ ᏖᏗ ᎦᎶᏅᎮᎸ ᏚᎦ ᎤᏂᎲ ᎦᏙ ᏱᏓᏯᏚᏣ ᎾᏍᎩᏴ ᎣᎩᏌᏙᏴᏍᏗ ᎧᏃᎮᏛ ᏓᏦᎯᏍᏛ, ᏃᎴ ᎠᏍᎦᏍᏗ ᎢᏳᎾᏛᏁᏗ ᏳᏂᏂᎦᎸᏣ.\n“ᎭᏩ, ᎣᎯᏍᏙᏗᏗ ᎠᏆᏓᏅᏔ ᏲᎾ ᎤᏤᏍᏙ ᎤᏰᎸᏛ,” ᎤᏛᏁ ᎪᏱᏁ.\nᎾᏍᎩ ᏂᎦᏛ ᏌᏉᏉ ᎢᏳᎾᎵᏍᏙᏗᏱ, ᎾᏍᎩᏯ ᏂᎯ ᎡᏙᎠ ᏥᏍᎩᏯᎠ, ᎠᎴ ᎠᏴ ᏥᎬᏯᎠ, ᎾᏍᎩ ᎾᏍᏉ ᏌᏉᏉ ᎢᎦᎵᏍᏙᏗᏱ; ᎾᏍᎩᏃ ᎡᎶᎯ ᎤᏬᎯᏳᏗᏱ ᏂᎯ ᏅᏓᏍᎩᏅᏏᏛ ᎨᏒᎢ.\nᎠᏎᏃ ᎠᏴ ᎯᎠ ᏂᏨᏪᏎᎭ; ᏞᏍᏗ ᏱᏣᏎᎵᏔᏁᏍᏗ ᏱᏣᏁᎢᏍᏔᏁᏍᏗ ᎪᎱᏍᏗ, ᏞᏍᏗ ᎦᎸᎳᏗ ᏱᏣᏁᎢᏍᏔᏁᏍᏗ, ᎤᏁᎳᏅᎯᏰᏃ ᎤᏪᏗᏱ ᎾᏍᎩ;\nᎾᏍᎩ ᎾᏍᏉ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎠᏰᎵ ᎠᎫᏴᏗ ᎨᏒ ᎢᏣᎫᏱᏍᎨᏍᏗ; ᎤᏁᎳᏅᎯᏰᏃ ᏧᏅᏏᏓᏍᏗ ᎾᏍᎩ, ᏚᏂᎸᏫᏍᏓᏁᎭ ᏂᎪᎯᎸ ᎾᏍᎩ ᎯᎠ.\nᎤᏦᏩᏛ ᏭᎸᏁ ᏩᎶᏏ ᎡᎳᏆᏗ ᏃᎴ ᎤᎩᎶᏫᏎᎢ ᎧᏁᏍᎦ ᎤᏂᏍᏆᏂᎪᏙᏗ ᎦᎸᎳᏗ ᏭᎷᏤ.\nᎤᏲᎢ ᎤᏓᏅᏘ ᎡᎳᏗ ᎤᏅᏤ ᏃᎴ ᏚᎧᏔᏍᏔᏁᎢ.\nᎬᏂᏳᏉ ᏛᏍᏆᎸᎯ, ᎥᎥ, ᎿᏉᎤᏍᏆᎸᎲ, ᎢᏣᏗᎦᎴᏲᎢᏍᏗᏱ, ᏂᏥᎥ ᎢᏥᏏᏴᏫᎭ ᏙᏗᏤᏅᏒ ᎢᏗᏢ, ᎠᎴ ᏓᏍᎩᏴᏕᏥ ᎠᏋᏒᏉ ᎨᏎᏍᏗ; ᎥᏝᏍᎩᏂᏃᏅ ᎠᏋᎡ ᏱᎩ, ᎠᎦᏴᎵᎨᏰᏃ ᏔᎵ ᏅᏛᏗᏕᎦ.\nᎠᎴ ᎯᎠ ᎾᎩᏪᏒᎩ; ᏣᎬᏫᏳᎯ, ᎠᏂᎦᏔᎭ ᏕᏥᏍᏚᏂᏙᎸᎢ ᎠᎴ ᏕᏥᎸᏂᎵᏙᎸᎢ ᎨᏦᎯᏳᎲᏍᎩ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏕᎪᏢᏩᏗᏒᎢ.\nᎠᎴ ᏂᎯ ᎢᏥᎦᏴᎵᎨᎢ, ᏞᏍᏗ ᏱᏗᏥᎿᎸᏍᏗᏍᎨᏍᏗ ᏗᏤᏥ; ᏕᏣᏛᎯᏍᏗᏍᎨᏍᏗᏍᎩᏂ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᏗᏕᏲᏗ ᎨᏒ ᎠᎴ ᎨᏯᏙᎥᎯᏍᏗ ᎨᏒᎢ.\nᏗᎦᏯᎱᎶ ᏃᎴ ᎤᏩᏂ ᏧᏍᏆᏅᎾ ᏗᏂᏐᎯ ᏧᎾᏣᏪᏐᎸᏍᏙᏗ.\nᎠᏴ ᏉᎳ ᎠᏋᏒ ᎠᏉᏰᏃ ᎬᏓ ᎪᏪᎸᎦ, ᎠᏴ ᏓᎦᎫᏴᎯ; ᎥᏝᏍᎩᏂᏃᏅ ᏨᏒ ᎨᏒ ᎾᏍᏉ ᎬᏚᎦ ᏗᏍᏆᏓᏲᎯᏎᏗᏱ ᏱᎬᏲᏎᎭ.\nᎤᏁᎦ ᏗᏓᏁᎸ ᏭᎷᏣ ᎧᏃᎮᏛ ᏓᏦᎯᏍᏛ, ᎤᎵᏍᎦᏎᏓᏁ ᏤᎩᏏᏂ, ᎨᏍᏗ ᎩᎶ ᎠᏑᏯᎩᏛ ᏱᎩ ᎤᏛᏁ.\nᎠᏂᏍᎦᏯ ᎨᏍᏗ ᎣᏍᏓ ᏳᎾᏓᏅᏔ ᏃᎴ ᏚᏂᏨᎦᏉ.\nᎢᏳᏍᎩᏂ ᎠᏁᏢᏗᏍᎩ ᏁᏙᎲᎾ ᎢᎨᏎᏍᏗ, ᎡᎳᏪᏉ ᎤᏩᏎᏍᏗ ᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ; ᎤᏩᏒᏉ ᎠᏓᎵᏃᎮᏗᏍᎨᏍᏗ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎠᎵᏃᎮᏗᏍᎨᏍᏗ.\nᎥᎬᎭᏅ ᎢᎪᎯᏓ ᎠᏑᏯᎩᏛ.\nᏍᎩᏃᎯᏏ ᎭᎾ ᎮᏙᎲᎢ, ᎩᎾᎵᎢ ᏱᎩ!” \nᎠᏏᏴᏫ ᎠᏫᏄᏣ ᎠᏂ ᎡᏙᎭ, ᎾᏍᎩ ᏓᏰᎭ ᎯᏍᎩ ᎤᏣᎴᏍᏗ-ᎢᏳᏍᏗ ᎦᏚ, ᎠᎴ ᏔᎵ ᏧᎾᏍᏗ ᎠᏣᏗ ᏕᎦᏁᎭ; ᎠᏎᏃ ᎠᏎᏉᎧᏂ ᎾᏍᎩ, ᎯᎠᏃ ᏥᏄᏂᏣᏔ?\nᎠᎢᏒᏃ, ᎵᏫ ᎡᎵᏈ ᎤᏪᏥ ᎤᎪᎮ ᎤᏬᎴ ᎠᏰᎵ ᎠᏕᎸ ᎠᎩᏍᏗᏱ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏍᎩᏍᏓᏩᏚᎦ. ᏚᎴᏅᏃ ᎤᏍᏓᏩᏛᏎᎢ.\nᏚᏣᏯᎩᏎ ᏩᎶᏏ, ᎣᎵᎭ ᎠᎹ ᏚᏍᏚᏤ ᎧᏩᏯ ᎨᎵᏍᎩ.\nᎨᏍᏗ ᎪᎰᏍᏗ ᎬᎫᏍᏛᏙᏗᏱᎩ.\nᎩᎶᏃ ᎢᏳᎾᏍᏗ ᎾᎿ ᏗᏂᏙᎩ ᎯᎠ ᏂᏚᏂᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᎡᏍᏕᎵᏌᏕ ᎠᎩᏫ?\nᎡᎵᎩ ᎥᏣᏱ ᎪᏢᏅᎥᏍᎩ ᎤᎶᏘ ᏃᏒᎾ ᎾᏋᏁᎸᎩ. ᎤᎬᏫᏳᎯ ᎤᎫᏴᎡᏗ ᎨᏎᏍᏗ ᎾᏍᎩᏯ ᏕᎤᎸᏫᏍᏓᏁᎸᎢ.\nᏆᏂᏆᏃ ᎤᏚᎵᏍᎬᎩ ᎤᎾᏘᏅᏍᏗᏱ ᏣᏂ ᎹᎦ ᏧᏙᎢᏛ.\nᎦᎸᏉᏗᏳᏰᏃ ᎢᎦ ᎾᎯᏳ ᎤᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏍᏆᎸᎲ; ᎦᎪᏃ ᏰᎵ ᎬᏩᎴᏗ ᎨᏎᏍᏗ?\nᏙᏓᏆᏓ ᎬᏯᎦᏙᏍᏛᎩ ᏃᎴ ᎣᏍᏓ ᎬᏰᎸᎠ.”\nᎠᏓᏅᏗᏍᏗᏍᎩ ᎤᏓᏒᏎᎢ ᏲᎾ ᎤᏤᏍᏙ ᎤᏂᏣᏛᎢ ᎢᏣ, ᎠᏲᎮᎢ ᎮᏂᎵ.\nᏭᏂᏴᎸᏃ ᎠᏤᎵᏍᏛᎢ, ᎤᏂᎪᎮ ᎠᏫᏴ ᎠᎦᏘᏏᏗᏢ ᎤᏬᎴᎢ, ᎤᏄᏪ ᎦᏅᎯᏛ ᎤᏁᎬ ᎠᏄᏬ; ᎠᏂᏍᎦᎢᎮᏃ.\nᎧᏃᎨ ᏄᏓᏅᎯᏒ ᎾᏯᏛᎡ ᎦᏆᎵ ᏲᎾ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏂᏗᏍᎦᎢᎲᎾ ᎢᏗᎷᎩ ᎾᎿ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎦᏍᎩᎸᎢ, ᎾᏍᎩ ᎡᎩᏙᎵᏍᏗᏱ, ᎠᎴ ᎢᎩᏩᏛᏗᏱ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗᏱ, ᎠᎴ ᎢᎩᏩᏛᏗᏱ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎾᏍᎩ ᎾᎯᏳ ᎢᎩᏂᎬᏎᎲ ᎢᎦᎵᏍᏕᎸᏙᏗ.\nᎤᎬᏫᏳᎯ ᎠᎦᏔᎭ ᎢᏳᏛᏁᏗᏱ ᏧᏭᏓᎴᏍᏗᏱ ᎤᎾᏓᏅᏘ ᎤᏂᎪᎵᏰᏍᎩ ᎤᏂᏰᎢᎵᏙᎲᎢ, ᎤᏂᏲᏃ ᏧᏍᏆᏂᎪᏙᏗᏱ ᎨᏥᎩᎵᏲᎢᏍᏙᏗᏱ ᏗᎫᎪᏙᏗᏱ ᎢᎦ ᎨᏎᏍᏗ:\n”ᏂᎬᎾᏛᎢ ᎠᎬᏱᏣ ᎤᏓᏅᎵᏰᎠ.”\nᎯᎠᏰᏃ ᏂᏨᏪᏎᎭ ᎣᏣᏗᎭ ᎤᎬᏫᏳᎯ ᎤᏁᏨᎢ, ᎾᏍᎩ ᎠᏴ ᏗᏛᏃᏛ ᎠᎴ ᎢᏓᎴᏂᏙᎯ ᎤᎬᏫᏳᎯ ᎦᎷᏨ ᎢᏳᎢ ᎥᏝ ᏱᏙᎨᏗᎪᏅ ᎾᏍᎩ Ꮎ ᎤᏂᎵᏅᏨᎯ.\nᎤᏁᎳᏅᎯᏰᏃ ᎤᏤᎵᎪᎯ ᎨᏒ ᎥᏝ ᎦᏬᏂᎯᏍᏗᏉ ᎨᏒ ᏱᏚᎳᏏᏗ, ᎤᎵᏂᎩᏗᏳᏍᎩᏂ ᎨᏒᎢ.\nᏘᎵ ᏧᎬ ᏭᎾᏓᏝᏅ ᎦᏐᎯ ᎤᏢᏁ ᎤᏬᏢ. ᏗᎧᏂᎨᏂ ᏭᏌᎲ ᎠᏍᎪᎵ, ᏧᏍᏆᏅᎾ ᎭᏫᏂᏨ ᎤᏓᎪᏳᏨ.\nᏞᏍᏗ ᎫᏓᎴᏅᏛ ᎠᎴ ᏂᏥᎦᏔᎲᎾ ᏗᏕᏲᏗ ᎨᏒ ᏱᏗᏣᏘᏂᏙᎮᏍᏗ; ᎣᏏᏳᏰᏃ ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏳᎵᏍᏓᏱᏗᏍᏗ ᎣᎾᏫ; ᎥᏝᏃ ᏄᏍᏛᏉ ᎥᎵᏍᏓᏴᎲᏍᎬᎢ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎤᎾᎵᏍᏕᎸᏙᏗ ᏭᎵᏰᎢᎶᎸᎯ ᏂᎨᏒᎾ ᎨᏒ ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᎾᎦᏌᏯᏍᏔᏅᎯ ᎨᏒᎢ.\n... ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᎬᏁᎯ ᏂᎦᎥ ᎠᎩᎨᏳᏒᎢ.\nᎬᏂᎨᏒ ᎨᏒ ᎠᎹ ᏧᎶᏒ.\nᎩᎶ ᎠᏉᎯᏳᎲᏍᎨᏍᏗ, ᎤᏍᏉᎵᏱ ᏕᎦᎾᏄᎪᎨᏍᏗ ᎡᏉᏂ ᎬᏂᏛ ᎠᎹ ᏕᎨᏰᏍᏗ; ᎾᏍᎩᏯ ᏥᏂᎦᏪ ᎪᏪᎵ.\nᏤᎩᏏᏂ ᏁᎵᏍᎬ ᏱᏄᎾᏛᏁᎳ ᏭᏕᎵᎬ ᎢᏣ ᏯᏁᎾ.\nᎠᎴ ᎤᏔᏃᎯ ᎠᏄᏬ ᎾᏍᎩᏯ ᏙᏘᏇᏅᎯ, ᎠᎴ ᏗᎦᏁᏟᏴᏛ ᎨᏎᏍᏗ; ᏂᎯᏍᎩᏂ ᏁᏣᏍᏗᏉ, ᎠᎴ ᏕᏣᏕᏘᏱᎶᏍᎬ ᎥᏝ ᏭᏍᏘᏥᎯᏍᏗ ᏱᎩ.\nᏧᏴᏨ ᎢᏣ ᎨᏴ ᎤᏂᎦᎵᏴᎲ ᎠᏓᏁᎸ ᎦᏂᎩᎸ ᏫᎵᎻ ᎦᎷᏯᏍᏗ.\nᎿᏉᏃ ᎬᏩᎷᏤᎴ ᎤᏥ ᎠᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᎥᏝ ᎾᎥ ᏫᎦᎬᏩᏂᎷᏤᏗ ᏱᎨᏎ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏴᏫ ᎤᏂᏣᏛᎢ.\nᎪᎢ ᎤᎾᏓᏍᏔᏴᏙᏗ ᎪᎳ ᎢᎪᎯᏛ.\nᎦᏙ ᎢᏤᎵᎭ? ᎤᏂᏁᏨᏃ ᎯᎠ ᏄᏂᏪᏎᎢ; ᏰᎵᏉ ᎬᏩᏲᎱᎯᏍᏗ.\nᎤᎵᏂᎩᏛᏃ ᏚᏁᏤᎴ ᏚᏅᏍᏓᏕᎴ ᎩᎶ ᎤᏙᎴᎰᎯᏍᏗᏱ ᎾᏍᎩ; ᎠᎴ ᎤᏁᏤᎪᎱᏍᏗ ᎤᎵᏍᏓᏴᏗ ᎤᏂᏁᏗᏱ.\nᏴᏫᏍᎩᏂ ᎤᏓᏁᏟᏴᏛ ᏂᎨᏒᎾ ᎨᏒ ᎥᏝ ᏱᏓᏓᏂᎸᎪ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᎤᎵᏍᎪᎸᏔᏅᎯ; ᎠᎵᏍᎦᏁᏛᏉᏰᏃ ᏚᏰᎸᏐᎢ; ᎥᏝ ᎠᎴ ᏗᎬᏬᎵᏍᏗ ᏱᎨᏐᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎠᏓᏅᏙ ᎩᏛ ᏗᎬᎪᏩᏛᏗ ᎨᏒᎢ.\nᎠᏎᏃ ᎯᎠ ᏄᏍᏛᎩ ᎠᏋᏒ ᎨᏒ ᏓᏊᎪᏔᏅᎩ, ᎾᏍᎩ ᏔᎵᏁ ᏫᏨᎷᏤᏗᏱ ᏂᎨᏒᎾ ᎤᏲ ᎬᏆᏓᏅᏘ.\nᎪᎰᏍᏗ ᏯᏂᎦᏔᎲᎾ ᎠᏂᏳᏫᏯ, ᏃᎴ ᎠᏂᏳᏩᏁᎦ ᎤᏂᏐᏱ ᏄᎾᏍᏗ, ᏫᏥ ᎢᏯᏂ ᎨᏎ ᎤᏂᏲ ᎠᏂᏍᎦᏥ ᏃᎴ Ireland ᏓᏳᏂᎶᏒ, ᎤᎾᏓᏨ ᎢᏳᎾᏛᏁᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᏍᎩ ᎠᏴ ᏗᎦᏓᏂᎸᏨᎯ ᏥᎩ ᎤᎬᏫᏳᎯ ᎤᏤᎵᎪᎯ ᎨᏒ ᎾᏍᎩ ᎬᏖᎸᏗ ᏂᎨᏒᎾ, ᎬᏩᎦᏘᏯ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎢᎩᎮᏍᏗ, ᎾᏍᎩ ᎢᏛᏗᏍᎬ ᎤᏁᎳᏅᎯ ᎣᏍᏛ ᎤᏰᎸᏗ ᏗᎨᎩᎸᏫᏍᏓᏁᏗ ᏱᎩ, ᎦᎸᏉᏗᏳ ᎨᏒ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᏔᎵ ᎢᎬᏗᏕᎬᎢ.\nᎨᎵᎠ ᏱᏗᏣᏏᎳᏛᎾ ᏃᎴ ᏔᎵᎭ ᏱᏗᏣᏂᏴ ᏛᎦ, ᎣᎯᏍᏙᏗ ᏱᏣᏓᏅᏔ.\nᏚᏳᎪᏗᏍᎪ ᏏᏌ ᎡᏓᎫᏴᏒᏗᏱ ᎠᏰᎵ ᎠᏓᏴᏗ ᎨᏒᎢ, ᏝᎨ?\n“ᏣᏁᎳ ᎢᏳᏕᏘᏴᏓ.”\nᎠᏎᏃ ᎠᏂᏆᎵᏏ ᎤᎾᏛᎦᏅ, ᎯᎠ ᏄᏂᏪᏒᎩ; ᎯᎠ ᎥᏝ ᎠᏂᏍᎩᎾ ᏱᏗᎦᏄᎪᏫᏍᎦ ᎬᏂ ᏧᏍᏕᎵᏍᎪ ᏇᎵᏥᏆ ᎤᎬᏫᏳᎯ ᎠᏂᏍᎩᎾᎤᎾᏤᎵᎦ.\n“Ꭵ, ᏯᏆᏚᎵᎭᏃ, ᏯᏆᏓᏅᏖᎳ,” ᎤᏛᏁ ᎪᏱᏁᎢ.\nᎤᎾᏨᏎᏃ ᎠᎴ ᎤᎾᏓᏁᎳᏁ ᎦᏩᏒᎩ ᎠᎴ ᎠᏠᏁᏗ; ᎠᎴ ᎤᏂᏯᏪᏐᎴ ᎤᎾᏙᏓᏆᏍᎬ ᎾᏍᎩᏯ ᏂᎬᏅ ᏗᎧᎿᏩᏛᏍᏗ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎿᏉ ᎠᏍᏆᎵᏍᎨ ᎦᎸᎳᏗ ᏣᎦᏓᏂᎸᎢᏍᏗᏱ, ᎤᎵᏂᎩᏗᏳ ᎤᏓᏅᏖ ᏥᎷᏏᎵᎻ ᏭᎶᎯᏍᏗᏱ.\nᏥᏌᏃ ᎤᏁᏨ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏗᏍᏓᏱᏳ ᎨᏒ ᎢᏳᏍᏗ ᏗᏥᎾᏫ ᎯᎠ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎢᏦᏪᎳᏁᎴᎢ;\nᏓᏂᏍᎦᎢ ᏃᎴ ᎤᎾᏚᎵ ᏦᏥᏅᎪᎢᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎿᏉ ᎢᏥᏍᏆᏓ ᎾᏍᎩ ᎢᏯᏛᏁᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎢᏥᎦᎵᏱᏳ ᏂᎨᏒ ᎢᏣᏚᎸᏗᏱ, ᎾᏍᎩ ᎾᏍᏉ ᏄᏍᏕᏍᏗ ᎢᏥᏍᏆᏗᏍᎬᎢ, ᎢᏨᏗᏍᎬ ᎾᏍᎩ ᏄᏍᏛ ᎢᏥᎲᎢ.\nᏚᎷᏫᏍᏔᏁᎲ, ᎣᏍᏓ ᏚᏍᏕᎵᏍᎨ ᏣᏁᎳ ᏕᎦᏅᏌᏛ.\nᏥᏌ ᏚᏠᏱᎸᎩ.\nᎦᎸᏉᏗ ᎦᎶᎯᏍᏗ ᎯᏣᏑᏯᎩ ᏗᏥᏏᎳᏛᏗ.\nᎰᏩᏃ ᎤᎾᎪᎲᏍᏔᏁ ᎤᏓᏁᎸ ᎠᎴ ᏂᎦᏓ ᏧᎸᏫᏍᏓᏁᎸ ᏧᏬᏪᎳᏅ ᏚᎪᏁ.\nᏈᏓᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎴ ᏥᏌ; ᏣᎬᏫᏳᎯ, ᎣᏏᏳ ᎠᏂ ᏥᏕᏙᎭ, ᎢᏳᏃ ᎣᏏᏳ ᏱᏣᏰᎸᏅ, ᎠᏂ ᏦᎢ ᏱᏙᏥᎵᏦᏛᎦ, ᏌᏉ ᏂᎯ ᏣᏤᎵᎦ, ᏐᎢᏃ ᎼᏏ ᎤᏤᎵᎦ, ᏐᎢᏃ ᎢᎳᏯ ᎤᏤᎵᎦ.\nᎠᎴ ᎾᏂᎥ ᎩᎶ ᏧᏅᏕᏨᎯ ᏓᏂᏁᎸᎢ, ᎠᎴ ᎠᎾᎵᏅᏟ ᎠᎴ ᏧᏂᏙ, ᎠᎴ ᏧᏂᏙᏙᏓ, ᎠᎴ ᏧᏂᏥ, ᎠᎴ ᏧᎾᏓᎵᎢ, ᎠᎴ ᏧᏁᏥ, ᎠᎴ ᎦᏙᎯ, ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎤᏂᏩᏛᏗ ᎨᏎᏍᏗ ᎠᏍᎪᎯᏧᏈ ᎤᏁᏉᏨᎯ, ᎠᎴ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ ᎬᏂᏛ ᏫᎾᏍᏛᎾ.\nᏍᎩᎾᎾ ᎢᏴ ᎤᏴᏍᏗ ᏙᏱᏨ ᏭᎷᏤ ᏫᎵᎻ.\nᎠᎴ ᎯᎠ ᎠᏄᎦᎸᎯ ᏥᎨᏥᏫᏎᎴᎢ; ᎾᏍᎩ ᎯᎠ ᎧᏃᎮᏛ ᏣᎾᏛᎩᏍᎪᎢ,\nᎺᎵᏃ ᎹᎩᏕᎵ ᎡᎯ, ᎠᎴ ᎺᎵ ᏦᏏ ᎤᏥ ᎤᏂᎪᎮ ᎾᎿ ᎤᏂᏅᏅᎢ.\nᎾᏍᎩ ᏥᏌ ᎦᎶᏁᏛ ᎠᎩᏅᏏᏙᎯ ᎢᏯᏆᎵᏍᏙᏗᏱ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲᎢ, ᎦᎸᏉᏗᏳ ᏓᎩᎸᏫᏍᏓᏁᏛ ᏴᏫ ᎠᏁᎲᎢ, ᎦᎸᏉᏗᏳ ᏓᎩᎸᏫᏍᏓᏁᎲ ᎣᏍᏛ ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎬᏗᏍᎬᎢ, ᎾᏍᎩ ᎦᎵᏍᎪᎸᏗᏍᎬ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎦᏥᏯᎵᏍᎪᎸᏗᏍᎬᎢ ᏧᏓᏂᎸᎢᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ, ᎦᎸᏉᏗᏳ ᎢᏳᏩᏁᎸᎯ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ.\nᎠᎴ ᎾᏍᎩᏯ ᏥᏄᏍᏕ ᎾᎯᏳ ᏃᏯ ᏤᎮᎢ, ᎾᏍᎩ ᎾᏍᏉ ᏄᏍᏕᏍᏗ ᎾᎯᏳ ᏴᏫ ᎤᏪᏥ ᎤᏤᎵ ᎢᎦ ᎠᎵᏱᎶᎸᎭ.\nᎯᏁᏟᏴᎾ ᏣᏓᏅᏛᎢ; ᎢᏳᏃ ᎾᏍᎩ ᏂᏣᏛᏁᎸᎾ ᎢᎨᏎᏍᏗ ᏞᎩᏳ ᏓᎬᎷᏤᎵ, ᎠᎴ ᏙᏓᎬᏯᏟᏴᎡᎵ ᎠᏰᎳᏍᏗᎦᏅᎯᏛ ᎬᏗ ᏥᎰᎵ ᎤᎦᏌᏛᎢ.\nᏐᎢᏃ ᏭᎷᏤᎸ ᎾᏍᎩᏯ ᏄᏪᏎᎴᎢ. ᏧᏁᏨᏃ, ᏓᎨᏏ, ᎤᏛᏁᎢ; ᎠᏎᏃ ᏄᏪᏅᏒᎾᏉ ᎢᎨᏎᎢ.\nᎤᏅᏗ ᎢᏳᏰᎳᏍᏗᏍᎬᎩ ᎥᏝᏃ ᎪᎱᏍᏗ ᎠᎩᏍᏗ; ᏧᏩᎫᏔᏅᏒᏰᏃ ᎥᏝ ᏰᎵ ᎨᏥᎩᏍᏗ ᏱᎨᏎᎢ, ᎠᎴ ᎪᎯ ᎨᏒ ᎥᏝ ᎠᏏ ᏰᎵ ᏱᎩ.\nᎤᏩᏙᎯᏴᏓ ᎤᏛᎴᎮᎢ.\nᎠᎴ ᏳᎸᏅ, ᎠᎴ ᏯᏗᏗᎭ ᏗᎬᏩᎩᏨᏗ, ᎠᎴ ᎤᎦᏔ ᏳᎵᏰᏅ, ᎠᎴ ᏳᏛᏒ, ᏄᎵᏍᏙᏔᏅ ᏄᏙᎴᎰᏒᎾ.\nᏚᏳᎪᏛᏍᎩᏂ ᎧᏁᎢᏍᏗ ᎨᏒ ᎢᏛᏗᏍᎬ ᎠᏓᎨᏳᏗ ᎨᏒ ᏔᎵ ᎢᏛᏗᏍᎬᎢ, ᏗᎦᏛᎯᏍᏗᏱ ᎾᏍᎩ ᏂᎦᎥ ᏄᏓᎴᏒ ᎾᏍᎩ ᏗᎦᏚᏓᏕᏫᏍᏗᏱ ᎾᏍᎩ ᎠᏍᎪᎵ ᏥᎩ, ᎾᏍᎩ ᎦᎶᏁᏛ;\nᎠᏎᏃ ᎣᎦᏚᏓᎳ ᏂᎪᎯᎸ ᎣᏣᎵᎡᎵᏤᏗᏱ ᎤᏁᎳᏅᎯ ᏂᎯ ᎨᏒ ᎤᎬᏩᎵ, ᎢᏓᎵᏅᏟ ᎤᎬᏫᏳᎯ ᎢᏥᎨᏳᎯ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎳᏅᎯ ᏧᏓᎴᏅᎲ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎢᏣᏑᏰᏒ ᎡᏥᏍᏕᎸᏗᏱ ᎬᏙᏗᏱ ᎠᏓᏅᏙ ᎢᏥᏅᎦᎵᏍᎬᎢ, ᎠᎴ ᎢᏦᎯᏳᏒ ᎤᏙᎯᏳᎯ ᎨᏒᎢ;\nᎤᎵᏣᎬᏔᏁᎢ ᎠᏣᏗ.\nᎤᏁᎳᏅᎯᏰᏃ ᏚᏬᎪᏔᏅ ᏂᎦᏗᏳ ᏄᏃᎯᏳᏒᎾ ᎨᏒᎢ, ᎾᏍᎩ ᏂᎦᏗᏳ ᏧᏪᏙᎵᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᏂᏍᎦᏯ ᎣᎯᏍᏙᏗ ᏧᎾᏓᎩᏯᏍᏗ ᎤᏅᏌ ᏱᎩ.\nᏫᎤᎩᏨᏅᏃ ᏏᏌᎵᏱ ᏭᏂᏴᎴᎢ. ᎧᏂᎵᏯᏃ ᎤᏂᎦᏘᏰᎢ, ᎠᎴ ᏧᏪᏟᏌᏅᎯ ᎨᏎ ᎪᎱᏍᏗ ᏧᏩᏂ ᎠᎴ ᏧᎵᎢ.\nᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᎠᎴ ᎤᏙᏓ ᎤᎬᏫᏳᎯ ᎢᎦᏤᎵ ᏥᏌ ᎦᎶᏁᏛ, ᎾᏍᎩ ᎦᎶᏁᏛ ᎢᏳᏩᏂᏌᏅᎯ ᎣᏍᏛ ᎢᎦᏛᏁᎸᎯ ᏥᎩ, ᎢᎩᏁᎸᎯ ᏂᎦᎥ ᎣᏍᏛ ᎨᏒ ᎠᏓᏅᏙ ᎤᎬᏩᎵ, ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᏦᏒ ᎡᎯ ᎤᎬᏩᎵ.\nᎶᎻᏃ ᏬᎩᎷᏨ, ᎠᏍᎪᎯᏧᏈ ᏗᏘᏂᏙᎯ ᎠᏂᏴᎩ ᏚᏲᎯᏎᎸᎩ ᎤᎬᏫᏳᎯᎠᏂᎦᏘᏯ ᏗᏘᏂᏙᎯ; ᏉᎳᏍᎩᏂ ᎠᎦᎵᏍᎪᎸᏁᎸᎩ ᎤᏁᎳᎩ ᎤᏩᏒ ᎤᏕᏗᏱ, ᎠᎴ ᎠᏯᏫᏍᎩ ᎤᎦᏘᏗᏍᏗᏱ.\nᎠᏆᏛᏅ.\nᎤᏍᎦᏎᏗ ᏚᏙᏪᎴ.\nᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎥᏝ ᎦᎵᏉᎩᏉ ᏱᎬᏲᏎᎭ, ᎦᎵᏆᎪᎯᏍᎩᏂ ᎦᎸᏉᎩ ᎢᏳᎶᏒᎯ.\nᎣᏍᏛᏰᏃ ᎢᏯᏛᏁᏗᏱ ᎠᏆᏚᎵᏍᎬᎢ, ᎥᏝ ᎾᏍᎩ ᏱᏂᎦᏛᏁᎰᎢ; ᎤᏲᏍᎩᏂ ᎾᏍᎩ ᎾᏆᏚᎵᏍᎬᎾ ᎨᏒᎢ, ᎾᏍᎩ ᏂᎦᏛᏁᎰᎢ.\nᎢᏥᎦᏔᎲ ᎾᏍᎩ ᏂᎦᎥ ᎪᎱᏍᏗ ᎣᏍᏛ ᏚᎸᏫᏍᏓᏁᎲ ᎩᎶᎢ, ᎾᏍᎩᏯ ᎢᏳᏍᏗ ᎤᏁᏗ ᎨᏒ ᎤᎬᏫᏳᎯ, ᎾᏍᏉ ᎠᏥᎾᏝᎢ ᏱᎩ, ᎠᎴ ᎾᏥᎾᏝᎥᎾ ᏱᎩ.\nᏗᎩᏣᏗ ᏭᎵᏒᎲ ᎠᏓ ᎪᏒᏔᏅ ᎫᎭᎳᎯ ᏃᎴ ᏓᎶᏂᎨ ᎦᏓᏆᏟ ᎪᏒᏔᏅ ᏦᎳ ᎦᎶᏙᏗ.\nᎾᏍᎩᏍᎩᏂ ᎯᎠ ᏅᏯ ᏥᏥᏲᎢᏎᎸᎩ ᏗᏣᏁᏍᎨᏍᎩ; ᎾᏍᎩ ᎤᏅᏏᏴ ᏄᎬᏫᏳᏒ ᎠᏗ ᏥᏄᎵᏍᏔᏅ.\n”ᎦᏙᏃ ᎠᏎ ᎤᎵᏨᏓᏆᏓ ᎤᏰᏨ ᎯᎨᏐ, ᏓᏍᎪᎩᏍᎬ ᏃᎴ ᎩᎶ ᎤᏤᎵ ᎭᏲᏍᏗᏍᎬ?\nᏗᎦᎧᎯᏴᏍᏗ ᎠᏰᎵ ᏃᎴ ᏗᎨᎯᏓᏍᏗ ᎠᏂᏣᎳᎩ ᏭᏕᎵᎬ ᎢᏣ, ᎨᏍᏗ ᏃᎦᎵᏍᏔᏁᎲ ᎤᎵᏐᏯᏍᏗ ᏱᎨᏎ, ᎣᎦᏤᎵᏰᏃ ᎦᏙ.\nᏈᎵᎩ ᏇᏣᏱᏗ ᎡᎯ ᎨᏒᎩ, ᎡᏂᏗ ᎠᎴ ᏈᏓ ᎤᏂᏚᎲᎢ.\nᎨᏍᏗᏰᏃ ᎩᎶ ᎣᏍᏓ ᎢᎫᏩᏪᏎᏗ ᏱᎨᏎ ᏛᎦ ᏕᎦᎶᎨᏒ.\nᎢᎸᏍᎩ ᏂᎦᎥ ᏚᎾᏙᎥ ᏕᏣᏍᏆᏂᎪᏗ ᏌᏗᏏ, ᎾᏍᎩ ᎦᏓᎭ ᎢᏧᏅᏁᎸᎯ ᏂᎨᏒᎾ ᏧᎾᏄᏬ; ᎠᎴ ᎾᏍᎩ ᎢᏧᎳᎭ ᏓᏲᏤᏙᎵ ᏧᏁᎩᏳ ᎨᏎᏍᏗ ᏚᎾᏄᏩᎥᎢ; ᏰᎵᏉᏰᏃ ᎾᏍᎩ ᎢᎬᏩᎾᏛᏁᏗ.\nᎥᏝᏰᏃ ᎪᎱᏍᏗ ᏱᏥᎦᏔᎭ ᎠᏋᏒ ᎠᏆᏓᎳᏫᏎᏗ; ᎠᏎᏃ ᎥᏝ ᎾᏍᎩ ᏯᏇᏓᎴᎭ; ᎤᎬᏫᏳᎯᏍᎩᏂ ᎾᏍᎩ ᏗᏇᎪᏓᏁᎯ.\nᏓᎬ ᏂᎵᏎ ᏌᎳᏓ. ᏃᏉ ᏗᏌᎳᏓᏂᏎ ᎦᎾᏍᏓ, ᎤᏲᎰᏎᎴ ᎣᏍᏓ ᏄᏛᏅ.\"ᎤᎾᏙᎴᎰᏒᏰᏃ ᎢᎸᎯᏳ ᏥᎨᏎᎢ ᎥᏝ ᏴᏫᏉ ᎠᏓᏅᏖᏍᎬ ᏴᏗᏓᎴᏁᎢ; ᎠᏃᏍᏛᏍᎩᏂ ᎠᏂᏍᎦᏯ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᎠᏂᏁᎨ ᎢᏳᏂᏪᏍᏗᏱ ᏄᏅᏁᎲ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ.\"\nᏈᏡᏓ ᏔᎵᏁ ᎤᏬᏪᎳᏅᎯ 1:21\nᏱᏏ ᎢᎬᏱᏱ ᎤᏬᏪᎳᏅᎯ\nᎠᏯᏙᎸᎢ 1\nᏗᏓᎴᏂᏍᎬᎢ ᎤᏁᎳᏅᎯ ᎦᏬᏢᏁ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ.\nᎡᎶᎯᏃ ᏂᏓᏙᎸᎾ ᎠᎴ ᎤᏰᎸᎭᏉ ᎨᏎᎢ. ᎤᎵᏏᎩᏃ ᎤᎴᏞᏒ ᎠᏍᎸᎩ. ᎤᏁᎳᏅᎯᏃ ᎤᏓᏅᏙ ᎠᏑᏱ ᎦᏚᎢ ᎦᏃᎯᎵᏙᎮᎢ.\nᎤᏁᎳᏅᎯᏃ ᎢᎦ ᏫᎦᏙᎩ, ᎤᎸᏁᎢ ᎢᎦᏃ ᎢᎤᏙᏤᎢ.\nᎤᏁᎳᏅᎯᏃ ᎤᏙᎴᎰᏎ ᎣᏏᏳ ᎨᏒ ᎢᎦ ᎤᏁᎳᎥᎯᏃ ᏚᏓᏓᎴᏔᏁ ᎢᎦ ᎠᎴ ᎤᎵᏏᏱ.\nᎤᏁᎳᏅᎯᏃ ᎢᎦᎦᎸᎢ ᏚᏬᏒᎢ ᎤᎵᏏᎩᏃ ᏒᏃᏱ ᏚᏬᏒᎢ. ᎤᏒᎢᏃ ᎠᎴ ᏑᎾᎴᎢ ᎢᎥᏱᏱ ᎢᎦ ᎨᏎᎢ\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎦᎸᎶᎢ  ᏩᏙᏢᎾ ᎠᎹᏱ ᎠᏰᎵ, ᎾᏍᎩᏃ ᏔᎵ ᏫᏂᎦᏓ ᎠᎹ.\nᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎤᏬᏢᏁ ᎦᎸᎶᎢ ᎠᎴ ᏚᏓᏓᎴᏔᏁ ᎠᎹ ᎦᎸᎶᎢ ᎡᎳᏗᏢ ᎠᎴ ᎠᎹ ᎦᎸᎶᎢ ᎦᎸᎳᏗᏢ. ᎾᏍᎩᏃ ᏄᎵᏍᏔᏁᎢ.\nᎤᏁᎳᏅᎯᏃ ᎦᎸᎶᎢ ᎦᎸᎳᏗ ᏚᏬᎡᎢ ᎤᏒᏃ ᎠᎴ ᏑᎾᎴ ᏔᎵᏁ ᎢᎦ ᎨᏎᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎠᎹ ᎭᏫᏂᏗᏢ ᎦᎸᎶᎢ ᏩᏓᏟᏌ, ᎤᎧᏲᏛᎯᏃ ᎨᏒ ᏫᎦᎾᏄᎪᎩ. ᎾᏍᎩᏃ ᏄᎵᏍᏔᏁᎢ.\nᎤᏁᎳᏅᎯᏃ ᎤᎧᏲᏛᎯ ᎨᏒ ᎦᏓ ᏚᏬᎡᎢ, ᎠᎹᏃ ᎤᏓᏟᏌᏅᎯ ᎠᏣᏉᎯ ᏚᏬᎡᎢ. ᎤᏁᎳᏅᎯᏃ ᎤᏙᎴᎰᏎ ᎾᏍᎩ ᎣᏏᏳ ᎨᏒᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ: ᎦᏓ ᎦᏄᎸᏒ ᎦᎾᏄᎪᏩ, ᎾᏍᎩ ᎠᎦᏔᏛᏍᎩ ᎦᏄᎸᏒᎢ, ᎠᎴ ᏗᏓᏛᏍᎩ ᏕᏡᎬᎢ ᏧᏓᎴᏅᏛ ᏧᎾᏤᎵᎦᎭ ᎤᎦᏔ ᏧᏁᎯ ᎦᏙᎯ ᎦᎸᎳᏗᏢ. ᎾᏍᎩᏃ ᏄᎵᏍᏔᏁᎢ;\nᎦᏓ ᎦᏄᎸᏒ ᎤᎾᏄᎪᏫᏎᎢ, ᎾᏍᎩ ᎠᎦᏔᏛᏍᎩ ᏧᏓᎴᏅᏛ ᏧᎾᏤᎵᎦᎭ ᎤᎦᏔ ᎠᏂᎾᏄᎪᏫᏍᎩ, ᎠᎴ ᏕᏡᎬ ᏗᏓᏛᏍᎩ ᏧᎾᏤᎵᎦᎭ ᎤᎦᏔ ᏧᏁᎯ. ᎤᏁᎳᏅᎯᏃ ᎤᏙᎴᎰᏎ ᎾᏍᎩ ᎣᏏᏳ ᎨᏒᎢ.\nᎤᏒᏃ ᎠᎴ ᏑᎾᎴᎢ ᏦᎢᏁ ᎢᎦ ᎨᏎᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎦᎸᎶᎢ ᎦᎸᎳᏗ ᎢᎦ ᎠᎾᏘᏍᏗᏍᎩ ᏩᏂᎧᎸᎩ, ᎢᎦ ᏒᏃᏱᏃ ᏗᎾᎦᎴᏅᏗᏍᎩ, ᎠᎴ ᎾᏍᎩ ᏂᏓᎪᎳᏗᏴᎯᏒ ᎠᎴ ᏂᏓᏙᏓᏈᏒ ᎠᎴ ᏂᏓᏕᏘᏴᎯᏒ ᎠᏙᎴᎰᎯᏍᏙᏗ ᎨᏎᏍᏗ;\nᎠᎴ ᎾᏍᎩ ᎢᎦ ᎠᎾᏘᏍᏗᏍᎩ ᎨᏎᏍᏗ ᎦᎸᎶᎢ ᎦᎸᎳᏗ, ᎡᎶᎯ ᎢᎦ ᎤᎾᏘᏍᏙᏗᏱ. ᎾᏍᎩᏃ ᏄᎵᏍᏔᏁᎢ.\nᎤᏁᎳᏅᎯᏃ ᏔᎵ ᏤᏆ ᎢᎦ ᎠᎾᏘᏍᏗᏍᎩ ᏚᏬᏢᏁᎢ, ᎤᏛᏂᏗ ᎢᎦ ᎠᏘᏍᏗᏍᎩ ᎢᎦ ᏗᏁᎶᏙᏗ, ᎠᏲᎳᏂᏃ ᎢᎦ ᎠᏘᏍᏗᏍᎩ ᏒᏃᏱ ᏗᏁᎶᏙᏗ; ᎠᎴ ᏃᏈᏏ ᏚᏬᏢᏁᎢ.\nᎾᏍᎩᏃ ᎤᏁᎳᏅᎯ ᎦᎸᎶᎢ ᎦᎸᎳᏗ ᏚᏪᎧᏁᎢ, ᎢᎦ ᎤᎾᏘᏍᏙᏗᏱ ᎡᎶᎯ,\nᎠᎴ ᎾᏍᎩ ᎢᎦ ᎠᎴ ᏒᏃᏱ ᏗᏁᎶᏙᏗ, ᎠᎴ ᎾᏍᎩ ᎢᎦᎦᏛᎢ ᎠᎴ ᎤᎵᏏᎩ ᏗᎾᎦᎴᏅᏗᏍᎩ. ᎤᏁᎳᏅᎯᏃ ᎤᏙᎴᎰᏎ ᎾᏍᎩ ᎣᏏᏳ ᎨᏒᎢ.\nᎤᏒᏃ ᎠᎴ ᏑᎾᎴᎢ ᏅᎩᏁ ᎢᎦ ᎨᏎᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎠᎹ ᏫᏗᎦᎾᏄᎪᏩ ᎤᏂᏣᏘ ᏗᏅᏃᏛ ᎠᎾᎵᏖᎸᎲᏍᎩ, ᎠᎴ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ ᎦᏙᎯ ᎦᎸᎳᏗᏢ ᎠᏂᏃᎯᎵᏙᎮᏍᏗ.\nᎤᏁᎳᏅᎯᏃ ᏚᏬᏢᏁ ᏣᏁᏆ ᏓᏉ, ᎠᎴ ᎾᏂᎥ ᎠᎾᎵᏖᎸᎲᏍᎩ ᏗᏅᏃᏛ, ᎠᎹ ᎾᏍᎩ ᏚᎾᏄᎪᏫᏎᎢ ᎤᏂᏣᏘ ᏧᎾᏓᎴᏅᏛ, ᎠᎴ ᎾᏂᎥ ᏧᎾᏓᎴᏅᏛ ᏗᏃᏯᏗ ᎠᏂᏃᎪᎵᏙᎯ. ᎤᏁᎳᏅᎯᏃ ᎤᏙᎴᎰᏎ ᎾᏍᎩ ᎣᏏᏳ ᎨᏒᎢ.\nᎤᏁᎳᏅᎯᏃ ᎣᏍᏛ ᏚᏁᏤᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ:Ꮆ ᎢᏥᏁᏉᏣᏖᏍᏗ, ᎠᎴ ᎢᏥᎪᏙᎯ, ᎠᎴ ᎠᎾᏉᎯ ᎢᏥᎧᎵᏣ; ᎠᏂᏃᎯᎵᏙᎯᏃ ᏩᏂᏁᏉᎩ ᎡᎶᎯ.\nᎤᏒᏃ ᎠᎴ ᏑᎾᎴ ᎯᏍᎩᏁ ᎢᎦ ᎨᏎᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ: ᎦᏓ ᏫᏗᎦᎾᏄᎪᏩ ᏗᏅᏃᏛ ᏧᎾᏓᎴᏅᏛ, ᎦᎾᏝᎢ, ᎠᎴ ᎠᎾᏓᎾᏏᏂᏙᎯ, ᎠᎴ ᎡᎶᎯ ᎠᏁᎯ ᏧᎾᏓᎴᏅᏛ. ᎾᏍᎩᏃ ᏄᎵᏍᏔᏁᎢ:\nᎤᏁᎳᏅᎯᏃ ᏚᏬᏢᏁ ᏗᏅᏃᏛ ᎡᎶᎯ ᎠᏁᎯ ᏧᎾᏓᎴᏅᏛ, ᎠᎴ ᎦᎾᏝᎢ ᏧᎾᏓᎴᏅᏛ, ᎠᎴ ᏂᎦᏛ ᎦᏙᎯ ᎠᎾᏓᎾᏏᏂᏙᎯ ᏧᎾᏓᎴᏅᏛ. ᎤᏁᎳᏅᎯᏃ ᎤᏙᎴᎰᏎ ᎾᏍᎩ ᎣᏏᏳ ᎨᏒᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏴᏫ ᎡᏙᏢᎾ ᎠᏴ ᎾᏍᎩᏯᎢ, ᎠᏴ ᏂᎦᏍᏛᎢ, ᎾᏍᎩᏃ ᎤᏂᎬᏫᏳᎯ ᎨᏎᏍᏗ ᎠᏣᏗ ᎠᎺᏉᎯ ᎠᏁᎲᎢ, ᎠᎴ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ ᎠᏁᎲᎢ, ᎠᎴ ᎦᎾᏝᎢ ᎠᏁᎲᎢ, ᎠᎴ ᎡᎶᎯ ᏂᎬᎾᏛᎢ, ᎠᎴ ᎠᏁᎲᎢ ᏂᎦᎥ ᎠᎾᏓᎾᏏᏂᏙᎯ, ᎦᏙᎯ ᏣᎾᏓᎾᏏᏂᏙᎭ.\nᎰᏩᏃ ᎤᏁᎳᏅᎯ ᏴᏫ ᎤᏬᏢᏁᎢ ᎤᏩᏒ ᏄᏍᏛᎢ, ᎤᏁᎳᏅᎯ ᏄᏍᏛ ᎾᏍᎩᏯ ᎤᏬᏢᏁᎢ, ᎠᏍᎦᏯ ᎠᎴ ᎠᎨᏴ ᏚᏬᏢᏁᎢ.\nᎤᏁᎳᏅᎯᏃ ᎣᏍᏛ ᏚᏁᏤᎴᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎯᎠ ᏂᏚᏪᏎᎴᎢ: ᎢᏍᏗᏁᏉᏣᏖᏍᏗ, ᎠᎴ ᎢᏍᏗᎪᏙᎯ, ᎠᎴ ᎦᏙᎯ ᎢᏍᏗᎧᎵᏣ, ᎠᎴ ᎾᏍᎩ ᎢᏍᏓᏤᎵᎦ ᏂᏍᏛᎦ, ᎠᎴ ᎢᏍᏗᎬᏫᏳᎯ ᎨᏎᏍᏗ ᎠᏣᏗ ᎠᏁᎲᎢ, ᎠᎴ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ ᎠᏁᎲᎢ, ᎠᎴ ᏂᎦᎥ ᎬᏃᏛ ᎡᎶᎯ ᏣᎵᏖᎸᎲᏍᎦ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ; ᎬᏂᏳᏉ ᏂᎦᎥ ᎦᏄᎸᎯ ᎠᎦᏔᏛᏍᎩ ᎾᏍᎩ ᏂᎬᎾᏛ ᎦᏙᎯ ᏣᏛᏍᎦ, ᎠᎴ ᏂᎦᎥ ᏕᏡᎬ ᏗᏓᏛᏍᎩ ᎤᎦᏔ ᏥᏓᎦᏔᏛᏍᎦ, ᏕᏍᏛᏲᎯᏎᎸ; ᎾᏍᎩ ᏂᎯ ᎢᏍᏓᎵᏍᏓᏴᏗ ᎨᏎᏍᏗ;\nᎾᏍᏉᏃ ᏂᎦᎥ ᎡᎿᎥ ᎦᏙᎯ, ᎠᎴ ᎾᏂᎥ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ, ᎠᎴ ᎾᏂᎥ ᏗᏅᏃᏛ ᎦᏙᎯ ᎠᎾᏓᎾᏏᏂᏙᎯ, ᏂᎦᎥ ᎢᏤ ᎦᏄᎸᏒ ᎤᎾᎵᏍᏓᏴᏗ ᏕᎦᏥᏲᎯᏎᎸ. ᎾᏍᎩᏃ ᏄᎵᏍᏔᏁᎢ.\nᎤᏁᎳᏅᎯᏃ ᎤᎪᎮ ᏂᎦᎥ ᎤᏬᏢᏅᎢ, ᎠᎴ ᎬᏂᏳᏉ Ꮀ ᎣᏏᏳ ᎨᏎᎢ. ᎤᏒᏃ ᎠᎴ ᏑᎾᎴᎢ ᏑᏓᎵᏁ ᎢᎦ ᎨᏎᎢ.\nᎠᏯᏙᎸᎢ 2\nᎾᏍᎩᏃ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ ᎤᎵᏍᏆᏕ ᏕᎪᏢᏍᎬᎢ ᎠᎴ ᎾᏍᎩ ᏂᎦᎥ ᏄᏂᏧᏈᏍᏛᎢ.\nᎦᎵᏉᎩᏁᏃ ᎢᎦ ᎤᏁᎳᏅᎯ ᎤᏍᏆᏕ ᏚᎸᏫᏍᏓᏁᎸᎢ ᎾᏍᎩ ᎤᏬᏢᏅᎢ. ᎤᏯᏪᏐᎴᏃ ᎦᎵᏉᎩᏁ ᎢᎦ ᎤᏲᎯᏍᏔᏁ ᏂᎦᎥ ᏚᎸᏫᏍᏓᏁᎸᎢ ᎾᏍᎩ ᎤᏬᏢᏅᎢ.\nᎤᏁᎳᏅᎯᏃ ᎣᏍᏛ ᎤᏁᏤᎴ ᎦᎵᏉᎩᏁ ᎢᎦ ᎠᎴ ᎤᎸᏉᏔᏁᎢ, ᎾᎯᏳᏰᏃ ᎤᏯᏪᏐᎴ ᎤᏲᎯᏍᏔᏁ ᏂᎦᎥ ᏚᎸᏫᏍᏓᏁᎸᎢ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏁᎳᏅᎢ ᎠᎴ ᎤᏬᏢᏅᎢ.\nᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᎢᎬᏱᏱ ᏗᏓᎴᏂᏍᎬ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ ᎨᎪᏢᏅᎢ, ᎾᎯᏳ ᎢᎦ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᏥᏚᏬᏢᏁ ᎡᎶᎯ ᎠᎴ ᎦᎸᎶᎢ,\nᎠᎴ ᏂᎦᎥ ᎦᏄᏄᏒ ᏠᎨᏏ ᎡᎯ, ᎠᏏ ᎾᎭᏛᎾ ᏥᎨᏎᎢ, ᎠᎴ ᏂᎦᎥ ᎠᏛᏍᎩ ᏠᎨᏏ  ᎡᎯ; ᎠᏏ ᎾᎵᏰᎲᏍᎬᎾᏉ ᏥᎨᏎᎢ; ᏱᎰᏩᏰᏃ ᎤᏁᎳᏅᎯ ᎠᏏ ᎾᎦᏃᏗᏍᎬᎾ ᎨᏎ ᎡᎶᎯ, ᎠᎴ ᎾᏍᏉ ᎥᏝ ᏰᎮ ᏴᏫ ᏗᎦᎶᎩᏍᎩ.\nᎤᎬᎭᏓᏍᎩᏂ ᎦᏙᎯ ᎠᎵᏌᎳᏗᏍᎨᎢ, ᎾᏍᎩᏃ ᏂᎬᎾᏛᎢ ᎦᏚᎢ ᎦᏙᎯ ᏕᎠᏖᎡᎯᏍᏗᏍᎨᎢ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᏴᏫ ᎦᏓ ᎤᏬᏢᏔᏁᎢ, ᏗᎪᏴᏐᎵᏃ ᎤᏦᏔᎮ ᎬᏂᏛ ᎬᏬᎳᏕᏍᏗ, ᏴᏫᏃ ᎬᏃᏛ ᏄᎵᏍᏔᏁᎢ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎠᏫᏒᏗᏱ ᎤᏫᏒᏁᎢ ᎢᏗᏂ ᏚᏙᎥᎢ ᏅᏙ ᏗᎧᎸᎬ ᎢᏗᏢ; ᎾᎿᏃ ᎤᏪᎧᏁ ᏴᏫ ᎤᏬᏢᏅᎯ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎦᏙᎯ ᏚᎾᏄᎪᏫᏎ ᏂᏚᏓᎴᏒ ᏕᏡᎬ ᏧᏬᏚᎯ ᏗᎧᏃᏗᏱ ᎠᎴ ᎣᏍᏛ ᏗᎵᏍᏓᏴᏗ; ᎠᎴ ᎾᏍᏉ ᎬᏂᏛ ᎠᏓᏁᎯ ᏡᎬᎢ ᎠᏰᎵ ᎠᏫᏒᏗᏱ (ᎤᎾᏄᎪᏫᏎᎢᏁ ᎠᎴ ᏈᎬᎢ ᎠᎦᏙᎥᎯᏍᏗ ᎣᏍᏛ ᎨᏒᎢ ᎠᎴ ᎤᏲ ᎨᏒᎢ.\nᎢᏗᏂᏃ ᎨᏰᎢ, ᎾᏍᎩᏃ ᎠᏫᏒᏗᏱ ᏓᏖᎡᎯᏍᏗᏍᎨᎢ; ᎾᎿᏃ ᏫᏚᎶᎦᎴᎢ, ᏅᎩ ᏕᎨᏴ ᏂᎦᎵᏍᏗᏍᎨᎢ.\nᎢᎬᏱᏱ ᎨᏴᎢ ᏆᏌᏂ ᏚᏙᎥ; ᎾᏍᎩ ᎭᏩᎳ ᏂᎬᎢ ᏥᏓᏚᏫᏍᏗᎭ, ᎾᎿᏂ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᎳ;\nᎠᏕᎸᏃ ᏓᎶᏂᎨ ᎾᎿ ᎤᎸ ᎣᏏᏳ; ᎾᎿ ᎡᎭ ᏕᎵᏯᎻ, ᎠᎴ ᏅᏯ ᎣᏂᎩ ᏧᏙᎢᏛ.\nᏔᎵᏁᏃ ᎨᏴᎢ ᎦᎭᏂ ᏚᏙᎥ, ᎾᏍᎩ ᎢᏗᎣᏈ ᏂᎬᎢ ᏥᏓᏚᏫᏍᏗᎭ.\nᏦᎢᏁᏃ ᎨᏴᎢ ᎯᏗᎩᎵ ᏚᏙᎥ, ᎾᏍᎩ ᎠᏏᎵᏱ ᏅᏙ ᏗᎧᎸᎬ ᎢᏗᏢ ᏥᏭᏪᏯᏗᏍᏗ. ᏅᎩᏁᏃ ᎨᏴᎢ ᎾᏍᎩ ᏳᏇᏗ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎤᏯᏅᎮ ᏴᏫ ᎢᏗᏂ ᎠᏫᏒᏗᏱ ᎤᏪᎧᏁᎢ, ᎣᏍᏛ ᎢᏳᏩᏁᏗᏱ ᎠᎴ ᎤᎦᏘᏗᏍᏗᏱ.\nᏱᎰᎨᏩᏃ ᎤᏁᎳᏅᎯ ᎤᏁᏤᎴ ᏴᏫ ᎯᎠ ᏄᏪᏎᎢ:Ꮆ ᏂᎦᏛ ᏕᏈᎬ ᎠᏂ ᎠᏫᏒᏗᏱ ᏥᏕᏡᎦ ᏣᏁᎳᎩ ᏣᎵᏍᏓᏴᏗ ᎨᏎᏍᏗ;\nᎾᏍᎩᏂ ᎤᏓᏔᏅᎯ ᏥᏈᎦ ᎠᎦᏙᎥᎯᏍᏗ ᎣᏍᏛ ᎨᏒᎢ ᎠᎴ ᎤᏲ ᎨᏒᎢ, ᎥᏝ ᏣᎩᏍᏗ ᏱᎨᏎᏍᏗ, ᎾᎯᏳᏰᏃ ᎢᎦ ᎯᎬᎭ ᎤᏙᎯᏳᏒ ᏣᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎯᎠ ᏄᏪᏎᎢ; ᎥᏝ ᏲᎯ ᎠᏍᎦᏯ ᎤᏩᏒᏉ ᏥᎩ; ᏓᏥᏲᏢᎾᏁᎵ ᎤᏍᏕᎸᎯᏙᎯ ᎤᏩᏒ ᏄᏍᏛᎢ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎦᏓ ᏚᏬᏢᏔᏁ ᏂᎦᎥ ᎡᎿᎢ, ᎠᎴ ᏂᎦᎥ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ, ᎾᏍᎩᏃ ᎠᏓᏫ ᏚᏘᏃᎮᎴᎢ ᎤᏙᎴᎰᎯᏍᏗᏱ ᎤᏚᎵᏍᎨ ᏄᏍᏛ ᏕᎪᏍᎬᎢ: ᏄᏍᏛᏃ ᎠᏓᏫ ᏕᎤᏬᎥᎢ ᏂᎦᎥ ᎬᏃᏛ, ᎾᏍᎩ ᏄᏍᏕ ᏚᏙᎡᎢ.\nᎠᏓᏫᏃ ᏚᏬᎡ ᏂᎦᏛ ᎦᎾᏝᎢ, ᎠᎴ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ, ᎠᎴ ᏂᎦᏛ ᎢᎾᎨ ᎡᎿᎢ;: ᎠᏓᏫᏍᎩᏂ ᎾᏲᎪ ᎤᏍᏕᎸᎯᏙᎯ ᎥᏝ ᏰᎮ ᎤᏩᏒ ᏄᏍᏛᎢ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎠᏍᏓᏯ ᎤᎸᏗᏱ ᏄᏩᏁᎴ ᎠᏓᏫ; ᎾᏍᎩᏃ ᎤᎸᏁᎢ; ᎿᏉᏃ ᏌᏉ ᎦᏄᎳᏥ ᎤᎸᎡᎴᎢ, ᎾᏍᎩᏃ ᎤᎸᎡᎸᎢ ᎤᏇᏓᎸ ᎤᏍᏚᏔᏁᎢ.\nᎾᏍᎩᏃ ᎦᏄᎳᏥ, ᎠᏍᎦᏯ ᎤᎸᎡᎸᎯ, ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎠᎨᏴ ᎤᏬᏢᏔᏁᎢ, ᎠᎴ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᏘᏃᎮᎴᎢ,\nᎠᏓᏫᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎿᏉ ᎯᎠ ᎪᎳ ᏗᎩᎪᎶᎯ ᎤᏕᏅᎯ, ᎠᎴ ᎭᏫᏯ ᎠᎩᏫᏲᎯ ᎤᏕᏅᎯ; ᎾᏍᎩ ᎠᎨᏴ ᏕᎤᏙᎡᏍᏗ, ᎠᏍᎦᏲᎯᏰᏃ ᏅᏓᏳᎶᏒᎯ ᎾᏍᎩ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᏕᎬᏕᎨᏍᏗ ᎤᏙᏓ ᎠᎴ ᎤᏥ, ᎤᏓᎵᎢᏃ ᎠᏜᏫᏍᏗᏍᎨᏍᏗ, ᎾᏍᎩᏃ ᏌᏉᏉ ᎤᏂᏇᏓᎸᎢ ᎨᏎᏍᏗ.\nᎢᏧᎳᏃ ᏧᏂᏰᎸᎭ ᎨᏎᎢ, ᎠᏍᎦᏯ ᎠᎴ ᎤᏓᎵᎢ, ᎠᎴ ᎥᏝ ᏯᎾᏕᎰᏍᎨᎢ.\nᎠᏯᏙᎸᎢ 3\nᎢᎾᏛᏃ ᎤᏟ ᎠᏏᎾᏌᏂᏳ ᎨᏎᎢ, ᎡᏍᎦᏉ ᎾᏂᎥ ᎢᎾᎨ ᎠᏁᎯ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᏧᏬᏢᏅᎯ. ᎯᎠᏃ ᏄᏪᏎᎴ ᎠᎨᏴ; ᎤᏙᎯᏳᎯᏍᎪ ᎤᏁᎳᏅᎯ ᎯᎠ ᏄᏪᏒᎮ ᏞᏍᏗ ᏂᎦᏛ ᎠᏫᏒᏗᏱ ᏥᏕᏡᎦ ᎢᏍᏓᎵᏍᏓᏴᏔᏅᎩ.\nᎠᎨᏴᏃ ᎯᎠ ᏄᏪᏎᎴ ᎢᎾᏛ; ᏰᎵᏉ ᎦᏲᎩᏂᎩᏍᏗ ᎤᏓᏔᏅᎯ ᎠᏫᏒᏗᏱ ᏥᏕᏈᎦ.\nᎾᏍᎩᏂ ᎤᏓᏔᏅᎯ ᎠᏫᏒᏓᏱ ᎠᏰᎵ ᏥᏈᎦ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎯᎠ ᏃᎩᏂᏪᏎᎸ; ᏞᏍᏗ ᎢᏍᏓᎵᏍᏓᏴᏔᏅᎩ ᎠᎴ ᏞᏍᏗ ᎢᏍᏓᏒᏂᎸᎩ, ᏱᏕᏍᏗᏲᎱᎯ ᎾᏏ.\nᎢᎾᏛᏃ ᎯᎠ ᏄᏪᏎᎴ ᎠᎨᏴ; ᎥᏝ ᎤᏙᎯᏳᏒ ᏱᏙᎨᏍᏗᏲᎢᎱᎯ;\nᎤᏁᎳᏅᎯᏰᏃ ᎠᎦᏔᎭ ᎾᎯᏳ ᎢᎦ ᎢᏍᏓᎵᏍᏓᏴᏔᏅᎭ ᎿᏉ ᏗᏍᏗᎦᏙᎵ ᏙᏛᎵᏍᏚᎢᏏ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏄᏍᏛ ᎾᏍᎩᏯ ᏂᏍᏓᏍᏕᏍᏗ, ᎢᏍᏗᎦᏔᎮᏍᏗ ᎣᏍᏛ ᎠᎴ ᎤᏲᎢ.\nᎠᎨᏴᏃ ᎤᏙᎴᎰᏒ ᎾᏍᎩ ᏈᎬ ᎣᏏᏳ ᎠᎵᏍᏓᏴᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏬᏚᎯᏳ ᎨᏒ ᏗᎧᏃᏗᏱ, ᎠᎴ ᎤᏚᎸᏗᏳ ᎨᏒ ᎥᎦᏔᎿᎢ ᎢᏳᏓᏛᏁᏗᏱ, ᎾᏍᎩ ᏈᎬ ᎤᏛ ᎤᏕᏎ ᎠᎴ ᎤᎨᎢ, ᎾᏍᏉᏃ ᎤᏁᎴ ᎤᏰᎯ, ᎾᏍᏉᏃ ᎾᏍᎩ ᎢᎤᎨᎢ.\nᎢᏧᎳᏃ ᏗᏂᎦᏙᎵ ᏚᎵᏍᏚᎢᏎᎢ, ᎠᎴ ᎤᎾᏙᎴᎨᏎ ᏧᏂᏰᎸᎭ ᎨᏒᎢ, ᏒᎦᏔᏃ ᎢᏳᏍᏗ ᏧᎦᏄᏓᏛᏅᎯ ᏚᏂᏰᏫᏎᎢ, ᎠᎴ ᏧᎾᏝᏌᏙ ᏚᏃᏢᏁᎢ.\nᎤᎾᏛᎦᏁᏃ ᎤᏃᏴᎬ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎡᏙᎲ ᎠᏫᏒᏗᏱ ᏧᏴᏠ ᎤᏒᎯᏰᏱ, ᎠᏓᏫᏃ ᎠᎴ ᎤᏓᎵᎢ ᎠᏫᏒᏗᏱ ᏕᏡᎬᎢ ᎤᎾᏗᏍᎦᎳᏁᎴ ᏱᎰᏩ ᎤᏁᎳᏅᎯ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᏭᏯᏅᎮ ᎠᏓᏫ, ᎭᏢᎮᏙᎭ? ᎤᏬᎭᎴᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏆᏛᎦᏅᎩ ᎤᏃᏴᎬ ᎮᏙᎲ ᎠᏫᏒᏗᏱ, ᎠᎴ ᏥᏍᎦᎢᎲᎩ, ᎠᎩᏰᎸᎭᏰᏃ ᎨᏒᎩ; ᎠᏆᏗᏍᎦᎳᏅᎩᏃ.\nᎯᎠᏃ ᏄᏪᏎᎢ: ᎦᎪ ᎢᏣᏃᏁᎴ ᏣᏰᎸᎭ ᎨᏒᎢᎮ ᏥᎪ ᎢᏣᎬ ᎤᏓᏔᏅᎯ. ᏈᎬᎢ, ᏞᏍᏗ ᏣᎬᎩ ᏥᎬᏲᏎᎸᎩ?\nᎠᏍᎦᏯᏃ ᎯᎠ ᏄᏪᏎᎢ: ᎠᎨᏴ ᏥᏍᎩᎧᏁᎸᎩ ᎣᎩᏁᏓᏍᏗ, ᎾᏍᎩ ᎠᎩᏁᎸᎩ ᏈᎬ ᎤᏓᏔᏅᎯ, ᎠᎴ ᎠᎩᎬᎩ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎯᎠ ᏄᏪᏎᎴ ᎠᎨᏴ; ᎦᏙ ᎾᏍᎩ ᎯᎠ ᎢᏣᏛᏁᎸ? ᎠᎨᏴᏃ ᎯᎠ ᏄᏪᏎᎢ: ᎢᎾᏛ ᎠᎩᎶᏄᎮᎸᎩ, ᎾᏍᎩᏃ ᎠᎩᎬᎩ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎯᎠ ᏄᏪᏎᎴ ᎢᎾᏛ; ᎤᏟ ᎢᎦᎢ ᎡᏣᏍᎦᏨᎯ ᎡᏍᎦᏉ ᎾᏂᎥ ᏅᎩ-ᏗᏂᏅᏌᏗ ᎠᎴ ᎢᎾᎨ ᎠᏁᎯ, ᎾᏍᎩ ᏥᎿᏛᎦ ᏅᏓᎦᎵᏍᏙᏓ ᎭᏓᎾᏏᏂᏔᎮᏍᏗ, ᎠᎴ ᎦᏓ ᎯᎩᏍᎨᏍᏗ ᏂᎪᏰᎸ ᎲᏅᎢ.\nᎠᎴ ᏗᏍᏓᏓᏯᎦᎩᏳ. ᏅᏓᏍᏛᏴᏁᎵ ᏂᎯ ᎠᎴ ᎠᎨᏴ, ᎠᎴ ᏣᏁᏉᎥᎯ; ᎾᏍᎩ ᎯᏍᎪᎵ ᏓᏨᏂᎵ, ᏂᎯᏃ ᎦᏗᎨᏂ, ᏘᏂᎵ.\nᎯᎠᏃ ᏄᏪᏎᎴ ᎠᎨᏴ; ᎤᏣᏔᏅᎯ ᏓᎬᏁᏉᎡᎵ ᎡᎯᏍᏗ ᎨᏒ ᏴᏫ ᏕᎯᏁᏉᏍᎬᎢ: ᎡᎯᏍᏗ ᏣᏓᏅᏖᏍᏗ ᏗᏂᏲᎵ ᏕᎯᎾᏄᎪᏫᏍᎨᏍᏗ, ᎠᎴ ᏣᏰᎯ ᎯᏰᎳᏲᏍᎨᏍᏗ ᎠᎴ ᎾᏍᎩ ᏣᏁᏤᎵᏙᎯ ᎨᏎᏍᏗ.\nᎠᏓᏫᏃ ᎯᎠ ᏄᏪᏎᎴᎢ: ᏅᏓᎦᎵᏍᏙᏓ ᏣᏓᎵᎢ ᎧᏁᎬ ᏣᏛᏓᏍᏓ, ᎠᎴ ᏈᎬ ᎤᏓᏔᏅᎯ ᏥᎦ, ᏥᎬᏅᏍᏓᏕᎸᎩ, ᏞᏍᏗ ᏣᎬᎩ ᏥᎬᏲᏎᎸᎩ, ᎦᏙᎯ ᎠᏍᎦᏨᎯ ᏂᎦᎵᏍᏓ ᏂᎯ ᏅᏂᏌ; ᎤᏲ ᏣᏓᏅᏖᏍᏗ ᎾᎿ ᎤᏛᏒᎯ ᎯᎩᏍᎨᏍᏗ ᏂᎪᎯᎸ ᎲᏅᎢ.\nᎠᎴ ᎾᏍᏉ ᏥᏍᏚᏂᎩᏍᏗ ᎠᎴ ᏥᏥ ᏣᎵᏰᏁᎮᏍᏗ, ᏎᎸᏃ ᏠᎨᏏ ᎡᎯ ᎭᎵᏍᏓᏴᏗᏍᎨᏍᏗ.\nᎠᎴ ᏣᎸᎯ ᏣᎧᏛᎢ ᎦᏚ ᎯᎩᏯᎨᏍᏗ ᎬᏂ ᎦᏙᎯ ᏫᎯᎷᏥᏌᏅᎭ, ᎾᎿᏰᏃ ᏪᏣᏯᏅᏛ; ᎦᏓᏰᏃ ᏂᎯ, ᎠᎴ ᎦᏙᎯ ᏮᏛᎯᎷᏥᏌᏂ.\nᎠᏓᏫᏃ ᎢᏫ ᏚᏬᎡ ᎤᏓᎵᎢ, ᏂᎦᏛᏰᏃ ᏴᏫ ᏗᏅᏃᏛ ᎾᏍᎩ ᎤᏂᏥ ᎨᏎᎢ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎦᏁᎦ ᏚᏬᏢᏔᏁ ᎠᏓᏫ ᎠᎴ ᎤᏓᎵᎢ ᏧᎾᏄᏬᎢ ᎠᎴ ᎾᏍᎩ ᏚᏄᏬᎡᎢ.\nᏱᎰᏩᏃ ᎤᏁᎳᏅᎯ ᎯᎠ ᏄᏪᏎᎢ; ᎬᏂᏳᏉ ᏴᏫ ᎠᏴ ᏂᎦᏍᏛ ᎾᏍᎩᏯ ᏂᎦᎵᏍᏓ ᎤᎦᏙᎥᎯᏍᏗᏱ ᎣᏍᏛ ᎠᎴ ᎤᏲᎢ; Ꭷ ᏯᏌᎳᏛᎦᏰᏃ ᎤᏬᏰᏂ, ᎠᎴ ᏯᎩ ᎤᏓᏔᏅᎯ ᏈᎬ ᎬᏂᏛ ᎠᏓᏩᏛᎡᎯ, ᎠᎴ ᎾᏍᎩ ᏯᎦ, ᎠᎴ ᎠᏲᎱᏍᎩ ᏂᎨᏒᎾ ᏱᏂᎦᎵᏍᏓ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎤᏄᎪᏫᏎ ᎢᏗᏂ ᎠᏫᏒᏗᏱ, ᎤᎶᎪᏗᏱ ᎦᏙᎯ ᏩᏥᏯᏅᎲᎢ.\nᎤᎨᎯᏙᎴᏃ ᏴᏫ; ᏚᏪᎧᏁᏃ ᎠᏂᎩᎷᏫ ᏗᎧᎸᎬ ᎢᏗᏢ ᎠᏫᏒᏗᏱ, ᎠᎴ ᎾᎿ ᏄᏩᏁᎴ ᎬᏩᏔᎷᎩᏍᎩ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎤᏚᏫᏛ ᎠᎦᏔᎮᏍᎩ, ᎠᎦᏘᏰ ᎦᏅᏅ ᏈᎬ ᎠᏓᏩᏛᎡᎯ ᏫᎦᏅᏅᎢ.\nᎠᏯᏙᎸᎢ 4\nᎠᏓᏫᏃ ᎤᎦᏙᎥᏎ ᎢᏫ ᎤᏓᎵᎢ; ᎠᎴ ᎾᏍᎩ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎤᎾᏄᎪᏫᏎ ᎨᏂ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏱᎰᏩᏍᎩᏂ ᎠᎩᎧᏏ ᎠᏍᎦᏯ.\nᏔᎵᏁᏃ ᎤᏁᏄᎪᏫᏎ ᎤᏅᏟ ᎡᏈᎵ. ᎡᏈᎵᏃ ᎠᏫ ᏗᎦᏘᏯ ᎨᏎᎢ, ᎨᏂᏍᎩᏂ ᏠᎨᏏ ᏧᎸᏫᏍᏓᏁᎯ ᎨᏎᎢ.\nᎢᎸᎯᏳᏃ ᎢᏴᏛ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎨᏂ ᎤᏲᎮᎴ ᏱᎰᏩ ᎠᎵᏍᎪᎸᏔᏅᎯ ᎦᏙᎯ ᎤᏛᏒᎯ.\nᎡᏈᎵᏃ ᎾᏍᏉ ᎤᏲᎴ ᎤᏤᎵ ᎢᎬᏱᏱ ᏗᎨᎦᏅᏅᎯ ᎠᏫ ᎠᎴ ᎤᎵᏦᎯᏛ. ᏱᎰᏩᏃ ᏚᏓᏂᎸᏤ ᎡᏈᎵ ᎠᎴ ᎾᏍᎩ ᎤᎵᏍᎪᎸᏔᏅᎯ.\nᎨᏂᏍᎩᏂ ᎠᎴ ᎾᏍᎩ ᎤᎵᏍᎪᎸᏔᏅᎯ ᎥᏝ ᏱᏚᏓᏂᎸᏤᎢ. ᎨᏂᏃ ᎤᏣᏘ ᎤᏔᎳᏬᏎᎢ, ᎠᎴ ᎤᎧᏛ ᎡᎳᏗ ᏄᎵᏍᏔᏁᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎨᏂ, ᎦᏙᏃ ᎢᏣᏔᎳᏬᏍᎦ? ᎠᎴ ᎦᏙᏃ ᏣᎧᏛ ᎡᎳᏗ ᏂᎤᏍᏗ?\nᎢᏳᏰᏃ ᎣᏏᏳ ᏱᏂᏣᏛᏁᎸ, ᏝᏍᎪ ᏱᏙᎦᏰᏣᏓᏂᎸᎩ? ᎣᏏᏳᏃ ᏂᏣᏛᏁᎸᎾ ᏱᎩ, ᎠᏍᎦᏂ ᎦᎶᎯᏍᏗᏱ ᎦᏅᎦ. ᎠᎴᏃ ᏂᎯ ᏕᏣᎧᏂᏏᏍᎨᏍᏗ, ᎠᎴ ᎯᏁᏤᎵᏙᎯ ᎨᏎᏍᏗ.\nᎨᏂᏃ ᎤᎵᏃᎮᏔᏁ ᎤᏅᏟ ᎡᏈᎵ: ᎠᎴ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᏠᎨᏏ ᎠᏁᏙᎲᎢ, ᎨᏂ ᏚᎦᏘᎸᏎ ᎤᏅᏟ ᎡᏈᎵ, ᎠᎴ ᎤᎴᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎨᏂ, ᎭᏢ ᎡᏣᏛᏟ ᎡᏈᎵ? ᎯᎠᏃ ᏄᏪᏎᎢ, Ꮭ ᏱᎩᎦᏔᎭ: ᏥᎪ ᎠᏴ ᎥᎩᏅᏟ ᏥᎦᏘᏯ?\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᏙ ᏣᏛᏁᎸ? ᎦᏙᎯ ᎢᏴᏛ ᏗᏆᎵᏍᏓᏁ ᎡᏣᏅᏟ ᎤᎩᎬ.\nᎠᎴ ᎿᏉ ᎡᏣᏍᎦᏨᎯ ᎡᎶᎯ, ᎾᏍᎩ ᏧᏔᎶᏅ ᎡᏣᏅᏟ ᎤᎩᎬ ᏥᏣᏗᏔᏏ;\nᎢᏳᏃ ᎦᏙᎯ ᏕᎯᎶᎩᏍᎨᏍᏗ, ᎪᎯ ᎢᏳᏓᎴᏅᏛ ᎥᏝ ᎣᏍᏛ ᏱᏣᏛᎯᏎᎮᏍᏗ; ᎠᎴ ᏣᎵᏘᏛᏉ ᎠᎴ ᎾᎭᎴᏁᎯᏉ ᎨᏎᏍᏗ ᎡᎶᎯ.\nᎨᏂᏃ ᎯᎠ ᏄᏪᏎᎴ ᏱᎰᏩ, ᎠᎩᏍᏛᏗᏍᎬ ᎡᏉᎯᏉ; ᎥᏝ ᎾᏍᎩ ᏱᏂᎬᏂᎥ.\nᎬᏂᏳᏉ, ᎪᎯ ᎢᎦ ᏍᎩᎨᎯᏓ ᎡᎶᎯ; ᎠᎴ ᏂᎯ ᏗᏣᎧᎿᏂᏓᏍᏗᏱ ᎠᏆᏗᏍᎦᎴᏍᏗ; ᎠᎴ ᎠᏆᎵᏗᏛ ᎠᎴ ᎾᎦᎴᏁᎯ ᎨᏎᏍᏗ ᎡᎶᎯ; ᎠᎴ ᎯᎠ ᏅᏓᎦᎵᏍᏔᏂ, ᎩᎶᏉ ᎠᎩᏩᏛᎲᎭ ᎠᎩᎯᏍᏗ ᎨᏎᏍᏗ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎢᏳᏃ ᎩᎶ ᎢᎠᎯᎮᏍᏗ ᎨᏂ, ᎦᎵᏉᎩ ᎢᏳᏩᎫᏗ ᎠᎦᏞᏤᏗ ᎨᏎᏍᏗ: ᎠᎴ ᏱᎰᏩ ᎤᏬᏪᎳᏁ ᎨᏂ, ᎾᏍᎩ ᎩᎶ ᏳᏩᏛᎲ ᎤᎯᏍᏗᏱᏉ ᏂᎨᏒᎾ.\nᎨᏂᏃ ᎤᏓᏅᎡᎴ ᏱᎰᏩ, ᎠᎴ ᏃᏗᏱ ᏭᏁᎳᏕᎢ, ᎾᏍᎩ ᎢᏗᏂ ᎨᏒ ᏗᎧᎸᎬ ᏫᏚᏳᎪᏛᎢ.\nᎨᏂᏃ ᎤᎦᏙᎥᏎ ᎤᏓᎵᎢ, ᎠᎴ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎤᎾᏄᎪᏫᏎ ᎢᎾᎩ; ᎠᎴ ᎤᏪᏚᏁᎢ, ᎠᎴ ᎦᏚᎲ ᎤᏪᏥ ᏚᏙᎥ ᎢᎾᎩ ᏚᏬᏍᏔᏁᎢ.\nᎢᎾᎩᏃ ᎤᏪᏥ ᎢᎳᏗ ᎤᏕᏁᎢ: ᎠᎴ ᎢᎳᏗ ᎤᏪᏥ ᎻᎱᏤᎵ ᎤᏕᏁᎢ: ᎻᎱᏤᎵᏃ ᎤᏪᏥ ᎻᏚᏎᎵ ᎤᏕᏁᎢ: ᎻᏚᏎᎵᏃ ᎤᏪᏥ ᎴᎻᎩ ᎤᏕᏁᎢ.\nᎴᎻᎩᏃ ᎠᏂᏔᎵ ᏚᏓᏴᏎᎢ: ᏌᏉ ᎡᏓ ᏚᏙᎡᎢ, ᏐᎢᏃ ᏥᎳ ᏚᏙᎡᎢ.\nᎡᏓᏃ ᏤᏆᎵ ᎤᎾᏄᎪᏫᏎᎢ: ᎾᏍᎩᏃ ᎯᎠ ᏕᎦᎵᏦᏛ ᏗᎾᏁᎳᏗᏍᎩ, ᎠᎴ ᎤᏂᎾᏝᎾᎢ ᏥᎩ, ᎤᏂᏙᏓ ᎨᏎᎢ.\nᎤᏅᏟᏃ ᏧᏆᎵ ᏚᏙᎡᎢ; ᎾᏍᎩᏃ ᎯᎠ ᏗᎧᏃᎩᏍᏗ ᎠᎴ ᎠᏤᎷᎩ ᏗᏂᏃᎩᏍᏗᏍᎩ ᏥᎩ ᎤᏂᏙᏓ ᎨᏎᎢ.\nᏥᎳᏃ ᎾᏍᏉ ᏚᏆᎵ-ᎨᏂ ᎤᎾᏄᎪᏫᏎᎢ; ᎾᏍᎩ ᏗᎨᏲᎲᏍᎩ ᎨᏎ ᎠᏃᏢᏅᎥᏍᎩ ᏄᏓᎴᏒ ᎥᏣᏱ ᎠᎴ ᏔᎷᎩᏍᎩ ᎠᏃᏢᏅᎥᏍᎬᎢ: ᏚᏆᎵᎨᏂᏃ ᎤᏙ ᏁᎹ ᏚᏕᎢ.\nᎴᎻᎩᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᏧᏓᎵᎢ: ᎡᏓ ᎠᎴ ᏥᎳ, ᏍᏓᏛᎬᎦ ᏥᏁᎬᎢ, ᎴᎻᎩ ᏧᏓᎵᎢ, ᏍᏓᏛᏓᏍᏓ ᏥᏬᏂᏍᎬᎢ: ᎠᏍᎦᏯᏰᏃ ᏥᎸ ᎠᎩᏐᏅᏍᎬ ᏅᏓᎦᎵᏍᏙᏓ, ᎠᎴ ᎠᏫᏅ [ᏥᎸ] ᎡᎯᏍᏗ ᎾᏋᏁᎲ ᏅᏓᎦᎵᏍᏙᏓ.\nᎢᏳᏃ ᎨᏂ [ᎤᎸᎯ] ᎦᎵᏉᎩ ᎢᏳᏩᎫᏗ ᎠᎦᏞᏤᏗ ᎨᏎᏍᏗ, ᎴᎻᎩ [ᎤᎸᎯ] ᎦᎵᏆᏍᎪᎯ ᎦᎵᏉᎩ ᎢᏳᏩᎫᏗ ᎠᏎ ᎠᎦᏞᏤᏗ ᎨᏎᏍᏗ.\nᎠᏓᏫᏃ ᏔᎵᏁ ᎤᎦᏙᎥᏎ ᎤᏓᎵᎢ; ᎤᎾᏄᎪᏫᏎᏃ ᎤᏪᏥ ᎠᏧᏣ ᎠᎴ ᏎᏘ ᏚᏬᎡᎢ: [ᎯᎠᏰᏃ ᏄᏪᏎᎢ;] ᎤᏁᎳᏅᎯ ᎠᎩᎧᏁᎸ ᏅᏩᏓᎴ ᎠᏇᏥ ᎠᎩᏁᏟᏴᏍᏓᏁᎸ ᎡᏈᎵ, ᎾᏍᎩ ᎨᏂ ᏧᎸᎩ.\nᏎᏘᏃ ᎾᏍᏉ ᎤᏪᏥ ᎠᏧᏣ ᎤᏕᏁᎴᎢ ᎢᎾᏏᏃ ᏚᏬᎡᎢ: ᎿᏉᏃ ᎾᎯᏳ ᏴᏫ ᎤᎾᎴᏅᎮ ᏱᎰᏩ ᎤᎾᏓᏙᎵᏍᏓᏁᎴ ᏚᏙᎥ ᎤᏂᏁᎢᏍᏓᏁᎢ\nᎠᏯᏙᎸᎢ 5\nᎯᎠ ᎪᏪᎵ ᎬᏂᎨᏒ ᎢᎬᏁᎯ ᎠᏓᏫ ᏧᏁᏢᏔᏅᏒᎢ; ᎾᎯᏳ ᎢᎦ ᎤᏁᎳᏅᎯ ᏧᏬᏢᏁ ᏴᏫ, ᎤᏁᎳᏅᎯ ᎤᏩᏒ ᏄᏍᏛ ᏄᏩᏁᎴᎢ;\nᎠᏍᎦᏯ ᎠᎴ ᎠᎨᏴ ᏂᏚᏩᏁᎴᎢ: ᎠᎴ ᎣᏍᏛ ᏚᏁᏤᎵᎢ, ᎠᎴ ᎠᏓᏫ ᏚᏬᎡᎢ, ᎾᎯᏳ ᎢᎦ ᏚᏬᏢᏅ.\nᎠᎴ ᎠᏓᏫ ᎠᏍᎪᎯᏧᏈ ᏦᎠᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎡᎮᎢ, ᎿᏉᏃ ᎤᏪᏥ ᎤᏕᏁᎴᎢ, ᎤᏩᏒ ᎤᏰᎶᏎ ᎠᎴ ᎤᏩᏒ ᏄᏍᏛ ᏄᏍᏕᎢ, ᎠᎴ ᏎᏘ ᏚᏬᎡᎢ:\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᎠᏓᏫ, ᏅᏓᎬᏩᏓᎴᏅᏛ ᏎᏘ ᏧᏕᏁᎴᎢ, ᏁᎳᏧᏈ ᏄᏕᏘᏴᎮᎢ; ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᎠᏓᏫ ᏐᎣᏁᎳᏧᏈ ᏦᎠᏍᎪᎯ ᏄᏕᏘᏴᎮᎢ: ᎿᏉᏃ ᎤᏲᎱᏎᎢ.\nᏎᏘᏃ ᎠᏍᎪᎯᏧᏈ ᎯᏍᎩᏃ ᎢᏳᏕᏘᏴᏛ ᎡᎮᎢ, ᎿᏉᏃ ᎢᎾᏏ ᎤᏕᏁᎴᎢ:\nᏎᏘᏃ ᎢᎾᏏ ᎤᏕᏁᎸ, ᎣᏂ ᏁᎳᏧᏈ ᎦᎵᏉᎩ ᎢᏳᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ; ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ:\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᏎᏘ ᏐᎣᏁᎳᏧᏈ ᏔᎳᏚ ᏄᏕᏘᏴᎮᎢ: ᎿᏉᏃ ᎤᏲᎱᏎᎢ.\nᎢᎾᏏᏃ ᏐᎣᏁᎳᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎡᎮᎢ, ᎿᏉᏃ ᎨᎢᎾᏂ ᎤᏕᏁᎴᎢ:\nᎢᎾᏏᏃ ᎨᎢᎾᏂ ᎤᏕᏁᎸ, ᎣᏂ ᏁᎳᏧᏈ ᏍᎩᎦᏚ ᎢᏳᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᎢᎾᏏ ᏐᎣᏁᎳᏧᏈ ᎯᏍᎩ ᏄᏕᏘᏴᎮᎢ; ᎿᏉᏃ ᎤᏲᎱᏎᎢ:\nᎨᎢᎾᏂᏃ ᎦᎵᏆᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎡᎮᎢ, ᎿᏉᏃ ᏣᎮᎴᎵ ᎤᏕᏁᎴᎢ.\nᎨᎢᎾᏂᏃ ᎺᎮᎴᎵ ᎤᏕᏁᎸ, ᎣᏂ ᏁᎳᏧᏈ ᏅᎦᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᏴᏩᏕᏁᎴᎢ.\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᎨᎢᎾᏂ ᏐᎣᏁᎳᏧᏈ ᎠᏍᎪᎯ ᏄᏕᏘᏴᎮᎢ; ᎿᏉᏃ ᎤᏲᎱᏎᎢ.\nᎺᎮᎴᎵᏃ ᏑᏓᎳᏍᎪᎯ ᎯᏍᎩᎦᎵ ᎢᏳᏕᏘᏴᏛ ᎡᎮᎢ, ᎿᏉᏃ ᏤᎳᏗ ᎤᏕᏁᎴᎢ;\nᎺᎮᎴᎵᏃ ᏤᎳᏗ ᎤᏕᏁᎸ, ᎣᏂ ᏁᎳᏧᏈ ᏦᎠᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᎺᎮᎴᎵ ᏁᎳᏧᏈ ᏐᎣᏁᎳᏍᎪᎯ ᎯᏍᎩ ᏄᏕᏘᏴᎮᎢ; ᎿᏉᏃ ᎤᏲᎱᏎᎢ.\nᏤᎳᏗᏃ ᎠᏍᎪᎯᏧᏈ ᏑᏓᎳᏍᎪᎯ ᏔᎵ ᎢᏳᏕᏘᏴᏛ ᎡᎮᎢ, ᎿᏉᏃ ᎢᎾᎩ ᎤᏕᏁᎴᎢ:\nᏤᎳᏗᏃ ᎢᎾᎩ ᎤᏕᏁᎸ, ᎣᏂ ᏁᎳᏧᏈ ᎢᏳᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᏤᎳᏗ ᏐᎣᏁᎳᏧᏈ ᏑᏓᎳᏍᎪᎯ ᏔᎵ ᏄᏕᏘᏴᎮᎢ, ᎿᏉᏃ ᎤᏲᎱᏎᎢ.\nᎢᎾᎩᏃ ᏑᏓᎳᏍᎪᎯ ᎯᏍᎩ ᎢᏳᏕᏘᏴᏛ ᎡᎮᎢ, ᎿᏉᏃ ᎻᏚᏏᎳ ᎤᏕᏁᎴᎢ:\nᎢᎾᎩᏃ ᎻᏚᏏᎳ ᎤᏕᏁᎸ, ᎣᏏ ᎤᏁᎳᏅᎯ ᎤᏁᏙᎴ ᏦᎢᏧᏈ ᏧᏕᏘᏴᏛ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᎢᎾᎩ ᏦᎢᏧᏈ ᏑᏓᎳᏍᎪᎯ ᎯᏍᎩ ᏄᏕᏘᏴᎮᎢ.\nᎢᎾᎩᏃ ᎤᏁᎳᏅᎯ ᎤᏁᏙᎴᎢ; ᎠᎴ ᏅᏩᎵᏛᏔᏁᎢᏉ; ᎤᏁᎳᏅᎯᏕᏃ ᎤᏯᏅᎮᎢ.\nᎻᏚᏏᎳᏃ ᎠᏍᎪᎯᏧᏈ ᏁᎳᏍᎪᎯ ᎦᎵᏉᎩ ᎢᏳᏕᏘᏴᏛ ᎡᎮᎢ, ᎿᏉᏃ ᎴᎹᎩ ᎤᏕᏁᎴᎢ.\nᎻᏚᏏᎳᏃ ᎴᎹᎩ ᎤᏕᏁᎸ, ᎣᏂ ᎦᎵᏉᎩᏧᏈ ᏁᎳᏍᎪᎯ ᏔᎵ ᎢᏳᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᎻᏚᏏᎳ ᏐᎣᏁᎳᏧᏈ ᏑᏓᎳᏍᎪᎯ ᏐᎣᏁᎳ ᏄᏕᏘᏴᎮᎢ, ᎿᏉᏃ ᎤᏲᎱᏎᎢ.\nᎴᎹᎩᏃ ᎠᏍᎪᎯᏧᏈ ᏁᎳᏍᎪᎯ ᏔᎵ ᎢᏳᏕᏘᏴᏛ ᎡᎮᎢ, ᎿᏉᏃ ᎤᏪᏥ ᎠᏧᏣ ᎤᏕᏁᎴᎢ:\nᏃᏯᏃ ᏚᏬᎡᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎾᏍᎩᏍᎩᏂ ᎯᎠ ᏓᎩᎦᎵᏍᏓᏗ ᎪᎱᏍᏗ ᎢᏓᏛᏁᎲ ᎠᎴ ᏗᎪᏰᏂ ᎬᏗ ᏕᎩᎸᏫᏍᏓᏁᎲᎢ, ᏅᏗᎦᎵᏍᏙᏗ ᎦᏙᎯ ᏱᎰᏩ ᎤᏍᎦᏨᎯ ᏥᎩ.\nᎴᏑᎩᏃ ᏃᏯ ᎤᏕᏁᎸ, ᎣᏂ ᎯᏍᎩᏧᏈ ᏐᎣᏁᎳᏍᎪᎯ ᎯᏍᎩ ᎢᏳᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏂᎪᎯᎸᏃ ᎤᎴᏂᏙᎸ ᎴᎹᎩ ᎦᎵᏉᎩᏧᏈ ᎦᎵᏆᏍᎪᎯ ᎦᎵᏉᎩ ᏄᏕᏘᏴᎮᎢ; ᎿᏉᏃ ᎤᏲᎱᏎᎢ.\nᏃᏯᏃ ᎯᏍᎩᏧᏈ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ: ᎿᏉᏃ ᏃᏯ ᏧᏪᏥ ᏎᎻ ᎠᎴ ᎭᎻ ᎠᎴ ᏤᏡᏛ ᎬᏩᏕᏁᎴᎢ.\nᎠᏯᏙᎸᎢ 6\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎿᏉ ᏴᏫ ᎤᎾᎴᏅᎲ ᎠᏂᎪᏓᏗᏍᎬ ᎡᎶᎯ, ᎠᎴ ᏧᏁᏥ ᎠᏂᎨᏴ ᎬᏩᎾᏕᏁᎸ,\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᏚᏂᎪᎮ ᏴᏫ ᏧᏁᏥ ᎠᏂᎨᏴ, ᏧᏃᏚᎯᏳ ᎨᏒᎢ: ᎠᎴ ᎾᏍᎩ ᏚᎾᏓᏴᏎ ᏫᏂᎥ ᏚᎾᏑᏰᏒᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏆᏓᏅᏙᎩ ᎥᏝ ᏂᎪᎯᎸ ᏴᏫᎯ ᏰᎮᏍᏗ, ᎤᏇᏓᎵᏉᏰᏃ ᎾᏍᎩ; ᎠᏎᏃ ᎠᏍᎪᎯᏧᏈ ᏔᎳᏍᎪᎯ ᎠᏏ ᏄᏕᏘᏱᏍᎨᏍᏗ.\nᏧᏂᎵᎦᎳᏃ ᎾᎯᏳ ᎠᏁᎮ ᎡᎶᎯ; ᎠᎴ ᎾᏍᏉ ᎣᏂ ᎤᏁᎳᏅᎯ ᏧᏪᏥ ᏚᎾᏓᏰᏅ ᏴᏫ ᏧᏁᏥ ᎠᏂᎨᏴ, ᎠᎴ ᏗᏂᏲᎵ ᏕᎬᏩᏂᎾᏄᎪᏫᏎᎸ, ᎾᏍᎩ ᎯᎠ ᎤᏣᏘ ᏧᎾᎵᏂᎩᏗᏳ ᎨᏎᎢ, ᎾᏍᎩ ᎡᏘ ᏗᏂᏃᏣᎵ ᎠᏂᏍᎦᏯ ᎨᏎᎢ;\nᎠᎴ ᏱᎰᏩ ᎤᎪᎮ ᎤᏣᏘ ᎤᏁᎫᎯᏳ ᎨᏒ ᏴᏫ ᎡᎶᎯ, ᎠᎴ ᏂᎦᎥ ᎤᎾᏫᏱ ᎠᏓᏅᏖᏍᎬ ᎯᎠ ᏄᏍᏕᏍᏗ ᎡᎵᏍᎬ ᎤᏲᏉ ᎨᏒ ᏂᎪᎯᎸᎢ.\nᎠᎴ ᏱᎰᏩ ᎤᏲ ᎤᏰᎸᏁ ᎡᎶᎯ ᏴᏫ ᎤᏬᏢᏅᎢ, ᎠᎴ ᎡᎯᏍᏗᏳ ᎤᏓᏅᏓᏕ ᎤᎾᏫᏱ ᎢᏴᏛ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏴᏫ ᏓᏥᏛᏔᏂ ᎡᎶᎯ ᎡᎲᎢ ᎾᏍᎩ ᏥᏲᏢᏅᎯ ᏥᎩ; ᏴᏫ, ᎠᎴ ᎾᏍᏉ ᏅᎩᏗᏂᏅᏌᏗ, ᎠᎴ ᎠᎾᏓᎾᏏᏂᏙᎯ, ᎠᎴ ᎦᎸᎶᎢ ᎠᏂᏃᎯᎵᏙᎯ; ᎤᏲᏰᏃ ᏥᏰᎸᏍᎦ ᎦᏥᏲᏢᏅᎢ.\nᏃᏯᏍᎩᏂ ᏱᎰᏩ ᎤᏪᏙᎵᏍᏗ ᏧᎧᏃᏗᏱ ᎤᏩᏛᎮᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏃᏯ ᏧᏁᏢᏔᏅᏒᎢ: ᏃᏯ ᎤᏓᏅᏘᏳ ᎨᏎᎢ, ᎠᎴ ᎾᏍᎦᏅᎾ ᎨᏎ ᎡᎲ ᎾᎯᏳ ᏣᏁᎮᎢ, ᎠᎴ ᏃᏊ ᎤᏁᎳᏅᎯ ᎤᏁᏙᎴᎢ.\nᏃᏯᏃ ᏦᎢ ᏧᏪᏥ ᎬᏩᏕᏁᎴᎢ, ᏎᎻ, ᎠᎴ ᎭᎻ, ᎠᎴ ᏤᏈᏛ.\nᎠᎴ ᎡᎶᎯ ᎤᏲᏨᎯ ᎨᏎ ᎤᏁᎳᏅᎯ ᏓᎧᏂᏍᎬᎢ, ᎠᎴ ᎤᏲ ᎢᏗᏓᏛᏁᏗ ᎨᏒ ᎤᎧᎵᏨᎯ ᎨᏎ ᎡᎶᎯ.\nᎤᏁᎳᏅᎯᏃ ᏚᎧᎿᏁ ᎡᎶᎯ, ᎠᎴ ᎬᏂᏳ ᎤᏲᏨᎯ ᎨᏎᎢ, ᏂᎦᏗᏳᏰᏃ ᎤᏇᏓᎵ ᎤᏲᏍᏔᏅᎯ ᎨᏎ ᎡᎲᎢ ᎡᎶᎯ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᏃᏯ, ᎿᏉ ᎤᎵᏍᏆᏕᎵᎯᏍᏗ ᎨᏒ ᏂᎦᏗ ᎤᏇᏓᎵ ᎠᎩᏍᏆᎸᎡᎵᎦ: ᎡᎶᎯᏰᏃ ᎤᏂᎧᎵᎸᎯ ᎢᎩ ᎤᏲ ᎢᏗᏓᏛᏁᏗ ᎨᏎᎢ, ᎠᎴ ᎬᏂᏳᏉ, ᏓᎦᏥᏯᏠᏍᏔᏂ ᏥᏲᏍᏗᏍᎬ ᎡᎶᎯ.\nᏨᏒ ᎭᏓᏙᏢᎾᏏ ᏥᏳ, ᎠᏥᎾ ᎰᏢᏓ. ᏕᎧᏅᏑᎴᏍᏗ ᎭᏫᏂ ᏥᏳᎯ, ᎠᎴ ᎠᏜ ᏘᏅᎵᏰᎢ ᎭᏫᏂ ᎠᎴ ᎦᏚᎢᏗᏢᎢ.\nᎯᎠᏃ ᏄᏍᏗᏓᏁᏍᏗ ᏙᏢᏂ. ᏦᎢᏧᏈ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ ᏥᏳ, ᎯᏍᎦᏍᎪᎯᏃ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎡᏒᏍᏗ, ᏦᎠᏍᎪᎯᏃ ᎢᏯᎩᏳᏍᏈᏛ ᏄᏅᏪᎡᏍᏗ.\nᎠᎴ ᎠᏦᎳᏅ ᏘᏔᎴᏏ ᏥᏳᎯ, ᎠᎴ ᏌᏉ ᎢᏯᎩᏳᏍᏈᏛ ᎦᎸᎳᏗᏢ. ᏘᏍᏆᏗᎵ, ᎦᎶᎯᏍᏗᏱᏃ ᎠᏍᏆᎨᏂ ᏥᏳᎯ ᏘᏔᎴᏍᏔᏂ, ᎠᎴ ᎡᎳᏗ, ᎠᎴ ᏔᎵᏁ, ᎠᎴ ᏦᎢᏁ ᎾᏲᏓᏝᎲ ᏅᏛᏁᎵ.\nᎠᎴ ᎬᏂᏳᏉ ᎠᏴ ᏓᏥᏃᎤᎪᏔᏂ ᎡᎶᎯ, ᏥᏛᏗᏍᎬ ᏂᎦᏗ ᎤᏇᏓᎵ, ᎾᏍᎩ ᎬᏬᎳᏕᏍᎬ ᏥᎬᎿᏗᏍᏙᏗ, ᎾᏍᎩ ᎦᎸᎶ ᎡᎳᏗᏢ ᏤᎭ, ᎠᎴ ᏂᎦᏗᏳ ᎡᎶᎯ ᏤᎿᎠ ᏓᎦᎵᏬᏦᏂ.\nᏂᎯᏍᎩᏂ ᎤᎵᏂᎩᏛ ᏓᎬᏚᎢᏍᏓᏁᎵ; ᎠᎴ ᏥᏳᎯ ᏓᏥᏴᎵᎵ, ᏂᎯ, ᎠᎴ ᏗᏤᏥ, ᎠᎴ ᏣᏓᎵᎢ, ᎠᎴ ᏗᏤᏥ ᏧᎾᏓᎵᎢ.\nᎠᎴ ᏥᏄᎾᏓᎴ ᏗᏅᏃᏛ ᏂᎦᏗ ᎤᏂᏇᏓᎵ ᏥᎩ, ᏔᎵᎭ ᏥᏄᎾᏓᎴ ᏙᏘᏴᏔᏂᎵ ᏥᏳᎯ, ᏂᎯ ᎢᏧᎳᎭ ᏕᏨᏁᏍᏗ, ᎠᏨᏯ ᎠᎴ ᎠᎩᏏ ᎨᏎᏍᏗ.\nᎠᎴ ᎠᏂᏃᎯᎵᏙᎯ ᎤᏂᏠᏱᎭ ᎨᏒᎢ, ᎠᎴ ᏅᎩ-ᏗᏂᏅᏌᏗ ᎤᏂᏠᏱᎭ ᎨᏒᎢ, ᎠᎴ ᎾᏂᎥ ᎡᎶᎯ ᎠᎾᏓᎾᏏᏂᏙᎯ ᎤᏂᏠᏱᎭ ᎨᏎᎢ, ᎠᏂᏔᎵᎭ ᏄᎾᏓᎴᏒ ᏓᎨᏣᎷᏤᎵ, ᏓᏅᏅ ᏘᏍᏆᏂᎪᏓᏁᏗᏱ.\nᎠᎴ ᏘᏰᏏ ᏂᎦᎥ ᏄᏓᎴᏒ ᎠᎵᏍᏓᏴᏗ ᎠᎩᏍᏗ ᏥᎩ, ᎠᎴ ᏘᏟᏌᏂ; ᎢᏣᎵᏍᏓᏴᏗ ᎨᏎᏍᏗ ᏂᎯ ᎠᎴ ᏕᎭᏘᏁᎲᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏛᏁᎴ ᏃᏊ; ᏂᎦᏗ ᏄᏍᏛ ᎤᏁᏤᎸ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᏄᏛᏁᎴᎢ.\nᎠᏯᏙᎸᎢ 7\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᏃᏯ, Ꭷ ᎭᏣᎥᎦ ᏥᏳᎯ, ᏂᎯ ᎠᎴ ᏂᎦᏗ ᏕᏣᏓᏘᎿᎥᎢ; ᏂᎯᏰᏃ ᎬᎪᎡᎸ ᏚᏳᎪᏛ ᎮᎲ ᎠᏴ ᏥᎦᏔᎲᎢ ᎯᎠ ᎾᏍᎩ ᎠᏁᎲᎢ.\nᎾᏂᎥᏃ ᏅᎩ ᏗᏂᏅᏌᏗ ᎠᏂᎦᏓᎭ ᏂᎨᏒᎾ ᎦᎵᏉᎩ ᎢᏯᏂᎢᏛᎭ ᏕᎯᏴᏔᏅᎭ, ᎠᏨᏯ ᎠᎴ ᎤᏤᎵ ᎠᎩᏏ; ᎠᎴ ᏅᎩᏗᏂᏅᏌᏗ ᎠᏂᎦᏓᎭ ᏥᎩ ᎠᏂᏔᎵᎭ, ᎠᏨᏯ ᎠᎴ ᎤᏤᎵ ᎠᎩᏏ.\nᎠᎴ ᎾᏍᏉ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ ᎦᎵᏉᎩ ᎢᏯᏂᎢᏛᎭ, ᎠᏨᏯ ᎠᎴ ᎠᎩᏏ, ᏓᏅᏅ ᏘᏍᏆᏂᎪᏓᏁᏗᏱ ᎾᏍᎩ ᎤᏂᏁᏉᎢᏍᏗᏱ ᎡᎶᎯ ᏂᎬᎾᏛ ᎦᏚᎢ.\nᎠᏏᏰᏃ ᎦᎵᏉᎩ ᎢᏳᏒᎯ, ᎿᏉ ᏓᏥᎦᏃᏔᏂ ᎡᎶᎯ ᏅᎦᏍᎪᎯ ᏧᏙᏓᏆᏛ ᎠᎴ ᏅᎦᏍᎪᎯ ᏧᏒᎯᏛ:; ᏄᏓᎴᏒᏃ ᎬᏃᏛ ᎠᏉᏢᏅᎯ ᏥᎩ ᏓᏥᏛᏔᏃᏂ ᎡᎶᎯ ᏂᎬᎾᏛ ᎦᏚᎢ.\nᏃᏯᏃ ᎾᏍᎩᏯ ᏄᏛᏁᎴ ᏱᎰᏩ ᏄᏍᏛ ᎤᏁᏤᎸᎢ.\nᏃᏯᏃ ᏑᏓᎵᏧᏈ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᎾᎯᏳ ᏥᏚᏃᎱᎦᏁ ᎡᎶᎯ.\nᏃᏯᏃ ᎤᏣᏁ ᏥᏳᎯ, ᎠᎴ ᎾᏍᏉ ᏧᏪᏥ, ᎠᎴ ᎤᏓᎵᎢ, ᎠᎴ ᏧᏪᏥ ᏧᎾᏓᎵᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎠᎹ ᏕᎦᏃᎱᎩᏍᎬᎢ.\nᎠᎴ ᎠᏂᎦᏓᎭ ᏂᎨᏒᎾ ᏅᎩ-ᏗᏂᏅᏌᏗ, ᎠᎴ ᎠᏂᎦᏓᎭ ᏅᎩ-ᏗᏂᏅᏌᏗ, ᎠᎴ ᎠᏂᏃᎯᎵᏙᎯ, ᎠᎴ ᏄᎾᏓᎴᏒ ᎦᏙᎯ ᎠᎾᏓᎾᏏᏂᏙᎯ,\nᎠᏂᏔᎵᎭ ᏫᎬᏩᏣᏁᎵᎴ ᏃᏯ ᏥᏳᎯ; ᎠᏨᏯ ᎠᎴ ᎠᎩᏏ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏁᎳᏅᎯ ᎤᏁᏤᎸ ᏃᏯ.\nᏱᎠᏃ ᏄᎵᏍᏔᏁ ᎦᎵᏉᎩ ᏫᏄᏒᎸ, ᎿᏉ ᎠᎹ ᎦᏃᎱᎩᏍᎨ ᎡᎶᎯ.\nᏑᏓᎵᏧᏈᏁᏃ ᎤᏕᏘᏴᏌᏗᏒ ᎡᎲ ᏃᏯ, ᏔᎵᏁ ᎧᎸᎢ, ᎦᎵᏆᏚᏏᏁ ᎢᎪᎯ ᎧᎸᎢ, ᎾᎯᏳᏉ ᎢᎦ ᏂᎦᏗ ᏕᎦᏄᎪᎬ ᎡᏆ ᎠᏍᏛᎩ ᎨᏒ ᏚᏔᏍᎩᏎᎢ, ᎠᎴ ᎠᏦᎳᏅ ᏚᎵᏍᏚᎢᏎ ᎦᎸᎶᎢ.\nᎠᎴ ᏅᎦᏍᎪᎯ ᏧᏙᏓᏆᏛ ᎠᎴ ᏅᎦᏍᎪᎯ ᏧᏒᎯᏛ ᎤᎦᎿᏁ ᎡᎶᎯ.\nᎾᎯᏳᏉ ᎢᎦ ᏃᏯ, ᎠᎴ ᏎᎻ, ᎠᎴ ᎭᎻ, ᎠᎴ ᏤᏈᏛ, ᏃᏯ ᏧᏪᏥ, ᎠᎴ ᏃᏯ ᎤᏓᎵᎢ, ᎠᎴ ᏧᏪᏥ ᏧᎾᏓᎵᎢ ᏦᎢ ᎢᏯᏂᏛ, ᎤᎾᏣᏁ ᏥᏳᎯ;\nᎾᏍᎩ [ᎤᎾᏣᏁᎢ,] ᎠᎴ ᎾᏂᎥ ᏅᎩ-ᏗᏂᏅᏌᏗ ᎤᏂᏠᏱᎭ ᎨᏒᎢ, ᎠᎴ ᏂᎦᏗ ᎦᎾᏝᎢ ᏧᏂᏠᏱᎭ ᎨᏒᎢ, ᎠᎴ ᎾᏂᎥ ᎠᎾᏓᎾᏏᏂᏙᎯ ᎾᏍᎩ ᎡᎶᎯ ᏣᎾᏓᎾᏏᏂᏙᎰᎢ, ᎾᏍᎩ ᎤᏂᏠᏱᎭ ᎨᏒᎢ, ᎠᎴ ᎾᏂᎥ ᎠᏂᏃᎯᎵᏙᎯ ᎤᏂᏠᏱᎭ ᎨᏒᎢ, ᎠᎴ ᎾᏂᎥ ᏥᏍᏆ ᏧᏓᎴᏅᏛ ᏗᏃᏯᏗ ᏥᎩ.\nᎠᎴ ᏃᏯ ᏫᎬᏩᏣᏁᎴ ᏥᏳᎯ, ᎠᏂᏔᎵᎭ ᎾᏂᎥ ᎤᏂᏇᏓᎵ ᎨᏒᎢ, ᎾᏍᎩ ᎠᏅᏬᎳᏕᏍᎬ ᏥᏓᏅᎿᏗᏍᏙᏗ.\nᎠᎴ ᎾᏍᎩ ᏭᎾᏣᏅᎯ, ᎠᏨᏯ ᎠᎴ ᎠᎩᏏ ᎤᎾᏣᏁ ᎾᏂᎥ ᎤᏂᏇᏓᎵ ᎨᏒᎢ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏁᎳᏅᎯ ᎤᏁᏤᎸᎢ; ᎠᎴ ᏱᎰᏩ ᎤᏍᏚᏁᎢ.\nᎠᎴ ᏅᎦᏍᎪᎯ ᏧᏒᎯᏛ ᎦᏃᎱᎩᏍᎨ ᎡᎶᎯ, ᎠᎴ ᎠᎹ ᎧᏁᏉᏥᏎᏉ, ᎠᎴ ᎤᏲᎷᏔᏁ ᏥᏳ, ᎠᎴ ᎦᏙᎯ ᎦᎸᎳᏗᏢ ᎤᎵᏌᎳᏓᏁᎢ.\nᎠᎴ ᎡᎶᎯ ᎦᏃᎱᎩᏍᎨᎢ, ᎠᎴ ᎠᎹ ᎤᏣᏘ ᎤᏁᏉᏂᏥᎴᎢ:; ᎠᎴ ᏥᏳ ᎠᎹᏱ ᎦᏚ ᎤᏲᎷᏩᏕᎨᎢ.\nᎠᎴ ᎦᏃᎱᎩᏍᎬ ᎤᏣᏔᏅᎯ ᎤᏁᏉᏥᎴ ᎡᎶᎯ; ᎠᎴ ᏂᎦᏗᏳ ᎢᏅ ᎢᏗᎦᏘ ᏙᏓᎸ ᏂᎬᎾᏛ ᎦᎸᎶ ᎭᏫᏂᏗᏢ ᏚᏭᏢᏔᏁᎢ.\nᎯᏍᎩᎦᏚ ᎢᏯᎩᏳᏍᏈᏛ ᏄᎶᏤ ᎠᎹ, ᎠᎴ ᏙᏓᎸ ᏚᏭᏢᏔᏁᎢ.\nᎠᎴ ᏂᎦᏗᏳ ᎤᏂᏇᏓᎵ ᎨᏒ ᏚᏂᎵᏬᏤ ᎾᏍᎩ ᎡᎶᎯ ᎠᎾᎵᏖᎸᎲᏍᎩ ᏥᎩ, ᎠᏂᏃᎯᎵᏙᎯ, ᎠᎴ ᏅᎩ ᏗᏂᏅᏌᏗ, ᎠᎴ ᏗᏅᏃᏛ, ᎠᎴ ᎾᏂᎥ ᎠᎾᏓᎾᏏᏂᏙᎯ ᏥᎩ, ᎾᏍᎩ ᎡᎶᎯ ᏣᎾᏓᎾᏏᏂᏙᎭ, ᎠᎴ ᏴᏫ ᎾᏂᎥᎢ;\nᎾᏍᎩ ᎾᏂᎥ ᏗᏃᏴᏐᎵ ᎠᏅᏬᎳᏕᏍᎬ ᏥᏓᏅᎿᏗᏍᏙᏗ, ᏂᎦᏗᏳ ᎾᏍᎩ ᎦᏙᎯ ᎤᎧᏲᏛᎯ ᎠᏁᎯ ᏥᎩ, ᏚᏂᎵᏬᏤᎢ.\nᎠᎴ ᏂᎦᏗᏳ ᏧᎾᏓᎴᏅᏛ ᎨᏥᏛᏔᏁᎢ, ᎾᏍᎩ ᎦᏙᎯ ᎦᏚᎢ ᎠᏁᎯ, ᏴᏫ, ᎠᎴ ᏅᎩᏗᏂᏅᏌᏗ, ᎠᎴ ᎠᎾᏓᎾᏏᏂᏙᎯ, ᎠᎴ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ; ᎾᏍᎩ ᎨᏥᏛᏔᏁ ᎡᎶᎯ; ᏃᏯᏃ ᎤᏩᏒ ᎤᎵᏃᎯᏰᎢ, ᎾᏃ ᎾᏍᎩ ᎢᏧᎳᎭ ᏥᏳᎯ ᎤᎾᏣᏅᎯ.\nᎠᎴ ᎦᏃᎱᎩᏍᎬ ᎧᏁᏉᏥᏎ ᎡᎶᎯ ᎠᏍᎪᎯᏧᏈ ᎯᏍᎦᏍᎪᎯ ᏧᏒᎯᏛ.\nᎠᏯᏙᎸᎢ 8\nᎤᏁᎳᏅᎯᏃ, ᎤᏅᏓᏕ ᏃᏯ, ᎠᎴ ᎾᏂᎥ ᏗᏅᏃᏛ ᎨᏒᎢ, ᎠᎴ ᏂᎦᏗᏳ ᏅᎩ-ᏗᏂᏅᏌᏗ ᎾᏍᎩ ᏥᏳᎯ ᏧᎾᏣᎡᎢ; ᎤᏁᎳᏅᎯᏃ ᏄᏩᏂᏌᏁ ᎤᏃᎸᏁ ᎡᎶᎯ, ᎠᎴ ᎠᎹ ᎦᏅᏬᏍᎨᎢ.\nᎠᎴ ᎾᏍᏉ ᎠᏍᏛᎩ ᎨᏒ ᏕᎦᏄᎪᎬᎢ, ᎠᎴ ᎠᏦᎳᏅ ᎦᎸᎶᎢ ᏚᎵᏍᏚᏁᎢ, ᎠᎴ ᎦᎸᎳᏗ ᏗᎦᏍᎬ ᎠᏥᎾᎯᏍᏔᏁᎢ.\nᎠᎴ ᎠᎹ ᏂᎪᎯᎸ ᎠᏓᏅᏍᎨ ᎡᎶᎯ; ᎠᏍᎪᎯᏧᏈᏃ ᎯᏍᎦᏍᎪᎯ ᏫᏄᏒᎸ ᎿᏉ ᎦᏅᏬᏍᎨ ᎠᎹ.\nᏥᏳᏃ ᎦᎵᏉᎩᏁ ᎧᎳᏩᏗᏒ ᎦᎵᏆᏚᏏᏁ ᎢᎪᎯ ᎤᏝᏗᏤ ᎠᎳᎳᏗ ᏙᏓᎸᎢ.\nᎠᎴ ᎠᎹ ᎠᎦᏲᎶᏍᎨ ᏂᎪᎯᎸ ᎠᏍᎪᎯᏁ ᎧᎸᎢ ᎢᏯᏍᏗ; ᎠᏍᎪᎯᏁᏃ ᎧᎸᎢ, ᎢᎬᏱᏱᏉ ᎢᎪᎯ ᎾᏍᎩ ᎧᎸᎢ ᏙᏓᎸ ᏧᏍᎪᎵ ᏗᎬᎪᏩᏛᏗ ᎢᎨᏎᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᏅᎦᏍᎪᎯ ᏫᏄᏒᎸ, ᎾᏍᎩ ᏃᏯ ᎠᏦᎳᏅ ᎤᏍᏚᎢᏎ ᏥᏳᎯ ᎾᏍᎩ ᏧᏬᏢᏁᎢ;\nᎠᎴ ᎪᎳᏅ ᎤᏅᏎᎢ, ᎾᏍᎩ ᎤᏄᎪᏨ ᎠᏨᏏᏰᏍᎨᎢ ᎬᏂ ᎠᎹ ᎤᎧᏲᏐᏅ ᎡᎶᎯ.\nᎠᎴ ᎾᏍᏉ ᎢᎤᏅᏎ ᎫᎴᏗᏍᎪᏂᎯ ᎤᏙᎴᎰᎯᏍᏗᏱ ᎠᎹ ᎤᏅᏬᏒ ᎦᏙᎯ ᎠᎴ ᏄᏅᏬᏒᎾ ᎨᏒᎢ;\nᎠᏎᏃ ᎫᎴ-ᏗᏍᎪᏂᎯ ᎤᏠᏤᏉ ᎢᎸᎯᏢ ᏧᎳᏏᏗᏱ, ᎠᎴ ᎢᎤᏣᏁᎵᎴ ᏔᎵᏁ ᏥᏳᎯ, ᎠᎹᏰᏃ ᎠᏏᏉ ᎤᏭᏝᎡ ᏂᎬᎾᏛ ᎡᎶᎯ. ᎠᎴ ᏭᏙᏯᏅᎯᏕᎢ, ᎠᎴ ᏭᏂᏴᎮᎢ, ᎠᎴ ᎤᏴᏔᏁ ᏥᏳᎯ.\nᎠᎴ ᎠᏏ ᎦᎵᏉᎩ ᏄᏒᎴᎢ ᏔᎵᏁᏃ ᎤᏅᏎ ᎫᎴ-ᏗᏍᎪᏂᎯ ᎤᏄᎪᏫᏎ ᏥᏳᎯ;\nᎠᎴ ᎫᎴ-ᏗᏍᎪᏂᎯ ᎤᏣᏁᎵᎴ ᎤᏒᎢ; ᎠᎴ ᎬᏂᏳᏉ ᎣᎵᏩ ᎤᎦᎶᎬ ᎢᏤ ᎤᏅᏍᎦᎴᎢ; ᎾᏍᎩᏃ ᏃᏯ ᎤᏙᎴᎰᏎ ᎠᎹ ᎤᏅᏬᏒ ᎡᎶᎯ.\nᎠᎴ ᎠᎴ ᎠᏏ ᎦᎵᏉᎩ ᏄᏒᎴᎢ; ᎿᏉ ᎠᎴ ᎤᏅᏎ ᎫᎴ-ᏗᏍᎪᏂᎯ; ᎾᏍᎩᏃ ᎥᏝ ᏔᎵᏁ ᏳᎷᏤᎴᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᏑᏓᎵᏧᏈ ᏌᏉᏃ ᎤᏕᏘᏴᏌᏗᏒᎢ, ᎢᎬᏱᏱ ᎧᎸᎢ, ᎢᎬᏱᏱᏉ ᎢᎪᎯ ᎾᏍᎩ ᎧᎸᎢ, ᎠᎹ ᎤᎧᏲᏐᏁ ᎡᎶᎯ; ᎠᎴ ᏃᏯ ᎤᏩᏁᏎ ᏥᏳ, ᎠᎴ ᏫᏚᎧᎿᏁᎢ, ᎬᏂᏳᏉᏃ, ᎦᏙᎯ ᎦᏚ ᎤᎧᏲᏐᏅᎯ ᎨᏎᎢ.\nᏔᎵᏁᏃ ᎧᎸᎢ, ᎦᎵᏉᎩᏦᏁᏏᏁ ᎢᎪᎯ ᎾᏍᎩ ᎧᎸᎢ, ᎡᎶᎯ ᎤᎧᏲᏐᏁᎢ.\nᎤᏁᎳᏅᎯᏃ ᎤᏁᏤᎴ ᏃᏯ, ᎯᎠ ᏄᏪᏎᎢ,\nᎢᏣᏣᎢ ᏥᏳᎯ, ᏂᎯ, ᎠᎴ ᏣᏓᎵᎢ, ᎠᎴ ᏗᏤᏥ ᎠᎴ ᏗᏤᏥ ᏧᎾᏓᎵᎢ.\nᏗᏯᎢ ᏂᎦᏛ ᏗᏅᏃᏛ ᎾᏍᎩ ᏥᏣᏣᎠ, ᏂᎦᏗᏳ ᎤᏂᏇᏓᎵ ᏥᎩ, ᎾᏍᎩ ᎠᏂᏃᎯᎵᏙᎯ, ᎠᎴ ᏅᎩ-ᏗᏂᏅᏌᏗ, ᎠᎴ ᏄᎾᏓᎴᏒ ᎠᎾᏓᎾᏏᏂᏙᎯ ᎾᏍᎩ ᎡᎶᎯ ᏣᎾᏓᎾᏏᏂᏙᎭ; ᎾᏍᎩ ᎤᏣᏘ ᎤᏂᏁᏉᎢᏍᏗᏱ ᎡᎶᎯ, ᎠᎴ ᎤᏂᏁᏉᏣᏘ ᎢᏳᎵᏙᏗᏱ, ᎠᎴ ᎤᏂᎪᏙᎯᏍᏗᏱ ᎡᎶᎯ.\nᎿᏉᏃ ᎤᎾᏣᎢᏎᎢ, ᏃᏯ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎠᎴ ᎤᏓᎵᎢ, ᎠᎴ ᏧᏪᏥ ᏧᎾᏓᎵᎢ.\nᎾᏂᎥ ᏅᎩ-ᏗᏂᏅᏌᏗ, ᎾᏂᎥ ᎠᎾᎵᏖᎸᎲᏍᎩ, ᎠᎴ ᎾᏂᎥ ᎠᏂᏃᎯᎵᏙᎯ, ᎠᎴ ᎾᏍᎩ ᏄᎾᏓᎴᏒ ᎡᎶᎯ ᏣᎾᎵᏖᎸᎲᏍᎪᎢ, ᎤᏂᏠᏱᎭ ᏕᎨᏌᏗᏒ ᎤᎾᏣᎢᏎ ᏥᏳᎯ.\nᏃᏯᏃ ᏱᎰᏩ ᎤᏬᏢᎾᏁᎴ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ; ᎠᎴ ᎾᏂᎥ ᎠᏂᎦᏓᎭ ᏂᎨᏒᎾ ᏅᎩ-ᏗᏂᏅᏌᏗ, ᎠᎴ ᎾᏂᎥ ᎠᏂᎦᏓᎭ ᏂᎨᏒᎾ ᎠᏂᏃᎯᎵᏙᎯ ᏚᏯᏅᎮᎢ, ᎠᎴ ᎤᎵᏍᎪᎸᏔᏁ ᎠᏥᎸ-ᎨᎳᏍᏙᏗ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ.\nᏱᎰᏩᏃ ᎤᏪᏩᏒᏤ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ; ᏱᎰᏩᏃ ᎤᎿᏫᏱ ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ ᎦᏙᎯ ᏔᎵᏁ ᏴᎦᏥᏍᎦᎩ ᏴᏫᏉ ᏴᎦᏥᏍᏛᏗᏍᏓ; ᏴᏫᏍᎩᏂᏃᏅ ᎠᏓᏅᏖᏍᎬ ᎤᏲᏉ ᏗᏛᏍᎬ ᎢᏴᏛ ᎤᏓᎬᏩᏓᎴᏅᏛ; ᎥᏝ ᎠᎴ ᏔᎵᏁ ᏂᎦᎥ ᎬᏃᏛ ᏴᎦᏥᏛᏓ ᎾᏍᎩᏯ ᎾᏆᏛᏁᎸᎢ.\nᎡᎶᎯ ᎢᎪᎯᏛ ᎨᏒᎢ, ᎥᏝ ᎤᎵᏍᏆᏗᏍᏗ ᏱᎩ ᎠᏫᏍᏗᏱ ᎠᎴ ᎤᎦᏛᎾᏨᎯ ᎦᏟᏐᏗᏱ ᎨᏒᎢ, ᎤᏴᏜᏃ ᎠᎴ ᎤᏗᎴᎩ ᎨᏒᎢ, ᎪᎩᏃ ᎠᎴ ᎪᎳ, ᎢᎦᏃ ᎠᎴ ᏒᏃᏱ.\nᎠᏯᏙᎸᎢ 9\nᎤᏁᎳᏅᎯᏃ ᎣᏍᏛ ᏚᏁᏤᎴ ᏃᏯ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ; ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎢᏥᏁᏉᏣᏖᏍᏗ, ᎠᎴ ᎢᏥᎪᏙᏍᎨᏍᏗ, ᎠᎴ ᎢᏥᎧᎵᏣ ᎡᎶᎯ.\nᎠᎴ ᏂᎯ ᎢᏥᎾᏰᎩ ᎠᎴ ᎢᏥᏍᎦᎢᎯ ᎨᏎᏍᏗ ᏄᎾᏓᎴᏒ ᏗᏅᏃᏛ ᎡᎶᎯ ᏣᏁᎭ, ᎠᎴ ᏂᎦᏗ ᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ, ᎠᎴ ᏂᎦᏗ ᎡᎶᎯ ᎠᎾᎵᏖᎸᎲᏍᎩ ᏥᎩ, ᎠᎴ ᏂᎦᏗ ᎠᏣᏘ ᎠᎺᏉᎯ ᎠᏁᎯ; ᏂᎯ ᏤᏥᏲᎯᏎᎸᎯ.\nᏂᎦᎥ ᎠᎾᎵᏖᎸᎲᏍᎩ ᏗᏅᏃᏛ ᏥᎩ ᏂᎯ ᎢᏣᎵᏍᏓᏴᏗ ᎨᏎᏍᏗ; ᎢᏤ ᎦᏄᎸᏒ ᏗᏨᏲᎯᏎᎸᎯ ᏥᎩ, ᎾᏍᎩᏯ ᏂᎦᏛ ᏕᏨᏲᎯᏏ;\nᎤᏇᏓᎸᏍᎩᏂᏃᏅ ᎬᏅ ᎬᏩᏠᏯᏍᏗ, ᎾᏍᎩ ᎤᎩᎬᎯ ᏥᎩ, ᎥᏝ ᎢᏣᎵᏍᏓᏴᏙᏗ ᏱᎨᏎᏍᏗ.\nᎠᎴ ᎤᏙᎯᏳᎯᏯ ᎢᏥᎩᎬ ᎾᏍᎩ ᏕᏨᎿᏗᏍᏛ ᏗᎩᎬᏩᎶᏙᏗ ᎨᏎᏍᏗ; ᎾᏂᎥ ᏗᏅᏃᏛ ᎾᏍᎩ ᏗᎦᏥᎬᏩᎶᏓᏁᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎾᏍᏉ ᏴᏫ; ᎾᏂᎥ ᏴᏫ ᏓᎾᏓᏅᏢᎢ, ᎾᏍᎩ ᏴᏫ ᎬᏅ ᏗᎦᏥᎬᏩᎶᏓᏁᏗ ᎨᏎᏍᏗ.\nᎩᎶ ᏴᏫ ᎤᎩᎬ ᎠᏤᏪᎮᏍᏗ ᏴᏫᏉ ᎾᏍᏉ ᎤᎩᎬ ᎤᏤᏪᏗ ᎨᏎᏍᏗ; ᎤᏁᎳᏅᎯᏰᏃ ᎤᏩᎡ ᏚᏓᏟᎶᏍᏔᏅ ᏴᏫ ᎤᏬᏢᏅ.\nᏂᎯᏃ ᎢᏥᏁᏉᏣᏖᏍᏗ, ᎠᎴ ᎢᏥᎪᏙᏍᎨᏍᏗ ᎤᏣᏘ ᏕᏥᎾᏄᎪᏫᏍᎨᏍᏗ ᎡᎶᎯ, ᎠᎴ ᎾᎿ ᎢᏥᎪᏙᏍᎨᏍᏗ.\nᎤᏁᎳᏅᎯᏃ ᏚᏁᏤᎴ ᏃᏯ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎯᎠ ᏄᏪᏎᎢ,\nᎠᎴ ᎠᏴ, ᎬᏂᏳᏉ ᎠᏴ, ᎧᏃᎮᏛ ᏕᏨᏯᏠᎢᏍᏓᏁᎭ ᏂᎯ, ᎠᎴ ᎢᏣᏁᏢᏔᏅᏛ ᎨᏒᎢ.\nᎠᎴ ᎾᏂᎥ ᏗᏅᏃᏛ, ᏥᏕᎭᏘᏁᎭ, ᎾᏍᎩ ᎠᏂᏃᎯᎵᏙᎯ, ᏅᎩ ᏗᏂᏅᏌᏗ, ᎠᎴ ᎾᏂᎥ ᏗᏅᏃᏛ ᎡᎶᎯ ᎠᏁᎯ ᏥᏕᎭᏘᏁᎭ; ᎾᏍᎩ ᎾᏂᎥ ᏧᎾᏣᎢᏒ ᏥᏳᎯ, ᎠᎴ ᏥᎾᏂᎥᏉ ᏗᏅᏃᏛ ᎡᎶᎯ ᏣᏁᎭ.\nᎠᎴ ᎧᏃᎮᏛ ᏕᏨᏯᏠᎢᏍᏔᏁᎭ, ᎥᏝ ᎠᎴ ᏔᎵᏁ ᏂᎦᏛ ᎤᏇᏓᎵ ᎦᏃᎱᎩᏍᎬ ᎨᏥᏒᎲᏍᏙᏗ ᏱᎨᏎᏍᏗ; ᎥᏝ ᎠᎴ ᏔᎵᏁ ᎤᏃᎱᎪᏗ ᏱᎨᏎᏍᏗ ᎡᎶᎯ ᎤᏲᏍᏙᏗᏱ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᎤᏰᎸᏛ ᎧᏃᎮᏛ ᏥᏕᏨᏯᏠᎢᏍᏓᏁᎭ ᏂᎯ ᎠᎴ ᎾᏂᏗᏅᏃᏛ ᏥᏕᎭᏘᏁᎭ, ᎾᏍᎩ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎢᏣᏓᏁᏟᏴᏏᏒ ᎢᎪᎯᏛ;\n[ᎬᏂᏳᏉ,] ᏂᏅᎪᎳᏛᏓ ᎤᎶᎩᎸᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏰᎸᏛ ᎨᏎᏍᏗ ᎧᏃᎮᏛ ᏙᎦᏠᎯᏍᏛ ᎡᎶᎯ.\nᎠᎴ ᎯᎠ ᏅᏓᎦᎵᏍᏔᏂ ᎿᏉ ᏥᎶᎩᎳᏗᏍᏗᏍᎨᏍᏗ ᎡᎶᎯ, ᎤᏅᎪᎳᏛ ᎠᎪᏩᏛᏗ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ ᎤᎶᎩᎸᎢ.\nᎠᎴ ᎦᏅᏓᏗᏍᎨᏍᏗ ᎧᏃᎮᏛ ᏕᏨᏯᏠᎢᏍᏓᏁᎸᎢ, ᏂᎯ ᎠᎴ ᎾᏂᎥ ᏗᏅᏃᏛ ᎤᏂᏇᏓᎵ ᏥᎩ; ᎠᎴ ᎥᏝ ᎿᏉ ᏔᎵᏁ ᎤᏃᎱᎪᏗ ᏱᎨᏎᏍᏗ ᎤᏒᎲᏍᏗᏱ ᏂᎦᏛ ᎤᏇᏓᎵ.\nᎠᎴ ᎤᎶᎩᎸ ᎤᏅᎪᎳᏖᏍᏗ; ᎠᎴ ᏕᎦᎦᏂᏍᎨᏍᏗ ᎾᏍᎩ ᎠᏆᏅᏗᏓᏍᏗᏱ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎧᏃᎮᏛ ᏚᎾᏠᎯᏍᏛ ᎤᏁᎳᏅᎯ ᎠᎴ ᎾᏂᎥ ᏗᏅᏃᏛ, ᎾᏍᎩ ᎤᏂᏇᏓᎵ ᏥᎩ, ᎾᏍᎩ ᎡᎶᎯ ᏣᏁᎭ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᏃᏯ, ᎯᎠ ᎾᏍᎩ ᎤᏰᎸᏛ ᎧᏃᎮᏛ ᏙᎦᏠᎯᏍᏛ ᎠᏴ, ᎠᎴ ᎾᏂᎥ ᎤᏂᏇᏓᎵ ᎡᎶᎯ ᏣᏁᎭ.\nᏃᏯᏃ ᏧᏪᏥ, ᎾᏍᎩ ᏥᏳᎯ ᏧᎾᏣᎢᏎᎢ ᎯᎠ ᎾᏍᎩ ᏎᎻ, ᎭᎻ, ᏤᏈᏛᏃ; ᎭᎻᏃ ᎾᏍᎩ ᎨᎾᏂ ᎤᏙᏓ.\nᎯᎠ ᏦᎢ ᎢᏯᏂᏛ ᏃᏯ ᏧᏪᏥ; ᎾᏍᎩᏃ ᏧᎾᏁᏢᏔᏅᎯ ᎡᎳᏂᎬ ᏚᎾᏁᎳᏗᏙᎴᎢ.\nᏃᏯᏃ ᎿᏉ ᎤᎴᏅᎮ ᏠᎨᏏ ᏧᎸᏫᏍᏓᏁᎯ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᏖᎸᎳᏗ ᏚᏫᏎᎢ;\nᎠᎴ ᎩᎦᎨ ᎠᏗᏔᏍᏗ ᎤᏗᏔᎮᎢ, ᎠᎴ ᎤᏴᏍᏓᎡᎢ; ᎠᎴ ᎤᏚᏞᏎ ᎦᎵᏦᏛᎢ.\nᎭᎻᏃ, ᎨᎾᏂ ᎤᏙᏓ, ᎤᎪᎮ ᎤᏲᏓᎦ ᎨᏒ ᎤᏙᏓ, ᎠᎴ ᏫᏚᏃᏁᎴ ᎠᏂᏔᎵ ᎠᎾᎵᏅᏟ ᏙᏱᏗᏢ.\nᏎᎻᏃ ᎠᎴ ᏤᏈᏛ ᎠᏄᏬ ᏭᏂᏁᏎᎢ, ᎠᎴ ᎤᎾᏃᎮᏢᏁᎢ, ᎠᎴ ᎤᎾᏏᏅᏎᎢ, ᎠᎴ ᎤᏄᏢᏁ ᎤᏲᏓᎦ ᎨᏒ ᎤᏂᏙᏓ; ᎠᎴ ᎤᏣᏘᏂ ᏭᎾᎦᏖᎢ ᎠᎴ ᎥᏝ ᏳᏂᎪᎮ ᎤᏲᏓᎦ ᎨᏒ ᎤᏂᏙᏓ.\nᏃᏯᏃ ᎩᎦᎨ ᎠᏗᏔᏍᏗ ᎤᏗᏔᎲ ᎤᏓᏅᏘᏌᏁᎢ, ᎠᎴ ᎠᏥᏃᏁᎴ ᎣᏂ ᎡᎯ ᎤᏪᏥ ᏄᏩᏁᎸᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏥᏍᎦᏨᎯ ᎨᏎᏍᏗ ᎨᎾᏂ; ᎤᏙᎯᏳᏒ ᎬᏩᏅᏏᏓᏍᏗᏉ ᎨᏎᏍᏗ ᎠᎾᎵᏅᏢᎢ.\nᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᏎᎻ ᎤᏤᎵᎦ; ᎠᎴ ᎨᎾᏂ ᎾᏍᎩ ᎤᏅᏏᏓᏍᏗ ᎨᏎᏍᏗ.\nᎤᏁᎳᏅᎯ ᏓᏳᏔᏃᎯᏍᏔᏂ ᏤᏈᏛ ᎠᎴ ᏎᎻ ᏚᎵᏦᏛ ᏓᏁᎳᏗᏍᎨᏍᏗ; ᎨᎾᏂᏃ ᎾᏍᎩ ᎤᏅᏏᏓᏍᏗ ᎨᏎᏍᏗ.\nᏃᏯᏃ ᎤᏃᎱᎦᏅ ᎠᏏ ᏦᎢᏧᏈ ᎯᏍᎦᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ.\nᏃᏯᏃ ᎢᎪᎯᏛ ᎤᎴᏂᏙᎸ ᏐᎣᏁᎳᏧᏈ ᎯᏍᎦᏍᎪᎯ ᏄᏕᏘᏴᎮᎢ; ᎿᏉ ᎤᏲᎱᏎᎢ.\nᎠᏯᏙᎸᎢ 10\nᏃᏯᏃ ᏧᏪᏥ, ᏎᎻ, ᎭᎻ, ᏤᏈᏛᏃ, ᎤᎾᏁᏢᏔᏅᏒ ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ, ᎾᏍᎩ ᏧᏁᏥ ᎠᏂᏍᎦᏯ ᎬᏩᎾᏕᏁᎴ ᏚᏅᏬᏐᏅ.\nᎯᎠᏃ ᎾᏍᎩ ᏤᏈᏗ ᏧᏪᏥ; ᎪᎹ, ᎠᎴ ᎹᎪᎩ, ᎠᎴ ᎹᏓᏱ, ᎠᎴ ᏤᏆᏂ, ᎠᎴ ᏚᏆᎵ, ᎠᎴ ᎺᏏᎩ, ᎠᎴ ᏔᎳᏏ.\nᎯᎠᏃ ᎾᏍᎩ ᎪᎹ ᏧᏪᏥ; ᎡᏍᎩᎾᏏ, ᎠᎴ ᎵᏆᏗ, ᎠᎴ ᏙᎦᎹ.\nᎯᎠᏃ ᎾᏍᎩ ᏤᏆᏂ ᏧᏪᏥ; ᎢᎳᏌ, ᎠᎴ ᏔᏏᏏ, ᎠᏂᎩᏗ, ᎠᎴ ᎠᏂᏙᏓᏂ.\nᎯᎠ ᎾᏍᎩ, ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏧᎾᏤᎵᎪᎯ ᎠᎹᏰᎵ ᏕᎨᏌᏗᏒ ᏚᏂᏯᏙᎮᎴ ᏧᎾᏤᎵᎪᎯ ᎦᏙᎯ ᏕᎨᏌᏗᏒᎢ, ᎠᏂᏏᏴᏫᎭ ᎤᏠᏱ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ, ᎠᎴ ᏏᏓᏁᎸᎯ ᏕᎨᏌᏗᏒᎢ, ᎠᎴ ᏧᎾᏤᎵᎪᎯ ᏓᏂᎳᏍᏓᎳᏩᏗᏒᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎭᎻ ᏧᏪᏥ; ᏓᏏ, ᎠᎴ ᎻᏏᎴᎻ, ᎠᎴ ᏆᏗ, ᎠᎴ ᎨᎾᏂ.\nᎯᎠᏃ ᎾᏍᎩ ᎫᏏ ᏧᏪᏥ; ᏏᏆ, ᎠᎴ ᎭᏈᎳ, ᎠᎴ ᏌᏆᏔ, ᎠᎴ ᎴᎠᎹ, ᎠᎴ ᏌᏗᎦ. ᎯᎠᏃ ᎾᏍᎩ ᎴᎠᎹ ᏧᏪᏥ, ᏥᏆ, ᏗᏓᏂᏃ.\nᎫᏏᏃ ᎤᏪᏥ ᏂᎻᎶᏗ ᎤᏕᏁᎢ; ᎠᎴ ᎾᏍᎩ ᎤᎴᏅᎮ ᎤᎵᏂᎩᏛ ᏄᎵᏍᏔᏁ ᎡᎶᎯ ᎠᏁᎲᎢ.\nᎤᏣᏘ ᎤᏃᎯᎵᏓᏌᏘᏳ ᎨᏎ ᏱᎰᏩ ᎠᎦᏔᎲᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᎢᎦᏪᏛ ᏥᎩ; ᎾᏍᎩᏯ ᏂᎻᎶᏗ, ᎤᏣᏘ ᎤᏃᎯᎵᏓᏌᏘᏳ ᏥᎨᏒ ᏱᎰᏩ ᎠᎦᏔᎲᎢ.\nᎠᏓᎴᏂᏍᎬᏃ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎨᏒ ᏓᏗᎶᏂ, ᎠᎴ ᎡᎴᎩ, ᎠᎴ ᎡᎨᏓ, ᎠᎴ ᎧᎴᏂ ᎨᏎᎢ, ᏌᎾ [ᏚᏙᎥ] ᎦᏓ ᎠᎲᏢ.\nᎾᎿᏃ ᎦᏓ ᎠᎲ ᎤᏄᎪᏤ ᎡᏌ, ᎠᎴ ᏂᏂᏫ ᎤᏪᏚᏁᎢ, ᎠᎴ ᎾᏍᏉ ᎵᎰᏉ ᎦᏚᎲ ᎠᎴ ᎨᎳ,\nᎠᎴ ᎴᏏᏂ, ᎾᏍᎩ ᎠᏰᎵ ᏥᎦᏚᎭ ᏂᏂᏫ ᎨᎳᏃ ᏕᎦᏚᎲᎢ; ᎾᏍᎩ ᎡᏉᎯᏳ ᎦᏚᎭ.\nᎻᏏᎴᎻᏃ ᎯᎠ ᎾᏍᎩ ᏧᏪᏥ ᎬᏩᏕᏁᎴᎢ; ᎠᏂᎷᏗ, ᎠᎴ ᎠᏂᎠᎾᎻ, ᎠᎴ ᎠᏂᎴᎭᏈ, ᎠᎴ ᎠᏂᎾᏚᎯ,\nᎠᎴ ᎠᏂᏆᏚᏏ, ᎠᎴ ᎠᏂᎧᏏᎷᎯ (ᎾᏍᎩ ᎯᎠ ᏨᏧᎾᏓᎴᏁ ᎠᏂᏈᎵᏍᏗ,) ᎠᏂᎦᏙᎵᏃ.\nᎨᎾᏂᏃ ᎤᏪᏥ ᎤᏕᏁᎴ ᏌᏙᏂ ᎢᎬᏱᏱ ᎡᎯ, ᎠᎴ ᎮᏗ,\nᎠᎴ ᎠᏂᏥᎫᏏ, ᎠᎴ ᎠᏂᎡᎼᎵ, ᎠᎴ ᎠᏂᎦᎦᏏ,\nᎠᎴ ᎠᏂᎯᏫ, ᎠᎴ ᎠᏂᎠᎩ, ᎠᎴ ᎠᏂᏌᏂ,\nᎠᎴ ᎠᏂᎠᏆᏗ, ᎠᎴ ᎠᏂᏏᎹᎵ, ᎠᎴ ᎠᏂᎭᎹᏗ; ᎣᏂᏃ ᎨᎾᏂ ᏏᏓᏁᎸᎯ ᏕᎨᏌᏗᏒ ᏚᏂᏰᎵᏏᏙᎴᎢ.\nᎠᏂᎨᎾᏂᏃ ᎠᏟᎶᏛ ᎤᏅᎫᏛᎢ, ᏌᏙᏂ ᎤᏓᎴᏅᏛ ᎨᏒᎩ ᎩᎳ ᏥᏮᎦᏙᎢ, ᎨᏌ ᎢᏯᏍᏗ; ᎾᏍᎩ ᏐᏓᎻ, ᎠᎴ ᎪᎹᎵ, ᎠᎴ ᎠᏗᎹ, ᎠᎴ ᏏᏉᏱᎻ ᏕᎦᏚᎲ ᏥᏮᎦᏙ ᎴᏌ ᏫᎦᎷᎩ.\nᎯᎠ ᎾᏍᎩ ᎭᎻ ᏧᏪᏥ, ᏏᏓᏁᎸᎯᏕᎨᏌᏗᏒ, ᎠᎴ ᎤᏠᏱ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ, ᎠᎴ ᏧᎾᏤᎵ ᎦᏙᎯ ᏕᎨᏌᏗᏒ, ᎠᎴ ᎤᏂᏠᏱ ᎨᏒᎢ.\nᏎᎻᏃ ᎯᏆ ᏧᏪᏥ ᏂᎦᏛ ᎤᏂᎦᏴᎵᎨ ᏥᎩ, ᎾᏍᎩ ᏤᏈᏛ ᎢᎬᏱᏱ ᎡᎯ ᏗᎾᏓᏅᏟ, ᎾᏍᎩ ᎾᏍᏉ ᏧᏪᏥ ᎬᏩᏕᏁᎴᎢ.\n[ᎯᎠᏃ ᎾᏍᎩ] ᏎᎻ ᏧᏪᏥ, ᎢᎳᎻ, ᎠᎴ ᎡᏌ, ᎠᎴ ᎠᏆᏣ, ᎠᎴ ᎳᏗ, ᎠᎴ ᎡᎳᎻ.\n[ᎯᎠᏃ ᎾᏍᎩ] ᎡᎳᎻ ᏧᏪᏥ; ᎠᏏ, ᎠᎴ ᎭᎵ, ᎠᎴ ᎩᏛ, ᎠᎴ ᎹᏏ.\nᎠᏆᏣᏃ ᎤᏪᏥ ᏎᎳ ᎤᏕᏁᎢ; ᏎᎳᏃ ᎤᏪᏥ ᎯᏆ ᎤᏕᏁᎢ.\nᎯᏆᏃ ᏧᏪᏥ ᎠᏂᏔᎵ ᎤᎾᏕᏁᎢ; ᎠᏏᏴᏫ ᏇᎵᎩ ᏚᏙᎡᎢ; ᎾᎯᏳᏰᏃ ᎾᏍᎩ ᏤᎮᎢ ᎦᏙᎯ ᎤᏂᏯᏙᎴᎢ; ᏗᎾᏓᏅᏟᏃ ᎾᏍᎩ ᏦᎧᏔᏂ ᏚᏙᎡᎢ.\nᏦᎧᏔᏂᏃ ᎬᏩᏕᏁᎴ ᎡᎳᎼᏓ, ᎠᎴ ᏏᎴᏈ, ᎠᎴ ᎭᏌᎹᏈ, ᎠᎴ ᏥᎳ,\nᎠᎴ ᎭᏙᎳᎻ, ᎠᎴ ᏳᏌᎵ, ᎠᎴ ᏗᎩᎳ,\nᎠᎴ ᎣᏆᎵ, ᎠᏈᎹᎵ, ᎠᎴ ᏏᏆ,\nᎠᎴ ᎣᏆ, ᎠᎴ ᎭᏆᎳ, ᎠᎴ ᏦᏆ; ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏦᎧᏔᏂ ᏧᏪᏥ ᎨᏎᎢ.\nᎾᏍᎩᏃ ᏓᏂᏁᎴᎢ ᎻᏌ ᎤᏓᎴᏅᏛ ᏎᏆ ᏥᏮᎦᏙ ᎾᏍᎩ ᏗᎧᎸᎬ ᎢᏗᏢ ᏨᏦᏓᎸ.\nᎯᎠ ᎾᏍᎩ ᏎᎻ ᏧᏪᏥ, ᎾᏍᎩ ᏏᏓᏁᎸᎯ ᏕᎨᏌᏗᏒᎢ, ᎠᎴ ᎤᏠᏱ ᏗᏂᏬᏂᏍᎩ ᎨᏒᎢ, ᎠᎴ ᏧᎾᏤᎵᎦ ᎦᏙᎯ ᏕᎨᏌᏗᏒᎢ, ᎠᎴ ᎤᏂᏠᏱ ᎨᏒᎢ.\nᎯᎠ ᎾᏍᎩ ᏏᏓᏁᎸᎯ ᏕᎨᏌᏗᏒ ᏃᏯ ᏧᏪᏥ ᎾᏍᎩ ᏚᎾᏁᏢᏔᏅᏒᎢ, ᎤᏂᏠᏱ ᎨᏒᎢ; ᎠᎴ ᎾᏍᎩ ᎯᎠ ᎤᏂᏠᏱ ᎨᏒ ᎡᎶᎯ ᏚᎾᏁᎳᏗᏙᎴ ᎠᎹᏱᎭ ᎨᏒ ᏚᏅᏬᏒ\nᎠᏯᏙᎸᎢ 11\nᎠᎴ ᎡᎳᏂᎬ ᏌᏉᏉ ᎨᏎ ᎠᏂᏬᏂᏍᎬ, ᎠᎴ ᎤᏠᏱᏉ ᎨᏎ ᎠᏂᏁᎬᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎠᎾᎢᏒ ᏗᎧᎸᎬ ᏅᏓᏳᎾᏂᎩᏛ, ᎤᏬᏓᎸ ᎤᏂᏩᏛᏔᏁᎢ ᎾᎿ ᎦᏙᎯ ᏌᎾ ᏚᏙᎥᎢ; ᎠᎴ ᎾᎿ ᏚᏫᏁᎳᏕᎢ.\nᎯᎠᏃ ᏂᏚᎾᏓᏪᏎᎴᎢ, Ꭷ, ᏗᏛᏓᏅᎯ ᏗᏙᏢᎾ, ᎠᎴ ᎣᏍᏛ ᏗᏗᏕᏴᏓ. ᏗᏛᏓᏅᎯᏃ ᏅᏯ ᏚᏂᏰᎸᏎᎢ, ᏩᏥᎳᎨᏃ ᏝᏬᏚ ᎤᏂᏰᎸᏎᎢ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, Ꭷ, ᎢᏗᏚᎲᎦ, ᎠᎴ ᎢᏅ ᎢᎦᏘ ᎢᏓᏐᏯᎦ, ᎠᎴ ᎾᏍᎩ ᎤᏍᎪᎵ ᎦᎸᎳᏗ ᏫᎦᏃᏠᏨᎭ; ᎠᎴ ᏗᎦᏙᏍᏙᏗ ᎢᏙᏢᎾ, ᎡᎶᎯᏰᏃ ᏂᎬᎾᏛ ᏱᏓᏗᎦᎴᏲᎩ.\nᏱᎰᏩᏃ ᎤᏠᎠᏏᎴ ᎤᎦᏔᏂᎴ ᎦᏚᎲ ᎠᎴ ᎢᏅ ᎢᎦᏘ ᎤᎾᏐᏴᎢ, ᎾᏍᎩ ᏴᏫ ᏧᏁᏥ ᏧᎾᏐᏲᎴᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ, ᎯᎠ ᏴᏫ ᎤᏂᏠᏱᏉ, ᎠᎴ ᏂᎦᏗᏳ ᎤᏠᏱᏉ ᎠᏂᏬᏂᏍᎬᎢ: ᎠᎴ ᎯᎠ ᎾᏍᎩ ᎤᎾᎴᏅᎭ ᎾᎾᏛᏁᎭ: ᎠᎴ ᎥᏝ ᎿᏉ ᎪᎱᏍᏗ ᎬᏩᏂᏲᏍᏙᏓᏁᏗ ᏱᎨᏎᏍᏗ, ᎾᏍᎩ ᏧᎾᏓᏅᏖᎸ ᎢᏳᎾᏛᏁᏗᏱ.\nᎧ, ᎢᏓᏠᎠᎯ, ᎠᎴ ᎾᎿ ᏧᏓᎴᏅᏛ ᏫᏂᎨᏛᏂᏏ ᎠᏂᏬᏂᏍᎬᎢ, ᎾᏍᎩ ᏧᎾᏙᎵᏤᏗᏱ ᏂᎨᏒᎾ ᏓᎾᎵᏃᎮᏍᎬᎢ.\nᎾᏍᎩᏃ ᏱᎰᏩ ᏚᏗᎦᎴᏕ ᎡᎶᎯ ᏂᎬᎾᏛ ᎾᎿ ᎤᎾᏓᎴᏁᎢ; ᎠᎴ ᎤᏂᏑᎵᎪᏤ ᎠᏂᏚᎲᏍᎬᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᏓᏓᎶᏂ ᏚᏙᎡᎢ; ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏱᎰᏩ ᎾᎿ ᏧᏓᎴᏅᏛ ᏂᎦᏩᏁᎸ ᎡᎳᏂᎬ. ᏓᏂᏬᏂᏍᎬᎢ; ᎠᎴ ᎾᎿ ᎤᎾᏓᎴᏅ ᏱᎰᏩ ᏚᏗᎦᎴᏴ ᎡᎶᎯ ᏂᎬᎾᏛᎢ.\nᎯᎠ ᎾᏍᎩ ᏎᎻ ᏧᏁᏢᏔᏅᏛ ᎨᏒᎢ; ᏎᎻ ᎠᏍᎪᎯᏧᏈ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᎿᏉ ᎠᏆᏣ ᎤᏕᏁᎴᎢ, ᏔᎵ ᏫᏄᏕᏘᏴᎲ ᎣᏂ ᎠᎹᏱᎭ ᏥᏄᎵᏍᏔᏁᎢ;\nᏎᎻᏃ ᎠᏆᏣ, ᎤᏕᏁᎸ ᎠᏏ ᎣᏂ ᎯᏍᎩᏧᏈ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᎠᏆᏣᏃ ᏦᎠᏍᎪᎯ ᎯᏍᎩᎦᎵ ᏄᏕᏘᏴᎮ ᎤᎴᏂᏙᎴ ᎿᏉ ᏎᎳ ᎤᏕᏁᎴᎢ.\nᎠᏆᏣᏃ ᏎᎳ ᎤᏕᏁᎸ, ᎠᏏ ᎣᏂ ᏅᎩᏧᏈ ᏦᎢᏃ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᏧᏪᏥᏃ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏎᎳᏃ ᏦᎠᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎿᏉ ᎯᏆ ᎤᏕᏁᎴᎢ.\nᏎᎳᏃ ᎯᏆ ᎤᏕᏁᎸ ᎠᏏ ᎣᏂ ᏅᎩᏧᏈ ᏦᎢᏃ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᏧᏪᏥᏃ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᎯᏆᏃ ᏦᎠᏍᎪᎯ ᏅᎩᎦᎵ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎿᏉ ᏇᎵᎩ ᎤᏕᏁᎴᎢ.\nᎯᏆᏃ ᏇᎵᎩ ᎤᏕᏁᎸ, ᎠᏏ ᎣᏂ ᏅᎩᏧᏈ ᏦᎠᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᏧᏪᏥᏃ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏇᎵᎩᏃ ᏦᎠᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎿᏉ ᎵᏳ ᎤᏕᏁᎴᎢ;\nᏇᎵᎩᏃ ᎵᏳ ᎤᏕᏁᎸ, ᎠᏏ ᎣᏂ, ᏔᎵᏧᏈ ᏐᎣᏁᎳᏃ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᏧᏪᏥᏃ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᎵᏳᏃ ᏦᎠᏍᎪᎯ ᏔᎵ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎿᏉ ᏎᎳᎩ ᎤᏕᏁᎴᎢ.\nᎵᏳᏃ ᏎᎳᎩ ᎤᏕᏁᎸ, ᎠᏏ ᎣᏂ ᏔᎵᏧᏈ ᎦᎵᏉᎩᏃ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᏧᏪ-ᏥᏃ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏎᎳᎩᏃ ᏦᎠᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎿᏉ ᏁᎰ ᎤᏕᏁᎴᎢ;\nᏎᎳᎩᏃ ᏁᎰ ᎤᏕᏁᎸ, ᎠᏏ ᎣᏂ ᏔᎵᏧᏈ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᏧᏪᏥᏃ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏁᎰᏃ ᏐᎣᏁᎳᏦᏁ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎿᏉ ᏕᎳ ᎤᏕᏁᎴᎢ;\nᏁᎰᏃ ᏕᎳ ᎤᏕᏁᎸ, ᎠᏏ ᎣᏂ ᎠᏍᎪᎯᏧᏈ ᏐᎣᏁᎳᏚ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᏧᏪᏥᏃ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᎬᏩᏕᏁᎴᎢ.\nᏕᎳᏃ ᎦᎵᏆᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ, ᎿᏉ ᎡᏆᎻ, ᏁᎰ, ᎮᎳᏂᏃ Ꭼ ᏩᏕᏁᎴᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏕᎳ ᏧᏁᏢᏔᏅᏒᎢ; ᏕᎳ ᎡᏆᎻ, ᏁᎰ, ᎠᎴ ᎮᎳᏂ ᎬᏩᏕᏁᎴᎢ; ᎮᎳᏂᏃ ᎶᏗ ᎤᏕᏁᎴᎢ.\nᎮᎳᏂᏃ ᎤᏲᎱᏎ. ᎠᎦᏔᎲ ᎤᏙᏓ ᏕᎳ ᎾᎿᏉ ᎤᏕᏅᎢ, ᎥᎵ ᏚᏙᎥ ᎠᏂᎨᎳᏗ ᎤᎾᏤᎵᎪᎯ.\nᎡᏆᎻᏃ ᎠᎴ ᏁᎰ ᏚᎾᏕᏒᏁᎢ; ᎡᏆᎻ ᎤᏓᎵᎢ ᏎᎳᏱ ᏚᏙᎡᎢ; ᏁᎰᏃ ᎤᏓᎵᎢ ᎻᎵᎧ ᏚᏙᎡᎢ, ᏐᎳᏂ ᎤᏪᏥ ᎨᏎᎢ, ᎾᏍᎩ ᎮᎳᏂ, ᎻᎵᎧ ᎤᏙᏓ ᎠᎴ ᎢᏍᎧ ᎤᏙᏓ.\nᎠᏎᏃ ᏎᎳᏱ ᏂᏓᎷᎸᎥᏍᎬᎾ ᎨᏎᎢ; ᎥᏝ ᎤᏪᏥ ᏰᎮᎢ.\nᏕᎳᏃ ᏚᏘᏅᏎ ᎤᏪᏥ ᎡᏆᎻ, ᎠᎴ ᎶᏗ ᎾᏍᎩ ᎮᎳᏂ ᎤᏪᏥ, ᎾᏍᎩᏉ ᎤᏪᏥ ᎤᏪᏥ, ᎠᎴ ᏎᎳᏱ ᎤᏦᎯᏉ, ᎤᏪᏥᏉ ᎡᏆᎻ ᎤᏓᎵᎢ, ᎾᏍᎩᏃ ᎤᎾᏂᎩᏎ ᎥᎵ ᏚᏙᎥ ᎨᎳᏗ ᎤᎾᏤᎵᎪᎯ, ᎨᎾᏂ ᎦᏙᎯ ᏭᏂᎶᎯᏍᏗᏱ, ᎮᎳᏂᏃ ᏭᏂᎷᏤᎢ, ᎠᎴ ᎾᎿ ᎤᎾᏕᏁᎢ.\nᏕᎳᏃ ᏔᎵᏧᏈ ᎯᏍᎩᏃ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ:; ᏕᎳᏃ ᎮᎳᏂᏱ ᎤᏲᎱᏎᎢ.\nᎠᏯᏙᎸᎢ 12\nᏱᎰᏩᏰᏃ ᎯᎠ ᎢᏳᏪᏎᎸᎯ ᎨᏎ ᎡᏆᎻ, ᎯᏄᎪᎢ ᏣᏤᎵᎪᎯ ᎨᏒᎢ, ᎠᎴ ᏣᎪᏏ ᎨᏒ ᎩᏯᏓᏅᏏ, ᎠᎴ ᏣᏙᏓ ᎦᏁᎸ ᎭᏓᏅᎾ, ᎾᎿ ᏨᏓᎬᏯᏎᎮᎵ ᎦᏓ ᏗᎲ ᏫᎷᎩ;\nᏂᎯᏃ ᏣᏁᏢᏔᏅᎯ ᎡᏉᎯᏳ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏅᏓᎦᏥᏴᏁᎵ, ᎠᎴ ᎣᏍᏛ ᏅᏓᎬᏯᏛᏁᎵ, ᎠᎴ ᏚᏣᏙᎥ ᎡᏉᎯᏳ ᏅᏓᎬᏴᏁᎵ; ᎠᎴ ᏂᎯ ᎣᏍᏛ ᎢᎩᏴᏁᎯ ᎨᏎᏍᏗ ᏴᏫ.\nᎠᎴ ᎣᏍᏛ ᏓᎦᏥᏁᎢᏍᏔᏂ ᎣᏍᏛ ᎨᏣᏁᎢᏍᏗᏍᎩ, ᎠᎴ ᎤᏲ ᏅᏓᏥᏪᏎᎵ ᎤᏲ ᎢᏣᏪᏎᎯ; ᏂᎯᏃ ᏅᏛᏂᏌᏂ ᏂᎦᏛ ᏴᏫ ᏓᏁᏩᏗᏒ ᎡᎳᏂᎬ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ.\nᎡᏆᎻᏃ ᎤᏂᎩᏎ ᎾᏍᎩᏯ ᏱᎰᏩ ᎤᏁᏤᎸᎢ; ᎠᎴ ᎶᏗ ᎤᏁᏅᏎᎢ; ᎡᏆᎻᏃ ᎦᎵᏆᏍᎪᎯ ᎯᏍᎩᎦᎵ ᎢᏳᏕᏘᏴᏛ ᎨᏎ ᎾᎯᏳ ᎮᎳᏂ ᏧᏂᎩᏒ.\nᎡᏆᎻᏃ ᏎᎳᏱ ᎤᏓᎵᎢ ᎤᏘᏅᏎᎢ, ᎠᎴ ᎶᏗ ᎤᏅᏟ ᎤᏪᏥ, ᎠᎴ ᏂᎦᏛ ᎤᏂᏰᏐᏁ ᏧᎬᏩᎶᏗ ᎤᏂᏟᏌᏅᎢ, ᎠᎴ ᏂᎦᏛ ᏴᏫ ᏚᏂᏩᏛᎲ ᎮᎳᏂ; ᎠᎴ ᏅᎾᏂᎩᏎ ᎨᎾᏂ ᎦᏓ ᏗᎲ ᏩᏂᎦᏖᎢ; ᎠᎴ ᎨᎾᏂ ᎦᏓ ᏗᎲ ᏭᏂᎷᎮᎢ.\nᎡᏆᎻᏃ ᎤᎶᏎ ᎾᎿ ᎦᏓ ᎠᎲ ᏭᎷᏤ ᏏᎩᎻ, ᎠᏓᏯᏡᎬ ᎼᎴ ᏧᏙᎢᏛ. ᎠᏂᎨᎾᏂᏃ ᎾᎿ ᎦᏓ ᎠᎲ ᏂᎯᏳ ᎠᏁᎮᎢ.\nᏱᎰᏩᏃ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᎡᏆᎻ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏂᎯ ᏣᏁᏢᏔᏅᏒ ᏓᎦᏥᏁᎵ ᎯᎠ ᎦᏙᎯ; ᎾᎿᏃ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎤᏁᏍᎨᎴ ᏱᎰᏩ, ᎾᏍᎩ ᎬᏂᎨᏒ ᏥᏄᏛᏁᎴᎢ.\nᎠᎴ ᎾᎿ ᎤᏓᏅᏎᎢ ᎣᏓᎸ ᏇᏕᎵ ᏗᎧᎸᎬ ᎢᏗᏢ ᏭᎷᏤᎢ, ᎠᎴ ᎤᎵᏦᏔᏁᎢ, ᏇᏕᎵᏃ ᏭᏕᎵᎬ ᎢᏗᏢ ᎨᏎᎢ, ᎠᏱᏃ ᏗᎧᎸᎬ ᎢᏗᏢ; ᎾᎿᏃ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎤᏁᏍᎨᎴ ᏱᎰᏩ, ᎠᎴ ᏱᎰᏩ ᎤᏓᏙᎵᏍᏓᏁᎴ ᏚᏙᎥ ᎤᏁᎢᏍᏔᏁᎢ.\nᎡᏆᎻᏃ ᎤᏂᎩᏎᎢ, ᏧᎦᎾᏮ ᎢᏗᏢ ᏚᏭᎪᏗᏗᏎᎢ.\nᎾᎿᏃ ᎦᏙᎯ ᏚᎪᏄᎶᏎᎢ; ᎡᏆᎻᏃ ᎢᏥᏈᏱ ᏭᎶᏎᎢ ᎤᏪᏙᎸᏎ ᎾᎿᏂ; ᎤᏣᏘᏰᏃ ᏓᎪᏄᎴ ᎾᎿ ᎦᏙᎯ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎿᏉ ᎤᎷᏥᏗᏎ ᎢᏥᏈᏱ, ᎯᎠ ᎾᏍᎩ ᏄᏪᏎᎴ ᏎᎳᏱ ᎤᏓᎵᎢ, Ꭷ, ᎬᏂᏳᏉ ᏥᎦᏔᎭ ᏦᏚᎯᏳ ᎨᏒ ᎯᎨᏴ ᏤᏣᎧᏃᏗᏱ;\nᎾᏍᎩᏃ ᎯᎠ ᏅᏓᎦᎵᏍᏔᏂ, ᎿᏉ ᎢᏥᏈᏱ ᎠᏁᎯ ᎨᏣᎪᎲᎭ, ᎯᎠ ᏅᏛᏂᏪᏏ, ᎯᎠᎧᏂ ᎤᏓᎵᎢ; ᎠᏴᏃ ᎠᏎ ᏓᎬᎩᎵ, ᏂᎯᏍᎩᏂ ᎲᏅ ᏛᏂᏍᏆᏂᎪᏔᏂ.\nᎧ, ᎯᎠᏉ ᏂᏪᏒᎭ; ᎥᎩᏙᏉ ᎭᏛᏅᎭ; ᎾᏍᎩᏃ ᎣᏍᏛ ᎢᎬᏆᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ ᏂᎯ ᏂᎦᎵᏍᏙᏔᏅᎭ; ᎠᏆᎵᏅᏙᏃ ᎬᏁᏍᏗ ᏂᎯ ᎢᏨᏂᏌᏛ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎡᏆᎻ ᎿᏉ ᎢᏥᏈᏱ ᏭᎷᏨ, ᎢᏥᏈᏱ ᎠᏁᎯ ᎠᎨᏴ ᎤᏂᎪᎲᎩ ᎤᏣᏘ ᎤᏬᏚᎯᏳ ᎨᏒᎢ.\nᏄᏂᎬᏫᏳᏒᏃ ᎾᏍᏉ ᏇᎵᏲ ᏧᏤᎵᎦ ᎬᏩᎪᎮᎢ, ᎠᎴ ᎬᏩᎸᏉᏔᏁ ᏇᎵᏲ ᎠᎦᏔᎲᎢ; ᎠᎨᏴᏃ ᏇᎵᏲ ᎦᏁᎸ ᏩᎦᏘᏅᏍᏔᏁᎢ.\nᏇᎵᏲᏃ ᎣᏍᏛ ᎤᏍᏆᏂᎪᏕ ᎡᏆᎻ ᎾᏍᎩ ᎠᎨᏴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ; ᎠᏫᏃ ᎠᎴ ᏩᎦ, ᎠᎴ ᏐᏈᎵ ᏗᏂᎵᎠᏅᎯᏛ ᎠᏂᎲᏯ, ᎠᎴ ᎠᏂᏍᎦᏯ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᏂᎨᏴ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᏐᏈᎵ ᏗᏂᎵᎠᏅᎯᏛ ᎠᏂᎩᏴ, ᎠᎴ ᎨᎻᎵ, ᏕᎤᏪᎧᎮᎢ.\nᏱᎰᏩᏃ ᎤᏕᏯᏙᏔᏁ ᏇᎵᏲ ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᏏᏓᏁᎸᎯ ᎨᏒᎢ, ᎤᏣᏘ ᎤᏕᏯᏙᏗ ᎤᏮᏔᏁᎢ, ᎤᏗᎦᎵᏍᏙᏗᏍᎨ ᏎᎳᏱ ᎡᏆᎻ ᎤᏓᎵᎢ.\nᏇᎵᏲᏃ ᏭᏯᏅᎮ ᎡᏆᎻ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙ ᎦᏛᎦ ᎯᎠ ᏥᏂᏍᏋᎦ? ᎦᏙᏃ Ꮭ ᏱᏍᎩᏃᏁᎴ ᏣᏓᎵᎢ ᎨᏒᎢ?\nᎦᏙᏃ ᎥᎩᏙᏉ ᎥᏣᏛᏅᎩ? ᏱᏂᎬᏆᏓᏴᏎᏰᏃ; Ꭷ, ᎬᏂᏳᏉ Ꮎ ᏣᏓᎵᎢ ᏥᎯᏯᏅ, ᎠᎴ ᏥᎭᏂᎩ.\nᏇᎵᏲᏃ ᏚᏁᏤᎴ ᏧᏤᎵ ᎠᏂᏍᎦᏯ ᎾᏍᎩ ᏚᏁᎢᏍᏓᏁᎴᎢ; ᎠᎴ ᎾᏍᎩ ᎢᎬᏩᏂᎩᏍᏔᏁ ᎤᏩᏒ ᎠᎴ ᎾᏍᏉ ᎤᏓᎵᎢ, ᎠᎴ ᏂᎦᏛ ᏧᏤᎵᎦ.\nᎠᏯᏙᎸᎢ 13\nᎡᏆᎻᏃ ᎤᏂᎩᏎ ᎢᏥᏈᏱ, ᎤᏩᏒ, ᎠᎴ ᎾᏍᎩ ᎤᏓᎵᎢ, ᎠᎴ ᏂᎦᏛ ᏚᏓᏘᎾᎥᎢ. ᎠᎴ ᎶᏗ ᎾᏍᏉ ᎤᏁᏅᏎᎢ, ᏧᎦᎾᏮ ᎢᏗᏢ [ᎠᏂᎨᎾᏂ ᎤᎾᏤᎵᎪᎯ] ᏭᏂᎶᏎᎢ.\nᎡᏆᎻᏃ ᎤᏣᏘ ᎤᏪᎿᎢᏳ ᎨᏎᎢ ᎦᎾᏝᎢ ᎨᏒ ᎠᎴ ᎠᏕᎸ ᎤᏁᎬ ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨᎢ.\nᏕᎠᏂᎩᏎᎨᏃ ᏧᎦᎾᏮ ᏅᏓᏳᏪᏅᏛ ᏇᏕᎵ ᎢᏴᏛ, ᎾᎿ ᎢᎬᏱᏱ ᎤᎵᏦᏔᏅᎢ, ᏇᏕᎵ ᎠᎴ ᎠᏱ ᎾᎿ ᎠᏰᎵ ᎨᏒᎢ;\nᎾᎿ ᎤᏪᎧᏅ ᎠᏏᎸ-ᎨᎳᏍᏗᏱ, ᎾᏍᎩ ᏗᏓᎴᏂᏍᎬ ᎤᏬᏢᏅᎢ; ᎡᏆᎻᏃ ᎾᎿ ᏱᎰᏩ ᏚᏙᎥ ᎤᏁᎢᏍᏔᏁ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ.\nᎶᏗᏃ ᎾᏍᏉ, ᎡᏆᎻ ᏧᏁᏅᏎᎢ, ᎠᏫ, ᎠᎴ ᎦᎾᏝᎢ ᏓᏘᏁᎮᎢ, ᎠᎴ ᏗᎦᎵᏦᏙᏗ ᏕᎦᏁᎮᎢ.\nᎦᏙᎯᏃ ᎥᏝ ᏰᎵ ᏱᏂᎨᏎ ᎾᎿ ᎢᏧᎳᎭ ᎤᎾᏕᏗᏱ; ᎤᏣᏘᏰᏃ ᏧᎬᏩᎶᏗ ᎤᏂᏍᏆᏂᎪᏕᎢ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᏰᎵ ᎢᏧᎳᎭ ᎬᏩᎾᏕᏗ ᏱᎨᏎᎢ.\nᎠᎴ ᏓᎾᏘᏲᎯᎮ ᎡᏆᏂ ᎦᎾᏝᎢ ᏗᎬᏩᎦᏘᏕᎯ, ᎠᎴ ᎶᏗ ᎦᎾᏝᎢ ᏗᎬᏩᎦᏘᏕᎯ; ᎠᏂᎨᎾᏂᏃ ᎠᎴ ᎠᏂᏇᎵᏏ ᎾᎿ ᎾᎯᏳ ᎾᏁᎮᎢ.\nᎡᏆᎻᏃ ᎯᎠ ᏄᏪᏎᎴ ᎶᏗ, ᏞᏍᏗᏉ ᎩᎾᏘᏲᏄᎩ ᎠᏴ, ᎠᎴ ᎦᎾᏝᎢ ᏗᎨᎩᏂᎦᏘᏕᎯ ᏞᏍᏗ ᎤᎾᏘᏲᎸᎩ; ᏗᎾᏓᏅᏟᏉᏰᏃ.\nᏝᏍᎪ ᏂᎬ ᎦᏙᎯ ᏱᏣᏜᏅᏓᏕᎭ ᏂᎯ7 Ꭷ, ᎭᏓᏓᎴᏓᏉᏃ ᎠᏂ ᎨᎥᎢ. ᎢᏳᏃ ᎠᎦᏍᎦᏂ ᎢᏗᏢ ᏱᏂᏣᏛᏁᏔᏅ, ᎠᏏ ᎠᎦᏘᏏ ᎢᏗᏢ ᏱᏫᏂᎦᏛᏁᏓ; ᎢᏳ ᎠᎴ ᏓᎦᏘᏏ ᎢᏗᏢ ᏱᏫᏣᎶᏒ, ᎠᎦᏍᎦᏂ ᎢᏗᏢ ᏱᏫᏥᎶᎢ ᎠᏴ.\nᎶᏗᏃ ᏫᏚᎧᎿᏁᎢ, ᎠᎴ ᎤᎪᎮ ᏂᎦᏛ ᎤᏬᏓᎸ ᏦᏓᏂ, ᎾᏍᎩ ᏂᎬᎾᏛ ᏦᏏᏳ ᏕᏅᏪᏰᎢ, ᎾᏍᎩ ᎠᏏ ᏱᎰᏩ ᏂᏓᏲᏍᏗᏍᎬᎾ ᏥᎨᏎ ᏐᏓᎻ ᎠᎴ ᎪᎹᎵ, ᎾᏍᎩᏯ ᏱᎰᏩ ᎤᏫᏒᏅᎢ, ᎠᎴ ᎢᏥᏈᏱ ᎾᏍᎩᏯᎢ ᎠᏐᏩ ᏥᏮᎦᏙᎢ.\nᎶᏗᏃ ᎤᏑᏰᏎ ᏂᎦᏛ ᎦᏙᎯ ᏦᏓᏂ ᎾᎥᎢ; ᎠᎴ ᎶᏗ ᏗᎧᎸᎬ ᎢᏗᏢ ᏭᏂᎩᏍᏔᏁᎢ; ᎠᎴ ᏚᎾᎦᎴᏅᎮᎢ.\nᎡᏆᎻ ᎨᎾᏂ ᎡᎮᎢ, ᎶᏗᏃ ᎤᏬᏓᎸ ᏕᎦᏚᎲ ᎡᎮᎢ, ᎠᎴ ᏐᏓᎻ ᎢᏗᏢ ᏫᏚᎦᏖ ᏚᎵᏦᏛᎢ.\nᏐᏓᎻᏃ ᎠᏁᎯ ᎤᏂᏁᎫᎯᏳ ᎨᏎᎢ, ᎠᎴ ᎤᏣᏘ ᎠᏂᏍᎦᎾᎯᏳ ᎨᏎ ᏱᎰᏩ ᎠᎦᏔᎲᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎻ, ᎾᏍᎩ ᎦᏳᎳ ᎿᏉ ᎶᏗ ᏂᏚᎾᎦᎴᏅᎨᎢ, Ꭷ, ᏔᎧᏅᎦ ᎾᎿ ᎯᏙᎬ ᎭᎴᏅ, ᎯᎦᏖᎾᎦ ᏧᏴᏢ ᎢᏗᏢ ᎠᎴ ᏧᎦᎾᏮ ᎢᏗᏢ, ᎠᎴ ᏗᎧᎸᎬ ᎢᏗᏢ, ᎠᎴ ᏭᏕᎵᎬ ᎢᏗᏢ;\nᏂᎦᏛᏰᏃ ᎦᏙᎯ ᏥᎪᏩᏗᎭ, ᏂᎯ ᏓᎬᏁᎵ, ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ, ᏂᎪᎯᎸ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎨᏒ ᎪᏍᏚ ᏥᏄᏧᏈᏍᏗ ᎦᏙᎯ ᎾᏍᎩᏯ ᏅᏓᎦᏥᏴᏁᎵ; ᎾᏍᎩᏃ ᏴᏫ ᎢᏳᏃ ᎬᏩᏎᎰᎲᏍᏗ ᎨᏎᏍᏗ ᎪᏍᏚ ᎦᏙᎯ ᎦᎳᎨᏴᎢ, ᎿᏉ ᎾᏍᏉ ᏰᎵ ᏗᎬᏎᎰᎲᏍᏗ ᎨᏎᏍᏗ ᏣᏁᏢᏔᏅᏛ ᎨᏒᎢ.\nᏔᎴᎲᎦ, ᎮᏓ ᏂᎦᏅᎯᏒ ᎠᎴ ᎾᏯᏛᎥ ᎯᎠ ᎦᏙᎯ; ᏂᎯᏰᏃ ᏓᎬᏁᎵ.\nᎡᏆᎻᏃ ᎤᎲᏎ ᎤᎵᏦᏛᎢ ᎠᎴ ᎠᏓᏯᏕᏡᎬᎢ ᎹᎻᎵ ᏧᏤᎵᎦ ᏭᏕᏂᎴᎢ, ᎾᏍᎩ ᎯᏆᏂ ᏥᏚᏙᎥ, ᎠᎴ ᎾᎿ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎤᏁᏍᎨᎮᎴ ᏱᎰᏩ.\nᎠᏯᏙᎸᎢ 14\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᎯᏳ ᏣᏁᎮ ᎠᎻᎴᏇᎵ ᎤᎬᏫᏳᎯ ᏌᎾ ᏚᏙᎥᎢ, ᎡᎵᏲᎩ ᎤᎬᏫᏳᎯ ᎡᎳᏌ ᏚᏙᎥᎢ, ᎩᏓᎴᎣᎹ ᎤᎬᏫᏳᎯ ᎢᎳᎻ ᏚᏙᎥᎢ, ᎠᎴ ᏔᏓᎵ ᎤᎬᏫᏳᎯ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᎾᏤᎵᎦ;\nᎾᏍᎩ ᎯᎠ ᏓᎿᏩ ᏄᏅᏁᎴ ᏈᎳ ᎤᎬᏫᏳᎯ ᏐᏓᎻ, ᎠᎴ ᏆᏌ ᎤᎬᏫᏳᎯ ᎪᎹᎵ, ᎠᎴ ᏂᎾᏈ ᎤᎬᏫᏳᎯ ᎠᏓᎹ, ᎠᎴ ᏎᎻᏆ ᎤᎬᏫᏳᎯ ᏤᏉᎻ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏈᎳ ᏚᏙᎥ ᎾᏍᎩ ᏐᏩ ᏥᎩ.\nᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᎤᎾᎵᎪᏁ ᏏᏗᎻᏱ ᎤᎨᏓᎵᏴᎢ, ᎾᏍᎩ ‾ᎠᎹ ᎥᏓᎸ ᏥᎩ.\nᏔᎳᏚ ᏧᏕᏘᏴᏛ ᎩᏓᎴᎣᎹ ᏚᎾᏁᎶᏕᎢ, ᏦᎢᎦᏚᏏᏁᏃ ᎤᏕᏘᏴᏌᏗᏒ ᏚᏂᎦᏘᎸᏎᎢ.\nᏂᎦᏚᏏᏁᏃ ᎤᏕᏘᏴᏌᏗᏒ, ᎤᏂᎷᏤ ᎩᏓᎴᎣᎹ ᎠᎴ ᎾᏍᎩ ᎤᏂᎬᏫᏳᎯ ᏧᎾᎵᎪᏎᎢ, ᎠᎴ ᏚᏂᏎᎪᎩᏎ ᎠᏂᎵᏇ ᎾᎿ ᎠᏍᏘᎶᏗ-ᎧᎾᎻ ᏚᏙᎥᎢ, ᎠᎴ ᎠᏂᏑᏏ ᎾᎿ ᎭᎻ ᏚᏙᎥᎢ, ᎠᎴ ᎠᏂᎢᎻ ᎾᎿ ᏌᏈ-ᎩᎵᏯᏕᎻ ᎦᏙᎥᎢ,\nᎠᎴ ᎠᏂᎰᎳ ᎾᎿ ᎣᏓᎸ ᎤᎾᏤᎵ ᏏᎠ ᎦᏙᎥᎢ ᏫᎬᏍᏗ ᎡᎵ-ᏆᎳ, ᎾᏍᎩ ᎢᎾᎨ ᎾᎥ ᏥᎩ.\nᎢᎤᎾᏨᏎᏃ ᎠᎴ ᏗᏧᎪᏙᏗᏱ-ᎦᏄᎪᎬᎢ ᏗᎤᏂᎷᏤᎢ, ᎾᏍᎩ ᎨᏗᏏ ᏥᏚᏙᎥ, ᎠᎴ ᏚᏂᏎᎪᎩᏎ ᏂᎬᎾᏛ ᎠᏂᎠᎹᎴᎩ ᎤᎾᏤᎵᎪᎯ, ᎠᎴ ᎾᏍᏉ ᎠᏂᎡᎼᎵ ᎾᏍᎩ ᎭᏏᏐᎥᏓᎹ ᏣᏁᎮᎢ.\nᎿᏉᏃ ᎤᏁᏅᏎ ᏐᏓᎻᏱ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎪᎹᎵᏱ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎠᏓᎹᏱ ᎤᎬᏫᏳᎯ, ᎠᎴ ᏤᏉᎻᏱ ᎤᎬᏫᏳᎯ, ᎠᎴ ᎤᎬᏫᏳᎯ ᏈᎳ ᏚᏙᎥᎢ, ᎾᏍᎩ ᏐᏩ ᏥᏚᏙᎥ; ᎾᎿᏃ ᏏᏗᎻ ᎤᎨᏓᎵᏴᎢ ᏚᎾᏟᏴᎮᎢ,\nᎾᏍᎩ ᏱᏓᎴᎣᎹ ᎤᎬᏫᏳᎯ ᎢᎳᎻ ᏚᎾᏟᏴᎮᎢ, ᎠᎴ ᏔᏓᎵ ᎤᎬᏫᏳᎯ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᎾᏤᎵᎦ, ᎠᎴ ᎠᎻᎴᏇᎵ ᎤᎬᏫᏳᎯ ᏌᎾ ᏚᏙᎥᎢ, ᎠᎴ ᎡᎵᏲᎩ ᎤᎬᏫᏳᎯ ᎡᎳᏌ ᏚᏙᎥᎢ; ᏅᎩ ᎢᏯᏂᏛ ᎤᏂᎬᏫᏳᎯ ᎠᏂᏗᏢᏃ ᎯᏍᎩ.\nᎤᎨᏓᎵᏰᏃ ᏏᏗᎻ ᎤᎧᎵᏨᎯ ᎨᏎ ᏓᏔᎴᏒ ᏩᏥᎳᎨ ᎤᏂᎴᏍᏗᏱ; ᎤᏂᎬᏫᏳᎯᏃ ᏐᏓᎻ ᎠᎴ ᎪᎹᎵ ᎠᏁᎯ ᎤᎾᎵᏎᎢ, ᎠᎴ ᎾᎿ ᏚᏂᎸᏤᎢ; ᎤᎾᎵᏃᎯᏴᎯᏃ ᏦᏓᎸ ᏭᎾᎵᏍᏔᏁᎢ.\nᎠᎴ ᏂᎦᏛ ᏧᎬᏩᎶᏗ ᏚᏂᏬᏅᎰᏁ ᏐᏓᎻᏱ ᎠᎴ ᎪᎹᎵᏱ, ᎠᎴ ᏂᎦᏛ ᎤᎾᎵᏍᏓᏴᏗ, ᎢᎤᏁᏅᏎᏃ.\nᎠᎴ ᎶᏗ ᎤᏂᏂᏴᎮᎢ, ᎾᏍᎩ ᎡᏆᎻ ᏗᎾᏓᏅᏟ ᎤᏪᏥ, ᎾᏍᎩ ᏐᏓᎻᏱ ᏤᎮᎢ, ᎠᎴ ᏧᎬᏩᎶᏗ ᎤᎲ ᎤᏂᎩᏎᎢ, ᎤᎾᏂᎩᏎᏃ.\nᎠᏏᏴᏫᏃ ᎤᏓᏗᏫᏎᎸᎯ ᎤᎷᏤᎢ ᎠᎴ ᎤᏃᏁᎴ ᎡᏆᎻ ᎠᏈᎷ; ᎾᏍᎩᏰᏃ ᎠᏓᏯ-ᏕᏡᎥ ᎡᎥᎢ ᎹᎻᎵ ᎾᏍᎩ ᎡᎼᎵ ᏧᏤᎵᎦ, ᎾᏍᎩ ᎡᏍᎪᎵ ᎠᎴ ᎡᎾ ᎠᎾᎵᏅᏟ ᏥᎨᏎᎢ; ᎾᏍᎩᏃ ᎯᎠ ᎤᎾᎵᎪᏎ ᎡᏆᎻ.\nᎡᏆᎻᏃ ᎤᏛᎦᏅ ᎤᏫᏅ ᎠᏥᏴᎩᏅᎢ, ᎤᎾᎵᏍᎦᏍᏙᏗ ᏚᏁᎴ [ᏧᏅᏏᏓᏍᏗ] ᏧᏪᏲᏅᎯ, ᎦᏁᎸᏉ ᏧᎾᏛᏒᎯ, ᏦᎢᏧᏈ ᏁᎳᏚᏃ ᎢᏯᏂᏛ, ᎠᎴ ᏚᎨᎲᏎ ᏕᏂᏱ ᎢᏴᏛ.\nᏔᎵᏃ ᏄᎾᏓᏕ ᎤᏩᏒ ᎠᎴ ᏧᏅᏏᏓᏍᏗ ᏒᏃᏱ ᎨᏒᎢ, ᎠᎴ ᏚᏂᏎᎪᎩᏎᎢ, ᎠᎴ ᏚᏂᎨᎥᏎ ᎰᏆ ᎢᏴᏛ, ᎾᏍᎩ ᏕᎹᏍᎦ ᎠᎦᏍᎦᏂ ᎢᏗᏢ ᏥᏫᏚᏳᎪᏗ.\nᎠᎴ ᎢᎤᏲᎸᏁ ᏂᎦᏛ ᏧᎬᏩᎶᏗ, ᎠᎴ ᎾᏍᏉ ᎶᏗ ᎤᏫᏅ ᎢᎤᏘᏃᎴᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏤᎵ ᏧᎬᏩᎶᏗ, ᎠᎴ ᎾᏍᏉ ᎠᏂᎨᏴ, ᎠᎴ ᏴᏫ ᏚᏘᏃᎴᎢ.\nᎤᎬᏫᏳᎯᏃ ᏐᏓᎻᏱ ᏚᏠᏒᏎ, ᏅᏛᎤᏨᏛ ᎾᏍᎩ ᏫᏚᎰᏅᎯ ᎩᏓᎴᎣᎹ ᏓᏘᏁᎲᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏂᎬᏫᏳᎯ ᎤᏁᏙᎸᎯ, ᎾᎿ ᏌᏇ ᎤᎨᏓᎵᏴᎢ, ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᎤᏤᎵ ᎤᎨᏓᎵᏴ ᏥᎩ.\nᎺᎵᎩᏌᏕᎩᏃ ᎤᎬᏫᏳᎯ ᏎᎳᎻᏱ ᎤᏲᎴ ᏭᏚ ᎠᎴ ᎩᎦᎨ ᎠᏗᏔᏍᏗ; [ᎺᎵᎩᏌᏕᎩᏃ] ᎠᏥᎸᎨᎶᎯ ᎨᏎᎢ, ᎤᏁᎳᏅᎯ ᏩᏍᏛ ᎦᎸᎳᏗ ᎡᎯ ᎤᏤᎵᎦ.\nᎠᎴ ᎣᏍᏛ ᎤᏁᏤᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᏩᏍᏛ ᎦᎸᎳᏗ ᎡᎯ ᎤᏁᎳᏅᎯ, ᎣᏍᏛ ᎢᏳᏛᏁᏗ ᎨᏎᏍᏗ ᎡᏆᎻ, ᎾᏍᎩ ᏧᏤᎵᎦ ᏥᎩ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ.\nᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯ ᏩᏍᏛ ᎦᎸᎳᏗ ᎡᎯ ᎾᏍᎩ ᏥᏣᎵᏍᎪᎸᏓᏏ ᏘᏎᎪᎩᏍᏗᏱ ᎨᏣᏍᎦᎩ. ᎤᏁᎸᏁᏃ ᏂᎦᏛ ᏧᎬᏩᎶᏗ [ᎤᏓᏬᏅᏛ ᎠᏰᎲᎢ] ᎠᏍᎪᎯᏁ ᎪᎶᎴᏛ.\nᎤᎬᏫᏳᎯᏃ ᏐᏓᎻᏱ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎻ, ᏴᏫᏉ ᎠᏴ ᏗᏍᎩᏲᎯᏏ, ᏂᎯᏃ ᏧᎬᏩᎶᏗ ᎯᎩᏐᎾ.\nᎡᏆᎻᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᎬᏫᏳᎯ ᏐᏓᎻᏱ, ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᏩᏍᏛ ᎦᎸᎳᏗ ᎡᎯ, ᎾᏍᎩ ᎤᏤᎵᎦ ᏥᎩ ᎦᎸᎶᎢ ᎠᎴ ᎡᎶᎯ, ᏥᏯᏎᎵᏓᏁᎸ,\nᎾᏍᎩ ᎠᎩᎩᏍᏗᏱ ᏂᎨᏒᎾ ᎠᏍᏘᏉ, ᎠᎴ ᎠᎳᏑᎶ ᎪᎸᏌᏛᏗ, ᎠᎴ ᎪᎱᏍᏗ ᏣᏤᎵ ᎨᏒ ᎠᎢᎩᏍᏗᏱ ᏂᎨᏒᎾ, ᎯᎠᏰᏃ ᏱᏅᎯᏫ, ᎠᏆᎻ ᏥᏰᏅᎢᏍᏔᏅ;\nᎯᎠᏍᎩᏂᏃᏅ ᎤᏩᏒ ᎾᏍᎩ ᎠᏂᏫᏅ ᎤᎾᎵᏍᏓᏴᏔᏅᎯ, ᎠᎴ ᎾᏍᎩ ᎾᏍᏉ ᎠᏂᏍᎦᏯ ᎣᎨᏅᏛ, ᎾᏍᎩ ᎡᎾ, ᎡᏍᎪᎵ, ᎠᎴ ᎹᎻᎵ; ᎾᏍᎩ ᏩᏂᎩ ᎤᏂᎩᏍᏗ ᎨᏒ ᎢᎦᎢ.\nᎠᏯᏙᎸᎢ 15\nᎯᎠᏃ ᎾᏍᎩ ᏄᎵᏍᏔᏂᏙᎸ ᏱᎰᏩ ᎤᏁᏨᎯ ᎤᎷᏤᎴ ᎡᏆᎻ ᎤᏁᎳᏫᏎᎲᎢ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᏞᏍᏗ ᏱᎾᏰᏍᎨᏍᏗ ᎡᏆᎻ; ᎠᏴᏰᏃ ᏣᎬᏑᎶᏙᏗ ᎠᎴ ᎤᏣᏔᏅᎯ ᎡᏣᎫᏴᏓᏁᏗ ᏥᎩ.\nᎡᏆᎻᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ ᏣᏁᎳᏅᎯ, ᎦᏙ ᏓᏍᎩᏁᎵ, ᎬᏂᏳᏰᏃ ᎠᏇᏥ ᎥᏝ ᏰᎭ, ᎠᎴ ᎯᎠ ᎢᎵᎡᏌ ᏕᎹᏍᎦ ᎡᎯ ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎢᎩ ᏥᏁᎸᎢ.\nᎡᏆᎻᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎠᏴ ᎨᏒ ᎥᏝ ᎠᏇᏥ ᏱᏍᎩᎧᏁᎸ; ᎠᎴ ᎬᏂᏳᏉ ᏥᏁᎸ ᎤᏕᏅᎯ ᏓᏳᏘᏯᏍᏓᏁᎵ ᎠᎩᎾᎥᎢ.\nᎠᎴ ᎬᏂᏳᏉ, ᏱᎰᏩ ᎤᏁᎲᎯ ᎤᎷᏤᎴ ᎡᏆᎻ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᎥᏝᏍᎩᏃ ᎯᎠ ᎾᏍᎩ ᎤᏘᏯᏍᏓᏁᏗ ᏱᎨᏎᏍᏗ ᏣᎾᎥᎢ; ᏨᏎᏍᎩᏂ ᎯᏰᎸ ᏅᏓᏳᏓᎴᏅᎯ ᎤᏘᏯᏍᏓᏁᏗ ᎨᏎᏍᏗ ᏣᎾᎥᎢ.\nᏙᏱᏃ ᏭᏘᏅᏍᏔᏁᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎸᎳᏗ ᎢᏗᏢ ᏫᏔᎧᏅᎦ, ᎠᎴ ᏔᏎᎦ ᏃᏈᏏ, ᎢᏳᏃ ᏰᎵ ᏗᎨᏣᏎᎰᎲᏍᏗ ᎨᏎᏍᏗ; ᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎾᏍᎩᏯᏍᎩᏂ ᏄᏂᏧᏈᏍᏕᏍᏗ ᏣᏁᏢᏔᏅᎯ.\nᎡᏆᎻᏃ ᎤᏬᎯᏳᏁ ᏱᎰᏩ; ᎾᏍᎩᏃ ᏚᏳᎪᏛ ᏥᏄᏛᏁᎶ ᎤᏰᎸᎾᏁᎴᎢ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎠᏴ ᏱᎰᏩ ᎥᎵ ᎠᏂᎨᎳᏗ ᎤᎾᏤᎵᎪᎯ ᏅᏓᎬᏄᎪᏫᏒᎯ, ᎯᎠ ᎾᏍᎩ ᎦᏙᎯ ᎬᏁᏗᏱ ᏣᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵ ᏱᎰᏩ, ᎦᏙ ᏓᎦᎴᎣᎯᏍᏔᏂ ᎯᎠ ᎾᏍᎩ ᎠᏆᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ?\nᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᏫᏗᏍᎩᏯᏅᏏ ᏩᎦ ᎠᎩᏏ ᏦᎢ ᎢᏳᏕᏘᏴᏛ, ᎠᎴ ᎠᏫ ᎠᎭᏄᎸᎯ ᎠᎩᏏ ᏦᎢ ᎢᏳᏕᏘᏴᏛ, ᎠᎴ ᎤᏃᏕᏅ ᎠᏨᏯ ᏦᎢ ᎢᏳᏕᏘᏴᏛ, ᎠᎴ ᎫᎴ ᏗᏍᎪᏂᎯ, ᏬᏱᏃ ᎠᏛ.\nᎯᎠᏃ ᎾᏍᎩ ᏂᎦᏛ ᏚᏘᏃᎮᎴᎢ, ᎠᎴ ᎠᏰᎵ ᏔᎵ ᏂᏚᏪᏕᎢ ᎠᎴ ᏧᎵᎬᎭᎷᏴᎯ ᏧᏦᏟᎭ ᏂᏚᏩᏁᎴᎢ; ᏥᏍᏆᏍᎩᏂ ᎥᏝ ᏱᏚᎬᎭᎷᏰᎢ.\nᎠᏂᏃᎯᎵᏙᎯᏃ ᎡᎳᏗ ᏄᎾᏛᏁᎸ ᎾᎿ ᎤᎾᎩᎸᏂᎸ, ᎡᏆᎻ ᏚᎨᎯᏙᎴᎢ.\nᎿᏉᏃ ᏅᏙ ᏭᏕᎵᎨᎢ ᎤᏣᏘ ᎠᏍᏓᏯ ᎤᎸᏁ ᎡᏆᎻ; ᎠᎴ ᎬᏂᏳᏉ ᎤᏣᏘ ᎤᏍᎦᏎᏗ ᎤᎵᏏᎩ ᎤᏭᏢᏂᎴᎢ.\nᎯᎠᏃ ᏄᏪᏎᎴ ᎡᏆᎻ, ᎤᏙᎯᏳᎯᏯ ᎯᎦᏔᎮᏍᏗ, ᎾᏍᎩ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎠᏁᏙᎯ ᎨᏎᏍᏗ ᎾᎿ ᎦᏙᎯ ᎤᎾᏤᎵ ᏂᎨᏒᎾ, ᎠᎴ ᎾᎿ [ᎠᏁᎯ] ᏙᏓᎬᏩᏂᎾᏢᏂ; ᎠᎴ ᏅᎩᏧᏈ ᏧᏕᏘᏴᏛ ᏙᏓᎬᏩᏂᎩᎸᏂ.\nᎠᎴ ᎾᏍᏉ ᎾᏍᎩ ᏴᏫ ᏥᏙᏓᎬᏩᏂᎾᏢᏂ, ᏙᏓᎦᏥᏳᎪᏓᏁᎵ; ᎣᏂᏃ ᎢᏴᏛ ᏛᏂᏄᎪᏥ ᎤᏣᏘ ᏧᎬᏩᎶᏗ ᎠᏂᏰᎮᏍᏗ.\nᏂᎯᏃ ᏅᏩᏙᎯᏯᏛ ᏗᏣᎦᏴᎵᎨ ᏗᏁᎲ ᏮᏘᎶᏏ; ᎠᎴ ᏣᎦᏴᎳᏥᏌᏛ ᎨᏎᏍᏗ ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᏣᏓᏅᏖᏍᏗ ᏓᏰᏣᏂᏌᏂ.\nᎠᏎᏃ ᏅᎩᏁ ᎤᎾᏓᏁᏟᏴᏛ ᎨᏎᏍᏗ ᏔᎵᏁ ᎠᏂ ᏛᎠᏂᎷᏥᎵ; ᎠᏂᎡᎼᎵᏰᏃ ᎠᏂᏍᎦᏅ ᎥᏝ ᎠᏏ ᎤᎧᎵᏨᎯ ᏱᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎿᏉ ᏅᏙ ᏭᏕᎵᏨ, ᎠᎴ ᎿᏉ ᎤᎵᏍᎨᎢ, ᎬᏂᏳᏉ ᏧᎦᏒᏍᏗ ᎥᏘ ᏗᎦᏚᏗᏱ, ᎠᎴ ᎠᏨᏍᏙᏗ ᎬᏨᏍᏗ ᎾᏍᎩ ᎤᎶᏎ ᎠᏰᎵ ᎾᎿ ᎠᎬᎭᎷᏴᎯ ᏓᎲᎢ.\nᎾᎯᏳᏉᏃ ᎢᎦ ᏱᎰᏩ ᎧᏃᎮᏛ ᏚᏠᎯᏍᏓᏁᎴ ᎡᏆᎻ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎦᏥᎥᏏ ᎯᎠ ᎦᏙᎯ, ᎢᏥᏈᏱ ᎡᏉᏂ ᎨᏴ ᏅᏓᏳᏓᎴᏅᏛ ᎤᏔᏅ ᎡᏉᏂ ᏂᎨᏴ ᏩᏍᏗ, ᎾᏍᎩ ᏳᏇᏗ ᎡᏉᏂ ᏥᎩ.\nᎾᏍᎩ ᎠᏂᎨᏂ, ᎠᎴ ᎠᏂᎨᏂᏏ, ᎠᎴ ᎠᏂᎧᏗᎼᏂ,\nᎠᎴ ᎠᏂᎯᏗ, ᎠᎴ ᎠᏂᏇᎵᏏ, ᎠᎴ ᎠᏂᎵᏇᎻ,\nᎠᎴ ᎠᏂᎡᎼᎵ, ᎠᎴ ᎠᏂᎨᎾᏂ, ᎠᎴ ᎠᏂᎦᎦᏏ, ᎠᎴ ᎠᏂᏤᏊᏏ (ᎤᎾᏤᎵᎪᎯ.)\nᎠᏯᏙᎸᎢ 16\nᏎᎳᏱᏃ ᎡᏆᎻ ᎤᏓᎵᎢ, ᎥᏝ ᏗᏂᏲᎵ ᏱᏚᎾᏄᎪᏫᏎᎮᎢ; ᎤᏪᎧᎮᏃ ᎠᏛ ᎤᏅᏏᏓᏍᏗ ᎢᏥᏈᏱ ᎤᏕᏅᎯ ᎮᎦ ᏧᏙᎢᏛ.\nᏎᎳᏱᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎻ, ᎬᏂᏳᏉ, ᏱᎰᏩ ᎠᎩᎾᎯᏍᏓᏁᎸ ᏗᏆᎷᎸᏗᏱ; Ꭷ ᎭᏓᏳᎦ ᎠᏛ ᏥᏅᏏᏓᏍᏗ; ᎾᏍᎩᏃ ᏗᏂᏲᎵ ᏗᎬᎩᎾᏄᎪᏫᏎᏗ ᏱᏂᎦᎩ. ᎡᏆᎻᏃ ᎤᏛᏓᏍᏓᏁᎴ ᏎᎳᏱ ᎧᏁᎬᎢ.\nᏎᎳᏱᏃ ᎡᏆᎻ ᎤᏓᎵᎢ, ᏭᏯᏅᎮ ᎮᎦ ᎤᏅᏏᏓᏍᏗ ᎢᏥᏈᏱ ᎤᏕᏅᎯ, ᎾᏍᎩ ᎡᏆᎻ ᎠᏍᎪᎯ ᏧᏕᏗᏴᏛ ᎬᏩᏕᏂᎸᎯ ᏂᎨᏎ ᎨᎾᏂ ᎦᏙᎯ, ᎠᎴ ᎾᏍᎩ ᎤᏰᎯ ᎡᏆᎻ ᎤᏪᎧᏁᎴ ᎤᏓᏴᏍᏗ.\nᎤᏓᏴᏎᏃ ᎮᎦ, ᎠᎴ ᎤᏁᎵᏤ ᎮᎦ; ᎮᎦᏃ ᎤᏙᎴᎰᏒ ᎤᏁᎵᏨ ᎤᎾᏝᎢ ᎦᏂᏆᏘᎯ ᏄᎵᏍᏔᏁᎢ.\nᏎᎳᏱᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎻ, ᏂᏚᏳᎪᏛᎾ ᎾᏆᏛᏁᎸ ᏂᎯ ᏅᏂᏌ; ᏥᏅᏏᏓᏍᏗ ᎬᏴᎧᏁᎸ ᏣᏓᏰᏍᏗ; ᎦᏁᎵᏒᏃ ᎤᏙᎴᎰᏒ, ᎿᏉ ᎠᎩᏂᏆᏘᎯ ᏄᎵᏍᏔᏅᎩ; ᏱᎰᏩ ᎠᏗᎾ ᎠᏴ ᏂᎯᏃ ᏫᏗᎩᏄᎪᏓᏏ.\nᎠᏎᏃ ᎡᏆᎻ ᎯᎠ ᏄᏪᏎᎴ ᏎᎳᏱ, ᎬᏂᏳᏉ ᏣᏒᎦᎸ ᏣᏚᎵᏍᎬ ᎢᎯᏴᏁᏗᏱ; ᎭᏓᏅᏖᏍᎬᏉ ᏂᏴᎦ. ᎿᏉᏃ ᏎᎳᏱ ᎬᏍᎦᎢᏍᏓᎩ ᏄᏩᏁᎸ ᎤᎵᏘᎡᎴᎢ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᏱᎰᏩ ᎤᏤᎵᎦ ᎤᏩᏛᎮ ᎦᎸᎪᎬᎢ ᎢᎾᎨᎢ, ᎾᏍᎩ ᏅᏃᎱᎶᏗ ᏌᎵᏱ ᏫᎦᏅᏅ ᏥᎦᏄᎪᎦ.\nᎯᎠᏃ ᏄᏪᏎ ᎾᏍᎩ, ᎮᎦ, ᏎᎳᏱ ᏣᏅᏏᏓᏍᏗ, ᎭᏢ ᏘᎶᎯ? ᎠᎴ ᎭᏢ ᏮᏘᎶᏏ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᏎᎳᏱ ᎠᎩᏅᏏᏓᏍᏗ ᏥᏯᎵᏗᎡᎭ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᏱᎰᏩ ᎤᏤᎵᎦ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏥᎭᏅᎾᏉ, ᏣᏅᏏᏓᏍᏗ ᏥᏫᎯᎷᏥᏏ, ᎠᎴ ᏥᏫᏙᎯᏯᏓᏲᎯᏏᏉ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᏱᎰᏩ ᎤᏤᎵᎦ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎨᏒ ᎤᏣᏔᏅᎯ ᏓᎦᏥᎪᏙᎯᏍᏔᏂ, ᎾᏍᎩ ᎥᏝ ᏰᎵ ᏗᎬᏎᎰᎲᏍᏗ ᏱᎨᏎᏍᏗ ᏄᏂᏧᏈᏍᏕᏍᏗ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᏱᎰᏩ ᎤᏤᎵᎦ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᎬᏂᏳᏉ, ᎯᏁᎵᏛ, ᎠᎴ ᎠᏧᏣ ᏘᎾᏄᎪᏫᏏ, ᎠᎴ ᎢᏏᎺᎵ ᏙᏘᏲᎢ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᏱᎰᏩ ᏣᏛᎦᏁᎸ ᎤᏪᎵᎯᏍᏗ ᏂᏣᎵᏍᏓᏁᎲᎢ.\nᎠᎴ ᏗᎦᎵᎠᏅᎯᏛ ᎬᏘᏌᏘ ᎾᏍᎩᏯ ᎨᏎᏍᏗ ᎠᏍᎦᏯ; ᎾᏂᎥ ᏴᏫ ᏗᎦᏘᎴᎩ, ᎠᎴ ᎾᏂᎥ ᏴᏫ ᏗᎬᏩᎦᏘᎴᎩ ᎨᏎᏍᏗ; ᎠᎴ ᏂᎦᏛ ᎠᎾᎵᏅᏟ ᏄᎾᏛᏅ ᎾᎥ ᎡᎮᏍᏗ.\nᎠᎴ ᎯᎠ ᏄᏍᏕ ᏚᏬᎡ ᏱᎰᏩ ᎾᏍᎩ ᎤᏬᏁᏔᏅᎯ, ᏂᎯ ᏣᏁᎳᏅᎯ ᏍᎩᎪᏩᏘᏍᎩ; ᎯᎠᏰᏃ ᏄᏪᏎᎢ, ᏥᎪ ᎾᏍᏉ ᎠᏴ ᎠᏂ ᏕᏥᏯᎦᏅᎦ ᎠᎩᎪᏩᏘᏍᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ, ᎾᏍᎩ ᎠᎹ ᎦᏁᎲᎢ ᎠᏔᎴᏒ ᎳᎭᎢᎶᎢ ᏚᏃᎡᎢ; ᎬᏂᏳᏉ, ᎾᏍᎩ ᎨᏚᏏ ᏇᎴᏗᏃ ᎠᏰᎵ ᎠᎹ ᏥᎦᏁᎭ.\nᎮᎦᏃ ᎤᎾᏄᎪᏫᏎᎴ ᎡᏆᎻ ᎠᏧᏣ; ᎡᏆᎻᏃ ᎤᏪᏥ ᎾᏍᎩ ᎮᎦ ᏧᎾᏄᎪᏫᏎᎴ ᎢᏏᎺᎵ ᏚᏬᎡᎢ.\nᎡᏆᎻᏃ ᏁᎳᏍᎪᎯ ᏑᏓᎵᎦᎵ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᎾᎯᏳ ᎮᎦ ᎢᏏᎺᎵ ᏧᎾᏄᎪᏫᏎᎴ ᎡᏆᎻ.\nᎠᏯᏙᎸᎢ 17\nᎡᏆᎻᏃ ᏐᎣᏁᎳᏍᎪᎯ ᏐᎣᏁᎳᎦᎵ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᏱᎰᏩ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᎡᏆᎻ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎠᏴ ᏫᎾᏍᏛᎾ ᎠᏩᎵᏂᎩᏗᏳ ᎠᏆᏁᎳᏅᎯ; ᎠᏴ ᏥᎦᏔᎲ ᎭᎴᏂᏙᎮᏍᏗ, ᎠᎴ ᏂᏍᎦᏅᎾ ᎨᏎᏍᏗ.\nᎠᎴ ᎧᏃᎮᏛ ᏙᏓᎬᏯᏠᎢᏍᏓᏁᎵ, ᎠᎴ ᎤᏣᏔᏅᎯ ᏓᎬᎪᏙᎯᏍᏔᏂ.\nᎡᏆᎻᏃ ᎤᏯᏍᏚᏎᎢ; ᎤᏁᎳᏅᎯᏃ ᎤᎵᏃᎮᏔᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ,\nᎠᏴᏍᎩᏂ ᎨᏒᎢ, ᎬᏂᏳᏉ ᎧᏃᎮᏛ ᏕᎬᏯᏠᎢᏍᏓᏁᎸ, ᏂᎯᏃ ᎤᏂᏣᏘ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏘᎦᏴᎵᎨ ᎢᏣᎵᏍᏙᏗ ᎨᏎᏍᏗ.\nᎥᏝ ᎠᎴ ᎿᏉ ᎡᏆᎻ ᏰᏦᏎᎮᏍᏗ, ᎡᏆᎭᎻᏍᎩᏂ ᏕᎶᏙᎡᏍᏗ; ᎤᏂᏣᏘᏰᏃ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏘᎦᏴᎵᎨ ᏂᎬᏴᎦ.\nᎠᎴ ᎤᏣᏔᏅᎯ ᏣᏁᏉᏣᏘ ᏅᏓᎬᏴᏁᎵ, ᏂᎯᏃ ᎨᏒ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏓᎦᏥᏲᏢᏂ, ᎠᎴ ᏂᎯ ᎨᏒ ᎤᏂᎬᏫᏳᎯ ᏅᏓᏳᎾᏓᎴᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏓᏥᏍᏓᏱᏗ ᎧᏃᎮᏛ ᏕᎬᏯᏠᎢᏍᏓᏁᎸᎢ, ᏂᎯ, ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎣᏂ ᎤᏅᏓᏗᏗᏒᎢ, ᎾᏍᎩ ᎠᎾᏁᏢᏔᏂᏒᎢ, ᎾᏍᎩ ᏭᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎾᏍᎩ ᎠᏴ ᎬᏯᏁᎳᏅᎯ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏂᎯ ᏣᏁᎸᏔᏅᎯ ᎣᏂ ᎤᏅᏓᏗᏗᏒᎢ.\nᎠᎴ ᏂᎯ ᏓᎬᏁᎵ ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎣᏂ ᎤᏅᏓᏗᏗᏒ ᎯᎠ ᎾᏍᎩ ᎦᏙᎯ ᎾᎿ ᎮᏙᎯ ᏥᎩ, ᎾᏍᎩ ᏂᎬᎾᏛ ᎨᎾᏂ ᎦᏓ ᎠᎲᎢ, ᏭᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ ᎤᎾᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ; ᎠᏴᏃ ᎦᏥᏯᏁᎳᏅᎯ ᎨᏎᏍᏗ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎭᎻ, ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᏂᎯ ᏣᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᏆᏤᎵ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᏂᎯ ᎠᎴ ᏣᏁᏢᏔᏅᎯ ᎣᏂ ᎤᏅᏓᏗᏗᏒ ᎠᎾᏁᏢᏔᏂᏒᎢ.\nᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᎧᏃᎮᏛ ᏓᏆᏠᎯᏍᏛᎢ, ᎾᏍᎩ ᎢᏥᏍᏆᏂᎪᏙᏗ ᏥᎩ, ᏥᏕᏓᎦᏠᎯᏍᏓ, ᎠᏴ ᎠᎴ ᏂᎯ ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎣᏂ ᎤᏅᏓᏗᏗᏒᎢ; ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᏕᏤᎲᎢ ᏗᎱᏍᏕᏎᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏕᏥᎱᏍᏕᏍᎨᏍᏗ ᎢᏥᏇᏓᎸ ᎢᏥᏁᎪᎢ; ᎧᏃᎮᏛᏃ ᏕᎦᏠᎯᏍᏛ ᎤᏰᎸᏕᏍᏗ ᎾᏍᎩ.\nᎾᏍᎩᏃ ᏧᏁᎳ ᏧᏒᎯᏛ ᎦᏰᎯ ᎠᏥᎤᏍᏕᏎᏗ ᎨᏎᏍᏗ, ᎾᏂᎥ ᎠᏂᏧᏣ ᎾᏍᎩ ᏂᎯ ᎢᏣᏁᏢᏔᏅᏒᎢ, ᎾᏍᎩ ᎠᏓᏁᎸ ᎤᏕᏅᎯ, ᎠᎴ ᎠᏕᎸ ᎠᏥᏩᎯᏍᏔᏅᎯ, ᎾᏍᎩ ᎩᎶ ᏅᏩᏓᎴ ᏴᏫ ᏣᏁᏢᏔᏅᎯ ᏂᎨᏒᎾ ᎠᏥᏩᏎᎸᎯ.\nᎯᏁᎸ ᎤᏕᏅᎯ, ᎠᎴ ᏣᏤᎵ ᎠᏕᎸ ᎯᏩᎯᏍᏔᏅᎯ, ᎾᏍᎩ ᎠᏎ ᎠᏥᎤᏍᏕᏎᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎠᏆᏤᎵ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎢᏥᏇᏓᎸ ᎤᏰᎸᏕᏍᏗ, ᎾᏍᎩ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎤᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎾᏥᎤᏍᏕᏎᎸᎾᏃ ᎠᏍᎦᏯ ᎾᏍᎩ ᎤᏇᏓᎸ ᎤᏁᎪᎯ ᎠᏥᎤᏍᏕᏎᎸᎯ ᏂᎨᏒᎾ ᎢᎨᏎᏍᏗ, ᎾᏍᎩ ᏴᏫ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ ᎤᏠᏱ ᎤᏙᏣᎸᎢ; ᎤᏲᏍᏔᏅᎯᏰᏃ ᎨᏎᏍᏗ ᎧᏃᎮᏛ ᏓᏆᏠᎯᏍᏛᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎭᎻ, ᎯᎠᏃ ᏎᎳᏱ ᏣᏓᎵᎢ; ᎥᏝ ᏎᎳᏱ ᏱᏲᏎᎮᏍᏗ, ᏎᎵᏰᏃ ᏚᏙᎥ.\nᎠᎴ ᎣᏍᏛ ᏅᏓᏥᏯᏛᏁᎵ, ᎠᎴ ᏓᎬᏯᎧᏁᎵ ᎠᏧᏣ ᎾᏍᎩ ᏓᏣᎾᏄᎪᏫᏎᎵ; ᎥᎥ, ᎣᏍᏛ ᎤᏓᏥᏯᏛᏁᎵ ᎠᎴ ᎾᏍᎩ ᎨᏒ ᏗᎾᏓᎴᎲᏍᎨᏍᏗ ᎤᎾᏓᏤᎵᏛ ᏴᏫ; ᎤᏂᎬᏫᏳᎯ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏧᎾᏤᎵᎦ ᏙᏓᎦᎾᏄᎪᏫᏏ.\nᎿᏉᏃ ᎡᏆᎭᎻ ᎤᏯᏍᏚᏎᎢ, ᎠᎴ ᎤᏰᏤᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎ ᏧᏓᏅᏛᎢ, ᏥᎪ ᎤᏪᏥ ᏛᎤᏕᏁᎵ ᎾᏍᎩ ᎠᏍᎪᎯᏧᏈ ᎢᏳᏕᏘᏴᏛ ᎿᏉ ᏥᎩ; ᎠᎴ ᏎᎵ ᏐᎣᏁᎳᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᏥᎩ ᏙᏛᎠᎷᎸᏂᏍᎩ?\nᎡᏆᎭᎻᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏁᎳᏅᎯ, ᎢᏏᎺᎵ ᎯᎦᏔᎲ ᏩᎴᏂᏓ!\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏙᎯᏳᎯᏍᎩᏂ ᏎᎵ ᏣᏓᎵᎢ ᏓᎦᎾᏄᎪᏫᏏ ᏤᏥ ᎠᏧᏣ; ᎠᎴ ᎡᏏᎩ ᏙᏘᏲᎢ; ᎠᎴ ᎾᏍᎩ ᏓᏥᏍᏓᏱᏕᎵ ᎠᏆᏤᎵ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎾᏍᎩ ᎤᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎠᎴ ᏓᎦᏥᏍᏓᏱᏕᎵ ᎾᏍᎩ ᎤᏁᏢᏔᏅᎯ ᎣᏂ ᎤᏅᏓᏗᏗᏒᎢ.\nᎢᏏᎺᎵᏃ ᎯᏁᎢᏍᏗᏍᎬ ᎬᏯᏛᎦᏁᎸ; ᎬᏂᏳᏉ, ᎣᏍᏛ ᏂᏥᏯᏛᏂᏏ, ᎠᎴ ᎤᏁᏉᏣᏘᏳ ᏅᏓᏥᏴᏁᎵ, ᎠᎴ ᎤᏣᏔᏅᎯ ᏓᏥᎪᏙᎯᏍᏔᏂ; ᏔᎳᏚᎢᏯᏂᏛ ᎤᏂᎬᏫᏳᎯ ᏓᎬᏩᏕᏁᎵ, ᎠᎴ ᎾᏍᎩ ᎤᏁᏢᏔᏅᏛ ᎤᏂᏧᏈᏍᏗ ᏴᏫ ᎤᏓᎦᏥᏴᏁᎵ.\nᎧᏃᎮᏛᏍᎩᏂ ᎠᏆᏤᎵ ᏓᏠᎯᏍᏛ ᏓᏥᏍᏓᏱᏕᎵ ᎡᏏᎩ, ᎾᏍᎩ ᏎᎵ ᏨᏓᏣᎾᏄᎪᏫᏎᎵ, ᎪᎯᏳᎳ ᎡᏘ ᎨᏎᏍᏗ.\nᎠᎴ ᎿᏉ ᎤᏲᎯᏍᏔᏁ ᎠᎵᏃᎮᏗᏍᎬᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᎵᏌᎳᏓᏁ ᎤᏓᏅᎡᎴ ᎡᏆᎭᎻ.\nᎡᏆᎭᎻᏃ ᏭᏯᏅᎮ ᎤᏪᏥ ᎢᏏᎺᎵ, ᎠᎴ ᏂᎦᏛ ᎦᏁᎸ ᎤᎾᏕᏅᎯ, ᎠᎴ ᏂᎦᏛ ᎠᏕᎸ ᏧᏩᎯᏍᏔᏅᎯ, ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᎤᎾᏓᏑᏴ ᎡᏆᎭᎻ ᎦᏁᎸ ᎠᏁᎯ; ᎾᏍᎩᏃ ᏚᎱᏍᏕᏎᎴ ᎤᏂᏇᏓᎸ ᎤᏂᏁᎪᎢ, ᎾᎯᏳᏉ ᎢᎦ, ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᏄᏪᏎᎸᎢ.\nᎡᏆᎭᎻᏃ ᏐᎣᏁᎳᏍᎪᎯ ᏐᎣᏁᎳᎦᎵ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᎾᎯᏳ ᎤᏇᏓᎷ ᎤᏁᎪᎢ ᎠᏥᎤᏍᏕᏎᎸ.\nᎤᏪᏥᏃ ᎢᏏᎺᎵ ᏦᎢᎦᏚ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᎾᎯᏳ ᎤᏇᏓᎸ ᎤᏁᎪᎢ ᎠᏥᎤᏍᏕᏎᎸ.\nᎾᎯᏳᏉ ᎢᎦ ᎡᏆᎭᎻ ᎠᏥᎤᏍᏕᏎᎴᎢ, ᎠᎴ ᎾᏍᏉ ᎤᏪᏥ ᎢᏏᎺᎵ.\nᎠᎴ ᏂᎦᏛ ᎠᏂᏍᎦᏯ ᎦᏁᎸ ᎠᏁᎯ, ᎦᏁᎸ ᎤᎾᏕᏅᎯ, ᎠᎴ ᎠᏕᎸ ᎨᏥᏩᎯᏍᏔᏅᎯ, ᏅᏩᎾᏓᎴ ᏴᏫ ᎨᏥᏩᎯᏎᎸᎯ, ᎢᏧᎳᎭ ᏙᎨᏥᎤᏍᏕᏎᎴᎢ.\nᎠᏯᏙᎸᎢ 18\nᏱᎰᏩᏃ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᎹᎺᎵ ᏧᏤᎵᎦ ᎠᏓᏯ ᏕᏡᎬᎢ; ᎦᎵᏦᏛᏃ ᎦᎶᎯᏍᏗᏱ ᎤᏬᎴ ᎢᎦ ᏧᏗᎴᎪᎢ;\nᏚᏌᎳᏓᏁᏃ ᏗᎦᏙᎵ ᎠᎴ ᏚᎧᎿᏁᎢ, ᎠᎴ ᎬᏂᏳᏉ ᎠᏂᏦᎢ ᎠᏂᏍᎦᏯ ᎤᏬᎸ ᎾᎥ ᎠᏂᏙᎾᎡᎢ; ᏚᎪᎲᏃ ᎦᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ ᎤᏬᎸ ᎤᏁᎷᎩᎭ ᏫᏚᏠᏎᎢ, ᎠᎴ ᎡᎳᏗ ᏄᏛᏁᎴᎢ,\nᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵ, ᎢᏳᏃ ᏗᏍᏆᏓᏂᎸᏨᎯ ᎨᏎᏍᏗ, ᏞᏍᏗ ᎯᎶᎢᏎᎸᎩᏉ ᎯᏅᏏᏓᏍᏗ;\nᎦᏲᎵ ᎠᎹ ᏩᏂᏁᎩ, ᎠᎴ ᏗᏣᎳᏏᏕᏂ ᏗᏦᏑᎵ, ᎠᎴ ᎢᏣᏣᏪᏐᎸᏍᏓ ᏡᎬ ᎭᏫᏂᏗᏢ;\nᎤᏍᏗᏃ ᎠᎵᏍᏓᏴᏗ ᏮᏓᏥᎩᏏ ᏗᏣᏓᏅᏙᏃ ᏕᏥᎧᎵᏍᏓᏛᎭ; ᎩᎳᏃ ᎢᏣᏂᎩᏒᎭ; ᎾᏍᎩᏰᏃ ᎢᏳᏍᏗ ᎡᏥᎷᏤᎸ ᎡᏥᏅᏏᏓᏍᏗ. ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᏂᏣᏪᏒ ᎾᏍᎩᏯ ᎿᏛᎦ.\nᎡᏆᎭᎻᏃ ᎤᎵᏍᏗ ᎦᎵᏦᏛ ᏭᏴᎴ ᏎᎵ ᏧᏬᎸᎢ, ᎯᎠᏃ ᏫᏄᏪᏎᎢ, ᏄᎳ ᎭᏛᏅᎢᏍᏓ ᏦᎢ ᎢᏯᏟᎶᎥᎯ ᏩᎾᎨ ᎢᏒ; ᎦᏑᎬᎵ, ᎠᎴ ᏘᏃᏢᏛᎦ.\nᎡᏆᎭᎻᏃ ᏩᎦ ᏗᏁᏙᎲ ᏭᏗᏢᏍᏔᏁᎢ, ᎠᎴ ᎤᏘᏃᎴ ᏩᎦ ᎠᎩᎾ ᎤᏓᎨᎢ ᎠᎴ ᎣᏍᏛ, ᎠᎴ ᎠᏫᏅ ᎤᏪᎧᏁᎴᎢ; ᎾᏍᎩᏃ ᎤᎵᏍᏗ ᎣᏍᏛ ᏄᏩᏁᎴᎢ.\nᎡᏆᎭᎻᏃ ᎪᎢ-ᎪᏢᏀᎢ ᏭᎩᏎᎢ, ᎠᎴ ᎤᏅᏗ ᏭᏁᎩᏎᎢ, ᎠᎴ ᏩᎦ ᎠᎩᎾ ᎾᏍᎩ ᎣᏍᏛ ᎢᏳᏩᏁᎸᎯ ᏭᏁᏎᎢ, ᎠᎴ ᏚᏪᎳᏍᏔᏁᎢ; ᎠᏂᏅᏃ ᎤᎶᏗᏢ ᎤᎴᏁ ᏡᎬ ᎭᏫᏂᏗᏢ, ᎠᎴ ᎤᎾᎵᏍᏓᏴᏁᎢ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᎭᏢ ᏎᎵ ᏣᏓᎵᎢ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ, ᎠᏂ ᎦᎵᏦᏛᎢ.\nᎯᎠᏃ ᏄᏪᏎ ᎾᏍᎩ, ᎤᏙᎯᏳᎯᏯ ᏛᎬᏩᏛᎯᎵ ᎾᎯᏳ ᏓᏁᎶᏛ ᎠᏲᎵ ᎤᏕᏗᏱ; ᎠᎴ ᎬᏂᏳᏉ, ᏎᎵ ᏣᏓᎵᎢ ᏓᎦᎾᏄᎪᏫᏏ ᎠᏧᏣ. ᏎᎵᏃ ᏧᏛᎦᏁ ᎦᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ ᎤᏬᎸᎢ ᎾᏍᎩ ᎤᏐᎭᏛ ᎢᏗᏢ ᏥᎨᏎᎢ.\nᎡᏆᎭᎻᏃ ᎠᎴ ᏎᎵ ᎠᏂᎦᏴᎵᎨ ᎠᎴ ᏧᎾᏕᏘᏱᎶᏛ ᎨᏎᎢ; ᏎᎵᏃ ᎤᎶᎯᏎᎸᎯ ᎨᏎ ᎠᏂᎨᏴ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏒᎢ.\nᏎᎵᏃ ᏧᏓᏅᏛ ᎤᏰᏤᎢ, ᎯᎠ ᏄᏪᏎᎢ. ᏥᎪ ᎿᏉ ᎠᎩᎦᏴᎳᏨᎯ ᏥᎩ ᎣᏍᏛ ᏛᎦᏓᏅᏓᏗ, ᎠᎴ ᎾᏍᏉ ᏗᏥᏯᏁᎶᏗ ᎤᏛᏐᏅᎯ ᏥᎩ?\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎭᎻ, ᎦᏙᏃ ᏎᎵ ᎾᏍᎩ ᎯᎠ ᏧᏰᏨ, ᎯᎠ ᏥᏂᎦᏫ, ᏥᎪ ᎤᏙᎯᏨᎯ ᎠᏲᎵ ᏛᏥᎾᏄᎪᏫᏏ ᎿᏉ ᏥᎦᏴᎵᎨ ᏥᎩ?\nᏥᎪ ᏱᎰᏩ ᎪᎱᏍᏗ ᎬᏩᏄᎸᏗ? ᎾᎯᏳ ᎠᏎᎯᏛ ᎨᏒ ᏛᎬᎷᏤᎵ, ᏓᏁᎶᏛ ᎠᏲᎵ ᎤᏕᏘᏱ, ᎠᎴ ᏎᎵ ᎠᏧᏣ ᏓᎦᎾᏄᎪᏫᏏ.\nᎿᏉᏃ ᏎᎵ ᎤᏓᏱᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ ᏱᎩᏰᏤᎢ; ᎠᏍᎦᎢᎮᏰᏃ. ᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯᏍᎩᏂ ᏣᏰᏨᎩ.\nᎠᏂᏍᎦᏯᏃ ᎾᎿ ᎤᎾᏂᎩᏎᎢ, ᎠᎴ ᏐᏓᎻ ᎢᏗᏢ ᏫᏚᎾᎦᏔᏁᎢ; ᎡᏆᎭᎻᏃ ᏚᎵᎪᏁᎴᎢ, ᏣᏂᎦᏛ ᎢᏗᏢ ᎢᏴᏛ ᏫᏚᏪᎧᏁᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏥᎪ ᏓᏥᏴᏍᎦᎳᏁᎵ ᎡᏆᎭᎻ ᎾᏍᎩ ᏥᏂᎦᏛᏁᎭ,\nᎤᏙᎯᏳᎯᏯᏃ ᎡᏆᎭᎻ [ᎤᏁᏢᏔᏅᎯ] ᎡᏉᎯᏳ ᎠᎴ ᎤᎵᏂᎩᏗᏳ ᏴᏫ ᏥᏅᏛᎾᎵᏍᏔᏂ, ᎠᎴ ᏂᎦᏗᏳ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗ ᏥᏅᏓᎦᎵᏍᏔᏂ ᎡᏆᎭᎻ ᎢᏳᏩᏂᏌᏛ?\nᏥᎦᏔᎭᏰᏃ ᎡᏆᎭᎻ ᎾᏍᎩ ᎠᏎ ᏙᏓᎧᏁᏤᎵ ᏧᏪᏥ ᎠᎴ ᏚᏓᏘᎾᎥ ᎣᏃ ᎤᎾᏕᏗ ᏥᏅᏓᎦᎵᏍᏔᏂ, ᎠᎴ ᎾᏍᎩ ᏲᎰᏩ ᎤᏤᎵ ᎦᏅᏅ ᏛᏂᏍᏓᏩᏕᏏ, ᏚᏳᎪᏛ ᎢᏳᎾᏛᏁᏗᏱ, ᎠᎴ ᏧᏄᎪᏙᏗᏱ; ᎾᏍᎩ ᏱᎰᏩ ᎤᏁᏗᏱ ᎡᏆᎭᎻ ᏄᏍᏛ ᎤᏁᎢᏍᏓᏁᎸᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎷᎬ ᏐᏓᎻ ᎠᎴ ᎪᎹᎵ ᎠᏍᏓᏱᏳ ᎨᏥᏁᎢᏍᏗᏍᎬ ᎤᎶᏘ ᎨᏒᎢ, ᎠᎴ ᏅᏗᎦᎵᏍᏙᏗ ᎤᏂᏍᎦᏅᏨ ᎤᏣᏘ ᎤᏍᎦᎢᏍᏗᏳ ᎨᏒᎢ,\nᎿᏉ ᏓᎦᏠᎠᏏ, ᎠᎴ ᏮᏓᎦᏙᎴᎣᏏ, ᏥᎪᏃ ᎤᏙᎯᏳᎯ ᏄᎾᏛᏁᎸ ᎾᏍᎩ ᎤᏁᎷᎬ ᎨᏥᏁᎢᏍᏗᏍᎬ, ᎶᎩᎷᏤᎸ; ᎢᏳᏃ ᎾᏍᎩ ᏄᎾᏛᏁᎸᎾ ᎢᎨᏎᏍᏗ ᏮᏓᎦᏙᎴᎣᏏ.\nᎠᏂᏍᎦᏯᏃ ᎤᎾᎦᏔᎲᏎᎢ, ᎠᎴ ᏐᏓᎻᏱ ᎢᏗᏢ ᏭᏂᎶᏎᎢ; ᎡᏆᎭᎻᏍᎩᏂ ᎦᏙᎨᏉ ᏱᎰᏩ ᎠᎦᏔᎲᎢ.\nᎡᏆᎭᎻᏃ ᎾᎥ ᎤᎷᏤᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏓᏅᏘᏍᎪ ᏘᏯᏠᏯᏍᏔᏂ ᎤᏁᏓᏥᏛ ᎯᏛᏗᏍᎬᎢ?\nᎾᏍᏉ ᎯᏍᎦᏍᎪᎯ ᏱᎾᏂᎥ ᎤᎾᏓᏅᏘ ᎾᎿ ᎦᏚᎲ ᏱᏁᎭ; ᏥᎪ ᎠᏎ ᏘᏛᏔᏂ, ᏝᏍᎪᏂ ᏴᏘᏙᎵᏂ ᎾᎿᏂ, ᏱᏅᏓᎦᎵᏍᏙᏔᏂ ᎯᏍᎦᏍᎪᎯ ᎢᏯᏂᏛ ᎤᎾᏓᏅᏘ ᎾᎿ ᎠᏁᎲᎢ?\nᎥᏞᏍᏗ ᎾᏍᎩᏉ ᎢᏣᏛᏁᎸᎩ ᎯᎸᎩ ᎤᏓᏅᏘ ᎯᏯᏠᏯᏍᏔᏅᎩ ᎤᏁᏓᏥᏛ ᎯᎢᎲᎢ; ᎠᎴ ᎤᏓᏅᏘ ᎥᏞᏍᏗ ᎤᏁᏧᏥᏛ ᏄᏍᏛ ᏱᏄᏍᏕᏍᏗ; ᏞᏍᏗ ᎾᏍᎩᏉ ᎢᏣᏛᏁᎸᎩ; ᏝᏍᎪ ᎡᎳᏂᎬ ᏗᎫᎪᏓᏁᎯ ᏚᏳᎪᏛ ᏱᏅᎬᏛᎦ?\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᏃ ᏐᏓᎻ ᎦᏚᎲ ᎯᏍᎦᏍᎪᎯ ᎢᏯᏂᏛ ᎤᎾᏓᏅᏘ ᏱᏗᏥᏣᏛᎲ, ᎿᏉ ᏂᎦᏛ ᎾᎿ ᏓᏥᏙᎵᏥ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᎡᏆᎭᎻᏃ ᏗᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎿᏉ ᎦᎴᏅ ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ ᏥᏯᎵᏃᎮᏗᏍᎬᎢ, ᎠᏴ ᎦᏓᏉ ᎠᎴ ᎪᏍᏚᏉ ᏥᎩ.\nᎢᏳᏃ ᎯᏍᎩ ᏱᎦᎷᎶᎦ ᎯᏍᎦᏍᎪᎯ ᎢᏳᏂᎢᏍᏗᏱ ᎤᎾᏓᏅᏘ; ᏥᎪ ᎠᏎ ᏂᎬ ᎦᏚᎲ ᏘᏲᏍᏔᏂ ᎯᏍᎩ ᎦᎷᎶᎬ ᎢᏳᏍᏗ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎢᏳᏃ ᏅᎦᏍᎪᎯ ᎯᏍᎩᎦᎵ ᎢᏯᏂᏛ ᎾᎿ ᏱᏗᏥᏩᏛᎲ ᎥᏝ ᏴᎦᏥᏛᏓ.\nᏔᎵᏁᏃ ᎢᎤᏁᏤᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᎾᏃ ᏅᎦᏍᎪᎯ ᎢᏯᏂᏛ ᏗᎬᏩᏛᏗ ᏱᎩ ᎾᎿᏂ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᏅᎦᏍᎪᎯ ᎾᏂᎥ ᎢᏳᏍᏗ ᎥᏝ ᎾᏍᎩ ᏱᏅᎦᎦᏛᎦ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏞᏍᏗ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵ ᏳᏔᎳᏬᏎᏍᏗ, ᎠᏏ ᏛᏥᏁᏥ, ᎢᏳᎾᏃ ᏦᎠᏍᎪᎯ ᏗᎬᏣᏛᏗ ᏱᎩ ᎾᎿᏂ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎥᏝ ᎾᏍᎩ ᏱᏅᎦᎦᏛᎦ ᎢᏳᏃ ᏃᎠᏍᎪᎯ ᏙᏥᏩᏛᎲᎭ ᎾᎿᏂ.\nᎯᎠᏃ ᏄᏪᏎᎢ; ᎬᏂᏳᏉ ᎠᏆᎴᏅᎲ ᏱᎰᏩ ᏥᏯᎵᏃᎮᏗᏍᎬᎢ; ᎢᏳᎾᏃ ᏔᎳᏍᎪᎯ ᏗᎬᏩᏛᏗ ᎨᏎᏍᏗ ᎾᎿᏂ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎥᏝ ᏴᎦᏥᏛᏓ ᏔᎳᏍᎪᎯ ᎾᏂᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᎯᎠᏃ ᏄᏪᏎᎢ; ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ ᏞᏍᏗ ᏳᏔᎳᏬᏎᏍᏗ, ᎠᏏ ᏌᏉᏉ ᏅᏛᏥᏁᏥ; ᎢᏳᎾᏃ ᎠᏍᎪᎯ ᏗᎬᏩᏛᏗ ᏱᎩ ᎾᎿᏂ. ᎯᎠᏃ ᏄᏪᏎᎢ, ᎥᏝ ᏴᎦᏥᏛᏓ ᎠᏍᎪᎯ ᎾᏂᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᏱᎰᏩᏃ ᎤᏑᎵᎪᏨᏉ ᎡᏆᎭᎻ ᎠᎵᏃᎮᏗᏍᎬᎢ, ᏩᎦᏛ ᏭᎶᏎᎢ; ᎡᏆᎭᎻᏃ ᏧᏪᏅᏒ ᏫᎤᎶᏎ.\nᎠᏯᏙᎸᎢ 19\nᎤᏒᎢᏃ ᎠᏂᏔᎵ ᏗᏂᎧᎿᏩᏗᏙᎯ ᏐᏓᎻ ᎤᏂᎷᏤᎢ; ᎶᏗᏃ ᏐᏓᎻ ᎦᎶᎯᏍᏗᏱ ᎤᏬᎴᎢ; ᎶᏗᏃ xᏚᎪᎲ ᏚᎴᏁ ᏚᏠᏒᏎᎢ; ᎡᎳᏗᏃ ᏄᏛᏁᎴᎢ, ᎤxᏛ ᏚᏙᎯ ᎢᏗᏢ ᏄᏩᏁᎴᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, Ꭷ, ᎢᏍᏗᎬᏫᏳᎯ ᏗᏆᏤᎵᎦ, ᎢᏍᏛᏔᏲᏏ ᎡᏍᏗᏅᏏᏓᏍᏗ ᎦᏁᎸ ᎢᏍᏗᏴᏍᏗᏱ, ᎠᎴ ᎢᏍᏗᏒᏍᏗᏱ, ᎠᎴ ᏗᏍᏙᏑᎴᏗᏱ ᏗᏍᏓᎳᏏᏕᏂ; ᏑᎾᎴᏃ ᏕᏍᏓᏗᏛᎲᎭ, ᎠᎴ ᏫᏍᏗᎦᏛ ᏫᏍᏗᎶᏒᎭ. ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎥᏝ; ᎦᎳᏅᏛᏉᏍᎩᏂ ᏓᏲᎩᏂᏒᎵ.\nᎤᏣᏘᏃ ᏚᏍᏗᏰᏔᏁᎢ, ᏗᎬᏩᎦᏔᎲᎡᎴᏃ ᎠᎴ ᎦᏁᎸ ᏭᏂᏴᎴᎢ; ᎠᎴ ᏚᏛᏅᎢᏍᏓᏁᎴ ᎠᏗᏔᏍᏗ, ᎠᎴ ᏂᏓᎪᏔᏅᎾ ᎦᏚ ᏚᏪᏚᏁᎢ, ᎠᎴ ᎤᎾᎵᏍᏓᏴᏁᎢ.\nᎠᏏᏉᏃ ᏂᏚᎾᏂᏢᏅᎾ ᎨᏎᎢ, ᎠᏂᏍᎦᏯ ᎦᏚᎲ ᎠᏁᎯ, ᎾᏍᎩ ᎠᏂᏍᎦᏯ ᏐᏓᎻ ᎠᏁᎯ, ᎠᏓᏁᎸ ᏚᎾᏚᏫᏍᏔᏁᎢ, ᎠᏂᏫᏅ ᎠᎴ ᎾᏍᏉ ᏧᎾᏛᏐᏅᎯ, ᏂᎦᏛ ᏴᏫ ᎬᏩᏚᏫᏛ ᏅᏓᏳᏂᎶᏒᎯ.\nᎶᏗᏃ ᏫᎬᏩᏯᏅᎮᎢ, ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎭᏢ ᎠᏂᏍᎦᏯ ᎪᎯ ᎤᏒ ᏥᎰᏣᏴᏎᎸᎩ? ᎡᏗᏍᎩᏄᎪᏫᏏ ᏙᏥᎦᏙᎥᏒᎭ.\nᎶᏗᏃ ᏚᏄᎪᏤᎴ ᎦᎶᎯᏍᏗᏱ, ᎦᎶᎯᏍᏗᏱᏃ ᎤᏍᏚᏁᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎢᏨᏔᏲᏎᎭ ᎢᏓᎵᏅᏟ, ᏞᏍᏗ ᎾᏍᎩ ᎢᏳᏲ ᏗᏥᎸᏫᏍᏓᏁᎸᎩ;\nᎬᏂᏳᏉ, ᎠᏂᏔᎵ ᏗᏇᏥ ᎠᏂᎨᏴ ᎠᏁᎭ ᎠᏍᎦᏯ ᏄᏂᎦᏙᎥᏒᎾ, ᎾᏍᎩ ᏗᏨᏄᎪᏫᏏ, ᎾᏍᎩᏃ ᎢᏣᏓᏅᏖᏍᎬᏉ ᏂᏗᏨᎦ; ᎯᎠᏍᎩᏂ ᎠᏂᏍᎦᏯ ᏞᏍᏗ ᎪᎱᏍᏗ ᏗᏨᏁᎸᎩ; ᎾᏍᎩᏰᏃ ᎢᏳᏍᏗ ᏥᏁᎸ ᎤᎾᎵᏍᎦᏍᏙᏔᏂᎸ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎭᎴᎲᎾᏉ. ᎠᎴ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎯᎠ ᎠᏍᎦᏯ ᎤᎳᏂᏏᎸᎯᏉ, ᏗᎫᎪᏓᏁᎯ ᎢᏳᎵᏍᏙᏗᏱ ᎤᏚᎵᎭ. ᎤᏟ ᎢᏳᏲ ᏅᏓᏨᏴᏁᎵ ᏂᎯ ᎡᏍᎦᏉ ᎯᎠ ᎠᏂᏍᎦᏯ. ᎠᎴ ᎬᏍᎦᎢᏍᏓᎩ ᏚᏂᎦᏘᎸᏎ ᎠᏍᎦᏯ, ᎾᏍᎩ ᎶᏗ, ᎠᎴ ᎾᎥ ᎤᏂᎷᏤ ᎠᏍᏚᏗ ᏗᏂᏲᏍᏔᏂᏎᎢ.\nᎠᏎᏃ ᎾᏍᎩ ᎠᏂᏍᎦᏯ ᏫᏚᎾᏙᏯᏅᎯᏕ, ᎠᎴ ᏫᎬᏩᏎᏒᎮ ᎶᏗ ᎦᎵᏦᏕ ᎬᏩᏴᏔᏁ ᎠᏂᏯᎥᎢ, ᎠᎴ ᎤᏂᏍᏚᏁ ᎦᎶᎯᏍᏗᏱ.\nᎦᎵᏦᏕᏃ ᎦᎶᎯᏍᏗᏱ ᏅᏛᏂᏙᎾᎢ ᏗᏂᎨᏫ ᏂᏚᏅᏁᎴᎢ, ᏄᎾᏍᏗ ᎠᎴ ᎾᏍᏉ ᏧᎾᏛᏅ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏚᎾᏣᏪᎢᏍᏔᏁ ᎦᎶᎯᏍᏗᏱ ᎤᏂᏲᎲᎢ.\nᎠᏂᏍᎦᏯᏃ ᎯᎠ ᏂᎬᏩᏪᏎᎴ ᎶᏗ, ᎦᎪ ᎠᏏ ᏗᏣᏤᎵᎦ ᏴᏫ ᎠᏂ ᎠᏁᎭ? ᏣᎾᏥ, ᏗᏤᏥ ᎠᏂᏍᎦᏯ, ᎠᎴ ᎠᏂᎨᏴ ᏗᏤᏥ, ᎠᎴ ᏄᏓᎴᏒ ᎪᎱᏍᏗ ᏣᎲ ᎠᏂ ᎦᏚᎲᎢ, ᎯᏄᎪᏩ ᎠᏂ;\nᎠᏴᏰᏃ ᏓᏲᏍᏗᏲᏍᏔᏂ ᎯᎠ ᎠᏂ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎷᎬ ᎾᏍᎩ ᎨᏥᏁᎢᏍᏗᏍᎬ ᎤᎶᏘ ᎡᏉᎯᏳ ᏄᎵᏍᏔᏅ ᏱᎰᏩ ᎠᎦᏯᎲᎢ; ᎠᎴ ᏱᎰᏩ ᏦᎩᏂᏅᏒ ᎣᎩᏂᏲᏍᏙᏗᏱ ᎯᎠ ᎠᏂ.\nᎶᏗᏃ ᎤᏄᎪᏤᎢ, ᎠᎴ ᏚᏁᏤᎴ ᏧᎾᏥ, ᎾᏍᎩ ᏧᏪᏥ ᎠᏂᎨᏴ ᏗᎾᏓᏰᎯ, ᎯᎠ ᏄᏪᏎᎢ, ᏗᏣᎴᎲᎦ ᎠᎴ ᎢᏥᏄᎪᎢ ᎠᏂ; ᏱᎰᏩᏰᏃ ᏛᏲᏍᏔᏂ ᎯᎠ ᎦᏚᎲᎢ. ᎠᏎᏃ ᎠᏎᏉ ᏥᏂᎦᏪᏍᎪ ᎤᏂᏰᎸᏁ ᏧᎾᏥ.\nᏑᎾᎴᏃ ᏄᎵᏍᏔᏅ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎬᏩᎵᏍᏓᏁᎴ ᎶᏗ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏔᎴᎲᎦ ᎠᎴ ᏔᏘᏄᎦ ᏣᏓᎵᎢ ᎠᎴ ᎠᏂᏔᎵ ᏗᏤᏥ ᎠᏂᎨᏴ, ᎠᏂ ᏣᏁᏙᎭ; ᏰᏣᏠᏯᏍᏓᏰᏃ ᏰᏣᏛᏓ ᎤᏂᏍᎦᏅᏨ ᎤᏂᏛᏗᏍᎬ ᎯᎠ ᎦᏚᎲᎢ.\nᎠᏏᏉᏃ ᎤᏙᎯᎸᎢ, ᎠᏂᏍᎦᏯ ᎬᏬᏯᏁᏎᎢ, ᎠᎴ ᎾᏍᏉ ᎤᏓᎵᎢ ᎬᏬᏯᏁᏎᎢ, ᎠᎴ ᎾᏍᏉ ᏧᏪᏥ ᎠᏂᎨᏴ ᎠᏂᏔᎵ ᏚᏃᏯᏁᏎᎢ; ᏱᎰᏩᏰᏃ ᎤᏪᏙᎵᎨᎢ; ᎠᎴ ᎬᏩᏄᎪᏫᏎᎢ, ᎦᏚᎲᏃ ᏙᏱᏗᏢ ᏫᎬᏪᎧᏁᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ ᎿᏉ ᏙᏱᏗᏢ ᏫᏗᎨᏥᎧᏅ, ᎯᎠ ᏄᏪᏎᎢ, ᎭᎵᏘ ᎲᏅ ᎯᏍᏕᎸ; ᏞᏍᏗ ᏩᎦᏔᎲᏒᎩ, ᏞᏍᏗ ᎠᎴ ᎯᎸᎯᏢ ᎤᏬᏓᎸ ᏣᎴᏫᏍᏔᏅᎩ; Ꮎ ᏦᏓᎸ ᏩᏗᏢᏍᏓ, ᏰᏣᏛᏓᎾᏏ.\nᎶᏗᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏞᏍᏗ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ;\nᎬᏂᏳᏉ ᎯᏅᏏᏓᏍᏗ ᎬᏩᎦᏘᏯ ᏣᏓᏙᎵᏍᏗ ᎨᏒ ᎯᎾᏄᎪᏫᏎᎸ, ᎠᎴ ᏣᏓᏙᎵᏍᏗ ᎨᏒ ᏣᏔᏃᎯᏍᏔᏅ, ᎾᏍᎩ ᏥᏍᎩᎾᏄᎪᏫᏎᎸ ᎬᏅ ᏍᎩᏍᏕᎸᎡᎸᎯ ᏥᎩ; ᎥᏝ ᎠᎴ Ꮎ ᏦᏓᎸ ᏰᎵ ᏫᎬᏆᏗᏫᏍᏙᏗ ᏱᎩ, ᎪᎱᏍᏗᏰᏃ ᎤᏲ ᏯᏆᏢᏔ ᎠᎴ ᏴᏥᏲᎤᎯ.\nᎬᏂᏳᏉ, ᎯᎠ ᎦᏚᎲ ᎡᏍᎦᏂᏳᏉ ᎾᎿ ᏩᏗᏢᏍᏙᏗᏱ, ᎠᎴ ᎤᏍᏗᏉ ᎦᏚᎭ; ᎾᎿᏉ ᏫᎦᏗᏢᏍᏓ; ᏝᏍᎪ ᎰᏩ ᎤᏍᏗᏉ ᏱᎩ?\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎬᏂᏳᏉ, ᎯᎠ ᎾᏍᏉ ᏙᎬᏯᏓᏂᎸᏥᏏ, ᎾᏍᎩ ᎥᏝ ᏴᎦᏥᏛᏓ ᎯᎠ ᎦᏚᎲ ᎾᏍᎩ ᏥᏁᎢᏍᏓ.\nᏞᎩᏳ ᎾᎿ ᏩᏗᏢᏍᏓ; ᎥᏝᏰᏃ ᎪᎱᏍᏗ ᏴᎦᎦᏛᎦ ᎬᏂ ᎾᎿ ᏫᎷᏨᎭ. ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎾᎿ ᎦᏚᎲ ᏦᎠ ᏚᏃᎡᎢ.\nᏅᏙ ᎦᏳᎳ ᏗᎧᎴ ᎶᏗ ᏭᏴᎸ ᏦᎠ ᎦᏚᎲᎢ.\nᎿᏉᏃ ᏱᎰᏩ ᏓᎶᏂᎨ ᏓᏪᎵᎩᏍᎩ ᎠᏑᏴᏗ ᎠᎴ ᎠᏥᎸ ᎤᏅᎪᎥᏔᏁ ᏐᏓᎻᏱ ᎠᎴ ᎪᎹᎵᏱ, ᏱᎰᏬ ᎦᎸᎳᏗ ᏧᏓᎴᏁᎢ.\nᎠᎴ ᏚᏛᏔᏁ ᎾᏍᎩ ᏕᎦᏚᎲᎢ, ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎤᏬᏓᎸᎢ, ᎠᎴ ᏂᎦᏛ ᏕᎦᏚᎲ ᎠᏁᎯ ᎠᎴ ᎾᏍᎩ ᎦᏙᎯ ᎤᏰᎾᎥᎢ.\nᎠᏎᏃ ᎶᏗ ᎤᏓᎵᎢ ᎤᏍᏓᏩᏗᏒ ᎤᎦᏔᎲᏎᎢ, ᎠᎴ ‾ᎠᎹ ᏄᎵᏍᏔᏁᎢ ᎠᎴ ᎢᎦᎧᎮᎢ.\nᎡᏆᎭᎻᏃ ᏑᎾᎴᏉ ᎤᎿᎷᏎ ᎾᎿ ᏭᎷᏤ ᏱᎰᏩ ᎠᎦᏔᎲ ᎤᎴᏅᎢ;\nᏐᏓᎻᏱᏃ ᎠᎴ ᎪᎹᎵᏱ ᎢᏗᏢ ᏫᏚᎧᎾᏁᎢ, ᎠᎴ ᏂᎬᎾᏛ ᎤᏬᏓᎸ ᎦᏙᎯ, ᎤᎪᎮᏃ, ᎠᎴ ᎬᏂᏳᏉ, ᎾᎿ ᏂᎬᎾᏛ ᏚᎦᏒᏍᏛ ᏓᎴᎲᏍᎨ ᎬᎾᏬᏙᏗᏱ ᏥᏚᎦᏒᏍᏙ ᎾᏍᎩᏯᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏚᏲᏍᏔᏅ ᎤᏬᏓᎸ ᏕᎦᏚᎲᎢ, ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎢᎤᏅᏓᏕᎢ, ᎠᎴ ᎶᏗ ᎤᏄᎪᏫᏎ ᎾᎿ ᎠᏲᏍᏗᏍᎬᎢ, ᎾᎯᏳ ᏥᏓᏲᏍᏗᏍᎨ ᏕᎦᏚᎲ ᎾᎿ ᎶᏗ ᎡᎲᎢ.\nᎶᏗᏃ ᏦᎠ ᎤᏄᎪᏤᎢ, ᎠᎴ ᎣᏓᎸ ᏭᏕᏁᎢ, ᎠᎴ ᎾᏍᏉ ᎠᏂᏔᎵ ᏧᏪᏥ ᎠᏂᎨᏴ; ᎠᏍᎦᎢᎮᏰᏃ ᏦᎠ ᎤᏕᏗᏱ; ᎤᏍᏓᎨᎸᏃ ᎡᎮᎢ, ᎤᏩᏒ, ᎠᎴ ᎠᏂᏔᎵ ᏧᏪᏥ ᎠᏂᎨᏴ.\nᎤᏓᏂᎵᎨᏃ ᎯᎠ ᏄᏪᏎᎴ ᎣᏂ ᎡᎯ, ᎩᏂᏙᏓ ᎠᎦᏴᎵᏳ, ᎥᏝ ᎠᎴ ᎡᎶᎯ ᏂᎬᎾᏛ ᏰᎭ ᎠᏍᎦᏯ ᎨᎩᏂᎷᏤᏗ ᎾᏍᎩᏯ ᎢᏳᎾᏛᏁᏗ ᏥᎩ ᎡᎶᎯ ᏂᎬᎾᏛᎢ.\nᎧ, ᎩᎦᎨ ᎠᏗᏔᏍᏗ ᎡᏂᎤᎥᎦ ᎩᏂᏙᏓ, ᎠᎴ ᎡᎾᏂᏏᏁᎸᎭ, ᎩᏂᏙᏓᏃ ᎤᏁᏢᏔᏅᎯ ᎡᏂᏍᏆᏂᎪᏓᏁᎸᎭ.\nᎾᎯᏳᏉᏃ ᎤᏒᎢ ᎩᎦᎨ ᎠᏗᏔᏍᏗ ᎤᏂᎱᏁ ᎤᏂᏙᏓ; ᎤᏓᏂᎵᎨᏃ ᎤᎷᏤ ᎠᎴ ᎤᏙᏓ ᎤᏂᏏᏁᎴᎢ; [ᎤᏙᏓᏃ] ᎥᏝ ᏳᏙᎴᎰᏎ ᎤᏂᏏᏂᎸ, ᎠᎴ ᎢᎤᏗᏛᎲ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎤᎩᏨᏛ, ᎾᏍᎩ ᎤᏓᏂᎵᎨ ᎯᎠ ᏄᏪᏎᎴ ᎣᏂ ᎡᎯ, ᎬᏂᏳᏉ ᎤᏒᎯ ᏒᏃᏱ ᏥᎨᏒ ᎠᏴ ᏥᏯᏂᏏᏁᎸᎩ ᎡᏙᏓ; ᎪᎯ ᎾᏍᏉ ᎤᏒ ᎡᏂᎤᏅᎭ ᎩᎦᎨ ᎠᏗᏔᏍᏗ; ᏂᎯᏃ ᎡᏒᎭ, ᎯᏯᏂᏏᏁᎸᎭ, ᎩᏂᏙᏓᏃ ᎤᏁᏢᏔᏅᎯ ᎡᏂᏍᏆᏂᎪᏓᏁᎸᎭ.\nᎾᎯᏳᏃ ᎾᏍᏉ ᎤᏒᎢ ᎩᎦᎨ ᎠᏗᏔᏍᏗ ᎤᏂᎱᏁ ᎤᏂᏙᏓ; ᎣᏂᏃ ᎡᎯ ᏚᎴᏁ ᎠᎴ ᏭᏂᏏᏁᎴᎢ; ᎤᏙᏓᏃ ᎥᏝ ᏳᏙᎴᎰᏎ ᎤᏂᏎᏂᎸ, ᎠᎴ ᎢᎤᏗᏛᎲ.\nᎾᏍᎩᏃ ᎢᏧᎳ ᎶᏗ ᏧᏪᏥ ᏗᏂᏁᎵᏛ ᏄᎵᏍᏔᏁ ᎤᏂᏙᏓ ᏧᏪᏥ.\nᎤᏓᏂᎵᎨᏃ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎢ, ᎠᎴ ᎼᎠᏈ ᏚᏬᎡᎢ; ᎾᏍᎩᏃ ᎤᏂᎦᏰᎵᎨ ᎠᏂᎼᎠᏈ ᎩᎳᎯᏳ ᏣᏁᎭ.\nᎣᏂᏃ ᎡᎯ ᎾᏍᏉ ᎠᏧᏣ ᎢᎤᎾᏄᎪᏫᏎᎢ, ᎠᎴ ᏇᎾᎻ ᏚᏬᎡᎢ; ᎾᏍᎩᏃ ᎤᏂᎦᏴᎵᎨ ᎠᎼᏏ ᏧᏪᏥ ᎩᎳᎯᏳ ᏣᏁᎭ.\nᎠᏯᏙᎸᎢ 20\nᎡᏆᎭᎻᏃ ᎾᎿ ᎤᏂᎩᏎ ᏧᎦᎾᏮ ᎢᏗᏢ ᏭᎶᏎᎢ, ᎨᏕᏏᏃ ᏒᎵ ᎾᎿ ᎠᏰᎵ ᏭᏕᏁᎢ, ᎠᎴ ᎨᎳ ᏪᎮᎢ.\nᎡᏆᎭᎻᏃ ᎯᎠ ᏄᏪᏎ ᏎᎵ ᎤᏓᎵᎢ ᎤᏁᎢᏍᏗᏍᎬᎢ, ᎥᎩᏙᏉ; ᎠᏈᎻᎴᎩᏃ ᎨᎳ ᎤᎬᏫᏳᎯ ᎤᏓᏅᏎ ᎠᎴ ᏎᎵ ᏭᏯᏅᎮᎢ.\nᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎤᎷᏤᎴ ᎠᏈᎻᎴᎩ ᏒᏃᏱ ᎠᏍᎩᏓᏍᎬᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎬᏂᏳᏉ ᏣᏲᎱᏒᎯᏉ ᏂᎯ, ᏂᎦᎵᏍᏙᏗᎭ ᎾᏍᎩ ᎠᎨᏴ ᏥᏫᏯᏅᎲ; ᎩᎶᏰᏃ ᎠᏍᎦᏯ ᎤᏓᎵᎢ ᎾᏍᎩ.\nᎠᏎᏃ ᎠᏈᎻᎴᎩ ᎥᏝ ᎾᎥ ᎤᎷᏤᎸᎯ ᏱᎨᏎᎢ; ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ, ᏥᎪ ᎾᏍᏉ ᏄᏂᏍᎦᏅᏨᎾ ᏴᏫ ᏙᏘᎵ?\nᏝᏍᎪ ᎾᏍᎩ ᎥᎩᏙᏉ ᏯᏉᏎᎴᎢ, ᎠᎴ ᎠᎨᏴ ᎤᏩᏒ ᎥᎩᏙᏉ ᎤᏛᏅᎩ; ᏚᏳᎪᏛ ᎨᏒ ᎠᏆᏓᏅᏛᎢ, ᎠᎴ ᏂᏓᏍᎦᏅᎾ ᎨᏒ ᏗᏉᏰᏂ ᎾᏍᎩ ᎯᎠ ᎾᏆᏛᏁᎸ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᎠᏍᎩᏓᏍᎬᎢ, ᎠᏴ ᏥᎦᏔᎭ ᏚᏳᎪᏛ ᎨᏒ ᏣᏓᏅᏛ ᎾᏍᎩ ᎯᎠ ᏂᏩᏛᏁᎸᎢ; ᎠᏴᏰᏃ ᎬᏲᏍᏙᏓᏁᎸᎩ ᏍᎩᏍᎦᏅᏤᏗᏱ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᎤᏁᎳᎩ ᏱᎬᏰᎵᏎᎴ ᎯᏯᏒᏂᏍᏗᏱ.\nᎿᏉᏃ ᏥᎯᏯᎧᏏ Ꮎ ᎠᏍᎦᏯ ᎤᏓᎵᎢ; ᎠᏙᎴᎰᏍᎩ ᎾᏏ, ᎠᎴ ᏓᏣᏓᏙᎵᏍᏓᏁᎵ, ᎾᏍᎩᏃ ᎲᏁᏍᏗᏉ; ᎢᏳᏃ ᏂᏯᎧᏁᎸᎾ ᎢᎨᏎᏍᏗ, ᎯᎦᏔᎮᏍᏗ ᎤᏙᎯᏳᎯᏯ ᏣᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᏂᎯ ᎠᎴ ᏂᎦᏛ ᏕᏣᏓᏘᎾᎥᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏈᎻᎴᎩ ᏑᎾᎴᏉ ᎤᏗᏛᎮᎢ, ᎠᎴ ᏂᎦᏛ ᏧᏅᏏᏓᏍᏗ ᏫᏚᏯᏅᎮᎢ, ᎠᎴ ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᏚᏃᎮᎮᎴᎢ; ᎾᏍᎩᏃ ᎠᏂᏍᎦᏯ ᎤᏣᏘ ᎠᏂᏍᎦᎢᎮᎢ.\nᎿᏉᏃ ᎠᏈᎻᎴᎩ ᎡᏆᎭᎻ ᏭᏯᏅᎮᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᏙᏉ ᏍᎩᏴᏁᎸ? ᎠᎴ ᎦᏙ ᎠᏆᏛᏁᎸ ᎬᏍᎦᏅᏤᎸ, ᎾᏍᎩ ᎤᏣᏔᏅᎯ ᎡᏉᎯᏳ ᎣᎩᏍᎦᏅᎢᏍᏗᏱ ᏥᏂᏨᏁᎸ, ᎠᏴ, ᎠᎴ ᏗᏆᏤᎵ ᏴᏫ? ᎾᏍᎩ ᎢᏗᏓᏛᏁᏗ ᏂᎨᏒᎾ ᏂᏍᏋᎦ.\nᎠᏈᎻᎴᎩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎭᎻ, ᎦᏙ ᏣᎪᎮ ᎾᏍᎩ ᎯᎠ ᏥᎿᏛᎦ?\nᎡᏆᎭᎻᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠᏍᎩᏂ ᏅᏓᏳᎵᏍᏙᏔᏅᎩ, ᎥᏝ ᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᎠᏂ Ꭰ, ᎠᏇᎵᏒᎩ; ᎠᎴ ᏓᎬᎩᎵ ᎠᏆᏓᎵᎢᏉ ᏛᎩᏍᏛᏗ, ᎠᏇᎵᏒᎩ.\nᎤᏙᎯᏳᎯ ᎠᏗᎾ ᎥᎩᏙᏉ; ᎡᏙᏓᏰᏃ ᎤᏪᏥ, ᎠᏎᏃ ᎥᏝ ᎡᏥ ᎤᏪᏥ ᏱᎩ; ᎠᏆᏓᎵᎢᏃ ᏄᎵᏍᏔᏅᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎠᏋᏕᎢᏍᏗᏱ ᎾᏋᏁᎸ ᎡᏙᏓ ᎦᏁᎸ ᎠᏇᏓᏍᏗᏱ, ᎯᎠ ᏅᏥᏪᏎᎸᎩ ᎠᏆᏓᎵᎢ, ᎯᎠ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎣᏍᏛ ᏅᏓᏍᏆᏛᏁᎵ; ᎢᎸᎯᏢ ᎢᏂᎷᎨᏍᏗ, ᎥᎩᏙᏉ ᎭᏗᏍᎨᏍᏗ ᏍᎩᏃᎮᏍᎨᏍᏗ.\nᎠᏈᎻᎴᎩᏃ ᏫᏚᏯᏅᎮ ᎠᏫ ᎤᏂᏃᏕᎾ, ᎠᎴ ᏩᎦ, ᎠᎴ ᎠᏂᏍᎦᏯ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᏂᎨᏴ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᎡᏆᎭᎻ ᏚᏪᎧᏁᎴᎢ, ᎠᎴ ᏔᎵᏁ ᎢᎤᏪᎧᏁᎴ ᎤᏓᎵᎢ ᏎᎵ.\nᎠᏈᎻᎴᎩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎠᏆᏤᎵᎪᎯ ᎦᏙᎯ ᎢᎬᏱᏗᏢ ᏕᎯᎧᏅ ᎠᎭ; ᎢᎸᎯᏢ ᎣᏏᏳ ᎯᏰᎸᏅᎭ ᎾᎿᏉ ᏩᏕᏅᎭ.\nᏎᎵᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎬᏂᏳᏉ ᎡᎶᏙ ᏌᏉ ᎢᏯᎦᏴᎵ ᎠᏕᎸ ᎤᏂᏁᎬ ᏕᏥᎥᏏ; ᎬᏂᏳᏉ ᎾᏍᎩ ᏗᏣᎦᏚᏢᏙᏗ ᎨᏎᏍᏗ ᏕᎨᏣᎧᏂᏍᎬ ᏂᎦᏛ ᎢᏤᎲᎢ, ᎠᎴ ᏂᎦᏛ ᏅᏩᎾᏓᎴᎢ; ᎾᏍᎩ ᎯᎠ ᎾᏥᏪᏎᎴ ᎠᏥᎬᏍᎪᎸᏁᎢ.\nᎡᏆᎭᎻᏃ ᎤᏁᎳᏅᎯ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ; ᎤᏁᎳᏅᎯᏃ ᎤᏅᏩᏁ ᎠᏈᎻᎴᎩ, ᎠᎴ ᎾᏍᏉ ᎤᏓᎵᎢ, ᎠᎴ ᎠᏂᎨᏴ ᏧᏅᏏᏓᏍᏗ; ᎠᎴ ᏚᎾᎷᎸᏁᎢ.\nᏱᎰᏩᏰᏃ ᏗᎬᏩᎾᎷᎸᏗ ᏂᎨᏒᎾ ᏂᏚᏩᏁᎴ ᏂᎦᏛ ᎠᏈᎻᎴᎩ ᏚᏓᏘᎿᎥᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏎᎵ ᎡᏆᎭᎻ ᎤᏓᎵᎢ.\nᎠᏯᏙᎸᎢ 21\nᏱᎰᏩᏃ ᎤᏩᏛᎯᎴ ᏎᎵ ᎾᏍᎩᏯ ᎤᏁᏨᎢ, ᎠᎴ ᏱᎰᏩ ᏄᏛᏁᎴ ᏎᎵ ᎾᏍᎩᏯ ᏄᏪᏒᎢ.\nᏎᎵᏰᏃ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎤᎾᏄᎪᏫᏎᎴ ᎡᏆᎭᎻ ᎤᏪᏥ ᎠᏧᏣ, ᎿᏉ ᎤᏛᏐᏅᎯ ᎨᏎᎢ, ᎾᎯᏳ ᏓᏁᎶᏛᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᏁᎢᏍᏓᏁᎴ ᎡᏆᎭᎻ.\nᎡᏆᎭᎻᏃ ᎡᏏᎩ ᏚᏬᎡ ᎤᏪᏥ ᎤᏕᏁᎸᎯ ᎾᏍᎩ ᏎᎵ ᏧᎾᏄᎪᏫᏎᎴᎢ.\nᎡᏆᎭᎻᏃ ᎤᎱᏍᏕᏎᎴ ᎤᏪᏥ ᎡᏏᎩ ᏧᏁᎳᏉ ᏧᏒᎯᏛ ᎡᎯ ᎨᏎᎢ, ᎾᏍᎩᏯ ᎤᏁᎳᏅᎯ ᎤᏁᏤᎸᎢ.\nᎡᏆᎭᎻᏃ ᎠᏍᎪᎯᏧᏈ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᎤᏪᏥ ᎡᏏᎩ ᎤᏕᏁᎸ.\nᏎᎵᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏁᎳᏅᎯ ᎠᎩᏰᏣᏍᏗᏱ ᏅᎬᎦ, ᎾᏍᎩᏃ ᏂᎦᏛ ᎠᎾᏛᎩᏍᎩ ᏓᏳᏂᏰᏥ ᎠᏴ ᏅᏓᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎪ ᏰᎵ ᎯᎠ ᎢᎬᏩᏪᏎᏗ ᎨᏎ ᎡᏆᎭᎻ, ᏎᎵ ᏗᏂᏲᎵ ᏙᏛᏍᏛᏂ? ᎥᏥᎾᏄᎪᏫᏏᏰᏃ ᎤᏪᏥ ᎠᏧᏣ, ᎿᏉ ᎤᏛᏐᏅᎯ ᏥᎩ.\nᎠᏲᎵᏃ ᎤᏛᏎᎢ, ᎠᎴ ᏓᏥᏍᏕᏎᎢ; ᎡᏆᎭᎻᏃ ᎤᏛᏅᎢᏍᏔᏁ ᎤᏣᏘ ᏧᎾᎵᏍᏓᏴᏗᏱ ᎾᎯᏳ ᎢᎦ ᎡᏏᎩ ᏓᏥᏍᏕᏒ.\nᏎᎵᏃ ᎤᎪᎮ ᎮᎦ ᎢᏥᏈᏱ ᎤᏕᏅᎯ ᎤᏪᏥ, ᎾᏍᎩ ᎡᏆᎭᎻ ᏧᎾᏄᎪᏫᏎᎴᎢ, ᎬᏩᏰᏣᏍᏗᏍᎨᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏎᎵ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎭᎻ, ᎯᎨᎯᏓ ᎯᎠ ᎠᏥᎾᏝᎢ ᎠᎨᏴ, ᎠᎴ ᎤᏪᏥ; ᎥᏝᏰᏃ ᎯᎠ ᎠᎨᏴ ᎤᏪᏥ ᎠᏥᎾᏝᎢᏉ ᎢᏧᎳᎭ ᎤᎾᏘᏰᏗ ᏱᎨᏎᏍᏗ ᏧᎬᏩᎶᏗ ᎠᏴ ᎠᏇᏥ, ᎯᎠ ᎾᏍᎩ ᎡᏏᎩ.\nᎯᎠᏃ ᎾᏍᎩ ᎤᏣᏘ ᎤᏲ ᎤᏓᏅᏓᏗᏍᏔᏁ ᎡᏆᎭᎻ, ᎤᏪᏥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎭᎻ, ᎥᏞᏍᏗ ᎤᏲ ᏱᏣᏓᏅᏓᏗᏍᏗᏍᎨᏍᏗ ᏱᏂᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎾᏍᎩᎾ ᎠᏧᏣ, ᎠᎴ ᏱᏂᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᎯᎾᏝᎢ ᎠᎨᏴ; ᏂᎦᎥᏉ ᏎᎵ ᏂᏣᏪᏎᎸ, ᎯᏯᏛᏓᏍᏓᏏᏉ ᎧᏁᎬᎢ; ᎡᏏᎩᏰᏃ ᏚᏙᎥ ᎨᏥᏯᏅᏗᏍᎨᏍᏗ ᏣᏁᏢᏔᏅᎯ.\nᎠᎴ ᎾᏍᏉ ᎯᎠ ᎠᏥᎾᏝᎢ ᎠᎨᏴ ᎤᏪᏥ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏅᏓᎦᏥᏴᏁᎵ, ᏂᎯ ᏤᏥ ᎨᏒ ᏅᏓᎦᎵᏍᏙᏔᏂ.\nᎡᏆᎭᎻᏃ ᏑᎾᎴᏉ ᎤᏗᏛᎮᎢ, ᎠᎴ ᎦᏚ ᎤᎩᏎ ᎠᎴ ᎠᏑᏢᏛ ᎠᎹ ᎬᏟᏍᏗ ᎤᏁᎩᏎᎢ, ᎮᎦᏃ ᏚᏁᎴᎢ, ᎠᎴ ᏓᎦᏰᏅᏔᏁᎢ, ᎠᎴ ᎠᎦᏂᎩᏍᏔᏁᎢ; ᎤᏂᎩᏎᏃ, ᎠᎴ ᏈᏯᏏᏆ ᎢᎾᎨ ᎨᏒ ᏭᏪᏙᎴᎢ.\nᎠᎹᏃ ᎤᏗᏒᏁ ᎠᏑᏢᏛ ᎠᏟᏍᏛᎢ, ᎠᎴ ᎤᎾᏍᏓᎸ ᎭᏫᏂᏗᏢ ᎤᏪᎧᏁ ᎠᏧᏣ.\nᎤᏪᏅᏎᏃ, ᎠᎴ ᎠᏧᏣ ᎦᏅᎬ ᏧᏳᎪᏗ ᏧᏪᏁᎢ ᏰᎵ Ꭸ ᎢᏴᏛ, ᎦᎶᏣᏗ ᏥᏂᏕᎦᎶᏄᎳ ᎢᏴᏛ; ᎯᎠᏰᏃ ᏄᏪᏎᎢ, ᏞᏍᏗ ᏥᎪᎥᎩ ᎠᏧᏣ ᎠᏲᏞᏍᎬᎢ; ᎦᏅᎬᏃ ᏧᏳᎪᏗ ᎤᏬᎴᎢ, ᎠᎴ ᎠᏍᏓᏯ ᎤᏠᏱᎴᎢ.\nᎤᏁᎳᏅᎯᏃ ᎤᏛᎦᏁ ᎠᏧᏣ ᎤᏪᎷᎬᎢ; ᏗᎧᎿᏩᏗᏙᎯᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎦᎸᎳᏗ ᎢᏴᏛ ᏧᏁᏤᎴ ᎮᎦ, ᎠᎴ ᎯᎠ ᏅᏧᏪᏎᎴᎢ, ᎦᏙ ᎭᎵᏍᏗᎭ, ᎨᎦ? ᏞᏍᏗ ᏱᏍᎦᎢᎮᏍᏗ; ᎤᏁᏔᏅᎯᏰᏃ ᎠᏛᎬᎦ ᎤᏪᎷᎬ ᎠᏧᏣ ᎾᎿ ᎦᏅᎬᎢ.\nᏔᎴᎲᎦ, ᎯᏌᏔᏛᎦ ᎠᏧᏣ, ᎠᎴ ᎯᏂᏴᏎᏍᏗ; ᎤᏂᏣᏘᏰᏃ ᏴᏫ ᎤᎾᏓᏤᎵᏛ ᏅᏓᏥᏴᏁᎵ.\nᎤᏁᎳᏅᎯᏃ ᏚᏍᏚᎢᎡᎴ ᏗᎦᏙᎵ, ᎠᎴ ᎤᎪᎮ ᎠᏓᎴᏒ ᎠᎴ ᎠᏢᏗᏱ; ᎤᏪᏅᏎᏃ ᎠᎴ ᎠᏑᏢᏛ ᎠᎹ ᏭᏟᏍᏔᏁᎢ, ᎠᎴ ᎤᎱᏁ ᎠᏧᏣ.\nᎤᏁᎳᏅᎯᏃ ᏓᎧᎿᏩᏗᏙᎮ ᎠᏧᏣ, ᎠᎴ ᎤᏛᏎᎢ; ᎠᎴ ᎢᎾᎨᏉ ᎡᎮᎢ, ᎠᎴ ᎤᏛᏒ ᎦᎶᏣᏗ ᎦᏂᏙᎯ ᏄᎵᏍᏔᏁᎢ.\nᏇᎳᏂᏃ ᏚᏙᎥ ᎢᎾᎨ ᎡᎮᎢ; ᎤᏥᏃ ᎢᏥᏈᏱ ᏭᏯᏅᎡᎴ ᎤᏓᏴᏍᏗ.\nᎾᎯᏳᏃ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎠᏈᎻᎴᎩ ᎠᎴ ᏈᎪᎵ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏓ ᎠᏈᎻᎴᎩ ᏧᏤᎵᎦ ᎤᏂᏣᏘ ᎨᏒ ᏧᏓᏘᎾᎢ, ᎬᏩᏁᏤᎴ ᎡᏆᎭᎻ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎤᏁᎳᏅᎯ ᏕᏣᎧᎿᏩᏗᏙᎭ ᏂᎦᎥ ᎪᎱᏍᏗ ᎭᏛᏁᎲᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏂᏉ ᏍᏆᏎᎵᏓᏏ ᎤᏁᎳᏅᎯ ᏚᏙᏍᏛᎢ, ᎾᏍᎩ ᎦᎶᏄᎮᏛ ᏍᏋᏓᏁᏗᏱ ᏂᎨᏒᎾ, ᎠᏴ ᎠᏋᏒ, ᎠᎴ ᏗᏇᏥ, ᎠᎴ ᏗᏆᏁᏢᏔᏅᏛ; ᎾᏍᎩᏯᏍᎩᏂ ᎠᏴ ᎣᏍᏛ ᏂᎬᏯᏛᏁᎸᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᎠᏴ ᏂᏍᏆᏛᏁᎮᏍᏗ, ᎠᎴ ᎦᏓ ᎠᎲ ᎾᎿ ᏤᏙᎸᎢ, ᎾᏍᎩᏯ ᎾᏍᏉ ᏅᏔᏛᏁᎵ.\nᎡᏆᎭᎻᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏓᎦᏎᎵᏔᏂᏉ.\nᎡᏆᎭᎻᏃ ᎤᎬᏍᎪᎸᏁ ᎠᏈᎻᎴᎩ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎠᎹ ᎠᏢᏗᏱ ᎠᏓᎴᏒᎢ, ᎾᏍᎩ ᎠᏈᎻᎴᎩ ᏧᏅᏏᏓᏍᏗ ᎬᏍᎦᎢᏍᏓᎩ ᎬᏩᎩᎡᎸᎢ.\nᎠᏈᎻᎴᎩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ ᏱᏥᎦᏔᎭ ᎾᏍᎩ ᎯᎠ ᎢᏳᎾᏛᏁᎸᎯ ᎨᏒᎢ; ᎥᏝ ᎠᎴ ᏱᏍᎩᏃᏁᎴᎢ, ᎥᏝ ᎠᎴ ᏱᎦᏛᎩᏍᎨᎢ ᎩᎳ ᎪᎯ ᎢᎦ ᏥᎩ.\nᎡᏆᎭᎻᏃ ᎠᏫ ᎤᏂᏃᏕᎾ ᎠᎴ ᏩᎦ ᏫᏚᏯᏅᎮᎢ, ᎠᎴ ᎠᏈᎻᎴᎩ ᏚᏪᎧᏁᎴᎢ; ᎠᎴ ᎾᏍᎩ ᎠᏂᏔᎵ ᎧᏃᎮᏛ ᏚᎾᏠᎯᏍᏔᏁᎢ.\nᎡᏆᎭᎻᏃ ᎦᎵᏉᎩ ᎠᏫ ᎤᏂᏃᏕᎾ ᎠᏂᎩᏏ ᎤᎾᏕᏘᏴᏛ ᎤᎾᏁᎳᎩ ᎢᏴᏛ ᏫᏚᏪᎧᏁᎢ.\nᎠᏈᎻᎴᎩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏆᎭᎻ, ᎦᏙᏃ ᎯᎠ ᎦᎵᏉᎩ ᎠᏫ ᎠᏂᎩᏏ ᎤᎾᏕᏘᏴᏛ ᎤᎾᏁᎳᎩ ᎢᏴᏛ ᏥᏕᎯᎧᎲᎦ?\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎯᎠᏍᎩᏂ ᎦᎵᏉᎩ ᎠᏫ ᎠᏂᎩᏏ ᎤᎾᏕᏘᏴᏛ ᏙᏓᏍᎩᏯᏅᎡᎵ, ᎾᏍᎩᏃ ᎬᏉᎯᏳᏓᏁᎯ ᎨᏎᏍᏗ ᎾᏍᎩ ᎠᏴ ᎠᏆᏍᎪᏒᎯ ᎨᏒ ᎯᎠ ᎠᎹ ᎠᏢᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎾᎿ ᏈᏯᏏᏆ ᏚᏬᎡᎢ; ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎾᎿ ᎢᏧᎳ ᎾᏍᎩ ᎠᏂᏔᎵ ᎤᎾᏎᎵᏔᏅᎢ.\nᎾᏍᎩᏃ ᏈᏯᏏᏆ ᏚᏛ ᎧᏃᎮᏛ ᏚᎾᏠᎯᏍᏔᏁᎢ; ᎿᏉᏃ ᎠᏈᎻᎴᎩ ᏚᎴᏁᎢ, ᎠᎴ ᏈᎪᎵ ᏄᎬᏫᏳᏒ ᎠᏍᎦᏰᎬᏍᏓ ᎠᏈᎻᎴᎩ ᏧᏤᎵᎦ ᎤᏂᏣᏘ ᏧᏓᏘᎾᎢ, ᎠᎴ ᎢᎤᎾᏨᏎ ᎠᏂᏈᎵᏍᏗ ᎤᎾᏤᎵᎪᎯ ᏫᎤᏂᎷᏤᎢ.\n[ᎡᏆᎭᎻᏃ] ᎤᏪᎧᏁ ᎡᏏᎵ ᏡᎬᎢ ᏈᏯᏏᏆ ᏚᏙᎥᎢ, ᎠᎴ ᎾᎿ ᎤᏓᏙᎵᏍᏔᏁᎴ ᏱᎰᏩ ᎾᏍᎩ ᏫᎾᏍᏛᎾ ᎡᎯ ᎤᎾᎳᏅᎯ.\nᎡᏆᎭᎻᏃ ᎠᏂᏈᎵᏍᏗ ᎤᎾᏤᎵᎪᎯ ᎦᏙᎯ ᎪᎯᏗᏳ ᎤᏪᏙᎴᎢ.\nᎠᏯᏙᎸᎢ 22\nᎣᏂᏃ ᎯᎠ ᎾᏍᎩ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᎪᎵᏰᎡ ᎡᏆᎭᎻ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎡᏆᎭᎻ; ᎡᏆᎭᎻᏃ ᎠᏂ, ᎤᏛᏁᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎯᏯᏘᏄᎦ ᏤᏥ, ᎾᏍᎩ ᎤᏩᏒᎯᏳ ᏤᏥ, ᎡᏏᎩ ᏧᏙᎢᏛ, ᎾᏍᎩ ᎠᎨᏳᎢ ᏥᎩ, ᎠᎴ ᎼᎵᏯ ᎦᏓ ᏗᎲ ᏫᎷᎩ; ᎠᎴ ᎾᎿ ᎯᏯᎵᏍᎪᎸᏔᏅᎭ ᎠᏥᎸ ᎨᎳᏍᏙᏗ, ᎾᎿ ᎣᏓᎸ ᏨᏓᎬᏯᏎᎮᎵ.\nᎡᏆᎭᎻᏃ ᏑᎾᎴᏉ ᎤᏗᏛᎮᎢ, ᎠᎴ ᎤᏪᏰᎱᎳᏁ ᎤᏤᎵ ᏗᎦᎵᏯᏅᎯᏛ, ᎠᎴ ᎠᏂᏔᎵ ᎠᏂᏫᏅ ᏧᏅᏏᏓᏍᏗ ᏚᏘᏅᏎᎢ, ᎠᎴ ᎤᏪᏥ ᎡᏏᎩ, ᎠᎴ ᎠᏓ ᏚᏍᏡᏰ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎪᏙᏗ, ᏚᎴᏁᏃ, ᎠᎴ ᎾᎿ ᎤᏁᎳᏅᎯ ᎤᏁᎢᏍᏓᏁᎸ ᏭᎶᏎᎢ.\nᏦᎢᏁᏃ ᎢᎦ ᎡᏆᎭᎻ ᏫᏚᎧᎿᏁᎢ, ᎠᎴ ᎢᏅ ᏚᎪᎮ ᎾᎿ ᏩᎦᏛᎢ.\nᎡᏆᎭᎻᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎠᏂᏫᏅ ᏧᏅᏏᏓᏍᏗ ᎠᏂᏉ ᎢᏍᏕᏙᎮᏍᏗ ᏗᎦᎵᏯᏅᎯᏛ ᎡᏍᏗxᏘᏰᏍᏗ; ᎠᏴᏃ ᎠᎴ ᎠᏫᏄᏣ Ꭸ ᏮᏓᏲᏍᏓᏓᏙᎵᏍᏔᏂ, ᏔᎵᏁᏃ ᎢᏍᏛᎷᏤᎸᎭ.\nᎡᏆᎭᎻᏃ ᎠᏓ ᏚᏴᎮ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎪᏙᏗ ᎠᎴ ᏚᏃᎭᏝᏗᏍᏔᏁ ᎤᏪᏥ ᎡᏴᎩ; ᎠᏥᎸᏃ ᎤᏴᏎᎢ, ᎠᎴ ᎭᏰᎳᏍᏗ ᎤᏪᏅᏎᎢ, ᎾᏍᎩᏃ ᎠᏂᏔᎵ ᎢᏧᎳᎭ ᎤᏁᏅᏎᎢ.\nᎡᏏᎩᏃ ᎤᏁᏤᎴ ᎤᏙᏓ ᎡᏆᎭᎻ, ᎯᎠ ᏄᏪᏎᎢ, ᎡᏙᏓ; ᎡᏆᎭᎻᏃ ᎠᏂ, ᎠᏇᏥ, ᎤᏛᏁᎢ, ᎡᏏᎩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ, ᎠᏉ ᎠᏥᎸ ᎠᎴ ᎠᏓ, ᎠᏫᏍᎩᏂ ᎠᏥᎸ ᎨᎳᏍᏙᏗ ᎭᏢ?\nᎡᏆᎭᎻᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏇᏥ, ᎤᏁᎳᏅᎯ ᎤᏩᏒ ᏛᏓᏩᏛᎡᎵ ᎠᏫ ᎠᏥᎸ ᎨᎳᏍᏙᏗ; ᎾᏍᎩᏃ ᎠᏂᏔᎵ ᎢᏧᎳᎭ ᎬᎾᎢᏎᏉ.\nᎿᏉᏃ ᎤᏂᎷᏤ ᎾᎿ ᎤᏁᎳᏅᎯ ᎤᏁᎢᏍᏓᏁᎸᎢ; ᎡᏆᎭᎻᏃ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎤᏬᏢᏁ ᎾᎿᏂ ᎠᎴ ᎠᏓ ᎣᏍᏛ ᏚᏝᏕᎢ, ᎠᎴ ᎤᎸᎴ ᎤᏪᏥ ᎡᏏᎩ, ᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎤᏢᏁᎢ, ᎠᏓ ᏕᎠᏢ ᎦᏚᎢ.\nᎡᏆᎭᎻᏃ ᎤᏙᏯᏅᎯᏕ ᎠᎴ ᎭᏰᎳᏍᏗ ᎤᏴᎮ ᎤᎯᏍᏙᏗ ᎤᏪᏥ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᏱᎰᏩ ᎤᏤᎵᎦ ᏧᏁᏤᎴ ᎦᎸᎳᏗ, ᎯᎠ ᏅᏧᏪᏎᎢ, ᎡᏆᎭᎻ, ᎡᏆᎭᎻ: ᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏂ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏞᏍᏗ ᎯᏯᏏᏔᏛᎩ ᎠᏫᏄᏣ, ᏞᏍᏗ ᎠᎴ ᎪᎱᏍᏗ ᎯᏴᏁᎸᎩ; ᎿᏉᏰᏃ ᏥᎦᏔᎭ ᎤᏁᎳᏅᎯ ᎯᎾᏰᏍᎬᎢ, ᏂᏍᎩᎨᏳᏔᏅᎾ ᏥᎩ ᏤᏥ, ᎤᏩᏒᎯᏳ ᏤᏥ.\nᎡᏆᎭᎻᏃ ᏚᏌᎳᏓᏁ ᏗᎦᏙᎵ, ᎠᎴ ᏫᏚᎧᎿᏁᎢ, ᎠᎴ ᏭᎪᎮ ᎤᏐᎭᏛ ᎢᏗᏢ ᎠᏫ ᎤᏙᏕᎾ ᏧᎪᏅᏍᏓᎵ ᏧᏲᏅᎯ ᏕᎫᏓᎸᏕ ᎤᎾᏍᏓᎸᎢ; ᎡᏆᎭᎻᏃ ᎤᏪᏅᏎ ᏭᏯᏅᎮ ᎾᏍᎩ ᎠᏫ ᎤᏃᏕᎾ, ᎠᎴ ᎤᎵᏍᎪᎸᏔᏁ ᎠᏥᎸ ᎨᎳᏍᏙᏗ ᎤᏁᏟᏴᏍᏔᏁ ᎤᏪᏥ.\nᎡᏆᎭᎻᏃ ᏱᎰᏩ-ᏱᎴ ᏚᏬᎡ ᎾᎿᏂ; ᎾᏍᎩ ᎩᎳᎯᏳ ᎢᎦᏪᏛ ᏥᎩ, ᏱᎰᏩ ᎤᏤᎵ ᎣᏓᎸ ᎠᏩᏛᏗ ᎨᏎᏍᏗ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᏱᎰᏩ ᎤᏤᎵᎦ ᏔᎵᏁ ᎦᎸᎳᏗ ᏗᎤᏁᏤᎴ ᎡᏆᎭᎻ,\nᎠᎴ ᎯᎠ ᏅᏧᏪᏎᎢ, ᎠᏋᏒ ᎨᎥ ᎠᏆᏎᎵᏙᏔᏅ, ᎠᏗᎭ ᏱᎰᏩ, ᎯᎠ ᏥᏂᏣᏛᏁᎸ, ᎠᎴ ᏤᏥ, ᎾᏍᎩ ᎤᏩᏒᎯᏳ ᏤᏥ, ᏂᏍᎩᎨᏳᏔᏅᎾ ᏥᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ;\nᎾᏍᎩ ᏂᎯ ᎤᏣᏘ ᎣᏍᏛ ᏅᏓᎬᏯᏛᏁᎵ, ᎠᎴ ᏣᏁᏢᏔᏅᎯ ᎨᏒ ᎤᏣᏘ ᏓᎦᏥᏁᏉᎢ, ᎾᏍᎩᏯ ᏥᏄᏂᏧᏈᏍᏗ ᏃᏈᏏ ᎦᎸᎳᏗ ᏣᏂᎧᎳ, ᎠᎴ ᎾᏍᎩᏯ ᏃᏳ ᏥᏄᏧᏈᏍᏗ ᎠᎺᏉᎯ ᎠᎹᏳᎶᏗ ᏥᎦᎳᎨᏯ, ᎾᏍᎩᏯ ᏅᏓᎦᏥᏴᏁᎵ; ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᏧᎾᏤᎵᎦ ᎨᏎᏍᏗ ᎬᏩᏂᏍᎦᎩ ᏚᏂᏍᏚᎲᎢ.\nᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎨᏒ ᏅᏓᎦᎵᏍᏙᏔᏂ ᏄᎾᏓᎴᏒ ᏴᏫ ᎡᎶᎯ ᎠᏁᎲ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ; ᏥᏁᎬ ᏦᎯᏳᎲᎦ ᏅᏗᎦᎵᏍᏙᏗᎭ.\nᎡᏆᎭᎻᏃ ᎠᏂᏫᏅ ᏧᏅᏏᏓᏍᏗ ᏫᏙᎤᎷᏤᎴᎢ, ᏚᎾᎴᏁᏃ, ᎠᎴ ᎢᏧᎳᎭ ᏈᏯᏏᏆ ᏭᏂᎶᏎᎢ; ᎡᏆᎭᎻᏃ ᏈᏯᏏᏆ ᏪᎮᎢ.\nᎣᏂᏃ ᎯᎠ ᎾᏍᎩ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎡᏆᎭᎻ ᎠᏥᏃᏁᎴ ᎯᎠ ᏫᏥᏪᏎᎴᎢ, ᎬᏂᏳᏉ, Ꮋ﹕ᎵᎦ ᏗᏂᏲᎵ ᏚᎾᏄᎪᏫᏎᎸ ᏗᏍᏓᏓᏅᏟ ᏁᎰ,\nᎭᏏ ᎤᏓᏂᎵᎨᎢ, ᏆᏏᏃ ᎤᏅᏟ, ᎠᎴ ᎨᎽᎡᎵ ᎡᎳᎻ ᎤᏙᏓ,\nᎠᎴ ᎨᏎᏗ, ᎠᎴ ᎮᏐ, ᎠᎴ ᏈᎵᏓᏏ, ᎠᎴ ᏱᏗᎳᏈ, ᎠᎴ ᏇᏚᎡᎵ.\nᏇᏚᎡᎵᏃ ᎤᏪᏥ ᎵᏇᎩ ᎤᏕᏁᎴᎢ; ᎾᏍᎩ ᎯᎠ ᏧᏁᎳ ᎢᏯᏂᏛ Ꮋ﹕ᎵᎦ ᏚᎾᏄᎪᏫᏎᎴ ᏁᎰ, ᎡᏆᎭᎻ ᏗᎾᏓᏅᏟ.\nᏔᎵᏃ ᏧᏩᏔᏁ ᏧᏓᏴᏎ ᎵᏳᎹ ᏧᏙᎢᏛ, ᎾᏍᎩ ᎾᏍᏉ ᏚᎾᏄᎪᏫᏎᎢ, ᏘᏆ, ᎠᎴ ᎨᎭᎻ, ᏓᎭᏏ, ᎠᎴ ᎺᎠᎧ.\nᎠᏯᏙᎸᎢ 23\nᏎᎵᏃ ᎠᏍᎪᎯᏧᏈ ᎦᎵᏉᎩᏦᏁ ᎢᏳᏕᏘᏴᏛ ᏄᎵᏍᏔᏁᎢ; ᎾᏍᎩ ᎯᎠ ᏄᏕᏘᏴᎮ ᎤᎴᏂᏙᎴ ᏎᎵ.\nᏎᎵᏃ ᎤᏲᎱᏎ ᎩᎵᎠ-ᎠᏆ ᏚᏙᎥᎢ; ᎾᏍᎩ ᎯᎠ ᎯᏆᏂ ᏥᏚᏙᎠ ᎨᎾᏂ ᎦᏓ ᎠᎲᎢ; ᎡᏆᎭᎻᏃ ᎤᎷᏤ ᎤᏲ ᎤᏓᏅᏓᏗᎴ ᏎᎵ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ ᎠᎴ ᎤᏍᎪᏂᎵᎴᎢ.\nᎡᏆᎭᎻᏃ ᏚᎴᏁ ᎤᏲᎱᎯᏎᎸᎯ ᎦᏅᎢ, ᎠᎴ ᏚᏁᏤᎴ ᎮᏗ ᏧᏪᏥ, ᎯᎠ ᏄᏪᏎᎢ,\nᎠᏴ ᏅᏆᏓᎴ ᎠᎴ ᎨᏙᎯᏉ ᎢᏤᎲᎢ; ᏍᎩᎥᏏ ᏗᏆᏓᏂᏐᏗᏱ ᎢᏤᎲᎢ, ᎾᏍᎩ ᏗᏥᏂᏐᏗᏱ ᏗᎬᎩᏲᎱᎯᏎᎸᎯ ᎾᎿ ᏗᏥᎪᏩᏛᏗᏱ ᏂᎨᏒᎾ.\nᎮᏗᏃ ᏧᏪᏥ ᎬᏩᏁᏤᎴ ᎡᏆᎭᎻ, ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ,\nᏍᎩᏯᏛᏓᏍᏓᏏ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵ, ᎤᏣᏘ ᎡᎶᎸᏉᏗᏳ ᏣᎬᏫᏳᎯ ᏥᏍᎩᏰᎳᏗᏙᎭ; ᏦᎯᏍᏙᏗ ᏦᎦᏓᏂᏐᏗᏱ ᏣᏕᎯᏂᏏᏍᎨᏍᏗ ᏗᎨ ᏲᎱᎯᏎᎸᎯ; ᎥᏝ ᎠᏏᏴᏫ ᎠᏴ ᏃᎦᏛᏅ ᏣᎨᏳᏙᏗ ᏱᎨᏎᏍᏗ ᏧᏓᏂᏐᏗᏱ; ᎾᏍᎩ ᎯᏂᏐᏗᏱ ᏂᎨᏒᎾ ᏣᏲᎱᎯᏎᎸᎯ.\nᎡᏆᎭᎻᏃ ᏚᎴᏁᎢ, ᎠᎴ ᏚᏗᏌᏓᏕᎴ ᏴᏫ ᎾᎿ ᎠᏁᎯ, ᎾᏍᎩ ᎯᎠ ᎮᏗ ᏧᏪᏥ,\nᎠᎴ ᏚᎵᏃᎮᏔᏁᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᎢᏳᏃ ᎣᏏᏳ ᎢᏥᏰᎸᏍᎨᏍᏗ ᏥᏂᏐᏗᏱ ᎠᎩᏲᎱᎯᏎᎸᎯ ᏥᎪᏩᏛᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ, ᏍᎩᏯᏛᎬᎦ, ᎠᎴ ᏍᎩᏍᏕᎸ ᎡᏥᏔᏲᏏ ᎢᏆᎶᏂ ᏐᎭ ᎤᏪᏥ;\nᎾᏍᎩ ᎠᎩᏁᏗᏱ ᎤᏍᏓᎦᎸ ᎹᏈᎳ, ᎾᏍᎩ ᎤᏤᎵᎦ ᏥᎩ, ᎾᏍᎩ ᎤᎶᎨᏒ ᏩᏍᏛ ᏧᏍᏓᎦᎸ; ᎾᏍᎩ ᎢᎦᎢᏉ ᎠᏕᎸ ᏧᎬᏩᎶᏗ ᎨᏒ ᏓᎩᎬᏩᎶᏓᏁᎸᎭ, ᎠᎩᏁᎸᎭ, ᎠᏆᏤᎵᎦ ᏂᎦᎵᏍᏔᏅ ᎾᏍᎩ ᏗᏆᏓᏂᏐᏗᏱ ᎢᏤᎲᎢ.\nᎢᏆᎶᏂᏃ ᎮᏗ ᏧᏪᏥ ᎠᏁᎲ ᎤᏓᏑᏰᎢ; ᎢᏆᎶᏂᏃ ᎠᎯᏗ ᎤᏁᏤᎴ ᎡᏆᎭᎻ ᎠᏂᎦᏔᎲ ᎮᏗ ᏧᏪᏥ, ᎾᏍᎩ ᏂᎦᏛ ᎤᏤᎵᎦ ᎦᏚᎲ ᎠᏐᏴ ᎦᎶᎯᏍᏗᏱ ᎠᏂᏴᏍᏗᏍᎩ, ᎯᎠ ᏄᏪᏎᎢ,\nᎥᏝ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ, ᎠᏴᏍᎩᏂ ᏍᏆᏛᏓᏍᏓᏏ; ᏠᎨᏏ ᎬᎥᏏ, ᎠᎴ ᎾᎿ ᎤᏍᏓᎦᎸᎢ ᎬᎥᏏ;ᏘᏆᏤᎵ ᏴᏫ ᏄᏁᏥ ᎠᏂᎦᏔᎲ ᎾᏍᎩ ᎬᎥᏏ; ᎯᏂᏌᏉ ᏣᏲᎱᎯᏎᎸᎯ.\nᎡᏆᎭᎻᏃ ᎤᏗᏌᏓᏕ ᏴᏫ ᎾᎿ ᎠᏁᎯ ᎠᏂᎦᏔᎲᎢ.\nᎠᎴ ᎤᏁᏤᎴ ᎢᏆᎶᏂ ᎾᎿ ᎠᏁᎯ ᏴᏫ ᎤᎾᏛᏓᏍᏛᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᏃ ᏍᎩᏁᎮᏍᏗ, ᎬᏔᏲᏏ ᏍᏆᏛᏓᏍᏓᏁᏗᏱ, ᎠᏕᎸ ᏙᏓᎬᏁᎵ ᏠᎨᏏ ᏓᎬᏯᏓᏴᎡᎵ; ᏗᏍᎩᎩᏏ, ᎾᎿᏃ ᏥᏂᏌᏅᎭ ᎠᎩᏲᎱᎯᏎᎸᎯ.\nᎢᏆᎶᏂᏃ ᎤᏁᏤᎴ ᎡᏆᎭᎻ, ᎯᎠ ᏄᏪᏎᎴᎢ,\nᏣᎬᏫᏳᎯ ᎠᏆᏤᎵ, ᎠᏴ ᏍᏆᏛᏓᏍᏓᏏ; ᎾᏍᎩ ᎦᏙᎯ ᏅᎩᏧᏈ ᏎᎩᎵ ᎠᏕᎸ ᎤᏁᎬ ᏧᎬᏩᎶᏗ; ᎦᏙᏃ ᎩᏅᏙᏗ ᎠᏴ ᎠᎴ ᏂᎯ ᎾᏍᎩᏉ ᎢᎦᎢ? ᎯᏂᏌᏉᏍᎩᏂ ᏣᏲᎱᎯᏎᎸᎯ.\nᎡᏆᎭᎻᏃ ᎤᏛᏓᏍᏓᏁᎴ ᎢᏆᎶᏂ, ᎠᎴ ᎡᏆᎭᎻ ᎠᏕᎸ ᎤᏁᎬ ᎤᏓᏁᎴ ᎢᏆᎶᏂ ᎾᏍᎩ ᎢᎦᎢ ᎤᏁᎢᏍᏔᏅ ᎤᎾᏛᏓᏍᏛ ᎮᏗ ᏧᏪᏥ, ᏅᎩᏧᏈ ᏎᎩᎵ ᎠᏕᎸ ᎤᏁᎬ ᎠᏂᏃᏗᏍᎩ ᎤᏂᏃᏔᏂᏓᏍᏗ.\nᎢᏆᎶᏂᏃ ᎤᎶᎨᏒ ᎹᏈᎳ ᎾᏍᎩ ᎹᎺᎵᏱ ᎢᎬᏱᏗᏢ ᏥᎦᎶᎨᏎᎢ, ᏠᎨᏏ ᎠᎴ ᎾᎿ ᎤᏍᏓᎦᎸᎢ, ᎠᎴ ᏂᎦᏛ ᏕᏡᎬ ᎾᎿ ᏠᎨᏏ, ᎭᏫᏂᏗᏢ ᏓᏟᎶᎢᏙᎸ ᎬᏩᏚᏫᏛ, ᏓᏥᏍᏓᏱᏕᎴ\nᎡᏆᎭᎻ ᏧᏤᎵᎦᏯ ᏂᏓᎬᏁᎴᎢ, ᎠᏂᎦᏔᎲ ᎮᏗ ᏧᏪᏥ; ᎾᏍᎩ ᏂᎦᏛ ᎤᏪᏚᎲ ᎦᎶᎯᏍᏗᏱ ᎠᏂᏴᏍᏗᏍᎩ ᎠᏂᎦᏔᎲᎢ.\nᎣᏂᏃ ᎿᏉ ᎡᏆᎭᎻ ᎤᏂᏌᏁ ᎤᏓᎵᎢ ᏎᎵ ᎹᎩᏈᎳ ᏠᎨᏏ ᎤᏍᏓᎦᎸᎢ, ᎾᏍᎩ ᎹᎺᎵᏱ ᎢᎬᏱᏗᏢ ᏥᎦᎶᎨᏎᎢ; ᎾᏍᎩ ᎯᏆᏂ ᏥᏚᏙᎥ ᎨᎾᏂ ᎦᏓ ᎠᎲᎢ.\nᎾᏍᎩᏃ ᏠᎨᏏ ᎠᎴ ᎾᎿ ᎤᏍᏓᎦᎸᎢ, ᎮᏗ ᏧᏪᏥ ᎬᏩᏍᏓᏱᏕᎴ ᎡᏆᎭᎻ, ᎤᏤᎵᎦᏯ ᏂᎬᏩᏁᎴ ᏗᏓᏂᏐᏗᏱ.\nᎠᏯᏙᎸᎢ 24\nᎡᏆᎭᎻᏃ ᎤᏛᏐᏅᎯ ᎨᏎᎢ, ᎠᎴ ᏧᏕᏘᏱᎶᏛ; ᏱᎰᏩᏃ ᏂᎦᎥ ᎪᎱᏍᏗ ᎣᏍᏛ ᎢᏳᏛᏁᎸᎯ ᎨᏎ ᎡᏆᎭᎻ.\nᎡᏆᎭᎻᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏓᏂᎵᎨ ᎤᏅᏏᏓᏍᏗ ᎦᏁᎸ ᎡᎯ, ᎾᏍᎩ ᏂᎦᎥ ᎤᎿᎥ ᎤᎬᏫᏳᏌᏕᎩ, Ꭷ, ᏦᏕᏂ ᏥᎦᎶ ᎭᏫᏂᏗᏢ ᎯᏄᏴᏓ;\nᎾᏍᎩᏃ ᏓᎬᏯᏎᎵᏙᏔᏂ ᏱᎰᏩ ᏚᏙᏍᏛᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎦᎸᎳᏗ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎡᎶᎯ, ᎾᏍᎩ ᎠᏂᎨᎾᏂ ᏧᏁᏥ ᏫᏯᏅᎡᏗ ᏂᎨᏒᎾ ᎠᏇᏥ ᎤᏓᏴᏍᏗ, ᎾᏍᎩᎾ ᎠᏁᎲ ᏣᏆᏓᏑᏯ;\nᎠᏆᏤᎵᎪᎯᏍᎩᏂ ᏮᏘᎶᏏ, ᎠᎴ ᏗᎩᏴᏫ ᏗᏁᎲᎢ, ᎠᎴ ᎾᎿ ᏮᏘᏯᏅᎯ ᎠᏇᏥ ᎡᏏᎩ ᎤᏓᏴᏍᏗ.\nᎤᏅᏏᏓᏍᏗᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎢᏳᎾᏃ ᎠᎨᏴ ᏄᏚᎵᏍᎬᎾ ᎢᎨᏎᏍᏗ ᎠᏂ ᎢᏴᏛ ᎠᎩᏍᏓᏩᏙᎯᏍᏗᏱ; ᏥᎪ ᎠᏎ ᎾᎿ ᏗᏣᏓᎴᏅ ᎢᏴᏛ ᏫᏥᏯᏗᏃᎯᏍᏗ ᎢᎨᏎᏍᏗ ᏤᏥ?\nᎡᏆᎭᎻᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎮᏯᏔᎮᏍᏗ ᏞᏍᏗ ᎠᏇᏥ ᏔᎵᏁ ᎭᎿ ᏥᏫᎯᏯᏘᏅᏍᏔᏂ.\nᏱᎰᏩ ᎦᎸᎳᏗ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᏩᎩᏯᏅᏛ ᏥᎩ ᎡᏙᏓ ᎦᏁᎸ, ᎠᎴ ᏗᎩᏴᏫ ᎤᎾᏤᎵᎪᎯ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏣᎩᏁᏤᎸᎩ, ᎠᎴ ᎾᏍᎩ ᏣᏆᏎᎵᏓᏁᎸᎩ ᎯᎠ ᏥᏄᏪᏒᎩ, ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎯᎠ ᎦᏙᎯ ᏓᎦᏥᏁᎵ; ᎾᏍᎩ ᏓᎦᏅᏏ ᎤᏤᎵ ᏗᎧᎿᏩᏗᏙᎯ ᎢᎬᏱᏗᏢ ᏫᎦᏛᎢ, ᎠᎴ ᎭᎿ ᏮᏘᏯᏅᎯ ᎠᏇᏥ ᎤᏓᏴᏍᏗ.\nᎢᏳᏃ ᎠᎨᏴ ᏄᏚᎵᏍᎬᎾ ᎢᎨᏎᏍᏗ ᏅᏓᏣᏍᏓᏩᏛᏍᏗᏱ, ᎿᏉ ᏣᏚᏓᎴᏛ ᎨᏎᏍᏗ ᎯᎠ ᎾᏍᎩ ᏍᏆᏎᎵᏓᏁᎸᎢ; ᏞᏍᏗ ᎠᏗᎾ ᎠᏇᏥ ᏔᎵᏁ ᎾᎿ ᏥᏫᎯᏯᏘᏅᏍᏔᏂ.\nᎠᏥᏅᏏᏓᏍᏗᏃ ᎤᏏᏄᏴᏔᏁ ᎤᏅᏏᏙᎯ ᎡᏆᎭᎻ ᎦᎦᎶ ᎭᏫᏂᏗᏢ, ᎠᎴ ᎾᏍᎩ ᎯᎠ ᎤᎬᏩᎵ ᎤᏎᎵᏓᏁᎴᎢ.\nᎨᎻᎵᏃ ᏕᎤᎵᏂᏆᏅᏔᏁ ᏙᏱᏗᏢ ᎦᏚᎲᎢ ᎠᎹ ᎠᏢᏗᏱ ᎠᏓᎴᏒᎢ, ᎿᏉ ᎤᏒᎯᏰᏱ ᏥᎨᏐᎢ, ᎾᏁᏳ ᎠᏂᎨᏴ·ᎠᎹ ᏥᏓᏂᏟᏍᎪᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎠᎩᏅᏏᏙᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎣᏍᏛ ᏫᎾᏆᎵᏍᏓᏏ ᎪᎯ ᎢᎦᏥᎩ, ᎠᎴ ᎣᏍᏛ ᏂᏯᏛᏂᏏ ᎠᎩᏅᏏᏙᎯ ᎡᏆᎭᎻ.\nᎬᏂᏳᏉ ᎠᏴ ᎠᏂ ᏥᏙᎦ ᎠᎹ ᎠᏢᏗᏱ ᎠᏓᎴᏒᎢ; ᎠᎴ ᎦᏚᎲ ᎠᏁᎯ ᎠᏂᏍᎦᏯ ᏧᏁᏥ ᎠᏂᎨᏴ ᎠᎹ ᏓᏂᏢᎯᎯᎭ;\nᎯᎠᏃ ᏫᏂᎦᎵᏍᏓ, ᎾᏍᎩ ᎠᏛ ᎯᎠ ᏂᏥᏪᏎᎸᎭ, ᎡᎳᏗ ᏅᎦ ᎠᎹ ᏣᏟᏍᏗ, ᎠᎴ ᎦᏗᏔ; ᎯᎠᏃ ᎾᎩᏪᏎᎸᎭ, ᎭᏗᏔ, ᎠᎴ ᎾᏍᏉ ᎨᎻᎵ ᏙᏓᎬᏯᏗᏔᏍᏓᏁᎵ; ᎾᏍᎩ ᎯᏅᏏᏓᏍᏗ ᎡᏏᎩ ᎯᏯᏑᏯᎡᎸᎯ ᎨᏎᏍᏗ; ᎾᏍᎩᏃ ᎦᏙᎴᎣᎯᏍᏔᏅᎭ ᎣᏍᏛ ᏂᏯᏛᏁᎸ ᎠᎩᏅᏏᏙᎯ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎠᏏᏉ ᏄᏁᏦᏅᎾ ᎨᏎᎢ, ᎾᏍᎩ ᎬᏂᏳᏉ ᏧᏄᎪᏤᎢ, ᎠᎹ ᎠᏟᏍᏗ ᎤᏃᎭᏝᎮᎢ ᎵᏇᎩ ᎾᏍᎩ ᏇᏚᎡᎵ ᎤᏕᏁᎸᎯ, ᎾᏍᎩ ᎤᏪᏥ Ꮋ﹕ᎵᎦ ᏁᎰ ᎡᏆᎭᎻ ᏗᎾᏓᏅᏟ ᎤᏓᎵᎢ.\nᎾᏍᎩᏃ ᎠᏛ ᎤᏣᏘ ᎤᏬᏚᎯᏳ ᎨᏎ ᏗᎧᏃᏗᏱ, ᎠᏥᏴᏛ ᏂᎨᏒᎾ, ᎥᏝ ᎠᎴ ᎩᎶ ᎠᏍᎦᏯ ᎤᎦᏙᎥᏒᎯ ᏱᎨᏎᎢ; ᎠᎹᏃ ᎠᏢᏗᏱ ᎠᏓᎴᏒ ᏭᏴᎴᎢ, ᎠᎴ ᎠᎹ ᎠᏟᏍᏗ ᏭᎧᎵᏎᎢ ᏗᎤᏄᎪᏤᏃ.\nᎠᏥᏅᏏᏓᏍᏗᏃ ᏚᏍᏆᎸᏔᏁ ᏫᏚᏠᏎᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏍᏗ ᎠᎹ ᎬᏯᏗᏔᏏ ᏣᏟᏍᏛᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎭᏗᏔ ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ; ᎤᎵᏍᏗᏳᏃ ᎡᎳᏗ ᏄᏩᏁᎴ ᎠᎹ ᎠᏟᏍᏗ ᎠᏰᎲᎢ, ᎤᏬᏰᏂ ᎤᏝᏁᎢ, ᎠᎴ ᎤᎱᏁᎢ.\nᎿᏉᏃ ᎤᎱᏃᏅ, ᎯᎠ ᏄᏪᏎᎢ, ᎾᏍᏉ ᎨᎻᎵ ᏗᏣᏤᎵᎦ ᎠᎹ ᏓᎦᏥᏢᎡᎵ ᎬᏂ ᏓᎾᏗᏔᎰᏅᎭ.\nᎤᎵᏍᏗᏳᏃ ᎠᎹ ᎠᏟᏍᏗ ᎠᏰᎲ ᏥᏳᎯ ᏭᏟᏍᏔᏁᎢ, ᏔᎵᏁᏃ ᎠᎹ ᎠᏢᏗᏱ ᎠᏓᎴᏒ ᏭᏗᏢᏍᏔᏁᎢ ᎠᎹ ᏭᏢᎮᎢ, ᏂᎦᏛᏃ ᎨᎻᎵ ᏚᏢᎡᎴᎢ.\nᎠᏍᎦᏯᏃ ᎠᏍᏆᏂᎪᎯᏎᎲ ᎠᎨᏴ ᎡᎳᏪᏉ ᎤᏯᏎᎢ, ᎠᏓᏅᏖᏍᎨ ᏥᎪ ᏱᎰᏩ ᎣᏍᏛ ᎾᏆᏛᏂᏏ ᎨᏍᏙᎲᎢ, ᎡᎵᏍᎨᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎨᎻᎵ ᏚᎾᏘᏔᎰᏅ, ᎾᏍᎩ ᎠᏍᎦᏯ ᎠᏕᎸ ᏓᎶᏂᎨ ᎠᎵᏴᏌᏙᏗ ᏭᎴᏎᎢ, ᎠᏰᎵ ᏎᎩᎵ ᎢᏳᏓᎨᏛ, ᏔᎵᏃ ᏧᏬᏰᏂ ᏧᎵᏰᏠᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᎠᏍᎪᎯ ᏎᎩᎵ ᎢᏳᏓᎨᏛ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᎪ ᎤᏪᏥ ᏂᎯ? ᏍᎩᏃᎲᏏ; ᏥᎪ ᏰᎵᏉ ᎤᏜᏅᏛ ᏣᏙᏓ ᎦᏁᎸ ᎣᎩᏒᏍᏗᏱ?\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᏇᏚᎡᎵ ᎤᏪᏥ ᎠᏴ, ᎾᏍᎩ Ꮋ﹕ᎵᎦ ᎤᏪᏥ ᏁᎰ ᏧᎷᎸᏁᎴᎢ.\nᎯᎠᏃ ᎾᏍᎪ ᏂᎤᏪᏎᎴᎢ, ᎢᏧᎳ ᎧᏁᏍᎦ ᎠᎴ ᎨᎶᎸᏗ ᏰᎵᏉ ᎣᎩᎭ, ᎠᎴ ᎤᏜᏅᏛᏉ ᎠᏒᏍᏗᏱ.\nᎾᏍᎩᏃ ᎠᏍᎦᏯ ᎡᎳᏗ ᏄᏛᏁᎴᎢ, ᎠᎴ ᏱᎰᏩ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎠᎩᏅᏏᏙᎯ ᎤᏤᎵᎦ; ᎾᏍᎩ ᏄᏲᎯᏍᏔᏅᎾ ᏥᎩ ᎤᏓᏙᎵᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏤᎵᎦ ᏚᏳᎪᏛ ᎨᏒᎢ; ᏅᏃᎯᏰᏃ ᎠᏆᏕᏙᏯᏗᏒᎢ, ᏱᎰᏩ ᎠᏆᏘᏃᎦ ᎠᎩᏅᏏᏙᎯ ᎠᎾᎵᏅᏟ ᎠᏂᏁᎸᎢ.\nᎾᏍᎩᏃ ᎠᏛ ᏚᏍᏆᎸᏔᏁᎢ, ᎠᎴ ᎤᏥ ᎦᏁᎸᎢ ᏫᏚᏃᏁᎴ ᏄᎵᏍᏔᏂᏙᎸᎢ.\nᎵᏇᎩᏃ ᎤᏙ ᎡᎮᎢ, ᎠᎴ ᎴᏆᏂ ᏚᏙᎡᎢ; ᎴᏆᏂᏃ ᎤᏄᎪᏤ ᏭᏗᏢᏍᏔᏁ ᎠᏍᎦᏯ ᏤᏙᎲ, ᎾᏍᎩ ᎠᎹ ᎠᏢᏗᏱ ᎠᏓᎴᏒᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ ᎾᏍᎩ ᎠᎢᏴᏌᏙᏗ ᎤᏙᎲ, ᎠᎴ ᏗᎵᏰᏠᏍᏗ ᎤᏙ ᏧᏬᏰᏂ ᏚᎵᏰᏠᎲ ᏚᎪᎲ, ᎠᎴ ᎤᏛᎦᏅ ᎵᏇᎩ ᎤᏙ ᎧᏁᎬᎢ, ᎯᎠ ᏂᎦᏪᏍᎬᎢ, ᎯᎠ ᎾᎩᏪᏎᎸᎩ ᎠᏍᎦᏯ, ᎾᏍᎩ ᏭᎷᏤᎴ ᎠᏍᎦᏯ, ᎠᎴ ᎬᏂᏳᏉ, ᎨᎻᎵ ᎠᏂᏙᎾᎥ ᎦᏙᎨᎢ ᎠᎴ ᎠᏢᏗᏱ ᎠᏓᎴᏒᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎡᎯᏴᎭ, ᏱᎰᏩ ᎣᏍᏛ ᎢᏣᏛᏁᎸᎯ, ᎦᏙᏃ ᏙᏱᏗᏢᏉ ᏗᎯᏙᎦ? ᎠᏆᏛᏅᎢᏍᏔᏅᏰᏃ ᎦᎵᏦᏕ, ᎠᎴ ᎨᎻᎵ ᎤᏂᏴᏍᏗᏱ.\nᎠᏍᎦᏯᏃ ᎦᎵᏦᏕ ᎤᏴᎴᎢ; ᎨᎻᎵᏃ ᏚᏍᏆᏓᏃᏴᎮᎢ, ᎧᏁᏍᎦᏃ ᎠᎴ ᎨᎶᎸᏗ ᏚᏁᎴ ᎨᎻᎵ, ᎠᎴ ᎠᎹ ᎤᏁᏁᎴ ᏧᎳᏏᏕᏂ ᏧᏬᏑᎴᏗ, ᎠᎴ ᎠᏂᏍᎦᏯ ᏓᏘᏁᎲ ᏧᎾᎳᏏᏕᏂ ᏧᏃᏑᎴᏗ.\nᎿᏉᏃ ᎠᏥᏝᏁᎴ ᎤᎵᏍᏓᏴᏗ; ᎠᏎᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ ᏴᎦᎦᎵᏍᏓᏴᎲᎦ ᎬᏂ ᏥᏃᏅᎭ ᏄᏍᏛ ᎠᎣᎮᏗ ᎨᏒᎢ. ᎾᏍᎩᏃ ᎯᏁᎩ ᎠᏗᎾ, ᎤᏛᏁᎢ.\nᎯᎠᏃ ᏄᏪᎡᎢ, ᎠᏴ ᎡᏆᎭᎻ ᎠᎩᏅᏏᏓᏍᏗ.\nᏱᎰᏩᏃ ᎤᏣᏘ ᎣᏍᏛ ᏄᏛᏁᎸ ᎠᎩᏅᏏᏙᎯ; ᎠᎴ ᎠᏥᎸᏉᏗᏳ ᏄᎵᏍᏔᏅ; ᎠᎴ ᎠᏫ, ᎠᎴ ᎦᎾᏜᎢ ᏚᏪᎧᏁᎸ, ᎠᎴ ᎠᏕᎸ ᎤᏂᏁᎬ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏁᎸ, ᎠᎴ ᎠᏂᏍᎦᏯ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᏂᎨᏴ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᎨᎻᎵ, ᎠᎴ ᏐᏈᎵ ᏗᏂᎵᎠᏅᎯᏛ ᏚᏪᎧᏁᎸ.\nᎠᎴ ᏎᎵ ᎠᎩᏅᏏᏙᎯ ᎤᏓᎵᎢ, ᎠᎩᏅᏏᏙᎯ ᎤᎷᎸᏁᎸᎩ ᎠᏧᏣ ᎿᏉ ᎠᎦᏴᎵᎨ ᎨᏒᎢ; ᎾᏍᎩᏃ ᎤᏁᎸ ᏂᎦᎥ ᎤᎿᎥᎢ.\nᎠᎩᏅᏏᏙᎯᏃ ᎠᏆᏎᎵᏙᏔᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ, ᎥᏞᏍᏗ ᎯᏯᏅᏗ ᏱᎨᏎᏍᏗ ᎠᏇᏥ ᎤᏓᏴᏍᏗ, ᎠᏂᎨᎾᏂ ᏧᏁᏥ ᎾᏍᎩ ᎤᎾᏤᎵᎪᎯ ᎦᏙᎯ ᏥᎨᎠ;\nᎡᏙᏓᏍᎩᏂ ᏧᏪᏥᏛᎯ ᏗᏁᎲ ᏮᏘᎶᏏ, ᎠᎴ ᏗᎩᏴᏫ ᏗᏁᎲᎢ, ᎠᎴ ᎠᏇᏥ ᎤᏓᏴᏍᏗ ᏮᏘᏯᏅᎯ.\nᎯᎠᏃ ᏅᏥᏪᏎᎸᎩ ᎠᎩᏅᏏᏙᎯ, ᏅᏓᎬᎩᏍᏓᏩᏛᏍᏗᏉ ᏂᎨᏒᎾ ᏱᎩ ᎠᎨᏴ.\nᎯᎠᏃ ᎾᎩᏪᏎᎸᎩ, ᏱᎰᏩ, ᎾᏍᎩ ᎠᎦᏔᎲ ᏂᎦᎴᏂᏙᎭ, ᎤᏤᎵ ᏗᎧᎿᏩᏗᏙᎯ ᏓᎦᏅᏏ, ᎠᎴ ᎣᏍᏛ ᎤᏓᏨᏁᎵ ᎭᎢᏒᎢ; ᎠᎴ ᏮᏘᏯᏅᎯ ᏇᏥ ᎤᏓᏴᏍᏗ ᏗᎩᏴᏫ ᏗᏁᎲᎢ, ᎠᎴ ᎡᏙᏓ ᏧᏪᏥᏛᎯ ᏗᏁᎲᎢ.\nᎿᏉᏃ ᎥᏝ ᏱᏣᏚᏓᎴᏍᏗ ᏍᏆᏎᎵᏓᏁᎸᎢ; ᏗᎩᏴᏫ ᏗᏁᎲ ᏫᎷᏨᎭ, ᎠᎴ ᏂᎨᏣᎧᏁᎸᎾ ᎢᎨᏎᏍᏗ, Ꮼ ᏣᏚᏓᎴᏛ ᎨᏎᏍᏗ ᏍᏆᏎᎵᏓᏁᎸᎢ.\nᎠᎴ ᎪᎯ ᎢᎦ ᎠᎹ ᎠᏢᏗᏱ ᎠᏓᎴᏒ ᏛᎩᎷᏨᎩ, ᎠᎴ ᎯᎠ ᎢᏪᏒᎩ, ᏱᎰᏩ ᏣᏁᎳᏛᎯ ᎠᎩᏅᏏᏙᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎢᏳᏃ ᎣᏍᏛ ᏂᏨᎿᏗᏎᏍᏗ ᎦᎢᏒᎢ;\nᎬᏂᏳᏉ ᎠᎹ ᎠᏢᏗᏱ ᎠᏔᎴᏒ ᎤᎶᏗᏢ ᏥᏙᎦ; ᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ, ᎠᏛ ᏗᎦᏄᎪᏨ ᎠᎹ ᎠᏢᎰᎸᎭ, ᎠᎴ ᎯᎠ ᏂᏥᏪᏎᎸᎭ, ᎤᏍᏗ ᎠᎹ ᏣᏟᏍᏛ ᏍᎩᏁᎲᏏ ᎠᏆᏗᏔᏍᏗ;\nᎯᎠᏃ ᎾᎩᏪᏎᎸᎭ, ᎭᏗᏔ ᏂᎯ, ᎠᎴ ᎾᏍᏉ ᏙᏓᏥᏢᎡᎵ ᎨᎻᎵ ᏗᏣᏤᎵᎦ; ᎾᏍᎩ ᎨᏎᏍᏗ ᎠᎨᏴ ᏱᎰᏩ ᎤᏑᏯᎡᎸᎯ ᎠᎩᏅᏏᏙᎯ ᎤᏪᏥ.\nᎠᏏᏉᏃ ᏗᏆᏓᏅᏛ ᏂᏥᏁᏦᎲᏍᎬᎾ ᎨᏒᎩ, ᎬᏂᏳᏉ ᎵᏇᎩ ᎤᎷᏨᎩ ᎠᎹ ᎠᏟᏍᏗ ᎤᏃᎭᏝᎲᎩ; ᎠᎹᎣ ᎠᏢᏗᏱ ᎠᏔᎴᏒ ᏭᎦᏐᎠᏒᎩ, ᎠᎴ ᏭᏢᎲᎩ; ᎯᎠᏃ ᏂᏥᏪᏎᎸᎩ, ᎦᏗᏔ.\nᎤᎵᏍᏗᏳᏃ ᎤᏃᎭᏞᏒᎩ ᎠᎹ ᎠᏢᏗ, ᎠᎴ ᎯᎠ ᏄᏪᏒᎩ, ᎭᏗᏔ, ᎠᎴ ᎾᏍᏉ ᎨᎻᎵ ᏙᏓᎦᏗᏔᏍᏔᏂ; ᎰᏩᏃ ᎠᏆᏗᏔᎲᎩ, ᎠᎴ ᎾᏍᏉ ᎨᎻᎵ ᏚᏗᏔᏍᏔᏅᎩ.\nᎥᏥᏯᏛᏛᏅᎩᏃ ᎯᎠ ᏅᏥᏪᏎᎸᎩ, ᎦᎪ ᎤᏪᏥ ᏂᎯ? ᎯᎠᏃ ᏄᏪᏒᎩ, ᏇᏚᎡᎵ ᎤᏪᏥ, ᎾᏍᎩ ᏁᎰ ᎤᏪᏥ, Ꮋ﹕ᎵᎦ ᎤᎾᏄᎪᏫᏎᎸᎯ; ᎠᎴ ᎠᎵᏴᏌᏙᏗ ᎥᏥᏴᏌᏔᏅᎩ, ᎠᎴ ᏗᎵᏰᏠᏍᏗ ᏙᏥᏰᏠᏍᏔᏅᎩ ᏧᏬᏰᏂ.\nᎡᎳᏗᏃ ᎾᏆᏛᏁᎸᎩ, ᎠᎴ ᏱᎰᏩ ᎥᏥᏯᏓᏙᎵᏍᏓᏁᎸᎩ, ᎠᎴ ᏥᎸᏉᏔᏅᎩ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎠᎩᏅᏏᏙᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎾᏍᎩ ᏚᏳᎪᏛ ᏨᏗᏆᏘᏅᏍᏔᏅ, ᎾᏍᎩ ᎠᎩᏅᏏᏙᎯ ᏗᎾᏓᏅᏟ ᎤᏪᏥ ᎠᎨᏴ ᏥᏯᏘᏅᎡᏗᏱ [ᎠᎩᏅᏏᏙᎯ] ᎤᏪᏥ ᎠᏫᏅ.\nᎿᏉᏃ ᎢᏳ ᎠᎩᏅᏏᏙᎯ ᎣᏍᏛ ᎠᎴ ᏚᏳᎪᏛ ᏅᏤᏣᏛᏁᎵᏎᏍᏗ, ᏍᎩᏃᎲᏏ; ᎢᏳ ᎠᎴ ᏱᏝ, ᏍᎩᏃᎲᏏ; ᎾᏍᎩ ᏥᎦᏘᏏ ᎠᎴ ᏥᎦᏍᎦᏂ ᎢᏗᏢ ᏩᏆᎪᎸᏍᏙᏗᏱ.\nᎿᏉᏃ ᎴᏆᏂ ᎠᎴ ᏇᏚᎡᎵ ᏧᏂᏁᏤᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏱᎰᏩ ᎤᏓᏅᏖᎸᎯ ᎯᎠ; ᎥᏝᏃ ᎨᏍᏛᏁᏤᏗ ᏱᎩ ᎤᏲ ᎠᎴ ᎣᏍᏛ.\nᎬᏂᏳᏉ ᎵᏇᎩ ᎢᎬᏱᏗᏢ ᎤᏬᎳ, ᎯᏯᏘᏄᎦ, ᎠᎴ ᏥᎮᎾ, ᏣᏅᏏᏙᎯᏃ ᎤᏪᏥ ᎤᏓᎵᎢ ᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏒᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎡᏆᎭᎻ ᎤᏅᏏᏓᏍᏗ ᎤᏛᎦᏅ ᎠᏂᏁᎬᎢ, ᏱᎰᏩ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ ᎡᎳᏗ ᎢᏗᏢ ᏄᏛᏁᎴᎢ.\nᎠᏥᏅᏏᏓᏍᏗᏃ ᏚᎾᏄᎪᏫᏎ ᎠᏣᏅᎩ ᎠᏕᎸ ᎤᏁᎬ ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᏗᏄᏬ, ᎵᏇᎩᏃ ᏕᎤᏲᎯᏎᎴᎢ; ᎠᎴ ᎾᏍᏉ ᎤᏙ ᎠᎴ ᎤᏥ ᏧᏓᎴᏅᏛ ᏗᎦᎸᏉᏗ ᏚᏁᎴᎢ.\nᎤᎾᎵᏍᏓᏴᏁᏃ ᎠᎴ ᏚᎾᏗᏔᎮᎢ, ᎤᏩᏒ ᎠᎴ ᎠᏂᏍᎦᏯ ᏓᏘᏁᎲᎢ, ᎠᎴ ᎤᏂᏒᎴᎢ. ᏑᎾᎴᏃ ᎤᎾᏗᏓᏁᏎᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏥᏍᎩᏯᏂᎩᏍᏓ ᎠᎩᏅᏏᏙᎯ ᏤᎲᎢ ᏫᏥᎶᎢ.\nᎵᎢᏃ ᏅᏙ ᎠᎴ ᎤᏥ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎠᏏ ᎠᏍᎪᎯ ᎢᏴᏛ ᏧᏒᎯᏛ ᏬᎨᎳᏗᏓ ᎠᏛ; ᎣᏂᏃ ᎩᎳ ᎡᏒᎭ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ, ᏞᏍᏗ ᏍᏉᎯᏕᎸᎩ ᎬᏂᏳᏰᏃ ᏱᎰᏩ ᎣᏍᏛ ᎾᏆᏛᏂᏏ ᎨᏙᎲᎢ; ᏥᏍᎩᏯᏂᎩᏍᏓ, ᎠᎩᏅᏏᏙᎯ ᏧᏬᎸ ᏫᏥᎶᎢ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ; ᎠᏛ ᏮᏓᏲᎯᏯᏅᎯ, ᎠᎴ ᎾᏍᎩ ᏓᏲᏣᏛᏛᏂ.\nᎵᏇᎩᏃ ᏭᏂᏯᏅᎮᎢ, ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ; ᏓᏍᏕᏏᏍᎪ ᎯᎠ ᎠᏍᎦᏯ? ᎯᎠᏃ ᏄᏪᏎᎢ; ᏓᎨᏏᏉ.\nᎤᎾᏂᎩᏍᏔᏁᏃ ᎤᏂᏙ ᎵᏇᎩ ᎠᎴ ᎤᏍᏛᏅᎯ ᎠᎴ ᎡᏆᎭᎻ ᎤᏅᏏᏓᏍᏗ ᎠᎴ ᎠᏂᏍᎦᏯ ᏓᏘᏁᎲᎢ.\nᎣᏍᏛᏃ ᎤᏂᏁᏤᎴ ᎵᏇᎩ, ᎯᎠ ᏄᏂᏪᏎᎴᎢ; ᎣᎩᏙ ᏂᎯ, ᎠᏍᎪᎯ ᎢᏯᎦᏴᎵ ᎤᎦᏴᎳᏥᎶᏛ ᎿᎵᏍᏓᏅᎭ; ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᏧᎾᏤᎵᎦ ᎨᏎᏍᏗ ᎬᏩᏂᏍᎦᎽ ᏚᏂᏍᏚᎲᎢ.\nᎵᏇᎩᏃ ᏚᎴᏁᎢ, ᎠᎴ ᎾᏍᎩ ᏧᏤᎵᎦ ᎠᎾᏛ, ᎠᎴ ᎨᎻᎵ ᏚᎾᎩᎸᏔᏁᎢ, ᎠᎴ ᎤᏂᏍᏓᏩᏛᏎ ᎾᏍᎩ ᎠᏍᎦᏯ. ᎠᎴ ᎾᏍᎩ ᎠᏥᏅᏏᏔᏍᏗ ᎤᏘᏅᏎ ᎵᏇᎩ ᎠᎴ ᎤᏂᎩᏎᎢ.\nᎡᏏᎩᏃ ᎳᎭᎢᎶᎢ ᎠᎹ ᎠᏢᏗᏱ ᎠᏔᎴᏒ ᎢᏗᏢ ᏧᎶᏎᎢ; ᏧᎦᎿᏮᏰᏃ ᎢᏗᏢ ᎡᎮᎢ.\nᎡᏏᎩᏃ ᎤᏒᎯᏰᏱ ᎨᏒ ᏠᎨᏏ ᏭᎶᏎᎢ ᎤᏓᏅᏖᎵᏙᎸᏎᎢ; ᏗᎦᏙᎵᏃ ᏚᏌᎳᏓᏁᎢ, ᎠᎴ ᏫᏚᎧᎿᏁᎢ, ᎬᏂᏳᏉᏃ ᎨᎻᎵ ᏗᎾᎢᏎᎢ.\nᎵᏇᎩᏃ ᏚᏌᎳᏓᏁ ᏗᎦᏙᎵ, ᏒᏏᎩᏃ ᎤᎪᎲ, ᎤᏠᎠᏎ ᎨᎻᎵᎯ.\nᎯᎠᏰᏃ ᎢᏳᏪᏎᎸᎯ ᎨᏎ ᎠᏥᏅᏏᏓᏍᏗ; ᎦᎪ ᎢᏳᏍᏗ Ꮎ ᎠᏍᎦᏯ ᏠᎨᏏ ᏨᏓᏯᎢ ᏥᏙᏓᎦᏠᏏ? ᎠᏥᏅᏏᏓᏍᏗᏃ ᎯᎠ ᎢᏳᏪᏎᎸᎯ ᎨᏎᎢ, ᎠᎩᏅᏏᏙᎯ ᎾᏍᎩ. ᎾᏍᎩᏃ ᏗᎦᏚᏢᏙᏗ ᏚᎦᏚᏢᏔᏁᎢ.\nᎠᏥᏅᏏᏓᏍᏗᏃ ᎤᏃᏁᎴ ᎡᏏᎩ ᏂᎦᎥ ᏄᏛᏁᎵᏙᎸᎢ.\nᎡᏏᎩᏃ ᎤᏘᏃᎴ ᎵᏇᎩ ᎤᏥ ᏎᎵ ᎤᎵᏦᏛᎢ, ᎠᎴ ᎤᏯᏅᎮ ᎵᏇᎩ, ᎤᏓᎵᎢᏃ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᎤᎨᏳᎯᏳ ᎨᏎᎢ; ᎡᏏᎩᏃ ᎤᎦᎵᏍᏙᏎ ᎤᏥ ᎿᏉ ᎤᏲᎱᏒ.\nᎠᏯᏙᎸᎢ 25\nᎡᏆᎭᎻᏃ ᏔᎵᏁ ᎤᏓᎵᎢ ᎤᏩᏛᎮᎢ, ᎠᎴ ᎩᏚᎳ ᏚᏙᎡᎢ.\nᎠᎴ ᎾᏍᎩ ᏚᎷᎸᏁᎴ ᏏᎻᎳᏂ, ᎠᎴ ᏲᎩᏌᏂ, ᎠᎴ ᎻᏓᏂ, ᎠᎴ ᎻᏗᏯᏂ, ᎠᎴ ᏱᏏᏆᎩ, ᎠᎴ ᏑᎠ.\nᏲᎩᏌᏂᏃ ᏏᏱᏆ ᎠᎴ ᏗᏓᏂ ᎬᏩᏕᏁᎴᎢ. ᏗᏓᏂᏃ ᏧᏪᏥ ᎠᏁᎮᎢ, ᎠᏂᎠᏑᎵ, ᎠᏂᎵᏚᏏ, ᎠᎴ ᎠᏂᎵᎤᎻ.\nᎻᏗᏯᏂᏃ ᏧᏪᏥ, ᎢᏆ, ᎠᎴ ᎢᏆᎵ, ᎠᎴ ᎭᏃᎩ, ᎠᎴ ᎠᏡᏓ, ᎠᎴ Ꭱ﹕ᎵᏓᎠ. ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᎩᏚᎳ ᏧᏪᏥ ᎨᏎᎢ.\nᎡᏆᎭᎻᏃ ᏂᎦᏛ ᎤᎿᎥ ᎡᏏᎩ ᎤᏁᎴᎢ.\nᏔᎵᏍᎩᏂ ᏂᏚᏮᏕ ᏥᏓᏓᏰᎮ ᎡᏆᎭᎻ ᎾᏍᎩ ᏧᏁᏥ ᎪᎱᏍᏗ ᏚᎵᏍᎪᎸᏓᏁᎴᎢ, ᎠᎴ ᏚᏪᎧᎲᏎ ᎤᏪᏥ ᎡᏏᎩ ᎡᎲᎢ, ᏗᎧᎸᎬ ᎢᏗᏢ ᏚᏅᏎ ᏗᎧᎸᎬ ᎢᏗᏢ ᎦᏓ ᏗᎲ ᏚᏅᏎᎢ, ᎠᏏᏉ ᎤᏩᏒ ᎡᎮᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏂᎦᎥ ᏚᎩᏨᏅᏒ ᎠᎴ ᏚᏕᏘᏱᎶᎥ ᎤᎴᏂᏙᎸ ᎡᏆᎭᎻ, ᎠᏍᎪᎯᏧᏈ ᎦᎵᏆᏍᎪᎯ ᎦᏍᎩᎦᎵ ᏧᏕᏘᏴᏛ.\nᎡᏆᎭᎻᏃ ᎤᏲᎯᏍᏔᏁ ᎬᏬᎳᏕᏍᎬ, ᎠᎴ ᎣᏍᏛ ᎤᎦᏴᎳᏨᎯ ᎤᏲᎱᏎᎢ, ᎤᏛᏐᏅᎯ, ᎠᎴ ᏧᏕᏘᏱᎶᏛ ᎨᏎᎢ. ᎠᎴ ᏧᏤᎵ ᏴᏫ ᏄᎾᏛᏅ ᏭᏖᎳᏕᎢ.\nᏧᏪᏥᏃ ᎡᏏᎩ ᎠᎴ ᎢᏏᎺᎵ ᎬᏩᏂᏌᏁ ᎤᏍᏓᎦᎸ ᎹᏡᎳ, ᎢᏆᎶᏂ ᎤᎶᎨᏒᎢ ᏐᎠ ᎠᎯᏗ ᎤᏪᏥ, ᎾᏍᎩ ᎹᎺᎵᏱ ᎢᎬᏱᏗᏢ ᏥᎩ;\nᎾᏍᎩ ᏠᎨᏏ ᎡᏆᎭᎻ ᏥᏚᏩᏎᎴ ᎮᏗ ᏧᏪᏥ; ᎾᎿ ᎠᏥᏂᏌᏁ ᎡᎠᎻ, ᎠᎴ ᏎᎵ ᎾᏍᎩ ᎤᏓᎵᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎡᏆᎭᎻ ᎿᏉ ᏄᏲᎱᏐᎢ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎣᏍᏛ ᏄᏛᏁᎴ ᎡᏏᎩ; ᎡᏏᎩᏃ ᎳᎭᎢᎶᎢ ᎠᎹ ᎠᏢᏗᏱ ᎠᏔᎴᏒ ᎦᏁᎴᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏂᎤᏍᏗ ᎢᏏᎺᎵ ᎡᏆᎭᎻ ᎤᏪᏥ ᎤᏁᏢᏔᏅᏒᎢ, ᎾᏍᎩ ᎮᎦ ᎢᏥᏈᏱ ᎤᏕᏅᎯ, ᏎᎵ ᎤᏅᏏᏓᏍᏗ, ᎡᏆᎭᎻ ᏧᎾᏄᎪᏫᏎᎴᎢ;\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏗ ᏚᎾᏙᎥ ᎢᏏᎺᎵ ᏧᏪᏥ, ᏚᎾᏙᎠᏗᏒ ᎾᏍᎩ ᏄᏍᏛ ᏚᎾᏁᏢᏔᏅᏒᎢ; ᎢᎬᏱ ᎡᎯ ᎢᏏᎺᎵ ᎤᏪᏥ, ᏂᏆᏲᏗ; ᎩᏓᏃ, ᎠᎴ ᎠᏗᏈᎵ, ᎠᎴ ᎻᏈᏌᎻ,\nᎠᎴ ᎻᏏᎹ, ᎠᎴ ᏚᎹ, ᎠᎴ ᎹᏌ,\nᎮᏓ, ᎠᎴ ᏗᎹ, ᎠᎴ ᏱᏓ, ᎠᎴ ᎾᏈᏏ, ᎠᎴ ᏱᏗᎹ;\nᎯᎠ ᎾᏍᎩ ᎢᏏᎺᎵ ᏧᏪᏥ, ᎠᎴ ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᏚᎾᏙᎥ ᏚᏂᏚᏩᏗᏒᎢ, ᎠᎴ ᏚᎾᏐᏯᏗᏒᎢ; ᏔᎳᏚ ᎤᏂᎬᏫᏳᎯ ᎾᏍᎩᏯ ᏂᎦᎥ ᎠᏰᎵ ᏚᏃᏢᏩᏗᏒᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏕᏘᏴᎮ ᎢᏏᎻᎵ ᎤᎴᏂᏙᎴᎢ, ᎠᏍᎪᎯᏧᏈ ᏦᎠᏍᎪᎯ ᎦᎵᏉᎩᎦᎵ ᎦᎵᏉᎩᎦᎵ ᏧᏕᏘᏴᏛ; ᎤᏲᎯᏍᏔᏁᏃ ᎬᏬᎳᏕᏍᎬ, ᎠᎴ ᎤᏲᎱᏎᎢ; ᎠᎴ ᏧᏤᎵᎦ ᏴᏫ ᏄᎾᏛᏅ ᏭᏖᎳᏗᎴᎢ.\nᎭᏈᎳᏃ ᎤᏓᎴᏅᏛ ᏒᎵ ᏫᎬᏍᏗ ᎠᏁᎮᎢ, ᎾᏍᎩ ᎢᏥᏈ ᎢᎬᏱᏗᏢ ᏥᎩ, ᎠᏏᎵᏯ ᏥᏮᎦᏙᎢ. ᎠᎴ ᏂᎦᏛ ᎠᎾᎵᏅᏟ ᎠᏂᎦᏔᎲ ᎤᏲᎱᏎᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎡᏏᎩ ᎡᏆᎭᎻ ᎤᏪᏥ ᎤᏁᏢᏔᏅᏒᎢ; ᎡᏆᎭᎻ ᎡᏏᎩ ᎤᏕᏁᎴᎢ.\nᎡᏏᎩᏃ ᏅᎦᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎨᏎ ᎵᏇᎩ ᎤᏓᏰᏅ, ᎾᏍᎩ ᏇᏚᎡᎵ ᏏᎵᏱ ᎡᎯ ᎤᏪᏥ, ᏇᏓᏁᎳᎻ ᏥᎦᏁᎴᎢ, ᎾᏍᎩ ᎤᏙ ᎴᏆᏂ ᏏᎵᏱ ᎡᎯ.\nᎡᏏᎩᏃ ᏱᎰᏩ ᎤᏓᏙᎵᏍᏓᏁᎴ ᎤᏓᎵᎢ ᎤᎬᏩᎵ, ᏂᏓᎷᎸᎥᏍᎬᎾᏰᏃ ᎨᏎᎢ; ᏱᎰᏩᏃ ᎤᏛᏓᏍᏓᏁᎴᎢ, ᎤᏓᎵᎢᏃ ᎵᏇᎩ ᎤᏁᎵᏤᎢ.\nᏗᏂᏲᎵᏃ ᏓᎾᏟᏱᏍᎨ ᎬᏩᏯᎥᎢ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᎢᏳᏃ ᎾᏍᎩ ᏱᏄᏍᏗ, ᎦᏙᏃ ᎾᏍᎩ ᎯᎠ ᏥᎾᏆᏍᏗ? ᎤᏪᏅᏎᏃ ᏱᎰᏩ ᎤᏛᏛᏅᏎᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏔᎵ ᎢᏯᏂᎵᏍᏓᎳ ᏴᏫ ᏕᎯᏁᎵ, ᎠᎴ ᏔᎵ ᎢᏳᎾᏓᎴᎩ ᏴᏫ ᏙᏘᎾᏄᎪᏫᏏ; ᏑᎾᏓᎴᎩᏃ ᎾᏍᎩ ᏴᏫ ᎤᏟ ᏄᎾᎵᏂᎬᎨᏍᏗ ᎡᏍᎦᏉ ᎠᏂᏐᎢ ᏴᏫ; ᎤᏓᏂᎵᎨᏃ ᏕᎤᏁᎶᏕᏍᏗ ᎣᏂ ᎡᎯ.\nᏧᎾᏄᎪᏫᏍᏗᏱᏃ ᎤᏍᏆᎸᎲ, ᎬᏂᏳᏉ ᏗᏂᎳᏫ ᏕᎦᏁᎵᏎᎢ.\nᎢᎬᏱᏃ ᎠᏬᏗᎨ ᏧᎾᏄᎪᏤᎢ, ᏂᎬ ᎠᏄᏬ ᎤᏂᏆᏟ ᎾᏍᎩᏯ ᎨᏎᎢ; ᎾᏍᎩᏃ ᎢᏐ ᏚᏃᎡᎢ.\nᎣᏂᏃ ᎤᏅᏟ ᎤᎾᏄᎪᏤᎢ, ᎾᏍᎩᏃ ᎤᏪᏰᏂ ᎢᏐ ᏌᏗᎨᏂ ᎤᏂᏴᎮᎢ; ᏤᎦᏈᏃ ᏚᏃᎡᎢ; ᎡᏏᎩᏃ ᏑᏓᎳᏍᎪᎯ ᎢᏳᏕᏗᏴᏛ ᎨᏎ ᎵᏇᎩ ᏚᎷᎸᏅ.\nᎠᏂᏧᏣᏃ ᏚᎾᏛᏎᎢ; ᎢᏐᏃ ᎠᏏᎾᏌᏂ ᎦᏃᎯᎵᏙᎯ ᎨᏎᎢ, ᎢᎾᎨ ᎡᏙᎯ ᎨᏎᎢ; ᏤᎦᏈᏃ ᎤᏓᏅᏘ ᎠᏍᎦᏯ ᎨᏎᎢ, ᏕᎦᎵᏦᏛᏉ ᎡᎯ ᎨᏎᎢ.\nᎡᏏᎩᏃ ᎢᏐ ᎤᎨᏳᎯᏳ ᎨᏎᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎠᏫ ᎤᏫᏯ ᎠᎩᏍᎬᎢ; ᎵᏇᎩᏍᎩᏂ ᏤᎦᏈ ᎤᎨᏳᎯᏳ ᎨᏎᎢ.\nᏤᎦᏈᏃ ᏚᏯ ᎢᏳᎾᏍᏗ ᏕᎫᎲᏍᎨᎢ, ᎢᏐᏃ ᎢᎾᎨ ᏧᎶᏎᎢ, ᎠᎴ ᎠᎪᏄ ᎤᎸᏕᏍᏗᏍᎨᎢ.\nᎢᏐᏃ ᎯᎠ ᏄᏪᏎᎴ ᏤᎦᏈ, ᏍᏇᎳᏍᏓ ᎩᎦᎨ, Ꮎ ᎩᎦᎨ ᏥᏧᎭ, ᎠᎪᏄᏰᏃ ᎠᏆᎸᏕᏍᏗᎭ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏓᎻ ᏓᎪᎡᎢ.\nᏤᎦᏈᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎪᎯ ᎢᎦ ᏥᎩ ᎢᎬᏱ ᎮᎯ ᎨᏒ ᏍᎩᏃᏓᏏ.\nᎢᏐᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎠᎩᏲᎱᏏᏗ ᎠᏴ; ᎦᏙᏃ ᏯᎩᏁᏉᏥ ᎯᎠ ᎾᏍᎩ ᎢᎬᏱ ᎨᎢ ᎨᏒᎢ?\nᏤᎦᏈᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎪᎯ ᎢᎦ ᏥᎩ ᏍᏆᏎᎵᏓᏏ; ᎤᏎᎵᏓᏁᎴᏃ; ᎠᎴ ᎢᎬᏱ ᎡᎯ ᎨᏒ ᏤᎦᏈ ᎤᏃᏓᏁᎴᎢ.\nᏤᎦᏈᏃ ᎦᏚ ᎠᎴ ᏚᏯ ᎢᏳᎾᏍᏗ ᏗᎫᏅᎯ ᏚᏁᎴ ᎢᏐ, ᎤᎵᏍᏓᏴᏁᏃ, ᎠᎴ ᎤᏗᏔᎮᎢ, ᎠᎴ ᏚᎴᏁᎢ, ᎠᎴ ᎤᏓᏅᏎᎢ; ᎾᏍᎩᏃ ᎢᏐ ᏄᎸᏉᏔᏅᎾᏉ ᎨᏎ ᎢᎬᏱ ᎡᎯ ᎨᏒᎢ.\nᎠᏯᏙᎸᎢ 26\nᏔᎵᏁᏃ ᎤᎪᏄᎶᏎ ᎾᎿ ᎤᏁᎳᎩ ᎢᎬᏱᏱ ᏧᎪᏄᎶᏎᎢ ᎾᎯᏳ ᎡᏆᎭᎻ ᏤᎮᎢ. ᎡᏏᎩᏃ ᎠᏈᎻᎴᎩᏱ ᏭᎶᏎ ᎤᎬᏫᏳᎯ ᎠᏂᏈᎵᏍᏗ ᎤᎾᏤᎵᎦ, ‾ᎩᎳ ᏗᎦᏚᎲᎢ.\nᏱᎰᏩᏃ ᎬᏂᎨᏒ ᏄᏛᏁᎴᎢ, ᎯᎠᏃ ᏄᏪᏎᎢ, ᏞᏍᏗ ᎢᏥᏈᏱ ᏫᏣᎶᏒᎩ; ᎾᎿᏉᏍᎩᏂ ᎦᏙᎯ ᏨᏓᎬᏯᏎᎮᎵ ᎮᎮᏍᏗ;\nᎠᏂ ᎯᎠ ᎦᏓ ᎠᎲ ᎮᎮᏍᏗ, ᎠᏴᏃ ᏕᎬᎦᎿᏩᏗᏙᎮᏍᏗ, ᎠᎴ ᎣᏍᏛ ᏂᎬᏯᏛᏁᎮᏍᏗ; ᏂᎯᏰᏃ, ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᏓᏨᏁᎵ ᏂᎦᏛ ᎠᏂ ᏂᎬᎾᏛᎢ; ᎠᎴ ᏅᏓᎦᏛᏁᎵ ᏄᏍᏛ ᏥᏯᏎᎵᏓᏁᎸ ᎡᏆᎭᎻ ᏣᏙᏓ;\nᎠᎴ ᎤᏂᏁᏉᎢᏍᏗᏱ ᏅᏓᎦᏥᏴᏁᎵ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎨᏒ ᎾᏍᎩᏯ ᏃᏈᏏ ᎦᎸᎶ ᏣᏂᎧᎳ, ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᏓᎦᏥᏁᎵ ᏂᎦᏛ ᎠᏂ ᏂᎬᎾᏛᎢ; ᏂᎯᏃ ᏣᏁᏢᏔᏅᎯ ᎨᏒ ᏅᏓᎦᎵᏍᏙᏔᏂ ᏄᎾᏓᎴᏒ ᏴᏫ ᎡᎶᎯ ᎤᎾᏕᏗ ᏥᏅᏓᎦᎵᏍᏔᏂ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ;\nᏂᎦᎵᏍᏙᏗᎭ ᎡᏆᎭᎻ ᎤᏬᎯᏳᏅ ᏥᏁᎬᎢ, ᎠᎴ ᎤᏍᏆᏂᎪᏔᏅ ᎠᏆᏤᎵ ᎠᏍᏆᏂᎪᏙᏗ, ᎠᎴ ᎠᎩᏁᏨᎢ, ᎠᎴ ᏗᏆᏤᎵ ᏚᏚᎪᏔᏅᎢ, ᎠᎴ ᏗᏆᏤᎵ ᏗᎦᎿᏩᏛᏍᏗ.\nᎡᏏᎩᏃ ‾ᎩᎳ ᎡᎮᎢ.\nᎾᎿ Ꮓ ᎠᏁᎯ ᎠᏂᏍᎦᏯ ᎬᏩᏛᏛᏁ ᎤᏓᎵᎢ ᎤᏂᏁᎢᏍᏔᏁᎢ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᎥᎩᏙᏉ; ᎠᏍᎦᎢᎮᏰᏃ ᎠᏆᏓᎵᎢ ᎤᏛᏗᏱ; ᎠᏂᏍᎦᏯᏰᏃ ᎠᏂ ᎠᏁᎯ ᏱᎬᎩᎷᎦ ᎵᏇᎩ ᏯᎩᏍᏛᏓ [ᎡᎵᏍᎨᎢ,] ᎤᏬᏚᎯᏳᏰᏃ ᎨᏎ ᏗᎧᏃᏗᏱ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎿᏉ ᎪᎯᏗᏳ ᎾᎿ ᏫᎬᏩᎷᏨᎯ ᎨᏎᎢ, ᎠᏈᎻᎴᎩ ᎤᎬᏫᏳᎯ ᎠᏂᏈᎵᏍᏗ ᎤᎾᏤᎵᎦ, ᎾᏍᎩ ᎠᏦᎳᏅ ᏭᎦᏔᏁᎢ, ᎠᎴ ᎤᎪᎮᎢ, ᎠᎴ ᎬᏂᏳᏉ ᎡᏏᎩ ᏓᎾᏓᏰᏣᏍᏗᏍᎨ ᎵᏇᎩ ᎤᏓᎵᎢ.\nᎠᏈᎻᎴᎩᏃ ᏭᏯᏅᎮ ᎡᏏᎩ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ, ᎤᏙᎯᏳᏒ ᏣᏓᎵᎢ ᎾᏍᎩ; ᎦᏙᏃ ᎥᎩᏙᏉ ᏥᏣᏛᏁᎢ? ᎡᏏᎩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏱᏥᏲᎤᎯ ᎾᏍᎩ ᏯᎩᏍᏛᏓ, ᎠᏇᎵᏒᎢ.\nᎠᏈᎻᎴᎩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙᏃ ᎾᏍᎩ ᎯᎠ ᏥᏂᏍᎩᏴᎦ; ᎩᎶᏰᏃ ᎯᎠ ᏴᏫ ᎠᎴᏉ ᏄᏓᏰᎾ ᏣᏓᎵᎢ, ᎠᎴ ᎣᎩᏍᎦᏅᏨᎯ ᏂᏍᎩᏴᎦ.\nᎠᏈᎻᎴᎩᏃ ᏚᏁᏤᎴ ᏂᎦᏛ ᏴᏫ, ᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᏃ ᎩᎶ ᎪᎱᏍᏗ ᎢᎬᏁᎸᎭ ᎯᎠ ᎠᏍᎦᏯ, ᎠᎴ ᎤᏓᎵᎢ, ᎤᏙᎯᏳᎯᏯ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ.\nᎡᏏᎩᏃ ᎾᎿ ᎦᏙᎯ ᎤᏫᏒᏁᎢ, ᎾᎯᏳᏉᏃ ᎤᏕᏘᏴᏌᏗᏒ ᎠᏍᎪᎯᏧᏈ ᎢᏳᏣᏓᏗ ᎤᏁᏉᏨᎯ ᎤᏩᏛᎮᎢ, ᎠᎴ ᏱᎰᏩ ᎣᏍᏛ ᏄᏛᏁᎴᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎠᏍᎦᏯ ᎠᏥᎸᏉᏗᏳ ᏄᎵᏍᏔᏁᎢ, ᎠᎴ ᏩᎦᏖᏉ ᎤᏛᏏᏗᏒᎢ, ᎬᏂ ᎤᏣᏘ ᎠᏥᎸᏉᏗᏳ ᏄᎵᏍᏔᏅ.\nᎠᏫᏃ ᏚᎾᏝᎡᎢ, ᎠᎴ ᏩᎦ ᏚᎾᏝᎡᎢ, ᎠᎴ ᎤᏂᏣᏘ ᏚᏪᎧᎮ ᏧᏅᏏᏓᏍᏗ; ᎠᏂᏈᎵᏍᏗᏃ ᎬᏩᏳᏤᎮᎢ.\nᏂᎦᏛᏃ ᎠᎹ ᎠᏢᏗᏱ ᏓᏍᎪᏒ ᎾᏍᎩ ᎤᏙᏓ ᏧᏅᏏᏓᏍᏗ ᏚᎾᏍᎪᏒᎢ ᎾᎯᏳ ᎤᏙᏓ ᎡᏆᎭᎻ ᏤᎮᎢ, ᎠᏂᏈᎵᏍᏗ ᏚᏂᏍᏚᏁᎢ, ᎠᎴ ᎦᏓ ᏚᏂᎧᎵᏍᏔᏁᎢ.\nᎠᏈᎻᎴᎩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏏᎩ, ᏍᎩᏯᏓᏅᏏ; ᎤᏟᎯᏳᏰᏃ ᏂᏣᎵᏂᎬᎦ ᎡᏍᎦᏉ ᎠᏴ.\nᎡᏏᎩᏃ ᎾᎿ ᎤᏓᏅᏎᎢ, ‾ᎩᎳ ᎤᎨᏓᎵᏴ ᎤᎵᏦᏔᏁᎢ, ᎠᎴ ᎾᎿ ᎡᎮᎢ.\nᎡᏏᎩᏃ ᏔᎵᏁ ᏚᏍᎪᏎ ᎠᎹ ᏗᏢᏗᏱ ᎾᏍᎩ ᏥᏚᎾᏍᎪᏎ ᎾᎯᏳ ᎤᏙᏓ ᎡᏆᎭᎻ ᏤᎮᎢ; ᎠᏂᏈᎵᏍᏗ ᏥᏚᏂᏍᏚᏁ ᎡᏆᎭᎻ ᎤᏲᎱᏒ; ᎠᎴ ᎤᏙᏓ ᏄᏍᏛ ᏚᏬᎥ ᎾᏍᎩᏯᏉ ᎠᏏ ᏚᏬᎡᎢ.\nᎡᏏᎪᏃ ᏧᏅᏏᏓᏍᏗ ᎤᎾᏍᎪᏎ ᎤᎨᏓᎵᏴᎢ, ᎠᎴ ᎾᎿ ᎤᏂᏩᏛᎮ ᎠᎹ ᎦᏄᎪᎬᎢ.\n‾ᎩᎳᏃ ᎠᏁᎯ ᎦᎾᏝᎢ ᏗᏂᎦᏘᏯ ᎬᏩᎾᏟᏒᏎᎮ ᎡᏏᎩ ᏧᏤᎵ ᎦᎾᏝᎢ ᏗᏂᎦᏘᏯ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎠᎹ ᎠᏴ ᎣᏍᏤᎵᎦ; ᎾᏍᎩᏃ ᎠᎹ ᎠᏢᏗᏱ ᎠᏍᎪᏒ ᎢᏎᎩ ᏚᏬᎡᎢ; ᏂᎦᎵᏍᏙᏗᏍᎨ ᎬᏩᏗᏒᏎᎸᎢ.\nᎠᎴ ᏅᏩᏓᎴ ᎤᎾᏍᎪᏎ ᎠᎹ ᎠᏢᏗᏱ, ᎾᏍᏉᏃ ᎾᏍᎩ ᎤᎾᏘᏒᎴᎢ; ᎾᏍᎩᏃ ᏏᏘᎾ ᏚᏬᎡᎢ.\nᎾᎿᏃ ᎤᏓᏅᏎᎢ, ᎠᎴ ᏄᏓᎴ ᎤᏍᎪᏎ ᎠᎹ ᎠᏢᏗᏱ; ᎾᏍᎩᏃ ᎥᏝ ᏳᎾᏘᏒᎴᎢ; ᎾᏍᎩᏃ ᎵᎰᏉ ᏚᏬᎡᎢ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᏱᎰᏩᏰᏃ ᎿᏉ ᎢᎩᎳᏅᏓᏗᏏ, ᎠᎴ ᎠᏂ ᎦᏙᎯ ᏓᏗᏁᏉᏥ.\nᎾᎿᏃ ᎤᏓᏅᏒ ᏈᏯᏏᏱᏆ ᏭᎶᏎᎢ.\nᎾᎯᏳᏉᏃ ᏒᏃᏱ ᏱᎰᏩ ᎬᏂᎨᏒ ᏄᏛᏁᎴᎢ, ᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏴ ᎠᏆᏁᎳᏅᎯ ᎡᏆᎭᎻ ᏣᏙᏓ ᎤᏤᎵᎦ; ᏞᏍᏗ ᏱᎾᏰᏍᎨᏍᏗ, ᎠᏴᏰᏃ ᏕᎬᎦᎿᏩᏗᏙᎭ, ᎠᎴ ᎣᏍᏛ ᏅᏓᎬᏯᏛᏁᎵ, ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᏓᎦᏥᏁᏉᎢ ᎡᏆᎭᎻ ᏥᏅᏏᏓᏍᏗ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ.\nᎾᎿᏃ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎤᏬᏢᏁᎢ, ᎠᎴ ᏱᎰᏩ ᎤᏓᏙᎵᏍᏓᏁᎴᎢ, ᎠᎴ ᎾᎿ ᎤᎵᏦᏔᏁᎢ; ᎠᎴ ᎾᎿ ᎡᏏᎩ ᏧᏅᏏᏓᏍᏗ ᎠᎹ ᎠᏢᏗᏱ ᎤᎾᏍᎪᏎᎢ.\nᎿᏉᏃ ᎠᏈᎻᎴᎩ ᎩᎳ ᎤᏂᎩᏎᎢ [ᎡᏏᎩᏃ] ᏭᎷᏤᎴᎢ, ᎠᎴ ᎠᎭᏌ [ᎠᏈᎻᎴᎩ] ᎤᎾᎵᎢ, ᎠᎴ ᏈᎪᎵ ᏧᏤᎵ ᎠᏂᏯᏫᏍᎩ ᏄᎬᏫᏳᏒ ᏗᏘᏂᏙᎯ.\nᎡᏏᎩᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎥᏍᎩᎷᏥᏏ, ᏍᎩᏂᏆᏘᎯᏃ ᏥᎩ, ᎠᎴ ᎢᏤᎲ ᏍᎩᎨᎯᏙᎸᎯ ᏥᎩ?\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎤᏙᎯᏳᏒᏍᎩᏂ ᎣᎩᎪᎲᎩ ᏱᎰᏩ ᏕᏣᎧᎿᏩᏗᏙᎲᎢ; ᎯᎠᏃ ᏃᎩᏪᏒᎩ, ᏗᎦᏓᏎᎵᏓᏁᎸᎯ ᎨᏎᏍᏗ, ᎠᏴ ᏂᎯᏃ, ᎠᎴ ᎧᏃᎮᏛ ᏗᏓᏠᎯᏍᏓ;\nᎾᏍᎩ ᎪᎱᏍᏗ ᎤᏲ ᏍᎩᏴᏁᏗᏱ ᏂᎨᏒᎾ, ᎾᏍᎩᏯ ᎪᎱᏍᏗ ᎢᏨᏴᏁᎸᎯ ᏂᎨᏒᎾ ᏥᎩ, ᎠᎴ ᎣᏍᏛᏉ ᎢᏨᏯᏛᏁᎸᎯ ᏥᎩ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎢᏨᏯᏂᎩᏍᏔᏅᎯ ᏥᎩ; ᏂᎯ ᎿᏉ ᏱᎰᏩ ᎣᏍᏛ ᎢᏣᏛᏁᎸᎯ ᎢᎩ.\nᏚᏛᏅᎢᏍᏓᏁᎴᏃ ᎠᎵᏍᏓᏴᏗ, ᎤᎾᎵᏍᏓᏴᏁᏃ, ᎠᎴ ᏚᎾᏘᏔᎮᎢ.\nᏑᎾᎴᏉᏃ ᏚᎾᏗᏛᎮᎢ, ᎠᎴ ᏚᎾᏓᏎᎵᏓᏁᎴᎢ; ᎡᏏᎩᏃ ᏚᏂᎩᏍᏔᏁᎢ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎢᎬᏩᏂᎩᎡᎴᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᎯᏳᏉ ᎢᎦ, ᎾᏍᎩ ᎡᏏᎩ ᏧᏅᏏᏓᏍᏗ ᎬᏩᎷᏤᎴᎢ, ᎠᎴ ᎬᏩᏃᏁᎴ ᎠᎹ ᎠᏢᏗᏱ ᎤᎾᏍᎪᏒ ᎤᎬᏩᎵ, ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎠᎹ ᎣᏥᏁᏩᏛ.\nᏏᏱᏆᏃ ᏚᏬᎡᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎾᎿ ᎦᏚᎲ ᎩᎳᎯᏳ ᏈᏯᏏᏱᏆ ᏚᏙᎥ.\nᎢᏐᏃ ᏅᎦᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎨᏎ ᎾᎯᏳ ᏥᏚᏓᏴᏎ ᏧᏗ ᏈᎢᎳ ᎤᏪᏥ ᎾᏍᎩ ᎠᎯᏗ, ᎠᎴ ᏆᏏᎹ ᎢᎶᏂ ᎤᏪᏥ ᎾᏍᎩ ᎠᎯᏗ.\nᎾᏍᎩᏃ ᎯᎠ ᎡᎯᏍᏗ ᎤᎾᏓᏅᏓᏗᏍᏗᏍᎩ ᎨᏎ ᎡᏏᎩ ᎠᎴ ᎵᏇᎩ.\nᎠᏯᏙᎸᎢ 27\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎿᏉ ᎡᏏᎩ ᎤᏛᏐᏅᎯ ᎨᏎᎢ, ᎠᎴ ᏧᏍᎪᎸᎢ ᎨᏎ ᏗᎦᏙᎵ, ᎾᏍᎩ ᎬᏩᎪᏯᏛᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎾᏍᎩ ᏭᏯᏅᎮ ᎢᏐ ᎤᏓᏂᎵᎨ ᎤᏪᏥ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎠᏇᏥ; ᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎠᏂᏲ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎿᏉ ᎠᏆᏛᏐᏅᎯ, ᎥᏝ ᏱᏥᎦᏔᎭ ᎢᏳᏉ ᎠᎩᏲᎱᎯᏍᏗᏱ;\nᎧ, ᏘᏄᎦ ᏗᏣᎵᏍᎦᏍᏙᏗ, ᎦᏃᏟ ᎠᎴ ᎦᎶᏣᏗ, ᎠᎴ ᎢᎾᎨ ᏫᎶᎯ, ᎠᏫᏃ ᎤᏫᏯ ᏍᎩᏲᏎᎷᎦ;\nᎠᎴ ᎤᎦᎾᏍᏛ ᎠᎵᏍᏓᏴᏗ ᏍᏆᏛᏅᎢᏍᏓᏁᎸᎭ, ᎾᏍᎩ ᎣᏏ ᏣᎩᏰᎸᎭ, ᎠᎴ ᏍᎩᏲᎮᎸᎭ, ᎠᎴ ᏥᎬᎭ; ᎾᏍᎩ ᎠᏆᏓᏅᏙ ᎣᏍᏛ ᏣᏁᏤᏗᏱ ᎠᏏᏉ ᎾᎩᏲᎱᏒᎾ.\nᎵᎢᏃ ᎤᏛᎦᏁ ᎡᏏᎩ ᎤᏁᏤᎸ ᎤᏪᏥ ᎢᏐ. ᎢᏐᏃ ᎢᎾᎨ ᏭᎶᏎ ᎠᏫ ᎤᏫᏯ ᎤᏲᎸᏎ ᎤᏲᎯᏍᏗ.\nᎵᏇᎩᏃ ᎤᏁᏤᎴ ᎤᏪᏥ ᏤᎦᏈ, ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎦᏛᎬᎦ ᏣᏙᏓ ᎧᏁᏤᎲ ᏗᏍᏓᏓᏅᏟ ᎢᏐ, ᎯᎠ ᏂᎦᏪᏍᎬᎢ,\nᎠᏫ ᎤᏫᏯ ᏍᎩᏲᎯᏏ ᎠᎴ ᎤᎦᎾᏍᏛ ᎠᎵᏍᏓᏴᏗ ᏍᏆᏛᏅᎢᏍᏓᏏ, ᎠᎴ ᏥᎬᎭ, ᎠᎴ ᎣᏍᏛ ᎬᏁᏤᎸᎭ ᏱᎰᏩ ᎠᎦᏔᎲ ᎠᏏᏉ ᎾᎩᏲᎱᏒᎾ.\nᎿᏉᏃ ᎠᏇᏥ ᎰᎯᏳᎲᎦ ᏥᏁᎬᎢ, ᎾᏍᎩᏯ ᏄᏍᏛ ᎬᏁᏤᎲᎢ.\nᎮᎾ ᎠᏫ ᏗᏁᏙᎲᎢ, ᎠᎴ ᎾᎿ ᏫᏗᏍᎩᏯᏅᏏ ᎠᏂᏔᎵ ᎠᏃᏍᏛ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᎠᏂᎩᎾ. ᎾᏍᎩᏃ ᏓᏥᏯᏛᏅᎢᏍᏔᏁᎵ ᏣᏙᏓ ᎤᎦᎾᏍᏛ ᎠᎵᏍᏓᏴᏗ ᎾᏍᎩ ᏧᎦᎾᏏᎭ;\nᏣᏙᏓᏃ ᏮᏘᏲᎮᎵ, ᎾᏍᎩᏃ ᏛᎵᏍᏓᏴᏂ, ᎾᏍᎩ ᎣᏍᏛ ᏣᏁᏤᏗᏱ ᎠᏏᏉ ᏄᏲᎱᏒᎾ.\nᏤᎦᏈᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏥ ᎵᏇᎩ, ᎬᏂᏳᏉ ᎥᎩᏂᎵ ᎤᏂᏆᏟ ᎠᏍᎦᏯ ᏥᎩ, ᎠᏴᏃ ᏥᏓᏫᏍᎦᎨ ᏥᏍᎦᏯ;\nᎡᏙᏓᎾᏃ ᏯᏆᏒᏂᎵᏙᎸ, ᎠᎴ ᏥᎶᏄᎡᏍᎩᏉ ᏯᎩᏰᎸᏅ; ᎿᏉ ᎥᎩᏍᎦᎢᏍᏗᏉ ᏱᏥᏩᏛᏓ, ᎥᏝᏃ ᎣᏍᏛ ᎥᎩᏁᏤᏗᏱ.\nᎤᏥᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎠᏇᏥ ᏂᎯ ᎡᏣᏍᎦᎢᏍᏗ ᎨᏒ ᎠᏴ ᎠᎩᎷᏤᎸᎭ, ᎰᎯᏳᎲᎦᏉ ᏥᏁᎬᎢ, ᎠᎴ ᏫᏗᏍᎩᏯᏅᏏ.\nᎤᏪᏅᏎᏃ, ᎠᎴ ᏫᏚᏯᏅᎮᎢ, ᎠᎴ ᎤᏥ ᏚᏘᏃᎮᎴᎢ; ᎤᏥᏃ ᎤᎦᎾᏍᏛ ᎠᎵᏍᏓᏴᏗ ᎤᏛᏅᎢᏍᏔᏁ ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏙᏓ ᎤᎦᎾᏏᏍᎬᎢ.\nᎵᏇᎩᏃ ᏫᏚᏁᏎ ᏦᏍᏛ ᏗᏄᏬ ᎤᏓᏂᎵᎨ ᎤᏪᏥ ᎢᏐ ᏧᏤᎵᎦ, ᎾᏍᎩ ᎦᎵᏦᏕ ᏚᎾᎥᎢ, ᎠᎴ ᏤᎦᏈ ᎣᏂ ᎡᎯ ᎤᏪᏥ ᏚᏄᏬᎡᎢ.\nᎠᏂᎩᎾᏃ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᏧᏂᎮᎦᎸᏅᎯ ᏚᏪᏰᏑᎳᏁᎢ, ᎠᎴ ᎤᏪᏯᏢᏁ ᏓᏫᏍᎦᎨ ᎨᏒ ᎠᏴᏤᏂ;\nᎤᎦᎾᏍᏛᏃ ᎠᎵᏍᏓᏴᏗ, ᎠᎴ ᎦᏚ ᎾᏍᎩ ᏧᏛᏅᎢᏍᏔᏁᎢ, ᏚᏁᎴ ᎤᏪᏥ ᏤᎦᏈ.\nᎤᏙᏓᏃ ᎤᎷᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎡᏙᏓ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏂ; ᎦᎪ ᏂᎯ ᎠᏇᏥ?\nᏤᎦᏈᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏙᏓ, ᎠᏴ ᎢᏐ ᎢᎬᏱ ᎡᎯ ᏤᏥ; ᎾᏍᎩᏯ ᏂᏍᎩᏪᏎᎸ ᎾᏆᏛᏁᎸ; ᎭᏗᏛ, ᎯᎲᎦ, ᎠᎴ ᎭᎵᏍᏓᏴᏓ ᎠᏆᏤᎵᎦ ᎠᏫ ᎤᏫᏯ, ᎾᏍᎩ ᏣᏓᏅᏙ ᎣᏍᏛ ᎠᎩᏁᏤᏗᏱ.\nᎡᏏᎩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏪᏥ, ᎦᏙ ᎦᎵᏍᏙᏓ ᎠᏇᏥ ᏂᎾᏞᎬ ᏥᏩᏛ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᏂᎦᎵᏍᏙᏓᏍᎩᏂ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎠᏆᏘᏃᎮᎸᎢ.\nᎡᏏᎩᏃ ᎯᎠ ᏄᏪᏎᎴ ᏤᎦᏈ, ᎾᎥ ᏍᎩᎷᏥᏏ, ᎬᏯᏒᏂᏍᏗᏱ, ᎠᏇᏥ, ᎾᏍᎩ ᎤᏙᎯᏳᎯᏯ ᎠᏇᏥ ᎢᏐ ᎨᏒ, ᎠᎴ ᎾᏍᎩ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᏤᎦᏈᏃ ᎾᎥ ᏭᎷᏤᎴ ᎤᏙᏓ ᎡᏏᎩ; ᎤᏒᏂᎵᏙᎴᏃ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎧᏁᎬ ᏤᎦᏈ ᎤᏁᎢᏍᏗ ᎧᏁᎦ, ᏧᏬᏰᏂᏍᎩᏂ ᎢᏐ ᏧᏬᏰᏂ.\nᎥᏝ ᎠᎴ ᏳᏕᎶᎰᎯᏎᎴ ᏂᎦᎵᏍᏙᏗᏍᎨ ᏧᏬᏰᏂ ᏧᏂᏆᏟ ᎨᏒᎢ, ᎾᏍᎩᏯ ᎤᏂᎵ ᎢᏐ ᏧᏬᏰᏂ ᏂᏚᏍᏛᎢ; ᎣᏍᏛᏃ ᎤᏁᏤᎴᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎤᏙᎯᏳᎯᏯᏍᎪ ᏂᎯ ᎢᏐ ᎠᏇᏥ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎥᎥ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎾᎥ ᏍᎩᏲᎯᏏ, ᏓᎦᎵᏍᏓᏴᏔᏂᏃ ᎠᏫ ᎤᏫᏯ ᎠᏇᏥ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎣᏍᏛ ᎬᏁᏤᏗᏱ; ᎾᎥᏃ ᎤᏲᎴᎢ, ᎠᎴ ᎤᎵᏍᏓᏴᏁᎢ; ᎠᎴ ᎩᎦᎨ ᎠᏗᏔᏍᏗ ᎤᏂᏦᎮᎴᎢ, ᎠᎴ ᎤᏗᏔᎮᎢ.\nᎤᏙᏓᏃ ᎡᏏᎩ ᎯᎠ ᎤᏪᏎᎴᎢ, ᎡᎮᎾᏃ ᎠᏇᏥ, ᎠᎴ ᏍᏆᏔᏪᏙᎥᎦ.\nᎾᎥᏃ ᎤᎷᏤᎴᎢ, ᎠᎴ ᎤᏔᏪᏙᏁᎢ; ᎤᏪᏩᏒᏤᏃ ᏚᏄᏮ ᏕᎦᏩᏒᎬᎢ, ᎠᎴ ᎣᏍᏛ ᎤᏁᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎦᏩᏒᎬ ᎠᏇᏥ ᎾᏍᎩᏯᏉ ᏠᎨᏏ ᏥᎦᏩᏒᎪ ᎾᏍᎩ ᏱᎰᏩ ᎣᏍᏛ ᎤᏁᏤᎸᎯ.\nᎾᏍᎩᏃ ᎤᏁᎳᏅᎯ ᏫᏣᏍᎪᎸᏓᏏ ᎤᎯᏌᏛ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ, ᎠᎴ ᎦᏙᎯ ᎦᎵᏦᏅᎢ, ᎠᎴ ᎤᏣᏘ ᎠᎦᏔᏔᏅᎥᏍᎩ, ᎠᎴ ᏖᎸᎳᏗ ᎦᏨᏩᏍᏔᏅᎯ;\nᏴᏫ ᏓᏁᏩᏗᏒ ᏂᎯ ᏗᎨᏣᏁᎶᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎡᎳᏗ ᏂᎨᏣᏛᏁᎮᏍᏗ; ᏣᎬᏫᏳᎯ ᎨᏎᏍᏗ ᎢᏣᎵᏅᏟ ᎠᏁᎲᎢ, ᎠᎴ ᏣᏥ ᏧᏪᏥ ᎡᎳᏗ ᏂᎨᏣᏛᏁᎮᏍᏗ; ᎠᏥᏍᎦᎢᏍᏗ ᎨᏎᏍᏗ ᏂᎯ ᏣᏍᎦᎩ, ᎠᎴ ᎣᏍᏛ ᎠᏥᏁᏤᏗ ᎨᏎᏍᏗ, ᎣᏍᏛ ᏣᏁᏤᎯ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎡᏏᎩ ᎤᏍᏆᏛᏉ ᎣᏍᏛ ᎧᏁᏤᎲ ᏤᎦᏈ, ᎠᎴ ᏤᎦᏈ ᎩᎳᏉ ᎤᏄᎪᏨᎯ ᎨᏎ ᎤᏙᏓ ᎡᏏᎩ ᎠᎦᏔᎲᎢ, ᎿᏉ ᎤᏂᎵ ᎢᏐ ᎢᎤᎷᏤ ᎤᏃᎯᎵᏙᎸᎯ.\nᎾᏍᎩᏃ ᎾᏍᏉ ᎤᏛᏅᎢᏍᏔᏅᎯ ᎢᎨᏎ ᎤᎦᎾᏍᏛ ᎠᎵᏍᏓᏴᏗ, ᎠᎴ ᎤᏙᏓ ᎤᏲᎮᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴ ᎤᏙᏓ, ᎡᏙᏓ ᏩᏗᏛ, ᎠᎴ ᎤᏪᏥ ᏩᎵᏍᏓᏴᎾᏏ ᎠᏫ ᎤᏫᏯ, ᎾᏍᎩ ᏣᏓᏅᏙ ᎣᏍᏛ ᎠᎩᏁᏤᏗᏱ.\nᎤᏙᏓᏃ ᎡᏏᎩ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᎪ ᏂᎯ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏴᏍᎩᏂ ᏤᏥ, ᎢᎬᏱ ᎨᎢ ᏥᏥ ᎢᏐ.\nᎡᏏᎩᏃ ᎤᎶᏒᏍᏔᏅᎯ ᎤᏪᎾᏪᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎪᏃ ᏧᏩᏛᎲ ᎠᏫ ᎤᏫᏯ ᎠᎴ ᏣᎩᏲᎮᎸ, ᎠᎴ ᏂᎦᏛ ᏣᏆᎵᏍᏓᏴᏔᏅ ᎠᏏᏉ ᏂᏣᎷᏨᎾ, ᎠᎴ ᎣᏍᏛ ᏥᏥᏁᏤᎸ? ᎠᎴ ᎤᏙᎯᏳᎯᏯ ᎣᏍᏛ ᎠᏥᏁᏤᎸᎯ ᎨᏎᏍᏗ.\nᎢᏐᏃ ᎤᏛᎦᏅ ᎤᏙᏓ ᏄᏪᏒᎢ, ᏚᏠᏍᎴᎢ, ᎤᎶᏒᏍᏔᏅᎯ ᎡᎯᏍᏗ ᏚᏠᏱᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴ ᎤᏙᏓ, ᎠᏴ ᎾᏍᏉ ᎣᏍᏛ ᏍᎩᏁᏥ, ᎡᏙᏓ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎡᏣᏅᏟ ᎦᎶᏄᎮᏛ ᎤᏩᏔᏅ ᎤᎷᏨ, ᎠᎴ ᏣᎩᎡᎸ ᏣᏤᎵ ᎣᏍᏛ ᎡᏣᏁᏤᏗ ᎨᏒᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏝᏍᎪ ᏚᏳᎪᏛ ᏱᎩ ᏤᎦᏈ ᏥᏓᎪᎥ? ᏔᎵᏰᏃ ᎿᏉ ᎢᎬᏱ ᎾᎿᎴᎲᏏ; ᎠᏆᏓᏂᎵᎨᏰᏃ ᎨᏒ ᎠᎩᎩᏎᎸᎩ; ᎬᏂᏳᏉᏃ ᎿᏉ ᎣᏍᏛ ᎥᎩᏁᏤᏗ ᎨᏒ ᎥᎠᎩᎩᏏ. ᎯᎠᏃ ᏄᏪᏎᎢ, ᏝᏍᎪ ᏱᏣᏃᎯᏴ ᎠᏴ ᎣᏍᏛ ᏍᎩᏁᏤᏗᏱ?\nᎡᏏᎩᏃ ᎤᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎴ ᎢᏐ, ᎬᏂᏳᏉ ᏂᎯ ᎢᏍᏕᎲ ᎤᎬᏫᏳᎯ ᏂᏥᏴᎦ, ᎠᎴ ᏂᎦᏛ ᎠᎾᎵᏅᏟ ᏕᏥᏲᎯᏏ ᏗᎬᏩᏁᎶᏗ ᎢᏳᎵᏍᏙᏗᏱ; ᎠᎦᏔᏔᏅᎥᏍᎩᏃ ᎠᎴ ᏖᎸᎳᏗ ᎦᏨᏩᏍᏔᏅᎯ ᎥᏥᏍᏕᎸᏙᏓ; ᎦᏙᏃ ᏓᎬᏯᏛᏁᎵ ᏂᎯ ᎠᏇᏥ?\nᎢᏐᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏙᏓ, ᎡᏙᏓ, ᏌᏉᏉᏍᎪ ᏣᎮ ᎣᏍᏛ ᏣᏓᏁᏤᏗ ᎨᏒᎢ? ᎠᏴ ᎾᏍᏉ ᎣᏍᏛ ᏍᎩᏁᏥ ᎡᏙᏓ. ᎢᏐᏃ ᎠᏍᏓᏯ ᏚᏠᏱᎴᎢ.\nᎤᏙᏓᏃ ᎡᏏᎩ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎬᏂᏳᏉ ᎦᏙᎯ ᎦᎵᏦᏅ ᎮᎮᏍᏗ, ᎠᎴ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ ᎠᎯᏌᏛᏍᎬᎢ.\nᎠᎴ ᎠᏰ ᎳᏍᏗ-ᎦᏅᎯᏛ ᎲᏗᏍ ᏣᏛᏂᏘᏍᏙᏕᏍᏗ, ᎠᎴ ᎡᎶᏅᏟ ᏕᎯᏯᏁᎶᏕᏍᏗ; ᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ, ᎾᏍᎩ ᎿᏉ ᏂᎯ ᎯᏯᏓᎵᏁᎯᏕᎸᎭ, ᏙᏘᏍᏆᎵᏎᎵ ᏣᎩᎳᎾᎳᏗᏍᏛᎢ.\nᎢᏐᏃ ᎦᏂᏆᏘᎮ ᏤᎦᏈ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎣᏍᏛ ᎤᏓᏁᏤᏗ ᎨᏒ ᎤᏙᏓ ᎾᏍᎩ ᎣᏍᏛ ᎤᏁᏤᎸᎢ; ᎢᏐᏃ ᎯᎠ ᏄᏪᏎ ᏧᏓᏅᏛᎢ, ᎡᏙᏓ ᎠᏍᎪᏂᏍᏗ ᎨᏒ ᎿᏉ ᎤᏍᏆᎸᎯᏗ; ᎾᎯᏳᏃ ᏓᏥᎵ ᎥᎩᏅᏟ ᏤᎦᏈ.\nᎵᏇᎩᏃ ᎠᏥᏃᏁᎴ ᎾᏍᎩ ᎯᎠ ᏄᏪᏒ ᎢᏐ ᎾᏍᎩ ᎤᏓᏂᎵᎨ ᎤᏪᏥ, ᎤᏓᏅᏎᏃ ᎠᎴ ᏭᏯᏅᎮ ᎣᏂ ᎡᎯ ᎤᏪᏥ ᏤᎦᏈ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎬᏂᏳᏉ ᎡᎶᏂᎵ ᎢᏐ, ᎤᏩᏒ ᎠᏓᎧᎵᏍᏓᏗᏍᏙᏗᎭ ᏂᎯ ᏣᎯᏍᏗᏱ ᎠᎥᏖᏍᎬᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏇᏥ, ᎰᎯᏳᎲᎦ ᏥᏁᎬᎢ, ᎠᎴ ᏔᎴᎲᎦ, ᎭᎵᏘ ᎴᏆᏂ ᎥᎩᏙ ᏤᎲ ᎮᎳᏂᏱ ᏫᎶᎯ.\nᎢᎸᏍᎩᏃ ᏧᏒᎯᏛ ᏫᏯᏕᎥᏏ, ᎡᏣᏂᎵ ᎤᏔᎳᏬᏍᎬ ᎬᏂ ᎦᎶᏐᏅᎭ.\nᎬᏂ ᎡᎶᏂᎵ ᏣᏍᎦᎬ ᎦᎶᏐᏅᎭ, ᎠᎴ ᎤᏩᎨᏫᏒᎭ ᏂᎯ ᏂᏴᏁᎸᎢ; ᎿᏉᏃ ᎦᏓᏅᏒᎭ, ᎠᎴ ᎾᎿ ᏫᎬᏯᏅᎲᎭ; ᎦᏙᏃ ᎢᏧᎳ ᏌᏉ ᎢᎦ ᏱᏍᏛᎪᏁᎶᏨ?\nᎵᏇᎩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᏏᎩ, ᏓᎩᏯᏪᎦᏉ ᎨᎥᎢ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏂᎨᏴ ᎮᏗ ᏧᏪᏥ; ᎢᏳᏃ ᏤᎦᏈ ᎩᎶ ᎯᎠ ᎮᏗ ᏧᏪᏥ ᏳᏓᏰᏅ, ᎾᏍᎩ ᎯᎠ ᏥᏄᎾᏍᏗᏉ ᎡᏍᎦᏂ ᏣᏁᎭ, ᎦᏙ ᎠᏋᏙᏗ ᏱᎩ ᎨᎥᎢ.\nᎠᏯᏙᎸᎢ 28\nᎡᏏᎩᏃ ᏭᏯᏅᎮ ᏤᎦᏈ, ᎠᎴ ᎣᏍᏛ ᎤᏁᏤᎴᎢ, ᎠᎴ ᎤᏁᏤᎴᎢ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᏞᏍᏗ ᎨᎾᏂ ᏧᏪᏥ ᎠᏁᎲ ᎩᎶ ᏣᏓᏴᏒᎩ.\nᏔᎴᎲᎦ ᏇᏓᏁᎳᎻ ᏫᎶᎯ, ᏇᏚᎡᎵ ᏗᎦᏁᎸᎢ, ᎾᏍᎩ ᏣᏥ ᎤᏙᏓ; ᎠᎴ ᎾᎿ ᎯᏯᏅᎲᎭ ᏣᏓᎵᎢ, ᎠᏁᎲ ᏧᏪᏥ ᎴᏆᏂ ᎾᏍᎩ ᏣᏥ ᎤᏙᏓ.\nᎠᎴ ᎤᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ ᏥᎩ, ᎾᏍᎩ ᎣᏍᏛ ᏣᏁᏤᎸᎭ, ᎠᎴ ᏣᏁᏉᏣᏘ ᏂᏨᏁᎸᎭ, ᎠᎴ ᏣᏁᏉᎢᎶᎥᎭ, ᎾᏍᎩᏃ ᏂᎯ ᎤᏂᏣᏘ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᎿᎵᏍᏗᏍᎨᏍᏗ;\nᎠᎴ ᏣᏁᎸᎭ ᎡᏆᎭᎻ ᎤᏤᎵᎦ ᎣᏍᏛ ᎤᏁᏤᏗ ᎨᏒᎢ, ᏂᎯ ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ; ᎾᏍᎩᏃ ᏣᏤᎵ ᏂᎦᎵᏍᏔᏅᎭ ᎦᏙᎯ ᎾᎿ ᎮᏙᎯ ᏥᎩ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᏁᎴ ᎡᏆᎭᎻ.\nᎡᏍᏗᎩᏃ ᎤᏂᎩᏍᏔᏁ ᏤᎦᏈ; ᏇᏓᏁᎳᎻ ᏭᎶᏎ ᎴᏆᏂ ᏤᎲᎢ, ᎾᏍᎩ ᏇᏚᎡᎵ ᏏᎵᏱ ᎡᎯ ᎤᏪᏥ, ᎵᏇᎩ ᎤᏙ, ᎾᏍᎩ ᏤᎦᏈ ᎠᎴ ᎢᏐ ᎤᏂᏥ.\nᎢᏐᏃ ᎤᏙᎴᎰᏒ ᎡᏏᎩ ᎣᏍᏛ ᎤᏁᏤᎸ ᏤᎦᏈ, ᎠᎴ ᏇᏓᏁᎳᎻ ᎤᏂᎩᏍᏔᏅᎢ, ᎾᎿ ᏭᏕᏒᎲᏍᏗᏱ; ᎠᎴ ᎾᏍᎩ ᎣᏍᏛ ᎤᏁᏤᎸ ᎯᎠ ᏄᏪᏎᎸᎢ ᎤᏁᏤᎸᎢ, ᎥᏞᏍᏗ ᎨᎾᏂ ᏧᏪᏥ ᎩᎶ ᏣᏓᏴᏒᎩ;\nᎠᎴᏃ ᏤᎦᏈ ᏚᏬᎯᏳᏅ ᎤᏙᏓ ᎠᎴ ᎤᏥ, ᎠᎴ ᏇᏓᏁᎳᎻ ᏭᎶᏒᎢ.\nᎢᏐᏃ ᎤᏙᎴᎰᏒ ᎨᎾᏂ ᏧᏪᏥ ᎡᏍᎦ ᏓᏰᎸᏍᎬ ᎤᏙᏓ ᎡᏏᎩ;\nᎢᏐ ᎿᏉ ᎢᏏᎺᎵᏱ ᏭᎶᏎᎢ, ᎠᎴ ᎾᏍᎩ ᏓᏓᏰᎲ ᎤᏁᏉᎡ ᎤᏓᏴᏎ ᎺᎮᎳ, ᏁᏆᏲ ᎤᏙ, ᎢᏏᎺᎵ ᎤᏪᏥ, ᎾᏍᎩ ᎡᏆᎭᎻ ᎤᏪᏥ.\nᏤᎦᏈᏃ ᎤᏂᎩᏎ ᏈᏯᏏᏱᏆ, ᎠᎴ ᎮᎳᏂ ᎢᏗᏢ ᏭᎶᏎᎢ.\nᎢᎸᎯᏢᏃ ᎢᏴᏛ ᏭᎷᏤᎢ, ᎠᎴ ᎾᎿ ᎤᏒᎴᎢ, ᏅᏗᎦᎵᏍᏙᏍᏙᏗᏍᎨ ᏅᏙ ᏭᏕᎵᏨᎢ; ᏅᏯᏃ ᎾᎿ ᎠᏂᎳᎨᏴ ᎤᎩᏎ ᎠᎴ ᎤᏓᏍᏔᏁᎢ; ᎠᎴ ᎾᎿ ᎤᏂᏏᏁᎢ.\nᎤᏍᎩᏓᏎᏃ, ᎠᎴ ᎬᏂᏳᏉ ᎡᎶᎯ ᎠᏴᏯᏞᎢ, ᎦᎸᎳᏗᏃ ᎢᏴᏛ ᏭᎵᏍᏖᎢ; ᎠᎴ ᎬᏂᏳᏉ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᎾᎿ ᎠᎾᎩᎳᏫᏍᏗᏍᎨᎢ, ᎠᎴ ᎠᎾᏠᎠᎯᏍᏗᏍᎨᎢ.\nᎠᎴ ᎬᏂᏳᏉ ᏱᎰᏩ ᎾᎿ ᎦᎸᎳᏗᏢ ᏗᎦᏙᎨᎢ; ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏴ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᏣᏙᏓ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎡᏏᎩ ᎤᏤᎵᎦ; ᎦᏙᎯ ᎾᎿ ᏥᏅᎦ, ᏂᎯ ᏓᎬᏁᎵ, ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ.\nᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎦᏓ ᎡᎶᎯ ᎦᎳᎨᏴ ᎾᏍᎩᏯ ᏄᎾᏍᏕᏍᏗ, ᎠᎴ ᏗᏰᎵᏏ ᏭᏕᎵᎬ ᎢᏗᏢ, ᎠᎴ ᏗᎧᎸᎬ ᎢᏗᏢ, ᎠᎴ ᏧᏴᏢ ᎢᏗᏢ, ᎠᎴ ᏧᎦᎾᏮ ᎢᏗᏢ; ᎠᎴ ᏂᎯ ᎨᏒ, ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎨᏒ ᏅᏓᎦᎵᏍᏙᏔᏂ ᏂᎦᏗᏳ ᏗᏂᎳᏍᏓᎳᏩᏗᏒ ᎡᎶᎯ ᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎬᏂᏳᏉ ᎠᏴ ᏕᎬᎦᎿᏩᏗᏙᎭ, ᎠᎴ ᏓᎬᏍᏆᏂᎪᏔᏂ ᏂᎦᎥ ᏂᏣᏛᎿᏕᎬᎢ, ᎠᎴ ᏔᎵᏁ ᎠᏂ ᎦᏙᎯ ᏛᎬᏯᏘᏃᎵ; ᎥᏝᏰᏃ ᏴᎦᎬᏴᏕᎩ ᎬᏂ ᏂᎦᏛᏁᎸ ᎾᏍᎩ ᏥᎬᏁᎢᏍᏓᏏ.\nᏤᎦᏈᏃ ᎤᏰᏤ ᎦᎵᎲᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏙᎯᏳᎯᏯ ᏱᎰᏩ ᎠᏂ ᎡᎭ; ᎠᎴ ᎥᏝ ᏱᏥᎦᏔᎮᎢ.\nᎤᏍᎦᎴᏃ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏂᎦᎥ ᎤᎾᏰᎯᏍᏗ ᎯᎠ ᎠᏂ? ᎯᎠᏰᏃ ᎤᏙᎯᏳᎯᏯ ᎤᏁᎳᏅᎯ ᎦᏁᎸᎢ, ᎠᎴ ᎯᎠ ᎦᎸᎳᏗ ᏫᎦᎾᏄᎪᎩ ᎦᎶᎯᏍᏗᏱ.\nᏤᎦᏈᏃ ᏑᎾᎴᏉ ᎤᏗᏛᎮᎢ, ᏅᏯᏃ ᎤᏓᏍᏔᏅᎯ ᎤᎩᏎᎢ, ᎠᎴ ᎤᏪᏘᏁᎢ, ᎠᎴ ᎪᎢ ᎤᏍᎪᎵ ᎤᏍᏚᏞᎢ.\nᎾᎿᏃ ᏇᏕᎵ ᏚᏬᎡᎢ; ᎢᎬᏱᏱᏍᎩᏂ ᎳᏏ ᏚᏙᎡ ᎾᎿ ᎦᏚᎲᎢ.\nᏤᎦᏈᏃ ᎤᏁᎳᏅᎯ ᎤᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᏃ ᎤᏁᎳᏅᎯ ᎯᏓᎩᎧᎿᏩᏗᏙᎸ, ᎠᎴ ᏯᎩᏍᏆᏂᎪᏔᏅ ᎯᎠ ᎠᏂ ᏫᏥᎦᏛᎢ, ᎠᎴ ᎦᏚ ᎠᏆᎵᏍᏓᏴᏗ ᏯᎩᏁᎭ, ᎠᎴ ᏗᏄᏬ ᏗᏆᏄᏬᏍᏗ ᏱᏓᎩᏅᏁᎭ,\nᎾᏍᎩᏃ ᏅᏩᏙᎯᏯᏛ ᏮᎠᎩᎷᎯᏍᏗᏱ ᏱᏄᏩᏁᎸ ᎡᏙᏓ ᎦᏁᎸᎢ; ᎿᏉ ᏱᎰᏩ ᎠᏴ ᎠᏆᏁᎳᏅᎯ ᎨᏎᏍᏗ;\nᎠᎴ ᎯᎠ ᎾᏍᎩ ᏅᏯ ᏥᎨᏛᎦ ᎤᏁᎳᏅᎯ ᎦᏁᎸ ᎨᏎᏍᏗ, ᏂᎦᏛᏃ ᏍᎩᏁᏗ ᎨᏒᎢ ᎠᏎ ᎠᏍᎪᎯᏁ ᎪᏣᎴᏛ ᎬᏁᏗ ᎨᏎᏍᏗ.\nᎠᏯᏙᎸᎢ 29\nᏤᎦᏈᏃ ᎤᏂᎩᏎᎢ, ᎠᎴ ᏭᎷᏤ ᏗᎧᎸᎬ ᎢᏗᏢ ᎠᏁᎯ ᏴᏫ ᎤᎾᏤᎵᎪᎯ.\nᏫᏚᎧᎿᏁᏃ, ᎠᎴ ᎬᏂᏳᏉ ᎢᎾᎨ ᎠᏔᎴᏎ ᎠᎹ ᎠᏢᏗᏱ, ᎠᎴ ᎬᏂᏳᏉ ᎾᎿ ᏦᎢ ᎢᏳᎾᏓᏡᎩ ᎠᏫ ᎠᏂᏅᏝᎡᎢ, ᎾᎿᏰᏃ ᎠᏔᎴᏒ ᏓᎾᏗᏔᏍᏗᏍᎨ ᎠᏫ; ᎠᎴ ᎡᏉᎯᏳ ᏅᏯ ᎠᎱᏢᏕ ᎠᏔᎴᏒᎢ.\nᎾᎿᏃ ᎠᏂᏟᏌᏂᎯᎮ ᏂᎦᏛ ᎠᏫ; ᎠᎴ ᎠᏂᏌᏆᎴᎯᎮ ᎠᏂᎲᏍᎨ ᏅᏯ ᎠᏔᎴᏒ ᎠᎱᏢᏛᎢ, ᎠᎴ ᏓᎾᏗᏔᏍᏗᏍᎨ ᎠᏫ; ᏟᏁᏃ ᏅᏯ ᎠᏂᎱᏢᏗᏍᎨ ᎠᏔᎴᏒᎢ, ᎠᏗᏱ ᎠᏂᎲᏍᎨᎢ.\nᏤᎦᏈᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏓᎵᏅᏟ, ᏎᏢ ᏗᏤᏅ? ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎮᎳᏂᏱ ᏦᎨᏅ ᎠᏴ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎡᏥᎦᏔᎭᏍᎪ ᎴᏆᏂ, ᏁᎰ ᎤᏪᏥ? ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎣᏥᎦᏔᎭ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏙᎯᏱᏉᏍᎪ ᏄᏛᏁᏕᎦ? ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᏙᎯᏱᏉ; ᎠᎴ ᎬᏂᏳᏉ ᎤᏪᏥ ᎴᏥᎵ ᏓᏯᎢ ᎠᏫ ᏙᏛᏘᏂ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎠᏏ ᎦᎸᎳᏗᏳ ᏫᎧᎳ; ᎥᏝ ᎠᎴ ᎠᏏ ᏳᏍᏆᎸᎲ ᎦᎾᏝᎢ ᎦᏟᏐᏗᏱ; ᏗᏣᏗᏔᏍᏓ ᎠᏫ, ᎠᎴ ᏗᏣᏛᎿᏗᏍᏔᏄᎦ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎥᏝ ᏰᎵᎦ ᎬᏂ ᏂᎦᏛ ᎠᏫ ᎠᏂᏟᏌᏃᏅᎭ, ᎠᎴ ᏅᏯ ᎠᏂᏌᏆᎴᎸ ᎠᏂᎲᏒ ᎠᎱᏝᎥ ᎠᏔᎴᏒᎢ; ᎩᎳ ᏙᏓᏲᏣᏗᏔᏍᏔ ᎠᏫ.\nᎠᏏᏉᏃ ᏓᎵᏃᎮᏗᏍᎨᎢ, ᎴᏥᎵ ᎤᎷᏤ ᏚᏘᏃᎴ ᎠᏫ ᎤᏙᏓ ᏧᏤᎵᎦ; ᎾᏍᎩᏰᏃ ᏕᎬᎿᏗᏍᏗᏍᎨᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᏤᎦᏈ ᎤᎪᎲ ᎴᏥᎵ, ᎴᏆᏂ ᎤᏪᏥ, ᎾᏍᎩ ᎤᏥ ᎤᏙ, ᎠᎴ ᎠᏫ ᎴᏆᏂ ᏧᏤᎵᎦ ᎾᏍᎩ ᎤᏥ ᎤᏙ, ᎾᏍᎩ ᏤᎦᏈ ᎾᎥ ᏭᎷᏤ, ᎠᎴ ᎤᏪᏌᏆᎴᎴ ᎤᎲᏎ ᏅᏯ ᎠᎱᏢᏛ ᎠᏔᎴᏒᎢ, ᎠᎴ ᏚᏗᏔᏍᏔᏁ ᎠᏫ ᎴᏆᏂ ᏧᏤᎵᎦ, ᎾᏍᎩ ᎤᏥ ᎤᏙ.\nᏤᎦᏈᏃ ᎤᏔᏪᏙᏁ ᎴᏥᎵ, ᎠᎴ ᎠᏍᏓᏯ ᏚᏠᏱᎴᎢ.\nᏤᎦᏈᏃ ᎤᏃᏁᎴ ᎴᏥᎵ ᎾᏍᎩ ᎤᏙᏓ ᎠᎾᎵᏅᏟ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎵᏇᎩ ᎤᏪᏥ ᎨᏒᎢ; ᎾᏍᎩᏃ ᏚᏍᏆᎸᏔᏁᎢ, ᎠᎴ ᎤᏙᏓ ᎤᏃᏁᎴᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎴᏆᏂ ᎤᏛᎦᏅ ᎠᏥᏃᎮᏍᎬ ᏤᎦᏈ, ᎤᏙ ᎤᏪᏥ, ᏚᏍᏆᎸᏔᏁ ᏚᏠᏒᏎᎢ, ᎠᎴ ᎤᏄᎶᎴᎢ, ᎠᎴ ᎤᏔᏪᏙᏁᎢ, ᎠᎴ ᎦᏁᎸ ᎤᏘᏃᎴᎢ. ᎾᏍᎩᏃ ᎤᏃᏁᎴ ᎴᏆᏂ ᏂᎦᏛ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸᎢ.\nᎴᏆᏂᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯᏯ ᏂᎯ ᎠᏴ ᏗᎩᎪᎳ ᎠᎴ ᎠᏴ ᎠᎩᏇᏓᎸᎢ. ᏏᏅᏙᏃ ᎢᎪᎯᏛ ᎤᏕᏁᎴᎢ.\nᎴᏆᏂᏃ ᎯᎠ ᏄᏪᏎᎴ ᏤᎦᏈ, ᏗᎾᏓᏅᏟᏉᏍᎪ ᎨᏒ ᏱᏂᎦᎵᏍᏙᏗᎭ ᎠᏎᏉ ᎪᎱᏍᏗ ᏱᏍᏆᏛᏁᎭ? ᏍᎩᏃᎲᏏ ᎯᎳᎪ ᎢᎦ ᎬᎫᏴᎡᎮᏍᏗ.\nᎴᏆᏂᏃ ᎠᏂᏔᎵ ᏧᏪᏥ ᎠᎾᏛ ᎠᏁᎮᎢ; ᎤᏓᏂᎵᎨ ᎵᎠ ᏚᏙᎡᎢ, ᎣᏂᏃ ᎡᎯ ᎴᏥᎵ ᏚᏙᎡᎢ.\nᎵᎠ ᏧᏐᏅ ᏗᎧᏂ ᎨᏎᎢ; ᎴᏥᎵᏍᎩᏂ ᎤᏬᏚᎯᏳ ᎠᎴ ᎣᏏᏳ ᏗᎧᏃᏗᏱ ᎨᏎᎢ.\nᏤᎦᏈᏃ ᎴᏥᎵ ᎤᎨᏳᎯᏳ ᎨᏎᎢ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ ᎪᎱᏍᏗ ᏓᎬᏯᏛᏁᎵ ᎴᏥᎵ ᎡᎯ ᏤᏥ ᏱᏍᎩᎧᏁᎸ.\nᎴᏆᏂᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏟ ᎣᏏᏳ ᏂᎯ ᏱᎬᏯᎧᏁᎸ, ᎠᏃ ᏅᏩᏓᎴ ᎠᏍᎦᏯ ᏱᏥᏯᎧᏁᎸ; ᎨᏦᎴᏍᏗᏉᎪᎦ.\nᏤᎦᏈᏃ ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ ᎪᎱᏍᏗ ᎤᏓᏛᏁᎴ ᎴᏥᎵ ᎠᏓᏒᎲᏍᎬᎢ; ᎢᎸᏍᎩᏉᏃ ᏧᏒᎯᏛ ᎤᏰᎸᏁᎢ, ᏂᎦᎵᏍᏙᏗᏍᎨ ᏂᎦᎥ ᎤᎨᏳᏒᎢ.\nᏤᎦᏈᏃ ᎯᎠ ᏄᏪᏎᎴ ᎴᏆᏂ, ᏍᎩᎧᏏᏃ ᎠᏆᏓᎵᎢ, ᎿᏉᏰᏃ ᎠᎵᏍᏆᏓ ᎩᏂᏁᏨᎢ, ᎾᏍᎩᏃ ᎦᏓᏰᏒᎭ.\nᎴᏆᏂᏃ ᏚᏪᏟᏌᏁ ᏂᎦᏛ ᎠᏂᏍᎦᏯ ᎾᎿ ᎠᏁᎯ, ᎠᎴ ᎤᏛᏅᎢᏍᏔᏁ ᏣᎦᎵᏍᏓᏴᎾᏁᏗᏱ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎤᏒ ᏄᎵᏍᏔᏅ, ᎾᏍᎩ ᎤᏪᏥ ᎵᎠ ᏭᏘᏃᎮᎴᎢ; [ᏤᎦᏈᏃ] ᎤᏓᏴᏎᎢ.\nᎴᏆᏂᏃ ᎤᏪᏥ ᎵᎠ ᎤᏪᎧᏁᎴ ᎠᎨᏴ ᎤᏅᏏᏓᏍᏗ ᏏᎵᏆ ᏧᏙᎢᏛ, ᎾᏍᎩ ᎤᏅᏏᏓᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏑᎾᎴ ᏄᎵᏍᏔᏅ, ᎬᏂᏳᏉ, ᎵᎠ ᏂᎦᎨᏎᎢ; [ᏤᎦᏈᏃ] ᎯᎠ ᏄᏪᏎᎴ ᎴᏆᏂ, ᎦᏙᏃ ᎯᎠ ᏥᏂᏍᏋᎦ? ᏝᏍᎪ ᎴᏥᎵ ᏱᎬᏒᎲᏍᎨ ᏥᏓᎩᎸᏫᏍᏓᏁᎲᎩ? ᎦᏙᏃ ᎥᏍᎩᎶᏄᎲᎵ?\nᎴᏆᏂᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ ᎾᏍᎩ ᎢᏯᏛᏁᏗ ᏱᎩ ᎠᏴ ᎣᎦᏤᎵᎪᎯ, ᎾᏍᎩ ᎣᏂ ᎡᎯ ᎠᏓᎧᏁᏗᏱ ᎠᏏ ᎢᎬᏱ ᎡᎯ ᎾᏓᎧᏁᎸᎾ.\nᎯᏍᏆᏓ ᎾᏍᎩ ᎤᏤᎵ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒᎢ, ᎯᎠᏃ ᎾᏍᏉ ᎢᏨᏯᎧᏁᎸᎭ, ᎠᏏ ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ ᎪᎱᏍᏗ ᏨᏛᏍᏆᏛᏁᎵ.\nᏤᎦᏈᏃ ᎾᏍᎩ ᏄᏛᏁᎴᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏤᎵ ᏑᎾᏙᏓᏆᏍᏗ ᎨᏒ ᎤᏍᏆᏕᎴᎢ; ᎴᏥᎵᏃ ᎿᏍᏉ ᎾᏍᎩ ᎤᏪᏥ ᎤᏪᎧᏁᎴ ᎤᏓᏴᏍᏗ.\nᎴᏆᏂᏃ ᎤᏪᏥ ᎴᏥᎵ ᎤᏪᎧᏁᎴ ᎠᎨᏴ ᎤᏅᏏᏓᏍᏗ ᏈᎳ ᏧᏓᎢᏛ, ᎾᏍᎩ ᎤᏅᏏᏓᏍᏗ ᎢᏳᎵᏍᏙᏗᏱ.\nᎾᏍᏉᏃ ᎴᏥᎵ ᎤᏓᏴᏎᎢ, ᎠᎴ ᎴᏥᎵ ᎤᏟ ᏄᎨᏳᏎ ᎡᏍᎦᏉ ᎵᎠ; ᎠᎴ ᎠᏏ ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ ᎪᎱᏍᏗ ᎤᏛᏁᎴᎢ.\nᏱᎰᏩᏃ ᎤᏙᎴᎰᏒ ᎵᎠ ᎠᏥᏐᎸᎢᏍᏗᏍᎬᎢ, ᎤᎳᏅᏓᏕᎴ ᏧᎷᎸᏗᏱ; ᎴᏥᎵᏍᎩᏂ ᏂᏓᎷᎸᎥᏍᎬᎾ ᎨᏎᎢ.\nᎵᎠᏃ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎢ, ᎠᎴ ᎷᏈᏂ ᏚᏬᎡᎢ; ᎯᎠᏰᏃ ᏄᏪᏎᎢ, ᎤᏙᎯᏳᎯᏯ ᏱᎰᏩ ᏓᎧᎿᏂᎦ ᎤᏲ ᎾᏆᏛᏅᎢ; ᎿᏉᏰᏃ ᎠᎩᏰᎯ ᎠᏎ ᎠᎩᎨᏳᏍᏗ.\nᏔᎵᏁᏃ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎢ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᏱᎰᏩ ᎤᏛᎦᏅ ᎥᎩᏐᏅᎢᏍᏗᏍᎬᎢ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᎾᏍᏉ ᎥᎠᎩᎧᏏ ᎾᏍᎩᏃ ᏏᎻᏯᏂ ᏚᏬᎡᎢ.\nᏔᎵᏁᏃ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎢ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᎪᎯ ᎨᎵ ᎠᏎ ᎠᎩᏰᎯ ᏛᏆᏜᏫᏍᏔᏂ, ᎠᏂᏦᎢᏰᏃ ᎠᏂᏧᏣ ᏕᏥᎾᏄᎪᏫᏏ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎵᏫ ᏓᎪᎡᎢ.\nᏔᎵᏁᏃ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎢ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᎿᏉ ᏱᎰᏩ ᏓᏥᎸᏉᏔᏂ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏧᏓ ᏚᏬᎡᎢ; ᎤᏲᎯᏍᏔᏁᏃ ᏓᎷᎸᎥᏍᎬᎢ.\nᎠᏯᏙᎸᎢ 30\nᎴᏥᎵᏃ ᎤᏙᎴᎰᏒ ᏤᎦᏈ ᏂᎦᎷᎸᏁᎲᎾ ᎨᏒᎢ, ᎤᏩᏳᏤᎴ ᎤᎸᎢ; ᎯᎠᏃ ᏄᏪᏎᎴ ᏤᎦᏈ, ᏗᏂᏲᎵ ᏗᏍᎩᎧᏏ, ᎢᏳᏰᏃ ᏱᏝ, ᏓᏥᏲᎤᏏ.\nᏤᎦᏈᏃ ᎤᎿᎸᏤᎴ ᎴᏥᎵ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᏥᎪᎠᏴ ᎤᏁᎳᏅᎯ ᏥᏯᏓᏁᏟᏴᏍᏓᏁᎸ, ᎾᏍᎩ ᏧᏲᏍᏙᏯᏅ ᏗᏣᎷᎸᏗᏱ?\nᎯᎠᏃ ᏄᏪᏎ [ᎴᏥᎵ,] ᎬᏂᏳᏉ, ᏈᎳ ᏥᏅᏏᏓᏍᏗ ᎠᎨᏴ, ᎾᏍᎩ ᎭᏓᏳᎦ, ᎾᏍᎩᏃ ᏗᏥᏂᎨᏂ ᏓᏓᎾᏄᎪᏫᏒᎭ, ᎾᏍᎩᏃ ᎠᏴ ᎾᏍᏉ ᏗᏂᏲᎵ ᏓᏇᎮᏍᏗ ᎾᏍᎩ ᏧᎾᏄᎪᏫᏒᎯ.\nᎤᏪᎧᏁᎴᏃ ᏈᎳ ᎠᏛ ᎤᏅᏏᏓᏍᏗ ᎾᏍᎩ ᎤᏓᏴᏍᏗ; ᏤᎦᏈᏃ ᎤᏓᏴᏎᎢ.\nᏈᎳᏃ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎴ ᏤᎦᏈ.\nᎴᏥᎵᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏁᎳᏅᎯ ᏓᏊᎪᏓᏁᎸ, ᎠᎴ ᎾᏍᏉ ᎠᏛᎬᎦ ᏥᏁᎬᎢ, ᎠᎴ ᎠᎩᎧᏏ ᎠᏇᏥ ᎠᏧᏣ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏕᏂ ᏚᏬᎡᎢ.\nᏈᎳᏃ ᎴᏥᎵ ᎤᏅᏏᏓᏍᏗ ᎤᏁᎵᏤᎢ, ᎠᎴ ᏤᎦᏈ ᏔᎵᏁ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎴᎢ.\nᎴᏥᎵᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏣᏘ ᎠᏍᏓᏯ ᏙᎩᎾᏟᏴᏌᏕᎬ ᎥᎩᎸᎢ, ᎠᎴ ᎠᏴ ᎦᏓᏎᎪᎩ; ᏁᏩᏔᎵᏃ ᏚᏬᎡᎢ.\nᎵᎠᏃ ᎤᏙᎴᎰᏒ ᎤᏲᎯᏍᏔᏅ ᏓᎷᎸᏍᎬᎢ, ᏏᎵᏆ ᎤᏅᏏᏓᏍᏗ ᎠᎨᏴ ᏭᏯᏅᎮᎢ, ᎠᎴ ᏤᎦᏈ ᎤᏪᎧᏁᎴ ᎾᏍᎩ ᎤᏓᏴᏍᏗ.\nᏏᎵᏆᏃ ᎵᎠ ᎤᏅᏏᏓᏍᏗ, ᏤᎦᏈ ᎤᎾᏄᎪᏫᏎᎴ ᎠᏧᏣ.\nᎵᎠᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏑᎾᏓᏡᎩ ᏛᎾᎢ, ᎦᏗᏃ ᏚᏬᎡᎢ.\nᏏᎵᏆᏃ ᎵᎠ ᎤᏅᏏᏓᏍᏗ, ᏔᎵᏁ ᏤᎦᏈ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎴᎢ.\nᎵᎠᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎣᏍᏛ ᏅᏩᏙᎯᏯᏛ ᎠᏆᏓᏅᏓ, ᎠᏂᎨᏴᏰᏃ ᎠᏍᏛ ᎤᏓᏅᏓᏩᏕᎩ ᎬᏉᏎᎮᏍᏗ; ᎠᏒᏃ ᏚᏬᎡᎢ.\nᎷᏈᏂᏃ ᎤᏪᏅᏎ ᎾᎯᏳ ᎤᏣᎴᏍᏗ ᎠᏍᎫᏕᏍᏗᏱ ᎤᏍᏆᎸᎲ, ᎠᎴ ᎤᏂᏍᏇᏚᎩ ᎢᎾᎨ ᏚᏩᏛᎮᎢ, ᎠᎴ ᎤᏥ ᎵᎠ ᏚᏲᎮᎴᎢ; ᎿᏉᏃ ᎴᏥᎵ ᎯᎠ ᏄᏪᏎᎴ ᎵᎠ, ᏗᏍᎬᏏ ᎢᎦᏛ ᎤᏂᏍᏇᏚᎩ ᏤᏥ ᏧᏤᎵᎦ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᏥᎪ ᏅᎵᏌᎵᏉ ᎣᏍᏗᏁᎳ ᏥᏍᎩᏯᏅᎡᎸ? ᎾᏍᏉᏍᎪ ᏙᏛᏍᎩᎩᎡᎵ ᎤᏂᏍᏇᏚᎩ ᎠᏇᏥ ᏧᏤᎵᎦ? ᎴᏥᎵᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎾᏍᎩ ᎠᏗᎾ ᎢᏳᏍᏗ ᎪᎯ ᏒᏃᏱ ᏕᏍᏓᏂᏏᏅᎭ ᎤᏂᏍᏇᏚᎩ ᏤᏥ ᏧᏤᎵᎦ ᏕᏍᎩᏁᎸ ᎢᏳᏍᏗ.\nᏤᎦᏈᏃ ᎢᎾᎨ ᏧᎶᏎ ᎤᏒᎯᏰᏱ, ᎵᎠᏃ ᏚᏠᏒᏎᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏎ ᎠᏴ ᏓᏍᏆᏂᏏᏁᎵ; ᎤᏙᎯᏳᎯᏯᏰᏃ ᎤᏂᏍᏇᏚᎩ ᎠᏇᏥ ᏧᏤᎵᎦ ᎬᏯᎫᏴᏔᏅ. ᎾᎯᏳᏃ ᏒᏃᏱ ᏚᎾᏂᏏᏁᎢ.\nᎤᏁᎳᏅᎯᏃ ᎤᏛᏓᏍᏓᏁᎴ ᎵᎠ, ᎠᎴ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎯᏍᎩᏁ ᎤᎾᏄᎪᏫᏎᎴ ᏤᎦᏈ ᎠᏧᏣ.\nᎵᎠᏃ ᎯᎠ ᏄᏪᎡᎢ, ᎤᏁᎳᏅᎯ ᎠᎩᏁᎸ ᏄᏍᏛ ᎠᏆᎫᏴᎡᎲᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏥᏅᏏᏓᏍᏗ ᎠᏛ ᎣᏍᏗᏁᎳ ᏥᏯᎧᏁᎸᎢ; ᎢᏏᎦᏃ ᏚᏬᎡᎢ.\nᎵᎠᏃ ᎠᏏ ᎤᏁᎵᏤᎢ, ᎠᎴ ᏑᏓᎵᏁ ᎤᎾᏄᎪᏫᏎᎴ ᏤᎦᏈ ᎠᏧᏣ.\nᎵᎠᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏁᎳᏅᎯ ᎠᎩᎲᏏ ᎣᏍᏛ ᎠᏓᏁᏗ ᎨᏒᎢ; ᎿᏉ ᎣᏍᏗᏁᎳ ᏓᏲᏍᏓᏁᎳᏗ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏑᏓᎵ ᏕᏥᎾᏄᎪᏫᏎᎸ ᎠᏂᏧᏣ; ᏤᏆᎳᏂᏃ ᏚᏬᎡᎢ.\nᎣᏂᏃ ᎤᎾᏄᎪᏫᏎ ᎠᎨᏳᏣ, ᏓᏂᏃ ᏚᏬᎡᎢ.\nᎤᏁᎳᏅᎯᏃ ᎤᏅᏓᏕ ᎴᏥᎵ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏛᏓᏍᏓᏁᎴᎢ, ᎠᎴ ᎤᎳᏅᏓᏕᎴ ᏧᎷᎸᏗᏱ.\nᎤᏁᎵᏤᏃ, ᎠᎴ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎢ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᎤᏁᎳᏅᎯ ᎠᎲᎾ ᎤᏕᎰᎯᏍᏗ ᎥᏆᏓᏅᏖᏍᎬᎢ.\nᏦᏩᏃ ᏚᏬᎡᎢ; ᎯᎠ ᏄᏪᏎᎢ, ᏱᎰᏩ ᎠᏏ ᏅᏩᏓᎴ ᎠᏧᏣ ᏛᎩᎧᏁᎵ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᎯᏳ ᎴᏥᎵ ᏦᏩ ᎤᎾᏄᎪᏫᏒ, ᎾᏍᎩ ᏤᎦᏈ ᎯᎠ ᏄᏪᏎᎴ ᎴᏆᏂ, ᏍᏆᏂᎩᏍᏓ, ᎾᏍᎩᏃ ᏗᏇᏅᏒ ᏫᏥᎶᎢ, ᎠᎴ ᎠᏆᏤᎵᎪᎯ ᏗᎨᏒᎢ.\nᏗᏍᎩᏲᎯᏏ ᏗᏆᏓᎵᎢ, ᎠᎴ ᏗᏇᏥ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏯᏛᏁᎲ ᏗᎬᏒᏅᎯ ᏥᎩ, ᎠᎴ ᎦᏂᎩ; ᏨᏒᏰᏃ ᎯᎦᏔᎭ ᏓᎩᎸᏫᏍᏓᏁᎸ ᎪᎱᏍᏗ ᎬᏯᏛᏁᎸᎢ.\nᎴᏆᏂᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎢᏳᏃ ᎣᏍᏛ ᏍᎩᏰᎸᏗ ᎨᏒ ᎬᏩᏛᎡᎴᏍᏗ, [ᎦᎮᎮᏍᏗᏉ;] ᎠᏆᏙᎴᎰᏒᏰᏃ ᎾᏍᎩ ᏱᎰᏩ ᎣᏏᏳ ᎾᏆᏛᏁᎸ ᏂᎯ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎯᏁᎩ ᎢᎦᎩ ᏍᎩᏠᎯᏍᏗᏱ, ᎠᎴ ᏓᎬᏁᎵᏉ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᏨᏒ ᎯᎦᏔᎭ ᏄᏍᏛ ᎪᎱᏍᏗ ᎬᏩᏛᏁᎸᎢ, ᎠᎴ ᏗᏣᏤᎵ ᎦᎾᏝᎢ ᏥᏚᏥᎦᎿᏩᏗᏙᎲᎩ;\nᎤᏍᏗᏉᏰᏃ ᏥᏣᎲ ᎠᏏ ᏂᏥᎷᎬᎾ ᏥᎨᏒᎩ, ᎪᎯᏃ ᎬᏒ ᎤᏁᏉᏨ ᏧᏈᏯ ᏄᎵᏍᏔᏅ; ᏱᎰᏩᏃ ᎣᏍᏛ ᏂᏣᏛᏁᎸ ᎬᎩᎷᏨᎯ; ᎢᎳᎩᏳᏃ ᏓᎦᏓᏁᎳᏂ ᎠᏋᏒ ᏓᏆᏓᏘᎾᎥ ᎤᎾᎵᏍᏕᎸᏙᏗ?\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᏙᏃ ᏓᎬᏁᎵ? ᏤᎦᏈᏃ ᎯᎠ ᏄᎡᏎᎢ, ᎥᏝ ᎪᎱᏍᏗ ᏴᏓᏍᎩᏁᎵ; ᎢᏳᏃ ᎯᎠ ᏱᏂᏍᏆᏛᏁᎸ ᏔᎵᏁ ᏱᏙᎬᎾᏗᏍᏓ, ᎠᎴ ᏱᏙᏥᎦᏘᏓ ᏗᏣᏤᎵ ᎦᎾᏝᎢ\nᎪᎯ ᎢᎦ ᏥᎩ ᏓᎨᏙᏂ ᏂᎦᏛ ᎦᎾᏝᎢ ᏣᏤᎵ ᏄᎾᏛᏅᎢ, ᏕᎦᏓᏓᎴᏗᏍᎨᏍᏗ ᏂᎦᏛ ᎠᏫ ᎤᏂᏚᏯᏍᏗ, ᎠᎴ ᏧᏂᎳᎾᎢ, ᎠᎴ ᏂᎦᏛ ᎠᏂᎬᎾᎨ ᎠᏫ ᎤᎾᏜᏍᏛ ᎤᏂᏃᏕᎾ ᎤᎾᏓᏡᎬᎢ, ᎠᎴ ᏧᏂᎳᎾᎢ ᎠᎴ ᎤᏂᏚᏯᏍᏗ ᎤᎾᏜᏍᏛ ᏗᏂᎭᏄᎸᎯ ᎤᎾᏓᏡᎬᎢ, ᎾᏍᎩ ᏍᏆᎫᎡᏓᏁᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᏚᏳᎪᏛ ᎢᎦᏛᏁᎯ ᎨᏒ ᎬᏂᎨᏒ ᎾᏋᏁᎮᏍᏗ ᎪᎯ ᎨᏒ ᎤᏓᎴᏅᏛ, ᎾᎯᏳ ᏍᏆᎫᏴᎡᎸ ᎯᎪᏩᏘᏍᎨᏍᏗ; ᏂᎦᏛ ᏄᏂᏚᏯᏍᏛᎾ ᎠᎴ ᏂᏚᏂᎳᎾᎥᎾ ᏗᏂᎭᏄᎸᎯ ᎤᎾᏓᏑᏴᎢ, ᎠᎴ ᎠᏂᎬᎾᎨ ᎠᏂᎨᏒᎾ ᎤᏂᏃᏕᎾ ᎤᎾᏓᏑᏴᎢ, ᎾᏍᎩ ᎦᏃᏍᎩᏛ ᏍᎩᏰᎸᎾᏁᏗ ᎨᏎᏍᏗ.\nᎴᏆᏂᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎰᏩᏉ, ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎾᏍᎩᏯ ᏣᏁᏨᎢ.\nᎾᎯᏳᏃ ᎢᎦ ᏚᏪᎧᎲᏎ ᏗᏂᎭᏄᎸᎯ ᎠᏂᏨᏯ, ᎬᏩᏕᏱᏛ ᏧᏂᎶᎸᏗ, ᎠᎴ ᏧᏂᎳᎾᎢ, ᎠᎴ ᎾᏂᎥ ᏗᏂᎭᏄᎸᎯ ᎠᏂᎩᏏ ᎤᏂᏚᏯᏍᏗ ᎠᎴ ᏧᏂᎳᎾᎢ ᎨᏒᎢ, ᎠᎴ ᎾᏂᎥ ᎤᏁᎬ ᏳᏓᏓᎳ, ᎠᎴ ᎾᏂᎥ ᎠᏂᎬᎾᎨ ᎤᏂᏃᏕᎾ ᎤᎾᏓᏑᏴᎢ, ᎠᎴ ᏧᏪᏥ ᏕᎤᏲᎯᏎᎴᎢ.\nᎠᎴ ᏦᎢ ᏧᏙᏓᏆᏛ ᎡᏅᏍᏗ ᎢᏴᏛ ᏂᏚᎾᏓᎳᏕ ᎤᏩᏒ ᎠᎴ ᏤᎦᏈ; ᏤᎦᏈᏃ ᎠᏂᏐᎢ ᎤᏂᏙᏕᎾ ᎴᏆᏂ ᏧᏤᎵ ᏕᎬᎾᏗᏍᏗᏍᎨᎢ.\nᏤᎦᏈᏃ ᏚᏴᎮ ᏗᏤ ᎦᎾᏍᏓ ᏥᏳ ᎠᎴ ᎠᎹᏂ ᎠᎴ ᏘᎵ; ᎠᎴ ᏚᏯᎸᎮ ᏧᏁᎬ ᏧᎸᏓᏅᏂ ᏂᏚᏩᏁᎴᎢ, ᎠᎴ ᎤᏁᎬ ᎨᏒ ᎦᎾᏍᏙᎯ ᎬᏂᎨᏒ ᏄᏩᏁᎴᎢ.\nᎠᎴ ᎾᏍᎩ ᎦᎾᏍᏓ ᏄᏯᎸᏛ ᏚᏪᏘᏁ ᏕᎨᎵᏍᎦᎸᎲ ᎠᎹ ᏧᎾᏗᏔᏍᏗᏱ, ᎾᎿ ᎠᏫ ᏓᎾᏗᏔᎯᎯᎲᎢ, ᎢᎬᏱᏗᏢ ᎠᏫ ᎠᏂᎷᎬᎢ, ᎾᏍᎩ ᏧᏂᏁᎵᎢᏍᏗᏱ ᎾᎯᏳ ᏓᎾᏗᏔᎯᎦ.\nᎠᏫᏃ ᏓᏂᏁᎵᎨ ᎦᎾᏍᏓ ᏕᎨᏛ ᎢᎬᏱᏗᏢ, ᎠᎴ ᏚᎾᏅᏁ ᎬᏩᏕᏱᏛ ᏧᏂᎶᎸᏗ, ᎤᏂᏚᏯᏍᏗ, ᎠᎴ ᏧᏂᎳᎾᎢ.\nᏤᎦᏈᏃ ᎠᏂᎩᎾ ᏚᏓᏓᎴᏔᏁᎢ; ᎬᏩᏕᏱᏛᏃ ᏧᏂᎶᎸᏗ ᎠᎴ ᏂᎦᏛ ᎠᏂᎬᎾᎨ ᎴᏆᏂ ᏧᏤᎵ ᎠᏫ ᎤᎾᏓᏑᏴ ᎠᏂᏙᎾᎥ ᎢᏗᏢ ᏫᏚᎦᏔᏁ ᎠᏫ; ᎤᏩᏒᏃ ᏧᏤᎵ ᎤᎾᏁᎳᎩ ᏚᏪᎧᏁᎢ, ᎥᏝᏃ ᎴᏆᏂ ᏧᏤᎵ ᎠᏁᏙᎲ ᏱᏚᏪᎧᏁᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎢᏳᏃ ᏧᎾᎵᏂᎦᏂ ᎠᏫ ᏓᏂᏁᎵᎩ, ᎾᏍᎩ ᏤᎦᏈ ᎦᎾᏍᏓ ᏕᎨᎵᏍᎦᎸᎲ ᏕᎦᎳᏗᏍᎨ ᎠᏫ ᏓᏂᎧᏅ ᎢᏗᏢ, ᎾᏍᎩ ᎦᎾᏍᏓ ᏕᎨᏛ ᏧᏂᏁᎵᏍᏗᏱ.\nᏗᏂᏩᎾᎦᎳᏍᎩᏂ ᏥᎨᏐ ᎥᏝ [ᎦᎾᏍᏓ] ᏱᏗᎦᎳᏗᏍᎨᎢ; ᎾᏍᎩᏃ ᏗᏂᏩᎾᎦᎳ ᎴᏆᏂ ᏧᏤᎵ ᎨᏎᎢ, ᏧᎾᎵᏂᎦᏂᏃ ᏤᎦᏈ ᏧᏤᎵ ᎨᏎᎢ.\nᎾᏍᎩᏃ ᎠᏍᎦᏯ ᎤᏣᏘ ᎤᏁᏉᏤᎴᎢ, ᎠᎴ ᎤᏂᏣᏘ ᎠᏫ ᏚᏪᎧᎮᎢ, ᎠᎴ ᎠᏂᎨᏴ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᏂᏍᎦᏯ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᎨᎻᎵ, ᎠᎴ ᏐᏈᎵ ᏗᏂᎵᎠᏅᎯᏛ.\nᎠᏯᏙᎸᎢ 31\nᎤᏛᎦᏁᏃ ᎠᏂᏁᎬ ᎴᏆᏂ ᏧᏪᏥ, ᎯᎠ ᎾᏂᏪᏍᎬᎢ, ᏤᎦᏈ ᎠᎩᏐᏅ ᏂᎦᏛ ᎢᎩᏙᏓ ᎤᏤᎵᎦ ᏥᎨᏒᎩ; ᎠᎴ ᎢᎩᏙᏓ ᎤᏤᎵᎦ ᏥᎨᏒᎩ ᎤᏩᏛᏔᏅ ᎯᎠ ᏂᎦᏛ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\nᏤᎦᏈᏃ ᎤᎪᎮ ᎴᏆᏂ ᎤᎧᏛᎢ, ᎠᎴ ᎬᏂᏳᏉ ᎥᏝ ᏧᏩᎫᏔᏅᏒ ᏕᎤᎧᏂᏍᎬ ᎩᏯ ᏱᏄᏍᏕᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᏤᎦᏈ, ᏥᎭᏨᎾ ᏗᏣᎦᏴᎵᎨ ᎤᎾᏤᎵᎪᎯ, ᎠᎴ ᏗᏣᏴᏫ ᏗᏁᎲ ᏫᎯᎶᎯ; ᎠᏴᏃ ᏕᎬᎦᎿᏩᏗᏙᎮᏍᏗ.\nᏤᎦᏈᏃ ᎤᏓᏅᏎ ᏫᏚᏯᏅᎮ ᎴᏥᎵ ᎠᎴ ᎵᎠ, ᎢᎾᎨ ᎤᏂᎷᎯᏍᏗᏱ ᎠᏫ ᏚᏪᎧᎲᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏥᎪᏩᏘᎭ ᎢᏍᏗᏙᏓ ᎤᎧᏛ ᎾᏍᎩ ᎥᏝ ᏧᏩᎫᏔᏅᏒ ᏥᏄᏍᏛ ᏓᏆᎧᏂᏍᎬ ᏱᏄᏍᏗ ᎪᎯ ᎨᏒᎢ; ᎠᏎᏃ ᎡᏙᏓ ᎤᏤᎵᎦ ᎤᏁᎳᏅᎯ ᏓᎩᎧᎿᏩᏗᏙᎸ.\nᎠᎴ ᎢᏍᏗᎦᏔᎭ ᎾᏆᎵᏂᎬᎬ ᎢᏴᏛ ᎠᏋᏔᏅ ᎪᎱᏍᏗ ᏥᏯᏛᏁᎸ ᎢᏍᏗᏙᏓ.\nᎠᎴ ᎢᏍᏗᏙᏓ ᎠᎩᎶᏄᎲᎵ, ᎠᎴ ᎠᏍᎪᎯ ᎾᎩᏁᏟᏴᏏ ᎠᏆᎫᏴᎡᎲᎢ; ᎠᏎᏃ ᎤᏁᎳᏅᎯ ᎥᏝ ᎤᏁᎳᎩ ᏳᏪᎵᏎᎸ ᎪᎱᏍᏗ ᎠᏋᏁᏗᏱ.\nᎢᏳᏃ ᎯᎠ ᏱᏄᏪᏒ, ᎤᏂᏚᏯᏍᏗ ᏕᎬᏯᎫᏴᏓᏁᎮᏍᏗ; ᎿᏉ ᏂᎦᏛ ᎤᏂᏚᏯᏍᏗ ᏓᏂᎾᏄᎪᏫᏍᎪᎢ; ᎠᎴ ᎯᎠ ᏱᏄᏪᏒ ᏛᏩᏕᏱᏛ ᏧᏂᎶᎸᏗ ᏕᎬᏯᎫᏴᏓᏁᎮᏍᏗ, ᎿᏉ ᏂᎦᏛ ᎬᏩᏕᏱᏛ ᏧᏂᎶᎸᏗ ᏓᏂᎾᏄᎪᏫᏍᎪᎢ.\nᎾᏍᎩᏃ ᎤᏁᎳᏅᎯ ᎢᏍᏗᏙᏓ ᏕᎤᏯᏅᎡᎸ ᎠᏫ, ᎠᎴ ᎠᏴ ᏕᎠᎩᎧᏁᎸ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ ᎾᎯᏳ ᎠᏫ ᏓᏂᏁᎵᎬᎢ, ᎾᏍᎩ ᏕᎠᏆᎧᎾᏅᎩ, ᎠᎴ ᎦᏍᎩᏓᏍᎬ ᎠᎩᎪᎲᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎠᏂᏨᏯ ᎾᏍᎩ ᎠᏫ ᏗᏂᏃᏁᎯ ᎬᏩᏕᏱᏛ ᏧᏂᎶᎸᏗ, ᎠᎴ ᎤᏂᏚᏯᏍᏗ, ᎠᎴ ᎤᎾᏅᏣᏛ ᎨᏒᎩ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎠᎩᏁᏤᎸᎩ ᎦᏍᎩᏓᏍᎬᎢ, ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᏤᎦᏈ; ᎯᎠᏃ ᎾᎩᏪᏒᎩ, ᎠᏂ.\nᎯᎠᏃ ᏄᏪᏒᎩ; ᏫᏔᎧᏅᎦ ᎠᎴ ᏫᏘᎪᏩᏛ ᏂᎦᏛ ᎠᏂᏨᏯ ᎠᏫ ᏗᏂᏃᏁᎯ ᎬᏩᏕᏱᏛ ᏚᏂᎶᎸᏗ, ᎠᎴ ᎤᏂᏚᏯᏍᏗ, ᎠᎴ ᎤᎾᏅᏣᏛ; ᎠᎩᎪᎲᏰᏃ ᏂᎦᏛ ᎴᏆᏂ ᏂᏨᏁᎲᎢ.\nᎠᏴ ᎤᏁᎳᏅᎯ ᏇᏕᎵ ᎨᎢ, ᎾᎿ ᏅᏯ ᎨᏛᎪᎢ ᏥᏣᎶᏁᏔᏅᎩ, ᎠᎴ ᏥᏍᏆᏎᎵᏓᏁᎸᎩ; Ꭷ, ᏔᎴᎲᎦ, ᎠᎴ ᎯᎠ ᎠᏂ ᎦᏙᎯ ᎭᏓᏅᎾ, ᎠᎴ ᏗᏣᏴᏫ ᏗᏁᎲ ᏫᎯᎶᎯ.\nᎴᏥᎵᏃ ᎠᎴ ᎵᎠ ᎬᏩᏁᏤᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ. ᏥᎪ ᎠᏏ ᎣᎩᏂᏙᏓ ᎦᏁᎸ ᎠᎭ ᎣᎩᎾᏤᎵᎦ ᎠᎴ ᎣᎩᎾᏘᏯᏍᏓᏁᏗ ᎨᏒᎢ?\nᏝᏍᎪ ᎣᏍᏕᏙᎯᏉ ᎣᎩᏂᏰᎸᏅᎯ ᏱᎩ? ᏙᎩᏂᎾᏗᏅᏰᏃ, ᎠᎴ ᏦᎩᎾᏤᎵᎦ ᎠᏕᎸ ᏚᏒᏃᏅ.\nᏂᎦᏛᏰᏃ ᏧᎬᏩᎶᏗ ᎤᏁᎳᏅᎯ ᎣᎩᏂᏙᏓ ᏧᎩᎡᎸ, ᎠᏴ ᎠᎴ ᏦᎩᏁᏥ ᎣᏍᎦᏤᎵᎦ; ᎾᏍᎩᏃ ᎿᏉ ᏂᎦᎥ ᎪᎱᏍᏗ ᎤᏁᎳᏅᎯ ᏣᏁᏤᎸ, ᎾᏍᎩ ᎿᏛᎦ.\nᎿᏉᏃ ᏤᎦᏈ ᏚᎴᏁᎢ, ᎠᎴ ᎨᎻᎵ ᏚᎩᎸᏔᏁ ᏧᏪᏥ ᎠᎴ ᏧᏓᎵᎢ.\nᎠᎴ ᏂᎦᏛ ᏧᏤᎵᎦ ᎦᎾᏝᎢ ᏚᏘᎾᏫᏛᎮᎢ, ᎠᎴ ᏂᎦᏛ ᏧᎬᏩᎶᏗ ᎤᏩᏛᏛ ᏇᏓᏁᏔᎻᏱ ᎤᏫᏛᎰᏁᎢ, ᎤᏙᏓ ᎡᏏᎩ ᏤᎲ ᏭᎶᎯᏍᏗᏱ, ᎾᏍᎩ ᎨᎾᏂ ᎦᏓ ᏗᎲᎢ.\nᎴᏆᏂᏃ ᎤᏂᏃᏕᎾ ᏚᏍᏙᏰᎲᏎᎢ; ᎴᏥᎵᏃ ᏚᏃᏍᎩᏎ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᎾᏍᎩ ᎤᏙᏓ ᏧᏤᎵᎦ.\nᏤᎦᏈᏃ ᎤᏓᏃᏍᎩᏛᏉ ᎤᏂᎩᎡᎴ ᎴᏆᏂ ᏏᎵᏱ ᎡᎯ, ᎥᏝᏰᏃ ᏳᏃᏁᎴ ᎤᎵᏘᏒᎢ.\nᎤᎵᏘᏎᏃ ᎬᏰᎯ ᏂᎦᏛ ᎤᎿᎥᎢ; ᎠᎴ ᏚᎴᏁᎢ, ᎠᎴ ᎡᏉᏂ ᏚᏪᏐᏤᎢ, ᎠᎴ ᎩᎵᏯᏗ ᏦᏓᎸ ᎢᏗᏢ ᏫᏚᏭᎪᏔᏁᎢ.\nᏦᎢᏁᏃ ᎢᎦ ᎠᏥᏃᏁᎴ ᎴᏆᏂ ᏤᎦᏈ ᎤᎵᏘᏒᎢ.\nᎠᎾᎵᏅᏟᏃ ᏚᏘᏅᏎᎢ, ᎠᎴ ᎤᎨᎲᏎ ᎦᎵᏉᎩ ᏧᏙᏓᏆᏛ ᎡᏅᏍᏗ ᎢᏴᏛ, ᎩᎵᏯᏗᏃ ᎣᏓᎸ ᏫᎬᏩᏢᏔᎮᎢ.\nᎤᏁᎳᏅᎯᏃ ᎤᎷᏤᎴ ᎴᏆᏂ ᏏᎵᏱ ᎡᎯ ᏒᏃᏱ ᎠᏍᎩᏓᏍᎬᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎮᏯᏔᎮᏍᏗ ᏞᏍᏗ ᎯᏬᏁᏔᏅ ᏤᎦᏈ ᎣᏍᏛ ᎠᎴ ᎤᏲᎢ.\nᎿᏉᏃ ᎴᏆᏂ ᏭᏢᏔᎮ ᏤᎦᏈ. ᏤᎦᏈᏃ ᎾᎿ ᎣᏓᎸ ᏚᎵᏦᏖᎢ; ᎴᏆᏂᏃ ᎠᎴ ᎾᏍᎩ ᎠᎾᎵᏅᏟ ᎩᎵᏯᏗ ᎣᏓᎸ ᏚᏂᎵᏦᏔᏁᎢ.\nᎴᏆᏂᏃ ᎯᎠ ᏄᏪᏎᎴ ᏤᎦᏈ, ᎦᏙᏉ ᏣᏛᏁᎸ, ᎾᏍᎩ ᏣᏓᏃᏍᎩᏛ ᎾᏆᏕᎶᎰᏒᎾ ᏨᏗᏣᎵᏘᏒ, ᎠᎴ ᏗᏇᏥ ᏥᏙᏔᏘᎾᏫᏛᎲ, ᎾᏍᎩᏯᏉ ᎠᏂᏴᎩ ᎠᏰᎳᏍᏗ-ᎦᏅᎯᏛ ᎬᏔᏅᎯ ᏗᎦᏂᏴᏛ.\nᎦᏙᏃ ᎤᏕᎵᏛ ᏗᏣᎵᏘᏎᎢ, ᎠᎴ ᎢᏍᏆᏓᏃᏍᎩᎡᎴᎢ; ᎠᎴ ᎥᏝ ᏱᏍᎩᏃᏁᎴᎢ, ᎾᏍᎩ ᎣᏍᏛ ᎢᎦᏓᏅᏛ ᎬᏯᏂᎩᏍᏙᏗᏱ, ᏗᎧᏃᎩᏛ ᎬᏗ, ᎠᎴ ᎠᎱᎵ ᎢᏳᏍᏗ ᎬᏗ, ᎠᎴ ᎠᏏᎳᏕᏫᏛ ᏗᎧᏃᎩᏍᏙᏗ ᎬᏗ?\nᎥᏝ ᎠᎴ ᏫᏓᏔᏪᏙᎦ ᎣᏍᏇᎵᏎᎴ ᏗᏇᏥ ᎠᏂᏍᎦᏯ, ᎠᎴ ᏗᏇᏥ ᎠᏂᎨᏴ? ᎭᎵᏍᎦᎿᏩᏉ ᎾᏍᎩ ᏥᏂᏣᏛᏁᎸ.\nᎠᏴ ᏰᎵᏉ ᎾᏆᎵᏂᎬᎦ ᎤᏲ ᎢᎬᏴᏁᏗᏱ; ᎠᏎᏃ ᎢᏥᏙᏓ ᎤᏤᎵᎦ ᎤᎾᎳᏅᎯ ᎠᎩᏁᏤᎸᎩ ᎤᏒᎯ ᏒᏃᏱ, ᎯᎠ ᏄᏪᏒᎩ; ᎮᏯᏔᎮᏍᏗ ᏞᏍᏗ ᏤᎦᏈ ᎯᏁᏤᎸᎩ ᎣᏍᏛ ᎠᎴ ᎤᏲᎢ.\nᎠᎴ ᎿᏉ ᎠᏎ ᏤᏅᏍᏗ ᏥᏂᏣᎵᏍᏓᏁᎮᎢ ᏥᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏣᏘ ᏤᎳᏲᏍᎬ ᏣᏙᏓ ᎦᏁᎸᎢ, ᎠᏎᏃ ᎦᏙ ᏗᎤᎵᏍᏙᏔᏅ ᎤᎾᏁᎳᏅᎯ ᏗᏆᏤᎵᎦ ᏙᏍᎩᏃᏍᎩᏎᎢ?\nᏤᎦᏈᏃ ᏗᎤᏁᏤ ᎠᎴ ᎯᎠ ᏄᏪᏎᎴ ᎴᏆᏂ, ᏥᏍᎦᎢᎲᏍᎩᏂ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ; ᎯᎠᏰᏃ ᎢᏪᏒᎩ, ᎬᏍᎦᎢᏍᏓᎩᏆᎴ ᏱᏓᎩᏯᏅᏏ ᏧᏪᏥ ᎠᏂᎨᏴ.\nᎩᎶ ᎠᏗᎾ ᏙᎯᏩᏛᎡᎸᎭ ᎤᎾᏁᎳᏅᎯ ᏗᏣᏤᎵᎦ, ᎾᏍᎩ ᏞᏍᏗ ᏱᎬᏁᏍᏗ; ᎢᏓᎵᏅᏟ ᎠᏂᎦᏔᎲ ᎭᎦᏔ ᏣᏤᎵᎦ ᏳᏝᏍᏗ ᏥᏰᎿᎥᎢ, ᎠᎴ ᎯᎩ. ᎥᏝᏰᏃ ᏤᎦᏈ ᏱᎦᏔᎮ ᎴᏥᎵ ᏚᏃᏍᎩᏒᎢ.\nᎴᏆᏂᏃ ᏤᎦᏈ ᎤᎵᏦᏛ ᏭᏴᎴᎢ, ᎠᎴ ᎵᎠ ᎤᎵᏦᏛᎢ, ᎠᎴ ᎠᏂᏔᎵ ᎠᏂᎨᏴ ᎨᏥᏅᏏᏓᏍᏗ ᏚᏂᎵᏦᏛᎢ; ᎠᏎᏃ ᎥᏝ ᏱᏚᏩᏛᎮᎢ. ᎿᏉᏃ ᎤᏄᎪᏤ ᎵᎠ ᎤᎵᏦᏛ ᎠᎴ ᎴᏥᎵ ᎤᎵᏦᏛ ᏭᏴᎴᎢ.\nᎴᏥᎵᏃ ᏧᎩᏛ ᎨᏎ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᎠᎴ ᎨᎻᎵ ᎦᏯᎱᎶᏗ ᏫᏚᎳᏁᎢ, ᎠᎴ ᏚᏍᎩᎳᏁᎢ. ᎴᏆᏂᏃ ᏂᎬ ᎦᎵᏦᏛ ᎤᏲᎴᎢ, ᎠᏎᏃ ᎥᏝ ᏱᏚᏩᏛᎮᎢ.\nᎯᎠᏃ ᏄᏪᏎᎴ ᎤᏙᏓ, ᏞᏍᏗ ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ ᎤᏐᏅᏤᎸᎩ ᎾᏍᎩ ᏗᎦᏥᏯᎴᏁᏗ ᏂᎨᏒᎾ ᏥᎩ, ᎠᏂᎨᏴᏰᏃ ᎢᏳᎾᎵᏍᏓᏁᏗ ᏥᎩ ᎾᏆᎵᏍᏓᏁᎭ. ᎤᏲᎴᏃ ᎠᏎᏃ ᎥᏝ ᏱᏚᏩᏛᎮ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ\nᏤᎦᏈᏃ ᎤᏔᎳᏬᏎᎢ ᎠᎴ ᎤᎾᏘᏲᎴ ᎴᏆᏂ; ᎠᎴ ᏤᎦᏈ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎴ ᎴᏆᏂ, ᎦᏙ ᎤᏍᏗ ᎤᏣᏘᏂ ᎾᏆᏛᏁᎸ? ᎦᏙ ᎤᏍᏗ ᎠᎩᏍᎦᏅᏨ ᏥᏄᏖᎡᏗ ᏨᏗᏍᎩᎨᎮᏅ?\nᏂᎦᏛᏰᏃ ᏥᏰᎿᎥ ᎯᏍᏆᏂᏰᎣᏅ, ᎦᏙᏃ ᎯᏩᏛ ᎯᏁᎸ ᏣᏅᎯ? ᎾᏍᎩ ᎠᏂ ᎯᎲᎦ ᎠᏂᎦᏔᎲ ᎠᏴ ᎣᏣᎵᏅᏟ, ᎠᎴ ᏂᎯ ᎢᏣᎵᏅᏟ, ᎾᏍᎩᏃ ᏕᎨᎩᏄᎪᏓᏁᎸᎭ.\nᎪᎯ ᎿᏉ ᏔᎳᏍᎪᎯ ᎾᏕᏘᏴ ᎬᏯᏕᎥᏏ; ᏗᏣᏤᎵᏃ ᎤᏂᏃᏕᎾ ᎠᏂᎩᏏ, ᎠᎴ ᏗᏂᎭᏄᎸᎯ ᎠᏂᎩᏏ, ᎥᏝ ᏱᏚᏂᎶᎠᎯᏎᎸ ᎠᏂᏛ, ᎠᎴ ᎠᏫ ᎠᏂᏨᏯ ᏂᎯ ᏗᏣᏤᎵᎦ ᎥᏝ ᏱᏓᎩᏯᎥ.\nᎠᏥᏓᎦᎸᎢᏒᎯ ᎥᏝ ᏫᏱᎬᏃᎮᎮᎢ, ᎠᏋᏒᏉ ᎠᎩᏲᎱᏎᎲᎩ; ᎠᏴ ᎾᏍᎩ ᏕᏍᎩᎬᏩᎶᏓᏁᎲᎩ, ᎢᎦ ᎦᏂᏴᏛ ᏱᎩ, ᎠᎴ ᏒᏃᏱ ᎦᏂᏴᏛ ᏱᎩ.\nᎯᎠ ᎾᏍᎩ ᎾᏆᏛᎿᏕᎬᎩ; ᎢᎦ ᎨᏒ ᎠᏍᏓᎦᏲᏍᎬ ᎠᎩᏲᏍᏗᏍᎬᎩ, ᏒᏃᏱᏃ ᎨᏒ ᎠᏯᏛᎲᏍᎬᎢ; ᎠᎴ ᎦᎸᏗ ᎨᏒ ᏗᏥᎦᏙᎵ ᏓᏓᏅᎡᎲᎩ.\nᎾᏍᎩ ᎯᎠ ᏄᏍᏛᎩ ᏔᎳᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎯᏁᎸ ᎨᎥᎩ; ᏂᎦᏚ ᏧᏕᏘᏴᏛ ᎪᎱᏍᏗ ᎬᏯᏛᏁᎸᎩ ᎠᏂᏔᎵ ᏗᏤᏥ ᏕᎬᏒᎲᏍᎬᎢ, ᏑᏓᎵᏃ ᏧᏕᏘᏴᏛ ᎦᎾᎠᎢ ᏕᎬᏒᎲᏍᎬᎢ; ᎬᏠᏍᎬᏃ ᎠᏍᎪᎯ ᏂᏍᎩᏁᏟᏴᏏ.\nᎢᏳᏃ ᎡᏙᏓ ᎤᏤᎵᎦ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎡᏆᎭᎻ ᎤᏤᎵᎦ ᎤᏁᎳᏅᎯ, ᎠᎴ ᎾᏍᎩ ᎡᏏᎩ ᎤᎾᏰᏒᎯ ᏔᎵ ᏄᏛᏗᏕᎬᎾ ᏱᎨᏎ ᎠᏴ ᎨᎥᎢ, ᎤᏙᎯᏳᎯᏯ ᎪᎯ ᎨᏒ ᎠᏒᎭ ᏱᏍᏆᏂᎩ ᏍᏔᏁᎢ. ᎤᏁᎳᏅᎯ ᎤᎪᎲ ᎤᏲ ᎾᏆᎵᏍᏓᏁᎸᎢ, ᎠᎴ ᏓᎩᏯᏪᏥᏙᎸᎢ, ᎠᎴ ᎤᏒᎯ ᏒᏃᏱ ᏥᎨᏒ ᏣᎬᏍᎪᎸᏁᎢ.\nᎴᏆᏂᏃ ᎤᏁᏤ ᎠᎴ ᎯᎠ ᏄᏪᏎᎴ ᏤᎦᏈ, ᎯᎠ ᎠᏂᎨᏴ ᎠᏴ ᏗᏇᏥ, ᎠᎴ ᎯᎠ ᏧᏁᏥ ᎠᏴ ᏗᏇᏥ, ᎠᎴ ᎯᎠ ᎠᏫ ᎠᏴ ᏗᏆᏤᎵᎦ ᎠᏫ, ᎠᎴ ᏂᎦᏛ ᏥᎪᏩᏘᎭ ᎠᏴ ᎠᏆᏤᎵᎦ; ᎦᏙᏃ ᏱᏕᎬᎦ ᎪᎯ ᎢᎦ ᎯᎠ ᏗᏇᏥ, ᎠᎴ ᏧᏁᏥ ᎾᏍᎩ ᏧᏂᎾᏄᎪᏫᏒᎯ ᏥᎩ?\nᎧ, ᎿᏉ ᎧᏃᎮᏛ ᏗᎾᏠᎯᏍᏓ, ᎠᏴ ᏂᎯᏃ; ᎠᎴ ᎾᏍᎩ ᎪᎯᏳᏗᏍᎩ ᎨᏎᏍᏗ ᏄᏍᏛ ᏕᎩᎾᏓᏁᏤᎸᎢ.\nᏤᎦᏛᏃ ᏅᏯ ᎤᎩᏎᎢ ᎠᎴ ᎤᏪᏘᏁᎢ.\nᏤᎦᏈᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎠᎾᎵᏅᏟ, ᏅᏯ ᏗᏧᏔᎩ; ᏅᏯᏃ ᏚᏂᎩᏎᎢ, ᎠᎴ ᎤᏂᏡᏁᎢ; ᎠᎴ ᎾᎿ ᎦᏡᎬ ᎤᎾᎵᏍᏓᏴᏁᎢ.\nᎴᏆᏂᏃ ᏥᎦ ᏌᎭᏚᏓ ᏚᏬᎡᎢ; ᏤᎦᏈᏍᎩᏂ ᎦᎵᏗ ᏚᏬᎡᎢ;\nᎴᏆᏂᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᏥᎦᏡᎦᎪᎯᏳᏗᏍᎩ ᎨᏎᏍᏗ ᏕᎩᎾᏓᏁᏤᎸ ᎪᎯ ᏥᎩ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎦᎵᏗ ᏚᏃᎡᎢ;\nᎠᎴ ᎻᏏᏆ ᏚᏃᎡᎢ; ᎯᎠᏰᏃ ᏄᏪᏎᎢ, ᏱᎰᏩ ᎩᏂᏯᏫᏍᎨᏍᏗ. ᏂᏗᎾᏓᎪᏩᏗᏍᎬᎾ ᎿᏉ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᏙᎦᎯᏐᏢᏕᏍᏗ ᏗᏇᏥ, ᎢᏳ ᎠᎴ ᏅᏩᎾᏓᎴ ᏙᎭᏓᏰᎨᏍᏗ ᏔᎵ ᏙᎲᏕᏍᏗ ᏗᏇᏥ, ᎥᏝ ᎩᎶ ᎠᏍᎦᏯ ᏯᎦᏔᎭ; ᎬᏂᏳᏉ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎯ ᏄᏍᏛ ᏚᎩᎾᏓᏁᏤᎸᎢ.\nᎴᏆᏂᏃ ᎯᎠ ᏄᏪᏎᎴ ᏤᎦᏈ. ᎬᏂᏳᏉ ᎯᎠ ᏥᎦᏡᎦ, ᎠᎴ ᎬᏂᏳᏉ ᎯᎠ ᏥᎨᏔ ᎾᏍᎩ ᎠᏰᎵ ᏥᎾᏋᏁᎸ ᎠᏴ ᎢᏁᎲᎢ.\nᎯᎠ ᎾᏍᎩ ᏥᎦᏡᎦ ᎪᎯᏳᏗᏍᎩ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏴ ᎯᎠ ᎦᏡᎬ ᎬᏯᏓᏬᎢᎳᏕᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᏂᎯ ᏍᏆᏓᏬᎯᎳᏕᏗ ᏂᎨᏒᎾ ᎨᏒ ᎯᎠ ᏥᎦᎲᎦ, ᎠᎴ ᎯᎠ ᏅᏯ ᏥᎨᏔ, ᎾᏍᎩ ᎤᏲ ᎢᏗᎩᎾᏓᏛᏁᏗᏱ.\nᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏁᎰ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯ ᎤᏂᏙᏓ ᎤᏤᎵᎦ ᏕᎩᏄᎪᏓᏁᎮᏍᏗ. ᏤᎦᏈᏃ ᎤᏎᎵᏔᏁ ᎤᏁᎢᏍᏔᏁ ᎤᏙᏓ ᎡᏏᎩ ᎤᎾᏰᏒᎯ.\nᎿᏉᏃ ᏤᎦᏈ ᎠᏥᎸ-ᎨᎳᏍᏗ ᎤᎵᏍᎪᎸᏔᏁ ᎾᎿ ᎣᏓᎸᎢ, ᎠᎴ ᎠᎾᎵᏅᏟ ᏫᏚᏯᏅᎮ ᎦᏚ ᎤᏂᎩᏍᏗᏱ; ᎦᏚᏃ ᎤᏂᎨᎢ, ᎠᎴ ᎣᏓᎸ ᎤᏂᏒᎴᎢ.\nᏑᎾᎴᏉᏃ ᎴᏆᏂ ᎤᏗᏛᎮᎢ, ᎠᎴ ᏚᏔᏪᏙᏁ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᏧᏪᏥ ᎠᏂᎨᏴ, ᎠᎴ ᎣᏍᏛ ᏚᏁᏤᎴᎢ; ᎴᏆᏂᏃ ᎤᏂᎩᏎᎢ, ᎠᎴ ᏧᏪᏅᏒ ᏭᎶᏎᎢ.\nᎠᏯᏙᎸᎢ 32\nᏤᎦᏈᏃ ᏩᎦᏛ ᏭᎶᏎᎢ, ᎠᎴ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᏕᎬᏩᏠᏎᎢ.\nᏤᎦᏈᏃ ᏚᎪᎲ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠᎧᏂ ᎤᏁᎳᏅᎯ ᏧᏤᎵᎦ ᎠᏂᏯᏫᏍᎩ; ᎾᎿᏃ ᎹᎭᏁᎻ ᏚᏬᎡᎢ.\nᏤᎦᏈᏃ ᏧᏅᏏᏓᏍᏗ ᎢᎬᏱ ᏂᏚᏅᏎ ᎤᏂᎵ ᎢᏐ ᏧᏬᎸᎢ, ᏏᎠ ᎦᏓ ᏗᎲᎢ, ᎢᏙᎻ ᏙᏧᏙᎥᎢ.\nᏚᏁᏤᎴᏃ, ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᏅᏓᏰᏥᏪᏎᎵ ᎢᏐ ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ; ᎯᏅᏏᏓᏍᏗ ᏤᎦᏈ ᎯᎠ ᏂᎦᏪᎭ, ᎴᏆᏂᏱ ᏫᎨᏓ, ᎠᎴ ᎾᎿ ᏫᎦᏕᎥᎦ ᎪᎯ ᎢᏯᏍᏘ.\nᎠᎴ ᏩᎦ ᏓᎩᎾᏝᎠ, ᎠᎴ ᏐᏈᎵ ᏗᏂᎵᎠᏅᎯᏛ, ᎠᎴ ᎠᏫ, ᎠᎴ ᎠᏂᏍᎦᏯ ᏗᏥᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᏂᎨᏴ ᏗᏥᏅᏏᏓᏍᏗ; ᎠᎴ ᎦᏓᏅᎵ ᎬᏃᏁᏗᏱ ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ, ᎾᏍᎩ ᎣᏍᏛ ᎾᏍᎩᏰᎸᏗᏱ ᎬᏩᏛᎡᏗᏱ.\nᎨᏥᏅᏏᏛᏃ ᎢᎬᏩᎷᏤᎴ ᏤᎦᏈ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎡᎶᏂᎵ ᎢᏐ ᏬᏥᎷᏤᎸᎩ, ᎠᎴ ᎾᏍᏉ ᏓᏯᎢ ᏙᏓᎶᏠᏏ, ᎠᎴ ᏅᎩᏧᏈ ᎠᏂᏍᎦᏯ ᏓᏘᏁᎭ.\nᎿᏉᏃ ᏤᎦᏈ ᎤᏣᏘ ᎤᏍᎦᎴᎢ, ᎠᎴ ᎤᏪᎵᎯᏍᏗ ᎤᏓᏅᏓᏕᎢ; ᎠᎴ ᏔᎵ ᏄᏪᏕ ᏴᏫ ᏓᏘᏁᎲᎢ, ᎠᎴ ᎠᏫ, ᎠᎴ ᏩᎦ, ᎠᎴ ᎨᎻᎵ, ᏔᎵ ᎢᏳᎾᏓᏡᎩ ᏂᏚᏩᏁᎴᎢ;\nᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᏃ ᎢᏐ ᏌᏉ ᏄᎾᏓᏡᎬ ᏱᏚᎷᏤᎸ, ᎠᎴ ᏱᏚᏒᏅ, ᎿᏉ ᏐᎢ ᎤᎾᏓᏡᎬ ᎤᎾᎵᏃᎯᏴᎯ ᎠᎾᏓᏗᏫᏎᎸᎭ.\nᏤᎦᏈᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏣᏁᎳᏅᎯ, ᎡᏙᏓ ᎡᏆᎭᎻ ᎤᏤᎵᎦ. ᎠᎴ ᎡᏙᏓ ᎡᏏᎩ ᎤᏤᎵᎦ, ᏱᎰᏩ, ᎾᏍᎩ ᎯᎠ ᎢᏍᎩᏪᏎᎸᎯ, ᏣᏤᎵᎪᎯ ᏥᎮᎾ, ᎠᎴ ᎢᏥᏠᏱ ᏗᏁᎲᎢ. ᎠᎴ ᎣᏍᏛ ᏂᎬᏯᏛᏁᎮᏍᏗ;\nᎠᏴ ᏥᎾᏆᏍᏗᏉ ᎥᏝ ᏰᎵ ᎢᎦᎯᏯᏛᏁᏗ ᎤᏍᏗ ᎤᏅ ᏂᎦᎥ ᏣᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᏂᎦᎥ ᏚᏳᎪᏛ ᏂᏣᏛᏁᎸ. ᎬᏂᎨᏒ ᏂᏴᏁᎸ ᎯᏅᏏᏓᏍᏗ; ᎠᏆᏙᎳᏅᏍᏗᏉᏰᏃ ᎾᏥᏁᎢ ᏓᎩᏐᏨᎩ ᎯᎠ ᏦᏓᏂ; ᎪᎯᏃ ᏥᎩ ᏔᎵ ᎢᏳᎾᏓᏡᎩ ᎾᏆᎵᏍᏔᏅ.\nᏍᏊᏓᎳᎩ, ᏞᏍᏗ ᎪᎱᏍᏗ ᎠᏋᏁᎸᎩ ᎢᏐ ᎥᎩᏂᎵ; ᏥᎾᏰᏍᎦᏰᏃ; ᏱᎦᎷᎩᏰᏃ ᎠᎴ ᏯᎩᎷᎦ, ᏗᏂᏲᎵ ᎠᎴ ᎤᏂᏥ ᎬᏩᏠᏯᏍᏗ.\nᎠᎴ ᎯᎠ ᏥᏂᏣᏪᏒᎩ, ᎤᏙᎯᏳᎯᏯ ᎣᏍᏛ ᏅᏓᎬᏯᏛᏁᎵ. ᎠᎴ ᏃᏳ ᏥᏄᏧᏈᏍᏗ ᎠᎺᏉᎯ, ᎾᏍᎩ ᎬᏎᎰᎲᏍᏗ ᏂᎨᏒᎾ ᏥᎩ ᎾᏍᎩᏯ ᏅᏓᎦᏥᏴᏁᎵ ᏂᎯ ᏣᏁᏉᎥᎯ.\nᎠᎴ ᎾᎿᏉ ᎤᏒᎴ ᎾᎯᏳ ᏒᏃᏱ; ᎠᎴ ᎤᎩᏎ ᎢᏳᏍᏗᏉ ᎢᎬᏱᏢ ᏄᎵᏍᏓᏁᎲ ᎾᏍᎩ ᎤᏁᏗ ᎤᏂᎵ ᎢᏐ;\nᎾᏍᎩ ᏔᎵᏧᏈ ᎠᏂᎩᏏ ᎠᏫ ᏗᏂᎭᏄᎸᎯ, ᎠᎴ ᏔᎳᏍᎪᎯ ᎠᏂᏨᏯ ᎠᏫ ᏗᏂᎭᏄᎸᎯ, ᏔᎵᏧᏈᏃ ᎠᏂᎩᏏ ᎠᏫ ᎤᏂᏃᏕᎾ, ᏔᎳᏍᎪᎯᏃ ᎠᏂᏨᏯ ᎤᏂᏃᏕᎾ,\nᏦᎠᏍᎪᎯ ᏄᏂᏍᏓᎢ ᎨᎻᎵ ᎤᏂᎩᎾ ᏕᎬᎾᏘᏁᎯ, ᎠᎴ ᏅᎦᏍᎪᎯ ᏩᎦ ᎠᏂᎩᏏ, ᎠᏍᎪᎯᏃ ᎠᏂᏨᏯᎢ, ᏯᎳᏍᎪᎯ ᎠᏂᎩᏏ ᏐᏈᎵ ᏗᏂᎵᎠᏅᎯᏛ, ᎠᎴ ᎠᏍᎪᎯ ᎠᏂᎩᎾ.\nᏧᏅᏏᏓᏍᏗᏃ ᏚᏲᎯᏎᎴᎢ, ᏂᎦᏛ ᏧᎾᏁᎳᎩᎭ ᏚᎾᏓᎲᏩᏗᏎᎢ; ᎯᎠᏃ ᏂᏚᏪᏎᎴ ᏧᏅᏏᏓᏍᏗ, ᎢᎬᏱ ᏗᏥᏐᎩ, ᎠᎴ ᎢᏥᎳᏅᏕᏍᏗ ᏚᎾᏓᏡᏩᏗᏒ ᏕᏥᏱᎵᏒᎢ.\nᎤᏁᏤᎴᏃ ᎢᎬᏱ ᎡᎩ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᎿᏉ ᎢᏐ ᎥᎩᏂᎵ ᏕᏣᏠᏒᎭ, ᎠᎴ ᏣᏛᏛᏅᎭ, ᎯᎠ ᏂᎦᏪᏒᎭ, ᎦᎪ ᏣᎾᏜᎢ? ᎠᎴ ᎭᏢ ᎭᎢ? ᎠᎴ ᎦᎪ ᏧᏤᎵᎦ ᎯᎠ ᎢᎬᏱ ᏣᎾᎢ?\nᎿᏉ ᎯᎠ ᏂᏪᏒᎭ, ᏤᎦᏈᏍᎩᏂ ᎯᏅᏏᏓᏍᏗ ᏧᏤᎵᎦ; ᎯᎠ ᎾᏍᎩ ᎤᏓᏅᏏᏛ ᏩᏥᏁᎸᎯ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ ᎢᏐ; ᎠᎴ ᎬᏂᏳᏉ ᎾᏍᏉ ᎣᏂ ᏓᏯᎢ.\nᎠᎴ ᎾᏍᎩᏯ ᏄᏪᏎᎴ ᎤᏁᏤᎴ ᏔᎵᏁ ᎡᎩ, ᎠᎴ ᏦᎢᏁ ᎡᎩ,ᎠᎴ ᏂᎦᏛ ᏓᏂᏱᎵᏒ ᏗᏂᏍᏓᏩᏕᎩ, ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᏁᏥᏪᏎᎸᎭ ᎢᏐ, ᎿᏉ ᎡᏥᏩᏛᎲᎭ.\nᎠᎴ ᎾᏍᏉ ᎯᎠ ᏁᏥᏪᏎᎸᎭ, ᎬᏂᏳᏉ ᎯᏅᏏᏓᏍᏗ ᏤᎦᏈ ᎣᏂ ᏓᏯᎢ. ᎯᎠᏰᏃ ᏄᏪᏒᎩ, ᎾᏍᎩ ᏓᏥᏮᎢᏍᏙᏓᏁᎵ ᏥᏁᎸᎥᏍᎬ ᎾᏍᎩ ᎢᎬᏱ ᏥᎾᎢ, ᎩᎳᏃ ᎣᏂ ᎠᎩᎪᏩᏛᏗ ᎨᏎᏍᏗ ᎤᎧᏛᎢ; ᏱᏅᏎᎦᎩ ᏱᏓᏆᏓᏂᎸᎩ.\nᎢᎬᏱᏃ ᏚᏪᏐᏤ ᎾᏍᎩ ᎤᏁᏗ ᎨᏒᎢ; ᎤᏩᏒᏃ ᎤᎾᏂᎲ ᏑᎾᏓᏡᎩ ᎤᏒᎴ ᎾᎯᏳ ᏒᏃᏱ.\nᎠᎴ ᎾᎯᏳ ᏒᏃᏱ ᎤᏗᏛᎮᎢ, ᎠᎴ ᏚᏘᏅᏎ ᎠᏂᏔᎵ ᏧᏓᎵᎢ, ᎠᎴ ᎠᏂᏔᎵ ᎠᏂᎨᏴ ᏧᎢᏓᏍᏗ, ᎠᎴ ᏌᏚ ᎢᏯᏂᏛ ᏧᏪᏥ ᎠᏂᏍᎦᏯ, ᎠᎴ ᏚᏪᏐᏤ ᏗᎦᏐᎯᏍᏗᏱ ᏣᏉᎩ ᏚᏙᎥᎢ.\nᎠᎴ ᏚᏘᏅᏎᎢ, ᎠᎴ ᏚᏪᏌᏍᏔᏁ ᎤᏪᏴᎢ, ᎠᎴ ᎤᎿᎥ ᏚᏪᏌᏍᏔᏁᎢ.\nᏤᎦᏈᏃ ᎠᎬᏕᏤ ᎠᎴ ᎤᏩᏒᏉ ᎨᏎᎢ; ᎤᏁᏍᏔᏁᏃ ᎠᏍᎦᏯ ᎩᎳ ᏧᎩᏥᏍᎪ ᎢᏯᏍᏗ.\nᎿᏉᏃ ᎤᏙᎴᎰᏒ ᎬᏩᏎᎪᎩᏍᏗ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎤᏅᏪᎥ ᎦᎦᎶ ᎤᏩᏂᎴᎢ; ᎠᎴ ᎤᏅᏪᎥ ᏤᎦᏈ ᎦᎦᎶ ᎤᏛᎭᏢᏛ ᎨᏎᎢ, ᎾᎯᏳ ᎠᏁᏍᏗᏍᎬᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏗᏍᎩᏲᎯ, ᎿᏉᏰᏃ ᎤᎩᏨᎲᏍᎦ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᎥᏝ ᏱᏙᎦᎬᏲᎯ ᎬᏂ ᎣᏍᏛ ᏍᎩᏁᏤᎸᎭ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎦᏙ ᏕᏣᏙᎥ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᏤᎦᏈ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎥᏝ ᎿᏉ ᏤᎦᏈ ᏱᏗᏣᏙᎡᏍᏗ; ᎢᏏᎵᏍᎩᏂ [ᏕᏣᏙᎡᏍᏗ;] ᎯᏯᏁᏍᏔᏅᏰᏃ ᎤᏁᎳᏅᎯ ᎠᎴ ᏴᏫ, ᎠᎴ ᎭᏓᏎᎪᎩ.\nᏤᎦᏈᏃ ᎤᏛᏛᏁ ᎯᎠ ᏄᏪᏎᎢ, ᏍᎩᏃᎲᏏ ᏕᏣᏙᎥᎢ. ᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᏙᏃ ᎢᎭᏛᏛᎲᏍᎦ ᏄᏍᏛ ᏓᏆᏙᎥᎢ? ᎣᏍᏛᏃ ᎤᏁᏤᎴ ᎾᎿᏂ.\nᏤᎦᏈᏃ ᏇᏂᎡᎵ ᏚᏬᎡ ᎾᎿᏂ; ᎤᏁᎳᏅᎯᏰᏃ ᏙᎩᎾᎧᏛ ᏙᏍᏓᏓᎪᏩᏛ, ᎠᎴ ᎥᎩᏍᏕᎸᏏ ᎬᏅᎢ [ᎤᏛᏁᎢ.]\nᎤᎶᏐᏅᏃ ᏇᏄᎡᎵ ᏅᏙ ᏗᏄᎧᎸᏤᎢ, ᎠᎴ ᎦᎦᎶ ᎠᏲᎤᎴᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎪᎯ ᎨᏒ ᎢᏯᏍᏘ ᎢᏏᏲ ᏧᏪᏥ ᎥᏝ ᏳᎾᎵᏍᏓᏴᏔᏃ ᏩᏚᏃᎯ ᎦᎦᎶ ᎡᎯ, ᎾᏍᎩ ᎤᏅᏪᎥ ᎦᎦᎶ ᏥᎦᎶᏍᎦ; ᏂᎦᎵᏍᏙᏗᎭ ᎤᏒᏂᎸ ᎤᏅᏪᎥ ᏤᎦᏈ ᎦᎦᎶᎢ, ᎾᏍᎩ ᏩᏚᏃᎯ ᎦᎦᎶ ᎡᎯ.\nᎠᏯᏙᎸᎢ 33\nᏤᎦᏈᏃ ᏚᏌᎳᏓᏁ ᏗᎦᏙᎵ, ᎠᎴ ᏫᏚᎧᎿᏁᎢ, ᎬᏂᏳᏉᏃ ᎢᏐ ᏣᎢᏎᎢ, ᎠᎴ ᏅᎩᏧᏈ ᎠᏂᏍᎦᏯ ᏓᏘᏁᎮᎢ. ᏤᎦᏈᏃ ᏗᏂᏲᎵ ᏚᏯᏙᎮᎴ ᎵᎠ, ᎠᎴ ᎴᏥᎵ, ᎠᎴ ᎠᏂᏔᎵ ᏧᏅᏏᏓᏍᏗ ᎠᏂᎨᏴ.\nᎠᏂᎨᏴᏃ ᏧᏅᏏᏓᏍᏗ ᎠᎴ ᎾᏍᎩ ᏧᏁᏥ ᎢᎬᏱ ᏚᎴᏔᏁᎢ, ᎵᎠᏃ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏔᎵᏁᎢ, ᎴᏥᎵᏃ ᎠᎴ ᏦᏩ ᎣᏂᏱ.\nᏚᎶᎯᏎᎴᏃ, ᎠᎴ ᎦᎵᏉᎩ ᎡᎳᏗ ᏄᏛᏁᎴ ᎦᏙᎯ ᎢᏴᏛ, ᎬᏂ ᎾᎥ ᏭᎷᏤᎸ ᎤᏂᎵ.\nᎢᏐᏃ ᏚᏍᏆᎸᏔᏁ ᏚᏠᏒᏎᎢ, ᎠᎴ ᎤᏂᏴᎮᎢ, ᎠᎴ ᎤᏪᏯᎸᏤ ᎠᎩᎵᎨᏂ, ᎠᎴ ᎤᏔᏪᏙᏁᎢ; ᎠᎴ ᏚᎾᏠᏱᎴᎢ.\nᏚᏌᎳᏓᏁᏃ ᏗᎦᏙᎵ ᎠᎴ ᏚᎪᎮ ᎠᏂᎨᏴ ᎠᎴ ᏧᏁᏥ; ᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᎪ ᎯᎠ ᏥᏕᎭᏘᏁᎭ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᏗᏇᏥ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏓᎠᏙᎵᏣᏘᏳ ᎨᏒ ᏧᏮᏔᏅ ᏥᏚᏪᎧᏁᎸ ᎯᏅᏏᏓᏍᏗ.\nᎿᏉᏃ ᎨᏥᏅᏏᏓᏍᏗ ᎠᏂᎨᏴ ᎾᎥ ᎤᏂᎷᏤᎢ, ᎤᏅᏒ ᎠᎴ ᏧᏁᏥ, ᎠᎴ ᎡᎳᏗ ᏄᎾᏛᏁᎴᎢ.\nᎵᎠᏃ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᎾᎥ ᎤᏂᎷᏤᎢ, ᎠᎴ ᎡᎳᏗ ᏄᎾᏛᏁᎴᎢ; ᎣᏂᏃ ᎾᎥ ᎤᏂᎷᏤ ᏦᏩ ᎠᎴ ᎴᏥᎵ, ᎠᎴ ᎾᏍᏉ ᎡᎳᏗ ᏄᎾᏛᏁᎴᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᏙ ᎯᏛᎦ ᎯᎠ ᏂᎦᏛ ᏣᎾᏱᎴx ᏥᏙᏣᏠᎯ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᎠᏩᏛᏙᏗ ᎣᏍᏛ ᎠᎩᏰᎸᏗᏱ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ.\nᎢᏐᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏰᎵᏉ ᎠᎩᎭ, ᎥᎩᏅᏟ, ᎨᏣᏍᏆᏂᎪᏕᏍᏗᏉ ᏣᎾᎥᎢ.\nᏤᎦᏈᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ, ᏗᏍᏆᏓᏂᎸᏥᏉᏍᎩᏂ ᎬᏁᎲᎢ, ᎢᏳᏃ ᎣᏍᏛ ᏍᎩᏰᎸᏗ ᎨᏒ ᎬᏩᏛᎡᎴᏍᏗ; ᎾᏍᎩᏰᏃ ᏅᏓᎦᎵᏍᏙᏓ ᏂᎪᏩᏛ ᏣᎧᏛᎢ, ᎤᏁᎳᏅᎯ ᎤᎧᏛ ᏣᎩᎪᎰ ᎾᏍᎩᏯᎢ; ᎠᎴ ᎣᏏᏳ ᏍᎩᏰᎸᎾ.\nᎯᎩ ᎬᏁᎸᎯ ᎾᏍᎩ ᏥᏪᏣᏲᎮᎸ; ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎳᏅᎯ ᎣᏍᏛ ᎾᏆᏛᏁᎸᎢ, ᎠᎴ ᏅᏗᎦᎵᏍᏙᏗᎭ ᏰᎵᏉ ᎠᎩᎲᎢ. ᎤᏍᏗᏰᏔᏁᏃ, ᎠᎴ ᎤᎩᏎᎢ.\n[ᎢᏐᏃ] ᎯᎠ ᏄᏪᏎᎢ, ᎢᎾᏂᎩᏉᏃ, ᎠᎴ ᎢᏁᎾ, ᎠᏴᏃ ᎢᎬᏱ ᎦᎢᏍᏗ.\n[ᏤᎦᏈᏃ] ᎯᎠ ᏄᏪᏎᎴᎢ, ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ ᎠᎦᏔᎭ ᏗᏂᏲᎵ ᏗᏂᏩᎾᎦᎳᎯᏳ ᎨᏒᎢ, ᎠᎴ ᎤᏂᏃᏕᎾ ᎠᎴ ᏩᎦ ᏧᏂᏍᏓᎢ ᏕᎦᏘᏁᎲᎢ; ᎢᏳᏃ ᏱᏚᏂᎶᏒᏍᏓᏁᎸ ᏌᏉ ᎢᎦ ᏓᏂᏱᎵᏒᎢ, ᏂᎦᏛ ᎠᏫ ᏱᏓᏂᎵᏬᏦᎾ.\nᎾᏍᎩᏃ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ ᎢᎬᏱ ᏫᎦᎶᎯ ᎯᏅᏏᏓᏍᏗ ᎠᎢᏒᎢ; ᎠᏴᏃ ᏙᏉ ᏕᎦᏓᏗᏂᏎᏍᏗ ᏰᎵᏉ ᎢᎬᏩᎾᏛᏁᏗ ᎨᏒ ᎦᎾᏝᎢ ᎢᎬᏱ ᏣᎾᎢ, ᎠᎴ ᏗᏂᏲᎵ, ᎬᏂ ᏫᏥᎷᏤᎸ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ, ᏏᎠ ᏙᏧᏙᎥᎢ.\nᎢᏐᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎢᎦᏛᎪᎦ ᏴᏫ ᏥᏕᎦᏘᏁᎭ ᏗᎬᏯᎧᎯᏯᏏ ᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᏙᏃ? ᏫᏥᏩᏛ ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ ᎣᏍᏛ ᎠᎩᏰᎸᏗᏱ.\nᎢᏐᏃ ᎾᎯᏳᏉ ᎢᎦ ᎤᏨᏎ ᏏᎠ ᏫᎤᎶᏎᎢ.\nᏤᎦᏈᏃ ᏌᎪᏗ ᏭᎷᏤᎢ, ᎠᎴ ᎤᏴᏍᏗᏱ ᎤᏁᏍᎨᎮᎢ, ᎠᎴ ᎦᎾᏝᎢ ᎤᏂᏴᏍᏗᏱ ᏚᎵᏦᏔᏁᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎾᎿᏂ ᏌᎪᏗ ᏚᏙᎥ.\nᏤᎦᏈᏃ ᏎᎳᎻ ᎤᎷᏤᎢ, ᎾᏍᎩ ᏏᎩᎻ ᎤᏪᏚᎲᎢ, ᎨᎾᏂ ᎦᏓ ᎠᎲ ᏥᎦᏚᎭ, ᎾᎯᏳ ᏇᏓᏁᎳᎻᏱ ᏨᏧᎶᏎᎢ; ᎠᎴ ᎤᎵᏦᏔᏁ ᎢᎬᏱᏗᏢ ᎦᏚᎲᎢ.\nᎠᎴ ᎤᏩᏎ ᎢᏴᏛ ᎢᎩᏛ ᏠᎨᏏ, ᎾᎿ ᎤᎵᏦᏔᏅᎢ, ᎮᎼ ᏧᏪᏥ ᏚᏩᎯᏎᎴᎢ, ᎾᏍᎩ ᏏᎩᎻ ᎤᏙᏓ, ᎠᏍᎪᎯᏧᏈ ᎠᏕᎸᎯ ᎤᏓᏴᎮᎢ.\nᎠᎴ ᎾᎿ ᎤᏬᏢᏁ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ, ᎠᎴ ᎡᎴᎶᎯ-ᎢᏏᎵ ᏚᏬᎡᎢ.\nᎠᏯᏙᎸᎢ 34\nᏓᏱᎾᏃ ᎵᎠ ᎤᏪᏥ, ᎾᏍᎩ ᏤᎦᏈ ᏧᎾᏄᎪᏫᏎᎴᎢ, ᎤᏪᏅᏎ ᏚᏩᏛᎲᏎ ᎾᎿ ᎠᏁᎯ ᏧᏁᏥ ᎠᎾᏛ.\nᎿᏉᏃ ᏏᎩᎻ, ᎮᎼ ᎠᎯᏫ ᎤᎬᏫᏳᎯ ᎾᎿ ᎠᏁᎲ ᎤᏪᏥ, ᎤᎪᎮᎢ, ᎠᎴ ᎤᏯᏅᎮᎢ, ᎠᎴ ᏚᎾᏂᏏᏁᎢ, ᎠᎴ ᎤᏐᏢᎢᏍᏔᏁᎢ.\nᎠᎴ ᏧᏓᏅᏛ ᎢᏴᏛ ᏓᎧᎾᏩᏗᏙᎮ ᏓᏱᎾ ᏤᎦᏈ ᎤᏪᏥ, ᎠᎴ ᎤᎨᏳᏎ ᎠᏛ, ᎠᎴ ᎤᏓᏅᏘ ᎦᏬᏁᏗᏍᎨ ᎠᏛ\nᏏᎩᎻᏃ ᎤᏁᏤᎴ ᎤᏙᏓ ᎮᎼ, ᎯᎠ ᏄᏪᏎᎢ, ᏫᏍᎩᏯᏅᏏ ᎯᎠ ᎠᏛ ᎠᏆᏓᏴᏍᏗ.\nᏤᎦᏈᏃ ᎤᏛᎦᏁ ᎤᏐᏢᎢᏍᏔᏅ ᏓᏱᎾ ᎾᏍᎩ ᎤᏪᏥ; ᏧᏪᏥᏃ ᎢᎾᎨ ᏫᏓᏂᎢᏰ ᎦᎾᏝᎢ; ᏤᎦᏈᏃ ᎡᎳᏪᏉ ᎨᏎ ᎬᏂ ᎢᎤᏂᎷᏨ.\nᎮᎼᏃ ᏏᎩᎻ ᎤᏙᏓ ᏭᎷᏤᎴ ᏤᎦᏈ ᎤᎵᏃᎮᏔᏅᏎᎢ.\nᏤᎦᏈᏃ ᏧᏪᏥ ᎤᎾᏛᎦᏅ ᎢᎾᎨ ᏧᏂᎶᏎᎢ; ᎠᎴ ᎠᏂᏍᎦᏯ ᎤᏲᎢᏳ ᎤᏂᏰᎸᏁᎢ, ᎠᎴ ᎤᏣᏘ ᎤᏂᏔᎳᏬᏎᎢ; ᏅᏗᎦᏍᏙᏗᏍᎨ ᎤᏲ ᏚᎸᏫᏍᏓᏁᎸ ᎢᏏᎵ ᎠᏁᎲᎢ, ᎾᏍᎩ ᏚᎾᏂᏏᏅ ᏤᎦᏈ ᎤᏪᏥ; ᎾᏍᎩ ᎯᎠ ᎢᎬᏛᏁᏗ ᏂᎨᏒᎾ ᏥᎩ.\nᎮᎼᏃ ᏚᎵᏃᎮᏔᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎤᏓᏅᏙᎩ ᎠᏇᏥ ᏏᎩᎻ ᏓᎧᎿᏩᏗᏙᎭ ᎢᏤᏥ; ᎡᏥᎧᏏ ᎤᏓᏴᏍᏗ.\nᎠᎴ ᏧᎾᏨᏍᏗᏱ ᏂᏍᎩᏴᏂᏏ, ᎠᎴ ᏗᏤᏥ ᎠᏂᎨᏴ ᏕᏍᎩᏯᎧᏁᎮᏍᏗ, ᎠᎴ ᏦᎨᏥ ᎠᏂᎨᏴ ᏕᏥᏯᏂᏍᎨᏍᏗ.\nᎠᎴ ᎢᏧᎳᎭ ᎢᏕᎮᏍᏗ; ᎠᎴ ᎦᏙᎯ ᎢᏤᎲ ᎢᎬᏱᏢ ᎠᎮᏍᏗ; ᎾᎿ ᏕᏥᏁᎴᏍᏗ ᎠᎴ ᎢᏥᏃᏔᏂᏙᎮᏍᏗ, ᎠᎴ ᎾᎿ ᎦᏓ ᎢᏣᏤᎵ ᏂᏨᏁᎮᏍᏗ.\nᏏᎩᎻᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎤᏙᏓ ᎠᎴ ᏧᏙ, ᎣᏍᏛ ᏍᎩᏰᎸᏗ ᏫᏥᏩᏛ, ᎠᎴ ᎢᎦᎢᏉ ᏍᎩᏲᏎᎸ ᏓᏥᏂ.\nᎤᏣᏘ ᎢᏥᏁᏨ ᏥᏯᎫᏴᏗᏱ, ᎠᎴ ᎢᏳᏁᎸᏗᏱ, ᎠᏎ ᏍᎩᏁᏤᎸ ᎢᎦᎢ ᏓᏥᏂ; ᎠᏎᏍᎩᏂ ᏍᎩᏯᎧᏏ ᎠᏛ ᎠᏆᏓᏴᏍᏗ.\nᏤᎦᏈᏃ ᏧᏪᏥ ᎠᏠᎾᏍᏗ ᏚᏂᏁᏤᎴ ᏏᎩᎻ ᎠᎴ ᎤᏙᏓ ᎮᎼ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏎᎢ, --- ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏓᏱᎾ ᎤᏂᏙ ᎤᏐᏢᎢᏍᏔᏅᎢ, ---\nᎯᎠᏃ ᏂᏚᏂᏪᏎᎴᎢ, ᎥᏝ ᎾᏍᎩ ᏱᏅᎦᏲᏣᏛᎦ, ᎾᏍᎩ ᎣᎩᏙ ᏴᎦᏲᏥᎧᏏ ᎩᎶ ᎾᏥᎤᏍᏕᏎᎸᎾ; ᎾᏍᎩᏰᏃ ᏲᎦᏕᎰᎯᏍᏓ;\nᎯᎠᏍᎩᏂ ᏱᏄᏍᏗ ᎨᏨᏲᎢᏳᏗᏉ; ᎠᏴ ᏃᎦᏍᏛ ᏱᏂᏣᎵᏍᏔᏅ, ᎾᏍᎩ ᏂᏥᎥ ᎢᏥᏍᎦᏯ ᏱᏕᏥᎤᏍᏕᏎᎸ.\nᎩᎳᏃ ᏕᏨᏯᎧᏁᎮᏍᏗ ᏦᎨᏥ ᎠᏂᎨᏴ, ᎠᎴ ᏂᎯ ᏗᏤᏥ ᎠᏂᎨᏴ ᏙᏥᏯᏂᏍᎨᏍᏗ; ᎠᎴ ᎢᏤᎲ ᎣᏤᎮᏍᏗ, ᎠᎴ ᏌᏉᏉ ᏴᏫ ᏂᏓᎵᏍᏔᏅᎭ.\nᎢᏳᏃ ᏂᏍᎩᏯᏛᏓᏍᏓᏁᎸᎾ ᎢᎨᏎᏍᏗ ᏤᏥᎤᏍᏕᏎᏗᏱ, ᎿᏉ ᏛᎣᏥᏯᏅᎯ ᎣᎨᏥ, ᎠᎴ ᏛᎣᏣᏂᎩᏏ.\nᏄᏂᏪᏒᏃ ᎣᏏᏳ ᎤᏂᏰᎸᏁ ᎮᎼ, ᎠᎴ ᏏᎩᎻ ᎮᎼ ᎤᏪᏥ.\nᎾᏍᎩᏃ ᎠᏫᏅ ᎥᏝ ᏳᏙᎯᏕ ᎾᏍᎩ ᎢᏳᏛᏁᏗᏱ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏤᎦᏈ ᎤᏪᏥ ᎣᏏᏳ ᎤᏰᎸᏒᎢ; ᎠᎴ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎨᏎ ᎡᏍᎦᏉ ᏂᎦᏛ ᎤᏙᏓ ᏚᏓᏘᎾᎥᎢ.\nᎮᎼᏃ ᎠᎴ ᎾᏍᎩ ᎤᏪᏥ ᏏᎩᎻ ᎤᏂᎷᏤ ᎦᎶᎯᏍᏗᏱ ᎤᏂᏚᎲᎢ, ᎠᎴ ᏚᎾᎵᏃᎮᏔᏁ ᎠᏂᏍᎦᏯ ᎤᏂᏚᎲ ᎠᏁᎯ, ᎯᎠ ᏄᏂᏪᏎᎢ,\nᎯᎠ ᎠᏂᏍᎦᏯ ᏙᎯ ᏂᎬᏅ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎬᏁᎮᏍᏗᏉ ᎢᎦᏤᎵᎪᎯ, ᎠᎴ ᎾᎿ ᎠᏂᏃᏗᏍᎨᏍᏗ; ᎬᏂᏳᏉᏰᏃ ᎦᏙᎯ, ᏰᎵᏉ ᏂᎬ ᎤᎾᏕᏗᏱ; ᎠᎴ ᏕᏓᏓᏰᎨᏍᏗ ᏧᏁᏥ ᎠᏂᎨᏴ, ᎠᎴ ᏕᎨᏗᎧᏁᎮᏍᏗ ᏗᎨᏥ ᎠᏂᎨᏴ.\nᎯᎠᏍᎩᏂᏃᏅ ᏱᏄᏍᏗ ᎩᎳ ᎬᏩᏃᎯᏳᏗ ᎢᏕᎲ ᎤᎾᏕᏗᏱ, ᎠᎴ ᏌᏉᏉ ᏴᏫ ᎢᎦᎵᏍᏙᏗᏱ, ᎾᏍᎩ ᎢᏳᏃ ᏂᎦᏛ ᎠᏂᏍᎦᏯ ᎠᏴ ᎢᏕᎲ ᏱᏗᎨᏥᎤᏍᏕᏎᎸ. ᎾᏍᎩᏯ ᎤᏅᏒ ᏗᎨᏥᎤᏍᏕᏎᎸᎯ ᏥᎩ.\nᏝᏍᎪ ᏧᎾᏤᎵ ᎦᎾᏝᎢ, ᎠᎴ ᎾᏍᎩ ᎤᎾᎵᏍᏕᎸᏙᏗ, ᎠᎴ ᏂᎦᏛ ᏅᎩ ᏗᏂᏅᏌᏗ ᏧᎾᏤᎵᎦ, ᎠᏴ ᏗᎦᏤᎵ ᏱᎨᏎᏍᏗ? ᏗᏙᎯᏳᎲᎦᏉ, ᎢᏕᎲᏃ ᏛᎾᏕᏂ.\nᏂᎦᏛᏃ ᎦᏚᎲ ᎦᎶᎯᏍᏗᏱ ᎠᏂᎶᏍᎩ ᎬᏩᏛᏓᏍᏓᏁᎴ ᎮᎼ ᎠᎴ ᎤᏪᏥ ᏏᎩᎻ; ᎠᎴ ᏂᎦᏛ ᎠᏂᏍᎦᏯ ᏚᎨᏥᎤᏍᏕᏎᎴᎢ ᎾᏂᎥ ᎤᏪᏚᎲ ᎦᎶᎯᏍᏗᏱ ᎠᏂᎶᏍᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᏦᎢᏁ ᎢᎪᎯ ᎿᏉ ᏚᏁᎯᏍᏓᏁᎮᎢ, ᎠᏂᏔᎵ ᏤᎦᏈ ᏧᏪᏥ ᏏᎻᏯᏂ ᎠᎴ ᎵᏫ ᏓᏱᎾ ᏧᏙ ᎢᏧᎳ ᎭᏰᎳᏍᏗ ᎦᏅᎯᏛ ᏚᏂᏴᎮᎢ, ᎠᎴ ᎾᏂᎾᏰᏍᎬᎾ ᏚᎾᏁᎷᎩᎡᎴ ᎦᏚᎲᎢ, ᎠᎴ ᏂᎦᏛ ᎠᏂᏍᎦᏯ ᏚᏂᎴᎢ.\nᎠᎴ ᎭᏰᎳᏍᏗ ᎦᏅᎯᏛ ᎬᏗ ᏚᏂᎴ ᎮᎼ ᎠᎴ ᏏᎩᎻ ᎾᏍᎩ ᎤᏪᏥ, ᎠᎴ ᏏᎩᎻ ᎦᏁᎸ ᎤᏂᏯᏅᎵ ᏓᏱᎾ ᎠᎴ ᎤᏂᏄᎪᏤᎢ.\nᏤᎦᏈ ᏧᏪᏥ ᎤᏂᎷᏤ ᏗᎨᏥᎸᎯ ᎠᏂᎳᎨᏴᎢ, ᎠᎴ ᎤᏂᏲᏍᏔᏁ ᎦᏚᎲᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏂᏙ ᎤᏂᏐᏢᎢᏍᏔᏅᎢ.\nᎠᎴ ᏚᏂᏯᏅᎮ ᏧᎾᏤᎵ ᎠᏫ, ᎠᎴ ᏩᎦ, ᎠᎴ ᏐᏈᎵ ᏗᏂᎵᎠᏅᎯᏛ, ᎠᎴ ᎪᎱᏍᏗ ᎦᏚᎲ ᎠᎿᎥᎢ, ᎠᎴ ᎪᎱᏍᏗ ᏠᎨᏏ ᎠᎿᎥᎢ;\nᎠᎴ ᏂᎦᏛ ᎤᏁᎿᎥᎢ, ᎠᎴ ᏂᎦᏛ ᏗᏂᏲᎵ ᏚᎾᏓᏘᎾᎥᎢ, ᎠᎴ ᏧᎾᏓᎵᎢ ᏚᏂᏴᎩᏁᎢ, ᎠᎴ ᏂᎦᏛ ᎦᎵᏦᏕ ᎠᎿᎥ ᎤᏂᏫᏛᎮᎢ.\nᏤᎦᏈᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᏏᎻᏯᏂ ᎠᎴ ᎵᏫ, ᏍᎩᎾᏕᏯᏙᏓᏉ, ᎥᎩᏂᏆᏘᎯ ᏥᏂᏍᎩᏅᎦ ᏴᏫ ᎡᏍᎦᏂ ᎠᏁᎲᎢ, ᎾᏍᎩ ᎠᏂᎨᎾᏂ ᎠᎴ ᎠᏂᏇᎵᏏ ᎠᏁᎲᎢ; ᎠᏴᏃ ᎢᏗᎦᏲᎵᏳ ᏥᎩ, ᏛᎾᏓᏟᏌᏂ ᎠᎴ ᏙᏓᎬᎩᎦᏘᎴᏏ ᎠᎴ ᏓᎬᎩᎵ; ᎠᏴᏃ ᏓᏴᎩᏛᏔᏂ, ᎠᏴ, ᎠᎴ ᏓᏆᏓᏘᎾᎥᎢ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᏥᎪ ᎤᏁᏓᏥᏛ ᎠᎨᏴ ᎢᎦᎬᏁᏗ ᏥᎩ ᏅᏓᎬᏁᎵ ᎣᎩᏂᏙᎢ?\nᎠᏯᏙᎸᎢ 35\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᏤᎦᏈ, ᏔᎴᎲᎦ, ᎡᎵ ᎮᎾ, ᎠᎴ ᎾᎿ ᏩᏕᎲᎦ; ᎠᎴ ᎾᎿ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎯᏲᏢᎾᏁᎸᎭ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎬᏂᎨᏒ ᏥᏂᏣᏛᏁᎸᎩ ᎾᎯᏳ ᏥᏯᎵᏘᎡᎸ ᎢᏐ ᎡᎶᏂᎵ.\nᎿᏉᏃ ᏤᎦᏈ ᎯᎠ ᏂᏚᏪᏎᎴ ᏚᏓᏘᎾᎥᎢ, ᎠᎴ ᏂᎦᏛ ᏓᏓᏘᏁᎲᎢ, ᎢᏴᏛ ᏂᏗᏨᎦ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏕᏥᎲᎢ, ᎠᎴ ᎢᏣᏓᏅᎦᎸ, ᎠᎴ ᏗᏣᏄᏩᎢᏴᎾ;\nᎠᎴ ᏗᏓᎴᎲᎦ ᎠᎴ ᏇᏕᎵ ᏫᏗᎶᎯ; ᎠᎴ ᎾᎿ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᏓᏥᏲᏢᎾᏁᎵ ᎤᏁᎳᏅᎯ, ᎾᏍᎩ ᎠᎩᏁᏤᎸᎯ ᎾᎯᏳ ᎤᏪᎵᏍᏗ ᎾᏆᎵᏍᏓᏁᎲᎢ, ᎠᎴ ᏔᎵ ᏧᏛᏗᏕᎬ ᎦᎢᏒᎢ.\nᏂᎦᏛᏃ ᏕᎬᏩᏲᎯᏎᎴ ᏤᎦᏛ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᏚᏂᎲᎢ, ᎠᎴ ᏂᎦᏛ ᏗᏟᎠᏙ ᏚᎾᏟᎠᏛᎢ; ᏤᎦᏈᏃ ᏚᏩᏍᎦᎳᏁ ᎭᏫᏂᏗᏢ ᎠᏓᏯ ᏡᎬᎢ, ᏏᎩᎻ ᎾᎥᎢ.\nᎠᎴ ᎤᎾᏂᎩᏎᎢ; ᎠᎴ ᎤᏁᎳᏅᎯ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᎤᏂᎷᏤᎴ ᎬᏩᏚᏫᏛ ᏕᎦᏚᎲ ᎠᎴ ᎥᏝ ᏱᏚᏂᎨᎲᏎ ᏤᎦᏈ ᏧᏪᏥ.\nᏤᎦᏈᏃ ᎳᏏ ᏭᎷᏤᎢ, ᎾᏍᎩ ᏇᏕᎵ [ᏥᏚᏙᎥ,] ᎨᎾᏂ ᎦᏓ ᎠᎲᎢ ᏥᎦᏚᎭ, ᎤᏩᏒ ᎠᎴ ᏂᎦᏛ ᏴᏫ ᏓᏓᏘᏁᎲᎢ.\nᎾᎿᏃ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎤᏬᏢᏁᎢ, ᎠᎴ ᎡᎵ-ᏇᏕᎵ ᏚᏬᎡ ᎾᏍᎩ; ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏁᎳᏅᎯ ᎾᎿ ᎬᏂᎨᏒ ᏄᏛᏁᎸᎢ, ᎾᎯᏳ ᏣᎵᏘᎡᎮ ᎤᏂᎵ.\nᎠᏎᏃ ᏕᏉᎳ ᎵᏇᎩ ᎤᏍᏛᏅᎯ ᎤᏲᎱᏎᎢ, ᎠᎴ ᎠᏥᏂᏌᏁ ᏇᏕᎵ ᎨᏓᎵᏱ ᎢᏗᏢ ᎠᏓᏯ ᏡᎬ ᎭᏫᏂᏗᏢ; ᎠᎴ ᎠᎶᏂ-ᏆᏓᏗ ᏚᏃᎡᎢ.\nᎤᏁᎳᏅᎯᏃ ᏔᎵᏁ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᏤᎦᏈ, ᎾᎯᏳ ᏇᏓᏁᎳᎻ ᏨᏧᎶᏎᎢ, ᎠᎴ ᎣᏍᏛ ᎤᏁᏤᎴᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏤᎦᏈ ᏕᏣᏙᎥ; ᎥᏝ ᎿᏉ ᏤᎦᏈ ᏰᏦᏎᎮᏍᏗ, ᎢᏏᎵᏍᎩᏂ ᏕᏣᏙᎡᏍᏗ; ᎢᏏᎵᏃ ᏚᏬᎡᎢ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎠᏴ ᎠᏆᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᎠᏆᎵᏂᎩᏛ; ᏣᏁᏉᏣᏖᏍᏗ ᎠᎴ ᎯᎪᏙᏍᎨᏍᏗ; ᎥᏝ ᏏᎦᎵᏍᏓᎴᎩᏉ, ᎢᎸᏍᎩᏍᎩᏂ ᎢᎦᎵᏍᏓᎴᎩ ᏴᏫ ᏂᎯ ᎨᏒ ᏛᎾᏓᎴᏂ, ᎠᎴ ᎤᏂᎬᏫᏳᎯ ᏓᎨᏣᎾᏄᎪᏥ.\nᎠᎴ ᎦᏙᎯ ᎾᏍᎩ ᎡᏆᎭᎻ ᎠᎴ ᎡᏏᎩ ᎦᏥᏁᎸᎯ ᏥᎩ, ᏂᎯ ᏛᎬᏁᎵ, ᎠᎴ ᏂᎯ ᏣᏁᏢᏔᏅᎯ ᎣᏂ ᎤᎾᏕᏗ ᏥᎩ ᏓᎦᏥᏁᎵ ᎾᏍᎩ ᎦᏙᎯ.\nᎤᏁᎳᏅᎯᏃ ᎤᎵᏌᎳᏓᏁ ᎤᏓᏅᎡᎴᎢ ᎾᎿ ᎤᎵᏃᎮᏔᏅᎢ.\nᏤᎦᏈᏃ ᎤᏪᏘᏁ ᎾᎿ ᎤᎵᏃᎮᏔᏅᎢ, ᎾᏍᎩ ᏅᏯ ᎤᏪᏘᏁᎢ; ᎠᎴ ᎠᏗᏔᏍᏗ ᎠᎵᏍᎪᎸᏙᏗ ᎤᏍᏚᏞ ᎾᎿᏂ, ᎠᎴ ᎪᎢ ᎤᏍᏚᏞᎢ.\nᏤᎦᏈᏃ ᏇᏕᎵ ᏚᏬᎡ ᎾᎿ ᎤᏁᎳᏅᎯ ᎤᎵᏃᎮᏔᏅᎢ.\nᏇᏕᎵᏃ ᎤᎾᏂᎩᏎᎢ; ᎡᏍᎦᏂᏉᏃ ᎡᏅᏍᏗ ᎨᏎ ᎡᏆᏓ ᏫᎦᎷᎯᏍᏗᏱ; ᎴᏥᎵᏃ ᎤᏍᏆᎸᎡᎴ ᎠᏲᎵ ᎤᎾᏄᎪᏫᏍᏗᏱ, ᎠᎴ ᎤᏣᏘ ᎠᏍᏓᏯ ᎤᏱᎵᏙᎮᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎿᏉ ᎤᏣᏘ ᎠᏍᏓᏯ ᎤᏱᎵᏙᎸ, ᎤᏍᏕᎵᏍᎩ ᎯᎠ ᏄᏪᏎᎴᎢ ᏞᏍᏗ ᏱᎾᏰᏍᎨᏍᏗ; ᎾᏍᏉᏰᏃ ᎯᎠ ᏤᏥ ᎠᏧᏣ ᏛᎯᎾᏄᎪᏫᏏ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎿᏉ ᎤᏓᏅᏙ ᎠᏓᏅᏍᎨᎢ, --- ᎤᏲᎱᏎᏰᏃ, --- ᎾᏍᎩ ᏇᏃᏂ ᏚᏬᎡᎢ; ᎤᏙᏓᏍᎩᏂ ᏇᏂ ᏚᏬᎡᎢ.\nᎴᏥᎵᏃ ᎤᏲᎱᏎᎢ, ᎠᎴ ᎠᏥᏂᏌᏁ ᏫᎦᏅᎤ ᎡᏆᏓ, ᎾᏍᎩ ᎦᏚᏱ ᏥᏚᏙᎥ.\nᏤᎦᏈᏃ ᎤᏪᏘᏁ ᎠᏥᏂᏌᎲᎢ; ᎾᏍᎩ ᎴᏥᎵ ᎠᏥᏂᏌᎲ ᎩᎳᎯᏳ ᎨᏔ.\nᎢᏏᎵᏃ ᎤᏂᎩᏎᎢ, ᎠᎴ ᎢᏓ ᏗᏐᏴ ᎤᏗᏗᏢ ᏚᎵᏦᏔᏁᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᎯᏳ ᎢᏏᎵ ᎾᎿ ᎦᏓ ᎠᎲ ᏤᎮᎢ, ᎾᏍᎩ ᎷᏈᏂ ᏭᏂᏏᏁᎴ ᏈᎳ ᎤᏙᏓ ᏔᎵ ᏚᏮᏕ ᏣᏓᏰᎮᎢ; ᎢᏏᎵᏃ ᎤᏛᎦᏁᎢ. ᏤᎦᏈᏃ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᏔᎳᏚ ᎤᏂᎡᎢ.\nᎵᎠ ᏧᏪᏥ; ᎷᏈᏂ ᎢᎬᏱ ᎤᏕᏁᎸᎯ ᏤᎦᏈ, ᏏᎻᏯᏂᏃ, ᎠᎴ ᎵᏫ, ᎠᎴ ᏧᏓ, ᎠᎴ ᎢᏏᎦ, ᎠᎴ ᏤᏆᎳᏂ;\nᎴᏥᎵᏃ ᏧᏪᏥ; ᏦᏩ ᎠᎴ ᏇᏂ.\nᏈᎳᏃ ᏧᏪᏥ, ᎾᏍᎩ ᏧᏥᎵ ᎤᏅᏏᏓᏍᏗ; ᏕᏂ ᎠᎴ ᏁᏩᏔᎵ.\nᏏᎵᏆᏃ ᏧᏪᏥ, ᎾᏍᎩ ᎵᎠ ᎤᏅᏏᏓᏍᏗ; ᎦᏗ ᎠᎴ ᎡᏌ. ᎾᏍᎩ ᎯᎠ ᏤᎦᏈ ᏧᏪᏥ ᎠᏂᏍᎦᏯ, ᏇᏓᏁᎳᎻᏱ ᏥᎬᏩᏕᏁᎴᎢ.\nᏤᎦᏈᏃ ᏭᎷᏤᎴ ᎤᏙᏓ ᎡᏏᎩ ᎹᎻᎵᏱ, ᎩᎵᏯ-ᎠᏆ. ᎾᏍᎩ ᎯᏆᏂ ᏥᏚᏙᎥ, ᎾᎿ ᎡᏆᎭᎻ ᎠᎴ ᎡᏏᎩ ᎤᏁᏙᎸᎢ.\nᎡᏏᎩᏃ ᎤᎴᏂᏙᎸ ᎠᏍᎪᎯᏧᏈ ᏁᎳᏍᎪᎯ ᏄᏕᏘᏴᎮᎢ.\nᎡᏏᎩᏃ ᎤᏲᎯᏍᏔᏁ ᎬᏬᎳᏕᏍᎬ ᎠᎴ Ꭴ ᏮᎱᏎᎢ, ᎠᎴ ᏧᏤᎵᎦ ᏴᏫ ᏄᎾᏛᏅ ᏫᏚᏖᎳᏕᎴᎢ, ᎤᏛᏐᏅᎯ ᎠᎴ ᏧᎩᏨᏂᎶᏛ ᎨᏎᎢ; ᏧᏪᏥᏃ ᎢᏐ ᎠᎴ ᏤᎦᏈ ᎬᏩᏂᏌᏁᎢ.\nᎠᏯᏙᎸᎢ 36\n ᎯᎠᏃ ᎾᏍᎩ ᎤᏁᏢᏔᏅᎯ ᎨᏒ ᎢᏐ, ᎾᏍᎩ ᎢᏙᎻ ᏥᏚᏙᎥ.\nᎢᏐ ᎨᎾᏂ ᎠᏁᎯ ᏧᏁᏥ ᏫᏚᏯᏅᎮ ᏧᏓᎵᎢ; ᎾᏍᎩ ᎡᏓ ᎢᎶᏂ ᎡᎯᏗ ᎤᏪᏥ, ᎠᎴ ᎠᎰᎵᏆᎹ ᎡᏮ ᎤᏪᏥ ᎾᏍᎩ ᏥᏈᎣᏂ ᎠᎯᏫ ᎤᏪᏥ;\nᎠᎴ ᏆᏏᎹ ᎢᏏᎺᎵ ᎤᏪᏥ ᎤᏙ ᎢᏆᏲᏗ.\nᎡᏓᏃ ᎡᎵᏆ ᎤᎾᏄᎪᏫᏎᎴ ᎢᏐ; ᏆᏏᎹᏃ ᎷᎡᎵ ᎤᎾᏄᎪᏫᏎᎴᎢ.\nᎠᎰᎵᏆᎹᏃ ᏥᎤᏏ ᎠᎴ ᏤᎠᎳᎻ ᎠᎴ ᎪᎳ ᏚᎾᏄᎪᏫᏎᎴᎢ; ᎯᎠ ᎾᏍᎩ ᎢᏐ ᏧᏪᏥ ᎠᏂᏍᎦᏯ, ᎾᏍᎩ ᎨᎾᏂ ᎦᏙᎯ ᏥᎬᏩᏕᏁᎴᎢ.\nᎢᏐᏃ ᏚᏘᏅᏎ ᏧᏓᎵᎢ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ, ᎠᎴ ᏧᏪᏥ ᎠᏂᎨᏴ, ᎠᎴ ᏂᎦᏛ ᎦᏁᎸ ᎠᏁᎯ, ᎠᎴ ᎦᎾᏝᎢ, ᎠᎴ ᏧᏤᎵ ᏅᎩ ᏗᏂᏅᏌᏗ, ᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᎤᎿᎥᎢ, ᎾᏍᎩ ᎨᎾᏂ ᎦᏙᎯ ᏭᏩᏛᏛ; ᎠᎴ ᎢᎸᎯᏢ ᏭᎶᏎᎢ, ᎤᏅᏟ ᏤᎦᏈ ᎤᏓᏅᎡᎴᎢ.\nᎤᏣᏘᏰᏃ ᏧᎬᏩᎶᏗ ᎤᏂᎲ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎥᏝ ᎢᏧᎳᎭ ᎬᏩᎾᏕᏗ ᏱᎨᏎᎢ; ᎠᎴ ᎾᏍᎩ ᎦᏙᎯ ᎾᎿ ᎠᏁᏙᎯ ᎨᏒᎢ, ᏚᏂᎷᎶᎨᏉ ᏂᎦᎵᏍᏙᏗᏍᎨ ᎤᏂᎾᏝᎾᎥᎢ.\nᎾᏍᎩᏃ ᎢᏐ ᏏᎠ ᎣᏓᎸ ᎡᎮᎢ. ᎢᏐ ᎾᏍᎩ ᎢᏙᎻ.\nᎯᎠᏃ ᎾᏍᎩ ᎤᏁᏢᏔᏅᎯ ᎢᏐ, ᎾᏍᎩ ᎠᏂᎡᏙᎻ ᎤᏂᏙᏓ, ᏏᎠ ᎣᏓᎸ ᎠᏁᎯ.\nᎯᎠ ᎾᏍᎩ ᏚᎾᏙᎥ ᎢᏐ ᏧᏪᏥ; ᎡᎵᏆ ᎡᏓ ᎤᏪᏥ ᎾᏍᎩ ᎢᏐ ᎤᏓᎵᎢ, ᎷᎡᎵ ᏆᏏᎹ ᎤᏪᏥ ᎾᏍᎩ ᎢᏐ ᎤᏓᎵᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎡᎵᏆ ᏧᏪᏥ, ᏘᎹᏂ, ᎠᎹ, ᏂᏉ, ᎠᎴ ᎦᏓᎻ, ᎠᎴ ᎨᎾᏏ.\nᏘᎻᎾᏃ ᎡᎵᏆ ᏔᎵ ᎤᏮᏗ ᎠᏓᏰᎲ ᎨᏎᎢ, ᎾᏍᎩ ᎢᏐ ᎤᏪᏥ; ᎾᏍᎩᏃ ᎡᎵᏆ ᎠᎹᎴᎩ ᎤᎾᏄᎪᏫᏎᎴᎢ. ᎯᎠ ᎾᏍᎩ ᎡᏓ ᏧᏪᏥ ᎢᏐ ᎤᏓᎵᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎷᎡᎵ ᏧᏪᏥ; ᏁᎭᏗ, ᎠᎴ ᏎᎳ, ᏌᎹ, ᎠᎴ ᎻᏌ; ᎯᎠ ᎾᏍᎩ ᏆᏏᎹ ᎢᏐ ᎤᏓᎵᎢ ᏧᏪᏥ ᎨᏎᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏧᏪᏥ ᎠᎰᎵᎠ ᎢᏐ ᎤᏓᎵᎢ, ᎡᎾ ᎤᏪᏥ ᎾᏍᎩ ᏥᏈᎣᏂ ᎤᏪᏥ ᏥᎨᏎᎢ; ᎠᎴ ᎾᏍᎩ ᏤᎤᏏ, ᎠᎴ ᏤᎳᎻ, ᎠᎴ ᎪᎳ ᏚᎾᏄᎪᏫᏎᎴ ᎢᏐ.\nᎯᎠᏃ ᎾᏍᎩ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎨᏎ ᎢᏐ ᏧᏪᏥ; ᎡᎵᏆ ᏧᏪᏥ ᎾᏍᎩ ᎢᏐ ᎢᎬᏱ ᎤᏕᏁᎸᎯ; ᏘᎹᏂ ᎤᎬᏫᏳᏌᏕᎩ, ᎣᎹ ᎤᎬᏫᏳᏌᏕᎩ, ᏎᏉ ᎤᎬᏫᏳᏌᏕᎩ, ᎠᎴ ᎩᎾᏏ ᎤᎬᏫᏳᏌᏕᎩ.\nᎪᎳ ᎤᎬᏫᏳᏌᏕᎩ, ᎦᏔᎻ ᎤᎬᏫᏳᏌᏕᎩ, ᎠᎹᎴᎩ ᎤᎬᏫᏳᏌᏕᎩ; ᎯᎠ ᎾᏍᎩ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎡᎵᏆ ᎬᏩᏕᏁᎸᎯ ᎢᏙᎻ ᏣᏁᎮᎢ; ᎯᎠ ᎾᏍᎩ ᎡᏓ ᏧᏪᏥ ᎨᏎᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎷᎡᎵ ᏧᏪᏥ ᎾᏍᎩ ᎢᏐ ᎤᏪᏥ; ᏁᎭᏗ ᎤᎬᏫᏳᏌᏕᎩ, ᏎᎳ ᎤᎬᏫᏳᏌᏕᎩ, ᏌᎹ ᎤᎬᏫᏳᏌᏕᎩ, ᎻᏌ ᎤᎬᏫᏳᏌᏕᎩ; ᎯᎠ ᎾᏍᎩ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎷᎡᎵ ᎬᏩᏕᏁᎸᎯ ᎢᏙᎻ ᏣᏁᎮᎢ; ᎯᎠ ᎾᏍᎩ ᏆᏏᎹ ᏧᏪᏥ ᎢᏐ ᎤᏓᎵᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎠᎪᎵᏆᎹ ᏧᏪᏥ ᎢᏐ ᎤᏓᎵᎢ; ᏥᎤᏏ ᎤᎬᏫᏳᏌᏕᎩ, ᏤᎠᎳᎻ ᎤᎬᏫᏳᏌᏕᎩ, ᎪᎳ ᎤᎬᏫᏳᏌᏕᎩ; ᎯᎠ ᎾᏍᎩ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎠᎰᎵᏆᎹ ᎬᏩᏕᏁᎸᎯ ᎾᏍᎩ ᎢᏐ ᎤᏓᎵᎢ ᎡᎾ ᎤᏪᏥ.\nᎯᎠ ᎾᏍᎩ ᎢᏐ ᏧᏪᏥ, ᎾᏍᎩ ᎢᏙᎻ ᏥᏙᏙᎥ, ᎠᎴ ᎯᎠ ᎾᏍᎩ ᎤᏂᎬᏫᏳᏌᏕᎩ ᏧᎾᏤᎵᎦ.\nᎯᎠᏃ ᎾᏍᎩ ᏏᎠ ᎠᎰᎸ ᏧᏪᏥ, ᎾᏍᎩ ᎾᎿ ᎦᏙᎯ ᏣᏁᎮᎢ; ᎶᏔᏂ, ᎠᎴ ᏐᏆᎵ, ᎠᎴ ᏥᏈᎣᏂ, ᎠᎴ ᎡᎾ.\nᎠᎴ ᏗᏐᏂ, ᎠᎴ ᎢᏌ, ᎠᎴ ᏗᏌᏂ; ᎯᎠ ᎾᏍᎩ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎠᏂᎰᎸ ᏧᎾᏤᎵᎦ, ᎾᏍᎩ ᏏᎠ ᏧᏪᏥ ᎢᏙᎻ ᎦᏙᎯ ᏣᏁᎮᎢ.\nᎶᏔᏂᏃ ᏧᏪᏥ ᎰᎵ ᎠᎴ ᎯᎹᏂ ᏚᎾᏙᎡᎢ; ᎶᏔᏂᏃ ᎤᏙ ᏘᎻᎾ ᏚᏙᎡᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏐᏆᎵ ᏧᏪᏥ; ᎠᎵᏆᏂ, ᎠᎴ ᎹᏁᎭ, ᎠᎴ ᎢᏆᎵ, ᏎᏉ, ᎠᎴ ᎣᎾᎻ.\nᎯᎠᏃ ᎾᏍᎩ ᏥᏈᎣᏂ ᏧᏪᏥ; ᎢᏧᎳ ᎡᏣ, ᎠᎴ ᎡᎾ; ᎯᎠ ᎾᏍᎩ ᎡᎾ ᎤᏗᎴᎩ ᎠᎹ ᏕᎦᏄᎪᎬ ᏥᏚᏩᏛᎮ ᎢᎾᎨᎢ, ᎤᏙᏓ ᏥᏈᎣᏂ ᏧᏤᎵᎦ ᏗᏂᎵᎠᏅᎯᏛ ᏐᏈᎵ ᏓᎦᏘᏴᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎡᎾ ᏧᏪᏥ; ᏗᏐᏂ, ᎠᎴ ᎠᎰᎵᏆᎹ ᎡᎾ ᎤᏤᏥ ᎠᎨᏴ.\nᎯᎠᏃ ᎾᏍᎩ ᏗᏐᏂ ᏧᏪᏥ; ᎮᎻᏓᏂ, ᎠᎴ ᎡᏏᏆᏂ, ᎠᎴ ᎢᏗᎳᏂ, ᎠᎴ ᎩᎳᏂ.\nᎯᎠᏃ ᎾᏍᎩ ᎢᏌ ᏧᏪᏥ; ᏈᎳᏂ, ᎠᎴ ᏤᏆᏂ, ᎠᎴ ᎡᎧᏂ\nᎯᎠᏃ ᎾᏍᎩ ᏗᏌᏂ ᏧᏪᏥ; ᎥᏏ, ᎠᎴ ᎠᎳᏂ.\nᎯᎠᏃ ᎾᏍᎩ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎠᏂᎰᎸ ᎬᏩᎾᏕᏁᎸᎯ; ᎶᏔᏂ ᎤᎬᏫᏳᏌᏕᎩ, ᏐᏆᎵ ᎤᎬᏫᏳᏌᏕᎩ, ᏥᏈᎣᏂ ᎤᎬᏫᏳᏌᏕᎩ, ᎡᎾ ᎤᎬᏫᏳᏌᏕᎩ,\nᏗᏐᏂ ᎤᎬᏫᏳᏌᏕᎩ, ᎢᏌ ᎤᎬᏫᏳᏌᏕᎩ, ᏗᏌᏂ ᎤᎬᏫᏳᏌᏕᎩ; ᎯᎠ ᎾᏍᎩ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎰᎳ ᎬᏩᏕᏁᎸᎯ, ᎾᏍᎩ ᏧᎾᏤᎵ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎤᎾᏓᏑᏴ ᏏᎠ ᎦᏙᎯ ᏣᏁᎮᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎤᏂᎬᏫᏳ ᏣᏁᎮ ᎢᏙᎻᏱ ᎠᏏᏉ ᎢᏏᎵ ᏧᏪᏥ ᏄᏂᎧᎲᎾ ᏥᎨᏎ ᎤᎬᏫᏳᎯ.\nᏈᎳ ᏈᎣ ᎤᏪᏥ ᎢᏙᎻ ᎤᎬᏫᏳᎯ ᎨᏎᎢ; ᎾᏍᎩᏃ ᎤᏪᏚᎲ ᏗᏂᎮᏆ ᏚᏙᎡᎢ.\nᏈᎳᏃ ᎤᏲᎱᏎᎢ, ᏦᏆᏈᏃ ᏎᎳ ᎤᏪᏥ ᏉᏏᎳ ᎤᏕᏅᎯ ᎤᏓᏁᏟᏴᏍᏓᏁᎴ ᎤᎬᏫᏳᎯ ᏄᎵᏍᏔᏁᎢ.\nᏦᎠᏈᏃ ᎤᏲᎱᏎᎢ, ᎱᏌᎻᏃ ᏘᎹᏂ ᎦᏓ ᎠᎲ ᎤᏕᏅᎯ ᎤᏓᏁᏟᏴᏍᏔᏁᎴ ᎤᎬᏫᏳᎯ ᏄᎵᏍᏔᏁᎢ.\nᎱᏌᎻᏃ ᎤᏲᎱᏎᎢ, ᎤᏓᏁᏟᏴᏍᏓᏁᎴᏃ ᎤᎬᏫᏳᎯ ᏄᎵᏍᏔᏁ ᎮᏓᏗ ᏈᏓᏗ ᎤᏪᏥ ᎾᏍᎩ ᏥᏚᏎᎪᎩᏎ ᎻᏗᏯᏂ ᎼᎠᏈ ᎤᎾᏤᎵᎪᎯ. ᎾᏍᎩᏃ ᎤᏪᏚᎲ ᎡᏫᏗ ᏚᏙᎡᎢ.\nᎮᏓᏗᏃ ᎤᏲᎱᏎᎢ, ᏌᎻᎳᏃ ᎹᏏᎵᎦ ᎤᏕᏅᎯ ᎤᏓᏁᏟᏴᏍᏔᏁᎴ ᎤᎬᏫᏳᎯ ᏄᎵᏍᏔᏁᎢ.\nᏌᎻᎳᏃ ᎤᏲᎱᏎᎢ, ᏐᎳᏃ ᎵᎰᏉ ᎡᏉᏄᎶᏗ ᏂᎦᏚᎭ ᎤᏕᏅᎯ ᎤᏓᏁᏟᏴᏍᏓᏁᎴ ᎤᎬᏫᏳᎯ ᏄᎵᏍᏔᏁᎢ.\nᏐᎳᏃ ᎤᏲᎱᏎᎢ, ᎤᏓᏁᏟᏴᏍᏔᏁᎴᏃ ᎤᎬᏫᏳᎯ ᏄᎵᏍᏔᏁ ᏇᎳ-ᎮᎾᏂ ᎡᎩᏉ ᎤᏪᏥ.\nᏇᎳ-ᎮᎾᏂᏃ ᎡᎩᏉ ᎤᏪᏥ ᎤᏲᎱᏎᎢ, ᎮᏓᎵᏃ ᎤᏓᏁᏟᏴᏍᏓᏁᎴ ᎤᎬᏫᏳᎯ ᏄᎵᏍᏔᏁᎢ; ᎾᏍᎩᏃ ᎤᏪᏚᎲ ᏆᎤ ᏚᏙᎡᎢ; ᎤᏓᎵᎢᏃ ᎺᎮᏗᏇᎵ ᏚᏙᎡᎢ, ᎹᏞᏗ ᎤᏪᏥ, ᎻᏎᎭᏈ ᎤᏪᏥ ᎠᎨᏴ.\nᎯᎠᏃ ᎾᏍᎩ ᏚᎾᏙᎥ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎢᏐ ᎤᏁᏢᏔᏅᎯ, ᏓᏂᎳᏍᏓᎳᏩᏗᏒᎢ, ᏓᏁᏩᏗᏒᎢ, ᎨᏥᏯᏅᏗ ᎨᏒᎢ; ᏗᎻᎾ ᎤᎬᏫᏳᏌᏕᎩ, ᎡᎵᏩ ᎤᎬᏫᏳᏌᏕᎩ, ᏥᏓᏗ ᎤᎬᏫᏳᏌᏕᎩ,\nᎠᎰᎵᏆᎹ ᎤᎬᏫᏳᏌᏕᎩ, ᎢᎳ ᎤᎬᏫᏳᏌᏕᎩ, ᏆᏃᏂ ᎤᎬᏫᏳᏌᏕᎩ,\nᎨᎾᏏ ᎤᎬᏫᏳᏌᏕᎩ, ᏘᎹᏂ ᎤᎬᏫᏳᏌᏕᎩ, ᎻᏈᏌ ᎤᎬᏫᏳᏌᏕᎩ,\nᎹᎩᏓᏱᎵ ᎤᎬᏫᏳᏌᏕᎩ, ᎠᏱᎳᎻ ᎤᎬᏫᏳᏌᏕᎩ. ᎯᎠ ᎾᏍᎩ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎢᏙᎻ ᎠᏁᎯ ᎾᎿ ᏓᏂᏁᎳᏗᏒᎢ, ᎦᏙᎯ ᎤᎾᏤᎵᎪᎯ ᎨᏒᎢ. ᎯᎠ ᎾᏍᎩ ᎢᏐ, ᎠᏂᎢᏙᎻ ᎤᏂᏙᏓ.\nᎠᏯᏙᎸᎢ 37\nᏤᎦᏈᏃ ᎡᎮ ᎾᎿ ᎦᏙᎯ ᎤᏙᏓ ᎡᏙᎯ ᏥᎨᏎᎢ, ᎨᎾᏂ ᎦᏙᎯ ᎨᏒᎢ.\nᎯᎠ ᎾᏍᎩ ᎧᏃᏀᎡᏍᏗ ᏤᎦᏈ ᎤᏁᏢᏔᏅᏒᎢ. ᏦᏩ ᎦᎵᏆᏚ ᎢᏳᏕᏘᏴᏛ ᎨᏎ ᏧᏂᎵ ᎤᎾᎵᎪᎭ ᏓᏅᎿᏗᏍᏗᏍᎨ ᎠᏫ; ᎾᏍᎩᏃ ᎠᏫᏄᏣ ᎢᏧᎳᎭ ᎠᏁᏙᎮ ᏈᎳ ᏧᏪᏥ ᎠᎴ ᏏᎵᏆ ᏧᏪᏥ, ᎾᏍᎩ ᎤᏙᏓ ᏧᏓᎵᎢ. ᏦᏩᏃ ᎤᏃᏁᎴ ᎤᏂᏙᏓ ᎤᏲ ᎨᏥᏃᎮᏍᎬᎢ.\nᎢᏏᎵᏃ ᎤᏟ ᏄᎨᏳᏎ ᏦᏩ ᎡᏍᎦᏉ ᏂᎦᏛ ᏧᏪᏥ, ᏅᏗᎦᎵᏍᏙᏗᎡ ᎤᏛᏐᏅᎯ ᎨᏒ ᎤᏕᏁᎸᎢ. ᎠᎴ ᎠᏄᏬ ᎤᏅᏣᏛ ᎤᏪᏰᏫᏎᎴᎢ.\nᏧᏂᎵᏃ ᎤᎾᏙᎴᎰᏒ ᎤᏂᏙᏓ ᎤᏟ ᏄᎨᏳᏒ ᎾᏍᎩ ᎡᏍᎦᏉ ᏂᎦᏛ ᏧᏂᎵ, ᎬᏩᏂᏆᏘᎴᎢ, ᎠᎴ ᎥᏝ ᏙᎯᏱ ᎬᏩᎾᎵᏃᎮᏙᏗ ᏱᎨᏎᎢ.\nᎰᏩᏃ ᎤᏍᎩᏓᏎᎢ, ᎠᎴ ᎾᏍᎩ ᏚᏃᏁᎴ ᏧᏂᎵ; ᎤᏟᏃ ᎢᎦᎢ ᎬᏩᏂᏆᏘᎴᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ; Ꭷ, ᎢᏣᏛᏓᏍᏓ ᎯᎠ ᎾᏍᎩ ᎠᏆᏍᎩᏓᏒᎢ.\nᎬᏂᏳᏉ ᏕᏙᏛᎢᎲᎩ ᏠᎨᏏ; ᎬᏂᏳᏉᏃ ᎠᏉᏛᎸᎯ ᏚᎴᏅᎩ ᎠᎴ ᏧᏳᎪᏗ ᎦᎧᎲᎩ; ᎠᎴ ᎬᏂᏳᏉ ᏂᎯ ᏗᏦᏛᎸᎯ ᏚᎾᏚᏫᏍᏔᏅᎩ, ᎡᎳᏗ ᎾᎾᏛᏁᎲᎩ ᎠᏴ ᎠᏉᏛᎸᎯ.\nᏧᏂᎵᏃ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ; ᏥᎪᏃ ᎤᏙᎯᏳᎯ ᏂᎩ ᏣᎬᏫᏳᎯ ᎨᏎᏍᏗ ᎠᏴ ᎣᏤᎲᎢ? ᎠᎴᏍᎪ ᎤᏙᎯᏳᎯ ᎭᏓᏅᏖᎵᏙᎯ ᎨᏎᏍᏗ ᎠᏴ ᎣᏤᎲᎢ? ᎠᎴ ᎠᏏᏉ ᎤᏟ ᎢᎦᎢ ᎢᎬᏩᏂᏆᏘᎴᎢ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏍᎩᏓᏒᎢ ᎠᎴ ᏄᏪᏒᎢ.\nᎣᏂᏃ ᎠᏏ ᎤᏍᎩᏓᏎᎢ, ᎠᎴ ᏚᏃᏁᎴ ᎠᎾᎵᏅᏟ, ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎠᏏ ᏌᏉ ᎢᏯᏍᎩᏓᏒᎢ ᎥᎦᏍᎩᏘ, ᎠᎴ ᎬᏂᏳᏉ ᏅᏙ ᎢᎦ ᎡᎯ, ᎠᎴ ᏅᏙ ᏒᏃᏱ ᎡᎯ, ᎠᎴ ᏌᏚ ᎢᏯᏂᏛ ᏃᏈᏏ ᎡᎳᏗ ᏂᎬᏆᏛᏁᎲᎩ.\nᎤᏙᏓᏃ ᎠᎴ ᎠᎾᎵᏅᏟ ᏚᏃᏁᎴᎢ. ᎤᏙᏓᏃ ᎤᎬᏍᎪᎸᏁᎢ, ᎯᎠ ᏄᏪᏎᎴᎢ; ᎦᏙ ᎤᏍᏗ ᎾᏍᎩ ᎠᏍᎩᏓᏍᏗ ᏣᏍᎩᏘ? ᏥᎪ ᎠᏴ, ᎠᎴ ᏣᏥ, ᎠᎴ ᎢᏣᎵᏅᏟ, ᎤᏙᎯᏳᎯ ᎦᏙᎯ ᎢᏴᏛ ᎡᎳᏗ ᏅᏓᏨᏯᏛᏁᎵᎵ?\nᎠᎾᎵᏅᏟᏃ ᎬᏩᏳᏤᎴᎢ; ᎤᏙᏓᏍᎩᏂ ᎤᏅᏓᏕ ᎾᏍᎩ ᏄᏪᏒᎢ.\nᎠᎾᎵᏅᏟᏃ ᎤᏁᏅᏎ ᏚᏂᎦᏘᏛᏎ ᎤᏂᏙᏏ ᏧᏤᎵ ᎠᏫ ᏏᎩᎻᏱ.\nᎢᏏᎵᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ; ᏝᏍᎪ ᎢᏣᎵᏅᏟ ᎠᏫ ᏱᏫᏓᏂᎦᏘᏯ ᏏᎩᎻᏱ? Ꭷ, ᏓᎬᏅᏏ ᏩᏁᏙᎲᎢ; ᎯᎠᏃ ᏄᏪᏎᎴᎢ, ᎠᏂᏉ ᎠᏗᎾ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ; ᎮᎾ ᏣᎦᏛᏄᎦ ᏄᎾᏛᎿᏕᎬ ᎢᏣᎵᏅᏟ ᎠᎴ ᏄᎾᏛᎿᏕᎬ ᎠᏫ, ᎢᏍᎩᏃᏁᎵᎸᏃ. ᎯᏉᏂᏃ ᎤᎨᏓᎵᏴ ᎤᏅᏎᎢ, ᎠᎴ ᏏᎩᎻ ᏭᎷᏤᎢ.\nᎩᎶᏃ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎤᏩᏛᎮᎢ, ᎠᎴ ᎬᏂᏳᏉ ᎢᎾᎨ ᎤᎴᎾᎵᏙᎮᎢ; ᎾᏍᎩᏃ ᎠᏍᎦᏯ ᎤᏛᏛᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ; ᎦᏙ ᏣᏲᎭ?\nᎯᎠᏃ ᏄᏪᏎᎢ; ᎣᏣᎵᏅᏟ ᎦᏥᏲᎭ; ᏍᎩᏃᎲᏏ ᎾᎿ ᏫᏓᏂᎦᏘᏴ ᎠᏫ.\nᎾᏍᎩᏃ ᎠᏍᎦᏯ ᎯᎠ ᏄᏪᏎᎢ; ᎤᎾᏓᏅᏒ ᎠᏂ; ᎠᏆᏛᎦᏅᏰᏃ ᎯᎠ ᎾᏂᏪᏍᎬᎢ; ᏙᏓᏂ ᏫᏗᎶᎯ. ᏦᏩᏃ ᏚᏍᏓᏩᏛᏎ ᎠᎾᎵᏅᏟ; ᏙᏓᏂᏃ ᏫᏚᏩᏛᎮᎢ.\nᎨᏃ ᎢᏴᏛ ᏫᎬᏩᎪᎲ ᎾᎥ, ᎠᏏᏉ ᏂᎦᎷᎬᏫ ᎨᏎᎢ, ᎬᏩᎯᏍᏗᏱ ᎤᎾᏓᏅᏖᎴᎢ.\nᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᎬᏂᏳᏉ ᎯᎠ ᎾᏍᎩ ᎠᏍᎩᏓᏒᎥᏍᎩ ᏓᏯᎢ.\nᎧ ᎿᏉ ᎡᏘᎷᎦ, ᎠᎴ ᎢᎸᎯᏢ ᎠᏔᎴᏒ ᏪᏓᏓᎡᏒᎭ, ᎯᎠᏃ ᏂᏗᏪᏒᎭ, ᎪᎱᏍᏗ ᎤᏍᏗ ᎤᏍᎦᏎᏗ ᎡᎿᎢ ᎤᏪᏯᎥ; ᏓᏓᏙᎴᎰᏏᏃ ᏅᏗᎦᎵᏍᏔᏂᏒ ᎤᏍᎩᏓᏒᏅᎢ.\nᎷᏈᏂᏃ ᎤᏛᎦᏁᎢ, ᎤᏭᏓᎴᏎᏃ ᏚᏯᏅᎡᎴᎢ; ᎯᎠᏃ ᏄᏪᏎᎢ; ᏞᏍᏗ ᎡᏗᎸᎩ.\nᎷᏈᏂᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᏞᏍᏗ ᎩᎬ ᎢᏣᏤᏮᎩ, ᎡᏥᏯᎥᎦᏉᏍᎩᏂ ᎯᎠ ᎢᎾᎨ ᏣᏔᎴᏒ, ᎠᎴ ᏞᏍᏗ ᎪᎱᏍᏗ ᎡᏨᏁᎸᎩ; ᎾᏍᎩ ᏧᏭᏓᎳᎡᏗᏱ ᎤᏰᎸᏎᎢ, ᎤᏙᏓ ᏔᎵᏁ ᏮᎤᏪᎧᏁᏗᏱ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᏦᏩ ᏫᏚᎷᏤᎸ ᎠᎾᎵᏅᏟ, ᎤᏂᏄᏪᏎ ᎤᏅᏬ, ᎾᏍᎩ ᎤᏅᏣᏛ ᎠᏄᏬ ᎤᏄᏩᎥᎢ,\nᎬᏩᏂᏴᎮᏃ ᎠᎴ ᎠᏔᎴᏒ ᎬᏩᏯᏁᎢ. ᎾᏍᎩᏃ ᎠᏔᎴᏒ ᎤᏏᏩ ᎨᏎᎢ, ᎠᎹ ᏂᎦᏁᎲᎾ ᎨᏎᎢ.\nᎤᎾᏅᏁᏃ ᏗᎾᎵᏍᏓᏴᏂᏎᎢ, ᏗᏂᎦᏙᎵᏃ ᏚᏂᏌᎳᏓᏁᎢ, ᎠᎴ ᏫᏚᎾᎧᎿᏁᎢ, ᎬᏂᏳᏉᏃ ᏑᎾᏓᏡᎩ ᎠᏂᎢᏏᎺᎵ ᏗᎾᎢᏎ ᎩᎵᏯᏗ ᏅᏓᏳᏂᎶᏒᎯ; ᎨᎻᎵ ᏓᎾᏘᏁᎮᎢ ᏚᏂᏐᏈᎴ ᏗᎦᏩᏒᎩ, ᎠᎴ ᏅᏬᏘ ᎠᏜ, ᎠᎴ ᎦᏩᏒᎩ ᎠᏜ, ᎢᏥᏈᏱ ᏓᏂᏱᏎᎢ.\nᏧᏓᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎠᎾᎵᏅᏟ; ᎦᏙ ᏱᎩᏁᏉᏥ ᎢᏳᏃ ᏰᏗᎸ ᎢᎩᏅᏟ, ᎤᎩᎬᏃ ᏱᎦᏕᎵᏍᏔᏅ?\nᎧ ᎡᏗᎾᏚᎦ ᎠᏂᎢᏏᎺᎵ ᎨᏗᎧᏏ, ᎠᎴ ᏞᏍᏗ ᎪᎱᏍᏗ ᎡᏛᏁᎸᎩ; ᎢᎩᏅᏟᏰᏃ ᎠᎴ ᎢᎩᏇᏓᎸᎢ. ᎠᎾᎵᏅᏟᏃ ᎬᏩᏛᏓᏍᏓᏁᎴᎢ.\nᎤᏂᎶᏎᏃ ᎾᏍᎩ ᎠᏂᏍᎦᏯ ᎠᏂᎻᏗᏯᏂ ᎠᏂᏃᏔᏂᏙᎯ; ᏦᏩᏃ ᏫᎬᏩᏎᏒᎮ ᎬᏩᏯᎢᏎ ᎠᏔᎴᏒᎢ, ᎠᎴ ᎬᏩᎾᏗᏅᏎ ᏦᏩ ᎠᏂᎢᏏᎺᎵ ᏚᏂᎧᏁᎴᎢ, ᏔᎳᏍᎪᎯ ᎠᏰᎵ ᎠᏕᎸ ᎤᏂᏁᎬ ᏚᏂᎬᏩᎶᏔᏁᎢ. ᏦᏩᏃ ᎢᏥᏈᏱ ᏫᎬᏩᏘᏅᏍᏔᏁᎢ.\nᎷᏈᏂᏃ ᏗᏔᎴᏒ ᏫᎤᏨᏎᎢ, ᎬᏂᏳᏉᏃ ᏦᏩ ᎥᏝ ᏱᏯᎡ ᎠᏔᎴᏒᎢ. ᏧᏄᏬᏃ ᏚᏪᏣᎦᎸᎮᎢ.\nᎢᎤᏨᏎᏃ ᎠᎾᎵᏅᎶ ᏫᏚᎷᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏫᏄᏣ ᎥᏝ ᏰᎭ; ᎠᏴᏃ, ᎭᏢ ᏮᏓᏥᎶᏏ ᎠᏴ?\nᏦᏩᏃ ᎤᏄᏬᎥᎯ ᎤᏂᏁᏎᎢ, ᎠᎴ ᎤᏂᎴ ᎠᏫ ᎠᎭᏄᎸᎯ ᎠᏨᏯ, ᎠᎴ ᎤᎩᎬᎯ ᎤᏅᏁ ᎠᏄᏬ.\nᎤᎾᏓᏅᏎᏃ ᎠᎴ ᏭᏂᏃᎮᎴ ᎤᏂᏙᏓ ᎾᏍᎩ ᎠᏄᏬ ᎤᏅᎶᏛ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᎣᏥᎾᏩᏛ; ᎯᎪᎵᏯ, ᎭᏙᎴᎰᎯ ᏥᎪ ᎯᎠ ᎾᏍᎩ ᏤᏥ ᎤᏄᏬᎥᎯ, ᏝᎨ.\nᎤᏬᎵᏤᏃ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ; ᎯᎠ ᎾᏍᎩ ᎠᏇᏥ ᎤᏄᏬᎥᎯ; ᎤᏍᎦᏎᏗ ᎡᎿᎢ ᎤᏪᏯᎥ; ᏄᏜᏏᏛᏒᎾ ᎠᏥᏓᎦᎸᎥᏒ ᏦᏩ.\nᏤᎦᏈᏃ ᏚᏪᏣᎦᎸᎮ ᏄᏄᏬ, ᎠᎴ ᎤᏍᏕᎾ ᎠᏄᏬ ᎤᏓᏠᏍᏔᏁᎢ, ᎠᎴ ᎤᏣᏘ ᏄᏬᏓᏇ ᎤᏍᎪᏂᎴ ᎤᏪᏥ.\nᏂᎦᏛᏃ ᏄᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᏚᎾᎴᏁ ᎬᏩᏄᏬᎯᏍᏙᏗᏱ; ᎠᏎᏃ ᎤᏉᏌᏁ ᎤᏄᏬᎯᏍᏗᏱ; ᎯᎠᏃ ᏄᏪᏎᎢ; ᏗᎦᎦᏠᏱᎯᏰᏃ ᏓᎦᏠᎣᏏ ᏧᏂᏲᎱᏒᎯ ᏄᎾᏛᏅ ᏮᏓᏥᏴᎵ ᏮᏓᏥᎷᏤᎵ ᎠᏇᏥ. ᎤᏙᏓᏃ ᎤᏍᎪᏂᎴᎢ.\nᎠᏂᎻᏗᏯᏂᏃ ᎢᏥᏈᏱ ᎬᏩᏘᏅᏎ ᏫᎬᏪᎧᏁᎴ ᏉᏗᏆ, ᎤᎬᏫᏳᏌᏕᎩ ᏇᎵᏲ ᎤᏤᎵᎦ, ᎬᏩᎦᏘᏯ ᎠᏂᏯᏫᏍᎩ ᏧᏓᏘᎾᎢ.\nᎠᏯᏙᎸᎢ 38\nᎾᎯᏳᏃ ᎯᎠ ᏄᎵᏍᏔᏁᎢ; ᎾᏍᎩ ᏧᏓ ᏚᏓᏅᎡᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎠᏓᎳᎻ ᎤᏕᏅᎯ ᏭᎷᏤᎴᎢ, ᎾᏍᎩ ᎭᎳ ᏚᏙᎡᎢ.\nᎾᎿᏃ ᏧᏓ ᎤᎪᎮ ᎩᎶ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᎠᎨᎾᏂ ᎤᏪᏥ ᎠᎨᏴ ᏑᎠ ᏧᏙᎢᏛ, ᎠᎴ ᎤᏯᏅᎮᎢ, ᎠᎴ ᎤᏓᏴᏎᎢ.\nᎤᏁᎵᏤᏃ ᎠᎴ ᎤᎾᏄᎪᏫᏎ ᎠᏧᏣ, ᎠᎴ ᎥᎵ ᏚᏬᎡᎢ.\nᏔᎵᏁᏃ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎤᎾᏄᎪᏫᏎ ᎠᏧᏣ, ᎠᎴ ᎣᎾᏂ ᏚᏬᎡᎢ.\nᎠᏏᏃ ᏔᎵᏁ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎠᏧᏣ ᎤᎾᏄᎪᏫᏎᎢ, ᎠᎴ ᏏᎳ ᏚᏬᎡᎢ. ᎩᏏᏈᏃ ᏪᏙᎮ ᎾᎯᏳ ᎤᎾᏄᎪᏫᏒ.\nᏧᏓᏃ ᎤᏩᏛᎡᎴ ᎥᎵ ᎢᎬᏱ ᎡᎯ ᎤᏪᏥ ᎤᏓᎵᎢ; ᎾᏍᎩ ᏖᎹ ᏚᏙᎡᎢ.\nᎥᎵᏃ, ᏧᏓ ᎢᎬᏱ ᎡᎯ ᎤᏪᏥ ᎠᏍᎦᎾᎯᏳ ᎨᏎ ᏱᎰᏩ ᏓᎧᏅᎢ; ᏱᎰᏩᏃ ᎤᎴᎢ.\nᏧᏓᏃ ᎯᎠ ᏄᏪᏎᎴ ᎣᎾᏂ; ᎡᏣᏂᎵ ᎤᏓᏴᏛ ᏫᎷᏥᏏ, ᎠᎴ ᎠᎾᏛᎯ ᎢᏳᏛᏁᏗ ᎨᏒ ᏂᏯᏛᏂᏏ, ᎠᎴ ᎡᏣᏂᎵ ᏧᏪᏥ ᏕᎯᏯᏛᎯᏍᏓᎸᎭ.\nᎣᎾᏂᏃ ᎠᎦᏔᎮ ᎠᏲᎵ ᎤᏤᎵ ᎠᏥᏰᎸᎾᏁᏗ ᏂᎨᏒᎾ ᎨᏒᎢ; ᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎿᏉ ᏚᎾᏂᏏᏅ ᎤᏂᎵ ᎤᏓᏴᏛ, ᎤᏤᏪ ᎦᏙᎯ, ᏄᏚᎵᏍᎬᎾ ᎨᏒ ᎢᏳᏍᏗ ᎤᏂᎵ ᎤᏪᏥ ᎤᏕᏁᏗᏱ.\nᎾᏍᎩᏃ ᏄᏛᏁᎸ ᎤᏲᎢᏳ ᎨᏎ ᏱᎰᏩ ᏓᎧᏅᎢ, ᎾᏍᎩᏃ ᎾᏍᏉ ᎤᎴᎢ.\nᏧᏓᏃ ᎯᎠ ᏄᏪᏎᎴ ᏖᎹ ᎤᏦᎯ; ᏦᏑᎶᏨᎯᏉ ᏣᏙᏓ ᎦᏁᎸ ᏦᎴᏍᏗ, ᎬᏂ ᏏᎳ ᎠᏇᏥ ᎤᏛᎾ ᎨᏎᏍᏗ; (ᎯᎠᏰᏃ ᏄᏪᏎᎢ, ᎾᏍᎩᏰᏃ ᎾᏍᏉ ᏯᏲᎱᎯ, ᎾᏍᎩ ᏧᏂᎵ ᏄᎾᎵᏍᏔᏅᎢ.) ᏖᎹᏃ ᎤᏪᏅᏎᎢ, ᎠᎴ ᎤᏙᏓ ᎦᏁᎸ ᏪᎮᎢ.\nᎢᎸᎯᏳᏃ ᎢᏴᏛ ᏑᎠ ᎤᏪᏥ ᏧᏓ ᎤᏓᎵᎢ ᎤᏲᎱᏎᎢ, ᏧᏓᏃ ᎤᏄᏬᎯᏎᎢ, ᎠᎴ ᏗᎻᎾᏗ ᎤᏪᏅᏎ ᎠᏫ ᏗᎬᏩᏍᏙᏰᎯ ᏗᏁᎲᎢ, ᎤᏩᏒ ᎠᎴ ᎤᎾᎵᎢ ᎭᎳ ᎠᏓᎳᎻ ᎤᏕᏅᎯ.\nᏖᎹᏃ ᎠᏥᏃᏁᎴᎢ ᎯᎠ ᎾᏥᏪᏎᎴᎢ; ᎬᏂᏳᏉ ᎯᏦᎢᏯ ᏗᎻᎾᏗ ᎠᎢ ᎠᏫ ᏧᏤᎵ ᏓᏍᏙᏰᎯ.\nᎤᏬᏑᎶᏨᎯᏃ ᎤᏄᏬᏍᏗ ᎤᏄᏪᏎᎢ, ᎠᎴ ᎤᎵᎬᏚᎳᏁᎢ, ᎠᎴ ᎤᏚᏢᏁᎢ, ᎠᎴ ᎤᏜᏅᏛ ᎤᏪᏁᎢ, ᏗᎻᎾᏗ ᏫᎦᏅᏅᎢ; ᎤᏙᎴᎰᏎᏰᏃ ᏏᎳ ᎤᏛᎾ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏂᏓᎾᏤᎬᎾ ᎨᏒᎢ.\nᏧᏓᏃ ᎤᎪᎲ ᎤᏁᎫᏥᏛ ᎠᎨᏴ ᎤᏪᎵᏎᎴᎢ, ᏂᎦᎵᏍᏙᏗᏍᎨ ᎤᎵᎬᏚᎸᎢ.\nᎾᏍᎩᏃᏭᎷᏤᎴ ᏅᏃᎱᎶᏗ, ᎯᎠᏃ ᏄᏪᏎᎢ, Ꭷ, ᏗᎾᏂᏏᎲᎦ; (ᎥᏝᏰᏃ ᏱᎦᎳᎮ ᎾᏍᎩ ᎤᏦᎯ ᎨᏒᎢ.) ᎯᎠᏃ ᏄᏪᏎᎢ, ᏚᏙᏃ ᏓᏍᎩᏁᎵ ᎾᏍᎩ ᏗᎩᎾᏂᏏᏗᏱ?\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᎭᏄᎸᎯ ᎠᎩᎾ ᏗᎦᏓᏅᏒᎭ ᎠᏫ ᏗᏁᏙᎲ ᏩᏯᏅᏛ. ᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᎦᏘᏗᏍᏙᏗᏍᎪᏃ ᏓᏍᎩᏁᎵ ᏔᏓᏅᏒᎭ ᎢᎪᎯᏛ?\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᏙᏃ ᎤᏍᏗ ᎠᎦᏘᏗᏍᏙᏗ ᏓᎬᏁᎵ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᏣᎵᏰᏑᏍᏚᏬ ᎠᏏᎥᏍᏙᏗ, ᎠᎴ ᎪᎸᏌᏛᏗ ᎬᏩᏠᏯᏍᏗ, ᎠᎴ ᏣᏙᎳᏅᏍᏗ ᏥᏁᎭ. ᎾᏍᎩᏃ ᏚᏁᎴᎢ, ᎠᎴ ᏚᎾᏂᏏᏁᎢ, ᎠᎴ ᎤᏁᎵᏍᏔᏁᎢ.\nᏚᎴᏁᏃ, ᎠᎴ ᎤᏪᏅᏎᎢ, ᎠᎴ ᎤᎵᎬᏚᎴᏎᎢ, ᎠᎴ ᏧᏃᏑᎶᏨᎯ ᏧᎾᏄᏬᏍᏗ ᏫᏚᏄᏬᎡᎢ.\nᏧᏓᏃ ᎤᏓᏅᏎ ᏭᏪᎧᏁᎴ ᎠᎭᏄᎸᎯ ᎠᎩᎾ ᎤᎨᏅᏕ ᎤᎾᎵᎢ ᎠᏓᎳᎻ ᎡᎯ, ᎠᎴ ᎥᎤᎩᏍᏗᏱ ᎤᎦᏘᏗᏍᏓᏁᎸᎯ ᎠᎨᏴ; ᎠᏎᏃ ᎥᏝ ᏳᏩᏛᎮᎢ.\nᎿᏉᏃ ᏚᏛᏛᏁ ᎾᎿ ᎠᏁᎯ, ᎯᎠ ᏄᏪᏎᎢ, ᎭᏢ ᎤᏁᎫᏥᏛ ᎠᎨᏴ, ᎬᏂᎨᏒ ᏅᏃᎱᎶᏗ ᏧᏬᎸᎩ? ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎥᏝ ᎤᏁᎫᏥᏛ ᎠᎨᏴ ᎠᏂ ᏰᏙᎮᎢ.\nᏧᏓᏃ ᏫᎤᎷᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏫᏄᏪᏎᎢ, ᏥᏯᏠᎩᏉ, ᎠᎴᏃ ᎾᏍᏉ ᎾᎿ ᎠᏁᎯ ᎠᏂᏍᎦᏯ ᎯᎠ ᏄᏂᏪᏒᎩ, ᎥᏝ ᎠᏂ ᏰᏙᎮ ᎤᏁᎫᏥᏛ ᎠᎨᏴ.\nᏧᏓᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏩᎾᎡᏍᏗᏉ, ᏰᎩᎾᏕ ᎣᎯᏍᏓᏰᏃ; ᎬᏂᏳᏉ ᎯᎠ ᎠᎭᏄᎸᎯ ᎠᎩᎾ ᎬᏯᎨᏅᏛᎩ, ᏮᎯᏯᏠᎩᏉᏃ.\nᏦᎢᎭᏃ ᎢᏯᏅᏙ ᎣᏂ, ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏧᏓ ᎠᏥᏃᏁᎴ ᎯᎠ ᎾᏥᏪᏎᎴᎢ, ᏖᎹ ᏣᏦᎯ ᎤᏓᏁᎬᏍᏔᏅ, ᎠᎴ ᎾᏍᏉ ᎬᏂᏳᏉ ᎤᏁᎵᏨ ᏚᏂᏏᏂᏙᎸᎢ; ᏧᏓᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎡᏣᏘᏃᎦ ᎠᎴ ᏩᎦᎪᎲᏍᏓ.\nᎠᎦᏘᏃᎸᏃ ᎤᏓᏅᏎ ᎤᏛᎪᏗ ᎤᏦᎯᏛᎯ, ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᎠᏍᎦᏯ ᎾᏍᎩ ᎯᎠ ᏧᏤᎵᎦ ᎠᎩᏁᎵᏍᏔᏅ; ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎭᏙᎴᎰᎯ, ᎦᎪ ᏧᏤᎵᎦ ᎯᎠ, ᎠᎵᏰᏑᏍᏚᏬ ᎠᏐᎥᏍᏙᏗ, ᎠᎴ ᎪᎸᏌᏛᏗ, ᎠᎴ ᎠᏙᎳᏅᏍᏗ.\nᏧᏓᏃ ᏧᏤᎵᎦ ᎨᏒ ᎤᏃᏁᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏟ ᏚᏳᎪᏛ ᏄᏛᏁᎸ ᎡᏍᎦᏉ ᎠᏴ; ᏂᎦᎵᏍᏙᏗᎭ ᎠᏇᏥ ᏏᎳ ᏂᏥᏯᎧᏁᎸᎾ ᎨᏒᎢ. ᎥᏝ ᎠᎴ ᎢᎸᎯᏳ ᏔᎵᏁ ᏳᎦᏙᎥᏎᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎿᏉ ᎤᏍᏆᎸᎲ ᎠᏲᎵ ᎤᎾᏄᎪᏫᏍᏗᏱ, ᎬᏂᏳᏉ ᏗᏂᎳᏫ ᏕᎦᏁᎵᏎᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ ᎿᏉ ᏓᏓᎾᏄᎪᏫᏍᎨᎢ, ᎾᏍᎩ ᎠᏏᏴᏫ ᏧᏙᏯᏅᎯᏕᎢ; ᎠᎵᏍᏕᎵᏍᎩᏃ ᎩᎦᎨ ᎠᏍᏘ ᎤᎸᏍᏓᏁᎴ ᎤᏬᏰᏂ, ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᎢᎬᏱ ᎤᎾᏄᎪᏨᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏗᎤᏎᏒᎲ ᎤᏬᏰᏂ, ᎬᏂᏳᏉ ᏗᎾᏓᏅᏟ ᏧᎾᏄᎪᏤᎢ; ᎠᎵᏍᏕᎵᏍᎩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙ ᏓᎦᎵᏍᏙᏓ ᎥᎯᎳᏅᏓᏓ ᏛᎯᏄᎪᎢ? ᎾᏍᎩ ᎯᎠ ᎦᎳᏅᏓᏛᎢ ᏂᎯ ᎡᏣᎳᏫᏎᎮᏍᏗ; ᎾᏍᎩ ᎢᏳᏍᏗ ᏇᎵᏏ ᏓᎪᎡᎢ.\nᎣᏂᏃ ᏗᎾᏓᏅᏟ ᏧᏄᎪᏤᎢ, ᎾᏍᎩ ᎩᎦᎨ ᎠᏍᏘ ᎤᎸᏍᏗ ᎤᏬᏰᏂ; ᏎᎳᏃ ᏓᎪᎡᎢ.\nᎠᏯᏙᎸᎢ 39\nᏦᏩᏃ ᎢᏥᏈᏱ ᏩᎦᏘᏃᎴᎢ; ᏉᏗᏆᏃ ᎤᎬᏫᏳᏌᏕᎩ ᏇᎵᏲ ᎤᏤᎵᎦ, ᎬᏩᎦᏘᏯ ᎠᏂᏯᏫᏍᎩ ᏧᏓᏘᎾᎢ, ᎢᏥᏈᏱ ᎡᎯ, ᎾᏍᎩ ᏚᏩᏎᎴ ᎠᏂᎢᏏᎺᎵ, ᎾᏍᎩ ᎾᎿ ᏫᎬᏩᏘᏃᎸᎯ.\nᏱᎰᏩᏃ ᏚᎧᎿᏩᏗᏙᎮ ᏦᏩ, ᎣᏍᏛᏃ ᎢᏳᎵᏍᏓᏁᎯ ᎨᏎᎢ; ᎤᎾᏝᎢᏃ ᎦᏁᎸ ᎢᏥᏈᏱ ᎡᎯ ᎡᎯᎢ.\nᎤᎾᏝᎢᏃ ᎤᏙᎴᎰᏎ ᏱᎰᏩ ᏚᎧᎿᏩᏗᏙᎲᎢ, ᎠᎴ ᏱᎰᏩ ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗᏱ ᏄᏩᏁᎲ ᏂᎦᏛ ᏚᎸᏫᏍᏓᏁᎲᎢ.\nᏦᏩᏃ ᎣᏍᏛ ᎤᏰᎸᏗᏱ ᎤᏩᏛᎮᎢ, ᎠᎴ ᎪᎱᏍᏗ ᎠᏛᏁᎮᎢ; ᎠᎴ ᏗᎧᎿᏩᏗᏙᎯ ᏄᏩᏁᎴ ᎦᏁᎸᎢ, ᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᎤᎿᎥ ᏚᏲᏎᎴᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏗᎧᎿᏩᏗᏙᎯ ᏄᏩᏁᎸ ᎦᏁᎸᎢ ᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᎤᎿᎥᎢ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎾᏍᎩ ᏱᎰᏩ ᎣᏍᏛ ᏄᏛᏁᎴ ᎦᏁᎸ ᎢᏥᏈᏱ ᎡᎯ, ᏦᏩ ᎢᏳᏩᏂᏌᏛ; ᎠᎴ ᏱᎰᏩ ᎤᏓᏍᏕᎸᏗ ᎨᏒ ᏔᎵ ᎤᏛᏗᏕᎨ ᏂᎦᎥ ᎪᎱᏍᏗ ᎤᎿᎥ ᎦᎵᏦᏕ ᎠᎴ ᏠᎨᏏ.\nᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᎤᎿᎥ ᏦᏩ ᎤᎦᏘᏗᏍᏔᏁᎢ; ᎠᎴ ᎥᏝ ᏯᎦᏔᎮ ᎢᏳᏍᏗ ᎤᎲᎢ, ᎠᎵᏍᏓᏴᏗ ᎠᎩᏍᎬ ᎤᏩᏒ. ᎠᎴ ᏦᏩ ᎤᏬᏚᎯᏳ ᎨᏎᎢ, ᎠᎴ ᎣᏏᏳ ᎨᏎ ᏣᎦᎦᏅᏗᏱ.\nᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᎵᏍᏔᏂᏙᎸ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎤᎾᏝᎢ ᎤᏓᎵᎢ ᏚᎧᏂᏍᎨ ᏦᏩ; ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏍᏆᏂᏏᎲᏏ.\nᎠᏎᏃ ᏦᏩ ᏚᏢᏫᏎᎴᏉ, ᎠᎴ ᎯᎠ ᏄᎡᏎᎴ ᎤᎾᏝᎢ ᎤᏓᎵᎢ; ᎬᏂᏳᏉ, ᎠᎩᎾᏝᎢ ᎥᏝ ᏱᎦᏔᎭ ᎢᏳᏍᏗ ᎠᎩᎦᏘᏗᏍᏛ ᎦᏁᎸᎢ, ᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ ᎤᎿᎥ ᏓᎩᏲᎯᏎᎸ.\nᎥᏝ ᎠᎴ ᎩᎶ ᎤᏟ ᏱᎾᏥᎸᏉᏗ ᎠᏂ ᎠᏓᏁᎸ ᎠᏴ ᏅᎩᎸᏉᏛᎢ; ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᏂᏓᎩᏲᎯᏎᎸᎾ ᏱᎩ, ᏂᎯ ᏨᏒ, ᎾᏍᎩ ᏂᎯ ᎤᏓᎵᎢ ᎨᏒ ᎢᏳᏍᏗ; ᎦᏙᏃ ᏱᎦᎵᏍᏙᏓ ᎾᏍᎩ ᏱᏁᏋ ᎤᏲ ᏱᏓᎩᎸᏫᏍᏓᏏ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏱᏥᏍᎦᏅᏥᏏ?\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎯᎠ ᏂᎦᏪᏎᎲ ᏦᏩ ᏗᎬᏩᎩᏨᏗ, ᎥᏝ ᏱᏛᏓᏍᏓᏁᎮ ᎤᏂᏏᏁᏗᏱ, ᎠᎴ ᎢᏧᎳᎭ ᎤᏁᏓᏍᏗᏱ.\nᎾᎯᏳᏉᏃ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎦᎵᏦᏕ ᏭᏴᎴ ᏧᎸᏫᏍᏓᏁᏗᏱ ᎤᎲ ᏧᎸᏫᏍᏓᏁᏗ; ᎥᏝ ᎠᎴ ᎩᎶ ᎠᏂᏍᎦᏯ ᎾᎿ ᎠᏁᎯ ᏯᏯᎡ ᎦᎵᏦᏕ.\nᎠᎴ ᎤᏂᏴᎮ ᎤᏄᏩᎥᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᏍᏆᏂᏏᎲᏏ; ᎤᏄᏬᏃ ᎬᏩᏒᎦᎵ [ᎠᎨᏴ] ᎤᎵᏘᏎ [ᏦᏩ] ᎠᎴ ᎤᏄᎪᏤᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ [ᎠᎨᏴ] ᎿᏉ ᎤᏙᎴᎰᏒ ᎤᏂᏴ ᎤᏄᏬ ᎤᏒᎦᎸᎢ, ᎠᎴ ᏙᏱ ᏮᏗᏢᏍᏔᏅᎢ,\nᎾᏍᎩ ᏫᏚᏯᏅᎮ ᎠᏂᏍᎦᏯ ᎦᏁᎸ ᎠᏁᎯ, ᎠᎴ ᏚᏃᏁᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎬᏂᏳᏉ, ᎠᏈᎷ ᎢᎦᏘᏃᎮᎸ ᎢᎩᏐᏢᎢᏍᏙᏗᏱ; ᎾᏍᎩ ᎠᎩᎷᏤᎸᎩ ᎠᏆᏂᏏᏁᏗᏱ ᎤᏰᎸᏒᎩ, ᎠᏍᏓᏯᏃ ᎠᏇᎷᏅᎩ;\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎿᏉ ᎤᏛᎦᏅᎠᏍᏓᏯ ᎠᏇᎷᏅᎢ, ᎾᏍᎩ ᎠᎩᏂᏰᎸ ᎤᏄᏬ, ᎠᎴ ᎤᎵᏘᏒᎩ, ᎠᎴ ᎤᏄᎪᏨᎩ.\nᎤᏄᏬᏃ ᎤᏍᏆᏂᎪᏔᏁᎢ ᎬᏂ ᎤᎾᏝᎢ ᎢᎤᎷᏨ.\nᎤᏠᏱᏉᏃ ᎾᏍᎩ ᎤᏃᏁᎴᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎠᏈᎷ ᎠᏥᏅᏏᏓᏍᏗ, ᎾᏍᎩ ᏥᏍᎩᏯᏘᏃᎮᎸᎩ, ᎠᎩᎷᏤᎸᎩ ᎠᎩᏐᏢᎢᏍᏙᏗᏱ ᎤᏰᎸᏒᎩ.\nᎠᎴ ᎯᎠ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎠᏍᏓᏯ ᎠᏇᎷᏅ, ᎤᏄᏬ ᎠᎩᏂᏰᎸᎩ, ᎠᎴ ᏙᏱ ᏭᏗᏢᏍᏔᏅᎩ.\nᎠᎴ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎤᎾᏝᎢ ᎤᏛᎦᏅ ᎤᏓᎵᎢ ᏂᎦᏪᏍᎬᎢ, ᎾᏍᎩ ᎤᏃᏁᎲ ᎯᎠ ᏂᎦᏪᏎᎬᎢ, ᎯᎠ ᎾᏍᎩ ᎾᏋᎦ ᎯᏅᏏᏓᏍᏗ, ᎾᏍᎩ ᎤᏔᎳᏬᏎᎢ.\nᏦᏩᏃ ᎤᎾᏝᎢ ᎤᏂᏴᎮᎢ, ᎠᎴ ᏗᏓᏍᏚᏗᏱ ᎤᏴᏔᏁᎢ, ᎾᎿ ᎤᎬᏫᏳᎯ ᏧᏤᎵᎦ ᎠᏂᏴᎩ ᏕᎨᎦᎸᎥᎢ; ᎾᎿᏃ ᏗᏓᏍᏚᏗᏱ ᎠᏯᎡᎢ.\nᎠᏎᏃ ᏱᎰᏩ ᏚᎧᎿᏩᏗᏙᎮ ᏦᏩ, ᎠᎴ ᎤᏪᏙᎵᎨᎢ, ᎠᎴ ᎣᏍᏛ ᎤᏰᎸᏗᏱ ᏄᏩᏁᎴ ᏗᏓᏍᏚᏗᏱ ᎠᎦᏘᏯ.\nᎠᎴ ᏗᏓᏍᏚᏗᏱ ᎠᎦᏘᏯ ᏦᏩ ᏚᎦᏘᏗᏍᏔᏁ ᏂᎦᏛ ᎠᏂᏴᎩ ᏗᏓᏍᏚᏗᏱ ᎠᏂᏯᎢ; ᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ ᎾᎿ ᎠᎾᏛᏁᎲ ᎾᏍᎩ ᎢᏳᏛᏁᎸᎯ ᎨᏎᎢ.\nᏗᏓᏍᏚᏗᏱᏃ ᎠᎦᏘᏯ ᎥᏝ ᎪᎱᏍᏗ ᏯᎦᏌᏯᏍᏗᏍᎨ ᎾᏍᎩ ᎤᎦᏘᏗᏍᏛᎢ: ᏂᎦᎵᏍᏙᏗᏍᎨ ᏱᎰᏩ ᏚᎧᎿᏩᏗᏙᎲᎢ; ᎠᎴ ᏚᎸᏫᏍᏓᏁᎲ ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗᏱ ᏄᏩᏁᎲ ᏱᎰᏩ.\nᎠᏯᏙᎸᎢ 40\nᎯᎠᏃ ᏄᎵᏍᏔᏂᎣᎸ ᎣᏂ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎢᏥᏈᏱ ᎤᎬᏫᏳᎯ ᎠᏗᏔᏍᏗ ᎤᎦᏘᏕᎯ, ᎠᎴ ᏧᏪᏚᏁᎯ ᎤᏂᏍᎦᏅᏤᎴ ᎤᏂᏅᏏᏙᎯ, ᎾᏍᎩ ᎢᏥᏈᏱ ᎤᎬᏫᏳᎯ.\nᏇᎵᏲᏃ ᏚᎿᎸᏤᎴ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏰᎬᏍᏓ ᏧᏤᎵᎦ, ᎾᏍᎩ ᏄᎬᏫᏳᏒ ᎠᏗᏔᏍᏗ ᎠᏂᎦᏘᏯ ᎨᏒᎢ, ᎠᎴ ᏄᎬᏫᏳᏒ ᏗᏂᏚᎲᏍᎩ ᎨᏒᎢ.\nᎠᎴ ᎬᏩᎦᏘᏯ ᎠᏂᏯᏫᏍᎩ ᏧᏓᏘᎾᎢ ᎦᏁᎸ ᏫᏚᏴᏔᏁᎢ, ᎾᎿ ᏗᏓᏍᏚᏗᏱ, ᏦᏩ ᎾᎿ ᎤᏥᏴᏛᎢ.\nᎠᎴ ᎬᏩᎦᏘᏯ ᎠᏂᏯᏫᏍᎩ ᏄᎬᏫᏳᏒ ᏚᎨᏅᏕ ᏦᏩ ᎠᏂᏴᎩ, ᎠᎴ ᎾᏍᎩ ᏓᎦᏘᏰᎢ; ᎠᎴ ᎢᎸᏍᎩ ᏄᏬᎯᏤ ᏕᎨᏥᏍᏚᎮᎢ.\nᎠᎴ ᎢᏧᎳ ᏚᎾᏍᎩᏓᏎᎢ, ᎢᏧᎳ ᏌᏉ ᏒᏃᏱ ᏚᎾᏍᎩᏓᏎᎢ, ᎢᏧᎳ ᏧᏓᎴᎾᎢ ᏕᎦᏛᎬ ᏚᎾᏍᎩᏓᏎᎢ, ᎾᏍᎩ ᎢᏥᏈᏱ ᎤᎬᏫᏳᎯ ᎠᏗᏔᏍᏗ ᎤᎦᏘᏕᎯ, ᎠᎴ ᏧᏪᏚᏁᎯ, ᎾᏍᎩ ᏗᏓᏍᏚᏗᏱ ᏥᏕᎨᏥᏴᏕᎢ.\nᏦᏩᏃ ᏑᎾᎴ ᏭᏴᎵᎴ ᎠᏂᏯᎥᎢ, ᎠᎴ ᏚᎧᎿᏁ ᎾᏍᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎤᏲ ᎤᎾᏓᏅᏖᎢ.\nᏚᏛᏛᏁᏃ ᏇᎵᏲ ᏧᏤᎵ ᎤᏂᎬᏫᏳᏌᏕᎩ, ᎾᏍᎩ ᎢᏧᎳᎭ ᏣᏂᏯᎡ ᏗᏓᏍᏚᏗᏱ ᎤᎾᏝᎢ ᎦᏁᎸᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙᏃ ᎤᏲᏉ ᎢᏍᏓᏓᏅᏔ ᏤᏍᏓᎦᏃᏗᏱ ᎪᎯ ᎢᎦ?\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᎣᏍᏓᏍᎩᏘ, ᎥᏝ ᎠᎴ ᎪᎶ ᎦᏛᎬ ᎬᏂᎨᏒ ᎢᎬᏩᏁᏗ ᏰᏙᎭ. ᏦᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏝᏍᎪ ᎤᏁᎳᏅᎯ ᏳᎭ ᎦᏛᎬ ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ? ᏍᎩᏂᏃᎲᏏ [ᏄᏍᏛ ᎢᏍᏓᏍᎩᏓᏒᎢ.]\nᏄᎬᏫᏳᏒᏃ ᎠᏗᏔᏍᏗ ᎠᎦᏘᏯ ᎤᏍᎩᏓᏒ ᎤᏃᏁᎴ ᏦᏩ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᏍᎩᏓᏍᎬ ᎬᏂᏳᏉ, ᎤᏖᎸᎳᏛ ᎢᎬᏱᏗᏢ ᎾᏆᎵᏍᏓᏁᎸᎩ;\nᎤᏖᎸᎳᏛᏃ ᏦᎢ ᏚᏩᏂᎦᎸᎩ; ᎠᎴ ᏣᏥᎸᎲᏍᎪ ᎾᏍᎩᏯ ᎥᎨᏒᎩ, ᎠᎴ ᎠᏥᎸᏍᎬᎩ; ᎠᎴ ᏖᎸᎳᏗ ᎤᏅᎾᏏᏛ ᎤᎾᏓᏛᏅᎩ;\nᎠᎴ ᏇᎵᏲ ᎤᏤᎵ ᎤᎵᏍᏈᏗ ᎥᏥᏰᎲᎩ; ᏖᎸᎳᏗᏃ ᏓᏆᏕᏒᎩ, ᎠᎴ ᏓᎩᏨᏩᏍᏔᏅᎩ, ᏇᎵᏲ ᎤᏤᎵ ᎤᎵᏍᏈᏗ ᎠᎩᏟᏍᏔᏅᎩ; ᎠᎴ ᏇᎵᏲ ᎥᏥᏯᏒᎦᎶᏔᏅᎩ ᎤᎵᏍᏈᏗ.\nᏦᏩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᎦᏛᎬᎢ; ᏦᎢ ᎾᏍᎩ ᏥᏚᏩᏂᎦᎴ ᏦᎢ ᏧᏒᎯᏛ ᎦᏛᎦ.\nᏦᎢ ᎢᏳᏒᎯ ᏇᎵᏲ ᏛᏣᏌᎳᏓᏁᎵ ᎯᏍᎪᎵ; ᎠᎴ ᏗᏣᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏔᎵᏁ ᏛᏣᏁᎵ. ᎠᎴ ᏇᎵᏲ ᎤᏤᎵ ᎤᎵᏍᏈᏗ ᏛᎯᏯᏒᎦᎶᏔᏂ, ᎾᏍᎩᏯ ᏥᎿᏛᏁᎲ ᏧᏩᎫᏔᏅᏒ ᎠᏗᏔᏍᏗ ᎯᎦᏘᏕᎯ ᏥᎨᏒᎩ.\nᎠᏗᎾ ᏍᏆᏅᏓᏛᎭ ᎾᎯᏳ ᎣᏍᏛ ᏂᏣᏛᎿᏕᎨᏍᏗ, ᎠᎴ ᎣᏍᏛ ᏂᏍᏆᏛᏁᎸᎭ, ᎠᎴ ᏇᎵᏲ ᎯᏃᏁᎸᎭ ᎠᏴ ᏍᎩᏁᎢᏍᏔᏅᎭ, ᎠᎴ ᎯᎠ ᎾᏍᎩ ᎠᏓᏁᎸ ᏍᎩᏄᎪᏫᏒᎭ;\nᎤᏙᎯᏳᎯᏯᏰᏃ ᎥᎩᏃᏍᎩᏒᎩ ᎠᏂᏈᎷ ᎤᎾᏤᎵᎪᎯ ᏫᎬᎩᏯᏅᎲᎩ; ᎠᎴ ᎠᏂ ᎥᏝ ᎪᎱᏍᏗ ᏯᏆᏛᏁᎸ ᎬᎩᏍᏛᏗᏍᏗ ᏗᏓᏍᏚᏗᏱ ᎦᎬᎩᏴᏙᏗ.\nᏄᎬᏫᏳᏒᏃ ᏗᎦᏚᎲᏍᎩ ᎤᏙᎴᎰᏒ ᎦᏛᎬ ᎣᏏᏳ ᎨᏒᎢ, ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, ᎠᏴ ᎾᏍᏉ ᎦᏍᎩᏓᏍᎬᎩ, ᎠᎴ ᎬᏂᏳᏉ ᏦᎢ ᏔᎷᏣ ᎦᏚ ᎤᏂᏁᎬ ᏗᎦᎶᏗ ᏓᏆᏃᏍᏛᎩ;\nᎠᎴ ᏔᎷᏣᎩᎯ ᎦᏚᎢᏗᏢ ᎠᏝᎲ ᎦᎸᎩ ᏄᏓᎴᏒ ᏇᎵᏲ ᎤᎵᏍᏓᏴᏗ ᏗᎦᏚᎲᏍᎩ ᏧᏪᏚᏅᎯ; ᏥᏍᏆᏃ ᎠᏂᎴᏍᎬᎩ ᎠᏂᎩᏍᎬᎩ ᏔᎷᏣᎩᎯ ᎾᏍᎩ ᎠᏆᏃᏍᏛᎢ.\nᏦᏩᏃ ᎤᏁᏤᎢ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᎦᏛᎲᎢ; ᏦᎢ ᏔᎷᏣ ᏦᎢ ᏧᏒᎯᏛ ᎦᏛᎦ;\nᏦᎢᏉ ᎢᏳᏒᎯ ᏇᎵᏲ ᏛᏣᏌᎳᏓᏁᎵ ᎯᏍᎪᎵ ᏓᏣᏍᎫᏕᏏ ᎠᎴ ᏡᎬ ᏓᏣᏛᏂ; ᏥᏍᏆᏃ ᏣᏇᏓᎸ ᏛᏂᎩ.\nᏦᎢᏃ ᏫᏄᏒᎸ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎾᎯᏳ ᎢᎦ ᏇᎵᏲ ᎤᏕᏅᎢ ᎨᏎᎢ, ᎾᏍᎩᏃ ᏂᎦᏛ ᏧᏅᏏᏓᏍᏗ ᎬᏩᎵᏍᏓᏴᎾᏁᏗᏱ ᎤᏛᏅᎢᏍᏔᏁᎢ; ᏚᏌᎳᏓᏁᏃ ᏗᏂᏍᎪᎵ ᏄᎬᏫᏳᏒ ᎠᏗᏔᏍᏗ ᎠᎦᏘᏯ, ᎠᎴ ᏄᎬᏫᏳᏒ ᏗᎦᏚᎲᏍᎩ ᏧᏅᏏᏓᏍᏗ ᎠᏂᎦᏔᎲᎢ.\nᏄᎬᏫᏳᏒᏃ ᎠᏗᏔᏍᏗ ᎠᎦᏘᏯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏔᎵᏁ ᎤᏁᎴᎢ; ᎤᎵᏍᏈᏗᏃ ᏇᎵᏲ ᎠᏒᎦᎶᏗᏍᎨᎢ.\nᏗᎦᏚᎲᏍᎩᏍᎩᏂ ᏄᎬᏫᏳᏒ ᎤᏛᏁᎢ; ᎾᏍᎩᏯ ᏦᏩ ᎬᏂᎨᏒ ᏂᏚᏩᏁᎸ ᎦᏛᎬᎢ.\nᎠᏎᏃ ᏄᎬᏫᏳᏒ ᎠᏗᏔᏍᏗ ᎠᎦᏘᏯ ᎥᏝ ᏳᏅᏏᏕ ᏦᏩ, ᎤᏩᎨᏫᏎᏉᏍᎩᏂ.\nᎠᏯᏙᎸᎢ 41\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᏧᏕᏘᏴᏛ ᎤᎵᏍᏆᏛ, ᎾᏍᎩ ᏇᎵᎰ ᎤᏍᎩᏓᏎᎢ, ᎠᎴ ᎬᏂᏳᏉ ᎡᏉᏄᎶᏗ ᎦᏙᎨᎢ.\nᎠᎴ ᎬᏂᏳᏉ ᎡᏉᏂ ᏧᎾᏚᎩᏎ ᎦᎵᏉᎩ ᎢᏯᏅᏗ ᏩᎦ ᎠᏂᎩᏏ, ᏧᏃᏚᎯ ᏗᎧᏃᏗᏱ, ᎠᎴ ᏗᎾᎵᏦᎯᏛ; ᎠᎴ ᎧᏁᏍᎦ ᎤᏰᎬ ᎠᎾᎵᏍᏓᏴᎲᏍᎨᎢ.\nᎠᎴ ᎬᏂᏳᏉ ᏅᏩᎾᏓᎴ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏩᎦ ᎠᏂᎩᏏ ᎣᏂ ᏧᎾᏚᎩᏎ ᎡᏉᏂ, ᎤᏂᏁᎩᎸᏗ ᏗᎧᏃᏗᏱ, ᎠᎴ ᏧᎾᎴᏐᏛ; ᎠᎴ ᎠᏂᏐᎢ ᏩᎦ ᎠᏂᏙᎾᎥ ᎾᎥ ᎠᏂᏙᎾᎡ ᎡᏉᎸᎶᏗ.\nᎤᏂᏁᎩᎸᏗᏃ ᏗᎧᏃᏗᏱ, ᎠᎴ ᏧᎾᎴᏐᏛ ᏩᎦ ᏚᏂᏯᎣᏁ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏧᏃᏚᎯ ᏗᎧᏃᏗᏱ. ᎠᎴ ᏗᎾᎵᏦᎯᏛ ᏩᎦ. ᏇᎵᏲᏃ ᎤᏰᏤᎢ.\nᎠᎴ ᎤᎸᏁᎢ, ᎠᎴ ᏔᎵᏁ ᎤᏍᎩᏓᏎᎢ; ᎠᎴ ᎬᏂᏳᏉ ᏌᏉ ᎤᏰᎬ ᎤᏣᎴᏍᏗ, ᎦᎵᏉᎩ ᏄᏍᎫᏓᏕᎢ, ᏤᏆ ᎠᎴ ᏦᏍᏛ.\nᎠᎴ ᎬᏂᏳᏉ ᎣᏂ ᎦᎵᏉᎩ ᏧᏍᏗ ᏚᏍᎫᏓᏕᎢ ᏚᎵᏰᏁᎢ, ᏗᎧᎸᎬ ᏗᎦᏃᎸᏗᏍᎬ ᏧᏲᏍᏔᏅᎯ.\nᎦᎵᏉᎩᏃ ᏧᏲ ᏚᏍᎫᏓᏛ ᏚᏒᏁ ᎦᎵᏉᎩ ᏤᏆ ᎠᎴ ᏦᏍᏛ ᏧᎦᏔᏘ ᏚᏍᎫᏓᏛᎢ. ᏇᎵᏲᏃ ᎤᏰᏤᎢ, ᎠᎴ ᎬᏂᏳᏉ, ᎤᏍᎩᏓᏒᎯᏉ ᎨᏎᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᏑᎾᎴᎢ, ᎾᏍᎩ ᏧᏓᏅᏛ ᎤᏪᎵᎯᏍᏗᏍᎨᎢ; ᎤᏓᏅᏎᏃ ᎠᎴ ᏫᏚᏯᏅᎮ ᏂᎦᏛ ᎠᎾᏙᏂᏍᎩ ᎢᏥᏈᏱ ᎠᏁᎯ, ᎠᎴ ᏂᎦᏛ ᎠᏂᎦᏔᎾᎢ ᎾᎿ ᎠᏁᎯ; ᏇᎵᏲᏃ ᏚᏃᎮᎴ ᏄᏍᏛ ᎤᏍᎩᏓᏒᎢ; ᎠᏎᏃ ᎥᏝ ᎩᎶ ᎬᏂᎨᏒ ᎢᎬᏩᏁᏗ ᏱᎨᏎ ᏇᎵᏲ ᎾᏍᎩ ᎦᏛᎬᎢ.\nᎿᏉ ᎾᏍᎩ ᏄᎬᏫᏳᏒ ᎠᏗᏔᏍᏗ ᎠᎦᏘᏯ ᎤᏁᏤᎴ ᏇᎵᏲ, ᎯᎠ ᏄᏪᏎᎢ, ᎪᎯ ᎢᎦ ᏥᎩ ᎦᏅᏓᏗ ᎠᎩᏍᎦᏅᏨᎢ.\nᏇᎵᏲ ᏚᎾᎸᏤᎸᎩ ᏧᏅᏏᏓᏍᏗ ᎠᎴ ᎠᎩᏴᏔᏅᎩ ᏗᏓᏍᏚᏗᏱ ᎾᎿ ᎦᏁᎸ ᎬᏩᎦᏘᏯ ᎠᏂᏯᏫᏍᎩ ᏧᏓᏘᎾᎢ, ᎠᏴ, ᎠᎴ ᎾᏍᏉ ᏄᎬᏫᏳᏒ ᏗᎦᏚᎲᏍᎩ.\nᎠᎴ ᎢᏧᎳ ᏌᏉ ᏒᏃᏱ ᏙᎩᎾᏍᎩᏓᏒᎩ, ᏧᏓᎴᎾᎢᎭ ᏕᎦᏛᎬ ᏙᎩᎾᏍᎩᏓᏒᎩ.\nᎾᎿᏃ ᎣᏥᏯᎥᎩ ᎠᏫᏅ, ᎠᏈᎷ, ᎤᏅᏏᏓᏍᏗ ᎬᏩᎦᏘᏯ ᎠᏂᏯᏫᏍᎩ ᏧᏓᏘᎾᎢ, ᎾᏍᎩᏃ ᎣᏍᏗᏃᏁᎸᎩ, ᎠᎴ ᎬᏂᎨᏒ ᏃᎩᏅᏁᎸᎩ ᏄᏍᏛ ᎦᏛᎬ ᏙᎩᎾᏍᎩᏓᏒᎢ; ᎣᏍᏗᏏᏴᏫᎭ ᏄᏍᏛ ᏙᎩᎾᏍᎩᏓᏒ ᎦᏛᎬ ᎡᏂᎨᏒ ᏃᎩᏅᏁᎸᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎬᏂᎨᏒ ᏃᎩᏅᏁᎸ ᎾᏍᎩᏯ ᏄᎵᏍᏔᏅᎩ; ᎠᏴ, ᏔᎵᏁ ᎥᎠᎩᏁᎸᎩ ᏗᎩᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎾᏃ ᎤᏛᏅᎩ.\nᎿᏉᏃ ᏇᎵᏲ ᎤᏓᏅᏎ ᎠᎴ ᏭᏯᏅᎮ ᏦᏩ, ᎠᎴ ᎤᎵᏍᏗᏳ ᏭᏂᏯᎢᏎ ᏗᏓᏍᏚᏗᏱ; ᎤᎵᏍᏙᏰᎮᏃ ᎠᎴ ᏚᏄᏩᎢᏴᏎᎢ, ᎠᎴ ᏇᎵᏲ ᎠᏯᎥ ᏭᏴᎴᎢ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ; ᎠᏆᏍᎩᏓᏒᎩ, ᎥᏝ ᎠᎴ ᎩᎶ ᎬᏂᎨᏒ ᎢᎬᏩᏁᏗ ᏱᎩ ᎦᏛᎬᎢ; ᏂᎯᏃ ᎬᏯᏛᎦᏁᎸ ᎰᎵᎬ ᎠᏍᎩᏓᏒᎯ, ᎠᎴ ᎬᏂᎨᏒ ᎢᎨᏨᏁᏗ ᎨᏒ ᏄᏍᏛ ᎦᏛᎬᎢ.\nᏦᏩᏃ ᎤᏁᏤᎴ ᏇᎵᏲ, ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ ᎠᏴ ᏯᎩᎭ ᎾᏍᎩ. ᎤᏁᎳᏅᎯᏍᎩᏂ ᏅᏩᏙᎯᏯᏛ ᏓᏳᏬᎯᎵᏴᏍᏓᏁᎵ ᏇᎵᏲ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, ᎦᏍᎩᏓᏍᎬ, ᎬᏂᏳᏉ ᎡᏉᏄᎶᏗ ᏥᏙᎬᎩ.\nᎬᏂᏳᏉᏃ ᎡᏉᏂ ᏓᏳᎾᏚᎩᏒ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏩᎦ ᎠᏂᎩᏏ, ᏗᎾᎵᏦᎯᏛ, ᎠᎴ ᎠᏃᏍᏛ ᏗᎧᏃᏗᏱ, ᎧᏁᏍᎦᏃ ᎤᏰᎬ ᎠᎾᎵᏍᏓᏴᎲᏍᎬᎩ.\nᎠᎴ ᎬᏂᏳᏉ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏅᏩᎾᏓᎴ ᏩᎦ ᎠᏂᎩᏏ ᎣᏂ ᏓᏳᎾᏚᎩᏒᎩ, ᏧᎾᎴᏐᏛ, ᎠᎴ ᎤᏣᏘ ᎤᏂᏲ ᏗᎧᏃᏗᏱ, ᎠᎴ ᎤᏲ ᎤᏂᏇᏓᎵ ᎾᏍᎩ ᎢᏳᏂᏲ ᎥᏝ ᎢᎸᎯᏳ ᏱᏗᏥᎪᎣ ᏂᎬᎾᏛ ᎢᏥᏈᏱ.\nᏩᎦᏃ ᏧᎾᎴᏐᏛ ᎠᎴ ᎤᏂᏲ ᏗᎧᏃᏗᏱ ᏚᏂᏯᎣᏅᎩ ᎢᎬᏱ [ᎤᎾᏚᎩᏛ] ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᏗᎾᎵᏦᎯᏛ ᏩᎦ ᎠᏂᎩᏏ.\nᏚᏂᏯᎣᏅᏃ ᎥᏝ ᎬᏙᎴᎰᎯᏍᏗ ᏱᎨᏎ ᏚᏂᏯᎥᎢ; ᎠᏏᏉᏍᎩᏂ ᎤᏂᏲ ᎨᏒᎩ ᏗᎧᏃᏗᏱ, ᎾᏍᎩᏯ ᏄᎾᏍᏛ ᎢᎬᏱᏱ. ᎿᏉᏃ ᎠᎩᏰᏨᎩ.\nᎠᎴ ᎦᏍᎩᏓᏍᎬ ᎠᎩᎪᎲᎩ, ᎠᎴ ᎬᏂᏳᏉ ᏌᏉ ᎤᏰᎬ ᎤᏣᎴᏍᏗ ᎦᎵᏉᎩ ᏚᏍᎫᏓᏔᏅᎩ, ᎠᎧᎵᎢ ᏧᎦᏔᏘ, ᎠᎴ ᏦᏍᏛ.\nᎠᎴ ᎬᏂᏳᏉ ᎦᎵᏉᎩ ᏚᏍᎫᏓᏛ ᏧᎾᏍᎬᏨᎯ, [ᎠᎴ] ᏧᏍᏗᎦ, ᏗᎧᎸᎬ ᏗᎦᏃᎸᏗᏍᎬ ᏧᏲᏍᏔᏅᎯ, ᎣᏂ ᏚᎵᏰᏅᎩ.\nᏧᏍᏗᏃ ᏚᏍᎫᏓᏛᎢ, ᏚᏒᏅᎩ ᎦᎵᏉᎩ ᎬᏍᏛ ᏚᏍᎫᏓᏛᎢ. ᎾᏍᎩᏃ ᎯᎠ ᏗᎾᏙᏂᏍᎩ ᎥᎦᏥᏃᏁᎸᎩ; ᎠᏎᏃ ᎥᏝ ᎩᎶ ᎬᏂᎨᏒ ᎢᎬᏋᏁᏗ ᏱᎨᏎᎢ.\nᏦᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᏇᎵᏲ, ᏣᏍᎩᏓᏒ ᏌᏉᏉ ᏂᎦᎵᏍᏗᎭ. ᎤᏁᎳᏅᎯ ᎤᎾᏄᎪᏫᏎᎸ ᏇᎵᏲ ᎾᏍᎩ ᏅᏗᏛᏁᎵᏒᎢ.\nᎦᎵᏉᎩ ᎠᏃᏍᏛ ᏩᎦ ᎠᏂᎩᏏ, ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ [ᎦᏛᎦ,] ᎠᎴ ᎦᎵᏉᎩ ᏦᏍᏛ ᏚᏍᎫᏓᏛ ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ [ᎦᏛᎦ;] ᏣᏍᎩᏓᏒ ᏌᏉᏉ [ᏂᎦᎵᏍᏗᎭ.]\nᎦᎵᏉᎩᏃ ᏩᎦ ᎠᏂᎩᏏ ᏧᎾᎴᏐᏛ ᎠᎴ ᏄᏂᏲ ᏗᎧᏃᏗᏱ ᎣᏂ ᏨᏧᎾᏚᎩᏎᎢ, ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ [ᎦᏛᎦ;] ᎦᎵᏉᎩᏃ ᏧᏏᏩ ᏚᏍᎫᏓᏛ ᎾᏍᎩ ᏗᎧᎸᎬ ᏗᎦᏃᎸᏗᏍᎬ ᏧᏲᏍᏔᏅᎯ ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ ᏧᎪᏄᎶᎯᏍᏗᏱ [ᎦᏛᎦ.]\nᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᏇᎵᏲ ᏥᏥᏃᎲᏏ; ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏅᏗᏛᏁᎵᏒ ᎦᎾᏄᎪᏫᏎ ᏇᎵᏲ.\nᎬᏂᏳᏉ ᎦᎵᏉᎩ ᏅᏛᏕᏘᏴᎯ ᎤᏧᏈᏍᏗ ᎠᎵᏍᏓᏴᏗ ᏛᏛᏏ ᏂᎬᎾᏛ ᎢᏥᏈᏱ.\nᎣᏂᏃ ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ ᏙᏛᎪᏄᎶᏏ, ᎠᎴ ᏂᎦᏛ ᎤᏧᏈᏍᏗ ᎤᎾᏛᎯᏎᎸ ᏓᏳᏅᎨᏫᏏ ᏂᎬᎾᏛ ᎢᏥᏈᏱ; ᏓᎪᏄᎸᏃ ᏛᏒᏂ ᎦᏙᎯ.\nᎠᎴ ᎤᏧᏈᏍᏗ ᎠᎵᏍᏓᏴᏗ ᎥᏝ ᏯᎾᏅᏓᏗᏍᎨᏍᏗ ᎠᏂ ᎦᏓ ᎠᎲᎢ ᏂᎦᎵᏍᏙᏗᏍᎨᏍᏗ ᏚᎪᏄᎶᏒ ᎤᎨᎲᏔᏅᏒᎢ; ᎤᏣᏘᏰᏃ ᎠᎩᎵᏯ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏎᏏ.\nᎾᏃ ᏔᎵ ᎢᏳᏩᎫᏗ ᎤᏍᎩᏓᏒ ᏥᎩ ᏇᎵᏲ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎤᏁᎳᏅᎯ ᎤᏍᏓᏱᏛᎯ ᎨᏒᎢ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏞᎩᏳ ᎾᏍᎩ ᎢᏳᏛᏁᏗ ᎨᏒᎢ.\nᎿᏉᏃ ᏇᎵᏲ ᏭᏲᎦ ᎠᏏᎾᏌᏂ ᎠᎴ ᎠᎦᏔᎾᎢ ᎠᏍᎦᏯ, ᎠᎴ ᎾᏍᎩ ᎤᎬᏫᏳᏌᏕᎩ ᏫᏂᎬᎦ ᏂᎬᎾᏛ ᎢᏥᏈᏱ.\nᏇᎵᏲ ᎾᏍᎩ ᎯᎠ ᏫᎾᏛᎦ, ᎠᎴ ᎾᏍᎩ ᏫᏗᎧᏁᏥ ᏂᎬᎾᏛ ᎠᏂ ᎠᎾᎦᏌᏯᏍᏗᏍᎩ, ᎦᎵᏉᎩᏃ ᏧᏕᏘᏴᏛ ᏧᏈᏯ ᎤᏛᎯᏍᏗ ᏥᎩ ᎾᏍᎩ ᎯᏍᎩᏁ ᎪᏣᎴᏛ ᎦᏙᎯ ᎤᏛᏒᎯ ᎢᏥᏈᏱ ᎤᎾᎫᏴᏗ ᏫᏂᎬᎦ.\nᎠᎴ ᎾᏍᎩ ᎠᏂᏟᏍᎨᏍᏗ ᏂᎦᏛ ᎠᎵᏍᏓᏴᏗ ᎾᎯᏳ ᎣᏍᏛ ᏚᏕᏘᏴᏌᏗᏒᎢ, ᎠᎴ ᎤᎶᎴᏍᏗ ᎠᏂᏟᏏᏍᎨᏍᏗ ᏇᎵᏲ ᎤᏁᏨᎯ, ᏕᎦᏚᎲᏃ ᎠᏂᏍᏆᏂᎪᏗᏍᎨᏍᏗ ᎠᎵᏍᏓᏴᏗ.\nᎾᏍᎩᏃ ᎠᎵᏍᏓᏴᏗ ᎠᏂᏍᏆᏂᎪᏗᏍᎨᏍᏗ ᏂᎬᎾᏛ ᎤᎾᎵᏍᏓᏴᏙᏗ ᎾᎯᏳ ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ ᎢᏥᏈᏱ ᏥᏙᏛᎪᏄᎶᏏ; ᎾᏍᎩᏃ ᏞᏍᏗ ᏓᎪᏄᎸᏉ ᎤᎾᏗᏒᎲᏍᏔᏅᎩ ᎠᏂ ᎦᏓ ᎠᎲᎢ.\nᏇᎵᏲᏃ ᏐᏏᏳ ᎤᏰᎸᏁ ᎾᏍᎩ, ᎠᎴ ᏂᎦᏛ ᎾᏍᎩ ᏄᏅᏏᏓᏍᏗ.\nᏇᎵᏲᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᏧᏅᏏᏓᏍᏗ, ᏥᎪ ᎯᎠ ᎾᏍᎩ ᎢᏳᏍᏗ ᏰᏗᏩᏛ, ᎠᏍᎦᏯ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᎤᏯᎢ?\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, ᎾᏍᎩᏃ ᎤᏁᎳᏅᎯ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏥᏣᎾᏄᎪᏫᏎᎸ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᎥᏝ ᎩᎶ ᏂᎯ ᏥᏂᏏᎾᏌᎾ ᎢᏯᏏᎾᏌᏂ ᏱᎩ, ᎠᎴ ᏥᏂᎦᏔᎾᎠ ᎢᏯᎦᏔᎾᎢ ᏱᎩ.\nᏥᏁᎸ ᏣᎬᏫᏳᏌᏕᎩ ᎨᏎᏍᏗ, ᎠᎴ ᏂᎯ ᎯᏁᎬ ᏚᎾᏁᎶᏕᏍᏗ ᏂᎦᏛ ᏕᎢᏆᏤᎵ ᏴᏫ; ᎦᏍᎩᎸᏉ ᎠᏉᎸ ᎤᎬᏫᏳᎯ ᎤᏪᏗᏱ ᎤᏩᏒ ᎤᏟ ᏅᎩᎸᏉᏕᏍᏗ ᎠᏴ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, ᎬᏂᏳᏉ ᏂᎬᎾᏛ ᎢᏥᏈᏱ ᏣᎬᏫᏳᏌᏕᎩ ᏂᎬᏴᎦ.\nᏇᎵᏲᏃ ᎤᎵᏰᏑᏍᏙᎩᏎᎢ, ᎠᎴ ᏦᏩ ᎤᎵᏰᏑᏍᏙᏁᎢ, ᎠᎴ ᎤᏥᎸ ᏧᏏᏙᎵ ᏗᏄᏬ ᏚᏄᏬᎡᎢ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᏧᏓᏕᏒᏛ ᎤᏪᏯᏢᏁᎢ;\nᎠᎴ ᏔᎵᏁᏉ ᎤᎲ ᏓᏆᎴᎷ ᎤᏦᏗᏱ ᏄᏩᏁᎴᎢ; ᎢᎬᏱᏗᏢᏃ ᎠᎢᏒ ᎤᏁᎷᎨ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᏗᏣᎵᏂᏆᏅᎥᎦ; ᎤᎬᏫᏳᏌᏕᎩᏃ ᏄᏩᏁᎴ ᏂᎬᎾᏛ ᎢᏥᏈᏱ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, ᏇᎵᏲ ᎠᏴ, ᎠᎴ ᏂᎯ ᏂᏣᏁᏨᎾ ᎥᏝ ᎩᎶ ᎤᏌᎳᏙᏗ ᏱᎨᏎᏍᏗ ᎤᏬᏰᏂ ᎠᎴ ᎤᎳᏏᏕᏂ ᏂᎬᎾᏛ ᎢᏥᏈᏱ.\nᏇᎵᏲᏃ ᏣᏆᏇᏂᎠ ᏚᏬᎡ ᏦᏩ; ᎠᎴ ᏉᏘᏈᎳ ᎣᎾ ᏚᏙᎥ ᎠᏥᎸ-ᏗᎨᎴᎯ ᎤᏪᏥ, ᎠᏏᎾ [ᏧᏙᎢᏛ,] ᎤᏪᎧᏁᎴ ᎤᏓᏴᏍᏗ; ᏦᏩᏃ ᏂᎬᎾᏛ ᎢᏥᏈᏱ ᎤᏪᏙᎴᎢ.\nᏦᏩᏃ ᏦᎠᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎨᏎ ᎾᎯᏳ ᏇᎵᏲ ᎢᏥᏈᏱ ᎤᎬᏫᏳᎯ ᎠᎦᏔᎲ ᏧᎴᏁᎢ; ᎤᏄᎪᏤᏃ ᏦᏩ ᏇᎵᏲ ᎠᎦᏔᎲᎢ, ᎠᎴ ᏂᎬᎾᏛ ᎢᏥᏈᏱ ᎤᏪᏙᎴᎢ.\nᎦᎵᏉᎩᏃ ᏧᏕᏘᏴᏛ ᎤᏣᏔᏅᎯ ᏧᏛᏒᏁ ᎤᏧᏈᏍᏙᏒᎯ ᎤᎾᏄᎪᏫᏏ ᎦᏙᎯ.\nᏂᎦᏛᏃ ᎠᎵᏍᏓᏴᏗ ᎤᏪᏟᏌᏁ ᎾᎯᏳ ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ ᏧᏛᏒᏁ ᎢᏥᏈᏱ, ᎠᎴ ᏕᎦᏚᏩᏗᏒ ᎤᏍᏆᏂᎪᏔᏁ ᎠᎵᏍᏓᏴᏗ; ᎠᎵᏍᏓᏴᏗ ᏠᎨᏏ ᎤᏛᏒᎯ, ᎾᏍᎩ ᏕᎦᏚᏩᏗᏒ ᎬᏩᏚᏫᏛ [ᏕᎦᎶᎨᏒ ᎤᏛᏎᎯ,] ᎾᎿᏉ ᎦᏚᎲ ᎤᏍᏆᏂᎪᏔᏁᎢ.\nᏦᏩᏃ ᎤᏣᎴᏍᏗ ᎤᏪᏟᏌᏁ ᏃᏳ ᎠᎺᏉᎯ ᏥᎦᎳᎨᏲ ᎾᏍᎩᏯᎢ, ᎤᏧᏈᏍᏙᏒᎯ, ᏫᎬᏩᏑᎵᎪᏤ ᎠᏎᎯᎲᎢ; ᎥᏝᏰᏃ ᎬᏎᎰᎲᏍᏗ ᏱᎨᏎᎢ.\nᏦᏩᏃ ᎠᏂᏔᎵ ᎠᏂᏧᏣ ᎬᏩᏕᏁᎴ ᎠᏏᏉ ᏂᏓᎪᏄᎶᏍᎬᎾ ᎨᏎᎢ, ᎾᏍᎩ ᎠᏏᎾ, ᏥᏚᎾᎤᎪᏫᏎᎴᎢ, ᏉᏗᏈᎳ ᎣᎾ ᏚᏙᎥ ᎠᏥᎸ-ᏗᎨᎴᎯ ᎤᏪᏥ.\nᏦᏩᏃ ᎢᎬᏱ ᎤᏕᏁᎸᎯ ᎹᎾᏌ ᏚᏬᎡᎢ; ᎤᏁᎳᏅᎯᏰᏃ ᎠᏋᎨᏫᏍᏗᏱ ᎾᏋᏂᏏ ᏂᎦᏛ ᏓᏆᏣᏪᎢᏍᏔᏅᎢ, ᎠᎴ ᏂᎦᏛ ᎡᏙᏓ ᏚᏓᏘᎾᎥᎢ, [ᎤᏛᏁᎢ.]\nᏔᎵᏁᏃ ᎯᎠ ᎢᏆᎻ ᏚᏬᎡᎢ; ᎤᏁᎳᏅᎯᏰᏃ ᎠᎩᏁᏉᏣᏘ ᎾᏋᏁᎸ ᎠᏂ ᎦᏓ ᎠᎲ ᎠᎩᎩᎵᏲᏥᏙᎸᎢ [ᎤᏛᏁᎢ.]\nᎦᎵᏉᎩᏃ ᏧᏕᏘᏴᏛ ᎤᏧᏈᏍᏗ ᏧᏛᏒᏁ ᎢᏥᏈᏱ ᎦᏙᎯ ᎿᏉ ᏚᎵᏍᏆᏕᎢ.\nᎦᎵᏉᎩᏃ ᏧᏕᏘᏴᏛ ᏧᎪᏄᎶᎯᏍᏗᏱ ᎤᎵᏱᎶᎴᎢ, ᎾᏍᎩᏯ ᏦᏩ ᏄᏪᏒᎢ; ᎠᎴ ᏂᎦᏛ ᎦᏙᎯ ᏓᏁᏩᏗᏒ ᏚᎪᏄᎶᏎᎢ; ᎢᏥᏈᏍᎩᏂ ᏂᎬᎾᏛ ᎦᏓ ᎠᎲᎢ ᎠᎵᏍᏓᏴᏗ ᎠᎮᎢ.\nᎿᏉᏃ ᏂᎬᎾᏛ ᎦᏓ ᎠᎲ ᎢᏥᏈᏱ ᏚᏂᏲᏏᏌᏅ, ᏇᎵᏲ ᎬᏩᏔᏲᏎᎴ ᎠᎵᏍᏓᏴᏗ; ᏇᎵᏲᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᏂᎦᏛ ᎢᏥᏈᏱ ᎠᏁᎯ, ᏦᏬᎢᏤᎾ; ᎾᏍᎩᏃ ᏂᏥᏪᏎᎲ ᏂᏣᏛᏁᎮᏍᏗ.\nᎾᎿᏃ ᎦᏓ ᎠᎲ ᏂᎬᎾᏛ ᏚᎪᏄᎶᏎᎢ; ᏦᏩᏃ ᏂᎦᏛ ᎤᏣᎴᏍᏗ ᎠᎲ ᏓᏓᏁᎸ ᏚᏍᏚᎢᏎᎢ, ᎠᎴ ᎢᏥᏈᏱ ᎠᏁᎯ ᏚᏃᏓᏁᎴᎢ; ᎠᎴ ᏓᎪᏄᎸ ᎤᏣᏘ ᎤᏁᏉᏤ ᎢᏥᏈᏱ ᎦᏓ ᎠᎲᎢ.\nᏂᎦᏛᏃ ᏴᏫ ᏓᏁᏩᏗᏒ ᎢᏥᏈᏱ ᎠᏂᎷᎨ ᏦᏩ ᎬᏩᏩᏎᎵᎯᎮᎢ; ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏂᎦᏛ ᏓᏁᏩᏗᏒ [ᏴᏫ] ᎤᏣᏘ ᏓᎪᏄᎴᎢ.\nᎠᏯᏙᎸᎢ 42\nᏤᎦᏈᏃ ᎤᏙᎴᎰᏒ ᎢᏥᏈᏱ ᏗᎲ ᎢᏣᎴᏍᏗ, ᏤᎦᏈ ᎯᎠ ᏂᏚᏪᏎᎴ ᏧᏪᏥ, ᎦᏙᏃ ᏙᏣᏓᎧᏂᎭᏉ?\nᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎦᏛᎬᎦ, ᎢᏥᏈᏱ ᏗᎲ ᎤᏣᎴᏍᏗ; ᎾᎿ ᏫᏥᎶᎯ, ᎠᎴ ᏫᏍᎩᏩᎯᏏ ᎾᎿᏂ; ᎾᏍᎩᏃ ᎢᏕᎮᏍᏗ, ᎠᎴ ᎥᏝ ᏱᏙᎨᏗᏲᎱᎯ.\nᏦᏩᏃ ᎠᎾᎵᏅᏟ ᎠᏍᎪᎯ ᎢᏯᏂᏛ ᎤᏣᎴᏍᏗ ᎤᏂᏩᏒᏎ ᎢᏥᏈᏱ.\nᏇᏂᏍᎩᏂ, ᏦᏩ ᎤᏅᏟ, ᏤᎦᏈ ᎥᏝ ᏳᏅᏎ ᎠᎾᎵᏅᏟ ᏳᏁᏅᏎᎢ; ᎯᎠᏰᏃ ᏄᏪᏎᎢ, ᏱᏅᏎᎦᎩᏰᏃ ᎤᏲ ᏱᏄᎵᏍᏓᏏ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᏓᏂᎷᎬ ᎤᏁᎳᏙᎴ ᎤᏣᎴᏍᏗ ᎤᏂᏩᏏᎴᎢ; ᎨᎾᏂᏰᏃ ᏓᎪᏄᎴᎢ.\nᏦᏩᏃ ᎤᎬᏫᏳᏌᏕᎩ ᎨᏎ ᎾᎿᏂ, ᎠᎴ ᎾᏍᎩ ᏗᎦᏃᏓᏁᎯ ᎨᏎ ᏂᎦᏛ ᎾᎿ ᎠᏁᎯ; ᏦᏩᏃ ᎠᎾᎵᏅᏟ ᎤᏂᎷᏤᎢ, ᎠᎴ ᎡᎳᏗ ᏂᎬᏩᏛᏁᎴ ᎦᏙᎯ ᎢᏴᏛ ᏚᎾᎵᏯᏍᏚᏁᎢ.\nᏦᏩᏃ ᏚᎪᎮ ᎠᎾᎵᏅᏟ, ᎠᎴ ᏚᏬᎵᏤᎢ, ᎠᏎᏃ ᏚᎵᎪᏁᎶᎯᏍᏓᏁᎴᎢ, ᎠᎴ ᎬᏍᎦᎢᏍᏓᎩ ᏚᏬᏁᏔᏁᎢ; ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎭᏢ ᏓᏣᏓᎴᎲᎦ? ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎨᎾᏂ ᏓᏲᏥᎶᎯ, ᎠᎵᏍᏓᏴᏗ ᎣᎩᏩᏏᎦ.\nᎠᎴ ᏦᏩ ᏕᎪᎵᎨ ᎠᎾᎵᏅᏟ, ᎤᏩᏒᏍᎩᏂ ᎥᏝ ᏱᎬᏬᎵᎨᎢ.\nᏦᏩᏃ ᎤᏅᏓᏕ ᎤᏍᎩᏓᏒᎢ, ᎾᏍᎩ ᎤᏂᏛᎬ ᏧᏍᎩᏓᏎᎢ; ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎢᏥᎦᏛᏂᏙᎯᏉ, ᎤᏲᏉ ᏃᎦᏛᏅ ᎠᏂ ᎢᏥᎦᏛᏂᎸ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᎥᏝ, ᏣᎬᏫᏳᎯ, ᎠᎵᏍᏓᏴᏗᏉᏍᎩᏂ ᎤᏂᏩᏏᎸ ᏘᏅᏏᏗ.\nᎠᏯᏍᎩᏂ ᏂᎦᏛ ᏌᏉ ᎠᏍᎦᏯ ᏧᏪᏥ, ᏚᏳᎪᏛ ᎢᏲᏣᏛᏁᎯ ᎠᏴ, ᏘᏅᏏᏓᏍᏗ ᎥᏝ ᎤᏂᎦᏛᏂᏙᎯᏉ ᏱᎩ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎥᏝ, ᎤᏲᏉᏍᎩᏂ ᏃᎦᏛᏅ ᎠᏂ ᎢᏥᎦᏛᏂᎸ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᏘᏅᏏᏓᏍᏗᏍᎩᏂ ᏔᎳᏚ ᎾᏂᎥ ᎠᎾᎵᏅᏟ, ᏌᏉ ᎠᏍᎦᏯ ᏧᏪᏥ ᎨᎾᏂ ᎡᎯ; ᎠᎴ ᎬᏂᏳᏉ ᎣᏂ ᎡᎯ ᎪᎯ ᎨᏒ ᎣᎩᏙᏙᏱ ᏤᏙᎭ, ᏌᏉᏃ ᏁᎲᎾ.\nᏦᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎾᏍᎩᏍᎩᏂ ᏥᏨᏁᎢᏍᏓᏁᎲᎩ, ᎢᏥᎦᏛᏂᏙᎯᏉ ᏥᏨᏲᏎᎲᎩ.\nᎯᎠ ᎾᏍᎩ ᏓᏨᏯᏙᎴᎣᎯᏍᏓᏁᎵ; ᏇᎵᏲ ᎡᎲ [ᏥᏁᎢᏍᏗᎭ,] ᎾᏍᎩ ᎥᏝ ᎠᏂ ᏴᏓᏥᏄᎪᏥ ᎬᏂ ᎣᏂ ᎡᎯ ᎢᏥᏅᏟ ᎠᏂ ᎦᎷᏨᎭ.\nᎠᏏᏴᏫ, ᏂᏣᏛᏅ ᎡᏥᏅᎵ ᎠᎴ ᏩᏘᏃᎦ ᎢᏥᏅᏟ, ᏂᎯᏃ ᎢᏥᏴᎩ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎢᏥᏁᎬ ᎡᏥᎪᎵᏰᏗᏱ, ᎾᏍᎩ ᏚᏳᎪᏛ ᎢᏥᏁᎬᎢ, [ᎠᎴ ᏚᏳᎪᏛ ᏂᏥᏁᎬᎾ ᎨᏒᎢ.] ᎢᏳᏃ ᎾᏍᎩ ᏄᏍᏛᎾ ᎢᎨᏎᏍᏗ, ᏇᎵᏲ ᎡᎲ [ᏥᏁᎢᏍᏗᎭ] ᎤᏙᎯᏳᎯᏯ ᎢᏥᎦᏛᏂᏙᎯᏉ.\nᎠᎴ ᏂᎦᏛ ᏚᏍᏚᏁ ᏦᎢ ᏧᏒᎯᏛ.\nᏦᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᏦᎢᏁ ᎢᎦ, ᎯᎠ ᏂᏣᏛᎦ ᎠᎴ ᏚᏨᏁᏍᏗ; ᎤᏁᎳᏅᎯᏰᏃ ᏥᎾᏰᏍᎩ ᎠᏴ.\nᎢᏳᏃ ᏚᏳᎪᏛ ᎢᏣᏛᏁᎯ ᎨᏎᏍᏗ, ᎠᏏᏴᏫ ᎢᏣᎵᏅᏟ ᎠᎦᎸᎡᏍᏗ ᎠᏓᏁᎸ ᏕᏥᏍᏚᏅᎢ; ᏂᎯᏃ ᎢᏤᎾ ᎤᏣᎴᏍᏗ ᏗᏥᏴᏏ ᏕᏣᏓᏘᎾᎥ ᏚᎾᎪᏄᎸᎢ;\nᎣᏂᏃ ᎢᎡᎯ ᎢᏣᎵᏅᏟ ᏍᎩᏯᏘᏃᎮᎸᎭ; ᎰᏩᏃ ᎢᏥᏁᏨ ᎠᏙᎯᏳᏅᎭ, ᎠᎴ ᎥᏝ ᏱᏙᎨᏥᏲᎱᎯ. ᎾᏍᎩᏃ ᏄᎾᏛᏁᎴᎢ.\nᎯᎠᏃ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯᏯ ᎢᎩᏍᎦᏅᏨ ᎢᎩᏅᏟ ᎾᏍᎩ ᏥᏁᏛᏁᎸᎩ, ᎾᏍᎩ ᏥᎩᎪᎲᎩ ᎡᎯᏍᏗ ᎤᏓᏅᏛᎢ, ᎾᎯᏳ ᏥᎩᏍᏗᏰᏛᎩ, ᎠᎴ ᏁᏓᏛᏓᏍᏓᏁᎲᎾ ᏥᎨᏒᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᎤᏕᏯᏙᏗ ᏂᎦᎵᏍᏓᏁᎭ.\nᎷᏈᏂᏃ ᏚᏁᏤᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏝᏍᎪ ᏱᏨᏁᏤᎴ, ᎯᎠ ᏱᏂᏨᏪᏎᎴᎢ, ᏞᏍᏗ ᎢᏥᏍᎦᏅᏤᎸᎩ ᎠᏫᏄᏣ; ᎠᏎᏃ ᎥᏝ ᎾᏍᎩ ᏯᏛᏓᏍᏓᏁᎴᎢ? ᎾᏍᎩ ᎢᏳᏍᏗ, ᎬᏂᏳᏉ ᎾᏍᎩ ᎤᎩᎬ ᏕᎩᎬᏩᎶᏓᏁᎭ.\nᎥᏝᏃ ᏯᏂᎦᏔᎮ ᏦᏩ ᎪᎵᎬ ᎠᏂᏬᏂᏍᎬᎢ, ᏕᎦᏬᏁᏗᏍᎬᏰᏃ ᎠᎦᏁᏢᏓᏁᎮᎢ.\nᏦᏩᏃ ᎤᎦᏔᎲᏎ ᎠᏂᏙᎾᎥ ᎠᎴ ᏚᏠᏱᎴᎢ; ᏔᎵᏁᏃ ᏚᎷᏤᎴᎢ, ᎠᎴ ᏚᎵᏃᎮᏔᏁᎢ; ᎠᎴ ᏏᎻᏯᏂ ᏚᏯᏅᎡᎴᎢ, ᎠᎴ ᏓᏂᎧᏅ ᎤᎸᎴᎢ.\nᎿᏉᏃ ᏦᏩ ᎤᏁᏤ ᏕᎦᎶᏗ ᏧᏂᎧᎵᎢᏍᏔᏁᏗᏱ ᎤᏣᎴᏍᏗ, ᎠᎴ ᎠᏂᏏᏴᏫᎭ ᎠᏕᎸ ᏓᏂᏰᎲ ᏕᎦᎶᏗᎯ ᏔᎵᏁ ᏗᎨᏥᎳᏁᏗᏱ, ᎠᎴ ᎠᎾᎢᏒ ᎤᎾᎵᏍᏓᏴᏗ ᎨᏥᏁᏗᏱ; ᎠᎴ ᎾᏍᎩ ᏂᏚᏛᏁᎴᎢ.\nᏐᏈᎵᏃ ᏗᏂᎵᎠᏅᎯᏛ ᏚᏂᏐᏈᎳᏁ ᎤᏣᎴᏍᏗ, ᎠᎴ ᎾᎿ ᎤᎾᏂᎩᏎᎢ.\nᎠᏏᏴᏫᏃ ᎠᎱᏃᏱᏍᎬ ᏕᎦᎶᏗ ᏧᏂᏒᏍᏗᏱ ᏗᎦᎵᎠᏅᎯᏛ ᏗᎨᎶᎵᏎᎢ, ᏚᎪᎮ ᏧᏤᎵ ᎠᏕᎸ; ᎬᏂᏳᏉᏰᏃ ᏕᎦᎶᏗᎯ ᎠᎱᏃᎲᏉ ᏕᎦᎴᎢ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴ ᎠᎾᎵᏅᏟ, ᎠᏕᎸ ᏗᏆᏤᎵ ᏙᎥᎩᏁᎸᏉ; ᎠᎴ ᎬᏂᏳᏉ ᎠᏂ ᏕᎦᎶᏗᎯ ᏕᎦᎳ; ᏧᏂᎾᏫᏃ ᎡᏍᎦ ᏂᏚᎾᎵᏍᏓᏁᎴᎢ, ᎠᎴ ᎤᏂᏍᎦᎴᎢ, ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᎦᏙ ᎾᏍᎩ ᎯᎠ ᎤᏁᎳᏅᎯ ᎢᎬᎦ.\nᏤᎦᏈᏃ ᎤᏂᏙᏓ ᏭᏂᎷᏤᎴ ᎦᏓ ᎠᎲᎢ, ᎠᎴ ᎤᏂᏃᏁᎴ ᏂᎦᎥ ᏄᎾᎵᏍᏓᏁᎵᏙᎸᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ;\nᎠᏍᎦᏯ, ᎾᎿ ᏄᎬᏫᏳᏒᎢ, ᎬᏍᎦᎢᏍᏓᎩ ᎣᎩᏬᏁᏔᏅᎩ, ᎠᎴ ᎾᎿ ᎦᏓ ᎠᎲ ᎣᎩᎦᏛᏂᏙᎯᏉ ᎣᎨᎵᏎᎲᎩ.\nᎯᎠᏃ ᏃᏥᏪᏎᎸᎩ, ᏚᏳᎪᏛ ᎢᏲᏣᏛᏁᎯ ᎠᏴ; ᎥᏝ ᎣᎩᎦᏛᏂᏙᎯᏉ ᏱᎩ;\nᏔᎳᏚ ᏃᏥᎥ ᎣᏣᎵᏅᏟ, ᏌᏉᏉ ᎣᎩᏙᏓ; ᎠᏏᏴᏫ ᏁᎲᎾ, ᎣᏂᏃ ᎡᎯ ᎪᎯ ᎨᏒ ᎣᎩᏙᏙᏱ ᏤᏙᎭ ᎨᎾᏂ ᎦᏓ ᎠᎲᎢ.\nᎠᎴ ᎠᏍᎦᏯ ᎾᎿ ᏄᎬᏫᏳᏒ, ᎯᎠ ᏃᎩᏪᏎᎸᎩ, ᎯᎠ ᎾᏍᎩ ᏓᎦᏙᎴᎣᎯᏍᏔᏂ ᏚᏳᎪᏛ ᎢᏣᏛᏁᎯ ᎨᏒᎢ. ᎠᏏᏴᏫ ᎢᏣᎵᏅᏟ ᎨᏒ ᏍᎩᏯᎠᎯᏯᏏ, ᎠᎴ ᏕᎶᏓᏘᎾᎥ ᎤᎾᎪᏄᎸ ᎤᎾᎵᏍᏓᏴᏗ ᏗᏥᏴᏏ, ᎠᎴ ᎢᏣᏂᎩ.\nᎣᏂᏃ ᎡᎯ ᎢᏥᏅᏟ ᏍᎩᏯᏘᏃᎮᎸᎭ; ᎿᏉᏃ ᏓᎦᏙᎴᎣᏏ ᎢᏥᎦᏛᏂᏙᎯᏉ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎠᎴ ᏚᏳᎪᏛ ᎢᏣᏛᏁᎯ ᎨᏒᎢ; ᎢᏣᎵᏅᏟᏃ ᏕᏨᏲᎯᏎᎸᎭ, ᎠᎴ ᎠᏂ ᎢᏥᏃᏔᏂᏙᎸᎭ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᏍᎩ ᏕᎦᎶᏗᎯ ᎤᏂᎴᏒ ᎤᏣᎴᏍᏗ, ᎬᏂᏳᏉ ᎠᏂᏏᏴᏫᎭ ᏧᎾᏤᎵ ᎠᏕᎸ ᏗᎦᏇᏅᎯ ᏕᎦᎶᏗᎯ ᏙᎦᎴᎢ; ᎤᏅᏒᏃ ᎠᎴ ᎤᏂᏙᏓ ᎠᏕᎸ ᏗᎦᏇᏅᎯ ᏚᏂᎪᎲ, ᎤᏂᏍᎦᎴᎢ.\nᏤᎦᏈᏃ ᎤᏂᏙᏓ ᎯᎠ ᏄᏂᏪᏎᎴᎢ, ᎠᏴ ᏗᏇᏥ ᏕᏍᎩᏯᏅᎡᎸ; ᏦᏩ ᏁᎲᎾ, ᎠᎴ ᏏᎻᏯᏂ ᏁᎲᎾ, ᎠᎴ ᏇᏂ ᏛᎡᏣᏘᎾᏫᏛᎯ; ᎾᏍᎩ ᎯᎠ ᏂᎦᏛ ᎠᏆᏡᏗᏍᎩ.\nᎷᏈᏂᏃ ᎤᏁᏤᎴ ᎤᏙᏓ, ᎯᎠ ᏄᏪᏎᎢ, ᎢᏧᎳ ᏗᏇᏥ ᎠᏂᏧᏣ ᏕᎯᎸᎭ, ᎢᏳᏃ ᏂᎬᏯᏘᏃᎮᎸᎾ ᎢᎨᏎᏍᏗ; ᎠᏴ ᏗᏍᎩᏲᎯᏏ, ᎠᏴᏃ ᏔᎵᏁ ᏛᎬᏯᏘᏃᎮᎵ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎥᏝ ᏴᎨᏤᎾ ᎠᏇᏥ, ᏄᏂᎵᏰᏃ ᎤᏲᎱᏒ, ᎯᎠᏃ ᎤᏩᏒ ᎤᏕᎯᏴ; ᎢᏳᏃ ᎤᏲ ᏱᏄᎵᏍᏓᏁᎸ ᎢᏣᎢᏒᎢ, ᎿᏉ ᎤᏁᎬ ᏗᎩᏍᏗᏰᎩ ᏧᏂᏲᎱᏒᎯ ᏩᏁᎲ ᏮᏓᏍᎩᏯᏘᏃᎵ ᎤᏲ ᎬᏆᏓᏅᏘ.\nᎠᏯᏙᎸᎢ 43\nᎠᎴ ᎤᏣᏘ ᏗᎪᏄᎵᏳ ᎨᏎ ᎾᎿᏂ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎿᏉ ᎤᏂᏒᏅ ᎤᏣᎴᏍᏗ ᎢᏥᏈᏱ ᏭᏂᎩᏛ, ᎤᏂᏙᏓ ᎯᎠ ᏄᏂᏪᏎᎴᎢ, ᏔᎵᏁ ᏥᏤᎾ, ᎤᏍᏗ ᎠᎵᏍᏓᏴᏗ ᏫᏍᎩᏩᎯᏏ.\nᏧᏓᏃ ᎤᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎾᏍᎩ ᎠᏍᎦᏯ ᎠᏍᏓᏱᏳ ᎣᎩᏁᏤᎸ, ᎯᎠ ᏄᏪᏒᎩ, ᎥᏝ ᏴᎨᏥᎪᏩᏛ ᎠᏆᎧᏛ ᎢᏳᏃ ᎢᏥᏅᏟ ᏂᏤᎲᎾ ᎢᎨᏎᏍᏗ.\nᎢᏳᏃ ᏱᏅᏒ ᎣᎩᏅᏟ ᎣᎨᏅᏍᏗᏱ, ᏲᏤᎾ ᏱᏫᏨᏩᎯᏏ ᎠᎵᏍᏓᏴᏗ.\nᎢᏳᏍᎩᏂ ᏂᏅᏒᎾ ᎢᎨᏎᏍᏗ, ᎥᏝ ᏴᎦᏲᏤᎾ; ᎾᏍᎩᏰᏃ ᎠᏍᎦᏯ ᎯᎠ ᏃᎩᏪᏎᎸᎩ, ᎥᏝ ᏴᎨᏥᎪᏩᏛ ᎠᏆᎧᏛ ᎢᏳᏃ ᎢᏥᏅᏟ ᏂᏤᎲᎾᎢ ᎨᏎᏍᏗ.\nᎢᏏᎵᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙᏃ ᏂᎤᏲᏞ ᏂᏍᎩᏴᏁᎴᎢ, ᎾᏍᎩ ᏤᏥᏃᏁᎮ ᎠᏍᎦᏯ ᎠᏏ ᎡᎲ ᎢᏥᏅᏟ?\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎾᏍᎩᏰᏃ ᎠᏍᎦᏯ ᎤᎵᏂᎩᏛ ᎣᎦᏛᏛᏅᎩ ᏄᏍᏛ ᎣᏤᎲᎢ, ᎠᎴ ᎪᎱᏍᏗ ᏦᎬᏅ ᎠᏁᎲᎢ, ᎯᎠ ᏂᎦᏪᏍᎬᎩ, ᎢᏥᏙᏓᏍᎪ ᎠᏏ ᎡᎯ? ᎢᏥᏅᏟᏍᎪ ᎡᎭ? ᎾᏍᎩᏯᏃ ᏥᏃᏥᏫ ᏃᏥᏪᏎᎸᎩ; ᏥᎪᏃ ᎦᏲᎦᏙᎴᎰᎯᏍᏗ ᎨᏎ ᎾᏍᎩ ᎯᎠ ᏅᏗᎦᏪᏏᏒᎢ, ᎢᏥᏅᏟ ᏤᏣᏘᏁᏒᎭ?\nᏧᏓᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏙᏓ ᎢᏏᎵ, ᎯᏅᎵ ᎠᏫᏄᏣ ᎠᏴ ᏬᏍᏕᎾ, ᏙᏓᏲᏣᎴᏂᏃ ᎠᎴ ᏓᏲᏤᏏ; ᎾᏍᎩᏃ ᏕᏛᏁᏍᏗ, ᎠᎴ ᎥᏝ ᏱᏙᎨᏗᏲᏞᎯ, ᎠᏴ ᎠᎴ ᏂᎯ, ᎠᎴ ᎾᏍᏉ ᏧᎾᏍᏗ ᏗᎦᏤᎵᎦ.\nᎠᏴ ᏔᎵ ᏓᏥᏯᏛᏓᏁᎵ; ᎠᏴ ᏗᏍᏆᎧᏂᏐᏗ ᎨᏎᏍᏗ; ᎢᏳᏃ ᏂᎬᏯᏘᏃᎮᎸᎾ ᎢᎨᏎᏍᏗ, ᎠᎴ ᎢᎬᏱᏗᏢ ᏂᎬᏯᎧᏁᎵᎸᎾ ᎢᎨᏎᏍᏗ, ᎿᏉ ᎠᏴ ᎬᏍᎦᏅᏤᎸᎯ ᎨᏎᏍᏗ ᏂᎪᎯᎸᎢ.\nᎢᏳᏰᏃ ᏃᎦᏙᎯᏛᎾ ᏱᎨᏎᎢ, ᎤᏙᎯᏳᎯᏯ ᎦᏳᎳ ᏔᎵᏁ ᏱᎣᎩᎷᏦᏁᎢ.\nᎤᏂᏙᏓᏃ ᎢᏏᎵ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎢᏳᏃ ᎾᏍᎩ ᏱᏄᏍᏗ ᎿᏉ ᎯᎠ ᏂᏣᏛᎦ; ᎢᏥᎩ ᎣᏌᏂ ᎤᏓᏔᏅᎯ ᎡᏍᎦᏂ ᏗᏣᎵᏁᏌᎶᏗ ᏗᏥᎶᏓ, ᎠᎴ ᎡᏥᏴᏏ ᎠᏍᎦᏯ ᎡᏥᏁᏗ, ᎤᏍᏗ ᏅᏬᏘ ᎠᏜ, ᎠᎴ ᎤᏍᏗ ᏩᏚᎵᏏ, ᎠᎴ ᏗᎦᏩᏒᎩ, ᎠᎴ ᎻᎳ, ᎠᎴ ᎤᏅᏙᎩ ᎠᎾᏓᏛᏍᎩ, ᎠᎴ ᎠᎹᏂ.\nᎠᎴ ᏔᎵ ᎢᏳᏩᎫᏗ ᎢᎦᎢ ᎠᏕᎸ ᏥᏙᏥᏳᎦ; ᎠᎴ ᎠᏕᎸ ᏕᎦᎶᏗᎯ ᏓᎱᏃᎲ ᏥᏕᎦᎸ ᏥᏕᏥᏲᎸᎩ, ᏔᎵᏁ ᏥᏙᏥᏳᎦ; ᎤᏂᎵᏓᏍᏔᏅᎯᏉ ᏱᏂᎦᎩ.\nᎢᏥᏅᏟ ᎾᏍᏉ ᎡᎶᏘᏄᎦ; ᎠᎴ ᏗᏣᎴᎲᎦ, ᏔᎵᏁ ᏪᏥᎷᏥᏏ ᎠᏍᎦᏯ.\nᎠᎴ ᎤᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ ᎢᏥᏙᎵᏍᏗᏱ ᏫᏂᎬᎦ ᎾᏍᎩ ᎠᏍᎦᏯ ᎾᏍᎩ ᏅᏓᏳᏂᎩᏍᏙᏗᏱ ᏐᎢ ᎢᏣᎵᏅᏟ, ᎠᎴ ᏇᏂ; ᎢᏳᏃ ᏛᎩᏯᏅᎡᎴᏍᏗ ᏗᏇᏥ, ᏛᎩᏯᏅᎡᎴᏍᏗᏉ.\nᎾᏍᎩᏃ ᎠᏂᏍᎦᏯ ᎾᏍᎩ ᎤᎾᏓᏁᏗ ᎤᏂᏴᏎᎢ, ᎠᎴ ᏔᎵ ᎢᏳᏩᎫᏗ ᎢᎦᎢ ᎠᏕᎸ ᏚᏂᏴᏎᎢ, ᎠᎴ ᏇᏂ ᎤᎾᏘᏅᏎᎢ; ᎠᎴ ᏚᎾᎴᏁᎢ, ᎠᎴ ᎢᏥᏈᏱ ᏭᏂᎶᏎᎢ, ᎠᎴ ᎢᎬᏱᏗᏢ ᏭᎾᎴᏅᏁᎴ ᏦᏩ.\nᏦᏩᏃ ᎤᎪᎲ ᏇᏂ ᎾᏍᎩ ᎠᏁᎲᎢ, ᎯᎠ ᏄᏪᏎᎴ ᎤᎬᏫᏳᏌᏕᎩ ᎦᏁᎸᎢ, ᏗᏇᏅᏒ ᏔᏘᏄᎦ ᎯᎠ ᎠᏂᏍᎦᏯ, ᎠᎴ ᏘᎷᎦ ᎠᎴ ᎭᏛᏅᎢᏍᏓ ᎠᎵᏍᏓᏴᏗ; ᎯᎠᏰᏃ ᎠᏂᏍᎦᏯ ᏓᎬᏆᎵᏍᏓᏴᎾᏁᎵ ᎢᎦ.\nᎾᏍᎩᏃ ᎠᏍᎦᏯ ᏦᏩ ᏄᏪᏎᎸ ᎾᏍᎩᏯ ᏄᏛᏁᎴᎢ; ᎠᎴ ᎾᏍᎩ ᎠᏍᎦᏯ ᏦᏩ ᎦᏁᎸ ᏫᏚᏘᏅᏍᏔᏁ ᎠᏂᏍᎦᏯ.\nᎠᎴ ᎾᏍᎩ ᎠᏂᏍᎦᏯ ᎠᏂᏍᎦᎢᎮᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎨᏥᏴᏔᏂᎸ ᏦᏩ ᎦᏁᎸᎢ; ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎠᏂ ᏥᏕᎩᏴᏔᏂᎦ ᏂᎦᎵᏍᏙᏗ ᎠᏕᎸ ᏥᏕᎩᎳᏁᎸ ᏕᎦᎶᏗᎯ ᎢᎬᏱᏱ ᏥᏕᏙᎲᎩ; ᎾᏍᎩ ᎪᎱᏍᏗ ᏧᏢᏫᏍᏙᏗ ᎤᏚᎵ ᎾᏍᎩ ᏗᎩᎦᏗᎸᏍᏙᏗᏱ, ᎠᎴ ᏗᎩᏂᏴᏗᏱ, ᎠᎴ ᏗᎩᎾᏢᏗᏱ, ᎠᎴ [ᏗᎩᏯᏅᎡᏗᏱ] ᏗᏂᎵᎠᏅᎯᏛ.\nᎾᎥᏃ ᎤᏂᎷᏤᎴ ᏄᎬᏫᏳᏌᏕᎩ ᏦᏩ ᎦᏁᎸᎢ, ᎠᎴ ᎤᎾᎵᏃᎮᏔᏁ ᎦᎶᎯᏍᏗᏱ ᎦᎵᏦᏕ.\nᎠᎴ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎢᏳᎸᏉᏗ, ᎤᏙᎯᏳᎯ ᎢᎬᏱᏱ ᏦᎩᎷᏥᎸᎩ ᎠᎵᏍᏓᏴᏗ ᎣᎩᏩᏏᎸᎩ;\nᎠᎴ ᎯᎠ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᏗᏒᏍᏗᏱ ᏬᎩᎷᏨ ᏙᎩᎱᏃᏴᎲᎩ ᏕᎦᎶᏗ, ᎠᎴ ᎬᏂᏳᏉ, ᎣᏥᏏᏴᏫᎭ ᏕᎦᎶᏗ ᏙᏥᏁᎲ ᏓᎱᏃᎲᏉ ᏙᎦᎸ ᎠᏕᎸ ᏦᎦᏤᎵᎦ, ᏂᏙᎬᏩᏓᎨᏒᏉ; ᎠᎴ ᏔᎵᏁ ᏙᏥᏲᎦ.\nᎠᎴ ᏅᏩᎾᏓᎴ ᎠᏕᎸ ᏙᏥᏲᎦ ᎠᎵᏍᏓᏴᏗ ᎣᎩᏩᎯᏍᏙᏗ; ᎥᏝ ᎦᏲᎦᏙᎴᎰᎯᏍᏗ ᏱᎩ ᎾᏍᎩ ᎨᏒ ᎠᏕᎸ ᏦᎩᎳᏁᎸᎯ ᏕᎦᎶᏗᎯ.\nᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏅᏩᏙᎯᏯᏛ ᎢᏣᏤᎵᎦ ᎨᏎᏍᏗ; ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ; ᎤᏁᎳᏅᎯ ᎢᏣᏤᎵᎦ, ᎠᎴ ᎢᏥᏙᏓ ᎤᏤᎵᎦ ᎤᏁᎳᏅᎯ ᎢᏥᏁᎸ ᏧᎬᏩᎶᏗ ᏕᎦᎶᏗᎯ; ᎠᏴ ᏛᎩᏁᎸ ᏗᏣᏤᎵ ᎠᏕᎸ. ᏏᎻᏯᏂᏃ ᏚᏘᏃᎮᎴᎢ.\nᎾᏍᎩᏃ ᎠᏍᎦᏯ ᏦᏩ ᎦᏁᎸ ᏫᏚᏘᏃᎴ ᎠᏂᏍᎦᏯ, ᎠᎴ ᎠᎹ ᏚᏁᏁᎴᎢ, ᏧᎾᎳᏏᏕᏂᏃ ᏑᏃᏑᎴᎡᎢ; ᎠᎴ ᏗᏂᎵᎠᏅᎯᏛ ᎤᎾᎵᏍᏓᏴᏗ ᏚᏁᎴᎢ.\nᎠᎴ ᎤᎾᏛᏅᎢᏍᏔᏁ ᎤᏂᏁᎸᏗ ᎨᏒ ᎠᏏ ᎢᎦ ᏂᎬᏒᎾ ᏦᏩ ᎾᎯᏳ ᎤᎷᎯᏍᏗᏱ ᎨᏒᎢ; ᎤᎾᏛᎦᏁᏰᏃ ᎾᎿ ᏗᎾᎵᏍᏓᏴᏂᏒᎢ.\nᏦᏩᏃ ᏭᎷᏨ ᏧᏪᏅᏒᎢ, ᎤᏂᏁᏗ ᎠᏂᏰᎲ ᏔᎵᏦᏕ ᎤᏂᏴᏔᏁᎢ, ᎠᎴ ᎡᎳᏗ ᏂᎬᏩᏛᏁᎴᎢ.\nᎠᎴ ᏚᏛᏛᏁ ᏙᎯ ᏄᎾᏛᎾᏕᎬᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏥᏙᏓᏍᎪ ᏙᎯᏱᏉ, ᎾᏍᎩ ᎤᏛᏐᏅᎯ ᏤᏥᏁᎢᏍᏗᏍᎬᎩ? ᎠᏏᏉᏍᎪ ᎡᎭ\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎯᏅᏏᏓᏍᏗ ᎣᎩᏙᏓ ᏙᎯᏱᏉ, ᎠᏏᏉ ᎡᎭ; ᎠᎴ ᎡᎳᏗ ᏂᏚᏅᏁᎴ ᏗᏂᏍᎪᎵ, ᎠᎴ ᏚᎾᏗᏌᏓᏕᎢ.\nᏗᎦᏙᎵᏃ ᏚᏌᎳᏓᏁᎢ, ᎠᎴ ᎤᏅᏟ ᏇᏂ ᎤᎪᎮᎢ, ᎾᏍᎩ ᎤᏥ ᎤᏪᏥ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠᏍᎪ ᎢᏥᏅᏟ, ᎾᏍᎩ ᏥᏍᎩᏁᎢᏍᏓᏁᎲᎩ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎤᏁᎳᏅᎯ ᏫᏣᏙᎵᎩ, ᎠᏇᏥ.\nᏦᏩᏃ ᎤᎵᏍᏗ ᏄᏛᏁᎴᎢ; ᎭᏫᏂᏰᏃ ᎤᎵᏖᎸᎾᏁᎴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎤᏅᏟ; ᎠᎴ ᎤᏲᎴ ᎢᎸᎯᏢ ᏧᏠᏱᏍᏗᏱ; ᎠᎴ ᎧᏅᏑᎸ ᎤᏴᏍᏗᏱ ᏭᏴᎴᎢ, ᎠᎴ ᎾᎿ ᏚᏠᏱᎴᎢ.\nᎤᎬᏍᏉᎡᏃ, ᎠᎴ ᎤᏄᎪᏤᎢ, ᎠᎴ ᎬᏩᏛᏂᎡᏉ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎠᎵᏍᏓᏴᏗ ᎢᏥᏝᎲᎦ.\nᎠᎴ ᎤᏩᏒ ᏕᎬᏩᏝᏁᎴᎢ, ᎠᎴ ᎠᎾᎵᏅᏟ ᎤᏅᏒ, ᎠᎴ ᎢᏥᏈᏱ ᎠᏁᎯ ᎠᎵᏍᏓᏴᎲᏍᎬ ᎠᎾᎵᏍᏓᏴᎲᏍᎩ, ᎾᏍᏉ ᎤᏅᏒ ᏙᎨᏥᏝᏁᎴᎢ; ᎢᏥᏈᏱᏰᏃ ᎠᏁᎯ ᎥᏝ ᎢᏧᎳᎭ ᎬᏩᎾᎵᏍᏓᏴᏗ ᏱᎨᏎ ᎠᏂᏈᎷ; ᎾᏍᎩᏴᏃ ᎤᏍᎦᎢᏍᏗᏳ ᎤᏂᏰᎸᏎ ᎢᏥᏈᏱ ᎠᏁᎯ.\nᎠᎴ ᎤᏬᎸ ᎢᎬᏱᏢ ᎠᏂᏁᎢ, ᎤᏓᏂᎵᎨ ᎢᎬᏱ ᎤᏪᏁᎢ, ᎣᏂᏃ ᎡᎯ ᎾᏍᎩᏯ ᏄᏍᏛ ᎤᏕᏔᏅ ᎤᏪᏁᎢ; ᎠᏂᏍᎦᏯᏃ ᎤᏅᏒ ᏓᎾᏓᏍᏆᏂᎪᏍᎨᎢ.\nᎢᎬᏱᏗᏢᏃ ᎤᏬᎸ ᎠᏝᎲ ᏫᏚᏁᎴ ᏧᎾᏁᎳᎩᎭ ᎠᎵᏍᏓᏴᏗ; ᎠᏎᏃ ᏇᏂ ᏩᏥᏁᎸᎯ ᎾᏍᎩ ᎢᏳᏩᎫᏗ ᎤᎶᏒᏍᏕ ᎠᏂᏐᎢ ᎢᎩ ᎨᏥᏁᎸᎢ. ᏚᎾᏗᏔᎮᏃ ᎠᎴ [ᏦᏩ] ᎢᏧᎳᎭ ᎣᏍᏛ ᎤᎾᏓᏅᏓᏕᎢ.\nᎠᏯᏙᎸᎢ 44\nᎠᎴ ᎤᏁᏤᎴ ᎦᏁᎸ ᏄᎬᏫᏳᏌᏕᎩ, ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᎠᏂᏍᎦᏯ ᏕᎦᎶᏗ ᏧᎾᏤᎵ ᏘᎧᎵᏏ ᎠᎴᏍᏓᏴᏗ ᏘᎧᎵᏍᏓᏏ, ᎢᎦᎢ ᎬᏩᏂᏴᏍᏗ ᎬᏒᎢ, ᎠᎴ ᎠᏂᏏᏴᏫᎭ ᏧᎾᏤᎵᎦ ᎠᏕᎸ ᏕᎦᎶᏗᎯ ᏓᎱᏃᎲ ᏕᎩᎳᏁᎸᎭ.\nᎠᎴ ᎠᏆᏤᎵ ᎤᎵᏍᏈᏗ, ᎠᏕᎸ ᎤᏁᎬ ᎪᏢᏔᏅᎯ ᎯᎳᏏ ᎠᎱᏃᎲ ᏕᎦᎶᏗᎯ ᎾᏍᎩ ᎣᏂ ᎡᎩ, ᎠᎴ ᎾᏍᏉ ᎠᏕᎸ ᎤᏣᎴᏍᏗ ᎤᏩᎯᏍᏔᏅᎯ [ᏦᏙᎯᎳᏏ.] ᎠᎴ ᎾᏍᎩᏯ ᏦᏩ ᎤᏁᏤᎸ ᏄᏛᏁᎴᎢ.\nᏑᎾᎴᏃ ᎩᎳ ᏧᎩᏥᏍᎪᎢ, ᎠᏂᏍᎦᏯ ᎨᎦᏂᎩᏍᏔᏁᎢ, ᎤᏅᏒ, ᎠᎴ ᏗᏂᎵᎠᏅᎯᏛ.\nᎤᏂᏄᎪᏨᏃ ᎦᏚᎲᎢ, ᎠᎴ ᎥᏝ ᎠᏏ ᎢᏅᎯᏳ ᏱᏩᎾᎢᏎᎢ, ᏦᏩ ᎯᎠ ᏄᏪᏎᎴ ᎦᏁᎸ ᏄᎬᏫᏳᏌᏕᎩ, ᏔᎴᎲᎦ, ᎩᎨᎱᎦ ᎾᏍᎩ ᎠᏂᏍᎦᏯ; ᎠᎴ ᎿᏉ ᏫᎩᏯᏢᏔᎲᎭ, ᎯᎠ ᏂᎩᏪᏎᎸᎭ, ᎦᏙᏃ ᎣᏍᏛ ᏁᏣᏛᏁᎸ ᎤᏲᏉ ᎥᏣᏓᎫᏴᏓᏏ?\nᏝᏍᎪ ᎾᏍᎩ ᎯᎠ ᎠᎩᏅᏏᏓᏍᏗ ᎤᏗᏔᏍᏙᏗ ᏱᎩ? ᎠᎴ ᎤᏙᎯᏳᏒ ᎾᏍᎩ ᎬᏩᏙᎴᎰᎯᏍᏙᏗ ᎨᏒᎢ; ᎤᏲ ᏂᏣᏛᎦ ᎾᏍᎩ ᏥᏂᏣᏛᏁᎸ.\nᏫᏚᏢᏔᎮᏃ, ᎠᎴ ᎾᏍᎩᏯ ᏫᏂᏚᏪᏎᎴᎢ.\nᎯᎠᏃ ᏂᎬᏩᏪᏎᎴᎢ, ᎦᏙᏃ ᎾᏍᎩ ᏂᎦᏪᎭ ᎤᎬᏫᏳᎯ ᎣᎦᏤᎵ? ᎬᏩᏟᏍᏗ ᏘᏅᏏᏓᏍᏗ ᎾᏍᎩ ᎢᏳᎾᏛᏁᏗᏱ.\nᎬᏂᏳᏉ ᎠᏕᎸ ᎾᏍᎩ ᏥᏙᎩᏩᏛᎲ ᏓᎱᏃᎲ ᏕᎦᎶᏗᎯ ᏔᎵᏁ ᏥᏙᏨᏲᎮᎸᎩ ᎨᎾᏂ ᏥᏙᏛᎣᎩᏴᏍᏔᏅᎩ; ᎦᏙᏃ ᏲᏥᏃᏍᎩᎭ ᏣᏅᏏᏙᎯ ᎦᏁᎸ ᎠᏕᎸ ᎤᏁᎬ ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨᎢ?\nᎩᎶ ᎯᎠ ᏘᏅᏏᏓᏍᏗ ᎠᏥᏩᏛᎡᎸᎭ, ᎾᏍᎩ ᎤᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ, ᎠᏴᏃ ᎾᏍᏉ ᏣᎬᏫᏳᎯ ᏗᏍᎩᎾᏝᎢ ᏂᎦᎵᏍᏔᏅᎭ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎢᏥᏁᏨᎪᎦ ᎾᏍᎩᏯ ᏄᏍᏕᏍᏗ, ᎩᎶ ᎾᏍᎩ ᎠᏥᏩᏛᎡᎸᎭ ᏥᏅᏏᏓᏍᏗ ᎨᏎᏍᏗ; ᏂᎯᏃ ᎢᏣᏚᏓᎴᏛ ᎨᏎᏍᏗ.\nᎿᏉᏃ ᎠᏂᏏᏴᏫᎭ ᎤᎵᏍᏗᏳ ᏚᏂᏞᏎ ᏕᎦᎶᏗ, ᎡᎳᏗᏃ ᏚᏂᏅᏁᎢ, ᎠᎴ ᎠᏂᏏᏴᎭ ᏚᏂᎱᏃᏴᎮ ᏧᎾᏤᎵ ᏕᎦᎶᏗ.\nᎤᏲᎴᏃ, ᎠᏓᏂᎵᎨ ᎤᏤᎵ ᎤᎴᏅᏔᏁᎢ, ᎠᎴ ᎣᏂᏱ ᎡᎯ ᏭᏍᏆᏗᏍᏔᏁᎢ; ᎤᎵᏍᏈᏗᏃ ᏇᏂ ᎤᏤᎵ ᏕᎦᎶᏗᎯ ᎤᏩᏛᎮᎢ.\nᎿᏉᏃ ᏚᏂᏣᎦᎸᎮ ᏧᎾᏄᏬ, ᎠᎴ ᎠᏂᏏᏴᏫᎭ ᏚᏂᏐᏈᎳᏁ ᏧᎾᏤᎵ ᏗᏂᎵᎠᏅᎯᏛ, ᎠᎴ ᎤᎾᏨᏎ ᏗᎦᏚᎲ ᏭᏂᎶᏎᎢ.\nᏧᏓᏃ ᎠᎴ ᎾᏍᎩ ᎠᎾᎵᏅᏟ ᏦᏩ ᎦᏁᎸ ᏭᏂᎷᏤᎢ; ᎾᏍᎩᏃ ᎠᏏᏉ ᎾᎿ ᎡᏙᎮᎢ; ᎢᎬᏱᏗᏢᏃ ᎤᏬᎸ ᎦᏙᎯ ᏚᎾᏓᏅᏁᎢ.\nᏦᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏉ ᎢᏣᏛᎦ? ᏝᏍᎪ ᏱᏥᎦᏔᎮ ᎠᏴ ᎾᏍᎩ ᎢᏯᏆᏍᏗ ᎤᏙᎯᏳᎯᏯ ᎬᏆᏙᎴᎰᎯᏍᏗ ᎨᏒᎢ?\nᏧᏓᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎦᏙ ᏓᏨᏲᏎᎵ ᏣᎬᏫᏳᎯ? ᎠᎴ ᎦᏙ ᏓᏲᏣᏛᏂ? ᎠᎴ ᎦᏙ ᏓᏲᏣᏛᏁᎵ ᎣᎦᏚᏓᎴᏍᏗᏱ? ᎤᏁᎳᏅᎯ ᎤᏙᎴᎰᏒ ᎤᏂᏍᎦᏅᏨ ᏘᏅᏏᏓᏍᏗ; ᎬᏂᏳᏉ, ᏣᎬᏫᏳᎯ ᏕᏍᎩᎾᏝᎠ, ᎠᏴ ᎠᎴ ᎾᏍᏉ Ꮎ ᎤᎵᏍᏈᏗ ᎠᏥᏩᏛᎡᎸᎯ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎬᏩᏟᏍᏗ ᎾᏍᎩ ᎢᏯᏆᏛᏁᏗᏱ; ᎤᎵᏍᏈᏗᏍᎩᏂ ᎠᏥᏩᏛᎡᎸᎯ, ᎾᏍᎩ ᏥᎾᏝᎢ ᎨᏎᏍᏗ; ᏂᎯᏍᎩᏂ ᏅᏩᏙᎯᏯᏛ ᏥᏣᏂᎩ ᎢᏥᏙᏙᏱ ᏫᏥᎶᎯ.\nᎿᏉᏃ ᏧᏓ ᎾᎥ ᏭᎷᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏫᏄᏪᏎᎴᎢ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵ ᎬᏔᏲᏏ ᎯᏅᏏᏓᏍᏗ ᏌᏉ ᎢᎧᏁᏨᎯ ᏣᏁᏤᏗᏱ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵ; ᎠᎴ ᏞᏍᏗ ᏱᎾᎸᏤᎴᏍᏗ ᎯᏅᏏᏓᏍᏗ; ᏇᎵᏲᏰᏃ ᏄᏍᏛ ᎾᏍᎩᏯ ᏂᏣᏍᏗ ᏂᎯ.\nᏂᎯᏰᏃ ᏣᎬᏫᏳᎯ ᏕᎭᏛᏛᏅᎩ ᏘᏅᏏᏓᏍᏗ, ᎯᎠ ᏥᏂᏣᏪᏒᎩ, ᏥᎪ ᎢᏥᏙᏓ ᎡᎭ, ᎠᎴ ᎢᏥᏅᏟ?\nᎠᎴ ᎯᎠ ᏥᏂᏨᏪᏎᎸᎩ ᏣᎬᏫᏳᎯ, ᎣᎩᏙᏓ ᎡᎭ, ᎤᏛᏐᏅᎯ, ᎠᎴ ᎤᏪᏥ ᎤᏛᏐᏅᎯ ᎨᏒ ᎤᏕᏁᎸᎢ, ᎠᏲᎵᏉ; ᎤᏂᎵᏃ ᎤᏲᎱᏒ, ᎠᎴ ᎤᏩᏒ ᎤᏕᎯᏴ ᎤᏥ ᏧᏪᏥᏛᎯ, ᎤᏙᏓᏃ ᎤᎨᏳᎯᏳ ᎢᎩ.\nᏘᏅᏏᏓᏍᏗᏃ ᎯᎠ ᏥᏂᏕᎯᏪᏎᎸᎩ, ᏍᎩᏯᏘᏃᎮᎸᎭ, ᎠᎴ ᎾᏍᎩ ᏕᏥᏯᎦᎿᏅᎭ.\nᎠᎴ ᎯᎠ ᏥᏂᏨᏪᏎᎸᎩ ᏣᎬᏫᏳᎯ, ᎠᏫᏄᏣ ᎥᏝ ᎬᏮᏕᎢᏍᏗ ᏱᎩ ᎤᏙᏓ; ᎢᏳᏰᏃ ᎤᏙᏓ ᏳᏮᏕᏨ, [ᎤᏙᏓ] ᏯᏲᎱᎯ.\nᎠᎴ ᎯᎠ ᏥᏂᏕᎯᏪᏎᎸᎩ ᏘᏅᏏᏓᏍᏗ, ᎢᏳᏃ ᏁᏣᏘᏃᎸᎾ ᎢᎨᏎᏍᏗ ᎣᏂ ᎡᎯ ᎢᏥᏅᏟ, ᎥᏝ ᎿᏉ ᎢᎸᎯᏳ ᏴᎨᏥᎪᏩᏛ ᎠᏆᎧᏛᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎿᏉ ᏫᎣᏥᎷᏤᎸ ᎯᏅᏏᏓᏍᏗ ᎡᏙᏓ, ᎣᏥᏃᏁᎸᎩ ᏂᏣᏪᏒ ᏣᎬᏫᏳᎯ.\nᎣᎩᏙᏓᏃ ᎯᎠ ᏄᏪᏒᎩ, ᏔᎵᏁ ᏥᏤᎾ, ᎤᏍᏗ ᎠᎵᏍᏓᏴᏗ ᏫᏍᎩᏩᎯᏏ.\nᎯᎠᏃ ᏃᎩᏪᏒᎩ, ᎥᏝ ᏴᎦᏲᏤᎾ; ᎢᏳᏍᎩᏂ ᎣᏂ ᎡᎯ ᏍᎩᏅᏟ ᏲᏤᎭ, ᎩᎳ ᏲᏤᎾ; ᎥᏝᏰᏃ ᏴᎦᏲᏥᎪᏩᏛ ᎾᏍᎩ ᎠᏍᎦᏯ ᎤᎧᏛ, ᎬᏂ ᎣᏂ ᎡᎯ ᏍᎩᏅᏟ ᏲᏤᎭ.\nᎯᏅᏏᏓᏍᏗᏃ ᎡᏙᏓ ᎯᎠ ᏃᎩᏪᏎᎸᎩ, ᏂᎯ ᎢᏥᎦᏔᎭ ᎠᏆᏓᎵᎢ ᎠᏂᏔᎵᏉ ᎠᏂᏧᏣ ᏓᎩᎾᏄᎪᏫᏎᎸᎢ;\nᏌᏉᏃ ᎢᎸᎯᏢ ᏩᎩᎶᎯᏎᎸᎢ, ᎠᎴ ᎯᎠ ᎾᎩᏪᏒᎢ, ᎤᏙᎯᏳᎯᏯ ᎠᏥᏓᎦᎸᎢᏒ; ᎥᏝᏃ ᎣᏂ ᏱᏥᎪᎣᎢ;\nᎢᏳᏃ ᎾᏍᏉ ᎯᎠ ᏱᏍᎩᏯᏅᎡᎸ ᎠᎴ ᎤᏲ ᏱᏄᎵᏍᏓᏁᎸ, ᎤᏁᎬ ᏗᎩᏍᏗᏰᎩ ᏧᏂᏲᎱᏒᎯ ᏩᏁᎲ ᏮᏓᏍᎩᏯᏘᏃᎵ ᎤᏲ ᎬᏆᏓᏅᏘ.\nᎢᏳᏃ ᎾᏍᎩ ᏫᏥᎷᏤᎸᎭ ᎯᏅᏏᏓᏍᏗ ᎡᏙᏓ, ᏃᏤᎲᎾᏃ ᎢᎨᏎᏍᏗ ᎠᏫᏄᏣ, (ᎤᏩᏒᏰᏃ ᎬᏅᎠᏫᏄᏣ ᎬᏅ ᎬᎿᏗᏍᏗ;)\nᎯᎠ ᏅᏓᎦᎵᏍᏔᏂ, ᎿᏉ ᎠᎪᎲ ᎠᏫᏄᏣ ᏃᏤᎲᎾ ᎨᏒᎢ, ᎾᏍᎩ ᏛᏲᎱᏏᏉ; ᎠᎴ ᏘᏅᏏᏗ ᎾᏍᎩ ᎤᏁᎬ ᏧᏍᏘᏰᎩ ᎯᏅᏏᏓᏍᏗ ᎣᎩᏙᏓ ᏧᏂᏲᎱᏒᎩ ᏩᏁᎲ ᏮᏓᏲᏣᏘᏃᎵ ᎤᏲ ᎬᏩᏓᏅᏘ.\nᎠᏴᏰᏃ ᏍᎩᏅᏏᏓᏍᏗ ᏔᎵ ᏥᏯᏛᏓᏁᎸᎩ ᎠᏫᏄᏣ, ᎡᏙᏓ ᏥᏯᏚᏓᎳᏁᎸᎩ, ᎯᎠ ᎾᎩᏪᏒᎩ, ᎢᏳᏃ ᏔᎵᏁ ᏂᎬᏯᏘᏃᎮᎸᎾ ᎢᎨᏎᏍᏗ, ᎠᏴ ᎬᏍᎦᏅᏤᎸᎯ ᎨᏎᏍᏗ ᎡᏙᏓ ᏂᎪᎯᎸᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᏅᏏᏓᏍᏗ ᏩᏘᎩᏴ ᏩᏓᏁᏟᏴᏍᏓᏏ ᎠᏫᏄᏣ, ᎾᏍᎩ ᎯᎾᏝᎢ ᏫᏂᎦᎵᏍᏓ ᏩᎬᏫᏳᎯ; ᎠᏫᏄᏣᏃ ᏧᏂᎵ ᏫᎠᏁᎾ.\nᎦᏙᏰᏃ ᏱᎦᎵᏍᏙᏓ ᎡᏙᏓ ᏱᏫᏥᎷᏥᏏ, ᎠᏫᏄᏣ ᏃᏍᏕᎲᎾ ᏱᎩ? ᎠᎴ ᏱᏥᎪᏩᏛ ᎤᏲ ᎢᏳᎵᏍᏓᏁᏗ ᎨᏒ ᎡᏙᏓ?\nᎠᏯᏙᎸᎢ 45\nᏦᏩᏃ ᎥᏝ ᎬᏩᏛᏂᏗᏍᏗ ᏱᎨᏎ ᏂᎦᏛ ᎠᏂᎦᏔᎲ ᎾᏍᎩ ᎾᎿ ᎠᏂᏙᎾᎢ; ᎾᏍᎩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏂᎦᏛ ᎩᏄᎪᏩ ᏥᏯᎥᎢ; ᎥᏝᏃ ᎩᎶ ᏦᏩ ᏱᏓᏂᏙᎨ, ᎬᏂᎨᏒ ᏂᏚᏩᏁᎸ ᎠᎾᎵᏅᏟ ᎾᏍᎩ ᎨᏒᎢ.\nᎠᏍᏓᏯᏃ ᏚᏠᏱᎴᎢ; ᎢᏥᏈᏱᏃ ᎠᏁᎯ ᎤᎾᏛᎦᏁᎢ, ᎠᎴ ᏇᎵᏲ ᏚᏓᏘᎾᎥ ᎤᎾᏛᎦᏁᎢ.\nᏦᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎠᎾᎵᏅᏟ, ᎠᏴ ᏦᏩ; ᎡᏙᏓᏍᎪ ᎠᏏᏉᎡᎭ? ᎠᎾᎵᏅᏟᏃ ᎥᏝ ᎦᎬᏩᏁᏤᏗ ᏱᎨᏎᎢ; ᎤᎾᏕᏯᏙᏗᏍᎨᏰᏃ ᎬᏩᎪᏩᏗᏍᎬᎢ.\nᏦᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎠᎾᎵᏅᏟ, ᎾᎥ ᏍᎩᎷᏥᏏ; ᎾᎥᏃ ᎤᏂᎷᏤᎢ. ᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏴ ᏦᏩ ᎢᏥᏅᏟ, ᎾᏍᎩ ᎢᏥᏈᏱ ᏩᎦᏘᏅᏍᏙᏗᏱ ᏤᏥᎾᏗᏅᏒᎩ.\nᎿᏉᏃ ᎥᏞᏍᏗ ᎤᏲ ᏱᏣᏓᏅᏖᏍᏗ, ᎠᎴ ᏞᏍᏗ ᎢᏨᏒ ᏱᏣᏓᏂᏆᏘᎮᏍᏗ, ᎾᏍᎩ ᎡᏍᎦᏂ ᏗᏍᎩᎾᏗᏅᏍᏔᏅᎢ; ᎤᏁᎳᏅᎯᏰᏃ ᎢᎬᏱ ᏗᎩᏅᏎ ᏓᏅᏅ [ᏴᏫ] ᏗᎦᏥᏍᏕᎸᎡᏗᏱ.\nᎿᏉᏰᏃ ᏔᎵ ᎾᏕᏘᏴ ᏓᎪᏄᎶᎯ; ᎠᎴ ᎠᏏ ᎾᏍᎩ ᏧᏕᏘᏴᏛ, ᎥᏝ ᎦᏓᎷᎪᏗᏱ ᎠᎴ ᎠᏍᎫᏕᏍᏗᏱ ᏱᎨᏎᏍᏗ.\nᎤᏁᎳᏅᎯᏃ ᎢᎬᏱ ᏗᎩᏅᏒ, ᎢᏨᏍᏕᎸᎡᏗᏱ ᎢᏣᏁᏢᏔᏅᎯ ᎨᏒ ᎡᎶᎯ, ᎠᎴ ᏕᏨᏅ ᏗᏨᏍᏕᎸᎡᏗᏱ, ᎤᏣᏘ ᎤᏍᏆᏂᎪᏗ ᎬᏗᏍᎬ ᎢᏨᏳᏓᎴᏍᎬᎢ.\nᎾᏍᎩᏃ ᎥᏝ ᏂᎯ ᎠᏂ ᏴᏗᏍᎩᏅᏎᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ; ᎠᎴ ᏇᎵᏲ ᎤᏙᏓ ᎾᏋᏁᎸ, ᎠᎴ ᎾᎩᎬᏫᏳᏒ ᏂᎦᎥ ᎦᏁᎸᎢ, ᎠᎴ ᏨᏆᏁᎶᏗ ᏂᎬᎾᏛ ᎢᏥᏈᏱ.\nᏞᎩᏳᏃ ᎡᏙᏓ ᏪᏥᎷᏥᏏ, ᎠᎴ ᎯᎠ ᏫᏁᏥᏪᏏ, ᎯᎠ ᏂᎦᏪᎭ ᏤᏥ ᏦᏩ, ᎤᏁᎳᏅᎯ ᏨᏆᏁᎶᏗ ᎾᏋᏁᎸ ᏂᎬᎾᏛ ᎢᏥᏈᏱ; ᏖᏒᎭ ᏍᎩᎷᏤᎸᎭ, ᏞᏍᏗ ᏣᏙᎯᏛᎩ.\nᎪᏌᏂᏃ ᏚᏙᎥ ᎭᏁᎳᏛᎭ, ᎠᎴ ᎾᎥᏉ ᏂᏕᎩᎾᏓᎴᏍᏗ, ᏂᎯ ᎠᎴ ᏗᏤᏥ, ᎠᎴ ᏗᏤᏥ ᏧᏁᏥ, ᎠᎴ ᏗᏣᏤᎵ ᎠᏫ, ᎠᎴ ᏩᎦ, ᎠᎴ ᏂᎦᎥ ᏣᏤᎵ ᎨᏒᎢ.\nᎠᎴ ᎾᎿ ᏓᎬᏰᎶᎵ; ᎠᏏᏰᏃ ᎾᏍᎩ ᏧᏕᏘᏴᏛ ᏥᏓᎪᏄᎸ; ᏂᎯᏰᏃ, ᎠᎴ ᏕᏣᏓᏘᎾᎥᎢ, ᎠᎴ ᏂᎦᏛ ᏗᏣᏤᎵ ᎨᏒ ᎤᏲ ᎢᏣᏛᎿᏕᎩ ᏱᏂᎦᎵᏍᏓ.\nᎠᎴ ᎬᏂᏳᏉ, ᏗᏥᎦᏙᎵ ᏓᎪᏩᏘᎭ, ᎠᎴ ᎥᎩᏅᏟ ᏇᏂ ᏗᎦᏙᎵ ᎾᏍᎩ ᎠᏴ ᏥᎣᎵ ᎨᏒ ᏥᏥᏬᏁᏗᎭ.\nᎠᎴ ᎡᏥᏃᏁᎸᎭ ᎡᏙᏓ ᏂᎦᎥ ᎦᎸᏉᏗᏳ ᎾᏆᏛᏅ ᎢᏥᏈᏱ, ᎠᎴ ᏂᎦᎥ ᎢᏥᎪᎲᎢ; ᎠᎴ ᏞᎩᏳ ᎠᏂ ᎡᏙᏓ ᎡᏣᏘᏃᎸᎭ.\nᎠᎴ ᎤᏅᏟ ᏇᏂ ᎠᎩᎵᎨᏂ ᎤᏪᏯᎸᏤᎢ, ᎠᎴ ᏚᏠᏱᎴᎢ; ᎠᎴ ᏇᏂ ᏚᏠᏱᎴ ᏦᏩ ᎠᎩᎵᎨᏂ ᎦᏯᎸᎢ.\nᎠᎴ ᎾᏍᏉ ᏚᏙᏪᏙᏁ ᏂᎦᏛ ᎠᎾᎵᏅᏟ, ᎠᎴ ᏚᏪᏯᎸᏤ ᏚᏠᏱᎴᎢ; ᎩᎳᏃ ᎣᏂ ᎠᎾᎵᏅᏟ ᎬᏩᎵᏃᎮᏔᏁᎢ.\nᎠᏂᏃᎮᏍᎬᏃ ᎾᏍᎩ ᏇᎵᏲ ᎦᏁᎸ ᎢᏴᏛ ᏭᎾᏛᎦᏁᎢ, ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᏦᏩ ᎠᎾᎵᏅᏟ ᎠᏂᎷᎩ; ᏇᎵᏲᏃ ᎣᏂᏳ ᎤᏰᎸᏁᎢ, ᎠᎴ ᎾᏍᎩ ᏧᏅᏏᏓᏍᏗ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, ᎢᏣᎵᏅᏟ ᎯᎠ ᏂᎩᏪᏏ, ᎯᎠ ᏂᏣᏛᎦ; ᏗᏥᏐᏈᎸᎦ ᏗᏥᏐᏈᎸᏗ, ᎠᎴ ᎢᏤᎾ ᎨᎾᏂᏱ ᏫᏥᎶᎯ;\nᎠᎴ ᏙᏗᏣᏘᏁᏒᎭ ᎢᏥᏙᏓ ᎠᎴ ᏕᏣᏓᏘᎾᎥᎢ, ᎠᎴ ᎠᏴ ᏍᎩᎷᏤᎸᎭ; ᎠᎴ ᎣᏌᏂ ᎦᏙᎯ ᎢᏥᏈᏱ ᏓᏨᏁᎵ, ᎠᎴ ᎦᏙᎯ ᎦᎵᏦᏅ ᎢᏣᎵᏍᏓᏴᏗᏍᎨᏍᏗ.\nᎿᏉ ᎡᏣᏁᏥ, ᎯᎠ ᎾᏍᎩ ᏂᏣᏛᎦ; ᏓᏆᎴᎷ ᎠᏂ ᎢᏥᏈᏱ ᏗᏥᏫᏛ, ᏧᎾᏦᏗ ᏗᏤᏥ ᏧᎾᏍᏗᎦ, ᎠᎴ ᏗᏣᏓᎵᎢ, ᎢᏥᏙᏓᏃ ᏤᏣᏘᏁᏒᎭ, ᎠᎴ ᎢᏥᎷᏨᎭ.\nᎠᎴ ᏞᏍᏗ ᏱᏥᎨᏳᎲᏍᎨᏍᏗ ᎪᎱᏍᏗ ᎢᏥᎿᎥᎢ; ᎣᏌᏂᏰᏃ ᎦᏙᎯ ᎢᏥᏈᏱ ᎢᏣᏤᎵᎦ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎾᏍᎩ ᏄᎾᏛᏁᎴᎢ; ᏦᏩᏃ ᏚᏁᎴ ᏓᏆᎴᎷ ᎾᏍᎩᏯ ᏄᏪᏒ ᎤᏁᏨ ᏇᎵᏲ, ᎠᎴ ᎤᎾᎡᏃᏗ ᏚᏁᎴ ᏩᎾᎢᏒᎢ.\nᎾᏂᎥ ᎠᏂᏏᏴᏫᎭ ᏚᏅᏁᎴ ᏧᎾᏄᏩᎢᏴᏍᏗ ᏗᏄᏬ; ᏇᏂᏍᎩᏂ ᏦᎢᏧᏈ ᎠᏰᎵ ᎠᏕᎸ ᏚᏁᎴᎢ, ᎯᏍᎩᏃ ᎢᏧᏄᏩᎢᏴᏍᏗ ᏗᏄᏬ;\nᎤᏙᏓᏃ ᎯᎠ ᏄᏍᏕ ᏭᏁᎴᎢ; ᎠᏍᎪᎯ ᏗᏂᎵᎠᏅᎯᏛ ᏗᏐᏈᎵ ᎣᏌᏂ ᎢᏥᏈᏱ ᎤᏕᏅᎯ, ᎠᎴ ᎠᏍᎪᎯ ᎠᏂᎩᏏ ᏗᏂᎵᎠᏅᎯᏛ ᏗᏐᏈᎵ ᎤᏣᎴᏍᏗ, ᎠᎴ ᎦᏚ, ᎠᎴ ᎤᏕᏃᏗ, ᎤᏙᏓ ᏣᎢᏒ ᎤᎵᏍᏓᏴᏗ.\nᎾᏍᎩᏃ ᏚᏂᎩᏍᏔᏁ ᎠᎾᎵᏅᏟ, ᎠᎴ ᎤᎾᏂᎩᏎᎢ; ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏞᏍᏗ ᏫᏣᎢᏒᏉ ᏥᏥᏲᏠᎯᏎᎵ.\nᎤᏂᏄᎪᏤᏃ ᎢᏥᏈᏱ, ᎠᎴ ᎨᎾᏂᏱ ᏭᏂᎷᏤ, ᏤᎦᏈᏱ ᎤᏂᏙᏙᏱ,\nᎠᎴ ᎤᏂᏃᏁᎴᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏦᏩ ᎠᏏᏉ ᎡᎭ, ᎠᎴ ᎾᏍᎩ ᎤᎬᏫᏳᎯ ᏂᎬᎾᏛ ᎢᏥᏈᏱ; ᏤᎦᏈᏃ ᎤᎾᏫ ᎤᎸᏕᎴᎢ, ᎥᏝᏰᏃ ᏱᏚᏬᎯᏳᏁᎢ.\nᎬᏩᏃᏁᎴᏃ ᎾᏍᎩ ᏂᎦᏛ ᏦᏩ ᏄᏪᏒᎢ, ᎾᏍᎩ ᏚᏬᏁᏔᏅᎢ; ᎠᎴ ᎿᏉ ᏚᎪᎲ ᏓᏆᎴᎷ ᎾᏍᎩ ᏦᏩ ᏂᏙᏓᏳᏓᏅᏏᏛ ᏧᏦᏗ, ᎤᏂᏙᏓ ᏤᎦᏈ ᎤᏓᏅᏙ ᎤᏩᏂᎦᎵᏍᏙᏎᎢ.\nᎢᏏᎵᏃ ᎯᎠ ᏄᏪᏎᎢ, Ꭷ, ᏰᎵᏉ; ᏦᏩ ᎠᏇᏥ ᎠᏏᏉ ᎡᎭ; ᏓᎨᏏ ᏓᏥᏯᎦᏔᏁᏏ ᎠᏏᏉ ᎾᎩᏲᎱᏒᎾ.\nᎠᏯᏙᎸᎢ 46\nᎢᏏᎵᏃ ᎤᏂᎩᏎ ᏚᏘᏅᏎ ᏂᎦᏛ ᏚᏪᎧᎲᎢ, ᎠᎴ ᏈᏯᏏᏆ ᏭᎷᏤᎢ, ᎠᎴ ᎠᏥᎸ ᎤᏪᎴᎴ ᎤᏁᎳᏅᎯ, ᎤᏙᏓ ᎡᏏᎩ ᎤᏤᎵᎦ.\nᎤᏁᎳᏅᎯᏃ ᎢᏏᎵ ᎤᏁᏤᎴ ᏒᏃᏱ ᎤᏁᎳᏫᏎᎲᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᏤᎦᏈ, ᏤᎦᏈ. ᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏂ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏴ ᎠᏆᏁᎳᏅᎯ, ᏣᏙᏓ ᎤᏤᎵᎦ ᎤᏁᎳᏅᎯ; ᏞᏍᏗ ᏱᏍᎦᎢᎮᏍᏗ ᎢᏥᏈᏱ ᏤᏅᏍᏗᏱ; ᎾᎿᏰᏃ ᏂᎯ ᎡᏉᎯᏳ ᎤᎾᏓᏣᎵᏛ ᏴᏫ ᏅᏓᎬᏴᏁᎵ;\nᎠᏴ ᏙᏓᎬᎦᎿᏩᏗᏙᎵ ᎢᏥᏈᏱ ᏫᎦᎷᎩ; ᎠᎴ ᎤᏙᎯᏳᎯᏯ ᏔᎵᏁ ᏛᎬᏯᏘᏃᎵ; ᎠᎴ ᏦᏩ ᎠᏎ ᏙᏛᏏᏔᏗ ᏘᎦᏙᎵ.\nᏤᎦᏈᏃ ᎤᏂᎩᏎ ᏈᏯᏏᏆ, ᎠᎴ ᎢᏏᎵ ᏧᏪᏥ ᎤᎾᏘᏅᏎ ᏤᎦᏈ ᎤᏂᏙᏓ, ᎠᎴ ᎾᏍᎩ ᏧᏁᏥ ᏄᎾᏍᏗᎦ, ᎠᎴ ᏧᎾᏓᎵᎢ, ᏚᏂᏲᏔᏁ ᏓᏆᎴᎷ ᎾᏍᎩ ᏇᎵᏲ ᏥᏙᏧᏓᏅᏎ ᏧᏦᏗ.\nᎠᎴ ᎦᎾᏝᎢ ᏚᎾᏘᏅᏎᎢ, ᎠᎴ ᏧᎬᏩᎶᏗ ᎤᏂᏴᏎ ᎾᏍᎩ ᎨᎾᏂᏱ ᎤᏂᏟᏌᏅᎯ, ᎢᏥᏈᏱᏃ ᏭᏂᎷᏤᎢ, ᏤᎦᏈ, ᎠᎴ ᏂᎦᏛ ᎾᏍᎩ ᎤᏁᏢᏔᏅᎯ ᎨᏒ ᎠᏁᎮᎢ.\nᏧᏪᏥ ᎠᏂᏍᎦᏯ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏧᏁᏥ ᎠᏁᎮᎢ, ᎠᎴ ᏧᏪᏥ ᎠᏂᎨᏴ, ᎠᎴ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᏧᏁᏥ ᎠᏂᎨᏴ, ᎠᎴ ᏂᎦᏛ ᎤᏁᏢᏔᏅᎯ ᎨᏒ ᎢᏥᏈᏱ ᏫᏚᏘᏃᎴᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏗ ᏚᎾᏙᎥ ᏘᏏᎵ ᏧᏪᏥ, ᎾᏍᎩ ᏥᏭᏂᎷᏤ ᎢᏥᏈᏱ, ᏤᎦᏈ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ; ᎷᏈᏂ, ᏤᎦᏈ ᎢᎬᏱ ᎤᏕᏁᎸᎯ.\nᎷᏈᏂᏃ ᏧᏪᏥ, ᎭᏃᎦ, ᎠᎴ ᏆᎷ, ᎠᎴ ᎮᏏᎶᏅ, ᎠᎴ ᎧᎹ.\nᏏᎻᏯᏂᏃ ᏧᏪᏥ, ᏥᎽᎡᎵ, ᎠᎴ ᏤᎻᏂ, ᎠᎴ ᎣᎭᏗ, ᎠᎴ ᏤᎩᏂ, ᎠᎴ ᏐᎭ, ᎠᎴ ᏐᎵ ᎨᎾᏂ ᎡᎯ ᎠᎨᏴ ᎤᏪᏥ.\nᎵᏫᏃ ᏧᏪᏥ, ᎦᏐᏂ, ᎪᎭᏗ, ᎠᎴ ᎻᎴᎳ.\nᏧᏓᏃ ᏧᏪᏥ, ᎥᎵ, ᎠᎴ ᎣᎾᏂ, ᎠᎴ ᏏᎳ, ᎠᎴ ᏇᎵᏏ, ᎠᎴ ᏎᎳ; ᎠᏎᏃ ᎥᎵ ᎠᎴ ᎣᎾᏂ ᎨᎾᏂᏱᏉ ᎢᏴᏛ ᏚᏂᏲᎱᏎᎢ. ᎯᎠᏃ ᎾᏍᎩ ᏇᎵᏏ ᏧᏪᏥ, ᎮᏏᎶᎻ, ᎠᎴ ᎮᎹᎵ.\nᎢᏏᎦᏃ ᏧᏪᏥ, ᏙᎳ, ᎠᎴ ᏊᏩ, ᎠᎴ ᏦᏈ ᎠᎴ ᏏᎻᎶᏂ.\nᏤᏆᎳᏂᏃ ᏧᏪᏥ, ᏏᎴᏗ, ᎠᎴ ᎢᎶᏂ, ᎠᎴ ᏣᎵᎵ.\nᎯᎠ ᎾᏍᎩ ᎵᎠ ᏧᏪᏥ, ᎾᏍᎩ ᏧᎾᏄᎪᏫᏎᎸᎯ ᏤᎦᏈ ᏇᏓᏁᎳᎻᏱ, ᎠᎴ ᎠᎨᏴ ᎤᏪᏥ ᏓᏱᎾ; ᎾᏂᎥᏃ ᎾᏍᎩ ᏤᎦᏈ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ ᏦᎠᏍᎪᎯ ᏦᎢᎦᎵ ᎾᏂᎡᎢ.\nᎦᏗᏃ ᏧᏪᏥ; ᏥᏈᏲᏂ, ᎠᎴ ᎭᎩ, ᎠᎴ ᏑᏂ, ᎠᎴ ᎡᏏᏉᏂ, ᎢᎳ, ᎠᎴ ᎡᎶᏗ, ᎠᎴ ᎡᎵᎳ.\nᎡᏌᏃ ᏧᏪᏥ; ᏥᎻᎾ, ᎠᎴ ᎢᏑᎠ, ᎠᎴ ᎢᏑᎢ, ᎠᎴ ᏈᎳᏯ, ᎠᎴ ᏏᎳ ᎾᏍᎩᏉ ᎤᏂᏙ; ᏈᎳᏯᏃ ᏧᏪᏥ; ᎯᏆ ᎠᎴ ᎹᎵᎦᏱᎵ.\nᎯᎠ ᎾᏍᎩ ᏏᎵᏆ ᏧᏪᏥ ᎾᏍᎩ ᎴᏈᏂ ᏧᏪᎧᏁᎸᎯ ᎤᏪᏥ ᎵᎠ; ᎠᎴ ᎾᏍᎩ ᎯᎠ ᏚᎾᏄᎪᏫᏎᎴ ᏤᎦᏈ, ᏓᎳᏚ ᎢᏯᏂᏛ.\nᎴᏥᎵᏃ ᏧᏪᏥ ᎾᏍᎩ ᏤᎦᏈ ᎤᏓᎵᎢ; ᏦᏩ ᎠᎴ ᏇᏂ.\nᏦᏩᏃ ᎢᏥᏈᏱ ᎬᏩᏕᏁᎸᎯ ᎾᏍᎩ ᎻᎾᏌ, ᎠᎴ ᎢᏆᎻ, ᎾᏍᎩ ᎠᏏᎾ ᏉᏗᏈᎳ ᎣᏂ ᏚᏙᎥ ᎠᏥᎸ ᏗᎨᎴᎯ ᎤᏪᏥ ᏧᎾᏄᎪᏫᏎᎸᎯ.\nᏇᏂᏃ ᏧᏪᏥ, ᏈᎳ, ᎠᎴ ᏈᎦ, ᎠᎴ ᎠᏏᏇᎵ, ᎠᎴ ᎩᎳ, ᎠᎴ ᏁᎡᎹᏂ, ᎠᎴ ᎢᎭ, ᎠᎴ ᎶᏏ, ᎹᏈᎻ, ᎠᎴ ᎭᏈᎻ, ᎠᎴ ᎠᏗ.\nᎯᎠ ᎾᏍᎩ ᎴᏥᎵ ᏧᏪᏥ, ᎾᏍᎩ ᏤᎦᏈ ᎬᏩᏕᏁᎸᎯ; ᏂᎦᏛᏃ ᏂᎦᏚ ᎾᏂᎡᎢ.\nᏕᏂᏃ ᏧᏪᏥ ᎱᏏᎻ.\nᏁᏩᏔᎵᏃ ᏧᏪᏥ; ᏣᏏᎵ, ᎠᎴ ᎫᏂ, ᎠᎴ ᏤᏌ, ᎠᎴ ᏏᎵᎻ.\nᎯᎠ ᎾᏍᎩ ᏈᎳ ᏧᏪᏥ, ᎾᏍᎩ ᎴᏈᏂ ᏧᏪᎧᏁᎴ ᎤᏪᏥ ᎴᏥᎵ, ᎾᏍᎩᏃ ᎯᎠ ᏚᎾᏄᎪᏫᏎᎴ ᏤᎦᏈ; ᏂᎦᏛᏃ ᎦᎵᏉᎩ ᎾᏂᎡᎢ.\nᏂᎦᏛᏃ ᏴᏫ ᏤᎦᏈ ᏧᏂᎷᏤ ᎢᏥᏈᏱ, ᎾᏍᎩ ᏅᏓᏳᎾᏓᎴᏅᎯ, ᏂᏓᏁᏢᏛᎾ ᏤᎦᏈ ᏧᏪᏥ ᏧᎾᏓᎵᎢ, ᏂᎦᏛ ᎾᏍᎩ ᏴᏫ ᏑᏓᎵᏍᎪᎯ ᏑᏓᎵᎦᎵ ᎾᏂᎡᎢ.\nᏦᏩᏃ ᏧᏪᏥ ᎢᏥᏈᏱ ᎬᏩᏕᏁᎸᎯ ᎠᏂᏔᎵ ᎨᏎᎢ; ᏂᎦᏛᏃ ᏴᏫ ᏤᎦᏈ ᏚᏓᏘᎾᎥᎢ, ᎾᏍᎩ ᎢᏥᏈᏱ ᏅᏓᏳᏂᎶᏒᎯ, ᎦᎵᏆᏍᎪᎯ ᎾᏂᎡᎢ.\nᏧᏓᏃ ᎤᏅᏎ ᎢᎬᏱ ᏭᎶᎯᏍᏗᏱ ᏦᏩ ᏧᏬᎸᎢ, ᎾᏍᎩ ᎪᏌᏂ ᎢᏗᏢ ᏭᎦᏙᏗᏱ; ᎠᎴ ᎪᏌᏂ ᎦᏓ ᎠᎲ ᏭᏂᎷᏤᎢ.\nᏦᏩᏃ ᎤᏛᏅᎢᏍᏔᏁ ᏓᏆᎴᎷ, ᎠᎴ ᎪᏌᏂ ᎤᏪᏅᏎ ᏚᏠᏒᏎ ᎤᏙᏓ ᎢᏏᎵ, ᎠᎴ ᎬᏂᎨᏒ ᏄᏛᏁᎴᎢ; ᎠᎴ ᎠᎩᎵᎨᏂ ᎤᏪᏯᎸᏤᎢ, ᎠᎴ ᎤᏬᎯᏤ ᏚᏠᏱᎴ ᎠᎩᎵᎨᏂ ᎤᏯᎸᎢ.\nᎠᏏᎵᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, Ꭷ, ᎿᏉ ᏫᏥᏲᎤᎯ, ᎾᏍᎩ ᏣᎧᏛ ᎠᏏ ᏨᏥᎪᏩᏛ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏏᏉ ᎲᏅᎢ.\nᏦᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᎾᏍᎩ ᎤᏙᏓ ᏚᏓᏘᎾᎥᎢ, ᏓᎨᏏ, ᎠᎴ ᎬᏂᎨᏒ ᏅᏓᏥᏴᏁᎵ ᏇᎵᏲ, ᎠᎴ ᎯᎠ ᏅᏓᎦᏥᏪᏎᎵ, ᎣᏣᎵᏅᏟ, ᎠᎴ ᎡᏙᏓ ᏚᏓᏘᎾᎥᎢ, ᎾᏍᎩ ᎨᎾᏂᏱ ᏣᏁᎲᎩ, ᎬᎩᎷᏥ;\nᎠᎴ ᎠᏂᏍᎦᏯ ᎠᏫ ᏗᏂᎦᏘᏯ, ᎦᎾᏝᎢᏰᏃ ᏗᏂᎧᎿᏩᏗᏙᎯ, ᎠᎴ ᏚᎾᏘᏃᎸ ᎠᏫ, ᎠᎴ ᏩᎦ, ᎠᎴ ᏂᎦᏛ ᎤᏂᎿᎥᎢ.\nᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ ᎿᏉ ᎾᏍᎩ ᏇᎵᏲ ᏗᏥᏯᏅᎲᎭ, ᎠᎴ ᎯᎠ ᏂᎦᏪᏒᎭ, ᎦᏙ ᎤᏍᏗ ᏗᏥᎸᏫᏍᏓᏁᎯ?\nᎯᎠ ᎾᏍᎩ ᏂᏥᏪᏒᎭ, ᏘᏅᏏᏓᏍᏗ ᎦᎾᏝᎢ ᏗᏂᎧᎿᏩᏗᏙᎯ ᎨᏒᎩ, ᏙᏧᎾᏛᏒ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎪᎯ ᎢᏯᏍᏘ, ᎠᏴ ᎣᎬᏒ ᎨᏒ, ᎠᎴ ᎾᏍᏉ ᏦᎩᎦᏴᎵᎨᎢ; ᎾᏍᎩ ᎪᏌᏂ ᎦᏓ ᎠᎲ ᎨᏣᏕᏗ ᏱᏂᎦᎵᏍᏓ; ᎾᏂᎥᏰᏃ ᎠᏫ ᏗᏂᎦᏘᏯ ᎤᏂᏍᎦᎢᏍᏗᏳ ᏚᏂᏰᎸᎭ ᎢᏥᏈᏱ ᎠᏁᎯ.\nᎠᏯᏙᎸᎢ 47\nᏦᏩᏃ ᎤᎷᏤ ᎠᎴ ᎤᏃᏁᎴ ᏇᎵᏲ, ᎯᎠ ᏄᏪᏎᎢ, ᎡᏙᏓ ᎠᎴ ᎣᏣᎵᏅᏟ ᎠᏂᎷᎩ, ᎠᎴ ᎠᏫ ᏚᏂᎧᎲ, ᎠᎴ ᏩᎦ, ᎠᎴ ᏂᎦᏛ ᏧᎾᏤᎵ ᎨᏒ ᎨᎾᏂᏱ ᏛᏂᎶᎯ, ᎠᎴ ᎬᏂᏳᏉ ᎪᏌᏂᏱ ᎠᏂᏅ.\nᎠᎾᎵᏅᏟᏃ ᎢᎦᏛ ᏚᏘᏅᏎᎢ, ᎯᏍᎩ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ, ᎠᎴ ᎢᎬᏱᏢ ᏚᏪᎧᏁᎴ ᏇᎵᏲ.\nᏇᎵᏲᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᏦᏩ ᎠᎾᎵᏅᏟ, ᎦᏙ ᎤᏍᏗ ᏗᏥᎸᏫᏍᏓᏁᎯ? ᎯᎠᏃ ᏄᏂᏪᏎᎴ ᏇᎵᏲ, ᏘᏅᏏᏓᏍᏗ ᎠᏫ ᏗᏂᎦᏘᏯ, ᎠᏴ ᎣᎬᏒ ᎨᏒ, ᎠᎴ ᎾᏍᏉ ᏦᎩᎦᏴᎵᎨᎢ.\nᎠᎴ ᎾᏍᏉ ᎯᎠ ᏄᏂᏪᏎᎴ ᏇᎵᏲ, ᎠᏂ ᎦᏓ ᎠᎲ ᎣᎦᏕᏗᏱ ᎣᎦᏚᎵᎭ ᏦᎩᎷᏥᎸ; ᏘᏅᏏᏓᏍᏗᏰᏃ ᎥᏝ ᏱᏚᏁᎭ ᎦᎾᏝᎢ ᎤᎾᎵᏍᏓᏴᏂᏓᏍᏗᏱ; ᎤᏣᏘᏰᏃ ᏓᎪᏄᎸ ᎨᎾᏂᏱ; ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᏘᏅᏏᏓᏍᏗ ᏔᎵᏍᎪᎸᏓᏏ ᎪᏌᏂᏱ ᎤᎾᏕᏘᏱ.\nᏇᎵᏲᏃ ᎤᏁᏤᎴ ᏦᏩ, ᎯᎠ ᏄᏪᏎᎢ, ᏣᏙᏓ ᎠᎴ ᎢᏣᎵᏅᏟ ᎨᏣᎷᏥ.\nᎢᏥᏈᏱ ᎦᏓ ᎠᎲ ᎢᎬᏱᏢ ᏗᏣᎧᎾᏂᏓᏍᏗᏱ ᎠᎭ; ᎣᏌᏂ ᎨᏒ ᎦᏙᎯ ᎤᎾᏕᏗᏱ ᏂᎩᏴᏂᏏ ᏣᏙᏓ, ᎠᎴ ᎢᏣᎵᏅᏟ; ᎪᏌᏂ ᎦᏓ ᎠᎲ ᏫᏓᎾᏁᎳᏓ; ᎢᏳ ᎠᎴ ᏕᎯᎦᏔᎮᏍᏗ ᎩᎶ ᏗᏅᏂᎦᎵᏍᏗ ᎤᎾᏓᏑᏰᏍᏗ, ᎾᏍᎩ ᏗᏆᏤᎵ ᎦᎾᏝᎢ ᏧᎾᎦᏌᏯᏍᏗᏕᎩ ᏂᏕᎲᏁᎸᎭ.\nᏦᏩᏃ ᎤᏴᏔᏂᎴ ᎤᏙᏓ ᏤᎦᏈ, ᎠᎴ ᏇᎵᏲ ᎤᏬᎸ ᎢᎬᏱᏗᏢ ᎤᏪᎧᏁᎢ; ᏤᎦᏈᏃ ᎣᏍᏛ ᎤᏁᏤᎴ ᏇᎵᏲ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎴ ᏤᎦᏈ, ᎢᎳᎪ ᎢᏣᏕᏘᏴᏛ?\nᏤᎦᏈᏃ ᎯᎠ ᏄᏪᏎᎴ ᏇᎵᏲ, ᎢᎪᎯᏛ ᎠᏆᎴᏂᏙᎸ ᎠᏍᎪᎯᏧᏈ ᏦᎠᏍᎪᎯ ᎾᏕᏘᏴ; ᎦᏲᎵᏳᏉ, ᎠᎴ ᎤᏲᏉ ᏄᎵᏍᏔᏁᏅ ᎢᎪᎯᏛ ᏓᏆᏕᏘᏴᎲᏒᎢ, ᎠᎴ ᎥᏝ ᏗᎩᎦᏴᎵᎨ ᏚᎾᏕᏘᏴᎲᏒ ᏚᎾᎴᏂᏙᎸ ᏩᎩᏱᎶᎸᎯ ᏱᎩ.\nᏤᎦᏈᏃ ᎣᏍᏛ ᎤᏁᏤᎴ ᏇᎵᏲ, ᎠᎴ ᎤᏄᎪᏤ ᎤᏓᏅᏎ ᏇᎵᏲ ᎠᎦᏔᎲᎢ.\nᏦᏩᏃ ᎤᏙᏓ ᎠᎴ ᎠᎾᎵᏅᏟ ᏚᏪᎧᏁ ᏧᎾᏁᎳᏗᏍᏗᏱ, ᎠᎴ ᏚᏁᎴ ᎦᏓ ᎢᏥᏈᏱ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ, ᎣᏌᏂ ᎦᏓ ᎠᎲᎢ, ᎳᎻᏏ ᏚᏙᎥᎢ, ᎾᏍᎩᏯ ᏇᎵᏲ ᎤᏁᏨᎢ.\nᏦᏩᏃ ᏕᎨᎶᎮ ᎤᏙᏓ, ᎠᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᏂᎦᏛ ᎤᏙᏓ ᏚᏓᏘᎾᎥᎢ, ᏓᏁᎮ ᎤᎾᎵᏍᏓᏴᏗ ᎾᏍᎩᏯ ᏂᏓᏂᎠᏗᏒ ᏏᏓᏁᎸᎯ ᏕᎨᏌᏗᏒᎢ.\nᎥᏝ ᎠᎴ ᏰᎮ ᎠᎵᏍᏓᏴᏗ ᏂᎬᎾᏛ ᎾᎿ ᎦᏓ ᎠᎲᎢ; ᎤᏣᏘᏰᏃ ᏓᎪᏄᎴᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏈᏱ ᎠᎴ ᎨᎾᏂᏱ, ᏚᏂᏩᎾᎦᎶᏤᎢ, ᏓᎪᏄᎸ ᏂᎦᎵᏍᏙᏗᏍᎨᎢ.\nᏦᏩᏃ ᎤᏪᏟᏌᏁ ᏂᎦᏛ ᎠᏕᎸ ᎢᏥᏈᏱ ᎦᏓ ᎠᎲ ᎠᎴ ᎨᎾᏂ ᎦᏓ ᎠᎲ ᏗᎬᏩᏛᏗ ᎨᏒᎢ, ᏓᎬᏩᏓᏁᎲ ᎤᏣᎴᏍᏗ ᎤᏂᏩᏒᎯ; ᏦᏩᏃ ᏇᎵᏲ ᎦᏁᎸ ᏚᏲᎴ ᎠᏕᎸ.\nᎿᏉᏃ ᎠᏕᎸ ᎤᎾᏗᏒᏅ ᎢᏥᏈᏱ, ᎠᎴ ᎨᎾᏂᏱ, ᏂᎦᏛ ᎢᏥᏈᏱ ᎠᏁᎯ ᎬᏩᎷᏤᎴ ᏦᏩ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎠᎵᏍᏓᏴᏗ ᏍᎩᎥᏏ; ᎦᏙᏃ ᏱᏙᏥᏲᎱᏍᎦ ᎯᎦᏔᎲᎢ? ᎠᏕᎸᏰᏃ ᎤᎾᏗᏒᏅ.\nᏦᏩᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏥᎾᏝᎾᎥ ᏗᏥᎧᎲᎦ; ᎢᏥᎾᏝᎾᎥᏃ ᏧᎬᏩᎳᏅᎯ ᏓᏨᏁᎵ, ᎢᏳᏃ ᎠᏕᎸ ᎠᎾᏗᏒᎲᏍᎨᏍᏗ.\nᎤᏂᎾᏝᎾᎥᏃ ᏚᎾᏘᏃᎮᎴ ᏦᏩ; ᏦᏩᏃ ᎠᎵᏍᏓᏴᏗ ᏚᏁᎴ ᏚᏁᏟᏴᏍᏓᏁᎴ ᏐᏈᎵ, ᎠᎴ ᎠᏫ, ᎠᎴ ᏩᎦ, ᎠᎴ ᏐᏈᎵ ᏗᏂᎵᎠᏅᎯᏛ; ᎠᎵᏍᏓᏴᏗᏃ ᏚᏪᎳᏍᏔᏁ ᎤᏕᏘᏴᏌᏗᏒᎢ, ᏂᎦᏛ ᎤᏂᎾᏝᎾᎥ ᎾᎯᏳ ᏚᎬᏩᎶᏓᏁᎴᎢ.\nᎾᎯᏳᏃ ᎤᏕᏘᏴᏌᏗᏒ ᎤᎵᏍᏆᏛ, ᏔᎵᏁ ᏭᏕᏘᏴᏌᏗᏒ ᎢᎬᏩᎷᏤᎴᎢ, ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᎥᏝ ᏴᏓᏨᏴᏍᎦᎳᏁᎵ ᏣᎬᏫᏳᎯ, ᎾᏍᎩ ᎠᏕᎸ ᏙᎦᏗᏒᏁᎸᎢ; ᎠᎴ ᎾᏍᏉ ᏣᎬᏫᏳᎯ ᏕᏣᎧᎭ ᎦᎾᏝᎢ ᏦᎩᎾᏢᏅᎯ; ᎥᏝ ᎿᏉ ᎪᎱᏍᏗ ᏲᎦᏘᏰᎭ ᎯᎦᏔᎲ ᏣᎬᏫᏳᎯ, ᏦᏥᏰᎸ ᎠᎴ ᎦᏓ ᏙᎩᎲ ᎤᏩᏒ.\nᎦᏙᏃ ᏲᏣᏗᏒᎲᏍᎦ ᏕᏍᎩᎦᏅᎢ, ᎠᏴ ᎠᎴ ᎦᏓ ᏙᎩᎲᎢ. ᏍᎩᏩᎯ ᎠᏴ, ᎠᎴ ᎦᏓ ᏙᎩᎲᎢ, ᎠᎵᏍᏓᏴᏗ ᏍᎩᏯᎫᏴᏓᏏ, ᎠᏴᏃ ᎠᎴ ᏦᎦᏤᎵᎦ ᎦᏓ ᏇᎵᏲ ᎣᎩᏅᏏᏓᏍᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎤᎦᏔ ᏍᎩᎥᏏ ᎾᏍᎩᏃ ᏙᏣᏛᏂᏛᎭ, ᎠᎴ ᏞᏍᏗ ᏦᎩᏲᎱᏒᎩ, ᎠᎴ ᏞᏍᏗ ᏅᏔ ᎢᏳᎵᏍᏔᏅᎩ ᎦᏓ ᎠᎲᎢ.\nᏦᏩᏃ ᎤᏩᎯᏎᎴ ᏇᎵᏲ ᏂᎦᏛ ᎦᏙᎯ ᎢᏥᏈᏱ; ᎢᏥᏈᏱᏰᏃ ᎠᏁᎯ ᎠᏂᏏᏴᏫᎭ ᏚᏂᎾᏗᏅᏎ ᏚᏂᎶᎨᏒᎢ, ᏂᎦᎵᏍᏙᏗᏍᎨ ᎤᏣᏘ ᏚᎾᎪᏄᎸᎢ; ᎦᏙᎯᏃ ᏇᎵᏲ ᎤᏤᎵᎦ ᏄᎵᏍᏔᏁᎢ.\nᏴᏫᏃ ᎨᏒᎢ, ᏕᎦᏚᎲ ᏚᏪᎧᏂᏙᎴᎢ ᏌᏉ ᎢᏗᏢ ᎤᎵᏍᏘᏂᎸ ᎢᏥᏈᏱ ᏐᎢᏱ ᏭᎵᏍᏘᏂᎸ ᏩᏍᏗ.\nᎠᏥᎸ ᎠᏁᎶᎯ ᎤᏂᎲ ᎦᏓ ᎤᏩᏒ, ᎥᏝ ᏳᏩᏎᎢ; ᎠᏥᎸᏰᏃ ᎠᏁᎶᎯ ᎤᏂᎮ ᏇᎵᏲ ᎤᎾᏁᎳᏁᎸᎯ, ᎠᎴ ᎠᎾᎵᏍᏓᏴᏗᏍᎨ ᏇᎵᏲ ᎤᏂᏁᎸᎯ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᏱᏚᏂᎾᏗᏅᏎ ᎦᏓ ᏚᏂᎲᎢ.\nᎿᏉᏃ ᏦᏩ ᎯᎠ ᏂᏚᏪᏎᎴ ᏴᏫ, ᎬᏂᏳᏉ ᎪᎯ ᎢᎦ ᏥᎩ, ᎢᏳᏩᎯ, ᎠᎴ ᎦᏓ ᎢᏥᎲᎢ, ᏇᎵᏲ ᏥᏩᎯᏏ; ᎬᏂᏳᏉ ᎠᏉ ᎠᎭ ᎤᎦᏔ ᎢᏥᎩᏍᏗ, ᎠᎴ ᏓᏥᏫᏏ ᎦᏙᎯ.\nᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ ᎾᏍᎩ ᎤᏁᏉᏨᎯ ᎯᏍᎩᏁ ᎪᏣᎴᏛ ᎡᏥᏁᏗ ᎨᏎᏍᏗ ᏇᎵᏲ, ᏅᎩᏃ ᎢᏳᏓᏛᎯ ᎢᏨᏒ ᎢᏣᏤᎵ ᎨᏎᏍᏗ, ᎾᏍᎩ ᏠᎨᏏ ᎠᏫᏍᏙᏗ, ᎠᎴ ᎢᏣᎵᏍᏓᏴᏗ, ᎠᎴ ᏕᏣᏓᏘᎾᎥ ᎤᎾᎵᏍᏓᏴᏗ, ᎠᎴ ᏗᏤᏥ ᏗᏂᏲᎵ ᎤᎾᎵᏍᏓᏴᏗ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᏂᎯ ᏕᏍᎩᏍᏕᎸᎡᎸ ᏙᏨᏅᎢ; ᎣᏍᏛ ᏍᎩᏯᏓᏅᏖᏗᏱ ᎢᏨᏩᏛᏏ ᏣᎬᏫᏳᎯ, ᏇᎵᏲᏃ ᏍᎩᏅᏏᏓᏍᏗ ᎨᏎᏍᏗ.\nᏦᏩᏃ ᏗᎧᎿᏩᏛᏍᏗ ᏄᏩᏁᎴ ᎦᏓ ᎠᎲ ᎢᏥᏈᏱ ᎪᎯ ᎢᏯᏍᏘ ᏇᎵᏲ ᎯᏍᎩᏂ ᎪᏣᎴᏛ ᎠᏥᏗᏱ; ᎠᏥᎸ ᎠᏁᎶᎯ ᎤᎾᏤᎵᎦ ᎦᏓ ᎤᏩᏒ ᎥᏝ ᎾᏍᎩ ᏇᎵᏲ ᎤᏤᎵᎦ ᏱᏄᎵᏍᏔᏁᎢ.\nᎢᏏᎵᏃ ᎢᏥᏈᏱ ᎠᏁᎮᎢ, ᎪᏌᏂ ᏚᏙᎥᎢ; ᎠᎴ ᏧᎾᏤᎵᎪᎯ ᏕᎨᏌᏗᏎ ᎾᎿᏂ, ᎠᎴ ᎤᎾᎥᏎᎢ, ᎠᎴ ᎤᏂᏁᏉᏤ ᎤᏣᏘ.\nᏤᎦᏈᏃ ᎦᎵᏆᏚ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴ ᎢᏥᏈᏱ; ᎾᏍᎩᏃ ᏂᎪᎯᎸ ᎤᎴᏂᏙᎸ ᏤᎦᏈ ᎠᏍᎪᎯᏧᏈ ᏅᎦᏍᎪᎯ ᎦᎵᏉᎩᎦᎵ ᏄᏕᏘᏴᎮᎢ.\nᎿᏉᏃ ᎤᏍᏆᎸᎯᏗᏎ ᎢᏏᎵ ᎤᏲᎱᎯᏍᏗᏱ; ᏭᏯᏅᎮᏃ ᎤᏪᏥ ᏦᏩ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎢᏳᏃ ᎣᏍᏛ ᏍᎩᏰᎸᏗᏱ ᎬᏩᏛᎡᎴᏍᏗ, ᏥᎦᎶ ᏍᏆᏏᏄᏴᏓᏏ, ᎣᏍᏛᏃ ᎠᎴ ᏚᏳᎪᏛ ᏂᏍᏆᏛᏂᏏ; ᏞᏍᏗ ᎢᏥᏈᏱ ᏍᎩᏂᏌᏅᎩ.\nᏗᎩᎦᏴᎵᎨᏍᎩᏂ ᎢᏧᎳᎭ ᎣᏥᏂᏝᎡᏍᏗ, ᎠᎴ ᎢᏥᏈᏱ ᏍᎩᎾᏫᏛᎲᎭ, ᎠᎴ ᎾᏍᎩ ᏧᎾᏓᏂᏐᏗᏱ ᏍᎩᏂᏌᏅᎭ. ᎯᎠᏃ ᏄᏪᏎᎢ, ᏂᏣᏪᏒ ᎾᏍᎩᏯ ᏅᏓᎦᏛᏁᎵ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏍᏆᏎᎵᏓᏏ. ᎤᏎᎵᏓᏁᎴᏃ. ᏭᏗᏌᏓᏕᏃ ᎠᏙᎳᏅᏍᏗᏱ ᎤᏍᎪᎵ ᎤᎵᏍᏕᎸᏕᎢ.\nᎠᏯᏙᎸᎢ 48\nᎯᎠᏃ ᎾᏍᎩ ᏄᎵᏍᏔᏂᏙᎸ, ᎣᏂ ᏦᏩ ᎯᎠ ᎾᏥᏪᏎᎴᎢ, ᎬᏂᏳᏉ ᏣᏙᏓ ᎤᏢᎦ; ᏧᏪᏥᏃ ᎢᏧᎳ ᏚᏘᏅᏎᎢ, ᎾᏍᎩ ᎻᎾᏌ ᎠᎴ ᎢᏆᎻ.\nᎩᎶᏃ ᎤᏃᏁᎴ ᏤᎦᏈ, ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᏤᏥ ᏦᏩ ᏣᎷᏤᎵᎯᎭ; ᎢᏏᎵᏃ ᎤᎵᏍᏓᏲᏔᏁᎢ, ᎠᎴ ᎠᏤᏍᏙᎩᎯ ᎤᏪᏁᎢ.\nᏤᎦᏈᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, ᎤᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ ᎬᏂᎨᏒ ᎾᏆᏛᏁᎸᎩ ᎳᏏ ᏚᏙᎥ ᎨᎾᏂᏱ, ᎠᎴ ᎣᏍᏛ ᎠᎩᏁᏤᎸᎩ.\nᎠᎴ ᎯᎠ ᎢᏪᏎᎸᎩ, ᎬᏂᏳᏉ ᏣᏁᏉᏣᏘ ᏅᏓᎬᏴᏁᎵ, ᎠᎴ ᏓᎬᏁᏉᎢ, ᎠᎴ ᎤᏂᏧᏈᏍᏗ ᏛᏫ ᏅᏓᎬᏴᏁᎵ, ᎠᎴ ᎯᎠ ᎾᏍᎩ ᎦᏙᎯ ᏓᎦᏥᏁᎵ ᏣᏁᏢᏔᏅᎯ, ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎤᎾᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ.\nᎿᏉᏃ ᎠᏂᏔᎵ ᏗᏤᏥ ᎢᏆᎻ, ᎠᎴ ᎻᎾᏌ ᎠᏂ ᎢᏥᏈᏱ ᎨᏣᏕᏁᎸᎯ, ᎠᏏ ᎢᏥᏈᏱ ᏂᎬᎷᏤᎲᎾ ᏥᎨᏒᎩ, ᎠᏴ ᏗᏆᏤᎵᎦ; ᎾᏍᎩᏯ ᎷᏈᏂ, ᎠᎴ ᏏᎻᏯᏂ, ᎾᏍᎩ ᏗᏆᏤᎵᎦ ᎨᏎᏍᏗ.\nᏂᎯᏃ ᏣᏁᏢᏔᏅᎯ ᎣᏂ ᎨᏣᏕᏁᏗ ᎨᏒ, ᏨᏒ ᏗᏣᏤᎵᎦ ᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᎠᎾᎵᏅᏟ ᏚᎾᏙᎥ ᏕᎨᎪᏍᎨᏍᏗ ᎤᎾᏤᎵᎦ ᏂᎨᎬᏁᎲᎢ.\nᎠᏴᏃ ᏇᎵᏂ ᏨᏛᎩᎶᏒᎩ ᎴᏥᎵ ᏂᎦᏔᎲ ᎤᏲᎱᏒᎩ ᎨᎾᏂᏱ, ᎦᎢᏒᎢ, ᏑᏟᎶᏛᏉ ᎢᏴᏛ ᎠᎩᎷᎸ ᎢᏆᏓ ᏩᎩᎷᎯᏍᏗᏱ; ᎠᎴ ᎾᎿ ᏥᏂᏌᏅᎩ ᎢᏆᏓ ᏫᎦᏅᏅ, ᎾᏍᎩ ᎦᏚᏱ ᏥᏚᏙᎥ.\nᎢᏏᎵᏃ ᏚᎪᎮ ᏦᏩ ᏧᏪᏥ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎪ ᎯᎠ?\nᏦᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏙᏓ, ᎠᏴ ᏗᏇᏥ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎠᏂ ᏗᎩᎧᏁᎸᎯ. ᎯᎠᏃ ᏄᏪᏎᎢ, ᏗᏍᏆᏘᏃᎯᏏ, ᎣᏍᏛᏃ ᏙᏓᏥᏁᏤᎵ.\nᎢᏏᎵᏃ ᏗᎦᏙᎵ ᎿᏉ ᏧᏍᎪᎸᎢ ᎨᏎ ᎠᎦᏴᎵᏴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ, ᎠᎴ ᎥᏝ ᎬᏩᎪᏩᏛᏗ ᏱᎨᏎᎢ. ᎾᎥᏃ ᏚᏘᏃᎮᎴᎢ; ᏚᏔᏪᏙᏁᏃ, ᎠᎴ ᏚᏄᎶᎴᎢ.\nᎢᏏᎵᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, ᏣᎧᏛ ᎠᎩᎪᏩᏛᏗᏱ ᎥᏝ ᏱᎦᏓᏅᏖᏍᎨᎢ; ᎬᏂᏳᏉᏃ ᎤᏁᎳᏅᎯ ᏗᏤᏥ ᎾᏍᏉ ᏗᏥᎪᏩᏛᏗᏱ ᎾᏋᏂᏏ.\nᏦᏩᏃ ᏚᏪᎧᎲᏎ [ᏤᎦᏈ] ᏗᎧᏂᎨᏂ ᎠᏰᎵ ᏓᏂᏙᎬᎢ, ᎠᎴ ᎡᎳᏗ ᏄᏛᏁᎴ ᎦᏙᎯ ᎢᏴᏛ ᎤᎵᏯᏍᏚᏁᎢ.\nᏦᏩᏃ ᎢᏧᎳ ᏚᏬᏯᏁᏎᎢ, ᎢᏆᎻ ᎠᎦᏘᏏᏗᏢ ᎤᏬᏯᏁᏍᏔᏁᎢ ᎢᏏᎵ ᎠᎦᏍᎦᏂᏗᏢ ᎨᏒ ᎤᏪᎧᏁᎢ, ᎻᎾᏌᏃ ᎠᎦᏍᎦᏂᏗᏢ ᎤᏬᏯᏁᏍᏔᏁᎢ ᎢᏏᎵ ᎠᎦᏘᏏᏗᏢ ᎤᏪᎧᏁᎢ, ᎠᎴ ᎾᎥ ᏚᏘᏃᎮᎴᎢ.\nᎢᏏᎵᏃ ᎠᎦᏘᏏᏗᏢ ᎤᏙᏯᏅᎯᏕᎢ, ᎠᎴ ᎢᏆᎻ ᎠᏍᎪᎵ ᎤᏏᏔᏕᎢ, ᎾᏍᎩ ᎣᏂ ᎡᎯ ᏥᎨᏎᎢ, ᎠᎦᏍᎦᏂᏃ ᎢᏗᏢ ᎻᎾᏌ ᎠᏍᎪᎵ ᎤᏏᏔᏕᎢ, ᎠᏙᎴᎰᏍᎨ ᏂᏕᎬᏁᎲ ᏧᏬᏰᏂ; ᎻᎾᏌᏰᏃ ᎤᏓᏂᎵᎨ ᎨᏎᎢ.\nᎣᏍᏛᏃ ᎤᏁᏤᎴ ᏦᏩ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎠᎦᏔᎲ ᎤᏁᏙᎸᎯ ᏥᎩ ᏗᎩᎦᏴᎵᎨ ᎡᏆᎭᎻ, ᎠᎴ ᎡᏏᎩ, ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᎠᏇᎶᎸᎯ ᏥᎩ ᎠᏆᎴᏂᏙᎸ ᎢᎪᎯᏛ ᎪᎯ ᎨᏒ ᎢᏯᏍᏗ,\nᏗᎧᎿᏩᏗᏙᎯ ᎾᏍᎩ ᏄᏓᎴᏒ ᎤᏲ ᎠᏊᏓᎴᏛ ᏥᎩ, ᎣᏍᏛ ᏫᏂᏓᏛᏂᏏ ᎯᎠ ᎠᏂᏫᏄᏣ; ᎠᎴ ᎠᏴ ᏓᏆᏙᎥ ᏫᏓᎾᏙᏍᏓ, ᎠᎴ ᏚᎾᏙᎥ ᏗᎩᎦᏴᎵᎨ ᎠᏆᎭᎻ ᎠᎴ ᎡᏏᎩ; ᎠᎴ ᎤᏂᏣᏘ ᏫᎾᎾᎵᏍᏓ ᎾᎿ ᎠᏰᎵ ᎨᏒ ᎡᎶᎯ.\nᏦᏩᏃ ᎡᏙᎴᎰᏒ ᎤᏙᏓ ᎢᏆᎻ ᎠᏍᎪᎵ ᎠᎦᏘᏏᏗᏢ ᎤᏏᏔᏛᎢ ᎡᏍᎦ ᎤᏰᎸᏁᎢ; ᎠᎴ ᎤᏌᎳᏓᏁ ᎤᏙᏓ ᎤᏬᏰᏂ, ᎣᏏᏘᏴᏍᏗᏱ ᎢᏆᎻ ᎠᏍᎪᎵ ᎣᏏᏔᏛᎢ, ᎠᎴ ᎻᎾᏌ ᎠᏍᎪᎵ ᏭᏏᏔᏗᏍᏗᏱ.\nᏦᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏙᏓ, ᎥᏞᏍᏗ ᎡᏙᏓ; ᎯᎠᏰᏃ ᎢᎬᏱ ᎤᏕᏅᎯ; ᎯᎦᏘᏍᏗᏢ ᎾᏍᎩ ᎠᏍᎪᎵ ᎯᏯᏏᏔᏓ.\nᎤᏙᏓᏃ ᏚᏢᏫᏎᎴ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏥᎦᏔᎭ ᎠᏇᏥ, ᏥᎦᏔᎭ; ᎾᏍᎩ ᎾᏍᏉ ᎤᏂᏣᏘ ᏴᏫ ᏅᏓᎦᎵᏍᏔᏂ, ᎠᎴ ᎾᏍᏉ ᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ; ᎠᏎᏃ ᎤᏙᎯᏳᎯᏯ ᎤᏅᏟ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎡᏍᎦᏉ ᎾᏍᎩ, ᎠᎴ ᎾᏍᎩ ᎤᏁᏢᏔᏅᎯ ᎤᏂᏧᏈᏍᏗ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᏅᏛᎾᎵᏍᏔᏂ.\nᎠᎴ ᎣᏍᏛ ᏚᏁᏤᎴ ᎾᎯᏳ ᎢᎦ, ᎯᎠ ᏄᏪᏎᎢ, ᏂᎯ ᎨᏨᏗᏍᎨᏍᏗ ᎢᏏᎵ ᎣᏍᏛ ᏓᎾᏓᏁᏤᎮᏍᏗ, ᎯᎠ ᎾᏂᏪᏍᎨᏍᏗ, ᎤᏁᎳᏅᎯ ᎢᏆᎻ ᎠᎴ ᎻᎾᏌ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏫᏂᏨᎦ; ᎠᎴ ᎢᏆᎻ ᎢᎬᏱ ᎤᎴᏓᏁᎴ ᎻᎾᏌ.\nᎢᏏᎵᏃ ᎯᎠ ᏄᏪᏎᎴ ᏦᏩ, ᎬᏂᏳ ᏓᏥᏲᎤᏏ; ᎠᏎᏃ ᎤᏁᎳᏅᎯ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ, ᎠᎴ ᏔᎵᏁ ᏫᏙᏛᏣᏘᏃᎵ ᏗᏥᎦᏴᎵᎨ ᏧᎾᏤᎵ ᎦᏓ ᏗᎲᎢ.\nᎠᎴ ᎾᏍᏉ ᎠᏴ ᏌᏉ ᎢᏯᏯᏙᎸᎯ ᎤᏓᎪᎾᏛᏗ ᏂᎯ ᎬᎥᏏ, ᎡᏍᎦ ᎢᏣᎵᏅᏟ, ᎾᏍᎩ ᎠᏂᎡᎼᎵ ᎦᏥᎩᎡᎸᎯ ᎠᏋᏔᏅᎯ ᎠᏆᏤᎵ ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᎠᎴ ᎠᏆᏤᎵ ᎦᎶᏣᏗ.\nᎠᏯᏙᎸᎢ Ꮞ9\nᏤᎦᏈᏃ ᏫᏚᏯᏅᎮ ᏧᏪᏥ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏣᏓᏟᏌ, ᎾᏍᎩ ᎢᏳᏃᏁᏗᏱ ᏅᏗᏣᎵᏍᏓᏁᎵᏒ ᎣᏂ ᎠᎵᏰᎢᎵᏎᏍᏗ.\nᎢᏣᏓᏟᏌ, ᎠᎴ ᎢᏣᏛᏓᏍᏓ, ᏂᎯ ᏤᎦᏈ ᏧᏪᏥ; ᎠᎴ ᎡᏣᏛᏓᏍᏓᏏ ᎢᏏᎵ ᎢᏥᏙᏓ.\nᎷᏈᏂ, ᏂᎯ ᎢᎬᏱ ᏍᏆᏕᏁᎸᎯ, ᎠᏆᎵᏂᎬᎬᎢ, ᎠᎴ ᎠᏓᎴᏂᏍᎬ ᎠᏆᎵᏂᎬᎬᎢ, ᎢᎬᏱ ᎦᏙᎩ ᎦᎸᏉᏗᏳ ᎨᏒ, ᎠᎴ ᎢᎬᏱ ᎦᏙᎩ ᎤᎵᏂᎩᏛ ᎨᏒᎢ;\nᎠᎹ ᏥᎾᏩᎿ ᎾᏍᎩᏯ ᏂᏣᎿ, ᎥᏝ ᎢᎬᏱ ᎯᏙᎩ ᏱᎨᏎᏍᏗ, ᏂᎦᎵᏍᏙᏗᎭ ᏣᏙᏓ ᎤᏂᏏᏗᏱ ᏫᏣᎷᏨᎢ; ᎿᏉᏃ ᎾᏍᎩ ᏣᏐᏢᎢᏍᏔᏁᎢ; ᎠᏆᏤᏍᏙᎩᎯ ᏭᎷᏤᎢ.\nᏏᎻᏯᏂ ᎠᎴ ᎵᏫ ᏗᎾᏓᏅᏟᏉ; ᎡᎯᏍᏗ ᎢᏗᏓᏛᏁᏙᏗ ᏚᏅᏴ ᎠᏁᎲᎢ.\nᎠᏆᏓᏅᏙ, ᏞᏍᏗ ᎠᏂᏙᎾᎥ ᏫᏣᎷᏨᎩ; ᎾᏍᎩ ᏓᏂᎳᏫᎥ ᏞᏍᏗ ᏣᏖᎳᏛᎩ, ᎠᏆᏤᎵᎦ ᎦᎸᏉᏗᏳ ᎨᏒᎢ; ᎤᏂᏔᎳᏬᏍᎬᏰᏃ ᏴᏫ ᎤᏂᎸᎩ, ᎠᎴ ᎤᏅᏒ ᎠᎾᏓᏅᏖᏍᎬ ᎾᎾᏛᏁᎲ ᏩᎦ ᏚᏅᏏᎳᏛ ᏚᏂᎦᎵᏒᎩ.\nᎠᏍᎦᏨᎯ ᎨᏎᏍᏗ ᎾᏍᎩ ᎤᏂᏔᎳᏬᏍᎬᎢ, ᎤᏍᎦᏎᏗᏳᏰᏃ ᎨᏒᎩ; ᎠᎴ ᎾᏍᎩ ᎤᏂᎿᎸᏒᎢ, ᎡᎯᏍᏗᏳᏰᏃ ᎢᏯᏓᏛᏁᎯ ᎨᏒᎩ, ᏤᎦᏈᏱ ᎨᏒ ᏔᎵ ᎤᏓᎦᏥᏯᏗ, ᎠᎴ ᎢᏏᎵᏱ ᎨᏒ ᏓᎦᏥᏯᏗᎦᎴᏯᏍᏔᏂ.\nᏧᏓ, ᏂᎯ ᎾᏍᎩ ᎢᏣᎵᏅᏟ ᏨᏛᏂᎸᏉᏔᏂ; ᏂᎯ ᏦᏰᏂ ᎨᏣᏍᎦᎩ ᎠᏂᎩᎵᎨᏂ ᏕᎯᏂᏴᏎᏍᏗ, ᏣᏙᏓ ᏧᏪᏥ ᎡᎳᏗ ᏂᎨᏣᏛᏁᎮᏍᏗ.\nᏧᏓ ᏢᏓᏥ ᎤᏃᏕᎾ ᎤᏪᏥ; ᎠᏇᏥ, ᎠᎵᏍᏓᏴᏗ ᎯᏂᏴᏛ ᏨᏕᏨ; ᎤᏗᏌᏓᏛᎩ, ᎡᎳᏗ ᎤᏂᏏᏅᎩ, ᏢᏓᏥ ᏥᎾᏛᏁᎰ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎤᏃᏕᎾ ᏢᏓᏥ ᎾᏍᎩᏯᎢ; ᎦᎪ ᎾᏍᎩ ᏓᏳᏖᏍᏔᏂ.\nᎠᏙᎳᏅᏍᏗ ᎤᎬᏫᏳᎯ ᎤᏒᎦᎶᏗᏍᏗ ᎥᏝ ᎤᏓᏅᎡᏗ ᏱᎨᏎᏍᏗ ᏧᏓ, ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᎪᏢᏙᏗ ᎥᏝ ᎤᏓᏅᏍᏗ ᏱᎨᏎᏍᏗ ᏚᎳᏍᎬ ᎠᏰᎵ, ᎬᏂ ᏌᎶ ᎦᎷᏨᎭ; ᎠᎴ ᎾᏍᎩ ᎬᏬᎯᏳᎲᏍᎨᏍᏗ ᏴᏫ.\nᎤᏤᎵᎦ ᏗᎦᎵᎠᏅᎯᏛ ᎠᎩᎾ ᎤᏖᎸᎳᏛ ᎤᏪᎵᏌᏛᏅᎩ, ᎠᎴ ᎤᏤᎵᎦ ᎠᎩᏏ ᏗᎦᎵᎠᏅᎯᏛ ᎤᏪᏥ ᎦᎸᏉᏗ ᎤᏖᎸᎳᏛ ᎤᏪᎵᏌᏛᏅᎩ, ᏧᏄᏬ ᎩᎦᎨ ᎠᏗᏔᏍᏗᏱ ᏚᏮᎩᎶᎥᎩ, ᎠᎴ ᏖᎸᎳᏗ ᎤᏂᎩᎬᎯ ᏚᏮᎩᎶᎥᎩ ᏧᏄᏬᎢ.\nᎩᎦᎨ ᎠᏗᏔᏍᏗ ᎤᏗᏔᎲ ᏗᎦᏙᎵ ᏗᎩᎦᎨᎢᏳ ᎨᏎᏍᏗ, ᎤᏅᏗᏃ ᎤᏗᏔᎲ ᏕᎦᏄᏙᎬ ᏧᏁᎩᏳ ᎨᏎᏍᏗ.\nᏤᏆᎳᏂ ᎠᎺᏉᎯ ᏥᏳ ᏗᏔᎳᏗᏍᏗᏱ ᎡᎮᏍᏗ; ᎠᎴ ᏥᏳ ᏗᏔᎳᏗᏍᏗᏱ ᎨᏎᏍᏗ ᎾᎿᏂ; ᎠᎴ ᎾᏍᎩ ᎤᏤᎵᎪᎯ ᎠᏟᎶᎥ ᏌᏙᏂ ᏩᏍᏕᏍᏗ.\nᎢᏏᎦ ᏗᎦᎵᎠᏅᎯᏛ ᎤᎵᏂᎩᏛ, ᏗᏴᏙᏗᏱ ᎠᏰᎵ ᎦᏅᎦ.\nᎠᎴ ᎤᏙᎴᎰᏎ ᎠᏣᏪᏐᎸᏍᏙᏗᏱ ᎣᏏᏳ ᎨᏒᎢ, ᎠᎴ ᎦᏙᎯ ᎣᏏᏳ ᎨᏒᎢ; ᎠᎴ ᎦᏅᏬ ᎡᎳᏗ ᏄᏩᏁᎴ ᎠᎦᏃᎭᏢᏙᏗᏱ, ᎠᎴ ᎠᏥᏅᏏᏓᏍᏗ ᎠᏰᎵ ᎠᎫᏱᏍᎩ ᏄᎵᏍᏔᏁᎢ.\nᏕᏂ ᏕᎫᎪᏓᏁᎮᏍᏗ ᏧᏤᎵ ᏴᏫ, ᎾᏍᎩᏯ ᏌᏉ ᎾᏂᎳᏍᏓᎸ ᎢᏏᎵ.\nᏕᏂ ᎢᎾᏛ ᎨᏎᏍᏗ ᏅᏃᎯ ᎦᏅᎨᏍᏗ, ᎢᎾᏛ ᎤᏅᏣᏛ ᏅᏃᎯ ᎦᏅᎨᏍᏗ, ᎾᏍᎩ ᏐᏈᎵ ᎦᏗᎨᏂ ᎠᏍᎦᎶᎩ, ᎤᎩᎸᏗᏃ ᏛᎰᏛᏥ.\nᏱᎰᏩ, ᏂᎯ ᏣᏓᏍᏕᎸᏗ ᎨᏒ ᎠᎩᎦᏘᏛ.\nᎦᏗ ᏑᎾᏓᏡᎩ ᏓᎿᏩ ᎠᏁᏙᎯ ᏓᎬᏩᏕᏯᏙᏔᏂ, ᎠᏎᏃ ᎾᏍᎩ ᎣᏂ ᎠᏁᎩ ᏓᎨᎯᏒ ᏙᏛᏕᏯᏙᏔᏂ.\nᎠᏌ, ᎠᎵᏍᏓᏴᏗ ᎤᏛᎯᏎᎸᎯ ᎦᎵᏦᎯᏗᏳ ᎨᏎᏍᏗ, ᎠᎴ ᎤᎬᏫᏳᎯ ᎣᏍᏛ ᎤᏰᎸᏗ ᎠᎵᏍᏓᏴᏗ ᎤᏛᎯᏎᎮᏍᏗ.\nᏁᏩᏔᎵ, ᎠᏫ ᎠᎩᏏ ᎨᎵᏌᏕᏛ ᎾᏍᎩᏯ; ᎤᏬᏚᎯ ᎦᏬᏂᏍᎩ.\nᏦᏩ ᎤᏣᏘ ᎠᏓᏛᏍᎩ ᎤᏩᏂᎦᎸᎢ, ᎤᏣᏘ ᎠᏓᏛᏍᎩ ᎤᏩᏂᎦᎸ ᎠᎹ ᎦᏄᎪᎬ ᎾᎥ ᏧᏰᎪᎢ; ᎾᏍᎩ ᏚᏩᏂᎦᎸ ᎠᏐᏴ ᏥᏓᏓᏬᎯᎳᏗᏍᎪᎢ.\nᎤᏣᏘ ᎡᎯᏍᏗ ᎬᏩᏓᏅᏓᏗᏍᏔᏅ, ᎠᎴ ᎦᏂ ᏚᎾᎵᏍᏙᎸ, ᎠᎴ ᎬᏩᎭᎷᏩᏕᎬᎩ ᎦᏂ ᏗᏂᏙᎯ.\nᎠᏎᏃ ᎤᏤᎵᎦ ᎦᎶᏣᏗ ᎤᎵᏂᎩᏛ ᎨᏒ ᏅᏩᏍᏛᏉ, ᎠᎴ ᏗᎧᏃᎨᏂ ᎠᎴ ᏧᏬᏰᏂ ᏚᎵᏂᎪᎯᏍᏓᏁᎲᎩ ᎤᎵᏂᎩᏛ [ᎤᏁᎳᏅᎯ] ᏤᎦᏈ ᎤᏤᎵᎦ; ᎾᎿ ᏗᏓᎴᎲᏍᎦ ᎠᏫ ᏗᎦᏘᏯ, ᏅᏯ ᎢᏏᎵ ᎤᏤᎵᎦ.\nᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏣᏙᏓ ᎤᏤᎵᎦ, ᎾᏍᎩ ᏣᏍᏕᎸᏗ ᏥᎩ; ᎠᎴ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ, ᎾᏍᎩ ᎣᏍᏛ ᎢᏣᏛᏁᏗ ᏥᎩ, ᏣᏁᎲ ᎣᏍᏛ ᎨᏒ ᎦᎸᎳᏗ ᏅᏓᏳᏓᎴᏅᎯ, ᎠᎴ ᎣᏍᏛ ᎨᏒ ᎠᎹᏱ ᏅᏓᏳᏓᎴᏅᎯ ᎾᏍᎩ ᎡᎳᏗᏢ ᏥᎦᏁᎭ, ᎣᏍᏛ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᏓᎾᏓᏍᏛᏍᎬ ᎠᎴ ᏓᏂᏁᎵᎬᎢ.\nᏣᏙᏓ ᎣᏍᏛ ᎤᏁᏨ ᎤᏓᎪᎾᏛᏔᏅ ᎣᏍᏛ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᏙᏓᎸ ᏂᏓᎵᏍᏆᏗᏍᎬᎾ, ᎠᎴ ᎤᏚᎸᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ ᏙᏓᎸ ᏂᏓᎵᏛᏗᏍᎬᎾ; ᏦᏩ ᎠᏍᎪᎵ ᎤᎷᏤᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎦᏚᎢ ᎠᏍᎪᎵ ᎾᏍᎩ ᎠᎾᎵᏅᏟ ᎠᏁᎲ ᎠᎦᏓᏓᎴᏔᏅᎯ ᏥᎨᏒᎩ.\nᏇᏂ ᎦᏓᎦᎸᎥᏍᎨᏍᏗ ᏩᏯ ᎾᏍᎩᏯᎢ; ᏑᎾᎴ ᎦᏰᏍᎨᏍᏗ ᎤᏂᏴᏛ, ᎤᏒᏃ ᎤᏓᏬᏅᏛ ᎠᏯᏙᎯᎮᏍᏗ.\nᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏔᎳᏚ ᎾᏂᎳᏍᏓᎸ ᎢᏏᎵ; ᎠᎴ ᎾᏍᎩ ᎯᎠ ᎤᏂᏙᏓ ᏥᏚᏬᏁᏔᏁᎢ, ᎠᎴ ᎣᏍᏛ ᏥᏚᏁᏤᎴᎢ; ᎠᏂᏏᏴᏫᎭ ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏒ ᎾᏍᎩᏯ ᏄᏍᏕ ᏚᏁᏤᎴᎢ.\nᎠᎴ ᏚᏁᏤᎴᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᏗᏆᏤᎵᎦ ᏴᏫ ᏫᏄᎾᏛᏅ ᎠᏆᏖᎳᏗᏗ; ᏗᎩᎦᏴᎵᎨ ᏕᎨᏥᏂᏌᎲ ᏍᎩᏂᏌᏅᎭ, ᎢᏆᎶᏂ ᎠᎯᏗ ᎤᎶᎨᏛ ᎤᏍᏓᎦᎸᎢ,\nᎹᎩᏈᎳ ᎦᎶᎨᏒ ᎤᏍᏓᎦᎸᎢ, ᎾᏍᎩ ᎹᎺᎵᏱ ᎢᎬᏱᏗᏢ, ᎾᏍᎩ ᎨᎾᏂᏱ ᎦᏙᎯ, ᎾᏍᎩ ᎡᏆᎭᎻ ᏧᏩᏎᎢ, ᎢᏆᎶᏂ ᎠᎯᏗ ᎤᎶᎨᏒ ᏧᎵᏠᏯᏍᏕᎢ, ᎾᏍᎩ ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ ᏗᏓᏂᏐᏗᏱ.\nᎾᎿ ᎡᏆᎭᎻ ᎠᎴ ᎤᏓᎵᎢ ᏎᎵ ᏚᏂᏂᏌᏁᎢ; ᎾᎿ ᎡᏏᎩ ᎠᎴ ᎵᏇᎩ ᎤᏓᎵᎢ ᏚᏂᏂᏌᏁᎢ; ᎠᎴ ᎾᎿ ᎵᎠ ᏥᏂᏌᏅᎩ.\nᎾᏍᎩ ᏠᎨᏏ, ᎠᎴ ᎾᎿ ᎤᏍᏓᎦᎸ ᎮᏗ ᏧᏪᏥ ᎨᏥᏩᎯᏎᎴᎢ.\nᏤᎦᏈᏃ ᎤᏍᏆᏛ ᏕᎧᏁᏤᎲ ᏧᏪᏥ, ᎤᏓᏯᏍᏔᏁ ᎠᏤᏍᏙᎩᎯ, ᎠᎴ ᎤᏲᎱᏎᎢ, ᎠᎴ ᏧᏤᎵᎦ ᏴᏫ ᏫᏄᎾᏛᏅ ᏭᏖᎳᏗᎴᎢ. ⁠\nᎠᏯᏙᎸᎢ 50\nᏦᏩᏃ ᎤᏙᏓ ᎤᎧᏛ ᎤᏪᏯᎸᏤᎢ, ᎠᎴ ᎾᎿ ᏚᏠᏱᎴᎢ, ᎠᎴ ᎤᏔᏪᏙᏁᎢ.\nᏦᏩᏃ ᏚᏁᏤᎴ ᏧᏅᏏᏓᏍᏗ ᏗᎾᏓᏅᏫᏍᎩ ᎦᏩᏒᎩ ᎤᏅᏙᏗᏱ ᎤᏂᏍᏆᏂᎪᏙᏗᏱ ᎤᏙᏓ; ᏗᎾᏓᏅᏫᏍᎩᏃ ᎤᏂᏍᏆᏂᎪᏔᏁ ᎢᏏᎵ.\nᏅᎦᏍᎪᎯᏃ ᏧᏒᎯᏛ ᎤᏂᎦᏘᏕᎢ; ᎾᏍᎩᏰᏃ ᎢᎪᎯᏛ ᎠᏂᎦᏘᏗᏍᎨ ᎦᏩᏒᎩ ᎬᏗ ᎠᏂᏍᏆᏂᎪᏗᏍᎬᎢ; ᎢᏥᏈᏱᏃ ᎦᎵᏆᏍᎪᎯ ᏧᏒᎯᏛ ᎬᏩᏍᎪᏂᎴᎢ\nᎿᏉᏃ ᎢᎪᎯᏛ ᎠᏥᏍᎪᏂᏍᏗ ᎨᏒ ᎤᎵᏍᏆᏛ, ᏦᏩ ᏚᏁᏤᎴ ᏇᎵᏲ ᏚᏓᏘᎾᎥᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎢᏳᏃ ᎣᏍᏛ ᏍᎩᏰᎸᏗᏱ ᎢᏨᏩᏛᎡᎴᏍᏗ, ᏇᎵᏲ ᎡᏥᏁᏥ, ᎯᎠ ᏁᏥᏪᏏ;\nᎡᏙᏓ ᎠᏆᏎᎵᏙᏔᏅᎩ, ᎯᎠ ᏄᏪᏒᎩ, ᎬᏂᏳᏉ, ᎠᎩᏲᎱᏏᏗ; ᎢᎬᏂᏐᏗᏱ, ᎾᏍᎩ ᎨᎾᏂᏱ ᎠᏆᏍᎪᏒᎯ, ᎾᎿ ᏍᎩᏂᏌᏅᎭ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎿᏉ ᎨᎾ, ᎡᏙᏓ ᏥᏂᏌᏄᎦ, ᏔᎵᏁᏃ ᎢᏥᎷᏨᎭ. ⁠\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎮᎾ, ᎯᏂᏌᏄᎦ ᏣᏙᏓ, ᎾᏍᎩᏯ ᏄᏪᏒᎢ ᏣᏎᎵᏙᏔᏅᎢ.\nᏦᏩᏃ ᎤᏪᏅᏎ ᎤᏂᏌᏅᏎ ᎤᏙᏓ; ᎢᏧᎳᎭᏃ ᎤᏁᏅᏎ ᏂᎦᏛ ᏇᎵᏲ ᏧᏅᏏᏓᏍᏗ ᏂᎦᏛ ᏧᎾᏛᏐᏅᎯ ᎦᏁᎸ ᎠᏁᎯ, ᎠᎴ ᏂᎦᏛ ᏧᎾᏛᏐᏅᎯ ᎢᏥᏈᏱ ᎠᏁᎯ,\nᎠᎴ ᏂᎦᏛ ᏦᏩ ᏚᏓᏘᎿᎥᎢ, ᎠᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᎤᏙᏓ ᏚᏓᏘᎾᎥᎢ; ᏧᏁᏥᏍᎩᏂᏃᏅ ᏧᎾᏍᏗᎦ, ᎠᎴ ᎠᏫ ᏧᎾᏤᎵ, ᎠᎴ ᏩᎦ ᏧᎾᏤᎵ ᎪᏌᏂᏱ ᏚᏂᎧᎯᏰᎢ.\nᎠᎴ ᎤᏁᎳᏛᏎ ᏓᏆᎴᎷ ᎠᎴ ᏐᏈᎵ ᏧᎾᎩᎸᏗ, ᎠᎴ ᏧᏈᏯ ᎨᏎ ᎤᎾᏓᏡᏩᏗᏒᎢ.\nᎠᏔᏗᏃ ᎤᎦᏔᏙᎥᏙᏗᏱ ᏭᏂᎷᏤᎢ, ᎾᏍᎩ ᏦᏓᏂ ᏍᎪᏂᏗᏢ ᏥᎩ, ᎾᎿᏃ ᎤᏣᏘ ᏚᏂᏴᎳᏎᎢ ᎡᎯᏍᏗ ᏚᎾᏠᏱᎴᎢ; ᎠᎴ ᎦᎵᏉᎩ ᏧᏒᎯᏛ ᎤᏙᏓ ᎤᏂᏍᎪᏂᏍᏗᏱ ᏄᏩᏁᎴᎢ.\nᎾᎿᏃ ᎠᏁᎯ ᎠᏂᎨᎾᏂ ᎤᏂᎪᎲ ᎠᏔᏗ ᎤᎦᏔᏙᎥᏙᏗᏱ ᏓᏂᏴᎬᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᎤᏣᏘ ᏧᏂᏴᎵᏍᏗ ᏄᎾᎵᏍᏓᏏ ᎢᏥᏈᏱ ᎠᏁᎯ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏈ-ᎠᏁᎯ-ᏧᏂᏴᎳᏍᏗᏱ ᏚᏃᎡ ᎾᎿᏂ, ᎾᏍᎩ ᏦᏓᏂ ᏍᎪᏂᏗᏢ ᏥᎩ.\nᏧᏪᏥᏃ ᎾᏍᎩᏯ ᏂᏚᏪᏎᎸ ᏂᎬᏩᏛᏁᎴᎢ; ⁠⁠\nᏧᏪᏥᏰᏃ ᎨᎾᏂ ᎦᏙᎯ ᏫᎬᏩᏅᏍᏔᏁᎢ, ᎠᎴ ᎤᏍᏓᎦᎸ ᎹᏈᎳ ᎦᎶᎨᏒ ᎬᏩᏂᏌᏁᎢ, ᎾᏍᎩ ᎹᎺᎵᏱ ᎢᎬᏱᏢ ᏥᎩ, ᎾᏍᎩ ᎡᏆᎭᎻ ᏧᏩᏎ ᏠᎨᏏ ᎬᏩᏠᏯᏍᏗ, ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗᏱ ᏧᏓᏂᏐᏗᏱ, ᎾᏍᎩ ᎢᏆᎶᏂ ᎠᎯᏗ ᏧᏩᎯᏎᎴᎢ.\nᏦᏩᏃ ᎢᏥᏈᏱ ᏫᎤᎶᏎᎢ, ᎤᏩᏒ ᎠᎴ ᎠᎾᎵᏅᏟ, ᎠᎴ ᏂᎦᏛ ᎢᏧᎳᎭ ᎤᏁᏅᏛ ᎤᏙᏓ ᎤᏂᏂᏌᏁᏅ, ᎾᏍᎩ ᎿᏉ ᎤᏙᏓ ᎤᏂᏌᏅ.\nᏦᏩᏃ ᎠᎾᎵᏅᏟ ᎤᏂᎪᎲ ᎤᏂᏙᏓ ᎤᏲᎱᏒᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏦᏩ ᏱᎩ ᎤᏲ ᏱᏂᎬᎾᏕᎦ, ᎠᎴ ᏴᎦᏞᏥᏏ ᏂᎦᎥ ᎤᏲ ᏁᏛᏁᎸᎢ.\nᎤᎾᏓᏅᏎᏃ ᎯᎠ ᏫᏄᏂᏪᏎᎴ ᏦᏩ; ᏣᏙᏓ ᎤᏁᏨᎩ ᎠᏏᏉ ᎾᏲᎱᏍᎬᎾ ᏥᎨᏒᎩ, ᎯᎠ ᏄᏪᏒᎩ;\nᎯᎠ ᎾᏍᎩ ᏁᏥᏪᏎᎸᎭ ᏦᏩ, ᏗᎨᎯᎲᏏ ᎢᏣᎵᏅᏟ ᎤᏂᏍᎦᏅᏨᎢ, ᎤᏲ ᏄᎾᏛᏁᎸᎢ; ᏂᎯᏰᏃ ᎤᏲ ᏂᎨᏨᏁᎸᎩ. ᎾᏍᎩᏃ ᎿᏉ ᏣᏙᏓ ᎤᏤᎵᎦ ᎤᏁᎳᏅᎯ ᎣᎩᏅᏏᏓᏍᏗ ᏗᎨᏍᎩᎲᏏ ᎣᎩᏍᎦᏅᏨᎢ. ᏦᏩᏃ ᏚᏠᏱᎴ ᎬᏩᏬᏁᏔᏅ.\nᎠᎴ ᎠᎾᎵᏅᏟ ᎤᏁᏅᏎ ᎾᏍᏉ ᎠᎴ ᎡᎳᏗ ᏫᏂᎬᏩᏛᏁᎴᎢ; ᎠᎴ ᎯᎠ ᏄᏂᏪᏎᎢ, ᎬᏂᏳᏉ ᏂᎯ ᏍᎩᏅᏏᏓᏍᏗ.\nᏦᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ; ᎠᏴᏰᏃ ᎨᏒ, ᏥᎪ ᎤᏁᎳᏅᎯ ᏥᏯᏓᏁᏟᏴᏍᏓᏁᎸ?\nᏂᎯᏍᎩᏂ, ᎤᏲ ᏍᎩᏯᏓᏅᏖᏍᎬᎩ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎣᏍᏛ ᎠᏓᏅᏖᏍᎬᎩ, ᎪᎯ ᎢᎦ ᎨᏒ ᏂᏄᏍᏗ ᎢᏳᏩᏁᏗᏱ, ᎤᏂᏣᏘ ᏴᏫ ᏓᏅᏅ ᏧᏍᏕᎸᏗᏱ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ, ᏓᏨᏰᎶᎵ, ᏂᎯ ᎠᎴ ᏗᏤᏥ ᏧᎾᏍᏗᎦ, ᎦᏚᎵᏍᏓᏕᏃ, ᎠᎴ ᎤᏓᏅᏘ ᏚᏬᏁᏔᏁᎢ.\nᏦᏩᏃ ᎢᏥᏈᏱ ᎡᎮᎢ, ᎤᏩᏒ ᎠᎴ ᎤᏙᏓ ᏚᏓᏘᎾᎥᎢ; ᏦᏩᏃ ᎠᏍᎪᎯᏧᏈ ᎠᏍᎪᎯᏃ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ.\nᏦᏩᏃ ᏚᎪᎮ ᎢᏆᎻ ᏧᏪᏥ ᏦᎢᏁ ᎤᎾᏓᎵᏴᏛ, ᎠᎴ ᎾᏍᎪ ᏦᏩ ᏗᎧᏂᎨᏂ ᏕᎨᎦᏛᎯᏍᏔᏁ ᎺᎦ ᏧᏪᏥ ᎾᏍᎩ ᎻᎾᏌ ᎤᏪᏥ ᏥᎨᏎᎢ.\nᏦᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎴ ᎠᎾᎵᏅᏟ, ᎠᎩᏲᎱᏏᏗ; ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᏙᎯᏳᎯᏯ ᏓᏥᏩᏛᎯᎵ, ᎠᎴ ᎠᏂ ᎦᏙᎯ ᏙᏓᏣᏘᎾᏫᏛᎯ; ᏫᏙᏓᏣᏘᏃᎵ ᎾᎿ ᎦᏙᎯ ᏧᏁᏁᏗᏱ ᏥᏚᏎᎵᏓᏁᎴ ᎡᏆᎭᎻ, ᎠᎴ ᎡᏏᎩ, ᎠᎴ ᏤᎦᏈ.\nᏦᏩᏃ ᏚᏎᎵᏙᏔᏁ ᎢᏏᎵ ᏧᏪᏥ, ᎯᎠ ᏄᏪᏎᎢ; ᎤᏁᎳᏅᎯ ᎤᏙᎯᏳᎯᏯ ᏓᏥᏩᏛᎯᎵ, ᎠᎴ ᏗᎩᎪᎳ ᎠᏂ ᏕᏥᏴᏫᏛᎲᎭ.\nᎯᎠᏃ ᎾᏍᎩ ᏕᎤᎾᏙᎥ ᎢᏏᎵ ᏧᏪᏥ ᎢᏥᏈᏱ ᏧᏦᎷᏥᎴᎢ: ᎠᏂᏏᏴᏫᎭ ᎠᎴ ᏕᏅᎾᏓᏘᎾᎥ ᏤᎦᏈ ᏧᏂᎷᏤᎢ.\nᎷᏈᏂ, ᏏᎻᏯᏂ, ᎵᏫ, ᏧᏓᏃ,\nᎢᏌᎦ, ᏤᏆᎳᏂ, ᏇᏂᏃ\nᏕᏂ, ᏁᏩᏔᎵᏃ, ᎦᏗ, ᎡᏌᏃ.\nᎢᎦᏛᏃ ᏧᏪᏥ ᏤᎦᏈ ᎬᏩᏕᏁᎸᎯ ᎦᎵᏆᏍᎪᎯ ᎾᏂᎡᎢ; ᏦᏩᏰᏕᏃ ᎢᏥᏈᏱ ᏫᏂᎡᎰᎢ.\nᏦᏩᏃ ᎤᏲᎱᏎᎢ, ᎠᎴ ᏂᎦᏛ ᎠᎾᎵᏅᏟ ᎠᎴ ᏂᎦᏛ ᎾᎯᏳ ᏣᏁᎮᎢ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎤᏂᏁᏉᏣᏖᎢᎢ, ᎠᎴ ᎤᏣᏖ ᎤᏂᎪᏙᏎᎢ, ᎠᎴ ᎤᏂᏧᏈᏍᏙᏎᎢ, ᎠᎴ ᎤᏣᏔᏅᎯ ᎦᎾᎵᏂᎪᏎᎢ; ᎾᏍᎩᏃ ᎦᏙᎯ ᎤᏂᎧᎵᎴᎢ.\nᎾᎯᏳᏃ ᎢᏤ ᎤᎬᏫᏳᎯ ᎤᎾᏄᎪᏤ ᎢᏥᏈᏱ, ᎾᏍᎩ ᏦᏩ ᏄᎦᏔᎲᎾ.\nᎯᎠᏃ ᏂᏚᏪᏎᎴ ᏧᏤᎵ ᏴᏫ, ᎬᏂᏳᏉ ᎯᎠ ᏴᏫ, ᎢᏏᎵ ᏧᏪᏥ, ᎨᎩᎪᎾᏛᏗ ᎾᏂᎥ ᎠᎴ ᏂᏚᎾᎵᏂᎬᎬᎢ.\nᎧ, ᏗᏗᏏᎾᏌᏅᏥ; ᏯᏂᏁᏉᎩᏰᏃ, ᎠᎴ ᏯᎵᏰᎢᎶᎦ ᏓᎿᏩ ᏱᏄᎵᏍᏔᏅ, ᎨᎩᏍᎦᎩ ᏱᏓᎾᎵᎪᎲᏏ ᎠᎴ ᏴᏂᎦᏡᏓ ᏕᏓᎵᎲᎢ, ᎠᎴ ᏯᏂᏄᎪᎩ ᎠᏂ ᎦᏙᎯ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏕᎤᏂᎧᏁ ᎬᏩᏂᏅᏫᏍᏔᏂᏙᎯ ᎾᏍᎩ ᎬᏩᏂᎩᎵᏲᎢᏍᏉ ᏗᏱ ᎦᎨᏛ ᎬᏩᏂᎲᏛᎨᏍᎬᎢ. ᏇᎵᏲᏃ ᏗᏓᎾᏅᏗᏱ ᎾᏩᎦᏁ ᏕᎬᏬᎵᎾᏁᎴ, ᎾᏍᎩ ᏆᏙᎻ ᎠᎴ ᎴᎠᎻᏱ.\nᎠᏎᏃ ᎠᏂᏁᏉᏍᎬ ᎨᏥᎩᎵᏲᎢᏍᏗᏍᎬ ᎾᏍᏉ ᎠᏂᏁᏉᎨ ᎠᎴ ᎠᏂᏣᏛᏍᎨᎢ. ᎠᎴ ᎠᏂᏍᎦᎢᎮ ᎢᏏᎵ ᏧᏪᏥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ.\nᎠᏂᎢᏥᏈᏱᏃ ᎠᏁᎯ ᎠᏍᏓᏱᏳ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᏂᏓᏅᏁᎮ ᎢᏏᎵ ᏧᏪᏥ;\nᎠᎴ ᏓᏅᏅ ᎤᎯᏐᏗ ᏂᏮᏅᏁᎮ ᎠᏍᏓᏯ ᏂᏚᏅᎿᏕᎬᎢ, ᎠᏂᏛᎨᏍᎬ ᏝᏬᏚ, ᎠᎴ ᏗᏛᏓᏅᎯ ᏓᏃᏢᏍᎬᎢ, ᎠᎴ ᏄᏓᎴᏒ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏠᏛᏓᏅᎯ ᏓᏃᏢᏍᎬᎢ ᎠᎴ ᏄᏓᎴᏒ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏠᎨᏏ; ᏂᎦᎥᏃ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎾᏍᎩ ᏧᏂᎸᏫᏍᏓᏁᏗ ᏂᎨ ᎬᏁᎲ ᎤᏣᏘ ᎠᏍᏓᏯ ᎨᏎᎢ.\nᎢᏥᏈᏱᏃ ᎤᎬᏫᏳᎯ ᏚᏁᏤᎴ ᎠᏂᎨᏴ ᎠᎾᎵᏍᏕᎵᏍᎩ ᏗᏂᏲᎵ ᎠᎾᏕᎲᏍᎬᎢ ᎠᏏᏴᏫ ᏏᏆᎳ ᏧᏙᎢᏛ, ᏐᎢᏃ ᏊᎠ ᏧᏙᎢᏛ;\nᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎠᏂᏧᏏ ᎠᏂᎨᏴ ᏗᏥᏍᏕᎸᏗ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ ᏗᏂᏲᎵ ᎠᎾᏕᎲᏍᎬᎢ, ᎠᎴ ᏚᏃᎸ ᎿᏉ ᏕᏥᎪᏩᏗ ᏍᎨᏍᏗ; ᎢᏳᏃ ᎠᏧᏣ ᎨᏎᏍᏗ ᎡᏥᎢᎮᏍᏗ ᎢᏳᏍᎩᏂ ᎠᎨᏳᏣ ᎨᏎᏍᏗ, ᎬᏁᏍᏗᏉ\nᎠᏎᏃ ᏗᏂᏲᎵ ᎠᎾᏕᎲᏍᎬ ᎠᎾᎵᏍᏕ ᎵᏍᎩ, ᎤᏁᎳᏅᎯ ᎠᏂᎾᏰᏍᎨᎢ, ᎠᎴ ᎥᏝ ᎢᏥᏈᏱ ᎤᎬᏫᏳᎯ ᏄᏂᏪᏎᎸ ᏱᏄᎾᏛᏁᎴᎥᎢ ᏚᏂᎨᏳᏁᏍᎩᏂ ᎠᏂᏧᏣ ᏓᏅᏅᎢ\nᎤᎬᏫᏳᎯᏃ ᎢᏥᏈᏱ, ᏫᏚᏯᏅᎮ ᎠᎾᎵᏍᏕᎵᏍᎩ ᏗᏂᏲᎵ ᎠᎾᏕᎲᏍᎬᎢ ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎾᏍᎩ ᎯᎠ ᏂᏣᏛᏁᎸ, ᎠᏂᏧᏣ ᏓᏅᏅ ᏙᏥᎨᏳᏅ?\nᏗᏂᏲᎵᏃ ᎠᎾᏕᎲᏍᎬ ᎠᎾᎵᏍᏕᎵᏯᎩ ᎯᎠ ᏂᎬᏩᏪᏎᎴ ᏇᎵᏲ, ᏅᏗᎦᎵᏍᏙᏗᏍᎩᏂ ᎠᏂᏧᏏ ᎠᏂᎨᏴ, ᎥᏝ ᎠᏂᎢᏥᏈᏱᏃ ᎠᏁᎯ ᎠᏂᎨᏴ ᏄᎾᏍᏛ ᏱᏄᎾᏍᏗ; ᏗᏅᏂᎦᎵᏍᏗᏳᏰ ᎠᎴ ᏄᎾᏕᏁᎶ ᎠᏲᎵ ᏫᎬᏩᏂᎷᏥᏏ ᏗᏂᏲᎵ ᎠᎾᏕᎲᏍᎬ ᎠᎾᎵᏍᏕᎵᏍᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᎣᏍᏛ ᏂᏚᏛᏁᎴ ᏗᏂᏲᎵ ᎠᎾᏕᎲᏍᎬ ᎠᎾᎵᏍᏕᎵᏍᎩ; ᎠᎴ ᏴᏫ ᎤᏂᏁᏉᏤᎢ, ᎠᎴ ᎤᏣᏘ ᏚᎾᎵᏂᎪᏎᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏗᏂᏲᎵ ᎠᎾᏕᎲᏍᎬ ᎠᎾᎵᏍᏕᎵᏍᎩ ᎤᏁᎳᏅᎯ ᎠᏂᎾᏰᏍᎬ ᎢᏳᏍᏗ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᏧᎾᏓᏘᎾᎢ ᏂᏚᏩᏁᎴᎢ.\nᏇᎵᏲᏃ ᏚᏁᏤᎴ ᏂᎦᏛ ᎫᏤᎵ ᏴᏫ, ᎯᎠ ᏄᏪᏎᎢ, ᏫᏂᎥ ᎠᏂᏧᏣ ᎠᎾᏕᎲᏍᎨᏍᏗ ᎡᏉᏂ ᏕᏣᏓᎡᎨᏍᏗ, ᎾᏂᎥᏃ ᎠᏂᎨᏳᏣ ᎤᎾᏁᎳᎩ ᏓᏅᏁᏍᏗ.\nᎵᏫᏃ ᎤᏂᏠᏱ ᎨᏒ ᎠᏍᎦᏯ [ᎠᎻᎳᎻ] ᎵᏫ ᎤᏪᏥ ᎠᎨᏴ [ᏣᎩᏯᏗ] ᎤᏓᏴᏎᎢ.\nᎠᎨᏴᏃ ᎤᏁᎵᏤᎢ, ᎠᎴ ᎠᎫᏣ ᎤᎾᏄᎪᏫᏎᎢ; ᎤᏥᏃ ᎤᎪᎲ ᎤᏬᏚᎯᏳ ᎨᏒ, ᏦᎢ ᎢᏯᏅᏙ ᎤᏩᏍᎦᎴᎢ.\nᎿᏉᏃ ᎤᏟ ᎢᎪᎯᏛ ᎬᏩᏍᎦᎸᏗ ᏂᎨᏒᎾ ᏄᎵᏍᏔᏅ, ᎤᎩᏎ ᏥᏳ ᎢᏳᏍᏗ, ᎦᏄᏯ ᎪᏢᏔᏅᎯ, ᎠᎴ ᏩᏥᎳᎨ ᎠᎴ ᎠᏜ ᎤᏍᏚᏔᏁᎢ, ᎾᎿᏃ ᎤᎸᏁ ᎠᏲᎵ; ᎦᏄᏲᎯᏃ ᎡᏉᏄᎶᏗ ᎤᏁᎢ.\nᎤᏙᏃ ᎢᏅ ᏗᎦᏙᎨᎢ ᎤᏙᎴᎰᎯᏍᏗᏱ ᎤᏚᎵᏍᎨ ᏅᏗᏅᏁᎵᏒᎢ.\nᏇᎵᏲᏃ ᎤᏪᏥ ᎠᎨᏴ ᎤᎷᏤ ᎤᏓᏬᎢᎴ ᎡᏉᏂ; ᎠᏂᎨᏴᏃ ᏧᏅᏏᏓᏍᏗ ᎡᏉᏄᎶᏗ ᎠᎾᎢᏎᎢ; ᎤᎪᎲᏃ ᏥᏳ ᎢᏳᏍᏗ ᎦᏄᏲᎯ ᎤᏅᏎ, ᎠᎨᏴ ᎤᏅᏏᏓᏍᏗ ᏭᏴᏗᏱ.\nᎤᏍᏚᎢᏒᏃ, ᎤᎪᎮ ᎠᏲᎵ; ᎠᎴ ᎬᏂᏳᏉ ᎠᏲᎵ ᏚᏠᏱᎴᎢ. ᎤᏪᏙᎵᏤᏃ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎯᎠ ᎠᏲᎵ ᎠᏂᏡᎷ ᎤᏁᏥ.\nᎤᏙᏃ ᎯᎠ ᏄᏪᏎᎴ ᏇᎵᏲ ᎤᏪᏥ ᎠᎨᏴ, ᏓᎨᏏᎨ ᏮᏓᎬᏯᏅᎡᎵ ᎩᎶ ᎢᏳᏍᏗ ᎠᏈᎷ ᎠᎨᏴ ᎠᏛᎯᏍᏗᏍᎩ, ᎾᏍᎩ ᏣᏛᎯᏍᏓᏁᎯ ᎠᏲᎵᎮ\nᏇᎵᏲᏃ ᎤᏪᏥ, ᎮᎾ, ᎤᏬᏎᎴᎢ. ᎠᏛᏃ ᎤᏪᏅᏎ ᏭᏯᏅᎮ ᎠᏲᎵ ᎤᏥ.\nᏇᎵᏲᏃ ᎤᏪᏥ ᎯᎠ ᏄᏪᏎᎴ ᎠᎨᏴ, ᎯᎠ ᎠᏲᎵ ᎯᏄᎦ, ᎠᎴ ᏍᏆᏛᎯᏍᏓᏁᎸᎭ, ᏓᎬᏯᎫᏴᎡᎵᏃ ᏂᎦᎥ ᏕᏣᎬᏩᎶᏔᏅᎢ. ᎠᎨᏴᏃ ᎠᏲᎵ ᎤᏯᏅᎮ, ᎠᎴ ᎤᏛᎯᏍᏔᏁᎢ.\nᎠᏲᎵᏃᎤᏛᏎᎢ, ᎠᎴ ᎤᏘᏃᎮᎴ ᏇᎵᏲ ᎤᏪᏥ ᎠᎨᏴ, ᎠᎴ ᎾᏍᎩ ᎤᏪᏥ ᏄᎵᏍᏔᏁᎢ, ᎼᏏᏃ ᏕᎤᏬᎡᎢ; ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏱᎯ ᏫᏥᏯᏎᏒᎯ ᏥᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᎯᏳᎢ, ᎾᏍᎩ ᎼᏏ ᎿᏉ ᎤᏛᏅ ᏄᎵᏍᏔᏅ, ᎠᎾᎵᏅᏟ ᏚᏩᏛᎲᏎᎢ, ᎠᎴ ᏚᎧᎿᏁ ᎦᎨᏛ ᏂᎨᏂᎾᏕᎬᎢ; ᎤᎪᎮᏃ ᎢᏥᏈᏱ ᎡᎯ ᎠᏈᎷ ᎠᏏ ᎠᎾᎵᏅᏟ ᎢᎦᎵᎥᏂᎮᎢ.\nᏚᎧᎿᏂᏙᎴᏃ, ᎠᎴ ᎤᏙᎴᎰᏒ ᎩᎶ ᏁᏙᎲᎾ ᎨᏒ, ᎤᎴ ᎢᏥᏈᏱ ᎡᎯ, ᎠᎴ ᏃᏳᎯ ᎤᏩᏍᎦᎸᏁᎢ. ᎼᏏ ᏔᎵᏁ ᎤᏬᏪᎳᏅᎯ 2\nᎤᎩᏨᏛᏃ ᎢᎤᏄᎪᏨ, ᎬᏂᏳᏉ ! ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᎠᏂᏈᎷ ᎠᎾᎵᎮᎢ; ᎤᏣᏘᏂᏃ ᎢᏳᏛᏁᎸᎯ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᎯᎵᎥᏂᎭ ᎢᏍᏓᎵᎢ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎦᎪ ᏣᎬᏫᏳᎯ ᎠᎴ ᏗᏍᎩᏳᎪᏓᏁᎯ ᏣᎧᏅᎮ ᏥᎪ ᏍᎩᎯᏍᏗᏱ ᎭᏓᏅᏖᎭ, ᎾᏍᎩᏯ ᏂᏴᏁᎸ ᎯᎸ ᎢᏥᏈᏱ ᎡᎯᎮ ᎼᏏᏃ ᎤᏍᎦᎴᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏎ Ꭷ ᎤᎾᏛᎦᏅ ᎯᎠ.\nᏇᎵᏲᏃ ᎾᏍᎩ ᎯᎠ ᎤᏛᎦᏅ ᎤᏲᎴ ᎤᎯᏍᏗᏱ ᎼᏏ. ᎠᏎᏃ ᎼᏏ ᎤᏓᏅᎡᎴ . ᏇᎵᏲ, ᎠᎴ ᎻᏗᏂᏱ ᏭᏕᏁᎢ: ᎠᎹᏃ ᎠᏢᏗᏱ ᎠᏔᎴᏒ ᎾᎥ ᎤᏪᏁᎢ.\nᎠᏥᎸᏃ-ᎨᎶᎯ ᎻᏗᏂᏱ ᎡᎯ, ᎦᎵᏉᎩ ᎠᏁᎮ ᏧᏪᏥ ᎠᎾᏛ: ᎤᏂᎷᏤᏃ ᎠᎴ ᎠᎹ . ᎤᏂᏢᎮᎢ, ᎠᎴ ᏥᏳ ᏚᏂᎧᎵᎴᎢ, ᎤᏂᏙᏓ ᏧᏤᎵ ᎠᏫ ᎠᎹ ᏓᎾᏗᏔᏍᏗᏍᎨᎢ.\nᎠᏫᏃ ᏗᏂᎦᏘᏯ ᎤᏂᎷᏤ ᎠᎴ ᏚᏂᎨᎯᏙᎴᎢ; ᎠᏎᏃ ᎼᏏ ᏚᎴᏁ ᎠᎴ ᏚᏍᏕᎸᎮᎢ, ᎠᎴ ᎠᎹ ᏚᏗᏔᏍᏔᏁ ᏧᎾᏤᎵ ᎠᏫ.\nᎤᏂᏙᏓᏃ ᎷᏫᎵ ᎤᏂᎷᏤᎸ, ᎦᏙ ᏓᎦᎵᏍᏙᏓ ᏂᎠᏞᎦ ᎥᏥᎷᎩ ᎪᎯ ᎢᎦ, ᏚᏬᏎᎴᎢ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎢᏥᏈᏱ ᎡᎯ ᎣᏗᏓᎴᏒ ᎪᎦᏕᏯᏙᏗᏍᎬ ᎠᏫ-ᏗᏂᎦᏘᏯ, ᎠᎴ ᎤᏣᏛ ᎠᎹ ᎣᎩᏢᎡᎸᎩ, ᎠᎴ ᏚᏗᏔᏍᏔᏅ ᎠᏫ ᏑᎾᏓᏡᎩ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ ᏧᏪᏥ, ᎭᏢᏃ ᎡᏙᎭᎮ ᎦᏙᏃ ᏛᎡᏥᎧᏯ ᎠᏍᎦᏯᎮ ᏪᏥᏯᏅ, ᎠᎵᏍᏓᏴᏅᎭ.\nᎼᏏᏃ ᎼᏏ ᎤᏰᎸᏁ ᎾᏍᎩ ᎠᏍᎦᏯ ᎦᏁᎸ ᎤᏕᏗᏱ; ᎠᏍᎦᏯᏃ ᏥᏉᎳ ᎤᏪᏥ ᎠᏛ ᎤᏪᎧᏁᎴ ᏱᏏ.\nᎠᎫᏣᏃ ᎤᎾᏄᎪᏫᏎᎢ, ᎼᏏᏃ ᎦᏐᎻ ᏚᏬᎡᎢ; ᎯᎠᏕᏰᏃ ᏄᏪᏎᎢ, ᏅᎩᎦᏔᎲᎾ ᎨᏒᎩ ᏅᏩᎾᏓᎴ ᎤᎾᏤᎵᎪᎯ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎢᎸᎯᏳ ᎢᏴᏛ,ᎾᏍᎩ ᎢᏥᏈᏱ ᎡᎯ ᎤᎬᏫᏳᎯ ᎤᏲᎱᏎᎢ. ᎢᏏᎵᏃ ᏧᏪᏥ ᎤᏂᎵᏰᏗᏍᎨ ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎠᎩᎵᏯ ᏄᎾᏛᏅᎢ, ᎠᎴ ᏚᎾᏠᏱᎴᎢ; ᏓᎾᏠᏱᎲᏃ ᎤᎵᏌᎳᏓᏁ ᎤᏁᎳ ᏅᎯᏱ ᎢᏴᏛ, ᎾᏍᎩ ᎠᎩᎵᏯ ᏄᎾᏛᏅ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ.\nᎤᏁᎳᏅᎯᏃ ᏚᏛᎦᏁᎴ ᎤᏂᎵᏰᏗᏍᎬᎢ, ᎠᎴ ᎤᏅᏓᏕ ᎧᏃᎮᏛ ᏚᎾᏠᎯᏍᏔᏅ ᎡᏆᎭᎻ, ᎠᎴ ᎡᏏᎩ, ᎠᎴ ᏤᎦᏈ.\nᎤᏁᎳᏅᎯᏃ ᏚᎧᎿᏁ ᎢᏏᎵ ᏧᏪᏥ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏚᏬᎵᏤᎢ.\nᎾᏍᎩᏃ ᎨᏏ ᏓᎦᏘᏰ ᎤᎿᏥ Ꮵ“Ꮆ ᎻᏗᏂᏱ ᎡᎯ ᎠᏥᏏᎸ-ᎨᎶᎯ ᏧᏤᎵ ᎠᏫ; ᎢᎾᎨᏃ ᎨᏒ ᏂᏚᏘᏅᏍᏔᏁ ᎠᏫ, ᎠᎴ ᏭᎷᏤ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎣᏓᎸ, ᎾᏍᎩ ᎰᎵᏈ ᏚᏙᎥᎢ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᏱᎨᏩ ᎤᏤᎵᎦ ᎬᏂᎨᏒ ᏄᏛᏁᎴ ᎠᏥᎸ ᎠᏓᏪᎵᎩᏍᎬ ᎤᏪᏲᏓᏛ ᎠᏰᎵ; ᏚᎧᎿᏁᏃ, ᎠᎴ ᎬᏂᏳᏉ ᎤᏪᏲᏓᏛ ᎤᏥᏍᏞᎢ, ᎤᏪᏲᏓᏛᏃ ᎥᏝ ᏳᎪᏁᎢ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏓᎦᎪᎸᏏᎾᏗ, ᎠᎴ ᏮᏓᎦᎦᏔᏂ ᎯᎠ ᎾᏍᎩ ᎤᏍᏆᏂᎪᏗ ᎠᎪ- ᏩᏛᏗ, ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎤᏪᏲᏓᏛ ᏄᎪᏅᎾ ᎨᏒᎢ.\nᏱᎰᏩᏃ ᎤᎪᎲ ᎤᎪᎸᏒ ᎾᏍᎩ ᎤᎦᏙᏗᏱ, ᎤᏁᎳᏅᎯ ᏧᏯᏅᎮ ᏧᏓᎴᏁ ᎤᏪᏲᏓᏛ ᎠᏰᎵ, ᎠᎴ ᎯᎠ ᏅᏧᏪᏎᎢ, ᎼᏏ, ᎼᏏ. ᎯᎠᏃ ᏄᏪᏎ ᏏᏏ, ᎠᏂ ᎨᏙᎭ.\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏞᏍᏗ ᎠᏂ ᎾᎥ ᏣᎷᏨᎩ; ᏔᎳᏑᎳᎩ, ᎠᏂᏰᏃ ᎯᏙᎬ ᎦᎸᏉᏗᏳ ᎦᏙᎯ.\nᎠᎴᏬ ᎯᎠ ᏄᏪᏎᎢ, ᎠᏴ ᎤᏁᎳᏅᎯ ᏣᏙᏓ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯ ᎡᏘᏆᎭᎻ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯ. ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ. ᎼᏏᏃ ᎤᏩᏍᎦᎳᏁ ᎤᎧᏛᎢ; ᎠᏍᎦᎢᎮᏰᏃ ᎤᏁᎳᏅᎯ ᏧᎧᏃᏗᏱ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎢ. ᎤᏙᎯᏳᎯᏯ ᎠᎩᎪᎲ ᎤᏲ ᏄᎾᏛᎾᏕᎬ ᏗᏆᏤᎵ ᏴᏫ ᎢᏥᏈ ᏣᏁᎭ, ᎠᎴ ᎠᏆᏛᎦᏅ ᏓᎾᏠᏱᎲᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎬᏩᏂᏅᏫᏍᏔᏂᏙᎯ ᏂᎬᏩᏅᎿᏕᎬᎢ; ᏥᎦᏔᎭᏰᏃ ᎠᏂᎩᎵᏲᎬᎢ.\nᎠᎴ ᎠᏆᏠᎠᏏᎸ ᎦᏥᏳᏓᎴᏏᎸ ᎢᏥᏈᏱ ᎠᏁᎯ ᏕᎬᏩᏂᎾᏝᎥᎢ, ᎠᎴ ᎾᎿ ᎦᏙᎯ ᏗᎦᏥᏯᎧᎲᏍᏗᏱ, ᏫᏗᎦᏥᏯᎪᏙᏱ ᎣᏒ ᎠᎴ ᎡᏉᎯᏳ ᎦᏙᎯ, ᎾᎿ ᎦᏙᎯ ᎤᏅᏗ ᎠᎴ ᏩᏚᎵᏏ ᏕᎦᎶᎴᎬᎢ; ᎾᎿ ᏓᏂᏁᎸ ᎠᏂᎨᎾᏂ, ᎠᎴ ᎠᏂᎯᏗ, ᎠᎴ ᎠᏂᎡᏖᏂ, ᎠᎴ ᎠᏂᏇᎵᏥ, ᎠᎴ ᎠᏂᎯᏫ, ᎠᎴ ᎠᏂᏥᏊᏏ.\nᎿᏉᏃ ᎬᏂᏳᏉ, ᏓᏂᏴᎬᎢ ᎢᏏᎵ ᏧᏪᏥ ᎠᎩᎷᏤᎸ; ᎠᎴ ᎾᏍᏉ ᎠᎩᎪᎲ ᎠᏂᎩᎵᏲᎬ ᎾᏍᎩ ᎢᏥᏈ ᎠᏁᎯ ᎬᏩᏂᎩᎵᏲᎢᏍᏗᏍᎬᎢ.\nᎿᏉᏃ Ꭷ, ᏓᎬᏅᏏ ᏇᎵᏲ ᏧᏬᎸᎢ, ᎾᏍᎩ ᏗᏆᏤᎵ ᏴᏫ ᎢᏏᎵ ᏧᏪᏥ ᏙᏘᎸᎪᏫᏍᏗᏱ ᎢᏥᏡᏱ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏁᎳᏅᎯ, ᎦᎪ ᎠᏴ, ᎾᏍᎩ ᏰᎵ ᏇᎵᏲ ᏫᎦᏥᎷᏤᏗ, ᎠᎴ ᏰᎵ ᎢᏏᎵ ᏧᏪᏥ ᏂᏙᏓᎦᏥᏄᎪᎾᏍᏗᏱ ᎢᏥᏈᏱ?\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏴᏍᎩᏂ ᏓᎬᏍᏓᏩᏕᏏ; ᎯᎠᏃ ᎾᏍᎩ ᏣᏙᎴᎰᎯᏍᏙᏗ ᎨᏎᏍᏗ ᎠᏴ ᎬᏅᎡᎯ ᎨᏒᎢ; ᎿᏉ ᏴᏫ ᏙᏘᏄᎪᏫᏒᎭ ᎢᏥᏈᏱ, ᎠᏂ ᎣᏓᎸ ᎤᏁᎳᏅᎯ. ᎡᏣᏓᏙᎵᏍᏓᏁᎮᏍᏗ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎴ ᎤᏁᎳᏅᎯ, ᎬᏂᏳᏉ, ᏫᎦᏥᎷᏤᎸ ᎢᏏᎵ ᏧᏪᏥ, ᎠᎴ ᎯᎠ ᏂᎦᏥᏪᏎᎸᎭ, ᎤᏁᎳᏅᎯ ᏗᏥᎦᎵᎨ ᎤᎾᏤᎵᎦ ᏗᎩᏅᏒ ᎢᏨᎷᏤᏗᏱ; ᎯᎠᏃ ᏂᎬᎩᏪᏎᎸᎭ, ᎦᏙ ᏕᎤᏙᎠ? ᎦᏙ ᏓᎦᏥᏲᏎᎵ?\nᎤᏁᎳᏅᎯᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎠᏴᎨᎠ ᏥᎨᎠ; ᎯᎠᏃ ᏄᏪᏎᎢ: ᎯᎠ ᏂᎩᏪᏎᎸᎭ ᎢᏏᎵ ᏧᏪᏥ, ᎠᏴᎨᎠ ᏗᎩᏅᏒ ᎢᏨᎷᏤᏗᏱ.\nᎤᏁᎳᏅᎯᏃ ᎾᏍᏉ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎯᎠ ᏂᎩᏪᏎᎸᎭ ᎢᏏᎵ ᏧᏪᏥ; ᏱᎰᏩ, ᏗᏥᎦᏴᎵᎨ ᎤᎾᏤᎵ ᎤᏁᎳᏅᎯ, ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯ ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᏤᎦᏈ ᎤᏤᎵᎦ ᎤᏁᎳᏅᎯ, ᏗᎩᏅᏒ ᎢᏨᎷᏤᏗᏱ; ᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᏓᏆᏙᎥ ᏂᎪᎯᎸᎢ, ᎠᎴ ᎾᏍᎩ ᎯᎠ ᏄᏍᏕᏍᏗ ᎥᏆᏅᏓᏗᏍᏙᏗ ᏂᏓᎾᏓᏁᏟᏴᏏᏒ ᏂᎪᎯᎸᎢ.\nᎮᎾ ᎠᎴ ᏫᏗᎩᎳᏫᏛ ᏧᎾᏛᏐᏅᎯ ᎢᏏᎵ ᏧᎾᏤᎵᎦ, ᎠᎴ ᎯᎠ ᏂᎩᏪᏎᎸᎭ, ᏱᎰᏩ, ᎤᏁᎳᏅᎯ ᏗᏥᎦᏴᎵᎨ ᎤᎾᏤᎵᎦ, ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᏤᎦᏈ ᎤᏤᎵᎦ, ᎬᏂᎨᏒ ᎾᏆᏛᏁᎸᎩ, ᎯᎠ ᎾᎩᏪᏎᎸᎩ, ᎤᏙᎯᏳᎯᏯ ᎢᏨᏯᎦᏔᏅᏒᎩ, ᎠᎴ ᎠᎩ ᎪᎲ ᏁᏨᎾᏕᎬ ᎢᏥᏡᏱ:\nᎠᎴ ᎯᎠ ᏥᎾᎩᏪᏒᎩ, ᏓᏨᏳᏓᎴᏏ ᎡᏥᎩᎵᏲᎢᏍᏗᏍᎬ ᎢᏥᏈᏱ, ᏫᏙᏓᏨᏯᏘᏃᎵ ᎦᏓ ᎤᏂᎲ ᎠᏂᎨᎾᏂ, ᎠᎴ ᎠᏂᎯᏗ, ᎠᎴ ᎠᏂᎡᎼᏂ, ᎠᎴ ᎠᏂᏇᎵᏥ, ᎠᎴ ᎠᏂᎯᎧ, ᎠᎴ ᎠᏂᏥᏊᏏ, ᎾᎿ ᎦᏙᎯ ᎤᏅᏗ ᎠᎴ ᏩᏚᎵᏏ ᏕᎦᎶᎴᎬᎢ.\nᎠᎴ ᏓᎨᏣᏛᏓᏍᏓᏁᎵ ᎯᏁᎬᎢ; ᎠᎴ ᏂᎯ, ᏧᎾᏛᏐᏅᎯᏃ ᎢᏏᎵ ᏧᎾᏤᎵᎦ ᎢᏤᎮᏍᏗ ᏪᏥᎷᏤᎸᎭ ᎤᎬᏫᏳᎯ ᎢᏥᏈᏱ ᎡᎯ, ᎯᎠᏃ ᏁᏥᏪᏎᎸᎭ, ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎠᏂᏡᎷ ᎤᎾᏤᎵᎦ ᏙᎦᏠᏒᎩ; ᎿᏉᏃ ᎢᏨᏔᏲᏎᎭ ᏍᎩᏯᎵᏍᎪᎸᏓᏁᏗᏱ ᎣᎦᏂᎩᏍᏗᏱ ᏦᎢ ᏧᏒᎯᏛ ᎡᏅᏍᏗ ᎢᏴᏛ Ꭰ ᎢᎾᎨᎢ, ᎠᏥᎸ ᎣᏤᎴᏗᏱ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎣᎦᏤᎵᎦ.\nᎠᎴ ᎠᏴ ᏥᎦᏔᎭ ᎤᎬᏫᏳᎯ ᎢᏥᏈ ᎤᏤᎵᎦ ᎥᏝ ᏴᏓᎪᎯᏳᏂ ᎢᏤᏅᏍᏗᏱ, ᎥᏝ ᎾᏍᏉ ᎤᎵᏂᎩᏛ ᎤᏬᏰᏂ ᎬᏔᏅᎯ ᎨᏒᎢ.\nᏓᎦᏎᎵᎢᏔᏂᏃ, ᎠᎴ ᏓᏥᏴᏂᏍᏔᏂ ᎢᏥᏈ ᏂᎦᏗᏳ ᎤᏍᏆᏂᎪᏗ ᎠᏆᏤᎵ ᎾᎿ ᎠᏰᎵ ᏥᏙᏛᎩᎸᏫᏍᏓᏁᎵ; ᎣᏂᏃ ᏓᎪᎯᏳᏂ ᎢᏤᏅᏍᏗᏱ.\nᎠᎴ ᏓᎦᏥᏯᎵᏍᎪᎸᏓᏁᎵ ᎯᎠ ᏴᏫ ᎣᏏᏳ ᎬᏩᏂᏰᎸᏗᏱ ᎢᏥᏈᏱ ᎠᏁᎯ; ᎾᏍᎩᏃ ᎯᎠ ᏅᏓᎦᎵᏍᏔᏂ, ᎾᏍᎩ ᎿᏉ ᎢᏣᏓᏅᏒᎭ, ᎥᏝ ᎠᏒᎭ ᎢᏤᏅᏍᏗ ᏱᎨᏎᏍᏗ\nᎾᏂᎥᏍᎩᏂ ᎠᏂᎨᏴ ᏧᎾᏙᎸᏒᏗ ᎨᏎᏍᏗ ᎾᎥ ᎢᏧᎾᏓᎵ, ᎠᎴ ᎡᏙᎯ ᎾᎿ ᏓᏂᏁᎸ ᎤᏬᎵ, ᎠᏣᏅᎩ ᎠᏕᎸ ᎤᏁᎬ, ᎠᎴ ᎠᏣᏅᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᏗᏄᏬ; ᏧᎾᏣᏅᏙᏗᏃ ᎨᏎᏍᏗ ᏗᏤᏥ ᎠᏂᏍᎦᏯ, ᎠᎴ ᏗᏤᏥ ᎠᏂᎨᏴ; ᎠᎴ ᏗᏥᎾᏌᏗ ᎨᏎᏍᏗ ᎢᏥᏈᏱ ᎠᏁᎯ.\nᎼᏏᏃ ᏗᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎢ. ᎠᏎᏃ ᎬᏂᏳᏉ ᎥᏝ ᏴᎦᎬᏉᎯᏳᎲᎦ, ᎠᎴ ᎥᏝ ᏴᎬᎾᏛᏓᏍᏓ ᏥᏁᎬᎢ; ᎯᎠᏰᏃ ᏅᏛᏂᏪᏏ, ᏱᎰᏩ ᎥᏝ ᎬᏂᎨᏒ ᏱᏂᏣᏛᏁᎸ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᏙ Ꮎ ᏥᎶᏒᎦᎳ? ᎯᎠᏃ ᏄᏪᏎᎢ, ᎠᏙᎳᏅᏍᏗ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᎡᎳᏗ ᎯᏗᎦ. ᎡᎳᏗᏃ ᎤᏕᎢ, ᎠᎴ ᎢᎾᏛ ᏄᎵᏍᏔᏁᎢ: ᎼᏏᏃ ᎤᎵᏘᏒᎴᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎭᏙᏯᏅᎯᏛ ᎠᎴ ᎯᏂᏓᏂᏴ. ᎤᏙᏯᏅᎯᏕᏃ ᎠᎴ ᎤᏂᏴᎮᎢ, ᎠᏙᎳᏅᏍᏗᏃ ᏄᎵᏍᏔᏁ ᎤᏒᎦᎸᎢ.\nᎾᏍᎩ ᎤᏃᎯᏳᏗᏱ ᎾᏍᎩᏱᎰᏩ ᎤᏁᎳᏅᎯ ᏧᏂᎦᏴᎵᎨ ᎤᎾᏤᎵᎦ ᎬᏂᎨᏒ ᏂᏣᏛᏁᎸᎢ, ᎤᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯ ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ.\nᏱᎰᏩᏃ ᎾᏍᏉ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏦᏰᏂᏃ ᎯᏁᏥᏱ ᎯᏄᏴᏓ. ᎤᏬᏰᏂᏃ ᎦᏁᏥᏱ ᎤᏄᎬᏔᏁᎢ: ᎤᏄᏴᏕᏒᏃ, ᎬᏂᏳᏉ ᎤᏬᏰᏂ ᎠᏓᏰᏍᎨᎢ, ᎥᏃᏥ ᏥᏄᏍᏗ ᎾᏍᎩᏯ ᏄᏍᏕᎢ.\nᎯᎠᏃ ᏄᏪᏎᎴᎢ , ᏦᏰᏂ ᏔᎵᏂ ᏥᎯᏄᏴᏓ ᎯᏁᏥᏱ; ᎤᏬᏰᏂᏃ ᏔᎵᏁ ᎤᏄᏴᏔᏁ ᎦᏁᏥᏱ, ᎠᎴ ᎤᏄᏴᏕᏎ ᏔᎵᏁᎢ; ᎠᎴ ᎬᏂᏳᏉ ᎤᏓᏁᏟᏴᏛ ᎢᎨᏎᎢ, ᎾᏍᎩᏯ ᏐᎢ ᎤᏇᏓᎸᎢ.\nᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ ᎾᏍᎩ ᏂᎨᏦᎯᏳᏅᎾ ᎢᎨᏎᏍᏗ, ᎠᎴ ᏄᎾᏛᏓᏍᏔᏅᎾ ᎢᎨᏎᏍᏗ ᎢᎬᏱᏱ ᎤᏰᎸᏛ ᏕᎯᎾᏄᎪᏫᏎᎸᎢ, ᏛᏃᎯᏳᏂ ᏔᎵᏁ ᎤᏰᎸᏛ ᏕᎯᎾᏄᎪᏫᏎᎸᎢ.\nᎠᎴ ᎯᎠ ᏅᏓᎦᎵᏍᏔᏂ, ᎢᏳᏃ ᎾᏃᎯᏳᎲᏍᎬᎾ ᎢᎨᏎᏍᏗ ᎯᎠ ᎾᏍᎩ ᏔᎵ ᏕᎤᏰᎸᏛᎢ, ᎠᎴ ᎯᏁᎬ ᏂᎨᏣᏛᏓᏍᏓᏁᎲᎾ ᎢᎨᏎᏍᏗ, ᎿᏉ ᎠᎹ ᎡᏉᏂ ᏩᏢᏛ ᏣᏁᎩᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏫᏣᏨᏗ ᎨᏎᏍᏗ ᎤᎧᏲᏛᎯ ᎨᏒᎢ; ᎠᎹᏃ ᎾᏍᎩ ᎡᏉᏂ ᏫᏣᏢᏛ ᎬᎩ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ ᎤᎧᏲᏛᎯ ᎨᏒᎢ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎴ ᏱᎰᏩ; ᎠᏆᏤᎵ ᏣᎬᏫᏳᎯ, ᎥᏝ ᏱᏥᏏᎾᎯ ᎠᎩᏬᏂᎯᏍᏗᏱ, ᎥᏝ ᏧᏩᎫᏔᏅᏒᎢ, ᎠᎴ ᎦᎯᏁᏤᎸᎯ ᎯᏅᏏᏓᏍᏗ ᏅᏓᎬᏩᏓᎴᏅᏛ; ᎦᏂᎵᏨᏍᎩᏂ ᎠᎩᏬᏂᎯᏍᏗᏱ, ᎠᎴ ᎤᏍᎦᏃᎸ ᏥᏃᏓᏛᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎦᎪ ᎤᏬᏢᎾᏁᎴ ᎠᎰᎵ ᏴᏫ? ᎠᎴ ᎦᎪ ᎪᏢᏍᎪ ᎤᏩᎨᏫ, ᎠᎴ ᏧᎵᎡᎾ, ᎠᎴ ᎠᎪᏩᏗᏍᎩ, ᎠᎴ ᏗᎨᏫ? ᏝᏍᎪ ᎠᏴ, ᏱᎰᏩ?\nᎧ! ᎾᏍᎩ ᎢᏳᏍᏗ ᎮᎾ, ᎠᏴᏃ ᏙᏓᏥᎧᎿᏩᏗᏙᎵ ᎯᎰᎵ, ᎠᎴ ᎬᏰᏲᎲᏍᎨᏍᏗ ᎢᏣᏪᏍᏗᏱ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ, ᎬᏍᏗᏰᏗᎭ ᏣᏓᏅᏍᏗᏱ ᎯᎠᏉ ᎮᎵᏒ ᎾᏍᎩᏉ ᎯᏅᏍᏗᏱ.\nᏱᎰᏩᏃ ᎤᎿᎸᏤᎴ ᎼᏏ; ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ; ᏝᏍᎪ ᎡᎳᏂ ᎠᎵᏫ ᏗᏍᏓᏓᏅᏟ ᏱᎩ? ᏥᎦᏔᎭ ᎣᏏᏳ ᎬᏩᏬᏂᎯᏍᏗ ᎨᏒ ᎾᏍᎩ. ᎠᎴ ᎾᏍᏉ ᎬᏂᏳᏉ ᏙᏗᏣᏠᏎᏅ; ᏣᎪᎲᏃ ᎣᏍᏛ ᎤᏰᎸᏎᏍᏗ ᏧᏓᏅᏛᎢ.\nᎯᏬᏁᏔᏅᏃ ᎠᎴ ᎯᏁᎸᎭ ᎢᏳᏪᏍᏗᏱ; ᎠᏴᏃ ᏙᏓᏥᎦᎿᏩᏗᏙᎵ ᎯᎰᎵ, ᎠᎴ ᎾᏍᎩ ᎠᎰᎵ, ᎠᎴ ᏓᏍᏛᏰᏲᏂ ᎢᏍᏓᏛᏁᏗᏱ.\nᎾᏍᎩᏃ ᏣᏬᏂᎯᏎᎯ ᎨᏎᏍᏗ ᏕᎯᏬᏁᏗᏍᎬ ᏴᏫ; ᎠᎴ ᎯᎠ ᏅᏓᎦᎵᏍᏔᏂ, ᎾᏍᎩ ᎯᎰᎵ ᎾᏍᎩᏯ ᎨᏎᏍᏗ, ᏂᎯᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎾᏍᎩᏯ ᎨᏎᏍᏗ.\nᎯᎠᏃ ᎠᏙᎳᏅᏍᏗ ᎯᏁᏒᎭ ᎾᏍᎩᏃ ᎬᏗ ᎤᏍᏆᏂᎪᏗ ᏕᏣᎸᏫᏍᏓᏁᎮᏍᏗ.\nᎼᏏᏃ ᎤᏪᏅᏎ ᎠᎴ ᏭᏨᏎ Ꮵ“Ꮆ ᎤᎾᏥ ᏗᎦᏁᎸᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎬᏔᏲᏎᎭ ᎤᏁᎳᎩ ᏍᏇᎵᏎᏗᏱ ᎥᎠᏩᏨᏍᏗᏱ ᎣᏣᎵᏅᏟ ᏗᏁᎲ ᎢᏥᏈᏱ, ᎠᎴ ᏩᎩᎦᏛᏂᏓᏍᏗᏱ ᎠᏏ ᏓᏅᏅ ᎠᎴ ᏂᏓᏅᏅᎾ ᎨᏎᏍᏗ. Ꮵ’ᎶᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎮᎾ ᏅᏩᏙᎯᏯᏛ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎻᏗᏂᏱ, ᎮᎾ ᎢᏥᏈᏱ ᏫᎮᏓ; ᏂᎦᏛᏰᏃ ᎠᏂᏍᎦᏯ ᎲᏅ ᏥᎨᏣᏲᏎᎲᎩ ᏚᏂᏲᎱᏒ.\nᎼᏏᏃ ᏚᏘᏅᏎ ᎤᏓᎵᎢ ᏧᏪᏥ, ᏗᎦᎵᎠᏅᎯᏛᏃ ᏐᏈᎵᎯ ᏚᎩᎸᏔᏁᎢ, ᎠᎴ ᎢᏥᏡᏱ ᏔᎵᏁ ᏭᎶᏎᎢ. ᎼᏏᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏙᎳᏅᏍᏗ ᎤᏪᏅᏎᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎢᎮᏒ ᎢᏥᏈᏱ ᏫᎯᎶᏒᎭ, ᎠᏎ ᎤᏍᏆᏂᎪᏗ ᏗᏣᎸᏫᏍᏓᏁᏗ ᎨᏎᏍᏗ ᏇᎵᏲ ᎠᎦᏔᎲ ᎾᏍᎩ ᎬᏯᏒᎦᎶᏔᏅᎯ ᏥᎩ; ᎠᏎᏃ ᏓᏥᏍᏓᏱᏕᎵ ᎤᎾᏫ, ᎾᏍᎩ ᏧᏲᎯᏍᏗᏱ ᏂᎨᏒᎾ ᏴᏫ.\nᎯᎠᏃ ᏄᏪᏎᎸᎭ ᏇᎵᏂ, ᏱᎰᏩ ᎯᎠ ᏂᎦᏪᎭ, ᎢᏏᎵ ᎠᏴ ᎠᏇᏥ, ᎢᎬᏱᏱ ᎡᎯ ᎠᏇᏥ.\nᎯᎠᏃ ᏂᎬᏪᏎᎭ, ᏘᏲᎯ ᎠᏇᏥ, ᎠᏴ ᎪᎱᏍᏗ ᎠᏆᏛᏁᏗᏱ. ᎢᏳᏃ ᎢᏣᎨᏳᏅᎭ ᏘᏲᎯᏍᏗᏱ, ᎬᏂᏳᏉ ᎠᏴ ᏓᏥᎵ ᏤᏥ, ᎢᎬᏱᏱ ᎡᎯ ᏤᏥ.\nᎠᏃ ᏄᎵᏍᏔᏁ ᏩᎾᎢᏒ ᏗᏒᏍᏗᏱ ᎠᏓᏁᎸᎢ, ᏱᎰᏩ ᏚᏠᏎᎢ, ᎠᎴ ᎤᏲᎴ ᎤᎯᏍᏗᏱ.\nᎿᏉᏃ ᏥᏉᎳ ᎠᏰᎳᏍᏗ ᎤᏴᎮᎢ, ᎠᎴ ᎤᎱᏍᏕᏎᎴ ᎤᏪᏥ ᎠᏧᏣ, ᎠᎴ ᏚᎳᏍᎬ ᏭᏓᎢᏅᏎᎢ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎤᏙᎯᏳᎯᏯ ᎯᎩᎰᎭ ᏍᎩᏰᎯ.\nᎾᏍᎩᏃ ᎿᏉ ᏚᏲᏎᎢ; ᎿᏉᏃ [ᏥᏉᎳ] ᎯᎠ ᏄᏪᏎᎢ, ᎯᎩᎬᎭ ᎾᎮ ᏍᎩᏰᎯ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᎱᏍᏕᏍᏗ ᎨᏒᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎡᎳᏂ, ᎮᎾ ᎢᎾᎨᎢ ᏫᏘᏯᏠᎢ ᎼᏏ. ᎤᏪᏅᏎᏃ ᎠᎴ ᏫᏚᏠᏎ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎣᏓᎸᎢ, ᎠᎴ ᎤᏔᏪᏙᏁᎢ.\nᎼᏏᏃ ᎤᏃᏁᎴ ᎡᎳᏂ ᏂᎦᏛ ᏄᏪᏎᎸ ᏱᎰᏩ ᎾᏍᎩ ᏅᏓᏳᏅᏏᏛ, ᎠᎴ ᏂᎦᏛ ᎤᏍᏆᏂᎪᏗ ᏧᎸᏫᏍᏓᏁᏗᏱ ᎤᏁᏤᎸᎢ.\nᎼᏏᏃ ᎠᎴ ᎡᎳᏂ ᎤᏁᏅᏎᎢ, ᎠᎴ ᏫᏚᏂᎳᏫᏕ ᏂᎦᏛ ᏧᎾᏛᏐᏅᎯ ᎢᏏᎵ ᏧᏪᏥ ᎬᏩᎾᏓᏑᏴᎢ.\nᎡᎳᏂᏃ ᏂᎦᏛ ᏚᏃᎯᎮᎴ ᎾᏍᎩ ᏱᎰᏩ ᎼᏏ ᎤᏬᏁᏔᏅᎢ, ᎠᎴ ᎤᏍᏆᏁᏔᏅᎢ, ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏚᎸᏫᏍᏓᏁᎴ ᏴᏫ ᎠᏂᎦᏔᎲᎢ.\nᏴᏫᏃ ᎤᏃᎯᏳᏁᎢ; ᎤᏮᏛᎦᏅᏃ ᏱᎰᏩ ᏚᎦᏔᏂᎸ ᎢᏏᎵ ᏧᏪᏥ, ᎠᎴ ᎾᏍᎩ ᏚᎧᎿᏅ ᎠᏂᎩᎵᏲᎬᎢ, ᏚᎾᏗᏍᏚᏁ ᎠᎴ ᎤᎾᏓᏙᎵᏍᏔᏁᎢ\nᎣᏂᏃ ᎼᏏ ᎠᎴ ᎡᎳᏂ ᏭᏂᏴᎴᎢ, ᎯᎠ ᏄᏂᏪᏎᎴ ᏇᎵᏲ, ᎯᎠ ᏂᎦᏪᎭ ᏱᎰᏩ ᎤᏁᎳᏅᎯ. ᎢᏏᎵ ᎤᎾᏤᎵᎦ, ᏘᎩᏲᎯ ᏗᏆᏤᎵ ᏴᏫ, ᎾᏍᎩ ᎬᏆᎵᏍᏓᏴᎾᏁᏗᏱ ᎢᎾᎨᎢ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎪ ᎢᏳᏍᏗ ᏱᎰᏩ, ᎾᏍᎩ ᏰᎵ ᎬᏉᎯᏳᏗ ᎧᏁᎬ ᏗᎦᏥᏲᎵᏍᏗᏱ ᎢᏞᎵᎮ ᎥᏝ ᏱᏥᎦᏔᎭ ᏱᎰᏩ, ᎥᏝ ᎠᎴ ᏱᏙᎦᎦᏥᏲᎯ ᎢᏏᎵ.\nᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎤᏁᎳᏅᎯ ᎠᏂᏈᎷ ᎤᎾᏤᎵᎦ ᏙᎦᏠᏒᎩ; ᎢᏨᏔᏲᏎᎭ ᏗᏍᎩᏲᎯᏍᏗᏱ ᏦᎢ ᏧᏒᎯᏛ ᎢᏴᏛ ᎡᏅᏍᏗ ᎨᏒ Ꭰ ᎢᎾᎨᎢ, ᎠᎴ ᎠᏥᎸ ᎣᏤᎴᏗᏱ ᏱᎰᏩ ᎣᎦᏁᎳᏅᎯ; ᎾᏍᎩ ᎤᏓᏅᏍᏗ Ᏹ ᏂᎨᏒᎾ ᎣᎩᎷᏤᏗᏱ ᎥᏳᎩ ᎠᎴ ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ.\nᎤᎬᏫᏳᎯᏃ ᎢᏥᏡᏱ ᎡᎯ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᏂᎯ ᎼᏏ ᎠᎴ ᎡᎳᏂ ᏙᏍᏗᎧᎲᏍᎦ ᏴᏫ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ? ᎤᏟ, ᏗᏥᎸᏫᏍᏓᏁᎷᎦ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳ Ꮙ, ᏴᏫ ᎠᏂ ᎠᏁᎲ ᎿᏉ ᎤᏂᏣᏔ, ᎠᎴ ᏕᏥᏯᏪᏐᎸᏍᏗᎭ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ.\nᏇᎵᏲᏃ ᎾᎯᏳᏉ ᎢᎦ ᏚᏁᏤᎴ ᎬᏩᏂᏅᎧᏍᏔᏂᏙᎯ ᏴᏫ, ᎠᎴ ᎬᏩᎾᎦᏌᏯᏍᏗᏕᎩ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ⁠\nᎥᏞᏍᏗ ᎿᏉ ᎧᏁᏍᎦ ᏗᏥᏁᏗ ᏱᎨᏎᏍᏗ ᏴᏫ ᏗᏛᏓᏅᎯ ᏧᏃᏢᏙᏗ ᎾᏍᎩ ᏧᏩᏧᏔᏅᏒ ᏥᏂᏕᏣᏛᏁᎲᎢ; ᎤᏅᏒᏍᎩᏂ ᏩᏁᎾ ᏩᏄᏔᎩ ᎧᏁᏍᎦ.\nᏂᎦᎥᏃ ᏚᏃᏢᏅ ᏗᏛᏓᏅᎯ ᏧᏩᎫᏔᏅᏒᎢ ᎾᏍᎩ ᎠᏏ ᎢᎦᎢ ᏧᏃᏢᏗ ᎢᏗᏨᏁᏗ ᎨᏎᏍᏗ; ᎥᏝ ᏗᏥᎪᎳᏕᏗ ᏱᎨᏎᏍᏗ; ᎤᎾᏓᏄᎸᏗᏰᏃ: ᎾᏍᎩ ᎢᏳᏍᏗ ᏓᏂᏴᎦ ᎯᎠ ᎾᏂᏪᎭ, ᏬᏤᎾ ᎠᏥᎸ ᏬᏤᎶᏏ ᎣᎦᏁᎳᏅᎯ.\nᎦᎨᏛ ᏫᏂᎦᎵᏍᏓ ᏧᏂᎸᏫᏍᏓᏁᏗ ᎠᏂᏍᎦᏯ, ᎾᏍᎩ ᎾᎿ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ; ᏞᏍᏗᏃ ᏳᏂᎸᏉᏔᏁᏍᏗ ᎦᏰᎪᎩ ᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ.\nᎬᏩᏂᏅᏫᏍᏔᏂᏙᎯᏃ ᏴᏫ, ᎠᎴ ᎬᏩᎾᎦᏌᏯᏍᏗᏕᎩ, ᎤᏂᏄᎪᏤᎢ, ᎠᎴ ᏚᏂᏬᏁᏔᏁ ᏴᏫ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏇᎵᏲ ᎯᎠ ᏂᎦᏪᎭ, ᎥᏝ ᏴᎨᏨᎥᏏ ᎧᏁᏍᎦ.\nᎢᏤᎾ, ᏫᏥᎩ ᎧᏁᏍᎦ ᎾᎿ ᎨᏥᏩᏛᏗ ᎨᏒᎢ; ᎥᏝᏰᏃ ᎤᏍᏗ ᎤᏅ ᎡᏥᎪᎳᏕᏗ ᏱᎨᏎᏍᏗ ᏕᏥᎸᏫᏍᏓᏁᎲᎢ.\nᎾᏍᎩᏃ ᏴᏫ ᏂᎬᎾᏛ ᎠᏁᏙᎮ ᎢᏥᏈᏱ ᎠᏄᏖᏍᎨ ᎧᏁᏍᎦ ᎤᏂᏰᎸᎯ ᎠᏍᎫᏕᏒ ᎤᎵᏃᎯᏴᎯ.\nᎬᏩᏂᏅᏫᏍᏔᏂᏙᎯᏃ ᎬᏩᏂᏅᏫᏍᏗᏍᎨ ᎯᎠ ᎾᏂᏪᏍᎨᎢ, ᎢᏥᏍᏆᏛ ᏕᏥᎸᏫᏍᏓᏁᎲᎢ, ᏂᏓᏙᏓᏈᏒ ᎡᏣᏁᎳᏁᎸᎢ, ᎾᏍᎩᏯ ᎧᏁᏍᎦ ᏣᏗᎩ.\nᎬᏩᎾᎦᏌᏯᏍᏗᏕᎩᏃ ᎢᏏᎵ ᏧᏪᏥ, ᎾᏍᎩ ᏇᎵᏲ ᏧᏤᎵ ᎠᏂᏅᏫᏍᏔᏂᏙᎯ ᎬᏩᏂᏁᏤᎸᎯ ᏕᎨᏥᎵᎥᏂᎴᎢ, ᎠᎴ ᎯᎠ ᏂᎨᏥᏪᏎᎴᎢ, ᎦᏙᏃ Ꮭ ᏴᏥᏍᏆᏛ ᎡᏣᏁᎳᏁᎸ ᏗᏦᏢᏗᏱ ᏗᏛᏓᏅᎯ ᎤᏒᎯ ᏥᎨᏒ ᎠᎴ ᎪᎯ ᎾᏍᎩᏯ ᏂᏣᏛᏁᎸ ᏧᏩᎫᏔᏅᏒᎢ.\nᎿᏉᏃ ᎬᏩᎾᎦᏌᏯᏍᏗᏕᎩ ᎢᏏᎵ ᏧᏪᏥ ᎤᏂᎷᏤ ᎤᏂᏍᏗᏰᏔᏁ ᏇᎵᏲ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᎦᏙᏃ ᏂᏙᎲᏁᏉ ᏗᏣᏤᎵ ᏘᏅᏏᏓᏍᏗᎮ\nᎥᏝᏰᏃ ᎧᏁᏍᎦ ᏱᎨᏥᏁᎭ ᏘᏅᏏᏓᏍᏗ, ᎠᎴ ᎯᎠ ᏂᎪᎩᏪᏎᎭ, ᏗᏛᏓᏅᎯ ᏗᏦᏢᎾ; ᎠᎴ ᎬᏂᏳᏉ ᏚᎨᏥᎵᎥᏂᎭ ᏘᏅᏏᏓᏍᏗ; ᏂᎯᏍᎩᏂ ᏗᏣᏤᎵ ᏴᏫ ᎤᏣᏘᏂ ᏥᎾᎾᏛᏁᎭ.\nᎠᏎᏃ ᎯᎠ ᏄᏪᏎᎢ, ᎢᏣᏓᏄᎸᏗ, ᎢᏣᏓᏄᎸᏗ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᏥᏪᎭ, ᏬᏤᎾ ᎠᎴ ᎠᏥᎸ ᏬᏤᎶᏏ ᏱᎰᏩ.\nᎢᏤᎾᏲᎪ ᎿᏉ ᏫᏗᏥᎸᏫᏍᏓᏏ; ᎥᏝᏰᏃ ᏴᏓᏰᏥᏁᎵ ᎧᏁᏍᎦ, ᎠᏎᏃ ᎢᎦᎢ ᎡᏣᏁᎳᏅ ᏗᏥᏲᎯᏍᏗ ᎨᏎᏍᏗ ᏗᏛᏓᏅᎯ.\nᎬᏩᎾᎦᏌᏯᏍᏗᏕᎩᏃ ᎢᏏᎵ ᏧᏪᏥ ᎤᏂᎪᎮ ᎤᏲ ᏄᎾᏛᏅᎢ, ᎯᎠ ᏂᎨᏥᏪᏎᎸ, ᎥᏝ ᎤᏍᏗ ᎤᏅᎢᏥᎪᎳᏗᏍᏗ ᏱᎨᏎᏍᏗ ᏂᏚᎩᏨᏂᏒ ᎡᏣᏁᎳᏁᎸ ᏗᏦᏢᏗ ᏗᏛᏓᏅᎯ.\nᎾᏍᎩᏃ ᏚᎾᏠᏎ ᎼᏏ ᎠᎴ ᎡᎳᏂ, ᏓᏂᏙᎨ ᎠᎾᎢᏒ ᏇᎵᏲᎩᏱ ᏭᏁᏙᎸᎯ:\nᎯᎠᏃ ᏂᏚᏂᏪᏎᎴᎢ, ᏱᎰᏩ ᏫᏗᏣᎧᏅᎦ ᎠᎴ ᏫᏗᎫᎪᏓ;, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎣᏥᏩᏒᎬ ᎠᏒᎩᏳ ᏂᏨᏁᎸ ᏇᎵᏲ ᎠᏓᏅᏖᏍᎬᎢ, ᎠᎴ ᏧᏅᏏᏓᏍᏗ ᎠᎾᏓᏅᏖᏍᎬᎢ, ᎠᏰᎳᏍᏗᎦᏅᎯᏛ ᎨᎦᏒᎦᎳᏗᏍᏔᏅ ᎪᎩᎯᏍᏙᏗ.\nᎼᏏᏃ ᏔᎵᏁ ᏱᎰᏩ ᏤᏙᎲ, ᏭᎶᏎᎢ, ᎠᎴ ᎯᎠ ᏫᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᎦᏙᏃ ᎤᏲ ᏂᏙᎲᏁᎸ ᎯᎠ ᏴᏫ? ᎦᏙᏃ ᏗᏍᎩᏅᏒ ᎠᏴ?\nᏫᎦᏥᎷᏤᎸᎯᏰᏃ ᏇᎵᏲ ᏥᏯᎵᏃᎮᏙᏗᏱ ᏕᏣᏙᎥ ᎬᏗᏍᎬᎢ, ᎤᏲ ᏂᏚᏩᏁᎸ ᎯᎠ ᏴᏫ; ᎥᏝ ᎠᎴ ᎤᏍᏗ ᎤᏅ ᏱᏚᏓᎴᏒ ᏗᏣᏤᎵ ᏴᏫ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎿᏉ ᏘᎪᎯ ᏅᏗᏥᎬᏁᎵᏒ ᏇᎵᏲ; ᎤᎵᏂᎩᏛᏰᏃ ᎤᏬᏰᏂ ᏓᎬᏔᏂ ᏙᏓᎦᎧᏂ, ᎠᎴ ᎤᎵᏂᎩᏛ ᎤᏬᏰᏂ ᏓᎬᏔᏂ ᏙᏓᎦᏄᎪᏫᏏ ᎤᏤᎵᎪᎯ ᎦᏙᎯ.\nᎤᏁᎳᏅᎯᏃ ᎤᏬᏁᏔᏁ ᎼᏏ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎠᏴ ᏱᎰᏩ:\nᎠᎴ ᎬᏂᎨᏒ ᏂᎦᏥᏯᏛᏁᎸᎩ ᎡᏆᎭᎻ, ᎡᏏᎩ, ᎠᎴ ᏤᎦᏈ, ᏨᏉᏍᏙᏗ ᎯᎠ ᏄᏍᏛᎩ, ᎤᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ: ᏱᎰᏩᏍᎩᏂ ᏨᏉᏍᏙᏗ ᎨᏒ ᎥᏝ ᏱᎬᎩᎦᏔᎮᎢ.\nᎠᎴ ᎬᏂᎨᏒ ᏂᎦᏥᏯᏛᏁᎸᎩ. ᎡᏆᏎᎻ ᎡᏏᎩ, ᎠᎴ ᏤᎦᎲ, ᏨᏉᏍᏙᏗ ᎯᎠ ᏄᏍᏛᎩ, ᎤᏁᎳᏅᎯ ᏫᎾᏍᏛᎾ ᎤᎵᏂᎩᏛ ᏱᎰᏩᏍᎩᏂ ᏨᏉᏍᏙᏗ ᎨᏒ ᎥᏝ ᏱᎬᎩᎦᏔᎮᎢ.\nᎠᎴ ᎾᏍᏉ ᎧᏃᎮᏛ ᏙᎦᏠᎯᏍᏔᏅ ᎦᏥᏍᏓᏱᏕᎸ, ᎾᏍᎩ ᎦᏥᏁᏗᏱ ᎦᏙᎯ ᎨᎾᏂ, ᎦᏙᎯ ᎾᎿ ᎤᏁᏙᎸᎢ, ᎾᎿ ᎠᏁᏙᎯᏉ ᎨᏒᎢ.\nᎠᎴ ᎾᏍᏉ ᎦᏥᏯᏛᎦᏁᎸ ᏚᏂᎵᏰᏗᏍᎬ ᎢᏏᎵ ᏧᏪᏥ, ᎾᏍᎩ ᎢᏥᏈᏱ ᎠᏁᎯ ᏥᏕᎬᏩᏂᎾᏝᎠ; ᎠᎴ ᎠᏆᏅᏓᏓ ᎧᏃᎮᏛ ᏓᏆᏠᎯᏍᏔᏅᎢ.\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎯᎠ ᏂᎩᏪᏏ ᎢᏏᎵ ᏧᏪᏥ, ᎠᏴ ᏱᎰᏩ, ᎠᎴ ᎠᏴ ᏓᏨᏳᏓᎴᏏ ᎢᏣᏓᏄᏴᏛ ᎢᏥᏈᏱ ᎠᏁᎯ ᎨᏥᏐᏠᎸᎢ; ᎠᎴ ᏓᏨᏳᏓᎴᏏ ᏕᎨᏥᎾᏝᎥᎢ; ᎠᎴ ᏓᏨᏯᎫᏴᎯ ᏥᏃᎨᏂ ᎠᎩᏌᎳᏓᏅᎯ ᎨᏒ ᏓᎬᏔᏂ, ᎠᎴ ᎤᏣᏘ ᎤᏓᏍᏛᏗᏍᏗ ᎨᏒᎢ.\nᎠᎴ ᏓᏨᏯᏅᎯ ᏗᏆᏤᎵ ᏴᏫ ᏅᏓᏨᏴᏁᎵ, ᎠᏴᏃ ᎢᏨᏯᏁᎳᏅᎯ ᎨᏎᏍᏗ; ᎠᎴ ᎢᏥᎦᏔᎮᏍᏗ ᎠᏴ ᏱᎰᏩ ᎢᏨᏯᏁᎳᏅᎯ ᎨᏒᎢ, ᎾᏍᎩ ᎢᏧᏓᎴᏛ ᎢᏣᏓᏄᏴᏛ ᎢᏥᏈᏱ ᎠᏁᎯ ᎨᏥᏐᏠᎸᎢ.\nᎠᎴ ᏫᏙᏓᏨᏯᏘᏃᎵ ᎾᎿ ᎦᏙᎯ ᎠᏆᏎᎵᏔᏅᎯ ᏥᎩ ᎦᏥᏁᏗᏱ ᎡᏆᎭᎻ, ᎡᏏᎩ ᎠᎴ ᏤᎦᏡᏈ; ᎠᎴ ᏓᏨᏁᎵ ᎾᏍᎩ ᎢᏣᏤᎵᎦ ᎨᏎᏍᏗ; ᎠᏴ ᏱᎰᏩ.\nᎼᏏᏃ ᎾᏍᎩ ᏂᏚᏪᏎᎴ ᎢᏏᎵ ᏧᏪᏥ; ᎠᏎᏃ ᎥᏝ ᏱᎬᏩᏛᏓᏍᏓᏁᎴ ᎼᏏ , ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎡᎯᏍᏗ ᏚᎾᏓᏅᏛᎢ, ᎠᎴ ᏕᎨᏥᎾᏝᎥ ᎠᏂᎩᎵᏲᎬᎢ.\nᏱᎰᏩᏃ ᎤᏁᏤᎴ ᎼᏏ ᎯᎠ ᏄᏪᏎᎴᎢ,\nᏫᏴᎭ, ᏫᏁᏥ ᏇᎵᏲ ᎢᏥᏈᏱ ᎤᎬᏫᏳᎯ, ᎾᏍᎩ ᏧᏲᎯᏍᏗᏱ ᎤᏂᏄᎪᎢᏍᏗᏱ ᎢᏏᎵ ᏧᏪᏥ ᎤᏤᎵᎪᎯ ᎦᏙᎯ.\nᎼᏏᏃ ᎤᏁᏤ ᏱᎰᏩ ᎠᎦᏔᎲᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎬᏂᏳᏉ ᎢᏏᎵ ᏧᏪᏥ ᎥᏝ ᏱᎬᏆᏛᏓᏍᏗᏁᎸ; ᎦᏙᏃ ᏱᎦᎵᏍᏙᏓ ᏇᎵᏲ ᏯᏆᏛᏓᏍᏓᏏ, ᎠᏴ ᎥᎩᎱᏍᏕᏛ ᏂᎨᏂᎾ ᏥᎩ ᏕᏥᎠᏁᎦᎸᎢ?\nᏱᎰᏩᏃ ᏚᏬᏁᏔᏁ ᎼᏏ ᎠᎴ ᎡᎳᏂ, ᎠᎴ ᏚᎨᏅᏕ ᎤᏁᏨᎯ ᎤᎾᏛᎪᏗ ᎢᏏᎵ ᏧᏪᏥ ᎠᎴ ᏇᎵᏲ ᎤᎬᏫᏳᎯ ᎢᏥᏈᎢ, ᎾᏍᎩ ᏂᏙᏓᏳᏂᏄᎪᏫᏍᏗᏱ ᎢᏏᎵ ᏧᏪᏥ ᎢᏥᏈᏱ ᎦᏙᎯ.\nᎯᎠ ᎾᏍᎩ ᏄᏂᎬᏫᏳᏒᎢ ᎾᏍᎩ ᏧᏂᎦᏴᎵᎨ ᏧᎾᏁᏢᏔᏅᏛ ᎨᏒᎢ. ᎾᏍᎩ ᎷᏈᏂ ᏧᏪᏥ, ᎾᏍᎩ ᎤᏓᏂᎵᎨ ᏥᎨᏎ ᎢᏏᎵ ᎤᏪᏥ: ᎭᏃᎦ, ᎠᎴ ᏆᎷ, ᎮᏏᎶᏅ ᎠᎴ ᎧᎹ; ᎯᎠ ᎾᏍᎩ ᎷᏈᏂ ᏧᏁᏢᏔᏅᏛ ᎨᏒᎢ.\nᏏᎻᏯᏂᏃ ᏧᏪᏥᏛᎯ; ᏥᎩᏒᎵ, ᎠᎴ ᏤᎻᏂ, ᎠᎴ ᎣᎭᏗ, ᎠᎴ ᏤᎩᏂ, ᎠᎴ ᏐᎭ, ᎠᎴ ᏐᎳ, ᎨᎾᏂ ᎡᎯ ᎠᎨᏴ ᎤᏪᏥ: ᎯᎠ ᎾᏍᎩ ᏏᎻᏯᏂ ᏧᏁᏢᏔᏅᏛ ᎨᏒᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏚᎾᏙᎥ ᎵᏫ ᏧᏪᏥ, ᎤᎾᏁᏢᏔᏅᏒᎢ; ᎦᏐᏂ, ᎠᎴ ᎪᎭᏗ, ᎠᎴ ᎻᎴᎳ. ᎵᏫᏃ ᎠᏍᎪᎯᏧᏈ ᏦᎠᏍᎪᎯ ᎦᎵᏉᎩ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ.\nᎦᏐᏂ ᏧᏪᏥ; ᎵᏈᏂ ᎠᎴ ᏌᏱᎹ ᎤᎾᏁᏢᏔᏅᏒᎢ.\nᎪᎭᏗᏃ ᏧᏪᏥ; ᎠᎻᎳᎻ ᎠᎴ ᎢᏌ, ᎠᎴ ᎯᏩᏂ, ᎠᎴ ᎠᏌᏱᎵ. ᎪᎭᏗᏃ ᎠᏍᎪᎯᏧᏈ ᏦᎠᏍᎪᎯ ᏦᎢᎦᎵ ᏧᏕᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ.\nᎻᎴᎳᏃ ᏧᏪᏥ; Ꮉ ’Ꮅ, ᎠᎴ ᎩᏏ; ᎯᎠ ᎾᏍᎩ ᎵᏫ ᏧᏪᏥᏛᎯ ᎤᎾᏁᏢᏔᏅᏒᎢ.\nᎠᎻᎳᎻᏃ ᏦᎩᏇᏗ ᎤᏙᏓ ᎤᏙ ᎤᏓᏴᏎᎢᎾᏍᎩᏃ ᎡᎳᏂ ᎠᎴ ᎼᏏ. ᏚᎾᏄᎪᏫᏎᎴᎢ. ᎠᎻᎳᎻᏃ ᎠᏍᎪᎯᏧᏈ ᏦᎠᏍᎪᎯ ᎦᎵᏉᎩ ᏧᏎᏘᏴᏛ ᎤᎴᏂᏙᎴᎢ.\nᎢᏌᏃ ᏧᏪᏥ; ᎪᎳ, ᎠᎴ ᏂᏇᎩ, ᎠᎴ ᏥᎩᏯ.\nᎠᏌᏱᎵᏃ ᏧᏪᏥ; ᎻᏎᎢᎵ, ᎠᎴ ᎡᎳᏤᏈᏂ, ᎠᎴ Ꮟ’Ꮃ.\nᎡᎳᏂᏃ ᎢᎵᏏᏆ ᎤᏓᏴᏎᎢ, ᎾᏍᎩ ᎡᎻᏂᏓ ᎤᏪᏥ ᎤᏙ ᎾᎠᏐᏂ; ᎾᏍᎩᏃ ᏚᎾᏄᎪᏫᏎᎴ ᏁᏓᏈ ᎠᎴ ᎠᏆᏳ, ᎡᎵᎡᏌ ᎠᎴ ᎢᏗᎹ.\nᎪᎳᏃ ᏧᏪᏥ; ᎠᏌ, ᎠᎴ ᎡᎵᎨᎾ, ᎠᎴ ᎠᏆᏯᏌᏈ; ᎯᎠ ᎾᏍᎩ ᎠᏂᎪᎭᏗ ᎤᎾᏁᏢᏔᏅᏛ ᎨᏒᎢ.\nᎡᎵᎡᏌᏃ ᎡᎳᏂ ᎤᏪᏥ ᎤᏓᏴᏎ ᎠᏛ ᏊᏓᏱᎵ ᎤᏪᏥ; ᎾᏍᎩᏃ ᏈᏂᎭᏏ ᎤᎾᏄᎪᏫᏎᎴᎢ ᎯᎠ ᎾᏍᎩ ᏄᏂᎬᏫᏳᏒ ᏧᏂᎦᏴᎵᎨ ᎢᏳᎵᏍᏔᏅᎯ ᎠᏂᎵᏫ, ᏚᎾᏁᏢᏔᏅᏒᎢ.\nᎯᎠ ᎾᏍᎩ ᎡᎳᏂ ᎠᎴ ᎼᏏ ᏱᎰᏩ ᎯᎠ ᏥᏂᏚᏪᏎᎴᎢ, ᎢᏏᎵ ᏧᏪᏥ ᏗᏍᏗᏄᎪᏩ ᎢᏥᏈᏱ, ᏚᎾᏓᏡᏩᏗᏒᎢ.\nᎯᎠ ᎾᏍᎩ ᏧᏂᏁᏤᎴ ᏈᎵᏲ ᎤᎬᏫᏳᎯ ᎢᏥᏈᏱ, ᏧᏄᎪᏫᏍᏗᏱ ᎢᏏᎵ ᏧᏪᏥ ᎢᏥᏈᏱ; ᎯᎠ ᎾᏍᎩ ᎼᏏ ᎠᎴ ᎡᎳᏂ.\nᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᎯᏳ ᏱᎰᏩ ᎤᏁᏤᎸ ᎼᏏ ᎢᏥᏈᏱ;\nᎾᏍᎩ ᏱᎰᏩ ᎤᏁᏤᎴ ᎼᏏ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᎠᏴ ᏱᎰᏩ; ᎯᏁᏥ ᏇᎵᏲ ᎤᎬᏫᏳᎯ ᎢᏥᏡᏱ ᏂᎦᏛ ᏂᎬᏪᏎᎲᎢ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎴ ᏱᎰᏩ, ᎬᏂᏳᏉ, ᎠᏴ ᎥᎩᎱᏍᏕᏎᎸᎯ ᏂᎨᏒᎾ ᏕᏥᎠᏁᏕᎸᎢ; ᎦᏙᏃ ᏱᎦᎵᏍᏙᏓ ᏇᎵᏲ ᏯᏆᏛᏓᎶᏏ?\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎬᏂᏳᏉ, ᏂᎯ ᎤᏁᎳᏅᎯ ᏂᎬᏴᏁᎸ ᏇᎵᏲ ᏓᎧᏅᎢ; ᎡᎳᏂᏃ ᎡᏣᏂᎵ ᏣᏤᎵ ᎠᏙᎴᎰᏍᎩ ᎨᏎᏍᏗ.\nᏂᎯ ᏘᏃᎮᎵ ᏂᎦᏛ ᎬᏁᏤᎲᎢ; ᎡᎳᏂᏃ ᎡᏣᏂᎵ ᏓᎧᏁᏤᎵ ᏇᎵᏲ ᏧᏪᎧᎲᏍᏗᏱ ᎢᏏᎵ ᏧᏪᏥ ᎤᏤᎵᎪᎯ.\nᏇᎵᏲᏃ ᎤᎾᏫ ᏓᏥᏍᏓᏱᏕᎵ, ᎠᎴ ᎤᏣᏘ ᏙᏓᏥᎾᏄᎪᏫᏏ ᏗᏆᏤᎵ ᎤᏰᎸᏛᎢ ᎠᎴ ᏗᏆᏤᎵ ᎤᏍᏆᏂᎪᏗ ᎢᏥᏡᏱ ᎦᏙᎯ.\nᏇᎵᏲᏃ ᎥᏝ ᏴᏓᏍᏓᏛᏓᏍᏓᏁᎵ, ᎾᏍᎩᏃ ᎢᏥᏈ ᏓᏥᏯᏏᏔᏗ, ᎠᎴ ᏓᎦᏥᏄᎪᏫᏏ ᏗᏆᏤᎵ ᏚᎾᏓᏡᏩᏗᏒ ᏗᏆᏤᎵ ᏴᏫ ᎢᏏᎵ ᏧᏪᏥ ᎢᏥᏈᏱ ᎦᏙᎯ ᎤᏣᏘ ᎤᏓᏍᏛᏗᏍᏗ ᎬᏗᏍᎬᎢ.\nᎢᏥᏈᏱᏃ ᎠᏁᎯ ᏛᎾᏙᎴᎰᏏ ᎠᏴ ᏱᎰᏩ ᎨᏒᎢ, ᎾᎯᏳ ᎠᏉᏰᏂ ᏥᎾᏄᎪᏫᏎᎸ ᎢᏥᏈ, ᎠᎴ ᎾᎿ ᎠᏁᎲ ᎦᏥᏄᎪᏫᏒ ᎢᏏᎵ ᏧᏪᏥ.\nᎼᏏᏃ ᎠᎴ ᎡᎳᏂ ᏄᎾᏛᏁᎴ ᏱᎰᏩ ᏄᏂᏪᏎᎸᎢ; ᎾᏍᎩ ᏄᎾᏛᏁᎴᎢ.\nᎼᏏᏃ ᏁᎳᏍᎪᎯ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᎡᎳᏂᏃ ᏁᎳᏍᎪᎯ ᏦᎢᎦᎵ ᎢᏳᏕᏘᏴᏛ ᎨᏎᎢ, ᎾᎯᏳ ᏇᎵᏲ ᎾᏂᏬᏁᏔᏅ.\nᏱᎰᏩᏃ ᎼᏏ ᎠᎴ ᎡᎳᏂ ᏚᏁᎴᎴᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ,\nᏇᎵᏲ ᎢᏍᏗᏁᏤᎸᎭ ᎯᎠ ᏂᏍᏗᏪᏎᎸᎭ, ᎤᏍᏆᏂᎪᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎢᏍᏗᎾᏄᎪᏩ; ᎿᏉ ᎯᎠ ᏂᏪᏎᎸᎭ ᎡᎳᏂ, ᎯᏴ ᏣᏙᎳᏅᏍᏗ, ᎠᎴ ᏇᎵᏲ ᏓᎧᏅ ᏣᏚᎦ, ᎢᎾᏛᏃ ᏅᏓᎦᎵᏍᏔᏂ.\nᎼᏏᏃ ᎠᎴ ᎡᎳᏂ ᏇᎵᏲ ᏭᏂᏴᏎᎴᎢ, ᎠᎴ ᏱᎰᏩ ᏄᏂᏪᏎᎸ ᎾᏍᎩ ᏄᎾᏛᏁᎴᎢ: ᎠᎴ ᎡᎳᏂ ᎤᏙᎳᏅᏍᏗ ᎤᏗᏅᏎ ᏇᎵᏲ ᏓᎧᏅ, ᎠᎴ ᏓᏂᎧᏅ ᏧᏅᏏᏓᏍᏗ, ᎢᎾᏛᏃ ᏄᎵᏍᏔᏁᎢ.\nᏇᎵᏲᏃ ᎾᏍᏉ ᏫᏚᏯᏅᎮ ᎠᏂᎦᏔᎾᎢ ᎠᏂᏍᎦᏯ ᎠᎴ ᏗᎾ ᏙᏂᏍᎩ; ᏗᎾ ᏙᏂᏍᎩᏃ ᎢᏥᏈᏃ ᎠᏁᎯ ᎾᏍᎩᏯ ᎾᏍᏉ ᏄᎾᏛᏁᎴ ᏚᏅᏔᏁ ᏧᎾ ᏙᏅ ᏙᏗ;\nᎠᏂᏏᏴᏫᎭᏰᏃ ᎠᏂᏍᎦᏯ ᎡᎳᏗ ᏚᎾᏗᏅᏎ ᏧᎾᏙᎳᏅᏍᏗ, ᎢᎾᏛᏃ ᏂᎦᎵᏍᏔᏁᎢ; ᎡᎳᏂᏃ ᎤᏙᎳᏅᏍᏗ ᏚᎩᏎ ᎾᏍᎩ ᏧᎾᏙᎳᏅᏍᏗ.\nᎤᏍᏓᏱᏕᎴᏃ ᏇᎵᏲ ᎤᎾᏫ, ᎾᏍᎩ ᏂᏚᏛᏓᏍᏓᏁᎲᎾ ᎨᏎᎢ; ᎾᏍᎩᏯ ᏄᏪᏒ ᏱᎰᏩ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᏇᎵᏲ ᎤᎾᏫ ᎠᏥᏍᏓᏱᏕᎸ, ᎤᎨᏳᎲᏍᎦ ᏧᏲᎯᏍᏗᏱ ᏴᏫ.\nᎾᎷᏤᎸᎭ ᏇᎵᏲ ᏑᎾᎴᎢ; ᎬᏂᏳᏉ ᎠᎹᏱ ᏓᏰᏏ; ᎡᏉᏄᎶᏗᏃ ᎭᎴᏅᎭ ᎯᎦᏘᏛᎭ; ᎠᏙᎳᏅᏍᏗᏃ ᎢᎾᏛ ᎢᏳᎵᏍᏔᏅᎯ ᎯᏁᏒᎭ.\nᎯᎠᏃ ᏂᏪᏎᎸᎭ, ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎠᏂᏡᎷ ᎤᎾᏤᎵᎦ ᏗᎩᏅᏒ ᎬᎷᎮᏗᏱ, ᎯᎠ ᎢᎬᏪᏎᏗᏱ, ᏗᎩᏲᎯ ᏗᏆᏤᎵ ᏴᏫ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗᏱ ᎢᎾᎨᎢ; ᎬᏂᏳᏉᏃ ᎪᎯ ᎢᏯᏍᏗ ᎥᏝ ᏯᏛᏓᏍᏗᏍᎨᎢ.\nᎯᎠ ᏂᎦᏪᎭ ᏱᎰᏩ, ᎠᏂ ᎾᏍᎩ ᏔᏙᎴᎰᏏ ᎠᏴ ᏱᎰᏩ ᎨᏒᎢ; ᎬᏂᏳᏉ ᎠᏙᎳᏅᏍᏗ ᏣᏆᏒᎦᎸ ᎠᎹ ᎡᏉᏂ ᎦᏁᎲ ᏓᎬᏂᎵ, ᎩᎬᏃ ᏅᏓᎦᎵᏍᏔᏂ.\nᎠᏣᏗᏃ ᎡᏉᏂ ᎠᏁᎲ ᏙᏛᏂᎵᏬᏥ. ᎡᏉᏂᏃ ᎠᏒᎨᏍᏗ; ᎢᏥᏈᏱᏃ ᎠᏁᎯ ᎤᏂᏁᎵᏍᎨᏍᏗ ᎤᎾᏗᏔᏍᏗᏱ ᎠᎹ ᎡᏉᏂ ᎠᏢᏛ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎯᎠ ᏂᏪᏏ ᎡᎳᏂ, ᏣᏙᎳᏅᏍᏗ ᎯᏴ ᏦᏰᏂᏃ ᎯᏌᎳᏛᎦ ᎢᏥᏈᏱ ᎠᎹ ᏕᎦᏁᎲ ᎦᎸᎳᏗᏢ, ᎡᏉᏂ ᏚᏪᏴᎢ, ᏛᏓᎸᎢ, ᎠᎴ ᎦᎸᎳᏗᏢ ᏂᎦᏛ ᎠᎹ ᏕᏰᏁᏩᏗᏒᎢ; ᎾᏍᎩ ᎩᎬ ᎢᏧᎵᏍᏙᏗᏱ; ᎾᏍᎩ ᎦᏁᎯᎭ ᎩᎬ ᎢᏳᎵᏍᏗᏱ ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏡᏱ, ᎦᏙᎯ ᎠᎴ ᏅᏲᎯ.\nᎼᏏᏃ ᎠᎴ ᎡᎡᎳᏂ ᎾᏍᎩ ᏄᎾᏛᏁᎴ ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏂᏪᏎᎸᎢ; ᎠᎴ ᎤᏌᎳᏓᏁ ᎠᏙᎳᏅᏍᏗ, ᎠᎴ ᎠᎹ ᎡᏉᏂ ᎡᎬ ᏚᏩᏂᎴᎢ, ᏓᎧᏅ ᏇᎵᏲ, ᎠᎴ ᏓᏂᎧᏅ ᏧᏅᏏᏓᏍᏗ; ᏂᎦᏛᏃ ᎠᎹ ᎡᏉᏂ ᎡᎬ ᎩᎬ ᏄᎵᏍᏔᏁᎢ.\nᎠᏣᏗᏃ ᎡᏉᏂ ᎠᏁᎲ ᏚᏂᎵᏬᏤᎢ; ᎠᎴ ᎡᏉᏂ ᎠᏒᎨᎢ, ᎢᏥᏈᏱᏃ ᎠᏁᎯ ᎥᏝ ᏰᎵ ᎬᏩᎾᏗᏔᏍᏗ ᏱᎨᏎ ᎠᎹ ᎡᏉᏂ ᎠᏢᏛ; ᎠᎴ ᎩᎬ ᏕᎦᏁᏩᏗᏎ ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏡᏱ.\nᏗᎾᏙᏂᏍᎩᏃ ᎢᏥᏈᏱ ᎠᏁᎯ ᎾᏍᎩ ᎾᏍᏉ ᏄᎾᏛᏁᎴ ᏧᎾᏙᏅᏙᏗ ᏓᏅᏗᏍᎬᎢ; ᏇᎵᏲᏃ ᎤᎾᏫ ᎤᏍᏓᏲᏎᎢ, ᎥᏝ ᎠᎴ ᏱᏚᏛᏓᏍᏓᏁᎴᎢ, ᎾᏍᎩᏯ ᏄᏪᏒ ᏱᎰᏩ.\nᏇᎵᏲᏃ ᎤᏕᏔᎲᏎᎢ, ᎠᎴ ᏗᎦᏁᎸ ᏭᏴᎴᎢ, ᎾᏍᏉ ᎠᎴ ᎯᎠ ᎥᏝ ᏳᎦᏌᏯᏍᏔᏁᎢ.\nᏂᎦᏛᏃ ᎢᏥᏈᏱ ᎠᏁᎯ ᏓᎾᏍᎪᏏᏙᎮ ᎡᏉᏄᎶᏗ ᎠᎹ ᎤᎾᏗᏔᏍᏗ ᎤᏂᏲᎮᎢ; ᏝᏰᏃ ᏰᎵ ᎬᏩᎾᏗᏔᏍᏗ ᏱᎨᏎ ᎠᎹ ᎡᏉᏂ ᎡᎬᎢ.\nᎦᎵᏉᎩᏃ ᎢᎦ ᏄᎶᏎᎢ, ᎾᏍᎩ ᏱᎰᏩ ᎡᏉᏂ ᎬᏩᏂᎸᎯ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ ᏫᎷᏥ ᏇᎵᏲ, ᎯᎠᏃ ᏫᏂᏪᏏ, ᏱᎰᏩ ᎯᎠ ᏂᎦᏪᎭ, ᏗᎩᏲᎯ ᏗᏆᏤᎵ ᏴᏫ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗᏱ.\nᎢᏳᏃ ᎢᏣᎨᏳᎲᏍᎨᏍᏗ ᏗᎩᏲᎯᏍᏗᏱ ᏗᏆᏤᎵ ᏴᏫ, ᎬᏂᏳᏉ ᏂᎬᎾᏛ ᏣᏤᎵᎪᎯ ᏩᎶᏏ ᎤᎾᏕᏗᏱ ᏅᏓᎬᏁᎵ.\nᎡᏉᏂᏃ ᎨᏴᎢ, ᏩᎶᏏ ᏧᏈᏯ ᏧᎾᏄᎪᏫᏍᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎤᏂᎸᏍᏗ ᎠᎴ ᎯᏁᎸ ᎤᏂᏴᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏣᏂᏏᏗᏱ ᎤᏂᏴᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏣᏤᏍᏙᎩᎯ ᎤᏂᎵᏓᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏗᏅᏏᏓᏍᏗ ᏓᏂᏁᎸ ᎤᏂᏴᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎬᏩᏂᎵᏓᏍᏗ ᎨᏎᏍᏗ ᏗᏣᏤᎵ ᏴᏫ, ᎠᎴ ᏗᏣᏤᎵ ᏗᏣᏚᏗᏱ ᎤᏂᏴᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏗᏣᏑᎨᏗᏱ ᎤᏂᏴᏍᏗ ᎨᏎᏍᏗ;\nᎠᎴ ᏩᎶᏏ ᎨᏣᎵᏓᏍᏗ ᎨᏎᏍᏗ ᏨᏒ. ᎠᎴ ᎬᏩᏂᎵᏓᏍᏗ ᎨᏎᏍᏗ ᏗᏣᏤᎵ ᏴᏫ. ᎠᎴ ᏂᎦᏛ ᏗᏣᏤᎵ ᏘᏅᏏᏓᏍᏗ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎡᎳᏂ ᎯᎠ ᏂᏪᏏ, ᏦᏰᏂ ᎯᏌᎳᏛᎦ ᏣᏒᎦᎴᏍᏗ ᏣᏙᎳᏅᏍᏗ ᏚᏪᏴ ᎦᎸᎳᏗᏢ ᎡᏉᏂ ᏕᎨᏴᎢ, ᎠᎴ ᏛᏓᎸᎢ, ᎠᎴ ᏩᎶᏏ ᏘᎾᏄᎪᏩ ᎢᏥᏈᏱ ᎦᏙᎯ.\nᎡᎳᏂᏃ ᎤᏌᎳᏓᏁ ᎤᏬᏰᏂ ᎦᎸᎳᏗᏢ ᎠᎹ ᏕᎦᏁᎲ ᎢᏥᏈᏱ; ᏩᎶᏏᏃ ᎤᏂᎷᏤ ᎠᎴ ᎤᏄᏢᏁ ᎦᏙᎯ ᎢᏥᏈᏱ.\nᎠᎾᏙᏂᏍᎩᏃ ᎾᏍᎩᏯ ᏄᎾᏛᏁᎴ ᏧᎾᏙᏅᏙᏗ ᏓᏅᏗᏍᎬᎢ, ᎠᎴ ᏚᏂᎾᏄᎪᏫᏎ ᏩᎶᏏ ᎢᏥᏈᏱ ᎦᏙᎯ.\nᏇᎵᏲᏃ ᎤᏓᏅᏎ ᏫᎨᏥᏯᏅᏗᏱ ᎼᏏ ᎠᎴ ᎡᎳᏂ, ᎠᎴ ᎯᎠ ᏄᏪᏎᎢ, ᎡᏍᏗᏔᏲᏏ ᏱᎰᏩ ᎾᏍᎩ ᏗᎩᎧᎲᎡᏗᏱ ᏩᎶᏏ ᎠᏴ ᎠᎴ ᏗᏆᏤᎵ ᏴᏫ; ᎠᏴᏃ ᏙᏓᎦᏥᏲᏏ ᏴᏫ, ᎾᏍᎩ ᎠᏥᎸ ᎤᏁᎴᏗᏱ ᏱᎰᏩ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎴ ᏇᎵᏲ, ᏗᏍᏊᎪᏓᏏ. ᎢᎳᎩᏳ ᏓᏥᏔᏲᎵ ᎾᏍᎩ ᎢᏰᏣᏛᏁᏗᏱ ᏂᎯ, ᎠᎴ ᏘᏅᏏᏓᏍᏗ, ᎠᎴ ᏗᏣᏤᎵ ᏴᏫ. ᎾᏍᎩ ᏧᏛᏙᏗᏱ ᏩᎶᏏ ᏂᎯ ᏂᏣᏛᏅᎢ. ᎠᎴ ᏕᎯᏁᎸᎢ, ᎾᏍᎩᏃ ᎡᏉᏂ ᎤᏩᏒ ᎤᎾᏕᏗᏱ.\nᎯᎠᏃ ᏄᏪᏎᎢ, ᏑᎾᎴᎢ. ᎾᏍᎩᏯ ᏂᏣᏪᏒ ᏫᏂᎦᎵᏍᏓ, ᎤᏬᏎᎴᎢ; ᎾᏍᎩ ᏣᏙᎴᎰᎯᏍᏗᏱ ᎩᎶ ᏱᎰᏩ ᎣᎦᏁᎳᏅᎯ ᏄᏍᏛ ᎾᏍᎩ ᏄᏍᏛᎾ ᎨᏒᎢ.\nᏩᎶᏏᏃ ᏓᎨᏣᏓᏅᏒᎵ ᏂᎯ, ᎠᎴ ᏕᎯᏁᎸᎢ, ᎠᎴ ᏓᎬᏩᎾᏓᏅᎡᎵ ᏘᏅᏏᏓᏍᏗ ᎠᎴ ᏗᏣᏤᎵ ᏴᏫ; ᎡᏉᏂᏉ ᎤᏩᏒ ᎠᏁᎮᏍᏗ.\nᎼᏏᏃ ᎠᎴ ᎡᎳᏂ ᎤᏂᏄᎪᏨᎩ ᏇᎵᏲ ᎤᎾᏓᏅᎡᎸᎩ; ᎠᎴ ᎼᏏ ᎤᏍᏗᏰᏔᏅᎩ ᏱᎰᏩ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏩᎶᏏ ᏚᎾᏄᎪᏫᏎᎸ ᏇᎵᏲ.\nᏱᎰᏩᏃ ᏄᏛᏁᎸᎩ ᎾᏍᎩᏯ ᏄᎲᏒ ᎼᏏ; ᎠᎴ ᏩᎶᏏ ᏚᏂᎵᏬᏨᎩ ᏓᏓᏁᎸᎢ, ᎣᏂ ᏕᎤᎾᏐᏴᎢ, ᎠᎴ ᏕᎦᎶᎨᏒᎢ.\nᏚᏂᏡᏂᏙᎸᎩᏃ, ᎦᏙᎯᏃ ᎠᏒᎬᎩ.\nᏇᎵᏲᏍᎩᏂ ᎤᏙᎴᎰᏒ ᏅᏩᏙᎯᏯᏛ ᏄᎵᏍᏔᏅᎢ, ᎤᏍᏓᏱᏛᎩ ᎤᎾᏫ, ᎠᎴ ᏂᏚᏛᏓᏍᏓᏁᎸᎾ ᎨᏒᎩ; ᎾᏍᎩᏯ ᏄᏪᏒ ᏱᎰᏩ.\nᏱᎨᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎡᎳᏂ ᎯᎠ ᏂᏪᏏ, ᎯᎾᏄᎪᏩ ᏣᏙᎳᏅᏍᏗ, ᎠᎴ ᎲᏂᎦ ᎪᏍᏚ ᎦᏙᎯ ᎦᎳᎨᏴᎢ, ᎾᏍᎩ ᏘᏅ ᎤᎾᏙᏢᏗᏱ ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏈᏱ.\nᎾᏍᎩᏃ ᏄᎾᏛᏁᎸᎩ; ᎡᎳᏂᏰᏃ ᎤᏙᏯᏅᎯᏛᎩ ᎤᏙᎳᏅᏍᏗ ᎦᎦᏁᎯ, ᎠᎴ ᎪᏍᏚ ᎤᏩᏂᎸᎩ ᎦᏙᎯ ᎦᎳᎨᏴᎢ, ᏘᏅᏃ ᎤᎾ ᏙᏢᏅᎩ, ᏕᎬᏩᏂᎳᎥᎩ ᏴᏫ, ᎠᎴ ᎦᎾᏝᎢ; ᏂᎦᏛ ᎪᏍᏚ ᎦᏙᎯ ᎦᎳᎨᏴ ᏘᏅ ᎤᎾᏙᏢᏅᎩ, ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏡᏱ.\nᏗᎾᏙᏂᏍᎩᏃ ᎾᏍᎩᏯ ᏄᎾᏛᏁᎸᎩ ᏧᎾᏙᏅᏗ ᏓᏅᏗᏍᎬᎢ, ᏘᏅ ᏧᏂᎾᏄᎪᏫᏍᏗᏱ, ᎠᏎᏃ ᎤᏂᏄᎸᏅᎩ ᎾᏍᎩᏃ ᏘᏅ ᏕᎬᏩᏂᎳᎥᎩ ᏴᏫ ᎠᎴ ᎦᎾᏝᎢ.\nᏗᎾᏙᏂᏍᎩᏃ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ ᏇᎵᏲ, ᎯᎠ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎦᏰᏌᏛᎢ: ᏇᎵᏲᏃ ᎤᎾᏫ ᎤᏍᏓᏲᏒᎩ, ᎠᎴ ᎥᏝ ᏱᏚᏛᏓᏍᏓᏁᎴᎢ; ᎾᏍᎩᏯ ᏄᏪᏒ ᎤᏁᎳᏅᎯ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᏑᎾᎴ ᎭᏗᏛᎲᎭ, ᎠᎴ ᎢᎬᏱᏗᏢ ᏫᏯᎴᏁᎸᎭ ᏇᎵᏲ; ᎬᏂᏳᏉ, ᎠᎹᏱ ᏗᎦᏖᏍᏗ; ᎯᎠᏃ ᏂᏪᏎᎸᎭ, ᎯᎠᏃ ᏂᎦᏪᎭ ᏱᎰᏩ, ᏗᎩᏲᎯ ᏗᏆᏤᎵ ᏴᏫ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗᏱ;\nᎢᏳᏃ ᎢᏣᎨᏳᎲᏍᎨᏍᏗ ᏗᎩᏲᎯᏍᏗᏱ ᏗᏆᏤᎵ ᏴᏫ, ᎬᏂᏳᏉ, ᎠᏆᏓᏅᏍᏗ ᎨᏎᏍᏗ ᎨᏣᎷᏤᏗᏱ ᏛᎦ ᎠᎾᏓᏍᎦᎶᎩ, ᎠᎴ ᎬᏩᏂᎷᏤᏗᏱ ᏘᏅᏏᏓᏍᏗ, ᎠᎴ ᏗᏣᏤᎵ ᏴᏫ, ᎠᎴ ᏕᎯᏁᎸ ᏅᏂᏴᏍᏗᏱ; ᎢᏥᏈᏱ ᎠᏁᎯ ᏓᏂᏁᎸ ᏗᏂᎧᎵᏬᎯ ᎨᏎᏍᏗ ᏛᎦ ᎠᎾᏓᏍᎦᎶᎩ, ᎠᎴ ᎾᏍᏉ ᎦᏙᎯ ᎾᎿ ᎠᏁᎲᎢ.\nᏓᎦᏓᏓᎴᏔᏂᏃ ᎾᎯᏳ ᎢᎦ ᎪᏏᏂ ᏍᎦᏚᎩ ᎨᏒᎢ, ᎾᎿ ᏓᏂᏁᎸ ᏗᏆᏤᎵ ᏴᏫ, ᎥᏝ ᏛᎦ ᎠᎾᏓᏍᎦᎶᎩ ᎾᎿ ᏯᏁᎮᏍᏗ; ᎾᏍᎩ ᏣᏙᎴᎰᎯᏍᏗᏱ ᎠᏴ ᏱᎰᏩ ᎦᏙᎯ ᎠᏰᎵ ᎾᏆᏛᏅᎢ.\nᎠᎴ ᏓᎦᏥᏯᏓᏓᎴᏔᏂ ᏗᏆᏤᎵ ᏴᏫ ᎠᎴ ᏂᎯ ᏗᏣᏤᎵ ᏴᏫ; “ᎾᎴ ᎾᏍᎩ ᎯᎠ ᎤᏰᎸᏛ ᎬᏂᎨᏒ ᏅᏓᎦᎵᏍᏔᏂ.\nᏱᎰᏩᏃ ᎾᏍᎩ ᏄᏛᏁᎸᎩ; ᎠᎴ ᎤᏂᎷᏨᎩ ᎤᎾᏕᏯᏙᏗ ᎠᎾᏓᏍᎦᎶᎩ ᏛᎦ, ᎤᏂᏴᎸᎩ ᏇᎵᏲ ᎦᏁᎸᎢ, ᎠᎴ ᏧᏅᏏᏓᏍᏗ ᏓᏂᏁᎸᎢ, ᎠᎴ ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏡᏱ; ᎦᏙᎯ ᎤᏲᏨᎩ ᏅᏗᎦᎵᏍᏙᏗᏍᎬ ᎠᎾᏓᏍᎦᎶᎩ ᏛᎦ.\nᏇᎵᏲᏃ ᏫᏚᏇᏯᏅᎲᎩ ᎼᏏ ᎠᎴ ᎡᎳᏂ, ᎯᎠᏃ ᏄᏪᏒᎩ, ᎢᏤᎾ ᎠᏥᎸ ᏪᏤᎶᏏ ᎢᏣᏁᎳᏅᎯ ᎠᏂ ᎦᏙᎯ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎥᏝ ᏱᏚᏳᎪᏗ ᎾᏍᎩ ᎢᏯᏛᏁᏗᏱ; ᎠᏥᎸᏰᏃ ᏲᏤᎳᏍᏓ ᎤᏂᏆᏘᏍᏗ ᎢᏥᏈᏱ ᎠᏁᎯ ᎤᎾᏤᎵᎦ, ᏲᏣᎵᏍᎪᎸᏓᏏ ᏱᎰᏩ ᎣᎦᏁᎳᏅᎯ; ᎬᏂᏳᏉ, ᏥᎪ ᎠᏥᎸ ᏓᏲᏤᎳᏍᏔᏂ ᎤᏂᏆᏘᏍᏗ ᎢᏥᏈᏱ ᎠᏁᎯ ᎤᎾᏤᎵᎦ ᏓᏂᎧᏅᎢ, ᏝᏍᎪᏃ ᏅᏯ ᏱᏙᎦᎪᎬᏂᏍᏓ?\nᏦᎢᏍᎩᏂ ᎢᎦ ᎡᏅᏍᏗ ᎢᏴᏛ ᏓᏲᏤᏏ Ꭰ ᎢᎾᎨᎢ, ᎠᎴ ᎠᏥᎸ ᏮᏓᏲᏤᎴᎵ ᏱᎰᏩ ᎣᎦᏁᎳᏅᎯ ᎾᏍᎩᏯ ᏃᎩᏪᏎᎸᎢ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏒᎩ; ᏙᏓᏨᏲᏏ ᎢᏤᏅᏍᏗᏱ, ᎾᏍᎩ ᎠᏥᎸ ᎡᏤᎴᏗᏱ ᏱᎰᏩ ᎢᏣᏁᎳᏅᎯ Ꭰ ᎢᎾᎨᎢ; ᏞᏍᏗ ᎠᏗᎾ ᎢᏅ ᎢᏤᏅᏒᎩ: ᏍᏆᏓᏙᎵᏍᏓᏏ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏒᎩ, ᎬᏂᏳᏉ ᏓᎦᏓᏅᏏ ᎮᏙᎲᎢ, ᎠᎴ ᏓᏥᏔᏲᏎᎵ ᏱᎰᏩ ᎾᏍᎩ ᏛᎦ ᎠᎾᏓᏍᎦᎶᎩ ᎬᏩᏓᏅᏒᏗᏱ ᏇᎵᏲ, ᎬᏩᎾᏓᏅᎡᏗᏱ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᎬᏩᎾᏓᏅᎡᏗᏱ ᏧᏤᎵ ᏴᏫ ᎤᎩᏨᏅᎢ; ᎠᏎᏃ ᏞᏍᏗ ᎦᎶᏄᎮᏛ ᏳᏩᏔᏁᏍᏗ ᏇᎵᏲ ᎾᏍᎩ ᏂᏚᏲᏍᎬᎾ ᎨᏒ ᏴᏫ ᎠᏥᎸ ᎤᏁᎴᏗᏱ ᏱᎰᏩ.\nᎼᏏᏃ ᏇᎵᏲ ᎤᏓᏅᎡᎸᎩ, ᎠᎴ ᏱᎰᏩ ᎤᏔᏲᏎᎸᎩ.\nᏱᎰᏩᏃ ᎾᏍᎩᏯ ᏄᏪᏒ ᎼᏏ ᏄᏛᏁᎸᎩ; ᎠᎴ ᏚᏪᎧᎲᎡᎸᎩ ᏛᎦ ᎠᎾᏓᏍᎦᎶᎩ ᏇᎵᏲ, ᎠᎴ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᏧᏤᎵ ᏴᏫ; ᎠᎴ ᎥᏝ ᏌᏉ ᏳᎵᏃᎯᏰᎢ.\nᏇᎵᏲᏃ ᎠᏏᏉ ᎤᎾᏫ ᎤᏍᏓᏱᏛᎩ, ᎠᎴ ᎥᏝ ᏱᏚᏲᏎ ᏴᏫ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᏇᎵᏲ ᏫᎷᏥ, ᎠᎴ ᎯᎠ ᏫᏂᏪᏏ, ᎯᎠ ᏂᎦᏪᎭ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎠᏂᏖᏡᎷ ᎤᎾᏤᎵᎦ. ᏗᎩᏲᎯ ᏗᏆᏤᎵ ᏴᏫ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗᏱ.\nᎢᏳᏰᏃ ᎢᏣᎨᏳᏅ ᏗᎩᏲᎯᏍᏗᏱ, ᎠᎴ ᎠᏏᏉ ᏙᎩᏂᏴᏎᏍᏗ,\nᎬᏂᏳᏉ, ᏱᎬᏩ ᏙᏛᏏᏔᏗ ᏗᏣᏤᎵ ᎦᎾᏝᎢ ᏠᎨᏏ ᎠᏁᎯ, ᏐᏈᎵ, ᏗᏂᎵᎠᏅᎯᏛ ᏐᏈᎵ, ᎨᎻᎵ, ᏩᎦ, ᎠᎴ ᎠᏫ; ᎤᏣᏘ ᎤᏍᏚᏎᏗ ᎥᏳᎩ ᏓᏳᏂᏰᎢᎵᏕᎵ.\nᎠᎴ ᏱᎰᏩ ᏙᏛᏓᏓᎴᏔᏂ ᎦᎾᏝᎢ ᎢᏏᎵ ᏧᎾᏤᎵᎦ, ᎠᎴ ᎦᎾᏝᎢ ᎢᏥᏈ ᏧᎾᏤᎵᎦ; ᎠᎴ ᎥᏝ ᎪᎱᏍᏗ ᏴᏓᎦᎵᏬᏥ ᏥᏂᎦᎥ ᎢᏏᎵ ᏧᎾᏤᎵᎦ.\nᏱᎰᏩᏃ ᎤᏎᎸᎩ ᎢᏳᏉ ᎨᏒᎢ. ᎯᎠ ᏄᏪᏒᎩ, ᎤᎩᏨᏅᏉ ᏱᎰᏩ ᎾᏍᎩ ᎯᎠ ᏅᏛᏛᏁᎵ ᎠᏂ ᎦᏙᎯ.\nᏱᎰᏩᏃ ᎾᏍᎩ ᏄᏛᏁᎸᎩ ᏭᎩᏨᏅ, ᎠᎴ ᏂᎦᏛ ᎦᎾᏝᎢ ᎢᏥᏈᏱ ᎡᎯ ᎤᎵᏬᏨᎩ; ᎦᎾᏝᎢᏍᎩᏂ ᎢᏏᎵ ᏧᏪᏥ ᏧᎾᏤᎵᎦ ᎥᏝ ᏌᏉ ᏳᎵᏬᏤᎢ.\nᏇᎵᏲᏃ ᎤᏓᏅᏒᎩ, ᎠᎴ ᎬᏂᏳᏉ ᎥᏝ ᏌᏉ ᎤᏅ ᎦᎾᏝᎢ ᎢᏏᎵ ᏧᎾᏤᎵ ᎤᎵᏬᏨᎯ ᏱᎨᏎᎢ. ᏇᎵᏲᏃ ᎤᎾᏫ ᎤᏍᏓᏲᏒᎩ, ᎠᎴ ᎥᏝ ᏱᏚᏲᏎ ᎾᏍᎩ ᏴᏫ.\nᏱᎰᏩᏃ ᎼᏏ ᎠᎴ ᎡᎳᏂ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏫᏍᏗᎩ ᎪᏍᏚ ᎠᏏᎩᎳᏅᎯ ᏔᎷᎩᏍᎩᎬᎾᏬᏙᏗᏱ, ᎼᏏᏃ ᏭᏕᏒᎭ. ᎦᎸᎳᏗ ᎢᏗᏢ ᏇᎵᏲ ᏓᎧᏅᎢ.\nᎤᏃᎱᏲᎵᏃ ᎪᏍᏚ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏈᏱ, ᎠᎴ ᏚᏯᏍᏗ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ ᏕᎬᏩᎾᏢᎥᏍᎨᏍᏗ ᏴᏫ, ᎠᎴ ᎦᎾᏝᎢ, ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏡᏱ.\nᎪᏍᏚᏃ ᏔᎷᎩᏍᎩᎬᎾᏬᏙᏗᏱ ᎠᎩᏛ ᎤᏂᏴᏒᎩ, ᎠᎴ ᏇᎵᏲ ᎢᎬᏱᏢ ᏚᎾᎴᏁᎸᎩ; ᎼᏏᏃ ᎦᎸᎳᏗ ᎢᏗᏢ ᏭᏗᏅᎩ:; ᏚᏯᏍᏗᏃ ᏄᎵᏍᏔᏅᎩ ᎾᏍᎩ ᏕᎬᏩᎾᏢᎥᏍᎬᎩ ᏴᏫ ᎠᎴ ᎦᎾᏝᎢ.\nᏗᎾᏙᏂᏍᎩᏃ ᎥᏝ ᏰᎵ ᎼᏏ ᎤᏬᎸ ᎢᎬᏱᏗᏢ ᎬᏩᎾᎴᏁᏗ ᏱᎨᏎᎢ ᏚᏯᏍᏗ ᏕᎬᏩᎾᏢ ᎢᏳᏍᏗ; ᏗᎾᏙᏂᏍᎩᏰᏃ ᎠᎴ ᏂᎦᏛ ᎢᏥᏈᏱ ᎠᏁᎯ ᏚᏯᏍᏗ ᏕᎬᏩᎾᎣᎥᎩ.\nᏱᎰᏩᏃ ᎤᏍᏓᏱᏕᎸᎩ ᏇᎵᏲ ᎤᎾᏫ, ᎠᎴ ᎥᏝ ᏱᏚᏛᏓᏍᏓᏁᎴᎢ: ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎼᏏ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᏑᎾᎴ ᎭᏗᏛᎲᎭ ᎠᎴ ᏇᎵᏲ ᏫᎷᏤᎸᎭ, ᎠᎴ ᎯᎠ ᏂᏪᏎᎸᎭ, ᎯᎠ ᏂᎦᏪᎭ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎠᏂᏡᎷ ᎤᎾᏤᎵᎦ, ᏗᏆᏤᎵ ᏴᏫ ᏗᎩᏲᎯ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗᏱ.\nᎪᎯᏰᏃ ᎨᏒᎢ ᏓᎦᏓᏅᏏ ᏣᎷᏤᏗᏱ ᏣᎾᏫᏱ ᏂᎦᏗᏳ ᎠᏆᏤᎵ ᎤᏕᏯᏙᏗ, ᎠᎴ ᎤᏂᎷᏤᏗᏱ ᏘᏅᏏᏓᏍᏗ ᎠᎴ ᏗᏣᏤᎵ ᏴᏫ; ᎾᏍᎩ ᏣᏙᎴᎰᎯᏍᏓᏱ ᎩᎶ ᏁᎲᎾ ᎨᏒ ᎠᏴ ᎾᏆᏍᏛ ᎾᏍᎩᏯ ᎡᎶᎯ ᏂᎬᎾᏛᎢ.\nᎪᎯᏰᏃ ᎨᏒ ᏓᏥᏌᎳᏓᏂ ᎠᏉᏰᏂ ᎾᏍᎩ ᏂᎯ ᎠᎴ ᏗᏣᏤᎵ ᏴᏫ ᎥᏳᎩ ᎢᏨᏴᏂᏍᏙᏗᏱ; ᎠᎴ ᏣᎵᏛᏙᏗ ᎨᏎᏍᏗ ᎡᎶᎯ.\nᎠᎴ ᎤᏙᎯᏳᎯ ᎾᏍᎩ ᎯᎠ ᏅᏗᎦᎵᏍᏙᎢᎭ ᏥᎬᏌᎳᏓᏅ, ᏂᎯ ᎬᏴᏗᏍᎬ ᎠᎩᎾᏄᎪᏫᏍᏗᏱ ᎠᏆᎵᏂᎬᎬᎢ; ᎠᎴ ᏓᏆᏙᎥ ᏂᎬᎾᏛ ᎡᎶᎯ ᎤᏂᏃᎮᏗᏱ.\nᎠᏏᏉᏍᎪ ᏕᎭᎴᎲᏍᎦ ᏕᎭᏡᏗᎭ ᏗᏆᏤᎵ ᏴᏫ, ᎾᏍᎩ ᎥᏝ ᏲᎯᏳᎲᏍᎦ ᏗᎩᏲᎯᏍᏗᏱᎸ\nᎬᏂᏳᏉ ᎤᎩᏨᏅ ᎪᎯ ᏥᏂᎧᎳ ᏂᎧᎴᏍᏗ ᏓᏥᎦᏃᏔᏂ ᎠᎴ ᎤᏣᏘ ᎤᏍᎦᏎᏗ ᏓᎦᏁᏐᎠᏏ, ᎾᏍᎩ ᎥᏝ ᎢᎸᎯᏳ ᏱᏄᎵᏍᏔᏃ ᎢᏥᏈ ᎬᏩᏙᏢᏅᎯ ᎪᎯ ᎢᏯᏍᏗ.\nᎾᏍᎩᏃ ᏇᎵᏲ ᏧᏅᏏᏓᏍᏗ ᏱᎰᏩ ᎧᏁᎬ ᎠᏂᎾᏰᏍᎩ, ᏓᏓᏁᎸ ᏫᏚᏂᏴᏔᏅᎩ ᏧᏂᏅᏏᏓᏍᏗ ᎠᎴ ᎦᎾᏝᎢ ᏧᎾᏤᎵᎦ.\nᎾᏃ ᎾᏍᎩ ᏄᎸᏉᏔᏅᎾ ᏱᎰᏩ ᎤᏁᏨᎢ, ᏚᏪᎧᎯᏴᎩ ᏠᎨᏏ ᏧᏅᏏᏓᏍᏗ ᎠᎴ ᏧᏤᎵ ᎦᎾᏝᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎯᏌᎳᏛᎦ ᏦᏰᏂ ᎦᎸᎶᎢ ᎢᏗᏢ, ᎾᏍᎩ ᎤᏁᏐᎢᏍᏗᏱ ᎢᏥᏈᏱ ᎦᏙᎯ ᏂᎬᎾᏛᎢ, ᎤᏩᏂᏍᏗᏱ ᏴᏫ, ᎠᎴ ᎦᎾᏝᎢ, ᎠᎴ ᏂᎦᎥ ᎦᏄᎸᏒᎢ ᏠᎨᏏ ᎡᎯ, ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏈᏱ.\nᎼᏏᏃ ᎤᏌᎳᏓᏅᎩ ᎤᏙᎳᏅᏍᏗ ᎦᎸᎳᏗ ᎢᏗᏢ, ᏱᎰᏩᏃ ᏓᏳᏅᏒᎩ ᎠᏴᏓᏆᎶᏍᎩ ᎠᎴ ᎤᏁᏍᏓᎳ, ᎠᏥᎸᏃ ᎦᏙᎯ ᎤᏪᏙᎸᎩ; ᏱᎰᏩᏃ ᏄᏩᏂᏌᏅ ᎤᏁᏐᎠᏒᎩ ᎢᏥᏡᏱ ᎦᏙᎯ.\nᎾᏍᎩᏃ ᎤᏁᏐᎠᏒᎩ ᎠᎴ ᎠᏥᎸ ᎤᏓᏑᏴᎩ ᎦᏁᏐᎠᏍᎬᎢ, ᎤᏣᏘ ᎤᎾᏰᎯᏍᏗ ᎾᏍᎩᏯ Ꮭ ᎢᎸᎯᏳ ᏳᏁᏐᎠᏐ ᎢᏥᏈᏱ ᎾᎿ ᎠᏰᎵ ᎬᏩᏙᏢᏅᎯ ᏅᏓᎬᏩᏓᎴᏅᏛ.\nᏂᎬᎾᏛᏃ ᎦᏙᎯ ᎢᏥᏈᏱ ᎤᏁᏍᏓᎳ ᎤᏅᏂᎲᎩ ᏂᎦᏛ ᏠᎨᏏ ᎠᏁᏙᎯ, ᏴᏫ ᎠᎴ ᎾᏍᏉ ᎦᎾᏝᎢ; ᎠᎴ ᎤᏁᏍᏓᎳ ᏂᎦᎥ ᎦᏄᎸᏒ ᏠᎨᏏ ᎤᏩᏂᎸᎩ, ᎠᎴ ᏕᏡᎬ ᏠᎨᏏ ᏚᏲᏍᏔᏅᎩ.\nᎪᏏᏂ ᎤᏩᏒ, ᎾᎿ ᎢᏏᎵ ᏧᏪᏥ ᎠᏁᎲᎢ, ᎥᏝ ᏳᏁᏐᏗᏎᎢ.\nᏇᎵᏲᏃ ᎤᏓᏅᏒᎩ, ᎠᎴ ᏫᏚᏯᏅᎲᎩ ᎼᏏ ᎠᎴ ᎡᎳᏂ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᏥᏍᎦᏅᎩ ᎪᎯ; ᏱᎰᏩ ᎾᏍᎦᏅᎾ, ᎠᏴᏃ ᎠᎴ ᏗᏆᏤᎵ ᏴᏫ ᎣᏥᏍᎦᎾᎢ.\nᎿᏉ ᏰᎵᏉ, ᎯᏔᏲᏏ ᏱᎰᏩ, ᎾᏍᎩᏉ ᎢᎦᎢ ᎤᏣᏘ ᎤᏴᏓᏆᎶᏍᏗᏱ ᎠᎴ ᎤᏁᏐᎠᎯᏍᏗᏱ; ᏙᏓᏨᏲᏏᏃ, ᎠᎴ ᎥᏝ ᎤᏟ ᎢᎪᎯᏛ ᏴᎨᏤᏓ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎸᎩ; ᏥᏄᎪᏨᏉ ᎦᏚᎲᎢ. ᏗᏉᏰᏂ ᏱᎰᏩ ᎢᏗᏢ ᏫᏛᏓᏥᏌᎳᏙᏔᏂ; ᎠᏴᏓᏆᎶᏍᎬᏃ ᏛᏑᎵᎪᏥ, ᎥᏝ ᎠᎴ ᎿᏉ ᎤᏁᏐᎠᎯᏍᏗ ᏱᎨᏎᏍᏗ; ᎾᏍᎩ ᏣᎦᏙᎥᎯᏍᏗᏱ ᎡᎶᎯ ᏱᎰᏩ ᎤᏤᎵᎦ ᎨᏒᎢ.\nᏂᎯᏍᎩᏂ ᎨᏒᎢ, ᎠᎴ ᏗᏣᏤᎵ ᏘᏅᏏᏓᏍᏗ, ᏥᎦᏔᎭ ᎠᏏᏉ ᎡᏥᎾᏰᎢᏍᏗ ᏂᎨᏒᎾ ᎨᏒ ᏱᎰᏩ ᎤᏁᎳᏅᎯ.\nᏙᎴᏛ ᎠᎴ ᎤᏣᎴᏍᏗᎢᏳᏍᏗ ᎤᏲᏍᏔᏅᎩ; ᎤᏣᎴᏍᏗᏰᏃᎢᏳᏍᏗ ᎤᏥᏣᏔᏅᎯ ᎨᏒᎩ, ᏙᎴᏛᏃ ᎿᏉ ᎤᎦᏔᏛᎩ.\nᎤᏣᎴᏍᏗᏍᎩᏂ ᎠᎴ ᎤᏣᎴᏍᏗ ᎤᏰᎸᎭ ᎥᏝ ᏳᏲᏤᎢ, ᎥᏝᏰᏃ ᎤᏛᏏᏌᏛ ᏱᎨᏎᎢ.\nᎼᏏᏃ ᎤᏄᎪᏨᎩ ᎦᏚᎲ ᏇᎵᏲ ᎤᏓᏅᎡᎸᎩ, ᎠᎴ ᏧᏬᏰᏂ ᏱᎰᏩ ᎢᏗᏢ ᏚᏌᎳᏙᏔᏅᎩ; ᎠᏴᏓᏆᎶᏍᎬᏃ ᎠᎴ ᎦᏁᏐᎠᏍᎬ ᎤᏑᎵᎪᏨᎩ, ᎠᎴ ᎥᏝ ᎠᎦᏍᎬ ᏴᏧᏪᏐᏅᏰ ᎦᏙᎯ.\nᏊᎵᏲᏃ ᎤᏙᎴᎰᏒ ᎠᎦᏍᎬ ᎠᎴ ᎦᏁᏐᎠᏍᎬ ᎠᎴ ᎠᏴᏓᏆᎶᏍᎬ ᎤᏑᎵᎪᏨᎢ, ᎠᏏᏉ ᎤᏍᎦᏅᏨᏩᎩ, ᎠᎴ ᎤᏍᏓᏱᏛ ᎤᎾᏫ, ᎤᏩᏒ ᎠᎴ ᏧᏅᏏᏓᏍᏗ.\nᏇᎵᏲᏃ ᎤᎾᏫ ᎤᏍᏓᏲᏒᎩ, ᎥᏝ ᎠᎴ ᏱᏚᏲᏎ ᎢᏏᎵ ᏧᏪᏥ; ᎾᏍᎩᏯ ᏄᏪᏒ ᏱᎰᏩ ᎼᏏ ᎬᏂᎨᏒ ᏄᏩᏁᎸᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸ ᎼᏏ, ᏇᎵᏲ ᏫᎷᏥ; ᎠᏴᏰᏃ ᏥᏍᏓᏱᏕᎸ ᎤᎾᏫ, ᎠᎴ ᏧᏂᎾᏫ ᏧᏅᏏᏓᏍᏗ, ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᏥᏴᏁᏗᏱ ᎯᎠ ᎾᏍᎩ ᎤᏍᏆᏂᎪᏗ ᏓᎩᎸᏫᏍᏓᏁᎲᎢ;\nᎠᎴ ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᎯᏴᏁᏗᏱ ᏤᏥ, ᎠᎴ ᎾᏍᎩ ᏤᏥ ᎤᏪᏥ ᎾᏆᏛᏁᎸᎢ ᎢᏥᏈᏱ, ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏓᎩᎸᏫᏍᏓᏁᎸ ᎠᏁᎲᎢ; ᎾᏍᎩ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᎠᏴ ᏱᎰᏩ ᎨᏒᎢ.\nᎼᏏᏃ ᎠᎴ ᎡᎳᏂ ᏇᎵᏲ ᏭᏂᎷᏅᏤᎸᎩ ᎠᎴ ᎯᎠ ᏫᏄᏂᏪᏎᎸᎩ, ᎯᎠ ᏂᎦᏪᎭ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎠᏂᏡᎷ ᎤᎾᏤᎵᎦ, ᎢᎳᎪ ᏅᏓᎪᎯᏥ ᏓᏣᎨᏳᏂ ᎡᎳᏗ ᎢᏍᏆᏛᏁᏗᏱ? ᏗᎩᏲᎯ ᏗᏆᏤᎵ ᏴᏫ ᎾᏍᎩ ᏫᎬᏆᏓᏙᎵᏍᏓᏁᏗᏱ.’\nᎢᏳᏰᏃ ᎢᏣᎨᏳᏅᎭ ᏗᎩᏲᎯᏍᏗᏱ ᏗᏆᏤᎵ ᏴᏫ, ᎬᏂᏳᏉ, ᏑᎾᎴᎢ ᏙᏓᎦᏘᏃᎵ ᏙᎳᏧᎦ-ᏣᏁᏆ ᎠᏂ ᏣᏤᎵᎪᎯ;\nᎠᎴ ᏛᏄᏢᏂ ᎦᏙᎯ, ᎾᏍᎩ ᎩᎶ ᎥᏝ ᏰᎵ ᎬᏩᎪᏩᏛᏗ ᏱᎨᏎᏍᏗ ᎦᏙᎯ; ᎠᎴ ᏛᏂᎪᏂ ᎾᏍᎩ ᎤᎵᏃᎯᏴᎯ, ᎾᏍᎩ ᎤᏁᏐᎠᏒ ᎢᏥᏃᎯᏰᎸᎯ, ᎠᎴ ᏛᎾᎵᏍᏓᏴᏔᏂ ᏂᎦᏛ ᏕᏡᎬ ᏠᎨᏏ ᎢᏣᏛᎯᏎᎸᎢ.\nᎠᎴ ᏙᏛᏂᎧᎵᎵ ᏕᎯᏁᎸᎢ, ᎠᎴ ᏂᎦᏛ ᏘᏅᏏᏓᏍᏗ ᏓᏂᏁᎸᎢ, ᎠᎴ ᏓᏂᏁᎸ ᏂᎦᏛ ᎢᏥᏈᏱ ᎠᏁᎯ; ᎾᏍᎩ ᎥᏝ ᏗᏥᎦᏴᎵᎨ. ᎠᎴ ᏗᏥᎦᏴᎵᎨ ᏧᏂᎦᏴᎵᎨ ᎤᏂᎪᎲᎯ ᏱᎩ ᎡᎶᎯ ᎤᎾᏕᏅ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎪᎯ ᎢᏯᏍᏗ. ᎤᎦᏔᎲᏒᎩᏃ ᎠᎴ ᎤᏓᏅᎡᎸᎩ ᏇᎵᏲ.\nᏯᏇᎵᏲᏃ ᏧᏅᏏᏓᏍᏗ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ. ᎢᎳᎪ ᏅᏓᎪᎯᏥ ᎢᎩᏌᏛᎥᏍᎩ ᎨᏎᏍᏗ ᎯᎠ ᎠᎦᏍᏯ) ᏗᎩᏲᎯ ᎠᏂᏍᎦᏯ ᎾᏍᎩ ᎪᎱᏍᏗ ᏭᎾᏛᏁᏗᏱ ᏱᎰᏩ ᎤᎾᏁᎳᏅᎯ; ᏝᏍᎪ ᎠᏏ ᏱᎦᏔᎭ ᎢᏥᏈ ᎤᏲᏨᎢᎮ\nᎼᏏᏃ ᎠᎴ ᎡᎳᏂ ᏔᎵᏁ ᏇᎵᏲ ᎤᏬᎸ ᏙᎨᎦᏘᏃᎸᎩ; ᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ, ᎢᏤᎾ ᎪᎱᏍᏗ ᏪᏣᏛᏂᏏ ᏱᎰᏩ ᎢᏣᏁᎳᏅᎯ; ᎦᎪ ᎠᏕᏃ ᎾᏍᎩ ᏨᏛᏁᏏ?\nᎼᏏᏃ ᎯᎠ ᏄᏪᏒᎩ; ᏗᏂᏲᎵ ᎠᎴ ᎠᏂᎦᏴᎵᎨ ᏦᎦᏤᎵ ᏓᏲᏤᏏ; ᎠᎴ ᎠᏂᏍᎦᏯ ᏦᎨᏥ ᎠᎴ ᎠᏂᎨᏴ ᏦᎨᏥ ᏓᏲᏤᏏ; ᎠᏫ ᎠᎴ ᏩᎦ ᏙᏓᏲᏣᏘᏁᏏ; ᎠᏎᏰᏃ ᎣᎦᎵᏍᏓᏴᏗ ᏱᎰᏩ ᎤᏤᎵ ᎠᎵᏍᏓᏴᏗ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ, ᏱᎰᏩ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ, ᎾᏍᎩᏯ ᏥᏙᏓᏨᏲᏏ ᎠᎴ ᏧᎾᏍᏗ ᏗᏣᏤᎵᎦ. ᎢᏣᎦᏌᏯᏍᏓ; ᎤᏲᏰᏃ ᎢᎬᏱᏗᏢ ᏄᏍᏗ.\nᎥᏝ ᎾᏍᎩ ᏱᏅᎨᏣᏛᎦ, ᏂᎯᏍᎩᏂᎢᏥᏍᎦᏯ ᎢᏣᏂᎩ, ᎠᎴ ᎪᎱᏍᏗ ᏪᏣᏛᏂᏏ ᏱᎰᏩ; ᎾᏍᎩᏰᏃ ᏥᏄᏍᏛᎩ ᏥᏥᏔᏲᎸᎩ. ᎥᎨᏥᎨᎯᏙᎸᏃ ᏇᎵᏲ ᎠᎦᏔᎲᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎯᏌᎳᏛᎦ ᏦᏰᏂ ᎢᏥᏈᏱ ᎦᏙᎯ ᎦᎸᎳᏗᏢ ᏙᎳᏧᎦᏣᏁᏆ ᎤᏂᎵᎯᏍᏗᏱ, ᎾᏍᎩ ᎢᏥᏈᏱ ᎦᏙᎯ ᎤᏂᎷᎯᏍᏗᏱ, ᎠᎴ ᎤᏂᎩᏍᏗᏱ ᏂᎦᎥ ᎦᏄᎸᏒ ᎦᏙᎯ, ᎾᏍᎩ ᏂᎦᏛ ᎤᏁᏍᏓᎳ ᎤᏃᎯᏴᎯ.\nᎼᏏᏃ ᎤᏌᎳᏓᏅᎩ ᎤᏙᎳᏅᏍᏗ ᎢᏥᏈᏱ ᎦᏙᎯ ᎦᎸᎳᏗᏢ, ᏱᎰᏩᏃ ᏄᏩᏂᏌᏅᎩ ᎾᎿ ᎦᏙᎯ ᎤᏃᏄᏅᎩ ᏗᎧᎸᎬ ᎢᏗᏢ ᏓᏳᏱᎸᏍᏔᏅᎩ, ᎤᏙᏓᏆᏛ ᎾᎯᏳ ᎢᎦ ᎠᎴ ᎤᎵᏨᏓᏆᏛ; ᏑᎾᎴᏃ ᏄᎵᏍᏔᏅ ᏗᎧᎸᎬ ᏧᏃᎸᏛ ᏙᎳᏧᎦᏣᏁᏆ ᎤᏂᏃᎸᏔᏂᎸᎩ.\nᏙᎳᏧᎦᏃᏣᏁᏆ ᎤᏁᏙᎸᎩ ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏈᏱ, ᎠᎴ ᎤᎾᎴᏫᏍᏔᏅᎩ ᎢᏥᏈ ᏂᎬᎾᏛᎢ; ᎤᏣᏘ ᎤᎾᏕᏯᏙᏛᎩ; ᎾᎯᏳ ᎢᏯᏍᏗ ᎥᏝ ᎢᎸᎯᏳ ᏳᎾᏕᏃ ᎾᏍᎩ ᎢᏳᎾᏍᏗ, ᎣᏂ ᎠᎴ ᎥᏝ ᎾᏍᎩ ᎢᏳᎾᏍᏗ ᏴᎬᎾᏕᎲᎦ.\nᏂᎬᎾᏛᏰᏃ ᎦᏙᎯ ᎤᏄᏢᏔᏅᎩ, ᎾᏍᎩ ᎤᎾᎵᏏᎲᏍᏔᏅ ᎦᏙᎯ; ᎠᎴ ᎤᏂᎪᏅ ᏂᎦᎥ ᎤᏰᎾᎥ ᎦᏙᎯ ᎠᎴ ᏂᎦᏛ ᎤᏔᎾᎥ ᏕᏡᎬ ᎾᏍᎩ ᎤᏁᏍᏓᎳ ᎤᏃᎯᏴᎯ: ᎥᏝ ᎠᎴ ᎪᎱᏍᏗ ᎢᏤ ᏳᎵᏃᎯᏰ ᏕᏡᎬᎢ, ᎠᎴ ᎤᏰᎾᎥ ᏠᎨᏏ, ᎢᏥᏈᏱ ᎦᏙᎯ ᏂᎬᎾᏛᎢ.\nᏇᎵᏲᏃ ᎤᎵᏍᏗ ᏫᏚᏯᏅᎲᎩ ᎼᏏ ᎠᎴ ᎡᎳᏂ; ᎯᎠᏃ ᏄᏪᏒᎩ, ᏥᏍᎦᏅᏤᎸ ᏱᎰᏩ ᎢᏍᏓᏁᎳᏅᎯ, ᎠᎴ ᏂᎯ ᎢᏍᏛᏍᎦᏅᏤᎸ.\nᎿᏉᏃ ᎢᏍᏛᏔᏲᏎᎭ, ᎠᏏ ᏌᏉ ᏂᏍᎩᏂᏙᎵᎩ ᎠᎩᏍᎦᏅᏨᎢ, ᎠᎴ ᎡᏍᏗᏔᏲᏏ ᏱᎰᏩ ᎢᏍᏓᏁᎳᏅᎯ ᎾᏍᎩ ᎠᎩᎲᎡᏗᏱ ᎯᎠᏉ ᎤᏩᏒ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ.\nᎤᏓᏅᎡᎸᎩᏃ ᏇᎵᏲ, ᎠᎴ ᏭᏔᏲᏎᎸᎩ ᏱᎰᏩ.\nᏱᎰᏩᏃ ᎤᎦᏔᎲᏒᎩ ᎤᏃᎴ, ᎤᎵᏂᎩᏛ ᏭᏕᎵᎬ ᏛᎤᏃᎸᏔᏅᎩ, ᎾᏍᎩ ᏙᎳᏧᎦᏣᏁᏆ ᎤᏂᏃᎸᏔᏅᎩ, ᎠᏣᏩᏉᎯ ᎩᎦᎨᏍᏛᏱ ᏫᏚᎾᏓᎢᏅᏒᎩ; ᏙᎳᏧᎦᏣᏁᏆ ᎥᏝ ᏌᏉᎤᏅ ᏳᎵᏃᎯᏰ ᏂᎬᎾᏛ ᎢᏥᏡᏱ.\nᎠᏎᏃ ᏱᎰᏩ ᎤᏍᏓᏱᏕᎸᎩ ᏇᎵᏲ ᎤᎾᏫ; ᎾᏍᎩ ᎥᏝ ᏱᏚᏲᏎ ᎢᏏᎵ ᏧᏪᏥ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᏦᏰᏂ ᎦᎸᎳᏗ ᎢᏗᏢ ᎯᏌᎳᏙᏓ, ᎾᏍᎩ ᎤᎵᏏᎲᏍᏗᏱ ᎢᏥᏈᏱ ᎦᏙᎯ ᏂᎬᎾᏛᎢ, ᎾᏍᎩ ᎤᎾᏒᏂᎵᏓᏍᏗᏱ ᎤᎵᏏᎬᎢ.\nᎼᏏᏃ ᎤᏌᎳᏓᏅᎩ ᎤᏬᏰᏂ ᎦᎸᎳᏗ ᎢᏗᏢ; ᎤᏅᏘᏛᏃ ᎤᎵᏏᎲᏒᎩ ᏂᎬᎾᏛ ᎦᏙᎯ ᎢᏥᏈᏱ ᏦᎢ ᏧᏒᎯᏛ.\nᎥᏝ ᏱᏓᎾᏓᎪᏩᏘᏍᎨᎢ, ᎥᏝ ᎠᎴ ᎩᎶ ᏱᏓᎴᎲᏍᎨ ᏄᏛᏅᎢ ᏦᎢ ᏧᏒᎯᏛ: ᎢᏏᎵᏍᎩᏂ ᏧᏪᏥ ᏂᎦᏛ ᎢᎦᎯᏳ ᎨᏒᎩ ᏓᏂᏁᎸᎢ.\nᏇᎵᏲᏃ ᏭᏯᏅᎲᎩ ᎼᏏ ᎠᎴ ᎯᎠ ᏄᏪᏒᎩ, ᎢᏤᎾ, ᎪᎱᏍᏗ ᏪᏣᏛᏂᏏ ᏱᎰᏩ; ᎠᏫ ᎤᏅᏒ ᎠᎴ ᏩᎦ ᏗᏣᏤᎵᎦ ᏗᎦᎧᎯᏯᏍᏗ ᎨᏎᏍᏗ; ᏗᏂᏲᎵ ᎾᏍᏉ ᏗᏤᏥ ᏗᏣᏘᏄᎦ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᏒᎩ, ᏍᎩ ᏁᏗ ᎾᏍᏉ ᎨᏎᏍᏗ ᎠᎵᏍᎪᎸᏙᏗ ᎠᎴ ᎠᏥᎸᎨᎳᏍᏙᏗ, ᎾᏍᎩ ᎣᏣᎵᏍᎪᎸᏓᏁᏗᏱ ᏱᎰᏩ ᎣᎦᏁᎳᏅᎯ.\nᎣᎩᎾ ᏝᎥ ᎾᏍᏉ ᏦᏣᏘᏅᏍᏗ ᎨᏎᏍᏗ; ᎥᏝ ᏌᏉᎤᏅ ᎤᏗᎩᏯᏍᏗ ᏱᎨᏎᏍᏗ; ᎾᏍᎩᏰᏃ ᏦᎬᏙᏗ ᎣᏣᏓᏙᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ ᏱᎰᏩ ᎣᎦᏁᎳᏅᎯ; ᎥᏝ ᎠᎴ ᏲᏥᎦᏔᎭ ᎢᏳᏍᏗ ᎣᎬᏙᏗ ᎨᏒ ᏱᎰᏩ ᎣᏣᏓᏙᎵᏍᏓᏁᎲ ᎬᏂ ᎾᎿ ᏬᏥᎷᏥᎸᎢ.\nᎠᏎᏃ ᏱᎰᏩ ᎤᏍᏓᏱᏕᎸᎩ ᏇᎵᏲ ᎤᎾᏫ, ᎠᎴ ᎥᏝ ᏳᏬᎯᏳᏁ ᏧᏲᎯᏍᏗᏱ.\nᏇᎵᏲᏃ ᎯᎠ ᏄᏪᏎᎸᎩ, ᏍᏆᏓᏅᏏ, ᎭᏓᏯᏫᏍᎨᏍᏗ ᏞᏍᏗ ᏔᎵᏁ ᎠᏆᎧᏛ ᏥᎯᎪᎯ; ᎾᎯᏳᏰᏃ ᎢᎦ ᎠᏆᎧᏛ ᎪᎯᎲᎭ ᏣᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏒᎩ, ᏰᎵᏉ ᏂᏫ; ᎥᏝ ᏔᎵᏁ ᏣᎧᏛ ᏴᎦᏥᎪᏩᏛ.\n⁠Ᏹ⁠Ꮀ⁠Ꮹ⁠Ꮓ⁠ ⁠Ꭿ⁠Ꭰ⁠ ⁠Ꮔ⁠Ꮺ⁠Ꮞ⁠Ꮈ⁠Ꭹ⁠ ⁠Ꮌ⁠Ꮟ⁠,⁠ ⁠Ꮣ⁠Ꭶ⁠Ꮣ⁠Ꮕ⁠Ꮟ⁠ ⁠Ꭰ⁠Ꮟ⁠ ⁠Ꮡ⁠Ꮣ⁠Ꮄ⁠Ꭹ⁠ ⁠Ꭴ⁠Ꮥ⁠Ꮿ⁠Ꮩ⁠Ꮧ⁠ ⁠Ꭴ⁠Ꮇ⁠Ꮴ⁠Ꮧ⁠Ᏹ⁠ ⁠ ⁠Ꮗ⁠Ꮅ⁠Ᏺ⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꮘ⁠;⁠ ⁠Ꭳ⁠Ꮒ⁠Ꮓ⁠ ⁠Ꮩ⁠Ꮣ⁠Ꮵ⁠Ᏺ⁠Ꮟ⁠ ⁠Ꭰ⁠Ꮒ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꮔ⁠Ꭺ⁠Ꭲ⁠Ꮝ⁠Ꮧ⁠Ᏹ⁠ ⁠ ⁠Ꭲ⁠Ᏻ⁠Ꮓ⁠ ⁠Ꮥ⁠Ꮵ⁠Ᏺ⁠Ꮢ⁠Ꭽ⁠,⁠ ⁠Ꮏ⁠Ꮙ⁠ ⁠Ꭰ⁠Ꮞ⁠”⁠ ⁠Ꭲ⁠Ꮵ⁠Ꭸ⁠Ꭿ⁠Ꮣ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꭸ⁠Ꮞ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꭰ⁠Ꮒ⁠ ⁠\n⁠Ꭷ⁠ ⁠ ⁠Ꮨ⁠Ꮑ⁠Ꮵ⁠ ⁠Ᏼ⁠Ꮻ⁠,⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭰ⁠Ꮒ⁠Ꮟ⁠Ᏼ⁠Ꮻ⁠Ꭽ⁠ ⁠Ꭰ⁠Ꮒ⁠Ꮝ⁠Ꭶ⁠Ꮿ⁠ ⁠Ꮻ⁠Ꮣ⁠Ꮎ⁠Ꮩ⁠Ꮈ⁠Ꮟ⁠ ⁠Ꮎ⁠Ꭵ⁠ ⁠Ꭲ⁠Ᏻ⁠Ꮎ⁠Ꮣ⁠Ꮅ⁠,⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭰ⁠Ꮒ⁠Ꮟ⁠Ᏼ⁠Ꮻ⁠Ꭽ⁠ ⁠Ꭰ⁠Ꮒ⁠Ꭸ⁠Ᏼ⁠ ⁠Ꮻ⁠Ꮣ⁠Ꮎ⁠ ⁠Ꮩ⁠Ꮈ⁠Ꮟ⁠ ⁠Ꮎ⁠Ꭵ⁠ ⁠Ꭲ⁠Ᏻ⁠Ꮎ⁠Ꮣ⁠Ꮅ⁠,⁠ ⁠Ꭺ⁠Ꮁ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꭰ⁠Ꮥ⁠Ꮈ⁠ ⁠Ꭴ⁠Ꮑ⁠Ꭼ⁠ ⁠Ꮧ⁠Ꭺ⁠Ꮲ⁠Ꮤ⁠Ꮕ⁠Ꭿ⁠,⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭰ⁠Ꮥ⁠Ꮈ⁠ ⁠Ꮣ⁠Ꮆ⁠Ꮒ⁠Ꭸ⁠ ⁠Ꮧ⁠Ꭺ⁠Ꮲ⁠Ꮤ⁠Ꮕ⁠Ꭿ⁠ ⁠\n⁠Ᏹ⁠Ꮀ⁠Ꮹ⁠Ꮓ⁠ ⁠Ꮪ⁠Ꮑ⁠Ꮈ⁠ ⁠Ᏼ⁠Ꮻ⁠ ⁠Ꭳ⁠Ꮟ⁠Ᏻ⁠ ⁠Ꭼ⁠Ꮹ⁠Ꮒ⁠Ᏸ⁠Ꮈ⁠Ꮧ⁠Ᏹ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꮘ⁠Ᏹ⁠ ⁠Ꭰ⁠Ꮑ⁠Ꭿ⁠. ⁠ ⁠Ꭰ⁠Ꮄ⁠Ꮼ⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠ ⁠Ꭰ⁠Ꮝ⁠Ꭶ⁠Ꮿ⁠ ⁠Ꮌ⁠Ꮟ⁠ ⁠Ꭰ⁠Ꮵ⁠Ꮈ⁠Ꮙ⁠Ꮧ⁠Ᏻ⁠ ⁠Ꭸ⁠Ꮢ⁠Ꭹ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꮘ⁠Ᏹ⁠,⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭼ⁠Ꮹ⁠Ꮈ⁠Ꮙ⁠Ꮧ⁠Ᏻ⁠ ⁠Ꭸ⁠Ꮢ⁠Ꭹ⁠ ⁠Ꮗ⁠Ꮅ⁠Ᏺ⁠ ⁠Ꮷ⁠Ꮕ⁠Ꮟ⁠Ꮣ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭴ⁠Ꮒ⁠Ꮳ⁠Ꮨ⁠ ⁠Ꭸ⁠Ꮢ⁠ ⁠Ᏼ⁠Ꮻ⁠. ⁠\n⁠Ꮌ⁠Ꮟ⁠Ꮓ⁠ ⁠Ꭿ⁠Ꭰ⁠ ⁠Ꮔ⁠Ꮺ⁠Ꮢ⁠Ꭹ⁠,⁠ ⁠Ꭿ⁠Ꭰ⁠ ⁠Ꮒ⁠Ꭶ⁠Ꮺ⁠Ꭽ⁠ ⁠Ᏹ⁠Ꮀ⁠Ꮹ⁠,⁠ ⁠Ꭰ⁠Ᏸ⁠Ꮅ⁠ ⁠Ꮢ⁠Ꮓ⁠Ᏹ⁠ ⁠Ꭸ⁠Ꮞ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꮣ⁠Ꮵ⁠Ꮔ⁠Ꭺ⁠Ꮵ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꮱ⁠Ᏹ⁠ ⁠Ꭰ⁠Ᏸ⁠Ꮅ⁠ ⁠Ꮾ⁠Ꮣ⁠Ꭸ⁠Ꮩ⁠Ꮅ⁠:⁠\n⁠Ꮒ⁠Ꭶ⁠Ꮫ⁠Ꮓ⁠ ⁠Ꭲ⁠Ꭼ⁠Ᏹ⁠ ⁠Ꭰ⁠Ꮑ⁠Ꭿ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꮘ⁠Ᏹ⁠ ⁠Ꭶ⁠Ꮩ⁠Ꭿ⁠ ⁠Ꮷ⁠Ꮒ⁠Ᏺ⁠Ꮁ⁠Ꭿ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꭸ⁠Ꮞ⁠Ꮝ⁠Ꮧ⁠,⁠ ⁠Ꭰ⁠Ꭶ⁠Ꮄ⁠Ꮕ⁠Ꮩ⁠Ꮧ⁠ ⁠Ꭲ⁠Ꭼ⁠Ᏹ⁠ ⁠Ꭱ⁠Ꭿ⁠ ⁠Ꭴ⁠Ꮺ⁠Ꮵ⁠ ⁠Ꮗ⁠Ꮅ⁠Ᏺ⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠ ⁠Ꭴ⁠Ꮺ⁠Ꮧ⁠Ᏹ⁠ ⁠Ꭶ⁠Ꮝ⁠Ꭹ⁠Ꮈ⁠ ⁠Ꮷ⁠Ꮼ⁠Ꮃ⁠,⁠ ⁠Ꭰ⁠Ꮵ⁠Ꮝ⁠Ꮖ⁠Ꮧ⁠Ꮝ⁠Ꮩ⁠Ꮧ⁠ ⁠Ꭰ⁠Ꭸ⁠Ᏼ⁠ ⁠Ꭰ⁠Ꮵ⁠Ꮕ⁠Ꮟ⁠Ꮣ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꭰ⁠Ꮝ⁠Ꮩ⁠Ꮝ⁠Ꮧ⁠Ᏹ⁠ ⁠Ꭳ⁠Ꮒ⁠Ꮧ⁠Ꮲ⁠ ⁠Ꭴ⁠Ꮼ⁠Ꮅ⁠ ⁠Ꭲ⁠Ꭼ⁠Ᏹ⁠ ⁠Ꭱ⁠Ꭿ⁠ ⁠Ꭴ⁠Ꮺ⁠Ꮵ⁠;⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭶ⁠Ꮎ⁠Ꮭ⁠Ꭲ⁠ ⁠Ꮒ⁠Ꭶ⁠Ꮫ⁠ ⁠Ꭲ⁠Ꭼ⁠Ᏹ⁠ ⁠Ꭰ⁠Ꮑ⁠Ꭿ⁠. ⁠\n⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭴ⁠Ꮳ⁠Ꮨ⁠ ⁠Ꮩ⁠Ꮫ⁠Ꮒ⁠Ᏼ⁠Ꮃ⁠Ꮟ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꮱ⁠Ᏹ⁠ ⁠Ꮒ⁠Ꭼ⁠Ꮎ⁠Ꮫ⁠ ⁠Ꭶ⁠Ꮩ⁠Ꭿ⁠,⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠ ⁠Ꭵ⁠Ꮭ⁠ ⁠Ꭲ⁠Ꮈ⁠Ꭿ⁠Ᏻ⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠Ꮿ⁠ ⁠Ᏹ⁠Ꮔ⁠Ꮒ⁠Ꮺ⁠Ꮠ⁠Ꭲ⁠,⁠ ⁠Ꭵ⁠Ꮭ⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠ ⁠Ꭲ⁠Ᏻ⁠Ꮒ⁠Ꮺ⁠Ꮝ⁠Ꮧ⁠ ⁠Ᏹ⁠Ꭸ⁠Ꮞ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꭲ⁠Ꮈ⁠Ꭿ⁠Ᏻ⁠Ꭲ⁠ ⁠\n⁠Ꭲ⁠Ꮟ⁠Ꮅ⁠Ꮝ⁠Ꭹ⁠Ꮒ⁠ ⁠Ꮷ⁠Ꮺ⁠Ꮵ⁠ ⁠Ꭵ⁠Ꮭ⁠ ⁠Ꭹ⁠Ꮅ⁠ ⁠Ꭶ⁠Ꮓ⁠Ꭺ⁠Ꭲ⁠ ⁠Ꭴ⁠Ꮦ⁠Ꮈ⁠Ꮧ⁠ ⁠Ᏹ⁠Ꭸ⁠Ꮞ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꮣ⁠Ꮱ⁠Ꮧ⁠Ꮝ⁠Ꭼ⁠Ꭲ⁠,⁠ ⁠Ꭵ⁠Ꮭ⁠ ⁠Ꮎ⁠Ꮝ⁠Ꮙ⁠ ⁠Ᏼ⁠Ꮻ⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭶ⁠Ꮎ⁠Ꮭ⁠Ꭲ⁠;⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꭶ⁠Ꮩ⁠Ꭵ⁠Ꭿ⁠Ꮝ⁠Ꮧ⁠Ᏹ⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠ ⁠Ᏹ⁠Ꮀ⁠Ꮹ⁠ ⁠Ꮣ⁠Ꮣ⁠Ꮣ⁠Ꮄ⁠Ꮧ⁠Ꮝ⁠Ꭼ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꮘ⁠Ᏹ⁠ ⁠Ꭰ⁠Ꮑ⁠Ꭿ⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭲ⁠Ꮟ⁠Ꮅ⁠\n⁠Ꭿ⁠Ꭰ⁠Ꮓ⁠ ⁠Ꮒ⁠Ꭶ⁠Ꮫ⁠ ⁠Ꮨ⁠Ꮕ⁠Ꮟ⁠Ꮣ⁠Ꮝ⁠Ꮧ⁠ ⁠Ꮾ⁠Ꮣ⁠Ꭼ⁠Ꭹ⁠Ꮇ⁠Ꮴ⁠Ꮅ⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭱ⁠Ꮃ⁠Ꮧ⁠ ⁠Ꮕ⁠Ꮣ⁠Ꭼ⁠Ꮖ⁠Ꮫ⁠Ꮑ⁠Ꮅ⁠,⁠ ⁠Ꭿ⁠Ꭰ⁠ ⁠Ꮎ⁠Ꮒ⁠Ꮺ⁠-⁠ ⁠Ꮝ⁠Ꭸ⁠Ꮝ⁠Ꮧ⁠,⁠ ⁠Ꭿ⁠Ꮔ⁠Ꭺ⁠Ꭲ⁠,⁠ ⁠Ꮒ⁠Ꭿ⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꮒ⁠Ꭶ⁠Ꮫ⁠ ⁠Ᏼ⁠Ꮻ⁠ ⁠Ꮵ⁠Ꭸ⁠Ꮳ⁠Ꮝ⁠Ꮣ⁠Ꮹ⁠Ꮧ⁠Ꮩ⁠Ꭽ⁠;⁠ ⁠Ꭳ⁠Ꮒ⁠Ꮓ⁠ ⁠Ꮵ⁠Ꮔ⁠Ꭺ⁠Ꮸ⁠Ꭽ⁠ ⁠ ⁠Ꭴ⁠Ꮔ⁠Ꭺ⁠Ꮸ⁠Ꭹ⁠Ꮓ⁠ ⁠Ꭴ⁠Ꮣ⁠Ꮕ⁠Ꭱ⁠Ꮄ⁠ ⁠Ꮗ⁠Ꮅ⁠Ᏺ⁠ ⁠Ꭴ⁠Ꮳ⁠Ꮨ⁠ ⁠Ꭴ⁠Ꮤ⁠Ꮃ⁠Ꮼ⁠Ꮢ⁠Ꭿ⁠ ⁠Ꭸ⁠Ꮢ⁠Ꭹ⁠ ⁠\n⁠Ᏹ⁠Ꮀ⁠Ꮹ⁠Ꮓ⁠ ⁠Ꭿ⁠Ꭰ⁠ ⁠Ꮔ⁠Ꮺ⁠Ꮞ⁠Ꮈ⁠Ꭹ⁠ ⁠Ꮌ⁠Ꮟ⁠,⁠ ⁠Ꮗ⁠Ꮅ⁠Ᏺ⁠ ⁠Ꭵ⁠Ꮭ⁠ ⁠Ᏼ⁠Ꮣ⁠Ꮳ⁠Ꮫ⁠Ꮣ⁠Ꮝ⁠Ꮣ⁠Ꮑ⁠Ꮅ⁠;⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠ ⁠Ꭰ⁠Ꭹ⁠Ꮑ⁠Ꮙ⁠Ꮝ⁠Ꮧ⁠Ᏹ⁠ ⁠Ꭴ⁠Ꮝ⁠Ꮖ⁠Ꮒ⁠Ꭺ⁠Ꮧ⁠ ⁠Ꮣ⁠Ꭹ⁠Ꮈ⁠Ꮻ⁠Ꮝ⁠Ꮣ⁠Ꮑ⁠Ꮂ⁠ ⁠Ꭲ⁠Ꮵ⁠Ꮘ⁠Ᏹ⁠ ⁠Ꭶ⁠Ꮩ⁠Ꭿ⁠ ⁠\n⁠Ꮌ⁠Ꮟ⁠Ꮓ⁠ ⁠Ꭰ⁠Ꮄ⁠ ⁠Ꭱ⁠⁠Ꮃ⁠Ꮒ⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠ ⁠Ꭿ⁠Ꭰ⁠ ⁠Ꮒ⁠Ꭶ⁠Ꮫ⁠ ⁠Ꭴ⁠Ꮝ⁠Ꮖ⁠Ꮒ⁠Ꭺ⁠Ꮧ⁠ ⁠Ꮪ⁠Ꮒ⁠Ꮈ⁠Ꮻ⁠Ꮝ⁠Ꮣ⁠Ꮑ⁠Ꮈ⁠Ꭹ⁠ ⁠Ꮗ⁠Ꮅ⁠Ᏺ⁠ ⁠Ꭰ⁠Ꭶ⁠Ꮤ⁠Ꮂ⁠Ꭲ⁠;⁠ ⁠Ᏹ⁠Ꮀ⁠Ꮹ⁠Ꮓ⁠ ⁠Ꭴ⁠Ꮝ⁠Ꮣ⁠Ᏹ⁠Ꮥ⁠Ꮈ⁠Ꭹ⁠ ⁠Ꮗ⁠Ꮅ⁠Ᏺ⁠ ⁠Ꭴ⁠Ꮎ⁠Ꮻ⁠,⁠ ⁠Ꮎ⁠Ꮝ⁠Ꭹ⁠Ꮓ⁠ ⁠Ꮒ⁠Ꮪ⁠Ᏺ⁠Ꮢ⁠Ꮎ⁠Ꮙ⁠ ⁠Ꭸ⁠Ꮢ⁠Ꭹ⁠ ⁠Ꭲ⁠Ꮟ⁠Ꮅ⁠ ⁠Ꮷ⁠Ꮺ⁠Ꮵ⁠ ⁠Ꭴ⁠Ꮒ⁠Ꮔ⁠Ꭺ⁠Ꭲ⁠Ꮝ⁠Ꮧ⁠Ᏹ⁠ ⁠Ꭴ⁠Ꮴ⁠Ꮅ⁠Ꭺ⁠Ꭿ⁠ ⁠Ꭶ⁠Ꮩ⁠Ꭿ⁠ !\nᏱᎰᏩᏃ ᏚᏁᏤᎸᎩ ᎼᏏ ᎠᎴ ᎡᎳᏂ ᎢᏥᏈᏱ, ᎯᎠ ᏂᏚᏪᏎᎸᎩ.\nᎪᎯ ᏥᎧᎳ ᏗᏓᎴᏅᏗᏍᎩ ᎨᏎᏍᏗ ᏓᏦᎳᏂᏒᎢ; ᏗᏓᎴᏅᏗᏍᎩ ᎨᏎᏍᏗ ᎠᏕᏘᏱᏍᎬ ᎪᎯ ᎧᎸᎢ.\nᏗᏍᏗᏁᏥ ᏂᎦᏛ ᎢᏏᎵ ᏓᏂᎳᏫᎥᎢ, ᎯᎠ ᏂᏗᏍᏗᏪᏏ, ᎠᏍᎪᎯᏁ ᎢᎪᎯ ᎪᎯ ᏥᎧᎳ ᎠᏂᏏᏴᏫᎭ ᎠᏂᏍᎦᏯ ᏧᏂᎦᏴᎵᎨ ᏏᏓᏁᎸᎯ ᏕᎨᏌᏗᏒ ᎠᏫ ᎤᎾᏘᏅᏍᏗ ᎨᏎᏍᏗ, ᏏᏓᏁᎸᎯ ᎨᏒ ᏌᏉ ᎠᏫ ᎤᎾᏘᏅᏍᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᏏᏓᏁᎸᎯ ᎨᏒ ᎠᏂᎦᏲᎵᏳᏉ ᏱᎩ ᎤᏂᏒᎲᏍᏗᏱ ᎠᏫ, ᎿᏉ ᎾᎥᏂᎨ ᎾᎥ ᎢᏳᎾᏓᎵ ᎨᏒ ᏏᏓᏁᎸᎯ ᎤᏂᏁᏍᏗ ᎨᏎᏍᏗ, ᎾᏂᎥ ᎾᏍᎩᏯ ᎢᎦᎢ ᎤᏂᏁᏍᏗ ᎨᏎᏍᏗ, ᎠᏂᏏᏴᏫᎭ ᎢᎦᎢ ᎬᏩᏂᎩᏍᏗ ᎨᏒ ᏗᏣᏎᏍᏗ ᎨᏎᏍᏗ ᎤᎾᏕᏆᎶᏗ ᏌᏉ ᎠᏫ.\nᎢᏣᏤᎵ ᎠᏫ ᎪᎱᏍᏗ ᏄᏍᏛᎾ ᎨᏎᏍᏗ, ᎠᏨᏯ ᎤᏕᏘᏴᏛ,; ᏗᏥᏯᏅᎡᏗ ᎨᏎᏍᏗ ᎤᏂᏃᏕᎾ ᎠᎴ ᎠᏂᎭᏄᎸᎯ.\nᎠᎴ ᎢᏥᏍᏆᏂᎪᏕᏍᏗ ᏂᎦᏚᏏᏁ ᎢᎪᎯ ᎢᏯᏍᏗ ᎪᎯ ᎧᎳᏩᏗᏒᎢ; ᏂᎦᏛᏃ ᏓᏂᎳᏫᎥ ᎢᏏᎵ ᎤᏂᎯᏍᏗ ᎨᏎᏍᏗ ᎤᏒᎢ.\nᎾᏍᎩᏃ ᎤᎩᎬ ᎤᏂᏁᎩᏍᏗ ᏧᏂᏍᏚᏟᏍᏗ ᎨᏎᏍᏗ ᎢᏧᎳᏗᏢ ᏕᎦᏯᎸ ᎦᎶᎯᏍᏗᏱ, ᎠᎴ ᎦᎸᎳᏗᏢ ᏚᎶᎯᏍᏗᏱ ᎠᏍᏆᎾᎸᎢ, ᎾᎿ ᏓᏓᏁᎸ ᎤᎾᎵᏍᏓᏴᏗᏱ ᎨᏒᎢ.\nᎾᎯᏳᏉᏃ ᏒᏃᏱ ᎤᏫᏯ ᎤᏂᎩᏍᏗ ᎨᏎᏍᏗ, ᎠᏒᎾᏘᎶᎥᎯ ᎠᏥᎸᏱ, ᎠᎴ ᎦᏚ ᎠᎪᏔᏅᎯ ᏂᎨᏒᎾ: ᎠᎴ ᎤᏴᏍᏗ ᎦᏄᎸᏒᎢ ᎤᎾᏠᏯᏍᏗ ᎤᏂᎩᏍᏗ ᎨᏎᏍᏗ.\nᏞᏍᏗ ᎠᎪᏍᏗ ᎢᏥᎬᎩ, ᎠᎴ ᏞᏍᏗ ᎠᎪᏎᎯ ᎬᏂᏍᏔᏅᎯ, ᎠᏒᎾᏘᎶᎥᎯᏍᎩᏂ ᎠᏥᎸᏱ, ᎤᏍᎪ ᎠᎴ ᏗᎦᏅᏍᎨᏂ, ᎠᎴ ᏄᏍᏗᏓᏅ ᎤᎵᏠᏯᏍᏕᏍᏗ.\nᎠᎴ ᏞᏍᏗ ᎢᎦᏛ ᎢᏥᎯᏴᎩ ᏑᎾᎴ ᎢᏴᏛ; ᎾᏍᎩᏃ ᏑᎾᎴ ᎤᏘᏴᎯ ᎢᏣᎪᎲᏍᏙᏗ ᎨᏎᏍᏗ ᏥᏥᎸᏱ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎢᏥᎬᎭ; ᏕᏣᏓᏠᎮᏍᏗ, ᏕᏣᎳᏑᎴᏍᏗ, ᎠᎴ ᏗᏣᏙᎳᏅᏍᏗ ᏕᏥᏁᎮᏍᏗ; ᎠᎴ ᎤᎵᏍᏗ ᎢᏥᎬᎭ; ᏱᎰᏩᏰᏃ ᎤᏤᎵ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎾᏍᎩ.\nᏓᏥᎦᏛᎴᏏᏰᏃ ᎢᏥᏈᏱ ᎦᏙᎯ ᎪᎯ ᏒᏃᏱ, ᎠᎴ ᏓᎦᏥᏴᏂᎵ ᏂᎦᏛ ᎢᎬᏱ ᎠᏁᎯ ᎢᏥᏈᏱ ᎠᏁᎯ, ᏴᏫ ᎠᎴ ᎦᎾᏝᎢ; ᎠᎴ ᏂᎦᏗᏳ ᎢᏥᏈᏱ ᎠᏁᎯ ᎤᎾᏁᎳᏅᎯ ᏓᎦᏥᏍᏛᏗᏍᏔᏂ; ᎠᏴ ᏱᎰᏩ\nᎩᎬᏃ ᎤᏰᎸᏛ ᎨᏎᏍᏗ ᏓᏓᏁᎸ ᎾᎿ ᎢᏥᏯᎥᎢ; ᏥᎪᎥᏃ ᎩᎬ ᎢᏨᏃᎯᏯᏍᏗ ᎨᏎᏍᏗ, ᎤᏕᏯᏙᏗᏃ ᎥᏝ ᎢᏥᎷᏤᏗ ᎢᏥᏒᎲᏍᏗ ᏱᎨᏎᏍᏗ, ᎾᎯᏳ ᎬᏂᎸᎭ ᎢᏥᏈᏱ ᎦᏙᎯ.\nᎪᎯᏃ ᎢᎦ ᏥᎩ ᎢᏣᏅᏓᏗᏍᏙᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎢᏥᏍᏆᏂᎪᏙᏗ ᏱᎰᏩ ᎡᏣᎵᏍᏓᏴᎾᏁᏗ ᎨᏎᏍᏗ ᏂᏣᏓᏁᏟᏴᏏᏒᎢ; ᎢᏥᏍᏆᏂᎪᏕᏍᏗ ᎢᏣᎵᏍᏓᏴᏗᏱ, ᏂᎪᎯᎸ ᏗᏥᎧᎿᏩᏛᏍᏗ ᎨᏎᏍᏗ.\nᎦᎵᏉᎩ ᎢᎦ ᏂᏓᎪᏔᏅᎾ ᎦᏚ ᏗᏂᏥᎩᏍᏗ ᎨᏎᏍᏗ; ᎢᎬᏱᏱᏉ ᎢᎦ ᎢᏥᏄᎪᏫᏍᏗ ᎨᏎᏍᏗ ᏕᏥᏁᎸ ᎠᎪᏙᏗ; ᎩᎶᏰᏃ ᎠᎪᏔᏅᎯ ᎦᏚ ᎢᎠᎩᏍᎨᏍᏗ ᎢᎬᏱᏱ ᎢᎦ ᏅᏓᎬᏩᏓᎴᏅᏛ ᎦᎵᏉᎩᏁ ᎢᎦ ᎢᏯᏍᏗ, ᎾᏍᎩ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ ᎢᏏᎵᏱ ᎤᏙᏣᎸᎢ.\nᎢᎬᏱᏱᏉ ᎢᎦ ᎦᎸᏉᏗᏳ ᏗᎦᎳᏫᎢᏍᏗ ᎢᏥᏰᎸᏎᏍᏗ, ᎠᎴ ᎦᎵᏉᎩᏁ ᎢᎦ ᎦᎸᏉᏗᏳ ᏗᎦᎳᏫᎢᏍᏗ ᎢᏥᏰᎸᏎᏍᏗ; ᎥᏝ ᎪᎱᏍᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏱᎨᏎᏍᏗ ᎾᎯᏳ ᎨᏒᎢ, ᎾᏍᎩᏂᏃᏅ ᎠᏂᏏᏴᏫᎭ ᎤᎾᎵᏍᏓᏴᏗ. ᎨᏒ ᎾᏍᎩ ᎤᏩᏒ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎢᏥᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᎠᎵᏍᏓᏴᏗᏱ ᏂᏓᎪᏔᏅᎾ ᎦᏚ ᏗᎩᏍᏗᏱ; ᎾᎯᏳᏰᏃ ᎢᎦ ᎨᏒ ᎢᏥᏈᏱ ᎦᏙᎯ ᏓᏨᏄᎪᏫᏒᎩ ᏕᏣᏓᏡᏩᏗᏒᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᎪᎯ ᎢᎦ ᎢᏣᏓᏁᏟᏴᏏᏒ ᏗᏥᎧᎿᏩᏛᏍᏗ ᎨᏎᏍᏗ ᏂᎪᎯᎸᎢ.\nᎢᎬᏱᏱ ᏅᏙᎯ, ᏂᎦᏚᏏᏁ ᎢᎦ ᎾᏍᎩ ᎧᎸᎢ, ᎤᏒᎢ, ᎦᏚ ᏂᏓᎪᏔᏅᎾ ᏗᏥᎩᏍᏗ ᎨᏎᏍᏗ, ᏐᎢᏦᏁᏏᏁ ᎢᎦ ᎾᏍᎩ ᎧᎳᏩᏗᏒ ᎢᏯᏍᏗ ᎤᏒᎢ.\nᎦᎵᏉᎩ ᎢᎦ ᎠᎪᏙᏗ ᎥᏞᏍᏗ ᎬᏩᏛᏗ ᏱᎨᏎᏍᏗ ᏕᏥᏁᎸᎢ; ᎩᎶᏰᏃ ᎪᎱᏍᏗ ᎠᎪᏔᏅᎯ ᎠᎩᏍᎨᏍᏗ, ᎾᏍᎩ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ ᎢᏏᎵ ᎤᎾᏓᏡᎬ ᎤᏙᏣᎸᎢ, ᎾᏍᏉ ᎡᏙᎯᏉ ᏱᎩ, ᎠᎴ ᎾᎿᏉ ᎤᏕ-ᏅᎯ ᏱᎩ.\nᎥᏞᏍᏗ ᎪᎱᏍᏗ ᎢᏥᎩᏍᏗ ᏱᎨᏎᏍᏗ ᎠᎪᏔᏅᎯ; ᏂᎦᏛ ᏕᏥᏁᎳᏗᏒ ᏂᏓᎪᏔᏅᎾ ᎦᏚ ᏗᏥᎩᏍᏗ ᎨᏎᏍᏗ.\nᎿᏉᏃ ᎼᏏ ᏫᏚᏯᏅᎲᎩ ᏂᎦᏛ ᏧᎾᏛᏐᏅᎯ ᎢᏏᎵ ᎠᏁᎲᎢ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᏗᏥᏂᏴ ᎠᎴ ᏗᏣᏘᏄᎦ ᎠᏫ ᏕᏣᏓᏘᎾᏩᏗᏒᎢ, ᎠᎴ ᏗᏥᎷᎦ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᏗᎯᏍᏗ ᎨᏒᎢ.\nᎯᏌᏈᏃ ᎪᏛᎢᏛ ᎢᏥᎩᏒᎭ, ᎩᎬᏃ ᎦᏁᎲ ᎠᏕᎵᏙᎩᎯ ᎢᏅᎭ, ᎠᎴ ᎦᎶᎯᏍᏗᏱ ᎦᎸᎳᏗᏢ ᎠᏍᏆᎾᎸ ᎠᎴ ᎢᏧᎳ ᎢᏗᏢ ᏕᎦᏯᎸ ᏕᎯᏍᏚᏟᏍᏔᏅᎭ ᎯᎠ ᎩᎬ ᎠᏕᎵᏙᎩᎯ ᎦᏁᎲᎢ;: ᎥᏝ ᎠᎴ ᎩᎶ ᎤᏄᎪᎢᏍᏗ ᏱᎨᏎᏍᏗ ᎦᎶᎯᏍᏗᏱ ᎪᏢᏒ ᎦᏁᎸᎢ ᎬᏂ ᏑᎾᎴ ᏂᎦᎵᏍᏔᏅᎭ.\nᏱᎰᏩᏰᏃ ᏓᎦᎶᏏ ᏧᎩᎵᏲᎢᏍᏙᏗᏱ ᎢᏥᏈᏱ ᎠᏁᎯ; ᎠᎪᎲᏃ ᎩᎬ ᎤᏓᏅᎵᏰᎥ ᎦᎶᎯᏍᏗᏱ ᎦᎸᎳᏗᏢ ᎠᏍᏆᎾᎸᎢ, ᎠᎴ ᎢᏧᎳ ᎢᏗᏢ ᏕᎦᏯᎸᎢ, ᏱᎰᏩ ᏓᎧᏃᎯᏱ ᎾᏍᎩ ᎦᎶᎯᏍᏗᏱ, ᎠᎴ ᎥᏝ ᎤᎵᏍᎪᎸᏓᏁᏗ ᏱᎨᏎᏍᏗ ᏗᏛᏗᏍᎩ ᎤᏴᏍᏗᏱ ᏕᏥᏁᎸ ᎢᏥᎩᎵᏲᎢᏍᏙᏗᏱ.\nᎯᎠ ᎾᏍᎩ ᎤᎵᏁᏨᎯ ᎢᏥᏍᏆᏂᎪᏕᏍᏗ ᏗᏥᎧᎿᏩᏛᏍᏗ ᎨᏎᏍᏗ ᏂᎯ ᎠᎴ ᏗᏤᏥ ᎠᏂᏍᎦᏯ ᏂᎪᎯᎸᎢ.\nᎠᎴ ᎯᎠ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ, ᎿᏉ ᏫᏥᎷᏨᎭ ᎾᎿ ᎦᏙᎯ ᏱᎰᏩ ᎢᏥᏁᏗ ᏥᎩ, ᎾᏍᎩᏯ ᏄᏪᏒ ᎤᏚᎢᏍᏔᏅᎢ, ᎾᏍᎩ ᎯᎠ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎢᏥᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎯᎠ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᏗᏤᏥ ᎯᎠ ᏂᎨᏥᏪᏎᎸᎭ; ᎦᏙ ᎢᏨᏙᏗ ᎯᎠ ᎾᏍᎩ ᏥᏕᏥᎸᏫᏍᏓᏁᎭ,\nᎯᎠ ᎢᏥᏪᏍᏗ ᎨᏎᏍᏗ, ᎯᎠ ᎾᏍᎩ ᏱᎰᏩ ᎤᏤᎵ ᎧᏃᎯᏰᎩ ᎠᎵᏍᎪᎸᏓᏁᏗ; ᎾᏍᎩ ᏥᏚᏃᎯᏰ ᏓᏂᏁᎸ ᎢᏏᎵ ᏧᏪᏥ ᎢᏥᏈᏱ, ᎾᎯᏳ ᏥᏚᎩᎵᏲᎢᏍᏔᏁ ᎢᏥᏠᏱ ᎠᏁᎯ ᎠᏴᏃ ᏙᏥᏁᎸ ᏥᏚᏍᏕᎸᎮᎢ. ᏴᏫᏃ ᏚᎾᏗᏍᏚᏅᎩ, ᎠᎴ ᎤᎾᏓᏙᎵᏍᏔᏅᎩ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎤᎾᏓᏅᏒᎩ, ᎠᎴ ᏫᏄᎾᏛᏁᎸᎩ ᎾᏍᎩᏯ ᏱᎰᏩ ᏂᏚᏪᏎᎸ ᎼᏏ ᎠᎴ ᎥᎡᎳᏂ, ᎾᏍᎩᏯ ᏄᎾᏛᏁᎸᎩ.\nᏇᎵᏲᏃ ᎤᏗᏛᎲᎩ ᏒᏃᏱ, ᎤᏩᏒ ᎠᎴ ᏂᎦᏛ ᏧᏅᏏᏓᏍᏗ, ᎠᎴ ᏂᎦᏛ ᎢᏥᏈᏱ ᎠᏁᎯ; ᎠᎴ ᎤᏣᏘ ᏓᏂᏴᎬᎩ ᎢᏥᏡᏱ; ᎥᏝᏰᏃ ᎢᎸᎯᏢ ᏯᏓᏁᎴ ᎾᎿ ᎠᏏᏴᏫ ᎤᏲᎢᏒᎯ ᏂᎦᏅᎾ ᎨᏒᎢ.\nᎠᎴ ᏫᏚᏯᏅᎲᎩ ᎼᏏ ᎠᎴ ᎡᎳᏂ ᏒᏃᏱ, ᎯᎠᏃ ᏄᏪᏒᎩ, ᏗᏍᏓᎴᎲᎦ ᎢᏍᏓᏓᏅᎾ ᏗᏆᏤᎵ ᏴᏫ ᎠᏂ ᏄᎾᏛᏅᎢ, ᏂᎯ ᎠᎴ ᎢᏏᎵ ᏧᏪᏥ: ᎠᎴ ᎢᏤᎾ ᎪᎱᏍᏗ ᏪᏣᏛᏂᏏ ᏱᎰᏩ, ᎾᏍᎩᏯ ᏂᏥᏪᏒᎢ.\nᎠᎴ ᏗᏣᏘᏄᎦ ᎠᏫ ᎠᎴ ᏩᎦ, ᎾᏍᎩᏯ ᏂᏥᏪᏒᎢ, ᎠᎴ ᎢᏤᎾ, ᎠᎴ ᎾᏍᏉ ᎣᏍᏛ ᏍᎩᏂᏁᏤᎸᎭ.\nᎢᏥᏈᏱᏃ ᎠᏁᎯ ᏓᎾᎵᏍᏓᏁᎲᎩ ᏴᏫ, ᎤᎾᏚᎵᏍᎬᎩ ᏧᏂᏄᎪᏫᏍᏗᏱ ᎤᎾᏤᎵᎪᎯ; ᎯᎠᏰᏃ ᎾᏂᏪᏍᎬᎩ, ᏗᎩᏲᎱᏒᎯᏉ ᏂᏗᎥᎢ.\nᏴᏫᏃ ᎤᎾᏑᎨᎲᎯ ᎠᏏᏉ ᎾᎪᏔᏅᎾ ᏧᎾᏑᎨᏗᏱ ᏥᏳᎯ ᎦᎸᎢ ᏧᎾᏄᏬᎩᎯ ᎦᏇᏅᏒᎯ ᏚᎾᏃᎭᏝᏅᎩ..\nᎢᏏᎵᏃ ᏧᏪᏥ ᏄᏪᏒ ᎼᏏ ᎾᏍᎩᏯ\nᏄᎾᏛᏁᎸᎩ; ᎠᎴ ᏚᎾᏙᎸᎡᎴ ᎢᏥᏈᏱ ᎠᏁᎯ ᏧᏓᎴᏅᏛ ᎠᏕᎸ ᎤᏁᎬ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᏗᏄᏬ.\nᏱᎰᏩᏃ ᏚᏁᎸ ᏴᏫ ᎣᏏᏳ ᎬᏩᏂᏰᎸᏗᏱ ᎢᏥᏈᏱ ᎠᏁᎯ, ᎾᏍᎩ ᏕᎬᏩᎾᏙᎳᏍᏗᏍᎬᎩ, ᎠᎴ ᏚᏂᎾᏌᏅᎩ ᎢᏥᏠᏱ ᎠᏁᎯ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎤᎾᏂᎩᏒᎩ ᎴᎻᏏ ᏌᎪᏗᏃ ᏭᏂᎷᏨᎩ, ᏑᏓᎵᏧᏈ ᎢᏯᎦᏴᎵ ᎢᏴᏛ ᎢᏯᏂᏛ ᎠᏂᏍᎦᏯ ᎡᎳᏗ ᎠᏁᎩ, ᏗᏂᏲᎵ ᏂᏓᏁᏢᏛᎾ.\nᎠᎴ ᎤᏂᏣᏘ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎾᏍᏉ ᎤᏁᎳᏛᏒᎩ;: ᎠᎴ ᎠᏫ ᎠᎴ ᏩᎦ, ᏰᎵᎦᏯ ᎤᏂᏣᏘ ᎦᎾᏝᎢ.\nᏚᏂᏚᏅᎩᏃ ᎦᏚ ᏂᏓᎪᏔᏅᎾ ᎤᎾᏑᎨᎲᎯ ᎢᏒ ᎢᏥᏈ ᏅᏓᏳᏂᏴᏍᏔᏅᎯ, ᎥᏝᏰᏃ ᎠᎪᏔᏅᎯ. ᏱᎨᏎᎢ; ᏓᎨᏥᏄᎪᏫᏒᎩᏰᏃ ᎢᏥᏈᏱ, ᎥᏝ ᎠᎴ ᎬᏩᎾᏗᎩᏯᏍᏗ ᏱᎨᏎᎢ, ᎠᎴ Ꮭ ᎤᎾᏓᏁᎳᏅᎯ ᏱᎨᏎ ᎤᎾᎵᏍᏓᏴᏗ.\nᎾᏍᎩᏯ ᎤᏁᏙᎸᎢ ᎢᏏᎵ ᏧᏪᏥ ᎢᏏᏈᏱ ᏅᎩᏧᏈ ᏦᎠᏍᎪᎯᏃ ᏄᏕᏘᏴᎲᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᏅᎩᏧᏈ ᏦᎠᏍᎪᎯᏃ ᏄᏕᏘᏴᎲ, ᎾᏍᎩ ᎾᎯᏳ ᎠᎦ ᎯᎠ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᏂᎦᏛ ᏚᎾᏓᏡᏩᏗᏒ ᏱᎰᏩ ᏧᏤᎵᎦ ᎤᏂᏄᎪᏦᏅᎩ ᎢᏥᏡᏱ.\nᎾᏍᎩ ᎾᎯᏳ ᏒᏃᏱ ᎤᏣᏘ ᎠᏍᏆᏂᎪᏓᏁᏗ ᏱᎰᏩ, ᎢᏥᏈᏱ ᎦᏙᎯ ᏙᏧᏘᎾᏫᏛᎲ ᎢᏳᏍᏗ; ᎯᎠ ᎾᏍᎩ ᎡᏃᏱ ᏱᎰᏩ ᎤᏂᏍᏆᏂᎪᏓᏁᏗ ᏂᎦᏛ ᎢᏏᎵ ᏧᏪᏥ ᎾᎾᏓᏁᏟᏴᎲᏒᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᎼᏏ ᎠᎴ ᎡᎳᏂ, ᎯᎠ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎤᎬᏩᎵ, ᏞᏍᏗ ᎩᎶ ᏅᏩᏓᎴ ᏴᏫ ᎤᎵᏍᏓᏴᏗ ᏱᎨᏎᏍᏗ;\nᎾᏂᎥᏍᎩᏂ ᏗᏥᏅᏏᏓᏍᏗ ᎠᏕᎸ ᏗᏥᏩᎯᏍᏔᏅᎯ, ᏗᏥᎱᏍᏕᏎᎸᎯ ᎨᏎᏍᏗ, ᎿᏉ ᎤᎵᏍᏓᏴᏗ ᎨᏎᏍᏗ.\nᎡᏙᎯ, ᎠᎴ ᎠᎦᎫᏴᎡᎯ ᎠᏥᏅᏏᏛ ᏐᏝ ᎬᏩᎾᎵᏍᏓᏴᏗ ᏱᎨᏎᏍᏗ.\nᏌᏉᏉ ᎠᏓᏁᎸ ᎠᎩᏍᏗ ᎨᏎᏍᏗ; ᎥᏝ ᎢᎦᏛ ᎤᏫᏯ ᏣᏄᎪᏫᏍᏗ ᏱᎨᏎᏍᏗ ᎠᏓᏁᎸᎢ: ᎥᏝ ᎠᎴ ᎤᎪᎳ ᎢᏥᏍᏆᎵᏎᏗ ᏱᎨᏎᏍᏗ.\nᏂᎦᏛᏃ ᏑᎾᏓᏡᎩ ᎨᏒ ᎢᏏᎵ ᎯᎠ ᎾᏍᎩ ᎤᏂᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ.\nᏅᏩᏓᎴᏃ ᏴᏫ ᏰᏙᎭ ᎢᏤᎲᎢ, ᎠᎴ ᏳᏚᎵ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᏱᎰᏩ ᎤᏍᏆᏂᎪᏓᏁᏗᏱ, ᏂᎦᏛ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᏗᎨᏥᎤᏍᏕᏎᏗ ᎨᏎᏍᏗ, ᎩᎳ ᎿᏉ ᎾᎥ ᎤᎷᎯᏍᏗ ᎠᎴ ᎤᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎾᎿᏉ ᎤᏕᏅᎯ ᎢᏳᏍᏗ ᎨᏎᏍᏗ; ᎩᎶᏃ ᎾᏥᎤᏍᏕᏎᎸᎾ ᎥᏞ ᎾᏍᎩ ᎬᏩᎩᏍᏗ ᏱᎨᏎᏍᏗ.\nᏌᏉᏉ ᏧᏂᎧᎿᏩᏛᏍᏗ ᎨᏎᏍᏗ ᎢᏣᏤᎵᎪᎯ ᎤᏕᏅᎯ, ᎾᏃ ᏅᏩᏓᎴ ᏴᏫ ᎢᏤᎲ ᎥᎸᏛᏒᏃ\nᎾᏍᎩᏃ ᎯᎠ ᏄᎾᏛᏁᎸᎩ ᏂᎦᏛ ᎢᏏᎵ ᏧᏪᏥ; ᎾᏍᎩᏯ ᏱᎰᏩ ᏂᏚᏪᏎᎸ ᎼᏏ ᎠᎴ ᎡᎳᏂ, ᎾᏍᎩ ᏄᎾᏛᏁᎸᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᎯᏳᏉ ᎢᎦ, ᎾᏍᎩ ᏱᎰᏩ ᏚᏄᎪᏫᏒᎩ ᎢᏏᎵ ᏧᏪᏥ ᏚᎾᏓᏡᏩᏗᏒ ᎢᏥᏈᏱ ᎦᏙᎯ.\nᏱᎰᏩᏃ ᎤᏁᏤᎸᎩ ᎼᏏ, ᎯᎠ ᏄᏪᏒᎩ,\nᏗᏍᏆᏓᏓᎴᏓᏏ ᏂᎦᏛ ᎢᎬᏱ ᎠᏁᎯ ᏂᎦᏛ ᎢᎬᏱ ᎨᏥᎾᏄᎪᏫᏍᎩ ᏥᎩ ᎢᏏᎵ ᏧᏪᏥ ᏧᎾᏤᎵᎦ, ᏴᏫ ᎠᎴ ᎾᏍᏉ ᎦᎾᏝᎢ; ᎠᏆᏤᎵᎦ ᎾᏍᎩ.\nᎼᏏᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᏴᏫ, ᎢᎭᏅᏓᏓ ᎪᎯ ᎢᎦ ᏥᎩ, ᎾᎯᏳ ᏗᏥᏄᎪᏨ ᎢᏥᏈᏱ, ᏗᎨᏥᎾᏝᎢ ᏙᏗᏂᏁᎸᎢ; ᎤᎵᏂᎩᏛᏰᏃ ᎨᏒ ᎤᏬᏰᏂ ᏱᎰᏩ ᎤᏩᏔᏅᏓᏥᏄᎪᏫᏒᎩ ᎾᎿᏂ; ᎥᏝ ᎠᎪᏔᏅᎯ ᎦᏚ ᎢᏥᎩᏍᏗ ᏱᎨᏎᏍᏗ.\nᎪᎯ ᎢᎦ ᏓᏥᏄᎪᎢ, ᏅᏙ ᎧᎸ ᎡᏈ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏕᏍᏗ, ᎿᏉ ᏱᎰᏩ ᏫᏣᏘᏃᎸᎭ ᎠᏂᎨᎾᏂ ᎤᎾᏤᎵᎪᎯ, ᎠᎴ ᎠᏂᎯᏗ, ᎠᎴ ᎠᏂᎠᎼᎵ, ᎠᎴ ᎠᏂᎯᏫ, ᎠᎴ ᎠᏂᏥᏊᏏ ᎤᎾᏤᎵᎪᎯ, ᎾᏍᎩ ᏧᏎᎵᏔᏁ ᏥᏚᏚᎢᏍᏓᏁᎴ ᏗᏣᎦᏴᎵᎨ ᏂᎯ ᏣᏁᏗᏱ, ᎾᏍᎩ ᎾᎿ ᎦᏙᎯ ᎤᏅᏗ ᎠᎴ ᏩᏚᎵᏏ ᏥᏕᎦᎶᎴᎦ, ᎾᏍᎩ ᎾᎯᏳ ᎯᎠ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏣᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᎪᎯ ᎧᎸᎢ.\nᎦᎵᏉᎩ ᏧᏒᎯᏛ ᏂᏓᎪᏔᏅᎾ ᎦᏚ ᏗᏣᎩᏍᏗ ᎨᏎᏍᏗ, ᎦᎵᏉᎩᏁᏃ ᎢᎦ ᏱᎰᏩ ᎡᏣᎵᏍᏓᏴᎾᏁᏗ ᎨᏎᏍᏗ.\nᏂᏓᎪᏔᏅᎾ ᎦᏚ ᎦᎵᏉᎩ ᎢᎦ ᏗᎩᏍᏗ ᎨᏎᏍᏗ; ᎥᏝ ᎠᎴ ᎡᏣᎪᏩᏛᎡᏗ ᏱᎨᏎᏍᏗ ᎠᎪᏔᏅᎯ. ᎦᏚ) ᎥᏝ ᎠᎴ ᎡᏣᎪᏩᏛᎡᏗ ᏱᎨᏎᏍᏗ ᎠᎪᏙᏗ ᏣᏤᎵᎪᎯ ᏂᎬᎾᏛᎢ.\nᏤᏥᏃ ᎬᏂᎨᏒ ᎢᎯᏴᏁᏗ ᎨᏎᏍᏗ ᎾᎯᏳ ᎢᎦ, ᎯᎠ ᎢᏣᏪᏍᏗ ᎨᏎᏍᏗ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏱᎰᏩ ᎾᏆᏛᏁᎸ ᎾᎯᏳ ᎢᏥᏈᏱ ᏗᎩᏄᎪᏨ.\nᎠᎴ ᏗᏣᏁᎶᏙᏗ ᎨᏎᏍᏗ ᎦᏯᎴᏍᏗ ᏦᏰᏂ, ᎠᎴ ᏣᏅᏓᏗᏍᏙᏗ ᎨᏎᏍᏗ ᏘᎦᏙᎵ ᎠᏰᎵ ᎦᏯᎴᏍᏗ, ᎾᏍᎩ ᏱᎰᏩ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᏣᏍᏆᏂᎪᏙᏗᏱ. ᎯᎰᎵ; ᎤᎵᏂᎩᏛᏰᏃ ᎤᏬᏰᏂ ᎤᏩᏔᏅᎩ ᏱᎰᏩ ᏓᏣᏄᎪᏫᏒᎩ ᎢᏥᏈᏱ.\nᎯᎠᏃ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎵᏍᏓᏴᏗᏱ ᎠᏍᏆᎸᎮᎬ ᏣᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᏂᏓᏕᏘᏴᎯᏒᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏕᏍᏗ, ᎾᏍᎩ ᎾᎯᏳ ᏱᎰᏩ ᎠᏂᎨᎾᏂ ᎤᎾᏤᎵᎪᎯ ᏫᏣᏘᏃᎸᎭ ᎾᏍᎩᏯ ᏂᏣᏪᏎᎸ ᏂᎯ ᎠᎴ ᏂᏚᏪᏎᎸ ᏗᏣᎦᏴᎵᎨᎢ ᎠᏎᎵᏛᏍᎬᎢ, ᎠᎴ ᏣᏁᎸᎭ,\nᎾᏍᎩ ᏤᏥᎧᏁᏗ ᎨᏎᏍᏗ ᏱᎰᏩ ᏂᎦᏛ ᎢᎬᏱ ᎨᏥᎾᏄᎪᏫᏍᎩ ᏥᎩ, ᎠᎴ ᎾᏂᎥ ᎢᎬᏱ ᎠᏁᎯ ᎦᎾᏝᎢ ᏣᎧᎲ ᎨᏥᎾᏄᎪᏫᏒᎯ; ᎠᏂᏨᏯ ᏱᎰᏩ ᏧᏤᎵ ᎨᏎᏍᏗ.\nᏗᎦᎵᎠᏅᎯᏛᏃ ᏐᏈᎵ ᎢᎬᏱ ᎡᎯ ᎤᏪᏥ ᎯᏯᎫᏴᏗᏉ ᎨᏎᏍᏗ ᎤᏃᏕᎾ ᎠᏫ ᎯᏯᎫᏴᏙᏗ ᎨᏎᏍᏗ; ᎢᏳᏃ ᏂᏯᎫᏴᎲᎾ ᎢᎨᏎᏍᏗ ᎯᏍᏆᎵᏎᏗᏉ ᎨᏎᏍᏗ ᎠᏴᏤᏂ; ᎠᎴ ᎾᏂᎥ ᎢᎬᏱ ᎠᏁᎯ ᏴᏫ ᏗᏤᏥ ᏕᏤᎲᎢ, ᎩᏯᎫᏴᏗ ᎨᏎᏍᏗ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏕᏍᏗ, ᎢᏳᏃ ᏤᏥ ᎢᎸᎯᏳ ᎢᏣᏛᏛᎲᏍᎨᏍᏗ ᎯᎠ ᏂᎦᏪᏍᎨᏍᏗ, ᎦᏙ ᎯᎠ? ᎯᎠ ᎢᎯᏪᏎᏗ ᎨᏎᏍᏗ, ᏱᎬᏩ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎤᏬᏰᏂ ᎤᏩᏔᏅᎩ ᏓᏲᎩᏄᎪᏫᏒᎩ ᎢᏥᏈᏱ, ᏗᎨᏥᎾᏝᎢ ᏙᏗᏂᏁᎸᎢ;\nᎠᎴ ᎯᎠ ᏄᎵᏍᏔᏅᎩ, ᎾᎯᏳ ᏇᎵᏲ ᎦᏂᎳ ᎤᏬᎯᏳᏅ ᏦᎩᏲᎯᏍᏗᏱ, ᏱᎰᏩ ᏚᎸᎩ ᏂᎦᏛ ᎢᎬᏱ ᎠᏁᎯ ᎢᏥᏠᏈᏱ ᎠᏁᎲᎢ, ᎾᏍᏉ ᏴᏫ ᏧᏁᏥ ᎢᎬᏱ ᎠᏁᎯ, ᎠᎴ ᎦᎾᏝᎢ ᏧᏁᏥ ᎢᎬᏱ ᎠᏁᎯ; ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎠᏴ ᏕᏥᏯᎵᏍᎪᎸᏓᏁᎰ ᏱᎰᏩ ᏂᎦᏛ ᎢᎬᏱ ᎨᏥᎾᏄᎪᏫᏒᎯᏊ ᎠᏂᏨᏯ ᏱᎩ; ᎢᎬᏱᏍᎩᏂ ᎠᏁᎯ ᏗᏇᏥ ᏂᎦᏛ ᏕᎦᎫᏱᏍᎪᎢ.\nᎠᎴ ᎾᏍᎩ ᏗᏣᏁᎶᏙᏗ ᎨᏎᏍᏗ ᏦᏰᏂ ᎦᏯᎴᏍᏗ, ᎠᎴ ᏗᎦᏙᎵ ᎠᏰᎵ ᎦᏯᎸᏗ ᎨᏎᏍᏗ; ᎤᎵᏂᎩᏗᏳᏰᏃ ᎨᏒ ᎤᏬᏰᏂ ᏱᎰᏩ ᎤᏩᏔᏅᎩ ᏓᏲᎩᏄᎪᏫᏒᎩ ᎢᏥᏡᏱ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᎯᏳ ᏇᎵᏲ ᏚᏲᏒ ᏴᏫ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎥᏝ ᎠᏂᏈᎵᏍᏗ ᎤᎾᏤᎵᎪᎯ ᎦᏙᎯ ᏫᎦᏅᏅ ᏱᏫᏚᏘᏅᏍᏔᏁᎢ, ᎾᎥᏂᏳᏍᎩᏂ ᎨᏒ ᎾᏍᎩ; ᎤᏁᎳᏅᎯᏰᏃ ᎯᎠ ᏄᏪᏒᎩ, ᏴᏫᏰᏃ ᏱᏓᏂᏁᏟᏴᎾ ᏚᎾᏓᏅᏛ ᎿᏉ ᏓᎿᏩ ᎠᏂᎪᎲᎭ, ᎠᎴ ᏯᎾᏨᎾ ᎢᏥᏈ ᏱᏩᏂᎶᎯ.\nᎤᏁᎳᏅᎯᏍᎩᏂ ᏚᏪᏕᏯᏍᏔᏅᎩ ᏴᏫ ᎢᎾᎨ ᏫᎦᎶᎯᏍᏗᏱ ᎾᏍᎩ ᎠᎹᎩᎦᎨᏍᏛᏱ ᎾᎥᎢ. ᎠᎴ ᎢᏏᎵ ᏧᏪᏥ ᎤᏂᏄᎪᏨᎩ ᎢᏥᏈᏱ ᏧᎾᎵᏍᎦᏍᏙᏗ ᏗᏂᏁᎯ.\nᎼᏏᏃ ᏦᏩ ᏧᎪᎳ ᏚᏪᏅᏒᎩ;: ᎤᎵᏂᎩᏛᏰᏃ ᏧᏎᎵᏙᏔᏅᎯ ᎨᏒᎩ ᎢᏏᎵ ᏧᏪᏥ, ᎯᎠ ᎢᏳᏪᏛ ᎨᏒᎩ, ᎤᏁᎳᏅᎯ ᎠᏎ ᏓᏥᏳᏩᏛᎯᎵ; ᎠᎴ ᎠᏎ ᏗᏥᏅᏍᏗ ᎨᏎᏍᏗ ᏗᎩᎪᎳ ᎠᏂ ᎢᏣᏓᏅᎡᎭ.\nᏌᎪᏗᏃ ᎤᎾᏂᎩᏒᎩ, ᎢᏓᎻᏃ ᎤᎾᏅᏅᎩ ᎢᎾᎨ ᎠᏍᏛᎢ.\nᏱᎰᏩᏃ ᎢᎬᏱ ᎠᎢᏒᎩ ᎠᎾᎢᏒ ᎢᎦ ᎾᎿ ᎤᏓᏡᎬ ᎤᎶᎩᎸᎢ, ᏧᏘᏅᏍᏗᏱ ᎾᎿ ᏫᎦᎶᎯᏍᏗᏱ; ᎤᏒᏃ ᎤᏓᏡᎬ ᎠᏥᎸ ᎠᎢᏒᎩ ᎾᏍᎩ ᎢᎦ-ᏧᏘᏍᏓᏁᏗᏱ; ᎾᏍᎩ ᎤᏁᏅᏍᏗᏱ ᎢᎦ ᎠᎴ ᏒᏃᏱ.\nᎥᏝ ᎠᎴ ᏱᏚᎩᎡᎴ ᎤᏓᏡᎬ ᎤᎶᎩᎸ ᎢᎦ, ᎠᎴ ᎤᏓᏡᎬ ᎠᏥᎸ ᏒᏃᏱ ᎢᎬᏱ ᏕᎡᏅᎡᎲ ᏴᏫ.\nᏱᎰᏩᏃ ᎤᏁᏤᎸᎩ ᎼᏏ ᎯᎠ ᏄᏪᏒᎩ,\nᏘᏁᏥ ᎢᏏᎵ ᏧᏪᏥ, ᎾᏍᎩ ᎤᎾᎪᎸᏍᏗᏱ ᎠᎴ ᏭᎾᏅᏘᏱ ᏆᎮᎭᎶᏛ ᎢᎬᏱᏗᏢ, ᎠᏰᎵ ᎻᎦᏙᎳ ᎠᎴ ᎠᏳᏉᎯ, ᏇᎵᏥᏉᏂ ᏧᏳᎪᏗ; ᎾᎿ ᎢᎬᏱᏗᏢ ᎢᏣᏅᏗᏢ ᎨᏎᏍᏗ ᎠᏣᏉᎯ ᎾᎥᎢ.\nᏇᎵᏲᏃ ᎯᎠ ᏅᏓᎦᏪᏏ ᎢᏏᎵ ᏧᏪᏥ ᏕᎧᏃᎮᏍᎬᎢ, ᎤᏄᏓᎸᏨ ᎦᏙᎯ, ᎢᎾᎨ ᎨᏒ ᎤᎾᎵᏍᏚᏔᏅ.\nᎠᎴ ᏓᏥᏍᏓᏱᏕᎵ ᏇᎵᏲ ᎤᎾᏫ, ᎠᎴ ᏙᏛᏍᏓᏩᏕᏏ; ᎠᎴ ᎥᎩᎸᏉᏙᏗ ᎨᏎᏍᏗ, ᏇᎵᏲ ᎠᎴ ᏧᏤᎵ ᏑᎾᏓᏡᎩ ᏄᎾᎵᏍᏓᏁᎸ; ᎠᎴ ᎢᏥᏈᏱ ᎠᏁᎯ ᏛᎾᏙᎴᎰᏏ ᎠᏴ ᏱᎰᏩ ᎨᏒᎢ. ᎾᏍᎩᏃ ᏄᎾᏛᏁᎸᎩ.\nᎠᏥᏃᏁᎸᎩᏃ ᎢᏥᏈᏱ ᎡᎯ ᎤᎬᏫᏳᎯ, ᏴᏫ ᎤᎾᎵᏒᎢ; ᏇᎵᏲᏃ ᎤᎾᏫ ᎠᎴ ᏧᏅᏏᏓᏍᏗ ᏧᏂᎾᏫ ᏚᏂᎦᏔᎲᏒᎩ, ᏚᎾᏡᏔᏅᎩ ᏴᏫ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ, ᎦᏙᏃ ᎯᎠ ᎾᏍᎩ ᏅᏓᏛᎦ, ᏙᎨᏘᏲᎯ ᎢᏏᎵ, ᎠᏴ ᎪᎱᏍᏗ ᎨᎦᏛᏁᎲᎢ.\nᎤᏛᏅᎢᏍᏔᏅᎩᏃ ᎤᏦᏗ ᏓᏆᎴᎷ, ᎠᎴ ᏚᏘᏅᏒᎩ ᏧᏤᎵ ᏴᏫ.\nᏑᏓᎵᏧᏈᏃ ᏗᏑᏰᏛ ᏗᏦᏗ ᏓᏆᎴᎷ ᏚᏴᏒᎩ, ᎠᎴ ᏂᎦᏛ ᏗᏦᏗ ᏓᏆᎴᎷ ᎢᏥᏠᏱ ᏚᏂᎲᎢ, ᎠᎴ ᏌᏉ ᏓᏆᎴᎷ ᎠᏂᏯᏫᏍᎩ ᎤᎾᏣᎢᎭ ᏚᏘᏅᏒᎩ.\nᏱᎰᏩᏃ ᎤᏍᏓᏱᏕᎸᎩ ᎤᎾᏫ ᏇᎵᏲ ᎢᏥᏈᏱ ᎡᎯ ᎤᎬᏫᏳᎯ, ᎠᎴ ᏚᎨᎲᏒᎩ ᎢᏏᎵ ᏧᏪᏥ; ᎢᏏᎵᏃ ᏧᏪᏥ ᎤᏂᏄᎪᏨᎩ ᏧᏃᏰᏂ ᏚᏂᏌᎳᏛᎩ.\nᎢᏥᏠᏡᏱᏃ ᎠᏁᎯ ᎠᎴ ᏂᎦᏛ ᏐᏈᎵ ᎠᎴ ᏗᏦᏗ ᏓᏆᎴᎷ ᏇᎵᏲ ᏧᏤᎵᎦ, ᎠᎴ ᏧᏤᎵ ᏧᎾᎩᎸᏗ, ᎠᎴ ᏑᎾᏓᏡᎩ ᏓᎿᏩ ᎠᏁᎩ ᏧᏤᎵᎦ ᏚᏂᎨᎲᏒᎩ, ᎠᎴ ᏫᏚᎾᏢᏔᎲᎩ ᏩᏂᏅ ᎠᎾᏉᎯ ᎾᎥᎢ, ᏆᎮᎭᎶᏛ ᎤᎶᏗᏢᎢ, ᏇᎵᏥᏉᏂ ᏧᏳᎪᏗ.\nᏇᎵᏲᏃ ᎾᎥ ᏭᎷᏨ, ᎢᏏᎵ ᏧᏪᏥ ᏫᏚᎾᎧᎿᏅᎩ, ᎠᎴ ᎬᏂᏳ ᎢᏥᏈᏱ ᎠᏁᎯ ᏓᎬᏩᏂᏍᏓᏩᏗᏒᎩ; ᎠᎴ ᎤᏣᏘ ᎤᏂᏍᎦᎸᎩ; ᎢᏏᎵᏃ ᏧᏪᏥ ᏚᎾᏠᏱᎸᎩ ᏱᎰᏩ ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎩ.\nᎯᎠᏃ ᏄᏂᏪᏎᎸᎩ ᎼᏏ, ᎢᏥᏈᏱ ᏂᏗᎪᏢᏒᎾ ᎨᏒ ᎢᏳᏍᏗ ᏗᏓᏂᏐᏗᏱ, ᏙᏗᏍᎩᏯᏘᏁᏅ ᏦᎩᏲᎱᎯᏍᏗᏱ. ᎢᎾᎨᎢ? ᎦᏙᏃ ᎾᏍᎩ ᏂᏯᎩᏴᏁᎸ ᏙᏗᏍᎩᏯᏘᏁᏅ ᎢᏥᏈᏱ?\nᏝᏍᎪ ᎾᏍᎩ ᎯᎠ ᏱᏂᏨᏪᏎᎴ ᎢᏥᏈᏱ; ᎣᎦᏁᎳᎩ, ᎢᏥᏈᏱ ᎠᏁᎯ ᎪᎱᏍᏗ ᏦᏣᏛᏁᎯ ᎨᏎᏍᏗᎸ1 ᎤᏟᏰᏃ ᏱᏃᏎ ᎢᏥᏈᏱ ᎠᏁᎯ ᎪᎱᏍᏗ ᏦᏣᏛᏁᎯ ᏱᎨᏎᎢ, ᎠᏃ ᎢᎾᎨ ᏦᎩ ᏲᎢᎯᏍᏗᏱ.\nᎼᏏᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᏴᏫ, ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ, ᎢᏣᎴᎾᏫᏍᏓ, ᎠᎴ ᎢᏥᎪᏩᏛ ᏱᎰᏩ ᎤᏓᏍᏕᎸᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎪᎯ ᎢᎦ ᏨᏓᏨᎾᏄᎪᏫᏎᎵ; ᎢᏥᏈᏱᏰᏃ ᎠᏁᎯ ᎪᎯ ᎢᎦ ᏥᏕᏥᎪᏩᏛ, ᎥᏝ ᏔᎵᏁ ᎢᎸᎯᏳ ᏱᏙᎨᏥᎪᏩᎩ;\nᏱᎰᏩ ᏙᏓᏣᎴᎵ, ᏂᎪᏃ ᏔᏉ ᏂᏣ ᏁᏍᏗ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎦᏙᏃ ᎠᏴ ᎢᏍᏆᎵᏍᏓᏁᎭ) ᏘᏁᏥ ᎢᏏᎵ ᏧᏪᏥ ᎤᎾᏂᎩᏍᏗᏱᎢ\nᏂᎯᏍᎩᏂ ᎯᏌᎳᏛᎦ ᏣᏙᎳᏅᏍᏗ. ᎠᎴ ᎭᏎᎵᏛᎦ ᏦᏰᏂ ᎠᏩᏉᎯ ᎦᎸᎳᏗᏢ ᏧᏳᎪᏗ, ᎠᎴ ᏔᎵ ᏂᏓ: ᎢᏏᎵᏃ ᏧᏪᏥ ᎤᎧᏲᏛᎯ ᎦᏙᎯ ᏮᏛᏂᎶᏏ ᎠᏰᎵ ᎠᏣᎾᏉᎯ.\nᎠᏰᏃ, ᎬᏂᏳᏉ, ᎠᏴ ᏙᏓᎦᏥᏍᏓᏱᏕᎵ ᏧᏂᎾᏫ ᎢᏥᏈᏱ ᎠᏁᎯ, ᎠᎴ ᏙᏛᏂᏍᏓᏩᏕᏏ; ᎠᎴ ᎥᎩᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏇᎵᏲ ᏄᎵᏍᏓᏁᎸ ᎢᏳᏍᏗ, ᎠᎴ ᏂᎦᏛ ᏑᎾᏓᏡᎩ ᏓᎿᏩ ᎠᏁᎩ ᏧᏤᎵ ᏄᎾᎵᏍᏓᏁᎸ ᎢᏳᏍᏗ, ᎠᎴ ᏗᏦᏗ ᏓᏆᎴᎷ ᏧᏤᎵ, ᎠᎴ ᏧᏤᎵ ᏧᎾᎩᎸᏗ ᏄᎾᎵᏍᏓᏁᎸ ᎢᏳ ᏍᏗ.\nᎢᏥᏈᏱᏃ ᎠᏁᎯ ᏛᎾᏙᎴᎰᏏ ᎠᏴ ᏱᎰᏩ ᎨᏒᎢ, ᎾᎯᏳ ᎥᎩᎸᏉᏔᏅ ᏇᎵᏲ ᏄᎵᏍᏓᏁᎸ ᎢᏳᏍᏗ, ᏂᏚᎵᏍᏓᏁᎸᏃ ᏗᏦᏗ ᏓᏆᎴᎷ ᏧᏤᎵᎦ, ᎠᎴ ᏧᏤᎵ ᏧᎾᎩᎸᏗ.\nᏗᎧᎿᏩᏗᏙᎯᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᎢᎬᏱ ᎠᎢᏒᎩ ᎢᏏᎵ ᎤᎾᏓᏡᎬᎢ, ᎤᏓᏅᏒᎩ ᎠᎴ ᎣᏂᏗᏢ ᎠᎾᎢᏒ ᎤᏪᏅᏒᎩ; ᎤᎶᎩᎸᏃ ᎤᏓᏡᎬ ᎤᏓᏅᏒᎩ ᎢᎬᏱᏗᏢ ᏄᏛᎿᏕᎬ, ᎠᎴ ᎣᏂᏗᏢ ᏄᎾᏛᏅ ᎤᎴᏅᎩ.\nᎠᎴ ᎠᏰᎵ ᎤᎷᏨᎩ ᎠᏂᏅ ᎢᏥᏈᏱ ᎠᏁᎯ ᎠᎴ ᎢᏏᎵ ᎠᏂᏅᎢ; ᎠᎴ ᎤᎵᏏᎩ ᎤᎶᎩᎸᎩ [ᎢᏥᏈᏱ ᎠᏁᎯ ᎠᏂᏅ ᎢᏗᏢ,] ᎠᎴ [ᎢᏏᎵ ᎠᏂᏅ ᎢᏗᏢ] ᎢᎦ ᎤᏘᏍᏛᎩ ᏒᏃᏱ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᎾᎥ ᏱᎦᏮᏓᎷᏤᎴ ᎤᎵᏨᏓᏆᏛ.\nᎼᏏᏃ ᎤᏎᎵᏔᏅᎩ ᎠᎺᏉᎯ ᎦᎸᎳᏗᏢ; ᏱᎰᏩᏃ ᏄᏩᏂᏌᏅᎩ ᎠᎺᏉᎯ ᎤᏓᏅᏒᎩ ᎠᏍᏓᏯ ᏗᎧᎸᎬ ᎢᏗᏢ ᏧᏃᎸᏛ ᎤᎵᏨᏓᏆᏛ ᎢᏳᏍᏗ, ᎠᎴ ᎤᎧᏲᏛᎯ ᏄᏩᏁᎸ ᎠᎺᏉᎯ, ᎠᎴ ᏔᎵ ᏄᏓᏛᎩ ᎠᎹ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎠᏩᏉᎯ ᎠᏰᎵ ᏭᏂᎷᏨᎩ ᎤᎧᏲᏛᎯ; ᎠᎴ ᎠᎹ ᏣᏐᏯᏍᏙ ᎢᏳᏍᏗ ᎨᏒᎩ ᎠᎦᏘᏏᏗᏢ, ᎠᎴ ᎠᎦᏯᎦᏂᏗᏢ ᎠᎾᎢᏒᎢ.\nᎢᏥᏈᏱᏃ ᎠᏁᎯ ᎬᏩᏂᎨᎲᏒᎩ, ᎠᎴ ᎬᏩᏂᏍᏓᏩᏛᏒᎩ ᎠᎾᏉᎯ ᎠᏰᎵ ᎢᏴᏛ, ᎾᏍᎩ ᏂᎦᏛ ᏇᎵᏲ ᏧᏤᎵ ᏐᏈᎵ ᏗᏦᏗ ᏓᏆᎴᎷ, ᎠᎴ ᏧᏤᎵ ᏧᎾᎩᎸᏗ.\nᎠᎴ ᎯᎠ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᏑᎾᎴ ᎠᏯᏫᏍᏗᏱ ᎨᏒ ᏱᎰᏩ ᏙᏓᏳᎧᎿᏅᎩ ᏑᎾᏓᏡᎩ ᎢᏥᏈᏱ ᎠᏁᎯ ᎤᎾᏓᏡᎬ ᎠᏥᎸ ᎠᎴ ᎤᎶᎩᎸ ᎠᏰᎵ, ᎠᎴ ᏚᏕᏯᏙᏔᏅᎩ ᏑᎾᏓᏡᎩ ᎢᏥᏈᏱ ᎠᏁᎯ.\nᎠᎴ ᏚᏪᏆᏓᏒᎸᎩ ᏕᎦᏆᏛ ᏧᎾᏦᏗ ᏓᏆᎴᎷ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎦᏂᎵᏳ ᏓᏂᏱᏒᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏈᏱ ᎠᏁᎯ ᎯᎠ ᏄᏂᏪᏒᎩ, ᎨᏓᎵᏏ ᎢᏏᎵ; ᏱᎰᏩᏰᏃ ᏓᏍᏕᎵᎭ ᎠᎾᎵᎲᎢ, ᎢᏥᏈᏱ ᎠᏁᎯ ᏓᏡᏗᎭ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎭᏎᎵᏛᎦ ᏦᏰᏂ ᎠᏘᏩᏉᎯ ᎦᎸᎳᏗᏢ, ᎾᏍᎩ ᎠᎹ ᏔᎵᏁ ᎥᎤᏪᏅᏍᏗᏱ ᎢᏥᏈᏱ ᎠᏁᎯ ᎤᏄᏢᏗᏱ, ᏧᏭᏢᏗᏱ ᏧᎾᏦᏗ ᏓᏆᎴᎷ, ᎠᎴ ᏧᎾᏤᎵ ᏧᎾᎩᎸᏗ.\nᎼᏏᏃ ᎤᏎᎵᏔᏅᎩ ᎤᏬᏰᏂ ᎠᏣᏉᎯ ᏚᎸᎳᏗᏢ, ᎠᎾᏣᏉᎯᏃ ᎤᎵᏂᎬᎬ ᎬᏗ ᏛᎤᏨᏒᎩ ᏑᎾᎴ ᏄᎵᏍᏔᏅ; ᎢᏥᏈᏱᏃ ᎠᏁᎯ ᎾᎿ ᎢᏗᏢ ᎤᎾᎵᏍᏔᏅᎩ; ᏱᎰᏩᏃ ᏚᏓᎢᏅᏔᏅᎩ ᎢᏥᏡᏱ ᎠᏁᎯ ᎠᏣᎾᏄᏉᎯ ᎠᏰᎵ.\nᎠᎹᏃ ᏛᎤᏨᏒᎩ, ᎠᎴ ᏚᏭᏢᏅᎩ ᎾᎿ ᎠᏣᎾᏉᎯ ᏗᏦᏗ ᏓᏆᎴᎷ, ᎠᎴ ᏧᎾᎩᎸᏗ, ᎠᎴ ᏂᎦᏛ ᏑᎾᏓᏡᎩ ᏇᎵᏲ ᏧᏤᎵᎦ ᎾᏍᎩ [ᎢᏏᎵ] ᎬᏩᏂᏍᏓᏩᏙᎸᎯ; ᎥᏝᏃ ᏌᏉ ᎤᏅ ᏳᎵᏃᎯᏰᎢ.\nᎢᏏᎵᏍᎩᏂ ᏧᏪᏥ ᎤᎧᏲᏛᎯ ᎠᎾᎢᏒᎩ ᎠᏩᏉᎯ ᎠᏰᎵ; ᎠᎹᏃ ᏣᏐᏲ ᎢᏳᏍᏗ ᎨᏒᎩ ᎠᎦᏘᏏᏗᏢ ᎠᎴ ᎠᎦᏍᎦᏂᏗᏢ ᎠᎾᎢᏒᎢ.\nᎾᏍᎩᏃ ᏱᎰᏩ ᏚᏍᏕᎸᎲᎩ ᎢᏏᎵ, ᏚᏭᏓᎴᏒᎩ ᎢᏥᏈᏱ ᎠᏁᎯ ᏕᎬᏩᏂᏂᏴᏒ ᎾᎯᏳ ᎢᎦ: ᎢᏏᎵᏃ ᏚᏂᎪᎲᎩ ᎢᏥᏈᏱ ᎠᏁᎯ ᏧᏂᏲᎱᏒᎯ ᎠᏣᏉᎯ ᎤᎶᏗ.\nᎠᎴ ᎢᏏᎵ ᎤᏂᎪᎲᎩ ᎾᏍᎩ ᎤᏍᏆᏂᎪᏗ ᏱᎰᏩ ᏚᎸᏫᏍᏓᏁᎸᎢ, ᎾᏍᎩ ᏂᏚᏩᏁᎸ ᎢᏥᏈᏱ ᎠᏁᎯ; ᏴᏫᏃ ᎤᏂᎾᏰᏒᎩ ᏱᎰᏩ, ᎠᎴ ᎤᏃᎯᏳᏅᎩ ᏱᎰᏩ ᎠᎴ ᎤᏅᏏᏓᏍᏗ ᎼᏏ.\nᎿᏉᏃ ᎼᏏ ᎠᎴ ᎢᏏᎵ ᏧᏪᏥ ᏚᏂᏃᎩᏍᏔᏅᎩ ᏱᎰᏩ ᎯᎠ ᎾᏍᎩ ᏗᎧᏃᎩᏍᏗ, ᎠᎴ ᎤᏂᏁᏨᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏱᎰᏩ ᏙᏓᏥᏃᎩᏍᏔᏂ ᎤᏣᏘᏰᏃ ᎦᎸᏉᏗᏳ ᏂᎦᎵᏍᏓ ᎾᏍᎩ; ᏐᏈᎵ ᎠᎴ ᏅᎩᎸᏘ ᎠᎺᏉᎯ ᏫᏚᏓᎢᏅ.\nᏱᎰᏩ, ᎠᏍᎦᏯ ᏓᎿᏩ ᎤᎩᏌᏛ; ᏱᎰᏩ ᏕᎤᏙᎥ.\nᏇᎵᏲ ᏧᏤᎵ ᏗᏦᏗ ᏓᏆᎴᎷ ᎠᎴ ᏑᎾᏓᏡᎩ ᏧᏤᎵ ᎠᎺᏉᎯ ᏕᏅᏓᎢᏅ: ᎠᎴ ᏧᏤᎵ ᎨᎦᏑᏰᏛ ᎠᏂᏯᏫᏍᎩ ᏓᏆᎴᎷᎯ ᎠᎾᏣᎥᏍᎩ ᏚᏂᎬᏨ ᎠᎺᏉᎯ ᎩᎦᎨᏍᏛᏱ.\nᎠᏍᏛᎩ ᎨᏒ ᎤᏄᏢᏅᎩ; ᎤᏂᏃᏴᏨᎩ ᎭᏫᏂ ᎢᏴᏛ ᏅᏯ ᎾᏍᎩᏯᎢ.\nᎯᎦᏘᏏ ᏦᏰᏂ ᏱᎰᏩ, ᎦᎸᏉᏗᏳ ᏄᎵᏍᏔᏅ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎢᏳᏍᏗ; ᎯᎦᏘᏏ ᏦᏰᏂ ᏱᎰᏩ, ᏕᏣᎤᎸᏛᏂᏍᏔᏅ ᎠᏂᎦᏍᎩ.\nᎠᎴ ᎤᏣᏘ ᎡᏣᎸᏉᏗᏳ ᎨᏒ ᏨᏔᏅ ᎩᏛᏔᏅ ᎾᏍᎩ ᏗᎨᏣᎦᏘᎸᏛ; ᏓᏣᏓᏅᏒᎩ. ᏣᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᎾᎪᎲᏍᏓ ᎾᏍᎩᏯ ᎠᏍᎫᏕᏒ ᏚᏂᏡᎾᎥᎢ.\nᎠᎴ ᏙᏴᏐᎵ ᏣᏦᏔᏍᏔᏅ ᎠᎹ ᎤᏓᏟᏌᏅᎩ; ᎠᎹ ᏧᏳᎪᏗ ᎤᎴᏅᎩ ᏥᎦᏡᎪ ᎢᏳᏍᏗ, ᎠᎴ ᎠᏍᏛᎩ ᎨᏒ ᎤᏍᏓᏲᏒ ᎠᎺᎯ ᎠᏰᎵ.\nᎠᎦᏍᎩ ᎯᎠ ᏄᏪᏒᎩ, ᏓᎦᏥᎨᎮᏏ, ᏓᎦᏥᏯᏢᏔᎯ, ᏓᏥᏯᏙᎵ ᎠᏆᏓᏬᏅᏛ; ᏄᏍᏛ ᎠᏆᏚᎵᏍᎬ ᏛᎩᏛᏓᏁᎵ ᏂᎦᏥᏴᏁᎸᎢ: ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᎠᏆᏤᎵ ᏓᏥᎸᎢ, ᎠᏉᏴᏂ ᏓᏳᏂᏛᏔᏂ.\nᏣᏤᎵ ᎤᏃᎴ ᏣᏦᏔᏍᏔᏅᎩ, ᎠᎺᏉᎯ ᎤᏄᏢᏅᎩ; ᎤᏂᏃᏴᏨᎩ ᎦᏂ ᎾᏍᎩ ᏯᎢ ᎤᏣᏘ ᏕᎦᏃᎢᎩᏍᎬᎢ.\nᎦᎪ ᏂᎯ ᏂᏣᏍᏛ ᏄᏍᏗ ᏱᎰᏩ, ᎠᏁᎲ ᎤᎾᏁᎳᏅᎯ? ᎦᎪ ᏂᏣᏍᏛ ᏄᏍᏛ ᎦᎸᏉᏗᏳ ᎠᏍᎦᎾ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎤᎾᏰᎯᏍᏗᏳ ᎦᎸᏉᏙᏗ ᎨᏒᎢ, ᎤᏍᏆᏂᎪᏗᏳ ᏕᎤᎸᏫᏍᏓᏁᎲᎢ.\nᎯᎦᏘᏏ ᏦᏰᏂ ᏣᏎᎵᏔᏅᎩ, ᎦᏙᎯ ᎤᏂᎩᏒᎩ.\nᏣᏓᏙᎵᏣᏘᏳ ᎨᏒ ᏨᏔᏅᎩ ᏕᎭᏘ ᏅᏒ ᏴᏫ ᎾᏍᎩ ᏔᎴᏴᏛ ᎨᏒᎢ; ᏣᎵᏂᎩᏗᏳ ᎨᏒ ᏨᏔᏅᎩ ᏕᎭᏘᏅᏒᎩ ᏫᏕᎯᎧᏅᎩ ᏣᏤᎵᎪᎯ ᎦᎸᏉᏗᏳ ᏩᏕᏗᏱ.\nᏴᏫ ᏛᎾᏛᎦᏂ, ᎠᎴ ᏙᏓᏳᏂᏅᏫ; ᎤᏲ ᏛᎾᏓᏅᏓᏗ ᏈᎵᏍᏗᏱ ᎠᏁᎯ.\nᎿᏉ ᏗᎨᎦᏁᎶᏗ ᎢᏓᎻ ᎠᏁᎯ ᏛᏂᎾᏰᏏ; ᎩᎠᏈ ᎠᏁᎯ ᏧᎾᎵᏂᎩᏛ ᎠᏂᏍᎦᏯ ᏙᏓᏳᏂᎾᏫ; ᏂᎦᏛ ᎨᎾᏂ ᎠᏁᎯ ᏙᏛᏅᎾᏬᏏ.\nᎠᏂᎾᏰᏍᎨᏍᏗ, ᎠᎴ ᎤᏯ ᎤᏅᏎᏍᏗ; ᎯᏃᎨᏂ ᎡᏉᎯᏳ ᎨᏒ ᎢᏳᏍᏗ ᎡᎳᏪ ᎤᏅᏎᏍᏗ ᏅᏯ ᎾᏍᎩᏯᎢ: ᎬᏂ ᏗᏣᏤᎵ ᏴᏫ ᏓᏂᎶᏒᎭ, ᏱᎰᏩ, ᎬᏂ ᏓᏂᎶᏒᎭ ᏴᏫ ᎾᏍᎩ ᏔᎫᏴᏛ ᎨᏒᎢ.\nᏙᏘᏴᏔᏂᎵ, ᎠᎴ ᏙᏘᏫᏏ. ᎣᏓᎸ ᏣᏤᎵᎪᎯ ᎨᏒᎢ, ᎾᎿᏂ ᏱᎰᏩ ᏣᏛᏅᎢᏍᏔᏅ ᏣᏁᎳᏗᏍᏗᏱ; ᎦᎸᏉᏗᏳ ᏗᎨᏒ, ᏣᎬᏫᏳᎯ, ᏂᎯ ᏗᏦᏰᏂ ᏧᏬᏢᏅᎯ.\nᏱᎰᏩ ᎤᎬᏫᏳᎯ ᎨᏎᏍᏗ ᏂᎪᎯᎸ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ.\nᏇᎵᏲᏰᏃ ᎤᏤᎵ ᏐᏈᎵ ᎠᎴ ᏓᏆᎴᎷ ᏗᏦᏗ ᎠᎺᏉᎯ ᏭᏂᎶᏒᎩ, ᎬᏩᎾᏠᏯᏍᏗ ᏧᎾᎩᎸᏗ, ᏱᎰᏩᏃ ᎠᎹ ᎠᎺᏉᎯ ᎡᎯ ᏔᎵᏁ ᎤᏱᎶᎸᎩ ᎤᏄᏢᏔᏅᎩ;: ᎢᏏᎵᏍᎩᏂ ᏧᏪᏥ ᎤᎧᏲᏛᎯ ᎤᏂᎶᏒᎩ ᎠᎺᏉᎯ ᎠᏰᎵ.\nᎻᎵᏯᎻᏃ ᎠᏙᎴᎰᏍᎩ ᎡᎳᏂ ᎤᏙ ᎠᎱᎵ ᏨᎩᏒᎩ; ᏂᎦᏛᏃ ᎠᏂᎨᏴ ᎥᎬᏩᏍᏓᏩᏛᏒᎩ ᎠᏴᎵ ᏗᏂᏰᎯ, ᎠᎴ ᎠᎵᏍᎩᏛ ᏔᎵ ᎤᏛᏛᎩ.\nᎻᎵᏯᎻᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ. ᏤᏥᏃᎩᏍᏓ ᏱᎰᏩ, ᎤᏣᏘᏰᏃ ᎦᎸᏉᏗᏳ ᏂᎦᎵᏍᏓ ᎾᏍᎩ; ᏐᏡᎵ ᎠᎴ ᎾᏍᎩ ᎤᎩᎸᏗ ᎠᎺᏉᎯ ᏫᏚᏓᎢᏅ. ,\nᎾᏍᎩᏃ ᎼᏏ ᏚᏘᎾᏫᏛᎲᎩ ᎢᏏᎵ ᎠᎺᏉᎯ ᎩᎦᎨᏍᏛᏱ ᎠᏂᏅᎢ; ᎠᎴ ᏑᎵ ᏚᏙᎥ ᎢᎾᎨ ᏭᏂᎶᏒᎩ; ᏦᎢᏃ ᎢᎦ ᎤᏁᏅᏒᎩ ᎢᎾᎨ ᎨᏒᎢ, ᎠᎴ ᎥᏝ ᎠᎹ ᏳᏂᏁᏩᏛᎮᎢ.\nᎹᎳᏃ ᏭᏂᎷᏨᎩ; ᎥᏝᏃ ᏰᎵ ᎬᏩᎾᏗᏔᏍᏗ ᏱᎨᏎ ᎠᎹ ᎹᎳ ᎤᏂᏁᏩᏛᏛ, ᎤᏴᏍᏗᏳᏰᏃ ᎨᏒᎩ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎹᎳ ᏚᏃᎥᎩ.\nᏴᏫᏃ ᎪᎱᏍᏗ ᎬᏬᏎᎸᎩ ᎤᎾᏡᏔᏅᎩ ᎼᏏ, ᎯᎠ ᏄᏂᏪᏒᎩ, ᎦᏙ ᏓᏲᏣᏗᏔᎯ?\nᏱᎰᏩᏃ ᎤᎵᏍᏓᏁᎸᎩ , ᎠᎴ ᏱᎰᏩ ᎤᏎᎮᎸᎩ ᏡᎬᎢ, ᎾᏍᎩ ᎠᎼᎯ ᏭᏗᏅ ᎤᎦᎾᏍᏛ ᏄᎵᏍᏔᏅᎩ ᎠᎹ. ᎾᎿ ᏚᏬᏢᎾᏁᎸᎩ ᏚᏭᎪᏔᏅᎢ ᎠᎴ ᏗᎧᎾᏩᏛᏍᏗ, ᎠᎴ ᎾᎿ ᏚᎪᎵᏰᎥᎩ.\nᎠᎴ ᎯᎠ ᏄᏪᏒᎩ, ᎢᏳᏃ ᏣᎵᏏᎾᎯᏍᏗ ᏱᏣᏛᏓᏍᏔᏅ ᎧᏁᎬ ᏱᎰᏩ ᏣᏁᎳᏅᎯ, ᎠᎴ ᎾᏍᎩ ᎣᏏᏳ ᎤᏰᎸᏗ ᏱᏂᏣᏛᏁᎸ, ᎠᎴ ᏱᏣᎦᏌᏯᏍᏗ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ, ᎠᎴ ᏂᎦᏛ ᏚᏭᎪᏔᏅᎢ ᏱᏗᏣᏍᏆᏂᎪᏗ, ᎥᏝ ᏣᎷᏤᏗᏱ ᏱᏅᎦᎬᎦ ᏌᏉᎤᏅ ᎯᎠ ᎾᏍᎩ ᎥᏳᎩ, ᎾᏍᎩ ᎢᏥᏈᏱ ᎠᏁᎯ ᎤᏂᎷᏤᏗ ᏥᎾᏮᏁᎸᎢ; ᎠᏴᏰᏃ ᏱᎰᏩ ᎬᎾᏫᏍᎩ.\nᎢᎵᎻᏃ ᏭᏂᎷᏨᎩ, ᎾᎿ ᏔᎳᏚ ᎠᎹ ᏕᎦᏄᎪᎬᎩ, ᎠᎴ ᎦᎵᏆᏍᎪᎯ ᏧᏕᏄᏓᏅᎯᏛ ᏕᏡᎬᎩ, ᎾᎿᏃ ᎤᎾᏅᏅᎩ ᎠᎹᏳᎶᏗ.\nᎢᎵᎻᏃ ᎤᎾᏂᎩᏒᎩ; ᏂᎦᏛᏃ ᏑᎾᏓᏡᎩ ᎨᏒ ᎢᏏᎵ ᏧᏪᏥ ᏏᏂ ᏚᏙᎥ ᎢᎾᎨ ᎤᏂᎷᏨᎩ, ᎾᎿ ᎠᏰᎵ ᎢᎵᎻ ᎠᎴ: ᏌᎾᏱ, ᎾᏍᎩ ᎯᏍᎩᎦᏚᏏᏁ ᎢᎦ ᏔᎵᏁ ᎧᎳᏩᏗᏒ ᏅᏓᎬᏩᎾᏂᎩᏛ ᎢᏥᏈᏱ ᎦᏙᎯ.\nᏂᎦᏛᏃ ᏑᎾᏓᏡᎩ ᎢᏏᎵ ᏧᏪᏥ ᎪᎱᏍᏗ ᎬᏩᏃᏎᎸᎩ ᎬᏩᎾᏡᏔᏅᎩ ᎼᏏ ᎠᎴ ᎡᎳᏂ ᎾᎿ ᎢᎾᎨᎢ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎯᎠ ᏂᎬᏩᏂᏪᏎᎸᎩ, ᏲᏎᏉ ᏱᎰᏩ ᏱᏙᎩᎴ ᎢᏥᏡᏱ ᎦᏙᎯ, ᎾᎯᏳ ᏧᎳᏍᎩ ᎭᏫᏯ ᏗᎦᎶᏗ ᏕᎦᎧᎲ ᎾᎥ ᏥᏙᎪᎸᎢ, ᎦᏲᏦᎸᏍᎩ. ᎦᏚ ᏦᏥᎩᏍᎬᎢ. ᏕᏍᎩᏯᏘᏃᎸᏰᏃ ᎠᏂ ᎢᎾᎨ ᎨᏒ ᎠᎪᏄ ᏗᎯᏍᏗᏱ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏑᎾᏓᏡᎩ ᎨᏒᎢ.\nᏓᏉᏃ ᏱᎰᏩ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎬᏂᏳᏉ ᎦᏚ ᎦᎸᎶᎢ ᏓᏨᏅᎪᎥᏓᏁᎵ; ᏴᏫᏃ ᎠᏂᏄᎪᎨᏍᏗ ᎠᎴ ᎠᏄᏖᏍᎨᏍᏗ ᎤᏙᏓᏆᏛ ᎤᎾᎵᏍᏓᏴᏗ ᏂᏚᎩᏨᏂᏒᎢ, ᎾᏍᎩ ᎦᏥᎪᎵᏰᏗᏱ ᏗᎦᎬᎩᎧᎿᏩᏛᎡᏗ ᎨᏒ ᎠᏆᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ, ᎠᎴ ᏗᎦᎬᎩᎧᎿᏩᏛᎡᏗ ᏂᎨᏒᎾ ᎨᏒᎢ.\nᎯᎠᏃ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᏑᏓᎵᏁ ᎢᎦ ᎤᎾᏛᏅᎢᏍᏙᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎤᏂᏲᎸᎯ; ᎠᎴ ᏔᎵ ᎢᏳᏩᎫᏗ ᎤᏓᎪᏕᏍᏗ Ꮎ ᏂᏚᎩᏨᏂᏒ ᎠᏄᏖᏍᎬᎢ.\nᎼᏏᏃ ᎠᎴ ᎡᎳᏂ ᎯᎠ ᏂᏚᏂᏪᏎᎸ ᏂᎦᏛ ᎢᏏᎵ ᏧᏪᏥ, ᎤᏒᎢ ᎿᏉ ᏓᏣᏙᎴᎰᏏ ᎾᏍᎩ ᏱᎰᏩ ᎢᏥᏈᏱ ᏂᏙᏓᏣᏘᎾᏫᏛᏛ ᎨᏒᎢ.\nᏑᎾᎴᏃ ᎿᏉ ᏓᏥᎪᎯ ᏱᎰᏩ ᎤᏤᎵ ᏚᎸᏉᏗᏳ ᎨᏒᎢ; ᎠᏛᎩᏰᏃ ᏱᎰᏩ ᎪᎱᏍᏗ ᎡᏦᏎᎲ ᎡᏣᏡᏚᏍᎬᎢ; ᎠᏴᏃ ᎨᏒ ᎦᏙᎢ, ᎾᏍᎩ ᎪᎱᏍᏗ ᏥᏍᎩᏃᏎ ᏍᎩᎾᏡᏗᏍᎬᎢ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏒᎩ; [ᎾᏍᎩ ᏄᏍᏕᏍᏗ] ᎾᎯᏳ ᏱᎰᏩ ᎢᏥᏁᎸ ᎭᏫᏯ ᎢᏥᎩᏍᏗ ᎤᏒᎢ; ᏑᎾᎴᏃ ᎦᏚ ᎢᏦᎸᎯᏍᏗ ᎢᎦᎢ; ᏱᎰᏩᏰᏃ ᎠᏛᎩᎭ ᎪᎱᏍᏗ ᎡᏦᏎᎲᎢ ᎾᏍᎩ ᎡᏣᏗᏍᎬ ᎪᎱᏍᏗ ᏤᏦᏎᎭ; ᎠᏴᏃ ᎨᏒ ᎦᏙᎢ? ᎪᎱᏍᏗ ᎢᏣᏗᏍᎬ ᎥᏝ ᎠᏴ ᏱᏍᎩᏯᏡᏗᎭ, ᏱᎰᏩᏍᎩᏂ ᎡᏣᏡᏗᎭ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎸ ᎡᎳᏂ, ᎯᎠ ᏂᎩᏪᎲ ᏂᎦᏛ ᏑᎾᏓᏡᎩ ᎢᏏᎵ ᏧᏪᏥ, ᎢᏥᎷᎩ ᎾᎥ ᎢᎬᏱᏗᏢ ᏱᎰᏩ ᏄᏛᏅᎢ ᎤᏛᎦᏅᏰᏃ ᎪᎱᏍᏗ ᎡᏦᏎᎲᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ ᎾᎯᏳ ᎡᎳᏂ ᏂᎦᏛ ᏑᎾᏓᏡᎩ ᎢᏏᎵ ᏧᏪᏥ ᏕᎦᏬᏁᏗᏍᎬ, ᎾᏍᎩ ᎢᎾᎨ ᎢᏗᏢ ᏫᏚᎾᎧᎿᏅ, ᎠᎴ ᎬᏂᏳᏉ, ᎦᎸᏉᏗᏳ ᏱᎰᏩ ᎤᏤᎵ ᎬᏂᎨᏒ ᏄᏍᏛᎩ ᎤᎶᎩᎸᎢ.\nᏱᎰᏩᏃ ᎤᏁᏤᎸ ᎼᏏ ᎯᎠ ᏄᏪᏒᎩ;\nᎠᏆᏛᎦᏅ ᎪᎱᏍᏗ ᎠᎾᏗᏍᎬᎢ ᎢᏏᎵ ᏧᏪᏥ; ᏘᏬᏁᏓ, ᎯᎠ ᏂᎩᏪᏏ, ᎤᏒᎢ ᎭᏫᏯ ᏓᏥᎩ, ᏑᎾᎴᏃ ᏗᏦᎸᎯᏍᏗ ᎨᏎᏍᏗ ᎦᏚ; ᎠᎴ ᎢᏥᎦᏔᎮᏍᏗ ᎠᏴ ᏱᎰᏩ ᎢᏨᏯᏁᎳᏅᎯ ᎨᏒᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ; ᎾᏍᎩ ᎤᏒᎢ ᎤᏂᎷᏨᎩ ᎫᏇ ᎠᎴ ᎤᏄᏢᏔᏅ ᎠᏂᏅᎢ; ᏑᎾᎴᏃ ᎤᎯᏌᏛᎩ ᎤᏚᏫᏛ ᎠᏂᏅᎢ.\nᎤᎯᏌᏛᏃ ᏚᎴᏅ ᎬᏂᏳᏉ ᎦᎳᎨᏴᎩ ᎢᎾᎨ ᎦᏙᎯ ᎦᏚᎢ ᎪᎱᏍᏗ ᎤᏍᏗ ᎦᏌᏆᎸᎢ ᎤᏯᏛᏅᏔ ᎢᎩᏛ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎤᏂᎪᎲ ᎯᎠ ᏂᏚᎾᏓᏪᏎᎸᎩ, ᎦᏙ ᎯᎠ; ᎥᏝᏰᏃ ᏯᏂᎦᏔᎮ ᎢᏳᏍᏗ ᎨᏒᎢ. ᎼᏏᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᎯᎠ ᎾᏍᎩ ᎦᏚ ᏱᎰᏩ ᏥᏥᏁᎸ ᎢᏥᎩᏍᏗ.\nᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᏱᎰᏩ ᎤᏁᏨᎢ; ᎢᏧᏖᏍᏗᏱ ᏂᏥᎥ ᎢᏥᏏᏴᏫᎭ ᎢᎦᎢ ᎨᏥᎩᏍᏗ ᎨᏒᎢ; ᏑᏟᎶᏛ ᎠᎹ ᎠᏟᎶᏍᏗ ᎢᏥᏏᏴᏫᎭ ᎨᏒᎢ, ᎾᏍᎩᏯ ᏂᏥᎥ ᏕᏣᏓᏘᎾᏩᏗᏒᎢ, ᎢᏥᎩᏒᎭ ᏂᏥᎥᎢ ᏕᏥᎵᏦᏛ ᎠᏂᏂ ᎤᎾᏤᎵᎦ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎾᏍᎩ ᏄᎾᏛᏁᎸᎩ, ᎤᏄᏖᏒᎩ, ᎢᎦᏛ ᎤᎪᏛᎩ, ᎢᎦᏛᏃ ᎦᏲᎵᎨ ᎨᏒᎩ.\nᎿᏉᏃ ᎠᎹ ᎠᏟᎶᏍᏗ ᎤᎾᏟᎶᏍᏔᏅ, ᎾᏍᎩ ᎤᎪᏗᏗ ᎤᏭᏖᏛ ᎥᏝ ᏳᏘᏰᎴᎢ, ᎾᏃ ᎦᏲᎵ ᎤᏭᏖᏛ ᎥᏝ ᏳᎷᎶᏤᎴᎢ: ᎾᏂᎥ ᎠᏂᏏᏴᏫᎭ ᎤᏄᏖᏒᎩ ᏰᎵ ᎬᏩᏂᎩᏍᏗ ᎨᏒᎢ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏒᎩ, ᏞᏍᏗ ᎩᎶ ᎤᎯᏴᎩ ᏑᎾᎴ ᎢᏴᏛ.\nᎠᏎᏍᎩᏂᏃᏅ ᎥᏝ ᏱᎬᏩᏛᏓᏍᏓᏁᎴ ᎼᏏ; ᎢᎦᏛᏍᎩᏂ ᎤᏂᎯᏴᎩ ᏑᎾᎴ ᎢᏴᏛ, ᏥᏍᎪᏴᏃ ᏚᎾᏅᏅᎩ’ ᎠᎴ ᎠᏒᎩᏳ ᏄᎵᏍᏔᏅᎩ; ᎼᏏᏃ ᏚᎿᎸᏤᎸᎩ.\nᏂᏚᎩᏨᏂᏒᏃ ᏑᎾᎴ ᎠᏄᏖᏍᎬᎩ, ᎠᏂᏏᏴᏫᎭ ᎢᎦᎢ ᎬᏩᏂᎩᏍᏗ ᎨᏒᎢ; ᏅᏙᏃ ᎠᏗᎴᎲᎯ ᎥᎬᎾᏬᏍᎬᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᏑᏓᎵᏁ ᎢᎦ ᎤᏟ ᎢᎦᎢ ᎦᏚ ᎤᏄᏕᏒᎩ, ᏔᎵ ᎢᏳᏟᎶᏛ ᎠᏂᏏᏴᏫᎭᎢ, ᏂᎦᏛᏃ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎾᏍᎩ ᎤᎾᏓᏡᎬ ᎤᏂᎷᏨᎩ ᎠᎴ ᎬᏩᏃᏁᎸᎩ ᎼᏏ\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ, ᎯᎠ ᎾᏍᎩ ᏱᎰᏩ ᏥᏄᏪᏒ, ᏑᎾᎴᎢ ᎢᏣᏪᏐᎸᏍᏓᏁᏗᏱ ᏱᎰᏩ ᎦᎸᏉᏗᏳ ᎤᎾ ᏙᏓᏆᏍᎬᎢ: ᏗᏥᏚᎲᎦ ᎾᏍᎩ ᏗᏥᏚᏗ ᎨᏒᎢ, ᎠᎴ ᎢᏧᎲᎦ ᎾᏍᎩ ᎢᏧᏗ ᎨᏒᎢ; ᎾᏃ ᎤᏘᏴᎯ ᎢᏥᏍᏆᏂᎪᏓ ᏑᎾᎴ ᎬᏗᏍᎩ.\nᎤᏂᏍᏆᏂᎪᏔᏅᎩᏃ ᏑᎾᎴ ᎬᏗᏍᎩ, ᎾᏍᎩᏯ ᎼᏏ ᏄᏪᏒᎢ, ᎥᏝᏃ ᏳᏒᏤᎢ, ᎠᎴ ᎥᏝ ᏥᏍᎪᏴ ᏯᏂᏯᎡᎢ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏒᎩ, ᎪᎯ ᎢᎦ ᎢᏥᎦ ᎾᏍᎩ; ᎪᎯᏰᏃ ᎢᎦ ᎤᎾᏙᏓᏆᏍᎬ ᏱᎰᏩ ᎤᏤᎵᎦ: ᎪᎯ ᎢᎦ ᎥᏝ ᏴᎨᏥᏩᏛ ᎢᎾᎨᎢ.\nᏑᏓᎵ ᎢᎦ ᎢᏧᏖᏍᎨᏍᏗ, ᎦᎵᏉᎩᏁᏍᎩᏂ ᎢᎦ ᎤᎾᏙᏓᏆᏍᎬᎢ, ᎾᎯᏳ ᎥᏝ ᏱᎦᎳᎨᏰᏍᏗ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎢᎦᏛ ᏴᏫ ᎤᏂᏄᎪᏨᎩ ᎤᏄᏖᏒᏒᎩ ᎦᎵᏉᎩᏁ ᎢᎦ, ᎠᎴ ᏭᎾᏠᏨᎩ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎢᎳᎪ ᏅᏓᎪᎯᏥ ᎢᏣᏉᏏᏍᎨᏍᏗ ᎢᏥᏍᏆᏂᎪᏙᏗᏱ ᎠᎩᏁᏨ, ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᏗᏆᏤᎵᎦ.\nᎬᏂᏳᏉ ᎾᏍᎩ ᏱᎰᏩ ᏥᏥᏁᎸ ᎤᎾᏤᏓᏆᏍᎬᎢ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏁᎭ ᏑᏓᎵᏁ ᎢᎦ ᏔᎵ ᎢᎦ ᎢᏣᎵᏍᏓᏴᏗ: ᏂᏥᎥ ᎢᏥᏏᏴᏫᎭ ᏁᏣᏛᏁᏍᏗᏉ; ᏞᏍᏗ ᎩᎶ ᎤᏄᎪᏨᎩ ᎦᎵᏉᎩᏁ ᎢᎦ.\nᎰᏩᏃ ᏴᏫ ᎠᎾᏣᏪᏐᎸᏍᏗᏍᎬᎩ ᎦᎵᏉᎩᏁ ᎢᎦ.\nᎢᏏᎵᏃ ᎠᏂᎳᏍᏓᎸ ᎹᎾ ᏚᏃᎥᎩ ᎾᏍᎩ; ᎠᎴ ᎤᏁᎬ ᎨᏒᎩ ᎪᎵᎠᏂ ᎤᎦᏔ ᎾᏍᎩᏯᎢ; ᎠᎩᏍᏗᏱᏃ ᎾᏍᎩᏯ ᎨᏒᎩ ᏗᏌᎨ ᎦᏚ ᏩᏚᎵᏏ ᏗᏑᏱ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏒᎩ, ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᏱᎰᏩ ᎤᏁᏨᎢ, ᎯᎠ ᎢᏥᎧᎵᎢᏍᏓ ᎠᎹ ᎠᏟᎶᏍᏗ, ᎠᏍᏆᏂᎪᏙᏗ ᎢᏣᏓᏁᏟᏴᏏᏒ ᎢᏣᏤᎵᎦ; ᎾᏍᎩ ᎤᏂᎪᏩᏛᏗᏱ ᎦᏚ ᎾᏍᎩ ᎢᏨᏰᎳᏍᏔᏅ ᎢᎾᎨᎢ, ᎾᎯᏳ ᎢᏥᏈᏱ ᏥᏙᏓᏨᏯᏘᏅᏍᏔᏅᎩ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎸᎩ, ᎡᎳᏂ, ᎠᏖᎵᏙ ᏫᎩ, ᎠᎴ ᎠᎹ ᎠᏟᎶᏍᏗ ᎠᎧᎵᎢ ᎹᎾ ᎾᎿ ᎯᎸᎦ, ᎠᎴ ᎯᏝᎲᎦ ᏱᎱᏩ ᏓᎧᏅᎢ, ᏗᏍᏆᏂᎪᏓᏁᏗ ᏂᎯ ᎢᏣᏓᏁᏟᏴᏏᏒᎢ.\nᎾᏍᎩᏯᏃ ᏱᎰᏩ ᏄᏪᏎᎸ ᎼᏏ, ᎾᏍᎩ ᎡᎳᏂ ᏄᏛᏁᎸᎩ ᎤᏝᏅᎩ ᏗᎧᎿᏩᏛᏍᏗ ᏓᏝᎥ ᎢᎬᏱᏗᏢ, ᎾᏍᎩ ᎠᏍᏆᏂᎪᏙᏗ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎹᎾ ᎤᏂᎬᎩ ᏅᎦᏍᎪᎯ ᏧᏕᏘᏴᏛ, ᎬᏂ ᏭᏂᎷᏨ ᎾᎿ ᎦᏓ ᎠᎲ ᎩᎶ ᏓᏂᏁᎸᎢ; ᎾᏍᎩ ᎤᏂᎬᎩ ᎹᎾ ᎬᏂ ᏭᏂᎷᏨ ᎠᏍᏛ ᎦᏙᎯ ᎨᎾᏂ ᎠᎲᎢ.\nᎾᏍᎩ ᎯᎠ ᎠᎹ ᎠᏟᎶᏍᏗ, ᎢᏆ ᏧᏙᎢᏛ ᎠᏟᎶᏍᏗ ᎠᏍᎪᎯ ᎢᎦᏛᎯ ᏌᏉ ᎾᏍᎩ.\nᏂᎦᏛᏃ ᏑᎾᏓᏡᎩ ᎢᏏᎵ ᏧᏪᏥ ᎤᎾᏂᎩᏒᎩ ᏏᏂ ᎢᎾᎨ ᎨᏒᎢ, ᏓᎾᏂᎩᏍᎬᎩ ᎾᏍᎩᏯ ᏄᏪᏒ ᎤᏁᏨ ᏱᎰᏩ; ᎵᏆᏗᎻᏃ ᏭᎾᏅᏅᎩ. ᏂᎦᏁᎲᎾᏃ ᎨᏒᎩ ᎠᎹ ᏴᏫ ᎤᎾᏗᏔᏍᏗ.\nᏴᏫᏃ ᎬᏩᏍᎦᎬᎩ ᎼᏏ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ, ᏍᎩᏁᎲᏏ ᎠᎹ ᎣᎦᏗᏔᏍᏗ. ᎼᏏᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᎦᏙᏃ ᎠᏴ ᎢᏍᎩᏍᎦᎦ? ᎦᏙᏃ ᏱᎰᏩ ᎢᎡᏥᎪᎵᏰᎭ?\nᎾᎿᏃ ᏴᏫ ᏚᏂᏔᏕᎦᏅᎩ ᎠᎹ; ᎠᎴ ᏴᏫ ᎪᎱᏍᏗ ᎬᏬᏎᎸᎩ ᎬᏩᏡᏔᏅᎩ ᎼᏏ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ, ᎦᏙᏃ ᎢᏥᏈᏱ ᏙᏗᏍᎩᏯᏘᏅᏍᏔᏅ ᏗᏍᎩᎢᏍᏗᏱ ᎠᎹ ᏙᎩᏔᏕᎩᏍᎬᎢ, ᎠᎴ ᏦᎨᏥ, ᎠᎴ ᎣᎩᎾᏝᎾᎥᎢ?\nᎼᏏᏃ ᎤᎵᏍᏓᏁᎸᎩ ᏱᎰᏩ, ᎯᎠ ᏄᏪᏒᎩ, ᎦᏙ ᏓᎦᏥᏴᏁᎵ ᎯᎠ ᏴᏫ? ᎠᎴᏉ ᏅᏯ ᏂᏗᎬᎦᏂᏍᏗᎭ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎢᎬᏱ ᏂᎩᏰᏅᏏ ᏴᏫ, ᎠᎴ ᏔᏘᏄᎦ ᎢᎦᏛ ᏧᎾᏛᏐᏅᎯ ᎢᏏᎵ ᏧᎾᏤᎵᎦ, ᎠᎴ ᏣᏙᎳᏅᏍᏗ ᎯᏄᎦ, ᎾᏍᎩ ᎡᏉᏂ ᏨᎾᏍᏗᏍᎬᎩ, ᎠᎴ ᎮᎾ.\nᎬᏂᏳᏉ, ᎢᎬᏱᏢ ᏥᏙᎨᏍᏗ ᎭᎢᏒ ᎾᎿ ᏅᏲᎯ ᎰᎵᏈᏱ, ᏅᏲᎯᏃ ᏛᏂᎵ, ᎾᎿᏃ ᏓᎦᏄᎪᏥ ᎠᎹ, ᏴᏫᏃ ᎠᎾᏗᏔᏍᎨᏍᏗ. ᎼᏏᏃ ᎾᏍᎩ ᏄᏛᏁᎸᎩ ᎠᏂᎦᏔᎲ ᏧᎾᏛᏐᏅᎯ ᎢᏏᎵ ᏧᎾᏤᎵᎦ.\nᎾᎿᏃ ᎹᏌ ᎠᎴ ᎺᎵᏆ ᏚᏬᎥᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏂᏰᎯᎶᎥ ᎢᏏᎵ ᏧᏪᏥ, ᎠᎴ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎤᏂᎪᎵᏰᎥ ᏱᎰᏩ, ᎯᎠ ᎾᏂᏪᏍᎬᎢ, ᏱᎰᏩᏍᎪ ᎢᎨᎳᏗᏙᎭ, ᏝᎨ?\nᎾᎯᏳᏃ ᎠᎹᎴᎩ ᎤᏂᎷᏨᎩ ᎠᎴ ᎤᎾᎵᎸᎩ ᏆᏏᎵ ᎵᏆᏗᎻ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᏦᏑᏫ, ᏗᏍᎩᏯᏑᏰᏏ ᎠᏂᏍᎦᏯ, ᎠᎴ ᎢᏤᎾ, ᏫᏣᎵᎦ ᎠᎹᎴᎩ; ᎤᎩᏨᏅ ᎠᏴ ᎦᏚᏏ ᏓᎦᎴᏂ, ᏥᏁᎡᏍᏗ ᎠᏙᎳᏅᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎰᏩᏃ ᏦᏑᏫ ᎼᏏ ᏄᏪᏎᎸ ᎾᏍᎩᏯ ᏄᏛᏁᎸᎩ, ᎠᎴ ᎤᎾᎵᎸᎩ ᎠᎹᎴᎩ; ᎼᏏᏃ, ᎡᎳᏂ ᎠᎴ ᎭᎵ, ᎤᏂᎿᎷᏒᎩ ᎣᏓᎸᎢ,\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎼᏏ ᎤᏌᎳᏛ ᎤᏬᏰᏂ ᎢᎪᎯᏛ ᎢᏏᎵ ᎠᎾᏓᏎᎪᎩᏍᎬᎩ; ᎢᎪᎯᏛᏃ ᎡᎳᏗ ᏄᏩᏅ ᎤᏬᏰᏂ, ᎠᎹᎴᎩ ᎠᎾᏓᏎᎪᎩᏍᎬᎩ.\nᎠᏎᏃ ᎼᏏ ᏧᏬᏰᏂ ᏗᎦᎨᏗᏳ ᎨᏒᎩ; ᏅᏯᏃ ᏭᏂᎩᏒᎩ, ᎠᎴ ᎭᏫᏂᏗᏢ ᎤᏂᏅᎩ, ᎾᎿᏃ ᎤᏪᏅᎩ; ᎡᎳᏂᏃ ᎠᎴ ᎭᎵ ᎣᏂᏌᎳᏛᎩ ᏧᏬᏰᏂ, ᎠᏏᏴᏫ ᎠᏂᏗᏢ; ᏧᏬᏰᏂᏃ ᏂᏕᎬᏩᏍᏛᎩ ᎬᏂ ᏅᏙ ᏭᏕᎵᏨ.\nᏦᏑᏫᏃ ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᎬᏗ ᏚᏎᎪᎩᏒ ᎠᎹᎴᎩ, ᎠᎴ ᏧᏤᎵ ᏴᏫ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸ ᎼᏏ, ᎰᏪᎸᎦ ᎯᎠ ᎪᏪᎵᎯ ᎠᏅᏓᏗᏍᏗ ᎨᏎᏍᏗ, ᏦᏑᏫᏃ ᎯᏯᏛᎪᏔᏅᎭ; ᏓᏥᏛᏔᏂᏰᏃ ᎠᎦᏚᏅᏓᏗᏍᏙᏗ ᎨᏒ ᎠᎹᎴᎩ ᎠᏂ ᎦᎸᎶ ᎭᏫᏂᏗᏢ.\nᎼᏏᏃ ᎤᏁᏍᎨᎲᎩ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ, ᎯᎠ ᏄᏍᏛ ᏚᏬᎥᎩ; ᏱᎰᏩᏂᏏ.\nᎯᎠᏰᏃ ᏄᏪᏒᎩ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏱᎰᏩ ᎤᏎᎵᏔᏅ ᎯᎠ ᏄᏪᏒᎢ, ᏱᎰᏩ ᏓᏂᏓᎿᏫᏰᏍᏗ ᎠᎹᎴᎩ ᏂᎪᎯᎸ ᎠᎾᏓᏁᏟᏴᏏᏒ ᎾᏍᎩ.\nᏥᎶᏃ, ᎠᏥᎸᎨᎶᎯ ᎻᏗᏂ ᎡᎯ, ᎼᏏ ᎤᏖᏥ, ᎤᏛᎦᏅᎩ ᏂᎦᎥ ᎤᏁᎳᏅᎯ ᏂᎦᏛᏁᎸ ᎼᏏ, ᎠᎴ ᎢᏏᎵ ᏧᏤᎵ ᏴᏫ, ᎾᏍᎩ ᏱᎰᏩ ᎢᏏᎵ ᎢᏥᏈᏱ ᏙᏧᏘᏅᏍᏔᏅᎢ.\nᎿᏉᏃ ᏥᎶ ᎼᏏ ᎤᎿᏥ ᎤᏯᏅᎲᎩ ᏥᏉᎳ ᎼᏏ ᎤᏓᎵᎢ, ᎾᏍᎩ ᎦᏳᎳ ᏄᏨᏍᏔᏃᎢ;\nᎠᏂᏔᎵᏃ ᎾᏍᎩ ᏧᏪᏥ, ᎾᏍᎩ ᎠᏏᏴᏫ ᎦᏐᎻ ᏚᏙᎥᎩ; ᎯᎠᏰᏃ ᏄᏪᏒᎩ, ᎨᏙᎯ ᎨᏒᎩ ᏅᏩᎾᏓᎴ ᎤᎾᏤᎵᎪᎯ.\nᏐᎢᏃ ᎢᎵᎡᏌ ᏚᏙᎥᎩ, ᎤᏁᎳᏅᎯᏰᏃ ᎠᎩᎦᏴᎵᎨ ᎤᏤᎵᎦ ᎠᎩᏍᏕᎵᏍᎩ ᎨᏒᎩ, ᎠᎴ ᎠᏊᏓᎴᏒᎩ ᏇᎵᏲ ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᎦᏁᎲ, ᎤᏛᏅᎩ.\nᏥᎶᏃ ᎼᏏ ᎤᎿᏥ ᎼᏏ ᎤᎷᏤᎸᎩ ᎢᎾᎨᎢ, ᎠᎴ ᏧᏪᏥ ᎠᎴ ᎤᏓᎵᎢ, ᎾᎿ ᎠᏂᏅ ᎣᏓᎸ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ:\nᎯᎠᏃ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎠᏴ ᏥᎶ ᏣᎿᏥ, ᎬᎷᏥᏏ, ᎣᏤᎭ ᏣᏓᎵᎢ, ᎠᎴ ᏗᏤᏥ ᎠᏂᏔᎵ.\nᎼᏏᏃ ᎤᏪᏅᏒᎩ ᏚᏠᏒᏒᎩ ᎤᎿᏥ, ᎠᎴ ᎡᎳᏗ ᏄᏛᏁᎸᎩ, ᎠᎴ ᎤᏚᏣᎳᏅᎩ; ᏚᎾᏓᏛᏛᏅᏃ ᏙᎯᏱ ᏄᎾᏛᎿᏕᎬᎢ; ᎦᎵᏦᏛᏃ ᏭᏂᏴᎸᎩ.\nᎼᏏᏃ ᎤᏃᏁᎸᎩ ᎤᎿᏥ ᏂᎦᏛ ᏱᎰᏩ ᏄᏩᏁᎸ ᏇᎵᏲ ᎠᎴ ᎢᏥᏈᏱ ᎠᏁᎯ ᎢᏏᎵ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎢ, ᎠᎴ ᏂᎦᎥ ᎤᏕᏯᎠᏙᏗ ᎤᏂᎷᏤᎸ ᏗᎾᎢᏒᎢ, ᎠᎴ ᎾᏍᎩ ᏱᎰᏩ ᏚᏭᏓᎴᏒᎢ.\nᏥᎶᏃ ᎤᎵᎮᎵᏨᎩ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏂᎦᎥ ᎣᏍᏛ ᏱᎰᏩ ᏂᏚᏛᏁᎸ ᎢᏏᎵ, ᎾᏍᎩ ᏥᏚᏭᏓᎴᏂ ᎠᏍᏓᏯ ᏂᎬᏩᏅᎿᏕᎬ ᎢᏥᏈᏱ ᎠᏁᎯ.\nᏥ’ᎶᏃ ᎯᎠ ᏄᏪᏒᎩ, ᏱᎰᏩ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎢᏧᏓᎴᏛ ᏥᎩ ᎠᏍᏓᏯ ᏥᏂᎨᏨᎿᏕᎬ ᎢᏥᏈᏱ ᎠᏁᎯ, ᎠᎴ ᎠᏍᏓᏯ ᏥᏂᏨᏕᎬ ᏇᎵᏲ; ᎾᏍᎩ ᏧᏭᏓᎴᏛ ᏥᎩ ᏴᏫ ᎠᏍᏓᏯ ᏥᏂᎬᏩᏅᎿᏕᎬ ᎢᏥᏈᏱ ᎠᏁᎯ.\nᎿᏉ ᏥᎦᏔᎭ ᏱᎰᏩ ᎤᏟ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎡᏍᎦᏉ ᎾᏂᎥ ᎤᎾᏁᎳᏅᎯ; ᎾᎿᏰᏃ ᎤᎾᏢᏉᏗ ᏚᏂᎸᏫᏍᏓᏁᎸ ᎾᏍᎩ ᏚᏓᎵᏁᎯᏕᎸ.\nᏥ’ᎶᏃ ᎼᏏ ᎤᎿᏥ ᎠᏥᎸᎨᎳᏍᏗ ᎠᎴ ᏗᎵᏍᎪᎸᏓᏁᏗ ᎤᏁᎳᏅᎯ ᏚᎩᏒᎩ: ᎡᎳᏂᏃ ᎤᎷᏨᎩ, ᎠᎴ ᏂᎦᏛ ᏧᎾᏛᏐᏅᎯ ᎢᏏᎵ ᏧᎾᏤᎵᎦ, ᎤᏂᎩᏍᏗᏱ ᎦᏚ ᎢᏧᎳᎭ ᎼᏏ ᎤᎿᏥ ᎤᏁᎳᏅᎯ ᎠᎦᏔᎲᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ ᏭᎩᏨᏅ, ᎾᏍᎩ ᎼᏏ ᎤᏪᏅᎩ ᏧᏭᎪᏁᏗᏱ ᏴᏫ; ᏴᏫᏃ ᎤᎾᎴᎿᏫᏍᏛᎩ ᎼᏏ ᎤᏬᎸ ᏑᎾᎴ ᎤᏓᎴᏅᏛ ᎤᏒ ᎬᏗᏍᎩ.\nᎼᏏᏃ ᎤᎿᏥ ᎤᎪᎲ ᏂᎦᎥ ᏂᏓᏛᏁᎲ ᏴᎾ, ᎯᎠ ᏄᏪᏒᎩ, ᎦᏙ ᎯᎠ ᏥᏂᎩᏯᏛᏁᎭ ᏴᏫ? ᎦᏙᏃ ᏨᏒᏉ ᎢᏦᎳ, ᏂᎦᏛᏃ ᏴᏫ ᎤᎾᎴᎿᏫᏍᏗ ᏦᎸ ᎾᎥᎢ, ᏑᎾᎴ ᎤᏓᎴᏅᏛ ᎤᏒ ᎬᏗᏍᎩ?\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎤᎿᏥ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎬᎩᎷᏤᎲ ᏴᏫ ᎤᏂᎨᏛᎲᏍᎬ ᎤᏁᎳᏅᎯ ᏄᏪᏒᎢ.\nᎪᎱᏍᏗ ᎠᏰᎢᎵᏓᏍᏗ ᏧᏂᎨᎢ, ᎠᏴ ᎬᎩᎷᏤᎰᎢ; ᎠᏴᏃ ᏕᎦᏥᏳᎪᏓᏁᎰᎢ; ᎠᎴ ᎬᏂᎨᏒ ᏂᎦᏥᏴᏁᎰ ᎤᏁᎳᏅᎯ ᎤᏁᏨ, ᎠᎴ ᏧᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ.\nᎼᏏᏃ ᎤᎿᏥ ᎯᎠ ᏄᏪᏎᎸᎩ, ᎾᏍᎩ ᏥᎿᏛᏁᎭ ᎥᏝ ᎣᏏᏨ ᏱᎩ.\nᏙᏓᏣᏯᏪᏥᏉ, ᏨᏒ ᎠᎴ ᎯᎠ ᏴᏫ ᏥᏣᎵᎪᏩᏕᎦ; ᎦᎨᏗᏳᏰᏃ ᏨᏒ ᏗᏣᎸᏫᏍᏓᏁᏗᏱ; ᎥᏝ ᏰᎵ ᎾᏍᎩ ᏱᏂᏍᏓᏴ ᏗᏣᎸᏫᏍᏗᏁᏗᏱ ᏨᏒ ᎨᏒᎢ.\nᎭᏛᏓᏍᏓᎾᏗ ᎠᏴ ᏥᏁᎬᎢ, ᏓᎬᏰᏲᏂ, ᎤᏁᎳᏅᎯᏃ ᏙᏓᏣᎧᎾᏩᏗᏙᎵ; ᎤᏁᎳᏅᎯ ᎢᏗᏢ ᎩᏯᎴᏁᎯ ᎨᏎᏍᏗ ᏴᏫ, ᎾᏍᎩ ᎠᏰᎢᎵᏓᏍᏗ ᎨᏒ ᎤᏁᎳᏅᎯ ᏫᏲᎮᏗ ᎨᏎᏍᏗ.\nᎩᏰᏲᏗᏃ ᎨᏎᏍᏗ ᎤᎵᏁᏨ ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ, ᎠᎴ ᎩᏯᏎᎮᏗ ᎾᎿ ᎤᏂᎶᎯᏍᏗᏱ ᎨᏒᎢ, ᎠᎴ ᏄᏍᏛ ᏧᏂᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᎴ ᎾᏍᏉ ᏔᏑᏰᏍᏗ ᎨᏎᏍᏗ ᏂᎦᏛ ᏴᏫ ᏄᎾᏛᏅ, ᎠᏂᏍᎦᏯ ᎠᏂᎦᏔᎿᎢ, ᎤᏁᎳᏅᎯ ᎠᏂᎾᏰᏍᎩ, ᎠᏂᏍᎦᏯ ᏚᏳᎪᏛ ᎠᏂᏁᎩ, ᎠᏂᏂᏆᏘᎯ ᎠᎬᎥᎯᏍᏗ ᎨᏒᎢ; ᎾᏍᎩᏃ ᏕᎯᏁᏤᎮᏍᏗ ᎤᏂᎬᏫᏳᏌᏕᎩ ᏂᏕᎲᏁᎮᏍᏗ ᏌᏉ ᎢᏯᎦᏴᎵ ᎾᏂᎥᎢ, ᎠᎴ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎠᏍᎪᎯᏧᏈ ᎾᏂᎥᎢ, ᎤᏂᎬᏫᏳᏌᏕᎩ ᎯᏍᎦᏍᎪᎯ ᎾᏂᎥᎢ, ᎠᎴ ᎤᏂᎬᏫᏳᏌᏕᎩ ᎠᏍᎪᎯ ᎾᏂᎥᎢ;\nᎾᏍᎩᏃ ᎯᎠ ᏓᏄᎪᏓᏁᎮᏍᏗ ᏴᏫ ᏂᎪᎯᎸᎢ; ᎠᎴ ᎯᎠ ᏄᏍᏕᏍᏗ, ᎾᏍᎩ ᏂᎦᏛ ᎪᎱᏍᏗ ᎤᎵᏍᎨᏛ ᎠᏰᎢᎵᏓᏍᏗ ᎨᏒᎢ, ᏂᎯ ᎨᏣᏲᎮᏗ ᎨᏎᏍᏗ; ᎤᏍᏗᏉᏍᎩᏂ ᎠᏰᎢᎵᏓᏍᏗ ᎨᏒ ᎾᏍᎩ ᏓᏄᎪᏗᏍᎨᏍᏗ; ᎾᏍᎩᏃ ᎤᏓᏌᎧᎯᎨ ᏂᏣᎵᏍᏓᏁᎮᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎤᏁᎳᏗᏍᏗᏍᎨᏍᏗ ᏣᎵᏐᏈᏖᎸᎢ.\nᎢᏳᏃ ᎾᏍᎩ ᎯᎠ ᏱᏂᏣᏛᏁᎸ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎾᏍᎩ ᏱᏂᏣᏪᏎᎸ, ᎿᏉ ᎾᏍᎩ ᏰᎵ ᏱᏅᏂᎠ ᏂᎯ, ᎠᎴ ᏂᎦᏛ ᎯᎠ ᏴᏫ ᎾᏍᏉ ᎤᎾᏤᎵᎪᎯ ᏅᏩᏙᎯᏯᏛ ᏭᏂᎶᎯᏍᏗ ᎨᏎᏍᏗ.\nᎼᏏᏃ ᎤᏛᏓᏍᏓᏁᎸᎩ ᎧᏁᎬ ᎤᎿᏥ, ᎠᎴ ᏂᎦᎥ ᏄᏪᏒ ᏄᏛᏁᎸᎩ.\nᎼᏏᏃ ᏚᏑᏰᏒᎩ ᎠᏂᎦᏔᎿᎢ ᎠᏂᏍᎦᏯ ᏂᎬᎾᏛ ᎢᏏᎵᏱ, ᎠᎴ ᏄᏂᎬᏫᏳᏌᏕᎩ ᏂᏚᏩᏁᎸᎩ ᏴᏫ ᎠᏁᎲᎢ, ᏄᏂᎬᏫᏳᏌᏕᎩ ᏂᏚᏩᏁᎸᎩ ᏌᏉ ᎢᏯᎦᏴᎵ ᎾᏂᎥᎢ, ᏄᎬᏫᏳᏌᏕᎩ ᎠᏍᎪᎯᏧᏈ ᎾᏂᎥᎢ, ᏄᏂᎬᏫᏳᏌᏕᎩ ᎯᏍᎦᏍᎪᎯ ᎾᏂᎥᎢ, ᎠᎴ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎠᏍᎪᎯ ᎾᏂᎥᎢ.\nᎠᎴ ᎾᏍᎩ ᏓᏄᎪᏓᏁᎲᎩ ᏴᏫ ᏂᎪᎯᎸᎢ; ᎪᎱᏍᏗ ᎠᏍᏓᏯ ᎠᏰᎢᎵᏓᏍᏗ ᎨᏒ ᎼᏏ ᎠᏂᏲᎮᎲᎩ; ᏂᎦᎥᏃ ᎤᏍᏗ ᎠᏰᎢᎵᏓᏍᏗ ᎨᏒ ᎤᏅᏒᏉ ᏓᏄᎪᏗᏍᎬᎩ\nᎼᏏᏃ ᎤᏁᎳᎩ ᎤᏪᎵᏎᎸᎩ ᎥᎤᏪᏅᏍᏗᏱ ᎤᎿᏥ; ᎤᏪᏅᏒᎩᏃ ᎤᏩᏒ ᎤᏤᎵᎪᎯ ᏭᎶᏒᎩ.\nᏦᎢᏁ ᏅᏙᎯ, ᏅᏓᎬᏩᎾᏂᎩᏛ ᎢᏏᎵ ᏧᏪᏥᎢᏥᏈᏱ ᎤᎾᏤᎵᎪᎯ, ᎾᎯᏳ ᎢᎦ ᎤᏂᎷᏨᎩ ᎢᎾᎨ ᎨᏒ ᏌᎾᏱ.\nᎵᏆᏗᎻᏰᏃ ᎤᎾᏂᎩᏛ ᎨᏒᎩ, ᎢᎾᎨᏃ ᎨᏒ ᏌᎾᏱ ᏭᏂᎷᏨᎩ, ᎠᎴ ᏭᎾᏅᏅᎩ ᎢᎾᎨᎢ; ᎠᎴ ᎾᎿ ᎢᏏᎵ ᎠᏂᏅᎩ ᎣᏓᎸ ᎢᎬᏱᏗᏢ.\nᎼᏏᏃ ᎤᏁᎳᏅᎯ ᏤᏙᎲ ᏭᎶᏒᎩ, ᏱᎰᏩᏃ ᏓᏳᏯᏅᎲᎩ ᎣᏓᎸᎢ, ᎯᎠ ᏅᏓᏳᏪᏒᎩ, ᎯᎠ ᏂᎩᏪᏏ ᏤᎦᏈ ᎤᏂᏠᏱ ᎨᏒᎢ, ᎠᎴ ᎯᎠ ᏂᎩᏪᏏ ᎢᏏᎵ ᏧᏪᏥ:\nᎢᏥᎪᎲ ᎢᏥᏡᏱ ᎠᏁᎯ ᏂᎦᏥᏴᏁᎸᎢ, ᎠᎴ ᏕᏨᏂᏙᎸ ᎠᏬᎭᎵ ᏗᎧᏃᎨᏂ, ᎠᎴ ᏕᏨᏯᏘᏃᎸ ᎠᏕᏒ ᎾᏆᏛᏅᎢ.\nᎾᏍᎩᏃ ᎢᏳ ᎤᏙᎯᏳᎯᏯ ᏱᏣᏛᏓᏍᏔᏅ ᏥᏁᎬᎢ, ᎠᎴ ᏱᏥᏍᏆᏂᎪᏔᏅ ᎠᏆᏤᎵ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎿᏉ ᎦᎸᏉᏗ ᏧᎬᏩᎶᏗ ᎨᏎᏍᏗ ᏕᏨᏯᎦᏂᏍᎬᎢ, ᎡᏍᎦᏉ ᎾᏂᎥ ᏴᏫ; ᏂᎬᎾᏛᏰᏃ ᎡᎶᎯ ᎠᏆᏤᎵᎦ.\nᎠᎴ ᏗᏆᏤᎵ ᏅᏓᏣᎵᏍᏔᏂ ᎢᏥᎬᏫᏳᎯ ᎠᏥᎸᎢᏤᎶᎯ, ᎠᎴ ᎡᏥᎸᏉᏔᏅᎯ ᎢᏣᏓᏤᎵᏛ. ᎯᎠ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎧᏃᎮᏛ ᎩᏃᎮᎮᏗ ᏥᎩ ᎢᏏᎵ ᏧᏪᏥ.\nᎼᏏᏃ ᎤᎷᏨᎩ, ᎠᎴ ᏫᏚᏯᏅᎲᎩ ᏧᎾᏛᏐᏅᎯ ᏴᏫ ᏧᎾᏤᎵᎦ, ᎠᎴ ᎾᏍᎩ ᎬᏂᎨᏒ ᏂᏚᏩᏁᎸᎩ ᏂᎦᏛ ᎯᎠ ᎧᏃᎮᏛ ᏱᎰᏩ ᎤᏁᏤᎸᎯ.\nᏂᎦᏛᏃ ᏴᏫ ᎤᎴᏃᏅᎯ ᎤᏂᏁᏨᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ, ᏂᎦᏛ ᏱᎰᏩ ᏃᎩᏪᏎᎸ ᎾᏍᎩ ᏅᏓᏲᏣᏛᏁᎵ. ᎼᏏᏃ ᏄᏂᏪᏒ ᏴᏫ ᏭᏃᏁᎸᎩ ᏱᎰᏩ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ. ᎬᏂᏳᏉ, ᏓᎬᎷᏤᎵ, ᏥᏯᎡᏍᏗ ᎤᎭᎨᏛ ᎤᎶᎩᎸᎢ, ᎾᏍᎩ ᏴᏫ ᎤᎾᏛᎪᏗᏱ ᎬᏬᏁᏔᏅᎭ, ᎠᎴ ᎾᏍᏉ ᎨᏦᎯᏳᏗᏱ ᏂᎩᎯᎸᎢ. ᎼᏏᏃ ᏄᏂᏪᏒ ᏴᏫ ᏱᎰᏩ ᏭᏃᏁᎸᎩ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎮᎾ ᏴᏫ ᏗᏁᏙᎲᎢ, ᎠᎴ ᏫᎩᏯᏛᏅᎢᏍᏓ ᎪᎯ ᎢᎦ, ᎠᎴ ᏑᎾᎴᎢ, ᎠᎴ ᏫᏓᏅᎩᎶᏨ ᏧᎾᏄᏬᎢ,\nᎠᎴ ᎤᎾᏛᏅᎢᏍᏘᏌᏛ ᎨᏎᏍᏗ ᏦᎢᏁ ᎢᎦ ᎠᏍᏆᎸᎲᎭ; ᏦᎢᏁᏰᏃ ᎢᎦ ᏱᎰᏩ ᏛᎩᎸᏂᎵ ᏂᎦᏛ ᏴᏫ ᏓᏂᎧᏅ ᏌᎾᏱ.\nᎠᎴ ᎩᏯᏟᎶᎡᎸᎭ ᎬᏩᏚᏫᏛ ᏴᏫ ᎤᏁᏓᏍᏗᏱ, ᎯᎠ ᏂᎩᏪᏎᎸᎭ, ᎢᏣᏓᏯᏫᏍᎨᏍᏗ ᎢᏨᏒ, ᎾᏍᎩ ᏞᏍᏗ ᎢᏥᎿᎷᏒᎩ ᎣᏓᎢᎸᎢ, ᎠᎴ ᏞᏍᏗ ᎠᎦᏐᎠᏍᎬ ᎢᏣᏒᏂᎸᎩ; ᎩᎶ ᎠᏒᏂᎮᏍᏗ ᎠᏎ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ;\nᎾᏍᏉ ᎩᎶ ᎤᏬᏰᏂ ᎤᏒᏂᏍᏙᏗ ᎢᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏎ ᏅᏯ ᏣᎬᏂᏍᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏗᎬᏩᎶᏒᎯ ᎠᏥᏲᏍᏗ ᎨᏎᏍᏗ, ᎦᎾᏜᎢᏉ ᎾᏍᏉ ᎨᏎᏍᏗ, ᎠᎴ ᏴᏫ ᎨᏎᏍᏗ, ᎠᏎ ᏞᏍᏗ ᏱᎬᏁᏍᏗ; ᎠᏤᎷᎯᏍᏗ ᎤᏃᏴᎳᏒᎭ, ᎣᏓᎸ ᎤᏂᎷᎯᏍᏗ ᎨᏎᏍᏗ.\nᎼᏏᏃ ᎤᎦᏐᎠᏒᎩ ᎣᏓᎵ ᏴᏫ ᏗᏁᏙᎲ ᏭᎷᏨᎩ, ᎠᎴ ᏚᏛᏅᎢᏍᏔᏅᎩ ᏴᏫ, ᎠᎴ ᏚᏅᎩᎶᎥᎩ ᏧᎾᏄᏬᎢ.\nᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᏴᏫ, ᎢᏣᏛᏅᎢᏍᏗᏌᏛ ᎨᏎᏍᏗ ᏦᎢᏁ ᎢᎦ ᎠᎵᏰᎢᎶᎸᎭ: ᏞᏍᏗ ᎠᎨᏴ ᎾᎥ ᎡᏥᎷᏤᎸᎭ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ ᏦᎢᏁ ᎢᎦ ᏑᎾᎴᎢ, ᎤᏴᏓᏆᎶᎥᎩ, ᎠᎴ ᎤᎾᎦᎸᎲᎩ, ᎠᎴ ᎤᎭᎨᏛ ᎤᎶᎩᎳᏛᎩ ᎣᏓᎸᎢ, ᎠᎴ ᎠᏤᎷᎩ ᎤᏣᏔᏅᎯ ᎠᏍᏓᏱᏳ ᎤᏃᏴᎳᏒᎩ, ᏂᎦᏛᏰᏃ ᏴᏫ ᏂᎬᎾᏛ ᎠᏂᏅ ᏚᏂᎾᎶᎩ.\nᎼᏏᏃ ᎠᏂᏅ ᏚᏄᎪᏫᏒᎩ ᏴᏫ ᎤᏁᎳᏅᎯ ᏚᎾᏠᏒᏒᎩ;: ᎠᎦᏐᎠᏏᎯᎲᏃ ᎣᏓᎸ ᎤᎾᎴᎿᏫᏍᏔᏅᎩ.\nᏌᎾᏱᏃ ᎣᏓᎸ ᏂᎬ ᏚᎦᏒᏍᏛᎩ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏱᎰᏩ ᎤᎩᎸᏂᎸᎢ ᎠᏥᎸ ᎤᏄᏬᏍᏛᎢ: ᏧᎦᏒᏍᏗᏃ ᎠᎵᏌᎳᏗᏍᎬᎩ ᏔᎷᎩᏍᎩ ᎬᎾᏬᏙᏗᏱ ᏥᏚᎦᏒᏍᏙ ᎾᏍᎩᏯ ᎨᏒᎩ, ᏂᎬᏃ ᎣᏓᎸ ᎤᏣᏔᏅᎯ ᎤᎵᏖᎸᏅᎩ.\nᎿᏉᏃ ᎠᏤᎷᎩ ᎪᎯᏗᏳ ᎤᏃᏴᎳᏒ, ᎠᎴ ᎤᏣᏔᏅᎯ ᎠᏍᏓᏱᏳ ᏂᎦᎵᏍᏗᏍᎬᎢ, ᎼᏏ ᎤᏁᏨᎩ, ᎤᏁᎳᏅᎯᏃ ᏓᏳᏁᏤᎸᎩ ᏰᎵ ᎬᏛᎪᏗ ᎨᏒᎢ.\nᏱᎰᏩᏃ ᎤᏠᎠᏒᎩ ᎣᏓᎸ ᏌᎾᏱ ᎤᎩᎸᏂᎸᎩ ᎣᏓᎸ ᎦᎸᎳᏗ; ᏱᎰᏩᏃ ᏓᏳᏯᏅᎲᎩ ᎼᏏ ᎣᏓᎸ ᎦᎸᎳᏗ: ᎼᏏᏃ ᎤᎿᎷᏒᎩ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎭᏠᎠᎯ, ᏫᏖᏯᏔᎲᎦ ᏴᏫ, ᏯᏂᎦᏛᎴᎯᏰᏃ ᏱᎰᏩ ᎡᏙᎲ ᎤᎾᎦᏙᏍᏙᏗᏱ, ᎠᎴ ᎤᏂᏣᏘ ᏱᏓᏂᏲᎱᎯ.\nᎠᎴ ᎾᏍᏉ ᎠᏥᎸ-ᎠᏁᎶᎯ ᏱᎰᏩ ᎾᎥ ᎠᏂᎷᏤᎯ, ᏩᎾᏓᏅᎦᎸ, ᏱᎰᏩᏰᏃ ᏯᎦᏛᎴᎯ ᎠᏁᏙᎲᎢ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᏱᎰᏩ, ᎥᏝ ᏰᎵ ᎣᏓᎸ ᏌᎾᏱ ᏴᎬᏂᎷᎩ ᏴᏫ; ᏨᏍᎩᏁᏤᎸᏰᏃ, ᎯᎠ ᏥᏅᏣᏪᏒᎩ, ᎢᏣᏟᎶᎢᏛ ᎣᏓᎸ ᎬᏩᎦᏫᏛ, ᎠᎴ ᎦᎸᏉᏗᏳ ᏂᏨᎦ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ, ᎮᎾ, ᎭᏠᎠᎯ; ᎠᎴ ᏔᎩᎳᏩᏒᎭ ᏂᎯ, ᎠᎴ ᎡᎳᏂ ᎢᏍᏕᎮᏍᏗ; ᎠᏥᎸᏍᎩᏂᎠᏁᎶᎯ ᎠᎴ ᏴᏫ ᏞᏍᏗ ᎤᏂᎦᏛᎴᏒᎭ ᎤᏂᎿᎷᏒᎭ ᏭᏄᎷᏤᏗᏱ ᏱᎰᏩ, ᎾᏍᎩᏰᏃ ᏯᎦᏛᎴᎯ ᎠᏁᏙᎲᎢ.\nᎰᏩᏃ ᎼᏏ ᎤᎦᏐᎠᏏᎸᎩ ᏴᏫ ᎠᏁᏙᎲᎢ, ᎠᎴ ᏚᏬᏁᏔᏅᎩ.\nᎤᏁᎳᏅᎯᏃ ᏂᎦᏛ ᎤᏁᏨᎩ ᎯᎠ ᏄᏪᏒᎩ,\nᎠᏴ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎾᏍᎩ ᎢᏥᏈᏱ ᏅᏓᏣᏄᎪᏫᏒᎯ, ᏗᎨᏥᎾᏝᎢ ᏙᏗᏂᏁᎸᎢ.\nᏞᏍᏗ ᏅᏩᎾᏓᎴ ᎤᎾᏁᎳᏅᎯ ᏗᏣᏰᎸᎯ ᎢᎬᏱᏢ ᎠᏆᎧᏛ ᏱᏗᏣᎧᏁᏍᏗ.\nᏞᏍᏗ ᎪᎱᏍᏗ ᏨᏒ ᏣᏓᏙᏢᎾᏁᎸᎩ, ᏗᏟᎶᏍᏔᏅᎯ ᎪᎱᏍᏗ ᎦᎸᎶᎢ ᎡᎯ, ᎠᎴ ᏗᏟᎶᏍᏔᏅᎯ ᎪᎱᏍᏗ ᎡᎶᎯ ᎡᎯ, ᎠᎴ ᏗᏟᎶᏍᏔᏅᎯ ᎪᎱᏍᏗ ᎠᎹᏱ ᎡᎯ ᎦᏙᎯ. ᎡᎳᏗᏢ.\nᏞᏍᏗ ᎡᎳᏗ ᏱᏂᎩᏯᏛᏁᎴᏍᏗ, ᎠᎴ ᏞᏍᏗ ᏱᎩᏯᏓᏙᎵᏍᏓᏁᎴᏍᏗ: ᎠᏴᏰᏃ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎠᏆᏛᏳᎩᏍᏗᏳ ᎠᏆᏁᎳᏅᎯ, ᎠᏂᎦᏴᎵᎨ ᎤᏂᏍᏚᏅᏨᎢ ᏅᏓᏕᎵᏍᏙᏗᏍᎩ ᏗᏥᎩᎵᏲᎢᏍᏗᏍᎩ ᏧᏁᏥ ᎬᎩᏯᎦᎩ, ᏦᎢ, ᎠᎴ ᏅᎩ ᎢᏳᎾᏓᏁᏟᏴᏛ ᏩᏍᏗ;\nᏗᏥᏙᎵᎩᏃ ᎤᏣᏔᏅᎯ ᎢᏳᎾᏓᏁᏟᏴᏛ ᎬᎩᎨᏳᎯ ᎠᎴ ᎠᎩᏁᏍᏆᏂᎪᏗᏍᎩ.\nᏞᏇᏗ ᎠᏎᏉᏉ ᏱᏣᏁᎢᏍᏔᏁᏍᏗ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᏕᎤᏙᎥᎢ. ᎥᏝᏰᏃ ᏱᎰᏩ ᏄᏍᏕᏅᏨᎾ ᏴᎬᏰᎸᎾ ᎠᏎᏉ ᏕᏅᏙᎥ ᎧᏁᎱᏍᏗᏍᎩ.\nᏣᏅᏖᏍᏗ ᎤᎾᏙᏓᏆᏍᎬᎢ ᎢᎦ, ᏣᎸᏉ ᏙᏗᏱ.\nᏑᏓᎵ ᎢᎦ ᏕᏣᎸᏫᏍᏓᏁᎮᏍᏗ, ᎠᎴ ᏂᎦᏛ ᏗᏣᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎿᏛᏁᎮᏍᏗ:\nᎦᎵᏉᎩᏁᏍᎩᏂ ᎢᎦ ᎤᎾ ᏙᏓᏆᏍᎬᎢ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎤᏤᎵᎦ: ᏞᏍᏗ ᎪᎱᏍᏗ ᏗᏣᎸᏫᏍᏓᏁᎸᎩ ᎾᎯᏳᎢ, ᏨᏒ, ᎠᎴ ᎠᏍᎦᏯ ᏤᏥ, ᎠᎴ ᎠᎨᏴ ᏤᏥ, ᎠᎴ ᎠᏍᎦᏯ ᎯᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᎨᏴ ᎯᏅᏏᏓᏍᏗ, ᎠᎴ ᎦᎾᏝᎢ ᏣᏤᎵᎦ, ᎠᎴ ᎯᏁᎸ ᎡᏙᎯ:\nᏱᎰᏩᏰᏃ ᏑᏓᎵ ᎢᎦ ᏚᏱᎵᏙᎴ ᏚᏬᏢᏁ ᏚᎸᎶᎢ ᎠᎴ ᎡᎶᎯ, ᎠᎴ ᎠᎺᏉᎯ, ᎠᎴ ᏂᏚᏛ ᎾᎿ ᏣᏁᎭ, ᎦᎵᏉᎩᏁᏃ ᎢᎦ ᎤᏯᏪᏐᎴᎢ: ᎾᏍᎩ ᎢᏳᏍᏗ ᏱᎰᏩ ᎣᏍᏛ ᎤᏁᏤᎴ ᎤᎾ ᏙᏓᏆᏍᎬ ᎢᎦ, ᎠᎴ ᎦᎸᏉᏗᏳ ᏄᏩᏁᎴᎢ.\nᎯᎸᏉᏕᏍᏗ ᏣᏙᏓ ᎠᎴ ᏣᏥ, ᎾᏍᎩ ᎪᎯᏗᏳ ᏣᎴᏂᏓᏍᏗᏱ ᎦᏙᎯ ᎾᏍᎩ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᏥᏣᏁᎭ.\nᏞᏍᏗ ᏣᏓᎸᎩ.\nᏞᏍᏗ ᏣᏓᏲᏁᎸᎩ.\nᏞᏍᏗ ᏣᏃᏍᎩᏒᎩ.\nᏞᏍᏗ ᎦᏰᎪᎩ ᏣᏃᎮᎸᎩ ᎯᏯᏡᏔᏅᎩ ᎾᎥ ᎢᏗᏍᏓᏓᎳ.\nᏞᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ ᎦᏁᎸᎢ ᎯᏯᏚᎸᎡᎸᎩ, ᏞᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ ᎤᏓᎵᎢ ᎯᏯᏚᎸᎡᎸᎩ, ᎠᎴ ᏞᏍᏗ ᎤᏅᏏᏓᏍᏗ ᎠᏍᎦᏯ, ᎠᎴ ᎤᏅᏏᏓᏍᏗ ᎠᎨᏴ, ᎠᎴ ᎤᏤᎵ ᏩᎦ, ᎠᎴ ᎤᏤᎵ ᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ ᎠᎴ ᏂᎦᎥ ᎪᎱᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ ᎤᏤᎵᎦ.\nᏂᎦᏛᏃ ᏴᏫ ᎤᎾᏙᎴᎰᏒᎩ ᎤᏍᏆᏃᏴᎬᎢ, ᎠᎴ ᎠᏓᏪᎵᎩᏍᎬᎢ, ᎠᎴ ᎠᏤᎷᎩ ᎤᏃᏴᎬᎢ, ᎠᎴ ᎣᏓᎸ ᏚᎦᏒᏍᏛᎢ: ᎤᏂᎪᎲᏃ ᏴᏫ ᎤᎾᏓᏅᏒᎩ, ᎠᎴ Ꭸ ᎢᏴᏛ ᏓᏳᎾᎴᎿᏫᏍᏔᏅᎩ.\nᎠᎴ ᎯᎠ ᏄᏂᏪᏎᎸᎩ ᎼᏏ, ᏂᎯ ᏍᎩᏬᏁᏓ, ᏓᏲᏣᏛᏓᏍᏔᏂᏃ: ᎤᏁᎳᏅᎯᏍᎩᏂ ᏞᏍᏗ ᎣᎩᏬᏁᏔᏅᎩ, ᏱᏙᏥᏲᎢᎱᎯᏰᏃ.\nᎼᏏᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᏴᏫ; ᏞᏍᏗ ᏱᏥᏍᎦᎢᎮᏍᏗ, ᎤᏁᎳᏅᎯᏰᏃ ᎢᏥᎪᎵᏰᎢᎸ, ᎠᎴ ᎤᎾᏰᎯᏍᏗ ᎨᏒ ᎤᏤᎵᎦ ᎢᎬᏱᏢ ᏕᏣᎧᏛ ᎢᏳᎵᏍᏔᏂᏓᏍᏗᏱ; ᎾᏍᎩᏃ ᎢᏥᏍᎦᏅᎢᏍᏗᏱ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ.\nᏴᏫᏃ Ꭸ ᎢᏴᏛ ᏓᏳᎾᎴᎿᏫᏍᏛᎩ; ᎼᏏᏃ ᎾᎥ ᎤᎷᏨᎩ ᎤᎭᎨᏛ ᎤᎵᏏᎬ ᎾᎿ ᎤᏁᎳᏅᎯ ᎡᏙᎲᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎯᎠ ᏂᎩᏪᏎᎸᎭ ᎢᏏᎵ ᏧᏪᏥ, ᎢᏥᎪᎲ ᎦᎸᎳᏗ ᎢᏴᏛ ᏗᏨᏬᏁᏔᏅᎢ.\nᎥᏞᏍᏗ ᎠᏕᎸ ᎤᏁᎬ ᏗᏦᏢᏙᏗ ᏱᎨᏎᏍᏗ ᎤᎾᏁᎳᏅᎯ, ᎠᎴ ᎥᏞᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏣᏓᏙᏢᎾᏁᏙᏗ ᏱᎨᏎᏍᏗ ᎤᎾᏁᎳᏅᎯ.\nᎠᏥᎸᎨᎳᏍᏗᏱ ᎦᏓ ᏍᎩᏲᏢᎾᏁᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎾᎿ ᎢᏣᎵᏍᎪᎸᏙᏗ ᎨᏎᏍᏗ ᎠᏥᎸ ᎨᎳᏍᏗ, ᎠᎴ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏁᎯ ᎠᎵᏍᎪᎸᏙᏗ, ᎠᏫ ᏗᏣᏤᎵᎦ, ᎠᎴ ᏩᎦ ᏗᏣᏤᎵᎦ. ᏂᎦᎥᎢ ᎾᎿ ᎠᏅᏓᏗᏍᏗ ᏂᎬᏁᎮᏍᏗ ᏓᏆᏙᎥᎢ, ᎾᎿ ᎬᎷᏤᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎣᏍᏛ ᎢᎬᏯᏛᏁᏗ ᎨᏎᏍᏗ.\nᎢᏳ ᎠᎴ ᏅᏯ ᎢᏍᎩᏲᏢᎾᏁᏓᏁᎸ ᎠᏥᎸ ᎨᎳᏍᏗᏱ, ᏞᏍᏗ ᏗᏲᎪᎳᏅᎯ ᏅᏯ ᎢᏣᏁᏍᎨᏙᏗ ᏱᎨᏎᏍᏗ; ᎦᏅᏆᎶᏍᏗᏰᏃ ᎾᎿ ᎢᎯᏱᏗᎸᎭ ᎦᏓᎭ ᏅᏛᏁᎵ.\nᎥᏝ ᎠᎴ ᎠᎩᎳᏫᏍᏗᏱ ᏣᎩᎳᏫᏍᏗ ᎨᏎᏍᏗ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎠᏆᏤᎵᎦ: ᏣᏲᏓᎬᏰᏃ ᎨᏒ ᏯᏂᎪᏩᏛ\nᎾᏍᎩᏃ ᎯᎠ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩ ᎬᏂᎨᏒ ᎢᎩᏴᏁᏗ ᎨᏒᎢ.\nᎢᏳᏃ ᎠᎫᏏ ᎯᏅᏏᏓᏍᏗ ᎢᎯᏩᏒᎭ, ᏑᏓᎵ ᏧᏕᏘᏴᏛ ᎪᎱᏍᏗ ᎤᏛᏁᏗ ᎨᏎᏍᏗ; ᎦᎵᏉᎩᏁᏃ ᎤᏕᏘᏴᏌᏗᏒ ᎾᏥᎾᏝᎥᎾ ᎤᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ ᎪᎱᏍᏗ ᏄᎫᏴᎲᎾ.\nᎢᏳᏃ ᎤᏩᏒᏉ ᎤᎷᏨᎯ ᏱᎩ, ᎤᏩᏒᏉ ᎤᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ; ᎢᏳᏃ ᎤᏓᎵ ᏱᎩ, ᎿᏉ ᎤᏓᎵᎢ ᎤᏂᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎤᎾᏝᎢ ᏳᏪᎧᏁᎸ ᎤᏓᎵᎢ, ᎾᏍᎩᏃ ᏱᏚᎾᏄᎪᏫᏎᎸ ᏧᏪᏥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ;: ᎠᎨᏴ ᎠᎴ ᏧᏪᏥ ᎤᏓᎾᏝᎢ ᏧᏤᎵ ᎨᏎᏍᏗ, ᎤᏩᏒᏉᏃ ᎤᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ.\nᎠᏥᎾᏝᎢᏃ ᎬᏂᎨᏒ ᎢᏳ ᎯᎠ ᏱᏄᏪᏒ, ᎠᎩᎾᏝᎢ ᏥᎨᏳᎠ, ᎠᏆᏓᎵᎢ, ᎠᎴ ᏗᏇᏥ; ᎥᏝ ᏅᎩᎾᏝᎥᎾ ᏴᎦᏥᏄᎪᎢ:\nᎿᏉ ᎾᏍᎩ ᎤᎾᏝᎢ ᎤᏘᏃᎯᏍᏗ ᎨᏎᏍᏗ ᎤᏁᎳᏅᎯᏱ; ᎠᎴ ᎾᏍᏉ ᎦᎶᎯᏍᏗᏱ ᎠᎴ ᎦᎶᎯᏍᏗᏱ ᎦᏯᎸ ᎤᏘᏃᎯᏍᏗ ᎨᏎᏍᏗ; ᎤᎾᏝᎢᏃ ᏴᎩ ᎬᏗ ᎤᏔᎴᏎᏗ ᎨᏎᏍᏗ ᎦᎴᏂ,; ᏂᎪᎯᎸᏃ ᎠᏥᎾᏢᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᎠᏍᎦᏯ ᎤᏪᏥ ᎠᎨᏴ ᏳᎾᏗᏅ, ᎠᏥᎾᏝᎢ ᎢᏳᎵᏍᏙᏗᏱ, ᎥᏝ ᎠᏂᏍᎦᏯ ᏗᎨᏥᎾᏝᎢ ᎠᏂᏄᎪᎬ ᎾᏍᎩᏯ ᎬᏩᏄᎪᎢᏍᏗ ᏱᎨᏎᏍᏗ.\nᎢᏳᏃ ᎣᏏᏳ ᏄᏰᎸᏒᎾ ᏱᎩ ᎤᎾᏝᎢ, ᎾᏍᎩ ᎤᏓᏴᏍᏗᏱ ᎤᏁᏨᎢ, ᎿᏉ ᎤᏁᎳᎩ ᎤᏪᎵᏍᏗ ᎨᏎᏍᏗ ᎠᎦᎫᏴᏗᏱ; ᏅᏩᎾᏓᎴᏍᎩᏂ ᏴᏫ ᎥᏝ ᏳᎮᏍᏗ ᏧᏪᎧᏁᏗᏱ, ᎤᎶᎾᏍᏔᏅᎢ ᎢᏳᏍᏗ.\nᎢᏳ ᎠᎴ ᎠᏍᎦᏯ ᎤᏪᏥ ᎤᏓᏴᏍᏗᏱ ᎤᏁᏨᎯ ᏱᎩ, ᎠᏂᎨᏴ ᎨᎦᏅᎩ ᎢᎨᎦᏛᏁᏗ ᎨᏒ ᎾᏍᎩᏯ ᎢᏳᏛᏁᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᏅᏩᏓᎴ ᎠᏓᏰᎨᏍᏗ, ᎤᎵᏍᏓᏴᏗ, ᏧᏄᏬᎢ, ᎠᎴ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᏛᏤᎲ, ᎥᏝ ᎤᎪᎳᏕᏗ ᏱᎨᏎᏍᏗ.\nᎢᏳᏃ ᎾᏍᎩ ᏦᎢ ᎢᏳᏓᎴᎩ ᏄᏛᏁᎸᎾ ᏱᎩ, ᎿᏉ ᎠᏎᏉ ᎤᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ ᎠᏕᎸ ᏄᎫᏴᏔᏅᎾ.\nᎩᎶ ᏴᏫ ᎢᎬᏂᎮᏍᏗ ᎾᏍᎩᏃ ᎠᏲᎢᏍᎨᏍᏗ, ᎠᏎ ᎤᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎠᏎ ᎾᏍᎩ ᏄᏛᏁᎸᎾ ᎢᎨᏎᏍᏗ, ᎤᏁᎳᏅᎯᏉᏍᎩᏂ ᏱᏚᏲᎯᏎᎸ; ᎿᏉ ᏓᎬᏯᏎᎮᎵ ᏭᎶᎯᏍᏗᏱ ᎤᎵᏘᏍᏗᏱ.\nᎢᏳᏍᎩᏂ ᎩᎶ ᎠᏎ ᎤᏚᎸᏛ ᎨᏒ ᏕᎦᎶᏄᎮᏛ ᏳᏩᏔᏅ ᎾᎥ ᎢᏧᎾᏓᎳ ᏳᎸ, ᎯᏯᎧᎲᏍᏗ ᎨᏎᏍᏗ ᎠᏆᏤᎵ ᎠᏥᎸ ᎨᎳᏍᏗᏱ, ᎾᏍᎩ ᎤᏲᎱᎯᏍᏗᏱ.\nᎠᎴ ᎩᎶ ᎤᏙᏓ, ᎠᎴ ᎤᏥ ᎢᎬᏂᎮᏍᏗ, ᎠᏎ ᎤᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎩᎶᎢ ᎠᏍᎦᏯ ᎢᎦᏃᏍᎩᏍᎨᏍᏗ, ᎠᎴ ᎢᎦᎾᏕᎨᏍᏗ, ᎠᎴ ᎤᏪᎧᎲᏉ ᎠᏥᏩᏛᎡᎮᏍᏗ, ᎠᏎ ᎤᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎩᎶᎢ ᎤᏙᏓ ᎠᎴ ᎣᏥ ᏓᏍᎩᏅᏗᏍᎨᏍᏗ, ᎠᏎ ᎤᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᎢᏳ ᎠᎴ ᎠᏂᏍᎦᏯ ᎠᎾᎵᎲᎢ ᎠᏏᏴᏫ ᏐᎢ ᏅᏯ ᏳᏩᏂᏍᏔᏅ, ᎠᎴ ᎠᏍᏈᏅᏉ ᏳᏩᏔᏅ, ᏄᏲᏴᏒᎾᏃ ᏱᎩ, ᏳᏂᏏᏅᏉᏍᎩᏂ;\nᎢᏳᏃ ᏳᏗᏛᎲ, ᎠᎴ ᏙᏱ ᎤᏪᏙᎸ ᏳᏙᎳᏅᏂᏙᎸ, ᎿᏉ ᎾᏍᎩ ᎤᏩᏂᎸᎯ ᎤᏚᏓᎴᏛ ᎨᏎᏍᏗ; ᎤᎫᏴᎡᏗᏍᎩᏂᏃᏅ ᎨᏎᏍᏗ ᎢᎪᎯᏛ ᎤᏲᎱᏎᎸᎢ, ᎠᎴ ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗ ᎨᏎᏍᏗ ᎣᏍᏛ ᎠᏥᏅᏬᏗᏱ.\nᎢᏳᏃ ᎩᎶ ᎠᏍᎦᏯ ᎦᎾᏍᏓ ᏳᏩᏂᏍᏔᏅ ᎠᏍᎦᏯ ᎤᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᎨᏴ ᎤᏅᏏᏓᏍᏗ, ᎠᎴ ᎾᎯᏳᏉ ᏳᏲᎱᏒ, ᎠᏎ ᎠᏥᏍᏛᏗᏍᏙᏗ ᎨᏎᏍᏗ.\nᎢᏳᏍᎩᏂᏃᏅ ᏔᎵᎭ ᏧᏒᎯᏛ ᏱᎬᏅ, ᎥᏝ ᎠᏥᏍᏛᏗᏍᏙᏗ ᏱᎨᏎᏍᏗ; ᎠᏕᎸᏰᏃ ᏧᏤᎵ ᎾᏍᎩ.\nᎢᏳᏃ ᎠᏂᏍᎦᏯ ᏳᎾᎵᎸ, ᎠᎴ ᎪᎱᏍᏗ ᏳᏅᏁᎸ ᎠᎨᏴ ᎦᏁᎵᏛ, ᎾᏍᎩᏃ ᎦᏁᎵᏒ ᏳᏲᎱᏎᎸ; ᎪᎱᏍᏗᏃ ᎤᏐᏅ ᏫᏄᎵᏰᎢᎶᎸᎾ ᏱᎩ; ᎠᏎ ᎤᎫᏴᏗ ᎨᏎᏍᏗ, ᎯᎠᏉ ᎢᎦᎢ ᏳᏛᏅ ᎠᎨᏴ ᎤᏰᎯ; ᎠᎴ ᎤᎫᏴᏗ ᎨᏎᏍᏗ ᏗᏄᎪᏗᏍᎩᏱ.\nᎢᏳᏃ ᎪᎱᏍᏗ ᎤᏐᏅ ᏫᏳᎵᏰᎢᎶᎸ, ᎿᏉ ᎾᏍᎩ ᎬᏅᎢ ᎬᏅ ᏣᎫᏴᏙᏗ ᎨᏎᏍᏗ.\nᎠᎦᏔ, ᎠᎦᏔ ᏣᎫᏴᏙᏗ ᎨᏎᏍᏗ, ᎧᏳᎦ, ᎧᏳᎦ ᏣᎫᏴᏙᏗ ᎨᏎᏍᏗ, ᎤᏬᏰᏂᏃ ᎤᏬᏰᏂ ᏣᎫᏴᏙᏗ ᎨᏎᏍᏗ, ᎤᎳᏏᏕᏂᏃ ᎤᎳᏏᏕᏂ ᏣᎫᏴᏙᏗ ᎨᏎᏍᏗ,\nᎤᎴᏴᏒᏃ ᎤᎴᏴᏒ ᏣᎫᏴᏙᏗ ᎨᏎᏍᏗ, ᎠᏥᏐᏅᏅ ᎠᏥᏐᏅᏅ ᏣᎫᏴᏙᏗ ᎨᏎᏍᏗ, ᎠᏥᎵᎥᏂᎸ, ᎠᏥᎵᎥᏂᎸ ᏣᎫᏴᏙᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᎤᏅᏏᏓᏍᏗ ᎠᏍᎦᏯ ᎠᎦᏙᎵ ᎢᎬᏂᎮᏍᏗ, ᎠᎴ ᎤᏅᏏᏓᏍᏗ ᎠᎨᏴ ᎠᎦᏙᎵ ᎢᎬᏂᎮᏍᏗ, ᎾᏍᎩᏃ ᎠᏲᎨᏍᏗ; ᎾᏍᎩ ᎤᏪᎪᏗ ᎨᏎᏍᏗ ᎠᎦᏙᎵ ᎠᎫᏱᏍᎨᏍᏗ.\nᎢᏳ ᎠᎴ ᎠᏍᎦᏯ ᎤᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᎨᏴ ᎤᏅᏏᏓᏍᏗ ᏳᏄᏕᏍᏔᏅ; ᎤᏪᎪᏗ ᎨᏎᏍᏗ ᎦᏄᏙᎬ ᎠᎫᏱᏍᎨᏍᏗ.\nᎢᏳᏃ ᏩᎦ ᏱᏚᏪᏘᎸ ᎠᏍᎦᏯ ᎠᎴ ᎠᎨᏴ, ᎾᏍᎩᏃ ᏳᏲᎱᏒ; ᎿᏉ ᎾᏍᎩ ᏩᎦ ᎠᏎ ᏅᏯ ᏣᎬᏂᏍᏙᏗ ᎨᏎᏍᏗ, ᎤᏫᏯᏃ ᎥᏝ ᎠᎩᏍᏗ ᏱᎨᏎᏍᏗ; ᎤᎾᏝᎢᏃ ᏩᎦ ᎤᏚᏓᎴᏛ ᎨᏎᏍᏗ.\nᎢᏳᏍᎩᏂ ᏩᎦ ᏗᎬᏩᏓᏘᏍᏗ ᏱᎩ ᏧᏩᎫᏔᏅᏒᎢ, ᎠᎴ ᎠᏥᏃᏁᎸᎯ ᏱᎩ ᎤᎾᏲᎢ, ᎠᎴ ᎤᎬᏔᏅᎯᏉ ᏂᎨᏒᎾ ᏱᎩ, ᎠᏍᎦᏯᏃ ᎠᎴ ᎠᎨᏴ ᎤᎸᎯ ᏱᎩ: ᏩᎦ ᏅᏯ ᏣᎬᏂᏍᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᎾᏝᎢ ᎾᏍᏉ ᎤᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎠᎫᏴᏙᏗ ᏳᎾᏎᎸ, ᎿᏉ ᎤᎫᏴᏗ ᎨᏎᏍᏗ ᎢᎦᎢ ᎤᎾᏎᎸ ᎬᏅ ᎫᏓᎴᏍᎬᎢ.\nᎾᏍᏉ ᎩᎶ ᎤᏪᏥ ᎠᏧᏣ ᎠᎴ ᎠᎮᏳᏣ ᏧᏪᏘᎸᎯ ᏱᎩ, ᎾᏍᎩᏯ ᎯᎠ ᏚᏚᎪᏔᏅ ᎢᏳᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᏩᎦ ᏱᏚᏪᏘᎸ ᎠᏍᎦᏯ ᎠᏥᏅᏏᏓᏍᏗ, ᎠᎴ ᎠᎨᏴ ᎠᏥᏅᏏᏓᏍᏗ; ᎿᏉ ᏦᎠᏍᎪᎯ ᎠᏰᎵᎠᏕᎸ ᏧᏁᏗ ᎨᏎᏍᏗ ᎤᎾᏝᎢ, ᏩᎦᏃ ᏅᏯ ᏣᎬᏂᏍᏙᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᏳᏍᏚᎢᏒ ᎠᏔᎴᏒᎢ, ᎢᏳ ᎠᎴ ᎩᎶ ᏳᏍᎪᏒ ᎠᏔᎴᏒᎢ, ᏄᏭᏢᏅᎾᏃ ᏱᎩ, ᏩᎦᏃ ᎠᎴ ᏐᏈᎵ ᏗᎦᎵᎠᏅᎯᏛ ᏳᏂᎸᏨ ᎾᎿᏂ;\nᎾᏍᎩ ᎠᏔᎴᏒ ᎤᏤᎵᎦ ᎤᎫᏴᏗ ᎨᏎᏍᏗ, ᎠᏕᎸ ᏧᏁᏗ ᎨᏎᏍᏗ ᎤᎾᏝᎢ: ᎤᎵᏬᏨᎯᏃ ᎤᏤᎵ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᎤᏤᎵ ᏩᎦ, ᏅᏩᏓᎴ ᎤᏤᎵ ᏩᎦ ᏱᏚᏪᏘᎸ, ᏳᎵᏬᏨᏃ, ᎿᏉ ᎬᏃᏛ ᏩᎦ ᎤᏂᎾᏗᏅᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏧᎬᏩᎳᏅᎯ ᎠᏕᎸ ᏔᎵ ᎢᏳᏂᏗᏍᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎤᎵᏬᏨᎯ ᏩᎦ ᎾᏍᏉ ᏔᎵ ᎢᏳᏂᏗᏍᏗ ᎨᏎᏍᏗ.\nᎢᏳᏍᎩᏂ ᏳᎾᏅᏔ ᏗᎬᏩᏓᏘᏍᏗ ᎨᏒ ᏩᎦ ᏧᏩᎫᏔᏅᏒᎢ, ᎠᎴ ᎤᎾᏝᎢ ᏄᏴᏔᏅᎾ ᏱᎩ; ᎠᏎ ᏩᎦ ᎤᎫᏴᏙᏗ ᎨᏎᏍᏗ ᏩᎦ, ᎤᎵᏬᏨᎯᏃ ᎤᏤᎵ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᎠᎴ ᎠᏫ ᏳᏃᏍᎩᏒ, ᎠᎴ ᏳᎸ, ᎠᎴ ᏳᎾᏗᏅ; ᎯᏍᎩ ᏩᎦ ᏧᏪᎪᏗ ᎨᏎᏍᏗ ᏌᏉ ᏩᎦ ᎠᎫᏱᏍᎬᎢ: ᎠᎴ ᏅᎩ ᎠᏫ ᏧᏪᏎᏗ ᎨᏎᏍᏗ ᏌᏉ ᎠᏫ ᎠᎫᏱᏍᎬᎢ.\nᎢᏳᏃ ᎦᏃᏍᎩᏍᎩ ᏯᏥᏩᏛᏔᏅ ᎠᏓᏴᏎᎲᎢ, ᏍᎬᏂᎸᏃ ᎠᎴ ᏳᏲᎱᏒ, ᎥᏝ ᎩᎬ [ᎠᏨᏗ ᏱᎨᏎᏍᏗ] ᎾᏍᎩ ᎠᏥᏍᏛᏗᏍᏗᏍᎬᎢ.\nᎢᏳᏍᎩᏂ ᏴᏧᎧᎸᏨ, ᎩᎳ ᎾᏍᎩ ᏱᎾᎬᏁᎸ, ᎩᎬ [ᎠᏨᏗ ᎨᏎᏍᏗ] ᎾᏍᎩ ᎠᏥᏍᏛᏗᏍᏗᏍᎬᎢ: ᎠᎧᎵᎢᏰᏃ ᎤᎫᏴᎰᎲᏍᏗ ᏱᎩ; ᎢᏳᏃ ᎪᎱᏍᏗ ᏄᎲᎾ ᏱᎩ, ᎿᏉ ᎠᏥᎾᏗᏅᏗ ᎨᏎᏍᏗ ᎤᏍᏛᏗᏍᎬ ᎤᏃᏍᎩᏒᎢ.\nᎢᏳᏃ ᎪᎱᏍᏗ ᎤᏃᏍᎩᏛ ᎤᏙᎯᏳ ᎯᏯ ᏳᏂᏩᏛᎲ ᎤᏪᎧᎲᎢ ᎬᏃᏛ, ᏩᎦ, ᎠᎴ ᏗᎦᎵᎠᏅᎯᏛ ᏐᏈᎵ, ᎠᎴ ᎠᏫ ᏱᎾᎩ, ᎿᏉ ᏔᎵ ᎢᏳᏩᎫᏗ ᎤᎫᏴᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᏱᏄᏩᏂᏌᏅ ᏠᎨᏏ ᎠᎴ ᏖᎸᎳᏗ ᏓᏫᏒ ᎦᎾᏝᎢ ᎤᎾᎵᏍᏓᏴᏗᏱ, ᎠᎴ ᏳᏴᏔᏅ ᎤᏤᎵ ᎦᎾᏝᎢ, ᎾᏍᎩ ᎤᎵᏍᏓᏴᏗᏱ ᎤᏩᏓᎴ ᎤᎶᎨᏒᎢ; ᎣᏌᏂ ᎤᏩᏒ ᎤᎶᎨᏒ ᎠᎩᏛ, ᎠᎴ ᎣᏌᏂ ᎤᏩᏒ ᏖᎸᎳᏗ ᏚᏫᏒ ᎠᎩᏛ ᎤᎫᏴᏙᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᏳᎵᏨ, ᎠᎴ ᏥᏍᏚᏂᎩᏍᏗᏱ ᏳᏥᏠᏨ, ᎾᏍᎩᏃ ᎤᏣᎴᏍᏗ ᏕᎦᎧᎲ, ᎠᎴ ᎤᏰᎬᏉ, ᎠᎴ ᏠᎨᏏ ᏳᎪᏅ; ᎿᏉ ᎾᏍᎩ ᎤᎴᎾᏅᎯ ᎠᏎ ᎤᎫᏴᎰᎲᏍᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᎾᎥ ᎢᏧᎾᏓᎳ ᎠᏕᎸ ᎠᎴ ᎪᎱᏍᏗᏉ ᏳᎨᏅᏛ, ᎾᏍᎩᏃ ᎾᎿ ᎦᏁᎸ ᏯᏥᏃᏍᎩᏒ; ᎢᏳᏃ ᎦᏃᏍᎩᏍᎩ ᏯᏥᏩᏛᎲ ᏔᎵ ᎢᏳᏩᎫᏗ ᎤᎫᏴᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎦᏃᏍᎩᏍᎩ ᎾᏥᏩᏛᎲᎾ ᏱᎩ, ᎿᏉ ᎾᏍᎩ ᎦᏁᎳ ᎤᏁᎳᏅᎯᏱ ᎠᎦᏘᏃᎯᏍᏗ ᎨᏎᏍᏗ, ᎬᏂᎨᏒ ᎢᏳᏩᏁᏗᏱ ᎪᎱᏍᏗ ᏄᏩᏁᎸᎾ ᎨᏒ ᏧᎬᏩᎶᏗ ᎾᎥ ᎢᏧᎾᏓᎳ ᎤᏤᎵᎦ.\nᏄᏓᎴᏒᏰᏃ ᏗᏓᏍᎦᏅᏤᏗ ᎨᏒᎢ, ᎢᏳ ᎾᏍᏉ ᏩᎦ ᏱᎩ, ᎠᎴ ᏐᏈᎵ ᏗᎦᎵᎠᏅᎯᏛ, ᎠᎴ ᎠᏫ, ᎠᎴ ᏗᏄᏬ, ᎠᎴ ᏄᏓᎴᏒᏉ ᎤᏓᏲᎱᏎᎯ; ᎾᏍᎩ ᎩᎶ ᎠᏆᏤᎵᎦ ᏯᏗᎭ, ᎾᏍᎩ ᎠᎾᏗᏒᎯᎲ ᎤᏁᎳᏅᎯ ᎤᏂᏲᎮᏗ ᎨᏎᏍᏗ; ᎤᏁᎳᏅᎯᏃ ᎾᏍᎩ ᎤᏍᎦᏅᏨᎯ ᏱᏚᏭᎪᏔᏅ, ᎾᏍᎩ ᏔᎵ ᎢᏳᏩᎫᏗ ᎤᎫᏴᎡᏗ ᎨᏎᏍᏗ ᎾᎥ ᎢᏧᎾᏓᎳ.\nᎢᏳᏃ ᎩᎶ ᎾᎥ ᎢᏧᎾᏓᎳ ᏐᏈᎵ ᏗᎦᎵᎠᏅᎯᏛ, ᎠᎴ ᏩᎦ, ᎠᎴ ᎠᏫ, ᎠᎴ ᏂᎦᎥᏉ ᎦᎾᏝᎢ ᏳᎨᏅᏛ; ᎾᏍᎩᏃ ᏳᎵᏬᏨ, ᎠᎴ ᏯᏥᎸ, ᎠᎴ ᏯᎦᏗᏝᎥᏔᏅ, ᎩᎶᏃ ᏄᎪᎲᎾ ᏱᎩ;\nᎿᏉ ᎾᏍᎩ ᎠᏎᎵᏙᏗ ᎨᏒ ᏱᎰᏩ ᎤᏤᎵᎦ ᎤᏅᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎪᎱᏍᏗ ᏄᏩᏁᎸᎾ ᎨᏒ ᏧᎬᏩᎶᏗ ᎾᎥ ᎢᏧᎾᏓᎳ ᎤᏤᎵᎦ, ᏧᎬᏩᎶᏗᏃ ᎤᏤᎵᎦ ᏧᏓᏂᎸᎢᏍᏗ ᎨᏎᏍᏗ ᎤᏎᎵᏔᏅᎢ, ᎾᏍᎩᏃ ᏐᎢ ᎥᏝ ᎤᎫᏴᏗᏱ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᏯᏥᏃᏍᎩᎡᎸ ᎤᎫᏴᎡᏗ ᎨᏎᏍᏗ ᎤᎾᏝᎢ ᎾᏍᎩ.\nᎢᏳᏃ ᏯᏥᏓᎦᎸᎢᏒ, ᎿᏉ ᎤᏃᎯᏍᏗ ᎨᏎᏍᏗ ᎧᏃᎲᏍᎩ ᎢᏳᎵᏍᏙᏗ, ᎾᏍᎩᏃ ᎥᏝ ᎤᎫᏴᏗ ᏱᎨᏎᏍᏗ ᎾᏍᎩ ᎠᏥᏓᎦᎸᎢᏒᎯ.\nᎢᏳ ᎠᎴ ᎩᎶ ᎪᎱᏍᏗ ᏳᏙᎸᎡᎸ ᎾᎥ ᎢᏳᎾᏓᎳ, ᏯᏥᎸᏃ, ᎠᎴ ᏳᎵᏬᏨ, ᎤᎾᏝᎢᏃ ᎤᎦᏔᎲᎾ ᏱᎩ, ᎠᏎ ᎤᎩᏴᏗ ᎨᏎᏍᏗ.\nᎢᏳᏍᎩᏂ ᎤᎾᏝᎢ ᏯᎦᏔᎭ, ᎥᏝ ᎤᎫᏴᏗ ᏱᎨᏎᏍᏗ; ᎢᏳᏃ ᎤᎫᏴᏗ ᏱᎩ ᎤᏙᎳᏒᎢ, ᎤᏙᎳᏒᏉ ᎤᎫᏴᏗ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎩᎶ ᎠᏍᎦᏯ ᏳᏂᎳᏕᎸ ᎠᏛ ᎩᎶ ᏂᏚᎾᏓᏁᎸᎾ ᏧᎾᏨᏍᏗᏱ, ᎠᎴ ᏱᏚᎾᏄᏏᏅ, ᎿᏉ ᎠᏎ ᎤᏩᎯᏍᏗ ᎨᏎᏍᏗ ᎤᏓᎵᎢ ᎢᏳᎵᏍᏙᏗᏱ.\nᎢᏳᏃ ᎤᏙᏓ ᎤᎵᏂᎩᏛ ᏳᎨᏳᎲᏍᎦ ᎤᏪᎧᏁᏗᏱ, ᎤᎫᏴᏗ ᎨᏎᏍᏗ ᎠᏕᎸ ᎢᎦᎢ ᎨᎦᎫᏴᏗ ᎨᏒ ᎠᎾᏛ.\nᏞᏍᏗ ᎤᏁᎳᎩ ᎬᏁᏍᏗ ᏤᎵᏍᏗ ᏱᎨᏎᏍᏗ ᎠᎨᏴ ᎠᏙᏂᏍᎩ.\nᎩᎶ ᎦᎾᏝᎢ ᎠᏐᏢᎢᏍᏗᏍᎨᏍᏗ, ᎠᏎ ᎤᏲᎱᎯᏍᏗ ᎨᏎᏍᏗ.\nᎩᎶ ᏅᏩᏓᎴ ᎤᏁᎳᏅᎯ ᎠᏥᎸ ᎢᎨᎴᎮᏍᏗ, ᏱᎰᏩᏉ ᎤᏩᏒ, ᎾᏍᎩ ᎠᏎ ᎠᏥᏛᏙᏗ ᎨᏎᏍᏗ.\nᏞᏍᏗ ᏱᏯᏕᏯᏙᏗᏍᎨᏍᏗ ᎠᎴ ᎠᎩᎵᏯ ᏱᏂᏴᎾᏕᎨᏍᏗ ᎡᏙᎯ; ᏂᎯᏰᏃ ᎢᏤᏙᎯᏉ ᎨᏒᎩ ᎢᏥᏡᏱ.\nᏞᏍᏗ ᎠᎩᎵᏯ ᏱᏁᏨᎾᏕᎨᏍᏗ ᎩᎶ ᎤᏬᏑᎶᏨᎯ, ᎠᎴ ᎤᏓᏂᏯᏛ.\nᎢᏳᏃ ᎢᎯᎩᎵᏲᎢᏍᏔᏅᎭ ᏂᎦᎥᏉ ᎢᎦᎯᏴᏁᏗ ᎨᏒᎢ, ᎠᏴᏃ ᎠᏆᎵᏍᏓᏁᎸᎭ, ᎠᏎ ᏥᏯᏛᎦᏁᏗ ᎨᏎᏍᏗ ᎤᎵᏍᏛᎢ:\nᎠᎩᏔᎳᏬᏍᎬᏃ ᎤᏗᎴᎲᎯᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎢᏨᎢᏍᏗ ᎨᏎᏍᏗ ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᎬᏗ: ᏗᏣᏓᎵᎢᏃ ᏧᏃᏑᎶᏨᎯ ᎨᏎᏍᏗ, ᏗᏤᏥᏃ ᎤᎾᏓᏂᏯᏛ.\nᎢᏳᏃ ᎠᏕᎸ ᏕᎯᏯᏙᎳᏍᏗᏍᎨᏍᏗ ᎩᎶ ᏗᏆᏤᎵ ᎨᏒ ᏴᏫ ᎾᎥ ᎢᏣᏓᎳ, ᎤᏲ ᎢᏳᏛᎿᏕᎩ, ᎥᏞᏍᏗ ᎧᏁᏉᎩ ᎠᏕᎸ ᏗᏓᏙᎳᏍᏗᏍᎩ ᏥᎩ ᎢᏣᏍᏗ ᏱᎨᏎᏍᏗ, ᎥᏞᏍᏗ ᎧᏁᏉᎩ ᎤᎫᏴᏗ ᎢᎯᏴᏁᏗ ᏱᎨᏎᏍᏗ.\nᎢᏳᏃ ᎾᎥ ᎢᏗᏍᏓᏓᎳ ᎤᏄᏬ ᏱᏣᎦᏘᏗᏍᏓᏁᎸ, ᎠᏎ ᏅᏙᏉ ᏭᏕᎵᎨᏍᏗ ᎯᏅᏁᏗ ᎢᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᎤᏩᏒᎯᏳ ᎤᏄᏬᏍᏗ; : ᎤᏁᎦᎸ ᎤᏄᏬᏍᏗ; ᎦᏙ ᏛᏚᏢᏔᏂ ᎦᎸᏅᎭ? ᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ, ᎾᏍᎩ ᎠᏆᎵᏍᏓᏁᎸ ᏓᎦᏛᎦᏂ;ᎠᏆᏓᏙᎵᏣᏘᏨᏰᏃ.\nᎥᏞᏍᏗ ᏱᏐᏢᏍᏗᏍᎨᏍᏗ ᎤᏁᎳᏅᎯ, ᎠᎴ ᏞᏍᏗ ᎯᏍᎩᏅᏛᎩ ᏄᎬᏫᏳᏌᏕᎩ ᏗᏣᏤᎵ ᏴᏫ ᎤᎾᏤᎵᎦ.\nᎥᏞᏍᏗ ᏣᏙᎯᏗᏍᏗ ᏱᎨᏎᏍᏗ ᏣᎵᏍᎪᎸᏙᏗᏱ ᎢᎬᏱ ᏨᏂᏎᎸᎯ ᏣᏛᎯᏎᎸᏅᎢ, ᎠᎴ ᏣᏤᎵ ᎦᏨᏩᏍᏔᏅᎯ ᎨᏒᎢ; ᎠᏂᏍᎦᏯ ᏗᏤᏥ ᎨᏒ ᎢᎬᏱ ᎡᎯ ᏍᎩᎧᏁᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩᏯ ᎾᏍᏉ ᎢᏛᏁᏗ ᎨᏎᏍᏗ ᏩᎦ, ᎠᎴ ᎠᏫ, ᎦᎵᏉᎩ ᎢᎦ ᎤᏥ ᎤᏍᏓᏩᏗᏓᏍᏗ ᎨᏎᏍᏗ; ᏧᏁᎵᏁᏃ ᎢᎦ ᏍᎩᎧᏁᏗ ᎨᏎᏍᏗ.\nᎢᏣᏓᏓᎴᎢ ᏗᏆᏤᎵ ᎢᏥᏍᎦᏯ ᎨᏎᏍᏗ; ᎥᏝ ᎢᏥᎩᏍᏗ ᏱᎨᏎᏍᏗ ᎤᏫᏯ ᎪᎱᏍᏗ ᎤᏂᎸᎯ ᎢᎾᎨᎢ; ᎩᎵ ᏗᏣᏗᏁᏗ ᎨᏎᏍᏗ.\nᏞᏍᏗ ᎦᏰᎪᎩ ᎧᏃᎮᏛ ᏣᏃᎮᎸᎩ; ᏞᏍᏗ ᎠᏍᎦᎾ ᎯᏯᎵᎪᏁᎸᎩ, ᏂᏚᏳᎪᏛᎾ ᎯᏃᎮᏍᎩ ᎢᏣᎵᏍᏙᏗᏱ.\nᏞᏍᏗ ᎤᏂᏣᏘ ᏘᏍᏓᏩᏛᏒᎩ ᎤᏲ ᏗᏣᎸᏫᏍᏓᏁᏗᏱ; ᏞᏍᏗ ᎠᎴ ᎯᏬᏂᏍᎬ ᏣᎪᎸᏒᎩ ᏘᏍᏓᏩᏛᏒᎩ ᎤᏂᏣᏘ ᏗᎫᎪᏙᏗᏱ ᎯᏲᏍᏙᏗᏍᎬᎢ.\nᏞᏍᏗ ᎠᎴ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᎠᏍᎦᏯ ᎯᎸᏉᏔᏅᎩ ᏄᏍᏛ ᎠᏓᏰᎢᎵ ᏙᎲᎢ.\nᎢᏳᏃ ᏣᏍᎦᎩ ᎤᏤᎵ ᏩᎦ ᎠᎴ ᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ ᎤᎵᏘᏏᏗᏒ ᏱᏗᏯᏠᏒ, ᎠᏎ ᎯᏯᏘᏃᎮᏗ ᎢᎨᏎᏍᏗ.\nᎢᏳᏃ ᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ ᏣᏍᎦᎩ ᎤᏤᎵᎦ ᏱᎪᎥ ᏱᎦᏅ ᎬᏩᎵᏐᏈᎵ, ᎠᎴ ᏂᏣᏚᎵᏍᎬᎾ ᏱᎩ ᎯᏍᏕᎸᏗᏱ; ᎠᏎ ᎯᏍᏕᎸᏗ ᎨᏎᏍᏗ.\nᎥᏞᏍᏗ ᎯᎪᎸᎡᏗ ᏱᎨᏎᏍᏗ ᏓᎫᎪᏓᏁᎲ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᏣᏤᎵᎦ, ᎾᏍᎩ ᏓᎵᏰᎢᎵ ᏙᎲᎢ.\nᎢᏅᎯᏳ ᏂᏣᏛᎿᏕᎨᏍᏗ . ᎪᎱᏍᏗ ᎦᏰᎪᎩ ᎠᎵᏰᎢᎵᏙᎲᎢᎶᏫ ᏄᏍᎦᏅᏨᎾᏃ ᎠᎴ ᎤᏓᏅᏘ ᏞᏍᏗ ᏗᏥᎸᎩ; ᎥᏝᏰᏃ ᏴᎦᏥᏳᏓᎳᎩ ᎤᏍᎦᏅᏨᎯ.\nᎥᏝ ᎠᎴ ᏗᏣᏓᏂᎸᎢᏍᏗ ᏱᎨᏎᏍᏗ ᎪᎱᏍᏗ ᎡᏣᏁᎲᎢ; ᎠᏓᏁᏗᏰᏃ ᏚᏂᎨᏫᏗᎭ ᎠᏂᎪᏩᏘᏍᎩ, ᎠᎴ ᏓᎴᎾᏍᏗ ᎠᏂᏟᏂᏩᎬ ᏚᏳᎪᏛ ᎢᏯᎾᏛᏁᎯ.\nᎠᎴ ᎾᏍᏉ ᎡᏙᎯ ᏞᏍᏗ ᎠᏍᏓᏯ ᏱᏁᏨᎾᏕᎨᏍᏗ; ᎢᏥᎦᏔᎭᏰᏃ ᏄᏍᏛ ᎤᏓᏅᏛ ᎡᏙᎯ, ᎢᏤᏙᎯᏰᏃ ᎾᏍᏉ ᎨᏒᎩ ᎢᏥᏈᏱ.\nᎠᎴ ᏑᏓᎵ ᏧᏕᏘᏴᏛ ᎢᏥᏫᏒᏗ ᎨᏎᏍᏗ ᏕᏥᎶᎨᏒᎢ, ᎠᎴ ᎢᏥᏟᏐᏗ ᎨᏎᏍᏗ ᎢᏣᏛᎯᏎᎸᎢ.\nᎦᎵᏉᎩᏁᏍᎩᏂ ᎤᏕᏘᏴᏌᏗᏒ ᎤᏯᏪᏐᎸᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏙᏉ ᏄᏍᏕᏍᏗ; ᎾᏍᎩ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᏗᏣᏤᎵ ᏴᏫ ᎬᏩᎾᎵᏍᏓᏴᏗ ᏱᎩ; ᎾᏍᎩᏃ ᎤᏂᏃᎯᏴᎯ ᏠᎨᏏ ᎠᏁᎯ ᎦᎾᏝᎢ ᎤᏂᎩᏍᏗ ᎨᏎᏍᏗ. ᎾᏍᎩᏯ ᎾᏍᏉ ᎢᏗᏨᏁᏗ ᎨᏎᏍᏗ ᏖᎸᎳᏗ ᏕᏣᏫᏒᎢ, ᎠᎴ ᎣᎵᏩ ᏕᏣᏫᏒᎢ.\nᏑᏓᎵ ᎢᎦ ᏗᏣᎸᏫᏍᏓᏁᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎢᏣᏛᏁᏗ ᎨᏒᎢ, ᎦᎵᏉᎩᏁᏃ ᎢᎦ ᏣᏣᏪᏐᎸᏍᏙᏗ ᎨᏎᏍᏗ; ᎾᏍᎩ ᏩᎦ ᏣᏤᎵᎦ ᎠᎴ ᏐᏈᎵ-ᏗᎦᎵᎠᏅᎯᏛ ᏯᎾᏣᏪᏐᎸᏍᏓ, ᎠᎴ ᎠᎨᏴ ᎯᏅᏏᏓᏍᏗ ᎤᏪᏥ ᎠᎴ ᎡᏙᎯ Ꮩ ᏯᏁᏛ.\nᎠᎴ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎯᎠ ᏥᏂᏨᏪᏏ, ᎢᏣᏓᏯᏫᏍᎨᏍᏗ; ᎠᎴ ᏞᏍᏗ ᏱᏗᏥᏯᏅᎮᏍᏗ ᏚᎾᏙᎥ ᏅᏩᎾᏓᎴ ᎤᎾᏁᎳᏅᎯ, ᎠᎴ ᏞᏍᏗ ᎢᏥᎰᎵ ᎢᏥᏁᎬ ᏰᏣᏛᎦᏁᎴᏍᏗ.\nᏑᏕᏘᏴᏛ ᎨᏒ ᏦᎢ ᎢᏥᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᏗᎵᏍᏓᏴᏗᏱ ᎨᏒᎢ.\nᎢᏥᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᎾᎪᏔᏅᎾ ᎦᏚ ᎠᎩᏍᏗ ᎨᏒᎢ (ᎾᎪᏔᏅᎯ ᎦᏚ ᎦᎵᏉᎩ ᎢᎦ ᎢᏥᎩᏍᏗ ᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᏂᏨᏪᏎᎸᎢ, ᎾᎯᏳ ᎠᏎᎸᎯ ᎨᏒ ᎡᏈᏈ ᎧᎸᎢ; ᎾᎯᏳᏰᏃ ᏓᏣᏄᎪᏨᎩ ᎢᏥᏡᏱ; ᏞᏍᏗ ᎠᎴ ᎩᎶ ᎠᏒᎭ ᎢᎬᏱᏗᏢ ᏯᎩᎷᏤᎴᏍᏗ;)\nᎠᎴ ᎠᏍᎫᏕᏍᏗᏱ ᎨᏒ ᏗᎵᏍᏓᏴᏗᏱ, ᎢᎬᏱ ᏣᎾᏄᎪᏤᎸᎯ ᏕᏣᎸᏫᏍᏓᏁᎸᎢ, ᎾᏍᎩ ᏣᏫᏒᏅ ᏠᎨᏏ; ᎠᎴ ᏗᎵᏍᏓᏴᏗᏱ ᎾᎯᏳ ᎦᏟᏐᏗ ᎨᏒᎢ, ᎤᏕᏗᏴᏌᏗᏒ ᎦᎶᏐᎲᏍᎬᎢ, ᎾᎯᏳ ᎯᏟᏏᏍᎬ ᏕᏣᎸᏫᏍᏓᏁᎸ ᏠᎨᏏ ᏘᏴᏍᏗᏍᎨᏍᏗ.\nᏑᏕᏘᏴᏛ ᎨᏒ ᏂᎦᏛ ᎠᏂᏍᎦᏯ ᏗᏣᏤᎵᎦ ᏦᎢ ᎢᏳᏂᎷᏤᏗ ᎨᏎᏍᏗ ᎢᎬᏱᏗᏢ ᎤᎬᏫᏳᎯ ᏱᎰᏩ.\nᎠᏆᏤᎵ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏒ ᎤᎩᎬ ᎢᏣᎵᏍᎪᎸᏗᏍᎬ ᏞᏍᏗ ᎪᎱᏍᏗ ᎠᎪᏔᏅᎯ ᎢᏣᏠᏯᏍᏙᏗ ᏱᎨᏎᏍᏗ; ᏞᏍᏗ ᎠᎴ ᎠᏆᏤᎵ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏒ ᎤᎪᎢ ᎠᎯᏯᏍᏗ ᏱᎨᏎᏍᏗ ᏑᎾᎴ ᎢᏴᏛ.\nᎢᎬᏱ ᎤᎦᏛᎾᏨᎯ ᎦᏙᎯ ᏣᎾᏄᎪᏫᏎᎸᎯ ᏣᏲᎯᏍᏗ ᎨᏎᏍᏗ ᎠᏓᏁᎸ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎤᏤᎵᎦ. ᎥᏞᏍᏗ ᎠᎭᏄᎸᎯ ᎠᎩᎾ [ᎤᏫᏯ] ᎤᏥ ᎤᏅᏗᏱ ᏧᏅᎩ.\nᎬᏂᏳᏉ, ᏥᏅᎵ ᏗᎧᎿᏩᏗᏙᎯ ᎢᎬᏱᏗᏢ ᏂᏣᏛᏅᎢ, ᏣᏍᏆᏂᎪᏙᏗᏱ ᏫᎦᏛᎢ, ᎠᎴ ᏫᏣᏘᏃᎯᏍᏗᏱ ᎾᎿ ᎠᏆᏛᏅᎢᏍᏔᏅᎢ.\nᎡᏣᎦᏌᏯᏍᏕᏍᏗ ᎾᏍᎩ, ᎠᎴ ᎢᏣᏛᏓᏍᏗᏍᎨᏍᏗ ᎧᏁᎬᎢ, ᏞᏍᏗ ᎡᏥᎾᎸᏍᏔᏅᎩ; ᎥᏝᏰᏃ ᏴᎨᏥᎲᏏ ᎢᏥᏍᎦᏅᏨᎢ; ᏓᏆᏙᎥᏰᏃ ᎤᏯᎠ.\nᎢᏳᏃ ᎤᏙᎯᏳᎯ ᎢᏣᏛᏓᏍᏗᏍᎨᏍᏗ ᎧᏁᎬᎢ, ᎠᎴ ᏂᎦᏛ ᏂᏥᏪᏍᎬ ᏂᏣᏛᏁᎮᏍᏗ, ᎿᏉ ᎦᏥᏍᎦᎩ ᎨᏎᏍᏗ ᎨᏣᏍᎦᎩ, ᎠᎴ ᎦᏥᏯᏈᏗᏍᎩ ᎨᏎᏍᏗ ᎨᏣᏡᏗᏍᎩ.\nᎠᏆᏤᎵᏰᏃ ᏗᎧᎿᏩᏗᏙᎯ ᎢᎬᏱ ᏓᏤᏅᎡᎵ, ᎠᎴ ᏮᏓᏣᏘᏃᎵ ᎠᏁᎲ ᎠᏂᎡᎼᏂ, ᎠᎴ ᎠᏂᎯᏗ, ᎠᎴ ᎠᏁᏇᎵᏥ, ᎠᎴ ᎠᏂᎨᎾᏂ, ᎠᎴ ᎠᏂᎯᏫ, ᎠᎴ ᎠᏂᏥᏊᏏ, ᎠᎴ ᏓᎦᏥᏛᏔᏂ.\nᎥᏞᏍᏗ ᎡᎳᏗ ᎢᏔᏛᏁᏗ ᏱᎨᏎᏍᏗ ᎾᏍᎩ ᏧᎾᏁᎳᏅᎯ, ᎠᎴ ᏞᏍᏗ ᏱᏔᏓᏙᎵᏍᏓᏁᎴᏍᏗ, ᎠᎴ ᎾᎾᏛᏁᎲ ᏞᏍᏗ. ᎾᏍᎩ ᏱᏂᏣᏛᎴᏍᏗ; ᏕᎯᏛᏔᏅᎭᏍᎩᏂ, ᎠᎴ ᏕᎯᏍᏆᏒᎭ ᏧᎾᏤᎵ ᎤᏁᎳᏅᎯ ᏗᏟᏩᏍᏔᏅᎯ.\nᏱᎰᏩᏃ ᎢᏣᏁᎳᏅᎯ ᏤᏣᏁᎶᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩᏃ ᎣᏍᏛ ᏅᏓᏣᏛᏁᎵ ᎢᏣᏤᎵ ᎦᏚ ᎨᏒᎢ, ᎠᎴ ᎢᏣᏤᎵ ᎠᎹ ᎨᏒᎢ, ᎠᎴ ᎥᏳᎩ ᎠᎩᎲᏍᏗ ᎨᏎᏍᏗ ᎾᎿ ᎠᏰᎵ ᏂᏣᏛᏅᎢ.\nᎠᎴ ᎥᏝ ᎪᎱᏍᏗ ᎤᎶᎢᏎᏗ ᏱᎨᏎᏍᏗ ᎦᏁᎵᏒᎢ, ᎠᎴ ᏂᏓᏅᎥᏍᎬᎾ ᏱᎨᏎᏍᏗ ᎢᏣᏤᎵᎪᎯ; ᎢᎪᎯᏛ ᏣᎴᏂᏓᏍᏗ ᎨᏒ ᎬᎧᎵᎴᏗ ᎨᏎᏍᏗ.\nᎥᎩᎾᏰᎯᏍᏗ ᎨᏒ ᎢᎬᏱ ᏤᏅᎡᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎦᏥᏛᏙᏗ ᎨᏎᏍᏗ ᏂᎦᏛ ᏴᏫ ᎾᏍᎩ ᏫᎩᎷᏤᏗ ᎨᏒᎢ; ᏂᎦᏗᏨᏃ ᎨᏣᏍᎦᎩ ᎨᏣᏐᎭᏛᎡᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏎᏩᏓ ᎦᏥᏅᏍᏗ ᎨᏎᏍᏗ ᎢᎬᏱ. ᎭᎢᏒᎢ, ᎾᏍᎩ ᏓᎬᏩᏂᎨᎯᏙᎵ ᎠᏂᎯᏫ, ᎠᎴ ᎠᏂᎨᎾᏂ, ᎠᎴ ᎠᏂᎯᏗ ᎢᎬᏱᏗᏢ ᏂᏣᏛᎿᏗᏒᎢ.\nᎥᏝ ᏑᏕᏘᏴᏛ ᎨᏒ ᎦᏥᎨᎯᏓᏍᏗ ᏱᎨᏎᏍᏗ ᎢᎬᏱᏗᏢ ᏂᏣᏛᏅᎢ; ᏅᏛᏰᏃ ᏱᏅᎦᎵᏍᏓ ᎦᏙᎯ, ᎠᎴ ᎢᎾᎨ ᎠᏁᎯ ᏱᎨᏥᎪᏙᎯᏏ.\nᎢᎸᏍᎩᏉ ᎢᏳᏂᏨᏛ ᎦᏥᎨᎯᏓᏍᏗ ᎨᏎᏍᏗ ᎢᎬᏱᏗᏢ ᏂᏣᏛᏅᎢ, ᎬᏂ ᎯᎪᏙᏒᎭ, ᎠᎴ ᏣᏤᎵ ᏂᎦᎵᏍᏔᏅᎭ ᎾᏍᎩ ᏚᏙᎯ.\nᎠᎴ ᏓᎬᏯᏟᎡᎵ ᏂᎬᎾᏛ ᏣᏤᎵᎦ ᎨᏒᎢ, ᎠᎹ ᎩᎦᎨᏍᏛᏱ ᏅᏓᏳᏓᎴᏅᏛ, ᎠᎺᏉᎯᏃ ᎠᏂᏈᎵᏍᏗ ᎤᎾᏤᎵᎦ ᏫᎦᎷᎩ, ᎠᎴ ᎢᎾᎨ ᎤᏓᎴᏅᏛ ᎡᏉᏂ ᏫᎦᎷᎩ; ᏙᏓᏨᏲᎯᏎᎵᏰᏃ ᎾᎿ ᎦᏙᎯ ᏗᏁᎯ; ᏘᎨᎯᏓᏍᏗᏃ ᎨᏎᏍᏗ ᎢᎬᏱᏗᏢ ᏂᏣᏛᏅᎢ.\nᎥᏞᏍᏗ ᎧᏃᎮᏛ ᏗᏣᏠᎯᏍᏙᏗ ᏱᎨᏎᏍᏗ ᎾᏍᎩ, ᎠᎴ ᎾᏍᎩ ᏧᎾᏤᎵ ᎤᏁᎳᏅᎯ ᏧᏂᏰᎸᎯ.\nᎥᏞᏍᏗ ᎢᏣᏤᎵᎪᎯ ᎦᏙᎯ ᎤᎾᏕᏗ ᏱᎨᏎᏍᏗ. ᎾᏍᎩᏰᏃ ᏱᎾᏅᏂᏒ ᏍᎩᏍᎦᏅᏤᏗ ᏱᏅᏚᎵᏍᏓ; ᎢᏳᏰᏃ ᎾᏍᎩ ᏧᎾᏁᎳᏅᎯ ᏱᏗᏣᏓᏙᎵᏍᏓᏁᎭ ᎠᏎ ᎢᏥᏌᏛᎲᏍᎩ ᎨᏎᏍᏗ.\nᎯᎠᏃ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎡᏣᎩᎳᏩ ᏱᎰᏩ ᎡᏥᎷᏥ, ᏂᎯ, ᎠᎴ ᎡᎳᏂ, ᏁᏓᏈ, ᎠᎴ ᎡᏆᏳ, ᎠᎴ ᎦᎵᏆᏍᎪᎯ ᎢᏯᏂᏛ ᏧᎾᏛᏐᏅᎯ ᎢᏏᎵ ᏧᎾᏤᎵᎦ: ᎠᎴ Ꭸ ᎢᏴᏛ ᏗᏣᏓᏙᎵᏍᏔᏅᎭ.\nᎼᏏᏃ ᎤᏩᏒ ᎾᎥ ᎦᎷᏨᎭ ᏱᎰᏩ ᏄᏛᏅᎢ; ᎾᏍᎩᏍᎩᏂ ᏞᏍᏗ ᎾᎥ ᎤᏂᎷᏨᎩ, ᏞᏍᏗ ᎠᎴ ᏴᏫ ᎤᎾᎩᎳᏫᏒᎩ ᎬᏩᏍᏓᏩᏛᏒᎩ.\nᎼᏏᏃ ᎤᎷᏨᎩ ᎠᎴ ᏚᏃᏁᎸᎩ ᏴᏫ ᏂᎦᏛ ᏄᏪᏒ ᏱᎰᏩ, ᎠᎴ ᏂᎦᏛ ᏗᎧᎿᏩᏛᏍᏗ; ᏂᏚᏛᏃ ᏴᏫ ᏌᏉ ᎢᎦᎦᏛ ᎤᏂᏁᏨᎩ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ, ᏂᎦᏛ ᏄᏪᏒ ᎤᏁᏨ ᏱᎰᏩ ᎾᏍᎩ ᏅᏓᏲᏣᏛᏁᎵ. .\nᎼᏏᏃ ᎤᏬᏪᎳᏅᎩ ᏂᎦᏛ ᏄᏪᏒ ᏱᎰᏩ, ᎠᎴ ᏑᎾᎴᎢ ᎤᏗᏛᎲᎩ, ᎠᎴ ᎠᏥᎸᎨᎳᏍᏗᏱ ᎤᏬᏢᏅᎩ ᎠᎦᏐᎠᏏᎯᎲᎢ, ᎠᎴ ᏔᎳᏚ ᏗᎦᎫᏍᏛᏗ, ᎾᏍᎩᏯ ᏔᎳᏚ ᎾᏂᎳᏍᏓᎸ ᎢᏏᎵ.\nᏚᏅᏒᎩᏃ ᎠᏂᏫᏅ ᎢᏏᎵ ᏧᏪᏥ ᎤᏂᏠᏱ, ᎾᏍᎩ ᎤᎾᎵᏍᎪᎸᏔᏅᎩ ᎠᏥᎸᎨᎳᏍᏗ, ᎠᎴ ᎤᎾᎵᏍᎪᎸᏔᏅᎩ ᏅᏩᏙᎯᏇᏛ ᎠᏓᏁᎯ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏒᎢ, ᎾᏍᎩ ᏩᎦ ᏚᎾᎵᏍᎪᎸᏓᏁᎸᎩ ᏱᎰᏩ.\nᎼᏏᏃ ᎠᏰᎵ ᎢᏴᏛ ᎤᏁᎩᏒᎩ ᎩᎬ ᎠᎴ ᏗᏕᎵᏙ ᏚᏟᏍᏔᏅᎩ; ᎠᏰᎵᏃ ᎢᏴᏛ ᎤᏍᏚᏟᏍᏔᏅᎩ ᎠᏥᎸᎨᎳᏍᏗᏱ.\nᎪᏪᎵᏃ ᎤᏁᏒᎩ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎪᏯᎸᎢ, ᎠᎴ ᎤᎪᎵᏰᎥᎩ ᎤᎾᏛᏓᏍᏛ ᏴᏫ; ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ, ᏂᎦᏛ ᏱᎰᏩ ᏄᏪᏒ ᏅᏓᏲᏣᏛᏁᎵ, ᎠᎴ ᎣᎪᎯᏳᎯᏍᏗᏅ ᎨᏎᏍᏗ.\nᎼᏏᏃ ᎩᎬ ᎤᏁᎩᏒᎩ, ᎠᎴ ᏴᏫ ᏚᏍᏚᏢᎩ, ᎠᎴ ᎯᎠ ᏄᏪᏒᎩ, ᎬᏂᏳᏉ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛ ᎩᎬ ᎯᎠ, ᎾᏍᎩ ᏱᎰᏩ ᏥᏕᏣᏠᎯᏍᏔᏅ ᎾᏍᎩ ᏂᎦᏛ ᎯᎠ ᎧᏃᎮᏛ ᎤᎬᏩᎵ.\nᎤᎿᎷᏒᎩᏃ ᎼᏏ, ᎠᎴ ᎡᎳᏂ, ᏁᏓᏈ, ᎠᎴ ᎡᏆᏳ, ᎠᎴ ᎦᎵᏆᏍᎪᎯ ᎢᏯᏂᏛ ᏧᎾᏛᏐᏅᎯ ᎢᏏᎵ ᏧᎾᏤᎵᎦ.\nᎤᏂᎪᎲᎩᏃ ᎤᏁᎳᏅᎯ ᎢᏏᎵ ᎤᏤᎵᎦ, ᏚᎳᏍᎬᏃ ᏣᏲᏓᏝᎰ ᎾᏍᎩᏯ ᎨᏒᎩ ᏧᎸᎾᏛ ᏌᏆᏯᏅᏯ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎦᎸᎶ ᎤᏩᏒ ᏄᏍᏛ ᏗᎬᏩᎸᏌᏛ ᎨᏒᎢ.\nᎨᏥᎸᏉᏗᏃ ᎢᏏᎵ ᏧᏪᏥ ᏧᎾᏤᎵᎦ ᎥᏝ ᏱᏚᏏᏔᏕᎢ;, ᎾᏍᏉ ᎤᏂᎪᎲᎩ ᎤᏁᎳᏅᎯ, ᎠᎴ ᎤᎾᎵᏍᏓᏴᏅᎩ ᎠᎴ ᎤᎾᏗᏔᎲᎩ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎡᎭᎩᎳᏩ ᏍᎩᎷᏥ ᎠᏂ ᎣᏓᎸᎢ, ᎠᏂᏃ ᎮᏙᎮᏍᏗ, ᏙᏓᎬᏁᎵᏃ ᏗᏯᏖᏅ ᏅᏯ, ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎴ ᎤᎵᏁᏨᎢ ᎾᏍᎩ ᏗᏉᏪᎳᏅᎯ, ᎾᏍᎩ ᏗᎩᏰᏲᏗ.\nᎼᏏᏃ ᏚᎴᏅᎩ, ᎠᎴ ᎾᏍᏉ ᎤᏍᏕᎸᎯᏙᎯ ᏦᏑᏫ, ᎼᏏᏃ ᎤᎿᎷᏒᎩ ᎣᏓᎸ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ ᏧᎾᏛᏐᏅᎯ, ᏍᎩᎦᏘᏰᏍᏗ ᎠᏂ, ᎬᏂ ᏔᎵᏁ ᎢᏨᎷᎮᎸᎩ; ᎬᏂᏳᏃ, ᎡᎳᏂ ᎠᎴ ᎭᎵ ᎨᏤᎳᏗᏙᎭ; ᎢᏳᏃ ᎩᎶ ᎤᏓᏰᎢᎵᏓᏍᏗ ᎤᎮᏍᏗ, ᎾᏍᎩ ᏓᏂᎷᏤᎮᏍᏗ.\nᎼᏏᏃ ᎤᎿᎷᏒᎩ ᎣᏓᎸᎢ, ᎤᎶᎩᎸᏃ ᎤᏭᏢᏔᏅᎩ ᎣᏓᎸᎢ.\nᏚᎸᏌᏛᏃ ᏱᎰᏩ ᏌᎾᏱ ᎣᏓᎸ ᎤᎴᏫᏍᏔᏅᎩ, ᎤᎶᎩᎸᏃ ᎤᏭᏢᏅᎩ ᏑᏓᎵ ᏧᏒᎯᏛ; ᎦᎵᏉᎩᏁᏃ ᎢᎦ ᎼᏏ ᎤᎵᏍᏔᏁᎸᎩ ᎤᎶᎩᎸ ᎠᏰᎵ ᏓᏳᏓᎴᏅᎩ.\nᏗᎧᏃᏗᏱᏃ ᏱᎰᏩ ᏚᎸᏌᏛᎢ ᎠᏥᎸ ᎠᏒᎲᏍᎩ ᎾᏍᎩᏯ ᎨᏒᎩ ᎣᏓᎸ ᎦᎸᎳᏗ ᎾᏍᎩ ᎢᏏᎵ ᏧᏪᏥ ᏓᏂᎧᏅᎢ.\nᎼᏏᏃ ᎤᎶᎩᎸ ᎠᏰᎵ ᏭᎶᏒᎩ, ᎠᎴ ᎤᎾᎷᏒᎩ ᎣᏓᎸᎢ; ᎼᏏᏃ ᎤᎩᎸᎩ ᎣᏓᎸ ᏅᎦᏍᎪᎯ ᎢᎦ ᎠᎴ ᏅᎦᏍᎪᎯ ᏧᏒᎯᏛ.\nᏱᎰᏩᏃ ᎤᏁᏤᎸᎩ ᎼᏏ ᎯᎠ ᏄᏪᏎᎸᎩ,\nᎩᏁᏥ ᎢᏏᎵ ᏧᏪᏥ ᎠᎵᏍᎪᎸᏙᏗ ᎬᎩᏲᎮᏗᏱ; ᎾᏂᎥ ᎤᏂᎾᏫ ᎤᏂᏅᏫᏍᏗᏍᎩ ᎤᏂᏗᏱ ᏗᏍᏗᏓᏂᎸᏤᏗ ᎨᏎᏍᏗ ᎠᏆᏤᎵ ᎠᎵᏍᎪᎸᏙᏗ.\nᎯᎠᏃ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎠᎵᏍᎪᎸᏙᏗ ᏗᏍᏓᏓᏂᎸᏤᏗ ᎨᏎᏍᏗ; ᎠᏕᎸ ᏓᎶᏂᎨ ᎠᎴ ᎠᏕᏄ. ᎤᏁᎬ, ᎠᎴ ᎥᎶᏱ,\nᎠᎴ ᏕᎭᎷᎨ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ, ᎠᎴ ᎠᎭᏄᎸᎯ ᎠᏫ ᎤᎩᏢ,\nᎤᏂᏃᏕᎾᏃ ᎦᏁᎦ ᏗᎩᎦᏏᎨᎢ, ᎠᎴ ᏓᎭᏏ ᎦᏁᎦ, ᎠᎴ ᎠᏓᎬᎿᏥᎨ,\nᎯᎢᏃ ᏗᏨᏍᏙᏗ ᏗᎪᏢᏗ, ᎦᏩᏒᎩ ᎠᏠᏁᏗ ᎪᏢᏗ, ᎠᎴ ᎤᎦᎾᏍᏛ ᎬᏙᏗ ᎪᏢᏗ;\nᎣᏂᎦ ᏅᏯ, ᎠᎴ ᏅᏯ ᎡᏉᏗ ᏗᎦᎪᏗ, ᎠᎴ ᎠᏓᏁᏣᏍᏚᎶᎩᎯ ᏗᎦᎪᏗ.\nᎠᎴ ᏫᎬᏆᏁᏍᎩᏏ ᎦᎸᏉᏗᏳ ᎠᏓᏁᎸ, ᎾᏍᎩ ᎠᏆᏕᏗᏱ ᎠᏁᎲᎢ.\nᎾᏍᎩᏯ ᎬᏂᎨᏒ ᏂᎬᏴᏁᎸᎢ, ᎾᏍᎩ ᏗᏟᎶᏍᏔᏅᎯ ᎦᎵᏦᏛᎢ, ᎠᎴ ᏗᏟᎶᏍᏔᏅᎯ ᏂᎦᏛ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ ᎾᎿᏂ, ᎾᏍᎩᏯ ᎢᏨᏁᏗ ᏦᏢᏗ ᎨᏎᏍᏗ.\nᎦᏁᏌᎢᏃ ᎤᏃᏢᏗ ᎨᏎᏍᏗ ᎠᏓᎬᎿᎨ ᎤᏃᏢᏙᏗ ᎨᏎᏍᏗ; ᏦᎢᏁ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ, ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎡᏍᏗ, ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏖᏍᏗ.\nᎠᎴ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎠᏕᎸ ᏓᎶᏂᎨ ᏧᏢᏙᏗ ᎨᏎᏍᏗ; ᎭᏫᏂᏗᏢ ᎠᎴ ᎦᏚᎢᏗᏢ ᏧᏢᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏁᎨ ᏂᎬᏁᏕᏍᏗ ᎬᏩᏚᏫᏛ ᎦᎸᎳᏗᏢ.\nᏅᎩᏃ ᏧᏓᏆᏙᎩ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᏅᎩᏃ ᎾᏍᎩ ᏂᏚᎳᏍᎬᎢ ᏗᏣᏙᏗ ᎨᏎᏍᏗ; ᏔᎵᏃ ᏧᏓᏆᏙᎩ ᏌᏉ ᎠᏍᏆᎨᏂ ᎢᏗᏢ ᏗᏣᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏔᎵ ᏧᏓᏆᏙᎩ Ꭰ ᎢᏗᏢ ᎠᏍᏆᎨᏂ ᏗᎦᏙᏗ ᎨᏎᏍᏗ.\nᎦᏅᏍᏙᏗᏃ ᎠᏓᎬᎿᎨ ᏗᏦᏢᏙᏗ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏧᏢᏙᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎦᏅᏍᏙᏗ ᏧᏓᏆᏙᎩ ᏕᎦᏛ ᎠᏍᏆᎨᏂ ᎢᏗᏢ ᎾᎿ ᏗᎫᏍᏙᏍᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎦᏁᏌᎢ ᎦᏅᏍᏙᏗ ᎨᏎᏍᏗ.\nᎦᏅᏍᏙᏗ ᏧᏓᏆᏙᎩ ᏕᎦᏛ ᎦᏁᏌᎢᎯ ᏕᎫᏍᏙᎰᎨᏍᏗ; ᎥᏝ ᏗᎫᏍᏙᎩᏍᏗ ᏱᎨᏎᏍᏗ.\nᎦᏁᏌᎢᎯᏃ ᏗᏣᎶᏗ ᎨᏎᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩ ᏗᎬᏲᎯᏎᏗ ᏥᎩ.\nᎠᎴ ᏧᏢᏗ ᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎢᏍᏗ ᎾᏑᏴᎾ ᏦᏢᏙᏗ ᎨᏎᏍᏗ; ᏦᎢᏁ ᎠᏰᎵ ᎢᏍᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ; ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎡᏍᏗ.\nᎠᎴ ᎠᏂᏔᎵ ᎠᏂᎩᎷᏫ ᏕᎰᏢᏅᎭ ᎠᏕᎸ ᏓᎶᏂᎨ ᏕᎰᎨᏢᏔᏅᎭ, ᏗᎦᏅᏆᎶᏏᎶᏛ ᎨᏎᏍᏗ ᏧᏍᎪᎵ ᎫᏢᏘᏱ ᏕᎯᎧᏅᎭ,\nᎠᎴ ᏌᏉ ᎠᎩᎷᎾ ᏌᏉ ᎢᏗᏢ ᎤᏍᎪᎵ ᎯᎧᏅᎭ, ᏐᎢᏃ ᎠᎩᎷᏫ ᏐᎢᏗᏢ ᎤᏍᎪᎵ ᎯᎧᏅᎭ; ᎾᏍᎩ ᎫᏢᏗᏱ ᏧᏍᎪᎵ ᎢᏗᏢ ᎢᏧᎳ ᏗᏣᎪᏗ ᎨᏎᏍᏗ ᎠᏂᎩᎷᏫ.\nᎠᏂᎩᎷᏫᏃ ᏚᎾᏐᎸᏖᏍᏗ ᏗᏂᏃᎨᏂ, ᎫᏢᏗᏱ ᏚᏄᏢᏕᏍᏗ ᏗᏂᏃᎨᏂ, ᏚᎾᎧᏛᏃ ᏓᎾᏓᎧᏁᏍᏗ; ᏧᏢᏗᏱ ᎢᏗᏢ ᏭᎾᎦᏖᏍᏗ ᎠᏂᎩᎷᏫ.\nᎫᏢᏗᏃ ᎦᏁᏌᎢ ᎦᏚᎢ ᏧᏢᏙᏗ ᎨᏎᏍᏗ; ᎦᏁᏌᎢᎯᏃ ᏗᏣᎶᏗ ᎨᏎᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ, ᎾᏍᎩ ᏗᎬᏲᎯᏎᏗ ᏥᎩ.\nᎾᎿᏃ ᏗᎬᏯᏠᎢᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎬᏯᎵᏃᎮᏙᏗ ᎨᏎᏍᏗ ᎦᏁᏌᎢ ᎫᏢᏘᏱ ᎦᎸᎳᏗᏢ, ᎠᏂᎩᎷᏫ ᏓᏂᏙᎬ ᎠᏰᎵ ᎾᏍᎩ ᎦᏁᏌᎢᎯ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎧᎶᏗ ᏥᏓᏂ ᏙᎦ, ᎾᏍᎩ ᎬᏯᎵᏃᎮᏙᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏂᎦᏛ ᎬᏁᏤᏗ ᏥᎩ, ᎢᏏᎵ ᏧᏪᏥ ᎤᎾᏛᎪᏗ.\nᎠᎴ ᎦᏍᎩᎶ ᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏓᎬᎿᎨ ᎪᏢᏔᏅᎯ; ᏔᎵ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ, ᏌᏉᏃ ᎢᏯᎩᏳᏍᏈᏡᏛ ᎾᏯᏛᎡᏍᏗ, ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏖᏍᏗ.\nᎠᏕᎸᏃ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᏧᏢᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏂᎬᏁᏕᏍᏗ ᎬᏩᏚᏫᏛ ᎦᎸᎳᏗᏢ.\nᎠᎴ ᏣᎬᏔᏅᏗ ᎨᏎᏍᏗ ᎣᏬᏰᏂ ᎾᏯᏛ; ᎢᏯᏯᏖᏅ ᎬᏩᏚᏫᏛ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᎦᏯᎴᏍᏗ ᎬᏩᏚᏫᏛ.\nᎠᎴ ᏅᎩ ᏧᏓᏆᏙᎩ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎾᏍᎩ ᏧᏓᏆᏙᎩ ᏗᏣᏙᏗ ᎨᏎᏍᏗ ᏅᎩ ᏂᏚᏅᏏᏴ ᎾᎿ ᏅᎩ ᏂᏚᎳᏍᎬᎢ.\nᎠᎬᏔᏅᏛᏃ ᎾᎥ ᏗᎦᏙᏗ ᎨᏎᏍᏗ ᏧᏓᏆᏙᎩ ᏗᎫᏍᏙᏍᏗᏱ ᎦᏅᏍᏙᏗ ᎾᏍᎩ ᎦᏍᎩᎶ ᎦᏅᏍᏙᏗ.\nᏗᎦᏅᏍᏙᏗᏃ ᎠᏓᎬᎿᎨ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏕᎱᏢᏔᏅᎭ, ᎾᏍᎩ ᎦᏍᎩᎶ ᎦᏅᏍᏙᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎾᎿ ᏤᎯ ᏗᏯᏖᎾ ᏕᎰᏢᏅᎭ, ᎠᎴ ᏗᏗᏙᏗ, ᎠᎴ ᏗᏖᎵᏙ, ᎠᎴ ᏗᏟᏍᏙᏗ ᏗᏖᎵ Ꮩ; ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎠᏕᎸ ᏓᎶᏂᎨ ᏕᎰᏢᏔᏅᎭ.\nᎦᏍᎩᎸᏃ ᏣᏝᎮᏍᏗ ᎦᏚ ᎠᎦᏙᏗ ᎢᎬᏱᏢ ᎠᏆᎧᏛᎢ ᏂᎪᎯᎸᎢ.\nᏗᏨᏍᏙᏗᏃ ᏗᎦᎪᏗᏱ ᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᏦᏢᏙᏗ ᎨᏎᏍᏗ; ᎦᏅᏆᎶᏏᎶᏛ ᎠᏕᎸ ᎪᏢᏙᏗ ᎨᏎᏍᏗ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ; ᎤᏪᏛᎢ, ᎠᎴ ᏚᏩᏂᎦᎸᎢ, ᏧᏖᎵᏙᎩ, ᏚᏆᏛᎢ, ᎠᎴ ᏚᏥᎸᏒᎢ, ᎤᏠᏱ ᏗᎪᏢᏙᏗ ᎨᏎᏍᏗ.\nᏑᏓᎵᏃ ᏚᏩᏂᎦᎸ ᎢᏧᎳ ᎢᏗᏢ ᏧᎾᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ; ᏦᎢ ᏂᏚᏩᏂᎦᎸ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ ᏌᏉ ᎢᏗᏢ ᏧᎾᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏦᎢ ᏂᏚᏩᏂᎦᎸ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ ᏐᎢᏱᏗᏢ ᏧᎾᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ.\nᏦᎢᏃ ᏗᏖᎵᏙ ᎠᎹᏂ ᎤᏥᎸᏒᎢ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏂᏕᎤᏍᏕᏍᏗ, ᎤᏆᏖᏍᏗ ᎠᎴ ᎤᏥᎸᏎᏍᏗ ᏌᏉ ᎤᏩᏂᎦᎸᎢ; ᎠᎴ ᏦᎢ ᏕᎪᏢᏎᏍᏗ ᏗᏖᎵᏙ ᎠᎹᏂ ᎤᏥᎸᏒᎢ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏂᏕᎤᏍᏕᏍᏗ ᏐᎢᏱ ᎤᏩᏂᎦᎸᎢ, ᎤᏆᏖᏍᏗ ᎠᎴ ᎤᏥᎸᏎᏍᏗ; ᎾᏍᎩᏯ ᏂᏕᏅᏍᏕᏍᏗ ᏑᏓᎵ ᏂᏕᎤᏩᏂᎦᎸ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ ᏂᏙᏓᏳᎾᏄᎪᏨᎯ.\nᏗᏨᏍᏙᏗᏃ ᏗᎦᎪᏗᏱ ᏅᎩ ᏕᎪᏢᏎᏍᏗ ᏗᏖᎵᏙ ᎠᎹᏂ ᎤᏥᎸᏒ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏂᏕᎤᏍᏕᏍᏗ, ᏚᏆᏖᏍᏗ ᎠᎴ ᏕᎤᏥᎸᏎᏍᏗ.\nᎠᎴ ᎤᏆᏖᏍᏗ ᎭᏫᏂᏗᏢ ᏔᎵ ᏂᏕᎤᏩᏂᎦᎸ ᎤᏠᏱ ᎪᏢᏔᏅᎯ, ᎠᎴ ᎤᏆᏖᏍᏗ ᎭᏫᏂᏗᏢ ᏔᎵ ᏂᏕᎤᏩᏂᎦᎸ ᎤᏠᏱ ᎪᏢᏔᏅᎯ, ᎾᏍᎩᏯ ᏑᏓᎵ ᏂᎦᎥ ᏕᎤᏩᏂᎦᎸ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ ᏂᏙᏓᏳᎾᏄᎪᏨᎯ.\nᏚᏆᏛ ᎠᎴ ᏚᏩᏂᎦᎸ ᎤᏠᏱ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ; ᏂᎦᏛ ᏌᏉ ᎦᏅᏆᎶᏏᎶᏛ ᎪᏢᏅᎯ, ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ.\nᎠᎴ ᎦᎵᏉᎩ ᎪᎱ ᏗᏟᏍᏗ ᏗᏨᏍᏙᏗ ᎾᎿ ᏗᎦᎪᏗ ᏗᏦᏢᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏧᏂᏨᏍᏙᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏗᏨᏍᏙᏗ, ᎾᏍᎩ ᎢᎦ ᎤᎾᏘᏍᏙᏗᏱ ᏧᏳᎪᏗ ᎤᏗᏗᏢ.\nᎠᎴ ᏗᏥᏃᏍᎦᎸᏗ ᎠᎴ ᏗᏥᏃᏍᎦᎸᏛ ᏗᎦᎶᏗ, ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ. ᎨᏎᏍᏗ.\nᏌᏉ ᏔᎸᏗ ᎢᏳᏓᎨᏛ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᏧᏬᏢᏙᏗ ᎨᏎᏍᏗ ᎯᎠ ᏂᎦᏛ ᏧᏓᎴᏅᏛ.\nᎠᎴ ᎭᎦᏌᏯᏍᏔᏅᎭ ᏕᎰᏢᏅᎭ ᎾᏍᎩ ᏗᏟᎶᏍᏙᏗ ᎠᏴᎢ, ᎾᏍᎩ ᏤᏣᎾᏄᎪᏫᏎᎸ ᎣᏓᎸᎢ.\nᎠᎴ ᎾᏍᏉ ᎦᎵᏦᏙᏗ ᎰᏢᏅᎭ ᎠᏍᎪᎯ ᏗᏰᏙᎳᏗ ᎠᏄᏬ ᎤᏏᏙᎵ ᎤᏥᎸ ᏗᏏᏓᎵ ᎪᏢᏔᏅᎯ, ᏕᎭᎷᎨ, ᎠᎴ ᎩᎬᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ: ᎠᏂᎩᎷᏫ ᎠᎵᏏᎾᎪᎯᏍᏔᏅᎯ ᏗᎦᎸᏫᏍᏔᏁᎸᎯ ᏨᏙᏗ ᏗᏦᏢᏗ ᎨᏎᏍᏗ.\nᏌᏉ ᎠᏰᏙᎳᏛ ᏁᎳᏦᏁ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ, ᎠᎴ ᏅᎩ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎡᏍᏗ; ᏂᎦᏛᏃ ᏓᏰᏙᎳᏛ ᎢᏗᎦᎯᏛᎭ ᎨᏎᏍᏗ.\nᎯᏍᎩ ᏂᏓᏰᏙᎳᏛ ᏕᏅᎤᎾᏚᏓᏖᏍᏗ; ᏗᏐᎢᏃ ᎯᏍᎩ ᏓᏰᏙᎳᏛ ᏕᎤᎾᏚᏓᏖᏍᏗ.\nᏧᎾᏓᏕᏍᏗᏱᏃ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏍᏛ ᎠᏰᏙᎳᏛᏗᏱ ᏕᎭᎷᎨ ᎠᏍᏘ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᎠᏓᎴᏂᏍᎨᏍᏗ ᎠᏍᏛ ᏚᏚᏓᏛᎢ: ᎠᎴ ᎤᏠᏱᏉ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏍᏛ ᏔᎵᏁ ᎠᏰᏙᎳᏛ ᏚᎦᏓᏛᎢ.\nᎯᏍᎦᏍᎪᎯ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᏧᏓᏕᏍᏗᏱ ᏌᏉ ᎠᏰᏙᎳᏛᎢ, ᎠᎴ ᎯᏍᎦᏍᎪᎯ ᏧᏓᏕᏍᏗᏱ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏍᏛ ᏔᎵᏁ ᎠᏰᏙᎳᏛ ᏚᏚᏓᏛᎢ, ᎾᏍᎩ ᏧᏓᏂᏴᏗᏱ ᏕᎪᏢᏒ ᏧᏓᏕᎯᏍᏗᏱ.\nᎠᎴ ᎯᏍᏚᏍᎪᎯ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᏗᎫᏓᎸᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ, ᎾᏍᎩᏃ ᏗᎫᏓᎸᏗᏱ ᏕᎭᏚᏙᏔᏅᎭ ᏓᏰᏙᎳᏛᎢ, ᎾᏍᎩᏃ ᏌᏉᏉ ᎨᏎᏍᏗ ᎦᎵᏦᏛᎢ.\nᏓᏰᏙᎳᏛᏗᏃ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᎤᏂᏍᏘᏰᏅᎯ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎬᏅᏙᏗ ᎨᏎᏍᏗ ᎦᎵᏦᏛᎢ: ᏌᏚ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᏗᏰᏙᎳᏛᏗ.\nᏌᏉ ᎠᏰᏙᎳᏛ ᏦᎠᏍᎪᎯ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ, ᏅᎩᏃ ᎢᏯᎩᏳᏍᏡᏛ ᎾᏯᏛᎡᏍᏗ ᏌᏉ ᎠᏰᏙᎳᏛᎢ: ᏌᏚᏃ ᏂᏓᏰᏙᎳᏛ ᎢᏗᎦᎯᏛᎭ ᎨᏎᏍᏗ.\nᎯᏍᎩᏃ ᏓᏕᏙᎳᏛ ᎤᏁᎳᎩ ᏗᎦᏚᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏑᏓᎵ ᏓᏕᏙᏔᏛ ᎤᏁᎳ ᏗᏣᏚᏙᏗ ᎨᏎᏍᏗ, ᏑᏓᎵᏁᏃ ᎠᏰᏙᎳᏛ ᏗᏣᏰᏈᏛᏗ ᎨᏎᏍᏗ ᏭᎦᏛ ᎦᎵᏦᏛᎢ.\nᎯᏍᎦᏍᎪᎯᏃ ᏕᎨᏢᎾᎭ. ᏧᏓᏕᏍᏗᏱ ᎠᏍᏛ ᏌᏉ ᎠᏰᏙᎳᏛᎢ ᎾᏍᎩ ᎠᏍᏛ ᎤᏚᏓᏛᏗᏱ, ᎠᎴ ᎯᏍᎦᏍᎪᎯ ᏧᏓᏕᏍᏗᏱ ᎠᏍᏛ ᎠᏰᏙᎳᏛ ᎾᏍᎩ ᏔᎵᏁ ᎤᏚᏓᏛᏗᏱ.\nᎠᎴ ᎯᏍᎦᏍᎪᎯ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᏗᎫᏓᎸᏗᏱ, ᎥᏣᏱ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩᏃ ᏗᎫᏓᎸᏗᏱ ᏗᏣᏚᏙᏗ ᏧᏓᏕᏍᏗᏱ, ᎠᎴ ᏕᎱᏓᏔᏅᎭ ᎦᎵᏦᏛᎢ, ᎾᏍᎩᏃ ᏌᏉ ᏂᎦᎵᏍᏔᏅᎭ.\nᎾᏍᎩᏃ ᎤᎵᏃᎯᏴᎯ ᏗᏰᏙᎳᏛᏗ ᎦᎵᏦᏛᎢ, ᎾᏍᎩ ᎠᏰᎵ ᎢᎦᎢ ᎤᎵᏃᎯᏴᎯ, ᎾᏍᎩ ᎦᎵᏦᏛ ᎣᏂᏗᏢ ᎦᏛᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏌᏉ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ ᏌᏉ ᎢᏗᏢ, ᎠᎴ ᏌᏉ ᎢᏯᎩᏳᏍᏈᏛ ᎠᎢᏗᏢ, ᎾᏍᎩ ᏕᏚᏅᎯᏒ ᏧᎵᏃᎯᏴᎯ ᏗᏰᏙᎳᏛᏗ ᎦᎵᏦᏛᎢ, ᏗᏍᏆᎨᏂ ᏫᏗᎦᏖᎳᏕᏍᏗ ᎦᎵᏦᏛᎢ ᎠᏂ ᎢᏗᏢ ᎠᎴ ᏐᎢᏱ ᎢᏗᏢ, ᎾᏍᎩ ᎫᏢᏙᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏦᏢᏗ ᎨᏎᏍᏗ ᎦᎵᏦᏛ ᎫᏢᏗ, ᎤᏃᏕᎾ ᎦᏁᎦ ᎩᎦᎨ ᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᎦᏚᏃ ᎢᏗᏢ ᎫᏢᏗ ᏓᎭᏏ ᎦᏁᎦ ᏦᏢᏙᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏧᏯᏖᎾ ᎠᏓ-ᎬᎿᎨ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎦᎵᏦᏛ ᎪᏢᏗ ᏕᎦᎵᎦᎴᏍᏗ.\nᎠᏍᎪᎯ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ ᏌᏉ ᎤᏯᏖᎾ, ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏇᎩᏳᏍᏈᏛ ᎾᏯᏛᎡᏍᏗ ᏌᏉ ᎤᏯᏖᎾ.\nᏔᎵ ᏕᎪᏢᏎᏍᏗ ᏗᎫᏍᏙᏍᏗᏱ ᏌᏉ ᏅᏯᏖᏃᎯ, ᏕᎦᎧᎮᏍᏗ ᎣᏍᏛ ᏓᏙᎵᎨᏍᏗ; ᎾᏍᎩ ᎢᏗᏨᏁᏗ ᎨᏎᏍᏗ ᏂᎦᏛ ᏧᏯᏖᎾ ᎦᎵᏦᏙᏙᏗ.\nᏧᏯᏖᎾᏃ ᎦᎵᏦᏙᏙᏗ ᏔᎳᏍᎪᎯ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᏧᎦᎾᏮ ᎢᏗᏢ ᏤᎯ.\nᏅᎦᏍᎪᎯᏃ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᏓᏔᎴᏒ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ, ᎭᏫᏂᏗᏢ ᏔᎳᏍᎪᎯ ᏧᏯᏖᏃᎯ. ᏔᎵ ᏓᏔᎴᏒ ᏕᎪᏢᏎᏍᏗ ᎭᏫᏂᏗᏢ ᏌᏉ ᎤᏯᏖᏃᎯ ᎾᏍᎩ ᏔᎵ ᏗᎫᏍᏙᏍᏗ ᏗᏠᏍᎩ, ᎠᎴ ᏔᎵ ᏓᏔᎴᏒ ᎭᏫᏂᏗᏢ ᏐᎢᏱ ᎤᏯᏖᏃᎯ ᎾᏍᎩ ᏗᏠᏍᎩ ᏔᎵ ᏗᎫᏍᏙᏍᏗ.\nᏔᎵᏁᏃ ᎠᏍᏆᎨᏂ ᏫᎨᏒ ᎾᏍᎩ ᎦᎵᏦᏛᎢ ᏧᏴᏢ ᎢᏗᏢ ᏔᎵᏍᎪᎯ ᏂᏕᎬᏁᏍᏗ ᏧᏯᏖᎾ.\nᎠᎴ ᏅᎦᏍᎪᎯ ᎾᏍᎩ ᏗᏠᏍᎩ ᏓᏔᎴᏒ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ; ᏔᎵ ᏂᏕᎬᏁᏍᏗ ᏓᏔᎴᏒ ᎭᏫᏂᏗᏢ ᏌᏉ ᎤᏯᏖᏃᎯ, ᎠᎴ ᏔᎵ ᏓᏔᎴᏒ ᎭᏫᏂᏗᏢ ᏐᎢᏱ ᎤᏯᏖᏃᎯ.\nᏗᏍᏆᎨᏂᏃ ᏭᏕᎵᎬ ᎢᏗᏢ ᎯᎠ ᎾᏍᎩ ᎦᎵᏦᏛᎢ ᏑᏓᎵ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᏧᏯᏖᎾ.\nᎠᎴ ᏔᎵ ᏧᏯᏖᎾ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᎤᏅᏏᏴ ᏤᎯ ᎯᎠ ᎾᏍᎩ ᎦᎵᏦᏛᎢ ᎢᏧᎳ ᏗᏍᏆᎨᏂ ᎢᏗᏢ ᏤᎯ.\nᎾᏍᎩᏃ ᏗᎫᏓᏙᏗ ᎨᏎᏍᏗ ᎡᎳᏗᏢ, ᎠᎴ ᏗᎫᏓᏙᏗ ᎨᏎᏍᏗ ᎤᏍᎪᎵ ᎦᎸᎳᏗ ᎾᏍᎩ ᏌᏉ ᎤᏆᏙᎬᎢ; ᎾᏍᎩ ᎢᏗᎬᏁᏗ ᎨᏎᏍᏗ ᎢᏧᎳ; ᎾᏍᎩ ᎯᎠ ᏧᏇᏖᎾ ᎤᏅᏏᏴᏢ ᎢᏧᎳᏗ ᏤᎯ ᎨᏎᏍᏗ.\nᎠᎴ ᏧᏁᎳ ᏂᎦᎡᏍᏗ ᏧᏯᏖᎾ: ᏓᏔᎴᏒᏃ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᏓᎳᏚ ᏂᎦᎡᏍᏗ; ᏔᎵ ᏓᏔᎴᏒ ᏂᏕᎬᏁᏍᏗ ᏌᏉ ᎤᏯᏖᏃᎯ ᎭᏫᏂᏗᏢ, ᎠᎴ ᏔᎵ ᏓᏔᎴᏒ ᎭᏫᏂᏗᏢ ᏅᏩᏓᎴ ᎤᏯᏖᏃᎯ.\nᏗᏍᏆᎾᎳᏗᏍᏗᏃ ᎠᏓ-ᎬᎿᎨ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ; ᎯᏍᎩ ᏓᏞᏍᏗ ᏧᏯᏖᏃᎯ ᏌᏉ ᎠᏍᏆᎨᏂ ᎢᏗᏢ ᎦᎵᏦᏛᎢ:\nᎠᎴ ᎯᏍᎩ ᏗᏍᏆᎾᎳᏗᏍᏗ ᏓᏞᏍᏗ ᏧᏯᏖᏃᎯ ᏐᎢᏗᏢ ᎠᏍᏆᎨᏂ ᎦᎵᏦᏛᎢ, ᎠᎴ ᎯᏍᎩ ᏗᏍᏆᎾᎳᏗᏍᏗ ᏓᏞᏍᏗ ᏧᏯᏖᏃᎯ . ᎦᎵᏦᏛ ᎠᏍᏆᎨᏂ ᏭᏕᎵᎬ ᎢᏗᏢ.\nᎠᏰᎵ ᎡᎯ ᎠᏍᏆᎾᎳᏗᏍᏗ ᏧᏯᏖᏃᎯ ᎠᏰᎵ ᏓᏢᎢ ᏂᎦᏅᎯᏒ ᎠᏞᏍᏗ.\nᎠᎴ ᏧᏯᏖᎾ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏧᏢᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎫᏓᏆᏙᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ ᎾᎿ ᏗᏍᏆᎾᎳᏗᏍᏗ ᏗᎦᏙᏌᏗᏍᏗᏱ; ᎠᎴ ᎠᏕᎸ. ᏓᎶᏂᎨ ᏗᏧᏢᏙᏗ ᎨᏎᏍᏗ ᏗᏍᏆᎾᎳᏗᏍᏗ.\nᎠᎴ ᏣᎪᏗ ᎨᏎᏍᏗ ᎦᎵᏦᏙᏙᏗ ᎾᏍᎩᏯ ᏗᏟᎶᏍᎳᏅᎯ. ᏤᏣᎾᏄᎪᏫᏎᎸ ᎣᏓᎸᎢ.\nᎠᎴ ᎠᏰᏙᎳᏛᏗ ᏦᏢᏗ ᎨᏎᏍᏗ, ᏕᎭᎷᎨ ᎠᏄᏬ ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᏗᏏᏓᎵ ᎤᏥᎸᎢ, ᎠᎵᏏᎾᎯᏍᏔᏅᎯ. ᏗᎦᎸᏫᏍᏓᏁᎸᎯ ᎨᏎᏍᏗ, ᎠᎴ ᎾᎿᏂ ᎠᏂᎩᎷᏫ ᏕᎪᏢᏎᏍᏗ.\nᎠᎴ ᏣᏛᏗ ᎨᏎᏍᏗ ᏅᎩ ᏕᎨᏛ ᏗᎦᎫᏍᏛᏗ, ᎠᏓ-ᎬᎿᎨ ᏗᎪᏢᏔᏅᎯ, ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎫᏢᏔᏅᎯ; ᏗᎦᏙᏌᏗᏍᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ, ᏅᎩ ᏓᏔᎴᏒ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᎾᎿ ᏕᎫᏍᏙᎨᏍᏗ.\nᎠᎴ ᏣᏛᏗ ᎨᏎᏍᏗ ᎠᏰᏙᎳᏛᏗ ᏗᎫᏓᎸᏗᏱ ᎭᏫᏂᏗᏢ, ᎾᏍᎩ ᎾᎿ ᏣᏴᏔᏂᎯᏍᏗᏱ ᎠᏰᏙᎳᏛ ᎭᏫᏂᏗᏢ ᎦᏁᏌᎢ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎦᎶᏗ; ᎠᏰᏙᎳᏛᏃ ᎢᏣᏓᏓᎴᏓᏁᎮᏍᏗ ᎦᎸᏉᏗᏳ ᎨᏒ ᎠᎴ ᏅᏟ ᎢᎦᎸᏉᏗ ᎨᏒᎢ.\nᎫᏢᏗᏃ ᎯᏝᏛᎭ ᎦᏁᏌᎢᎯ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎦᎶᏗᏱ, ᎾᎿ ᎤᏟ ᎢᎦᎸᏉᏗ ᎨᏒᎢ.\nᎦᏍᎩᎶᏃ ᎠᏰᏙᏛ ᏙᏱᏗᏢ ᏣᏍᎩᎳᏗᏍᏗ ᎨᏎᏍᏗ, ᎠᏨᏍᏙᏗᏃ ᏗᎦᎪᏗᏱ ᎦᏍᎩᎸ ᏧᏳᎪᏗ ᎠᏍᏆᎨᏂ ᎦᎵᏦᏛ ᏧᎦᎾᏮ ᎢᏗᏢ ᏣᎪᏗ ᎨᏎᏍᏗ; ᎦᏍᎩᎶᏃ ᏧᏴᏢ ᎢᏗᏢ ᏣᏍᎩᎳᏗᏍᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏰᏙᎳᏛᏗ ᎠᏍᏚᏗ ᎦᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ, ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏏᏙᎵ ᏗᏏᏓᎵ ᎤᏥᎸᎢ, ᎪᏪᎳᏅᎯ ᏴᎩ ᎦᏰᏫᏍᏗ ᎬᏔᏅᎯ.\nᎠᎴ ᏗᏰᏙᎳᏛᏗᏱ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᎯᏍᎩ ᏗᎦᎫᏍᏛᏗ ᎠᏓ-ᎬᎿᎨ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏕᎱᏢᏔᏅᎭ, ᎠᎴ ᏗᎦᏙᏌᏗᏍᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ; ᎠᎴ ᎯᏍᎩ ᏓᏔᎴᏒ ᎥᏣᏱ ᎬᎾᏬᏔᏅᎯ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ ᏗᎦᎫᏍᏛᏗ ᏗᎫᏍᏙᏍᏗᏱ,\nᎠᎴ ᎰᏢᏅᎭ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎠᏓᎬᎿᎨ ᎰᏢᏔᏅᎭ, ᎯᏍᎩ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ, ᎠᎴ ᎯᏍᎩ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎡᏍᏗ, ᎦᏌᏆᎸ ᎨᏎᏍᏗ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ; ᏦᎢᏃ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏖᏍᏗ.\nᏕᎤᎷᎬᏃ ᏅᎩ ᏂᏚᏅᏏᏴ ᏗᏣᎪᏗ ᎨᏎᏍᏗ; ᏕᎤᎷᎬ ᎤᏠᏱᏉ ᎨᏎᏍᏗ; ᎥᎶᏱᏃ ᏧᏢᏙᏗ ᎨᏎᏍᏗ.\nᏗᏦᏢᏗᏃ ᎨᏎᏍᏗ ᎪᏍᏚ ᎦᎶᏗ, ᎠᎴ ᎪᏕᏍᏗ, ᎠᎴ ᏗᏖᎵᏙ, ᎠᎴ ᎭᏫᏯ ᎦᏂᏴᏙᏗ, ᎠᎴ ᎠᏥᎸ ᎦᎶᏗ; ᏂᎦᏛ ᎾᎿ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ ᎥᏣᏱ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏦᏢᏗ ᎨᏎᏍᏗ ᎠᎦᏯᎷᏗ ᎢᏳᏍᏗ ᎥᏣᏱ ᎪᏢᏔᏅᎯ; ᎾᎿᏃ ᏅᎩ ᏂᏚᏅᏏᏴ ᏅᎩ ᏧᏓᏆᏙᎩ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᏗᏣ ᏙᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎤᎦᏌᏛᎢ ᎭᏫᏂᏗᏢ ᏣᏄᏴᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᎦᏯᎷᏗ ᎢᏳᏍᏗ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎠᏰᎵ ᎢᏴᏛ ᏫᎬᏩᎵᏍᏗᏍᏗ ᎨᏎᏍᏗ.\nᎦᏅᏍᏙᏗᏃ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᏗᏦᏢᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎦᏅᏍᏙᏗ ᎠᏓ-ᎬᎿᎨ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᎥᏣᏱ ᏗᎫᏢᏔᏅᎯ.\nᎦᏅᏍᏙᏗᏃ ᏧᏓᏆᏉᎩ ᏕᎦᏛ ᏗᎫᏍᏙᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎢᏧᎳᏗᏢ ᏗᏍᏆᎨᏂ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎦᏅᏍᏙᏗ ᏓᏞᏍᏗ, ᎾᏍᎩ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎠᏴᏍᏙᏗ.\nᎤᏒᏙᏂ ᏅᏁᎸᎭ ᏧᏯᏖᎾ ᎰᏢᏔᏅᎭ; ᎾᏍᎩᏯ ᏤᏣᎾᏄᎪᏫᏎᎸ ᎣᏓᎸᎢ, ᎾᏍᎩᏯ ᎢᏳᏅᏁᏗ ᎤᏃᏢᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎣᏂ ᎰᏢᏅᎭ ᎯᎠ ᎾᏍᎩ ᎦᎵᏦᏛ ᎤᏚᏫᏛ; ᎠᏍᏆᎨᏂ ᏧᎦᏅᏮ ᎢᏗᏢ ᎠᏰᏙᎳᏕᏍᏗ ᎠᏂ ᎾᏍᎩ ᎣᏂ; ᎤᏏᏙᎵ ᎤᏥᎸᎢ ᏗᏏᏓᎵ ᎨᏎᏍᏗ, ᎠᏍᎪᎯᏧᏈ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ ᏌᏉ ᎢᏗᏢ ᎠᏍᏆᎨᏂ.\nᏔᎳᏍᎪᎯᏃ ᏗᎦᎫᏍᏛᏗ ᎠᎴ ᎾᏍᎩ ᏔᎳᏍᎪᎯ. ᏓᏔᎴᏒ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ; ᏗᎦᏙᏌᏗᏍᏗᏱᏃ ᎠᎴ ᎤᏯᏅᎯ ᏗᎦᎫᏍᏛᏗᏱ ᏤᎯ, ᎠᎦᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ.\nᎠᎴ ᎾᏍᏉ ᏧᏴᏢ ᎢᏗᏢ ᎠᏰᏙᎳᏕᏍᏗ ᎠᏍᎪᎯᎫᏈ ᎢᏍᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ; ᎠᎴ ᏗᎦᎫᏍᏛᏗ ᏔᎳᏍᎪᎯ ᎨᏎᏍᏗ, ᎠᎴ ᏔᎳᏍᎪᎯ ᏓᏔᎴᏒ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ; ᏗᎦᏙᏌᏗᏍᏗᏱᏃ ᎠᎴ ᎤᏯᏅᎯ ᏗᎦᎫᏍᏛᏗᏱ ᏤᎯ, ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ.\nᎾᏯᏛᎥᏃ ᎣᏂ ᏭᏕᎵᎬ ᎢᏗᏢ ᏓᏰᏙᎳᏕᏍᏗ ᎯᏍᎪᏍᎪᎯ ᎢᏯᎩᏳᏍᏈᏛ; ᏗᎦᎫᏍᏛᏗ ᎠᏍᎪᎯ ᎨᏎᏍᏗ, ᎠᎴ ᎾᏍᎩ ᏓᏔᎴᏒ ᎠᏍᎪᏂᎯ ᎨᏎᏍᏗ.\nᎾᏯᏛᎥᏃ ᎣᏂ ᏗᎧᎸᎬ ᎢᏗᏢ, ᎯᏍᎦᏍᎪᎯ ᎢᏯᎩᏅᏳᏍᏈᏛ ᎨᏎᏍᏗ.\nᏓᏰᏙᎳᏛ ᏌᏉ ᎢᏗᏢ [ᎦᎶᎯᏍᏗᏱ] ᎯᏍᎩᎦᏚ ᎢᏯᎩᏳᏍᏈᏛ ᏂᏕᎦᏅᎯᏎᏍᏗ: ᏗᏕᎫᏍᏛᏗ ᏦᎢ ᏂᎦᎡᏍᏗ, ᎠᎴ ᏓᏔᎴᏒ ᏦᎢ.\nᎠᎴ ᎠᎢᏗᏢ ᏓᏰᏙᎳᏕᏍᏗ ᎯᏍᎩᎦᏚ ᎢᏯᎩᏳᏍᏈᏛ ᎢᏗᎦᏅᎯᏛ; ᏗᎦᎫᏍᏛᏗ ᏦᎢ ᏂᎦᎡᏍᏗ, ᎠᎴ ᏓᏔᎴᏒ ᏦᎢ ᏂᎦᎡᏍᏗ.\nᎦᎶᎯᏍᏗᏱᏃ ᎪᏢᏒ ᎦᎵᏦᏛ ᎠᏰᏙᎳᏕᏍᏗ ᏔᎳᏍᎪᎯ ᎢᏯᎩᏳᏍᏈᏛ ᎢᎦᏅᎯᏛ, ᏕᎭᎷᎨ ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸ ᏗᏏᏓᎵ ᎨᏎᏍᏗ, ᎪᏪᎳᏅᎯ ᏴᎩ ᎦᏰᏫᏍᏗ ᎬᏔᏅᎯ; ᏗᏕᎫᏍᏛᏗ ᏅᎩ ᎨᏎᏍᏗ ᎠᎴ ᏓᏔᎴᏒ ᏅᎩ.\nᏂᎦᏛᏃ ᏗᎦᎫᏍᏛᏗ ᎦᎵᏦᏛ ᎬᏩᏚᏫᏛ ᎤᏯᏅᎯ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᏂᏕᎬᏁᏕᏍᏗ; ᏗᎦᏙᏌᏏᏍᏗᏱ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ, ᎠᎴ ᏓᏔᎴᏒ ᎾᎿ ᏗᎫᏍᏙᏍᏗᏱ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ.\nᎣᏂ ᎠᏍᎪᎯᏧᏈ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ, ᎾᏯᏛᎥᏃ ᎯᏍᎦᏍᎪᎯ ᎨᏎᏍᏗ ᏂᎦᎥᎢ, ᏂᎦᏛᎢᏃ ᎯᏍᎩ ᎢᏯᎩᏳᏍᏈᏛ ᎨᏎᏍᏗ, ᎪᏢᏔᏅᎯ ᎤᏏᏙᎵ ᎤᏥᎸ ᏗᏏᏓᎵ, ᏓᏔᎴᏒᏃ ᎾᎿ ᏗᎫᏍᏙᏍᏗᏱ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ.\nᏂᎦᏛ ᎪᎱᏍᏗ ᏗᎬᏁᏗ ᎦᎵᏦᏛᎢ ᎾᎿ ᏄᏓᎴᏒ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᏂᎦᏛ ᎾᎿ ᏗᎨᏘᏂᏓᏍᏗ, ᎠᎴ ᏂᎦᏛ ᎣᏂ ᏗᎨᏘᏂᏓᏍᏗ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ.\nᏂᎯᏃ ᏘᏁᏤᏗ ᎨᏎᏍᏗ ᎢᏏᎵ ᏧᏪᏥ, ᎾᏍᎩ ᎨᏣᏁᏦᎮᏗᏱ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎣᎵᏩ ᎪᎢ ᎦᏅᏆᎶᎥᎯ ᎢᎦ ᎦᏘᏍᏙᏗ, ᎾᏍᎩ ᎢᏳᏩᏂᏐᏗᏱ ᎤᏓᏪᎵᎩᏍᏗᏱ ᎠᏨᏍᏙᏗ ᏂᎪᎯᎸᎢ.\nᎦᎵᏦᏛ ᎭᏫᏂᏗᏢ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᏰᏙᎳᏛ ᏙᏱᏗᏢ, ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎠᎲᎢ ᎢᎬᏱᏗᏢ, ᎡᎳᏂ ᎾᏍᎩᏃ ᏧᏪᏥ ᎣᏍᏛ ᎢᏳᏅᏁᏗ ᎨᏎᏍᏗ ᎤᏒ ᎤᏓᎴᏅᏛ ᏑᎾᎴ ᎬᏗᏍᎩ ᏱᎰᏩ ᎠᎦᏔᎲᎢ. ᎾᏍᎩ ᏂᎪᎯᎸ ᏧᏂᎧᎿᏩᏛᏍᏗ ᎨᏎᏍᏗ ᎠᎾᏓᏁᏟᏴᏏᏒ ᏑᎾᏓᏡᎩ ᎨᏒ ᎢᏏᎵ ᏧᏪᏥ\nᏂᎯᏃ ᎯᏯᏘᏃᎦ ᎯᏯᏓᏓᎴᏛ ᎤᎾᏓᏑᏴ ᎢᏏᎵ ᏧᏪᏥ ᎠᏁᎲᎢ ᎡᎳᏂ ᎡᏣᏂᎵ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎠᏆᏛᏁᏗᏱ ᎠᏥᎸ ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎡᎳᏂ, ᎠᎴ ᏁᏓᏈ, ᎠᎴ ᎡᏆᏳ, ᎢᎵᎡᏌ, ᎠᎴ ᎢᏗᎹ, ᎡᎳᏂ ᏧᏪᏥ.\nᎠᎴ ᏗᎦᎸᏉᏗ ᏗᏄᏬ ᏘᏲᏢᎾᏁᏗ ᏘᏲᏢᎾᏁᏗ ᎨᏎᏍᏗ ᎡᎳᏂ ᎡᏣᏂᎵ, ᏗᎬᏩᎸᏌᏛ ᎠᎴ ᎤᏬᏚᎯ ᎢᏳᏩᏁᎯ.\nᏂᎯᏃ ᏘᏁᏤᏗ ᎨᏎᏍᏗ ᏂᎦᏛ ᎠᏂᎦᏔᎾᎢ ᏙᏧᎾᏓᏅᏛᎢ, ᎾᏍᎩ ᎧᎵᎢ ᎦᏥᏁᎸᎯ ᏥᎩ ᎠᏓᏅᏙ ᎠᎦᏔᎾᎢ ᎾᏍᎩ ᏧᏃᏢᎾᏁᏗᏱ ᎡᎳᏂ ᏧᏄᏬᎢ, ᎾᏍᎩ ᎦᎸᏉᏗᏨ ᎢᏳᏩᏁᎯ, ᎪᎱᏍᏗ ᎠᏆᏛᏁᏗᏱᎠᏥᎸ ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᎴ ᎯᎠ ᎾᏍᎩ ᏗᎸᏬ ᏧᏃᏢᏗ ᎨᏒᎢ; ᎠᏓᏁᏣᏍᏚᎶ, ᎠᎴ ᎡᏉᏗ, ᎠᎴ ᏂᎦᏰᏫᏒᎾ ᎠᏄᏬ, ᎠᎴ ᏗᎪᏪᎵ ᎭᏫᏂ ᎠᏄᏬ, ᎠᎵᏍᏚᎶ, ᎠᎴ ᎠᏓᏠᏍᏗ; ᎠᎴ ᏗᎦᎸᏉᏗ ᏗᏄᏬ ᏧᏃᏢᎾᏁᏗ ᎨᏎᏍᏗ ᎡᎳᏂ ᎡᏣᏂᎵ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎾᏍᎩ ᎪᎢᏍᏗ ᎠᏆᏛᏁᏗᏱ ᎠᏂᎸ-ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᎴ ᎤᏅᏙᏗ ᎨᏎᏍᏗ, ᎠᏕᎸ ᏓᎶᏂᎨᎢ, ᎠᎴ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᏢᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ.\nᎡᏉᏗᏃ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᏃᏢᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏄᏬ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸ ᏗᏏᏓᎵ, ᎠᎴ ᎠᎵᏏᎾᎯᏍᏔᏅᎯ ᏗᎦᎸᏫᏍᏓᏁᎸᎯ ᎨᏎᏍᏗ ᎾᎿᏂ.\nᎢᏧᎳᏃ ᏗᎦᏅᏬ ᏤᎯ ᎢᏧᎳ ᏓᏍᏛ ᏧᏠᎯᏍᏗ ᎨᏎᏍᏗ; ᎾᏍᎩᏃ ᏚᏚᏓᏖᏍᏗ.\nᎠᏓᏠᏍᏗᏃ ᎡᏉᏗ ᎦᎸᏍᏙᏗ ᎾᎿ ᏂᎦᏛ ᎤᏠᏱᏉ ᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ, ᎠᎴ ᎾᏍᎩᏯ ᏗᎦᎸᏫᏍᏓᏁᎸᎯ; ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏄᏬ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸ ᏗᏏᏓᎵ.\nᎠᎴ ᏔᎵ ᎣᏂᎩ ᏅᏯ ᏕᎯᎩᎡᎭ, ᎠᎴ ᎾᎿ ᏕᎯᏰᎶᎸᎭ ᏕᎨᏪᎳᏅᎭ ᏕᎣᎾ ᏙᎥ ᎢᏏᎵ ᏧᏪᏥ;\nᏑᏓᎵ ᏚᎾᏙᎥ ᏌᏉ ᏅᏲᎯ ᏕᎪᏪᎴᏍᏗ, ᎠᏂᏐᎢᏃ ᏚᎾᏙᎥ ᏑᏓᎵ ᎢᏯᏂᏛ ᏐᎢᏱ ᎾᏲᎯ ᏕᎪᏪᎴᏍᏗ, ᎾᏍᎩᏯ ᎤᎾᏕᏅᏒᎢ.\nᎾᏍᎩ ᏅᏲᎯ ᎠᏰᎶᎯ ᏗᎪᏪᎵᏍᎩ ᎤᏬᏪᎳᏅᎯ ᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᎠᏐᎥᏍᏙᏗ ᏂᎬᏅᎢ ᎪᏪᎸ ᏕᎪᏪᎴᏍᏗ, ᎾᏍᎩ ᏔᎵ ᏅᏯ, ᎾᏍᎩ ᎢᏏᎵ ᏧᏪᏥ ᏚᎾᏙᎥ ᏕᎪᏪᎴᏍᏗ; ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ ᎾᎿ ᏅᏯᏗᎦᎪᏗᏱ ᏕᎯᎧᏅᎴ.\nᎾᏍᎩᏃ ᏔᎵ ᏅᏯ ᎡᏉᏗᏱ ᏗᎦᏅᏬᎢ ᏕᎧᏅᎭ, ᎾᏍᎩ ᏅᏯ ᎨᎦᏅᏓᏗᏍᏙᏗ ᎨᏎᏍᏗ ᎢᏏᎵ ᏧᏪᏥ, ᎡᎳᏂᏃ ᎾᏍᎩ ᏚᎾᏙᎥ ᏕᎤᏃᏝᎮᏍᏗ ᏱᎰᏩ ᏓᎧᏅᎢ, ᎾᏍᎩ ᎨᎦᏅᏓᏍᏙᏗ. .\nᎠᎴ ᏅᏯ ᏗᎦᎪᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᏕᎨᏢᏔᏅᎭ;\nᏧᏓᏕᏒᏛᏃ ᏔᎵ ᏕᎨᏢᏅᎭ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᏕᎰᏢᏔᏅᎭ, ᏓᏍᏛᎢ ᏕᎦᏕᏍᏗ; ᎾᏍᎩ ᏗᏏᏓᎵ ᎨᏎᏍᏗ, ᎾᏍᎩᏃ ᏧᏓᏕᏒᏛ ᏅᏯᏗᎦᎪᏗᏱ ᏕᎫᏓᎴᏍᏗ.\nᎠᏓᏁᏣᏍᏚᎶᏃ ᏗᎫᎪᏙᏗ ᎰᏢᏅᎭ ᎠᎵᏏᎾᎯᏍᏔᏅᎯ ᏗᎦᎸᏫᏍᏔᏁᎸᎯ ᎨᏎᏍᏗ; ᎡᏉᏗ ᎢᏨᏁᏗ ᎨᏒ ᎾᏍᎩᏯ ᏅᏁᎸᎭ ᎨᏢᏅᎭ; ᎰᏢᏔᏅᎭ ᎠᏕᎸ ᏓᎶᏂᎨᎢ, ᎠᎴ ᎠᏄᏬ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸ ᏗᏌᏓᎵ.\nᎢᎦᏲᏛᎭ ᎨᏎᏍᏗ ᎬᏩᏚᏫᏛ ᏗᏯᎦᏑᏛᏅᎯ ᎨᏒᎢ, ᎠᏓᏬᎯᎳ ᏂᎦᏅᎯᏎᏍᏗ, ᎠᎴ ᎠᏓᏬᎯᎳ ᎾᏯᏛᎡᏍᏗ.\nᎠᎴ ᎾᎿ ᏗᏣᎪᏗ ᎨᏎᏍᏗ ᎾᏯ, ᎾᏍᎩ ᏅᎩ ᏂᏚᏓᏅᏅ ᏅᏯ; ᏌᏉ ᎤᏓᏅᏅ, ᏓᏂᎵᏯ, ᎠᎴ ᏙᏆᏏ, ᎠᎴ ᎡᎻᎳ ᏕᎦᎧᎮᏍᏗ; ᎯᎠ ᎾᏍᎩ ᎢᎬᏱᏱ ᎤᏓᏅᏅ ᎨᏎᏍᏗ.\nᏔᎵᏁᏃ ᎤᏓᏅᏅ ᏃᏈᎩ, ᏌᏆᏯ ᎠᎴ ᏓᎹᏂ ᏕᎦᎧᎮᏍᏗ.\nᏦᎢᏁᏃ ᎤᏓᏅᏅ ᏤᏏᏂ, ᎡᎩᏗ, ᎠᎴ ᎠᎻᏗᏏ ᏕᎦᎧᎮᏍᏗ.\nᏅᎩᏁᏃ ᎤᏓᏅᏅ ᏇᎵ, ᎠᎴ ᎣᏂᎩ, ᎠᎴ ᏣᏍᏆ; ᎠᏕᎸ ᏓᎶᏂᎨᏍᏛᏱ ᏕᎦᏬᎮᏍᏗ ᎾᎿ ᏗᎦᎪᏗᏱ ᎨᏒ.\nᎤᏲᎯᏃ ᏓᏰᎶᎴᏍᏗ ᏕᎪᏪᎴᏍᏗ ᏚᎾᏙᎥ ᎢᏏᎵ ᏧᏪᏥ, ᏔᎳᏚ ᎨᏎᏍᏗ ᏚᎾᏙᎥ ᏕᎪᏪᎸᎢ, ᎠᏐᎥᏍᏙᏗ ᏥᏂᎬᏃ ᏥᎪ-ᏪᎶ ᎾᏍᎩᏯᎢ; ᎠᏂᏏᏴᏫᎭ ᏚᎾᏙᎥ ᏕᎪᏪᎴᏍᏗ ᎾᏍᎩ ᏔᎳᏚ ᎾᏂᎳᏍᏓᎸᎢ.\nᎠᏓᏁᏣᏍᏚᎶᎩ ᎯᏃ ᏓᏍᏛᎢ ᏧᏓᏕᏒᏛ ᏗᏣᏛᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᏧᏓᏕᏒᏛ ᏗᏏᏓᎵ ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎪᏢᏔᏅᎯ ᎨᏎᏍᏗ.\nᎠᎴ ᎠᏓᏁᏣᏍᏕᎶᎩᎯ ᏔᎵ ᏧᏓᏆᏙᎩ ᏗᏣᏙᏗ ᎨᏎᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ, ᎾᏍᎩᏃ ᎯᎠ ᏔᎵ ᏧᏓᏆᏙᎩ ᏗᏣᏆᏙᎩ ᏗᏣᏙᏗ ᎨᏎᏍᏗ ᎢᏧᎳ ᎢᏗᏢ ᏓᏍᏛ ᎠᏓᏁᎳᏍᏚᎶᎩᎯ.\nᎾᏍᎩᏃ ᏔᎵ ᏧᏓᏕᏒᏛ ᏗᏏᏓᎵ ᎠᏕᎸ ᏓᎵᏂᎨ ᏗᎪᏢᏔᏅᎯ ᏗᏣᏛᏗ ᎨᏎᏍᏗ ᏧᏓᏆᏙᎩ ᏕᎦᏛ ᎢᏧᎳᏗᏢ ᏓᏍᏛ ᎠᏓᏁᏣᏍᏚᎶᎩᎯ.\n[ᏗᏐᎢᏃ] ᏔᎵ ᏧᏍᎪᎵ ᎾᏍᎩ ᏔᎵ ᏗᏏᏓᎵ ᏧᏓᏕᏒᏛ ᏕᎱᏓᎸᏅᎭ ᏔᎵ ᏅᏯᏗᎦᎪᏗᏱ, ᎠᎴ ᎾᏍᎩ ᏕᎱᏓᏔᏅᎭ ᏗᎦᏅᏬ ᏤᎯ ᎾᏍᎩ ᎡᏉᏗᏱ ᎢᎬᏱᏗᏢ.\nᎠᎴ ᏔᎵ ᏧᏓᏆᏙᎩ ᏕᎰᏢᏅᎭ ᎠᏕᎸ ᏓᎶᏂᎨ ᏕᎨᏢᏔᏅᎭ, ᎠᎴ ᎠᏓᏁᏣᏍᏚᎶᎩᎯ ᏧᏍᎪᎵ ᎢᏧᎳ ᎢᏗᏢ ᏕᎭᏔᏅᎭ, ᎾᎿ ᏓᏍᏛᎢ, ᎾᏍᎩ ᎡᏉᏗᏱ ᎠᏍᏆᎨᏂ ᎭᏫᏂᏗᏢ ᏥᎩ.\nᏂᏗᎬᏩᏓᎴᏃ ᏧᏓᏆᏙᎩ ᏔᎵ ᎠᏕᎸ ᏓᎶᏂᎨ ᏕᎰᎨᏢᏔᏅᎭ, ᎠᎴ ᏕᎭᏔᏅᎭ ᎡᏉᏗᏱ ᏔᎵ ᏗᎦᏅᏬ ᏤᎯ ᎭᏫᏂᏗᏢ, ᎢᎬᏱ ᎢᏗᏢ, ᏕᎫᏓᏛ ᎾᎥᎢ, ᎡᏉᏗ ᎦᎸᏍᏗᏗ ᎦᎸᎥ ᎦᎸᎳᏗᏢ.\nᎠᏓᏁᏣᏍᏚᎶᏃ ᎠᎴ ᎡᏉᏗ ᏧᏓᏚᏙᏗ ᎨᏎᏍᏗ ᏧᏓᏆᏙᎩ ᏕᎦᏛᎢ, ᎤᏅᏙᏗ ᎠᏍᏘ ᏕᎭᎷᎨᎢ, ᎾᏍᎩ ᎦᎸᎳᏗᏢ ᎢᏳᎵᏍᏙᏗᏱ ᎾᎿ ᎦᎸᏍᏗ ᎦᎸᎥ ᎡᏉᏗ, ᎾᏍᎩ ᎠᏓᏁᏣᏍᏚᎶ ᎡᏉᏗᏃ ᏧᎾᎦᎴᏅᏗᏱ ᏂᎨᏒᎾ.\nᎡᎳᏂᏃ ᎢᏏᎵ ᏧᏪᏥ ᏚᎾᏙᎥ ᏓᏱᏙᎮᏍᏗ ᏗᎫᎪᏙᏗ ᎠᏓᏁᏣᏍᏚᎶᎩᎯ ᏕᎦᎧᎲᎢ ᎤᎾᏫᏱ ᏄᏩᏁᏍᏗ ᎾᎯᏳ ᏩᏴᎯᎮᏍᏗ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, ᎾᏍᎩ ᎨᎦᏅᏓᏗᏍᏙᏗ ᎨᏎᏍᏗ ᏱᎰᏩ ᎠᎦᏔᎲ ᏂᎪᎯᎸᎢ.\nᎠᎴ ᏗᎫᎪᏙᏗ ᎠᏓᏁᏣᏍᏕᎶᎩᎯ ᎾᎿ ᏗᏣᎪᏗ ᎨᏎᏍᏗ ᎤᎵᎻ ᎠᎴ ᎡᎳᏂ ᎤᎾᏫᏱ ᏂᏕᎤᏍᏕᏍᏗ ᎾᎯᏳ ᏱᎰᏩ ᎠᎦᏔᎲ ᏫᎦᎷᎨᏍᏗ; ᎠᎴ ᎡᎳᏂ ᎤᎾᏫᏱ ᏂᏕᎤᏍᏕᏍᏗ ᏗᎨᎫᎪᏓᏁᏗ ᎢᏏᎵ ᏧᏪᏥ ᏱᎰᏩ ᎠᎦᏔᎲ ᏂᎪᎯᎸᎢ.\nᎠᏄᏬᏃ ᎡᏉᏗ ᎭᏫᏂᏗᏢ ᎠᏄᏬᏍᏗ ᏕᎭᎷᎨᏍᏛᎭ ᏦᏢᏙᏗ ᎨᏎᏍᏗ.\nᎤᏍᎩᎵᏃ ᎾᎿ ᎠᏰᎵ ᎠᏔᎴᎭᏍᏗ, ᎠᎴ ᎠᎬᏔᏅᏕᏍᏗ ᎬᏅᎯ ᎠᏔᎴᏒ ᎤᏚᏫᏛ ᎭᏆᏥᏂ ᏣᏔᎴᏐ ᎾᏍᎩᏯᎢ, ᎾᏍᎩ ᎤᏓᏣᎦᎸᏗᏱ ᏂᎨᏒᎾ.\nᎭᏫᏂᏗᏢᏃ ᎦᏓᎷᏯᏛᎢ ᏆᎻᏆᏂ ᏗᏦᏢᏗ ᎨᏎᏍᏗ ᎠᏂᏕᎭᎷᎨ ᎠᎴ ᎠᏂᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎠᏂᎩᎦᎨᎢ, ᎦᏓᎷᏯᏛ ᎤᏚᏫᏛ ᏗᏣᏙᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎤᎭᎸᏂᎯ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ ᎠᏰᎵ ᏗᏣᏙᏗ ᎨᏎᏍᏗ ᎾᎿ ᎬᏩᏚᏫᏛ;\nᎢᎬᏱ ᎦᏖᏍᏗ ᎤᎭᎸᏂᎯ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ, ᎿᏉᏃ ᏆᎻᏆᏂ, ᎤᎭᎸᏂᎯ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ, ᎠᎴ ᏆᎻᏆᏂ, ᎾᎿ ᎦᏓᎷᏯᏛ ᎠᏄᏬᎩᎯ ᎤᏚᏫᏛ.\nᎡᎳᏂᏃ ᎤᏄᏪᏍᏗ ᏚᎸᏫᏍᏓᏁᎸᎭ: ᎤᏓᏃᏴᎵᏍᏛᏃ ᎬᏛᎪᏗ ᎨᏎᏍᏗ ᏩᏴᎯᎮᏍᏗ ᎦᎸᏉ ᏗᏳ ᎨᏒ ᏱᎰᏩ ᎠᎦᏔᎲᎢ, ᎠᎴ ᏗᎦᏄᎪᎨᏍᏗ, ᎾᏍᎩ ᎤᏲᎱᎯᏍᏗᏱ ᏂᎨᏒᎾ.\nᎠᏯᏖᎾᏃ ᎤᏥᏍᏓᎷᎩᏍᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎰᏢᏔᏅᎭ; ᎾᎿᏃ ᎯᏰᎶᎸᎭ ᎬᏪᎳᏅᎭ ᎠᏐᎥᏍᏙᏗᏱ ᏥᏕᎪᏪᎶ ᎾᏍᎩᏯᎢ, ᎯᎠ ᏄᏍᏕᏍᏗ, ᏱᎰᏩ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᎢᏯᎬᏁᎸᎯ.\nᎾᏍᎩᏃ ᏕᎭᎷᎨ ᎠᏇᎷᏍᏗ ᎢᏳᏍᏗ ᎾᎿ ᏣᏯᎸᏗ ᎨᏎᏍᏗ, ᎾᏍᎩᏃ ᎠᎵᏍᏚᎶᎩᎯ ᎦᏯᎴᏍᏗ, ᎾᏍᎩ ᎢᎬᏱᏗᏢ ᎠᎵᏍᏚᎶᎩᎯ ᎦᏯᎴᏍᏗ.\nᎠᎴ ᎡᎳᏂ ᎠᎬᏓᎨᏂ ᎦᏯᎴᏍᏗ; ᎠᎴ ᎡᎳᏂ ᎠᏱᏙᎮᏍᏗ ᎤᏂᏍᎦᏅᏨ ᎾᎿ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᏥᎾᏅᏁᎭ ᎢᏏᎵ ᏧᏪᏥ ᏄᏓᎴᏒ ᎠᎾᎵᏍᎪᎸᏗᏍᎬᎢ; ᎠᎴ ᏂᎪᎯᎸ ᎦᏯᎴᏍᏗ ᎡᎳᏂ ᎠᎬᏓᎨᏂ, ᎾᏍᎩ ᎨᎦᏓᏂᎸᎢᏍᏙᏗ ᎨᏎᏍᏗ ᏱᎰᏩ ᎠᎦᏔᎲᎢ.\nᎠᎴ ᏴᎩ ᎬᏗ ᏗᏥᏪᎶᏗ ᎨᏎᏍᏗ ᎭᏫᏂ ᎠᏄᏬ ᎤᏏᏙᎵ ᎤᏥᎸ ᎪᏢᏔᏅᎯ, ᎠᎴ ᎠᎵᏍᏚᎶ ᎤᏏᏙᎵ ᎤᏥᎸ ᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏓᏠᏍᏗ ᏦᏪᎶᏗ ᎨᏎᏍᏗ ᏴᎩ ᎬᏗ.\nᎠᎴ ᎡᎳᏂ ᏧᏪᏥ ᎭᏫᏂ ᏧᎾᏄᏬ ᏗᎩᏲᏢᎾᏁᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏧᎾᏓᏠᏍᏗ ᏗᎩᏲᏢᎾᏁᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏗᎩᏲᏢᏁᏗ ᎨᏎᏍᏗ ᏄᎾᎵᏍᏚᎶ ᏧᎸᏌᏛ ᎠᎴ ᎤᏬᏚᎯ ᎢᏳᏅᏁᎯ.\nᎡᎳᏂᏃ ᎡᏣᏂᎵ ᎠᎴ ᏧᏪᏥ ᎾᏍᎩ ᏗᎩᏄᏬᏍᏙᏗ ᎠᎴ ᏗᎩᏍᏚᎶᏙᏗ ᎨᏎᏍᏗ; ᎠᎴ ᏗᎩᎶᏁᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎩᏯᏒᎦᎶᏗ ᎨᏎᏍᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎢᎩᏴᏁᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗᏱ ᎠᏥᎸ-ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᏧᎾᏑᎶᏃ ᏗᎩᏲᏢᎾᏁᏗ ᎨᏎᏍᏗ ᎤᏥᎸ ᎠᏄᏬ ᏗᎪᏢᏔᏅᎯ, ᎾᏍᎩ ᎤᏂᏲᏓᎬ ᎨᏒ ᎤᏄᏢᏉᏗ: ᏗᏂᏖᏍᎨᏂ ᎠᏃ ᏗᏂᎦᎶ ᎢᏴᏛ ᏫᏚᏂᎶᎨᏍᏗ.\nᎡᎳᏂᏃ ᎠᎴ ᏧᏪᏥ ᎾᏍᎩ ᏚᎾᏑᎴᏍᏗ ᎾᎯᏳᏩᏂᏴᎯᎮᏍᏗ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎾᎯᏳ ᎠᏥᎸ ᎨᎳᏍᏗᏱᎾᎥ ᏩᏂᎷᎨᏍᏗ ᏧᏂᎸᎡᎢᏍᏓᏁᏗᏱ ᎦᎸᏉᏗᏳ ᎨᏒᎢ; ᎾᏍᎩ ᎤᏂᏱᏓᏍᏗᏱ ᏂᎨᏒᎾ ᎠᏍᎦᏂ, ᎠᎴ ᏧᏂᏲᎱᎯᏍᏗᏱ ᏁᎨᏒᎾ. ᎾᏍᎩ ᏧᎧᎾᏩᏛᏍᏗ ᎨᏎᏍᏗ ᎤᏩᏒ, ᎠᎴ ᎾᏍᎩ ᎤᏁᏢᏔᏅᎩ ᎨᏒ ᏂᎪᎯᎸᎢ.\nᎯᎠᏃ ᎾᏍᎩ ᎢᎩᏴᏁᏗ ᎨᏎᏍᏗ ᎦᎸᏉᏗᏳ ᏂᎩᏴᏁᎸᎭ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗᏱ ᎠᏥᎸ ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ. ᏌᏉ ᏩᎦ ᏧᎪᏅᏍᏓᎵ ᎭᏘᏁᏒᎭ, ᎠᎴ ᎠᏂᏔᎵ ᎤᏂᏃᏕᎾ ᏧᎾᎪᏅᏍᏓᎵ ᎪᎱᏍᏗ ᏄᏂᎪᎸᎾ,\nᎠᎴ ᎦᏚ ᎾᎪᏔᏅᎾ, ᎠᎴ ᎦᏚ ᏂᏓᎪᏔᏅᎾ ᎪᎢ ᏗᏑᏱ, ᎠᎴ ᏗᏌᎨ ᎦᏚ ᏂᏓᎪᏔᏅᎾ ᏗᎦᎶᏁᎥᎯ; ᎤᏣᎴᏍᏗ ᎢᏒ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ.\nᏌᏉᏃ ᏔᎷᎶᎩᎯ ᏗᏣᎶᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏔᎷᏣᎩᎯ ᏗᎦᎵ ᏗᏣᏲᎯᏍᏗ ᎨᏎᏍᏗ, ᏚᎵᏠᏯᏍᏕᏍᏗ ᏩᎦ ᎠᎴ ᎠᏂᏔᎵ ᎤᏂᏃᏕᎾ.\nᎡᎳᏂᏃ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏗᎩᏯᏘᏃᎯᏍᏗ ᎨᏎᏍᏗ ᎦᎶᎯᏍᏗᏱ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎠᎹ ᏗᎩᏯᏬᏍᏙᏗ ᎨᏎᏍᏗ.\nᏗᏄᏬᏃ ᏗᏣᏁᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎭᏫᏂ ᎠᏄᏬ ᎯᏄᏬᏍᏗ ᎨᏎᏍᏗ ᎡᎳᏂ, ᎠᎴ ᏂᎦᏰᏫᏒᎾ ᎠᏄᏬ ᎡᏉᏗ ᏗᏂᏰᎦᎵ ᎯᏄᏬᎥᎭ, ᎠᎴ ᎡᏉᏗ, ᎠᎴ ᎠᏓᏁᏣᏍᏚᎶ, ᎠᎴ ᎯᏯᏠᏍᏔᏅᎭ ᎠᏓᏠᏍᏗ ᎡᏉᏗ ᎦᎸᏍᏙᏗ.\nᎠᎵᏍᏚᎶᏃ ᎯᏍᏚᎶᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎦᎸᏉᏗ ᎠᏯᏖᎾ ᎤᏥᏍᏓᎷᎩᏍᎩ ᎠᎵᏍᏚᎶᎩᎯ ᎯᏯᎸᏅᎭ.\nᎪᎢᏃ ᎠᏠᏁᏗ ᎯᏁᎩᏒ ᎠᎴ ᎠᏍᎪᎵ ᎯᏍᏚᏢᎭ ᎠᎴ ᎯᎶᏁᎥᎭ.\nᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏕᎭᏘᏃᎸᎭ, ᎠᎴ ᎭᏫᏂ ᏗᏄᏬ ᏕᎩᏄᏫᎥᎭ.\nᎠᎴ ᏕᎩᏯᏠᏍᏔᏅᎭ ᏗᏓᏠᏍᏗ ᎡᎳᏂ ᎠᎴ ᏧᏪᏥ, ᎠᎴ ᏕᎩᏍᏚᎶᏔᏅ ᏗᎵᏍᏚᎶ; ᎠᏥᎸᏃᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎤᎾᏤᎵ ᎨᏎᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩᏯ ᏂᎬᏅ ᏂᎪᎯᎸᎢ; ᎠᎴ ᎯᎠ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎩᏯᏒᎦᎸᏙᏗ ᎨᏎᏍᏗ ᎡᎳᏂ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ.\nᎠᎴ ᎯᏯᏘᏃᎯᏍᏗ ᎨᏎᏍᏗ ᏧᎪᏅᏍᏓᎵ ᏩᎦ ᎢᎬᏱᏗᏢ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ; ᎠᎴ ᎡᎳᏂ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᎠᏍᎪᎵ ᏩᎦ ᏧᎾᏏᏔᏗᏍᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎯᎢᏍᏗ ᎨᏎᏍᏗ ᏩᎦ ᏱᎰᏩ ᎠᎦᏔᎲ ᎦᎶᎯᏍᏗᏳᎶᏗ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᎢᎦᏛᏃ ᎾᏍᎩ ᏩᎦ ᎤᎩᎬ ᏣᏁᎩᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏣᏅᎵᏰᏗ ᎨᏎᏍᏗ ᎯᏰᏌᏛ ᎬᏗ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᏚᎷᎬᎢ, ᏂᎦᏛᏃ ᎩᎬ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎦᎧᎲ ᎤᎶᏗᏢ ᏣᏨᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏂᎦᏛ ᎤᎵᏦᎯᏛ ᏧᎵᎩᏏᏱ ᎦᏯᎸ ᏣᎴᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏪᎶ ᎦᎸᎳᏗᏢ ᏓᏓᎯᏢ ᎡᎯ, ᎠᎴ ᎢᏧᎳ ᏧᏓᎵ ᎠᎴ ᎤᎵᏦᎯᏛ ᎾᎿ ᎦᏯᎸᎢ; ᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᏕᎭᎪᎲᏍᏔᏅᎭ.\nᎤᏫᏯᏍᎩᏂ ᎾᏍᎩ ᏩᎦ ᎠᎴ ᎤᏁᎦ, ᎠᎴ ᎤᏬᎳᏅᎢ, ᏣᎪᎲᏍᏙᏗ ᎨᏎᏍᏗ ᎠᏥᎸᏱ ᎠᏂᏅ ᏙᏱᏗᏢ; ᎠᏍᎦᏅᏨ ᎠᎵᏍᎪᎸᏙᏗ ᎾᏍᎩ.\nᎠᎴ ᎤᏃᏕᎾ ᏌᏉ ᎯᏯᏘᏅᏍᏗ ᎨᏎᏍᏗ; ᎡᎳᏂᏃ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏧᎾᏏᏔᏗᏍᏗ ᎨᏎᏍᏗ ᎠᏍᎪᎵ ᎤᏃᏕᎾ.\nᎠᎴ ᎯᎢᏍᏗ ᎨᏎᏍᏗ ᎤᏃᏕᎾ, ᎠᎴ ᏣᏁᎩᏍᏗ ᎨᏎᏍᏗ ᎤᎩᎬ ᎠᎴ ᎠᏥᎸ -ᎨᎳᏍᏗᏱ ᏂᎬᎾᏛ ᏗᏣᏍᏚᏟᏓᏍᏗ ᎨᏎᏍᏗ.\nᎤᏃᏕᎾᏃ ᎯᎬᎠᎷᏯᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏧᎵᎩᏏ ᏗᏨᎩᎶᏍᏗ ᎨᏎᏍᏗ ᎠᎴ ᏗᎦᏅᏍᎨᏂ, ᏗᎬᎭᎸᏛᏃ ᎠᎴ ᎤᏍᎪᎵ ᏓᎲ ᎾᎿ ᏗᏣᏗ ᎨᏎᏍᏗ ᎾᏍᎩ.\nᎤᏃᏕᎾᏃ ᏂᎬ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎯᏯᎪᎲᏍᏙᏗ ᎨᏎᏍᏗ; ᎠᎪᎲᏍᏔᏅᎯ ᎠᎵᏍᎪᎸᏓᏁᎸᎯ ᏱᎰᏩ ᎯᎠ; ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ ᎯᎠ, ᎠᏥᎸ ᎬᏗ ᎠᎵᏍᎪᎸᏓᏁᎸᎯ ᏱᎰᏩ.\nᎠᎴ ᏐᎢ ᎤᏃᏕᎾ ᎯᏯᏘᏅᏍᏗ ᎨᏎᏍᏗ; ᎡᏁᎳᏂᏃ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏧᎾᏏᏔᏗᏍᏗ ᎨᏎᏍᏗ ᎤᏃᏕᎾ ᎤᏍᎪᎵ.\nᎿᏉᏃ ᎯᎢᏍᏗ ᎨᏎᏍᏗ ᎤᏃᏕᎾ, ᎠᎴ ᎢᎦᏛ ᎤᎫᎬ ᏣᏁᎩᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏣᏅᎵᏰᏗ ᎨᏎᏍᏗ ᎡᎳᏂ ᎠᎦᏘᏏ ᎦᎴᏂ ᎠᏍᏛᎢ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᎠᎦᏘᏏ ᏗᏂᎴᏂ ᎠᏍᏛᎢ, ᎠᎴ ᎤᏛᏃᎯ ᏓᏂᏰᏌᏛ ᎠᎦᏘᏏ. ᏧᏃᏰᏂ, ᎠᎴ ᏧᏛᏃᎯ ᏓᏂᎾᏌᏛᎢ ᎠᎦᏘᏏ ᏧᎾᎳᏏᏕᏂ, ᎠᎴ ᎩᎬ ᏗᏣᏍᏚᏟᏓᏍᏗ ᎨᏎᏍᏗ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᏂᎬᎾᏛᎢ.\nᎩᎬᏃ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᎤᏓᏅᎵᏰᎥ ᎠᎴ ᎪᎢ ᎠᏠᏁᏗ ᏣᏁᎩᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎡᎳᏂ ᎯᏍᏚᏟᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏧᏄᏬᎩᎯ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎠᎴ ᎾᏍᎩ ᏧᎾᏄᏬᎩᎯ; ᎾᏍᎩᏃ ᎠᏥᎸᏉᏔᏅᎯ Ꮥ ᎨᏎᏍᏗ, ᎠᎴ ᏧᏄᏬ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏄᎾᏄᏬ ᏗᎦᎸᏉᏔᏅᎯ ᎨᏎᏍᏗ.\nᎠᎴ ᎾᏍᏉ ᎾᏍᎩ ᎤᏃᏕᎾ ᎤᎵᏦᎯᏛ ᎠᎴ ᏗᎦᏆᎵᎢ, ᎠᎴ ᎤᎵᏦᎯᏛ ᏧᎵᎩᏏᎯ ᎦᏯᎸᎢ, ᎠᎴ ᎤᏪᎶ ᎦᎸᎳᏗᏢ ᏓᏓᎯᏢ ᎡᎯ, ᎠᎴ ᎢᏧᎳ ᏧᏓᎵ, ᎠᎴ ᎤᎵᏦᎯᏛ ᎾᎿ ᎦᏯᎸᎢ, ᎠᎴ ᎠᎦᏘᏏ ᎦᎦᎳ; ᎦᎸᏉᏗᏳᏰᏃ ᎢᎬᏁᎯ ᎤᏃᏕᎾ.\nᎠᎴ ᏌᏉ ᎦᏌᏆᎸ ᎦᏚ, ᎠᎴ ᏌᏉ ᎦᏚ ᎪᎢ ᏗᏑᏱ, ᎠᎴ ᏌᏉ ᏌᎨ ᎦᏚ ᏔᎷᏣᎩᎯ ᏗᎦᎴᏛ ᎾᏍᎩ ᎾᎿ ᎾᎪᏔᏅᎾ ᎦᏚ ᎦᎸᎢ ᏱᎰᏩ ᎠᎦᏔᎲ ᎢᎬᏱᏗᏢ ᎠᏝᎲᎢ.\nᎾᏍᎩᏃ ᏂᎦᏛ ᏗᎩᏯᏒᎦᎶᏗ ᎨᏎᏍᏗ ᎡᎳᏂ ᎠᎴ ᏧᏪᏥ, ᎠᎴ ᏗᏣᏖᎸᏗ ᏗᏣᏨᏏᏰᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏨᏏᏰᏗ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏎᏍᏗ ᏱᎰᏩ ᎠᎦᏔᎲᎢ.\nᎠᎴ ᏗᎩᏯᏓᏂᎸᏤᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᏗᏣᎪᎲᏍᏙᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏥᎸ-ᎨᎳᏍᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ ᎨᏎᏍᏗ ᏱᎰᏩ ᏓᎧᏅᎢ, ᎾᏍᎩ ᎯᎠ ᎠᏥᎸ ᎬᏗ ᎠᎵᏍᎪᎸᏔᏅᎯ ᏱᎰᏩ ᎠᎦᏔᎲᎢ.\nᎤᏃᏕᎾᏃ .ᎡᎳᏂ ᎦᎸᎳᏗᏱ ᎢᏳᏩᏁᎯ ᎦᏁᏥᏱ ᎡᎯ ᏣᎩᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏣᏕᎸᏗ ᏣᏨᏏᏰᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏨᏏᏰᏗ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏎᏍᏗ ᏱᎰᏩ ᎠᎦᏔᎲᎢ; ᎠᎴ ᏂᎯ ᏣᏤᎵ ᎨᏎᏍᏗ.\nᎠᎴ ᎦᎸᏉᏗᏳ ᎢᏨᏁᏗ ᎨᏎᏍᏗ ᎦᏁᏥᏱ ᎾᏍᎩ ᎠᏨᏏᏰᏗ, ᎠᎴ ᎦᏚᎳ ᎾᏍᎩ ᎠᏌᎳᏙᏗ, ᎾᏍᎩ ᎠᏨᏏᏰᏗ ᏥᎩ, ᎠᎴ ᎠᏌᎳᏙᏗ ᏥᎩ, ᎾᏍᎩ ᎤᏃᏕᎾ ᎦᎸᏉᏗᏳ ᎢᎬᏁᎯ, ᎾᏍᎩ ᎡᎳᏂ ᎤᏤᎵᎦ, ᎠᎴ ᎾᏍᎩ ᏧᏯᏥ ᎤᎾᏤᎵᎦ.\nᎠᎴ ᎡᎳᏂ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᎤᎾᏤᎵ ᎨᏎᏍᏗ ᎾᏍᎩ ᎢᏏᎵ ᏧᏪᏥ ᎬᏩᏂᏁᏗ ᎨᏒᎢ; ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ ᏂᎪᎯᎸᎢ; ᎾᏍᎩᏰᏃ ᎠᏌᎳᏙᏗ ᎠᎵᏍᎪᎸᏙᏗ, ᎠᎴ ᎠᏌᎳᏙᏗ ᎠᎵᏍᎪᎸᏉᏗ ᎨᏎᏍᏗ, ᎢᏏᎵ ᏧᏪᏥ ᎤᎾᎵᏍᎪᎸᏙᏗ, ᎾᏍᎩ’ ᎠᏥᎸ-ᎨᎳᏍᏗ ᏙᎯᏱ ᎤᏂᏁᎯ ᎪᏣᎴᏛ, ᎠᏌᎳᏙᏗ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏒ ᎤᎾᎵᏍᎪᎸᏓᏁᏗ ᏱᎰᏩ.\nᏗᎦᎸᏉᏗᏃ ᏗᏄᏬ ᎡᎳᏂ ᏧᏤᎵᎦ, ᎾᏍᎩ ᏧᏪᏥ ᏧᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ ᎠᏲᎱᏒᎭ, ᎾᏍᎩ ᏚᎾᏄᏪᏍᏗ ᎨᏥᎶᏁᎥᎭ ᎠᎴ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎨᎦᏒᎦᎶᏔᏅᎭ.\nᎾᏍᎩᏃ ᎤᏪᏥ ᎤᏓᏁᏟᏴᏍᏓᏁᎸᎯ ᎠᏥᎸ ᎨᎶᎯ ᎨᏒᎢ, ᏧᏄᏬᏍᏗ ᎨᏎᏍᏗ ᏚᎵᏉᎩ ᎢᎦ, ᎾᎯᏳ ᎠᏴᎵᎸᎭ ᎦᎵᏦᏛ ᏗᏚᎳᏫᎢᏍᏗᏱ, ᏧᎸᏫᏍᏓᏁᏗᏱ ᎾᎿ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\nᎤᏃᏕᎾᏃ ᎦᎸᏉᏗᏳ ᎢᎬᏁᎯ, ᏣᏁᏍᏗ ᎨᏎᏍᏗ ᎠᎴ ᏧᏗ ᎨᏎᏍᏗ ᎾᎿ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\nᎡᎳᏂᏃ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᎤᏂᎩᏍᏗ ᎨᏎᏍᏗ ᎤᏃᏕᎾ ᎤᏫᏯ, ᎠᎴ ᎦᏚ ᏔᎷᏣᎩᎯ ᎦᎸᎢ, ᎦᎶᎯᏍᏗᏳᎶᏗ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᎠᎴ ᎤᏂᎩᏍᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏧᏓᎴᏅᏛ ᎤᏃᎯᏍᏙᏔᏅᎯ ᎾᏍᎩ ᏧᎾᏒᎦᎶᏗᎭ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎠᎴ ᎦᎸᏉᏗᏳ ᏥᏄᏅᏁᎭ, ᏅᏩᏓᎴᏍᎩᏂ ᎥᏝ ᎤᎩᏍᏗ ᏱᎨᏎᏍᏗ, ᏚᎸᏉᏗᏳᏰᏃ.\nᎢᏳᏃ ᎢᎦᏛ ᎤᏫᏯ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎠᏓᏒᎦᎶᏗᏍᎩ ᎠᎴ ᎦᏚ ᏳᎵᏃᎯᏴ ᏑᎾᎴ ᎢᏴᏛ, ᎿᏉ ᎾᏍᎩ ᎤᎵᏃᎯᏴᎯ ᏣᎪᎲᏍᏙᏗ ᎨᏎᏍᏗ ᎠᏥᎸᏱ; ᎥᏝ ᎠᎩᏍᏗ ᏱᎨᏎᏍᏗ, ᎦᎸᏉᏗᏳᏰᏃ.\nᎠᎴ ᎾᏍᎩ ᎢᎩᏴᏁᏗ ᎨᏎᏍᏗ ᎡᎳᏂ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎾᏍᎩᏯ ᏂᎦᎥ ᏂᎬᏪᏎᎸ ᎬᏁᏤᎸᎢ; ᎦᎵᏉᎩ ᎢᎦ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏎᏍᏗ ᎯᎠ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎩᏯᏒᎦᎶᏗᏍᎬ.\nᎠᎴ ᏂᏚᎩᏨᏂᏒ ᏣᎵᏍᎪᎸᏙᏗ ᎨᏎᏍᏗ ᏩᎦ ᎠᏍᎦᏅᏨ ᎠᎵᏍᎪᎸᏙᏗ, ᎾᏍᎩ ᎪᎯᏍᏗᏍᎩ; ᎠᎴ ᏣᏅᎦᎸᏗ ᎨᏎᏍᏗ ᎠᏥᎸᎨᎳᏍᏗᏱ ᎨᎯᏍᏓᏁᎸᎢ, ᎠᎴ ᏣᎶᏁᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎢᎬᏁᎯ.\nᎦᎸᏉᎩ ᎢᎦ ᏦᎯᏍᏓᏁᏗ ᎨᏎᏍᏗ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎢᏨᏁᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏣᏘ ᎦᎸᏉᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ; ᏂᎦᎥᏃ ᎪᎱᏍᏗ ᎦᏃᏟᏍᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎠᏂᎸ- ᎨᎳᏍᏗᏱ ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ.\nᎯᎠᏃ ᎾᏍᎩ ᏣᎵᏍᎪᎸᏙᏗ ᎨᏒ ᎠᏥᎸᎨᎳᏍᏗᏱ; ᎠᏂᏔᎵ ᎤᏂᏃᏕᎾ ᎤᎾᏕᏘᏴᏛ ᏂᏚᎩᏨᏂᏒ ᏂᎪᎯᎸᎢ ᏗᏣᏢᏍᎪᎸᏙᏗ.\nᏌᏉ ᎤᏃᏕᎾ ᏑᎾᎴ ᏣᎵᏍᎪᎸᏙᏗ ᎨᏎᏍᏗ, ᏐᎢᏃ ᎤᏃᏕᎾ ᎤᏒ ᏣᎵᏍᎪᎸᏙᏗ ᎨᏎᏍᏗ;\nᏌᏉᏃ ᎤᏃᏕᎾ ᎤᎵᏠᏯᏍᏕᏍᏗ ᏩᎾᎨ ᎢᏒ ᎠᏍᎪᎯᏁ ᎢᎦᏛᎯ ᎠᏟᎶᎥᎯ, ᎠᏑᏰᏍᏗ ᎪᎢ ᎦᏅᏆᎶᎥᎯ, ᏅᎩ ᎢᎦᏛᎯ ᎯᎾ ᎠᏟᎶᏍᏗ ᏌᏉ ᎢᏯᏟᎶᎥᎯ; ᎠᎴ ᏅᎩ ᎢᎦᏛᎯ ᎯᎾ ᎠᏟᎶᏍᏗ ᎩᎦᎨ ᎠᏗᏔᏍᏗ, ᎾᏍᎩ ᎠᎵᏍᎪᎸᏙᏗ ᎠᏗᏔᏍᏗ.\nᏐᎢᏃ ᎤᏃᏕᎾ ᎤᏒ ᏣᎵᏍᎪᎸᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎾᏍᎩᏯ ᎢᏨᏁᏗ ᎨᏎᏍᏗ ᎢᏒ ᎠᎵᏍᎪᎸᏙᏗ ᏂᏨᏁᎸ ᏑᎾᎴᎢ, ᎠᎴ ᎾᏍᎩᏯ ᎠᏗᏔᏍᏗ ᎠᎵᏍᎪᎸᏙᏗ ᏂᏨᏁᎸᎢ, ᎾᏍᎩ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ. ᎠᏥᎸ ᎬᏗ ᎠᎵᏍᎪᎸᏓᏁᎸᎯ ᏱᎰᏩ.\nᎯᎠ ᎾᏍᎩ ᏄᏍᏕᏍᏗ ᎠᏥᎸ-ᎨᎳᏍᏗ ᏂᎪᎯᎸ ᏂᏨᎾᏛ. ᎢᏣᏓᏁᏟᏴᏏᏒᎢ, ᎦᎶᎯᏍᏗᏱ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏱᎰᏩ ᎠᎦᏔᎲ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏎᏍᏗ; ᎾᎿ ᏗᏨᏯᏠᎢᏍᏗ ᎨᏎᏍᏗ, ᎾᎿ ᎬᏯᎵᏃᎮᏙᏗᏱ.\nᎾᎿᏃ ᏗᎦᏥᏯᏠᎢᏍᏗ ᎨᏎᏍᏗ ᎢᏏᎵ ᏧᏪᏥ, ᎦᎸᏉᏗᏳᏃ ᎢᏳᏩᏁᏗ ᎨᏎᏍᏗ ᏓᎩᎸᏌᏛ ᎾᎿᏂ.\nᎠᎴ ᎦᎸᏉᏗᏳ ᎢᏯᏋᏁᏗ ᎨᏎᏍᏗ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ; ᎠᎴ ᎾᏍᏉ ᎦᎸᏉᏗᏳ ᏅᏓᎦᏥᏴᏁᎵ ᎡᎳᏂ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗᏱ ᎠᏥᎸ-ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᎴ ᎢᏏᎵ ᏧᏪᏥ ᎠᏁᎲ ᎠᏆᏕᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎦᏥᏯᏁᎳᏅᎯ ᎨᏎᏍᏗ.\nᎠᎴ ᎠᏂᎦᏔᎮᏍᏗ ᎾᏍᎩ ᎠᏴ ᏱᎰᏩ ᎦᏥᏯᏁᎳᏅᎯ ᎨᏒᎢ, ᎾᏍᎩ ᏅᏓᎦᏥᏄᎪᏫᏒᎯ ᎢᏥᏈᏱ, ᎾᏍᎩ ᎠᏁᎲ ᎠᏆᏕᏗᏱ; ᎠᏴ ᏱᎰᏩ ᎦᏥᏯᏁᎳᏅᎯ.\nᎠᎴ ᎠᏥᎸ-ᎨᎳᏍᏗᏱ ᏦᏢᏗ ᎨᏎᏍᏗ ᎾᎿ ᎦᏩᏒᎩ ᎬᏙᏗᏱ; ᎠᏓ-ᎬᎿᎨ ᏦᏢᏙᏗ ᎨᏎᏍᏗ.\nᎠᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏎᏍᏗ, ᎠᎴ ᎠᎩᏳᏍᏈᏛ ᎾᏯᏛᎡᏍᏗ: ᎢᎦᏱᏛᎭ ᎨᏎᏍᏗ; ᏔᎵᏃ ᎢᏍᎩᏳᏍᏡᏛ ᏂᎦᏖᏍᏗ; ᏚᎷᎬᏃ ᎤᏠᏱ ᏗᎪᏢᏙᏗ ᎨᏎᏍᏗ.\nᎠᏕᎸᏃ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᏧᏢᏙᏗ ᎨᏎᏍᏗ ᎦᏚ ᎢᏗᏢ, ᎠᎴ ᏗᏍᏆᎨᏂ ᎢᏗᏢ ᎤᏚᏫᏛ, ᎠᎴ ᎾᏍᎩ ᏚᎷᎬᎢ; ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏂᎬᏁᏕᏍᏗ ᎤᏚᏫᏛ ᎦᎸᎳᏗᏢ.\nᎠᎴ ᏔᎵ ᏧᏓᏆᏙᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᏗᏣᏙᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᏚᏫᏛ ᏂᎬᏁᏛ ᎡᎳᏗᏢ, ᎾᎿ ᏔᎵ ᏓᏍᏛᎢ ᎢᏧᎳ ᎢᏗᏢ ᏗᏍᏆᎨᏂ ᎢᏗᏨᏁᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎾᎿ ᏚᏅᏍᏙᏗ ᏗᏝᏗᏍᏗᏱ ᎨᏎᏍᏗ ᎾᏍᎩ ᎦᏃᏍᏙᏗ.\nᎠᎴ ᎠᏓ-ᎬᎿᎨ ᏗᏦᏢᏙᏗ ᎨᏎᏍᏗ ᎦᏅᏍᏙᏗ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏧᏢᏙᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᎠᏄᏬ ᎠᏰᏙᎳᏛ ᎢᎬᏱᏗᏢ ᏣᎪᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎦᏁᏌᎢ ᏗᎧᎿᏩᏛᏍᏗ ᏕᎦᎸᎢ ᏥᏴ ᎾᎥᎢ, ᎾᏍᎩ ᎢᎬᏱᏗᏢ ᎫᏢᏗ ᏥᏴ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ; ᎾᎿ ᏗᎬᏯᏠᎢᏍᏗ ᏥᎩ.\nᎡᎳᏂᏃ ᎾᎿ ᎤᏩᏙᏗ ᎨᏎᏍᏗ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ; ᎢᏳᏍᏗᎭ ᏑᎾᎴᎢ, ᎾᎯᏳ ᏗᏨᏍᏙᏗ ᏓᏛᏅᎢᏍᏗᏍᎨᏍᏗ ᎾᎯᏳ ᎦᏩᏒᎩ ᎬᏛᏍᎨᏍᏗ.\nᎡᎳᏂᏃ ᏓᏨᏍᏛᏍᎨᏍᏗ ᏗᏨᏍᏙᏗ ᎤᏒᎢ ᎾᎿ ᎬᏛᏍᎨᏍᏗ ᎦᏩᏒᎩ; ᏂᎪᎯᎸ ᏂᏨᎾᏛ ᎢᏣᏓᏁᏟᏴᏎᎬ ᎬᏙᏗ ᎨᏎᏍᏗ ᎦᏩᏒᎩ ᏱᎰᏩ ᎠᎦᏔᎲᎢ.\nᎥᏝ ᎤᏓᎴᎯ ᎦᏩᏒᎩ ᎾᎿ ᎢᏨᏙᏗ ᏱᎨᏎᏍᏗ, ᎥᏝ ᎠᎴ ᎾᎿ ᎠᏥᎸ ᎢᏤᎳᏍᏙᏗ ᏱᎨᏎᏍᏗ, ᎥᏝ ᎠᎴ ᎢᏒ ᎠᎵᏍᎪᎸᏙᏗ ᎾᎿ ᎢᏣᎵᏍᎪᎸᏙᏗ ᏱᎨᏎᏍᏗ; ᎥᏝ ᎠᎴ ᎠᏗᏔᏍᏗ ᎠᎵᏍᎪᎸᏙᏗ ᎾᎿ ᎢᏥᏍᏚᏟᏍᏗ ᏱᎨᏎᏍᏗ.\nᎡᎳᏂᏃ ᏌᏉ ᏂᎪᎯᏍᏗᏍᎨᏍᏗ ᎾᎿ ᏕᎤᎷᎬᎢ ᏂᏓᏕᏘᏴᎯᏒᎢ, ᎬᏗᏍᎨᏍᏗ ᎠᏍᎦᏅᏨ ᎠᎵᏍᎪᎸᏙᏗ ᎾᏍᎩ ᎪᎯᏍᏗᏍᎩ; ᎾᎿ ᏌᏉ ᏂᎪᎯᏍᏗᏍᎨᏍᏗ ᏂᏓᏕᏘᏴᎯᏒᎢ ᏂᏨᎾᏛ ᎢᏣᏓᏁᏟᏴᏏᏒᎢ; ᎤᏣᏔᏅᎯ ᎦᎸᏉᏔᏁᎸᎯ ᏱᎰᏩ ᎾᏍᎩ.\nᏱᎰᏩᏃ ᎤᏁᏤᎸᎩ ᎼᏏ ᎯᎠ ᏄᏪᏎᎸᎩ;\nᎾᎯᏳ ᎩᏯᏎᎸ ᎢᏏᎵ ᏧᏪᏥ; ᎾᏍᎩ ᎾᏂᎥᎢ, ᎿᏉ ᎾᏂᎥ ᎠᏂᏏᏴᏫᎭ ᎤᏂᏁᏗ : ᎨᏎᏍᏗ ᏱᎰᏩ ᏧᎾᏓᏅᏙ ᎠᎫᏴᏙᏗ ᎨᏒᎢ, ᎾᎯᏳ ᎨᎦᏎᎸᎭ; ᎾᏍᎩ ᎤᏕᏍᏙᏗ ᎤᎾᏕᏁᏗᏱ ᏂᎨᏒᎾ ᎾᎯᏳ ᎨᎦᏎᎸᎭ.\nᎯᎠ ᎾᏍᎩ ᎤᏂᏗ ᎨᏎᏍᏗ ᎾᏂᎥ ᎤᏂᎶᏒᎯ ᎨᎦᏎᎸᎯ ᏄᎾᏛᏅᎢ, ᎠᏰᎵ ᏎᎩᎵ ᎤᎾᎫᏴᏗ ᎨᏎᏍᏗ, ᏓᏁᎶᏕᏍᏗ ᏎᎩᎵ ᎦᎸᏉᏗᏳ ᏗᎦᎳᏫᎢᏍᏗ ᎤᏂᏗ ᎨᏒᎢ; ᎾᏍᎩ ᏎᎩᎵ ᏔᎳᏍᎪᎯ ᎩᎳ ᏂᎦᎦ; ᎠᏰᎵ ᏎᎩᎵ ᏱᎰᏩ ᎠᎵᏍᎪᎸᏓᏁᏗ ᎨᏎᏍᏗ.\nᎾᏂᎥ ᎤᏂᎶᏒᎯ ᎨᎦᏎᎸᎯ ᏄᎾᏛᏅᎢ, ᏔᎳᏍᎪᎯ ᏅᏛᎴᏅᏛ ᎤᎶᏒᏍᏗ ᎢᏳᎾᏕᏘᏴᏛ, ᎤᏂᏗ ᎨᏎᏍᏗ ᎠᎵᏍᎪᎸᏓᏁᏗ ᏱᎰᏩ.\nᏧᏁᎿᎢ ᎥᏝ ᎤᏟ ᎢᎦᎢ ᎤᏂᏗ ᏱᎨᏎᏍᏗ, ᎤᏲᏃ ᎢᏳᎾᏛᎿᏕᎩ ᎥᏝ ᎡᏍᎦ ᎢᏴᏛ ᎤᏂᏗ ᏱᎨᏎᏍᏗ, ᎾᏍᎩ ᎠᏰᎵ ᏎᎩᎵ ᎠᏗ ᎨᏒᎢ, ᎾᎯᏳ ᎠᏂᎲᏍᎨᏍᏗ ᏱᎰᏩ ᎠᎵᏍᎪᎸᏓᏁᏗ, ᎾᏍᎩ ᏗᏣᏓᏅᏙ ᎠᎫᏴᏙᏗ ᎨᏒᎢ.\nᎾᏍᎩ ᎠᏕᎸ ᎠᎫᏴᏙᏗ ᎨᏒ ᎢᏏᎵ ᏧᏪᏥ ᏗᎩᏱᏯᏓᏂᎸᏤᏗ ᎨᏎᏍᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ; ᎾᏍᎩᏃ ᎨᎦᏅᏓᏗᏍᏙᏗ ᎨᏎᏍᏗ ᎢᏏᎵ ᏧᏪᏥ ᏱᎰᏩ ᎠᎦᏔᎲᎢ, ᎾᏍᎩ ᏗᏣᏓᏅᏙ ᎠᎫᏴᏙᏗ ᎨᏒᎢ.\nᏱᎰᏩᏃ ᎤᏁᏤᎸᎩ ᎼᏏ ᎯᎠ ᏄᏪᏎᎸᎩ,\nᎠᎴ ᎾᏍᏉ ᎰᏢᏅᎭ ᏗᎪᏑᎴᏗᏱ ᎥᏣᏱ ᎰᏢᏔᏅᎭ, ᎠᎴ ᎠᏠᏗᏱ ᎥᏣᏱ ᎨᏢᏔᏅᎭ, ᏗᎪᏑᎴᏗᏱ ᎨᏎᏍᏗ; ᎠᎴ ᎯᎧᏅᎭ ᎠᏰᎵ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏃ ᎠᏥᎸ ᎨᎳᏍᏗᏱ, ᎠᎴ ᎾᎿ ᎠᎹ ᎯᏢᎭ.\nᎡᎳᏂᏰᏃ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᎾᎿ ᏧᏃᏑᎴᏗ ᎨᏎᏍᏗ ᏧᏃᏰᏂ ᎠᎴ ᏧᎾᎳᏏᏕᏂ.\nᎾᎯᏳ ᏩᏂᏴᎸᎭ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᎹ ᏧᏃᎠᏑᏙᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏧᏂᏲᎱᎯᏍᏗᏱ ᏂᎨᏒᎾ; ᎠᎴ ᎾᎯᏳ ᎾᎥ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎠᏂᎷᏨᎭ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ, ᎤᏅᏙᏗᏱ ᎠᏥᎸ ᎬᏗ ᏱᎰᏩ ᎠᎵᏍᎪᎸᏓᏁᏗ ᎨᏒᎢ.\nᎾᏍᎩᏃ ᏧᏃᏑᎴᏗ ᎨᏎᏍᏗ, ᏧᏃᏰᏂ ᎠᎴ ᏧᎾᎳᏏᏕᏂ, ᎾᏍᎩ ᏧᏂᏲᎱᎯᏍᏗᏱ ᏂᎨᏒᎾ, ᎠᎴ ᎾᏍᎩ ᏧᏂᎧᎿᏩᏛᏍᏗ ᎨᏎᏍᏗ ᏂᎪᎯᎸᎢ, ᎤᏩᏒ ᎠᎴ ᎾᏍᎩ ᎤᏁᏢᎳᏅᏛ ᎨᏒ ᏂᎪᎯᎸ ᎠᎾᏓᏁᏟᏴᏎᎬᎢ.\nᎠᎴᏬ ᏱᎰᏩ ᎤᏁᏤᎸᎩ ᎼᏏ, ᎯᎠ ᏄᏪᏎᎸᎩ;\nᏂᎯᏃ ᏘᎩ ᏄᎬᏫᏳᏒ ᎦᏩᏒᎩ, ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎻᎳ ᎯᏍᎩᏧᏈ ᏎᎩᎵ, ᎤᎦᎾᏍᏛᏃ ᏏᏂᎹᏂ ᎠᏰᎵ ᎢᏴᏛ ᎾᏍᎩ ᎢᎦᎢ, ᎾᏍᎩ ᏯᏛᏅ, ᏔᎵᏧᏈ ᎯᏍᎦᏍᎪᎯ ᏎᎩᎵ, ᎤᎦᎾᏍᏛᏃ ᎦᎳᎹᏏ ᏔᎵᏧᏈ ᎯᏍᎦᏍᎪᎯ ᏎᎩᎵ.\nᎦᏏᏯᏃ ᎯᏍᎩᏧᏈ ᏎᎩᎵ, ᏓᏁᎶᏕᏍᏗ ᏎᎩᎵ ᎦᎸᏉᏗᏳ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏅᏙᏗ ᎨᏒᎢ, ᎣᎵᏩᏃ ᎪᎢ ᏌᏉ ᎯᎾ.\nᎾᏍᎩᏃ ᎰᏢᏔᏅᎭ ᎪᎢ ᎦᎸᏉᏗ ᎠᏠᏁᏗ, ᎾᏍᎩᏯ ᎤᏬᏘ ᎪᏢᏍᎩ ᏓᏜᏍᏗᏍᎬ ᏗᏜᏍᏔᏅᎯ ᎨᏎᏍᏗ ᎯᎠ ᎠᏠᏁᏗ;: ᎦᎸᏉᏗ ᎠᏠᏁᏗ ᎪᎱ ᎨᏎᏍᏗ.\nᎯᎠᏃ ᎾᏍᎩ ᏕᎯᎶᏁᏔᏅᎭ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎦᏁᏌᎢ ᏗᎧᎿᏩᏛᏍᏗ ᏕᎦᎸᎢ,\nᎠᎴ ᎦᏍᎩᎶ ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ, ᎠᎴ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ, ᎠᎴ ᎾᎿ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ, ᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎦᏩᏒᎩ ᎬᏙᏗᏱ,\nᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ, ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ, ᎠᎴ ᏗᎪᏑᎴᏗᏱ ᎠᎴ ᎾᏍᎩ ᎠᏠᏗᏱ.\nᎠᎴ ᏗᏣᎸᏉᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏣᏔᏅᎯ. ᏗᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ; ᏂᎦᎥ ᎪᎱᏍᏗ ᎦᏃᏟᏍᏗᏍᎨᏍᏗ ᎦᎸᏉᏗᏳ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ.\nᎡᎳᏂᏃ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᎩᎶᏁᎥᎭ, ᎠᎴ ᎦᎸᏉᏗᏳ ᏂᎩᏴᏁᎸᎭ ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏆᏛᏁᏗᏱ ᎠᏥᎸ-ᎨᎶᎯ ᏧᎸᏫᏍᏓᏗ ᎨᏒᎢ.\nᎠᎴ ᎢᏏᎵ ᏧᏪᏥ ᎩᏁᏤᎸᎭ, ᎯᎠ ᏂᎩᏪᏎᎸᎭ, ᎯᎠ ᎾᏍᎩ ᏍᎩ ᏍᏆᏂᎪᏓᏁᏗ ᎨᏎᏍᏗ ᎦᎸᏉᏗ ᎠᏠᏁᏗ ᎪᎱ ᏂᎪᎯᎸ ᎢᏣᏓᏁᏟᏴᏎᎬᎢ.\nᏴᏫ ᎤᏇᏓᎸᎢ ᎥᏝ ᎠᏍᏚᏟᏍᏗ ᏱᎨᏎᏍᏗ; ᎥᏝ ᎠᎴ ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏦᏢᏗ ᏱᎨᏎᏍᏗ, ᎾᏍᎩᏯ ᏗᏜᏍᏔᏅᎯ; ᎦᎸᏉᏗᏳ ᎾᏍᎩ, ᎠᎴ ᎦᎸᏉᏗᏳ ᎢᏥᏰᎸᏎᏍᏗ.\nᎩᎶ ᎾᏍᎩ ᏂᎬᏁᎮᏍᏗ ᏓᏜᏍᏗᏍᎨᏍᏗ, ᎠᎴ ᎩᎶ ᏅᏩᏓᎴ ᎢᎠᏍᏚᏟᏍᎨᏍᏗ, ᎾᏍᎩ ᎠᏥᏛᏙᏗ ᎨᏎᏍᏗ ᎤᏤᎵᎪᎯ ᏴᏫᎯ ᎤᏓᏑᏴᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎯᏟᏌ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ, ᏍᏕᎩᏗ, ᎠᎴ ᎣᏂᎦ, ᎠᎴ ᎦᎵᏆᎾ,Ꮻ ᎯᎠ ᎾᏍᎩ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ, ᎤᎵᏠᏯᏍᏕᏍᏗ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎤᎦᎾᏍᏛ ᎬᏙᏗ ᎠᏜ; ᎤᏠᏱᏉ ᎨᏎᏍᏗ ᏂᏕᎦᎥᎢ.\nᎠᎴ ᎦᏩᏒᎩ ᎬᏙᏗ ᏦᏢᏙᏗ ᎨᏎᏍᏗ, ᏗᏜᏍᏔᏅᎯ ᎨᏎᏍᏗ ᎾᏍᎩᏯ ᏅᏬᏘ ᎪᏢᏍᎩ ᏥᏓᏜᏍᏗᏍᎪᎢ, ᎠᎹ ᎦᎳᏅᎯ ᎨᏎᏍᏗ, ᎦᏓᎭ ᏂᎨᏒᎾ ᎠᎴ ᎦᎸᏉᏗᏳ.\nᎢᎦᏛᏃ ᏣᏅᏆᎶᏍᏗ ᎨᏎᏍᏗ ᎤᏃᎱᏲᎵ ᎢᏨᏁᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎢᎦᏛ ᏣᏗ ᎨᏎᏍᏗ ᎢᎬᏱᏗᏢ ᏗᎧᎿᏩᏛᏍᏗ ᏕᎦᎸᎢ, ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎾᎿ ᏗᎬᏯᏠᎢᏍᏗ ᎨᏒᎢ; ᎤᏣᏔᏅᎯ ᎦᎸᏉᏗᏳ ᎢᏥᏰᎸᏎᏍᏗ ᎾᏍᎩ.\nᎾᏍᎩᏃ ᎦᏩᏒᎩ ᎬᏙᏗ ᏦᏢᏗ ᏥᎩ, ᎥᏝ ᎢᏨᏒ ᎢᏣᏓᏙᏢᎾᏁᏗ ᏱᎨᏎᏍᏗ ᎾᏍᎩᏯ ᏂᎬᏅ ᏓᏜᏍᏛᎢ; ᎦᎸᏉᏗᏳ ᎢᏥᏰᎸᏎᏍᏗ ᏱᎰᏩ ᎤᏤᎵᎦ.\nᎩᎶ ᎾᏍᎩ ᎢᏳᏍᏗ ᎢᎪᏢᏍᎨᏍᏗ, ᎠᎵᏒᎢᏍᏙᏗ, ᎾᏍᎩ ᎠᏥᏛᏙᏗ ᎨᏎᏍᏗ ᎤᏤᎵᎪᎯ ᏴᏫᎯ ᎤᏮᏑᎬᎢ.\nᏱᎰᏩᏃ ᎼᏏ ᎤᏁᏤᎸᎩ ᎯᎠ ᏄᏪᏒᎩ,\nᎬᏂᏳᏉ ᏚᏙᎥ ᏥᏯᏅᎲ ᏇᏣᎵᎵ ᏳᎳ ᎤᏪᏥ, ᎾᏍᎩ ᎭᎵ ᎤᏪᏥ, ᏧᏓᏏ ᎠᏂᎳᏍᏓᎸ ᏅᏓᏳᏓᎴᏅᎯ.\nᎠᎴ ᎠᎧᎵᎢ ᏥᏁᎸ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ, ᎾᏍᎩ ᎠᏏᎾᏌᏂ ᎨᏒ, ᎠᎴ ᎪᎵᏍᏗ ᎨᏒ, ᎠᎴ ᎠᎦᏔᎾᎢ ᎨᏒᎢ, ᎠᎴ ᏄᏓᎴᏒ ᎪᏢᏅᏗ ᎨᏒᎢ.\nᎠᏯᏍᏗ ᎤᏍᏆᏂᎪᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏅᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏕᎸ ᎤᏁᎬ, ᎠᎴ ᎥᏣᏱ.\nᎠᎴ ᏅᏯ ᏗᏲᎳᏅᎯ ᏗᎦᎪᏗ, ᎠᎴ ᎠᏓ ᎪᏢᏅᎥᏍᎩ ᏄᏓᎴᏒ ᎪᏢᏅᏗ ᎨᏒᎢ.\nᎠᎴ ᎠᏴ, ᎬᏂᏳᏉ ᏕᏥᏲᏒ ᎾᏍᏉ ᎡᎰᎵᎠᏈ, ᎠᎯᏌᎹᎩ ᎤᏪᏥ, ᏕᏂ ᎠᏂᎳᏍᏓᎸ ᏧᏴᏫ; ᎠᎴ ᎾᏂᎥ ᎠᏂᏏᎾᏌᏂ ᏙᏧᎾᏓᏅᏛᎢ, ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎦᏥᎳᏁᎸ, ᎾᏍᎩ ᎤᏃᏢᏗᏱ ᏄᏓᎴᏒ ᎬᏁᏤᎸᎯ ᏥᎩ;\nᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᎴ ᎦᏁᏌᎢ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎦᎶᏗᏱ, ᎠᎴ ᎫᏢᏗ ᎾᏍᎩ ᎾᎿᏂ, ᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ ᏚᎵᏦᏛᎢ,\nᎠᎴ ᎦᏍᎩᎶ ᎠᎴ ᎾᎿ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ, ᎠᎴ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ, ᎠᎴ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ, ᎠᎴ ᏚᏍᎩᎶ ᎦᏩᏒᎩ ᎬᏙᏗᏱ.\nᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ, ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ, ᏗᎪᏑᎴᏗᏱᏃ ᎠᎴ ᎾᏍᎩ ᎠᏠᏗᏱ.\nᎠᎴ ᏗᏄᏬ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏗᏄᏬᏍᏗ; ᎠᎴ ᏗᎦᎸᏉᏗ ᏗᏄᏬ ᎡᎳᏂ ᎠᏥᎸ ᎨᎶᎯ ᏧᏄᏬᏍᏗ, ᎠᎴ ᏧᎾᏄᏬ ᎾᏍᎩ ᏧᏪᏥ, ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎠᏥᎸ-ᎨᎶᎯ ᏧᏂᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᎴ ᎠᏠᏁᏗ ᎪᎢ, ᎠᎴ ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ, ᎾᎿ ᎦᎸᏉᏗ ᎨᏒ ᎬᏙᏗ, ᎾᏍᎩᏯ ᏄᏓᎴᏒ ᎬᏁᏤᎸ, ᎾᏍᎩ ᎢᏳᎾᏛᏁᏗ ᎨᏎᏍᏗ.\nᏱᎰᏩᏃ ᎤᏁᏤᎸᎩ ᎼᏏ ᎯᎠ ᏄᏪᏒᎩ,\nᎩᏁᏥ ᎾᏍᏉ ᎢᏏᎵ ᏧᏪᏥ, ᎯᎠ ᏂᎩᏪᏏ, ᎠᏎ ᎤᎾᏙᏓᏆᏍᎬ ᏗᏆᏤᎵ ᏗᏥᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ; ᎾᏍᎩᏰᏃ ᏗᎦᏁᎶᏙᏗ ᎠᏴ ᏂᎯᏃ ᏂᎪᎯᎸ ᎢᏣᏓᏁᏟᏴᏎᎬᎢ; ᎾᏍᎩ ᎢᏥᎦᏙᎥᎯᏍᏗᏱ ᎠᏴ ᏱᎰᏩ ᎦᎸᏉᏗᏳ ᎢᏨᏴᏁᎯ ᎨᏒᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᏍᏆᏂᎪᏕᏍᏗ ᎤᎾᏙᏓᏆᏍᎬᎢ; ᎦᎸᏉᏗᏳ ᎢᏥᏰᎸᏎᏍᏗ; ᎾᏂᎥ ᎩᎶ ᎠᏲᏍᏗᏍᎨᏍᏗ ᎠᏎ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ; ᎩᎶᏰᏃ ᎪᎱᏍᏗ ᎠᏛᏁᎮᏍᏗ ᎾᎯᏳ ᎨᏒᎢ. ᎾᏍᎩ ᏴᏫ ᎠᏥᏛᏙᏗ ᎨᏎᏍᏗ ᎤᏓᏑᏴ ᎤᏤᎵᎪᎯ ᏴᏫ.\nᏑᏓᎵ ᎢᎦ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏎᏍᏗ; ᎦᎵᏉᎩᏁᏍᎩᏂ ᎤᎾᏙᏓᏆᏍᎬ ᎠᏣᏪᏐᎸᏍᏙᏗᏱ ᎨᏒᎢ, ᏱᎰᏩ ᎦᎸᏉᏓᏁᎸᎯ; ᎩᎶ ᎪᎱᏍᏗ ᎠᏛᏁᎮᏍᏗ ᎤᎾ ᏙᏓᏆᏍᎬ ᎢᎦ ᎨᏒᎢ, ᎠᏎ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏏᎵ ᏧᏪᏥ ᎤᏂᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᎤᎾ ᏙᏓᏆᏍᎬᎢ, ᎤᎾᎦᏌᏯᏍᏙᏗᏱ ᎤᎾ ᏙᏓᏆᏍᎬ ᏂᎪᎯᎸ ᎠᎾᏓᏁᏟᏴᏎᎬᎢ, ᏭᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ.\nᎯᎠ ᎾᏍᎩ ᏗᎦᏁᎶᏙᏗ ᎠᏴ ᎢᏏᎵᏃ ᏧᏪᏥ ᏂᎪᎯᎸᎢ; ᏑᏓᎵᏉᏰᏃ ᎢᎦ ᏚᎸᏫᏍᏓᏁᎸᎩ ᏱᎰᏩ ᎤᏬᏢᏅᎩ ᎦᎸᎶ ᎠᎴ ᎡᎶᎯ, ᎦᎵᏉᎩᏁᏃ ᎢᎦ ᎤᏯᏪᏐᎸᎩ, ᎠᎴ ᎤᎦᎵᏍᏙᏒᎡᎩ.\nᎼᏏᏃ ᏚᏲᎯᏎᎸᎩ ᎿᏉ ᎤᏍᏆᏛ ᎤᎵᏃᎮᏗᏍᎬ ᎣᏓᎸ ᏌᎾᏱ, ᏔᎵ ᏗᏯᏖᎾ, ᏗᎧᎿᏩᏛᏍᏗ ᎪᏪᎸᎢ, ᏗᏯᏖᎾ ᏅᏯ ᏗᎪᏢᏔᏅᎯ, ᏗᎪᏪᎵ ᎤᏁᎳᏅᎯ ᎦᏰᏌᏛ ᎬᏔᏅᎯ ᎪᏪᎳᏅᎯ.\nᎤᎾᏙᎴᎰᏒᏃ ᏴᏫ ᎼᏏ ᎤᏙᎯᏛᎢ ᎣᏓᎸᎤᏠᎠᎯᏍᏗᏱ, ᎡᎳᏂ ᏫᎬᏩᏓᏡᏫᏍᏔᏁ ᏴᏫ, ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, Ꭷ, ᎤᎾᏁᎳᏅᎯ ᏗᏍᎩ ᏲᏢᎾᏏ, ᎾᏍᎩ ᎢᎬᏱ ᎪᎨᏅᎡᎯ; ᎯᎠᏰᏃ ᎼᏏ ᎠᏍᎦᏯ ᎢᏥᏠᏱ ᏂᏙᏓᏲᎦᏘ ᎾᏫᎹᏍ, ᎥᏝ ᎡᏥᎦᏔᎭ ᏄᎵᏍᏓᏁᎸᎢ.\nᎡᎳᏂᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ ᏗᏟᏯᏙ ᏗᏣᏓᎩ, ᎾᏍᎩ ᏥᏚᎾᏟᏯᏛ ᏗᏣᏓᎵᎢ, ᎠᎴ ᎠᏂᏍᎦᏯ ᏗᏤᏥ ᎠᎴ ᎠᏂᎨᏴ ᏗᏤᏥ, ᎠᏴᏃ ᏕᏍᎩᏲᎮᎸᎭ.\nᏂᎦᏛᏃ ᏴᏫ ᏚᎾᏕᎭ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏟᏯᏙ ᎾᏍᎩ ᏚᎾᏟᏯᏛᎢ, ᎠᎴ ᎡᎳᏂ ᏚᏂᏲᎮᎴᎢ,\nᎠᎴ ᏚᏓᏂᎸᏤᎴᎢ, ᏅᏲᎯᏃ ᏗᎪᏪᎶᏗ ᎤᏩᏔᏁᎢ ᎣᏍᏛ ᏄᏩᏁᎴᎢ, ᏩᎦ ᎠᎩᎾ ᎬᎾᏬᏔᏅᎯ ᎤᏬᏢᏁᎢ: ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎯᎠ ᎾᏍᎩ ᏗᏣᏁᎳᏅᎯ, ᎢᏏᎵ, ᎾᏍᎩ ᎢᏥᏈᏱ ᏅᏓᎨᏣᏄᎪᏫᏒᎯ. Ꮂ\nᎡᎳᏂᏃ ᎤᎪᎲ ᎾᏍᎩ ᎢᎬᏱᏗᏢ ᎤᏬᏢᏁ ᎠᏥᎸ ᎨᎳᏍᏗᏱ; ᎠᎴ ᎡᎳᏂ ᎧᏃᎮᏛ ᏚᏰᎵᎯᏍᏔᏁᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᏑᎾᎴᎢ ᏱᎰᏩ ᎠᎵᏍᏓᏴᎾᏁᏗ ᎨᏎᏍᏗ.\nᏭᎩᏨᏅᏃ ᏑᎾᎴᏉ ᎠᎴ ᎠᏥᎸ ᎤᏁᎶᎴᎢ, ᎠᎴ ᏚᏂᏲᎴ ᎠᎵᏍᎪᎸᏙᏗ ᏙᎯ ᎠᏓᏁᎯ; ᏴᏫᏃ ᎤᎾᏅᏁ ᎤᎾᎵᏍᏓᏴᏗᏱ ᎠᎴ ᎤᎾᏗᏔᏍᏗᏱ, ᏚᎾᎴᏁᏉᏃ ᏚᎾᏁᎶᏣᎶᏁᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎮᎾ, ᎭᏠᎠᎯ; ᏗᏣᏤᎵᏰᏃ ᏴᏫ, ᎢᏥᏈᏱ ᏂᏙᏔᏘᎾᏫᏛᏛ ᎤᏲ ᏄᎾᏛᏁ..\nᏞᎩᏳ ᎤᎾᎪᎸᏒ ᎾᎿ ᎦᏅᏅ ᎾᏍᎩ ᎦᏥᏁᏤᎸᎯ ᎨᏒᎢ; ᏩᎦ ᎠᎩᎾ ᎬᎾᏬᏔᏅᎯ ᎤᏅᏒ ᎤᎾᏓᏙᏢᏁᎸ, ᎠᎴ ᎠᏥᎸ ᎤᏁᎴᎸ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒ, ᎯᎠ ᎾᏍᎩ ᏗᏣᏁᎳᏅᎯ, ᎢᏏᎵ, ᎾᏍᎩ ᎢᏥᏈᏱ ᏅᏓᏣᏄᎪᏫᏒᎯ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎴ ᎼᏏ, ᎦᏥᎪᎥ ᎯᎠ ᏴᏫ, ᎠᎴ ᎬᏂᏳᏉ, ᏧᏩᏗᏔᏯ ᏗᏂᎵᎨᏂ ᎯᎠ ᏴᏫ:\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏆᏁᎳᎩ, ᎾᏍᎩ ᎠᎩᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏗᎴᎩ ᏫᏂᎦᎵᏍᏓ ᎾᏍᎩ ᎤᎾᏡᏗᏍᎬᎢ, ᎠᎴ ᎾᏍᎩ ᏱᎦᏥᏛᏓ; ᏂᎯᏃ ᏣᏧᏡᏍᏗ ᏣᏓᏤᎵᏛ ᏴᏫ ᏅᏓᎬᏴᏁᎵ.\nᎼᏏᏃ ᎤᏔᏲᏎᎴ ᏱᎰᏩ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎠᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏱᎰᏩ, ᎦᏙᏃ ᏣᏔᎳᏬᎯᏍᏗ ᎨᏒ ᎤᏗᎴᎩᏳ ᎢᎩ ᏗᏣᏤᎵ ᏴᏫ ᏕᎭᏡᏗᏍᎬᎢ, ᎾᏍᎩ ᎢᏥᏈᏱ ᏂᏙᏔᏘᏅᏍᏔᏅᎯ, ᏨᏔᏅᎯ ᏣᎵᏂᎩᏛ ᎨᏒ, ᎠᎴ ᏨᏔᏅᎯ ᎤᎵᏂᎩᏛ ᏦᏰᏂ?\nᎦᏙᏃ ᎢᏥᏈᏱ ᎠᏁᎯ. ᏯᏂᏁᎦ ᎯᎠ ᏱᎾᏂᏪᎭ, ᎤᏲᏉ ᎤᎬᏩᎴ ᏥᏙᏧᏄᎪᏫᏎᎢ, ᏧᎯᏍᏗᏱᏉ ᎦᏚᏏ ᏕᎨᏒᎢ, ᎠᎴ ᏧᏛᏙᏗᏱ ᎡᎶᎯ ᎠᏁᎲᎢ? ᎭᎦᏔᎲᎾ ᎯᏲᎯᏍᏓ ᎯᎠ ᎾᏍᎩ ᎤᏗᎴᎬ ᏣᏔᎳᏬᏍᎬᎢ, ᎠᎴ ᎯᏁᏟᏴᎾ ᎤᏲ ᎢᎩᏴᏁᏗᏱ ᏕᏧᎪᏛ ᎯᎠ ᏴᏫ;\nᎩᏯᏅᏓᏓ ᎡᏆᎭᎻ, ᎡᏏᎩ, ᎠᎴ ᎢᏏᎵ, ᎩᏅᏏᏓᏍᏗ, ᎩᏯᏎᎵᏓᏁᎸᎯ ᏨᏒ ᎨᏒ ᎩᏁᎢᏍᏓᏁᎸᎯ ᎠᎴ ᎯᎠ ᎢᎩᏪᏎᎸᎯ, ᏓᎦᏥᏁᏉᎢ ᎢᏣᏁᏢᏔᏅᏛ ᎨᏒ, ᏃᏈᏏ ᎦᎸᎶ ᎠᏂᎧᎸ ᎾᏍᎩᏯᎢ; ᎠᎴ ᏂᎦᏛ ᎯᎠ ᎦᏙᎯ ᎠᎩᏁᎢᏍᏔᏅᎯ ᏥᎩ ᎦᏥᏁᏗ ᎨᏎᏍᏗ ᎢᏣᏁᏢᏔᏅᏛ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏤᎵ ᎨᏎᏍᏗ ᏂᎪᎯᎸᎢ.\nᏱᎰᏩᏃ ᎤᏁᏟᏴᏒᎩ ᎤᏓᏅᏛ ᎾᏍᎩ ᎤᏲ ᎢᏧᏩᏁᏗᏱ ᎤᏓᏅᏖᎸ ᏧᏤᎵ ᏴᏫ.\nᎼᏏᏃ ᎤᎦᏔᎲᏒᎩ, ᎠᎴ ᎤᏠᎠᏒᎩ ᎣᏓᎸᎢ ᎠᎴ ᏗᏯᏖᎾ ᏗᎧᎿᏩᏛᏍᏗ ᎪᏪᎸ ᏚᏒᎦᎸᎩ, ᏗᏯᏖᎾ ᎢᏧᎳᏗᏢ ᏕᎪᏪᎸᎩ; Ꭰ ᎢᏗᏢ ᎠᎴ ᏐᎢ ᎢᏗᏢ ᏕᎪᏪᎸᎩ.\nᏗᏯᏖᎾᏃ ᎤᏁᎳᏅᎯ ᏧᏬᏢᏅᎯ ᎨᏒᎩ, ᎪᏪᎸᏃ ᎤᏁᎳᏅᎯ ᎤᏬᏪᎳᏅᎯ ᎨᏒᎩ, ᎾᏍᎩ ᏗᏰᎶᎸᎯ ᎨᏒᎩ ᏗᏯᏖᎾ.\nᏦᏑᏫᏃ ᎤᏛᎦᏅᎩ ᎤᎾᏓᏃᏴᎵᏍᏛ ᏴᏫ, ᎾᏍᎩ ᎤᏁᎷᎬᎢ, ᎯᎠᏃ ᏄᏪᏎᎸᎩ ᎼᏏ, ᏓᎿᏩ ᎤᏍᏆᏃᏴᎦ Ꭰ ᏙᏗᏓᏅᎢ.\nᎯᎠᏃ ᏄᏪᏒᎩ, ᎥᏝ ᎤᎾᏓᏎᎪᎩᏛ ᎢᏳᏂᏪᏍᏗ ᎤᎾᏓᏃᏴᎵᏍᏛ ᏱᎩ, ᎥᏝ ᎠᎴ ᎨᏥᏎᎪᎩᏛ ᎢᏳᏂᏪᏍᏗ ᎤᎾᏓᏃᏴᎵᏍᏛ ᏱᎩ; ᏗᏂᏃᎩᏍᎩᏍᎩᏂ ᎤᎾᏓᏃᏴᎵᏍᏛ ᎦᏛᎩᎠ ᎠᏴ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎾᎥᏉ ᎤᎷᏨ ᎠᏂᏅᎢ, ᎤᎪᎲᎩ ᏩᎦ ᎠᎩᎾ, ᎠᎴ ᎠᎾᎵᏍᎩᏍᎬᎢ: ᎼᏏᏃ ᎤᏔᎳᏬᏍᎬ ᎤᏗᎴᎩ ᏄᎵᏍᏔᏅᎩ, ᎠᎴ ᏚᏗᏅᏒᎩ ᏗᏯᏖᎾ ᏓᏰᎲᎢ, ᎠᎴ ᏚᏲᏍᏔᏅ ᏩᎦᏐᎠᏍᎬᎢ.\nᎠᎩᎾᏃ ᎾᏍᎩ ᎤᏃᏢᏅᎯ ᎤᎩᏒᎩ, ᎠᎴ ᎠᏥᎸᏱ ᎤᎪᎲᏍᏔᏅᎩ, ᎠᎴ ᎤᏪᏓᏬᏔᏅᎩ ᎪᏍᏚ ᏄᏩᏁᎸᎩ, ᎠᎴ ᎤᎴᎳᏛᏅᎩ ᎠᎼᎯ, ᎠᎴ ᎠᏎ ᎤᎾᏗᏔᏍᏗ ᏂᏚᏩᏁᎸᎩ ᎢᏏᎵ ᏧᏪᏥ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎡᎳᏂ, ᎦᏙ ᎨᏨᏁᎴ ᎯᎠ ᏴᏫ, ᎾᏍᎩ ᎢᎦᎢ ᎡᏉᎯᏳ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒ ᏘᏲᎮᏗᏱ?\nᎡᎳᏂᏃ ᎯᎠ ᏄᏪᏒᎩ, ᏞᏍᏗ ᎤᏔᎳᏬᏍᎬ ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ ᎤᏗᎴᎩ ᎢᏳᎵᏍᏔᏅᎩ; ᏕᎯᎦᏔᎭ ᎯᎠ ᏴᏫ ᎤᏲᏉ ᏚᎸᎪᏛᎢ.\nᎯᎠᏰᏃ ᏂᎬᎩ ᏪᏎᎸᎩ, ᏗᏍᎩ ᏲᏢᎾᏏ ᏦᎦᏁᎳᏅᎯ ᎾᏍᎩ ᎢᎬᏱ ᎪᎨᏅᎡᎯ; ᎯᎠᏰᏃ ᎼᏏ, ᎠᏍᎦᏯ ᎾᏍᎩ ᎢᏥᏈᏱ ᏂᏉᏙᏓᏲᎦᏘ ᎾᏫᏛᏛ, ᎥᏝ ᏲᏥᎦᏔᎭ ᏄᎵᏍᏓᏁᎸᎢ.\nᎯᎠᏃ ᏂᎦᏥᏪᏎᎸᎩ, ᎩᎶ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᎾᏣᏅᏕᏍᏗ, ᎾᏍᎩ ᏫᏓᎾᏓᎩ: ᎰᏩᏃ ᎥᎬᎩᏁᎸᎩ, ᎠᏥᎸᏱᏃ ᏩᏆᏗᏅᏒᎩ, ᎠᎴ ᎯᎠ ᏩᎦ ᎠᎩᎾ ᏛᎤᎾᏄᎪᏨᎩ.\nᎼᏏᏃ ᏚᎪᎲ ᏧᏂᏲᏓᎬ ᎨᏒ ᏴᏫ, ᎡᎳᏂᏰᏃ ᎤᏂᏲᏓᎬ ᏂᏚᏩᎡᎸᎩ ᎤᎾᏕᎰᎯᏍᏗᏱ ᎠᏂᎦᏔᎲ ᎬᏩᎾᏡᏗᏍᎩ,\nᎿᏉ ᎼᏏ ᎦᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ ᎤᎴᏅᎩ, ᎠᎴ ᎯᎠ ᏄᏪᏒᎩ, ᎦᎪ ᏱᎰᏩ ᎢᏗᏢ ᎤᎵᎪᏗ? ᎾᏍᎩ ᏩᎩᎷᏥᏏ. ᏂᎦᏛᏃ ᎵᏫ ᏧᏪᏥ ᎾᏍᎩ ᎬᏩᏓᏡᏫᏍᏔᏅᎩ.\nᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ, ᎯᎠ ᏂᎦᏪᎭ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎢᏏᎵ ᎤᎾᏤᎵᎦ, ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᏫᏓᎾᎵᎧᏌᏓᏓ ᎠᎴ ᏫᏓᏂᏴᎵᏛ ᎦᎶᎯᏍᏗᏱ ᏕᎨᏌᏗᏒ ᏂᎬᎾᏛ ᏓᏂᎾᏩᏗᏒᎢ, ᎠᎴ ᏫᏓᏂᎷᎦ ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᎠᎾᎵᏅᏟ, ᎠᎴ ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᎤᏁᏓᏍᏗ ᏫᏓᏂᏍᏗ ᏫᏓᏂᎷᎦ, ᎠᎴ ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᎾᎥ ᎢᏳᎾᏓᎳ ᏫᏓᏂᎷᎦ.\nᎵᏫᏃ ᏧᏪᏥ ᏄᎾᏛᏁᎸᎩ ᎾᏍᎩᏯ ᎼᏏ ᏂᏚᏪᏎᎸᎢ; ᏚᏂᏲᎱᏒᎩᏃ ᏴᏫ ᎾᎯᏳ ᎢᎦ ᏦᎢ ᎢᏯᎦᏴᎵ ᎢᏴᏛ ᎢᏯᏂᏛ ᏴᏫ.\nᎯᎠᏰᏃ ᎢᏳᏪᏛ ᎨᏒᎩ ᎼᏏ, ᎦᎸᏉᏗᏳ ᏁᏣᏓᏛᏂᏏ ᏱᎰᏩ, ᏂᏥᎥ ᎢᏥᏍᎦᏯ ᏗᏨᏓ ᏗᏤᏥ, ᎠᎴ ᎢᏣᎵᏅᏟ; ᎾᏍᎩ ᎣᏍᏛ ᎢᏥᏁᏗᏱ ᎪᎯ ᎢᎦ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ ᏭᎩᏨᏅ, ᎾᏍᎩ ᎼᏏ ᎯᎠ ᏂᏚᏪᏎᎸᎩ ᏴᏫ, ᎢᏥᏍᎦᏅᎩ ᎡᏆ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒᎢ; ᎠᎴ ᎿᏉ ᏓᏥᎾᎷᏏ ᏱᎰᏩ ᏮᏓᏥᎷᏤᎵ; ᏴᎪᎢᏍᏓ ᏱᎩ ᎢᏥᏍᎦᏅᏨᎢ.\nᎼᏏᏃ ᏔᎵᏁ ᏱᎰᏩ ᏭᎷᏤᎸᎩ, ᎠᎴ ᎯᎠ ᏫᏄᏪᏒᎩ, ᎤᏲᏍᏛᏉ, ᎯᎠ ᏴᏫ ᎤᏂᏍᎦᏅᏨ ᎡᏆ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᎾᏓᏙᏢᎾᏁᎸ ᎤᏁᎳᏅᎯ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ;\nᎪᎯᏃ ᎤᏂᏍᎦᏅᏨᎢ ᎢᏳᏃ ᎦᎩᏯᏙᎵᏍᏗ ᏱᎩ,-ᎢᏳᏃ ᏱᏝᏉ, ᎯᏲᏍᏓᏉ ᏓᏆᏙᎥ ᎪᏪᎸ ᎪᏪᎵᎯ ᎾᏍᎩ ᏦᏪᎳᏅᎯ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎩᎶ ᎠᎩᏍᎦᏅᏤᎸᎯ ᎾᏍᎩ ᏓᏥᏲᏍᏔᏂ ᏚᏙᎥ ᎪᏪᎸ ᎠᏆᏤᎵ ᎪᏪᎵᎯ.\nᎿᏉᏃ ᎮᎾ, ᏔᏘᏄᎦ ᏴᏫ ᎾᎿ ᎬᏁᎢᏍᏓᏁᎸᎯ ᏥᎩ; ᎬᏂᏳᏉ, ᎠᏆᏤᎵ ᏗᎧᎿᏩᏗᏙᎯ ᎢᎬᏱ ᏓᏤᏅᎡᎵ; ᎠᏎᏃ ᎾᎯᏳ ᎢᎦ ᎦᏥᏩᏛᎯᎸᎭ, ᎦᏥᏍᏛᏗᏍᏙᏗ ᎨᏎᏍᏗ ᎤᏂᏍᎦᏅᏨᎢ.\nᏱᎰᏩᏃ ᏚᏕᏯᏙᏔᏅᎩ ᏴᏫ, ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏩᎦ ᎠᎩᎾ ᎤᏃᏢᏅᎢ, ᎾᏍᎩ ᎡᎳᏂ ᎤᏬᏢᏅᎯ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ; ᎤᏟ, ᎭᏓᏅᎾ ᎠᏂ, ᏂᎯ ᎠᎴ ᏴᏫ ᎾᏍᎩ ᎢᏥᏈ ᏂᏙᏔᏘᏅᏍᏔᏅᎯ, ᏫᏔᏘᏅᏍᏓ ᎾᎿ ᎦᏙᎯ ᎦᏥᏯᏎᎵᏓᏁᎸᎯ ᏥᎩ ᎡᏆᎭᎻ, ᎡᏏᎫ, ᎠᎴ ᏤᎦᏈ, ᎯᎠ ᎢᎩᏪᏛ ᏥᎩ, ᏣᏁᏢᏔᏅᏛ ᎨᏒ ᎦᏥᏁᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏓᏥᏅᏏ ᏗᎧᎿᏩᏗᏙᎯ ᎢᎬᏱ ᏓᏤᏅᎡᎵ; ᎠᎴ ᎦᏥᏄᎪᏫᏍᏗ ᎨᏎᏍᏗ ᎠᏂᎨᎾᏂ, ᎠᎴ ᎠᏂᎡᏱᎵ, ᎠᎴ ᎠᏂᎯᏗ, ᎠᎴ ᎠᏂᏯᎵᏥ, ᎠᎴ ᎠᏂᎯᏫ, ᎠᎴ ᎠᏂᏥᏊᏏ.\nᎾᎿ ᎦᏙᎯ ᎤᏅᏗ ᎠᎴ ᏩᏚᎵᏏ ᏕᎦᎶᎴᎬᎢ; ᎥᏝᏰᏃ ᏴᏓᎨᏏ ᎠᏰᎵ ᏱᏨᏯᏓᏑᏰᏍᏗ; ᏧᏩᏗᏔᏯᏰᏃ ᏗᏥᎵᎨᏂ ᏂᎯ; ᏴᏨᏛᏓᏰᏃ ᏫᏣᎢᏒᎢ.\nᏴᏫᏃ ᎤᎾᏛᎦᏅ ᎯᎠ ᎾᏍᎩ ᎤᏐᏅ ᎧᏃᎮᏛ, ᏚᎾᏠᏱᎸᎩ; ᎥᏝ ᎠᎴ ᎩᎶ ᎤᏤᎵ ᎠᏣᏅᎩ ᏳᏣᏅᏔᏁᎢ.\nᏱᎰᏩᏰᏃ ᎯᎠ ᎢᏳᏪᏎᎸᎯ ᎨᏒᎩ ᎼᏏ, ᎯᎠ ᏂᎩᏪᏏ ᎢᏏᎵ ᏧᏪᏥ, ᏧᏩᏗᏔᏯ ᏗᏥᎵᎨᏂ ᏴᏫ ᏂᎯ; ᎩᎳᏉ ᎢᏴᏛ ᎠᏰᎵ ᏂᏣᏛᏅ ᏮᏓᏥᎷᏥ, ᎠᎴ ᏓᏨᏛᏔᏂ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎿᏉ ᏣᏣᏅᎩ ᎢᏴᏛ ᏘᎲᎦ, ᎾᏍᎩ ᎠᏆᏙᎴᎰᎯᏍᏗᏱ ᎢᎬᏴᏁᏗᏱ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎢᏴᏛ ᏚᏂᏅᎩ ᏧᎾᏣᏅᎩ ᎰᎵᏈ ᎣᏓᎸ ᎾᎥᎢ.\nᎼᏏᏃ ᎦᎵᏦᏛ ᎤᎩᏒᎩ, ᎠᎴ ᏙᏱᏗᏢ ᎠᏂᏅ ᏭᎵᏦᏔᏅᎩ, ᎠᏂᏅ ᏰᎵ ᎢᏴᏛ, ᎯᎠᏃ ᏄᏪᏎᎸᎩ ᏚᏬᎥᎩ, ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ. ᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎩᎶ ᏱᎰᏩ ᎤᏲᎯ ᎦᎸᎪᎬᎩ ᏗᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏫᎦᎶᏍᎬᎩ, ᎾᏍᎩ ᏙᏱᏗᏢ ᎠᏂᏅ ᏗᎦᎵᏦᏛᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎼᏏ ᎦᏄᎪᎢ ᏗᎦᎵᏦᏛ ᏫᎦᎶᎯ, ᏂᎦᏛ ᏴᏫ ᏓᎾᎴᎲᏍᎬᎩ, ᎠᎴ ᎠᏂᏏᏴᏫᎭ ᏚᏂᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ ᎠᎾᎴᎲᏍᎬᎩ, ᎠᎴ ᎼᏏ ᎤᎾᎦᏙᏍᏛᎩ ᎬᏂ ᏩᏴᎲ ᏗᎦᎵᏦᏛᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎼᏏ ᎿᏉ ᏭᏴᎸ ᏗᎦᎵᏦᏛᎢ, ᎤᎶᎩᎸ ᎤᏓᏡᎬ ᎡᎳᏗ ᏄᏛᏁᎸᎩ, ᎦᎵᏦᏛᏃ ᎦᎶᎯᏍᏗᏱ ᎤᎴᏅᎩ, ᏱᎰᏩᏃ ᎤᎵᏃᎮᏔᏅᎩ ᎼᏏ.\nᏂᎦᏛᏃ ᏴᏫ ᎤᏂᎪᎲᎩ ᎤᎶᎩᎸ ᎤᏓᏡᎬ ᎦᏙᎬ ᎦᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ; ᏂᎦᏛᏃ ᏴᏫ ᏚᎾᎴᏅᎩ ᎠᎴ ᎤᎾᏓᏙᎵᏍᏔᏅᎩ ; ᎠᏂᏏᏴᏫᎭ. ᏚᏂᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ.\nᏱᎰᏩᏃ ᎤᎵᏃᎮᏔᏅᎩ ᎼᏏ ᏓᎾᏓᎧᏅᎢ, ᎾᏍᎩᏯ ᎠᏍᎦᏯ ᎤᎵᎢ ᏣᎵᏃᎮᏗᏍᎪᎢ. ᎤᏨᏒᎩᏃ ᏗᏂᏅ ᏔᎵᏁ ᏭᎶᏒᎩ; ᎤᏅᏏᏓᏍᏗᏍᎩᏂ ᏦᏑᏫ, ᏅᏂ ᎤᏪᏥ, ᎠᏫᏅ, ᎥᏝ ᏳᏄᎪᏤ ᎦᎵᏦᏛᎢ.\nᎼᏏᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᏱᎰᏩ, ᎬᏂᏳᏉ ᎯᎠ ᏂᏍᎩᏪᏎᎭ, ᏔᏘᏄᎦ ᎯᎠ ᏴᏫ; ᎥᏝᏃ ᏱᏍᎩᏃᏁᎸ ᎾᏍᎩ ᏘᏅᏏᏒ ᎣᏍᏕᎩ. ᎠᏎᏃ ᎯᎠ ᏂᏣᏪᏒ, ᏕᏣᏙᎥ ᎬᏲᎵᏍᏔᏅ, ᎠᎴ ᎾᏍᏉ ᎤᏪᏙᎵᏍᏗ ᏕᎬᏯᎦᎿᏅ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎿᏉ ᎬᏔᏲᏎᎭ, ᎢᏳᏃ ᎤᏪᏙᎵᏍᏗ ᏱᏗᏍᏆᎧᎿᏅ, ᎿᏉ ᏍᎩᎾᏄᎪᏫᏏ ᏣᏅᏅᎢ, ᎾᏍᎩ ᎬᏲᎵᏍᏗᏱ, ᎾᏍᎩ ᎤᏪᏙᎵᏍᏗ ᏗᏍᏆᎧᏃᏗᏱ; ᎠᎴ ᎭᏓᏅᏛᎵ ᎯᎠ ᎾᏍᎩ ᎤᎾᏓᏤᎵᏛ ᏗᏣᏤᎵ ᏴᏫ ᎨᏒᎢ.\nᎯᎠᏃ ᏄᏪᏒᎩ, ᎠᏴ ᏓᏁᏏ, ᎠᎴ ᏓᎬᏯᏪᏐᎸᏍᏔᏂ.\nᎯᎠᏃ ᏄᏪᏎᎸᎩ, ᎢᏳᏃ ᏂᎯ ᏂᎩᏁᏅᏒᎾ ᎢᎨᎡᏍᏗ, ᏞᏍᏗ ᏗᏍᎩᏯᏘᎾᏫᏛᎲᎩ ᎠᏂ.\nᎦᏙᏃ ᎠᏙᎴᎰᎯᏍᏙᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᎠᏴ ᎠᎴ ᏗᏣᏤᎵ ᏴᏫ ᎤᏪᏙᎵᏍᏗ ᏕᏍᎩᏯᎦᎿᏅᎢ? ᏝᏍᎪ ᏍᎩᏰᎳᏛᏍᏗ ᎨᏒ ᎾᎿ ᏱᎩ? ᎾᏍᎩᏃ ᎠᏴ ᎠᎴ ᏗᏣᏤᎵ ᏴᏫ ᎣᎦᏙᏣᎴᏛ ᎨᏎᏍᏗ ᏂᎦᏛ ᏴᏫ ᏂᎬᎾᏛ ᎡᎶᎯ ᎠᏁᎲᎢ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᎯᎠ ᎾᏍᏉ ᏥᏂᏫ ᏅᏓᎦᏛᏁᎵ; ᎤᏪᏙᎵᏍᏗᏰᏃ ᏕᎬᏯᎦᏓᏅ, ᎠᎴ ᏕᏣᏙᎥ ᎬᏲᎵᏍᏔᏅ.\nᎯᎠᏃ ᏄᏪᏒᎩ, ᏍᎩᎾᏄᎪᏫᏏ ᏕᏣᎸᏌᏛᎢ.\nᎯᎠᏃ ᏄᏪᏒᎩ, ᏂᎦᏛ ᎪᏏᏳ ᎨᏒ ᎢᎬᏱᏗᏢ ᏣᎶᎯᏎᏗᏱ ᏅᏓᎬᏁᎵ, ᎠᎴ ᏱᎰᏩ ᏚᏙᎥ ᎬᏂᎨᏒ ᏅᏓᎬᏁᎵ ᎯᎦᏔᎲᎢ; ᎠᎴ ᎤᏪᏙᎵᏍᏗ ᏗᏥᏯᎦᏅᏗ ᎨᏎᏍᏗ, ᎾᏍᎩ ᎤᏪᏙᎵᏍᏗ ᏗᏥᏯᎦᏅᎦ ᎨᎵᏒᎭ, ᎠᎴ ᏥᏯᏙᎵᏍᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏥᏯᏙᎵᎩ ᎨᎵᏒᎭ.\nᎯᎠᏃ ᏄᏪᏒᎩ, ᎥᏝᏰᎴᎵ ᏴᎦᎯᎪᏩᏛ ᎠᏆᎧᏛᎢ,Ꮻ ᎥᏝᏰᏃ ᎩᎶ ᏴᎬᎩᎪᏩᏛ ᎠᎴ ᎠᏏ ᏱᎦᎬᏅ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏒᎩ, ᎬᏂᏳᏉ ᎠᏓᏁᎳ ᎾᏆᏛᏅ ᎾᎥᎢ, ᎠᎴ ᏅᏲᎯ ᏔᎴᏂ;\nᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ, ᏓᎩᎸᏌᏛ ᎦᎶᏍᎬ ᎢᎪᎯᏛ, ᎤᏲᎯ ᎠᏔᎴᏒ ᏓᎬᎸᏂ, ᎠᎴ ᎠᏉᏰᏂ ᏓᎬᏳᏢᏔᏂ ᏥᎶᏍᎬ ᎢᎪᎯᏛ;\nᎠᏉᏰᏂᏃ ᎢᏴᏛ ᏅᏓᎬᏁᎵ, ᎠᎴ ᏥᏐᎯᏱ ᏘᎪᎯ; ᎠᏆᎧᏛᏍᎩᏂ ᎥᏝ ᎬᎪᏩᏛᏗ ᏱᎨᏎᏍᏗ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸᎩ ᎼᏏ, ᏘᏲᎸᎦ ᏔᎵ ᏗᏯᏖᎾ ᏅᏯ ᎾᏍᎩᏯ ᎢᎬᏱᏱ ᏥᏂᏚᏍᏛᎩ; ᎾᎿᏃ ᏅᏲᎯ ᏓᎪᏪᎳᏂ ᎧᏃᎮᏛ ᎢᎬᏱᏱ ᏅᏲᎯ ᏥᎪᏪᎸᎢ, ᎾᏍᎩ ᏥᏕᏣᏓᏬᏔᏅᎩ.\nᎠᎴ ᏣᏛᏅᎢᏍᏕᏍᏗ ᏑᎾᎴᎢ, ᎠᎴ ᎯᎿᎷᏒᎭ ᏑᎾᎴ ᏌᎾᏱ ᎣᏓᎸᎢ, ᎠᎴ ᎬᏂᎨᏒ ᏂᏍᏆᏛᏁᎸᎩ ᎾᎿ ᎦᏏᏏ.\nᏞᏍᏗ ᎠᎴ ᎩᎶ ᏱᏍᏕᎡᎮᏍᏗ, ᏞᏍᏗ ᎠᎴ ᎩᎶ ᏴᏫ ᎬᎪᏩᏛᏗ ᏱᎨᏎᏍᏗ ᎾᎿ ᏂᎬᎾᏛ ᎣᏓᎸᎢ; ᏞᏍᏗ ᎠᎴ ᎠᏫ ᎠᎴ ᎦᎾᏝᎢ ᎢᎬᏱᏗᏢ ᎣᏓᎸ ᎤᎾᎵᏍᏓᏴᏂ ᏙᎸᎩ.\nᏔᎵᏃ ᏚᏲᎳᏅᎩ ᏗᏯᏖᎾ ᏅᏯ, ᎾᏍᎩᏯ ᎢᎬᏱᏱ ᏥᏂᏕᏅᏍᏛᎩ; ᎼᏏᏃ ᏑᎾᎴᎢ ᎤᏗᏛᎲᎩ, ᎠᎴ ᏌᎾᏱ ᎤᎿᎷᏒᎩ, ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸᎢ, ᎠᎴ ᏚᏴᏒᎩ ᎾᏍᎩ ᏔᎵ ᏅᏯ ᏗᏲᎳᏅᎯ. ᎢᎸ.\nᏱᎰᏩᏃ ᎤᏠᎠᏏᎸᎩ ᎤᎶᎩᎸ ᎠᏯᎥᎩ, ᎠᎴ ᎦᏙᎬ ᎤᏯᏅᎲᎩ.\nᏱᎰᏩᏃ ᎤᎶᏒᎩ ᏓᎧᏅ ᎢᎬᏱᏗᏢ, ᎠᎴ ᎤᏁᏨᎩ ᎯᎠ ᏄᏪᏒᎩ, ᏱᎰᏩ, ᏱᎰᏩ ᎤᏁᎳᏅᎯ, ᎤᏓᏙᎵᏣᏘ ᎠᎴ ᎤᏓᏅᏘ, ᎤᏍᎦᏃᎳ ᎤᏔᎳᏬᎯᏍᏗᏱ, ᎠᎴ ᎤᏣᏘ ᎤᏓᏁᎵ ᎣᏍᏛ ᎨᏒ, ᎠᎴ ᏚᏳᎪᏛ ᎨᏒᎢ.\nᎠᏍᏆᏂᎪᏗᏍᎩ ᏧᏪᏙᎵᏍᏗ ᎨᏒ ᏧᎦᏴᎳᏥᎶᏛ ᎢᏯᏂᏛ, ᏗᎲᎡᎯ ᏂᎦᏳᎪᏛᎾ ᎢᏯᏛᏁᏗ ᎨᏒ ᎠᎴ ᎠᏍᎦᏅᏨ ᎠᎴ ᎠᏍᎦᏂ, ᎠᎴ ᎾᏍᎩ ᏰᎵ ᏄᏍᎦᏅᏨᎾ ᎬᏪᎵᏎᏗ ᏂᎨᏒᎾ ᏥᎩ ᎤᏍᎦᏅᏨᎯ; ᏗᏍᏛᏗᏍᏗᏍᎩ ᏧᏁᏥ ᏧᏂᎦᏴᎵᎨ ᎤᏂᏍᎦᏅᏨ, ᎠᎴ ᏧᏁᏥ ᎾᏍᎩ ᏧᏁᏥ ᏗᏍᏛᏗᏍᏗᏍᎩ, ᏦᎢ ᎠᎴ ᏅᎩ ᎢᏳᎾᏓᏁᏟᏴᏛ ᏩᏍᏘ.\nᎼᏏᏃ ᎤᏩᏅᏨᎩ ᎠᎴ ᎦᏙᎯ ᎢᏗᏢ. ᎤᏗᏍᏚᏅᎩ, ᎠᎴ ᎤᏓᏙᎵᏍᏔᏅᎩ.\nᎯᎠᏃ ᏄᏪᏒᎩ, ᎢᏳᏃ ᎰᏩ ᎤᏪᏙᎵᏍᏗ ᏱᏘᏍᏆᎧᎿᏅ, ᏣᎬᏫᏳᎯ ᎠᏆᏤᎵ, ᎤᎬᏫᏳᎯ ᎠᏆᏤᎵᎦ ᏫᏙᎩᎧᎿᏩᏗᏓ; ᏧᏩᏗᏔᏯᏍᎩᏂᏃᏅ ᏗᏂᎵᎨᏂ ᎯᎠ ᏴᏫ; ᎠᎴ ᏗᎨᏍᎩᎲᏏ ᏂᏚᏳᎪᏛᎾ ᏃᎦᏛᏁᎸ ᎠᎴ ᎣᎩᏍᎦᏅᏨᎢ, ᎠᎴ ᎢᏨᏯᏤᎵ ᏂᏍᎩᏴᎦ.\nᎯᎠᏃ ᏄᏪᏒᎩ, ᎬᏂᏳᏉ ᎠᏴ ᎧᏃᎮᏛ ᏕᎦᏠᎢᏍᏗᎭ; ᏂᎦᏛ ᏗᏣᏤᎵ ᏴᏫ ᎠᏂᎦᏔᎲ ᎤᏍᏆᏂᎪᏗ ᏙᏛᎩᎸᏫᏍᏓᏁᎵ, ᎾᏍᎩ ᎢᏳᏍᏗ ᏗᎦᎸᏫᏍᏓᏁᎸᎯ ᏂᎨᏒᎾ ᎡᎶᎯ ᏂᎬᎾᏛᎢ, ᎠᎴ ᎢᎸᎯᏢ ᎤᎾᏓᏤᎵᏛ ᎠᏁᎲᎢ; ᏂᎦᏛᏃ ᏴᏫ ᎾᏍᎩ ᏂᎯ ᏥᎩᏰᎳᏗᏙᎭ, ᏛᏂᎪᎯ ᏚᎸᏫᏍᏓᏁᎸ ᏱᎰᏩ; ᎤᎾᏰᎯᏍᏗᏳᏰᏃ ᎾᏍᎩ ᏥᏙᏛᎩᎸᏫᏍᏓᏁᎵ ᏂᎯ ᎬᏴᏗᏍᎬᎢ.\nᎭᎦᏌᏯᏍᏓ ᎾᏍᎩ ᎪᎯ ᎢᎦ ᏥᎬᏁᏤᎭ; ᎬᏂᏳᏉ, ᎦᏥᏄᎪᏫᏍᎦ ᎢᎬᏱᏢ ᏂᏣᏛᏅ ᎠᏂᎡᎼᎵ, ᎠᎴ ᎠᏂᎨᎾᏂ, ᎠᎴ ᎠᏂᎯᏗ: ᎠᎴ ᎠᏂᏇᎵᏥ, ᎠᎴ ᎠᏂᎯᏫ, ᎠᎴ ᎠᏂᏥᏊᏏ.\nᎭᏓᏯᏫᏍᎨᏍᏗ ᏨᏒ, ᏞᏍᏗ ᎧᏃᎮᏛ ᏥᏙᏣᏠᎯᏍᏔᏂ ᎾᎿ ᎠᏁᎯ ᎾᎿ ᏥᏫᎦᏘ, ᎢᏥᏌᏛᎥᏍᎩᏰᏃ ᏱᏂᎦᎵᏍᏓ ᎠᏰᎵ ᏂᏣᏛᏅᎢ;\nᏕᏥᏲᏍᏔᏅᏍᎩᏂ ᎠᏥᎸ Ꮷ ᏁᎳᏍᏗᏱ, ᏕᏥᏲᏍᏔᏅᎭ ᏗᏟᎶᏍᏔᏅᎯ ᎤᏁᎳᏅᎯ ᏧᏂᏰᎸᎯ, ᎠᎴ ᏕᏥᎴᏴᏍᏓᏁᎸᎭ ᏧᎾᏤᎵ ᏧᏓᏡᎩ ᏕᏡᎬᎢ.\nᎥᏝᏰᏃ ᏅᏩᏓᎴ ᎤᏁᎳᏅᎯ ᎯᏯᏓᏙᎵᏍᏓᏁᏗ ᏱᎨᏎᏍᏗ; ᏱᎰᏩᏰᏃ ᎠᏛᏳᎨᏗ ᏥᏚᏙᎥ, ᎤᏛᏳᎩᏍᏗᏳ ᎤᏁᎳᏅᎯ.\nᎧᏃᎮᏛᏰᏃ ᏱᏕᏣᏠᎯᏍᏓ ᎾᎿ ᎠᏁᎯ, ᎾᏍᎩᏃ ᎤᏁᎳᏲᏍᎬ ᏱᏓᏂᏍᏓᏩᏚᎦ ᎾᏍᎩ ᏧᎾᏁᎳᏅᎯ, ᎠᎴ ᎠᏥᎸ ᏱᏓᏁᎶᏏ ᎾᏍᎩ ᏧᎾᏁᎳᏅᎯ, ᎠᎴ ᎩᎶ ᏱᏣᏯᏅ, ᎠᎴ ᎾᏍᎩ ᏯᎵᏍᏓᏴᏓ ᎤᎵᏍᎪᎸᏔᏅᎯ;\nᎠᎴ ᎾᏍᎩ ᏱᏕᏥᏯᏅ ᎠᏂᎨᏴ ᎾᏍᎩ ᏧᏁᏥ, ᎠᏂᏍᎦᏯ ᏗᏤᏥ ᏧᎾᏓᏴᏍᏗ, ᎾᏍᎩᏃ ᎠᏂᎨᏴ ᎾᏍᎩ ᏧᏁᏥ ᏚᏁᎳᏲᏍᎬ ᏧᎾᏁᎳᏅᎯ ᏱᏓᏂᏍᏓᏩᎦᎦ, ᎠᎴ ᎾᏍᏉ ᎠᏂᏍᎦᏯ ᏧᏤᏥ ᏚᏁᎳᏲᏍᎬ ᏧᎾᏁᎳᏅᎯ ᏱᏓᏂᏍᏓᏩᎦᎦ.\nᏞᏍᏗ ᏗᎬᎾᏬᏔᏅᎯ ᎤᏁᎳᏅᎯ ᏗᏣᏓᏙᏢᎾᏁᎸᎩ.\nᏗᎵᏍᏓᏴᏗᏱ ᎾᎪᏔᏅᎾ ᎦᏚ ᎠᎩᏍᏗᏱ ᏣᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ. ᎦᎵᏉᎩ ᎢᎦ ᎾᎪᏔᏅᎾ ᎦᏚ ᏣᎩᏍᏗ ᎨᏎᏍᏗ ᎾᏍᎩᏯ ᏂᎬᏪᏎᎸ ᎬᏁᏤᎸᎢ ᎡᏈ ᎧᎸᎢ; ᎡᏈᏰᏃ ᎧᎸᎢ ᏓᏣᏄᎪᏨᎩ ᎢᏥᏈᏱ.\nᏂᎦᏛ ᎢᎬᏱᏱ ᎠᏁᎯ ᏗᏆᏤᎵᎦ: ᎠᎴ ᎦᎾᏝᎢ ᏗᏣᏤᎵᎦ ᏩᎦ, ᎠᎴ ᎠᏫ ᏱᎩ, ᏂᎦᏛ ᎢᎬᏱᏱ ᎠᏁᎯ ᎠᏂᏨᏯᎢ ᏗᏆᏤᎵᎦ.\nᏗᎦᎵᎠᏅᎯᏛᏍᎩᏂ ᏐᏈᎵ ᎢᎬᏱ ᎡᎯ, ᏣᏩᎯᏍᏗ ᎠᏫ ᏣᎫᏴᏙᏗ ᎨᏎᏍᏗ; ᎢᏳᏃ ᏂᏯᎫᏴᎲᎾ ᎢᎨᏎᏍᏗ, ᎿᏉ ᎯᏍᏆᎵᏎᏍᏗ ᎨᏎᏍᏗ ᎠᏴᏤᏂ. ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᏗᏤᏥ ᎢᎬᏱᏱ ᎠᏁᎯ ᏔᎫᏴᏗ ᎨᏎᏍᏗ, ᎥᏝ ᎠᎴ ᎩᎶ ᎢᎬᏱᏢ ᎠᎩᎷᏤᏗ ᏱᎨᏎᏍᏗ ᎠᏒᎭᎢ.\nᏑᏓᎵ ᎢᎦ ᏗᏣᎸᏫᏯᏓᏁᏗ ᎨᏎᏍᏗ; ᎦᎵᏉᎩᏁᏍᎩᏂ ᎢᎦ, ᏣᏣᏪᏐᎸᏍᏙᏗ ᎨᏎᏍᏗ; ᎦᏓᎷᎪᏗᏱ ᎨᏒ ᎠᎴ ᎠᎦᏛᎾᏨᎲᏍᎬ ᎢᏳᎢ ᏣᏣᏪᏐᎸᏍᏗ ᎨᏎᏍᏗ.\nᎠᎴ ᏣᏍᏆᏂᎪᏙᏗ ᎨᏎᏍᏗ ᏗᎵᏍᏓᏴᏗᏱ ᎦᎵᏉᎩ ᎢᏳᎾᏙᏓᏆᏍᏗ ᏓᎵᏍᏆᏗᏍᎬᎢ, ᎾᏍᎩ ᎢᎬᏱᏱ ᎤᎦᏛᎾᏨᎯ ᎤᏣᎴᏍᏗ ᎠᏍᎫᏕᏍᏗᏱ, ᎠᎴ ᏗᎵᏍᏓᏴᏗᏱ ᎠᏍᏆᏂᎪᏙᏗᏱ ᎤᏕᏘᏴᏌᏗᏒ ᎠᎵᏍᏆᏗᏍᎬᎢ.\nᏑᏕᏘᏴᏛ ᎨᏒ ᏂᎦᏛ ᎠᏂᏍᎦᏯ ᏗᏣᏤᎵᎦ ᏦᎢ ᎬᏂᎨᏒ ᎢᏳᎾᏛᏁᏗ ᎨᏎᏍᏗ ᎤᎬᏫᏳᎯ ᏱᎰᏩ, ᎤᏁᎳᏅᎯ ᎢᏏᎵ ᎤᎾᏤᎵᎦ.\nᏓᎦᏥᏄᎪᏫᏏᏰᏃ ᎤᎾᏓᏤᎵᏛ ᏴᏫ ᎢᎬᏱᏗᏢ ᏄᎾᏛᏅᎢ, ᎠᎴ ᏓᎦᏛᏃᎯᏍᏔᏂ ᏂᎬᎾᏛ ᎢᏣᏤᎵᎪᎯ, ᎥᏝ ᎠᎴ ᎩᎶ ᏣᏚᎸᎡᏗ ᏱᎨᏎᏍᏗ ᏣᏤᎵ ᎦᏙᎯ, ᎾᎯᏳ ᏂᏓᏕᏘᏴᎯᏒ ᏦᎢ ᎬᏂᎨᏒ ᏫᏂᏯᏛᏁᎮᏍᏗ ᏱᎰᏩ ᏣᏁᎳᏅᎯ.\nᎩᎬ ᎠᏆᏤᎵ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏒ ᎭᎵᏍᎪᎸᏗᏍᎨᏍᏗ ᏞᏍᏗ ᎠᎪᏙᏗ ᏯᏠᏯᏍᏗᏍᎨᏍᏗ: ᎥᏝ ᎠᎴ ᎧᏃᎯᏰᎩ ᏗᎵᏍᏓᏴᏗᏱ ᎠᎵᏍᎪᎸᏔᏅᎯ ᎤᎩᏨᏅ ᎢᏴᏛ ᎧᏃᎯᏯᏍᏗ ᏱᎨᏎᏍᏗ.\nᎢᎬᏱ ᎦᎾᏄᎪᏫᏍᎩ ᏣᏤᎵ ᎦᏙᎯ ᎢᎬᏱᏱᏉ ᎤᎾᏄᎪᏫᏒᎯ ᏣᏲᎯᏍᏗ ᎨᏎᏍᏗ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸᎢ. ᎠᏫ ᎠᎭᏄᎸᎯ ᎠᎩᎾ ᎤᏫᏯ ᎥᏝᏍᏗ ᏧᏗ ᏱᎨᏎᏍᏗ ᎤᏥ ᎤᏅᏗᎯ.\nᏱᎰᏩᏃ ᎯᎠ ᏄᏪᏎᎸ ᎼᏏ, ᎯᎠ ᎾᏍᎩ ᎧᏃᎮᏛ ᎰᏪᎸᎦ: ᎤᏠᏱᏰᏃ ᎧᏃᎮᏛ ᎬᏔᏅᎯ, ᎧᏃᎮᏛ ᏕᎩᎾᏠᎯᏍᏔᏅ, ᎠᎴ ᎾᏍᏉ ᎢᏏᎵ.\nᎾᎿᏃ ᏱᎰᏩ ᎡᏙᎲ ᎤᏪᏙᎸᎩ ᏅᎦᏍᎪᎯ ᎢᎦ, ᎠᎴ ᏅᎦᏍᎪᎯ ᏧᏒᎯᏛ: ᎥᏝ ᎠᎴ ᏳᎵᏍᏓᏴᏁᎢ, ᎥᏝ ᎠᎴ ᎠᎹ ᏳᏗᏔᎮᎢ, ᏗᏯᏖᎾᏃ ᏅᏲᎯ ᎤᏬᏪᎳᏁ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎾᏍᎩ ᎠᏍᎪᎯ ᏄᎵᏁᏨᎢ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᎾᏍᎩ ᎼᏏ ᏧᏠᎠᏒ ᏌᎾᏱ ᎣᏓᎸᎢ, ᏗᎬᏰᎯ ᏔᎵ ᏗᏯᏖᎾ ᏅᏯ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᎪᏪᎸᎢ, ᎾᏍᎩ ᏧᏠᎠᏒ ᎣᏓᎸᎢ, ᎥᏝ ᎼᏏ ᏯᎦᏔᎮ ᎤᎧᏛ ᎤᏁᎦᎸ ᎤᏔᎷᎩᏍᎬ ᎾᎯᏳ ᎤᎵᏃᎮᏗᏍᎬᎢ.\nᎡᎳᏂᏃ ᎠᎴ ᏂᎦᏛ ᎢᏏᎵ ᏧᏪᏥ ᎬᏩᎪᎲ ᎼᏏ, ᎬᏂᏳᏉ, ᎤᎧᏛ ᎤᏁᎦᎸ ᎤᏔᎷᎩᏍᎬᎩ; ᎠᏂᏍᎦᎢᎲᏃ ᎡᏙᎲ ᎾᎥ ᎤᏂᎷᎯᏍᏗᏱ.\nᎼᏏᏃ ᏫᏚᏯᏅᎲᎩ; ᎡᎳᏂᏃ ᎠᎴ ᏂᎦᏛ ᏄᏂᎬᏫᏳᏌᏕᎩ ᎤᎾᏓᏡᎬ ᎤᏂᎷᏨ ᎡᏙᎲᎢ; ᎼᏏᏃ ᏚᎵᏃᎮᏔᏅᎩ.\nᎣᏂᏃ ᏂᎦᏛ ᎢᏏᎵ ᏧᏪᏥ ᎾᎥ ᎤᏂᎷᏥᎸᎩ; ᏚᏲᎯᏎᎸᏃ ᏚᏁᏤᎸᎩ, ᏂᎦᏛ ᏱᎰᏩ ᏄᏪᏎᎸ ᎣᏓᎸ ᏌᎾᏱ.\nᎼᏏᏃ ᎢᎪᎯᏛ ᏕᎦᏬᏁᏗᏍᎬ ᎤᎧᏛ ᎠᏄᏬ ᎤᏭᏢᏔᏅᎩ.\nᏱᎰᏩᏍᎩᏂ ᎡᏙᎲ ᏫᎦᎷᎩ ᎼᏏ, ᎾᏍᎩ ᎤᎵᏃᎮᏙᏗᏱ, ᎠᏚᏞᏍᎬᎩ ᎬᏂ ᏓᎦᏄᎪᎢ. ᏓᎦᏄᎪᎬᏃ ᎠᎴ ᏕᎧᏃᏁᎲᎩ ᎢᏏᎵ ᏧᏪᏥ ᎾᏍᎩ ᏄᏍᏛ ᎠᏥᏁᏤᎸᎢ.\nᎢᏏᎵᏃ ᏧᏪᏥ ᎤᏂᎪᎲᎩ ᎼᏏ ᎤᎧᏛ, ᎾᏍᎩ ᎤᏁᎦᎸ ᎤᎧᏛ ᎤᏔᎷᎩᏍᎬᎢ: ᎼᏏᏃ ᎤᎧᏛ ᎠᏄᏬ ᎤᎴᏢᏔᏅᎩ, ᎬᏂ ᎾᏍᎩ ᏩᏴᎲ ᎾᏍᎩ ᎤᎵᏃᎮᏙᏗᏱ.\nᎼᏏᏃ ᏂᎦᏛ ᎤᎾᏓᏡᎬ ᎢᏏᎵ ᏧᏪᏥ ᏚᎳᏫᏛᎩ, ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᎯᎠ ᎧᏃᎮᏛ ᎾᏍᎩ ᏱᎰᏩ ᏧᏁᏨ ᎾᏍᎩ ᎢᏣᏳᏛᏁᏗᏱ.\nᏑᏓᎵ ᎢᎦ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏎᏍᏗ; ᎦᎵᏉᎩᏁᏍᎩᏂ ᎢᎦ ᎦᎸᏉᏗᏳ ᎢᏥᏰᎸᏎᏍᏗ ᎠᏣᏪᏐᎸᏍᏙᏗᏱ, ᏱᎰᏩ ᎡᏣᏣᏪᏐᎸᏍᏔᏁᏗᏱ; ᎩᎶ ᎾᎯᏳ ᏚᎸᏫᏍᏓᏁᎮᏍᏗ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ.\nᎥᏝ ᏗᏦᏙᏗ ᏱᎨᏎᏍᏗ ᏂᎬᎾᏛ ᎢᏥᏅ ᎤᎾ ᏙᏓᏆᏍᎬ ᎢᎦ.\nᎼᏏᏃ ᏚᏁᏤᎸ ᏂᎦᏛ ᎤᎾᏓᏡᎬ ᎢᏏᎵ ᏧᏪᏥ, ᎯᎠ ᏄᏪᏒᎩ, ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ ᏱᎰᏩ ᏧᏁᏨ, ᎯᎠ ᏥᏄᏪᏒ,\nᎢᏥᎩ ᎢᏤᎲ ᏱᎰᏩ ᎡᏣᎵᏍᎪᎸᏓᏁᏗ: ᎩᎶ ᎤᎾᏫᏱ ᎤᎵᏰᏍᏗ, ᎾᏍᎩ ᏩᏲᎦ, ᎾᏍᎩ ᎠᎵᏍᎪᎸᏓᏁᏗ ᏱᎨᏩ; ᎠᏕᎸ ᏓᎶᏂᎨ, ᎠᎴ ᎠᏕᎸ ᎤᏁᎬ, ᎠᎴ ᎥᏣᏱ,\nᎠᎴ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ, ᎠᎴ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᎤᎩ ,\nᎤᏂᏃᏕᎾᏃ ᎦᏁᎦ ᏗᎩ ᎦᎨᎢ, ᎠᎴ ᏓᎭᏏ ᎦᏁᎦ, ᎠᎴ ᎠᏓ-ᎬᎾᎨ,\nᎠᎴ ᎪᎢ ᏗᏨᏍᏙᏗ ᏗᎪᏢᏗ, ᎠᎴ ᎦᏩᏒᎩ ᎠᏠᏁᏗ ᎪᏢᏗ, ᎠᎴ ᎤᎦᎾᏍᏛ ᎬᏙᏗ ᎪᏢᏗ.\nᎣᏂᎦ ᎾᏯ, ᎠᎴ ᏅᏯ ᎡᏉᏗᏱ ᏗᎦᎪᏗ, ᎠᎴ ᎠᏓᏁᏣᏍᏚᎶᎩᎯ ᏗᎦᎪᏗ.\nᎾᏂᎥᏃ ᎠᏂᎦᏔᎾᎢ ᏙᏧᎾᏓᏅᏛᎢ ᎨᎶᏓᏑᏴᎢ ᎤᏂᎷᎯᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏃᏢᏗ ᎨᏎᏍᏗ ᏂᎦᏛ ᏱᎰᏩ ᎤᏁᏨ ᎪᏢᏗᏱ;\nᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎤᏤᎵ ᎦᎵᏦᏙᏗ, ᎠᎴ ᎤᏤᎵ ᎫᏢᏗ, ᎠᎴ ᏧᏤᎵ ᏗᎫᏓᎸᏗᏱ, ᎠᎴ ᏧᏤᎵ ᏧᏯᏖᎾ, ᏧᏤᎵ ᏗᏍᏆᎾᎳᏗᏍᏗ, ᏧᏤᎵ ᏗᎦᎫᏍᏛᏗ, ᎠᎴ ᏧᏤᎵ ᏓᏔᎴᏒᎢ:\nᎦᏁᏌᎢ, ᎠᎴ ᎾᎿ ᏤᎯ ᎦᏅᏍᏙᏗ, ᎫᏢᏗ, ᎠᎴ ᎠᏰᏙᎳᏛᏗ ᎾᏍᎩ ᎫᏢᏗ.\nᎦᏍᎩᎶ ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᎦᏅᏍᏙᏗ ᎠᎴ ᏂᎦᏛ ᎾᏍᎩ ᏧᏤᎵ ᎪᎱᏍᏗ ᏗᏂᏔᏂᏓᏍᏗ, ᎠᎴ ᏗᎦᏙᏗ ᎦᏚ.\nᏗᏨᏍᏙᏗᏃ ᏗᎦᎪᏗᏱ ᎢᎦ ᎠᏘᏍᏙᏗ, ᎠᎴ ᎾᏍᎩ ᎤᏤᎵ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ, ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᎪᎢ ᏗᏟᏍᏗ ᏗᏨᏍᏙᏗ, ᎠᎴ ᎪᎢ ᏗᏨᏍᏙᏗ ᏗᎪᏢᏗ,\nᎠᎴ ᎦᏩᏒᎩ ᎬᏙᏗᏱ, ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᎦᏅᏍᏙᏗ, ᎠᎴ ᎪᎢ ᎠᏠᏁᏗ, ᎠᎴ ᎤᏚᎾᏍᏛ ᎦᏩᏒᎩ, ᎠᎴ ᎠᏰᏙᎳᏛᏗ ᎦᎶᎯᏍᏗᏱ, ᎾᏍᎩ ᏩᏴᏍᏗᏱ ᏗᎦᎳᏫᎢᏍᏗᏱ,\nᎠᏥᎸ-ᎨᎳᏍᏗᏱ, ᎠᎴ ᎥᏣᏱ ᎪᏢᏔᏅᎯ ᎠᎦᏯᎷᏗ ᎢᏳᏍᏗ, ᎾᏍᎩ ᏧᏤᎵ ᎦᏅᏍᏙᏗ, ᎠᎴ ᏂᎦᏛ ᏧᏤᎵ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ ᏗᎪᏑᎴᏗᏃ ᎠᎴ ᎾᏍᎩ ᎠᏠᏗᏱ,\nᏗᏰᏙᎳᏛᏗ ᎣᏂ ᎪᏢᏒᎢ, ᏗᎦᎫᏍᏛᏗ, ᎠᎴ ᏧᏤᎵ ᏓᏔᎴᏒ, ᎠᎴ ᎠᏰᏙᎳᏛᏗ ᎦᎶᎯᏍᏗᏱ ᎣᏂ ᎪᏢᏒᎢ,\nᏗᎨᎢᏂᏓᏍᏗ ᎦᎵᏦᏛᎢ, ᎠᎴ ᎣᏂ ᎪᏢᏒᎢ ᏗᎨᏘᏂᏓᏍᏗ, ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᎠᏍᏕᏱᏛ.\nᏗᏄᏬ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏗᏄᏬᏍᏗ; ᎾᎿ ᎦᎸᏉᏗᏨ ᎨᏒ ᎪᎱᏍᏗ ᎥᏛᏁᎲ ᏗᏄᏬᏍᏗ, ᎾᏍᎩ ᏗᎦᎸᏉᏗ ᏗᏄᏬ ᎡᎳᏂ ᎠᏥᎸ ᎨᎶᎯ ᏧᏄᏬᏍᏗ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏧᎾᏄᏬᎢ, ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎠᏥᎸ ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᏂᎦᏛᏃ ᏓᏂᎳᏫᎥ ᎢᏏᎵ ᏧᏪᏥ ᎼᏏ ᎤᎾᏓᏅᎡᎸᎩ.\nᎤᏂᎷᏨᎩᏃ, ᎾᏂᎥ ᎤᎾᏫ ᎤᏖᎸᎲᏍᎩ, ᎠᎴ ᎾᏂᎥ ᎤᏓᏅᏛ ᎤᏅᏫᏍᏗᏍᎩ, ᎤᏂᏲᎸᏃ ᏱᎰᏩ ᎠᎵᏍᎪᎸᏓᏁᏗ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎠᏃᏢᏍᎬ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ, ᎠᎴ ᏗᎦᎸᏉᏗ ᏗᏄᏬ ᏗᎪᏢᏙᏗ.\nᎤᏂᎷᏨᎩᏃ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ, ᏂᎦᏛ ᎤᎾᏛᏅᎢᏍᏗ ᏧᏂᎾᏫᏱ, ᎠᎴ ᏚᏂᏃᎸᎩ ᏗᎵᏴᏌᏙᏗ ᎠᎴ ᏧᎾᏟᏯᏙ ᎠᎴ ᏧᎾᎵᏰᏑᏍᏚᏬ, ᎠᎴ ᎠᏕᎸ ᏗᏯᏠᏗ ᏂᎦᏛ ᏗᏣᏅᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ; ᎾᏂᎥᏃ ᎠᎾᎵᏍᎪᎸᏗᏍᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᎾᎵᏍᎪᎸᏓᏁᎸᎩ ᏱᎰᏩ.\nᎩᎶᏃ ᏕᎭᎷᎨ ᏳᎾᎠ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ, ᎠᎴ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᎤᎩᏢ, ᎠᎴ ᎤᏃᏕᎾ ᎦᏁᎦ ᎩᎦᎨᎢ, ᎠᎴ ᏓᎭᏏ ᎦᏁᎦ, ᎾᏍᎩ ᏚᏂᏃᎸᎩ.\nᎩᎶᏃ ᎠᏕᎸ ᎤᏁᎬ ᎠᎵᏍᎪᎸᏗᏍᎩ ᎠᎴ ᎥᏣᏱ, ᏱᎰᏩ ᎠᎵᏍᎪᎸᏓᏁᏗ ᎤᏂᏲᎸᎩ; ᎩᎶᏃ ᎠᏓ-ᎬᎿᎨ ᏧᏩᏯ ᎪᎱᏍᏗ ᎦᎬᏙᏗ ᎨᏒ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ, ᎾᏍᎩ ᎤᏪᏃᎸᎩ.\nᏂᎦᏛᏃ ᎠᏂᎨᏴ ᎠᏂᏏᎾᏌᏂ ᏧᏂᎾᏫᏱ, ᎠᏂᏍᏙᎲᎩ, ᎠᎴ ᎤᏂᏲᎸᎩ ᎾᏍᎩ ᎤᏂᏍᏙᎸᎯ, ᏕᎭᎷᎨ, ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ.\nᎠᎴ ᏂᎦᏛ ᎠᏂᎨᏴ ᏧᏂᎾᏫ ᎤᏂᏖᎸᎲᏍᎩ ᎠᏂᏏᎾᏌᏅ ᎤᏅᏙᏗᏱ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᎤᎩᏢ ᎤᏂᏍᏙᎸᎩ.\nᏄᏂᎬᏫᏳᏌᏕᎩᏃ ᎣᏂᎦ ᎤᏯ ᏚᏂᏲᎸᎩ, ᎠᎴ ᎤᏯ ᏗᎦᎪᏗ ᎡᏉᏗᏱ, ᎠᎴ ᎠᏓᏁᏣᏍᏚᎶᎩᏱ ᏗᎦᎪᏗ.\nᎠᎴ ᎦᏩᏒᎩ, ᎠᎴ ᎪᎢ ᏗᏨᏍᏙᏗ ᏗᎪᏢᏗ, ᎠᎴ ᎪᎢ ᎠᏠᏁᏗ, ᎠᎴ ᎤᎦᎾᏍᏛ ᎬᏙᏗ.\nᎢᏏᎵ ᏧᏪᏥ ᎣᏏᏳ ᎤᏂᏰᎸᎯ ᎠᏂᏲᎯᎲ ᎠᎵᏍᎪᎸᏓᏁᏗ ᏱᎰᏩ. ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᎠᎴ ᎠᏂᎨᏴ, ᎾᏍᎩ ᏧᏂᎾᏫ ᎤᏂᏗᏱ ᎢᏳᏅᏁᎯ, ᎾᏍᎩ ᏄᏓᎴᏒ ᎪᏢᏙᏗ ᎾᏍᎩ ᏱᎰᏩ ᎤᏁᏤᎸ ᎼᏏ ᎪᏢᏗᏱ.\nᎼᏏᏃ ᎯᎠ ᏄᏚᏪᏎᎸᎩ ᎢᏏᎵ ᏧᏪᏥ, ᎬᏂᏳᏉ, ᏱᎰᏩ ᏚᏙᎥ ᎤᏯᏅᏔᏅ ᏇᏣᎵᎵ ᏳᎳ ᎤᏪᏥ, ᎾᏍᎩ ᎭᎵ ᎤᏪᏥ, ᏧᏓᏏ ᎠᏂᎳᏍᏓᎸ ᏅᏓᏳᏓᎴᏅᎯ;\nᎠᎴ ᎾᏍᎩ ᎠᎧᎵᎢ ᎤᏁᎸ ᎠᏓᏅᏙ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎠᏏᎾᏌᏂ ᎨᏒ, ᎠᎴ ᎪᎵᏍᏗ ᎨᏒ, ᎠᎴ ᎠᎦᏔᎾᎢ ᎨᏒ, ᎠᎴ ᏄᏓᎴᏒ ᎪᏢᏅᏗ ᎨᏒᎢ.\nᎠᎴ ᎠᏯᏍᏗ ᎤᏍᏆᏂᎪᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏅᏗ ᎨᏒ, ᎠᎴ ᎠᏕᎸ ᎤᏁᎬ, ᎠᎴ ᎥᏣᏱ,\nᎠᎴ ᏅᏯ ᏗᏲᎳᏅᎯ ᏗᎦᎪᏗ, ᎠᎴ ᎠᏓ ᎪᏢᏅᎥᏍᎩ, ᎪᏢᏗᏱ ᏄᏓᎴᏒ ᎤᏍᏆᏂᎪᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ.\nᎠᎴ ᎤᎸᏅ ᎤᎾᏫᏱ ᎾᏍᎩ ᏧᏕᏲᏗᏱ, ᎤᏩᏒ ᎨᏒ ᎠᎴ ᎠᎰᎵᎠᏈ, ᎠᎯᏏᎹᎩ ᎤᏪᏥ, ᏕᏂ ᎠᏂᎳᏍᏓᎸ ᏅᏓᏳᏓᎴᏅᎯ.\nᎾᏍᎩ ᏧᏂᎾᏫ ᏚᎧᎵᎴᎸ ᎠᏏᎾᏌᏂ ᎨᏒᎢ ᎤᏃᏢᏗᏱ ᏄᏓᎴᏒ ᎪᏢᏅᏗ ᎨᏒᎢ, ᏗᏰᎶᎯ, ᎤᏬᏢᏅᏗ ᎨᏒ, ᎠᎴ ᎠᏏᎾᏌᏂ ᏧᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎠᏄᏬᎩᎯ ᏗᎪᏪᎵᏍᎩ, ᎤᏃᏢᏅᏗ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ, ᎠᎴ ᏗᎬᏍᎩ ᎤᏬᏢᏅᏗ ᎨᏒ, ᎾᏍᎩ ᏂᎦᎥᏉ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎾᏍᎩ ᎤᏂᏲᎯ ᎤᏍᏆᏂᎪᏗ ᏗᎦᎸᏫᏍᏓᏁᏗ.\nᎿᏉᏃ ᏚᏂᎸᏫᏍᏓᏁᎸᎩ ᏇᏣᎵᎵ ᎠᎴ ᎠᎰᎵᎠᏈ, ᎠᎴ ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᎠᏂᎦᏔᎾᎢ ᏙᏧᎾᏓᏅᏛᎢ ᎾᏍᎩ ᏱᎰᏩᏧᎳᏁᎸᎯ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᎴ ᎪᎵᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎤᏃᎵᏍᏗᏱ ᎢᏳᏅᏁᏗᏱ ᎤᏃᏢᏗᏱ ᏄᏓᎴᏒ ᎪᏢᏅᏗ ᎨᏒ ᎾᏍᎩ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ ᎦᎸᏉᏗᏳ ᎠᏓᏁᎸᎢ, ᎾᏍᎩᏯ ᏂᎦᏛ ᏄᏪᏒ ᏱᎰᏩ.\nᎼᏏᏃ ᏫᏚᏯᏅᎲᎩ ᏇᏣᎵᎵ ᎠᎴ ᎠᎰᎵᎠᏈ, ᎠᎴ ᎾᏂᎥ ᎠᏂᏍᎦᏯ ᎾᏍᎩ ᏙᏧᎾᏓᏅᏛ ᏱᎰᏩ ᏧᎳᏁᎸᎯ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎾᏂᎥ ᏧᏂᎾᏫ ᎤᏂᏅᏫᏍᏗᏍᎩ ᎤᏂᎷᎯᏍᏗᏱ ᎾᎿ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎾᏍᎩ ᎢᏳᎾᏛᏁᏗᏱ.\nᎠᎴ ᎼᏏ ᏚᏲᎯᏎᎸᎩ ᏂᎦᏛ ᎤᎾᎵᏍᎪᎸᏔᏅᎯ ᎢᏏᎵ ᏧᏪᏥ, ᎾᏍᎩ ᎤᏂᏲᎸᎯ ᎪᏢᏙᏗ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ ᎦᎸᏉᏗᏳ ᎠᏓᏁᎸᎢ ᎾᏍᎩ ᎪᏢᏗ. ᎠᎴ ᎠᏏᏉ ᎠᏂᏲᎯᎲᎩ ᏂᏚᎩᏨᏂᏒ ᎤᏅᏒ ᎤᎾᏓᏅᏖᏛ ᎠᎵᏍᎪᎸᏙᏗ.\nᏂᎦᏛᏃ ᎠᏂᎦᏔᎾᎢ ᎠᏂᏍᎦᏯ ᏧᏂᎸᏫᏍᏓᏁᎸᎯ ᎤᏃᏢᏅᎯ ᎪᎱᏍᏗ ᎦᎸᏉᏗ ᎠᏓᏁᎸ ᎡᎯ, ᎤᏅᏕᏨᎩ ᎠᏂᏏᏴᏫᎭ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎠᏃᏢᏅᎥᏍᎬᎢ.\nᎤᏂᏁᏤᎸᎩᏃ ᎼᏏ ᎯᎠ ᏄᏂᏪᏒᎩ, ᎤᎶᏒᏍᏔᏅᎯᏉ ᎠᏂᏲᎯᎭ ᏴᏫ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ ᎪᏢᏗ ᎾᏍᎩ ᏱᎰᏩ ᎤᏁᏨᎯ ᏥᎩ ᎪᏢᏗᏱ.\nᎼᏏᏃ ᎤᏁᏨᎩ, ᎠᎴ ᎾᏍᎩ ᏚᏂᏃᏳᎳᏅᎩ ᏂᎬᎾᏛ ᎠᏂᏅᎢ, ᎯᎠ ᏄᏂᏪᏒᎩ, ᏞᏍᏗ ᎠᏍᎦᏯ ᎠᎴ ᎠᎨᏴ ᎿᏉ ᏳᏬᏢᏁᏍᏗ ᎪᎱᏍᏗ ᎠᎵᏍᎪᎸᏙᏗ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ ᎦᎸᏉᏗᏳ ᎠᏓᏁᎸᎢ. ᎰᏩᏃ ᎥᎨᏥᏲᎯᏍᏓᏁᎸᎩ ᏴᏫ ᎠᏂᏲᎯᎲᎢ.\nᎪᎱᏍᏗᏰᏃ ᎤᎾᏛᏅᎢᏍᏔᏅᎢ ᏰᎵᏉ ᎨᏒᎩ ᏂᎦᏛ ᎪᏢᏅᏗ ᎨᏒ ᎪᏢᏗ, ᎠᎴ ᎤᎶᏒᏍᏗ ᎨᏒᎩ.\nᎾᏂᎥᏃ ᎠᏂᏍᎦᏯ ᏙᏧᎾᏓᏅᏛ ᎠᏂᎦᏔᎾᎢ ᎾᏍᎩ ᏧᏂᎸᏫᏍᏓᏁᎸᎯ ᎠᏂᎵᏦᏛᏍᎬᎢ, ᎾᏍᎩ ᏚᏃᏢᏅᎩ ᎠᏍᎪᎯ ᏗᏰᏙᎳᏛᏗ, ᎤᏏᏙᎵ ᏙᎴᏛ ᏗᏏᏓᎵ, ᎠᎴ ᏕᎭᎷᎨ ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨ ᎠᏄᏬ ᏚᏃᏢᏔᏅᎩ; ᎠᏂᎩᎷᏫ ᎠᎵᏏᎾᎯᏍᏗ ᎬᏔᏅᎯ ᏗᎪᏢᏅᎯ ᏂᏚᏅᏁᎸᎩ.\nᏌᏉ ᎠᏰᏙᎳᏛᏗ ᏁᎳᏦᏁ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏒᎩ, ᏌᏉᏃ ᎠᏰᏙᎳᏛᏗ ᏅᎩ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎥᎩ; ᎢᏗᎦᏱᏛᎭ ᎨᏒᎩ ᏂᎦᏛ ᏗᏰᏕᏙᎳᏛᏗ\nᏚᏭᏓᏔᏅᏃ ᎯᏍᎩ ᏗᏰᏙᎳᏛᏗ; ᎠᎴ ᎾᏍᏉ ᏗᏐᎢ ᎯᏍᎩ ᏗᏰᏙᎳᏛᏗ ᏚᏭᏓᏔᏅᎩ.\nᏧᏓᏕᏍᏗᏱᏃ ᏚᏬᏢᏅᎩ. ᏕᎭᎷᎨᎢ ᎾᏍᎩ ᎠᏍᏛ ᏌᏉ ᎠᏰᏙᎳᏛᏗᏱ, ᎠᏓᎴᏂᏍᎬᎩ ᎠᏍᏛ ᏚᏚᏓᏛᎢ; ᎤᏠᏱ ᏚᏬᏢᏅᎩ ᎠᏍᏛ ᏔᎵᏁ ᎠᏰᏙᎳᏛᎢ ᏚᏚᏓᏛᎢ.\nᎯᏍᎦᏍᎪᎯ ᏧᏓᏕᏍᏗᏱ ᏚᏬᏢᏅᎩ ᏌᏉ ᎠᏰᏙᎳᏛᎢ, ᎠᎴ ᎯᏍᎦᏍᎪᎯ ᏧᏓᏕᏍᏗᏱ ᏚᏬᏢᏅᎩ ᎠᏍᏛ ᎠᏰᏙᎳᏛ ᎾᏍᎩ ᏚᏚᏓᏛ ᏐᎢᏱ; ᎾᏍᎩ ᏧᏓᏕᏍᏗᏱ ᏗᎫᏓᏕᏫᏍᎩ ᎨᏒ ᏓᏰᏙᎳᏛᎢ.\nᎯᏍᎦᏍᎪᎯᏃ ᏚᏬᏢᏅᎩ ᏗᎫᏓᎸᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏬᏢᏔᏅᎩ, ᎠᎴ ᎾᏍᎩ ᏗᎫᏓᎸᏗᏱ ᏚᏭᏙᏔᏅᎩ ᏓᏰᏙᎳᏛᎢ ᎾᏍᎩᏃ ᏌᏉ ᏄᎵᏍᏔᏅᎩ ᎦᎵᏦᏛᎢ.\nᏗᎦᏙᎳᏛᏗᏃ ᎠᏫ ᏗᏂᎭᏄᎸᎯ ᎤᎩᏢ ᏚᏬᏢᏔᏅᎩ, ᎾᏍᎩ ᎬᏅᏙᏗ ᎦᎵᏦᏛᎢ: ᏌᏚ ᏚᏬᏢᏅᎩ ᏗᏕᏙᎳᏛᏗ.\nᏌᏉ ᎠᏰᏙᎳᏛᏗ ᏦᎠᏍᎪᎯ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏒᎩ, ᏅᎩᏃ ᎢᏯᎩᏳᏍᏈᏛ ᎤᏯᏛᎥᎩ ᏌᏉ ᎠᏰᏙᎳᏛᏗ;: ᎾᏍᎩ ᏌᏚ ᏗᏰᏙᎳᏛᏗ ᎢᏗᎦᏱᏛᎭ ᎨᏒᎩ.\nᎯᏍᎩᏃ ᏗᏰᏙᎳᏛᏗ ᎤᏁᎳᎩ ᏚᏭᏓᏔᏅᎩ, ᎠᎴ ᏑᏓᎵ ᏗᏰᏙᎳᏛᏗ ᎤᏁᎳᎩ ᏚᏭᏓᏔᏅᎩ.\nᎯᏍᎦᏍᎪᎯᏃ ᏚᏬᏢᏅᎩ ᏧᏓᏕᏍᏗᏱ ᎠᏍᏛ ᎠᏰᏙᎳᏛᏗ ᎾᎿ ᏚᏚᏓᏛᎢ. ᎠᎴ ᎯᏍᎦᏍᎪᎯ ᏚᏬᏢᏅᎩ ᏧᏓᏕᏍᏗᏱ ᎠᏍᏛ ᎠᏰᏙᎳᏛᏗ ᎾᏍᎩ ᏔᎵᏁ ᏚᏚᏓᏛᎢ…\nᎠᎴ ᎯᏍᎦᏍᎪᎯ ᏚᏬᏢᏅᎩ ᏗᎫᏓᎸᏗᏱ ᎥᏣᏱ ᏚᏬᏢᏔᏅᎩ ᎾᏍᎩ ᏗᎫᏓᏙᏗ ᎦᎵᏦᏛᎢ, ᎾᏍᎩ ᏌᏉ ᎢᏳᎵᏍᏙᏗᏱ.\nᎠᎴ ᎦᎵᏦᏛ ᎫᏢᏙᏗ ᎤᏬᏢᏅᎩ ᎤᏂᏃᏕᎾ ᎦᏁᎦ ᏗᎩᎦᎨ ᎤᏬᏢᏔᏅᎩ, ᎠᎴ ᎾᎿ ᎦᎸᎳᏗᏢ ᎫᏢᏗ ᎤᏬᏢᏅᎩ ᏓᎭᏏ ᎦᏁᎦ ᎤᏬᏢᏔᏅᎩ.\nᏧᏯᏖᎾᏃ ᏚᏬᏢᏅᎩ ᎠᏓ-ᎬᎾᎨ ᏚᏬᏢᏔᏅᎩ, ᎾᏍᎩ ᎦᎵᏦᏙᏉᏉᏙᏗ, ᏕᎦᎧᎲᎩ.\nᎠᏍᎪᎯ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏒᎩ ᏌᏉ ᎤᏯᏖᎾ, ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎥᎩ ᏌᏉ ᎤᏯᏖᎾ.\nᏌᏉ ᎤᏯᏖᎾ ᏔᎵ ᏕᎪᏢᏒᎩ ᏗᎫᏍᏗᏍᏓᏱ, ᏕᎦᎧᎲᎩ ᎣᏍᏛ ᏓᏙᎵᎬᎩ; ᎾᏍᎩ ᏂᏚᏩᏁᎸᎩ ᏂᎦᏛ ᏧᏯᏖᎾ ᎾᏍᎩ ᎦᎵᏦᏙᏙᏗ.\nᎠᎴ ᏧᏯᏖᎾ ᏚᏬᏢᏅᎩ ᎦᎵᏦᏙᏙᏗ ᏔᎳᏍᎪᎯ ᏧᏯᏖᎾ ᏧᎦᎾᏮ ᎢᏗᏢ ᏤᎯ.\nᎤᎦᏍᎪᎯᏃ ᏚᏬᏢᏅᎩ ᏓᏔᎴᏒ ᎠᏕᎸ ᎤᏁᎬ ᏚᏬᏢᏔᏅᎩ, ᎾᏍᎩ ᎭᏫᏂᏗᏢ ᏔᎳᏍᎪᎯ. ᏧᏯᏖᏃᎯ ᏂᏚᏩᏁᎸᎩ; ᏔᎵ ᏓᏔᎴᏒ ᏌᏉ ᎤᏯᏖᏃᎯ ᎭᏫᏂᏗᏢ ᎾᏍᎩ ᏗᏠᏍᎩ ᏗᎫᏍᏙᏍᏗ, ᎠᎴ ᏔᎵ ᏓᏔᎴᏒ ᏐᎢᏱ ᎤᏯᏖᏃᎯ ᎭᏫᏂᏗᏢ, ᎾᏍᎩ ᏗᏠᏍᎩ ᏔᎵ ᏗᎫᏍᏙᏍᏗ.\nᎠᎴ ᏐᎢᏗᏢ ᎠᏍᏆᎨᏂ ᎦᎵᏦᏛᎢ ᏤᎯ, ᎾᏍᎩ ᏧᏴᏢ ᎢᏗᏢ, ᏔᎳᏍᎪᎯ ᏚᏬᏢᏅᎩ ᏧᏯᏖᎾ.\nᎠᎴ ᎾᎿ ᏤᎯ ᏓᏔᎴᏒ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᏅᎦᏍᎪᎯ ᏚᏬᏢᏅᎩ; ᏔᎵ ᏓᏔᎴᏒ ᏌᏉ ᎤᏯᏖᏃᎯ ᎭᏫᏂᏗᏢ ᎠᎴ ᏔᎵ ᏓᏔᎴᏒ ᏐᎢᏱ ᎤᏯᏖᏃᎯ ᎭᏫᏂᏗᏢ.\nᎠᏍᏆᎨᏂᏃ ᎾᏍᎩ ᎦᎵᏦᏛ ᏭᏕᎵᎬ ᏫᏚᏳᎪᏛ ᏑᏓᎵ ᏓᏯᏖᎾ ᏚᏬᏢᏅᎩ.\nᏔᎵᏃ ᏧᏯᏖᎾ ᏚᏬᏢᏅᎩ ᎤᏅᏏᏴ ᏤᎯ ᎾᏍᎩ ᎦᎵᏦᏛᎢ ᎾᎿ ᏔᎵ ᏗᏍᏆᎨᏂ ᎨᏒᎢ.\nᎡᎳᏗᏢᏃ ᏕᎫᏓᏛᎩ, ᎠᎴ ᎾᏍᎩ ᎤᏍᎪᎵ ᎦᎸᎳᏗ ᏕᎫᏓᏛᎩ, ᎾᏍᎩ ᎯᎠ ᎢᏧᎳ ᏂᏚᏩᏁᎸᎩ, ᎢᏧᎳᏗᏢ ᎾᏍᎩ ᎤᏅᏏᏴᎢ.\nᎾᏍᎩᏃ ᏧᏁᎳ ᏂᎦᎥᎩ ᏧᏯᏖᎾ: ᏓᏔᎴᏒᏃ ᏓᎳᏚ ᏂᎦᎥᎩ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᏓᏔᎴᏒᎩ; ᏂᎦᏛ ᏧᏯᏖᎾ ᏔᎵᎭᎾ ᎭᏫᏂᏗᏢ ᏓᏔᎴᏒᎩ.\nᏗᏍᏆᎾᎳᏗᏍᏗᏃ ᎠᏓ-ᎬᎿᎨ ᏚᏬᏢᏔᏅᎩ; ᎯᏍᎩ ᏓᏢᎩ ᏧᏯᏖᏃᎯ ᏌᏉ ᎠᏍᏆᎨᏂ ᎢᏗᏢ ᎦᎵᏦᏛᎢ.\nᎯᏍᎩᏃ ᏗᏍᏆᎾᎳᏗᏍᏗ ᏓᏢᎩ ᏧᏯᏖᏃᎯ ᏐᎢᏗᏢ ᎠᏍᏆᎨᏂ ᎦᎵᏦᏛᎢ: ᎠᎴ ᎯᏍᎩ ᏗᏍᏆᎾᎳᏗᏍᏗ ᏓᏢᎩ ᏧᏯᏖᏃᎯ ᎠᏍᏆᎨᏂ ᎦᎵᏦᏛᎢ ᏭᏕᎵᎬ ᎢᏗᏢ.\nᎠᏰᎵᏃ ᎡᎯ ᎠᏍᏆᎾᎳᏗᏍᏗ ᏧᏯᏖᏃᎯ ᎠᏰᎵ ᏂᎦᏅᎯᏒ ᎠᏢᎩ.\nᏧᏯᏖᎾᏃ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏭᏔᏅᎩ, ᎠᎴ ᎾᏍᎩ ᏧᏓᏆᏙᏉᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏬᏢᏔᏅᎩ ᎾᏍᎩ ᏗᏍᏆᎾᎳᏗᏍᏗ ᏗᏝᏗᏍᏗᏱ; ᎾᏍᎩᏃ ᏗᏍᏆᎾᎳᏗᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏭᏢᏔᏅᎩ.\nᎠᏰᏙᎳᏛᏗᏃ ᏕᎭᎷᎨ, ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨ, ᎠᎴ ᎤᏏᏙᎵ ᏗᏏᏓᎵ ᎤᏥᎸᎢ ᎤᏬᏢᏔᏅᎩ, ᎠᏂᎩᎷᏫ ᎠᎵᏏᎾᎯᏍᏔᏅᎯ. ᏗᎦᎸᏫᏍᏓᏁᎸᎯ ᏚᏬᏪᎳᏅᎩ ᎾᎿᏂ.\nᎠᎴ ᎾᎿ ᏚᏠᏯᏍᏔᏅᎩ ᏅᎩ ᏗᎦᎫᏍᏛᏗ ᎠᏓ ᎬᎿᎨ ᏚᏬᏢᏔᏅᎩ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏭᏢᏔᏅᎩ; ᏗᎦᏙᏌᏗᏍᏗᏱᏃ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ; ᎠᎴ ᏅᎩ ᏓᏔᎴᏒ ᏚᏩᏅᏬᏅᎩ ᏚᏬᏢᏔᏅᎩ, ᎠᏕᎸ ᎤᏁᎬ ᏚᏬᏢᏔᏅᎩ.\nᎠᏰᏙᎳᏛᏗᏃ ᎦᎶᎯᏍᏗᏱ ᎦᎵᏦᏛ ᎠᏍᏚᏗ ᎤᏬᏢᏅᎩ, ᏕᎭᎷᎨ, ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ ᏗᏏᏓᎵ ᎤᏬᏢᏔᏅᎩ, ᎪᏪᎳᏅᎯ ᏴᎩ ᎦᏰᏫᏍᏗ ᎬᏔᏅᎯ.\nᎠᎴ ᎾᏍᎩ ᎯᏍᎩ ᏗᎦᎫᏍᏛᏗ ᎬᏩᏠᏯᏍᏗ ᎠᎴ ᎾᎿ ᏤᎯ ᏗᎦᏙᏌᏗᏍᏗᏱ; ᎠᎴ ᎾᏍᎩ ᏧᏍᎪᎵ ᎠᎴ ᎾᎿ ᏤᎯ ᎤᏯᏅᎯ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏭᏢᏔᏅᎩ; ᎾᏍᎩᏂ ᎯᏍᎩ ᏓᏔᎴᏒ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᏇᏣᎵᎵᏃ ᎦᏁᏌᎢ ᎠᏓ-ᎬᎿᎨ ᎤᏬᏢᏔᏅᎩ; ᏦᎢᏁ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏒᎩ, ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎥᎩ, ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏛᎩ.\nᎠᏕᎸᏃ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎤᏭᏢᏔᏅᎩ ᎭᏫᏂᏗᏢ ᎠᎴ ᎦᏚᎢ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏄᏩᏁᏔᏅᎩ ᎬᏩᏚᏫᏛ ᎦᎸᎳᏗᏢ.\nᎠᎴ ᎾᏍᎩ ᎤᏩᏅᏬᏔᏅᎯ ᏅᎩ ᏧᏓᏆᏙᎩ ᏚᏬᏢᏔᏅᎩ, ᎾᏍᎩ ᏅᎩ ᏂᏚᏅᏏᏴ ᏗᎦᏙᏗ, ᏔᎵ ᏧᏓᏆᏙᎩ ᏌᏉ ᎠᏍᏆᎨᏂ ᏤᎯ, ᎠᎴ ᏔᎵ ᏧᏓᏆᏙᎩ ᏐᎢᏗᏢ ᎠᏍᏆᎨᏂ ᏤᎯ.\nᎦᏅᏍᏙᏗᏃ ᎠᏓ-ᎬᎿᎨ ᏚᏬᏢᏔᏅᎩ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏭᏢᏔᏅᎩ.\nᎦᏅᏍᏙᏗᏃ ᏧᏓᏆᏙᎩ ᏕᎦᏛ ᏚᏭᏍᏛᏅᎩ ᎠᏍᏆᎨᏂ ᎢᏗᏢ ᎦᏁᏌᎢᎯ, ᎾᏍᎩ ᎦᏁᏌᎢ ᎦᏅᏍᏙᏗ.\nᎠᎴ ᎫᏢᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎤᏬᏢᏔᏅᎩ;, ᏦᎢᏁ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏒᎩ, ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏍᏛᎥᎩ.\nᎠᎴ ᎠᏂᏔᎵ ᎠᏂᎩᎷᏫ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏬᏢᏔᏅᎩ, ᏗᎦᏅᏆᎶᏏᎶᏛ ᎨᏒᎩ, ᎢᏧᎳ ᎢᏗᏢ ᏧᏍᎪᎵ ᎫᏢᏗᎯ ᏚᏪᎧᏅᎩ.\nᎠᏏᏴᏫ ᎠᎩᎷᏫ ᎤᏍᎪᎵ ᎯᎠ ᎢᏗᏢ ᎦᏙᎬᎩ, ᏐᎢᏃ ᎠᎩᎷᏫ ᏐᎢᏗᏢ ᎤᏍᎪᎵ ᎦᏙᎬᎩ, ᏗᏢᏗᏱ ᏚᏪᎧᏅᎩ ᏚᏬᏢᏅᎩ ᎠᏂᎩᎷᏫ, ᎾᏍᎩ ᎾᎿ ᎢᏧᎳᏗᏢ ᏧᏍᎪᎵ.\nᎠᏂᎩᎷᏫᏃ ᏚᎾᏐᎸᏛᎩ ᏗᏂᏃᎨᏂ; ᎠᎴ ᏗᏂᏃᎨᏂ ᎬᏗ ᎤᏄᏢᏛᎩ ᎫᏢᏗ, ᏓᎾᏓᎧᏅᎩ; ᎾᏍᎩ ᎫᏢᏗᏱ ᎢᏗᏢ ᏭᎾᎦᏛᎩ ᎠᏂᎩᎷᏫ.\nᎦᏍᎩᎶᏃ ᎠᏓ-ᎬᏁᎨ ᎤᏬᏢᏔᏅᎩ; ᏔᎵ ᎢᏯᎩᏳᏍᏡᏛ ᏂᎦᏅᎯᏒᎩ, ᏌᏉᏃ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎥᎩ, ᏔᎵᏁᏃ ᎠᏰᎵ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏛᎩ.\nᎠᏕᎸᏃ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎤᏭᏢᏔᏅᎩ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᏪᏯᎸᏅᎩ ᎾᎿ ᎬᏩᏚᏫᏛ.\nᎠᎴ ᎾᏍᏉ ᎾᎿ ᎤᎬᏔᏅᏅᎩ ᎤᏬᏰᏂ ᎾᏯᏛᎥ ᎢᏯᏯᏖᏅᎬ ᏩᏚᏫᏛ; ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᏪᏯᎸᏅᎩ ᎾᎿ ᎬᏩᏚᏫᏛ.\nᎠᎴ ᏅᎩ ᏧᏓᏆᏙᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏬᏢᏔᏅᎩ ᎬᎾᏬᏔᏅᎯ ᎨᏒᎩ; ᎠᎴ ᎾᏍᎩ ᏧᏓᏆᏙᎩ ᏅᎩ ᏂᏚᏅᏏᏴ ᏚᏔᏅᎩ, ᎾᎿ ᏅᎩ ᏂᏚᏔᏍᎬᎢ.\nᎠᎬᏔᏅᏛ ᎾᎥ ᏕᎦᏛᎩ ᏧᏓᏆᏙᎩ, ᎾᎿ ᏗᎫᏍᏙᏍᏗᏱ ᏗᎦᏅᏍᏙᏗ ᎾᏍᎩ ᎦᏍᎩᎶ ᎦᏅᏍᏙᏗ.\nᏗᎦᏅᏍᏙᏗᏃ ᎠᏓ-ᎬᎿᎨ ᏚᏬᏢᏔᏅᎩ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏬᏢᏔᏅᎩ, ᎾᏍᎩ ᎦᏍᎩᎶ ᎦᏅᏍᏙᏗ.\nᎠᎴ ᎦᏍᎩᎸ ᏤᎯ ᎪᎱᏍᏗ ᏗᎬᏙᏗ ᏚᏬᏢᏅᎩ, ᎾᏍᎩ ᏗᏯᏖᎾ ᎠᎴ ᏗᏗᏙᏗ, ᎠᎴ ᏗᎡᎵᏙ, ᎠᎴ ᏗᏟᏍᏙᏗᏖ ᏗᏖᎵᎩ, ᎾᏍᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᏚᏬᏢᏔᏅᎩ.\nᎠᎴ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎤᏬᏢᏔᏅᎩ; ᎦᏅᏆᎶᏛ ᎨᏒ ᎤᏬᏢᏅ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ; ᎤᏪᏛᎢ, ᎠᎴ ᏚᏩᏂᎦᎸᎢ, ᏗᏖᎵᏙ ᏧᏤᎵᎦ, ᏚᏆᏛᎢ, ᎠᎴ ᏚᏥᎸᏒᎢ, ᎤᏠᏱᏉ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᏦᎢ ᏗᏖᎵᏙ ᏚᏬᏢᏅᎩ ᎠᎹᏂ ᎤᏥᎸᏒᎢ ᏄᎾᏍᏛ ᎾᏍᎩᏯᎢ ᎾᎿ ᏌᏉ ᎤᏩᏂᎦᎸᎢ, ᎤᏆᏛᎩ ᎠᎴ ᎤᏥᎸᏒᎩ: ᎠᎴ ᏦᎢ ᏗᏖᎵᏙ ᏚᏬᏢᏅᎩ ᎠᎹᏂ ᎤᏥᎸᏒᎢ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏅᏩᏓᎴ ᎤᏩᏂᎦᎸᎢ, ᎤᏆᏛᎩ ᎠᎴ ᎤᏥᎸᏒᎩ; ᎾᏍᎩᏯ ᏂᏕᎤᏍᏛᎩ ᏑᏓᎵ ᏂᏚᏩᏂᎦᎸ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ ᏂᏙᏓᏳᎾᏄᎪᏨᎯ.\nᎠᎴ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ ᏅᎩ ᏗᏖᎵᏙ ᏂᏕᎤᏍᏛᎩ ᎠᏑᏂ ᎤᏥᎸᏒ ᏄᎾᏍᏛ ᎾᏍᎩᏯ, ᏚᏆᏛᎩ ᎠᎴ ᏚᏥᎸᏒᎩ;\nᎠᎴ ᎤᏆᏛᎩ ᎭᏫᏂᏗᏢ ᏔᎵ ᏂᏕᏅᏩᏂᎦᎸ ᎤᏠᏱ ᎪᏢᏔᏅᎯ, ᎠᎴ ᎤᏆᏛᎩ. ᎭᏫᏂᏗᏢ ᏔᎵ ᏂᏕᎤᏩᏂᎦᎸ ᎤᏠᏱ ᎪᏢᏔᏅᎯ, ᎠᎴ ᎤᏆᏛᎩ ᎭᏫᏂᏗᏢ ᏔᎵ ᏂᏕᎤᏩᏂᎦᎸ ᎤᏠᏱ ᎪᏢᏔᏅᎯ, ᎠᎴ ᎤᏆᏛᎩ ᎭᏫᏂᏗᏢ ᏔᎵ ᏂᏕᎤᏩᏂᎦᎸ ᎤᏠᏱ ᎪᏢᏔᏅᎯ, ᎾᏍᎩᏯ ᏑᏓᎵ ᏂᏚᏩᏂᎦᎸ ᎾᎿ ᏂᏙᏓᏳᎾᏄᎪᏨᎯ.\nᏚᏆᏛ ᎠᎴ ᏚᏩᏂᎦᎸ ᎤᏠᏱᏉ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ; ᏂᎦᏛ ᏌᏉ ᎦᏅᏆᎶᏏᎶᏛ ᎪᏢᏅᎯ, ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᎾᏍᎩᏃ ᎦᎵᏉᎩ ᎪᎢ ᏗᏟᏍᏗ ᏗᏨᏍᏙᏗ ᎠᎴ ᏗᏥᏃᏍᎦᎶᏗ ᎠᎴ ᏗᏥᏃᏍᎦᎸᏛᏗᎦᎶᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᏚᏬᏢᏔᏅᎩ.\nᏌᏉ ᏔᎸᏗ ᎢᏳᏓᎨᏛ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎤᏬᏢᏔᏅᎩ ᎾᏍᎩ, ᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᏗᎬᏙᏗ ᎾᎿ ᏤᏥ\nᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎦᏩᏒᎩ ᎬᏙᏗᏱ ᎤᏬᏢᏅᎩ ᎠᏓ-ᎬᎿᎨ ᎤᏬᏢᏔᏅᎩ. ᏌᏉ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏒᎩ, ᎠᎴ ᏌᏉ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎥᎩ, ᎢᎦᏱᏛᎭ ᎨᏒᎩ, ᎠᎴ ᏔᎵ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏛᎩ; ᏚᎷᎬ ᎤᏠᏱᏉ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎤᏭᏢᏔᏅᎩ, ᎦᏚᎢᏗᏢ, ᎠᎴ ᏗᏍᏆᎨᏂ ᎬᏩᏚᏫᏛ, ᎠᎴ ᏕᎤᎷᎬᎢ; ᎠᏕᎸᏃ ᏓᎶᏂᎨ ᏄᏩᏁᏔᏅᎩ ᎬᏩᏚᏫᏛ ᎦᎸᎳᏗᏢ.\nᎠᎴ ᏔᎵ ᏧᏓᏆᏙᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏬᏢᏔᏅᎩ ᎾᏍᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᎬᏩᏚᏫᏛ ᏂᎬᏁᏛ ᎡᎳᏗᏢ ᏚᏔᏅᎩ ᎾᎿ ᏔᎵ ᏓᏍᏛᎢ, ᏗᏍᏆᎨᏂ ᎢᏧᎳᏗᏢ, ᏗᏝᏗᏍᏗᏱ ᎦᏅᏍᏙᏗ, ᎾᏍᎩ ᎦᏅᏍᏙᏗ.\nᎦᏅᏍᏙᏗᏃ ᎠᏓ-ᎬᎿᎨ ᏚᏬᏢᏔᏅᎩ, ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏭᏢᏔᏅᎩ.\nᎠᎴ ᎾᏍᎩ ᎪᎢ ᎦᎸᏉᏗ ᎠᏠᏁᏗ ᎤᏬᏢᏅᎩ, ᎠᎴ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᎦᏩᏒᎩ ᎬᏙᎩ ᎤᏬᏢᏔᏅᎩ, ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ ᎤᏬᏢᏔᏅᎩ, ᎾᏍᎩᏯ ᏂᎬᏁᎲ ᎪᏢᏍᎬ ᏅᏬᏘ ᎪᏢᏍᎩ.\nᎠᏥᎸᏃ ᎨᎳᏍᏗᏱ ᎠᏓ-ᎬᎿᎨ ᎤᏬᏢᏔᏅᎩ; ᎯᏍᎩ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏒᎩ, ᎠᎴ ᎯᏍᎩ ᎢᏯᎩᏳᏍᏈᏛ ᎾᏯᏛᎥᎩ, ᎢᎦᏱᏛᎭ ᎨᏒᎩ, ᎠᎴ ᏦᎢ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏛᎩ.\nᏚᎷᎬᏃ ᏚᏬᏢᏅᎩ, ᏚᏪᎧᏅᎩ ᎾᎿ ᏅᎩ ᏂᏚᏅᏏᏴᎢ; ᏚᎷᎬ ᎤᏠᏱᏉ ᎨᏒᎩ; ᎥᏣᏱᏃ ᎤᏭᏢᏔᏅᎩ.\nᏂᎦᏛᏃ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ ᏚᏬᏢᏅᎩ, ᎾᏍᎩ ᎪᏍᏚ ᎦᎶᏗ, ᎠᎴ ᎪᏕᏍᏗ, ᎠᎴ ᏧᏖᎵᏙ, ᎠᎴ ᎭᏫᏯ ᎦᏂᏴᏙᏗ, ᎠᎴ ᎠᏥᎸ ᎦᎶᏗ, ᏂᎦᏛ ᎾᎿ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ, ᎥᏣᏱ ᏚᏬᏢᏔᏅᎩ.\nᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗ ᎠᎦᏯᎷᏗ ᎢᏳᏍᏗ ᎤᏬᏢᎾᏁᎸᎩ ᎥᏣᏱ ᎪᏢᏔᏅᎯ, ᎭᏫᏂᏗᏢ ᎤᎦᏌᏛᎢ ᏄᏩᏁᎸᎩ, ᎡᎳᏗᏢ ᎠᏰᎵ ᎢᏴᏛ ᏩᏍᏘ.\nᏅᎩᏃ ᏚᏬᏢᏅᎩ ᏧᏓᏆᏙᎩ ᎾᏍᎩ ᏅᎩ ᏂᏚᏅᏏᏴ ᏗᎦᏙᏗ ᎥᏣᏱ ᎪᏢᏔᏅᎯ ᎠᎦᏯᎷᏗ ᎢᏳᏍᏗ, ᎾᏍᎩ ᎾᎿ ᏗᏝᏗᏍᏗᏱ ᎦᏅᏍᏙᏗ.\nᎦᏅᏍᏙᏗᏃ ᎠᏓ-ᎬᎿᎨ ᏚᏬᏢᏔᏅᎩ, ᎠᎴ ᎥᏣᏱ ᏚᏭᏢᏔᏅᎩ.\nᎦᏅᏍᏙᏗᏃ ᏧᏓᏆᏉᎩ ᏕᎦᏛ ᏚᏭᏍᏙᏅᎩ, ᎾᏍᎩ ᏗᏍᏆᎨᏂ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᏕᎦᏛᎢ ᎾᏍᎩ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎦᏂᏴᏗᏱ ᎠᏴᏍᏗᏱ; ᎤᏒᏙᏂ ᏄᏩᏁᎸ ᎤᏬᏢᏅ ᎠᏥᎸ ᎨᎳᏍᏗᏱ, ᏧᏯᏖᎾ ᎤᏬᏢᏔᏅᎩ.\nᎠᎴ ᏗᎪᏑᎴᏗᏱ ᎥᏣᏱ ᎤᏬᏢᏔᏅᎩ, ᎠᎴ ᎠᏠᏗᏱ ᎥᏣᏱ ᎤᏬᏢᏔᏅᎩ, ᎾᏍᎩ ᏗᏓᎨᏗ ᎾᏍᎩ ᎠᏂᎨᏴ ᏗᏂᎳᏫᏦᎯᎯ ᏧᎾᏤᎵᎦ, ᎾᏍᎩ ᎦᎶᎯᏍᏗᏱ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏗᏂᎳᏫᏦᎯᎯ.\nᎣᏂᏃ ᎤᏬᏢᏅᎩ; ᎠᏍᏆᎨᏂ ᏧᎦᎾᏮ ᎢᏗᏢ ᏗᏰᏙᎳᏛᏗ ᎠᏂ ᎾᏍᎩ ᎣᏂ ᎤᏏᏙᎵ ᏙᎴᏛ ᏗᏏᏓᎵ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ, ᎠᏍᎪᎯᏧᏈ ᎢᏯᎩᏳᏍᏈᏛ ᎢᎦᏅᎯᏛ.\nᏗᎦᏓᏍᏛᏗ ᏔᎳᏍᎪᎯ ᏂᎦᎥᎩ, ᎠᎴ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ. ᏓᏔᎴᏒ ᏔᎳᏍᎪᎯ; ᏗᎦᏙᏌᏗᏍᏗᏱ ᎠᎴ ᎾᏍᎩ ᎤᏯᏅᎯ ᏗᎦᎫᏍᏯᏍᏛᏗᏱ ᏤᎯ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᏧᏴᏢᏃ ᎢᏗᏢ ᏤᎯ ᏗᏰᏙᎳᏛᏗ ᎠᏍᎪᎯᎫᏈ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏒᎩ, ᏗᎦᎫᏍᏛᏗᏃ ᏔᎳᏍᎪᎯ ᎨᏒᎩ, ᏓᏔᎴᏒᏃ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᏔᎳᏍᎪᎯ; ᏗᎦᏙᏌᏗᏍᏗᏱ ᎠᎴ ᎾᏍᎩ ᎤᏯᏅᎯ. ᏗᎦᎫᏍᏛᏗᏱ ᏤᎯ, ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᏭᏕᎵᎬᏃ ᎢᏗᏢ ᏤᎯ ᏗᏰᏙᎳᏛᏗ ᎯᏍᎦᏍᎪᎯ ᎢᏯᎩᏳᏍᏈᏛ ᏂᏕᎦᏅᎯᏒᎩ, ᏗᎦᎫᏍᏛᏗ ᎠᏍᎪᎯ ᏂᎦᎥᎩ, ᎠᎴ ᏓᏔᎴᏒ ᎠᏍᎪᎯ ᎨᏒᎩ; ᏗᎦᏙᏌᏗᏍᏗᏱ ᏗᎦᎫᏍᏛᏗᏱ ᏤᎯ ᎠᎴ ᎾᏍᎩ ᎤᏯᏅᎯ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᏗᎧᎸᎬᏃ ᎢᏗᏢ ᏤᎯ ᎯᏍᎦᏍᎪᎯ ᎢᏯᎩᏳᏍᏈᏛ.\nᏗᏰᏙᎳᏛᏗᏃ . ᏌᏉ ᎢᏗᏢ ᎾᏍᎩ [ᎦᎶᎯᏍᏗᏱ] ᎯᏍᎩᎦᏚ ᎢᏯᎩᏳᏍᏈᏛ ᏂᏕᎦᏅᎯᏒᎩ; ᏗᎦᎫᏍᏛᏗ ᏦᎢ ᎨᏒᎩ, ᏓᏔᎴᏒᏃ ᏦᎢ.\nᏐᎢᏱᏃ ᎢᏗᏢ, ᎣᏂ ᎦᎶᎯᏍᏗᏱ, ᎯᎠ ᎢᏗᏢ ᎠᎴ Ꭰ ᎢᏗᏢ, ᏗᎦᏙᎳᏛᏗ ᎯᏍᎩᏚ ᎢᏯᎩᏳᏍᏈᏛ ᏂᏕᎦᏅᎯᏒᎩ; ᏗᎦᎫᏍᏛᏗ ᏦᎢ ᎨᏒᎩ, ᎠᎴ ᏓᏔᎴᏒ ᏦᎢ ᎨᏒᎩ.\nᏂᎦᏛ ᏗᏰᏙᎳᏛᏗ ᎣᏂ ᎬᏩᏚᏫᏛ ᏕᎦᏛᎢ ᎤᏏᏙᎵ ᎤᏥᎸᎢ ᏗᏏᏓᎵ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᎠᎴ ᏓᏔᎴᏒ ᏗᎦᎫᏍᏛᏗ ᏗᎦᎪᏗᏱ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ; ᏗᎦᏙᏌᏗᏍᏗᏱ ᏗᎦᎫᏍᏛᏗᏱ ᏤᎯ, ᎠᎴ ᎾᏍᎩ ᎤᏇᏅᎯ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ; ᎠᎴ ᎾᏍᎩ ᏧᏍᎪᎵ ᏕᎫᏢᏛ ᎠᏕᎸ ᎤᏁᎬ ᎨᏒᎩ; ᎠᎴ ᏂᎦᏛ ᏗᎦᎫᏍᏛᏗ ᎾᏍᎩ ᎣᏂ [ᎤᏯᏅᎯ] ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᏕᎦᎸᏍᏙᏛᎩ.\nᎣᏂ ᎦᎶᎯᏍᏗᏱ ᎪᏢᏒ ᏗᏯᏙᎳᏛᏗ ᎪᏪᎳᏅᎯ ᎨᏒᎩ ᏴᎩ ᎦᏰᏫᏍᏗ ᎬᏔᏅᎯ, ᏕᎭᎷᎨ ᎠᏄᏬ ᎨᏒᎩ, ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ ᏗᏏᏓᎵ;, ᏔᎳᏍᎪᎯ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏅᎯᏒᎩ, ᎯᏍᎩᏃ ᎢᏯᎩᏳᏍᏈᏛ ᏂᎦᏛᎩ ᎠᏯᏛᎥᎢ, ᎤᏠᏱ ᎨᏒᎩ ᏓᏱᏙᎳᏛ ᎣᏂ ᎪᏢᏒᎢ.\nᎾᎿᏃ ᏗᎦᎫᏍᏛᏗ ᏅᎩ ᏂᎦᎥᎩ , ᏓᏔᎴᏒᏃ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᏅᎩ ᏂᎦᎥᎩ; ᏗᎦᏙᏌᏗᏍᏗᏱ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ, ᎠᎴ ᏧᏍᎪᎵ ᏕᎫᏝᎥᎢ, ᎠᎴ ᎾᏍᎩ ᎤᏯᏅᎯ ᎠᏕᎸ ᎤᏁᎬ ᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᏂᎦᏛᏃ ᏗᎨᏘᏂᏓᏍᏗ ᎦᎵᏦᏛᎢ, ᎠᎴ ᎣᏂ ᎬᏩᏚᏫᏛ ᎥᏣᏱ ᏗᎪᏢᏔᏅᎯ ᎨᏒᎩ.\nᎯᎠ ᎾᏍᎩ ᏂᎦᏥᎯᎭ ᎦᎵᏦᏙᏗᏱ ᎤᎬᏩᎵ, ᎾᏍᎩ ᎦᎵᏦᏛ ᏗᎧᎿᏩᏛᏍᏗ, ᎾᏍᎩ ᎿᏉ ᎠᏕᎸᎯ ᎨᏒᎢ, ᎾᏍᎩᏯ ᎤᏁᏨ ᎼᏏ, ᎾᏍᎩ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎠᏂ ᎵᏫ, ᎠᎬᏗᏍᎬ ᎢᏗᎹ, ᎡᎳᏂ ᎤᏪᏥ, ᎠᏥᎸ ᎨᎶᎯ.\nᏇᏣᎵᎵᏃ ᏳᎳ ᎤᏪᏥ, ᎾᏍᎩ ᎭᎵ ᎤᏪᏥ, ᏧᏓᏏ ᎠᏂᎳᏍᏓᎸ ᎤᏂᏠᏱ, ᎤᏬᏢᏅᏅᎩ ᏂᎦᏛ ᏱᎰᏩ ᎤᏁᏤᎸ ᎼᏏ ᎤᏬᏢᏗᏱ.\nᎾᏍᎩᏃ ᎤᏍᏕᎸᎯᏙᎲᎩ ᎠᎰᎵᎠᏈ, ᎤᏪᏥ ᎠᎯᏏᎹᎩ ᏕᏂ ᎠᏂᎳᏍᏓᎸ ᎤᏂᏠᏱ, ᎾᏍᎩ ᏅᏲᎯ ᏗᎪᏪᎵᏍᎩ, ᎠᎴ ᎠᏏᎾᏌᏂ ᎪᏢᏅᎥᏍᎩ, ᎠᎴ ᏴᎩ ᎦᏰᏫᏍᏗ ᎬᏗ ᏗᎪᏪᎵᏍᎩ ᏗᏄᏬ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ.\nᏂᎦᏛᏃ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎤᏅᏔᏅᎯ ᎯᎠ ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᎸᎯ ᎨᏒᎢ, ᏂᎦᏛ ᏕᎦᎸᏫᏍᏓᏁᎸ ᎦᎸᏉᏗᏳ ᎦᎵᏦᏛ ᎠᏃᏢᏍᎬᎢ, ᎾᏍᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᎾᎵᏍᎩᎸᏔᏅᎯ ᏔᎳᏍᎪᎯ ᏐᎣᏁᎳᏦᏁ ᏔᎸᏗ ᎢᏳᏓᎨᏛ ᎨᏒᎩ, ᎠᎴ ᎦᎵᏉᎩᏧᏈ ᏦᎠᏍᎪᎯ ᏎᎩᎵ, ᎾᏍᎩ ᏎᎩᎵ ᎦᎸᏉᏗᏳ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏂᏗ ᎨᏒ ᏓᏁᎶᏛᎩ.\nᎠᏕᎸᏃ ᎤᏁᎬ ᎤᏂᏅᎯ ᎾᏍᎩ ᎨᎦᏎᎸᎯ ᎾᏍᎩ ᏑᎾᏓᏡᎩ ᎨᏒᎢ, ᎠᏍᎪᎯᏧᏈ ᏔᎸᏗ ᎢᏳᏓᎨᏛ ᎨᏒᎩ, ᏌᏉᏃ ᎢᏯᎦᏴᎵ ᎦᎵᏉᎩᏧᏈ ᎦᎵᏆᏍᎪᎯ ᎯᏍᎩᎦᎵ ᏎᎩᎵ ᎨᏒᎩ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏂᏗ ᎨᏒ ᏓᏁᎶᏛᎩ:\nᏈᎦ ᎠᏂᎲᏍᎬᎩ ᎠᏂᏏᏴᏫᎭᎢ, ᎾᏍᎩ ᎦᏛᎬ ᏌᏉ ᏎᎩᎵ ᎠᏰᎵ ᎢᎦᎢ, ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏂᏗ ᎨᏒ ᏓᏁᎶᏛᎩ; ᎾᏍᎩ ᎾᏂᎥ ᎤᏁᏅᏛ ᎨᎦᏎᏍᏗᏱ, ᏔᎳᏍᎪᎯ ᎢᏳᎾᏕᏘᏴᏛ ᏅᏛᎴᏅᏛ ᎠᎴ ᎤᎶᏒᏍᏗ, ᎾᏍᎩ ᏑᏓᎵᏧᏈ ᎢᏯᎦᏴᎵ, ᎠᎴ ᏦᎢ ᎢᏯᎦᏴᎵ, ᎠᎴ ᎯᏍᎩᏧᏈ ᎠᎴ ᎯᏍᎦᏍᎪᎯ ᎢᏯᏂᏛ ᎨᏒᎩ.\nᎾᏍᎩᏃ ᎠᏍᎪᎯᏧᏈ ᏔᎸᏗ ᎢᏳᏓᎨᏛ ᎤᏁᎬ ᎠᏕᎸ ᎤᏂᏅᎢ ᎤᏅᏅᏬᏔᏅᎩ ᏚᏃᏢᏔᏅᎩ ᏓᏔᎴᏒ ᎦᎸᏉᏗᏳ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎪᎱᏍᏗ ᏗᎬᏙᏗ, ᎠᎴ ᏓᏔᎴᏒ ᎠᏰᏙᎳᏛᏗ ᎪᎱᏍᏗ ᏗᎬᏙᏗ; ᎾᏍᎩ ᎠᏍᎪᎯᏧᏈ ᏓᏔᎴᏒ ᏚᏃᏢᏔᏅᎩ ᎠᏍᎪᎯᏧᏈ ᏔᎸᏗ; ᏌᏉ ᏔᎸᏗ ᏌᏉ ᎠᎳᎴᏒ ᎤᏃᏢᏔᏅᎩ\nᎾᏃ ᏌᏉ ᎢᏯᎦᏴᎵ ᎦᎵᏉᎩᏧᏈ ᎠᎴ ᎦᎵᏆᏍᎪᎯ ᎯᏍᎩᎦᎵ ᏎᎩᎵ ᏗᎦᏙᏌᏗᏍᏗᏱ ᏚᏬᏢᏔᏅᎩ, ᎾᏍᎩ ᏗᎦᎫᏍᏛᏗᏱ. ᏤᎯ, ᎠᎴ ᏚᏭᏢᏅᎩ ᎾᏍᎩ ᏧᏍᎪᎵ, ᎠᎴ ᏚᏭᏓᏔᏅᎩ.\nᎥᏣᏱᏃ ᎤᎾᎵᏍᎪᎸᏔᏅᎯ ᎦᎵᏆᏍᎪᎯ ᏔᎸᏗ ᎢᏳᏓᎨᏛ ᎨᏒᎩ, ᏔᎵᏃ ᎢᏯᎦᏴᎵ ᏅᎩᏧᏈ ᏎᎩᎵ ᎨᏒᎩ.\nᎾᏍᎩᏃ ᏚᏬᏢᏔᏅᎩ ᏓᏔᎴᏒ ᎦᎶᎯᏍᏗᏱ ᏤᎯ ᎾᏍᎩ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎦᎶᎯᏍᏗᏱ, ᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎥᏣᏱ ᎪᏢᏔᏅᎯ, ᎠᎴ ᎥᏣᏱ ᎪᏢᏔᏅᎯ ᎠᎦᏯᎷᏗ ᎢᏳᏍᏗ ᎾᎿ ᎡᎯ, ᎠᎴ ᏂᎦᏛ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ.\nᏓᏔᎴᏒᏃ ᎣᏂ ᎬᏩᏚᏫᏛ ᏤᎯ, ᎠᎴ ᏓᏔᎴᏒ ᎣᏂ ᎦᎶᎯᏍᏗᏱ ᏤᎯ, ᎠᎴ ᏂᎦᏛ ᏗᎨᏘᏂᏓᏍᏗ ᎦᎵᏦᏛᎢ, ᎠᎴ ᏂᎦᏛ ᏗᎨᏘᏂᏓᏍᏗ ᎣᏂ ᎬᏩᏚᏫᏛ.\nᎠᏄᏬᏃ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᏗᏄᏬ ᏚᏂᎸᏫᏍᏓᏁᎲ ᏧᎾᏄᏬᏍᏗ ᏚᏃᏢᏅᎩ, ᎦᎸᏉᏗᏳ ᎨᏒ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ, ᎠᎴ ᏚᏃᏢᏅᎩ ᏗᎦᎸᏉᏗ ᎡᎳᏂ ᏧᏄᏬᎢ; ᎾᏍᎩᏯ ᏱᎰᏩ ᎤᏁᏤᎸ ᎼᏏ.\nᎠᎴ ᎡᏉᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᏬᏢᏔᏅᎩ ᎠᎴ ᏕᎭᎷᎨ ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ ᏗᏏᏓᎵ.\nᎠᏕᎸᏃ ᏓᎶᏂᎨ ᎤᏂᏅᏆᎶᎥᎯ ᏌᎨ ᏄᏅᏁᎸᎩ, ᎤᏯᏅᎯᏃ ᎤᏃᏢᏔᏅᎩ, ᎾᏍᎩ ᎤᎾᏑᏴᏗ ᎠᏄᏬ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ, ᎤᏥᎸᎢ ᎠᎵᏏᎾᎯᏍᏔᏅᎯ ᏗᎦᎸᏫᏍᏓᏁᎸᎯ ᎨᏒᎩ.\nᏗᎦᏅᏬᏃ ᏤᎯ ᏚᏃᏢᏅᎩ ᎾᏍᎩ ᎾᎿ ᏗᎫᏓᏙᏗᏱ; ᎾᏍᎩ ᏔᎵ ᏓᏍᏛ ᏕᎫᏔᏛᎩ.\nᎠᏓᏠᏍᏗ ᎡᏉᏗ ᎤᏤᎵ ᎦᎸᏍᏙᏗ ᎾᎿ ᎫᏓᏛᎢ, ᎤᏠᏱ ᎪᏢᏔᏅᎯ ᎨᏒᎩ, ᎾᏍᎩ ᏂᎬᏅ ᎪᏢᏒᎢ; ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏛᎩ, ᎠᎴ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏏᏙᎵ ᎤᏥᎸᎢ ᏄᎨᏓᎵ; ᎾᏍᎩᏯ ᏱᎱᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎣᏂᎦᏃ ᏅᏯ ᏚᏃᏢᏅᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏅᏯᏗᎦᎪᏗᏱ ᏚᏂᎧᏅᎩ, ᏕᎪᏪᎸᎩ ᎾᏍᎩᏯ ᎠᏐᎥᏍᏙᏗ ᏂᎬᏅ ᎪᏪᎸᎢ, ᏚᎾᏙᎥ ᎢᏏᎵ ᏧᏪᏥ ᏕᎪᏪᎸᎩ.\nᏗᎦᏅᏬᏃ ᎡᏉᏗᏱ ᏚᏪᎧᏅᎩ, ᎾᏍᎩ ᏅᏯ ᎢᏏᎵ ᏧᏪᏥ ᎨᎦᏅᏓᏗᏍᏙᏗ ᎨᏒᎩ; ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎠᏓᏁᏣᏍᏚᎶᏃ ᎤᏬᏢᏅᎩ ᎠᎵᏏᎾᎯᏍᏔᏅᎯ ᏗᎦᎸᏫᏍᏓᏁᎸᎯ ᎨᏒᎩ, ᎡᏉᏗ ᏂᎬᏅ ᎾᏍᎩᏯ ᏂᎬᏅᎩ; ᎪᏢᏛᎩ ᎠᏕᎸ ᏓᎶᏂᎨ, ᎠᎴ ᏕᎭᎷᎨᎢ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎨᎦᎨᎢ, ᎠᎴ ᎤᏥᎸᎢ ᎤᏏᏙᎵ ᏗᏏᏓᎵ.\nᎢᎦᏱᏛᎭ ᎨᏒᎩ; ᎠᏰᎦᎵ ᏄᏅᏁᎸᎩ ᎤᏃᏢᏅ ᎠᏓᏁᏣᏍᏚᎶᎢ; ᎠᏓᏬᎯᎳ ᏂᎦᏅᎯᏒᎩ, ᎠᎴ ᎠᏓᏬᎯᎳ ᎾᏯᏛᎥᎩ, ᎠᏰᎦᎸᎩ.\nᎾᎿᏃ ᏅᎩ ᏂᏚᏓᏅᏅ ᏅᏯ ᏚᏂᎧᏅᎩ; ᎢᎬᏱᏱ ᎤᏓᏅᏅ ᎦᏂᎵᏯ, ᎠᎴ ᏙᏆᏏ, ᎠᎴ ᎡᎻᎳ ᏕᎦᎧᎲᎩ; ᎯᎠ ᎾᏍᎩ ᎢᎬᏱᏱ ᎤᏓᏅᏅᎢ.\nᏔᎵᏁᏃ ᎤᏓᏅᏅ ᏕᎦᎧᎲᎩ ᏃᏈᎩ, ᎠᎴ ᏌᏆᏯ, ᎠᎴ ᏓᎹᏂ.\nᏦᎢᏁᏃ ᎤᏓᏅᏅ. ᏤᏏᏂ, ᎠᎴ ᎡᎩᏗ, ᎠᎴ ᎠᎻᏗᏏ.\nᏅᎩᏁᏃ ᎤᏓᏅᏅ, ᏇᎵ, ᎠᎴ ᎣᏂᎩ, ᎠᎴ ᏣᏍᏆ; ᎠᏕᎸ ᏓᎶᏂᎨ ᏅᏯ-ᏗᎦᎪᏗᏱ ᏕᎦᎧᎲᎩ ᎾᎿ ᏗᎦᎪᏗᏱ ᎨᏒᎢ.\nᏅᏯᏃ ᎾᏍᎩᏯ ᎢᏏᎵ ᏧᏪᏥ ᎾᏂᎥ ᏚᎾᏙᎥ ᏂᎦᎥᎩ, ᎾᏍᎩ ᏔᎳᏚ, ᎾᏍᎩᏯ ᎾᏂᎥ ᏚᎾ ᏙᎥᎢ, ᎾᏍᎩᏯ ᎠᏐᎥᏍᏙᏗ ᏂᎬᏅ ᎪᏪᎸᎢ, ᎠᏂᏏᏴᏫᎭ ᏕᎪᏪᎸᎩ ᏚᎾ ᏙᎥᎢ, ᎾᏍᎩᏯ ᎾᏂᎥ ᏔᎳᏚ ᎾᏂᎳᏍᏓᎸᎢ.\nᎠᏓᏁᏣᏍᏚᎶᎩ ᎯᏃ ᏓᏍᏛᎢ, ᏧᏓᏕᏒᏛ ᏚᏃᏢᏅᎩ, ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᏏᏓᎵ ᎪᎱᏍᏗ ᎾᏑᏴᎾ ᏚᏃᏢᏔᏅᎩ.\nᏔᎵᏃ ᏅᏯ-ᏗᎦᎪᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏃᏢᏔᏅᎩ, ᎠᎴ ᏔᎵ ᏧᏓᏆᏙᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏃᏢᏔᏅᎩ; ᎠᏓᏁᏣᏍᏚᎶᎩ ᎯᏃ ᏓᏍᏛᎢ ᏚᎾᏔᏅᎩ ᎾᏍᎩ ᏔᎵ ᏧᏓᏆᏙᎩ.\nᎾᏍᎩᏃ ᏔᎵ ᏧᏓᏕᏒᏛ ᏗᏏᏓᎵ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ; ᏧᏓᏆᏙᎩ ᎠᏓᏁᏣᏍᏚᎶᎩᎯ ᏓᏍᏛᎢ ᏚᎾᏛᏅᎩ.\nᎢᏧᎳᏃ ᏧᏍᎪᎵ ᏧᏓᏕᏒᏛ ᏗᏏᏓᎵ ᎠᏕᎸ ᏓᎶᏂᎨ ᎤᏯ-ᏗᎦᎪᏗᏱ ᏚᏄᏓᎸᏅᎩ, ᏗᎦᏅᏬᏃ ᏤᎯ ᎡᏉᏗᏱ ᎢᎬᏱᏗᏢ ᏚᏂᏯᎸᏅᎩ.\nᏧᏓᏆᏙᎩᏃ ᏔᎵ ᏚᏃᏢᏅᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏃᏢᏔᏅᎩ, ᏓᏍᏛᏃ ᎢᏧᎳᏗᏢ ᎠᏓᏁᏣᏍᏚᎶᎩᎯ ᏚᎾᏔᏅᎩ, ᎾᏍᎩ ᎡᏉᏗᏱ ᎠᏍᏛ ᎭᏫᏂᏗᏢ.\nᏂᏗᎬᏩᏓᎴᏃ ᏔᎵ ᏧᏓᏆᏙᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᏚᏃᏢᏔᏅᎩ, ᏔᎵᏃ ᏗᎦᏅᏬ ᏤᎯ ᎡᏉᏗᏱ ᎭᏫᏂᏗᏢ ᏚᎾᏔᏅᎩ, ᎢᎬᏱᏗᏢ ᏫᏚᏳᎪᏛᎢ, ᏕᎫᏓᏛ ᎾᎥᎢ, ᎡᏉᏗ ᎦᎸᏍᏙᏗ ᎦᎸᎳᏗᏢ.\nᏧᏓᏆᏙᎩᏃ ᏕᎦᏛ ᎠᏓᏁᏣᏍᏚᎶᎩᏱ ᎠᎴ ᎡᏉᏗᏱ ᏚᏄᏓᏔᏅᎩ, ᎤᏅᏔᏅᎩ ᏕᎭᎷᎨ ᎠᏍᏘ, ᎾᏍᎩ ᎦᎸᎳᏗᏢ ᎢᏳᎵᏍᏙᏗᏱ ᎾᏍᎩ ᎾᎿ ᎦᎸᏍᏗ ᎦᎸᎥᎢ ᎡᏉᏗ, ᎾᏍᎩ ᎠᏓᏁᏣᏍᏚᎶ ᎡᏉᏗᏃ ᏧᎾᎦᎴᏅᏗᏱ ᏂᎨᎡᎾ, ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎠᏄᏬᏃ ᎡᏉᏗ ᎭᏫᏂᏗᏢ ᎠᏄᏬᏍᏗ ᎤᏬᏢᏅᎩ, ᎬᏅᎯ ᎠᏄᏬ ᎤᏬᏢᏔᏅᎩ, ᏕᎭᎷᎨᏍᏛᎭ ᎨᏒᎩ.\nᎠᏄᏬᎩ ᎯᏃ ᎠᏰᎵ ᎠᏔᎴᏒᎩ, ᎭᏆᏥᏂᏱ ᏣᏔᎴᏐ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎠᎬᏔᏅᏛᎩ ᎠᏔᎴᏒ ᎬᏩᏚᏫᏛ, ᎾᏍᎩ ᎤᏓᏣᎦᎸᏗᏱ ᏂᎨᏒᎾ.\nᏕᏓᎷᏯᏛᏃ ᎠᏄᏬᎩᎯ ᏆᎻᏆᏂ ᏚᏃᏢᏅᎩ, ᏕᎭᎷᎨ, ᎠᎴ ᎩᎦᎨ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨ, ᎠᎴ ᎤᏥᎸᎢ ᏗᏏᏓᎵ ᏚᏃᏢᏔᏅᎩ.\nᎤᎭᎸᏂᎯᏃ ᏚᏃᏢᏅᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎤᏑᏴᎾ ᏚᏃᏢᏔᏅᎩ, ᎠᏰᎵᏃ ᏚᎾᏔᏅᎩ ᎤᎭᎸᏂᎯ ᏆᎻᏆᏂ ᏕᎦᏛᎢ, ᎦᏓᎷᏯᏛ ᎠᏄᏬᎩᎯ, ᎬᏩᏚᏫᏛ ᏆᎻᏆᏂ ᏕᎦᏛ ᎠᏰᎵ;\nᎤᎭᎸᏂᎯ ᎠᎴ ᏆᎻᏆᏂ, ᎤᎭᎸᏂᎯ ᎠᎴ ᏆᎻᏆᏂ ᏕᎦᏛᎩ ᎬᏩᏚᏫᏛ ᎦᏓᎷᏯᏛ ᎠᏄᏬ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎠᏄᏬᏍᏗ; ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎠᎴ ᏗᏄᏬ ᎤᏥᎸᎢ ᎤᏏᏙᎵ ᏚᏃᏢᏔᏅᎩ, ᎬᏅᎯ ᎨᏒᎩ, ᎾᏍᎩ ᎡᎳᏂ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏧᎾᏄᏬᏍᏗ.\nᎠᎴ ᎠᎵᏍᏚᎶ ᎤᏏᏙᎵ ᎤᏥᎸᎢ ᎤᏃᏢᏔᏅᎩ, ᎠᎴ ᏧᏬᏚᎯ ᏗᎵᏍᏚᎶ ᎤᏥᎸ ᎤᏏᏙᎵ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᎤᏥᎵ ᏗᏑᎶ ᎤᏏᏙᎵ ᏗᏏᏓᎵ ᏚᏃᏢᏔᏅᎩ.\nᎠᎴ ᎠᏓᏠᏍᏗ ᎤᏏᏙᎵ ᎤᏥᎸᎢ ᏗᏏᏓᎵ ᎤᏃᏢᏔᏅᎩ, ᎠᎴ ᏕᎭᎷᎨ, ᎠᎴ ᎩᎦᎨᎢ, ᎠᎴ ᎤᏍᎪᏍᏛ ᎩᎦᎨᎢ, ᏴᎩ ᎬᏗ ᎪᏪᎳᏅᎯ ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎠᏯᏖᎾᏃ ᎦᏯᎸᏗ ᎦᎸᏉᏗᏳ ᎠᎵᏍᏚᎶᎩᎯ ᎤᏃᏢᏅᎩ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᎱᏍᏗ ᎾᏑᏴᏅ ᎤᏃᏢᏔᏅᎩ, ᎠᎴ ᎤᏃᏪᎳᏅᎩ ᎾᎿᏂ ᎠᏐᎥᏍᏙᏗᏱ ᏥᏕᎪᏪᎶ ᎾᏍᎩᏯᎢ, ᎯᎠ ᏄᏍᏛᎩ; ᏱᎰᏩ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᎢᎬᏁᎸᎯ.\nᎾᎿᏃ ᎤᏃᎸᏌᏛᏅᎩ ᎠᏇᎷᏍᏗ ᎢᏳᏍᏗ ᏕᎭᎷᎨᎢ, ᎾᏍᎩ ᎠᏍᏓᏱᏗᏍᏙᏗ ᎠᎵᏍᏚᎶᎩᎯ ᎦᎸᎳᏗ; ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎾᏍᎩᏃ ᏂᎦᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎠᏃᏢᏍᎬ ᎦᎵᏦᏙᏙᏗ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏂᏍᏆᏛᎩ; ᎠᎴ ᎢᏏᎵ ᏧᏪᏥ ᏄᎾᏛᏁᎸᎩ ᎾᏍᎩᏯ ᏂᎦᏛ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ; ᎾᏍᎩᏯ ᏄᎾᏛᏁᎸᎩ.\nᎦᎵᏦᏙᏙᏗᏃ ᎼᏏ ᎤᏂᏲᎮᎸᎩ ᎦᎵᏦᏙᏙᏗ ᎠᎴ ᏂᎦᏛ ᎤᏤᎵ ᎪᎱᏍᏗ ᎬᏔᏂᏓᏍᏗ, ᏧᏤᎵ ᏗᎫᏓᎸᏗᏱ, ᏧᏤᎵ ᏧᏯᏖᎾ, ᏧᏤᎵ ᏗᏍᏆᎾᎳᏗᏍᏗ, ᎠᎴ ᏧᏤᎵ ᏗᎦᎫᏍᏛᏗ, ᎠᎴ ᏧᏤᎵ ᏓᏔᎴᏒᎢ.\nᎠᎴ ᎫᏢᏗ ᎤᏂᏃᏕᎾ ᎦᏁᎦ ᎩᎦᎨ ᎪᏢᏔᏅᎯ, ᎠᎴ ᎫᏢᏗ ᏓᎭᏏ ᎦᏁᎦ ᎪᏢᏔᏅᎯ, ᎠᎴ ᎠᏰᏙᎳᏛᏗ ᎾᏍᎩ ᎫᏢᏗ.\nᎦᏁᏌᎢ ᏗᎧᎿᏩᏛᏍᏗ ᎦᎶᏗᏱ, ᎦᏅᏍᏙᏗ, ᎠᎴ ᎫᏢᏗ,\nᎦᏍᎩᎶ ᏂᎦᏛᏃ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ ᎾᎿ ᏗᏠᏗ, ᎠᎴ ᎠᎦᏙᏗ ᎦᏚ,\nᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ ᎪᎱᏍᏗ ᎾᏑᏴᏫ, ᎪᎢ ᏗᏟᏍᏗ ᏗᏨᏍᏙᏗ ᎾᎿ ᏗᎦᎪᏗ, ᎾᏍᎩ ᏗᏨᏍᏙᏗ ᏗᎦᏅᏃᏗ ᏗᎦᎪᏗ, ᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ ᎾᎿ ᏤᎯ, ᎠᎴ ᎪᎢ ᎢᎦ ᎠᏘᏍᏙᏗ.\nᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎠᏥᎸ ᎨᎳᏍᏗᏱ, ᎠᎴ ᎪᎢ ᎠᏠᏁᏗ, ᎠᎴ ᎤᎦᎾᏍᏛ ᎬᏙᏗ, ᎠᎴ ᎦᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ ᎠᎴᏙᎳᏛᏗᎠ;\nᎥᏣᏱ ᎪᏢᏔᏅᎯ ᎠᏥᎸ ᎨᎳᏍᏗᏱ, ᎠᎴ ᎾᎿ ᎡᎯ ᎠᎦᏯᎷᏗ ᎢᏳᏍᏗ ᎥᏣᏱ ᎪᏢᏔᏅᎯ, ᏧᏤᎵ ᎦᏅᏍᏙᏗ, ᎠᎴ ᏂᎦᏛ ᏧᏤᎵ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ, ᏗᎪᏑᎴᏗ, ᎠᎴ ᎾᎿ ᎠᏠᏗᏱ:\nᏗᎦᏰᏙᎳᏛᏗ ᎣᏂ ᎪᏢᏒᎢ, ᏗᎦᎫᏍᏛᏗ ᎠᎴ ᏓᏔᎴᏒᎢ, ᎠᎴ ᎣᏂ ᎪᏢᏒ ᎦᎶᎯᏍᏗᏱ ᎠᏰᏙᎳᏛᏗ, ᎠᏍᏕᏱᏛ ᏧᏤᎵᎦ, ᎠᎴ ᏧᏤᎵ ᏗᎨᏗᏂᏓᏍᏗ, ᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ ᏚᏂᎸᏫᏍᏓᏁᎲ ᎦᎵᏦᏛᎢ, ᎾᏍᎩ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᏗᏄᏬ ᏙᎸᏫᏍᏓᏁᎲ ᏗᏄᏬᏍᏗ, ᎾᏍᎩ ᎦᎸᎳᏗᏳ ᎨᏒ ᏙᎸᏫᏍᏓᏁᎲᎢ, ᎦᎸᏉᏗᏳ ᏗᏄᏬ ᎡᎳᏂ ᎠᏥᎸ ᎨᎶᎯ ᏧᏤᎵᎦ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᏧᎾᏄᏬ, ᎾᏍᎩ ᏧᏂᎸᏫᏍᏓᏁᏗᏱ ᎠᏥᎸ ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᏚᏂᎸᏫᏍᏓᏁᎲᎢ.\nᎾᏍᎩᏯ ᏂᎦᏛ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ, ᎾᏍᎩ ᎢᏏᎵ ᏧᏪᏥ ᎤᏃᏢᏅᎩ ᏂᎦᏛ ᏗᎦᎸᏫᏍᏓᏁᎯᏘ.\nᎼᏏᏃ ᏚᎧᎿᏅᎩ ᏂᎦᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎬᏂᏳᏉ, ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏒ ᎤᏁᏨ ᏄᏅᏁᎸ ᎥᎨᏒᎩ, ᎾᏍᎩᏯ ᏄᏅᏁᎸ ᎥᎨᏒᎩ, ᎼᏏᏃ ᎣᏍᏛ ᏚᏁᏤᎸᎩ.\nᏱᎰᏩᏃ ᎤᏁᏤᎸᎩ ᎼᏏ ᎯᎠ ᏄᏪᏎᎸᎩ,\nᎢᎬᏱᏱ ᎢᎦ ᎢᎬᏱᏱ ᎧᎴᏍᏗ ᏅᏙ ᎯᎧᏅᎭ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᎾᎿᏃ ᎯᏛᎭ ᎦᏁᏌᎢ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎦᎶᏗᏱ, ᎠᎴ ᎦᏁᏌᎢ ᎠᏰᏙᎳᏛᏗ ᎱᏢᏔᏅᎭ.\nᎠᎴ ᎦᏍᎩᎶ ᎯᏴᏔᏂᎸᎭ, ᎠᎴ ᎣᏍᏛ ᏕᎯᏝᏅᎭ ᎾᎿ ᎣᏍᏛ ᏗᏠᏗ ᎨᏒᎢ; ᎠᎴ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗᏱ ᎯᏴᏔᏂᎸᎭ, ᎠᎴ ᏕᎯᏨᏍᏔᏅᎭ ᏗᏨᏍᏙᏗ.\nᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ, ᎾᎿ ᎦᏩᏒᎩ ᎬᏙᏗᏱ, ᎯᎧᏅᎭ ᎢᎬᏱᏗᏢ ᎦᏁᏌᎢ ᏥᏴ ᎾᏍᎩ ᏗᎧᎿᏩᏛᏍᏗ ᏗᎦᎶᏗᏱ, ᎠᎴ ᎦᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ ᎦᏛᏗ ᎯᏰᏙᎳᏛᏅᎭ.\nᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎾᏍᎩ ᎠᎪᎲᏍᏔᏅᎯ ᎠᎵᏍᎪᎸᏙᏗᏱ, ᎯᎧᏅᎭ ᎦᎶᎯᏍᏗᏱ ᎢᎬᏱᏗᏢ ᎾᏍᎩ ᎦᎵᏦᏛᎢ ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᎠᎴ ᏗᎪᏑᎴᏗᏱ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎠᏰᎵ ᎯᎧᏅᎭ, ᎠᎴ ᎠᎹ ᎾᎿ ᎯᏢᎭ.\nᎠᎴ ᎬᏩᏚᏫᏛ ᎯᎧᏅᎭ ᎣᏂ ᎪᏢᏒᎢ, ᎠᎴ ᎭᏛᏅᎭ ᎠᏰᏙᎳᏛᏗ ᎣᏂ ᎦᎶᎯᏍᏗᏱ.\nᎠᏠᏁᏗᏃ ᎪᎢ ᎯᏁᎩᏒᎭ, ᎠᎴ ᎯᎶᏁᏔᏅᎭ ᎦᎵᏦᏛᎢ, ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎠᎿᎥᎢ, ᎠᎴ ᎦᎸᏉᏗᏳ ᏅᏁᎸᎭ, ᎠᎴ ᏂᎦᏛ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ ᎾᎿ ᏓᎲᎢ; ᎦᎸᏉᏗᏳᏃ ᎨᏎᏍᏗ.\nᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎾᏍᎩ ᎠᎪᎲᏍᏔᏅᎯ ᎠᎵᏍᎪᎸᏔᏁᏗᏱ ᎯᎶᏁᎥᎭ, ᎠᎴ ᏂᎦᏛ ᎾᎿ ᎪᎱᏍᏗ ᏗᎬᏔᏂᏓᏍᏗ, ᎠᎴ ᎦᎸᏉᏗᏳ ᏅᏁᎸᎭ ᎠᏥᎸ ᎨᎳᏍᏗᏱ; ᎠᎴ ᎤᏣᏔᏅᎯ ᎦᎸᏉᏗᏳ ᎨᏎᏍᏗ ᎠᏥᎸ ᎨᎳᏍᏗᏱ.\nᎠᎴ ᏗᎪᏑᎴᏗᏱ ᎠᎴ ᎾᏍᎩ ᎾᎿ ᎠᏠᏗᏱ ᏕᎯᎶᏁᎥᎭ, ᎠᎴ ᎦᎸᏉᏗᏳ ᏂᏕᎲᏁᎸᎭ.\nᎡᎳᏂᏃ ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᎩᏯᏖᏃᎸᎭ ᎦᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎠᎹ ᎩᏯᏬᏍᏔᏅᎭ.\nᎡᎳᏂᏃ ᏗᎦᎸᏉᏗ ᏗᏄᏬ ᏕᎯᏄᏬᎥᎭ, ᎠᎴ ᎯᎶᏁᎥᎭ, ᎠᎴ ᎦᎸᏉᏗᏳ ᏂᏴᏁᎸᎭ; ᎠᎴ ᎪᎱᏍᏗ ᎠᏆᏛᏁᎸᎭ ᎠᏥᎸ ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎠᎴ ᎾᏍᎩ ᏧᏪᏥ ᎩᏯᏘᏃᎸᎭ ᎠᎴ ᏗᏄᏬ ᏕᎩᏄᏬᎥᎭ:\nᎠᎴ ᎩᎶᏁᎥᎭ, ᎾᏍᎩᏯ ᎤᏂᏙᏓ ᏨᏘᎶᏁᎢ, ᎪᎱᏍᏗ ᎬᏆᏛᏁᎸᎭ ᎠᏥᎸ ᎨᎶᎯ ᏧᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎾᏍᎩᏃ ᎨᏥᎶᏁᎥ ᎠᏥᎸ ᎠᏁᎶᎯ ᎨᏒ ᎠᏎ ᏭᏍᏗᏥᎯᏍᏗ ᏂᎨᏒᎾ ᎨᏎᏍᏗ ᎾᏍᎩ ᎾᎾᏓᏁᏟᏴᏏᏒᎢ.\nᎾᏍᎩ ᏄᏛᏁᎸᎩ ᎼᏏ; ᎾᏍᎩᏯ ᏂᎦᏛ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ, ᎾᏍᎩ ᏄᏛᏁᎸᎩ.\nᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ ᎢᎬᏱ ᎧᎸ ᏅᏙ ᏔᎵᏁ ᎤᏕᏘᏴᏌᏗᏒ, ᎢᎬᏱᏛ ᎢᎦ ᏅᏙ ᎧᎸ, ᎤᏂᎧᏅᎩ ᎦᎵᏦᏛᎢ.\nᎼᏏᏃ ᎤᏪᎧᏅᎩ ᎦᎵᏦᏛᎢ, ᎠᎴ ᏚᏍᏓᏱᏛᎩ ᏓᏔᎴᏒᎢ, ᎠᎴ ᏧᏯᏖᎾ ᏚᏪᎧᏅᎩ, ᎠᎴ ᏗᏍᏆᎾᎳᏗᏍᏗ ᏚᏍᏆᎾᎳᏛᎩ, ᎠᎴ ᏗᎦᎫᏍᏛᎩ, ᏗᎦᎫᏍᏛᏗ ᏚᏪᎧᏅᎩ.\nᎠᎴ ᎤᏕᏙᎳᏛᏅᎩ ᎠᏄᏬ ᎤᏭᏢᏔᏅᎩ ᎦᎵᏦᏛᎢ, ᎠᎴ ᎫᏢᏗ ᎦᎵᏦᏛ ᎾᎿ ᎦᏚᎢᏗᏢ ᎠᎨᏢᏅᎩ ; ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᏗᎧᎿᏩᏛᏍᏗᏃ ᏚᎩᏒᎩ, ᎠᎴ ᎦᏁᏌᎢᎯ ᏚᎳᏅᎩ, ᎠᎴ ᎦᏅᏍᏙᏗ ᎦᏁᏌᎢᎯ ᏚᏝᏛᎩ, ᎫᏢᏗᏃ ᎦᏁᏌᎢᎯ ᎦᏚ ᎤᏝᏛᎩ:\nᎦᏁᏌᎢᏃ ᎦᎵᏦᏛ ᎤᏴᏔᏂᎸᎩ, ᎠᎴ ᎠᏰᏙᎳᏛᏗ ᎫᏢᏗ ᎤᏰᏙᎳᏓᏅᎩ, ᎠᎴ ᎤᏭᏢᏅᎩ ᎦᏁᏌᎢ ᏗᎧᎿᏩᏛᏍᏗ ᏕᎦᎸᎢ, ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎦᏍᎩᎶᏃ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏴᏔᏅᎩ, ᎫᏴᏢ ᎢᏗᏢ ᎦᎵᏦᏛ ᎤᏪᎧᏅᎩ, ᎠᏰᏙᎳᏛ ᏙᏱᏗᏢ.\nᎦᏚᏃ ᎾᎿ ᎤᏅᏃᏔᏅᎩ ᏱᎰᏩ ᏓᎧᏅᎢ; ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎠᎴ ᏗᏨᏍᏙᏗ ᏗᎦᎪᏗ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏪᎧᏅᎩ ᎦᏍᎩᎶ ᎦᏍᎩᎸ ᏧᏳᎪᏗ ᏧᎾᎦᏮ ᏫᏚᏳᎪᏛ ᎦᎵᏦᏛᎢ.\nᎠᎴ ᏗᏨᏍᏙᏗ ᏚᏨᏍᏔᏅᎩ ᏱᎰᏩ ᏓᎧᏅᎢ, ᎾᏍᎩᏯ ᏱᎰᏩ ᏁᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎠᏥᎸᏃ ᎨᎳᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᎪᏢᏔᏅᎯ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᏪᎧᏅᎩ, ᎠᏰᏙᎳᏛ ᎢᎬᏱᏗᏢ:\nᎤᎦᎾᏍᏛᏃ ᎦᏩᏒᎩ ᎾᎿ ᎤᏩᏔᏅᎩ, ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎦᎶᎯᏍᏗᏱᏃ ᎦᎵᏦᏛ ᎠᏰᏙᎳᏛᏗ ᎤᏛᏅᎩ.\nᎠᏥᎸᏃ ᎨᎳᏍᏗᏱ ᎾᏍᎩ ᎠᎪᎲᏍᏔᏅᎯ ᎠᎵᏍᎪᎸᏙᏗᏱ ᎦᎵᏦᏛ ᎦᎶᎯᏍᏗᏱ ᎾᎥ ᎤᏪᎧᏅᎩ, ᎾᏍᎩ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᎾᎿ ᎤᎾᎵᏍᎪᎸᏔᏅᎩ ᎠᎪᎲᏍᏔᏅᎯ ᎠᎵᏍᎪᎸᏉᏙᏗ, ᎠᎴ ᎢᏒ ᎠᎵᏍᎪᎸᏙᏗ; ᎾᏍᎩᏯ ᏱᎰᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᏗᎪᏑᎴᏗᏱᏃ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎠᏥᎸᏃ ᎨᎳᏍᏗᏱ ᎠᏰᎵ ᎤᏪᎧᏅᎩ, ᎠᎴ ᎠᎹ ᎾᎿ ᎤᏢᎩ, ᎾᏍᎩ ᎠᏙᏑᎴᏗᏱ.\nᎼᏏᏃ ᎠᎴ ᎡᎳᏂ, ᎠᎴ ᎾᏍᎩ ᏧᏪᏥ, ᎾᎿ ᏚᏃᏑᎴᎥᎩ ᏧᏃᏰᏂ ᎠᎴ ᏧᎾᎳᏏᏕᏂ.:\nᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ ᏩᏂᏴᎲ, ᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎾᎥ ᎠᏂᎷᎩ, ᎠᎾᏙᏑᎴᏍᎬᎩ; ᎾᏍᎩᏯ ᏱᎰᏩᏩ ᏄᏪᏎᎸ ᎤᏁᏤᎸ ᎼᏏ.\nᎠᎴ ᎤᎵᏦᏔᏅᎩ ᎤᏚᏫᏛ ᎦᎵᏦᏛ ᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗᏱ ᎦᎧᎲᎢ, ᎠᎴ ᎤᏰᏙᎳᏛᏅᎩ ᎠᏰᏙᎳᏛᏗ ᎣᏂ ᎦᎶᎯᏍᏗᏱ. ᎾᏍᎩᏃ ᎼᏏ ᎤᏍᏆᏛᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ.\nᎤᎶᎩᎸᏃ ᎤᏭᏢᏅᎩ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏱᎰᏩ ᎦᎸᏌᏛ ᎤᎧᎵᎸᎩ ᎦᎵᏦᏛᎢ.\nᎼᏏᏃ ᎥᏝ ᏰᎵ ᏫᎬᏩᏴᏍᏗ ᏱᎨᏎ ᎦᎵᏦᏛ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎤᎶᎩᎸᏰᏃ ᎾᎿ ᎤᎩᎸᎩ, ᎠᎴ ᎦᎸᏌᏛ ᏱᎰᏩ ᎤᎧᎵᎸ ᎦᎵᏦᏛᎢ.\nᎤᎶᎩᎸᏃ ᎠᎵᏌᎳᏛᎦ ᎾᎿ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎦᎸᎳᏗᏢ ᏄᏛᏅᎢ, ᎢᏏᎵ ᏧᏪᏥ ᎠᎾᏂᎩᏍᎬᎩ ᏩᏂᎦᏛᎢ:\nᎢᏳᏍᎩᏂ ᎤᎶᎩᎸ ᏄᎵᏌᎳᏌᏅᎾ ᏱᎩ, ᎥᏝ ᏱᎾᏂᎩᏍᎨ ᎬᏂ ᎾᎯᏳ ᎢᎦ ᎠᎵᏌᎳᏛᎦ.\nᎤᎶᎩᎸᏰᏃ ᏱᎰᏩ ᎤᏤᎵᎦ ᎦᎵᏦᏛ ᎤᎩᎸᎩ ᎢᎦ ᎨᏒᎢ, ᎠᏥᎸᏃ ᎤᎩᎸᎩ ᏒᏃᏱ, ᏓᏂᎧᏅ ᎾᏂᎥ ᎢᏏᎵ ᏏᏓᏁᎸᎯ ᎨᏒᎢ, ᏂᎦᏅᎯᏒ ᏚᎾᏂᎩᏒᏒᎢ.\nᏗᎧᏃᎩᏛ\nᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎠᏍᎦᏯ ᏁᏙᎲᎾᎢ ᎨᏎᏍᏗ ᎠᏂᏍᎦᎾ ᏄᏍᏛ ᎤᎾᏓᏅᏖᎵᏓᏍᏗᏱ ᎠᎴ ᎾᎴᎮᎵᏙᎲᎾ ᎢᎨᏎᏍᏗ ᎤᏲ ᏧᏂᎸᏫᏍᏔᏁᎯ ᎤᏂᏅᏅᎢ ᎠᎴ ᏂᎦᎲᏍGᎾ ᎢGᏎᏍᏗ ᎠᏂᏐᏢᎢᏍᏗᏍᎩ ᎤᎾᏅᏗᏱ\nᏱᎰᏩᏍᎩᏂ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᎣᏏ ᎤᏰᎸᏐᎢ ᎠᎴ ᎾᏍᎩ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏓᏅᏖᏍᎪ ᏗᎬᏩᎩ\nᎠᎴ ᎾᏍᎩ ᏡᎬ ᏓᏤᎴᏍᏗ ᎠᎹ ᏕGᏴ ᎤᎶᏗ ᏥᎦᎧᎰᎢ, ᎾᏍᎩ ᎤᏓᏛᏗᏱ ᏓᏍᏆᎸᎯᏒᎢ ᏣᏓᏛᏍᎪᎢ, ᎠᎴ ᎾᏍᎩ ᎤᎳᏍᏚᏒ ᎥᏝ ᏱᎧᏴᏍᎨᏍᏗ;\nᎠᏂᏍᎦᎾᏍᎩ ᎥᏝ ᎾᏍᎩ ᏱᏄᎾᏍᏗ; ᎤᎦᏔᏄᎶᏔᏅᎯᏍᎩᏂ ᏓᎾᏤᎸ, ᎾᏍᎩ ᎤᏃᎴ ᏣᏴᏍᏗᏍᎪᎢ\nᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎠᏂᏍᎦᎾᎢ ᎥᏝ ᏴᎬᎾᎴᎲᎦ ᏗᎫᎪᏙᏗᏱ ᎠᎴ ᎤᏲ ᎢᏯᎾᏛᏁᎯ ᎥᏝ ᏴᎬᎾᎴᎲᎦ ᎤᎾᏓᏅᏘ ᏓᏂᎳᏫᎥᎢ\nᏱᎰᏩᏰᏃ ᎠᎦᏔᎭ ᎾᏓᏅᏘ ᎤᏂᏅᏅᎢ, ᎠᏂᏍᎦᎾᏍᎩᏂ ᎤᏂᏅᏅ ᏛᏲᏦᏂ\nᎠᏙᏃ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏂᏔᎳᏬᏍᎦ, ᎠᎴ ᎠᎾᏓᏅᏖ ᎢᏳᎾᏛᏁᏗᏱ ᎾᏍᎩ ᎢᎬᏩᎵᏍᏙᏗ ᏂᎨᏒᎾ?\nᎤᏂᎬᏫᏳᎯ ᎡᎶᎯ ᎠᏁᎯ ᏚᎾᎴᏅᎩ, ᎠᎴ ᎠᏰᎵ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏚᏂᎳᏫᏨᎩ ᎠᎾᏡᏗᏍᎬ ᏱᎰᏩ, ᎠᎴ ᎠᎾᏡᏗᏍᎬ ᎤᏤᎵ ᎦᎶᏁᏛ\n[ᎯᎠ ᎾᏂᏪᏍᎬᎩ] ᏗᏗᎦᎸᎦ ᏧᎾᏓᎸᏍᏗ, ᎠᎴ ᏗᎦᏓᎤᎦ ᎠᏍᏕᏱᏛ ᎾᏍᎩ ᏧᎾT.\nᎦᎸᎶᎢ ᎤᏬᎵ ᏓᏳᏰᏥ; ᎢᎰᏩ ᏙᏛᏙᏢᏔᎢ\nᎿᏉᏃ ᏙᏓᎧᏁᏤᎵ ᎤᏔᎳᏬᏍᎬᎢ, ᎠᎴ ᏙᏛᏕᏯᏙᏔᏂ ᎤᎿᎸᏒᎢ.\nᎠᏎᏃ ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ ᏥᎶᏁᎥ ᎠᏆᏤᎵ ᎦᎸᏉᏗ ᏌᏯᏂ ᎤᏌᎯᎸᎢ.\nᎬᏂᎨᏒ ᏅᏓᎬᏁᎵ ᏄᏍᏛ ᏚᏚᎪᏔᏅᎢ; ᏱᎰᏩ ᎯᎠ ᎾᎩᏪᏎᎸ; ᏂᎯ ᎠᏇᏥ, ᎪᎯ ᎢᎦ ᏍᏆᏕᏁᎸ.\nᏍᎩᏔᏲᏏ, ᏙᏓᎬᏴᎧᏁᎵᏃ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎢᏣᎧᏁᏗ ᎨᏒᎢ, ᎠᎴ ᎡᎶᎯ ᏫᏚᏍᏘᏥᏙᎸ ᏣᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ.\nᏔᎷᎩᏍᎩ ᎠᏙᎳᏅDᏍᏗ ᏙᏓᎩᏍᏆᎵᏍ; ᏓᎩᏯᏓᏬᏔᏂ ᎾᏍᎩᏯ ᏗᏩᎵ ᏣᎦ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎢᏥᎦᏔᎿᎢ ᎿᏉ Ꮻ ᏳᎯ;  ᏂᎯ ᎢᏥᎬᏫᏳᎯ; ᏪᏤᏲᎲᎦ ᏗᏧᎪᏗᏍᎩ ᎡᎶᎯ ᎢᏤ.\nᏤᏥᎦᎿᏩᏚᎦ ᏱᎰᏩ ᎦᎾᏰᎯᏍD, ᎠᎴ ᏗᏥᎾᏩ ᎢᏥᎾᏰᏍᎬᎢ.\nᎡᏣᏙᏪᏙᎥᎦ ᎤᏪᏥ ᏴᏥᏔᎳᏬᎯᏍ, ᎠᎴ ᏱᏙᏥᏲᎱᎯ ᎾᎿ ᎢᏣᎢᏒ ᎠᏏᏉ ᎤᏍᏗᏉ ᎤᏔᎳᏬᏍᎬᎢ, ᎣᏏᏳ ᎢYᎾᎵᏍᏓᏁᏗ ᏂᎦᏗᏳ ᎬᏩᎵᏍᎦᏍᏙᏗᏍᎩ ᎾᏍᎩ.\nᏱᎰᏩ ᎦᏙ ᎤᎵᏍᏙᏓᏅ ᏧᏂᏁᏨ ᎬᏯᎵᎯᏍᏗᏍᎩ? ᎤᏂᏣᏔ ᎠᏴ ᏕᎬᎩᏍᏘᎴᏱᏌ:\nᎤᏂᏣᏔ ᎯᎠ ᏂᎬᎩᏪᏎᎭ ᎠᏆᏓᏅᏙ, ᎤᏁᏔᎤᎯᏱ ᎥᏝ ᏱᎭ ᎤᎵᏍᎨᏙᏗ\nᎠᏎᏃ ᏂᎯ ᏱᎰᏩ, ᎠᏴ ᎠᏆᎬᏑᎶᏙᏗ; ᎠᏴ ᎠᏆᏙᎵ ᎦᎸᏉᏗᎯᏳ ᎨᏒᎢ; ᎠᎴ ᏥᏍᎪᎵ ᏍᎩᏌᏔᏓᏁᎯ.\nᏱᎰᏩ ᏥᏁᏙᎸᎩ ᎠᎩᏁᎢᏍᏗ ᎨᏒ ᎠᏋᏔᏅᎩ, ᏛᎠᏆᏛᎦᏁᎸᎩᏃ ᎤᏙᎵᎪᎯ ᎦᎸᏉᏗᏳ ᎤᏌᎯᎸᎢ.\nᎠᏆᏂᏏᏅᎩ, ᎠᎴ ᎠᎩᎸᏅᎩ; [ᎠᎴ] ᎠᎩᏴᏨᎩ; ᏱᎰᏣᏰᏃ ᎠᎩᏍᏆᏂᎪᏔᏅᎩ.\nᎥᏝ ᏴᎦᎦᏥᏍᎦᏯ ᎠᏍᎪᎯ ᎢᏯᎦᏴᎵ ᎢᏯᏂᏛ ᏴᏫ, ᎬᏣᏚᏫᏛ ᏥᏕᎬᎩᎦᏘᎴᎦ.\nᏔᎴᎲᎦ ᏱᎰᏩ [ᏣᎬᏫᏳᎯ]; ᏍᎩᏍ d g ᎸᏲᎩ ᏍᏆᏁᎳᏅᎯ: ᏂᎦᏗᏳᏰᏃ ᎬᎩᏍᎦᎩ ᏚᏂᎪᏆᎸᏛ ᏕᎨᎯᏴᏂᎸ; ᎠᎴ ᎤᏁᎳᏅᎯ ᎠᏂᏍᎦᎩ ᏓᏂᎰᏙᎬ ᏕᎨᎯᏍᏆᎵᏌᎸ.\nᎠᎵᏍᎦᎸᏙᏗ ᎨᏒ ᏱᎰᏩ ᎤᏍᏆᏂᎪᏗ; ᏗtᏍᏙᎵᎦ ᏴᏫ ᎣᏍᏛ ᏂᏕᎭᏛᏁᎭ.\nᏥᏁᎩ ᏯᏆᏛᎦᏁᎰᏍᏗ, ᏂᎯ ᏚᏳᎪᏛ ᎢᏯᏆᏛᏁᏗᏱ ᏯᏆᏁᎳᏅᎯ ᏥᎩ: ᏀᎢᏳ ᎤᏪᎵᎯᏍᏗ ᏥnᏆᎵᏍᏓᏁᎲᎩ, ᎠᎴ ᎭᏛᎬᎦ ᎦᏓᏙᎵᏍᏗᏍᎬᎢ.\nᎯᎳᎪ ᎤᏓᎪᎯᏥ ᏂᎯ ᏴᏫ ᏧᏁᏥ, ᎠᏆᏙᎵᏌ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᎨᎰᎯᏍᏗ ᏅᏓᏍᎩᏴᏁᎵ? ᎯᎳᎪ ᎤᏓᎪᎯᏥ ᎬᏙᏗ ᏂᎨᏒᎾ ᎢᏥᎨᏳᏎᏍᏗ ᎠᎴ ᎦᏰᎪᎢ ᎨᏒ ᎢᏥ ᏲᎰᏍᏗ\nᎠᏎᏃ ᎢᏥᎦᏔᎰᏏd ᏱᎰᏩ ᎤᏓᏓᎴᏔᏅᎢ ᎣᏓᏅᏘ ᎤtᏍᏒ ᎤᏙᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ; ᏱᎰᏩ ᎠᏎ ᏛᏆᏛᎦᏁᎵ ᏥᎮᏙᎸᎭ.\nᏣᎾᏴᏒᎯ ᎯᏙᎨᏍᏗ, ᎠᎴ ᏞᏍᏗ ᏣᏍᎦᏅᏨᎩ; ᏨᏒ ᏣᏓᏅᏙ ᎭᎵᏃᎰᏓ ᎯᏅᎬᎢ, ᎠᎴ ᏁᏣᏛᏁᏍᏗᏉ.\nᏚᏳᎪᏛ ᏓᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎢᏥᏍᎪᎸᏓ, ᎠᎴ ᏱᎰᏩ ᎠᏣᎵᏍᎦᏍᏙᏗ.\nᎤnᏘᏌᏔ ᎦᎪ ᎣᏍᏛ ᎢᎦᏓᏅᏓᏗᏍᏗ ᏓᎩᎾ ᎰᎪᏫᏎᎵ ᎠᎾᏓᎭ? ᏂᎯ ᏙᏣᎧᏃᏗᏱ ᎢᎦ ᎦᏓᏍᏓᏍᎬ ᏍᎩᏌᎳᏓᏏ\nᎠᏆᏓᏅᏙᎩ ᎤᎵᎰᎵᏍᏗ ᎨᏒ ᏍᎩᏍᎪᎸᏁᎸ, ᏑᏍᎦᏉ ᏀᎢᏳ ᎠᎦᏔᏛᏍᎩ, ᎠᎴ ᏖᎸᎳᏗ ᏨᏣᏍᏔᏅᎯ ᏧᏂᏁᏉ ᏉᎲᎦ.\nᏙᎯ ᏓᎦᏂᏏᎯ, ᎠᎴ ᏓᏥᎸᏂ; ᏱᎰᏩᏰᏃ ᎤᏥᏒᎯ ᎤᏣᏙᎯᏰᏛ ᎬᏆᏕᏗ ᎾᏋᏃᎭ.\nᏥᏁᎬ ᎭᏛᏓᏍᏔ, ᏱᎰᏩ, ᎭᎦᏌᏯᏍᏓ ᎮᏍᏛ ᎦᏓᏅᏖᏍᎬᎢ.\nᎭᏛᏓᏍᏓ ᏥᏁᎬ ᎦᏧᏱᎲᎢ, ᏣᎬᏫᏳᎯ, ᎠᎴ ᏍᏆᏁᎳᏅᎯ; ᏂᎯᏰᏃ ᏓᎬᏯᏓᏙᎵᏍᏓᏁᎵ.\nᏑᎾᎴᎢ ᏓᏛᎦᏂ ᏥᏁᎬ, ᏱᎰw (ᏣᎬᏫᏳᎯ); ᏑᎾᎴ ᏂᎯ ᏗᏦᎸ ᎾᏗᏓᎪᏗᏍᎨᏍᏗ ᎦᏓdᎵᏍᏗᏍᎬᎢ, ᎠᎴ ᎦᎸᎳᏗ ᏫᏗᎦᎦᏂᏎᏍᏗ.\nᏂᎯᏰᏃ ᏣᏁᎳᏅᎯ ᏥᎩ ᎥᏝ: ᎣᏏ ᎨᏣᏰᎸᏗ ᏱᎩ ᎤᏁᏗᏥᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎤᏲᏃ ᎨᏒ ᎤᏝ ᏂᎯ ᎮᎲ ᎬᏣᏕᏗᏱᎩ.\nᎤᏁᎳᎵᏍᎦᏂᏍᏛ ᎥᏝ ᏂᎯ ᏕᎯᎧᏅ ᏱᏓᏂ ᏙᎨᏍᏗ; ᏂᎦᏗᏣ ᎤᏲ ᏧᏂᎸᏫᏍᏓᏁᎯ ᎨᎯᏂᏆᏘᎯ ᎢᎩ.\nᎦᏰᎪᎩ ᎠᏂᏃᎮᏍᎩ ᏓᎨᎯᏛᏔᏂ ᏱᎰᏩ ᎤᏣᏘ ᏓᎦᏂᏆᏘᎵ, ᎠᎴ ᎤᏠᎾᏍᏗ ᎠᏍᎦᏯ.\nᎠᏴᏍᎩᏂ, ᎤᏣᏘ ᏣᏓᏙᎵᏣᏘᏳ ᎨᏒ ᏓᏥᏳᏍᏔᏂ ᏣᏓᎵᎦ ᎠᏓᏁᎸᎢ; ᎠᎴ ᏂᎯ ᎬᎾᏰᏍᎬ ᏣᏙᎵᎦ ᎦᎸᏉᏗᏳ ᏗᎦᎳᏫᏍᏗᏱ ᎢᏗᏢ ᎦᏓᏙᎵᏍᏗᏍᎨᏍᏗ.\nᏱᎰᏩ, ᏍᏆᏘᏂᏎᏍᏗ ᏣᏙᎵᎦ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎬᎩᏍᎦᎩ ᎠᏁᎲᏫᎦᎵᏒᏙᏗ; ᏣᏙᎵᎦ ᎦᏅ Ꮏ ᏣᏗᏒ ᏂᏥᏃᎯᏍᏗ ᎢᎬᏱᏢ ᎠᏆᎧᎸᎢ.\nᏚᏳᎪᏛᏰᏃ ᎨᏒ ᎥᏝ ᏳᏓᏑᏯ ᎠᏂᎧᏂᏍᎬᎢ; ᎭᏫᏂᏃ ᎨᏒ ᎤᏣᏘ ᎤᏂᏁᏗᎯᏳ; ᎤᏂᎩᏍᏗᏱ ᎨᏒ 'ᎠᏙᎵᏍᏛ ᎤᎵᏍᏚᎢᏛ ᎢᎩᏛᏙᎵᏙ; ᏓᏂᏃᏙᏛ ᎠᏅᏗᏍᎪ ᎠᎾᏓᎸᏉᏗᏍᎩ.\nᏂᎯ ᏣᏁᎳᏅᎯ ᏓᎨᎯᏛᏔᏂ; ᎤᏅᏒ ᎠᎾᏓᏅᏘᏍᎬ ᎡᎳᏗ ᏧᏂᏅᎢ ᏍᏙᏗ ᎨᏎᏍᏗ; ᎠᎴ ᎤᏧᏡᏍᎪᏒᎯ ᎠᏂᏍᏚᏅᎬ ᏓᎨᎯᎸᎪᏫᏍᏔᏂ; ᏂᎪᏰᏃ ᏕᎨᏣᎦᏘᎴᏅ.\nᏂᎦᏗᏳᏍᎩᏂ ᏂᎯ ᎨᏣᎵ ᏍᎦᏙᏗᏍᎩ ᏛᎾlᏂᎵᏥ; ᎠᎴ ᏂᎪᎯᎸ ᏛᏁᎷᏂ ᎠᎾᎵᎮᎵᎬᎢ, Ꮒ ᎨᎮᏍᏕᎵᏍᎬ ᏅᏓᎦᎵᏍᏙᏔᏂ; ᎠᎴ ᎾᏍᏉ ᏕᏍᏙᎥ; ᎤᏂᎨᏒᎯ ᎨᏣᎵᎮᎵᏙᎮᏍᏗ.\nᏂᎯᏰᏃ ᏱᎰw ᎣᏍᏛ ᎾᏘᏰᏛᏁᎵ ᎤᏓᏅᏘ: ᎣᏍᏛ ᏂᏯᏛᏁᎲ; ᎠᎴ ᎾᏍᏉ ᏕᏤᏙᎥ; ᎤᏂᎨᏳᎯ ᎨᏣᎵᎮᎵᏙᎮᏍᏗ.\nᏱᎰᏩ ᏞᏍᏗ ᏍᎩᏯᎩᏨᎩ ᏣᏔᎳᎧᏯᎬᎢ, ᏞᏍᏗ ᎠᎴ ᏍᎩᏯᏛᏗᏍᏔᏅᎩ ᎤᏗᎴᎩ ᏣᏐᏅᏙᎲᎢ.\nᏍᎩᏙᎵᎩᏲᎪ ᏱᎰᏩ ᏥᏣᎾᎦᎵᏳᏰᏃ; ᏱᎰᏣᏲᎪ ᏍᎩᏅᏮᎦ, ᏗᎩᎪᎶᎯᏰᏃ ᎠᎩᏢᎦ.\nᎠᏆᏓᏅᏛ ᎠᎴ Ꭷ ᎤᏣᏘ ᎡᎯᏍᏗ ᎾᏉ ᎵᏍᏔᏁᎭ: ᎠᏎᏃ ᏂᎯ ᏱᎰᏩ (ᎬᏯᏛᏛᎲᏍᎦ) ᎯᎳᎪ ᏅᏓᎪᎯᏥ (ᎾᏍᎩ ᎮᏍᏕᏍᏗ?)\nᎡᎭᏧᎾᏲᎪ ᏱᎰᏩ, ᎠᏆᏓᏅᏙᎩ ᎢᏓᎳᎩ: ᏍᎩ ᎦᎸᏲᎪ ᏣᏓᏙᎵᏍᏣᏛ ᏫᏂᎦᎵᏍᏙᏓ.\nᎠᏲᎱ ᎯᏍᏗᏰᏃ ᏗᎨᏒ ᎥᏝ ᏂᎯ ᏰᏣᏅᏓᏗᏍᎨᏍᏗ; ᎠᎴ ᏗᏓᏂᏐᏗᏱ ᏗᎨᏒ ᎦᎪ ᏂᎯ ᏣᎴ ᎮᏙᎵᎮᏍᏗ?\nᎠᎩᎸᏰᏗᏍᎬ ᏓᎩᏯᏪᎦ; ᎠᏆᏙᏍᏓᎥ ᎤᎵᏧᏓᏆᏛ ᏓᏯᏯᏗᏍᏙᎢ; ᎠᎴ ᏕᏥᎦᏌᎢᎲ ᎠᏆᏙᏍᏙ ᏥᏚᎳᏍᏗᎪᎢ.\nᏗᏥᎦᏙᎵ ᏓᎩᏙᎸ ᎡᎯᏍᏗ ᎠᏆᏓᏅᏛ ᏅᏧᎵᏍᏙᏔᏅ ᏓᎩᎦᏴᎳᏙᎭ ᎬᎩᏍᎦᎩᏉ ᏅᏗᎦᎵᏍᏙᏗᎭ.\nᏍᎩ ᏯᏓᏅᏏ ᏂᎦᏗᏳ ᎤᏲ ᏗᏥᎸᏫᏍᏓᏁᎯ; ᏱᎰᏣᏰᏃ ᎤᏛᎦᏅ ᏥᏁᎬ ᎦtᎤᏍᏱᎲᎢ.\nᏱᎰᏩ ᎤᏛᎦᏅ ᎮᏍᏛ ᏥᏔᏲᏎᎬᎢ; ᏱᎰᏩ ᏙᏛᏓᏂᎸᏥ ᏥᏍᏓᏙᎵᏍᏙᏁᎲᎢ.\nᎬᎩᏍᎦᎩ ᏛᎾᎦᎰᏏ ᎠᏚ ᎤᏣᏖ ᎤᏲ ᏛᎾᏓᏅᏓᏗ; ᏛᎾᏧᏏ ᎠᎴ ᎤᏰᎶᎢᏍᏗ ᏛᎾᏕᎰᏏ.\nᏱᎰᏩ ᎣᎦᏤᎵ ᏣᎬᏫᏳᎯ ᏂᎦᎥ ᎦᎸᏉᏗᏳ ᏕᏣᏙᎥ ᎡᎳᏂᎬᎢ\nᏗᏂᎰᎵ ᏗᏂᏲᎵ ᎠᎴ ᏗᏂᏍᏓᎢ ᏕᏧᎪᏔᏅ ᏅᏓᏳᎾᏄᎪᎢᏍᏗᏱ ᎡᏣᎸᏉᏙᏗ ᎨᏒᎢ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎨᏣᏍᎦᎩ ᎨᏒᎢ, ᎾᏍᎩ ᎡlᏪ ᎩᏴᏗᏱ ᎠᎦᏍᎩ ᎠᎴ ᎤᎾᏞᎩ.\nᎢᏳᏃ ᏕᎦᎦᏅᎦ ᏣᏤᎵ ᎦᎸᎶᎢ ᏕᎯᏰᏌᏛ ᏚᎸᏫᏍᏓᏁᎸᎢ; ᏅᏙ ᏒᏃᏱ ᎡᎯ ᎠᎴ ᏃᏈᏏ, ᎾᏍᎩ ᏗᏦᏢᏅᎯ ᏥᎩ;\nᎦᏙ ᏴᏫ ᎾᏍᎩ ᏥᏯᏓᏅᏖᏍᎪᎢ? ᎠᎴ ᏴᏫ ᎤᏪᏥ ᎾᏍᎩ ᏥᏯᎦᏔᏂᎯᎰᎢ?\nᎤᏍᏗᎩᏛᏉᏰᏃ ᎡᏍᎦ ᏂᏴᏁᎸ ᏂᎩᏴᏁᎸ ᎦᎸᎳᏗ ᎨᏥᏅᏏᏓᏍᏗ, ᎠᎴ ᎯᏍᏚᎶᏔᏅ ᏗᎬᏩᎸᏌᏓ ᎨᏒ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒᎢ.\nᎾᏍᎩ ᎤᎬᏫᏳᏌᏕᎩ ᏂᎥyᏁᎸᎩ ᏗᏦᏰᏂ ᏚᎸᏫᏍᏓᏁᎸᎢ; ᏄᏓᎴᏒ ᎪᎱᏍᏗ ᏧᎳᏏᏕᏂ ᎭᏫᏂᏗᏢ ᏂᏕᏨᏁᎸᎩ;\nᏂᎦᏗᏳ ᎤᏂᏃᏕᎾ ᎠᎴ ᏩᎦ, ᎥᎥ, ᎠᎴ ᏅᎩ ᏗᏂᏅᏌᏗ ᎢᎾᎨ ᎠᏁᎯ;\nᎦᎸᎶ ᎠᏂᏃᎯᎵᏙᎯ, ᎠᎴ ᎠᏣᏗ ᎠᎺᏉᎯ ᎠᏁᎯ, ᎠᎴ ᏂᎦᏗᏳ ᎠᎺᏉᎯ ᏕᎦᏅᏅ ᎠᏂᎶᏍᎩ.\nᏱᎰᏩ, ᎣᎦᏤᎵ ᏣᎬᏫᏳᎯ, ᏂᎦᎥ ᎦᎷᏉᏗᏳ ᏕᏣᏙᎥ ᎡᎳᏂᎬᎢ.\nᏱᎰᏩ, ᎦᎪ ᏛᏕᏂ ᏣᎵᏦᏛᎢ? ᎦᎪ ᏛᏁᎳᏗ ᏣᏤᎵ ᎦᎸᏉᏗᏳ ᎤᏌᎯᎸᎢ?\nᎾᏍᎩ ᏚᏳᎪᏛ ᎠᎴᏂᏙᎯ, ᎠᎴ ᏚᏳᎪᏛ ᏧᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎧᏁᎩ ᏧᏓᏅᏛᎢ.\nᎾᏍᎩ ᎤᏲ ᎾᏓᏃᎮᏍᎬᎾ ᎦᏃᎪ ᎬᏗᏍᎬᎢ, ᎠᎴ ᎤᏲ ᏂᎬᏁᎲᎾ ᎾᎥ ᎢᏧᎾᏓᎳ, ᎠᎴ ᎤᏐᏅ ᏂᎦᏃᏣᎸᏍᎬᎾ ᎾᎥ ᎢᏧᎾᏓᎳ.\nᎾᏍᎩ ᎦᏂᏆᏘᎯ ᎠᏥᏲᎢᏎᏛ ᏴᏫ; ᏗGᎸᏉᏗᏍᎩᏍᎩᏂ ᏱᎰᏩ ᎠᏂᎾᏰᏍᎩ; ᎤᏲ ᎢᏳᏩᏁᎯ ᎠᏎᎵᏛᎦ ᎦᏁᏟᏴᏍᎩ ᏂᎨᏒᎾ.\nᎠᏕᎸ ᏓᏓᏙᎳᏍᏗᏍᎬ ᎧᏁᏉᎩ ᎢᎬᏁᎯ ᏂᎨᏒᎾ, ᎠᎴ ᏗᏓᏂᎸᎩ ᏂᎨᏒᎾ ᎨᎦᏌᏍᏛ ᏄᏂᏍᎦᏂᏫᏘᏍᏫᎾ. ᎯᎠ ᎾᏍᎩ ᎢᏯᏛᏁᎯ Ꭵ Ꮭ ᎢᎸᎯᏳ ᎠᏥᏖᎸᏗ ᏱᎨᏎᏍᏗ.\nᎦᎸᎶ ᎧᏃᎲᏍᎦ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ; ᎠᎴ ᎦᎸᎶ ᎬᏂᎨᏒ ᏂᎬᏁ ᏧᏬᏰᏂ ᏚᎸᏫᏍᏓᏁᎸᎢ.\nᎢᎦ ᏂᏚᎩᏨᏂᏒ ᎦᏬᎯᎭ, ᎠᎴ ᏒᏃᏱ ᏂᏚᎵᏏᏂᏒ ᎧᏃᎲᏍᎦ ᎠᎦᏔᎾᎢᏳ ᎨᏒᎢ.\nᎥᏝ ᎬᏩᏂᏁᎢᏍᏗ ᏱᎩ, ᎥᏝ ᎠᎴ ᎬᏩᏂᏬᏂᎯᏍᏗ ᏱᎩ, ᎠᎴ ᎠᏂᏁᎬ ᎥᏝ ᎬᏛᎪᏗ ᏱᎩ.\nᎠᏂᏃᎮᏍᎬ ᎡᎶᎯ ᏂᎬᎾᏛ ᏚᏰᎵᏒ, ᎠᎴ ᎠᏂᏬᏂᏍᎬ ᎡᎶᎯ ᏩᏍᏛ ᎢᏴᏛ ᏚᏰᎵᏒ. ᏀᎾ ᎤᎵᏦᏓᏁᎸ ᏅᏙ ᎢᎦ-ᎡᎯ;\nᎾᏍᎩ ᏅᏙ ᎠᏕᏒᎲᏍᎩ ᏓᏤᎸ ᎤᏴᏍᏗᏱ ᏨᏗᎦᏄᎪᎪᎢ, ᎠᎴ ᎠᎵᎮᎵᎪ ᎾᏍᎩᏯ ᎤᎵᏂᎩᏛ ᎠᏍᎦy ᏨᏗᏙᎩᏱᏐ ᏣᎵᎮᎵᎪᎢ.\nᎦᎸᎶᎢ ᏩᏍᏛ ᏗdᎴᎲᏍᎦ, ᎠᎴ ᏀᎾ ᏩᏍᏔ ᎤᏕᏯᏍᏗᏱ; ᎤᎥᏝ ᎪᎱᏍᏗ ᎬᏍᎦᎳᏁᎸᎯ ᏱᎩ ᎾᏍᎩ ᎤᏗᎴᎬᎢ.\nᏗᎧᎿᏩᏛᏍᏗ ᏱᎰᏩ ᎤᏤᎵ ᏄᎪᎸᎾ, ᎦᏁᏟᏴh {ᏴᏫ} ᎤᏓᏅᏙ; ᏗᎧᎾᏩᏛᏍᏗ ᏱᎰw ᎤᏤᎵ ᎤᏙᎯᏳᎯᏯ, ᎠᎦᏔᎾᎢ ᎢᏳᏩᏁᎯ ᎾᎦᏔᎾᎥᎾ;\nᏗᎧᎿᏩᏛᏍᏗ ᏱᎰᏩ ᎤᏤᎵ ᎤᏣᏘᏂ ᏂᎨᏒᎾ ᎤᎵᎮᎵᏍᏗᎭ {ᏴᏫ} ᎤᎾᏫ; ᏗᎧᎾᏩᏛᏍᏗ ᏱᎰw ᎤᏤᎵ ᎦᏓh ᏂᎨᏒᎾ, ᎢᎦᎯ ᎢᎬᏁᎯ ᏗᏂᎦᏙᎵ {ᏴᏫ.}\nᏱᎰᏩ ᎦᎾᏰᎯᏍᏗ ᎨᏒ ᎦᎦᏅᎦᎸᏛ, ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᎡᎲᎢ; ᏗᎧᎿᏩᏛᏍᏗ ᏱᎰᏩ ᏧᏤᎵ ᎤᏙᎯᏳᎯᏯ, ᎠᎴ ᏚᏳᎪᏛ ᎤᏩᏒᎯᏳ.\nᎤᏟ ᎤᏚᎸᏗᏳ ᎾᏍᎩ ᎡᏍᎦᏉ ᎠᏕᎸ ᏓᎶᏂᎨᎢ, ᎥᎥ, ᎡᏍᎦᏉ ᎤᎪᏗ ᎪᎱᏍᏗ ᏄᏓᏑᏴᎾ ᎠᏕᎸ ᏓᎶᏂᎨᎢ; ᎠᎴᏬ ᎤᏟ ᏄᎦᏀᎢ ᎡᏍᎪᏉ ᏩᏚᎵᏏ, ᎠᎴ ᏩᏚᎵᏏᏕᎦᏬᎬᎢ.\nᎠᎴᏬ ᎾᏍᎩ {ᏗᎧᎿᏩᏛᏍᏗ} ᎤᏪᏯᏔᎲᏏg ᎢᎩ ᎯᏅᏏᏓᏍᏗ; ᎠᎴ ᏛᎧᎿᏩᏕᎬ ᎤᏣᏘ ᎠᏩᏛᏙᏗ.\nᎦᎧ ᏱᎪᎵᎩ ᎠᏍᎦᏀᎢᏳ ᎨᏒᎢ? ᏍᎩᏅᎦᎸ ᏂᎨᎵᏍᎬᎾ ᎠᎩᏍᎦᏅᏥᏙᎸᎢ.\nᎯᏲᏍᏙᏓᏏ ᎾᏍᏉ ᎯᏅᏏᏓᏍᏗ ᎤᏢᏉᏗ ᎤᏓᏅᏛ ᎤᏍᎦᏂᏍᏗᏱ; ᏞᏍᏗ ᎬᎩᏎᎪᎩᏒᎩ; ᎿᏉ ᏚᏳᎪᏛ ᎢᎦᏛᏁᎯ ᎨᏎᏍᏗ. ᎠᎴ ᎠᎩᏍᎦᏅᏨᎯ ᏂᎨᏒᎾ ᎨᏎᏍᏗ ᎡᏆ ᎠᏍᎦᏅᎢᏍᏗ ᎨᏒᎢ.\nᏘᎣᎵ ᎧᏁᎬᎢ ᎠᎴ ᎠᎩᎾᏫ ᎠᏓᎥNᏖᏍᎬ ᏗᎨᏣᏓᏂᎸᏍᏗᏉ ᎨᏎᏍᏗ ᏗᏣᎧᎾᏂᏓᏍᏗᏱ ᏱᎰᏩ ᏂᎯ ᏍᏆᎵ\nᏱᎰᏩ ᎠᏆᏤᎵ ᎠᏫ-ᏗᎦᏘᏯ; ᎥᏝ ᏱᎬᎩᏂᎪᎯᏎᎮᏍᏗ\nᎢᏤ ᏕᎦᏄᎸᏒ ᎠᎩᏂᏏᎲᏍᎪ ᎾᏍᎩ; ᎠᏆᏘᏂᏐ ᎤᎶᏗᏢ ᎤᏓᏥᎾᏍ'Ꮫ ᎠᎹ ᏕᎦᏁᎲᎢ.\nᎠᏆᏓᏅᏙ ᏔᎵᏁ ᎠᏘᏃᎯᎰᎢ;  ᎠᏆᏘᏂᏐ ᏚᏳᎪᏛ ᏕᎦᏅᏅᎢ,   ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎤᏩᏒ ᏚᏙᎥᎢ.\nᎾᏍᏉ ᏱᎦᎢ ᎤᎨᏓᎵᏴ ᎤᏓᏩᏗᏍᏙᏛ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᎠᏎ ᎥᏝ ᏴᎦᏥᏍᎦᏯ ᎪᎱᏍᏗ ᎤᏲᎢ, ᏂᎯᏰᏃ ᏕᏍᎩᎧᎿᏩᏗᏙᎰᎢ; ᏂᎯ ᏣᏤᎵ ᎦᎾᏍᏓ ᎠᎴ ᏂᎯ ᏣᏤᎵ ᎠᏙᎳᎥᎾᏍᏗ ᎬᎩᎦᎵᏍᏓᏗᏍᎪᎢ.\nᏂᎯ ᎢᎬᏱᏗᏢ ᏍᏆᏛᏅᎢᏍᏓᏁᎰ ᎦᏍᎩᎸᎢ ᎠᏂᎦᏔᎲ ᎬᎩᏍᎦᎩ;  ᏂᎯ ᎪᎢ ᎯᎶᏁᏗᏍᎪ ᏥᏍᎪᎵ;  ᎠᏆᏤᎵ ᎤᎵᏍᏈᏗ ᎠᎧᎵᎪᎢ\nᏄᏓᎳᏏᏛᏒᎾ ᎣᏍᏛ, ᎠᎴ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎬᎩᏍᏓᏩᏗᏙᎮ ᏂᎪᎯᎸ ᎨᎥᎢ, ᎠᎴ ᎠᏎ ᏂᎪᎯᎸ ᏥᏯᎡᏍᏗ ᏱᎰᏩ ᎤᏤᎵ ᎠᏓᏁᎸᎢ.\nᏱᎰᏩ ᎢᎦᎦᏘ ᎠᏆᏤᎵᎦ ᎠᎴ ᎠᎩᏍᏕᎵᏍᎩ; ᎦᎪ ᏓᏥᎾᏰᏏ? ᏱᎰw ᎠᎵᏂᎪᎯᏍᏗᏍᎩ ᎬᏅᎢ; ᎦᎪ ᏥᏍᎦᎢᎮᏍᏗ?\nᎢᏳᏃ ᎠᏂᏍᎦᎾᎢ, ᎬᎩᏍᎦᎩ ᎠᎴ ᎬᏆᏡᏗᏍᎩ ᎬᎩᎷᏤᎸ ᎬᎩᏯᎡᏗᏱ ᎠᎩᏇᏓᎸᎢ, ᏚᏂᎿᏍᏆᎶᎥᎩ ᎠᎴ ᏚᏂᏅᏨᎩ.\nᎾᏍᏉ ᎤᏂᏣᏘ ᏳᎾᏅᏅ ᏱᏗᎬᎩᎦ, ᎠᎩᎾᏫ ᎥᏝ ᏴᎬᏍᎦᏯ ᎾᏍᏉ ᏓᎿᏩ ᏱᏄᏅᏁᎸ ᏱᎬᏆᏁᎷᎩᎡᎸ, ᎠᏏᏉ ᎾᏍᎩ ᏱᎠᏉᎯᏳᎭ\nᏑᏓᎴᎩ ᎪᎱᏍᏗ ᏥᏯᏚᎸᎡᎸ ᏱᎰᏩ ᎠᎴ ᎾᏍᎩ ᏛᎩᏲᎵ, ᎾᏍᎩ ᎠᏆᏕᏗᏱ ᏱᎰᏩ ᎤᏤᎵ ᎠᏓᏁᎸ ᏂᎪᎯᎸ ᎨᎥᎢ ᎠᎩᎪᏩᏛᏗᏱ ᎤᏬᏚᎯ ᎨᏒ ᏱᎰᏩ ᎤᏤᎵᎦ, ᎠᎴ ᎠᏆᎵᎮᎵᏍᏗᏱ ᏥᎪᏩᏘᏍᎬ ᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ\nᏀᎢᏳᏰᏃ ᎤᏲ ᎾᏆᎵᏍᏓᏁᎮᏍᏗ ᏛᏋᏍᎦᎸᏂ ᎤᎵᏦᏛ ᎭᏫᏂᏗᏢ; ᏀᎾ ᎤᏕᎵᏒ ᎤᎵᏦᏛ ᏛᏋᏍᎦᎸᏂ; ᏛᎩᏌᎳᏔᏂ ᏅᏲᎯ ᏛᎩᎧᏂ.\nᎿᏉᏃ ᏥᏍᎪᎵ ᎦᎸᎳᏗᏢ ᏄᏍᏕᏍᏗ ᎬᎩᏍᎦᎩ ᏕᎬᏆᏚᏫᏍᏛᎢ; ᎤᎵᏦᏛᏃ ᏓᎦᎵᏍᎪᎸᏔᏂ ᎠᏥᎸ ᎨᎳᏍᏗ ᎨᏒ ᎾᏍᎩ ᎠᎵᎮᎵᏍᏗ ᎨᏒᎢ; ᏙᏓᏥᏃᎩᏏ, ᎥᎥ, ᏙᏥᏃᎩᏏ ᏓᏥᎸᏉᏔᏂ ᏱᎰᏩ.\nᏱᎰᏩ ᏔᏛᎦᏅᎭ ᏥᏁᎬᎢ ᎦᎵᏍᏔᏅᎭ, ᎠᎴ ᏍᎩᏙᎵᏨᎭ, ᎠᎴ ᏘᏁᏨᎭ ᎬᏯᏅᎲᎭ.\nᎢᏥᏲᎦ ᎠᏆᎧᏛ, ᏣᏛᏅ, ᎠᎩᎾᏫ Ꭿ ᏂᏣᏪᏎᎸᎩ; ᏣᎧᏛ, ᏱᎰᏩ, ᏛᎩᏲᎵ.\nᏞᏍᏗ ᏍᏋᏍᎦᎳᏁᎸ ᏣᎧᏛᎢ; ᏣᏔᎳᏬᏍᎬ ᏞᏍᏗ ᎢᏴᏛ ᎢᎯᏴᏁᎸ ᎯᏅᏏᏓᏍᏗ; ᏍᎩᏍᏕᎸᎲᎩᏰᏃ; ᏞᏍᏗ ᏍᏋᏍᎦᎳᏁᎸ ᏣᎧᏛᎢ; ᏣᏔᎳᏬᏍᎬ ᏞᏍᏗ ᎢᏴᏛ ᎢᎯᏴᏁᎸ ᎯᏅᏏᏓᏍᏗ; ᏍᎩᏍᏕᎸᎲᎩᏰᏃ; ᏞᏍᏗ ᏍᏋᏕᏨᎩ, ᎠᎴ ᏞᏍᏗ ᏍᏆᏓᏅᎡᎸᎩ, ᏣᏁᎳᏅᎯ ᎠᏗᏍᏕᎵᏍᎩ.\nᎢᏳᏃ ᎡᏙᏓ ᎠᎴ ᎡᏥ ᎬᏋᏕᏨᎭ, ᎿᏉ ᏱᎰᏩ ᏛᎩᏯᏅᎯ.\nᏍᏇᏲᎲᎦ ᏣᏅᏅᎢ ᏱᎰᏩ, ᎠᎴ ᏍᏆᏘᏄᎦ ᎬᏂᎨᏒ ᎦᏅᏅᎢ, ᏫᏂᎦᎵᏍᏙᏓ ᎬᎩᏍᎦᎩ ᎨᏒᎢ.\nᏞᏍᏗ ᏫdᏍᎩᏲᏒᎩ ᎬᎩᏍᎦᎩ ᏄᏍᏛ ᎤnᏓᏚᎵᏍᎬ ᎢᎬᏋᏁᏗᏱ; ᎠᏂᏰᎪᎩᏰᏃ ᎠᏂᏃᎮᏍᎩ ᏚᎾᎴᏅ ᎬᏆᏡᏔᏅ, ᎾᏍᎩ ᎤᏲ ᎢᏳᎾᏓᏛᏁᏗᏱ ᎠᏅᏬᎳᏕᏍᎩ.\n[ᏯᏆᎵᎲᏲᎵᎴ] ᎢᏳᏃ ᎾᏉᎯᏳᏒᎾ ᏱᎨᏎ ᎠᎩᎪᏩᏛᏗᏱ ᎤᏓᏅᏘᏳ ᎨᏒ ᏱᎰw ᎠᏂ ᎦᏙᎯ ᏗᏅᏃᏛ ᎠᏁᎲᎢ.\nᎯᎦᏘᏓ ᏱᎰw; ᎤᎵᏂᎩᏛ ᏣᏓᏅᏖᏍᏗ, ᎾᏍᎩᏃ ᏓᏣᎵᏂᎩᎪᎯᏍᏓᏁᎵ ᏣᎾᏫ; ᎯᎦᏘᏓ ᏱᎰᏩ.\nᎯᎠ ᎾᎩᏪᏒᎩ, ᎨᏯᏔᎯ ᎨᏎᏍᏗ ᎦᎴᏂᏙᎲ ᎾᏍᎩ ᎠᎩᏍᎦᏅᎢᏍᏗᏱ ᏂᎨᏒᎾ ᏥᏃᎪᎢ ᏴᏗᏍᎬᎢ; ᏘᎣᎵ ᏓᏥᏍᏆᏂᎪᏔᏂ ᎠᏴᏑᎶᏗ ᏓᎬᏔᏂ, ᏀᎢᏳ ᎠᏂᏍᎦᎾ ᎢᎬᏱᏗᏢ ᎠᏁᏙᎯ.\nᎠᏋᎨᏩ ᎨᏒᎩ ᎡᎳᏪᏱ ᎠᏋᏒᎢ, ᎡᎳᏪᏱ ᎠᏋᏒᎩ ᎣᏍᏛ ᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ; ᎠᎴ ᎡᎯᏍᏗ ᎠᏆᏓᏅᏓᏗᏍᏗ ᏄᎵᏍᏔᏅᎩ.\nᎠᎩᎾᏫ ᎭᏫᏂ ᎤᏗᎴᎲᏒᎩ; ᎠᏏᏃ ᎦᏓᏅᏖᏍᎬᎢ ᎠᏥᎸ ᎤᏓᏪᎵᎬᎩ; ᎿᏉᏃ ᏥᏃᎪᎢ ᎠᏋᏔᏅᎩ ᎠᎩᏁᏨᎩ;\nᏱᎰᏩ, ᏍᏇᏲᎲᎦ ᏄᏍᏛ ᏩᏆᎵᏰᎢᎶᎯᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎢᎪᎯᏛ ᎠᏆᎴᏂᏓᏍᏗ ᎨᏒᎢ, ᎾᏍᎩᏯ ᏄᏍᏛᎢ; ᎾᏍᎩ ᎠᎩᎦᏙᎥᎯᏍᏗᏱ ᏂᏥᏩᎾᎦᎸᎢ.\nᎬᏂᏳᏉ ᎢᎪᎯᏛ ᎠᏆᎴᏂᏓᏍᏗ ᎨᏒ ᎤᏬᏱᏉ ᎾᏯᏛᎥ ᏂᏨᏁᎸ, ᏗᏆᏕᏘᏱᎶᏍᏗᏃ ᎨᏒ ᎠᏎᏉ ᎢᎦᎦᏛ ᏗᏣᎧᏃᏗᏱ; ᎤᏙᎯᏳᎯᏯ ᎢᎬᏂᎢᏛᏉ ᏴᏫ ᏀᎢᏳ ᎤᎵᏂᎩᏛ ᏄᎾᏛᏅᎢ ᎠᏎᏉᏉ.\nᎤᏙᎯᏳᎯᏯ  ᏴᏫ ᎠᏁᏙᎲ ᎠᎾᏓᏴᎳᏔᏩᏍᎪᎢ; ᎤᏙᎯᏳᎯᏯ  ᎠᏎᏉᏉ ᎠᎾᎵᏖᎸᏂᏙᎰᎢ; ᎦᏟᏏᏍᎪ ᏧᎬᏩᎶᏗ, ᎥᏝᏃ ᏯᎦᏔᎰ ᎾᏍᎩ ᎤᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏒᎢ.\nᎧ, ᎿᏉᏃ, ᏣᎬᏫᏳᎯ ᎦᏙ ᏥᎦᏘᏯ ? ᏂᎯ ᎬᏯᎵᏍᎦᏍᏙᏗᎭ.\nᏍᏊᏓᎳᎩ ᏂᎦᏗᏳ ᎠᎩᏍᎦᏅᏥᏙᎸᎢ; ᏞᏍᏗᏉ ᏱᎬᏆᏙᏢᏗᏍᎨᏍᏗ ᎤᏂᏁᎫ.\nᎠᏋᎨᏩ ᎨᏒᎩ, ᎠᎴ ᎥᏝ ᏯᎩᏍᏚᎢᏎ ᏥᎣᎵ; ᏅᏓᎦᎵᏍᏙᏗᏍᎬ ᏂᎯ ᎢᏣᏛᏁᎸᎯ ᎨᏒᎢ.\nᎯᎲᎾ ᏍᏋᏂᎸᎢ; ᎠᎩᏒᎲᏍᎦ ᏦᏰᏂ ᏍᏋᏂᏍᏔᏅᎢ.\nᎢᏳᏃ ᎯᎬᎪᎸᎥᏍᎬ ᏱᎩᎵᏲᎢᏍᏗᎭ ᏴᏫ ᎤᏍᎦᏅᏨ ᏱᏍᏛᏗᏍᏗᎭ, ᎤᏬᏚᏒ ᎯᏒᏁᎰ ᏥᏍᎪᏴ ᏥᏍᎪᏴ ᎾᏍᎩᏯᎢ; ᎤᏙᎯᏳᎯᎠ ᎢᎬᏂᎢᏛᏉ ᏴᏫ ᎠᏎᏉᎢ.\nᎭᏛᎬᎦ ᎦᏓᏙᎵᏍᏗᏍᎬ, ᏱᎰᏩ, ᎠᎴ ᎭᏛᏓᏍᏓ ᏕᎦᏠᏱᎲᎢ; ᏞᏍᏗᏉ ᎡᎳᏪᏱ ᏱᏨᏎᏍᏗ ᏕᏥᎦᏌᏬᎢᎲᎢ; ᏅᏆᏓᎴᏉᏰᏃ ᎯᎦᏔᎲ ᎠᎴ ᎨᏙᎯᏉ, ᎾᏍᎩᏯᏉ ᏂᎦᏛ ᏗᎩᎦᏴᎵᎨ ᏥᏄᎾᏍᏛᎢ,\nᎤᏲᏍᏛᏉ ᏍᎩᏙᎵᎩ, ᎾᏍᎩ ᎠᏆᎵᎮᎵᏍᏗᏱ, ᎠᏏᏉ ᎠᏂ ᏂᎦᏂᎩᏍᎬᎾ ᎠᎴ ᏂᎦᎵᏛᏗᏍᎬᎾ ᎨᏒᎢ.\nᎠᏫ ᎠᎹ ᏕgᏴ ᏥᏚᏚᎵᏍᎪᎢ, ᎾᏍᎩᏯ ᎠᏆᏓᏅᏙ ᏂᏣᏚᎵ ᏂᎯ ᏣᏁᎳᏅᎯ.\nᎠᏆᏓᏅᏙ ᎤᏣᏘ ᎤᏚᎵ ᎤᏁᎳᏅᎯ, ᎬᏂᏛ ᎤᏁᎳᏅᎯ: ᎢᎳᎪ ᎢᏳ ᏓᎨᏏ ᎬᏂᎨᏒ ᏫᏅᏓᎦᏛᏁᎵ ᎢᎬᏱᏗᏢ ᎤᏁᎳᏅᎯ ᎤᎧᏛᎢ.\nᏗᎩᎦᏌᏬᎸᎯ ᎠᏆᎵᏍᏓᏴᏗ ᎨᏒᎩ ᏗᎬᏩᎩᏨᏗ, ᎯᎠ ᏂᎪᎯᎸ ᏂᎬᎩᏪᏎᎲᎢ, ᎭᏢ ᏣᏁᎳᏅᎯ?\nᎢᏳᏃ ᎾᏍᎩ ᎯᎠ ᎦᏅᏓᏓ ᎠᏆᏓᏅᏙ ᎭᏫᏂ ᏥᏐᏅᏯᏍᎪᎢ: ᎦᏥᏍᏓᏩᏛᏛᏰᏃ ᎨᏒᎩ ᎤᏂᏣᏘ; ᎣᎨᏅᏒ ᎾᏍᎩ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏗᏓᏁᎸᎢ, ᎣᏥᏁᎢᏍᏗᏍᎬ ᎠᎵᎮᎵᏍᏕᎢ ᎨᏒ ᎠᎴ ᎦᎸᏉᏙᏗ ᎨᏒᎢ, ᎣᏣᎢᏒᎩ ᎤᏂᏣᏘ ᎾᏍᎩ ᎠᏂᏍᏆᏂᎪᏗᏍᎩ ᎦᎸᏉᏗ ᎢᎦ ᎨᏒᎢ.\nᎠᏆᏓᏅᏙ, ᎦᏙᏃ ᎡᎳᏗ ᎢᏣᏅᏨ? ᎠᎴ ᎦᏙᏃ ᎤᏪᎵᎯᏍᏗᏉ ᎢᏣᏓᏅᏔᏩᏕᎦ? ᎯᏯᎵᏍᎦᏍᏙᏓᏉ ᎤᏁᎳᏅᎯ; ᎠᏏᏉᏰᏃ ᏛᏥᎸᏉᏔᏂ ᎤᎧᏛ ᎠᎩᏎᎸᎲ ᎢᏳᏍᏗ\nᎠᏆᏁᎳᏅᎯ, ᎠᏆᏓᏅᏙ ᎡᎳᏗ ᎤᏅᏨ ᎭᏫᏂ ᎨᏒᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎬᏯᏅᏓᏗᏍᎨᏍᏗ ᎠᏓᎴhᏍᏍᎨᏍᏗ ᏦᏓᏂ ᎤᏪᏴ ᎦᏓ ᎠᎲᎢ, ᎠᎴ ᎠᏂᎭᎹᏂ ᎤᎾtᏤᎵᎪᎢh, ᎠᎴ ᎹᏌ ᎤᏌᎯᎸᎢ.\nᎠᏒᎩ ᎠᎵᏍᏓᏁᎰ ᎠᏒᎩ, ᎤᏍᏆᏃᏴᎳ ᎠᎹ ᏓᎵᏌᎳᏗᏍᎬᎢ; ᏂᎦᏗᏳ ᏗᏣᏤᎵ ᏓᏓᏁᏆᏒᏍᎬ ᎠᎴ ᏓᎵᏍᏗᎳᏁᎬ ᎬᏇᎸᏔᏅ.\nᎠᏎᏃ ᏱᎰᏩ ᎤᏓᏅᏘᏳ ᎨᏒ ᏛᏆᎵᏍᎪᎸᏓᏁᎵ ᎢᎦ ᎨᏎᏍᏗ, ᏒᏃᏱᏃ ᎨᏎᏍᏗ ᏧᏤᎵ ᏗᎧᏃᎩᏍᏗ ᏕᏥᏃᎩᏍᎨᏍᏗ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎬᏅᎢ ᎠᎩᏁᎯ ᏓᏥᏯᏓᏙᎵᏍᏓᏁᎵ.\nᎯᎠ ᏅᏓᏥᏪᏎᎵ ᎤᏁᎳᏅᎯ ᎠᎥy ᎠᏆᏤᎵ ᏅᏯ, ᎦᏙᏃ ᎢᏍᏋᎨᏫᏒ? ᎦᏙᏃ ᎢᎨᏙᎰ ᎤᏲ ᎠqᎤᏓᏅᏔwᏕᎪ ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎠdᏌy ᏂᎬᏋᎿᏕᎬ ᎬᎩᏍᎦᎩ?\nᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᏗᎩᎪᎶᎯ ᏥᏚᏂᎶ ᎾᏏᎩᏯ ᎬᎩᏍᎦᎩ ᎬᏆᏢᏗᎭ; ᎯᎠ ᏂᎬᎩᏪᏎᎲ ᏂᏚᎩᏨᏂᏒᎢ; ᎭᏢ ᏣᏁᎳᏅᎯ?\nᎦᏙᏃ ᎡᎳᏗ ᎢᏣᏅᏨ ᎠᏆᏓᏅᏙ? ᎠᎴ ᎦᏙᏃ ᎤᏪᎵᎯᏍᏗᏉ ᎢᏣᏓᏅᏔᏩᏕbᎠ? ᎯᏯᎵᏍᎦᏍᏙᏍᏓᏉ ᎤᏁᎳᏅᎯ; ᎠᏏᏉᏰᏃ ᏛᏥᎥᏉᏔᏂ, ᎾᏍᎩ ᏙᎯᏱ ᎠᏁᎯ ᏥᎩ ᎠᏆᎧᏛᎢ ᎠᎴ ᎾᏍᎩ ᎠᏆᏁᎳᏅᎯ.\nᎤᏁᎳᏅᎯ ᎢᎦᏤᎵ ᎢᎦᏗᏍᎦᎶᏗᏱ, ᎠᎴ ᎢᏍᎦᎵᏂᎪᎯᏍᏗᏍᎩ, ᏂᎪᎯᎸ ᎠᎦᏔᏩᏕᎩ ᎢᎩᏍᏕᎵᏍᎩ ᎤᏲ ᏂᎦᏛᎿᏕᎬᎢ;\nᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᏴᎨᏗᏍᎦᏯ ᎾᏍᏉ ᎦᏙᎯ ᏳᏓᏁᏟᏴᏒ, ᎠᎴ ᏙᏓᎸ ᎠᎺᏉᎯ ᎠᏰᎵ ᏫᏓᏅᎯ ᏱᎩ;\nᎠᎴ ᎾᏍᏉ ᎠᎹ nᎿ ᏕᎨᏒ ᏱᏚᏍᏆᏃᏴᎦ ᏱᏓᎵᏖᎸᎲᏍᎦ, ᎠᎴ ᏙᏓᎸ ᏱᏚᏖᎸᏗᎭ ᎾᏍᎩ ᏓᎵᏍᏗᎳᏁᎬᎢ\nᎡᏉᏂ ᎤᏪᏴ, ᎠᎴ ᎾᏍᎩ ᏕᎤᏪᏯᏗᏒ ᎣᏍᏛ ᏓᏳᏓᏅᏓᏗᏍᏔᏂ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᎦᏚᎲᎢ, ᎦᎸᏉᏗᏳ ᎨᏒ ᏕᎦᏁᎸ ᎾᏍᎩ ᏩᏛ ᎦᎸᎳᏗᏳ ᎡᎯ.\nᎤᏁᎳᏅᎯ ᏀᎾ ᎠᏰᎵ ᏄᏛᏅ; ᎥᏝ ᎠᏥᏖᎸᏗ ᏱᎨᏎᏍᏗ; ᎤᏁᎳᏅᎯ ᏓᏳᏍᏕᎸᎯ ᎤᎵᏍᏗᏳ.\nᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎤᏂᏔᎳᏬᏒᎩ, ᎠᏰᎵ ᏕᎪᏢᏩᏗᏒ ᎤᎾᎵᏖᎸᏅᎩ; ᎤᏁᏨᎩ; ᎡᎶᎯ ᎤᏩᎾᏬᏒᎩ.\nᏱᎰᏩ ᎤᏂᏣᏘ ᏗᏘᏂᏙᎯ ᎢᎨᎳᏗᏙᎭ; ᎤᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ ᎢᎦᏗᏍᎦᎶᏗᏱ.\nᎡᏤᎾ, ᎢᏣᎦᏌᏯᏍᏓ ᏕᎤᎸᏫᏍᏓᏁᎸ ᏱᎰᏩ, ᎣᏍᏛᎯ ᏂᏕᎤᏩᏁᎵᏙᎸ ᎡᎶᎯ.\nᏓᎿᏩ ᏕᎨᏒ ᏓᏲᎯᏍᏗᎭ ᎡᎶᎯ ᏩᏛ ᎢᏴᏛ; ᎦᎵᏣᏗ ᏓᏍᏆᎵᏍᎦ, ᎠᎴ ᏗᏓᏘᏍᏗ ᏔᎵ ᏂᏕᎦᏗᎭ; ᏓᏆᎴᎷ ᎠᎪᎲᏍᏗ ᎠᏥᎸᏱ.\nᎢᏥᏑᎵᎪᎢ, ᎠᎴ ᎢᏣᏙᎴᎰᎯ ᎠᏴ ᎤᏁᎳᏅᎯ ᎨᏒᎢ; ᎤᎩᎸᏉᏙᏗ ᎨᏎᏍᏗ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᏁᎲᎢ, ᎥᎩᎸᏉᏙᏗ ᎨᏎᏍᏗ ᎡᎶᎯ.\nᏱᎰᏩ ᎤᏂᏣᏘ ᏗtᏂnᏙᎯ ᎢᎨᎳᏗᏙᎭ; ᎤᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ ᎢᎦᏗᏍᎦᎶᏗᏱ.\nᏍᎩᏙᎵᎩ ᏣᏁᎳᏅᎯ, ᎲᏓ ᏣᏓᏅᏘᏳ ᎨᏒᎢ; ᎤᏣᏘ ᎨᏣᏓᏙᎵᏍᏗ ᎨᏒ ᎲᏓ ᎯᏅᎦᎸ ᎠᎩᏍᎦᏅᏥᏙᎸᎢ.\nᎣᏍᏛ ᏍᏉᏑᎵ ᏂᏗᏳᎪᏛᎾ ᎾᏆᏛᏁᎸᎢ, ᎠᎴ ᏍᎩᏅᎦᎸ ᎠᎩᏍᎦᏅᏨᎢ.\nᏥᎦᏔᎭᏰᏃ ᎠᎩᏍᎦᏅᏥᏙᎸᎢ ᎠᎴ ᎠᎩᏍᎦᏅᏨᎢ ᏂᎪᎯᎸ ᎢᎬᏱᏗᏢ ᏄᏍᏗᏕᎦ.\nᏂᎯ ᏂᎯ ᏨᏒᎯᏳ ᎬᏍᎦᏅᏤᎸ, ᎠᎴ ᏕᎯᎧᏅ ᎯᎠ ᎾᏍᎩ ᎤᏲ ᎾᏆᏛᏁᎸ, ᎾᏍᎩ ᏣᏚᏓᎴᏍᏗᏱ ᎯnᎨᎬᎢ, ᎠᎴ ᏂᏣᏍᎦᏅᏨᎾ ᎢᏳᎵᏍᏙᏗᏱ ᏕᎱᎪᏗᏍᎬᎢ.\nᎬᏂᏳᏉ, ᎠᏍᎦᏂ ᎨᏒ ᎠᏆᏕᎥnᎩ; ᎠᎴ ᎠᏍᎦᏂ ᎨᏒ ᎡᏥ ᎠᎩᏁᎵᏍᏨᎩ.\nᎬᏂᏳᏉ, ᎣᎯ ᏣᏰᎸᎭ ᎦᏰᎪᎩ ᏂᎨᏒᎾ ᎭᏫᏂ ᎨᏒᎢ; ᎤᏕᎵᏒᏃ ᎨᏒ ᎠᏆᏕᎶᏆᏍᏗᏱ ᏅᏛᏁᎵ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ.\nᎯᏐᏈ ᏍᎩᏅᎦᎸᏓ, ᎠᏆᏓᏅᎦᎸᏛᏃ ᎨᏎᏍᏗ; ᏍᏉᏑᎵ, ᎥᏃᏥᏃ ᏄᏁᎩᏴ ᎤᏟ ᎾᎩᏁᎩᏰᏍᏗ.\nᏥᎦᏛᎬᎦ ᎤᎵᎮᎵᏍᏗ ᎠᎴ ᎣᏍᏛ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒᎢ ᎬᏩᎾᎵᎮᎵᏍᏗ ᏱᎩ.\nᏛᏍᎦᎳᏏ ᏣᎧᏛᎢ ᎠᎩᏍᎦᏅᏥᏙᎸᎢ, ᎠᎴ ᏂᎦᏗᏳ ᏂᏚᏳᎪᏛᎾ ᎾᏆᏛᏁᎵᏙᎸ ᎯᏅᎦᎸ.\nᏣᏁᎳᏅᎯ ᏍᏉᏢᎾᏏ ᎭᏫᏂ ᎦᏓᎭ ᏂᎨᏒᎾ ᎠᎩᎾᏫ; ᎠᎴ ᎭᏫᏂ ᏍᏉᏢᎯᏌᏏ ᎠᏆᏓᏅᏙᎩ, ᏚᏳᎪᏛ ᏅᎦ.\nᎠᎴ ᏞᏍᏗ ᏍᎩᎨᎯᏙᎸᎩ ᎮᏙᎲᎢ; ᎠᎴ ᏣᏤᎵ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏞᏍᏗ ᏍᎩᏯᏅᎡᎸᎩ.\nᏔᎵᏁ ᏍᏆᎵᏍᎪᎸᏓᏍᏗ ᎠᎵᎮᎵᏍᏗ ᏣᏓᏍᏕᎸᏗ ᎨᏒ ᏅᏓᏳᏓᎴᏅᎯ; ᎠᎴ ᎬᏩᎦᏗᏯ ᏣᏓᏁᏗ ᎨᏒ ᎠᏓᏅᏙ ᎲᏓ ᏍᎩᏌᎳᏕᏍᏗ.\n[ᎿᏉᏃ] ᎦᏥᏰᏲᎲᏍᎨᏍᏗ ᎤᏣᏘᏂ ᎢᏯᎾᏛᏁᎯ ᏂᎯ ᏕᏣᏅᏅᎢ; ᎠᎴ ᎠᏂᏍᎦᎾ ᎠᎾᏨᏍᎨᏍᏗ ᏂᎯ ᎨᏣᎷᏤᎮᏍᏗ.\nᏍᏊᏓᎳᎩ ᎩᎬ ᎠᏨᏗ ᎨᏒ ᎠᎩᏍᎦᎥnᏨᎢ ᏣᏁᎳᏅᎯ, ᏂᎯ ᎠᏆᎵᏍᏕᎸᏙᏗ ᏣᏁᎳᏅᎯ; ᏥᏃᎪᎪ ᎠᏍᏓᏯ ᏙᏓᎧᏃᎩᏍᏔᏂ ᏣᏤᎵ ᏚᏳᎪᏛ ᎨᏒᎢ.\nᏣᎬᏫᏳᎯ ᎠᏆᏤᎵ, ᏘᏍᏗ ᏓᎩᎭᏁᎦᎸᎢ; ᏥᎣᎵᏃ ᎬᏂᎨᏒ ᏅᏓᎬᏁl ᎡᏣᎸᏉᏗᏳ ᎨᏒᎢ.\nᎥᏝᏰᏃ ᏱᏣᏚᎵ ᎪᎱᏍᏗ ᎠᎸᎯ, ᏴᎦᎵᏍᎪᎸᏓᏰᏃ; ᎥᏝ ᎣᏏᏳ ᏱᏣᏰᎸᎭ ᎠᏥᎸ ᎨᎳᏍᏗ ᎨᏒᎢ.\nᎠᏓnᏙ ᎠᏍᏆᎵᏒᎯ ᎾᏍᎩ ᎠᏥᎸ ᎨᎳᏍᏗ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ; ᎠᏍᏆᎵᏒᎯ ᎠᎴ ᎦᏓᏬᏔᏅᎯ ᎤᎾᏫ ᎥᏝ ᏴᎦᎯᏍᎦᎩ, ᏣᏁᎳᏅᎯ.\nᎣᏍᏛ ᏣᏓᏰᎸᏗ ᎨᏒ ᎲᏓ ᎣᏍᏛ ᏂᏯᏛᏂᏏ ᏌᏯᏂ; ᎭᏐᏯᎦ ᎠᏐᏯᏍᏛ ᏥᎷᏏᎵᎻ.\nᎩᎳ ᎿᏉ ᎣᏏᏳ ᏣᏰᎸᏎᏍᏗ ᏚyᎪᏛ ᎠᎵᏍᎪᎸᏙᏗ ᎨᏒᎢ, ᎠᎴ ᎠᏥᎸ ᎨᎳᏍᏗ ᎨᏒᎢ, ᎠᎴ ᎤᏃᏍᏛ ᎠᎪᎲᏍᏔᏅᎯ; ᎿᏉᏃ ᏓᎾᎵᏍᎪᎸᏗᏍᎨᏍᏗ ᏧᎾᎪᏅᏍᏓᎵ ᏩᎦ ᏣᏤᎵ ᎠtᏍᎸ ᎨᎳᏍᏗᏱ ᎦᏍᎩᎸᎢ.\nᏣᏁᎳᏅᎯ ᏂᎯ ᏗᏧᎪᏙᏗ ᎨᏒ ᎯᎥᏏ ᎤᎬᏫᏳᎯ, ᎠᎴ ᏂᎯ ᏣᏤᎵ ᏚᏳᎪᏛ ᎨᏒ [ᎯᎥᏏ] ᎤᎬᏫᏳᎯ ᎤᏪᏥ.\nᎾᏍᎩ ᏚᏳᎪᏛ ᏓᎬᏔᏂ ᏙᏓᎫᎪᏓᏁᎵ ᏴᏫ ᏗᏣᏤᎵ, ᎠᎴ ᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᏗᏣᏤᎵ ᏚᏳᎪᏛ ᏙᏓᎫᎪᏓᏁᎵ.\nᏙᏓᎸ ᏅᏩᏙᎯᏯᏛ ᎬᏩᏂᎾᏄᎪᏫᏎᎮᏍᏗ ᏴᏫ ᎠᎴ ᏚᏌᎯᎸ [ᏅᏩᏙᎯᏯᏛ ᎬᏩᏂᎾᏄᎪᏫᏎᎮᏍᏗ] ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒ ᎬᏗ.\nᎤᏲ ᎢᏳᎾᏛᎿᏕᎩ ᎾᏍᎩ ᏴᏫ ᏙᏓᎫᎪᏓᏁᎵ, ᏙᏛᏍᏕᎸᎯ ᎤᏂᏂᎩᏛ ᏧyᏁᏥ, ᎠᎴ ᏛᏍᏆᎵᏏ ᎠᏍᏓᏯ ᎢᏯᏓᏛᏁᎯ.\nᎨᏣᎾᏰᏍᎨᏍᏗ ᏂᎪᎯᎸ ᏅᏙ ᎢᎦ ᎡᎯ ᎠᎴ ᏒᏃᏱ ᎡᎯ ᎠᏂᎧᎸᎢ, ᏂᎪᎯᎸ ᎠᎾᏓᏁᏟᏴᏎᎬ [ᏴᏫ].\nᏓᎦᎷᏥ ᎾᏍᎩᏯ ᎠᎦᏍᎬ ᏥᎦᎷᎪ ᎧᏁᏍᎦ ᎠᏍᎫᏕᏒᎯ ᎦᎳᎨᏴᎢ; ᎾᏍᎩᏯ ᎠᎦᏍᎬ ᏥᎦᏚᎳᏍᏗᏍᎪ ᎦᏙᎯ.\nᏀᎢᏳ ᎡᎮᏍᏗ ᎤᏓᏅᏘ ᎣᏏᏳ ᎾᏛᏁᎮᏍᏗ; ᎠᎴ ᎤᏣᏘ ᏅᏩᏙᎯᏯᏛ ᎡᎮᏍᏗ ᏂᎪᎯᎸ ᏅᏙ ᏒᏃᏱ ᎡᎯ ᎧᎸᎢ.\nᎤᎬᏫᏳᎯ ᎾᏍᏉ ᎨᏎᏍᏗ, ᎠᎺᏉᎯ ᎠᏓᎴᏂᏍᎨᏍᏗ ᎠᎴ ᎠᎺᏉᎯ ᏩᏍᏖᏍᏗ, ᎠᎴ ᎡᏉᏂ ᎤᏪᏴ ᎠᏓᎴᏂᏍᎨᏍᏗ ᎡᎶᎯᏃ ᏫᏚᎵᏍᏘᏂᎸ ᏩᏍᏖᏍᏗ.\nᎢᎾᎨ ᏗᏁᎯ ᎢᎬᏱᏗᏢ ᎡᎳᏗ ᏂᎬᏩᏛᏁᎮᏍᏗ; ᎬᏩᏍᎦᎩᏃ ᎦᏙᎯ ᎠᏂᎦᎾᏗᏍᎨᏍᏗ.\nᎤᏂᎬᏫᏳᎯ ᏓᏏᏏ ᎠᏁᎯ ᎠᎴ ᎠᎹᏰᎵ ᏗᎬᏩᏓᏂᎸᎢᏍᏙᏗ ᎠᏂᏲᎯᎮᏍᏗ; ᎤᏂᎬᏫᏳᎯ ᏥᏩ ᎠᏁᎯ ᎠᎴ ᏏᏩ ᎠᏁᎯ ᎬᏩᎵᏍᎪᎸᏓᏁᎮᏍᏗ ᎠᏓᏁᏗ ᎨᏒᎢ.\nᎥᎥ, ᏂᎦᏗᏳ ᎤᏂᎬᏫᏳᎯ ᎢᎬᏱᏗᏢ ᎡᎳᏗ ᎬᏩᏓᏅᏁᎮᏍᏗ; ᏂᎦᏗᏳ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏕᎬᏩᏁᎶᏕᏍᏗ.\nᎤᏂᎬᏂᏰᏃ ᏓᎫᏓᎴᏏ ᎢᏳᏃ ᏓᏠᏱᎮᏍᏗ; ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᎾᏍᏉ, ᎠᎴ ᎾᏍᎩ ᏁᎲᎾ ᎤᏍᏕᎵᏍᎩ.\nᏙᏓᎦᏙᎵᏥ ᎾᏍᎩ ᎤᏲ ᎢᏳᏛᎿᏕᎩ ᎠᎴ ᎤᏂᎩᏛ, ᎠᎴ ᏙᏛᏍᏕᎸᎯ ᏓᏅᏅ ᎤᏂnᎩᏛ\nᏙdᎫᏓᎴᏏ ᏓᏅᏅ ᎠᏓᎶᏄᎮᏍᎩ ᎨᏒ ᎠᎴ ᎠᏍᏓᏯ ᎢᏯᏓᏛᏁᎯ ᎨᏑᎥᎢ; ᎠᎴ ᎤᏣᏘ ᎦᎸᏉᏗ ᎨᏎᏍᏗ ᎤᏂᎩᎬ ᎾᏍᎩ ᏓᎧᏅᎢ.\nᎠᎴ ᎾᏍᎩ ᎡᎮᏍᏗ, ᎠᎴ ᎾᏍᎩ ᎠᏥᏁᎮᏍᏗ ᎠᏕᎸ ᏓᎶᏂᎨ ᏥᏩ ᎤᏕᏅᎯ; ᎠᎴ ᏂᎪᎯᎸ ᎠᎾᏓᏙᎵᏍᏗᏍᎨᏍᏗ ᎠᏥᏙᎵᏍᏗᏱ; ᎠᎴ ᏂᏚᎩᏨᏂᏒ ᎠᏥᎸᏉᏗᏍᎨᏍᏗ\nᏏᏏᏥᎳᏂᏫᎯ ᎠᏘᏌᎴᏍᏗ ᎦᏙᎯ ᏓᎭᏕᏍᏗ ᎦᏚᏏ ᏳᎦᏔᏔᏂᏫᎯᏃ ᎾᏍᏥ ᎠᎵᏖᎵᏫᏫᏍᏤᏍᏗ ᎴQᎤᏫᏂᏫ ᎾᏍᏥᏰᎢ ; ᎦᏚᎲᏃ ᎠᏁᎯ ᎧᏁᏍᎦ ᎦᏙᎯ ᎠᏛᏍᎩ ᏄᏬᏚᏒ ᎾᏍᎩᏯ ᏧᏃᏚᎯᏳ ᏂᎦᎵᏍᏗᏍᎨᏍᏗ\nᏕᎤᏙᎥ ᏂᎪᎯᎸ ᎡᎮᏍᏗ; ᏕᎤᏙᎥ ᏅᏙ ᎢᎦ ᎡᎯ ᎧᎸ ᎢᎪᎯᏛ ᎤᏛᏗ ᎨᏎᏍᏗ; ᏴᏫᏃ ᏅᏩᏙᎯᏯᏛ ᏚᎾᏓᏅᏖᏍᏗ ᎾᏍᎩ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ; ᏂᎦᏗᏳ ᏧᎾᏓᎳᏅᏛ ᏴᏫ ᎣᏍᏛ gwᏩᏃᎮᏍᎨᏍᏗ.\nᎦᎸᏉᏗ ᎨᏎᏍᏗ ᏱᎰw ᎤᏁᎳᏅᎯ, ᎢᏏᎵ ᎤnᏤᎵᎦ ᎤᏁᎳᏅᎯ, ᎤᏩᏒᎯᏳ ᎤᏍᏆᏂᎪᏗ ᏧᎸᏫᏍᏓᏁᎯ.\nᎠᎴ ᎦᎸᏉᏙᏗ ᎨᏎᏍᏗ ᎦᎸᏉᏗᏳ ᏕᎤᏙᎥ ᏂᎪᎯᎸᎢ; ᎠᎴ ᏂᎬᎾᏛ ᎡᎶᎯ ᏩᎧᎵᎩ ᎾᏍᎩ ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ.  ᎡᎺᏅ, ᎠᎴ ᎡᎺᏅ.\nᎤᏓᏙᎵᏍᏔᏅ ᏕᏫ ᏤᏏ ᎤᏪᏥ ᏓᎵᏍᏆᏓ\nᏂᎦ ᏕᎤᏚᎸᏗ ᏕᎯᏁᎸ ᏱᎰᏩ ᏂᎯ ᎤᏂᏣᏘ ᏔᏘᏂᏙᎯ!\nᎠᏆᏓᏅᏙ ᎤᏣᏘ ᎤᏚᎵᎭ ᎠᎴ ᎤᎸᏕᏍᏗᎭ ᏕᎤᏚᎵᏍᎬ ᏓᏓᏁᎸ ᏱᎰᏩ ᏧᏤᎵᎦ; ᎠᎩᎾᏫ ᎠᎴ ᎠᎩᏇᏓᎸ ᎠᏁᎷᎲᏍᎦ ᎤᎾᏚᎵᏍᎬ ᎬᏂᏛ ᎤᏁᎳᏅᎯ.\nᎥᎥ, ᏥᏍᏆᏯ ᎤᏩᏛᎲ ᎤᏁᎳᏗᏍᏗᏱ, ᎠᎴ ᎠᎪᏍᏓᏯ ᎤᏁᏍᏓᏠᏗᏱ ᏀᎾ ᏧᏅᏗᏱ, ᎾᏍᎩ ᏂᎯ ᏗᏣᏤᎵ ᎠᏥᎸ ᎨᎳᏍᏗᏱ, ᏱᎰᏩ ᎤᏂᏣᏘ ᏔᏘᏂᏙᎯ, ᎠᏆᏤᎵ ᏣᎬᏫᏳᎯ, ᎠᎴ ᎠᏆᏤᎵ ᎤᏁᎳᏅᎯ.\nᎣᏏᏳ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎾᏍᎩ ᏣᏤᎵ ᎠᏓᏁᎸ ᏗᏂᏁᎳ; ᏂᎪᎯᎸ ᎨᏣᎸᏉᏗᏍᎨᏍᏗ.\nᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎠᏍᎦᏯ ᎾᏍᎩ ᏂᎯ ᎯᏯᎵᏂᎪᎯᏍᏗᏍᎩ; ᎾᏍᎩ ᎤᎾᏫᏱ ᏚᏍᏆᏂᎪᏗ ᏕᎦᏅᏅᎢ.\nᎾᏍᎩ ᎨᏆ ᎤᎨᏓᎵᏴ ᎠᏂᎶᏍᎬ ᎠᎹ ᎠᏢᏗᏱ ᎾᏅᏁᎭ; ᎠᎴ ᎾᏍᏉ ᎠᎦᏍᎬ ᎠᎧᎵᎭ ᏛᏓᎸᎢ.\nᎠᎾᎢᏒ ᎧᏁᏉᏥ ᏚᎾᎵᏂᎪᏍᎬᎢ; ᏌᏯᏂ ᏩᏂᎷᎦ ᎤᏁᎳᏅᎯ ᎤᏬᎸ ᎢᎬᏱᏗᏢ.\nᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎤᏂᏣᏘ ᏔᏘᏂᏙᎯ, ᎭᏛᎬᎦ ᎦᏓᏙᎵᏍᏗᏍᎬᎢ; ᎭᏛᏓᏍᏓ ᏣᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ.\nᏣᏁᎳᏅᎯ, ᏔᎦᏅᎦ ᎣᎦᎬᏑᎶᏙᏗ, ᎠᎴ ᏔᎦᏅᎦ ᎤᎧᏛ ᏣᏤᎵ ᎦᎶᏁᏛ.\nᏌᏉᏰᏃ ᎢᎦ ᏣᏤᎵ ᏓᏓᏁᎸ ᎠᏴᏍᏗᏱ ᎤᏟ ᏃᎯ ᎡᏍᎦᏉ ᏌᏉ ᎢᏯᎦᏴᎵ [ᎢᎦ]. ᎤᏟ ᏱᏥᏰᎸᎾ ᎦᎶᎯᏍᏗᏱ ᏥᎦᏘᏯ ᎢᏳᎵᏍᏙᏗᏱ ᎠᏆᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸᎢ, ᎠᏃ ᎤᏲ ᏗᎦᎸᏫᏍᏓᏁᏗ ᏕᎦᎵᏦᏛ ᎠᏆᏕᏗᏱ.\nᏱᎰᏩᏰᏃ ᎤᏁᎳᏅᎯ ᏅᏙ ᎢᎦ ᎡᎯ, ᎠᎴ ᎠᎬᏑᎶᏗ, ᏱᎰᏩ ᏛᎵᏍᎪᎸᏔᏂ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᎠᎴ ᎦᎸᏉᏗᏳ ᎨᏒᎢ; Ꮭ ᎪᎱᏍᏗ ᎣᏍᏛ ᎨᏒ ᏧᎨᏳᏙᏗ ᏱᎩ ᏚᏳᎪᏛ ᎠᏁᏙᎯ.\nᏱᎰᏩ ᎤᏂᏣᏘ ᏔᏘᏂᏙᎯ, ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ ᏂᎯ ᏣᎵᏍᎦᏍᏙᏗᏍᎩ.\nᏣᎬᏫᏳᎯ ᏂᎯ ᎣᎦᏁᎳᏗᏍᏗᏱ ᎨᏒᎩ ᏂᎪᎯᎸ ᏴᏫ ᎤᎾᏓᏁᏟᏴᏒᏒᎢ.\nᎠᏏ ᏙᏓᎸ ᏂᏓᏙᏢᎬᎾ ᎨᏎᎢ, ᎠᎴ ᎠᏏᏉ ᏂᏓᏙᏢᏍᎬᎾ ᎨᏎ ᎦᏙᎯ ᎠᎴ ᎡᎳᏂᎬᎢ, ᎠᎴ ᏅᏧᏓᎴᏅᎲᎾ ᎠᎴ ᎾᎵᏍᏆᏗᏍᎬᎾ ᏂᎯ ᏣᏁᎳᏅᎯ.\nᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎢᏗᏢ ᏫᎩᎦᏘ ᏴᏫ, ᎠᎴ ᎯᎠ ᏂᏪᎭ, ᏥᏣᏨᎾ ᏂᎯ ᏴᏫ ᏧᏁᏥ.\nᏂᎯᏰᏃ ᏕᎯᎧᏅ ᏌᏉ ᎢᏯᎦᏴᎵ ᎢᏧᏕᏘᏴᏛ ᎤᏒᎯᏉ ᎾᏍᎩᏯ ᎿᏉ ᎦᎶᎯ, ᎠᎴ ᏌᏉ ᎢᏯᏯᏫᏍᏗ ᏒᏃᏱ ᎾᏍᎩᏯᎢ.\nᏕᎭᏘᏁᎦ ᎾᏍᎩᏯ ᎦᏃᎱᎩᏍᎬ ᏧᏂᏄᎲᏍᏗᏍᎩ; ᎦᎸᏗᏉ ᎨᏒ ᏓᎾᏤᎸ; ᏑᎾᎴ ᎧᏁᏍᎦ ᏣᏛᏍᎪ ᏓᎾᏤᎸ\nᏑᎾᎴ ᎠᏥᎸᏍᎪ ᎠᎴ ᎠᏛᏍᎪᎢ; ᎤᏒᎯᏰᏱ ᎠᏂᏍᎫᏕᏍᎪ ᎠᎴ ᎢᎧᎾᏍᎬᎪᎢ.\nᏣᎾᎸᏒᏰᏃ ᎣᎩᏒᎲᏍᎦ, ᎠᎴ ᏣᏔᎳᏬᏍᎬ ᎣᎦᏕᏯᏙᏗᎭ.\nᏣᎧᏛ ᎢᎬᏱᏗᏢ ᏂᏕᏨᏁᎸ ᎣᎩᏍᎦᏅᏨᎢ, ᎠᎴ ᎤᏕᎵᏛ ᎣᎩᏍᎦᏅᏨ ᏣᎧᏛ ᏚᎸᏌᏛ ᎢᎬᏱᏗᏢ ᏂᏕᏨᏁᎸ.\nᏣᏔᎳᏬᎯᏍᏗᏰᏃ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗ ᏙᎩᎩᏨᏂᏒ ᏕᎦᎶᏐᎲᏍᎪᎢ; ᏙᎦᏕᏘᏱᎶᏍᎬᏃ ᏕᎦᎶᏍᎦ ᎾᏍᎩᏯ ᎠᏓᏅᏖᏗ ᏥᎦᎶᏍᎪᎢ\nᎦᎵᏆᏍᎪᎯ ᏧᏕᏘᏴᏛ ᎠᏎᎸᎯ ᎣᎦᎴᏂᏓᏍᏗᏱ; ᏙᎦᎵᏂᎬᎬᏃ ᏱᏅᏗᎦᎵᏍᏙᏗ ᏁᎳᏍᎪᎯ ᏧᏕᏘᏴᏛ ᏱᏃᎩᏛ, ᎠᏎ ᎾᏍᎩ ᏙᎦᎵᏂᎩᎬᎬ ᏧᏯᏪᎢᏍᏗ ᎠᎴ ᎤᏕᏯᏙᏗ ᎨᏐᎢ; ᏞᎩᏳᏰᏃ ᎠᎵᏍᏆᏗᏍᎪ ᎠᎴ ᎢᏓᎵᏛᏗᏍᎪᎢ.\nᎦᎪ ᎠᎦᏔᎭ ᏄᎵᏂᎬᎬ ᏣᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ? ᎾᏍᎩ ᏂᏣᎾᏰᎯᏍᏛ ᎾᏍᎩᏯ ᏄᏍᏗ ᏣᏔᎳᏬᎯᏍᏗ ᎨᏒᎢ.\nᏍᎩᏰᏲᎲᎦ ᏦᎦᏎᏍᏗᏱ ᏙᎩᎩᏨᏁᎬ ᎾᏍᎩ ᏗᎦᏔᎿᎢ ᎢᏧᎵᏍᏙᏗᏱ ᏦᎩᎾᏫ.\nᎭᎦᏔᎲᎾ ᏱᎰᏩ, ᎢᎳᎪ ᏅᏓᎪᎯᏥ? ᎠᎴ ᎤᏲ ᎭᏓᏅᏓᏓ ᏘᏂᎥᏏᏓᏍᏗ ᏕᎭᏓᏅᏖᏍᎬᎢ.\nᏣᏓᏙᎵᏍᏗ ᎨᏒ ᏄᎳᏉ ᎣᎩᏛᏓᏁᎯ ᎢᎦᎢ ᏍᎩᎥᏏ; ᎾᏍᎩ ᎣᎦᎵᎮᎵᏍᏗᏱ,; ᎠᎴ ᎣᏍᏛ ᎣᎦᏓᏅᏓᏗᏍᏗᏱ ᏂᎪᎯᎸ ᎣᏣᎴᏂᏙᎲᎢ\nᎣᏍᏛ ᏍᎩᏯᏓᏅᏓᏗᏍᏓ ᎾᏍᎩᏯ ᎢᎪᎯᏛ ᏍᎩᎩᎵᏲᎢᏍᏔᏅᎢ, ᎠᎴ ᎾᏍᎩᏯ ᏂᏚᏕᏘᏴᎲ ᎤᏲ ᎣᎩᎪᎯᏙᎸᎢ.\nᏕᏣᎸᏫᏍᏓᏁᎸ ᏘᏅᏏᏓᏍᏗ ᎬᏂᎨᏒ ᏫᏄᎾᎵᏍᏓᏏ, ᎠᎴ ᎡᏣᎸᏉᏗᏳ ᎨᏒ ᏧᏁᏥ ᎬᏂᎨᏒ ᏫᏄᎾᎵᏍᏓᏏ.\nᎠᎴ ᎤᏬᏚᎯᏳ ᎨᏒ ᎤᏁᎳᏅᎯ ᎤᏤᎵ ᏫᏙᎩᎧᎿᏩᏗᏓ; ᎠᎴ ᏍᎩᏍᏓᏱᏗᏏ ᏦᎪᏰᏂ ᏙᏨᏗᏍᎬ ᏙᎩᎸᏫᏍᏓᏁᎲᎢ; ᎥᎥ, ᏦᎪᏰᏂ ᏙᏨᏗᏍᎬ ᏙᎩᎸᏫᏍᏓᏁᎲ ᎯᏌᏓᏱᏛ ᎾᏍᎩ.\nᎢᏥᏃᏴᎵᏍᏓ ᏤᏥᏃᎩᏍᏓ ᏱᎰᏩ ᏂᎬᎾᏛ ᎡᎶᎢ ᎢᏤᎯ.\nᏤᏥᎦᎿᏩᏚᎦ ᏱᎰᏩ ᎣᏍᏛ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏒ ᎢᏨᏓ; ᎢᏥᎷᎩ ᎤᏬᎸ ᎢᎬᏱᏗᏢ ᎢᏣᎵᎮᎵᎬ ᏕᏥᏃᎩᏍᎨᏍᏗ.\nᎢᏥᎦᏔᎮᏍᏗ ᏂᎯ ᎾᏍᎩ ᏱᎰᏩ ᎤᏁᎳᏅᎯ ᎨᏒᎢ; ᎾᏍᎩ ᎢᎪᏢᏁᎢ, ᎥᏝᏃ ᎢᎬᏒ ᏱᎦᏓᏙᏢᏁᎢ; ᎾᏍᎩ ᏧᏤᎵ ᏴᏫ ᎠᏴ, ᎠᎴ ᎤᏂᏃᏕᎾ ᎤᏤl ᎦᏄᎸᏒ ᎢᏓᎵᏍᏓᏴᏗᏍᎩ.\nᎦᎶᎯᏍᏗᏱ ᎤᏬᎸ ᎢᏥᏴᎭ ᎢᏣᎵᎮᎵᎬᎢ; ᎢᏥᏴᎭ ᎾᏍᎩ ᎤᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎢᏥᎸᏉᏗᏍᎬᎢ; ᎡᏣᎵᎮᎵᏥ ᎾᏍᎩ, ᎠᎴ ᎦᎸᏉᏗᏳ ᏂᏨᎦ ᎾᏍᎩ ᏕᎤᏙᎥᎢ.\nᎤᏓᏅᏘᏳᏰᏃ ᏱᎰᏩ; ᎾᎵᏍᏆᏗᏍᎬᎾ ᎤᏓᏙᎵᏣᏘᏳ ᎨᏒᎢ; ᎠᎴ ᎾᏍᎩ ᎤᏙᎯᏳᎯ ᎤᏁᎢᏍᏗᏱ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ ᏂᎪᎯᎸ ᏴᏫ ᎠᎾᏓᏁᏟᏴᏏᏒᎢ.\nᎠᏆᏓᏅᏙ ᏱᎰᏩ ᎯᎸᏉᏓ; ᎠᎴ ᏂᎦqᏛ ᎭᏫᏂ ᎠᎩᏯᎥ ᎯᎸᏉᏓ ᏱᎰᏩ\nᎠᏆᏓᏅᏙ ᏱᎰᏩ ᎯᎸᏉᏓ; ᎠᎴ ᏞᏍᏗ ᏨᎨᏫᏒᎩ ᏂᎦᎥ ᎣᏍᏛ ᏂᏣᏛᏁᎸᎢ.\nᎾᏍᎩ ᏣᏙᎵᎩ ᏥᎩ ᏄᏓᎴᏒ ᏣᏍᎦᏅᏥᏙᎸᎢ; ᎾᏍᎩ ᏣᏅᏫᏍᎩ ᏧᏓᎴᏅᏛ ᏣᏢᏥᏰᏍᎬᎢ.\nᎾᏍᎩ ᎲᏅᎢ ᎫᏓᎴᏍᎩ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ; ᎾᏍᎩ ᏣᏁᎯ ᎤᏣᏘ ᎤᏓᏅᏘᏳ ᎨᏒᎢ, ᎠᎴ ᎤᏣᏘ ᎤᏓᏙᎵᏣᏘᏳ ᎨᏒᎢ;\nᎾᏍᎩ ᏣᏛᏁᎯ ᎣᏍᏛ ᏣᏁᎲᎢ ᏣᏛᏐᏅᎯ ᎨᏒᎢ; ᎾᏍᎩᏃ ᎯᏫᏅ ᏔᎵᏁ ᏂᎭᎵᏍᏗᎭ ᎠᏬᎭᎵ ᎾᏍᎩᏯᎢ.\nᏱᎰᏩ ᏚyᎪᏛ ᏂᏓᏛᏁᎭ ᎠᎴ ᏕᎫᎪᏓᏁᎭ ᏂᎦᏛ ᎠᏍᏓy ᎢᎨᎬᎾᏕᎩ.\nᏚᏅᏅ ᎬᏂᎨᏒ ᏄᏩᏁᎴ ᎼᏏ, ᎠᎴ dᎸᏫᏍᏓᏁᎲ ᎬᏂᎨᏒ ᏂᏚᏩᏁᎴ ᎢᏏᎵ ᏧᏪᏥ.\nᏱᎰᏩ ᎤᏓᏅᏘᏳ ᎠᎴ ᎤᏣᏘ ᎤᏓᏙᎵᏣᏘᏳ, ᎤᏍᎦᏃᎵᏳ ᎤᏔᎳᏬᎯᏍᏗᏱ, ᎠᎴ ᎤᏣᏔᏅᎯ ᎤᏓᏅᏘᏳ.\nᎥᏝ ᏂᎪᎯᎸ ᏱᏓᏍᎦᎨᏍᏗ, ᎥᏝ ᎠᎴ ᏂᎪᎯᎸ ᏳᎿᎸᏎᏍᏗ.\nᎥᏝ ᎾᏍᎩᏯ ᎢᎩᏍᎦᏅᏨ ᏱᎩᏍᏛᏗᏍᏔᏅ, ᎥᏝ ᎠᎴ ᎾᏍᎩᏯ ᎢᎩᏍᎦᏅᏨ ᏱᎦᎫᏴᎡᎸ.\nᎦᎸᎶᏰᏃ ᎡᎶᎯ ᎢᏅᎯᏳ ᎦᎸᎳᏗᏢ ᏥᎩ, ᎾᏍᎩᏯ ᎡᏉᎯᏳ ᎤᏓᏙᎵᏍᏗ ᎨᏒ ᏧᏪᏙᎵᏍᏗᏱ ᎬᏩᎾᏰᏍᎩ.\nᎾᏍᎩ ᎢᏅᎯᏳ ᏥᏂᏕᎤᏓᎳ ᏅᏙ ᏗᎧᎸᎬ ᎠᎴ ᏅᏙ ᏭᏕᎵᎬᎢ, ᎾᏍᎩᏯ ᎢᏅᎯᏳ ᏕᎩᎲᎸ ᎢᎩᏍᎦᏅᏥᏙᎸᎢ.\nᎠᎦᏴᎵᎨ ᏥᏕᎦᏙᎵᎪ ᏧᏪᏥ ᎾᏍᎩᏯ ᏱᎰᏩ ᏕᎦᏙᎵᎪ ᎬᏩᎾᏰᏍᎩ.\nᎠᎦᏔᎭᏰᏃ ᏂᎦᏍᏛᎢ; ᎠᏅᏓᏗᏍᎪ ᎦᏓᏉ ᎨᏒ ᎠᏴ.\nᏴᏫᏍᎩᏂ ᎠᏂ ᎤᎴᏂᏓᏍᏗ ᎨᏒ ᎧᏁᏍᎦᏉ ᏓᏤᎸ; ᎤᏥᎸᏒ ᏠᎨᏏ ᎡᎯ ᎾᏍᎩᏯ ᎠᏥᎸᏍᎪᎢ;\nᎤᏃᎸᏓᏰᏃ ᎤᏃᎴ ᎿᏉ ᎠlᏛᏗᏍᎪᎢ; ᏀᎾᏃ ᎤᏛᏒ ᎤᏝ ᏔᎵᏁ ᎤᎦᏙᎥᎯᏍᏗ ᏱᎨᏎᏍᏗ.\nᏱᎰᏩᏍᎩᏂ ᎤᏓᏙᎵᏣᏘᏳ ᎨᏒ ᏅᏧᏓᎴᏅᎲᎾ ᎠᎴ ᏫᎾᏍᏛᎾ ᏧᏪᏙᎵᏍᏗᏱ ᎬᏩᎾᏰᏍᎩ, ᎣᏍᏛᏃ ᎢtᏍᏛᏁᏗ ᏗᏂᏲᎵ ᏧᏁᏥᏛᎯ,\nᎾᏍᎩ ᎠᏂᏍᏆᎪᏗᏍᎩ ᎤᏤᎵ ᎧᏃᎮᏛ ᏓᏠᎯᏍᏛᎢ, ᎠᎴ ᎾᏍᎩ ᎠᎾᏅᏓᏗᏍᎩ ᎤᏤᎵ ᏗᎧᎿᏩᏛᏍᏗ ᎾᏍᎩ ᎢᏳᎾᏛᏁᏗᏱ.\nᏱᎰᏩ ᎤᏪᏍᎩᎳᏛ ᎤᏪᏗᏱ ᎦᎸᎶᎢ; ᎤᎬᏫᏳᎯᏃ ᎨᏒ ᏂᎬᎾᏛ ᎤᎬᏫᏳᏌᏕᎩ.\nᎡᏥᎸᏉᏓ ᏱᎰᏩ, ᏂᎯ ᎦᎸᎳᏗ ᎡᏥᏅᏏᏓᏍᏗ ᎾᏍᎩ ᏧᏤᎵᎦ, ᎢᏣᏓᎪᎾᏛᏗ ᏗᏣᎵᏂᎩᏛ, ᏗᏥᎧᎿᏩᏕᎩ, ᎢᏣᏛᏓᏍᏗᏍᎩ ᎧᏁᎬ ᎤᏤᎵ ᎧᏃᎮᏛ.\nᎡᏥᎸᏉᏓ ᏱᎰᏩ ᏂᎦᏗᏳ ᏂᎯ ᏧᏤᎵ ᎢᏥᏣᏘ; ᏂᎯ ᎡᏥᏅᏏᏓᏍᏗ, ᎾᏍᎩ ᎣᏍᏛ ᎤᏰᎸᏗ ᏗᏥᎸᏫᏍᏓᏁᎯ.\nᎡᏥᎸᏉᏓ ᏱᎰᏩ ᏂᎦᏗᏳ ᎤᏬᏢᏅᏅᎯ ᏂᎬᎾᏛ ᏀᎾ ᎤᎬᏫᏳᎯ ᎨᏒᎢ; ᎯᎸᏉᏓ ᏱᎰᏩ ᎠqᎠᏓᏅᏙ.\nᏥᎨᏳᎠ ᏱᎰᏩ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᏆᏛᎦᏁᎸ ᏥᏁᎬ ᎦᏓᏙᎵᏍᏗᏍᎬᎢ.\nᎾᏍᎩ ᏣᏆᏛᏓᏍᏓᏁᎸ ᎾᏍᎩ ᎢᏳᏍᏗ ᏥᏯᏓᏙᎵᏍᏓᏁᎮᏍᏗ ᏂᎪᎯᎸ ᎨᎥᎢ.\nᎤᏲ ᎠᏰᎸᏗ ᎠᏲᎱᎯᏍᏗ ᎾᏍᎩᏯ ᏓᏆᏚᏫᏍᏔᏅᎩ, ᎠᎴ ᎡᎯᏍᏗ ᎠᏓᏅᏓᏗᏍᏗ ᏨᏍᎩᏃ ᎡᎯ ᎠᎩᎷᏤᎸᎩ; ᎠᎩᏩᏛᎲᎩ ᎤᏕᏯᏙᏗ ᎠᎴ ᎤᏲ ᎠᏰᎸᏗ ᎨᏒᎢ.\nᎿᏉᏃ ᎥᏥᏯᏓᏙᎵᏍᏓᏁᎸᎩ ᎥᏥᏯᏅᎲᎩ ᎦᏛᎣ ᏱᎰᏩ; ᏱᎰᏩ, ᎤᏲᏍᏛᏉ ᎱᏓᎳᎩ ᎠᏆᏓᏅᏙ.\nᏱᎰᏩ ᎤᏓᏙᎵᏣᏔ ᎠᎴ ᎤᏓᏅᏘ; ᎥᎥ, ᎤᏁᎳᏅᎯ ᎢᎦᏤᎵ ᎤᏓᏙᎵᏣᏘᏳ.\nᏱᎰᏩ ᏓᏍᏆᏂᎪᏗᎭ ᎤᎾᏠᎾᏍᏗ ᏂᎨᏒᎾ; ᎤᏲ ᎾᏆᏛᎿᏕᎬᎩ, ᎾᏍᎩᏃ ᎠᎩᏍᏕᎸᎲᎩ.\nᏣᏣᏪᏐᎸᏍᏙᏗᏱ ᏫᎯᎶᎯ ᎠᏆᏓᏅᏙᎩ; ᏱᎰᏩᏰᏃ ᎣᏍᏛ ᏂᏣᏛᏁᎸ.\nᏂᎯᏰᏃ ᏍᏊᏓᎳᎡᎸᎩ ᎠᏆᏓᏅᏙ ᎠᏲᎱᎯᏍᏗ ᎨᏒᎢ, ᏗᏥᎦᏙᎵ ᏗᎦᏌᏬᏍᏗ ᎨᏒᎢ, ᎠᎴ ᏗᏆᎳᏏᏕᏂ ᎦᏅᎢᏍᏗ ᎨᏒᎢ.\nᏓᎨᏙᎵ ᏱᎰᏩ ᎤᎧᏛ ᎢᎬᏱᏗᏢ ᎦᏙᎯ ᏗᏅᏃᏛ ᎠᏁᎲᎢ.\nᎠᏉᎯᏳᏅᎩ, ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᎩᏁᏨᎩ; ᎤᏣᏘ ᏥᎩᎵᏲᎬᎩ.\nᎠᎩᏏᏄᎶᎯᏎᎸᎩ ᎯᎠ ᎾᎩᏪᏒᎩ, ᏂᎦᏗᏳ ᏴᏫ ᎠᏂᏰᎪᎩ.\nᎦᏙ ᏓᏥᏯᎵᏍᎪᎸᏓᏁᎵ ᏱᎰᏩ ᏓᏥᏯᎫᏴᏓᏁᎵ ᎤᏣᏘ ᎣᏍᏛ ᎾᏆᏛᏁᎸᎢ?\nᏓᏥᎩᏏ ᎤᎵᏍᏈᏗ ᎠᎵᏍᏕᎸᏙᏗ, ᎠᎴ ᏓᏥᏯᏓᏙᎵᏍᏓᏁᎵ ᏚᏙᎥ ᏓᏥᏯᏅᎯ ᏱᎰᏩ.\nᏱᎰᏩ, ᏥᏁᏤᎸ ᎢᏯᏆᏛᏁᏗᏱ ᎠᏎ ᏓᎦᎫᏴᎯ ᎠᏂᎦᏔᎲ ᏂᎦᏛ ᏧᏤᎵ ᏴᏫ.\nᏱᎰᏩ ᏙᏗᎧᏅ ᎦᎸᏉᏗᏳ ᏓᏂᏲᎱᏍᎬ ᏧᏤᎵ ᎤᎾᏓᏅᏘ.\nᏱᎰᏩ, ᎤᏙᎯᏳᎯᏯ ᏍᏆᏤᎵ ᏍᎩᏅᏏᏓᏍᏗ; ᏍᏆᏤᎵ ᏍᎩᏅᏏᏓᏍᏗ ᎠᏴ, ᎠᎴ ᎠᎨᏴ ᎯᏅᏏᏓᏍᏗ ᎤᏪᏥ; ᏂᎯ ᏕᏣᎸᏒᎭ ᏓᏆᏢᏍᏛᎢ.\nᏓᎬᏯᎵᏍᎪᎥᏓᏁᎵ ᎠᏥᎸ ᎨᎳᏍᏗ ᎬᏯᎵᎡᎵᏤᎲ ᎬᏂᎨᏒ ᎢᎬᏁᎯ, ᎠᎴ ᏱᎰᏩ ᏕᎤᏙᎥ ᏓᏥᏯᏅᎯ ᏓᏥᏯᏓᏙᎵᏍᏓᏁᎵ.\nᏱᎰᏩ ᏥᏁᏤᎸ ᎢᏯᏆᏛᏁᏗᏱ ᎠᏎ ᏓᎦᎫᏴᎯ ᎠᏂᎦᏔᎲ ᏂᎦᏛ ᏧᏤᎵ ᏴᏫ;\nᏱᎰᏩ ᎤᏤl ᎠᏓᏁᎸ ᏚᏜᏅᏛᎢ, ᎠᏰᎵ ᏂgᎯ ᎨᏒ, ᏥᎷᏏᎵᎻ.  ᎡᏥᎸᏉᏓ ᏱᎰᏩ.\nᎡᏥᎸᏉᏓ ᏱᎰᏩ, ᏂᏥᎥ ᏗᏣᏓᎴᏅᏛ; ᎡᏥᎸᏉᏓ ᏂᏥᎥ ᏴᏫ\nᎤᏓᏅᏘᏳᏰᏃ ᎨᏒ ᎤᏣᏘ ᎡᏉᎯᏳ ᎢᎩᏙᎵᏍᏗᏱ; ᎠᎴ ᎤᏙᎯᏳᎯ ᏱᎰᏩ ᎤᏁᎢᏍᏗᏱ ᎤᎵᏍᏆᏗᏍᏗᏱ ᎤᎵᏍᏆᏗᏍᏗ ᏂᎨᏒᎾ.  ᎡᏥᎸᏉᏓ ᏱᎰᏩ.\nᎦᏚᏏ ᏫᏗᎦᎦᏂᎭ, ᎭᎾ ᏗᏓᎴᎲᏯᎦ ᎠᎩ ᏍᏕᎵᏍᎩ.\nᏱᎰᏩᏱ ᏗᏓᎴᎲᏍᏕ ᎠᎩ ᏍᏕᎵᏍᎩ, ᎦᎸᎶ ᎠᎴ ᏒᎶᎯ ᏧᏬᏢᏅᎯ.\nᏱᎰᏩ ᎥᏞ ᎤᏁᎳᎩ ᏴᎦᏰᎳ ᏣᎳᏏᏕᏂ ᎠᏪᏍᏗᏱ ᎯᎠᏣ ᏍᏉᏂᎪᏗ ᎥᏞ ᎦᎸᏍᎪ ᏱᎩ\nᎬᏂᏳᏉ ᎾᏍᎩ ᎤᏍᏉᏂᎪᏗ ᎢᏏᎵᏱ, ᎥᏞ ᎦᎸᏍᎩ ᎠᏚ ᏱᎦᎵ\nᏱᎰᏩ  ᏣᏍᏉᏂᎪᏗᏍᎩ, ᏱᎰᏣᏰᏃ tᏍᏙᏩᏗᏍᏓᏁᎯ ᏦᏰᏂ ᎯᎦᏘᏏ,\nᏅᏙ ᎢᎦ ᎡᎯᎥᏝ ᎪᎱᏍᏗ ᏴᎦᏨᎦ ᎢᎦ  ᎨᏒ, ᎠᎦ ᏅᏙ ᏒᏃᏱ ᎡᎯ\nᏱᎰᏩ ᏣᏍᏉᏂᎪᏗ ᏂᎦᎢ ᎤᏲ ᎨᏒ ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏣᏓᏅᏙ\nᏱᎰᏩ ᏣᏍᏉᏂᎪᏗ ᎯᏄᎪᎬᎢ ᎠᎴ ᎯᏴᎵ ᎢᎲ  ᎪᎯᎨᏒ ᎠᏓᎴᏂᏍᎩ ᎠᎦ ᏂᎪᎯᎸ ᎠᎴ ᏂᎪᎯᎸᎢ\nᎣᏏᏳ ᎠᎩᏰᎸᏅᎩ ᎾᎯᏳ ᎯᎠ ᏂᎬᎩᏪᏎᎸ, Ꭷ, ᎢᏕᎾ ᏱᎰᏩ ᎤᏤᎵ ᏗᏓᏁᎸᎢ.\nᏦᎦᎳᏏᏕᏂ ᏫᏗᎦᏙᎨᏍᏗ ᎭᏫᏂᏗᏢ ᎦᎶᎯᏍᏗᏱ ᏗᏣᏤᎵ, ᏥᎷᏏᎵᎻ.\nᏥᎷᏏᎵᎻ ᎦᏚᎲ ᎤᎵᏂᎩᏛ ᏥᏂᎬᏃ ᎾᏍᎩᏯ ᏂᎬᏅ ᎠᏁᏍᎨᎲᎢ.\nᎾᎿ ᎠᏁᎪ ᎠᏂᎿᎷᏍᎪ ᏓᏂᎳᏍᏓᎸᎢ, ᏓᏂᎳᏍᏓᎸ ᏱᎰᏩ ᏧᏤᎵᎦ, ᎠᎾᏛᏓᏍᏔᏁᎪ ᎧᏃᎮᏛ ᎢᏏᎵ ᎤᎾᏤ\nᎾᎿᏰᏃ ᏕᎦᏍᎩᎳ ᏗᎫᏙᏙᏗᏱ, ᏕᏫ ᏨᎤᏁᏢᏔᏅᏛ ᎨᏒ ᏧᎾᏤᎵ ᏕᎦᏍᎩᎸᎢ.\nᎢᏣᏓᏙᎵᏍᏓ ᎢᏥᏔᏲᎭ ᏅᏩᏙᎯᏯᏛ ᎨᏒ ᏧᎧᎿᏩᏗᏓᏍᏗᏱ ᏥᎷᏏᎵᎢᎢ; ᎣᏍᏛ ᎢᏳᎾᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ Ꮎ\nᏅᏩᏙᎯᏯᏛ ᎠᏯᎡᏍᏗ ᎭᏫᏂᏗᏢ ᏣᏐᏴᎢ, ᎠᎴ ᎧᏁᏉᎨᏍᏗ ᎣᏍᏛ ᎨᏒ ᏧᏬᏚᎯ ᏓᏓᏁᎸ ᏗᏣᏤᎵᎦ.\nᎣᏣᎵᏅᏟ ᎠᎴ ᏗᏆᎵᎢ ᎨᏒ ᏅᏗᎦᎵᏍᏙᏗᎭ, ᏅᏩᏙᎯᏯᏛ ᎨᏒ ᏣᏯᎡᏍᏗ ᏂᎯ,; ᏕᎦᏛᏂ.\nᏱᎰᏩ ᎣᎦᏁᎳᏅᎯ ᎤᏤᎵ ᎠᏓᏁᎸ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎣᏍᏛ ᎢᏣᎵᏍᏓᏁᏗ ᎨᏒ ᏛᎩᏲᎵ.\nᎬᏂᏳᏉ ᏂᎦᎥ ᎣᏏᏳ ᎠᎴ ᎣᏍᏛ ᎠᏓᏅᏓᏗᏍᏗ ᎨᏐ ᏗᎾᏓᏅᏟ ᏌᏉ ᏥᎮᏅᏃ ᎠᏂᎲᎢ.\nᎾᏍᎩᏯᏉ ᎤᏣᏘ ᏧᎬᏣᎶᏗ ᎠᏧᎮᎸᏒ ᏥᏚᏍᏚᏍᏟᏙᎢ, ᎾᏍᎩ ᎡᎳᏂ ᎠᎭᎮᎸᏒᎢ ᎠᎴ ᏅᎮᎧᎩᎯ ᎢᏴᏛ ᏥᏚᏣᏍᏉᎴᎢ;\nᎾᏏᎩᏯ ᎲᏰᏂ ᏅᏌᎯᎸ ᏧᎯᏌᏔᏁᎢ, (ᎠᎴ) ᎾᏍᎩᏯ ᏌᏯᏂ ᏙᏓᎸ ᏥᏚᎯᏌᏔᏁᎢ: Ꮎ Ꮏ ᏰᏃ ᏱᎰᏩ ᎣᏍᏛ ᎤᏁᏙᎢ, ᎾᏍᎩ ᎠᎵᏯᏆᏘᏍᎩ ᏂᎨᏒᎾ ᎬᏂᏛ.\nᏓᏓᎶᏂ ᎡᏉᏂ ᏚᏪᏴ ᏀᎾ ᎣᎦᏅᏅᎩ; ᎥᎥ, ᏙᎦᏠᏱᎸᎩ ᏌᏯᏂ ᎣᎦᏅᏓᏓ.\nᏦᎩᏃᎩᏍᏙᏗ ᏙᎦᏙᏌᏓᏛᎩ ᏧᎦᎾᏍᏓᏦᎵ ᏕᏡᎬᎢ ᏀᎾ ᎠᏰᎵ ᎨᏒᎢ.\nᎪᎦᏘᎾᏫᏛᏛᏰᏃ ᎭᎿ ᎥᎪᎩᏔᏲᏎᎸ ᏦᎩᏃᎩᏍᏗᏱ; ᎠᎴ ᎾᏍᎩ ᎪᎩᎩᎵᏲᎢᏍᏔᏅᎯ ᎤᏙᎵᏍᏙᏍᏛ ᎣᎦᏛᎠnᏓᏗᏍᏗᏱ ᎥᎪᎩᏔᏲᏎᎲᎩ, [ᎯᎠ ᏅᎪᎩᏪᏎᎲᎩ,] ᏗᏍᎩᏃᎩᏏ ᏌᏯᏂ ᏧᏤᎵ ᏗᎧᏃᎩᏍᏗ.\nᎦᏙ ᏱᎦᎵᏍᏙᏓ ᏱᏙᏥᏃᎩ ᏱᎰᏩ ᏧᏤᎵ ᏗᎧᏃᎩᏍᏗ ᏅᏩᎾᏓᎴ ᎤᎾᏤᎵᎪᎯ?\nᎢᏳᏃ ᏂᎯ ᏥᎷᏏᎵᎻ ᎢᎬᏴᎨᏫᏒᎭ, ᏥᎦᏘᏏ ᎠᏉᏰᏂ ᏭᏩᎨᏩ ᎠᏏᎾᏌᏅᎢ.\nᏥᏃᎪᎢ ᏫᎦᏯᎸᎩ ᏥᎣᎵ, ᎢᏳᏃ ᏂᎯ ᏂᎬᏯᏅᏓᏛᎾ ᎢᎨᏎᏍᏗ-- ᎢᏳᏃ ᏥᎷᏏᎵᎻ ᎤᏟ ᏂᏥᎸᏉᏔᏅᎾ ᎢᎨᏎᏍᏗ ᎡᏍᎦᏉ ᏄᎬᏫᏳᏒ ᎤᎵᎮᎵᏍᏗ ᎠᏆᏓnᏓᏗᏍᏗᏍᎩ.\nᏱᎰᏩ ᎩᏯᏅᏓᏓ ᎢᏓᎻ ᏧᏪᏥ ᏥᎷᏏᎵᎻ ᎤᏤᎵ ᎢᎦ ᎯᎠ ᏥᏄᏂᏪᏎᎢ, ᎢᏥᏲᏍᏓ, ᎢᏥᏲᏍᏓ ᎦᎫᏍᏓᎥ ᏩᏍᏗ.\nᏂᎯ ᏓᏓᎶᏂ ᎤᏪᏥ ᎯᎨᏴ ᏂᎯ ᎡᏣᏛᏙᏗ ᏥᎩ; ᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎨᏎᏍᏗ ᏣᎫᏴᎡᎯ ᎾᏍᎩᏯ ᏂᎯ ᏂᏍᎩᏴᏁᎸᎢ.\nᎣᏏᏳ ᎢᏳᎵᏍᏓᏁᏗ ᎾᏍᎩ Ꮎ ᏗᎦᏁᏍᎩ ᏧᎾᏍᏗ ᏗᏤᏥ ᎠᎴ ᏗᎦᎸᏛᏂᏍᏗᏍᎩ ᏅᏲᎯ.\nᏱᎰᏩ, ᏂᎯ ᏍᎩᎪᎵᏰᎥᎯ, ᎠᎴ ᏍᎩᎦᏙᎥᏒᎯ.\nᏂᎯ ᎯᎦᏔᎭ ᏥᎥᏍᎬᎢ, ᎠᎴ ᏕᎦᎴᎥᏍᎬᎢ; ᎢᏅᎯᏳ ᏔᏙᎴᎰᏍᎪ ᏄᏍᏛ ᎦᏓᏅᏖᏍᎬᎢ.\nᎯᏌᏰᎶᎪ ᎠᏇᏓᏍᏗᏱ ᎠᎴ ᎦᏂᏏᎲᏍᎬᎢ, ᎠᎴ ᎯᎦᏔᎯᏳ ᏂᎦᎥ ᏓᎩᏅᏅᎢ,\nᎥᏝᏰᏃ ᏌᏉ ᎢᎧᏁᏨᎯ ᏥᏃᎪ ᏯᏓᎴᎲᏍᎪᎢ, ᎠᏎ ᎬᏂᏳᏉ, ᏱᎰᏩ, ᎯᎦᏔᎭ ᎾᏍᎩ ᏂᎦᏗᏳ.\nᏂᎯ ᏍᏆᎵᏍᏚᏔᏅ ᎣᏂᏗᏢ ᎠᎴ ᎢᎬᏱᏗᏢ, ᎠᎴ ᎢᏍᏆᏏᏔᏛ.\nᎾᏍᎩ ᎯᎠ ᏥᏄᏍᏗ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒ ᎠᎩᎶᏒᏍᏓᏁᎭ ᎤᏍᏆᏂᎪᏗᏳ ᎨᏒᎢ; ᎦᎸᎳᏗᏳᏉ, ᎥᏝᏰᎵ ᏫᏴᎦᏥᎷᎩ.\nᎭᏢ ᏮᏓᏥᎶᏏ ᏓᏥᏯᏓᏅᎡᎵ ᏣᏓᏅᏙ? ᎭᏢᎨ ᏮᏓᏥᎶᏏ ᏓᏥᏯᎵᏗᎡᎵ ᏣᎧᏛᎢ.\nᎢᏳᏃ ᎦᎸᎳᏗ ᏫᏱᎾᏆᏛᏁᏔᏅ, ᏀᎾ ᎮᏙᎭ; ᎢᏳᏃ ᏨᏍᎩᏃ ᎠqᎠᏂᏏᏗᏱ ᏱᎾᏋᏁᎸ, ᎬᏂᏳᏉ ᏀᎾ ᎮᏙᎭ.\nᎢᏳᏃ ᎢᎦ ᏚᎸᏌᏛ ᏍᎩᏍᏓᏩᏕᏅ, ᎠᎺᏉᎯᏃ ᏫᏚᎵᏍᏘᏂᎸ ᏱᏩᏆᏕᏅ,\nᏀᎾ ᎾᏍᏉ ᏦᏰᏂ ᏱᎠᏆᏘᏂᏙᎭ, ᎠᎴ ᎯᎦᏘᏏ ᏦᏰᏂ ᏱᎠᏆᏘᏂᏙᎭ, ᎠᎴ ᎯᎦᏘᏏ ᏦᏰᏂ ᏱᏙᏍᎩᏂᏴᏗ.\nᎢᏳ ᎠᎴ ᎯᎠ ᏱᎾᎩᏪᏒ, ᎠᏎ ᎤᎵᏏᎩ ᏛᏊᏢᏂ; ᎾᏍᏉ ᏒᏃᏱ ᎢᎦᎯᏳ ᏱᎩ ᎨᏙᎲᎢ.\nᎥᎥ, ᎤᎵᏏᎩ ᎥᏝ ᏱᏣᎵᏏᎲᏍᏓᏁᎭ; ᏒᏃᏱᏍᎩᏂ ᏚᎸᏌᏓ ᎾᏍᎩᏯ ᎢᎦ ᏥᏚᎸᏌᏙᎢ; ᎤᎵᏏᎩ ᎠᎴ ᎢᎦᎦᏘ ᎤᏠᏱᏉ ᏗᏣᎧᏃᏗᏱ.\nᏂᎯ ᏦᏢᏅᎯ ᎠᎩᎾᏫ; ᏂᎯ ᏍᏊᏢᏅᎩ ᎡᏥ ᎤᏍᏉᎵᏱ.\nᏓᎬᎸᏉᏔᏂ ᏂᎯ, ᎤᎾᏰᎯᏍᏗᏳᏰᏃ ᎠᎴ ᎤᏍᏆᏂᎪᏗᏳ ᎾᏆᏍᏗ ᎠᏆᏙᏢᏒᎢ; ᎤᏍᏆᏂᎪᏗᏳ ᏗᏣᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎾᏍᎩ ᏄᏍᏛ ᎣᏏᏳ ᎠgᏔh ᎠᏆᏓᏅᏙ.\nᏥᏰᎸ ᎥᏝ ᏰᏨᎦᎳᏁᎴᎢ, ᏀᎢᏳ ᎤᏕᎵᏒ ᎠᏆᏚᏴᏅ, ᎠᎴ ᎤᏍᏆᏂᎪᏗ ᏅᏋᏁᎸ ᎥᏉᏢᏅ ᎡᎳᏗ ᎨᏒ ᏓᏙᎯ.\nᎯᎪᏩᏘᏍᎨ ᎦᏚᏴᎲᏍᎬᎢ, ᎠᎴ ᏣᏤᎵᎪᎯ ᎪᏪᎵᎯ ᏂᎦᎥ ᎪᏪᎸᎩ, ᎾᏍᎩᏃ ᎠᎵᏰᎢᎵᏒ ᎤᏙᏢᏁᎢ, ᏀᎢᏳ ᎠᏏ ᎪᎱᏍᏗ ᏄᏙᏢᏒᎾ ᎨᏎᎢ.\nᏂᎦᎥ ᎾᏍᏉ ᎦᎸᏉᏗᏳ ᎠᎩᏰᎸᎭ ᏂᎯ ᎭᏓᏅᏖᏍᎬ ᏣᏁᎳᏅᎯ! ᏄᏧᏈᏍᏗ ᏂᎦᎵᏍᏗᎭ ᏂᏓᏛ ᏗᏎᎰᏅᎯ ᎨᏒᎢ!\nᎢᏳᏃ ᏱᏓᏆᏎᎸ ᎤᏟ ᏂᎦᎦ ᎡᏍᎦᏉ ᏃᏳ ᏂᎦᎥᎢ; ᏥᏰᎩᏃ ᎩᎳᎯ ᏂᎯ ᎢᏁᏙᎭ.\nᏣᏁᎳᏅᎯ ᎠᏎ ᏘᎵ ᎠᏍᎦᎾᎢ; ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᏍᎩᏯᏓᏅᏏ ᎢᏥᏍᎦᏯ ᎢᏥᎩᎬᎭᎢ.\nᎨᏣᏁᎢᏍᏗᏍᎬᏰᏃ ᎤᏲ ᎠᏂᏬᏂᎭ, ᎨᏣᏍᎦᎩᏃ ᎠᏎᏉ ᎠᏂᏁᎢᏍᏗᎭ ᏕᏣᏙᎥᎢ.\nᏱᎰᏩ, ᏝᏍᎪ ᏱᎦᏥᏍᎦᎦ ᏂᎯ ᎨᏣᏍᎦᎩ? ᎠᎴ ᏝᏍᎪ ᎤᏲ ᏯᏆᏓᏅᏓᏗᏍᏗᎭ ᎦᏥᏯᏓᏅᏛᏗ ᏗᎨᏣᎦᏘᎴᎩ ᏥᎩ?\nᎤᏣᏔᏅᎯ ᎦᏥᏂᏆᏘᎭ; ᎬᎩᏍᏕᎩ ᎦᏥᏰᎸᎠ.\nᏍᎩᎪᎵᏯ, ᏣᏁᎳᏅᎯ, ᎠᎴ ᎭᏙᎴᎰᎯ ᏄᏍᏛ ᎠᎩᎾᏫ; ᏍᏆᎦᏔ ᎠᎴ ᎭᏙᎴᎰᎢ ᏄᏍᏛ ᎦᏓᏅᏖᏍᎬᎢ;\nᎠᎴ ᎭᎦᏔ ᏥᎪᏃ ᎤᏲ ᎠᏓᏅᏓᏗᏍᏗ ᎦᏅᏅ ᏥᏍᏓᏩᏕᎦ, ᎠᎴ ᏍᏆᏘᏄᎦ ᎬᏂᏛ ᎦᏅᏅᎢ.\nᏄᏍᏛ ᎤᎪᎲ ᎢᏌᏯ, ᎡᎼᏏ ᎤᏪᏥ, ᎾᏍᎩ ᎤᎪᎲ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᏥᎷᏏᎵᎻ, ᎾᎯᏳ ᎣᏌᏯ, ᏦᏓᎻ, ᎡᎭᏏ ᎮᏏᎦᏯᏃ ᎤᏂᎬᏫᏳᎯ ᏥᎨᏒ ᏧᏗᏱ.\nᎭᏛᎬᎦ ᏂᎯ ᎦᎸᎶᎢ; ᎭᏛᏓᏍᏓ ᏂᎯ ᎡᎶᎯ; ᏱᎰᏳᏕᏃ ᎤᏁᏨ; ᏕᎨᎶᎸ ᎠᎴ ᏕᎦᏛᎯᏍᏔᏅ ᏗᏂᎵᏲᎵ, ᎾᏍᎩᏃ ᎢᎬᏆᏡᏔᏅᏉ.\nᏩᎦ ᎢᎪᎵᎪ ᎤᎾᏝᎢ, ᎠᎴ ᏐᏈᎵᏗᎦᎵᎠᏅᎯᏛ ᎠᎦᏔᎰ ᎤᎾᏝᎢ ᏗᎨᎳᏍᏗᏱ ᎤᏬᏢᎡᎢ; ᎢᏏᎵᏍᎩᏂ ᎥᏝ ᏯᎦᏔᎭ, ᏗᏆᏤᎵ ᏴᏫ ᎥᏝ ᏯᎾᏓᏅᏖᎭ.\nᎤᏲᏍᏛᏉ, ᎠᏂᏍᎦᎾ ᎤᎾᏓᏤᎵᏛ ᎠᏁᎲᎢ! ᏴᏫ ᎦᎨᏛ ᎠᏍᎦᏂ ᏗᎾᎵᏎᎯ! ᏴᏫ ᎤᏲ ᏧᏂᎸᏫᏍᏓᏁᎯ! ᏅᏩᎾᏓᎴ ᏗᏂᏲᏍᏗᏍᎩ ᏴᏫ! ᎤᎾᏕᏨ ᏱᎰᏩ, ᎤᏂᏍᎦᏨ Ꮎ ᎦᎸᏉᏗᏳ ᎢᏏᎵ ᎤᎾᏤᎵᎦ, ᎬᏩᏕᏨ ᎤᎾᏏᏁᏅ.\nᎦᏙᏃ ᎠᏏ ᏱᎡᏨᏂᎭ? ᎤᏟᏉ ᎢᏴᏛ ᏴᏣᎴᏲᏨ. ᏂᎬᎢ ᎠᏍᎪᎵ ᎤᏢᎦ, ᏂᎬᎢ ᎤᎾᏫ ᎤᎸᏕᎯᎭ.\nᎤᎳᏏᏕᏂ ᏅᏓᏳᏓᎴᏅᏛ ᎠᏍᎪᎵ ᏩᏍᏘ ᎥᏝ ᏳᏓᏓᎳ ᎪᎱᏍᏗ ᏄᏍᏛᎾ, ᏓᏥᏐᏅᏅᏉᏍᎩᏂ, ᎠᎴ ᏓᏥᏂᏆᎶᏔᏅᎢ,ᎠᎴ ᏕᎦᏬᏍᎬᎢ ᎤᏩᏒᎯᏳ; ᎥᏝ ᏗᏍᏚᏅᎯ ᏱᎩ, ᎥᏝ ᎠᎴ ᏗᎦᎸᎸᎯ ᏱᎩ, ᎥᏝ ᎠᎴ ᎠᏠᏁᏗ ᏩᎾᎨ ᎢᏗᎬᏁᏔᏅᎯ ᏱᎩ.\nᎢᏣᏤᎵᎪᎯ ᎣᏍᏛᎯ. ᎢᎬᏁᎸᎯ: ᏕᏥᏚᎲ ᏗᎪᎲᏍᏔᎯ; ᎦᏓ ᎢᏥᎲ ᏅᏩᎾᏓᎴ ᏴᏫ ᏕᏥᎧᏅ ᎠᏂᏒᎲᏍᎦ, ᎠᎴ ᎣᏍᏛᎯ ᎢᎬᏁᎸᎯ, ᎾᏍᎩᏯ ᏅᏩᎾᏓᎴ ᏴᏫ ᏥᏚᏂᎷᏆᏗᏅᏐᎢ.\nᏌᏯᏂᏃ ᎤᏪᏥ ᎠᎴ ᎠᎬᏕᏨ ᎾᏍᎩᏯ ᎦᎵᏦᏛ ᏖᎸᎳᏗ ᏓᏫᏒ ᏣᏅᏕᎪᎢ, ᎠᎴ ᎾᏍᎩᏯ ᎦᎵᏦᏛ ᎦᎦᎹ ᏓᏫᏒ ᏥᎦᎵᏦᏙ ᏣᏅᏕᎪᎢ, ᎠᎴ ᎦᏚᎲ ᏧᎾᏚᏫᏍᏔᏅᎯ ᏥᎨᏐ ᎾᏍᎩᏯᎢ.\nᎢᏳᏃ ᏱᎰᏩ ᎤᏂᏣᏘ ᏗᏘᏂᏙᎯ ᎠᏂᎦᏲᎵ ᏂᏗᎩᏃᎯᏰᎸᎾ ᏱᎨᏎᎢ, ᏐᏓᎻ ᏥᏄᎵᏍᏓᏁᎴ ᏱᏂᎦᎵᏍᏓᏁᎴᎢ, ᎠᎴ ᎪᎹᎵ ᏥᏄᎵᏍᏓᏁᎴ ᏱᏂᎦᎵᏍᏓᎠᏁᎴᎢ.\nᎢᏣᏛᎬᎦ ᎧᏃᎮᏛ ᏱᎰᏩ ᎤᏤᎵᎦ, ᏂᎯ ᏂᏥᎬᏫᏳᏌᏕᎩ ᏐᏓᎻ: ᎢᏣᏛᏓᏍᏓ ᏗᎧᎿᏩᏛᏍᏗ ᎢᎦᏁᎳᏅᎯ. ᎤᏤᎵᎦ, ᏂᎯ ᎪᎹᎵ ᎢᏤᎯ!\nᎦᏙ ᏗᏜᏙᏗ ᎯᎠ ᎤᏂᏣᏘ ᏗᏥᎸᎯ, ᎠᏗ ᏱᎰᏩ? ᏓᎩᏯᏪᎦ ᎠᏫ ᏧᎾᎪᏅᏍᏓᎵ ᏕᏣᎵᏍᎪᎸᏗᏍᎬᎢ ᎠᎴ ᎦᎵᏦᏅ ᏗᎦᎵᏦᏔᏅᎯ ᎢᏣᎵᏍᎪᎸᏗᏍᎬᎢ. ᎥᏝ ᎠᎴ ᏱᏓᎩᎸᏉᏗ ᎤᏂᎩᎬ ᏩᎦ ᏧᎾᎪᏅᏍᏓᎵ, ᎠᎴ ᎤᎾᏕᏘᏴᏛ ᎤᏂᏃᏕᎾ, ᎠᎴ ᏧᎾᎪᏅᏍᏓᎵ ᏗᏂᎭᏄᎸᎯ ᎠᏫ.\nᎢᏳᏃ ᎠᏆᎧᏛ ᎢᎬᏱᏗᏢ ᎢᏥᎷᎩ, ᎦᎪ ᎢᏥᏁᏤᎰ ᎾᏍᎩ ᎢᏣᏛᏁᏗᏱ ᏗᏣᎳᏏᏗᏱ ᏚᏜᏅᏛ ᎠᏆᏤᎵ ᏗᎦᎳᏫᎢᏍᏗᏱ.\nᏞᏍᏗ ᎿᏉ ᎠᏎᏉᏉ ᎠᎵᏍᎪᎸᏙᏗ ᎢᏥᏲᎸᎩ; ᎤᎦᎾᏍᏛ ᎦᏩᏒᎩ ᎠᏜ ᏥᏂᏆᏘᎭᎢᏤ ᏅᏉ ᏓᏢᎥᏍᎬᎢ ᎠᎴ ᎤᎾ- ᏙᏓᏆᏍᎬ ᎢᎦ, ᎠᎴ ᏗᎦᎳᏫᏗᏍᏗᏱ ᎨᏒᎢ, ᎥᏝ ᏰᎵ ᏱᏂᎬᏂᎠ ᎤᏁᎳᎩ ᎠᏇᎵᏍᏗᏱ; ᎠᏍᎦᏂᏉ, ᎾᏍᏉ ᎦᎸᏉᏗ ᏕᏥᎳᏫᏦᎯᎲᎢ.\nᎢᏤ ᏓᏢᎥᏍᎬ ᏅᏙ ᏕᏥᎳᏫᎬᎢ, ᎠᎴ ᏗᏥᎳᏫᎢᏍᏗᏱ ᏓᏍᏆᎸᎮᎬᎢ ᎠᏆᏓᏅᏙ ᏕᏂᏆᏘᎭ; ᎬᏆᏕᏯᏙᏗᏉ, ᎠᎴ ᏓᎩᏯᏪᎦ ᏥᏱ ᏙᎲᎢ.\nᎠᎴ ᏕᏣᏐᎸᏛᏍᎨᏍᏗ ᏙᏓᏨᏴᏍᎦᎳᏁᎵ ᏗᏥᎦᏙᎵ; ᎥᎥ ᎾᏍᏉ ᎤᏩᎫᏘᎶᏛ ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ, ᎠᏎ ᎥᏝ ᏴᎦᎦᏛᎬᎦ; ᏗᏦᏰᏂ ᎩᎬ ᏓᎧᎵᎠ.\nᏗᏣᏙᏑᎵ, ᎢᏣᏓᏅᎦᎸ, ᎢᏥᎲᎾ ᎤᏲ ᏕᏥᎸᏫᏍᏓᏁᎲᎢ ᎠᏆᎧᏛ ᎢᎬᏱᏗᏢ: ᎢᏥᏑᎵᎪᎢ ᎤᏲ ᏕᏥᎸᏫᏍᏓᏁᎲᎢ:\nᎢᏣᏕᎶᏆ ᎣᏍᏛ ᎢᏣᏛᏁᏗᏱ; ᎢᏣᎦᏌᏯᏍᏓ ᏚᏳᎪᏛ ᎨᏒᎢ, ᎡᏥᏍᏕᎸ ᎠᏍᏓᏯ ᎢᏯᎬᎾᏕᎩ; ᏚᏳᎪᏛ ᏤᏧᎪᏓᏏ ᎤᏓᏂᏯᏛ; ᎡᏥᏬᏂᎯᏏ ᎤᏬᏑᎶᏨᎯ.\nᎧ. ᎢᏓᎵᏃᎲᎵᏲᎪ ᎠᏗ ᏱᎰᏩ; ᎾᏍᏉ ᎩᎦᎨ ᏗᏑᏫᏍᏗ ᎢᎦᎦᏛ ᎨᏎᏍᏗ ᎢᏥᏍᎦᏅᏨᎢ, ᎥᏃᏥ ᏄᏁᎩᏴ ᏄᏁᎩᏰᏍᏗ; ᎾᏍᏉ ᎩᎦᎨᎢᏳ ᎨᏎᏍᏗ ᎩᎦᎨ ᏗᏑᏫᏍᏗ ᎾᏍᎩᏯᎢ, ᎤᏩᏅ ᎾᏍᎩᏯ ᎨᏎᏍᏗ.\nᎢᏳᏃ ᎣᏏᏳ ᎢᏥᏰᎸᏎᏍᏗ ᎠᎴ ᎢᏦ- ᎯᏳᎲᏍᎨᏍᏗ, ᎣᏒᏂ ᎢᏣᎵᏍᏓᏴᏙᏗ\nᎢᏳᏍᎩᏂᏃ ᎢᏥᏲᎢᏎᎸᎭ ᎠᎴ ᏙᏥᎦᏘᎴᏒᎭ, ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᎬᏗ ᎡᏥᏒᎲᏍᏗ ᎨᏎᏍᏗ; ᏱᎰᏩᏰᏃ ᎠᎰᎵ ᎾᏍᎩ ᏄᏪᏒ.\nᎤᏲᏍᏛᏉ, ᏚᏳᎪᏛ  ᎢᏯᏛᏁᎯ ᏥᎨᏒ ᎦᏚᎲ ᎤᏁᎫᏥᏛ ᏂᎤᎵᏍᏔᏅ! ᎤᎧᎵᏨᎯ ᎨᏒᎩ ᏚᏳᎪᏛ ᏗᎫᎪᏙᏗ ᎨᏒᎢ! ᏚᏳᎪᏛ ᎨᏒ ᎾᎿ ᎡᎲᎩ! ᎪᎯᏍᎩᏂ  ᏗᎾᏓᎯᎯ [ᎾᎿ  ᎠᏁᎭ!]\nᎠᏕᎸ ᎢᎶᏤᎵᎦ ᎤᏲᏨ, ᏅᏬᏘ-ᎩᏚᎨ ᎢᏣᏤᎵᎦ ᎠᎹ ᎤᏓᏑᏯ.\nᏗᏣᏤᎵᎦ ᏄᏂᎬᏫᏳᏌᏕᎩ ᏄᏃᎯᏨᏓᏛᎾ ᏄᎾᎵᏍᏔᏅ, ᎠᎴ ᎠᏂᏃᏍᎩᏍᎩ ᎤᎾᏖᏆᎶᎯ; ᏂᎦᏗᏳ ᎤᏂᎸᏉᏗ ᎨᏥᏁᏗ ᎨᏂᎢ, ᎠᎴ ᎠᏂᏍᏓᏩᏗᏙ ᎨᎦᎫᏴᏓᏁᏗ ᎨᏒᎢ; ᎥᏝ ᏚᏳᎪᏛ ᏱᏓᏄᎪᏓᏁᎭ ᎤᎾᏓᏂᏯᏛ, ᎥᏝ ᎠᎴ ᎤᏬᏑᎶᏨᎯ ᎤᏤᎵ ᎠᏱᎵᏓᏍᏗ ᎬᏩᏂᎩᏍᏗ ᏱᎩ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎯᎠ ᏂᎦᏪ ᎤᎬᏫᏳᎯ ᏱᎰᏩ ᎤᏂᏣᏘ ᏗᏘᏂᏙᎯ ᎤᎵᏂᎩᏛ ᎢᏏᎵ ᎤᎾᏤᎵᎦ, Ꭷ, ᏙᎯᏉ ᏓᎦᏓᏅᏓᏗ ᎦᏥᏯᏓᏅᏖᏍᎬ ᎬᏆᏡᏗᏍᎩ, ᎠᎴ ᏓᎦᏥᏯᏞᏤᎵ ᎬᎩᏍᎦᎩ.\nᎠᏉᏰᏂᏃ ᏂᎯ ᎢᏤᎲ ᎢᏗᏢ ᏅᏓᎬᏁᎵ, ᎠᎴ ᏓᎬᏴᎾᏬᏔᏂ ᎠᎴ ᏓᏥᎴᏐᏂ ᏂᎦᏛ ᎤᏲ ᎤᏓᏑᏴᎢ, ᎠᎴ ᏂᎦᏛ ᎬᎾᏬᏍᎩ ᏣᏤᎵ ᏓᏥᎴᏐᏂ.\nᎠᎴ ᏙᏛᏨᏴᎧᏁᎵ ᏗᏄᎪᏗᏍᎩ ᏗᏣᏤᎵᎦ ᎾᏍᎩᏯ ᎢᎬᏱᏱ ᏥᏄᎾᏍᏛᎢ, ᎠᎴ ᏄᏂᎬᏫᏳᏌᏕᎩ ᏗᏣᏤᎵᎦ ᎾᏍᎩᏯ ᏗᏓᎴᏂᏍᎬ ᏥᏄᎾᏍᏛᎢ: ᎿᏉᏃ ᎯᎠ ᏁᏣᏪᏎᎮᏍᏗ, ᎣᏍᏛ ᏗᎧᎿᏩᏕᎩ ᎦᏚᎲᎢ, ᏚᏨᎪᏛ ᎢᏯᏛᏁᎯ. ᎦᏚᎲᎢ.\nᏌᏯᏂ ᏚᏳᎪᏛ ᎨᏒ ᎠᎦᎫᏴᏙᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎾᏍᎩ ᏧᏤᎵ ᏅᏓᏳᎾᏨᏟᏛ ᏚᏳᎪᏛ ᎢᏯᏛᏁᏗ ᎨᏒᎢ.\nᎨᏥᏛᏙᏗᏃ ᎨᏒ (ᎤᏁᎳᏅᎯ) ᎠᎾᏡᏗᏍᎩ ᎠᎴ ᎠᏂᏍᎦᎾ ᎢᏧᎳᎭ ᎨᏎᏍᏗ, ᎠᎴ ᏱᎰᏩ ᎠᏅᏕᎩ ᎨᏥᏒᎲᏍᏗ ᎨᏎᏍᏗ.\nᏓᎾᏕᎰᏍᎨᏍᏗᏰᏃ ᏗᏓᏯ ᏕᏡᎬ ᎾᏍᎩ ᏥᏕᏣᏚᎵᏍᎬᎢ, ᎠᎴ ᏙᏓᏣᏕᎰᏏ ᏗᏫᏒᏗᏱ ᎾᏍᎩ ᎣᏏᏳ ᏥᏕᏥᏰᎸᏒᎩ.\nᎠᏓᏯᏃ ᏡᎬ ᏕᏣᏤᎴᏍᏗ ᎾᏍᎩ ᏚᎦᏄᏓᏛ ᏥᏕᎧᏴᏍᎪᎢ, ᎠᎴ ᎠᏫᏒᏗᏱ ᏕᏣᏤᎴᏍᏗ ᎠᎹ ᏂᎦᏁᎲᎾ ᏥᎨᏐᎢ.\nᎤᎵᏂᎩᏛᏃ ᎠᏍᎦᏯ ᏙᎴᏛ ᏓᏤᎴᏍᏗ, ᎾᏍᎩᏃ ᎤᏬᏴᏅᎯ ᎠᏥᎸ ᎤᏔᏍᎩᏛ ᏓᏤ- ᎴᏍᏗ, ᎠᎴ ᎢᏧᎳ ᎢᏧᎳᎭ ᎤᎾᎪᎲᏍᏗ ᎨᏎᏍᏗ, ᎥᏝ ᎠᎴ ᎩᎶ ᏧᏩᏜᏗᏍᏗ ᏱᎨᏎᏍᏗ.\nᎧᏃᎮᏍᎩ ᎢᏌᏯ ᏒᎼᏏ ᎤᏪᏥ ᎤᎪᎲ ᎢᏳᎵᏍᏙᏗᏱ ᏧᏗᏱ ᎠᎴ ᏥᎷᏏᎵᎻ.\nᎯᎠᏃ ᏅᏓᎦᎵᏍᏔᏂ ᎯᎸᎯᏳᎢ, ᎾᏍᎩ ᎣᏓᎸ ᏱᎰᏩ ᎤᏤᎵ ᎠᏓᏁᎸ ᎦᎧᎲᎢ ᎾᏍᎩ ᎠᏍᏓᏱᏗᏍᏗ ᎨᏎᏍᏗ ᏙᏓᎸ ᎦᏚᎢ, ᎠᎴ ᎠᏌᎳᏙᏗ ᎨᏎᏍᏗ ᏚᏌᎯᎸ ᎦᎸᎳᏗᏢ: ᏧᎾᏓᎴᏅᏛᏃ ᏴᏫ ᎾᎿ ᏓᏂᎳᏫᏦᎯᎮᏍᏗ.\nᎤᏂᏣᏘᏃ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᏛᏁᏏ ᎠᎴ ᎯᎠ ᏅᏛᏂᏪᏏ; Ꭷ, ᎢᏕᎾ ᎢᏗᎿᎷᎯ ᏱᎰᏩ ᎤᏤᎵ ᎣᏓᎸᎢ. ᏫᏗᎷᎩ ᎠᏓᏁᎸ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ, ᎾᏍᎩ ᏤᎦᏈ ᎤᏤᎵ ᎤᏁᎳᏅᎯ. ᎾᏍᎩᏃ ᏓᎨᏲᏂ ᏚᏅᏅᎢ, ᎾᏍᎩᏃ ᏕᎤᏅᏅ ᏓᏕᏙᎵ; ᏌᏯᏂᏰᏃ ᏅᏓᏳᎾᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ ᏗᎧᎿᏩᏛᏍᏗ, ᎧᏃᎮᏛᏃ ᏱᎰᏩ ᎤᏤᎵ ᏥᎷᏏᎵᎻ ᏅᏓᏳᎾᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ.\nᎾᏍᎩᏃ ᏙᏓᎫᎪᏓᏁᎵ ᏧᎾᏓᎴᏅᏛ ᏴᏫ ᎠᎴ ᎤᏂᏣᏘ ᏴᏫ ᏙᏛᎬᏍᎪᎸᏂ; ᎾᏍᎩᏃ ᎠᏰᎳᏍᏗ ᎦᏅᎯᏛ ᏙᏛᏂᏅᏆᎶᎢ ᏗᎦᏓᎷᎪᏗ ᏙᏛᏃᏢᏔᏂ; ᏗᏓᏘᏍᏗᏃ ᎠᏰᎳᏍᏗᏗᎬᏂᎦᎸᏗ ᏙᏛᏃᏢᏔᏂ; ᏑᎾᏓᎴᎩ ᏴᏫ ᎥᏝ ᎠᏰᏕᎳᏍᏗᎦᏅᎯᏛ ᏧᏂᏴᏗ ᏧᏂᎦᏘᎸᏍᏗ ᏱᎨᏎᏍᏗ ᏅᏩᎾᏓᎴ ᏴᏫ, ᎥᏝ ᎠᎴ ᏔᎵᏁ ᎤᏂᎦᏙᎥᎯᏍᏗ ᏱᎨᏎᏍᏗ ᏓᎿᏩ.\n[Ꭷ!] Ꭶ. ᏤᎦᏈ ᏏᏓᏁᎸᎯ ᎨᏒᎢ, ᎢᏕᎾ, ᏱᎰᏩ ᎦᎸᏌᏛ ᎢᏓᎢᏎᏍᏗ.\nᏕᎩᏲᏒᏰᏃ ᏗᏣᏤᎵ ᏴᏫ, ᏤᎦᏡ ᏏᏓᏁᎸᎯ ᎨᏒᎢ ᏅᏧᎵᏍᏙᏔᏅ ᎤᏂᏣᏘ ᏚᏂᎧᎲ ᏗᎧᎸᎬ ᎢᏗᏢ ᏅᏓᏳᎾᏓᎴᏅᎯ, ᎠᎴ ᏗᎾ ᏙᏂᏍᎩ ᎠᏂᏈᎵᏍᏗᏂ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎣᏏᏳ ᏓᏂᏰᎸᏍᎦ ᏅᏩᎾᏓᎴ ᏴᏫ ᏧᏁᏥ.\nᎤᎾᏤᎵᎪᎯ ᎾᏍᏉ ᎠᎧᎵᏬᎯ ᎠᏕᎸ ᎤᏁᎬ ᎠᎴ ᎠᏕᎸ ᏓᎶᏂᎨᎢ, ᎥᏝ ᎠᎴ ᏱᏩᏍᏔ ᏧᎬᏩᎶᏗ ᎤᏂᎿᎥᎢ; ᎤᎾᏤᎵᎪᎯ ᎾᏍᏉ. ᎠᎧᎵᏬᎯ ᏐᏈᎵ ᏚᏂᎧᎲᎢ, ᎥᏝ ᎠᎴ ᏱᏩᏍᏔ ᏓᏆᎴᎷ ᏚᏂᎲᎢ.\nᎤᎾᏤᎵᎪᎯ ᎾᏍᏉ ᎠᎧᎵᏬᎯ ᎤᏁᎳᏅᎯ. ᏗᏰᎸᎯ ᏚᏂᎧᎲᎢ; ᎤᏅᏒ ᏧᏃᏰᏂ ᏧᏃᏢᏔᏅᎯ ᎡᎳᏗ ᏂᏓᎾᏛᏁᎭ, ᎤᏅᏒ ᏓᏂᏰᏌᏛ ᏧᏅᏔᏅᎯ ᏧᏃᏢᏅᎯ.\nᎡᏍᎦ ᎤᏬᎭᏛ ᎠᏍᎦᏯ ᎡᎳᏗ ᎾᏛᏁᎭ, ᎠᎴ ᎠᏥᎸᏉᏗ ᎠᏍᎦᏯ ᎠᏓᏙᎵᏍᏗᎭ; ᎥᏝᏃ ᏴᏓᎩᏯᏙᎵᏥ.\nᏅᏲᎯ ᎯᏴᎭ, ᎠᎴ ᎭᏗᏍᎦᎸᎦ ᎦᏙᎯ, ᎯᏯᏓᏅᏏ ᎤᎾᏰᎯᏍᏗᏳ ᎨᏒ ᏱᎰᏩ, ᎠᎴ ᎤᏣᏔᏅᎯ. ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ.\nᏓᎧᎿᎿᏂᏙᎲ ᎤᏢᏉᏗ ᏴᏫ ᎡᎳᏗ ᎢᎬᏁᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᎾᏢᏉᏗᏳ ᎨᏒ ᎠᏂᏍᎦᏯ ᎡᎳᏗ ᎢᎬᏁᏗ ᎨᏎᏍᏗ; ᏱᎰᏩᏃ ᎤᏩᏒᎯᏳ ᎠᏥᎸᏉᏙᏗ ᎨᏎᏍᏗ ᎾᎯᏳ ᎢᎦ.\nᏱᎰᏩᏰᏃ ᎤᏂᏣᏘ ᏗᏘᏂᏙᎯ ᎤᏤᎵ ᎢᎦ ᏓᏳᎾᏛᏡᏂ ᏂᎦᏗᏳ ᎤᎾᏢᏉᏗ ᎠᎴ ᎤᎾᏓᎸᏉᏗ, ᎠᎴ ᏂᎦᏗᏳ ᎨᏥᏌᎳᏗ, ᎾᏍᎩᏃ ᎡᎳᏗ ᎢᎨᎬᏁᏗ ᎨᏎᏍᏗ;\nᎠᎴ ᏂᎦᏗᏳ ᎠᏥᎾ ᏕᏡᎬ ᎴᏈᏅ ᎤᏓᎸ ᎢᏅᎢᏗᎦᏘ ᎠᎴ ᏧᎵᏌᎳᏗ ᏙᏛᏛᏔᏂ, ᎠᎴ ᏂᎦᏗᏳ ᏔᎳ ᏕᏡᎬ ᏇᏌᏂ;\nᎠᎴ ᏂᎦᏗᏳ ᎢᏅ-ᎢᏗᎦᏘ ᏙᏓᎸᎢ, ᎠᎴ ᏂᎦᏗᏳ ᎢᏅ-ᎢᏗᎦᏘ ᏚᏌᎯᎸᎢ, ᏙᏛᏛᏔᏂ;\nᎠᎴ ᏂᎦᏗᏳ ᎢᏅ-ᎢᏗᎦᏘ ᏓᏓᏁᎸᎢ, ᎠᎴ ᏂᎦᏗᏳ ᏗᎬᏓᏬᎯᎳᏗᏍᏗ ᏂᎨᏒᎾ ᏓᏐᏴᎢ ᏙᏛᏡᏔᏂ;\nᎠᎴ ᏂᎦᏗᏳ ᏥᏳ-ᏧᏛᎾ ᏓᏏᏏ ᏤᎯ, ᎠᎴ ᏂᎦᏗᏳ ᎤᏬᏚᎯ ᏗᎧᏃᏗᏱ ᏙᏛᏡᏔᏂ.\nᎤᎵᏌᎳᏗᏳ ᎨᏒ ᏴᏫ ᎡᎳᏗ ᎢᎬ-ᏁᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᎾᏢᏉᏗᏳ ᎨᏒ ᎠᏂᏍᎦᏯ ᎡᎳᏗ ᎢᎬᏁᏗ ᎨᏎᏍᏗ; ᏱᎰᏩᏃ ᎤᏩᏒᎯᏳ ᎠᏥᎸᏉᏙᏗ ᎨᏎᏍᏗ ᎾᎯᏳ ᎢᎦ.\nᎤᏁᎳᏅᎯᏃ ᏗᏰᎸᎯ ᏛᎾᎵᏛᏔᏂ.\nᏓᏂᏴᎯᎮᏍᏗᏃ ᏚᏍᏓᎦᎸ ᏅᏲᎯ, ᎠᎴ ᎦᏙᎯ ᏓᏔᎴᏒᎢ, ᎠᎾᏓᏅᎡᎮᏍᏗ ᎤᎾᏰᎯ- ᏍᏗᏳ ᎨᏒ ᏱᎰᏩ, ᎠᎴ ᎤᏣᏔᏅᎯ ᎠᏂᎸᏉᏗᏳ ᎨᏒᎢ, ᎾᎯᏳ ᏓᎴᏅᎭ ᎤᏣᏘ ᎤᏍᎦᏍᏓᏁᏗᏱ ᎡᎶᎯ.\nᎾᎯᏳᏃ ᎢᎦ ᎠᏍᎦᏯ ᏙᏓᏳᏕᏏ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᎠᏕᎸ ᎤᏁᎬ ᏗᎪᏢᏔᏅᎯ, ᎠᎴ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᎠᏕᎸ ᏓᎶᏂᎨ ᏗᎪᏢᏔᏅᎯ, ᎾᏍᎩ ᏧᎾᏓᏙᎵᏍᏓᏁᏗ ᏥᎦᏃᏢᏅ, ᏙᏛᏂᏲᎯᏎᎵ ᏘᏁᏆ ᎠᎴ ᎣᏑᎭ:\nᏫᏚᏂᏴᏍᏗᏱ ᏚᏍᏓᎦᎸ ᏅᏲᎯ, ᎠᎴ ᏅᏲᎯ ᏚᏜᏅᏛᎢ, ᎤᎾᏓᏅᎡᏗᏱ ᎤᎾᏰᎯᏍᏗᏳ ᎨᏒ ᏱᎰᏩ, ᎠᎴ ᎤᏣᏘ ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ, ᎾᎯᏳ ᏓᎴᏅᎭ ᎤᏣᏘ ᎤᏍᎦᏍᏓᏁᏗᏱ ᎡᎶᎯ.\nᏫᏚᏂᏴᏍᏗᏱ ᏚᏍᏓᎦᎸ ᏅᏲᎯ, ᎠᎴ ᏅᏲᎯ ᏚᏜᏅᏛᎢ, ᎤᎾᏓᏅᎡᏗᏱ ᎤᎾᏰᎯᏍᏗᏳ ᎨᏒ ᏱᎰᏩ, ᎠᎴ ᎤᏣᏘ ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ, ᎾᎯᏳ ᏓᎴᏅᎭ ᎤᏣᏘ ᎤᏍᎦᏍᏓᏁᏗᏱ ᎡᎶᎯ.\nᏐᎳᎹᏅ ᏕᏫ ᎤᏪᏥ, ᎢᏏᎵᏱᏃ ᎤᎬᏫᏳᎯ ᎾᏍᎩ ᏕᎬᏍᎪᎸᏅᎢ;\nᎠᎦᏔᎿᎢ ᎠᎴ ᎥᏓᏗᏕᏲᏗ ᎨᏒ ᎠᎦᏙᎥᎯᏍᏗᏱ, ᎾᏍᎩ ᎪᎵᎩ ᎧᏁᎬ ᎪᎵᏍᏗᏱ.\nᎠᎦᏔᎿᎢ ᎤᏓᏕᏲᏗ ᎨᏒ ᏗᏓᏂᎸᎢᏍᏗᏱ, ᎾᏍᎩ ᏚᏳᎪᏛ ᎢᏯᏛᏁᎵᏍᏓᏍᏗ, ᎠᎴ ᏗᎫᎪᏙᏗᏱ ᎠᎴ ᏗᎬᏩᏳᎪᏗᏯ ᎨᏒᎢ,\nᎠᏏᎾᏌᏂ ᎢᏯᏩᏁᎯ ᎾᎦᏔᎿᎥᎾ, ᎠᏫᏅᏃ ᎠᎦᏙᎥᎯᏍᏗᏯ ᎠᎴ ᎠᎵᏏᏀᎢᏍᏗᏱ ᎤᏁᎯ.\nᏛᏛᏓᏍᏔᏂ ᎠᎦᏔᎿᎢ ᎠᏍᎦᏯ, ᎠᎴ ᎠᎦᏙᎢᎯᏍᏗ ᏓᎧᏁᏉᎢ; ᎠᎴ ᎤᏬᎵᏣᏘ ᎠᏍᎦᏯ ᎠᎦᏔᎿᎢ ᏧᏬᏏᏐᏗᏱ ᏮᏛᏱᎶᎵ;\nᎦᏛᎩ ᎨᏒ ᎤᏬᎵᏍᏗᏱ, ᎠᎴ ᎾᏍᎩ ᎠᏁᏢᏙᏗᏱ, ᎾᏍᎩ ᎠᏂᎦᏔᎿᎢ ᎤᏂᏁᏨᎢ ᎠᎴ ᎾᏍᎩ ᎤᎵᏏᎩ ᏄᏂᏪᏟᏙᎸᎢ.\nᎠᎦᏙᎥᎯᏍᏗ ᎠᏓᎴᏃᏗᏍᎬᏉ ᎢᎩ ᎾᏍᎩ ᏱᎰᏩ ᎦᎾᏰᎯᏍᏗᏱ; ᎠᏎᏃ ᎠᎦᏙᎥᎯᏍᏗ ᎠᎴ ᎨᎨᏲᏗᏱ ᎠᏂᏂᏆᏘᎭ ᎤᏂᏁᎫ.\nᎠᏇᏥ, ᏣᏙᏓ ᏤᏲᎲᏍᎬ ᎭᏛᏓᏍᏓ, ᎠᎴ ᏣᏥ ᎤᏤᎵ ᏗᎧᎾᏩᎱᏍᏗ ᏞᏍᏗ ᏨᏕᏨᎩ.\nᎾᏍᎩᏰᏃ ᎯᏍᎪᎵ ᎤᎵᎶᎯ ᎪᏚᎯᏍᏗᏍᎩ ᎨᏎᏍᏗ, ᎠᎴ ᏧᏓᏕᏒᏓ ᏣᎵᏯᏣᏃᏍᏙᏗ\nᎠᏇᏥ, ᎨᏣᏍᏗᏰᏗᏍᎨᏍᏗ ᎠᏂᏍᎦᎾᎢ, ᎥᏞᏍᏗ ᏦᎯᏳᏅᎩ.\nᎯᎠ ᏂᎨᏣᏪᏎᎮᏍᏗ, Ꭷ ᎢᏕᏅ, ᎩᎬ ᎤᏤᏬᎢᏍᏗ ᎢᎩᎭᎷᎨᏍᏗ, ᎪᎱᏍᏗ ᏅᏗᎦᎵᏒᏗᏍᎬᎾ ᎾᏍᎩ ᎤᏍᎦᏅᏨᎯ ᏂᎨᏒᎾ ᎤᏕᎵᏛ ᎡᏗᏃᎵᏓ;\nᏗᏓᏂᏐᏗᏱ ᎢᎦᎦᏛ ᏗᎬᏅᏃᏛᏉ ᎾᏍᎩ ᏫᏗᎨᏗᎩᏏᏅ; ᎠᎴ ᏗᎬᏩᏂᏃᏍᏛ, ᎾᏍᎩ ᎠᏔᎴᏒ ᏩᏲᎸᏥᎯᎯ ᎾᏍᎩ ᏯᎢ;\nᏓᏗᏩᏛᎯ ᏂᎦᎥ ᎦᎸᏉᏗ ᏧᎬᏩᎶᏗ, ᎠᏓᏬᏅᏛ ᎨᏒ ᏕᏗᏁᎸ ᏙᏓᏗᎧᎵᎢᏍᏔᏂ;\nᎭᏙᏣᎸᎦ ᏍᎩᏯᏕᎳᏗᏏ, ᏧᎬᏩᎶᏗ, ᎠᏍᏆᏂᎪᏙᏗ ᏌᏉᏇ ᎢᎩᎮᏍᏗ;\nᎠᏇᏥ, ᏞᏍᏗ ᏤᏅᏒᎩ ᎾᏍᎩ ᎢᏧᎳᎭ ᎢᏤᏓᏍᏗ ᏅᏃᎯ, ᎾᏍᎩ ᎤᏂᏅᏅ ᎡᏓᏍᏗ ᏣᏀᎢᏍᏕᏍᏗ ᏣᎳᏏᏚᏂ;\nᎤᏐᏅᏉᏰᏃ ᏗᎨᏒ ᏓᏗᏝᎡᎦ ᎾᏍᎩ ᏧᎾᎳᏏᏕᏂ. ᎠᎴ ᎤᏅᏅᏥᏗ ᎩᎬ ᎤᏂᏨᏗᏱ.\nᏄᎣᏏᏛᏒᎾ ᎠᏎᏉᏉ ᎠᏌᏛᏗ ᏯᏌᏛᏁᎸ ᏂᎦᎥᏉ ᏥᏍᏆ ᎾᏍᎩ ᏓᎧᏅᎢ,\nᎾᏍᎩᏃ ᎤᎲᏒᏉ ᎤᏂᎩᎬ ᎠᏂᎭᎷᎥᏍᎦ ᎤᏅᏒᏉ ᏓᏅᏅ ᏧᎦᏘᎴᏍᎩ ᎤᏕᎵᏒ ᎠᎾᏗᏍᎦᎳᏂᏙᎭ.\nᎾᏍᎩᏯ ᏄᏍᏗ ᏧᏪᏓᏍᏗᏱ ᎾᏂᎥ ᎠᏏᏴᏫᎭ ᎤᏁᏉᏤᏗᏱ ᎤᎬᎥᏍᎩ; ᎬᏅ ᎠᎩᎡᎯ, ᎾᏍᎩ ᎤᎦᏤᎵᎦ ᎨᏒᎢ.\nᎠᎦᏔᎿᎢ ᎤᎵᏍᏗ ᏙᏱᏗᏢ; ᏕᎦᎳᏅᏛ ᎠᏌᎳᏗ ᎧᏁᎬᎢ;\nᏄᎬᏫᏳᏒ ᏗᎦᎳᏫᎢᏍᏗᏱ ᎤᎵᏍᏗ, ᎦᎶᎯᏍᏗᏱ ᏕᎪᏢᏒᎢ; ᎠᎴ ᎦᏚᎲ ᎠᏌᎳᏗ ᎧᏁᎬᎢ, ᎯᎠ ᏂᎦᏪᎭ;\nᎢᎳᎪ ᏅᏓᎪᎯᏥ ᏂᏣᏓᏅᏛᎾ ᎣᏏᏳ ᎢᏥᏰᎸᏎᏍᏗ ᏂᏣᏓᏅᏛᎾ ᎢᏣᎵᏍᏙᏗᏱ, ᎤᎾᏓᏕᎰᏗᏃ ᎣᏏᏳ ᎤᏂᏰᎸᏎᏍᏗ ᎠᏌᏓᏕᎰᏗᏍᎬᎢ, ᎠᏂᏍᎦᎨᏍᏗ ᎠᎩᏙᎥᎯᏍᏗ ᎨᏒᎢ.\nᎢᏣᎦᏔᎲᎾ ᏫᏂᎦᎵᏍᏙᏓ ᎢᏨᎬᏍᎪᎸᎢᏍᎬᎢ; ᎬᏂᏳᏉ ᏓᏨᏯᏐᏅᏰᎵ ᎠᏆᏓᏅᏙ, [ᎠᎴ] ᎬᏂᎨᏒ ᏅᏓᏨᏰᏁᎵ ᏥᏃᎮᏍᎬᎢ.\nᎠᏴ ᎢᏨᏯᏅᏛ ᏥᎩ, ᎠᎴ ᏂᎯ ᏥᏥᏲᎢᏎᎸ; ᎠᎴ ᏣᏆᏎᎵᏔᏅ, ᎩᎶᏃ ᎾᏆᎦᏌᏯᏍᏗᏁᎸᎭ ᏥᎩ,\nᏅᎵᏌᎵᏉᏍᎩᏂ ᏥᏥᏰᎸᏅ ᏂᎦᏗᏳ ᎢᏨᏬᏁᏔᏅᎢ, ᎠᎴ ᏂᏣᎦᏌ ᏯᏍᏔᏅᎾᏉ ᏥᎩ ᎢᏨᎬᏍᎪᎸᏅᎢ;\nᎾᏍᏉ ᎠᏴ ᏓᏥᏰᏣᏍᏔᏂ ᎢᏥᎩᎵᏲᎬᎢ, ᎠᎴ ᏓᎦᏙᏢᏔᏂ ᎿᏉ ᎤᎾᏰᎯᏍᏗ ᎢᏥᎷᏤᎮᏍᏗ.\nᎾᎯᏳ ᎢᏥᎾᏰᏍᎬ ᎦᎷᎨᏍᏗ ᎠᏛᏗᏍᎩ ᎾᏍᎩᏯᎢ, ᎠᎴ ᎢᏥᎯᎯ ᎦᎷᎨᏍᏗ ᎠᎦᎷᎦ ᎾᏍᎩᏯᎢ; ᎾᎯᏳ ᎠᎩᎵᏯ ᎠᎴ ᎡᎯᏍᏗ ᎠᏓᏅᏓᏗᏍᏗ ᎢᏥᎷᏤᎮᏍᏗ;\nᎿᏉ ᏓᎬᎩᏯᏅᎯ, ᎠᏎᏃ ᎥᏝ ᏴᏓᎦᏥᏁᏤᎸ; ᎠᎴ ᏞᎩᏯ ᏓᎬᎩᏲᎵ, ᎠᏎᏃ ᎥᏝ ᏴᏓᎬᎩᏩᏛᎯ;\nᎠᏂᏂᏆᏘᎲᏰᏃ ᎠᎦᏙᎥᎯᏍᏗ ᎨᏒᎢ, ᎥᏝ ᎠᎴ ᏳᎾᏑᏰᏎ ᏱᎰᏩ ᎦᎾᏰᎯᏍᏗ ᎨᏒᎢ,\nᏝ ᏳᎾᏚᎵᏍᎨ ᎦᏥᏬᏁᏗᏍᎬᎢ, ᎤᏂᏯᎦᏨᎩ ᏂᎦᏗᏳ ᎦᏥᎬᏍᎪᎸᏅᎢ.\nᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏎ ᏛᎾᎵᏍᏓᏴᏔᏂ ᎤᏅᏒ ᏚᏂᎸᏫᏍᏓᏁᎸ ᎤᎾᏄᎪᏫ ᏒᎯ, ᎠᎴ ᎨᏍᏤᎧᎵᎢᏍᏙᏗ ᎨᏎᏍᏗ ᎤᏅᏒ ᎤᎾᏓᏅᏖᎵᏙᎸᎢ.\nᎠᎾᎪᎸᏍᎬᏰᏃ ᏄᎾᏓᏅᏛᎾ ᏓyᏂᎵ ᎤᏂᏁᏉᏤᎲᏃ ᎤᏂᏁᎫ ᏓᏳᏂᏛᏔᏂ.\nᎩᎶᏍᎩᏂ ᎠᏴ ᎠᏆᏛᏓᏍᏓᏁᎵ ᎪᎱᏍᏗ ᏄᏍᏛᎾ ᎡᎮᏍᏗ, ᎠᎴ ᏅᏩᏙᎯᏍᏛ ᎤᏓᏅᏖᏍᏗ ᎾᏍᎦᎢᎲᎾ ᎨᏎᏍᏗ ᎪᏢᏍᏗ ᎤᏲᎢ.\nᎠᏇᏥ, ᏗᎧᎿᏩ ᏚᎦ ᏥᏁᎬᎢ, ᏗᎧᎿᏫᏛᏍᏗᏃ ᎠᏆᏤᎵ ᏗᏍᏆᏂᎪᏓ.\nᏗᎧᎿᏩᏚᎦ ᎠᏆᏤᎵ ᏗᎧ Ꮏ ᏩᏛᏍᏗ, ᎠᎴ ᎲᏁᏍᏗ; ᎠᎴ ᏗᎧᎿᏩᏛᏍᏗ ᎠᏆᏤᎵ ᎯᏍᏆ ᏂᎪᏓ ᎾᏍᎩᏯ ᎠᎦᏔ ᏣᎸ ᏣᏍᏆᏂᎪᏛᎢ.\nᎾᏏ ᏕᎯᏰᏌᎱ ᏔᎸᏍᏓ, ᎠᎴ ᏣᏌᏫᏱ ᏙᏪᎸᏌ.\nᎠᎦᏔ ᎾᎢ ᎯᎠ ᏂᏪᏥ ᏂᎯ ᎥᎩᏙ; ᎪᎵᏍᏗᏃ ᎩᏂᏠᏱ ᎯᎬᏎᎮᏍᏗ.\nᎾᏍᎩ ᏱᎨᏣᏲᏍᏙᏓᏏ ᏅᏩᏓᏛ ᎠᎨᏴ ᎯᎷᏤᏗᏱ, ᎯᎷᏤᏗᏱ ᏅᏩᏓᎴ ᎠᎨᏴ ᎾᏍᎩ ᎨᏬᏂᏍᎬ ᎠᏓᎶᏄᎮᏗᏍᎩ.\nᏥᏁᎸᏰᏃ ᎠᏦᎳᏅ ᎪᏢᏒ ᏙᏛᏆᎿᏅᎩ;\nᎠᎴ ᏗᏆᎧᎿᏅᎩ ᏄᎾᏓᏅᏛᎾ ᎠᏁᏙᎲ, ᎠᎴ ᏥᎪᎥᎩ ᎩᎳ ᏗᏌᏛᏍᎩ ᎠᏁᏙᎲ ᎨᎳᏗᏙᎲᎩ ᎠᏫᏅ ᏄᏓᏅᏛᎾ!\nᎡᏙᎲᎩ ᏕᎦᎳᏅᏛ ᎾᎢ ᎤᏅᏏᏴᎢ; [ᎠᎨᎬᏃ] ᏗᎦᏁᎸ ᎢᏗᏢ ᏭᎶᏒᎩ;\nᎩᎳ ᏧᎵᏏᎲᏍᎪᎢ, ᎤᏒᎢ, ᎬᎾᎨ ᎠᎴ ᎤᎵᏴᎩ ᏒᏃᏱ ᏥᎨᏐᎢ;\nᎠᎴ ᎬᏂᏳ ᏙᏓᏳᏠᏒᎩ ᎠᎨᏳ ᎤᏂᏁᏓᏥᏛ ᎤᎾᏣᏃᏗ ᎤᏣᏃᏛᎩ, ᎠᏏᎾᏌᏂ ᎨᏒᎩ ᎤᏓᏅᏖᏗᏱ;\nᎠᏍᏓᏯ ᏚᏬᏂᏍᎩ ᎾᏍᎩ, ᎠᎴ ᎤᎫᏏᏯ, ᎠᎴ ᏂᎦᎮᏍᎬᎾ ᎦᏁᎸᎢ;\nᎢᎸᎯᏳ ᏙᏱ ᎡᏙᎨᎢ, ᎢᎸᎯᏳᏃ ᏚᎹᏅᏛᎢ, ᎠᎴ ᎤᎭᎷᎪ ᏚᏅᏴᏯᏅᎢ.\nᎾᏍᎩᏃ ᎤᏂᏴᎲᎩ [ᎠᏫᏅ] ᎠᎴ ᎤᏚᏣᎳᏅᎩ, ᎠᎴ ᎾᏕᎰᏍᎬᎾ ᎯᎠ ᏄᏪᏎᎸᎩ;\nᎠᏥᎸ ᎨᎳᏍᏗ ᏅᏩᏙᎯᏯᏛ ᎠᏓᏩᏛᏥᎯ ᎠᎩᎭ; ᎪᎯ ᎢᎦ ᎦᎫᏴ ᎠᎩᏁᏨ ᎢᏯᏆᏛᏁᏗy.\nᎾᏍᎩ ᎢᏳᏍᏗ ᏓᏥᏄᎪᎢ ᏗᎬᏯᏠᏍᏗᏱ, ᎬᏩᏛᏗᏱ, ᎠᎴ ᎥᎬᏩᏛ.\nᏗᏰᏍᏛᏗ ᏓᎩᏰᏍᏓᎠ ᎠᏆᏂᏏᏗᏱ, ᏧᏬᏚᎯ ᏧᏅᏣᏛ ᏗᏄᏬ, ᎢᏥᎲ ᏧᏕᏅᎯ.\nᎠᎩᏩᏒᎢᏍᏔᏅᏃ ᎠᏆᏂᏏᏗᏱ ᎻᎳ, ᎠᎴ ᎬᎳᎾ, ᎠᎴ ᎦᏩᏒᎩ ᎤᏯᎷᎦ.\nᎧ! ᏑᎾᎴ ᎬᏗᏍᎩ ᎩᏂᏛᏓᏏ ᏕᎩᎾᏓᎨᏳᏒᎢ; ᎣᏍᏛ ᏫᎩᎾᏓᏅ ᏓᏗᏍᏗ ᏕᎩᎾᏓᎨᏳᏒᎢ.\nᎥᏝ ᏰᏃ ᏳᏬᎳ ᎠᏍᎦᏯ ᏑᏁᎳ, ᎤᏁᎳᏛᎢᏅ ᎤᏪᏅ;\nᏕᎦᎶᏗ ᎠᏕᎸ ᎠᎧᎵᎢ ᎤᏁᏅ, ᎠᎴ ᎦᏌᏆᎸ ᎨᏎᏍᏗ ᏅᏙ ᎩᎳ ᎬᏩᎷᎯᏍᏗ.\nᎾᏍᎩ ᎤᏣᏛ ᎤᏬᏚᎯ ᎦᏬᏂᏍᎬ ᎠᏎᎪᎩᏍᏗᏍᎪ ᎠᏫᏅ, ᎠᎴ ᎤlᏉᏗᏍᎬ ᎤᏎᎪᎩᏍᏗᏯᎪ ᎤᏘᏁᎪᎢ.\nᎠᏫᏅ ᎩᎳᏉ ᎢᏴᏛ ᎠᏍᏓᏩᏕᎪ ᎠᎨᎡ ᎾᏍᎩᏯ ᏗᎯᏍᏗᏱ ᏩᎦ ᏣᎦᏘᏁᎪᎢ, ᎠᎴ ᎾᏍᎩᎲ ᎤᏁᏓ ᎠᏥᎩᎵᏲᎢᏍᏙᏗᏱ ᎠᎦᎸᎢᏛ ᏣᏚᏘᏁᎪᎢ;\nᎬᏂ ᎦᏂ ᎤᏪᎶᎢ ᎤᏥᏲᎭ; ᎠᎴ ᎾᏍᎩᏯ ᏥᏍᏍᏆ ᎠᏌᏛᏗ ᏥᏴ ᏞᎩᏳ ᏥᎦᎷᎪᎢ, ᎠᎴ ᎾᎦᏔᎲᎾ ᏥᎨᏐ ᎬᏃ ᎤᎩᏒᎯ ᎨᏒᎢ.\nᎧ! ᎾᏍᎩ ᎢᏳᏍᏗ ᏗᏇᏥ ᏍᎩᏯᏛᏓᏍᏗᏏ, ᎠᎴ ᎢᏣᏚᏌᏯᏍᏗ ᏥᏬᏂᏍᎬᎢ;\nᏞᏍᏗ ᏣᎾᏫ ᎾᏍᎩ ᏕᎤᏅᏅ ᎢᏗᏢ ᏱᏄᏛᏁᏔᏁᏍᏗ, ᏞᏍᏗ ᎾᏍᎩ ᏕᎤᏅᏅ ᏱᏣᎴᎾᎴᏍᏗ.\nᎤᏂᏣᏗᏰᏃ ᏚᏍᏢᏂᏍᏔᏅ ᏗᎨᏥᏐᏅᏅᎯ; ᎥᎥ, ᎤᏂᏣᏘ ᏧᎾᎵᏂᎩᏛ ᎾᏍᎩ ᏚᎸ.\nᎾᏍᎩ ᎦᏁᎸ ᏨᏍᎩᏃ ᏫᎦᏅᏅ ᎠᏓᏁᎸ, ᏫᎦᎾᏄᎪᎦ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᏙᏗᎧᏅᏑᎸᎢ."
  },
  {
    "path": "a4/chr_en_data/train.en",
    "content": "and by him every one that believeth is justified from all things, from which ye could not be justified by the law of Moses.\nWhen he was done with the body, he held the head in his mouth and sucked until it held no more flavor than his own spit.\nBut each in his own order: Christ the firstfruits; then they that are Christ’s, at his coming.\nHis was a strange homecoming.\nSo the chief captain let the young man go, charging him, Tell no man that thou hast signified these things to me.\nHe picked the letter up again and studied the signature and said again, Major Cotton.\nAnd seek not ye what ye shall eat, and what ye shall drink, neither be ye of doubtful mind.\nWilbur trembled all over when he saw it.\nAnd he arose from thence, and cometh into the borders of Judæa and beyond the Jordan: and multitudes come together unto him again; and, as he was wont, he taught them again.\nSurely some of them have some superior features.\nThe Fair Grounds were soon deserted.\nthat they do good, that they be rich in good works, that they be ready to distribute, willing to communicate;\nThere were many complaints about the awful smell, and Wilbur had to tell the story over and over again, of how the Arable boy had tried to capture Charlotte, and how the smell of the broken egg drove him away just in time.\nIs Christ divided? was Paul crucified for you? or were ye baptized into the name of Paul?\nAs Wilbur watched, the spider let go of the fence and rose into the air.\nThe crowd cheered.\nSince the world began it was never heard that any one opened the eyes of a man born blind.\n“I’m seeing things,” he whispered.\nAnd he said unto her, Thy sins are forgiven.\nAnd now, go to sleep.”\nAs the fire burned the people heard songs coming from the fire –  songs of healing.  \nWhen he was done tasting, he scrubbed at his greasy finger with the thumb of the same fist.\nand that which thou sowest, thou sowest not the body that shall be, but a bare grain, it may chance of wheat, or of some other kind;\nThe rat visits the dump regularly and has access to old magazines.\nThat night as the tree slept, the boy tied a big red apple on a branch of the little apple tree.\nThat, to the best of my remembrance, is why the mounted soldiers and their pedestrian prisoners left after daybreak, Smith navigating nervously by the little scrap of map I had drawn for him.\n“Don’t just stand there, Wilbur!\nbeing made manifest that ye are an epistle of Christ, ministered by us, written not with ink, but with the Spirit of the living God; not in tables of stone, but in tables that are hearts of flesh.\nAnd I say unto him, My lord, thou knowest. And he said to me, These are they that come out of the great tribulation, and they washed their robes, and made them white in the blood of the Lamb.\nAnd one ran, and filling a sponge full of vinegar, put it on a reed, and gave him to drink, saying, Let be; let us see whether Elijah cometh to take him down.\nHe soon began coming around the Indian Queen late afternoons for a drink and a visit.\nThen the soldiers cut away the ropes of the boat, and let her fall off.\nAnd thus, sinning against the brethren, and wounding their conscience when it is weak, ye sin against Christ.\n“I didn’t ask for a shower bath,” said Mr. Zuckerman.\nHis little mustache, faint even in brightest daylight, was invisible by the fire.\nBut before faith came, we were kept in ward under the law, shut up unto the faith which should afterwards be revealed.\nBut my righteous one shall live by faith: And if he shrink back, my soul hath no pleasure in him.\nand he died for all, that they that live should no longer live unto themselves, but unto him who for their sakes died and rose again.\nBe ye also patient; establish your hearts: for the coming of the Lord is at hand.\nBut let your speech be, Yea, yea; Nay, nay: and whatsoever is more than these is of the evil one.\nAnd let our people also learn to maintain good works for necessary uses, that they be not unfruitful.\nTake ye heed, watch and pray: for ye know not when the time is.\nWoe unto you! for ye are as the tombs which appear not, and the men that walk over them know it not.\nAnd he said unto them, These are my words which I spake unto you, while I was yet with you, that all things must needs be fulfilled, which are written in the law of Moses, and the prophets, and the psalms, concerning me.\nAvery grabbed his gun and another doughnut.\nOnly let your manner of life be worthy of the gospel of Christ: that, whether I come and see you or be absent, I may hear of your state, that ye stand fast in one spirit, with one soul striving for the faith of the gospel;\nThe darkest evening of the year.\nThis Jesus did God raise up, whereof we all are witnesses.\nwho by the Holy Spirit, by the mouth of our father David thy servant, didst say, Why did the Gentiles rage, And the peoples imagine vain things?\nDo you think you understand?”\nI think it is only fair to tell you that I was devoted to your mother.\n“It’s getting all over everything,” shouted Fern.\nAnd when ye shall hear of wars and rumors of wars, be not troubled: these things must needs come to pass; but the end is not yet.\nwhom they set before the apostles: and when they had prayed, they laid their hands upon them.\nAnd when he opened the fourth seal, I heard the voice of the fourth living creature saying, Come.\nFern peered through the door. Wilbur was poking the straw with his snout.\nAnd he said unto them, Take heed what ye hear: with what measure ye mete it shall be measured unto you; and more shall be given unto you.\nto Timothy, my beloved child: Grace, mercy, peace, from God the Father and Christ Jesus our Lord.\nAnd let patience have its perfect work, that ye may be perfect and entire, lacking in nothing.\nAnd Simon Peter followed Jesus, and so did another disciple. Now that disciple was known unto the high priest, and entered in with Jesus into the court of the high priest;\nIs it not lawful for me to do what I will with mine own? or is thine eye evil, because I am good?\nwhen the multitude therefore saw that Jesus was not there, neither his disciples, they themselves got into the boats, and came to Capernaum, seeking Jesus.\n“I should worry.”\nBut when he heard that Archelaus was reigning over Judæa in the room of his father Herod, he was afraid to go thither; and being warned of God in a dream, he withdrew into the parts of Galilee,\nAnd they asked him, saying, Teacher, when therefore shall these things be? and what shall be the sign when these things are about to come to pass?\nWherefore I ask that ye may not faint at my tribulations for you, which are your glory.\nAnd yet a lawyer and businessman and now an Indian chief himself.\nAnd he was an expert, for every fraction of Indian in existence had passed through his office.\nAnd he said unto him also, Be thou also over five cities.\nAbout the forth night we did not go, but instead we went to visit my grandmother.\nwhile they themselves also, with supplication on your behalf, long after you by reason of the exceeding grace of God in you.\nSo he left a whole noodle, instead of a half.\nIt was a sort of sac, or cocoon.\nmen fainting for fear, and for expectation of the things which are coming on the world: for the powers of the heavens shall be shaken.\nQuickly, he jumped away!\nSoon there were only shadows and the noises of the sheep chewing their cuds, and occasionally the rattle of a cow—chain up overhead.\nAvery ran after her, holding his nose.\nAnd Jesus cried again with a loud voice, and yielded up his spirit.\nVerily I say unto you, All these things shall come upon this generation.\nWinders?\n“Well,” said Wilbur, “it means to have fun, to frolic, to run and skip and make merry.”\nHe is not here; for he is risen, even as he said. Come, see the place where the Lord lay.\nWhen night came, I had to walk through the woods alone.\nI went and sat by one of the fires with the muskets on the ground beside me.\nAnd they sing a new song, saying, Worthy art thou to take the book, and to open the seals thereof: for thou wast slain, and didst purchase unto God with thy blood men of every tribe, and tongue, and people, and nation,\nNow the God of peace be with you all. Amen. \nSo belief cometh of hearing, and hearing by the word of Christ.\nBut Abraham said, Son, remember that thou in thy lifetime receivedst thy good things, and Lazarus in like manner evil things: but now here he is comforted, and thou art in anguish.\nThey were loaded and cocked.\nAnd now send men to Joppa, and fetch one Simon, who is surnamed Peter:\nThat which was from the beginning, that which we have heard, that which we have seen with our eyes, that which we beheld, and our hands handled, concerning the Word of life\n“Have you heard about the words that appeared in the spider’s web?” asked Mrs. Arable nervously.\nAnd the blind and the lame came to him in the temple; and he healed them.\nFor I know that this shall turn out to my salvation, through your supplication and the supply of the Spirit of Jesus Christ,\nfor I say unto you, I shall not eat it, until it be fulfilled in the kingdom of God.\n“Jump off!”\nNow I would have you know, brethren, that the things which happened unto me have fallen out rather unto the progress of the gospel;\nTurn you into smoked bacon and ham,” continued the old sheep. “Almost all young pigs get murdered by the farmer as soon as the real cold weather sets in.\nSo the soldiers, as it was commanded them, took Paul and brought him by night to Antipatris.\nLest haply, when he hath laid a foundation, and is not able to finish, all that behold begin to mock him,\n“Let’s swing in the swing!” said Avery.\nFor how knowest thou, O wife, whether thou shalt save thy husband? or how knowest thou, O husband, whether thou shalt save thy wife?\nAnd they bring unto him one that was deaf, and had an impediment in his speech; and they beseech him to lay his hand upon him.\nA world once gone was gone for good.\nThen she started weaving something to take the place of the threads she had removed.\nCome back when you don’t, and I’ll be glad to meet with you and hear your business.\n“Don’t get overheated!” said their mother.\nI started with a rant against the whole sweeping weight of the modern world that was poised to fall on them.\nAnd they said unto him, Grant unto us that we may sit, one on thy right hand, and one on thy left hand, in thy glory.\nAnd I bumped smack into him and we both ran away.\n“What is the date of your birth?\nthat which we have seen and heard declare we unto you also, that ye also may have fellowship with us: yea, and our fellowship is with the Father, and with his Son Jesus Christ:\nMary Magdalene cometh and telleth the disciples, I have seen the Lord; and that he had said these things unto her.\nEven Lurvy, who wasn’t particularly interested in beauty, noticed the web when he came with the pig’s breakfast.\nFor I will not dare to speak of any things save those which Christ wrought through me, for the obedience of the Gentiles, by word and deed,\nI intend to speak about it in my sermon and point out the fact that this community has been visited with a wondrous animal.\n“Kneel down!” whispered the old sheep.\nSo your father has decided to do away with it.”\nThen the devil leaveth him; and behold, angels came and ministered unto him.\nJesus answered him, I have spoken openly to the world; I ever taught in synagogues, and in the temple, where all the Jews come together; and in secret spake I nothing.\nIn pursuance of my instructions, I will advert to such circumstances as may pertain to an estimate of the resources of the Indians of this district, in the hypothesis of an attempt on their part to evade the stipulations of the Treaty in reference to removal.\nLurvy, the hired man, heard the noise and came up from the asparagus patch where he was pulling weeds.\nAnd certain also of the Epicurean and Stoic philosophers encountered him. And some said, What would this babbler say? others, He seemeth to be a setter forth of strange gods: because he preached Jesus and the resurrection.\nfor I am with thee, and no man shall set on thee to harm thee: for I have much people in this city.\nAnd on the sabbath day we went forth without the gate by a river side, where we supposed there was a place of prayer; and we sat down, and spake unto the women that were come together.\nAnd Jesus departed thence, and came nigh unto the sea of Galilee; and he went up into the mountain, and sat there.\nAvery and Fern Arable heard it as they walked the dusty road.\n“Actually,” said Wilbur, “I feel radiant.”\nAgain, a new commandment write I unto you, which thing is true in him and in you; because the darkness is passing away, and the true light already shineth.\nHe didn’t use the broad-bladed knife or the hatchet that hung in leather scabbards from his pantwaist, though they would have made the job easier.\nIf she took her doll for a walk in the doll carriage, Wilbur followed along.\nAnd he took it down, and wrapped it in a linen cloth, and laid him in a tomb that was hewn in stone, where never man had yet lain.\nAnd they spake the word of the Lord unto him, with all that were in his house.\nWilbur himself could look at it whenever he wanted to.\nFor if the trumpet give an uncertain voice, who shall prepare himself for war?\nAnd he said, Come. And Peter went down from the boat, and walked upon the waters to come to Jesus.\nreceiving the end of your faith, even the salvation of your souls.\nand the two shall become one flesh: so that they are no more two, but one flesh.\nIt was soon arranged.\nFrom seven to eight, Wilbur planned to have a talk with Templeton, the rat that lived under his trough.\nThe woman saith unto him, I know that Messiah cometh (he that is called Christ): when he is come, he will declare unto us all things.\n“I will never forget this as long as I live.”\nAt this precise moment of the fall, since the beginning of known time, passenger pigeons had arrived in great clouds, their masses like a dark river flowing southward down the sky, settling into the bright-colored woods for a few days like a dense grey fog of bird meat.\nAfter these things there was a feast of the Jews; and Jesus went up to Jerusalem.\nhaving heard the things concerning Jesus, came in the crowd behind, and touched his garment.\nThey pulled the Indian blanket over them.\nMr. Zuckerman hugged Mrs. Zuckerman.\nHe trimmed a fresh quill with a penknife, dipped into the inkpot and scratched down enough words to make a few sentences, and then immediately balled up the sheet and tossed it on the ground as if paper grew on trees.\nfor we brought nothing into the world, for neither can we carry anything out;\nWho in hope believed against hope, to the end that he might become a father of many nations, according to that which had been spoken, So shall thy seed be.\nMrs. Arable shifted uneasily in her chair.\nThey would be obliged to have recourse to hunting for food and could not therefore embody to any extent and might be met by small detachments whenever they emerged for purposes of procuring the provision by hunting, necessary to their existence.\nNow we pray to God that ye do no evil; not that we may appear approved, but that ye may do that which is honorable, though we be as reprobate.\nmaking void the word of God by your tradition, which ye have delivered: and many such like things ye do.\nThen therefore he delivered him unto them to be crucified.\n“Maybe so,” said Mrs. Zuckerman.\nWolf thought he knew everything.\nAnd after he had sent the multitudes away, he went up into the mountain apart to pray: and when even was come, he was there alone.\nThey went out of the city, and were coming to him.\nYes, I said.\nThe young spiders just waved.\nand others had trial of mockings and scourgings, yea, moreover of bonds and imprisonment:\nI say then, Did God cast off his people? God forbid. For I also am an Israelite, of the seed of Abraham, of the tribe of Benjamin.\nFor God is my witness, whom I serve in my spirit in the gospel of his Son, how unceasingly I make mention of you, always in my prayers\nIn the days that followed, Mr. Zuckerman was so busy entertaining visitors that he neglected his farm work.\nHe heaved and grunted with desolation.\nAnd there are diversities of workings, but the same God, who worketh all things in all.\n“All right, it’s a deal,” said the rat.\nDoth the fountain send forth from the same opening sweet water and bitter?\nbut he that is married is careful for the things of the world, how he may please his wife,\nI said.\nHis mother saith unto the servants, Whatsoever he saith unto you, do it.\nAnd all were weeping, and bewailing her: but he said, Weep not; for she is not dead, but sleepeth.\n“Please tell me what it is,” begged Wilbur.\nWhosoever denieth the Son, the same hath not the Father: he that confesseth the Son hath the Father also.\nGive to every one that asketh thee; and of him that taketh away thy goods ask them not again.\nHe answered them, I told you even now, and ye did not hear; wherefore would ye hear it again? would ye also become his disciples?\n“You can have it,” replied the goose.\nEveryone knew Spearfinger was magic and would soon figure out a way to get out of the pitfall.  \nWherefore, putting away falsehood, speak ye truth each one with his neighbor: for we are members one of another.\nDeep in his soft bed, Wilbur snoozed.\nYour success in the ring this morning was, to a small degree, my success.\nThis is a paper bag that someone left in the woods.\n“Put that empty buttermilk jar into the truck!”  commanded Mr. Arable.\nAnd they come to Jesus, and behold him that was possessed with demons sitting, clothed and in his right mind, even him that had the legion: and they were afraid.\nNow this Hagar is mount Sinai in Arabia and answereth to the Jerusalem that now is: for she is in bondage with her children.\nThe first spider said hello, but its voice was so small Wilbur couldn’t hear it.\nHe gets embarrassed easily.\nTheir throat is an open sepulchre; With their tongues they have used deceit: The poison of asps is under their lips:\n“Yes, I do,” said Mrs. Arable.\nCharlotte, sleepy after her night's exertions, smiled as she watched.\nBut I would have you know, that the head of every man is Christ; and the head of the woman is the man; and the head of Christ is God.\nDo not thou therefore yield unto them: for there lie in wait for him of them more than forty men, who have bound themselves under a curse, neither to eat nor to drink till they have slain him: and now are they ready, looking for the promise from thee.\nFor even when we were come into Macedonia our flesh had no relief, but we were afflicted on every side; without were fightings, within were fears.\nFor our exhortation is not of error, nor of uncleanness, nor in guile:\nAt the fort, the growing population of prisoners, many of whom I had known since boyhood, sat in the dirt of the stockade drinking liquor bought from a cart one of my clerks tended just inside the gate.\nWhosoever shall seek to gain his life shall lose it: but whosoever shall lose his life shall preserve it.\nHe had buried his child, and then shortly thereafter he had buried his wife.\nAnd after the uproar ceased, Paul having sent for the disciples and exhorted them, took leave of them, and departed to go into Macedonia.\nAnd five of them were foolish, and five were wise.\nSoon he saw the rat climbing down a slanting board that he used as a stairway.\nWhen he heard that Jesus was come out of Judæa into Galilee, he went unto him, and besought him that he would come down, and heal his son; for he was at the point of death.\nThe balloonists were gone.\n“What do people catch in the Queensborough Bridge —bugs? asked Wilbur.\nWhen I arrived at the office, Secretary Cass did not offer a chair but stood looking at me a long time, and then he said, Sir, I don’t wish to take up any of your time just now, when you so clearly have appointments with hatters and cobblers.\nand bring the fatted calf, and kill it, and let us eat, and make merry:\nand they sing as it were a new song before the throne, and before the four living creatures and the elders: and no man could learn the song save the hundred and forty and four thousand, even they that had been purchased out of the earth.\nWhere then is the glorying? It is excluded. By what manner of law? of works? Nay: but by a law of faith.\nAnd one said unto him, Behold, thy mother and thy brethren stand without, seeking to speak to thee.\nAgain he went out about the sixth and the ninth hour, and did likewise.\nIt is fit neither for the land nor for the dunghill: men cast it out. He that hath ears to hear, let him hear. \n“Another summer gone,” she sighed.\nThese twelve Jesus sent forth, and charged them, saying, Go not into any way of the Gentiles, and enter not into any city of the Samaritans:\nI manifested thy name unto the men whom thou gavest me out of the world: thine they were, and thou gavest them to me; and they have kept thy word.\nAnd now I have told you before it come to pass, that, when it is come to pass, ye may believe.\nBut the Lord answered him, and said, Ye hypocrites, doth not each one of you on the sabbath loose his ox or his ass from the stall, and lead him away to watering?\nsearching what time or what manner of time the Spirit of Christ which was in them did point unto, when it testified beforehand the sufferings of Christ, and the glories that should follow them.\nMaybe some others.\nO.K., Templeton, the soap ad will do, I guess.\nThey were baffled and frightened by these wet dark woods and mountains that went on and on, with more twists and folds and dangers than a Minotaur-infested labyrinth.\nThose who could afford it went out whoring, drunk and lustful, at least a night or two a week.\nand what the exceeding greatness of his power to us-ward who believe, according to that working of the strength of his might\nThere was at the table reclining in Jesus’ bosom one of his disciples, whom Jesus loved.\nBut the days will come; and when the bridegroom shall be taken away from them, then will they fast in those days.\nAnd in her was found the blood of prophets and of saints, and of all that have been slain upon the earth. \nAnd the apostles, when they were returned, declared unto him what things they had done. And he took them, and withdrew apart to a city called Bethsaida.\nAnd many of them said, He hath a demon, and is mad; why hear ye him?\nBut Jesus saith unto him, Follow me; and leave the dead to bury their own dead.\nWhoa! Attach! Good!\nAnd he saw a certain poor widow casting in thither two mites.\nBut if, while we sought to be justified in Christ, we ourselves also were found sinners, is Christ a minister of sin? God forbid.\nThey are millipedes.\nThese things understood not his disciples at the first: but when Jesus was glorified, then remembered they that these things were written of him, and that they had done these things unto him.\nBut she did.\nWilbur stood still and closed his eyes. He could feel the buttermilk trickling down his sides.\nthat their hearts may be comforted, they being knit together in love, and unto all riches of the full assurance of understanding, that they may know the mystery of God, even Christ,\nAnd yet count him not as an enemy, but admonish him as a brother.\nFor unto this end was the gospel preached even to the dead, that they might be judged indeed according to men in the flesh, but live according to God in the spirit.\nBut farther along.\nJesus said unto him, Again it is written, Thou shalt not make trial of the Lord thy God.\nHis eyes had a wild look.\nThis is what they do when they put on shoes, said Wolf, truly in pain now.\nFor who hath known the mind of the Lord, that he should instruct him? But we have the mind of Christ. \nNevertheless even of the rulers many believed on him; but because of the Pharisees they did not confess it, lest they should be put out of the synagogue:\nAnd when he had said this, he showed unto them his hands and his side. The disciples therefore were glad, when they saw the Lord.\nJesus therefore answered and said unto them, Verily, verily, I say unto you, The Son can do nothing of himself, but what he seeth the Father doing: for what things soever he doeth, these the Son also doeth in like manner.\nAnd they asked him, saying, How is it that the scribes say that Elijah must first come?\nThese things write I unto thee, hoping to come unto thee shortly;\nWilbur watched him disappear into his tunnel.\n“But do you know how long it took men to build it?\nas also ye did acknowledge us in part, that we are your glorying, even as ye also are ours, in the day of our Lord Jesus.\nNo matter how she looked her skin was hard like a rock and arrows would not pierce it.\nBut he denied, saying, Woman, I know him not.\nfor it is written, He shall give his angels charge concerning thee, to guard thee:\nYe have condemned, ye have killed the righteous one; he doth not resist you.\nI'll bring you a piece of the package. \nIt said:  SOME PIG!\n(As he spake unto our fathers) Toward Abraham and his seed for ever.\nThis is the third time I am coming to you. At the mouth of two witnesses or three shall every word be established.\nMrs. Chapman was living alone in a townhouse with only two or three servants, and when the party broke up deep in the night, I accompanied her home in her carriage.\nWilbur grew beautifully white and smooth.\n“Note the general radiance of this animal!\n“What a lot of nonsense!” muttered the rat.\nBut in a contest of extravagant hair just among white men, Jackson and Calhoun would have split the prize.\nWherefore let him that speaketh in a tongue pray that he may interpret.\nWhen he entered a room, it felt like the candles would all flicker out from the breeze created when every head suddenly turned his way.\n“I think,” said the gander, “it’s tee double ee double rr double rr double eye double ff double eye double see see see see see.”\nSometimes at night he would have a bad dream.\nSeveral men stepped forward from the crowd to help lift the crate.\nWilbur started to race out to his yard.\nas ye know how we dealt with each one of you, as a father with his own children, exhorting you, and encouraging you, and testifying,\nfor they all did cast in of their superfluity; but she of her want did cast in all that she had, even all her living. \nAnd he said unto them, What communications are these that ye have one with another, as ye walk? And they stood still, looking sad.\nAnd she fell down immediately at his feet, and gave up the ghost: and the young men came in and found her dead, and they carried her out and buried her by her husband.\nNow even the first covenant had ordinances of divine service, and its sanctuary, a sanctuary of this world.\nAttach!\nIt is another that beareth witness of me; and I know that the witness which he witnesseth of me is true.\nI can’t reach it, and I can't climb.\nremembering without ceasing your work of faith and labor of love and patience of hope in our Lord Jesus Christ, before our God and Father;\nAll right, I said.\nAnd the sea was rising by reason of a great wind that blew.\nHe that believeth and is baptized shall be saved; but he that disbelieveth shall be condemned.\nNow the Lord is the Spirit: and where the Spirit of the Lord is, there is liberty.\nWe studied them one by one and guessed in which of the two basic categories the persons belonged, preachers or drunks.\nAnd the beast that was, and is not, is himself also an eighth, and is of the seven; and he goeth into perdition.\nThis was the first enrolment made when Quirinius was governor of Syria.\nYe have heard the blasphemy: what think ye? And they all condemned him to be worthy of death.\nFor in hope were we saved: but hope that is seen is not hope: for who hopeth for that which he seeth?\nBut nevertheless it was theirs, both by heritage and by deed, nearly a thousand acres of it anyway, which Bear conceded was not really much land at all.\nTell me, ye that desire to be under the law, do ye not hear the law?\nThe sheep lay calmly at her feet.\nAnd if ye lend to them of whom ye hope to receive, what thank have ye? even sinners lend to sinners, to receive again as much.\nFor ye were going astray like sheep; but are now returned unto the Shepherd and Bishop of your souls. \nThe events of the following day have been the subject of a certain amount of speculation over the years, both in print and as mere gossip.\nAfter eating from the community stewpots nonstop for two or three days, Lichen’s men joined us in searching for Charley.\nSo did the geese, who lived with the sheep.\nbut for our sake also, unto whom it shall be reckoned, who believe on him that raised Jesus our Lord from the dead,\nAnd Peter said unto him, Aeneas, Jesus Christ healeth thee: arise, and make thy bed. And straightway he arose.\nSo that the law is become our tutor to bring us unto Christ, that we might be justified by faith.\nSoon a prophet named Dull Hoe weighed in with his vision.\nHe used a fragrant pomade, and the comb tracks were straight as bean rows traversing his scalp.\nBut as the disciples stood round about him, he rose up, and entered into the city: and on the morrow he went forth with Barnabas to Derbe.\nWe love, because he first loved us.\n“Well,” said Charlotte, vaguely, “I don't really know.\nAnd if any one ask you, Why do ye loose him? thus shall ye say, The Lord hath need of him.\nBoy Crockett had dared either man—master or father—to try enforcing the contract.\nBut as touching the resurrection of the dead, have ye not read that which was spoken unto you by God, saying,\nPeter, an apostle of Jesus Christ, to the elect who are sojourners of the Dispersion in Pontus, Galatia, Cappadocia, Asia, and Bithynia,\nbeseeching us with much entreaty in regard of this grace and the fellowship in the ministering to the saints:\n“Anyway, I can guarantee that it is strong.\nAnd I saw, and I heard a voice of many angels round about the throne and the living creatures and the elders; and the number of them was ten thousand times ten thousand, and thousands of thousands;\nHot summer days are for swimming!\nAnd Jesus said, I am: and ye shall see the Son of man sitting at the right hand of Power, and coming with the clouds of heaven.\nAnd Pilate said unto the chief priests and the multitudes, I find no fault in this man.\nNow the passover of the Jews was at hand: and many went up to Jerusalem out of the country before the passover, to purify themselves.\nAnd he said unto him, Teacher, all these things have I observed from my youth.\nAnd my spirit hath rejoiced in God my Saviour.\nHe and the younger men began climbing away.\nbut whoso shall cause one of these little ones that believe on me to stumble, it is profitable for him that a great millstone should be hanged about his neck, and that he should be sunk in the depth of the sea.\nBlessed are the poor in spirit: for theirs is the kingdom of heaven.\nI recognized one of them immediately as our neighbor.\nNow from the sixth hour there was darkness over all the land until the ninth hour.\nLurvy, at work building a crate for Wilbur, heard the song and knew it was time to dig potatoes.\nnot as Cain was of the evil one, and slew his brother. And wherefore slew he him? Because his works were evil, and his brother’s righteous.\nSmith said it all exploded so fast he still wasn’t sure what happened, exactly who did what.\nIt is like a grain of mustard seed, which, when it is sown upon the earth, though it be less than all the seeds that are upon the earth,\nStep by step, footprints lay lighter on the earth, fainter and fainter as if the bear were slowly elevating into the sky.\nSo he tried just sitting, looking with unfocused eyes at the various parts of the laurel in its dim green light.\nAnd he said, Woe unto you lawyers also! for ye load men with burdens grievous to be borne, and ye yourselves touch not the burdens with one of your fingers.\nSalute Urbanus our fellow-worker in Christ, and Stachys my beloved.\nSometimes the rabble fell upon a place so soon after vacancy that the owners could look back and see them trying to straddle a plow mule or struggling to lead away a reluctant hog by a rope around its neck or flailing about in the farmyard chasing old big-breasted and flightless hens that ran squawking with their wings trailing in the dust. Sometimes out of exuberance the followers would set fire to a place after they’d emptied it.\nFor all these things do the nations of the world seek after: but your Father knoweth that ye have need of these things.\nHe moved out of the light, gliding toward a dark corner where his voice would be deepened by the intersecting walls and project sourceless into the vaulted and dramatic space.\nThe cocker spaniel was sneaking up on him from one side, Lurvy the hired man was sneaking up on him from the other side.\nTo the pure all things are pure: but to them that are defiled and unbelieving nothing is pure; but both their mind and their conscience are defiled.\nThe rest of the dead lived not until the thousand years should be finished. This is the first resurrection.\nthat upon the Gentiles might come the blessing of Abraham in Christ Jesus; that we might receive the promise of the Spirit through faith.\nAnd now, my little children, abide in him; that, if he shall be manifested, we may have boldness, and not be ashamed before him at his coming.\nThere is no fear in love: but perfect love casteth out fear, because fear hath punishment; and he that feareth is not made perfect in love.\n“You're terrific as far as I'm concerned, replied Charlotte, sweetly, “and that's what counts.\nseeing that thou canst take knowledge that it is not more than twelve days since I went up to worship at Jerusalem:\nAnd the superscription of his accusation was written over, THE KING OF THE JEWS.\nBut this spake he of the Spirit, which they that believed on him were to receive: for the Spirit was not yet given; because Jesus was not yet glorified.\nI guess I would mess up your looks,\n“You stay right where you are!” said her mother.\nNow when morning was come, all the chief priests and the elders of the people took counsel against Jesus to put him to death:\nIn that he saith, A new covenant, he hath made the first old. But that which is becoming old and waxeth aged is nigh unto vanishing away. \nMoreover the tabernacle and all the vessels of the ministry he sprinkled in like manner with the blood.\nat midday, O king, I saw on the way a light from heaven, above the brightness of the sun, shining round about me and them that journeyed with me.\nBut when I saw that they walked not uprightly according to the truth of the gospel, I said unto Cephas before them all, If thou, being a Jew, livest as do the Gentiles, and not as do the Jews, how compellest thou the Gentiles to live as do the Jews?\nThough it was going on noon, he sat behind a table littered with breakfast dishes.\nHim did God exalt with his right hand to be a Prince and a Saviour, to give repentance to Israel, and remission of sins.\nfor I was hungry, and ye did not give me to eat; I was thirsty, and ye gave me no drink;\nAnd without controversy great is the mystery of godliness; He who was manifested in the flesh, Justified in the spirit, Seen of angels, Preached among the nations, Believed on in the world, Received up in glory. \nSo now it is no more I that do it, but sin which dwelleth in me.\nThey arrived at Axe’s place before dark, carrying the odors of journey in their clothes and their hair and on their skin—scents of morning dew beading the leaves, the dust of the trail, the droppings of animals, sweat, and woodsmoke.\nbeginning from the baptism of John, unto the day that he was received up from us, of these must one become a witness with us of his resurrection.\nIt smelled of grain and of harness dressing and of axle grease and of rubber boots and of new rope.\nHis legs collapsed, his mind went blank, and he fell to the ground, unconscious.\nAnd Pilate gave sentence that what they asked for should be done.\nenvyings, drunkenness, revellings, and such like; of which I forewarn you, even as I did forewarn you, that they who practise such things shall not inherit the kingdom of God.\nJesus therefore saith unto them, My time is not yet come; but your time is always ready.\nAnd for this cause God sendeth them a working of error, that they should believe a lie:\nBoudinot and young Ridge and their Yankee wives made a happy jaunt of it.\nFor this cause also the multitude went and met him, for that they heard that he had done this sign.\nAnd we are witnesses of all things which he did both in the country of the Jews, and in Jerusalem; whom also they slew, hanging him on a tree.\nHis tail had a fine, tight curl in it.\nAnd many rebuked him, that he should hold his peace: but he cried out the more a great deal, Thou son of David, have mercy on me.\nand the napkin, that was upon his head, not lying with the linen cloths, but rolled up in a place by itself.\nHe that hath the Son hath the life; he that hath not the Son of God hath not the life.\nEveryone is invited to attend.\nNow, Wolf began smelling.\nAnd straightway Jesus, perceiving in himself that the power proceeding from him had gone forth, turned him about in the crowd, and said, Who touched my garments?\nMoses hath given you circumcision (not that it is of Moses, but of the fathers); and on the sabbath ye circumcise a man.\nAren't you anxious to get home?”\nAnd there stood up certain, and bare false witness against him, saying,\nIt said PRE-SHRUNK.\nknowing that Christ being raised from the dead dieth no more; death no more hath dominion over him.\nIf you enter the barn, the swallows swoop down from their nests and scold. “Cheeky, cheeky!” they say.\nand that he was buried; and that he hath been raised on the third day according to the scriptures;\nAt every white settlement of five dogtrot log cabins and a frame church, the inhabitants congregate to tell us of great masses of Indians hiding high in the mountains.\nwho was declared to be the Son of God with power, according to the spirit of holiness, by the resurrection from the dead; even Jesus Christ our Lord,\nWilbur paid no attention.\nAnd the Lord said unto Paul in the night by a vision, Be not afraid, but speak and hold not thy peace:\nI thank God, whom I serve from my forefathers in a pure conscience, how unceasing is my remembrance of thee in my supplications, night and day\nby glory and dishonor, by evil report and good report; as deceivers, and yet true;\nAt the end of the dry summer, one black storm after another came ripping across the ridges, and by the end of September the trees were nearly stripped of leaves and the rivers were full to the banks with red water.\nThen shall he answer them, saying, Verily I say unto you, Inasmuch as ye did it not unto one of these least, ye did it not unto me.\nHe had on a dusty black frock coat and a white shirt, and he was locally celebrated for holding a degree in divinity from Princeton College.\nBefore white men, war of Indians against Indians was very bloody and sometimes cruel to the limits of human imagination, but it was a near relative to the ball game, a form of sport.\nI saw the flash of powder in the pans, the leap of grey smoke against the background of dark trees.\nAnd it came to pass, after three days they found him in the temple, sitting in the midst of the teachers, both hearing them, and asking them questions:\nwithal taking up the shield of faith, wherewith ye shall be able to quench all the fiery darts of the evil one.\nAnd he looked round about to see her that had done this thing.\nAs she dropped, her spinning tubes went into action and she let out thread.\nand with difficulty coasting along it we came unto a certain place called Fair Havens; nigh whereunto was the city of Lasea.\nIt was something hairy.\nLittlefish swam slowly around the pool for several days.\nIt is no great thing therefore if his ministers also fashion themselves as ministers of righteousness; whose end shall be according to their works.\nbut their plot became known to Saul. And they watched the gates also day and night that they might kill him:\nA factious man after a first and second admonition refuse;\nWhen the first gosling poked its grey-green head through the goose’s feathers and looked around, Charlotte spied it and made the announcement.\nAnd great hail, every stone about the weight of a talent, cometh down out of heaven upon men: and men blasphemed God because of the plague of the hail; for the plague thereof is exceeding great. \nThey therefore, when they had testified and spoken the word of the Lord, returned to Jerusalem, and preached the gospel to many villages of the Samaritans.\nOf course, that was back when men joked about the pox as if it were a runny nose.\nHe walked on down the winding creek, passing a white cascade and a deep black pool.\nBear’s old lessons in fearlessness and my own experiments in nightwalking had brought about the transformation.\nThey went out from us, but they were not of us; for if they had been of us, they would have continued with us: but they went out, that they might be made manifest that they all are not of us.\nDuring the months leading up to the Removal, letters and reports flew back and forth between Washington and the earliest representatives of the Army.\nThis man was seized by the Jews, and was about to be slain of them, when I came upon them with the soldiers and rescued him, having learned that he was a Roman.\nThey add nutrients to the soil.\nThe fewer people we’re hunting the better.\nwhile Paul said in his defence, Neither against the law of the Jews, nor against the temple, nor against Cæsar, have I sinned at all.\nAnd when this epistle hath been read among you, cause that it be read also in the church of the Laodiceans; and that ye also read the epistle from Laodicea.\nFern hugged her mother.\nIced stream banks, frost-burnt pigeon moss, a cold sun setting down a metal-colored sky.\nBut the Pharisees went out, and took counsel against him, how they might destroy him.\nFor that ye ought to say, If the Lord will, we shall both live, and do this or that.\nPerhaps you could arrange to return after those obligations have been met.\nAnd behold, a woman, who had an issue of blood twelve years, came behind him, and touched the border of his garment:\nSequoyah began drawing hundreds of symbols, one for each word.\nI write unto you, fathers, because ye know him who is from the beginning. I write unto you, young men, because ye have overcome the evil one. I have written unto you, little children, because ye know the Father.\nAnd he said, Who hath ears to hear, let him hear.\n“I’m hungry,” said Avery.\nBut thou didst follow my teaching, conduct, purpose, faith, longsuffering, love, patience,\n“Well, we are all here except the rat,” said Charlotte.\nSo it was an honorable thing to fight against the world.\nWoe unto them that are with child and to them that give suck in those days! for there shall be great distress upon the land, and wrath unto this people.\nFor what if some were without faith? shall their want of faith make of none effect the faithfulness of God?\nWomen received their dead by a resurrection: and others were tortured, not accepting their deliverance; that they might obtain a better resurrection:\nFor the law having a shadow of the good things to come, not the very image of the things, can never with the same sacrifices year by year, which they offer continually, make perfect them that draw nigh.\nWho bit your tail and got you back on your feet this morning after you had fainted in front of the crowd? Old Templeton.\nThe boy’s arms and legs were bone thin, and the elbow and knee joints looked enormous.\nIn the evening I would leave, after school was finished, I would go and stay late into the night.\nI really enjoyed going to the store because I liked to drive our car.\nBut they were the more urgent, saying, He stirreth up the people, teaching throughout all Judæa, and beginning from Galilee even unto this place.\nNow this he spake, signifying by what manner of death he should glorify God. And when he had spoken this, he saith unto him, Follow me.\n“Who made trip after trip to the dump?” he asked.\n“Do away with it?” shrieked Fern.\nSequoyah was not a chief, but he loved his people like one.\nfor now we live, if ye stand fast in the Lord.\nShe nodded politely and composed her face as if my comment were something worth serious consideration and not just a piece of smart-assery, for which generosity I found her even more lovely.\nI had once been like that myself.\nStars overlapped stars down a vertiginous well.\n“She doesn’t talk very loud, but she talks.”\nHe that overcometh, I will give to him to sit down with me in my throne, as I also overcame, and sat down with my Father in his throne.\nBut the men who die in these little inconsequential fights are just as stone dead as if they fought at Hastings or Culloden or Sharpsburg.\nShe knew just what to wear.\nI could see them talking.\nCharlotte had her web almost finished when Templeton returned, carrying the newspaper clipping.\nThe smell is unbearable. Who wants to live in a barn that is perfumed with rotten egg?”\nEveryone admired the web.\nBut ye believe not, because ye are not of my sheep.\nI don’t want to die.\nLet your forbearance be known unto all men. The Lord is at hand.\nAnd they reasoned one with another, saying, We have no bread.\nAnd he received a cup, and when he had given thanks, he said, Take this, and divide it among yourselves:\nNow is my soul troubled; and what shall I say? Father, save me from this hour. But for this cause came I unto this hour.\nAfter a while the fog lifted.\nNow John himself had his raiment of camel’s hair, and a leathern girdle about his loins; and his food was locusts and wild honey.\nBut now ye glory in your vauntings: all such glorying is evil.\nteaching them to observe all things whatsoever I commanded you: and lo, I am with you always, even unto the end of the world.\nAs I came past that pig next door—the one that calls himself Uncle — I noticed a blue tag on the front of his pen.\nI went back to Cranshaw, feeling hopeless and foolish at my desperation to make one more try to reach her.\nAnd it came to pass, when the angels went away from them into heaven, the shepherds said one to another, Let us now go even unto Bethlehem, and see this thing that is come to pass, which the Lord hath made known unto us.\nwithout understanding, covenant-breakers, without natural affection, unmerciful:\nhow much more shall the blood of Christ, who through the eternal Spirit offered himself without blemish unto God, cleanse your conscience from dead works to serve the living God?\n“Ladeez and gentlemen,” said the loud speaker, “we now present Mr. Homer L. Zuckerman’s distinguished pig.\nand sent Timothy, our brother and God’s minister in the gospel of Christ, to establish you, and to comfort you concerning your faith;\nI speak after the manner of men because of the infirmity of your flesh: for as ye presented your members as servants to uncleanness and to iniquity unto iniquity, even so now present your members as servants to righteousness unto sanctification.\nAnd his mother answered and said, Not so; but he shall be called John.\nAnd turning to the disciples, he said privately, Blessed are the eyes which see the things that ye see:\nThe trap clanged hard.\nBalloons by the dozen were rising, circling, and drifting away through the door, sailing off on the gentle wind.\nSwallows passed on silent wings, in and out of the doorways, bringing food to their young ones.\nThis is he that was in the church in the wilderness with the angel that spake to him in the mount Sinai, and with our fathers: who received living oracles to give unto us:\nFor this is acceptable, if for conscience toward God a man endureth griefs, suffering wrongfully.\nAnd behold, thou shalt conceive in thy womb, and bring forth a son, and shalt call his name JESUS.\nAnd having this confidence, I know that I shall abide, yea, and abide with you all, for your progress and joy in the faith;\nMr. Zuckerman rushed and called Mrs. Zuckerman.\nSome say I did not join the soldiers and Indians when they headed out down the trail because the Indians had warned me something might happen.\n“Humble?” said Charlotte.\n“Hello, there!” he said.\nA case in point: Memoir Relative to the Cherokee Nation within the Limits of N. Carolina and its Immediate Vicinity, by W. G. Williams, Capt, U.S. F. Grs. Febry 1838. Preparatory to a Report based upon the data procured by Instrumental Survey, it occurs to me that you may be pleased to be made acquainted with a few particulars in regard to the country in which we are operating; and which have come to me, in the form of memoranda, through the notes of the assistants under me and from my own observation.\nAnd then I screamed and threw the gun into the air, and I ran as fast as I could…like this.\nGo ye therefore, and make disciples of all the nations, baptizing them into the name of the Father and of the Son and of the Holy Spirit:\nPeace, Lichen said.\nAnd the fifth angel sounded, and I saw a star from heaven fallen unto the earth: and there was given to him the key of the pit of the abyss.\nand one of the elders saith unto me, Weep not; behold, the Lion that is of the tribe of Judah, the Root of David, hath overcome to open the book and the seven seals thereof.\nPaul, an apostle of Christ Jesus through the will of God, to the saints that are at Ephesus, and the faithful in Christ Jesus:\nThe animals treated her as an equal.\nJohn said unto him, Teacher, we saw one casting out demons in thy name; and we forbade him, because he followed not us.\nand the stars shall be falling from heaven, and the powers that are in the heavens shall be shaken.\n“I'm making a trip to the dump tomorrow afternoon.\nAnd also all the scavengers and predators, the diplomats and agents and lobbyists like me, drawn to the scent of blood and money and power the city throws out.\nAnd they continued stedfastly in the apostles’ teaching and fellowship, in the breaking of bread and the prayers.\nNow when Jesus saw great multitudes about him, he gave commandment to depart unto the other side.\n“Give him his breakfast!” she said.\nAnd she, when she heard it, arose quickly, and went unto him.\nI had noticed that the boys had taken the word into their own vocabularies and used it frequently and not without irony when they were out of earshot of the lieutenant.\nAvery jumped to his feet.\nGreat sobs racked his body.\nBeyond the river vallies the little flat ground is filled with thickets of azalea and laurel almost impenetrable to anything but a deer or an Indian and them crawling on their knees.\nGrace, mercy, peace shall be with us, from God the Father, and from Jesus Christ, the Son of the Father, in truth and love.\nSo we sorted through our packs and gave the old man food and then we let Hog Meat be.\nIt is but natural to suppose that the love of home is a paramount sentiment with the Indian whose range of ideas is too limited to stimulate him to enterprize beyond his immediate vicinity and who is moreover attached to the grave of his ancestors by feelings of superstitous veneration.\nYet I would that all men were even as I myself. Howbeit each man hath his own gift from God, one after this manner, and another after that.\nHe didn't know exactly what was going on, but when he saw the men shoving Wilbur into the crate he made up his mind to go along.\nAnd he saith unto them, Know ye not this parable? and how shall ye know all the parables?\nAnd Pilate again answered and said unto them, What then shall I do unto him whom ye call the King of the Jews?\nI'm glad I'm a sedentary spider. \nAnd he exerciseth all the authority of the first beast in his sight. And he maketh the earth and them that dwell therein to worship the first beast, whose death-stroke was healed.\nBut from those who were reputed to be somewhat (whatsoever they were, it maketh no matter to me: God accepteth not man’s person)—they, I say, who were of repute imparted nothing to me:\nAfter the pain subsided, though, I became more assured in the presence of congressmen and lobbyists from Boston and New York City, who seemed particularly polished in mixed company.\nThose were the pressing questions.\nConsider the ravens, that they sow not, neither reap; which have no store-chamber nor barn; and God feedeth them: of how much more value are ye than the birds!\nbut is under guardians and stewards until the day appointed of the father.\nin that they show the work of the law written in their hearts, their conscience bearing witness therewith, and their thoughts one with another accusing or else excusing them);\nBut I hope that ye shall know that we are not reprobate.\nAll of us.\nI guess I was just trying to show off.\nA disciple is not above his teacher, nor a servant above his lord.\nIf Charlotte herself was unable to go home to the barn, at least he must take her children along.\nMartha saith unto him, I know that he shall rise again in the resurrection at the last day.\nMr. Arable grinned.\nFor ye have brought hither these men, who are neither robbers of temples nor blasphemers of our goddess.\nXIV. Dr. Dorian  \nAnd it shall be, that in the place where it was said unto them, Ye are not my people, There shall they be called sons of the living God.\nAnd he was teaching daily in the temple. But the chief priests and the scribes and the principal men of the people sought to destroy him:\nAs she worked she kept thinking about Fern.\neven as I also please all men in all things, not seeking mine own profit, but the profit of the many, that they may be saved.\nBut lighting upon a place where two seas met, they ran the vessel aground; and the foreship struck and remained unmoveable, but the stern began to break up by the violence of the waves.\n“Not going back?” he cried.\nSlowly Templeton dragged himself across the pen and threw himself down in a corner.\nIf any man serve me, let him follow me; and where I am, there shall also my servant be: if any man serve me, him will the Father honor.\nBut ye, beloved, remember ye the words which have been spoken before by the apostles of our Lord Jesus Christ;\nThey eat at you like heartworm, coring you out until you are just a skin enclosing nothing.\nGood girl!”\nand he fell upon his face at his feet, giving him thanks: and he was a Samaritan.\n“The meeting is now adjourned.\nFor from many of those that had unclean spirits, they came out, crying with a loud voice: and many that were palsied, and that were lame, were healed.\nThe queen of the south shall rise up in the judgment with this generation, and shall condemn it: for she came from the ends of the earth to hear the wisdom of Solomon; and behold, a greater than Solomon is here.\nThese all died in faith, not having received the promises, but having seen them and greeted them from afar, and having confessed that they were strangers and pilgrims on the earth.\nThey coasted down the lane and out onto the frozen pond in the pasture.\nThose are the winners.\nBut if a woman have long hair, it is a glory to her: for her hair is given her for a covering.\nit seemed good unto us, having come to one accord, to choose out men and send them unto you with our beloved Barnabas and Paul,\nIf then ye are not able to do even that which is least, why are ye anxious concerning the rest?\nI went from office to office, and the men who inhabited them would sit and listen, but I could see wheels turn and the teeth of interlocked gears engage behind their eyes.\nAnd Paul said, John baptized with the baptism of repentance, saying unto the people that they should believe on him that should come after him, that is, on Jesus.\nMr. Zuckerman particularly wanted to look at tractors.\n“Why, yes,” said Mr. Zuckerman.\nTo whom it was revealed, that not unto themselves, but unto you, did they minister these things, which now have been announced unto you through them that preached the gospel unto you by the Holy Spirit sent forth from heaven; which things angels desire to look into.\nBut when it was now the midst of the feast Jesus went up into the temple, and taught.\nYour land included.\nGlory to God in the highest, And on earth peace among men in whom he is well pleased.\nBut he answered and said unto them, An evil and adulterous generation seeketh after a sign; and there shall no sign be given to it but the sign of Jonah the prophet:\nYe therefore, beloved, knowing these things beforehand, beware lest, being carried away with the error of the wicked, ye fall from your own stedfastness.\nCharlotte moved aside for him.\nAnd they answering said, John the Baptist; but others say, Elijah; and others, that one of the old prophets is risen again.\nFear not the things which thou art about to suffer: behold, the devil is about to cast some of you into prison, that ye may be tried; and ye shall have tribulation ten days. Be thou faithful unto death, and I will give thee the crown of life.\nHe hoped withal that money would be given him of Paul: wherefore also he sent for him the oftener, and communed with him.\nYou see them receding before you as you walk the trail, their shapes beautiful and sad.\nBy their fruits ye shall know them. Do men gather grapes of thorns, or figs of thistles?\nAsmeret looks everywhere for evidence of soil being made.\nAnd I brought him to thy disciples, and they could not cure him.\n“Do you really think it’s all right?” she asked.\nBe not overcome of evil, but overcome evil with good. \nAnd on some have mercy, who are in doubt;\nGive diligence to come shortly unto me:\nThe churches of Asia salute you. Aquila and Prisca salute you much in the Lord, with the church that is in their house.\nAnd they found the stone rolled away from the tomb.\nBut Paul saith, I am not mad, most excellent Festus; but speak forth words of truth and soberness.\n“What's everybody crying about?” asked Mr. Zuckerman.\nBut as many as received him, to them gave he the right to become children of God, even to them that believe on his name:\n“How is the plan coming, Charlotte? Have you got very far with it?\nIn another minute he spoke.\nAnd it came to pass, when he was come back again, having received the kingdom, that he commanded these servants, unto whom he had given the money, to be called to him, that he might know what they had gained by trading.\nbut when this thy son came, who hath devoured thy living with harlots, thou killedst for him the fatted calf.\nJesus answered him, If I have spoken evil, bear witness of the evil: but if well, why smitest thou me?\nThey made tiny webs near the sac.\nHe patted his stomach, grinned at the sheep, and crept upstairs to lie down.\n“Did she succeed?” asked Wilbur.\n“Do you?” said Charlotte, looking at him with affection.\nFor the mind of the flesh is death; but the mind of the Spirit is life and peace:\nThere were therefore seven brethren: and the first took a wife, and died childless;\ngive, and it shall be given unto you; good measure, pressed down, shaken together, running over, shall they give into your bosom. For with what measure ye mete it shall be measured to you again.\nWoe unto the world because of occasions of stumbling! for it must needs be that the occasions come; but woe to that man through whom the occasion cometh!\nAnd after the three days and a half the breath of life from God entered into them, and they stood upon their feet; and great fear fell upon them that beheld them.\n“Not tonight,” she said in a low voice.\nAnd when ye pray, ye shall not be as the hypocrites: for they love to stand and pray in the synagogues and in the corners of the streets, that they may be seen of men. Verily I say unto you, They have received their reward.\nBut if ye had known what this meaneth, I desire mercy, and not sacrifice, ye would not have condemned the guiltless.\nWay back for thousands and thousands of years we spiders have been laying for flies and bugs.”\n“I would have to have St. Vitus’s Dance to weave a word like that into my web.”\nFrom that time began Jesus to preach, and to say, Repent ye; for the kingdom of heaven is at hand.\nSeeing that Jews ask for signs, and Greeks seek after wisdom:\nIn other parts of the country, it’s the section of town with all the bars and whorehouses and gunfighters and knife fighters.\nIf you look closely you can see that it is decomposing into soil.\n“Well, I didn’t think you were expecting woodpeckers,” said Wilbur, bitterly.\nThe pole benches all around the walls were crowded with people, and the children sat or lay on the packed earth floor.\nAt best, they were captives beyond his power to redeem.\nHe continued to visit Wilbur three times a day, exactly at mealtime, and Wilbur kept the promise he had made.\nThe sting of death is sin; and the power of sin is the law:\nFern climbed into the pen and knelt by Wilbur’s side.\nAnd there were also two others, malefactors, led with him to be put to death.\nAnd they entreated him that he would not command them to depart into the abyss.\nMr. Zuckerman did not allow her to take Wilbur out, and he did not allow her to get into the pigpen. But he told Fern that she could sit on the stool and watch Wilbur as long as she wanted to.\n“Will you play with me, Templeton?” asked Wilbur.\nI charge thee in the sight of God, and Christ Jesus, and the elect angels, that thou observe these things without prejudice, doing nothing by partiality.\nAnd in like manner was not also Rahab the harlot justified by works, in that she received the messengers, and sent them out another way?\nAnd when they came to the disciples, they saw a great multitude about them, and scribes questioning with them.\n“Listen to me, listen to me!” screamed the goose.\nGenerations of dusty animals large and small combusting quick as fat-pine kindling, their blank faces looking out of the fire, scenting the spring air with an autumnal odor like burning the bristles off a butchered hog.\nAnd when they were past the first and the second guard, they came unto the iron gate that leadeth into the city; which opened to them of its own accord: and they went out, and passed on through one street; and straightway the angel departed from him.\nHello Littlefish. replied the new fish through rounded lips, I am called Hogsucker by the Cherokee people. I cling to rocks and clean them.\nfor already some are turned aside after Satan.\nThe rat was hungry and thirsty.\nWherefore I beseech you to take some food: for this is for your safety: for there shall not a hair perish from the head of any of you.\nAnd so, talking to herself, the spider worked at her difficult task.\nAnd Herod and Pilate became friends with each other that very day: for before they were at enmity between themselves.\nThe larger fish swam slowly up to him and said in a gravelly voice, Hello Littlefish, the Cherokee people call me Knottyhead.\nAnd I think it right, as long as I am in this tabernacle, to stir you up by putting you in remembrance;\nBut he was a sharp and close trader in business and politics, and a prideful little man who parted his hair just above his left ear and carried the long remainder up and over to the opposing ear in an attempt to cover the barren ground of his bald pate.\nClinging upside down to the ceiling, she settled down for a nap, leaving Wilbur very much worried.\nThey were so angry they caught the bird and cut off its tongue.  \nIn the streets most days, I could not help staring hard at passing strangers in case one of them might be Claire, visiting the capital with Featherstone.\nAnd the first came before him, saying, Lord, thy pound hath made ten pounds more.\nEvery good gift and every perfect gift is from above, coming down from the Father of lights, with whom can be no variation, neither shadow that is cast by turning.\nContrary to his wishes, Claire remained behind to pack their belongings.\nWilbur couldn’t count them, but he knew that he had a great many new friends.\nAnd straightway in the morning the chief priests with the elders and scribes, and the whole council, held a consultation, and bound Jesus, and carried him away, and delivered him up to Pilate.\nAvery's foot touched Templeton under the straw.\nand cinnamon, and spice, and incense, and ointment, and frankincense, and wine, and oil, and fine flour, and wheat, and cattle, and sheep; and merchandise of horses and chariots and slaves; and souls of men.\nHe was a famous man, we say, because he invented writing for the Cherokee.\ncomfort your hearts and establish them in every good work and word. \nAnd Agrippa said unto Festus, I also could wish to hear the man myself. To-morrow, saith he, thou shalt hear him.\nThe first time I dined on oysters, my enthusiasm embarrassed my tablemates.\nBut let each man prove his own work, and then shall he have his glorying in regard of himself alone, and not of his neighbor.\nalways in every supplication of mine on behalf of you all making my supplication with joy,\nsaying, This is the blood of the covenant which God commanded to you-ward.\nWhat fruit then had ye at that time in the things whereof ye are now ashamed? for the end of those things is death.\nAnd as they passed by in the morning, they saw the fig tree withered away from the roots.\nFor I have given you an example, that ye also should do as I have done to you.\nEveryone in the village came to a great council to decide how to get rid of her once and for all.\nCharlotte was delighted with the way her trick was working.\nRejoice over her, thou heaven, and ye saints, and ye apostles, and ye prophets; for God hath judged your judgment on her.\nBut when it was day, the magistrates sent the serjeants, saying, Let those men go.\nFor a moment Charlotte said nothing.\nTo stop without a farmhouse near\nAnd they indeed of the sons of Levi that receive the priest’s office have commandment to take tithes of the people according to the law, that is, of their brethren, though these have come out of the loins of Abraham:\nHe barely spoke.\nBut there are some of you that believe not. For Jesus knew from the beginning who they were that believed not, and who it was that should betray him.\nthat no advantage may be gained over us by Satan: for we are not ignorant of his devices.\nMy brethren, if any among you err from the truth, and one convert him;\n“I like it there,” replied Fern.\nFor other foundation can no man lay than that which is laid, which is Jesus Christ.\nThese things therefore the soldiers did. But there were standing by the cross of Jesus his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene.\nJesus answered them, Do ye now believe?\n“I guess we can proceed without him.\nthat it might be fulfilled which was spoken through Isaiah the prophet, saying, Himself took our infirmities, and bare our diseases.\nFor now we see in a mirror, darkly; but then face to face: now I know in part; but then shall I know fully even as also I was fully known.\nAnd there are also many other things which Jesus did, the which if they should be written every one, I suppose that even the world itself would not contain the books that should be written.\n“I did indeed,” replied Charlotte in a weak voice.\nAnd they went away, and found a colt tied at the door without in the open street; and they loose him.\nFor a while he could take his direction by stopping for a second and listening to the bear moving ahead of him through the leaves.\nHe had a sort of lidded forage basket or creel woven from oak splits on a strap across his shoulder, and when he came to a place where the cove widened and there was a flat woods floor for a stretch, he looked about at the dry stalks and frost-burnt leaves of low-growing plants.\n“Oh, beautiful day, it is here at last!\nNow our Lord Jesus Christ himself, and God our Father who loved us and gave us eternal comfort and good hope through grace,\nJesus answered and said unto him, If a man love me, he will keep my word: and my Father will love him, and we will come unto him, and make our abode with him.\nThey trotted to the new Nation in fine carriages drawn by strong healthy horses.\nGreater love hath no man than this, that a man lay down his life for his friends.\nWith the sun and rain, the peas start to peek through the earth.\nHerein is love, not that we loved God, but that he loved us, and sent his Son to be the propitiation for our sins.\nFor the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who hinder the truth in unrighteousness;\nMost decomposers live in wet and dark places.\nAnd other fell into the good ground, and grew, and brought forth fruit a hundredfold. As he said these things, he cried, He that hath ears to hear, let him hear.\nAnd from another long night by a campfire with Charley.\nAnd now ye know that which restraineth, to the end that he may be revealed in his own season.\nAnd only a thousand of them?\nThe younger women and the children and Nancy sat down in the leaves and could go no farther.\n“Look!” cried Fern, pointing.\nNow Elisabeth’s time was fulfilled that she should be delivered; and she brought forth a son.\nGo down through the orchard and stroll in the woods!\nAnd some of them would have taken him; but no man laid hands on him.\nHow he entered into the house of God when Abiathar was high priest, and ate the showbread, which it is not lawful to eat save for the priests, and gave also to them that were with him?\nThey sought therefore to take him: and no man laid his hand on him, because his hour was not yet come.\nWhen the scribe fell silent, the colonel drew on his pipe and puffed smoke.\nYou don’t have to spin a web.\nCertain considerations in regard to our situation. He gave me his assurance we’d be left alone, our deeds respected and any uncertanties as to citizenship ignored.\nFor neither was there among them any that lacked: for as many as were possessors of lands or houses sold them, and brought the prices of the things that were sold,\nSo he cometh to Simon Peter. He saith unto him, Lord, dost thou wash my feet?\nLet not him that eateth set at nought him that eateth not; and let not him that eateth not judge him that eateth: for God hath received him.\nIn the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles, partially gnawed ice cream cones, and the wooden sticks of lollypops.\nThe kitchen table was set for breakfast, and the room smelled of coffee, bacon, damp plaster, and wood smoke from the stove.\npreaching the kingdom of God, and teaching the things concerning the Lord Jesus Christ with all boldness, none forbidding him.\nThe sky lightened.\nDo it before Charley gets to them.\nTears ran down her cheeks and she took hold of the ax and tried to pull it out of her father's hand.\ngiving thanks unto the Father, who made us meet to be partakers of the inheritance of the saints in light;\nHe reminded the people of the great comet years ago, before the memories of many in his audience.\nLook at you!\nA weakling makes trouble.\nIt is a very sociable place.\nif we are faithless, he abideth faithful; for he cannot deny himself.\nIn the second place, I am not interested in pigs.\nFor ye have the poor always with you; but me ye have not always.\nAnd Jesus said unto them, I ask you, Is it lawful on the sabbath to do good, or to do harm? to save a life, or to destroy it?\nIf I then, the Lord and the Teacher, have washed your feet, ye also ought to wash one another’s feet.\nAnd the disciples were amazed at his words. But Jesus answereth again, and saith unto them, Children, how hard is it for them that trust in riches to enter into the kingdom of God!\n“Now climb to the highest place you can get to, like this.”\nwhom withstand stedfast in your faith, knowing that the same sufferings are accomplished in your brethren who are in the world.\nAll day they searched the coves for fugitives, going up and down the many convoluted rivers and branches and creeks with names that were hard to pronounce and so impossibly resistant to spelling that the lieutenant would sit by his candle flame at night writing his reports and cursing loudly each time it became necessary to render one of the Indian watercourses into a phonetic approximation of English.\nFor even when we were with you, this we commanded you, If any will not work, neither let him eat.\nbut he shall receive a hundredfold now in this time, houses, and brethren, and sisters, and mothers, and children, and lands, with persecutions; and in the world to come eternal life.\nThe pig's up!\nAnd then lazy days floating in a riverboat to the coastal port, followed by a sailing ship up the Atlantic and past Cape Henry into the Chesapeake, and then another riverboat for the final stretch up the Potomac.\nAnd Isaiah is very bold, and saith, I was found of them that sought me not; I became manifest unto them that asked not of me.\nhe also shall drink of the wine of the wrath of God, which is prepared unmixed in the cup of his anger; and he shall be tormented with fire and brimstone in the presence of the holy angels, and in the presence of the Lamb:\nUnfair, yes.\n“Joy!\nIt means ‘not proud’ and it means ‘near the ground.’ That’s Wilbur all over.\nWhen they were thirsty they ate snow.\nBut now hath he obtained a ministry the more excellent, by so much as he is also the mediator of a better covenant, which hath been enacted upon better promises.\nFor every one that doeth evil hateth the light, and cometh not to the light, lest his works should be reproved.\nHe that saith he is in the light and hateth his brother, is in the darkness even until now.\nUp the road at the Arables’ house, Fern lugged a pail of hot water to her room and took a sponge bath.\nJesus therefore again groaning in himself cometh to the tomb. Now it was a cave, and a stone lay against it.\nAnd when the sixth hour was come, there was darkness over the whole land until the ninth hour.\nBut take ye heed: behold, I have told you all things beforehand.\nCharlie and Stephen bade them stay back.\nAnd by faith in his name hath his name made this man strong, whom ye behold and know: yea, the faith which is through him hath given him this perfect soundness in the presence of you all.\nFor if, after they have escaped the defilements of the world through the knowledge of the Lord and Saviour Jesus Christ, they are again entangled therein and overcome, the last state is become worse with them than the first.\nAnd the sixth angel sounded, and I heard a voice from the horns of the golden altar which is before God,\nAnd what drinking!\nLurvy ran for a pail of water.\nEven under such leisurely conditions, their trip took a mere month, the young couples enjoying the fine dry weather of a southern October and the spectacular change of colors and fall of leaves as they crossed Tennessee and rolled through the Ozarks.\nIt was standing there in the middle of the road\nAnd he took a great big bite.\nWhat then is the law? It was added because of transgressions, till the seed should come to whom the promise hath been made; and it was ordained through angels by the hand of a mediator.\nCharge them that are rich in this present world, that they be not highminded, nor have their hope set on the uncertainty of riches, but on God, who giveth us richly all things to enjoy;\neven the mystery which hath been hid for ages and generations: but now hath it been manifested to his saints,\nIt was apple—blossom time, and the days were getting warmer.\nWe’re born, we live a little while, we die.\nAnd Festus saith, King Agrippa, and all men who are here present with us, ye behold this man, about whom all the multitude of the Jews made suit to me, both at Jerusalem and here, crying that he ought not to live any longer.\nThey clattered against one another like potsherds when he moved.\nThere were good hiding places there—excellent cover for a rat.\nAnd the Pharisees and Sadducees came, and trying him asked him to show them a sign from heaven.\nAnd when Jesus heard it, he said unto him, One thing thou lackest yet: sell all that thou hast, and distribute unto the poor, and thou shalt have treasure in heaven: and come, follow me.\nGreater joy have I none than this, to hear of my children walking in the truth.\nFrom then on, Charlie was known as Sir Charles - the bravest of the knights of the village.\nI’m needed here right now.\nLet their eyes be darkened, that they may not see, And bow thou down their back always.\nAnd the Lord direct your hearts into the love of God, and into the patience of Christ.\nThey say unto him, Why then did Moses command to give a bill of divorcement, and to put her away?\nA little village called Wayah.\n“What’s that mean?” asked Wilbur.\nAnd he commanded them that all should sit down by companies upon the green grass.\nAnd they asked him, and said unto him, Why then baptizest thou, if thou art not the Christ, neither Elijah, neither the prophet?\nlaying up in store for themselves a good foundation against the time to come, that they may lay hold on the life which is life indeed.\nJesus therefore walked no more openly among the Jews, but departed thence into the country near to the wilderness, into a city called Ephraim; and there he tarried with the disciples.\nfor that they exchanged the truth of God for a lie, and worshipped and served the creature rather than the Creator, who is blessed for ever. Amen.\n“Well, do you understand it?” asked Mrs. Arable.\nTwilight settled over Zuckerman’s barn, and a feeling of peace.\nAnd Paul and Barnabas spake out boldly, and said, It was necessary that the word of God should first be spoken to you. Seeing ye thrust it from you, and judge yourselves unworthy of eternal life, lo, we turn to the Gentiles.\nThe big trees were visible only halfway up their wet trunks, and the creek was a muffled rush off to his left.\n“I’m going to steer a jet plane and make it bump into another one.”\nFor I through the law died unto the law, that I might live unto God.\nBut if God doth so clothe the grass of the field, which to-day is, and to-morrow is cast into the oven, shall he not much more clothe you, O ye of little faith?\nNow don’t get lost!\nMany shelves of books and bureaus of folded clothes laid rectangle by rectangle in wooden crates.\nElse if thou bless with the spirit, how shall he that filleth the place of the unlearned say the Amen at thy giving of thanks, seeing he knoweth not what thou sayest?\nWith anyone else?\nAnd thus I saw the horses in the vision, and them that sat on them, having breastplates as of fire and of hyacinth and of brimstone: and the heads of the horses are as the heads of lions; and out of their mouths proceedeth fire and smoke and brimstone.\nin whom also we were made a heritage, having been foreordained according to the purpose of him who worketh all things after the counsel of his will;\nNevertheless he that comforteth the lowly, even God, comforted us by the coming of Titus;\nBut in those days, after that tribulation, the sun shall be darkened, and the moon shall not give her light,\nMajor Ridge had seen firsthand what wonders of domination can be accomplished by the overwhelming and single-minded application of force, and finally he and his bunch of supporters conceded defeat.\nNo man can come to me, except the Father that sent me draw him: and I will raise him up in the last day.\nAnd I saw an angel coming down out of heaven, having the key of the abyss and a great chain in his hand.\nWhen the poor Indians arrived, he’d be there waiting to profit like most of the other rich Indians.\nThus hath the Lord done unto me in the days wherein he looked upon me, to take away my reproach among men.\n“I never do those things if I can avoid them,” replied the rat, sourly. “I prefer to spend my time eating, gnawing, spying, and hiding.\nHowbeit that is not first which is spiritual, but that which is natural; then that which is spiritual.\nAnd he rose up from the synagogue, and entered into the house of Simon. And Simon’s wife’s mother was holden with a great fever; and they besought him for her.\nAnd Jesus came and touched them and said, Arise, and be not afraid.\nAnd he said, So is the kingdom of God, as if a man should cast seed upon the earth;\n“Be quiet, Wilbur!” said Charlotte, who had been listening to this awful conversation.\nEarly summer days are a jubilee time for birds.\nWilbur, who was asleep in the straw, jumped up.\nAnd the lord said unto the servant, Go out into the highways and hedges, and constrain them to come in, that my house may be filled.\nseeing that through the proving of you by this ministration they glorify God for the obedience of your confession unto the gospel of Christ, and for the liberality of your contribution unto them and unto all;\nEven in full summer, the complete attire of a fashionable young woman constituted such an elaborate layered array of pleated and ruched and lapped fabrics that it was like taking something small and precious, an art object, from a series of beautiful protective cases and pouches.\nHe said, I guess next you’ll want cash payment for your services?\nSix days a week, get up before dawn and go out and beat the bushes for people and dispossess them of everything they have and march them away to the holding pens.\nCharlotte was building a web.\nAnd they sat down in ranks, by hundreds, and by fifties.\naccording to the eternal purpose which he purposed in Christ Jesus our Lord:\nin labor and travail, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness.\n“Pig’s out!\nAnd the winepress was trodden without the city, and there came out blood from the winepress, even unto the bridles of the horses, as far as a thousand and six hundred furlongs. \nand laid hands on the apostles, and put them in public ward.\nDeacons in like manner must be grave, not double-tongued, not given to much wine, not greedy of filthy lucre;\nDescend!\nHe seemed almost ready to cry himself.\nFor where a testament is, there must of necessity be the death of him that made it.\nBut when Timothy came even now unto us from you, and brought us glad tidings of your faith and love, and that ye have good remembrance of us always, longing to see us, even as we also to see you;\nTake ye away therefore the talent from him, and give it unto him that hath the ten talents.\nThey’ve committed a capital crime.\nAnd they had hair as the hair of women, and their teeth were as the teeth of lions.\nHe that cometh from above is above all: he that is of the earth is of the earth, and of the earth he speaketh: he that cometh from heaven is above all.\nBut straightway a woman, whose little daughter had an unclean spirit, having heard of him, came and fell down at his feet.\nAre ye so foolish? having begun in the Spirit, are ye now perfected in the flesh?\nSalute Prisca and Aquila, and the house of Onesiphorus.\nIt is good not to eat flesh, nor to drink wine, nor to do anything whereby thy brother stumbleth.\nDuring the day’s walk, the boy Wasseton had shot several squirrels from chestnut trees with darts from a cane blowgun taller than he was.\nAnd the word of God increased; and the number of the disciples multiplied in Jerusalem exceedingly; and a great company of the priests were obedient to the faith.\nAnd if the house be worthy, let your peace come upon it: but if it be not worthy, let your peace return to you.\n“I can think better if I think alone.”\nAnd the soldiers’ counsel was to kill the prisoners, lest any of them should swim out, and escape.\nSmith asked.\nNever a kind word for a rat.”\nAnd this will we do, if God permit.\nAnd he would fain have filled his belly with the husks that the swine did eat: and no man gave unto him.\nWhy askest thou me? ask them that have heard me, what I spake unto them: behold, these know the things which I said.\nHe that findeth his life shall lose it; and he that loseth his life for my sake shall find it.\nThese are the bones of a snake that died months ago.\nand ran round about that whole region, and began to carry about on their beds those that were sick, where they heard he was.\nHe took Wilbur’s tail in his mouth and bit it, just as hard as he could bite.\nAnd they, when they had further threatened them, let them go, finding nothing how they might punish them, because of the people; for all men glorified God for that which was done.\nA queer look came over John Arable’s face.\nand are not as Moses, who put a veil upon his face, that the children of Israel should not look stedfastly on the end of that which was passing away:\nAnd the fruit of righteousness is sown in peace for them that make peace. \n“Where’s Templeton?” he demanded.\nBut when the Jews saw the multitudes, they were filled with jealousy, and contradicted the things which were spoken by Paul, and blasphemed.\nAnd they bring him unto the place Golgotha, which is, being interpreted, The place of a skull.\nYou have a big red apple, he said.\nAnd he said unto the vinedresser, Behold, these three years I come seeking fruit on this fig tree, and find none: cut it down; why doth it also cumber the ground?\nWilbur was what farmers call a spring pig, which simply means that he was born in springtime.\nAnd the earth helped the woman, and the earth opened her mouth and swallowed up the river which the dragon cast out of his mouth.\nI had brought along a bottle of good Scotch whisky, and in the spirit of conviviality I offered to share it.\nNot learning yet.\nIt was a happy day for Wilbur.\nHere, moreover, it is required in stewards, that a man be found faithful.\nAnd the bondservant abideth not in the house for ever: the son abideth for ever.\nLet the Christ, the King of Israel, now come down from the cross, that we may see and believe. And they that were crucified with him reproached him.\nAnd one of them, when he saw that he was healed, turned back, with a loud voice glorifying God;\nAnd not finding by what way they might bring him in because of the multitude, they went up to the housetop, and let him down through the tiles with his couch into the midst before Jesus.\nSalutations!\nholding faith and a good conscience; which some having thrust from them made shipwreck concerning the faith:\nBut he that is spiritual judgeth all things, and he himself is judged of no man.\nOkay, said Wolf, barely speaking.\nWhereunto then shall I liken the men of this generation, and to what are they like?\nBut he said unto them, Have ye not read what David did, when he was hungry, and they that were with him;\nAre you on your web?”\nThe words gave her courage.\nNow if there was perfection through the Levitical priesthood (for under it hath the people received the law), what further need was there that another priest should arise after the order of Melchizedek, and not be reckoned after the order of Aaron?\nSo when Jesus came, he found that he had been in the tomb four days already.\nDon’t stop now.\nHandle not, nor taste, nor touch\nand set up false witnesses, who said, This man ceaseth not to speak words against this holy place, and the law:\nHe came back out and sent two of the boys off to fetch the horses.\nHow think ye? if any man have a hundred sheep, and one of them be gone astray, doth he not leave the ninety and nine, and go unto the mountains, and seek that which goeth astray?\nWhen therefore the lord of the vineyard shall come, what will he do unto those husbandmen?\nAnd when the ruler of the feast tasted the water now become wine, and knew not whence it was (but the servants that had drawn the water knew), the ruler of the feast calleth the bridegroom,\nWherefore I was displeased with this generation, And said, They do always err in their heart: But they did not know my ways;\nAnd there went with us also certain of the disciples from Cæsarea, bringing with them one Mnason of Cyprus, an early disciple, with whom we should lodge.\nJesus answered them, Is it not written in your law, I said, Ye are gods?\nAnd he was in the wilderness forty days tempted of Satan; and he was with the wild beasts; and the angels ministered unto him.\nGod, having of old time spoken unto the fathers in the prophets by divers portions and in divers manners,\nI told Smith what Charley had said, and Smith said, We’ll wait awhile and see if some more come in.\nI am the good shepherd; and I know mine own, and mine own know me,\nthe Holy Spirit this signifying, that the way into the holy place hath not yet been made manifest, while the first tabernacle is yet standing;\nSalt is good: but if the salt have lost its saltness, wherewith will ye season it? Have salt in yourselves, and be at peace one with another. \nBut blessed are your eyes, for they see; and your ears, for they hear.\n“I won’t break it,” snarled Templeton.\nAnd he found a certain Jew named Aquila, a man of Pontus by race, lately come from Italy, with his wife Priscilla, because Claudius had commanded all the Jews to depart from Rome: and he came unto them;\nWherefore girding up the loins of your mind, be sober and set your hope perfectly on the grace that is to be brought unto you at the revelation of Jesus Christ;\nnor thieves, nor covetous, nor drunkards, nor revilers, nor extortioners, shall inherit the kingdom of God.\nAs Wilbur was studying the web, a pair of whiskers and a sharp face appeared.\nAgainst an elder receive not an accusation, except at the mouth of two or three witnesses.\nHer campaign against insects seemed sensible and useful.\nRight now I am on my way to your trough to eat your breakfast, since you haven’t got sense enough to eat it yourself.”\nand so were also James and John, sons of Zebedee, who were partners with Simon. And Jesus said unto Simon, Fear not; from henceforth thou shalt catch men.\nThey answered him, Jesus of Nazareth. Jesus saith unto them, I am he. And Judas also, who betrayed him, was standing with them.\nDon't you think that’s fascinating?”\nAnd he sware unto her, Whatsoever thou shalt ask of me, I will give it thee, unto the half of my kingdom.\nFor it hath been signified unto me concerning you, my brethren, by them that are of the household of Chloe, that there are contentions among you.\nThe maples and birches turned bright colors and the wind shook them and they dropped their leaves one by one to the ground.\nSo they, when they were dismissed, came down to Antioch; and having gathered the multitude together, they delivered the epistle.\nEverybody who visited the pigpen had a good word to say about Wilbur.\nAnd it is the Spirit that beareth witness, because the Spirit is the truth.\n“The heat is too much for him.”\nFor God sent not the Son into the world to judge the world; but that the world should be saved through him.\nLet your loins be girded about, and your lamps burning;\nThey therefore, being brought on their way by the church, passed through both Phoenicia and Samaria, declaring the conversion of the Gentiles: and they caused great joy unto all the brethren.\n“Salu-what?” he cried.\nand the rain descended, and the floods came, and the winds blew, and beat upon that house; and it fell not: for it was founded upon the rock.\nI thought my argument was simple and unassailable.\nThere were lights on the midway, and you could hear the crackle of the gambling machines and the music of the merry-go-round and the voice of the man in the beano booth calling numbers.\nHe that hath an ear, let him hear what the Spirit saith to the churches. He that overcometh shall not be hurt of the second death.\nRemember therefore how thou hast received and didst hear; and keep it, and repent. If therefore thou shalt not watch, I will come as a thief, and thou shalt not know what hour I will come upon thee.\nif any man is blameless, the husband of one wife, having children that believe, who are not accused of riot or unruly.\nNow all the publicans and sinners were drawing near unto him to hear him.\nNeither let us make trial of the Lord, as some of them made trial, and perished by the serpents.\nBacteria are almost everywhere.\nDo we then make the law of none effect through faith? God forbid: nay, we establish the law. \nAnd the angel that I saw standing upon the sea and upon the earth lifted up his right hand to heaven,\nAnd for their sakes I sanctify myself, that they themselves also may be sanctified in truth.\nFor this cause they could not believe, for that Isaiah said again,\nBut certain men clave unto him, and believed: among whom also was Dionysius the Areopagite, and a woman named Damaris, and others with them. \nAnd it came to pass, as he was praying apart, the disciples were with him: and he asked them, saying, Who do the multitudes say that I am?\nand the younger of them said to his father, Father, give me the portion of thy substance that falleth to me. And he divided unto them his living.\n“They should say Zuckerman’s Famous Pig.”\nFor if a man see thee who hast knowledge sitting at meat in an idol’s temple, will not his conscience, if he is weak, be emboldened to eat things sacrificed to idols?\nLet's burn down his cabin, they cried.\nAnd because ye are sons, God sent forth the Spirit of his Son into our hearts, crying, Abba, Father.\nAnd the chief priests and the principal men of the Jews informed him against Paul; and they besought him,\nHe, of course, lost steadily and seemed to think the other two possessed enormous luck.\nShortly thereafter, an old man reported that one afternoon he was sitting by a fire in his cabin yard when a tall man came out of the woods.\nHe heard them coming, following his trail, which must have lain behind him in the dead leaves plain as if he were dragging a plowpoint.\nDoth he thank the servant because he did the things that were commanded?\nAnd he said unto them, Where is your faith? And being afraid they marvelled, saying one to another, Who then is this, that he commandeth even the winds and the water, and they obey him?\nand those that use the world, as not using it to the full: for the fashion of this world passeth away.\nFor I came to set a man at variance against his father, and the daughter against her mother, and the daughter in law against her mother in law:\nAranea!\nThrough various channels, bits of copied correspondence continued to fall my way.\nI was in the Spirit on the Lord’s day, and I heard behind me a great voice, as of a trumpet\nHaving therefore these promises, beloved, let us cleanse ourselves from all defilement of flesh and spirit, perfecting holiness in the fear of God.\nAnd the building of the wall thereof was jasper: and the city was pure gold, like unto pure glass.\nIf there is therefore any exhortation in Christ, if any consolation of love, if any fellowship of the Spirit, if any tender mercies and compassions,\nFaithful is the saying: For if we died with him, we shall also live with him:\nBut Jesus hearing it, answered him, Fear not: only believe, and she shall be made whole.\nI had been to New Echota many times and was never sure whether it represented a grand experiment or a pathetically inept confidence game.\n“But don’t fail to let me know if there’s anything I can do to help, no matter how slight.”\nBut if we shall say, From men; all the people will stone us: for they are persuaded that John was a prophet.\nRain upset Wilbur’s plans.\nBut if any provideth not for his own, and specially his own household, he hath denied the faith, and is worse than an unbeliever.\nAnd he went forth again by the sea side; and all the multitude resorted unto him, and he taught them.\nHe that is not with me is against me; and he that gathereth not with me scattereth.\nPreviously to entering upon this as a question of numbers, physical strength, interest in the country they inhabit, their means of subsistence & ca.\nThere arose a division again among the Jews because of these words.\nIf you are in the mountains alone for some time—many days at minimum, and it helps if you are fasting—the forest grows tired of its wariness toward you.\nAll I had to offer them was five pounds of dried beans and an ugly deal, but necessary and without reasonable option.\nShe loved to stroke him, to feed him, to put him to bed.\nWhat, have ye not houses to eat and to drink in? or despise ye the church of God, and put them to shame that have not? What shall I say to you? shall I praise you? In this I praise you not.\nFighting?\nLittlefish replied, It is very nice to meet you, Knottyhead.\nHe still worried some about the future, as he could hardly believe that a mere spider would be able to save his life.\nMr. Arable smiled.\nAfterward the woman also died.\nEven the dust from your city, that cleaveth to our feet, we wipe off against you: nevertheless know this, that the kingdom of God is come nigh.\nThey soon ceased listening and began wondering how agreeing with me might benefit anyone who mattered. In particular, themselves.\nWhile he spake these things unto them, behold, there came a ruler, and worshipped him, saying, My daughter is even now dead: but come and lay thy hand upon her, and she shall live.\nAll they did to one of the girls when it became known that she intended to marry an Indian was burn her in effigy on the main street and chime all the church bells of the town hourly throughout the night.\nBut new wine must be put into fresh wine-skins.\nWherein ye greatly rejoice, though now for a little while, if need be, ye have been put to grief in manifold trials,\nAnd he said unto them, How is it that ye sought me? knew ye not that I must be in my Father’s house?\nYe yourselves know that these hands ministered unto my necessities, and to them that were with me.\nAnd I knew him not; but that he should be made manifest to Israel, for this cause came I baptizing in water.\nfor in him we live, and move, and have our being; as certain even of your own poets have said, For we are also his offspring.\nJesus cometh, and taketh the bread, and giveth them, and the fish likewise.\nwhom I have sent unto you for this very purpose, that ye may know our state, and that he may comfort your hearts;\nAnd wisdom is justified of all her children.\nAt a distance of ten paces, Wasseton had driven long shaved hickory darts through their skulls with a single plosive breath.\neven so have these also now been disobedient, that by the mercy shown to you they also may now obtain mercy.\nHe’s trying to lure you back into captivity-ivity.\nAnd Judas, who betrayed him, answered and said, Is it I, Rabbi? He saith unto him, Thou hast said.\n“Where are you?” asked Wilbur.\n“Yes?”\nIf then ye were raised together with Christ, seek the things that are above, where Christ is, seated on the right hand of God.\nbut shun foolish questionings, and genealogies, and strifes, and fightings about the law; for they are unprofitable and vain.\nBe ye imitators of me, even as I also am of Christ.\nShe bent her knees and sank below the water.\nNow the feast of the Jews, the feast of tabernacles, was at hand.\nContent to let worrying wait for later.\nAnd they that dwell on the earth rejoice over them, and make merry; and they shall send gifts one to another; because these two prophets tormented them that dwell on the earth.\nAnd under his influence they became drunk as lords and about half of them spent their days laughing and the other half sitting with their backs against the stockade palings and their blankets over their heads, either passed out or crying.\nBut if to live in the flesh,—if this shall bring fruit from my work, then what I shall choose I know not.\nAnd we know and have believed the love which God hath in us. God is love; and he that abideth in love abideth in God, and God abideth in him.\nLurvy felt weak.\nBut, because of fornications, let each man have his own wife, and let each woman have her own husband.\nThe phrase that might be used by someone who has never seen a man die is that Perry was dead before he hit the ground.\nAnd when the disciples saw him walking on the sea, they were troubled, saying, It is a ghost; and they cried out for fear.\nEven so did the Lord ordain that they that proclaim the gospel should live of the gospel.\nand they shall mock him, and shall spit upon him, and shall scourge him, and shall kill him; and after three days he shall rise again.\nI, though, had spent enough years in these wet woods to know how to do.\nSome have an acid taste that almost stings our tongues.\nFor they all seek their own, not the things of Jesus Christ.\nWhen Jesus had spoken these words, he went forth with his disciples over the brook Kidron, where was a garden, into which he entered, himself and his disciples.\nI will let you have your choice of everything in the trough and I won’t touch a thing until you're through.”\n“Control myself?” yelled Fern.\nthe clerk said.\nAfter that, they sold liquor from their persons, in coat pockets and satchels.\nAnd the Pharisees came forth, and began to question with him, seeking of him a sign from heaven, trying him.\nIf he called them gods, unto whom the word of God came (and the scripture cannot be broken),\nAnd when there had been much questioning, Peter rose up, and said unto them, Brethren, ye know that a good while ago God made choice among you, that by my mouth the Gentiles should hear the word of the gospel, and believe.\n“Yes,” she replied in her sweet, musical voice,  “I always give them an anaesthetic so they won’t feel pain.\nCharley walked partway to the fire and stopped.\nBlessed be the Lord, the God of Israel; For he hath visited and wrought redemption for his people,\nTo which end we also pray always for you, that our God may count you worthy of your calling, and fulfil every desire of goodness and every work of faith, with power;\nThen I cooked the quails slow and patient on spits over a fire burned down to red coals.\n“Is this true?” he asked.\nAnd his disciples asked him, saying, Rabbi, who sinned, this man, or his parents, that he should be born blind?\nThe Lord said unto my Lord, Sit thou on my right hand, Till I put thine enemies underneath thy feet?\nI taught the young clerk minding the till to say, Well, maybe you’d better go back to New Jersey then.\nEat grass!\nFor as thou art going with thine adversary before the magistrate, on the way give diligence to be quit of him; lest haply he drag thee unto the judge, and the judge shall deliver thee to the officer, and the officer shall cast thee into prison.\nas it is written, There is none righteous, no, not one;\nAnd it came to pass in these days, that he went out into the mountain to pray; and he continued all night in prayer to God.\n“They say he’s quite a pig.”\nNow, who was this Sequoyah? my father asks.\nI guess you're licked, Wilbur.\nWilbur heaved a great sigh of relief.\nIt says so, right there in the middle of the web.”\n“Go along to bed, then,” said Charlotte.\nTempleton crept into the crate and buried himself in the straw.\nAnd the ruler of the synagogue, being moved with indignation because Jesus had healed on the sabbath, answered and said to the multitude, There are six days in which men ought to work: in them therefore come and be healed, and not on the day of the sabbath.\nFor what saith the scripture? And Abraham believed God, and it was reckoned unto him for righteousness.\nand they bound him, and led him away, and delivered him up to Pilate the governor.\nAnd, similarly, we were left with no choice.\n“Oh, I don’t remember,” said Wilbur.\nand spared not the ancient world, but preserved Noah with seven others, a preacher of righteousness, when he brought a flood upon the world of the ungodly;\nBut Jesus said, Forbid him not: for there is no man who shall do a mighty work in my name, and be able quickly to speak evil of me.\nMaybe alone.\n“I’m scared to death,” whispered Mrs. Zuckerman.\nThey climbed round and round on the sac, exploring their new world. Then three more little spiders.\nBy Silvanus, our faithful brother, as I account him, I have written unto you briefly, exhorting, and testifying that this is the true grace of God: stand ye fast therein.\nAnd he said unto them, Verily I say unto you, There is no man that hath left house, or wife, or brethren, or parents, or children, for the kingdom of God’s sake,\nIn the end, Lichen’s people came on down to Wayah with me.\nAnd not many days after, the younger son gathered all together and took his journey into a far country; and there he wasted his substance with riotous living.\nWhen the brittle crackle of shots reached me, not appreciably louder than eight dry sticks breaking, it seemed allied with the brevity of life, with time, the sound we make as we fall through its abyss into darkness.\nAnd a multitude was sitting about him; and they say unto him, Behold, thy mother and thy brethren without seek for thee.\nHe felt that he should make a short speech on this very important occasion.\nbut refuse profane and old wives’ fables. And exercise thyself unto godliness:\nAnd the fifth poured out his bowl upon the throne of the beast; and his kingdom was darkened; and they gnawed their tongues for pain,\nBut what went ye out to see? a man clothed in soft raiment? Behold, they that wear soft raiment are in kings’ houses.\nBoth Ross and Ridge viewed me with a great deal of wariness, since I represented Indians living outside the Nation, and when I tried to suggest we join ranks in our efforts, each man let me know I was on my own and warned me not to muddy their waters with my little problems.\nsaying, I will declare thy name unto my brethren, In the midst of the congregation will I sing thy praise.\nthere came Joseph of Arimathæa, a councillor of honorable estate, who also himself was looking for the kingdom of God; and he boldly went in unto Pilate, and asked for the body of Jesus.\nWherefore that field was called, The field of blood, unto this day.\nof the teaching of baptisms, and of laying on of hands, and of resurrection of the dead, and of eternal judgment.\nAnd the fruits which thy soul lusted after are gone from thee, and all things that were dainty and sumptuous are perished from thee, and men shall find them no more at all.\nsaying, Sir, we remember that that deceiver said while he was yet alive, After three days I rise again.\nThen she spoke in a voice so low Wilbur could hardly hear the words.\nThe crickets sang in the grasses.\nVerily, verily, I say unto you, He that heareth my word, and believeth him that sent me, hath eternal life, and cometh not into judgment, but hath passed out of death into life.\nA hell.\nhave all gifts of healings? do all speak with tongues? do all interpret?\nwho is on the right hand of God, having gone into heaven; angels and authorities and powers being made subject unto him. \n“I’m up here.”\nhow he entered into the house of God, and took and ate the showbread, and gave also to them that were with him; which it is not lawful to eat save for the priests alone?\nin stripes, in imprisonments, in tumults, in labors, in watchings, in fastings;\nThey answered and said unto him, Our father is Abraham. Jesus saith unto them, If ye were Abraham’s children, ye would do the works of Abraham.\nserving the Lord with all lowliness of mind, and with tears, and with trials which befell me by the plots of the Jews;\nWherefore God gave them up in the lusts of their hearts unto uncleanness, that their bodies should be dishonored among themselves:\nThere was in the days of Herod, king of Judæa, a certain priest named Zacharias, of the course of Abijah: and he had a wife of the daughters of Aaron, and her name was Elisabeth.\nAnd he would not for a while: but afterward he said within himself, Though I fear not God, nor regard man;\nEven as the Father hath loved me, I also have loved you: abide ye in my love.\nAnd when she knew Peter’s voice, she opened not the gate for joy, but ran in, and told that Peter stood before the gate.\nAnd Jesus said unto them, Render unto Cæsar the things that are Cæsar’s, and unto God the things that are God’s. And they marvelled greatly at him.\nHe felt very happy.\nand they began to salute him, Hail, King of the Jews!\nWherefore I make known unto you, that no man speaking in the Spirit of God saith, Jesus is anathema; and no man can say, Jesus is Lord, but in the Holy Spirit.\n“This is the most terrible case of injustice I ever heard of.”\nPaul, an apostle of Christ Jesus according to the commandment of God our Saviour, and Christ Jesus our hope;\nBack then our mobility was by foot.\nThen I began to get scared.\nI went to check on Smith, who had built his own fire.\nA spider's life can’t help being something of a mess, with all this trapping and eating flies.\nThen came a quiet morning when Mr. Zuckerman opened a door on the north side.\nFor the first few days of his life, Wilbur was allowed to live in a box near the stove in the kitchen.\nWhen Jesus therefore had received the vinegar, he said, It is finished: and he bowed his head, and gave up his spirit.\nand being in readiness to avenge all disobedience, when your obedience shall be made full.\n“Isn’t that nice!”\nThe boys sprawled in their uniforms and overcoats on ground cloths waterproofed with wax.\nThose had been the decisions someone needed to call.\nBut when her masters saw that the hope of their gain was gone, they laid hold on Paul and Silas, and dragged them into the marketplace before the rulers,\nAnd they came unto John, and said to him, Rabbi, he that was with thee beyond the Jordan, to whom thou hast borne witness, behold, the same baptizeth, and all men come to him.\nAnd the ten horns that thou sawest are ten kings, who have received no kingdom as yet; but they receive authority as kings, with the beast, for one hour.\n“He’s fainted.\nWho is wise and understanding among you? let him show by his good life his works in meekness of wisdom.\nBut arise, and get thee down, and go with them, nothing doubting: for I have sent them.\nAnd ye took up the tabernacle of Moloch, And the star of the god Rephan, The figures which ye made to worship them: And I will carry you away beyond Babylon.\nNow about that time Herod the king put forth his hands to afflict certain of the church.\nShe walked into the river.\n“So!” he said, in disgust.\nTempleton lay back in the straw.\nApparently not one of my well-wishers, I said.\nOur fathers ate the manna in the wilderness; as it is written, He gave them bread out of heaven to eat.\nThen shall the righteous shine forth as the sun in the kingdom of their Father. He that hath ears, let him hear.\nAnd when Jesus had crossed over again in the boat unto the other side, a great multitude was gathered unto him; and he was by the sea.\nWriting will make us strong.\nthen wherefore gavest thou not my money into the bank, and I at my coming should have required it with interest?\nAnd he spake a parable unto them, saying, The ground of a certain rich man brought forth plentifully:\nOverthrow not for meat’s sake the work of God. All things indeed are clean; howbeit it is evil for that man who eateth with offence.\nOr else let these men themselves say what wrong-doing they found when I stood before the council,\nWe sat by the fire in the trading post, and I listened to his story.\nHow far do we have to go?\nFor there is no distinction between Jew and Greek: for the same Lord is Lord of all, and is rich unto all that call upon him:\nBut Peter and John answered and said unto them, Whether it is right in the sight of God to hearken unto you rather than unto God, judge ye:\n“Charlotte what?” asked Wilbur, eagerly.\nBut Judas Iscariot, one of his disciples, that should betray him, saith,\nFor which is easier, to say, Thy sins are forgiven; or to say, Arise, and walk?\nAnd whosoever shall give to drink unto one of these little ones a cup of cold water only, in the name of a disciple, verily I say unto you he shall in no wise lose his reward. \nBut all things when they are reproved are made manifest by the light: for everything that is made manifest is light.\nAnd Peter said unto them, Repent ye, and be baptized every one of you in the name of Jesus Christ unto the remission of your sins; and ye shall receive the gift of the Holy Spirit.\nIf thou therefore wilt worship before me, it shall all be thine.\nto the only wise God, through Jesus Christ, to whom be the glory for ever. Amen.\n“Do you think she'll ever start thinking about something besides pigs and sheep and geese and spiders?”\n“You mean you eat flies?” gasped Wilbur.\nCharley and his family fled before us like driven deer or quail flushed to the guns by beaters.\nAnd straightway the leprosy departed from him, and he was made clean.\nBut Jesus answered and said unto them, Ye do err, not knowing the scriptures, nor the power of God.\nAnd they straightway left the nets, and followed him.\nAnd day by day, continuing stedfastly with one accord in the temple, and breaking bread at home, they took their food with gladness and singleness of heart,\nI met the famous actress Mrs. Chapman at a small party in the house of a senator from one of the upper states, a squat dark little man with almost no hair and only a dense chin beard for compensation.\nWhen I discovered this fact, I brought it up at a dinner.\nand knowest his will, and approvest the things that are excellent, being instructed out of the law,\nBelievest thou not that I am in the Father, and the Father in me? the words that I say unto you I speak not from myself: but the Father abiding in me doeth his works.\n“Well, I don’t like to spread bad news,” said the sheep, “but they’re fattening you up because they’re going to kill you, that’s why.”\nor, Who shall descend into the abyss? (that is, to bring Christ up from the dead.)\nsound speech, that cannot be condemned; that he that is of the contrary part may be ashamed, having no evil thing to say of us.\nWhat end does that suggest?\nye also helping together on our behalf by your supplication; that, for the gift bestowed upon us by means of many, thanks may be given by many persons on our behalf.\nBy faith Noah, being warned of God concerning things not seen as yet, moved with godly fear, prepared an ark to the saving of his house; through which he condemned the world, and became heir of the righteousness which is according to faith.\nFern knew it was almost suppertime but she couldn’t bear to leave.\nNow on the morrow, which is the day after the Preparation, the chief priests and the Pharisees were gathered together unto Pilate,\nSalute Ampliatus my beloved in the Lord.\nSpiders have to eat, the same as the rest of us.”\nHeaven and earth shall pass away, but my words shall not pass away.\n“He’s the rat,” replied Fern.\nAnd they passed through Pisidia, and came to Pamphylia.\nThe beast that thou sawest was, and is not; and is about to come up out of the abyss, and to go into perdition. And they that dwell on the earth shall wonder, they whose name hath not been written in the book of life from the foundation of the world, when they behold the beast, how that he was, and is not, and shall come.\nand thou shalt be blessed; because they have not wherewith to recompense thee: for thou shalt be recompensed in the resurrection of the just.\nAlso, Bear was pensive and mournful over the state of his troublesome marriage to Sara and her grievous sisters, and the two endeavors, politics and love, were part of each other, both necessary in his attempt to rebalance a world gone wrong, to try to get back his time again.\nIt is for chastening that ye endure; God dealeth with you as with sons; for what son is there whom his father chasteneth not?\nAnd they were on the way, going up to Jerusalem; and Jesus was going before them: and they were amazed; and they that followed were afraid. And he took again the twelve, and began to tell them the things that were to happen unto him,\nto the end he may establish your hearts unblameable in holiness before our God and Father, at the coming of our Lord Jesus with all his saints. \nInstantly, a ball of fire about the size of a basketball lifted up from somewhere in the tree and faded out a few feet above the tree.\nAnd who are you?”\nand returned from the tomb, and told all these things to the eleven, and to all the rest.\nAnd I know that, when I come unto you, I shall come in the fulness of the blessing of Christ.\nThen, without transition, Charley told how Nancy tailored his pants.\n“Take that thing out of here!” said Mrs. Zuckerman.\n“May I have your name?” she asked, politely.\nXXII. A Warm Wind  \nbut thanks be to God, who giveth us the victory through our Lord Jesus Christ.\nAnd he said, Who art thou, Lord? And he said, I am Jesus whom thou persecutest:\nand Paul, as his custom was, went in unto them, and for three sabbath days reasoned with them from the scriptures,\nFor the days shall come upon thee, when thine enemies shall cast up a bank about thee, and compass thee round, and keep thee in on every side,\nFor if we believe that Jesus died and rose again, even so them also that are fallen asleep in Jesus will God bring with him.\nAnd Jesus said unto him, Seest thou these great buildings? there shall not be left here one stone upon another, which shall not be thrown down.\n“We all do.”\nI have to think things out, catch what I can, take what comes. And it just so happens, my friend, that what comes is flies and insects and bugs.\nAnd he laid his hands upon her: and immediately she was made straight, and glorified God.\nwho once was unprofitable to thee, but now is profitable to thee and to me:\nSome for medicine.\nThey saw no use for writing.\nLate afternoons I could smell the smoke from their cook fires rising, and then by dusk the young officers began coming up the hill for their drinks and an evening of conversation.\nBut they that conducted Paul brought him as far as Athens: and receiving a commandment unto Silas and Timothy that they should come to him with all speed, they departed.\nNow he spake of Judas the son of Simon Iscariot, for he it was that should betray him, being one of the twelve. \nAnd from Miletus he sent to Ephesus, and called to him the elders of the church.\nI had on a regular black frock coat, but my waistcoat matched the turban, as did the cravat securing the neck of my starched white shirt.\n“Yes indeed!\nAnd again he began to teach by the sea side. And there is gathered unto him a very great multitude, so that he entered into a boat, and sat in the sea; and all the multitude were by the sea on the land.\n“All right,” he said.\nAnd when he saw Jesus, he cried out, and fell down before him, and with a loud voice said, What have I to do with thee, Jesus, thou Son of the Most High God? I beseech thee, torment me not.\nWhat therefore God hath joined together, let not man put asunder.\nBut ye are they that have continued with me in my temptations;\nThe little boy said, Look at you!\nAnd of course Avery was tickled to find himself so wet, and he immediately started to act like a clown.\nNo, I said.\nOne of themselves, a prophet of their own, said, Cretans are always liars, evil beasts, idle gluttons.\nFor ye, brethren, were called for freedom; only use not your freedom for an occasion to the flesh, but through love be servants one to another.\nThe trough tipped up and then came down with a slap.\n“Bee-bee-bee!”\nHe motioned me away with flicks of his two hands.\nAnd ye are puffed up, and did not rather mourn, that he that had done this deed might be taken away from among you.\nFor mine eyes have seen thy salvation,\nOn each web, working busily was one of Charlotte's daughters.\nBut I will come unto you, when I shall have passed through Macedonia; for I pass through Macedonia;\nSluggishly it rose to life.\nAnd when they came unto the place which is called The skull, there they crucified him, and the malefactors, one on the right hand and the other on the left.\nto the end that we should be unto the praise of his glory, we who had before hoped in Christ:\nBut when some were hardened and disobedient, speaking evil of the Way before the multitude, he departed from them, and separated the disciples, reasoning daily in the school of Tyrannus.\n“You’ve got a frog—isn’t that enough?”\nAnd whosoever shall compel thee to go one mile, go with him two.\n“Let the blood rush to your head!”\nAnd it came to pass, while they communed and questioned together, that Jesus himself drew near, and went with them.\nFor what?\nBut I say to the unmarried and to widows, It is good for them if they abide even as I.\n“You don’t know the first thing about egg laying, Wilbur.\nBehold, I Paul say unto you, that, if ye receive circumcision, Christ will profit you nothing.\nbut the tongue can no man tame; it is a restless evil, it is full of deadly poison.\nBut give for alms those things which are within; and behold, all things are clean unto you.\nChurning down the broad brown rivers of the coastal plain, tying up at night at some backwoods landing with torches burning globes of yellow light against the black night and turpentine barrels and cotton bales stacked high on the dock and the slaves working shirtless and sweating and singing mighty rhythmic songs while they loaded the goods onto the boat.\nThis cousin of hers built a web across a stream.\nThen the chief captain came near, and laid hold on him, and commanded him to be bound with two chains; and inquired who he was, and what he had done.\nBut the unclean spirit, when he is gone out of the man, passeth through waterless places, seeking rest, and findeth it not.\nFor if the inheritance is of the law, it is no more of promise: but God hath granted it to Abraham by promise.\nFor I say not this that others may be eased and ye distressed;\nand after these things he gave them judges until Samuel the prophet.\nAnd if indeed they had been mindful of that country from which they went out, they would have had opportunity to return.\nFor I reckon that I am not a whit behind the very chiefest apostles.\nAnd Jesus entered into the temple of God, and cast out all them that sold and bought in the temple, and overthrew the tables of the money-changers, and the seats of them that sold the doves;\n“Call up the Zuckermans,” suggested Mrs. Arable to Fern.\nHow could that be right?\nI talked with seat-fillers in various departments and agencies.\nAnd he said unto them, What would ye that I should do for you?\ninasmuch as he hath appointed a day in which he will judge the world in righteousness by the man whom he hath ordained; whereof he hath given assurance unto all men, in that he hath raised him from the dead.\nMr. Arable fixed a small yard specially for Wilbur under an apple tree, and gave him a large wooden box full of straw, with a doorway cut in it so he could walk in and out as he pleased.\nwho is he that condemneth? It is Christ Jesus that died, yea rather, that was raised from the dead, who is at the right hand of God, who also maketh intercession for us.\nThen—only after the four men began falling, knee joints gone limp—the reports of gunfire arrived across the river where I stood watching.\nHe needed something from me, and I was afraid it might have been absolution.\nAnd everywhere good hiding and good hunting.\nMany will say to me in that day, Lord, Lord, did we not prophesy by thy name, and by thy name cast out demons, and by thy name do many mighty works?\nCharley moved jittery as a crawfish.\nNow this I say: A covenant confirmed beforehand by God, the law, which came four hundred and thirty years after, doth not disannul, so as to make the promise of none effect.\nAnd if he sin against thee seven times in the day, and seven times turn again to thee, saying, I repent; thou shalt forgive him.\nAnd the sixth poured out his bowl upon the great river, the river Euphrates; and the water thereof was dried up, that the way might be made ready for the kings that come from the sunrising.\nand led him to Annas first; for he was father in law to Caiaphas, who was high priest that year.\nAll the way through, line by line, we laughed like idiots, especially at the conclusion about lips of garnet.\nThe last enemy that shall be abolished is death.\nBut when he saw the multitudes, he was moved with compassion for them, because they were distressed and scattered, as sheep not having a shepherd.\nAn enormous voice over the loudspeaker said: “Attention, please!\nBut all their works they do to be seen of men: for they make broad their phylacteries, and enlarge the borders of their garments,\nthe same came unto him by night, and said to him, Rabbi, we know that thou art a teacher come from God; for no one can do these signs that thou doest, except God be with him.\nAnd every one who shall speak a word against the Son of man, it shall be forgiven him: but unto him that blasphemeth against the Holy Spirit it shall not be forgiven.\nAnd as ye enter into the house, salute it.\nThey just keep trotting back and forth across the bridge thinking there is something better on the other side.\nBut Jesus answered them, My Father worketh even until now, and I work.\n“Day is almost here,” he thought.\n“What?” said Wilbur.\nThey had spread themselves up each slope of the cove and came on relentlessly, driving Charley’s people forward.\nI say unto you, In that night there shall be two men on one bed; the one shall be taken, and the other shall be left.\nSo that they are no more two, but one flesh. What therefore God hath joined together, let not man put asunder.\nIn his humiliation his judgment was taken away: His generation who shall declare? For his life is taken from the earth.\nmay be strong to apprehend with all the saints what is the breadth and length and height and depth,\nBut the publican, standing afar off, would not lift up so much as his eyes unto heaven, but smote his breast, saying, God, be thou merciful to me a sinner.\nAnd they arrived at the country of the Gerasenes, which is over against Galilee.\nand last of all, as to the child untimely born, he appeared to me also.\nOf the Jews five times received I forty stripes save one.\nHe straightened his whiskers.\nBut Saul, who is also called Paul, filled with the Holy Spirit, fastened his eyes on him,\nThe other three boys were farther back in the woods, sitting with their muskets beside them.\nWho cares anything about old Templeton?”\nBut the Lord said unto him, Go thy way: for he is a chosen vessel unto me, to bear my name before the Gentiles and kings, and the children of Israel:\nIt is enough for the disciple that he be as his teacher, and the servant as his lord. If they have called the master of the house Beelzebub, how much more them of his household!\nAs therefore ye received Christ Jesus the Lord, so walk in him,\nAnd I heard another voice from heaven, saying, Come forth, my people, out of her, that ye have no fellowship with her sins, and that ye receive not of her plagues:\nThe little apple tree said, You have cared for me and loved me.\nHe was in the world, and the world was made through him, and the world knew him not.\nA bold creek cutting through the middle of the farm, running clear over mossy stones.\nHonor thy father and mother (which is the first commandment with promise),\nSmith and his boys had the inevitable potatoes and bacon, a partial sack of flour with little yellowish miller-moth grubs working in it, and a few bruised cabbages.\nWell, fewer of us than that.\nthat the creation itself also shall be delivered from the bondage of corruption into the liberty of the glory of the children of God.\nVerily, verily, I say unto you, If a man keep my word, he shall never see death.\nhow that our gospel came not unto you in word only, but also in power, and in the Holy Spirit, and in much assurance; even as ye know what manner of men we showed ourselves toward you for your sake.\nNow that I know where you are, I will come back and visit you.\nAnd I was alive apart from the law once: but when the commandment came, sin revived, and I died;\nGive diligence to present thyself approved unto God, a workman that needeth not to be ashamed, handling aright the word of truth.\nHow long does it take a goose egg to hatch?”\nfor he that giveth him greeting partaketh in his evil works.\nThe Fair is almost over.\nBut Jesus did not trust himself unto them, for that he knew all men,\nLet all that ye do be done in love.\neven as the Father knoweth me, and I know the Father; and I lay down my life for the sheep.\nAvery carried a live frog in his hand.\nIf Wilbur is killed and his trough stands empty day after day, you'll grow so thin we can look right through your stomach and see objects on the other side.  \nAnd behold, I send forth the promise of my Father upon you: but tarry ye in the city, until ye be clothed with power from on high.\n(Now all the Athenians and the strangers sojourning there spent their time in nothing else, but either to tell or to hear some new thing.)\n“Salutations!” it said.\nthough he was a Son, yet learned obedience by the things which he suffered;\nAnd they that were sent, returning to the house, found the servant whole.\nI am the bread of life.\nHold the pattern of sound words which thou hast heard from me, in faith and love which is in Christ Jesus.\nAnd when his audience grew bored, he would spring into the air and do a back flip with a half twist.\nI Jesus have sent mine angel to testify unto you these things for the churches. I am the root and the offspring of David, the bright, the morning star.\nOf course you will.\nUsually he slept during the daytime and was abroad only after dark.\nFor to you is the promise, and to your children, and to all that are afar off, even as many as the Lord our God shall call unto him.\nAnd they cast him forth out of the vineyard, and killed him. What therefore will the lord of the vineyard do unto them?\nGod is a Spirit: and they that worship him must worship in spirit and truth.\nHe hath showed strength with his arm; He hath scattered the proud in the imagination of their heart.\nto open their eyes, that they may turn from darkness to light and from the power of Satan unto God, that they may receive remission of sins and an inheritance among them that are sanctified by faith in me.\nHe waved to them with his fin and swam on.\nAnd there were gathered unto him great multitudes, so that he entered into a boat, and sat; and all the multitude stood on the beach.\nFor some thought, because Judas had the bag, that Jesus said unto him, Buy what things we have need of for the feast; or, that he should give something to the poor.\nAvery crawled out of the crate on hands and knees, making faces at Wilbur.\nIt is written in the prophets, And they shall all be taught of God. Every one that hath heard from the Father, and hath learned, cometh unto me.\nWhat doth it profit, my brethren, if a man say he hath faith, but have not works? can that faith save him?\nAnd whosoever shall speak a word against the Son of man, it shall be forgiven him; but whosoever shall speak against the Holy Spirit, it shall not be forgiven him, neither in this world, nor in that which is to come.\nThat would put ideas into his head.\nIt smelled of hay and it smelled of manure.\nBut should we say, From men—they feared the people: for all verily held John to be a prophet.\nif so be that ye continue in the faith, grounded and stedfast, and not moved away from the hope of the gospel which ye heard, which was preached in all creation under heaven; whereof I Paul was made a minister.\nJesus therefore said unto them again, Verily, verily, I say unto you, I am the door of the sheep.\nI took just a little of it in a tin cup, and mostly sat drinking coffee and enjoyed watching the people eat.\nThe Lord will deliver me from every evil work, and will save me unto his heavenly kingdom: to whom be the glory for ever and ever. Amen.\nwho both killed the Lord Jesus and the prophets, and drove out us, and please not God, and are contrary to all men;\nThen shall the righteous answer him, saying, Lord, when saw we thee hungry, and fed thee? or athirst, and gave thee drink?\nAnd when he had said these words, the Jews departed, and had great reasoning among themselves.\nand if Satan casteth out Satan, he is divided against himself; how then shall his kingdom stand?\nHe heard them wheeze in their effort.\nHe boiled creek water in a kettle and set it off the fire and steeped rounds cut from a piece of ginseng root.\nCharlotte's children were here at last.\nand they gave them for the potter’s field, as the Lord appointed me.\nTempleton was nowhere to be seen.\nI desire therefore that the younger widows marry, bear children, rule the household, give no occasion to the adversary for reviling:\nWhen therefore they had rowed about five and twenty or thirty furlongs, they behold Jesus walking on the sea, and drawing nigh unto the boat: and they were afraid.\nAnd Wilbur was crying again, for the second time in two days.\nIt went round and round in the sky and seemed twice as high as by day.\nAnd these all, having had witness borne to them through their faith, received not the promise,\nor he that exhorteth, to his exhorting: he that giveth, let him do it with liberality; he that ruleth, with diligence; he that showeth mercy, with cheerfulness.\nbut ye are come unto mount Zion, and unto the city of the living God, the heavenly Jerusalem, and to innumerable hosts of angels,\nCharley placed both hands in leverage against the place where his knee joined his thighbone.\nBut as touching the dead, that they are raised; have ye not read in the book of Moses, in the place concerning the Bush, how God spake unto him, saying, I am the God of Abraham, and the God of Isaac, and the God of Jacob?\nAnd that servant, who knew his lord’s will, and made not ready, nor did according to his will, shall be beaten with many stripes;\n“Fern says the animals talk to each other.\nAnd there arose also a contention among them, which of them was accounted to be greatest.\nand said unto them, Whosoever shall receive this little child in my name receiveth me: and whosoever shall receive me receiveth him that sent me: for he that is least among you all, the same is great.\nthe secrets of his heart are made manifest; and so he will fall down on his face and worship God, declaring that God is among you indeed.\nI now rejoice, not that ye were made sorry, but that ye were made sorry unto repentance; for ye were made sorry after a godly sort, that ye might suffer loss by us in nothing.\nAnd she, being put forward by her mother, saith, Give me here on a platter the head of John the Baptist.\n“Templeton,” he said, “I will make you a solemn promise. Get Charlotte's egg sac for me, and from now on I will let you eat first, when Lurvy slops me.\nAnd when he had thus spoken, he kneeled down and prayed with them all.\nAnd they cast out many demons, and anointed with oil many that were sick, and healed them.\nSo then as through one trespass the judgment came unto all men to condemnation; even so through one act of righteousness the free gift came unto all men to justification of life.\nPoor Wilbur was dazed and frightened by this hullabaloo.\n“Too many things on my mind,” said Wilbur.\n“Let him die, said the rat.\n“I am an old friend of your mother’s,” said Wilbur.\nYou will find that the conditions at a fair will surpass your wildest dreams.\nThe boy was so proud.\nLurvy picked up a pitchfork and walked away to get some clean straw.\nNow it was the Preparation of the passover: it was about the sixth hour. And he saith unto the Jews, Behold, your King!\nFight the good fight of the faith, lay hold on the life eternal, whereunto thou wast called, and didst confess the good confession in the sight of many witnesses.\nIt perched on a tree and sang out “un, un, un”.  \nWhen she returned,  she wore rubber boots and an old raincoat, and she carried a bucket of buttermilk and a small wooden paddle.\nAnd ye shall hear of wars and rumors of wars; see that ye be not troubled: for these things must needs come to pass; but the end is not yet.\nSee that ye despise not one of these little ones: for I say unto you, that in heaven their angels do always behold the face of my Father who is in heaven.\nAnd he entered into the temple, and began to cast out them that sold,\n“Bee-bee-bee!”\nClattering silver service, footed trays and platters, tiny salt bowls, and endless flatware.\nFor I am already being offered, and the time of my departure is come.\nAnd he came in the Spirit into the temple: and when the parents brought in the child Jesus, that they might do concerning him after the custom of the law,\nThe Cherokee Nation praised the writing Sequoyah invented.\nIt's very small and weak, and it will never amount to anything.\nNow when the synagogue broke up, many of the Jews and of the devout proselytes followed Paul and Barnabas; who, speaking to them, urged them to continue in the grace of God.\n“Reconsider, reconsider!” cried the goose.\nFor if ye believed Moses, ye would believe me; for he wrote of me.\nEven so ye also, when ye shall have done all the things that are commanded you, say, We are unprofitable servants; we have done that which it was our duty to do.\nhe that saith he abideth in him ought himself also to walk even as he walked.\n“It’s about Fern,” she explained.\n“I just don’t have much pep any more. I guessI feel sad because I won’t ever see my children.”\nI thought it necessary therefore to entreat the brethren, that they would go before unto you, and make up beforehand your aforepromised bounty, that the same might be ready as a matter of bounty, and not of extortion.\n“But, my friends, if that ancient egg ever breaks, this barn will be untenable.”\nbut into the second the high priest alone, once in the year, not without blood, which he offereth for himself, and for the errors of the people:\nand that repentance and remission of sins should be preached in his name unto all the nations, beginning from Jerusalem.\nAnd Jesus turned, and beheld them following, and saith unto them, What seek ye? And they said unto him, Rabbi (which is to say, being interpreted, Teacher), where abidest thou?\n“Well,” replied Charlotte, “you must try to build yourself up.\nAnd again he stooped down, and with his finger wrote on the ground.\n“So am I,” said a third voice.\n“Ladeez and gentlemen,” continued the loud speaker, “I must not take any more of your valuable time.\nbe it known unto you all, and to all the people of Israel, that in the name of Jesus Christ of Nazareth, whom ye crucified, whom God raised from the dead, even in him doth this man stand here before you whole.\nAnd I exhort you the more exceedingly to do this, that I may be restored to you the sooner.\nHe saw her up overhead in a corner near the back of his pen.\nThere were several children, all wakening and hungry and crying.\nIn the horse barn you will find oats that the trotters and pacers have spilled.\nNobody realized that the crate already contained a rat and a spider.\nAnd the high priest rent his clothes, and saith, What further need have we of witnesses?\nFamilies had staked out futile claims to a place on earth by spreading blankets on the ground.\nFor from you hath sounded forth the word of the Lord, not only in Macedonia and Achaia, but in every place your faith to God-ward is gone forth; so that we need not to speak anything.\nand there came out from the temple the seven angels that had the seven plagues, arrayed with precious stone, pure and bright, and girt about their breasts with golden girdles.\nfor I say unto you, that many prophets and kings desired to see the things which ye see, and saw them not; and to hear the things which ye hear, and heard them not.\nOh, no.\nsaying unto them, It is written, And my house shall be a house of prayer: but ye have made it a den of robbers.\nfor the words which thou gavest me I have given unto them; and they received them, and knew of a truth that I came forth from thee, and they believed that thou didst send me.\nAnd behold, a Canaanitish woman came out from those borders, and cried, saying, Have mercy on me, O Lord, thou son of David; my daughter is grievously vexed with a demon.\nIt seemed to me that onanists must feel the same way. Not happy if they are unable to practice their special art daily.\nBut I have all things, and abound: I am filled, having received from Epaphroditus the things that came from you, an odor of a sweet smell, a sacrifice acceptable, well-pleasing to God.\nFor we have not a high priest that cannot be touched with the feeling of our infirmities; but one that hath been in all points tempted like as we are, yet without sin.\nAnd after these things Joseph of Arimathæa, being a disciple of Jesus, but secretly for fear of the Jews, asked of Pilate that he might take away the body of Jesus: and Pilate gave him leave. He came therefore, and took away his body.\nSo Charlotte told him about another cousin of hers who was an aeronaut.\nWilbur’s heart brimmed with happiness.\nBut now they desire a better country, that is, a heavenly: wherefore God is not ashamed of them, to be called their God; for he hath prepared for them a city.\nAnd on the morrow we departed, and came unto Cæsarea: and entering into the house of Philip the evangelist, who was one of the seven, we abode with him.\nTherefore rejoice, O heavens, and ye that dwell in them. Woe for the earth and for the sea: because the devil is gone down unto you, having great wrath, knowing that he hath but a short time.\nwho shall not receive manifold more in this time, and in the world to come eternal life.\nFor this is a word of promise, According to this season will I come, and Sarah shall have a son.\nHe that reapeth receiveth wages, and gathereth fruit unto life eternal; that he that soweth and he that reapeth may rejoice together.\nBut if thine eye be evil, thy whole body shall be full of darkness. If therefore the light that is in thee be darkness, how great is the darkness!\nAnd he called to him one of the servants, and inquired what these things might be.\nThen eight. Then ten.\nCharley still sat, breathing deep.\nwho was faithful to him that appointed him, as also was Moses in all his house.\nThe disciples therefore said unto him, Lord, if he is fallen asleep, he will recover.\nAnd Jesus himself, when he began to teach, was about thirty years of age, being the son (as was supposed) of Joseph, the son of Heli,\nIf any man destroyeth the temple of God, him shall God destroy; for the temple of God is holy, and such are ye.\nLieutenant H. C. Smith to Colonel Haden Your favor of the 24th instant of August including your orders to find and “put into motion” toward the Indian Territories the fugitives said still to inhabit this region was duly received, and I have done my all to carry your wishes forward.\nGaius my host, and of the whole church, saluteth you. Erastus the treasurer of the city saluteth you, and Quartus the brother.\nI have responsibilities.\nIt resumes its inner life and allows you to see it.\nAnd there shall be night no more; and they need no light of lamp, neither light of sun; for the Lord God shall give them light: and they shall reign for ever and ever.\nAnd he said unto the disciples, The days will come, when ye shall desire to see one of the days of the Son of man, and ye shall not see it.\nforsaking the right way, they went astray, having followed the way of Balaam the son of Beor, who loved the hire of wrong-doing;\nGlad to have met you, and now I must be going. \nGreen Corn Moon, the weeks leading up to the summer solstice, had long been one of my favorite stretches of time.\nBear looked so old, everything about him drawn smaller except his knobby fingers.\nAnd they blindfolded him, and asked him, saying, Prophesy: who is he that struck thee?\nThe minister explained the miracle.\nNow! You still have two feet, said Rabbit.\nBut I said unto you, that ye have seen me, and yet believe not.\nBut it is good to be zealously sought in a good matter at all times, and not only when I am present with you.\n“You almost never leave your web.”\nand killed the Prince of life; whom God raised from the dead; whereof we are witnesses.\nHe walked away from the creek and began climbing a dry ridge to cross over to another cove whose creek he figured to descend toward the river and the camp.\nDays on the stage to the railhead.\nAnd they, when they came to Jesus, besought him earnestly, saying, He is worthy that thou shouldest do this for him;\nWolf still pretends he knows everything.\nThe sheep loathed them.\nAnd whoso shall receive one such little child in my name receiveth me:\nAre you a spring pig?”\nThen all those virgins arose, and trimmed their lamps.\nThe air was now so full of balloonists that the barn cellar looked almost as though a mist had gathered.\nTempleton and I must get in the crate right now and hide ourselves.”\nBut we are not of them that shrink back unto perdition; but of them that have faith unto the saving of the soul. \nDo I speak these things after the manner of men? or saith not the law also the same?\nThen they would move on to the next pen where the bigger pig lay.\naccording to my earnest expectation and hope, that in nothing shall I be put to shame, but that with all boldness, as always, so now also Christ shall be magnified in my body, whether by life, or by death.\nthat no flesh should glory before God.\nAnd Jesus with his disciples withdrew to the sea: and a great multitude from Galilee followed; and from Judæa,\nIt seemed important to me to let them all bear witness. I heard five separate stories that did not entirely correspond, but I believe I understand something fairly close to what actually happened, at least a few fragments, and that is better than most of what we know of history.\nI rushed to Cranshaw, after I heard Featherstone was gone, and found Claire bitter amid the wreckage of packing crates, slaves milling about directionless, fields untended, ragweed knee-deep among the cornstalks, suckers overwhelming the tomatoes, squash and pumpkins and melons growing tiny and pale as babies’ fists in the shade of rampant chickweed.\nbut unto them that are called, both Jews and Greeks, Christ the power of God, and the wisdom of God.\nWhere you’re going.\nThat year, the fashionable younger women—and a few of the older—wore their breasts cinched down low with vast creamy expanses of skin exposed by the low scoops of their necklines.\nSo the lieutenant decided to divide his men, sending part of them back to the fort with the prisoners, and now it was just the five of us to find Charley’s people and bring them in.\nand when the ship was caught, and could not face the wind, we gave way to it, and were driven.\nAnd after these things he went forth, and beheld a publican, named Levi, sitting at the place of toll, and said unto him, Follow me.\nThe truck backed slowly to the pigpen and stopped.\nThere then because of the Jews’ Preparation (for the tomb was nigh at hand) they laid Jesus. \nI don’t seem to have the energy I once had.\nIt sounded rather thin, but pleasant.\nYou’re no bundle of sweet peas yourself.\nAs thou didst send me into the world, even so sent I them into the world.\nThrashing through newly fallen leaves that lay knee-deep on the legs of the younger fugitives.\nFor we who have believed do enter into that rest; even as he hath said, As I sware in my wrath, They shall not enter into my rest: although the works were finished from the foundation of the world.\nhaving foreordained us unto adoption as sons through Jesus Christ unto himself, according to the good pleasure of his will,\nAnd Pilate again asked him, saying, Answerest thou nothing? behold how many things they accuse thee of.\nFor he is our peace, who made both one, and brake down the middle wall of partition,\nNow stop arguing and go get some sleep.\nThe apple tree replied, Yes, I am a big apple tree now and these yellow apples are very grad, but I will never forget my first apple, the one the Creator made red ...\nA heavy fur for the children to sleep beneath when snow comes.\nAt nine o'clock, Mr. Arable’s truck rolled into the Fair Grounds and came to a stop at Wilbur’s pen.\nIf any man see his brother sinning a sin not unto death, he shall ask, and God will give him life for them that sin not unto death. There is a sin unto death: not concerning this do I say that he should make request.\nSo we go up to Jenny’s room that she shares with this girl Kara, and I start talking to Jenny. I end up talking to her for so long that Michael eventually decides to leave and go up to bed.\nThe stunned look on his face suggested that his imprisonment had come as a surprise to him.\nAnd he said, Brethren and fathers, hearken: The God of glory appeared unto our father Abraham, when he was in Mesopotamia, before he dwelt in Haran,\n“You know,” he said, in an important voice, “I’ve thought all along that that pig of ours was an extra good one.\nAnd reckonest thou this, O man, who judgest them that practise such things, and doest the same, that thou shalt escape the judgment of God?\nBut when this corruptible shall have put on incorruption, and this mortal shall have put on immortality, then shall come to pass the saying that is written, Death is swallowed up in victory.\nAnd if Christ is in you, the body is dead because of sin; but the spirit is life because of righteousness.\nsaying, The prison-house we found shut in all safety, and the keepers standing at the doors: but when we had opened, we found no man within.\nFor which is greater, he that sitteth at meat, or he that serveth? is not he that sitteth at meat? but I am in the midst of you as he that serveth.\nI'm too pretty as you know.\nAnd when he came upon the stairs, so it was that he was borne of the soldiers for the violence of the crowd;\nHere he comes now.\nAnd they come unto Bethsaida. And they bring to him a blind man, and beseech him to touch him.\nEvery morning, as soon as she got up, she warmed his milk, tied his bib on, and held the bottle for him.\nWashington city was being built on a landscape of utter insignificance, a mudflat by the river barely elevated above sea level, with a midsized southern town arising on it, with the distinguishing addition of a few scattered half-formed classical temples of enormous scale, in such a state of partiality that it was hard at first glance to tell whether they were falling or rising.\nFor it seemed good to the Holy Spirit, and to us, to lay upon you no greater burden than these necessary things:\nAll the saints salute you, especially they that are of Cæsar’s household.\nThe current is strong and you may be pulled down into the hole!\nbut of the Son he saith, Thy throne, O God, is for ever and ever; And the sceptre of uprightness is the sceptre of thy kingdom.\nAnd while he said these things, there came a cloud, and overshadowed them: and they feared as they entered into the cloud.\nThe Harvest Moon arrived like it intended to be about the same.\nOthers said, This is the Christ. But some said, What, doth the Christ come out of Galilee?\nSo they took the body of Jesus, and bound it in linen cloths with the spices, as the custom of the Jews is to bury.\nThen he got into his car and drove to the minister’s house.\nHow do I start?”\nAnd they said unto her, Thou art mad. But she confidently affirmed that it was even so. And they said, It is his angel.\nHer red blood.\nAnd who is he that overcometh the world, but he that believeth that Jesus is the Son of God?\nAnd the servant said, Lord, what thou didst command is done, and yet there is room.\nHer eight legs were very busy helping.\nWhy did I let myself in for this?”\n“Oh, yes, she’s always hungry.”\nThere was an awful lot of blood in the brown leaves, and the men with the hatchets turned in Smith’s direction.\nfor ye were bought with a price: glorify God therefore in your body. \nAnd he came again and found them sleeping, for their eyes were heavy.\nAnd they did so, and made them all sit down.\n“I was just thinking,” said the spider, “that people are very gullible.”\nAnd if I go and prepare a place for you, I come again, and will receive you unto myself; that where I am, there ye may be also.\nWhosoever hateth his brother is a murderer: and ye know that no murderer hath eternal life abiding in him.\nSkim milk, provender, leftover sandwich from Lurvy’s lunchbox, prune skins, a morsel of this, a bit of that, fried potatoes, marmalade drippings, a little more of this, a little more of that, a piece of baked apple, a scrap of upsidedown cake.\n“How many nights till frost?” sang the crickets.\nTherefore said his parents, He is of age; ask him.\nThey say ‘deganiyitsa,’ or ‘danisintanv’ - \nBut others said, It is Elijah. And others said, It is a prophet, even as one of the prophets.\nI know, and am persuaded in the Lord Jesus, that nothing is unclean of itself: save that to him who accounteth anything to be unclean, to him it is unclean.\nShe was dying, but she still had strength enough to move a little.\nAnd more was what the situation called for.\nand they are seven kings; the five are fallen, the one is, the other is not yet come; and when he cometh, he must continue a little while.\n“When I’m out here,” he said, “there’s no place to go but in.\nBut younger widows refuse: for when they have waxed wanton against Christ, they desire to marry;\nDay after day the spider waited, head-down, for an idea to come to her.\nAnd the scribes and the chief priests sought to lay hands on him in that very hour; and they feared the people: for they perceived that he spake this parable against them.\nIt's also the dirtiest trick I ever heard of.\nFor he knew him that should betray him; therefore said he, Ye are not all clean.\nA thin brown dog rose stiffly and stretched and circled and then moved a few inches closer to the blaze.\nI would say, offhand, that spiders and pigs were fully as interesting as Henry Fussy.\nAnd he hath said unto me, My grace is sufficient for thee: for my power is made perfect in weakness. Most gladly therefore will I rather glory in my weaknesses, that the power of Christ may rest upon me.\nWe like this place, and we like you.  \nAnd he measured the wall thereof, a hundred and forty and four cubits, according to the measure of a man, that is, of an angel.\nFor where your treasure is, there will your heart be also.\nwhen John had first preached before his coming the baptism of repentance to all the people of Israel.\nWherefore ye must needs be in subjection, not only because of the wrath, but also for conscience’ sake.\nAnd it came to pass, that he was going on the sabbath day through the grainfields; and his disciples began, as they went, to pluck the ears.\nShe shut her eyes tight and jumped.\nIf any man is hungry, let him eat at home; that your coming together be not unto judgment. And the rest will I set in order whensoever I come. \nI thank my God always concerning you, for the grace of God which was given you in Christ Jesus;\nAnd another angel came and stood over the altar, having a golden censer; and there was given unto him much incense, that he should add it unto the prayers of all the saints upon the golden altar which was before the throne.\nAnd a certain maid seeing him as he sat in the light of the fire, and looking stedfastly upon him, said, This man also was with him.\nlie not one to another; seeing that ye have put off the old man with his doings,\nFor many are called, but few chosen.\nTruth be told, it was my own racquet.\nThe brown chickens gathered and so did wild mourning doves.\nHe had tunnels and runways all over Mr. Zuckerman’s farm and could get from one place to another without being seen.\nElse what shall they do that are baptized for the dead? If the dead are not raised at all, why then are they baptized for them?\nApple blossoms come with the lilacs, and the bees visit around among the apple trees.\nThe harder the men pushed, the harder he held back.\nWherefore leaving the doctrine of the first principles of Christ, let us press on unto perfection; not laying again a foundation of repentance from dead works, and of faith toward God,\nPilate therefore said unto them, Take him yourselves, and judge him according to your law. The Jews said unto him, It is not lawful for us to put any man to death:\nAnd again I say unto you, It is easier for a camel to go through a needle’s eye, than for a rich man to enter into the kingdom of God.\nAnd when the day of Pentecost was now come, they were all together in one place.\nMartha therefore said unto Jesus, Lord, if thou hadst been here, my brother had not died.\nAnd they besought him, saying, Send us into the swine, that we may enter into them.\nHave we no right to eat and to drink?\nbut that we write unto them, that they abstain from the pollutions of idols, and from fornication, and from what is strangled, and from blood.\nand to make all men see what is the dispensation of the mystery which for ages hath been hid in God who created all things;\nStill not learning, thought Rabbit.\nWe have searched both sides of the Little Tennessee and about ten miles up the Tuckasegee, marching long days, though of little mileage, tracing every rumor and tiding mongered hereabouts.\nHe did not like being treated like a messenger boy.\nThough Lowan and Jake and George hunted daily, they had failed to kill a deer for the better part of a month.\nand before the throne, as it were a sea of glass like unto crystal; and in the midst of the throne, and round about the throne, four living creatures full of eyes before and behind.\nSkip and dance, jump and prance!\nFor John indeed baptized with water; but ye shall be baptized in the Holy Spirit not many days hence.\nGod forbid: for then how shall God judge the world?\nFaithful is he that calleth you, who will also do it.\nAnd the old sheep was right—the friend was still asleep.\never learning, and never able to come to the knowledge of the truth.\nAnd now why tarriest thou? arise, and be baptized, and wash away thy sins, calling on his name.\nwhatsoever ye do, work heartily, as unto the Lord, and not unto men;\n“Wash your hands and face, Avery!”\nHe had the hatchet in his right hand and the knife in his left hand with the edge up for good ripping after a deep belly stab.\nFor he hath said somewhere of the seventh day on this wise, And God rested on the seventh day from all his works;\nA good tree cannot bring forth evil fruit, neither can a corrupt tree bring forth good fruit.\nFinally, brethren, pray for us, that the word of the Lord may run and be glorified, even as also it is with you;\nThey say unto him, Because no man hath hired us. He saith unto them, Go ye also into the vineyard.\nFor this cause shall a man leave his father and mother, and shall cleave to his wife;\nSimon Peter, a servant and apostle of Jesus Christ, to them that have obtained a like precious faith with us in the righteousness of our God and the Saviour Jesus Christ:\nbut if they are questions about words and names and your own law, look to it yourselves; I am not minded to be a judge of these matters.\nThe goose took command and began to give orders.\nThen certain of the scribes and Pharisees answered him, saying, Teacher, we would see a sign from thee.\nIn the Fall Spearfinger would watch for the smoke to rise above the trees.  \n“Do you want a friend, Wilbur?” it said.\nI looked over, and the clerk had tears of joy in his eyes and a look of rapture beaming on his face.\nBut he, desiring to justify himself, said unto Jesus, And who is my neighbor?\nBut just call me Charlotte.”\nAnd this was his own country.\nFor ye remember, brethren, our labor and travail: working night and day, that we might not burden any of you, we preached unto you the gospel of God.\nAnd the way of peace have they not known:\nCharley curved around a cropping of rock and climbed steep to the crest of the ridge and then pitched down the sharp slope toward the next creek.\nAnd the brethren immediately sent away Paul and Silas by night unto Beroea: who when they were come thither went into the synagogue of the Jews.\nNow when Jesus was born in Bethlehem of Judæa in the days of Herod the king, behold, Wise-men from the east came to Jerusalem, saying,\nbut without thy mind I would do nothing; that thy goodness should not be as of necessity, but of free will.\nThis is a tree.\nJesus said unto them, Verily, verily, I say unto you, Before Abraham was born, I am.\nHe lined it with bits of dirty newspapers and rags, and whenever he found a trinket or a keepsake he carried it home and stored it there.\nSoldiers stood Charley and the boys up and walked them out near the riverbank and left them standing there in some confusion.\nRemember therefore whence thou art fallen, and repent and do the first works; or else I come to thee, and will move thy candlestick out of its place, except thou repent.\nCome unto me, all ye that labor and are heavy laden, and I will give you rest.\nAnd he saith unto them, Why are ye fearful, O ye of little faith? Then he arose, and rebuked the winds and the sea; and there was a great calm.\nFinally, brethren, farewell. Be perfected; be comforted; be of the same mind; live in peace: and the God of love and peace shall be with you.\nbut he left the linen cloth, and fled naked.\nWhen he discovered there was still a little water left in the bottom of the pail, he raised the pail high in the air and dumped the water on himself and made faces.\nhe that doeth sin is of the devil; for the devil sinneth from the beginning. To this end was the Son of God manifested, that he might destroy the works of the devil.\nOthers have said that maybe I felt crushing guilt and stayed there at the forks of the river under the big hemlock to reflect in solitude on my recent actions.\nAnd when I could not see for the glory of that light, being led by the hand of them that were with me I came into Damascus.\nSmith, of course, wanted to assign watches through the night.\nand might deliver all them who through fear of death were all their lifetime subject to bondage.\nsaying, I have sinned in that I betrayed innocent blood. But they said, What is that to us? see thou to it.\nBut be ye doers of the word, and not hearers only, deluding your own selves.\nBut the chief priests took counsel that they might put Lazarus also to death;\nAnd they laid hands on him, and took him.\nIt had rained since dawn, rain falling white against the trees.\nAnd when they were filled, he saith unto his disciples, Gather up the broken pieces which remain over, that nothing be lost.\nSimon, Simon, behold, Satan asked to have you, that he might sift you as wheat:\nif by any means I may attain unto the resurrection from the dead.\nAnd as John was fulfilling his course, he said, What suppose ye that I am? I am not he. But behold, there cometh one after me the shoes of whose feet I am not worthy to unloose.\nAnd they said, The Lord hath need of him.\nHaving confidence in thine obedience I write unto thee, knowing that thou wilt do even beyond what I say.\nBut it had the advantage of belonging neither to the Nation nor to any whiteman. It was on paper under his name.\nJesus answered them and said, Verily, verily, I say unto you, Ye seek me, not because ye saw signs, but because ye ate of the loaves, and were filled.\nXVII: Uncle  \nWhosoever abideth in him sinneth not: whosoever sinneth hath not seen him, neither knoweth him.\nThere is therefore now no condemnation to them that are in Christ Jesus.\nIf we let him thus alone, all men will believe on him: and the Romans will come and take away both our place and our nation.\nHe brushed his hand across his eyes and stared harder at Charlotte’s web.\nFor this cause many among you are weak and sickly, and not a few sleep.\nAnd there was given me a reed like unto a rod: and one said, Rise, and measure the temple of God, and the altar, and them that worship therein.\nI told how Spearfinger had been one of our people, a respected old woman until she went bad and began shifting shapes and became covered in scales as hard as plates of shale that no knife or arrow could break.\nCan’t you just see the web, sagging dangerously under the weight of the fish?\nThe same was well reported of by the brethren that were at Lystra and Iconium.\n“Alone?\nIf she says they plan to kill you, I’m sure it’s true.\nWhen Asmeret Asefaw Berhe goes for a walk in the woods, she looks at all these things.\nand Hezekiah begat Manasseh; and Manasseh begat Amon; and Amon begat Josiah;\nBut he that glorieth, let him glory in the Lord.\nPretty often, their idea of supper had been to wrap a few strips of bacon around a green stick and hold it over the fire and try to get it brown without lighting it ablaze.\nFor narrow is the gate, and straitened the way, that leadeth unto life, and few are they that find it.\nThis only would I learn from you, Received ye the Spirit by the works of the law, or by the hearing of faith?\nWinter will pass, the days will lengthen, the ice will melt in the pasture pond.\n“Fern,” he said gently, “you will have to learn to control yourself.”\nFor the Son of man shall come in the glory of his Father with his angels; and then shall he render unto every man according to his deeds.\nGoing west, I said. A long way.\nAnd it came to pass, when he drew nigh unto Bethphage and Bethany, at the mount that is called Olivet, he sent two of the disciples,\nAnd he answered and said, He that soweth the good seed is the Son of man;\nHis spit turned to mucilage, tongue stuck to the roof of his drying mouth.\nJesus therefore, knowing all the things that were coming upon him, went forth, and saith unto them, Whom seek ye?\nIt didn't seem to be a very good day she thought.\nSee with how large letters I write unto you with mine own hand.\nAnd he bought a linen cloth, and taking him down, wound him in the linen cloth, and laid him in a tomb which had been hewn out of a rock; and he rolled a stone against the door of the tomb.\nAnd again he came, and found them sleeping, for their eyes were very heavy; and they knew not what to answer him.\nAnd round about the throne were four and twenty thrones: and upon the thrones I saw four and twenty elders sitting, arrayed in white garments; and on their heads crowns of gold.\nLurvy pointed to the spider's web.\nAnd he said unto them, Wheresoever ye enter into a house, there abide till ye depart thence.\nThe officers therefore came to the chief priests and Pharisees; and they said unto them, Why did ye not bring him?\nThis persuasion came not of him that calleth you.\n“Watch out for the dog!” cried the sheep.\nPeople who had journeyed to see Wilbur when he was “some pig” came back again to see him now that he was “terrific.”\nHowbeit at that time, not knowing God, ye were in bondage to them that by nature are no gods:\nBut he that is greatest among you shall be your servant.\nBut behold, the hand of him that betrayeth me is with me on the table.\nSo the entire tally of electors is one?\nArise, let us be going: behold, he is at hand that betrayeth me.\nWe speak wisdom, however, among them that are fullgrown: yet a wisdom not of this world, nor of the rulers of this world, who are coming to nought:\nFern phoned and got her Aunt Edith, and her Aunt Edith hollered for Uncle Homer, and Uncle Homer came in from the barn and talked to Fern.\n“Die of a broken heart,” he mimicked.\nFor whosoever would save his life shall lose it: and whosoever shall lose his life for my sake shall find it.\nBut the boy drove a blade deep in the bear’s vitals.\nno longer as a servant, but more than a servant, a brother beloved, specially to me, but how much rather to thee, both in the flesh and in the Lord.\nAnd after they had held their peace, James answered, saying, Brethren, hearken unto me:\n“I believe what I need is a little piece of string to hold me.”\nIt covered house and barn and fields and woods.\n“I’m going to win a doll by spinning a wheel and it will stop at the right number,” said Fern.\nWilbur closed his eyes.\nThe Jews therefore murmured concerning him, because he said, I am the bread which came down out of heaven.\nYe therefore shall be perfect, as your heavenly Father is perfect. \nWe should teach him a lesson, the neighbors hooted.\n“Yes, but I’m near-sighted,” replied Charlotte.\nPig’s out!\nEvery animal stirred and lifted its head and became excited to know that one of his friends had got free and was no longer penned up or tied fast.\nto do whatsoever thy hand and thy council foreordained to come to pass.\nOnes with payments and ones without.\nI had at least gotten far enough to learn that Crockett and I held in common the experience of being bound boys, though in Crockett’s case he had violated the pact his father made by running away from his new master, a hog drover, on their first journey together.\nYou’re making this up.”\nAnd Jesus came to them and spake unto them, saying, All authority hath been given unto me in heaven and on earth.\nOnce again the boy went to the tree.\nAnd when the men of that place knew him, they sent into all that region round about, and brought unto him all that were sick;\nHowbeit what things were gain to me, these have I counted loss for Christ.\nAnd he said unto me, Depart: for I will send thee forth far hence unto the Gentiles.\nPeople sat far back from the flames and were only dark shapes.\nThe hunters backed away and raised their muskets.\nThe blackberries got ripe, and Mrs. Zuckerman failed to put up any blackberry jam.\nand said, Behold, I see the heavens opened, and the Son of man standing on the right hand of God.\nAnd he said unto them, Did ye never read what David did, when he had need, and was hungry, he, and they that were with him?\n“He is not,” said Avery.\nAnd there came unto him Pharisees, and asked him, Is it lawful for a man to put away his wife? trying him.\nThey had survived beyond fright into glazed and fatal blankness.\nAnd Jesus saith unto her, Woman, what have I to do with thee? mine hour is not yet come.\nand the sound of a trumpet, and the voice of words; which voice they that heard entreated that no word more should be spoken unto them;\nNevertheless in this rejoice not, that the spirits are subject unto you; but rejoice that your names are written in heaven.\nI met Crockett through the agency of Calhoun. Crockett was then at the height of his fame, at least pre-posthumously.\nAnd after six days Jesus taketh with him Peter, and James, and John his brother, and bringeth them up into a high mountain apart:\nHe scooped up his frog.\n“Say it slower!”\nNow I found the woods narcotic.\nFor neither doth the Father judge any man, but he hath given all judgment unto the Son;\nHearken, my beloved brethren; did not God choose them that are poor as to the world to be rich in faith, and heirs of the kingdom which he promised to them that love him?\nAnd behold, the veil of the temple was rent in two from the top to the bottom; and the earth did quake; and the rocks were rent;\nReally it must have been close to a mile out, there was a big field.\nTherefore is the kingdom of heaven likened unto a certain king, who would make a reckoning with his servants.\nFor every creature of God is good, and nothing is to be rejected, if it be received with thanksgiving:\nNow if Timothy come, see that he be with you without fear; for he worketh the work of the Lord, as I also do:\n“Liver, I eat... su sa sai”\nThey knew she would come as soon as she saw the smoke.\n“Templeton?”\nBut Peter said unto him, Although all shall be offended, yet will not I.\nHe went casting forward until that direction became hopeless, and then he backtracked to the last drop of blood and began circling, making wider and wider rounds without success.\nAnd the disciples, every man according to his ability, determined to send relief unto the brethren that dwelt in Judæa:\nEpaphras, my fellow-prisoner in Christ Jesus, saluteth thee;\nWhile he yet spake, they come from the ruler of the synagogue’s house, saying, Thy daughter is dead: why troublest thou the Teacher any further?\nAnd in praying use not vain repetitions, as the Gentiles do: for they think that they shall be heard for their much speaking.\nHe sat without a word for a long time and smoked a long-stemmed clay pipe down to ash.\nfor the showing, I say, of his righteousness at this present season: that he might himself be just, and the justifier of him that hath faith in Jesus.\n“You sound like three ganders,” muttered Charlotte.\nNevertheless do ye also severally love each one his own wife even as himself; and let the wife see that she fear her husband. \nAnd then at the climactic moment, Bear turned to a quartering position and pulled up the tail of his long hunting shirt, and the skin was becoming creped and hanging loose over the bones, but the scars were bright as ropes of rubbed silver, relics of an accomplishment that could be taken to the grave and perhaps beyond.\nLunch would be over at one.\nBut he went out, and began to publish it much, and to spread abroad the matter, insomuch that Jesus could no more openly enter into a city, but was without in desert places: and they came to him from every quarter. \nFor the Son of man is lord of the sabbath.\nThis might be the end of Charlotte if the boy succeeded in catching her.\nNow the God of hope fill you with all joy and peace in believing, that ye may abound in hope, in the power of the Holy Spirit.\nThey have over them as king the angel of the abyss: his name in Hebrew is Abaddon, and in the Greek tongue he hath the name Apollyon.\n“Watch out for pickpockets! ” cautioned their father.\nAnd there shall be signs in sun and moon and stars; and upon the earth distress of nations, in perplexity for the roaring of the sea and the billows;\nOr what man is there of you, who, if his son shall ask him for a loaf, will give him a stone;\nThe truck crept along slowly in low speed.\nGoodbye mother, I love you.\nUnfortunately, this Cooper is also a sharp lawyer and has long been under the spell of an old chief in these parts, and they have overmastered their fraction of Indians for quite some time.\nThe kingdom of heaven is likened unto a certain king, who made a marriage feast for his son,\nFor if they that are of the law are heirs, faith is made void, and the promise is made of none effect:\nAnd no man having drunk old wine desireth new; for he saith, The old is good. \nIt came from the name of a Cherokee Indian man who was alive when the United States was new.\nFor this cause I also, having heard of the faith in the Lord Jesus which is among you, and the love which ye show toward all the saints,\nwhose fan is in his hand, and he will thoroughly cleanse his threshing-floor; and he will gather his wheat into the garner, but the chaff he will burn up with unquenchable fire.\n“No, I’m not. I counted them.\nAnd he ran on before, and climbed up into a sycomore tree to see him: for he was to pass that way.\nAnd it had been revealed unto him by the Holy Spirit, that he should not see death, before he had seen the Lord’s Christ.\n“He isn’t dead,” hollered Zuckerman.\nHe therefore that sweareth by the altar, sweareth by it, and by all things thereon.\n“Well,” said Mrs. Zuckerman, “it seems to me you're a little off. It seems to me we have no ordinary spider.”\nJesus saith unto them, Did ye never read in the scriptures, The stone which the builders rejected, The same was made the head of the corner; This was from the Lord, And it is marvellous in our eyes?\nPut your marks where I say.\nAnd there was war in heaven: Michael and his angels going forth to war with the dragon; and the dragon warred and his angels;\nBut Peter said unto her, How is it that ye have agreed together to try the Spirit of the Lord? behold, the feet of them that have buried thy husband are at the door, and they shall carry thee out.\nWhosoever is begotten of God doeth no sin, because his seed abideth in him: and he cannot sin, because he is begotten of God.\nIt was still only about four o'clock but Wilbur was ready for bed.\nand when the sun was risen, it was scorched; and because it had no root, it withered away.\nWherever she went during the day, all traffic, both pedestrian and vehicular, came to a halt to watch her pass.\nEverything displaced, unfamiliar.\nCharlotte laughed so hard her web began to sway.\nwhereas our comely parts have no need: but God tempered the body together, giving more abundant honor to that part which lacked;\nAnd he took them the same hour of the night, and washed their stripes; and was baptized, he and all his, immediately.\nWilbur liked Charlotte better and better each day.\nIf therefore they shall say unto you, Behold, he is in the wilderness; go not forth: Behold, he is in the inner chambers; believe it not.\n“Your Uncle Homer sometimes raises a pig.\n“Coasting is the most fun there is,” said Avery.\nWhat I tell you in the darkness, speak ye in the light; and what ye hear in the ear, proclaim upon the house-tops.\nHe’s down there under that apple tree.”\nCharley reckoned his tools might suffice to kill this bear.\nAnd they spat upon him, and took the reed and smote him on the head.\nFern and Avery were in bed by eight.\nMy attention was drawn to a dish of fig pastries, each no bigger around than a gold dollar.\nI therefore so run, as not uncertainly; so fight I, as not beating the air:\nReally?” cried Wilbur.\nAnd no one was able to answer him a word, neither durst any man from that day forth ask him any more questions. \nVoices were raised and lowered and raised again, though I could not make out a word of what passed down below me.\nThey say unto him, Cæsar’s. Then saith he unto them, Render therefore unto Cæsar the things that are Cæsar’s; and unto God the things that are God’s.\nAnd after the carrying away to Babylon, Jechoniah begat Shealtiel; and Shealtiel begat Zerubbabel;\nAnd he opened his mouth for blasphemies against God, to blaspheme his name, and his tabernacle, even them that dwell in the heaven.\nAnd he that hath seen hath borne witness, and his witness is true: and he knoweth that he saith true, that ye also may believe.\nand they shall kill him, and the third day he shall be raised up. And they were exceeding sorry.\nHe might not be exactly what you think he is.\nLet each one of us please his neighbor for that which is good, unto edifying.\nand in your knowledge self-control; and in your self-control patience; and in your patience godliness;\nFor after this manner aforetime the holy women also, who hoped in God, adorned themselves, being in subjection to their own husbands:\nThe tunnel enabled him to get from the barn to his hiding place under the pig trough without coming out into the open.\nAnd the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye did it unto one of these my brethren, even these least, ye did it unto me.\nAs she walked away, Wilbur saw a new lamb following her.\n“A fair is a rat’s paradise.\nbut, when he was in Rome, he sought me diligently, and found me\nTempleton grinned.\nLoopholes opened high in the walls, which suggested the existence of banquettes inside to stand on and move from one loop to another to fire.\nAfter dark, he ventured to strike a little fire no bigger around than the mouth to a bucket.\nHe stayed for an hour and explained to the minister that a miracle had happened on the farm.\nin the midst of the street thereof. And on this side of the river and on that was the tree of life, bearing twelve manner of fruits, yielding its fruit every month: and the leaves of the tree were for the healing of the nations.\nwho found favor in the sight of God, and asked to find a habitation for the God of Jacob.\nCharley nodded to Nancy.\nThen one of the twelve, who was called Judas Iscariot, went unto the chief priests,\nFor this cause shall a man leave his father and mother, and shall cleave to his wife; and the two shall become one flesh.\nBest how? the purser said.\n“Some pigs were born last night.”\nShe never moved again.\nBrethren, children of the stock of Abraham, and those among you that fear God, to us is the word of this salvation sent forth.\nPerhaps we might, I said.\nHe wiggled his feet down at the bottom of the chaise to highlight them.\nAnd Mary said unto the angel, How shall this be, seeing I know not a man?\nAnd another of the disciples said unto him, Lord, suffer me first to go and bury my father.\nThe air smelled of the damp earth, of the spruce woods, of the sweet springtime.\nBut though he had done so many signs before them, yet they believed not on him:\n“One of the boards is loose.\nBy faith Abraham, being tried, offered up Isaac: yea, he that had gladly received the promises was offering up his only begotten son;\nAnd he took a cup, and when he had given thanks, he gave to them: and they all drank of it.\nMrs. Zuckerman and Mrs. Arable stood on the running board of the truck.\nand the prayer of faith shall save him that is sick, and the Lord shall raise him up; and if he have committed sins, it shall be forgiven him.\nGrace be with you all. Amen.\nAnd he called unto him the multitude with his disciples, and said unto them, If any man would come after me, let him deny himself, and take up his cross, and follow me.\nbut these are written, that ye may believe that Jesus is the Christ, the Son of God; and that believing ye may have life in his name. \nThen she opened them up and ate their livers.\nAnd they laughed him to scorn. But he, having put them all forth, taketh the father of the child and her mother and them that were with him, and goeth in where the child was.\nThese things command and teach.\nDon’t fall for it, don’t fall for it!\nAnd when Moses saw it, he wondered at the sight: and as he drew near to behold, there came a voice of the Lord,\nBut he answered and said, It is written, Man shall not live by bread alone, but by every word that proceedeth out of the mouth of God.\nThey live on animals and plants.\nFor such a high priest became us, holy, guileless, undefiled, separated from sinners, and made higher than the heavens;\nBut I have this against thee, that thou sufferest the woman Jezebel, who calleth herself a prophetess; and she teacheth and seduceth my servants to commit fornication, and to eat things sacrificed to idols.\nBut I hold not my life of any account as dear unto myself, so that I may accomplish my course, and the ministry which I received from the Lord Jesus, to testify the gospel of the grace of God.\nAnd this I also did in Jerusalem: and I both shut up many of the saints in prisons, having received authority from the chief priests, and when they were put to death I gave my vote against them.\nAnd fear took hold on all: and they glorified God, saying, A great prophet is arisen among us: and, God hath visited his people.\nFor they that have served well as deacons gain to themselves a good standing, and great boldness in the faith which is in Christ Jesus.\nSo that’s what happened to me one time.\nAnd they were not able to take hold of the saying before the people: and they marvelled at his answer, and held their peace.\nAnd her spirit returned, and she rose up immediately: and he commanded that something be given her to eat.\nWolf's feet were really hurting.\nand it came to pass, as he sowed, some seed fell by the way side, and the birds came and devoured it.\ncame unto me, and standing by me said unto me, Brother Saul, receive thy sight. And in that very hour I looked up on him.\n“She’s Wilbur’s best friend.\nJesus answered, Verily, verily, I say unto thee, Except one be born of water and the Spirit, he cannot enter into the kingdom of God.\nAnd the disciples went forth, and came into the city, and found as he had said unto them: and they made ready the passover.\nA round brown woman of indeterminate race opened the door.\nWhen they were done, Wolf sat down.\nAvery knelt in the dirt by Wilbur’s side, busily stroking him and showing off.\nDozens of people had visited his yard during the afternoon, and he had had to stand and pose, looking as terrific as he could.\nWatch and pray, that ye enter not into temptation: the spirit indeed is willing, but the flesh is weak.\nThe word bleak would pretty well describe every element of those footslogging days.\nDon't swim there Littlefish; you are beneath us and too small to see. We may squash you.\n“We're staying quietly—ietly-ietly at home.\nAnd what about any other fugitives hiding up in the mountains?\nAvery was kneeling by Wilbur’s head, stroking him.\nand neither in the temple did they find me disputing with any man or stirring up a crowd, nor in the synagogues, nor in the city.\nWe followed the dog for about a quarter mile, and he acted like he was after something; then suddenly he stopped at the big oak tree, and he barked as he circled the tree.\nFor first of all, when ye come together in the church, I hear that divisions exist among you; and I partly believe it.\n“It says ‘Crunchy.’ \nDown in the barn cellar, the animals, too, went to sleep early, all except Charlotte.\nEverybody stood at the pigpen and stared at the web and read the word, over and over, while Wilbur, who really felt terrific, stood quietly swelling out his chest and swinging his snout from side to side.\nStill a few days later the boy found the little apple tree sad and droopy.\n“Will the party who addressed me at bedtime last night kindly make himself or herself known by giving an appropriate sign or signal!”\nand he made us to be a kingdom, to be priests unto his God and Father; to him be the glory and the dominion for ever and ever. Amen.\nAnd I say unto you, that many shall come from the east and the west, and shall sit down with Abraham, and Isaac, and Jacob, in the kingdom of heaven:\n“Bring me back a word!” Charlotte called after him.\nbut (which becometh women professing godliness) through good works.\nI soon learned that the public galleries of the Senate chamber were an excellent place to meet ladies, both young and youngish.\nHim therefore I hope to send forthwith, so soon as I shall see how it will go with me:\nJesus said unto him, If thou wouldest be perfect, go, sell that which thou hast, and give to the poor, and thou shalt have treasure in heaven: and come, follow me.\nI tell you, Nay: but, except ye repent, ye shall all likewise perish.\nNo scrap of it horizontal enough for a short man to sleep on except where a damp gravel bed rose a handbreadth above a creek shoal.\n“That’s some pig!” said Mrs. Arable.\nFor I spake not from myself; but the Father that sent me, he hath given me a commandment, what I should say, and what I should speak.\n“Will you please play with me?” he asked.\n“Be quiet, Wilbur.\nbut ye know that because of an infirmity of the flesh I preached the gospel unto you the first time:\nWilbur sat bolt upright.\n“Is this true?” asked the rat, eyeing the sac suspiciously.\nAnd the merchants of the earth weep and mourn over her, for no man buyeth their merchandise any more;\nAnd the chief priests and the scribes heard it, and sought how they might destroy him: for they feared him, for all the multitude was astonished at his teaching.\n“Hmm. Remarkable.\n“I think about it all the time,” said Fern, picking snow from her ear.\nThe kings of the earth set themselves in array, And the rulers were gathered together, Against the Lord, and against his Anointed:\nFor God did put in their hearts to do his mind, and to come to one mind, and to give their kingdom unto the beast, until the words of God should be accomplished.\nAnd if the ear shall say, Because I am not the eye, I am not of the body; it is not therefore not of the body.\nI notice that it’s always me you come to when in trouble.\nAnd when Herod the king heard it, he was troubled, and all Jerusalem with him.\nNow while the Pharisees were gathered together, Jesus asked them a question,\nBut I made Ross nervous because I spoke Cherokee with a degree of polish, while Ross could barely comment on the weather, and even that topic was limited to the current moment, since the chief ’s understanding of his people’s language was limited to the present tense.\nAnd you, being in time past alienated and enemies in your mind in your evil works,\n“Is it something for me?” asked Wilbur.\nBe ye also ready: for in an hour that ye think not the Son of man cometh.\nAnd you, being dead through your trespasses and the uncircumcision of your flesh, you, I say, did he make alive together with him, having forgiven us all our trespasses;\nIf therefore Demetrius, and the craftsmen that are with him, have a matter against any man, the courts are open, and there are proconsuls: let them accuse one another.\nAnd after the sop, then entered Satan into him. Jesus therefore saith unto him, What thou doest, do quickly.\nAnd when the centurion heard it, he went to the chief captain and told him, saying, What art thou about to do? for this man is a Roman.\nSo speak ye, and so do, as men that are to be judged by a law of liberty.\nFor Adam was first formed, then Eve;\nBut he couldn’t resist boasting.\nbeholding your chaste behavior coupled with fear.\nBut all this is come to pass, that the scriptures of the prophets might be fulfilled. Then all the disciples left him, and fled.\nThink not that I came to destroy the law or the prophets: I came not to destroy, but to fulfil.\nNow the God of peace, who brought again from the dead the great shepherd of the sheep with the blood of an eternal covenant, even our Lord Jesus,\n“I’m done for,” she replied.\nAnd when they were come to the multitude, there came to him a man, kneeling to him, and saying,\nAnd I heard a voice from heaven saying, Write, Blessed are the dead who die in the Lord from henceforth: yea, saith the Spirit, that they may rest from their labors; for their works follow with them.\n“I don’t want to die,” he moaned.\nShe loved to weave and she was an expert at it.\nAnd they cast dust on their heads, and cried, weeping and mourning, saying, Woe, woe, the great city, wherein all that had their ships in the sea were made rich by reason of her costliness! for in one hour is she made desolate.\nI soon moved to the famous Indian Queen, even though I could not really afford my long stay there.\nHe has written a great raft of lawyer letters to his Washington City friends complaining that we had no right to deny his legitimate business and furthermore claiming he is owed a substantial reimbursement for vaguely specified expenses, some related to food and other supplies he says he gave the Indians after we failed to meet their basic needs.\nFor as many as have sinned without the law shall also perish without the law: and as many as have sinned under the law shall be judged by the law;\nAnd he is the head of the body, the church: who is the beginning, the firstborn from the dead; that in all things he might have the preeminence.\nTo ask if there is some mistake.\nAnd there shall be no curse any more: and the throne of God and of the Lamb shall be therein: and his servants shall serve him;\nDown along the coast, everything smelled of fish and salt water.\nNo argument had worked for the Indians on the Nation, not even the white ones, and I didn’t expect anything to work for Bear’s brown people either.\nThe only point of unanimity in their stories was that during the day’s march, when Nancy grew tired and dropped back, one of the boy soldiers prodded her forward with either the blunt end of his rifle barrel or the sharp end of a bayonet fixed beneath it.\nFor both he that sanctifieth and they that are sanctified are all of one: for which cause he is not ashamed to call them brethren,\ninsomuch that unto the sick were carried away from his body handkerchiefs or aprons, and the diseases departed from them, and the evil spirits went out.\nAnd it was given unto her that she should array herself in fine linen, bright and pure: for the fine linen is the righteous acts of the saints.\nAnd when they saw it, they made known concerning the saying which was spoken to them about this child.\nand a man’s foes shall be they of his own household.\nThe wind howled out of the northwest and carried the winter’s first pellets of snow.\nTears came to Fern’s eyes.\nand will turn away their ears from the truth, and turn aside unto fables.\nSanctify them in the truth: thy word is truth.\nAnd not as through one that sinned, so is the gift: for the judgment came of one unto condemnation, but the free gift came of many trespasses unto justification.\nUpon this many of his disciples went back, and walked no more with him.\nwho in the generations gone by suffered all the nations to walk in their own ways.\nAnd the jailor, being roused out of sleep and seeing the prison doors open, drew his sword and was about to kill himself, supposing that the prisoners had escaped.\nsaying, The Lord is risen indeed, and hath appeared to Simon.\nbecause we would fain have come unto you, I Paul once and again; and Satan hindered us.\nthou that sayest a man should not commit adultery, dost thou commit adultery? thou that abhorrest idols, dost thou rob temples?\nAnd they communed with each other of all these things which had happened.\nWatch me wrap up this fly.”\nAnd he took bread, and when he had given thanks, he brake it, and gave to them, saying, This is my body which is given for you: this do in remembrance of me.\nThe sheep stayed near the barn, too, for protection.\nFor indeed we that are in this tabernacle do groan, being burdened; not for that we would be unclothed, but that we would be clothed upon, that what is mortal may be swallowed up of life.\nSequoyah, they say, gave up drawing a different symbol for each word. There were just too many marks and squiggles for anyone to remember.\nLieutenant Smith was left sitting with a flat inch of Moët’s in his flute.\nfor he had an only daughter, about twelve years of age, and she was dying. But as he went the multitudes thronged him.\nOr are ye ignorant that all we who were baptized into Christ Jesus were baptized into his death?\nFrom the far mountains. An orphan adopted by an Indian chief.\n“How?” asked Wilbur.\nIt left a shining trail across the desk like a slug’s passage.\n“Delicious.\nHim God raised up the third day, and gave him to be made manifest,\nAnd if any one say unto you, Why do ye this? say ye, The Lord hath need of him; and straightway he will send him back hither.\nFor a while the long glossy leaves turned water away from him, and then suddenly they did not.\nAll the brethren salute you. Salute one another with a holy kiss.\n“It's terribly hot,” said Mrs. Arable, fanning herself with an advertisement of a deep freeze.\nA very few cried and a few made grim humor of their situation, but mostly they went wordless with their faces composed into an expressionless mask, as if they had placed a large wager on whether or not they could conceal any hint of their thoughts or emotions.\nAnd he was parted from them about a stone’s cast; and he kneeled down and prayed,\nHe saith, Yea. And when he came into the house, Jesus spake first to him, saying, What thinkest thou, Simon? the kings of the earth, from whom do they receive toll or tribute? from their sons, or from strangers?\nI sat by the fire and told the story that everyone already knew.\nThen he could see the sheep and the lambs.\n“Can I, too?” asked Avery.\nFor a testament is of force where there hath been death: for it doth never avail while he that made it liveth.\nAnd ye have not his word abiding in you: for whom he sent, him ye believe not.\nClaire bending her head and her hair falling over her face like drawing curtains across a bright window.\nand he beholdeth the heaven opened, and a certain vessel descending, as it were a great sheet, let down by four corners upon the earth:\nAnd he sat down, and called the twelve; and he saith unto them, If any man would be first, he shall be last of all, and servant of all.\nEverywhere you look is life; even the little ball of spit on the weed stalk, if you poke it apart, has a green worm inside it.\nBut Saul increased the more in strength, and confounded the Jews that dwelt at Damascus, proving that this is the Christ.\nLife in the barn was very good — night and day, winter and summer, spring and fall, dull days and bright days.\nYou’re carrying on in a childish way.\nAvery had a balloon tied to his ear and was chewing a candied apple.\nAnd verily I say unto you, Wheresoever the gospel shall be preached throughout the whole world, that also which this woman hath done shall be spoken of for a memorial of her.\nEverybody knew that the Zuckermans had a wondrous pig.\nAnd as Jesus passed by from thence, two blind men followed him, crying out, and saying, Have mercy on us, thou son of David.\nand with all deceit of unrighteousness for them that perish; because they received not the love of the truth, that they might be saved.\nand above all these things put on love, which is the bond of perfectness.\nAnd they stoned Stephen, calling upon the Lord, and saying, Lord Jesus, receive my spirit.\nI can only see one.”\nBut I tell you of a truth, There are some of them that stand here, who shall in no wise taste of death, till they see the kingdom of God.\nFor where two or three are gathered together in my name, there am I in the midst of them.\nAnd in the hearing of all the people he said unto his disciples,\nTheir feet are swift to shed blood;\nLobbying must have seemed a little too much like real work, though I could have set him straight on that fear.\nand not only is there danger that this our trade come into disrepute; but also that the temple of the great goddess Diana be made of no account, and that she should even be deposed from her magnificence whom all Asia and the world worshippeth.\nto wit, that the Gentiles are fellow-heirs, and fellow-members of the body, and fellow-partakers of the promise in Christ Jesus through the gospel,\nLook therefore carefully how ye walk, not as unwise, but as wise;\nI could hardly sleep for fear of missing something.\nFor they had before seen with him in the city Trophimus the Ephesian, whom they supposed that Paul had brought into the temple.\nAnd Jesus said unto him, Why callest thou me good? none is good save one, even God.\nAvery had finished and was upstairs looking for his slingshot.\nYeah, she probably would have.\n“Don’t tell anybody else,” said the minister.\nBut when Paul had appealed to be kept for the decision of the emperor, I commanded him to be kept till I should send him to Cæsar.\nThen cometh Jesus with them unto a place called Gethsemane, and saith unto his disciples, Sit ye here, while I go yonder and pray.\nWilbur and the sheep and the lambs and the goose and the gander and the goslings and Charlotte and me.”\nThe rat yawned.\nAnd in that hour there was a great earthquake, and the tenth part of the city fell; and there were killed in the earthquake seven thousand persons: and the rest were affrighted, and gave glory to the God of heaven.\nThey were starving and weaponless but for one rusty shotgun with no loads and a bow with only three arrows and a blowgun with a handful of long darts whittled from buckeye wood and tufted with thistledown.\nBy faith the walls of Jericho fell down, after they had been compassed about for seven days.\n“Avery, you get out of that crate this instant!” commanded his mother.\nI’ve never done anything for you.”\nHigh, low. Near, far.\nwhereby, when ye read, ye can perceive my understanding in the mystery of Christ;\n“Well, break it up! said Templeton.\nSomewhere deep in their minds, they both imagined a future in which the Nation would become a state, a new star on the striped banner.\nAnd Jesus answered and said unto him, It is written, Thou shalt worship the Lord thy God, and him only shalt thou serve.\nAnd then, if we are not weaklings, we have to take possession of our old madness and try to soothe its issue.\nAgain I say unto you, that if two of you shall agree on earth as touching anything that they shall ask, it shall be done for them of my Father who is in heaven.\nWhen therefore the Lord knew that the Pharisees had heard that Jesus was making and baptizing more disciples than John\nand they say to the mountains and to the rocks, Fall on us, and hide us from the face of him that sitteth on the throne, and from the wrath of the Lamb:\nThese things said Isaiah, because he saw his glory; and he spake of him.\nBear ye one another’s burdens, and so fulfil the law of Christ.\nI regretted the comment as soon as it fell from my mouth.\n“And a fair is a good place to start, I guess.”\nThe colonel and his scrivener huddled together whispering, and then the scrivener sat at the end of the table and dipped his quill and began writing.\nEverybody lined up at the fence and stood for a moment admiring Wilbur and the beautiful green crate.\nAnd then shall many stumble, and shall deliver up one another, and shall hate one another.\nAll winter Wilbur watched over Charlotte’s egg sac as though he were guarding his own children.\nnor yet that he should offer himself often, as the high priest entereth into the holy place year by year with blood not his own;\nAnd all the people came early in the morning to him in the temple, to hear him. \nAnd he was three days without sight, and did neither eat nor drink.\nIt seemed as though everybody was after him.\nThe pig walked out to his yard.\nSo he inquired of them the hour when he began to amend. They said therefore unto him, Yesterday at the seventh hour the fever left him.\nFor as I passed along, and observed the objects of your worship, I found also an altar with this inscription, TO AN UNKNOWN GOD. What therefore ye worship in ignorance, this I set forth unto you.\nBut I say, Did Israel not know? First Moses saith, I will provoke you to jealousy with that which is no nation, With a nation void of understanding will I anger you.\nHe sat on a big downed log with a raucous group of old men drinking from a shared bottle.\nThen where we going?\nHe waited by the tree until dawn for the outcome to his prayer.\nHe worked until he had sweated through his clothes and something in the small of his back had given out and prevented him from standing up straight.\nAnd the scribes and the Pharisees bring a woman taken in adultery; and having set her in the midst,\nbut in every nation he that feareth him, and worketh righteousness, is acceptable to him.\nAnd a man cannot crawl under a rock and disappear.\nNow from the fig tree learn her parable: when her branch is now become tender, and putteth forth its leaves, ye know that the summer is nigh;\nand he shall say, I tell you, I know not whence ye are; depart from me, all ye workers of iniquity.\nAnd when they draw nigh unto Jerusalem, unto Bethphage and Bethany, at the mount of Olives, he sendeth two of his disciples,\nand they sat and watched him there.\nAnd angels that kept not their own principality, but left their proper habitation, he hath kept in everlasting bonds under darkness unto the judgment of the great day.\nHowbeit we know this man whence he is: but when the Christ cometh, no one knoweth whence he is.\nPeople get pushed too far, they lose their heads.\nthat, being justified by his grace, we might be made heirs according to the hope of eternal life.\nFor as touching those who were once enlightened and tasted of the heavenly gift, and were made partakers of the Holy Spirit,\nNow concerning spiritual gifts, brethren, I would not have you ignorant.\nThe air was filled with the terrible gases and smells from the rotten egg.\nIf they were this hungry now, just after the fall of leaves, what would it be when the Bone Moon came?\n“My, my. she said. “Henry Fussy. Think of that!”\nAnd a voice came unto him again the second time, What God hath cleansed, make not thou common.\nAnd those are they that were sown upon the good ground; such as hear the word, and accept it, and bear fruit, thirtyfold, and sixtyfold, and a hundredfold.\nOne day more than a hundred people came to stand at his yard and admire him.\nBut Philip was found at Azotus: and passing through he preached the gospel to all the cities, till he came to Cæsarea. \nFor if I do this of mine own will, I have a reward: but if not of mine own will, I have a stewardship intrusted to me.\n“It can handle anything.\nAnd coming into his own country he taught them in their synagogue, insomuch that they were astonished, and said, Whence hath this man this wisdom, and these mighty works?\nHe that speaketh from himself seeketh his own glory: but he that seeketh the glory of him that sent him, the same is true, and no unrighteousness is in him.\nFrom the edge of the woods, the white-throated sparrow  (which must come all the way from Boston) calls, “Oh, Peabody, Peabody, Peabody!”\nBut Peter said unto him, Thy silver perish with thee, because thou hast thought to obtain the gift of God with money.\nfrom the blood of Abel unto the blood of Zachariah, who perished between the altar and the sanctuary: yea, I say unto you, it shall be required of this generation.\nI owe my very life to her.\nIt often had a sort of peaceful smell — as though nothing bad could happen ever again in the world.\nAnd the woman whom thou sawest is the great city, which reigneth over the kings of the earth. \nAnd it was told him, Thy mother and thy brethren stand without, desiring to see thee.\nBut she is happier if she abide as she is, after my judgment: and I think that I also have the Spirit of God. \n“Goose?” said Charlotte.\nBut they, passing through from Perga, came to Antioch of Pisidia; and they went into the synagogue on the sabbath day, and sat down.\n“Templeton, said Wilbur, “if you weren't so dopey, you would have noticed that Charlotte has made an egg sac.\nGrace to you and peace be multiplied in the knowledge of God and of Jesus our Lord;\nFor he of whom these things are said belongeth to another tribe, from which no man hath given attendance at the altar.\nAnd it had started snowing a lot.\nLook to yourselves, that ye lose not the things which we have wrought, but that ye receive a full reward.\nAnd there came a scribe, and said unto him, Teacher, I will follow thee whithersoever thou goest.\nAnd they were all amazed, insomuch that they questioned among themselves, saying, What is this? a new teaching! with authority he commandeth even the unclean spirits, and they obey him.\nAnd he lifted up his eyes on his disciples, and said, Blessed are ye poor: for yours is the kingdom of God.\nFor which of you, desiring to build a tower, doth not first sit down and count the cost, whether he have wherewith to complete it?\nbeing only (with meats and drinks and divers washings) carnal ordinances, imposed until a time of reformation.\nBut the father said to his servants, Bring forth quickly the best robe, and put it on him; and put a ring on his hand, and shoes on his feet:\nSome of the multitude therefore, when they heard these words, said, This is of a truth the prophet.\nAnd they all wept sore, and fell on Paul’s neck and kissed him,\n“No trouble at all.\nShe uses a dry, tough thread for foundation lines, and she uses a sticky thread for snare lines—the ones that catch and hold insects.\nAnd it came to pass, as they were parting from him, Peter said unto Jesus, Master, it is good for us to be here: and let us make three tabernacles; one for thee, and one for Moses, and one for Elijah: not knowing what he said.\n“At my age it’s a good idea to keep gaining.”\nHalf of him they’d eaten fresh, and half of him had been shaved into thin strips and hung from drying frames to jerk near the fire.\n“I’ll be a friend to you.\nAnd then she started feeding her chickens from grain she held basined in her apron.\nBut I call God for a witness upon my soul, that to spare you I forbare to come unto Corinth.\nWest.\nBut if the truth of God through my lie abounded unto his glory, why am I also still judged as a sinner?\nBut mostly it smelled of hay, for there was always hay in the great loft up overhead.\nAnd when they had crossed over, they came to the land, unto Gennesaret.\nBut unto us God revealed them through the Spirit: for the Spirit searcheth all things, yea, the deep things of God.\nLet these words sink into your ears: for the Son of man shall be delivered up into the hands of men.\nbut his disciples took him by night, and let him down through the wall, lowering him in a basket.\nHer house was afire and black smoke rose to meet the low clouds before she made the second turning in the trail.\nbut how he now seeth, we know not; or who opened his eyes, we know not: ask him; he is of age; he shall speak for himself.\nthat the ordinance of the law might be fulfilled in us, who walk not after the flesh, but after the Spirit.\nThere are also celestial bodies, and bodies terrestrial: but the glory of the celestial is one, and the glory of the terrestrial is another.\nAnd it came to pass soon afterwards, that he went to a city called Nain; and his disciples went with him, and a great multitude.\nBut when he heard these things, he became exceeding sorrowful; for he was very rich.\nMrs. Zuckerman lay dreaming about a deep freeze unit.\nHe had been out alone under a low sky, moving up a narrow cove north of here into a deep closed landscape, a cut in earth so sharp he sometimes had to walk the creek like it was a trail because the cove walls narrowed and rose straight from the lapping water of the creek edge.\nWhen I am in the world, I am the light of the world.\nand those that weep, as though they wept not; and those that rejoice, as though they rejoiced not; and those that buy, as though they possessed not;\nEven when sickness half emptied their towns, they kept their writing.\nBrethren, my heart’s desire and my supplication to God is for them, that they may be saved.\nOf whom we have many things to say, and hard of interpretation, seeing ye are become dull of hearing.\nDon’t go.\nIt was the kind of barn that children like to play in.\nFor there shall arise false Christs, and false prophets, and shall show great signs and wonders; so as to lead astray, if possible, even the elect.\nNow the chief priests and the elders persuaded the multitudes that they should ask for Barabbas, and destroy Jesus.\nThe servant therefore fell down and worshipped him, saying, Lord, have patience with me, and I will pay thee all.\nHe findeth first his own brother Simon, and saith unto him, We have found the Messiah (which is, being interpreted, Christ).\nand asked of him letters to Damascus unto the synagogues, that if he found any that were of the Way, whether men or women, he might bring them bound to Jerusalem.\nwhether Paul, or Apollos, or Cephas, or the world, or life, or death, or things present, or things to come; all are yours;\nFor I am not ashamed of the gospel: for it is the power of God unto salvation to every one that believeth; to the Jew first, and also to the Greek.\nUpon the first day of the week let each one of you lay by him in store, as he may prosper, that no collections be made when I come.\nFor my yoke is easy, and my burden is light. \nNow, all of you must have noticed what’s been going on around here the last few days.\nI didn’t know all the names.\nAnd ye shall be hated of all men for my name’s sake: but he that endureth to the end, the same shall be saved.\nbut sin, finding occasion, wrought in me through the commandment all manner of coveting: for apart from the law sin is dead.\nbut God giveth it a body even as it pleased him, and to each seed a body of its own.\nTell us therefore, What thinkest thou? Is it lawful to give tribute unto Cæsar, or not?\nforbidding to marry, and commanding to abstain from meats, which God created to be received with thanksgiving by them that believe and know the truth.\nSoon, belief in these visions and revelations became widespread, and trails from the foothills up to the mountains began filling with pilgrims.\nAnd seeing a fig tree by the way side, he came to it, and found nothing thereon, but leaves only; and he saith unto it, Let there be no fruit from thee henceforward for ever. And immediately the fig tree withered away.\nFor he was numbered among us, and received his portion in this ministry.\nThis natural sympathy is kept alive by the appeals of those interested in their opposition to a removal and by the representation made to them of any thing but advantage in such an arrangement.\nMajor Ridge had sent them to Connecticut for their educations, and when they could read Latin and write fluently in every verse form common to the English language, they came back to the Nation dressed to the teeth in the latest fashion, riding in matched cabriolets drawn by matching teams, and married to matching white wives, all four of them unimaginably young and burning to make progressive reforms in every department of life you could name.\nAnd the two disciples heard him speak, and they followed Jesus.\nAnd there stood up one of them named Agabus, and signified by the Spirit that there should be a great famine over all the world: which came to pass in the days of Claudius.\n“Run uphill!” cried the sheep.\n“Hey, look at that big spider!” he said.\nFor this is the will of my Father, that every one that beholdeth the Son, and believeth on him, should have eternal life; and I will raise him up at the last day.\nHe had the habit of including the word perhaps in nearly every order he gave.\nHe watched his chance and when no one was looking he crept into the crate and buried himself in the straw at the bottom.\nThe runners would have to be on top of him to see it through the brush.\nbut like as he who called you is holy, be ye yourselves also holy in all manner of living;\nSalute Asyncritus, Phlegon, Hermes, Patrobas, Hermas, and the brethren that are with them.\nSeeing that many glory after the flesh, I will glory also.\nYe have lived delicately on the earth, and taken your pleasure; ye have nourished your hearts in a day of slaughter.\nAfterward came also the other virgins, saying, Lord, Lord, open to us.\nlet the women keep silence in the churches: for it is not permitted unto them to speak; but let them be in subjection, as also saith the law.\nMuch every way: first of all, that they were intrusted with the oracles of God.\nBut I say unto you that hear, Love your enemies, do good to them that hate you,\nNow the chief priests and the whole council sought witness against Jesus to put him to death; and found it not.\nThe fish was caught by one fin, Mother; its tail was wildly thrashing and shining in the sun.\nAnd he said unto them, Why are ye fearful? have ye not yet faith?\nBeing therefore always of good courage, and knowing that, whilst we are at home in the body, we are absent from the Lord\nAnd John’s disciples and the Pharisees were fasting: and they come and say unto him, Why do John’s disciples and the disciples of the Pharisees fast, but thy disciples fast not?\nIt began when Charley’s wife, Nancy, had grown tired.\nThere was set there a vessel full of vinegar: so they put a sponge full of the vinegar upon hyssop, and brought it to his mouth.\nShe would take a stick and trace the outline of his lower body as children trace their hands.\nMy little children, let no man lead you astray: he that doeth righteousness is righteous, even as he is righteous:\nIn that hour came the disciples unto Jesus, saying, Who then is greatest in the kingdom of heaven?\nOn the morrow he seeth Jesus coming unto him, and saith, Behold, the Lamb of God, that taketh away the sin of the world!\nShe held her nose and ran toward the house.\nThe next morning by the fire, with coffee boiling and side meat frying, Smith got all proper and priggish and said, I fault myself for an excess of frankness last night.\nHe had scooped out a special place in the manure for the sac, next to the board fence.\nSo the band and the chief captain, and the officers of the Jews, seized Jesus and bound him,\nWell; by their unbelief they were broken off, and thou standest by thy faith. Be not highminded, but fear:\nAnd he suffered him not, but saith unto him, Go to thy house unto thy friends, and tell them how great things the Lord hath done for thee, and how he had mercy on thee.\nbut I say unto you, that every one who is angry with his brother shall be in danger of the judgment; and whosoever shall say to his brother, Raca, shall be in danger of the council; and whosoever shall say, Thou fool, shall be in danger of the hell of fire.\nAnd when he was come, the Jews that had come down from Jerusalem stood round about him, bringing against him many and grievous charges which they could not prove;\nBut with me it is a very small thing that I should be judged of you, or of man’s judgment: yea, I judge not mine own self.\nBut I am going to save you, and I want you to quiet down immediately.\nhaving hope toward God, which these also themselves look for, that there shall be a resurrection both of the just and unjust.\nAh! what have we to do with thee, Jesus thou Nazarene? art thou come to destroy us? I know thee who thou art, the Holy One of God.\nAnd he said unto them, Which of you shall have a friend, and shall go unto him at midnight, and say to him, Friend, lend me three loaves;\nWilbur sank to his knees, all radiance gone.\nBut woe unto you that are rich! for ye have received your consolation.\nFrom henceforth I tell you before it come to pass, that, when it is come to pass, ye may believe that I am he.\nShe sat with head tucked under a wing.\nAnd he was teaching in one of the synagogues on the sabbath day.\nAnd they also, if they continue not in their unbelief, shall be grafted in: for God is able to graft them in again.\nThey said therefore one to another, Let us not rend it, but cast lots for it, whose it shall be: that the scripture might be fulfilled, which saith, They parted my garments among them, And upon my vesture did they cast lots.\nYour fathers ate the manna in the wilderness, and they died.\n“Seven is a lucky number.”\none Lord, one faith, one baptism,\nIt is not easy to look radiant, but Wilbur threw himself into it with a will.\nBut he spake of the temple of his body.\nAnd he entered into a boat, and crossed over, and came into his own city.\nFor when by reason of the time ye ought to be teachers, ye have need again that some one teach you the rudiments of the first principles of the oracles of God; and are become such as have need of milk, and not of solid food.\n“Welcome to the barn cellar.\n“The fish lost the fight.\n“Be quiet, Templeton!” said the sheep.\nThey therefore cried out, Away with him, away with him, crucify him! Pilate saith unto them, Shall I crucify your King? The chief priests answered, We have no king but Cæsar.\nAnd these are they by the way side, where the word is sown; and when they have heard, straightway cometh Satan, and taketh away the word which hath been sown in them.\nAnd the Lord said unto him, Now ye the Pharisees cleanse the outside of the cup and of the platter; but your inward part is full of extortion and wickedness.\nAnd there accompanied him as far as Asia, Sopater of Beroea, the son of Pyrrhus; and of the Thessalonians, Aristarchus and Secundus; and Gaius of Derbe, and Timothy; and of Asia, Tychicus and Trophimus.\nbut glory and honor and peace to every man that worketh good, to the Jew first, and also to the Greek:\nNow Judas also, who betrayed him, knew the place: for Jesus oft-times resorted thither with his disciples.\nLet us therefore give diligence to enter into that rest, that no man fall after the same example of disobedience.\nAre they ministers of Christ? (I speak as one beside himself) I more; in labors more abundantly, in prisons more abundantly, in stripes above measure, in deaths oft.\n“Wilbur’s all right now,” said Fern.\nAnd when they had read it, they rejoiced for the consolation.\nNay, in all these things we are more than conquerors through him that loved us.\n“But it’s unfair,” cried Fern.\nAnd he drove them from the judgment-seat.\nHe stepped through the fence into his yard.\nShe lived about three miles away.\nand when they were come over against Mysia, they assayed to go into Bithynia; and the Spirit of Jesus suffered them not;\nWhen he hath put forth all his own, he goeth before them, and the sheep follow him: for they know his voice.\n“Is it a plaything?”\nOnce when I was a young man, I had a girlfriend.\nThe man answered and said unto them, Why, herein is the marvel, that ye know not whence he is, and yet he opened mine eyes.\nOf course, not a broken one.\nFor every one shall be salted with fire.\nI desire therefore that the men pray in every place, lifting up holy hands, without wrath and disputing.\nbut if ye have respect of persons, ye commit sin, being convicted by the law as transgressors.\nCharley was too weary to hold any hope of killing a hog with just a hatchet.\nAnd he sent yet another servant: and him also they beat, and handled him shamefully, and sent him away empty.\nThe short of it was, French didn’t sound a bit like I thought it would.\nAnd he left them, and again entering into the boat departed to the other side.\n“Its name is Wilbur,” she whispered to herself.\n“Look out for Zuckerman!” yelled the gander.\nHe urgently needed to tell me about a visit to his homestead by a little party of pilgrims.\nConcerning therefore the eating of things sacrificed to idols, we know that no idol is anything in the world, and that there is no God but one.\nHis neighbors stopped laughing when Sequoyah's six-year-old daughter, Ayoka, learned to read.\nTo flee or hide or surrender?\nmen that have hazarded their lives for the name of our Lord Jesus Christ.\nBut to each one is given the manifestation of the Spirit to profit withal.\nThe border, leastways, said the Philadelphia boy.\nJesus saith unto him, Thou hast said: nevertheless I say unto you, Henceforth ye shall see the Son of man sitting at the right hand of Power, and coming on the clouds of heaven.\n“Now I knock him out, so he’ll be more comfortable.” She bit the fly.\nWherefore remember, that once ye, the Gentiles in the flesh, who are called Uncircumcision by that which is called Circumcision, in the flesh, made by hands;\nThey believed him, for he looked every day of that age, and I vouched for his harmlessness and frailty.\nWilbur rushed out, ate everything in a hurry, and licked the trough.\nBrethren, let each man, wherein he was called, therein abide with God.\nSo then, my beloved, even as ye have always obeyed, not as in my presence only, but now much more in my absence, work out your own salvation with fear and trembling;\nThey stared and stared for a long time at Wilbur.\nBy any standard, I looked irreproachable.\nOn an apple bough, the phoebe teeters and wags its tail and says, “Phoebe, phoe-bee! ” The song sparrow, who knows how brief and lovely life is, says, “Sweet, sweet, sweet interlude; sweet, sweet, sweet interlude.”\nthat thou keep the commandment, without spot, without reproach, until the appearing of our Lord Jesus Christ:\nFor finding fault with them, he saith, Behold, the days come, saith the Lord, That I will make a new covenant with the house of Israel and with the house of Judah;\nFor if thou wast cut out of that which is by nature a wild olive tree, and wast grafted contrary to nature into a good olive tree; how much more shall these, which are the natural branches, be grafted into their own olive tree?\nWhen I get ready to lay eggs, I have to lay eggs, Fair or no Fair.\nwhich we have as an anchor of the soul, a hope both sure and stedfast and entering into that which is within the veil;\nThere is one glory of the sun, and another glory of the moon, and another glory of the stars; for one star differeth from another star in glory.\nSo he cometh to a city of Samaria, called Sychar, near to the parcel of ground that Jacob gave to his son Joseph:\nI went over and said, Boys, this is not your country, and I guess you feel uneasy in it.\nThen he dried himself with an imaginary towel.\nMy age, I guess.”\nJesus therefore said, Yet a little while am I with you, and I go unto him that sent me.\nBehold, your house is left unto you desolate.\nThat disciple therefore whom Jesus loved saith unto Peter, It is the Lord. So when Simon Peter heard that it was the Lord, he girt his coat about him (for he was naked), and cast himself into the sea.\nBlessed are they that hunger and thirst after righteousness: for they shall be filled.\nFlies, bugs, grasshoppers, choice beetles, moths, butterflies, tasty cockroaches, gnats, midges, daddy longlegs, centipedes, mosquitoes, crickets —  anything that is careless enough to get caught in my web. I have to live, don't I?”\n“Will Mr. Homer Zuckerman bring his famous pig to the judges’ booth in front of the grandstand.\nFor this people’s heart is waxed gross, And their ears are dull of hearing, And their eyes they have closed; Lest haply they should perceive with their eyes, And hear with their ears, And understand with their heart, And should turn again, And I should heal them.\nI John, your brother and partaker with you in the tribulation and kingdom and patience which are in Jesus, was in the isle that is called Patmos, for the word of God and the testimony of Jesus.\nLurvy was in bed by eight-thirty.\nThe next morning, as the soldiers prepared to drive them away, the men hid the hatchets under their clothes with no notion other than that edged implements might become useful.\nJesus therefore said unto them, Verily, verily, I say unto you, It was not Moses that gave you the bread out of heaven; but my Father giveth you the true bread out of heaven.\nWhen he returned to the barn, he carried in his mouth an advertisement he had torn from a crumpled magazine.\nAnd he went out, and followed; and he knew not that it was true which was done by the angel, but thought he saw a vision.\nBehold, the hire of the laborers who mowed your fields, which is of you kept back by fraud, crieth out: and the cries of them that reaped have entered into the ears of the Lord of Sabaoth.\nBut one night, it was cold, but I left her house that night close to midnight.\nThe goose knew a day in advance that they were coming—she could hear their weak voices calling from inside the egg.\nAnd I saw another beast coming up out of the earth; and he had two horns like unto a lamb, and he spake as a dragon.\nAnd he said unto them, Take nothing for your journey, neither staff, nor wallet, nor bread, nor money; neither have two coats.\nBut not even Titus who was with me, being a Greek, was compelled to be circumcised:\nThe pain revived Wilbur.\nHave we no right to lead about a wife that is a believer, even as the rest of the apostles, and the brethren of the Lord, and Cephas?\nBut he giveth more grace. Wherefore the scripture saith, God resisteth the proud, but giveth grace to the humble.\nBehold, ye despisers, and wonder, and perish; For I work a work in your days, A work which ye shall in no wise believe, if one declare it unto you.\nAnd a certain young man followed with him, having a linen cloth cast about him, over his naked body: and they lay hold on him;\nAnd those on the rock are they who, when they have heard, receive the word with joy; and these have no root, who for a while believe, and in time of temptation fall away.\nIt seemed unimaginably large.\nAnd Paul stood in the midst of the Areopagus, and said, Ye men of Athens, in all things I perceive that ye are very religious.\nHe and Mr. Arable and Lurvy and Avery grabbed the crate and boosted it over the side of the pen and up into the truck.\nCharley overturned creek rocks to find crawfish, and one by one as he found them, he pinched their whiskered heads and snapping foreclaws off between thumb and forefinger and ate the tails and whatever hind legs remained while they still pulsed in a last attempt at flight.\nNext morning when the first light came into the sky and the sparrows stirred in the trees, when the cows rattled their chains and the rooster crowed and the early automobiles went whispering along the road,  Wilbur awoke and looked for Charlotte.\nfor they are spirits of demons, working signs; which go forth unto the kings of the whole world, to gather them together unto the war of the great day of God, the Almighty.\nI met Mrs. Chapman at other parties and was initially only polite to her, given the Mrs. attached to her name.\nHe stood in the entryway to his cabin with one hand holding back the greasy deerhide that served as door and the other hand visored over his cloudy eyes, looking out to where we sat our horses in the rain.\nFor I would not, brethren, have you ignorant of this mystery, lest ye be wise in your own conceits, that a hardening in part hath befallen Israel, until the fulness of the Gentiles be come in;\nas it is written, He hath scattered abroad, he hath given to the poor; His righteousness abideth for ever.\n“Congratulations!” shouted Wilbur.\nMy, my!\nAnd that to feed a dozen people.\nBlessed are they that wash their robes, that they may have the right to come to the tree of life, and may enter in by the gates into the city.\nFor as the Father hath life in himself, even so gave he to the Son also to have life in himself:\nAnd don’t eat a lot of stuff that's going to make you sick to your stomachs.”\nI recollect that you’re an attorney.\n“Don't worry about my stomach,” snarled Templeton.\nFor verily I say unto you, Till heaven and earth pass away, one jot or one tittle shall in no wise pass away from the law, till all things be accomplished.\nBut the governor answered and said unto them, Which of the two will ye that I release unto you? And they said, Barabbas.\nI made it pretty far before I stopped; I turned back and in the distance… \nIf anybody can think of another message, or remark, I'll be glad to weave it into the web.\nAnd when much time was spent, and the voyage was now dangerous, because the Fast was now already gone by, Paul admonished them,\nOf easy wind and downy flake.\n“Bee-bee-bee!”\nBeware therefore, lest that come upon you which is spoken in the prophets:\nlonging to see thee, remembering thy tears, that I may be filled with joy;\nAnd straightway in the synagogues he proclaimed Jesus, that he is the Son of God.\nBright autumn, normally the driest month of the year, was like a new unsatisfactory season interjected into the year’s round, warm and wet and yet the tree limbs stark as shattered glass against the grey sky and the goldenrod and ironweed and joe-pye weed all beat down to brown trash on the ground.\nI have to get my own living. I live by my wits. I have to be sharp and clever, lest I go hungry.\n“I know where there's a package of soap flakes in the woodshed.\nOthers said, These are not the sayings of one possessed with a demon. Can a demon open the eyes of the blind?\n“Run along, if you want to see more of the Fair.”\nWhen he tired of this, he walked indoors, climbed to the top of the manure pile, and sat down. He didn’t feel like going to sleep, he didn’t feel like digging, he was tired of standing still, tired of lying down.\nFor he said unto him, Come forth, thou unclean spirit, out of the man.\nAnd his head was brought on a platter, and given to the damsel: and she brought it to her mother.\nAnd when Jesus saw her, he called her, and said to her, Woman, thou art loosed from thine infirmity.\nIt shall turn out unto you for a testimony.\nBut when the multitudes saw it, they were afraid, and glorified God, who had given such authority unto men.\nOne night when we returned home, our dog was barking fiercely as if he were barking at some animal close by.\nHe could have reached out and hit them with a stick.\nBut there stood up one in the council, a Pharisee, named Gamaliel, a doctor of the law, had in honor of all the people, and commanded to put the men forth a little while.\nlooking carefully lest there be any man that falleth short of the grace of God; lest any root of bitterness springing up trouble you, and thereby the many be defiled;\nBless my soul, I believe it was old Templeton.\nAnd behold, there appeared unto them Moses and Elijah talking with him.\nHe's modest and can’t stand praise.”\nBut they were urgent with loud voices, asking that he might be crucified. And their voices prevailed.\ntraitors, headstrong, puffed up, lovers of pleasure rather than lovers of God;\nThere was one thing that disturbed their happy lives . . . Spearfinger!  \nBear’s face did not shift one way or the other.\nHe sat with his back against a tree and looked up through the bare winter woods toward the highest peaks and sent out a prayer to the bear and all his animal brethren, speaking aloud without hope or despair.\nThen Pilate therefore took Jesus, and scourged him.\nA light for revelation to the Gentiles, And the glory of thy people Israel.\nAnd he asked them, But who say ye that I am? Peter answereth and saith unto him, Thou art the Christ.\nThe children of thine elect sister salute thee.\nwhose voice then shook the earth: but now he hath promised, saying, Yet once more will I make to tremble not the earth only, but also the heaven.\n“What's up? he asked, seeing the animals assembled.\nWhence come wars and whence come fightings among you? come they not hence, even of your pleasures that war in your members?\nThe horses were long gone—traded to Axe, first one and then the other—during late summer and early fall.\nYea and in your law it is written, that the witness of two men is true.\nOne day she was hanging around on the web and a tiny fish leaped into the air and got tangled in the web.\nWhat is it then? I will pray with the spirit, and I will pray with the understanding also: I will sing with the spirit, and I will sing with the understanding also.\n“Over and gone, over and gone.\nAnd Joseph arose from his sleep, and did as the angel of the Lord commanded him, and took unto him his wife;\nBut I say that so long as the heir is a child, he differeth nothing from a bondservant though he is lord of all;\n“Why can’t you?” asked the pig.\nOnly Wilbur—ilbur-ilbur is going to the Fair.”\nHis eyes grew wet with tears.\nAnd if also a man contend in the games, he is not crowned, except he have contended lawfully.\nFern was just about to jump up when a voice was heard.\nMet with many young representatives, and even a couple of old regal senators, one of them the famously contentious John C. Calhoun.\n“Hey, watch me!” yelled Avery, crawling on all fours into the crate.\nI'm in pain! I'm in pain!\nand when they had withdrawn, they spake one to another, saying, This man doeth nothing worthy of death or of bonds.\nHe was partly blinded.\nAnd he went out about the third hour, and saw others standing in the marketplace idle;\nbut the other proclaim Christ of faction, not sincerely, thinking to raise up affliction for me in my bonds.\nI stood and waited, and in a minute the colonel lost his place in his own thoughts and fell silent.\nAnd I saw a great white throne, and him that sat upon it, from whose face the earth and the heaven fled away; and there was found no place for them.\n“ ‘Humble’ has two meanings.\nThen, only a day later, nothing but watery grey soup of feet and necks and gizzards.\naccording to the custom of the priest’s office, his lot was to enter into the temple of the Lord and burn incense.\nAll my affairs shall Tychicus make known unto you, the beloved brother and faithful minister and fellow-servant in the Lord:\nBut this year the pigeons came only in ones and twos, and then after a few days they were suddenly gone altogether.\nNow the parable is this: The seed is the word of God.\nBut he that looketh into the perfect law, the law of liberty, and so continueth, being not a hearer that forgetteth but a doer that worketh, this man shall be blessed in his doing.\nSilver trinkets and talk of the Great White Father got nowhere with them.\nHe saith unto him the third time, Simon, son of John, lovest thou me? Peter was grieved because he said unto him the third time, Lovest thou me? And he said unto him, Lord, thou knowest all things; thou knowest that I love thee. Jesus saith unto him, Feed my sheep.\nNo man hath beheld God at any time: if we love one another, God abideth in us, and his love is perfected in us:\nBut Jesus said, Some one did touch me; for I perceived that power had gone forth from me.\nThey could smell the dust of the race track where the sprinkling cart had moistened it; and they could smell hamburgers frying and see balloons aloft.\nThe autumn days grew shorter, Lurvy brought the squashes and pumpkins in from the garden and piled them on the barn floor, where they wouldn't get nipped on frosty nights.\nYou see, I must stay looking strong\nThey say therefore unto the blind man again, What sayest thou of him, in that he opened thine eyes? And he said, He is a prophet.\nI'll have to ask you to try again.”\nAnd when his friends heard it, they went out to lay hold on him: for they said, He is beside himself.\nand there died the third part of the creatures which were in the sea, even they that had life; and the third part of the ships was destroyed.\nFaithful is the saying, and worthy of all acceptation.\nAnd when Jesus came into the ruler’s house, and saw the flute-players, and the crowd making a tumult,\nEveryone rejoiced to find that the miracle o f the web had been repeated.\nTo him therefore that knoweth to do good, and doeth it not, to him it is sin. \n“You’re certainly making a beautiful noise,” snapped the old sheep.\nAnd he said unto them, Cast the net on the right side of the boat, and ye shall find. They cast therefore, and now they were not able to draw it for the multitude of fishes.\nBear said.\n“What’s going on, Zuckerman?\nAnd he said unto them, I beheld Satan fallen as lightning from heaven.\nAnd they made a calf in those days, and brought a sacrifice unto the idol, and rejoiced in the works of their hands.\nLet them alone: they are blind guides. And if the blind guide the blind, both shall fall into a pit.\nThe travel with the soldiers, the capture of Charley, the killings.\nAnd what I say unto you I say unto all, Watch. \nSee my hands and my feet, that it is I myself: handle me, and see; for a spirit hath not flesh and bones, as ye behold me having.\nThinking was not what the moment called for.\nWhen I was daily with you in the temple, ye stretched not forth your hands against me: but this is your hour, and the power of darkness.\nAnd Jesus lifted up himself, and said unto her, Woman, where are they? did no man condemn thee?\nAt last Wilbur saw the creature that had spoken to him in such a kindly way.\nWherefore putting away all filthiness and overflowing of wickedness, receive with meekness the implanted word, which is able to save your souls.\nAnd there, where I was walking, something was suddenly standing in the middle of the road.\nYe look at the things that are before your face. If any man trusteth in himself that he is Christ’s, let him consider this again with himself, that, even as he is Christ’s, so also are we.\nThat began the period of time when I refused to wear any outfit in which the hat failed to correspond with the clothes.\nSo because thou art lukewarm, and neither hot nor cold, I will spew thee out of my mouth.\ninsomuch that they even carried out the sick into the streets, and laid them on beds and couches, that, as Peter came by, at the least his shadow might overshadow some one of them.\nBut Saul, yet breathing threatening and slaughter against the disciples of the Lord, went unto the high priest,\nHe decided to change the subject.\nAnd if ye salute your brethren only, what do ye more than others? do not even the Gentiles the same?\nWhat he believed then was that Green Man and God were not going to save him or his people.\nto speak evil of no man, not to be contentious, to be gentle, showing all meekness toward all men.\nWhat then shall we say that Abraham, our forefather, hath found according to the flesh?\n“Oh, keep quiet!” hollered Fern.\nAnd as Lydda was nigh unto Joppa, the disciples, hearing that Peter was there, sent two men unto him, entreating him, Delay not to come on unto us.\nyet, looking unto the promise of God, he wavered not through unbelief, but waxed strong through faith, giving glory to God,\n“It’s never been done.”\nBut certain of the Pharisees said, Why do ye that which it is not lawful to do on the sabbath day?\nNow when Jesus heard it, he withdrew from thence in a boat, to a desert place apart: and when the multitudes heard thereof, they followed him on foot from the cities.\nAnd they come again to Jerusalem: and as he was walking in the temple, there come to him the chief priests, and the scribes, and the elders;\n(for when Gentiles that have not the law do by nature the things of the law, these, not having the law, are the law unto themselves;\nHe said, I’m meant to come home someday with honors.\nThe pig stared at her.\nCome morning, I’d put the traveling clothes back on, wet and cold until they warmed up to body temperature, but that was better than being miserable all the time.\n“Everybody watch!” he cried.\n“Let's see it!” said Avery, setting his gun down.\nAnd Ananias departed, and entered into the house; and laying his hands on him said, Brother Saul, the Lord, even Jesus, who appeared unto thee in the way which thou camest, hath sent me, that thou mayest receive thy sight, and be filled with the Holy Spirit.\nFor hereunto were ye called: because Christ also suffered for you, leaving you an example, that ye should follow his steps:\nIt’s true, and I have to say what is true.\nHe vanished into the shadows.\nHowbeit the Most High dwelleth not in houses made with hands; as saith the prophet,\nAnd they come, bringing unto him a man sick of the palsy, borne of four.\nNow I beseech you, brethren, by our Lord Jesus Christ, and by the love of the Spirit, that ye strive together with me in your prayers to God for me;\n“Can I take this to mean,” asked Wilbur, “that you have definitely decided to live here in the barn cellar, and that I am going to have three friends?”\nThen they went running upward into the mountains.\n“You'll worry all right on a zero morning next January when Wilbur is dead and nobody comes down here with a nice pail of warm slops to pour into the trough.\nBut these rail at whatsoever things they know not: and what they understand naturally, like the creatures without reason, in these things are they destroyed.\nThe children no longer wept. They were all silent except for their hard breathing.\nWhite bones gnawed by porcupines.\nFor this Melchizedek, king of Salem, priest of God Most High, who met Abraham returning from the slaughter of the kings and blessed him,\nThat’s what the immediate future looked like it was shaping up to be.\nAnd he saith unto them, Come ye after me, and I will make you fishers of men.\nthe son of Jesse, the son of Obed, the son of Boaz, the son of Salmon, the son of Nahshon,\nEvery newspaper jackass with a pen and half an hour of unclaimed time gets to take a shot.\nSo then it is not of him that willeth, nor of him that runneth, but of God that hath mercy.\nJesus answered, Are there not twelve hours in the day? If a man walk in the day, he stumbleth not, because he seeth the light of this world.\nAnd when he was gone up, and had broken the bread, and eaten, and had talked with them a long while, even till break of day, so he departed.\nthat there should be no schism in the body; but that the members should have the same care one for another.\nHath not the scripture said that the Christ cometh of the seed of David, and from Bethlehem, the village where David was?\nAnd Jesus, full of the Holy Spirit, returned from the Jordan, and was led in the Spirit in the wilderness\nYea, they bind heavy burdens and grievous to be borne, and lay them on men’s shoulders; but they themselves will not move them with their finger.\nAnd when they heard this they were filled with wrath, and cried out, saying, Great is Diana of the Ephesians.\nThey have been alive for thousands of years.\nFor we have not here an abiding city, but we seek after the city which is to come.\nHe would talk as deep into the night as I would listen, telling me about his day and every flicker of thought and feeling that had crossed his mind.\nThen you'll see what trouble a pig can be.”\nVerily I say unto you, There are some of them that stand here, who shall in no wise taste of death, till they see the Son of man coming in his kingdom. \nto whom we gave place in the way of subjection, no, not for an hour; that the truth of the gospel might continue with you.\nBehold, I send you forth as sheep in the midst of wolves: be ye therefore wise as serpents, and harmless as doves.\nAnd when the living creatures shall give glory and honor and thanks to him that sitteth on the throne, to him that liveth for ever and ever,\nAnd Jesus returned in the power of the Spirit into Galilee: and a fame went out concerning him through all the region round about.\n“Now then — there is no time to be lost.\nBe not ashamed therefore of the testimony of our Lord, nor of me his prisoner: but suffer hardship with the gospel according to the power of God;\nWhen the group had finished putting their names to paper, one of them expressed the opinion that they had just signed their own execution warrants.\nWill the crowd please make way and let the truck pass.\nUnder such circumstances the result of our observations is that the great mass of the Indians in this section of the country are decidedly hostile to emigration, and what is to be lamented, the hope of remaining is kept alive by false representation to a degree that is truly surprising.\nLet's go for a walk in the woods with Asmeret.\n“The management of the Fair takes great pleasure in presenting Mr. Homer L. Zuckerman and his famous pig.\nNo soldier on service entangleth himself in the affairs of this life; that he may please him who enrolled him as a soldier.\nAnd they crucify him, and part his garments among them, casting lots upon them, what each should take.\nof how much sorer punishment, think ye, shall he be judged worthy, who hath trodden under foot the Son of God, and hath counted the blood of the covenant wherewith he was sanctified an unholy thing, and hath done despite unto the Spirit of grace?\nYe hypocrites, ye know how to interpret the face of the earth and the heaven; but how is it that ye know not how to interpret this time?\nand unto none of them was Elijah sent, but only to Zarephath, in the land of Sidon, unto a woman that was a widow.\nAnd when the angel that spake unto him was departed, he called two of his household-servants, and a devout soldier of them that waited on him continually;\nI cannot find a place to stay and wait, until winter is gone.\nBut though we, or an angel from heaven, should preach unto you any gospel other than that which we preached unto you, let him be anathema.\nBut they shall proceed no further: for their folly shall be evident unto all men, as theirs also came to be.\nWhat eating!\nBe it known therefore unto you, that this salvation of God is sent unto the Gentiles: they will also hear.\nI'll bring back a magazine clipping if I can find one.”\nAnd they reasoned with themselves, saying, If we shall say, From heaven; he will say, Why then did ye not believe him?\nSo fighting was out.\nFinally he said that he did not intend to altercate.\nAnd all the people saw him walking and praising God:\nand hearing a multitude going by, he inquired what this meant.\nAnd again he went out from the borders of Tyre, and came through Sidon unto the sea of Galilee, through the midst of the borders of Decapolis.\nAnd I saw an angel standing in the sun; and he cried with a loud voice, saying to all the birds that fly in mid heaven, Come and be gathered together unto the great supper of God;\nBut ye are not in the flesh but in the Spirit, if so be that the Spirit of God dwelleth in you. But if any man hath not the Spirit of Christ, he is none of his.\nAn old hemlock grew on the highest part of this piece of land.\nand the cares of the world, and the deceitfulness of riches, and the lusts of other things entering in, choke the word, and it becometh unfruitful.\nBut when Herod was dead, behold, an angel of the Lord appeareth in a dream to Joseph in Egypt, saying,\nAnd behold, a woman who was in the city, a sinner; and when she knew that he was sitting at meat in the Pharisee’s house, she brought an alabaster cruse of ointment,\n“But I'm not terrific, Charlotte.\nShe sees soil and decomposers everywhere.\nknowing that the putting off of my tabernacle cometh swiftly, even as our Lord Jesus Christ signified unto me.\nAnd having gifts differing according to the grace that was given to us, whether prophecy, let us prophesy according to the proportion of our faith;\nWhen Mr. Arable returned to the house half an hour later, he carried a carton under his arm.\nIf you were a member of a clan, you were an Indian.\nand the second:\nOne afternoon she heard a most interesting conversation and witnessed a strange event.\nToday it is sunny outside.\nand shall dash thee to the ground, and thy children within thee; and they shall not leave in thee one stone upon another; because thou knewest not the time of thy visitation.\nTempleton, not wishing to come out in broad daylight,  stayed quietly under the straw at the bottom of the crate.\nAnd when he was come to the other side into the country of the Gadarenes, there met him two possessed with demons, coming forth out of the tombs, exceeding fierce, so that no man could pass by that way.\nWe are bound to give thanks to God always for you, brethren, even as it is meet, for that your faith groweth exceedingly, and the love of each one of you all toward one another aboundeth;\nOne man hath faith to eat all things: but he that is weak eateth herbs.\nNow Peter and they that were with him were heavy with sleep: but when they were fully awake, they saw his glory, and the two men that stood with him.\nFor these are days of vengeance, that all things which are written may be fulfilled.\nBy faith he kept the passover, and the sprinkling of the blood, that the destroyer of the firstborn should not touch them.\nAnd another also said, I will follow thee, Lord; but first suffer me to bid farewell to them that are at my house.\nFor it hath been the good pleasure of Macedonia and Achaia to make a certain contribution for the poor among the saints that are at Jerusalem.\nBut when they persecute you in this city, flee into the next: for verily I say unto you, Ye shall not have gone through the cities of Israel, till the Son of man be come.\nThe horse gathered himself low on his hindquarters and then galloped off downhill with Smith riding loose and his elbows sticking out and flapping like he wished to take flight.\nDraw nigh to God, and he will draw nigh to you. Cleanse your hands, ye sinners; and purify your hearts, ye doubleminded.\n“Please don't kill it!” she sobbed.\nFor unto which of the angels said he at any time, Thou art my Son, This day have I begotten thee? and again, I will be to him a Father, And he shall be to me a Son?\nIt was a delicious meal— skim milk, wheat middlings, leftover pancakes, half a doughnut, the rind of a summer squash, two pieces of stale toast, a third of a gingersnap, a fish tail, one orange peel, several noodles from a noodle soup, the scum off a cup of cocoa, an ancient jelly roll, a strip of paper from the lining of the garbage pail, and a spoonful of raspberry jello.\nIf you had been sitting quietly in the barn cellar that evening, you would have heard something like this: “Now for the R!\nAnd when it was day, they knew not the land: but they perceived a certain bay with a beach, and they took counsel whether they could drive the ship upon it.\nFor the bodies of those beasts whose blood is brought into the holy place by the high priest as an offering for sin, are burned without the camp.\nwhom I would fain have kept with me, that in thy behalf he might minister unto me in the bonds of the gospel:\nAt noon the Zuckermans and the Arables returned to the pigpen.\nas sorrowful, yet always rejoicing; as poor, yet making many rich; as having nothing, and yet possessing all things.\nWater and air mix with these things are part of the soil, too.\nWell, whether this is one of those times or not, I’d like you to listen to something and then hear what say you in response.\nIt looked like the aftermath of a train wreck.\nAnd Jesus looking upon him loved him, and said unto him, One thing thou lackest: go, sell whatsoever thou hast, and give to the poor, and thou shalt have treasure in heaven: and come, follow me.\nAnd Jesus rebuked him, saying, Hold thy peace, and come out of him.\n“Goodness, are you still thinking about that ol’ Ferris wheel?”  said Avery in disgust.\nsaying, Go your way into the village over against you; in which as ye enter ye shall find a colt tied, whereon no man ever yet sat: loose him, and bring him.\nAnd what we say is yet more abundantly evident, if after the likeness of Melchizedek there ariseth another priest,\nOtherwise, despair.\nAnd he went into their synagogues throughout all Galilee, preaching and casting out demons.\n“However, I have a feeling I’m not going to see the results of last night’s efforts.\nAnd the third angel sounded, and there fell from heaven a great star, burning as a torch, and it fell upon the third part of the rivers, and upon the fountains of the waters;\nWe can’t tell what may happen at the Fair Grounds.\nBut others mocking said, They are filled with new wine.\nBut all he did was raise one hand and give a dismissive gesture in my direction and then begin talking around his pastille about his new boots.\nuntil the day in which he was received up, after that he had given commandment through the Holy Spirit unto the apostles whom he had chosen:\nThen you straddled the knot, so that it acted as a seat.\nIn every direction, mountains hanging like green curtains from the sky.\nAnd his eyes are a flame of fire, and upon his head are many diadems; and he hath a name written which no one knoweth but he himself.\nNow there are diversities of gifts, but the same Spirit.\nA barn is never perfectly quiet.\nHe disappeared into his tunnel, pushing the goose egg in front of him.\nIf ye are reproached for the name of Christ, blessed are ye; because the Spirit of glory and the Spirit of God resteth upon you.\n“Say those names again, I didn’t catch them the first time.”\nLook at my web — doesn’t it show up well with the dew on it?”\n“Run around!” commanded Charlotte.\nThese things have I spoken unto you in dark sayings: the hour cometh, when I shall no more speak unto you in dark sayings, but shall tell you plainly of the Father.\nAnd if a son of peace be there, your peace shall rest upon him: but if not, it shall turn to you again.\nAnd the glory which thou hast given me I have given unto them; that they may be one, even as we are one;\n“Don’t tell me any more.\nWe don’t want Zuckerman to think Wilbur is crunchy.\nYe see that by works a man is justified, and not only by faith.\nWhat about Featherstone?\nAnd one of the elders answered, saying unto me, These that are arrayed in the white robes, who are they, and whence came they?\nThe Jews therefore strove one with another, saying, How can this man give us his flesh to eat?\nAnd he answered and said unto them, Unto you it is given to know the mysteries of the kingdom of heaven, but to them it is not given.\nThen shall two men be in the field; one is taken, and one is left:\nNot flight but slog.\n“It’s the old pail trick, Wilbur.\nHe that hath ears to hear, let him hear.\n“It would serve you right if you had an acute attack of indigestion.”\nso that ye became an ensample to all that believe in Macedonia and in Achaia.\nCharlotte noticed his embarrassment and she spoke sharply to the lamb.\nBut after no long time there beat down from it a tempestuous wind, which is called Euraquilo:\nThe river was high and thick and red with the clay it was carrying.\nAnd as they went forth, behold, there was brought to him a dumb man possessed with a demon.\nand there they preached the gospel.\nAnd he entered and was passing through Jericho.\nHe swam around until he found the entrance he came through.\nAnd Ananias hearing these words fell down and gave up the ghost: and great fear came upon all that heard it.\nand he took the seven loaves and the fishes; and he gave thanks and brake, and gave to the disciples, and the disciples to the multitudes.\nBut he spake exceeding vehemently, If I must die with thee, I will not deny thee. And in like manner also said they all.\nAfter this manner therefore pray ye: Our Father who art in heaven, Hallowed be thy name.\nAnd he gave some to be apostles; and some, prophets; and some, evangelists; and some, pastors and teachers;\nand was there until the death of Herod: that it might be fulfilled which was spoken by the Lord through the prophet, saying, Out of Egypt did I call my son.\nAnd the next day we touched at Sidon: and Julius treated Paul kindly, and gave him leave to go unto his friends and refresh himself.\nNow I would have you all speak with tongues, but rather that ye should prophesy: and greater is he that prophesieth than he that speaketh with tongues, except he interpret, that the church may receive edifying.\nBeware of false prophets, who come to you in sheep’s clothing, but inwardly are ravening wolves.\nto them that are without law, as without law, not being without law to God, but under law to Christ, that I might gain them that are without law.\nFor it is written, that Abraham had two sons, one by the handmaid, and one by the freewoman.\n“Why, how perfectly simple!” she said to herself.\nand they worshipped the dragon, because he gave his authority unto the beast; and they worshipped the beast, saying, Who is like unto the beast? and who is able to war with him?\nBut I'll tell you one thing, Templeton, if I ever catch you poking-oking-oking your ugly nose around our goslings, I'll give you the worst pounding a rat ever took.”\nAnd this report went forth concerning him in the whole of Judæa, and all the region round about.\nHis disciples say, Lo, now speakest thou plainly, and speakest no dark saying.\nFor this is the will of God, even your sanctification, that ye abstain from fornication;\nThe gander discovered the hole and led his family through, and they walked to the orchard and ate the apples that were lying on the ground.\nShe ate a small bug that she had been saving.\nAnd when he opened the seventh seal, there followed a silence in heaven about the space of half an hour.\nI want that pig to have clean, bright straw every day for his bedding.\nAnd amazement took hold on all, and they glorified God; and they were filled with fear, saying, We have seen strange things to-day.\n“Is this appetizing yarn of yours true?\nand a voice came out of the heavens, Thou art my beloved Son, in thee I am well pleased.\nAnd at the season he sent unto the husbandmen a servant, that they should give him of the fruit of the vineyard: but the husbandmen beat him, and sent him away empty.\n“There were eight eggs but one egg didn’t hatch and the goose told Templeton she didn’t want it any more, so he took it away.”\nin hope of eternal life, which God, who cannot lie, promised before times eternal;\nGovernor Ross or Governor Ridge living in a new executive mansion.\nThat's why those shoes hurt me, because they were too small.\n“That doesn't make a particle of difference,” replied Charlotte.\nShe had eight legs, and she was waving one of them at Wilbur in friendly greeting.\n“Well,” said her father, “he’s a runt.\nAs he walked he tried to be brave\nThe women gathered the few items that would help them in their escape.\nHe got out of sight just in time.\nas unknown, and yet well known; as dying, and behold, we live; as chastened, and not killed;\nAnd the city hath no need of the sun, neither of the moon, to shine upon it: for the glory of God did lighten it, and the lamp thereof is the Lamb.\nBut he charged them, and commanded them to tell this to no man;\nAnd into whatsoever city ye enter, and they receive you, eat such things as are set before you:\nThen Jesus therefore said unto them plainly, Lazarus is dead.\nfor indeed ye do it toward all the brethren that are in all Macedonia. But we exhort you, brethren, that ye abound more and more;\n“Scratch it!” yelled Avery, as he sailed back.\nOnce in a while I would go visit her at her house.\nDo all things without murmurings and questionings:\nBut they made light of it, and went their ways, one to his own farm, another to his merchandise;\nTherefore I say unto you, Be not anxious for your life, what ye shall eat, or what ye shall drink; nor yet for your body, what ye shall put on. Is not the life more than the food, and the body than the raiment?\nAnd about the ninth hour Jesus cried with a loud voice, saying, Eli, Eli, lama sabachthani? that is, My God, my God, why hast thou forsaken me?\nHe was a hard man to keep up with for more than a day or two, but I liked him and hated to miss good and useful entertainment.\nThe little spiders waved their forelegs at him.\nBut Jesus called them unto him, and said, Ye know that the rulers of the Gentiles lord it over them, and their great ones exercise authority over them.\n“Come, pig. said Mr. Zuckerman, tapping the pail.\nFor God gave us not a spirit of fearfulness; but of power and love and discipline.\nWherefore, O king Agrippa, I was not disobedient unto the heavenly vision:\nAnd even as Jannes and Jambres withstood Moses, so do these also withstand the truth; men corrupted in mind, reprobate concerning the faith.\nWilbur scrambled to the top of the manure pile.\nAll things therefore whatsoever ye would that men should do unto you, even so do ye also unto them: for this is the law and the prophets.\nAnd they, when they heard it, went out one by one, beginning from the eldest, even unto the last: and Jesus was left alone, and the woman, where she was, in the midst.\nOne only is the lawgiver and judge, even he who is able to save and to destroy: but who art thou that judgest thy neighbor?\n“I’m hungry,” said Stephen.\nThen you would drop down, down, down out of the sky and come sailing back into the barn almost into the hayloft, then sail out again (not quite so far this time), then in again (not quite so high), then out again, then in again, then out, then in; and then you’d jump off and fall down and let somebody else try it.\nFor I delivered unto you first of all that which also I received: that Christ died for our sins according to the scriptures;\nNow there was at Joppa a certain disciple named Tabitha, which by interpretation is called Dorcas: this woman was full of good works and almsdeeds which she did.\nIf any man hath ears to hear, let him hear.\nWhen we could not see anything up there, my dad aimed up toward the branch and fired a shot.\nAnd king Herod heard thereof; for his name had become known: and he said, John the Baptizer is risen from the dead, and therefore do these powers work in him.\n“Here,” she said.\nFinally, be strong in the Lord, and in the strength of his might.\nAnd it came to pass, that, as I made my journey, and drew nigh unto Damascus, about noon, suddenly there shone from heaven a great light round about me.\n“Yes, but you seem specially so today.\nBut when the Comforter is come, whom I will send unto you from the Father, even the Spirit of truth, which proceedeth from the Father, he shall bear witness of me:\nFor Christ is the end of the law unto righteousness to every one that believeth.\nFor this cause therefore the Jews sought the more to kill him, because he not only brake the sabbath, but also called God his own Father, making himself equal with God.\nJesus answered and said unto them, Murmur not among yourselves.\nThere was not a date as exact for that apocalypse as Jackson had given for this one.\nRender unto her even as she rendered, and double unto her the double according to her works: in the cup which she mingled, mingle unto her double.\nWherefore let no one glory in men. For all things are yours;\nHe'd be scared to go to the Fair.”\nHow can you argue against peace?\nThen Herod privily called the Wise-men, and learned of them exactly what time the star appeared.\nThese Indians were about as low as you can get to be.\nI thank God through Jesus Christ our Lord. So then I of myself with the mind, indeed, serve the law of God; but with the flesh the law of sin. \n“I think you’re beautiful,” said Wilbur.\nI liked him a great deal but I had no desire to become Davy Crockett’s understudy, his sidekick, his young buddy.\nAnd his disciples asked him, saying, Why then say the scribes that Elijah must first come?\nI am the living bread which came down out of heaven: if any man eat of this bread, he shall live for ever: yea and the bread which I will give is my flesh, for the life of the world.\nThe foundations of the wall of the city were adorned with all manner of precious stones. The first foundation was jasper; the second, sapphire; the third, chalcedony; the fourth, emerald;\nAnd there come unto him Sadducees, who say that there is no resurrection; and they asked him, saying,\nAnd the angel said unto them, Be not afraid; for behold, I bring you good tidings of great joy which shall be to all the people:\nInstead, they tell us, he invented letters to spell out the sounds of the language.\nWalk in wisdom toward them that are without, redeeming the time.\nLet's see what we can find.\nIt was on a day in early summer that the goose eggs hatched.\nAnd after a little while they that stood by came and said to Peter, Of a truth thou also art one of them; for thy speech maketh thee known.\nThe second is this, Thou shalt love thy neighbor as thyself. There is none other commandment greater than these.\nBeing therefore justified by faith, we have peace with God through our Lord Jesus Christ;\nShe got in the car and drove to his office in the village.\nAnd they that are of Christ Jesus have crucified the flesh with the passions and the lusts thereof.\n“Bath time!” said Zuckerman, cheerfully.\nfor fornicators, for abusers of themselves with men, for menstealers, for liars, for false swearers, and if there be any other thing contrary to the sound doctrine;\nWhen he heard the crowd begin to cheer and clap again, he suddenly fainted away.\n“Thank you,” said the gander.\nWhile I stood there looking at it, something happened to me.\nBut go ye and learn what this meaneth, I desire mercy, and not sacrifice: for I came not to call the righteous, but sinners.\nI glorified thee on the earth, having accomplished the work which thou hast given me to do.\nI can do all things in him that strengtheneth me.\nAnd after the space of about one hour another confidently affirmed, saying, Of a truth this man also was with him; for he is a Galilæan.\nAnd I baptized also the household of Stephanas: besides, I know not whether I baptized any other.\nA deal for services as guide and translator that only I was in a position to render.\nHe had not seen Galway Bay since he was nine years old, and he never expected to see it again this side of the grave.\nAnd he said, How shall we liken the kingdom of God? or in what parable shall we set it forth?\nI know thy works (behold, I have set before thee a door opened, which none can shut), that thou hast a little power, and didst keep my word, and didst not deny my name.\nhow he entered into the house of God, and ate the showbread, which it was not lawful for him to eat, neither for them that were with him, but only for the priests?\nDrops became rare as garnets cupped in fallen leaves.\nLet us therefore go forth unto him without the camp, bearing his reproach.\nShe poured warm milk into the bottle, fitted the nipple over the top, and handed it to Fern.\nBut the very hairs of your head are all numbered. Fear not: ye are of more value than many sparrows.\nI herewith send a sketch of the country above referred to in which the principal points are laid down with accuracy and very different in position from that exhibited on previous maps we have been able to procure.\nhaving despoiled the principalities and the powers, he made a show of them openly, triumphing over them in it.\nThen the soldiers of the governor took Jesus into the Prætorium, and gathered unto him the whole band.\nCautiously Templeton pulled himself up over the edge of the trough.\nAnd there are diversities of ministrations, and the same Lord.\nOr think ye that the scripture speaketh in vain? Doth the spirit which he made to dwell in us long unto envying?\nAnd ye know that he was manifested to take away sins; and in him is no sin.\nAs Wilbur was being shoved back into the crate, Lurvy came charging through the crowd carrying a pail of water.\nLet no man despise thy youth; but be thou an ensample to them that believe, in word, in manner of life, in love, in faith, in purity.\nFor the power of the horses is in their mouth, and in their tails: for their tails are like unto serpents, and have heads; and with them they hurt.\nThe generations surrounding me were as desperate as you can drive people to be.\nAs the truth of Christ is in me, no man shall stop me of this glorying in the regions of Achaia.\nBut all of them Indians?\nI went by the old rules.\nBrethren, I may say unto you freely of the patriarch David, that he both died and was buried, and his tomb is with us unto this day.\nAnd when the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, that they might come and anoint him.\nGod having provided some better thing concerning us, that apart from us they should not be made perfect. \nBut the word of God grew and multiplied.\nO Jerusalem, Jerusalem, that killeth the prophets, and stoneth them that are sent unto her! how often would I have gathered thy children together, even as a hen gathereth her chickens under her wings, and ye would not!\nAnd when they had preached the gospel to that city, and had made many disciples, they returned to Lystra, and to Iconium, and to Antioch,\nI’m in this thing pretty deep now—I might as well go the limit.”\nAnd then, damned if I didn’t pop right out and say it aloud.\n“I guess there's nothing wrong with him.”\nWho?\nI've got to tear my web apart and write ‘Terrific.’ \nThey’re wiped clean away.\nI know him.\nAt that season Jesus went on the sabbath day through the grainfields; and his disciples were hungry and began to pluck ears and to eat.\nWilbur stretched out on his side.\nIt turned out she did speak English, for she said in a loud clear voice, I spit on my past.\nShall we give, or shall we not give? But he, knowing their hypocrisy, said unto them, Why make ye trial of me? bring me a denarius, that I may see it.\nWherefore tongues are for a sign, not to them that believe, but to the unbelieving: but prophesying is for a sign, not to the unbelieving, but to them that believe.\nAnd he said unto them, Ye are they that justify yourselves in the sight of men; but God knoweth your hearts: for that which is exalted among men is an abomination in the sight of God.\nCharley wondered why his people possessed such unreasonable desire.\nIt were well for him if a millstone were hanged about his neck, and he were thrown into the sea, rather than that he should cause one of these little ones to stumble.\nIn early summer there are plenty of things for a child to eat and drink and suck and chew.\nThe Jews therefore came round about him, and said unto him, How long dost thou hold us in suspense? If thou art the Christ, tell us plainly.\nMoreover he must have good testimony from them that are without; lest he fall into reproach and the snare of the devil.\nNobody feeds me.\nAnd knowing their thoughts he said unto them, Every kingdom divided against itself is brought to desolation; and every city or house divided against itself shall not stand:\nbut he whose genealogy is not counted from them hath taken tithes of Abraham, and hath blessed him that hath the promises.\nand there shall be great earthquakes, and in divers places famines and pestilences; and there shall be terrors and great signs from heaven.\nFor the bread of God is that which cometh down out of heaven, and giveth life unto the world.\nBut if the Spirit of him that raised up Jesus from the dead dwelleth in you, he that raised up Christ Jesus from the dead shall give life also to your mortal bodies through his Spirit that dwelleth in you.\nyet when it is sown, groweth up, and becometh greater than all the herbs, and putteth out great branches; so that the birds of the heaven can lodge under the shadow thereof.\nDr. Dorian had a thick beard.\nBut his citizens hated him, and sent an ambassage after him, saying, We will not that this man reign over us.\nAnd if ye call on him as Father, who without respect of persons judgeth according to each man’s work, pass the time of your sojourning in fear:\nIs not this the carpenter, the son of Mary, and brother of James, and Joses, and Judas, and Simon? and are not his sisters here with us? And they were offended in him.\nBut he could follow the trail of disturbed leaves and broken branches and blood, and when there was no sign, he chose his forward path only by guessing how the bear would react to the flow of terrain and the way the forest plants might serve as obstacle or cover.\nWherefore Jesus also, that he might sanctify the people through his own blood, suffered without the gate.\nA few strands of her old web still hung in the doorway.\nyet because this widow troubleth me, I will avenge her, lest she wear me out by her continual coming.\nI know what this is, said Wolf.\nForasmuch then as Christ suffered in the flesh, arm ye yourselves also with the same mind; for he that hath suffered in the flesh hath ceased from sin;\nWhat then is Apollos? and what is Paul? Ministers through whom ye believed; and each as the Lord gave to him.\nDavid himself calleth him Lord; and whence is he his son? And the common people heard him gladly.\nFor what is there wherein ye were made inferior to the rest of the churches, except it be that I myself was not a burden to you? forgive me this wrong.\nAnd he went away, and communed with the chief priests and captains, how he might deliver him unto them.\nAnd certain of the scribes answering said, Teacher, thou hast well said.\nHaving therefore such a hope, we use great boldness of speech,\nAnd the gospel must first be preached unto all the nations.\nAnd a strong angel took up a stone as it were a great millstone and cast it into the sea, saying, Thus with a mighty fall shall Babylon, the great city, be cast down, and shall be found no more at all.\nAlthough he loved her children and grandchildren dearly, none of the new spiders ever quite took her place in his heart.\nWoe unto thee, Chorazin! woe unto thee, Bethsaida! for if the mighty works had been done in Tyre and Sidon, which were done in you, they would have repented long ago, sitting in sackcloth and ashes.\nI stood on a hill above the bank and saw it all from some distance, so that all the men were remote and small, actors on a distant stage beyond earshot.\nBut I was no preacher.\nAnd the Pharisees and the scribes ask him, Why walk not thy disciples according to the tradition of the elders, but eat their bread with defiled hands?\nFor whom he foreknew, he also foreordained to be conformed to the image of his Son, that he might be the firstborn among many brethren:\nAnd he saith unto them, Is it lawful on the sabbath day to do good, or to do harm? to save a life, or to kill? But they held their peace.\nBut we all, with unveiled face beholding as in a mirror the glory of the Lord, are transformed into the same image from glory to glory, even as from the Lord the Spirit. \nAnd this was not a singularity.\nThese things have I spoken unto you, that in me ye may have peace. In the world ye have tribulation: but be of good cheer; I have overcome the world. \nOh no! You cannot stay with me. Big oak began to turn his head.\nBut in vain do they worship me, Teaching as their doctrines the precepts of men.\nand he that bade thee and him shall come and say to thee, Give this man place; and then thou shalt begin with shame to take the lowest place.\n“You mean kill it?\nI had not slept in more than a day.\n“Wherever the wind takes us.\nBut felt lost in all the trees.\nAnd he taught, and said unto them, Is it not written, My house shall be called a house of prayer for all the nations? but ye have made it a den of robbers.\nJesus answered, The first is, Hear, O Israel; The Lord our God, the Lord is one:\nFurthermore, you are interrupting a very pleasant conversation.\nThe mullioned parlor windows were grey.\nWherefore be ye not foolish, but understand what the will of the Lord is.\nHe liked being a clown in a ring, with everybody watching, in front of a grandstand.\nNo more Nation.\nSuddenly he remembered Templeton’s fondness for food.\nThe Pharisees heard the multitude murmuring these things concerning him; and the chief priests and the Pharisees sent officers to take him.\nJesus saith unto her, Thy brother shall rise again.\nHe said, I am the voice of one crying in the wilderness, Make straight the way of the Lord, as said Isaiah the prophet.\nAnd Simon Peter answered and said, Thou art the Christ, the Son of the living God.\nI took out the caps and put the hammers down.\nFor if that first covenant had been faultless, then would no place have been sought for a second.\nFor I delight in the law of God after the inward man:\n“You go back to the house and I will bring the runt when I come in.\nthat ye may eat the flesh of kings, and the flesh of captains, and the flesh of mighty men, and the flesh of horses and of them that sit thereon, and the flesh of all men, both free and bond, and small and great.\nFern winked at Charlotte.\nAnd the day began to wear away; and the twelve came, and said unto him, Send the multitude away, that they may go into the villages and country round about, and lodge, and get provisions: for we are here in a desert place.\nso as to preach the gospel even unto the parts beyond you, and not to glory in another’s province in regard of things ready to our hand.\nOr how canst thou say to thy brother, Brother, let me cast out the mote that is in thine eye, when thou thyself beholdest not the beam that is in thine own eye? Thou hypocrite, cast out first the beam out of thine own eye, and then shalt thou see clearly to cast out the mote that is in thy brother’s eye.\nFor I say unto you, that none of those men that were bidden shall taste of my supper.\nThere were still a few wormy chestnuts and hickory nuts on the ground under leafless trees.\nMany of them therefore believed; also of the Greek women of honorable estate, and of men, not a few.\nThere was nothing to be done about it.\nSo then death worketh in us, but life in you.\nYe judge after the flesh; I judge no man.\nPilate said unto them, Ye have a guard: go, make it as sure as ye can.\nMr. Zuckerman poured some skim milk into Wilbur’s trough, pitched clean straw into his pen, and then he and Mrs. Zuckerman and the Arables walked away toward the cattle barn to look at purebred cows and to see the sights.\nWhen Charlotte's web said SOME PIG, Wilbur had tried hard to look like some pig.\nAnd the first creature was like a lion, and the second creature like a calf, and the third creature had a face as of a man, and the fourth creature was like a flying eagle.\nIf I need to do it to catch the killers, I’ll send in all the Army necessary to clean every Indian out of here, no matter whose land they claim to live on.\nHer heart was not beating as strongly as usual and she felt weary and old, but she was sure at last that she had saved Wilbur’s life, and she felt peaceful and contented.\nCharley concluded his hunting story by saying that until this night by the campfire with the tobacco smoke and brown whiskey, he had not spoken a word about his lost bear to any of his descendants but only whispered about it to Nancy the night of his return as they lay on their bed of hemlock boughs, and she held him and brushed his face with the big knuckles of her fingers and told him that he had tried but failed and sometimes that is all the victory we are allotted.\nAnd the Lord said unto him, Arise, and go to the street which is called Straight, and inquire in the house of Judas for one named Saul, a man of Tarsus: for behold, he prayeth;\nBut the Jews urged on the devout women of honorable estate, and the chief men of the city, and stirred up a persecution against Paul and Barnabas, and cast them out of their borders.\nMany of them were contemptible, but I guess no greater portion than the generality of people.\nIn the mean while the disciples prayed him, saying, Rabbi, eat.\nThey, too, were tired and hardly had energy enough to walk.\nWhen Lurvy showed up at lunchtime carrying a pail of food for Wilbur, he stopped short a few paces from the pigpen.\nand the enemy that sowed them is the devil: and the harvest is the end of the world; and the reapers are angels.\nNow when the Pharisee that had bidden him saw it, he spake within himself, saying, This man, if he were a prophet, would have perceived who and what manner of woman this is that toucheth him, that she is a sinner.\nBut without any dispute the less is blessed of the better.\nAnd the nations shall walk amidst the light thereof: and the kings of the earth bring their glory into it.\nI say then, Did they stumble that they might fall? God forbid: but by their fall salvation is come unto the Gentiles, to provoke them to jealousy.\nBe not therefore anxious for the morrow: for the morrow will be anxious for itself. Sufficient unto the day is the evil thereof. \nBut I say, that the things which the Gentiles sacrifice, they sacrifice to demons, and not to God: and I would not that ye should have communion with demons.\nOr what king, as he goeth to encounter another king in war, will not sit down first and take counsel whether he is able with ten thousand to meet him that cometh against him with twenty thousand?\nAvery hugged Fern.\nNow the centurion, and they that were with him watching Jesus, when they saw the earthquake, and the things that were done, feared exceedingly, saying, Truly this was the Son of God.\nyea and a sword shall pierce through thine own soul; that thoughts out of many hearts may be revealed.\nHe carried and stacked stones without stopping until he had built a tight mound to chest height, sufficient to keep out wolf and maybe bear, and imposing enough to invite every passerby to add a stone to the top of the pile.\nAnd the fourth poured out his bowl upon the sun; and it was given unto it to scorch men with fire.\nThen Paul took the men, and the next day purifying himself with them went into the temple, declaring the fulfilment of the days of purification, until the offering was offered for every one of them.\nAnd it came to pass, while he was in one of the cities, behold, a man full of leprosy: and when he saw Jesus, he fell on his face, and besought him, saying, Lord, if thou wilt, thou canst make me clean.\nLittlefish remembered what the big fish had said to him, so …\nWherefore, holy brethren, partakers of a heavenly calling, consider the Apostle and High Priest of our confession, even Jesus;\nBut when he saw many of the Pharisees and Sadducees coming to his baptism, he said unto them, Ye offspring of vipers, who warned you to flee from the wrath to come?\nAnd the demons besought him, saying, If thou cast us out, send us away into the herd of swine.\nand he that sat was to look upon like a jasper stone and a sardius: and there was a rainbow round about the throne, like an emerald to look upon.\nBut before all these things, they shall lay their hands on you, and shall persecute you, delivering you up to the synagogues and prisons, bringing you before kings and governors for my name’s sake.\nNow a mediator is not a mediator of one; but God is one.\nI’ve always numbered myself among the drunks.\nBut I was the one condemned.\nBut he said unto him, Leave the dead to bury their own dead; but go thou and publish abroad the kingdom of God.\nBut Peter said, Ananias, why hath Satan filled thy heart to lie to the Holy Spirit, and to keep back part of the price of the land?\nAll things have been delivered unto me of my Father: and no one knoweth the Son, save the Father; neither doth any know the Father, save the Son, and he to whomsoever the Son willeth to reveal him.\nIt came from a cedar tree\nAnd he said unto them, But who say ye that I am? And Peter answering said, The Christ of God.\nIt must be a lot of fun to spin a web.\nIts stout trunk was still six feet through at head height, and the ground underneath would be soft, hundreds of years deep with a bed of its needles and the loose black earth into which the needles decay.\nChristmas will come, then the snows of winter.\nCharlotte stopped.\nThe multitude therefore that was with him when he called Lazarus out of the tomb, and raised him from the dead, bare witness.\n“Leave it alone!” commanded Fern.\nFor if Abraham was justified by works, he hath whereof to glory; but not toward God.\nWhere did the name come from?\nand they cry with a great voice, saying, Salvation unto our God who sitteth on the throne, and unto the Lamb.\nConcerning whom, when the accusers stood up, they brought no charge of such evil things as I supposed;\nwe accept it in all ways and in all places, most excellent Felix, with all thankfulness.\nBy that point, it was too late to save anybody but yourself anyway.\nAnd Herod with his soldiers set him at nought, and mocked him, and arraying him in gorgeous apparel sent him back to Pilate.\nwhich is a manifest token of the righteous judgment of God; to the end that ye may be counted worthy of the kingdom of God, for which ye also suffer:\nThey answered and said unto him, Art thou also of Galilee? Search, and see that out of Galilee ariseth no prophet.\nand let him that is in the field not return back to take his cloak.\nBut it shall be more tolerable for Tyre and Sidon in the judgment, than for you.\nThen it dries and forms a crust.\nAnd he cometh the third time, and saith unto them, Sleep on now, and take your rest: it is enough; the hour is come; behold, the Son of man is betrayed into the hands of sinners.\nDid you ever hear of the Queensborough Bridge? Wilbur shook his head.\nAnd now I say unto you, Refrain from these men, and let them alone: for if this counsel or this work be of men, it will be overthrown:\nBut he answered and said unto them, When it is evening, ye say, It will be fair weather: for the heaven is red.\nBuddy, you must stay close to us For a very hard trip it will be.\nBut though I be rude in speech, yet am I not in knowledge; nay, in every way have we made this manifest unto you in all things.\nAnd they said unto him, In Bethlehem of Judæa: for thus it is written through the prophet,\nBring them in and we’re done with each other.\nAnd when he was entered into the house from the multitude, his disciples asked of him the parable.\nHe felt happy but dizzy.\nTempleton was asleep.\nHe couldn’t bear to watch any more.\nHe said, My grandfather.\nIs everything all right?”\nSo also it is written, The first man Adam became a living soul. The last Adam became a life-giving spirit.\n“Edith, you better phone the reporter on the Weekly Chronicle and tell him what has happened.\nAnd he that spake with me had for a measure a golden reed to measure the city, and the gates thereof, and the wall thereof.\nOnce you were just a seed, now you are an apple tree.\nCharlotte’s web never looked more beautiful than it looked this morning.\nAnd he began to say unto them, To-day hath this scripture been fulfilled in your ears.\nAnd Jesus answered and said, O faithless and perverse generation, how long shall I be with you? how long shall I bear with you? bring him hither to me.\nwhere we found brethren, and were entreated to tarry with them seven days: and so we came to Rome.\nBut when he did it the second time, my dad got curious and went in the house and got our shotgun.\nBut if it is by grace, it is no more of works: otherwise grace is no more grace.\nAnd there arose a reasoning among them, which of them was the greatest.\none who for a certain insurrection made in the city, and for murder, was cast into prison.\nThey had no weapon to slay it with.\nEven so let your light shine before men; that they may see your good works, and glorify your Father who is in heaven.\nSmith deferred to my judgment and drank the whisky slow and careful.\nAnd Judas and Silas, being themselves also prophets, exhorted the brethren with many words, and confirmed them.\nLater on that morning, the animals came up from the pasture—the sheep, the lambs, the gander, the goose, and the seven goslings.\n“It must be real nice and quiet down there.\nLet’s bring him in, Bear said.\nAnd in those days men shall seek death, and shall in no wise find it; and they shall desire to die, and death fleeth from them.\nFor we are a sweet savor of Christ unto God, in them that are saved, and in them that perish;\nThe Indian hunters, including Lichen, went and stood near Charley and the boys.\nThe hobbled horses had finished eating their oats, and they shuffled and whickered nervously off in the dark beyond the firelight.\nFern and Avery arrived, dragging a sled.\nFive dramatic heartbeats.\nTempleton’s teeth scraped loudly against the wood and made quite a racket.\nYe yourselves bear me witness, that I said, I am not the Christ, but, that I am sent before him.\nBlessed is the kingdom that cometh, the kingdom of our father David: Hosanna in the highest.\nI was raw to that flat country of piedmont and coastal plain.\nI think there are a few drops of milk left in my trough.”\nSadly, Wilbur lay down and listened to the rain.\nand so all Israel shall be saved: even as it is written, There shall come out of Zion the Deliverer; He shall turn away ungodliness from Jacob:\nThe slops ran creamily down around the pig’s eyes and ears.\nAll that day Wilbur stayed inside, taking life easy in the straw.\nwhereunto I was appointed a preacher, and an apostle, and a teacher.\nand he shall reign over the house of Jacob for ever; and of his kingdom there shall be no end.\nBut as he was being shoved into the crate, he looked up at Charlotte and gave her a wink.\nAnd they asked him, saying, Teacher, we know that thou sayest and teachest rightly, and acceptest not the person of any, but of a truth teachest the way of God:\nAnd he called the twelve together, and gave them power and authority over all demons, and to cure diseases.\nMrs. Arable opened her handbag.\nAnd many spread their garments upon the way; and others branches, which they had cut from the fields.\nAnd I saw in the midst of the throne and of the four living creatures, and in the midst of the elders, a Lamb standing, as though it had been slain, having seven horns, and seven eyes, which are the seven Spirits of God, sent forth into all the earth.\n“ ‘With new radiant action,’  repeated Charlotte, slowly.\nHe made no effort to separate meat from shell, but crunched them together between his back teeth and swallowed them down.\nAnd a certain man was there, who had been thirty and eight years in his infirmity.\nNobody said much of anything during the meal.\nwe are of good courage, I say, and are willing rather to be absent from the body, and to be at home with the Lord.\nAnd the Spirit and the bride say, Come. And he that heareth, let him say, Come. And he that is athirst, let him come: he that will, let him take the water of life freely.\nAs it was, they wept.\nI heard when we’re done here it’s Florida for us, Perry said.\nknowing, brethren beloved of God, your election,\nThe Pharisees therefore answered them, Are ye also led astray?\nAnd Paul stood up, and beckoning with the hand said, Men of Israel, and ye that fear God, hearken:\nThese are leaves that have decomposed into soil.\nFor ye all can prophesy one by one, that all may learn, and all may be exhorted;\nWashington and Jefferson had told them that to survive, those were the only terms.\nAnd the chief priests took the pieces of silver, and said, It is not lawful to put them into the treasury, since it is the price of blood.\nNow when they had passed through Amphipolis and Apollonia, they came to Thessalonica, where was a synagogue of the Jews:\nIt was wet and foggy and rainy a great deal of the year.\nBut I speak to you that are Gentiles. Inasmuch then as I am an apostle of Gentiles, I glorify my ministry;\nThis is good and acceptable in the sight of God our Saviour;\n“I’m going to knock that ol’ spider into this box,” he said.\nAnd he saith unto them, Because of your little faith: for verily I say unto you, If ye have faith as a grain of mustard seed, ye shall say unto this mountain, Remove hence to yonder place; and it shall remove; and nothing shall be impossible unto you.\nAnd the angel answered and said unto her, The Holy Spirit shall come upon thee, and the power of the Most High shall overshadow thee: wherefore also the holy thing which is begotten shall be called the Son of God.\nthat ye may become blameless and harmless, children of God without blemish in the midst of a crooked and perverse generation, among whom ye are seen as lights in the world,\nYou know spiders don’t tell stories.\nAnd because of it we cause pain farther on down the road.\nThey have all turned aside, they are together become unprofitable; There is none that doeth good, no, not so much as one:\nsorrowing most of all for the word which he had spoken, that they should behold his face no more. And they brought him on his way unto the ship. \nAnd another came, saying, Lord, behold, here is thy pound, which I kept laid up in a napkin:\nFor who maketh thee to differ? and what hast thou that thou didst not receive? but if thou didst receive it, why dost thou glory as if thou hadst not received it?\nFor if I pray in a tongue, my spirit prayeth, but my understanding is unfruitful.\nWhen Jesus saw him lying, and knew that he had been now a long time in that case, he saith unto him, Wouldest thou be made whole?\nThe Jews said unto him, Now we know that thou hast a demon. Abraham died, and the prophets; and thou sayest, If a man keep my word, he shall never taste of death.\nAnd they had breastplates, as it were breastplates of iron; and the sound of their wings was as the sound of chariots, of many horses rushing to war.\nFor, All flesh is as grass, And all the glory thereof as the flower of grass. The grass withereth, and the flower falleth:\nAnd straightway there fell from his eyes as it were scales, and he received his sight; and he arose and was baptized;\nThey’ve none of them got winders.\nFern nodded.\nAfter one year, the bag has decomposed.\nAnd they come unto a place which was named Gethsemane: and he saith unto his disciples, Sit ye here, while I pray.\nAnd the chief priests and the scribes stood, vehemently accusing him.\nand that most of the brethren in the Lord, being confident through my bonds, are more abundantly bold to speak the word of God without fear.\n“That’s a mercy,” replied Wilbur, and he lay down in the shade of his fence and went fast asleep.\neven as they delivered them unto us, who from the beginning were eyewitnesses and ministers of the word,\nCharlotte crouched and made herself as small as possible in the knothole, so Avery wouldn’t see her.\nCrowds of people surrounded it, and Mr. Arable had to drive very carefully in order not to run over anybody.\nThe language of the law is not a mystery to you.\n(for the weapons of our warfare are not of the flesh, but mighty before God to the casting down of strongholds);\nI can’t stand hysterics.”\nSo when his fellow-servants saw what was done, they were exceeding sorry, and came and told unto their lord all that was done.\nOr hath not the potter a right over the clay, from the same lump to make one part a vessel unto honor, and another unto dishonor?\nNow unto our God and Father be the glory for ever and ever. Amen.\n“Wilbur,” replied Fern, dreamily. \nAnd Paul, having tarried after this yet many days, took his leave of the brethren, and sailed thence for Syria, and with him Priscilla and Aquila: having shorn his head in Cenchreæ; for he had a vow.\nAnd it was given unto him to make war with the saints, and to overcome them: and there was given to him authority over every tribe and people and tongue and nation.\n“He gets these spells.\nAnd none too soon.\nAnd when they had mocked him, they took off from him the purple, and put on him his garments. And they lead him out to crucify him.\n“He-aa-aa!” answered the sheep all together.\nMany of them.\nAnd lo, he speaketh openly, and they say nothing unto him. Can it be that the rulers indeed know that this is the Christ?\nTake heed lest there shall be any one that maketh spoil of you through his philosophy and vain deceit, after the tradition of men, after the rudiments of the world, and not after Christ:\nYou lack two things needed for spinning a web.”\none saying to the sixth angel that had the trumpet, Loose the four angels that are bound at the great river Euphrates.\nand Josiah begat Jechoniah and his brethren, at the time of the carrying away to Babylon.\nYes, you are right, he said\nAnd when they were come to Jerusalem, they were received of the church and the apostles and the elders, and they rehearsed all things that God had done with them.\nFrom the post I would wake up and take my coffee onto the porch and if it wasn’t too foggy or rainy look down across the river to the fort and watch little groups of soldiers sally forth shortly after dawn to search the mountains and collect Indians cabin by cabin.\nAnd he said unto them, Ye men of Israel, take heed to yourselves as touching these men, what ye are about to do.\nAt nearly the same moment that Lowan made his move, another man, George maybe, must have taken a two-handed swipe at the Philadelphia boy and buried the hatchet head deep at the junction of his neck and shoulder.\nSo when I boarded the first riverboat of my life—a sort of broken-backed stern-wheeler in bad need of scraping and painting, a watercraft disappointingly far removed from my imaginings of the grand floating palaces of the Mississippi—I wanted to be taken for a young man of substance, traveling with a certain style.\nAnd he entered again into the synagogue; and there was a man there who had his hand withered.\nAnd even now the axe lieth at the root of the trees: every tree therefore that bringeth not forth good fruit is hewn down, and cast into the fire.\nBut primarily, the preacher was a citizen of the Nation and not America, so he had to go.\n“I have some very remarkable cousins.\nAnd they had been sent from the Pharisees.\n“It’s hard to believe that he was the runt of the litter.\nNow whatever will I do?\n“Good-bye!” it said, as it sailed through the doorway.\nWhen he had touched each of them, he bade them good night and went back and lay down under his blanket to sleep.\nAnd they reasoned among themselves, saying, We took no bread.\nAnd the evil spirit answered and said unto them, Jesus I know, and Paul I know; but who are ye?\nNow all this is come to pass, that it might be fulfilled which was spoken by the Lord through the prophet, saying,\nAnd coming to us, and taking Paul’s girdle, he bound his own feet and hands, and said, Thus saith the Holy Spirit, So shall the Jews at Jerusalem bind the man that owneth this girdle, and shall deliver him into the hands of the Gentiles.\nNo one tried to stop them.\nFor Moses from generations of old hath in every city them that preach him, being read in the synagogues every sabbath.\nand brought his head on a platter, and gave it to the damsel; and the damsel gave it to her mother.\nTo the angel of the church in Ephesus write: These things saith he that holdeth the seven stars in his right hand, he that walketh in the midst of the seven golden candlesticks:\nand they have been informed concerning thee, that thou teachest all the Jews who are among the Gentiles to forsake Moses, telling them not to circumcise their children, neither to walk after the customs.\nAnd when the demon was cast out, the dumb man spake: and the multitudes marvelled, saying, It was never so seen in Israel.\nconcerning his Son, who was born of the seed of David according to the flesh,\nFestus therefore, having come into the province, after three days went up to Jerusalem from Cæsarea.\nIs any among you sick? let him call for the elders of the church; and let them pray over him, anointing him with oil in the name of the Lord:\nGrace to you and peace from God our Father and the Lord Jesus Christ.\nNow late on the sabbath day, as it began to dawn toward the first day of the week, came Mary Magdalene and the other Mary to see the sepulchre.\nHowbeit he shook off the creature into the fire, and took no harm.\nShe studies soil and what makes soil.\n“Yes, he'll make a good pig,” said Mr. Zuckerman.\nAs she approached her chair, the carton wobbled, and there was a scratching noise.\nHe emerged from the house with boots, with oil, and with sword.\nIn your camp at night, you are able to pick out a distinct word now and then from the muddled voices in creek water, sometimes an entire sentence of deep import.\nand I give unto them eternal life; and they shall never perish, and no one shall snatch them out of my hand.\nEvery branch in me that beareth not fruit, he taketh it away: and every branch that beareth fruit, he cleanseth it, that it may bear more fruit.\nHe hath given help to Israel his servant, That he might remember mercy\nAnd certain also of the Asiarchs, being his friends, sent unto him and besought him not to adventure himself into the theatre.\nAnd they took up broken pieces, twelve basketfuls, and also of the fishes.\n“Listen!\nLet love of the brethren continue.\nAnd if Satan also is divided against himself, how shall his kingdom stand? because ye say that I cast out demons by Beelzebub.\nPut that Wayah Town behind me.\nAnd they went, and found as he had said unto them: and they made ready the passover.\n“Why don’t you come with me to the Fair Grounds and lay your eggs there?” pleaded Wilbur.\nIt was a white one.\neven he, whose coming is according to the working of Satan with all power and signs and lying wonders,\nLate in the fall, during the final diminishing parings of the Hunting Moon, I pieced together the rest of Charley’s story from what Nancy and Lowan and George and Jake told me.\nHe stepped there, where the trap lay…\nWhen Jesus therefore saw his mother, and the disciple standing by whom he loved, he saith unto his mother, Woman, behold, thy son!\nAnd he said unto them, Do ye not yet understand?\n“It sounds like a rich dessert.”\nBut the wise answered, saying, Peradventure there will not be enough for us and you: go ye rather to them that sell, and buy for yourselves.\nAnd on the morrow he took out two shillings, and gave them to the host, and said, Take care of him; and whatsoever thou spendest more, I, when I come back again, will repay thee.\nThese things I command you, that ye may love one another.\nHe that is of God heareth the words of God: for this cause ye hear them not, because ye are not of God.\nSend some thoughts this way to fill this empty place.\nAnd he said unto them, This is my blood of the covenant, which is poured out for many.\nShe calls him Wilbur.\nthat is, that I with you may be comforted in you, each of us by the other’s faith, both yours and mine.\nWe’re the same age.\nThis man led them forth, having wrought wonders and signs in Egypt, and in the Red sea, and in the wilderness forty years.\nShe liked it better when she could be all alone with her friends the animals.\nHere is the patience of the saints, they that keep the commandments of God, and the faith of Jesus.\nBe patient therefore, brethren, until the coming of the Lord. Behold, the husbandman waiteth for the precious fruit of the earth, being patient over it, until it receive the early and latter rain.\n“Seven,” replied Fern.\nAnd Philip opened his mouth, and beginning from this scripture, preached unto him Jesus.\nCharley had reached such a point when he went to sleep under his blanket up on a bald.\nWhat then shall we say to these things? If God is for us, who is against us?\nHis lord said unto him, Well done, good and faithful servant: thou hast been faithful over a few things, I will set thee over many things; enter thou into the joy of thy lord.\nFor as ye in time past were disobedient to God, but now have obtained mercy by their disobedience,\nCan't be bothered with a bird\nnot in the passion of lust, even as the Gentiles who know not God;\nThey found a key - long, of iron.\nfor Demas forsook me, having loved this present world, and went to Thessalonica; Crescens to Galatia, Titus to Dalmatia.\nSeeing ye have purified your souls in your obedience to the truth unto unfeigned love of the brethren, love one another from the heart fervently:\nXII. A Meeting  \nand these things we write, that our joy may be made full.\nFor I bear them witness that they have a zeal for God, but not according to knowledge.\nHe could not be at peace because soldiers had hunted them like wild deer.\nAnd their dead bodies lie in the street of the great city, which spiritually is called Sodom and Egypt, where also their Lord was crucified.\nin the day when God shall judge the secrets of men, according to my gospel, by Jesus Christ.\nBut the scripture shut up all things under sin, that the promise by faith in Jesus Christ might be given to them that believe.\nFor as in those days which were before the flood they were eating and drinking, marrying and giving in marriage, until the day that Noah entered into the ark,\nthat it might be fulfilled which was spoken through Isaiah the prophet, saying,\nfor there is born to you this day in the city of David a Saviour, who is Christ the Lord.\nYes, I said.\n“You are a famous pig and you are a good pig.\nFor we are not as the many, corrupting the word of God: but as of sincerity, but as of God, in the sight of God, speak we in Christ. \n“But I can’t help it.\nWho in the days of his flesh, having offered up prayers and supplications with strong crying and tears unto him that was able to save him from death, and having been heard for his godly fear,\nSlug\nAnd he said unto me, These words are faithful and true: and the Lord, the God of the spirits of the prophets, sent his angel to show unto his servants the things which must shortly come to pass.\nLet no man rob you of your prize by a voluntary humility and worshipping of the angels, dwelling in the things which he hath seen, vainly puffed up by his fleshly mind,\nAnd I saw the seven angels that stand before God; and there were given unto them seven trumpets.\nTherefore he that resisteth the power, withstandeth the ordinance of God: and they that withstand shall receive to themselves judgment.\nIf therefore thy whole body be full of light, having no part dark, it shall be wholly full of light, as when the lamp with its bright shining doth give thee light.\nbut when that which is perfect is come, that which is in part shall be done away.\nNow when even was come, he was sitting at meat with the twelve disciples;\nI speak not by way of commandment, but as proving through the earnestness of others the sincerity also of your love.\nWherefore comfort one another with these words. \nand she beholdeth two angels in white sitting, one at the head, and one at the feet, where the body of Jesus had lain.\nit is sown a natural body; it is raised a spiritual body. If there is a natural body, there is also a spiritual body.\nAnd the young men arose and wrapped him round, and they carried him out and buried him.\nThe dead organisms decompose.\nthat they all might be judged who believed not the truth, but had pleasure in unrighteousness.\nHe did not want them to disappear in the white man's world.\nhow that in much proof of affliction the abundance of their joy and their deep poverty abounded unto the riches of their liberality.\nAnd they led Jesus away to the high priest: and there come together with him all the chief priests and the elders and the scribes.\nI will remark briefly what has occurred to me as to the moral disposition of the Indians in relation to this subject.\nAnd when the multitudes were gathering together unto him, he began to say, This generation is an evil generation: it seeketh after a sign; and there shall no sign be given to it but the sign of Jonah.\n“I didn’t know you could lay eggs,” said Wilbur in amazement.\nNow Paul and his company set sail from Paphos, and came to Perga in Pamphylia: and John departed from them and returned to Jerusalem.\nIn the year before the Army arrived, the members of the Ridge bunch began leaving the plantations they had built, the mills and ferries and stores and printing presses, and pulled out to the West, taking a few of their house slaves with them but leaving most to follow later.\nAnd when it came to pass that we were parted from them and had set sail, we came with a straight course unto Cos, and the next day unto Rhodes, and from thence unto Patara:\nAnd they brought Alexander out of the multitude, the Jews putting him forward. And Alexander beckoned with the hand, and would have made a defence unto the people.\n“But we have received a sign, Edith — a mysterious sign.\nwhom not having seen ye love; on whom, though now ye see him not, yet believing, ye rejoice greatly with joy unspeakable and full of glory:\nThe only other sound’s the sweep\nAnd when he had gone through those parts, and had given them much exhortation, he came into Greece.\nFor if we have become united with him in the likeness of his death, we shall be also in the likeness of his resurrection;\n“What are they?” asked Wilbur, sadly.\nTempleton's whiskers quivered.\nFor we who live are always delivered unto death for Jesus’ sake, that the life also of Jesus may be manifested in our mortal flesh.\nHis yard was cold and wet.\nAnd I wept much, because no one was found worthy to open the book, or to look thereon:\nHow were we to know these few would put up a fight?\nBut we will continue stedfastly in prayer, and in the ministry of the word.\n“Perhaps,” she said, wearily.\nAnd as we tarried there some days, there came down from Judæa a certain prophet, named Agabus.\nFor as the Father raiseth the dead and giveth them life, even so the Son also giveth life to whom he will.\nThis saying therefore went forth among the brethren, that that disciple should not die: yet Jesus said not unto him, that he should not die; but, If I will that he tarry till I come, what is that to thee?\nAnd they came into the house and saw the young child with Mary his mother; and they fell down and worshipped him; and opening their treasures they offered unto him gifts, gold and frankincense and myrrh.\nAfter that, the dog did not bark like that anymore.\nLet's go hunt for another shoe.\n“Making something, as usual.”\nFor ye bear with the foolish gladly, being wise yourselves.\nCharley handed him his hatchet.\nAnd that in the good ground, these are such as in an honest and good heart, having heard the word, hold it fast, and bring forth fruit with patience.\nFor this cause left I thee in Crete, that thou shouldest set in order the things that were wanting, and appoint elders in every city, as I gave thee charge;\nIt got dark while we were there, so we decided to spend the night there.\nAnd whence is this to me, that the mother of my Lord should come unto me?\nFor there is nothing hid, save that it should be manifested; neither was anything made secret, but that it should come to light.\n“What ails you, Lurvy?\nI went looking for her.\nAnd John calling unto him two of his disciples sent them to the Lord, saying, Art thou he that cometh, or look we for another?\nIt was empty.\nIt was said to be nothing but white people up there now.\nAnd after the reading of the law and the prophets the rulers of the synagogue sent unto them, saying, Brethren, if ye have any word of exhortation for the people, say on.\n‘‘It will show up better if I make the whole thing with double lines.”\nSimon Peter therefore went up, and drew the net to land, full of great fishes, a hundred and fifty and three: and for all there were so many, the net was not rent.\nI will ask someone else for help.\nand coming forth out of the tombs after his resurrection they entered into the holy city and appeared unto many.\nwhere there cannot be Greek and Jew, circumcision and uncircumcision, barbarian, Scythian, bondman, freeman; but Christ is all, and in all.\n“I’m glad to see you.\nthe chief captain commanded him to be brought into the castle, bidding that he should be examined by scourging, that he might know for what cause they so shouted against him.\nThe Cherokees listened and remember those songs to this day.\nWilbur had gone to sleep thinking about these plans.\nNothing but a dent in the pillow, flapped-back sheets.\nTears came to his eyes.\nBlessed is that servant, whom his lord when he cometh shall find so doing.\nAnd the Jews also joined in the charge, affirming that these things were so.\nGive diligence to come before winter. Eubulus saluteth thee, and Pudens, and Linus, and Claudia, and all the brethren.\nand he shall set the sheep on his right hand, but the goats on the left.\n“All together, now, boys!\nIf thou art the Christ, tell us. But he said unto them, If I tell you, ye will not believe:\nwhose soever sins ye forgive, they are forgiven unto them; whose soever sins ye retain, they are retained.\nJesus saith unto her, Go, call thy husband, and come hither.\nand those parts of the body, which we think to be less honorable, upon these we bestow more abundant honor; and our uncomely parts have more abundant comeliness;\nBut know this, that if the master of the house had known in what hour the thief was coming, he would have watched, and not have left his house to be broken through.\nThe baptism of John, was it from heaven, or from men? answer me.\nAnd when he hath found it, he layeth it on his shoulders, rejoicing.\nto whom be the glory for ever and ever. Amen.\nDid then that which is good become death unto me? God forbid. But sin, that it might be shown to be sin, by working death to me through that which is good;—that through the commandment sin might become exceeding sinful.\nduring forty days, being tempted of the devil. And he did eat nothing in those days: and when they were completed, he hungered.\nThe book of the generation of Jesus Christ, the son of David, the son of Abraham.\nLet a woman learn in quietness with all subjection.\nand called and asked whether Simon, who was surnamed Peter, were lodging there.\nWe left the horses tied a half mile down the river and moved up as quietly as we could through the thick ground layer of frosted leaves.\nI used every tactic of rhetoric I had learned from Bear and from all the smart dead English writers I treasured and from all the days in court, teasing out disputes about land titles and property lines and whose cow broke down somebody’s pasture fence.\nThen Avery picked up a handful of straw and threw it high in the air and gave a loud yell.\nNathanael answered him, Rabbi, thou art the Son of God; thou art King of Israel.\nAnd he stood over her, and rebuked the fever; and it left her: and immediately she rose up and ministered unto them.\nFor even as we have many members in one body, and all the members have not the same office:\nPut it on! Put it on! they told Wolf.\n“I’m delighted that the egg never hatched,” she gabbled.\nThe ladies climbed in beside him.\nThen the king said to the servants, Bind him hand and foot, and cast him out into the outer darkness; there shall be the weeping and the gnashing of teeth.\nAnd he saith unto them, Be not amazed: ye seek Jesus, the Nazarene, who hath been crucified: he is risen; he is not here: behold, the place where they laid him!\n“Really?” said Wilbur.\n“No,” said Charlotte.\n“What’s the trouble?” asked Mr. Zuckerman.\nFor this cause I bow my knees unto the Father,\nI haven’t even strength enough to climb down into the crate.\nWilbur will soon be put into the crate.\nNow this I say, brethren, that flesh and blood cannot inherit the kingdom of God; neither doth corruption inherit incorruption.\nAnd they stirred up the people, and the elders, and the scribes, and came upon him, and seized him, and brought him into the council,\nA fly that had been crawling along Wilbur’s trough had flown up and blundered into the lower part of Charlotte’s web and was tangled in the sticky threads.\nOpen your hearts to us: we wronged no man, we corrupted no man, we took advantage of no man.\nBut I fleshed it out and used the best features of the language to make it live anew.\nLittlefish realized that somewhere along his journey he had grown into a large fish and that he was no longer afraid.\nAnd when the voice came, Jesus was found alone. And they held their peace, and told no man in those days any of the things which they had seen.\nSlough a skin, dismiss memory, move on.\nBut of the multitude many believed on him; and they said, When the Christ shall come, will he do more signs than those which this man hath done?\n“This is a very serious thing, Edith,” he replied.\nand say, We piped unto you, and ye did not dance; we wailed, and ye did not mourn.\n“The pig couldn't help being born small, could it?\nAnd when they saw him, they were astonished; and his mother said unto him, Son, why hast thou thus dealt with us? behold, thy father and I sought thee sorrowing.\nBut ye shall not be so: but he that is the greater among you, let him become as the younger; and he that is chief, as he that doth serve.\n“I’d be only too glad to help in any way I can.”\nWendy woke up early one morning.\nLet's find one more shoe.\nforbidding us to speak to the Gentiles that they may be saved; to fill up their sins always: but the wrath is come upon them to the uttermost.\nThen touched he their eyes, saying, According to your faith be it done unto you.\nthe younger men likewise exhort to be sober-minded:\nWhen therefore he heard that he was sick, he abode at that time two days in the place where he was.\nSo Littlefish swam on to the next pool where he heard a tiny voice say, Hello.\n“It’s a miserable inheritance,” said Wilbur, gloomily.\nFor an angel went down at a certain season into the pool, and troubled the water: whosoever then first after the troubling of the water stepped in was made whole of whatsoever disease he had.\nhenceforth expecting till his enemies be made the footstool of his feet.\nThen after this he saith to the disciples, Let us go into Judæa again.\nBleeding out or healing up.\nThe animals were left to themselves in the barn.\nJesus looking upon them saith, With men it is impossible, but not with God: for all things are possible with God.\nThe senator had coffee brought in and we left off business and talked more generally, as elder to younger.\nVan Buren followed him and his Indian policies like a swimmer caught in a riptide.\nLove worketh no ill to his neighbor: love therefore is the fulfilment of the law.\nFor he that doeth wrong shall receive again for the wrong that he hath done: and there is no respect of persons.\nShe would wave good-bye to him, and he would stand and watch the bus until it vanished around a turn.\nIf a man receiveth circumcision on the sabbath, that the law of Moses may not be broken; are ye wroth with me, because I made a man every whit whole on the sabbath?\nAll that are with me salute thee. Salute them that love us in faith. Grace be with you all.\nThe woman saith unto him, Sir, give me this water, that I thirst not, neither come all the way hither to draw.\nAnd a certain woman named Lydia, a seller of purple, of the city of Thyatira, one that worshipped God, heard us: whose heart the Lord opened to give heed unto the things which were spoken by Paul.\nBut ye denied the Holy and Righteous One, and asked for a murderer to be granted unto you,\nHe may need me.\nAnd he sought to see Jesus who he was; and could not for the crowd, because he was little of stature.\nMany days and nights passed as Littlefish met new friends on his journey.\nThrough him then let us offer up a sacrifice of praise to God continually, that is, the fruit of lips which make confession to his name.\nLurvy sprang from the judges’ ring and disappeared.\nThe Son of man goeth, even as it is written of him: but woe unto that man through whom the Son of man is betrayed! good were it for that man if he had not been born.\nStraightway the father of the child cried out, and said, I believe; help thou mine unbelief.\nAfterward Jesus findeth him in the temple, and said unto him, Behold, thou art made whole: sin no more, lest a worse thing befall thee.\nThe Jews answered and said unto him, Say we not well that thou art a Samaritan, and hast a demon?\nFrom one to two, Wilbur planned to sleep.\nIn that same hour he rejoiced in the Holy Spirit, and said, I thank thee, O Father, Lord of heaven and earth, that thou didst hide these things from the wise and understanding, and didst reveal them unto babes: yea, Father; for so it was well-pleasing in thy sight.\nCharley looked down the long view south, grey mountains lapped and stacked to the end of the world.\n“I do, too,” said Aranea.\nAnd blessed is he, whosoever shall find no occasion of stumbling in me.\nand because he needed not that any one should bear witness concerning man; for he himself knew what was in man. \nAnd other fell amidst the thorns; and the thorns grew with it, and choked it.\nI can’t.\nBut Charley’s no warrior.\nOf course, he gets into poison ivy and gets stung by wasps and bees and brings frogs and snakes home and breaks everything he lays his hands on.\nThe tusks of the boars were like pairs of long dirks that would lay you wide open.\nAll said they had never seen such a pig before in their lives.\nBut he sneaked away to the dump and was back in a while with a strip of cotton cloth.\nAt some point in recounting my brief history, I mentioned that I had taught myself French with no other help than a grammar and a dictionary, for there were many books in that language I had yearned to read, in particular Rousseau’s Meditations of a Solitary Walker and the Abbé Prévost’s Manon Lescaut, either of which, by the way, I would have considered entirely worth the effort, and so it was like I got Voltaire thrown in for free.\nNow the works of the flesh are manifest, which are these: fornication, uncleanness, lasciviousness,\nOr else, while the other is yet a great way off, he sendeth an ambassage, and asketh conditions of peace.\n“You there, Templeton?” he called.\nExpecting nothing.\nno brawler, no striker; but gentle, not contentious, no lover of money;\nIt didn’t seem natural for a little girl to be so interested in animals.\nNow we command you, brethren, in the name of our Lord Jesus Christ, that ye withdraw yourselves from every brother that walketh disorderly, and not after the tradition which they received of us.\nFor the body is not one member, but many.\nI protest by that glorying in you, brethren, which I have in Christ Jesus our Lord, I die daily.\nAnd he entered into one of the boats, which was Simon’s, and asked him to put out a little from the land. And he sat down and taught the multitudes out of the boat.\nAnd when the centurion, who stood by over against him, saw that he so gave up the ghost, he said, Truly this man was the Son of God.\nThe Zuckermans have fallen for it, and so has everybody else.\nAnd while Peter thought on the vision, the Spirit said unto him, Behold, three men seek thee.\nQuench not the Spirit;\n“A big grey one.\nLet not your heart be troubled: believe in God, believe also in me.\n“You know why they’re fattening you up, don’t you?”\nNow when I came to Troas for the gospel of Christ, and when a door was opened unto me in the Lord,\nOne day a tiny fish leaped into the air and got tangled in the web.\nI recited to her from memory my old poem “To C——,” taking care to note that it had actually been published in The Arcadian.\nBut he answered and said unto him that told him, Who is my mother? and who are my brethren?\nAt the base of a large mountain was a small pond.\nwhereby he hath granted unto us his precious and exceeding great promises; that through these ye may become partakers of the divine nature, having escaped from the corruption that is in the world by lust.\n“There are a lot of things Wilbur doesn’t know about life,” she thought.\nwhom God raised up, having loosed the pangs of death: because it was not possible that he should be holden of it.\nAnd he said unto his disciples, Therefore I say unto you, Be not anxious for your life, what ye shall eat; nor yet for your body, what ye shall put on.\nBut I haunted the salons until late, having discovered that the ladies on board found me exotic.\n“Maybe he’s dead,” said Avery.\nI said.\nThe hunters crawled close to the hole and shot arrows at Spearfinger, but the arrows broke and fell to the ground when they hit her stony skin.\nDozens and dozens of strangers stopped to stare at him and to admire his silky white coat, his curly tail, his kind and radiant expression.\nFor John said unto Herod, It is not lawful for thee to have thy brother’s wife.\nFor with what judgment ye judge, ye shall be judged: and with what measure ye mete, it shall be measured unto you.\nThe fact that the boys had seen no animal bigger than a groundhog failed to ease their minds.\nI want to breathe the beautiful air and lie in the beautiful sun.”\nBut ye are an elect race, a royal priesthood, a holy nation, a people for God’s own possession, that ye may show forth the excellencies of him who called you out of darkness into his marvellous light:\nAnd he said unto all, If any man would come after me, let him deny himself, and take up his cross daily, and follow me.\nSome men’s sins are evident, going before unto judgment; and some men also they follow after.\n“Get up! screamed Wilbur.\n“He can’t feel a thing now,” she remarked.\nBut I permit not a woman to teach, nor to have dominion over a man, but to be in quietness.\nHey, Charley, I said. Sit down here where it’s warm.\nin like manner the second also, and the third, unto the seventh.\nFinally, one morning toward the middle of July, the idea came.\nThe tunnel was an example of his skill and cunning.\nFor as in Adam all die, so also in Christ shall all be made alive.\nThe luminous brown contents of both vessels rocked with the effort of his writing.\n“This pig has won first prize already.”\nThey stared at the sign ZUCKERMAN’S FAMOUS PIG.\nEarthworm\n“And don’t get dirty!”\nand stedfastness, approvedness; and approvedness, hope:\nAxe argued that the whole slab of mountain range, all the southern slopes, the cuts where the creeks drain down to the rivers, the dry ridges leading up like ribs to the long crest of the chine, are indeed a vast and convoluted piece of terrain.\nWilbur looked everywhere.\nShe went back into her house and looked into her closet again.\nDo you really think so?”\nNot that which entereth into the mouth defileth the man; but that which proceedeth out of the mouth, this defileth the man.\n“It is true,” said the old sheep.\nYea, and all that would live godly in Christ Jesus shall suffer persecution.\nEight whole years.\nNow it came to pass, while he executed the priest’s office before God in the order of his course,\nand they lifted up their voices, saying, Jesus, Master, have mercy on us.\nI’ll skip forward to a point that I remember very clearly.\nThe rocks, the leaves and wood and even the animals could become soil someday.\nIt was warm too.\nBut then I spent some time around the man and noted that his black body servant rarely left his side and spoke in a rarefied English kind of accent he had learned in Bermuda.\nYe observe days, and months, and seasons, and years.\nIn my Father’s house are many mansions; if it were not so, I would have told you; for I go to prepare a place for you.\n“I never heard one say anything,” he replied.\nSome would be for eating.\nBut now abideth faith, hope, love, these three; and the greatest of these is love. \nIs it coming along pretty well?”\nAnd the Pharisees and their scribes murmured against his disciples, saying, Why do ye eat and drink with the publicans and sinners?\nWhen therefore he was gone out, Jesus saith, Now is the Son of man glorified, and God is glorified in him;\n“I don't want to be killed.\nMy little horse must think it queer\nThe boys were not cooks.\nBut Herod, when he heard thereof, said, John, whom I beheaded, he is risen.\nAnd when they had brought them, they set them before the council. And the high priest asked them,\nSo Wilbur cleared his throat.\n“Anybody would think we had three ganders, three geese, and twenty-one goslings.\nSimon, whom he also named Peter, and Andrew his brother, and James and John, and Philip and Bartholomew,\nand he shall wipe away every tear from their eyes; and death shall be no more; neither shall there be mourning, nor crying, nor pain, any more: the first things are passed away.\nBut Christ having come a high priest of the good things to come, through the greater and more perfect tabernacle, not made with hands, that is to say, not of this creation,\nEverybody knew it.\n(for the law made nothing perfect), and a bringing in thereupon of a better hope, through which we draw nigh unto God.\nAnd Jesus perceiving it withdrew from thence: and many followed him; and he healed them all,\nand then fell away, it is impossible to renew them again unto repentance; seeing they crucify to themselves the Son of God afresh, and put him to an open shame.\nAnd God is able to make all grace abound unto you; that ye, having always all sufficiency in everything, may abound unto every good work:\nAnd fear came upon every soul: and many wonders and signs were done through the apostles.\nHe didn’t swim too close to the bottom of the water.\nif by any means I may provoke to jealousy them that are my flesh, and may save some of them.\nsave that the Holy Spirit testifieth unto me in every city, saying that bonds and afflictions abide me.\nunto an inheritance incorruptible, and undefiled, and that fadeth not away, reserved in heaven for you,\nEvery day Wilbur would stand and look at the torn, empty web, and a lump would come to his throat.\nShe could tell by the sound of his breathing that he was sleeping peacefully, deep in the straw.\nA year ago he had a wife and child, a woman he loved and a brave bright-eyed boy.\nBut nobody pointed out that the web itself is a miracle.”\nIf then I am a wrong-doer, and have committed anything worthy of death, I refuse not to die; but if none of those things is true whereof these accuse me, no man can give me up unto them. I appeal unto Cæsar.\nFor if God spared not angels when they sinned, but cast them down to hell, and committed them to pits of darkness, to be reserved unto judgment;\nFor I bear him witness, that he hath much labor for you, and for them in Laodicea, and for them in Hierapolis.\nBut as the church is subject to Christ, so let the wives also be to their husbands in everything.\nI know him; because I am from him, and he sent me.\nI beseech you therefore, be ye imitators of me.\n“I need you, Charlotte.\nPaul, an apostle of Christ Jesus through the will of God, according to the promise of the life which is in Christ Jesus,\nOur fathers had the tabernacle of the testimony in the wilderness, even as he appointed who spake unto Moses, that he should make it according to the figure that he had seen.\nbecause the mind of the flesh is enmity against God; for it is not subject to the law of God, neither indeed can it be:\nAnd when they saw him, they worshipped him; but some doubted.\nthat aged women likewise be reverent in demeanor, not slanderers nor enslaved to much wine, teachers of that which is good;\nAnd the Spirit bade me go with them, making no distinction. And these six brethren also accompanied me; and we entered into the man’s house:\nThe colonel laughed as if I’d told the joke about Old Blue the coon dog.\nnot in the way of eyeservice, as men-pleasers; but as servants of Christ, doing the will of God from the heart;\nWherefore let him that thinketh he standeth take heed lest he fall.\nto the intent that now unto the principalities and the powers in the heavenly places might be made known through the church the manifold wisdom of God,\nthen hath he said, Lo, I am come to do thy will. He taketh away the first, that he may establish the second.\nMiddlings, warm water, apple parings, meat gravy, carrot scrapings, meat scraps, stale hominy, and the wrapper off a package of cheese.\nFor as many of you as were baptized into Christ did put on Christ.\nIt has writing on it.\nAt this point, Templeton showed his nose from his hiding place under Wilbur’s trough.\nBut they understood not the saying, and were afraid to ask him.\nAnd how hear we, every man in our own language wherein we were born?\n“I’ll tell you my name,” replied the first little spider, “if you'll tell me why you are trembling.”\nSome people say their shoes are too small and they hurt.\nI find then the law, that, to me who would do good, evil is present.\nCharlotte went back to her work. It was quite dark now.\nFor the name of God is blasphemed among the Gentiles because of you, even as it is written.\nIf any man loveth not the Lord, let him be anathema. Maranatha.\nAt the end of such days, Smith said he went to sleep with a bitter taste like ash from a coal fire in his mouth.\nfor neither can they die any more: for they are equal unto the angels; and are sons of God, being sons of the resurrection.\nand they came and besought them; and when they had brought them out, they asked them to go away from the city.\n“Struggle if you must,” said he, “but kindly remember that I’m hiding down here in this crate and I don’t want to be stepped on, or kicked in the face, or pummeled, or crushed in any way, or squashed, or buffeted about, or bruised, or lacerated, or scarred, or biffed.\nNay, already it is altogether a defect in you, that ye have lawsuits one with another. Why not rather take wrong? why not rather be defrauded?\ndespise not prophesyings;\nThe geese hung around the barnyard the way boys hang around a drug store, and Mr. Zuckerman fed them corn and turnips to keep them cheerful.\nAnd he said, Unto you it is given to know the mysteries of the kingdom of God: but to the rest in parables; that seeing they may not see, and hearing they may not understand.\nHe saith to him again a second time, Simon, son of John, lovest thou me? He saith unto him, Yea, Lord; thou knowest that I love thee. He saith unto him, Tend my sheep.\nunto him be the glory in the church and in Christ Jesus unto all generations for ever and ever. Amen. \nThey sang the song of summer’s ending, a sad, monotonous song.\nHe will want to know about this.\n“Ever try to spin one?” asked Dr. Dorian.\nBeloved, while I was giving all diligence to write unto you of our common salvation, I was constrained to write unto you exhorting you to contend earnestly for the faith which was once for all delivered unto the saints.\n“Pull in your head—they’re coming.\nFor from within, out of the heart of men, evil thoughts proceed, fornications, thefts, murders, adulteries,\n“What’s unusual about the pig?”  asked Mrs. Zuckerman, who was beginning to recover from her scare.\nSo they gathered them up, and filled twelve baskets with broken pieces from the five barley loaves, which remained over unto them that had eaten.\n“Just the same, I intend to have a look at that spider.”\nThe scribe read the several pages of the letter through in silence.\nWorthy art thou, our Lord and our God, to receive the glory and the honor and the power: for thou didst create all things, and because of thy will they were, and were created. \nAnd the woman fled into the wilderness, where she hath a place prepared of God, that there they may nourish her a thousand two hundred and threescore days.\nAnd there came also publicans to be baptized, and they said unto him, Teacher, what must we do?\nAnd suddenly there was with the angel a multitude of the heavenly host praising God, and saying,\nand he bade them provide beasts, that they might set Paul thereon, and bring him safe unto Felix the governor.\n“Ouch!” he screamed.\nAnd Nathanael said unto him, Can any good thing come out of Nazareth? Philip saith unto him, Come and see.\n“What time is it?” whispered Wilbur to the goose.\nBy necessity, the firing squad killed the boy sitting on a log, for he was too terrified to stand.\nafter the same manner shall it be in the day that the Son of man is revealed.\n“Now make an attachment with your spinnerets, hurl yourself into space, and let out a dragline as you go down!”\nAnd the next night he did the same thing.\nThe man next to him reached out his pipe and Perry wiped the stem against the back of his wrist and took two draws and passed it back.\nKnow ye not that we shall judge angels? how much more, things that pertain to this life?\nYour future is assured.\n“Yes?” said the spider.\nAnd after Axe was finished telling his tale, I too wondered what varieties of woe Charley might bring upon us when the Army came searching.\nAnd Smith would take the last watch, from around four to sunup, which left those three boys to stand the worst of it. Smith reckoned to keep them awake two at a time, letting one always sleep, spelling one another every couple of hours.\nAnd when it came to pass that we had accomplished the days, we departed and went on our journey; and they all, with wives and children, brought us on our way till we were out of the city: and kneeling down on the beach, we prayed, and bade each other farewell;\nWoe unto them! for they went in the way of Cain, and ran riotously in the error of Balaam for hire, and perished in the gainsaying of Korah.\nAnd he saith unto me, The waters which thou sawest, where the harlot sitteth, are peoples, and multitudes, and nations, and tongues.\nBut I have a few things against thee, because thou hast there some that hold the teaching of Balaam, who taught Balak to cast a stumblingblock before the children of Israel, to eat things sacrificed to idols, and to commit fornication.\nLet’s say four hundred Indians.\nJesus said therefore unto the twelve, Would ye also go away?\nThe day grew fiercely hot.\nVerily I say unto thee, Thou shalt by no means come out thence, till thou have paid the last farthing.\nYea, I will give diligence that at every time ye may be able after my decease to call these things to remembrance.\nWherefore Come ye out from among them, and be ye separate, saith the Lord, And touch no unclean thing; And I will receive you,\nBehold what manner of love the Father hath bestowed upon us, that we should be called children of God; and such we are. For this cause the world knoweth us not, because it knew him not.\nI looked around at Smith.\nHe walked at a smart pace, and before long came to the creek and turned downstream.\nA spider has to pick up a living somehow or other, and I happen to be a trapper. I just naturally build a web and trap flies and other insects.\nI’d ask them for their support, and they would look me in the eye and go off talking on some vague other heartwarming topic, with the sincerity of a dying man addressing Jesus.\nFor it is written, As I live, saith the Lord, to me every knee shall bow, And every tongue shall confess to God.\nMost of them sailed away, on their balloons.\nAnd Jesus answering said unto him, Simon, I have somewhat to say unto thee. And he saith, Teacher, say on.\nNow on the last day, the great day of the feast, Jesus stood and cried, saying, If any man thirst, let him come unto me and drink.\nWhen thou art bidden of any man to a marriage feast, sit not down in the chief seat; lest haply a more honorable man than thou be bidden of him,\nNow if we put the horses’ bridles into their mouths that they may obey us, we turn about their whole body also.\nBut these, as creatures without reason, born mere animals to be taken and destroyed, railing in matters whereof they are ignorant, shall in their destroying surely be destroyed,\nIt is easier for a camel to go through a needle’s eye, than for a rich man to enter into the kingdom of God.\nAnd I saw a new heaven and a new earth: for the first heaven and the first earth are passed away; and the sea is no more.\nAnd I besought thy disciples to cast it out; and they could not.\nShe ascended slowly and returned to Wilbur’s pen.\nAnd Jesus rebuked him, saying, Hold thy peace, and come out of him. And when the demon had thrown him down in the midst, he came out of him, having done him no hurt.\nThe pen was grassy, and it was shaded from the sun by a shed roof.\nFor they that sleep sleep in the night; and they that are drunken are drunken in the night.\n“I’ll tell you in the morning,” she said.\nJesus saith unto him, Arise, take up thy bed, and walk.\nbut I buffet my body, and bring it into bondage: lest by any means, after that I have preached to others, I myself should be rejected. \nAnd now, Wilbur, it’s time you went to sleep.”\nCharley said the blanket bundle in his arms was airy as if it had been stuffed with cornhusks.\nShe found an earthworm with its droppings!\n“I just love it here in the barn, said Wilbur.\nJudge not according to appearance, but judge righteous judgment.\nThen cometh Jesus from Galilee to the Jordan unto John, to be baptized of him.\nIn such a place, the pale dome of the Capitol could loom high as Mont Blanc from the mud riverbanks, and the men who peopled it could consider themselves Goliaths.\nThe frog seemed tired after his morning in the swing.\nAnd when the ten heard it, they began to be moved with indignation concerning James and John.\nHe wrapped the blankets from his grandson’s bundle around his shoulders and began walking back down the trail.\nSo then let us follow after things which make for peace, and things whereby we may edify one another.\nServants, be obedient unto them that according to the flesh are your masters, with fear and trembling, in singleness of your heart, as unto Christ;\nWhen therefore they were gathered together, Pilate said unto them, Whom will ye that I release unto you? Barabbas, or Jesus who is called Christ?\n“You watch and see what he does.”\nIn like manner also the cup, after supper, saying, This cup is the new covenant in my blood: this do, as often as ye drink it, in remembrance of me.\nNobody noticed her.\nBut if any man thinketh that he behaveth himself unseemly toward his virgin daughter, if she be past the flower of her age, and if need so requireth, let him do what he will; he sinneth not; let them marry.\nBecause he saith also in another psalm, Thou wilt not give thy Holy One to see corruption.\ndoth not behave itself unseemly, seeketh not its own, is not provoked, taketh not account of evil;\nIn that part of the state, the men all talked in a certain style, with their lips run out and pooched up in front of them so that they reminded me of hens gabbling right after they have laid an egg.\nAnd when we were escaped, then we knew that the island was called Melita.\nIn a minute he had squeezed through the fence and was standing in the long grass outside his yard.\nFern was enchanted. It relieved her mind to know that her baby would sleep covered up, and would stay warm.\nAnd the great dragon was cast down, the old serpent, he that is called the Devil and Satan, the deceiver of the whole world; he was cast down to the earth, and his angels were cast down with him.\nHave this mind in you, which was also in Christ Jesus:\nExisting independently outside the Nation for many years.\nMost decomposers are so small that you can't even see them.\nThen saith Jesus unto them, Fear not: go tell my brethren that they depart into Galilee, and there shall they see me.\nAnd when he had said this, and had taken bread, he gave thanks to God in the presence of all; and he brake it, and began to eat.\nThat's a fine specimen of a pig — it’s no bigger than a white rat.”\nNevertheless, Ridge and I drank together some nights in the Queen and got along just fine when we were not talking business.\nIn whole burnt offerings and sacrifices for sin thou hadst no pleasure:\nAnd I will say to my soul, Soul, thou hast much goods laid up for many years; take thine ease, eat, drink, be merry.\nWhen the child fell asleep, Spearfinger would stab her with the long awl finger and take out her liver.\nBut the Jews that were disobedient stirred up the souls of the Gentiles, and made them evil affected against the brethren.\nThe same was in the beginning with God.\nA moment later a tear came to Wilbur’s eye.\nThe Son of man came eating and drinking, and they say, Behold, a gluttonous man and a winebibber, a friend of publicans and sinners! And wisdom is justified by her works.\nNow when Herod saw Jesus, he was exceeding glad: for he was of a long time desirous to see him, because he had heard concerning him; and he hoped to see some miracle done by him.\nStop your crying!\nand to them he said, Go ye also into the vineyard, and whatsoever is right I will give you. And they went their way.\nHe poured a bucket of warm slops into the trough,  and while Wilbur ate his breakfast Lurvy scratched him gently with a smooth stick.\nYe know that when ye were Gentiles ye were led away unto those dumb idols, howsoever ye might be led.\nShe wonders about what she observes in the soil.\n“Let's get busy! Edith, bring the buttermilk!”\nAnd it came to pass, as we were going to the place of prayer, that a certain maid having a spirit of divination met us, who brought her masters much gain by soothsaying.\nnamed of God a high priest after the order of Melchizedek.\nRemember Lot’s wife.\nAnd when the disciples heard it, they fell on their face, and were sore afraid.\nThat's when I do my thinking, because then all the blood is in my head.”\nBut you couldn’t say Jackson wasn’t warned about the temperament of his second in command, for Calhoun had also fallen out similarly when he was vice president the first time under Quincy Adams.\nHe said, George is out hunting.\nAnd the eye cannot say to the hand, I have no need of thee: or again the head to the feet, I have no need of you.\nAnd if ye love them that love you, what thank have ye? for even sinners love those that love them.\nAnd Jesus said unto them, How many loaves have ye? And they said, Seven, and a few small fishes.\nBut some of them said, Could not this man, who opened the eyes of him that was blind, have caused that this man also should not die?\nthen we that are alive, that are left, shall together with them be caught up in the clouds, to meet the Lord in the air: and so shall we ever be with the Lord.\nI and the Father are one.\nIf any one cometh unto you, and bringeth not this teaching, receive him not into your house, and give him no greeting:\nas free, and not using your freedom for a cloak of wickedness, but as bondservants of God.\nFor he accepted indeed our exhortation; but being himself very earnest, he went forth unto you of his own accord.\nI reached out and ran my finger across the four knobs of bone.\nTempleton, who had been resting in his home, scuttled away into the barn.\nThese things were done in Bethany beyond the Jordan, where John was baptizing.\nYour riches are corrupted, and your garments are moth-eaten.\na devout man, and one that feared God with all his house, who gave much alms to the people, and prayed to God always.\nwhere their worm dieth not, and the fire is not quenched.\nRain spattered against Mrs. Zuckerman’s kitchen windows and came gushing out of the downspouts.\nFor the unbelieving husband is sanctified in the wife, and the unbelieving wife is sanctified in the brother: else were your children unclean; but now are they holy.\nAnd behold, a man called by name Zacchæus; and he was a chief publican, and he was rich.\nFern disappeared after a while, walking down the road toward Zuckermans’.\nSo they don’t join up?\nI don’t spit on it.\nWhatsoever is sold in the shambles, eat, asking no question for conscience’ sake;\nThere was no justice in the world anymore.\nBut if we died with Christ, we believe that we shall also live with him;\nThe woman struck her palms against each other twice, with a hard brushing smack.\nAnd from that city many of the Samaritans believed on him because of the word of the woman, who testified, He told me all things that ever I did.\nDefraud ye not one the other, except it be by consent for a season, that ye may give yourselves unto prayer, and may be together again, that Satan tempt you not because of your incontinency.\nWe had better hurry along\nSufficient to such a one is this punishment which was inflicted by the many;\nYe have heard that it was said to them of old time, Thou shalt not kill; and whosoever shall kill shall be in danger of the judgment:\nSalute Philologus and Julia, Nereus and his sister, and Olympas, and all the saints that are with them.\nI could feel them beating in my wrists and temples.\nJesus therefore saith unto them, Children, have ye aught to eat? They answered him, No.\nYou know where I’d really like to be this evening?”\nA man that hath set at nought Moses’ law dieth without compassion on the word of two or three witnesses:\nIf a man therefore purge himself from these, he shall be a vessel unto honor, sanctified, meet for the master’s use, prepared unto every good work.\nBut they said, Not during the feast, lest a tumult arise among the people.\nI made the long journey to Washington and back three times during those years, each time with a stronger presentiment that all my efforts would be futile.\nGod forbid. We who died to sin, how shall we any longer live therein?\nAnd I saw thrones, and they sat upon them, and judgment was given unto them: and I saw the souls of them that had been beheaded for the testimony of Jesus, and for the word of God, and such as worshipped not the beast, neither his image, and received not the mark upon their forehead and upon their hand; and they lived, and reigned with Christ a thousand years.\nThe grace of our Lord Jesus Christ be with your spirit. Amen.\nPay out line!\nThe rain caused the stream to rise, and, now it would be deep enough for him to swim up stream.\nmerchandise of gold, and silver, and precious stone, and pearls, and fine linen, and purple, and silk, and scarlet; and all thyine wood, and every vessel of ivory, and every vessel made of most precious wood, and of brass, and iron, and marble;\nPaul, a servant of Jesus Christ, called to be an apostle, separated unto the gospel of God,\nAnd the God of all grace, who called you unto his eternal glory in Christ, after that ye have suffered a little while, shall himself perfect, establish, strengthen you.\nChrist redeemed us from the curse of the law, having become a curse for us; for it is written, Cursed is every one that hangeth on a tree:\nHe could see them showing the claws to their own grandchildren and telling the story of the day he came walking into camp bloody to the elbows, bent from the weight he packed over his shoulder, a great bear haunch in a black bundle made from its skin.\nAnd they all left him, and fled.\nI thank God, I speak with tongues more than you all:\nLord, have mercy on my son: for he is epileptic, and suffereth grievously; for oft-times he falleth into the fire, and oft-times into the water.\n“How’s that for a pig?” Mr. Zuckerman would ask, well pleased with himself.\nAnd after these things he was manifested in another form unto two of them, as they walked, on their way into the country.\nAnd the light shineth in the darkness; and the darkness apprehended it not.\n“Seems to me you're putting on weight.”\nHa! Thought Rabbit.\nThen said he to another, And how much owest thou? And he said, A hundred measures of wheat. He saith unto him, Take thy bond, and write fourscore.\nfor I will give you a mouth and wisdom, which all your adversaries shall not be able to withstand or to gainsay.\nYou might, by chance, know what it is.\nFor I say unto you, that except your righteousness shall exceed the righteousness of the scribes and Pharisees, ye shall in no wise enter into the kingdom of heaven.\nAnd when it was determined that we should sail for Italy, they delivered Paul and certain other prisoners to a centurion named Julius, of the Augustan band.\nAnd he that was sown among the thorns, this is he that heareth the word; and the care of the world, and the deceitfulness of riches, choke the word, and he becometh unfruitful.\nIt’s good in some ways, not so good in others.\nBut beware of men: for they will deliver you up to councils, and in their synagogues they will scourge you;\nAnd when they were at Salamis, they proclaimed the word of God in the synagogues of the Jews: and they had also John as their attendant.\nand if Christ hath not been raised, your faith is vain; ye are yet in your sins.\nthat each one of you know how to possess himself of his own vessel in sanctification and honor,\nas touching zeal, persecuting the church; as touching the righteousness which is in the law, found blameless.\nJudas then, having received the band of soldiers, and officers from the chief priests and the Pharisees, cometh thither with lanterns and torches and weapons.\nAnd I will give unto my two witnesses, and they shall prophesy a thousand two hundred and threescore days, clothed in sackcloth.\nIn these lay a multitude of them that were sick, blind, halt, withered.\nFor not through the law was the promise to Abraham or to his seed that he should be heir of the world, but through the righteousness of faith.\nand whosoever would be first among you shall be your servant:\nTo shine upon them that sit in darkness and the shadow of death; To guide our feet into the way of peace.\nsaying, These last have spent but one hour, and thou hast made them equal unto us, who have borne the burden of the day and the scorching heat.\nLet as many as are servants under the yoke count their own masters worthy of all honor, that the name of God and the doctrine be not blasphemed.\ntwo women shall be grinding at the mill; one is taken, and one is left.\n“Oh, making something,” she said.\nSmith said they had ridden out from the fort shortly after dawn to go round people up and escort them back to the stockade.\nFor if because of meat thy brother is grieved, thou walkest no longer in love. Destroy not with thy meat him for whom Christ died.\nand let him that is in the field not return back to take his cloak.\nAnd he answered and said unto them, Go and tell John the things which ye have seen and heard; the blind receive their sight, the lame walk, the lepers are cleansed, and the deaf hear, the dead are raised up, the poor have good tidings preached to them.\nbut now, having no more any place in these regions, and having these many years a longing to come unto you,\nbut each man is tempted, when he is drawn away by his own lust, and enticed.\nAnd when he had spent three months there, and a plot was laid against him by the Jews as he was about to set sail for Syria, he determined to return through Macedonia.\ntestifying both to Jews and to Greeks repentance toward God, and faith toward our Lord Jesus Christ.\nAfter these things I will return, And I will build again the tabernacle of David, which is fallen; And I will build again the ruins thereof, And I will set it up:\nBut it was popular among young men of bright prospect and also various Creek and Cherokee and Seminole legations come to Washington City to negotiate treaties.\nThe sheep lay motionless.\nFor he that is not against us is for us.\nsaying, This man persuadeth men to worship God contrary to the law.\n“So far,” said Zuckerman, “only four people on earth know about this miracle—myself, my wife Edith, my hired man Lurvy, and you.”\nAnd other fell among the thorns, and the thorns grew up, and choked it, and it yielded no fruit.\nI didn’t see Ancih’s husband and said so to Charley.\nThis Sequoyah must have been famous, we say.\nAnd Jesus called them to him, and saith unto them, Ye know that they who are accounted to rule over the Gentiles lord it over them; and their great ones exercise authority over them.\nbut he, because he abideth for ever, hath his priesthood unchangeable.\nHis opinion was, the new boots were close to the finest he had ever worn.\nIt was fine to jump in, and perfect to hide in.\nFor he that speaketh in a tongue speaketh not unto men, but unto God; for no man understandeth; but in the spirit he speaketh mysteries.\nBut we believe that we shall be saved through the grace of the Lord Jesus, in like manner as they.\nAnd many more happy, tranquil days followed.\nBrethren, be ye imitators together of me, and mark them that so walk even as ye have us for an ensample.\nAnd the scribes of the Pharisees, when they saw that he was eating with the sinners and publicans, said unto his disciples, How is it that he eateth and drinketh with publicans and sinners?\nAnd in the fourth watch of the night he came unto them, walking upon the sea.\nFor he hath looked upon the low estate of his handmaid: For behold, from henceforth all generations shall call me blessed.\nAnd the peace of God, which passeth all understanding, shall guard your hearts and your thoughts in Christ Jesus.\nAnd the Holy Spirit also beareth witness to us; for after he hath said,\nWhereupon he promised with an oath to give her whatsoever she should ask.\nAnd there also came together the multitude from the cities round about Jerusalem, bringing sick folk, and them that were vexed with unclean spirits: and they were healed every one.\nEven so faith, if it have not works, is dead in itself.\nAnd he that doth not take his cross and follow after me, is not worthy of me.\n“Easy to fool,” said Charlotte.\nI believe we have reached a deal, he said.\nand if any man shall take away from the words of the book of this prophecy, God shall take away his part from the tree of life, and out of the holy city, which are written in this book.\nHe doesn't know what it is, said Squirrel.\nfor I feared thee, because thou art an austere man: thou takest up that which thou layedst not down, and reapest that which thou didst not sow.\nSo they called a second time the man that was blind, and said unto him, Give glory to God: we know that this man is a sinner.\nwhich some professing have erred concerning the faith. Grace be with you.\nbut I trust in the Lord that I myself also shall come shortly.\nBut at midnight there is a cry, Behold, the bridegroom! Come ye forth to meet him.\nAnd it came to pass, on one of the days, as he was teaching the people in the temple, and preaching the gospel, there came upon him the chief priests and the scribes with the elders;\nAnd on the first day of unleavened bread, when they sacrificed the passover, his disciples say unto him, Where wilt thou that we go and make ready that thou mayest eat the passover?\nand were continually in the temple, blessing God.\nOn those actions, as opposed to a matter of chicken bones, Jackson had no comment one way or the other.\nAt four would come supper.\nI’m afraid he’s much bigger than you are.”\nAre you all right?\n“Good idea,” said Charlotte.\nI was trying to avoid saying that you look the fool.\nAnd he that sent me is with me; he hath not left me alone; for I do always the things that are pleasing to him.\nNeither shalt thou swear by thy head, for thou canst not make one hair white or black.\nto them that by patience in well-doing seek for glory and honor and incorruption, eternal life:\nI rose from behind the hickory trunk and started walking into camp, and as I went Smith was saying something to me in a hissing whisper inflected like he thought he was issuing orders.\nAnd Jesus said unto him, If thou canst! All things are possible to him that believeth.\nAnd forthwith he took soldiers and centurions, and ran down upon them: and they, when they saw the chief captain and the soldiers, left off beating Paul.\nAnd it came to pass, as he said these things, a certain woman out of the multitude lifted up her voice, and said unto him, Blessed is the womb that bare thee, and the breasts which thou didst suck.\n“No, the trough is dry, and I want you to go to sleep.\nNevertheless I tell you the truth: It is expedient for you that I go away; for if I go not away, the Comforter will not come unto you; but if I go, I will send him unto you.\nAnd no man putteth new wine into old wineskins; else the wine will burst the skins, and the wine perisheth, and the skins: but they put new wine into fresh wine-skins.\nAnd he showed me a river of water of life, bright as crystal, proceeding out of the throne of God and of the Lamb,\nAvery grabbed the jar and rushed to the truck.\nPerry had taken off all his wet clothes and was naked under his grey wool blanket, which he wore cowled over his head and drooping to his white shins.\nHe said, No money at all?\nAnd whenever he is not here going buck wild, full Indian in language and customs all the way down to playing their deadly violent ball game, he’s in Washington City dancing at fancy balls and bootlicking every wheelhorse and crony in the Government, which is why his bunch of Indians get to stay in their homes unmolested while all the rest are hunted up out of the woods like hogs in the fall.\nI had since visited every fine tailor and cobbler in the city and had acquired all the wardrobe I could afford.\nYe offspring of vipers, how can ye, being evil, speak good things? for out of the abundance of the heart the mouth speaketh.\nsaying, Behold, we go up to Jerusalem; and the Son of man shall be delivered unto the chief priests and the scribes; and they shall condemn him to death, and shall deliver him unto the Gentiles:\nBut we behold him who hath been made a little lower than the angels, even Jesus, because of the suffering of death crowned with glory and honor, that by the grace of God he should taste of death for every man.\nAfter being fed some beans and cold cornbread, the captives told where another dozen runners were hiding near the forks of a river two or three days away.\nwho through him are believers in God, that raised him from the dead, and gave him glory; so that your faith and hope might be in God.\nHe rose slowly to his feet, while the geese cheered.\nAnd they that fed them fled, and told it in the city, and in the country. And they came to see what it was that had come to pass.\nBut if we shall say, From men; we fear the multitude; for all hold John as a prophet.\nAnd the man in whom the evil spirit was leaped on them, and mastered both of them, and prevailed against them, so that they fled out of that house naked and wounded.\nAnd when he was alone, they that were about him with the twelve asked of him the parables.\nBut some of them said, By Beelzebub the prince of the demons casteth he out demons.\nAsmeret has found some decomposers under a log!\nThere can be no mistake about it.\nAnd if I by Beelzebub cast out demons, by whom do your sons cast them out? therefore shall they be your judges.\nHe didn't know whether he could endure the awful loneliness any more.\nAnd in the morning, It will be foul weather to-day: for the heaven is red and lowering. Ye know how to discern the face of the heaven; but ye cannot discern the signs of the times.\n“Fern,” said her mother sternly, “you must not invent things.\nHe shook hands with the minister, and left.\nWhat happened? ᎠᏆᏛᏅ.\nAnd soldiers also asked him, saying, And we, what must we do? And he said unto them, Extort from no man by violence, neither accuse any one wrongfully; and be content with your wages.\nFor if in anything I have gloried to him on your behalf, I was not put to shame; but as we spake all things to you in truth, so our glorying also which I made before Titus was found to be truth.\nI don’t know what the girls were expecting when they reached the young gentlemen’s ancestral home.\nBut their eyes were holden that they should not know him.\nThese things speak and exhort and reprove with all authority. Let no man despise thee. \nHe took the letter from the scribe and tossed it back among the clutter.\n“Nicely done, nicely done!” cried the goose.\nAnd he said unto them, How say they that the Christ is David’s son?\nAnd they came to Capernaum: and when he was in the house he asked them, What were ye reasoning on the way?\naccording to the foreknowledge of God the Father, in sanctification of the Spirit, unto obedience and sprinkling of the blood of Jesus Christ: Grace to you and peace be multiplied.\nFor so hath the Lord commanded us, saying, I have set thee for a light of the Gentiles, That thou shouldest be for salvation unto the uttermost part of the earth.\nClaire did not even lift her face from where it was pressed in the space between my neck and shoulder.\nAnd at the second time Joseph was made known to his brethren; and Joseph’s race became manifest unto Pharaoh.\nWriters can tell any lie that leaps into their heads.\nAnd he said unto them, When I sent you forth without purse, and wallet, and shoes, lacked ye anything? And they said, Nothing.\nAnd the apostles said unto the Lord, Increase our faith.\nI don’t feel good at all.\nseeing that his divine power hath granted unto us all things that pertain unto life and godliness, through the knowledge of him that called us by his own glory and virtue;\nSo, as much as in me is, I am ready to preach the gospel to you also that are in Rome.\nAnd Joseph sent, and called to him Jacob his father, and all his kindred, threescore and fifteen souls.\nWhere your fathers tried me by proving me, And saw my works forty years.\nWhich of you convicteth me of sin? If I say truth, why do ye not believe me?\nFor each tree is known by its own fruit. For of thorns men do not gather figs, nor of a bramble bush gather they grapes.\nAnd he opened the pit of the abyss; and there went up a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.\nFor verily, when we were with you, we told you beforehand that we are to suffer affliction; even as it came to pass, and ye know.\nIn the forever that was, all the forest dwellers spoke Cherokee.\nand Jesse begat David the king. And David begat Solomon of her that had been the wife of Uriah;\nFor this cause it is of faith, that it may be according to grace; to the end that the promise may be sure to all the seed; not to that only which is of the law, but to that also which is of the faith of Abraham, who is the father of us all\nbut he whom God raised up saw no corruption.\nYea verily, and I count all things to be loss for the excellency of the knowledge of Christ Jesus my Lord: for whom I suffered the loss of all things, and do count them but refuse, that I may gain Christ,\nAnd the day following Paul went in with us unto James; and all the elders were present.\nThe first man to reach him was only a few years older than Wasseton, and he came crawling forward out of the half-light with a knife between his teeth and an awkward long musket on a strap over his shoulder banging against every limb and trunk.\nMr. Zuckerman and Mr. Arable and Lurvy grabbed the pig and pushed him headfirst toward the crate.\nOne day when the stream merged with a larger creek, Littlefish entered it without much fear at all.\nAnd they began to beseech him to depart from their borders.\nIn the law it is written, By men of strange tongues and by the lips of strangers will I speak unto this people; and not even thus will they hear me, saith the Lord.\nIV. Loneliness  \nI say unto you, that he will avenge them speedily. Nevertheless, when the Son of man cometh, shall he find faith on the earth?\nBut food will not commend us to God: neither, if we eat not, are we the worse; nor, if we eat, are we the better.\ninstructing us, to the intent that, denying ungodliness and worldly lusts, we should live soberly and righteously and godly in this present world;\nCharley sat by the fire a long time thinking about food.\nLurvy appeared, carrying an Indian blanket that he had won.\nwithout father, without mother, without genealogy, having neither beginning of days nor end of life, but made like unto the Son of God), abideth a priest continually.\nI have given them thy word; and the world hated them, because they are not of the world, even as I am not of the world.\nAnd we have beheld and bear witness that the Father hath sent the Son to be the Saviour of the world.\nThere can be neither Jew nor Greek, there can be neither bond nor free, there can be no male and female; for ye all are one man in Christ Jesus.\nfor thou hast had five husbands; and he whom thou now hast is not thy husband: this hast thou said truly.\nLet no man deceive you with empty words: for because of these things cometh the wrath of God upon the sons of disobedience.\n“Wilbur’s not dirty,” said Mr. Zuckerman proudly.\nand whosoever liveth and believeth on me shall never die. Believest thou this?\nAs touching the gospel, they are enemies for your sake: but as touching the election, they are beloved for the fathers’ sake.\nAnd Jesus said unto him, Friend, do that for which thou art come. Then they came and laid hands on Jesus, and took him.\nJesus said unto him, Thou hast both seen him, and he it is that speaketh with thee.\nNathanael saith unto him, Whence knowest thou me? Jesus answered and said unto him, Before Philip called thee, when thou wast under the fig tree, I saw thee.\nThings change, he said.\nBear kept close watch over all the dealings, and at one point he asked if I knew what the difference between us was.\nupon which when I had fastened mine eyes, I considered, and saw the fourfooted beasts of the earth and wild beasts and creeping things and birds of the heaven.\nAnd if Wilbur goes there to live, you can walk down the road and visit him as often as you like.”\nand in your godliness brotherly kindness; and in your brotherly kindness love.\nbut by equality: your abundance being a supply at this present time for their want, that their abundance also may become a supply for your want; that there may be equality:\n“My name,” said the spider, “is Charlotte.”\nif any man speaketh, speaking as it were oracles of God; if any man ministereth, ministering as of the strength which God supplieth: that in all things God may be glorified through Jesus Christ, whose is the glory and the dominion for ever and ever. Amen.\nand suddenly there was a great earthquake, so that the foundations of the prison-house were shaken: and immediately all the doors were opened; and every one’s bands were loosed.\nThe old sheep nodded.\n“I don’t deserve it.\nAnd they laid hands on them, and put them in ward unto the morrow: for it was now eventide.\n“Bee-bee-bee!”\nbut when they came to Jesus, and saw that he was dead already, they brake not his legs:\nLikewise even as it came to pass in the days of Lot; they ate, they drank, they bought, they sold, they planted, they builded;\nHe shall not strive, nor cry aloud; Neither shall any one hear his voice in the streets.\nAnd when they heard it, they marvelled, and left him, and went away.\nNow this he said not of himself: but being high priest that year, he prophesied that Jesus should die for the nation;\nWhen it was Perry’s turn he said Galway, walking down Quay Street to the waterfront right at sunset to watch the light fall away from Inishmore across the water.\nAnd he said unto them, Ye are from beneath; I am from above: ye are of this world; I am not of this world.\nTherefore seeing we have this ministry, even as we obtained mercy, we faint not:\nJesus therefore answered them, and said, My teaching is not mine, but his that sent me.\n“Charlotte A. Cavatica.\nAnd he answered and said unto it, No man eat fruit from thee henceforward for ever. And his disciples heard it.\nTill I come, give heed to reading, to exhortation, to teaching.\nAnd the disciples came, and said unto him, Why speakest thou unto them in parables?\nBecause the foolishness of God is wiser than men; and the weakness of God is stronger than men.\nand he said unto him, All these things will I give thee, if thou wilt fall down and worship me.\nAnd when we had sailed across the sea which is off Cilicia and Pamphylia, we came to Myra, a city of Lycia.\n“You call that miserable thing a pig? \nsaying, We strictly charged you not to teach in this name: and behold, ye have filled Jerusalem with your teaching, and intend to bring this man’s blood upon us.\nAnd then she straightened her clothes and smiled and kissed me a glancing blow on my cheekbone.\nFor he is not a Jew who is one outwardly; neither is that circumcision which is outward in the flesh:\nI didn’t know where to begin arguing with these people.\nBut I say unto you, that Elijah is come, and they have also done unto him whatsoever they would, even as it is written of him.\nFor Moses said, Honor thy father and thy mother; and, He that speaketh evil of father or mother, let him die the death:\neven he to whom it was said, In Isaac shall thy seed be called:\nAnd he went forward a little, and fell on his face, and prayed, saying, My Father, if it be possible, let this cup pass away from me: nevertheless, not as I will, but as thou wilt.\nHe sat up and pulled wisely at his long whiskers, then crept away to pay a visit to the dump.\nThey threw rocks at it.\nBut if a man walk in the night, he stumbleth, because the light is not in him.\nI have not written unto you because ye know not the truth, but because ye know it, and because no lie is of the truth.\nXXI: Last Day\nFor this ye know of a surety, that no fornicator, nor unclean person, nor covetous man, who is an idolater, hath any inheritance in the kingdom of Christ and God.\nBut if ye have bitter jealousy and faction in your heart, glory not and lie not against the truth.\nand he had in his hand a little book open: and he set his right foot upon the sea, and his left upon the earth;\nAnd when this was done, the rest also that had diseases in the island came, and were cured:\nAnd he shall send forth his angels with a great sound of a trumpet, and they shall gather together his elect from the four winds, from one end of heaven to the other.\n“I’m not inventing,” said Fern.\nBe ye free from the love of money; content with such things as ye have: for himself hath said, I will in no wise fail thee, neither will I in any wise forsake thee.\nFrom three to four, he planned to stand perfectly still and think of what it was like to be alive, and to wait for Fern.\nBut be it so, I did not myself burden you; but, being crafty, I caught you with guile.\nAnd upon this came his disciples; and they marvelled that he was speaking with a woman; yet no man said, What seekest thou? or, Why speakest thou with her?\nFor before that certain came from James, he ate with the Gentiles; but when they came, he drew back and separated himself, fearing them that were of the circumcision.\nAnd he answered and said unto them, Why do ye also transgress the commandment of God because of your tradition?\nThe best I could tell, my claim was not accepted, but neither was it rejected.\nand they cried with a great voice, saying, How long, O Master, the holy and true, dost thou not judge and avenge our blood on them that dwell on the earth?\nJesus, knowing that the Father had given all things into his hands, and that he came forth from God, and goeth unto God,\nAnd the scribes that came down from Jerusalem said, He hath Beelzebub, and, By the prince of the demons casteth he out the demons.\nHer eight legs were spread wide.\nfor, Whosoever shall call upon the name of the Lord shall be saved.\nFor we know in part, and we prophesy in part;\nThings change.\nMake for the woods!\nBut Jesus answered and said, Suffer ye them thus far. And he touched his ear, and healed him.\nBut he answered her not a word. And his disciples came and besought him, saying, Send her away; for she crieth after us.\nThere was the web, sagging dangerously under the weight of the fish.”\nThey cannot see ten feet beyond the passway, and they invent ambush from every fall of limb or call of bird and I have had to threaten to severely penalize any man who fires indiscriminately.\nNow we that are strong ought to bear the infirmities of the weak, and not to please ourselves.\nAnd also because he was stout enough to bear the unwilling responsibility toward all these people climbing ahead of him, none of whom would be gathered here starving and in flight but for some urge he once had on Nancy’s body.\nAnd he called him, and said unto him, What is this that I hear of thee? render the account of thy stewardship; for thou canst be no longer steward.\nThis is he, of whom it is written, Behold, I send my messenger before thy face, Who shall prepare thy way before thee.\nMoreover certain women of our company amazed us, having been early at the tomb;\nFor this cause I also, when I could no longer forbear, sent that I might know your faith, lest by any means the tempter had tempted you, and our labor should be in vain.\nHe is said to be a man of such make that he could preach temperance out of his mouth while at the same time digging in his pocket to make change for a bottle and not see any conflict between the two actions.\nIn the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese.\nAnd straightway he called them: and they left their father Zebedee in the boat with the hired servants, and went after him.\nUp you go! Repeat! Attach! Descend! Pay out line.\n“The Zuckerman pig is now being taken from his crate,” boomed the voice of the loud speaker.\nThen saith he unto his disciples, The harvest indeed is plenteous, but the laborers are few.\n“O.K., Wilbur,” said Charlotte.\nAnd he left them again, and went away, and prayed a third time, saying again the same words.\nand they asked him, saying, Teacher, Moses wrote unto us, that if a man’s brother die, having a wife, and he be childless, his brother should take the wife, and raise up seed unto his brother.\nBe sober, be watchful: your adversary the devil, as a roaring lion, walketh about, seeking whom he may devour:\nThere was this one time I was at Chapel Hill, and it was a Friday night.\n“When are you going to spin a web?” asked Wilbur.\nAnd they came with haste, and found both Mary and Joseph, and the babe lying in the manger.\nAll these sights and sounds and smells will be yours to enjoy, Wilbur—this lovely world, these precious days ...\nAnd demons also came out from many, crying out, and saying, Thou art the Son of God. And rebuking them, he suffered them not to speak, because they knew that he was the Christ.\nI come quickly: hold fast that which thou hast, that no one take thy crown.\nAnd when the sun was setting, all they that had any sick with divers diseases brought them unto him; and he laid his hands on every one of them, and healed them.\nThe colonel smiled at my foolish lack of skill in negotiating.\n“Oh, everybody in the barn cellar.\nIntimate with Nature.\nI awoke in the dark.\nI know thy tribulation, and thy poverty (but thou art rich), and the blasphemy of them that say they are Jews, and they are not, but are a synagogue of Satan.\n“ ‘Versatile’ means I can turn with ease from one thing to another.\nHis nose was so far up Jackson’s ass for so long he couldn’t smell honeysuckle, even if you presented him with an armload of blossoms.\nEven the goose was quiet.\nFor if they do these things in the green tree, what shall be done in the dry?\nThen saith Jesus unto them, All ye shall be offended in me this night: for it is written, I will smite the shepherd, and the sheep of the flock shall be scattered abroad.\nDemetrius hath the witness of all men, and of the truth itself: yea, we also bear witness; and thou knowest that our witness is true.\nBetween the woods and frozen lake\nbut having food and covering we shall be therewith content.\nAnd it came to pass, when the days of his ministration were fulfilled, he departed unto his house.\nOld men and women and children.\nFive hundred, about.\nArise, let us be going: behold, he that betrayeth me is at hand.\nBut I rejoice in the Lord greatly, that now at length ye have revived your thought for me; wherein ye did indeed take thought, but ye lacked opportunity.\nAnd if he shall come in the second watch, and if in the third, and find them so, blessed are those servants.\n“I get everything all beautifully planned out and it has to go and rain,” he said.\nBut he said, Yea rather, blessed are they that hear the word of God, and keep it.\n“We’re all going home today.\nAnd he took hold of the blind man by the hand, and brought him out of the village; and when he had spit on his eyes, and laid his hands upon him, he asked him, Seest thou aught?\nIt's just a common grey spider.”\n“I don’t know,” said Charlotte.\nAnd they drew nigh unto the village, whither they were going: and he made as though he would go further.\nI came to cast fire upon the earth; and what do I desire, if it is already kindled?\nThis is the bread which cometh down out of heaven, that a man may eat thereof, and not die.\nand he charged them that they should take nothing for their journey, save a staff only; no bread, no wallet, no money in their purse;\nEverybody climbed out.\nAnd this I say for your own profit; not that I may cast a snare upon you, but for that which is seemly, and that ye may attend upon the Lord without distraction.\nIt was a fraction of what our holdings would become a decade later, but enough to form a confusing principality, existing outside the Nation and inside the state.\nYe know this, my beloved brethren. But let every man be swift to hear, slow to speak, slow to wrath:\nAnd the people shouted, saying, The voice of a god, and not of a man.\nNow may our God and Father himself, and our Lord Jesus, direct our way unto you:\nAnd when the townclerk had quieted the multitude, he saith, Ye men of Ephesus, what man is there who knoweth not that the city of the Ephesians is temple-keeper of the great Diana, and of the image which fell down from Jupiter?\nAnd coming up at that very hour she gave thanks unto God, and spake of him to all them that were looking for the redemption of Jerusalem.\nAnother thing I did that people chose to interpret as an eccentricity was to take an umbrella into the woods for especially wet days.\nBut if thine enemy hunger, feed him; if he thirst, give him to drink: for in so doing thou shalt heap coals of fire upon his head.\nSo often in life, all the option Creation grants us is either shit or go blind.\nAnd he could there do no mighty work, save that he laid his hands upon a few sick folk, and healed them.\neven the righteousness of God through faith in Jesus Christ unto all them that believe; for there is no distinction;\nAfter a few games, with me whispering, Top left, bottom middle, Perry saw what he’d been missing.\nSalt therefore is good: but if even the salt have lost its savor, wherewith shall it be seasoned?\nAnd we see that they were not able to enter in because of unbelief. \n“Thanks,” said Charlotte.\nPerhaps we should let him be and give him some cornmeal.\nand through him to reconcile all things unto himself, having made peace through the blood of his cross; through him, I say, whether things upon the earth, or things in the heavens.\nBeloved, if our heart condemn us not, we have boldness toward God;\nThe trap clanged hard.\n“I can smell you from here.\nAnd he sat down over against the treasury, and beheld how the multitude cast money into the treasury: and many that were rich cast in much.\nPilate therefore entered again into the Prætorium, and called Jesus, and said unto him, Art thou the King of the Jews?\nAnd he said unto them, Why are ye troubled? and wherefore do questionings arise in your heart?\nHereby we know that we love the children of God, when we love God and do his commandments.\nFor indeed we are in danger to be accused concerning this day’s riot, there being no cause for it: and as touching it we shall not be able to give account of this concourse.\nWhen Charley returned to camp the next day, it was with neither a bloody haunch over his shoulder nor a heroic story to tell.\nknowing this first, that in the last days mockers shall come with mockery, walking after their own lusts,\nSay not ye, There are yet four months, and then cometh the harvest? behold, I say unto you, Lift up your eyes, and look on the fields, that they are white already unto harvest.\nAnd to him they agreed: and when they had called the apostles unto them, they beat them and charged them not to speak in the name of Jesus, and let them go.\nWeapons, leather goods, saddlebags, tin pots, and dirty linens.\nFather, I desire that they also whom thou hast given me be with me where I am, that they may behold my glory, which thou hast given me: for thou lovedst me before the foundation of the world.\nPartway there I saw her moving across the dark room without a candle.\n“That’s because you've never been to one,” remarked the old sheep.\nAnd another angel, a third, followed them, saying with a great voice, If any man worshippeth the beast and his image, and receiveth a mark on his forehead, or upon his hand,\nJohn came, who baptized in the wilderness and preached the baptism of repentance unto remission of sins.\nFor we know that the whole creation groaneth and travaileth in pain together until now.\nWhosoever goeth onward and abideth not in the teaching of Christ, hath not God: he that abideth in the teaching, the same hath both the Father and the Son.\nneither shall they say, Lo, here! or, There! for lo, the kingdom of God is within you.\nAnd I wrote this very thing, lest, when I came, I should have sorrow from them of whom I ought to rejoice; having confidence in you all, that my joy is the joy of you all.\nOn a hot day like this, Asmeret looks for decomposers under leaves and logs.\nAnd when Paul was minded to enter in unto the people, the disciples suffered him not.\nMade by whom?\nOne day later, and I’ll wipe all of you away to the Territories.\nWater fell in runnels from the leaves onto the chalky ground litter under the shelter of the rhododendron and pooled at his feet.\nCharley remembered that last deer, a fat buck.\nAnd Jesus began to say unto them, Take heed that no man lead you astray.\nShe climbed in with Wilbur and went to work.\nredeeming the time, because the days are evil.\nAnd as he journeyed, it came to pass that he drew nigh unto Damascus: and suddenly there shone round about him a light out of heaven:\nThey already had all the fight beat out of them some time ago.\nAnd he said unto them, The sabbath was made for man, and not man for the sabbath:\nAnd they reasoned with themselves, saying, If we shall say, From heaven; he will say, Why did ye not believe him?\nhaving a field, sold it, and brought the money and laid it at the apostles’ feet. \n“Yes, sir,” said Lurvy.\nAnd they went out of the prison, and entered into the house of Lydia: and when they had seen the brethren, they comforted them, and departed. \nAnd let the peace of Christ rule in your hearts, to the which also ye were called in one body; and be ye thankful.\nAnd the soldiers also mocked him, coming to him, offering him vinegar,\nThe web glistened in the light and made a pattern of loveliness and mystery,  like a delicate veil.\nAnd he had already abandoned fearfulness. All he could do was exercise an attitude of still acceptance.\nAnd Jesus asked him, What is thy name? And he said, Legion; for many demons were entered into him.\nReturn to thy house, and declare how great things God hath done for thee. And he went his way, publishing throughout the whole city how great things Jesus had done for him.\nAnd he felt like he should find some nice tree that he could stay with.\nThe slow water moved almost without sound.\nThey were willing therefore to receive him into the boat: and straightway the boat was at the land whither they were going.\nNo deadly plotting took place among them.\nAnd when he knocked at the door of the gate, a maid came to answer, named Rhoda.\nHe wanted all Indians gone, no matter how rich or how white, and the provision was stricken from the final document.\nNote the smoothness and whiteness of the coat, observe the spotless skin, the healthy pink glow of ears and snout.”\nLet’s go.\nAnd he said, Nay, father Abraham: but if one go to them from the dead, they will repent.\nAnd upon the first day of the week, when we were gathered together to break bread, Paul discoursed with them, intending to depart on the morrow; and prolonged his speech until midnight.\n“The old sheep was right—this Fair is a rat’s paradise.\nAnd behold, there came to him a leper and worshipped him, saying, Lord, if thou wilt, thou canst make me clean.\nBut because I say the truth, ye believe me not.\nThe soldiers stood spaced out.\nIt was about two miles from our house.\nand I made known unto them thy name, and will make it known; that the love wherewith thou lovedst me may be in them, and I in them. \nAnd they could not answer again unto these things.\nAnd the jailor reported the words to Paul, saying, The magistrates have sent to let you go: now therefore come forth, and go in peace.\nBut Sequoyah, they tell us, knew no English and couldn't read -- not even the letter A.\nA veil of blood streamed down my lower face.\nFor they were about five thousand men. And he said unto his disciples, Make them sit down in companies, about fifty each.\nwhom he gathered together, with the workmen of like occupation, and said, Sirs, ye know that by this business we have our wealth.\nI'll ask that big strong oak tree, I'm sure he'll have some room, he said.\n“I'm a pig!\nsend them away, that they may go into the country and villages round about, and buy themselves somewhat to eat.\nAnd when he saw Jesus from afar, he ran and worshipped him;\nFor if he that cometh preacheth another Jesus, whom we did not preach, or if ye receive a different spirit, which ye did not receive, or a different gospel, which ye did not accept, ye do well to bear with him.\nA look of complete bewilderment came over Mrs. Zuckerman’s face.\nAnd Saul arose from the earth; and when his eyes were opened, he saw nothing; and they led him by the hand, and brought him into Damascus.\nAnd their eyes were opened. And Jesus strictly charged them, saying, See that no man know it.\n“I bet I can get him to help,” said the old sheep.\nAre not two sparrows sold for a penny? and not one of them shall fall on the ground without your Father:\nBut Peter raised him up, saying, Stand up; I myself also am a man.\nAnd he must needs pass through Samaria.\nWilbur’s stomach was empty and his mind was full.\nWhere’s Papa going with that ax?” said Fern to her mother as they were setting the table for breakfast.\nFor what thanksgiving can we render again unto God for you, for all the joy wherewith we joy for your sakes before our God;\nWendy sighed.\nTears began to come to his eyes.\nAnd he prayed again; and the heaven gave rain, and the earth brought forth her fruit.\nand if Christ hath not been raised, then is our preaching vain, your faith also is vain.\nAnd he saith unto them, Draw out now, and bear unto the ruler of the feast. And they bare it.\nI am a bottom feeder and have seen many different kinds of fish.\nHe said therefore to the multitudes that went out to be baptized of him, Ye offspring of vipers, who warned you to flee from the wrath to come?\nAnd then, after four pours, he told that every day in these impenetrable woods and mountains left him terrified.\n“Catch his head again,” Charlie said.\nI think therefore that this is good by reason of the distress that is upon us, namely, that it is good for a man to be as he is.\nThe goslings have arrived.\n“This magnificent animal,” continued the loud speaker, “is truly terrific.\nAnd they said, Lord, behold, here are two swords. And he said unto them, It is enough.\nThey went to the high balds and camped in the long grass and waited.\nAnd straightway he constrained the disciples to enter into the boat, and to go before him unto the other side, till he should send the multitudes away.\nAnd Jesus saith unto him, Verily I say unto thee, that thou to-day, even this night, before the cock crow twice, shalt deny me thrice.\nAnd she went out, and said unto her mother, What shall I ask? And she said, The head of John the Baptizer.\nThe woods are lovely, dark, and deep,\n“That's where you're wrong, my friend, my friend,” said a voice.\nJesus answered, My kingdom is not of this world: if my kingdom were of this world, then would my servants fight, that I should not be delivered to the Jews: but now is my kingdom not from hence.\nAnd the nations were wroth, and thy wrath came, and the time of the dead to be judged, and the time to give their reward to thy servants the prophets, and to the saints, and to them that fear thy name, the small and the great; and to destroy them that destroy the earth.\nPhilip findeth Nathanael, and saith unto him, We have found him, of whom Moses in the law, and the prophets, wrote, Jesus of Nazareth, the son of Joseph.\nThe woman moved about the dooryard casting crumbled bits of dry leftover cornbread onto the ground with a rattling motion of her hand and wrist, like shaking and throwing dice.\n“What's inside it?” asked Wilbur.\nAnd Jesus said unto them, Neither tell I you by what authority I do these things.\nBut whoso hath the world’s goods, and beholdeth his brother in need, and shutteth up his compassion from him, how doth the love of God abide in him?\nYou know perfectly well animals don’t talk.”\n“I hope you brought a good one,” Charlotte said.\nFor of his fulness we all received, and grace for grace.\nAnd the multitude of them that believed were of one heart and soul: and not one of them said that aught of the things which he possessed was his own; but they had all things common.\nFor this is the covenant that I will make with the house of Israel After those days, saith the Lord; I will put my laws into their mind, And on their heart also will I write them: And I will be to them a God, And they shall be to me a people:\nShe repeated this, making it double.\nHere are a few decomposers.\nOn foggy mornings, Charlotte’s web was truly a thing of beauty.\nJesus therefore said, When ye have lifted up the Son of man, then shall ye know that I am he, and that I do nothing of myself, but as the Father taught me, I speak these things.\nI guess my face looked like a map in process of erasure.\nadded this also to them all, that he shut up John in prison.\nBut I’m working on a plan.”\nAs for my whereabouts, that’s easy.\nAll the meat left now was a little venison jerky, just tag ends and scraps that served no purpose beyond flavoring a pot of cornmeal soup.\nA real gorge!\nParthians and Medes and Elamites, and the dwellers in Mesopotamia, in Judæa and Cappadocia, in Pontus and Asia,\nyet hath he not root in himself, but endureth for a while; and when tribulation or persecution ariseth because of the word, straightway he stumbleth.\nAnd when he opened the third seal, I heard the third living creature saying, Come. And I saw, and behold, a black horse; and he that sat thereon had a balance in his hand.\nAlright, Wolf! said Rabbit.\nThese are they that were not defiled with women; for they are virgins. These are they that follow the Lamb whithersoever he goeth. These were purchased from among men, to be the firstfruits unto God and unto the Lamb.\n“Now let us feast.”\nspeaking one to another in psalms and hymns and spiritual songs, singing and making melody with your heart to the Lord;\nto all that are in Rome, beloved of God, called to be saints: Grace to you and peace from God our Father and the Lord Jesus Christ.\nBut if he hath wronged thee at all, or oweth thee aught, put that to mine account;\nBut I seek not mine own glory: there is one that seeketh and judgeth.\nBeloved, now are we children of God, and it is not yet made manifest what we shall be. We know that, if he shall be manifested, we shall be like him; for we shall see him even as he is.\nThere was a slight shift of wind from up the creek, and it carried an odor like wet dog. Charley began walking back toward the dark shape.\nThe lambs learned about it from their mothers.\nShe looked like an old woman that everyone knew in the village, but the wise elders knew it was Spearfinger in disguise, so no one said a word of caution to her. \nand if I ask you, ye will not answer.\nI will arise and go to my father, and will say unto him, Father, I have sinned against heaven, and in thy sight:\nOne evening, just before Christmas, snow began falling.\n“Templeton?”\nThou believest that God is one; thou doest well: the demons also believe, and shudder.\nWhen he was five weeks old, Mr. Arable said he was now big enough to sell, and would have to be sold. Fern broke down and wept.\nbut having suffered before and been shamefully treated, as ye know, at Philippi, we waxed bold in our God to speak unto you the gospel of God in much conflict.\nwhile it is said, To-day if ye shall hear his voice, Harden not your hearts, as in the provocation.\nWe know that we have passed out of death into life, because we love the brethren. He that loveth not abideth in death.\nShe fed him again at suppertime, and again just before going to bed.\n“Sure I'm a spring pig,” replied Uncle.\nWhat is it then, brethren? When ye come together, each one hath a psalm, hath a teaching, hath a revelation, hath a tongue, hath an interpretation. Let all things be done unto edifying.\nAnd Herodias set herself against him, and desired to kill him; and she could not;\nPutting away therefore all wickedness, and all guile, and hypocrisies, and envies, and all evil speakings,\nNaked because other children needed the clothes.\nAnd I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus. And when I saw her, I wondered with a great wonder.\nAnd Peter calling to remembrance saith unto him, Rabbi, behold, the fig tree which thou cursedst is withered away.\nMany of you will recall that never—to-be-forgotten day last summer when the writing appeared mysteriously on the spider’s web in Mr. Zuckerman’s barn, calling the attention of all and sundry to the fact that this pig was completely out of the ordinary.\nI walked back to the Indian Queen shortly before dawn with only the late-night packs of half-wild dogs roaming the streets for company, the Corn Tassel Moon almost full.\nand having found a ship crossing over unto Phoenicia, we went aboard, and set sail.\nWhen it had made tea, he drank it out of a tin cup he kept tied to his rope belt with a smaller loop of rope.\nA man can’t live in the woods.\nAnd we know that the judgment of God is according to truth against them that practise such things.\nand being fully assured that what he had promised, he was able also to perform.\nHe wasn’t thinking of anything much.\nAnd he calleth unto him the twelve, and began to send them forth by two and two; and he gave them authority over the unclean spirits;\nAnd straightway he entered into the boat with his disciples, and came into the parts of Dalmanutha.\n“My cousin used to stand on her head and let out enough thread to form a balloon.\nto execute judgment upon all, and to convict all the ungodly of all their works of ungodliness which they have ungodly wrought, and of all the hard things which ungodly sinners have spoken against him.\nCharlotte, watching her chance, scrambled out of the crate and climbed a post to the under side of the roof.\nGet you no gold, nor silver, nor brass in your purses;\nSupper that night was beans and bacon and cornmeal mush fried crisp in lard.\nThe hungry he hath filled with good things; And the rich he hath sent empty away.\nAnd the kings of the earth, and the princes, and the chief captains, and the rich, and the strong, and every bondman and freeman, hid themselves in the caves and in the rocks of the mountains;\nAnd he began to teach them, that the Son of man must suffer many things, and be rejected by the elders, and the chief priests, and the scribes, and be killed, and after three days rise again.\nthou therefore that teachest another, teachest thou not thyself? thou that preachest a man should not steal, dost thou steal?\nHe therefore that supplieth to you the Spirit, and worketh miracles among you, doeth he it by the works of the law, or by the hearing of faith?\nHe looked at the boy and said, Hey.\nAnd why are ye anxious concerning raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin:\nBear looked at the crowd and waited in silence long enough for them to grow uncomfortable.\nThe future held no hope.\nAnd when they bring you before the synagogues, and the rulers, and the authorities, be not anxious how or what ye shall answer, or what ye shall say:\nfor he was crucified through weakness, yet he liveth through the power of God. For we also are weak in him, but we shall live with him through the power of God toward you.\nI was reading a Washington Irving book about the western prairies by candlelight reflected.\nif you’re a boy, or a young man, dating a girl, it’s kind of funny, you pretend to be brave all the time.\nBefore sunrise three mornings earlier, Lowan had killed a possum with a pouchful of babies. They stewed her and roasted the little ones on sharpened sticks over the fire, and the little ones were hardly a mouthful apiece.\nAnd John was clothed with camel’s hair, and had a leathern girdle about his loins, and did eat locusts and wild honey.\nCharlotte raced up to the top of the doorway.\nand I was afraid, and went away and hid thy talent in the earth: lo, thou hast thine own.\nPerhaps next time you might walk a little farther away from camp to shit.\nGoddamn, he said. There’s nothing to it at all.\nHe was naked and already arranged by the women into fetal compactness.\nOnce just a tiny seed, now you are an apple tree.\nAsmeret points to evidence of trees decomposing into soil.\nAs Wilbur came out of the crate, the crowd clapped and cheered.\nAnd this is his commandment, that we should believe in the name of his Son Jesus Christ, and love one another, even as he gave us commandment.\nAnd Jesus cried and said, He that believeth on me, believeth not on me, but on him that sent me.\nHe mentioned this to the goose, who was sitting quietly in a corner of the sheepfold.\nHe thought I was trying to scare him.\nHaden’s a detestable old sow.\nBlessed is the man that endureth temptation; for when he hath been approved, he shall receive the crown of life, which the Lord promised to them that love him.\nfor the things which are done by them in secret it is a shame even to speak of.\nAnd he said, Abba, Father, all things are possible unto thee; remove this cup from me: howbeit not what I will, but what thou wilt.\nBut he that is joined unto the Lord is one spirit.\nHe ran out of money.”\nIn good time he was to discover that he was mistaken about Charlotte.\nYe hypocrites, well did Isaiah prophesy of you, saying,\nbut in the day that Lot went out from Sodom it rained fire and brimstone from heaven, and destroyed them all:\nShabby as it was, there was almost nothing about the paddleboat and its passage eastward toward the Atlantic that I did not like.\nand be ye kind one to another, tenderhearted, forgiving each other, even as God also in Christ forgave you. \nbeing filled with all unrighteousness, wickedness, covetousness, maliciousness; full of envy, murder, strife, deceit, malignity; whisperers,\nHeaven and earth shall pass away: but my words shall not pass away.\nBut that’s not always the way it happens, even with your head opened up, and I’ll leave it at that without further detail.\nBut thou, O man of God, flee these things; and follow after righteousness, godliness, faith, love, patience, meekness.\nHer death was a sad victory for the people, for Spearfinger had once been one of them.\nWhen Mrs. Arable happened to look up into the starry sky and saw her little daughter sitting with Henry Fussy and going higher and higher into the air, and saw how happy Fern looked, she just shook her head.\nBut if they have not continency, let them marry: for it is better to marry than to burn.\nFor the word of God is living, and active, and sharper than any two-edged sword, and piercing even to the dividing of soul and spirit, of both joints and marrow, and quick to discern the thoughts and intents of the heart.\nBut of a truth I say unto you, There were many widows in Israel in the days of Elijah, when the heaven was shut up three years and six months, when there came a great famine over all the land;\nHe hath blinded their eyes, and he hardened their heart; Lest they should see with their eyes, and perceive with their heart, And should turn, And I should heal them.\nAnd he saith unto them, Are ye so without understanding also? Perceive ye not, that whatsoever from without goeth into the man, it cannot defile him;\nWolf Wears Shoes: Told by Sequoyah Guess  \nAnd while the day was coming on, Paul besought them all to take some food, saying, This day is the fourteenth day that ye wait and continue fasting, having taken nothing.\nThe morning light shone through its ears, turning them pink.\nAnd they gave him a piece of a broiled fish.\nPeter saith unto him, Thou shalt never wash my feet. Jesus answered him, If I wash thee not, thou hast no part with me.\nThe lieutenant did not even bother to get down off his horse but said, That old man won’t live out the winter.\nfor I say unto you, I shall not drink from henceforth of the fruit of the vine, until the kingdom of God shall come.\nand saying, Lord, my servant lieth in the house sick of the palsy, grievously tormented.\nBut when the kindness of God our Saviour, and his love toward man, appeared,\nA wife is bound for so long time as her husband liveth; but if the husband be dead, she is free to be married to whom she will; only in the Lord.\nAnd when the days of their purification according to the law of Moses were fulfilled, they brought him up to Jerusalem, to present him to the Lord\nAnd not a one of them with the vote.\nLittlefish said, Hello Mud Dog.\nThe earth beareth fruit of herself; first the blade, then the ear, then the full grain in the ear.\nJesus therefore said to them again, Peace be unto you: as the Father hath sent me, even so send I you.\nsaying, Father, if thou be willing, remove this cup from me: nevertheless not my will, but thine, be done.\nJesus therefore said unto them, Yet a little while is the light among you. Walk while ye have the light, that darkness overtake you not: and he that walketh in the darkness knoweth not whither he goeth.\nHe stood at the edge of the vast laurel hell, feeling the hard cold that spilled down the slopes so gently it did not even stir the leathery leaves that overlay one another dense as a wall in front of him.\nFor if we sin wilfully after that we have received the knowledge of the truth, there remaineth no more a sacrifice for sins,\nI can make a web in a single evening.”\nI’m shocked that a man of such rank is so misinformed, I said.\nBut Bear had put his hope in a fistful of deeds, and his faith never wavered.\nVI. Summer Days \nFor though we walk in the flesh, we do not war according to the flesh\nas newborn babes, long for the spiritual milk which is without guile, that ye may grow thereby unto salvation;\nFor as yet they knew not the scripture, that he must rise again from the dead.\nwho shall fashion anew the body of our humiliation, that it may be conformed to the body of his glory, according to the working whereby he is able even to subject all things unto himself. \nI qualified the judgment in that way because as a boy I knew a few old Indian warriors who still sported coifs from their youth way back in the previous century, styles that involved plucking half one’s head with mussel-shell tweezers and letting the other half grow long, festooning random braided locks with colored beads and silver fobs and making part or all of the remainder elevate in spikes with the assistance of bear grease.\n“But somebody taught you, didn’t they?”\nLater in the afternoon, the soldier boys squatted on the ground, gambling penny stakes on tic-tac-toe, the grids scratched in the dirt with the point of a knife.\nHe faced the water flowing downstream, closed his eyes, and although he was scared, he decided to swim on.\nAnd even if our gospel is veiled, it is veiled in them that perish:\nThen saith Jesus unto him, Get thee hence, Satan: for it is written, Thou shalt worship the Lord thy God, and him only shalt thou serve.\nFor verily I say unto you, that many prophets and righteous men desired to see the things which ye see, and saw them not; and to hear the things which ye hear, and heard them not.\nBut cheer up, you don't need a web.\nand when he was cast out, Pharaoh’s daughter took him up, and nourished him for her own son.\nFor the Son of man came to seek and to save that which was lost.\nAnd after three months we set sail in a ship of Alexandria which had wintered in the island, whose sign was The Twin Brothers.\nI coveted no man’s silver, or gold, or apparel.\nBut the Spirit saith expressly, that in later times some shall fall away from the faith, giving heed to seducing spirits and doctrines of demons,\nAnd he said unto them, Doubtless ye will say unto me this parable, Physician, heal thyself: whatsoever we have heard done at Capernaum, do also here in thine own country.\nAnd he spread the blanket across the sideboards of the truck so that it was like a little tent.\nMoreover, brethren, we make known to you the grace of God which hath been given in the churches of Macedonia;\nWhen I shall send Artemas unto thee, or Tychicus, give diligence to come unto me to Nicopolis: for there I have determined to winter.\nThe frog jumped and landed in Mrs. Zuckerman’s dishpan full of soapy water.\nand others fell upon the good ground, and yielded fruit, some a hundredfold, some sixty, some thirty.\nAnd behold, a man named Joseph, who was a councillor, a good and righteous man\nAnd whatsoever ye shall ask in my name, that will I do, that the Father may be glorified in the Son.\nNo trouble.\nAnd now, behold, I go bound in the spirit unto Jerusalem, not knowing the things that shall befall me there:\n“Oh, they can’t, can’t they?” murmured Charlotte to herself.\nBut we will do the best we can, and stay until winter is gone.\nHe had other plans, too.\nAnd if a kingdom be divided against itself, that kingdom cannot stand.\nSo also ye, unless ye utter by the tongue speech easy to be understood, how shall it be known what is spoken? for ye will be speaking into the air.\n“Very well,” said Charlotte.\nLet your speech be always with grace, seasoned with salt, that ye may know how ye ought to answer each one.\nFor I had much joy and comfort in thy love, because the hearts of the saints have been refreshed through thee, brother.\nAnd he entered into the synagogue, and spake boldly for the space of three months, reasoning and persuading as to the things concerning the kingdom of God.\nUh, what do they say: ‘like a worm stuck onto me’\nAnd so as I was walking halfway between where I lived and where her place was, halfway there, a long time ago, someone lived there.\nThen cometh the end, when he shall deliver up the kingdom to God, even the Father; when he shall have abolished all rule and all authority and power.\nAnd Jesus went about all the cities and the villages, teaching in their synagogues, and preaching the gospel of the kingdom, and healing all manner of disease and all manner of sickness.\nand there shall in no wise enter into it anything unclean, or he that maketh an abomination and a lie: but only they that are written in the Lamb’s book of life.\nAnd when he had begun to reckon, one was brought unto him, that owed him ten thousand talents.\nHe lay down meekly in the manure, facing the door.\nFor out of the heart come forth evil thoughts, murders, adulteries, fornications, thefts, false witness, railings:\nWho saved Charlotte's life by scaring that Arable boy away with a rotten goose egg?\nFor whosoever shall be ashamed of me and of my words in this adulterous and sinful generation, the Son of man also shall be ashamed of him, when he cometh in the glory of his Father with the holy angels.\n“Yes,” replied the doctor.\nAnd as some spake of the temple, how it was adorned with goodly stones and offerings, he said,\nNow Squirrel saw another shoe.\nHis eyes closed.\nAs for you, let that abide in you which ye heard from the beginning. If that which ye heard from the beginning abide in you, ye also shall abide in the Son, and in the Father.\nO righteous Father, the world knew thee not, but I knew thee; and these knew that thou didst send me;\nThen Peter, filled with the Holy Spirit, said unto them, Ye rulers of the people, and elders,\nThe chickadee knew Spearfinger’s secret – that her heart was not in her chest.  \nAnd he that supplieth seed to the sower and bread for food, shall supply and multiply your seed for sowing, and increase the fruits of your righteousness:\nRain fell on the roof of the barn and dripped steadily from the eaves. Rain fell in the barnyard and ran in crooked courses down into the lane where thistles and pigweed grew.\nNo?\nBut now in Christ Jesus ye that once were far off are made nigh in the blood of Christ.\n“Fern’s father?”\nThe soldiers are riding up and down the river looking for runners.\nThen she’d let go and be lifted into the air and carried upward on the warm wind.”\n“Well,” he thought, “I’ve got a new friend, all right.\nHe was not the light, but came that he might bear witness of the light.\nand they took knowledge of him, that it was he that sat for alms at the Beautiful Gate of the temple; and they were filled with wonder and amazement at that which had happened unto him.\nDr. Dorian, do you believe animals talk?”\nWatch ye, stand fast in the faith, quit you like men, be strong.\nbeing sore troubled because they taught the people, and proclaimed in Jesus the resurrection from the dead.\nbut that the world may know that I love the Father, and as the Father gave me commandment, even so I do. Arise, let us go hence. \nAvery heard nothing but the applause.\nThe chief priests therefore and the Pharisees gathered a council, and said, What do we? for this man doeth many signs.\nFor according to their power, I bear witness, yea and beyond their power, they gave of their own accord,\nFor we must all be made manifest before the judgment-seat of Christ; that each one may receive the things done in the body, according to what he hath done, whether it be good or bad.\nHe saith unto him, Which? And Jesus said, Thou shalt not kill, Thou shalt not commit adultery, Thou shalt not steal, Thou shalt not bear false witness,\nAnd when they were come to Capernaum, they that received the half-shekel came to Peter, and said, Doth not your teacher pay the half-shekel?\nAnd he spake to them many things in parables, saying, Behold, the sower went forth to sow;\nBut he answered and said, Verily I say unto you, I know you not.\nI know, because I have been down there and seen them.\nAnd he called unto him two of the centurions, and said, Make ready two hundred soldiers to go as far as Cæsarea, and horsemen threescore and ten, and spearmen two hundred, at the third hour of the night:\nwhen they now shoot forth, ye see it and know of your own selves that the summer is now nigh.\nMy idea of what an agent of the Indians, a member of a clan, a business chief, ought to wear for meetings with government officials expressed itself fully only on one occasion, my first visit to the office of the secretary of war, where all Indian business began and most of it ended.\nBut these things have I spoken unto you, that when their hour is come, ye may remember them, how that I told you. And these things I said not unto you from the beginning, because I was with you.\nas Sarah obeyed Abraham, calling him lord: whose children ye now are, if ye do well, and are not put in fear by any terror.\nBut the end of all things is at hand: be ye therefore of sound mind, and be sober unto prayer:\nThat’s why Wild Hemp had died back in the last century at the end of the Revolution.\nBut the wisdom that is from above is first pure, then peaceable, gentle, easy to be entreated, full of mercy and good fruits, without variance, without hypocrisy.\nRepent ye; for the kingdom of heaven is at hand.\nBut I write the more boldly unto you in some measure, as putting you again in remembrance, because of the grace that was given me of God,\nIt could very well be near kin to words like cotillion or promenade.\nbut Christ as a son, over his house; whose house are we, if we hold fast our boldness and the glorying of our hope firm unto the end.\nBut know this, that if the master of the house had known in what watch the thief was coming, he would have watched, and would not have suffered his house to be broken through.\nWilbur let the rat eat first.\nThe grace of our Lord Jesus Christ be with you.\n“Good night!” screamed Avery.\nThen, forgetting all about Wilbur’s breakfast, he walked back to the house and called Mr. Zuckerman.\nYea, and for this very cause adding on your part all diligence, in your faith supply virtue; and in your virtue knowledge;\nAnd there came a voice to him, Rise, Peter; kill and eat.\nFor we write no other things unto you, than what ye read or even acknowledge, and I hope ye will acknowledge unto the end:\nMy goodness, I would have starved to death waiting that long.\nOn Sunday morning Mr. and Mrs. Arable and Fern were sitting at breakfast in the kitchen.\nBut the husbandmen, when they saw the son, said among themselves, This is the heir; come, let us kill him, and take his inheritance.\nThe offense was failing to obey a command to pick up some chicken bones littering the ground.\nNow he was tired.\nBut if I was to cull, I’d say, the way the air flows, maybe fore is better than aft.\nThen she summoned all her strength and waved one of her front legs at him.\nFor Jesus himself testified, that a prophet hath no honor in his own country.\nAnd he said unto them, O foolish men, and slow of heart to believe in all that the prophets have spoken!\nAnd since then, all of us spiders have had to work the same trick.\nFor whosoever would save his life shall lose it; but whosoever shall lose his life for my sake, the same shall save it.\nmeekness, self-control; against such there is no law.\nAlmost every morning there was another new lamb in the sheepfold.\nWhat shall we say then? That the Gentiles, who followed not after righteousness, attained to righteousness, even the righteousness which is of faith:\nAnd the king was grieved; but for the sake of his oaths, and of them that sat at meat with him, he commanded it to be given;\n“So is yours!” cried Avery, sailing out again with the frog.\nBut unto each one of us was the grace given according to the measure of the gift of Christ.\nwhereof I was made a minister, according to the dispensation of God which was given me to you-ward, to fulfil the word of God,\nWhat a stink!\nCharley was the color of old polished cherrywood. His face was marked with hard wrinkles, running horizontal on his forehead and vertical on his cheeks and neck, and they were deep enough to lose a handful of river pearls in the folds.\nAnd there went out unto him all the country of Judæa, and all they of Jerusalem; and they were baptized of him in the river Jordan, confessing their sins.\nJesus answered, I told you that I am he; if therefore ye seek me, let these go their way:\nA balloon filled with hot breath.\nWilbur’s heart almost stopped when he saw what was going on.\nAnd he wrote a letter after this form:\nAnd being in an agony he prayed more earnestly; and his sweat became as it were great drops of blood falling down upon the ground.\nHer goal was to be done and gone before the soldiers came.\nBut he said unto him, A certain man made a great supper; and he bade many:\nBut he perceived their craftiness, and said unto them,\nYe are not straitened in us, but ye are straitened in your own affections.\nThem that sin reprove in the sight of all, that the rest also may be in fear.\nIn that day ye shall know that I am in my Father, and ye in me, and I in you.\nThe whole world will hear about you.\nSalute Prisca and Aquila my fellow-workers in Christ Jesus,\nArise and take the young child and his mother, and go into the land of Israel: for they are dead that sought the young child’s life.\nAnd God spake on this wise, that his seed should sojourn in a strange land, and that they should bring them into bondage, and treat them ill, four hundred years.\nTheir sharp hooves left him looking like he’d taken a beating with a war club.\nAnd Peter said, Lo, we have left our own, and followed thee.\nWhosoever doth not bear his own cross, and come after me, cannot be my disciple.\nAnd behold, all the city came out to meet Jesus: and when they saw him, they besought him that he would depart from their borders. \nI did not know what that might mean other than a girl proving to be married when you thought she was not.\nJesus answered and said unto her, If thou knewest the gift of God, and who it is that saith to thee, Give me to drink; thou wouldest have asked of him, and he would have given thee living water.\nand he fell upon the earth, and heard a voice saying unto him, Saul, Saul, why persecutest thou me?\nBut them that are without God judgeth. Put away the wicked man from among yourselves. \nThe morning sun shone through his pink ears.\nYou climbed a ladder to the hayloft.\nand Jesus that is called Justus, who are of the circumcision: these only are my fellow-workers unto the kingdom of God, men that have been a comfort unto me.\nShe has a web across the top of Wilbur’s doorway.\n“He’s very radiant,” said Fern, remembering the day he was born.\nAnd he, fastening his eyes upon him, and being affrighted, said, What is it, Lord? And he said unto him, Thy prayers and thine alms are gone up for a memorial before God.\nand charged them that they should not make him known:\nAnd they shall fall by the edge of the sword, and shall be led captive into all the nations: and Jerusalem shall be trodden down of the Gentiles, until the times of the Gentiles be fulfilled.\nAnd there was also a superscription over him, THIS IS THE KING OF THE JEWS.\nAnd we were in all in the ship two hundred threescore and sixteen souls.\n“How touching!\ncrying out, Men of Israel, help: This is the man that teacheth all men everywhere against the people, and the law, and this place; and moreover he brought Greeks also into the temple, and hath defiled this holy place.\nAnd behold, a certain lawyer stood up and made trial of him, saying, Teacher, what shall I do to inherit eternal life?\nFor though I was free from all men, I brought myself under bondage to all, that I might gain the more.\nMillipede\nFor this cause we also, since the day we heard it, do not cease to pray and make request for you, that ye may be filled with the knowledge of his will in all spiritual wisdom and understanding,\nOne afternoon, when Fern was sitting on her stool, the oldest sheep walked into the barn, and stopped to pay a call on Wilbur.\nAt that season Jesus answered and said, I thank thee, O Father, Lord of heaven and earth, that thou didst hide these things from the wise and understanding, and didst reveal them unto babes:\n“Salutations!” said the voice.\nAll our family have been trappers.\nWere they any good at it?\nBut Saul laid waste the church, entering into every house, and dragging men and women committed them to prison.\nbut the sons of the kingdom shall be cast forth into the outer darkness: there shall be the weeping and the gnashing of teeth.\nOr what woman having ten pieces of silver, if she lose one piece, doth not light a lamp, and sweep the house, and seek diligently until she find it?\nHaving eyes, see ye not? and having ears, hear ye not? and do ye not remember?\nShe simmered them in a black iron pot.\nand as he sowed, some seeds fell by the way side, and the birds came and devoured them:\nThe barn had stalls on the main floor for the work horses, tie-ups on the main floor for the cows, a sheepfold down below for the sheep, a pigpen down below for Wilbur, and it was full of all sorts of things that you find in barns: ladders, grindstones, pitch forks, monkey wrenches, scythes, lawn mowers, snow shovels, ax handles, milk pails, water buckets, empty grain sacks, and rusty rat traps.\nBut I say unto you, I shall not drink henceforth of this fruit of the vine, until that day when I drink it new with you in my Father’s kingdom.\nBut the king was wroth; and he sent his armies, and destroyed those murderers, and burned their city.\nJesus therefore said to those Jews that had believed him, If ye abide in my word, then are ye truly my disciples;\nBut Jesus said, Let her alone; why trouble ye her? she hath wrought a good work on me.\n“But I feel like the end of along day.”\nMake the crate large and paint it green with gold letters! ”\nI searched down long corridors for someone to whom I might present the letter.\nthat he might sanctify it, having cleansed it by the washing of water with the word,\nHe scraped at the words with his penknife and then shook pounce on the bad spot and rubbed it with agate and rewrote the colonel’s sentiments accurately.\nAll things are lawful for me; but not all things are expedient. All things are lawful for me; but I will not be brought under the power of any.\nThe man went away, and told the Jews that it was Jesus who had made him whole.\nHe sailed out through the door, frog and all, and into the sky, frog and all.\n“Charlotte?” he said, in a whisper.\nAbout all the Indian he could have had in him was a half-blood grandmother, but that was enough.\nThe crickets felt it was their duty to warn everybody that summertime cannot last forever.\nAnd he spake also a parable unto them, Can the blind guide the blind? shall they not both fall into a pit?\nFor we have found this man a pestilent fellow, and a mover of insurrections among all the Jews throughout the world, and a ringleader of the sect of the Nazarenes:\nEven at that desperate moment, they knew no altitude was high enough to offer sanctuary or refuge.\npray without ceasing;\nHer mother dusted the sitting room.\nThou gavest me no kiss: but she, since the time I came in, hath not ceased to kiss my feet.\nEveryone in camp still seemed to lie abed, though the sun had been up for nearly an hour.\nsaying, What have we to do with thee, Jesus thou Nazarene? art thou come to destroy us? I know thee who thou art, the Holy One of God.\nAnd Moses indeed was faithful in all his house as a servant, for a testimony of those things which were afterward to be spoken;\nNow lettest thou thy servant depart, Lord, According to thy word, in peace;\nThe Samaritan woman therefore saith unto him, How is it that thou, being a Jew, askest drink of me, who am a Samaritan woman? (For Jews have no dealings with Samaritans.)\nBut Peter, standing up with the eleven, lifted up his voice, and spake forth unto them, saying, Ye men of Judæa, and all ye that dwell at Jerusalem, be this known unto you, and give ear unto my words.\nAnd I saw, and I heard an eagle, flying in mid heaven, saying with a great voice, Woe, woe, woe, for them that dwell on the earth, by reason of the other voices of the trumpet of the three angels, who are yet to sound. \nThere were two shooters for each of the tied men, and it was arranged so that one would aim for the head and the other for the heart.\nLazily he placed his forepaws behind his head and crossed his knees, in an attitude of complete relaxation.\nAnd if thine eye cause thee to stumble, cast it out: it is good for thee to enter into the kingdom of God with one eye, rather than having two eyes to be cast into hell;\nYe shall seek me, and shall not find me: and where I am, ye cannot come.\nAnd as he was yet a coming, the demon dashed him down, and tare him grievously. But Jesus rebuked the unclean spirit, and healed the boy, and gave him back to his father.\nThe warriors saw this and knew it was a sign to aim there.\nAnd they watched him, and sent forth spies, who feigned themselves to be righteous, that they might take hold of his speech, so as to deliver him up to the rule and to the authority of the governor.\nBut I have a baptism to be baptized with; and how am I straitened till it be accomplished!\nThen they suborned men, who said, We have heard him speak blasphemous words against Moses, and against God.\nAnd the maid saw him, and began again to say to them that stood by, This is one of them.\nThe lamp of the body is the eye: if therefore thine eye be single, thy whole body shall be full of light.\nto deliver such a one unto Satan for the destruction of the flesh, that the spirit may be saved in the day of the Lord Jesus.\nAnd now, Lord, look upon their threatenings: and grant unto thy servants to speak thy word with all boldness,\nWhich things contain an allegory: for these women are two covenants; one from mount Sinai, bearing children unto bondage, which is Hagar.\n“It was a nice try.”\nThe geese saw Avery in the crate and cheered.\n“Who is Templeton?” asked Mrs. Arable.\nThese things have I spoken unto you, that ye should not be caused to stumble.\nLets in bugs.\nThen he looked up at the egg sac.\nAnd her neighbors and her kinsfolk heard that the Lord had magnified his mercy towards her; and they rejoiced with her.\nCharley looked at the muskets on the ground and grinned and said, Hey, Will.\nAnd as Paul was about to be brought into the castle, he saith unto the chief captain, May I say something unto thee? And he said, Dost thou know Greek?\nHe that believeth on the Son hath eternal life; but he that obeyeth not the Son shall not see life, but the wrath of God abideth on him. \nand art confident that thou thyself art a guide of the blind, a light of them that are in darkness,\nNow he that planteth and he that watereth are one: but each shall receive his own reward according to his own labor.\nAt this the crowd would yell and cheer.\nHe no longer worried about being killed, for he knew that Mr. Zuckerman would keep him as long as he lived.\nHe leaned over the fire as close as smoking meat, trying to get warmth.\nRejoice in the Lord always: again I will say, Rejoice.\nAs the seasons passed, the boy and the apple tree grew …\nThen she blew her nose.\nFor there must be also factions among you, that they that are approved may be made manifest among you.\nThey therefore that were scattered abroad upon the tribulation that arose about Stephen travelled as far as Phoenicia, and Cyprus, and Antioch, speaking the word to none save only to Jews.\nAnd the third day there was a marriage in Cana of Galilee; and the mother of Jesus was there:\nAnd as he talked with him, he went in, and findeth many come together:\nThe wind bloweth where it will, and thou hearest the voice thereof, but knowest not whence it cometh, and whither it goeth: so is every one that is born of the Spirit.\nApparently I was the biggest spectacle that the suitemates had seen in quite a while.\nFor there was a tabernacle prepared, the first, wherein were the candlestick, and the table, and the showbread; which is called the Holy place.\nThen he left the multitudes, and went into the house: and his disciples came unto him, saying, Explain unto us the parable of the tares of the field.\nNot that any man hath seen the Father, save he that is from God, he hath seen the Father.\nAnd when he had said this, he breathed on them, and saith unto them, Receive ye the Holy Spirit:\nWhen I arrived in Washington and heard the language aloud for the first time, it was a great disappointment to find that I could not understand a lick of it.\nA little maple tree in the swamp heard the cricket song and turned bright red with anxiety.\nAnd as we labored exceedingly with the storm, the next day they began to throw the freight overboard;\n“Tell us.”\nThe driver looked back at her.\nExhort servants to be in subjection to their own masters, and to be well-pleasing to them in all things; not gainsaying;\nMy sheep hear my voice, and I know them, and they follow me:\nAnd as he went, they spread their garments in the way.\nWhen the strong man fully armed guardeth his own court, his goods are in peace:\nI remember we spent the night there a couple of times.\n“Where are you?\nHe opened the blanket and baked for a while.\nMothers and fathers, brothers and sisters left notes around the house so that they could teach each other to read. People took trips so they could have the fun of writing letters and sending them back home.\n“I’m a pig!” cried Avery, tossing handfuls of straw into the air.\nI am the door; by me if any man enter in, he shall be saved, and shall go in and go out, and shall find pasture.\nThe first was their land. It was so difficult and beautiful that nobody wanted it but them. Most of it lay inconveniently vertical.\nbut if I tarry long, that thou mayest know how men ought to behave themselves in the house of God, which is the church of the living God, the pillar and ground of the truth.\nHe noticed that the end of Wilbur’s tail was within reach.\nAnd he sent them to Bethlehem, and said, Go and search out exactly concerning the young child; and when ye have found him, bring me word, that I also may come and worship him.\nBy and by an old woman came hobbling along the trail.  \nAnd I saw, and behold, a white horse, and he that sat thereon had a bow; and there was given unto him a crown: and he came forth conquering, and to conquer.\nThe red fish with the strange fins replied, Hello Littlefish, the people of the mountains call me Crawdaddy.\nI haven’t got your gift for words.\nEverybody is in the plot—- Lurvy, Zuckerman, even John Arable.”\nThe grace of the Lord Jesus be with the saints. Amen.\nLife is always a rich and steady time when you are waiting for something to happen or to hatch.\nFor these things came to pass, that the scripture might be fulfilled, A bone of him shall not be broken.\nHe that hath an ear, let him hear what the Spirit saith to the churches. \nif ye have tasted that the Lord is gracious:\nNobody had seen Templeton.\nAnd when they lead you to judgment, and deliver you up, be not anxious beforehand what ye shall speak: but whatsoever shall be given you in that hour, that speak ye; for it is not ye that speak, but the Holy Spirit.\nAny gesture of accomplishment could stand tall, for it would lack further reference or perspective beyond itself.\nAnd the foolish said unto the wise, Give us of your oil; for our lamps are going out.\nAnd he that sweareth by the heaven, sweareth by the throne of God, and by him that sitteth thereon.\nand had seen that some of his disciples ate their bread with defiled, that is, unwashen, hands.\nAnd no man taketh the honor unto himself, but when he is called of God, even as was Aaron.\n“Edith, you're crazy,” mumbled Zuckerman.\nIt’s going to be simply wonderful next spring in the barn cellar with five hundred and fourteen baby spiders running around all over the place.\nFor John said unto him, It is not lawful for thee to have her.\nHe that is unrighteous, let him do unrighteousness still: and he that is filthy, let him be made filthy still: and he that is righteous, let him do righteousness still: and he that is holy, let him be made holy still.\nNow that the broken egg was buried, the air cleared and the barn smelled good again.\n(Behold, I come as a thief. Blessed is he that watcheth, and keepeth his garments, lest he walk naked, and they see his shame.)\nThere’s not a second to be lost. The people are coming—they’ll be here in no time.\nGive us day by day our daily bread.\nCharley went alone, climbing through hardwoods, their leaves cupped and holding the little bit of grainy snow that had fallen to the ground like salt in a hand.\nAnd the chief priests accused him of many things.\nAnd when Jesus was come into Peter’s house, he saw his wife’s mother lying sick of a fever.\nPaul and Timothy, servants of Christ Jesus, to all the saints in Christ Jesus that are at Philippi, with the bishops and deacons:\nWilbur blushed.\n“Good-bye!” she whispered.\nThe beginning of the gospel of Jesus Christ, the Son of God.\nNeither do men light a lamp, and put it under the bushel, but on the stand; and it shineth unto all that are in the house.\n“Summer is over and gone,” repeated the crickets.\nFor I fear, lest by any means, when I come, I should find you not such as I would, and should myself be found of you such as ye would not; lest by any means there should be strife, jealousy, wraths, factions, backbitings, whisperings, swellings, tumults;\nThe multitude answered, Thou hast a demon: who seeketh to kill thee?\nThese things have I spoken unto you, that my joy may be in you, and that your joy may be made full.\nBut what kind of world would it be if we all took every opportunity presented to us to assault the weak?\nNow that no man is justified by the law before God, is evident: for, The righteous shall live by faith;\nBut whensoever it shall turn to the Lord, the veil is taken away.\nThou wilt say then, Branches were broken off, that I might be grafted in.\nAnd they went through the region of Phrygia and Galatia, having been forbidden of the Holy Spirit to speak the word in Asia;\nNow there is in Jerusalem by the sheep gate a pool, which is called in Hebrew Bethesda, having five porches.\nFor he perceived that for envy the chief priests had delivered him up.\nAs he swam closer still he heard a large fish yell.\nMr. Zuckerman sat down weakly and ate a doughnut.\nFor therein is revealed a righteousness of God from faith unto faith: as it is written, But the righteous shall live by faith.\nThe woman saith unto him, Sir, thou hast nothing to draw with, and the well is deep: whence then hast thou that living water?\nThen understood the disciples that he spake unto them of John the Baptist.\nPerhaps I should also add that with every upward step I feared that when I found them they would kill me and leave me in the deep woods for the wolves to break apart.\nthen let them that are in Judæa flee unto the mountains:\nHe saith unto them, How then doth David in the Spirit call him Lord, saying,\nShow ye therefore unto them in the face of the churches the proof of your love, and of our glorying on your behalf. \n“It’s the buttermilk,” whispered Mrs. Arable to Mrs. Zuckerman.\n“What was my mother’s middle initial?” asked the second spider.\nAnd the devil said unto him, To thee will I give all this authority, and the glory of them: for it hath been delivered unto me; and to whomsoever I will I give it.\nThe peas are always planted first.\nFor though I should glory somewhat abundantly concerning our authority (which the Lord gave for building you up, and not for casting you down), I shall not be put to shame:\n“Henry Fussy,” he mumbled.\nIn that very hour there came certain Pharisees, saying to him, Get thee out, and go hence: for Herod would fain kill thee.\nHe’s not proud and he’s near the ground.”\nIn a few days she would have to drop everything and build the beautiful little sac that would hold her eggs.\nThis was her hour of triumph.\nAnd he said, Lord, I believe. And he worshipped him.\nthat they may train the young women to love their husbands, to love their children,\nthat ye may walk becomingly toward them that are without, and may have need of nothing.\nAnd I heard also a voice saying unto me, Rise, Peter; kill and eat.\nAnd when he was come out from thence, the scribes and the Pharisees began to press upon him vehemently, and to provoke him to speak of many things;\nAnd he asked his father, How long time is it since this hath come unto him? And he said, From a child.\nSmith was barely older than the boys, but he did his best to act confident beyond his years and experience.\nAnd they rehearsed the things that happened in the way, and how he was known of them in the breaking of the bread.\nHe is not here, but is risen: remember how he spake unto you when he was yet in Galilee,\nIt was a perfect piece of designing and building.\nFor many bare false witness against him, and their witness agreed not together.\nWhere are you all going?\n“I’ve always been rather quiet.”\nThe Jews therefore did not believe concerning him, that he had been blind, and had received his sight, until they called the parents of him that had received his sight,\ncircumcised the eighth day, of the stock of Israel, of the tribe of Benjamin, a Hebrew of Hebrews; as touching the law, a Pharisee;\nNow there was there on the mountain side a great herd of swine feeding.\nAnd he went out, and wept bitterly.\n“What kind of an acrobat do you think I am?” said Charlotte in disgust.\nAnd behold, certain of the scribes said within themselves, This man blasphemeth.\nAnd again he denied with an oath, I know not the man.\nFollow after peace with all men, and the sanctification without which no man shall see the Lord:\nFor God called us not for uncleanness, but in sanctification.\nFern had a monkey doll in her arms and was eating Crackerjack.\nshouldest not thou also have had mercy on thy fellow-servant, even as I had mercy on thee?\nShe don’t need your little pasteboard, but I’ll tell her you’re calling.\nThey said therefore unto him, Where is thy Father? Jesus answered, Ye know neither me, nor my Father: if ye knew me, ye would know my Father also.\nTo proclaim the acceptable year of the Lord.\nbecause we are members of his body.\n The barn was very large. It was very old.\nHe looked as if he needed a nap or a drink.\n“Can I have a pig, too, Pop?” asked Avery.\nAnd except those days had been shortened, no flesh would have been saved: but for the elect’s sake those days shall be shortened.\nHe that is faithful in a very little is faithful also in much: and he that is unrighteous in a very little is unrighteous also in much.\nThen goeth he, and taketh to him seven other spirits more evil than himself; and they enter in and dwell there: and the last state of that man becometh worse than the first.\n“None of us like him much.”\nFrankly, sir, I cannot understand our continuing concern with this land and its inhabitants either white or red.\nMarvel not that I said unto thee, Ye must be born anew.\nHe loves Fern almost as much as we do, and I want him to know how queerly she is acting about that pig and everything.\nMy little children, guard yourselves from idols.\nand if we know that he heareth us whatsoever we ask, we know that we have the petitions which we have asked of him.\nSo we walked over to Granville Towers, and when they got there their friend came out the door to meet them.\nOur land was not the Nation, it was America.\n“It’s sunstroke,” said Zuckerman.\nSo that thou art no longer a bondservant, but a son; and if a son, then an heir through God.\nYe adulteresses, know ye not that the friendship of the world is enmity with God? Whosoever therefore would be a friend of the world maketh himself an enemy of God.\nYou people spit on peace.\nThis is a tree that died years ago.\nHe made them epic animals in his story, inhabitants of an old better world not to come round again.\nDid not my hand make all these things?\nLook for oats!\nWhen therefore he was raised from the dead, his disciples remembered that he spake this; and they believed the scripture, and the word which Jesus had said.\nthen shall ye begin to say, We did eat and drink in thy presence, and thou didst teach in our streets;\nNow there were certain Greeks among those that went up to worship at the feast:\nNow Bethany was nigh unto Jerusalem, about fifteen furlongs off;\n“Looks fine,” snapped Mr. Zuckerman, as he and Lurvy set the crate down in front of Wilbur.\nI counsel thee to buy of me gold refined by fire, that thou mayest become rich; and white garments, that thou mayest clothe thyself, and that the shame of thy nakedness be not made manifest; and eyesalve to anoint thine eyes, that thou mayest see.\nFlowers?\nBy faith Isaac blessed Jacob and Esau, even concerning things to come.\nAre all apostles? are all prophets? are all teachers? are all workers of miracles?\nEven as it is written, For thy sake we are killed all the day long; We were accounted as sheep for the slaughter.\nIf then thou countest me a partner, receive him as myself.\nFor they refreshed my spirit and yours: acknowledge ye therefore them that are such.\nYe think all this time that we are excusing ourselves unto you. In the sight of God speak we in Christ. But all things, beloved, are for your edifying.\nThe same dealt craftily with our race, and ill-treated our fathers, that they should cast out their babes to the end they might not live.\nneither to give heed to fables and endless genealogies, which minister questionings, rather than a dispensation of God which is in faith; so do I now.\nAfter a while, I went over and said, Look, son.\nI got started counting, so I kept on—just to keep my mind occupied.”\nand by some, that Elijah had appeared; and by others, that one of the old prophets was risen again.\nAre they not all ministering spirits, sent forth to do service for the sake of them that shall inherit salvation?\nAnd there came a cloud overshadowing them: and there came a voice out of the cloud, This is my beloved Son: hear ye him.\nFrom that time began Jesus to show unto his disciples, that he must go unto Jerusalem, and suffer many things of the elders and chief priests and scribes, and be killed, and the third day be raised up.\nThe rat, surprised out of a sound sleep, looked first dazed then disgusted.\nflies spent their time pestering others.\nYe were running well; who hindered you that ye should not obey the truth?\n“Never mind that—do as I say!\nHe walked to the trough and took a long drink of slops, sucking in the milk hungrily and chewing the popover.\nCharlotte's babies were disappearing at a great rate.\nAnd every priest indeed standeth day by day ministering and offering oftentimes the same sacrifices, the which can never take away sins:\nFrom eight to nine, Wilbur planned to take a nap outdoors in the sun.\nAnd it came to pass, that, when I had returned to Jerusalem, and while I prayed in the temple, I fell into a trance,\nHe backed them down.\nVerily, verily, I say unto thee, We speak that which we know, and bear witness of that which we have seen; and ye receive not our witness.\nAnd another said, I have bought five yoke of oxen, and I go to prove them; I pray thee have me excused.\namidst which they found me purified in the temple, with no crowd, nor yet with tumult: but there were certain Jews from Asia—\nThe board gave way.\nfor as Jonah was three days and three nights in the belly of the whale; so shall the Son of man be three days and three nights in the heart of the earth.\nAs a boy alone in the world, I slept best after the first grey of dawn began rising and dissipating the fear that collected in the dark.\nThey were a band of fugitives living hard and pressed, starving and hopeless, but together in body and purpose.\nAnd when the Lord saw her, he had compassion on her, and said unto her, Weep not.\nAnd to the angel of the church in Smyrna write: These things saith the first and the last, who was dead, and lived again:\nI like high living, and what you say tempts me.”\nLet no man deceive himself. If any man thinketh that he is wise among you in this world, let him become a fool, that he may become wise.\nthat it might be fulfilled which was spoken through Isaiah the prophet, saying,\nNow the passage of the scripture which he was reading was this, He was led as a sheep to the slaughter; And as a lamb before his shearer is dumb, So he openeth not his mouth:\nOne day Charlie and Stephen went out for groceries.\nnot because we have not the right, but to make ourselves an ensample unto you, that ye should imitate us.\nIf any man hath an ear, let him hear.\nThe things which ye both learned and received and heard and saw in me, these things do: and the God of peace shall be with you.\nI think myself happy, king Agrippa, that I am to make my defence before thee this day touching all the things whereof I am accused by the Jews:\nand many of the Jews had come to Martha and Mary, to console them concerning their brother.\n“Yes, I guess I am,” replied Wilbur.\nThey were without exception wild for gambling and would sit up all night in the little salon playing cards and swapping money to and fro among themselves.\nAll of which is to say that for the Government, Chief Ross and the Ridges were unsatisfactory Indians and hard to deal with.\nI don’t understand it, and I don’t like what I can’t understand.”\nthat ye no longer should live the rest of your time in the flesh to the lusts of men, but to the will of God.\nThe women and little children stood together, off to the side, guarded by a pair of young soldiers.\nWhat then? shall we sin, because we are not under law, but under grace? God forbid.\nIt was dark brown and seemed to be covered in mud.\nSimon Peter therefore beckoneth to him, and saith unto him, Tell us who it is of whom he speaketh.\nAnd seeing the multitudes, he went up into the mountain: and when he had sat down, his disciples came unto him:\nnor seeking glory of men, neither from you nor from others, when we might have claimed authority as apostles of Christ.\nWhen she opened her eyes she was looking up into the blue sky and was about to fly back through the door.\nA few, though, resembled actual human beings and seemed shaken and saddened by what they were doing.\nThey chased her through the mountains, and then they dug a pit and trapped her in it.\nMuch more then, being now justified by his blood, shall we be saved from the wrath of God through him.\n“We’re leaving here on the warm updraft.\nFor the invisible things of him since the creation of the world are clearly seen, being perceived through the things that are made, even his everlasting power and divinity; that they may be without excuse:\nAnd when they sought to lay hold on him, they feared the multitudes, because they took him for a prophet. \nSoon was all the Green Man and God and the Black Rider had said.\nAnd it came to pass, on the next day, when they were come down from the mountain, a great multitude met him.\nAnd they feared exceedingly, and said one to another, Who then is this, that even the wind and the sea obey him?\nfor all have sinned, and fall short of the glory of God;\n“What finally happened?” asked her mother, whose curiosity began to get the better of her.\nNeither the seven loaves of the four thousand, and how many baskets ye took up?\nAnd other fell on the rock; and as soon as it grew, it withered away, because it had no moisture.\nThis is the disciple that beareth witness of these things, and wrote these things: and we know that his witness is true.\nI was met on deck by a little lean purser even younger than myself.\n“But I want you in bed again without delay.”\nMr. Zuckerman was the most pleased of all.\nAnd there came one of the seven angels that had the seven bowls, and spake with me, saying, Come hither, I will show thee the judgment of the great harlot that sitteth upon many waters;\nBut God said unto him, Thou foolish one, this night is thy soul required of thee; and the things which thou hast prepared, whose shall they be?\nHe did not know it, but his friend was very near.\neven as it is right for me to be thus minded on behalf of you all, because I have you in my heart, inasmuch as, both in my bonds and in the defence and confirmation of the gospel, ye all are partakers with me of grace.\nHe answered and said, And who is he, Lord, that I may believe on him?\nAnd they were in all about twelve men.\nBut the cold seeped through the weave of his clothing and chilled him deep in his joints.\nAnd when he had removed him, he raised up David to be their king; to whom also he bare witness and said, I have found David the son of Jesse, a man after my heart, who shall do all my will.\nOver in the pigpen, silent and alone, Charlotte rested. Her two front legs embraced the egg sac. Charlotte could hear everything that was said on the loud speaker.\nFern and Avery were standing in the body of the truck hanging on to the sideboards.\nAnd one of the multitude answered him, Teacher, I brought unto thee my son, who hath a dumb spirit;\n“Furthermore, each leg of mine has seven sections -— the coxa, the trochanter, the Fernur, the patella, the tibia, the metatarsus, and the tarsus.”\nThere was no precedent for hunting your own people like game.\nThen one of the cows told one of the sheep, and soon all the sheep knew.\nThe geese cheered.\nCharley’s people went back into the shelters and talked among themselves, and then Charley and Lowan and Jake came and squatted by the fire.\nfor thus shall be richly supplied unto you the entrance into the eternal kingdom of our Lord and Saviour Jesus Christ.\na corrector of the foolish, a teacher of babes, having in the law the form of knowledge and of the truth;\nMy defence to them that examine me is this.\n“You lack a set of spinnerets, and you lack know-how.\nwhile we look not at the things which are seen, but at the things which are not seen: for the things which are seen are temporal; but the things which are not seen are eternal. \nI do not play when there are eggs to hatch.\nNobody said a word.\nFinally then, brethren, we beseech and exhort you in the Lord Jesus, that, as ye received of us how ye ought to walk and to please God, even as ye do walk,—that ye abound more and more.\nWhat kind of day is it? she thought.\nAnd they said unto him, Where wilt thou that we make ready?\nAnd I heard the altar saying, Yea, O Lord God, the Almighty, true and righteous are thy judgments.\nIt smelled of the perspiration of tired horses and the wonderful sweet breath of patient cows.\nso that ye may approve the things that are excellent; that ye may be sincere and void of offence unto the day of Christ;\nAll the people of the town.\nHe began to fall and sway.\nAnd they offered him wine mingled with myrrh: but he received it not.\nSo then, brethren, stand fast, and hold the traditions which ye were taught, whether by word, or by epistle of ours.\nAnd when he heard concerning Jesus, he sent unto him elders of the Jews, asking him that he would come and save his servant.\nBut this multitude that knoweth not the law are accursed.\nMrs. Arable gave him a feeding around noontime each day, when Fern was away in school.\nand the base things of the world, and the things that are despised, did God choose, yea and the things that are not, that he might bring to nought the things that are:\nI'm just about average for a pig.”\nBut there were some of them, men of Cyprus and Cyrene, who, when they were come to Antioch, spake unto the Greeks also, preaching the Lord Jesus.\nNo answer.\nAnd there were also women beholding from afar: among whom were both Mary Magdalene, and Mary the mother of James the less and of Joses, and Salome;\nThat which I speak, I speak not after the Lord, but as in foolishness, in this confidence of glorying.\nCalhoun said it was without a doubt the nastiest-sounding tongue practiced by any known people on the round globe and he himself spoke a very little of it, only what he could remember from his classes at Yale many years ago.\nBut I counted it necessary to send to you Epaphroditus, my brother and fellow-worker and fellow-soldier, and your messenger and minister to my need;\nBut fornication, and all uncleanness, or covetousness, let it not even be named among you, as becometh saints;\n“Yes, indeed,” replied Templeton, who saved string.\nAnd now I commend you to God, and to the word of his grace, which is able to build you up, and to give you the inheritance among all them that are sanctified.\nHowbeit the firm foundation of God standeth, having this seal, The Lord knoweth them that are his: and, Let every one that nameth the name of the Lord depart from unrighteousness.\nyet knowing that a man is not justified by the works of the law but through faith in Jesus Christ, even we believed on Christ Jesus, that we might be justified by faith in Christ, and not by the works of the law: because by the works of the law shall no flesh be justified.\nThe boy said he could smell squirrels, especially on damp days.\n“I’ve heard funnier ones, though.\nAnd Jesus said, Father, forgive them; for they know not what they do. And parting his garments among them, they cast lots.\nBack on the Nation, Chief Ross fumed and litigated on against America and, of course, denied the legitimacy of the Ridge agreement, rightfully pointing out that the Ridges had no authority to sell even an acre of Nation land to a non-Indian and had in fact committed a capital crime in doing so.\nBeloved, imitate not that which is evil, but that which is good. He that doeth good is of God: he that doeth evil hath not seen God.\nAnd if I bestow all my goods to feed the poor, and if I give my body to be burned, but have not love, it profiteth me nothing.\nRepent therefore of this thy wickedness, and pray the Lord, if perhaps the thought of thy heart shall be forgiven thee.\n“You ought to be ashamed of yourself,” said Charlotte in disgust.\nPaul, called to be an apostle of Jesus Christ through the will of God, and Sosthenes our brother,\nMr. Arable kissed Mrs. Arable.\nfor he beholdeth himself, and goeth away, and straightway forgetteth what manner of man he was.\n“Three of us are staying.\nHave peace.\nWhat we had before us were two bad choices.\nBut woe unto them that are with child and to them that give suck in those days!\nfor her sins have reached even unto heaven, and God hath remembered her iniquities.\nhow I shrank not from declaring unto you anything that was profitable, and teaching you publicly, and from house to house,\nor ministry, let us give ourselves to our ministry; or he that teacheth, to his teaching;\nAnd a certain one of them smote the servant of the high priest, and struck off his right ear.\n“That’s a fine spider and I’m going to capture it,” said Avery.\nAnd he said unto him, What is written in the law? how readest thou?\nAnd they come to Jerusalem: and he entered into the temple, and began to cast out them that sold and them that bought in the temple, and overthrew the tables of the money-changers, and the seats of them that sold the doves;\n“You can’t all go.\nPerry said, Every single time I try to cook chickens they end up with the feet burnt to charcoal and the thighs bleeding raw, and hardly any of it what you’d properly call done.\nto whom they all gave heed, from the least to the greatest, saying, This man is that power of God which is called Great.\nthat aged men be temperate, grave, sober-minded, sound in faith, in love, in patience:\nFor Herod himself had sent forth and laid hold upon John, and bound him in prison for the sake of Herodias, his brother Philip’s wife; for he had married her.\nGo ye, and stand and speak in the temple to the people all the words of this Life.\nWhile I was with them, I kept them in thy name which thou hast given me: and I guarded them, and not one of them perished, but the son of perdition; that the scripture might be fulfilled.\nThen Wilbur looked more closely.\nand that he appeared to Cephas; then to the twelve;\nin all things showing thyself an ensample of good works; in thy doctrine showing uncorruptness, gravity,\n“Hoorray. yelled the crowd.\nThe Revelation of Jesus Christ, which God gave him to show unto his servants, even the things which must shortly come to pass: and he sent and signified it by his angel unto his servant John;\nNot an issue if I get the killers.\nif so be that it is a righteous thing with God to recompense affliction to them that afflict you,\nBut forasmuch as he had not wherewith to pay, his lord commanded him to be sold, and his wife, and children, and all that he had, and payment to be made.\nA weeding hoe, a shovel plow, a short-handled axe.\nYe call me, Teacher, and, Lord: and ye say well; for so I am.\nThe Pharisees therefore said unto him, Thou bearest witness of thyself; thy witness is not true.\nThat kind of thing, you can’t get away with it anymore.\nand ye have forgotten the exhortation which reasoneth with you as with sons, My son, regard not lightly the chastening of the Lord, Nor faint when thou art reproved of him;\nNeither murmur ye, as some of them murmured, and perished by the destroyer.\n“Edith,” he said, trying to keep his voice steady, “I think you had best be told that we have a very unusual pig.”\nFor perhaps he was therefore parted from thee for a season, that thou shouldest have him for ever;\nAnd it came to pass in those days, that she fell sick, and died: and when they had washed her, they laid her in an upper chamber.\nFor I also am a man under authority, having under myself soldiers: and I say to this one, Go, and he goeth; and to another, Come, and he cometh; and to my servant, Do this, and he doeth it.\nNo more boundary lines.\nBut the rat was in no hurry.\nBut if any man buildeth on the foundation gold, silver, costly stones, wood, hay, stubble;\nwithal praying for us also, that God may open unto us a door for the word, to speak the mystery of Christ, for which I am also in bonds;\nBut she was greatly troubled at the saying, and cast in her mind what manner of salutation this might be.\nand to esteem them exceeding highly in love for their work’s sake. Be at peace among yourselves.\nAnd his affection is more abundantly toward you, while he remembereth the obedience of you all, how with fear and trembling ye received him.\nAnd there were the deeds Bear and I held to the land we occupied.\nto the one a savor from death unto death; to the other a savor from life unto life. And who is sufficient for these things?\nIt was considerably more difficult to arrange a meeting with Crockett than with the president.\nPeter therefore seeing him saith to Jesus, Lord, and what shall this man do?\n“Just once more—please!  said Charlotte.\nAnd he spake a parable unto them to the end that they ought always to pray, and not to faint;\nAnd if the firstfruit is holy, so is the lump: and if the root is holy, so are the branches.\nFor the children, one little leg apiece like upside-down water drops of meat. Small split breasts and bony backs for everyone else.\nConcerning this thing I besought the Lord thrice, that it might depart from me.\nFor though there be that are called gods, whether in heaven or on earth; as there are gods many, and lords many;\nThen another baby spider crawled to the top of the fence, stood on its head, made a balloon, and sailed away.\nAnd death and Hades were cast into the lake of fire. This is the second death, even the lake of fire.\nJesus saw Nathanael coming to him, and saith of him, Behold, an Israelite indeed, in whom is no guile!\nFor we are God’s fellow-workers: ye are God’s husbandry, God’s building.\nNow when they heard these things, they were cut to the heart, and they gnashed on him with their teeth.\nThere are many who can make new selves at a moment’s notice.\nAnd Simon answered and said, Master, we toiled all night, and took nothing: but at thy word I will let down the nets.\nHe swayed and toppled and landed on the edge of Wilbur’s trough.\nHunted like animals in your own country.\nBut ye, brethren, be not weary in well-doing.\nnor filthiness, nor foolish talking, or jesting, which are not befitting: but rather giving of thanks.\nThe air carried the smell of the river and the mudflats.\nand be found in him, not having a righteousness of mine own, even that which is of the law, but that which is through faith in Christ, the righteousness which is from God by faith:\nThen they also that are fallen asleep in Christ have perished.\nIn a flash he was back on his feet.\nBut at the last moment of Bear Drowning Him’s strength, the bear died.\nthey gave him wine to drink mingled with gall: and when he had tasted it, he would not drink.\nand they that were troubled with unclean spirits were healed.\n“Very good!” said Charlotte.\nLet the elders that rule well be counted worthy of double honor, especially those who labor in the word and in teaching.\nAnd he called unto him his twelve disciples, and gave them authority over unclean spirits, to cast them out, and to heal all manner of disease and all manner of sickness.\nHis fatigue made him look every bit as young as he was, maybe younger, and I remembered that he was so fresh out of school he still remembered how to read a little bit of Greek.\nHe stood perfectly still and tried to look his best.\nFern chuckled softly, and her eyes grew wide with love for the pig.\nAnd he asked him, What is thy name? And he saith unto him, My name is Legion; for we are many.\nAnd the shepherds returned, glorifying and praising God for all the things that they had heard and seen, even as it was spoken unto them.\nbut the wise took oil in their vessels with their lamps.\nWet day, Smith said.\nBless them that persecute you; bless, and curse not.\nA rat can creep out late at night and have a feast.\nJesus answered and said unto them, This is the work of God, that ye believe on him whom he hath sent.\nIt might have seemed strange to me that these hapless boys should form the sharp edge of national policy, had I not moved among the men who made that policy.\nBut the angel said unto him, Fear not, Zacharias: because thy supplication is heard, and thy wife Elisabeth shall bear thee a son, and thou shalt call his name John.\nFor what have I to do with judging them that are without? Do not ye judge them that are within?\nFor as many as are led by the Spirit of God, these are sons of God.\nThe cows stayed in the barn all the time now, except on sunny mornings when they went out and stood in the barnyard in the lee of the straw pile.\nShe knew she didn’t have much time.\nkeep yourselves in the love of God, looking for the mercy of our Lord Jesus Christ unto eternal life.\nAnd he sendeth two of his disciples, and saith unto them, Go into the city, and there shall meet you a man bearing a pitcher of water: follow him;\nSuddenly a voice was heard on the loud speaker.\nAnd he said, I pray thee therefore, father, that thou wouldest send him to my father’s house;\nA special award will be made there in twenty minutes.\nIf I told you earthly things and ye believe not, how shall ye believe if I tell you heavenly things?\nAfter these things I saw, and behold, a great multitude, which no man could number, out of every nation and of all tribes and peoples and tongues, standing before the throne and before the Lamb, arrayed in white robes, and palms in their hands;\nWilbur could see the goose a few feet away.\nBut Jesus knowing in himself that his disciples murmured at this, said unto them, Doth this cause you to stumble?\nAnd may the good Lord forgive me for this foolishness.”\n“Yes, I understand,” said Wilbur.\nThey answered and said unto him, Thou wast altogether born in sins, and dost thou teach us? And they cast him out.\n“I don’t want to die!\nAnd as they were coming down from the mountain, he charged them that they should tell no man what things they had seen, save when the Son of man should have risen again from the dead.\nIf you can’t get drunk when your entire world comes crashing down around your feet, why did God make alcohol to begin with?\nand Judah begat Perez and Zerah of Tamar; and Perez begat Hezron; and Hezron begat Ram;\nas also in all his epistles, speaking in them of these things; wherein are some things hard to be understood, which the ignorant and unstedfast wrest, as they do also the other scriptures, unto their own destruction.\nAnd I heard as it were the voice of a great multitude, and as the voice of many waters, and as the voice of mighty thunders, saying, Hallelujah: for the Lord our God, the Almighty, reigneth.\nCharley stopped and turned back around and saw a motionless square shape, a dark interruption in the luminous fog.\nChildren, obey your parents in the Lord: for this is right.\nfor they poured out the blood of saints and prophets, and blood hast thou given them to drink: they are worthy.\nConfess therefore your sins one to another, and pray one for another, that ye may be healed. The supplication of a righteous man availeth much in its working.\nAnd many believed on him there. \nAnd when they were come to him, he said unto them, Ye yourselves know, from the first day that I set foot in Asia, after what manner I was with you all the time,\n“It means nobody will be able to live here on account of the smell.\n“You needn't feel too badly, Wilbur,” she said.\nbut the heavens that now are, and the earth, by the same word have been stored up for fire, being reserved against the day of judgment and destruction of ungodly men.\nAnd all flesh shall see the salvation of God.\nFor men swear by the greater: and in every dispute of theirs the oath is final for confirmation.\nThe barn was still dark.\nSmoky and strange.\nFor I shrank not from declaring unto you the whole counsel of God.\n“Just in time for a piece of blueberry pie,” said Mrs. Zuckerman.\nThe neighbors therefore, and they that saw him aforetime, that he was a beggar, said, Is not this he that sat and begged?\nHumble yourselves therefore under the mighty hand of God, that he may exalt you in due time;\nBut we received, not the spirit of the world, but the spirit which is from God; that we might know the things that were freely given to us of God.\nHeaven and earth shall pass away: but my words shall not pass away.\nThis was the greatest moment in Mr. Zuckerman’s life.\nThe day was bright and blue, but at the far end of the stockade I was shown into a room with the shutters pulled, a square of space dim as evening.\nAnd of the angels he saith, Who maketh his angels winds, And his ministers a flame of fire:\nBut at some point, he said, it was just a job.\nopening and alleging that it behooved the Christ to suffer, and to rise again from the dead; and that this Jesus, whom, said he, I proclaim unto you, is the Christ.\nIn the cool of the evening, when shadows darkened the Fair Grounds, Templeton crept from the crate and looked around.\nAlso a newspaper, The Phoenix, printed in the syllabary. All situated in the capital city of New Echota, which was platted out and in progress of construction.\nI thank him that enabled me, even Christ Jesus our Lord, for that he counted me faithful, appointing me to his service;\nNow it was not written for his sake alone, that it was reckoned unto him;\nI. Before Breakfast  \nAnd for this cause we also thank God without ceasing, that, when ye received from us the word of the message, even the word of God, ye accepted it not as the word of men, but, as it is in truth, the word of God, which also worketh in you that believe.\nSummer was half gone.\nAnd as concerning that he raised him up from the dead, now no more to return to corruption, he hath spoken on this wise, I will give you the holy and sure blessings of David.\nMr. Zuckerman and Lurvy and Fern and Avery rode in back, hanging onto the sideboards.\nBut she paid no attention to him.\nRejoice in that day, and leap for joy: for behold, your reward is great in heaven; for in the same manner did their fathers unto the prophets.\nBut when the apostles, Barnabas and Paul, heard of it, they rent their garments, and sprang forth among the multitude, crying out\nBe ye merciful, even as your Father is merciful.\nthe son of Jacob, the son of Isaac, the son of Abraham, the son of Terah, the son of Nahor,\nthrough whom we received grace and apostleship, unto obedience of faith among all the nations, for his name’s sake;\nPeter therefore was kept in the prison: but prayer was made earnestly of the church unto God for him.\nAnd the report concerning them came to the ears of the church which was in Jerusalem: and they sent forth Barnabas as far as Antioch:\nof whom do thou also beware; for he greatly withstood our words.\nHe planned to leave half a noodle and a few drops of milk for Templeton.\nBrethren, be not children in mind: yet in malice be ye babes, but in mind be men.\nand a certain beggar named Lazarus was laid at his gate, full of sores,\nVast caravans of Indians and slaves, accompanied by soldiers and missionaries, emptying the old Nation and filling the new one.\nAnd when she hath found it, she calleth together her friends and neighbors, saying, Rejoice with me, for I have found the piece which I had lost.\nand as they were eating, he said, Verily I say unto you, that one of you shall betray me.\nClaire rode away as the condemned ride the final cart to the gallows.\n“Templeton!” screamed Wilbur.\nEven so ought husbands also to love their own wives as their own bodies. He that loveth his own wife loveth himself:\nNow after John was delivered up, Jesus came into Galilee, preaching the gospel of God,\nAnd a second time they say, Hallelujah. And her smoke goeth up for ever and ever.\nAnd he said unto them, Go ye into all the world, and preach the gospel to the whole creation.\n“There's never anything to do around here,” he thought.\nBesides, it wouldn’t make any sense for you to stay.\nbut he, when he had offered one sacrifice for sins for ever, sat down on the right hand of God;\nSettle it therefore in your hearts, not to meditate beforehand how to answer:\nAnd I fell down before his feet to worship him. And he saith unto me, See thou do it not: I am a fellow-servant with thee and with thy brethren that hold the testimony of Jesus: worship God: for the testimony of Jesus is the spirit of prophecy.\nMercy unto you and peace and love be multiplied.\nAnd let the prophets speak by two or three, and let the others discern.\nFor in Christ Jesus neither circumcision availeth anything, nor uncircumcision; but faith working through love.\nAnd he said unto another, Follow me. But he said, Lord, suffer me first to go and bury my father.\nYe are witnesses of these things.\n“Time for us to go home,” he said to the pig.\nBut when Jesus saw the reasoning of their heart, he took a little child, and set him by his side,\nShe knew that they were in a desperately cramped position inside the shell and were most anxious to break through and get out.\nDestruction and misery are in their ways;\nBelieve me that I am in the Father, and the Father in me: or else believe me for the very works’ sake.\nAnd the more I thought about it and imagined their conversation, the more disturbed I became.\nA bad sign.\nCount it all joy, my brethren, when ye fall into manifold temptations;\nOn a lonesome journey into the mountains, he had seen black riders come across the sky on their mounts and light to rest on a high peak, Tusquitte Bald to be exact.\nAnd he charged them that they should tell no man: but the more he charged them, so much the more a great deal they published it.\nThen it did something that came as a great surprise to Wilbur.\nWhen he looked up, they were all gone\nSo the last shall be first, and the first last.\nAnd he said, That which proceedeth out of the man, that defileth the man.\nnot giving heed to Jewish fables, and commandments of men who turn away from the truth.\nThe nutrients that were in the leaves are now in the soil.\nBut Peter said, Man, I know not what thou sayest. And immediately, while he yet spake, the cock crew.\n“You’ll be sorry-sorry-sorry,” called the goose.\nFrom nine to eleven he planned to dig a hole, or trench, and possibly find something good to eat buried in the dirt.\nA young spider knows how to spin a web without any instructions from anybody.\nNow this is come to pass, that it might be fulfilled which was spoken through the prophet, saying,\n“Don’t yell, Fern!” she said. “Your father is right. The pig would probably die anyway.”\n“Every time Lurvy slops him, the food runs down around the ears.\nLet every soul be in subjection to the higher powers: for there is no power but of God; and the powers that be are ordained of God.\nHowbeit with most of them God was not well pleased: for they were overthrown in the wilderness.\nThe elders therefore among you I exhort, who am a fellow-elder, and a witness of the sufferings of Christ, who am also a partaker of the glory that shall be revealed:\ngiving diligence to keep the unity of the Spirit in the bond of peace.\nyet to us there is one God, the Father, of whom are all things, and we unto him; and one Lord, Jesus Christ, through whom are all things, and we through him.\none God and Father of all, who is over all, and through all, and in all.\nThe world cannot hate you; but me it hateth, because I testify of it, that its works are evil.\nthat I may not seem as if I would terrify you by my letters.\nThey didn’t ask for it, she brought it.\nLurvy!\nSo then he hath mercy on whom he will, and whom he will he hardeneth.\nand shall deliver him unto the Gentiles to mock, and to scourge, and to crucify: and the third day he shall be raised up.\nIn like manner also the chief priests mocking him, with the scribes and elders, said,\nYea and on my servants and on my handmaidens in those days Will I pour forth of my Spirit; and they shall prophesy.\nFor we know that if the earthly house of our tabernacle be dissolved, we have a building from God, a house not made with hands, eternal, in the heavens.\nFor these are not drunken, as ye suppose; seeing it is but the third hour of the day;\nand wheresoever he shall enter in, say to the master of the house, The Teacher saith, Where is my guest-chamber, where I shall eat the passover with my disciples?\nRich soil has lots of nutrients.\nHis hair was going grey and he wore it blunt-cut below his ears where his wife, Nancy, trimmed it monthly by gathering up the excess at the back of his neck in her fist and lopping it off with one swipe of a skinning knife.\nAnd he cometh unto the disciples, and findeth them sleeping, and saith unto Peter, What, could ye not watch with me one hour?\nHe’s a dirt farmer.\nAnd when it was evening he cometh with the twelve.\nHe had plowed up quite a piece of ground before anyone noticed him. Mrs. Zuckerman was the first to see him.\nThey went to the storage house.\nwho moreover assayed to profane the temple: on whom also we laid hold: \nAnd the rest of the Jews dissembled likewise with him; insomuch that even Barnabas was carried away with their dissimulation.\nHe stopped and got down on his knees and dug in the black ground with a stick and then with the tines of his stubby and spatulate fingers, the knuckles swollen like galls in a blackberry cane.\nAnd Judas Iscariot, he that was one of the twelve, went away unto the chief priests, that he might deliver him unto them.\nHe that is a hireling, and not a shepherd, whose own the sheep are not, beholdeth the wolf coming, and leaveth the sheep, and fleeth, and the wolf snatcheth them, and scattereth them:\nHe glanced at Fern, then crept cautiously toward the goose, keeping close to the wall.\nMrs. Zuckerman wiped her eyes with her handkerchief.\nSo mightily grew the word of the Lord and prevailed.\nhim, being delivered up by the determinate counsel and foreknowledge of God, ye by the hand of lawless men did crucify and slay:\nAfter these things Jesus manifested himself again to the disciples at the sea of Tiberias; and he manifested himself on this wise.\nHe hasn’t touched his food.”\nHe regretted fighting against other Indians, even though the Creeks had been enemies of the Cherokee long before the first whiteman erupted into the world.\nThe door opened, and our neighbor got in and closed the door behind him.\nAnd as he said these things, all his adversaries were put to shame: and all the multitude rejoiced for all the glorious things that were done by him.\nI suppose it was true, because a few days later he died.\nAnd Havana cigars wrapped carefully in oilcloth.\nBut he said unto them, I must preach the good tidings of the kingdom of God to the other cities also: for therefore was I sent.\nand brought them out and said, Sirs, what must I do to be saved?\n“Well, I’m sort of sedentary myself, I guess,” said the pig.\nI wore a silk turban in the style recently adopted by many of the eastern Indians for occasions of high seriousness.\nThe boys were cooking a supper of potatoes and bacon and cabbage, a grey mess that was just rising to a boil in a pot hanging from an iron tripod.\nFor if that which passeth away was with glory, much more that which remaineth is in glory.\nThis is a tree that died many years ago.\nWolf walked along and moaned in agony.\n“Means I sit still a good part of the time and don’t go wandering all over creation.\nMrs. Chapman claimed to have handmade them herself.\nAnd many other things spake they against him, reviling him.\nIt wasn't a shoe.\nAnd when they found him on the other side of the sea, they said unto him, Rabbi, when camest thou hither?\nfor it is God who worketh in you both to will and to work, for his good pleasure.\nAnd they went forth from thence, and passed through Galilee; and he would not that any man should know it.\n“But Charlotte,” said Wilbur, “I’m not terrific.”\nTired from his romp, Wilbur lay down in the clean straw.\nNot a broken bird in my limbs.\nand ye are Christ’s; and Christ is God’s. \nThen she opened the lid again, lifted the pig out, and held it against her cheek.\nA quarter century after this bloody moment memorialized on the ground, I, as a middle-aged man, engaged personally in more than a few skirmishes, and I found them to be desperate and ugly encounters, gunfire spluttering in pulses, men yelling curses, brief confused silences between outbursts.\nShe stands on her head, lets out a lot of line, and is carried aloft on the wind.\nYou’re not the first young man ever to do so.\nHe awoke at six and saw the rain, and it seemed as though he couldn’t bear it.\n“Well, you're a good little pig, and radiant you shall be.\n“What?\nBut to whom ye forgive anything, I forgive also: for what I also have forgiven, if I have forgiven anything, for your sakes have I forgiven it in the presence of Christ;\nThen were gathered together the chief priests, and the elders of the people, unto the court of the high priest, who was called Caiaphas;\nIt was a single long piece of heavy rope tied to the beam over the north doorway.\nLurvy nailed some boards across the end, so Wilbur couldn't back out.\n“Now for the E!”\n“Charlotte,” said Wilbur.\nCold coffee and cream skinned over in a cup.\nAnd they of the circumcision that believed were amazed, as many as came with Peter, because that on the Gentiles also was poured out the gift of the Holy Spirit.\nThen I came into the regions of Syria and Cilicia.\nand the salutations in the marketplaces, and to be called of men, Rabbi.\nHer hands out at waist level, palms forward, to touch doorframes, table corners, chair arms, crates of packed china, trunks of clothing.\nbut they only heard say, He that once persecuted us now preacheth the faith of which he once made havoc;\nBut the witness which I have is greater than that of John; for the works which the Father hath given me to accomplish, the very works that I do, bear witness of me, that the Father hath sent me.\n“If you have a new friend here, you are probably disturbing his rest;  and the quickest way to spoil a friendship is to wake somebody up in the morning before he is ready.\nFor which cause I suffer also these things: yet I am not ashamed; for I know him whom I have believed, and I am persuaded that he is able to guard that which I have committed unto him against that day.\nThe sheep moved off down the lane, the gander waddled along behind them, pulling grass.\nWhen he heard that the price was only six dollars, he said he would buy the pig.\nThe crate was green.\nThe larger fish always bossed him around.\nthat he would grant you, according to the riches of his glory, that ye may be strengthened with power through his Spirit in the inward man;\nand James the son of Zebedee, and John the brother of James; and them he surnamed Boanerges, which is, Sons of thunder:\nO foolish Galatians, who did bewitch you, before whose eyes Jesus Christ was openly set forth crucified?\nYou will live to enjoy the beauty of the frozen world, for you mean a great deal to Zuckerman and he will not harm you, ever.\nwho also said, Ye men of Galilee, why stand ye looking into heaven? this Jesus, who was received up from you into heaven, shall so come in like manner as ye beheld him going into heaven.\nAnd it came to pass on the morrow, that their rulers and elders and scribes were gathered together in Jerusalem;\nBut she found that the barn was not nearly as pleasant — too many people.\nknowing this first, that no prophecy of scripture is of private interpretation.\nHe went by the name of Dull Hoe and sometimes John.\nthat the blood of all the prophets, which was shed from the foundation of the world, may be required of this generation;\nIf David then calleth him Lord, how is he his son?\nAnd the Father that sent me, he hath borne witness of me. Ye have neither heard his voice at any time, nor seen his form.\nHe crawled into the tunnel and disappeared from sight, completely covered with straw.\nNow when he heard that John was delivered up, he withdrew into Galilee;\n“Oh, good!” said Wilbur.\nthe son of Serug, the son of Reu, the son of Peleg, the son of Eber, the son of Shelah,\nBut on the morrow, desiring to know the certainty wherefore he was accused of the Jews, he loosed him, and commanded the chief priests and all the council to come together, and brought Paul down and set him before them. \nSo Smith squatted on the ground with the other soldiers and refilled his pipe and smoked.\nHe looked up at me from his puffing and said, You’re the lawyer?\nThis mystery is great: but I speak in regard of Christ and of the church.\nMany other signs therefore did Jesus in the presence of the disciples, which are not written in this book:\nFor nation shall rise against nation, and kingdom against kingdom; there shall be earthquakes in divers places; there shall be famines: these things are the beginning of travail.\nThey’ve emptied out.\nand said, O full of all guile and all villany, thou son of the devil, thou enemy of all righteousness, wilt thou not cease to pervert the right ways of the Lord?\nBut the man from whom the demons were gone out prayed him that he might be with him: but he sent him away, saying,\nThe woman came back to the door and said Claire was not receiving visitors.\nCharlotte stood quietly over the fly, preparing to eat it.\nI beseech you, brethren, become as I am, for I also am become as ye are. Ye did me no wrong:\nSeeing it is God, that said, Light shall shine out of darkness, who shined in our hearts, to give the light of the knowledge of the glory of God in the face of Jesus Christ.\nOf his own will he brought us forth by the word of truth, that we should be a kind of firstfruits of his creatures.\nThese words spake he in the treasury, as he taught in the temple: and no man took him; because his hour was not yet come.\nAnd judge not, and ye shall not be judged: and condemn not, and ye shall not be condemned: release, and ye shall be released:\nBrethren, even if a man be overtaken in any trespass, ye who are spiritual, restore such a one in a spirit of gentleness; looking to thyself, lest thou also be tempted.\nThen you would zoom upward into the sky, and look up at the clouds, and the rope would twist and you would twist and turn with the rope.\nAnd when neither sun nor stars shone upon us for many days, and no small tempest lay on us, all hope that we should be saved was now taken away.\nLurvy went to shave and put on his plaid shirt and his purple necktie.\n“Certainly not,” said Charlotte.\nfor bodily exercise is profitable for a little; but godliness is profitable for all things, having promise of the life which now is, and of that which is to come.\n(howbeit there came boats from Tiberias nigh unto the place where they ate the bread after the Lord had given thanks):\nwho was delivered up for our trespasses, and was raised for our justification. \nEvery one therefore that heareth these words of mine, and doeth them, shall be likened unto a wise man, who built his house upon the rock:\nNow unto him that is able to do exceeding abundantly above all that we ask or think, according to the power that worketh in us,\nMr. and Mrs. Zuckerman were in bed by nine.\nTempleton, asleep in the straw, heard the commotion and awoke.\nAnd because iniquity shall be multiplied, the love of the many shall wax cold.\nBut I will tarry at Ephesus until Pentecost;\nGo your ways; behold, I send you forth as lambs in the midst of wolves.\nAnd all bare him witness, and wondered at the words of grace which proceeded out of his mouth: and they said, Is not this Joseph’s son?\nI was left to stand on the logic of my argument about the sanctity of property ownership.\nLet us rejoice and be exceeding glad, and let us give the glory unto him: for the marriage of the Lamb is come, and his wife hath made herself ready.\n“You didn't even look at my hair!” said Mrs. Zuckerman.\n“You coach me and I'll spin one.\nIt is my egg sac, my magnum opus.”\nBut he denied before them all, saying, I know not what thou sayest.\nHow to survive?\nWolf doesn't know everything!\nAnd they came to him, and awoke him, saying, Master, master, we perish. And he awoke, and rebuked the wind and the raging of the water: and they ceased, and there was a calm.\nA bear with yellow fat lying three fingers deep over the red muscles from a long autumn of gorging on chestnuts, hickory nuts, acorns, and huckleberries.\nsaying, Amen: Blessing, and glory, and wisdom, and thanksgiving, and honor, and power, and might, be unto our God for ever and ever. Amen.\nHe that hath ears, let him hear.\n“Let’s see ...one, two, three, four, five, six, seven.\nCharley’s littlest ambulatory grandchildren, the shortest boys and girls—each bearing some reference to his particular hands or hair or nose or slant of eyes—churned lattermost against the gravity of the mountain.\nHeavy-timbered steep land.\nAnd he said unto them, Well did Isaiah prophesy of you hypocrites, as it is written, This people honoreth me with their lips, But their heart is far from me.\nAnd I, brethren, when I came unto you, came not with excellency of speech or of wisdom, proclaiming to you the testimony of God.\nBut when the chief priests and the scribes saw the wonderful things that he did, and the children that were crying in the temple and saying, Hosanna to the son of David; they were moved with indignation,\nAnd when the seven thunders uttered their voices, I was about to write: and I heard a voice from heaven saying, Seal up the things which the seven thunders uttered, and write them not.\nMost of their bulk was in the thick muscles of their necks and shoulders, and this was further emphasized by the ruff of red bristles that roached up like porcupine quills from the base of their skulls and tapered away along their backbones.\nAnd the Lord said unto him, Loose the shoes from thy feet: for the place whereon thou standest is holy ground.\nThis parable spake Jesus unto them: but they understood not what things they were which he spake unto them.\nAnd now, behold, the hand of the Lord is upon thee, and thou shalt be blind, not seeing the sun for a season. And immediately there fell on him a mist and a darkness; and he went about seeking some to lead him by the hand.\nAnd the rest of mankind, who were not killed with these plagues, repented not of the works of their hands, that they should not worship demons, and the idols of gold, and of silver, and of brass, and of stone, and of wood; which can neither see, nor hear, nor walk:\nWilbur thought hard.\nTHE END \nThe string trailed behind him.\nThey are very big!\n“Listen to me,” whispered the old sheep to Wilbur.\nFor John was not yet cast into prison.\nRain fell on the backs of the sheep as they grazed in the meadow.\nI told them I would show them around, and they wanted to know where Granville Towers was, ‘cause that’s where their friend lived.\nwho can bear gently with the ignorant and erring, for that he himself also is compassed with infirmity;\nIn him was life; and the life was the light of men.\nLate that afternoon, Lurvy went to Mr. Zuckerman.\nHow’s Avery?” he asked, opening his eyes wide.\nWhen Ross’s efforts all continued to come to nothing, he soon began striking deals of his own to have America pay him, by the head, to move all the people to the West by overland routes.\nNow they know that all things whatsoever thou hast given me are from thee:\nShe found an old milking stool that had been discarded, and she placed the stool in the sheepfold next to Wilbur’s pen.\n“Good night, Charlotte!” said Wilbur.\ndelivering thee from the people, and from the Gentiles, unto whom I send thee,\nFor our light affliction, which is for the moment, worketh for us more and more exceedingly an eternal weight of glory;\nAt the bottom end of the rope was a fat knot to sit on.\nand asked them, saying, Is this your son, who ye say was born blind? how then doth he now see?\nFor the gifts and the calling of God are not repented of.\nYe fools and blind: for which is greater, the gold, or the temple that hath sanctified the gold?\nwhich is come unto you; even as it is also in all the world bearing fruit and increasing, as it doth in you also, since the day ye heard and knew the grace of God in truth;\nAnd from thence the brethren, when they heard of us, came to meet us as far as The Market of Appius and The Three Taverns; whom when Paul saw, he thanked God, and took courage.\nAnd Philip ran to him, and heard him reading Isaiah the prophet, and said, Understandest thou what thou readest?\nAnd both the Pharisees and the scribes murmured, saying, This man receiveth sinners, and eateth with them.\nJesus saith unto them, Come and break your fast. And none of the disciples durst inquire of him, Who art thou? knowing that it was the Lord.\nAnd his disciples answered him, Whence shall one be able to fill these men with bread here in a desert place?\nCharlotte climbed to a point at the top of the left hand side of the web.\nJust to see what might happen, I sent a carefully worded claim of state citizenship for all of Bear’s people to the appropriate department down in the capital.\nIn the distance he saw the Arables and the Zuckermans approaching.\nCries of “Good—bye, good-bye, good-bye!” came weakly to Wilbur’s ears.\nand to know the love of Christ which passeth knowledge, that ye may be filled unto all the fulness of God.\nBut he answered and said unto them, See ye not all these things? verily I say unto you, There shall not be left here one stone upon another, that shall not be thrown down.\n“Jump into the air!” cried Charlotte.\nAnd there followed him great multitudes from Galilee and Decapolis and Jerusalem and Judæa and from beyond the Jordan. \nwithout natural affection, implacable, slanderers, without self-control, fierce, no lovers of good,\nWhat made me truly like Crockett was noting, in moments of a public nature, a sad discontinuity between the upcurve of his smiling mouth and the bleak deadness of his eyes.\nAnd all his acquaintance, and the women that followed with him from Galilee, stood afar off, seeing these things.\nFather, glorify thy name. There came therefore a voice out of heaven, saying, I have both glorified it, and will glorify it again.\nHe that hath an ear, let him hear what the Spirit saith to the churches.\nbut the very hairs of your head are all numbered.\nFor this cause I write these things while absent, that I may not when present deal sharply, according to the authority which the Lord gave me for building up, and not for casting down.\nFor freedom did Christ set us free: stand fast therefore, and be not entangled again in a yoke of bondage.\nTherefore also said the wisdom of God, I will send unto them prophets and apostles; and some of them they shall kill and persecute;\nTwo Indians shouted at each other and then locked up and fought on the ground until soldiers waded in and grabbed them by their arms and snatched them apart.\n“Were you serious when you promised you would keep them from killing me?”\nfor I have five brethren; that he may testify unto them, lest they also come into this place of torment.\nIs it true what the old sheep says, Charlotte?\nThink not that I will accuse you to the Father: there is one that accuseth you, even Moses, on whom ye have set your hope.\nand when I was present with you and was in want, I was not a burden on any man; for the brethren, when they came from Macedonia, supplied the measure of my want; and in everything I kept myself from being burdensome unto you, and so will I keep myself.\nSmith watched them and then took a rundlet from his saddlebag and drank a long pull and stoppered it back and put it away in the bag.\nWhen a pig is to be butchered, everybody helps.\nThey were all draped about their chests and shoulders with powder horns and shot pouches.\nAnd he carried me away in the Spirit into a wilderness: and I saw a woman sitting upon a scarlet-colored beast, full of names of blasphemy, having seven heads and ten horns.\nSpirits dwelled there, people said, a long time ago, just right by the building where I needed to pass by.\nWherefore he saith, When he ascended on high, he led captivity captive, And gave gifts unto men.\nBut godliness with contentment is great gain:\nbut sanctify in your hearts Christ as Lord: being ready always to give answer to every man that asketh you a reason concerning the hope that is in you, yet with meekness and fear:\nCould you go tell that to the boys? Smith said.\nThese are murmurers, complainers, walking after their lusts (and their mouth speaketh great swelling words), showing respect of persons for the sake of advantage.\nI am much too tired and too cold to keep trying to go on.\nFor as touching the ministering to the saints, it is superfluous for me to write to you:\nBut they shook off the dust of their feet against them, and came unto Iconium.\nBut not that year.\nThe Jews therefore marvelled, saying, How knoweth this man letters, having never learned?\nThese all with one accord continued stedfastly in prayer, with the women, and Mary the mother of Jesus, and with his brethren.\nMost of the principal streets were paved with cobbles, so there was always a racket from the metal hoops of carriage wheels clashing against them, and at night the calkins of horseshoes struck sparks off them.\n“Let Wilbur alone!” she said.\nAnd even now I know that, whatsoever thou shalt ask of God, God will give thee.\nAnd when he had spent all, there arose a mighty famine in that country; and he began to be in want.\nPeter therefore denied again: and straightway the cock crew.\n“The way to save Wilbur’s life is to play a trick on Zuckerman.\nHis trough had an inch of rainwater in it.\n“A rat is a rat,” said Charlotte.\nI don’t play with pigs.”\nAnd when they saw the star, they rejoiced with exceeding great joy.\nBut if we discerned ourselves, we should not be judged.\nThis is my first trip South I can hardly wait to know OH!\nBut the Lord is faithful, who shall establish you, and guard you from the evil one.\nThe Old Possum was implacable, and he meant to put an end to Indians.\n“I’m afraid not,” she said.\nSalute Apelles the approved in Christ. Salute them that are of the household of Aristobulus.\nby which also ye are saved, if ye hold fast the word which I preached unto you, except ye believed in vain.\nBut all these things are the beginning of travail.\nBut he, being full of the Holy Spirit, looked up stedfastly into heaven, and saw the glory of God, and Jesus standing on the right hand of God,\nand saith unto him, If thou art the Son of God, cast thyself down: for it is written, He shall give his angels charge concerning thee: and, On their hands they shall bear thee up, Lest haply thou dash thy foot against a stone.\nand saying, If thou art the King of the Jews, save thyself.\nAvery lay dreaming that the Ferris wheel had stopped and that he was in the top car.\nyea, Father, for so it was well-pleasing in thy sight.\nAnd he went his way, and began to publish in Decapolis how great things Jesus had done for him: and all men marvelled.\nand not only so, but who was also appointed by the churches to travel with us in the matter of this grace, which is ministered by us to the glory of the Lord, and to show our readiness:\nAnd he saith unto them, Come ye yourselves apart into a desert place, and rest a while. For there were many coming and going, and they had no leisure so much as to eat.\nHe was heavily armed — an air rifle in one hand, a wooden dagger in the other. “What’s that?” he demanded. “What’s Fern got?”\nRest from care, my one and only, Deep in the dung and the dark!” But Wilbur was already asleep. When the song ended, Fern got up and went home.\nSuffer hardship with me, as a good soldier of Christ Jesus.\nMy argument is about ownership of land, not blood.\nAnd then Charley told a new story from the past month, another hunting tale.\nWherefore I say unto thee, Her sins, which are many, are forgiven; for she loved much: but to whom little is forgiven, the same loveth little.\nAs I exhorted thee to tarry at Ephesus, when I was going into Macedonia, that thou mightest charge certain men not to teach a different doctrine,\nthat thine alms may be in secret: and thy Father who seeth in secret shall recompense thee.\nand they found it not, though many false witnesses came. But afterward came two,\n“Thank you, Templeton,” he said.\nand that ye be renewed in the spirit of your mind,\nBut because I have spoken these things unto you, sorrow hath filled your heart.\nI would like to stay and hear of all the different fish you have seen and met but this pond is too small for both of us, so I must swim on. Goodbye, Knottyhead.\nThe Lord grant mercy unto the house of Onesiphorus: for he oft refreshed me, and was not ashamed of my chain;\n“Attention, please!” he said in a loud, firm voice.\nAnd this commandment have we from him, that he who loveth God love his brother also. \nThe news of the wonderful pig spread clear up into the hills, and farmers came rattling down in buggies and buckboards, to stand hour after hour at Wilbur’s pen admiring the miraculous animal.\nAnd I gave her time that she should repent; and she willeth not to repent of her fornication.\n“He’s got to go, Fern,” he said.\nAnd the people were waiting for Zacharias, and they marvelled while he tarried in the temple.\nBut they held their peace: for they had disputed one with another on the way, who was the greatest.\nBlessed is the man to whom the Lord will not reckon sin.\nAvery noticed the spider web, and, coming closer, he saw Charlotte.\nand whosoever would be first among you, shall be servant of all.\nThe thought of death came to him and he began to tremble with fear.\n“In a forest looking for beechnuts and truffles and delectable roots, pushing leaves aside with my wonderful strong nose, searching and sniffing along the ground, smelling, smelling, smelling ...”\nAnd after these days we took up our baggage and went up to Jerusalem.\nAnd as these went their way, Jesus began to say unto the multitudes concerning John, What went ye out into the wilderness to behold? a reed shaken with the wind?\nThe people all walked away from their homes fearing what their new lives held for them.\nthey were stoned, they were sawn asunder, they were tempted, they were slain with the sword: they went about in sheepskins, in goatskins; being destitute, afflicted, ill-treated\nNow we know that what things soever the law saith, it speaketh to them that are under the law; that every mouth may be stopped, and all the world may be brought under the judgment of God:\nIt was a still day, and I could hear voices inside.\nBut Jesus said unto him, No man, having put his hand to the plow, and looking back, is fit for the kingdom of God. \nHe sniffed the air and made a face.\nBut arise, and stand upon thy feet: for to this end have I appeared unto thee, to appoint thee a minister and a witness both of the things wherein thou hast seen me, and of the things wherein I will appear unto thee;\nbecause that, knowing God, they glorified him not as God, neither gave thanks; but became vain in their reasonings, and their senseless heart was darkened.\nAfter Christmas the thermometer dropped to ten below zero.\nAnd behold, there came a man named Jairus, and he was a ruler of the synagogue: and he fell down at Jesus’ feet, and besought him to come into his house;\nWilbur rushed to the front of his pen.\nClaire was beautiful, beautiful.\n“Don’t shout, Fern!” said her mother.\nfor it is sanctified through the word of God and prayer.\nWhen I was a child, I spake as a child, I felt as a child, I thought as a child: now that I am become a man, I have put away childish things.\nThis is the same bag after one month.\nHow can something be less than nothing?\nI took pleasure in noting that few if any of them had run up against Charleston women.\nin which also he went and preached unto the spirits in prison,\nBreakfast would be finished at seven.\nAnd he said, All these things have I observed from my youth up.\nAnd as we have borne the image of the earthy, we shall also bear the image of the heavenly.\nAnd they all laid hold on Sosthenes, the ruler of the synagogue, and beat him before the judgment-seat. And Gallio cared for none of these things.\nYou worthless little shitheel, he said.\nAnd this I pray, that your love may abound yet more and more in knowledge and all discernment;\nAnd after some business there, on to navigable water.\nAnd she brought forth her firstborn son; and she wrapped him in swaddling clothes, and laid him in a manger, because there was no room for them in the inn.\nAnd he said unto them the third time, Why, what evil hath this man done? I have found no cause of death in him: I will therefore chastise him and release him.\nHearing this, Wilbur threw himself down in an agony of pain and sorrow.\nA bound boy, I thought.\nThen came he out of the land of the Chaldæans, and dwelt in Haran: and from thence, when his father was dead, God removed him into this land, wherein ye now dwell:\nAnd by reason of the exceeding greatness of the revelations, that I should not be exalted overmuch, there was given to me a thorn in the flesh, a messenger of Satan to buffet me, that I should not be exalted overmuch.\nThere, before the door, lay a great serpent.\nHe answered, The man that is called Jesus made clay, and anointed mine eyes, and said unto me, Go to Siloam, and wash: so I went away and washed, and I received sight.\n“No,” said Wilbur.\nTake up that which is thine, and go thy way; it is my will to give unto this last, even as unto thee.\n(but if a man knoweth not how to rule his own house, how shall he take care of the church of God?)\nAnd this word, Yet once more, signifieth the removing of those things that are shaken, as of things that have been made, that those things which are not shaken may remain.\nMine was deep purple and patterned with yellow figures of pineapples.\nBut God turned, and gave them up to serve the host of heaven; as it is written in the book of the prophets, Did ye offer unto me slain beasts and sacrifices Forty years in the wilderness, O house of Israel?\nThere, inside, looking up at her, was the newborn pig.\nThe thorny chestnut husks had fallen and the nuts had been eaten every way there was to eat them.\nAnd when he was entered into Capernaum, there came unto him a centurion, beseeching him,\nfor ye are yet carnal: for whereas there is among you jealousy and strife, are ye not carnal, and do ye not walk after the manner of men?\nWhat a silly thing to say.\nNow while they were going, behold, some of the guard came into the city, and told unto the chief priests all the things that were come to pass.\nOr somewhat fewer.\n“Then my name is Aranea,” said the spider.\nSeveral of Lichen’s hunters began working at the loads to their muskets, fooling with shot pouches and powder horns, checking the pans and priming.\nAnd when we had finished the voyage from Tyre, we arrived at Ptolemais; and we saluted the brethren, and abode with them one day.\nJesus saith unto her, Woman, believe me, the hour cometh, when neither in this mountain, nor in Jerusalem, shall ye worship the Father.\nAnd these in like manner are they that are sown upon the rocky places, who, when they have heard the word, straightway receive it with joy;\npursued, yet not forsaken; smitten down, yet not destroyed;\nAnd if ye do good to them that do good to you, what thank have ye? for even sinners do the same.\nAnd plenty of ways to come out ashamed and disappointed in yourself for the remainder of life, with stories you wouldn’t even care to tell drunk.\nBut after I am raised up, I will go before you into Galilee.\nHe's absolutely perfect.”\nIn like manner also the chief priests mocking him among themselves with the scribes said, He saved others; himself he cannot save.\nIf ye died with Christ from the rudiments of the world, why, as though living in the world, do ye subject yourselves to ordinances,\nActually, Wilbur felt queer to be outside his fence, with nothing between him and the big world.\nWe drove the carriage at high speed along the valley roads at any hour that suited us from dawn to midnight.\nEvery one therefore who shall confess me before men, him will I also confess before my Father who is in heaven.\nWilbur didn’t understand the word “languish” and he hated to bother Charlotte by asking her to explain.\nAnd the second came, saying, Thy pound, Lord, hath made five pounds.\nand leaving Nazareth, he came and dwelt in Capernaum, which is by the sea, in the borders of Zebulun and Naphtali:\n“Maybe he’s older than I am, and has had more time to grow,” suggested Wilbur.\nAt intervals he found gouts of blood on the forest floor and broad smears against tree bark to confirm the correct working of his imagination.\nSo when he came into Galilee, the Galilæans received him, having seen all the things that he did in Jerusalem at the feast: for they also went unto the feast.\nAnd he said unto them, Behold, when ye are entered into the city, there shall meet you a man bearing a pitcher of water; follow him into the house whereinto he goeth.\nBut as he lay there he remembered what the old sheep had told him.\nFor rulers are not a terror to the good work, but to the evil. And wouldest thou have no fear of the power? do that which is good, and thou shalt have praise from the same:\nFor David saith concerning him, I beheld the Lord always before my face; For he is on my right hand, that I should not be moved:\nAnd he commanded them to be baptized in the name of Jesus Christ. Then prayed they him to tarry certain days. \nFor nation shall rise against nation, and kingdom against kingdom; and there shall be famines and earthquakes in divers places.\nAnd he, when he is come, will convict the world in respect of sin, and of righteousness, and of judgment:\nand the rain descended, and the floods came, and the winds blew, and smote upon that house; and it fell: and great was the fall thereof.\nYe are our epistle, written in our hearts, known and read of all men;\nBut when they perceived that he was a Jew, all with one voice about the space of two hours cried out, Great is Diana of the Ephesians.\nAnd, ye masters, do the same things unto them, and forbear threatening: knowing that he who is both their Master and yours is in heaven, and there is no respect of persons with him.\nBeloved, if God so loved us, we also ought to love one another.\nMaybe every life has one moment where everything could have been different if you’d climbed on the cart.\n“five hundred and fourteen?” said Wilbur.\n“Do a back flip with a half twist in it!” cried Charlotte.\nSo when the Samaritans came unto him, they besought him to abide with them: and he abode there two days.\nThis is a leaf that died months ago.\nBut his countenance fell at the saying, and he went away sorrowful: for he was one that had great possessions.\nAnkle-deep, she stopped, wavering.\nEvery morning after breakfast, Wilbur walked out to the road with Fern and waited with her till the bus came.\nThen he looked at Lurvy.\nOkay, said Wolf.\nNow there were at Antioch, in the church that was there, prophets and teachers, Barnabas, and Symeon that was called Niger, and Lucius of Cyrene, and Manaen the foster-brother of Herod the tetrarch, and Saul.\nSaying that since the beginning of time, animals have willingly sacrificed themselves to the needs of people, have given us their pain and blood as a gift along with their fat and meat.\n“Sorry, sorry, sorry,” said the goose.\nThey talked and laughed and seemed able to let their larger circumstances not weigh on their thoughts for now.\nLargest, finest, cleanest, brightest. Those sorts of things. Your best.\nNow when Jesus was in Bethany, in the house of Simon the leper,\nAnd they all ate, and were filled: and they took up that which remained over of the broken pieces, twelve baskets full.\nGod also bearing witness with them, both by signs and wonders, and by manifold powers, and by gifts of the Holy Spirit, according to his own will.\nShe spoke up and told how splendid and terrifying the court was and how, nevertheless, Bear and his lawyer had swept all before them and set her free.\nBut Michael the archangel, when contending with the devil he disputed about the body of Moses, durst not bring against him a railing judgment, but said, The Lord rebuke thee.\nfor the perfecting of the saints, unto the work of ministering, unto the building up of the body of Christ:\nBut Jesus said unto them, They have no need to go away; give ye them to eat.\nAnd Herod said, John I beheaded: but who is this, about whom I hear such things? And he sought to see him.\nI rejoice greatly that I have found certain of thy children walking in truth, even as we received commandment from the Father.\nTheir eyes were dead and hopeless as polished river stones.\nAnd when he was come into the temple, the chief priests and the elders of the people came unto him as he was teaching, and said, By what authority doest thou these things? and who gave thee this authority?\nFor what glory is it, if, when ye sin, and are buffeted for it, ye shall take it patiently? but if, when ye do well, and suffer for it, ye shall take it patiently, this is acceptable with God.\nIn nothing be anxious; but in everything by prayer and supplication with thanksgiving let your requests be made known unto God.\nA fire of red cedar logs burned on the ground outside the house, and the smoke in the air smelled like incense.\nA voice was heard in Ramah, Weeping and great mourning, Rachel weeping for her children; And she would not be comforted, because they are not.\nAnd the boy Wasseton and the married daughter Ancih, and a few other women.\nWe love our big summer garden, but no body likes to pick green beans on hot summer days!\nThen a hard left to the head, while the web swayed and stretched.”\nAnd he said unto them, Is the lamp brought to be put under the bushel, or under the bed, and not to be put on the stand?\nAnd it shall be, that every soul that shall not hearken to that prophet, shall be utterly destroyed from among the people.\nMy little children, let us not love in word, neither with the tongue; but in deed and truth.\nthat in the ages to come he might show the exceeding riches of his grace in kindness toward us in Christ Jesus:\nAnd a voice came forth from the throne, saying, Give praise to our God, all ye his servants, ye that fear him, the small and the great.\nNow ye are the body of Christ, and severally members thereof.\nBut if what I would not, that I do, I consent unto the law that it is good.\nBut they held their peace. And he took him, and healed him, and let him go.\nYe cannot drink the cup of the Lord, and the cup of demons: ye cannot partake of the table of the Lord, and of the table of demons.\nFar away.\nShe was brilliant, beautiful, and loyal to the end.\nBut ye shall be delivered up even by parents, and brethren, and kinsfolk, and friends; and some of you shall they cause to be put to death.\nI calculated that it was but a half day’s ride to Welch’s Tavern, at least for me, knowing the shortcuts and going at a good clip on a fine horse.\nAnd straightway Jesus, perceiving in his spirit that they so reasoned within themselves, saith unto them, Why reason ye these things in your hearts?\nBut when the disciples saw it, they had indignation, saying, To what purpose is this waste?\nDo ye not yet perceive, neither remember the five loaves of the five thousand, and how many baskets ye took up?\n Everyone will be warm down south\nHe reckoned that taking nothing but a cup of bitter tea without honey for the entire day was about the same as the hunter’s fast of the old times.\nBoth men were wealthy plantation owners and almost equally powerful within the Nation, which was a new and uncertain country set inside America like a reflection in an imperfect mirror.\nI heard horses in the woods and went and collected the three and tailed them one to the other for travel.\nI said that by killing the soldiers, Charley and his people had brought similar threat of annihilation to all our people.\nAlso a tin of ginger candies and a bottle of good Tennessee whiskey.\nBut this I confess unto thee, that after the Way which they call a sect, so serve I the God of our fathers, believing all things which are according to the law, and which are written in the prophets;\nAnd Jesus answering saith unto them, Have faith in God.\nBut he, beckoning unto them with the hand to hold their peace, declared unto them how the Lord had brought him forth out of the prison. And he said, Tell these things unto James, and to the brethren. And he departed, and went to another place.\n“Wait a minute!” screamed Wilbur.\n“Oh, I'll work it out alone,” said Charlotte.\nThere remaineth therefore a sabbath rest for the people of God.\nThe numbers of the hunters had grown by the day.\n“Look out, the people are coming-oming-oming!” shouted the gander.\nAnd he said unto him, Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind.\nAnd all the people when they heard, and the publicans, justified God, being baptized with the baptism of John.\nThen he shook hands with Mr. Zuckerman while Wilbur blushed.\nFaithful is the saying, and worthy of all acceptation, that Christ Jesus came into the world to save sinners; of whom I am chief:\nI testify unto every man that heareth the words of the prophecy of this book, If any man shall add unto them, God shall add unto him the plagues which are written in this book:\nThink no more of it.\nThis is your big day today.\nJesus Christ is the same yesterday and to-day, yea and for ever.\nI had known Charley a little since boyhood and felt disoriented in a world where a subsistence farmer and his family could become transformed into dangerous fugitives.\nBut when it was the good pleasure of God, who separated me, even from my mother’s womb, and called me through his grace,\nYe are of your father the devil, and the lusts of your father it is your will to do. He was a murderer from the beginning, and standeth not in the truth, because there is no truth in him. When he speaketh a lie, he speaketh of his own: for he is a liar, and the father thereof.\n“I have decided to go with Wilbur.\nfor sin, finding occasion, through the commandment beguiled me, and through it slew me.\nLord, they have killed thy prophets, they have digged down thine altars; and I am left alone, and they seek my life.\nKindly stand back and give the truck room to proceed!\nAnd he went down with them, and came to Nazareth; and he was subject unto them: and his mother kept all these sayings in her heart.\nLet not then your good be evil spoken of:\nThat moment has haunted me all my life.\nthat, according as it is written, He that glorieth, let him glory in the Lord. \nNext day Wilbur was taken from his home under the apple tree and went to live in a manure pile in the cellar of Zuckerman’s barn.\nHe dug roots and brushed the dirt off and ate them raw as apples.\nI remember once when I was just a boy, there was an old man who had been sick for several days, and each day he seemed to get worse.\nHe that believeth on him is not judged: he that believeth not hath been judged already, because he hath not believed on the name of the only begotten Son of God.\nVarious house clutter, basins, spoons, and dippers.\n“Please, please, please take us to the Fair!” begged a gosling. Then all seven began teasing to go. “Please, please, please, please, please, please… They made quite a racket.\nAnd most of all for not acting on it.\nUp overhead, in the shadows of the ceiling, Charlotte crouched unseen,  her front legs encircling her egg sac.\nOr to the George Town heights to look across the river in the direction of Alexandria and on back to the Capitol across the thin scattering of homes and government buildings.\nAnd he said unto them, What things? And they said unto him, The things concerning Jesus the Nazarene, who was a prophet mighty in deed and word before God and all the people:\nWe heard him say, I will destroy this temple that is made with hands, and in three days I will build another made without hands.\n “What does sedentary mean?” asked Wilbur.\nfor in him were all things created, in the heavens and upon the earth, things visible and things invisible, whether thrones or dominions or principalities or powers; all things have been created through him, and unto him;\nBut he didn’t much want to try at all. He wondered if you could be said to have survived if at the end you didn’t even recognize yourself or your new life or your homeland.\nNow these were more noble than those in Thessalonica, in that they received the word with all readiness of mind, examining the scriptures daily, whether these things were so.\nAnd when they had prayed, the place was shaken wherein they were gathered together; and they were all filled with the Holy Spirit, and they spake the word of God with boldness.\nAnd I saw the heaven opened; and behold, a white horse, and he that sat thereon called Faithful and True; and in righteousness he doth judge and make war.\nThen, suddenly, the sound of runners coming close.\nPaul, a servant of God, and an apostle of Jesus Christ, according to the faith of God’s elect, and the knowledge of the truth which is according to godliness,\nAnd he called to him the multitude, and said unto them, Hear, and understand:\nSmith became suddenly occupied with the tedium of writing.\nThe cocker spaniel heard the commotion and he ran out from the barn to join the chase.\nEven as it is written, Jacob I loved, but Esau I hated.\nAnd it was the day of the Preparation, and the sabbath drew on.\nZuckerman will be proud and happy to own such a pig.\nAnd they ran both together: and the other disciple outran Peter, and came first to the tomb;\nHe pretended he was taking a shower bath; he made faces and danced around and rubbed imaginary soap under his armpits.\nBut now I come to thee; and these things I speak in the world, that they may have my joy made full in themselves.\nAnd while he was in Bethany in the house of Simon the leper, as he sat at meat, there came a woman having an alabaster cruse of ointment of pure nard very costly; and she brake the cruse, and poured it over his head.\nAnd the scribes and the Pharisees began to reason, saying, Who is this that speaketh blasphemies? Who can forgive sins, but God alone?\nAnd there arose a great clamor: and some of the scribes of the Pharisees’ part stood up, and strove, saying, We find no evil in this man: and what if a spirit hath spoken to him, or an angel?\n“There is to be no more cow manure thrown down into that pigpen.\nAnd Major Ridge, though dark-skinned, dressed somewhat better than all but the richest senators and carried himself with an arrogant attitude that created a suspicion that he was of superior intelligence.\nIt had no gold.\nAll would laugh if they heard.\nAnd many women were there beholding from afar, who had followed Jesus from Galilee, ministering unto him:\nAnd I knew that thou hearest me always: but because of the multitude that standeth around I said it, that they may believe that thou didst send me.\nBut if the ministration of death, written, and engraven on stones, came with glory, so that the children of Israel could not look stedfastly upon the face of Moses for the glory of his face; which glory was passing away:\neven so ye also, when ye see these things coming to pass, know ye that he is nigh, even at the doors.\nAnd he saith unto them, Whosoever shall put away his wife, and marry another, committeth adultery against her:\nThese are the two olive trees and the two candlesticks, standing before the Lord of the earth.\nHis father an old veteran of 1812, his mother somewhat younger but now dead.\nFor verily in this we groan, longing to be clothed upon with our habitation which is from heaven:\nNow it was the sabbath on the day when Jesus made the clay, and opened his eyes.\n“You can't stay here.\nAnd they had no child, because that Elisabeth was barren, and they both were now well stricken in years.\nAnd without being weakened in faith he considered his own body now as good as dead (he being about a hundred years old), and the deadness of Sarah’s womb;\nJust then Charlotte interrupted.\n“You don’t suppose that that spider...” began Mr. Zuckerman — but he shook his head and didn’t finish the sentence.\nIf therefore thou art offering thy gift at the altar, and there rememberest that thy brother hath aught against thee,\nSo the tongue also is a little member, and boasteth great things. Behold, how much wood is kindled by how small a fire!\nTell us, when shall these things be? and what shall be the sign when these things are all about to be accomplished?\nI therefore, the prisoner in the Lord, beseech you to walk worthily of the calling wherewith ye were called,\n“Well,” said Wilbur.\nI wanted to kiss them, but when I tried to pull her hand to me, she pulled it away.\nAt least the wooden wine cases made fine bookshelves when stacked in a staggered fashion along the walls of the store’s sleeping room.\nSoon, he sat down.\nAnd be not drunken with wine, wherein is riot, but be filled with the Spirit;\nThey closed awkwardly together, neither finding much purchase against the round slick stones of the riverbed.\nFor the Son of man goeth, even as it is written of him: but woe unto that man through whom the Son of man is betrayed! good were it for that man if he had not been born.\n“Couldn't be worse.\nAnd if ye are Christ’s, then are ye Abraham’s seed, heirs according to promise. \nAnd all the city was moved, and the people ran together; and they laid hold on Paul, and dragged him out of the temple: and straightway the doors were shut.\nAnd Philip said, If thou believest with all thine heart, thou mayest. And he answered and said, I believe that Jesus Christ is the Son of God.\nMay I offer my sincere congratulations!”\nAnd as he went forth out of the temple, one of his disciples saith unto him, Teacher, behold, what manner of stones and what manner of buildings!\nSalute all the brethren with a holy kiss.\nHe said, Speaking of loss, you’re about to lose something too.\nFor neither did I receive it from man, nor was I taught it, but it came to me through revelation of Jesus Christ.\nWilbur examined it.\nThe fly was beating its wings furiously, trying to break loose and free itself.\nBut she had left them no choice.\nAvery obeyed his mother and climbed into the back of the truck so he could see better.\nBut they that are minded to be rich fall into a temptation and a snare and many foolish and hurtful lusts, such as drown men in destruction and perdition.\nBut wilt thou know, O vain man, that faith apart from works is barren?\nSuddenly a small fish came by and said, Hello Bigfish, and swam on.\nAnd the steward said within himself, What shall I do, seeing that my lord taketh away the stewardship from me? I have not strength to dig; to beg I am ashamed.\nHe began to squeal.\nFor godly sorrow worketh repentance unto salvation, a repentance which bringeth no regret: but the sorrow of the world worketh death.\nThe Zuckermans and the Arables stared at the tag.\nLurvy was still standing there, and Mr. and Mrs. Zuckerman, all three, stood for about an hour, reading the words on the web over and over, and watching Wilbur.\nDown by the river, on an expanse of flat ground, they razed away a vast canebrake in a conflagration that looked for a short span of minutes like the end of the world.\nAnd when they had set them in the midst, they inquired, By what power, or in what name, have ye done this?\nAvery's wet trousers made a big wet spot on the seat.\nstanding afar off for the fear of her torment, saying, Woe, woe, the great city, Babylon, the strong city! for in one hour is thy judgment come.\nForasmuch as we have heard that certain who went out from us have troubled you with words, subverting your souls; to whom we gave no commandment;\nHow many, then?\nif we endure, we shall also reign with him: if we shall deny him, he also will deny us:\nFor David, after he had in his own generation served the counsel of God, fell asleep, and was laid unto his fathers, and saw corruption:\nFor this cause God gave them up unto vile passions: for their women changed the natural use into that which is against nature:\nFor he taught his disciples, and said unto them, The Son of man is delivered up into the hands of men, and they shall kill him; and when he is killed, after three days he shall rise again.\nAnd he sighed deeply in his spirit, and saith, Why doth this generation seek a sign? verily I say unto you, There shall no sign be given unto this generation.\nWe really liked to visit our neighbors.\nAnd the disciples were filled with joy and with the Holy Spirit. \nBear had narrated the story to Charley’s children several years ago when, on a hunting trip, he had spent a rainy night in their cabin.\nTempleton, of course, was miserable over the loss of his beloved egg.\nAnd Paul went down, and fell on him, and embracing him said, Make ye no ado; for his life is in him.\nAnd then he sang the bear hunter’s song.\nAnd there appeared unto him an angel of the Lord standing on the right side of the altar of incense.\nMoreover when ye fast, be not, as the hypocrites, of a sad countenance: for they disfigure their faces, that they may be seen of men to fast. Verily I say unto you, They have received their reward.\n“Are you awake, Charlotte?” he said softly.\nAnd the court which is without the temple leave without, and measure it not; for it hath been given unto the nations: and the holy city shall they tread under foot forty and two months.\nHer blue skirt draped in her lap to outline her thighs, a shadowed valley between them.\nSam Houston had been a regular before he fled to Texas, and the management still talked of him with sad affection.\nSet your mind on the things that are above, not on the things that are upon the earth.\nIf ye keep my commandments, ye shall abide in my love; even as I have kept my Father’s commandments, and abide in his love.\nBut ye shall receive power, when the Holy Spirit is come upon you: and ye shall be my witnesses both in Jerusalem, and in all Judæa and Samaria, and unto the uttermost part of the earth.\nAnd when the first came, they supposed that they would receive more; and they likewise received every man a shilling.\nfor in one hour so great riches is made desolate. And every shipmaster, and every one that saileth any whither, and mariners, and as many as gain their living by sea, stood afar off,\nBut when they believed Philip preaching good tidings concerning the kingdom of God and the name of Jesus Christ, they were baptized, both men and women.\nBut Jesus called them unto him, saying, Suffer the little children to come unto me, and forbid them not: for to such belongeth the kingdom of God.\nDavid himself said in the Holy Spirit, The Lord said unto my Lord, Sit thou on my right hand, Till I make thine enemies the footstool of thy feet.\nWe know that God heareth not sinners: but if any man be a worshipper of God, and do his will, him he heareth.\nLurvy reached out and grabbed.\nOne of his disciples, Andrew, Simon Peter’s brother, saith unto him,\nwho saved us, and called us with a holy calling, not according to our works, but according to his own purpose and grace, which was given us in Christ Jesus before times eternal,\nand he came and preached peace to you that were far off, and peace to them that were nigh:\nAnd straightway, when they were come out of the synagogue, they came into the house of Simon and Andrew, with James and John.\nAnd the whole multitude of the people were praying without at the hour of incense.\n“Oh, look at him!\nAnd it came to pass, when Jesus had finished these parables, he departed thence.\n“But Fern, darling, I wish you would play outdoors today instead of going to Uncle Homer's barn. Find some of your playmates and do something nice outdoors.\nNow Simon’s wife’s mother lay sick of a fever; and straightway they tell him of her:\nGive us this day our daily bread.\nWhen he jumped off, he threw the swing up to his sister.\nAnd Peter answered and said unto him, Declare unto us the parable.\n“I need it to spin a web.”\n“Why, it was old Templeton!\nTherefore we ought to give the more earnest heed to the things that were heard, lest haply we drift away from them.\nLove not the world, neither the things that are in the world. If any man love the world, the love of the Father is not in him.\nAnd God, who knoweth the heart, bare them witness, giving them the Holy Spirit, even as he did unto us;\nAnd to these also Enoch, the seventh from Adam, prophesied, saying, Behold, the Lord came with ten thousands of his holy ones,\nAnd the scribe said unto him, Of a truth, Teacher, thou hast well said that he is one; and there is none other but he:\nIt was necessary therefore that the copies of the things in the heavens should be cleansed with these; but the heavenly things themselves with better sacrifices than these.\nAnd they were astonished exceedingly, saying unto him, Then who can be saved?\nI am not entirely happy about my diet of flies and bugs, but it’s the way I’m made.\nbut lay up for yourselves treasures in heaven, where neither moth nor rust doth consume, and where thieves do not break through nor steal:\nAnd a woman, who had an issue of blood twelve years,\nNeglect not the gift that is in thee, which was given thee by prophecy, with the laying on of the hands of the presbytery.\nI managed to hold my tongue but resolved within myself that all Smith had to do was utter one more word and I’d mount up and ride away and they could discover their own route out of the mazy mountains and wave hand signals in the air to communicate with their captives.\nbut taking his leave of them, and saying, I will return again unto you if God will, he set sail from Ephesus.\nAnd it shall be in the last days, saith God, I will pour forth of my Spirit upon all flesh: And your sons and your daughters shall prophesy, And your young men shall see visions, And your old men shall dream dreams:\nCass sat looking at me, at the hue of skin visible outside my clothing—my face and neck and handbacks—judging blood degree.\nAnd I turned to see the voice that spake with me. And having turned I saw seven golden candlesticks;\nAll morning people wandered past Wilbur’s pen.\nbut their minds were hardened: for until this very day at the reading of the old covenant the same veil remaineth, it not being revealed to them that it is done away in Christ.\nAvery straddled the rope and jumped.\nThe elder unto Gaius the beloved, whom I love in truth.\n“Imagine wanting a junky old rotten egg!” he muttered.\nHe that spared not his own Son, but delivered him up for us all, how shall he not also with him freely give us all things?\n“You don’t have to stay in that dirty-little dirty-little dirty-little yard,” said the goose, who talked rather fast.\nand have no fellowship with the unfruitful works of darkness, but rather even reprove them;\nAnd they that stood by said, Revilest thou God’s high priest?\nAnd Jesus said unto them, Verily I say unto you, that ye who have followed me, in the regeneration when the Son of man shall sit on the throne of his glory, ye also shall sit upon twelve thrones, judging the twelve tribes of Israel.\n“What a night!”\nNot every one that saith unto me, Lord, Lord, shall enter into the kingdom of heaven; but he that doeth the will of my Father who is in heaven.\nBesides those things that are without, there is that which presseth upon me daily, anxiety for all the churches.\n“Look!” cried Fern.\nWilbur stared back and tried to look extra good.\nFor the Son of man also came not to be ministered unto, but to minister, and to give his life a ransom for many.\nand others fell upon the rocky places, where they had not much earth: and straightway they sprang up, because they had no deepness of earth:\nFor his disciples were gone away into the city to buy food.\nhaving a wall great and high; having twelve gates, and at the gates twelve angels; and names written thereon, which are the names of the twelve tribes of the children of Israel:\nand saith unto him, See thou say nothing to any man: but go show thyself to the priest, and offer for thy cleansing the things which Moses commanded, for a testimony unto them.\n“But I'm not sure Templeton will be willing to help.\n“Go to sleep.\nand shall begin to beat his fellow-servants, and shall eat and drink with the drunken;\nTheir slim charred bones and tiny skulls were mixed with the white ashes of the fire pit.\nNow there were some present at that very season who told him of the Galilæans, whose blood Pilate had mingled with their sacrifices.\nBut the spider was already out of sight.\n“We can start. I want to take a ride in the Ferris wheel.”\nsaying, Teacher, Moses said, If a man die, having no children, his brother shall marry his wife, and raise up seed unto his brother.\n… yellow apples took their place.\nBehold, I cast her into a bed, and them that commit adultery with her into great tribulation, except they repent of her works.\nAnd when he had destroyed seven nations in the land of Canaan, he gave them their land for an inheritance, for about four hundred and fifty years:\nYou’re the smelliest creature in the place.”\nFor every high priest, being taken from among men, is appointed for men in things pertaining to God, that he may offer both gifts and sacrifices for sins:\nMr. Arable started the motor.\nSo also ye, since ye are zealous of spiritual gifts, seek that ye may abound unto the edifying of the church.\nHe scampered over to the crate, crawled between the slats, and pulled straw up over him so he was hidden from sight.\nWinter was falling soon, and they would need more shelter.\neven us, whom he also called, not from the Jews only, but also from the Gentiles?\nTell your Uncle Homer you've got a pig you'll sell for six dollars, and see what he says.”\nThey brawled down a hillside and then to the river’s edge and then onward until they were waist-deep in the water.\nbut to sit on my right hand or on my left hand is not mine to give; but it is for them for whom it hath been prepared.\nPeter, turning about, seeth the disciple whom Jesus loved following; who also leaned back on his breast at the supper, and said, Lord, who is he that betrayeth thee?\nyea, we ourselves have had the sentence of death within ourselves, that we should not trust in ourselves, but in God who raiseth the dead:\nbut he that knew not, and did things worthy of stripes, shall be beaten with few stripes. And to whomsoever much is given, of him shall much be required: and to whom they commit much, of him will they ask the more.\nAnd their sins and their iniquities will I remember no more.\nAnd the Spirit said unto Philip, Go near, and join thyself to this chariot.\nAnd there was much joy in that city.\n“Ho-mer!” she cried.\nthe lord of that servant shall come in a day when he expecteth not, and in an hour when he knoweth not, and shall cut him asunder, and appoint his portion with the unfaithful.\nWithout hesitating a second, he dashed the water at Wilbur.\nSo ye are witnesses and consent unto the works of your fathers: for they killed them, and ye build their tombs.\nand came to him, and bound up his wounds, pouring on them oil and wine; and he set him on his own beast, and brought him to an inn, and took care of him.\nWilbur leapt to his feet.\nAnd again, Praise the Lord, all ye Gentiles; And let all the peoples praise him.\nfor a friend of mine is come to me from a journey, and I have nothing to set before him;\nAnd as Jesus returned, the multitude welcomed him; for they were all waiting for him.\n“What in thunder?” he said.\nWilbur was merely suffering the doubts and fears that often go with finding a new friend.\nHe heard his mother's voice, Littlefish, Littlefish, are you okay? I cannot fit through to come and get you, but you are a strong Littlefish and will find your own home some day.\nThe grownups and the children joined hands and stood there, studying the new sign.\nCharlotte got so interested in her work, she began to talk to herself, as though to cheer herself on.\nhe is puffed up, knowing nothing, but doting about questionings and disputes of words, whereof cometh envy, strife, railings, evil surmisings,\nThey would bring with them quilts and pillows, and when it got late, some would make their pallets on the group and sleep.\nwhich he promised afore through his prophets in the holy scriptures,\nPeace I leave with you; my peace I give unto you: not as the world giveth, give I unto you. Let not your heart be troubled, neither let it be fearful.\nwho devour widows’ houses, and for a pretence make long prayers: these shall receive greater condemnation. \n“In a day or two I'll be dead.\nI’m to make this my life and advance in it, he said.\nFor they indeed for a few days chastened us as seemed good to them; but he for our profit, that we may be partakers of his holiness.\nStephen caught the beast’s head in the wooden tube and buried it in the rocky soil.\nAnd running under the lee of a small island called Cauda, we were able, with difficulty, to secure the boat:\nBut his lord answered and said unto him, Thou wicked and slothful servant, thou knewest that I reap where I sowed not, and gather where I did not scatter;\n“The plan is still in its early stages and hasn't completely shaped up yet, but I’m working on it.”\nFor Christ also pleased not himself; but, as it is written, The reproaches of them that reproached thee fell upon me.\nI am he that beareth witness of myself, and the Father that sent me beareth witness of me.\nAnd he looked up, and said, I see men; for I behold them as trees, walking.\n“You're too stuffed and bloated to know what you're saying.\nWhat happened to the other egg? Why didn’t it hatch?”\nRabbit knew very well what it was.\n“He's quite a pig,” said Lurvy.\nwho only hath immortality, dwelling in light unapproachable; whom no man hath seen, nor can see: to whom be honor and power eternal. Amen.\nand shall not the uncircumcision which is by nature, if it fulfil the law, judge thee, who with the letter and circumcision art a transgressor of the law?\nIt had been a busy day—his first day of being terrific.\n“All together, now, boys!” said Mr. Zuckerman.\nthat the word of Jesus might be fulfilled, which he spake, signifying by what manner of death he should die.\nAnd seeing one of them suffer wrong, he defended him, and avenged him that was oppressed, smiting the Egyptian:\nAnd I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder: and the voice which I heard was as the voice of harpers harping with their harps:\n“We don’t know what it means yet, but perhaps if I give thought to it, I can explain it in my sermon next Sunday.\n“Alone?” said Fern.\nHe wished Fern were there to take him in her arms and comfort him.\nWhose mouth is full of cursing and bitterness:\nOr if he shall ask an egg, will he give him a scorpion?\nLittlefish thought about the stream that had brought him to the creek.\nI say unto you, This man went down to his house justified rather than the other: for every one that exalteth himself shall be humbled; but he that humbleth himself shall be exalted.\nMore pleasantly, in Wilmington I found a waterside place that took pride in their cool grey oysters pulled fresh from the sea and arrayed still quivering in their opened shells and eaten alongside glasses of straw-colored wine from France.\nBut Tychicus I sent to Ephesus.\nSalute every saint in Christ Jesus. The brethren that are with me salute you.\n“He’s up!” said Mr. Arable.\nOr ‘ayatso’?\n“Sleep, sleep, my love, my only, Deep, deep, in the dung and the dark; Be not afraid and be not lonely!\nThe baptism of John, was it from heaven, or from men?\nWhen therefore thou doest alms, sound not a trumpet before thee, as the hypocrites do in the synagogues and in the streets, that they may have glory of men. Verily I say unto you, They have received their reward.\nIf I had been very small at birth, would you have killed me?”\nbut I say unto you, that every one that putteth away his wife, saving for the cause of fornication, maketh her an adulteress: and whosoever shall marry her when she is put away committeth adultery.\nand behold, a spirit taketh him, and he suddenly crieth out; and it teareth him that he foameth, and it hardly departeth from him, bruising him sorely.\nHe climbed up into a stand of gloomy balsam fir to a ragged rock face streaked with dark ribbons of seepage and hung with long icicles and encrusted with scabbed patches of bright orange lichen.\nCalhoun’s letter in pocket, I walked up to the White House, past the paddock where Jackson’s horse stood switching flies and dozing, and on through the door.\nThey nearly faded into the darkness, except for vague blurs of faces, the pale movements of hands.\nBy this shall all men know that ye are my disciples, if ye have love one to another.\nHe enjoyed good health and he gained a lot of weight.\nnor height, nor depth, nor any other creature, shall be able to separate us from the love of God, which is in Christ Jesus our Lord. \nin diligence not slothful; fervent in spirit; serving the Lord;\nWhen the Congress was in session, the houses were full from dusk until dawn.\nEvery single part of her.\nNow if their fall is the riches of the world, and their loss the riches of the Gentiles; how much more their fulness?\nand there were lightnings, and voices, and thunders; and there was a great earthquake, such as was not since there were men upon the earth, so great an earthquake, so mighty.\nand I will give him the morning star.\nAnd behold, one came to him and said, Teacher, what good thing shall I do, that I may have eternal life?\nDid ye suffer so many things in vain? if it be indeed in vain.\nNow at the feast he used to release unto them one prisoner, whom they asked of him.\nWatch therefore, for ye know not the day nor the hour.\nThey saw only a pig.\nIt was a configuration of terrain that had an old appeal to the Cherokee and to the people before them.\nAnd in the house the disciples asked him again of this matter.\n“What does she look like?” asked Mrs. Arable.\n“And if you go in those swings,” said Mrs. Arable, “you hang on tight! You hang on very tight.\n“It is the last word I shall ever write.”\nHitherto have ye asked nothing in my name: ask, and ye shall receive, that your joy may be made full.\n“I see no difference,” replied Fern, still hanging on to the ax.\nIf I had not done among them the works which none other did, they had not had sin: but now have they both seen and hated both me and my Father.\nAxe looked at Charley and rubbed his hands down his face to compose himself for wakefulness.\nAnd then he looked more closely and said, You favor a man I once knew.\nThe light from the east struck it and made it all plain and clear.\n“What are you going to do with it?” continued Templeton, his little round beady eyes fixed on the goose.\nfor the multitude of the people followed after, crying out, Away with him.\nThe first man is of the earth, earthy: the second man is of heaven.\nNow some are puffed up, as though I were not coming to you.\nThey sat with their wool-socked feet close to the fire, steam rising from their toes.\nThe multitude therefore answered him, We have heard out of the law that the Christ abideth for ever: and how sayest thou, The Son of man must be lifted up? who is this Son of man?\n“Fine!” said Charlotte.\nShe made a speech.\nFor the Lord himself shall descend from heaven, with a shout, with the voice of the archangel, and with the trump of God: and the dead in Christ shall rise first;\nthey became aware of it, and fled unto the cities of Lycaonia, Lystra and Derbe, and the region round about:\nSalute all them that have the rule over you, and all the saints. They of Italy salute you.\nThe hogs went about their work all hunched forward.\nhe said, Give place: for the damsel is not dead, but sleepeth. And they laughed him to scorn.\nSimon answered and said, He, I suppose, to whom he forgave the most. And he said unto him, Thou hast rightly judged.\nFor it was the good pleasure of the Father that in him should all the fulness dwell;\nThe children ran to the barn.\nBlessed are the peacemakers: for they shall be called sons of God.\nAnd being warned of God in a dream that they should not return to Herod, they departed into their own country another way.\nAnd Peter remembered the word which Jesus had said, Before the cock crow, thou shalt deny me thrice. And he went out, and wept bitterly. \nAnd immediately he rose up before them, and took up that whereon he lay, and departed to his house, glorifying God.\n“Bee-bee-bee!”\nHe will not see me stopping here\nand he shall rule them with a rod of iron, as the vessels of the potter are broken to shivers; as I also have received of my Father:\nAnd when they had spoken the word in Perga, they went down to Attalia;\nYour gold and your silver are rusted; and their rust shall be for a testimony against you, and shall eat your flesh as fire. Ye have laid up your treasure in the last days.\nWith her broad bill the goose pushed the unhatched egg out of the nest, and the entire company watched in disgust while the rat rolled it away.\nPaul, an apostle (not from men, neither through man, but through Jesus Christ, and God the Father, who raised him from the dead),\nneither is he served by men’s hands, as though he needed anything, seeing he himself giveth to all life, and breath, and all things;\nNow there was there a herd of many swine feeding on the mountain: and they entreated him that he would give them leave to enter into them. And he gave them leave.\nIts tail stretched across half the sky, and it had fallen through the night for weeks.\nI'm afraid to be alone, he thought\nOver in their favorite corner, the goslings whistled a night song.\nsaying, Woe, woe, the great city, she that was arrayed in fine linen and purple and scarlet, and decked with gold and precious stone and pearl!\nBut what a gamble friendship is!\nAnd Templeton, the rat, crept stealthily along the wall and disappeared into a private tunnel that he had dug between the door and the trough in Wilbur’s yard.\nAnd this they said, trying him, that they might have whereof to accuse him. But Jesus stooped down, and with his finger wrote on the ground.\nAnd again he went away, and prayed, saying the same words.\nwho, when they had examined me, desired to set me at liberty, because there was no cause of death in me.\nAnd they straightway left the boat and their father, and followed him.\nAnd I heard a great voice out of the temple, saying to the seven angels, Go ye, and pour out the seven bowls of the wrath of God into the earth.\nThe grace of our Lord Jesus Christ be with you all. Amen.\nThe little spider waved at him.\nThe response was worded in such exquisite bureaucratic cant that it took me three readings to decipher its meaning.\nSeeing therefore it remaineth that some should enter thereinto, and they to whom the good tidings were before preached failed to enter in because of disobedience,\nOne of these latter officers was a young lieutenant named Smith.\nNow the woman was a Greek, a Syrophoenician by race. And she besought him that he would cast forth the demon out of her daughter.\nAnd I, brethren, could not speak unto you as unto spiritual, but as unto carnal, as unto babes in Christ.\nBeing therefore by the right hand of God exalted, and having received of the Father the promise of the Holy Spirit, he hath poured forth this, which ye see and hear.\nAnd I, being perplexed how to inquire concerning these things, asked whether he would go to Jerusalem and there be judged of these matters.\nAfter that, right through until dawn, the younger representatives came and went.\nThis might be regarded as contributing some what to their resources in that respect.\nBeloved, no new commandment write I unto you, but an old commandment which ye had from the beginning: the old commandment is the word which ye heard.\nwhere they crucified him, and with him two others, on either side one, and Jesus in the midst.\n“Run downhill!” suggested the cows.\nand not for the nation only, but that he might also gather together into one the children of God that are scattered abroad.\nthat I may know him, and the power of his resurrection, and the fellowship of his sufferings, becoming conformed unto his death;\nBut Jesus no more answered anything; insomuch that Pilate marvelled.\nA child would lay her head down to be petted and the old woman would stroke her hair with that deadly spear finger.\nWhen they pulled into the Fair Grounds, they could hear music and see the Ferris wheel turning in the sky.\nAnd casting off the anchors, they left them in the sea, at the same time loosing the bands of the rudders; and hoisting up the foresail to the wind, they made for the beach.\nWith many other exhortations therefore preached he good tidings unto the people;\nAnd if so be that he find it, verily I say unto you, he rejoiceth over it more than over the ninety and nine which have not gone astray.\nThese have one mind, and they give their power and authority unto the beast.\nAnd they were all amazed, and were perplexed, saying one to another, What meaneth this?\nbut whoso keepeth his word, in him verily hath the love of God been perfected. Hereby we know that we are in him:\nAnd I myself also am persuaded of you, my brethren, that ye yourselves are full of goodness, filled with all knowledge, able also to admonish one another.\nIt was a bad time of year to be a fugitive living off the land.\nAnd they departed quickly from the tomb with fear and great joy, and ran to bring his disciples word.\nfor he had healed many; insomuch that as many as had plagues pressed upon him that they might touch him.\nand the third day they cast out with their own hands the tackling of the ship.\nAnd he said unto her, What wouldest thou? She saith unto him, Command that these my two sons may sit, one on thy right hand, and one on thy left hand, in thy kingdom.\n“I pledge mine,” said Joy.\nAnd when they were gone up into the boat, the wind ceased.\n“You’re going with me, aren’t you, Charlotte?” he said.\nNow is the judgment of this world: now shall the prince of this world be cast out.\nHe said therefore again unto them, I go away, and ye shall seek me, and shall die in your sin: whither I go, ye cannot come.\nAnd when he was at the place, he said unto them, Pray that ye enter not into temptation.\nThe beast hissed menacingly and thrashed around, its great maw gaping.\nThat night, I told the boys to toss out their charred cabbage.\nShadows lengthened.\nCome, see a man, who told me all things that ever I did: can this be the Christ?\n“That remains to be seen.\nAnd their eyes were opened, and they knew him; and he vanished out of their sight.\nAnd behold, there was before him a certain man that had the dropsy.\nDry dead laurel leaves under his hands and knees and feet were thick as nutshells.\nAnd the robbers also that were crucified with him cast upon him the same reproach.\nFor, He that would love life, And see good days, Let him refrain his tongue from evil, And his lips that they speak no guile:\n“You wait! ” said Mrs. Arable.\nAll things have been delivered unto me of my Father: and no one knoweth who the Son is, save the Father; and who the Father is, save the Son, and he to whomsoever the Son willeth to reveal him.\nAnd the only reason for her death was that Indians had sided with the English, and the English had lost.\nNo servant can serve two masters: for either he will hate the one, and love the other; or else he will hold to one, and despise the other. Ye cannot serve God and mammon.\nShe closed the carton carefully.\nBut her father was firm about it.\nAnd when he opened the fifth seal, I saw underneath the altar the souls of them that had been slain for the word of God, and for the testimony which they held:\nthe son of Methuselah, the son of Enoch, the son of Jared, the son of Mahalaleel, the son of Cainan,\nAnd the men that held Jesus mocked him, and beat him.\nBut whosoever shall deny me before men, him will I also deny before my Father who is in heaven.\nand that every tongue should confess that Jesus Christ is Lord, to the glory of God the Father.\nAnd I heard the angel of the waters saying, Righteous art thou, who art and who wast, thou Holy One, because thou didst thus judge:\nAnd it had fallen on Charley to make the call for all of them. It was a weight shifted onto him by reason of age alone, for he knew he had no particular wisdom left in him.\nAround the first of July, the work horses were hitched to the mowing machine, and Mr. Zuckerman climbed into the seat and drove into the field.\nAnd when he learned it of the centurion, he granted the corpse to Joseph.\nFor if a man thinketh himself to be something when he is nothing, he deceiveth himself.\nHunters had reported to him that people were hiding somewhere up among the highest mountains, starving and cold and sick. Lichen’s bunch.\nwith all prayer and supplication praying at all seasons in the Spirit, and watching thereunto in all perseverance and supplication for all the saints,\nAnd Jesus answered and said unto them, Verily I say unto you, If ye have faith, and doubt not, ye shall not only do what is done to the fig tree, but even if ye shall say unto this mountain, Be thou taken up and cast into the sea, it shall be done.\nHe didn’t know a thing about them and did not ever care to know.\nBut let him ask in faith, nothing doubting: for he that doubteth is like the surge of the sea driven by the wind and tossed.\nWhen he finally got to the head, he broke it off and put it in his mouth and worked it around for quite some time like he was gumming tobacco.\nI indeed baptize you in water unto repentance: but he that cometh after me is mightier than I, whose shoes I am not worthy to bear: he shall baptize you in the Holy Spirit and in fire:\n“What is that nifty little thing?\n“Look at this!”\nEven so ye also, when ye see these things coming to pass, know ye that the kingdom of God is nigh.\nI’d take it as a favor if you’d lap that blanket shut before you turn around, the Charleston boy said.\nWherefore, my brethren, desire earnestly to prophesy, and forbid not to speak with tongues.\nAnd it came to pass, while they were perplexed thereabout, behold, two men stood by them in dazzling apparel:\nThat afternoon, when the wind had died down and the barnyard was quiet and warm, the grey goose led her seven goslings off the nest and out into the world.\nLook at all the fish around us.\nBlessed are ye that hunger now: for ye shall be filled. Blessed are ye that weep now: for ye shall laugh.\nIf any man’s work shall abide which he built thereon, he shall receive a reward.\nAnd we know that the Son of God is come, and hath given us an understanding, that we know him that is true, and we are in him that is true, even in his Son Jesus Christ. This is the true God, and eternal life.\nThe sisters therefore sent unto him, saying, Lord, behold, he whom thou lovest is sick.\nAnd he saith unto them, Let us go elsewhere into the next towns, that I may preach there also; for to this end came I forth.\nSo that the law is holy, and the commandment holy, and righteous, and good.\nBy faith Joseph, when his end was nigh, made mention of the departure of the children of Israel; and gave commandment concerning his bones.\nIt took them the better part of two months to make the journey back to the Nation, because they paused on the way in New York City to watch a few plays and in Washington City to go to parties attended by members of both houses of Congress.\nEvery valley shall be filled, And every mountain and hill shall be brought low; And the crooked shall become straight, And the rough ways smooth;\nHe was a half-blood and lived on the outskirts of our land.\nBook me a cabin to the fore, then.\nMe and Will can save us.\nAnd into whatsoever house ye shall enter, first say, Peace be to this house.\nBut some of them went away to the Pharisees, and told them the things which Jesus had done.\nHe that loveth me not keepeth not my words: and the word which ye hear is not mine, but the Father’s who sent me.\nfor then shall be great tribulation, such as hath not been from the beginning of the world until now, no, nor ever shall be.\nFern took no notice of the others in the bus. She just sat and stared out of the window, thinking what a blissful world it was and how lucky she was to have entire charge of a pig.\nThe old sheep spoke to him about his size one day.\nI know a man in Christ, fourteen years ago (whether in the body, I know not; or whether out of the body, I know not; God knoweth), such a one caught up even to the third heaven.\nHe would have felt lonely and homesick, had Charlotte not been with him.\n“I’m not going to spend all my time fetching and carrying.\nAnd the king rose up, and the governor, and Bernice, and they that sat with them:\nHereby know ye the Spirit of God: every spirit that confesseth that Jesus Christ is come in the flesh is of God:\nPilate therefore said unto him, Art thou a king then? Jesus answered, Thou sayest that I am a king. To this end have I been born, and to this end am I come into the world, that I should bear witness unto the truth. Every one that is of the truth heareth my voice.\nAnd with many such parables spake he the word unto them, as they were able to hear it;\nand saith unto them, Go your way into the village that is over against you: and straightway as ye enter into it, ye shall find a colt tied, whereon no man ever yet sat; loose him, and bring him.\nThen he poureth water into the basin, and began to wash the disciples’ feet, and to wipe them with the towel wherewith he was girded.\nFor to this end we labor and strive, because we have our hope set on the living God, who is the Saviour of all men, specially of them that believe.\nMr. Zuckerman had the best swing in the county.\nAnd they set up over his head his accusation written, THIS IS JESUS THE KING OF THE JEWS.\nAnd this gospel of the kingdom shall be preached in the whole world for a testimony unto all the nations; and then shall the end come.\nAnd it came to pass, when he went into the house of one of the rulers of the Pharisees on a sabbath to eat bread, that they were watching him.\nAnd he said to him also that had bidden him, When thou makest a dinner or a supper, call not thy friends, nor thy brethren, nor thy kinsmen, nor rich neighbors; lest haply they also bid thee again, and a recompense be made thee.\nThis is what they do when they put on shoes, said Wolf, nearly crying\n“Charlotte never fibs.\nThe goose shouted to the nearest cow that Wilbur was free, and soon all the cows knew.\naccounting that God is able to raise up, even from the dead; from whence he did also in a figure receive him back.\nOf the tribe of Zebulun twelve thousand; Of the tribe of Joseph twelve thousand; Of the tribe of Benjamin were sealed twelve thousand.\nPerhaps, Private Perry, you might build the woodpile a bit higher before dark.\n“Thank you, thank you, thank you!” said the goose, nodding and bowing shamelessly.\nWhosoever believeth that Jesus is the Christ is begotten of God: and whosoever loveth him that begat loveth him also that is begotten of him.\nMight have been that your horse wheeled and bolted as you were trying to unholster your pistol.\nLong curved claws the color of charcoal for his grandchildren to auger holes through and string into necklaces and keep as relics to remember Charley, evidence of his existence long after he was gone.\nNow what about your other foot?\nWilbur hesitated a moment, then jumped out into the air.\nwhich he wrought in Christ, when he raised him from the dead, and made him to sit at his right hand in the heavenly places,\n“You may have the egg.\nyea, I beseech you, that I may not when present show courage with the confidence wherewith I count to be bold against some, who count of us as if we walked according to the flesh.\nAnd from the days of John the Baptist until now the kingdom of heaven suffereth violence, and men of violence take it by force.\nAt which point the men righteously objected and drew their hidden hatchets.\nAnd the soldiers led him away within the court, which is the Prætorium; and they call together the whole band.\nand because he was of the same trade, he abode with them, and they wrought; for by their trade they were tentmakers.\nand Andrew, and Philip, and Bartholomew, and Matthew, and Thomas, and James the son of Alphæus, and Thaddæus, and Simon the Cananæan,\nGood morning!\n“Charlotte,” he moaned.\nI say unto you, that unto every one that hath shall be given; but from him that hath not, even that which he hath shall be taken away from him.\nAnd when the chief Shepherd shall be manifested, ye shall receive the crown of glory that fadeth not away.\nFor I am jealous over you with a godly jealousy: for I espoused you to one husband, that I might present you as a pure virgin to Christ.\nWherefore judge nothing before the time, until the Lord come, who will both bring to light the hidden things of darkness, and make manifest the counsels of the hearts; and then shall each man have his praise from God.\nAnd they platted a crown of thorns and put it upon his head, and a reed in his right hand; and they kneeled down before him, and mocked him, saying, Hail, King of the Jews!\nIt's a little service I throw in.”\n“Look,” he began in his sharp voice, “you say you have seven goslings.\nAnd he that falleth on this stone shall be broken to pieces: but on whomsoever it shall fall, it will scatter him as dust.\nBlessed are they that mourn: for they shall be comforted.\nHe dropped to his knees and uttered a short prayer.\nWilbur heard the words of praise.\nLook at you!\nand upon her forehead a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF THE HARLOTS AND OF THE ABOMINATIONS OF THE EARTH.\nAnd to the angel of the church in Sardis write: These things saith he that hath the seven Spirits of God, and the seven stars: I know thy works, that thou hast a name that thou livest, and thou art dead.\nAnd Jesus said, For judgment came I into this world, that they that see not may see; and that they that see may become blind.\nBut I say unto you, it shall be more tolerable for Tyre and Sidon in the day of judgment, than for you.\nAnd the four and twenty elders, who sit before God on their thrones, fell upon their faces and worshipped God,\nOn the morrow the multitude that stood on the other side of the sea saw that there was no other boat there, save one, and that Jesus entered not with his disciples into the boat, but that his disciples went away alone\nAnd then if any man shall say unto you, Lo, here is the Christ; or, Lo, there; believe it not:\nWatch and pray, that ye enter not into temptation: the spirit indeed is willing, but the flesh is weak.\nI said, Well, I do wear shoes and can count to twenty with them on and everything, but there are lots of chiefs.\nIn your patience ye shall win your souls.\nBut when the king came in to behold the guests, he saw there a man who had not on a wedding-garment:\nWilbur looked up.\nAnd he taketh with him Peter and James and John, and began to be greatly amazed, and sore troubled.\nThis morning each thin strand was decorated with dozens of tiny beads of water.\nTempleton had quit work and gone off somewhere on an errand.\nAnd they said unto him, The disciples of John fast often, and make supplications; likewise also the disciples of the Pharisees; but thine eat and drink.\nAnnas therefore sent him bound unto Caiaphas the high priest.\nThere wasn’t time to say anything.\nWe must work the works of him that sent me, while it is day: the night cometh, when no man can work.\nWatch therefore: for ye know not on what day your Lord cometh.\nAnd when the Pharisee saw it, he marvelled that he had not first bathed himself before dinner.\nAnd in that day ye shall ask me no question. Verily, verily, I say unto you, If ye shall ask anything of the Father, he will give it you in my name.\nThe next day was foggy.\nHe had never actually seen it done.\nand he saith unto them, It is written, My house shall be called a house of prayer: but ye make it a den of robbers.\nXX:The Hour of Triumph\nThe younger men—Lowan and George, Jake, and the boy Wasseton—wore brown felt hats, and old Charley had on a white headcloth tied in a band around his forehead.\nOr the big cleared fields planted with indigo or cotton, their dizzying furrows running in converging lines to a distant flat horizon unlike any I had ever seen before.\nAnd the disciples did as Jesus appointed them; and they made ready the passover.\nAnd he left them, and went forth out of the city to Bethany, and lodged there.\nNicodemus answered and said unto him, How can these things be?\nAnd Joseph took the body, and wrapped it in a clean linen cloth,\nThe bear did not charge but made a single plosive utterance, a huff.\nBut by the grace of God I am what I am: and his grace which was bestowed upon me was not found vain; but I labored more abundantly than they all: yet not I, but the grace of God which was with me.\nAnd the day of unleavened bread came, on which the passover must be sacrificed.\nEven now, when Bear wanted to cut a dash for children, he sometimes exhibited the parallel welted scars across his back and ribs where the claws had scored him to the bone in their last embrace.\nAnd they had then a notable prisoner, called Barabbas.\nThat was freedom.\n“Please come with me!” begged Wilbur.\n“Slowly, slowly. said Charlotte.\nThey took Jesus therefore: and he went out, bearing the cross for himself, unto the place called The place of a skull, which is called in Hebrew Golgotha:\nAnd Pilate said unto them, Why, what evil hath he done? But they cried out exceedingly, Crucify him.\nAgain therefore Jesus spake unto them, saying, I am the light of the world: he that followeth me shall not walk in the darkness, but shall have the light of life.\nYou will live, secure and safe, Wilbur.\nFor if Joshua had given them rest, he would not have spoken afterward of another day.\nMother, wouldn’t you simply love to do that?”\nWhat then is my reward? That, when I preach the gospel, I may make the gospel without charge, so as not to use to the full my right in the gospel.\nand crying out with a loud voice, he saith, What have I to do with thee, Jesus, thou Son of the Most High God? I adjure thee by God, torment me not.\nEven as Abraham believed God, and it was reckoned unto him for righteousness.\nAnd he saith unto them, Whose is this image and superscription?\nBut solid food is for fullgrown men, even those who by reason of use have their senses exercised to discern good and evil. \nFor I am the least of the apostles, that am not meet to be called an apostle, because I persecuted the church of God.\nBut she also looks at something you might not notice -- soil.\nNo man can serve two masters: for either he will hate the one, and love the other; or else he will hold to one, and despise the other. Ye cannot serve God and mammon.\nWay down the cove they could hear a long cackling laugh.\nBut did you know, from this day on - a legend it may well be - But once a year at a certain time we honor the evergreen tree.\nthe son of Matthat, the son of Levi, the son of Melchi, the son of Jannai, the son of Joseph,\nAnd call no man your father on the earth: for one is your Father, even he who is in heaven.\nAnd all things, whatsoever ye shall ask in prayer, believing, ye shall receive.\nFor, He put all things in subjection under his feet. But when he saith, All things are put in subjection, it is evident that he is excepted who did subject all things unto him.\nUp we go!\nthen he appeared to above five hundred brethren at once, of whom the greater part remain until now, but some are fallen asleep;\nRebuke not an elder, but exhort him as a father; the younger men as brethren:\nand Simon he surnamed Peter;\nBy that point in the night, all the other officers had wandered back down the hill.\nI dare say my trick will work and Wilbur’s life can be saved.\nBut when ye see Jerusalem compassed with armies, then know that her desolation is at hand.\n“Then my name is Joy,” said the first spider.\nBut Peter arose, and ran unto the tomb; and stooping and looking in, he seeth the linen cloths by themselves; and he departed to his home, wondering at that which was come to pass.\nin the highpriesthood of Annas and Caiaphas, the word of God came unto John the son of Zacharias in the wilderness.\nAnd it came to pass in those days, that Jesus came from Nazareth of Galilee, and was baptized of John in the Jordan.\nThen one morning we rode up unexpectedly on sixteen fugitives camped right out in the open by the river with no apparent thought to concealment.\nAnd he suffered no man to follow with him, save Peter, and James, and John the brother of James.\nAnd then when he was done, he reached in a finger and pulled out a bare little skull and showed it cupped in his palm like it was a fine achievement, his own creation worthy of favorable comment.\nand he said unto them, Did ye receive the Holy Spirit when ye believed? And they said unto him, Nay, we did not so much as hear whether the Holy Spirit was given.\nWherefore, my brethren, when ye come together to eat, wait one for another.\nCircumcision is nothing, and uncircumcision is nothing; but the keeping of the commandments of God.\nFor he must reign, till he hath put all his enemies under his feet.\nShe was about the size of a gumdrop.\nAnd other fell on the rocky ground, where it had not much earth; and straightway it sprang up, because it had no deepness of earth:\nWilbur heard the trill of the tree toad and the occasional slamming of the kitchen door.\nWhen a small fly blundered into the web, just beyond the word “pig,” Charlotte dropped quickly down, rolled the fly up, and carried it out of the way.\neven as the Son of man came not to be ministered unto, but to minister, and to give his life a ransom for many.\nThe Green Man laid down all these conditions, and God offered no additional opinions on his own but just kicked his bare feet against the air and pulled at the leaves of the man’s tunic and looked around as if seeing everything he had made for the first time, and his attitude was one of surprise and delight.\n“Stop showing off!”\nHe said therefore, Unto what is the kingdom of God like? and whereunto shall I liken it?\nFor there is no good tree that bringeth forth corrupt fruit; nor again a corrupt tree that bringeth forth good fruit.\n“Pig, pig!” said Mr. Zuckerman in a kind voice, and began walking slowly toward the barnyard, looking all about him innocently, as if he didn’t know that a little white pig was following along behind him.\nBut ye, beloved, building up yourselves on your most holy faith, praying in the Holy Spirit,\nShe said, You might consider just letting people think a chief is whatever they imagine it to be without further correction.\nFor neither at any time were we found using words of flattery, as ye know, nor a cloak of covetousness, God is witness;\nHe swam closer and watched leaves and small twigs float down the hole.\nHe set about peeling and slicing them and brewing a pot of bitter tea the color of strong urine.\nYou can hear them now.”\nPeter saith unto him, Lord, why cannot I follow thee even now? I will lay down my life for thee.\nHasp and staple, collar and hames.\nWhen Templeton got back from the dump, around midnight, the spider was still at work.\nthe son of Symeon, the son of Judas, the son of Joseph, the son of Jonam, the son of Eliakim,\nThe sower went forth to sow his seed: and as he sowed, some fell by the way side; and it was trodden under foot, and the birds of the heaven devoured it.\nfor God is not unrighteous to forget your work and the love which ye showed toward his name, in that ye ministered unto the saints, and still do minister.\nWilbur heard them coming and got up.\nFor he whom God hath sent speaketh the words of God: for he giveth not the Spirit by measure.\nBut always two or three stayed and set up housekeeping in the doorway.\nAnd straightway all the multitude, when they saw him, were greatly amazed, and running to him saluted him.\nBecause thou didst keep the word of my patience, I also will keep thee from the hour of trial, that hour which is to come upon the whole world, to try them that dwell upon the earth.\nI want you to get plenty of sleep, and stop worrying.\nHe must have been as tall and as strong as these trees.\nand by reason thereof is bound, as for the people, so also for himself, to offer for sins.\nAnd when he cometh home, he calleth together his friends and his neighbors, saying unto them, Rejoice with me, for I have found my sheep which was lost.\nIt’s a lovely evening.”\nGod forbid: yea, let God be found true, but every man a liar; as it is written, That thou mightest be justified in thy words, And mightest prevail when thou comest into judgment.\nAnd I saw, and behold, a pale horse: and he that sat upon him, his name was Death; and Hades followed with him. And there was given unto them authority over the fourth part of the earth, to kill with sword, and with famine, and with death, and by the wild beasts of the earth.\nFern and Avery climbed into the truck and lay down.\nIt is quite possible that an animal has spoken civilly to me and that I didn’t catch the remark because I wasn’t paying attention.\nBut if I by the Spirit of God cast out demons, then is the kingdom of God come upon you.\nMr. Zuckerman took off his cap and bowed.\nOr how can one enter into the house of the strong man, and spoil his goods, except he first bind the strong man? and then he will spoil his house.\nIt had been a narrow escape.\nWere there none found that returned to give glory to God, save this stranger?\nI would like you to have my first apple.\nTogether they studied the soap ad.\nAnd they were not able to withstand the wisdom and the Spirit by which he spake.\nLet none be enrolled as a widow under threescore years old, having been the wife of one man,\n“Do they taste good?”\nAnd John bare witness, saying, I have beheld the Spirit descending as a dove out of heaven; and it abode upon him.\nAnd they that passed by railed on him, wagging their heads, and saying, Ha! thou that destroyest the temple, and buildest it in three days,\nAnd I saw coming out of the mouth of the dragon, and out of the mouth of the beast, and out of the mouth of the false prophet, three unclean spirits, as it were frogs:\nand shall come forth; they that have done good, unto the resurrection of life; and they that have done evil, unto the resurrection of judgment.\nOne day, drinking in the lounge of the Queen, Crockett noted that there had been a withering attack on him in one of the morning papers.\nCharley went at a near trot, bent double to look for fading sign.\nLittlefish was afraid but swam up to it anyway and said, Hello, I am called Littlefish and I have never seen a fish like you.\nShove!”\nthe son of Jesus, the son of Eliezer, the son of Jorim, the son of Matthat, the son of Levi,\nEach spring there were new little spiders hatching out to take the place of the old.\nAnd now, behold, I know that ye all, among whom I went about preaching the kingdom, shall see my face no more.\nwho, existing in the form of God, counted not the being on an equality with God a thing to be grasped,\n“So it’s old Templeton to the rescue again, is it?\nNow he was highly displeased with them of Tyre and Sidon: and they came with one accord to him, and, having made Blastus the king’s chamberlain their friend, they asked for peace, because their country was fed from the king’s country.\nHaving promised Wilbur that she would save his life, she was determined to keep her promise.\nThe nutrients from the snake are becoming part of the soil.\nbecause for the work of Christ he came nigh unto death, hazarding his life to supply that which was lacking in your service toward me. \nAnd it was given unto him to give breath to it, even to the image of the beast, that the image of the beast should both speak, and cause that as many as should not worship the image of the beast should be killed.\nHis young clerks traded right by the stockade, where they were penned until the cart they sold from was ordered to be confiscated.\nI press on toward the goal unto the prize of the high calling of God in Christ Jesus.\nBusted all to fuck, he said.\nJust before they left the pigpen, Mr. Zuckerman took one last look at Wilbur.\nThe bishop therefore must be without reproach, the husband of one wife, temperate, sober-minded, orderly, given to hospitality, apt to teach;\nFor every one that exalteth himself shall be humbled; and he that humbleth himself shall be exalted.\nI loved the old man and would do anything for him, and also I believed that Bear’s people had as much right to decide where they cared to live as anybody else.\nAnd they began to question among themselves, which of them it was that should do this thing.\nAnd after they had spent some time there, they were dismissed in peace from the brethren unto those that had sent them forth.\nHumble yourselves in the sight of the Lord, and he shall exalt you.\neven so, being affectionately desirous of you, we were well pleased to impart unto you, not the gospel of God only, but also our own souls, because ye were become very dear to us.\nHe looked out the window for a minute of deep contemplation and then, all at one fast swoop, said, During the period of detention, this Cooper sold the Indians popskull liquor at prices that would buy a whiteman bonded Tennessee whiskey.\nThe children were hot and dirty.\nFor the grace of God hath appeared, bringing salvation to all men,\nInfluential Chiefs and some white residents among them, stimulated by sordid views and either feeling or pretending to feel for their situation encourage every proposition adverse to their own true interest and the wishes of the U.S. Government.\nand came and dwelt in a city called Nazareth; that it might be fulfilled which was spoken through the prophets, that he should be called a Nazarene. \nHe noticed that something was wrong with the pig.\nAnd he said unto him, Arise, and go thy way: thy faith hath made thee whole.\nMy love be with you all in Christ Jesus. Amen.\nThere cometh a woman of Samaria to draw water: Jesus saith unto her, Give me to drink.\nwe are pressed on every side, yet not straitened; perplexed, yet not unto despair;\nHe sat drafting his report atop a little folding table, and the ground at his feet was littered with balled sheets of paper.\nbut unto them that are factious, and obey not the truth, but obey unrighteousness, shall be wrath and indignation,\nand sent forth his servants to call them that were bidden to the marriage feast: and they would not come.\nBy faith Jacob, when he was dying, blessed each of the sons of Joseph; and worshipped, leaning upon the top of his staff.\nBut the boat was now in the midst of the sea, distressed by the waves; for the wind was contrary.\nWhen Mr. Zuckerman reached the pigpen, he climbed over the fence and poured the slops into the trough. Then he pulled the loose board away from the fence, so that there was a wide hole for Wilbur to walk through.\nSpearfinger the Monster.\nBut if any of you lacketh wisdom, let him ask of God, who giveth to all liberally and upbraideth not; and it shall be given him.\nFor if a woman is not veiled, let her also be shorn: but if it is a shame to a woman to be shorn or shaven, let her be veiled.\n“Charlotte?” he said.\nArt thou not then the Egyptian, who before these days stirred up to sedition and led out into the wilderness the four thousand men of the Assassins?\nHe that loveth father or mother more than me is not worthy of me; and he that loveth son or daughter more than me is not worthy of me.\nthat ye may eat and drink at my table in my kingdom; and ye shall sit on thrones judging the twelve tribes of Israel.\nThough Bear and I had sat up late nights for years planning the future—hoping and despairing over it, resolving to fight against it all we could—most of the people didn’t at all understand what immediate threat of losing their homeland they now lived under.\nBut this I say, brethren, the time is shortened, that henceforth both those that have wives may be as though they had none;\nAnd after he had taken leave of them, he departed into the mountain to pray.\nand Salmon begat Boaz of Rahab; and Boaz begat Obed of Ruth; and Obed begat Jesse;\n“Oh, no,” said Zuckcrman.\nbut in the days of the voice of the seventh angel, when he is about to sound, then is finished the mystery of God, according to the good tidings which he declared to his servants the prophets.\nWork not for the food which perisheth, but for the food which abideth unto eternal life, which the Son of man shall give unto you: for him the Father, even God, hath sealed.\nFor he received from God the Father honor and glory, when there was borne such a voice to him by the Majestic Glory, This is my beloved Son, in whom I am well pleased:\nAnd the gander opened his strong wings and beat the air with them to show his power.\nThen released he unto them Barabbas; but Jesus he scourged and delivered to be crucified.\nThe dog kept barking fiercely.\nAnd I say unto you, Make to yourselves friends by means of the mammon of unrighteousness; that, when it shall fail, they may receive you into the eternal tabernacles.\nYour pants are coming down.”\n“What’s wrong?” asked the loud speaker.\nAnd he appointed twelve, that they might be with him, and that he might send them forth to preach,\nBut to you I say, to the rest that are in Thyatira, as many as have not this teaching, who know not the deep things of Satan, as they are wont to say; I cast upon you none other burden.\nAlright, said Wolf, barely.\nWe sprawled on the broad river rocks at noon, and the sun scalded our buttocks as in days of yesteryear.\nbut contrariwise, when they saw that I had been intrusted with the gospel of the uncircumcision, even as Peter with the gospel of the circumcision\n(for he that wrought for Peter unto the apostleship of the circumcision wrought for me also unto the Gentiles);\nFor when one saith, I am of Paul; and another, I am of Apollos; are ye not men?\nthat the God of our Lord Jesus Christ, the Father of glory, may give unto you a spirit of wisdom and revelation in the knowledge of him;\nCharley’s fire would have fit in his pair of hands, and when it began dying he covered it with dirt, for it is a bad and unbalancing thing to put out fires with water.\nFor I reckon that the sufferings of this present time are not worthy to be compared with the glory which shall be revealed to us-ward.\nThen saith he to the man, Stretch forth thy hand. And he stretched it forth; and it was restored whole, as the other.\nAnd when he was accused by the chief priests and elders, he answered nothing.\nor unto governors, as sent by him for vengeance on evil-doers and for praise to them that do well.\nJust watch what you're doing, Mr. Radiant, when they get shoving you in!”\n“I’m back here,” she answered.\nAnd they put forward two, Joseph called Barsabbas, who was surnamed Justus, and Matthias.\nAnd it came to pass, when he had sat down with them to meat, he took the bread and blessed; and breaking it he gave to them.\nAnd I felt like there was something following close behind me.\n“I'm a doctor.\nAnd behold, two blind men sitting by the way side, when they heard that Jesus was passing by, cried out, saying, Lord, have mercy on us, thou son of David.\n“Hurry up, Templeton!”\nAnd the eunuch answered Philip, and said, I pray thee, of whom speaketh the prophet this? of himself, or of some other?\nhaving been buried with him in baptism, wherein ye were also raised with him through faith in the working of God, who raised him from the dead.\nFor behold, the days are coming, in which they shall say, Blessed are the barren, and the wombs that never bare, and the breasts that never gave suck.\nExcept for the goose herself, Charlotte was the first to know that the goslings had at last arrived.\nand is divided. So also the woman that is unmarried and the virgin is careful for the things of the Lord, that she may be holy both in body and in spirit: but she that is married is careful for the things of the world, how she may please her husband.\nAnd Pilate, wishing to content the multitude, released unto them Barabbas, and delivered Jesus, when he had scourged him, to be crucified.\nAll I could say was that the ball remained in play.\nBut love your enemies, and do them good, and lend, never despairing; and your reward shall be great, and ye shall be sons of the Most High: for he is kind toward the unthankful and evil.\nWhen Pilate therefore heard this saying, he was the more afraid;\n“You’re getting your pie on you,” said Fern.\nNow to Abraham were the promises spoken, and to his seed. He saith not, And to seeds, as of many; but as of one, And to thy seed, which is Christ.\nDon't pay any attention to him, Wilbur! \nIt was arranged so that you could swing without being pushed.\nFor we did not follow cunningly devised fables, when we made known unto you the power and coming of our Lord Jesus Christ, but we were eyewitnesses of his majesty.\nand this, not as we had hoped, but first they gave their own selves to the Lord, and to us through the will of God.\nto the end that ye should walk worthily of God, who calleth you into his own kingdom and glory.\nWherefore also it was reckoned unto him for righteousness.\n“I’m sitting- sitting on my eggs.\nAnd Jesus looked round about, and saith unto his disciples, How hardly shall they that have riches enter into the kingdom of God!\nAnd seeing a fig tree afar off having leaves, he came, if haply he might find anything thereon: and when he came to it, he found nothing but leaves; for it was not the season of figs.\nEveryone but Charley stood off in the trees and waited.\nthat he might redeem them that were under the law, that we might receive the adoption of sons.\nAnd they were bringing unto him little children, that he should touch them: and the disciples rebuked them.\nAnd they were more than forty that made this conspiracy.\nfor the Holy Spirit shall teach you in that very hour what ye ought to say.\nThe youngest boy was named Wasseton in honor of the first president, and he led a little small-boned packhorse loaded with a lumpy burden of food and pots and blankets.\nhaving the glory of God: her light was like unto a stone most precious, as it were a jasper stone, clear as crystal:\n“Well,” said Charlotte, “you and I lead different lives.\nDecomposers break dead things down into soil.\nHe wished he had a great double-barreled gun as long as he was tall with which to kill whoever he could until they overwhelmed him.\n(As he spake by the mouth of his holy prophets that have been from of old),\nWhen I knew him, he was a figure of folklore; it took the Alamo to elevate him all the way to myth.\nAnd his disciples came, and took up the corpse, and buried him; and they went and told Jesus.\nBut how do dead plants and animals become soil?\nThe whites of the colonel’s eyes were the color of the suet, and he looked at me a long time before saying, How did it ever occur to me to send you two out together?\nI started to remind Smith that I was not under his command and had not taken a cent in pay from the Government and would do as I pleased and call my own orders.\nThe Son of man shall send forth his angels, and they shall gather out of his kingdom all things that cause stumbling, and them that do iniquity,\nand when they found not his body, they came, saying, that they had also seen a vision of angels, who said that he was alive.\nIn that place, worms never die, and the fire is never put out.\nand cried out as they looked upon the smoke of her burning, saying, What city is like the great city?\nRemember Jesus Christ, risen from the dead, of the seed of David, according to my gospel:\nAnd Jesus answered and said unto them, Go and tell John the things which ye hear and see:\nLike Fern, she was truly fond of Wilbur, whose smelly pen and stale food attracted the flies that she needed,  and she was proud to see that he was not a quitter and was willing to try again to spin a web.\nAnd it was so, that the father of Publius lay sick of fever and dysentery: unto whom Paul entered in, and prayed, and laying his hands on him healed him.\nthis man went to Pilate, and asked for the body of Jesus.\nAnd the first went, and poured out his bowl into the earth; and it became a noisome and grievous sore upon the men that had the mark of the beast, and that worshipped his image.\nAnd he also that received the two talents came and said, Lord, thou deliveredst unto me two talents: lo, I have gained other two talents.\nYou’re a man with payments.\nAnd a second like unto it is this, Thou shalt love thy neighbor as thyself.\nif so be that ye have heard of the dispensation of that grace of God which was given me to you-ward;\nThe officers drank all the Moët’s and Macallan’s Scotch that could be kept coming by the wagonload up the roads from Charleston.\nAnd that is also why I did not arrive at the killing ground until the morning after and had to piece together what happened from the sign on the ground.\n I'll wait until it is morning, then I'll go, he thought, feeling bold.\nFor it were better for them not to have known the way of righteousness, than, after knowing it, to turn back from the holy commandment delivered unto them.\nNot at all lonely.”\nAnd he questioned him in many words; but he answered him nothing.\nfor with the heart man believeth unto righteousness; and with the mouth confession is made unto salvation.\nAnd he said, I tell thee, Peter, the cock shall not crow this day, until thou shalt thrice deny that thou knowest me.\nIf you’re going to water it down, you might as well be drinking the piss Welch sells at the tavern.\nThe Commandments were, as always, especially favorable to the rulers.\nand that he might make known the riches of his glory upon vessels of mercy, which he afore prepared unto glory,\nWhen they got there Charlie gave a warning shout.\nAnd it came to pass on one of those days, that he was teaching; and there were Pharisees and doctors of the law sitting by, who were come out of every village of Galilee and Judæa and Jerusalem: and the power of the Lord was with him to heal.\nand their word will eat as doth a gangrene: of whom is Hymenæus and Philetus;\nAnd might have been that if I’d come along with you I could have said something that would have mattered.\nYea and thou, child, shalt be called the prophet of the Most High: For thou shalt go before the face of the Lord to make ready his ways;\nNow this man had four virgin daughters, who prophesied.\nFern bit into a raspberry that had a bad-tasting bug inside it, and got discouraged.\nwhose end is perdition, whose god is the belly, and whose glory is in their shame, who mind earthly things.\nFern was happy, for she felt that Charlotte’s trick was working and that Wilbur’s life would be saved.\nThe boy took two strips of deer jerky from a pouch and reached them to Charley.\nEverybody keep quiet while I put the matter up to him!”\nThen, when Mrs. Arable complained, he was moved to a bigger box in the woodshed.\nVerily, verily, I say unto you, He that entereth not by the door into the fold of the sheep, but climbeth up some other way, the same is a thief and a robber.\nTalk it up, geese!”\nFor the Son of man indeed goeth, as it hath been determined: but woe unto that man through whom he is betrayed!\nAnd Zacharias was troubled when he saw him, and fear fell upon him.\nAnd he gave heed unto them, expecting to receive something from them.\nAnd if any man obeyeth not our word by this epistle, note that man, that ye have no company with him, to the end that he may be ashamed.\nRepent ye therefore, and turn again, that your sins may be blotted out, that so there may come seasons of refreshing from the presence of the Lord;\nWhere their worm dieth not, and the fire is not quenched.\nAnd when all things have been subjected unto him, then shall the Son also himself be subjected to him that did subject all things unto him, that God may be all in all.\nMary therefore, when she came where Jesus was, and saw him, fell down at his feet, saying unto him, Lord, if thou hadst been here, my brother had not died.\nNevertheless I must go on my way to-day and to-morrow and the day following: for it cannot be that a prophet perish out of Jerusalem.\nAnd in the synagogue there was a man, that had a spirit of an unclean demon; and he cried out with a loud voice,\nVerily I say unto you, Whosoever shall say unto this mountain, Be thou taken up and cast into the sea; and shall not doubt in his heart, but shall believe that what he saith cometh to pass; he shall have it.\nAnd this is love, that we should walk after his commandments. This is the commandment, even as ye heard from the beginning, that ye should walk in it.\nAnd when even was come, the disciples came to him, saying, The place is desert, and the time is already past; send the multitudes away, that they may go into the villages, and buy themselves food.\nPeople suffer and die in ignorance and delusion.\nSo he reasoned in the synagogue with the Jews and the devout persons, and in the marketplace every day with them that met him.\nAnd the king was exceeding sorry; but for the sake of his oaths, and of them that sat at meat, he would not reject her.\nand chief seats in the synagogues, and chief places at feasts:\nWhat good is an apple tree that makes no apples? asked the little tree.\nFor he knew that for envy they had delivered him up.\nAnd the dragon waxed wroth with the woman, and went away to make war with the rest of her seed, that keep the commandments of God, and hold the testimony of Jesus:\nThe rat grinned.\nAnd he released him that for insurrection and murder had been cast into prison, whom they asked for; but Jesus he delivered up to their will.\nLet no man seek his own, but each his neighbor’s good.\nAnother parable set he before them, saying, The kingdom of heaven is like unto a grain of mustard seed, which a man took, and sowed in his field:\nAnd the kings of the earth, who committed fornication and lived wantonly with her, shall weep and wail over her, when they look upon the smoke of her burning,\nand madest them to be unto our God a kingdom and priests; and they reign upon the earth.\nAnd a certain ruler asked him, saying, Good Teacher, what shall I do to inherit eternal life?\n“She's got a guest for breakfast,” said Mrs. Arable.\nAnd the scripture was fulfilled, which saith, And he was numbered with the transgressors.\nIt was necessary to draw the line somewhere.\nIf a man say, I love God, and hateth his brother, he is a liar: for he that loveth not his brother whom he hath seen, cannot love God whom he hath not seen.\nAnd of course he was right.\nBrethren, I count not myself yet to have laid hold: but one thing I do, forgetting the things which are behind, and stretching forward to the things which are before,\nThey're wearing them with wider brims and rounder crowns of late.\n“No good,” said Charlotte.\nWe were buried therefore with him through baptism into death: that like as Christ was raised from the dead through the glory of the Father, so we also might walk in newness of life.\nand looking up to heaven, he sighed, and saith unto him, Ephphatha, that is, Be opened.\nwho gave himself for us, that he might redeem us from all iniquity, and purify unto himself a people for his own possession, zealous of good works.\nAnd when this sound was heard, the multitude came together, and were confounded, because that every man heard them speaking in his own language.\nLet no corrupt speech proceed out of your mouth, but such as is good for edifying as the need may be, that it may give grace to them that hear.\nBut he again denied it. And after a little while again they that stood by said to Peter, Of a truth thou art one of them; for thou art a Galilæan.\n“I don’t think there is any such thing as less than nothing.\n“No,” she replied.\n“Got a little piece of string I could borrow?” asked Wilbur.\nThere was a way about their eyes meeting, a way their hands touched in the passing of a teacup, tones of voice in speaking to each other.\nAnd they took him, and beat him, and sent him away empty.\nOne evening it had just gotten dark. I was driving back from the store going home.\nI am the Alpha and the Omega, saith the Lord God, who is and who was and who is to come, the Almighty.\nThere was a state highway about a quarter of a mile from our house, and a neighbor lived just on the other side of us, and you would see him walking these roads all the time.\nand said, What are ye willing to give me, and I will deliver him unto you? And they weighed unto him thirty pieces of silver.\nAnd when they led him away, they laid hold upon one Simon of Cyrene, coming from the country, and laid on him the cross, to bear it after Jesus.\nIt just shows what can happen if a person gets out of bed promptly. Let's eat!”\nThe former treatise I made, O Theophilus, concerning all that Jesus began both to do and to teach,\nShe climbed back up, moved over about an inch to the left, touched her spinnerets to the web, and then carried a line across to the right, forming the top of the T.\nTempleton poked his head from the straw.\nBelow the apple orchard, at the end of a path, was the dump where Mr. Zuckerman threw all sorts of trash and stuff that nobody wanted any more.\nAnd even as they refused to have God in their knowledge, God gave them up unto a reprobate mind, to do those things which are not fitting;\nThe children ate it and became all big-eyed with wonder at the taste, and the soldier boys, including the lieutenant, were not far behind in their appreciation.\n“You’ll miss your freedom,” honked the goose.\nBut Jesus turning and seeing her said, Daughter, be of good cheer; thy faith hath made thee whole. And the woman was made whole from that hour.\nThe sky seemed wider and a warm wind blew.\nSecrets are hard to keep.\nTherefore we have been comforted: and in our comfort we joyed the more exceedingly for the joy of Titus, because his spirit hath been refreshed by you all.\nBut the other disciples came in the little boat (for they were not far from the land, but about two hundred cubits off), dragging the net full of fishes.\nI Tertius, who write the epistle, salute you in the Lord.\nHe’s appealing to your stomach.”\nBuddy flew right into the limb\nAnd if thy brother sin against thee, go, show him his fault between thee and him alone: if he hear thee, thou hast gained thy brother.\nOne warm afternoon, Fern and Avery put on bathing suits and went down to the brook for a swim.\nI sliced potatoes in thin rounds and arrayed them pinwheel fashion in an iron skillet and daubed the top with butter and some more bacon slivers and lidded it and let it cook slow over grey coals until it was done.\nAnd Mary arose in these days and went into the hill country with haste, into a city of Judah;\nhe lodgeth with one Simon a tanner, whose house is by the sea side.\nThere is no fear of God before their eyes.\nAnd Pilate wrote a title also, and put it on the cross. And there was written, JESUS OF NAZARETH, THE KING OF THE JEWS.\nand when they come from the marketplace, except they bathe themselves, they eat not; and many other things there are, which they have received to hold, washings of cups, and pots, and brasen vessels.)\nMrs. Zuckerman prepared special meals for Wilbur.\nLetting constant motion stand in place of actual achievement, everything done half-assed, both tending to business and to the heart.\nWilbur was trembling again, but Charlotte was cool and collected.\nWhether therefore ye eat, or drink, or whatsoever ye do, do all to the glory of God.\nthat ye should remember the words which were spoken before by the holy prophets, and the commandment of the Lord and Saviour through your apostles:\nSimon Peter saith unto him, Lord, whither goest thou? Jesus answered, Whither I go, thou canst not follow me now; but thou shalt follow afterwards.\nBut he was determined to get in touch with his unknown friend.\nFor in the resurrection they neither marry, nor are given in marriage, but are as angels in heaven.\nhow that by revelation was made known unto me the mystery, as I wrote before in few words,\nThe lieutenant was sitting a little distance away with a candle lantern, writing up his report for the day.\nThe blacker and noisier the better.\n“Now the trouble starts,” thought Wilbur.\nEvery one that putteth away his wife, and marrieth another, committeth adultery: and he that marrieth one that is put away from a husband committeth adultery.\nBut Jesus perceiving their reasonings, answered and said unto them, Why reason ye in your hearts?\nno wallet for your journey, neither two coats, nor shoes, nor staff: for the laborer is worthy of his food.\nbut after thy hardness and impenitent heart treasurest up for thyself wrath in the day of wrath and revelation of the righteous judgment of God;\nI said, So the gist of your story is that you worry how many times during your rounds you can note knife cuts in wooden doorframes to memorialize the heights of children at various moments of infancy and still find it poignant?\nBe not ye therefore partakers with them;\nEveryone climbed in, and off they drove to the judge's booth in front of the grandstand.\nAll men and most women found her sidling manner charming in the extreme.\nNot that I have already obtained, or am already made perfect: but I press on, if so be that I may lay hold on that for which also I was laid hold on by Christ Jesus.\nI put Perry to work helping cook while the other two stood watch at the edge of camp.\nAt that time we had Bear’s thousand acres, which he owned outright, and my more extensive land, which I controlled mainly through a series of notes and IOUs as interlocked and tangled and messy as an old weathered osprey nest.\nI'll teach him, thought Rabbit.\nThe colonel touched a forefinger into the cold grey juice in his plate and then put the first joint of the finger into his mouth.\nAnd he said unto them, Take heed, and keep yourselves from all covetousness: for a man’s life consisteth not in the abundance of the things which he possesseth.\nAll the other fish called him Littlefish.\nShe doesn't like to find trash in the woods.\nhe foreseeing this spake of the resurrection of the Christ, that neither was he left unto Hades, nor did his flesh see corruption.\nVerily I say unto you, This generation shall not pass away, till all these things be accomplished.\nAnd he answereth them, and saith, Who is my mother and my brethren?\nA little leaven leaveneth the whole lump.\nAnd I saw when he opened the sixth seal, and there was a great earthquake; and the sun became black as sackcloth of hair, and the whole moon became as blood;\nand thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind, and with all thy strength.\nHe gulped and sucked, and sucked and gulped, making swishing and swooshing noises, anxious to get everything at once.\n“He’s long, and he’s smooth,” said Zuckerman.\nThe grace of our Lord Jesus Christ be with your spirit, brethren. Amen.\nThis is a picture of bacteria.\nAnd he charged us to preach unto the people, and to testify that this is he who is ordained of God to be the Judge of the living and the dead.\n“Oh, be quiet!” said the lamb.\nHe talked and we drank most of the night.\n“You know it couldn’t happen.\nFor this people’s heart is waxed gross, And their ears are dull of hearing, And their eyes they have closed; Lest haply they should perceive with their eyes, And hear with their ears, And understand with their heart, And should turn again, And I should heal them.\nThe thief cometh not, but that he may steal, and kill, and destroy: I came that they may have life, and may have it abundantly.\nAnd by the way, I've got some bad news.\nWhat do you think I am, anyway, a rat-of-all—work?”\nShe catches flies and sucks their blood.\n“No,” said her father.\nYe search the scriptures, because ye think that in them ye have eternal life; and these are they which bear witness of me;\nI said.\nI suppose the next thing you'll want me to fetch is a dictionary. \nThere isn’t a pig in the whole state that is as terrific as our pig.”\nBut it was meet to make merry and be glad: for this thy brother was dead, and is alive again; and was lost, and is found. \nShe's terribly clever.”\n“Many, many, many thanks!” they always said, when they saw food coming.\nI sent you to reap that whereon ye have not labored: others have labored, and ye are entered into their labor.\nwherefore neither thought I myself worthy to come unto thee: but say the word, and my servant shall be healed.\nI have therefore my glorying in Christ Jesus in things pertaining to God.\nI have a terrific pig.\nAnd they stripped him, and put on him a scarlet robe.\nWhen therefore the people saw the sign which he did, they said, This is of a truth the prophet that cometh into the world.\nWomen in like manner must be grave, not slanderers, temperate, faithful in all things.\nAnd when evening came, his disciples went down unto the sea;\nCome now, ye rich, weep and howl for your miseries that are coming upon you.\nWigwams and feather headdresses, maybe.\nSome therefore of them of Jerusalem said, Is not this he whom they seek to kill?\nBut wherefore went ye out? to see a prophet? Yea, I say unto you, and much more than a prophet.\nNow it came to pass, when all the people were baptized, that, Jesus also having been baptized, and praying, the heaven was opened,\nBut he had a counteroffer.\nAnd every day he was teaching in the temple; and every night he went out, and lodged in the mount that is called Olivet.\nthe lord of that servant shall come in a day when he expecteth not, and in an hour when he knoweth not,\nfor kings and all that are in high place; that we may lead a tranquil and quiet life in all godliness and gravity.\n“I have to hang around here whether I want to or not.\nHomer!\nLet such a one reckon this, that, what we are in word by letters when we are absent, such are we also in deed when we are present.\nA rotten egg is a regular stink bomb.”\n“Can I have some money?” asked Fern.\nFor he that lacketh these things is blind, seeing only what is near, having forgotten the cleansing from his old sins.\n“When do you work on it?” begged Wilbur.\nwild waves of the sea, foaming out their own shame; wandering stars, for whom the blackness of darkness hath been reserved for ever.\nthen he appeared to James; then to all the apostles;\n“Look out for Lurvy! called the cows.\n“I’ve sometimes wondered.\nThese are good spots for decomposers to hide from the sunlight.\nwhich he poured out upon us richly, through Jesus Christ our Saviour;\nWill the owner of a Pontiac car, license number H-2439, please move your car away from the fireworks shed!”\nThen shall they begin to say to the mountains, Fall on us; and to the hills, Cover us.\nHe put a sign around the tree, so no one would step on it.\nThou blind Pharisee, cleanse first the inside of the cup and of the platter, that the outside thereof may become clean also.\nAt two weeks of age, he was moved outdoors.\nNow in the fifteenth year of the reign of Tiberius Cæsar, Pontius Pilate being governor of Judæa, and Herod being tetrarch of Galilee, and his brother Philip tetrarch of the region of Ituræa and Trachonitis, and Lysanias tetrarch of Abilene,\nMy last one.\nAnd he gave him no answer, not even to one word: insomuch that the governor marvelled greatly.\nI was sleeping on this huge purple stuffed bear and there were people looking down on me from all directions.\nFor ye, brethren, became imitators of the churches of God which are in Judæa in Christ Jesus: for ye also suffered the same things of your own countrymen, even as they did of the Jews;\nAnd when we heard these things, both we and they of that place besought him not to go up to Jerusalem.\n“Once upon a time,” she began, “I had a beautiful cousin who managed to build her web across a small stream.\nBut on the first day of the week, at early dawn, they came unto the tomb, bringing the spices which they had prepared.\nand whom he foreordained, them he also called: and whom he called, them he also justified: and whom he justified, them he also glorified.\nlet him know, that he who converteth a sinner from the error of his way shall save a soul from death, and shall cover a multitude of sins.\nThe God of this people Israel chose our fathers, and exalted the people when they sojourned in the land of Egypt, and with a high arm led he them forth out of it.\nWilbur could see by the way they acted that they were glad to see him.\nAnd you did he make alive, when ye were dead through your trespasses and sins,\n“Can't a rat catch a wink of sleep without being rudely popped into the air?”\nCharley went into the clearing, walking effortfully on bowed legs like an old horseman, though he had seldom ridden.\nand that he may send the Christ who hath been appointed for you, even Jesus:\nI collected the two muskets, old worn trade pieces, where they lay propped against the hemlock trunk.\nAs the living Father sent me, and I live because of the Father; so he that eateth me, he also shall live because of me.\nand we toil, working with our own hands: being reviled, we bless; being persecuted, we endure;\nFor whether we live, we live unto the Lord; or whether we die, we die unto the Lord: whether we live therefore, or die, we are the Lord’s.\nAnd Jesus answered and said unto him, Blessed art thou, Simon Bar-Jonah: for flesh and blood hath not revealed it unto thee, but my Father who is in heaven.\nFor there are many unruly men, vain talkers and deceivers, specially they of the circumcision,\nI should say not.\nand he made of one every nation of men to dwell on all the face of the earth, having determined their appointed seasons, and the bounds of their habitation;\nBut when they continued asking him, he lifted up himself, and said unto them, He that is without sin among you, let him first cast a stone at her.\n“Fern’s got the itch! ” sang Avery.\nThen were they all of good cheer, and themselves also took food.\nLilacs bloom and make the air sweet, and then fade.\nBut I, brethren, if I still preach circumcision, why am I still persecuted? then hath the stumbling-block of the cross been done away.\n“Congratulations! ” murmured Templeton.\nAnd there are gathered together unto him the Pharisees, and certain of the scribes, who had come from Jerusalem,\n“How's that? \nconfirming the souls of the disciples, exhorting them to continue in the faith, and that through many tribulations we must enter into the kingdom of God.\nCarry no purse, no wallet, no shoes; and salute no man on the way.\nknowing that the proving of your faith worketh patience.\nBut he answered and said, Every plant which my heavenly Father planted not, shall be rooted up.\nThe lamp of thy body is thine eye: when thine eye is single, thy whole body also is full of light; but when it is evil, thy body also is full of darkness.\nunto which promise our twelve tribes, earnestly serving God night and day, hope to attain. And concerning this hope I am accused by the Jews, O king!\n“It pays to save things,” he said in his surly voice.\nwhose fan is in his hand, thoroughly to cleanse his threshing-floor, and to gather the wheat into his garner; but the chaff he will burn up with unquenchable fire.\nThe short of it was, Charley’s people had put us in danger.\neven Jesus of Nazareth, how God anointed him with the Holy Spirit and with power: who went about doing good, and healing all that were oppressed of the devil; for God was with him.\nthat in everything ye were enriched in him, in all utterance and all knowledge;\nholding forth the word of life; that I may have whereof to glory in the day of Christ, that I did not run in vain neither labor in vain.\nBut in giving you this charge, I praise you not, that ye come together not for the better but for the worse.\nHe would kill a gosling if he could get away with it—the goose knew that.\nfor this cause ought the woman to have a sign of authority on her head, because of the angels.\nout of the same mouth cometh forth blessing and cursing. My brethren, these things ought not so to be.\nFor this is the message which ye heard from the beginning, that we should love one another:\nnot by works done in righteousness, which we did ourselves, but according to his mercy he saved us, through the washing of regeneration and renewing of the Holy Spirit,\nAnd then I reached this line: Here roamed the red men of the forest, free as the breezes which fanned their raven locks.\nAnd they said unto him, We are able. And Jesus said unto them, The cup that I drink ye shall drink; and with the baptism that I am baptized withal shall ye be baptized:\nBut there was no direction to go other than forward.\nFor the life is more than the food, and the body than the raiment.\n“That’s wonderful,” said Wilbur.\nAnd upon a set day Herod arrayed himself in royal apparel, and sat on the throne, and made an oration unto them.\nPut it on! Put it on! they told Wolf.\nHe remembered what Charlotte had told him—that the sac was waterproof and strong.\nWho then is the faithful and wise servant, whom his lord hath set over his household, to give them their food in due season?\nUpstairs, Avery was already in bed and asleep.\nShe seemed to have shrunk during the night.\nAnd he said unto them, With desire I have desired to eat this passover with you before I suffer:\nI have never seen the thing that I found before.\n“May I get a drink of milk?\nhaving blotted out the bond written in ordinances that was against us, which was contrary to us: and he hath taken it out of the way, nailing it to the cross;\nand Asa begat Jehoshaphat; and Jehoshaphat begat Joram; and Joram begat Uzziah;\nFrom across the road a bird sang “Whippoorwill, whippoorwill! ” \nto Titus, my true child after a common faith: Grace and peace from God the Father and Christ Jesus our Saviour.\nThe word which he sent unto the children of Israel, preaching good tidings of peace by Jesus Christ (he is Lord of all)—\nThe man held the bowl and looked at the stem and then made a show of waving it across the flame of the fire to clean it.\nand without a parable spake he not unto them: but privately to his own disciples he expounded all things.\nWilbur looked at his friend.\nNow Jesus stood before the governor: and the governor asked him, saying, Art thou the King of the Jews? And Jesus said unto him, Thou sayest.\nJesus answered, Sayest thou this of thyself, or did others tell it thee concerning me?\nFor a man indeed ought not to have his head veiled, forasmuch as he is the image and glory of God: but the woman is the glory of the man.\nEven in a great pressing party crowd, everyone knew exactly where Crockett was at all times.\nIf we say that we have not sinned, we make him a liar, and his word is not in us. \nAt Cowee, he had been noted for his success with apple trees, which over the years he had planted at the spots where his outhouses had stood.\nBut we must be cast upon a certain island.\nAnd right spang in the middle of the web there were the words ‘Some Pig.’ The words were woven right into the web.\nAnd Joseph, who by the apostles was surnamed Barnabas (which is, being interpreted, Son of exhortation), a Levite, a man of Cyprus by race,\nTherefore, as through one man sin entered into the world, and death through sin; and so death passed unto all men, for that all sinned:—\nThen answered Peter and said unto him, Lo, we have left all, and followed thee; what then shall we have?\n“Run toward me!” yelled the gander.\nAnd sometimes Avery would find a little grass snake in the hay, and would add it to the other things in his pocket.\nThe sick man answered him, Sir, I have no man, when the water is troubled, to put me into the pool: but while I am coming, another steppeth down before me.\nOkay, said Wolf.\nHe is too familiar, too noisy, and he cracks weak jokes.\nIf we say that we have no sin, we deceive ourselves, and the truth is not in us.\nAnd he said unto them, Full well do ye reject the commandment of God, that ye may keep your tradition.\nAnd the four angels were loosed, that had been prepared for the hour and day and month and year, that they should kill the third part of men.\nI would that they that unsettle you would even go beyond circumcision.\nWilbur came and stood directly under the web.\nAnd except the Lord had shortened the days, no flesh would have been saved; but for the elect’s sake, whom he chose, he shortened the days.\n“Is it a web?”\nYoung Ridge was the only son, and the other was a nephew, Elias Boudinot, who had been born Buck Watie but had decided to take a name that better suited him.\nThink not that I came to send peace on the earth: I came not to send peace, but a sword.\nI have written unto you, fathers, because ye know him who is from the beginning. I have written unto you, young men, because ye are strong, and the word of God abideth in you, and ye have overcome the evil one.\nAnd he arose and took the young child and his mother by night, and departed into Egypt;\nThey can stay or go.\nI am afraid of you, lest by any means I have bestowed labor upon you in vain.\nHogs ran free range right into the edges of town.\nI flurried about, always a-saddle.\nThe surface of the river before her was black, bottomless.\nNeither Smith nor the boys from Ireland and Philadelphia and Charleston were ever cruel.\nOn his way, he saw Hogsucker, Crawdaddy, Mud Dog and Knottyhead.\nJesus answered and said unto them, I did one work, and ye all marvel because thereof.\nPigs need warmth, and it was warm and comfortable down there in the barn cellar on the south side.\nbut declared both to them of Damascus first, and at Jerusalem, and throughout all the country of Judæa, and also to the Gentiles, that they should repent and turn to God, doing works worthy of repentance.\nAnd they said one to another, Was not our heart burning within us, while he spake to us in the way, while he opened to us the scriptures?\nthe four and twenty elders shall fall down before him that sitteth on the throne, and shall worship him that liveth for ever and ever, and shall cast their crowns before the throne, saying,\nAnd not a hair of your head shall perish.\nBut no child ever did.\nand he took food and was strengthened. And he was certain days with the disciples that were at Damascus.\nwith whom the kings of the earth committed fornication, and they that dwell in the earth were made drunken with the wine of her fornication.\nin the power of signs and wonders, in the power of the Holy Spirit; so that from Jerusalem, and round about even unto Illyricum, I have fully preached the gospel of Christ;\nA lot of our people had never been farther from their own farms than the top of the most distant ridge they could see.\nAnd when the day was now far spent, his disciples came unto him, and said, The place is desert, and the day is now far spent;\nBut for the fearful, and unbelieving, and abominable, and murderers, and fornicators, and sorcerers, and idolaters, and all liars, their part shall be in the lake that burneth with fire and brimstone; which is the second death.\nFor I know that in me, that is, in my flesh, dwelleth no good thing: for to will is present with me, but to do that which is good is not.\nSo both your front feet will have shoes.\nAnd then how the women started cooking the meat and the men all followed Charley back up the mountain to finish butchering the bear, and then how they all sat about the cook fire for days, eating until their bellies hurt.\nAnd he called unto him his disciples, and said unto them, Verily I say unto you, This poor widow cast in more than all they that are casting into the treasury:\nHe followed a rill of water no wider than his hand back to its source, for it is widely known that certain springs offer entrance into the world underneath the world, a refuge.\nIt is very nice to meet you, Hogsucker, but I have been swimming for a long time and still have a long way to go. I must swim on. Goodbye, Hogsucker.\nIt was peach-colored and looked as though it were made of cotton candy.\nJesus answereth, Wilt thou lay down thy life for me? Verily, verily, I say unto thee, The cock shall not crow, till thou hast denied me thrice. \nEveryone watched him, for he was not well liked, not trusted.\nBut woe unto you Pharisees! for ye tithe mint and rue and every herb, and pass over justice and the love of God: but these ought ye to have done, and not to leave the other undone.\n“I want a candied apple.”\nAnd he taught in their synagogues, being glorified of all.\nPut them in mind to be in subjection to rulers, to authorities, to be obedient, to be ready unto every good work,\nThe wife hath not power over her own body, but the husband: and likewise also the husband hath not power over his own body, but the wife.\nHe raced round and round the pen.\nAnd when the thousand years are finished, Satan shall be loosed out of his prison,\n“But this is different.\nThe Pharisees therefore said among themselves, Behold how ye prevail nothing; lo, the world is gone after him.\nThis egg sac is my great work—the finest thing I have ever made.”\nI am the true vine, and my Father is the husbandman.\nand we went on board the ship, but they returned home again.\nHe saw the three boys cut down while he was still fumbling.\nHis stomach was as big around as a jelly jar.\nIt will work better for you. Then she eased out the door.\nI exhort Euodia, and I exhort Syntyche, to be of the same mind in the Lord.\nThis strange fish had fins in the front that resembled the beak of a bird and crawled along the bottom of the stream on legs like a centipede.\nHarden not your hearts, as in the provocation, Like as in the day of the trial in the wilderness,\nSimon Peter answered him, Lord, to whom shall we go? thou hast the words of eternal life.\nNay but, O man, who art thou that repliest against God? Shall the thing formed say to him that formed it, Why didst thou make me thus?\nBlessed be the God and Father of our Lord Jesus Christ, who according to his great mercy begat us again unto a living hope by the resurrection of Jesus Christ from the dead,\nBut the witness which I receive is not from man: howbeit I say these things, that ye may be saved.\nHe turned to swim away, but it was too late.\nAnd a woman having an issue of blood twelve years, who had spent all her living upon physicians, and could not be healed of any,\nAnd also, my invitations to parties increased.\n“Where?”\nWives, be in subjection to your husbands, as is fitting in the Lord.\nAnd they compel one passing by, Simon of Cyrene, coming from the country, the father of Alexander and Rufus, to go with them, that he might bear his cross.\nIn the resurrection therefore whose wife shall she be of the seven? for they all had her.\nhe shall not honor his father. And ye have made void the word of God because of your tradition.\nFor not even they who receive circumcision do themselves keep the law; but they desire to have you circumcised, that they may glory in your flesh.\nWilbur fainted away.\nand he said unto them, Thus it is written, that the Christ should suffer, and rise again from the dead the third day;\nAsmeret looks under another log.\nI wrote somewhat unto the church: but Diotrephes, who loveth to have the preeminence among them, receiveth us not.\nThe fame of this unique animal has spread to the far corners of the earth, attracting many valuable tourists to our great State.\nFor some now unaccountable reason specific to young men, we didn’t.\nbut in everything commending ourselves, as ministers of God, in much patience, in afflictions, in necessities, in distresses,\nAnd they called Barnabas, Jupiter; and Paul, Mercury, because he was the chief speaker.\nBut, along came a little bird, a titmouse.  \nJesus answered, Neither did this man sin, nor his parents: but that the works of God should be made manifest in him.\nYe do the works of your father. They said unto him, We were not born of fornication; we have one Father, even God.\nThese are they who are hidden rocks in your love-feasts when they feast with you, shepherds that without fear feed themselves; clouds without water, carried along by winds; autumn trees without fruit, twice dead, plucked up by the roots;\n“The pig has passed out,” said Mrs. Zuckerman.\nAnd I saw a strong angel proclaiming with a great voice, Who is worthy to open the book, and to loose the seals thereof?\nI put my palm on my chest.\nDoth our law judge a man, except it first hear from himself and know what he doeth?\nThey either will or they won’t.\nTrapped as the creature was then, Charlie crept up on it.\n“Springtime,” said the old sheep, thoughtfully.\nAnd as the Gentiles heard this, they were glad, and glorified the word of God: and as many as were ordained to eternal life believed.\n“It was good management and hard work.”\nIs any among you suffering? let him pray. Is any cheerful? let him sing praise.\nThey said therefore unto him, What then doest thou for a sign, that we may see, and believe thee? what workest thou?\nThe bald was thick with feral hogs.\nand have put on the new man, that is being renewed unto knowledge after the image of him that created him:\nNo help at all.\n“Sorry, sorry, sorry,” said the gander.\nPeople drank deep to achieve immediate stupor.\n“Some pig!” whispered Mr. Zuckerrnan.\n“Appetite good?”\nAnd if he was very tired, he would close his eyes and go to sleep under the doll’s blanket. He looked cute when his eyes were closed, because his lashes were so long.\nMrs. Zuckerman came walking down from the house.\nThe rat had done his work well.\nfor our God is a consuming fire. \nCharley started walking downhill again, and the fog thickened as he descended into it.\nI got up, met everybody, and decided I would take my leave.\nI have a busy evening ahead of me.\nAnd they gave lots for them; and the lot fell upon Matthias; and he was numbered with the eleven apostles. \nIn Damascus the governor under Aretas the king guarded the city of the Damascenes in order to take me:\nAgain, he sent other servants more than the first: and they did unto them in like manner.\n“Wait a minute!” cried Avery.\nWilbur never forgot Charlotte.\nTry your own selves, whether ye are in the faith; prove your own selves. Or know ye not as to your own selves, that Jesus Christ is in you? unless indeed ye be reprobate.\nShe was tall and angular and beautiful, and a soft warm light seemed to shine down on her, following wherever she moved.\nI’m abiding by the old lines.\nNow while Peter was much perplexed in himself what the vision which he had seen might mean, behold, the men that were sent by Cornelius, having made inquiry for Simon’s house, stood before the gate,\nThe only sound was a slight scraping noise from the rooftop, where the weather-vane swung back and forth.\nThen said Jesus unto his disciples, If any man would come after me, let him deny himself, and take up his cross, and follow me.\nWhat I wanted to do was slap him down a bit with wit and words.\nYe know that after two days the passover cometh, and the Son of man is delivered up to be crucified.\nShe is going to become a mother.\nIf I had not come and spoken unto them, they had not had sin: but now they have no excuse for their sin.\nYou’ll not be sorry.\nAnd Agrippa said unto Festus, This man might have been set at liberty, if he had not appealed unto Cæsar. \nWherefore take up the whole armor of God, that ye may be able to withstand in the evil day, and, having done all, to stand.\n“I like to sit still,” she said.\nFrom the pond, in shrill chorus, came the voices of hundreds of little frogs.\nCharley pinched the last little bit of fat at his belly and judged he could live only a short while longer on water and nuts.\n“It’s cruel,” replied Wilbur, who did not intend to be argued out of his position.\nTake heed to yourselves: if thy brother sin, rebuke him; and if he repent, forgive him.\nFor whatsoever things were written aforetime were written for our learning, that through patience and through comfort of the scriptures we might have hope.\nIn the days that followed, he was very happy.\nBut Jesus said unto him, Judas, betrayest thou the Son of man with a kiss?\nnot to all the people, but unto witnesses that were chosen before of God, even to us, who ate and drank with him after he rose from the dead.\nWhat he found himself under was a grunting squealing eruption of hogs, a resurgence of the wild.\nBut the Pharisees said, By the prince of the demons casteth he out demons.\nand make straight paths for your feet, that that which is lame be not turned out of the way, but rather be healed.\nWilbur trembled when he heard this speech.\nSo his fellow-servant fell down and besought him, saying, Have patience with me, and I will pay thee.\nThe boy sat up and took the knife out of his mouth and wiped the spit against his britches.\nin a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.\nbut Paul chose Silas, and went forth, being commended by the brethren to the grace of the Lord.\nIn this the children of God are manifest, and the children of the devil: whosoever doeth not righteousness is not of God, neither he that loveth not his brother.\nFor this cause have I sent unto you Timothy, who is my beloved and faithful child in the Lord, who shall put you in remembrance of my ways which are in Christ, even as I teach everywhere in every church.\nHe shuffled among the scattered papers and came up with a sheet that he studied to himself a moment and then handed to the scribe.\nEven when English-speaking teachers ruled their classrooms, long after Sequoyah had passed away, they remembered their letters.\nWherefore, if meat causeth my brother to stumble, I will eat no flesh for evermore, that I cause not my brother to stumble. \nSome therefore of the Pharisees said, This man is not from God, because he keepeth not the sabbath. But others said, How can a man that is a sinner do such signs? And there was a division among them.\nCrate your pig, please, Mr. Zuckerman, and report to the judges’ booth promptly!”\nDoing nothing.\nsaying, If thou hadst known in this day, even thou, the things which belong unto peace! but now they are hid from thine eyes.\nBut if we hope for that which we see not, then do we with patience wait for it.\nwho, when he was reviled, reviled not again; when he suffered, threatened not; but committed himself to him that judgeth righteously:\nBut he withdrew himself in the deserts, and prayed.\nWolf went to where the trap lay.\nJesus heard that they had cast him out; and finding him, he said, Dost thou believe on the Son of God?\nHowbeit there is not in all men that knowledge: but some, being used until now to the idol, eat as of a thing sacrificed to an idol; and their conscience being weak is defiled.\nNow on the morrow, as they were on their journey, and drew nigh unto the city, Peter went up upon the housetop to pray, about the sixth hour:\nBut when the husbandmen saw him, they reasoned one with another, saying, This is the heir; let us kill him, that the inheritance may be ours.\nNow this I mean, that each one of you saith, I am of Paul; and I of Apollos; and I of Cephas; and I of Christ.\nVerily I say unto you, Whosoever shall not receive the kingdom of God as a little child, he shall in no wise enter therein.\nShe has seen many a spring pig come and go.\nI’m going.”\nThen if any man shall say unto you, Lo, here is the Christ, or, Here; believe it not.\nHe found a small strip of potato skin and ate it.\nthat, as sin reigned in death, even so might grace reign through righteousness unto eternal life through Jesus Christ our Lord. \nAnd when he would not be persuaded, we ceased, saying, The will of the Lord be done.\nStraightway he that received the five talents went and traded with them, and made other five talents.\nIf this man were not from God, he could do nothing.\n(the Lord grant unto him to find mercy of the Lord in that day); and in how many things he ministered at Ephesus, thou knowest very well. \nHe knew it was almost time for the County Fair, and he was looking forward to the trip.\nJesus therefore said unto them, Verily, verily, I say unto you, Except ye eat the flesh of the Son of man and drink his blood, ye have not life in yourselves.\nand he saith with a great voice, Fear God, and give him glory; for the hour of his judgment is come: and worship him that made the heaven and the earth and sea and fountains of waters.\nThe same heard Paul speaking: who, fastening his eyes upon him, and seeing that he had faith to be made whole,\nJesus answered and said unto him, Because I said unto thee, I saw thee underneath the fig tree, believest thou? thou shalt see greater things than these.\nto whom God was pleased to make known what is the riches of the glory of this mystery among the Gentiles, which is Christ in you, the hope of glory:\nOne day, all anyone had to eat was a clear broth made from a single goldfinch, so dilute you could have gotten as much flavor from dropping a stone into the water.\nAnd he forsook all, and rose up and followed him.\nHe went on and on, walking stooped when he could, but mostly crawling where the tangled trunks and limbs left no choice.\nFor what is a man profited, if he gain the whole world, and lose or forfeit his own self?\nand they besought him that they might only touch the border of his garment: and as many as touched were made whole. \nDoctors are supposed to understand everything.\nNow as he spake, a Pharisee asketh him to dine with him: and he went in, and sat down to meat.\nAnd immediately an angel of the Lord smote him, because he gave not God the glory: and he was eaten of worms, and gave up the ghost.\nWait till he gets hankering for some fresh pork and smoked ham and crisp bacon!\nThe white sky was entirely free of birds.\nAsmeret shows us evidence of leaves decomposing into soil, too.\nShe sits on a milk stool in a comer of the barn cellar, near the pigpen, and watches animals, hour after hour. She just sits and listens.”\nBut I’m pulling for Florida, Perry said.\nAnd I say unto you, that every idle word that men shall speak, they shall give account thereof in the day of judgment.\nand this voice we ourselves heard borne out of heaven, when we were with him in the holy mount.\nWild Hemp died as a result of forces she didn’t understand or even acknowledge.\nif we this day are examined concerning a good deed done to an impotent man, by what means this man is made whole;\nPigs always resist when they are being loaded.”\nAnd there came also Nicodemus, he who at the first came to him by night, bringing a mixture of myrrh and aloes, about a hundred pounds.\nAnd when they that fed them saw what had come to pass, they fled, and told it in the city and in the country.\nHis parents answered and said, We know that this is our son, and that he was born blind:\nHour by hour she sat motionless, deep in thought.\nNevertheless, neither is the woman without the man, nor the man without the woman, in the Lord.\nWherefore my judgment is, that we trouble not them that from among the Gentiles turn to God;\nThe second Woe is past: behold, the third Woe cometh quickly.\nBut we have this treasure in earthen vessels, that the exceeding greatness of the power may be of God, and not from ourselves;\nAnd they answered, that they knew not whence it was.\nThe Charleston boy looked at me and wiped the last grid away with a sweep of his palm and said, Hell, I could have won tobacco money off him from now on out, but you’ve boogered that all up.\nI became really scared.\nand they, when they came to Cæsarea and delivered the letter to the governor, presented Paul also before him.\nKaweh!! It clanged hard.\nIf others partake of this right over you, do not we yet more? Nevertheless we did not use this right; but we bear all things, that we may cause no hindrance to the gospel of Christ.\nKnow ye not, that to whom ye present yourselves as servants unto obedience, his servants ye are whom ye obey; whether of sin unto death, or of obedience unto righteousness?\nI am a Jew, born in Tarsus of Cilicia, but brought up in this city, at the feet of Gamaliel, instructed according to the strict manner of the law of our fathers, being zealous for God, even as ye all are this day:\nHe hath put down princes from their thrones, And hath exalted them of low degree.\nThen his lord called him unto him, and saith to him, Thou wicked servant, I forgave thee all that debt, because thou besoughtest me:\nWe hadn’t killed anybody, except in our dreams, but we would be punished just the same by reason of blood identity.\nThere are, it may be, so many kinds of voices in the world, and no kind is without signification.\nCharley took it that the bear was willing to fight.\nAll those experiences stood me in good stead, at least to the extent that I convinced Lichen and his people not to kill me.\nAnd I say unto you my friends, Be not afraid of them that kill the body, and after that have no more that they can do.\nStretched across the upper part of the doorway was a big spiderweb, and hanging from the top of the web, head down, was a large grey spider.\nDon’t you think that was a pleasant thing for her to say?”\nSo also is the resurrection of the dead. It is sown in corruption; it is raised in incorruption:\nMurmur not, brethren, one against another, that ye be not judged: behold, the judge standeth before the doors.\nThis is he that came by water and blood, even Jesus Christ; not with the water only, but with the water and with the blood.\nbut hath now been manifested by the appearing of our Saviour Christ Jesus, who abolished death, and brought life and immortality to light through the gospel,\nAnd they brought him unto him: and when he saw him, straightway the spirit tare him grievously; and he fell on the ground, and wallowed foaming.\nAnd he took a cup, and gave thanks, and gave to them, saying, Drink ye all of it;\nmaking request, if by any means now at length I may be prospered by the will of God to come unto you.\nAnd straightway coming up out of the water, he saw the heavens rent asunder, and the Spirit as a dove descending upon him:\nThe officers, though, seemed to have a considerably greater scope of personal freedom. Most days of the week, they hung about my trading post.\nAnd they ate, and were all filled: and there was taken up that which remained over to them of broken pieces, twelve baskets.\nand the Holy Spirit descended in a bodily form, as a dove, upon him, and a voice came out of heaven, Thou art my beloved Son; in thee I am well pleased.\n“How are you going to save me?” asked Wilbur, whose curiosity was very strong on this point.\n“I’ve got something to tell you, Edith,” he said.\nNow I Paul myself entreat you by the meekness and gentleness of Christ, I who in your presence am lowly among you, but being absent am of good courage toward you:\nAnd the disciples of John told him of all these things.\nfor in him dwelleth all the fulness of the Godhead bodily,\nWhat do you need?\nWell, I don’t think you have anything to worry about.\nAnd Jesus arose, and followed him, and so did his disciples.\n“Skip around, run toward me, slip in and out, in and out, in and out!\nStraightway I was in the Spirit: and behold, there was a throne set in heaven, and one sitting upon the throne;\nThen organisms like millipedes can still live there.\nand that which was a temptation to you in my flesh ye despised not, nor rejected; but ye received me as an angel of God, even as Christ Jesus.\nand heal the sick that are therein, and say unto them, The kingdom of God is come nigh unto you.\nlest by any means, if there come with me any of Macedonia and find you unprepared, we (that we say not, ye) should be put to shame in this confidence.\n“Where do you think I’d better go?”\nApples grew on his trees huge as dreams of apples.\nAnd this became known to all, both Jews and Greeks, that dwelt at Ephesus; and fear fell upon them all, and the name of the Lord Jesus was magnified.\nAnd Jesus answered and said, as he taught in the temple, How say the scribes that the Christ is the son of David?\nand changed the glory of the incorruptible God for the likeness of an image of corruptible man, and of birds, and four-footed beasts, and creeping things.\nWherefore even the first covenant hath not been dedicated without blood.\nThe snows melted and ran away.\nYou are beautiful!\nFor ye received not the spirit of bondage again unto fear; but ye received the spirit of adoption, whereby we cry, Abba, Father.\nAnd as he held Peter and John, all the people ran together unto them in the porch that is called Solomon’s, greatly wondering.\nHe crawled over dirt like powdered ashes, trunks and branches spreading all around bare as old bones, broken-down skeletons.\nLong time therefore they tarried there speaking boldly in the Lord, who bare witness unto the word of his grace, granting signs and wonders to be done by their hands.\nI am not going to let you die, Wilbur.”\nAll the saints salute you.\nfor the law worketh wrath; but where there is no law, neither is there transgression.\nWherefore if any man is in Christ, he is a new creature: the old things are passed away; behold, they are become new.\nYou could do the accounting with your eyes shut, for every place was materially the same.\nBut the days will come, when the bridegroom shall be taken away from them, and then will they fast in that day.\nBye, bye, my humble Wilbur!\n“How's this?” he asked.\nFor God appointed us not unto wrath, but unto the obtaining of salvation through our Lord Jesus Christ,\nThere is a great deal of mast, mostly chestnut, but little or no game to be seen as it has all been hunted out to near barrenness, buffalo and elk thirty years gone and deer failing fast, and many nights we have had to make do with our dry provisions.\nThe women drew them together and the younger children stood behind the women and leaned out to look from behind the barrier of calico skirts that were thin and pale from long wear.\nLurvy dumped the slops, scraped the pail, and walked away.\nBut I was all for it, since it meant that Claire and Featherstone could remain at Cranshaw, and just her proximity offered hope, for time back then seemed long enough for anything to happen, even the softening of a heart inexplicably hardened against you.\nAnd he that was dead sat up, and began to speak. And he gave him to his mother.\nDon’t you regard that as a miracle?”\n“The goose did what?” asked Mrs. Arable, gazing at her daughter with a queer, worried look.\n“Well,” said Mrs. Zuckerman, “he’s clean, anyway.\nAnd in covetousness shall they with feigned words make merchandise of you: whose sentence now from of old lingereth not, and their destruction slumbereth not.\nChildren almost always hang onto things tighter than their parents think they will.\nAnd when he was entered into a boat, his disciples followed him.\nThey are of the world: therefore speak they as of the world, and the world heareth them.\nAround his neck he wore a medal of honor; in his mouth he held a sac of spider’s eggs.\nAbide in me, and I in you. As the branch cannot bear fruit of itself, except it abide in the vine; so neither can ye, except ye abide in me.\nTeams of yellow oxen snaked the straight trunks out of the woods.\nAnd for this cause he is the mediator of a new covenant, that a death having taken place for the redemption of the transgressions that were under the first covenant, they that have been called may receive the promise of the eternal inheritance.\n“You may call me Nellie.”\nAs if she had never lived.\nAnd he spake to them a parable: Behold the fig tree, and all the trees:\nWherefore thou art without excuse, O man, whosoever thou art that judgest: for wherein thou judgest another, thou condemnest thyself; for thou that judgest dost practise the same things.\nbut whosoever drinketh of the water that I shall give him shall never thirst; but the water that I shall give him shall become in him a well of water springing up unto eternal life.\nFor many walk, of whom I told you often, and now tell you even weeping, that they are the enemies of the cross of Christ:\nEverything’s gone.\nHe finished his smoke and knocked out his pipe bowl against his boot heel.\nHistory in the making, at least on the personal level, is almost exclusively pathetic.\nBut Mary was standing without at the tomb weeping: so, as she wept, she stooped and looked into the tomb;\nEverything happened all at once.\nBut I am afraid my efforts have produced little gain.\nFor to this end Christ died and lived again, that he might be Lord of both the dead and the living.\nBut John would have hindered him, saying, I have need to be baptized of thee, and comest thou to me?\nSympathetic lawmakers ranted righteous opposition to Jackson and then moved on to more pressing matters.\nNow the names of the twelve apostles are these: The first, Simon, who is called Peter, and Andrew his brother; James the son of Zebedee, and John his brother;\nFaithful is the saying, If a man seeketh the office of a bishop, he desireth a good work.\nThou seest that faith wrought with his works, and by works was faith made perfect;\nXIX: The Egg Sac \nAnd because the haven was not commodious to winter in, the more part advised to put to sea from thence, if by any means they could reach Phoenix, and winter there; which is a haven of Crete, looking north-east and south-east.\nI thank God that I baptized none of you, save Crispus and Gaius;\nClaire looked around at Cranshaw and said, I would have burnt all this down at a word from you.\nAgain, ye have heard that it was said to them of old time, Thou shalt not forswear thyself, but shalt perform unto the Lord thine oaths:\nEverybody heard the song of the crickets.\nbut we speak God’s wisdom in a mystery, even the wisdom that hath been hidden, which God foreordained before the worlds unto our glory:\nHe looked at the working of his hand as if it were fascinating.\nAt six-thirty Wilbur heard the banging of a pail.\nthat God hath fulfilled the same unto our children, in that he raised up Jesus; as also it is written in the second psalm, Thou art my Son, this day have I begotten thee.\nIn the last analysis, we simply know that we are dealing with supernatural forces here, and we should all feel proud and grateful.\nAnd this is the judgment, that the light is come into the world, and men loved the darkness rather than the light; for their works were evil.\nAnd they, having heard the king, went their way; and lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was.\nThen Wolf's tail and ears stiffened.\nIf ye know that he is righteous, ye know that every one also that doeth righteousness is begotten of him. \nPurge out the old leaven, that ye may be a new lump, even as ye are unleavened. For our passover also hath been sacrificed, even Christ:\nby which means the world that then was, being overflowed with water, perished:\nBut the Jerusalem that is above is free, which is our mother.\nWe would start out on foot to go to his home.\nall these evil things proceed from within, and defile the man.\nI don’t know how the first spider in the early days of the world happened to think up this fancy idea of spinning a web, but she did, and it was clever of her, too.\nand walk in love, even as Christ also loved you, and gave himself up for us, an offering and a sacrifice to God for an odor of a sweet smell.\nHis plans for the day went something like this: Breakfast at six-thirty.\nI’m not going, Charley said.\nand if it bear fruit thenceforth, well; but if not, thou shalt cut it down.\nAnd when the men were come unto him, they said, John the Baptist hath sent us unto thee, saying, Art thou he that cometh, or look we for another?\nAnd God hath set some in the church, first apostles, secondly prophets, thirdly teachers, then miracles, then gifts of healings, helps, governments, divers kinds of tongues.\nThe woman looked at the face of the card and ran a finger over the raised lettering, and then she turned it over and looked at the blank back with equal interest.\nThey had come down out of their home on Nantayale Creek and followed the river through its narrow black gorge where the water ran white between great smooth boulders and the walls were so high and close that the sun only shone at midday.\nGouts became drops.\n“Just the same, I don’t envy you,” said the old sheep.\nWhat then? only that in every way, whether in pretence or in truth, Christ is proclaimed; and therein I rejoice, yea, and will rejoice.\nThe birds mingled together and scratched the ground with their tripartite toes and ate the crumbs of bread, and then the chickens scattered across the bare ground and the doves flew away, their wings beating with a sound of mittened children clapping hands.\nThere was the sound of a solid blow struck, but he could not see what he had hit.\nNot that I seek for the gift; but I seek for the fruit that increaseth to your account.\n“Don’t worry, you'll get used to it,” said Templeton.\nThen she sighed.\nWhen morning came he went out and plowed the drifts in his yard, for the fun of it.\nWithout saying anything to anybody, he started off.\nAnd he said unto her, Let the children first be filled: for it is not meet to take the children’s bread and cast it to the dogs.\nI held one of my tracts by such convoluted means that a second mortgage on a prime field hand figured prominently in the deal.\nShe was sixteen or seventeen, somewhere in there.\nPigs mean less than nothing to me.”\nGod is faithful, through whom ye were called into the fellowship of his Son Jesus Christ our Lord.\n“I think you’d better come down to the pigpen,” he said.\nTomorrow would be Fair Day.\nUpon arrival in the Nation, the two young Yankee brides were reported to look pale and stunned but game for the new lives they’d chosen with their brilliant and exotic new husbands.\nOne spider climbed to the top of the fence.\nShe could change her appearance from looking like a monster to looking like an old woman.  \nAnd when they were come, they say unto him, Teacher, we know that thou art true, and carest not for any one; for thou regardest not the person of men, but of a truth teachest the way of God: Is it lawful to give tribute unto Cæsar, or not?\nIf it was during the summer, they would build a fire to produce smoke to repel the mosquitoes as they kept watch.\nSmith reached to his canteen to cut it, but I would not hear of it.\nI reached into a breast pocket and took out one of my cards, printed at excessive expense at the same Washington stationers that now made my journals.\nBut know this, that in the last days grievous times shall come.\n“Can’t you see I’m busy?” replied Avery in disgust.\nbut with you it may be that I shall abide, or even winter, that ye may set me forward on my journey whithersoever I go.\nYou'll get some extra good ham and bacon, Homer, when it comes time to kill that pig.”\nJohn answered, saying unto them all, I indeed baptize you with water; but there cometh he that is mightier than I, the latchet of whose shoes I am not worthy to unloose: he shall baptize you in the Holy Spirit and in fire:\nTherefore doth the Father love me, because I lay down my life, that I may take it again.\nAnd the geese will have a new set of goslings, and the sheep will have their new lambs ...”\n“I’m back,” he said in a husky voice.\nWhat is this word that he said, Ye shall seek me, and shall not find me; and where I am, ye cannot come?\n“Unload your pig, please!” said the loud speaker.\nThis miracle has never been fully explained,  although learned men have visited the Zuckerman pigpen to study and observe the phenomenon.\nBut many of them that heard the word believed; and the number of the men came to be about five thousand.\nAnd the centurion answered and said, Lord, I am not worthy that thou shouldest come under my roof; but only say the word, and my servant shall be healed.\nBut being goes on regardless.\nAnd if thy foot cause thee to stumble, cut it off: it is good for thee to enter into life halt, rather than having thy two feet to be cast into hell.\nAnd whatsoever ye do, in word or in deed, do all in the name of the Lord Jesus, giving thanks to God the Father through him.\nAnd all the multitudes that came together to this sight, when they beheld the things that were done, returned smiting their breasts.\nJesus saith unto them, Fill the waterpots with water. And they filled them up to the brim.\nI shall find it inconvenient to leave home, even for a few days.”\nEven more, he wished deep in his heart that he had not squandered the opportunity to kill Jackson back then, for they had stood an arm’s length apart on several occasions, and it was well known that Bear always had a quick hand with a knife.\nNow after two days was the feast of the passover and the unleavened bread: and the chief priests and the scribes sought how they might take him with subtlety, and kill him:\nAnd he said unto them, Then render unto Cæsar the things that are Cæsar’s, and unto God the things that are God’s.\nI’m not young any more, Wilbur.\nThey cried out with fear, dropping their burdens.\neven as he chose us in him before the foundation of the world, that we should be holy and without blemish before him in love:\nHe did not want their Cherokee voices to fade away.\nNow Caiaphas was he that gave counsel to the Jews, that it was expedient that one man should die for the people.\nBe no longer a drinker of water, but use a little wine for thy stomach’s sake and thine often infirmities.\nnor do ye take account that it is expedient for you that one man should die for the people, and that the whole nation perish not.\nFor I determined not to know anything among you, save Jesus Christ, and him crucified.\nWho shall not fear, O Lord, and glorify thy name? for thou only art holy; for all the nations shall come and worship before thee; for thy righteous acts have been made manifest.\nYe stiffnecked and uncircumcised in heart and ears, ye do always resist the Holy Spirit: as your fathers did, so do ye.\nAnd they worshipped him, and returned to Jerusalem with great joy:\nWheresoever the carcase is, there will the eagles be gathered together.\nStop thrashing about!”\nIn short order, Mrs. Chapman and I began seeing a great deal of each other.\nAnd behold, men bring on a bed a man that was palsied: and they sought to bring him in, and to lay him before him.\nI’ll set the record straight, though it is not in the least to my credit.\n“Where do you think you’re going?”\nThe sheep looked at each other in disgust.\nAs he spake these things, many believed on him.\nAnd they shall come from the east and west, and from the north and south, and shall sit down in the kingdom of God.\nIf the soldiers came marching into the mountains and began collecting everyone on the Nation together and taking them off to the West, I had little faith our sheaf of inconclusive letters and vague legal papers would stop them from coming on up to Wayah and emptying our coves too, deeds or no deeds.\nAnd they say unto him, We have here but five loaves, and two fishes.\nWherein God, being minded to show more abundantly unto the heirs of the promise the immutability of his counsel, interposed with an oath;\nBe ye angry, and sin not: let not the sun go down upon your wrath:\n“Now let's see, the first letter is T.”\nOf whom I have no certain thing to write unto my lord. Wherefore I have brought him forth before you, and specially before thee, king Agrippa, that, after examination had, I may have somewhat to write.\nWherefore exhort one another, and build each other up, even as also ye do.\nIf ye had known me, ye would have known my Father also: from henceforth ye know him, and have seen him.\nAnd having sent into Macedonia two of them that ministered unto him, Timothy and Erastus, he himself stayed in Asia for a while.\nFor he that herein serveth Christ is well-pleasing to God, and approved of men.\nTo him that smiteth thee on the one cheek offer also the other; and from him that taketh away thy cloak withhold not thy coat also.\nSo then the Lord Jesus, after he had spoken unto them, was received up into heaven, and sat down at the right hand of God.\n“How about ‘Pig Supreme’?” asked one of the lambs.\n“You’re kidding,” he said.\nI baptized you in water; but he shall baptize you in the Holy Spirit.\nAnd they clothe him with purple, and platting a crown of thorns, they put it on him;\n“Yes, it is pretty,” replied Charlotte, patting the sac with her two front legs.\nAnd the great city was divided into three parts, and the cities of the nations fell: and Babylon the great was remembered in the sight of God, to give unto her the cup of the wine of the fierceness of his wrath.\nhaving heard of your faith in Christ Jesus, and of the love which ye have toward all the saints,\nand love the chief place at feasts, and the chief seats in the synagogues,\nShe that is in Babylon, elect together with you, saluteth you; and so doth Mark my son.\nAnd very early on the first day of the week, they come to the tomb when the sun was risen.\nAnd if I by Beelzebub cast out demons, by whom do your sons cast them out? therefore shall they be your judges.\nHe found the entrance and yelled, Hello mother! It is Littlefish.\nAnd I saw the holy city, new Jerusalem, coming down out of heaven from God, made ready as a bride adorned for her husband.\nI didn’t spend a second wondering what it meant or how I felt about it.\nBut there arose certain of them that were of the synagogue called the synagogue of the Libertines, and of the Cyrenians, and of the Alexandrians, and of them of Cilicia and Asia, disputing with Stephen.\nAnd now I exhort you to be of good cheer; for there shall be no loss of life among you, but only of the ship.\nThere is none that understandeth, There is none that seeketh after God;\nAnd ought not this woman, being a daughter of Abraham, whom Satan had bound, lo, these eighteen years, to have been loosed from this bond on the day of the sabbath?\nThen came Peter and said to him, Lord, how oft shall my brother sin against me, and I forgive him? until seven times?\neach man’s work shall be made manifest: for the day shall declare it, because it is revealed in fire; and the fire itself shall prove each man’s work of what sort it is.\nUnwashed, unshowered, and unfettered by rule of law I strode through the cool breeze, back along Franklin Street.\nAnd Simon also himself believed: and being baptized, he continued with Philip; and beholding signs and great miracles wrought, he was amazed.\nHe sheathed the knife and went and retrieved the bloody hatchet where it lay on the ground and took off running hard.\nfor he that hath died is justified from sin.\nFor I also am a man set under authority, having under myself soldiers: and I say to this one, Go, and he goeth; and to another, Come, and he cometh; and to my servant, Do this, and he doeth it.\nAnd his tail draweth the third part of the stars of heaven, and did cast them to the earth: and the dragon standeth before the woman that is about to be delivered, that when she is delivered he may devour her child.\nShe handed back the card and shut the door in my face.\nShe was now a stout woman of middle age with a half dozen children, most of them grown.\n“Or are you just making it up?”\n“Yes, I suppose they do,” said Mrs. Arable, vaguely.\nSalute Rufus the chosen in the Lord, and his mother and mine.\nThe soldiers ate in total silence until their plates were empty but for a scattering of fine clean bones and a few little grey shotgun pellets, and then Perry wiped his mouth on his sleeve and said, Great God.\n“Then what happened?” asked Wilbur.\nprove all things; hold fast that which is good;\nFor if the readiness is there, it is acceptable according as a man hath, not according as he hath not.\nHello Littlefish, I am called Mud Dog by the Cherokee and I am not a fish, I am a large salamander.\nBear was a spectator that day.\nYou took all they had.\nAnd the four living creatures, having each one of them six wings, are full of eyes round about and within: and they have no rest day and night, saying, Holy, holy, holy, is the Lord God, the Almighty, who was and who is and who is to come.\nAnd from thence we made a circuit, and arrived at Rhegium: and after one day a south wind sprang up, and on the second day we came to Puteoli;\nor who hath first given to him, and it shall be recompensed unto him again?\nFor it is written in the book of Psalms, Let his habitation be made desolate, And let no man dwell therein: and, His office let another take.\nThen saith he to the disciple, Behold, thy mother! And from that hour the disciple took her unto his own home.\nWherefore? Because they sought it not by faith, but as it were by works. They stumbled at the stone of stumbling;\nthat by two immutable things, in which it is impossible for God to lie, we may have a strong encouragement, who have fled for refuge to lay hold of the hope set before us:\nBut Peter answered and said unto him, If all shall be offended in thee, I will never be offended.\nAnd if I have the gift of prophecy, and know all mysteries and all knowledge; and if I have all faith, so as to remove mountains, but have not love, I am nothing.\nHow about boys — does she know any boys?”\nFor I long to see you, that I may impart unto you some spiritual gift, to the end ye may be established;\nMasters, render unto your servants that which is just and equal; knowing that ye also have a Master in heaven.\nfor the earth is the Lord’s, and the fulness thereof.\nAnd he guessed they could hear him too.\nAnd they took counsel, and bought with them the potter’s field, to bury strangers in.\nAnd Zacharias said unto the angel, Whereby shall I know this? for I am an old man, and my wife well stricken in years.\nneither give place to the devil.\nHonor widows that are widows indeed.\nThe light strengthened, the mornings came sooner.\nGive not that which is holy unto the dogs, neither cast your pearls before the swine, lest haply they trample them under their feet, and turn and rend you.\nAnd the smoke of the incense, with the prayers of the saints, went up before God out of the angel’s hand.\nJohn answered them, saying, I baptize in water: in the midst of you standeth one whom ye know not,\nBut when two years were fulfilled, Felix was succeeded by Porcius Festus; and desiring to gain favor with the Jews, Felix left Paul in bonds. \nAnd he asked them, How many loaves have ye? And they said, Seven.\n“Well, when the first gosling stuck its little head out from under the goose, I was sitting on my stool in the comer and Charlotte was on her web.\nAnd when they saw it, they all murmured, saying, He is gone in to lodge with a man that is a sinner.\nFollow after love; yet desire earnestly spiritual gifts, but rather that ye may prophesy.\nAnd it came to pass, while he blessed them, he parted from them, and was carried up into heaven.\nHe was only about sixty, but he looked eighty and was a grandfather several times over.\nWe have to make him stop.\nWithout even a courtesy clearing of throat, the colonel’s little scraggle-haired scrivener came into Smith’s tent and said, Both of you, right now.\nMoses indeed said, A prophet shall the Lord God raise up unto you from among your brethren, like unto me; to him shall ye hearken in all things whatsoever he shall speak unto you.\nShe wrapped the fish up, then she ate him when she got good and ready.\nA half-full bottle of whiskey and a half-full glass stood side by side on his desk.\n“My mother taught me.”\nNow Herod the tetrarch heard of all that was done: and he was much perplexed, because that it was said by some, that John was risen from the dead;\nI’d like your best cabin, I said.\nAnd Saul was consenting unto his death. And there arose on that day a great persecution against the church which was in Jerusalem; and they were all scattered abroad throughout the regions of Judæa and Samaria, except the apostles.\nCharley kept searching until it was so dark he could not tell one kind of fallen leaf from another.\nBooming down the river through all that coastal area with its pine savannas and cypress swamps cut through by guts and creeks—which were not at all like creeks where I came from but were just tidal ditches of black mud and stinking salt water, but they seemed exotic and like the places that travel writers got all worked up over in the quarterly journals I favored.\nBut as the time of the promise drew nigh which God vouchsafed unto Abraham, the people grew and multiplied in Egypt,\nAnd I saw the beast, and the kings of the earth, and their armies, gathered together to make war against him that sat upon the horse, and against his army.\nNow his elder son was in the field: and as he came and drew nigh to the house, he heard music and dancing.\nAnd some shouted one thing, some another, among the crowd: and when he could not know the certainty for the uproar, he commanded him to be brought into the castle.\n“What kind of story did she tell?” asked Mrs. Arable.\nWhose woods these are I think I know.\nShe daintily fastened her orb line to the next spoke of the web.\nI started out trying to be discreet in front of the help, but Claire did not care what tales the servants might carry to the West.\nGood food and regular hours were showing results: Wilbur was a pig any man would be proud of.\nAnd as he was praying, the fashion of his countenance was altered, and his raiment became white and dazzling.\nIn the distance he could still hear the music of the merry-go-round.\nHe will come and destroy these husbandmen, and will give the vineyard unto others. And when they heard it, they said, God forbid.\nAnd then shall be revealed the lawless one, whom the Lord Jesus shall slay with the breath of his mouth, and bring to nought by the manifestation of his coming;\nDid not Moses give you the law, and yet none of you doeth the law? Why seek ye to kill me?\nNow there was a man of the Pharisees, named Nicodemus, a ruler of the Jews:\nto whom he also showed himself alive after his passion by many proofs, appearing unto them by the space of forty days, and speaking the things concerning the kingdom of God:\nHe gave a jump in the air, twirled, ran a few steps, stopped, looked all around, sniffed the smells of afternoon, and then set off walking down through the orchard.\nAnd he said unto him, Verily I say unto thee, To-day shalt thou be with me in Paradise.\nBy faith he forsook Egypt, not fearing the wrath of the king: for he endured, as seeing him who is invisible.\nAgain, the kingdom of heaven is like unto a man that is a merchant seeking goodly pearls:\nAdopted.\nAnd fear came on all that dwelt round about them: and all these sayings were noised abroad throughout all the hill country of Judæa.\nAnd when they heard that he spake unto them in the Hebrew language, they were the more quiet: and he saith,\nYet as he walked away, he saw the tree still looked sad.\nFor thou verily givest thanks well, but the other is not edified.\nEither drink it or don’t, I said.\nBut they were terrified and affrighted, and supposed that they beheld a spirit.\nI commended them to what god they claimed and then walked about the perimeter, observing the order of the scene.\nAnd he said unto the woman, Thy faith hath saved thee; go in peace. \nWilbur was loaded into the truck.\nBut he guessed she did not understand a word of English, and perhaps the longevity of the chickens was not her point of concern but just her stewardship, maintaining it until the last moment.\nRepeat! Now in to the left! Attach! Climb! Repeat! O.K.! Easy, keep those lines together! Now, then, out and down for the leg of the R! Steady now! Attach! Climb! Attach! Over to the right! Pay out line! Attach!\nAnd behold, Elisabeth thy kinswoman, she also hath conceived a son in her old age; and this is the sixth month with her that was called barren.\nNo longer do I call you servants; for the servant knoweth not what his lord doeth: but I have called you friends; for all things that I heard from my Father I have made known unto you.\nAnd the serpent was never seen or heard from again.\n“Why can’t you just say ‘here’? Why do you have to repeat everything?”\n“A,” said Wilbur.\nFor ye both had compassion on them that were in bonds, and took joyfully the spoiling of your possessions, knowing that ye have for yourselves a better possession and an abiding one.\nThe Jews therefore said among themselves, Whither will this man go that we shall not find him? will he go unto the Dispersion among the Greeks, and teach the Greeks?\nSpearfinger had magic powers and she was always hungry.  \nNow you've seen how a soil scientist like Asmeret looks at the woods.\nAnd what shall I more say? for the time will fail me if I tell of Gideon, Barak, Samson, Jephthah; of David and Samuel and the prophets:\n“I shall go, too,” she said, softly.\nAnd when he had fasted forty days and forty nights, he afterward hungered.\nAnd a stranger will they not follow, but will flee from him: for they know not the voice of strangers.\nAnd he said unto him, Why askest thou me concerning that which is good? One there is who is good: but if thou wouldest enter into life, keep the commandments.\n“Will you come over and play with me?” he asked.\nand to have authority to cast out demons:\nknowing that from the Lord ye shall receive the recompense of the inheritance: ye serve the Lord Christ.\nAnybody got a loaner?\nAnd the high priest stood up, and said unto him, Answerest thou nothing? what is it which these witness against thee?\nNow white voices and Indian voices both hunted him.\nbackbiters, hateful to God, insolent, haughty, boastful, inventors of evil things, disobedient to parents,\n“Fern, dear, how would a fish get in a spider’s web?” said Mrs. Arable.\nSeeing that these things are thus all to be dissolved, what manner of persons ought ye to be in all holy living and godliness,\nBut no—with men it's rush, rush, rush, every minute.\nand to wait for his Son from heaven, whom he raised from the dead, even Jesus, who delivereth us from the wrath to come. \nAnd he brought them up into his house, and set food before them, and rejoiced greatly, with all his house, having believed in God.\nAs to peace, I said, I had spent most of the past few years trying to find a path to it.\nit is sown in dishonor; it is raised in glory: it is sown in weakness; it is raised in power:\nHe took another step toward the pail.\nBut he, knowing their thoughts, said unto them, Every kingdom divided against itself is brought to desolation; and a house divided against a house falleth.\nIts only value to the white settlers is as a range for cattle and swine and the country must become much more thickly inhabited before it will be used for that, and if in the meantime the small number of fugitive Indians who presumably now occupy it are left undisturbed the worst injury which can arise from their continuing presence will be the loss of a few hogs and a little corn to the whites in the vicinity, who I should point out purchased all they have of both from these very Indians.\nOr thinkest thou that I cannot beseech my Father, and he shall even now send me more than twelve legions of angels?\nHath any of the rulers believed on him, or of the Pharisees?\nA breeze brought him the smell of clover—the sweet-smelling world beyond his fence.\nAnd neither would war save them.\nOn the third night, we fell asleep fully clothed, exhausted.\nBut an angel of the Lord by night opened the prison doors, and brought them out, and said,\nYe heard how I said to you, I go away, and I come unto you. If ye loved me, ye would have rejoiced, because I go unto the Father: for the Father is greater than I.\nAnd when they had crossed over, they came to the land unto Gennesaret, and moored to the shore.\nbut this is that which hath been spoken through the prophet Joel:\nBut he saw nothing new.\nAnd Isaiah crieth concerning Israel, If the number of the children of Israel be as the sand of the sea, it is the remnant that shall be saved:\nAnother miracle.\n“Can I have some money?” asked Fern.\nAnd straightway the second time the cock crew. And Peter called to mind the word, how that Jesus said unto him, Before the cock crow twice, thou shalt deny me thrice. And when he thought thereon, he wept. \nAnd the beast was taken, and with him the false prophet that wrought the signs in his sight, wherewith he deceived them that had received the mark of the beast and them that worshipped his image: they two were cast alive into the lake of fire that burneth with brimstone:\nI say unto you, that even so there shall be joy in heaven over one sinner that repenteth, more than over ninety and nine righteous persons, who need no repentance.\nAnd I will most gladly spend and be spent for your souls. If I love you more abundantly, am I loved the less?\nfor the Lord will execute his word upon the earth, finishing it and cutting it short.\nBut I found that he had committed nothing worthy of death: and as he himself appealed to the emperor I determined to send him.\nShe spread the blankets on the porch floor and folded some of the herbs and the pot into the blankets, and with a quick knot she fashioned a shoulder sling of the bundle.\nAnd he went with him; and a great multitude followed him, and they thronged him.\nBut when the morning came again He knew he could not fly\nAnd they send to him their disciples, with the Herodians, saying, Teacher, we know that thou art true, and teachest the way of God in truth, and carest not for any one: for thou regardest not the person of men.\nNow concerning virgins I have no commandment of the Lord: but I give my judgment, as one that hath obtained mercy of the Lord to be trustworthy.\nPausing in the shade of an apple tree, he put his strong snout into the ground and began pushing, digging, and rooting.\nAll in all, the Zuckermans’ pigpen was the center of attraction.\nYou talked with that colonel?\nfor this my son was dead, and is alive again; he was lost, and is found. And they began to be merry.\nAnd they came to the other side of the sea, into the country of the Gerasenes.\nAnd Jesus said unto them, Can the sons of the bridechamber mourn, as long as the bridegroom is with them? but the days will come, when the bridegroom shall be taken away from them, and then will they fast.\nWherefore, my brethren beloved and longed for, my joy and crown, so stand fast in the Lord, my beloved.\nand said unto them, Ye brought unto me this man, as one that perverteth the people: and behold, I, having examined him before you, found no fault in this man touching those things whereof ye accuse him:\nThat takes real leg work.”\nKnow ye that our brother Timothy hath been set at liberty; with whom, if he come shortly, I will see you.\nFor being ignorant of God’s righteousness, and seeking to establish their own, they did not subject themselves to the righteousness of God.\nAnd when ye see a south wind blowing, ye say, There will be a scorching heat; and it cometh to pass.\n“Everybody in!” called Mr. Arable.\nHe barely took note that the sky was closing down over him, becoming a grey press of moisture.\nWhat do the people do when they put on shoes? Said Rabbit.\nAlso the long column of spine and the many curved keen ribs of a big rattler that Wasseton had hit right in the soft underside of its head as it rose up in striking posture and then finished off with thrown rocks until it lay twisting, head crushed, in the leaves.\nI beseech thee for my child, whom I have begotten in my bonds, Onesimus,\nJake closed with him and struck again and hit more with the flat than the sharp part of the blade.\nJesus saith unto her, Woman, why weepest thou? whom seekest thou? She, supposing him to be the gardener, saith unto him, Sir, if thou hast borne him hence, tell me where thou hast laid him, and I will take him away.\nand thence they sailed to Antioch, from whence they had been committed to the grace of God for the work which they had fulfilled.\nDodge about, dodge about!” cried the goose.\nHe walked slowly to his food trough and sniffed to see if anything had been overlooked at lunch.\nif so be that ye heard him, and were taught in him, even as truth is in Jesus:\nKids think they hear all sorts of things.”\nBut for that matter I don’t understand how a spider learned to spin a web in the first place.\nHe dug elbow-deep in the dirt and then came out with a root, pulling it from the ground as if he were a fisherman with his hands plunged in muddy water grabbling out a heavy and reluctant catfish.\nOr I only and Barnabas, have we not a right to forbear working?\nThese have the power to shut the heaven, that it rain not during the days of their prophecy: and they have power over the waters to turn them into blood, and to smite the earth with every plague, as often as they shall desire.\nand she was with child; and she crieth out, travailing in birth, and in pain to be delivered.\nThere were seven brethren: and the first took a wife, and dying left no seed;\nEnough light to shape the ridges against the sky, enough light to know that though the mountains are not permanent, they are persistent.\nI do not see how this place could support a lone man in the wild, much less a large population of fugitives.\nAnd she said, No man, Lord. And Jesus said, Neither do I condemn thee: go thy way; from henceforth sin no more.]\nSomewhere in their eastward progress, they had crossed the boundary line and had left the Nation and entered America and become fugitives.\nOne day while swimming around beside a large rock he noticed a small hole through which pond water flowed.\n“Did you hear the way she rambled on about the animals, pretending that they talked?” Mr. Arable chuckled.\nSetting the pail down, he picked up the stick that Avery had dropped and pried the trough up.\nlet no man therefore despise him. But set him forward on his journey in peace, that he may come unto me: for I expect him with the brethren.\nAnd go quickly, and tell his disciples, He is risen from the dead; and lo, he goeth before you into Galilee; there shall ye see him: lo, I have told you.\nHowbeit, after I am raised up, I will go before you into Galilee.\nI do not make void the grace of God: for if righteousness is through the law, then Christ died for nought. \nTake heed that ye do not your righteousness before men, to be seen of them: else ye have no reward with your Father who is in heaven.\nThou foolish one, that which thou thyself sowest is not quickened except it die:\nBut from the beginning of the creation, Male and female made he them.\nFern looked at her father.\nServants, be in subjection to your masters with all fear; not only to the good and gentle, but also to the froward.\nBut his partner I didn't recognize. As I caught up with them, I stopped the car to give them a ride.\nA sparrow with a streaky breast arrived and sang.\nWhich thou hast prepared before the face of all peoples;\nBut at least Calhoun saw some prospect in me, or some element of entertainment.\nthat your glorying may abound in Christ Jesus in me through my presence with you again.\nand being made free from sin, ye became servants of righteousness.\n“I could spin a web if I tried,” said Wilbur, boasting.\nMr. Zuckerman took fine care of Wilbur all the rest of his days, and the pig was often visited by friends and admirers, for nobody ever forgot the year of his triumph and the miracle of the web.\nBut there rose up certain of the sect of the Pharisees who believed, saying, It is needful to circumcise them, and to charge them to keep the law of Moses.\nWas any man called being circumcised? let him not become uncircumcised. Hath any been called in uncircumcision? let him not be circumcised.\n Look! Other trees had lost their leaves, but this one was forever green.\nAnd Jesus answered him, and said, What wilt thou that I should do unto thee? And the blind man said unto him, Rabboni, that I may receive my sight.\nso we, who are many, are one body in Christ, and severally members one of another.\n“Sure,” said the doctor.\nThe children walked slowly up toward the barn.\nNevertheless death reigned from Adam until Moses, even over them that had not sinned after the likeness of Adam’s transgression, who is a figure of him that was to come.\nNow the chief priests and the whole council sought false witness against Jesus, that they might put him to death;\nYe lust, and have not: ye kill, and covet, and cannot obtain: ye fight and war; ye have not, because ye ask not.\nSome of the paler among the rich Indians might have been tempted to cross out of the Nation and melt into the surrounding white populations, but the bordering states, Georgia in particular, were vigilant in arresting fugitives of whatever blood degree and deporting them to the West under conditions suitable only for convicts.\n(all which things are to perish with the using), after the precepts and doctrines of men?\nHer sitting on the tailboard of the wagon, going away, the driver rattling the reins and the mules pulling and the wooden members of the wagon rubbing and rattling against one another as the wheels rolled through the mud.\nand to Apphia our sister, and to Archippus our fellow-soldier, and to the church in thy house:\nand when they found him not, they returned to Jerusalem, seeking for him.\nIt made it easier to stay hidden until she was ready to strike her next victim.\n“For goodness’ sake!” bellowed Mr. Zuckerman, who was really drenched.\nCommand therefore that the sepulchre be made sure until the third day, lest haply his disciples come and steal him away, and say unto the people, He is risen from the dead: and the last error will be worse than the first.\nAnd when one of them that sat at meat with him heard these things, he said unto him, Blessed is he that shall eat bread in the kingdom of God.\nAnd he said unto them, The Son of man is lord of the sabbath.\nAs the days went by, Wilbur grew and grew.\nBy faith Moses, when he was grown up, refused to be called the son of Pharaoh’s daughter;\n“So am I,” said another tiny voice.\nAn old man.\nI say it not to condemn you: for I have said before, that ye are in our hearts to die together and live together.\nOne day he caught a trout by spearing it with a sharp hickory stick and ventured to light a fire no bigger than he could have cupped in his hand to sear it over.\nFor it is as when a man, going into another country, called his own servants, and delivered unto them his goods.\n“What are your names, please?” asked Wilbur, trembling with joy.\n“fine, I like that very much,” said the third spider.\nEverything that is living will die one day.\nNay, much rather, those members of the body which seem to be more feeble are necessary:\n“Kill you.\nFor there is one God, one mediator also between God and men, himself man, Christ Jesus,\nand Uzziah begat Jotham; and Jotham begat Ahaz; and Ahaz begat Hezekiah;\nAnd he answered and said, Have ye not read, that he who made them from the beginning made them male and female,\nFor I am come down from heaven, not to do mine own will, but the will of him that sent me.\nYe men of Israel, hear these words: Jesus of Nazareth, a man approved of God unto you by mighty works and wonders and signs which God did by him in the midst of you, even as ye yourselves know;\nSo when he had washed their feet, and taken his garments, and sat down again, he said unto them, Know ye what I have done to you?\nBut when thou art bidden, go and sit down in the lowest place; that when he that hath bidden thee cometh, he may say to thee, Friend, go up higher: then shalt thou have glory in the presence of all that sit at meat with thee.\nBut having the same spirit of faith, according to that which is written, I believed, and therefore did I speak; we also believe, and therefore also we speak;\nThe end\nAnd I knew him not: but he that sent me to baptize in water, he said unto me, Upon whomsoever thou shalt see the Spirit descending, and abiding upon him, the same is he that baptizeth in the Holy Spirit.\nNone.\nFor such men are false apostles, deceitful workers, fashioning themselves into apostles of Christ.\nMrs. Zuckerman wanted to see a deep freeze.\nFor we rejoice, when we are weak, and ye are strong: this we also pray for, even your perfecting.\nThen went the Pharisees, and took counsel how they might ensnare him in his talk.\nto the general assembly and church of the firstborn who are enrolled in heaven, and to God the Judge of all, and to the spirits of just men made perfect,\nHave ye understood all these things? They say unto him, Yea.\nOr are ye ignorant, brethren (for I speak to men who know the law), that the law hath dominion over a man for so long time as he liveth?\nEven today the titmouse has a short tongue and Cherokee people know it is a liar.\nWhen Lurvy arrived with breakfast, there was the handsome pig, and over him, woven neatly in block letters, was the word TERRIfiC.\nCharlotte needs new ideas so she can write messages in her web and save Wilbur's life.”\n“Plaything?\nNow I rejoice in my sufferings for your sake, and fill up on my part that which is lacking of the afflictions of Christ in my flesh for his body’s sake, which is the church;\nJust Charley and Nancy and their grown boys, Nantayale Jake and Lowan.\nAnd the multitude went up and began to ask him to do as he was wont to do unto them.\nHis brethren therefore said unto him, Depart hence, and go into Judæa, that thy disciples also may behold thy works which thou doest.\nFinally, he came to the small pond at the base of the large rock.\nThe grass was wet and the earth smelled of springtime. Fern’s sneakers were sopping by the time she caught up with her father.\nHe that descended is the same also that ascended far above all the heavens, that he might fill all things.)\nFor through thy knowledge he that is weak perisheth, the brother for whose sake Christ died.\nWilbur heard several people make favorable remarks about Uncle’s great size.\nBut Paul and Barnabas tarried in Antioch, teaching and preaching the word of the Lord, with many others also.\nAnd then shall they see the Son of man coming in a cloud with power and great glory.\nAnd he charged them much that they should not make him known.\nArriving at the house once more, they spied a giant boulder upon the hillside.\nTo him bear all the prophets witness, that through his name every one that believeth on him shall receive remission of sins.\nAt least that’s the story the book told.\nStop inventing these wild tales!”\nAnd Jesus perceiving it said, O ye of little faith, why reason ye among yourselves, because ye have no bread?\nAnd we are witnesses of these things; and so is the Holy Spirit, whom God hath given to them that obey him.\nOn that first trip, I was so excited about train travel that for the first fifty miles after the railhead, I sat up front in the locomotive conversing with the engineer and the fireman and helping feed wood into the firebox.\nAnd they were glad, and covenanted to give him money.\nAnd he that sweareth by the temple, sweareth by it, and by him that dwelleth therein.\n“Give him two spoonfuls of sulphur and a little molasses,” said Mr. Zuckerman.\nI say this to move you to shame. What, cannot there be found among you one wise man who shall be able to decide between his brethren,\nFor he that said, Do not commit adultery, said also, Do not kill. Now if thou dost not commit adultery, but killest, thou art become a transgressor of the law.\nWilbur ate heartily.\nAnd when they had kindled a fire in the midst of the court, and had sat down together, Peter sat in the midst of them.\nShe was still thinking about the pig when the teacher said: “Fern, what is the capital of Pennsylvania?”\nMr. Arable was not willing to provide for him any longer.\nCare to memorialize this agreement on paper?\nBut as he had neglected to fasten the other end to anything, it didn’t really do any good, and Wilbur landed with a thud, crushed and hurt.\nBut that it spread no further among the people, let us threaten them, that they speak henceforth to no man in this name.\nBut what saith it? The word is nigh thee, in thy mouth, and in thy heart: that is, the word of faith, which we preach:\nThere’s no honor here.\nGrace to you and peace from God the Father and the Lord Jesus Christ.\nHe wore his good clothes all the time now—got right into them when he got up in the morning.\nNow I beseech you, brethren, mark them that are causing the divisions and occasions of stumbling, contrary to the doctrine which ye learned: and turn away from them.\n“Come and see for yourself.”\nThe rat didn’t waste a minute.\nAnd every created thing which is in the heaven, and on the earth, and under the earth, and on the sea, and all things that are in them, heard I saying, Unto him that sitteth on the throne, and unto the Lamb, be the blessing, and the honor, and the glory, and the dominion, for ever and ever.\nAnd to whom sware he that they should not enter into his rest, but to them that were disobedient?\n“Then don’t worry,” said the doctor.\nAnd it came to pass, as he sat at meat in the house, behold, many publicans and sinners came and sat down with Jesus and his disciples.\nBut Templeton worked away at the job, and managed to cut the sac adrift and carry it to the ground, where he dropped it in front of Wilbur.\nAnd there were shepherds in the same country abiding in the field, and keeping watch by night over their flock.\nBut watch ye at every season, making supplication, that ye may prevail to escape all these things that shall come to pass, and to stand before the Son of man.\nFor if the blood of goats and bulls, and the ashes of a heifer sprinkling them that have been defiled, sanctify unto the cleanness of the flesh:\nhath at the end of these days spoken unto us in his Son, whom he appointed heir of all things, through whom also he made the worlds;\nThey just figured it was better to be armed than disarmed.\n“That sign ought to say ‘Zuckerman’s Famous Pig and Two Stowaways.\nAnd he answering said, Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind; and thy neighbor as thyself.\n(he had not consented to their counsel and deed), a man of Arimathæa, a city of the Jews, who was looking for the kingdom of God:\nYou go there almost every afternoon, don’t you?”\nSpearfinger was a terrible old monster who lived high in the mountains.  \nand through a window was I let down in a basket by the wall, and escaped his hands. \nAnd Paul said, I knew not, brethren, that he was high priest: for it is written, Thou shalt not speak evil of a ruler of thy people.\nEven things without life, giving a voice, whether pipe or harp, if they give not a distinction in the sounds, how shall it be known what is piped or harped?\nHe knew he would have to act quickly.\nAnd when he was come down from the mountain, great multitudes followed him.\nAnd it came to pass when Jesus had finished commanding his twelve disciples, he departed thence to teach and preach in their cities.\nI’m an old sheep and I see the same thing, same old business, year after year.\nIn the kitchen, Mrs. Zuckerman suddenly made an announcement.\nAmong humans, they call it a 'shoe.'\nAs they passed the Ferris wheel, Fern gazed up at it and wished she were in the topmost car with Henry Fussy at her side.\nAlong the way, we collected a few more fugitive stragglers.\nThis is a dead tree.\nFern came slowly down the stairs.\nAnd in turn they shared their dinner with me, fat yeasty bread rolls and thin beefsteaks seasoned with a great deal of crushed black and red pepper and seared fast in a dry long-handled iron skillet heated nearly red-hot over the fire.\nIf any man’s work shall be burned, he shall suffer loss: but he himself shall be saved; yet so as through fire.\nAnd when he had seen the vision, straightway we sought to go forth into Macedonia, concluding that God had called us to preach the gospel unto them.\nCharlotte watched in delight.\nOne place, full of little stout Dutchmen, had the finest sausages I had ever eaten, cooked over hickory coals and served with sauerkraut and brown ale drawn from brown glazed crocks cooled in the creek.\nand the light of a lamp shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the princes of the earth; for with thy sorcery were all the nations deceived.\n“He claims he’s a spring pig,” reported Charlotte, “and perhaps he is.\nAnd they all ate, and were filled.\nYou have nothing to fear, Wilbur—nothing to worry about.\nBut with me helping you, it can be done.”\nRejoice always;\nBut certain also of the strolling Jews, exorcists, took upon them to name over them that had the evil spirits the name of the Lord Jesus, saying, I adjure you by Jesus whom Paul preacheth.\nThen, when they had fasted and prayed and laid their hands on them, they sent them away.\nBy these three plagues was the third part of men killed, by the fire and the smoke and the brimstone, which proceeded out of their mouths.\nFor the Father loveth the Son, and showeth him all things that himself doeth: and greater works than these will he show him, that ye may marvel.\nAnd Jesus answering them said, Have ye not read even this, what David did, when he was hungry, he, and they that were with him;\nNow know we that thou knowest all things, and needest not that any man should ask thee: by this we believe that thou camest forth from God.\nAnd no man putteth a piece of undressed cloth upon an old garment; for that which should fill it up taketh from the garment, and a worse rent is made.\nand she had been a widow even unto fourscore and four years), who departed not from the temple, worshipping with fastings and supplications night and day.\nFungus\nIt was in the fall, and the leaves had fallen, and the moon was shining brightly.\nBut when the fourteenth night was come, as we were driven to and fro in the sea of Adria, about midnight the sailors surmised that they were drawing near to some country:\nAnd they went to another village.\nNo man seweth a piece of undressed cloth on an old garment: else that which should fill it up taketh from it, the new from the old, and a worse rent is made.\nAnd he took the five loaves and the two fishes, and looking up to heaven, he blessed, and brake the loaves; and he gave to the disciples to set before them; and the two fishes divided he among them all.\nAnd when the dragon saw that he was cast down to the earth, he persecuted the woman that brought forth the man child.\nAnd he came nigh and touched the bier: and the bearers stood still. And he said, Young man, I say unto thee, Arise.\nAnd as he sat on the mount of Olives, the disciples came unto him privately, saying, Tell us, when shall these things be? and what shall be the sign of thy coming, and of the end of the world?\n“A buttermilk bath.\nDipping her paddle in the buttermilk, she rubbed him all over.\nThese they took back toward the beast, with plans to snare its head.\nAnd of which of you that is a father shall his son ask a loaf, and he give him a stone? or a fish, and he for a fish give him a serpent?\nI guess I was about sixteen years old, and I had just gotten my operator's license.\nAnd the people stood beholding. And the rulers also scoffed at him, saying, He saved others; let him save himself, if this is the Christ of God, his chosen.\nBut Bear had seen Jackson at work.\nLet each man abide in that calling wherein he was called.\nBut forget not this one thing, beloved, that one day is with the Lord as a thousand years, and a thousand years as one day.\nand every spirit that confesseth not Jesus is not of God: and this is the spirit of the antichrist, whereof ye have heard that it cometh; and now it is in the world already.\nBut just at the first point of slumber, he had a dream of falling and gave out a little yell.\nSo that with good courage we say, The Lord is my helper; I will not fear: What shall man do unto me?\nthat it may be well with thee, and thou mayest live long on the earth.\n“Nothing,” said Charlotte.\n“But that proves nothing.\nAnd Jesus seeing their faith saith unto the sick of the palsy, Son, thy sins are forgiven.\nYea, brother, let me have joy of thee in the Lord: refresh my heart in Christ.\nWhile he yet spake, behold, a multitude, and he that was called Judas, one of the twelve, went before them; and he drew near unto Jesus to kiss him.\nThese things said his parents, because they feared the Jews: for the Jews had agreed already, that if any man should confess him to be Christ, he should be put out of the synagogue.\nAnd as they tarried there many days, Festus laid Paul’s case before the king, saying, There is a certain man left a prisoner by Felix;\nWe scoured the rivers and creeks and streams like hounds after foxes.\nSo she sat quite still, and talked less than usual.\n“Just keep calm.”\nThe people, they say, learned the Cherokee letters quickly.\nthe son of Melea, the son of Menna, the son of Mattatha, the son of Nathan, the son of David,\nAnd we have confidence in the Lord touching you, that ye both do and will do the things which we command.\nWhen he quit beating, he started talking, and his words matched up with the story of the Green Man and God.\nWhen I was growing up, I guess it was about the year 1957, we did not have electricity in our house yet.\nNow in the place where he was crucified there was a garden; and in the garden a new tomb wherein was never man yet laid.\nNow we beseech you, brethren, touching the coming of our Lord Jesus Christ, and our gathering together unto him;\nI came out from the Father, and am come into the world: again, I leave the world, and go unto the Father.\nFrom two to three, he planned to scratch itchy places by rubbing against the fence.\nBut the things which God foreshowed by the mouth of all the prophets, that his Christ should suffer, he thus fulfilled.\nFor the Son of Man has come to save that which was lost.\nWould that ye could bear with me in a little foolishness: but indeed ye do bear with me.\nAnd he said unto her, For this saying go thy way; the demon is gone out of thy daughter.\nHow to save the broken fragments of the world?\nBut I say unto you that it shall be more tolerable for the land of Sodom in the day of judgment, than for thee.\n“I want to go out on the midway.”\nAnd he answered and said, He that dipped his hand with me in the dish, the same shall betray me.\nbut if it beareth thorns and thistles, it is rejected and nigh unto a curse; whose end is to be burned.\nNot all of us do, I said.\n“I worry about Fern,” she said.\n“It's my turn,” said Fern.\nAnd we desire that each one of you may show the same diligence unto the fulness of hope even to the end:\nShe jabbed around in every direction trying to stab anyone who came near the top of the pitfall.\nFor ye are not come unto a mount that might be touched, and that burned with fire, and unto blackness, and darkness, and tempest,\nAnd he laid hold on the dragon, the old serpent, which is the Devil and Satan, and bound him for a thousand years,\nHe that overcometh shall inherit these things; and I will be his God, and he shall be my son.\nAnd the things which thou hast heard from me among many witnesses, the same commit thou to faithful men, who shall be able to teach others also.\nCharlotte was both.\nFlee fornication. Every sin that a man doeth is without the body; but he that committeth fornication sinneth against his own body.\nHe that heareth you heareth me; and he that rejecteth you rejecteth me; and he that rejecteth me rejecteth him that sent me.\nAnd they were all astonished at the majesty of God. But while all were marvelling at all the things which he did, he said unto his disciples,\nTempleton seized the string, passed it around the end of the pig's tail, and tied two half hitches.\n“Just the same, I do worry about her,” replied Mrs. Arable.\nasking a favor against him, that he would send for him to Jerusalem; laying a plot to kill him on the way.\nI beseech you therefore, brethren, by the mercies of God, to present your bodies a living sacrifice, holy, acceptable to God, which is your spiritual service.\nThey answered and said unto him, If this man were not an evil-doer, we should not have delivered him up unto thee.\n“Stop acting like a spoiled child!”\nAnd they that were with me beheld indeed the light, but they heard not the voice of him that spake to me.\n“None of us do,” said Dr. Dorian, sighing.\nwhich, when it was filled, they drew up on the beach; and they sat down, and gathered the good into vessels, but the bad they cast away.\nSo were her teeth.\nWherefore, though I have all boldness in Christ to enjoin thee that which is befitting,\nThe rat was swollen to twice his normal size.\nIn the resurrection therefore whose wife of them shall she be? for the seven had her to wife.\nJesus answered and said unto them, Even if I bear witness of myself, my witness is true; for I know whence I came, and whither I go; but ye know not whence I come, or whither I go.\nThen come to him the disciples of John, saying, Why do we and the Pharisees fast oft, but thy disciples fast not?\nFinally he decided he would have to speak up.\nthat it might be fulfilled which was spoken through the prophet, saying, I will open my mouth in parables; I will utter things hidden from the foundation of the world.\nAs soon as the people were gone, Charlotte spoke to Wilbur.\nThe day was hot.\n“I know,” he said; “she’d kill you if you did.”\nIt was the kind of barn that swallows like to build their nests in.\nThese things spake Jesus; and lifting up his eyes to heaven, he said, Father, the hour is come; glorify thy Son, that the Son may glorify thee:\nAll of a sudden she had an idea.\nThe truck began to move ahead.\nAnd after these days Elisabeth his wife conceived; and she hid herself five months, saying,\nFor thou shalt be a witness for him unto all men of what thou hast seen and heard.\nAnd he took a little child, and set him in the midst of them: and taking him in his arms, he said unto them,\nSaying above, Sacrifices and offerings and whole burnt offerings and sacrifices for sin thou wouldest not, neither hadst pleasure therein (the which are offered according to the law),\nIt is thought that there are not more than 400 rifles among them, and those for the most part useless or in bad repair.\nAnd Jesus stood, and commanded him to be brought unto him: and when he was come near, he asked him,\nAnd when they found them not, they dragged Jason and certain brethren before the rulers of the city, crying, These that have turned the world upside down are come hither also;\n“I’ll appeal to his baser instincts, of which he has plenty.\nSimon Peter saith unto him, Lord, not my feet only, but also my hands and my head.\nJackson was stretched out on a chaise, alternately talking and sucking on a pastille. The pleated skin around his mouth opened and closed rhythmically as a bellows.\nIf ye love me, ye will keep my commandments.\nIf ye abide in me, and my words abide in you, ask whatsoever ye will, and it shall be done unto you.\nUnto you first God, having raised up his Servant, sent him to bless you, in turning away every one of you from your iniquities. \nSomething along those lines, Smith said.\nBy helping you, perhaps I was trying to lift up my life a trifle.\nhow that he was caught up into Paradise, and heard unspeakable words, which it is not lawful for a man to utter.\nIt is as when a man, sojourning in another country, having left his house, and given authority to his servants, to each one his work, commanded also the porter to watch.\nAgain, the kingdom of heaven is like unto a net, that was cast into the sea, and gathered of every kind:\nThe salutation of me Paul with mine own hand.\nDivisions of governance no bigger than cove bottoms but assigned the names of lost clans.\nIn the beginning was the Word, and the Word was with God, and the Word was God.\nYet in like manner these also in their dreamings defile the flesh, and set at nought dominion, and rail at dignities.\nAnd behold, forthwith three men stood before the house in which we were, having been sent from Cæsarea unto me.\nThe nobleman saith unto him, Sir, come down ere my child die.\nthat with one accord ye may with one mouth glorify the God and Father of our Lord Jesus Christ.\nThe diameter of their world was tightly drawn, just as it was for most of their white neighbors, and its topography was confined to the coves and ridges and watercourses they had seen with their eyes and walked with their legs. Whatever larger geography they held in mind was theoretical.\nAnd they went out to see what had come to pass; and they came to Jesus, and found the man, from whom the demons were gone out, sitting, clothed and in his right mind, at the feet of Jesus: and they were afraid.\nAnd Jesus looking upon them said to them, With men this is impossible; but with God all things are possible.\nNow there was a certain rich man, and he was clothed in purple and fine linen, faring sumptuously every day:\nMr. Arable set the carton down at Fern’s place.\nThe Jews therefore said unto him, Thou art not yet fifty years old, and hast thou seen Abraham?\nThey shall put you out of the synagogues: yea, the hour cometh, that whosoever killeth you shall think that he offereth service unto God.\nHowever, I was around him enough to think that being Crockett in those days would have been pretty fine.\nWe heard it again the third time, and we knew for sure it was coming toward us, as the meows were getting louder.\nPeople sat in small groups talking.\nJesus saith unto him, Because thou hast seen me, thou hast believed: blessed are they that have not seen, and yet have believed.\nand I appoint unto you a kingdom, even as my Father appointed unto me,\nThis is again the second sign that Jesus did, having come out of Judæa into Galilee. \nAnd when the seven among the four thousand, how many basketfuls of broken pieces took ye up? And they say unto him, Seven.\nPut to death therefore your members which are upon the earth: fornication, uncleanness, passion, evil desire, and covetousness, which is idolatry;\nAnd I saw, and behold, a white cloud; and on the cloud I saw one sitting like unto a son of man, having on his head a golden crown, and in his hand a sharp sickle.\nabout whom, when I was at Jerusalem, the chief priests and the elders of the Jews informed me, asking for sentence against him.\nIn Charley’s telling, it was a miraculous process, at the end of which he suddenly had new pants.\nAnd when he had said this, he showed them his hands and his feet.\nAnd the sea gave up the dead that were in it; and death and Hades gave up the dead that were in them: and they were judged every man according to their works.\nAnd another angel came out from the temple, crying with a great voice to him that sat on the cloud, Send forth thy sickle, and reap: for the hour to reap is come; for the harvest of the earth is ripe.\nand he said unto them, Ye yourselves know how it is an unlawful thing for a man that is a Jew to join himself or come unto one of another nation; and yet unto me hath God showed that I should not call any man common or unclean:\nThe losers leave their dead and wounded where they fall and flee in vomitous panic.\nand the stars of the heaven fell unto the earth, as a fig tree casteth her unripe figs when she is shaken of a great wind.\nAbout half an hour before dawn, Wilbur woke and listened.\nHe tried to look radiant without getting food in his ears.\nAnd this continued for the space of two years; so that all they that dwelt in Asia heard the word of the Lord, both Jews and Greeks.\nThen understood they that he bade them not beware of the leaven of bread, but of the teaching of the Pharisees and Sadducees.\nHe began to cry.\nThe first evening at dinner, she straddled me in my chair, her dress in a bunch around us.\n(for that righteous man dwelling among them, in seeing and hearing, vexed his righteous soul from day to day with their lawless deeds):\nTake heed unto yourselves, and to all the flock, in which the Holy Spirit hath made you bishops, to feed the church of the Lord which he purchased with his own blood.\nAnything to oblige.”\nYe have heard that it was said, Thou shalt not commit adultery:\nBut to do good and to communicate forget not: for with such sacrifices God is well pleased.\n“But it all started with that pig we let Fern raise on a bottle.\nI cooked the best quail any of them had ever tasted.\nOkay, said Wolf.\nAnd Jesus said unto the centurion, Go thy way; as thou hast believed, so be it done unto thee. And the servant was healed in that hour.\nBut ye have a custom, that I should release unto you one at the passover: will ye therefore that I release unto you the King of the Jews?\nAnd when he had taken him, he put him in prison, and delivered him to four quaternions of soldiers to guard him; intending after the Passover to bring him forth to the people.\nIf the world hateth you, ye know that it hath hated me before it hated you.\nThen saith Pilate unto him, Hearest thou not how many things they witness against thee?\nI could feel everything falling apart.\nThe strange new fish walked along the bottom of the stream on four legs.\nThe dog carried her triangular head hanging loose, almost touching the ground, and her nose often pulled her out into the woods on some fascinating scent-path.\nwhen he shall come to be glorified in his saints, and to be marvelled at in all them that believed (because our testimony unto you was believed) in that day.\n“It’s a good thing you can’t see what I see,” she said.\nBut he said unto them, Not all men can receive this saying, but they to whom it is given.\n“Come out at once!” cried Mrs. Arable.\nBut the water was flowing too fast for such a small fish to swim against.\n“He'll make a perfect breakfast for me.”\nI paused to think but then realized that not much thought was required.\nHe must have fought bravely and led his people well.\nThen charged he the disciples that they should tell no man that he was the Christ.\nand they repented not of their murders, nor of their sorceries, nor of their fornication, nor of their thefts. \nThen said Paul unto him, God shall smite thee, thou whited wall: and sittest thou to judge me according to the law, and commandest me to be smitten contrary to the law?\nWhen I woke up in the morning it was amidst the sound of a crowd, all wondering what I was doing lying there on the floor.\nBehold, we go up to Jerusalem; and the Son of man shall be delivered unto the chief priests and scribes; and they shall condemn him to death,\nAnd by chance a certain priest was going down that way: and when he saw him, he passed by on the other side.\nAnd he that sat on the cloud cast his sickle upon the earth; and the earth was reaped.\nHe that loveth not knoweth not God; for God is love.\nThat's some pig!”\nHe was a short man who spoke Cherokee so poorly that he would not attempt it in public, nor could he even read the syllabary.\nAnd also that Crockett knew it to be a flaw in his public image but could do nothing to correct it other than, when outdoors, to cock his hat so that it rode low on his brow, its brim casting deep shade to the bridge of his nose.\nand I persecuted this Way unto the death, binding and delivering into prisons both men and women.\nAnd another horse came forth, a red horse: and to him that sat thereon it was given to take peace from the earth, and that they should slay one another: and there was given unto him a great sword.\nPlease present this to Mrs. Featherstone, I said.\nThey were actually part of the web, Edith.\nAnd there come his mother and his brethren; and, standing without, they sent unto him, calling him.\nThe Jews therefore answered and said unto him, What sign showest thou unto us, seeing that thou doest these things?\nAfter all, what’s a life, anyway?\nand saith unto him, Every man setteth on first the good wine; and when men have drunk freely, then that which is worse: thou hast kept the good wine until now.\n“What does ‘languishing’ mean?”\nThey profess that they know God; but by their works they deny him, being abominable, and disobedient, and unto every good work reprobate. \nAnd they rose up that very hour, and returned to Jerusalem, and found the eleven gathered together, and them that were with them,\nHe told how he and his family had been set to sail for America, and they had gone from Galway out past Spiddal for a last visit.\nTeacher, which is the great commandment in the law?\nHe examined the window ledge, stared up at the ceiling.\nIt is a fearful thing to fall into the hands of the living God.\nVII. Bad News  \nContinue stedfastly in prayer, watching therein with thanksgiving;\nThis time when she stepped outside … she was wearing her scarf and boots.\n“That is, I guess I like it.”\nNo way to come out the other side feeling noble or even whole anymore.\nOne of the two that heard John speak, and followed him, was Andrew, Simon Peter’s brother.\nBut speak thou the things which befit the sound doctrine:\nThe rat had no morals, no conscience, no scruples, no consideration, no decency, no milk of rodent kindness, no compunctions, no higher feeling, no friendliness, no anything.\nAnd they departed, and went throughout the villages, preaching the gospel, and healing everywhere.\nAnd the second poured out his bowl into the sea; and it became blood as of a dead man; and every living soul died, even the things that were in the sea.\nThat morning, Lieutenant Smith’s party had ridden up a green cove, their first mission of the day to roust out an old woman, a widow living solitary in a cabin with tied bundles of sage hanging stems-up under the eaves of her porch to dry, the cabin hemmed in by fenced garden plots, corn and beans and squash growing in her fields, chickens scratching in the yard, straw skeps humming with bees, carefully pruned apple and peach trees busy putting out fruit.\nFor verily that which hath been made glorious hath not been made glorious in this respect, by reason of the glory that surpasseth.\nFor when God made promise to Abraham, since he could swear by none greater, he sware by himself,\nYea, it hath been their good pleasure; and their debtors they are. For if the Gentiles have been made partakers of their spiritual things, they owe it to them also to minister unto them in carnal things.\nAnd if any man desireth to hurt them, fire proceedeth out of their mouth and devoureth their enemies; and if any man shall desire to hurt them, in this manner must he be killed.\nand to you that are afflicted rest with us, at the revelation of the Lord Jesus from heaven with the angels of his power in flaming fire,\n“Put it on her chair!” said Mrs. Arable.\nOthers said, It is he: others said, No, but he is like him. He said, I am he.\nIf we sowed unto you spiritual things, is it a great matter if we shall reap your carnal things?\nNow when they heard of the resurrection of the dead, some mocked; but others said, We will hear thee concerning this yet again.\nAnd as he was going forth into the way, there ran one to him, and kneeled to him, and asked him, Good Teacher, what shall I do that I may inherit eternal life?\n“That pig is radiant.”\nWilbur lay asleep in the straw.\n“Furthermore,” said Mr. Zuckerman, “I want you to start building a crate for Wilbur.\nAnd he would not: but went and cast him into prison, till he should pay that which was due.\nHe could reliably drive a dart through a pigeon’s head at nearly the distance he could throw a rock.\nIf to others I am not an apostle, yet at least I am to you; for the seal of mine apostleship are ye in the Lord.\nBut call to remembrance the former days, in which, after ye were enlightened, ye endured a great conflict of sufferings;\nneither did we eat bread for nought at any man’s hand, but in labor and travail, working night and day, that we might not burden any of you:\nFor I could wish that I myself were anathema from Christ for my brethren’s sake, my kinsmen according to the flesh:\nAnd every evening he went forth out of the city.\n“Roll it away and add it to that nasty collection of yours.”\nto enrol himself with Mary, who was betrothed to him, being great with child.\nit was winter; and Jesus was walking in the temple in Solomon’s porch.\nWhat people don't think of!”\nHe couldn’t help overhearing these remarks, and he couldn't help worrying.\nChildren, obey your parents in all things, for this is well-pleasing in the Lord.\nso that contrariwise ye should rather forgive him and comfort him, lest by any means such a one should be swallowed up with his overmuch sorrow.\nYou smell less of everybody’s chamberpots in the morning.\nSome therefore cried one thing, and some another: for the assembly was in confusion; and the more part knew not wherefore they were come together.\nNothing colorful at all except for a few stunted pumpkins still glowing in the fields and a few persistent apples hanging red in the skeletal orchards.\nYou can tell all kinds of stories in the space between dark and dawn.\nThese autumn days will shorten and grow cold.\nFor a great storm was coming soon, with hailstones as big as hominy blocks falling from a black sky, killing all the whites and anyone else who did not go to refuge in the highest mountains.\nThey got soaking wet.\nKnow ye not that your bodies are members of Christ? shall I then take away the members of Christ, and make them members of a harlot? God forbid.\n“I won’t leave you here alone to die.\nSo Christ also glorified not himself to be made a high priest, but he that spake unto him, Thou art my Son, This day have I begotten thee:\nFill ye up then the measure of your fathers.\nfor as the lightning, when it lighteneth out of the one part under the heaven, shineth unto the other part under heaven; so shall the Son of man be in his day.\nNot the word you wanted spoken to you out alone in the high mountains.\nShe fell back to the end of the group and then stopped.\nAnd many came unto him; and they said, John indeed did no sign: but all things whatsoever John spake of this man were true.\nDo you wonder where soil comes from?\nBut they did not all hearken to the glad tidings. For Isaiah saith, Lord, who hath believed our report?\nFor what is our hope, or joy, or crown of glorying? Are not even ye, before our Lord Jesus at his coming?\nBut he answered and said to one of them, Friend, I do thee no wrong: didst not thou agree with me for a shilling?\nand they beckoned unto their partners in the other boat, that they should come and help them. And they came, and filled both the boats, so that they began to sink.\n“There's no denying that.\nLurvy pulled his big handkerchief from his pocket and wiped the sweat from the back of his neck.\nThe woods refused sustenance.\nThe truck, driven by Mr. Arable, crawled slowly back to the pigpen.\nBut they’re not going to be gained here.\n“My cousin kept the fish for a while, and then, when she got good and ready, she ate it.”\nThe salutation of me Paul with mine own hand. Remember my bonds. Grace be with you.\n“I think there’s something wrong with that pig of yours.\n“Wash up and eat your breakfast, Avery!” said his mother.\nand sent messengers before his face: and they went, and entered into a village of the Samaritans, to make ready for him.\nBehold, I stand at the door and knock: if any man hear my voice and open the door, I will come in to him, and will sup with him, and he with me.\nAnd the cup in like manner after supper, saying, This cup is the new covenant in my blood, even that which is poured out for you.\nJesus therefore came out, wearing the crown of thorns and the purple garment. And Pilate saith unto them, Behold, the man!\nHow is it that ye do not perceive that I spake not to you concerning bread? But beware of the leaven of the Pharisees and Sadducees.\nHello, said Wolf.\nAnd when his disciples James and John saw this, they said, Lord, wilt thou that we bid fire to come down from heaven, and consume them?\nHis friends the sheep and the geese were glad to see him back.\nHe was pleased with his new home.\nAll they had brought in the trade was a puzzlingly small quantity of beans and cornmeal and a few pumpkins and cabbages.\nThe Spirit himself beareth witness with our spirit, that we are children of God:\nAnd Paul called unto him one of the centurions, and said, Bring this young man unto the chief captain; for he hath something to tell him.\nfor I was hungry, and ye gave me to eat; I was thirsty, and ye gave me drink; I was a stranger, and ye took me in;\nwho hath been made, not after the law of a carnal commandment, but after the power of an endless life:\nAnd when they had brought their boats to land, they left all, and followed him.\nand he came down with them, and stood on a level place, and a great multitude of his disciples, and a great number of the people from all Judæa and Jerusalem, and the sea coast of Tyre and Sidon, who came to hear him, and to be healed of their diseases;\nunto the church of God which is at Corinth, even them that are sanctified in Christ Jesus, called to be saints, with all that call upon the name of our Lord Jesus Christ in every place, their Lord and ours:\nBut that ye also may know my affairs, how I do, Tychicus, the beloved brother and faithful minister in the Lord, shall make known to you all things:\nWilbur couldn't believe what was happening to him when Lurvy caught him and forced the medicine down his throat.\nI can of myself do nothing: as I hear, I judge: and my judgment is righteous; because I seek not mine own will, but the will of him that sent me.\nLet each man do according as he hath purposed in his heart: not grudgingly, or of necessity: for God loveth a cheerful giver.\nAnd I will kill her children with death; and all the churches shall know that I am he that searcheth the reins and hearts: and I will give unto each one of you according to your works.\nIt's a shoe? said the others.\nand so fearful was the appearance, that Moses said, I exceedingly fear and quake:\nBy the time the bus reached school, Fern had named her pet, selecting the most beautiful name she could think of.\nhaving been reminded of the unfeigned faith that is in thee; which dwelt first in thy grandmother Lois, and thy mother Eunice; and, I am persuaded, in thee also.\nThe year before the Removal, Bear and I between us could fairly accurately claim control over about ten thousand acres.\nLurvy!\nKing Agrippa, believest thou the prophets? I know that thou believest.\nAnd his mouth was opened immediately, and his tongue loosed, and he spake, blessing God.\nand being found in fashion as a man, he humbled himself, becoming obedient even unto death, yea, the death of the cross.\nBut Paul said unto them, They have beaten us publicly, uncondemned, men that are Romans, and have cast us into prison; and do they now cast us out privily? nay verily; but let them come themselves and bring us out.\n“Why?” asked Wilbur.\nBut woe unto you, scribes and Pharisees, hypocrites! because ye shut the kingdom of heaven against men: for ye enter not in yourselves, neither suffer ye them that are entering in to enter.\nAnd going on a little further, he saw James the son of Zebedee, and John his brother, who also were in the boat mending the nets.\nIsn't your friend going to ride with us? I asked him.\nBut it is my country.\n“If I struggle I'll get dirty,” said Wilbur.\nand they shall bring the glory and the honor of the nations into it:\n“Well, he's dirty, and he’s going to have a bath.”\nWherefore? because I love you not? God knoweth.\nAnd it was the third hour, and they crucified him.\nYe are the salt of the earth: but if the salt have lost its savor, wherewith shall it be salted? it is thenceforth good for nothing, but to be cast out and trodden under foot of men.\nwhereas ye know not what shall be on the morrow. What is your life? For ye are a vapor that appeareth for a little time, and then vanisheth away.\nTwo of them started loading pipes, tamping tobacco with their thumbs like filling a posthole.\nThey said therefore unto him, How then were thine eyes opened?\nfor he taught them as one having authority, and not as their scribes. \nBlessed are the pure in heart: for they shall see God.\nLet us fear therefore, lest haply, a promise being left of entering into his rest, any one of you should seem to have come short of it.\nAnd his father and his mother were marvelling at the things which were spoken concerning him;\nFern jumped aboard and sat on top of the crate.\nAnd it was given them that they should not kill them, but that they should be tormented five months: and their torment was as the torment of a scorpion, when it striketh a man.\n“Who’s ‘us’?” asked Mr. Arable.\nbut they, when they saw him walking on the sea, supposed that it was a ghost, and cried out;\nbut if a man suffer as a Christian, let him not be ashamed; but let him glorify God in this name.\nthat they said to you, In the last time there shall be mockers, walking after their own ungodly lusts.\nFor he that soweth unto his own flesh shall of the flesh reap corruption; but he that soweth unto the Spirit shall of the Spirit reap eternal life.\nPeople are already getting sick of reading the words ‘Some Pig!’ \nIf any man thinketh that he knoweth anything, he knoweth not yet as he ought to know;\n“Oh, dear!”\nAnd to the angel of the church in Pergamum write: These things saith he that hath the sharp two-edged sword:\nAnd when the disciples saw it, they marvelled, saying, How did the fig tree immediately wither away?\nAnd there was one Anna, a prophetess, the daughter of Phanuel, of the tribe of Asher (she was of a great age, having lived with a husband seven years from her virginity,\nusing hospitality one to another without murmuring:\nBut if that servant shall say in his heart, My lord delayeth his coming; and shall begin to beat the menservants and the maidservants, and to eat and drink, and to be drunken;\nand let him that is on the housetop not go down, nor enter in, to take anything out of his house:\nHe would dream that men were coming to get him with knives and guns.\nand having been made perfect, he became unto all them that obey him the author of eternal salvation;\nAnd Agrippa said unto Paul, Thou art permitted to speak for thyself. Then Paul stretched forth his hand, and made his defence:\nNow the passover, the feast of the Jews, was at hand.\n“Let’s let the children go off by themselves,” suggested Mr. Arable.\nAnd they answering say unto him, Where, Lord? And he said unto them, Where the body is, thither will the eagles also be gathered together. \nHe saith unto them, My cup indeed ye shall drink: but to sit on my right hand, and on my left hand, is not mine to give; but it is for them for whom it hath been prepared of my Father.\nAnd he said, Why, what evil hath he done? But they cried out exceedingly, saying, Let him be crucified.\nBut she was shot down by the Americans nevertheless.\nA missionary named Worcester helped Sequoyah turn his beautiful loops and spirals into sturdy, English-looking symbols that could be printed with lead type.\nJesus saith unto him, If I will that he tarry till I come, what is that to thee? follow thou me.\nAgain a second time he went away, and prayed, saying, My Father, if this cannot pass away, except I drink it, thy will be done.\nBut Solomon built him a house.\nBut he was in a sort of strange mood, and so he walked out slowly among them, and the stout blue shadows they cast across the bald merged with his own.\nOur first meeting was in his office in the Capitol and we got along like equals, even though Crockett was old enough to be my natural daddy.\nThen Charlie went to fetch his armor.\nthat the proof of your faith, being more precious than gold that perisheth though it is proved by fire, may be found unto praise and glory and honor at the revelation of Jesus Christ:\nSmith made broad encompassing motions using the whole of both arms, as if to implicate the wide landscape in the coming actions.\nThe boys lay spaced apart, and the ground was marked everywhere with sign of what had taken place.\nAnd the Pharisees went out, and straightway with the Herodians took counsel against him, how they might destroy him.\nMrs. Arable found a baby's nursing bottle and a rubber nipple.\nAnd there appeared unto him an angel from heaven, strengthening him.\nMy cousin was very much surprised, of course.\nWhen the peas come in, they are so sweet we pick and eat them right there.\nAnd when the ten heard it, they were moved with indignation concerning the two brethren.\nHe had indeed the pointed face, tiny blank eyes, and sharp snapping teeth of a possum.\nNow consider how great this man was, unto whom Abraham, the patriarch, gave a tenth out of the chief spoils.\nI laughed.\nAnd he hath on his garment and on his thigh a name written, KING OF KINGS, AND LORD OF LORDS.\nAnd I took the little book out of the angel’s hand, and ate it up; and it was in my mouth sweet as honey: and when I had eaten it, my belly was made bitter.\nAnd he is arrayed in a garment sprinkled with blood: and his name is called The Word of God.\nTherefore, behold, I send unto you prophets, and wise men, and scribes: some of them shall ye kill and crucify; and some of them shall ye scourge in your synagogues, and persecute from city to city:\n“What fantastic creatures boys are!\nWoe unto you, ye blind guides, that say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor.\nfor ye are all sons of light, and sons of the day: we are not of the night, nor of darkness;\nAnd he commanded the chariot to stand still: and they both went down into the water, both Philip and the eunuch; and he baptized him.\nBut foolish and ignorant questionings refuse, knowing that they gender strifes.\nI was a stranger, and ye took me not in; naked, and ye clothed me not; sick, and in prison, and ye visited me not.\nHis catch went into the creel with its fellow roots, and Charley closed the lid as if they might otherwise escape.\nI love you Bigfish. Swim on, swim on…\nand from Jesus Christ, who is the faithful witness, the firstborn of the dead, and the ruler of the kings of the earth. Unto him that loveth us, and loosed us from our sins by his blood;\nI was in the city of Joppa praying: and in a trance I saw a vision, a certain vessel descending, as it were a great sheet let down from heaven by four corners; and it came even unto me:\nAnd they answered Jesus, and said, We know not. He also said unto them, Neither tell I you by what authority I do these things.\nThe barn was pleasantly warm in winter when the animals spent most of their time indoors, and it was pleasantly cool in summer when the big doors stood wide open to the breeze.\nFor the mystery of lawlessness doth already work: only there is one that restraineth now, until he be taken out of the way.\nand he gave him authority to execute judgment, because he is a son of man.\nAfter these things Jesus went away to the other side of the sea of Galilee, which is the sea of Tiberias.\nHe that receiveth a prophet in the name of a prophet shall receive a prophet’s reward: and he that receiveth a righteous man in the name of a righteous man shall receive a righteous man’s reward.\nBut Paul thought not good to take with them him who withdrew from them from Pamphylia, and went not with them to the work.\nWhereupon as I journeyed to Damascus with the authority and commission of the chief priests,\nfor neither was the man created for the woman; but the woman for the man:\nYe serpents, ye offspring of vipers, how shall ye escape the judgment of hell?\nthat no man transgress, and wrong his brother in the matter: because the Lord is an avenger in all these things, as also we forewarned you and testified.\nand looking up, they see that the stone is rolled back: for it was exceeding great.\nAnd they took him, and killed him, and cast him forth out of the vineyard.\nAnd Paul, looking stedfastly on the council, said, Brethren, I have lived before God in all good conscience until this day.\nThe chickens would not live out the morning but would have their necks wrung and be roasting on a spit for someone’s dinner.\nNothing to keep you awake fretting.\nand when they perceived the grace that was given unto me, James and Cephas and John, they who were reputed to be pillars, gave to me and Barnabas the right hands of fellowship, that we should go unto the Gentiles, and they unto the circumcision;\nBeing therefore a prophet, and knowing that God had sworn with an oath to him, that of the fruit of his loins he would set one upon his throne;\nI kept a set of clean dry clothes in an oilcloth bag.\nfor no man ever hated his own flesh; but nourisheth and cherisheth it, even as Christ also the church;\nA photographer took Wilbur’s picture.\nTake, brethren, for an example of suffering and of patience, the prophets who spake in the name of the Lord.\nAnd he called to him the multitude again, and said unto them, Hear me all of you, and understand:\nHe waved his hand in front of his face and could not see a thing.\nAnd take it easy—don’t rush him!\nWilbur was desperate.\nAnother parable spake he unto them; The kingdom of heaven is like unto leaven, which a woman took, and hid in three measures of meal, till it was all leavened.\nand think not to say within yourselves, We have Abraham to our father: for I say unto you, that God is able of these stones to raise up children unto Abraham.\nWherefore lift up the hands that hang down, and the palsied knees;\nTomorrow will go fine.\nWhy do we also stand in jeopardy every hour?\nBut, constantly and a little awkwardly, she tried to step just out of its beam, and thus she went about with a dodging motion, as if always apologizing for herself.\nBut he saith, Nay; lest haply while ye gather up the tares, ye root up the wheat with them.\n“There was my cousin, slipping in, dodging out, beaten mercilessly over the head by the wildly thrashing fish, dancing in, dancing out, throwing her threads and fighting hard. \nHe breathed the morning air into his lungs.\nhaving condemnation, because they have rejected their first pledge.\n“It’s something for me, for a change.”\nIn a week, armed with only a few letters of introduction, you could meet everyone of political or social consequence, right up to the president.\n“Oh, don’t pay any attention to me,” said Charlotte.\nGrandpa always tries the hottest kinds, even some from South America.\nI put the book down and tried not to let it color my view of the man, for Crockett had no say in its production.\n“My little niece calls him Wilbur.\none that ruleth well his own house, having his children in subjection with all gravity;\n“Come out of that pigpen immediately!” cried Mrs. Arable.\nbut Israel, following after a law of righteousness, did not arrive at that law.\nThe clerk was enormously delighted to be staying, to his complete astonishment, at the famous Indian Queen Hotel, and he could not stop talking about it as we walked.\nWhen the stampede was over, he was bleeding and bruised, but nothing was broken.\n“How many goslings are there?\nFor this, Thou shalt not commit adultery, Thou shalt not kill, Thou shalt not steal, Thou shalt not covet, and if there be any other commandment, it is summed up in this word, namely, Thou shalt love thy neighbor as thyself.\nThen remember the day when the word ‘radiant’ appeared clearly on the web.\nAnd he said unto him, Son, thou art ever with me, and all that is mine is thine.\nA thing of wonder, but only to be admired briefly and then shut carefully away again.\n“Good night, Wilbur!”\nAnd the shapes of the locusts were like unto horses prepared for war; and upon their heads as it were crowns like unto gold, and their faces were as men’s faces.\nThe geese cheered.\nBut when Jesus heard it, he said, This sickness is not unto death, but for the glory of God, that the Son of God may be glorified thereby.\nWoe unto you, scribes and Pharisees, hypocrites! for ye cleanse the outside of the cup and of the platter, but within they are full from extortion and excess.\nX. An Explosion  \nLong before Sunday came, the news spread all over the county.\nAs we neared the door of the colonel’s office, Smith slowed and entered behind me.\nThe clearing in the woods where I came upon the boys hewn to death was hardly bigger than the stage of a theater, a brief and roughly circular interruption in the dense forest.\nFor scarcely for a righteous man will one die: for peradventure for the good man some one would even dare to die.\nHe spun and looked behind him and saw the blurred black shape of what might be bear at the edge of vision.\nWhile ye have the light, believe on the light, that ye may become sons of light. These things spake Jesus, and he departed and hid himself from them.\nIt seemed to sleep.\nand shall cut him asunder, and appoint his portion with the hypocrites: there shall be the weeping and the gnashing of teeth. \nAnd Jesus said unto them, A prophet is not without honor, save in his own country, and among his own kin, and in his own house.\nAfter he had ended all his sayings in the ears of the people, he entered into Capernaum.\nAnd he that beholdeth me beholdeth him that sent me.\nAnd as they went on the way, they came unto a certain water; and the eunuch saith, Behold, here is water; what doth hinder me to be baptized?\nThe God and Father of the Lord Jesus, he who is blessed for evermore knoweth that I lie not.\nThen Festus, when he had conferred with the council, answered, Thou hast appealed unto Cæsar: unto Cæsar shalt thou go.\nand delivered righteous Lot, sore distressed by the lascivious life of the wicked\nto whom our fathers would not be obedient, but thrust him from them, and turned back in their hearts unto Egypt,\nAnd ye shall say unto the master of the house, The Teacher saith unto thee, Where is the guest-chamber, where I shall eat the passover with my disciples?\nNothing could ever again match the times when Houston was in residence at the Queen and held court late into the night in the lounge, often until the first flicker of dawn, for he didn’t sleep well in the dark and liked to pass the night drinking and talking and listening to fiddle music.\nYeah, something like that.\nJesus saith unto him, Go thy way; thy son liveth. The man believed the word that Jesus spake unto him, and he went his way.\nbut if we walk in the light, as he is in the light, we have fellowship one with another, and the blood of Jesus his Son cleanseth us from all sin.\nand they may recover themselves out of the snare of the devil, having been taken captive by him unto his will. \n“Of course it is,” replied Lurvy.\nOne night, I played the old Washington hand, giving a walking tour to the clerk of a new senator just arrived from some little hard-shell Baptist-ridden town in Alabama.\nNow in the morning as he returned to the city, he hungered.\n“Luck had nothing to do with this,” said the goose.\nMostly full-bloods.\nSo they took away the stone. And Jesus lifted up his eyes, and said, Father, I thank thee that thou heardest me.\n“Neither will I,” said the rat, picking his teeth.\n“What a lot of fuss about nothing!”\nLooking back upon my first meeting with them in the social room of the Queen, it seems like we should have gotten along.\nFor what should a man give in exchange for his life?\nNow there went with him great multitudes: and he turned, and said unto them,\nAnd he said, Jesus, remember me when thou comest in thy kingdom.\nYou refer to assistance reportedly given to the fugitives by the few bad white men scattered among the mountains, but I have yet found no evidence of such assistance.\nSleep hard and dream of your sweethearts.\nthat in the name of Jesus every knee should bow, of things in heaven and things on earth and things under the earth,\nIn that day, he that shall be on the housetop, and his goods in the house, let him not go down to take them away: and let him that is in the field likewise not return back.\nThe Cherokees were never safe and tried to always stay together in groups of 2 or more.\neven when we were dead through our trespasses, made us alive together with Christ (by grace have ye been saved),\nWhen therefore he said unto them, I am he, they went backward, and fell to the ground.\nWho shall separate us from the love of Christ? shall tribulation, or anguish, or persecution, or famine, or nakedness, or peril, or sword?\nand when they had hoisted it up, they used helps, under-girding the ship; and, fearing lest they should be cast upon the Syrtis, they lowered the gear, and so were driven.\nAnd the white Indians of the Nation had gone at it to the best of their understanding.\nwhom God set forth to be a propitiation, through faith, in his blood, to show his righteousness because of the passing over of the sins done aforetime, in the forbearance of God;\nOne night we built a fire in the yard in the old black circle.\nAnd they said unto them even as Jesus had said: and they let them go.\nI am the God of Abraham, and the God of Isaac, and the God of Jacob? God is not the God of the dead, but of the living.\nBut the Possum always had something about him that moved many folks his way, like the wind pushed them or gravity pulled them in his direction.\nHe that rejecteth me, and receiveth not my sayings, hath one that judgeth him: the word that I spake, the same shall judge him in the last day.\nNow Jesus loved Martha, and her sister, and Lazarus.\n“Meetings bore me. \nThe heaven is my throne, And the earth the footstool of my feet: What manner of house will ye build me? saith the Lord: Or what is the place of my rest?\nAnd now, Father, glorify thou me with thine own self with the glory which I had with thee before the world was.\nThey said therefore unto him, What must we do, that we may work the works of God?\nstrengthened with all power, according to the might of his glory, unto all patience and longsuffering with joy;\nAnd putting to sea from thence, we sailed under the lee of Cyprus, because the winds were contrary.\n“There! he said, triumphantly.\nNow when Jesus came into the parts of Cæsarea Philippi, he asked his disciples, saying, Who do men say that the Son of man is?\n“It would be wonderful fun.”\nThey bring to the Pharisees him that aforetime was blind.\nNot from the spider, we can rest assured of that.\nEveryone looked at me.\nI know thy works, and thy toil and patience, and that thou canst not bear evil men, and didst try them that call themselves apostles, and they are not, and didst find them false;\nBut when these things begin to come to pass, look up, and lift up your heads; because your redemption draweth nigh.\nIs the law then against the promises of God? God forbid: for if there had been a law given which could make alive, verily righteousness would have been of the law.\nBefore she finished the sentence, Wilbur was asleep.\nI fast twice in the week; I give tithes of all that I get.\n“Yes, it is,” agreed Charlotte.\nI think I left just a tiny bit of mashed potato.”\nTake heed, brethren, lest haply there shall be in any one of you an evil heart of unbelief, in falling away from the living God:\nAnd Simon answered and said, Pray ye for me to the Lord, that none of the things which ye have spoken come upon me.\nJesus said unto them, I am the bread of life: he that cometh to me shall not hunger, and he that believeth on me shall never thirst.\nHe said he believed that you could think about our situation for a month and come to the same conclusion, for our dilemma was simple.\nknowing that such a one is perverted, and sinneth, being self-condemned.\nI am a glutton but not a merry-maker.\nand having rehearsed all things unto them, he sent them to Joppa.\nMr. Zuckerman knew that a manure pile is a good place to keep a young pig.\n“No name,” he said in a big, hearty voice.\nBut when we are judged, we are chastened of the Lord, that we may not be condemned with the world.\nBrethren, it was needful that the scripture should be fulfilled, which the Holy Spirit spake before by the mouth of David concerning Judas, who was guide to them that took Jesus.\nFor Moses writeth that the man that doeth the righteousness which is of the law shall live thereby.\nIt sounded as if the thicket itself were closing around him, the limbs tightening and reforming from wild tangle into something much simpler, a harsh-spoked wheel with him at the hub.\nBut old Spearfinger was clever and would sneak up on someone who was out alone. She would cut out their liver and disappear back into the fog.\n“He lays in clean straw,” corrected Mr. Zuckerman.\nAnd being moved with compassion, he stretched forth his hand, and touched him, and saith unto him, I will; be thou made clean.\nWhat shall we say then? Is the law sin? God forbid. Howbeit, I had not known sin, except through the law: for I had not known coveting, except the law had said, Thou shalt not covet:\npreaching boldly in the name of the Lord: and he spake and disputed against the Grecian Jews; but they were seeking to kill him.\nAnd in these days Peter stood up in the midst of the brethren, and said (and there was a multitude of persons gathered together, about a hundred and twenty),\nand he told us how he had seen the angel standing in his house, and saying, Send to Joppa, and fetch Simon, whose surname is Peter;\nHe came therefore again unto Cana of Galilee, where he made the water wine. And there was a certain nobleman, whose son was sick at Capernaum.\nNevertheless that which ye have, hold fast till I come.\nIf ye were of the world, the world would love its own: but because ye are not of the world, but I chose you out of the world, therefore the world hateth you.\nAnd when forty years were fulfilled, an angel appeared to him in the wilderness of mount Sinai, in a flame of fire in a bush.\nHe would stand and gaze up at her with adoring eyes.\nI love you.\nAnd I saw another strong angel coming down out of heaven, arrayed with a cloud; and the rainbow was upon his head, and his face was as the sun, and his feet as pillars of fire;\nBut he that hateth his brother is in the darkness, and walketh in the darkness, and knoweth not whither he goeth, because the darkness hath blinded his eyes.\nAnd as they went out from Jericho, a great multitude followed him.\nThis is my commandment, that ye love one another, even as I have loved you.\nWhile he was yet speaking, behold, a bright cloud overshadowed them: and behold, a voice out of the cloud, saying, This is my beloved Son, in whom I am well pleased; hear ye him.\nEverybody I talked to came to the same conclusion as the secretary of war.\nBut let the brother of low degree glory in his high estate:\nLittlefish thought to himself, They only say these things because I am so small and they are so big.\nFor this they wilfully forget, that there were heavens from of old, and an earth compacted out of water and amidst water, by the word of God;\nYe ask, and receive not, because ye ask amiss, that ye may spend it in your pleasures.\nand he supposed that his brethren understood that God by his hand was giving them deliverance; but they understood not.\nAnd they were all filled with the Holy Spirit, and began to speak with other tongues, as the Spirit gave them utterance.\nAnd there arose a sharp contention, so that they parted asunder one from the other, and Barnabas took Mark with him, and sailed away unto Cyprus:\nWhen he woke it was late afternoon.\nAnd I say unto you, Every one who shall confess me before men, him shall the Son of man also confess before the angels of God:\nHe stopped to listen, and there was silence, even when he opened his mouth wide to aid his hearing.\nfor he was a good man, and full of the Holy Spirit and of faith: and much people was added unto the Lord.\nBut, according to his promise, we look for new heavens and a new earth, wherein dwelleth righteousness.\n Then went falling to the ground\nAfter these things came Jesus and his disciples into the land of Judæa; and there he tarried with them, and baptized.\nfor we are become partakers of Christ, if we hold fast the beginning of our confidence firm unto the end:\nYou’ve got to quit thinking that way, I said.\nAnd the Lord’s servant must not strive, but be gentle towards all, apt to teach, forbearing,\nbeing confident of this very thing, that he who began a good work in you will perfect it until the day of Jesus Christ:\nand Eliud begat Eleazar; and Eleazar begat Matthan; and Matthan begat Jacob;\nThen after three years I went up to Jerusalem to visit Cephas, and tarried with him fifteen days.\nStill, I don’t understand how those words got into the web.\nAnd when the devil had completed every temptation, he departed from him for a season.\nIn his excitement he missed his aim, and the water splashed all over Mr. Zuckerman and Avery.\nwho through faith subdued kingdoms, wrought righteousness, obtained promises, stopped the mouths of lions,\nSpiders are very clever at weaving their webs, but needless to say spiders cannot write.”\nin whom ye were also circumcised with a circumcision not made with hands, in the putting off of the body of the flesh, in the circumcision of Christ;\nBut the fruit of the Spirit is love, joy, peace, longsuffering, kindness, goodness, faithfulness,\nAnd if any man hear my sayings, and keep them not, I judge him not: for I came not to judge the world, but to save the world.\nWilbur's food is your food; therefore Wilbur's destiny and your destiny are closely linked.\nNancy mashed pinto beans and mixed them with cornmeal and wood-ash lye and rolled the mixture between her palms into little loaves and wrapped them in scalded fodder blades and held the packages together with thin strips shredded from fodder blades and tied in neat knots.\nNear dusk, the faces in tree bark cease hiding and stare out at you, the welcoming ones and also the malevolent, open in their curiosity.\nhowbeit in the church I had rather speak five words with my understanding, that I might instruct others also, than ten thousand words in a tongue.\nSmith rose and went to a trunk and took out another glass and poured me a drink from his bottle.\nWilbur didn’t care.\n“What are you thinking about, Charlotte?” he asked.\nCharlotte was not satisfied, however.\n“He’s humble, too,” said a woman, reading the sign on the web.\n“Avery is always fine.\nBut the day of the Lord will come as a thief; in the which the heavens shall pass away with a great noise, and the elements shall be dissolved with fervent heat, and the earth and the works that are therein shall be burned up.\nThe Ferris wheel was lighted now.\nlest any man should say that ye were baptized into my name.\nAnd when they were assembled with the elders, and had taken counsel, they gave much money unto the soldiers,\nWhen he recovered from his emotion, he spoke again.\nThe disciples say unto him, If the case of the man is so with his wife, it is not expedient to marry.\nThere was a joy in descent, in suddenly finding the pull of the earth acting consonant with your needs.\n“He’s in that corner, under the straw, asleep,” said Charlotte.\nAnd Jesus went about in all Galilee, teaching in their synagogues, and preaching the gospel of the kingdom, and healing all manner of disease and all manner of sickness among the people.\nBut from then forward, I elaborated on my life a bit more fully and romantically during dinner conversation, and if anybody wanted to call me chief, they were welcome to it.\nThen are there crucified with him two robbers, one on the right hand and one on the left.\nNow concerning things sacrificed to idols: We know that we all have knowledge. Knowledge puffeth up, but love edifieth.\nAnd they said, What further need have we of witness? for we ourselves have heard from his own mouth. \nAnd I am glad for your sakes that I was not there, to the intent ye may believe; nevertheless let us go unto him.\nThe Jews answered him, For a good work we stone thee not, but for blasphemy; and because that thou, being a man, makest thyself God.\nAll flesh is not the same flesh: but there is one flesh of men, and another flesh of beasts, and another flesh of birds, and another of fishes.\nThey now had their own laws and head chief and bicameral legislature housed in a big townhouse, and a supreme court and even a national academy and a museum displaying the long culture of the people.\neven as thou gavest him authority over all flesh, that to all whom thou hast given him, he should give eternal life.\nThe sun shall be turned into darkness, And the moon into blood, Before the day of the Lord come, That great and notable day:\nLight comes from everywhere at once, shapes shift, and sounds are muffled and magnified unpredictably.\nLove suffereth long, and is kind; love envieth not; love vaunteth not itself, is not puffed up,\nA little while, and ye behold me no more; and again a little while, and ye shall see me.\nShe’s a rather queer child — full of notions.\nbut we have renounced the hidden things of shame, not walking in craftiness, nor handling the word of God deceitfully; but by the manifestation of the truth commending ourselves to every man’s conscience in the sight of God.\nAnd the rat began to climb a rope that hung against the wall.\nHis medal still hung from his neck; by looking out of the corner of his eye he could see it.\nThey got up, and together they walked down to Wilbur’s yard.\nAnd on that day, when even was come, he saith unto them, Let us go over unto the other side.\nAnd when they had appointed him a day, they came to him into his lodging in great number; to whom he expounded the matter, testifying the kingdom of God, and persuading them concerning Jesus, both from the law of Moses and from the prophets, from morning till evening.\nHis name was Perry.\nAnd with many other words he testified, and exhorted them, saying, Save yourselves from this crooked generation.\nSome indeed preach Christ even of envy and strife; and some also of good will:\nAnd he went out from thence; and he cometh into his own country; and his disciples follow him.\nA flat of bottomland cut to red mud by men and horses, the unbroken brown face of a broad river running straight and then curving away, green mountains rising in steep pitches to the four cardinal directions.\nHe carefully took the little bundle in his mouth and held it there on top of his tongue.\nBut to him that worketh not, but believeth on him that justifieth the ungodly, his faith is reckoned for righteousness.\nToo much going on around here.”\nHe saith unto them, But who say ye that I am?\nShe tipped her head in the direction of forward.\nThou knowest the commandments, Do not commit adultery, Do not kill, Do not steal, Do not bear false witness, Honor thy father and mother.\nAnd I also say unto thee, that thou art Peter, and upon this rock I will build my church; and the gates of Hades shall not prevail against it.\nAnd when he drew nigh, he saw the city and wept over it,\nThe rat mumbled something to himself and disappeared into the shadows.\nAnd all that dwell on the earth shall worship him, every one whose name hath not been written from the foundation of the world in the book of life of the Lamb that hath been slain.\nThen he tied the medal around Wilbur’s neck.\nCircle their houses and give them half an hour to collect only what they could easily carry and then herd them down the road or trail to the next farmstead and do the same there.\nBut of that day or that hour knoweth no one, not even the angels in heaven, neither the Son, but the Father.\nThe chief priests of the Jews therefore said to Pilate, Write not, The King of the Jews; but, that he said, I am King of the Jews.\nThe families had gone to look for Fern.\nwhich in its own times he shall show, who is the blessed and only Potentate, the King of kings, and Lord of lords;\nHe closed his eyes, pulled some straw over himself, and dropped off into a deep sleep.\nAnd furthermore,” said Charlotte, shaking one of her legs, “do you realize that if I didn't catch bugs and eat them, bugs would increase and multiply and get so numerous that they’d destroy the earth, wipe out everything?”\nAnd many shall follow their lascivious doings; by reason of whom the way of the truth shall be evil spoken of.\nRemember the word that I said unto you, A servant is not greater than his lord. If they persecuted me, they will also persecute you; if they kept my word, they will keep yours also.\nAnd he had in his right hand seven stars: and out of his mouth proceeded a sharp two-edged sword: and his countenance was as the sun shineth in his strength.\nBut he that standeth stedfast in his heart, having no necessity, but hath power as touching his own will, and hath determined this in his own heart, to keep his own virgin daughter, shall do well.\nAnd as the sailors were seeking to flee out of the ship, and had lowered the boat into the sea, under color as though they would lay out anchors from the foreship,\nsaying, Thou wentest in to men uncircumcised, and didst eat with them.\nBut I will warn you whom ye shall fear: Fear him, who after he hath killed hath power to cast into hell; yea, I say unto you, Fear him.\nBut he answered and said unto them, Give ye them to eat. And they say unto him, Shall we go and buy two hundred shillings’ worth of bread, and give them to eat?\nFor this is he that was spoken of through Isaiah the prophet, saying, The voice of one crying in the wilderness, Make ye ready the way of the Lord, Make his paths straight.\nThis was an important event in the barn cellar.\nonly, whereunto we have attained, by that same rule let us walk.\nAt any rate, don't worry about Fern—she’s just got a lively imagination.\nTake my yoke upon you, and learn of me; for I am meek and lowly in heart: and ye shall find rest unto your souls.\nFor our glorying is this, the testimony of our conscience, that in holiness and sincerity of God, not in fleshly wisdom but in the grace of God, we behaved ourselves in the world, and more abundantly to you-ward.\nBut I am in a strait betwixt the two, having the desire to depart and be with Christ; for it is very far better:\nBut Simon Peter, when he saw it, fell down at Jesus’ knees, saying, Depart from me; for I am a sinful man, O Lord.\nBut what think ye? A man had two sons; and he came to the first, and said, Son, go work to-day in the vineyard.\nNow where remission of these is, there is no more offering for sin.\nTill I make thine enemies the footstool of thy feet.\nWe have an altar, whereof they have no right to eat that serve the tabernacle.\nAnd he killed James the brother of John with the sword.\nThey were telling tales, and I nodded at them to keep on with what they were doing.\nWhat he hath seen and heard, of that he beareth witness; and no man receiveth his witness.\nFor this ointment might have been sold for much, and given to the poor.\n“Saved from an untimely death.\nand they spake, saying unto him, Tell us: By what authority doest thou these things? or who is he that gave thee this authority?\nWilbur didn’t care.\nThen Judas, who betrayed him, when he saw that he was condemned, repented himself, and brought back the thirty pieces of silver to the chief priests and elders,\nAll unrighteousness is sin: and there is a sin not unto death.\nHe tried to yell back to her, but his tiny voice disappeared in the roar of the water.\nAnd the whole company of them rose up, and brought him before Pilate.\n“Don't say that!” groaned Wilbur. “Please don't say things like that!”\nAnd I answered, Who art thou, Lord? And he said unto me, I am Jesus of Nazareth, whom thou persecutest.\nAnd in that same house remain, eating and drinking such things as they give: for the laborer is worthy of his hire. Go not from house to house.\nAnd behold, a woman that had a spirit of infirmity eighteen years; and she was bowed together, and could in no wise lift herself up.\nand he put all things in subjection under his feet, and gave him to be head over all things to the church,\nTwo men went up into the temple to pray; the one a Pharisee, and the other a publican.\nand there was a widow in that city; and she came oft unto him, saying, Avenge me of mine adversary.\nYea, and we are found false witnesses of God; because we witnessed of God that he raised up Christ: whom he raised not up, if so be that the dead are not raised.\nAnd the rat was failing him.\nAnd thou shalt have joy and gladness; and many shall rejoice at his birth.\n“Do you understand how there could be any writing in a spider’s web?”\n“I can’t see you.\nThrough the woods they traveled, and to the market.\nShe mentioned that she knew a vastly famous old Boston writer, who had told her he could not get through a day in any peace unless he had written a specific quantity of lines.\nAnd at the season he sent to the husbandmen a servant, that he might receive from the husbandmen of the fruits of the vineyard.\nAnd he said, For this cause have I said unto you, that no man can come unto me, except it be given unto him of the Father.\nAnd when he came out, he could not speak unto them: and they perceived that he had seen a vision in the temple: and he continued making signs unto them, and remained dumb.\nbut had certain questions against him of their own religion, and of one Jesus, who was dead, whom Paul affirmed to be alive.\nBe it known unto you therefore, brethren, that through this man is proclaimed unto you remission of sins:\nFlattering portraits notwithstanding, Jackson looked older than he was, sixty-five or thereabouts.\nWherefore I take pleasure in weaknesses, in injuries, in necessities, in persecutions, in distresses, for Christ’s sake: for when I am weak, then am I strong.\nAt another party, we created a minor scandal by dancing every dance exclusively together.\nsaying unto them, Go into the village that is over against you, and straightway ye shall find an ass tied, and a colt with her: loose them, and bring them unto me.\nAnd taking the child by the hand, he saith unto her, Talitha cumi; which is, being interpreted, Damsel, I say unto thee, Arise.\n“You're kidding.”\nNow after these things the Lord appointed seventy others, and sent them two and two before his face into every city and place, whither he himself was about to come.\nAt the end of a day’s travel, I’d strip out of my wet clothes and wash in the creek and then dress in my dry evening attire.\nFor they themselves report concerning us what manner of entering in we had unto you; and how ye turned unto God from idols, to serve a living and true God,\nPilate answered, What I have written I have written.\nWherefore, my beloved brethren, be ye stedfast, unmoveable, always abounding in the work of the Lord, forasmuch as ye know that your labor is not vain in the Lord. \nthat the word of Isaiah the prophet might be fulfilled, which he spake, Lord, who hath believed our report? And to whom hath the arm of the Lord been revealed?\nWhat therefore will the lord of the vineyard do? he will come and destroy the husbandmen, and will give the vineyard unto others.\nAnd all the people answered and said, His blood be on us, and on our children.\nCharlotte rested and ate a grasshopper.\nThe children in the grandstand screamed with appreciation.\nSometime when no one was looking, George had slipped back into camp to share the fate of his wife and children.\nAnd he went and joined himself to one of the citizens of that country; and he sent him into his fields to feed swine.\nand all that heard him were amazed at his understanding and his answers.\nSimon Peter therefore having a sword drew it, and struck the high priest’s servant, and cut off his right ear. Now the servant’s name was Malchus.\n“I am,” said Charlotte.\nand when he had given thanks, he brake it, and said, This is my body, which is for you: this do in remembrance of me.\nThe same following after Paul and us cried out, saying, These men are servants of the Most High God, who proclaim unto you the way of salvation.\nAnd unto one he gave five talents, to another two, to another one; to each according to his several ability; and he went on his journey.\nThey also reasoned that a hatchet, like a knife, is both weapon and tool, and for all they knew, the Army allowed its prisoners to keep their knives and hatchets.\nNow the servants and the officers were standing there, having made a fire of coals; for it was cold; and they were warming themselves: and Peter also was with them, standing and warming himself.\nabstain from every form of evil.\nHowbeit ye did well that ye had fellowship with my affliction.\nYou couldn’t cut a wagon road through even the easiest parts without the greatest difficulty.\nAnd Jesus saith unto him, The foxes have holes, and the birds of the heaven have nests; but the Son of man hath not where to lay his head.\nAnd others fell upon the thorns; and the thorns grew up and choked them:\nAmerica took Ross’s low bid and got what they paid for.\nThis was certainly the worst day of his life.\nNow to him that is able to establish you according to my gospel and the preaching of Jesus Christ, according to the revelation of the mystery which hath been kept in silence through times eternal,\n“What do you think you are?”\nand said unto him, Go, wash in the pool of Siloam (which is by interpretation, Sent). He went away therefore, and washed, and came seeing.\nAnd according to the law, I may almost say, all things are cleansed with blood, and apart from shedding of blood there is no remission.\nThis had been a tiring afternoon.\nWith inhabitants of unclear citizenship and all possible degrees of blood, but so remote from the state capital that nobody in government much cared who we were or what we did way out in our doleful coves.\nHens were shaken from their roosts onto the dirt, and treetops swayed though there was no wind whatsoever.\nHe said again, Come to me.\nNow while Paul waited for them at Athens, his spirit was provoked within him as he beheld the city full of idols.\nBut concerning love of the brethren ye have no need that one write unto you: for ye yourselves are taught of God to love one another;\nAnd account that the longsuffering of our Lord is salvation; even as our beloved brother Paul also, according to the wisdom given to him, wrote unto you;\nwhom I have sent back to thee in his own person, that is, my very heart:\nWilbur, feeling the cold water, came to.\nbut now is manifested, and by the scriptures of the prophets, according to the commandment of the eternal God, is made known unto all the nations unto obedience of faith:\nShe left that afternoon to meet Boudinot nearby and be surreptitiously married by a sympathetic preacher, and afterward they set out south with young Ridge and his equally stunned bride.\namong whom are ye also, called to be Jesus Christ’s:\nWhen organisms decompose, they make rich soil.\nbut if any man loveth God, the same is known by him.\nEnd-times are tricky things to deal with, Bear said.\nfor the truth’s sake which abideth in us, and it shall be with us for ever:\nHe said, These goddamn fucking mountains.\nThere arose therefore a questioning on the part of John’s disciples with a Jew about purifying.\nHe parted laurel boughs and they rattled against him as he passed through their gates at a stoop.\nHis view was that they needed a great deal more such land.\nBut it is not as though the word of God hath come to nought. For they are not all Israel, that are of Israel:\nThey sought again to take him: and he went forth out of their hand.\nAnd passing along by the sea of Galilee, he saw Simon and Andrew the brother of Simon casting a net in the sea; for they were fishers.\nNo one had ever had such a friend—-so affectionate, so loyal, and so skillful.\nThere was no answer.\nwhom I have sent unto you for this very purpose, that ye may know our state, and that he may comfort your hearts.\n“Let’s go!”\nAnd on both ends of the transaction, I had ways to get hold of scrivener’s copies.\nHe was tired, and the whisky had hit him fast.\nfrom whom every family in heaven and on earth is named,\nFrom that point, the bloody little moment unfolded in less time than drawing five breaths.\nIf I partake with thankfulness, why am I evil spoken of for that for which I give thanks?\n“No, I only distribute pigs to early risers,” said Mr. Arable.\nBut if he hear thee not, take with thee one or two more, that at the mouth of two witnesses or three every word may be established.\nHere she sat quietly during the long afternoons, thinking and listening and watching Wilbur.\nHis color was like wood ash, and his eyes were dark and swollen below the underlids, and he was sheened with sweat even in the cool of evening.\nWhere is he that is born King of the Jews? for we saw his star in the east, and are come to worship him.\nArt thou greater than our father Jacob, who gave us the well, and drank thereof himself, and his sons, and his cattle?\nAnd as they were loosing the colt, the owners thereof said unto them, Why loose ye the colt?\nThe fish had many names, but the Cherokee people called them Rainbow Trout.\nBut Jesus perceived their wickedness, and said, Why make ye trial of me, ye hypocrites?\nThose of the Pharisees who were with him heard these things, and said unto him, Are we also blind?\nSo when Pilate saw that he prevailed nothing, but rather that a tumult was arising, he took water, and washed his hands before the multitude, saying, I am innocent of the blood of this righteous man; see ye to it.\nTherefore I say unto you, Every sin and blasphemy shall be forgiven unto men; but the blasphemy against the Spirit shall not be forgiven.\nHe can tear out bits of advertisements and bring them up here to the barn cellar, so that Charlotte can have something to copy.”\nNeither be ye called masters: for one is your master, even the Christ.\nAnd for so long I have hated my nature for failing to say what I felt.\neven the Spirit of truth: whom the world cannot receive; for it beholdeth him not, neither knoweth him: ye know him; for he abideth with you, and shall be in you.\nAnd I will show wonders in the heaven above, And signs on the earth beneath; Blood, and fire, and vapor of smoke:\nIt is deeply satisfying to win a prize in front of a lot of people.\nOur orbits were duplicated in a great rippling framed mirror on the wall.\nMeats for the belly, and the belly for meats: but God shall bring to nought both it and them. But the body is not for fornication, but for the Lord; and the Lord for the body:\nAnd behold, there are last who shall be first, and there are first who shall be last.\nAnd when eight days were fulfilled for circumcising him, his name was called JESUS, which was so called by the angel before he was conceived in the womb.\nAgain therefore he asked them, Whom seek ye? And they said, Jesus of Nazareth.\nAnd who is he that will harm you, if ye be zealous of that which is good?\nThere were no digging tools to be had, so the burial would be in the fashion of a stone barrow.\n They were going south, you see.\nHis hat was off and his blond hair stood in points, and every once in a while he would rake his fingers through it as if to smooth it down.\nAnd with him they crucify two robbers; one on his right hand, and one on his left.\nIf the whole body were an eye, where were the hearing? If the whole were hearing, where were the smelling?\nPhiladelphia wanted to fall and went as far as his knees, but George kept yanking him upright, trying to get his hatchet out.\nI thank my God always, making mention of thee in my prayers,\nIf therefore the Son shall make you free, ye shall be free indeed.\n“Oh,” she whispered.\nNone of them had ever fired a weapon except in training or for amusement or in highly amateur attempts at hunting.\nThey were not afraid of Wolf, but they thought that he was truly annoying.\nAnd he answered and said, I will not: but afterward he repented himself, and went.\nand having found one pearl of great price, he went and sold all that he had, and bought it.\nThe cloak that I left at Troas with Carpus, bring when thou comest, and the books, especially the parchments.\nHe said therefore, A certain nobleman went into a far country, to receive for himself a kingdom, and to return.\nbecause that which is known of God is manifest in them; for God manifested it unto them.\nAnd they went out, and preached that men should repent.\nPlease, please, please, Templeton, climb up and get the egg sac.”\n“Do you know what Charlotte said when the goslings hatched?”\nHe found what Beaver was talking about.\nIf any man speaketh in a tongue, let it be by two, or at the most three, and that in turn; and let one interpret:\nAnd inasmuch as it is not without the taking of an oath\nGrace to you and peace from God our Father and the Lord Jesus Christ.\nAnd when Peter saw it, he answered unto the people, Ye men of Israel, why marvel ye at this man? or why fasten ye your eyes on us, as though by our own power or godliness we had made him to walk?\nMr. Arable cut the motor, got out, walked around to the rear, and lowered the tailgate.\nAnd bring us not into temptation, but deliver us from the evil one.\n“Get around behind him, Lurvy,” said Mr. Zuckerman, “and drive him toward the barn!\nand not by his coming only, but also by the comfort wherewith he was comforted in you, while he told us your longing, your mourning, your zeal for me; so that I rejoiced yet more.\nBut when the Son of man shall come in his glory, and all the angels with him, then shall he sit on the throne of his glory:\nEverything had gone wrong, but how could it not have?\nOnly Luke is with me. Take Mark, and bring him with thee; for he is useful to me for ministering.\nAnd Jesus said unto them, The sons of this world marry, and are given in marriage:\nJesus saith unto her, Mary. She turneth herself, and saith unto him in Hebrew, Rabboni; which is to say, Teacher.\nLurvy shaved and got a haircut; and his principal farm duty was to feed the pig while people looked on.\nI have fought the good fight, I have finished the course, I have kept the faith:\nFor I rejoiced greatly, when brethren came and bare witness unto thy truth, even as thou walkest in truth.\nWherefore let them also that suffer according to the will of God commit their souls in well-doing unto a faithful Creator. \nThey marched nobody away with a bayonet point to their buttocks.\nAnd they began to accuse him, saying, We found this man perverting our nation, and forbidding to give tribute to Cæsar, and saying that he himself is Christ a king.\nLurvy shook hands with everybody.\nBut the righteousness which is of faith saith thus, Say not in thy heart, Who shall ascend into heaven? (that is, to bring Christ down:)\nI speak not of you all: I know whom I have chosen: but that the scripture may be fulfilled, He that eateth my bread lifted up his heel against me.\n“Maybe you're right, he said gruffly.\nOh, you look just fine to me.\nThe current of the water was too strong and Littlefish closed his eyes as it pulled him through into a smaller pool.\nAnd suddenly there came from heaven a sound as of the rushing of a mighty wind, and it filled all the house where they were sitting.\nAnd the report of him went out straightway everywhere into all the region of Galilee round about.\nand raised us up with him, and made us to sit with him in the heavenly places, in Christ Jesus:\nNow in the things which we are saying the chief point is this: We have such a high priest, who sat down on the right hand of the throne of the Majesty in the heavens,\nLittle fingers push through to reach for a string to hold onto.\nAnd no marvel; for even Satan fashioneth himself into an angel of light.\nPaul, an apostle of Christ Jesus through the will of God, and Timothy our brother,\nThe children ran out to the road and climbed into the bus.\nOr know ye not that your body is a temple of the Holy Spirit which is in you, which ye have from God? and ye are not your own;\nI’m not proud to report it.\n“Look,” said the old sheep, “next time you go to the dump, Templeton, bring back a clipping from a magazine.\nBut they cried out with a loud voice, and stopped their ears, and rushed upon him with one accord;\nCan you hear me?\n“What are they, and where are you?” screamed Wilbur.\nand that the Gentiles might glorify God for his mercy; as it is written, Therefore will I give praise unto thee among the Gentiles, And sing unto thy name.\nIt started to rain and the wind blew her hat in the puddle.\nWolf was in serious pain.\nThe droppings put nutrients in the soil.\nHear me? ”\n“You asked for water,” said Lurvy meekly.\nthey that devour widows’ houses, and for a pretence make long prayers; these shall receive greater condemnation.\nLet them therefore, saith he, that are of power among you go down with me, and if there is anything amiss in the man, let them accuse him.\nand, being assembled together with them, he charged them not to depart from Jerusalem, but to wait for the promise of the Father, which, said he, ye heard from me:\nand in nothing affrighted by the adversaries: which is for them an evident token of perdition, but of your salvation, and that from God;\nCharlotte felt greatly relieved to see him go.\nMr. Arable stopped walking.\nIn the distance, fireworks began going off — rockets,  scattering fiery balls in the sky.\nHatchets appeared from under blanket cloaks.\nBut if nothing is nothing, then nothing has nothing that is less than it is.”\nand the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter.\nVery nice to meet you Crawdaddy, but I must swim on, said Littlefish.\nAnd it came to pass, that after three days he called together those that were the chief of the Jews: and when they were come together, he said unto them, I, brethren, though I had done nothing against the people, or the customs of our fathers, yet was delivered prisoner from Jerusalem into the hands of the Romans:\nAnd not a few of them that practised magical arts brought their books together and burned them in the sight of all; and they counted the price of them, and found it fifty thousand pieces of silver.\nAnd seeing the man that was healed standing with them, they could say nothing against it.\nFor by thy words thou shalt be justified, and by thy words thou shalt be condemned.\nwhereunto I was appointed a preacher and an apostle (I speak the truth, I lie not), a teacher of the Gentiles in faith and truth.\nAnd as he reasoned of righteousness, and self-control, and the judgment to come, Felix was terrified, and answered, Go thy way for this time; and when I have a convenient season, I will call thee unto me.\nFor it is written in the law of Moses, Thou shalt not muzzle the ox when he treadeth out the corn. Is it for the oxen that God careth,\n“I never looked at it that way before.\nSeven baby geese.\nI said to the colonel, What about our previous agreement?\nIn gold letters it said:  ZUCKERMAN’S FAMOUS PIG  Charlotte had her web looking fine for the occasion.\nA great feeling of happiness swept over the Zuckermans and the Arables.\nAnd behold, two of them were going that very day to a village named Emmaus, which was threescore furlongs from Jerusalem.\nThese things have I spoken unto you, while yet abiding with you.\nShe went through the mountains singing a song, and it was pretty if you didn’t listen closely to the words, for they were all about eating people’s livers.\nFor he shall be delivered up unto the Gentiles, and shall be mocked, and shamefully treated, and spit upon:\nThank you, the boy said.\nChief Ross had more Scots blood than anything else—seven-eighths majority of it, in fact.\nHe lifted his nose and sniffed. The smell was delicious —warm milk, potato skins, wheat middlings, Kellogg's Corn Flakes, and a popover left from the Zuckermans’ breakfast.\nWe both traced the outline of her lips and said the word garnet, as if it were the most ridiculous word in the entire English lexicon.\nAnd when he was come to Jerusalem, he assayed to join himself to the disciples: and they were all afraid of him, not believing that he was a disciple.\nBut he was angry, and would not go in: and his father came out, and entreated him.\nThe law and the prophets were until John: from that time the gospel of the kingdom of God is preached, and every man entereth violently into it.\nIn a short time he had dug a tunnel in the straw.\n“I’m no good at making speeches.\nand they said to the woman, Now we believe, not because of thy speaking: for we have heard for ourselves, and know that this is indeed the Saviour of the world.\nBut there was no sign of bear along the rill.\nand said, Where have ye laid him? They say unto him, Lord, come and see.\nrooted and builded up in him, and established in your faith, even as ye were taught, abounding in thanksgiving.\n“Can't I please have some money?” asked Fern.\nBut now hath God set the members each one of them in the body, even as it pleased him.\n“Good. said Charlotte, winking at the old sheep.\nBut the Jews, being moved with jealousy, took unto them certain vile fellows of the rabble, and gathering a crowd, set the city on an uproar; and assaulting the house of Jason, they sought to bring them forth to the people.\nHe that overcometh, I will make him a pillar in the temple of my God, and he shall go out thence no more: and I will write upon him the name of my God, and the name of the city of my God, the new Jerusalem, which cometh down out of heaven from my God, and mine own new name.\nEven so every good tree bringeth forth good fruit; but the corrupt tree bringeth forth evil fruit.\nMr. Zuckerman ordered Lurvy to increase Wilbur’s feedings from three meals a day to four meals a day.\nThe next morning, which was a Sunday, she got up and dressed in her best clothes and walked alone straight through town, past the grey and still-smoking ashes of her pyre and into the church, where she sat on the front pew with her face set and let the congregation all glare hatred at the back of her head for an hour.\nMrs. Zuckerman sank into a chair.\nHereby shall we know that we are of the truth, and shall assure our heart before him:\n“It's real thoughtful of you to do that, Charlotte,” he said.\nHe had only his creel of withered roots.\nAnd the city lieth foursquare, and the length thereof is as great as the breadth: and he measured the city with the reed, twelve thousand furlongs: the length and the breadth and the height thereof are equal.\nAnd I said, Who art thou, Lord? And the Lord said, I am Jesus whom thou persecutest.\nThe disciples therefore said one to another, Hath any man brought him aught to eat?\nAnd the disciples came to the other side and forgot to take bread.\nBut Jesus, not heeding the word spoken, saith unto the ruler of the synagogue, Fear not, only believe.\nAnd I saw as it were a sea of glass mingled with fire; and them that come off victorious from the beast, and from his image, and from the number of his name, standing by the sea of glass, having harps of God.\nCharley went on upward, one red drop at a time until the sign died entirely before him.\nWhosoever shall confess that Jesus is the Son of God, God abideth in him, and he in God.\nEach strand held dozens of bright drops of early morning dew.\n“How much did the fish weigh?” asked Wilbur eagerly.\nAs he swam on, Littlefish though about what the big fish had said.\nFern was crying.\nYet if the unbelieving departeth, let him depart: the brother or the sister is not under bondage in such cases: but God hath called us in peace.\nFor he that was called in the Lord being a bondservant, is the Lord’s freedman: likewise he that was called being free, is Christ’s bondservant.\nlooking for and earnestly desiring the coming of the day of God, by reason of which the heavens being on fire shall be dissolved, and the elements shall melt with fervent heat?\nAnd when he opened the second seal, I heard the second living creature saying, Come.\nThey are called Giant Sequoia.\nHa! Really not learning anything, thought Rabbit…\nHowever, this kind does not go out except by prayer and fasting\nTherewith bless we the Lord and Father; and therewith curse we men, who are made after the likeness of God:\nAnd of course he couldn’t say anything.\nBut there arose false prophets also among the people, as among you also there shall be false teachers, who shall privily bring in destructive heresies, denying even the Master that bought them, bringing upon themselves swift destruction.\nFor what purpose?\nAnd when he was come into Jerusalem, all the city was stirred, saying, Who is this?\n“Lambs?”\nFor this cause I Paul, the prisoner of Christ Jesus in behalf of you Gentiles,—\nAnd she was delivered of a son, a man child, who is to rule all the nations with a rod of iron: and her child was caught up unto God, and unto his throne.\nHe that hath an ear, let him hear what the Spirit saith to the churches. To him that overcometh, to him will I give to eat of the tree of life, which is in the Paradise of God.\nwith all lowliness and meekness, with longsuffering, forbearing one another in love;\nand the Living one; and I was dead, and behold, I am alive for evermore, and I have the keys of death and of Hades.\nAnd the world passeth away, and the lust thereof: but he that doeth the will of God abideth for ever.\na horse was standing there \nAnd straightway the damsel rose up, and walked; for she was twelve years old. And they were amazed straightway with a great amazement.\nHe didn’t like being the center of all this fuss.\nFor the husband is the head of the wife, as Christ also is the head of the church, being himself the saviour of the body.\nAnd as they spake these things, he himself stood in the midst of them, and saith unto them, Peace be unto you.\nFor the whole law is fulfilled in one word, even in this: Thou shalt love thy neighbor as thyself.\nAnd they that went before rebuked him, that he should hold his peace: but he cried out the more a great deal, Thou son of David, have mercy on me.\nI would be left alone, with no friends.\nwho seeing Peter and John about to go into the temple, asked to receive an alms.\nAnd a certain man that was lame from his mother’s womb was carried, whom they laid daily at the door of the temple which is called Beautiful, to ask alms of them that entered into the temple;\nCharley’s people sat by the fire with Axe and his wife and ate the meal off wood trays with cane-stalk implements.\nFor many deceivers are gone forth into the world, even they that confess not that Jesus Christ cometh in the flesh. This is the deceiver and the anti-christ.\nNow he is not the God of the dead, but of the living: for all live unto him.\nAwake to soberness righteously, and sin not; for some have no knowledge of God: I speak this to move you to shame.\nThe salutation of me Paul with mine own hand, which is the token in every epistle: so I write.\nWhen he looked up at me, tears were brimming at his lids.\n“Of course you do,” said Charlotte.\n‘‘He’s really a very innocent little pig.\nNow we, brethren, as Isaac was, are children of promise.\nthere is nothing from without the man, that going into him can defile him; but the things which proceed out of the man are those that defile the man.\nFor we are his workmanship, created in Christ Jesus for good works, which God afore prepared that we should walk in them.\n“Another spring.”\n“I can’t be quiet,” screamed Wilbur, racing up and down.\nAnd the day following he appeared unto them as they strove, and would have set them at one again, saying, Sirs, ye are brethren; why do ye wrong one to another?\nFor whosoever would save his life shall lose it; and whosoever shall lose his life for my sake and the gospel’s shall save it.\nAnd by the way, don’t ever ignore my orders again.\nMarvel not, brethren, if the world hateth you.\nI will no more speak much with you, for the prince of the world cometh: and he hath nothing in me;\nbut I made supplication for thee, that thy faith fail not; and do thou, when once thou hast turned again, establish thy brethren.\nwho delivered us out of so great a death, and will deliver: on whom we have set our hope that he will also still deliver us;\nAnd as Jesus was going up to Jerusalem, he took the twelve disciples apart, and on the way he said unto them,\nAnd when a convenient day was come, that Herod on his birthday made a supper to his lords, and the high captains, and the chief men of Galilee;\nAnd for me, it was as Romantic as all of Byron’s poetry put together.\nEvery man praying or prophesying, having his head covered, dishonoreth his head.\nAnd it was about the space of three hours after, when his wife, not knowing what was done, came in.\nMr. Zuckerman spied them when he came with Wilbur’s supper.\nWhen they got ready to leave, she had said, Be off with you, then.\nSalute the brethren that are in Laodicea, and Nymphas, and the church that is in their house.\nHe walked to the wall and started to climb.\nyea and before governors and kings shall ye be brought for my sake, for a testimony to them and to the Gentiles.\nbut he was rebuked for his own transgression: a dumb ass spake with man’s voice and stayed the madness of the prophet.\nEvery one that cometh unto me, and heareth my words, and doeth them, I will show you to whom he is like:\nI say again, Let no man think me foolish; but if ye do, yet as foolish receive me, that I also may glory a little.\nBut some one will say, How are the dead raised? and with what manner of body do they come?\nAnd there came one of the seven angels who had the seven bowls, who were laden with the seven last plagues; and he spake with me, saying, Come hither, I will show thee the bride, the wife of the Lamb.\ncasting all your anxiety upon him, because he careth for you.\nShe grabbed the fly, threw a few jets of silk around it, and rolled it over and over, wrapping it so that it couldn't move.\nPersonal goods and clothing lay scattered about.\nBut I have used none of these things: and I write not these things that it may be so done in my case; for it were good for me rather to die, than that any man should make my glorying void.\nbut given to hospitality, a lover of good, sober-minded, just, holy, self-controlled;\nFathers, provoke not your children, that they be not discouraged.\nbeing defamed, we entreat: we are made as the filth of the world, the offscouring of all things, even until now.\nAnd when she was baptized, and her household, she besought us, saying, If ye have judged me to be faithful to the Lord, come into my house, and abide there. And she constrained us.\nHaving such an important pig was going to mean plenty of extra work, he could see that.\nJaggy stones of all sizes lay scattered on the ground, sloughed off the rock face.\nAnd all the multitude sought to touch him; for power came forth from him, and healed them all.\nAnd if Charlotte needs help in finding words, I think she can get it from our friend Templeton.\nand they knew not until the flood came, and took them all away; so shall be the coming of the Son of man.\nAnd the apostles gather themselves together unto Jesus; and they told him all things, whatsoever they had done, and whatsoever they had taught.\nAnd so Wilbur came home to his beloved manure pile in the barn cellar.\nThe Lord is not slack concerning his promise, as some count slackness; but is longsuffering to you-ward, not wishing that any should perish, but that all should come to repentance.\nJesus therefore said, Suffer her to keep it against the day of my burying.\nThey thrust their little necks out and kept up a musical whistling, like a tiny troupe of pipers.\nHe closed his eyes.\nThere is romance in the lone fugitive.\nThen you got up all your nerve, took a deep breath, and jumped.\nwho delivered us out of the power of darkness, and translated us into the kingdom of the Son of his love;\n“I’m too tired.”\nBy faith they passed through the Red sea as by dry land: which the Egyptians assaying to do were swallowed up.\nThey said therefore unto him, Lord, evermore give us this bread.\n“You'll have to read it for me.”\nI looked back, and a vigorous plume of vapor puffed from Smith’s mouth.\nNow unto him that is able to guard you from stumbling, and to set you before the presence of his glory without blemish in exceeding joy,\nBut when the young man heard the saying, he went away sorrowful; for he was one that had great possessions.\nAll things are lawful; but not all things are expedient. All things are lawful; but not all things edify.\nI receive not glory from men.\nOr how wilt thou say to thy brother, Let me cast out the mote out of thine eye; and lo, the beam is in thine own eye?\nPerhaps some green young lieutenant unacquainted with the facts.\nCharley looked at Lowan and George and Jake, and they seemed to have no opinion on this matter or any other.\nWilbur didn’t know what to do or which way to run.\nAnd when Paul had laid his hands upon them, the Holy Spirit came on them; and they spake with tongues, and prophesied.\nand hope putteth not to shame; because the love of God hath been shed abroad in our hearts through the Holy Spirit which was given unto us.\nI say unto you, Though he will not rise and give him because he is his friend, yet because of his importunity he will arise and give him as many as he needeth.\nAs I wove my way through the yard, overhearing a thin slice of the sermon, I reckoned the slaves must be doubly stunned, seeing how their Indian masters were suddenly powerless and stripped of nearly every item of private property except for themselves.\nNow at the feast the governor was wont to release unto the multitude one prisoner, whom they would.\nand passing by Mysia, they came down to Troas.\nAnd perhaps that was the point.\nMrs. Arable hugged Mrs. Zuckerman.\nwho gave himself for our sins, that he might deliver us out of this present evil world, according to the will of our God and Father:\nBeloved, I beseech you as sojourners and pilgrims, to abstain from fleshly lusts, which war against the soul;\nbut all these worketh the one and the same Spirit, dividing to each one severally even as he will.\nBut so much the more went abroad the report concerning him: and great multitudes came together to hear, and to be healed of their infirmities.\nWhat to say to her other than Love me, love me.\nAnd the son said unto him, Father, I have sinned against heaven, and in thy sight: I am no more worthy to be called thy son.\nWe know that we are of God, and the whole world lieth in the evil one.\nAnd they said unto him, We neither received letters from Judæa concerning thee, nor did any of the brethren come hither and report or speak any harm of thee.\nAnd the angel said unto her, Fear not, Mary: for thou hast found favor with God.\nBut that didn't matter to Sequoyah.\nAnd with the rain, the creek grew deeper and the water flowed faster.\nAnd while they were looking stedfastly into heaven as he went, behold two men stood by them in white apparel;\nHe hoped he would not have to cross that boundary, for the only time he had done so a giant owl had glided silent and big-headed right past him in the half dark that was day under the balsams.\nthat I have great sorrow and unceasing pain in my heart.\nBut Peter said, Silver and gold have I none; but what I have, that give I thee. In the name of Jesus Christ of Nazareth, walk.\nand likewise also the men, leaving the natural use of the woman, burned in their lust one toward another, men with men working unseemliness, and receiving in themselves that recompense of their error which was due.\n“Sleep is important.”\nThese are they who make separations, sensual, having not the Spirit.\nRaw and roasted in the fire and made into bread.\nCharlotte was naturally patient.\nBut Jesus took him by the hand, and raised him up; and he arose.\nAnd there followed him a great multitude of the people, and of women who bewailed and lamented him.\nAnd another, a second angel, followed, saying, Fallen, fallen is Babylon the great, that hath made all the nations to drink of the wine of the wrath of her fornication.\nMrs. Featherstone.\nbut ye say, If a man shall say to his father or his mother, That wherewith thou mightest have been profited by me is Corban, that is to say, Given to God;\nTherefore be ye also ready; for in an hour that ye think not the Son of man cometh.\nso then let us not sleep, as do the rest, but let us watch and be sober.\nbecause it is written, Ye shall be holy; for I am holy.\nAnd I saw in the right hand of him that sat on the throne a book written within and on the back, close sealed with seven seals.\nAfter the killings, the horses bolted off into the woods and then stopped and came back and milled about in confusion, stepping awkwardly on their fallen reins and whickering among themselves.\nAnd she came in straightway with haste unto the king, and asked, saying, I will that thou forthwith give me on a platter the head of John the Baptist.\nAnd he arose and took the young child and his mother, and came into the land of Israel.\nA miracle has happened on this farm.\nHe began the council with a confession.\nFor whosoever shall do the will of my Father who is in heaven, he is my brother, and sister, and mother. \nAnd many of the children of Israel shall he turn unto the Lord their God.\nThe day immediately dimmed to twilight, but stained green, and he moved through it as if crawling across the bottom of a slow deep river.\nBut later, when Charley’s people had made camp in the clearing and fallen asleep, Axe and his wife lay in bed and talked quietly in the dark about how they might gracefully rid themselves of these dangerous guests.\nJohn beareth witness of him, and crieth, saying, This was he of whom I said, He that cometh after me is become before me: for he was before me.\nI understood the injury as justice.\nAnd it came to pass, when Jesus had finished all these words, he said unto his disciples,\nOr know ye not that the saints shall judge the world? and if the world is judged by you, are ye unworthy to judge the smallest matters?\nand he became hungry, and desired to eat: but while they made ready, he fell into a trance;\nThe goose chuckled.\nAnd he stretched forth his hand, and touched him, saying, I will; be thou made clean. And straightway the leprosy departed from him.\nThen the oldest sheep spoke up. “I agree that there should be something new written in the web if Wilbur’s life is to be saved.\nfor there shall be from henceforth five in one house divided, three against two, and two against three.\nSummer is dying, dying.”\nAnd Levi made him a great feast in his house: and there was a great multitude of publicans and of others that were sitting at meat with them.\nStrong stuff, Smith said after throwing back a shot.\nbeareth all things, believeth all things, hopeth all things, endureth all things.\nIf one of them that believe not biddeth you to a feast, and ye are disposed to go; whatsoever is set before you, eat, asking no question for conscience’ sake.\nand from thence to Philippi, which is a city of Macedonia, the first of the district, a Roman colony: and we were in this city tarrying certain days.\nfar above all rule, and authority, and power, and dominion, and every name that is named, not only in this world, but also in that which is to come:\nCharley said again, I’m not going.\nNow I desire to put you in remembrance, though ye know all things once for all, that the Lord, having saved a people out of the land of Egypt, afterward destroyed them that believed not.\nBut if there is no resurrection of the dead, neither hath Christ been raised:\nand they found him, and say unto him, All are seeking thee.\nFor no one will let me stay\nI remember one evening in particular, but I’m not sure why, for it was about like all the others.\nAnd when he had read it, he asked of what province he was; and when he understood that he was of Cilicia,\nand tasted the good word of God, and the powers of the age to come,\nIf any man have ears to hear, let him hear.\nAnd when he did, the hogs broke to run, and the direction they went was right over the top of him.\nfor we cannot but speak the things which we saw and heard.\nHow much then is a man of more value than a sheep! Wherefore it is lawful to do good on the sabbath day.\nThe poplars, simplified by having shed their broad palmate leaves, stood as bright vertical slashes against the brown hillsides.\nAnd they were offended in him. But Jesus said unto them, A prophet is not without honor, save in his own country, and in his own house.\nThrough the fog, Charley could see the bear’s ears and tan muzzle.\nAre they Hebrews? so am I. Are they Israelites? so am I. Are they the seed of Abraham? so am I.\nSee that ye refuse not him that speaketh. For if they escaped not when they refused him that warned them on earth, much more shall not we escape who turn away from him that warneth from heaven:\nWe take to the breeze, we go as we please.”\nFor as many as are of the works of the law are under a curse: for it is written, Cursed is every one who continueth not in all things that are written in the book of the law, to do them.\nAnd it came to pass, as Peter went throughout all parts, he came down also to the saints that dwelt at Lydda.\nHe told Stephen to hold the beast while he soaked it in oil.\nAs they were walking near the river, suddenly Wolf appeared at their side.\nsaying, Blessed are they whose iniquities are forgiven, And whose sins are covered.\nBut she said, Yea, Lord: for even the dogs eat of the crumbs which fall from their masters’ table.\nNeither for these only do I pray, but for them also that believe on me through their word;\nI doubt if I have enough silk in my spinnerets to lower me to the ground.”\nI verily thought with myself that I ought to do many things contrary to the name of Jesus of Nazareth.\nthat ye may be sons of your Father who is in heaven: for he maketh his sun to rise on the evil and the good, and sendeth rain on the just and the unjust.\nThe boy came up and slung the water out of his hair, and he still had the knife in his fist, the blade shining and clean from the water.\nThe trail where they cried.\nand he entered into the Prætorium again, and saith unto Jesus, Whence art thou? But Jesus gave him no answer.\nNo pig ever had truer friends, and he realized that friendship is one of the most satisfying things in the world.\nThere was some kind of altercation, and the other boys dismounted as well.\nThe grace of the Lord Jesus Christ be with your spirit.\n“Oh, yes.”\n“And tighten your belt.\nFor he that eateth and drinketh, eateth and drinketh judgment unto himself, if he discern not the body.\nThe Old Possum finished out his eight years and began rusticating outside Nashville, a hermit in his Hermitage but still savoring the sweep of his hand across the land even in absentia.\n“Well, we can’t give a prize to a dead pig,” said the loud speaker.\nThe cave held the heat of the wood fire close.\n“I’m right up here,” said the voice.\nTwelve o’clock—lunchtime.\nSome of the women skinned and gutted the squirrels as handy as shucking an ear of corn and ran them through from ass to mouth with sharp birch skewers and set them to roasting over the fire coals.\nAnd he said unto them, It is not for you to know times or seasons, which the Father hath set within his own authority.\nFor in one Spirit were we all baptized into one body, whether Jews or Greeks, whether bond or free; and were all made to drink of one Spirit.\nThey’ll be wanting your blades.\nBut the Pharisees, when they heard that he had put the Sadducees to silence, gathered themselves together.\nThe school bus honked from the road.\nFor not he that commendeth himself is approved, but whom the Lord commendeth. \nfor we take thought for things honorable, not only in the sight of the Lord, but also in the sight of men.\nI roasted coffee beans and directed Perry in the assembly of a big pot of porridge with dried peaches minced in it and flavored with a profligate amount of cinnamon and dark sugar and butter.\nAnd if Satan hath risen up against himself, and is divided, he cannot stand, but hath an end.\n“Well,” said Dr. Dorian, “I think she will always love animals.\nOne afternoon in June, when Wilbur was almost two months old, he wandered out into his small yard outside the barn.\nMany fish lived in the pond.\nBecause thou wilt not leave my soul unto Hades, Neither wilt thou give thy Holy One to see corruption.\n“And now, with Charlotte not feeling well ...” he thought.\nTo live is to suffer.\nThen he made a sort of bow to Charley, at least to the extent possible given that they were both sitting. An acknowledgment of Charley’s will to live.\nAnd when he again bringeth in the firstborn into the world he saith, And let all the angels of God worship him.\nThen said I, Lo, I am come (In the roll of the book it is written of me) To do thy will, O God.\nBut he began to curse, and to swear, I know not this man of whom ye speak.\nThe corn needed hoeing, and Lurvy didn't find time to hoe it.\nWhen he came back he had a strip of blue-and-white cardboard in his teeth.\nNow there were six waterpots of stone set there after the Jews’ manner of purifying, containing two or three firkins apiece.\nNever have I seen such leavings, and everything well-ripened and seasoned with the passage of time and the heat of the day. Oh, it was rich, my friends, rich!”\nAnd whosoever shall not receive you, nor hear your words, as ye go forth out of that house or that city, shake off the dust of your feet.\nShe saith unto him, Yea, Lord: I have believed that thou art the Christ, the Son of God, even he that cometh into the world.\nYe are of God, my little children, and have overcome them: because greater is he that is in you than he that is in the world.\nSpearfinger looked dead, but to make sure the Cherokees threw her on the big fire they had built.  \nAnd when he had said these things, as they were looking, he was taken up; and a cloud received him out of their sight.\nThe snow is coming down so fast\nthat the word might be fulfilled which he spake, Of those whom thou hast given me I lost not one.\nWhen the words appeared, everyone said they were a miracle.\nFor he hath been counted worthy of more glory than Moses, by so much as he that built the house hath more honor than the house.\nOn behalf of such a one will I glory: but on mine own behalf I will not glory, save in my weaknesses.\na minister of the sanctuary, and of the true tabernacle, which the Lord pitched, not man.\nto take the place in this ministry and apostleship from which Judas fell away, that he might go to his own place.\nConcerning which salvation the prophets sought and searched diligently, who prophesied of the grace that should come unto you:\nBut, that I be not further tedious unto thee, I entreat thee to hear us of thy clemency a few words.\nAnd this is the promise which he promised us, even the life eternal.\nFor if I make you sorry, who then is he that maketh me glad but he that is made sorry by me?\nnot at all meaning with the fornicators of this world, or with the covetous and extortioners, or with idolaters; for then must ye needs go out of the world:\nyet I say unto you, that even Solomon in all his glory was not arrayed like one of these.\nLet no man say when he is tempted, I am tempted of God; for God cannot be tempted with evil, and he himself tempteth no man:\nPeter therefore went forth, and the other disciple, and they went toward the tomb.\nOne thing is certain, he has a most unattractive personality.\nthat I may make it manifest, as I ought to speak.\nNow on the first day of the week cometh Mary Magdalene early, while it was yet dark, unto the tomb, and seeth the stone taken away from the tomb.\nThe horses detested them.\nHe spent long hours lying on his side, half asleep, dreaming pleasant dreams.\nRed fire and black smoke rose to the top of the sky, and for two days grey twists of cane ashes kited on the wind and then rained down on Valley River.\n“I’m just telling you the facts.”\nAlready ye are clean because of the word which I have spoken unto you.\n(for he saith, At an acceptable time I hearkened unto thee, And in a day of salvation did I succor thee: behold, now is the acceptable time; behold, now is the day of salvation):\nThis man had been instructed in the way of the Lord; and being fervent in spirit, he spake and taught accurately the things concerning Jesus, knowing only the baptism of John:\nnot looking each of you to his own things, but each of you also to the things of others.\nKnow ye not that they that run in a race run all, but one receiveth the prize? Even so run; that ye may attain.\nAnd his father Zacharias was filled with the Holy Spirit, and prophesied, saying,\ntogether with Onesimus, the faithful and beloved brother, who is one of you. They shall make known unto you all things that are done here.\nFor he was commanding the unclean spirit to come out from the man. For oftentimes it had seized him: and he was kept under guard, and bound with chains and fetters; and breaking the bands asunder, he was driven of the demon into the deserts.\nShe screamed and clawed at the sides of the pit with her sharp awl finger.  \nTempleton was a crafty rat, and he had things pretty much his own way.\nTo show mercy towards our fathers, And to remember his holy covenant;\nAnd when they’re done fighting, men lie dead and dying, stunned and bleeding and pale.\nOf the tribe of Asher twelve thousand; Of the tribe of Naphtali twelve thousand; Of the tribe of Manasseh twelve thousand;\nAnd fearing lest haply we should be cast ashore on rocky ground, they let go four anchors from the stern, and wished for the day.\n(but should she depart, let her remain unmarried, or else be reconciled to her husband); and that the husband leave not his wife.\nJesus saith unto her, I that speak unto thee am he.\nHe that receiveth you receiveth me, and he that receiveth me receiveth him that sent me.\nOn that day there came to him Sadducees, they that say that there is no resurrection: and they asked him,\nNot so shall it be among you: but whosoever would become great among you shall be your minister;\nThe buttermilk certainly helped.” Mr. Arable studied Wilbur carefully. “Yes, he’s a wonderful pig,” he said.\nbut God chose the foolish things of the world, that he might put to shame them that are wise; and God chose the weak things of the world, that he might put to shame the things that are strong;\nBut Charlotte's children and grandchildren and great grandchildren, year after year, lived in the doorway.\nAnd the rest of them agreed entirely.\nAnd Cornelius said, Four days ago, until this hour, I was keeping the ninth hour of prayer in my house; and behold, a man stood before me in bright apparel,\nAlmost all spiders are rather nice-looking.\nWhat I desired was Claire, but the gallery ladies were better than lone bachelorhood.\nAnd Jesus, crying with a loud voice, said, Father, into thy hands I commend my spirit: and having said this, he gave up the ghost.\nAnd great fear came upon the whole church, and upon all that heard these things.\nThese things said he in the synagogue, as he taught in Capernaum.\nHe wanted them to stand as tall as any people on earth.\n“Attention, please!” it said.\nI do not like being a little fish.\nHerein is my Father glorified, that ye bear much fruit; and so shall ye be my disciples.\nI will hear thee fully, said he, when thine accusers also are come: and he commanded him to be kept in Herod’s palace. \nKnowing therefore the fear of the Lord, we persuade men, but we are made manifest unto God; and I hope that we are made manifest also in your consciences.\n“A what?” said Mr. Zuckerman.\nMost of the faces gleamed up from brown darkness, bathed in a flattering buttery light, eyes liquid and searching.\nEven deducting for decades of exaggeration, that was still a big bear.\nIn the bend of the river, there was a grassy piece of flat ground with just a scattering of old grey birches and a few big rocks.\nHe that hath received his witness hath set his seal to this, that God is true.\nFor that which I do I know not: for not what I would, that do I practise; but what I hate, that I do.\nWhat is your name, please? May I have your name?”\nI commend unto you Phoebe our sister, who is a servant of the church that is at Cenchreæ:\nFor a while he stood gloomily indoors.\nI can’t arrange my family duties to suit the management of the County Fair.\nWith these new signs, the Cherokee nation published newspapers and books and made sure that their words would never fade away.\nWhen they came back they had heavy loads.\nholding a form of godliness, but having denied the power thereof: from these also turn away.\nLikewise, ye younger, be subject unto the elder. Yea, all of you gird yourselves with humility, to serve one another: for God resisteth the proud, but giveth grace to the humble.\nAnd then, in the casual tone of bidding good morning to a stranger you pass on the roadway, I said, Do not fear the universe, young lieutenant.\nA shoe. Humans' feet hurt if they don't wear shoes.\nAnd they were beyond measure astonished, saying, He hath done all things well; he maketh even the deaf to hear, and the dumb to speak. \n‘It’s a ghost!’ I thought then.\nAnd behold, there talked with him two men, who were Moses and Elijah;\nAnd the four living creatures said, Amen. And the elders fell down and worshipped. \nThe last remaining strands of Charlotte's old web floated away and vanished.\nwho also made us sufficient as ministers of a new covenant; not of the letter, but of the spirit: for the letter killeth, but the spirit giveth life.\nNicodemus saith unto him, How can a man be born when he is old? can he enter a second time into his mother’s womb, and be born?\nCharlotte's cousin kept slipping in, dodging out, and she was beaten mercilessly over the head by the wildly thrashing fish, dancing in, dancing out, throwing...”\n“Stop it!\nThe goose was proud of her share in the adventure.\nThere was a great deal more to Charley’s story.\nWhosoever therefore shall humble himself as this little child, the same is the greatest in the kingdom of heaven.\nBut not as the trespass, so also is the free gift. For if by the trespass of the one the many died, much more did the grace of God, and the gift by the grace of the one man, Jesus Christ, abound unto the many.\nAnd there was given them to each one a white robe; and it was said unto them, that they should rest yet for a little time, until their fellow-servants also and their brethren, who should be killed even as they were, should have fulfilled their course.\nAnd Jesus said unto them, Take heed and beware of the leaven of the Pharisees and Sadducees.\nFor the scripture saith, Whosoever believeth on him shall not be put to shame.\nAnd I say unto you, Whosoever shall put away his wife, except for fornication, and shall marry another, committeth adultery: and he that marrieth her when she is put away committeth adultery.\nlooking for the blessed hope and appearing of the glory of the great God and our Saviour Jesus Christ;\nIn the tall grass behind the cattle barn he found a folded newspaper.\nIt itches! called Fern.\nBut if ye do not forgive, neither will your Father which is in heaven forgive your trespasses.\nWe can't stay here very long.\nNow touching the things which I write unto you, behold, before God, I lie not.\nLand and people and everything.\nWilbur checked himself and crept slowly to his trough.\nPerry fell face down.\nAnd as they cried out, and threw off their garments, and cast dust into the air,\nhe is like a man building a house, who digged and went deep, and laid a foundation upon the rock: and when a flood arose, the stream brake against that house, and could not shake it: because it had been well builded.\nAs he swam up to a big fish and said, Hello, I'm called Littlefish and you look like me.\nIt would appear obvious that if they could provision themselves in these fastnesses of nature, and possessed arms and ammunition, they would be enabled to oppose every formidable resistance to any attempt to dislodge them, for it must be considered that they have the range of not merely the mountain region within the territory now occupied by them but that of a very extensive bed of mountains, so sparsely inhabited by whites as to offer them a secure and inaccessible shelter from invasion and yet a fertile field for their predatory incursions.\nWhen he looked up and saw Mr. Zuckerman standing quite close to him, holding a pail of warm slops, he felt relieved.\nIt is not often that someone comes along who is a true friend and a good writer.\nI have been crucified with Christ; and it is no longer I that live, but Christ liveth in me: and that life which I now live in the flesh I live in faith, the faith which is in the Son of God, who loved me, and gave himself up for me.\nFor I would have you know how greatly I strive for you, and for them at Laodicea, and for as many as have not seen my face in the flesh;\nSo the disciples went away again unto their own home.\nUp against one palisade, a minister sat with his ass upon a crate that had held wine bottles.\nLet all bitterness, and wrath, and anger, and clamor, and railing, be put away from you, with all malice:\nTherefore by their fruits ye shall know them.\n“Edith, something has happened,” he said, in a weak voice.\nAt this moment her brother Avery came into the room.\nThe big truck with Mr. Arable at the wheel backed slowly down toward the barnyard. Lurvy and Mr. Zuckerman walked alongside.\nHe scratched them on slats of wood and filled his cabin with shingles of writing.\nOne by one they climbed into the truck and opened lunch boxes.\nNow Peter was sitting without in the court: and a maid came unto him, saying, Thou also wast with Jesus the Galilæan.\nThese shall war against the Lamb, and the Lamb shall overcome them, for he is Lord of lords, and King of kings; and they also shall overcome that are with him, called and chosen and faithful.\nBut the crowd loved it.\nand Simeon blessed them, and said unto Mary his mother, Behold, this child is set for the falling and the rising of many in Israel; and for a sign which is spoken against;\nthat the fellowship of thy faith may become effectual, in the knowledge of every good thing which is in you, unto Christ.\nI said, It was the spirit of the evening and the Scotch whisky.\nAnd Jesus said unto him, To-day is salvation come to this house, forasmuch as he also is a son of Abraham.\nSet forward Zenas the lawyer and Apollos on their journey diligently, that nothing be wanting unto them.\nAnd, Thou, Lord, in the beginning didst lay the foundation of the earth, And the heavens are the works of thy hands:\n“Another crisis!” groaned Fern.\nA sally port opened on the side of the square they considered the front.\nrendering vengeance to them that know not God, and to them that obey not the gospel of our Lord Jesus:\nbut brother goeth to law with brother, and that before unbelievers?\nI was delighted by the variety of towns along the way, whether I stopped for the night or just for an hour of rest and food.\nAnd the angel taketh the censer; and he filled it with the fire of the altar, and cast it upon the earth: and there followed thunders, and voices, and lightnings, and an earthquake.\nand great multitudes followed him; and he healed them there.\nAnd the multitude cometh together again, so that they could not so much as eat bread.\nand before him shall be gathered all the nations: and he shall separate them one from another, as the shepherd separateth the sheep from the goats;\nAnd when they came up out of the water, the Spirit of the Lord caught away Philip; and the eunuch saw him no more, for he went on his way rejoicing.\nNow when he was risen early on the first day of the week, he appeared first to Mary Magdalene, from whom he had cast out seven demons.\nfor they all saw him, and were troubled. But he straightway spake with them, and saith unto them, Be of good cheer: it is I; be not afraid.\nBirds?\nPilate answered, Am I a Jew? Thine own nation and the chief priests delivered thee unto me: what hast thou done?\nAnd again he saith, Rejoice, ye Gentiles, with his people.\nYe foolish ones, did not he that made the outside make the inside also?\nNellie!” he began.\nAnd when they had eaten enough, they lightened the ship, throwing out the wheat into the sea.\nPerry dug the spoon into the grey mess and turned up the burnt bottom, black as cinders.\nBut of which of the angels hath he said at any time, Sit thou on my right hand, Till I make thine enemies the footstool of thy feet?\nThere, into the tall grass, went Wolf.\nAnd the demons came out from the man, and entered into the swine: and the herd rushed down the steep into the lake, and were drowned.\nFurthermore, I wouldn't be surprised if Zuckerman changes his mind about you.\nand they entered into a boat, and were going over the sea unto Capernaum. And it was now dark, and Jesus had not yet come to them.\nthen he received him into his arms, and blessed God, and said,\nAnd all the city was gathered together at the door.\nOne useful thing I learned from Crockett on those nights was to alternate my Scotch with glasses of chilled mineral water, preferably from the mountains of Virginia.\nWhen the sheep tired of standing in the rain, they walked slowly up the lane and into the fold.\n“Tie one end to my tail, will you, Templeton?”\nThe leaves of the poplars and maples and chestnuts lay on the ground, and at night the bare limbs cast jagged moon shadows across the rocks of the river.\n“What does ‘gullible’ mean?”\nReal property was a bond as strong as blood.\nLike Major Ridge, Featherstone chose—in his words—to eschew the toilsome overland route to the new Nation in favor of the more comfortable water passage, where one might eat dinner at a cloth-covered table and take a morning shit through a buttock-shaped hole in a sternward outhouse overhanging the passing brown river face all a-churn from the turning paddle wheel.\nElijah was a man of like passions with us, and he prayed fervently that it might not rain; and it rained not on the earth for three years and six months.\nJesus answered, I have not a demon; but I honor my Father, and ye dishonor me.\nAs he was dropping off to sleep he spoke to Charlotte.\nBecause it is contained in scripture, Behold, I lay in Zion a chief corner stone, elect, precious: And he that believeth on him shall not be put to shame.\nFor the creation was subjected to vanity, not of its own will, but by reason of him who subjected it, in hope\nHow can ye believe, who receive glory one of another, and the glory that cometh from the only God ye seek not?\nwho died for us, that, whether we wake or sleep, we should live together with him.\nShe has only a short time to live.\n“Well,” began Fern, “she told us about a cousin of hers who caught a fish in her web.\nAnd as he sat on the mount of Olives over against the temple, Peter and James and John and Andrew asked him privately,\nAnd he went away again beyond the Jordan into the place where John was at the first baptizing; and there he abode.\nNow I make known unto you brethren, the gospel which I preached unto you, which also ye received, wherein also ye stand,\nand ye also bear witness, because ye have been with me from the beginning. \nBut shouldest thou marry, thou hast not sinned; and if a virgin marry, she hath not sinned. Yet such shall have tribulation in the flesh: and I would spare you.\nHer eyes were brimming with tears.\nWilbur tried not to think about what the rat had just said.\nReady with knife and hand axe in case a dark shape separated itself from the night and came to him, offering him its life.\nI'm almost ready, said his mom \nFor as the lightning cometh forth from the east, and is seen even unto the west; so shall be the coming of the Son of man.\nAll Indians? the secretary said.\nHe felt radiant and happy.\nSmith walked over and pulled Wasseton from the group and led him away toward the women.\nAnd the first sounded, and there followed hail and fire, mingled with blood, and they were cast upon the earth: and the third part of the earth was burnt up, and the third part of the trees was burnt up, and all green grass was burnt up.\nand he was returning and sitting in his chariot, and was reading the prophet Isaiah.\nBear said that every time he had been to the flatlands, he felt like he might slide off the end of the world, for there was nothing upright to stop him from the void.\n“In the first place, I cannot get into your pen, as I am not old enough to jump over the fence.\nAnd there come near unto him James and John, the sons of Zebedee, saying unto him, Teacher, we would that thou shouldest do for us whatsoever we shall ask of thee.\nAnd the saying pleased the whole multitude: and they chose Stephen, a man full of faith and of the Holy Spirit, and Philip, and Prochorus, and Nicanor, and Timon, and Parmenas, and Nicolaus a proselyte of Antioch;\nThen he turned a back flip.\nAnd when he had taken the book, the four living creatures and the four and twenty elders fell down before the Lamb, having each one a harp, and golden bowls full of incense, which are the prayers of the saints.\nAnd they prayed, and said, Thou, Lord, who knowest the hearts of all men, show of these two the one whom thou hast chosen,\nAnd I would not have you ignorant, brethren, that oftentimes I purposed to come unto you (and was hindered hitherto), that I might have some fruit in you also, even as in the rest of the Gentiles.\nthat ye receive her in the Lord, worthily of the saints, and that ye assist her in whatsoever matter she may have need of you: for she herself also hath been a helper of many, and of mine own self.\nBut if what I would not, that I do, it is no more I that do it, but sin which dwelleth in me.\nA cord of dry split hickory must be a thing of absolute wonder to such people.\nO the depth of the riches both of the wisdom and the knowledge of God! how unsearchable are his judgments, and his ways past tracing out!\nBut this I say by way of concession, not of commandment.\nand to Jesus the mediator of a new covenant, and to the blood of sprinkling that speaketh better than that of Abel.\nIn a few moments the pig will be unloaded in the special judging ring in front of the grandstand, where a special award will be made.\nBut Jesus held his peace. And the high priest said unto him, I adjure thee by the living God, that thou tell us whether thou art the Christ, the Son of God.\n“When they open the crate and try to put you in, struggle!\nThomas therefore, who is called Didymus, said unto his fellow-disciples, Let us also go, that we may die with him.\nand the field is the world; and the good seed, these are the sons of the kingdom; and the tares are the sons of the evil one;\nOr is God the God of Jews only? is he not the God of Gentiles also? Yea, of Gentiles also:\nBut Fern couldn't eat until her pig had had a drink of milk.\nand they glorified God in me. \nIn the old days, they had usually built their mounds and villages in such places, both for practical reasons of defense and agriculture and flat ground for dances and ball games, and also because watercourses held spiritual import for them.\na doubleminded man, unstable in all his ways.\n“Won’t he be cold at night?” asked Fern.\nHe was as big as a young woodchuck.\nWrite therefore the things which thou sawest, and the things which are, and the things which shall come to pass hereafter;\nSo then neither is he that planteth anything, neither he that watereth; but God that giveth the increase.\nFor it is easier for a camel to enter in through a needle’s eye, than for a rich man to enter into the kingdom of God.\nAnd that’s where I was walking that night, really afraid.\nBut I hope in the Lord Jesus to send Timothy shortly unto you, that I also may be of good comfort, when I know your state.\nThe disciples say unto him, Rabbi, the Jews were but now seeking to stone thee; and goest thou thither again?\nDavid therefore calleth him Lord, and how is he his son?\nSomebody’s got to go along who knows how to write.\nfor we are the circumcision, who worship by the Spirit of God, and glory in Christ Jesus, and have no confidence in the flesh:\nAnd when Herod was about to bring him forth, the same night Peter was sleeping between two soldiers, bound with two chains: and guards before the door kept the prison.\nhaving your behavior seemly among the Gentiles; that, wherein they speak against you as evil-doers, they may by your good works, which they behold, glorify God in the day of visitation.\n“Thith thtuff thticks in my mouth,” complained the rat. “It’th worth than caramel candy.”\nTake them off! Take them off! screamed Wolf.\nThere hath no temptation taken you but such as man can bear: but God is faithful, who will not suffer you to be tempted above that ye are able; but will with the temptation make also the way of escape, that ye may be able to endure it.\neven as ye learned of Epaphras our beloved fellow-servant, who is a faithful minister of Christ on our behalf,\nIf then I know not the meaning of the voice, I shall be to him that speaketh a barbarian, and he that speaketh will be a barbarian unto me.\nThey hated each other and yet continued to share their lofty hairstyles, which struck me as having all the features of placing exploding possums on their heads.\nIf any man thinketh himself to be a prophet, or spiritual, let him take knowledge of the things which I write unto you, that they are the commandment of the Lord.\nThese things have I written unto you, that ye may know that ye have eternal life, even unto you that believe on the name of the Son of God.\nAnd the lord of the vineyard said, What shall I do? I will send my beloved son; it may be they will reverence him.\nOn Sundays we often went riding, usually to view the stone locks on the towpath of the Chesapeake and Ohio Canal.\nBut we beseech you, brethren, to know them that labor among you, and are over you in the Lord, and admonish you;\nHe stepped closer and stared.\nWhosoever therefore shall break one of these least commandments, and shall teach men so, shall be called least in the kingdom of heaven: but whosoever shall do and teach them, he shall be called great in the kingdom of heaven.\nthat upon you may come all the righteous blood shed on the earth, from the blood of Abel the righteous unto the blood of Zachariah son of Barachiah, whom ye slew between the sanctuary and the altar.\nwherein I suffer hardship unto bonds, as a malefactor; but the word of God is not bound.\nand were all baptized unto Moses in the cloud and in the sea;\nHis own people running him through the woods like an old boar.\nsubjecting yourselves one to another in the fear of Christ.\n“Goodness!” said Wilbur, looking down at his own chubby legs. “I don’t think my legs have seven sections.”\nin meekness correcting them that oppose themselves; if peradventure God may give them repentance unto the knowledge of the truth,\nbeing darkened in their understanding, alienated from the life of God, because of the ignorance that is in them, because of the hardening of their heart;\nSend therefore to Joppa, and call unto thee Simon, who is surnamed Peter; he lodgeth in the house of Simon a tanner, by the sea side.\nBut if thou bearest the name of a Jew, and restest upon the law, and gloriest in God,\nHer hair was parted in a strict line down the top of her head and was threaded with white.\nI tell you, Nay: but, except ye repent, ye shall all in like manner perish.\nThe people that sat in darkness Saw a great light, And to them that sat in the region and shadow of death, To them did light spring up.\nFor days after that, all you could hear was the ringing of axes as the soldiers cut and limbed pine trees.\nAnd he arose and went: and behold, a man of Ethiopia, a eunuch of great authority under Candace, queen of the Ethiopians, who was over all her treasure, who had come to Jerusalem to worship;\nYea and if I judge, my judgment is true; for I am not alone, but I and the Father that sent me.\nfor if God spared not the natural branches, neither will he spare thee.\nsaying, There was in a city a judge, who feared not God, and regarded not man:\nbecause of the hope which is laid up for you in the heavens, whereof ye heard before in the word of the truth of the gospel,\nsaying, What shall we do to these men? for that indeed a notable miracle hath been wrought through them, is manifest to all that dwell in Jerusalem; and we cannot deny it.\nThis is what had happened in this story that I am telling.\nPerry and Charleston lay still, and Philadelphia, bleeding heavily, made motions with his hands like trying to get a grip on the earth.\nAnd it shall be, that whosoever shall call on the name of the Lord shall be saved.\nThe baptism of John, whence was it? from heaven or from men? And they reasoned with themselves, saying, If we shall say, From heaven; he will say unto us, Why then did ye not believe him?\nFor your information, there are five hundred and fourteen eggs in that peachy little sac.”\nAnd as they came out, they found a man of Cyrene, Simon by name: him they compelled to go with them, that he might bear his cross.\nAnd I was still unknown by face unto the churches of Judæa which were in Christ:\nbut let it be the hidden man of the heart, in the incorruptible apparel of a meek and quiet spirit, which is in the sight of God of great price.\nfor we have heard him say, that this Jesus of Nazareth shall destroy this place, and shall change the customs which Moses delivered unto us.\nHe was the lamp that burneth and shineth; and ye were willing to rejoice for a season in his light.\nThis is a leaf.\nWilbur had already decided how he would carry the egg sac—there was only one way possible.\nYou have a month from today.\nLike anybody else of good sense, when he stayed up all night drinking, he favored Scotch whisky of the highest quality, as long as somebody else was buying.\n He looked with teary eyes so wide.\nAnd there the centurion found a ship of Alexandria sailing for Italy; and he put us therein.\nFor we are not bold to number or compare ourselves with certain of them that commend themselves: but they themselves, measuring themselves by themselves, and comparing themselves with themselves, are without understanding.\nYe did not choose me, but I chose you, and appointed you, that ye should go and bear fruit, and that your fruit should abide: that whatsoever ye shall ask of the Father in my name, he may give it you.\nOne day, as he swam in the large creek, it started to rain.\nBut Smith looked tired and white-eyed with fatigue and the nervous strain of this woods duty, which had been confusing and frightening to him.\nAnd if the righteous is scarcely saved, where shall the ungodly and sinner appear?\nfor the Lamb that is in the midst of the throne shall be their shepherd, and shall guide them unto fountains of waters of life: and God shall wipe away every tear from their eyes. \n“Of course,” said Charlotte.\nThen began he to curse and to swear, I know not the man. And straightway the cock crew.\nSkirmish is such an airy-sounding word.\nbut they shouted, saying, Crucify, crucify him.\nwho also sealed us, and gave us the earnest of the Spirit in our hearts.\nBut when the blade sprang up and brought forth fruit, then appeared the tares also.\nBut we would not have you ignorant, brethren, concerning them that fall asleep; that ye sorrow not, even as the rest, who have no hope.\nwhose mouths must be stopped; men who overthrow whole houses, teaching things which they ought not, for filthy lucre’s sake.\nNow when they were departed, behold, an angel of the Lord appeareth to Joseph in a dream, saying, Arise and take the young child and his mother, and flee into Egypt, and be thou there until I tell thee: for Herod will seek the young child to destroy him.\nVerily I say unto you, What things soever ye shall bind on earth shall be bound in heaven; and what things soever ye shall loose on earth shall be loosed in heaven.\nThe baby spiders felt the warm updraft.\nand in the midst of the candlesticks one like unto a son of man, clothed with a garment down to the foot, and girt about at the breasts with a golden girdle.\nFor every one that asketh receiveth; and he that seeketh findeth; and to him that knocketh it shall be opened.\nAnd without faith it is impossible to be well-pleasing unto him; for he that cometh to God must believe that he is, and that he is a rewarder of them that seek after him.\nAnd Peter answereth and saith to Jesus, Rabbi, it is good for us to be here: and let us make three tabernacles; one for thee, and one for Moses, and one for Elijah.\nWhich of the two did the will of his father? They say, The first. Jesus saith unto them, Verily I say unto you, that the publicans and the harlots go into the kingdom of God before you.\n“Homer,” she said to her husband, “I am going to give that pig a buttermilk bath.”\nThen after the space of fourteen years I went up again to Jerusalem with Barnabas, taking Titus also with me.\nFor I would not, brethren, have you ignorant, that our fathers were all under the cloud, and all passed through the sea;\nWherefore when he cometh into the world, he saith, Sacrifice and offering thou wouldest not, But a body didst thou prepare for me;\nAnd after some days Paul said unto Barnabas, Let us return now and visit the brethren in every city wherein we proclaimed the word of the Lord, and see how they fare.\nfor until the law sin was in the world; but sin is not imputed when there is no law.\nAll in all, it was a companionable breakfast.\nYe are my friends, if ye do the things which I command you.\nNow it came to pass on one of those days, that he entered into a boat, himself and his disciples; and he said unto them, Let us go over unto the other side of the lake: and they launched forth.\nOr did I commit a sin in abasing myself that ye might be exalted, because I preached to you the gospel of God for nought?\nI cut it like pie and flipped the slices upside down on their plates, and the top was crisp and brown, and the inside was soft and had almost melted.\nNow Jesus had spoken of his death: but they thought that he spake of taking rest in sleep.\n“You have been my friend,” replied Charlotte.\nNow these things were our examples, to the intent we should not lust after evil things, as they also lusted.\n“You can go back to sleep.\nAnd the word of the Lord was spread abroad throughout all the region.\nAnd now I stand here to be judged for the hope of the promise made of God unto our fathers;\nBut, beloved, we are persuaded better things of you, and things that accompany salvation, though we thus speak:\nThe wolf's feet were really hurting.\nfor I will show him how many things he must suffer for my name’s sake.\nFor thou bringest certain strange things to our ears: we would know therefore what these things mean.\nI slurped down two dozen in quick succession, and even after I could eat no more, I kept now and again between swallows of wine lifting an empty half shell to my nose and sniffing the pearly cup to remind myself of the existence of this marvelous and completely unexpected food.\nthe colonel said.\nEverything on the farm was dripping wet.\nholding to the faithful word which is according to the teaching, that he may be able both to exhort in the sound doctrine, and to convict the gainsayers.\nJohn answered and said, A man can receive nothing, except it have been given him from heaven.\nThis wisdom is not a wisdom that cometh down from above, but is earthly, sensual, devilish.\nAbraham begat Isaac; and Isaac begat Jacob; and Jacob begat Judah and his brethren;\nJesus answered them, Many good works have I showed you from the Father; for which of those works do ye stone me?\nHe had no time to hide and just squatted with his back against the trunk of the tree and became utterly still.\nAnd he dwelt there a year and six months, teaching the word of God among them.\nIf she went into the house, Wilbur went, too.\nAnd Mary abode with her about three months, and returned unto her house.\nAnd the veil of the temple was rent in two from the top to the bottom.\nAnd certain of them that were with us went to the tomb, and found it even so as the women had said: but him they saw not.\nAnd be not fashioned according to this world: but be ye transformed by the renewing of your mind, that ye may prove what is the good and acceptable and perfect will of God.\nAnd Satan entered into Judas who was called Iscariot, being of the number of the twelve.\n“I haven't the faintest idea,” said Mr. Arable.\nBut there was a certain man, Simon by name, who beforetime in the city used sorcery, and amazed the people of Samaria, giving out that himself was some great one:\nAnd if ye are willing to receive it, this is Elijah, that is to come.\nIt was not long, they tell us, before everyone was reading and writing.\nNow when they heard this, they were pricked in their heart, and said unto Peter and the rest of the apostles, Brethren, what shall we do?\nWilbur was in a panic.\nbecause if our heart condemn us, God is greater than our heart, and knoweth all things.\nabove all things being fervent in your love among yourselves; for love covereth a multitude of sins:\nA few families would come to watch the television.\nThe blood led on, but thinned down.\nFor the man was more than forty years old, on whom this miracle of healing was wrought.\nBack and forth on the daylong ride between Valley River and Wayah.\nAnd if he refuse to hear them, tell it unto the church: and if he refuse to hear the church also, let him be unto thee as the Gentile and the publican.\nAnd he sent them forth to preach the kingdom of God, and to heal the sick.\nNow as soon as it was day, there was no small stir among the soldiers, what was become of Peter.\nAnd we indeed justly; for we receive the due reward of our deeds: but this man hath done nothing amiss.\nneither as lording it over the charge allotted to you, but making yourselves ensamples to the flock.\nfor the children being not yet born, neither having done anything good or bad, that the purpose of God according to election might stand, not of works, but of him that calleth,\nAnd the apostles and the elders were gathered together to consider of this matter.\nRemember them that are in bonds, as bound with them; them that are ill-treated, as being yourselves also in the body.\nand God both raised the Lord, and will raise up us through his power.\nWhen that happened, she knew the Cherokees were burning the leaves to get the chestnuts on the ground.\nShe hath done what she could; she hath anointed my body beforehand for the burying.\nthe son of Joanan, the son of Rhesa, the son of Zerubbabel, the son of Shealtiel, the son of Neri,\nThou madest known unto me the ways of life; Thou shalt make me full of gladness with thy countenance.\nThen was Jesus led up of the Spirit into the wilderness to be tempted of the devil.\nFor they that are after the flesh mind the things of the flesh; but they that are after the Spirit the things of the Spirit.\nJudge not, that ye be not judged.\n“They'll never-never-never catch you in the woods.”\nAnd it was now about the sixth hour, and a darkness came over the whole land until the ninth hour,\nThen she crawled along a beam till she was directly over the next pen.\nThen laid they their hands on them, and they received the Holy Spirit.\n“Not many creatures can spin webs.\nThey therefore that were scattered abroad went about preaching the word.\n“N-not exactly,” said Lurvy.\nAnd they, when they heard it, were glad, and promised to give him money. And he sought how he might conveniently deliver him unto them.\n“You’re all right, Edith,” said Mrs. Arable.\nBig muscles that would make good eating.\nlet us hold fast the confession of our hope that it waver not; for he is faithful that promised:\nBut shun profane babblings: for they will proceed further in ungodliness,\nbut go rather to the lost sheep of the house of Israel.\nIf I speak with the tongues of men and of angels, but have not love, I am become sounding brass, or a clanging cymbal.\nThe ghosts of animals reveal themselves to you without prejudice toward your humanity.\nBut if ye seek anything about other matters, it shall be settled in the regular assembly.\nAnd one of the Pharisees desired him that he would eat with him. And he entered into the Pharisee’s house, and sat down to meat.\nRemember them that had the rule over you, men that spake unto you the word of God; and considering the issue of their life, imitate their faith.\nFurthermore, we had the fathers of our flesh to chasten us, and we gave them reverence: shall we not much rather be in subjection unto the Father of spirits, and live?\nDarkness settled over everything.\nWhat say I then? that a thing sacrificed to idols is anything, or that an idol is anything?\nBut many that are first shall be last; and the last first.\nWilbur heard these words and his heart almost stopped. “I think I’m going to faint,” he whispered to the old sheep, who was watching.\nFern pushed a chair out of the way and ran outdoors.\nWilbur’s appetite had increased; he was beginning to eat scraps of food in addition to milk.\nAnd my speech and my preaching were not in persuasive words of wisdom, but in demonstration of the Spirit and of power:\nJesus answered and said, This voice hath not come for my sake, but for your sakes.\nBut Martha was cumbered about much serving; and she came up to him, and said, Lord, dost thou not care that my sister did leave me to serve alone? bid her therefore that she help me.\nThen opened he their mind, that they might understand the scriptures;\nNext day, as the Ferris wheel was being taken apart and the race horses were being loaded into vans and the entertainers were packing up their belongings and driving away in their trailers, Charlotte died.\nwherein they think it strange that ye run not with them into the same excess of riot, speaking evil of you:\nCharley circled the calf of the boy’s leg with just his thumb and index finger and there was room to spare.\nOther men go on calmly about their business.\nfor there is no respect of persons with God.\nAnd the night following the Lord stood by him, and said, Be of good cheer: for as thou hast testified concerning me at Jerusalem, so must thou bear witness also at Rome.\nNow if Christ is preached that he hath been raised from the dead, how say some among you that there is no resurrection of the dead?\nWoe unto you, scribes and Pharisees, hypocrites! for ye are like unto whited sepulchres, which outwardly appear beautiful, but inwardly are full of dead men’s bones, and of all uncleanness.\nbut now, I say, I go unto Jerusalem, ministering unto the saints.\nFor I make known to you, brethren, as touching the gospel which was preached by me, that it is not after man.\nThey were artists of misdirection as sure as any thimblerigger shifting his three shells and one wizened pea.\nAnd while they went away to buy, the bridegroom came; and they that were ready went in with him to the marriage feast: and the door was shut.\nOr know ye not that the unrighteous shall not inherit the kingdom of God? Be not deceived: neither fornicators, nor idolaters, nor adulterers, nor effeminate, nor abusers of themselves with men,\nHe is not the God of the dead, but of the living: ye do greatly err.\nI am debtor both to Greeks and to Barbarians, both to the wise and to the foolish.\nSimultaneously, Jake had struck at Charleston’s head, hoping to lay him out quickly, but it was a glancing blow and only staggered him and raised a peel of scalp over his ear.\nAnd Crispus, the ruler of the synagogue, believed in the Lord with all his house; and many of the Corinthians hearing believed, and were baptized.\nHe listened to the water as it flowed through the hole and wondered where the water, leaves, and twigs were going.\nWherefore whosoever shall eat the bread or drink the cup of the Lord in an unworthy manner, shall be guilty of the body and the blood of the Lord.\nThe goose had been listening to this conversation and chuckling to herself.\nAnd the lord of that servant, being moved with compassion, released him, and forgave him the debt.\nfor the kingdom of God is not eating and drinking, but righteousness and peace and joy in the Holy Spirit.\nWilbur lay down and closed his eyes.\nFern came almost every day to visit him.\nPresided over by a stout big-haired patriarch who went by the title of major and wore ruffled shirts and waistcoats and anything else white men were wearing in America.\nand the scripture was fulfilled which saith, And Abraham believed God, and it was reckoned unto him for righteousness; and he was called the friend of God.\nChief Ross and the Ridges had constructed years and years’ worth of arguments, and nothing they did or said changed a thing.\nAs Charley walked, he began to feel a presence in the woods, a sense of being watched from out of the fog.\nbut if it is of God, ye will not be able to overthrow them; lest haply ye be found even to be fighting against God.\nI’ve never been much of a one for prayer, but I looked at the dead boys and prayed that in the future it would be the likes of Jackson sprawled on the ground and not poor boys with hardly two pennies to rub together dying for the foolish ideas of greedy old men.\nFor when they shall rise from the dead, they neither marry, nor are given in marriage; but are as angels in heaven.\nFor example, better views than others?\nI am the God of thy fathers, the God of Abraham, and of Isaac, and of Jacob. And Moses trembled, and durst not behold.\nThen he told another story, of his journey to Charleston and his discovery of the workings of the law and how he found a way to use it in his favor, like an axe, by keeping its sharp edge turned away from himself and his desires.\nTwo men shall be in the field; the one shall be taken, and the other left.\n“Do you see what I see?” he asked.\nThe slant light of afternoon fell in broken beams through the yellow leaves and straight trunks.\nAnd so well-spoken.\nand they could not find what they might do; for the people all hung upon him, listening. \nWhat is it therefore? they will certainly hear that thou art come.\nAnd with great power gave the apostles their witness of the resurrection of the Lord Jesus: and great grace was upon them all.\nBut if any man is ignorant, let him be ignorant.\nAnd they came to Ephesus, and he left them there: but he himself entered into the synagogue, and reasoned with the Jews.\nHe whistled a sharp note down the line of wagons, and the whole train lurched forward.\naccording as it is written, God gave them a spirit of stupor, eyes that they should not see, and ears that they should not hear, unto this very day.\nand he began to speak boldly in the synagogue. But when Priscilla and Aquila heard him, they took him unto them, and expounded unto him the way of God more accurately.\n“This has been a night!”\nwho needeth not daily, like those high priests, to offer up sacrifices, first for his own sins, and then for the sins of the people: for this he did once for all, when he offered up himself.\nHe liked this.\nAnd when they heard this, they were baptized into the name of the Lord Jesus.\nWhen she was done marking, Charley got up carefully, and Nancy would scribe lines to show his waist and the bottoms of his pantlegs.\nI was wandering around the campus and I ran into these 3 girls that had come over from another school.\nHe who testifieth these things saith, Yea: I come quickly. Amen: come, Lord Jesus.\nAnd when Peter was come to himself, he said, Now I know of a truth, that the Lord hath sent forth his angel and delivered me out of the hand of Herod, and from all the expectation of the people of the Jews.\nThen he sailed back into the barn.\nGrace to you and peace from God the Father, and our Lord Jesus Christ,\nNow when certain days were passed, Agrippa the king and Bernice arrived at Cæsarea, and saluted Festus.\nFor if I build up again those things which I destroyed, I prove myself a transgressor.\n“What is an aeronaut?” asked Wilbur.\nFern grew rigid on her stool.\nhaving a good conscience; that, wherein ye are spoken against, they may be put to shame who revile your good manner of life in Christ.\nHis appearance was as lightning, and his raiment white as snow:\nPig’s out.\nFriendless, dejected, and hungry, he threw himself down in the manure and sobbed.\nHe went and addressed himself to the fire, standing close, his back to the other men.\nThen came the disciples, and said unto him, Knowest thou that the Pharisees were offended, when they heard this saying?\nsay ye of him, whom the Father sanctified and sent into the world, Thou blasphemest; because I said, I am the Son of God?\nAnd the Word became flesh, and dwelt among us (and we beheld his glory, glory as of the only begotten from the Father), full of grace and truth.\nSave me, somebody!\nIf ye then, being evil, know how to give good gifts unto your children, how much more shall your heavenly Father give the Holy Spirit to them that ask him?\nA new commandment I give unto you, that ye love one another; even as I have loved you, that ye also love one another.\nAnd when they had gone through the whole island unto Paphos, they found a certain sorcerer, a false prophet, a Jew, whose name was Bar-Jesus;\nand knew her not till she had brought forth a son: and he called his name JESUS. \nAnd what agreement hath a temple of God with idols? for we are a temple of the living God; even as God said, I will dwell in them, and walk in them; and I will be their God, and they shall be my people.\nAnd then immediately the brethren sent forth Paul to go as far as to the sea: and Silas and Timothy abode there still.\nSo the churches were strengthened in the faith, and increased in number daily.\nShe prepared our beds for us, and we all went to bed, but before any of us fell asleep, we heard a faint meowing of a cat somewhere off in the distance.\nFor if the dead are not raised, neither hath Christ been raised:\nThen they stared at Uncle.\nWhen the next rain came, the pool would fill up again.\nWilbur loved the barn when it was like this - calm and quiet, waiting for light.\nAnd to the Jews I became as a Jew, that I might gain Jews; to them that are under the law, as under the law, not being myself under the law, that I might gain them that are under the law;\nWhen she stepped onto the pitfall and tumbled through the branches into the hole she turned back into Spearfinger.  \nAnd this is life eternal, that they should know thee the only true God, and him whom thou didst send, even Jesus Christ.\nThe oath which he sware unto Abraham our father,\nThey do not swim in the middle where the fast water flows. That is where the big fish swim and that is where we are now!\nwherefore also I came without gainsaying, when I was sent for. I ask therefore with what intent ye sent for me.\nAnd the disciples say unto him, Whence should we have so many loaves in a desert place as to fill so great a multitude?\n“I’ll tend to this,” he chuckled.\nIt was hard to farm.\nand, On their hands they shall bear thee up, Lest haply thou dash thy foot against a stone.\n“My legs are hairy for a good reason,” replied Charlotte.\n“Oh, Avery,” chuckled Mrs. Arable.\nAnd Jesus said unto them, Come ye after me, and I will make you to become fishers of men.\nAstride her web, Charlotte sat moodily eating a horsefly and thinking about the future.\nLay not up for yourselves treasures upon the earth, where moth and rust consume, and where thieves break through and steal:\nI see the other birds leaving\nAnd he consented, and sought opportunity to deliver him unto them in the absence of the multitude.\nFinally, be ye all likeminded, compassionate, loving as brethren, tenderhearted, humbleminded:\nAnd he said unto them, The kings of the Gentiles have lordship over them; and they that have authority over them are called Benefactors.\nAvery put one leg over the fence of the pigpen.\nAnd besides all this, between us and you there is a great gulf fixed, that they that would pass from hence to you may not be able, and that none may cross over from thence to us.\nI know how to be abased, and I know also how to abound: in everything and in all things have I learned the secret both to be filled and to be hungry, both to abound and to be in want.\nRight there the rabbit fell down, knowing that the wolf had learned nothing.\nLuke, the beloved physician, and Demas salute you.\nAnd when they drew nigh unto Jerusalem, and came unto Bethphage, unto the mount of Olives, then Jesus sent two disciples,\nBut he that entereth in by the door is the shepherd of the sheep.\nbecause if thou shalt confess with thy mouth Jesus as Lord, and shalt believe in thy heart that God raised him from the dead, thou shalt be saved:\nfirst she kissed her father, then she kissed her mother.\nBear stood and walked around the fire and used the light to his advantage—like an actor moving in and out of the yellow glow of footlights—revealing and then retreating.\n(and the life was manifested, and we have seen, and bear witness, and declare unto you the life, the eternal life, which was with the Father, and was manifested unto us);\n“I'll tell you what I'll do, said Templeton.\nJesus therefore said unto him, Except ye see signs and wonders, ye will in no wise believe.\nand he is before all things, and in him all things consist.\nAvery was the busiest helper of all.\nAnd when he had tarried among them not more than eight or ten days, he went down unto Cæsarea; and on the morrow he sat on the judgment-seat, and commanded Paul to be brought.\nHer mother was a trapper before her.\nHe looked into the air.\nI feel cold…. he shook and shook and shook.\nand God shall glorify him in himself, and straightway shall he glorify him.\nAs we have said before, so say I now again, If any man preacheth unto you any gospel other than that which ye received, let him be anathema.\nAgain he sent forth other servants, saying, Tell them that are bidden, Behold, I have made ready my dinner; my oxen and my fatlings are killed, and all things are ready: come to the marriage feast.\nBut the Pharisees, when they saw it, said unto him, Behold, thy disciples do that which it is not lawful to do upon the sabbath.\n(Now this, He ascended, what is it but that he also descended into the lower parts of the earth?\nAnd it came to pass on the eighth day, that they came to circumcise the child; and they would have called him Zacharias, after the name of his father.\nAnd when even was come, there came a rich man from Arimathæa, named Joseph, who also himself was Jesus’ disciple:\nTake heed therefore how ye hear: for whosoever hath, to him shall be given; and whosoever hath not, from him shall be taken away even that which he thinketh he hath.\nFor David himself saith in the book of Psalms, The Lord said unto my Lord, Sit thou on my right hand,\nShe shed it onto the frothy hummock of pale silk and bombazine and linen and stood pale and slim in the moonlight.\nSpecial announcement!” said the loud speaker in a pompous voice.\nEverything was a shade of brown, the people and their clothes, horses and wagons, and even the muddy road itself.\nDenial was what the Army was for.\nAnd when he was come into the house, his disciples asked him privately, How is it that we could not cast it out?\nWilbur?”\nPoor, ignorant of economy of time, or money, cultivating the soil for a base subsistence, they prefer the chase of the deer or deer idleness to more useful employment.\nNow therefore why make ye trial of God, that ye should put a yoke upon the neck of the disciples which neither our fathers nor we were able to bear?\nSmith sat looking at the fire in a daze.\nThe fire was burning low and a layer of pale smoke thick as meringue settled against the ceiling of rock, unable to find a passage out.\nsaid with a loud voice, Stand upright on thy feet. And he leaped up and walked.\nHe pointed to the blue tag on Uncle’s pen.\nAnd after five days the high priest Ananias came down with certain elders, and with an orator, one Tertullus; and they informed the governor against Paul.\nSmith, finished with his report, came over and said, Perhaps one of you might stir that pot.\nAnd when I arrive, whomsoever ye shall approve, them will I send with letters to carry your bounty unto Jerusalem:\nThe goose egg was right underneath.\nBut take heed lest by any means this liberty of yours become a stumblingblock to the weak.\nThe woods seemed a long way off, and anyway, he had never been down there in the woods and wasn’t sure he would like it.\n“You better sit down.”\nFinally Mrs. Arable made up her mind she would pay a call on old Doctor Dorian and ask his advice.\nThere was the true light, even the light which lighteth every man, coming into the world.\nBut he that doubteth is condemned if he eat, because he eateth not of faith; and whatsoever is not of faith is sin. \nHe opened his mouth and some buttermilk ran in.\nHe brought him unto Jesus. Jesus looked upon him, and said, Thou art Simon the son of John: thou shalt be called Cephas (which is by interpretation, Peter).\nAnd when he knew that he was of Herod’s jurisdiction, he sent him unto Herod, who himself also was at Jerusalem in these days.\nAnd again, Isaiah saith, There shall be the root of Jesse, And he that ariseth to rule over the Gentiles; On him shall the Gentiles hope.\nAnd let him turn away from evil, and do good; Let him seek peace, and pursue it.\nNow when the apostles that were at Jerusalem heard that Samaria had received the word of God, they sent unto them Peter and John:\nWilbur took a step toward the pail.\nSo although I wrote unto you, I wrote not for his cause that did the wrong, nor for his cause that suffered the wrong, but that your earnest care for us might be made manifest unto you in the sight of God.\nWherefore, even as the Holy Spirit saith, To-day if ye shall hear his voice,\nBut this cometh to pass, that the word may be fulfilled that is written in their law, They hated me without a cause.\nNow he that wrought us for this very thing is God, who gave unto us the earnest of the Spirit.\nbut even as we have been approved of God to be intrusted with the gospel, so we speak; not as pleasing men, but God who proveth our hearts.\nThere was, understandably, a considerable markup, and the officers seemed compelled to announce that they could buy it back in New Jersey for half that price.\nAnd he will show you a large upper room furnished: there make ready.\nfor which I am an ambassador in chains; that in it I may speak boldly, as I ought to speak.\nWoe unto you, when all men shall speak well of you! for in the same manner did their fathers to the false prophets.\nThey ate, they drank, they married, they were given in marriage, until the day that Noah entered into the ark, and the flood came, and destroyed them all.\nAnd this he said to prove him: for he himself knew what he would do.\nLook ye out therefore, brethren, from among you seven men of good report, full of the Spirit and of wisdom, whom we may appoint over this business.\nI told him that what he was asking might well cost me my life, and that he hadn’t enough Federal money at his disposal to compensate me for its loss.\nAnd there appeared unto them tongues parting asunder, like as of fire; and it sat upon each one of them.\nAnd they brought him to Jesus: and they threw their garments upon the colt, and set Jesus thereon.\nand that ye study to be quiet, and to do your own business, and to work with your hands, even as we charged you;\nVerily I say unto you, that he will set him over all that he hath.\nAnd when Jesus heard it, he marvelled, and said to them that followed, Verily I say unto you, I have not found so great faith, no, not in Israel.\nThe grass looked like a magic carpet.\nAnd when even was come, the lord of the vineyard saith unto his steward, Call the laborers, and pay them their hire, beginning from the last unto the first.\n“Is there anything I can get you?\nShow me the tribute money. And they brought unto him a denarius.\nBut above all things, my brethren, swear not, neither by the heaven, nor by the earth, nor by any other oath: but let your yea be yea, and your nay, nay; that ye fall not under judgment.\nAnd they go into Capernaum; and straightway on the sabbath day he entered into the synagogue and taught.\nPilate saith unto him, What is truth? And when he had said this, he went out again unto the Jews, and saith unto them, I find no crime in him.\nAnd gathering together all the chief priests and scribes of the people, he inquired of them where the Christ should be born.\nI have surely seen the affliction of my people that is in Egypt, and have heard their groaning, and I am come down to deliver them: and now come, I will send thee into Egypt.\nFor I will be merciful to their iniquities, And their sins will I remember no more.\nFor the sun ariseth with the scorching wind, and withereth the grass; and the flower thereof falleth, and the grace of the fashion of it perisheth: so also shall the rich man fade away in his goings.\nBig woods rose black all around.\nAnd he arose, and came to his father. But while he was yet afar off, his father saw him, and was moved with compassion, and ran, and fell on his neck, and kissed him.\nand Jacob’s well was there. Jesus therefore, being wearied with his journey, sat thus by the well. It was about the sixth hour.\nAnd when it was shown to me that there would be a plot against the man, I sent him to thee forthwith, charging his accusers also to speak against him before thee.\nWe went around the oak tree, but we did not seen anything up in the tree.\nAnd they constrained him, saying, Abide with us; for it is toward evening, and the day is now far spent. And he went in to abide with them.\nand in the same manner do ye also joy, and rejoice with me.\nFor if, by the trespass of the one, death reigned through the one; much more shall they that receive the abundance of grace and of the gift of righteousness reign in life through the one, even Jesus Christ.\nWhen I brake the five loaves among the five thousand, how many baskets full of broken pieces took ye up? They say unto him, Twelve.\n“Nothing,” said Charlotte.\nMy best friends are in the barn cellar.\nAnd though they found no cause of death in him, yet asked they of Pilate that he should be slain.\nfor if ye live after the flesh, ye must die; but if by the Spirit ye put to death the deeds of the body, ye shall live.\nAnd they went forth, and preached everywhere, the Lord working with them, and confirming the word by the signs that followed. Amen.\nAnd if thine eye causeth thee to stumble, pluck it out, and cast it from thee: it is good for thee to enter into life with one eye, rather than having two eyes to be cast into the hell of fire.\nwherein were all manner of fourfooted beasts and creeping things of the earth and birds of the heaven.\nAnd when he saw them, he said unto them, Go and show yourselves unto the priests. And it came to pass, as they went, they were cleansed.\n“Well, I don’t know,” replied Charlotte. “The Fair comes at a bad time for me.\nAnd he departed thence, and went into their synagogue:\nWilbur listened to the sound with love in his heart.\nWhen therefore ye assemble yourselves together, it is not possible to eat the Lord’s supper:\nFor if these things are yours and abound, they make you to be not idle nor unfruitful unto the knowledge of our Lord Jesus Christ.\nwhom Jason hath received: and these all act contrary to the decrees of Cæsar, saying that there is another king, one Jesus.\nHe was particularly glad that she always put her victim to sleep before eating it.\nEvery brothel we passed was tinkling with piano music and breathing out its own particular fragrance of perfume and sweat into the evening.\nTherefore, if I come, I will bring to remembrance his works which he doeth, prating against us with wicked words: and not content therewith, neither doth he himself receive the brethren, and them that would he forbiddeth and casteth them out of the church.\nAnd he did not many mighty works there because of their unbelief. \nAnd straightway he constrained his disciples to enter into the boat, and to go before him unto the other side to Bethsaida, while he himself sendeth the multitude away.\nNow while the bridegroom tarried, they all slumbered and slept.\nhaving been begotten again, not of corruptible seed, but of incorruptible, through the word of God, which liveth and abideth.\nAnd at least Smith had sense to say, I thank you.\nHe blinked his little vicious dark eyes beneath his upreaching, pyrotechnic white hair and registered scant interest in me beyond an assessment of how difficult I might be to kill in a formal pistol duel or an impromptu tavern knife fight, both of which he had successfully fought in his youth and middle age.\nThe fungus breaks wood down into soil.\n“Did you have a good time at the Fair?” she asked as she kissed her daughter.\nWherefore, brethren, give the more diligence to make your calling and election sure: for if ye do these things, ye shall never stumble:\nBe afflicted, and mourn, and weep: let your laughter be turned to mourning, and your joy to heaviness.\nBut flee youthful lusts, and follow after righteousness, faith, love, peace, with them that call on the Lord out of a pure heart.\nAnd these shall go away into eternal punishment: but the righteous into eternal life. \n“I've just never tried.”\nAnd he spake to his disciples, that a little boat should wait on him because of the crowd, lest they should throng him:\nI stay put and wait for what comes.\nLurvy was standing outside in the rain, stirring up breakfast.\nnor by the earth, for it is the footstool of his feet; nor by Jerusalem, for it is the city of the great King.\n“I’m really too young to go out into the world alone,” he thought as he lay down.\nBut the things which proceed out of the mouth come forth out of the heart; and they defile the man.\nCharley opened his mouth wide and cocked his head, listening for the sounds of the manhunt, but his own people made such a racket that he couldn’t tell how far away the runners might be.\n“There are seven,” said the goose.\nAnd lifting up their eyes, they saw no one, save Jesus only.\nSo they took the money, and did as they were taught: and this saying was spread abroad among the Jews, and continueth until this day.\nAnd they sought to lay hold on him; and they feared the multitude; for they perceived that he spake the parable against them: and they left him, and went away.\nFor there are certain men crept in privily, even they who were of old written of beforehand unto this condemnation, ungodly men, turning the grace of our God into lasciviousness, and denying our only Master and Lord, Jesus Christ.\nThe web dried off and the words didn't show up so plainly.\n“See you tomorrow.”\nZuckerman thinks Wilbur is an unusual pig, and therefore he won't want to kill him and eat him.\nAnd of course nobody noticed Charlotte.\nTimothy my fellow-worker saluteth you; and Lucius and Jason and Sosipater, my kinsmen.\nFor there are eunuchs, that were so born from their mother’s womb: and there are eunuchs, that were made eunuchs by men: and there are eunuchs, that made themselves eunuchs for the kingdom of heaven’s sake. He that is able to receive it, let him receive it.\nAnd they were both righteous before God, walking in all the commandments and ordinances of the Lord blameless.\nAnd one said unto him, Lord, are they few that are saved? And he said unto them,\nThey therefore, when they were come together, asked him, saying, Lord, dost thou at this time restore the kingdom to Israel?\nMillipedes eat dead plants and then leave droppings on the ground.\nPure religion and undefiled before our God and Father is this, to visit the fatherless and widows in their affliction, and to keep oneself unspotted from the world. \nAnd when the pink blossoms fell off …\nWilbur began to struggle.\nPeter began to say unto him, Lo, we have left all, and have followed thee.\nWilbur galloped back.\nThey just stared at the tag.\nOne day the Cherokees decided they had to stop living in fear of  Spearfinger.  \nAnd Moses fled at this saying, and became a sojourner in the land of Midian, where he begat two sons.\n“Go play by yourself!\nFor a certain man named Demetrius, a silversmith, who made silver shrines of Diana, brought no little business unto the craftsmen;\n“Just the wrong idea,” replied Charlotte.\n“The Fair was weeks and weeks ago.”\nTo the weak I became weak, that I might gain the weak: I am become all things to all men, that I may by all means save some.\nPeople believe almost anything they see in print.\nClaire.\nI adjure you by the Lord that this epistle be read unto all the brethren.\n“Well,” said the spider, plucking thoughtfully at her web, “the old sheep has been around this barn a long time.\nSo the church throughout all Judæa and Galilee and Samaria had peace, being edified; and, walking in the fear of the Lord and in the comfort of the Holy Spirit, was multiplied.\nbut insomuch as ye are partakers of Christ’s sufferings, rejoice; that at the revelation of his glory also ye may rejoice with exceeding joy.\nAnd when the barbarians saw the venomous creature hanging from his hand, they said one to another, No doubt this man is a murderer, whom, though he hath escaped from the sea, yet Justice hath not suffered to live.\nAnd it was the feast of the dedication at Jerusalem:\nIt means I don’t have to limit my activities to spinning and trapping and stunts like that.”\nThat pig is as solid as they come.\nAnd the woman that hath an unbelieving husband, and he is content to dwell with her, let her not leave her husband.\nAnd when they came that were hired about the eleventh hour, they received every man a shilling.\nI have traveled far.\nAnd he came, and he taketh it out of the right hand of him that sat on the throne.\n“There's Henry!”\nAnd they were astonished at his teaching: for he taught them as having authority, and not as the scribes.\nAfter all, Wilbur was a very young pig—not much more than a baby, really.\nFor none of us liveth to himself, and none dieth to himself.\n“What a mess!” thought the rat.\nFor when we were in the flesh, the sinful passions, which were through the law, wrought in our members to bring forth fruit unto death.\nAnd he saith unto me, See thou do it not: I am a fellow-servant with thee and with thy brethren the prophets, and with them that keep the words of this book: worship God.\nHowbeit what saith the scripture? Cast out the handmaid and her son: for the son of the handmaid shall not inherit with the son of the freewoman.\nFor every one that partaketh of milk is without experience of the word of righteousness; for he is a babe.\nSo they went, and made the sepulchre sure, sealing the stone, the guard being with them. \nHe'll take the knife to you, my boy.”\nAnd while he yet spake, lo, Judas, one of the twelve, came, and with him a great multitude with swords and staves, from the chief priests and elders of the people.\nAnd when even was come, they brought unto him many possessed with demons: and he cast out the spirits with a word, and healed all that were sick:\nThen he would breathe deeply.\nbecause that he had been often bound with fetters and chains, and the chains had been rent asunder by him, and the fetters broken in pieces: and no man had strength to tame him.\nYou still have one foot, he told Wolf.\n“If I write the word ‘Terrific’ with sticky thread,” she thought, “every bug that comes along will get stuck in it and spoil the effect.”\nAnd his head and his hair were white as white wool, white as snow; and his eyes were as a flame of fire;\nFor we would not have you ignorant, brethren, concerning our affliction which befell us in Asia, that we were weighed down exceedingly, beyond our power, insomuch that we despaired even of life:\nShe knew from experience that if she waited long enough, a fly would come to her web; and she felt sure that if she thought long enough about Wilbur’s problem, an idea would come to her mind.\nThe riverboat cabins were hardly bigger than tipped outhouses and not much better smelling, with their sleeping pallets stained by every fluid the human body is able to produce and unemptied chamberpots and poor ventilation.\nThey say unto him, Lord, that our eyes may be opened.\nAfter which it would just keep moving forward like a wave on the sea, oblivious to individual pain.\nVery pleased to meet you.\nThen he saith, I will return into my house whence I came out; and when he is come, he findeth it empty, swept, and garnished.\nDie otherwise.\nAnd I know that his commandment is life eternal; the things therefore which I speak, even as the Father hath said unto me, so I speak. \nThen he said, And now the second thing we have is our own lawyer, who is one of us.\nand to offer a sacrifice according to that which is said in the law of the Lord, A pair of turtledoves, or two young pigeons.\nAnd it came to pass on another sabbath, that he entered into the synagogue and taught: and there was a man there, and his right hand was withered.\nAnd during supper, the devil having already put into the heart of Judas Iscariot, Simon’s son, to betray him,\nI had no relief for my spirit, because I found not Titus my brother: but taking my leave of them, I went forth into Macedonia.\nTempleton knew the dump and liked it.\nHaw, haw—that’s a good one, eh, Sister?”\nAnd he saith unto them, How many loaves have ye? go and see. And when they knew, they say, Five, and two fishes.\nWhenever any creature broke loose on Zuckerman’s farm, the event was of great interest to the others.\nThe smaller children make holes with a stick and drop a dried up pea into each one.\nRoot up everything!\nThe whole thing had taken three minutes.\nBut he said, The things which are impossible with men are possible with God.\nThe land of Zebulun and the land of Naphtali, Toward the sea, beyond the Jordan, Galilee of the Gentiles,\nthat I may be delivered from them that are disobedient in Judæa, and that my ministration which I have for Jerusalem may be acceptable to the saints;\nBut the chief captain Lysias came upon us, and with great violence took him away out of our hands,\nWhich things also we speak, not in words which man’s wisdom teacheth, but which the Spirit teacheth; combining spiritual things with spiritual words.\nI in them, and thou in me, that they may be perfected into one; that the world may know that thou didst send me, and lovedst them, even as thou lovedst me.\n“Of course, they won't show up till next spring.”\nFor this cause the Jews seized me in the temple, and assayed to kill me.\nI say unto you, Among them that are born of women there is none greater than John: yet he that is but little in the kingdom of God is greater than he.\nAnd for this cause the Jews persecuted Jesus, because he did these things on the sabbath.\nEvery afternoon, when the school bus stopped in front of her house, she jumped out and ran to the kitchen to fix another bottle for him.\nThen let them that are in Judæa flee unto the mountains; and let them that are in the midst of her depart out; and let not them that are in the country enter therein.\n“I'm trembling with joy,” said Wilbur.\nCome now, ye that say, To-day or to-morrow we will go into this city, and spend a year there, and trade, and get gain:\nThe dead and their wounds, though, were certain.\nIf then ye have to judge things pertaining to this life, do ye set them to judge who are of no account in the church?\nfor he is a minister of God to thee for good. But if thou do that which is evil, be afraid; for he beareth not the sword in vain: for he is a minister of God, an avenger for wrath to him that doeth evil.\nBut the Pharisees and the lawyers rejected for themselves the counsel of God, being not baptized of him.\nPeace be to the brethren, and love with faith, from God the Father and the Lord Jesus Christ.\nThat the residue of men may seek after the Lord, And all the Gentiles, upon whom my name is called,\n And he hit it so very hard that his head went round and round.\nAnd I soon saw how the business was done but realized I did not have the money to do it very well.\nbut exhort one another day by day, so long as it is called To-day; lest any one of you be hardened by the deceitfulness of sin:\nShe paused and then mentioned the exact melancholy number.\nWe give thanks to God the Father of our Lord Jesus Christ, praying always for you,\nServes me right. \nNow I beseech you, brethren, through the name of our Lord Jesus Christ, that ye all speak the same thing, and that there be no divisions among you; but that ye be perfected together in the same mind and in the same judgment.\nAnd the city was filled with the confusion: and they rushed with one accord into the theatre, having seized Gaius and Aristarchus, men of Macedonia, Paul’s companions in travel.\nAt one party held at the house of a noted art collector, Mrs. Chapman and I danced not a step but spent time going from canvas to canvas. We decided to bypass landscape, my usual favorite, and also still life, for she did not find bowls of grapes and apples very interesting.\nSo then, as we have opportunity, let us work that which is good toward all men, and especially toward them that are of the household of the faith.\nfor it is witnessed of him, Thou art a priest for ever After the order of Melchizedek.\nAnd he took them in his arms, and blessed them, laying his hands upon them.\nThe disciple is not above his teacher: but every one when he is perfected shall be as his teacher.\nThey therefore departed from the presence of the council, rejoicing that they were counted worthy to suffer dishonor for the Name.\nwhich is his body, the fulness of him that filleth all in all. \n“Charlotte is the best storyteller I ever heard,” said Fern, poking her dish towel into a cereal bowl.\nHe barely spoke…\nYea, and if I am offered upon the sacrifice and service of your faith, I joy, and rejoice with you all:\nBut the word of the Lord abideth for ever. And this is the word of good tidings which was preached unto you. \nAnd Stephen, full of grace and power, wrought great wonders and signs among the people.\nWhen I therefore was thus minded, did I show fickleness? or the things that I purpose, do I purpose according to the flesh, that with me there should be the yea yea and the nay nay?\n“Use extreme care!” he said.\nThe woman saith unto him, Sir, I perceive that thou art a prophet.\nVerily I say unto you, I shall no more drink of the fruit of the vine, until that day when I drink it new in the kingdom of God.\nThey all wore moccasins and britches and shirts of linen and faded red calico.\nThou hast neither part nor lot in this matter: for thy heart is not right before God.\nThe world would be wiped clean.\nThe passway lay narrow and slick underfoot, and his best idea for navigation was to keep the creek within hearing to his left and not climb any ridges to the right.\nAnd there was usually a tin can with food still clinging to the inside.\nAfter she had left the room, Mrs. Arable spoke in a low voice to her husband.\nWhen any one heareth the word of the kingdom, and understandeth it not, then cometh the evil one, and snatcheth away that which hath been sown in his heart. This is he that was sown by the way side.\nThis title therefore read many of the Jews, for the place where Jesus was crucified was nigh to the city; and it was written in Hebrew, and in Latin, and in Greek.\n“Here, here, here!” said the goose.\nFor, uttering great swelling words of vanity, they entice in the lusts of the flesh, by lasciviousness, those who are just escaping from them that live in error;\nAnd I went unto the angel, saying unto him that he should give me the little book. And he saith unto me, Take it, and eat it up; and it shall make thy belly bitter, but in thy mouth it shall be sweet as honey.\nMy little children, these things write I unto you that ye may not sin. And if any man sin, we have an Advocate with the Father, Jesus Christ the righteous:\nAnd they were all filled with wrath in the synagogue, as they heard these things;\nAnd the tongue is a fire: the world of iniquity among our members is the tongue, which defileth the whole body, and setteth on fire the wheel of nature, and is set on fire by hell.\nFor men shall be lovers of self, lovers of money, boastful, haughty, railers, disobedient to parents, unthankful, unholy,\nand they said unto him, By what authority doest thou these things? or who gave thee this authority to do these things?\nWhen she stepped outside, the sun was shining, but it was very cold and she started to shiver.\nThou hast loved righteousness, and hated iniquity; Therefore God, thy God, hath anointed thee With the oil of gladness above thy fellows.\nAnd they that had taken Jesus led him away to the house of Caiaphas the high priest, where the scribes and the elders were gathered together.\n“Keep your knees straight and touch the ground with your ears!” called Charlotte.\nIn another hour or two, a steady stream of people would pass by, admiring it, and reading it, and looking at Wilbur, and marveling at the miracle.\nWilbur blushed.\n“No, I'm not, either.”\nthe mystery of the seven stars which thou sawest in my right hand, and the seven golden candlesticks. The seven stars are the angels of the seven churches: and the seven candlesticks are seven churches. \nin the name of our Lord Jesus, ye being gathered together, and my spirit, with the power of our Lord Jesus,\nBut when his brethren were gone up unto the feast, then went he also up, not publicly, but as it were in secret.\nAll that which the Father giveth me shall come unto me; and him that cometh to me I will in no wise cast out.\nthat all may honor the Son, even as they honor the Father. He that honoreth not the Son honoreth not the Father that sent him.\n“How enchanting!” he said.\nbut she shall be saved through her child-bearing, if they continue in faith and love and sanctification with sobriety. \nI passed out cigars to the men, and we lit them with a twig caught alight in the fire and passed the bottle around.\nand the third took her; and likewise the seven also left no children, and died.\nPilate therefore saith unto him, Speakest thou not unto me? knowest thou not that I have power to release thee, and have power to crucify thee?\n“Nothing wrong with this pig,” said Mr. Zuckerman cheerfully, pressing his knee against Wilbur’s behind.\nHe searched his pen thoroughly.\nFor they that dwell in Jerusalem, and their rulers, because they knew him not, nor the voices of the prophets which are read every sabbath, fulfilled them by condemning him.\nAnd when they had appointed for them elders in every church, and had prayed with fasting, they commended them to the Lord, on whom they had believed.\nAre not five sparrows sold for two pence? and not one of them is forgotten in the sight of God.\nI know trees are good and kind.\nFor behold, this selfsame thing, that ye were made sorry after a godly sort, what earnest care it wrought in you, yea what clearing of yourselves, yea what indignation, yea what fear, yea what longing, yea what zeal, yea what avenging! In everything ye approved yourselves to be pure in the matter.\nThe ground they passed over looked like it had been turned by plows.\nmake full my joy, that ye be of the same mind, having the same love, being of one accord, of one mind;\nAnd such confidence have we through Christ to God-ward:\nSo Charlotte sang a lullaby, while crickets chirped in the grass and the barn grew dark.\nand cast him into the abyss, and shut it, and sealed it over him, that he should deceive the nations no more, until the thousand years should be finished: after this he must be loosed for a little time.\nSalute Mary, who bestowed much labor on you.\n“How does it feel to be free?” she asked.\non the east were three gates; and on the north three gates; and on the south three gates; and on the west three gates.\n“Certainly not,” said the lamb.\nDr. Dorian leaned back and closed his eyes.\nBut I said, Not so, Lord: for nothing common or unclean hath ever entered into my mouth.\nknowing this, that our old man was crucified with him, that the body of sin might be done away, that so we should no longer be in bondage to sin;\nMr. Arable patted him.\nSo Lichen would agree neither to come down from the mountains nor to join in the hunt for Charley.\nA dying fire sent up white smoke from its bed of ashes, and Smith said he could see muskets propped against the hemlock trunk nearby.\nAnd which of you by being anxious can add a cubit unto the measure of his life?\nAnd they that went before, and they that followed, cried, Hosanna; Blessed is he that cometh in the name of the Lord:\nwho will render to every man according to his works:\nIn a rambling sort of way, the colonel was talking out a letter to a young scribe, who sat at a corner of the table and scratched fiercely at a sheet of paper, trying to keep up with the rapid flow of words.\nEvery morning he awoke twisted in his blankets, more exhausted than when he went to bed.\nLet all the house of Israel therefore know assuredly, that God hath made him both Lord and Christ, this Jesus whom ye crucified.\nBut the multitude of the city was divided; and part held with the Jews, and part with the apostles.\nNeither man spoke.\nAnd when Paul and Barnabas had no small dissension and questioning with them, the brethren appointed that Paul and Barnabas, and certain other of them, should go up to Jerusalem unto the apostles and elders about this question.\nAnd he said unto them that stood by, Take away from him the pound, and give it unto him that hath the ten pounds.\nIt would make one’s feelings about this go down easier if they had put up a fight.\nAlthough it is made of thin, delicate strands, the web is not easily broken.\nA bird told them where to aim their arrows between the scales of rock to strike her heart.\nand they were baptized of him in the river Jordan, confessing their sins.\nThis particular old Indian woman had her grey hair pulled back into a fist-sized bun, and she wore a greasy apron over a blue skirt that fell in limp folds from her wide hips.\nAnd he departed thence, and went into the house of a certain man named Titus Justus, one that worshipped God, whose house joined hard to the synagogue.\nAnd Peter had followed him afar off, even within, into the court of the high priest; and he was sitting with the officers, and warming himself in the light of the fire.\nThe pasture was bleak and frozen.\nAnd as he was entering into the boat, he that had been possessed with demons besought him that he might be with him.\n“And so do I,” said Nellie, who had just managed to catch a small gnat.\nPhiladelphia grabbed the handle just behind the head and they disputed over it, and even then George could not retrieve his hatchet.\nThat morning, just as Wilbur fell asleep, Avery Arable wandered into the Zuckerman’s front yard, followed by Fern.\nWilbur paused and listened.\nbecause by the works of the law shall no flesh be justified in his sight; for through the law cometh the knowledge of sin.\nAnd Pilate asked him, Art thou the King of the Jews? And he answering saith unto him, Thou sayest.\nBut a certain Samaritan, as he journeyed, came where he was: and when he saw him, he was moved with compassion,\nAnd behold, there arose a great tempest in the sea, insomuch that the boat was covered with the waves: but he was asleep.\nThe Zuckermans and Lurvy walked back to the house.\nYou are beautiful!\nsaying, This man began to build, and was not able to finish.\nThe boy replied, When we are big we will both be able to do lots of things!\n“Well-l,” said Fern, thoughtfully, “she has eight legs.\nAnd the angel answered and said unto the women, Fear not ye; for I know that ye seek Jesus, who hath been crucified.\n“You have awfully hairy legs, Charlotte,” said Wilbur,  as the spider busily worked at her task.\nAnd the goose raised herself a bit and poked her eggs a little further under her so that they would receive the full heat from her warm body and soft feathers.\nHe said being in a place without mountains was like riding in the bed of a careening wagon without side rails.\nWast thou called being a bondservant? care not for it: nay, even if thou canst become free, use it rather.\nAnd we have sent with them our brother, whom we have many times proved earnest in many things, but now much more earnest, by reason of the great confidence which he hath in you.\nAnd he commanded the multitude to sit down on the ground;\nWhen Jesus had thus said, he was troubled in the spirit, and testified, and said, Verily, verily, I say unto you, that one of you shall betray me.\nCharlotte read the words: “With New Radiant Action.”\nThou hypocrite, cast out first the beam out of thine own eye; and then shalt thou see clearly to cast out the mote out of thy brother’s eye.\n“I am sure,” she said, “that every one of us here will be gratified to learn that after four weeks of unremitting effort and patience on the part of our friend the goose, she now has something to show for it.\n“I’m sure you would.\nJesus perceived that they were desirous to ask him, and he said unto them, Do ye inquire among yourselves concerning this, that I said, A little while, and ye behold me not, and again a little while, and ye shall see me?\nIn the next pool, Littlefish saw a small fish that seemed to be stuck to a rock.\nThe famous Bear Drowning Him, now mostly just called Bear, was said to have gotten his name when he was still a boy by killing the master bear of all this territory, wounding it first with an arrow to the lungs and then fighting it with a knife in his fist until they both streamed blood.\nAll of the bacteria in this picture could fit on the period at the end of this sentence.\nWherefore we faint not; but though our outward man is decaying, yet our inward man is renewed day by day.\nAnd he said unto them, When ye pray, say, Father, Hallowed be thy name. Thy kingdom come.\n“I want to stay alive, right here in my comfortable manure pile with all my friends.\nAnd withal they learn also to be idle, going about from house to house; and not only idle, but tattlers also and busybodies, speaking things which they ought not.\nYou've just got to come.”\nall things therefore whatsoever they bid you, these do and observe: but do not ye after their works; for they say, and do not.\nbeing built upon the foundation of the apostles and prophets, Christ Jesus himself being the chief corner stone;\nAnd it came to pass, as they were on the way to Jerusalem, that he was passing along the borders of Samaria and Galilee.\nIf then God gave unto them the like gift as he did also unto us, when we believed on the Lord Jesus Christ, who was I, that I could withstand God?\nWilbur rushed over, pushed his strong snout under the rat, and tossed him into the air.\nAnd there was one called Barabbas, lying bound with them that had made insurrection, men who in the insurrection had committed murder.\n“Well, who taught a spider?\n“Not till tomorrow,” said Mr. Zuckerman.\nand his feet like unto burnished brass, as if it had been refined in a furnace; and his voice as the voice of many waters.\nIf so, it stood square to the ground looking his way, motionless.\nAnd the gates thereof shall in no wise be shut by day (for there shall be no night there):\nSo then they that are of faith are blessed with the faithful Abraham.\nIt was only a few hours old.\nThere's a regular conspiracy around here to kill you at Christmastime.\nWhen the game was over and my team had come out on the bottom, Bear asked me whether I had won or lost in the bigger game against the Government.\nFor whosoever hath, to him shall be given, and he shall have abundance: but whosoever hath not, from him shall be taken away even that which he hath.\nThen he remembered that the rat had been useful in saving Charlotte’s life, and that Charlotte was trying to save his life.\nAnd there came unto him Pharisees, trying him, and saying, Is it lawful for a man to put away his wife for every cause?\nOr despisest thou the riches of his goodness and forbearance and longsuffering, not knowing that the goodness of God leadeth thee to repentance?\nIn regard to the locale of the Indians in the mountain district much may be said in its adaptation to their mode of warfare and for the purposes of concealment.\nThey are not likely to come in if they see us, I said.\nAnd while they abode in Galilee, Jesus said unto them, The Son of man shall be delivered up into the hands of men;\nFor behold your calling, brethren, that not many wise after the flesh, not many mighty, not many noble, are called:\nWherefore also God highly exalted him, and gave unto him the name which is above every name;\nNot that I speak in respect of want: for I have learned, in whatsoever state I am, therein to be content.\nA great bloom of red blossomed on the white forehead band of Charley’s turban.\nand if she herself shall put away her husband, and marry another, she committeth adultery.\nAnd in the morning, a great while before day, he rose up and went out, and departed into a desert place, and there prayed.\nI went to the creek and stanched it with cold water and went on playing.\nFor I have no man likeminded, who will care truly for your state.\nWhich also our fathers, in their turn, brought in with Joshua when they entered on the possession of the nations, that God thrust out before the face of our fathers, unto the days of David;\nNow when the captain of the temple and the chief priests heard these words, they were much perplexed concerning them whereunto this would grow.\nAnd he answered and said, Elijah indeed cometh, and shall restore all things:\nAnd out of the smoke came forth locusts upon the earth; and power was given them, as the scorpions of the earth have power.\nPerhaps we might choose one to enter?\nFor we stretch not ourselves overmuch, as though we reached not unto you: for we came even as far as unto you in the gospel of Christ:\n“Good night!”  \nAll morning you could hear the rattle of the machine as it went round and round, while the tall grass fell down behind the cutter bar in long green swathes.\nBut concerning the times and the seasons, brethren, ye have no need that aught be written unto you.\nFor all that is in the world, the lust of the flesh and the lust of the eyes and the vainglory of life, is not of the Father, but is of the world.\nButterfiles, birds, and honey bees came to visit.\n“That’s just the thing,” he said.\nBut I know you, that ye have not the love of God in yourselves.\nI just held her tight and let myself be happy and hopeless and free of further desire, in case that moment was all we would ever have.\nFor verily not to angels doth he give help, but he giveth help to the seed of Abraham.\nthat your faith should not stand in the wisdom of men, but in the power of God.\nAnd he said unto his disciples, It is impossible but that occasions of stumbling should come; but woe unto him, through whom they come!\nAnd they come to Jericho: and as he went out from Jericho, with his disciples and a great multitude, the son of Timæus, Bartimæus, a blind beggar, was sitting by the way side.\nNow it is soil.\nand Joanna the wife of Chuzas Herod’s steward, and Susanna, and many others, who ministered unto them of their substance.\nAnd then shall they see the Son of man coming in clouds with great power and glory.\nBut these mine enemies, that would not that I should reign over them, bring hither, and slay them before me.\nBut if ye are led by the Spirit, ye are not under the law.\nAnd he will himself show you a large upper room furnished and ready: and there make ready for us.\nI lived in fear that if one twig was pulled from it, the whole nest would collapse and fall to the ground.\nand here he hath authority from the chief priests to bind all that call upon thy name.\nand he received the sign of circumcision, a seal of the righteousness of the faith which he had while he was in uncircumcision: that he might be the father of all them that believe, though they be in uncircumcision, that righteousness might be reckoned unto them;\nThen it seemed good to the apostles and the elders, with the whole church, to choose men out of their company, and send them to Antioch with Paul and Barnabas; namely, Judas called Barsabbas, and Silas, chief men among the brethren:\n“Can I have some money?” asked Fern.\nNow the God of patience and of comfort grant you to be of the same mind one with another according to Christ Jesus:\n“I don’t want a single one of those eggs harmed.”\nBlessed be the God and Father of our Lord Jesus Christ, the Father of mercies and God of all comfort;\nTheir leader was beating a drum, and the whole world vibrated to its urgent rhythm.\nHere's another! Here's another! said Beaver.\n“Charlotte's cousin won.\nWhen mom and dad came back again he told them what he had done and seen\nHe wanted to go home.\nAnd he came forth and saw a great multitude, and he had compassion on them, because they were as sheep not having a shepherd: and he began to teach them many things.\nAnd they gathered them together into the place which is called in Hebrew Har-Magedon.\nHis wet clothes hung limp on a tripod of sticks near the fire.\nHaving therefore, brethren, boldness to enter into the holy place by the blood of Jesus,\nAnd they said, Is not this Jesus, the son of Joseph, whose father and mother we know? how doth he now say, I am come down out of heaven?\nBring forth therefore fruits worthy of repentance, and begin not to say within yourselves, We have Abraham to our father: for I say unto you, that God is able of these stones to raise up children unto Abraham.\n“That’s Latin,” explained Charlotte.\nAnd there came to him certain of the Sadducees, they that say that there is no resurrection;\nScientists study the natural world.\nThe rat crawled in and ate everything.\nWhen he had finished the last drop, he grunted and walked sleepily into the box.\nThe geese cheered.\nI have sent him therefore the more diligently, that, when ye see him again, ye may rejoice, and that I may be the less sorrowful.\n“Gander?”\nAnd herein I give my judgment: for this is expedient for you, who were the first to make a beginning a year ago, not only to do, but also to will.\nAnd his disciples asked him what this parable might be.\n“Oh, I just don’t feel like leaving my web.\nAnd when even was come, the boat was in the midst of the sea, and he alone on the land.\nBlessed are the merciful: for they shall obtain mercy.\n“I don't know what a magnum opus is,” said Wilbur.\nAs also the high priest doth bear me witness, and all the estate of the elders: from whom also I received letters unto the brethren, and journeyed to Damascus to bring them also that were there unto Jerusalem in bonds to be punished.\nAnd I know such a man (whether in the body, or apart from the body, I know not; God knoweth),\nNo one taketh it away from me, but I lay it down of myself. I have power to lay it down, and I have power to take it again. This commandment received I from my Father.\nHe shall glorify me: for he shall take of mine, and shall declare it unto you.\nBut let all things be done decently and in order. \nIf we have only hoped in Christ in this life, we are of all men most pitiable.\nAnd in none other is there salvation: for neither is there any other name under heaven, that is given among men, wherein we must be saved.\nAnd they troubled the multitude and the rulers of the city, when they heard these things.\nRabbit, however, knew that Wolf was lying.\nIt is also waterproof.\nAnd I saw another angel flying in mid heaven, having eternal good tidings to proclaim unto them that dwell on the earth, and unto every nation and tribe and tongue and people;\nIt also comes from dead organisms.\nPaul, a prisoner of Christ Jesus, and Timothy our brother, to Philemon our beloved and fellow-worker,\nAnd as they spake unto the people, the priests and the captain of the temple and the Sadducees came upon them,\nIf a brother or sister be naked and in lack of daily food,\nAristarchus my fellow-prisoner saluteth you, and Mark, the cousin of Barnabas (touching whom ye received commandments; if he come unto you, receive him),\nAnd the unclean spirit, tearing him and crying with a loud voice, came out of him.\nBut not endless.\nBut it was all the same to her, for she didn’t look back.\nYes.\nAnd as the people were in expectation, and all men reasoned in their hearts concerning John, whether haply he were the Christ;\nAnd he spake also a parable unto them: No man rendeth a piece from a new garment and putteth it upon an old garment; else he will rend the new, and also the piece from the new will not agree with the old.\nThis man called Sequoyah was crippled.\nCharley was doing most of the talking, telling a hunting story from the days of elk and bison, neither of which anyone in attendance but Charley had ever seen.\n“What kind of work?” asked Wilbur.\nShe would have him lie down on his back on a smooth patch of bare dirt outside their door.\nAll of them headed in the direction of the river.\nFor they heard them speak with tongues, and magnify God. Then answered Peter,\nBy faith Moses, when he was born, was hid three months by his parents, because they saw he was a goodly child; and they were not afraid of the king’s commandment.\nmaking known unto us the mystery of his will, according to his good pleasure which he purposed in him\nSo the Jews said unto him that was cured, It is the sabbath, and it is not lawful for thee to take up thy bed.\nAnd at Lystra there sat a certain man, impotent in his feet, a cripple from his mother’s womb, who never had walked.\n“Told Templeton she didn’t want the egg any more,” repeated Fern.\nAt last he managed to reach the judges’ stand.\nthese are the things which defile the man; but to eat with unwashen hands defileth not the man.\nthat thou be not seen of men to fast, but of thy Father who is in secret: and thy Father, who seeth in secret, shall recompense thee.\nFor indeed we have had good tidings preached unto us, even as also they: but the word of hearing did not profit them, because it was not united by faith with them that heard.\nGod did not cast off his people which he foreknew. Or know ye not what the scripture saith of Elijah? how he pleadeth with God against Israel:\n“Cheer up,” replied Mrs. Arable, “this is fun.”\nunto a dispensation of the fulness of the times, to sum up all things in Christ, the things in the heavens, and the things upon the earth; in him, I say,\nImmediately upon my return to Wayah, I engaged in a three-hour-long ball game in which my nose was broken by a blow from a racquet.\n“Does my hair look all right?” asked Mrs. Zuckerman.\nGrace be with all them that love our Lord Jesus Christ with a love incorruptible.\nThe women and children had no energy and they hardly spoke.\nJesus made answer and said, A certain man was going down from Jerusalem to Jericho; and he fell among robbers, who both stripped him and beat him, and departed, leaving him half dead.\nAnd at even, when the sun did set, they brought unto him all that were sick, and them that were possessed with demons.\nBehold Israel after the flesh: have not they that eat the sacrifices communion with the altar?\n“Tum and twist!” honked the goose.\nAnd when he was twelve years old, they went up after the custom of the feast;\nAt the top of the doorway three small webs were being constructed.\nAnd he went on his way through cities and villages, teaching, and journeying on unto Jerusalem.\n“I think I'll try again,” said Wilbur, cheerfully.\nnot of works, that no man should glory.\nWhile Wilbur was being unloaded and taken out of his crate and into his new pigpen, crowds gathered to watch.\nThey lead Jesus therefore from Caiaphas into the Prætorium: and it was early; and they themselves entered not into the Prætorium, that they might not be defiled, but might eat the passover.\nConsider the lilies, how they grow: they toil not, neither do they spin; yet I say unto you, Even Solomon in all his glory was not arrayed like one of these.\n“Approximately-oximately thirty days, all told,” answered the goose.\n“That in itself is a tremendous thing.\nLook at you!\nAnd when they had fulfilled all things that were written of him, they took him down from the tree, and laid him in a tomb.\nHe had yet one, a beloved son: he sent him last unto them, saying, They will reverence my son.\nHe also has a smudge on one side where he lays in the manure.”\nNotwithstanding it pleased Silas to abide there still.\nfor the Father himself loveth you, because ye have loved me, and have believed that I came forth from the Father.\nAnd the angel cast his sickle into the earth, and gathered the vintage of the earth, and cast it into the winepress, the great winepress, of the wrath of God.\nWhile it remained, did it not remain thine own? and after it was sold, was it not in thy power? How is it that thou hast conceived this thing in thy heart? thou hast not lied unto men, but unto God.\nThen entered in therefore the other disciple also, who came first to the tomb, and he saw, and believed.\nBut they went forth, and spread abroad his fame in all that land.\nand shall cast them into the furnace of fire: there shall be the weeping and the gnashing of teeth.\nBut ye, brethren, are not in darkness, that that day should overtake you as a thief:\nI asked when might be a more convenient time to return, and she said, There’s not likely to be one.\nwranglings of men corrupted in mind and bereft of the truth, supposing that godliness is a way of gain.\nneither present your members unto sin as instruments of unrighteousness; but present yourselves unto God, as alive from the dead, and your members as instruments of righteousness unto God.\nAnd he preached, saying, There cometh after me he that is mightier than I, the latchet of whose shoes I am not worthy to stoop down and unloose.\nFor what shall a man be profited, if he shall gain the whole world, and forfeit his life? or what shall a man give in exchange for his life?\nMy head with oil thou didst not anoint: but she hath anointed my feet with ointment.\n“We're holding a directors’ meeting,” replied the old sheep.\nJesus answered, If I glorify myself, my glory is nothing: it is my Father that glorifieth me; of whom ye say, that he is your God;\nBut there is nothing covered up, that shall not be revealed; and hid, that shall not be known.\nThe pupils giggled. Fern blushed.\nWilbur next tried one of the lambs.\nFor as the body apart from the spirit is dead, even so faith apart from works is dead. \nFor even his brethren did not believe on him.\nFor where jealousy and faction are, there is confusion and every vile deed.\nNow in these days, when the number of the disciples was multiplying, there arose a murmuring of the Grecian Jews against the Hebrews, because their widows were neglected in the daily ministration.\nBut he said unto him, Man, who made me a judge or a divider over you?\nwhom we proclaim, admonishing every man and teaching every man in all wisdom, that we may present every man perfect in Christ;\nFor whatsoever is begotten of God overcometh the world: and this is the victory that hath overcome the world, even our faith.\nunto Timothy, my true child in faith: Grace, mercy, peace, from God the Father and Christ Jesus our Lord.\nThis – what do they call this here?\nIf he went outside to piss, word of it spread from one end of a ballroom to the other before he could button up and get back indoors.\nBut that servant went out, and found one of his fellow-servants, who owed him a hundred shillings: and he laid hold on him, and took him by the throat, saying, Pay what thou owest.\nA bout of drear military school.\nLet us therefore, as many as are perfect, be thus minded: and if in anything ye are otherwise minded, this also shall God reveal unto you:\nSo then am I become your enemy, by telling you the truth?\nFor of him, and through him, and unto him, are all things. To him be the glory for ever. Amen. \nThe grace of our Lord Jesus Christ be with you all.\nDo you dissipate like a drop of blood in a bucket of milk, or do you persist, a small stone tossed into a rushing river?\nAvery jumped down and joined the men.\n But in all the excitement A limb, Buddy did not see.\nAnd he called for lights and sprang in, and, trembling for fear, fell down before Paul and Silas,\nAnd Jesus called unto him his disciples, and said, I have compassion on the multitude, because they continue with me now three days and have nothing to eat: and I would not send them away fasting, lest haply they faint on the way.\nIf ye then, being evil, know how to give good gifts unto your children, how much more shall your Father who is in heaven give good things to them that ask him?\n“They're going to what?” screamed Wilbur.\nAnd the multitudes that went before him, and that followed, cried, saying, Hosanna to the son of David: Blessed is he that cometh in the name of the Lord; Hosanna in the highest.\nAnd they were about four thousand: and he sent them away.\nThese new white people took all the fun out of war and just won and kept winning, as if that was all that mattered.\nAsmeret wonders if we will find many decomposers.\nLay low, Charlotte!\nAnd he answered and said unto them, He that hath two coats, let him impart to him that hath none; and he that hath food, let him do likewise.\n“Listen to me!” cried Wilbur.\nbut Herod the tetrarch, being reproved by him for Herodias his brother’s wife, and for all the evil things which Herod had done,\nto walk worthily of the Lord unto all pleasing, bearing fruit in every good work, and increasing in the knowledge of God;\nFor the law of the Spirit of life in Christ Jesus made me free from the law of sin and of death.\nFor of these are they that creep into houses, and take captive silly women laden with sins, led away by divers lusts,\nAscend! Now right and down and swing that loop and around and around!\nAnd others fell into the good ground, and yielded fruit, growing up and increasing; and brought forth, thirtyfold, and sixtyfold, and a hundredfold.\nAnd they said unto her, There is none of thy kindred that is called by this name.\nFor it became him, for whom are all things, and through whom are all things, in bringing many sons unto glory, to make the author of their salvation perfect through sufferings.\nBut of him are ye in Christ Jesus, who was made unto us wisdom from God, and righteousness and sanctification, and redemption:\nAnd he came forth, and saw a great multitude, and he had compassion on them, and healed their sick.\nBehold then the goodness and severity of God: toward them that fell, severity; but toward thee, God’s goodness, if thou continue in his goodness: otherwise thou also shalt be cut off.\ntribulation and anguish, upon every soul of man that worketh evil, of the Jew first, and also of the Greek;\nThis was from the Lord, And it is marvellous in our eyes?\nyea, making it my aim so to preach the gospel, not where Christ was already named, that I might not build upon another man’s foundation;\nAvery jumped out and lowered the tailgate.\nPerry, perhaps you could try not to burn that bacon to a cinder.\nAnd straightway the Spirit driveth him forth into the wilderness.\nShe hadn’t raised a finger against either Americans or English and could not even tell the difference between them and was confused by why they were fighting each other to begin with.\nI planted, Apollos watered; but God gave the increase.\nThe colonel sat at his table behind the leavings of a boiled-beef dinner, the plate rim-full of grey juice afloat with fat pearls of congealed suet.\nAnd I saw one of his heads as though it had been smitten unto death; and his death-stroke was healed: and the whole earth wondered after the beast;\nWherefore receive ye one another, even as Christ also received you, to the glory of God.\n“It was a never-to-be-forgotten battle,” said Charlotte.\nLet Fern associate with her friends in the barn if she wants to.\nAnd the four and twenty elders and the four living creatures fell down and worshipped God that sitteth on the throne, saying, Amen; Hallelujah.\n“Why not?\nwhereof I was made a minister, according to the gift of that grace of God which was given me according to the working of his power.\nFor the time will come when they will not endure the sound doctrine; but, having itching ears, will heap to themselves teachers after their own lusts;\nThe words for blood fractions went even smaller than that, down to the thirty-second part of dark blood that in some states still disqualified one from the many entitlements of being white.\nBut every woman praying or prophesying with her head unveiled dishonoreth her head; for it is one and the same thing as if she were shaven.\n“No, said Charlotte.\nI was just a young man, but I was real cowardly.\nAnd straightway they left the nets, and followed him.\nAnd having found the disciples, we tarried there seven days: and these said to Paul through the Spirit, that he should not set foot in Jerusalem.\nAnd again another scripture saith, They shall look on him whom they pierced.\nHow then should the scriptures be fulfilled, that thus it must be?\nSmith and I sat studying the fire and Smith had almost nothing to say.\nAnd he that received the five talents came and brought other five talents, saying, Lord, thou deliveredst unto me five talents: lo, I have gained other five talents.\nShe still had straw in her hair and looked very pretty and excited.\nThe droppings help make new soil.\nBut thanks be to God, who putteth the same earnest care for you into the heart of Titus.\nsaying, Say ye, His disciples came by night, and stole him away while we slept.\ncame behind him, and touched the border of his garment: and immediately the issue of her blood stanched.\nAnd he said, He that showed mercy on him. And Jesus said unto him, Go, and do thou likewise.\nHerein I also exercise myself to have a conscience void of offence toward God and men always.\n“Yes,” said Mrs. Arable.\nFor ye were once darkness, but are now light in the Lord: walk as children of light\n“You stop it, Avery!” cried Fern.\nFor it seemeth to me unreasonable, in sending a prisoner, not withal to signify the charges against him. \nFor though I am absent in the flesh, yet am I with you in the spirit, joying and beholding your order, and the stedfastness of your faith in Christ.\nAnd one of the lawyers answering saith unto him, Teacher, in saying this thou reproachest us also.\nand stooping and looking in, he seeth the linen cloths lying; yet entered he not in.\nThe sheep heard the crickets, and they felt so uneasy they broke a hole in the pasture fence and wandered up into the field across the road.\nAnd as he passed by, he saw a man blind from his birth.\nTherefore in one day shall her plagues come, death, and mourning, and famine; and she shall be utterly burned with fire; for strong is the Lord God who judged her.\nAnd on his way to Washington City to lobby Congress and the Jackson administration on behalf of his people.\nBeloved, believe not every spirit, but prove the spirits, whether they are of God; because many false prophets are gone out into the world.\nbut in his own seasons manifested his word in the message, wherewith I was intrusted according to the commandment of God our Saviour;\nBut we hoped that it was he who should redeem Israel. Yea and besides all this, it is now the third day since these things came to pass.\nAnd they entered in, and found not the body of the Lord Jesus.\nSee that none render unto any one evil for evil; but always follow after that which is good, one toward another, and toward all.\nWilbur had never seen snow before.\nAnd now, brethren, I know that in ignorance ye did it, as did also your rulers.\nLet us not become vainglorious, provoking one another, envying one another. \nAnd he that overcometh, and he that keepeth my works unto the end, to him will I give authority over the nations:\nAnd they went away in the boat to a desert place apart.\nMy age exactly.\nBut I will come to you shortly, if the Lord will; and I will know, not the word of them that are puffed up, but the power.\nThen shall the King say unto them on his right hand, Come, ye blessed of my Father, inherit the kingdom prepared for you from the foundation of the world:\n“Now back again, faster!” said Charlotte.\nAnd they said, Cornelius a centurion, a righteous man and one that feareth God, and well reported of by all the nation of the Jews, was warned of God by a holy angel to send for thee into his house, and to hear words from thee.\nIt was a fancy ball where only the eldest senators were excused for arriving en habit de ville—a phrase I overheard Calhoun use in begging the pardon of the hostess for his failure to find a suitable costume.\nCalhoun’s nature demanded that he buck against anybody who sat above him, and yet he never managed to get himself all the way on top.\nAnd again he sent unto them another servant; and him they wounded in the head, and handled shamefully.\nAnd they made signs to his father, what he would have him called.\nAnd I was with you in weakness, and in fear, and in much trembling.\nRun for some water, Lurvy!”\n“It’s unfair.”\nI’ll bring them in.\nEven so ye also outwardly appear righteous unto men, but inwardly ye are full of hypocrisy and iniquity.\nAn arrow struck her palm and she was dead.   \nfor they understood not concerning the loaves, but their heart was hardened.\nAnd the passover of the Jews was at hand, and Jesus went up to Jerusalem.\nAnd whatsoever place shall not receive you, and they hear you not, as ye go forth thence, shake off the dust that is under your feet for a testimony unto them.\nVerily, verily, I say unto you, He that believeth hath eternal life.\nAnd the Pharisees said unto him, Behold, why do they on the sabbath day that which is not lawful?\nBut when they deliver you up, be not anxious how or what ye shall speak: for it shall be given you in that hour what ye shall speak.\nFern couldn't take her eyes off the tiny pig.\nAnd the seventy returned with joy, saying, Lord, even the demons are subject unto us in thy name.\nAnd they brought the lad alive, and were not a little comforted.\nFor behold, when the voice of thy salutation came into mine ears, the babe leaped in my womb for joy.\nBut Festus, desiring to gain favor with the Jews, answered Paul and said, Wilt thou go up to Jerusalem, and there be judged of these things before me?\nwhich none of the rulers of this world hath known: for had they known it, they would not have crucified the Lord of glory:\nBeyond looking for a cave, Charley had no plan for winter.\nWhen Charley was done, the snow was falling again in little grains, rattling in the tree branches.\nAnd ye see and hear, that not alone at Ephesus, but almost throughout all Asia, this Paul hath persuaded and turned away much people, saying that they are no gods, that are made with hands:\nThen was fulfilled that which was spoken through Jeremiah the prophet, saying,\nAgree with thine adversary quickly, while thou art with him in the way; lest haply the adversary deliver thee to the judge, and the judge deliver thee to the officer, and thou be cast into prison.\n“Nothing,” said Charlotte.\nAnd why beholdest thou the mote that is in thy brother’s eye, but considerest not the beam that is in thine own eye?\nAll that came before me are thieves and robbers: but the sheep did not hear them.\nYe have not yet resisted unto blood, striving against sin:\nAnd when they had laid many stripes upon them, they cast them into prison, charging the jailor to keep them safely:\nIf he could distinguish himself at the Fair, and maybe win some prize money, he was sure Zuckerman would let him live.\nYou know how he is always looking out for himself, never thinking of the other fellow.”\n“I was never more serious in my life.\nTherefore he that rejecteth, rejecteth not man, but God, who giveth his Holy Spirit unto you.\nand sware by him that liveth for ever and ever, who created the heaven and the things that are therein, and the earth and the things that are therein, and the sea and the things that are therein, that there shall be delay no longer:\nBut a voice answered the second time out of heaven, What God hath cleansed, make not thou common.\nBut I would have you to be free from cares. He that is unmarried is careful for the things of the Lord, how he may please the Lord:\nwho, knowing the ordinance of God, that they that practise such things are worthy of death, not only do the same, but also consent with them that practise them. \nFor God said, Honor thy father and thy mother: and, He that speaketh evil of father or mother, let him die the death.\nAnd do.\nAnd forgive us our debts, as we also have forgiven our debtors.\n“Try it again, try it again!”\nAnd he saith unto him, Verily, verily, I say unto you, Ye shall see the heaven opened, and the angels of God ascending and descending upon the Son of man. \nJudas (not Iscariot) saith unto him, Lord, what is come to pass that thou wilt manifest thyself unto us, and not unto the world?\nThe unclean spirit when he is gone out of the man, passeth through waterless places, seeking rest, and finding none, he saith, I will turn back unto my house whence I came out.\nThey say it stays warm all winter and there’s plenty of fish to fry.\n“Stop!” screamed Wilbur.\nThat is, it is not the children of the flesh that are children of God; but the children of the promise are reckoned for a seed.\nAnd straightway he came to Jesus, and said, Hail, Rabbi; and kissed him.\nJesus therefore perceiving that they were about to come and take him by force, to make him king, withdrew again into the mountain himself alone.\nShe roamed through the forests and any time she wanted to she could shapeshift.  \nAnd he said unto them, The harvest indeed is plenteous, but the laborers are few: pray ye therefore the Lord of the harvest, that he send forth laborers into his harvest.\nWilbur ran to her and she held the bottle for him while he sucked.\nWilbur stood in the trough, drooling with hunger. Lurvy poured.\n“Now I’ll catch it.”\nand the seven left no seed. Last of all the woman also died.\nWhile he yet spake, there cometh one from the ruler of the synagogue’s house, saying, Thy daughter is dead; trouble not the Teacher.\nJesus answered and said unto him, What I do thou knowest not now; but thou shalt understand hereafter.\n“Rats!” he said. “Fhew! I might a’ known a rat would make a nest under this trough.\nThere were other such forts scattered about the old Nation, each host to its own drab procession heading out to the West.\nHe leaning back, as he was, on Jesus’ breast saith unto him, Lord, who is it?\n“I’m hungry too,” said Charlie.\nCongratu—congratu-congratulations!” they cried.\nand when they had brought them unto the magistrates, they said, These men, being Jews, do exceedingly trouble our city,\nPerhaps if people talked less, animals would talk more.\nAnd from among the peoples and tribes and tongues and nations do men look upon their dead bodies three days and a half, and suffer not their dead bodies to be laid in a tomb.\nIt was probably a tree stump or a wet rock.\nBeaver found something near the river, said Rabbit.\nAnd our people?\nBut some trash never decomposes.\nGive no occasion of stumbling, either to Jews, or to Greeks, or to the church of God:\nI put the narrow-brimmed creased-crowned specimen back on its display block.\nand the spirits of the prophets are subject to the prophets;\nEpaphras, who is one of you, a servant of Christ Jesus, saluteth you, always striving for you in his prayers, that ye may stand perfect and fully assured in all the will of God.\nand to them that sold the doves he said, Take these things hence; make not my Father’s house a house of merchandise.\nBut those husbandmen said among themselves, This is the heir; come, let us kill him, and the inheritance shall be ours.\nbut rise, and enter into the city, and it shall be told thee what thou must do.\nAnd they have tails like unto scorpions, and stings; and in their tails is their power to hurt men five months.\nAvery was led from the ring by his mother and placed on the seat of the truck to dry off.\nHis ratty home under the pig trough was too chilly, so he fixed himself a cozy nest in the barn behind the grain bins.\nJesus answered them, Verily, verily, I say unto you, Every one that committeth sin is the bondservant of sin.\nGo get another word, please, Templeton!”\nThink ye that I am come to give peace in the earth? I tell you, Nay; but rather division:\nAnd he said unto them, Unto you is given the mystery of the kingdom of God: but unto them that are without, all things are done in parables:\nIf he could have swiped his hand across the world and made every one of them not ever have been at all, he would have done so.\nBeloved, think it not strange concerning the fiery trial among you, which cometh upon you to prove you, as though a strange thing happened unto you:\nBut Peter put them all forth, and kneeled down, and prayed; and turning to the body, he said, Tabitha, arise. And she opened her eyes; and when she saw Peter, she sat up.\nKnow ye not that ye are a temple of God, and that the Spirit of God dwelleth in you?\nAren’t you spending quite a lot of time there?\nCrossing into the village, they came close to Stephen’s door.\nEven when soldiers forced the people from their lands and sent them west in the 1830s, the Cherokee held on to their books.\nWell, home we go!”\nWilbur noticed that Charlotte's voice sounded sad.\nNow isn’t that lovely!”  \nPray for us: for we are persuaded that we have a good conscience, desiring to live honorably in all things.\nbut as it is written, Things which eye saw not, and ear heard not, And which entered not into the heart of man, Whatsoever things God prepared for them that love him.\nWhy do thy disciples transgress the tradition of the elders? for they wash not their hands when they eat bread.\nI would swim back up to see you, but I'm too big to fit through.\nThe trap was hooked there.\nAnd it was that Mary who anointed the Lord with ointment, and wiped his feet with her hair, whose brother Lazarus was sick.\nLurvy sat down under an apple tree and lit his pipe; the animals sniffed the familiar smell of strong tobacco.\nWilbur didn't want food, he wanted love.\nAnd he found in the temple those that sold oxen and sheep and doves, and the changers of money sitting:\nAnd he sent yet a third: and him also they wounded, and cast him forth.\nThe doings of the larger world, even Jackson’s will to put an end to Indians east of the Mississippi, seemed as distant and uninteresting as wars conducted by the King of Siam.\nSome lay curled up, knees to chest, trying to sleep.\nWherefore ye witness to yourselves, that ye are sons of them that slew the prophets.\nJesus therefore took the loaves; and having given thanks, he distributed to them that were set down; likewise also of the fishes as much as they would.\nSo there arose a division in the multitude because of him.\nSo it was a wonder to me that they didn’t find themselves out of an early morning by the misty Potomac squaring off in a pistol duel.\nAnd Peter arose and went with them. And when he was come, they brought him into the upper chamber: and all the widows stood by him weeping, and showing the coats and garments which Dorcas made, while she was with them.\nAnd Jesus answering said unto them, They that are in health have no need of a physician; but they that are sick.\nIt says, ‘Some Pig,’ just as clear as clear can be.\nAll that remained visible was the muscled hump of the bear’s back breaking the dark surface of the river.\nAnd the Pharisees, who were lovers of money, heard all these things; and they scoffed at him.\nHeaven knows anyone’s life can stand a little of that.”\nOne of the soldier boys dismounted and went to see what was the matter.\nYou can stay as long as you like If you care to stay with me.\nNow it came to pass, while the multitude pressed upon him and heard the word of God, that he was standing by the lake of Gennesaret;\n“But I can’t see you,” said Wilbur, jumping to his feet.\nAnd he arose, and straightway took up the bed, and went forth before them all; insomuch that they were all amazed, and glorified God, saying, We never saw it on this fashion.\nThe passenger list was shuffled up at each stop down the river as people came and went from town to town.\nThe wind began to blow so hard\nHe backed up to where the trap lay and stepped on it with his rear foot.\nLow on the ground.\nand said, This man said, I am able to destroy the temple of God, and to build it in three days.\nThis is a dead leaf.\nthat they should seek God, if haply they might feel after him and find him, though he is not far from each one of us:\nHis house is in the village, though;\nWhence came this mysterious writing?\nThe hunters thought the titmouse was saying “unahu”, which means heart. They aimed their arrows at Spearfinger’s heart, but the arrows just broke and fell to the ground.\n“Oh, yes.”\nWho art thou that judgest the servant of another? to his own lord he standeth or falleth. Yea, he shall be made to stand; for the Lord hath power to make him stand.\nBut he answered and said unto them, My mother and my brethren are these that hear the word of God, and do it.\nAnd he said unto them, What man shall there be of you, that shall have one sheep, and if this fall into a pit on the sabbath day, will he not lay hold on it, and lift it out?\nA decimated round of warm butter slumping on its dish.\nthe son of Melchi, the son of Addi, the son of Cosam, the son of Elmadam, the son of Er,\nWho was I to deny them comfort?\nThey had their muskets aimed generally at the bunched people.\nWherefore whatsoever ye have said in the darkness shall be heard in the light; and what ye have spoken in the ear in the inner chambers shall be proclaimed upon the housetops.\nAnd they said, Some say John the Baptist; some, Elijah; and others, Jeremiah, or one of the prophets.\n“He's fading away!”\nAnd seeing their faith, he said, Man, thy sins are forgiven thee.\nAnd straightway the fountain of her blood was dried up; and she felt in her body that she was healed of her plague.\nThe Jews answered him, We have a law, and by that law he ought to die, because he made himself the Son of God.\nBut let us, since we are of the day, be sober, putting on the breastplate of faith and love; and for a helmet, the hope of salvation.\nAnd he said, Bring them hither to me.\nThey live in the soil.\nIf we live by the Spirit, by the Spirit let us also walk.\nAnd no man putteth new wine into old wine-skins; else the new wine will burst the skins, and itself will be spilled, and the skins will perish.\nto the only God our Saviour, through Jesus Christ our Lord, be glory, majesty, dominion and power, before all time, and now, and for evermore. Amen.\nThe next day was Saturday.\nFern got up from her stool and started for home, her mind full of everything she had seen and heard.\n“I’ve been hearing things about that pig,” said Dr. Dorian, opening his eyes.\nbut I say unto you, that every one that looketh on a woman to lust after her hath committed adultery with her already in his heart.\nthat thou mightest know the certainty concerning the things wherein thou wast instructed.\nSo then if, while the husband liveth, she be joined to another man, she shall be called an adulteress: but if the husband die, she is free from the law, so that she is no adulteress, though she be joined to another man.\nWhite plates with smears of dark yellow where the yolks of soft-fried eggs had run and congealed.\n(for they indeed have been made priests without an oath; but he with an oath by him that saith of him, The Lord sware and will not repent himself, Thou art a priest for ever);\nThou didst put all things in subjection under his feet. For in that he subjected all things unto him, he left nothing that is not subject to him. But now we see not yet all things subjected to him.\nwell reported of for good works; if she hath brought up children, if she hath used hospitality to strangers, if she hath washed the saints’ feet, if she hath relieved the afflicted, if she hath diligently followed every good work.\nFor the man is not of the woman; but the woman of the man:\nWhat then? That which Israel seeketh for, that he obtained not; but the election obtained it, and the rest were hardened:\nAnd when the centurion saw what was done, he glorified God, saying, Certainly this was a righteous man.\nWhen Littlefish swam near the side of the pond, they would say, Don't swim there Littlefish, the raccoon family will grab you and gobble you up!\nI wove my webs for you because I liked you.\nto be sober-minded, chaste, workers at home, kind, being in subjection to their own husbands, that the word of God be not blasphemed:\nI, on the other hand, enjoyed trailside cookery and even traveled with a coffee grinder and green beans, which I roasted in a dry skillet until they were black and sweating a sheen of oil.\nAs the night closed in the dark he began to feel the cold.\nBut take ye heed to yourselves: for they shall deliver you up to councils; and in synagogues shall ye be beaten; and before governors and kings shall ye stand for my sake, for a testimony unto them.\nI say unto thee, Arise, take up thy bed, and go unto thy house.\nAnd Jesus answered and said, O faithless and perverse generation, how long shall I be with you, and bear with you? bring hither thy son.\nAnd we have the word of prophecy made more sure; whereunto ye do well that ye take heed, as unto a lamp shining in a dark place, until the day dawn, and the day-star arise in your hearts:\nEver since the spider had befriended him,  he had done his best to live up to his reputation.\nHow many Indians are you representing? the secretary said.\nPeter saith unto him, Even if I must die with thee, yet will I not deny thee. Likewise also said all the disciples.\nHave you ever tried to sleep while sitting on eight eggs?”\nthe son of Enos, the son of Seth, the son of Adam, the son of God. \nI know a good thing when I see it, and my web is a good thing.\nBut he, taking her by the hand, called, saying, Maiden, arise.\n“Look!” screamed Fern.\nOne day a little Cherokee boy planted an apple seed in his backyard.\nMy cousin hardly dared tackle it.\nOr at least back to your tent.\n“Can I have a frozen custard and a cheeseburger and some raspberry soda pop?” asked Avery.\nEven Templeton poked his head out cautiously, to watch Wilbur get a buttermilk bath.\nGo down through the garden, dig up the radishes!\nThen was fulfilled that which was spoken through Jeremiah the prophet, saying, And they took the thirty pieces of silver, the price of him that was priced, whom certain of the children of Israel did price;\nAnd he took with him Peter and the two sons of Zebedee, and began to be sorrowful and sore troubled.\neven he that cometh after me, the latchet of whose shoe I am not worthy to unloose.\nAnd when the sabbath was come, he began to teach in the synagogue: and many hearing him were astonished, saying, Whence hath this man these things? and, What is the wisdom that is given unto this man, and what mean such mighty works wrought by his hands?\nShe looked outside and saw the sun shining.\nThey zealously seek you in no good way; nay, they desire to shut you out, that ye may seek them.\nHe that overcometh shall thus be arrayed in white garments; and I will in no wise blot his name out of the book of life, and I will confess his name before my Father, and before his angels.\nNow to him that worketh, the reward is not reckoned as of grace, but as of debt.\nIn the Spring, when the children were on the hillsides picking wild strawberries she would come upon them, looking like their old grandmother.\nNeither do men put new wine into old wine-skins: else the skins burst, and the wine is spilled, and the skins perish: but they put new wine into fresh wine-skins, and both are preserved.\n“Good night!”\nThe blade had caught hard in the bones, buried as in a dry log butt.\nWhen Christ, who is our life, shall be manifested, then shall ye also with him be manifested in glory.\nAnd when they had crucified him, they parted his garments among them, casting lots;\nThen, a few minutes later, Fern and Avery showed up.\nAcross the river I could see the fire circle where Charley and I had sat up talking all night.\nBut put ye on the Lord Jesus Christ, and make not provision for the flesh, to fulfil the lusts thereof. \nAnd devout men buried Stephen, and made great lamentation over him.\nand saying, The time is fulfilled, and the kingdom of God is at hand: repent ye, and believe in the gospel.\nAnd he sent him away to his home, saying, Do not even enter into the village.\nThe roads were filled with uniformed Federal soldiers and heavily armed Tennessee mercenaries dressed like bandits and hired just for the summer by the Government to roust out Indians.\nThen came to him the mother of the sons of Zebedee with her sons, worshipping him, and asking a certain thing of him.\nBut a certain one of them that stood by drew his sword, and smote the servant of the high priest, and struck off his ear.\nBlessed are ye when men shall reproach you, and persecute you, and say all manner of evil against you falsely, for my sake.\nno, nor yet Herod: for he sent him back unto us; and behold, nothing worthy of death hath been done by him.\nKnow therefore that they that are of faith, the same are sons of Abraham.\nWhat they found on arrival was the plantation house of Ridge’s family, hundreds of acres with slaves working vast fields of cotton and tobacco, moving down the rows like the shadow of storm clouds settling over the land.\nWhere is the rest of the snake?\nHe closed his eyes.\nAnd it came to pass, that the beggar died, and that he was carried away by the angels into Abraham’s bosom: and the rich man also died, and was buried.\nSince then the children are sharers in flesh and blood, he also himself in like manner partook of the same; that through death he might bring to nought him that had the power of death, that is, the devil;\nAnd he saith unto me, Write, Blessed are they that are bidden to the marriage supper of the Lamb. And he saith unto me, These are true words of God.\nHe was afraid, but he swam up to the new fish and said in his tiny frightened voice, Hello, I am called Littlefish and I've never seen a fish like you.\nAnd I, if I be lifted up from the earth, will draw all men unto myself.\nAnd he believed the same now.\nJesus said unto him, Verily I say unto thee, that this night, before the cock crow, thou shalt deny me thrice.\nA few years younger than I was, but when you’re that young two or three years still seems significant.\nFern was there, sitting on her stool, when it happened.\nHelping them in their decision was the old major’s very concrete experience, all the way back into the previous century, of fighting both for and against white men.\nAnd there was much murmuring among the multitudes concerning him: some said, He is a good man; others said, Not so, but he leadeth the multitude astray.\nCharley’s people had built insubstantial shelters under the tree, a tentative-looking pole shed and an arbor, both lashed together with vines and roofed with brush and leaves and pine boughs.\nIf I must needs glory, I will glory of the things that concern my weakness.\nand said unto his servants, This is John the Baptist; he is risen from the dead; and therefore do these powers work in him.\n“I’ve left it tonight,” she said.\nPerry said.\nAnd Moses was instructed in all the wisdom of the Egyptians; and he was mighty in his words and works.\nAnd the rest said, Let be; let us see whether Elijah cometh to save him.\nHe might go on to the highest ridges and follow them northeast until he was far away from the hunters. But then what?\nHe wondered where Nancy was tonight, and all the children.\nIt was said also, Whosoever shall put away his wife, let him give her a writing of divorcement:\nand they sold their possessions and goods, and parted them to all, according as any man had need.\nMany shall come in my name, saying, I am he; and shall lead many astray.\nAnd the disciples went, and did even as Jesus appointed them,\nand why not (as we are slanderously reported, and as some affirm that we say), Let us do evil, that good may come? whose condemnation is just.\nThese things spake he: and after this he saith unto them, Our friend Lazarus is fallen asleep; but I go, that I may awake him out of sleep.\nYou notice how solid he is around the shoulders, Lurvy?”\nWriggling free of its bonds, it fled for the nearby rocks.\nAnd having spent some time there, he departed, and went through the region of Galatia, and Phrygia, in order, establishing all the disciples.\nAnd they that heard it said, Then who can be saved?\nThey’re all of a kind.\nSo he took him, and brought him to the chief captain, and saith, Paul the prisoner called me unto him, and asked me to bring this young man unto thee, who hath something to say to thee.\nI wrote a poem rather more about my moping than about Mrs. Chapman, and it was published in The Chesapeake Review.\n“Terrific!” breathed Zuckerman, in joyful admiration.\nHe that eateth my flesh and drinketh my blood abideth in me, and I in him.\nAnd in his teaching he said, Beware of the scribes, who desire to walk in long robes, and to have salutations in the marketplaces,\nBut when he saw the wind, he was afraid; and beginning to sink, he cried out, saying, Lord, save me.\nFor the foolish, when they took their lamps, took no oil with them:\nThe soldiers therefore came, and brake the legs of the first, and of the other that was crucified with him:\nAnd seeing them distressed in rowing, for the wind was contrary unto them, about the fourth watch of the night he cometh unto them, walking on the sea; and he would have passed by them:\nBeloved, I pray that in all things thou mayest prosper and be in health, even as thy soul prospereth.\nleave there thy gift before the altar, and go thy way, first be reconciled to thy brother, and then come and offer thy gift.\nI am the Alpha and the Omega, the first and the last, the beginning and the end.\nhaving knowledge of me from the first, if they be willing to testify, that after the straitest sect of our religion I lived a Pharisee.\nWhere then is that gratulation of yourselves? for I bear you witness, that, if possible, ye would have plucked out your eyes and given them to me.\nSmith and the boys were miserable.\nThen again he laid his hands upon his eyes; and he looked stedfastly, and was restored, and saw all things clearly.\n“Good!” said the doctor.\nand to another workings of miracles; and to another prophecy; and to another discernings of spirits: to another divers kinds of tongues; and to another the interpretation of tongues:\nBut he never had any fun — no walks, no rides, no swims.\nHe and Mrs. Zuckerman and Avery climbed into Wilbur’s pen.\nWith Smith’s party moving at foot pace, I had time to drop in for a night with Welch’s accommodating female employees before catching back up the next day.\nThou madest him a little lower than the angels; Thou crownedst him with glory and honor, And didst set him over the works of thy hands:\nBut an angel of the Lord spake unto Philip, saying, Arise, and go toward the south unto the way that goeth down from Jerusalem unto Gaza: the same is desert.\nThere is one body, and one Spirit, even as also ye were called in one hope of your calling;\nSchool ends, and children have time to play and to fish for trouts in the brook.\nAnd thus, having patiently endured, he obtained the promise.\nBut no one can enter into the house of the strong man, and spoil his goods, except he first bind the strong man; and then he will spoil his house.\nWherefore I beseech you to confirm your love toward him.\n“Cut that down to one ‘terrific’ and it will do very nicely,” said Charlotte.\nShe descended to the center of the web and there she began to cut some of her lines.\nThey are like unto children that sit in the marketplace, and call one to another; who say, We piped unto you, and ye did not dance; we wailed, and ye did not weep.\nHe moved in the bear’s wake all afternoon, climbing without letup.\nChoctaws had been cut down likewise.\n“That’s right,” agreed Lurvy.\nFor God so loved the world, that he gave his only begotten Son, that whosoever believeth on him should not perish, but have eternal life.\nBut the centurion, desiring to save Paul, stayed them from their purpose; and commanded that they who could swim should cast themselves overboard, and get first to the land;\nand they sounded, and found twenty fathoms; and after a little space, they sounded again, and found fifteen fathoms.\nHonor thy father and thy mother; and, Thou shalt love thy neighbor as thyself.\nwho had his dwelling in the tombs: and no man could any more bind him, no, not with a chain;\nAnd he said unto them, Verily I say unto you, There are some here of them that stand by, who shall in no wise taste of death, till they see the kingdom of God come with power.\nand said unto them, Sirs, I perceive that the voyage will be with injury and much loss, not only of the lading and the ship, but also of our lives.\nBut I don’t understand everything, and I don’t intend to let it worry me.”\nAnd shall not God avenge his elect, that cry to him day and night, and yet he is longsuffering over them?\nBut she that giveth herself to pleasure is dead while she liveth.\nAnd these signs shall accompany them that believe: in my name shall they cast out demons; they shall speak with new tongues;\nThey made no effort now to move silently, and the sounds of the men crawling in the ground litter and of the laurel boughs brushing and sometimes breaking against their bodies came from all sides.\nThis I say, that no one may delude you with persuasiveness of speech.\nI am come in my Father’s name, and ye receive me not: if another shall come in his own name, him ye will receive.\nSetting sail therefore from Troas, we made a straight course to Samothrace, and the day following to Neapolis;\nCharley said, Where we going?\nHe and the three younger men flared off from one another, Charley taking the path straight up.\nhow that the Christ must suffer, and how that he first by the resurrection of the dead should proclaim light both to the people and to the Gentiles.\nI'm not very pretty at all, and my limbs are not so strong. \nBut when Jesus saw it, he was moved with indignation, and said unto them, Suffer the little children to come unto me; forbid them not: for to such belongeth the kingdom of God.\nBeing then the offspring of God, we ought not to think that the Godhead is like unto gold, or silver, or stone, graven by art and device of man.\nNot together, Nancy said.\nIn this ugly little encounter smeared on the ground before me, it looked like one of the men, let’s say Lowan, struck high, a hard and solid hatchet stroke opening Perry’s head from the hairline to the teeth.\nEvery creature planned to get up early to see Wilbur off on his great adventure.\nBut if ye forgive not men their trespasses, neither will your Father forgive your trespasses.\npersecutions, sufferings; what things befell me at Antioch, at Iconium, at Lystra; what persecutions I endured: and out of them all the Lord delivered me.\nThe seven goslings paraded round and round their mother.\nContrary to the purser’s assessment, I found the food excellent, though supper might be no more complicated than a good fish soup with little beads of yellow butter afloat on the surface of a thinnish milk broth, accompanied by fine-crumbed corncakes and little gherkins, heaped bright green on a white plate with the stained vinegar pooling underneath.\nAnd when they that were about him saw what would follow, they said, Lord, shall we smite with the sword?\nGain weight and stay well—that’s the way you can help. Keep fit, and don’t lose your nerve.\nHer eyes were red from crying.\nFor therein the elders had witness borne to them.\nCharlotte liked to do her weaving during the late afternoon, and Fern liked to sit nearby and watch.\nThen the high priest rent his garments, saying, He hath spoken blasphemy: what further need have we of witnesses? behold, now ye have heard the blasphemy:\nFor it is not ye that speak, but the Spirit of your Father that speaketh in you.\nAnd again, I will put my trust in him. And again, Behold, I and the children whom God hath given me.\nI said therefore unto you, that ye shall die in your sins: for except ye believe that I am he, ye shall die in your sins.\nWhile Peter yet spake these words, the Holy Spirit fell on all them that heard the word.\nAnd he took the five loaves and the two fishes, and looking up to heaven, he blessed them, and brake; and gave to the disciples to set before the multitude.\nthe son of Amminadab, the son of Arni, the son of Hezron, the son of Perez, the son of Judah,\nI hesitated.\nWoe unto you, scribes and Pharisees, hypocrites! for ye build the sepulchres of the prophets, and garnish the tombs of the righteous,\nAmong the hunters from Lichen’s bunch, disagreements appeared to run in many different directions.\nThey said therefore, What is this that he saith, A little while? We know not what he saith.\nI have decided to take the pig to the County Fair on September sixth.\nand our hope for you is stedfast; knowing that, as ye are partakers of the sufferings, so also are ye of the comfort.\nin whom ye also are builded together for a habitation of God in the Spirit. \nAnd he said unto him, Well done, thou good servant: because thou wast found faithful in a very little, have thou authority over ten cities.\nFirst his house and animals and crops and neighbors, then his family.\n“You can't spin a web, Wilbur, and I advise you to put the idea out of your mind.\nThe two men walked silently down to Wilbur’s yard.\nThen they both began to tremble.\nThey are very illy provided with arms and ammunition.\nAnd he said, Are ye also even yet without understanding?\nI lounged with the three boys around a small fire that pushed back the dark only to arm’s length.\nbut Jesus went unto the mount of Olives.\nBut on the morrow they left the horsemen to go with him, and returned to the castle:\nlooking unto Jesus the author and perfecter of our faith, who for the joy that was set before him endured the cross, despising shame, and hath sat down at the right hand of the throne of God.\nbut one thing is needful: for Mary hath chosen the good part, which shall not be taken away from her. \n“This afternoon, late, if I’m not too tired,” said Charlotte. “The least thing tires me these days.\nFor every kind of beasts and birds, of creeping things and things in the sea, is tamed, and hath been tamed by mankind:\nTwo days later, back in Wayah, I sat in the dim midday townhouse with Bear.\nWhat advantage then hath the Jew? or what is the profit of circumcision?\nif so be that being clothed we shall not be found naked.\nAsmeret points to some trash near the trail.\nAnd Peter answered unto her, Tell me whether ye sold the land for so much. And she said, Yea, for so much.\n“Good-bye!” they called.\nHow can I learn to like her, even though she is pretty and, of course, clever?”\nThey perceived not that he spake to them of the Father.\nCharley and his people had camped on a piece of land where two rivers joined together.\n“Oh, it happened all right,” replied Fern.\nBut what I did was stand up beside Bear in the firelight and say that at least I’d give it a try. Go to Washington City and see what I could do in our behalf.\nBut we know that the law is good, if a man use it lawfully,\nBut aloud I said, With me it’s the other way around.\n“Nice work.”\nand shall cast them into the furnace of fire: there shall be the weeping and the gnashing of teeth.\nIn the afternoon I watched them march families and old folks into the holding pen that the fort had become.\nYea, I beseech thee also, true yokefellow, help these women, for they labored with me in the gospel, with Clement also, and the rest of my fellow-workers, whose names are in the book of life.\nHe's a solid pig.\nbecause to you it hath been granted in the behalf of Christ, not only to believe on him, but also to suffer in his behalf:\nAnd such were some of you: but ye were washed, but ye were sanctified, but ye were justified in the name of the Lord Jesus Christ, and in the Spirit of our God.\nOf the tribe of Simeon twelve thousand; Of the tribe of Levi twelve thousand; Of the tribe of Issachar twelve thousand;\nAre we beginning again to commend ourselves? or need we, as do some, epistles of commendation to you or from you?\n“Isn’t it hot?” said Mrs. Zuckerman.\nBehold, we call them blessed that endured: ye have heard of the patience of Job, and have seen the end of the Lord, how that the Lord is full of pity, and merciful.\nEvery night we cover the seedlings and wait until it is warm enough during the day to set them out for sunshine.\nAsmeret says everything in the woods could become part of the soil.\nThese are springs without water, and mists driven by a storm; for whom the blackness of darkness hath been reserved.\n“You're ever so much cleverer and brighter than I am, Charlotte.\nThat means he has won first prize.\nFor several days and several nights they crawled here and there, up and down, around and about, waving at Wilbur, trailing tiny draglines behind them, and exploring their home.\nWherefore, beloved, seeing that ye look for these things, give diligence that ye may be found in peace, without spot and blameless in his sight.\nWoe unto you, scribes and Pharisees, hypocrites! for ye devour widows' houses, and for a pretence make long prayer: therefore ye shall receive the greater damnation.\nBut it is not so among you: but whosoever would become great among you, shall be your minister;\nNobody seemed hungry.\nNow run along!”\nwho, when they were come down, prayed for them, that they might receive the Holy Spirit:\nFor what doth it profit a man, to gain the whole world, and forfeit his life?\nand said, Verily I say unto you, Except ye turn, and become as little children, ye shall in no wise enter into the kingdom of heaven.\nAnd he also that had received the one talent came and said, Lord, I knew thee that thou art a hard man, reaping where thou didst not sow, and gathering where thou didst not scatter;\nA certain lender had two debtors: the one owed five hundred shillings, and the other fifty.\n“How about me?” asked the third spider.\n(Now this man obtained a field with the reward of his iniquity; and falling headlong, he burst asunder in the midst, and all his bowels gushed out.\nAnd the twelve called the multitude of the disciples unto them, and said, It is not fit that we should forsake the word of God, and serve tables.\nNow a certain Jew named Apollos, an Alexandrian by race, an eloquent man, came to Ephesus; and he was mighty in the scriptures.\nAnd if thy hand cause thee to stumble, cut it off: it is good for thee to enter into life maimed, rather than having thy two hands to go into hell, into the unquenchable fire.\nAnd with whom was he displeased forty years? was it not with them that sinned, whose bodies fell in the wilderness?\nSeeing then that these things cannot be gainsaid, ye ought to be quiet, and to do nothing rash.\nWithout getting up from where she sat, Nancy turned and slapped him hard across the face where he sat beside her, striking him twice, first backhand and then with her hard palm.\nAnd, as Isaiah hath said before, Except the Lord of Sabaoth had left us a seed, We had become as Sodom, and had been made like unto Gomorrah.\nWilbur jumped as high as he could.\nBack in Wayah, I told Bear all the details of my recent past.\nand when the sun was risen, they were scorched; and because they had no root, they withered away.\nHowbeit the son by the handmaid is born after the flesh; but the son by the freewoman is born through promise.\nAnd he answered and said unto them, Think ye that these Galilæans were sinners above all the Galilæans, because they have suffered these things?\nAnd they did not receive him, because his face was as though he were going to Jerusalem.\nsaying, The scribes and the Pharisees sit on Moses’ seat:\nAnd he went forth to Tarsus to seek for Saul;\n“He's almost dead, that frog.”\nAnd pray ye that it be not in the winter.\nI ate one and offered the bland opinion that it was especially good.\nAnd then the Philadelphia boy said he’d like to be walking down South Street.\nthat the name of our Lord Jesus may be glorified in you, and ye in him, according to the grace of our God and the Lord Jesus Christ. \nin Phrygia and Pamphylia, in Egypt and the parts of Libya about Cyrene, and sojourners from Rome, both Jews and proselytes,\nCharley was like the bear in his squat build, his power all settled in his ass and thighs, and he ran lumbering but strong, and his short legs were good for climbing.\nBabies cried, though all they had to undergo in regard to suffering was to be carried jostling across broken ground in their mothers’ arms, pressed against soft breasts that had ceased to give milk.\nIf we confess our sins, he is faithful and righteous to forgive us our sins, and to cleanse us from all unrighteousness.\nHe didn't swim too close to the top of the water.\nAxe sat asleep in a straight chair by the fire with his hands folded in his lap and his chin on his chest.\nFor if I preach the gospel, I have nothing to glory of; for necessity is laid upon me; for woe is unto me, if I preach not the gospel.\nAnd they that saw it told them how he that was possessed with demons was made whole.\nhaving abolished in his flesh the enmity, even the law of commandments contained in ordinances; that he might create in himself of the two one new man, so making peace;\nNever a kind word for old Templeton, only abuse and wisecracks and side remarks.\nThe grownups climbed slowly into the truck and Wilbur heard the engine start and then heard the truck moving away in low speed.\nBut God raised him from the dead:\nHe that saith, I know him, and keepeth not his commandments, is a liar, and the truth is not in him;\nSmith wanted to tell her not to bother.\nHe that hateth me hateth my Father also.\nand he saw two boats standing by the lake: but the fishermen had gone out of them, and were washing their nets.\nFor when every commandment had been spoken by Moses unto all the people according to the law, he took the blood of the calves and the goats, with water and scarlet wool and hyssop, and sprinkled both the book itself and all the people,\nIt is the spirit that giveth life; the flesh profiteth nothing: the words that I have spoken unto you are spirit, and are life.\nThen saith he to his servants, The wedding is ready, but they that were bidden were not worthy.\nThe Ridges and their followers stalled as long as they could, but before the axe fell they made a desperate and almost actuarial calculation to determine their best chances of personal and financial survival.\nhowbeit one of the soldiers with a spear pierced his side, and straightway there came out blood and water.\nFor nothing is hid, that shall not be made manifest; nor anything secret, that shall not be known and come to light.\n“Can I have a balloon?” asked Fern.\nDid you make it?”\nLichen said I was not the issue.\nJesus saith to him, He that is bathed needeth not save to wash his feet, but is clean every whit: and ye are clean, but not all.\nNow from the fig tree learn her parable: when her branch is now become tender, and putteth forth its leaves, ye know that the summer is nigh;\nAnd the high priest said, Are these things so?\nI’m done with commerce for this evening.\nBut the officers that came found them not in the prison; and they returned, and told,\nAnd we sailed away from Philippi after the days of unleavened bread, and came unto them to Troas in five days; where we tarried seven days.\nYou're my best friend, and I think you're sensational.\nAlso, he’s not anywhere near as clean as you are, nor as pleasant.\nThen he and Mr. Zuckerman leaned lazily on the fence and Mr. Zuckerman scratched Wilbur’s back with a stick.\n“Good night!\nAnd in the past, Wasseton would dart them out of the trees with his long blowgun until the muscles of his diaphragm and stomach became weak from the effort of deep and sharp exhalations, and his six hickory darts became heavy and dark with blood all the way to the thistledown fletching.\n“It's true,” replied Charlotte.\nOn very cold nights he lay so that his breath would warm it. For Wilbur, nothing in life was so important as this small round object—nothing else mattered.\nThey shall be divided, father against son, and son against father; mother against daughter, and daughter against her mother; mother in law against her daughter in law, and daughter in law against her mother in law.\nFor as through the one man’s disobedience the many were made sinners, even so through the obedience of the one shall the many be made righteous.\nSo on the morrow, when Agrippa was come, and Bernice, with great pomp, and they were entered into the place of hearing with the chief captains and the principal men of the city, at the command of Festus Paul was brought in.\nAnd Peter answered him and said, Lord, if it be thou, bid me come unto thee upon the waters.\nWilbur grunted.\nHe still stood behind me, and he was looking off to the side.\nDr. Dorian closed his eyes again and went into deep thought.\nI backed directly into Smith.\nFor the scripture saith unto Pharaoh, For this very purpose did I raise thee up, that I might show in thee my power, and that my name might be published abroad in all the earth.\nTempleton crouched under the straw at the bottom of the crate.\nFor he knew not what to answer; for they became sore afraid.\nAnd the angel answering said unto him, I am Gabriel, that stand in the presence of God; and I was sent to speak unto thee, and to bring thee these good tidings.\nDuring that time he had witnessed Jackson order a boy soldier shot for insubordination.\nSo then ye are no more strangers and sojourners, but ye are fellow-citizens with the saints, and of the household of God,\nSalute one another with a holy kiss. All the churches of Christ salute you.\nHe trusteth on God; let him deliver him now, if he desireth him: for he said, I am the Son of God.\nFrom eleven to twelve he planned to stand still and watch flies on the boards, watch bees in the clover, and watch swallows in the air.\nWoe unto you, scribes and Pharisees, hypocrites! for ye tithe mint and anise and cummin, and have left undone the weightier matters of the law, justice, and mercy, and faith: but these ye ought to have done, and not to have left the other undone.\nTwo bark-roofed blockhouses projected from the walls at opposing corners like crude bastions from which you could fire down upon attackers on either of the two sides they each commanded.\nAnd the scribes and the Pharisees watched him, whether he would heal on the sabbath; that they might find how to accuse him.\nAnd they told him, that Jesus of Nazareth passeth by.\nAnd the unclean spirits, whensoever they beheld him, fell down before him, and cried, saying, Thou art the Son of God.\nAnd as they were coming down from the mountain, Jesus commanded them, saying, Tell the vision to no man, until the Son of man be risen from the dead.\nAfter the heat of the day, the evening came as a welcome relief to all.\nHe grew to a great size.\nAnd he cried, saying, Jesus, thou son of David, have mercy on me.\nHe glanced hastily behind to see if a piece of rope was following him to check his fall, but nothing seemed to be happening in his rear, and the next thing he knew he landed with a thump.\nBut the multitudes perceiving it followed him: and he welcomed them, and spake to them of the kingdom of God, and them that had need of healing he cured.\nFor the ministration of this service not only filleth up the measure of the wants of the saints, but aboundeth also through many thanksgivings unto God;\nI have many things to speak and to judge concerning you: howbeit he that sent me is true; and the things which I heard from him, these speak I unto the world.\nThe disciples looked one on another, doubting of whom he spake.\nAnd he began to speak unto the people this parable: A man planted a vineyard, and let it out to husbandmen, and went into another country for a long time.\nBut when babies are involved and exhausted young mothers and grey-haired elders with swollen finger joints, being a fugitive is just terrifying and hopeless.\nAnd when he met us at Assos, we took him in, and came to Mitylene.\nIt was more than clear to everyone in Washington that Calhoun and Jackson, though both old men, were still violent as fighting cocks at their cores and would very much like to kill each other.\nsaying, Blessed is the King that cometh in the name of the Lord: peace in heaven, and glory in the highest.\nIf we receive the witness of men, the witness of God is greater: for the witness of God is this, that he hath borne witness concerning his Son.\n“Mr. Arable?” sobbed Wilbur.\nDecomposers will break it all down into soil.\nPhilip saith unto him, Lord, show us the Father, and it sufficeth us.\nThe fire in the center of the townhouse was built small, burned down mostly to coals with blue and yellow flames rising low and sporadic from checkered and nearly consumed logs of hickory and chestnut.\nAnd he carried me away in the Spirit to a mountain great and high, and showed me the holy city Jerusalem, coming down out of heaven from God,\nAnd they that ate the loaves were five thousand men.\nnot a novice, lest being puffed up he fall into the condemnation of the devil.\nBut from henceforth shall the Son of man be seated at the right hand of the power of God.\nThe unpaved road up the hill to the Capitol was like a winding stream of black mud, such an axle-deep mire that drivers mostly forsook the roadway and set out cross-country directly up the slopes of the hill, which had become cut like new-plowed ground with the parallel tracks of wheels and the cupped prints of horses and mules right to the Capitol steps.\nin whom we have boldness and access in confidence through our faith in him.\nThen, when Templeton couldn’t hold another mouthful, Wilbur would eat.\nWhat she liked best was to eat the livers of Cherokee children!  \nAny suggestions for a new slogan?”\n“How much money should I ask for him?” Fern wanted to know.\nthey say unto him, Teacher, this woman hath been taken in adultery, in the very act.\nThen he planted his front feet and came to a stop in front of Charlotte's children.\nOne morning a seedling appeared.\nOn the morrow a great multitude that had come to the feast, when they heard that Jesus was coming to Jerusalem,\nNow in the neighborhood of that place were lands belonging to the chief man of the island, named Publius; who received us, and entertained us three days courteously.\nXVI: Off to the Fair \nI was fairly furious at his high-handed manner and the assumptions he was making about how the lines of authority ran within our little party.\nAnd the priest of Jupiter whose temple was before the city, brought oxen and garlands unto the gates, and would have done sacrifice with the multitudes.\nAnd the seven angels that had the seven trumpets prepared themselves to sound.\nWilbur's leftover food is your chief source of supply, Templeton.\nCome back in a couple of years and they’ll be wearing them high, hove up nearly to their chins.\nIt has happened unto them according to the true proverb, The dog turning to his own vomit again, and the sow that had washed to wallowing in the mire. \n“Play?\nEven men aren't as good at it as spiders, although they think they're pretty good, and they'll try anything.\nAnd Lurvy dragged Wilbur’s trough across the yard and kicked some dirt into the rat’s nest, burying the broken egg and all Templeton’s other possessions.\nEvery tree that bringeth not forth good fruit is hewn down, and cast into the fire.\nPhilip cometh and telleth Andrew: Andrew cometh, and Philip, and they tell Jesus.\nBut far be it from me to glory, save in the cross of our Lord Jesus Christ, through which the world hath been crucified unto me, and I unto the world.\nThe Pharisee stood and prayed thus with himself, God, I thank thee, that I am not as the rest of men, extortioners, unjust, adulterers, or even as this publican.\nBut a certain man named Ananias, with Sapphira his wife, sold a possession,\namong whom was Mary Magdalene, and Mary the mother of James and Joses, and the mother of the sons of Zebedee.\nBut Ananias answered, Lord, I have heard from many of this man, how much evil he did to thy saints at Jerusalem:\nHe must increase, but I must decrease.\nLurvy soon got busy.\nWhereupon all the attending young men, in turn, commented favorably on their every superlative feature, from heels to lacing.\nAnd all the multitudes were amazed, and said, Can this be the son of David?\nand saith, Cornelius, thy prayer is heard, and thine alms are had in remembrance in the sight of God.\nAnd he said unto them, Therefore every scribe who hath been made a disciple to the kingdom of heaven is like unto a man that is a householder, who bringeth forth out of his treasure things new and old.\nfor I know your readiness, of which I glory on your behalf to them of Macedonia, that Achaia hath been prepared for a year past; and your zeal hath stirred up very many of them.\nhe fleeth because he is a hireling, and careth not for the sheep.\nAnd there ariseth a great storm of wind, and the waves beat into the boat, insomuch that the boat was now filling.\n“Can I look for eggs in the henhouse, Aunt Edith?”\nhow shall not rather the ministration of the spirit be with glory?\nI’m a pig!”\nAnd furthermore, I said, if he wanted to call me white, that was his privilege.\nCharlotte glared at her.\nWherefore also we make it our aim, whether at home or absent, to be well-pleasing unto him.\nAnd not only so; but Rebecca also having conceived by one, even by our father Isaac—\nAnd when it came to pass that Peter entered, Cornelius met him, and fell down at his feet, and worshipped him.\nThen the hay would be hoisted, sweet and warm, into the big loft, until the whole barn seemed like a wonderful bed of timothy and clover.\nAnd if any one say aught unto you, ye shall say, The Lord hath need of them; and straightway he will send them.\nTwo more little spiders crawled out and waved.\nBy faith Abel offered unto God a more excellent sacrifice than Cain, through which he had witness borne to him that he was righteous, God bearing witness in respect of his gifts: and through it he being dead yet speaketh.\nNow he that betrayed him had given them a token, saying, Whomsoever I shall kiss, that is he; take him, and lead him away safely.\nMrs. Arable said goodbye and thanked Dr. Dorian very much for his advice.\nAnd unto them is fulfilled the prophecy of Isaiah, which saith, By hearing ye shall hear, and shall in no wise understand; And seeing ye shall see, and shall in no wise perceive:\nBut Peter continued knocking: and when they had opened, they saw him, and were amazed.\nAnd whosoever shall cause one of these little ones that believe on me to stumble, it were better for him if a great millstone were hanged about his neck, and he were cast into the sea.\nZuckerman stared at the writing on the web.\nCharley turned and nodded again.\nAnd Peter took him, and began to rebuke him, saying, Be it far from thee, Lord: this shall never be unto thee.\nwho was foreknown indeed before the foundation of the world, but was manifested at the end of the times for your sake,\nShe went to the truck and came back with a gallon jar of buttermilk.\nSymeon hath rehearsed how first God visited the Gentiles, to take out of them a people for his name.\n“Hundreds of people are looking at us.”\nglory not over the branches: but if thou gloriest, it is not thou that bearest the root, but the root thee.\nWherefore I shall be ready always to put you in remembrance of these things, though ye know them, and are established in the truth which is with you.\nYea and all the prophets from Samuel and them that followed after, as many as have spoken, they also told of these days.\nAs I turned off the state highway and onto the dirt road, the lights of our car shined down the road, and I saw two men walking.\nAnd he said unto her, Daughter, thy faith hath made thee whole; go in peace.\nGliding silently, keeping her bare feet close to the oak floorboards so not to stumble.\nNot the Hell.\n“And don’t get lost!” said Mrs. Zuckerman.\nHow then shall they call on him in whom they have not believed? and how shall they believe in him whom they have not heard? and how shall they hear without a preacher?\nAs he saith also in Hosea, I will call that my people, which was not my people; And her beloved, that was not beloved.\n“O.K.,” replied Wilbur.\nin everything give thanks: for this is the will of God in Christ Jesus to you-ward.\nHe didn’t swim too close to the side of the water.\nthat aforetime were disobedient, when the longsuffering of God waited in the days of Noah, while the ark was a preparing, wherein few, that is, eight souls, were saved through water:\nAnd when the wine failed, the mother of Jesus saith unto him, They have no wine.\nKnow ye not that they that minister about sacred things eat of the things of the temple, and they that wait upon the altar have their portion with the altar?\n“No-no-no!” said the goose.\nAs it was, Beaver had to fell the tree.\nknowing that ye were redeemed, not with corruptible things, with silver or gold, from your vain manner of life handed down from your fathers;\nIn the mean time, when the many thousands of the multitude were gathered together, insomuch that they trod one upon another, he began to say unto his disciples first of all, Beware ye of the leaven of the Pharisees, which is hypocrisy.\nwhensoever I go unto Spain (for I hope to see you in my journey, and to be brought on my way thitherward by you, if first in some measure I shall have been satisfied with your company)—\nThe rat sat up.\nWhen I next visited Valley River to check on the post there, I was told immediately upon arrival that Claire and Featherstone had returned during my long absence.\nthrough the hypocrisy of men that speak lies, branded in their own conscience as with a hot iron;\nThe peppers grow in a rainbow of colors: purple, yellow, green, red, orange, and white.\nIf she went upstairs, Wilbur would wait at the bottom step until she came down again.\nFor in that she poured this ointment upon my body, she did it to prepare me for burial.\nAnd they called them, and charged them not to speak at all nor teach in the name of Jesus.\nhenceforth there is laid up for me the crown of righteousness, which the Lord, the righteous judge, shall give to me at that day; and not to me only, but also to all them that have loved his appearing.\nAt the end of the story, I paused.\nHe saith unto them, Come, and ye shall see. They came therefore and saw where he abode; and they abode with him that day: it was about the tenth hour.\nSpeak not one against another, brethren. He that speaketh against a brother, or judgeth his brother, speaketh against the law, and judgeth the law: but if thou judgest the law, thou art not a doer of the law, but a judge.\nHe shook his big stoppered gourd to check if it was still full from the most recent creek.\nThen Paul answered, What do ye, weeping and breaking my heart? for I am ready not to be bound only, but also to die at Jerusalem for the name of the Lord Jesus.\nSuddenly Wilbur felt lonely and friendless.\nIn a country like this and at a season the most unpropitious for surveying operations, it is natural to suppose many difficulties have been encountered.\nShe gripped the edge of the tailboard so hard her knuckles went white.\nThe crowd roared with laughter.\nThere were ten boys, all from big towns.\nAnd if they were all one member, where were the body?\nAnd if they would learn anything, let them ask their own husbands at home: for it is shameful for a woman to speak in the church.\nAnd Jesus said unto them, I will ask of you one question, and answer me, and I will tell you by what authority I do these things.\n“Homer Zuckerman, what in the world are you talking about?” she said.\nAsmeret carefully puts the log back the way she found it.\nThe geese gave him a noisy welcome.\nWhat soldier ever serveth at his own charges? who planteth a vineyard, and eateth not the fruit thereof? or who feedeth a flock, and eateth not of the milk of the flock?\nHis lord said unto him, Well done, good and faithful servant: thou hast been faithful over a few things, I will set thee over many things; enter thou into the joy of thy lord.\nAnd his parents went every year to Jerusalem at the feast of the passover.\nAnd he charged him to tell no man: but go thy way, and show thyself to the priest, and offer for thy cleansing, according as Moses commanded, for a testimony unto them.\nAll color was damped down to shades of grey.\nand they shall see his face; and his name shall be on their foreheads.\nThey could hear sheep blatting in their pens.\nI'll let you start it on a bottle, like a baby.\nAm I not free? am I not an apostle? have I not seen Jesus our Lord? are not ye my work in the Lord?\nAnd Jesus knowing their thoughts said, Wherefore think ye evil in your hearts?\nFor Paul had determined to sail past Ephesus, that he might not have to spend time in Asia; for he was hastening, if it were possible for him, to be at Jerusalem the day of Pentecost.\nin whom we have our redemption, the forgiveness of our sins:\nI robbed other churches, taking wages of them that I might minister unto you;\nChildren pay better attention than grownups.\nThe elder unto the elect lady and her children, whom I love in truth; and not I only, but also all they that know the truth;\nYour mother wouldn’t want that to happen, I’m sure.”\nColonel Haden was a big hog of a man, with biscuit crumbs in his whiskers and gravy stains down his shirtfront.\nFor to me to live is Christ, and to die is gain.\nAnd when there was made an onset both of the Gentiles and of the Jews with their rulers, to treat them shamefully and to stone them,\nLet the word of Christ dwell in you richly; in all wisdom teaching and admonishing one another with psalms and hymns and spiritual songs, singing with grace in your hearts unto God.\nWhen the children grew tired of swinging, they went down toward the pasture and picked wild raspberries and ate them.\nand had suffered many things of many physicians, and had spent all that she had, and was nothing bettered, but rather grew worse,\nShe felt the dizzy drop, then the supporting lift of the swing.\n“This is a matter of life and death, and you talk about controlling myself.”\nBuddy could not believe his ears \nAvery found an empty candy box and put his frog in it.\nand I advanced in the Jews’ religion beyond many of mine own age among my countrymen, being more exceedingly zealous for the traditions of my fathers.\n“Charlotte?” said Mrs. Arable.\nA date certain had been set, and though it was many seasons away, it was rushing toward them. Some of the Scottish Indians on the Nation paid little heed to it. They believed in their ability to make a deal.\nOnly, as the Lord hath distributed to each man, as God hath called each, so let him walk. And so ordain I in all the churches.\nDull Hoe was a man who did not just visit the spirit world but resided there nearly full-time and only experienced this world as a vague troubling dream.\nEverybody knew that a sign had appeared in a spider's web on the Zuckerman place.\nThe passway across the ridge crest bent around the face and went on forever into the north, a thin wavering line that had carried trade and war as long as there had been people to walk it.\nAnd he cometh, and findeth them sleeping, and saith unto Peter, Simon, sleepest thou? couldest thou not watch one hour?\n“He’s yours,” said Mr. Arable.\nAnd they that did eat were about five thousand men, besides women and children.\nMajor Cotton, he said.\nThe straw seemed scratchy —not as comfortable as the cow manure, which was always delightfully soft to lie in.\nAnd not only so, but we also rejoice in our tribulations: knowing that tribulation worketh stedfastness;\nWherefore, brethren, we are not children of a handmaid, but of the freewoman. \nin journeyings often, in perils of rivers, in perils of robbers, in perils from my countrymen, in perils from the Gentiles, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren;\nAnd a great multitude followed him, because they beheld the signs which he did on them that were sick.\n“Lurvy, help with the crate!”\nWhen the people had been up on the mountaintops so long that by anyone’s reckoning soon had long since passed without any sign of a cleansing storm gathering on the horizon, they journeyed back down to the same hopeless world they had fled.\nBut Peter said, Not so, Lord; for I have never eaten anything that is common and unclean.\nThen she slept.\nIt’s wonderful out here.”\nTempleton was down there now, rummaging around.\nThe little tree was not so beautiful, but because the little boy loved the tree so much, the tree felt beautiful.\nBill Axe sought me out immediately upon my arrival.\nAnd some believed the things which were spoken, and some disbelieved.\nAnd they watched him, whether he would heal him on the sabbath day; that they might accuse him.\nAnd I was not content with just the quail.\n“Up in this back corner.”\nexcept it be for this one voice, that I cried standing among them, Touching the resurrection of the dead I am called in question before you this day.\nVerily, verily, I say unto you, Except a grain of wheat fall into the earth and die, it abideth by itself alone; but if it die, it beareth much fruit.\n“Yes, it’s true,” sighed Charlotte.\nJesus saith unto him, Have I been so long time with you, and dost thou not know me, Philip? he that hath seen me hath seen the Father; how sayest thou, Show us the Father?\nI charge thee in the sight of God, and of Christ Jesus, who shall judge the living and the dead, and by his appearing and his kingdom:\nI flushed red to the hairline and got up and gave a little one-inch head bob of a bow and left.\nFor as the body is one, and hath many members, and all the members of the body, being many, are one body; so also is Christ.\nfor every one that asketh receiveth; and he that seeketh findeth; and to him that knocketh it shall be opened.\n“Oh, no,” said Dr. Dorian.\nHad the conviction been fully and universally impressed upon their mind that they must go, they would long since have accommodated themselves to the idea and been prepared to meet their destiny.\nand they wrote thus by them, The apostles and the elders, brethren, unto the brethren who are of the Gentiles in Antioch and Syria and Cilicia, greeting:\nSoil comes from rocks breaking down.\nwherein ye also once walked, when ye lived in these things;\nWasseton blinked back tears and shut up.\nNow for a recompense in like kind (I speak as unto my children), be ye also enlarged.\nthe one do it of love, knowing that I am set for the defence of the gospel;\nIt looked just like Charlotte.\nAnd he said also unto the disciples, There was a certain rich man, who had a steward; and the same was accused unto him that he was wasting his goods.\nThe common people therefore of the Jews learned that he was there: and they came, not for Jesus’ sake only, but that they might see Lazarus also, whom he had raised from the dead.\nWe had frightened each other as he had been standing in the middle of the road sleeping.\nFor if the casting away of them is the reconciling of the world, what shall the receiving of them be, but life from the dead?\nAnd then the bear lurched forward and pressed the boy down under the water with his full weight.\nAnd ye have an anointing from the Holy One, and ye know all things.\nEven Wilbur, who could eat almost anything, was appalled.\nwhich indeed is less than all seeds; but when it is grown, it is greater than the herbs, and becometh a tree, so that the birds of the heaven come and lodge in the branches thereof.\nDrops of dew, catching the sun, made the web stand out clearly.\nthough I was before a blasphemer, and a persecutor, and injurious: howbeit I obtained mercy, because I did it ignorantly in unbelief;\nIf therefore the whole church be assembled together and all speak with tongues, and there come in men unlearned or unbelieving, will they not say that ye are mad?\nAnd the nation to which they shall be in bondage will I judge, said God: and after that shall they come forth, and serve me in this place.\nEverything of value was noted down in his ledger.\nWilbur lay resting after the excitement and strain of the ceremony.\nand so do Mark, Aristarchus, Demas, Luke, my fellow-workers.\nLate that night while her husband was still at cards, the indigo factor’s wife pecked on my cabin door with a knuckle, and we had a fumbling and fully clothed congress rather less than fully reclined on the miserable pallet.\nAnd hereby we know that we know him, if we keep his commandments.\nand on my behalf, that utterance may be given unto me in opening my mouth, to make known with boldness the mystery of the gospel,\nAnd being asked by the Pharisees, when the kingdom of God cometh, he answered them and said, The kingdom of God cometh not with observation:\nAnd the next sabbath almost the whole city was gathered together to hear the word of God.\nfor there shall arise false Christs and false prophets, and shall show signs and wonders, that they may lead astray, if possible, the elect.\nAnd the chief captain answered, With a great sum obtained I this citizenship. And Paul said, But I am a Roman born.\nAnd looking round on them that sat round about him, he saith, Behold, my mother and my brethren!\n“Oink, oink, oink!”\nAnd in those days cometh John the Baptist, preaching in the wilderness of Judæa, saying,\nMajor Ridge, who had been given his rank by Jackson back in the Creek War, had his boys with him, both approximately my age.\nBut, lest we cause them to stumble, go thou to the sea, and cast a hook, and take up the fish that first cometh up; and when thou hast opened his mouth, thou shalt find a shekel: that take, and give unto them for me and thee. \nFern and Avery jumped to the ground.\nWhen he finished, they headed toward the river.\nAnd the witness is this, that God gave unto us eternal life, and this life is in his Son.\nHe crept down into his hole, pushed the goose egg out of the way, and returned with an old piece of dirty white string.\nIf any woman that believeth hath widows, let her relieve them, and let not the church be burdened; that it may relieve them that are widows indeed.\nelse must he often have suffered since the foundation of the world: but now once at the end of the ages hath he been manifested to put away sin by the sacrifice of himself.\nWilbur burst into tears.\nPerry settled back against his bedroll.\nFor all things are for your sakes, that the grace, being multiplied through the many, may cause the thanksgiving to abound unto the glory of God.\nNow a certain man was sick, Lazarus of Bethany, of the village of Mary and her sister Martha.\nThen he picked up a stick.\n“Well,” said the goose, “that’s not my trouble.\nI was terrified. \nThe God of our fathers raised up Jesus, whom ye slew, hanging him on a tree.\nJesus said unto them, If ye were blind, ye would have no sin: but now ye say, We see: your sin remaineth. \nAnd after them all, the woman died.\n“A blanket.”\nwherefore let us keep the feast, not with old leaven, neither with the leaven of malice and wickedness, but with the unleavened bread of sincerity and truth.\nAnd whosoever shall exalt himself shall be humbled; and whosoever shall humble himself shall be exalted.\nbut a certain fearful expectation of judgment, and a fierceness of fire which shall devour the adversaries.\nthe blind receive their sight, and the lame walk, the lepers are cleansed, and the deaf hear, and the dead are raised up, and the poor have good tidings preached to them.\nAnd the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how that he said unto him, Before the cock crow this day thou shalt deny me thrice.\nBrethren, pray for us.\nFor if any one is a hearer of the word and not a doer, he is like unto a man beholding his natural face in a mirror:\nwho also declared unto us your love in the Spirit.\nHis greatest wish was to operate a store selling clothing, men’s and women’s, of the most recent fashion.\nAnd the seventh poured out his bowl upon the air; and there came forth a great voice out of the temple, from the throne, saying, It is done:\nThe Irishman recalled how his grandmother had refused to acknowledge that the journey meant she would never see any of them again in this life.\nAnd there were seven sons of one Sceva, a Jew, a chief priest, who did this.\nBut I feel peaceful.\nNot one of them other than Smith had yet passed twenty.\nThe faith which thou hast, have thou to thyself before God. Happy is he that judgeth not himself in that which he approveth.\nAnd this is the message which we have heard from him and announce unto you, that God is light, and in him is no darkness at all.\nAnd after these things Jesus walked in Galilee: for he would not walk in Judæa, because the Jews sought to kill him.\nAnd whither I go, ye know the way.\nThe runners in the distance made a sound like a rising wind below them.\nAnd Pilate answered them, saying, Will ye that I release unto you the King of the Jews?\nBut if any hath caused sorrow, he hath caused sorrow, not to me, but in part (that I press not too heavily) to you all.\nBut in those sacrifices there is a remembrance made of sins year by year.\nFor there are three who bear witness, the Spirit, and the water, and the blood: and the three agree in one.\nHaving then a great high priest, who hath passed through the heavens, Jesus the Son of God, let us hold fast our confession.\nSeems to be, there’s two kinds of men in this new world the white people are making.\nLet's get out of here!”\nAnd he stretched forth his hand towards his disciples, and said, Behold, my mother and my brethren!\nIt's a Wendy day!\nFor yourselves know perfectly that the day of the Lord so cometh as a thief in the night.\nBut we, brethren, being bereaved of you for a short season, in presence not in heart, endeavored the more exceedingly to see your face with great desire:\nBut withal prepare me also a lodging: for I hope that through your prayers I shall be granted unto you.\nBut Paul’s sister’s son heard of their lying in wait, and he came and entered into the castle and told Paul.\nNow I praise you that ye remember me in all things, and hold fast the traditions, even as I delivered them to you.\nBut Peter began, and expounded the matter unto them in order, saying,\nand he gave him none inheritance in it, no, not so much as to set his foot on: and he promised that he would give it to him in possession, and to his seed after him, when as yet he had no child.\nBut when they had commanded them to go aside out of the council, they conferred among themselves,\n“It's a dud, I guess,” said the goose.\nEvery day was a happy day, and every night was peaceful.\nSo they made him a supper there: and Martha served; but Lazarus was one of them that sat at meat with him.\nThere were chairs farther along the gallery, but I went to the steps and sat down with my back to the door.\nA desperate passage through a landscape rising against you, the beautiful world you love suddenly risky and dangerous.\nAnd they bring the colt unto Jesus, and cast on him their garments; and he sat upon him.\nAnd on the under side of the leaf of the potato vine are the bright orange eggs of the potato bug.\nThe night seemed long.\nRender to all their dues: tribute to whom tribute is due; custom to whom custom; fear to whom fear; honor to whom honor.\nand be ye yourselves like unto men looking for their lord, when he shall return from the marriage feast; that, when he cometh and knocketh, they may straightway open unto him.\nneither, because they are Abraham’s seed, are they all children: but, In Isaac shall thy seed be called.\nAll chastening seemeth for the present to be not joyous but grievous; yet afterward it yieldeth peaceable fruit unto them that have been exercised thereby, even the fruit of righteousness.\nAnd Jesus, when he was baptized, went up straightway from the water: and lo, the heavens were opened unto him, and he saw the Spirit of God descending as a dove, and coming upon him;\nLook therefore whether the light that is in thee be not darkness.\nAnd, Whosoever shall swear by the altar, it is nothing; but whosoever shall swear by the gift that is upon it, he is a debtor.\nGot to keep them toasty-oasty—oasty warm.\nWherefore also he is able to save to the uttermost them that draw near unto God through him, seeing he ever liveth to make intercession for them.\nof whom is Hymenæus and Alexander; whom I delivered unto Satan, that they might be taught not to blaspheme. \nAnd the soldiers platted a crown of thorns, and put it on his head, and arrayed him in a purple garment;\nBut he answered and said to his father, Lo, these many years do I serve thee, and I never transgressed a commandment of thine; and yet thou never gavest me a kid, that I might make merry with my friends:\nShe laughed a tinkling little laugh.\nTempleton’s keen nose detected many fine smells in the air.\nAnd the temple was filled with smoke from the glory of God, and from his power; and none was able to enter into the temple, till the seven plagues of the seven angels should be finished. \nThe women and children stood watching, emotionless and completely still, grouped in near symmetry so that the memory of them would stay with Smith all his life, coming to rest in his mind like a family portrait.\nMy little children, of whom I am again in travail until Christ be formed in you—\nAnd they shall say to you, Lo, there! Lo, here! go not away, nor follow after them:\nFern had arrived and seated herself quietly on her stool in the corner.\nPolished ankle boots dangled in space.\nsaying, Give me also this power, that on whomsoever I lay my hands, he may receive the Holy Spirit.\n“If this is what it’s like to be free,” he thought, “I believe I’d rather be penned up in my own yard.”\nWilbur didn’t care.\nI will invent writing for our people, he said.\nIs this blessing then pronounced upon the circumcision, or upon the uncircumcision also? for we say, To Abraham his faith was reckoned for righteousness.\nHe's fine.”\nHow then was it reckoned? when he was in circumcision, or in uncircumcision? Not in circumcision, but in uncircumcision:\nAnd many were gathered together, so that there was no longer room for them, no, not even about the door: and he spake the word unto them.\nunto whom coming, a living stone, rejected indeed of men, but with God elect, precious,\nAnd when he had given him leave, Paul, standing on the stairs, beckoned with the hand unto the people; and when there was made a great silence, he spake unto them in the Hebrew language, saying, \nBut the chief priests stirred up the multitude, that he should rather release Barabbas unto them.\nWhen Jesus therefore saw her weeping, and the Jews also weeping who came with her, he groaned in the spirit, and was troubled,\nThe spider stood on its head, pointed its spinnerets in the air, and let loose a cloud of fine silk. The silk formed a balloon.\nAnd then shall he send forth the angels, and shall gather together his elect from the four winds, from the uttermost part of the earth to the uttermost part of heaven.\nAnd it came to pass when Jesus had finished these words, he departed from Galilee, and came into the borders of Judæa beyond the Jordan;\nso that the Son of man is lord even of the sabbath. \nDon’t come all white-faced telling me about peace.\nAnd Jesus stood still, and called them, and said, What will ye that I should do unto you?\nAnd the multitudes gave heed with one accord unto the things that were spoken by Philip, when they heard, and saw the signs which he did.\nFor of necessity he must have let one loose unto them at the feast.\nThus Paul went out from among them.\neven as it is written, Behold, I lay in Zion a stone of stumbling and a rock of offence: And he that believeth on him shall not be put to shame. \nHe shall be great, and shall be called the Son of the Most High: and the Lord God shall give unto him the throne of his father David:\nThis helps keep it wet and dark under the log.\nand they came unto him, and said, Hail, King of the Jews! and they struck him with their hands.\nlaying wait for him, to catch something out of his mouth. \nCharlotte just sat quietly.\nFirst she threw a left around the tail. The fish lashed back. Then a left to the tail and a right to the midsection. The fish lashed back. Then she dodged to one side and threw a right, and another right to the fin.\nThen he walked drearily to the doorway, where Charlotte's web used to be.\nAnd as soon as it was day, the assembly of the elders of the people was gathered together, both chief priests and scribes; and they led him away into their council, saying,\nAnd Jesus said unto him, The foxes have holes, and the birds of the heaven have nests; but the Son of man hath not where to lay his head.\nAnd in like manner a Levite also, when he came to the place, and saw him, passed by on the other side.\nYe blind: for which is greater, the gift, or the altar that sanctifieth the gift?\nI vote.\nAll things were made through him; and without him was not anything made that hath been made.\nOne winter night in New Echota, a small roomful of wealthy Ridge men, Featherstone among them, huddled about a white paper centered on a candlelit table and autographed a secret nighttime treaty, selling all of the Nation to America under the most favorable terms they believed they could get and agreeing for all their people, without consultation, to remove to the new Indian Territories.\nHe saved everything.) Certainly-ertainly-ertainly,” said the gander.\nAnd he said, A hundred measures of oil. And he said unto him, Take thy bond, and sit down quickly and write fifty.\nye being enriched in everything unto all liberality, which worketh through us thanksgiving to God.\nNow concerning the collection for the saints, as I gave order to the churches of Galatia, so also do ye.\nAnd he goeth up into the mountain, and calleth unto him whom he himself would; and they went unto him.\nFor, His letters, they say, are weighty and strong; but his bodily presence is weak, and his speech of no account.\nI have said beforehand, and I do say beforehand, as when I was present the second time, so now, being absent, to them that have sinned heretofore, and to all the rest, that, if I come again, I will not spare;\n“Attention, please!” he said.\nand might reconcile them both in one body unto God through the cross, having slain the enmity thereby:\nAnd all that sat in the council, fastening their eyes on him, saw his face as it had been the face of an angel. \nWe have never been more than a thousand souls.\nBut all these things will they do unto you for my name’s sake, because they know not him that sent me.\nAnd the multitude rose up together against them: and the magistrates rent their garments off them, and commanded to beat them with rods.\nNow they were Mary Magdalene, and Joanna, and Mary the mother of James: and the other women with them told these things unto the apostles.\nBut we, going before to the ship, set sail for Assos, there intending to take in Paul: for so had he appointed, intending himself to go by land.\nFor as soon as Bear died, the memory of Wild Hemp would pass entirely from the world, never to be retrieved again.\nAnd into whatsoever city or village ye shall enter, search out who in it is worthy; and there abide till ye go forth.\nThe early summer days on a farm are the happiest and fairest days of the year.\nand the second took her, and died, leaving no seed behind him; and the third likewise:\nAnd the Lord said, Hear what the unrighteous judge saith.\nI sat in a camp chair and waited for what he had to say.\nAnd they kept the saying, questioning among themselves what the rising again from the dead should mean.\nBut as touching the Gentiles that have believed, we wrote, giving judgment that they should keep themselves from things sacrificed to idols, and from blood, and from what is strangled, and from fornication.\nAnd many more believed because of his word;\n“Well!” said Mrs. Arable.\nOh.\nThe Nut Moon had hardly made an appearance during its cloudy month.\n“I don't see why he needs an ax,” continued Fern, who was only eight.\nI pray not that thou shouldest take them from the world, but that thou shouldest keep them from the evil one.\nAnd he said, Take heed that ye be not led astray: for many shall come in my name, saying, I am he; and, The time is at hand: go ye not after them.\nThen the devil taketh him into the holy city; and he set him on the pinnacle of the temple,\nThe Jews therefore sought him at the feast, and said, Where is he?\n“I'm sorry, Templeton,” she said, “but ‘Pre-shrunk’ is out of the question.\nAnd why call ye me, Lord, Lord, and do not the things which I say?\nAfter days of chase—down creeks, over ridges, up coves—the hunters were right behind them in the grey open woods.\nAnd the serpent cast out of his mouth after the woman water as a river, that he might cause her to be carried away by the stream.\nBehold, my servant whom I have chosen; My beloved in whom my soul is well pleased: I will put my Spirit upon him, And he shall declare judgment to the Gentiles.\nSo is he that layeth up treasure for himself, and is not rich toward God.\nProvisional structures that would fall apart and melt into the ground in a few seasons.\nand they were astonished at his teaching; for his word was with authority.\nWhat man of you, having a hundred sheep, and having lost one of them, doth not leave the ninety and nine in the wilderness, and go after that which is lost, until he find it?\nI came to this Fair to enjoy myself, not to deliver papers.”\nAnd it came to pass in Iconium that they entered together into the synagogue of the Jews, and so spake that a great multitude both of Jews and of Greeks believed.\nBeware of the scribes, who desire to walk in long robes, and love salutations in the marketplaces, and chief seats in the synagogues, and chief places at feasts;\n“It’s just a common grey spider,” said Zuckerman.\nAnd another said, I have married a wife, and therefore I cannot come.\n“I am naturally a heavy eater and I get untold satisfaction from the pleasures of the feast.”\nthat whosoever believeth may in him have eternal life.\nI know where thou dwellest, even where Satan’s throne is; and thou holdest fast my name, and didst not deny my faith, even in the days of Antipas my witness, my faithful one, who was killed among you, where Satan dwelleth.\nWilbur crouched low, with his thin, curly tail toward the rat.\nbut supposing him to be in the company, they went a day’s journey; and they sought for him among their kinsfolk and acquaintance:\nWe didn't pay much attention to him that first night.\nAnd when saw we thee sick, or in prison, and came unto thee?\nFern met her friend Henry Fussy, and he invited her to ride with him in the Ferris wheel.\nand Matthew and Thomas, and James the son of Alphæus, and Simon who was called the Zealot,\nHe that loveth his brother abideth in the light, and there is no occasion of stumbling in him.\nAnd she went away unto her house, and found the child laid upon the bed, and the demon gone out.\nAs for these things which ye behold, the days will come, in which there shall not be left here one stone upon another, that shall not be thrown down.\nLurvy rushed and called Mr. Zuckerman.\nI marvel that ye are so quickly removing from him that called you in the grace of Christ unto a different gospel;\nAnd it came to pass, while they were there, the days were fulfilled that she should be delivered.\nWe know that God hath spoken unto Moses: but as for this man, we know not whence he is.\nFor a moment after this announcement, the Arables and the Zuckermans were unable to speak or move.\nHe was born in eastern Tennessee in the 1760s, the son of a Cherokee woman and a white man he never knew.\nI am, Sir, with respect W. G. WILLIAMS CAPT. U.S. Top Ensgn.\nAnd it became known throughout all Joppa: and many believed on the Lord.\nFor if the ministration of condemnation hath glory, much rather doth the ministration of righteousness exceed in glory.\nHe handed Mr. Zuckerman two ten dollar bills and a five dollar bill.\nWith a final heave they jammed him into the crate.\nThe truck, with no one at the wheel, had started to roll downhill.\nAs Bear saw it, his people had only a pair of things in their favor.\nMrs. Arable worked silently.\nHe talked to it in a low voice. He said, Come to me. Come to me.\nAnd he went through Syria and Cilicia, confirming the churches. \nAnd when he said, From strangers, Jesus said unto him, Therefore the sons are free.\nDeep woods are haunted places in the fog.\nI will not leave you desolate: I come unto you.\nAnd when he entered again into Capernaum after some days, it was noised that he was in the house.\nNow she that is a widow indeed, and desolate, hath her hope set on God, and continueth in supplications and prayers night and day.\nAnd when they had taken security from Jason and the rest, they let them go.\nAnd the tempter came and said unto him, If thou art the Son of God, command that these stones become bread.\nJesus answered them, Did not I choose you the twelve, and one of you is a devil?\nThe soles of his feet were a color of white that Charley had never seen before, even on a whiteman.\nHe lay all day by the ashes of the fire with his mind blank, wishing he would die here and never be found.\nthey shall take up serpents, and if they drink any deadly thing, it shall in no wise hurt them; they shall lay hands on the sick, and they shall recover.\nClaire gone.\nand he opened his mouth and taught them, saying,\n“It means ‘great work.’ \nwho shall speak unto thee words, whereby thou shalt be saved, thou and all thy house.\nWhy is it judged incredible with you, if God doth raise the dead?\nMany therefore of the Jews, who came to Mary and beheld that which he did, believed on him.\nAnd amazement came upon all, and they spake together, one with another, saying, What is this word? for with authority and power he commandeth the unclean spirits, and they come out.\nJust get in.\nI have yet many things to say unto you, but ye cannot bear them now.\nThe sweet peppers are crisp and watery and they taste and smell like summer.\nWherefore I testify unto you this day, that I am pure from the blood of all men.\n“I’ve always noticed that pig. He’s quite a pig.”\nAnd a great sign was seen in heaven: a woman arrayed with the sun, and the moon under her feet, and upon her head a crown of twelve stars;\nAnd as they sat and were eating, Jesus said, Verily I say unto you, One of you shall betray me, even he that eateth with me.\nand he reasoned within himself, saying, What shall I do, because I have not where to bestow my fruits?\nLet's hunt down two more shoes.\nOn these two commandments the whole law hangeth, and the prophets.\nYe are severed from Christ, ye who would be justified by the law; ye are fallen away from grace.\nAnd this, knowing the season, that already it is time for you to awake out of sleep: for now is salvation nearer to us than when we first believed.\nThey said therefore unto him, Who art thou? Jesus said unto them, Even that which I have also spoken unto you from the beginning.\nAnd, so to say, through Abraham even Levi, who receiveth tithes, hath paid tithes;\nAnd David saith, Let their table be made a snare, and a trap, And a stumblingblock, and a recompense unto them:\n“I feel as though I’d eaten a spool of thread.\nIt was a chase suited for an old man, very slow and mostly on hands and knees.\nHe thought it was a ruse, and he began whispering about ambush and his plans to avoid it, all of which were unnecessarily complicated and impractical and based on the assumption that these baffled and powerless people—whose country had, as if by conjuration, dissolved beneath them and been reconstituted far off on some blank western territory—would put up a fight.\nWhen Littlefish swam near the top of the pond they would say, Don't swim near there Littlefish, the Kingfisher bird will fly by and scoop you up!\n“I shall be writing tonight for the last time. \nAnd he looked up, and saw the rich men that were casting their gifts into the treasury.\nAnd as they went on their way through the cities, they delivered them the decrees to keep which had been ordained of the apostles and elders that were at Jerusalem.\nClaire finally descended through the layers to a doeskin summer corset, light as a second layer of flesh, the color of chamois and trimmed in green satin.\nFinally Mr. Zuckerman had to laugh, too.\n(although Jesus himself baptized not, but his disciples),\nShe left the radial lines alone, as they were needed for support.\nBut Paul said, I am a Jew, of Tarsus in Cilicia, a citizen of no mean city: and I beseech thee, give me leave to speak unto the people.\nThis was not his home country, and he did not yet know it well, but he reckoned he could reach camp and the heat of the fire long before dark.\nNo answer.\nchoosing rather to share ill treatment with the people of God, than to enjoy the pleasures of sin for a season;\nA spider’s web is stronger than it looks.\nTo you, her daughters, I pledge my friendship, forever and ever.”\nAnd some of the Pharisees from the multitude said unto him, Teacher, rebuke thy disciples.\nThe other disciples therefore said unto him, We have seen the Lord. But he said unto them, Except I shall see in his hands the print of the nails, and put my finger into the print of the nails, and put my hand into his side, I will not believe.\nFor let none of you suffer as a murderer, or a thief, or an evil-doer, or as a meddler in other men’s matters:\nFor the Son of God, Jesus Christ, who was preached among you by us, even by me and Silvanus and Timothy, was not yea and nay, but in him is yea.\nAnd then with little warning the play’s run was over and Mrs. Chapman was off to another city, and I moped about the riverbank for days on end and neglected my correspondence to various departments of government and back home to Tallent.\nHaving many things to write unto you, I would not write them with paper and ink: but I hope to come unto you, and to speak face to face, that your joy may be made full.\nBut he answered them, He that made me whole, the same said unto me, Take up thy bed, and walk.\nBut we will not glory beyond our measure, but according to the measure of the province which God apportioned to us as a measure, to reach even unto you.\nBut if ye are without chastening, whereof all have been made partakers, then are ye bastards, and not sons.\nBut I don’t want you to worry about me.\nPush on it, push-push-push on it, and come on out!”\nAnd there was opened the temple of God that is in heaven; and there was seen in his temple the ark of his covenant; and there followed lightnings, and voices, and thunders, and an earthquake, and great hail. \nhaving become by so much better than the angels, as he hath inherited a more excellent name than they.\nAnd if ye have not been faithful in that which is another’s, who will give you that which is your own?\nI’ve worked so long for Bear, for our people.\nAnd as he thus made his defence, Festus saith with a loud voice, Paul, thou art mad; thy much learning is turning thee mad.\nHis skin shone.\nIn those days, when there was again a great multitude, and they had nothing to eat, he called unto him his disciples, and saith unto them,\nNow that school was over, Fern visited the barn almost every day, to sit quietly on her stool.\nJesus therefore six days before the passover came to Bethany, where Lazarus was, whom Jesus raised from the dead.\nYe blind guides, that strain out the gnat, and swallow the camel!\nand that because of the false brethren privily brought in, who came in privily to spy out our liberty which we have in Christ Jesus, that they might bring us into bondage:\nBut the Comforter, even the Holy Spirit, whom the Father will send in my name, he shall teach you all things, and bring to your remembrance all that I said unto you.\nBright and early, Lurvy put clean straw in Wilbur’s crate and lifted it into the pigpen.\n“Tell me a story, Charlotte!” said Wilbur, as he lay waiting for sleep to come. “Tell me a story!  So Charlotte, although she, too, was tired, did what Wilbur wanted.\nAnd the whole thing was owned by Fern’s uncle, Mr. Homer L. Zuckerman.\nSo they, being sent forth by the Holy Spirit, went down to Seleucia; and from thence they sailed to Cyprus.\nWhen their delegations arrived, I half expected Featherstone to be among them, but he was not.\nand he sent forth his servant at supper time to say to them that were bidden, Come; for all things are now ready.\nAnd then back outside the Nation in Wayah, I found Bear awake long nights in his townhouse, plotting out the organization of a new miniature world in the pattern of the vast old one.\nknowing that he that raised up the Lord Jesus shall raise up us also with Jesus, and shall present us with you.\nLay hands hastily on no man, neither be partaker of other men’s sins: keep thyself pure.\nto another faith, in the same Spirit; and to another gifts of healings, in the one Spirit;\nThis is now, beloved, the second epistle that I write unto you; and in both of them I stir up your sincere mind by putting you in remembrance;\nAll the chambermaids and desk clerks agreed that those were the days, and it had all been downhill since.\nYour glorying is not good. Know ye not that a little leaven leaveneth the whole lump?\nBut Paul said, I am standing before Cæsar’s judgment-seat, where I ought to be judged: to the Jews have I done no wrong, as thou also very well knowest.\nhereby we know that we abide in him and he in us, because he hath given us of his Spirit.\nin whom ye also, having heard the word of the truth, the gospel of your salvation,—in whom, having also believed, ye were sealed with the Holy Spirit of promise,\nAnd they came to him, and awoke him, saying, Save, Lord; we perish.\nAnd they ate, and were filled: and they took up, of broken pieces that remained over, seven baskets.\n(of whom the world was not worthy), wandering in deserts and mountains and caves, and the holes of the earth.\nThou therefore, my child, be strengthened in the grace that is in Christ Jesus.\nAnd touching at Syracuse, we tarried there three days.\nI took quite a dislike to him in our brief interview.\nFor we also once were foolish, disobedient, deceived, serving divers lusts and pleasures, living in malice and envy, hateful, hating one another.\nThere would be no one to feed you.\nwho were born, not of blood, nor of the will of the flesh, nor of the will of man, but of God.\naccording to the gospel of the glory of the blessed God, which was committed to my trust.\nO Timothy, guard that which is committed unto thee, turning away from the profane babblings and oppositions of the knowledge which is falsely so called;\nBut unto this day, whensoever Moses is read, a veil lieth upon their heart.\nNo hares or coons.\nAnd they came to the chief priests and the elders, and said, We have bound ourselves under a great curse, to taste nothing until we have killed Paul.\nso Christ also, having been once offered to bear the sins of many, shall appear a second time, apart from sin, to them that wait for him, unto salvation. \nCharlotte returned to her weaving.\nAnd every one that hath this hope set on him purifieth himself, even as he is pure.\nand the tombs were opened; and many bodies of the saints that had fallen asleep were raised;\nThere, in the direction of the river, Beaver was coming.\nSo many yellow apples, the branches bowed from the weight.\nSoon another little bird, a chickadee, flew down from the high branches and lighted on the witch’s right hand.  \nAnd the number of the armies of the horsemen was twice ten thousand times ten thousand: I heard the number of them.\nThe days of the year were too evasive for planning. They fled shapeless before him.\nAnd when we were come to Jerusalem, the brethren received us gladly.\nOh, honestly!”\nHis bowels suffered greatly from such diet.\nBe thou watchful, and establish the things that remain, which were ready to die: for I have found no works of thine perfected before my God.\nTo him be the dominion for ever and ever. Amen.\nAnd the scripture, foreseeing that God would justify the Gentiles by faith, preached the gospel beforehand unto Abraham, saying, In thee shall all the nations be blessed.\n“When I say ‘salutations,’ it’s just my fancy way of saying hello or good morning.\nand he that searcheth the hearts knoweth what is the mind of the Spirit, because he maketh intercession for the saints according to the will of God.\nOne of those new sorts then, I said.\nFor it is better, if the will of God should so will, that ye suffer for well-doing than for evil-doing.\nThe Jews therefore said, Behold how he loved him!\nNo one believed him.\nOf the several interpretations that were possible to make, this is how I shaped a narrative from the attitudes of the dead boys and their scattered effects and the scripture on the ground that the skirmish had left.\nAnd by the hands of the apostles were many signs and wonders wrought among the people: and they were all with one accord in Solomon’s porch.\nIf the foot shall say, Because I am not the hand, I am not of the body; it is not therefore not of the body.\nHowbeit when he, the Spirit of truth, is come, he shall guide you into all the truth: for he shall not speak from himself; but what things soever he shall hear, these shall he speak: and he shall declare unto you the things that are to come.\nRight through to the backbone with a Bowie knife, which I had on my hip.\n“But where?” asked Wilbur.\n“What do you see?” asked Wilbur.\nBoudinot and young Ridge featured themselves to be darkly Byronic figures, an image countless young men—myself included—held of themselves.\nSo the father knew that it was at that hour in which Jesus said unto him, Thy son liveth: and himself believed, and his whole house.\nAnd not only so, but ourselves also, who have the first-fruits of the Spirit, even we ourselves groan within ourselves, waiting for our adoption, to wit, the redemption of our body.\nAnd if thy right eye causeth thee to stumble, pluck it out, and cast it from thee: for it is profitable for thee that one of thy members should perish, and not thy whole body be cast into hell.\nThe food smelled appetizing.\nAfter these things I saw, and behold, a door opened in heaven, and the first voice that I heard, a voice as of a trumpet speaking with me, one saying, Come up hither, and I will show thee the things which must come to pass hereafter.\nFor after all these things do the Gentiles seek; for your heavenly Father knoweth that ye have need of all these things.\nFor the word of the cross is to them that perish foolishness; but unto us who are saved it is the power of God.\nAnd the multitudes asked him, saying, What then must we do?\nWhile the rat and the spider and the little girl watched, Wilbur climbed again to the top of the manure pile, full of energy and hope.\nand they have no root in themselves, but endure for a while; then, when tribulation or persecution ariseth because of the word, straightway they stumble.\nAnd the devil that deceived them was cast into the lake of fire and brimstone, where are also the beast and the false prophet; and they shall be tormented day and night for ever and ever.\nAnd he reasoned in the synagogue every sabbath, and persuaded Jews and Greeks.\nThe afternoon passed, and evening came.\nFor in that he himself hath suffered being tempted, he is able to succor them that are tempted. \nShe and I would watch television; whatever they were doing on there, until really late in the night. \nBut desire earnestly the greater gifts. And moreover a most excellent way show I unto you. \nCharley’s people consulted, and decided that the horses would be an impediment up among the trackless peaks, and so they left them standing nervous and confused with the dead boys.\nBut if any man say unto you, This hath been offered in sacrifice, eat not, for his sake that showed it, and for conscience’ sake:\nThe goose heard the racket and she, too, started hollering. “Run-run-run downhill, make for the woods, the woods!” she shouted to Wilbur.\nAnd he cried with a mighty voice, saying, Fallen, fallen is Babylon the great, and is become a habitation of demons, and a hold of every unclean spirit, and a hold of every unclean and hateful bird.\nOur mouth is open unto you, O Corinthians, our heart is enlarged.\nClaire leaned back and shifted the mass of hair from her face with a raking motion of wrist and forearm.\nAnd these words appeared in their sight as idle talk; and they disbelieved them.\nThen the proconsul, when he saw what was done, believed, being astonished at the teaching of the Lord.\nHim would Paul have to go forth with him; and he took and circumcised him because of the Jews that were in those parts: for they all knew that his father was a Greek.\nYou can imagine Wilbur’s surprise when, out of the darkness, came a small voice he had never heard before.\nI speak by way of disparagement, as though we had been weak. Yet whereinsoever any is bold (I speak in foolishness), I am bold also.\nAnd in like manner the Spirit also helpeth our infirmity: for we know not how to pray as we ought; but the Spirit himself maketh intercession for us with groanings which cannot be uttered;\nHe looked up into the trees and the sky beyond, for it seemed as if at some point the bear had spread wings and taken flight.\nGo ye therefore unto the partings of the highways, and as many as ye shall find, bid to the marriage feast.\nAnd he shall go before his face in the spirit and power of Elijah, to turn the hearts of the fathers to the children, and the disobedient to walk in the wisdom of the just; to make ready for the Lord a people prepared for him.\nNow I think, What more could she have said?\n“All right,” said Charlotte, “I’m next.”\nShe climbed up and made another attachment, right next to the first.\nof sin, because they believe not on me;\nThis is he of whom I said, After me cometh a man who is become before me: for he was before me.\nIf any man teacheth a different doctrine, and consenteth not to sound words, even the words of our Lord Jesus Christ, and to the doctrine which is according to godliness;\nThere was a woodpile, and I stoked the fire and motioned for Smith and the boys to come on in.\nOne day he realized the pool seemed smaller.\nAnd he called to him a little child, and set him in the midst of them,\nAnd they, when they heard it, lifted up their voice to God with one accord, and said, O Lord, thou that didst make the heaven and the earth and the sea, and all that in them is:\nHaving therefore obtained the help that is from God, I stand unto this day testifying both to small and great, saying nothing but what the prophets and Moses did say should come;\nAnd many false prophets shall arise, and shall lead many astray.\nAnd they indeed have been made priests many in number, because that by death they are hindered from continuing:\nAnd in their mouth was found no lie: they are without blemish.\nI say unto thee, Thou shalt by no means come out thence, till thou have paid the very last mite. \nWilbur’s new home was in the lower part of the barn, directly underneath the cows.\nNow the birth of Jesus Christ was on this wise: When his mother Mary had been betrothed to Joseph, before they came together she was found with child of the Holy Spirit.\nThe laurel could feel the cold too, for they were beginning to curl their leaves into themselves in long rolls that looked no more alive than strips of deer jerky.\nFinally, my brethren, rejoice in the Lord. To write the same things to you, to me indeed is not irksome, but for you it is safe.\nWet wrinkled boots lay with the open ends to the blaze in hopeless effort to render them dry, if only briefly, so that in the morning the boys might not have to start the day with cold sodden footwear.\nBut whereunto shall I liken this generation? It is like unto children sitting in the marketplaces, who call unto their fellows\nBut of the rest durst no man join himself to them: howbeit the people magnified them;\nCan you imagine this forest without decomposers?\nHe would turn his head slightly and blink his long eye-lashes.\nNow there were with us seven brethren: and the first married and deceased, and having no seed left his wife unto his brother;\nby the way which he dedicated for us, a new and living way, through the veil, that is to say, his flesh;\nFor our wrestling is not against flesh and blood, but against the principalities, against the powers, against the world-rulers of this darkness, against the spiritual hosts of wickedness in the heavenly places.\nHe began imitating Wilbur’s voice.\nWhen Lieutenant Smith had failed to uncover the hatchets in his search of the shelters, the men figured they were not responsible for calling attention to them.\n“Are all of you going?” asked Wilbur.\nJesus answered them, I told you, and ye believe not: the works that I do in my Father’s name, these bear witness of me.\nBe subject therefore unto God; but resist the devil, and he will flee from you.\nWhile Wilbur ate, Lurvy fetched a hammer and some 8-penny nails and nailed the board in place.\nThe news spread.\nAnd he that keepeth his commandments abideth in him, and he in him. And hereby we know that he abideth in us, by the Spirit which he gave us. \nTherefore let us also, seeing we are compassed about with so great a cloud of witnesses, lay aside every weight, and the sin which doth so easily beset us, and let us run with patience the race that is set before us,\nAnd working together with him we entreat also that ye receive not the grace of God in vain\nThey are redwood trees.\nSpearfinger\nAfter a bit she spoke.\nHe took the cover off the candy box.\nThe next day he did not even get up off the ground where he had slept.\nAnd while he was sitting on the judgment-seat, his wife sent unto him, saying, Have thou nothing to do with that righteous man; for I have suffered many things this day in a dream because of him.\nSome of his disciples therefore said one to another, What is this that he saith unto us, A little while, and ye behold me not; and again a little while, and ye shall see me: and, Because I go to the Father?\nBut as ye abound in everything, in faith, and utterance, and knowledge, and in all earnestness, and in your love to us, see that ye abound in this grace also.\nAnd he said, The Jews have agreed to ask thee to bring down Paul tomorrow unto the council, as though thou wouldest inquire somewhat more exactly concerning him.\nShe stared at me hard, lips parted.\nIf there were something that was less than nothing, then nothing would not be nothing, it would be something- even though it’s just a very little bit of something.\n“Well, I am pretty,” replied Charlotte.\nThrough a small window, a faint gleam appeared.\nI played seldom and carefully and quit early, for I did not care to lose much money.\nAnd it came to pass, that he abode many days in Joppa with one Simon a tanner. \nNow in a great house there are not only vessels of gold and of silver, but also of wood and of earth; and some unto honor, and some unto dishonor.\nBut I have this against thee, that thou didst leave thy first love.\nThe geese gathered around to see the fun, and so did the sheep and lambs.\n“You children be quiet till we get the pig unloaded,” said Mrs. Arable.\nBut you have saved me, Charlotte, and I would gladly give my life for you — I really would.”\nDead leaves and black humus and pale pipe plants broke apart under their struggling feet.\nSmith did not have a response, and when the boys returned leading the horses, I turned my attention to the food.\n Oh come back! he cried and cried\nAnd I saw when the Lamb opened one of the seven seals, and I heard one of the four living creatures saying as with a voice of thunder, Come.\nbut whosoever shall blaspheme against the Holy Spirit hath never forgiveness, but is guilty of an eternal sin:\nin whom each several building, fitly framed together, groweth into a holy temple in the Lord;\nI'm getting sleepy.\nSkim milk, crusts, middlings, bits of doughnuts, wheat cakes with drops of maple syrup sticking to them, potato skins, leftover custard pudding with raisins, and bits of Shredded Wheat.\n“Play? ” said Templeton, twirling his whiskers.\nBut when Gallio was proconsul of Achaia, the Jews with one accord rose up against Paul and brought him before the judgment-seat,\nWasseton had darted all the squirrels within a mile of the camp with his blowgun.\nand ye will not come to me, that ye may have life.\nYe have sent unto John, and he hath borne witness unto the truth.\nBut if a revelation be made to another sitting by, let the first keep silence.\navoiding this, that any man should blame us in the matter of this bounty which is ministered by us:\nBut when the fruit is ripe, straightway he putteth forth the sickle, because the harvest is come.\nBut if ye believe not his writings, how shall ye believe my words?\nFor the bishop must be blameless, as God’s steward; not self-willed, not soon angry, no brawler, no striker, not greedy of filthy lucre;\nThe spider, however, stayed wide awake, gazing affectionately at him and making plans for his future.\nThey knew that school would soon begin again.\nAnd they that fed them fled, and went away into the city, and told everything, and what was befallen to them that were possessed with demons.\nWhen she had thus said, she turned herself back, and beholdeth Jesus standing, and knew not that it was Jesus.\nIf therefore the uncircumcision keep the ordinances of the law, shall not his uncircumcision be reckoned for circumcision?\n“I know what I'm doing.\nBut one hath somewhere testified, saying, What is man, that thou art mindful of him? Or the son of man, that thou visitest him?\nThe Son of man is come eating and drinking; and ye say, Behold, a gluttonous man, and a winebibber, a friend of publicans and sinners!\nPerceive ye not, that whatsoever goeth into the mouth passeth into the belly, and is cast out into the draught?\n“Let’s build a tree house,” suggested Avery.\nWhen he was fifty, they say, he decided to capture the people's voices in writing.\nWhen you go for a walk in the woods, what do you look at?\nThe geese cheered.\nSaith the Lord, who maketh these things known from of old.\nAs therefore the tares are gathered up and burned with fire; so shall it be in the end of the world.\nTwist and turn!” \nJesus answered and said unto him, Verily, verily, I say unto thee, Except one be born anew, he cannot see the kingdom of God.\nThen spake Jesus to the multitudes and to his disciples,\nI am the vine, ye are the branches: He that abideth in me, and I in him, the same beareth much fruit: for apart from me ye can do nothing.\nEvery one that falleth on that stone shall be broken to pieces; but on whomsoever it shall fall, it will scatter him as dust.\nBut Peter followed him afar off, unto the court of the high priest, and entered in, and sat with the officers, to see the end.\nLittle children, it is the last hour: and as ye heard that antichrist cometh, even now have there arisen many antichrists; whereby we know that it is the last hour.\nwho shall suffer punishment, even eternal destruction from the face of the Lord and from the glory of his might,\nWilbur often thought of Charlotte.\nAnd no one in the heaven, or on the earth, or under the earth, was able to open the book, or to look thereon.\nWe’re famous for our moisture, I said.\nHe came over and sat down.\nI charge thee in the sight of God, who giveth life to all things, and of Christ Jesus, who before Pontius Pilate witnessed the good confession;\nand he would not suffer that any man should carry a vessel through the temple.\nAnd ye became imitators of us, and of the Lord, having received the word in much affliction, with joy of the Holy Spirit;\nfor true and righteous are his judgments; for he hath judged the great harlot, her that corrupted the earth with her fornication, and he hath avenged the blood of his servants at her hand.\nWhile the party went on in an adjoining room, she and I circled awkwardly around a long dark mahogany table burdened with china platters filled with various delicate foods.\nWhen the cooking was done, the squirrels looked awfully little with the hair and skin off, but they were sizzling brown and shining with grease.\nFor he that is mighty hath done to me great things; And holy is his name.\nThis thou knowest, that all that are in Asia turned away from me; of whom are Phygelus and Hermogenes.\n“Wilbur!” she called.\nEverybody walked toward Wilbur and Wilbur didn’t know what to do.\nThis fungus lives on a dead tree.\nHe knew Templeton was getting soaked, out there in the pouring rain, but even that didn’t comfort him.\nand she lifted up her voice with a loud cry, and said, Blessed art thou among women, and blessed is the fruit of thy womb.\nBut now apart from the law a righteousness of God hath been manifested, being witnessed by the law and the prophets;\nSo therefore whosoever he be of you that renounceth not all that he hath, he cannot be my disciple.\nI looked at the final few leaves on the trees to see the way the wind moved, and then I looked at Smith, who kept his scope to his eye and made no attempt to keep the boys from lighting up, so I motioned back to them with both hands like pushing something down to the ground and they stopped.\nAnd it came to pass, as he was praying in a certain place, that when he ceased, one of his disciples said unto him, Lord, teach us to pray, even as John also taught his disciples.\nSo, my dad, my brother, and I followed the dog.\n“You asked for words and I brought them.\nWhy should you worry about trapping food? Wilbur sighed.\n“Come back, children!” he cried.\nVIII. A Talk At Home  \nand saw him saying unto me, Make haste, and get thee quickly out of Jerusalem; because they will not receive of thee testimony concerning me.\nMr. Zuckerman took the medal from Wilbur’s neck and hung it on a nail over the pigpen, where visitors could examine it.\nFor our citizenship is in heaven; whence also we wait for a Saviour, the Lord Jesus Christ:\n“Fern,” said Mr. Arable, “I know more about raising a litter of pigs than you do.\nAnd they that did eat were four thousand men, besides women and children.\nThe days were all alike, Smith said.\nBut in the stories, the men had always first wounded the animal with bow or gun and then let it bleed awhile to weaken.\nThat year, getups of Asian flavor were predominant for both men and women, though there were also the usual scatterings of pirates and gauchos and Indian maidens and chiefs, so I found an unexpected use for my purple turban and tall moccasins.\nbut they that are accounted worthy to attain to that world, and the resurrection from the dead, neither marry, nor are given in marriage:\nThe winter ended at last.\nBecause of the tender mercy of our God, Whereby the dayspring from on high shall visit us,\nJesus therefore cried in the temple, teaching and saying, Ye both know me, and know whence I am; and I am not come of myself, but he that sent me is true, whom ye know not.\nin the word of truth, in the power of God; by the armor of righteousness on the right hand and on the left,\nThis beginning of his signs did Jesus in Cana of Galilee, and manifested his glory; and his disciples believed on him.\n“That crazy rat!” thought Wilbur.\nAsmeret has found a beautiful fungus.\nCharley stood and listened to the cracking of limbs and imagined the working of the massive hams and buttocks.\nThe killers.\nAnd as many as receive you not, when ye depart from that city, shake off the dust from your feet for a testimony against them.\nHe was like a lot of them down on the Nation; he thought becoming as white as he could would protect him.\nAlright, said rabbit, let's go.\nand saying, Sirs, why do ye these things? We also are men of like passions with you, and bring you good tidings, that ye should turn from these vain things unto a living God, who made the heaven and the earth and the sea, and all that in them is:\nThe woman answered and said unto him, I have no husband. Jesus saith unto her, Thou saidst well, I have no husband:\nAnd leaving the multitude, they take him with them, even as he was, in the boat. And other boats were with him.\nIt was a splendid outfit.\nI want to lay them low on the ground.\nfor he was yet in the loins of his father, when Melchizedek met him.\n“Let's see you do it,” said Charlotte.\n“I want to see you in action, to see if you are radiant.”\nThen she climbed the side of the crate and hid herself inside a knothole in the top board.\nAs many as desire to make a fair show in the flesh, they compel you to be circumcised; only that they may not be persecuted for the cross of Christ.\nNow when Simon saw that through the laying on of the apostles’ hands the Holy Spirit was given, he offered them money,\nEven so it is not the will of your Father who is in heaven, that one of these little ones should perish.\nMy mother was a trapper before me.\nAnd no one hath ascended into heaven, but he that descended out of heaven, even the Son of man, who is in heaven.\nAnd every island fled away, and the mountains were not found.\nAnd I do all things for the gospel’s sake, that I may be a joint partaker thereof.\nBut there were certain of the scribes sitting there, and reasoning in their hearts,\nBut I say, Walk by the Spirit, and ye shall not fulfil the lust of the flesh.\nNever hurry and never worry!\nHe saith unto them, Moses for your hardness of heart suffered you to put away your wives: but from the beginning it hath not been so.\nAnd they said unto him, Lord, he hath ten pounds.\nWilbur breathed deeply.\nThe husbandman that laboreth must be the first to partake of the fruits.\nAll his clothes were made of green leaves, big sycamore and poplar leaves fashioned so that they lapped one another like snake scales, and he had his head covered with a broad hat of waxy laurel leaves.\nFor the time is come for judgment to begin at the house of God: and if it begin first at us, what shall be the end of them that obey not the gospel of God?\nArt thou bound unto a wife? seek not to be loosed. Art thou loosed from a wife? seek not a wife.\nAnd an angel of the Lord stood by them, and the glory of the Lord shone round about them: and they were sore afraid.\nBlessed are ye, when men shall hate you, and when they shall separate you from their company, and reproach you, and cast out your name as evil, for the Son of man’s sake.\nI wish I’d never laid eyes on them.\nSee how the smaller ones swim along the side, not too close, not too deep, and not too high.\nAnd they gave heed to him, because that of long time he had amazed them with his sorceries.\nThe soldier boys ate their supper and then tried to get in an hour or two of sleep, but they just rolled around in their blankets and muttered to one another.\nWilbur was frantic.\nAnd the most part of the multitude spread their garments in the way; and others cut branches from the trees, and spread them in the way.\nWe reckon therefore that a man is justified by faith apart from the works of the law.\nWe being Jews by nature, and not sinners of the Gentiles,\nBeaver had to gnaw the tree the trap was hooked to.\nPut on the whole armor of God, that ye may be able to stand against the wiles of the devil.\n“Charlotte is a spider?” asked Fern’s mother.\nAnd beginning from Moses and from all the prophets, he interpreted to them in all the scriptures the things concerning himself.\nThe big fish looked at him from one end to the other, and said, Why do they call you Littlefish?\nBut he turned, and said unto Peter, Get thee behind me, Satan: thou art a stumbling-block unto me: for thou mindest not the things of God, but the things of men.\nSmith started to get his back up and then thought better of it.\nAnd he spake a parable unto those that were bidden, when he marked how they chose out the chief seats; saying unto them,\nHe was tired from his wakeful night and from the excitement of meeting someone for the first time.\nNo man hath seen God at any time; the only begotten Son, who is in the bosom of the Father, he hath declared him.\nAnd behold, there was a man in Jerusalem, whose name was Simeon; and this man was righteous and devout, looking for the consolation of Israel: and the Holy Spirit was upon him.\nAt this hour, no people were around the pigpen, so the rat and the spider and the pig were by themselves.\nBut Jesus said, Suffer the little children, and forbid them not, to come unto me: for to such belongeth the kingdom of heaven.\nJesus said unto them, If God were your Father, ye would love me: for I came forth and am come from God; for neither have I come of myself, but he sent me.\nFor if there come into your synagogue a man with a gold ring, in fine clothing, and there come in also a poor man in vile clothing;\nEven unto this present hour we both hunger, and thirst, and are naked, and are buffeted, and have no certain dwelling-place;\nThey were looking for a friend of theirs that went to Chapel Hill, but they’d never actually been there before, so they were looking for directions.\nFear not therefore: ye are of more value than many sparrows.\nThis is the covenant that I will make with them After those days, saith the Lord: I will put my laws on their heart, And upon their mind also will I write them; then saith he,\nThis is a snake.\nAnd straightway the man was made whole, and took up his bed and walked. Now it was the sabbath on that day.\nHe closed his eyes and was silent for a while.\nWhy bother?\nit was said unto her, The elder shall serve the younger.\nHe that speaketh in a tongue edifieth himself; but he that prophesieth edifieth the church.\nThey sought therefore for Jesus, and spake one with another, as they stood in the temple, What think ye? That he will not come to the feast?\nJesus therefore said unto Peter, Put up the sword into the sheath: the cup which the Father hath given me, shall I not drink it?\n“Ooomp!” he grunted.\nAnd he marvelled because of their unbelief. And he went round about the villages teaching.\nIf he were Negro that would make him an octoroon.\nCharlotte gave her web a twitch and moodily watched it sway.\nAnd it was said unto them that they should not hurt the grass of the earth, neither any green thing, neither any tree, but only such men as have not the seal of God on their foreheads.\nLet love be without hypocrisy. Abhor that which is evil; cleave to that which is good.\nSo the distance to the West was entirely abstract, as was the length of time it might take to traverse such unimagined space and the danger that might wait along the way.\nThis Moses whom they refused, saying, Who made thee a ruler and a judge? him hath God sent to be both a ruler and a deliverer with the hand of the angel that appeared to him in the bush.\nI must have eaten the remains of thirty lunches.\n“Sure. Sure I do,” said Lurvy.\nIf they'd hang head-down at the top of the thing and wait quietly, maybe something good would come along.\nThen he walked to the sink and washed his hands and dried them on the roller towel.\nHe crept along till he reached the egg sac.\nAnd turning to the woman, he said unto Simon, Seest thou this woman? I entered into thy house, thou gavest me no water for my feet: but she hath wetted my feet with her tears, and wiped them with her hair.\nWhat shall we say then? Shall we continue in sin, that grace may abound?\nSummarize the relevant sections, please.\nI’m not as flashy as some, but I’ll do.\nI exhorted Titus, and I sent the brother with him. Did Titus take any advantage of you? walked we not in the same spirit? walked we not in the same steps?\nAnd for about the time of forty years as a nursing-father bare he them in the wilderness.\n“Oh, yes indeed,” said Wilbur.\nThen saith he to Thomas, Reach hither thy finger, and see my hands; and reach hither thy hand, and put it into my side: and be not faithless, but believing.\nWe therefore ought to welcome such, that we may be fellow-workers for the truth.\nAnd he said unto them, Extort no more than that which is appointed you.\nBut when Jacob heard that there was grain in Egypt, he sent forth our fathers the first time.\nStopping by Woods on a Snowy Evening\nCarrying a bottle of milk, Fern sat down under the apple tree inside the yard.\nNext day, if there was no thunder shower, all hands would help rake and pitch and load, and the hay would be hauled to the barn in the high hay wagon, with Fern and Avery riding at the top of the load.\nAnd other sheep I have, which are not of this fold: them also I must bring, and they shall hear my voice; and they shall become one flock, one shepherd.\n“Who's Charlotte?”\nAnd he gave him the covenant of circumcision: and so Abraham begat Isaac, and circumcised him the eighth day; and Isaac begat Jacob, and Jacob the twelve patriarchs.\nAnd when Jesus came to the place, he looked up, and said unto him, Zacchæus, make haste, and come down; for to-day I must abide at thy house.\nThen they built a large fire near the trail and hid in the laurels.  \nIt was a deep throw, all the strength in his old stout body expressed in a flow of movements calibrated so that the hatchet would make two revolutions in air before burying its blade in the bear with great force.\nAnd then he said the last prayer before the kill: Let the leaves be covered with clotted blood, and may it never cease to be so.\nIn the camps, some of the women killed themselves.\nfor they could not endure that which was enjoined, If even a beast touch the mountain, it shall be stoned;\nand how shall they preach, except they be sent? even as it is written, How beautiful are the feet of them that bring glad tidings of good things!\nAnd it came to pass, that he was sitting at meat in his house, and many publicans and sinners sat down with Jesus and his disciples: for there were many, and they followed him.\nHonor all men. Love the brotherhood. Fear God. Honor the king.\nShe would not even accept an embrace in the dooryard but stood all rigid and looking off toward the river with her hands clasped tight behind her back.\nSheep?”\nMartha therefore, when she heard that Jesus was coming, went and met him: but Mary still sat in the house.\nThey jingled and crashed and thumped their way into camp and everyone in the two shelters woke up and rose fully dressed.\nBuckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy paper bags stuffed with rotten...”\nFaithful is the saying, and concerning these things I desire that thou affirm confidently, to the end that they who have believed God may be careful to maintain good works. These things are good and profitable unto men:\nTraversing the long dark upstairs halls, keeping my bearings by brushing fingertips against the plaster walls.\nshe said.\nAnd be not afraid of them that kill the body, but are not able to kill the soul: but rather fear him who is able to destroy both soul and body in hell.\nThen Herod, when he saw that he was mocked of the Wise-men, was exceeding wroth, and sent forth, and slew all the male children that were in Bethlehem, and in all the borders thereof, from two years old and under, according to the time which he had exactly learned of the Wise-men.\nI need new ideas for the web.\nBear and everyone who had taken me in as a boy, walking away to the West.\nInstead, he walked solemnly back up to the house and spoke to his wife.\nShe walked on, wobbling and uncertain, the arches of her feet shaping to the round stones of the river bottom.\nAnd he cried and said, Father Abraham, have mercy on me, and send Lazarus, that he may dip the tip of his finger in water, and cool my tongue; for I am in anguish in this flame.\nWilbur trotted over to the darkest corner of his pen and threw himself down.\nI was daily with you in the temple teaching, and ye took me not: but this is done that the scriptures might be fulfilled.\nBear had set his mind and heart on staying in his mountains, and nothing could change his mind, certainly not government decrees or new lines drawn on maps or old lines erased.\nWhat wilt thou that I should do unto thee? And he said, Lord, that I may receive my sight.\nFor if, while we were enemies, we were reconciled to God through the death of his Son, much more, being reconciled, shall we be saved by his life;\nAnd Jesus said unto them, Can ye make the sons of the bride-chamber fast, while the bridegroom is with them?\nHe saved others; himself he cannot save. He is the King of Israel; let him now come down from the cross, and we will believe on him.\nsaying, Fear not, Paul; thou must stand before Cæsar: and lo, God hath granted thee all them that sail with thee.\nFor the priesthood being changed, there is made of necessity a change also of the law.\nAbsolution was outside my range of talents or responsibilities.\nAs is the earthy, such are they also that are earthy: and as is the heavenly, such are they also that are heavenly.\nThe log fort sitting dark and squat in the middle like a lump of black wax impressed with the seal of fate.\nHe wrapped a tape measure around my head and said, Excellent.\nAnd Jesus went up into the mountain, and there he sat with his disciples.\nand kept back part of the price, his wife also being privy to it, and brought a certain part, and laid it at the apostles’ feet.\nAnd I had done my best to be a warrior.\nFor as the woman is of the man, so is the man also by the woman; but all things are of God.\nI was just assigning theoretical parts for the killers.\nWhen he paused, he could hear them coming.\nThou wilt say then unto me, Why doth he still find fault? For who withstandeth his will?\nThere, where rabbit and squirrel stood, Beaver arrived.\nCharley and I talked and Smith sat listening as if he expected to catch a word now and then.\nPretty soon quite a crowd had gathered.\nAnd he charged them that they should tell no man of him.\nYea, I testify again to every man that receiveth circumcision, that he is a debtor to do the whole law.\nThe queen of the south shall rise up in the judgment with the men of this generation, and shall condemn them: for she came from the ends of the earth to hear the wisdom of Solomon; and behold, a greater than Solomon is here.\nAnd when he rose up from his prayer, he came unto the disciples, and found them sleeping for sorrow,\n“You’ve been very helpful,” Charlotte said.\nFor when ye were servants of sin, ye were free in regard of righteousness.\nI rubbed a mixture of dried sage and salt and red pepper between my palms and let the dust fall over the plucked skins.\nFor even as Jonah became a sign unto the Ninevites, so shall also the Son of man be to this generation.\nHomer bought the pig, and ever since it left our place Fern has been going to her uncle’s to be near it.”\nwhat is it, Beaver? said Rabbit.\nFor if the word spoken through angels proved stedfast, and every transgression and disobedience received a just recompense of reward;\nAnd Pilate called together the chief priests and the rulers and the people,\nThe whole bunch of followers smelled of armpits and ramps.\nThe deer and bear and turkey are on the way to wherever the bison and elk already went.\nThe owl’s face as big as his own and pale as the moon.\nFor the love of money is a root of all kinds of evil: which some reaching after have been led astray from the faith, and have pierced themselves through with many sorrows.\nIs there anything you need?”\nI wanted to run far away from the kind of fight Bear was proposing.\nCharley made an exhaling noise between his teeth and lips like a long string of F’s.\n“Ho, ho.\nYet seek ye his kingdom, and these things shall be added unto you.\nWhen the evil magic of Spearfinger was finally destroyed, healing magic was released.  \nwhich are a shadow of the things to come; but the body is Christ’s.\nOf this man’s seed hath God according to promise brought unto Israel a Saviour, Jesus;\nPaul, an apostle of Christ Jesus through the will of God, and Timothy our brother, unto the church of God which is at Corinth, with all the saints that are in the whole of Achaia:\nAnd one Ananias, a devout man according to the law, well reported of by all the Jews that dwelt there,\nIt sounded like a puppy barking.\nHowever, I don’t want you to worry about it—you might lose weight. We'll leave it this way: I'll come to the Fair if I possibly can.”\nand one of you say unto them, Go in peace, be ye warmed and filled; and yet ye give them not the things needful to the body; what doth it profit?\n“Lurvy!” he called.\nAnd when they had done this, they inclosed a great multitude of fishes; and their nets were breaking;\nAnd I saw, and behold, the Lamb standing on the mount Zion, and with him a hundred and forty and four thousand, having his name, and the name of his Father, written on their foreheads.\nThe Jews therefore said, Forty and six years was this temple in building, and wilt thou raise it up in three days?\nAnd they said, Believe on the Lord Jesus, and thou shalt be saved, thou and thy house.\nthat ye abstain from things sacrificed to idols, and from blood, and from things strangled, and from fornication; from which if ye keep yourselves, it shall be well with you. Fare ye well.\nThat Cowee house was old, from the time when they still buried dead loved ones in the dirt floor, but Charley could not remember exactly whose bones had rested near as a lover beneath his low sleeping platform.\nEven as it is written in Isaiah the prophet, Behold, I send my messenger before thy face, Who shall prepare thy way;\nThe raw new city amounted to not much.\nShe raised the pig on a bottle and I bought him from her when he was a month old.”\nAnd he spake unto them this parable, saying,\nbut as it is, I wrote unto you not to keep company, if any man that is named a brother be a fornicator, or covetous, or an idolater, or a reviler, or a drunkard, or an extortioner; with such a one no, not to eat.\nThen she put on her prettiest dress because she knew she would see boys at the Fair. Mrs. Arable scrubbed the back of Avery's neck, and wet his hair, and parted it, and brushed it down hard till it stuck to the top of his head—all but about six hairs that stood straight up. Avery put on clean underwear, clean blue jeans, and a clean shirt. Mr. Arable dressed, ate breakfast, and then went out and polished his truck. He had offered to drive everybody to the Fair, including Wilbur.\nShe knew that she couldn’t help Wilbur much longer.\nThey say unto him, He will miserably destroy those miserable men, and will let out the vineyard unto other husbandmen, who shall render him the fruits in their seasons.\nFor who, when they heard, did provoke? nay, did not all they that came out of Egypt by Moses?\nFor we hear of some that walk among you disorderly, that work not at all, but are busybodies.\nJesus therefore answereth, He it is, for whom I shall dip the sop, and give it him. So when he had dipped the sop, he taketh and giveth it to Judas, the son of Simon Iscariot.\nBlossom, the girl he had redeemed from slavery, was among the people in the townhouse.\nNone of the others, not even the goose, noticed that she was at work.\nOne day the bones will be soil, too.\nAnd I John am he that heard and saw these things. And when I heard and saw, I fell down to worship before the feet of the angel that showed me these things.\n“How about ‘Terrific, terrific, terrific’?” asked the goose.\nAnd Simon and they that were with him followed after him;\nGo home, Lieutenant, I said.\nAnd immediately he received his sight, and followed him, glorifying God: and all the people, when they saw it, gave praise unto God. \nhaving the eyes of your heart enlightened, that ye may know what is the hope of his calling, what the riches of the glory of his inheritance in the saints,\nPaul, and Silvanus, and Timothy, unto the church of the Thessalonians in God the Father and the Lord Jesus Christ: Grace to you and peace.\n“And don’t point!”\nAnd they heard a great voice from heaven saying unto them, Come up hither. And they went up into heaven in the cloud; and their enemies beheld them.\nand from among your own selves shall men arise, speaking perverse things, to draw away the disciples after them.\nBe subject to every ordinance of man for the Lord’s sake: whether to the king, as supreme;\nThe kingdom of heaven is like unto a treasure hidden in the field; which a man found, and hid; and in his joy he goeth and selleth all that he hath, and buyeth that field.\nAnd all the multitude kept silence; and they hearkened unto Barnabas and Paul rehearsing what signs and wonders God had wrought among the Gentiles through them.\nHe therefore answered, Whether he is a sinner, I know not: one thing I know, that, whereas I was blind, now I see.\nClaire reached the front door, crossed the porch, walked down the lawn to the riverbank.\n“What makes you sound so down-hearted?\nNow there was a certain disciple at Damascus, named Ananias; and the Lord said unto him in a vision, Ananias. And he said, Behold, I am here, Lord.\nWilbur raced to the end of his yard.\nand Jacob begat Joseph the husband of Mary, of whom was born Jesus, who is called Christ.\nAnd as with any job, you can become accustomed to it.\nSoon each was as big as a BB shot.\nWhy was not this ointment sold for three hundred shillings, and given to the poor?\nAnd they took him, and cast him forth out of the vineyard, and killed him.\nAnd when he had left speaking, he said unto Simon, Put out into the deep, and let down your nets for a draught.\nthou oughtest therefore to have put my money to the bankers, and at my coming I should have received back mine own with interest.\nRemember ye not, that, when I was yet with you, I told you these things?\nThen she lifted the lid of the carton.\nAnd they come to the house of the ruler of the synagogue; and he beholdeth a tumult, and many weeping and wailing greatly.\nAnd the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars; that the third part of them should be darkened, and the day should not shine for the third part of it, and the night in like manner.\namong whom we also all once lived in the lusts of our flesh, doing the desires of the flesh and of the mind, and were by nature children of wrath, even as the rest:—\nCharlotte tore quite a section out of her web, leaving an open space in the middle.\nAnd it came to pass, that, while Apollos was at Corinth, Paul having passed through the upper country came to Ephesus, and found certain disciples:\nYou know that.\nWhat's the trouble with your pig?”\nWhat? was it from you that the word of God went forth? or came it unto you alone?\nBut I took my clan membership to heart.\nwhose are the fathers, and of whom is Christ as concerning the flesh, who is over all, God blessed for ever. Amen.\nPut on therefore, as God’s elect, holy and beloved, a heart of compassion, kindness, lowliness, meekness, longsuffering;\nVerily, verily, I say unto you, He that believeth on me, the works that I do shall he do also; and greater works than these shall he do; because I go unto the Father.\n“five hundred and fourteen of them,” she replied.\nJesus saith unto him, I am the way, and the truth, and the life: no one cometh unto the Father, but by me.\nfor not the hearers of the law are just before God, but the doers of the law shall be justified;\nFor he was amazed, and all that were with him, at the draught of the fishes which they had taken;\nAnd this is my covenant unto them, When I shall take away their sins.\nIt's wet and dark there.\nfor indeed he was sick nigh unto death: but God had mercy on him; and not on him only, but on me also, that I might not have sorrow upon sorrow.\nAnd behold, one of them that were with Jesus stretched out his hand, and drew his sword, and smote the servant of the high priest, and struck off his ear.\nThy kingdom come. Thy will be done, as in heaven, so on earth.\nAnd behold, there was a great earthquake; for an angel of the Lord descended from heaven, and came and rolled away the stone, and sat upon it.\nEven on the most beautiful days in the whole year — the days when summer is changing into fall — the crickets spread the rumor of sadness and change.\nHe never felt lonely when she was near.\nHis stomach was still swollen from last night’s gorge.\nBut he that prophesieth speaketh unto men edification, and exhortation, and consolation.\nAnd he said unto them, Elijah indeed cometh first, and restoreth all things: and how is it written of the Son of man, that he should suffer many things and be set at nought?\nBut as to Israel he saith, All the day long did I spread out my hands unto a disobedient and gainsaying people. \nOn warm afternoons,  I just pull a little straw over the eggs and go out for a walk.” Wilbur yawned and went back to sleep. In his dreams he heard again the voice saying, “I'll be a friend to you. Go to sleep—-you'll see me in the morning.”\nI judged the heels too high to be strictly proper for a man but kept that opinion to myself and occupied my mind, during the round of praise from the cronies, in looking at Jackson’s head and thinking that, between them, Jackson and Calhoun had the two most alarming manes of hair I had ever seen on white men.\nFor the law was given through Moses; grace and truth came through Jesus Christ.\nBut thou, why dost thou judge thy brother? or thou again, why dost thou set at nought thy brother? for we shall all stand before the judgment-seat of God.\nBut that was only a dream.\nBut she answered and saith unto him, Yea, Lord; even the dogs under the table eat of the children’s crumbs.\nfor which things’ sake cometh the wrath of God upon the sons of disobedience:\nOne man esteemeth one day above another: another esteemeth every day alike. Let each man be fully assured in his own mind.\nWoe unto you Pharisees! for ye love the chief seats in the synagogues, and the salutations in the marketplaces.\nEvery scripture inspired of God is also profitable for teaching, for reproof, for correction, for instruction which is in righteousness:\nCharlotte had worries of her own, but she kept quiet about them.\nSeveral dozen fugitives from at least three generations.\n“It’s a label off an old shirt.”\nWe know that whosoever is begotten of God sinneth not; but he that was begotten of God keepeth himself, and the evil one toucheth him not.\nDays on horseback east to the nearest town with stage service.\nNo one was with her when she died.\nGoing to water.\nto wit, that God was in Christ reconciling the world unto himself, not reckoning unto them their trespasses, and having committed unto us the word of reconciliation.\nWhether any inquire about Titus, he is my partner and my fellow-worker to you-ward; or our brethren, they are the messengers of the churches, they are the glory of Christ.\n“Take that frog out!” ordered Fern.\n“How’s this?” he asked, showing the ad to Charlotte.\nEast, west. North, south.\nfor he looked for the city which hath the foundations, whose builder and maker is God.\nIt made her happy just to be near the pig, and it made Wilbur happy to know that she was sitting there, right outside his pen.\nrejoicing in hope; patient in tribulation; continuing stedfastly in prayer;\nThey shall hunger no more, neither thirst any more; neither shall the sun strike upon them, nor any heat:\nAnd as they heard these things, he added and spake a parable, because he was nigh to Jerusalem, and because they supposed that the kingdom of God was immediately to appear.\nLurvy returned with cold water and dashed it on Wilbur.\nThe asparagus patch looked like a silver forest.\nAnd always, night and day, in the tombs and in the mountains, he was crying out, and cutting himself with stones.\nAnd as Peter was beneath in the court, there cometh one of the maids of the high priest;\nand he looked upon Jesus as he walked, and saith, Behold, the Lamb of God!\nSoldiers on horseback, wagons loaded with provisions under their canvas coverlids, Indians and their slaves following afoot behind, children walking and babies being carried.\nShe swooped down and threw great masses of wrapping material around the fish and fought bravely to capture it.”\nThe barn smelled good.\nThen another.\nWherefore it behooved him in all things to be made like unto his brethren, that he might become a merciful and faithful high priest in things pertaining to God, to make propitiation for the sins of the people.\nAgain, the devil taketh him unto an exceeding high mountain, and showeth him all the kingdoms of the world, and the glory of them;\nThere shall be the weeping and the gnashing of teeth, when ye shall see Abraham, and Isaac, and Jacob, and all the prophets, in the kingdom of God, and yourselves cast forth without.\nThe children ran for the kitchen.\nSo all the generations from Abraham unto David are fourteen generations; and from David unto the carrying away to Babylon fourteen generations; and from the carrying away to Babylon unto the Christ fourteen generations.\nHow I hate a rat!”\nBut we desire to hear of thee what thou thinkest: for as concerning this sect, it is known to us that everywhere it is spoken against.\nAnd there were many lepers in Israel in the time of Elisha the prophet; and none of them was cleansed, but only Naaman the Syrian.\nBut when Silas and Timothy came down from Macedonia, Paul was constrained by the word, testifying to the Jews that Jesus was the Christ.\nFor yourselves know how ye ought to imitate us: for we behaved not ourselves disorderly among you;\n“One day just like another,” he groaned.\n“Go to the Fair, Templeton.\nand Judas the son of James, and Judas Iscariot, who became a traitor;\nAnd every one that heareth these words of mine, and doeth them not, shall be likened unto a foolish man, who built his house upon the sand:\nHe gives his harness bells a shake\n“You would live longer,” said the old sheep, “if you ate less.”\nSince I was there to represent the Cherokee, I dressed the part.\nAnd one of the malefactors that were hanged railed on him, saying, Art not thou the Christ? save thyself and us.\nNext morning, Wilbur arose and stood beneath the web.\nAnd Jesus said unto him, Receive thy sight: thy faith hath made thee whole.\nor saith he it assuredly for our sake? Yea, for our sake it was written: because he that ploweth ought to plow in hope, and he that thresheth, to thresh in hope of partaking.\nWolf went to where the trap lay and stepped in it.\nAnd he that sitteth on the throne said, Behold, I make all things new. And he saith, Write: for these words are faithful and true.\nand he cried with a great voice, as a lion roareth: and when he cried, the seven thunders uttered their voices.\nDo not they blaspheme the honorable name by which ye are called?\nIt felt funny on his tongue and made him drool a bit.\nBut he looked upon them, and said, What then is this that is written, The stone which the builders rejected, The same was made the head of the corner?\nMen had done such things before, or at least people told stories of killing bear in close combat.\nseeing that we, who are many, are one bread, one body: for we all partake of the one bread.\nCherokees call the chickadee “truth teller”.\nOne fine sunny morning, after breakfast, Wilbur stood watching his precious sac.\nTo whom I answered, that it is not the custom of the Romans to give up any man, before that the accused have the accusers face to face, and have had opportunity to make his defence concerning the matter laid against him.\nYou will be okay Littlefish, so swim on, swim on.\nAnd he that was sown upon the rocky places, this is he that heareth the word, and straightway with joy receiveth it;\nAnd the voice which I heard from heaven, I heard it again speaking with me, and saying, Go, take the book which is open in the hand of the angel that standeth upon the sea and upon the earth.\nas children of obedience, not fashioning yourselves according to your former lusts in the time of your ignorance:\nUnto me, who am less than the least of all saints, was this grace given, to preach unto the Gentiles the unsearchable riches of Christ;\nThe old hag loved fog and smoke.  \nAnd we know that to them that love God all things work together for good, even to them that are called according to his purpose.\nAnd as I began to speak, the Holy Spirit fell on them, even as on us at the beginning.\nAnd as they ministered to the Lord, and fasted, the Holy Spirit said, Separate me Barnabas and Saul for the work whereunto I have called them.\nGroaning and complaining, he pulled himself slowly to the ceiling.\nthe sun’s light failing: and the veil of the temple was rent in the midst.\nMrs. Zuckerman wasted no time.\nBut the Lord answered and said unto her, Martha, Martha, thou art anxious and troubled about many things:\nThat afternoon, when Mr. Zuckerman went to milk the cows and clean out the tie—ups, he was still thinking about what a wondrous pig he owned.\n“Not a particle.\nTeacher, Moses wrote unto us, If a man’s brother die, and leave a wife behind him, and leave no child, that his brother should take his wife, and raise up seed unto his brother.\nHe said that the words on the spider's web proved that human beings must always be on the watch for the coming of wonders.\nBut the other answered, and rebuking him said, Dost thou not even fear God, seeing thou art in the same condemnation?\nTomorrow you will probably win a prize.\nAnd all that believed were together, and had all things common;\nSow bugs\nHe fixed his eyes on the ground between his feet, for it is the meeting of eyes that most identifies prey to predator.\nwho also honored us with many honors; and when we sailed, they put on board such things as we needed.\n“I heard the frogs today,” said the old sheep one evening.\nAnd as ye go, preach, saying, The kingdom of heaven is at hand.\nHe climbed the rope that hung on the wall and disappeared through a hole in the ceiling.\nThen he tore a word out of the paper, rolled it up, and started back to Wilbur’s pen.\nDo you feel all right?”\nThe second time Wilbur woke, he heard the goose turning on her nest and chuckling to herself.\nThere seemed to be few turkey or quail or even songbirds left in the woods.\nWhen the soldiers had a great heap of timber, enough to build a whole settlement of cabins, they dug a huge rectangular trench and sank the butts of the pine trunks and erected them each by each like a giant pale fence to make a palisade, the logs with the bark still on but white and sharp at the tips as trimmed pencils.\nThe Jews then who were with her in the house, and were consoling her, when they saw Mary, that she rose up quickly and went out, followed her, supposing that she was going unto the tomb to weep there.\nHe hated to break the lovely stillness of dawn by using his voice, but he couldn't think of any other way to locate the mysterious new friend who was nowhere to be seen.\nZuckerman supplies you with three big meals a day.\nI’m not sure Wilbur’s action is exactly radiant, but it’s interesting.”\nBut him that is weak in faith receive ye, yet not for decision of scruples.\nIn the southern mountains, a hell is a bad stretch of land, a hard place to get through, a laurel thicket so vast and dense that men go in and can’t find their way out and die there.\nFor there stood by me this night an angel of the God whose I am, whom also I serve,\n“What a night! he repeated, hoarsely.\nThen shall they also answer, saying, Lord, when saw we thee hungry, or athirst, or a stranger, or naked, or sick, or in prison, and did not minister unto thee?\nSuddenly he had an idea—he thought of the egg sac and the five hundred and fourteen little spiders that would hatch in the spring.\n“How should I know? said Templeton.\nand that from a babe thou hast known the sacred writings which are able to make thee wise unto salvation through faith which is in Christ Jesus.\n“Never hurry and never worry!”\nFor what the law could not do, in that it was weak through the flesh, God, sending his own Son in the likeness of sinful flesh and for sin, condemned sin in the flesh:\nwho comforteth us in all our affliction, that we may be able to comfort them that are in any affliction, through the comfort wherewith we ourselves are comforted of God.\nJust the oaks held out against the cold with a few yellow-brown leaves left rattling in the wind.\nMr. Arable dashed to the driver's seat and pulled on the emergency brake.\nAnd the child grew, and waxed strong, filled with wisdom: and the grace of God was upon him.\nI know that ye are Abraham’s seed, yet ye seek to kill me, because my word hath not free course in you.\nThey then that were about to examine him straightway departed from him: and the chief captain also was afraid when he knew that he was a Roman, and because he had bound him.\nForget not to show love unto strangers: for thereby some have entertained angels unawares.\nand beseecheth him much, saying, My little daughter is at the point of death: I pray thee, that thou come and lay thy hands on her, that she may be made whole, and live.\nGo ye up unto the feast: I go not up unto this feast; because my time is not yet fulfilled.\nfor a great door and effectual is opened unto me, and there are many adversaries.\nTrash takes a long time to decompose.\nVerily I say unto you, This generation shall not pass away, until all these things be accomplished.\nThey then that received his word were baptized: and there were added unto them in that day about three thousand souls.\nIs it true they are going to kill me when the cold weather comes?”\nAnd they that have believing masters, let them not despise them, because they are brethren; but let them serve them the rather, because they that partake of the benefit are believing and beloved. These things teach and exhort.\nThis is what they do, said Wolf.\n“Eggs?”\nCrockett was philosophical on the matter.\nI had hardly looped Waverley’s reins around the hitching post when she came rushing down the front steps and fell into my arms.\nand entered into the house of Zacharias and saluted Elisabeth.\nShe grew a forefinger like a spear point and poked everyone she met to the heart, men and women and children.\nThey never let them disappear.\nAnd they say unto me, Thou must prophesy again over many peoples and nations and tongues and kings. \nXV: The Crickets  \nThe young geese heard it and knew that they would never be little goslings again. Charlotte heard it and knew that she hadn’t much time left.\nWilbur and Charlotte were glad to be rid of him for a while.\nWherefore also I was hindered these many times from coming to you:\n“Of course you don’t,” said Charlotte in a comforting voice.\n“I haven’t the slightest interest in fairs.”\nwhich is not another gospel: only there are some that trouble you, and would pervert the gospel of Christ.\nAnd when his disciples heard thereof, they came and took up his corpse, and laid it in a tomb.\nWe poured another drink and sipped without further comment, neither of us truly believing the generous interpretation of the other.\nAnd this was done thrice: and all were drawn up again into heaven.\n“Did you know that Uncle Homer's goslings had hatched?” asked Fern.\nBut these had gone before, and were waiting for us at Troas.\nA career.\nHe could not even see the far bank, just a ribbon of dark water and the mossy rocks rising from it.\nwho is the image of the invisible God, the firstborn of all creation;\nI will therefore chastise him, and release him.\nWhile Fern was in school, Wilbur was shut up inside his yard.\nNow when they beheld the boldness of Peter and John, and had perceived that they were unlearned and ignorant men, they marvelled; and they took knowledge of them, that they had been with Jesus.\nVerily, verily, I say unto thee, When thou wast young, thou girdedst thyself, and walkedst whither thou wouldest: but when thou shalt be old, thou shalt stretch forth thy hands, and another shall gird thee, and carry thee whither thou wouldest not.\n“What do you mean, less than nothing?” replied Wilbur.\nAnd when the seven days were almost completed, the Jews from Asia, when they saw him in the temple, stirred up all the multitude and laid hands on him,\nAnd when they were come unto a place called Golgotha, that is to say, The place of a skull,\nwhereunto he called you through our gospel, to the obtaining of the glory of our Lord Jesus Christ.\nAnd contrary to the devout belief of his Yankee people, money was not the engine that wheeled the stars across the night sky.\nAnd when they were come in, they went up into the upper chamber, where they were abiding; both Peter and John and James and Andrew, Philip and Thomas, Bartholomew and Matthew, James the son of Alphæus, and Simon the Zealot, and Judas the son of James.\nAnd having said these things unto them, he abode still in Galilee.\nHe was banned from entering the stockade until the primary departure.\nWhen I'm indoors, there's no place to go but out in the yard.”\nBut there came Jews thither from Antioch and Iconium: and having persuaded the multitudes, they stoned Paul, and dragged him out of the city, supposing that he was dead.\nAnd here men that die receive tithes; but there one, of whom it is witnessed that he liveth.\nFern had not arrived for her usual visit.\n“Egg laying.\nBut immediately after the tribulation of those days the sun shall be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:\n“But I cheat a little.\nAll you could do was try to go on living as a form of vengeance, to keep your memory alive as long as possible.\nThey were like everyone else; all they truly knew was locked in the body.\nand, A stone of stumbling, and a rock of offence; for they stumble at the word, being disobedient: whereunto also they were appointed.\nOh yes you can! said a voice\nFor the death that he died, he died unto sin once: but the life that he liveth, he liveth unto God.\nI don’t expect we’re going to have any trouble here today, I said.\nWilbur admired the way Charlotte managed.\nand for fear of him the watchers did quake, and became as dead men.\nThe news of Wilbur’s escape spread rapidly among the animals on the place.\nHe squatted under the canopy of rhododendron and felt that his insides were being twisted like a dirty dishrag.\nseeing that ye seek a proof of Christ that speaketh in me; who to you-ward is not weak, but is powerful in you:\nVerily I say unto you, All their sins shall be forgiven unto the sons of men, and their blasphemies wherewith soever they shall blaspheme:\nOf these things put them in remembrance, charging them in the sight of the Lord, that they strive not about words, to no profit, to the subverting of them that hear.\nNevertheless, he sold them liquor in any quantity they desired and could afford, from the demijohn to the noggin.\nLight snow capped the highest balsam ridges, a bright band between the grey slopes and the dark sky, and it did not melt away until nearly midday.\nFor the Sadducees say that there is no resurrection, neither angel, nor spirit; but the Pharisees confess both.\nAnd he said unto him, Lord, with thee I am ready to go both to prison and to death.\nBehold the birds of the heaven, that they sow not, neither do they reap, nor gather into barns; and your heavenly Father feedeth them. Are not ye of much more value than they?\nneither went I up to Jerusalem to them that were apostles before me: but I went away into Arabia; and again I returned unto Damascus.\nColonel Haden is fond of referring to the people hiding in these mountains as fugitive warriors.\nAnd the men that journeyed with him stood speechless, hearing the voice, but beholding no man.\nTalking with Templeton was not the most interesting occupation in the world but it was better than nothing.\nHe looked around until he saw a red fish emerge from under a rock.\nAnd he led them out until they were over against Bethany: and he lifted up his hands, and blessed them.\nThen were there brought unto him little children, that he should lay his hands on them, and pray: and the disciples rebuked them.\nBut as soon as she got home in the afternoon, she would take him out and he would follow her around the place.\nThe days grow warm and soft.\nHeal the sick, raise the dead, cleanse the lepers, cast out demons: freely ye received, freely give.\n“You'll worry all right when next winter comes,” said the sheep.\nBut Elymas the sorcerer (for so is his name by interpretation) withstood them, seeking to turn aside the proconsul from the faith.\nFrom his long and somewhat error-prone life, his greatest regret was that long ago he had let old obsolete hatreds mislead him into fighting under Jackson during the Creek War.\nAnd Mary said, Behold, the handmaid of the Lord; be it unto me according to thy word. And the angel departed from her.\nI have seen and met many different fish along the way and now I must swim back because I am too big for this pond.\nPhiladelphia fell forward and lay dying, half propped up by the handle and grabbing desperately at the ground.\nCharley’s grandson had lived five years.\nthat seeing they may see, and not perceive; and hearing they may hear, and not understand; lest haply they should turn again, and it should be forgiven them.\nIt being fashionable among gentlemen at the time to be naturalists, Boudinot and young Ridge noted in their journals the passing varieties of wildlife and plant life.\nFor a while there was no sound.\nwhereas angels, though greater in might and power, bring not a railing judgment against them before the Lord.\nAnd let these also first be proved; then let them serve as deacons, if they be blameless.\nThe cocker spaniel sprang for Wilbur’s hind leg.\nSome would say that fact is all that matters.\nI rode back to Wayah, through the gloomy gorge, with the feeling that the whole world was splitting apart.\nAsmeret takes a handful of soil.\nO Jerusalem, Jerusalem, that killeth the prophets, and stoneth them that are sent unto her! how often would I have gathered thy children together, even as a hen gathereth her own brood under her wings, and ye would not!\nAt times.\nYou were once just a seed, now you are a big apple tree.\nAnd Jesus answering said, Were not the ten cleansed? but where are the nine?\ncasting down imaginations, and every high thing that is exalted against the knowledge of God, and bringing every thought into captivity to the obedience of Christ;\npromising them liberty, while they themselves are bondservants of corruption; for of whom a man is overcome, of the same is he also brought into bondage.\nand the law is not of faith; but, He that doeth them shall live in them.\nTo grant unto us that we being delivered out of the hand of our enemies Should serve him without fear,\nAnd the angel said unto me, Wherefore didst thou wonder? I will tell thee the mystery of the woman, and of the beast that carrieth her, which hath the seven heads and the ten horns.\nIf any man thinketh himself to be religious, while he bridleth not his tongue but deceiveth his heart, this man’s religion is vain.\nWilbur stood in the sun feeling lonely and bored.\nVerily I say unto you, Among them that are born of women there hath not arisen a greater than John the Baptist: yet he that is but little in the kingdom of heaven is greater than he.\nYet a little while, and the world beholdeth me no more; but ye behold me: because I live, ye shall live also.\nWherefore, sirs, be of good cheer: for I believe God, that it shall be even so as it hath been spoken unto me.\nIn the next pool of water he saw an odd looking fish.\n‘Crunchy’ would be a good word to write in your web.”\n“Run outdoors, both of you!\nSmith lay behind a blown-down hickory trunk glassing the camp.\nThis was the song she sang.\nThis formed the upright part of the letter T.\n“Throw some on me!” cried Avery. “I’m hot, too.”\nWho shall lay anything to the charge of God’s elect? It is God that justifieth;\nLet's not talk any more for a while, Charlotte.\nMeat to last into the next moon.\nAs she dropped, a tiny silken thread unwound from her rear end.\nThe good man out of his good treasure bringeth forth good things: and the evil man out of his evil treasure bringeth forth evil things.\nWilbur jumped to his feet.\n“At-at—at, at the risk of repeating myself,” said the goose, “I suggest that you come on out.\nAnd brother shall deliver up brother to death, and the father his child: and children shall rise up against parents, and cause them to be put to death.\nNow Simon Peter was standing and warming himself. They said therefore unto him, Art thou also one of his disciples? He denied, and said, I am not.\nWe'll all see them.\nand when he had found him, he brought him unto Antioch. And it came to pass, that even for a whole year they were gathered together with the church, and taught much people; and that the disciples were called Christians first in Antioch.\nTo give knowledge of salvation unto his people In the remission of their sins,\nnot that we are sufficient of ourselves, to account anything as from ourselves; but our sufficiency is from God;\nand that we may be delivered from unreasonable and evil men; for all have not faith.\nShe washed her face, brushed her teeth, and began choosing clothes to wear.\nThey would thus be driven to the mountain fastness, where it is true, they would be almost inaccessible to attack, but at the same time they would be destitute of provisions and the necessary appliances of war.\nShe was growing up, and was careful to avoid childish things, like sitting on a milk stool near a pigpen.\nThen go, I said.\nSometimes disaster happens for a reason. Sometimes it says: Follow a different path.\nSimon the Cananæan, and Judas Iscariot, who also betrayed him.\nShe put on green shorts and a blue and white striped tank top.\nAnd I will pray the Father, and he shall give you another Comforter, that he may be with you for ever,\nThe Fair Grounds will soon be empty and deserted.”\nAnd his mercy is unto generations and generations On them that fear him.\nI write not these things to shame you, but to admonish you as my beloved children.\nThose days, it was hard to be noted as a character in Washington, what with Crockett strutting and flashing about town being the wild frontiersman.\nholding the mystery of the faith in a pure conscience.\nAnd Barnabas and Saul returned from Jerusalem, when they had fulfilled their ministration, taking with them John whose surname was Mark. \nAnd the God of peace shall bruise Satan under your feet shortly. The grace of our Lord Jesus Christ be with you.\n“No,” replied Wilbur.\nTempleton do this, Templeton do that, Templeton please run down to the dump and get me a magazine clipping, Templeton please lend me a piece of string so I can spin a web.”\nRun all over!\nHe's going to be a hard pig to beat, though, Wilbur, on account of his size and weight.\n“Some pig. muttered Lurvy in a low voice.\nIf any man willeth to do his will, he shall know of the teaching, whether it is of God, or whether I speak from myself.\nA dog loped along with them, and she was of such antique configuration that she might have been a recent convert from the tribe of red wolves hunted nearly to absence by whites who could not abide their existence and also by Indians recently forgetful of the old pledge never to kill them due to the close blood relation between wolf and man.\nShe wiped her mouth and ran upstairs.\nIn like manner, ye wives, be in subjection to your own husbands; that, even if any obey not the word, they may without the word be gained by the behavior of their wives;\nHe would run after it and then run back, barking all along.\nSalute Andronicus and Junias, my kinsmen, and my fellow-prisoners, who are of note among the apostles, who also have been in Christ before me.\nBut let him that is taught in the word communicate unto him that teacheth in all good things.\n“Cheese it, cheese it, cheese it!”\nWhen she saw who they were and what they had come for, she went into the cabin and came out very quickly with two blankets and a little black pot.\nBear’s people were too small and remote to be of interest to America.\nnaked, and ye clothed me; I was sick, and ye visited me; I was in prison, and ye came unto me.\nAs Stephen fought to hold it, some townspeople approached.\n“The most fun there is,” retorted Fern, “is when the Ferris wheel stops and Henry and I are in the top car and Henry makes the car swing and we can see everything for miles and miles and miles.”\nHe did not know what would happen to his family.\nBut it is easier for heaven and earth to pass away, than for one tittle of the law to fall.\nbut we preach Christ crucified, unto Jews a stumblingblock, and unto Gentiles foolishness;\nAsmeret even finds evidence of animals decomposing into soil.\nbut emptied himself, taking the form of a servant, being made in the likeness of men;\nStand therefore, having girded your loins with truth, and having put on the breastplate of righteousness,\nMrs. Arable stood quietly and watched them go.\nBut whether we are afflicted, it is for your comfort and salvation; or whether we are comforted, it is for your comfort, which worketh in the patient enduring of the same sufferings which we also suffer:\nWhich of these three, thinkest thou, proved neighbor unto him that fell among the robbers?\nHe that hath an ear, let him hear what the Spirit saith to the churches. To him that overcometh, to him will I give of the hidden manna, and I will give him a white stone, and upon the stone a new name written, which no one knoweth but he that receiveth it.\nTruly the signs of an apostle were wrought among you in all patience, by signs and wonders and mighty works.\nNow on the first day of unleavened bread the disciples came to Jesus, saying, Where wilt thou that we make ready for thee to eat the passover?\nIt wheeled and ran uphill at amazing speed, crashing through a stand of laurel and disappearing into the fog.\nIt is actually reported that there is fornication among you, and such fornication as is not even among the Gentiles, that one of you hath his father’s wife.\nHe that hath my commandments, and keepeth them, he it is that loveth me: and he that loveth me shall be loved of my Father, and I will love him, and will manifest myself unto him.\nhaving eyes full of adultery, and that cannot cease from sin; enticing unstedfast souls; having a heart exercised in covetousness; children of cursing;\nThey asked him, Who is the man that said unto thee, Take up thy bed, and walk?\n“There’s a pig in the next pen and he’s enormous.\nPaul said to the centurion and to the soldiers, Except these abide in the ship, ye cannot be saved.\nBut now hath Christ been raised from the dead, the firstfruits of them that are asleep.\nAnd a certain centurion’s servant, who was dear unto him, was sick and at the point of death.\nHowbeit Festus answered, that Paul was kept in charge at Cæsarea, and that he himself was about to depart thither shortly.\nChildren wandered about, aimless and blank.\nThe children felt refreshed after their nap.\nBut when you reach the point that you no longer trust the world, you live in never-ending fear.\nThe tomatoes are as big as softballs and some are smaller than walnuts.\nThen did they spit in his face and buffet him: and some smote him with the palms of their hands,\nCongress was in town, so Washington City was a busy place.\nAnd when he saw that it pleased the Jews, he proceeded to seize Peter also. And those were the days of unleavened bread.\nIf I was afoot, I would wedge the handle between my knapsack and back, leaving my hands free, and I guess it did look a little strange to meet up with me on the trail.\nMrs. Arable got out of the truck.\n“Summer is over and gone,” they sang.\nThe next morning Featherstone set out for the West on a sort of middling-quality horse which he planned to sell at the river before embarking.\n“Does he really?” said Mrs. Arable, rather vaguely.\nI handle stuff like this all the time.”\nAnd when he had thus spoken, he cried with a loud voice, Lazarus, come forth.\nAnd when they agreed not among themselves, they departed after that Paul had spoken one word, Well spake the Holy Spirit through Isaiah the prophet unto your fathers,\nThen he walked to the door and looked out.\n“Anywhere you like, anywhere you like,” said the goose.\nAnd there came unto him great multitudes, having with them the lame, blind, dumb, maimed, and many others, and they cast them down at his feet; and he healed them:\nI stood in the doorway and watched as she undressed in the moonlight.\nAnd me saying nothing.\nThe first Woe is past: behold, there come yet two Woes hereafter.\nNow these things, brethren, I have in a figure transferred to myself and Apollos for your sakes; that in us ye might learn not to go beyond the things which are written; that no one of you be puffed up for the one against the other.\nDoth not even nature itself teach you, that, if a man have long hair, it is a dishonor to him?\nFor we know him that said, Vengeance belongeth unto me, I will recompense. And again, The Lord shall judge his people.\nAnd I remembered the word of the Lord, how he said, John indeed baptized with water; but ye shall be baptized in the Holy Spirit.\nAnd the twelve gates were twelve pearls; each one of the several gates was of one pearl: and the street of the city was pure gold, as it were transparent glass.\nI must needs glory, though it is not expedient; but I will come to visions and revelations of the Lord.\nand the grace of our Lord abounded exceedingly with faith and love which is in Christ Jesus.\nIf a man abide not in me, he is cast forth as a branch, and is withered; and they gather them, and cast them into the fire, and they are burned.\nAnd John answered and said, Master, we saw one casting out demons in thy name; and we forbade him, because he followeth not with us.\nAnd as for you, the anointing which ye received of him abideth in you, and ye need not that any one teach you; but as his anointing teacheth you concerning all things, and is true, and is no lie, and even as it taught you, ye abide in him.\nThe cup of blessing which we bless, is it not a communion of the blood of Christ? The bread which we break, is it not a communion of the body of Christ?\nAs I sware in my wrath, They shall not enter into my rest.\nAnd when he had said this, one of the officers standing by struck Jesus with his hand, saying, Answerest thou the high priest so?\nWhen Pilate therefore heard these words, he brought Jesus out, and sat down on the judgment-seat at a place called The Pavement, but in Hebrew, Gabbatha.\nBrethren, I speak after the manner of men: Though it be but a man’s covenant, yet when it hath been confirmed, no one maketh it void, or addeth thereto.\nAnd this is the will of him that sent me, that of all that which he hath given me I should lose nothing, but should raise it up at the last day.\n“It’s a perfectly beautiful egg sac,” said Wilbur, feeling as happy as though he had constructed it himself.\nthat the man of God may be complete, furnished completely unto every good work. \nWe are aeronauts and we are going out into the world to make webs for ourselves.”\nAnd when we had sailed slowly many days, and were come with difficulty over against Cnidus, the wind not further suffering us, we sailed under the lee of Crete, over against Salmone;\nThe smell from the toilet pits brought tears to my eyes.\nAnd he said unto them, Go. And they came out, and went into the swine: and behold, the whole herd rushed down the steep into the sea, and perished in the waters.\nFor who among men knoweth the things of a man, save the spirit of the man, which is in him? even so the things of God none knoweth, save the Spirit of God.\nHusbands, love your wives, and be not bitter against them.\nHe backed up to it.\nJesus said unto them, Is it not for this cause that ye err, that ye know not the scriptures, nor the power of God?\nHe wanted a friend—someone who would play with him.\nThe store was about three miles from where we lived.\nTempleton poked his head up through the straw.\nbut, as it is written, They shall see, to whom no tidings of him came, And they who have not heard shall understand.\n“What’s miraculous about a spider's web?” said Mrs. Arable.\nUnder the wild apple trees in the pasture, the red little apples lay thick on the ground, and the sheep gnawed them and the geese gnawed them and foxes came in the night and sniffed them.\nand above it cherubim of glory overshadowing the mercy-seat; of which things we cannot now speak severally.\nBut the high priest rose up, and all they that were with him (which is the sect of the Sadducees), and they were filled with jealousy,\nFor a second you seemed to be falling to the barn floor far below, but then suddenly the rope would begin to catch you, and you would sail through the barn door going a mile a minute, with the wind whistling in your eyes and ears and hair.\nand the smoke of their torment goeth up for ever and ever; and they have no rest day and night, they that worship the beast and his image, and whoso receiveth the mark of his name.\nand laid it in his own new tomb, which he had hewn out in the rock: and he rolled a great stone to the door of the tomb, and departed.\nFor the love of Christ constraineth us; because we thus judge, that one died for all, therefore all died;\nWendy went back into the house and put on her snowsuit.\n“A balloonist,” said Charlotte.\nFurthermore, I said that if I was to die I didn’t want to go under the ground as a hireling.\nBehold, this is the third time I am ready to come to you; and I will not be a burden to you: for I seek not yours, but you: for the children ought not to lay up for the parents, but the parents for the children.\nAgain on the morrow John was standing, and two of his disciples;\nEight of them.\nAnd he charged them, saying, Take heed, beware of the leaven of the Pharisees and the leaven of Herod.\nFor herein is the saying true, One soweth, and another reapeth.\n“You don’t think I need worry about her?”\nJesus answered him, Thou wouldest have no power against me, except it were given thee from above: therefore he that delivered me unto thee hath greater sin.\nJudge ye in yourselves: is it seemly that a woman pray unto God unveiled?\nHe put his front feet up on the top board and gazed around.\nThey were farmers, I said.\nBut that is not a skill I ever acquired.\nThen, holding the rope, you stood at the edge and looked down, and were scared and dizzy.\nBabies crying in piercing tones, elders coughing with a deep rattle in the lung.\nhe that opposeth and exalteth himself against all that is called God or that is worshipped; so that he sitteth in the temple of God, setting himself forth as God.\nAnd when the hour was come, he sat down, and the apostles with him.\nBut when day was now breaking, Jesus stood on the beach: yet the disciples knew not that it was Jesus.\nAnd his sisters, are they not all with us? Whence then hath this man all these things?\nHe took out his hand axe and knife and felt their heft and looked at their edges, honed bright with spit and a flat river rock.\nAnd he arose, and departed to his house.\nAnd he asked them, What question ye with them?\nAnd when the disciples heard it, they were astonished exceedingly, saying, Who then can be saved?\nAnd my God shall supply every need of yours according to his riches in glory in Christ Jesus.\nBut ye know the proof of him, that, as a child serveth a father, so he served with me in furtherance of the gospel.\nI know that after my departing grievous wolves shall enter in among you, not sparing the flock;\nFare thee well, Charlotte, you old schemer!\nAnother town had a tavern where they alleged the T-bone beefsteak had been invented, though I did not see how that claim could possibly be true since beeves had surely gone around with that part of their insides for quite some time.\nA column of four soldiers, if just four could be called a column.\nHe sat in his underwear cross-legged on a blanket with his coat draped over his shoulders like a cape and his boots unlaced and flapped open on his feet.\nFor ye know that even when he afterward desired to inherit the blessing, he was rejected; for he found no place for a change of mind in his father, though he sought it diligently with tears.\n“Take a deep breath!” said Charlotte, smiling.\nWas not Abraham our father justified by works, in that he offered up Isaac his son upon the altar?\n“Why doesn’t Fern come?”\nThe truck bearing this extraordinary animal is now approaching the infield.\nOf the tribe of Judah were sealed twelve thousand; Of the tribe of Reuben twelve thousand; Of the tribe of Gad twelve thousand;\nTrees?\n“Don’t be ridiculous,” said Charlotte.\nThere shall be two women grinding together; the one shall be taken, and the other shall be left.\nWoe unto you! for ye build the tombs of the prophets, and your fathers killed them.\nFor no word from God shall be void of power.\nsaying, What thou seest, write in a book and send it to the seven churches: unto Ephesus, and unto Smyrna, and unto Pergamum, and unto Thyatira, and unto Sardis, and unto Philadelphia, and unto Laodicea.\nNow he that betrayed him gave them a sign, saying, Whomsoever I shall kiss, that is he: take him.\nThe Lord be with thy spirit. Grace be with you.\nHe that regardeth the day, regardeth it unto the Lord: and he that eateth, eateth unto the Lord, for he giveth God thanks; and he that eateth not, unto the Lord he eateth not, and giveth God thanks.\nIs it very far down there?\nBehold, I give of the synagogue of Satan, of them that say they are Jews, and they are not, but do lie; behold, I will make them to come and worship before thy feet, and to know that I have loved thee.\nAnd now one of the judges climbed into the ring with the prizes.\nThen flying along on the train for two days at dizzying speeds occasionally approaching twenty miles an hour to the state capital.\nI am resolved what to do, that, when I am put out of the stewardship, they may receive me into their houses.\nAnd going on from thence he saw two other brethren, James the son of Zebedee, and John his brother, in the boat with Zebedee their father, mending their nets; and he called them.\nNow in the sixth month the angel Gabriel was sent from God unto a city of Galilee, named Nazareth,\nAxe said, You’re taking the wrong direction.\n“That I did, that I did,” said the goose.\nAnd they were so close and hot in the summertime that on the few nights when the mosquitoes were at all calm I preferred to sleep on deck, swinging in a string hammock and watching the moonlight fall on the river and the dark woods pass above the steep sandy banks.\nShe sat without moving a muscle, and listened to the conversation of the people.\nThe Indian trackers would certainly not kill women and children, and perhaps the soldiers would spare them as well.\n“Good night, Wilbur!”\nAnd inasmuch as it is appointed unto men once to die, and after this cometh judgment;\nAnd the men marvelled, saying, What manner of man is this, that even the winds and the sea obey him?\nEvery cabin here, you walk in and shut the door, it’s like you’ve shut your eyes.\nTake heed to thyself, and to thy teaching. Continue in these things; for in doing this thou shalt save both thyself and them that hear thee. \nThere was a dull explosion as the egg broke, and then a horrible smell.\nAnd afterward they asked for a king: and God gave unto them Saul the son of Kish, a man of the tribe of Benjamin, for the space of forty years.\nAnd ye shall be hated of all men for my name’s sake: but he that endureth to the end, the same shall be saved.\nI couldn’t see the faces of the people around me and knew them only by their voices, but I had known some of them since I was a boy.\nThe rat poked his head out from under the trough.\nFor David ascended not into the heavens: but he saith himself, The Lord said unto my Lord, Sit thou on my right hand,\nBut this I say, He that soweth sparingly shall reap also sparingly; and he that soweth bountifully shall reap also bountifully.\nLittlefish thought of what his mother had said, and although he was scared, he decided to swim on.\nAnd when he would have put him to death, he feared the multitude, because they counted him as a prophet.\nBut if our unrighteousness commendeth the righteousness of God, what shall we say? Is God unrighteous who visiteth with wrath? (I speak after the manner of men.)\nIn Wayah, Bear didn’t think he and his people could turn white no matter how hard they tried.\nHe saw many different fish of all shapes, sizes, and colors.\nAnd one out of the multitude said unto him, Teacher, bid my brother divide the inheritance with me.\nThe young lieutenant and three enlisted men, boys from Ireland and Philadelphia and Charleston.\nHe had already sold Wilbur’s ten brothers and sisters.\nAnd he, casting away his garment, sprang up, and came to Jesus.\nHe is crazy, the people jeered.\nA little girl is one thing, a little runty pig is another.”\nLook white, dress white, act white, be white.\nhearing of thy love, and of the faith which thou hast toward the Lord Jesus, and toward all the saints;\nAnd I went up by revelation; and I laid before them the gospel which I preach among the Gentiles but privately before them who were of repute, lest by any means I should be running, or had run, in vain.\nAnd the chief captain took him by the hand, and going aside asked him privately, What is it that thou hast to tell me?\nAnd Jesus stood still, and said, Call ye him. And they call the blind man, saying unto him, Be of good cheer: rise, he calleth thee.\nBy faith Abraham, when he was called, obeyed to go out unto a place which he was to receive for an inheritance; and he went out, not knowing whither he went.\nAnd when the south wind blew softly, supposing that they had obtained their purpose, they weighed anchor and sailed along Crete, close in shore.\nfrom whom all the body fitly framed and knit together through that which every joint supplieth, according to the working in due measure of each several part, maketh the increase of the body unto the building up of itself in love.\nAnd the patriarchs, moved with jealousy against Joseph, sold him into Egypt: and God was with him,\nThey feared his signs were evil.\nBut there were some that had indignation among themselves, saying, To what purpose hath this waste of the ointment been made?\nThat's what I like.”\n“Charlotte,” said Wilbur dreamily, “are you really going to have five hundred and fourteen children?”\nThese organisms are called decomposers.\n“Well,” said her mother, “one of the pigs is a runt.\nAnd Jesus answered unto him, It is written, Man shall not live by bread alone.\nBut Barnabas took him, and brought him to the apostles, and declared unto them how he had seen the Lord in the way, and that he had spoken to him, and how at Damascus he had preached boldly in the name of Jesus.\nlet him that is on the housetop not go down to take out the things that are in his house:\nBut Felix, having more exact knowledge concerning the Way, deferred them, saying, When Lysias the chief captain shall come down, I will determine your matter.\nThen over and over for more than two months, the old and dying earth shook until one wall of the townhouse had fallen away and the roof collapsed.\nTwo other Indians went and propped their muskets against a rock and walked into the forest and did not return.\n“Charlotte,” he said, after a while, “do you really think Zuckerman will let me live and not kill me when the cold weather comes?\nnot rendering evil for evil, or reviling for reviling; but contrariwise blessing; for hereunto were ye called, that ye should inherit a blessing.\n“She knows Henry Fussy,” said Mrs. Arable brightly.\nI am not come to call the righteous but sinners to repentance.\nBut Mary kept all these sayings, pondering them in her heart.\nAnd they that passed by railed on him, wagging their heads,\nand Annas the high priest was there, and Caiaphas, and John, and Alexander, and as many as were of the kindred of the high priest.\nLurvy took out an enormous handkerchief and blew his nose very loud — so loud, in fact, that the noise was heard by stableboys over at the horse barn.\nNow in these days there came down prophets from Jerusalem unto Antioch.\nBut if the western territories were as fine as they were made out to be, the white people would soon come and take that land away from them too, for it was the nature of white people that they could never be satisfied.\nFor the land which hath drunk the rain that cometh oft upon it, and bringeth forth herbs meet for them for whose sake it is also tilled, receiveth blessing from God:\nFor neither is circumcision anything, nor uncircumcision, but a new creature.\nThey said therefore unto him, Who art thou? that we may give an answer to them that sent us. What sayest thou of thyself?\nNeither be ye idolaters, as were some of them; as it is written, The people sat down to eat and drink, and rose up to play.\nBut unto the married I give charge, yea not I, but the Lord, That the wife depart not from her husband\nWilbur was modest; fame did not spoil him.\nWhy doth this man thus speak? he blasphemeth: who can forgive sins but one, even God?\n“Charlotte can,” replied Fern.\nThe cool and kindly breath of evening entered through doors and windows.\nIt was good to be home again.\nAnd he stretched forth his hand, and touched him, saying, I will; be thou made clean. And straightway his leprosy was cleansed.\n(Now Jesus was not yet come into the village, but was still in the place where Martha met him.)\nAnd when I saw him, I fell at his feet as one dead. And he laid his right hand upon me, saying, Fear not; I am the first and the last,\nHe opened the blankets and lifted the weightless boy in his hands and laid him on the frozen ground. The boy had been dead less than a day, but the skin was grey as wood ash and his long black hair seemed unaccountably full of pale dust.\nBlessed is he that readeth, and they that hear the words of the prophecy, and keep the things that are written therein: for the time is at hand.\nFor so is the will of God, that by well-doing ye should put to silence the ignorance of foolish men:\nHe was a short man but broad at the shoulders, stout through the barrel of his body, round-headed and big-handed.\nAnd all that heard them laid them up in their heart, saying, What then shall this child be? For the hand of the Lord was with him.\nAnd they that were sent went away, and found even as he had said unto them.\nAnd I heard a great voice in heaven, saying, Now is come the salvation, and the power, and the kingdom of our God, and the authority of his Christ: for the accuser of our brethren is cast down, who accuseth them before our God day and night.\nFor John came neither eating nor drinking, and they say, He hath a demon.\nAnd as many as shall walk by this rule, peace be upon them, and mercy, and upon the Israel of God.\n“I don’t understand it.\nTwo spermaceti candles burned in pewter holders.\nFor if ye love them that love you, what reward have ye? do not even the publicans the same?\nTherefore I endure all things for the elect’s sake, that they also may obtain the salvation which is in Christ Jesus with eternal glory.\nAnd they all said, Art thou then the Son of God? And he said unto them, Ye say that I am.\nAnd he saith unto them, My soul is exceeding sorrowful even unto death: abide ye here, and watch.\nwhich also after a true likeness doth now save you, even baptism, not the putting away of the filth of the flesh, but the interrogation of a good conscience toward God, through the resurrection of Jesus Christ;\nAt my first defence no one took my part, but all forsook me: may it not be laid to their account.\nIt’s amazing how children change from year to year.\nAnd the chief captain came and said unto him, Tell me, art thou a Roman? And he said, Yea.\nand they cast him out of the city, and stoned him: and the witnesses laid down their garments at the feet of a young man named Saul.\nFor consider him that hath endured such gainsaying of sinners against himself, that ye wax not weary, fainting in your souls.\nwho, when he was in Galilee, followed him, and ministered unto him; and many other women that came up with him unto Jerusalem.\nBut when thou doest alms, let not thy left hand know what thy right hand doeth:\nLove never faileth: but whether there be prophecies, they shall be done away; whether there be tongues, they shall cease; whether there be knowledge, it shall be done away.\nWe are of God: he that knoweth God heareth us; he who is not of God heareth us not. By this we know the spirit of truth, and the spirit of error.\nI’ll just say that I walked a long way and finally tracked Lichen’s bunch to their cave.\nFor much of his life, Sequoyah was nobody famous.\nAnd the woman was arrayed in purple and scarlet, and decked with gold and precious stone and pearls, having in her hand a golden cup full of abominations, even the unclean things of her fornication,\nI have nothing at all on my mind, but I've too many things under my behind.\n“That’s enough!” cried Templeton.\nPilate therefore went out unto them, and saith, What accusation bring ye against this man?\nHe was not afraid as he was when he started his journey, so he swam up to it ad said, Hello, I'm called Littlefish and I've never seen a fish like you.\n“It says ‘Humble,’ ” replied the rat.\nand behold, a man having a withered hand. And they asked him, saying, Is it lawful to heal on the sabbath day? that they might accuse him.\nAnd Jesus answered and said unto them, Are ye come out, as against a robber, with swords and staves to seize me?\nsaying, Prophesy unto us, thou Christ: who is he that struck thee?\nAnd the ten horns which thou sawest, and the beast, these shall hate the harlot, and shall make her desolate and naked, and shall eat her flesh, and shall burn her utterly with fire.\nI would like to make the concluding act of Charley's story an epic and tragic tale. But almost nothing in life is epic or tragic at the moment of its enactment.\nAnd Agrippa said unto Paul, With but little persuasion thou wouldest fain make me a Christian.\nAn evil and adulterous generation seeketh after a sign; and there shall no sign be given unto it, but the sign of Jonah. And he left them, and departed.\nAnd Pilate went out again, and saith unto them, Behold, I bring him out to you, that ye may know that I find no crime in him.\nYe are the light of the world. A city set on a hill cannot be hid.\nsaying, The Son of man must suffer many things, and be rejected of the elders and chief priests and scribes, and be killed, and the third day be raised up.\nIf we say that we have fellowship with him and walk in the darkness, we lie, and do not the truth:\nAnd when Jesus saw that he answered discreetly, he said unto him, Thou art not far from the kingdom of God. And no man after that durst ask him any question.\nSalute Tryphæna and Tryphosa, who labor in the Lord. Salute Persis the beloved, who labored much in the Lord.\nNow the chief priests and the Pharisees had given commandment, that, if any man knew where he was, he should show it, that they might take him. \nIf it be possible, as much as in you lieth, be at peace with all men.\nMiles away, at the Arables’ house, the men sat around the kitchen table eating a dish of canned peaches and talking over the events of the day.\nAs we rode away from the house, I was thinking that a man’s in a bad way when fellows younger than your grandchildren get to decide how your life goes from now on out.\nBut first must he suffer many things and be rejected of this generation.\nLet us walk becomingly, as in the day; not in revelling and drunkenness, not in chambering and wantonness, not in strife and jealousy.\nBut what went ye out to see? a man clothed in soft raiment? Behold, they that are gorgeously apparelled, and live delicately, are in kings’ courts.\n“Certainly.\n“Look at Charlotte's web!\nand from Jerusalem, and from Idumæa, and beyond the Jordan, and about Tyre and Sidon, a great multitude, hearing what great things he did, came unto him.\nTo him the porter openeth; and the sheep hear his voice: and he calleth his own sheep by name, and leadeth them out.\nAnd when they had sung a hymn, they went out unto the mount of Olives.\nIf therefore ye have not been faithful in the unrighteous mammon, who will commit to your trust the true riches?\nHe passed his hands across the red bristles on their backs and talked to them and said he required nothing from them and only wished them well in their endeavors.\nHis wife went to the woodshed.\n“I’m awfully sorry to hear that you're feeling poorly, Charlotte,” he said.\nand will not rather say unto him, Make ready wherewith I may sup, and gird thyself, and serve me, till I have eaten and drunken; and afterward thou shalt eat and drink?\nHe saw in a vision openly, as it were about the ninth hour of the day, an angel of God coming in unto him, and saying to him, Cornelius.\nAnd when they heard this, they entered into the temple about daybreak, and taught. But the high priest came, and they that were with him, and called the council together, and all the senate of the children of Israel, and sent to the prison-house to have them brought.\nand as they were affrighted and bowed down their faces to the earth, they said unto them, Why seek ye the living among the dead?\nAvery often brought a trout home in his pocket, warm and stiff and ready to be fried for supper.\nThere were towns noted for pig cookery, where they dug pits in the ground and built fires in them and let the wood burn down to red coals and then put in the pig and buried fire and carcass together in red clay.\nAnd he awoke, and rebuked the wind, and said unto the sea, Peace, be still. And the wind ceased, and there was a great calm.\nHis back itched, so he leaned against the fence and rubbed against the boards.\n“This is getting to be quite a meeting,” said Charlotte.\nShe was very quiet.\nAfter this man rose up Judas of Galilee in the days of the enrolment, and drew away some of the people after him: he also perished; and all, as many as obeyed him, were scattered abroad.\n“The last time I swang in this swing, I almost crashed into a barn swallow,” he yelled.\nNow after some years I came to bring alms to my nation, and offerings:\nAnd ye therefore now have sorrow: but I will see you again, and your heart shall rejoice, and your joy no one taketh away from you.\n“Well, they've got to grow up some time,” said Mr. Arable.\nLieutenant Smith and another officer huddled together and there was a long period of talk between them, and then they seemed to argue.\nIn holiness and righteousness before him all our days.\nAnd Joseph her husband, being a righteous man, and not willing to make her a public example, was minded to put her away privily.\nAnd this is the witness of John, when the Jews sent unto him from Jerusalem priests and Levites to ask him, Who art thou?\nDare any of you, having a matter against his neighbor, go to law before the unrighteous, and not before the saints?\nAnd he said unto them, This kind can come out by nothing, save by prayer.\nAnd Jesus saith unto him, See thou tell no man; but go, show thyself to the priest, and offer the gift that Moses commanded, for a testimony unto them.\nSo from that day forth they took counsel that they might put him to death.\nFor they that are such serve not our Lord Christ, but their own belly; and by their smooth and fair speech they beguile the hearts of the innocent.\nAnd as they were eating, Jesus took bread, and blessed, and brake it; and he gave to the disciples, and said, Take, eat; this is my body.\nThe Zuckermans’ driveway was full of cars and trucks from morning till night—Fords and Chevvies and Buick roadmasters  and GMC pickups and Plymouths and Studebakers and Packards and De Sotos with gyromatic transmissions and Oldsmobiles with rocket engines and Jeep station wagons and Pontiacs.\nShe hoped Fern would go out and play with other children, instead of heading for the Zuckermans’ barn to sit and watch animals.\n“Well,” said one of the lambs, “this whole business is all well and good for Charlotte, but what about the rest of us?\nWith the flat of his sword, he hoisted it into the air and flung it into the woods.\nMrs. Zuckerman ran to the phone and called the Arables.\nAfter that, I quit worrying and let desire rule.\nWherefore, my brethren, ye also were made dead to the law through the body of Christ; that ye should be joined to another, even to him who was raised from the dead, that we might bring forth fruit unto God.\nso that my bonds became manifest in Christ throughout the whole prætorian guard, and to all the rest;\nBear had guessed at Lichen’s response and had suggested that at some point I might need to tell the tale of U’tlunta.\nwho appeared in glory, and spake of his decease which he was about to accomplish at Jerusalem.\nErastus remained at Corinth: but Trophimus I left at Miletus sick.\nHe had his black slaves and a few Christian Indians fanned around him, listening to some of the pronouncements of God on the subject of how people ought to act.\nWell, the story just got the more unbelievable the farther I proceeded.\nHe needs to be gutted, and I had about half a mind to do it.\nAnd when the governor had beckoned unto him to speak, Paul answered, Forasmuch as I know that thou hast been of many years a judge unto this nation, I cheerfully make my defence:\nHe saith unto him, Out of thine own mouth will I judge thee, thou wicked servant. Thou knewest that I am an austere man, taking up that which I laid not down, and reaping that which I did not sow;\nWithout are the dogs, and the sorcerers, and the fornicators, and the murderers, and the idolaters, and every one that loveth and maketh a lie.\n“Now I called this meeting in order to get suggestions.\nHis disciples remembered that it was written, Zeal for thy house shall eat me up.\nWives, be in subjection unto your own husbands, as unto the Lord.\nBlessed and holy is he that hath part in the first resurrection: over these the second death hath no power; but they shall be priests of God and of Christ, and shall reign with him a thousand years.\nFern loved Wilbur more than anything.\nAnd when there arose a great dissension, the chief captain, fearing lest Paul should be torn in pieces by them, commanded the soldiers to go down and take him by force from among them, and bring him into the castle.\nThe pig, although tiny, had a good appetite and caught on quickly.\nBut God commendeth his own love toward us, in that, while we were yet sinners, Christ died for us.\n“And now, Fern, it’s time to get ready for Sunday School.\nAnd others, trying him, sought of him a sign from heaven.\nAnd he made haste, and came down, and received him joyfully.\nThe sheds and buildings were empty and forlorn.\nAnd he came out, and went, as his custom was, unto the mount of Olives; and the disciples also followed him.\nIt began raining hard, straight down, as if the air had turned to water.\nVerily I say unto you, Whosoever shall not receive the kingdom of God as a little child, he shall in no wise enter therein.\nHe carried a child in the crook of one arm, and he claimed the child was God and God was fixing to destroy earth soon unless the people returned to the old ways and gave up clothes of woven cloth and guns and plows and nearly all metal whatsoever, and quit growing yellow corn and went back to real corn—the old mottled ears—and stopped grinding their kernels between the stones of water mills and went back to pounding it into meal by hand in log mortars, and resettled the old towns and rebuilt the townhouses on top of the mounds and recommenced observing all the old sacred festivals and dances in the squaregrounds at the foot of the mounds.\nthe fifth, sardonyx; the sixth, sardius; the seventh, chrysolite; the eighth, beryl; the ninth, topaz; the tenth, chrysoprase; the eleventh, jacinth; the twelfth, amethyst.\nThe cows hated them.\nWhile he was yet speaking to the multitudes, behold, his mother and his brethren stood without, seeking to speak to him.\nI will give unto thee the keys of the kingdom of heaven: and whatsoever thou shalt bind on earth shall be bound in heaven; and whatsoever thou shalt loose on earth shall be loosed in heaven.\nthe son of Maath, the son of Mattathias, the son of Semein, the son of Josech, the son of Joda,\nI won’t tell every lone camp and miserable thought that crossed my mind those days except to say I lay awake every night, flat on my back, watching the stars transit through the tree limbs and wondering if Claire had made it to the West and fearing she had not.\nHas it ever occurred to you that I’m sick of running errands and doing favors? \nOn the Nation, some of the people had decided that becoming as much like the whites as possible was the way.\nlest there be any fornicator, or profane person, as Esau, who for one mess of meat sold his own birthright.\nAnd John also was baptizing in Ænon near to Salim, because there was much water there: and they came, and were baptized.\nSo Smith assigned me the first watch, from just after sundown to bedtime, as if that had been his plan all along and my objecting to the watches had nothing to do with it.\nand he hath seen a man named Ananias coming in, and laying his hands on him, that he might receive his sight.\nAnd another angel came out from the altar, he that hath power over fire; and he called with a great voice to him that had the sharp sickle, saying, Send forth thy sharp sickle, and gather the clusters of the vine of the earth; for her grapes are fully ripe.\nThese things also command, that they may be without reproach.\nwho serve that which is a copy and shadow of the heavenly things, even as Moses is warned of God when he is about to make the tabernacle: for, See, saith he, that thou make all things according to the pattern that was showed thee in the mount.\nBut seek ye first his kingdom, and his righteousness; and all these things shall be added unto you.\nquenched the power of fire, escaped the edge of the sword, from weakness were made strong, waxed mighty in war, turned to flight armies of aliens.\n“Sing me that song again, about the dung and the dark,” he begged.\ngiving no occasion of stumbling in anything, that our ministration be not blamed;\n“Coxa, trochanter, femur, patella, tibia, metatarsus, and tarsus.”\nAnd when the season of the fruits drew near, he sent his servants to the husbandmen, to receive his fruits.\nAnd certain men came down from Judæa and taught the brethren, saying, Except ye be circumcised after the custom of Moses, ye cannot be saved.\n“All ready, boys!” cried Mr. Zuckerman.\nthese take, and purify thyself with them, and be at charges for them, that they may shave their heads: and all shall know that there is no truth in the things whereof they have been informed concerning thee; but that thou thyself also walkest orderly, keeping the law.\nThe next morning after he awoke, he sat motionless a long while trueing up his mind.\n“I think ‘terrific’ might impress Zuckerman.”\nthat ye were at that time separate from Christ, alienated from the commonwealth of Israel, and strangers from the covenants of the promise, having no hope and without God in the world.\nAnd it came to pass, when Jesus had finished these words, the multitudes were astonished at his teaching:\nand Judas Iscariot, who also betrayed him. And he cometh into a house.\nAnd he answered and said unto them, I also will ask you a question; and tell me:\nOne evening, a few days after the writing had appeared in Charlotte's web, the spider called a meeting of all the animals in the barn cellar.\nThis seemed like the end of the world, to be deserted by Charlotte's children.\nFor I say that Christ hath been made a minister of the circumcision for the truth of God, that he might confirm the promises given unto the fathers,\nThen was brought unto him one possessed with a demon, blind and dumb: and he healed him, insomuch that the dumb man spake and saw.\nAnd blessed is he, whosoever shall find no occasion of stumbling in me.\nin whom we have our redemption through his blood, the forgiveness of our trespasses, according to the riches of his grace,\nJesus answered and said unto him, Art thou the teacher of Israel, and understandest not these things?\nBlessed are the meek: for they shall inherit the earth.\nTill I make thine enemies the footstool of thy feet.\nNow if he were on earth, he would not be a priest at all, seeing there are those who offer the gifts according to the law;\nand he is the propitiation for our sins; and not for ours only, but also for the whole world.\nDon't spend it all the first few minutes.\nNow there was afar off from them a herd of many swine feeding.\nThere would be no regaining what was lost.\nYou go ahead and finish fixing your web and I'll just lie here and watch you.\nShe said, Many are.\nAnd some of them that stood there, when they heard it, said, This man calleth Elijah.\nThere are all kinds of peppers in our garden.\nThough Ross and Ridge shared the same goal, the survival of the Nation, they hated each other more than Calhoun and Jackson did.\nMrs. Arable put a pitcher of cream on the table.\nI was out to dinners and dances at least five nights a week.\nAnd Jesus went with them. And when he was now not far from the house, the centurion sent friends to him, saying unto him, Lord, trouble not thyself; for I am not worthy that thou shouldest come under my roof:\nVerily I say unto you, Wheresoever this gospel shall be preached in the whole world, that also which this woman hath done shall be spoken of for a memorial of her.\nand they took counsel together that they might take Jesus by subtlety, and kill him.\nBut when he thought on these things, behold, an angel of the Lord appeared unto him in a dream, saying, Joseph, thou son of David, fear not to take unto thee Mary thy wife: for that which is conceived in her is of the Holy Spirit.\nNow the apostles and the brethren that were in Judæa heard that the Gentiles also had received the word of God.\nBear said, We’ll start tracking Charley from here.\nOn the morrow he was minded to go forth into Galilee, and he findeth Philip: and Jesus saith unto him, Follow me.\nThe sheep soon got to know her and trust her.\nCharley squatted, and his knees made a crackling sound like dropping an armload of firewood.\n“Good-bye, summer, good-bye, good-bye!”\nEvery one that doeth sin doeth also lawlessness; and sin is lawlessness.\nThen shall the kingdom of heaven be likened unto ten virgins, who took their lamps, and went forth to meet the bridegroom.\nHere is the mind that hath wisdom. The seven heads are seven mountains, on which the woman sitteth:\nAnd wheresoever he entered, into villages, or into cities, or into the country, they laid the sick in the marketplaces, and besought him that they might touch if it were but the border of his garment: and as many as touched him were made whole. \nAnd he came also to Derbe and to Lystra: and behold, a certain disciple was there, named Timothy, the son of a Jewess that believed; but his father was a Greek.\nEverything had fallen away from him.\nThe Supreme Court rendered a decision siding with the Indians, and Jackson said, Now let them enforce it.\nAnd he took him aside from the multitude privately, and put his fingers into his ears, and he spat, and touched his tongue;\nThey began to be sorrowful, and to say unto him one by one, Is it I?\nA pile of chestnuts lay roasting in the outer ashes.\nNot that we have lordship over your faith, but are helpers of your joy: for in faith ye stand fast.\nAnd every man that striveth in the games exerciseth self-control in all things. Now they do it to receive a corruptible crown; but we an incorruptible.\nCan’t you see the pig is all right?”\nFor sin shall not have dominion over you: for ye are not under law, but under grace.\nDrops of rain struck his face.\nAnd the third poured out his bowl into the rivers and the fountains of the waters; and it became blood.\nbut I say unto you, Resist not him that is evil: but whosoever smiteth thee on thy right cheek, turn to him the other also.\nI had first taken a room in a boardinghouse that was cheap and bleak and not at all well situated and was popular only among the youngest and least influential congressional aides and other useless wayfarers.\nAnd he spake also this parable unto certain who trusted in themselves that they were righteous, and set all others at nought:\nThe colonel asked for our help, I said.\nAll through that unsettled weather, I rode with Lieutenant Smith and his soldiers, scouring the coves for fugitives.\nIn like manner, that women adorn themselves in modest apparel, with shamefastness and sobriety; not with braided hair, and gold or pearls or costly raiment;\nThis is now the third time that Jesus was manifested to the disciples, after that he was risen from the dead.\nFor there is a disannulling of a foregoing commandment because of its weakness and unprofitableness\nStephen was inclined to defer to his wisdom.\n“I don’t see why you say a web is a miracle - it’s just a web.”\nAnd about that time there arose no small stir concerning the Way.\nFor the woman that hath a husband is bound by law to the husband while he liveth; but if the husband die, she is discharged from the law of the husband.\nUpon this Pilate sought to release him: but the Jews cried out, saying, If thou release this man, thou art not Cæsar’s friend: every one that maketh himself a king speaketh against Cæsar.\nThen you must also be a Littlefish, replied Littlefish.\nand all the brethren that are with me, unto the churches of Galatia:\nMuch less a family, three generations extending from Charley down to members not yet weaned and still wavery on their feet.\nCharley said, I’m abiding by the old lines.\nSmith rode half asleep with his reins loose and his pipestem clamped between his teeth.\nBut when he was well-nigh forty years old, it came into his heart to visit his brethren the children of Israel.\nMight have been.\nThe first time he woke, he heard Templeton gnawing a hole in the grain bin.\nAnd all the angels were standing round about the throne, and about the elders and the four living creatures; and they fell before the throne on their faces, and worshipped God,\nBut woe unto them that are with child and to them that give suck in those days!\nHear then ye the parable of the sower.\nAnd Paul said, I would to God, that whether with little or with much, not thou only, but also all that hear me this day, might become such as I am, except these bonds.\nBut he that endureth to the end, the same shall be saved.\nAnd I have seen, and have borne witness that this is the Son of God.\n“Anything wrong with the pig?”\nAs a result of overeating, Templeton grew bigger and fatter than any rat you ever saw. He was gigantic.\nAnd what thanks do I ever get for these services, I would like to know?  \nUp it looked as the stone fell from above.\nI always thought it a sign of their generosity that they found water spiritual even in a land so wet that water is more often a nuisance than anything else.\nWilbur had been feeling dizzier and dizzier through this long, complimentary speech.\nThe serpent went mad with the oil fumes.\nWe intend for you to help us bring in the runners, the colonel said.\nA woman when she is in travail hath sorrow, because her hour is come: but when she is delivered of the child, she remembereth no more the anguish, for the joy that a man is born into the world.\nAnd they shall not teach every man his fellow-citizen, And every man his brother, saying, Know the Lord: For all shall know me, From the least to the greatest of them.\nAnd in his name shall the Gentiles hope.\nSome of Wilbur’s friends in the barn worried for fear all this attention would go to his head and make him stuck up.\nWilbur cried himself to sleep.\n“I shall begin by calling the roll.\nAnd Peter went down to the men, and said, Behold, I am he whom ye seek: what is the cause wherefore ye are come?\nStrive to enter in by the narrow door: for many, I say unto you, shall seek to enter in, and shall not be able.\nGives me a chance to think.”\nthe son of Cainan, the son of Arphaxad, the son of Shem, the son of Noah, the son of Lamech,\nZuckerman and Lurvy and John Arable and the others will be back any minute now, and they'll shove you into that crate and away you'll go.\nbut chiefly them that walk after the flesh in the lust of defilement, and despise dominion. Daring, self-willed, they tremble not to rail at dignities:\nAnd he was with them going in and going out at Jerusalem,\nAnd I heard as it were a voice in the midst of the four living creatures saying, A measure of wheat for a shilling, and three measures of barley for a shilling; and the oil and the wine hurt thou not.\nAnd I wondered, but did not ask, how the size of my head might be worthy of such a superlative.\nHe went into the living room and sat down, and Mrs. Zuckerman followed.\nsaying with a great voice, Worthy is the Lamb that hath been slain to receive the power, and riches, and wisdom, and might, and honor, and glory, and blessing.\nAnd there he stayed until spring with the nicest, kindest tree.\nAnd these things will they do, because they have not known the Father, nor me.\nSalvation from our enemies, and from the hand of all that hate us;\n“I’m versatile.”\nAnd the armies which are in heaven followed him upon white horses, clothed in fine linen, white and pure.\nI can’t stand going to the Fair without you.\ncommunicating to the necessities of the saints; given to hospitality.\nMy true friend!”\nThe council decided to trap her in a pit and hoped that if all the warriors attacked her with arrows at the same time they could finally pierce her stony skin.\nThe boy watered the seed and kept the weeds away.\nWilbur went over backwards, writhing and twisting as he went.\nAnd there went forth a rumor concerning him into every place of the region round about.\nThis is what they do, he said.\naccounting the reproach of Christ greater riches than the treasures of Egypt: for he looked unto the recompense of reward.\nEveryone was tired and happy.\nEveryone was delighted.\nwho ought to have been here before thee, and to make accusation, if they had aught against me.\nHow much soever she glorified herself, and waxed wanton, so much give her of torment and mourning: for she saith in her heart, I sit a queen, and am no widow, and shall in no wise see mourning.\nCretans and Arabians, we hear them speaking in our tongues the mighty works of God.\nAnd I saw no temple therein: for the Lord God the Almighty, and the Lamb, are the temple thereof.\nStephen wanted to light it aflame, but Charlie held him back.\n“Well, I don’t really know yet,” said Mr. Zuckerman.\nIn the words of the spider's web, ladies and gentlemen, this is some pig.”\n“Come pig!”\nOn the other hand, after the fight at Horseshoe Bend, Jackson’s men cut bridle reins from the back hide of dead Creek warriors and collected their noses to verify the numeration of dead.\nAnd after six days Jesus taketh with him Peter, and James, and John, and bringeth them up into a high mountain apart by themselves: and he was transfigured before them;\nWoe unto you, ye that are full now! for ye shall hunger. Woe unto you, ye that laugh now! for ye shall mourn and weep.\nSmith went and looked in the shelters for weapons and found none.\nAnd he said unto them, It is one of the twelve, he that dippeth with me in the dish.\nThat's the reason the wolf walks around alone.\nNow them that are such we command and exhort in the Lord Jesus Christ, that with quietness they work, and eat their own bread.\nWhether then it be I or they, so we preach, and so ye believed.\nWhen it was completed, she felt hungry.\nAnd Peter opened his mouth, and said, Of a truth I perceive that God is no respecter of persons:\nWhose adorning let it not be the outward adorning of braiding the hair, and of wearing jewels of gold, or of putting on apparel;\nAnd Pilate asked him, saying, Art thou the King of the Jews? And he answered him and said, Thou sayest.\nWell then of course they all started screeching real loud like they do, and I was relieved to see my friend Michael standing there.\nHe that hath the bride is the bridegroom: but the friend of the bridegroom, that standeth and heareth him, rejoiceth greatly because of the bridegroom’s voice: this my joy therefore is made full.\nAnd when he was come into the house, the blind men came to him: and Jesus saith unto them, Believe ye that I am able to do this? They say unto him, Yea, Lord.\n“It’s the pig that’s unusual.\nAnd he touched her hand, and the fever left her; and she arose, and ministered unto him.\n“It's tremenjus.”\nThe people were coming.\nAnd to this agree the words of the prophets; as it is written,\n“And don’t cross the race track when the horses are coming!” cried Mrs. Zuckerman.\nDoes anybody here know how to spell ‘terrific’?’’ \nGoodbye.\nEven as David also pronounceth blessing upon the man, unto whom God reckoneth righteousness apart from works,\nFor ye died, and your life is hid with Christ in God.\n“The Fair only comes once a year.”\nAnd Peter said, Lord, speakest thou this parable unto us, or even unto all?\nand there was given to him a mouth speaking great things and blasphemies; and there was given to him authority to continue forty and two months.\nIts legs were grey and tan.\nA warm draft of rising air blew softly through the barn cellar.\nI went on and walked into camp and got between the people and their guns.\nlet no man beguile you in any wise: for it will not be, except the falling away come first, and the man of sin be revealed, the son of perdition,\nWherefore watch ye, remembering that by the space of three years I ceased not to admonish every one night and day with tears.\nConsider what I say; for the Lord shall give thee understanding in all things.\n“Wilbur’s out,” they said.\nI’m not going.\nWe can deal with that when we get there.\nand brought the ass, and the colt, and put on them their garments; and he sat thereon.\nThey wanted to live and so they climbed.\nFor whom the Lord loveth he chasteneth, And scourgeth every son whom he receiveth.\nFor those days shall be tribulation, such as there hath not been the like from the beginning of the creation which God created until now, and never shall be.\nAgain therefore the Pharisees also asked him how he received his sight. And he said unto them, He put clay upon mine eyes, and I washed, and I see.\nFor seeing that in the wisdom of God the world through its wisdom knew not God, it was God’s good pleasure through the foolishness of the preaching to save them that believe.\nfor as yet it was fallen upon none of them: only they had been baptized into the name of the Lord Jesus.\nAs many as I love, I reprove and chasten: be zealous therefore, and repent.\nSpearfinger forced the people to band together and find a way to kill her.\nYes.\nAnd he came in unto her, and said, Hail, thou that art highly favored, the Lord is with thee.\nAnd he said, How can I, except some one shall guide me? And he besought Philip to come up and sit with him.\nPerry pitched the pipe shards off into the dark and put the stem in his coat pocket until such time as he could buy another bowl or at least come upon a corncob he could core out and fit it to.\nsaying, Surely blessing I will bless thee, and multiplying I will multiply thee.\nI had many things to write unto thee, but I am unwilling to write them to thee with ink and pen:\nAnd Jesus said unto him, Why callest thou me good? none is good, save one, even God.\nHe was sad because his new friend was so bloodthirsty.\nit seemed good to me also, having traced the course of all things accurately from the first, to write unto thee in order, most excellent Theophilus;\nWe must advertise Wilbur’s noble qualities, not his tastiness.\nAnd hath raised up a horn of salvation for us In the house of his servant David\nAnd the high priest stood up in the midst, and asked Jesus, saying, Answerest thou nothing? what is it which these witness against thee?\nNow when John heard in the prison the works of the Christ, he sent by his disciples\nwho gave himself a ransom for all; the testimony to be borne in its own times;\nAnd forgive us our sins; for we ourselves also forgive every one that is indebted to us. And bring us not into temptation.\nThe young man saith unto him, All these things have I observed: what lack I yet?\n“What does ‘versatile’ mean—full of eggs?” asked Wilbur.\nBut if God doth so clothe the grass in the field, which to-day is, and to-morrow is cast into the oven; how much more shall he clothe you, O ye of little faith?\nIt is part of the soil.\nBut when Herod’s birthday came, the daughter of Herodias danced in the midst, and pleased Herod.\n“Yes, Wilbur?”\nAnd he came to Nazareth, where he had been brought up: and he entered, as his custom was, into the synagogue on the sabbath day, and stood up to read.\n“Probably-obably-obably about half-past eleven,” said the goose.\nWilbur was now the center of attraction on the farm.\nHereby know we love, because he laid down his life for us: and we ought to lay down our lives for the brethren.\nA fungus is a decomposer, too.\nShe looked pale and frightened.\nThen returned they unto Jerusalem from the mount called Olivet, which is nigh unto Jerusalem, a sabbath day’s journey off.\nHe found a bit of potato, chewed it carefully, swallowed it, and walked back to bed.\nAnd there came a poor widow, and she cast in two mites, which make a farthing.\n“Throw water on him!”\nAnd whensoever ye stand praying, forgive, if ye have aught against any one; that your Father also who is in heaven may forgive you your trespasses.\nAnd he said, Verily I say unto you, No prophet is acceptable in his own country.\nIt was no bigger than a grain of sand, no bigger than the head of a pin.\nFor Herod had laid hold on John, and bound him, and put him in prison for the sake of Herodias, his brother Philip’s wife.\nand Ram begat Amminadab; and Amminadab begat Nahshon; and Nahshon begat Salmon;\nAnd they that were in the boat worshipped him, saying, Of a truth thou art the Son of God.\nAnd thou Bethlehem, land of Judah, Art in no wise least among the princes of Judah: For out of thee shall come forth a governor, Who shall be shepherd of my people Israel.\nBut now, brethren, if I come unto you speaking with tongues, what shall I profit you, unless I speak to you either by way of revelation, or of knowledge, or of prophesying, or of teaching?\nDo therefore this that we say to thee: We have four men that have a vow on them;\nBut the centurion gave more heed to the master and to the owner of the ship, than to those things which were spoken by Paul.\nObey them that have the rule over you, and submit to them: for they watch in behalf of your souls, as they that shall give account; that they may do this with joy, and not with grief: for this were unprofitable for you.\nFor whosoever shall do the will of God, the same is my brother, and sister, and mother. \nIt was delicious.\nAnd they send unto him certain of the Pharisees and of the Herodians, that they might catch him in talk.\nThere were dozens and dozens of them.\nbecause they said, He hath an unclean spirit.\nAnd he doeth great signs, that he should even make fire to come down out of heaven upon the earth in the sight of men.\nlest coming suddenly he find you sleeping.\nThe yard of the stockade was packed with people, internees.\nThe Jews took up stones again to stone him.\nAnd about the eleventh hour he went out, and found others standing; and he saith unto them, Why stand ye here all the day idle?\nAnd when he had so said, there arose a dissension between the Pharisees and Sadducees; and the assembly was divided.\nI pray for them: I pray not for the world, but for those whom thou hast given me; for they are thine:\nAnd there he found a certain man named Aeneas, who had kept his bed eight years; for he was palsied.\n“Templeton,’ said Wilbur in desperation, “if you don't stop talking and get busy, all will be lost, and I will die of a broken heart.\nAnd when the brethren knew it, they brought him down to Cæsarea, and sent him forth to Tarsus.\nThey both grew tall and strong.\nyet for love’s sake I rather beseech, being such a one as Paul the aged, and now a prisoner also of Christ Jesus:\nand laid them at the apostles’ feet: and distribution was made unto each, according as any one had need.\nMajor Ridge and his wife chose to travel out to the new Nation by riverboat, quickly and uneventfully.\nMr. Zuckerman lay dreaming about Wilbur.\nBut when he came to himself he said, How many hired servants of my father’s have bread enough and to spare, and I perish here with hunger!\nAnd he went up unto them into the boat; and the wind ceased: and they were sore amazed in themselves;\nAnd one of them, a lawyer, asked him a question, trying him:\nAnd he came down to Capernaum, a city of Galilee. And he was teaching them on the sabbath day:\n“He lets me scratch him between the eyes.”\nIn love of the brethren be tenderly affectioned one to another; in honor preferring one another;\nBy faith we understand that the worlds have been framed by the word of God, so that what is seen hath not been made out of things which appear.\nWhat if God, willing to show his wrath, and to make his power known, endured with much longsuffering vessels of wrath fitted unto destruction:\n“So it’s ‘Hurry up, Templeton,’ is it?” he said.\nYes.\ndo ye not make distinctions among yourselves, and become judges with evil thoughts?\nAnd they seized him, and led him away, and brought him into the high priest’s house. But Peter followed afar off.\nLittle children, yet a little while I am with you. Ye shall seek me: and as I said unto the Jews, Whither I go, ye cannot come; so now I say unto you.\nJesus said, Make the people sit down. Now there was much grass in the place. So the men sat down, in number about five thousand.\nand the Lord make you to increase and abound in love one toward another, and toward all men, even as we also do toward you;\nBe not deceived: Evil companionships corrupt good morals.\nThe leaves will shake loose from the trees and fall.\nAnd if any was not found written in the book of life, he was cast into the lake of fire. \nThen goeth he, and taketh with himself seven other spirits more evil than himself, and they enter in and dwell there: and the last state of that man becometh worse than the first. Even so shall it be also unto this evil generation.\n“Charlotte!\nBut when Paul perceived that the one part were Sadducees and the other Pharisees, he cried out in the council, Brethren, I am a Pharisee, a son of Pharisees: touching the hope and resurrection of the dead I am called in question.\nWhen she got shoulder-deep she looked up into the strip of sky the river cut through the trees, a mirror of the river’s shape.\nBesides the Indians, bear and wolves and panthers still roamed all through these forests.\nThey did not know that under the straw was a rat, and inside a knothole was a big grey spider.\nAnd will be to you a Father, And ye shall be to me sons and daughters, saith the Lord Almighty.\nfor all these did of their superfluity cast in unto the gifts; but she of her want did cast in all the living that she had.\n“Run!” commanded Mrs. Arable, taking the pig from Fern and slipping a doughnut into her hand.\n“I’m going to make a night of it,” he said.\nFern lay dreaming that she was getting sick in the swings.\nFor ye are all sons of God, through faith, in Christ Jesus.\n“And remember, the money has to last all day.\nAnd Peter, fastening his eyes upon him, with John, said, Look on us.\nFor ye bear with a man, if he bringeth you into bondage, if he devoureth you, if he taketh you captive, if he exalteth himself, if he smiteth you on the face.\nNow therefore do ye with the council signify to the chief captain that he bring him down unto you, as though ye would judge of his case more exactly: and we, before he comes near, are ready to slay him.\nSave me!”\nhow shall we escape, if we neglect so great a salvation? which having at the first been spoken through the Lord, was confirmed unto us by them that heard;\nThen there come to Jesus from Jerusalem Pharisees and scribes, saying,\n“Charlotte,” said Wilbur after a while, “why are you so quiet?”\n“You see, Edith?\nAnd in this confidence I was minded to come first unto you, that ye might have a second benefit;\nAnd don’t bother the hens!”\nNow Beaver cut down the tree that the trap was tied to.\nBut I soon got the distinct impression that Mr. Chapman, whoever he had been, had long since passed to another world, or at least to an unimaginably distant state like Ohio or Illinois.\nAnd if any man would go to law with thee, and take away thy coat, let him have thy cloak also.\n“I will not be going back to the barn,” she said.\nIt is, therefore, to be regretted that these delusions of false hopes will only be dashed to the ground at the very period when it will be necessary to carry out the conditions of the treaty, and it is much to be feared that, referring to general principles of human nature, an irritation of feeling may grow out of their sudden disappointment and incite them to acts of desperation.\n“Well, I feel better about Fern,” said Mrs. Arable.\nthat they may all be one; even as thou, Father, art in me, and I in thee, that they also may be in us: that the world may believe that thou didst send me.\nbut I say unto you, Swear not at all; neither by the heaven, for it is the throne of God;\nFor for this cause ye pay tribute also; for they are ministers of God’s service, attending continually upon this very thing.\nAvery put the frog in his pocket and climbed to the hayloft.\nIn sorrow he sank to the ground and closed his eyes.\nBehold, the hour cometh, yea, is come, that ye shall be scattered, every man to his own, and shall leave me alone: and yet I am not alone, because the Father is with me.\nAnd I said, Lord, they themselves know that I imprisoned and beat in every synagogue them that believed on thee:\nAnd, ye fathers, provoke not your children to wrath: but nurture them in the chastening and admonition of the Lord.\nTheir saddles and rolled wool blankets served as backrests.\nI Paul write it with mine own hand, I will repay it: that I say not unto thee that thou owest to me even thine own self besides.\nWhen the treaty reached the White House, however, Jackson ranted against any exemptions whatsoever.\nThe men have been in ill temper and poor health.\nbut if there be no interpreter, let him keep silence in the church; and let him speak to himself, and to God.\nYou live with such choices until you die.\nPlease tell me where you are, if you are my friend!”\nThere is a lad here, who hath five barley loaves, and two fishes: but what are these among so many?\nAnd as he passed by, he saw Levi the son of Alphæus sitting at the place of toll, and he saith unto him, Follow me. And he arose and followed him.\nThe frog kicked, splashing soapy water onto the blueberry pie.\nThere’s nothing you can count on.\nAnd certain of them that stood there said unto them, What do ye, loosing the colt?\nAlexander the coppersmith did me much evil: the Lord will render to him according to his works:\nAnd Barnabas was minded to take with them John also, who was called Mark.\nfor the great day of their wrath is come; and who is able to stand?\nI've watched you all day and I like you.”\nFern raced off, ducking and dodging through the crowd, in search of Henry.\nAnd entering into the tomb, they saw a young man sitting on the right side, arrayed in a white robe; and they were amazed.\nThe bear was claimed to have measured a full arms’ span across at the ass.\nLet us therefore draw near with boldness unto the throne of grace, that we may receive mercy, and may find grace to help us in time of need. \nthe Lord knoweth how to deliver the godly out of temptation, and to keep the unrighteous under punishment unto the day of judgment;\n“His pie is all over his front.”\nFor this we say unto you by the word of the Lord, that we that are alive, that are left unto the coming of the Lord, shall in no wise precede them that are fallen asleep.\nFor the kingdom of God is not in word, but in power.\nCharley put his back to a big chestnut tree and slept sitting up, forehead to knees, cowled in his blanket.\nBe not carried away by divers and strange teachings: for it is good that the heart be established by grace; not by meats, wherein they that occupied themselves were not profited.\n… just to show how much I am loved.\nIt tasted of the minerals in the rock it had passed through.\nHe that believeth on me, as the scripture hath said, from within him shall flow rivers of living water.\nOne choice that lay before them was to go west as Jackson had commanded them to do.\nAnd as a mantle shalt thou roll them up, As a garment, and they shall be changed: But thou art the same, And thy years shall not fail.\nBill Axe’s cabin stood in a clearing of tulip trees above the north bank of the river.\nAnd there came to him his mother and brethren, and they could not come at him for the crowd.\nCooking grease for the entire winter.\nwhat think ye? They answered and said, He is worthy of death.\nAnd he charged them much that no man should know this: and he commanded that something should be given her to eat. \nNow the natural man receiveth not the things of the Spirit of God: for they are foolishness unto him; and he cannot know them, because they are spiritually judged.\nBut I determined this for myself, that I would not come again to you with sorrow.\nThe Indians are ignorant beyond all reckoning and the whites too, mostly the dregs of Scotland and Ireland fled here for lack of alternative.\nWherefore, receiving a kingdom that cannot be shaken, let us have grace, whereby we may offer service well-pleasing to God with reverence and awe:\n“Perhaps if you spin a web and catch a couple of flies you'll feel better.”\nIs it lawful for us to give tribute unto Cæsar, or not?\n“She’s eight.”\nBut when the Pharisees heard it, they said, This man doth not cast out demons, but by Beelzebub the prince of the demons.\n“Yes, I would, come to think of it,” replied Mrs. Arable.\nAnd they returned, and prepared spices and ointments. And on the sabbath they rested according to the commandment.\nAnd it came to pass, when the days were well-nigh come that he should be received up, he stedfastly set his face to go to Jerusalem,\nBut Jesus said unto them, For your hardness of heart he wrote you this commandment.\nThey fear them and fervently wish us to rout them out.\nBut now complete the doing also; that as there was the readiness to will, so there may be the completion also out of your ability.\nAs she worked, her eight legs were a great help to her.\nJesus wept.\nYou have chosen a hallowed doorway from which to string your webs.\nSo they burned his cabin down and turned his writing into smoke.\nAnd Peter answered, and said unto Jesus, Lord, it is good for us to be here: if thou wilt, I will make here three tabernacles; one for thee, and one for Moses, and one for Elijah.\nAnd every one that hath left houses, or brethren, or sisters, or father, or mother, or children, or lands, for my name’s sake, shall receive a hundredfold, and shall inherit eternal life.\nWilbur walked into his yard just at that moment.\nAnd others are they that are sown among the thorns; these are they that have heard the word,\nAnd Mary Magdalene and Mary the mother of Joses beheld where he was laid. \nthat I should be a minister of Christ Jesus unto the Gentiles, ministering the gospel of God, that the offering up of the Gentiles might be made acceptable, being sanctified by the Holy Spirit.\nAnd as it came to pass in the days of Noah, even so shall it be also in the days of the Son of man.\nRepent therefore; or else I come to thee quickly, and I will make war against them with the sword of my mouth.\nAnd he came to the second, and said likewise. And he answered and said, I go, sir: and went not.\nI fed you with milk, not with meat; for ye were not yet able to bear it: nay, not even now are ye able;\nHe sighed with relief.\nand should sleep and rise night and day, and the seed should spring up and grow, he knoweth not how.\nbut speaking truth in love, may grow up in all things into him, who is the head, even Christ;\nBut we are bound to give thanks to God always for you, brethren beloved of the Lord, for that God chose you from the beginning unto salvation in sanctification of the Spirit and belief of the truth:\nThe fish was thrashing wildly.\nFor God hath shut up all unto disobedience, that he might have mercy upon all.\nThe men stood a better chance of escape on their own.\nAnd on the morrow they entered into Cæsarea. And Cornelius was waiting for them, having called together his kinsmen and his near friends.\nBlessed be the God and Father of our Lord Jesus Christ, who hath blessed us with every spiritual blessing in the heavenly places in Christ:\nAnd when we entered into Rome, Paul was suffered to abide by himself with the soldier that guarded him.\nI said.\nDeadly markings it bore upon its carapace scales.\nJesus saith unto him, I say not unto thee, Until seven times; but, Until seventy times seven.\nFor the good which I would I do not: but the evil which I would not, that I practise.\nknowing that whatsoever good thing each one doeth, the same shall he receive again from the Lord, whether he be bond or free.\nHe had reached into his saddlebag and come out with a wooden stem and the shards of a yellowed clay pipe bowl cupped in his palm.\nHe is the stone which was set at nought of you the builders, which was made the head of the corner.\n“Why does he have to stay up all night, grinding his clashers and destroying people's property?\nThe dissolution of the Nation and the exile of its people to the West had no bearing on our situation, for we owned our land outright.\nNow Philip was from Bethsaida, of the city of Andrew and Peter.\nHardly anybody around the farm had a good word to say for a fly.\nBut thou hast a few names in Sardis that did not defile their garments: and they shall walk with me in white; for they are worthy.\nFor I know nothing against myself; yet am I not hereby justified: but he that judgeth me is the Lord.\nHe was just about to raise his stick to hit Charlotte when he lost his balance.\"For the prophecy came not in old time by the will of man: but holy men of God spake as they were moved by the Holy Ghost.\"\nPeter 1:21\nGenesis\nChapter 1\nIn the beginning God created the heaven and the earth.\nAnd the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.\nAnd God said, Let there be light: and there was light.\nAnd God saw the light, that it was good: and God divided the light from the darkness.\nAnd God called the light Day, and the darkness he called Night. And the evening and the morning were the first day.\nAnd God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters.\nAnd God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so.\nAnd God called the firmament Heaven, And the evening and the morning were the second day.\nAnd God said, Let the waters under the heaven be gathered together unto one place, and let the dry land appear: and it was so.\nAnd God called the dry land Earth; and the gathering together of the waters called he Seas: and God saw that it was good.\nAnd God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so.\nAnd the earth brought forth grass, and herb yielding seed after his kind, and the tree yielding fruit, whose seed was in itself, after his kind: and God saw that it was good.\nAnd the evening and the morning were the third day.\nAnd God said, Let there be lights in e firmament of the heaven to divide Ne day from the night; and let them be for signs, and for seasons, and for Ways, and years:\nAnd let them be for lights in the firmament of the heaven to give light upon the earth: and it was so.\nAnd God made two great lights; the greater light to rule the day, and the lesser light to rule the night: he made the stars also.\nAnd God set them in the firmament of the heaven to give light upon the earth,\nAnd to rule over the day and over the night, and to divide the light from the darkness: and God saw that it was good.\nAnd the evening and the morning were the fourth day.\nAnd God said, Let the waters bring forth abundantly the moving creature that hath life, and fowl that may fly above the earth in the open firmament of heaven.\nAnd God created great whales, and every living creature that moveth, which the waters brought forth abundantly, after their kind, and every winged fowl after his kind: and God saw that it was good.\nAnd God blessed them, saying, Be (fruitful, and multiply, and fill the waters in the seas, and let fowl multiply in the earth.\nAnd the evening and the morning were the fifth day.\nAnd God said, Let the earth bring forth the living creature after his kind, cattle, and creeping thing, and beast of the earth after his kind: and it was so.\nAnd God made the beast of the earth after his kind, and cattle after their kind, and every thing that creepeth upon the earth after his kind: and God saw that it was good.\nAnd God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.\nSo God created man in his own image, in the image of God created he him; male and female created he them.\nAnd God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth.\nAnd God said, Behold, I have given you every herb bearing seed, which is upon the face of all the earth, and every tree, in the which is the fruit of a tree yielding seed; to you it shall be for meat.\nAnd to every beast of the earth, and to every fowl of the air, and to every thing that creepeth upon the earth, wherein there is life, have given every green herb for meat: and it was so.\nAnd God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day.\nChapter 2\nThus the heavens and the earth were finished, and all the host of them.\nAnd on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made.\nAnd God blessed the seventh day, and sanctified it: because that in it he had rested from all his work which God created and made.\nThese are the generations of the heavens and of the earth when they were created, in the day that the LORD God made the earth and the heavens,\nAndevery plant of the field before it was in the earth, and every herb of the field before it grew: for the LORD God had not caused it to rain upon the earth, and there was not a man to till the ground.\nBut there went up a mist from the earth, and watered the whole face of the ground.\nAnd the LORD God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul.\nAnd the LORD God planted a garden eastward in Eden; and there he put the man whom he had formed.\nAnd out of the ground made the LORD God to grow every tree that is pleasant to the sight, and good for food; the tree of life also in the midst of the garden, and the tree of knowledge of good and evil.\nAnd a river went out of Eden to water the garden; and from thence it was parted, and became into four heads.\nThe name of the first is Pison: that is it which compasseth the whole land of Havilah, where there is gold;\nAnd the gold of that land is good: there is bdellium and the onyx stone.\nAnd the name of the second river is Gihon: the same is it that compasseth the whole land of Ethiopia.\nAnd the name of the third river is Hiddekel: that is it which goeth toward the east of Assyria. And the fourth river is Euphrates.\nAnd the LORD God took the man, and put him into the garden of Eden to dress it and to keep it.\nAnd the LORD God commanded the man, saying, Of every tree of the garden thou mayest freely eat:\nBut of the tree of the knowledge of good and evil, thou shalt not eat of it: for in the day that thou eatest thereof thou shalt surely die.\nAnd the LORD God said, It is not good that the man should be alone; I will make him an help meet for him.\nAnd out of the ground the LORD God formed every beast of the field, and every fowl of the air; and brought them unto Adam to see what he would call them: and whatsoever Adam called every living creature, that was the name thereof.\nAnd Adam gave names to all cattle, and to the fowl of the air, and to every beast of the field; but for Adam there was not found an help meet for him.\nAnd the LORD God caused a deep sleep to fall upon Adam, and he slept: and he took one of his ribs, and closed up the flesh instead thereof;\nAnd the rib, which the LORD God had taken from man, made he a woman, and brought her unto the man.\nAnd Adam said, This is now bone of my bones, and flesh of my flesh: she shall be called Woman, because she was taken out of Man.\nTherefore shall a man leave his father and his mother, and shall cleave unto his wife: and they shall be one flesh.\nAnd they were both naked, the man and his wife, and were not ashamed.\nChapter 3\nNow the serpent was more subtil than any beast of the field which the LORD God had made. And he said unto the woman, Yea, hath God said, Ye shall not eat of every tree of the garden?\nAnd the woman said unto the serpent, We may eat of the fruit of the trees of the garden:\nBut of the fruit of the tree which is in the midst of the garden, God hath said, Ye shall not eat of it, neither shall ye touch it, lest ye die.\nAnd the serpent said unto the woman, Ye shall not surely die:\nFor God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods, knowing good and evil.\nAnd when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat.\nAnd the eyes of them both were opened, and they knew that they were naked; and they sewed fig leaves together, and made themselves aprons.\nAnd they heard the voice of the LORD God walking in the garden in the cool of the day: and Adam and his wife hid themselves from the presence of the LORD God amongst the trees of the garden.\nAnd the LORD God called unto Adam, and said unto him, Where art thou?\nAnd he said, I heard thy voice in the garden, and I was afraid, because I was naked; and I hid myself.\nAnd he said, Who told thee that thou wast naked? Hast thou eaten of the tree, whereof I commanded thee that thou shouldest not eat?\nAnd the man said, The woman whom thou gavest to be with me, she gave me of the tree, and I did eat.\nAnd the LORD God said unto the woman, What is this that thou hast done? And the woman said, The serpent beguiled me, and I did eat.\nAnd the LORD God said unto the serpent, Because thou hast done this, thou art cursed above all cattle, and above every beast of the field; upon thy belly shalt thou go, and dust shalt thou eat all the days of thy life:\nAndI will put enmity between thee and the woman, and between thy seed and her seed; it shall bruise thy head, and thou shalt bruise his heel.\nUnto the woman he said, I will greatly multiply thy sorrow and thy conception; in sorrow thou shalt bring forth children; and thy desire shall be to thy husband, and he shall rule over thee.\nAnd unto Adam he said, Because thou hast hearkened unto the voice of thy wife, and hast eaten of the tree, of which I commanded thee, saying, Thou shalt not eat of it: cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life;\nThorns also and thistles shall it bring forth to thee; and thou shalt eat the herb of the field;\nIn the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return.\nAnd Adam called his wife’s name Eve; because she was the mother of all living.\nUnto Adam also and to his wife did the LORD God make coats of skins, and clothed them.\nAnd the LORD God said, Behold, the man is become as one of us, to know good and evil: and now, lest he put forth his hand, and take also of the tree of life, and eat, and live for ever:\nTherefore the LORD God sent him forth from the garden of Eden, to till the ground from whence he was taken.\nSo he drove out the man; and he placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life.\nChapter 4\nAnd Adam knew Eve his wife; and she conceived, and bare Cain, and said, I have gotten a man from the LORD.\nAnd she again bare his brother Abel. And Abel was a keeper of sheep, but Cain was a tiller of the ground.\nAnd in process of time it came to pass, that Cain brought of the fruit of the ground an offering unto the LORD.\nAnd Abel, he also brought of the firstlings of his flock and of the fat thereof. And the LORD had respect unto Abel and to his offering:\nBut unto Cain and to his offering he had not respect. And Cain was very wroth, and his countenance fell.\nAnd the LORD said unto Cain, Why art thou wroth? and why is thy countenance fallen?\nIf thou doest well, shalt thou not be accepted? and if thou doest not well, sin lieth at the door. And unto thee shall be his desire, and thou shalt rule over him.\nAnd Cain talked with Abel his brother: and it came to pass, when they were in the field, that Cain rose up against Abel his brother, and slew him.\nAnd the LORD said unto Cain, Where is Abel thy brother? And he said, I know not: Am I my brother’s keeper?\nAnd he said, What hast thou done? the voice of thy brother’s blood crieth unto me from the ground.\nAnd now art thou cursed from the earth, which hath opened her mouth to receive thy brother’s blood from thy hand;\nWhen thou tillest the ground, it shall not henceforth yield unto thee her strength; a fugitive and a vagabond shalt thou be in the earth.\nAnd Cain said unto the LORD, My punishment is greater than I can bear.\nBehold, thou hast driven me out this day from the face of the earth; and from thy face shall I be hid; and I shall be a fugitive and a vagabond in the earth; and it shall come to pass, that every one that findeth me shall slay me.\nAnd the LORD said unto him, Therefore whosoever slayeth Cain, vengeance shall be taken on him sevenfold. And the LORD set a mark upon Cain, lest any finding him should kill him.\nAnd Cain went out from the presence of the LORD, and dwelt in the land of Nod, on the east of Eden.\nAnd Cain knew his wife; and she conceived, and bare Enoch: and he builded a city, and called the name of the city, after the name of his son, Enoch.\nAnd unto Enoch was born Irad: and Irad begat Mehujael: and Mehujael begat Methusael: and Methusael begat Lamech.\nAnd Lamech took unto him two wives: the name of the one was Adah, and the name of the other Zillah.\nAnd Adah bare Jabal: he was the father of such as dwell in tents, and of such as have cattle.\nAnd his brother’s name was Jubal: he was the father of all such as handle the harp and organ.\nAnd Zillah, she also bare Tubalcain, an instructer of every artificer in brass and iron: and the sister of Tubalcain was Naamah.\nAnd Lamech said unto his wives, Adah and Zillah, Hear my voice; ye wives of Lamech, hearken unto my speech: for I have slain a man to my wounding, and a young man to my hurt.\nIf Cain shall be avenged sevenfold, truly Lamech seventy and sevenfold.\nAnd Adam knew his wife again; and she bare a son, and called his name Seth: For God, said she, hath appointed me another seed instead of Abel, whom Cain slew.\nAnd to Seth, to him also there was born a son; and he called his name Enos: then began men to call upon the name of the LORD.\nChapter 5\nThis is the book of the generations of Adam. In the day that God created man, in the likeness of God made he him;\nMale and female created he them; and blessed them, and called their name Adam, in the day when they were created.\nAnd Adam lived an hundred and thirty years, and begat a son in his own likeness, after his image; and called his name Seth:\nAnd the days of Adam after he had begotten Seth were eight hundred years: and he begat sons and daughters:\nAnd all the days that Adam lived were nine hundred and thirty years: and he died.\nAnd Seth lived an hundred and five years, and begat Enos:\nAnd Seth lived after he begat Enos eight hundred and seven years, and begat sons and daughters:\nAnd all the days of Seth were nine hundred and twelve years: and he died.\nAnd Enos lived ninety years, and begat Cainan:\nAnd Enos lived after he begat Cainan eight hundred and fifteen years, and begat sons and daughters:\nAnd all the days of Enos were nine hundred and five years: and he died.\nAnd Cainan lived seventy years, and begat Mahalaleel:\nAnd Cainan lived after he begat Mahalaleel eight hundred and forty years, and begat sons and daughters:\nAnd all the days of Cainan were nine hundred and ten years: and he died.\nAnd Mahalaleel lived sixty and five years, and begat Jared:\nAnd Mahalaleel lived after he begat Jared eight hundred and thirty years, and begat sons and daughters:\nAnd all the days of Mahalaleel were eight hundred ninety and five years: and he died.\nAnd Jared lived an hundred sixty and two years, and he begat Enoch:\nAnd Jared lived after he begat Enoch eight hundred years, and begat sons and daughters:\nAnd all the days of Jared were nine hundred sixty and two years: and he died.\nAnd Enoch lived sixty and five years, and begat Methuselah:\nAnd Enoch walked with God after he begat Methuselah three hundred years, and begat sons and daughters:\nAnd all the days of Enoch were three hundred sixty and five years:\nAnd Enoch walked with God: and he was not; for God took him.\nAnd Methuselah lived an hundred eighty and seven years, and begat Lamech:\nAnd Methuselah lived after he begat Lamech seven hundred eighty and two years, and begat sons and daughters:\nAnd all the days of Methuselah were nine hundred sixty and nine years: and he died.\nAnd Lamech lived an hundred eighty and two years, and begat a son:\nAnd he called his name Noah, saying, This same shall comfort us concerning our work and toil of our hands, because of the ground which the LORD hath cursed.\nAnd Lamech lived after he begat Noah five hundred ninety and five years, and begat sons and daughters:\nAnd all the days of Lamech were seven hundred seventy and seven years: and he died.\nAnd Noah was five hundred years old: and Noah begat Shem, Ham, and Japheth.\nChapter 6\nAnd it came to pass, when men began to multiply on the face of the earth, and daughters were born unto them,\nThat the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose.\nAnd the LORD said, My spirit shall not always strive with man, for that he also is flesh: yet his days shall be an hundred and twenty years.\nThere were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old, men of renown.\nAnd GOD saw that the wickedness of man was great in the earth, and that every imagination of the thoughts of his heart was only evil continually.\nAnd it repented the LORD that he had made man on the earth, and it grieved him at his heart.\nAnd the LORD said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that have made them.\nBut Noah found grace in the eyes of the LORD.\nThese are the generations of Noah: Noah was a just man and perfect in his generations, and Noah walked with God.\nAnd Noah begat three sons, Shem, Ham, and Japheth.\nThe earth also was corrupt before God, and the earth was filled with violence.\nAnd God looked upon the earth, and, behold, it was corrupt; for all flesh had corrupted his way upon the earth.\nAnd God said unto Noah, The end of all flesh is come before me; for the earth is filled with violence through them; and, behold, I will destroy them with the earth.\nMake thee an ark of gopher wood; rooms shalt thou make in the ark, and shalt pitch it within and without with pitch.\nAnd this is the fashion which thou shalt make it of: The length of the ark shall be three hundred cubits, the breadth of it fifty cubits, and the height of it thirty cubits.\nA window shalt thou make to the ark, and in a cubit shalt thou finish it above; and the door of the ark shalt thou set in the side thereof; with lower, second, and third stories shalt thou make it.\nAnd, behold, I, even I, do bring a flood of waters upon the earth, to destroy all flesh, wherein is the breath of life, from under heaven; and every thing that is in the earth shall die.\nBut with thee will I establish my covenant; and thou shalt come into the ark, thou, and thy sons, and thy wife, and thy sons’ wives with thee.\nAnd of every living thing of all flesh, two of every sort shalt thou bring into the ark, to keep them alive with thee; they shall be male and female.\nOf fowls after their kind, and of cattle after their kind, of every creeping thing of the earth after his kind, two of every sort shall come unto thee, to keep them alive.\nAnd take thou unto thee of all food that is eaten, and thou shalt gather it to thee; and it shall be for food for thee, and for them.\nThus did Noah; according to all that God commanded him, so did he.\nChapter 7\nAnd the LORD said unto Noah, Come thou and all thy house into the ark; for thee have I seen righteous before me in this generation.\nOf every clean beast thou shalt take to thee by sevens, the male and his female: and of beasts that are not clean by two, the male and his female.\nOf fowls also of the air by sevens, the male and the female; to keep seed alive upon the face of all the earth.\nFor yet seven days, and I will cause it to rain upon the earth forty days and forty nights; and every living substance that I have made will I destroy from off the face of the earth.\nAnd Noah did according unto all that the LORD commanded him.\nAnd Noah was six hundred years old when the flood of waters was upon the earth.\nAnd Noah went in, and his sons, and his wife, and his sons’ wives with him, into the ark, because of the waters of the flood.\nOf clean beasts, and of beasts that are not clean, and of fowls, and of every thing that creepeth upon the earth,\nThere went in two and two unto Noah into the ark, the male and the female, as God had commanded Noah.\nAnd it came to pass after seven days, that the waters of the flood were upon the earth.\nIn the six hundredth year of Noah’s life, in the second month, the seventeenth day of the month, the same day were all the fountains of the great deep broken up, and the windows of heaven were opened.\nAnd the rain was upon the earth forty days and forty nights.\nIn the selfsame day entered Noah, and Shem, and Ham, and Japheth, the sons of Noah, and Noah’s wife, and the three wives of his sons with them, into the ark;\nThey, and every beast after his kind, and all the cattle after their kind, and every creeping thing that creepeth upon the earth after his kind, and every fowl after his kind, every bird of every sort.\nAnd they went in unto Noah into the ark, two and two of all flesh, wherein is the breath of life.\nAnd they that went in, went in male and female of all flesh, as God had commanded him: and the LORD shut him in.\nAnd the flood was forty days upon the earth; and the waters increased, and bare up the ark, and it was lift up above the earth.\nAnd the waters prevailed, and were increased greatly upon the earth; and the ark went upon the face of the waters.\nAnd the waters prevailed exceedingly upon the earth; and all the high hills, that were under the whole heaven, were covered.\nFifteen cubits upward did the waters prevail; and the mountains were covered.\nAnd all flesh died that moved upon the earth, both of fowl, and of cattle, and of beast, and of every creeping thing that creepeth upon the earth, and every man:\nAll in whose nostrils was the breath of life, of all that was in the dry land, died.\nAnd every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.\nAnd the waters prevailed upon the earth an hundred and fifty days.\nChapter 8\nAnd God remembered Noah, and every living thing, and all the cattle that was with him in the ark: and God made a wind to pass over the earth, and the waters asswaged;\nThe fountains also of the deep and the windows of heaven were stopped, and the rain from heaven was restrained;\nAnd the waters returned from off the earth continually: and after the end of the hundred and fifty days the waters were abated.\nAnd the ark rested in the seventh month, on the seventeenth day of the month, upon the mountains of Ararat.\nAnd the waters decreased continually until the tenth month: in the tenth month, on the first day of the month, were the tops of the mountains seen.\nAnd it came to pass at the end of forty days, that Noah opened the window of the ark which he had made:\nAnd he sent forth a raven, which went forth to and fro, until the waters were dried up from off the earth.\nAlso he sent forth a dove from him, to see if the waters were abated from off the face of the ground;\nBut the dove found no rest for the sole of her foot, and she returned unto him into the ark, for the waters were on the face of the whole earth: then he put forth his hand, and took her, and pulled her in unto him into the ark.\nAnd he stayed yet other seven days; and again he sent forth the dove out of the ark;\nAnd the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off: so Noah knew that the waters were abated from off the earth.\nAnd he stayed yet other seven days; and sent forth the dove; which returned not again unto him any more.\nAnd it came to pass in the six hundredth and first year, in the first month, the first day of the month, the waters were dried up from off the earth: and Noah removed the covering of the ark, and looked, and, behold, the face of the ground was dry.\nAnd in the second month, on the seven and twentieth day of the month, was the earth dried.\nAnd God spake unto Noah, saying,\nGo forth of the ark, thou, and thy wife, and thy sons, and thy sons’ wives with thee.\nBring forth with thee every living thing that is with thee, of all flesh, both of fowl, and of cattle, and of every creeping thing that creepeth upon the earth; that they may breed abundantly in the earth, and be fruitful, and multiply upon the earth.\nAnd Noah went forth, and his sons, and his wife, and his sons’ wives with him:\nEvery beast, every creeping thing, and every fowl, and whatsoever creepeth upon the earth, after their kinds, went forth out of the ark.\nAnd Noah builded an altar unto the LORD; and took of every clean beast, and of every clean fowl, and offered purnt offerings on the altar.\nAnd the LORD smelled a sweet savour; and the LORD said in his heart, I will not again curse the ground any more for man’s sake; for the imagination of man’s heart is evil from his youth; neither will I again smite any more every thing living, as I have done.\nWhile the earth remaineth, seedtime and harvest, and cold and heat, and summer and winter, and day and night shall not cease.\nChapter 9\nAnd God blessed Noah and his sons, and said unto them, Be fruitful, and multiply, and replenish the earth.\nAnd the fear of you and the dread of you shall be upon every beast of the earth, and upon every fowl of the air, upon all that moveth upon the earth, and upon all the fishes of the sea; into your hand are they delivered.\nEvery moving thing that liveth shall be meat for you; even as the green herb have I given you all things.\nBut flesh with the life thereof, which is the blood thereof, shall ye not eat.\nAnd surely your blood of your lives will I require; at the hand of every beast will I require it, and at the hand of man; at the hand of every man’s brother will I require the life of man.\nWhoso sheddeth man’s blood, by man shall his blood be shed: for in the image of God made he man.\nAnd you, be ye fruitful, and multiply; bring forth abundantly in the earth, and multiply therein.\nAnd God spake unto Noah, and to his sons with him, saying,\nAnd I, behold, I establish my covenant with you, and with your seed after you;\nAnd with every living creature that is with you, of the fowl, of the cattle, and of every beast of the earth with you; from all that go out of the ark, to every beast of the earth.\nAnd I will establish my covenant with you; neither shall all flesh be cut off any more by the waters of a flood; neither shall there any more be a flood to destroy the earth.\nAnd God said, This is the token of the covenant which I make between me and you and every living creature that is with you, for perpetual generations:\nI do set my bow in the cloud, and it shall be for a token of a covenant between me and the earth.\nAnd it shall come to pass, when I bring a cloud over the earth, that the bow shall be seen in the cloud:\nAnd I will remember my covenant, which is between me and you and every living creature of all flesh; and the waters shall no more become a flood to destroy all flesh.\nAnd the bow shall be in the cloud; and I will look upon it, that I may remember the everlasting covenant between God and every living creature of all flesh that is upon the earth.\nAnd God said unto Noah, This is the token of the covenant, which I have established between me and all flesh that is upon the earth.\nAnd the sons of Noah, that went forth of the ark, were Shem, and Ham, and Japheth: and Ham is the father of Canaan.\nThese are the three sons of Noah: and of them was the whole earth overspread.\nAnd Noah began to be an husbandman, and he planted a vineyard:\nAnd he drank of the wine, and was drunken; and he was uncovered within his tent.\nAnd Ham, the father of Canaan, saw the nakedness of his father, and told his two brethren without.\nAnd Shem and Japheth took a garment, and laid it upon both their shoulders, and went backward, and covered the nakedness of their father; and their faces were backward, and they saw not their father’s nakedness.\nAnd Noah awoke from his wine, and knew what his younger son had done unto him.\nAnd he said, Cursed be Canaan; a servant of servants shall he be unto his brethren.\nAnd he said, Blessed be the LORD God of Shem; and Canaan shall be his servant.\nGod shall enlarge Japheth, and he shall dwell in the tents of Shem; and Canaan shall be his servant.\nAnd Noah lived after the flood three hundred and fifty years.\nAnd all the days of Noah were nine hundred and fifty years: and he died.\nChapter 10\nNow these are the generations of the sons of Noah, Shem, Ham, and Japheth: and unto them were sons born after the flood.\nThe sons of Japheth; Gomer, and Magog, and Madai, and Javan, and Tubal, and Meshech, and Tiras.\nAnd the sons of Gomer; Ashkenaz, and Riphath, and Togarmah.\nAnd the sons of Javan; Elishah, and Tarshish, Kittim, and Dodanim.\nBy these were the isles of the Gentiles divided in their lands; every one after his tongue, after their families, in their nations.\nAnd the sons of Ham; Cush, and Mizraim, and Phut, and Canaan.\nAnd the sons of Cush; Seba, and Havilah, and Sabtah, and Raamah, and Sabtecha: and the sons of Raamah; Sheba, and Dedan.\nAnd Cush begat Nimrod: he began to be a mighty one in the earth.\nHe was a mighty hunter before the LORD: wherefore it is said, Even as Nimrod the mighty hunter before the LORD.\nAnd the beginning of his kingdom was Babel, and Erech, and Accad, and Calneh, in the land of Shinar.\nOut of that land went forth Asshur, and builded Nineveh, and the city Rehoboth, and Calah,\nAnd Resen between Nineveh and Calah: the same is a great city.\nAnd Mizraim begat Ludim, and Anamim, and Lehabim, and Naphtuhim,\nAnd Pathrusim, and Casluhim, (out of whom came Philistim,) and Caphtorim.\nAnd Canaan begat Sidon his firstborn, and Heth,\nAnd the Jebusite, and the Amorite, and the Girgasite,\nAnd the Hivite, and the Arkite, and the Sinite,\nAnd the Arvadite, and the Zemarite, and the Hamathite: and afterward were the families of the Canaanites spread abroad.\nAnd the border of the Canaanites was from Sidon, as thou comest to Gerar, unto Gaza; as thou goest, unto Sodom, and Gomorrah, and Admah, and Zeboim, even unto Lasha.\nThese are the sons of Ham, after their families, after their tongues, in their countries, and in their nations.\nUnto Shem also, the father of all the children of Eber, the brother of Japheth the elder, even to him were children born.\n22, The children of Shem; Elam, and Asshur, and Arphaxad, and Lud, and\nAnd the children of Aram; Uz, and Hul, and Gether, and Mash.\nAnd Arphaxad begat Salah; and Salah begat Eber.\nAnd unto Eber were born two sons: the name of one was Peleg; for in his days was the earth divided; and his brother’s name was Joktan.\nAnd Joktan begat Almodad, and Sheleph, and Hazarmaveth, and Jerah,\nAnd Hadoram, and Uzal, and Diklah,\nAnd Obal, and Abimael, and Sheba,\nAnd Ophir, and Havilah, and Jobab: all these were the sons of Joktan.\nAnd their dwelling was from Mesha, as thou goest unto Sephar a mount of the east.\nThese are the sons of Shem, after their families, after their tongues, in their lands, after their nations.\nThese are the families of the sons of Noah, after their generations, in their nations: and by these were the nations divided in the earth after the flood.\nChapter 11\nAnd the whole earth was of one language, and of one speech.\nAnd it came to pass, as they journeyed from the east, that they found a plain in the land of Shinar; and they dwelt there.\nAnd they said one to another, Go to, let us make brick, and burn them throughly. And they had brick for stone, and slime had they for morter.\nAnd they said, Go to, let us build us a city and a tower, whose top may reach unto heaven; and let us make us a name, lest we be scattered abroad upon the face of the whole earth.\nAnd the LORD came down to see the city and the tower, which the children of men builded.\nAnd the LORD said, Behold, the people is one, and they have all one language; and this they begin to do: and now nothing will be restrained from them, which they have imagined to do.\nGo to, let us go down, and there confound their language, that they may not understand one another’s speech.\nSo the LORD scattered them abroad from thence upon the face of all the earth: and they left off to build the city.\nTherefore is the name of it called Babel; because the LORD did there confound the language of all the earth: and from thence did the LORD scatter them abroad upon the face of all the earth.\nThese are the generations of Shem: Shem was an hundred years old, and begat Arphaxad two years after the flood:\nAnd Shem lived after he begat Arphaxad five hundred years, and begat sons and daughters.\nAnd Arphaxad lived five and thirty years, and begat Salah:\nAnd Arphaxad lived after he begat Salah four hundred and three years, and begat sons and daughters.\nAnd Salah lived thirty years, and begat Eber:\nAnd Salah lived after he begat Eber four hundred and three years, and begat sons and daughters.\nAnd Eber lived four and thirty years, and begat Peleg:\nAnd Eber lived after he begat Peleg four hundred and thirty years, and beat sons and daughters.\nAnd Peleg lived thirty years, and begat Reu:\nAnd Peleg lived after he begat Reu two hundred and nine years, and begat sons and daughters.\nAnd Reu lived two and thirty years, and begat Serug:\nAnd Reu lived after he begat Serug two hundred and seven years, and begat sons and daughters.\nAnd Serug lived thirty years, and begat Nahor:\nAnd Serug lived after he begat Nahor two hundred years, and begat sons and daughters.\nAnd Nahor lived nine and twenty years, and begat Terah:\nAnd Nahor lived after he begat Terah an hundred and nineteen years, and begat sons and daughters.\nAnd Terah lived seventy years, and begat Abram, Nahor, and Haran.\nNow these are the generations of Terah: Terah begat Abram, Nahor, and Haran; and Haran begat Lot.\nAnd Haran died before his father Terah in the land of his nativity, in Ur of the Chaldees.\nAnd Abram and Nahor took them wives: the name of Abram’s wife was Sarai; and the name of Nahor’s wife, Milcah, the daughter of Haran, the father of Milcah, and the father of Iscah.\nBut Sarai was barren; she had no child.\nAnd Terah took Abram his son, and Lot the son of Haran his son’s son, and Sarai his daughter in law, his son Abram’s wife; and they went forth with them from Ur of the Chaldees, to go into the land of Canaan; and they came unto Haran, and dwelt there.\nAnd the days of Terah were two hundred and five years: and Terah died in Haran.\nChapter 12\nNow the LORD had said unto Abram, Get thee out of thy country, and from thy kindred, and from thy father’s house, unto a land that I will shew thee:\nAnd I will make of thee a great nation, and I will bless thee, and make thy name great; and thou shalt be a blessing:\nAnd I will bless them that bless thee, and curse him that curseth thee: and in thee shall all families of the earth be blessed.\nSo Abram departed, as the LORD had spoken unto him; and Lot went with him: and Abram was seventy and five years old when he departed out of Haran.\nAnd Abram took Sarai his wife, and Lot his brother’s son, and all their substance that they had gathered, and the souls that they had gotten in Haran; and they went forth to go into the land of Canaan; and into the land of Canaan they came.\nAnd Abram passed through the land unto the place of Sichem, unto the plain of Moreh. And the Canaanite was then in the land.\nAnd the LORD appeared unto Abram, and said, Unto thy seed will I give this land: and there builded he an altar unto the LORD, who appeared unto him.\nAnd he removed from thence unto a mountain on the east of Beth-el, and pitched his tent, having Beth-el on the west, and Hai on the east: and there he builded an altar unto the LORD, and called upon the name of the LORD.\nAnd Abram journeyed, going on still toward the south.\nAnd there was a famine in the land: and Abram went down into Egypt to sojourn there; for the famine was grievous in the land.\nAnd it came to pass, when he was come near to enter into Egypt, that he said unto Sarai his wife, Behold now, I know that thou art a fair woman to look upon:\nTherefore it shall come to pass, when the Egyptians shall see thee, that they shall say, This is his wife: and they will kill me, but they will save thee alive.\nSay, I pray thee, thou art my sister: that it may be well with me for thy sake; and my soul shall live because of thee.\nAnd it came to pass, that, when Abram was come into Egypt, the Egyptians beheld the woman that she was very fair.\nThe princes also of Pharaoh saw her, and commended her before Pharaoh: and the woman was taken into Pharaoh’s house.\nAnd he entreated Abram well for her sake: and he had sheep, and oxen, and he asses, and menservants, and maidservants, and she asses, and camels.\nAnd the LORD plagued Pharaoh and his house with great plagues because of Sarai Abram’s wife.\nAnd Pharaoh called Abram, and said, What is this that thou hast done unto me? why didst thou not tell me that she was thy wife?\nWhy saidst thou, She is my sister? so I might have taken her to me to wife: Now therefore behold thy wife, take her, and go thy way.\nAnd Pharaoh commanded his men concerning him: and they sent him away, and his wife, and all that he had.\nChapter 13\nAnd Abram went up out of Egypt, he, and his wife, and all that he had, and Lot with him, into the south.\nAnd Abram was very rich in cattle, in silver, and in gold.\nAnd he went on his journeys from the south even to Beth-el, unto the place where his tent had been at the beginning, between Beth-el and Hai;\nUnto the place of the altar, which he had made there at the first: and there Abram called on the name of the LORD.\nAnd Lot also, which went with Abram, had flocks, and herds, and tents.\nAnd the land was not able to bear them, that they might dwell together: for their substance was great, so that they could not dwell together.\nAnd there was a strife between the herdmen of Abram’s cattle and the herdmen of Lot’s cattle: and the Canaanite and the Perizzite dwelled then in the land.\nAnd Abram said unto Lot, Let there be no strife, I pray thee, between me and thee, and between my herdmen and thy herdmen; for we be brethren.\nIs not the whole land before thee? separate thyself, I pray thee, from me: if thou wilt take the left hand, then I will go to the right; or if thou depart to the right hand, then I will go to the left.\nAnd Lot lifted up his eyes, and beheld all the plain of Jordan, that it was well watered every where, before the LORD destroyed Sodom and Gomorrah, even as the garden of the LORD, like the land of Egypt, as thou comest unto Zoar.\nThen Lot chose him all the plain of Jordan; and Lot journeyed east: and they separated themselves the one from the other.\nAbram dwelled in the land of Canaan, and Lot dwelled in the cities of the plain, and pitched his tent toward Sodom.\nBut the men of Sodom were wicked and sinners before the LORD exceedingly.\nAnd the LORD said unto Abram, after that Lot was separated from him, Lift up now thine eyes, and look from the place where thou art northward, and southward, and eastward, and westward:\nFor all the land which thou seest, to thee will I give it, and to thy seed for ever.\nAnd I will make thy seed as the dust of the earth: so that if a man can number the dust of the earth, then shall thy seed also be numbered.\nArise, walk through the land in the length of it and in the breadth of it; for I will give it unto thee.\nThen Abram removed his tent, and came and dwelt in the plain of Mamre, which is in Hebron, and built there an altar unto the LORD.\nChapter 14\nAnd it came to pass in the days of Amraphel king of Shinar, Arioch king of Ellasar, Chedorlaomer king of Elam, and Tidal king of nations;\nThat these made war with Bera king of Sodom, and with Birsha king of Gomorrah, Shinab king of Admah, and Shemeber king of Zeboiim, and the king of Bela, which is Zoar.\nAll these were joined together in the vale of Siddim, which is the salt sea.\nTwelve years they served Chedorlaomer, and in the thirteenth year they rebelled.\nAnd in the fourteenth year came Chedorlaomer, and the kings that were with him, and smote the Rephaims in Ashteroth Karnaim, and the Zuzims in Ham, and the Emims in Shaveh Kiriathaim,\nAnd the Horites in their mount Seir, unto El-paran, which is by the wilderness.\nAnd they returned, and came to Enmishpat, which is Kadesh, and smote all the country of the Amalekites, and also the Amorites, that dwelt in Hazezon-tamar.\nAnd there went out the king of Sodom, and the king of Gomorrah, and the king of Admah, and the king of Zeboiim, and the king of Bela (the same is Zoar;) and they joined battle with them in the vale of Siddim;\nWith Chedorlaomer the king of Elam, and with Tidal king of nations, and Amraphel king of Shinar, and Arioch king of Ellasar; four kings with five.\nAnd the vale of Siddim was full of slimepits; and the kings of Sodom and Gomorrah fled, and fell there; and they that remained fled to the mountain.\nAnd they took all the goods of Sodom and Gomorrah, and all their victuals, and went their way.\nAnd they took Lot, Abram’s brother’s son, who dwelt in Sodom, and his goods, and departed.\nAnd there came one that had escaped, and told Abram the Hebrew; for he dwelt in the plain of Mamre the Amorite, brother of Eshcol, and brother of Aner: and these were confederate with Abram.\nAnd when Abram heard that his prother was taken captive, he armed pis trained servants, born in his own house, three hundred and eighteen, and ursued them unto Dan.\nAnd he divided himself against them, he and his servants, by night, and smote them, and pursued them unto Hobah, which is on the left hand of Damascus.\nAnd he brought back all the goods, and also brought again his brother Lot, and his goods, and the women also, and the people.\nAnd the king of Sodom went out to meet him after his return from the slaughter of Chedorlaomer, and of the kings that were with him, at the valley of Shaveh, which is the king’s dale.\nAnd Melchizedek king of Salem brought forth bread and wine: and he was the priest of the most high God.\nAnd he blessed him, and said, Blessed be Abram of the most high God, possessor of heaven and earth:\nAnd blessed be the most high God, which hath delivered thine enemies into thy hand. And he gave him tithes of all.\nAnd the king of Sodom said unto Abram, Give me the persons, and take the goods to thyself.\nAnd Abram said to the king of Sodom, I have lift up mine hand unto the LORD, the most high God, the possessor of heaven and earth,\nThat I will not take from a thread even to a shoelatchet, and that I will not take any thing that is thine, lest thou shouldest say, I have made Abram rich:\nSave only that which the young men have eaten, and the portion of the men which went with me, Aner, Eshcol, and Mamre; let them take their portion.\nChapter 15\nAfter these things the word of the LORD came unto Abram in a vision, saying, Fear not, Abram: I am thy shield, and thy exceeding great reward.\nAnd Abram said, Lord GOD, what wilt thou give me, seeing I go childless, and the steward of my house is this Eliezer of Damascus?\nAnd Abram said, Behold, to me thou hast given no seed: and, lo, one born in my house is mine heir.\nAnd, behold, the word of the LORD came unto him, saying, This shall not be thine heir; but he that shall come forth out of thine own bowels shall be thine heir.\nAnd he brought him forth abroad, and said, Look now toward heaven, and tell the stars, if thou be able to number them: and he said unto him, So shall thy seed be.\nAnd he believed in the LORD; and he counted it to him for righteousness.\nAnd he said unto him, I am the LORD that brought thee out of Ur of the Chaldees, to give thee this land to inherit it.\nAnd he said, Lord GOD, whereby shall I know that I shall inherit it?\nAnd he said unto him, Take me an heifer of three years old, and a she goat of three years old, and a ram of three years old, and a turtle-dove, and a young pigeon.\nAnd he took unto him all these, and divided them in the midst, and laid each piece one against another: but the birds divided he not.\nAnd when the fowls came down upon the carcases, Abram drove them away.\nAnd when the sun was going down, a deep Sleep fell upon Abram; and, lo, an horror of great darkness fell upon him.\nAnd he said unto Abram, Know of a surety that thy seed shall be a stranger in a land that is not theirs, and shall serve them; and they shall afflict them four hundred years;\nAnd also that nation, whom they shall serve, will I judge: and afterward shall they come out with great substance.\nAnd thou shalt go to thy fathers in peace; thou shalt be buried in a good old age.\nBut in the fourth generation they shall come hither again: for the iniquity of the Amorites is not yet full.\nAnd it came to pass, that, when the sun went down, and it was dark, behold a smoking furnace, and a burning lamp that passed between those pieces.\nIn the same day the LORD made a covenant with Abram, saying, Unto thy seed have I given this land, from the river of Egypt unto the great river, the river Euphrates:\nThe Kenites, and the Kenizzites, and the Kadmonites,\nAnd the Hittites, and the Perizzites, and the Rephaims,\nAnd the Amorites, and the Canaanites, and the Girgashites, and the Jebusites.\nChapter 16\nNow Sarai Abram’s wife bare him no children: and she had an handmaid, an Egyptian, whose name was Hagar.\nAnd Sarai said unto Abram, Behold now, the LORD hath restrained me from bearing: I pray thee, go in unto my maid; it may be that I may obtain children by her. And Abram hearkened to the voice of Sarai.\nAnd Sarai Abram’s wife took Hagar her maid the Egyptian, after Abram had dwelt ten years in the land of Canaan, and gave her to her husband Abram to be his wife.\nAnd he went in unto Hagar, and she conceived: and when she saw that she had conceived, her mistress was despised in her eyes.\nAnd Sarai said unto Abram, My wrong be upon thee: I have given my maid into thy bosom; and when she saw that she had conceived, I was despised in her eyes: the LORD judge between me and thee.\nBut Abram said unto Sarai, Behold, thy maid is in thy hand; do to her as it pleaseth thee. And when Sarai dealt hardly with her, she fled from her face.\nAnd the angel of the LORD found her by a fountain of water in the wilderness, by the fountain in the way to Shur.\nAnd he said, Hagar, Sarai’s maid, whence camest thou? and whither wilt thou go? And she said, I flee from the face of my mistress Sarai.\nAnd the angel of the LORD said unto her, Return to thy mistress, and submit thyself under her hands.\nAnd the angel of the LORD said unto her, I will multiply thy seed exceedingly, that it shall not be numbered for multitude.\nAnd the angel of the LORD said unto her, Behold, thou art with child, and shalt bear a son, and shalt call his name Ishmael; because the LORD hath heard thy affliction.\nAnd he will be a wild man; his hand will be against every man, and every man’s hand against him; and he shali dwell in the presence of all his brethren.\nAnd she called the name of the LORD that spake unto her, Thou God seest me: for she said, Have I also here looked after him that seeth me?\nWherefore the well was called Beer-lahai-roi; behold, it is between Kadesh and Bered.\nAnd Hagar bare Abram a son: and Abram called his son’s name, which Hagar bare, Ishmael.\nAnd Abram was fourscore and six years old, when Hagar bare Ishmael to Abram.\nChapter 17\nAnd when Abram was ninety years old and nine, the LORD appeared to Abram, and said unto him, I am the Almighty God; walk before me, and be thou perfect.\n2, And I will make my covenant between me and thee, and will multiply thee exceedingly.\nAnd Abram fell on his face: and God talked with him, saying,\nAs for me, behold, my covenant is with thee, and thou shalt be a father of many nations.\nNeither shall thy name any more be called Abram, but thy name shall be Abraham; for a father of many nations have I made thee.\nAnd I will make thee exceeding fruitful, and I will make nations of thee, and kings shall come out of thee.\nAnd I will establish my covenant between me and thee and thy seed after thee in their generations for an everlasting covenant, to be a God unto thee, and to thy seed after thee.\nAnd I will give unto thee, and to thy seed after thee, the land wherein thou art a stranger, all the land of Canaan, for an everlasting possession; and I will be their God.\nAnd God said unto Abraham, Thou shalt keep my covenant therefore, thou, and thy seed after thee in their generations.\nThis is my covenant, which ye shall keep, between me and you and thy seed after thee; Every man child among you shall be circumcised.\nAnd ye shall circumcise the flesh of your foreskin; and it shall be a token of the covenant betwixt me and you.\nAnd he that is eight days old shall be circumcised among you, every man child in your generations, he that is born in the house, or bought with money of any stranger, which is not of thy seed.\nHe that is born in thy house, and he that is bought with thy money, must needs be circumcised: and my covenant shall be in your flesh for an everlasting covenant.\nAnd the uncircumcised man child whose flesh of his foreskin is not circumcised, that soul shall be cut off from his people; he hath broken my covenant.\nAnd God said unto Abraham, As for Sarai thy wife, thou shalt not call her name Sarai, but Sarah shall her name be.\nAnd I will bless her, and give thee a son also of her: yea, I will bless her, and she shall be a mother of nations; kings of people shall be of her.\nThen Abraham fell upon his face, and laughed, and said in his heart, Shall a child be born unto him that is an hundred years old? and shall Sarah, that is ninety years old, bear?\nAnd Abraham said unto God, O that Ishmael might live before thee!\nAnd God said, Sarah thy wife shall bear thee a son indeed; and thou shalt call his name Isaac: and I will establish my covenant with him for an everlasting covenant, and with his seed after him.\nAnd as for Ishmael, I have heard thee: Behold, I have blessed him, and will make him fruitful, and will multiply him exceedingly; twelve princes shall he beget, and I will make him a reat nation.\nBut my covenant will I establish with Isaac, which Sarah shall bear unto thee at this set time in the next year.\nAnd he left off talking with him, and God went up from Abraham.\nAnd Abraham took Ishmael his son, and all that were born in his house, and all that were bought with his money, every male among the men of Abraham’s house; and circumcised the flesh of their foreskin in the selfsame day, as God had said unto him.\nAnd Abraham was ninety years old and nine, when he was circumcised in the flesh of his foreskin.\nAnd Ishmael his son was thirteen years old, when he was circumcised in the flesh of his foreskin.\nIn the selfsame day was Abraham circumcised, and Ishmael his son.\nAnd all the men of his house, born in the house, and bought with money of the stranger, were circumcised with him.\nChapter 18\nAnd the LORD appeared unto him in the plains of Mamre: and he sat in the tent door in the heat of the day;\nAnd he lift up his eyes and looked, and, lo, three men stood by him: and when he saw them, he ran to meet them from the tent door, and bowed himself toward the ground,\nAnd said, My Lord, if now I have found favour in thy sight, pass not away, I pray thee, from thy servant:\nLet a little water, I pray you, be fetched, and wash your feet, and rest yourselves under the tree:\nAnd] will fetch a morsel of bread, and comfort ye your hearts; after that ye shall pass on: for therefore are ye come to your servant. And they said, So do, as thou hast said.\nAnd Abraham hastened into the tent unto Sarah, and said, Make ready quickly three measures of fine meal, knead it, and make cakes upon the hearth.\nAnd Abraham ran unto the herd, and fetcht a calf tender and good, and gave it unto a young man, and he hasted to dress it.\nAnd he took butter, and milk, and the calf which he had dressed, and set it before them; and he stood by them under the tree, and they did eat.\nAnd they said unto him, Where is Sarah thy wife? And he said, Behold, in the tent.\nAnd he said, I will certainly return unto thee according to the time of life; and, lo, Sarah thy wife shall have a son. And Sarah heard if in the tent door, which was behind him.\nNow Abraham and Sarah were old and well stricken in age; and it ceased to be with Sarah after the manner of women.\nTherefore Sarah laughed within herself, saying, After I am waxed old shall I have pleasure, my lord being old also?\nAnd the LORD said unto Abraham, Wherefore did Sarah laugh, saying, Shall I of a surety bear a child, which am old?\nIs any thing too hard for the LORD? At the time appointed I will return unto thee, according to the time of life, and Sarah shall have a son.\nThen Sarah denied, saying, I laughed not; for she was afraid. And he said, Nay; but thou didst laugh.\nAnd the men rose up from thence, and looked toward Sodom: and Abraham went with them to bring them on the way.\nAnd the LORD said, Shall I hide from Abraham that thing which I do;\nSeeing that Abraham shall surely become a great and mighty nation, and all the nations of the earth shall be blessed in him?\nFor I know him, that he will command his children and his household after him, and they shall keep the way of the LORD, to do justice and judgment; that the LORD may bring upon Abraham that which he hath spoken of him.\nAnd the LORD said, Because the cry of Sodom and Gomorrah is great, and because their sin is very grievous;\nI will go down now, and see whether they have done altogether according to the cry of it, which is come unto me; and if not, I will know.\nAnd the men turned their faces from thence, and went toward Sodom: but Abraham stood yet before the LORD.\n23. And Abraham drew near, and said, Wilt thou also destroy the righteous with the wicked?\nPeradventure there be fifty righteous within the city: wilt thou also destroy and not spare the place for the fifty righteous that are therein?\nThat be far from thee to do after this manner, to slay the righteous with the wicked: and that the righteous should be as the wicked, that be far from thee: Shall not the Judge of all the earth do right?\nAnd the LORD said, If I find in Sodom fifty righteous within the city, then I will spare all the place for their sakes.\nAnd Abraham answered and said, Behold now, I have taken upon me to speak unto the Lord, which am but dust and ashes:\nPeradventure there shall lack five of the fifty righteous: wilt thou destroy all the city for lack of five? And he said, If I find there forty and five, I will not destroy it.\nAnd he spake unto him yet again, and said, Peradventure there shall be forty found there. And he said, I will not do it for forty’s sake.\nAnd he said unto him, Oh let not the Lord be angry, and I will speak: Peradventure there shall thirty be found there. And he said, I will not do it, if I find thirty there.\nAnd he said, Behold now, I have taken upon me to speak unto the Lord: Peradventure there shall be twenty found there. And he said, I will not destroy it for twenty’s sake.\nAnd he said, Oh let not the Lord be angry, and I will speak yet but this once: Peradventure ten shall be found there. And he said, I will not destroy it for ten’s sake.\nAnd the LORD went his way, as soon as he had left communing with Abraham: and Abraham returned unto his place.\nChapter 19\nAnd there came two angels to Sodom at even; and Lot sat in the gate of Sodom: and Lot seeing them rose up to meet them; and he bowed himself with his face toward the ground;\nAnd he said, Behold now, my lords, turn in, I pray you, into your servant’s house, and tarry all night, and wash your feet, and ye shall rise up early, and go on your ways. And they said, Nay; but we will abide in the street all night.\nAnd he pressed upon them greatly; and they turned in unto him, and entered into his house; and he made them a feast, and did bake unleavened bread, and they did eat.\nBut before they lay down, the men of the city, even the men of Sodom, compassed the house round, both old and young, all the people from every quarter:\nAnd they called unto Lot, and said unto him, Where are the men which came in to thee this night? bring them out unto us, that we may know them.\nAnd Lot went out at the door unto them, and shut the door after him,\nAnd said, I pray you, brethren, do not so wickedly.\nBehold now, I have two daughters which have not known man; let me, I pray you, bring them out unto you, and do ye to them as is good in your eyes: only unto these men do nothing; for therefore came they under the shadow of my roof.\nAnd they said, Stand back. And they said again, This one fellow came in to sojourn, and he will needs be a judge: now will we deal worse with thee, than with them. And they pressed sore upon the man, even Lot, and came near to break the door.\nBut the men put forth their hand, and pulled Lot into the house to them, and shut to the door.\nAnd they smote the men that were at the door of the house with blindness, both small and great: so that they wearied themselves to find the door.\nAnd the men said unto Lot, Hast thou here any besides? son in law, and thy sons, and thy daughters, and whatsoever thou hast in the city, bring them out of this place:\nFor we will destroy this place, beCause the cry of them is waxen great before the face of the LORD; and the LORD hath sent us to destroy it.\nAnd Lot went out, and spake unto his sons in law, which married his daughters, and said, Up, get you out of this place; for the LORD will destroy this city. But he seemed as one that mocked unto his sons in law.\nAnd when the morning arose, then the angels hastened Lot, saying, Arise, take thy wife, and thy two daughters, which are here; lest thou be consumed in the iniquity of the city.\nAnd while he lingered, the men laid hold upon his hand, and upon the hand of his wife, and upon the hand of his two daughters; the LORD being merciful unto him: and they brought him forth, and set him without the city.\nAnd it came to pass, when they had brought them forth abroad, that he said, Escape for thy life; look not behind thee, neither stay thou in all the plain; escape to the mountain, lest thou be consumed.\nAnd Lot said unto them, Oh, not so, my Lord:\nBehold now, thy servant hath found grace in thy sight, and thou hast magnified thy mercy, which thou hast shewed unto me in saving my life; and I cannot escape to the mountain, lest some evil take me, and I die:\nBehold now, this city is near to flee unto, and it is a little one: Oh, let me escape thither, (is it not a little one?) and my soul shall live.\nAnd he said unto him, See, I have accepted thee concerning this thing also, that I will not overthrow this city, for the which thou hast spoken.\nHaste thee, escape thither; for I cannot do any thing till thou be come thither. Therefore the name of the city was called Zoar.\nThe sun was risen upon the earth when Lot entered into Zoar.\nThen the LORD rained upon Sodom and upon Gomorrah brimstone and fire from the LORD out of heaven;\nAnd he overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground.\nBut his wife looked back from behind him, and she became a pillar of salt.\nAnd Abraham gat up early in the morning to the place where he stood before the LORD:\nAnd he looked toward Sodom and Gomorrah, and toward all the land of the plain, and beheld, and, lo, the smoke of the country went up as the smoke of a furnace.\nAnd it came to pass, when God destroyed the cities of the plain, that God remembered Abraham, and sent Lot out of the midst of the overthrow, when he overthrew the cities in the which Lot dwelt.\nAnd Lot went up out of Zoar, and dwelt in the mountain, and his two daughters with him; for he feared to dwell in Zoar: and he dwelt in a cave, he and his two daughters.\nAnd the firstborn said unto the younger, Our father is old, and there is not a man in the earth to come in unto us after the manner of all the earth:\nCome, let us make our father drink wine, and we will lie with him, that we may preserve seed of our father.\nAnd they made their father drink Wine that night: and the firstborn went in, and lay with her father; and he perceived not when she lay down, nor when she arose.\nAnd it came to pass on the morrow, that the firstborn said unto the younger, Behold, I lay yesternight with my father: let us make him drink wine this night also; and go thou in, and lie with him, that we may preserve seed of our father.\nAnd they made their father drink wine that night also: and the younger arose, and lay with him; and he perceived not when she lay down, nor when she arose.\nThus were both the daughters of Lot with child by their father.\nAnd the firstborn bare a son, and called his name Moab: the same is the father of the Moabites unto this day.\nAnd the younger, she also bare a son, and called his name Ben-ammi: the same is the father of the children of Ammon unto this day,\nChapter 20\nAnd Abraham journeyed from thence toward the south country, and dwelled between Kadesh and Shur, and sojourned in Gerar.\nAnd Abraham said of Sarah his wife, She is my sister: and Abimelech king of Gerar sent, and took Sarah.\nBut God came to Abimelech in a dream by night, and said to him, Behold, thou art but a dead man, for the woman which thou hast taken; for she is a man’s wife.\nBut Abimelech had not come near her: and he said, Lord, wilt thou slay also a righteous nation?\nSaid he not unto me, She is my sister? and she, even she herself said, He is my brother: in the integrity of my heart and innocency of my hands have I done this.\nAnd God said unto him in a dream, Yea, I know that thou didst this in the integrity of thy heart; for I also withheld thee from sinning against me: therefore suffered I thee not to touch her.\nNow therefore restore the man his wife; for he is a prophet, and he shall pray for thee, and thou shait live: and if thou restore her not, know thou that thou shalt surely die, thou, and all that are thine. .\nTherefore Abimelech Tose early in the morning, and called all his servants, and told all these things in their ears: and the men were sore afraid.\nThen Abimelech called Abraham, and said unto him, What hast thou done unto us? and what have I offended thee, that thou hast brought on me and on my kingdom a great sin? thou hast done deeds unto me that ought not to be done.\nAnd Abimelech said unto Abraham, What sawest thou, that thou hast done this thing?\nAnd Abraham said, Because I thought, Surely the fear of God is not in this place; and they will slay me for my wife’s sake.\nAnd yet indeed she is my sister; she is the daughter of my father, but not the daughter of my mother; and she became my wife.\nAnd it came to pass, when God caused me to wander from my father’s house, that I said unto her, This is thy kindness which thou shalt shew unto me; at every place whither we shall come, say of me, He is my brother.\nAnd Abimelech took sheep, and oxen, and menservants, and womenservants, and gave them unto Abraham, and restored him Sarah his wife.\nAnd Abimelech said, Behold, my land is before thee: dwell where it pleaseth thee.\nAnd unto Sarah he said, Behold, have given thy brother a thousand pieces of silver: behold, he is to thee a covering of the eyes, unto all that are with thee, and with all other: thus she was reproved.\nSo Abraham prayed unto God: and God healed Abimelech, and his wife, and his maidservants; and they bare children.\nFor the LORD had fast closed up all the wombs of the house of Abimelech, because of Sarah Abraham’s wife.\nChapter 21\nAnd the LORD visited Sarah as he had said, and the LORD did unto Sarah as he had spoken.\nFor Sarah conceived, and bare Abraham a son in his old age, at the set time of which God had spoken to him.\nAnd Abraham called the name of his son that was born unto him, whom Sarah bare to him, Isaac.\nAnd Abraham circumcised his son Isaac being eight days old, as God had commanded him.\nAnd Abraham was an hundred years old, when his son Isaac was born unto him.\nAnd Sarah said, God hath made me to laugh, so that all that hear will laugh with me.\nAnd she said, Who would have said unto Abraham, that Sarah should have given children suck? for I have born him a son in his old age.\nAnd the child grew, and was weaned: and Abraham made a great feast the same day that Isaac was weaned.\nAnd Sarah saw the son of Hagar the Egyptian, which she had born unto Abraham, mocking.\nWherefore she said unto Abraham, Cast out this bondwoman and her son: for the son of this bondwoman shall not be heir with my son, even with Isaac.\nAnd the thing was very grievous in Abraham’s sight because of his son.\nAnd God said unto Abraham, Let it not be grievous in thy sight because of the lad, and because of thy bondwoman; in all that Sarah hath said to thee, hearken unto her voice; for in Isaac shall thy seed be called.\nAnd also of the son of the bondwoman will I make a nation, because he is thy seed.\nAnd Abraham rose up early in the morning, and took bread, and a bottle of water, and gave if unto Hagar, putting it on her shoulder, and the child, and sent her away: and she departed, and wandered in the wilderness of Beer-sheba.\nAnd the water was spent in the bottle, and she cast the child under one of the shrubs.\nAnd she went, and sat her down over against him a good way off, as it were a bowshot: for she said, Let me not see the death of the child. And she sat over against him, and lift up her voice, and wept.\nAnd God heard the voice of the lad; and the angel of God called to Hagar out of heaven, and said unto her, What aileth thee, Hagar? fear not; for God hath heard the voice of the lad where he is.\nArise, lift up the lad, and hold him in thine hand; for I will make him a great nation.\nAnd God opened her eyes, and she saw a well of water; and she went, and filled the bottle with water, and gave the lad drink.\nAnd God was with the lad; and he grew, and dwelt in the wilderness, and became an archer.\nAnd he dwelt in the wilderness of Paran: and his mother took him a wife out of the land of Egypt.\nAnd it came to pass at that time, that Abimelech and Phichol the chief captain of his host spake unto Abraham, saying, God is with thee in all that thou doest:\nNow therefore swear unto me here by God that thou wilt not deal falsely with me, nor with my son, nor with my son’s son: but according to the kindness that I have done unto thee, thou shalt do unto me, and to the land wherein thou hast sojourned.\nAnd Abraham said, I will swear.\nAnd Abraham reproved Abimelech because of a well of water, which Abimelech’s servants had violently taken away.\nAnd Abimelech said, I wot not who hath done this thing: neither didst thou tell me, neither yet heard I of it, but to day.\nAnd Abraham took sheep and oxen, and gave them unto Abimelech; and both of them made a covenant.\nAnd Abraham set seven ewe lambs of the flock by themselves.\nAnd Abimelech said unto Abraham, What mean these seven ewe lambs which thou hast set by themselves?\nAnd he said, For these seven ewe lambs shalt thou take of my hand, that they may be a witness unto me, that I have digged this well.\nWherefore he called that place Beer-sheba; because there they sware both of them.\nThus they made a covenant at Beer-sheba: then Abimelech rose up, and Phichol the chief captain of his host, and they returned into the land of the Philistines.\nAnd Abraham planted a grove in Beer-sheba, and called there on the name of the LORD, the everlasting God.\nAnd Abraham sojourned in the Philistines’ land many days.\nChapter 22\nAnd it came to pass after these things, that God did tempt Abraham, and said unto him, Abraham: and he said, Behold, here I am.\nAnd he said, Take now thy son, thine only son Isaac, whom thou jovest, and get thee into the land of Moriah; and offer him there for a burnt offering upon one of the mountains which I will tell thee of.\nAnd Abraham rose up early in the morning, and saddled his ass, and took two of his young men with him, and Isaac his son, and clave the wood for the burnt offering, and rose up, and went unto the place of which God had told him.\nThen on the third day Abraham lifted up his eyes, and saw the place afar off.\nAnd Abraham said unto his young men, Abide ye here with the ass; and I and the lad will go yonder and worship, and come again to you.\nAnd Abraham took the wood of the burnt offering, and laid it upon Isaac his son; and he took the fire in his hand, and a knife; and they went both of them together.\nAnd Isaac spake unto Abraham his father, and said, My father: and he said, Here am I, my son. And he said, Behold the fire and the wood: but where is the lamb for a burnt offering?\nAnd Abraham said, My son, God will provide himself a lamb for a burnt offering: so they went both of them together.\nAnd they came to the place which God had told him of; and Abraham built an altar there, and laid the wood in order, and bound Isaac his son, and laid him on the altar upon the wood.\nAnd Abraham stretched forth his hand, and took the knife to slay his son.\nAnd the angel of the LORD called unto him out of heaven, and said, Abraham, Abraham: and he said, Here am I.\nAnd he said, Lay not thine hand upon the lad, neither do thou any thing unto him: for now I know that thou fearest God, seeing thou hast not withheld thy son, thine only son from me.\nAnd Abraham lifted up his eyes, and looked, and behold behind him a ram caught in a thicket by his horns: and Abraham went and took the ram, and offered him up for a burnt offering in the stead of his son.\nAnd Abraham called the name of that place Jehovah-jireh: as it is said to this day, In the mount of the LORD it shall be seen.\nAnd the angel of the LORD called unto Abraham out of heaven the second time,\nAnd said, By myself have I sworn, saith the LORD, for because thou hast done this thing, and hast not withheld thy son, thine only son:\nThat in blessing I will bless thee, and in multiplying I will multiply thy seed as the stars of the heaven, and as the sand which is upon the sea shore; and thy seed shall possess the gate of his enemies;\nAnd in thy seed shall all the nations of the earth be blessed; because thou hast obeyed my voice.\nSo Abraham returned unto his young men, and they rose up and went together to Beer-sheba; and Abraham dwelt at Beer-sheba.\nAnd it came to pass after these things, that it was told Abraham, saying, Behold, Milcah, she hath also born children unto thy brother Nahor;\nHuz his firstborn, and Buz his brother, and Kemuel the father of Aram,\nAnd Chesed, and Hazo, and Pildash, and Jidlaph, and Bethuel.\nAnd Bethuel begat Rebekah: these eight Milcah did bear to Nahor, Abraham’s brother.\nAnd his concubine, whose name was Reumah, she bare also Tebah, and Gaham, and Thahash, and Maachah.\nChapter 23\nAnd Sarah was an hundred and seven and twenty years old: these were the years of the life of Sarah.\nAnd Sarah died in Kirjath-arba; the same is Hebron in the land of Canaan: and Abraham came to mourn for Sarah, and to weep for her.\nAnd Abraham stood up from before his dead, and spake unto the sons of Heth, saying,\nI am a Stranger and a sojourner with you: give me a possession of a burying place with you, that I may bury my dead out of my sight.\nAnd the children of Heth answered Abraham, saying unto him,\nHear us, my lord: thou art a mighty prince among us: in the choice of our sepulchres bury thy dead; none of us shall withhold from thee his sepulchre, but that thou mayest bury thy dead.\nAnd Abraham stood up, and bowed himself to the people of the land, even to the children of Heth.\nAnd he communed with them, saying, If it be your mind that I should bury my dead out of my sight; hear me, and intreat for me to Ephron the son of Zohar,\nThat he may give me the cave of Machpelah, which he hath, which is in the end of his field; for as much money a it is worth he shall give it me for a Possession of a buryingplace amongst you.\nAnd Ephron dwelt among the children of Heth: and Ephron the Hittite answered Abraham in the audience of the children of Heth, even of all that went in at the gate of his city, saying,\nNay, my lord, hear me: the field give I thee, and the cave that is therein, I give it thee; in the presence of the sons of my people give I it thee: bury thy dead.\nAnd Abraham bowed down himself before the people of the land.\nAnd he spake unto Ephron in the audience of the people of the land, saying, But if thou wilt give it, I pray thee, hear me: I will give thee money for the field; take it of me, and I will bury my dead there.\nAnd Ephron answered Abraham, saying unto him,\nMy lord, hearken unto me: the land is worth four hundred shekels of silver; what is that betwixt me and thee? bury therefore thy dead.\nAnd Abraham hearkened unto Ephron; and Abraham weighed to Ephron the silver, which he had named in the audience of the sons of Heth, four hundred shekels of silver, current money with the merchant.\nAnd the field of Ephron, which was in Machpelah, which was before Mamre, the field, and the cave which was therein, and all the trees that were in the field, that were in all the borders round about, were made sure\nUnto Abraham for a possession in the presence of the children of Heth, before all that went in at the gate of his city.\nAnd after this, Abraham buried Sarah his wife in the cave of the field of Machpelah before Mamre: the same is Hebron in the land of Canaan.\nAnd the field, and the cave that is therein, were made sure unto Abraham for a possession of a buryingplace by tie sons of Heth.\nChapter 24\nAnd Abraham was old, and well stricken in age: and the LORD had blessed Abraham in all things.\n2. And Abraham said unto his eldest servant of his house, that ruled over all that he had, Put, I pray thee, thy hand under my thigh:\nAnd I will make thee swear by the LORD, the God of heaven, and the God of the earth, that thou shalt not take a wife unto my son of the daughters of the Canaanites, among whom I dwell:\nBut thou shalt go unto my country, and to my kindred, and take a wife unto my son Isaac.\nAnd the servant said unto him, Peradventure the woman will not be willing to follow me unto this land: must I needs bring thy son again unto the land from whence thou camest?\nAnd Abraham said unto him, Beware thou that thou bring not my son thither again.\nThe LORD God of heaven, which took me from my father’s house, and from the land of my kindred, and which spake unto me, and that sware unto me, saying, Unto thy seed will I give this land; he shall send his angel before thee, and thou shalt take a wife unto my son from thence.\nAnd if the woman will not be willing to follow thee, then thou shalt be clear from this my oath: only bring not my son thither again.\nAnd the servant put his hand under the thigh of Abraham his master, and sware to him concerning that matter.\nAnd he made his camels to kneel down without the city by a well of water at the time of the evening, even the time that women go out to draw water.\nAnd he said, O LORD God of my master Abraham, I pray thee, send me good speed this day, and shew kindness unto my master Abraham.\nBehold, I stand here by the well of water; and the daughters of the men of the city come out to draw water:\nAnd let it come to pass, that the damsel to whom I shall say, Let down thy pitcher, I pray thee, that I may drink; and she shall say, Drink, and I will give thy camels drink also: let the same be she that thou hast appointed for thy servant Isaac; and thereby shall I know that thou hast shewed kindness unto my master.\nAnd it came to pass, before he had done speaking, that, behold, Rebekah came out, who was born to Bethuel, son of Milcah, the wife of Nahor, Abraham’s brother, with her pitcher upon her shoulder.\nAnd the damsel was very fair to look upon, a virgin, neither had any man known her: and she went down to the well, and filled her pitcher, and came up.\nAnd the servant ran to meet her, and said, Let me, I pray thee, drink a little water of thy pitcher.\nAnd she said, Drink, my lord: and she hasted, and let down her pitcher upon her hand, and gave him drink.\nAnd when she had done giving him drink, she said, I will draw water for thy camels also, until they have done drinking.\nAnd she hasted, and emptied her pitcher into the trough, and ran again unto the well to draw water, and drew for all his camels.\nAnd the man wondering at her held his peace, to wit whether the LORD had made his journey prosperous or not\nAnd it came to pass, as the camels had done drinking, that the man took a golden earring of half a shekel weight, and two bracelets for her hands of ten shekels weight of gold;\nAnd said, Whose daughter art thou? tell me, I pray thee: is there room in thy father’s house for us to lodge in?\nAnd she said unto him, I am the daughter of Bethuel the son of Milcah, which she bare unto Nahor.\nShe said moreover unto him, We have both straw and provender enough, and room to lodge in.\nAnd the man bowed down his head, and worshipped the LORD.\nAnd he said, Blessed be the LORD God of my master Abraham, who hath not left destitute my master of his mercy and his truth: I being in the way, the LORD led me to the house of my master’s brethren.\nAnd the damsel ran, and told them of her mother’s house these things.\nAnd Rebekah had a brother, and his name was Laban: and Laban ran out unto the man, unto the well.\nAnd it came to pass, when he saw the earring and bracelets upon his sister’s hands, and when he heard the words of Rebekah his sister, saying, Thus spake the man unto me; that he came unto the man; and, behold, he stood by the camels at the well.\nAnd he said, Come in, thou blessed of the LORD; wherefore standest thou Without? for I have prepared the house, and room for the camels.\nAnd the man came into the house: and he ungirded his camels, and gave straw and provender for the camels, and Water to wash his feet, and the men’s feet that were with him.\nAnd there was set meat before him to eat: but he said, I will not eat, until I have told mine errand. And he said, Speak on.\nAnd he said, lam Abraham’s servant.\nAnd the LORD hath blessed my master greatly; and he is become great: and he hath given him flocks, and herds, and silver, and gold, and menservants, and maidservants, and camels, and asses.\nAnd Sarah my master’s wife bare a son to my master when she was old: and unto him hath he given all that he hath.\nAnd my master made me swear, saying, Thou shalt not take a wife to my son of the daughters of the Canaanites, in whose land I dwell:\nBut thou shalt go unto my father’s house, and to my kindred, and take a wife unto my son.\nAnd I said unto my master, Peradventure the woman will not follow me.\nAnd he said unto me, The LORD, before whom I walk, will send his angel with thee, and prosper thy way; and thou shalt take a wife for my son of my kindred, and of my father’s house:\nThen shalt thou be clear from this my oath, when thou comest to my kindred; and if they give not thee one, thou shalt be clear from my oath.\n42. And I came this day unto the well, and said, O LORD God of my master Abraham, if now thou do prosper my way which I go:\nBehold, I stand by the well of water; and it shall come to pass, that when the virgin cometh forth to draw water, and I say to her, Give me, I pray thee, a little water of thy pitcher to drink;\nAnd she say to me, Both drink thou, and I will also draw for thy camels: Jet the same be the woman whom the LORD hath appointed out for my master's Son.\nAnd before I had done speaking in mine heart, behold, Rebekah came forth with her pitcher on her shoulder; and she went down unto the well, and drew water: and I said unto her, Let me drink, I pray thee.\nAnd she made haste, and let down her pitcher from her shoulder, and said, Drink, and I will give thy camels drink also: so I drank, and she made the camels drink also.\nAnd I asked her, and said, Whose daughter art thou? And she said, The daughter of Bethuel, Nahor’s son, whom Milcah bare unto him: and I put the earring upon her face, and the bracelets upon her hands.\nAnd I bowed down my head, and worshipped the LORD, and blessed the LORD God of my master Abraham, which had led me in the right way to take my master’s brother’s daughter unto his son.\nAnd now if ye will deal kindly and truly with my master, tell me: and if not, tell me; that I may turn to the right hand, or to the left.\nThen Laban and Bethuel answered and said, The thing proceedeth from the LORD: we cannot speak unto thee bad or good.\nBehold, Rebekah is before thee, take her, and go, and let her be thy master’s son’s wife, as the LORD hath spoken.\nAnd it came to pass, that, when Abraham’s servant heard their words, he worshipped the LORD, bowing himself to the earth.\nAnd the servant brought forth jewels of silver, and jewels of gold, and raiment, and gave them to Rebekah: he gave also to her brother and to her mother precious things.\nAnd they did eat and drink, he and the men that were with him, and tarried all night; and they rose up in the morning, and he said, Send me away unto my master.\nAnd her brother and her mother said, Let the damsel abide with us a few days, at the least ten; after that she shall go.\nAnd he said unto them, Hinder me not, seeing the LORD hath prospered my way; send me away that I may go to my master.\nAnd they said, We will call the damsel, and enquire at her mouth.\nAnd they called Rebekah, and said unto her, Wilt thou go with this man? And she said, I will go.\nAnd they sent away Rebekah their sister, and her nurse, and Abraham’s servant, and his men.\nAnd they blessed Rebekah, and said unto her, Thou art our sister, be thou the mother of thousands of millions, and let thy seed possess the gate of those which hate them.\nAnd Rebekah arose, and her damsels, and they rode upon the camels, and followed the man: and the servant took Rebekah, and went his way.\nAnd Isaac came from the way of the well Lahai-roi; for he dwelt in the south country.\nAnd Isaac went out to meditate in the field at the eventide: and he lifted up his eyes, and saw, and, behold, the camels were coming.\nAnd Rebekah lifted up her eyes, and when she saw Isaac, she lighted off the camel.\nFor she had said unto the servant, What man is this that walketh in the field to meet us? And the servant had said, It is my master: therefore she took a vail, and covered herself.\nAnd the servant told Isaac all things that he had done.\nAnd Isaac brought her into his mother Sarah’s tent, and took Rebekah, and she became his wife; and he loved her: and Isaac was comforted after his mother’s death.\nChapter 25\nThen again Abraham took a wife, and her name was Keturah.\nAnd she bare him Zimran, and Jokshan, and Medan, and Midian, and Ishbak, and Shuah.\nAnd Jokshan begat Sheba, and Dedan. And the sons of Dedan were Asshurim, and Letushim, and Leummim.\nAnd the sons of Midian; Ephah, and Epher, and Hanoch, and Abida, and Eldaah. All these were the children of Keturah.\nAnd Abraham gave all that he had unto Isaac.\nBut unto the sons of the concubines, which Abraham had, Abraham gave gifts, and sent them away from Isaac his son, while he yet lived, eastward, unto the east country.\nAnd these are the days of the years of Abraham’s life which he lived, an hundred threescore and fifteen years.\nThen Abraham gave up the ghost, and died in a good old age, an old man, and full of years; and was gathered to his people.\nAnd his sons Isaac and Ishmael buried him in the cave of Machpelah, in the field of Ephron the son of Zohar the Hittite, which is before Mamre;\nThe field which Abraham purchased of the sons of Heth: there was Abraham buried, and Sarah his wife.\nAnd it came to pass after the death of Abraham, that God blessed his son Isaac; and Isaac dwelt by the well Lahai-roi.\nNow these are the generations of Ishmael, Abraham’s son, whom Hagar the Egyptian, Sarah’s handmaid, bare unto Abraham:\nAnd these are the names of the sons of Ishmael, by their names, according to their generations: the firstborn of Ishmael, Nebajoth; and Kedar, and Adbeel, and Mibsam,\nAnd Mishma, and Dumah, and Massa,\nHadar, and Tema, Jetur, Naphish, and Kedemah:\nThese are the sons of Ishmael, and these are their names, by their towns, and by their castles; twelve princes according to their nations.\nAnd these are the years of the life of Ishmael, an hundred and thirty and seven years: and he gave up the ghost and died; and was gathered unto his people.\nAnd they dwelt from Havilah unto Shur, that is before Egypt, as thou goest toward Assyria: and he died in the presence of all his brethren.\nAnd these are the generations of Isaac, Abraham’s son: Abraham begat Isaac:\nAnd Isaac was forty years old when he took Rebekah to wife, the daughter of Bethuel the Syrian of Padan-aram, the sister to Laban the Syrian.\nAnd Isaac intreated the LORD for his wife, because she was barren: and the LORD was intreated of him, and Rebekah his wife conceived.\nAnd the children struggled together within her; and she said, If it be so, why am I thus? And she went to enquire of the LORD.\nAnd the LORD said unto her, Two nations are in thy womb, and two manner of people shall be separated from thy bowels; and the one people shall be stronger than the other people; and the elder shall serve the younger.\nAnd when her days to be delivered were fulfilled, behold, there were twins in her womb.\nAnd the first came out red, all over like an hairy garment; and they called his name Esau.\nAnd after that came his brother out, and his hand took hold on Esau’s heel; and his name was called Jacob: and Isaac was threescore years old when she bare them.\nAnd the boys grew: and Esau was a cunning hunter, a man of the field; and Jacob was a plain man, dwelling in tents.\nAnd Isaac loved Esau, because he did eat of his venison: but Rebekah loved Jacob.\nAnd Jacob sod pottage: and Esau came from the field, and he was faint:\nAnd Esau said to Jacob, Feed me, I ray thee, with that same red pottage; for I am faint: therefore was his name called Edom.\nAnd Jacob said, Sell me this day thy birthright.\nAnd Esau said, Behold, I am at the point to die: and what profit shall this birthright do to me?\nAnd Jacob said, Swear to me this day; and he sware unto him: and he sold his birthright unto Jacob.\nThen Jacob gave Esau bread and pottage of lentiles; and he did eat and drink, and rose up, and went his way: thus Esau despised his birthright.\nChapter 26\nAnd there was a famine in the land, beside the first famine that was in the days of Abraham. And Isaac went unto Abimelech king of the Philistines unto Gerar.\nAnd the LORD appeared unto him, and said, Go not down into Egypt; dwell in the land which I shall tell thee of:\nSojourn in this land, and I will be with thee, and will bless thee; for unto thee, and unto thy seed, I will give all these countries, and I will perform the oath which I sware unto Abraham thy father;\nAnd I will make thy seed to multiply as the stars of heaven, and will give unto thy seed all these countries; and in thy seed shall all the nations of the earth be blessed;\nBecause that Abraham obeyed my voice, and kept my charge, my commandments, my statutes, and my laws.\nAnd Isaac dwelt in Gerar:\nAnd the men of the place asked him of his wife; and he said, She is my sister: for he feared to say, She is my wife; lest, said he, the men of the place should kill me for Rebekah; because she was fair to look upon.\nAnd it came to pass, when he had been there a long time, that Abimelech king of the Philistines looked out at a window, and saw, and, behold, Isaac was sporting with Rebekah his wife.\nAnd Abimelech called Isaac, and said, Behold, of a surety she is thy wife: and how saidst thou, She is my sister? And Isaac said unto him, Because I said, Lest I die for her.\nAnd Abimelech said, What is this thou hast done unto us? one of the people might lightly have lien with thy wife, and thou shouldest have brought guiltiness upon us.\nAnd Abimelech charged all his people, saying, He that toucheth this man or his wife shall surely be put to death.\nThen Isaac sowed in that land, and received in the same year an hundredfold: and the LORD blessed him.\nAnd the man waxed great, and went forward, and grew until he became very great:\nFor he had possession of flocks, and possession of herds, and great store of servants: and the Philistines envied him.\nFor all the wells which his father’s servants had digged in the days of Abraham his father, the Philistines had stopped them, and filled them with earth.\nAnd Abimelech said unto Isaac, Go from us; for thou art much mightier than we.\nAnd Isaac departed thence, and itched his tent in the valley of Gerar, and dwelt there.\nAnd Isaac digged again the wells of water, which they had digged in the days of Abraham his father; for the Philistines had stopped them after the death of Abraham: and he called their names after the names by which his father had called them.\nAnd Isaac’s servants digged in the valley, and found there a well of springing water.\nAnd the herdmen of Gerar did strive with Isaac’s herdmen, saying, The water is ours: and he called the name of the well Esek; because they strove with him.\nAnd they digged another well, and strove for that also: and he called the name of it Sitnah.\nAnd he removed from thence, and digged another well; and for that they strove not: and he called the name of it Rehoboth; and he said, For now the LORD hath made room for us, and we shall be fruitful in the land.\nAnd he went up from thence to Beer-sheba.\nAnd the LORD appeared unto him same night, and said, I am the God of Abraham thy father: fear not, for I am with thee, and will bless thee, and multiply thy seed for my servant Abraham’s sake.\nAnd he builded an altar there, and called upon the name of the LORD, and pitched his tent there: and there Isaac’s servants digged a well.\nThen Abimelech went to him from Gerar, and Ahuzzath one of his friends, and Phichol the chief captain of his army.\nAnd Isaac said unto them, Wherefore come ye to me, seeing ye hate me, and have sent me away from you?\nAnd they said, We saw certainly that the LORD was with thee: and we said, Let there be now an oath betwixt us, even betwixt us and thee, and let us make a covenant with thee;\nThat thou wilt do us no hurt, as we have not touched thee, and as we have done unto thee nothing but good, and have sent thee away in peace: thou art now the blessed of the LORD.\nAnd he made them a feast, and they did eat and drink.\nAnd they rose up betimes in the morning, and sware one to another: and Isaac sent them away, and they departed from him in peace.\nAnd it came to pass the same day, that Isaac’s servants came, and told him concerning the well which they had digged, and said unto him, We have found water.\nAnd he called it Shebah: therefore the name of the city is Beer-sheba unto this day.\nAnd Esau was forty years old when he took to wife Judith the daughter of Beeri the Hittite, and Bashemath the daughter of Elon the Hittite:\nWhich were a grief of mind unto Isaac and to Rebekah.\nChapter 27\nAnd it came to pass, that when Isaac was old, and his eyes were dim, so that he could not see, he called Esau his eldest son, and said unto him, My son: and he said unto him, Behold, here am I.\nAnd he said, Behold now, Lam old, I know not the day of my death:\nNow therefore take, I pray thee, thy weapons, thy quiver and thy bow, and go out to the field, and take me some venison;\nAnd make me savoury meat, such as I love, and bring if to me, that I may eat; that my soul may bless thee before I die.\nAnd Rebekah heard when Isaac spake to Esau his son. And Esau went to the field to hunt for venison, and to bring it.\nAnd Rebekah spake unto Jacob her son, saying, Behold, I heard thy father speak unto Esau thy brother, saying,\nBring me venison, and make me savoury meat, that I may eat, and bless thee before the LORD before my death.\nNow therefore, my son, obey my voice according to that which I command thee.\nGo now to the flock, and fetch me from thence two good kids of the goats; and I will make them savoury meat for thy father, such as he loveth:\nAnd thou shalt bring it to thy father, that he may eat, and that he may bless thee before his death.\nAnd Jacob said to Rebekah his mother, Behold, Esau my brother is a hairy man, and I am a smooth man:\nMy father peradventure will feel me, and I shall seem to him as a deceiver; and I shall bring a curse upon Me, and not a blessing.\nAnd his mother said unto him, Upon me be thy curse, my son: only Obey my voice, and go fetch me them.\nAnd he went, and fetched, and brought them to his mother: and his mother made savoury meat, such as his father loved.\nAnd Rebekah took goodly raiment of her eldest son Esau, which were with her in the house, and put them upon Jacob her younger son:\nAnd she put the skins of the kids of the goats upon his hands, and upon the smooth of his neck:\nAnd she gave the savoury meat and the bread, which she had prepared, into the hand of her son Jacob.\nAnd he came unto his father, and said, My father: and he said, Here am I; who art thou, my son?\nAnd Jacob said unto his father, IL am Esau thy firstborn; I have done according as thou badest me: arise, I pray thee, sit and eat of my venison, that thy soul may bless me.\nAnd Isaac said unto his son, How is it that thou hast found it so quickly, my son? And he said, Because the LORD thy God brought it to me.\nAnd Isaac said unto Jacob, Come near, I pray thee, that I may feel thee, my son, whether thou be my very son Esau or not.\nAnd Jacob went near unto Isaac his father; and he felt him, and said, The voice is Jacob’s voice, but the hands are the hands of Esau.\nAnd he discerned him not, because his hands were hairy, as his brother Esau’s hands: so he blessed him.\nAnd he said, Art thou my very son Esau? And he said, I am.\nAnd he said, Bring it near to me, and I will eat of my son’s venison, that my soul may bless thee. And he brought it near to him, and he did eat: and he brought him wine, and he drank.\nAnd his father Isaac said unto him, Come near now, and kiss me, my son.\nAnd he came near, and kissed him: and he smelled the smell of his raiment. and blessed him, and said, See, the smell of my son is as the smell of a field which the LORD hath blessed:\nTherefore God give thee of the dew of heaven, and the fatness of the earth, and plenty of corn and wine:\nLet people serve thee, and nations bow down to thee: be lord over thy brethren, and let thy mother’s sons bow down to thee: cursed be every one that curseth thee, and blessed be he that blesseth thee.\nAnd it came to pass, as soon as Isaac had made an end of blessing Jacob, and Jacob was yet scarce gone out from the presence of Isaac his father, that Esau his brother came in from his hunting.\nAnd he also had made savoury meat, and brought it unto his father, and said unto his father, Let my father arise, and eat of his son’s venison, that thy soul may bless me.\nAnd Isaac his father said unto him, Who art thou? And he said, I am thy son, thy firstborn Esau.\nAnd Isaac trembled very exceedingly, and said, Who? where is he that hath taken venison, and brought it me, and I have eaten of all before thou camest, and have blessed him? yea, and he shall be blessed.\nAnd when Esau heard the words of his father, he cried with a great and exceeding bitter cry, and said unto his father, Bless me, even me also, O my father.\nAnd he said, Thy brother came with subtilty, and hath taken away thy blessing.\nAnd he said, Is not he rightly named Jacob? for he hath supplanted Mme these two times: he took away my birthright; and, behold, now he hath taken away my blessing. And he said, Hast thou not reserved a blessing for me?\nAnd Isaac answered and said unto Esau, Behold, I have made him thy lord, and all his brethren have I given to him for servants; and with corn and wine have I sustained him: and what shall I do now unto thee, my son?\nAnd Esau said unto his father, Hast thou but one blessing, my father? bless me, even me also, O my father. And Esau lifted up his voice, and wept.\nAnd Isaac his father answered and said unto him, Behold, thy dwelling shall be the fatness of the earth, and of the dew of heaven from above;\nAnd by thy sword shalt thou live, and shalt serve thy brother; and it shall come to pass when thou shalt have the dominion, that thou shalt break his yoke from off thy neck.\nAnd Esau hated Jacob because of the blessing wherewith his father blessed him: and Esau said in his heart, The days of mourning for my father are at hand; then will I slay my brother Jacob.\nAnd these words of Esau her elder son were told to Rebekah: and she sent and called Jacob her younger son, and said unto him, Behold, thy brother Esau, as touching thee, doth comfort himself, purposing to kill thee.\nNow therefore, my son, obey my voice; and arise, flee thou to Laban my brother to Haran;\nAnd tarry with him a few days, until thy brother’s fury turn away,\nUntil thy brother’s anger turn away from thee, and he forget that which thou hast done to him: then I will send, and fetch thee from thence: why should I be deprived also of you both in one day?\nAnd Rebekah said to Isaac, Jam weary of my life because of the daughters of Heth: if Jacob take a wife of the daughters of Heth, such as these which are of the daughters of the land, what good shall my life do me?\nChapter 28\nAnd Isaac called Jacob, and blessed him, and charged him, and said unto him, Thou shalt not take a wife of the daughters of Canaan.\nArise, go to Padan-aram, to the house of Bethuel thy mother’s father; and take thee a wife from thence of the daughters of Laban thy mother’s brother.\nAnd God Almighty bless thee, and make thee fruitful, and multiply thee, that thou mayest be a multitude of people;\nAnd give thee the blessing of Abraham, to thee, and to thy seed with thee; that thou mayest inherit the land wherein thou art a stranger, which God gave unto Abraham.\nAnd Isaac sent away Jacob: and he went to Padan-aram unto Laban, son of Bethuel the Syrian, the brother of Rebekah, Jacob’s and Esau’s mother.\nWhen Esau saw that Isaac had blessed Jacob, and sent him away to Padan-aram, to take him a wife from thence; and that as he blessed him he gave him a charge, saying, Thou shalt not take a wife of the daughters of Canaan;\nAnd that Jacob obeyed his father and his mother, and was gone to Padan-aram;\nAnd Esau seeing that the daughters of Canaan pleased not Isaac his father;\nThen went Esau unto Ishmael, and took unto the wives which he had Mahalath the daughter of Ishmael Abraham’s son, the sister of Nebajoth, to be his wife.\nAnd Jacob went out from Beersheba, and went toward Haran.\nAnd he lighted upon a certain Place, and tarried there all night, because the sun was set; and he took of the stones of that place, and put them for his pillows, and lay down in that place to sleep.\nAnd he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven: and behold the angels of God ascending and descending on it.\nAnd, behold, the LORD stood above it, and said, I am the LORD God of Abraham thy father, and the God of Isaac: the land whereon thou liest, to thee will I give it, and to thy seed;\nAnd thy seed shall be as the dust of the earth, and thou shalt spread abroad to the west, and to the east, and to the north, and to the south: and in thee and in thy seed shall all the families of the earth be blessed.\nAnd, behold, I am with thee, and will keep thee in all places whither thou goest, and will bring thee again into this land; for I will not leave thee, until I have done that which I have spoken to thee of.\nAnd Jacob awaked out of his sleep, and he said, Surely the LORD is in this place; and I knew it not.\nAnd he was afraid, and said, How dreadful is this place! this is none other but the house of God, and this is the gate of heaven.\nAnd Jacob rose up early in the morning, and took the stone that he had put for his pillows, and set it up for a pillar, and poured oil upon the top of it.\nAnd he called the name of that place Beth-el: but the name of that city was called Luz at the first.\nAnd Jacob vowed a vow, saying, If God will be with me, and will keep me in this way that I go, and will give me bread to eat, and raiment to put on,\nSo that I come again to my father’s house in peace; then shall the LORD be my God:\nAnd this stone, which I have set for a pillar, shall be God’s house: and of all that thou shalt give me I will surely give the tenth unto thee.\nChapter 29\nThen Jacob went on his journey, and came into the land of the people of the east.\nAnd he looked, and behold a well in the field, and, lo, there were three flocks of sheep lying by it; for out of that well they watered the flocks: and a great stone was upon the well’s mouth.\nAnd thither were all the flocks gathered: and they rolled the stone from the well’s mouth, and watered the sheep, and put the stone again upon the well’s mouth in his place.\nAnd Jacob said unto them, My brethren, whence be ye? And they said, Of Haran are we.\nAnd he said unto them, Know ye Laban the son of Nahor? And they said, We know him.\nAnd he said unto them, /s he well? And they said, He is well: and, behold, Rachel his daughter cometh with the sheep.\nAnd he said, Lo, it is yet high day, neither is it time that the cattle should be gathered together: water ye the sheep, and go and feed them.\nAnd they said, We cannot, until all the flocks be gathered together, and till they roll the stone from the well’s Mouth; then we water the sheep.\nAnd while he yet spake with them, Rachel came with her father’s sheep: for she kept them.\nAnd it came to pass, when Jacob saw Rachel the daughter of Laban his mother’s brother, and the sheep of Laban his mother’s brother, that Jacob went near, and rolled the stone from the well’s mouth, and watered the flock of Laban his mother’s brother.\nAnd Jacob kissed Rachel, and lifted up his voice, and wept.\nAnd Jacob told Rachel that he was her father’s brother, and that he was Rebekah’s son: and she ran and told her father.\nAnd it came to pass, when Laban heard the tidings of Jacob his sister’s son, that he ran to meet him, and embraced him, and kissed him, and brought him to his house. And he told Laban all these things.\nAnd Laban said to him, Surely thou art my bone and my flesh. And he abode with him the space of a month.\nAnd Laban said unto Jacob, Because thou art my brother, shouldest thou therefore serve me for nought? tell me, what shall thy wages be?\nAnd Laban had two daughters: the name of the elder was Leah, and the name of the younger was Rachel.\nLeah was tender eyed; but Rachel was beautiful and well favoured.\nAnd Jacob loved Rachel; and said, I will serve thee seven years for Rachel thy younger daughter.\nAnd Laban said, /t is better that I give her to thee, than that I should give her to another man: abide with me.\nAnd Jacob served seven years for Rachel; and they seemed unto him but a few days, for the love he had to her.\nAnd Jacob said unto Laban, Give me my wife, for my days are fulfilled, that I may go in unto her.\nAnd Laban gathered together all the men of the place, and made a feast.\nAnd it came to pass in the evening, that he took Leah his daughter, and brought her to him; and he went in unto her.\nAnd Laban gave unto his daughter Leah Zilpah his maid for an handmaid.\nAnd it came to pass, that in the morning, behold, it was Leah: and he said to Laban, What is this thou hast done unto me? did not I serve with thee for Rachel? wherefore then hast thou beguiled me? ;\nAnd Laban said, It must not be so done in our country, to give the younger before the firstborn.\nFulfil her week, and we will give thee this also for the service which thou shalt serve with me yet seven other years.\nAnd Jacob did so, and fulfilled her week: and he gave him Rachel his daughter to wife also.\nAnd Laban gave to Rachel his daughter Bilhah his handmaid to be her maid.\nAnd he went in also unto Rachel, and he loved also Rachel more than Leah, and served with him yet seven other years.\nAnd when the LORD saw that Leah was hated, he opened her womb: but Rachel was barren.\nAnd Leah conceived, and bare a son, and she called his name Reuben: for she said, Surely the LORD hath looked upon my affliction; now therefore my husband will love me.\nAnd she conceived again, and bare a son; and said, Because the LORD hath heard that I was hated, he hath therefore given me this son also: and she called his name Simeon.\nAnd she conceived again, and bare 4son; and said, Now this time will my husband be joined unto me, because I have born him three sons: therefore was his name called Levi.\nAnd she conceived again, and bare a son: and she said, Now will I praise the LORD: therefore she called his name Judah; and left bearing.\nChapter 30\nAnd when Rachel saw that she bare Jacob no children, Rachel envied her sister; and said unto Jacob, Give me children, or else I die.\nAnd Jacob’s anger was kindled against Rachel: and he said, Am I in God’s stead, who hath withheld from thee the fruit of the womb?\nAnd she said, Behold my maid Bilhah, go in unto her; and she shall bear upon my knees, that I may also have children by her.\nAnd she gave him Bilhah her handmaid to wife: and Jacob went in unto her.\nAnd Bilhah conceived, and bare Jacob a son.\nAnd Rachel said, God hath judged me, and hath also heard my voice, and hath given me a son: therefore called she his name Dan.\nAnd Bilhah Rachel’s maid conceived again, and bare Jacob a second son.\nAnd Rachel said, With great wrestlings have I wrestled with my sister, and I have prevailed: and she called his name Naphtali.\nWhen Leah saw that she had left bearing, she took Zilpah her maid, and gave her Jacob to wife.\nAnd Zilpah Leah’s maid bare Jacob a son.\nAnd Leah said, A troop cometh: and she called his name Gad.\nAnd Zilpah Leah’s maid bare Jacob a second son.\nAnd Leah said, Happy am I, for the daughters will call me blessed: and she called his name Asher.\nAnd Reuben went in the days of wheat harvest, and found mandrakes in the field, and brought them unto his mother Leah. Then Rachel said to Leah, Give me, I pray thee, of thy son’s mandrakes.\nAnd she said unto her, Is it a small matter that thou hast taken my husband? and wouldest thou take away my son’s mandrakes also? And Rachel said, Therefore he shall lie with thee to night for thy son’s mandrakes.\nAnd Jacob came out of the field in the evening, and Leah went out to meet him, and said, Thou must come in unto me; for surely I have hired thee with my son’s mandrakes. And he lay with her that night.\nAnd God hearkened unto Leah, and she conceived, and bare Jacob the fifth son.\nAnd Leah said, God hath given me my hire, because I have given my maiden to my husband: and she called his name Issachar.\nAnd Leah conceived again, and bare Jacob the sixth son.\nAnd Leah said, God hath endued me with a good dowry; now will my husband dwell with me, because I have born him six sons: and she called his name Zebulun.\nAnd afterwards she bare a daughter, and called her name Dinah.\nAnd God remembered Rachel, and God hearkened to her, and opened her womb.\nAnd she conceived, and bare a son; and said, God hath taken away my reproach:\nAnd she called his name Joseph; and said, The LORD shall add to me another son.\nAnd it came to pass, when Rachel had born Joseph, that Jacob said unto Laban, Send me away, that I may go unto mine own place, and to my country.\nGive me my wives and my children, for whom I have served thee, and let me go: for thou knowest my service which I have done thee.\nAnd Laban said unto him, I pray thee, if I have found favour in thine eyes, tarry: for I have learned by experience that the LORD hath blessed me for thy sake.\nAnd he said, Appoint me thy wages, and I will give it.\nAnd he said unto him, Thou knowest how I have served thee, and how thy cattle was with me.\nFor it was little which thou hadst before I came, and it is now increased unto a multitude; and the LORD hath blessed thee since my coming: and now when shall I provide for mine own house also?\nAnd he said, What shall I give thee? And Jacob said, Thou shalt not give me any thing: if thou wilt do this thing for me, I will again feed and keep thy flock:\nI will pass through all thy flock to day, removing from thence all the speckled and spotted cattle, and all the brown cattle among the sheep, and the spotted and speckled among the goats: and of such shall be my hire.\nSo shall my righteousness answer for me in time to come, when it shall come for my hire before thy face: every one that is not speckled and spotted among the goats, and brown among the sheep, that shall be counted stolen with me.\nAnd Laban said, Behold, I would it might be according to thy word.\nAnd he removed that day the he goats that were ringstraked and spotted, and all the she goats that were speckled and spotted, and every one that had some white in it, and all the brown among the sheep, and gave them into the hand of his sons.\nAnd he set three days’ journey betwixt himself and Jacob: and Jacob fed the rest of Laban’s flocks.\nAnd Jacob took him rods of green poplar, and of the hazel and chesnut tree; and pilled white strakes in them, and made the white appear which was in the rods.\nAnd he set the rods which he had pilled before the flocks in the gutters in the watering troughs when the flocks.came to drink, that they should conceive when they came to drink.\nAnd the flocks conceived before the rods, and brought forth cattle ringstraked, speckled, and spotted.\nAnd Jacob did separate the lambs, and set the faces of the flocks toward the ringstraked, and all the brown in the flock of Laban; and he put his own flocks by themselves, and put them not unto Laban’s cattle.\nAnd it came to pass, whensoever the stronger cattle did conceive, that Jacob laid the rods before the eyes of the cattle in the gutters, that they might conceive among the rods.\nBut when the cattle were feeble, he put them not in: so the feebler were Laban’s, and the stronger Jacob’s.\nAnd the man increased exceedingly, and had much cattle, and maidservants, and menservants, and camels, and asses.\nChapter 31\nAnd he heard the words of Laban’s sons, saying, Jacob hath taken away all that was our father’s; and of that which was our father’s hath he gotten all this glory.\nAnd Jacob beheld the countenance of Laban, and, behold, it was not toward him as before.\nAnd the LORD said unto Jacob, Return unto the land of thy fathers, and to thy kindred; and I will be with thee.\nAnd Jacob sent and called Rachel and Leah to the field unto his flock,\nAnd said unto them, I see your father’s countenance, that it is not toward me as before; but the God of my father hath been with me.\nAnd ye know that with all my power I have served your father.\nAnd your father hath deceived me, and changed my wages ten times; but God suffered him not to hurt me.\nIf he said thus, The speckled shall be thy wages; then all the cattle bare speckled: and if he said thus, The ringstraked shall be thy hire; then bare all the cattle ringstraked.\nThus God hath taken away the cattle of your father, and given them to me.\nAnd it came to pass at the time that the cattle conceived, that I lifted up mine eyes, and saw in a dream, and, behold, the rams which leaped upon the cattle were ringstraked, speckled, and grisled.\nAnd the angel of God spake unto me in a dream, saying, Jacob: And I said, Here am I.\nAnd he said, Lift up now thine eyes, and see, all the rams which leap upon the cattle are ringstraked, speckled, and grisled: for I have seen all that Laban doeth unto thee.\nI am the God of Beth-el, where thou anointedst the pillar, and where thou vowedst a vow unto me: now arise, get thee out from this land, and return unto the land of thy kindred.\nAnd Rachel and Leah answered and said unto him, Js there yet any portion or inheritance for us in our father’s house?\nAre we not counted of him strangers? for he hath sold us, and hath quite devoured also our money.\nFor all the riches which God hath taken from our father, that is ours, and our children’s: now then, whatsoever God hath said unto thee, do.\nThen Jacob rose up, and set his sons and his wives upon camels;\nAnd he carried away all his cattle, and all his goods which he had gotten, the cattle of his getting, which he had gotten in Padan-aram, for to go to Isaac his father in the land of Canaan.\nAnd Laban went to shear his sheep: and Rachel had stolen the images that were her father’s.\nAnd Jacob stole away unawares to Laban the Syrian, in that he told him not that he fled.\nSohe fled with all that he had; and he rose up, and passed over the river, and set his face toward the mount Gilead.\n22, And it was told Laban on the third day that Jacob was fled.\nAnd he took his brethren with him, and pursued after him seven days’ journey; and they overtook him in the mount Gilead.\nAnd God came to Laban the Syrian in a dream by night, and said unto him, Take heed that thou speak not to Jacob either good or bad.\nThen Laban overtook Jacob. Now Jacob had pitched his tent in the mount: and Laban with his brethren pitched in the mount of Gilead.\nAnd Laban said to Jacob, What hast thou done, that thou hast stolen away unawares to me, and carried away my daughters, as captives taken with the sword?\nWherefore didst thou flee away secretly, and steal away from me; and didst not tell me, that I might have sent thee away with mirth, and with songs, with tabret, and with harp?\nAnd hast not suffered me to kiss My sons and my daughters? thou hast Now done foolishly in so doing.\nIt is in the power of my hand to do you hurt: but the God of your father spake unto me yesternight, saying, Take thou heed that thou speak not to Jacob either good or bad.\nAnd now, though thou wouldest needs be gone, because thou sore longedst after thy father’s house, yer wherefore hast thou stolen my gods?\nAnd Jacob answered and said to Laban, Because I was afraid: for I said, Peradventure thou wouldest take by force thy daughters from me.\nWith whomsoever thou findest thy gods, let him not live: before our brethren discern thou what is thine with me, and take it to thee. For Jacob knew not that Rachel had stolen them.\nAnd Laban went into Jacob’s tent, and into Leah’s tent, and into the two maidservants’ tents; but he found them not. Then went he out of Leah’s tent, and entered into Rachel’s tent.\nNow Rachel had taken the images, and put them in the camel’s furniture, and sat upon them. And Laban searched all the tent, but found them not.\nAnd she said to her father, Let it not displease my lord that I cannot rise up before thee; for the custom of women is upon me. And he searched, but found not the images.\nAnd Jacob was wroth, and chode with Laban: and Jacob answered and said to Laban, What is my trespass? what is my sin, that thou hast so hotly pursued after me?\nWhereas thou hast searched all my stuff, what hast thou found of all thy household stuff? set it here before my brethren and thy brethren, that they may judge betwixt us both.\nThis twenty years have I been with thee; thy ewes and thy she goats have not cast their young, and the rams of thy flock have I not eaten.\nThat which was torn of beasts I brought not unto thee; I bare the loss of it; of my hand didst thou require it, whether stolen by day, or stolen by night.\nThus I was; in the day the drought consumed me, and the frost by night; and my sleep departed from mine eyes.\nThus have I been twenty years in thy house; Iserved thee fourteen years for thy two daughters, and six years for thy cattle: and thou hast changed my wages ten times.\nExcept the God of my father, the God of Abraham, and the fear of Isaac, had been with me, surely thou hadst sent me away now empty. God hath seen mine affliction and the labour of my hands, and rebuked thee yesternight.\nAnd Laban answered and said unto Jacob, These daughters are my daughters, and these children are my children, and these cattle are my cattle, and all that thou seest is mine: and what can I do this day unto these my daughters, or unto their children which they have born?\nNow therefore come thou, let us make a covenant, I and thou; and let it be for a witness between me and thee.\nAnd Jacob took a stone, and set it up for a pillar.\nAnd Jacob said unto his brethren, Gather stones; and they took stones, and made an heap: and they did eat there upon the heap.\nAnd Laban called it Jegarsahadutha: but Jacob called it Galeed.\nAnd Laban said, This heap is a witness between me and thee this day. Therefore was the name of it called Galeed;\nAnd Mizpah; for he said, The LORD watch between me and thee, when we are absent one from another.\nIf thou shalt afflict my daughters, or if thou shalt take other wives beside my daughters, no man is with us; see, God is witness betwixt me and thee.\nAnd Laban said to Jacob, Behold this heap, and behold this pillar, which I have cast betwixt me and thee;\nThis heap be witness, and this pillar be witness, that I will not pass over this heap to thee, and that thou shalt not pass over this heap and this pillar unto me, for harm.\nThe God of Abraham, and the God of Nahor, the God of their father, judge betwixt us. And Jacob sware by the fear of his father Isaac.\nThen Jacob offered sacrifice upon the mount, and called his brethren to eat bread: and they did eat bread, and tarried all night in the mount.\nAnd early in the morning Laban rose up, and kissed his sons and his daughters, and blessed them: and Laban departed, and returned unto his place.\nChapter 32\nAnd Jacob went on his way, and the angels of God met him.\nAnd when Jacob saw them, he said, This is God’s host: and he called the name of that place Mahanaim.\nAnd Jacob sent messengers before him to Esau his brother unto the land of Seir, the country of Edom.\nAnd he commanded them, saying, Thus shall ye speak unto my lord Esau; Thy servant Jacob saith thus, I have sojourned with Laban, and stayed there until now:\nAnd I have oxen, and asses, flocks, and menservants, and womenservants: and I have sent to tell my lord, that I may find grace in thy sight.\nAnd the messengers returned to Jacob, saying, We came to thy brother Esau, and also he cometh to meet thee, and four hundred men with him.\nThen Jacob was greatly afraid and distressed: and he divided the people that was with him, and the flocks, and herds, and the camels, into two bands;\nAnd said, If Esau come to the one company, and smite it, then the other company which is left shall escape.\nAnd Jacob said, O God of my father Abraham, and God of my father Isaac, the LORD which saidst unto me, Return unto thy country, and to thy kindred, and I will deal well with thee:\nI am not worthy of the least of all the mercies, and of all the truth, which thou hast shewed unto thy servant; for with my staff I passed over this Jordan; and now I am become two bands.\nDeliver me, I pray thee, from the hand of my brother, from the hand of Esau: for I fear him, lest he will come and smite me, and the mother with the children.\nAnd thou saidst, I will surely do thee good, and make thy seed as the sand of the sea, which cannot be numbered for multitude.\nAnd he lodged there that same night; and took of that which came to his hand a present for Esau his brother;\nTwo hundred she goats, and twenty he goats, two hundred ewes, and twenty rams,\nThirty milch camels with their colts, forty kine, and ten bulls, twenty she asses, and ten foals.\nAnd he delivered them into the hand of his servants, every drove by themselves; and said unto his servants, Pass over before me, and put a space betwixt drove and drove.\nAnd he commanded the foremost, saying, When Esau my brother meeteth thee, and asketh thee, saying, Whose art thou? and whither goest thou? and whose are these before thee?\nThen thou shalt say, They be thy servant Jacob’s; it is a present sent unto my lord Esau: and, behold, also he is behind us.\nAnd so commanded he the second, and the third, and all that followed the droves, saying, On this manner shall ye speak unto Esau, when ye find him.\nAnd say ye moreover, Behold, thy servant Jacob is behind us. For he said, I will appease him with the present that goeth before me, and afterward I will see his face; peradventure he will accept of me.\nSo went the present over before him: and himself lodged that night in the company.\nAnd he rose up that night, and took his two wives, and his two womenservants, and his eleven sons, and passed over the ford Jabbok.\nAnd he took them, and sent them over the brook, and sent over that he had.\nAnd Jacob was left alone; and there wrestled a man with him until the breaking of the day.\nAnd when he saw that he prevailed not against him, he touched the hollow of his thigh; and the hollow of J acob’s thigh was out of joint, as he wrestled with him.\nAnd he said, Let me go, for the day breaketh. And he said, I will not let thee go, except thou bless me.\nAnd he said unto him, What is thy name? And he said, Jacob.\nAnd he said, Thy name shall be called no more Jacob, but Israel: for as a prince hast thou power with God and with men, and hast prevailed.\nAnd Jacob asked him, and said, Tell me, I pray thee, thy name. And he said, Wherefore is it that thou dost ask after my name? And he blessed him there.\nAnd Jacob called the name of the lace Peniel: for I have seen God face to face, and my life is preserved.\nAnd as he passed over Penuel the sun rose upon him, and he halted upon his thigh. ;\nTherefore the children of Israel eat not of the sinew which shrank, which is upon the hollow of the thigh, unto this day: because he touched the hollow of Jacob’s thigh in the sinew that shrank.\nChapter 33\nAnd Jacob lifted up his eyes, and looked, and, behold, Esau came, and with him four hundred men. And he divided the children unto Leah, and unto Rachel, and unto the two handmaids.\nAnd he put the handmaids and their children foremost, and Leah and her children after, and Rachel and Joseph hindermost.\nAnd he passed over before them, and bowed himself to the ground seven times, until he came near to his brother.\nAnd Esau ran to meet him, and embraced him, and fell on his neck, and kissed him: and they wept.\nAnd he lifted up his eyes, and saw the women and the children; and said, Who are those with thee? And he said, The children which God hath graciously given thy servant.\nThen the handmaidens came near, they and their children, and they bowed themselves.\nAnd Leah also with her children came near, and bowed themselves: and after came Joseph near and Rachel, and they bowed themselves.\nAnd he said, What meanest thou by all this drove which I met? And he said, These are to find grace in the sight of my lord.\nAnd Esau said, I have enough, my brother; keep that thou hast unto thyself.\nAnd Jacob said, Nay, I pray thee, if now I have found grace in thy sight, then receive my present at my hand: for therefore I have seen thy face, as though I had seen the face of God, and thou wast pleased with me.\nTake, I pray thee, my blessing that is brought to thee; because God hath dealt graciously with me, and because I have enough. And he urged him, and he took it.\nAnd he said, Let us take our journey, and let us go, and I will go before thee.\nAnd he said unto him, My lord knoweth that the children are tender, and the flocks and herds with young are with me: and if men should overdrive them one day, all the flock will die.\nLet my lord, I pray thee, pass over before his servant: and I will lead on softly, according as the cattle that goeth before me and the children be able to endure, until I come unto my lord unto Seir.\nAnd Esau said, Let me now leave with thee some of the folk that are with me. And he said, What needeth it? let me find grace in the sight of my lord.\nSo Esau returned that day on his way unto Seir.\nAnd Jacob journeyed to Succoth, and built him an house, and made booths for his cattle: therefore the name of the place is called Succoth.\nAnd Jacob came to Shalem, a city of Shechem, which is in the land of Canaan, when he came from Padanaram; and pitched his tent before the city.\nAnd he bought a parcel of a field, where he had spread his tent, at the hand of the children of Hamor, Shechem’s father, for an hundred pieces of money.\nAnd he erected there an altar, and called it El-elohe-Israel.\nChapter 34\nAnd Dinah the daughter of Leah, which she bare unto Jacob, went out to see the daughters of the land.\nAnd when Shechem the son of Hamor the Hivite, prince of the country, saw her, he took her, and lay with her, and defiled her.\nAnd his soul clave unto Dinah the daughter of Jacob, and he loved the damsel, and spake kindly unto the damsel.\nAnd Shechem spake unto his father Hamor, saying, Get me this damsel to wife.\nAnd Jacob heard that he had defiled Dinah his daughter: now his sons were with his cattle in the field: and Jacob held his peace until they were come.\nAnd Hamor the father of Shechem went out unto Jacob to commune with him.\nAnd the sons of Jacob came out of the field when they heard it: and the men were grieved, and they were very wroth, because he had wrought folly in Israel in lying with Jacob’s daughter; which thing ought not to be done.\nAnd Hamor communed with them, saying, The soul of my son Shechem longeth for your daughter: I pray you give her him to wife.\nAnd make ye marriages with us, and give your daughters unto us, and take our daughters unto you.\nAnd ye shall dwell with us: and the land shall be before you; dwell and trade ye therein, and get you possessions therein.\nAnd Shechem said unto her father and unto her brethren, Let me find grace in your eyes, and what ye shall say unto me I will give.\nAsk me never so much dowry and gift, and I will give according as ye shall say unto me: but give me the damsel to wife.\nAnd the sons of Jacob answered Shechem and Hamor his father deceitfully, and said, because he had defiled Dinah their sister:\nAnd they said unto them, We cannot do this thing, to give our sister to one that is uncircumcised; for that were a reproach unto us:\nBut in this will we consent unto you: If ye will be as we be, that every male of you be circumcised;\nThen will we give our daughters unto you, and we will take your daughters to us, and we will dwell with you, and we will become one people.\nButif ye will not hearken unto us, to be circumcised; then will we take our daughter, and we will be gone.\nAnd their words pleased Hamor, and Shechem Hamor’s son.\nAnd the young man deferred not to do the thing, because he had delight in Jacob’s daughter: and he was more honourable than all the house of his father.\nAnd Hamor and Shechem his son came unto the gate of their city, and communed with the men of their city, saying,\nThese men are peaceable with us; therefore let them dwell in the land, and trade therein; for the land, behold, it is large enough for them; let us take their daughters to us for wives, and let us give them our daughters.\nOnly herein will the men consent unto us for to dwell with us, to be one people, if every male among us be circumcised, as they are circumcised.\nShall not their cattle and their substance and every beast of theirs be ours? only let us consent unto them, and they will dwell with us.\nAnd unto Hamor and unto Shechem his son hearkened all that went out of the gate of his city; and every male was circumcised, all that went out of the gate of his city.\nAnd it came to pass on the third day, when they were sore, that two of the sons of Jacob, Simeon and Levi, Dinah’s brethren, took each man his sword, and came upon the city boldly, and slew all the males.\nAnd they slew Hamorand Shechem his son with the edge of the sword, and took Dinah out of Shechem’s house, and went out.\nThe sons of Jacob came upon the slain, and spoiled the city, because they had defiled their sister.\nThey took their sheep, and their oxen, and their asses, and that which was in the city, and that which was in the field,\nAnd all their wealth, and all their little ones, and their wives took they captive, and spoiled even all that was in the house.\nAnd Jacob said to Simeon and Levi, Ye have troubled me to make me to stink among the inhabitants of the land, among the Canaanites and the Perizzites: and I being few in number, they shall gather themselves together against me, and slay me; and I shall be destroyed, I and my house.\nAnd they said, Should he deal with our sister as with an harlot?\nChapter 35\nAnd God said unto Jacob, Arise, go up to Beth-el, and dwell there: and make there an altar unto God, that appeared unto thee when thou fleddest from the face of Esau thy brother.\nThen Jacob said unto his household, and to all that were with him, Put away the strange gods that are among you, and be clean, and change your garments:\nAnd let us arise, and go up to Bethel; and I will make there an altar unto God, who answered me in the day of my distress, and was with me in the way which I went.\nAnd they gave unto Jacob all the strange gods which were in their hand, and all their earrings which were in their ears; and Jacob hid them under the oak which was by Shechem.\nAnd they journeyed: and the terror of God was upon the cities that were round about them, and they did not pursue after the sons of Jacob.\nSo Jacob came to Luz, which is in the land of Canaan, that is, Beth-el, he and all the people that were with him.\nAnd he built there an altar, and called the place El-Beth-el: because there God appeared unto him, when he fled from the face of his brother.\nBut Deborah Rebekah’s nurse died, and she was buried beneath Bethel under an oak: and the name of it was called Allon-bachuth.\nAnd God appeared unto Jacob again, when he came out of Padanaram, and blessed him.\nAnd God said unto him, Thy name is Jacob: thy name shall not be called any more Jacob, but Israel shall be thy name: and he called his name Israel.\nAnd God said unto him, I am God Almighty: be fruitful and multiply; a nation and a company of nations shall be of thee, and kings shall come out of thy loins;\nAnd the land which I gave Abraham and Isaac, to thee I will give it, and to thy seed after thee will I give the land.\nAnd God went up from him in the Jace where he talked with him.\nAnd Jacob set up a pillar in the place where he talked with him, even a pillar of stone: and he poured a drink offering thereon, and he poured oil thereon.\nAnd Jacob called the name of the place where God spake with him, Bethel.\nAnd they journeyed from Beth-el; and there was but a little way to come to Ephrath: and Rachel travailed, and she had hard labour.\nAnd it came to pass, when she was in hard labour, that the midwife said unto her, Fear not; thou shalt have this son also.\nAnd it came to pass, as her soul was in departing, (for she died) that she called his name Ben-oni: but his father called him Benjamin.\nAnd Rachel died, and was buried in the way to Ephrath, which is Bethlehem.\nAnd Jacob set a pillar upon her grave: that is the pillar of Rachel’s grave unto this day.\nAnd Israel journeyed, and spread his tent beyond the tower of Edar.\nAnd it came to pass, when Israel dwelt in that land, that Reuben went and lay with Bilhah his father’s concubine: and Israel heard it. Now the sons of Jacob were twelve:\nThe sons of Leah; Reuben, Jacob’s firstborn, and Simeon, and Levi, and Judah, and Issachar, and Zebulun:\nThe sons of Rachel; Joseph, and Benjamin:\nAnd the sons of Bilhah, Rachel’s handmaid; Dan, and Naphtali:\nAnd the sons of Zilpah, Leah’s handmaid; Gad, and Asher: these are the sons of Jacob, which were born to im in Padan-aram.\nAnd Jacob came unto Isaac his father unto Mamre, unto the city of Arbah, which is Hebron, where Abraham and Isaac sojourned.\nAnd the days of Isaac were an hundred and fourscore years.\nAnd Isaac gave up the ghost, and died, and was gathered unto his people, being old and full of days: and his sons Esau and Jacob buried him.\nChapter 36\nNow these are the generations of Esau, who is Edom.\nEsau took his wives of the daughters of Canaan; Adah the daughter of Elon the Hittite, and Aholibamah the daughter of Anah the daughter of Zibeon the Hivite;\nAnd Bashemath Ishmael’s daughter, sister of Nebajoth.\nAnd Adah bare to Esau Eliphaz; and Bashemath bare Reuel;\nAnd Aholibamah bare Jeush, and Jaalam, and Korah: these are the sons of Esau, which were born unto him in the land of Canaan.\nAnd Esau took his wives, and his sons, and his daughters, and all the persons of his house, and his cattle, and all his beasts, and all his substance, which he had got in the land of Canaan; and went into the country from the face of his brother Jacob.\nFor their riches were more than that they might dwell together; and the land wherein they were strangers could not bear them because of their cattle.\nThus dwelt Esau in mount Seir: Esau is Edom.\nAnd these are the generations of Esau the father of the Edomites in mount Seir:\nThese are the names of Esau’s sons; Eliphaz the son of Adah the wife of Esau, Reuel the son of Bashemath the wife of Esau.\nAnd the sons of Eliphaz were Teman, Omar, Zepho, and Gatam, and Kenaz.\nAnd Timna was concubine to Eliphaz Esau’s son; and she bare to Eliphaz Amalek: these were the sons of Adah Esau’s wife.\nAnd these are the sons of Reuel; Nahath, and Zerah, Shammah, and Mizzah: these were the sons of Bashemath Esau’s wife.\nAnd these were the sons of Aholibamah, the daughter of Anah the daughter of Zibeon, Esau’s wife: and she bare to Esau Jeush, and Jaalam, and Korah.\nThese were dukes of the sons of Esau: the sons of Eliphaz the firstborn son of Esau; duke Teman, duke Omar, duke Zepho, duke Kenaz,\nDuke Korah, duke Gatam, and duke Amalek: these are the dukes that came of Eliphaz in the land of Edom; these were the sons of Adah.\nAnd these are the sons of Reuel Esau’s son; duke Nahath, duke Zerah, duke Shammah, duke Mizzah: these are the dukes that came of Reuel in the land of Edom; these are the sons of Bashemath Esau’s wife.\nAnd these are the sons of Aholibamah Esau’s wife; duke Jeush, duke Jaalam, duke Korah: these were the dukes that came of Aholibamah the daughter of Anah, Esau’s wife.\nThese are the sons of Esau, who is Edom, and these are their dukes.\nThese are the sons of Seir the Horite, who inhabited the land; Lotan, and Shobal, and Zibeon, and Anah,\nAnd Dishon, and Ezer, and Dishan: these are the dukes of the Horites, the children of Seir in the land of Edom.\nAnd the children of Lotan were Hori and Hemam; and Lotan’s sister was Timna.\nAnd the children of Shobal were these; Alvan, and Manahath, and Ebal, Shepho, and Onam.\nAnd these are the children of Zibeon; both Ajah, and Anah: this was that Anah that found the mules in the wilderness, as he fed the asses of Zibeon his father.\nAnd the children of Anah were these; Dishon, and Aholibamah the daughter of Anah.\nAnd these are the children of Dishon; Hemdan, and Eshban, and Ithran, and Cheran.\nThe children of Ezer are these; Bilhan, and Zaavan, and Akan.\nThe children of Dishan are these; Uz, and Aran.\nThese are the dukes that came of the Horites; duke Lotan, duke Shobal, duke Zibeon, duke Anah,\nDuke Dishon, duke Ezer, duke Dishan: these are the dukes that came of Hori, among their dukes in the land of Seir.\nAnd these are the kings that reigned in the land of Edom, before there reigned any king over the children of Israel.\nAnd Bela the son of Beor reigned in Edom: and the name of his city was Dinhabah.\nAnd Bela died, and Jobab the son of Zerah of Bozrah reigned in his stead.\nAnd Jobab died, and Husham of the land of Temani reigned in his stead.\nAnd Husham died, and Hadad the son of Bedad, who smote Midian in the field of Moab, reigned in his stead: and the name of his city was Avith.\nAnd Hadad died, and Samlah of Masrekah reigned in his stead.\nAnd Samlah died, and Saul of Rehoboth by the river reigned in his stead.\nAnd Saul died, and Baal-hanan the son of Achbor reigned in his stead.\nAnd Baal-hanan the son of Achbor died, and Hadar reigned in his stead: and the name of his city was Pau; and his wife’s name was Mehetabel, the daughter of Matred, the daughter of Mezahab.\nAnd these are the names of the dukes that came of Esau, according to their families, after their places, by their names; duke Timnah, duke Alvah, duke Jetheth,\nDuke Aholibamah, duke Elah, duke Pinon,\nDuke Kenaz, duke Teman, duke Mibzar,\nDuke Magdiel, duke Iram: these be the dukes of Edom, according to their habitations in the land of their possession: he is Esau the father of the Edomites.\nChapter 37\nAnd Jacob dwelt in the land wherein his father was a stranger, in the land of Canaan.\nThese are the generations of Jacob. Joseph, being seventeen years old, was feeding the flock with his brethren; and the lad was with the sons of Bilhah, and with the sons of Zilpah, his father’s wives: and Joseph brought unto his father their evil report.\nNow Israel loved Joseph more than all his children, because he was the son of his old age: and he made him a coat of many colours.\nAnd when his brethren saw that their father loved him more than all his brethren, they hated him, and could not speak peaceably unto him.\nAnd Joseph dreamed a dream, and he told it his brethren: and they hated him yet the more.\nAnd he said unto them, Hear, I pray you, this dream which I have dreamed:\nFor, behold, we were binding sheaves in the field, and, lo, my sheaf arose, and also stood upright; and, behold, your sheaves stood round about, and made obeisance to my sheaf.\nAnd his brethren said to him, Shalt thou indeed reign over us? or shalt thou indeed have dominion over us? And they hated him yet the more for his dreams, and for his words.\nAnd he dreamed yet another dream, and told it his brethren, and said, Behold, I have dreamed a dream more; and, behold, the sun and the moon and the eleven stars made obeisance to me.\nAnd he told it to his father, and to his brethren: and his father rebuked him, and said unto him, What is this dream that thou hast dreamed? Shall I and thy mother and thy brethren indeed come to bow down ourselves to thee to the earth?\nAnd his brethren envied him; but his father observed the saying.\nAnd his brethren went to feed their father’s flock in Shechem.\nAnd Israel said unto Joseph, Do not thy brethren feed the flock in Shechem? come, and I will send thee unto them. And he said to him, Here am I.\nAnd he said to him, Go, I pray thee, see whether it be well with thy brethren, and well with the flocks; and bring me word again. So he sent him out of the vale of Hebron, and he came to Shechem.\nAnd acertain man found him, and, behold, he was wandering in the field: and the man asked him, saying, What seekest thou?\nAnd he said, I seek my brethren: tell me, I pray thee, where they feed their flocks.\nAnd the man said, They are departed hence; for I heard them say, Let us go to Dothan. And Joseph went after his brethren, and found them in Dothan. .\nAnd when they saw him afar off, even before he came near unto them, they conspired against him to slay him.\nAnd they said one to another, Behold, this dreamer cometh.\nCome now therefore, and let us slay him, and cast him into some pit, and we will say, Some evil beast hath devoured him: and we shall see what will become of his dreams.\nAnd Reuben heard it, and he delivered him out of their hands; and said, Let us not kill him.\n22, And Reuben said unto them, Shed no blood, but cast him into this pit that is in the wilderness, and lay no hand upon him; that he might rid him out of their hands, to deliver him to his father again.\nAnd it came to pass, when Joseph was come unto his brethren, that they stript Joseph out of his coat, his coat of many colours that was on him;\nAnd they took him, and cast him into a pit: and the pit was empty, there was no water in it.\nAnd they sat down to eat bread: and they lifted up their eyes and looked, and, behold, a company of Ishmeelites came from Gilead with their camels bearing spicery and balm and myrrh, going to carry it down to Egypt.\nAnd Judah said unto his brethren, What profit is it if we slay our brother, and conceal his blood?\nCome, and let us sell him to the Ishmeelites, and let not our hand be upon him; for he is our brother and our flesh. And his brethren were content.\nThen there passed by Midianites Merchantmen; and they drew and lifted up Joseph out of the pit, and sold Joseph to the Ishmeelites for twenty pieces of silver: and they brought Joseph into Egypt.\nAnd Reuben returned unto the pit; and, behold, Joseph was not in the pit; and he rent his clothes.\nAnd he returned unto his brethren, and said, The child is not; and I, whither shall I go?\nAnd they took Joseph’s coat, and killed a kid of the goats, and dipped the coat in the blood;\nAnd they sent the coat of many colours, and they brought if to their father; and said, This have we found: know now whether it be thy son’s coat or no.\nAnd he knew it, and said, It is my son’s coat; an evil beast hath devoured him; Joseph is without doubt rent in pieces.\nAnd Jacob rent his clothes, and put sackcloth upon his loins, and mourned for his son many days.\nAnd all his sons and all his daughters rose up to comfort him; but he refused to be comforted; and he said, For I will go down into the grave unto my son mourning. Thus his father wept for him.\nAnd the Midianites sold him into Egypt unto Potiphar, an officer of Pharaoh’s, and captain of the guard.\nChapter 38\nAnd it came to pass at that time, that Judah went down from his brethren, and turned in to a certain Adullamite, whose name was Hirah.\nAnd Judah saw there a daughter of a certain Canaanite, whose name was Shuah; and he took her, and went in unto her.\nAnd she conceived, and bare a son; and he called his name Er.\nAnd she conceived again, and bare a son; and she called his name Onan.\nAnd she yet again conceived, and bare a SON; and called his name Shelah: and he was at Chezib, when she bare him.\nAnd Judah took a wife for Er his firstborn, whose name was Tamar.\nAnd Er, Judah’s firstborn, was wicked in the sight of the LORD; and the LORD slew him.\nAnd Judah said unto Onan, Go in unto thy brother’s wife, and marry her, and raise up seed to thy brother.\nAnd Onan knew that the seed should not be his; and it came to pass, when he went in unto his brother’s wife, that he spilled it on the ground, lest that he should give seed to his brother.\nAnd the thing which he did displeased the LORD: wherefore he slew him also.\nThen said Judah to Tamar his daughter in law, Remain a widow at thy father’s house, till Shelah my son be grown: for he said, Lest peradventure he die also, as his brethren did. And Tamar went and dwelt in her father’s house.\nAnd in process of time the daughter of Shuah Judah’s wife died; and Judah was comforted, and went up unto his sheepshearers to Timnath, he and his friend Hirah the Adullamite.\nAnd it was told Tamar, saying, Behold thy father in law goeth up to Timnath to shear his sheep.\nAnd she put her widow’s garments off from her, and covered her with a vail, and wrapped herself, and sat in an open place, which is by the way to Timnath; for she saw that Shelah was grown, and she was not given unto him to wife.\nWhen Judah saw her, he thought her to be an harlot; because she had Covered her face.\nAnd he turned unto her by the way, and said, Go to, I pray thee, let me come in unto thee; (for he knew not that she was his daughter in law.) And she said, What wilt thou give me, that thou mayest come in unto me?\nAnd he said, I will send thee a kid from the flock. And she said, Wilt thou give me a pledge, till thou send it?\nAnd he said, What pledge shall I give thee? And she said, Thy signet, and thy bracelets, and thy staff that is in thine hand. And he gave it her, and came in unto her, and she conceived by him.\nAnd she arose, and went away, and laid by her vail from her, and put on the garments of her widowhood.\nAnd Judah sent the kid by the hand of his friend the Adullamite, to receive his pledge from the woman’s hand: but he found her not.\nThen he asked the men of that place, saying, Where is the harlot, that was openly by the way side? And they said, There was no harlot in this place.\nAnd he returned to Judah, and said, I cannot find her; and also the men of the place said, that there was no harlot in this place.\nAnd Judah said, Let her take it to her, lest we be shamed: behold, I sent this kid, and thou hast not found her.\nAnd it came to pass about three months after, that it was told Judah, saying, Tamar thy daughter in law hath played the harlot; and also, behold, she is with child by whoredom. And Judah said, Bring her forth, and let her be burnt.\nWhen she was brought forth, she sent to her father in law, saying, By the man, whose these are, am I with child: and she said, Discern, I pray thee, whose are these, the signet, and bracelets, and staff.\nAnd Judah acknowledged them, and said, She hath been more righteous than I; because that I gave her not to Shelah my son. And he knew her again no more.\nAnd it came to pass in the time of her travail, that, behold, twins were in her womb.\nAnd it came to pass, when she travailed, that the one put out his hand: and the midwife took and bound upon his hand a scarlet thread, saying, This came out first.\nAnd it came to pass, as he drew back his hand, that, behold, his brother came out: and she said, How hast thou broken forth? this breach be upon thee: therefore his name was called Pharez.\nAnd afterward came out his brother, that had the scarlet thread upon his hand: and his name was called Zarah.\nChapter 39\nAnd Joseph was brought down to Egypt; and Potiphar, an officer of Pharaoh, captain of the guard, an Egyptian, bought him of the hands of the Ishmeelites, which had brought him down thither.\nAnd the LORD was with Joseph, and he was a prosperous man; and he was in the house of his master the Egyptian.\nAnd his master saw that the LORD was with him, and that the LORD made all that he did to prosper in his hand.\nAnd Joseph found grace in his sight, and he served him: and he made him overseer over his house, and all that he had he put into his hand.\nAnd it came to pass from the time that he had made him overseer in his house, and over all that he had, that the LORD blessed the Egyptian’s house for Joseph’s sake; and the blessing of the LORD was upon all that he had in the house, and in the field.\nAnd he left all that he had in Joseph’s hand; and he knew not ought he had, save the bread which he did eat. And Joseph was a goodly person, and well favoured.\nAnd it came to pass after these things, that his master’s wife cast her eyes upon Joseph; and she said, Lie with me.\nBut he refused, and said unto his master’s wife, Behold, my master wotteth not what is with me in the house, and he hath committed all that he hath to my hand;\nThere is none greater in this house than I; neither hath he kept back any thing from me but thee, because thou art his wife: how then can I do this great wickedness, and sin against God?\nAnd it came to pass, as she spake to Joseph day by day, that he hearkened not unto her, to lie by her, or to be with her.\nAnd it came to pass about this time, that Joseph went into the house to do his business; and there was none of the men of the house there within.\nAnd she caught him by his garment, saying, Lie with me: and he left his garment in her hand, and fled, and got him out.\nAnd it came to pass, when she saw that he had left his garment in her hand, and was fled forth,\nThat she called unto the men of her house, and spake unto them, saying, See, he hath brought in an Hebrew unto us to mock us; he came in unto me to lie with me, and I cried with a loud voice:\nAnd it came to pass, when he heard that I lifted up my voice and cried, that he left his garment with me, and fled, and got him out.\nAnd she laid up his garment by her, til his lord came home.\nAnd she spake unto him according to these words, saying, The Hebrew servant, which thou hast brought unto us, came in unto me to mock me:\nAnd it came to pass, as I lifted up my voice and cried, that he left his garment with me, and fled out.\nAnd it came to pass, when his master heard the words of his wife, which she spake unto him, saying, After this manner did thy servant to me; that his wrath was kindled.\nAnd Joseph’s master took him, and put him into the prison, a place where the king’s prisoners were bound: and he was there in the prison.\nBut the LORD was with Joseph, and shewed him mercy, and gave him favour in the sight of the keeper of the prison.\nAnd the keeper of the prison committed to Joseph’s hand all the prisoners that were in the prison; and whatsoever they did there, he was the doer of it.\nThe keeper of the prison looked not to any thing that was under his hand; because the LORD was with him, and that which he did, the LORD made it to prosper.\nChapter 40\nAnd it came to pass after these things, that the butler of the king of Egypt and his baker had offended their lord the king of Egypt.\nAnd Pharaoh was wroth against two of his officers, against the chief Of the butlers, and against the chief of the bakers.\nAnd he put them in ward in the house of the captain of the guard, into the prison, the place where Joseph was bound.\nAnd the captain of the guard charged Joseph with them, and he served them: and they continued a season in ward.\nAnd they dreamed a dream both of them, each man his dream in one night, each man according to the interpretation of his dream, the butler and the baker of the king of Egypt, which were bound in the prison.\nAnd Joseph came in unto them in the morning, and looked upon them, and, behold, they were sad.\nAnd he asked Pharaoh’s officers that were with him in the ward of his lord’s house, saying, Wherefore look ye so sadly to day?\nAnd they said unto him, We have dreamed a dream, and there is no interpreter of it. And Joseph said unto them, Do not interpretations belong to God? tell me them, I pray you.\nAnd the chief butler told his dream to Joseph, and said to him, In my dream, behold, a vine was before me;\nAnd in the vine were three branches: and it was as though it budded, and her blossoms shot forth; and the clusters thereof brought forth ripe grapes:\nAnd Pharaoh’s cup was in my hand: and I took the grapes, and pressed them into Pharaoh’s cup, and I gave the cup into Pharaoh’s hand.\nAnd Joseph said unto him, This is the interpretation of it: The three branches are three days:\nYet within three days shall Pharaoh lift up thine head, and restore thee unto thy place: and thou shalt deliver Pharaoh’s cup into his hand, after the former manner when thou wast his butler.\nBut think on me when it shall be well with thee, and shew kindness, I pray thee, unto me, and make mention of me unto Pharaoh, and bring me out of this house:\nFor indeed I was stolen away out of the land of the Hebrews: and here also have I done nothing that they should put me into the dungeon.\nWhen the chief baker saw that the interpretation was good, he said unto Joseph, I also was in my dream, and, behold, I had three white baskets on my head:\nAnd in the uppermost basket there was of all manner of bakemeats for Pharaoh; and the birds did eat them out of the basket upon my head.\nAnd Joseph answered and said, This is the interpretation thereof: The three baskets are three days:\nYet within three days shall Pharaoh liftup thy head from off thee, and shall hang thee on a tree; and the birds shall eat thy flesh from off thee.\nAnd it came to pass the third day, which was Pharaoh’s birthday, that he made a feast unto all his servants: and he lifted up the head of the chief butler and of the chief baker among his servants.\nAnd he restored the chief butler unto his butlership again; and he gave the cup into Pharaoh’s hand:\nBut he hanged the chief baker: as Joseph had interpreted to them.\nYet did not the chief butler remember Joseph, but forgat him.\nChapter 41\nAnd it came to pass at the end of two full years, that Pharaoh dreamed: and, behold, he stood by the river.\nAnd, behold, there came up out of the river seven well favoured kine and fatfleshed; and they fed in a meadow.\nAnd, behold, seven other kine Came up after them out of the river, ill favoured and leanfleshed; and stood by the other kine upon the brink of the river.\nAnd the ill favoured and leanfleshed kine did eat up the seven well favoured and fat kine. So Pharaoh awoke.\nAnd he slept and dreamed the second time: and, behold, seven ears of corn came up upon one stalk, rank and good.\nAnd, behold, seven thin ears and blasted with the east wind sprung up after them.\nAnd the seven thin ears devoured the seven rank and full ears. And Pharaoh awoke, and, behold, it was a dream.\nAnd it came to pass in the morning that his spirit was troubled; and he sent and called for all the magicians of Egypt, and all the wise men thereof: and Pharaoh told them his dream; but there was none that could interpret them unto Pharaoh.\nThen spake the chief butler unto Pharaoh, saying, I do remember my faults this day:\nPharaoh was wroth with his servants, and put me in ward in the captain of the guard’s house, both me and the chief baker:\nAnd we dreamed a dream in one night, I and he; we dreamed each man according to the interpretation of his dream.\nAnd there was there with us a young man, an Hebrew, servant to the captain of the guard; and we told him, and he interpreted to us our dreams; to each man according to his dream he did interpret.\nAnd it came to pass, as he interpreted to us, so it was; me he restored unto mine office, and him he hanged.\nThen Pharaoh sent and called Joseph, and they brought him hastily out of the dungeon: and he shaved himself, and changed his raiment, and came in Unto Pharaoh.\nAnd Pharaoh said unto Joseph, I have dreamed a dream, and there is none that can interpret it: and I have heard say of thee, that thou canst understand a dream to interpret it.\nAnd Joseph answered Pharaoh, saying. It is not in me: God shall give Pharaoh an answer of peace.\nAnd Pharaoh said unto Joseph, In my dream, behold, I stood upon the bank of the river:\nAnd, behold, there came up out of the river seven kine, fatfleshed and well favoured; and they fed in a meadow:\nAnd, behold, seven other kine came up after them, poor and very ill favoured and leanfleshed, such as I n all the land of Egypt for badness;\nAnd the lean and the ill favoured kine did eat up the first seven fat kine:\nAnn they had eaten them up, it could not be known that they had eaten them; but they were still ill favoured, as at the beginning. So I awoke.\nAnd I saw in my dream, and, behold, seven ears came up in one stalk, full and good.\nAnd, behold, seven ears, withered, thin, and blasted with the east wind, sprung up after them:\nAnd the thin ears devoured the seven good ears: and I told this unto the magicians; but there was none that could declare it to me.\nAnd Joseph said unto Pharaoh, The dream of Pharaoh is one: God hath shewed Pharaoh what he is about to do.\nThe seven good kine are seven Years; and the seven good ears are seven years; the dream is one.\nAnd the seven thin and ill favoured kine that came up after them are seven years; and the seven empty ears blasted with the east wind shall be seven years of famine.\nThis is the thing which I have spoken unto Pharaoh: What God is about to do he sheweth unto Pharaoh.\nBehold, there come seven years of great plenty throughout all the land of Egypt:\nAnd there shall arise after them seven years of famine; and all the plenty shall be forgotten in the land of Egypt; and the famine shall consume the land;\nAnd the plenty shall not be known in the land by reason of that famine following; for it shall be very grievous.\nAnd for that the dream was doubled unto Pharaoh twice; it is because the thing is established by God, and God will shortly bring it to pass.\nNow therefore let Pharaoh look out a man discreet and wise, and set him over the land of Egypt.\nLet Pharaoh do this, and let him appoint officers over the land, and take up the fifth part of the land of Egypt in the seven plenteous years.\nAnd let them gather all the food of those good years that come, and lay up com under the hand of Pharaoh, and let them keep food in the cities.\nAnd that food shall be for store to the land against the seven years of famine, which shall be in the land of Egypt; that the land perish not through the famine.\nAnd the thing was good in the eyes of Pharaoh, and in the eyes of all his servants.\nAnd Pharaoh said unto his servants, Can we find such a one as this is, a man in whom the Spirit of God is?\nAnd Pharaoh said unto Joseph, Forasmuch as God hath shewed thee all this, there is none so discreet and wise as thou art:\nThou shalt be over my house, and according unto thy word shall all my ople be ruled: only in the throne will I be greater than thou.\nAnd Pharaoh said unto Joseph, See, I have set thee over all the land of Egypt. .\nAnd Pharaoh took off his ring from his hand, and put it upon Joseph’s hand, and arrayed him in vestures of fine linen, and put a gold chain about his neck;\nAnd he made him to ride in the second chariot which he had; and they cried before him, Bow the knee: and he made him ruler over all the land of Egypt.\nAnd Pharaoh said unto Joseph, I am Pharaoh, and without thee shall no man lift up his hand or foot in all the land of Egypt.\nAnd Pharaoh called Joseph’s name Zaphnath-paaneah; and he gave him to wife Asenath the daughter of Potipherah priest of On. And Joseph went out over all the land of Egypt.\nAnd Joseph was thirty years old when he stood before Pharaoh king of Egypt. And Joseph went out from the presence of Pharaoh, and went throughout all the land of Egypt.\nAnd in the seven plenteous years the earth brought forth by handfuls.\nAnd he gathered up all the food of the seven years, which were in the land of Egypt, and laid up the food in the cities: the food of the field, which was round about every city, laid he up in the same.\nAnd Joseph gathered corn as the sand of the sea, very much, until he left numbering; for it was without number.\nAnd unto Joseph were born two sons before the years of famine came, which Asenath the daughter of Potipherah priest of On bare unto him.\nAnd Joseph called the name of the firstborn Manasseh: For God, said he, hath made me forget all my toil, and all my father’s house.\nAnd the name of the second called he Ephraim: For God hath caused me to be fruitful in the land of my affliction.\nAnd the seven years of plenteousness, that was in the land of Egypt, were ended.\nAnd the seven years of dearth began to come, according as Joseph had said: and the dearth was in all lands; but in all the land of Egypt there was bread.\nAnd when all the land of Egypt was famished, the people cried to Pharaoh for bread: and Pharaoh said unto all the Egyptians, Go unto Joseph; what he saith to you, do.\nAnd the famine was over all the face of the earth: And Joseph opened all the storehouses, and sold unto the Egyptians; and the famine waxed sore in the land of Egypt.\nAnd all countries came into Egypt to Joseph for to buy corn; because that the famine was so sore in all lands.\nChapter 42\nNow when Jacob saw that there was corn in Egypt, Jacob said unto his sons, Why do ye look one upon another?\nAnd he said, Behold, I have heard that there is corn in Egypt: get you down thither, and buy for us from thence; that we may live, and not die.\nAnd Joseph’s ten brethren went down to buy corn in Egypt.\nBut Benjamin, Joseph’s brother, cob sent not with his brethren; for he said, Lest peradventure mischief befall him.\nAnd the sons of Israel came to buy corn among those that came: for the famine was in the land of Canaan.\nAnd Joseph was the governor over the land, and he it was that sold to all the people of the land: and Joseph’s brethren came, and bowed down themselves before him with their faces to the earth.\nAnd Joseph saw his brethren, and he knew them, but made himself strange unto them, and spake roughly unto them; and he said unto them, Whence come ye? And they said, From the land of Canaan to buy food.\nAnd Joseph knew his brethren, but they knew not him.\nAnd Joseph remembered the dreams which he dreamed of them, and said unto them, Ye are spies; to see the nakedness of the land ye are come.\nAnd they said unto him, Nay, my lord, but to buy food are thy servants come.\nWeare all one man’s sons; we are true men, thy servants are no spies.\nAnd he said unto them, Nay, but to see the nakedness of the land ye are come.\nAnd they said, Thy servants are twelve brethren, the sons of one man inthe land of Canaan; and, behold, the youngest is this day with our father, and one is not.\nAnd Joseph said unto them, That is it that I spake unto you, saying, Ye are spies:\nHereby ye shall be proved: By the life of Pharaoh ye shall not go forth hence, except your youngest brother come hither.\nSend one of you, and let him fetch Your brother, and ye shall be kept in whether there be any truth in you: or else by the life of Pharaoh surely ye are spies.\nAnd he put them all together into ward three days.\nAnd Joseph said unto them the third day, This do, and live; for I fear God:\nIf ye be true men, let one of your brethren be bound in the house of your prison: go ye, carry corn for the famine of your houses:\nBut bring your youngest brother unto me; so shall your words be verified, and ye shall not die. And they did so.\nAnd they said one to another, We are verily guilty concerning our brother, in that we saw the anguish of his soul, when he besought us, and we would not hear; therefore is this distress come upon us.\nAnd Reuben answered them, saying, Spake I not unto you, saying, Do not sin against the child; and ye would not hear? therefore, behold, also his blood is required.\nAnd they knew not that Joseph understood them; for he spake unto them by an interpreter.\nAnd he turned himself about from them, and wept; and returned to them again, and communed with them, and took from them Simeon, and bound him before their eyes.\nThen Joseph commanded to fill their sacks with corn, and to restore every man’s money into his sack, and to give them provision for the way: and thus did he unto them.\nAnd they laded their asses with the corn, and departed thence.\nAnd as one of them opened his sack to give his ass provender in the inn, he espied his money; for, behold, it was in his sack’s mouth.\nAnd he said unto his brethren, My money is restored; and, lo, it is even in sack: and their heart failed them, and they were afraid, saying one to another, What is this that God hath done unto us?\nAnd they came unto Jacob their father unto the land of Canaan, and told him all that befell unto them; saying,\nThe man, who is the lord of the Jand, spake roughly to us, and took us for spies of the country.\nAnd we said unto him, We are true men; we are no spies:\nWe be twelve brethren, sons of our father; one is not, and the youngest is this day with our father in the land of Canaan.\nAnd the man, the lord of the country, said unto us, Hereby shall I know that ye are true men; leave one of your brethren here with me, and take food for the famine of your households, and be gone:\nAnd bring your youngest brother unto me: then shall I know that ye are no spies, but that ye are true men: so will I deliver you your brother, and ye shall traffick in the land.\nAnd it came to pass as they emptied their sacks, that, behold, every man’s bundle of money was in his sack: and when both they and their father saw the bundles of money, they were afraid.\nAnd Jacob their father said unto them, Me have ye bereaved of my children: Joseph is not, and Simeon is not, and ye will take Benjamin away: all these things are against me.\nAnd Reuben spake unto his father, saying, Slay my two sons, if I bring him not to thee: deliver him into my hand, and I will bring him to thee again.\nAnd he said, My son shall not go down with you; for his brother is dead, and he is left alone: if mischief befall him by the way in the which ye go, then shall ye bring down my gray hairs with sorrow to the grave.\nChapter 43\nAnd the famine was sore in the land.\nAnd it came to pass, when they had eaten up the corn which they had brought out of Egypt, their father said unto them, Go again, buy us a little food.\nAnd Judah spake unto him, saying, The man did solemnly protest unto us, saying, Ye shall not see my face, except your brother be with you.\nIf thou wilt send our brother with us, we will go down and buy thee food:\nBut if thou wilt not send him, we will not go down: for the man said unto us, Ye shall not see my face, except your brother be with you.\nAnd Israel said, Wherefore dealt ye so ill with me, as to tell the man whether ye had yet a brother?\nAnd they said, The man asked us straitly of our state, and of our kindred, saying, /s your father yet alive? have ye another brother? and we told him according to the tenor of these words: could we certainly know that he would say, Bring your brother down?\nAnd Judah said unto Israel his father, Send the lad with me, and we will arise and go; that we may live, and not die, both we, and thou, and also our little ones.\nI will be surety for him; of my hand shalt thou require him: if I bring him not unto thee, and set him before thee, then let me bear the blame for ever:\nFor except we had lingered, surely now we had returned this second time.\nAnd their father Israel said unto them, If it must be so now, do this; take of the best fruits in the land in your vessels, and carry down the man a present, a little balm, and a little honey, spices, and myrrh, nuts, and almonds:\nAnd take double money in your hand; and the money that was brought again in the mouth of your sacks, carry it again in your hand; peradventure it was an oversight:\nTake also your brother, and arise, o again unto the man:\nAnd God Almighty give you mercy before the man, that he may send away your other brother, and Benjamin. If I be bereaved of my children, I am bereaved.\nAnd the men took that present, and they took double money in their hand, and Benjamin; and rose up, and went down to Egypt, and stood before Joseph.\nAnd when Joseph saw Benjamin with them, he said to the ruler of his house, Bring these men home, and slay, and make ready; for these men shall dine with me at noon.\nAnd the man did as Joseph bade; and the man brought the men into Joseph’s house.\nAnd the men were afraid, because they were brought into Joseph’s house; and they said, Because of the money that was returned in our sacks at the first time are we brought in; that he may seek occasion against us, and fall upon us, and take us for bondmen, and our asses.\nAnd they came near to the steward of Joseph’s house, and they communed with him at the door of the house,\nAnd said, O sir, we came indeed down at the first time to buy food:\nAnd it came to pass, when we came fo the inn, that we opened our sacks, and, behold, every man’s money was in the mouth of his sack, our money in full weight: and we have brought it again in our hand.\nAnd other money have we brought down in our hands to buy food: we cannot tell who put our money in our sacks.\nAnd he said, Peace be to you, fear not: your God, and the God of your father, hath given you treasure in your sacks: I had your money. And he brought Simeon out unto them.\nAnd the man brought the men into Joseph’s house, and gave them water, and they washed their feet; and he gave their asses provender.\nAnd they made ready the present against Joseph came at noon: for they heard that they should eat bread there.\nAnd when Joseph came home, they brought him the present which was in their hand into the house, and bowed themselves to him to the earth.\nAnd he asked them of their welfare, and said, Js your father well, the old man of whom ye spake? /s he yet alive?\nAnd they answered, Thy servant our father is in good health, he is yet alive. And they bowed down their heads, and made obeisance.\nAnd he lifted up his eyes, and saw his brother Benjamin, his mother’s son, and said, /s this your younger brother, of whom ye spake unto me? And he said, God be gracious unto thee, my son.\nAnd Joseph made haste; for his bowels did yearn upon his brother: and he sought where to weep; and he entered into his chamber, and wept there.\nAnd he washed his face, and went out, and refrained himself, and said, Set on bread.\nAnd they set on for him by himself, and for them by themselves, and for the Egyptians, which did eat with him, by themselves: because the Egyptians might not eat bread with the Hebrews; for that is an abomination unto the Egyptians. .\nAnd they sat before him, the firstborn according to his birthright, and the youngest according to his youth: and the men marvelled one at another.\nAnd he took and sent messes unto them from before him: but Benjamin’s mess was five times so much as any of theirs. And they drank, and were merry with him.\nChapter 44\nAnd he commanded the steward of his house, saying, Fill the men’s sacks with food, as much as they can carry, and put every man’s money in his sack’s mouth.\nAnd put my cup, the silver cup, in the sack’s mouth of the youngest, and his corn money. And he did according to the word that Joseph had spoken.\nAs soon as the morning was light, the men were sent away, they and their asses.\nAnd when they were gone out of the city, and not yer far off, Joseph said unto his steward, Up, follow after the men; and when thou dost overtake them, say unto them, Wherefore have ye rewarded evil for good?\nIs not this it in which my lord drinketh, and whereby indeed he divineth? ye have done evil in so doing.\nAnd he overtook them, and he spake unto them these same words.\nAnd they said unto him, Wherefore saith my lord these words? God forbid that thy servants should do according to this thing:\nBehold, the money, which we found in our sacks’ mouths, we brought again unto thee out of the land of Canaan: how then should we steal out of thy lord’s house silver or gold?\nWith whomsoever of thy servants it be found, both let him die, and we also will be my lord’s bondmen.\nAnd he said, Now also Jet it be according unto your words: he with whom it is found shall be my servant; and ye shall be blameless.\nThen they speedily took down every man his sack to the ground, and opened every man his sack.\nAnd he searched, and began at the eldest, and left at the youngest: and the cup was found in Benjamin’s sack.\nThen they rent their clothes, and laded every man his ass, and returned to the city.\nAnd Judah and his brethren came to Joseph’s house; for he was yet there: and they fell before him on the ground.\nAnd Joseph said unto them, What deed is this that ye have done? wot ye not that such a man as I can certainly divine?\nAnd Judah said, What shall we say unto my lord? what shall we speak? or how shall we clear ourselves? God hath found out the iniquity of thy servants: behold, we are my lord’s servants, both we, and he also with whom the cup is found.\nAnd he said, God forbid that I should do so: but the man in whose hand the cup is found, he shall be my servant; and as for you, get you up in peace unto your father.\nThen Judah came near unto him, and said, Oh my lord, let thy servant, I pray thee, speak a word in my lord’s ears, and let not thine anger burn against thy servant: for thou art even as Pharaoh.\nMy lord asked his servants, saying, Have ye a father, or a brother?\nAnd we said unto my lord, We ye a father, an old man, and a child f his old age, a little one; and his brother is dead, and he alone is left of his mother, and his father loveth him.\nAnd thou saidst unto thy servants, Bring him down unto me, that I may mine eyes upon him.\nAnd we said unto my lord, The lad cannot leave his father: for if he should leave his father, his father would die.\nAnd thou saidst unto thy servants, Except your youngest brother come down with you, ye shall see my face no more.\nAnd it came to pass when we came up unto thy servant my father, we told him the words of my lord.\nAnd our father said, Go again, and buy us a little food.\nAnd we said, We cannot go down: if our youngest brother be with us, then will we go down: for we may not see the man’s face, except our youngest brother be with us.\nAnd thy servant my father said unto us, Ye know that my wife bare me two sons:\nAnd the one went out from me, and I said, Surely he is torn in pieces; and I saw him not since:\nAnd if ye take this also from me, and mischief befall him, ye shall bring down my gray hairs with sorrow to the grave.\nNow therefore when I come to thy Servant my father, and the lad be not with us; seeing that his life is bound up in the lad’s life;\nIt shall come to pass, when he seeth that the lad is not with us, that he will die: and thy servants shall bring down the gray hairs of thy servant our father with sorrow to the grave.\nFor thy servant became surety for the lad unto my father, saying, If I bring him not unto thee, then I shall bear the blame to my father for ever.\nNow therefore, I pray thee, let thy servant abide instead of the lad a bondman to my lord; and let the lad go up with his brethren.\nFor how shall I go up to my father, and the lad be not with me? lest peradventure I see the evil that shall come on my father.\nChapter 45\nThen Joseph could not refrain himself before all them that stood by him; and he cried, Cause every man to go out from me. And there stood no man with him, while Joseph made himself known unto his brethren.\nAnd he wept aloud: and the Egyptians and the house of Pharaoh heard.\nAnd Joseph said unto his brethren, I am Joseph; doth my father yet live? And his brethren could not answer him; for they were troubled at his presence.\nAnd Joseph said unto his brethren, Come near to me, I pray you. And they came near. And he said, I am Joseph your brother, whom ye sold into Egypt.\nNow therefore be not grieved, nor angry with yourselves, that ye sold me hither: for God did send me before you to preserve life.\nFor these two years hath the famine been in the land: and yet there are five years, in the which there shall neither be earing nor harvest.\nAnd God sent me before you to preserve you a posterity in the earth, and to save your lives by a great deliverance.\nSo now it was not you that sent me hither, but God: and he hath made me a father to Pharaoh, and lord of all his house, and a ruler throughout all the land of Egypt.\nHaste ye, and go up to my father, and say unto him, Thus saith thy son Joseph, God hath made me lord of all Egypt: come down unto me, tarry not:\nAnd thou shalt dwell in the land of Goshen, and thou shalt be near unto me, thou, and thy children, and thy children’s children, and thy flocks, and thy herds, and all that thou hast:\nAnd there will I nourish thee; for yet there are five years of famine; lest thou, and thy household, and all that thou hast, come to poverty.\nAnd, behold, your eyes see, and the eyes of my brother Benjamin, that it is my mouth that speaketh unto you.\nAnd ye shall tell my father of all my glory in Egypt, and of all that ye have seen; and ye shall haste and bring down my father hither.\nAnd he fell upon his brother Benjamin’s neck, and wept; and Benjamin wept upon his neck.\nMoreover he kissed all his brethren, and wept upon them: and after that his brethren talked with him.\nAnd the fame thereof was heard in Pharaoh’s house, saying, Joseph’s brethren are come: and it pleased Pharaoh well, and his servants.\nAnd Pharaoh said unto Joseph, Say unto thy brethren, This do ye; lade your beasts, and go, get you unto the land of Canaan;\nAnd take your father and your households, and come unto me: and I will give you the good of the land of Egypt, and ye shall eat the fat of the land.\nNow thou art commanded, this do ye; take you wagons out of the land of Egypt for your little ones, and for your wives, and bring your father, and come,\nAlso regard not your stuff; for the 800d of all the land of Egypt is yours.\nAnd the children of Israel did so: and Joseph gave them wagons, according to the commandment of Pharaoh, and gave them provision for the way.\nTo all of them he gave each man changes of raiment; but to Benjamin he gave three hundred pieces of silver, and five changes of raiment.\nAnd to his father he sent after this manner; ten asses laden with the good things of Egypt, and ten she asses laden with corn and bread and meat for his father by the way.\nSo he sent his brethren away, and they departed: and he said unto them, See that ye fall not out by the way.\nAnd they went up out of Egypt, and came into the land of Canaan unto Jacob their father,\nAnd told him, saying, Joseph is yet alive, and he is governor over all the land of Egypt. And Jacob’s heart fainted, for he believed them not.\nAnd they told him all the words of Joseph, which he had said unto them: and when he saw the wagons which Joseph had sent to carry him, the spirit of Jacob their father revived:\nAnd Israel said, /t is enough; Joseph my son is yet alive: I will go and see him before I die.\nChapter 46\nAnd Israel took his journey with all that he had, and came to Beer-sheba, and offered sacrifices unto the God of his father Isaac.\nAnd God spake unto Israel in the visions of the night, and said, Jacob, Jacob. And he said, Here am I.\nAnd he said, I am God, the God of thy father: fear not to go down into Egypt; for I will there make of thee a great nation:\nI will go down with thee into Egypt; and I will also surely bring thee up again: and Joseph shall put his hand upon thine eyes.\nAnd Jacob rose up from Beersheba: and the sons of Israel carried Jacob their father, and their little ones, and their wives, in the wagons which Pharaoh had sent to carry him.\nAnd they took their cattle, and their goods, which they had gotten in the land of Canaan, and came into Egypt, Jacob, and all his seed with him:\nHis sons, and his sons’ sons with him, his daughters, and his sons’ daughters, and all his seed brought he with him into Egypt.\nAnd these are the names of the children of Israel, which came into Egypt, Jacob and his sons: Reuben, Jacob's firstborn.\nAnd the sons of Reuben; Hanoch, and Hezron, and Hezron, and Carmi.\nAnd the sons of Simeon; Jemuel, and Jamin, and Ohad, and Jachin, and Zohar, and Shaul the son of a Canaanitish woman.\nAnd the sons of Levi; Gershon, Kohath, and Merari.\nAnd the sons of Judah; Er, and Onan, and Shelah, and Pharez, and Zerah: but Er and Onan died in the land of Canaan. And the sons of Pharez were Hezron and Hamul.\nAnd the sons of Issachar; Tola, and Phuvah, and Job and Shimron.\nAnd the sons of Zebulun; Sered, and Elon, and Jahleel.\nThese be the sons of Leah, which she bare unto Jacob in Padan-aram, with his daughter Dinah: all the souls of his sons and his daughters were thirty and three.\nAnd the sons of Gad; Ziphion, and Haggi, Shuni, and Ezbon, Eri, and Arodi, and Areli.\nAnd the sons of Asher; Jimnah, and Ishuah and Isui, and Beriah, and Serah their sister: and the sons of Beriah; Heber, and Malchiel.\nThese are the sons of Zilpah, whom Laban gave to Leah his daughter, and these she bare unto Jacob, even sixteen souls.\nThe sons of Rachel Jacob’s wife; Joseph, and Benjamin.\nAnd unto Joseph in the land of Egypt were born Manasseh and Ephraim, which Asenath the daughter of Poti-pherah priest of On bare unto him.\nAnd the sons of Benjamin were Belah, and Becher, and Ashbel, Gera, and Naaman, Ehi, and Rosh, Muppim, and Huppim, and Ard.\nThese are the sons of Rachel, which were born to Jacob: all the souls were fourteen.\nAnd the sons of Dan; Hushim.\nAnd the sons of Naphtali; Jahzeel, and Guni, and Jezer, and Shillem.\nThese are the sons of Bilhah, which Laban gave unto Rachel his daughter, and she bare these unto Jacob: all the souls were seven.\nAll the souls that came with Jacob into Egypt, which came out of his loins, besides Jacob’s sons’ wives, all the souls were threescore and six;\nAnd the sons of Joseph, which were born him in Egypt, were two souls: all the souls of the house of Jacob, which came into Egypt, were threescore and ten.\nAnd he sent Judah before him unto Joseph, to direct his face unto Goshen; and they came into the land of Goshen.\nAnd Joseph made ready his chariot, and went up to meet Israel his father, to Goshen, and presented himself unto him; and he fell on his neck, and wept on his neck a good while.\nAnd Israel said unto Joseph, Now let me die, since I have seen thy face, because thou art yet alive.\nAnd Joseph said unto his brethren, and unto his father’s house, I will go up, and shew Pharaoh, and say unto him, My brethren, and my father’s house, which were in the land of Canaan, are come unto me;\nAnd the men are shepherds, for their trade hath been to feed cattle; and they have brought their flocks, and their herds, and all that they have.\nAnd it shall come to pass, when Pharaoh shall call you, and shall say, What is your occupation?\nThat ye shall say, Thy servants’ trade hath been about cattle from our youth even until now, both we, and also our fathers: that ye may dwell in the land of Goshen; for every shepherd is an abomination unto the Egyptians.\nChapter 47\nThen Joseph came and told Pharaoh, and said, My father and my brethren, and their flocks, and their herds, and all that they have, are come out of the land of Canaan; and, behold, they are in the land of Goshen.\nAnd he took some of his brethren, even five men, and presented them unto Pharaoh.\nAnd Pharaoh said unto his brethren, What is your occupation? And they said unto Pharaoh, Thy servants are shepherds, both we, and also our fathers.\nThey said moreover unto Pharaoh, For to sojourn in the land are we come; for thy servants have no pasture for their flocks; for the famine is sore in the land of Canaan: now therefore, we pray thee, let thy servants dwell in the land of Goshen.\nAnd Pharaoh spake unto Joseph, Saying, Thy father and thy brethren are come unto thee:\nThe land of Egypt is before thee; In the best of the land make thy father and brethren to dwell; in the land of Goshen let them dwell: and if thou knowest any men of activity among them, then make them rulers over my cattle.\nAnd Joseph brought in Jacob his father, and set him before Pharaoh: and Jacob blessed Pharaoh.\nAnd Pharaoh said unto Jacob, How old art thou?\nAnd Jacob said unto Pharaoh, The days of the years of my pilgrimage are an hundred and thirty years: few and evil have the days of the years of my life been, and have not attained unto the days of the years of the life of my fathers in the days of their pilgrimage.\nAnd Jacob blessed Pharaoh, and went out from before Pharaoh.\nAnd Joseph placed his father and his brethren, and gave them a possession in the land of Egypt, in the best of the land, in the land of Rameses, as Pharaoh had commanded.\nAnd Joseph nourished his father, and his brethren, and all his father’s household, with bread, according to their families.\nAnd there was no bread in all the land; for the famine was very sore, so that the land of Egypt and all the land of Canaan fainted by reason of the famine.\nAnd Joseph gathered up all the money that was found in the land of Egypt, and in the land of Canaan, for the corn which they bought: and Joseph brought the money into Pharaoh’s house.\nAnd when money failed in the land of Egypt, and in the land of Canaan, all the Egyptians came unto Joseph, and said, Give us bread: for why should we die in thy presence? for the money faileth.\nAnd Joseph said, Give your cattle; and I will give you for your cattle, if money fail.\nAnd they brought their cattle unto Joseph: and Joseph gave them bread in exchange for horses, and for the flocks, and for the cattle of the herds, and for e asses: and he fed them with bread for all their cattle for that year.\nWhen that year was ended, they came unto him the second year, and said unto him, We will not hide it from lord, how that our money is spent; my lord also hath our herds of cattle; there is not ought left in the sight of my lord, but our bodies, and our lands:\nWherefore shall we die before thine eyes, both we and our land? buy us and our land for bread, and we and our land will be servants unto Pharaoh: and give us seed, that we may live, and not die, that the land be not desolate.\nAnd Joseph bought all the land of Egypt for Pharaoh; for the Egyptians sold every man his field, because the famine prevailed over them: so the land became Pharaoh’s.\nAnd as for the people, he removed them to cities from one end of the borders of Egypt even to the other end thereof.\nOnly the land of the priests bought he not; for the priests had a portion assigned them of Pharaoh, and did eat their portion which Pharaoh gave them: wherefore they sold not their lands.\nThen Joseph said unto the people, Behold, I have bought you this day and your land for Pharaoh: lo, here is seed for you, and ye shall sow the land.\nAnd it shall come to pass in the Increase, that ye shall give the fifth part unto Pharaoh, and four parts shall be your own, for seed of the field, and for your food, and for them of your households, and for food for your little Ones.\nAnd they said, Thou hast saved our lives: let us find grace in the sight of my lord, and we will be Pharaoh’s servants.\nAnd Joseph made it a law over the land of Egypt unto this day, that Pharaoh should have the fifth part; except the land of the priests only, which became not Pharaoh’s.\nAnd Israel dwelt in the land of Egypt, in the country of Goshen; and they had possessions therein, and grew, and multiplied exceedingly.\nAnd Jacob lived in the land of Egypt seventeen years: so the whole age of Jacob was an hundred forty and seven years.\nAnd the time drew nigh that Israel must die: and he called his son Joseph, and said unto him, If now I have found grace in thy sight, put, I pray thee, thy hand under my thigh, and deal kindly and truly with me; bury me not, I pray thee, in Egypt:\nBut I will lie with my fathers, and thou shalt carry me out of Egypt, and bury me in their buryingplace. And he said, I will do as thou hast said.\nAnd he said, Swear unto me. And he sware unto him. And Israel bowed himself upon the bed’s head.\nChapter 48\nAnd it came to pass after these things, that one told Joseph, Behold, thy father is sick: and he took with him his two sons, Manasseh and Ephraim.\nAnd one told Jacob, and said, Behold, thy son Joseph cometh unto thee: and Israel strengthened himself, and sat upon the bed.\nAnd Jacob said unto Joseph, God Almighty appeared unto me at Luz in the land of Canaan, and blessed me,\nAnd said unto me, Behold, I will make thee fruitful, and multiply thee, and I will make of thee a multitude of people; and will give this land to thy seed after thee for an everlasting possession.\nAnd now thy two sons, Ephraim dd Manasseh, which were born unto thee in the land of Egypt before I came unto thee into Egypt, are mine; as Reuben and Simeon, they shall be mine.\nAnd thy issue, which thou begettest after them, shall be thine, and shall be called after the name of their brethren in their inheritance.\nAnd as for me, when I came from Padan, Rachel died by me in the land of Canaan in the way, when yet there was but a little way to come unto Ephrath: and I buried her there in the way of Ephrath; the same is Beth-lehem.\nAnd Israel beheld Joseph’s sons, and said, Who are these?\nAnd Joseph said unto his father, They are my sons, whom God hath given me in this place. And he said, Bring them, I pray thee, unto me, and I will bless them.\nNow the eyes of Israel were dim for age, so that he could not see. And he brought them near unto him; and he kissed them, and embraced them.\nAnd Israel said unto Joseph, I had not thought to see thy face: and, lo, God hath shewed me also thy seed.\nAnd Joseph brought them out from between his knees, and he bowed himself with his face to the earth.\nAnd Joseph took them both, Ephraim in his right hand toward Israel’s left hand, and Manasseh in his left hand toward Israel’s right hand, and brought them near unto him.\nAnd Israel stretched out his right hand, and laid if upon Ephraim’s head, who was the younger, and his left hand upon Manasseh’s head, guiding his hands wittingly; for Manasseh was the firstborn,\nAnd he blessed Joseph, and said, God, before whom my fathers Abraand Isaac did walk, the God which ed me all my life long unto this day,\nThe Angel which redeemed me from all evil, bless the lads; and let my name be named on them, and the name of my fathers Abraham and Isaac; and let them grow into a multitude in the midst of the earth.\nAnd when Joseph saw that his father laid his right hand upon the head of Ephraim, it displeased him: and he held up his father’s hand, to remove it from Ephraim’s head unto Manasseh’s head.\nAnd Joseph said unto his father, Not so, my father: for this is the firstborn; put thy right hand upon his head.\nAnd his father refused, and said, I know it, my son, I know it: he also shall become a people, and he also shall be great: but truly his younger brother shall be greater than he, and his seed shall become a multitude of nations.\nAnd he blessed them that day, saying, In thee shall Israel bless, saying, God make thee as Ephraim and as Manasseh: and he set Ephraim before Manasseh.\nAnd Israel said unto Joseph, Behold, I die: but God shall be with you, and bring you again unto the land of your fathers.\nMoreover I have given to thee one portion above thy brethren, which I took out of the hand of the Amorite with my sword and with my bow.\nChapter 49\nAnd Jacob called unto his sons, and said, Gather yourselves together, that I may tell you that which shall befall you in the last days.\nGather yourselves together, and hear, ye sons of Jacob; and hearken unto Israel your father.\nReuben, thou art my firstborn, my might, and the beginning of my strength, the excellency of dignity, and the excellency of power:\nUnstable as water, thou shalt not excel; because thou wentest up to thy father’s bed; then defiledst thou it: he went up to my couch.\nSimeon and Levi are brethren; instruments of cruelty are in their habitations.\nO my soul, come not thou into their secret; unto their assembly, mine honour, be not thou united: for in their anger they slew a man, and in their selfwill they digged down a wall.\nCursed be their anger, for it was fierce; and their wrath, for it was cruel: I will divide them in Jacob, and scatter them in Israel.\nJudah, thou art he whom thy brethren shall praise: thy hand shall be in the neck of thine enemies; thy father’s children shall bow down before thee.\nJudah is a lion’s whelp: from the prey, my son, thou art gone up: he stooped down, he couched as a lion, and as an old lion; who shall rouse him up?\nThe sceptre shall not depart from Judah, nor a lawgiver from between his feet, until Shiloh come; and unto him shall the gathering of the people be.\nBinding his foal unto the vine, and his ass’s colt unto the choice vine; he washed his garments in wine, and his clothes in the blood of grapes:\nHis eyes shall be red with wine, and his teeth white with milk.\nZebulun shall dwell at the haven of the Sea; and he shall be for an haven Of ships; and his border shall be unto Zidon.\nIssachar is a strong ass couching down between two burdens:\nAnd he saw that rest was good, and the land that it was pleasant; and bowed his shoulder to bear, and became a servant unto tribute.\nDan shall judge his people, as one of the tribes of Israel.\nDan shall be a serpent by the way, an adder in the path, that biteth the horse heels, so that his rider shall fall backward.\nI have waited for thy salvation, O LORD.\nGad, a troop shall overcome him: but he shall overcome at the last.\nOut of Asher his bread shall be fat, and he shall yield royal dainties.\nNaphtali is a hind let loose: he giveth goodly words.\nJoseph is a fruitful bough, even a fruitful bough by a well; whose branches run over the wall:\nThe archers have sorely grieved him, and shot at him, and hated him:\nBut his bow abode in strength, and the arms of his hands were made strong by the hands of the mighty God of Jacob; (from thence is the shepherd, the stone of Israel:)\nEven by the God of thy father, who shall help thee; and by the Almighty, who shall bless thee with blessings of heaven above, blessings of the deep that lieth under, blessings of the breasts, and of the womb:\nThe blessings of thy father have prevailed above the blessings of my progenitors unto the utmost bound of the everlasting hills: they shall be on the head of Joseph, and on the crown of the head of him that was separate from his brethren. ; ;\nBenjamin shall ravin as a wolf: in the morning he shall devour the prey, and at night he shall divide the spoil.\nAll these are the twelve tribes of Israel: and this is it that their father spake unto them, and blessed them; every one according to his blessing he blessed them.\nAnd he charged them, and said unto them, I am to be gathered unto my people: bury me with my fathers in the cave that is in the field of Ephron the Hittite,\nIn the cave that is in the field of Machpelah, which is before Mamre, in the land of Canaan, which Abraham bought with the field of Ephron the Hittite for a possession of a buryinglace.\nThere they buried Abraham and Sarah his wife; there they buried Isaac and Rebekah his wife; and there I buried Leah.\nThe purchase of the field and of the cave that is therein was from the children of Heth.\nAnd when Jacob had made an end of commanding his sons, he gathered up his feet into the bed, and yielded up the ghost, and was gathered unto his people.\nChapter 50\nAnd Joseph fell upon his father’s pce. and wept upon him, and kissed im.\nAnd Joseph commanded his servants the physicians to embalm his father: and the physicians embalmed Israel.\nAnd forty days were fulfilled for him; for so are fulfilled the days of those which are embalmed: and the Egyptians mourned for him threescore and ten days.\nAnd when the days of his mourning were past, Joseph spake unto the house of Pharaoh, saying, If now I have found grace in your eyes, speak, I pray you, in the ears of Pharaoh, saying,\nMy father made me swear, saying, Lo, I die: in my grave which I have digged for me in the land of Canaan, there shalt thou bury me. Now therefore let me go up, I pray thee, and bury my father, and I will come again.\nAnd Pharaoh said, Go up, and bury thy father, according as he made thee swear.\nAnd Joseph went up to bury his father: and with him went up all the servants of Pharaoh, the elders of his house, and all the elders of the land of Egypt,\nAnd all the house of Joseph, and his brethren, and his father’s house: only their little ones, and their flocks, and their herds, they left in the land of Goshen.\nAnd there went up with him both chariots and horsemen: and it was a very great company.\nAnd they came to the threshingfloor of Atad, which is beyond Jordan, and there they mourned with a great and very sore lamentation: and he made a mourning for his father seven days.\nAnd when the inhabitants of the land, the Canaanites, saw the mourning in the floor of Atad, they said, This is a grievous mourning to the Egyptians: wherefore the name of it was called Abel-mizraim, which is beyond Jordan.\nAnd his sons did unto him according as he commanded them:\nFor his sons carried him into the land of Canaan, and buried him in the cave of the field of Machpelah, which Abraham bought with the field for a possession of a buryingplace of Ephthe Hittite, before Mamre.\nAnd Joseph returned into Egypt, he and his brethren, and all that went up with him to bury his father, after he had buried his father.\nAnd when Joseph’s brethren saw that their father was dead, they said, Joseph will peradventure hate us, and will certainly requite us all the evil which we did unto him.\nAnd they sent a messenger unto Joseph, saying, Thy father did command before he died, saying,\nSo shall ye say unto Joseph, Forgive, ] pray thee now, the trespass of thy brethren, and their sin; for they did unto thee evil: and now, we pray thee, forgive the trespass of the servants of the God of thy father. And Joseph wept when they spake unto him.\nAnd his brethren also went and fell down before his face; and they said, Behold, we be thy servants.\nAnd Joseph said unto them, Fear not: for am I in the place of God?\nBut as for you, ye thought evil against me; but God meant it unto good, to bring to pass, as it is this day, to save much people alive.\nNow therefore fear ye not: I will nourish you, and your little ones. And he comforted them, and spake kindly unto them.\nAnd Joseph dwelt in Egypt, he, and his father’s house: and Joseph lived an hundred and ten years.\nAnd Joseph saw Ephraim’s children of the third generation: the children also of Machir the son of Manasseh were brought up upon Joseph’s knees.\nAnd Joseph said unto his brethren, Idie: and God will surely visit you, and ring you out of this land unto the land Which he sware to Abraham, to Isaac, and to Jacob.\nAnd Joseph took an oath of the children of Israel, saying, God will surely visit you, and ye shall carry up my bones from hence.\nNow these are the names of the children of Israel, which came into Egypt; every man and his household came with Jacob.\nReuben, Simeon, Levi, and Judah,\nIssachar, Zebulun, and Benjamin,\nDan, and Naphtali, Gad, and Asher.\nAnd all the souls that came out of the loins of Jacob were seventy souls: for Joseph was in Egypt already.\nAnd Joseph died, and all his brethren, and all that generation.\nAnd the children of Israel were fruitful, and increased abundantly, and multiplied, and waxed exceeding mighty; and the land was filled with them.\nNow there arose up a new king over Egypt, which knew not Joseph.\nAnd he said unto his people, Behold, the people of the children of Israel are more and mightier than we:\nCome on, let us deal wisely with them; lest they multiply, and it come to pass, that, when there falleth out any war, they join also unto our enemies, and fight against us, and so get them up out of the land.\nTherefore they did set over them taskmasters to afflict them with their burdens. And they built for Pharaoh treasure cities, Pithom and Raamses.\nBut the more they afflicted them, the more they multiplied and grew. And they were grieved because of the children of Israel.\nAnd the Egyptians made the children of Israel to serve with rigour:\nAnd they made their lives bitter with hard bondage, in morter, and in brick, and in all manner of service in the field: all their service, wherein they made them serve, was with rigour.\nAnd the king of Egypt spake to the Hebrew midwives, of which the name of the one was Shiphrah, and the name of the other Puah:\nAnd he said, When ye do the office of a midwife to the Hebrew women, and see them upon the stools; if it be a son, then ye shall kill him: but if it be a daughter, then she shall live.\nBut the midwives feared God, and did not as the king of Egypt commanded them, but saved the men children alive.\nAnd the king of Egypt called for the midwives, and said unto them, Why have ye done this thing, and have saved the men children alive?\nAnd the midwives said unto Pharaoh, Because the Hebrew women are not as the Egyptian women; for they are lively, and are delivered ere the midwives come in unto them.\nTherefore God dealt well with the midwives: and the people multiplied, and waxed very mighty.\nAnd it came to pass, because the midwives feared God, that he made them houses.\nAnd Pharaoh charged all his people, saying, Every son that is born ye shall cast into the river, and every daughter ye shall save alive.\nAnd there went a man* [Amram] of the house of Levi, and took to wife* [Jachobed] a daughter of Levi.\nAnd the woman conceived, and bare a son: and when she saw him that he was a goodly child, she hid him three months.\nAnd when she could not longer hide him, she took for him an ark of bulrushes, and daubed it with slime and with pitch, and put the child therein; and she laid it in the flags by the river's brink.\nAnd his sister stood afar off, to wit what would be done to him.\nAnd the daughter of Pharaoh came down to wash herself at the river; and her maidens walked along by the river's side; and when she saw the ark among the flags, she sent her maid to fetch it.\nAnd when she had opened it, she saw the child: and, behold, the babe wept. And she had compassion on him, and said, This is one of the Hebrews' children.\nThen said his sister to Pharaoh's daughter, Shall I go and call to thee a nurse of the Hebrew women, that she may nurse the child for thee?\nAnd Pharaoh's daughter said to her, Go. And the maid went and called the child's mother.\nAnd Pharaoh's daughter said unto her, Take this child away, and nurse it for me, and I will give thee thy wages. And the women took the child, and nursed it.\nAnd the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses: and she said, Because I drew him out of the water.\nAnd it came to pass in those days, when Moses was grown, that he went out unto his brethren, and looked on their burdens: and he spied an Egyptian smiting an Hebrew, one of his brethren.\nAnd he looked this way and that way, and when he saw that there was no man, he slew the Egyptian, and hid him in the sand.\nAnd when he went out the second day, behold, two men of the Hebrews strove together: and he said to him that did the wrong, Wherefore smitest thou thy fellow?\nAnd he said, Who made thee a prince and a judge over us? intendest thou to kill me, as thou killedst the Egyptian? And Moses feared, and said, Surely this thing is known.\nNow when Pharaoh heard this thing, he sought to slay Moses. But Moses fled from the face of Pharaoh, and dwelt in the land of Midian: and he sat down by a well.\nNow the priest of Midian had seven daughters: and they came and drew water, and filled the troughs to water their father's flock.\nAnd the shepherds came and drove them away: but Moses stood up and helped them, and watered their flock.\nAnd when they came to Reuel their father, he said, How is it that ye are come so soon to day?\nAnd they said, An Egyptian delivered us out of the hand of the shepherds, and also drew water enough for us, and watered the flock.\nAnd he said unto his daughters, And where is he? why is it that ye have left the man? call him, that he may eat bread.\nAnd Moses was content to dwell with the man: and he gave Moses Zipporah his daughter.\nAnd she bare him a son, and he called his name Gershom: for he said, I have been a stranger in a strange land.\nAnd it came to pass in process of time, that the king of Egypt died: and the children of Israel sighed by reason of the bondage, and they cried, and their cry came up unto God by reason of the bondage.\nAnd God heard their groaning, and God remembered his covenant with Abraham, with Isaac, and with Jacob.\nAnd God looked upon the children of Israel, and God had respect unto them.\nNow Moses kept the flock of Jethro his father in law, the priest of Midian: and he led the flock to the backside of the desert, and came to the mountain of God, even to Horeb\nAnd the angel of the Lord appeared unto him in a flame of fire out of the midst of a bush: and he looked, and, behold, the bush burned with fire, and the bush was not consumed.\nAnd Moses said, I will now turn aside, and see this great sight, why the bush is not burnt.\nAnd when the Lord saw that he turned aside to see, God called unto him out of the midst of the bush, and said, Moses, Moses. And he said, \"Here am I.\"\nAnd he said, Draw not nigh hither: put off thy shoes from off thy feet, for the place whereon thou standest is holy ground.\nMoreover he said, I am the God of thy father, the God of Abraham, the God of Isaac, and the God of Jacob. And Moses hid his face; for he was afraid to look upon God.\nAnd the Lord said, I have surely seen the affliction of my people which are in Egypt, and have heard their cry by reason of their taskmasters; for I know their sorrows;\nAnd I am come down to deliver them out of the hand of the Egyptians, and to bring them up out of that land unto a good land and a large, unto a land flowing with milk and honey; unto the place of the Canaanites, and the Hittites, and the Amorites, and the Perizzites, and the Hivites, and the Jebusites.\nNow therefore, behold, the cry of the children of Israel is come unto me: and I have also seen the oppression wherewith the Egyptians oppress them.\nCome now therefore, and I will send thee unto Pharaoh, that thou mayest bring forth my people the children of Israel out of Egypt.\nAnd Moses said unto God, Who am I, that I should go unto Pharaoh, and that I should bring forth the children of Israel out of Egypt?\nAnd he said, Certainly I will be with thee; and this shall be a token unto thee, that I have sent thee: When thou hast brought forth the people out of Egypt, ye shall serve God upon this mountain.\nAnd Moses said unto God, Behold, when I come unto the children of Israel, and shall say unto them, The God of your fathers hath sent me unto you; and they shall say to me, What is his name? what shall I say unto them?\nAnd God said unto Moses, I Am That I Am: and he said, Thus shalt thou say unto the children of Israel, I Am hath sent me unto you.\nAnd God said moreover unto Moses, Thus shalt thou say unto the children of Israel, the Lord God of your fathers, the God of Abraham, the God of Isaac, and the God of Jacob, hath sent me unto you: this is my name for ever, and this is my memorial unto all generations.\nGo, and gather the elders of Israel together, and say unto them, The Lord God of your fathers, the God of Abraham, of Isaac, and of Jacob, appeared unto me, saying, I have surely visited you, and seen that which is done to you in Egypt:\nAnd I have said, I will bring you up out of the affliction of Egypt unto the land of the Canaanites, and the Hittites, and the Amorites, and the Perizzites, and the Hivites, and the Jebusites, unto a land flowing with milk and honey.\nAnd they shall hearken to thy voice: and thou shalt come, thou and the elders of Israel, unto the king of Egypt, and ye shall say unto him, The Lord God of the Hebrews hath met with us: and now let us go, we beseech thee, three days' journey into the wilderness, that we may sacrifice to the Lord our God.\nAnd I am sure that the king of Egypt will not let you go, no, not by a mighty hand.\nAnd I will stretch out my hand, and smite Egypt with all my wonders which I will do in the midst thereof: and after that he will let you go.\nAnd I will give this people favour in the sight of the Egyptians: and it shall come to pass, that, when ye go, ye shall not go empty.\nBut every woman shall borrow of her neighbour, and of her that sojourneth in her house, jewels of silver, and jewels of gold, and raiment: and ye shall put them upon your sons, and upon your daughters; and ye shall spoil the Egyptians.\nAnd Moses answered and said, But, behold, they will not believe me, nor hearken unto my voice: for they will say, The Lord hath not appeared unto thee.\nAnd the Lord said unto him, What is that in thine hand? And he said, A rod.\nAnd he said, Cast it on the ground. And he cast it on the ground, and it became a serpent; and Moses fled from before it.\nAnd the Lord said unto Moses, Put forth thine hand, and take it by the tail. And he put forth his hand, and caught it, and it became a rod in his hand:\nThat they may believe that the Lord God of their fathers, the God of Abraham, the God of Isaac, and the God of Jacob, hath appeared unto thee.\nAnd the Lord said furthermore unto him, Put now thine hand into thy bosom. And he put his hand into his bosom: and when he took it out, behold, his hand was leprous as snow.\nAnd he said, Put thine hand into thy bosom again. And he put his hand into his bosom again; and plucked it out of his bosom, and, behold, it was turned again as his other flesh.\nAnd it shall come to pass, if they will not believe thee, neither hearken to the voice of the first sign, that they will believe the voice of the latter sign.\nAnd it shall come to pass, if they will not believe also these two signs, neither hearken unto thy voice, that thou shalt take of the water of the river, and pour it upon the dry land: and the water which thou takest out of the river shall become blood upon the dry land.\nAnd Moses said unto the Lord, O my Lord, I am not eloquent, neither heretofore, nor since thou hast spoken unto thy servant: but I am slow of speech, and of a slow tongue.\nAnd the Lord said unto him, Who hath made man's mouth? or who maketh the dumb, or deaf, or the seeing, or the blind? have not I the Lord?\nNow therefore go, and I will be with thy mouth, and teach thee what thou shalt say.\nAnd he said, O my Lord, send, I pray thee, by the hand of him whom thou wilt send.\nAnd the anger of the Lord was kindled against Moses, and he said, Is not Aaron the Levite thy brother? I know that he can speak well. And also, behold, he cometh forth to meet thee: and when he seeth thee, he will be glad in his heart.\nAnd thou shalt speak unto him, and put words in his mouth: and I will be with thy mouth, and with his mouth, and will teach you what ye shall do.\nAnd he shall be thy spokesman unto the people: and he shall be, even he shall be to thee instead of a mouth, and thou shalt be to him instead of God.\nAnd thou shalt take this rod in thine hand, wherewith thou shalt do signs.\nAnd Moses went and returned to Jethro his father in law, and said unto him, Let me go, I pray thee, and return unto my brethren which are in Egypt, and see whether they be yet alive. And Jethro said to Moses, Go in peace.\nAnd the Lord said unto Moses in Midian, Go, return into Egypt: for all the men are dead which sought thy life.\nAnd Moses took his wife and his sons, and set them upon an ass, and he returned to the land of Egypt: and Moses took the rod of God in his hand.\nAnd the Lord said unto Moses, When thou goest to return into Egypt, see that thou do all those wonders before Pharaoh, which I have put in thine hand: but I will harden* his heart, that he shall not let the people go.\nAnd thou shalt say unto Pharaoh, Thus saith the Lord, Israel is my son, even my firstborn:\nAnd I say unto thee, Let my son go, that he may serve me: and if thou refuse to let him go, behold, I will slay thy son, even thy firstborn.\nAnd it came to pass by the way in the inn, that the Lord met him, and sought to kill him.\nThen Zipporah took a sharp stone, and cut off the foreskin of her son, and cast it at his feet, and said, Surely a bloody husband art thou to me.\nSo he let him go: then she said, A bloody husband thou art, because of the circumcision.\nAnd the Lord said to Aaron, Go into the wilderness to meet Moses. And he went, and met him in the mount of God, and kissed him.\nAnd Moses told Aaron all the words of the Lord who had sent him, and all the signs which he had commanded him.\nAnd Moses and Aaron went and gathered together all the elders of the children of Israel:\nAnd Aaron spake all the words which the Lord had spoken unto Moses, and did the signs in the sight of the people.\nAnd the people believed: and when they heard that the Lord had visited the children of Israel, and that he had looked upon their affliction, then they bowed their heads and worshipped.\nAnd afterward Moses and Aaron went in, and told Pharaoh, Thus saith the Lord God of Israel, Let my people go, that they may hold a feast unto me in the wilderness.\nAnd Pharaoh said, Who is the Lord, that I should obey his voice to let Israel go? I know not the Lord, neither will I let Israel go.\nAnd they said, The God of the Hebrews hath met with us: let us go, we pray thee, three days' journey into the desert, and sacrifice unto the Lord our God; lest he fall upon us with pestilence, or with the sword.\nAnd the king of Egypt said unto them, Wherefore do ye, Moses and Aaron, let the people from their works? get you unto your burdens.\nAnd Pharaoh said, Behold, the people of the land now are many, and ye make them rest from their burdens.\nAnd Pharaoh commanded the same day the taskmasters of the people, and their officers, saying,\nYe shall no more give the people straw to make brick, as heretofore: let them go and gather straw for themselves.\nAnd the tale of the bricks, which they did make heretofore, ye shall lay upon them; ye shall not diminish ought thereof: for they be idle; therefore they cry, saying, Let us go and sacrifice to our God.\nLet there more work be laid upon the men, that they may labour therein; and let them not regard vain words.\nAnd the taskmasters of the people went out, and their officers, and they spake to the people, saying, Thus saith Pharaoh, I will not give you straw.\nGo ye, get you straw where ye can find it: yet not ought of your work shall be diminished.\nSo the people were scattered abroad throughout all the land of Egypt to gather stubble instead of straw.\nAnd the taskmasters hasted them, saying, Fulfill your works, your daily tasks, as when there was straw.\nAnd the officers of the children of Israel, which Pharaoh's taskmasters had set over them, were beaten, and demanded, Wherefore have ye not fulfilled your task in making brick both yesterday and to day, as heretofore?\nThen the officers of the children of Israel came and cried unto Pharaoh, saying, Wherefore dealest thou thus with thy servants?\nThere is no straw given unto thy servants, and they say to us, Make brick: and, behold, thy servants are beaten; but the fault is in thine own people.\nBut he said, Ye are idle, ye are idle: therefore ye say, Let us go and do sacrifice to the Lord.\nGo therefore now, and work; for there shall no straw be given you, yet shall ye deliver the tale of bricks.\nAnd the officers of the children of Israel did see that they were in evil case, after it was said, Ye shall not minish ought from your bricks of your daily task.\nAnd they met Moses and Aaron, who stood in the way, as they came forth from Pharaoh:\nAnd they said unto them, The Lord look upon you, and judge; because ye have made our savour to be abhorred in the eyes of Pharaoh, and in the eyes of his servants, to put a sword in their hand to slay us.\nAnd Moses returned unto the Lord, and said, Lord, wherefore hast thou so evil entreated this people? why is it that thou hast sent me?\nFor since I came to Pharaoh to speak in thy name, he hath done evil to this people; neither hast thou delivered thy people at all.\nThen the Lord said unto Moses, Now shalt thou see what I will do to Pharaoh: for with a strong hand shall he let them go, and with a strong hand shall he drive them out of his land.\nAnd God spake unto Moses, and said unto him, I am the Lord:\nAnd I appeared unto Abraham, unto Isaac, and unto Jacob, by the name of God Almighty, but by my name Jehovah was I not known to them.\nAnd I appeared unto Abraham, unto Isaac, and unto Jacob, by the name of God Almighty, but by my name JEHOVAH was I not known to them.\nAnd I have also established my covenant with them, to give them the land of Canaan, the land of their pilgrimage, wherein they were strangers.\nAnd I have also heard the groaning of the children of Israel, whom the Egyptians keep in bondage; and I have remembered my covenant.\nWherefore say unto the children of Israel, I am the Lord, and I will bring you out from under the burdens of the Egyptians, and I will rid you out of their bondage, and I will redeem you with a stretched out arm, and with great judgments:\nAnd I will take you to me for a people, and I will be to you a God: and ye shall know that I am the Lord your God, which bringeth you out from under the burdens of the Egyptians.\nAnd I will bring you in unto the land, concerning the which I did swear to give it to Abraham, to Isaac, and to Jacob; and I will give it you for an heritage: I am the Lord.\nAnd Moses spake so unto the children of Israel: but they hearkened not unto Moses for anguish of spirit, and for cruel bondage.\nAnd the Lord spake unto Moses, saying,\nGo in, speak unto Pharaoh king of Egypt, that he let the children of Israel go out of his land.\nAnd Moses spake before the Lord, saying, Behold, the children of Israel have not hearkened unto me; how then shall Pharaoh hear me, who am of uncircumcised lips?\nAnd the Lord spake unto Moses and unto Aaron, and gave them a charge unto the children of Israel, and unto Pharaoh king of Egypt, to bring the children of Israel out of the land of Egypt.\nThese be the heads of their fathers' houses: The sons of Reuben the firstborn of Israel; Hanoch, and Pallu, Hezron, and Carmi: these be the families of Reuben.\nAnd the sons of Simeon; Jemuel, and Jamin, and Ohad, and Jachin, and Zohar, and Shaul the son of a Canaanitish woman: these are the families of Simeon.\nAnd these are the names of the sons of Levi according to their generations; Gershon, and Kohath, and Merari: and the years of the life of Levi were an hundred thirty and seven years.\nThe sons of Gershon; Libni, and Shimi, according to their families.\nAnd the sons of Kohath; Amram, and Izhar, and Hebron, and Uzziel: and the years of the life of Kohath were an hundred thirty and three years.\nAnd the sons of Merari; Mahali and Mushi: these are the families of Levi according to their generations.\nAnd Amram took him Jochebed his father's sister to wife; and she bare him Aaron and Moses: and the years of the life of Amram were an hundred and thirty and seven years.\nAnd the sons of Izhar; Korah, and Nepheg, and Zichri.\nAnd the sons of Uzziel; Mishael, and Elzaphan, and Zithri.\nAnd Aaron took him Elisheba, daughter of Amminadab, sister of Naashon, to wife; and she bare him Nadab, and Abihu, Eleazar, and Ithamar.\nAnd the sons of Korah; Assir, and Elkanah, and Abiasaph: these are the families of the Korhites.\nAnd Eleazar Aaron's son took him one of the daughters of Putiel to wife; and she bare him Phinehas: these are the heads of the fathers of the Levites according to their families.\nThese are that Aaron and Moses, to whom the Lord said, Bring out the children of Israel from the land of Egypt according to their armies.\nThese are they which spake to Pharaoh king of Egypt, to bring out the children of Israel from Egypt: these are that Moses and Aaron.\nAnd it came to pass on the day when the Lord spake unto Moses in the land of Egypt,\nThat the Lord spake unto Moses, saying, I am the Lord: speak thou unto Pharaoh king of Egypt all that I say unto thee.\nAnd Moses said before the Lord, Behold, I am of uncircumcised lips, and how shall Pharaoh hearken unto me?\nAnd the Lord said unto Moses, See, I have made thee a god to Pharaoh: and Aaron thy brother shall be thy prophet.\nThou shalt speak all that I command thee: and Aaron thy brother shall speak unto Pharaoh, that he send the children of Israel out of his land.\nAnd I will harden Pharaoh's heart, and multiply my signs and my wonders in the land of Egypt.\nBut Pharaoh shall not hearken unto you, that I may lay my hand upon Egypt, and bring forth mine armies, and my people the children of Israel, out of the land of Egypt by great judgments.\nAnd the Egyptians shall know that I am the Lord, when I stretch forth mine hand upon Egypt, and bring out the children of Israel from among them.\nAnd Moses and Aaron did as the Lord commanded them, so did they.\nAnd Moses was fourscore years old, and Aaron fourscore and three years old, when they spake unto Pharaoh.\nAnd the Lord spake unto Moses and unto Aaron, saying,\nWhen Pharaoh shall speak unto you, saying, Shew a miracle for you: then thou shalt say unto Aaron, Take thy rod, and cast it before Pharaoh, and it shall become a serpent.\nAnd Moses and Aaron went in unto Pharaoh, and they did so as the Lord had commanded: and Aaron cast down his rod before Pharaoh, and before his servants, and it became a serpent.\nThen Pharaoh also called the wise men and the sorcerers: now the magicians of Egypt, they also did in like manner with their enchantments.\nFor they cast down every man his rod, and they became serpents: but Aaron's rod swallowed up their rods.\nAnd he hardened Pharaoh's heart, that he hearkened not unto them; as the Lord had said.\nAnd the Lord said unto Moses, Pharaoh's heart is hardened, he refuseth to let the people go.\nGet thee unto Pharaoh in the morning; lo, he goeth out unto the water; and thou shalt stand by the river's brink against he come; and the rod which was turned to a serpent shalt thou take in thine hand.\nAnd thou shalt say unto him, The Lord God of the Hebrews hath sent me unto thee, saying, Let my people go, that they may serve me in the wilderness: and, behold, hitherto thou wouldest not hear.\nThus saith the Lord, In this thou shalt know that I am the Lord: behold, I will smite with the rod that is in mine hand upon the waters which are in the river, and they shall be turned to blood.\nAnd the fish that is in the river shall die, and the river shall stink; and the Egyptians shall loathe to drink of the water of the river.\nAnd the Lord spake unto Moses, Say unto Aaron, Take thy rod, and stretch out thine hand upon the waters of Egypt, upon their streams, upon their rivers, and upon their ponds, and upon all their pools of water, that they may become blood; and that there may be blood throughout all the land of Egypt, both in vessels of wood, and in vessels of stone.\nAnd Moses and Aaron did so, as the Lord commanded; and he lifted up the rod, and smote the waters that were in the river, in the sight of Pharaoh, and in the sight of his servants; and all the waters that were in the river were turned to blood.\nAnd the fish that was in the river died; and the river stank, and the Egyptians could not drink of the water of the river; and there was blood throughout all the land of Egypt.\nAnd the magicians of Egypt did so with their enchantments: and Pharaoh's heart was hardened, neither did he hearken unto them; as the Lord had said.\nAnd Pharaoh turned and went into his house, neither did he set his heart to this also.\nAnd all the Egyptians digged round about the river for water to drink; for they could not drink of the water of the river.\nAnd seven days were fulfilled, after that the Lord had smitten the river.\nAnd the Lord spake unto Moses, Go unto Pharaoh, and say unto him, Thus saith the Lord, Let my people go, that they may serve me.\nAnd if thou refuse to let them go, behold, I will smite all thy borders with frogs:\nAnd the river shall bring forth frogs abundantly, which shall go up and come into thine house, and into thy bedchamber, and upon thy bed, and into the house of thy servants, and upon thy people, and into thine ovens, and into thy kneadingtroughs:\nAnd the frogs shall come up both on thee, and upon thy people, and upon all thy servants.\nAnd the Lord spake unto Moses, Say unto Aaron, Stretch forth thine hand with thy rod over the streams, over the rivers, and over the ponds, and cause frogs to come up upon the land of Egypt.\nAnd Aaron stretched out his hand over the waters of Egypt; and the frogs came up, and covered the land of Egypt.\nAnd the magicians did so with their enchantments, and brought up frogs upon the land of Egypt.\nThen Pharaoh called for Moses and Aaron, and said, Intreat the Lord, that he may take away the frogs from me, and from my people; and I will let the people go, that they may do sacrifice unto the Lord.\nAnd Moses said unto Pharaoh, Glory over me: when shall I intreat for thee, and for thy servants, and for thy people, to destroy the frogs from thee and thy houses, that they may remain in the river only?\nAnd he said, To morrow. And he said, Be it according to thy word: that thou mayest know that there is none like unto the Lord our God.\nAnd the frogs shall depart from thee, and from thy houses, and from thy servants, and from thy people; they shall remain in the river only.\nAnd Moses and Aaron went out from Pharaoh: and Moses cried unto the Lord because of the frogs which he had brought against Pharaoh.\nAnd the Lord did according to the word of Moses; and the frogs died out of the houses, out of the villages, and out of the fields.\nAnd they gathered them together upon heaps: and the land stank.\nBut when Pharaoh saw that there was respite, he hardened his heart, and hearkened not unto them; as the Lord had said.\nAnd the Lord said unto Moses, Say unto Aaron, Stretch out thy rod, and smite the dust of the land, that it may become lice throughout all the land of Egypt.\nAnd they did so; for Aaron stretched out his hand with his rod, and smote the dust of the earth, and it became lice in man, and in beast; all the dust of the land became lice throughout all the land of Egypt.\nAnd the magicians did so with their enchantments to bring forth lice, but they could not: so there were lice upon man, and upon beast.\nThen the magicians said unto Pharaoh, This is the finger of God: and Pharaoh's heart was hardened, and he hearkened not unto them; as the Lord had said.\nAnd the Lord said unto Moses, Rise up early in the morning, and stand before Pharaoh; lo, he cometh forth to the water; and say unto him, Thus saith the Lord, Let my people go, that they may serve me.\nElse, if thou wilt not let my people go, behold, I will send swarms of flies upon thee, and upon thy servants, and upon thy people, and into thy houses: and the houses of the Egyptians shall be full of swarms of flies, and also the ground whereon they are.\nAnd I will sever in that day the land of Goshen, in which my people dwell, that no swarms of flies shall be there; to the end thou mayest know that I am the Lord in the midst of the earth.\nAnd I will put a division between my people and thy people: to morrow shall this sign be.\nAnd the Lord did so; and there came a grievous swarm of flies into the house of Pharaoh, and into his servants' houses, and into all the land of Egypt: the land was corrupted by reason of the swarm of flies.\nAnd Pharaoh called for Moses and for Aaron, and said, Go ye, sacrifice to your God in the land.\nAnd Moses said, It is not meet so to do; for we shall sacrifice the abomination of the Egyptians to the Lord our God: lo, shall we sacrifice the abomination of the Egyptians before their eyes, and will they not stone us?\nWe will go three days' journey into the wilderness, and sacrifice to the Lord our God, as he shall command us.\nAnd Pharaoh said, I will let you go, that ye may sacrifice to the Lord your God in the wilderness; only ye shall not go very far away: entreat for me.\nAnd Moses said, Behold, I go out from thee, and I will intreat the Lord that the swarms of flies may depart from Pharaoh, from his servants, and from his people, to morrow: but let not Pharaoh deal deceitfully any more in not letting the people go to sacrifice to the Lord.\nAnd Moses went out from Pharaoh, and entreated the Lord.\nAnd the Lord did according to the word of Moses; and he removed the swarms of flies from Pharaoh, from his servants, and from his people; there remained not one.\nAnd Pharaoh hardened his heart at this time also, neither would he let the people go.\nThen the Lord said unto Moses, Go in unto Pharaoh, and tell him, Thus saith the Lord God of the Hebrews, Let my people go, that they may serve me.\nFor if thou refuse to let them go, and wilt hold them still,\nBehold, the hand of the Lord is upon thy cattle which is in the field, upon the horses, upon the asses, upon the camels, upon the oxen, and upon the sheep: there shall be a very grievous murrain.\nAnd the Lord shall sever between the cattle of Israel and the cattle of Egypt: and there shall nothing die of all that is the children's of Israel.\nAnd the Lord appointed a set time, saying, To morrow the Lord shall do this thing in the land.\nAnd the Lord did that thing on the morrow, and all the cattle of Egypt died: but of the cattle of the children of Israel died not one.\nAnd Pharaoh sent, and, behold, there was not one of the cattle of the Israelites dead. And the heart of Pharaoh was hardened, and he did not let the people go.\nAnd the Lord said unto Moses and unto Aaron, Take to you handfuls of ashes of the furnace, and let Moses sprinkle it toward the heaven in the sight of Pharaoh.\nAnd it shall become small dust in all the land of Egypt, and shall be a boil breaking forth with blains upon man, and upon beast, throughout all the land of Egypt.\nAnd they took ashes of the furnace, and stood before Pharaoh; and Moses sprinkled it up toward heaven; and it became a boil breaking forth with blains upon man, and upon beast.\nAnd the magicians could not stand before Moses because of the boils; for the boil was upon the magicians, and upon all the Egyptians.\nAnd the Lord hardened the heart of Pharaoh, and he hearkened not unto them; as the Lord had spoken unto Moses.\nAnd the Lord said unto Moses, Rise up early in the morning, and stand before Pharaoh, and say unto him, Thus saith the Lord God of the Hebrews, Let my people go, that they may serve me.\nFor I will at this time send all my plagues upon thine heart, and upon thy servants, and upon thy people; that thou mayest know that there is none like me in all the earth.\nFor now I will stretch out my hand, that I may smite thee and thy people with pestilence; and thou shalt be cut off from the earth.\nAnd in very deed for this cause have I raised thee up, for to shew in thee my power; and that my name may be declared throughout all the earth.\nAs yet exaltest thou thyself against my people, that thou wilt not let them go?\nBehold, to morrow about this time I will cause it to rain a very grievous hail, such as hath not been in Egypt since the foundation thereof even until now.\nSend therefore now, and gather thy cattle, and all that thou hast in the field; for upon every man and beast which shall be found in the field, and shall not be brought home, the hail shall come down upon them, and they shall die.\nHe that feared the word of the Lord among the servants of Pharaoh made his servants and his cattle flee into the houses:\nAnd he that regarded not the word of the Lord left his servants and his cattle in the field.\nAnd the Lord said unto Moses, Stretch forth thine hand toward heaven, that there may be hail in all the land of Egypt, upon man, and upon beast, and upon every herb of the field, throughout the land of Egypt.\nAnd Moses stretched forth his rod toward heaven: and the Lord sent thunder and hail, and the fire ran along upon the ground; and the Lord rained hail upon the land of Egypt.\nSo there was hail, and fire mingled with the hail, very grievous, such as there was none like it in all the land of Egypt since it became a nation.\nAnd the hail smote throughout all the land of Egypt all that was in the field, both man and beast; and the hail smote every herb of the field, and brake every tree of the field.\nOnly in the land of Goshen, where the children of Israel were, was there no hail.\nAnd Pharaoh sent, and called for Moses and Aaron, and said unto them, I have sinned this time: the Lord is righteous, and I and my people are wicked.\nIntreat the Lord (for it is enough) that there be no more mighty thunderings and hail; and I will let you go, and ye shall stay no longer.\nAnd Moses said unto him, As soon as I am gone out of the city, I will spread abroad my hands unto the Lord; and the thunder shall cease, neither shall there be any more hail; that thou mayest know how that the earth is the Lord's.\nBut as for thee and thy servants, I know that ye will not yet fear the Lord God.\nAnd the flax and the barley was smitten: for the barley was in the ear, and the flax was bolled.\nBut the wheat and the rie were not smitten: for they were not grown up.\nAnd Moses went out of the city from Pharaoh, and spread abroad his hands unto the Lord: and the thunders and hail ceased, and the rain was not poured upon the earth.\nAnd when Pharaoh saw that the rain and the hail and the thunders were ceased, he sinned yet more, and hardened his heart, he and his servants.\nAnd the Lord said unto Moses, Go in unto Pharaoh: for I have hardened his heart, and the heart of his servants, that I might shew these my signs before him:\nAnd that thou mayest tell in the ears of thy son, and of thy son's son, what things I have wrought in Egypt, and my signs which I have done among them; that ye may know how that I am the Lord.\nAnd Moses and Aaron came in unto Pharaoh, and said unto him, Thus saith the Lord God of the Hebrews, How long wilt thou refuse to humble thyself before me? let my people go, that they may serve me.\nElse, if thou refuse to let my people go, behold, to morrow will I bring the locusts into thy coast:\nAnd they shall cover the face of the earth, that one cannot be able to see the earth: and they shall eat the residue of that which is escaped, which remaineth unto you from the hail, and shall eat every tree which groweth for you out of the field:\nAnd they shall fill thy houses, and the houses of all thy servants, and the houses of all the Egyptians; which neither thy fathers, nor thy fathers' fathers have seen, since the day that they were upon the earth unto this day. And he turned himself, and went out from Pharaoh.\nAnd Pharaoh's servants said unto him, How long shall this man be a snare unto us? let the men go, that they may serve the Lord their God: knowest thou not yet that Egypt is destroyed?\nAnd Moses and Aaron were brought again unto Pharaoh: and he said unto them, Go, serve the Lord your God: but who are they that shall go?\nAnd Moses said, We will go with our young and with our old, with our sons and with our daughters, with our flocks and with our herds will we go; for we must hold a feast unto the Lord.\nAnd he said unto them, Let the Lord be so with you, as I will let you go, and your little ones: look to it; for evil is before you.\nNot so: go now ye that are men, and serve the Lord; for that ye did desire. And they were driven out from Pharaoh's presence.\nAnd the Lord said unto Moses, Stretch out thine hand over the land of Egypt for the locusts, that they may come up upon the land of Egypt, and eat every herb of the land, even all that the hail hath left.\nAnd Moses stretched forth his rod over the land of Egypt, and the Lord brought an east wind upon the land all that day, and all that night; and when it was morning, the east wind brought the locusts.\nAnd the locust went up over all the land of Egypt, and rested in all the coasts of Egypt: very grievous were they; before them there were no such locusts as they, neither after them shall be such.\nFor they covered the face of the whole earth, so that the land was darkened; and they did eat every herb of the land, and all the fruit of the trees which the hail had left: and there remained not any green thing in the trees, or in the herbs of the field, through all the land of Egypt.\nThen Pharaoh called for Moses and Aaron in haste; and he said, I have sinned against the Lord your God, and against you.\nNow therefore forgive, I pray thee, my sin only this once, and intreat the Lord your God, that he may take away from me this death only.\nAnd he went out from Pharaoh, and intreated the Lord.\nAnd the Lord turned a mighty strong west wind, which took away the locusts, and cast them into the Red sea; there remained not one locust in all the coasts of Egypt.\nBut the Lord hardened Pharaoh's heart, so that he would not let the children of Israel go.\nAnd the Lord said unto Moses, Stretch out thine hand toward heaven, that there may be darkness over the land of Egypt, even darkness which may be felt.\nAnd Moses stretched forth his hand toward heaven; and there was a thick darkness in all the land of Egypt three days:\nThey saw not one another, neither rose any from his place for three days: but all the children of Israel had light in their dwellings.\nAnd Pharaoh called unto Moses, and said, Go ye, serve the Lord; only let your flocks and your herds be stayed: let your little ones also go with you.\nAnd Moses said, Thou must give us also sacrifices and burnt offerings, that we may sacrifice unto the Lord our God.\nOur cattle also shall go with us; there shall not an hoof be left behind; for thereof must we take to serve the Lord our God; and we know not with what we must serve the Lord, until we come thither.\nBut the Lord hardened Pharaoh's heart, and he would not let them go.\nAnd Pharaoh said unto him, Get thee from me, take heed to thyself, see my face no more; for in that day thou seest my face thou shalt die.\nAnd Moses said, Thou hast spoken well, I will see thy face again no more.\nAnd the Lord said unto Moses, Yet will I bring one plague more upon Pharaoh, and upon Egypt; afterwards he will let you go hence: when he shall let you go, he shall surely thrust you out hence altogether.\nSpeak now in the ears of the people, and let every man borrow of his neighbour, and every woman of her neighbour, jewels of silver and jewels of gold.\nAnd the Lord gave the people favour in the sight of the Egyptians. Moreover the man Moses was very great in the land of Egypt, in the sight of Pharaoh's servants, and in the sight of the people.\nAnd Moses said, Thus saith the Lord, About midnight will I go out into the midst of Egypt:\nAnd all the firstborn in the land of Egypt shall die, from the first born of Pharaoh that sitteth upon his throne, even unto the firstborn of the maidservant that is behind the mill; and all the firstborn of beasts.\nAnd there shall be a great cry throughout all the land of Egypt, such as there was none like it, nor shall be like it any more.\nBut against any of the children of Israel shall not a dog move his tongue, against man or beast: that ye may know how that the Lord doth put a difference between the Egyptians and Israel.\nAnd all these thy servants shall come down unto me, and bow down themselves unto me, saying, Get thee out, and all the people that follow thee: and after that I will go out. And he went out from Pharaoh in a great anger.\nAnd the Lord said unto Moses, Pharaoh shall not hearken unto you; that my wonders may be multiplied in the land of Egypt.\nAnd Moses and Aaron did all these wonders before Pharaoh: and the Lord hardened Pharaoh's heart, so that he would not let the children of Israel go out of his land.\n And the Lord spake unto Moses and Aaron in the land of Egypt saying,\nThis month shall be unto you the beginning of months: it shall be the first month of the year to you.\nSpeak ye unto all the congregation of Israel, saying, In the tenth day of this month they shall take to them every man a lamb, according to the house of their fathers, a lamb for an house:\nAnd if the household be too little for the lamb, let him and his neighbour next unto his house take it according to the number of the souls; every man according to his eating shall make your count for the lamb.\nYour lamb shall be without blemish, a male of the first year: ye shall take it out from the sheep, or from the goats:\nAnd ye shall keep it up until the fourteenth day of the same month: and the whole assembly of the congregation of Israel shall kill it in the evening.\nAnd they shall take of the blood, and strike it on the two side posts and on the upper door post of the houses, wherein they shall eat it.\nAnd they shall eat the flesh in that night, roast with fire, and unleavened bread; and with bitter herbs they shall eat it.\nEat not of it raw, nor sodden at all with water, but roast with fire; his head with his legs, and with the purtenance thereof.\nAnd ye shall let nothing of it remain until the morning; and that which remaineth of it until the morning ye shall burn with fire.\nAnd thus shall ye eat it; with your loins girded, your shoes on your feet, and your staff in your hand; and ye shall eat it in haste: it is the Lord's passover.\nFor I will pass through the land of Egypt this night, and will smite all the firstborn in the land of Egypt, both man and beast; and against all the gods of Egypt I will execute judgment: I am the Lord.\nAnd the blood shall be to you for a token upon the houses where ye are: and when I see the blood, I will pass over you, and the plague shall not be upon you to destroy you, when I smite the land of Egypt.\nAnd this day shall be unto you for a memorial; and ye shall keep it a feast to the Lord throughout your generations; ye shall keep it a feast by an ordinance for ever.\nSeven days shall ye eat unleavened bread; even the first day ye shall put away leaven out of your houses: for whosoever eateth leavened bread from the first day until the seventh day, that soul shall be cut off from Israel.\nAnd in the first day there shall be an holy convocation, and in the seventh day there shall be an holy convocation to you; no manner of work shall be done in them, save that which every man must eat, that only may be done of you.\nAnd ye shall observe the feast of unleavened bread; for in this selfsame day have I brought your armies out of the land of Egypt: therefore shall ye observe this day in your generations by an ordinance for ever.\nIn the first month, on the fourteenth day of the month at even, ye shall eat unleavened bread, until the one and twentieth day of the month at even.\nSeven days shall there be no leaven found in your houses: for whosoever eateth that which is leavened, even that soul shall be cut off from the congregation of Israel, whether he be a stranger, or born in the land.\nYe shall eat nothing leavened; in all your habitations shall ye eat unleavened bread.\nThen Moses called for all the elders of Israel, and said unto them, Draw out and take you a lamb according to your families, and kill the passover.\nAnd ye shall take a bunch of hyssop, and dip it in the blood that is in the bason, and strike the lintel and the two side posts with the blood that is in the bason; and none of you shall go out at the door of his house until the morning.\nFor the Lord will pass through to smite the Egyptians; and when he seeth the blood upon the lintel, and on the two side posts, the Lord will pass over the door, and will not suffer the destroyer to come in unto your houses to smite you.\nAnd ye shall observe this thing for an ordinance to thee and to thy sons for ever.\nAnd it shall come to pass, when ye be come to the land which the Lord will give you, according as he hath promised, that ye shall keep this service.\nAnd it shall come to pass, when your children shall say unto you, What mean ye by this service?\nThat ye shall say, It is the sacrifice of the Lord's passover, who passed over the houses of the children of Israel in Egypt, when he smote the Egyptians, and delivered our houses. And the people bowed the head and worshipped.\nAnd the children of Israel went away, and did as the Lord had commanded Moses and Aaron, so did they.\nAnd it came to pass, that at midnight the Lord smote all the firstborn in the land of Egypt, from the firstborn of Pharaoh that sat on his throne unto the firstborn of the captive that was in the dungeon; and all the firstborn of cattle.\nAnd Pharaoh rose up in the night, he, and all his servants, and all the Egyptians; and there was a great cry in Egypt; for there was not a house where there was not one dead.\nAnd he called for Moses and Aaron by night, and said, Rise up, and get you forth from among my people, both ye and the children of Israel; and go, serve the Lord, as ye have said.\nAlso take your flocks and your herds, as ye have said, and be gone; and bless me also.\nAnd the Egyptians were urgent upon the people, that they might send them out of the land in haste; for they said, We be all dead men.\nAnd the people took their dough before it was leavened, their kneadingtroughs being bound up in their clothes upon their shoulders.\nAnd the children of Israel did according to the word of Moses; and they borrowed of the Egyptians jewels of silver, and jewels of gold, and raiment:\nAnd the Lord gave the people favour in the sight of the Egyptians, so that they lent unto them such things as they required. And they spoiled the Egyptians.\nAnd the children of Israel journeyed from Rameses to Succoth, about six hundred thousand on foot that were men, beside children.\nAnd a mixed multitude went up also with them; and flocks, and herds, even very much cattle.\nAnd they baked unleavened cakes of the dough which they brought forth out of Egypt, for it was not leavened; because they were thrust out of Egypt, and could not tarry, neither had they prepared for themselves any victual.\nNow the sojourning of the children of Israel, who dwelt in Egypt, was four hundred and thirty years.\nAnd it came to pass at the end of the four hundred and thirty years, even the selfsame day it came to pass, that all the hosts of the Lord went out from the land of Egypt.\nIt is a night to be much observed unto the Lord for bringing them out from the land of Egypt: this is that night of the Lord to be observed of all the children of Israel in their generations.\nAnd the Lord said unto Moses and Aaron, This is the ordinance of the passover: There shall no stranger eat thereof:\nBut every man's servant that is bought for money, when thou hast circumcised him, then shall he eat thereof.\nA foreigner and an hired servant shall not eat thereof.\nIn one house shall it be eaten; thou shalt not carry forth ought of the flesh abroad out of the house; neither shall ye break a bone thereof.\nAll the congregation of Israel shall keep it.\nAnd when a stranger shall sojourn with thee, and will keep the passover to the Lord, let all his males be circumcised, and then let him come near and keep it; and he shall be as one that is born in the land: for no uncircumcised person shall eat thereof.\nOne law shall be to him that is homeborn, and unto the stranger that sojourneth among you.\nThus did all the children of Israel; as the Lord commanded Moses and Aaron, so did they.\nAnd it came to pass the selfsame day, that the Lord did bring the children of Israel out of the land of Egypt by their armies.\nAnd the Lord spake unto Moses, saying,\nSanctify unto me all the firstborn, whatsoever openeth the womb among the children of Israel, both of man and of beast: it is mine.\nAnd Moses said unto the people, Remember this day, in which ye came out from Egypt, out of the house of bondage; for by strength of hand the Lord brought you out from this place: there shall no leavened bread be eaten.\nThis day came ye out in the month Abib.\nAnd it shall be when the Lord shall bring thee into the land of the Canaanites, and the Hittites, and the Amorites, and the Hivites, and the Jebusites, which he sware unto thy fathers to give thee, a land flowing with milk and honey, that thou shalt keep this service in this month.\nSeven days thou shalt eat unleavened bread, and in the seventh day shall be a feast to the Lord.\nUnleavened bread shall be eaten seven days; and there shall no leavened bread be seen with thee, neither shall there be leaven seen with thee in all thy quarters.\nAnd thou shalt shew thy son in that day, saying, This is done because of that which the Lord did unto me when I came forth out of Egypt.\nAnd it shall be for a sign unto thee upon thine hand, and for a memorial between thine eyes, that the Lord's law may be in thy mouth: for with a strong hand hath the Lord brought thee out of Egypt.\nThou shalt therefore keep this ordinance in his season from year to year.\nAnd it shall be when the Lord shall bring thee into the land of the Canaanites, as he sware unto thee and to thy fathers, and shall give it thee,\nThat thou shalt set apart unto the Lord all that openeth the matrix, and every firstling that cometh of a beast which thou hast; the males shall be the Lord's.\nAnd every firstling of an ass thou shalt redeem with a lamb; and if thou wilt not redeem it, then thou shalt break his neck: and all the firstborn of man among thy children shalt thou redeem.\nAnd it shall be when thy son asketh thee in time to come, saying, What is this? that thou shalt say unto him, By strength of hand the Lord brought us out from Egypt, from the house of bondage:\nAnd it came to pass, when Pharaoh would hardly let us go, that the Lord slew all the firstborn in the land of Egypt, both the firstborn of man, and the firstborn of beast: therefore I sacrifice to the Lord all that openeth the matrix, being males; but all the firstborn of my children I redeem.\nAnd it shall be for a token upon thine hand, and for frontlets between thine eyes: for by strength of hand the Lord brought us forth out of Egypt.\nAnd it came to pass, when Pharaoh had let the people go, that God led them not through the way of the land of the Philistines, although that was near; for God said, Lest peradventure the people repent when they see war, and they return to Egypt:\nBut God led the people about, through the way of the wilderness of the Red sea: and the children of Israel went up harnessed out of the land of Egypt.\nAnd Moses took the bones of Joseph with him: for he had straitly sworn the children of Israel, saying, God will surely visit you; and ye shall carry up my bones away hence with you.\nAnd they took their journey from Succoth, and encamped in Etham, in the edge of the wilderness.\nAnd the Lord went before them by day in a pillar of a cloud, to lead them the way; and by night in a pillar of fire, to give them light; to go by day and night:\nHe took not away the pillar of the cloud by day, nor the pillar of fire by night, from before the people.\nAnd the Lord spake unto Moses, saying,\nSpeak unto the children of Israel, that they turn and encamp before Pihahiroth, between Migdol and the sea, over against Baalzephon: before it shall ye encamp by the sea.\nFor Pharaoh will say of the children of Israel, They are entangled in the land, the wilderness hath shut them in.\nAnd I will harden Pharaoh's heart, that he shall follow after them; and I will be honoured upon Pharaoh, and upon all his host; that the Egyptians may know that I am the Lord. And they did so.\nAnd it was told the king of Egypt that the people fled: and the heart of Pharaoh and of his servants was turned against the people, and they said, Why have we done this, that we have let Israel go from serving us?\nAnd he made ready his chariot, and took his people with him:\nAnd he took six hundred chosen chariots, and all the chariots of Egypt, and captains over every one of them.\nAnd the Lord hardened the heart of Pharaoh king of Egypt, and he pursued after the children of Israel: and the children of Israel went out with an high hand.\nBut the Egyptians pursued after them, all the horses and chariots of Pharaoh, and his horsemen, and his army, and overtook them encamping by the sea, beside Pihahiroth, before Baalzephon.\nAnd when Pharaoh drew nigh, the children of Israel lifted up their eyes, and, behold, the Egyptians marched after them; and they were sore afraid: and the children of Israel cried out unto the Lord.\nAnd they said unto Moses, Because there were no graves in Egypt, hast thou taken us away to die in the wilderness? wherefore hast thou dealt thus with us, to carry us forth out of Egypt?\nIs not this the word that we did tell thee in Egypt, saying, Let us alone, that we may serve the Egyptians? For it had been better for us to serve the Egyptians, than that we should die in the wilderness.\nAnd Moses said unto the people, Fear ye not, stand still, and see the salvation of the Lord, which he will shew to you to day: for the Egyptians whom ye have seen to day, ye shall see them again no more for ever.\nThe Lord shall fight for you, and ye shall hold your peace.\nAnd the Lord said unto Moses, Wherefore criest thou unto me? speak unto the children of Israel, that they go forward:\nBut lift thou up thy rod, and stretch out thine hand over the sea, and divide it: and the children of Israel shall go on dry ground through the midst of the sea.\nAnd I, behold, I will harden the hearts of the Egyptians, and they shall follow them: and I will get me honour upon Pharaoh, and upon all his host, upon his chariots, and upon his horsemen.\nAnd the Egyptians shall know that I am the Lord, when I have gotten me honour upon Pharaoh, upon his chariots, and upon his horsemen.\nAnd the angel of God, which went before the camp of Israel, removed and went behind them; and the pillar of the cloud went from before their face, and stood behind them:\nAnd it came between the camp of the Egyptians and the camp of Israel; and it was a cloud and darkness to them, but it gave light by night to these: so that the one came not near the other all the night.\nAnd Moses stretched out his hand over the sea; and the Lord caused the sea to go back by a strong east wind all that night, and made the sea dry land, and the waters were divided.\nAnd the children of Israel went into the midst of the sea upon the dry ground: and the waters were a wall unto them on their right hand, and on their left.\nAnd the Egyptians pursued, and went in after them to the midst of the sea, even all Pharaoh's horses, his chariots, and his horsemen.\nAnd it came to pass, that in the morning watch the Lord looked unto the host of the Egyptians through the pillar of fire and of the cloud, and troubled the host of the Egyptians,\nAnd took off their chariot wheels, that they drave them heavily: so that the Egyptians said, Let us flee from the face of Israel; for the Lord fighteth for them against the Egyptians.\nAnd the Lord said unto Moses, Stretch out thine hand over the sea, that the waters may come again upon the Egyptians, upon their chariots, and upon their horsemen.\nAnd Moses stretched forth his hand over the sea, and the sea returned to his strength when the morning appeared; and the Egyptians fled against it; and the Lord overthrew the Egyptians in the midst of the sea.\nAnd the waters returned, and covered the chariots, and the horsemen, and all the host of Pharaoh that came into the sea after them; there remained not so much as one of them.\nBut the children of Israel walked upon dry land in the midst of the sea; and the waters were a wall unto them on their right hand, and on their left.\nThus the Lord saved Israel that day out of the hand of the Egyptians; and Israel saw the Egyptians dead upon the sea shore.\nAnd Israel saw that great work which the Lord did upon the Egyptians: and the people feared the Lord, and believed the Lord, and his servant Moses.\nThen sang Moses and the children of Israel this song unto the YHWH, and spake, saying, I will sing unto the YHWH, for he hath triumphed gloriously: the horse and his rider hath he thrown into the sea.\nThe YHWH is my strength and song, and he is become my salvation: he is my God, and I will prepare him an habitation; my father's God, and I will exalt him.\nThe YHWH is a man of war: the YHWH is his name.\nPharaoh's chariots and his host hath he cast into the sea: his chosen captains also are drowned in the Red sea.\nThe depths have covered them: they sank into the bottom as a stone.\nThy right hand, O Lord, is become glorious in power: thy right hand, O Lord, hath dashed in pieces the enemy.\nAnd in the greatness of thine excellency thou hast overthrown them that rose up against thee: thou sentest forth thy wrath, which consumed them as stubble.\nAnd with the blast of thy nostrils the waters were gathered together, the floods stood upright as an heap, and the depths were congealed in the heart of the sea.\nThe enemy said, I will pursue, I will overtake, I will divide the spoil; my lust shall be satisfied upon them; I will draw my sword, my hand shall destroy them.\nThou didst blow with thy wind, the sea covered them: they sank as lead in the mighty waters.\nWho is like unto thee, O Lord, among the gods? who is like thee, glorious in holiness, fearful in praises, doing wonders?\nThou stretchedst out thy right hand, the earth swallowed them.\nThou in thy mercy hast led forth the people which thou hast redeemed: thou hast guided them in thy strength unto thy holy habitation.\nThe people shall hear, and be afraid: sorrow shall take hold on the inhabitants of Palestina.\nThen the dukes of Edom shall be amazed; the mighty men of Moab, trembling shall take hold upon them; all the inhabitants of Canaan shall melt away.\nFear and dread shall fall upon them; by the greatness of thine arm they shall be as still as a stone; till thy people pass over, O Lord, till the people pass over, which thou hast purchased.\nThou shalt bring them in, and plant them in the mountain of thine inheritance, in the place, O Lord, which thou hast made for thee to dwell in, in the Sanctuary, O Lord, which thy hands have established.\nThe Lord shall reign for ever and ever.\nFor the horse of Pharaoh went in with his chariots and with his horsemen into the sea, and the Lord brought again the waters of the sea upon them; but the children of Israel went on dry land in the midst of the sea.\nAnd Miriam the prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went out after her with timbrels and with dances.\nAnd Miriam answered them, Sing ye to the Lord, for he hath triumphed gloriously; the horse and his rider hath he thrown into the sea.\nSo Moses brought Israel from the Red sea, and they went out into the wilderness of Shur; and they went three days in the wilderness, and found no water.\nAnd when they came to Marah, they could not drink of the waters of Marah, for they were bitter: therefore the name of it was called Marah.\nAnd the people murmured against Moses, saying, What shall we drink?\nAnd he cried unto the Lord; and the Lord shewed him a tree, which when he had cast into the waters, the waters were made sweet: there he made for them a statute and an ordinance, and there he proved them,\nAnd said, If thou wilt diligently hearken to the voice of the Lord thy God, and wilt do that which is right in his sight, and wilt give ear to his commandments, and keep all his statutes, I will put none of these diseases upon thee, which I have brought upon the Egyptians: for I am the Lord that healeth thee.\nAnd they took their journey from Elim, and all the congregation of the children of Israel came unto the wilderness of Sin, which is between Elim and Sinai, on the fifteenth day of the second month after their departing out of the land of Egypt.\nAnd the whole congregation of the children of Israel murmured against Moses and Aaron in the wilderness:\nAnd the children of Israel said unto them, Would to God we had died by the hand of the Lord in the land of Egypt, when we sat by the flesh pots, and when we did eat bread to the full; for ye have brought us forth into this wilderness, to kill this whole assembly with hunger.\nThen said the Lord unto Moses, Behold, I will rain bread from heaven for you; and the people shall go out and gather a certain rate every day, that I may prove them, whether they will walk in my law, or no.\nAnd it shall come to pass, that on the sixth day they shall prepare that which they bring in; and it shall be twice as much as they gather daily.\nAnd Moses and Aaron said unto all the children of Israel, At even, then ye shall know that the Lord hath brought you out from the land of Egypt:\nAnd in the morning, then ye shall see the glory of the Lord; for that he heareth your murmurings against the Lord: and what are we, that ye murmur against us?\nAnd Moses said, This shall be, when the Lord shall give you in the evening flesh to eat, and in the morning bread to the full; for that the Lord heareth your murmurings which ye murmur against him: and what are we? your murmurings are not against us, but against the Lord.\nAnd Moses spake unto Aaron, Say unto all the congregation of the children of Israel, Come near before the Lord: for he hath heard your murmurings.\nAnd it came to pass, as Aaron spake unto the whole congregation of the children of Israel, that they looked toward the wilderness, and, behold, the glory of the Lord appeared in the cloud.\nAnd the Lord spake unto Moses, saying,\nI have heard the murmurings of the children of Israel: speak unto them, saying, At even ye shall eat flesh, and in the morning ye shall be filled with bread; and ye shall know that I am the Lord your God.\nAnd it came to pass, that at even the quails came up, and covered the camp: and in the morning the dew lay round about the host.\nAnd when the dew that lay was gone up, behold, upon the face of the wilderness there lay a small round thing, as small as the hoar frost on the ground.\nAnd when the children of Israel saw it, they said one to another, It is manna: for they wist not what it was. And Moses said unto them, This is the bread which the Lord hath given you to eat.\nThis is the thing which the Lord hath commanded, Gather of it every man according to his eating, an omer for every man, according to the number of your persons; take ye every man for them which are in his tents.\nAnd the children of Israel did so, and gathered, some more, some less.\nAnd when they did mete it with an omer, he that gathered much had nothing over, and he that gathered little had no lack; they gathered every man according to his eating.\nAnd Moses said, Let no man leave of it till the morning.\nNotwithstanding they hearkened not unto Moses; but some of them left of it until the morning, and it bred worms, and stank: and Moses was wroth with them.\nAnd they gathered it every morning, every man according to his eating: and when the sun waxed hot, it melted.\nAnd it came to pass, that on the sixth day they gathered twice as much bread, two omers for one man: and all the rulers of the congregation came and told Moses.\nAnd he said unto them, This is that which the Lord hath said, To morrow is the rest of the holy sabbath unto the Lord: bake that which ye will bake to day, and seethe that ye will seethe; and that which remaineth over lay up for you to be kept until the morning.\nAnd they laid it up till the morning, as Moses bade: and it did not stink, neither was there any worm therein.\nAnd Moses said, Eat that to day; for to day is a sabbath unto the Lord: to day ye shall not find it in the field.\nSix days ye shall gather it; but on the seventh day, which is the sabbath, in it there shall be none.\nAnd it came to pass, that there went out some of the people on the seventh day for to gather, and they found none.\nAnd the Lord said unto Moses, How long refuse ye to keep my commandments and my laws?\nSee, for that the Lord hath given you the sabbath, therefore he giveth you on the sixth day the bread of two days; abide ye every man in his place, let no man go out of his place on the seventh day.\nSo the people rested on the seventh day.\nAnd the house of Israel called the name thereof Manna: and it was like coriander seed, white; and the taste of it was like wafers made with honey.\nAnd Moses said, This is the thing which the Lord commandeth, Fill an omer of it to be kept for your generations; that they may see the bread wherewith I have fed you in the wilderness, when I brought you forth from the land of Egypt.\nAnd Moses said unto Aaron, Take a pot, and put an omer full of manna therein, and lay it up before the Lord, to be kept for your generations.\nAs the Lord commanded Moses, so Aaron laid it up before the Testimony, to be kept.\nAnd the children of Israel did eat manna forty years, until they came to a land inhabited; they did eat manna, until they came unto the borders of the land of Canaan.\nNow an omer is the tenth part of an ephah.\nAnd all the congregation of the children of Israel journeyed from the wilderness of Sin, after their journeys, according to the commandment of the Lord, and pitched in Rephidim: and there was no water for the people to drink.\nWherefore the people did chide with Moses, and said, Give us water that we may drink. And Moses said unto them, Why chide ye with me? wherefore do ye tempt the Lord?\nAnd the people thirsted there for water; and the people murmured against Moses, and said, Wherefore is this that thou hast brought us up out of Egypt, to kill us and our children and our cattle with thirst?\nAnd Moses cried unto the Lord, saying, What shall I do unto this people? they be almost ready to stone me.\nAnd the Lord said unto Moses, Go on before the people, and take with thee of the elders of Israel; and thy rod, wherewith thou smotest the river, take in thine hand, and go.\nBehold, I will stand before thee there upon the rock in Horeb; and thou shalt smite the rock, and there shall come water out of it, that the people may drink. And Moses did so in the sight of the elders of Israel.\nAnd he called the name of the place Massah, and Meribah, because of the chiding of the children of Israel, and because they tempted the Lord, saying, Is the Lord among us, or not?\nThen came Amalek, and fought with Israel in Rephidim.\nAnd Moses said unto Joshua, Choose us out men, and go out, fight with Amalek: to morrow I will stand on the top of the hill with the rod of God in mine hand.\nSo Joshua did as Moses had said to him, and fought with Amalek: and Moses, Aaron, and Hur went up to the top of the hill.\nAnd it came to pass, when Moses held up his hand, that Israel prevailed: and when he let down his hand, Amalek prevailed.\nBut Moses hands were heavy; and they took a stone, and put it under him, and he sat thereon; and Aaron and Hur stayed up his hands, the one on the one side, and the other on the other side; and his hands were steady until the going down of the sun.\nAnd Joshua discomfited Amalek and his people with the edge of the sword.\nAnd the Lord said unto Moses, Write this for a memorial in a book, and rehearse it in the ears of Joshua: for I will utterly put out the remembrance of Amalek from under heaven.\nAnd Moses built an altar, and called the name of it Jehovahnissi:\nFor he said, Because the Lord hath sworn that the Lord will have war with Amalek from generation to generation.\nWhen Jethro, the priest of Midian, Moses' father in law, heard of all that God had done for Moses, and for Israel his people, and that the Lord had brought Israel out of Egypt;\nThen Jethro, Moses' father in law, took Zipporah, Moses' wife, after he had sent her back,\nAnd her two sons; of which the name of the one was Gershom; for he said, I have been an alien in a strange land:\nAnd the name of the other was Eliezer; for the God of my father, said he, was mine help, and delivered me from the sword of Pharaoh:\nAnd Jethro, Moses' father in law, came with his sons and his wife unto Moses into the wilderness, where he encamped at the mount of God:\nAnd he said unto Moses, I thy father in law Jethro am come unto thee, and thy wife, and her two sons with her.\nAnd Moses went out to meet his father in law, and did obeisance, and kissed him; and they asked each other of their welfare; and they came into the tent.\nAnd Moses told his father in law all that the Lord had done unto Pharaoh and to the Egyptians for Israel's sake, and all the travail that had come upon them by the way, and how the Lord delivered them.\nAnd Jethro rejoiced for all the goodness which the Lord had done to Israel, whom he had delivered out of the hand of the Egyptians.\nAnd Jethro said, Blessed be the Lord, who hath delivered you out of the hand of the Egyptians, and out of the hand of Pharaoh, who hath delivered the people from under the hand of the Egyptians.\nNow I know that the Lord is greater than all gods: for in the thing wherein they dealt proudly he was above them.\nAnd Jethro, Moses' father in law, took a burnt offering and sacrifices for God: and Aaron came, and all the elders of Israel, to eat bread with Moses' father in law before God.\nAnd it came to pass on the morrow, that Moses sat to judge the people: and the people stood by Moses from the morning unto the evening.\nAnd when Moses' father in law saw all that he did to the people, he said, What is this thing that thou doest to the people? why sittest thou thyself alone, and all the people stand by thee from morning unto even?\nAnd Moses said unto his father in law, Because the people come unto me to enquire of God:\nWhen they have a matter, they come unto me; and I judge between one and another, and I do make them know the statutes of God, and his laws.\nAnd Moses' father in law said unto him, The thing that thou doest is not good.\nThou wilt surely wear away, both thou, and this people that is with thee: for this thing is too heavy for thee; thou art not able to perform it thyself alone.\nHearken now unto my voice, I will give thee counsel, and God shall be with thee: Be thou for the people to God-ward, that thou mayest bring the causes unto God:\nAnd thou shalt teach them ordinances and laws, and shalt shew them the way wherein they must walk, and the work that they must do.\nMoreover thou shalt provide out of all the people able men, such as fear God, men of truth, hating covetousness; and place such over them, to be rulers of thousands, and rulers of hundreds, rulers of fifties, and rulers of tens:\nAnd let them judge the people at all seasons: and it shall be, that every great matter they shall bring unto thee, but every small matter they shall judge: so shall it be easier for thyself, and they shall bear the burden with thee.\nIf thou shalt do this thing, and God command thee so, then thou shalt be able to endure, and all this people shall also go to their place in peace.\nSo Moses hearkened to the voice of his father in law, and did all that he had said.\nAnd Moses chose able men out of all Israel, and made them heads over the people, rulers of thousands, rulers of hundreds, rulers of fifties, and rulers of tens.\nAnd they judged the people at all seasons: the hard causes they brought unto Moses, but every small matter they judged themselves.\nAnd Moses let his father in law depart; and he went his way into his own land.\nIn the third month, when the children of Israel were gone forth out of the land of Egypt, the same day came they into the wilderness of Sinai.\nFor they were departed from Rephidim, and were come to the desert of Sinai, and had pitched in the wilderness; and there Israel camped before the mount.\nAnd Moses went up unto God, and the Lord called unto him out of the mountain, saying, Thus shalt thou say to the house of Jacob, and tell the children of Israel;\nYe have seen what I did unto the Egyptians, and how I bare you on eagles' wings, and brought you unto myself.\nNow therefore, if ye will obey my voice indeed, and keep my covenant, then ye shall be a peculiar treasure unto me above all people: for all the earth is mine:\nAnd ye shall be unto me a kingdom of priests, and an holy nation. These are the words which thou shalt speak unto the children of Israel.\nAnd Moses came and called for the elders of the people, and laid before their faces all these words which the Lord commanded him.\nAnd all the people answered together, and said, All that the Lord hath spoken we will do. And Moses returned the words of the people unto the Lord.\nAnd the Lord said unto Moses, Lo, I come unto thee in a thick cloud, that the people may hear when I speak with thee, and believe thee for ever. And Moses told the words of the people unto the Lord.\nAnd the Lord said unto Moses, Go unto the people, and sanctify them to day and to morrow, and let them wash their clothes,\nAnd be ready against the third day: for the third day the Lord will come down in the sight of all the people upon mount Sinai.\nAnd thou shalt set bounds unto the people round about, saying, Take heed to yourselves, that ye go not up into the mount, or touch the border of it: whosoever toucheth the mount shall be surely put to death:\nThere shall not an hand touch it, but he shall surely be stoned, or shot through; whether it be beast or man, it shall not live: when the trumpet soundeth long, they shall come up to the mount.\nAnd Moses went down from the mount unto the people, and sanctified the people; and they washed their clothes.\nAnd he said unto the people, Be ready against the third day: come not at your wives.\nAnd it came to pass on the third day in the morning, that there were thunders and lightnings, and a thick cloud upon the mount, and the voice of the trumpet exceeding loud; so that all the people that was in the camp trembled.\nAnd Moses brought forth the people out of the camp to meet with God; and they stood at the nether part of the mount.\nAnd mount Sinai was altogether on a smoke, because the Lord descended upon it in fire: and the smoke thereof ascended as the smoke of a furnace, and the whole mount quaked greatly.\nAnd when the voice of the trumpet sounded long, and waxed louder and louder, Moses spake, and God answered him by a voice.\nAnd the Lord came down upon mount Sinai, on the top of the mount: and the Lord called Moses up to the top of the mount; and Moses went up.\nAnd the Lord said unto Moses, Go down, charge the people, lest they break through unto the Lord to gaze, and many of them perish.\nAnd let the priests also, which come near to the Lord, sanctify themselves, lest the Lord break forth upon them.\nAnd Moses said unto the Lord, The people cannot come up to mount Sinai: for thou chargedst us, saying, Set bounds about the mount, and sanctify it.\nAnd the Lord said unto him, Away, get thee down, and thou shalt come up, thou, and Aaron with thee: but let not the priests and the people break through to come up unto the Lord, lest he break forth upon them.\nSo Moses went down unto the people, and spake unto them.\nAnd God spake all these words, saying,\nI am the Lord thy God, which have brought thee out of the land of Egypt, out of the house of bondage.\nThou shalt have no other gods before me.\nThou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth.\nThou shalt not bow down thyself to them, nor serve them: for I the Lord thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me;\nAnd shewing mercy unto thousands of them that love me, and keep my commandments.\nThou shalt not take the name of the Lord thy God in vain; for the Lord will not hold him guiltless that taketh his name in vain.\nRemember the sabbath day, to keep it holy.\nSix days shalt thou labour, and do all thy work:\nBut the seventh day is the sabbath of the Lord thy God: in it thou shalt not do any work, thou, nor thy son, nor thy daughter, thy manservant, nor thy maidservant, nor thy cattle, nor thy stranger that is within thy gates:\nFor in six days the Lord made heaven and earth, the sea, and all that in them is, and rested the seventh day: wherefore the Lord blessed the sabbath day, and hallowed it.\nHonour thy father and thy mother: that thy days may be long upon the land which the Lord thy God giveth thee.\nThou shalt not kill.\nThou shalt not commit adultery.\nThou shalt not steal.\nThou shalt not bear false witness against thy neighbour.\nThou shalt not covet thy neighbour's house, thou shalt not covet thy neighbour's wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor any thing that is thy neighbour's.\nAnd all the people saw the thunderings, and the lightnings, and the noise of the trumpet, and the mountain smoking: and when the people saw it, they removed, and stood afar off.\nAnd they said unto Moses, Speak thou with us, and we will hear: but let not God speak with us, lest we die.\nAnd Moses said unto the people, Fear not: for God is come to prove you, and that his fear may be before your faces, that ye sin not.\nAnd the people stood afar off, and Moses drew near unto the thick darkness where God was.\nAnd the Lord said unto Moses, Thus thou shalt say unto the children of Israel, Ye have seen that I have talked with you from heaven.\nYe shall not make with me gods of silver, neither shall ye make unto you gods of gold.\nAn altar of earth thou shalt make unto me, and shalt sacrifice thereon thy burnt offerings, and thy peace offerings, thy sheep, and thine oxen: in all places where I record my name I will come unto thee, and I will bless thee.\nAnd if thou wilt make me an altar of stone, thou shalt not build it of hewn stone: for if thou lift up thy tool upon it, thou hast polluted it.\nNeither shalt thou go up by steps unto mine altar, that thy nakedness be not discovered thereon.\nNow these are the judgments which thou shalt set before them.\nIf thou buy an Hebrew servant, six years he shall serve: and in the seventh he shall go out free for nothing.\nIf he came in by himself, he shall go out by himself: if he were married, then his wife shall go out with him.\nIf his master have given him a wife, and she have born him sons or daughters; the wife and her children shall be her master's, and he shall go out by himself.\nAnd if the servant shall plainly say, I love my master, my wife, and my children; I will not go out free:\nThen his master shall bring him unto the judges; he shall also bring him to the door, or unto the door post; and his master shall bore his ear through with an aul; and he shall serve him for ever.\nAnd if a man sell his daughter to be a maidservant, she shall not go out as the menservants do.\nIf she please not her master, who hath betrothed her to himself, then shall he let her be redeemed: to sell her unto a strange nation he shall have no power, seeing he hath dealt deceitfully with her.\nAnd if he have betrothed her unto his son, he shall deal with her after the manner of daughters.\nIf he take him another wife; her food, her raiment, and her duty of marriage, shall he not diminish.\nAnd if he do not these three unto her, then shall she go out free without money.\nHe that smiteth a man, so that he die, shall be surely put to death.\nAnd if a man lie not in wait, but God deliver him into his hand; then I will appoint thee a place whither he shall flee.\nBut if a man come presumptuously upon his neighbour, to slay him with guile; thou shalt take him from mine altar, that he may die.\nAnd he that smiteth his father, or his mother, shall be surely put to death.\nAnd he that stealeth a man, and selleth him, or if he be found in his hand, he shall surely be put to death.\nAnd he that curseth his father, or his mother, shall surely be put to death.\nAnd if men strive together, and one smite another with a stone, or with his fist, and he die not, but keepeth his bed:\nIf he rise again, and walk abroad upon his staff, then shall he that smote him be quit: only he shall pay for the loss of his time, and shall cause him to be thoroughly healed.\nAnd if a man smite his servant, or his maid, with a rod, and he die under his hand; he shall be surely punished.\nNotwithstanding, if he continue a day or two, he shall not be punished: for he is his money.\nIf men strive, and hurt a woman with child, so that her fruit depart from her, and yet no mischief follow: he shall be surely punished, according as the woman's husband will lay upon him; and he shall pay as the judges determine.\nAnd if any mischief follow, then thou shalt give life for life,\nEye for eye, tooth for tooth, hand for hand, foot for foot,\nBurning for burning, wound for wound, stripe for stripe.\nAnd if a man smite the eye of his servant, or the eye of his maid, that it perish; he shall let him go free for his eye's sake.\nAnd if he smite out his manservant's tooth, or his maidservant's tooth; he shall let him go free for his tooth's sake.\nIf an ox gore a man or a woman, that they die: then the ox shall be surely stoned, and his flesh shall not be eaten; but the owner of the ox shall be quit.\nBut if the ox were wont to push with his horn in time past, and it hath been testified to his owner, and he hath not kept him in, but that he hath killed a man or a woman; the ox shall be stoned, and his owner also shall be put to death.\nIf there be laid on him a sum of money, then he shall give for the ransom of his life whatsoever is laid upon him.\nWhether he have gored a son, or have gored a daughter, according to this judgment shall it be done unto him.\nIf the ox shall push a manservant or a maidservant; he shall give unto their master thirty shekels of silver, and the ox shall be stoned.\nAnd if a man shall open a pit, or if a man shall dig a pit, and not cover it, and an ox or an ass fall therein;\nThe owner of the pit shall make it good, and give money unto the owner of them; and the dead beast shall be his.\nAnd if one man's ox hurt another's, that he die; then they shall sell the live ox, and divide the money of it; and the dead ox also they shall divide.\nOr if it be known that the ox hath used to push in time past, and his owner hath not kept him in; he shall surely pay ox for ox; and the dead shall be his own.\nIf a man shall steal an ox, or a sheep, and kill it, or sell it; he shall restore five oxen for an ox, and four sheep for a sheep.\nIf a thief be found breaking up, and be smitten that he die, there shall no blood be shed for him.\nIf the sun be risen upon him, there shall be blood shed for him; for he should make full restitution; if he have nothing, then he shall be sold for his theft.\nIf the theft be certainly found in his hand alive, whether it be ox, or ass, or sheep; he shall restore double.\nIf a man shall cause a field or vineyard to be eaten, and shall put in his beast, and shall feed in another man's field; of the best of his own field, and of the best of his own vineyard, shall he make restitution.\nIf fire break out, and catch in thorns, so that the stacks of corn, or the standing corn, or the field, be consumed therewith; he that kindled the fire shall surely make restitution.\nIf a man shall deliver unto his neighbour money or stuff to keep, and it be stolen out of the man's house; if the thief be found, let him pay double.\nIf the thief be not found, then the master of the house shall be brought unto the judges, to see whether he have put his hand unto his neighbour's goods.\nFor all manner of trespass, whether it be for ox, for ass, for sheep, for raiment, or for any manner of lost thing which another challengeth to be his, the cause of both parties shall come before the judges; and whom the judges shall condemn, he shall pay double unto his neighbour.\nIf a man deliver unto his neighbour an ass, or an ox, or a sheep, or any beast, to keep; and it die, or be hurt, or driven away, no man seeing it:\nThen shall an oath of the Lord be between them both, that he hath not put his hand unto his neighbour's goods; and the owner of it shall accept thereof, and he shall not make it good.\nAnd if it be stolen from him, he shall make restitution unto the owner thereof.\nIf it be torn in pieces, then let him bring it for witness, and he shall not make good that which was torn.\nAnd if a man borrow ought of his neighbour, and it be hurt, or die, the owner thereof being not with it, he shall surely make it good.\nBut if the owner thereof be with it, he shall not make it good: if it be an hired thing, it came for his hire.\nAnd if a man entice a maid that is not betrothed, and lie with her, he shall surely endow her to be his wife.\nIf her father utterly refuse to give her unto him, he shall pay money according to the dowry of virgins.\nThou shalt not suffer a witch to live.\nWhosoever lieth with a beast shall surely be put to death.\nHe that sacrificeth unto any god, save unto the Lord only, he shall be utterly destroyed.\nThou shalt neither vex a stranger, nor oppress him: for ye were strangers in the land of Egypt.\nYe shall not afflict any widow, or fatherless child.\nIf thou afflict them in any wise, and they cry at all unto me, I will surely hear their cry;\nAnd my wrath shall wax hot, and I will kill you with the sword; and your wives shall be widows, and your children fatherless.\nIf thou lend money to any of my people that is poor by thee, thou shalt not be to him as an usurer, neither shalt thou lay upon him usury.\nIf thou at all take thy neighbour's raiment to pledge, thou shalt deliver it unto him by that the sun goeth down:\nFor that is his covering only, it is his raiment for his skin: wherein shall he sleep? and it shall come to pass, when he crieth unto me, that I will hear; for I am gracious.\nThou shalt not revile the gods, nor curse the ruler of thy people.\nThou shalt not delay to offer the first of thy ripe fruits, and of thy liquors: the firstborn of thy sons shalt thou give unto me.\nLikewise shalt thou do with thine oxen, and with thy sheep: seven days it shall be with his dam; on the eighth day thou shalt give it me.\nAnd ye shall be holy men unto me: neither shall ye eat any flesh that is torn of beasts in the field; ye shall cast it to the dogs.\nThou shalt not raise a false report: put not thine hand with the wicked to be an unrighteous witness.\nThou shalt not follow a multitude to do evil; neither shalt thou speak in a cause to decline after many to wrest judgment:\nNeither shalt thou countenance a poor man in his cause.\nIf thou meet thine enemy's ox or his ass going astray, thou shalt surely bring it back to him again.\nIf thou see the ass of him that hateth thee lying under his burden, and wouldest forbear to help him, thou shalt surely help with him.\nThou shalt not wrest the judgment of thy poor in his cause.\nKeep thee far from a false matter; and the innocent and righteous slay thou not: for I will not justify the wicked.\nAnd thou shalt take no gift: for the gift blindeth the wise, and perverteth the words of the righteous.\nAlso thou shalt not oppress a stranger: for ye know the heart of a stranger, seeing ye were strangers in the land of Egypt.\nAnd six years thou shalt sow thy land, and shalt gather in the fruits thereof:\nBut the seventh year thou shalt let it rest and lie still; that the poor of thy people may eat: and what they leave the beasts of the field shall eat. In like manner thou shalt deal with thy vineyard, and with thy oliveyard.\nSix days thou shalt do thy work, and on the seventh day thou shalt rest: that thine ox and thine ass may rest, and the son of thy handmaid, and the stranger, may be refreshed.\nAnd in all things that I have said unto you be circumspect: and make no mention of the name of other gods, neither let it be heard out of thy mouth.\nThree times thou shalt keep a feast unto me in the year.\nThou shalt keep the feast of unleavened bread: (thou shalt eat unleavened bread seven days, as I commanded thee, in the time appointed of the month Abib; for in it thou camest out from Egypt: and none shall appear before me empty:)\nAnd the feast of harvest, the firstfruits of thy labours, which thou hast sown in the field: and the feast of ingathering, which is in the end of the year, when thou hast gathered in thy labours out of the field.\nThree times in the year all thy males shall appear before the Lord God.\nThou shalt not offer the blood of my sacrifice with leavened bread; neither shall the fat of my sacrifice remain until the morning.\nThe first of the firstfruits of thy land thou shalt bring into the house of the Lord thy God. Thou shalt not seethe a kid in his mother's milk.\nBehold, I send an Angel before thee, to keep thee in the way, and to bring thee into the place which I have prepared.\nBeware of him, and obey his voice, provoke him not; for he will not pardon your transgressions: for my name is in him.\nBut if thou shalt indeed obey his voice, and do all that I speak; then I will be an enemy unto thine enemies, and an adversary unto thine adversaries.\nFor mine Angel shall go before thee, and bring thee in unto the Amorites, and the Hittites, and the Perizzites, and the Canaanites, the Hivites, and the Jebusites: and I will cut them off.\nThou shalt not bow down to their gods, nor serve them, nor do after their works: but thou shalt utterly overthrow them, and quite break down their images.\nAnd ye shall serve the Lord your God, and he shall bless thy bread, and thy water; and I will take sickness away from the midst of thee.\nThere shall nothing cast their young, nor be barren, in thy land: the number of thy days I will fulfil.\nI will send my fear before thee, and will destroy all the people to whom thou shalt come, and I will make all thine enemies turn their backs unto thee.\nAnd I will send hornets before thee, which shall drive out the Hivite, the Canaanite, and the Hittite, from before thee.\nI will not drive them out from before thee in one year; lest the land become desolate, and the beast of the field multiply against thee.\nBy little and little I will drive them out from before thee, until thou be increased, and inherit the land.\nAnd I will set thy bounds from the Red sea even unto the sea of the Philistines, and from the desert unto the river: for I will deliver the inhabitants of the land into your hand; and thou shalt drive them out before thee.\nThou shalt make no covenant with them, nor with their gods.\nThey shall not dwell in thy land, lest they make thee sin against me: for if thou serve their gods, it will surely be a snare unto thee.\nAnd he said unto Moses, Come up unto the Lord, thou, and Aaron, Nadab, and Abihu, and seventy of the elders of Israel; and worship ye afar off.\nAnd Moses alone shall come near the Lord: but they shall not come nigh; neither shall the people go up with him.\nAnd Moses came and told the people all the words of the Lord, and all the judgments: and all the people answered with one voice, and said, All the words which the Lord hath said will we do.\nAnd Moses wrote all the words of the Lord, and rose up early in the morning, and builded an altar under the hill, and twelve pillars, according to the twelve tribes of Israel.\nAnd he sent young men of the children of Israel, which offered burnt offerings, and sacrificed peace offerings of oxen unto the Lord.\nAnd Moses took half of the blood, and put it in basons; and half of the blood he sprinkled on the altar.\nAnd he took the book of the covenant, and read in the audience of the people: and they said, All that the Lord hath said will we do, and be obedient.\nAnd Moses took the blood, and sprinkled it on the people, and said, Behold the blood of the covenant, which the Lord hath made with you concerning all these words.\nThen went up Moses, and Aaron, Nadab, and Abihu, and seventy of the elders of Israel:\nAnd they saw the God of Israel: and there was under his feet as it were a paved work of a sapphire stone, and as it were the body of heaven in his clearness.\nAnd upon the nobles of the children of Israel he laid not his hand: also they saw God, and did eat and drink.\nAnd the Lord said unto Moses, Come up to me into the mount, and be there: and I will give thee tables of stone, and a law, and commandments which I have written; that thou mayest teach them.\nAnd Moses rose up, and his minister Joshua: and Moses went up into the mount of God.\nAnd he said unto the elders, Tarry ye here for us, until we come again unto you: and, behold, Aaron and Hur are with you: if any man have any matters to do, let him come unto them.\nAnd Moses went up into the mount, and a cloud covered the mount.\nAnd the glory of the Lord abode upon mount Sinai, and the cloud covered it six days: and the seventh day he called unto Moses out of the midst of the cloud.\nAnd the sight of the glory of the Lord was like devouring fire on the top of the mount in the eyes of the children of Israel.\nAnd Moses went into the midst of the cloud, and gat him up into the mount: and Moses was in the mount forty days and forty nights.\nAnd the Lord spake unto Moses, saying,\nSpeak unto the children of Israel, that they bring me an offering: of every man that giveth it willingly with his heart ye shall take my offering.\nAnd this is the offering which ye shall take of them; gold, and silver, and brass,\nAnd blue, and purple, and scarlet, and fine linen, and goats' hair,\nAnd rams' skins dyed red, and badgers' skins, and shittim wood,\nOil for the light, spices for anointing oil, and for sweet incense,\nOnyx stones, and stones to be set in the ephod, and in the breastplate.\nAnd let them make me a sanctuary; that I may dwell among them.\nAccording to all that I shew thee, after the pattern of the tabernacle, and the pattern of all the instruments thereof, even so shall ye make it.\nAnd they shall make an ark of shittim wood: two cubits and a half shall be the length thereof, and a cubit and a half the breadth thereof, and a cubit and a half the height thereof.\nAnd thou shalt overlay it with pure gold, within and without shalt thou overlay it, and shalt make upon it a crown of gold round about.\nAnd thou shalt cast four rings of gold for it, and put them in the four corners thereof; and two rings shall be in the one side of it, and two rings in the other side of it.\nAnd thou shalt make staves of shittim wood, and overlay them with gold.\nAnd thou shalt put the staves into the rings by the sides of the ark, that the ark may be borne with them.\nThe staves shall be in the rings of the ark: they shall not be taken from it.\nAnd thou shalt put into the ark the testimony which I shall give thee.\nAnd thou shalt make a mercy seat of pure gold: two cubits and a half shall be the length thereof, and a cubit and a half the breadth thereof.\nAnd thou shalt make two cherubims of gold, of beaten work shalt thou make them, in the two ends of the mercy seat.\nAnd make one cherub on the one end, and the other cherub on the other end: even of the mercy seat shall ye make the cherubims on the two ends thereof.\nAnd the cherubims shall stretch forth their wings on high, covering the mercy seat with their wings, and their faces shall look one to another; toward the mercy seat shall the faces of the cherubims be.\nAnd thou shalt put the mercy seat above upon the ark; and in the ark thou shalt put the testimony that I shall give thee.\nAnd there I will meet with thee, and I will commune with thee from above the mercy seat, from between the two cherubims which are upon the ark of the testimony, of all things which I will give thee in commandment unto the children of Israel.\nThou shalt also make a table of shittim wood: two cubits shall be the length thereof, and a cubit the breadth thereof, and a cubit and a half the height thereof.\nAnd thou shalt overlay it with pure gold, and make thereto a crown of gold round about.\nAnd thou shalt make unto it a border of an hand breadth round about, and thou shalt make a golden crown to the border thereof round about.\nAnd thou shalt make for it four rings of gold, and put the rings in the four corners that are on the four feet thereof.\nOver against the border shall the rings be for places of the staves to bear the table.\nAnd thou shalt make the staves of shittim wood, and overlay them with gold, that the table may be borne with them.\nAnd thou shalt make the dishes thereof, and spoons thereof, and covers thereof, and bowls thereof, to cover withal: of pure gold shalt thou make them.\nAnd thou shalt set upon the table shewbread before me alway.\nAnd thou shalt make a candlestick of pure gold: of beaten work shall the candlestick be made: his shaft, and his branches, his bowls, his knops, and his flowers, shall be of the same.\nAnd six branches shall come out of the sides of it; three branches of the candlestick out of the one side, and three branches of the candlestick out of the other side:\nThree bowls made like unto almonds, with a knop and a flower in one branch; and three bowls made like almonds in the other branch, with a knop and a flower: so in the six branches that come out of the candlestick.\nAnd in the candlesticks shall be four bowls made like unto almonds, with their knops and their flowers.\nAnd there shall be a knop under two branches of the same, and a knop under two branches of the same, and a knop under two branches of the same, according to the six branches that proceed out of the candlestick.\nTheir knops and their branches shall be of the same: all it shall be one beaten work of pure gold.\nAnd thou shalt make the seven lamps thereof: and they shall light the lamps thereof, that they may give light over against it.\nAnd the tongs thereof, and the snuffdishes thereof, shall be of pure gold.\nOf a talent of pure gold shall he make it, with all these vessels.\nAnd look that thou make them after their pattern, which was shewed thee in the mount.\nMoreover thou shalt make the tabernacle with ten curtains of fine twined linen, and blue, and purple, and scarlet: with cherubims of cunning work shalt thou make them.\nThe length of one curtain shall be eight and twenty cubits, and the breadth of one curtain four cubits: and every one of the curtains shall have one measure.\nThe five curtains shall be coupled together one to another; and other five curtains shall be coupled one to another.\nAnd thou shalt make loops of blue upon the edge of the one curtain from the selvedge in the coupling; and likewise shalt thou make in the uttermost edge of another curtain, in the coupling of the second.\nFifty loops shalt thou make in the one curtain, and fifty loops shalt thou make in the edge of the curtain that is in the coupling of the second; that the loops may take hold one of another.\nAnd thou shalt make fifty taches of gold, and couple the curtains together with the taches: and it shall be one tabernacle.\nAnd thou shalt make curtains of goats' hair to be a covering upon the tabernacle: eleven curtains shalt thou make.\nThe length of one curtain shall be thirty cubits, and the breadth of one curtain four cubits: and the eleven curtains shall be all of one measure.\nAnd thou shalt couple five curtains by themselves, and six curtains by themselves, and shalt double the sixth curtain in the forefront of the tabernacle.\nAnd thou shalt make fifty loops on the edge of the one curtain that is outmost in the coupling, and fifty loops in the edge of the curtain which coupleth the second.\nAnd thou shalt make fifty taches of brass, and put the taches into the loops, and couple the tent together, that it may be one.\nAnd the remnant that remaineth of the curtains of the tent, the half curtain that remaineth, shall hang over the backside of the tabernacle.\nAnd a cubit on the one side, and a cubit on the other side of that which remaineth in the length of the curtains of the tent, it shall hang over the sides of the tabernacle on this side and on that side, to cover it.\nAnd thou shalt make a covering for the tent of rams' skins dyed red, and a covering above of badgers' skins.\nAnd thou shalt make boards for the tabernacle of shittim wood standing up.\nTen cubits shall be the length of a board, and a cubit and a half shall be the breadth of one board.\nTwo tenons shall there be in one board, set in order one against another: thus shalt thou make for all the boards of the tabernacle.\nAnd thou shalt make the boards for the tabernacle, twenty boards on the south side southward.\nAnd thou shalt make forty sockets of silver under the twenty boards; two sockets under one board for his two tenons, and two sockets under another board for his two tenons.\nAnd for the second side of the tabernacle on the north side there shall be twenty boards:\nAnd their forty sockets of silver; two sockets under one board, and two sockets under another board.\nAnd for the sides of the tabernacle westward thou shalt make six boards.\nAnd two boards shalt thou make for the corners of the tabernacle in the two sides.\nAnd they shall be coupled together beneath, and they shall be coupled together above the head of it unto one ring: thus shall it be for them both; they shall be for the two corners.\nAnd they shall be eight boards, and their sockets of silver, sixteen sockets; two sockets under one board, and two sockets under another board.\nAnd thou shalt make bars of shittim wood; five for the boards of the one side of the tabernacle,\nAnd five bars for the boards of the other side of the tabernacle, and five bars for the boards of the side of the tabernacle, for the two sides westward.\nAnd the middle bar in the midst of the boards shall reach from end to end.\nAnd thou shalt overlay the boards with gold, and make their rings of gold for places for the bars: and thou shalt overlay the bars with gold.\nAnd thou shalt rear up the tabernacle according to the fashion thereof which was shewed thee in the mount.\nAnd thou shalt make a vail of blue, and purple, and scarlet, and fine twined linen of cunning work: with cherubims shall it be made:\nAnd thou shalt hang it upon four pillars of shittim wood overlaid with gold: their hooks shall be of gold, upon the four sockets of silver.\nAnd thou shalt hang up the vail under the taches, that thou mayest bring in thither within the vail the ark of the testimony: and the vail shall divide unto you between the holy place and the most holy.\nAnd thou shalt put the mercy seat upon the ark of the testimony in the most holy place.\nAnd thou shalt set the table without the vail, and the candlestick over against the table on the side of the tabernacle toward the south: and thou shalt put the table on the north side.\nAnd thou shalt make an hanging for the door of the tent, of blue, and purple, and scarlet, and fine twined linen, wrought with needlework.\nAnd thou shalt make for the hanging five pillars of shittim wood, and overlay them with gold, and their hooks shall be of gold: and thou shalt cast five sockets of brass for them.\nAnd thou shalt make an altar of shittim wood, five cubits long, and five cubits broad; the altar shall be foursquare: and the height thereof shall be three cubits.\nAnd thou shalt make the horns of it upon the four corners thereof: his horns shall be of the same: and thou shalt overlay it with brass.\nAnd thou shalt make his pans to receive his ashes, and his shovels, and his basons, and his fleshhooks, and his firepans: all the vessels thereof thou shalt make of brass.\nAnd thou shalt make for it a grate of network of brass; and upon the net shalt thou make four brasen rings in the four corners thereof.\nAnd thou shalt put it under the compass of the altar beneath, that the net may be even to the midst of the altar.\nAnd thou shalt make staves for the altar, staves of shittim wood, and overlay them with brass.\nAnd the staves shall be put into the rings, and the staves shall be upon the two sides of the altar, to bear it.\nHollow with boards shalt thou make it: as it was shewed thee in the mount, so shall they make it.\nAnd thou shalt make the court of the tabernacle: for the south side southward there shall be hangings for the court of fine twined linen of an hundred cubits long for one side:\nAnd the twenty pillars thereof and their twenty sockets shall be of brass; the hooks of the pillars and their fillets shall be of silver.\nAnd likewise for the north side in length there shall be hangings of an hundred cubits long, and his twenty pillars and their twenty sockets of brass; the hooks of the pillars and their fillets of silver.\nAnd for the breadth of the court on the west side shall be hangings of fifty cubits: their pillars ten, and their sockets ten.\nAnd the breadth of the court on the east side eastward shall be fifty cubits.\nThe hangings of one side of the gate shall be fifteen cubits: their pillars three, and their sockets three.\nAnd on the other side shall be hangings fifteen cubits: their pillars three, and their sockets three.\nAnd for the gate of the court shall be an hanging of twenty cubits, of blue, and purple, and scarlet, and fine twined linen, wrought with needlework: and their pillars shall be four, and their sockets four.\nAll the pillars round about the court shall be filleted with silver; their hooks shall be of silver, and their sockets of brass.\nThe length of the court shall be an hundred cubits, and the breadth fifty every where, and the height five cubits of fine twined linen, and their sockets of brass.\nAll the vessels of the tabernacle in all the service thereof, and all the pins thereof, and all the pins of the court, shall be of brass.\nAnd thou shalt command the children of Israel, that they bring thee pure oil olive beaten for the light, to cause the lamp to burn always.\nIn the tabernacle of the congregation without the vail, which is before the testimony, Aaron and his sons shall order it from evening to morning before the Lord: it shall be a statute for ever unto their generations on the behalf of the children of Israel.\nAnd take thou unto thee Aaron thy brother, and his sons with him, from among the children of Israel, that he may minister unto me in the priest's office, even Aaron, Nadab and Abihu, Eleazar and Ithamar, Aaron's sons.\nAnd thou shalt make holy garments for Aaron thy brother for glory and for beauty.\nAnd thou shalt speak unto all that are wise hearted, whom I have filled with the spirit of wisdom, that they may make Aaron's garments to consecrate him, that he may minister unto me in the priest's office.\nAnd these are the garments which they shall make; a breastplate, and an ephod, and a robe, and a broidered coat, a mitre, and a girdle: and they shall make holy garments for Aaron thy brother, and his sons, that he may minister unto me in the priest's office.\nAnd they shall take gold, and blue, and purple, and scarlet, and fine linen.\nAnd they shall make the ephod of gold, of blue, and of purple, of scarlet, and fine twined linen, with cunning work.\nIt shall have the two shoulderpieces thereof joined at the two edges thereof; and so it shall be joined together.\nAnd the curious girdle of the ephod, which is upon it, shall be of the same, according to the work thereof; even of gold, of blue, and purple, and scarlet, and fine twined linen.\nAnd thou shalt take two onyx stones, and grave on them the names of the children of Israel:\nSix of their names on one stone, and the other six names of the rest on the other stone, according to their birth.\nWith the work of an engraver in stone, like the engravings of a signet, shalt thou engrave the two stones with the names of the children of Israel: thou shalt make them to be set in ouches of gold.\nAnd thou shalt put the two stones upon the shoulders of the ephod for stones of memorial unto the children of Israel: and Aaron shall bear their names before the Lord upon his two shoulders for a memorial.\nAnd thou shalt make ouches of gold;\nAnd two chains of pure gold at the ends; of wreathen work shalt thou make them, and fasten the wreathen chains to the ouches.\nAnd thou shalt make the breastplate of judgment with cunning work; after the work of the ephod thou shalt make it; of gold, of blue, and of purple, and of scarlet, and of fine twined linen, shalt thou make it.\nFoursquare it shall be being doubled; a span shall be the length thereof, and a span shall be the breadth thereof.\nAnd thou shalt set in it settings of stones, even four rows of stones: the first row shall be a sardius, a topaz, and a carbuncle: this shall be the first row.\nAnd the second row shall be an emerald, a sapphire, and a diamond.\nAnd the third row a ligure, an agate, and an amethyst.\nAnd the fourth row a beryl, and an onyx, and a jasper: they shall be set in gold in their inclosings.\nAnd the stones shall be with the names of the children of Israel, twelve, according to their names, like the engravings of a signet; every one with his name shall they be according to the twelve tribes.\nAnd thou shalt make upon the breastplate chains at the ends of wreathen work of pure gold.\nAnd thou shalt make upon the breastplate two rings of gold, and shalt put the two rings on the two ends of the breastplate.\nAnd thou shalt put the two wreathen chains of gold in the two rings which are on the ends of the breastplate.\nAnd the other two ends of the two wreathen chains thou shalt fasten in the two ouches, and put them on the shoulderpieces of the ephod before it.\nAnd thou shalt make two rings of gold, and thou shalt put them upon the two ends of the breastplate in the border thereof, which is in the side of the ephod inward.\nAnd two other rings of gold thou shalt make, and shalt put them on the two sides of the ephod underneath, toward the forepart thereof, over against the other coupling thereof, above the curious girdle of the ephod.\nAnd they shall bind the breastplate by the rings thereof unto the rings of the ephod with a lace of blue, that it may be above the curious girdle of the ephod, and that the breastplate be not loosed from the ephod.\nAnd Aaron shall bear the names of the children of Israel in the breastplate of judgment upon his heart, when he goeth in unto the holy place, for a memorial before the Lord continually.\nAnd thou shalt put in the breastplate of judgment the Urim and the Thummim; and they shall be upon Aaron's heart, when he goeth in before the Lord: and Aaron shall bear the judgment of the children of Israel upon his heart before the Lord continually.\nAnd thou shalt make the robe of the ephod all of blue.\nAnd there shall be an hole in the top of it, in the midst thereof: it shall have a binding of woven work round about the hole of it, as it were the hole of an habergeon, that it be not rent.\nAnd beneath upon the hem of it thou shalt make pomegranates of blue, and of purple, and of scarlet, round about the hem thereof; and bells of gold between them round about:\nA golden bell and a pomegranate, a golden bell and a pomegranate, upon the hem of the robe round about.\nAnd it shall be upon Aaron to minister: and his sound shall be heard when he goeth in unto the holy place before the Lord, and when he cometh out, that he die not.\nAnd thou shalt make a plate of pure gold, and grave upon it, like the engravings of a signet, Holiness To The Lord.\nAnd thou shalt put it on a blue lace, that it may be upon the mitre; upon the forefront of the mitre it shall be.\nAnd it shall be upon Aaron's forehead, that Aaron may bear the iniquity of the holy things, which the children of Israel shall hallow in all their holy gifts; and it shall be always upon his forehead, that they may be accepted before the Lord.\nAnd thou shalt embroider the coat of fine linen, and thou shalt make the mitre of fine linen, and thou shalt make the girdle of needlework.\nAnd for Aaron's sons thou shalt make coats, and thou shalt make for them girdles, and bonnets shalt thou make for them, for glory and for beauty.\nAnd thou shalt put them upon Aaron thy brother, and his sons with him; and shalt anoint them, and consecrate them, and sanctify them, that they may minister unto me in the priest's office.\nAnd thou shalt make them linen breeches to cover their nakedness; from the loins even unto the thighs they shall reach:\nAnd they shall be upon Aaron, and upon his sons, when they come in unto the tabernacle of the congregation, or when they come near unto the altar to minister in the holy place; that they bear not iniquity, and die: it shall be a statute for ever unto him and his seed after him.\nAnd take thou unto thee Aaron thy brother, and his sons with him, from among the children of Israel, that he may minister unto me in the priest's office, even Aaron, Nadab and Abihu, Eleazar and Ithamar, Aaron's sons.\nAnd unleavened bread, and cakes unleavened tempered with oil, and wafers unleavened anointed with oil: of wheaten flour shalt thou make them.\nAnd thou shalt put them into one basket, and bring them in the basket, with the bullock and the two rams.\nAnd Aaron and his sons thou shalt bring unto the door of the tabernacle of the congregation, and shalt wash them with water.\nAnd thou shalt take the garments, and put upon Aaron the coat, and the robe of the ephod, and the ephod, and the breastplate, and gird him with the curious girdle of the ephod:\nAnd thou shalt put the mitre upon his head, and put the holy crown upon the mitre.\nThen shalt thou take the anointing oil, and pour it upon his head, and anoint him.\nAnd thou shalt bring his sons, and put coats upon them.\nAnd thou shalt gird them with girdles, Aaron and his sons, and put the bonnets on them: and the priest's office shall be theirs for a perpetual statute: and thou shalt consecrate Aaron and his sons.\nAnd thou shalt cause a bullock to be brought before the tabernacle of the congregation: and Aaron and his sons shall put their hands upon the head of the bullock.\nAnd thou shalt kill the bullock before the Lord, by the door of the tabernacle of the congregation.\nAnd thou shalt take of the blood of the bullock, and put it upon the horns of the altar with thy finger, and pour all the blood beside the bottom of the altar.\nAnd thou shalt take all the fat that covereth the inwards, and the caul that is above the liver, and the two kidneys, and the fat that is upon them, and burn them upon the altar.\nBut the flesh of the bullock, and his skin, and his dung, shalt thou burn with fire without the camp: it is a sin offering.\nThou shalt also take one ram; and Aaron and his sons shall put their hands upon the head of the ram.\nAnd thou shalt slay the ram, and thou shalt take his blood, and sprinkle it round about upon the altar.\nAnd thou shalt cut the ram in pieces, and wash the inwards of him, and his legs, and put them unto his pieces, and unto his head.\nAnd thou shalt burn the whole ram upon the altar: it is a burnt offering unto the Lord: it is a sweet savour, an offering made by fire unto the Lord.\nAnd thou shalt take the other ram; and Aaron and his sons shall put their hands upon the head of the ram.\nThen shalt thou kill the ram, and take of his blood, and put it upon the tip of the right ear of Aaron, and upon the tip of the right ear of his sons, and upon the thumb of their right hand, and upon the great toe of their right foot, and sprinkle the blood upon the altar round about.\nAnd thou shalt take of the blood that is upon the altar, and of the anointing oil, and sprinkle it upon Aaron, and upon his garments, and upon his sons, and upon the garments of his sons with him: and he shall be hallowed, and his garments, and his sons, and his sons' garments with him.\nAlso thou shalt take of the ram the fat and the rump, and the fat that covereth the inwards, and the caul above the liver, and the two kidneys, and the fat that is upon them, and the right shoulder; for it is a ram of consecration:\nAnd one loaf of bread, and one cake of oiled bread, and one wafer out of the basket of the unleavened bread that is before the Lord:\nAnd thou shalt put all in the hands of Aaron, and in the hands of his sons; and shalt wave them for a wave offering before the Lord.\nAnd thou shalt receive them of their hands, and burn them upon the altar for a burnt offering, for a sweet savour before the Lord: it is an offering made by fire unto the Lord.\nAnd thou shalt take the breast of the ram of Aaron's consecration, and wave it for a wave offering before the Lord: and it shall be thy part.\nAnd thou shalt sanctify the breast of the wave offering, and the shoulder of the heave offering, which is waved, and which is heaved up, of the ram of the consecration, even of that which is for Aaron, and of that which is for his sons:\nAnd it shall be Aaron's and his sons' by a statute for ever from the children of Israel: for it is an heave offering: and it shall be an heave offering from the children of Israel of the sacrifice of their peace offerings, even their heave offering unto the Lord.\nAnd the holy garments of Aaron shall be his sons' after him, to be anointed therein, and to be consecrated in them.\nAnd that son that is priest in his stead shall put them on seven days, when he cometh into the tabernacle of the congregation to minister in the holy place.\nAnd thou shalt take the ram of the consecration, and seethe his flesh in the holy place.\nAnd Aaron and his sons shall eat the flesh of the ram, and the bread that is in the basket by the door of the tabernacle of the congregation.\nAnd they shall eat those things wherewith the atonement was made, to consecrate and to sanctify them: but a stranger shall not eat thereof, because they are holy.\nAnd if ought of the flesh of the consecrations, or of the bread, remain unto the morning, then thou shalt burn the remainder with fire: it shall not be eaten, because it is holy.\nAnd thus shalt thou do unto Aaron, and to his sons, according to all things which I have commanded thee: seven days shalt thou consecrate them.\nAnd thou shalt offer every day a bullock for a sin offering for atonement: and thou shalt cleanse the altar, when thou hast made an atonement for it, and thou shalt anoint it, to sanctify it.\nSeven days thou shalt make an atonement for the altar, and sanctify it; and it shall be an altar most holy: whatsoever toucheth the altar shall be holy.\nNow this is that which thou shalt offer upon the altar; two lambs of the first year day by day continually.\nThe one lamb thou shalt offer in the morning; and the other lamb thou shalt offer at even:\nAnd with the one lamb a tenth deal of flour mingled with the fourth part of an hin of beaten oil; and the fourth part of an hin of wine for a drink offering.\nAnd the other lamb thou shalt offer at even, and shalt do thereto according to the meat offering of the morning, and according to the drink offering thereof, for a sweet savour, an offering made by fire unto the Lord.\nThis shall be a continual burnt offering throughout your generations at the door of the tabernacle of the congregation before the Lord: where I will meet you, to speak there unto thee.\nAnd there I will meet with the children of Israel, and the tabernacle shall be sanctified by my glory.\nAnd I will sanctify the tabernacle of the congregation, and the altar: I will sanctify also both Aaron and his sons, to minister to me in the priest's office.\nAnd I will dwell among the children of Israel, and will be their God.\nAnd they shall know that I am the Lord their God, that brought them forth out of the land of Egypt, that I may dwell among them: I am the Lord their God.\nAnd thou shalt make an altar to burn incense upon: of shittim wood shalt thou make it.\nA cubit shall be the length thereof, and a cubit the breadth thereof; foursquare shall it be: and two cubits shall be the height thereof: the horns thereof shall be of the same.\nAnd thou shalt overlay it with pure gold, the top thereof, and the sides thereof round about, and the horns thereof; and thou shalt make unto it a crown of gold round about.\nAnd two golden rings shalt thou make to it under the crown of it, by the two corners thereof, upon the two sides of it shalt thou make it; and they shall be for places for the staves to bear it withal.\nAnd thou shalt make the staves of shittim wood, and overlay them with gold.\nAnd thou shalt put it before the vail that is by the ark of the testimony, before the mercy seat that is over the testimony, where I will meet with thee.\nAnd Aaron shall burn thereon sweet incense every morning: when he dresseth the lamps, he shall burn incense upon it.\nAnd when Aaron lighteth the lamps at even, he shall burn incense upon it, a perpetual incense before the Lord throughout your generations.\nYe shall offer no strange incense thereon, nor burnt sacrifice, nor meat offering; neither shall ye pour drink offering thereon.\nAnd Aaron shall make an atonement upon the horns of it once in a year with the blood of the sin offering of atonements: once in the year shall he make atonement upon it throughout your generations: it is most holy unto the Lord.\nAnd the Lord spake unto Moses, saying,\nWhen thou takest the sum of the children of Israel after their number, then shall they give every man a ransom for his soul unto the Lord, when thou numberest them; that there be no plague among them, when thou numberest them.\nThis they shall give, every one that passeth among them that are numbered, half a shekel after the shekel of the sanctuary: (a shekel is twenty gerahs:) an half shekel shall be the offering of the Lord.\nEvery one that passeth among them that are numbered, from twenty years old and above, shall give an offering unto the Lord.\nThe rich shall not give more, and the poor shall not give less than half a shekel, when they give an offering unto the Lord, to make an atonement for your souls.\nAnd thou shalt take the atonement money of the children of Israel, and shalt appoint it for the service of the tabernacle of the congregation; that it may be a memorial unto the children of Israel before the Lord, to make an atonement for your souls.\nAnd the Lord spake unto Moses, saying,\nThou shalt also make a laver of brass, and his foot also of brass, to wash withal: and thou shalt put it between the tabernacle of the congregation and the altar, and thou shalt put water therein.\nFor Aaron and his sons shall wash their hands and their feet thereat:\nWhen they go into the tabernacle of the congregation, they shall wash with water, that they die not; or when they come near to the altar to minister, to burn offering made by fire unto the Lord:\nSo they shall wash their hands and their feet, that they die not: and it shall be a statute for ever to them, even to him and to his seed throughout their generations.\nMoreover the Lord spake unto Moses, saying,\nTake thou also unto thee principal spices, of pure myrrh five hundred shekels, and of sweet cinnamon half so much, even two hundred and fifty shekels, and of sweet calamus two hundred and fifty shekels,\nAnd of cassia five hundred shekels, after the shekel of the sanctuary, and of oil olive an hin:\nAnd thou shalt make it an oil of holy ointment, an ointment compound after the art of the apothecary: it shall be an holy anointing oil.\nAnd thou shalt anoint the tabernacle of the congregation therewith, and the ark of the testimony,\nAnd the table and all his vessels, and the candlestick and his vessels, and the altar of incense,\nAnd the altar of burnt offering with all his vessels, and the laver and his foot.\nAnd thou shalt sanctify them, that they may be most holy: whatsoever toucheth them shall be holy.\nAnd thou shalt anoint Aaron and his sons, and consecrate them, that they may minister unto me in the priest's office.\nAnd thou shalt speak unto the children of Israel, saying, This shall be an holy anointing oil unto me throughout your generations.\nUpon man's flesh shall it not be poured, neither shall ye make any other like it, after the composition of it: it is holy, and it shall be holy unto you.\nWhosoever compoundeth any like it, or whosoever putteth any of it upon a stranger, shall even be cut off from his people.\nAnd the Lord said unto Moses, Take unto thee sweet spices, stacte, and onycha, and galbanum; these sweet spices with pure frankincense: of each shall there be a like weight:\nAnd thou shalt make it a perfume, a confection after the art of the apothecary, tempered together, pure and holy:\nAnd thou shalt beat some of it very small, and put of it before the testimony in the tabernacle of the congregation, where I will meet with thee: it shall be unto you most holy.\nAnd as for the perfume which thou shalt make, ye shall not make to yourselves according to the composition thereof: it shall be unto thee holy for the Lord.\nWhosoever shall make like unto that, to smell thereto, shall even be cut off from his people.\nAnd the Lord spake unto Moses, saying,\nSee, I have called by name Bezaleel the son of Uri, the son of Hur, of the tribe of Judah:\nAnd I have filled him with the spirit of God, in wisdom, and in understanding, and in knowledge, and in all manner of workmanship,\nTo devise cunning works, to work in gold, and in silver, and in brass,\nAnd in cutting of stones, to set them, and in carving of timber, to work in all manner of workmanship.\nAnd I, behold, I have given with him Aholiab, the son of Ahisamach, of the tribe of Dan: and in the hearts of all that are wise hearted I have put wisdom, that they may make all that I have commanded thee;\nThe tabernacle of the congregation, and the ark of the testimony, and the mercy seat that is thereupon, and all the furniture of the tabernacle,\nAnd the table and his furniture, and the pure candlestick with all his furniture, and the altar of incense,\nAnd the altar of burnt offering with all his furniture, and the laver and his foot,\nAnd the cloths of service, and the holy garments for Aaron the priest, and the garments of his sons, to minister in the priest's office,\nAnd the anointing oil, and sweet incense for the holy place: according to all that I have commanded thee shall they do.\nAnd the Lord spake unto Moses, saying,\nSpeak thou also unto the children of Israel, saying, Verily my sabbaths ye shall keep: for it is a sign between me and you throughout your generations; that ye may know that I am the Lord that doth sanctify you.\nYe shall keep the sabbath therefore; for it is holy unto you: every one that defileth it shall surely be put to death: for whosoever doeth any work therein, that soul shall be cut off from among his people.\nSix days may work be done; but in the seventh is the sabbath of rest, holy to the Lord: whosoever doeth any work in the sabbath day, he shall surely be put to death.\nWherefore the children of Israel shall keep the sabbath, to observe the sabbath throughout their generations, for a perpetual covenant.\nIt is a sign between me and the children of Israel for ever: for in six days the Lord made heaven and earth, and on the seventh day he rested, and was refreshed.\nAnd he gave unto Moses, when he had made an end of communing with him upon mount Sinai, two tables of testimony, tables of stone, written with the finger of God.\nAnd when the people saw that Moses delayed to come down out of the mount, the people gathered themselves together unto Aaron, and said unto him, Up, make us gods, which shall go before us; for as for this Moses, the man that brought us up out of the land of Egypt, we wot not what is become of him.\nAnd Aaron said unto them, Break off the golden earrings, which are in the ears of your wives, of your sons, and of your daughters, and bring them unto me.\nAnd all the people brake off the golden earrings which were in their ears, and brought them unto Aaron.\nAnd he received them at their hand, and fashioned it with a graving tool, after he had made it a molten calf: and they said, These be thy gods, O Israel, which brought thee up out of the land of Egypt.\nAnd when Aaron saw it, he built an altar before it; and Aaron made proclamation, and said, To morrow is a feast to the Lord.\nAnd they rose up early on the morrow, and offered burnt offerings, and brought peace offerings; and the people sat down to eat and to drink, and rose up to play.\nAnd the Lord said unto Moses, Go, get thee down; for thy people, which thou broughtest out of the land of Egypt, have corrupted themselves:\nThey have turned aside quickly out of the way which I commanded them: they have made them a molten calf, and have worshipped it, and have sacrificed thereunto, and said, These be thy gods, O Israel, which have brought thee up out of the land of Egypt.\nAnd the Lord said unto Moses, I have seen this people, and, behold, it is a stiffnecked people:\nNow therefore let me alone, that my wrath may wax hot against them, and that I may consume them: and I will make of thee a great nation.\nAnd Moses besought the Lord his God, and said, Lord, why doth thy wrath wax hot against thy people, which thou hast brought forth out of the land of Egypt with great power, and with a mighty hand?\nWherefore should the Egyptians speak, and say, For mischief did he bring them out, to slay them in the mountains, and to consume them from the face of the earth? Turn from thy fierce wrath, and repent of this evil against thy people.\nRemember Abraham, Isaac, and Israel, thy servants, to whom thou swarest by thine own self, and saidst unto them, I will multiply your seed as the stars of heaven, and all this land that I have spoken of will I give unto your seed, and they shall inherit it for ever.\nAnd the Lord repented of the evil which he thought to do unto his people.\nAnd Moses turned, and went down from the mount, and the two tables of the testimony were in his hand: the tables were written on both their sides; on the one side and on the other were they written.\nAnd the tables were the work of God, and the writing was the writing of God, graven upon the tables.\nAnd when Joshua heard the noise of the people as they shouted, he said unto Moses, There is a noise of war in the camp.\nAnd he said, It is not the voice of them that shout for mastery, neither is it the voice of them that cry for being overcome: but the noise of them that sing do I hear.\nAnd it came to pass, as soon as he came nigh unto the camp, that he saw the calf, and the dancing: and Moses' anger waxed hot, and he cast the tables out of his hands, and brake them beneath the mount.\nAnd he took the calf which they had made, and burnt it in the fire, and ground it to powder, and strawed it upon the water, and made the children of Israel drink of it.\nAnd Moses said unto Aaron, What did this people unto thee, that thou hast brought so great a sin upon them?\nAnd Aaron said, Let not the anger of my lord wax hot: thou knowest the people, that they are set on mischief.\nFor they said unto me, Make us gods, which shall go before us: for as for this Moses, the man that brought us up out of the land of Egypt, we wot not what is become of him.\nAnd I said unto them, Whosoever hath any gold, let them break it off. So they gave it me: then I cast it into the fire, and there came out this calf.\nAnd when Moses saw that the people were naked; (for Aaron had made them naked unto their shame among their enemies:)\nThen Moses stood in the gate of the camp, and said, Who is on the Lord's side? let him come unto me. And all the sons of Levi gathered themselves together unto him.\nAnd he said unto them, Thus saith the Lord God of Israel, Put every man his sword by his side, and go in and out from gate to gate throughout the camp, and slay every man his brother, and every man his companion, and every man his neighbour.\nAnd the children of Levi did according to the word of Moses: and there fell of the people that day about three thousand men.\nFor Moses had said, Consecrate yourselves today to the Lord, even every man upon his son, and upon his brother; that he may bestow upon you a blessing this day.\nAnd it came to pass on the morrow, that Moses said unto the people, Ye have sinned a great sin: and now I will go up unto the Lord; peradventure I shall make an atonement for your sin.\nAnd Moses returned unto the Lord, and said, Oh, this people have sinned a great sin, and have made them gods of gold.\nYet now, if thou wilt forgive their sin--; and if not, blot me, I pray thee, out of thy book which thou hast written.\nAnd the Lord said unto Moses, Whosoever hath sinned against me, him will I blot out of my book.\nTherefore now go, lead the people unto the place of which I have spoken unto thee: behold, mine Angel shall go before thee: nevertheless in the day when I visit I will visit their sin upon them.\nAnd the Lord plagued the people, because they made the calf, which Aaron made.\nAnd the Lord said unto Moses, Depart, and go up hence, thou and the people which thou hast brought up out of the land of Egypt, unto the land which I sware unto Abraham, to Isaac, and to Jacob, saying, Unto thy seed will I give it:\nAnd I will send an angel before thee; and I will drive out the Canaanite, the Amorite, and the Hittite, and the Perizzite, the Hivite, and the Jebusite:\nUnto a land flowing with milk and honey: for I will not go up in the midst of thee; for thou art a stiffnecked people: lest I consume thee in the way.\nAnd when the people heard these evil tidings, they mourned: and no man did put on him his ornaments.\nFor the Lord had said unto Moses, Say unto the children of Israel, Ye are a stiffnecked people: I will come up into the midst of thee in a moment, and consume thee: therefore now put off thy ornaments from thee, that I may know what to do unto thee.\nAnd the children of Israel stripped themselves of their ornaments by the mount Horeb.\nAnd Moses took the tabernacle, and pitched it without the camp, afar off from the camp, and called it the Tabernacle of the congregation. And it came to pass, that every one which sought the Lord went out unto the tabernacle of the congregation, which was without the camp.\nAnd it came to pass, when Moses went out unto the tabernacle, that all the people rose up, and stood every man at his tent door, and looked after Moses, until he was gone into the tabernacle.\nAnd it came to pass, as Moses entered into the tabernacle, the cloudy pillar descended, and stood at the door of the tabernacle, and the Lord talked with Moses.\nAnd all the people saw the cloudy pillar stand at the tabernacle door: and all the people rose up and worshipped, every man in his tent door.\nAnd the Lord spake unto Moses face to face, as a man speaketh unto his friend. And he turned again into the camp: but his servant Joshua, the son of Nun, a young man, departed not out of the tabernacle.\nAnd Moses said unto the Lord, See, thou sayest unto me, Bring up this people: and thou hast not let me know whom thou wilt send with me. Yet thou hast said, I know thee by name, and thou hast also found grace in my sight.\nNow therefore, I pray thee, if I have found grace in thy sight, shew me now thy way, that I may know thee, that I may find grace in thy sight: and consider that this nation is thy people.\nAnd he said, My presence shall go with thee, and I will give thee rest.\nAnd he said unto him, If thy presence go not with me, carry us not up hence.\nFor wherein shall it be known here that I and thy people have found grace in thy sight? is it not in that thou goest with us? so shall we be separated, I and thy people, from all the people that are upon the face of the earth.\nAnd the Lord said unto Moses, I will do this thing also that thou hast spoken: for thou hast found grace in my sight, and I know thee by name.\nAnd he said, I beseech thee, shew me thy glory.\nAnd he said, I will make all my goodness pass before thee, and I will proclaim the name of the Lord before thee; and will be gracious to whom I will be gracious, and will shew mercy on whom I will shew mercy.\nAnd he said, Thou canst not see my face: for there shall no man see me, and live.\nAnd the Lord said, Behold, there is a place by me, and thou shalt stand upon a rock:\nAnd it shall come to pass, while my glory passeth by, that I will put thee in a clift of the rock, and will cover thee with my hand while I pass by:\nAnd I will take away mine hand, and thou shalt see my back parts: but my face shall not be seen.\nAnd the Lord said unto Moses, Hew thee two tables of stone like unto the first: and I will write upon these tables the words that were in the first tables, which thou brakest.\nAnd be ready in the morning, and come up in the morning unto mount Sinai, and present thyself there to me in the top of the mount.\nAnd no man shall come up with thee, neither let any man be seen throughout all the mount; neither let the flocks nor herds feed before that mount.\nAnd he hewed two tables of stone like unto the first; and Moses rose up early in the morning, and went up unto mount Sinai, as the Lord had commanded him, and took in his hand the two tables of stone.\nAnd the Lord descended in the cloud, and stood with him there, and proclaimed the name of the Lord.\nAnd the Lord passed by before him, and proclaimed, The Lord, The Lord God, merciful and gracious, longsuffering, and abundant in goodness and truth,\nKeeping mercy for thousands, forgiving iniquity and transgression and sin, and that will by no means clear the guilty; visiting the iniquity of the fathers upon the children, and upon the children's children, unto the third and to the fourth generation.\nAnd Moses made haste, and bowed his head toward the earth, and worshipped.\nAnd he said, If now I have found grace in thy sight, O Lord, let my Lord, I pray thee, go among us; for it is a stiffnecked people; and pardon our iniquity and our sin, and take us for thine inheritance.\nAnd he said, Behold, I make a covenant: before all thy people I will do marvels, such as have not been done in all the earth, nor in any nation: and all the people among which thou art shall see the work of the Lord: for it is a terrible thing that I will do with thee.\nObserve thou that which I command thee this day: behold, I drive out before thee the Amorite, and the Canaanite, and the Hittite, and the Perizzite, and the Hivite, and the Jebusite.\nTake heed to thyself, lest thou make a covenant with the inhabitants of the land whither thou goest, lest it be for a snare in the midst of thee:\nBut ye shall destroy their altars, break their images, and cut down their groves:\nFor thou shalt worship no other god: for the Lord, whose name is Jealous, is a jealous God:\nLest thou make a covenant with the inhabitants of the land, and they go a whoring after their gods, and do sacrifice unto their gods, and one call thee, and thou eat of his sacrifice;\nAnd thou take of their daughters unto thy sons, and their daughters go a whoring after their gods, and make thy sons go a whoring after their gods.\nThou shalt make thee no molten gods.\nThe feast of unleavened bread shalt thou keep. Seven days thou shalt eat unleavened bread, as I commanded thee, in the time of the month Abib: for in the month Abib thou camest out from Egypt.\nAll that openeth the matrix is mine; and every firstling among thy cattle, whether ox or sheep, that is male.\nBut the firstling of an ass thou shalt redeem with a lamb: and if thou redeem him not, then shalt thou break his neck. All the firstborn of thy sons thou shalt redeem. And none shall appear before me empty.\nSix days thou shalt work, but on the seventh day thou shalt rest: in earing time and in harvest thou shalt rest.\nAnd thou shalt observe the feast of weeks, of the firstfruits of wheat harvest, and the feast of ingathering at the year's end.\nThrice in the year shall all your menchildren appear before the LordGod, the God of Israel.\nFor I will cast out the nations before thee, and enlarge thy borders: neither shall any man desire thy land, when thou shalt go up to appear before the Lord thy God thrice in the year.\nThou shalt not offer the blood of my sacrifice with leaven; neither shall the sacrifice of the feast of the passover be left unto the morning.\nThe first of the firstfruits of thy land thou shalt bring unto the house of the Lord thy God. Thou shalt not seethe a kid in his mother's milk.\nAnd the Lord said unto Moses, Write thou these words: for after the tenor of these words I have made a covenant with thee and with Israel.\nAnd he was there with the Lord forty days and forty nights; he did neither eat bread, nor drink water. And he wrote upon the tables the words of the covenant, the ten commandments.\nAnd it came to pass, when Moses came down from mount Sinai with the two tables of testimony in Moses' hand, when he came down from the mount, that Moses wist not that the skin of his face shone while he talked with him.\nAnd when Aaron and all the children of Israel saw Moses, behold, the skin of his face shone; and they were afraid to come nigh him.\nAnd Moses called unto them; and Aaron and all the rulers of the congregation returned unto him: and Moses talked with them.\nAnd afterward all the children of Israel came nigh: and he gave them in commandment all that the Lord had spoken with him in mount Sinai.\nAnd till Moses had done speaking with them, he put a vail on his face.\nBut when Moses went in before the Lord to speak with him, he took the vail off, until he came out. And he came out, and spake unto the children of Israel that which he was commanded.\nAnd the children of Israel saw the face of Moses, that the skin of Moses' face shone: and Moses put the vail upon his face again, until he went in to speak with him.\nAnd Moses gathered all the congregation of the children of Israel together, and said unto them, These are the words which the Lord hath commanded, that ye should do them.\nSix days shall work be done, but on the seventh day there shall be to you an holy day, a sabbath of rest to the Lord: whosoever doeth work therein shall be put to death.\nYe shall kindle no fire throughout your habitations upon the sabbath day.\nAnd Moses spake unto all the congregation of the children of Israel, saying, This is the thing which the Lord commanded, saying,\nTake ye from among you an offering unto the Lord: whosoever is of a willing heart, let him bring it, an offering of the Lord; gold, and silver, and brass,\nAnd blue, and purple, and scarlet, and fine linen, and goats' hair,\nAnd rams' skins dyed red, and badgers' skins, and shittim wood,\nAnd oil for the light, and spices for anointing oil, and for the sweet incense,\nAnd onyx stones, and stones to be set for the ephod, and for the breastplate.\nAnd every wise hearted among you shall come, and make all that the Lord hath commanded;\nThe tabernacle, his tent, and his covering, his taches, and his boards, his bars, his pillars, and his sockets,\nThe ark, and the staves thereof, with the mercy seat, and the vail of the covering,\nThe table, and his staves, and all his vessels, and the shewbread,\nThe candlestick also for the light, and his furniture, and his lamps, with the oil for the light,\nAnd the incense altar, and his staves, and the anointing oil, and the sweet incense, and the hanging for the door at the entering in of the tabernacle,\nThe altar of burnt offering, with his brasen grate, his staves, and all his vessels, the laver and his foot,\nThe hangings of the court, his pillars, and their sockets, and the hanging for the door of the court,\nThe pins of the tabernacle, and the pins of the court, and their cords,\nThe cloths of service, to do service in the holy place, the holy garments for Aaron the priest, and the garments of his sons, to minister in the priest's office.\nAnd all the congregation of the children of Israel departed from the presence of Moses.\nAnd they came, every one whose heart stirred him up, and every one whom his spirit made willing, and they brought the Lord's offering to the work of the tabernacle of the congregation, and for all his service, and for the holy garments.\nAnd they came, both men and women, as many as were willing hearted, and brought bracelets, and earrings, and rings, and tablets, all jewels of gold: and every man that offered offered an offering of gold unto the Lord.\nAnd every man, with whom was found blue, and purple, and scarlet, and fine linen, and goats' hair, and red skins of rams, and badgers' skins, brought them.\nEvery one that did offer an offering of silver and brass brought the Lord's offering: and every man, with whom was found shittim wood for any work of the service, brought it.\nAnd all the women that were wise hearted did spin with their hands, and brought that which they had spun, both of blue, and of purple, and of scarlet, and of fine linen.\nAnd all the women whose heart stirred them up in wisdom spun goats' hair.\nAnd the rulers brought onyx stones, and stones to be set, for the ephod, and for the breastplate;\nAnd spice, and oil for the light, and for the anointing oil, and for the sweet incense.\nThe children of Israel brought a willing offering unto the Lord, every man and woman, whose heart made them willing to bring for all manner of work, which the Lord had commanded to be made by the hand of Moses.\nAnd Moses said unto the children of Israel, See, the Lord hath called by name Bezaleel the son of Uri, the son of Hur, of the tribe of Judah;\nAnd he hath filled him with the spirit of God, in wisdom, in understanding, and in knowledge, and in all manner of workmanship;\nAnd to devise curious works, to work in gold, and in silver, and in brass,\nAnd in the cutting of stones, to set them, and in carving of wood, to make any manner of cunning work.\nAnd he hath put in his heart that he may teach, both he, and Aholiab, the son of Ahisamach, of the tribe of Dan.\nThem hath he filled with wisdom of heart, to work all manner of work, of the engraver, and of the cunning workman, and of the embroiderer, in blue, and in purple, in scarlet, and in fine linen, and of the weaver, even of them that do any work, and of those that devise cunning work.\nThen wrought Bezaleel and Aholiab, and every wise hearted man, in whom the Lord put wisdom and understanding to know how to work all manner of work for the service of the sanctuary, according to all that the Lord had commanded.\nAnd Moses called Bezaleel and Aholiab, and every wise hearted man, in whose heart the Lord had put wisdom, even every one whose heart stirred him up to come unto the work to do it:\nAnd they received of Moses all the offering, which the children of Israel had brought for the work of the service of the sanctuary, to make it withal. And they brought yet unto him free offerings every morning.\nAnd all the wise men, that wrought all the work of the sanctuary, came every man from his work which they made;\nAnd they spake unto Moses, saying, The people bring much more than enough for the service of the work, which the Lord commanded to make.\nAnd Moses gave commandment, and they caused it to be proclaimed throughout the camp, saying, Let neither man nor woman make any more work for the offering of the sanctuary. So the people were restrained from bringing.\nFor the stuff they had was sufficient for all the work to make it, and too much.\nAnd every wise hearted man among them that wrought the work of the tabernacle made ten curtains of fine twined linen, and blue, and purple, and scarlet: with cherubims of cunning work made he them.\nThe length of one curtain was twenty and eight cubits, and the breadth of one curtain four cubits: the curtains were all of one size.\nAnd he coupled the five curtains one unto another: and the other five curtains he coupled one unto another.\nAnd he made loops of blue on the edge of one curtain from the selvedge in the coupling: likewise he made in the uttermost side of another curtain, in the coupling of the second.\nFifty loops made he in one curtain, and fifty loops made he in the edge of the curtain which was in the coupling of the second: the loops held one curtain to another.\nAnd he made fifty taches of gold, and coupled the curtains one unto another with the taches: so it became one tabernacle.\nAnd he made curtains of goats' hair for the tent over the tabernacle: eleven curtains he made them.\nThe length of one curtain was thirty cubits, and four cubits was the breadth of one curtain: the eleven curtains were of one size.\nAnd he coupled five curtains by themselves, and six curtains by themselves.\nAnd he made fifty loops upon the uttermost edge of the curtain in the coupling, and fifty loops made he upon the edge of the curtain which coupleth the second.\nAnd he made fifty taches of brass to couple the tent together, that it might be one.\nAnd he made a covering for the tent of rams' skins dyed red, and a covering of badgers' skins above that.\nAnd he made boards for the tabernacle of shittim wood, standing up.\nThe length of a board was ten cubits, and the breadth of a board one cubit and a half.\nOne board had two tenons, equally distant one from another: thus did he make for all the boards of the tabernacle.\nAnd he made boards for the tabernacle; twenty boards for the south side southward:\nAnd forty sockets of silver he made under the twenty boards; two sockets under one board for his two tenons, and two sockets under another board for his two tenons.\nAnd for the other side of the tabernacle, which is toward the north corner, he made twenty boards,\nAnd their forty sockets of silver; two sockets under one board, and two sockets under another board.\nAnd for the sides of the tabernacle westward he made six boards.\nAnd two boards made he for the corners of the tabernacle in the two sides.\nAnd they were coupled beneath, and coupled together at the head thereof, to one ring: thus he did to both of them in both the corners.\nAnd there were eight boards; and their sockets were sixteen sockets of silver, under every board two sockets.\nAnd he made bars of shittim wood; five for the boards of the one side of the tabernacle,\nAnd five bars for the boards of the other side of the tabernacle, and five bars for the boards of the tabernacle for the sides westward.\nAnd he made the middle bar to shoot through the boards from the one end to the other.\nAnd he overlaid the boards with gold, and made their rings of gold to be places for the bars, and overlaid the bars with gold.\nAnd he made a vail of blue, and purple, and scarlet, and fine twined linen: with cherubims made he it of cunning work.\nAnd he made thereunto four pillars of shittim wood, and overlaid them with gold: their hooks were of gold; and he cast for them four sockets of silver.\nAnd he made an hanging for the tabernacle door of blue, and purple, and scarlet, and fine twined linen, of needlework;\nAnd the five pillars of it with their hooks: and he overlaid their chapiters and their fillets with gold: but their five sockets were of brass.\nAnd Bezaleel made the ark of shittim wood: two cubits and a half was the length of it, and a cubit and a half the breadth of it, and a cubit and a half the height of it:\nAnd he overlaid it with pure gold within and without, and made a crown of gold to it round about.\nAnd he cast for it four rings of gold, to be set by the four corners of it; even two rings upon the one side of it, and two rings upon the other side of it.\nAnd he made staves of shittim wood, and overlaid them with gold.\nAnd he put the staves into the rings by the sides of the ark, to bear the ark.\nAnd he made the mercy seat of pure gold: two cubits and a half was the length thereof, and one cubit and a half the breadth thereof.\nAnd he made two cherubims of gold, beaten out of one piece made he them, on the two ends of the mercy seat;\nOne cherub on the end on this side, and another cherub on the other end on that side: out of the mercy seat made he the cherubims on the two ends thereof.\nAnd the cherubims spread out their wings on high, and covered with their wings over the mercy seat, with their faces one to another; even to the mercy seatward were the faces of the cherubims.\nAnd he made the table of shittim wood: two cubits was the length thereof, and a cubit the breadth thereof, and a cubit and a half the height thereof:\nAnd he overlaid it with pure gold, and made thereunto a crown of gold round about.\nAlso he made thereunto a border of an handbreadth round about; and made a crown of gold for the border thereof round about.\nAnd he cast for it four rings of gold, and put the rings upon the four corners that were in the four feet thereof.\nOver against the border were the rings, the places for the staves to bear the table.\nAnd he made the staves of shittim wood, and overlaid them with gold, to bear the table.\nAnd he made the vessels which were upon the table, his dishes, and his spoons, and his bowls, and his covers to cover withal, of pure gold.\nAnd he made the candlestick of pure gold: of beaten work made he the candlestick; his shaft, and his branch, his bowls, his knops, and his flowers, were of the same:\nAnd six branches going out of the sides thereof; three branches of the candlestick out of the one side thereof, and three branches of the candlestick out of the other side thereof:\nThree bowls made after the fashion of almonds in one branch, a knop and a flower; and three bowls made like almonds in another branch, a knop and a flower: so throughout the six branches going out of the candlestick.\nAnd in the candlestick were four bowls made like almonds, his knops, and his flowers:\nAnd a knop under two branches of the same, and a knop under two branches of the same, and a knop under two branches of the same, according to the six branches going out of it.\nTheir knops and their branches were of the same: all of it was one beaten work of pure gold.\nAnd he made his seven lamps, and his snuffers, and his snuffdishes, of pure gold.\nOf a talent of pure gold made he it, and all the vessels thereof.\nAnd he made the incense altar of shittim wood: the length of it was a cubit, and the breadth of it a cubit; it was foursquare; and two cubits was the height of it; the horns thereof were of the same.\nAnd he overlaid it with pure gold, both the top of it, and the sides thereof round about, and the horns of it: also he made unto it a crown of gold round about.\nAnd he made two rings of gold for it under the crown thereof, by the two corners of it, upon the two sides thereof, to be places for the staves to bear it withal.\nAnd he made the staves of shittim wood, and overlaid them with gold.\nAnd he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the breadth thereof; it was foursquare; and three cubits the height thereof.\nAnd he made the horns thereof on the four corners of it; the horns thereof were of the same: and he overlaid it with brass.\nAnd he made all the vessels of the altar, the pots, and the shovels, and the basons, and the fleshhooks, and the firepans: all the vessels thereof made he of brass.\nAnd he made for the altar a brasen grate of network under the compass thereof beneath unto the midst of it.\nAnd he cast four rings for the four ends of the grate of brass, to be places for the staves.\nAnd he made the staves of shittim wood, and overlaid them with brass.\nAnd he put the staves into the rings on the sides of the altar, to bear it withal; he made the altar hollow with boards.\nAnd he made the laver of brass, and the foot of it of brass, of the lookingglasses of the women assembling, which assembled at the door of the tabernacle of the congregation.\nAnd he made the court: on the south side southward the hangings of the court were of fine twined linen, an hundred cubits:\nTheir pillars were twenty, and their brasen sockets twenty; the hooks of the pillars and their fillets were of silver.\nAnd for the north side the hangings were an hundred cubits, their pillars were twenty, and their sockets of brass twenty; the hooks of the pillars and their fillets of silver.\nAnd for the west side were hangings of fifty cubits, their pillars ten, and their sockets ten; the hooks of the pillars and their fillets of silver.\nAnd for the east side eastward fifty cubits.\nThe hangings of the one side of the gate were fifteen cubits; their pillars three, and their sockets three.\nAnd for the other side of the court gate, on this hand and that hand, were hangings of fifteen cubits; their pillars three, and their sockets three.\nAll the hangings of the court round about were of fine twined linen.\nAnd the sockets for the pillars were of brass; the hooks of the pillars and their fillets of silver; and the overlaying of their chapiters of silver; and all the pillars of the court were filleted with silver.\nAnd the hanging for the gate of the court was needlework, of blue, and purple, and scarlet, and fine twined linen: and twenty cubits was the length, and the height in the breadth was five cubits, answerable to the hangings of the court.\nAnd their pillars were four, and their sockets of brass four; their hooks of silver, and the overlaying of their chapiters and their fillets of silver.\nAnd all the pins of the tabernacle, and of the court round about, were of brass.\nThis is the sum of the tabernacle, even of the tabernacle of testimony, as it was counted, according to the commandment of Moses, for the service of the Levites, by the hand of Ithamar, son to Aaron the priest.\nAnd Bezaleel the son Uri, the son of Hur, of the tribe of Judah, made all that the Lord commanded Moses.\nAnd with him was Aholiab, son of Ahisamach, of the tribe of Dan, an engraver, and a cunning workman, and an embroiderer in blue, and in purple, and in scarlet, and fine linen.\nAll the gold that was occupied for the work in all the work of the holy place, even the gold of the offering, was twenty and nine talents, and seven hundred and thirty shekels, after the shekel of the sanctuary.\nAnd the silver of them that were numbered of the congregation was an hundred talents, and a thousand seven hundred and threescore and fifteen shekels, after the shekel of the sanctuary:\nA bekah for every man, that is, half a shekel, after the shekel of the sanctuary, for every one that went to be numbered, from twenty years old and upward, for six hundred thousand and three thousand and five hundred and fifty men.\nAnd of the hundred talents of silver were cast the sockets of the sanctuary, and the sockets of the vail; an hundred sockets of the hundred talents, a talent for a socket.\nAnd of the thousand seven hundred seventy and five shekels he made hooks for the pillars, and overlaid their chapiters, and filleted them.\nAnd the brass of the offering was seventy talents, and two thousand and four hundred shekels.\nAnd therewith he made the sockets to the door of the tabernacle of the congregation, and the brasen altar, and the brasen grate for it, and all the vessels of the altar,\nAnd the sockets of the court round about, and the sockets of the court gate, and all the pins of the tabernacle, and all the pins of the court round about.\nAnd of the blue, and purple, and scarlet, they made cloths of service, to do service in the holy place, and made the holy garments for Aaron; as the Lord commanded Moses.\nAnd he made the ephod of gold, blue, and purple, and scarlet, and fine twined linen.\nAnd they did beat the gold into thin plates, and cut it into wires, to work it in the blue, and in the purple, and in the scarlet, and in the fine linen, with cunning work.\nThey made shoulder pieces for it, to couple it together: by the two edges was it coupled together.\nAnd the curious girdle of his ephod, that was upon it, was of the same, according to the work thereof; of gold, blue, and purple, and scarlet, and fine twined linen; as the Lord commanded Moses.\nAnd they wrought onyx stones inclosed in ouches of gold, graven, as signets are graven, with the names of the children of Israel.\nAnd he put them on the shoulders of the ephod, that they should be stones for a memorial to the children of Israel; as the Lord commanded Moses.\nAnd he made the breastplate of cunning work, like the work of the ephod; of gold, blue, and purple, and scarlet, and fine twined linen.\nIt was foursquare; they made the breastplate double: a span was the length thereof, and a span the breadth thereof, being doubled.\nAnd they set in it four rows of stones: the first row was a sardius, a topaz, and a carbuncle: this was the first row.\nAnd the second row, an emerald, a sapphire, and a diamond.\nAnd the third row, a ligure, an agate, and an amethyst.\nAnd the fourth row, a beryl, an onyx, and a jasper: they were inclosed in ouches of gold in their inclosings.\nAnd the stones were according to the names of the children of Israel, twelve, according to their names, like the engravings of a signet, every one with his name, according to the twelve tribes.\nAnd they made upon the breastplate chains at the ends, of wreathen work of pure gold.\nAnd they made two ouches of gold, and two gold rings; and put the two rings in the two ends of the breastplate.\nAnd they put the two wreathen chains of gold in the two rings on the ends of the breastplate.\nAnd the two ends of the two wreathen chains they fastened in the two ouches, and put them on the shoulderpieces of the ephod, before it.\nAnd they made two rings of gold, and put them on the two ends of the breastplate, upon the border of it, which was on the side of the ephod inward.\nAnd they made two other golden rings, and put them on the two sides of the ephod underneath, toward the forepart of it, over against the other coupling thereof, above the curious girdle of the ephod.\nAnd they did bind the breastplate by his rings unto the rings of the ephod with a lace of blue, that it might be above the curious girdle of the ephod, and that the breastplate might not be loosed from the ephod; as the Lord commanded Moses.\nAnd he made the robe of the ephod of woven work, all of blue.\nAnd there was an hole in the midst of the robe, as the hole of an habergeon, with a band round about the hole, that it should not rend.\nAnd they made upon the hems of the robe pomegranates of blue, and purple, and scarlet, and twined linen.\nAnd they made bells of pure gold, and put the bells between the pomegranates upon the hem of the robe, round about between the pomegranates;\nA bell and a pomegranate, a bell and a pomegranate, round about the hem of the robe to minister in; as the Lord commanded Moses.\nAnd they made coats of fine linen of woven work for Aaron, and for his sons,\nAnd a mitre of fine linen, and goodly bonnets of fine linen, and linen breeches of fine twined linen,\nAnd a girdle of fine twined linen, and blue, and purple, and scarlet, of needlework; as the Lord commanded Moses.\nAnd they made the plate of the holy crown of pure gold, and wrote upon it a writing, like to the engravings of a signet, Holiness To The Lord.\nAnd they tied unto it a lace of blue, to fasten it on high upon the mitre; as the Lord commanded Moses.\nThus was all the work of the tabernacle of the tent of the congregation finished: and the children of Israel did according to all that the Lord commanded Moses, so did they.\nAnd they brought the tabernacle unto Moses, the tent, and all his furniture, his taches, his boards, his bars, and his pillars, and his sockets,\nAnd the covering of rams' skins dyed red, and the covering of badgers' skins, and the vail of the covering,\nThe ark of the testimony, and the staves thereof, and the mercy seat,\nThe table, and all the vessels thereof, and the shewbread,\nThe pure candlestick, with the lamps thereof, even with the lamps to be set in order, and all the vessels thereof, and the oil for light,\nAnd the golden altar, and the anointing oil, and the sweet incense, and the hanging for the tabernacle door,\nThe brasen altar, and his grate of brass, his staves, and all his vessels, the laver and his foot,\nThe hangings of the court, his pillars, and his sockets, and the hanging for the court gate, his cords, and his pins, and all the vessels of the service of the tabernacle, for the tent of the congregation,\nThe cloths of service to do service in the holy place, and the holy garments for Aaron the priest, and his sons' garments, to minister in the priest's office.\nAccording to all that the Lord commanded Moses, so the children of Israel made all the work.\nAnd Moses did look upon all the work, and, behold, they had done it as the Lord had commanded, even so had they done it: and Moses blessed them.\nAnd the Lord spake unto Moses, saying,\nOn the first day of the first month shalt thou set up the tabernacle of the tent of the congregation.\nAnd thou shalt put therein the ark of the testimony, and cover the ark with the vail.\nAnd thou shalt bring in the table, and set in order the things that are to be set in order upon it; and thou shalt bring in the candlestick, and light the lamps thereof.\nAnd thou shalt set the altar of gold for the incense before the ark of the testimony, and put the hanging of the door to the tabernacle.\nAnd thou shalt set the altar of the burnt offering before the door of the tabernacle of the tent of the congregation.\nAnd thou shalt set the laver between the tent of the congregation and the altar, and shalt put water therein.\nAnd thou shalt set up the court round about, and hang up the hanging at the court gate.\nAnd thou shalt take the anointing oil, and anoint the tabernacle, and all that is therein, and shalt hallow it, and all the vessels thereof: and it shall be holy.\nAnd thou shalt anoint the altar of the burnt offering, and all his vessels, and sanctify the altar: and it shall be an altar most holy.\nAnd thou shalt anoint the laver and his foot, and sanctify it.\nAnd thou shalt bring Aaron and his sons unto the door of the tabernacle of the congregation, and wash them with water.\nAnd thou shalt put upon Aaron the holy garments, and anoint him, and sanctify him; that he may minister unto me in the priest's office.\nAnd thou shalt bring his sons, and clothe them with coats:\nAnd thou shalt anoint them, as thou didst anoint their father, that they may minister unto me in the priest's office: for their anointing shall surely be an everlasting priesthood throughout their generations.\nThus did Moses: according to all that the Lord commanded him, so did he.\nAnd it came to pass in the first month in the second year, on the first day of the month, that the tabernacle was reared up.\nAnd Moses reared up the tabernacle, and fastened his sockets, and set up the boards thereof, and put in the bars thereof, and reared up his pillars.\nAnd he spread abroad the tent over the tabernacle, and put the covering of the tent above upon it; as the Lord commanded Moses.\nAnd he took and put the testimony into the ark, and set the staves on the ark, and put the mercy seat above upon the ark:\nAnd he brought the ark into the tabernacle, and set up the vail of the covering, and covered the ark of the testimony; as the Lord commanded Moses.\nAnd he put the table in the tent of the congregation, upon the side of the tabernacle northward, without the vail.\nAnd he set the bread in order upon it before the Lord; as the Lord had commanded Moses.\nAnd he put the candlestick in the tent of the congregation, over against the table, on the side of the tabernacle southward.\nAnd he lighted the lamps before the Lord; as the Lord commanded Moses.\nAnd he put the golden altar in the tent of the congregation before the vail:\nAnd he burnt sweet incense thereon; as the Lord commanded Moses.\nAnd he set up the hanging at the door of the tabernacle.\nAnd he put the altar of burnt offering by the door of the tabernacle of the tent of the congregation, and offered upon it the burnt offering and the meat offering; as the Lord commanded Moses.\nAnd he set the laver between the tent of the congregation and the altar, and put water there, to wash withal.\nAnd Moses and Aaron and his sons washed their hands and their feet thereat:\nWhen they went into the tent of the congregation, and when they came near unto the altar, they washed; as the Lord commanded Moses.\nAnd he reared up the court round about the tabernacle and the altar, and set up the hanging of the court gate. So Moses finished the work.\nThen a cloud covered the tent of the congregation, and the glory of the Lord filled the tabernacle.\nAnd Moses was not able to enter into the tent of the congregation, because the cloud abode thereon, and the glory of the Lord filled the tabernacle.\nAnd when the cloud was taken up from over the tabernacle, the children of Israel went onward in all their journeys:\nBut if the cloud were not taken up, then they journeyed not till the day that it was taken up.\nFor the cloud of the Lord was upon the tabernacle by day, and fire was on it by night, in the sight of all the house of Israel, throughout all their journeys.\nPsalms\nBlessed is the man that walketh not in the counsel of the ungodly, nor standeth in the way of sinners, nor sitteth in the seat of the scornful.\nBut his delight is in the law of the Lord; and in his law doth he meditate day and night.\nAnd he shall be like a tree planted by the rivers of water, that bringeth forth his fruit in his season; his leaf also shall not wither; and whatsoever he doeth shall prosper.\nThe ungodly are not so: but are like the chaff which the wind driveth away.\nTherefore the ungodly shall not stand in the judgment, nor sinners in the congregation of the righteous.\nFor the Lord knoweth the way of the righteous: but the way of the ungodly shall perish.\nWhy do the heathen rage, and the people imagine a vain thing?\nThe kings of the earth set themselves, and the rulers take counsel together, against the Lord, and against his anointed, saying,\nLet us break their bands asunder, and cast away their cords from us.\nHe that sitteth in the heavens shall laugh: the Lord shall have them in derision.\nThen shall he speak unto them in his wrath, and vex them in his sore displeasure.\nYet have I set my king upon my holy hill of Zion.\nI will declare the decree: the Lord hath said unto me, Thou art my Son; this day have I begotten thee.\nAsk of me, and I shall give thee the heathen for thine inheritance, and the uttermost parts of the earth for thy possession.\nThou shalt break them with a rod of iron; thou shalt dash them in pieces like a potter's vessel.\nBe wise now therefore, O ye kings: be instructed, ye judges of the earth.\nServe the Lord with fear, and rejoice with trembling.\nKiss the Son, lest he be angry, and ye perish from the way, when his wrath is kindled but a little. Blessed are all they that put their trust in him.\nLord, how are they increased that trouble me! many are they that rise up against me.\nMany there be which say of my soul, There is no help for him in God. Selah.\nBut thou, O Lord, art a shield for me; my glory, and the lifter up of mine head.\nI cried unto the Lord with my voice, and he heard me out of his holy hill. Selah.\nI laid me down and slept; I awaked; for the Lord sustained me.\nI will not be afraid of ten thousands of people, that have set themselves against me round about.\nArise, O Lord; save me, O my God: for thou hast smitten all mine enemies upon the cheek bone; thou hast broken the teeth of the ungodly.\nSalvation belongeth unto the Lord: thy blessing is upon thy people. Selah.\nHear me when I call, O God of my righteousness: thou hast enlarged me when I was in distress; have mercy upon me, and hear my prayer.\nO ye sons of men, how long will ye turn my glory into shame? how long will ye love vanity, and seek after leasing? Selah.\nBut know that the Lord hath set apart him that is godly for himself: the Lord will hear when I call unto him.\nStand in awe, and sin not: commune with your own heart upon your bed, and be still. Selah.\nOffer the sacrifices of righteousness, and put your trust in the Lord.\nThere be many that say, Who will shew us any good? Lord, lift thou up the light of thy countenance upon us.\nThou hast put gladness in my heart, more than in the time that their corn and their wine increased.\nI will both lay me down in peace, and sleep: for thou, Lord, only makest me dwell in safety.\nGive ear to my words, O Lord, consider my meditation.\nHearken unto the voice of my cry, my King, and my God: for unto thee will I pray.\nMy voice shalt thou hear in the morning, O Lord; in the morning will I direct my prayer unto thee, and will look up.\nFor thou art not a God that hath pleasure in wickedness: neither shall evil dwell with thee.\nThe foolish shall not stand in thy sight: thou hatest all workers of iniquity.\nThou shalt destroy them that speak leasing: the Lord will abhor the bloody and deceitful man.\nBut as for me, I will come into thy house in the multitude of thy mercy: and in thy fear will I worship toward thy holy temple.\nLead me, O Lord, in thy righteousness because of mine enemies; make thy way straight before my face.\nFor there is no faithfulness in their mouth; their inward part is very wickedness; their throat is an open sepulchre; they flatter with their tongue.\nDestroy thou them, O God; let them fall by their own counsels; cast them out in the multitude of their transgressions; for they have rebelled against thee.\nBut let all those that put their trust in thee rejoice: let them ever shout for joy, because thou defendest them: let them also that love thy name be joyful in thee.\nFor thou, Lord, wilt bless the righteous; with favour wilt thou compass him as with a shield.\nO Lord, rebuke me not in thine anger, neither chasten me in thy hot displeasure.\nHave mercy upon me, O Lord; for I am weak: O Lord, heal me; for my bones are vexed.\nMy soul is also sore vexed: but thou, O Lord, how long?\nReturn, O Lord, deliver my soul: oh save me for thy mercies' sake.\nFor in death there is no remembrance of thee: in the grave who shall give thee thanks?\nI am weary with my groaning; all the night make I my bed to swim; I water my couch with my tears.\nMine eye is consumed because of grief; it waxeth old because of all mine enemies.\nDepart from me, all ye workers of iniquity; for the Lord hath heard the voice of my weeping.\nThe Lord hath heard my supplication; the Lord will receive my prayer.\nLet all mine enemies be ashamed and sore vexed: let them return and be ashamed suddenly.\nO Lord, our Lord, how excellent is thy name in all the earth! who hast set thy glory above the heavens.\nOut of the mouth of babes and sucklings hast thou ordained strength because of thine enemies, that thou mightest still the enemy and the avenger.\nWhen I consider thy heavens, the work of thy fingers, the moon and the stars, which thou hast ordained;\nWhat is man, that thou art mindful of him? and the son of man, that thou visitest him?\nFor thou hast made him a little lower than the angels, and hast crowned him with glory and honour.\nThou madest him to have dominion over the works of thy hands; thou hast put all things under his feet:\nAll sheep and oxen, yea, and the beasts of the field;\nThe fowl of the air, and the fish of the sea, and whatsoever passeth through the paths of the seas.\nO Lord our Lord, how excellent is thy name in all the earth!\nLord, who shall abide in thy tabernacle? who shall dwell in thy holy hill?\nHe that walketh uprightly, and worketh righteousness, and speaketh the truth in his heart.\nHe that backbiteth not with his tongue, nor doeth evil to his neighbour, nor taketh up a reproach against his neighbour.\nIn whose eyes a vile person is contemned; but he honoureth them that fear the Lord. He that sweareth to his own hurt, and changeth not.\nHe that putteth not out his money to usury, nor taketh reward against the innocent. He that doeth these things shall never be moved.\nThe heavens declare the glory of God; and the firmament sheweth his handywork.\nDay unto day uttereth speech, and night unto night sheweth knowledge.\nThere is no speech nor language, where their voice is not heard.\nTheir line is gone out through all the earth, and their words to the end of the world. In them hath he set a tabernacle for the sun,\nWhich is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race.\nHis going forth is from the end of the heaven, and his circuit unto the ends of it: and there is nothing hid from the heat thereof.\nThe law of the Lord is perfect, converting the soul: the testimony of the Lord is sure, making wise the simple.\nThe statutes of the Lord are right, rejoicing the heart: the commandment of the Lord is pure, enlightening the eyes.\nThe fear of the Lord is clean, enduring for ever: the judgments of the Lord are true and righteous altogether.\nMore to be desired are they than gold, yea, than much fine gold: sweeter also than honey and the honeycomb.\nMoreover by them is thy servant warned: and in keeping of them there is great reward.\nWho can understand his errors? cleanse thou me from secret faults.\nKeep back thy servant also from presumptuous sins; let them not have dominion over me: then shall I be upright, and I shall be innocent from the great transgression.\nLet the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer.\nThe Lord is my shepherd; I shall not want.\nHe maketh me to lie down in green pastures: he leadeth me beside the still waters.\nHe restoreth my soul: he leadeth me in the paths of righteousness for his name's sake.\nYea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.\nThou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.\nSurely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord for ever.\nThe Lord is my light and my salvation; whom shall I fear? the Lord is the strength of my life; of whom shall I be afraid?\nWhen the wicked, even mine enemies and my foes, came upon me to eat up my flesh, they stumbled and fell.\nThough an host should encamp against me, my heart shall not fear: though war should rise against me, in this will I be confident.\nOne thing have I desired of the Lord, that will I seek after; that I may dwell in the house of the Lord all the days of my life, to behold the beauty of the Lord, and to enquire in his temple.\nFor in the time of trouble he shall hide me in his pavilion: in the secret of his tabernacle shall he hide me; he shall set me up upon a rock.\nAnd now shall mine head be lifted up above mine enemies round about me: therefore will I offer in his tabernacle sacrifices of joy; I will sing, yea, I will sing praises unto the Lord.\nHear, O Lord, when I cry with my voice: have mercy also upon me, and answer me.\nWhen thou saidst, Seek ye my face; my heart said unto thee, Thy face, Lord, will I seek.\nHide not thy face far from me; put not thy servant away in anger: thou hast been my help; leave me not, neither forsake me, O God of my salvation.\nWhen my father and my mother forsake me, then the Lord will take me up.\nTeach me thy way, O Lord, and lead me in a plain path, because of mine enemies.\nDeliver me not over unto the will of mine enemies: for false witnesses are risen up against me, and such as breathe out cruelty.\nI had fainted, unless I had believed to see the goodness of the Lord in the land of the living.\nWait on the Lord: be of good courage, and he shall strengthen thine heart: wait, I say, on the Lord.\nI said, I will take heed to my ways, that I sin not with my tongue: I will keep my mouth with a bridle, while the wicked is before me.\nI was dumb with silence, I held my peace, even from good; and my sorrow was stirred.\nMy heart was hot within me, while I was musing the fire burned: then spake I with my tongue,\nLord, make me to know mine end, and the measure of my days, what it is: that I may know how frail I am.\nBehold, thou hast made my days as an handbreadth; and mine age is as nothing before thee: verily every man at his best state is altogether vanity. Selah.\nSurely every man walketh in a vain shew: surely they are disquieted in vain: he heapeth up riches, and knoweth not who shall gather them.\nAnd now, Lord, what wait I for? my hope is in thee.\nDeliver me from all my transgressions: make me not the reproach of the foolish.\nI was dumb, I opened not my mouth; because thou didst it.\nRemove thy stroke away from me: I am consumed by the blow of thine hand.\nWhen thou with rebukes dost correct man for iniquity, thou makest his beauty to consume away like a moth: surely every man is vanity. Selah.\nHear my prayer, O Lord, and give ear unto my cry; hold not thy peace at my tears: for I am a stranger with thee, and a sojourner, as all my fathers were.\nO spare me, that I may recover strength, before I go hence, and be no more.\nAs the hart panteth after the water brooks, so panteth my soul after thee, O God.\nMy soul thirsteth for God, for the living God: when shall I come and appear before God?\nMy tears have been my meat day and night, while they continually say unto me, Where is thy God?\nWhen I remember these things, I pour out my soul in me: for I had gone with the multitude, I went with them to the house of God, with the voice of joy and praise, with a multitude that kept holyday.\nWhy art thou cast down, O my soul? and why art thou disquieted in me? hope thou in God: for I shall yet praise him for the help of his countenance.\nO my God, my soul is cast down within me: therefore will I remember thee from the land of Jordan, and of the Hermonites, from the hill Mizar.\nDeep calleth unto deep at the noise of thy waterspouts: all thy waves and thy billows are gone over me.\nYet the Lord will command his lovingkindness in the day time, and in the night his song shall be with me, and my prayer unto the God of my life.\nI will say unto God my rock, Why hast thou forgotten me? why go I mourning because of the oppression of the enemy?\nAs with a sword in my bones, mine enemies reproach me; while they say daily unto me, Where is thy God?\nWhy art thou cast down, O my soul? and why art thou disquieted within me? hope thou in God: for I shall yet praise him, who is the health of my countenance, and my God.\nGod is our refuge and strength, a very present help in trouble.\nTherefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea;\nThough the waters thereof roar and be troubled, though the mountains shake with the swelling thereof. Selah.\nThere is a river, the streams whereof shall make glad the city of God, the holy place of the tabernacles of the most High.\nGod is in the midst of her; she shall not be moved: God shall help her, and that right early.\nThe heathen raged, the kingdoms were moved: he uttered his voice, the earth melted.\nThe Lord of hosts is with us; the God of Jacob is our refuge. Selah.\nCome, behold the works of the Lord, what desolations he hath made in the earth.\nHe maketh wars to cease unto the end of the earth; he breaketh the bow, and cutteth the spear in sunder; he burneth the chariot in the fire.\nBe still, and know that I am God: I will be exalted among the heathen, I will be exalted in the earth.\nThe Lord of hosts is with us; the God of Jacob is our refuge. Selah.\nHave mercy upon me, O God, according to thy loving kindness: according unto the multitude of thy tender mercies blot out my transgressions.\nWash me thoroughly from mine iniquity, and cleanse me from my sin.\nFor I acknowledge my transgressions: and my sin is ever before me.\nAgainst thee, thee only, have I sinned, and done this evil in thy sight: that thou mightest be justified when thou speakest, and be clear when thou judgest.\nBehold, I was shapen in iniquity; and in sin did my mother conceive me.\nBehold, thou desirest truth in the inward parts: and in the hidden part thou shalt make me to know wisdom.\nPurge me with hyssop, and I shall be clean: wash me, and I shall be whiter than snow.\nMake me to hear joy and gladness; that the bones which thou hast broken may rejoice.\nHide thy face from my sins, and blot out all mine iniquities.\nCreate in me a clean heart, O God; and renew a right spirit within me.\nCast me not away from thy presence; and take not thy holy spirit from me.\nRestore unto me the joy of thy salvation; and uphold me with thy free spirit.\nThen will I teach transgressors thy ways; and sinners shall be converted unto thee.\nDeliver me from bloodguiltiness, O God, thou God of my salvation: and my tongue shall sing aloud of thy righteousness.\nO Lord, open thou my lips; and my mouth shall shew forth thy praise.\nFor thou desirest not sacrifice; else would I give it: thou delightest not in burnt offering.\nThe sacrifices of God are a broken spirit: a broken and a contrite heart, O God, thou wilt not despise.\nDo good in thy good pleasure unto Zion: build thou the walls of Jerusalem.\nThen shalt thou be pleased with the sacrifices of righteousness, with burnt offering and whole burnt offering: then shall they offer bullocks upon thine altar.\nGive the king thy judgments, O God, and thy righteousness unto the king's son.\nHe shall judge thy people with righteousness, and thy poor with judgment.\nThe mountains shall bring peace to the people, and the little hills, by righteousness.\nHe shall judge the poor of the people, he shall save the children of the needy, and shall break in pieces the oppressor.\nThey shall fear thee as long as the sun and moon endure, throughout all generations.\nHe shall come down like rain upon the mown grass: as showers that water the earth.\nIn his days shall the righteous flourish; and abundance of peace so long as the moon endureth.\nHe shall have dominion also from sea to sea, and from the river unto the ends of the earth.\nThey that dwell in the wilderness shall bow before him; and his enemies shall lick the dust.\nThe kings of Tarshish and of the isles shall bring presents: the kings of Sheba and Seba shall offer gifts.\nYea, all kings shall fall down before him: all nations shall serve him.\nFor he shall deliver the needy when he crieth; the poor also, and him that hath no helper.\nHe shall spare the poor and needy, and shall save the souls of the needy.\nHe shall redeem their soul from deceit and violence: and precious shall their blood be in his sight.\nAnd he shall live, and to him shall be given of the gold of Sheba: prayer also shall be made for him continually; and daily shall he be praised.\nThere shall be an handful of corn in the earth upon the top of the mountains; the fruit thereof shall shake like Lebanon: and they of the city shall flourish like grass of the earth.\nHis name shall endure for ever: his name shall be continued as long as the sun: and men shall be blessed in him: all nations shall call him blessed.\nBlessed be the Lord God, the God of Israel, who only doeth wondrous things.\nAnd blessed be his glorious name for ever: and let the whole earth be filled with his glory; Amen, and Amen.\nThe prayers of David the son of Jesse are ended.\nHow amiable are thy tabernacles, O Lord of hosts!\nMy soul longeth, yea, even fainteth for the courts of the Lord: my heart and my flesh crieth out for the living God.\nYea, the sparrow hath found an house, and the swallow a nest for herself, where she may lay her young, even thine altars, O Lord of hosts, my King, and my God.\nBlessed are they that dwell in thy house: they will be still praising thee. Selah.\nBlessed is the man whose strength is in thee; in whose heart are the ways of them.\nWho passing through the valley of Baca make it a well; the rain also filleth the pools.\nThey go from strength to strength, every one of them in Zion appeareth before God.\nO Lord God of hosts, hear my prayer: give ear, O God of Jacob. Selah.\nBehold, O God our shield, and look upon the face of thine anointed.\nFor a day in thy courts is better than a thousand. I had rather be a doorkeeper in the house of my God, than to dwell in the tents of wickedness.\nFor the Lord God is a sun and shield: the Lord will give grace and glory: no good thing will he withhold from them that walk uprightly.\nO Lord of hosts, blessed is the man that trusteth in thee.\nLord, thou hast been our dwelling place in all generations.\nBefore the mountains were brought forth, or ever thou hadst formed the earth and the world, even from everlasting to everlasting, thou art God.\nThou turnest man to destruction; and sayest, Return, ye children of men.\nFor a thousand years in thy sight are but as yesterday when it is past, and as a watch in the night.\nThou carriest them away as with a flood; they are as a sleep: in the morning they are like grass which groweth up.\nIn the morning it flourisheth, and groweth up; in the evening it is cut down, and withereth.\nFor we are consumed by thine anger, and by thy wrath are we troubled.\nThou hast set our iniquities before thee, our secret sins in the light of thy countenance.\nFor all our days are passed away in thy wrath: we spend our years as a tale that is told.\nThe days of our years are threescore years and ten; and if by reason of strength they be fourscore years, yet is their strength labour and sorrow; for it is soon cut off, and we fly away.\nWho knoweth the power of thine anger? even according to thy fear, so is thy wrath.\nSo teach us to number our days, that we may apply our hearts unto wisdom.\nReturn, O Lord, how long? and let it repent thee concerning thy servants.\nO satisfy us early with thy mercy; that we may rejoice and be glad all our days.\nMake us glad according to the days wherein thou hast afflicted us, and the years wherein we have seen evil.\nLet thy work appear unto thy servants, and thy glory unto their children.\nAnd let the beauty of the Lord our God be upon us: and establish thou the work of our hands upon us; yea, the work of our hands establish thou it.\nMake a joyful noise unto the Lord, all ye lands.\nServe the Lord with gladness: come before his presence with singing.\nKnow ye that the Lord he is God: it is he that hath made us, and not we ourselves; we are his people, and the sheep of his pasture.\nEnter into his gates with thanksgiving, and into his courts with praise: be thankful unto him, and bless his name.\nFor the Lord is good; his mercy is everlasting; and his truth endureth to all generations.\nBless the Lord, O my soul: and all that is within me, bless his holy name.\nBless the Lord, O my soul, and forget not all his benefits:\nWho forgiveth all thine iniquities; who healeth all thy diseases;\nWho redeemeth thy life from destruction; who crowneth thee with lovingkindness and tender mercies;\nWho satisfieth thy mouth with good things; so that thy youth is renewed like the eagle's.\nThe Lord executeth righteousness and judgment for all that are oppressed.\nHe made known his ways unto Moses, his acts unto the children of Israel.\nThe Lord is merciful and gracious, slow to anger, and plenteous in mercy.\nHe will not always chide: neither will he keep his anger for ever.\nHe hath not dealt with us after our sins; nor rewarded us according to our iniquities.\nFor as the heaven is high above the earth, so great is his mercy toward them that fear him.\nAs far as the east is from the west, so far hath he removed our transgressions from us.\nLike as a father pitieth his children, so the Lord pitieth them that fear him.\nFor he knoweth our frame; he remembereth that we are dust.\nAs for man, his days are as grass: as a flower of the field, so he flourisheth.\nFor the wind passeth over it, and it is gone; and the place thereof shall know it no more.\nBut the mercy of the Lord is from everlasting to everlasting upon them that fear him, and his righteousness unto children's children;\nTo such as keep his covenant, and to those that remember his commandments to do them.\nThe Lord hath prepared his throne in the heavens; and his kingdom ruleth over all.\nBless the Lord, ye his angels, that excel in strength, that do his commandments, hearkening unto the voice of his word.\nBless ye the Lord, all ye his hosts; ye ministers of his, that do his pleasure.\nBless the Lord, all his works in all places of his dominion: bless the Lord, O my soul.\nI love the Lord, because he hath heard my voice and my supplications.\nBecause he hath inclined his ear unto me, therefore will I call upon him as long as I live.\nThe sorrows of death compassed me, and the pains of hell gat hold upon me: I found trouble and sorrow.\nThen called I upon the name of the Lord; O Lord, I beseech thee, deliver my soul.\nGracious is the Lord, and righteous; yea, our God is merciful.\nThe Lord preserveth the simple: I was brought low, and he helped me.\nReturn unto thy rest, O my soul; for the Lord hath dealt bountifully with thee.\nFor thou hast delivered my soul from death, mine eyes from tears, and my feet from falling.\nI will walk before the Lord in the land of the living.\nI believed, therefore have I spoken: I was greatly afflicted:\nI said in my haste, All men are liars.\nWhat shall I render unto the Lord for all his benefits toward me?\nI will take the cup of salvation, and call upon the name of the Lord.\nI will pay my vows unto the Lord now in the presence of all his people.\nPrecious in the sight of the Lord is the death of his saints.\nO Lord, truly I am thy servant; I am thy servant, and the son of thine handmaid: thou hast loosed my bonds.\nI will offer to thee the sacrifice of thanksgiving, and will call upon the name of the Lord.\nI will pay my vows unto the Lord now in the presence of all his people.\nIn the courts of the Lord's house, in the midst of thee, O Jerusalem. Praise ye the Lord.\nO praise the Lord, all ye nations: praise him, all ye people.\nFor his merciful kindness is great toward us: and the truth of the Lord endureth for ever. Praise ye the Lord.\nI will lift up mine eyes unto the hills, from whence cometh my help.\nMy help cometh from the Lord, which made heaven and earth.\nHe will not suffer thy foot to be moved: he that keepeth thee will not slumber.\nBehold, he that keepeth Israel shall neither slumber nor sleep.\nThe Lord is thy keeper: the Lord is thy shade upon thy right hand.\nThe sun shall not smite thee by day, nor the moon by night.\nThe Lord shall preserve thee from all evil: he shall preserve thy soul.\nThe Lord shall preserve thy going out and thy coming in from this time forth, and even for evermore.\nI was glad when they said unto me, Let us go into the house of the Lord.\nOur feet shall stand within thy gates, O Jerusalem.\nJerusalem is builded as a city that is compact together:\nWhither the tribes go up, the tribes of the Lord, unto the testimony of Israel, to give thanks unto the name of the Lord.\nFor there are set thrones of judgment, the thrones of the house of David.\nPray for the peace of Jerusalem: they shall prosper that love thee.\nPeace be within thy walls, and prosperity within thy palaces.\nFor my brethren and companions' sakes, I will now say, Peace be within thee.\nBecause of the house of the Lord our God I will seek thy good.\nBehold, how good and how pleasant it is for brethren to dwell together in unity!\nIt is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments;\nAs the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.\nBy the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion.\nWe hanged our harps upon the willows in the midst thereof.\nFor there they that carried us away captive required of us a song; and they that wasted us required of us mirth, saying, Sing us one of the songs of Zion.\nHow shall we sing the Lord's song in a strange land?\nIf I forget thee, O Jerusalem, let my right hand forget her cunning.\nIf I do not remember thee, let my tongue cleave to the roof of my mouth; if I prefer not Jerusalem above my chief joy.\nRemember, O Lord, the children of Edom in the day of Jerusalem; who said, Rase it, rase it, even to the foundation thereof.\nO daughter of Babylon, who art to be destroyed; happy shall he be, that rewardeth thee as thou hast served us.\nHappy shall he be, that taketh and dasheth thy little ones against the stones.\nO lord, thou hast searched me, and known me.\nThou knowest my downsitting and mine uprising, thou understandest my thought afar off.\nThou compassest my path and my lying down, and art acquainted with all my ways.\nFor there is not a word in my tongue, but, lo, O Lord, thou knowest it altogether.\nThou hast beset me behind and before, and laid thine hand upon me.\nSuch knowledge is too wonderful for me; it is high, I cannot attain unto it.\nWhither shall I go from thy spirit? or whither shall I flee from thy presence?\nIf I ascend up into heaven, thou art there: if I make my bed in hell, behold, thou art there.\nIf I take the wings of the morning, and dwell in the uttermost parts of the sea;\nEven there shall thy hand lead me, and thy right hand shall hold me.\nIf I say, Surely the darkness shall cover me; even the night shall be light about me.\nYea, the darkness hideth not from thee; but the night shineth as the day: the darkness and the light are both alike to thee.\nFor thou hast possessed my reins: thou hast covered me in my mother's womb.\nI will praise thee; for I am fearfully and wonderfully made: marvellous are thy works; and that my soul knoweth right well.\nMy substance was not hid from thee, when I was made in secret, and curiously wrought in the lowest parts of the earth.\nThine eyes did see my substance, yet being unperfect; and in thy book all my members were written, which in continuance were fashioned, when as yet there was none of them.\nHow precious also are thy thoughts unto me, O God! how great is the sum of them!\nIf I should count them, they are more in number than the sand: when I awake, I am still with thee.\nSurely thou wilt slay the wicked, O God: depart from me therefore, ye bloody men.\nFor they speak against thee wickedly, and thine enemies take thy name in vain.\nDo not I hate them, O Lord, that hate thee? and am not I grieved with those that rise up against thee?\nI hate them with perfect hatred: I count them mine enemies.\nSearch me, O God, and know my heart: try me, and know my thoughts:\nAnd see if there be any wicked way in me, and lead me in the way everlasting.\nThe vision of Isaiah the son of Amoz, which he saw concerning Judah and Jerusalem in the days of Uzziah, Jotham, Ahaz, and Hezekiah, kings of Judah.\nHear, O heavens, and give ear, O earth: for the Lord hath spoken, I have nourished and brought up children, and they have rebelled against me.\nThe ox knoweth his owner, and the ass his master's crib: but Israel doth not know, my people doth not consider.\nAh sinful nation, a people laden with iniquity, a seed of evildoers, children that are corrupters: they have forsaken the Lord, they have provoked the Holy One of Israel unto anger, they are gone away backward.\nWhy should ye be stricken any more? ye will revolt more and more: the whole head is sick, and the whole heart faint.\nFrom the sole of the foot even unto the head there is no soundness in it; but wounds, and bruises, and putrifying sores: they have not been closed, neither bound up, neither mollified with ointment.\nYour country is desolate, your cities are burned with fire: your land, strangers devour it in your presence, and it is desolate, as overthrown by strangers.\nAnd the daughter of Zion is left as a cottage in a vineyard, as a lodge in a garden of cucumbers, as a besieged city.\nExcept the Lord of hosts had left unto us a very small remnant, we should have been as Sodom, and we should have been like unto Gomorrah.\nHear the word of the Lord, ye rulers of Sodom; give ear unto the law of our God, ye people of Gomorrah.\nTo what purpose is the multitude of your sacrifices unto me? saith the Lord: I am full of the burnt offerings of rams, and the fat of fed beasts; and I delight not in the blood of bullocks, or of lambs, or of he goats.\nWhen ye come to appear before me, who hath required this at your hand, to tread my courts?\nBring no more vain oblations; incense is an abomination unto me; the new moons and sabbaths, the calling of assemblies, I cannot away with; it is iniquity, even the solemn meeting.\nYour new moons and your appointed feasts my soul hateth: they are a trouble unto me; I am weary to bear them.\nAnd when ye spread forth your hands, I will hide mine eyes from you: yea, when ye make many prayers, I will not hear: your hands are full of blood.\nWash you, make you clean; put away the evil of your doings from before mine eyes; cease to do evil;\nLearn to do well; seek judgment, relieve the oppressed, judge the fatherless, plead for the widow.\nCome now, and let us reason together, saith the Lord: though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.\nIf ye be willing and obedient, ye shall eat the good of the land:\nBut if ye refuse and rebel, ye shall be devoured with the sword: for the mouth of the Lord hath spoken it.\nHow is the faithful city become an harlot! it was full of judgment; righteousness lodged in it; but now murderers.\nThy silver is become dross, thy wine mixed with water:\nThy princes are rebellious, and companions of thieves: every one loveth gifts, and followeth after rewards: they judge not the fatherless, neither doth the cause of the widow come unto them.\nTherefore saith the Lord, the Lord of hosts, the mighty One of Israel, Ah, I will ease me of mine adversaries, and avenge me of mine enemies:\nAnd I will turn my hand upon thee, and purely purge away thy dross, and take away all thy tin:\nAnd I will restore thy judges as at the first, and thy counsellors as at the beginning: afterward thou shalt be called, The city of righteousness, the faithful city.\nZion shall be redeemed with judgment, and her converts with righteousness.\nAnd the destruction of the transgressors and of the sinners shall be together, and they that forsake the Lord shall be consumed.\nFor they shall be ashamed of the oaks which ye have desired, and ye shall be confounded for the gardens that ye have chosen.\nFor ye shall be as an oak whose leaf fadeth, and as a garden that hath no water.\nAnd the strong shall be as tow, and the maker of it as a spark, and they shall both burn together, and none shall quench them.\nThe word that Isaiah the son of Amoz saw concerning Judah and Jerusalem.\nAnd it shall come to pass in the last days, that the mountain of the Lord's house shall be established in the top of the mountains, and shall be exalted above the hills; and all nations shall flow unto it.\nAnd many people shall go and say, Come ye, and let us go up to the mountain of the Lord, to the house of the God of Jacob; and he will teach us of his ways, and we will walk in his paths: for out of Zion shall go forth the law, and the word of the Lord from Jerusalem.\nAnd he shall judge among the nations, and shall rebuke many people: and they shall beat their swords into plowshares, and their spears into pruninghooks: nation shall not lift up sword against nation, neither shall they learn war any more.\nO house of Jacob, come ye, and let us walk in the light of the Lord.\nTherefore thou hast forsaken thy people the house of Jacob, because they be replenished from the east, and are soothsayers like the Philistines, and they please themselves in the children of strangers.\nTheir land also is full of silver and gold, neither is there any end of their treasures; their land is also full of horses, neither is there any end of their chariots:\nTheir land also is full of idols; they worship the work of their own hands, that which their own fingers have made:\nAnd the mean man boweth down, and the great man humbleth himself: therefore forgive them not.\nEnter into the rock, and hide thee in the dust, for fear of the Lord, and for the glory of his majesty.\nThe lofty looks of man shall be humbled, and the haughtiness of men shall be bowed down, and the Lord alone shall be exalted in that day.\nFor the day of the Lord of hosts shall be upon every one that is proud and lofty, and upon every one that is lifted up; and he shall be brought low:\nAnd upon all the cedars of Lebanon, that are high and lifted up, and upon all the oaks of Bashan,\nAnd upon all the high mountains, and upon all the hills that are lifted up,\nAnd upon every high tower, and upon every fenced wall,\nAnd upon all the ships of Tarshish, and upon all pleasant pictures.\nAnd the loftiness of man shall be bowed down, and the haughtiness of men shall be made low: and the Lord alone shall be exalted in that day.\nAnd the idols he shall utterly abolish.\nAnd they shall go into the holes of the rocks, and into the caves of the earth, for fear of the Lord, and for the glory of his majesty, when he ariseth to shake terribly the earth.\nIn that day a man shall cast his idols of silver, and his idols of gold, which they made each one for himself to worship, to the moles and to the bats;\nTo go into the clefts of the rocks, and into the tops of the ragged rocks, for fear of the Lord, and for the glory of his majesty, when he ariseth to shake terribly the earth.\nCease ye from man, whose breath is in his nostrils: for wherein is he to be accounted of ?\nThe proverbs of Solomon the son of David, king of Israel;\nTo know wisdom and instruction; to perceive the words of understanding;\nTo receive the instruction of wisdom, justice, and judgment, and equity;\nTo give subtilty to the simple, to the young man knowledge and discretion.\nA wise man will hear, and will increase learning; and a man of understanding shall attain unto wise counsels:\nTo understand a proverb, and the interpretation; the words of the wise, and their dark sayings.\nThe fear of the Lord is the beginning of knowledge: but fools despise wisdom and instruction.\nMy son, hear the instruction of thy father, and forsake not the law of thy mother:\nFor they shall be an ornament of grace unto thy head, and chains about thy neck.\nMy son, if sinners entice thee, consent thou not.\nIf they say, Come with us, let us lay wait for blood, let us lurk privily for the innocent without cause:\nLet us swallow them up alive as the grave; and whole, as those that go down into the pit:\nWe shall find all precious substance, we shall fill our houses with spoil:\nCast in thy lot among us; let us all have one purse:\nMy son, walk not thou in the way with them; refrain thy foot from their path:\nFor their feet run to evil, and make haste to shed blood.\nSurely in vain the net is spread in the sight of any bird.\nAnd they lay wait for their own blood; they lurk privily for their own lives.\nSo are the ways of every one that is greedy of gain; which taketh away the life of the owners thereof.\nWisdom crieth without; she uttereth her voice in the streets:\nShe crieth in the chief place of concourse, in the openings of the gates: in the city she uttereth her words, saying,\nHow long, ye simple ones, will ye love simplicity? and the scorners delight in their scorning, and fools hate knowledge?\nTurn you at my reproof: behold, I will pour out my spirit unto you, I will make known my words unto you.\nBecause I have called, and ye refused; I have stretched out my hand, and no man regarded;\nBut ye have set at nought all my counsel, and would none of my reproof:\nI also will laugh at your calamity; I will mock when your fear cometh;\nWhen your fear cometh as desolation, and your destruction cometh as a whirlwind; when distress and anguish cometh upon you.\nThen shall they call upon me, but I will not answer; they shall seek me early, but they shall not find me:\nFor that they hated knowledge, and did not choose the fear of the Lord:\nThey would none of my counsel: they despised all my reproof.\nTherefore shall they eat of the fruit of their own way, and be filled with their own devices.\nFor the turning away of the simple shall slay them, and the prosperity of fools shall destroy them.\nBut whoso hearkeneth unto me shall dwell safely, and shall be quiet from fear of evil.\nMy son, keep my words, and lay up my commandments with thee.\nKeep my commandments, and live; and my law as the apple of thine eye.\nBind them upon thy fingers, write them upon the table of thine heart.\nSay unto wisdom, Thou art my sister; and call understanding thy kinswoman:\nThat they may keep thee from the strange [prostitute]woman, from the stranger [prostitute] which flattereth with her words.\nFor at the window of my house I looked through my casement,\nAnd beheld among the simple ones, I discerned among the youths, a young man void of understanding,\nPassing through the street near her corner; and he went the way to her house,\nIn the twilight, in the evening, in the black and dark night:\nAnd, behold, there met him a woman with the attire of an harlot [prostitute], and subtil of heart.\n(She is loud and stubborn; her feet abide not in her house:[euphemism for a prostitute]\nNow is she without, now in the streets, and lieth in wait at every corner.)\nSo she caught him, and kissed him, and with an impudent face said unto him,\nI have peace offerings with me; this day have I payed my vows.\nTherefore came I forth to meet thee, diligently to seek thy face, and I have found thee.\nI have decked my bed with coverings of tapestry, with carved works, with fine linen of Egypt.\nI have perfumed my bed with myrrh, aloes, and cinnamon.\nCome, let us take our fill of love until the morning: let us solace ourselves with loves.\nFor the goodman is not at home, he is gone a long journey:\nHe hath taken a bag of money with him, and will come home at the day appointed.\nWith her much fair speech she caused him to yield, with the flattering of her lips she forced [compelled/persuaded] him\nHe goeth after her straightway, as an ox goeth to the slaughter, or as a fool to the correction of the stocks;\nTill a dart strike through his liver; as a bird hasteth to the snare, and knoweth not that it is for his life.\nHearken unto me now therefore, O ye children, and attend to the words of my mouth.\nLet not thine heart decline to her ways, go not astray in her paths.\nFor she hath cast down many wounded: yea, many strong men have been slain by her.\nHer house is the way to hell, going down to the chambers of death."
  },
  {
    "path": "a4/collect_submission.bat",
    "content": "@echo off\r\ndel /f assignment4.zip\r\ntar.exe -r -f assignment4.zip *.py chr_en_data sanity_check_en_es_data outputs"
  },
  {
    "path": "a4/collect_submission.sh",
    "content": "rm -f assignment4.zip\nzip -r assignment4.zip *.py ./chr_en_data ./sanity_check_en_es_data ./outputs"
  },
  {
    "path": "a4/gpu_requirements.txt",
    "content": "nltk\ndocopt\ntqdm==4.29.1\nsentencepiece\nsacrebleu\ntorch\n"
  },
  {
    "path": "a4/local_env.yml",
    "content": "name: local_nmt\nchannels:\n  - pytorch\n  - defaults\ndependencies:\n  - python=3.7\n  - numpy\n  - scipy\n  - tqdm\n  - docopt\n  - pytorch\n  - nltk\n  - torchvision\n  - pip\n  - pip:\n    - sentencepiece\n    - sacrebleu\n"
  },
  {
    "path": "a4/model_embeddings.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\n\"\"\"\nCS224N 2020-21: Homework 4\nmodel_embeddings.py: Embeddings for the NMT model\nPencheng Yin <pcyin@cs.cmu.edu>\nSahil Chopra <schopra8@stanford.edu>\nAnand Dhoot <anandd@stanford.edu>\nVera Lin <veralin@stanford.edu>\n\"\"\"\n\nimport torch.nn as nn\n\nclass ModelEmbeddings(nn.Module): \n    \"\"\"\n    Class that converts input words to their embeddings.\n    \"\"\"\n    def __init__(self, embed_size, vocab):\n        \"\"\"\n        Init the Embedding layers.\n\n        @param embed_size (int): Embedding size (dimensionality)\n        @param vocab (Vocab): Vocabulary object containing src and tgt languages\n                              See vocab.py for documentation.\n        \"\"\"\n        super(ModelEmbeddings, self).__init__()\n        self.embed_size = embed_size\n\n        # default values\n        self.source = None\n        self.target = None\n\n        src_pad_token_idx = vocab.src['<pad>']\n        tgt_pad_token_idx = vocab.tgt['<pad>']\n\n        ### YOUR CODE HERE (~2 Lines)\n        ### TODO - Initialize the following variables:\n        ###     self.source (Embedding Layer for source language)\n        ###     self.target (Embedding Layer for target langauge)\n        ###\n        ### Note:\n        ###     1. `vocab` object contains two vocabularies:\n        ###            `vocab.src` for source\n        ###            `vocab.tgt` for target\n        ###     2. You can get the length of a specific vocabulary by running:\n        ###             `len(vocab.<specific_vocabulary>)`\n        ###     3. Remember to include the padding token for the specific vocabulary\n        ###        when creating your Embedding.\n        ###\n        ### Use the following docs to properly initialize these variables:\n        ###     Embedding Layer:\n        ###         https://pytorch.org/docs/stable/nn.html#torch.nn.Embedding\n        \n        self.source = nn.Embedding(len(vocab.src), self.embed_size, padding_idx=src_pad_token_idx)\n        self.target = nn.Embedding(len(vocab.tgt), self.embed_size, padding_idx=tgt_pad_token_idx)\n\n        ### END YOUR CODE\n\n\n"
  },
  {
    "path": "a4/nmt_model.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\n\"\"\"\nCS224N 2020-21: Homework 4\nnmt_model.py: NMT Model\nPencheng Yin <pcyin@cs.cmu.edu>\nSahil Chopra <schopra8@stanford.edu>\nVera Lin <veralin@stanford.edu>\n\"\"\"\nfrom collections import namedtuple\nimport sys\nfrom typing import List, Tuple, Dict, Set, Union\nimport torch\nimport torch.nn as nn\nimport torch.nn.utils\nimport torch.nn.functional as F\nfrom torch.nn.utils.rnn import pad_packed_sequence, pack_padded_sequence\n\nfrom model_embeddings import ModelEmbeddings\nHypothesis = namedtuple('Hypothesis', ['value', 'score'])\n\n\nclass NMT(nn.Module):\n    \"\"\" Simple Neural Machine Translation Model:\n        - Bidrectional LSTM Encoder\n        - Unidirection LSTM Decoder\n        - Global Attention Model (Luong, et al. 2015)\n    \"\"\"\n    def __init__(self, embed_size, hidden_size, vocab, dropout_rate=0.2):\n        \"\"\" Init NMT Model.\n\n        @param embed_size (int): Embedding size (dimensionality)\n        @param hidden_size (int): Hidden Size, the size of hidden states (dimensionality)\n        @param vocab (Vocab): Vocabulary object containing src and tgt languages\n                              See vocab.py for documentation.\n        @param dropout_rate (float): Dropout probability, for attention\n        \"\"\"\n        super(NMT, self).__init__()\n        self.model_embeddings = ModelEmbeddings(embed_size, vocab)\n        self.hidden_size = hidden_size\n        self.dropout_rate = dropout_rate\n        self.vocab = vocab\n\n        # default values\n        self.encoder = None \n        self.decoder = None\n        self.h_projection = None\n        self.c_projection = None\n        self.att_projection = None\n        self.combined_output_projection = None\n        self.target_vocab_projection = None\n        self.dropout = None\n        # For sanity check only, not relevant to implementation\n        self.gen_sanity_check = False\n        self.counter = 0\n\n\n        ### YOUR CODE HERE (~8 Lines)\n        ### TODO - Initialize the following variables:\n        ###     self.encoder (Bidirectional LSTM with bias)\n        ###     self.decoder (LSTM Cell with bias)\n        ###     self.h_projection (Linear Layer with no bias), called W_{h} in the PDF.\n        ###     self.c_projection (Linear Layer with no bias), called W_{c} in the PDF.\n        ###     self.att_projection (Linear Layer with no bias), called W_{attProj} in the PDF.\n        ###     self.combined_output_projection (Linear Layer with no bias), called W_{u} in the PDF.\n        ###     self.target_vocab_projection (Linear Layer with no bias), called W_{vocab} in the PDF.\n        ###     self.dropout (Dropout Layer)\n        ###\n        ### Use the following docs to properly initialize these variables:\n        ###     LSTM:\n        ###         https://pytorch.org/docs/stable/nn.html#torch.nn.LSTM\n        ###     LSTM Cell:\n        ###         https://pytorch.org/docs/stable/nn.html#torch.nn.LSTMCell\n        ###     Linear Layer:\n        ###         https://pytorch.org/docs/stable/nn.html#torch.nn.Linear\n        ###     Dropout Layer:\n        ###         https://pytorch.org/docs/stable/nn.html#torch.nn.Dropout\n\n        self.encoder = nn.LSTM(input_size=embed_size, hidden_size=self.hidden_size, bias=True, bidirectional=True)\n        self.decoder = nn.LSTMCell(input_size=embed_size + self.hidden_size, hidden_size=self.hidden_size, bias=True)\n        self.h_projection = nn.Linear(self.hidden_size*2, self.hidden_size, bias=False) # W_{h}\n        self.c_projection = nn.Linear(self.hidden_size*2, self.hidden_size, bias=False) # W_{c}\n        self.att_projection = nn.Linear(self.hidden_size*2, self.hidden_size, bias=False) #  W_{attProj} \n        self.combined_output_projection = nn.Linear(self.hidden_size*3, self.hidden_size , bias=False) # W_{u}\n        self.target_vocab_projection = nn.Linear(self.hidden_size, len(self.vocab.tgt), bias=False) # W_vocab\n        self.dropout = nn.Dropout(p=self.dropout_rate)\n\n        ### END YOUR CODE\n\n\n    def forward(self, source: List[List[str]], target: List[List[str]]) -> torch.Tensor:\n        \"\"\" Take a mini-batch of source and target sentences, compute the log-likelihood of\n        target sentences under the language models learned by the NMT system.\n\n        @param source (List[List[str]]): list of source sentence tokens\n        @param target (List[List[str]]): list of target sentence tokens, wrapped by `<s>` and `</s>`\n\n        @returns scores (Tensor): a variable/tensor of shape (b, ) representing the\n                                    log-likelihood of generating the gold-standard target sentence for\n                                    each example in the input batch. Here b = batch size.\n        \"\"\"\n        # Compute sentence lengths\n        source_lengths = [len(s) for s in source]\n\n        # Convert list of lists into tensors\n        source_padded = self.vocab.src.to_input_tensor(source, device=self.device)   # Tensor: (src_len, b)\n        target_padded = self.vocab.tgt.to_input_tensor(target, device=self.device)   # Tensor: (tgt_len, b)\n\n        ###     Run the network forward:\n        ###     1. Apply the encoder to `source_padded` by calling `self.encode()`\n        ###     2. Generate sentence masks for `source_padded` by calling `self.generate_sent_masks()`\n        ###     3. Apply the decoder to compute combined-output by calling `self.decode()`\n        ###     4. Compute log probability distribution over the target vocabulary using the\n        ###        combined_outputs returned by the `self.decode()` function.\n\n        enc_hiddens, dec_init_state = self.encode(source_padded, source_lengths)\n        enc_masks = self.generate_sent_masks(enc_hiddens, source_lengths)\n        combined_outputs = self.decode(enc_hiddens, enc_masks, dec_init_state, target_padded)\n        P = F.log_softmax(self.target_vocab_projection(combined_outputs), dim=-1)\n\n        # Zero out, probabilities for which we have nothing in the target text\n        target_masks = (target_padded != self.vocab.tgt['<pad>']).float()\n        \n        # Compute log probability of generating true target words\n        target_gold_words_log_prob = torch.gather(P, index=target_padded[1:].unsqueeze(-1), dim=-1).squeeze(-1) * target_masks[1:]\n        scores = target_gold_words_log_prob.sum(dim=0)\n        return scores\n\n\n    def encode(self, source_padded: torch.Tensor, source_lengths: List[int]) -> Tuple[torch.Tensor, Tuple[torch.Tensor, torch.Tensor]]:\n        \"\"\" Apply the encoder to source sentences to obtain encoder hidden states.\n            Additionally, take the final states of the encoder and project them to obtain initial states for decoder.\n\n        @param source_padded (Tensor): Tensor of padded source sentences with shape (src_len, b), where\n                                        b = batch_size, src_len = maximum source sentence length. Note that \n                                       these have already been sorted in order of longest to shortest sentence.\n        @param source_lengths (List[int]): List of actual lengths for each of the source sentences in the batch\n        @returns enc_hiddens (Tensor): Tensor of hidden units with shape (b, src_len, h*2), where\n                                        b = batch size, src_len = maximum source sentence length, h = hidden size.\n        @returns dec_init_state (tuple(Tensor, Tensor)): Tuple of tensors representing the decoder's initial\n                                                hidden state and cell.\n        \"\"\"\n        enc_hiddens, dec_init_state = None, None\n\n        ### YOUR CODE HERE (~ 8 Lines)\n        ### TODO:\n        ###     1. Construct Tensor `X` of source sentences with shape (src_len, b, e) using the source model embeddings.\n        ###         src_len = maximum source sentence length, b = batch size, e = embedding size. Note\n        ###         that there is no initial hidden state or cell for the decoder.\n        ###     2. Compute `enc_hiddens`, `last_hidden`, `last_cell` by applying the encoder to `X`.\n        ###         - Before you can apply the encoder, you need to apply the `pack_padded_sequence` function to X.\n        ###         - After you apply the encoder, you need to apply the `pad_packed_sequence` function to enc_hiddens.\n        ###         - Note that the shape of the tensor returned by the encoder is (src_len, b, h*2) and we want to\n        ###           return a tensor of shape (b, src_len, h*2) as `enc_hiddens`.\n        ###     3. Compute `dec_init_state` = (init_decoder_hidden, init_decoder_cell):\n        ###         - `init_decoder_hidden`:\n        ###             `last_hidden` is a tensor shape (2, b, h). The first dimension corresponds to forwards and backwards.\n        ###             Concatenate the forwards and backwards tensors to obtain a tensor shape (b, 2*h).\n        ###             Apply the h_projection layer to this in order to compute init_decoder_hidden.\n        ###             This is h_0^{dec} in the PDF. Here b = batch size, h = hidden size\n        ###         - `init_decoder_cell`:\n        ###             `last_cell` is a tensor shape (2, b, h). The first dimension corresponds to forwards and backwards.\n        ###             Concatenate the forwards and backwards tensors to obtain a tensor shape (b, 2*h).\n        ###             Apply the c_projection layer to this in order to compute init_decoder_cell.\n        ###             This is c_0^{dec} in the PDF. Here b = batch size, h = hidden size\n        ###\n        ### See the following docs, as you may need to use some of the following functions in your implementation:\n        ###     Pack the padded sequence X before passing to the encoder:\n        ###         https://pytorch.org/docs/stable/nn.html#torch.nn.utils.rnn.pack_padded_sequence\n        ###     Pad the packed sequence, enc_hiddens, returned by the encoder:\n        ###         https://pytorch.org/docs/stable/nn.html#torch.nn.utils.rnn.pad_packed_sequence\n        ###     Tensor Concatenation:\n        ###         https://pytorch.org/docs/stable/torch.html#torch.cat\n        ###     Tensor Permute:\n        ###         https://pytorch.org/docs/stable/tensors.html#torch.Tensor.permute\n\n        X = self.model_embeddings.source(source_padded) # X.shape (src_len, b, e)\n        X_packed = pack_padded_sequence(X, source_lengths) # X-packed.shape (src_len, b, e)\n        enc_hiddens, (last_hidden, last_cell) = self.encoder(X_packed) # enc.hiddens.shape (src_len, b, h*2)\n        enc_hiddens, len_pad =  pad_packed_sequence(enc_hiddens, batch_first=True) # shape (b, src_len, h*2)\n        init_decoder_hidden = self.h_projection(torch.cat((last_hidden[0], last_hidden[1]), 1)) # shape (b, 2*h)\n        init_decoder_cell = self.c_projection(torch.cat((last_cell[0], last_cell[1]), 1)) # shape (b, 2*h)\n        dec_init_state = (init_decoder_hidden, init_decoder_cell)\n        \n        ### END YOUR CODE\n\n        return enc_hiddens, dec_init_state\n\n\n    def decode(self, enc_hiddens: torch.Tensor, enc_masks: torch.Tensor,\n                dec_init_state: Tuple[torch.Tensor, torch.Tensor], target_padded: torch.Tensor) -> torch.Tensor:\n        \"\"\"Compute combined output vectors for a batch.\n\n        @param enc_hiddens (Tensor): Hidden states (b, src_len, h*2), where\n                                     b = batch size, src_len = maximum source sentence length, h = hidden size.\n        @param enc_masks (Tensor): Tensor of sentence masks (b, src_len), where\n                                     b = batch size, src_len = maximum source sentence length.\n        @param dec_init_state (tuple(Tensor, Tensor)): Initial state and cell for decoder\n        @param target_padded (Tensor): Gold-standard padded target sentences (tgt_len, b), where\n                                       tgt_len = maximum target sentence length, b = batch size. \n\n        @returns combined_outputs (Tensor): combined output tensor  (tgt_len, b,  h), where\n                                        tgt_len = maximum target sentence length, b = batch_size,  h = hidden size\n        \"\"\"\n        # Chop of the <END> token for max length sentences.\n        target_padded = target_padded[:-1]\n\n        # Initialize the decoder state (hidden and cell)\n        dec_state = dec_init_state\n\n        # Initialize previous combined output vector o_{t-1} as zero\n        batch_size = enc_hiddens.size(0)\n        o_prev = torch.zeros(batch_size, self.hidden_size, device=self.device)\n\n        # Initialize a list we will use to collect the combined output o_t on each step\n        combined_outputs = []\n\n        ### YOUR CODE HERE (~9 Lines)\n        ### TODO:\n        ###     1. Apply the attention projection layer to `enc_hiddens` to obtain `enc_hiddens_proj`,\n        ###         which should be shape (b, src_len, h),\n        ###         where b = batch size, src_len = maximum source length, h = hidden size.\n        ###         This is applying W_{attProj} to h^enc, as described in the PDF.\n        ###     2. Construct tensor `Y` of target sentences with shape (tgt_len, b, e) using the target model embeddings.\n        ###         where tgt_len = maximum target sentence length, b = batch size, e = embedding size.\n        ###     3. Use the torch.split function to iterate over the time dimension of Y.\n        ###         Within the loop, this will give you Y_t of shape (1, b, e) where b = batch size, e = embedding size.\n        ###             - Squeeze Y_t into a tensor of dimension (b, e). \n        ###             - Construct Ybar_t by concatenating Y_t with o_prev on their last dimension\n        ###             - Use the step function to compute the the Decoder's next (cell, state) values\n        ###               as well as the new combined output o_t.\n        ###             - Append o_t to combined_outputs\n        ###             - Update o_prev to the new o_t.\n        ###     4. Use torch.stack to convert combined_outputs from a list length tgt_len of\n        ###         tensors shape (b, h), to a single tensor shape (tgt_len, b, h)\n        ###         where tgt_len = maximum target sentence length, b = batch size, h = hidden size.\n        ###\n        ### Note:\n        ###    - When using the squeeze() function make sure to specify the dimension you want to squeeze\n        ###      over. Otherwise, you will remove the batch dimension accidentally, if batch_size = 1.\n        ###   \n        ### You may find some of these functions useful:\n        ###     Zeros Tensor:\n        ###         https://pytorch.org/docs/stable/torch.html#torch.zeros\n        ###     Tensor Splitting (iteration):\n        ###         https://pytorch.org/docs/stable/torch.html#torch.split\n        ###     Tensor Dimension Squeezing:\n        ###         https://pytorch.org/docs/stable/torch.html#torch.squeeze\n        ###     Tensor Concatenation:\n        ###         https://pytorch.org/docs/stable/torch.html#torch.cat\n        ###     Tensor Stacking:\n        ###         https://pytorch.org/docs/stable/torch.html#torch.stack\n\n        enc_hiddens_proj = self.att_projection(enc_hiddens) # shape (b, src_len, h)\n        Y = self.model_embeddings.target(target_padded) # shape shape (tgt_len, b, e)\n        for i in torch.split(Y, 1, dim=0): # torch.split(tensor, split_size_or_section, dim=0), Y_t.shape (1, b, e) \n          Y_t = i.squeeze(0) # Y_t.shape (b, e), o_prev.shape (b, h), squeeze explicitly at location\n          Ybar_t = torch.cat((Y_t, o_prev), dim=1)  # Ybar_t.shape(b, e+h), torch.cat(tensors, dim=0, out=None)\n          dec_state, o_t, e_t = self.step(Ybar_t, dec_state, enc_hiddens, enc_hiddens_proj, enc_masks) # dec_state, combined_output, e_t\n          combined_outputs.append(o_t) # shape (b, h)\n          o_prev = o_t\n        combined_outputs = torch.stack(combined_outputs, dim=0) # (tgt_len, b, h)\n\n        ### END YOUR CODE\n\n        return combined_outputs\n\n\n    def step(self, Ybar_t: torch.Tensor,\n            dec_state: Tuple[torch.Tensor, torch.Tensor],\n            enc_hiddens: torch.Tensor,\n            enc_hiddens_proj: torch.Tensor,\n            enc_masks: torch.Tensor) -> Tuple[Tuple, torch.Tensor, torch.Tensor]:\n        \"\"\" Compute one forward step of the LSTM decoder, including the attention computation.\n\n        @param Ybar_t (Tensor): Concatenated Tensor of [Y_t o_prev], with shape (b, e + h). The input for the decoder,\n                                where b = batch size, e = embedding size, h = hidden size.\n        @param dec_state (tuple(Tensor, Tensor)): Tuple of tensors both with shape (b, h), where b = batch size, h = hidden size.\n                First tensor is decoder's prev hidden state, second tensor is decoder's prev cell.\n        @param enc_hiddens (Tensor): Encoder hidden states Tensor, with shape (b, src_len, h * 2), where b = batch size,\n                                    src_len = maximum source length, h = hidden size.\n        @param enc_hiddens_proj (Tensor): Encoder hidden states Tensor, projected from (h * 2) to h. Tensor is with shape (b, src_len, h),\n                                    where b = batch size, src_len = maximum source length, h = hidden size.\n        @param enc_masks (Tensor): Tensor of sentence masks shape (b, src_len),\n                                    where b = batch size, src_len is maximum source length. \n\n        @returns dec_state (tuple (Tensor, Tensor)): Tuple of tensors both shape (b, h), where b = batch size, h = hidden size.\n                First tensor is decoder's new hidden state, second tensor is decoder's new cell.\n        @returns combined_output (Tensor): Combined output Tensor at timestep t, shape (b, h), where b = batch size, h = hidden size.\n        @returns e_t (Tensor): Tensor of shape (b, src_len). It is attention scores distribution.\n                                Note: You will not use this outside of this function.\n                                      We are simply returning this value so that we can sanity check\n                                      your implementation.\n        \"\"\"\n\n        combined_output = None\n\n        ### YOUR CODE HERE (~3 Lines)\n        ### TODO:\n        ###     1. Apply the decoder to `Ybar_t` and `dec_state`to obtain the new dec_state.\n        ###     2. Split dec_state into its two parts (dec_hidden, dec_cell)\n        ###     3. Compute the attention scores e_t, a Tensor shape (b, src_len). \n        ###        Note: b = batch_size, src_len = maximum source length, h = hidden size.\n        ###\n        ###       Hints:\n        ###         - dec_hidden is shape (b, h) and corresponds to h^dec_t in the PDF (batched)\n        ###         - enc_hiddens_proj is shape (b, src_len, h) and corresponds to W_{attProj} h^enc (batched).\n        ###         - Use batched matrix multiplication (torch.bmm) to compute e_t (be careful about the input/ output shapes!)\n        ###         - To get the tensors into the right shapes for bmm, you will need to do some squeezing and unsqueezing.\n        ###         - When using the squeeze() function make sure to specify the dimension you want to squeeze\n        ###             over. Otherwise, you will remove the batch dimension accidentally, if batch_size = 1.\n        ###\n        ### Use the following docs to implement this functionality:\n        ###     Batch Multiplication:\n        ###        https://pytorch.org/docs/stable/torch.html#torch.bmm\n        ###     Tensor Unsqueeze:\n        ###         https://pytorch.org/docs/stable/torch.html#torch.unsqueeze\n        ###     Tensor Squeeze:\n        ###         https://pytorch.org/docs/stable/torch.html#torch.squeeze\n\n        (dec_hidden, dec_cell) = self.decoder(Ybar_t, dec_state) \n        dec_state = (dec_hidden, dec_cell)\n        e_t = torch.bmm(enc_hiddens_proj, dec_hidden.unsqueeze(2)).squeeze(2) \n\n        ### END YOUR CODE\n\n        # Set e_t to -inf where enc_masks has 1\n        if enc_masks is not None:\n            e_t.data.masked_fill_(enc_masks.bool(), -float('inf'))\n\n        ### YOUR CODE HERE (~6 Lines)\n        ### TODO:\n        ###     1. Apply softmax to e_t to yield alpha_t\n        ###     2. Use batched matrix multiplication between alpha_t and enc_hiddens to obtain the\n        ###         attention output vector, a_t.\n        #$$     Hints:\n        ###           - alpha_t is shape (b, src_len)\n        ###           - enc_hiddens is shape (b, src_len, 2h)\n        ###           - a_t should be shape (b, 2h)\n        ###           - You will need to do some squeezing and unsqueezing.\n        ###     Note: b = batch size, src_len = maximum source length, h = hidden size.\n        ###\n        ###     3. Concatenate dec_hidden with a_t to compute tensor U_t\n        ###     4. Apply the combined output projection layer to U_t to compute tensor V_t\n        ###     5. Compute tensor O_t by first applying the Tanh function and then the dropout layer.\n        ###\n        ### Use the following docs to implement this functionality:\n        ###     Softmax:\n        ###         https://pytorch.org/docs/stable/nn.html#torch.nn.functional.softmax\n        ###     Batch Multiplication:\n        ###        https://pytorch.org/docs/stable/torch.html#torch.bmm\n        ###     Tensor View:\n        ###         https://pytorch.org/docs/stable/tensors.html#torch.Tensor.view\n        ###     Tensor Concatenation:\n        ###         https://pytorch.org/docs/stable/torch.html#torch.cat\n        ###     Tanh:\n        ###         https://pytorch.org/docs/stable/torch.html#torch.tanh\n\n        alpha_t = F.softmax(e_t, dim= 1) # alpha_t.shape (b, src_len)\n        a_t = torch.bmm(alpha_t.unsqueeze(1), enc_hiddens).squeeze(1) # a_t.shape (b, 2h)\n        U_t = torch.cat((dec_hidden, a_t), 1) # (b, 3h)\n        V_t = self.combined_output_projection(U_t) #(b, h, 3h)\n        O_t = self.dropout(torch.tanh(V_t)) # O_t.shape (b, h)\n\n        ### END YOUR CODE\n\n        combined_output = O_t\n        return dec_state, combined_output, e_t\n\n    def generate_sent_masks(self, enc_hiddens: torch.Tensor, source_lengths: List[int]) -> torch.Tensor:\n        \"\"\" Generate sentence masks for encoder hidden states.\n\n        @param enc_hiddens (Tensor): encodings of shape (b, src_len, 2*h), where b = batch size,\n                                     src_len = max source length, h = hidden size. \n        @param source_lengths (List[int]): List of actual lengths for each of the sentences in the batch.\n        \n        @returns enc_masks (Tensor): Tensor of sentence masks of shape (b, src_len),\n                                    where src_len = max source length, h = hidden size.\n        \"\"\"\n        enc_masks = torch.zeros(enc_hiddens.size(0), enc_hiddens.size(1), dtype=torch.float)\n        for e_id, src_len in enumerate(source_lengths):\n            enc_masks[e_id, src_len:] = 1\n        return enc_masks.to(self.device)\n\n\n    def beam_search(self, src_sent: List[str], beam_size: int=5, max_decoding_time_step: int=70) -> List[Hypothesis]:\n        \"\"\" Given a single source sentence, perform beam search, yielding translations in the target language.\n        @param src_sent (List[str]): a single source sentence (words)\n        @param beam_size (int): beam size\n        @param max_decoding_time_step (int): maximum number of time steps to unroll the decoding RNN\n        @returns hypotheses (List[Hypothesis]): a list of hypothesis, each hypothesis has two fields:\n                value: List[str]: the decoded target sentence, represented as a list of words\n                score: float: the log-likelihood of the target sentence\n        \"\"\"\n        src_sents_var = self.vocab.src.to_input_tensor([src_sent], self.device)\n\n        src_encodings, dec_init_vec = self.encode(src_sents_var, [len(src_sent)])\n        src_encodings_att_linear = self.att_projection(src_encodings)\n\n        h_tm1 = dec_init_vec\n        att_tm1 = torch.zeros(1, self.hidden_size, device=self.device)\n\n        eos_id = self.vocab.tgt['</s>']\n\n        hypotheses = [['<s>']]\n        hyp_scores = torch.zeros(len(hypotheses), dtype=torch.float, device=self.device)\n        completed_hypotheses = []\n\n        t = 0\n        while len(completed_hypotheses) < beam_size and t < max_decoding_time_step:\n            t += 1\n            hyp_num = len(hypotheses)\n\n            exp_src_encodings = src_encodings.expand(hyp_num,\n                                                     src_encodings.size(1),\n                                                     src_encodings.size(2))\n\n            exp_src_encodings_att_linear = src_encodings_att_linear.expand(hyp_num,\n                                                                           src_encodings_att_linear.size(1),\n                                                                           src_encodings_att_linear.size(2))\n\n            y_tm1 = torch.tensor([self.vocab.tgt[hyp[-1]] for hyp in hypotheses], dtype=torch.long, device=self.device)\n            y_t_embed = self.model_embeddings.target(y_tm1)\n\n            x = torch.cat([y_t_embed, att_tm1], dim=-1)\n\n            (h_t, cell_t), att_t, _  = self.step(x, h_tm1,\n                                                      exp_src_encodings, exp_src_encodings_att_linear, enc_masks=None)\n\n            # log probabilities over target words\n            log_p_t = F.log_softmax(self.target_vocab_projection(att_t), dim=-1)\n\n            live_hyp_num = beam_size - len(completed_hypotheses)\n            contiuating_hyp_scores = (hyp_scores.unsqueeze(1).expand_as(log_p_t) + log_p_t).view(-1)\n            top_cand_hyp_scores, top_cand_hyp_pos = torch.topk(contiuating_hyp_scores, k=live_hyp_num)\n\n            prev_hyp_ids = top_cand_hyp_pos // len(self.vocab.tgt)\n            hyp_word_ids = top_cand_hyp_pos % len(self.vocab.tgt)\n\n            new_hypotheses = []\n            live_hyp_ids = []\n            new_hyp_scores = []\n\n            for prev_hyp_id, hyp_word_id, cand_new_hyp_score in zip(prev_hyp_ids, hyp_word_ids, top_cand_hyp_scores):\n                prev_hyp_id = prev_hyp_id.item()\n                hyp_word_id = hyp_word_id.item()\n                cand_new_hyp_score = cand_new_hyp_score.item()\n\n                hyp_word = self.vocab.tgt.id2word[hyp_word_id]\n                new_hyp_sent = hypotheses[prev_hyp_id] + [hyp_word]\n                if hyp_word == '</s>':\n                    completed_hypotheses.append(Hypothesis(value=new_hyp_sent[1:-1],\n                                                           score=cand_new_hyp_score))\n                else:\n                    new_hypotheses.append(new_hyp_sent)\n                    live_hyp_ids.append(prev_hyp_id)\n                    new_hyp_scores.append(cand_new_hyp_score)\n\n            if len(completed_hypotheses) == beam_size:\n                break\n\n            live_hyp_ids = torch.tensor(live_hyp_ids, dtype=torch.long, device=self.device)\n            h_tm1 = (h_t[live_hyp_ids], cell_t[live_hyp_ids])\n            att_tm1 = att_t[live_hyp_ids]\n\n            hypotheses = new_hypotheses\n            hyp_scores = torch.tensor(new_hyp_scores, dtype=torch.float, device=self.device)\n\n        if len(completed_hypotheses) == 0:\n            completed_hypotheses.append(Hypothesis(value=hypotheses[0][1:],\n                                                   score=hyp_scores[0].item()))\n\n        completed_hypotheses.sort(key=lambda hyp: hyp.score, reverse=True)\n\n        return completed_hypotheses\n\n    @property\n    def device(self) -> torch.device:\n        \"\"\" Determine which device to place the Tensors upon, CPU or GPU.\n        \"\"\"\n        return self.model_embeddings.source.weight.device\n\n    @staticmethod\n    def load(model_path: str):\n        \"\"\" Load the model from a file.\n        @param model_path (str): path to model\n        \"\"\"\n        params = torch.load(model_path, map_location=lambda storage, loc: storage)\n        args = params['args']\n        model = NMT(vocab=params['vocab'], **args)\n        model.load_state_dict(params['state_dict'])\n\n        return model\n\n    def save(self, path: str):\n        \"\"\" Save the odel to a file.\n        @param path (str): path to the model\n        \"\"\"\n        print('save model parameters to [%s]' % path, file=sys.stderr)\n\n        params = {\n            'args': dict(embed_size=self.model_embeddings.embed_size, hidden_size=self.hidden_size, dropout_rate=self.dropout_rate),\n            'vocab': self.vocab,\n            'state_dict': self.state_dict()\n        }\n\n        torch.save(params, path)\n"
  },
  {
    "path": "a4/outputs/.gitignore",
    "content": ""
  },
  {
    "path": "a4/outputs/test_outputs.txt",
    "content": " The Abraham said unto him, Moses and prophets; that he may be with them.\n “Well,” said Charlotte.\n Therefore shall not be ashamed of them, but shall not be given unto them, but to them that are in the flesh of their works.\n When he was going to the other side.\n And he shall say unto them, Because there be called by them, ye shall enter into the fire of fire, who is the devil and his angels.\n not in the evil work, but the righteousness of righteousness;\n which is not worthy of you, neither is no more with him:\n And there was no root of them, that the faith of faith were with them.\n And they were all amazed, they said to another, Know ye, not all these things are of Galilee?\n He took one of his own hand, but I’m not see the way of the mountains, but he could not be able to see it.\n Therefore is the throne of God before the throne, and found nothing of the temple, that day and night: and he that sitteth on the throne shall be with him.\n This is this to pass to God, for God hath been given to the Son of the world, that I may eternal life, that I may eternal life.\n But if we cast out demons in the temple of God, ye shall not see the kingdom of God.\n I guess I was a tree in the tree, and I would have a tree.”\n If he would make one of them, that ye may make one of them, all that thou hast made me: and if it is one of them, that he may be one for all.\n It went into the air and wiped their noses and ate.\n Even as it is written in the law of the law in the law of Israel;\n It was like so as it was in the day, the day of the day was in the day, and it was in the morning.\n Wilbur stood asleep.\n And they shall speak in the end of the tabernacle, to the rest of the rest of the Gentiles; but hope, that ye may be saved, ye may give me to go away from me;\n I’m going to me.\n He sat on the edge of the other side, he put them into heaven.\n I started a short man to keep a short man to keep a short man, and then the word that is at the ground, then then I was like a knife in the ground.\n Her egg sac sac.\n And as he had seen it, he took bread, and gave thanks, he gave them, and gave them, and said, This is my body.\n Perry went back to the ground and the sounds of the man, wet wet.\n Not me.\n And when they were come to pass, they were astonished, they began to say, Who is this, who did also also also?\n This was three days, when he went out again unto the second time.\n And if thy hand shall cause thee to stumble, it shall be cut off, and thou shalt eat: for it is good for thee, and thou shalt make it: for it is good for thee, that thou mayest be cast into the body.\n “I don’t feel life for the barn’s barn.\n But there was not a curse, even as it is a serpent; and when it was come, as I have sent you, even as ye are in Christ.\n And they shall not say that it is written, that the stones of the chief corner;\n “Oh, Charlotte,” she said.\n “I’m going to the Ferris wheel, but I’m not need.\n I say unto you, I will keep you; for it is, I will give you: I pray thee, ye shall die.\n whose Father is greater than all, and I cannot be able to my Father.\n The spider seemed to the web, This is the web seemed to the spider.\n It was like the winds of the air.\n Yea, who is the law of the law, but the law of the law,\n And he said unto him, Friend, why do ye that thou art here that thou art? And they were afraid.\n Salute another with love with love.\n <unk>II.\n For whatsoever is no one that is in the things; he that doeth all things are the things of God.\n “What are you going to do?” asked asked.\n And Jesus answered and said, Nay, I know not the way of your fathers, what ye shall see the cup of the cup of the cup of the cup of the cup, and it is able to do with me?\n And they took the fire in the fire, and the fish, and the fishes.\n But though it is good for thee for thee.\n “I’m going to eat, and his tail was sitting in the sun.\n And when we had seen, we saw, and set on the right hand, and found on the right hand of the ship; and there was a ship of the ship.\n Now I say, And ye shall speak in the name of the Lord, that ye should not receive the rest of the Gentiles according to the rest of the Gentiles,\n Know ye not, that the sabbath day of the sabbath day in the sabbath, and not seen the sabbath, and have not seen the things which are in the sabbath.\n You'll get you, Wilbur!\n Remember the law, that thou shalt not commit adultery, Thou shalt not steal, Thou shalt not steal, Thou shalt not steal, thy father, and thy mother.\n And when he went to the door of the door, and said unto Peter, Art thou also this man? I am not.\n For this is the love of God, that he may keep his commandments to the law; and the law is not.\n “I don’t think it’s going to sleep, Wilbur, in the corner of his mouth and Wilbur would not be the way of Charlotte’s children.\n And in the blue, of gold, with gold, with their handss.\n <unk>erily I say unto you, This generation shall not pass away.\n You’re all my morning.”\n And there are the disciples of the disciples.\n and when I beseech thee, I pray thee, I pray thee not a new law; I am not a new law;\n He went back to the dump and went back to his house.\n And, behold, this voice came out of heaven, This is my beloved son, that it is well.\n Then do good good tree, and shall be done evil evil evil; for it is a tree that is in the world.\n One morning Wilbur.\n Mrs milk.”\n And he that followed him, and saw him; and the flood was left, and took him.\n But let him know that the Son of man shall be in the world, then saith unto him, Arise, go up unto thee, and go.\n Bear, when we went up to the mountains, and he could not see the other side of the other, but he didn’t feel the other.\n <unk>nto the multitude of the multitude, because they were three days three days, because they were not three days;\n And they that were with him, they brought him out of the demons, and gave him a pig.\n For as I had known unto God, the people of the testimony of the testimony of the law, that they may eat and rulers, and for them that are in the same.\n For your faith were gone down from all men.\n And when they heard these things, and they that were with him, they were not afraid.\n Now there was a certain man named C<unk>sarea, a centurion, a centurion, a centurion, of the centurion.\n Fern was sitting in the edge of Fern, and I’d going to another.\n And he said also a parable unto them: There is one of the fig tree that he had taken out of the vineyard: and when he was come, he rose up, and he was not afraid.\n And I will give thee thee, and ye shall be with me: and because I have found me.\n And Philip said unto him, two hundred and the bread that is not able to make one of them.\n And he went out another, and said unto them that were bidden, and said unto them that were with us.\n When he fell down to the ground.\n Then another spider.\n And when John came to him, and began to say unto John the people; how are ye into the wilderness?\n But they told them not.\n But when I saw it, though I have found you in the book of the book, ye cannot do evil evil, but evil evil: for it is in evil evil evil.\n But we know that the truth is true, and I thought that they might have been made.\n He went back to be a long time to be a long time to be a long time to be the water.\n There was also that two thousand came also two talents.\n Then he went on the eleven disciples to the disciples,\n The Jews therefore said, What shall I tell him? saying, I will not go.\n When it came to the top of the air, and she sat down from the ground, and then it was a deep.\n And they brought him to him, Paul said unto him, The centurion came unto the centurion of the centurion.\n “Look out for it!” he Fern.\n Lurvy went and went up and went on his own hand.\n It was like a lot of wood.\n He that is born in his own body, that we might receive the body, that we might be made for a sin unto righteousness;\n This will I live with me.\n He would have a swim in the straw.\n And in the midst of the web.\n And they said, Because thou hast found in the presence of Moses, and in the country.\n And they that were not ignorant, let him hear. And they tell me, whose is the greatest?\n Mr.\n He was tired and happy.\n “Well, Wilbur!” said the old sheep.\n By faith he himself, and the child, and the child in the child, because that which was come to pass, because that he was promised, because he was promised.\n But I say, Is not I say unto you? yea, indeed ye have heard the world, and from the end of the earth.\n “Don’t worry, Templeton!” said Charlotte.\n But when he was gone away, but I’m not going to be, when he didn’t want to sleep.\n So that we may make one of each one of each one of God.\n For I say unto you, There shall not come unto you, until ye say, This is the name of the Lord:\n And he answered and said, There is no man in the house of Egypt, the sheep of the sheep of the house of Israel.\n Beloved, because it is love: for love is the God of God, and one of the God of God;\n And these things also Abraham with all these things, that they should take them out of the first; and the first part of the Lord is faithful, even the Lord, who is in peace.\n Charley started with a stone in a rock, and put it into the top of his head.\n From the <unk>ueens, and rolled to the Ridges, and I’d like the Ridges of the Nation.\n “Yes, it is,” said Wilbur.\n <unk>p!\n And the last egg, he said, I will surely my son.\n “It’s name of him.\n “Well,” said the goose.\n “Good!” said Charlotte.\n They had seen the ground and then I had seen the best of the Nation and their own ones that had been able to visit their eyes in their eyes.\n For there are all things that are in the sight of God, yea, and <unk>erily is in the sight of God.\n In that, I’ll make me in the midst of the colonel’s office, the people’s people did not because of the peoples of many peoples of people.\n These are they that are sown in the way, that they went into the country, and went down into the midst of his hands,\n Please, I'm going to sleep!”\n <unk>erily he said this, “I’m going to know this barn in the barn cellar, and then the goose had been done to the goose.\n It was a brown and then in the ground, he sat down with two legs, and he began to keep the top of the ground, and he began to keep the top of the ground.\n For ye shall say unto the bread of bread, and this cup, The cup of the Lord, until he come.\n And if he rose up into the fire, and cast it out of the fire, that they may put him to him; but if thou shalt say unto thee, that ye may kill him, and doth me.\n Take heed unto you, and pray thee, if any man thinketheth me, if any man hath given you, even as ye also do.\n But ye shall not be of them, for your Father because ye have your father before you.\n This is the work which thou hast given me, my beloved brother, even as thou hast given me to be comforted.\n And I pray thee, and be filled with me, and in my name;\n Wherefore, my beloved, beloved, ye know that the things which is with you?\n The days seemed up and the Zuckermans and the Zuckermans were gone up.\n And the scribes of the one came to him, when they heard that they were sick, and saw that he had said that he had said, What is the works of the law?\n <unk>nto the name of John, in the midst of the seven times; Grace with you and peace from you that is before you, and, who is the seven spirits which are before thee:\n Mr.\n The chief priests and the chief priests and the elders shall come to death, and they shall see.\n And there was one of the four living creatures seven angels and seven angels, and the wrath of God, even for ever and ever.\n But concerning the Son of man’s Son, whose Son are in the world,\n And behold, I came to pass; and I will say unto you, I will give thee to give unto you, to give it to every man according to his works.\n These which I had said unto them, that the first which I had brought them before them in the sight of my people, to all the Jews, all the Jews,\n But Peter sent up the door at the door. Now the other disciple, and the chief priests, the high priest, and the chief priests, and the chief captain of him.\n The horses seemed to the goose, but the goose said.\n This is a good world.\n They answered him and said unto him, I am Abraham of Abraham’s seed, and I will not see it?\n And he that sent him by the way of them, when he saw it in the sight of it.\n And he said unto her a man, half a half.\n But if thou refuse to him, let him go to the poor to the poor, that they might receive the poor, and the blind;\n They shall not be with a stranger, let it be no wise.\n So in the end of sin is sin; and sin is the death of death.\n One house in a house in the house of it rose up in the dirt, and put it into the top of the fire, and in the top of the fire, and in the two side,\n “I’ll worry about here,” said Fern.\n “I don’t know what I don’t know the word.”\n “Yes,” he said.\n And when I was come to because of the time, I was in the sight of the swine.\n Then he looked up into the air.\n that the righteousness of righteousness, which is in the resurrection, the resurrection of the resurrection; and they gave them away of the resurrection.\n It seemed to the end of the end of it was very grievous to be.\n Perry’t not going to be a good way to the West, but I guessed it was not.\n “Do Fern Fern?”\n He that would not be found in the house of the dead, and see Mr. Zuckerman.\n And straightway the voice of Jesus went out from him, and said unto him, Sirs is, because thou art in the earth?\n And the Sodom of Sodom and they were casting into the dust of the dust: and he gave them that he had given unto them, and that he might be fulfilled that were in the sight of God,\n And he began to say unto them a vineyard, and found a vineyard, and took the wine of the wine, and laid the wine into the field, and went out from the field, and went out to the field.\n But when he was going out from the way, when she was in her corner, when she was going to Fern, that she would go back into the corner.\n This Moses spake unto Moses, that he said unto the children of Israel, The Lord shall be given unto you in the sight of your brethren.\n “This, one seven?”\n When he had left him, and went away to the master’s wombs, that they might make all that were with him.\n “Oalutations!”\n And he went to sleep.\n And he arose, and went up into the country, and dwelt in the midst of Olives; and he entered into the country; and not of him not.\n The goose came to pass, the seven goslings had gone up and seven goslings.\n whose are they that are not of the world, that they might not receive them, that they might not be able to speak unto the gospel of Christ, even as God.\n But he spake unto him, and said unto his hand, Arise, and sat down. And he arose and sat down.\n But when they saw it, when they were going down, and his wife shall be taken away; but when they were come down, and saw that, when they were gone, and saw the heaven.\n That he was coming from the city.\n But the other part of some rose up, and fell upon the ship.\n And there came to him, and took him on him, and said unto him, If thou wilt, thou canst make me.\n Wherefore he sent to me, that he might send them out of them.\n It was a few time, one of the other fish.\n And in the day, it is written in the book of David, until day, even as it is said, This day is this day, if ye shall say, This day is this day, if ye shall say unto you, to this day.\n And he said, This is I said, I pray thee, I pray thee, that I may go with them: and there shall I speak in all my sight and my mother.\n I'll let you see the pig.\n Don't now now!”\n This Crockett had been done to be with her friends, if he could be cut off the ground, and he could not be able to be a balloon.\n He went back into his yard.\n Sack for the first Grounds of the Fair Grounds, all the Zuckermans’s life.\n This is the things which I have spoken unto you, that they might eat.\n For if it was not able, that they might not drink of him: for the works of it is one of the one, no more.\n And they brought all his hand.\n And when they were in those days, that they were able to God; but when he had seen all the people all the people,\n And the morrow he brought them out of them, and took them with them. And the morrow was Peter, and to him that were with him in the brethren.\n And Peter and John came with them with them, and asked him, and John came into the third hour.\n And some of them believed, and gave them forth to Paul and Silas, and many rulers of God,\n <unk>for this is written, The multitude of the Gentiles have gone up into their father, whose are the Gentiles, who is the dead, whose are the dead,\n These things are the church of the church: If they say unto you, that ye may be saved, the disciples of God, are good.\n And they said, John the Baptist; but some of Elijah is Elijah; and others, a certain prophets.\n For ye know that the grace of our Lord Jesus Christ, who was given for us, but for you because of the works of his life, that ye may be given unto you.\n When they were going down.\n The length of the court was gone up, and I had a stone of stone: and the third part of the boat was upon the ship; and when the boat was in the earth;\n And he sent unto him Peter and John, saying, Go into the passover, that it may be light.\n and he did not know that he did not know that in Jesus: for Jesus went away from them; for they were there.\n Arise, behold, the sower went forth; behold, the sower went forth;\n Templeton.\n And all men shall be for all men’s sake.\n And they knew not no man: and there was no more come out of heaven.\n Wash you, that every good work of good work, that it may be well-pleasing to the gospel of Jesus Christ: for it shall be for ever and ever.\n I am the light of the world, that he that believeth on me is no more in darkness.\n And when Jesus saw it, he said unto them, Why do ye not bread with bread? yet yet yet ye received not the word of your own?\n On the morrow was in the morrow, he was standing in the morrow,\n I beseech you in the woods in the woods, I was able to be able to see the woods in the woods, I was able to see with the women.\n It was in his own.\n But he charged them, and said, It is not lawful in the spirit of you.\n but this is written, It is written, Behold, I send my servant before thy face, that thou shalt take before thee before thee.\n “Look, it!” cried Wilbur.\n And the angel said unto him, Go on, and thou shalt eat his feet. And he said unto him, Give me and drink.\n And the women of the women shall be with women, as the men of women, as the women of women were evil.\n Wilbur lay down his head.\n Because of us, in the knowledge of knowledge, now now we may be justified in the Holy Spirit, and the Holy Spirit is in love.\n But he was very far to the city.\n But he said unto him, If we be not ashamed of Moses, and the prophets, not also also also, whosoever was dead.\n Where is a man? Where is the old? Where is a piece of the world? Is not to God that are in the world?\n Everybody was proud in my mouth and said to his life in the world.\n I’m not here.\n He answered and said unto him, Whosoever shall hear me in the second time;\n He looked at a long time of his own hand, and I'll be across the top of his head, and I'll tell him across the ground.\n The boy said to the tree,\n Jesus said unto them, If you say, I pray you, some of the fishes?\n None of them.\n For a man loveth his wife according to the love: and so also the woman also with her husband.\n There was not able to live.\n He went back into the house and looked in the house.\n And he was dead, and took his hands with his hands, and took his hands on the way of the robe, and his face with his face.\n And Mary Mary, he made an Adullamite, whose name was pure; and he rose up with his feet, and sat in his feet with his feet.\n I will take my peace and ever.\n In that day ye shall go, and ye shall die: and I will not see the Father;\n that the faith of faith shall be justified in the power of God, that ye may be filled in the last last.\n And some of them would see Wilbur, that he would not make it a fire in the fire.\n And when he had said, And he had said, and the mystery of the mystery of Mary, saying, This is he that is with him.\n I know thy works, that thou mayest eat and drink; but I will not hear thee, and thou shalt live.\n In the Cherokees of the Cherokee people had been in the mountains.\n This is a good pig and a good pig.\n For the other side of the river was gone out of the river, and Fern had left the creek.\n And when they had come to him, brethren, brethren’s brethren, to say to them that believe: and when he was come, he spake to God the word of God.\n It was a knife in the creek, and I saw the end of the end of the month, by the end of the grandstand.\n And they could not be able to pass, this is now.\n “It’s all all.\n But I don’t know that I’m not. I’m not what it is like a long time.\n And there was a great multitude, and in the ark, and came into the ark, and went away to the ark.\n “Can I see?” asked the doctor.\n Having to be baptized of your hearts;\n After a while, he saw her back, he saw his head.\n He climbed into the edge of his pocket, and came back into the blanket, and came back into the woods.\n The men of the people go up to the ground, and they could not go out from the ground.\n <unk>for we would have been in the days of Christ, that we may believe in Christ.\n whose are they that believe not, because of all the land of righteousness, in all things have been made manifest.\n For ye know that ye know, brethren, that they might not be vain.\n to whom the glory of the glory of the glory which is given unto us:\n And they shall keep the hem of his mouth.\n And when he came near, there came near, there was a mount of Olives, all the mount of Olives, all that were done by the disciples, and told him a great multitude.\n Therefore saith therefore, Thou shalt eat thee, and go up unto the dead, and go up unto the dead, and Christ shall come unto me.\n They went back to the smoke of the air and was a pomegranate in the air.\n Now now, Lord, the Lord hath eternal eternal, neither shall not be able to God, and glory for ever and ever: Amen.\n Jesus said unto them, Because of the will of the will of his will, and that his works may be given me, that I may go.\n And I heard a voice of all things that are in the temple, and an hundred and forty years of the children of Israel.\n Be not therefore for them: for there is not nothing, that it should not be manifested, neither is nothing, neither is nothing.\n And Jesus lifted up his eyes, and saw a great multitude, he saith unto Philip, Whence I have done.\n Know ye not this, that they may know the Christ, and shall keep the glory of his glory.\n And the servant of the servant shall say these things. And the sons of the house shall say unto his servant, Go into the city, and in the city, and to the poor, and to the blind, and the blind.\n If I was not a very grievous to the ground and she was like a balloon.\n And when he had come to him, and say unto him, The good thing shall come to pass, and the poor shall say unto you, Thou art a good thing, and in the sight of my fathers,\n Wherefore, brethren, I pray thee, ye are not flesh, who are in the flesh.\n Charlotte felt Charlotte, and Wilbur was going to Wilbur.\n Furthermore, and I guess it was in the way, he was in the air.\n And he spake unto him, saying, Take heed unto us, how shall ye do? how long shall I give you?\n Salute the glory of our Lord Jesus Christ, because two of the Lord Jesus Christ.\n And all that were gathered together, and the governor, and the Lord.\n He was tired and she was going to sleep.\n The people seemed not the Cherokees of the Nation.\n But as as as as as as they were going, as ye were baptized; ye are afraid.\n It was a little city.\n But whosoever shall deliver me before men, because of the angels of God.\n The next day of the day we were going up to the day.\n And he took his garments, as as as as as were as as as as as as as he could no man in the world; it was no man in the world.\n Then, the web,” said the web, “I’m going to sleep.\n They beseech you, I pray you: I know that I am full of good; and I will establish you in all things of all things.\n Wherefore, brethren, we have sent you with you in all things, in all things, for your faith.\n I’m going to stand in the killers.\n And some of the fish, a fish of a large fish, a fish of the fish.\n But he knew that he could not believe it.\n And when Jesus saw him, the multitude of many witnesses were gathered together, and the Holy Spirit, and said unto him, <unk>nto the Spirit, I pray thee, and be no more.\n Now these are the scriptures, that they may be filled in the sight of their works, even so also I also.\n And there was a great house in the house of the house’s head and the knife were rolled up to the whites and his teeth.\n And I saw their eyes, and the birds of the Nation, and the power of the bridegroom, and of the tree which is in all manner of life:\n With some of the web I'll get a web in the spider, and the spider’s spider.\n And the fish shall say, Thou shalt eat the serpent?\n And there is a vow in her hand; and he leadeth his own hand, and casting them into the air, and gave him; but thy disciples came to pass; but they could not.\n In the end of it was across the log, and I was in the top of the trail, when they were in the top of the trail, and in the end of the trail in the trail.\n And when they were gone away, straightway they were left.\n For a while the old man had been gone to the old man.\n If ye know this, I know it.\n The spider's a spider’s web in the barn and the barn was a pigpen in the barn.\n “I don’t want to die!” he cried in a loud voice voice,\n And when he had taken the four corners of the four corners of his own wood.\n As at the way, there came across across the dark side.\n James, the God and Jesus Christ, who is called unto you, who are called you,\n If I said not to see the people’s people’s people’s people, I would have a young man and my mother’s sake and my mother’s neck, and I would have seen you.\n For I am not to speak unto you, but I hope to see you, but I hope to give you unto you, except the Lord.\n This is the first and the law.\n But thou shalt make it with you, and make thy brethren with thy brethren.\n Jesus therefore said unto him, I pray thee, I pray thee with a sword, with all the sword, with all the sword with the sword.\n And he took his head with his head with his head, and took with him a flood, and put it upon his head with him, and put upon the breastplate,\n For there shall be one according to the sin, that he should not receive the power of God, that he might be fulfilled of God;\n Now when it was no more, he went up into the mountains.\n And they went up to the rest, and they would not believe.\n “I’m going to sleep,” she thought.\n I don’t know what I said.\n And the officers that heard these things were come to pass. And when they heard it, they heard that they heard.\n “How?” said Charlotte.\n The little tree, what? said the boy.\n Blessed are they that dwell in the house, when they shall come in the way: <unk>erily, verily, I will say, <unk>erily I will say unto you.\n “That’s all,” said Wilbur.\n The chief priests and the officers saw him, they cried out, they cried out, and cried out, and said, Thou shalt not die.\n When Mr. Zuckerman went back into the house, and took her back into the pigpen.\n And let us make their hearts in your love and love, love in love and work,\n But Paul cried with a loud voice, saying, Thou shalt not kill thee, for we are here in all.\n This would have been done, he said.\n And the devil took him away from the mountain, and took him to him that were in the midst of the earth.\n For the grace of your faith are faith with faith; and it is not for yourselves;\n And when he had gone him out of all the region of Siddim, and they that were sick, they were amazed, and filled, and they that had possessed with demons, and with their heart; and they took them.\n And I saw the third part of the four living, like a mouth, and his mouth, and his mouth was like unto his mouth; and the dragon opened his mouth according to his mouth; and he shall bear his mouth in the sight of his mouth.\n Then he was like the top of the ground and it was a little sheep to the ground.\n “I don’t noticed a pig of Charlotte.\n And to the angel of the church: This saith the Son of God:\n And straightway the ears of them that were opened; and he laid them out of them, and blessed him.\n But I say unto you, Thou shalt love your hearts, that ye may do good good, and do good good, and blessed them.\n And when they heard it, they brought him to the Lord.\n But now now the law of the law because of the dead, because that he was dead; that there is a new Spirit unto him, and not in the sight of all.\n Are you all?\n Fern had buried her hair in her hair.\n I say unto you, that they should send them away from them?\n Take heed unto you, all that are in the flesh of the flesh: not as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as\n Wilbur.\n In the door of the door in the door, for the door of death, and to keep the way in the way to come to death.\n For the angels that are in the world, which is in the world, that he might be saved.\n And when they had sat down on the mountain, went on the mount.\n “You’s going on the web, there is a big-handed.”\n There was no any man.\n And in the blood of Stephen shall be in the blood of his blood; and when I came near to the dead, and to eat the dead, and to eat their garments.\n She went out of the river.\n As the children of children, the children, whoses, the children, too.\n Wherefore my heart is good, and I will eat with you, and also also in the hope of his hope;\n There was no more.\n Moreover the church also in the church where they were in the church. Salute my beloved beloved, who is in the beginning of Christ.\n This man shall come to pass in the sight of the Lord, and bring them up in the sight of the people, but as it was gone up.\n But the God of God is with grace, beingcause of our own salvation;\n The hot was hot.\n For whosoever shall be with him, and he shall die: but whosoever shall not be left, he shall be left.\n The younger people stood at the kitchen, and he walked back to them.\n And Jesus went forth to the disciples to the disciples.\n They were of the people rose up on the two men, and they took the other.\n And he that is in the temple, all the temple, and the flocks, and the sheep, and put it into the sheep, and gave them up to drink.\n Therefore then this is the birds of the birds, and I will send unto you, This shall I give you, and I will say unto you, I pray thee, and ye shall see it.\n Jesus said unto him, Dost thou not this, and if it is good, thou shalt receive the glory of God.\n And it was good good for God, that I may be given unto you, and with you.\n Jesus therefore therefore, when he was in all, that they might be fulfilled, that the scripture might be fulfilled, that he might be saved.\n Every one that walketh in the days of Christ, even as we have heard the mystery of God.\n One evening, when she had been across the top of the air and I’d her her wife to keep my wife, and I said.\n Don't tell you a little fish!\n But I say unto you, that Elijah came, and they knew not, but they would have no more. And the Son of man shall be according to the Son of man.\n If it came to the Fair, and he walked back to keep it for it.\n It seemed to be a minute in the mountains.\n And he said, <unk>erily I say unto you, This is the poor more than the more.\n One man shall say unto me that I am my name’s sake: and whosoever receiveth me, I am not of you, but that he sent me.\n He had two two men, and children and children and children and children.\n From it, that they would have something’s that which was something’s soil.\n And when he was come into the sea, he was filled with her hand: and they were afraid, and said unto him, Teacher, thou wiltst thou nothing?\n And there is no man that believeth on the lamp, neither shall not make it for it, neither is it, whose name is the light.\n The geese cheered.\n If ye shall ask in my name, that he may do.\n to whom he was come, and saw the grace of God, and he spake to the power of all the power of the Lord.\n In that day Jesus went into the house of Jesus, and the breadth thereof.\n And he called our brother’s brother, and I was afraid to see his brethren; but he would not see that it is not to come to come to come to come to death.\n And when he saw that he was round about the region round about, and went out of the heart of the heart, saying unto the man. And he went out from his hand, and let him eat.\n and not only, but God also with our Lord Jesus Christ, that ye may receive this day.\n He wanted to the new new world, he was peaceful.\n For our God abideth with us in Christ Jesus.\n And Philip, brethren, and Thomas, and Thomas, and James the son of Zohar,\n And in the synagogues, there was a spirit of unclean spirit, and rose up,\n And the next day, a boy.\n It was a long of wood, and I didn’t catch it a good way to the soldiers.\n I rose up with me.\n The heart of his heart shall not be ashamed of his heart, but in the sight, and in the sight of his life?\n “I don’t get on the other side of the air,” he said, “I’m going to get up.\n And he said unto them, What is a little multitude? John John.\n And he put the right hand into the hand of the hand; and straightway he left his feet, and took him on his hand.\n He sat on the table and his hands on the top of his hands and sat down on the top of his hands.\n The boy said, We’m going to the rest.\n This are the egg sac.”\n It was a good thing.\n Or Spirit I say unto you, Thou shalt not know thy soul: for what is I to do that I am of the Spirit?\n If I say unto you, I will not go unto you: for it is indeed, because I have seen you; but because of it is not, because I am not lawful for me.\n For they said, Take heed out of the land.\n And when Herod was taken away, and put him away his feet, and commanded him.\n Because of the beginning of the Lord Jesus our Lord Jesus, that he might receive his life in us.\n And I saw them that sat on the way; and the time of this time shall be done unto all these things.\n Grace to you and peace from God, and the Lord Jesus Christ.\n O Lord, ye that are of you, that ye may be one of you; but whosoever ye shall receive it, that no man may be saved.\n “I’m not going to sleep in the midst of the country.\n He fell down his head, and his knees, and his neck.\n By faith he shall be a stranger in the land of the land, as a great country, in the land of the land, even as many as Isaac with Jacob.\n What then shall they do? Shall I come with me? or he that is love, and the Spirit?\n And they made the other side of the gold.\n And when he got to the Avery, Avery, too.\n For though I am I to have a flesh in the flesh, if any man shall be able to speak in the flesh, I am the more.\n For there shall we say unto men? God is good? or if a good man doth not to my master?\n But I say unto you, that ye shall receive the glory of the day of the day of the day of the city.\n Now when they had told him, he showed the things concerning these things,\n And I will make thy right hand.\n And when they had brought their many multitude, and rose up, and gave them to them in the sight of them; and the multitudes were made.\n And he answered and said unto the Lord, Behold, Lord, in the midst of the poor; and if any man is given to the poor.\n But he made a rich man, but as a flower of a flower, even as it is like.\n The next day was dark and dark.\n And he spake unto him, and rolled him with him; and he was dead as he was as a very grievous; so that there was a great multitude,\n He that sat on his head across the fire with a knife.\n of the grace of Christ Jesus:\n “It’s a very hour,” said Charlotte.\n They fell down down.\n And there came to the other part of the other side of the mountains, when they had put it out of the top of the field, and it’t get it out of the top of the air, and it’t get it in the wilderness.\n For as he came to pass in the days of Noah, according to the Son of man.\n “I’m nothing to eat.\n And after these things I saw, and, behold, the ruler of the ark are the tabernacle;\n When Bear was in Bear’s day, Charley had been seen that which was not worthy of Bear.\n If I was going to pass in the mountains, down on the days of the days, and I sat down in the days of the days.\n And when he was very old in the old land of the ground in the city of the city, the words of the covenants on the Nation.\n It is very nice to you, but I said.\n And all the whole earth, and took them up with the saints, and blessed the city; and the fire may be put away from the heaven, and they eat.\n But But ye fast, let them go out, and let them go,\n And God shall be filled with the works of God,\n The second time I’ll see him, and I’ll see the pig.\n And when they had seen the people, they came to them that were with him, they spake unto them:\n And there shall be filled with him that he should not die.\n The truck of the truck, as it was like to the truck that had been like to the West.\n These things had the ground.\n Charlotte was afraid to see the web.\n And they could not see the child.\n For the Christ hath not been given to me, but to the gospel of the gospel; I am not worthy of them that believe, because of the gospel of Christ.\n And when even when it was come, the same is it unto you, that he might light on the day.\n And when he had brought it out of the people, he entered into his hand, and kissed him.\n And if ye shall be given unto you in peace, be peace in peace.\n Ye have heard that it is said, Thou shalt love thy neighbour, and take thy neighbor.\n He,” he said.\n That I have said unto you, and to see the day of Israel, for the children of Israel hath been spoken unto me.\n The woods are in the woods.\n They were gone down into the barn.\n But if ye shall eat of you, lest ye know that ye have no wise.\n Behold, your father is gone.\n even as ye know that we may believe with us, and now I have spoken of you.\n In the next day I came back to the ground, and I found in the three days of the next day.\n <unk>pons because he was gone up.\n From blood,” said Charlotte, in a man.\n And when he was come into the seventh day, the disciples came into the house, and followed him.\n And all the multitudes rose up throughout all the cities of all that were with him; for they were sore afraid; and he went out unto them.\n When Mr. Zuckerman heard the door, he planned to the door,\n “You’m going to the web,” said Mrs. Arable.\n “I’m going to know it.\n And ye all things, that ye may do one to another, according to the gospel of God.\n So that he was gone away, and they were amazed.\n But when they were going into the boat, and the wind fell upon the sea; and they were filled with the sea; and they were filled with water;\n Then the man’s servants came unto his servants, and said unto him, Art thou not a good seed to give thee? how shall they eat that which is evil?\n “What are your web?” asked Wilbur.\n and that no man should not let him not because of him, that he may save himself, and the name of the beast, and in his name.\n The colonel seemed to the colonel and the colonel would have the colonel.\n And he said, Peter, and he began to tell him.\n having been that which was given unto death, that death should not see death: and he is not worthy of God: for he yet yet he that had been made, for the works of God was made manifest.\n I'll know what the barn cellar.\n He said I was like a <unk>ueens.\n I don’t want to the Fair, and I'm too.\n And straightway he went out of the one, and took him into the castle, and put him out of the robe, and put them into the castle, and put them into the midst of the sea.\n Jesus saith unto him, I am the resurrection and life. He that believeth on me is dead, because he is dead.\n The next morning, as it were across the next morning, as it was like across the stockade.\n <unk>II.\n But when he saw, and his disciples came unto him, saying, I pray thee, I pray thee: for I was not afraid of her, but to the people.\n Let not be ashamed of his own mind, but some of them that believe; and it is good, that ye may know that ye have done unto you.\n For all the nations shall be made of the wine of the wine of the earth, and kings of the earth, and the kings of the earth, and the kings of the earth, that they should eat them out of them.\n to the power, because of righteousness, evilly, uncleanness, uncleanness, inwardly, in necessities,\n And he charged them all the evil evil, and to do the good thing that is in the land of Egypt, and to come in the sight of Pharaoh, and of all his house.\n and they shall put the head in the head, wherewith the whole body had made the body, and casting them out of them, and casting them out of them;\n And they all heard that they were gathered together with the sheep.\n But if if if if I could not make you if we would live.\n Jesus answered and said unto them, This is the temple in the temple, and in the day of the day I shall see me.\n All of all that Crockett had been in all.\n If I am not because I’m not because of it.\n Not that I would not go out of you, that he might bless him, and gave us out from heaven, and in the day that is in heaven;\n And they were gathered together with them, and told him, and told all the chief priests and the elders.\n The day was gone.\n Be not your brethren, ye know that ye know that ye have no more.\n Beware of God, according to the flesh of his sons;\n Templeton.\n unto the brethren, and your brethren in Christ, and peace from peace from God our Father and the Lord Jesus Christ.\n She’s head and the boys would not see the ground, they went out.\n I'll be a good time?”\n And he said unto him, Cast thee out and thee, and I will give thee a land unto thee.\n He sat in the midst.\n They went out, I said, I said.\n I will go down down to the ground.\n Then they all the second time, saying, It is not this man, but he is called Barabbas.\n He leaned with the rope.\n These are the Son of Zebedee, Mary his mother, and his brethren, and Simon, and Simon, and Simon?\n This is going to sleep.\n For the Lord hardened the eyes of the Lord, and the children of them, but the face of the Lord.\n If therefore shall come unto thee, and shall give thee to stumble, it shall be cut off from thee, and will give thee: it is good for thee, and thou shalt eat of the fire.\n Wherefore we sent unto him, that he might touch him, according to the end of his mind, according to the end of it.\n Mrs. Arable had to see the door, the door came down to the door, his hair with her hair with her hair.\n and Ram begat Jotham; and there begat Arphaxad; and Manasseh begat Arphaxad; and Manasseh begat Hezekiah;\n And they departed, they went away to the disciples, beholding him, and said. And when they came, they bowed on him, he fell down to the ground.\n But he said unto them, I have sinned my word.\n Now ye know that ye have no more, that I have no new, that I am not worthy of you, and that ye are true, we also also with us.\n Be not therefore that ye shall say, What is it, and what is it, and what shall they eat?\n They could not see them.\n And they gathered together all the way.\n And they that dwell on the law shall be given unto them, but they that were born of the law, and in the sight of the law.\n which whosoever rejecteth them that are sick;\n He that’s because of Bear’s office.\n And I beseech you, brethren, that ye may be given unto you; for ye shall speak in the book of the book.\n Mrs.\n And when the good priests and the officers went forth to meet them: for they feared the multitude, they are a stone.\n And in the manner of the roots of the roots of the trees: so that every tree that is good among you shall not be cast down into the fire.\n And they made a little while, he fell down and worshipped him, and worshipped him.\n This was come to come.\n From three days were gone up, even as I had been done in the ground.\n And in the end, I saw the chief captain of the colonel’s hand and I had told all the colonel’s bunch, and I had told all the word of Charley’s life.\n the son of Martha, the son of Matthat, the son of Matthat, the son of Matthat, the son of Melchi, the son of Zibeon,\n Thou shalt not the man of the Lord.\n “I’m all.\n For this cause we say, I am, and do nothing to me; and thou shalt not be evil of evil, and because of my salvation, or to be done,\n And Jesus answered and said unto them, I am one of you, If I say unto you, If ye know that I may tell you in my sight, this is this.\n And when he entered into the hand, he sat down, and was night.\n but there is a great body, but one body.\n That I had done all the people, I had told them out of them that had been spoken to them.\n And he took one of them, and said unto him, Shall we go to Jerusalem, and because thou knew that which is these things?\n But if ye do all things, that there is no man, or a man, whosoever believeth on him, and every one that doetheth him;\n “Aoets?”\n For he hath loved love the people, and in that day I will come to pass.\n Thou shalt make the law with the law, thou shalt make the commandments of the law;\n Lurvy Wilbur’s straw for Wilbur’s pen.\n For whosoever shall cup in the cup of the cup with my name in Christ: therefore I say unto you, I say unto you, I shall not see it.\n “How shall they see Wilbur?” asked Mrs. Zuckerman.\n But I sat down in the way, until I come unto me: then then shall I say unto him, Give me, and walk in the sight of the Lord.\n For there is no one that loveth him, he shall say unto him, that it is written, the world appeared unto you.\n “How is true,” he thought.\n The Cherokees of the Nation, I said.\n This is the ground.\n Beware of them, knowing that evil evil; but ye shall ask of them.\n But if ye shall be baptized in the law of the prophet, What shall not make a prophet in a prophet?\n Whosoever shall lose his life shall lose it: and whosoever shall lose his life in the world, who shall be to eternal life.\n She climbed to the ground, and she fell down down, and then bowed down.\n and he charged them that they were sitting in the midst of the house, and said unto them, Shall we have no house in the house of Jerusalem?\n But the Lord came near, and I say unto them, that I might be made manifest to the work, and to all the nations; and I was afraid of the mouth of my mouth.\n And it came to pass, as they came near unto him, when he came near unto him, a certain man was sitting into the tomb;\n Be not therefore that are in the sight of the faith, which is of the body.\n So then they would make them that they could eat them that they had fed them in the ground with them.\n And the people saw him, and followed him, and followed him, and fell down to the tomb, and they bowed down unto them.\n “He!” he said.\n I’ll get it back on Charley.\n The sabbath was very old.\n He sat down to the web.\n “I am,” said Wilbur.\n And I saw it, and I was going down in the night when I had said, I am a few.\n But that ye may know that the Son of man is able to save the world, <unk>erily I say unto thee, Arise, Take thy bed, and go thy way.\n The stone seemed a stone between a stone, and then it was a rock.\n “Charlotte?”\n <unk>II.\n And Jesus said unto him, Fear not: for whosoever is not lawful for us.\n And they also set their little little children, that he might eat: but the disciples saw that they saw him.\n Avery jumped to the other.\n And they appeared unto them that Elijah, and spake unto Moses; and Jesus said unto him.\n And he entered into the temple, and took him: and he sent him to the saints and widows, and brought them out of the living.\n And they that were in the midst of the horses’s ass, whose mouth was cast into his mouth, that his mouth was cast into the mouth of his mouth.\n “Oh, here, here!” said the gander.\n saying, What is ye that thou son of Christ, who is the Son of man?\n “I’m going to me.”\n And they said to another, Who shall I make a stone to the tomb?\n And the seventh angel sounded, and from heaven a great voice out of the earth; and they shall say unto the earth, and to them that are in Christ:\n For the poor always always; but I will not always always.\n But when Jesus heard it, he said unto them, that they should have no need of them, but they that are sick.\n He shall make one a wife, and the good sons and his head.\n Fear not: for your Father is good in the Lord.\n Woe unto you, scribes and Pharisees, hypocrites! for ye are the sea and the earth, and in the land of your faith.\n And they shall put him into the castle, he would not die:\n None of it is there, for that he is.\n Take your hands on you, and put it into your hands; ye shall be no wallet in his sacks, that they may not see the thief, that they should not take away.\n And when they had come to the church, and brought the church in the church of God, and gave them out of the Gentiles.\n Jesus was a demon with a demon; and the devil went a boy, and was made in the hour.\n I will go.\n And when he was in those days, that the same is begotten of the Spirit, even so is now.\n It was a grey grey body, he sat down under the ground.\n The barn was gone out from the barn, when he could see the fence of the fence.\n Seeing all these things that are sown in subjection unto them; and who will keep me in the last world.\n Asmeret climbed in the woods in the woods in the woods in the woods.\n Charley’s going to Charley’s tail, and the crowds and ate the ground and ate the men.\n But when Jesus saw it, when he saw much evil, he said, All things that are in the kingdom of God!\n who also also also the father of the circumcision, which is not of the circumcision, but also in the sight of our father Abraham, who was with us in uncircumcision.\n This is the thing of the land of the earth because of the thousand years.\n “Look out of it, Avery!” cried Mrs. Zuckerman.\n The children seemed in the air and then shall be in the air.\n Go back from me.\n And he spake unto the multitudes, and took the five loaves and the five loaves and the two fishes and two fishes.\n Then she looked for a while.\n but to the grace of our Lord and our Saviour Jesus Christ; for the glory for ever and ever. Amen.\n And the Lord said, Who is the good and the house of the house, that the lord of the lord of the lord of the lord of the lord of his lord’s house, that they might eat for them?\n I'm back to me.\n in the body of the body, having made manifest unto the body, that we may be manifested unto the body, that ye may be manifested from the body, and because of him;\n And after the two days he went forth, and went into Galilee.\n And Jesus went up from thence from thence, and went away from thence.\n A children of children, and then all the Fair.\n And he spake unto them, and went up, and went with them in the temple, and went with them in the temple,\n And behold, there came a certain ruler of the synagogue, he was called: and when he saw him, he fell on his feet,\n For that ye shall be in peace, then ye shall say, even as the woman hath taken away; and they shall not eat.\n “Good night, Charlotte!”\n For verily, I pray thee in the sight of thy son, and of the people, and of the people, and the people of Israel,\n and let not the poor of the Holy Spirit of God, that ye may receive him until day.\n He sat on the fence and went into the fence and went out into the pigpen.\n It’m going.\n “I’m going to me.”\n And when we came to pass, when we were come to pass at Macedonia, and sent into Macedonia into the second time, and go into Jud<unk>a, and go into Jud<unk>a, I pray thee.\n Now therefore the man shall cast out the hand of the ephod.\n The chief priests and the Pharisees heard it, and they heard that he had said.\n Ye are my beloved, and also God, with all things and righteousness, and I am not worthy of you;\n For we have been able to see the day, in that which is the power of the circumcision, that is the mystery of fornication,\n “This you!”\n And he charged them many things, and said unto his teaching,\n He was like a good way to Wilbur.\n And she took his own child, men’s child.\n And Paul said unto them in the night: and a certain man shall be called by him, he spake unto him, saying, Behold, I pray thee, and didst eat.\n In the ground of the ground.\n And God is the kingdom of God, because they were gathered together, because they say, and not the evil of their works.\n And whatsoever ye have done with us, because ye have heard of the law, and have mercy with them, that he might bless us.\n And he that sat in his house shall be well: but he that eateth not, he shall live.\n but he that walketh in the sight of God in the sight of God.\n Mrs, and two years came to Fern.\n I’m like a very grievous, and I’m like to get with you.\n The disciples therefore came to him, saying, Why do we that we should do?\n I was very fair to me.\n Wilbur didn’t understand.\n Mr.\n It was like the ground in the ground, though he could hear.\n Now I beseech you, brethren, because of his house’s house, that the first of the first shall be before you, and for his own saints,\n And they rose up again again the temple, and all the people came to him; and they went down, and kissed them.\n And they were filled with their heart.\n Wherefore therefore therefore that thou hast taken away from thee, which I have said unto thee, that I may be brought for you.\n Now there was before the mount side of Mary.\n The rat’s going in the rat’s in the rat’s in the top of the top of the truck.”\n And Jesus spake unto them their eyes, and straightway it was come: and they followed him.\n And they all their garments according to every man’s sake.\n “I’m going to eat one?”\n And it came to pass in those days, that they came unto C<unk>sarea into the earth.\n He wanted to stay and in the country.\n But I saw that which I have put to another law, that the law of the law is upon the law of the law of sin, and I will send them up to the law of the law of the law of the law of sin;\n Now a certain man was a certain man named God.\n But if a man be a widow or his sons, that they may receive them in their own lusts, and to eat them; for it is good, and because of God.\n who also also the things which I have done, that ye may be according to the same, that in the power of his power.\n And it shall be called unto God in the day of God for ever for the light of Christ, and showeth the things that is in Christ;\n I told you, when he was very old, but when he was very idea to them.\n But we are not vain of men that are of men.\n But when he went out and went out from the ground, it was a very little, and then he would have to see the scribe.\n And while they were yet, and sent them on the passover, Jesus was risen from the world, and I came to the world, that the Father would come unto the earth.\n This is a few time I appeared to pass.\n Many of them that sat down in the mountains’s office, they took them out of them.\n When the voice of the wilderness, saith he saith, Beware of the wilderness, saying, Make the Lord, let him go away.\n He climbed up into the straw, in the manure pile.\n He that would have been done, so that the blind man would come out of the river.\n But because of God, that ye have received the sin of sin, but ye received the things that were in the beginning.\n The cows and the barn grew to him.\n One of them, when I was going down to the city and came to the ground in the wilderness.\n What then shall we say then? Are ye not the truth? God forbid.\n And the foundation of the earth shall be done in the sight of the beast, and said unto them, This is the things that are upon the earth, which is the beast of the earth, which is the beast of the earth.\n And Jesus said unto him, I will go again.\n For we are not ourselves in our hearts, but Christ Jesus: and the things of the Lord Jesus.\n And there was a certain man that is in the place of the place: for they were very grievous concerning us all, because they had left him.\n And they were all, and were filled; and when he saw the broken pieces, seven baskets.\n I said, I didn’t want to keep the ground with the ground.\n “It’s a boy with me?”\n And he went away from the way of the tomb, that he might be fulfilled the signs which he had done for all things.\n Are ye greater than Abraham than the father of Abraham, who is the prophets? and there is the prophets.\n And Mary said, My soul shall be filled with us,\n In the sun was like the sun, the lights of the light, red and purple, and it seemed to beads of the barn, and then it was at the barn.\n which he gave us all things in all things and joy;\n And the mouth of his mouth cast out his mouth with his mouth with a great nation, whose people had a great nation; and they made a vineyard with a vineyard, and with the vineyard of God.\n “Do you Templeton?” asked Wilbur.\n For the Lord hath been given unto you also, that the Lord Jesus, in the night of the night;\n If I say unto you the word of your own husbands, but as it is as it: for some of them was going out from thee.\n And it came to pass on the sabbath on the first time, that the field was in the field; and the disciples went forth out of the field; and the disciples went forth out of their hands.\n Asmeret’s soil.\n “I’m going into the web,” said Mrs. Zuckerman.\n And when they had seen the word, they were astonished,\n And in the day we have been done unto you, that I may come unto you, that thou mightest the things that I may come to pass in the sight of it.\n “Yes,” said the spider.\n And Peter and apostles answered the apostles, and said, God is with you, and not the people.\n And the devil was a demon, and was afraid.\n “You's a web,” said Wilbur.\n Then he looked again and saw it, and saw it.\n Now we were sailing into the boat, and we had found a certain while we had found a certain man, whose name is a man, whose name of Macedonia;\n The rat, Wilbur, the warm, warming the goose.\n And straightway he sent forth the governor, and gave it to be given to his head; and he went, and sat down into the prison,\n He went to the other hand to the hand of his hand, and he left his hand across his hand in his pocket.\n Now now, they would go.\n And all the Jerusalem that were in Jerusalem heard him, for the field of the field, which is in the field, which is blood.\n and he gaveth him a certain priest of God’s house;\n He that sat on the people drew near to the people, and then they could see them that had been in the woods.\n They didn't tell him in the two days, and a while he was a while.\n For in whom I am both both of the Spirit, Father and Father.\n It seemed to sleep.\n And they rose up, and took him in the way of the tomb that were with him in the tomb.\n And Jesus answered and said unto them, Go to them, and Pharisees, and Pharisees:\n And he cried out with a loud voice, saying, Lord, let us not these things. And when he had said this.\n The rat would have to take their noses and climbed to wearing the rat.\n For it was a certain multitude of the Jews, and Jesus.\n For the end of these were the third part of the third part of silver, and for them that had been made unto them.\n Grace to you and peace from God, and the Lord Jesus Christ.\n Why do ye not say to me? but because ye have not able to speak.\n And they that received the word of God, and Jesus Christ, who all things things.\n But ye are not in the sight of the Lord,\n Beware and good joy; for as his mother shall be in heaven; for he shall be in the sight of the prophets.\n And there were certain of them that were able to enter into the midst of the elders and of their fathers, whose name is the seven spirits, whose are the seven spirits of the demons, who gave him out of the demons,\n Return that thou shalt take them out of the synagogues, and of the wonders of the truth in the name of Jesus.\n Wherefore I speak unto you, that ye may know all things.\n And they went to the Jews that followed him.\n And behold, there was a man with a great man, when he saw that it was a Pharisee: and when Jesus saw that it was written, he said unto him, My son, and it will be forgiven thee.\n He looked up.\n And Jesus shall love the truth and the people of God.\n And he said unto him, This man shall leave his father and his mother, and his mother’s wife, and the two flesh?\n “This, Wilbur!”\n I went back to the West, but to the West, to the West.\n They were both of the loaves of bread in the rivers of bread, arrayed up in the air, and a doughnut.\n Wilbur noticed the fence and told him the goose.\n Thou shalt not let any man go away: for I will give my mouth for the Lord Jesus.\n And thou shalt make a son of him, that Jesus shall go on him, and his people shall save him.\n He couldn’t want to his own, and his blood would have a good blood.\n The trap was hungry, and I’m going.\n I’m going to keep it, and I say, He.\n And the devil said unto him, If thou art the Son of God, that thou shalt say this bread.\n And when the Pharisees saw it, he said unto his disciples, Why doth not the publicans and sinners?\n Wilbur jumped.\n And while they were not filled with them, and asked them, and said unto them, Why have ye food?\n And when they heard these things, they were filled with their heart, and they should eat.\n having one of them that were dead, even as the stars of the stars shall be as the stars of the heaven, and in the sea of the sea;\n She was gone away from the dead, and he was dead.\n But it was very hand of it’s hand, that it might be able to say this time.\n And another angel came down into the east, and came to the east, that the life of God hath been given to God; and he cried out out of the four angels and the sea; and he cried out out of the four angels and the sea;\n And others fell upon them, and took up his face, and took his face with him, and took his face on him, and they have left his face, and said unto him,\n Blessed is the servant that servant, who shall come unto him.\n “I don't tell it, said Wolf. “I’m going.”\n But they that are unleavened bread by bread, that they may be the feast.\n When the night was at the night, when they were going out of darkness, that ye may eat the darkness, and bringeth them on the light.\n For when he had gone out of the way, he went out from them, the men of four hundred hundred and their hundred hundred and all that were with me.\n I went back to the mountains, and the river came out of the river, and across the river cellar.\n And when his sister was not known that he was not of them that had been done, than I had been done in the <unk>ueens.\n Woe unto you, ye!\n good good work in his heart: and evil evil evil evil evil evil evil: for he was in the heart of his mouth.\n I was afraid.\n And behold, an angel of the Lord spake unto him, and the day that he had brought him into the prison: and when he was come to Peter, he departed, saying, Arise.\n And it came to pass, when when she heard these things, when she heard these things, the child took her; and with him that were with the Holy Spirit,\n “It’s going,” he said.\n He sat out of his mouth and made red wine.\n They are of soil.\n This things Jesus spake unto them many things, and gave them not unto them.\n For it is written in the day, I pray thee, that they may eat, and the things which thou hast given me.\n And he answered and said unto him, Lord, I pray thee, now also, until I eat, until I eat, and will bless thee.\n But when the Jews saw the Jews, that I should send unto him unto C<unk>sarea; and I was not afraid that I should know that I should know that I should serve them.\n Mrs.\n I found one of them in a little time, though I had been in all all all that had been with me, and I was going out from the air and went out to the ground.\n And when he had said this.\n “I’m going to the end of the <unk>ueens, in the middle of the rocks, and a few wind, with a big wind, and a big wind, and a hinds, and a big wind, and a hints, with them that were in the air,\n But when they could swim in the mountains, and it was almost in the mountains, and in the top of the fire, and the top of it were in the air.\n What is a little thing? Shall say, He that is sown?\n rose up out from heaven!”\n She got to the ground.\n Jesus therefore, Jesus said unto Simon, Simon, thou art a son of daughter, thou art greater than him? He saith unto him, Yea, Lord, thou knowest that I love thee.\n Blessed are ye, as the Lord, as as as as as as as as as men;\n For the knowledge of the world shall be fulfilled of God; for it is written, Thou shalt not say unto you the word of the world.\n This is this <unk>which’s <unk>ncle throughout all.\n And they shall say that they should not go in the way: there shall be the weeping and the gnashing of teeth.\n If the brethren have said unto them, Thou shalt love the word of the faith of Christ, having been made known unto the faith of faith, and the gospel which is in Christ.\n Bear would have to be a short time to Bear.\n I looked back to me, what I would have to you to be a while.\n Now I’s children’s sons and her children’s children.”\n And he came to him in the city of Galilee, and asked him, saying, We know that we have heard the name of Jesus.\n For there is not the ox and the sheep of the blood of sin.\n Ye are the prophets, and the sons of the sons of God, which God spake unto the fathers of Abraham, and of thy seed shall be blessed.\n “How?” asked Wilbur.\n Mr.\n She was a loud time, and he could see it.\n If you would have to keep you to keep the way to keep the child: and there shall be a little while thou shalt be of them:\n And then, when he had gone out of the ground, and Mrs.\n The Spirit of the Lord because of the Lord’s hand, I pray thee to the gospel of the poor; I pray thee to the gospel of the poor;\n And the heavens shall be of the Son of man’s house, and then shall all the earth, and the Son of man in the earth, and the power of great glory.\n Brethren, brethren, and our brethren, ye shall say unto me, when I came nigh unto me.\n Moreover, the Lord knoweth the word of the Lord, that is in vain.\n My righteousness is true, and then shall be taken away:\n And he shall be called unto the Lord, and neither shall not drink of wine, and of shittim wood; and it shall be full of the Holy Spirit.\n But when it was come to pass in the days of death, God gave to the law,\n Behold, there was the ship of the ship, and they that are in the air, but they that were in the air, but when they saw that they should kill them.\n It was like a minute in the manure’s pen.\n I reached to me, I don’t say to me, in Wilbur.\n This is a night by the night.\n Martha saith unto him, Lord, I am not lawful: how how shall we know that he is.\n Ye because of the gospel of the gospel which is written in the first day:\n And they rose up unto them, and told him every man said unto him, Lord, we do it?\n But when he saw Peter, he was asleep, and said, Thou also also also with us with us.\n Let take your glory with him.\n And he sent forth another another; and they did eat him; and there was many other; but some of them, and others.\n And he answered them, and said unto them, Whose shall eat of you, and the ox that is in the sabbath?\n the son of whom the son of the Gentiles, that I should show him unto the Gentiles; straightway they were not, and blood of blood;\n And the child grew, and gave it out of the country, and went down in the midst of Israel.\n He that overcometh, let him hear.\n “Well,” replied Fern.\n The truck into the truck,\n Do you have a few time you?”\n And when Jesus saw that he saw, he said unto them, Why do ye not the woman? for it was well with her head.\n For as many prophets is the prophets and the law of John.\n For John was come unto you in the sight of it, and did not believe: but the publicans and the women, and the women that were at the daughters of the women,\n And when they came to pass on the days, he sent forth his wife unto his wife, that he might be fulfilled, he spake unto Paul; and heard of the faith of Christ.\n She reached over his own hand, but as though it was like to the ground, and I did not again again.\n “I think that it was going to live in the air, Mr. Zuckerman.\n There was a few time in the year.\n whose shall I speak with thee, and thy son: and when they were gone out of them that believe.\n When he was a certain of man, who was a good man, who was a good way to the mother of his mother.\n For if we believe not, because we have seen God; and if I have given you, because I am.\n And it was a sign of the prophet.\n in that manner of the world was according to the end of the world, according to the Spirit of faith;\n And Jesus said unto them, All ye shall be with you in this night: for it is written, I will make the sheep of the sheep, and the sheep shall be healed.\n And when I saw the morrow on the morrow, I pray thee on the morrow, and on the morrow I came unto Damascus: and we went out from the morrow, we came to Damascus.\n And they rose up in the temple, and in the temple, and preaching the gospel of Jesus Christ.\n And he rose up many things: but Paul had said, and said unto him, The Spirit that is in the name of Jesus Christ; and when he went out from the way.\n He would not let us go away from our heart, and the power of faith, and of faith, and of faith, and in the wilderness,\n In the judgment, the Lord said unto the world of the world.\n And if it were some of some time, they took him into the wilderness, and put it into the wilderness to the tree that thou hast made me, and according to the tree that thou hast made me:\n Don’t want to go out of the ground.\n And straightway they spake before him, they took the one of the twelve, Judas, one of the twelve,\n And the flesh of the flesh is not worthy of God.\n For we are not able to speak, but because of the truth.\n “Oh, I can’t get for you,” he said.\n “You’s going to get down from Fern, so that the pig was about the pig.\n And after the four angels that were on the four angels that were on the four corners of the earth, they made a tree from the earth, that it may be made from the earth, and the tree.\n The word of the word which is spoken throughout all Jud<unk>a, Galilee of Galilee,\n “No,” said Charlotte, “I think I’m not a little pig.”\n And Jesus spake unto them, saying, Suffer the children of Jerusalem, let us not believe: but ye yourselves with yourselves, and your children.\n But he looked with him, he said nothing.\n And they rose up,” said Mrs. Arable, “I think it?”\n For I have not need of mine own hand.\n One one of them had brought them out of the stars.\n They ate them and ate them, and they would make their clothes on their clothes to them that they could make them out to the ground, but to make it to the ground.\n But there was no man among you, because of the Jews.\n To know the knowledge of your knowledge. He that rejecteth you, let him take a crown of life; for the men of men are six hundred and six.\n <unk>nto this day, that it is full of judgment, that ye may receive the judgment of judgment, because of the judgment which is in the judgment; because ye shall be in the world.\n That which the first came unto the first, that they might be according to the end of the Gentiles, according to the things which is written,\n And when the voice of his servants, and took him, and took him, and healed them.\n And when they heard it, they received their peace; and they glorified God, saying, This is the Gentiles that are God of God.\n Who is a truth, if it not that is in Christ Jesus Christ.\n But what saith he saith unto me, What is I to do with me? I am afraid of the seven thousand men.\n And when the door of the city came near unto the city, behold, a man was dead, and the son of her mother was with her mother, and was a widow: and there was a great city.\n And these are the good thing that was good, and the altar of the first month, the first part of the first month, to the end of it.\n Be not therefore to speak with you: but these things shall not be saved, that he may eat and drink of the brethren.\n Do you to get you out?\n “You'll get my right out!” said Avery, water water with water.\n And he said, What is it that he should give it? for the name of the Spirit is come to the dead;\n And on this day, I'll get everything on this day, everything on all.\n <unk>nto the God of God all, because of your hearts:\n I rode back from me to go down into the ground.\n And the multitude said, This is a prophet, of the prophet of Galilee.\n The sockets of the court were gone up to the water.\n And he came to his house, and his father did not believe.\n And when the cloud came out from the voice, saying, This is my beloved son, whom thou hast given me.\n “Charlotte?” he said.\n In the next time they had gone away, and it was a big time.\n “I think I said, I guess again again again again.\n Beware of the church of God, ye shall not speak with you, not with you, and not in your heart:\n They rose up to the Indians in the mountains to the mountains, and they were gone.\n And they took the name of the river, which came down to the ground, and the cocks of the air’s office.\n And it came to him that he would see it, and let him go away, and he would eat it in the mountains.\n If he was going out from the ground, and the boys had been in the <unk>ueens.\n “Well,” said Mr. Zuckerman.\n For there shall not enter into the holy place in the holy place, even the truth of the truth, which is in heaven; but from heaven,\n And thou shalt make the works of the law, that they may be able to speak with them;\n <unk>erily I say unto you, that he might send him into all that he had.\n “It’s going to be a half.”\n Wilbur closed his eyes.\n whom the name of the flesh is sown; which is the Spirit of the Spirit.\n And there was a great heaven in heaven.\n according to the Christ of Christ;\n And Pilate heard that he heard from Galilee, he asked the Galilee of Galilee, saying.\n Now now, and the birds of the world came to the world in the woods and of the world.\n But of you shall be of you, ye shall say unto you, that ye may come out of the field, that the field may come out from the field, straightway thou shalt say to me?\n I’m not know that the soldiers had been seen for the word, but as he could not see the boys, and they could not see them that they could not see them.\n and in the city of the city said unto him, The men of him that are sick against him, he sent forth out of them;\n It was a good time, and that his seed was with him, and with him that followed him.\n “I don’t know about Fern,” she said.\n The morning seemed in the woods and then it was not so as it was in the ground.\n “Oh, we'll go on a pail.\n For the power of the Jews spake unto him in the sight of the Jews, declaring to the scriptures in the scriptures Jesus Christ.\n But the Cherokees of the Ridge are the Ridges of the Ridge and Ridge Ridge, who had been seen in the city, and they could not see what they could not have been as as they had done.\n And, behold, thou shalt bring them forth, and shall be taken away, until the day of this day, because ye shall come to pass.\n And thou shalt make the breastplate of the gospel of peace;\n You'll tell this day.”\n But so ye also, if these things do these things, that he is in the door.\n They have some soil in soil.\n In the color of the Ridges and the Ridges of the air, the water of the water.\n And Seth lived, and begat Cainan;\n And he said unto them, The people shall rise against thee, and in the midst of the midst;\n Behold, I have a wife, and shall be a son, and shall be a son.\n Now in the sight of the days, I will be with you, in the sight of all men, and in knowledge of all men,\n And when they had done it in the Nation, but he didn’t swim for it.\n “I’m true.\n And he said unto them, Why do ye that ye hear? Because ye know that he should not enter into temptation.\n “Is it?”\n For he said, Thou shalt take his own hand, I pray thee.\n\n Wilbur grabbed the fence and the goose was gone.\n Why dost we have no more, Wilbur?”\n And she knew that he knew it’s children.\n But he said unto them, Be ye not.\n And when he was come to pass, and went into the wilderness; and the multitudes took him, and came to him, and came to him, that they should not drink.\n For it is all the book of the book, Thou shalt not make his right hand to the ox, and he doeth nothing.\n But he said, We have no poor to the poor, but the thief is a thief, but the thief is a thief;\n And as they that are with me <unk>which is the man; and it is good to the woman.\n “What do it?” asked Wilbur.\n They made their hands in their hand.\n And when they were come, he showed the word that is good; and that he might be justified in the sight of God our Saviour.\n “Fern,” said the mother of his mother.\n She knew that he knew it was.\n And he went out from Jud<unk>a and again again.\n He looked on the side, and Mr. Zuckerman and Mr. Zuckerman and Mr. Zuckerman.\n But he charged them, and told the disciples, and spake unto him, that he might go before him in Galilee;\n Now when we saw that, when we die, and he is hungry; and he was naked,\n Thou shalt not kill you:\n You’re going to you.\n And there came up unto Jerusalem, and all Jud<unk>a, and all that were in the Jordan,\n And he charged them, and said unto them, Why do ye good, and ye have heard? he is not only, but only.\n <unk>nto him, that they should not drink with him;\n And they drew near by him, and sat down in the land: and they went in, and sat down in the way.\n If I was going to pass on the mountains, and when he had been across the mountains to the mountains, and when they were going to the mountains.\n But he answered and said, It is not lawful to the children of the children of the children of the children of the children of the children of the children of the children of the children of the children of the children’s office.\n And there came to Jerusalem in Jerusalem the Jews to God in the sight of all the nations.\n And he saith unto me, These are I am with thee. I am the Alphy and the Amorite, the first and the last last.\n And the next day, when it came to pass, as the sun came near to the sun, and we came back unto the night by night.\n He came to him, that it might be fulfilled, that he might be saved.\n But I have sent unto you the gospel which ye have spoken unto you,\n And when he was come down from the Jordan, preaching the baptism of repentance, that they might be made manifest unto us;\n “I’m not going on the first time of the first time and the blood of blood!”\n But if thou shalt go in thy feet, and cast it into the house, and then shalt thou make in the door of thy father: and in secret shalt thou shalt surely come unto thee.\n The next day of the next pig, and then the next boys had taken up and here in the ground, and then they could see the water with them.\n “I don’t want to die.\n And when he sent me to me, and I will not any one of you, saying, Where art thou?\n for I am in remembrance of our faith.\n And I am not the world, but that I say, I am the world, that I will give you to my Father, that thou hast given me to be one, even as ye are one.\n In the light of the sky, the fats of the sky, the fats of the air, and the fats of the mountains, and the stars of the stars John.\n And he spake unto him all that were about all, he said unto the man, This is the man. And he gave her hand unto him: and he gave his hand unto the other.\n He stepped them.\n But they took both to another, and they would have to kill them.\n They came down down the ground on the ground, and there was across the ground in the ground.\n The book of the blood of the white whites of the fires of his teeth.\n It is like unto you, that, when I saw it, and I would not see it. And when they came out to the ground.\n And there was also Sodom and Gomorrah, and they that were near unto him, according to their fornication, according to the mystery of fornication,\n For as he would have been made manifest unto you all things.\n And he cried out the water of the water.\n And he came to Joseph a son of Joseph’s wife, the son of David was of David: and she was called Mary.\n That thou shalt make in the sight of him, that thou shalt take him, and that thou mayest be found manifest unto all all.\n She looked on the way.\n “Everye and gentlemen!” he said.\n The day, the apple tree.\n who is written in faith, that there may be filled with God, and rose up; and taking them in the flesh, and not with them.\n <unk>erily, verily, <unk>erily I say unto you, There is not greater than his lord; and he is not greater than he that is greater than he.\n For wherefore we have found them, ye shall be also.\n This people had been going to see Wilbur’s yard.\n In the edge of the fog, they would make the top of the ground in the front of the ground.\n And Jesus went up from thence from thence, he saw a man named <unk>us, and sat on him. And he arose and went away.\n And when they were very grievous in their own countrys of their own country.\n And the one of the city was twelve; and the twelve twelve, and the twelve twelve, and the twelve twelve, and the twelve Lamb,\n And one of them, who was a certain priest of the high priest, and said unto them, I know not, I know not, I know not what ye know nothing,\n And the king of the Lord said, This is we also in your hearts unto you: for I know that these things are not worthy of all things; for I know not this things.\n “Don’t worry, don't worry,” said the spider.\n When if the word of the Lord is the Lord, and the power of them.\n And again the second part of the tabernacle is the tabernacle of the tabernacle:\n But when they were come, they were afraid, that they might be on the day of the day of the judgment, and because of the man.\n of love the law is not of the law, and of goodness of faith;\n And there shall be a sign from heaven, and the signs of the seven angels, who are seven angels in the midst of the last: for the same God is in the wrath of God.\n When they could make the right hand of the snakess of his youths and rolled up across the top of the ground.\n It was like a few time, and for it.\n And when the dog had finished the dog, they would not see him.\n And when I went out from the middle of the scribe, with his sister’s office, and let us go out of the air.\n Mrs. Arable wanted to the table.\n But she looked asleep.\n You’ll us a sign in this point.\n The truck climbed to the truck.\n And when the high priest was high priest, a high priest’s mouth.\n"
  },
  {
    "path": "a4/run.bat",
    "content": "@echo off\nrem    Run this file on the command line of an environment that contains \"python\" in path\nrem    For example, in the terminal of your IDE\nrem    Or in the correct environment of your anaconda prompt\n\nif \"%1%\"==\"train\" (\n    set CUDA_VISIBLE_DEVICES=0 & python run.py train --train-src=./chr_en_data/train.chr --train-tgt=./chr_en_data/train.en --dev-src=./chr_en_data/dev.chr --dev-tgt=./chr_en_data/dev.en --vocab=vocab.json --cuda --lr=5e-4 --patience=1 --valid-niter=200 --batch-size=32 --dropout=.3\n) else if \"%1%\"==\"test\" (\n    set CUDA_VISIBLE_DEVICES=0 & python run.py decode model.bin ./chr_en_data/test.chr ./chr_en_data/test.en outputs/test_outputs.txt --cuda\n) else if \"%1%\"==\"train_local\" (\n    python run.py train --train-src=./chr_en_data/train.chr --train-tgt=./chr_en_data/train.en --dev-src=./chr_en_data/dev.chr --dev-tgt=./chr_en_data/dev.en --vocab=vocab.json --lr=5e-5\n) else if \"%1%\"==\"test_local\" (\n    python run.py decode model.bin ./chr_en_data/test.chr ./chr_en_data/test.en outputs/test_outputs.txt\n) else if \"%1%\"==\"vocab\" (\n    python vocab.py --train-src=./chr_en_data/train.chr --train-tgt=./chr_en_data/train.en vocab.json\n) else (\n    echo Invalid Option Selected\n)\n"
  },
  {
    "path": "a4/run.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\n\"\"\"\nCS224N 2020-21: Homework 4\nrun.py: Run Script for Simple NMT Model\nPencheng Yin <pcyin@cs.cmu.edu>\nSahil Chopra <schopra8@stanford.edu>\nVera Lin <veralin@stanford.edu>\n\nUsage:\n    run.py train --train-src=<file> --train-tgt=<file> --dev-src=<file> --dev-tgt=<file> --vocab=<file> [options]\n    run.py decode [options] MODEL_PATH TEST_SOURCE_FILE OUTPUT_FILE\n    run.py decode [options] MODEL_PATH TEST_SOURCE_FILE TEST_TARGET_FILE OUTPUT_FILE\n\nOptions:\n    -h --help                               show this screen.\n    --cuda                                  use GPU\n    --train-src=<file>                      train source file\n    --train-tgt=<file>                      train target file\n    --dev-src=<file>                        dev source file\n    --dev-tgt=<file>                        dev target file\n    --vocab=<file>                          vocab file\n    --seed=<int>                            seed [default: 0]\n    --batch-size=<int>                      batch size [default: 32]\n    --embed-size=<int>                      embedding size [default: 256]\n    --hidden-size=<int>                     hidden size [default: 256]\n    --clip-grad=<float>                     gradient clipping [default: 5.0]\n    --log-every=<int>                       log every [default: 10]\n    --max-epoch=<int>                       max epoch [default: 30]\n    --input-feed                            use input feeding\n    --patience=<int>                        wait for how many iterations to decay learning rate [default: 5]\n    --max-num-trial=<int>                   terminate training after how many trials [default: 5]\n    --lr-decay=<float>                      learning rate decay [default: 0.5]\n    --beam-size=<int>                       beam size [default: 5]\n    --sample-size=<int>                     sample size [default: 5]\n    --lr=<float>                            learning rate [default: 0.001]\n    --uniform-init=<float>                  uniformly initialize all parameters [default: 0.1]\n    --save-to=<file>                        model save path [default: model.bin]\n    --valid-niter=<int>                     perform validation after how many iterations [default: 2000]\n    --dropout=<float>                       dropout [default: 0.3]\n    --max-decoding-time-step=<int>          maximum number of decoding time steps [default: 70]\n\"\"\"\nimport math\nimport sys\nimport pickle\nimport time\n\n\nfrom docopt import docopt\n# from nltk.translate.bleu_score import corpus_bleu, sentence_bleu, SmoothingFunction\nimport sacrebleu\nfrom nmt_model import Hypothesis, NMT\nimport numpy as np\nfrom typing import List, Tuple, Dict, Set, Union\nfrom tqdm import tqdm\nfrom utils import read_corpus, batch_iter\nfrom vocab import Vocab, VocabEntry\n\nimport torch\nimport torch.nn.utils\n\n\ndef evaluate_ppl(model, dev_data, batch_size=32):\n    \"\"\" Evaluate perplexity on dev sentences\n    @param model (NMT): NMT Model\n    @param dev_data (list of (src_sent, tgt_sent)): list of tuples containing source and target sentence\n    @param batch_size (batch size)\n    @returns ppl (perplixty on dev sentences)\n    \"\"\"\n    was_training = model.training\n    model.eval()\n\n    cum_loss = 0.\n    cum_tgt_words = 0.\n\n    # no_grad() signals backend to throw away all gradients\n    with torch.no_grad():\n        for src_sents, tgt_sents in batch_iter(dev_data, batch_size):\n            loss = -model(src_sents, tgt_sents).sum()\n\n            cum_loss += loss.item()\n            tgt_word_num_to_predict = sum(len(s[1:]) for s in tgt_sents)  # omitting leading `<s>`\n            cum_tgt_words += tgt_word_num_to_predict\n\n        ppl = np.exp(cum_loss / cum_tgt_words)\n\n    if was_training:\n        model.train()\n\n    return ppl\n\n\ndef compute_corpus_level_bleu_score(references: List[List[str]], hypotheses: List[Hypothesis]) -> float:\n    \"\"\" Given decoding results and reference sentences, compute corpus-level BLEU score.\n    @param references (List[List[str]]): a list of gold-standard reference target sentences\n    @param hypotheses (List[Hypothesis]): a list of hypotheses, one for each reference\n    @returns bleu_score: corpus-level BLEU score\n    \"\"\"\n    # remove the start and end tokens\n    if references[0][0] == '<s>':\n        references = [ref[1:-1] for ref in references]\n    \n    # detokenize the subword pieces to get full sentences\n    detokened_refs = [''.join(pieces).replace('▁', ' ') for pieces in references]\n    detokened_hyps = [''.join(hyp.value).replace('▁', ' ') for hyp in hypotheses]\n\n    # sacreBLEU can take multiple references (golden example per sentence) but we only feed it one\n    bleu = sacrebleu.corpus_bleu(detokened_hyps, [detokened_refs])\n\n    return bleu.score\n\n\ndef train(args: Dict):\n    \"\"\" Train the NMT Model.\n    @param args (Dict): args from cmd line\n    \"\"\"\n    train_data_src = read_corpus(args['--train-src'], source='src', vocab_size=21000)       \n    train_data_tgt = read_corpus(args['--train-tgt'], source='tgt', vocab_size=8000)\n\n    dev_data_src = read_corpus(args['--dev-src'], source='src', vocab_size=3000)\n    dev_data_tgt = read_corpus(args['--dev-tgt'], source='tgt', vocab_size=2000)\n\n    train_data = list(zip(train_data_src, train_data_tgt))\n    dev_data = list(zip(dev_data_src, dev_data_tgt))\n\n    train_batch_size = int(args['--batch-size'])\n    clip_grad = float(args['--clip-grad'])\n    valid_niter = int(args['--valid-niter'])\n    log_every = int(args['--log-every'])\n    model_save_path = args['--save-to']\n\n    vocab = Vocab.load(args['--vocab'])\n\n    # model = NMT(embed_size=int(args['--embed-size']),                                 \n    #             hidden_size=int(args['--hidden-size']),\n    #             dropout_rate=float(args['--dropout']),\n    #             vocab=vocab)\n\n    model = NMT(embed_size=1024,\n                hidden_size=1024,\n                dropout_rate=float(args['--dropout']),\n                vocab=vocab)\n    \n\n    model.train()\n\n    uniform_init = float(args['--uniform-init'])\n    if np.abs(uniform_init) > 0.:\n        print('uniformly initialize parameters [-%f, +%f]' % (uniform_init, uniform_init), file=sys.stderr)\n        for p in model.parameters():\n            p.data.uniform_(-uniform_init, uniform_init)\n\n    vocab_mask = torch.ones(len(vocab.tgt))\n    vocab_mask[vocab.tgt['<pad>']] = 0\n\n    device = torch.device(\"cuda:0\" if args['--cuda'] else \"cpu\")\n    print('use device: %s' % device, file=sys.stderr)\n\n    model = model.to(device)\n\n    optimizer = torch.optim.Adam(model.parameters(), lr=float(args['--lr']))\n\n    num_trial = 0\n    train_iter = patience = cum_loss = report_loss = cum_tgt_words = report_tgt_words = 0\n    cum_examples = report_examples = epoch = valid_num = 0\n    hist_valid_scores = []\n    train_time = begin_time = time.time()\n    print('begin Maximum Likelihood training')\n\n    while True:\n        epoch += 1\n\n        for src_sents, tgt_sents in batch_iter(train_data, batch_size=train_batch_size, shuffle=True):\n            train_iter += 1\n\n            optimizer.zero_grad()\n\n            batch_size = len(src_sents)\n\n            example_losses = -model(src_sents, tgt_sents) # (batch_size,)\n            batch_loss = example_losses.sum()\n            loss = batch_loss / batch_size\n\n            loss.backward()\n\n            # clip gradient\n            grad_norm = torch.nn.utils.clip_grad_norm_(model.parameters(), clip_grad)\n\n            optimizer.step()\n\n            batch_losses_val = batch_loss.item()\n            report_loss += batch_losses_val\n            cum_loss += batch_losses_val\n\n            tgt_words_num_to_predict = sum(len(s[1:]) for s in tgt_sents)  # omitting leading `<s>`\n            report_tgt_words += tgt_words_num_to_predict\n            cum_tgt_words += tgt_words_num_to_predict\n            report_examples += batch_size\n            cum_examples += batch_size\n\n            if train_iter % log_every == 0:\n                print('epoch %d, iter %d, avg. loss %.2f, avg. ppl %.2f ' \\\n                      'cum. examples %d, speed %.2f words/sec, time elapsed %.2f sec' % (epoch, train_iter,\n                                                                                         report_loss / report_examples,\n                                                                                         math.exp(report_loss / report_tgt_words),\n                                                                                         cum_examples,\n                                                                                         report_tgt_words / (time.time() - train_time),\n                                                                                         time.time() - begin_time), file=sys.stderr)\n\n                train_time = time.time()\n                report_loss = report_tgt_words = report_examples = 0.\n\n            # perform validation\n            if train_iter % valid_niter == 0:\n                print('epoch %d, iter %d, cum. loss %.2f, cum. ppl %.2f cum. examples %d' % (epoch, train_iter,\n                                                                                         cum_loss / cum_examples,\n                                                                                         np.exp(cum_loss / cum_tgt_words),\n                                                                                         cum_examples), file=sys.stderr)\n\n                cum_loss = cum_examples = cum_tgt_words = 0.\n                valid_num += 1\n\n                print('begin validation ...', file=sys.stderr)\n\n                # compute dev. ppl and bleu\n                dev_ppl = evaluate_ppl(model, dev_data, batch_size=128)   # dev batch size can be a bit larger\n                valid_metric = -dev_ppl\n\n                print('validation: iter %d, dev. ppl %f' % (train_iter, dev_ppl), file=sys.stderr)\n\n                is_better = len(hist_valid_scores) == 0 or valid_metric > max(hist_valid_scores)\n                hist_valid_scores.append(valid_metric)\n\n                if is_better:\n                    patience = 0\n                    print('save currently the best model to [%s]' % model_save_path, file=sys.stderr)\n                    model.save(model_save_path)\n\n                    # also save the optimizers' state\n                    torch.save(optimizer.state_dict(), model_save_path + '.optim')\n                elif patience < int(args['--patience']):\n                    patience += 1\n                    print('hit patience %d' % patience, file=sys.stderr)\n\n                    if patience == int(args['--patience']):\n                        num_trial += 1\n                        print('hit #%d trial' % num_trial, file=sys.stderr)\n                        if num_trial == int(args['--max-num-trial']):\n                            print('early stop!', file=sys.stderr)\n                            exit(0)\n\n                        # decay lr, and restore from previously best checkpoint\n                        lr = optimizer.param_groups[0]['lr'] * float(args['--lr-decay'])\n                        print('load previously best model and decay learning rate to %f' % lr, file=sys.stderr)\n\n                        # load model\n                        params = torch.load(model_save_path, map_location=lambda storage, loc: storage)\n                        model.load_state_dict(params['state_dict'])\n                        model = model.to(device)\n\n                        print('restore parameters of the optimizers', file=sys.stderr)\n                        optimizer.load_state_dict(torch.load(model_save_path + '.optim'))\n\n                        # set new lr\n                        for param_group in optimizer.param_groups:\n                            param_group['lr'] = lr\n\n                        # reset patience\n                        patience = 0\n\n                if epoch == int(args['--max-epoch']):\n                    print('reached maximum number of epochs!', file=sys.stderr)\n                    exit(0)\n\n\ndef decode(args: Dict[str, str]):\n    \"\"\" Performs decoding on a test set, and save the best-scoring decoding results.\n    If the target gold-standard sentences are given, the function also computes\n    corpus-level BLEU score.\n    @param args (Dict): args from cmd line\n    \"\"\"\n\n    print(\"load test source sentences from [{}]\".format(args['TEST_SOURCE_FILE']), file=sys.stderr)\n    test_data_src = read_corpus(args['TEST_SOURCE_FILE'], source='src', vocab_size=3000)\n    if args['TEST_TARGET_FILE']:\n        print(\"load test target sentences from [{}]\".format(args['TEST_TARGET_FILE']), file=sys.stderr)\n        test_data_tgt = read_corpus(args['TEST_TARGET_FILE'], source='tgt', vocab_size=2000)\n\n    print(\"load model from {}\".format(args['MODEL_PATH']), file=sys.stderr)\n    model = NMT.load(args['MODEL_PATH'])\n\n    if args['--cuda']:\n        model = model.to(torch.device(\"cuda:0\"))\n\n    hypotheses = beam_search(model, test_data_src,\n                            #  beam_size=int(args['--beam-size']),                      \n                             beam_size=10,\n                             max_decoding_time_step=int(args['--max-decoding-time-step']))\n\n    if args['TEST_TARGET_FILE']:\n        top_hypotheses = [hyps[0] for hyps in hypotheses]\n        bleu_score = compute_corpus_level_bleu_score(test_data_tgt, top_hypotheses)\n        print('Corpus BLEU: {}'.format(bleu_score), file=sys.stderr)\n\n    with open(args['OUTPUT_FILE'], 'w') as f:\n        for src_sent, hyps in zip(test_data_src, hypotheses):\n            top_hyp = hyps[0]\n            hyp_sent = ''.join(top_hyp.value).replace('▁', ' ')\n            f.write(hyp_sent + '\\n')\n\n\ndef beam_search(model: NMT, test_data_src: List[List[str]], beam_size: int, max_decoding_time_step: int) -> List[List[Hypothesis]]:\n    \"\"\" Run beam search to construct hypotheses for a list of src-language sentences.\n    @param model (NMT): NMT Model\n    @param test_data_src (List[List[str]]): List of sentences (words) in source language, from test set.\n    @param beam_size (int): beam_size (# of hypotheses to hold for a translation at every step)\n    @param max_decoding_time_step (int): maximum sentence length that Beam search can produce\n    @returns hypotheses (List[List[Hypothesis]]): List of Hypothesis translations for every source sentence.\n    \"\"\"\n    was_training = model.training\n    model.eval()\n\n    hypotheses = []\n    with torch.no_grad():\n        for src_sent in tqdm(test_data_src, desc='Decoding', file=sys.stdout):\n            example_hyps = model.beam_search(src_sent, beam_size=beam_size, max_decoding_time_step=max_decoding_time_step)\n\n            hypotheses.append(example_hyps)\n\n    if was_training: model.train(was_training)\n\n    return hypotheses\n\n\ndef main():\n    \"\"\" Main func.\n    \"\"\"\n    args = docopt(__doc__)\n\n    # Check pytorch version\n    assert(torch.__version__ >= \"1.0.0\"), \"Please update your installation of PyTorch. You have {} and you should have version 1.0.0\".format(torch.__version__)\n\n    # seed the random number generators\n    seed = int(args['--seed'])\n    torch.manual_seed(seed)\n    if args['--cuda']:\n        torch.cuda.manual_seed(seed)\n    np.random.seed(seed * 13 // 7)\n\n    if args['train']:\n        train(args)\n    elif args['decode']:\n        decode(args)\n    else:\n        raise RuntimeError('invalid run mode')\n\n\nif __name__ == '__main__':\n    main()\n"
  },
  {
    "path": "a4/run.sh",
    "content": "#!/bin/bash\n\nif [ \"$1\" = \"train\" ]; then\n\tCUDA_VISIBLE_DEVICES=0 python run.py train --train-src=./chr_en_data/train.chr --train-tgt=./chr_en_data/train.en --dev-src=./chr_en_data/dev.chr --dev-tgt=./chr_en_data/dev.en --vocab=vocab.json --cuda --lr=5e-4 --patience=1 --valid-niter=200 --batch-size=32 --dropout=.3\nelif [ \"$1\" = \"test\" ]; then\n        CUDA_VISIBLE_DEVICES=0 python run.py decode model.bin ./chr_en_data/test.chr ./chr_en_data/test.en outputs/test_outputs.txt --cuda\nelif [ \"$1\" = \"train_local\" ]; then\n\tpython run.py train --train-src=./chr_en_data/train.chr --train-tgt=./chr_en_data/train.en --dev-src=./chr_en_data/dev.chr --dev-tgt=./chr_en_data/dev.en --vocab=vocab.json --lr=5e-4\nelif [ \"$1\" = \"test_local\" ]; then\n    python run.py decode model.bin ./chr_en_data/test.chr ./chr_en_data/test.en outputs/test_outputs.txt\nelif [ \"$1\" = \"vocab\" ]; then\n\tpython vocab.py --train-src=./chr_en_data/train.chr --train-tgt=./chr_en_data/train.en vocab.json\t\t\nelse\n\techo \"Invalid Option Selected\"\nfi\n"
  },
  {
    "path": "a4/sanity_check.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\n\"\"\"\nCS224N 2019-20: Homework 4\nsanity_check.py: sanity checks for assignment 4\nSahil Chopra <schopra8@stanford.edu>\nMichael Hahn <>\nVera Lin <veralin@stanford.edu>\n\nIf you are a student, please don't run overwrite_output_for_sanity_check as it will overwrite the correct output!\n\nUsage:\n    sanity_check.py 1d\n    sanity_check.py 1e\n    sanity_check.py 1f\n    sanity_check.py overwrite_output_for_sanity_check\n\"\"\"\nimport sys\n\nimport numpy as np\n\nfrom docopt import docopt\nfrom utils import batch_iter\nimport nltk\n# from utils import read_corpus\nfrom vocab import Vocab, VocabEntry\n\nfrom nmt_model import NMT\n\n\nimport torch\nimport torch.nn as nn\nimport torch.nn.utils\n\n#----------\n# CONSTANTS\n#----------\nBATCH_SIZE = 5\nEMBED_SIZE = 3\nHIDDEN_SIZE = 3\nDROPOUT_RATE = 0.0\n\ndef reinitialize_layers(model):\n    \"\"\" Reinitialize the Layer Weights for Sanity Checks.\n    \"\"\"\n    def init_weights(m):\n        if type(m) == nn.Linear:\n            m.weight.data.fill_(0.3)\n            if m.bias is not None:\n                m.bias.data.fill_(0.1)\n        elif type(m) == nn.Embedding:\n            m.weight.data.fill_(0.15)\n        elif type(m) == nn.Dropout:\n            nn.Dropout(DROPOUT_RATE)\n    with torch.no_grad():\n        model.apply(init_weights)\n\n\ndef generate_outputs(model, source, target, vocab):\n    \"\"\" Generate outputs.\n    \"\"\"\n    print (\"-\"*80)\n    print(\"Generating Comparison Outputs\")\n    reinitialize_layers(model)\n    model.gen_sanity_check = True\n    model.counter = 0\n\n    # Compute sentence lengths\n    source_lengths = [len(s) for s in source]\n\n    # Convert list of lists into tensors\n    source_padded = model.vocab.src.to_input_tensor(source, device=model.device)\n    target_padded = model.vocab.tgt.to_input_tensor(target, device=model.device)\n\n    # Run the model forward\n    with torch.no_grad():\n        enc_hiddens, dec_init_state = model.encode(source_padded, source_lengths)\n        enc_masks = model.generate_sent_masks(enc_hiddens, source_lengths)\n        combined_outputs = model.decode(enc_hiddens, enc_masks, dec_init_state, target_padded)\n\n    # Save Tensors to disk\n    torch.save(enc_hiddens, './sanity_check_en_es_data/enc_hiddens.pkl')\n    torch.save(dec_init_state, './sanity_check_en_es_data/dec_init_state.pkl') \n    torch.save(enc_masks, './sanity_check_en_es_data/enc_masks.pkl')\n    torch.save(combined_outputs, './sanity_check_en_es_data/combined_outputs.pkl')\n    torch.save(target_padded, './sanity_check_en_es_data/target_padded.pkl')\n\n    # 1f\n    # Inputs\n    Ybar_t = torch.load('./sanity_check_en_es_data/Ybar_t.pkl')\n    enc_hiddens_proj = torch.load('./sanity_check_en_es_data/enc_hiddens_proj.pkl')\n    reinitialize_layers(model)\n    # Run Tests\n    with torch.no_grad():\n        dec_state_target, o_t_target, e_t_target = model.step(Ybar_t, dec_init_state, enc_hiddens, enc_hiddens_proj,\n                                                        enc_masks)\n    torch.save(dec_state_target, './sanity_check_en_es_data/dec_state.pkl')\n    torch.save(o_t_target, './sanity_check_en_es_data/o_t.pkl')\n    torch.save(e_t_target, './sanity_check_en_es_data/e_t.pkl')\n\n    model.gen_sanity_check = False\n\ndef question_1d_sanity_check(model, src_sents, tgt_sents, vocab):\n    \"\"\" Sanity check for question 1d. \n        Compares student output to that of model with dummy data.\n    \"\"\"\n    print(\"Running Sanity Check for Question 1d: Encode\")\n    print (\"-\"*80)\n\n    # Configure for Testing\n    reinitialize_layers(model)\n    source_lengths = [len(s) for s in src_sents]\n    source_padded = model.vocab.src.to_input_tensor(src_sents, device=model.device)\n\n    # Load Outputs\n    enc_hiddens_target = torch.load('./sanity_check_en_es_data/enc_hiddens.pkl')\n    dec_init_state_target = torch.load('./sanity_check_en_es_data/dec_init_state.pkl')\n\n    # Test\n    with torch.no_grad():\n        enc_hiddens_pred, dec_init_state_pred = model.encode(source_padded, source_lengths)\n    assert(enc_hiddens_target.shape == enc_hiddens_pred.shape), \"enc_hiddens shape is incorrect: it should be:\\n {} but is:\\n{}\".format(enc_hiddens_target.shape, enc_hiddens_pred.shape)\n    assert(np.allclose(enc_hiddens_target.numpy(), enc_hiddens_pred.numpy())), \"enc_hiddens is incorrect: it should be:\\n {} but is:\\n{}\".format(enc_hiddens_target, enc_hiddens_pred)\n    print(\"enc_hiddens Sanity Checks Passed!\")\n    assert(dec_init_state_target[0].shape == dec_init_state_pred[0].shape), \"dec_init_state[0] shape is incorrect: it should be:\\n {} but is:\\n{}\".format(dec_init_state_target[0].shape, dec_init_state_pred[0].shape)\n    assert(np.allclose(dec_init_state_target[0].numpy(), dec_init_state_pred[0].numpy())), \"dec_init_state[0] is incorrect: it should be:\\n {} but is:\\n{}\".format(dec_init_state_target[0], dec_init_state_pred[0])\n    print(\"dec_init_state[0] Sanity Checks Passed!\")\n    assert(dec_init_state_target[1].shape == dec_init_state_pred[1].shape), \"dec_init_state[1] shape is incorrect: it should be:\\n {} but is:\\n{}\".format(dec_init_state_target[1].shape, dec_init_state_pred[1].shape) \n    assert(np.allclose(dec_init_state_target[1].numpy(), dec_init_state_pred[1].numpy())), \"dec_init_state[1] is incorrect: it should be:\\n {} but is:\\n{}\".format(dec_init_state_target[1], dec_init_state_pred[1])\n    print(\"dec_init_state[1] Sanity Checks Passed!\")\n    print (\"-\"*80)\n    print(\"All Sanity Checks Passed for Question 1d: Encode!\")\n    print (\"-\"*80)\n\n\ndef question_1e_sanity_check(model, src_sents, tgt_sents, vocab):\n    \"\"\" Sanity check for question 1e. \n        Compares student output to that of model with dummy data.\n    \"\"\"\n    print (\"-\"*80)\n    print(\"Running Sanity Check for Question 1e: Decode\")\n    print (\"-\"*80)\n\n    # Load Inputs\n    dec_init_state = torch.load('./sanity_check_en_es_data/dec_init_state.pkl')\n    enc_hiddens = torch.load('./sanity_check_en_es_data/enc_hiddens.pkl')\n    enc_masks = torch.load('./sanity_check_en_es_data/enc_masks.pkl')\n    target_padded = torch.load('./sanity_check_en_es_data/target_padded.pkl')\n\n    # Load Outputs\n    combined_outputs_target = torch.load('./sanity_check_en_es_data/combined_outputs.pkl')\n    print(combined_outputs_target.shape)\n\n    # Configure for Testing\n    reinitialize_layers(model)\n    COUNTER = [0]\n    def stepFunction(Ybar_t, dec_state, enc_hiddens, enc_hiddens_proj, enc_masks):\n       dec_state = torch.load('./sanity_check_en_es_data/step_dec_state_{}.pkl'.format(COUNTER[0]))\n       o_t = torch.load('./sanity_check_en_es_data/step_o_t_{}.pkl'.format(COUNTER[0]))\n       COUNTER[0]+=1\n       return dec_state, o_t, None\n    model.step = stepFunction\n\n    # Run Tests\n    with torch.no_grad():\n        combined_outputs_pred = model.decode(enc_hiddens, enc_masks, dec_init_state, target_padded)\n    assert(combined_outputs_target.shape == combined_outputs_pred.shape), \"combined_outputs shape is incorrect: it should be:\\n {} but is:\\n{}\".format(combined_outputs_target.shape, combined_outputs_pred.shape)\n    assert(np.allclose(combined_outputs_pred.numpy(), combined_outputs_target.numpy())), \"combined_outputs is incorrect: it should be:\\n {} but is:\\n{}\".format(combined_outputs_target, combined_outputs_pred)\n    print(\"combined_outputs Sanity Checks Passed!\")\n    print (\"-\"*80)\n    print(\"All Sanity Checks Passed for Question 1e: Decode!\")\n    print (\"-\"*80)\n\ndef question_1f_sanity_check(model, src_sents, tgt_sents, vocab):\n    \"\"\" Sanity check for question 1f. \n        Compares student output to that of model with dummy data.\n    \"\"\"\n    print (\"-\"*80)\n    print(\"Running Sanity Check for Question 1f: Step\")\n    print (\"-\"*80)\n    reinitialize_layers(model)\n\n    # Inputs\n    Ybar_t = torch.load('./sanity_check_en_es_data/Ybar_t.pkl')\n    dec_init_state = torch.load('./sanity_check_en_es_data/dec_init_state.pkl')\n    enc_hiddens = torch.load('./sanity_check_en_es_data/enc_hiddens.pkl')\n    enc_masks = torch.load('./sanity_check_en_es_data/enc_masks.pkl')\n    enc_hiddens_proj = torch.load('./sanity_check_en_es_data/enc_hiddens_proj.pkl')\n\n    # Output\n    dec_state_target = torch.load('./sanity_check_en_es_data/dec_state.pkl')\n    o_t_target = torch.load('./sanity_check_en_es_data/o_t.pkl')\n    e_t_target = torch.load('./sanity_check_en_es_data/e_t.pkl')\n\n    # Run Tests\n    with torch.no_grad():\n        dec_state_pred, o_t_pred, e_t_pred= model.step(Ybar_t, dec_init_state, enc_hiddens, enc_hiddens_proj, enc_masks)\n    assert(dec_state_target[0].shape == dec_state_pred[0].shape), \"decoder_state[0] shape is incorrect: it should be:\\n {} but is:\\n{}\".format(dec_state_target[0].shape, dec_state_pred[0].shape)\n    assert(np.allclose(dec_state_target[0].numpy(), dec_state_pred[0].numpy())), \"decoder_state[0] is incorrect: it should be:\\n {} but is:\\n{}\".format(dec_state_target[0], dec_state_pred[0])\n    print(\"dec_state[0] Sanity Checks Passed!\")\n    assert(dec_state_target[1].shape == dec_state_pred[1].shape), \"decoder_state[1] shape is incorrect: it should be:\\n {} but is:\\n{}\".format(dec_state_target[1].shape, dec_state_pred[1].shape)\n    assert(np.allclose(dec_state_target[1].numpy(), dec_state_pred[1].numpy())), \"decoder_state[1] is incorrect: it should be:\\n {} but is:\\n{}\".format(dec_state_target[1], dec_state_pred[1])\n    print(\"dec_state[1] Sanity Checks Passed!\")\n    assert(np.allclose(o_t_target.numpy(), o_t_pred.numpy())), \"combined_output is incorrect: it should be:\\n {} but is:\\n{}\".format(o_t_target, o_t_pred)\n    print(\"combined_output  Sanity Checks Passed!\")\n    assert(np.allclose(e_t_target.numpy(), e_t_pred.numpy())), \"e_t is incorrect: it should be:\\n {} but is:\\n{}\".format(e_t_target, e_t_pred)\n    print(\"e_t Sanity Checks Passed!\")\n    print (\"-\"*80)    \n    print(\"All Sanity Checks Passed for Question 1f: Step!\")\n    print (\"-\"*80)\n\n\ndef sanity_read_corpus(file_path, source):\n    \"\"\" Read file, where each sentence is dilineated by a `\\n`.\n    @param file_path (str): path to file containing corpus\n    @param source (str): \"tgt\" or \"src\" indicating whether text\n        is of the source language or target language\n    \"\"\"\n    data = []\n    for line in open(file_path):\n        sent = nltk.word_tokenize(line)\n        # only append <s> and </s> to the target sentence\n        if source == 'tgt':\n            sent = ['<s>'] + sent + ['</s>']\n        data.append(sent)\n\n    return data\n\n\ndef main():\n    \"\"\" Main func.\n    \"\"\"\n    args = docopt(__doc__)\n\n    # Check Python & PyTorch Versions\n    assert (sys.version_info >= (3, 5)), \"Please update your installation of Python to version >= 3.5\"\n    assert(torch.__version__ >= \"1.0.0\"), \"Please update your installation of PyTorch. You have {} and you should have version 1.0.0\".format(torch.__version__)\n\n    # Seed the Random Number Generators\n    seed = 1234\n    torch.manual_seed(seed)\n    torch.cuda.manual_seed(seed)\n    np.random.seed(seed * 13 // 7)\n\n    # Load training data & vocabulary\n    train_data_src = sanity_read_corpus('./sanity_check_en_es_data/train_sanity_check.es', 'src')\n    train_data_tgt = sanity_read_corpus('./sanity_check_en_es_data/train_sanity_check.en', 'tgt')\n    train_data = list(zip(train_data_src, train_data_tgt))\n\n    for src_sents, tgt_sents in batch_iter(train_data, batch_size=BATCH_SIZE, shuffle=True):\n        src_sents = src_sents\n        tgt_sents = tgt_sents\n        break\n    vocab = Vocab.load('./sanity_check_en_es_data/vocab_sanity_check.json') \n\n    # Create NMT Model\n    model = NMT(\n        embed_size=EMBED_SIZE,\n        hidden_size=HIDDEN_SIZE,\n        dropout_rate=DROPOUT_RATE,\n        vocab=vocab)\n\n    if args['1d']:\n        question_1d_sanity_check(model, src_sents, tgt_sents, vocab)\n    elif args['1e']:\n        question_1e_sanity_check(model, src_sents, tgt_sents, vocab)\n    elif args['1f']:\n        question_1f_sanity_check(model, src_sents, tgt_sents, vocab)\n    elif args['overwrite_output_for_sanity_check']:\n        generate_outputs(model, src_sents, tgt_sents, vocab)\n    else:\n        raise RuntimeError('invalid run mode')\n\n\nif __name__ == '__main__':\n    main()\n    \n"
  },
  {
    "path": "a4/sanity_check_en_es_data/dev_sanity_check.en",
    "content": "And the question that I want to ask everybody here today  is are you guys all cool with that idea?\nBAA: Yes. What this is really doing is discovering,  creating hyperlinks, if you will, between images.\nIt's very gratifying to have this kind of reception here.\nNow, together the myriad cultures of the world  make up a web of spiritual life and cultural life  that envelops the planet,  and is as important to the well-being of the planet  as indeed is the biological web of life that you know as a biosphere.\nI'm not telling you about it because I want to use it.\nI look forward to talking with all of you.\nHere's an example of it:  there's an organism called  Deinococcus radiodurans  that can take three millions rads of radiation.\nBut -- I felt worse.\nHe was smuggled into the jail at the age of two  to hide beneath her skirt tails  because she couldn't bear to be without him.\nIt's nothing if not ambitious.\nAnd \"Ol!\" to you, nonetheless.\nNow, the fascinating things  are that the beta-carbolines found within that liana  are MAO inhibitors of the precise sort necessary  to potentiate the tryptamine. So you ask yourself a question.\nAnd you say, \"Doc, what should I do?\"\nI should just put it bluntly, because we're all sort of friends here now --  it's exceedingly likely that my greatest success is behind me.\nWhy do they market to us if we can't buy them?\nAnd the disasters around the world  have been increasing at an absolutely extraordinary  and unprecedented rate.\nThink of this:  we have a four-letter genetic code -- A, C, G and T.\nYou attach it to a particular sound and then tilt to adjust it.\nInitially, all we did was autograph it.\nMaybe this is an artificial way to read an e-book.\nAnd there's probably people in this audience  who would raise really legitimate scientific suspicions  about the notion of, basically, fairies  who follow people around rubbing fairy juice on their projects and stuff.\nThe official dogma of all Western industrial societies.\nI had very low, no particular expectations when they only came in one flavor.\nThen of course, there's all that  CO2 from this material  that ends up in the atmosphere.\nWe knew there's a mechanism called homologous recombination  that biology uses to repair DNA  that can put pieces together.\n"
  },
  {
    "path": "a4/sanity_check_en_es_data/dev_sanity_check.es",
    "content": "Y la pregunta que quiero hacerles a todos hoy es estn todos ustedes a gusto con esa idea?\nBAA: S. Lo que hace realmente es descubrir crear hipervnculos, si lo quieren, entre las imgenes.\nEs muy gratificante tener una recepcin as aqu.\nAhora, junto con las miles de culturas del mundo forman un entramado espiritual y cultural que abarca todo el planeta y es tan fundamental para su bienestar como el entramado biolgico conocido como biosfera.\nY no se los voy a decir porque yo quiero usarlo.\nEspero hablar con todos ustedes.\nAqu tenemos un ejemplo de ello. Hay un organismo llamado Deinococcus radiodurans que puede soportar hasta tres millones de rads de radiacin.\nPero me sent peor.\nl mismo fue encarcelado de contrabando a la edad de dos aos y se esconda entre las faldas de su madre porque ella no poda estar sin l.\nEs algo muy ambicioso.\nY \"Ol!\" para ti, de todas formas.\nAhora, lo fascinante de esto es que los componentes qumicos de esta liana son precisamente los inhibidores MAO necesarios para potenciar las triptaminas. Entonces, uno se pregunta:\nY uno dice: \"Doc qu debo hacer?\"\nDebera decirlo sin rodeos, porque somos todos como amigos aqu -- es extremadamente probable que mi mayor xito ya haya pasado.\nPor qu nos los mercadean si no los podemos comprar?\nY los desastres en todo el mundo se han incrementado a un ritmo totalmente inslito y sin precedentes.\nPiensen en esto: tenemos un cdigo gentico de cuatro letras: A, C, G y T.\nLo conectas a un sonido en particular y lo inclinas para ajustarlo.\nInicialmente, todo lo que hicimos fue autografiarlo.\nQuiz sea una forma algo artificial de leer un libro electrnico.\nY probablemente hay gente en esta audiencia que puede tener legtimas sospechas cientficas sobre la nocin de hadas, bsicamente, que siguen a la gente frotando zumo de hada en sus proyectos y cosas as.\nEl dogma oficial de todas las sociedades industriales occidentales.\nYo tena expectativas bajas. No tena expectativas particulares cuando slo haba un tipo.\nLuego, por supuesto, viene todo el CO2 procedente de este material que acaba en la atmsfera.\nSabamos que hay un mecanismo llamado recombinacin homloga, utilizado por la biologa para reparar el ADN, que puede juntar estas piezas.\n"
  },
  {
    "path": "a4/sanity_check_en_es_data/test_sanity_check.en",
    "content": "Ironically, by borrowing out their voices,  I'm able to maintain a temporary form of currency,  kind of like taking out a loan with a very high interest rate.\nI grew up there. I raised my sons there.\nA map actually carries somebody's view.\nJust as an aside, I wanted to mention,  cities are only two percent of the Earth's crust,  but they are 50 percent of the world's population.\nThat's the kind of shame that is a teacher.\n"
  },
  {
    "path": "a4/sanity_check_en_es_data/test_sanity_check.es",
    "content": "Irnicamente, al pedir prestadas sus voces, soy capaz de mantener una forma temporal de valor algo as como tomar un prstamo con una tasa de inters muy alta.\nYo crec ah. Cri a mis hijos ah.\nUn mapa implica la perspectiva de las personas.\nComo nota aparte quera mencionar que las ciudades son slo el 2% de la corteza del planeta pero representan el 50% de la poblacin mundial;\nEs esa vergenza que deja una enseanza.\n"
  },
  {
    "path": "a4/sanity_check_en_es_data/train_sanity_check.en",
    "content": "But what can you do? You're in the middle of the ocean.\nSo in this situation too, to decode the information contained in patterns like this, watching alone won't do.\nWell, at least, here at CERN.\nLet me share with those of you here in the first row.\nBut hey, sometimes these things are sent to you and you just have to take them when they come.\nAnd then from that point on, you're basically falling.\nIn the case of gun control, we really underestimated our opponents.\nLorna Sass came and donated books.\nAnd so I showed up in this dark, rambling New York apartment, and she called out to me, and she was in bed.\nNow, if President Obama invited me to be the next Czar of Mathematics, then I would have a suggestion for him that I think would vastly improve the mathematics education in this country.\nThat's how it seems to us.\nBut some of you do.\nBut it's not a joke. This is a real headline.\nIf you look at that truck there, it is the largest truck of its kind of the planet.\nI have some cards that maybe, maybe they don't mean anything.\nOkay, India.\nAnd he was the King of England, and that was the entire wealth of England at the time.\nAnd so, hopefully one day, we can all have that one extra uncle, that one mother, that one brother, sister, we can have that one more family member to love.\nIt just wouldn't work.\nIt suggests that we care about the fight, about the challenge.\nJT: Okay.\nThe benefits of doing so are enormous, the risks minimal.\nYou know, if you fall in love with a frog, that's it.\nLet's start by thinking about the member countries of the OECD, or the Organization of Economic Cooperation and Development.\nI hope to arrive at new territories to discover sounds I have never heard before.\nA lot of numbers there. A lot of numbers.\nThere was a burning question though that would not leave me.\nThey always felt that they could rely on the assurances that nature brought them through the ecosystem of the Gulf.\nThat's a moral problem but today I'm also going to tell you why it's an economic problem.\nMy home would have to be whatever I carried around inside me.\nThose plaques are plaques we've been installing around North America.\nWe have to make kids understand that their food choices make a big difference.\nThis was a world dominated by towering ice sheets, three to four kilometers high, with sweeping grass plains and frozen tundra.\nImagine somewhere in the world: Mumbai, Beijing, New York, London.\nHe looked at the hut. We went inside.\nStarted in corporate America, and I was absolutely convinced that it was just about the individual, that women and men would have just the same opportunities.\nThe arrival of countries like China and India -- between them 38 percent of the world's population -- and others like Indonesia and Brazil and so on, represent the most important single act of democratization in the last 200 years.\nSo what would happen here if, while the animal is recalling the memory of the blue box, we gave it a couple of mild foot shocks?\nI started building this project when I was about 12 or 13 years old.\nPM: So tell me, what do you look for in a friend?\nIn fact, if we count all the individual organisms, we would come at much larger numbers.\nSo, now you think, how is that possible?\nAnd Intel set aside 475 million dollars to fund the replacement of millions of chips to fix the flaw.\nThe kids can't sit still long enough to focus, so they don't learn.\nYou don't forget how to walk because you're thinking about what to have for dinner.\nWe've got a database of words which we recognize.\nI guess most of you by now realize that we do: 300 days of sun.\nFit into this other system and try to become a student.\"\nAnd then the third one is this idea of the end of oil, this entropic end, where all of our parts of cars, our tires, oil filters, helicopters, planes -- where are the landscapes where all of that stuff ends up?\nFor mom said, \"To be family, is to care and share and to look out for one another.\n"
  },
  {
    "path": "a4/sanity_check_en_es_data/train_sanity_check.es",
    "content": "Pero, qu puedes hacer? Ests en el medio del ocano.\nAs que en esta situacin tambin, para decodificar la informacin contenida en los patrones de este tipo, con slo mirar no basta;\nBueno, al menos, aqu en el CERN.\nDjenme compartir con ustedes aqu en la primera fila.\nPero a veces estas cosas slo vienen a ti y tienes que aprovecharlas cuando llegan.\nY a partir de eso momento, bsicamente ests cayendo.\nEn el caso de control de armas, realmente subestimamos a nuestros rivales.\nLorna Sass vino y don libros.\nY llegu a este oscuro, laberntico, departamento en Nueva York, y ella me llam, ella estaba en cama.\nAhora, si el Presidente Obama me invitara a ser el prximo Zar de las Matemticas le hara una sugerencia que mejorara bastante la enseanza de las matemticas en este pas.\nEso es lo que nos parece.\nPero algunos de ustedes s.\nPero no es una broma. Es un titular real,\nSi Uds. miran aquel camin de all, es el camin ms grande de su tipo en el planeta.\nTengo algunas cartas que tal vez, quizs, no significan nada.\nBueno, India.\nY l era el Rey de Inglaterra y ah se aglutinaba toda la riqueza de Inglaterra en el momento.\nY as espero que un da todos podamos tener un to extra, esa madre, ese hermano, esa hermana, que podamos tener ese familiar extra que amamos,\nNo funcion.\nSugiere que nos interesa el combate, el desafo.\nJT: Bien\nLos beneficios de hacerlo son enormes, los riesgos, mnimos.\nO sea, si te enamoras de un sapo, eso es todo.\nComencemos por pensar en los pases miembros de la OCDE, o la Organizacin para la Cooperacin y el Desarrollo Econmicos.\nYo espero llegar a territorios nuevos para descubrir sonidos que nunca haba odo antes.\nCon muchos nmeros. Un montn\nhubo una pregunta mental que no me abandonaba.\nSiempre pensaron que podra confiar en la seguridad que la naturaleza les traa a travs del ecosistema del Golfo.\nEste es un problema moral pero hoy tambin dir por qu es un problema econmico.\nMi hogar tendra que ser todo lo que llevaba dentro de m.\nAquellas placas son placas que hemos estado instalando alrededor de Norte Amrica.\nTenemos que hacer comprender a los chicos que las selecciones de comida que hacen marcan grandes diferencias.\nEra un mundo dominado por altas capas de hielo, de tres a cuatro kilmetros de altura, con llanuras de hierba y tundra congelada.\nImaginen un lugar en el mundo: Mumbai, Pekn, Nueva York, Londres.\nMir el refugio. Entr.\nEmpec en el mundo corporativo de EE.UU. y estaba absolutamente convencida de que todo dependa del individuo, que mujeres y hombres tendran las mismas oportunidades.\nLa llegada de pases como China e India -entre ambas el 38% de la poblacin mundial- y otros pases como Indonesia, Brasil, etc, representa el acto ms importante de democratizacin de los ltimos 200 aos.\nQu pasara aqu si, mientras el animal est recordando la memoria de la caja azul, le damos un par de choques elctricos suaves en el pie?\nComenc con este proyecto cuando tena 12  13 aos de edad.\nPM: Entonces, dganme, Qu buscan en una amiga?\nS contamos toda la poblacin llegamos a un nmero mucho mayor.\nPensarn, cmo es posible?\nE Intel reserv USD 475 millones para financiar el reemplazo de millones de chips para solucionar el defecto.\nLos nios no se pueden sentar quietos lo bastante para enfocarse, as que no aprenden.\nNo olvidas cmo caminar simplemente porque ests pensando qu vas a cenar.\nDisponemos de una base de datos de palabras que reconocemos.\nSupongo que la mayora de Uds. ya se han dado cuenta de lo que tenemos: 300 das soleados.\nEncaja en este otro sistema e intenta ser un estudiante\".\nY luego est el tercer captulo que es la idea del fin del petroleo su fin entrpico donde todas nuestras partes de autos, nuestras ruedas, filtros de aceite helicpteros, aviones -- dnde estn los paisajes en los que todas nuestras cosas terminan?\nMi madre deca, \"Ser familia es querer, compartir y cuidarnos los unos a los otros.\n"
  },
  {
    "path": "a4/sanity_check_en_es_data/vocab_sanity_check.json",
    "content": "{\n  \"src_word2id\": {\n    \"<pad>\": 0,\n    \"<s>\": 1,\n    \"</s>\": 2,\n    \"<unk>\": 3,\n    \"de\": 4,\n    \"que\": 5,\n    \"el\": 6,\n    \"en\": 7,\n    \"la\": 8,\n    \"a\": 9,\n    \"un\": 10,\n    \"y\": 11,\n    \"los\": 12,\n    \"es\": 13,\n    \"del\": 14,\n    \"para\": 15,\n    \"no\": 16,\n    \"este\": 17,\n    \"Y\": 18,\n    \"una\": 19,\n    \"con\": 20,\n    \"las\": 21,\n    \"lo\": 22,\n    \"qu\": 23,\n    \"aqu\": 24,\n    \"Pero\": 25,\n    \"me\": 26,\n    \"ser\": 27,\n    \"se\": 28,\n    \"por\": 29,\n    \"pases\": 30,\n    \"nuestras\": 31,\n    \"slo\": 32,\n    \"Bueno,\": 33,\n    \"compartir\": 34,\n    \"ustedes\": 35,\n    \"cosas\": 36,\n    \"cuando\": 37,\n    \"eso\": 38,\n    \"ests\": 39,\n    \"Nueva\": 40,\n    \"York,\": 41,\n    \"ella\": 42,\n    \"estaba\": 43,\n    \"si\": 44,\n    \"le\": 45,\n    \"bastante\": 46,\n    \"nos\": 47,\n    \"Uds.\": 48,\n    \"camin\": 49,\n    \"ms\": 50,\n    \"su\": 51,\n    \"Inglaterra\": 52,\n    \"toda\": 53,\n    \"as\": 54,\n    \"espero\": 55,\n    \"podamos\": 56,\n    \"tener\": 57,\n    \"esa\": 58,\n    \"ese\": 59,\n    \"No\": 60,\n    \"Los\": 61,\n    \"son\": 62,\n    \"problema\": 63,\n    \"Mi\": 64,\n    \"todo\": 65,\n    \"placas\": 66,\n    \"mundo\": 67,\n    \"como\": 68,\n    \"e\": 69,\n    \"poblacin\": 70,\n    \"Qu\": 71,\n    \"est\": 72,\n    \"cmo\": 73,\n    \"millones\": 74,\n    \"fin\": 75,\n    \"todas\": 76\n  },\n  \"tgt_word2id\": {\n    \"<pad>\": 0,\n    \"<s>\": 1,\n    \"</s>\": 2,\n    \"<unk>\": 3,\n    \"the\": 4,\n    \"of\": 5,\n    \"to\": 6,\n    \"that\": 7,\n    \"and\": 8,\n    \"in\": 9,\n    \"a\": 10,\n    \"you\": 11,\n    \"I\": 12,\n    \"have\": 13,\n    \"we\": 14,\n    \"was\": 15,\n    \"this\": 16,\n    \"at\": 17,\n    \"would\": 18,\n    \"one\": 19,\n    \"And\": 20,\n    \"is\": 21,\n    \"about\": 22,\n    \"But\": 23,\n    \"what\": 24,\n    \"are\": 25,\n    \"just\": 26,\n    \"they\": 27,\n    \"so\": 28,\n    \"for\": 29,\n    \"it\": 30,\n    \"all\": 31,\n    \"can\": 32,\n    \"So\": 33,\n    \"like\": 34,\n    \"here\": 35,\n    \"with\": 36,\n    \"them\": 37,\n    \"then\": 38,\n    \"our\": 39,\n    \"if\": 40,\n    \"be\": 41,\n    \"how\": 42,\n    \"look\": 43,\n    \"don't\": 44,\n    \"The\": 45,\n    \"by\": 46,\n    \"--\": 47,\n    \"where\": 48,\n    \"do.\": 49,\n    \"me\": 50,\n    \"share\": 51,\n    \"when\": 52,\n    \"on,\": 53,\n    \"you're\": 54,\n    \"In\": 55,\n    \"New\": 56,\n    \"she\": 57,\n    \"out\": 58,\n    \"me,\": 59,\n    \"That's\": 60,\n    \"some\": 61,\n    \"it's\": 62,\n    \"not\": 63,\n    \"This\": 64,\n    \"truck\": 65,\n    \"member\": 66,\n    \"It\": 67,\n    \"care\": 68,\n    \"You\": 69,\n    \"thinking\": 70,\n    \"countries\": 71,\n    \"or\": 72,\n    \"A\": 73,\n    \"lot\": 74,\n    \"numbers.\": 75,\n    \"me.\": 76,\n    \"tell\": 77,\n    \"around\": 78,\n    \"plaques\": 79,\n    \"We\": 80,\n    \"make\": 81,\n    \"kids\": 82,\n    \"most\": 83,\n    \"now\": 84\n  }\n}"
  },
  {
    "path": "a4/src.vocab",
    "content": "<unk>\t0\n<s>\t0\n</s>\t0\n,\t-2.54393\n.\t-3.04052\n▁ᎠᎴ\t-3.32008\n▁ᎾᏍᎩ\t-3.74462\n;\t-3.84657\nᏃ\t-4.05736\n▁ᎯᎠ\t-4.40361\n▁ᎨᏒ\t-4.69076\n▁\t-4.80196\nᎢ\t-4.89989\n▁ᎥᏝ\t-5.11018\n▁ᎨᏒᎢ\t-5.16483\nᏰᏃ\t-5.23888\nᎩ\t-5.29137\n▁ᎨᏎᏍᏗ\t-5.2919\n▁ᎤᏁᎳᏅᎯ\t-5.30573\n?\t-5.38227\n▁ᏃᎴ\t-5.41577\n▁Ꭴ\t-5.45954\n▁Ꭰ\t-5.55055\n▁ᏴᏫ\t-5.55698\nᏉ\t-5.62357\nᏗ\t-5.64492\n”\t-5.64664\nᎯ\t-5.71947\n▁ᎩᎶ\t-5.72385\n▁ᎾᏍᏉ\t-5.76501\n▁ᎢᏳᏍᏗ\t-5.80213\n▁ᎾᎿ\t-5.80755\n▁ᎾᏍᎩᏯ\t-5.81762\n⁠\t-5.8234\n▁ᎠᏎᏃ\t-5.83675\n▁ᎠᏴ\t-5.85629\nᎭ\t-5.90906\n▁ᏱᎩ\t-5.91544\n▁Ꮎ\t-5.91926\n-\t-5.94808\n▁ᏥᎩ\t-5.95764\n▁ᏱᎰᏩ\t-5.9588\n▁ᎪᎱᏍᏗ\t-5.9589\n▁ᏂᎦᏛ\t-5.98153\n▁ᏂᎯ\t-5.98992\n▁ᎢᎦ\t-5.99128\n▁ᎤᎬᏫᏳᎯ\t-6.01942\n▁ᏥᏌ\t-6.02006\n▁ᏂᎨᏒᎾ\t-6.0207\nᏱ\t-6.07666\n▁“\t-6.09282\nᎾ\t-6.13014\nᏍᎩᏂ\t-6.13869\n▁ᎣᏍᏛ\t-6.19801\nᏛ\t-6.20767\n▁ᎯᎠᏃ\t-6.2111\nᏍᏗ\t-6.25509\n▁ᎤᏪᏥ\t-6.28097\n▁Ꮷ\t-6.29606\n▁Ꮧ\t-6.2986\n▁ᎢᏳᏃ\t-6.30915\n▁ᎾᏍᎩᏃ\t-6.34215\n▁ᏧᏪᏥ\t-6.3612\n▁ᎦᎶᏁᏛ\t-6.38276\n▁ᏄᏪᏎᎢ\t-6.40358\nᏓ\t-6.40374\n▁ᎿᏉ\t-6.42033\n▁ᎡᎶᎯ\t-6.43418\n▁ᏞᏍᏗ\t-6.44641\n▁Ꮵ\t-6.46011\n▁ᎠᏂ\t-6.46347\n▁ᎨᏍᏗ\t-6.46512\n▁ᎿᏉᏃ\t-6.49601\n▁ᎤᏲ\t-6.53098\nᎦ\t-6.55188\n▁ᎤᏛᏁ\t-6.56483\n▁Ꮳ\t-6.57859\n!\t-6.57899\n▁ᎤᏣᏘ\t-6.59076\n▁ᎠᏥᎸ\t-6.62593\n▁Ᏹ\t-6.64234\n▁Ꮪ\t-6.64477\n▁”\t-6.65186\n▁ᏫᎵᎻ\t-6.67483\n▁ᎾᎯᏳ\t-6.68968\n▁ᏂᎦᎥ\t-6.70095\n▁ᎬᏂᎨᏒ\t-6.71179\n▁ᎠᏍᎦᏯ\t-6.7176\n▁ᎦᎸᏉᏗᏳ\t-6.72394\n▁ᎬᏂᏳᏉ\t-6.73303\n▁ᏄᏍᏛ\t-6.73545\n▁ᎦᏙ\t-6.75685\n▁ᎧᏃᎮᏛ\t-6.75916\nᏂ\t-6.75917\n▁ᎡᎯ\t-6.76817\n▁ᎤᏩᏒ\t-6.77375\n▁ᎠᏁᎯ\t-6.77487\n▁ᎦᎸᎳᏗ\t-6.77775\n▁ᎠᏰᎵ\t-6.80332\nᏅ\t-6.80338\n▁ᎠᏕᎸ\t-6.82547\n▁ᎨᏎᎢ\t-6.82773\n▁ᎤᏤᎵ\t-6.84908\n▁ᏌᏉ\t-6.85847\n▁ᏰᎵ\t-6.85913\n▁ᎤᏤᎵᎦ\t-6.86215\n▁ᎠᎹ\t-6.86622\n▁ᎢᏣ\t-6.87124\n▁ᎢᏴᏛ\t-6.879\nᎨ\t-6.88706\nᏗᏱ\t-6.89553\n▁ᎤᏂ\t-6.90173\nᏏ\t-6.90188\nᎸ\t-6.90294\nᎵ\t-6.90928\n▁ᎾᏂᎥ\t-6.9347\n▁Ꭲ\t-6.93579\n▁ᎣᏏᏳ\t-6.93811\n▁ᎠᏎ\t-6.94407\nᏳ\t-6.95606\n▁ᎦᏙᎯ\t-6.95677\n▁ᏔᎵ\t-6.96344\n▁ᎢᏏᎵ\t-6.97663\n▁[\t-6.98636\nᎴ\t-6.98876\n▁ᎤᏟ\t-6.99369\n]\t-6.99401\n▁ᎪᎯ\t-6.99443\n▁ᏗᎧᎿᏩᏛᏍᏗ\t-6.9957\n▁Ꭿ\t-7.02167\n▁ᎠᏓᏅᏙ\t-7.02702\n▁ᎣᏍᏓ\t-7.03024\n▁ᎠᏂᏍᎦᏯ\t-7.04526\nᏒ\t-7.0461\n▁Ꮣ\t-7.04851\n▁ᎨᏎ\t-7.05692\n▁ᎢᏥᏈᏱ\t-7.08677\n▁ᏔᎵᏁ\t-7.10111\n▁ᎼᏏ\t-7.1168\nᎲ\t-7.13121\nᏍᎪ\t-7.13154\n▁Ꭶ\t-7.14064\n▁ᎢᏳ\t-7.14731\n▁ᎨᏒᎩ\t-7.1595\n▁ᎬᏩ\t-7.16382\n▁⁠\t-7.16682\n▁ᎤᏍᏗ\t-7.18111\n▁ᎢᎬᏱ\t-7.18165\n▁ᏤᎦᏈ\t-7.18493\n▁ᏚᏳᎪᏛ\t-7.18566\n▁ᎤᏂᏣᏘ\t-7.21576\n▁ᎡᎳᏗ\t-7.21609\n▁ᎡᏆᎭᎻ\t-7.23123\n▁ᎢᏳᎵᏍᏙᏗᏱ\t-7.23196\n▁ᎦᏙᏃ\t-7.23475\n▁ᎠᏫ\t-7.23563\nᏍᎩ\t-7.23677\n▁Ᏻ\t-7.23678\n:\t-7.24095\nᎨᏍᏗ\t-7.24223\n▁ᎢᏗᏢ\t-7.24601\n▁ᏩᎦ\t-7.24864\nᎠ\t-7.25045\n▁ᏇᎵᏲ\t-7.26584\n▁Ꮻ\t-7.27065\n▁ᏏᏆ\t-7.28048\n▁ᎠᎨᏴ\t-7.29155\n▁ᏲᎾ\t-7.29204\nᎬ\t-7.30436\n▁ᎤᎾ\t-7.30633\n▁ᏦᏩ\t-7.30714\n▁ᏌᎳᏓ\t-7.31832\nᎪ\t-7.32028\n▁ᎠᏏ\t-7.32112\n▁ᎾᎥ\t-7.33324\nᏙᏗ\t-7.33524\n▁ᏄᏪᏒᎩ\t-7.34102\n▁ᏅᎩ\t-7.34627\n▁ᏄᏪᏎᎴᎢ\t-7.3555\n▁ᏂᎦᏓ\t-7.3728\n▁Ꮽ\t-7.37369\n▁ᏧᏓᎴᏅᏛ\t-7.39482\n▁ᏱᎨᏎᏍᏗ\t-7.40762\n▁ᏦᎢ\t-7.41118\nᏯ\t-7.4208\n▁ᎢᏥ\t-7.42788\nᏁ\t-7.43493\n▁ᎤᏙᎯᏳᎯᏯ\t-7.44203\n▁ᏥᏌᏃ\t-7.44586\n▁ᏅᏯ\t-7.4479\nᏥ\t-7.44922\n▁ᏂᏚᏪᏎᎴᎢ\t-7.47404\n▁Ꮿ\t-7.48\n▁ᎦᏚ\t-7.48764\n▁ᏐᏈᎵ\t-7.49101\n▁ᏝᏍᎪ\t-7.49119\n▁ᎠᏂᏧᏏ\t-7.49899\n▁Ꮔ\t-7.49976\n▁ᏣᎬᏫᏳᎯ\t-7.50372\n▁ᎤᎬᏩᎵ\t-7.50997\nᏎ\t-7.51424\n▁ᏧᏤᎵ\t-7.51456\n▁Ꮒ\t-7.5246\n▁ᎦᎵᏉᎩ\t-7.52823\n▁ᏓᎶᏂᎨ\t-7.52903\n▁Ꭼ\t-7.53577\n▁ᎬᏩᏍᏓᏩᏗᏙᎯ\t-7.53608\n▁ᏄᏪᏎᎸᎩ\t-7.5372\nᏍᎬ\t-7.54004\n▁ᎡᏍᎦ\t-7.54381\n▁ᎦᎪ\t-7.54804\n▁ᏂᎦᏗᏳ\t-7.54945\n▁ᎢᏧᎳᎭ\t-7.57203\n▁ᎬᏗ\t-7.57296\n▁ᏂᎪᎯᎸ\t-7.57373\n▁ᏰᎵᏉ\t-7.58062\nᎮ\t-7.58727\n▁ᎦᏓ\t-7.59046\nᎳ\t-7.5957\n▁Ꭸ\t-7.60402\n▁ᎠᏆ\t-7.60651\n▁ᎠᏓ\t-7.60854\n▁ᎤᏙᏓ\t-7.61492\n▁ᏚᏂ\t-7.61603\n▁ᏈᏓ\t-7.6189\n▁ᎣᏂ\t-7.62582\n▁ᏄᏪᏎᎴ\t-7.63331\n▁ᎤᏤᏍᏙ\t-7.64765\n▁Ꮥ\t-7.66036\n▁ᏥᎷᏏᎵᎻ\t-7.67007\n▁ᏂᏚᏪᏎᎸᎩ\t-7.67804\n▁ᎠᏏᏉ\t-7.67898\n▁ᏣᏂ\t-7.68536\n▁ᎦᏚᎲ\t-7.68665\n▁Ꭱ\t-7.68809\n▁ᏅᏗᎦᎵᏍᏙᏗᎭ\t-7.69324\n▁ᎠᏂᎨᏴ\t-7.70079\n▁ᎬᏂ\t-7.70575\n▁ᎤᏅᏒ\t-7.71095\n▁ᎢᎩ\t-7.714\n▁ᎪᏪᎵ\t-7.72109\n▁ᏉᎳ\t-7.73114\n▁ᏧᎾᏓᎴᏅᏛ\t-7.73244\n▁ᏱᎨᏎ\t-7.73936\n▁ᎢᏯᏂᏛ\t-7.74107\n▁ᎬᏂᏛ\t-7.74272\n▁ᎠᎩ\t-7.75133\n▁ᎡᏙᏓ\t-7.75528\n▁ᏄᎬᏫᏳᏒ\t-7.75675\nᏘ\t-7.75742\n▁ᏂᎬᎾᏛ\t-7.75769\n▁ᎢᎦᎢ\t-7.76605\n▁ᏍᎩ\t-7.76797\n▁ᎾᏍᎩᏯᎢ\t-7.77448\n▁ᏐᏉ\t-7.78269\n▁ᏣᎵ\t-7.78287\n▁ᎪᎯᏳᏗ\t-7.79302\nᏔᏅᎯ\t-7.79556\n▁ᎠᏂᏔᎵ\t-7.79599\nᏴ\t-7.80695\n▁ᎾᎥᏂ\t-7.81511\n▁ᎡᎳᏂ\t-7.81544\nᎰ\t-7.81952\n▁ᎤᎵᏂᎩᏛ\t-7.82499\n▁ᏄᎵᏍᏔᏁᎢ\t-7.82949\n▁ᎢᏴ\t-7.83184\n▁ᎤᏁᏨ\t-7.83563\n▁ᎤᏙᎯᏳᎯ\t-7.83687\n▁ᎼᏏᏃ\t-7.84193\n▁ᎤᏓᎵᎢ\t-7.84363\nᎸᎩ\t-7.84608\n▁ᏗᎦᎳᏫᎢᏍᏗᏱ\t-7.8463\n▁ᏧᏂ\t-7.85916\n▁ᎢᎬᏱᏗᏢ\t-7.86993\n▁ᎤᏓᏙᎵᏍᏗ\t-7.86996\n▁ᎠᏣᏗ\t-7.87027\n▁ᏄᏂᏪᏎᎢ\t-7.87037\n▁ᏥᎪ\t-7.87476\nᎸᎯ\t-7.87953\n▁Ꭽ\t-7.88172\nᎴᎢ\t-7.88202\nᏍᎨᏍᏗ\t-7.88779\n▁ᎢᎨᏎᏍᏗ\t-7.88852\nᎮᏍᏗ\t-7.89131\n▁ᏗᎧᎿᏩᏗᏙᎯ\t-7.90756\n▁Ꭷ\t-7.90945\nᎥ\t-7.90965\n▁Ꮩ\t-7.91141\n▁ᎯᏍᎩ\t-7.9125\n▁ᏗᎦᎸᏫᏍᏓᏁᏗ\t-7.91468\n▁ᎠᏯ\t-7.9163\n▁ᎢᏧᎳ\t-7.93395\n▁ᎤᏛᏅ\t-7.93687\n▁ᎡᏏᎩ\t-7.94026\n▁ᎠᎾᎵᏅᏟ\t-7.94646\n▁ᏌᏌ\t-7.94663\n▁ᏗᏣ\t-7.94748\n▁ᎩᎦᎨ\t-7.95654\n▁ᎰᎻ\t-7.96674\n▁ᎦᎶᎯᏍᏗᏱ\t-7.96769\n▁ᏅᏩᏓᎴ\t-7.97183\n▁ᎭᏫᏂ\t-7.97486\n▁ᏑᎾᎴ\t-7.97834\n▁ᏧᎾ\t-7.98076\n▁ᎠᎵᏍᏓᏴᏗ\t-7.98491\nᏔᏅ\t-7.98533\n▁ᏍᎩᎾᎾ\t-7.98662\nᏨ\t-7.99102\n▁ᏅᏙ\t-7.99471\nᏫ\t-7.99572\n▁ᏒᏃᏱ\t-7.99754\n▁ᎢᎬᏱᏱ\t-7.998\n▁ᎢᎾᎨ\t-8.00468\n▁ᎬᏩᎦᏘᏯ\t-8.00808\n▁ᎤᏃᏕᎾ\t-8.00809\n▁ᎠᏧᏣ\t-8.0081\n▁ᎤᏩᏌ\t-8.01805\n▁ᏔᎳᏚ\t-8.01871\nᏢ\t-8.02489\n▁ᎤᏥ\t-8.02713\n▁ᎦᎸᎶᎢ\t-8.03392\n▁ᏱᎨᏎᎢ\t-8.03932\n▁Ꭳ\t-8.04853\n▁ᏧᎬᏩᎶᏗ\t-8.05146\n▁ᎩᎳ\t-8.05295\n▁ᎤᏓ\t-8.05476\nᏌ\t-8.05588\n▁ᎤᎾᏤᎵᎦ\t-8.06581\nᏅᎯ\t-8.06871\n▁ᏚᏙᎥ\t-8.07207\n▁ᏚᎾ\t-8.0728\nᏣ\t-8.0769\n▁ᎢᏤ\t-8.0781\n▁ᎦᏲᏟ\t-8.08386\n▁ᏅᏩᏙᎯᏯᏛ\t-8.08503\n▁ᎠᏏᏴᏫ\t-8.08696\n▁Ꭵ\t-8.0908\nᏍᏛ\t-8.09162\nᏉᏍᎩᏂ\t-8.09391\n▁ᎢᎸᎯᏳ\t-8.09647\n▁ᎢᏓᎵᏅᏟ\t-8.0965\n▁ᏧᎾᏁᎶᏗ\t-8.09661\nᏍᎩᏂᏃᏅ\t-8.10708\nᏙ\t-8.10769\n▁ᏱᎨᏒᎾ\t-8.10811\n▁ᎤᏍᏆᏂᎪᏗ\t-8.11954\n▁ᎤᏚᎩ\t-8.12144\n▁ᏗᎦ\t-8.13494\n▁ᎠᏆᏤᎵ\t-8.1425\n▁ᎢᎪᎯᏛ\t-8.14405\n▁ᎠᎬᏱ\t-8.14433\nᏍ\t-8.14985\n▁ᎣᎩ\t-8.15074\n▁ᎠᏰᎸ\t-8.15184\n▁ᏄᎵᏍᏔᏅ\t-8.15312\n▁ᎡᏆ\t-8.15454\n▁ᎭᏫᏂᏗᏢ\t-8.15607\n▁ᎠᏇᏥ\t-8.15609\nᏕ\t-8.15911\n▁ᏧᏤᎵᎦ\t-8.16084\n▁ᎩᎳᏉ\t-8.16331\n▁ᏅᏓᏳᏓᎴᏅᎯ\t-8.16839\n▁ᏂᏨᏪᏎᎭ\t-8.1685\n▁ᏄᏂᏪᏒᎩ\t-8.16906\n▁ᎦᏓᎭ\t-8.17407\n▁ᎤᏇᏓᎵ\t-8.18069\n▁ᎦᏳᎳ\t-8.18094\n▁ᎤᎾᏓᏅᏘ\t-8.18119\nᏔ\t-8.18931\nᏎᎢ\t-8.19031\n▁ᎢᏳᏩᏂᏌᏛ\t-8.19352\n▁ᎢᏳᏰᏃ\t-8.19582\n▁ᎢᏐ\t-8.19624\n▁ᏥᏳ\t-8.2024\n▁ᏃᏗ\t-8.21085\n▁ᎢᎦᏛ\t-8.21697\n▁ᎤᏁᎳᎩ\t-8.21951\n▁ᎤᏕᎵᏛ\t-8.21955\n▁ᏧᏙᎢᏛ\t-8.21964\n▁ᏄᏪᏒ\t-8.22029\n▁ᏄᏍᏗ\t-8.22977\n▁Ꮫ\t-8.23103\n▁ᎢᏯᎦᏴᎵ\t-8.23248\n▁ᏧᏍᏆᏴᏍᏗ\t-8.23323\n▁ᎤᏛᏛᏁ\t-8.2376\n▁ᏗᎪᏢᏔᏅᎯ\t-8.24594\n▁Ꮶ\t-8.24675\nᏁᎢ\t-8.25229\n▁ᏓᏂ\t-8.25407\n▁ᏍᏉ\t-8.25825\n▁ᎠᏁᎲ\t-8.26153\n▁ᎦᎵᏦᏛ\t-8.26589\nᎮᎢ\t-8.2684\n▁ᏄᎵᏍᏔᏁ\t-8.27241\n▁Ꮹ\t-8.27293\n▁ᏄᏓᎴᏒ\t-8.27444\nᎸᎢ\t-8.27565\nᏍᏗᏱ\t-8.28093\n▁ᎠᏁᎲᎢ\t-8.28117\nᏒᎩ\t-8.28535\n▁ᎠᏍᏓᏯ\t-8.28886\nᏅᎩ\t-8.29477\n▁ᎤᎾᏤᎵ\t-8.29736\n▁ᎢᏳᎵᏍᏙᏗ\t-8.29902\n▁ᎠᎾᏙᎴᎰᏍᎩ\t-8.30102\n▁ᎦᏁᎸ\t-8.3018\n▁ᏐᎢ\t-8.30224\n▁ᏦᎢᏁ\t-8.30503\nᏙᏗᏱ\t-8.31096\n▁ᏃᏉ\t-8.31363\n▁ᎠᏍᎪᎯᏧᏈ\t-8.3156\n▁ᎡᎳᏆᏗ\t-8.33004\n▁ᏧᏅᏏᏓᏍᏗ\t-8.33009\n▁ᎩᎬ\t-8.33043\nᎨᎢ\t-8.33249\n▁ᏄᎵᏍᏔᏅᎩ\t-8.33568\nᎲᎢ\t-8.34121\n▁ᏌᏩᏂ\t-8.34448\n▁ᎠᏂᏆᎵᏏ\t-8.34449\n▁ᏠᎨᏏ\t-8.34468\n▁ᎠᏲᎱᎯᏍᏗ\t-8.34478\n▁ᎠᏓᏁᎸ\t-8.35452\n▁ᎧᏅᏂᏍᎩ\t-8.35529\n▁ᎠᎦᏴᎵᎨ\t-8.36819\n▁ᎠᎺᏉᎯ\t-8.37455\n▁ᏄᏂᎬᏫᏳᏒ\t-8.3746\n▁ᏧᏕᏘᏴᏛ\t-8.37461\n▁ᎤᏂᏃᏕᎾ\t-8.37464\n▁ᏥᏳᎯ\t-8.37473\n▁ᎤᏁᎬ\t-8.37607\n▁Ꮭ\t-8.37704\n▁ᎤᏒᎯ\t-8.37915\n▁Ꮟ\t-8.38834\n▁ᎤᏂᎬᏫᏳᎯ\t-8.39032\n▁ᎤᏃᎴ\t-8.39107\nᎪᎢ\t-8.39594\n▁ᎢᎦᏤᎵ\t-8.40446\n▁ᎠᏙᎴᎰᏍᎩ\t-8.40568\n▁ᎠᏍᎪᎵ\t-8.40614\n▁ᏕᏥ\t-8.40674\n▁ᏗᏂᎧᎿᏩᏗᏙᎯ\t-8.42144\n▁ᏣᏄᏏ\t-8.42179\n▁ᏅᏩᎾᏓᎴ\t-8.42953\n▁ᏂᎯᏍᎩᏂ\t-8.42996\n▁ᎠᏍᎦᏂ\t-8.43068\nᏤ\t-8.44456\n▁ᎾᎿᏂ\t-8.45385\nᎨᎶᎯ\t-8.46033\n▁ᎡᏣ\t-8.46765\n▁ᎤᏓᏅᏘ\t-8.47012\n▁ᏧᏂᏍᏆᏂᎪᏙᏗ\t-8.47104\n▁ᎥᎥ\t-8.47117\nᎶ\t-8.47736\n▁ᏗᏂᏲᎵ\t-8.47929\n▁ᏂᎬ\t-8.48106\n▁ᎤᏬᏰᏂ\t-8.48765\n▁ᎡᏆᎻ\t-8.48775\n▁ᎤᎵᏂᎩᏗᏳ\t-8.48795\n▁ᎡᏝᏪᎯ\t-8.48902\n▁ᏂᎬᏅ\t-8.4914\n▁ᎠᎦᏴᎵᎨᎢ\t-8.49595\n▁ᎤᎵᏏᎩ\t-8.5052\n▁ᎪᎰᏍᏗ\t-8.50522\n▁ᏨᏒ\t-8.50642\n▁ᎢᏨᏒ\t-8.50664\nᏁᎸ\t-8.5095\nᎬᎢ\t-8.51032\n▁ᎦᎸᎶ\t-8.5153\n▁ᎠᏲᎵ\t-8.51693\n▁ᎡᏥ\t-8.52006\n▁ᏤᏥ\t-8.52027\nᏍᏙᏗ\t-8.52215\n▁ᏔᎵᏁᏃ\t-8.52238\n▁ᎦᎾᏝᎢ\t-8.52263\n▁ᎠᏓᎨᏳᏗ\t-8.52278\n▁ᎨᎵᎵ\t-8.52311\n▁ᏥᎨᏒᎩ\t-8.52668\n▁ᏥᎨᏎᎢ\t-8.5288\n▁ᎨᏐᎢ\t-8.52912\nᎠᏁᎶᎯ\t-8.52929\nᎤ\t-8.53054\nᎣ\t-8.53148\nᏆ\t-8.53508\n▁ᏕᎦ\t-8.53959\n▁ᎤᏁᎳᏅᎯᏃ\t-8.54019\n)\t-8.54022\n▁ᎢᏯᎩᏳᏍᏈᏛ\t-8.54025\n▁ᎭᎾ\t-8.54176\n▁ᎢᏨ\t-8.54192\nᏍᎦ\t-8.54862\n▁ᎠᏄᏬ\t-8.55649\n▁ᏗᏃᏪᎵᏍᎩ\t-8.5584\n▁ᎠᏍᎩᎾ\t-8.55862\n▁ᎤᏤᎵᎪᎯ\t-8.55898\n▁ᎤᏅᏏᏓᏍᏗ\t-8.55911\n▁ᏕᏫ\t-8.55928\n▁ᎢᏗ\t-8.56025\nᏧ\t-8.56489\n▁ᎦᏰᎪᎩ\t-8.57713\n▁ᎠᏂᏴᏫᏯ\t-8.57736\n▁ᎢᎪᎯᏓ\t-8.57741\nᏍᎬᎢ\t-8.57746\n▁ᎠᎦᏔᎲᎢ\t-8.58157\n▁ᎭᏂ\t-8.58541\n▁ᎣᏓᎸ\t-8.58844\n▁ᏗᏥ\t-8.5903\n▁(\t-8.59578\nᏈ\t-8.59854\n▁ᎦᎸᏉᏗ\t-8.59886\nᎡ\t-8.59972\n▁Ꮨ\t-8.60893\nᎧ\t-8.61006\nᎦᎵ\t-8.61302\nᏒᎢ\t-8.61325\n▁ᏗᏆᏤᎵ\t-8.61366\n▁ᎤᏴᏍᏗ\t-8.61378\n▁ᎴᏆᏂ\t-8.61502\n▁ᎠᏃᎯᏳᎲᏍᎩ\t-8.61506\n▁ᏓᏆᎴᎳ\t-8.61514\n▁ᎤᏣᏔᏅᎯ\t-8.61519\n▁ᏥᏍᏕᏥ\t-8.61528\n▁ᎠᏰᎳᏍᏗ\t-8.61547\n▁ᎤᎬᏫᏳᏌᏕᎩ\t-8.61565\n▁ᎧᏁᏌᎢ\t-8.61595\n▁ᏄᏍᏕᏍᏗ\t-8.6161\n▁ᎨᏐ\t-8.62775\nᏔᏅᎩ\t-8.62948\nᏩ\t-8.62978\n▁ᏄᏓᎴ\t-8.63048\n▁ᏣᏤᎵ\t-8.63129\n▁ᎪᎢ\t-8.63388\n▁ᎠᏛ\t-8.63451\n▁ᎧᏁᏍᎦ\t-8.63465\n▁ᎠᏂᏍᎩᎾ\t-8.63468\n▁ᏗᎦᏙᎵ\t-8.6351\nᏍᎨᎢ\t-8.63719\n▁ᎠᎩᎾ\t-8.63758\n▁ᎨᎳᏍᏗᏱ\t-8.64248\n▁ᎤᏰᎸᏗ\t-8.64546\n▁ᎤᏛᎦᏅ\t-8.64747\n▁ᏫᏥ\t-8.65227\n▁ᎦᏚᎲᎢ\t-8.65446\n▁ᏗᏂᏲᏟ\t-8.65462\n▁ᎠᏌᎻᏓ\t-8.65462\n▁ᎨᏥᏅᏏᏛ\t-8.65471\n▁ᎺᎵ\t-8.65507\n▁ᎠᏗᎾ\t-8.65539\n▁ᏧᏁᏥ\t-8.65558\n▁ᎠᏂᏏᏴᏫᎭ\t-8.6556\n▁ᎤᏲᎱᏒ\t-8.65875\n▁ᎢᎦᏛᏃ\t-8.66187\n▁Ꮸ\t-8.66427\n▁ᎠᎾ\t-8.66519\n▁ᎤᏰᎸᏛ\t-8.66774\n▁ᏥᎨᏒ\t-8.67128\n▁ᎤᎪᎲ\t-8.67204\n▁ᏗᏣᏤᎵ\t-8.67368\n▁ᎢᎸᎯᏢ\t-8.67503\n▁ᎦᏩᏒᎩ\t-8.67503\n▁ᏧᏂᏲᎱᏒᎯ\t-8.67509\n▁ᎢᏳᏕᏘᏴᏛ\t-8.67513\n▁ᎤᏕᏁᎴᎢ\t-8.67532\n▁ᎪᏢᏔᏅᎯ\t-8.6757\n▁ᎢᏯ\t-8.67654\n▁ᎠᏥ\t-8.67724\n▁ᏑᏓᎵ\t-8.67894\n▁ᎠᏍᎪᎯ\t-8.67921\n▁ᎠᏎᏉ\t-8.68415\nᏧᏈ\t-8.68645\n▁ᎢᏳᏍᎩᏂ\t-8.68771\n▁ᏥᎨᏎ\t-8.69016\n▁ᎬᏅ\t-8.69018\nᏲ\t-8.69039\n▁Ꮁ\t-8.69549\n▁ᏅᏓᎬᏩᏓᎴᏅᏛ\t-8.6959\n▁ᏣᏁᎳᏅᎯ\t-8.69658\n▁ᏂᎪᎯᎸᎢ\t-8.69728\n▁ᎢᏳᎾᏍᏗ\t-8.69853\nᏍᎨ\t-8.7002\n▁ᎠᎦᏙᎥᎯᏍᏗ\t-8.70107\n▁ᎤᏒ\t-8.70267\nᎬᎾ\t-8.70293\nᏗᎦᎳᏫᎢᏍᏗᏱ\t-8.7079\n▁ᎤᎾᏓᏡᎬ\t-8.71026\n▁ᎧᏁᎬ\t-8.71051\n▁Ᏼ\t-8.7125\nᏍᎪᎢ\t-8.71408\nᏔᏁᎢ\t-8.71638\n▁ᏗᏓᏍᏚᏗᏱ\t-8.71715\n▁ᏃᏯ\t-8.71767\n▁Ꮕ\t-8.7177\n▁ᏅᏲᎯ\t-8.71779\nᏁᏗᏱ\t-8.7182\n▁ᏥᎦᏔᎭ\t-8.71907\nᎲᎩ\t-8.71948\nᏍᏔᏅ\t-8.72044\nᏟ\t-8.72229\no\t-8.72402\n▁ᏄᏪᏎ\t-8.72911\n▁ᏅᏗᎦᎵᏍᏙᏗᏍᎨ\t-8.72931\nᎭᏩ\t-8.73267\n▁ᎨᏴ\t-8.73359\n▁ᏔᏕᏲᎲᏍᎩ\t-8.73888\n▁ᏆᎴᏗ\t-8.73896\n▁ᏗᏤᏥ\t-8.73907\n▁ᎥᏣᏱ\t-8.73924\n▁ᎤᎾᏤᎵᎪᎯ\t-8.73928\n▁ᏗᎾᏓᏅᏟ\t-8.74074\n▁ᎤᏐᏅ\t-8.74237\n▁ᎤᎵ\t-8.75133\n▁ᎤᏅᏗ\t-8.75161\n▁ᎤᎾᏛᎦᏅ\t-8.75224\n▁ᏂᎦ\t-8.75402\n▁ᎠᎲ\t-8.75548\n▁ᎰᏩ\t-8.75775\n▁Ꮀ\t-8.75888\n▁ᏗᏂ\t-8.75982\n▁ᏅᎦᏍᎪᎯ\t-8.76112\n▁ᎤᎵᎮᎵᏍᏗ\t-8.76147\n▁ᎤᎴᏅᎮ\t-8.76162\n▁ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ\t-8.76172\n▁ᎤᏲᎢᏳ\t-8.76238\n▁ᎠᎳᏂ\t-8.7626\n▁ᎬᏘ\t-8.76263\n▁ᏚᏬᎡᎢ\t-8.76269\n▁ᎡᎶᏛ\t-8.76314\n▁ᎤᏠᏱ\t-8.76349\n▁ᎠᏂᏯᏫᏍᎩ\t-8.7651\nᏎᏍᏗ\t-8.76577\nᏰ\t-8.76789\n▁ᏓᏔᎴᏒ\t-8.76953\n▁ᎠᏂᏐᎢ\t-8.77119\n▁ᎤᎷᏨ\t-8.77245\n▁ᎦᏁᎸᎢ\t-8.77285\n▁ᎦᎵᏦᏛᎢ\t-8.77321\n▁ᎤᏙᎯᏳ\t-8.77391\nᏔᏁ\t-8.77491\n▁-\t-8.77559\n▁ᎤᎧᏛ\t-8.77655\n▁ᎤᏅ\t-8.77782\nᎾᏍᎩ\t-8.77896\n▁ᏌᏉᏉ\t-8.78\n▁ᏂᎯᏃ\t-8.78057\nᏒᎯ\t-8.78104\n▁ᏗᏅᏃᏛ\t-8.7811\n▁ᎡᎺᏅ\t-8.78384\n▁ᎬᏩᏚᏫᏛ\t-8.78385\n▁ᎠᏂᏧᏣ\t-8.7839\n▁ᎩᎳᏈᏴ\t-8.78396\n▁ᎠᎬᏱᏣ\t-8.78442\n▁ᎭᏫᏂᏣ\t-8.78452\n▁ᎣᎯᏍᏙᏗ\t-8.78458\n▁ᎾᏍᎩᏍᎩᏂ\t-8.78482\n▁ᎬᏔᏅᎯ\t-8.78592\nᏐ\t-8.78769\n▁Ꭻ\t-8.79068\n▁ᎬᏂᎨ\t-8.79164\n▁ᎣᏂᏃ\t-8.79238\n▁ᎦᏍᎩᎸ\t-8.79975\n▁ᏂᏚᏪᏎᎴ\t-8.7999\n▁ᎤᏙᎴᎰᏒ\t-8.80192\n▁ᏥᏚ\t-8.80666\n▁ᎴᏥᎵ\t-8.8072\n▁ᎤᏣᎴᏍᏗ\t-8.80726\n▁ᏂᏣ\t-8.80961\n▁ᎦᎸᎳᏗᏢ\t-8.80971\n▁ᎭᏢ\t-8.81089\n▁Ꮴ\t-8.81984\nᎨᎳᏍᏗᏱ\t-8.82145\n▁ᏓᎦ\t-8.8235\n▁ᏥᎨᏐ\t-8.82357\n▁ᏂᏥᎥ\t-8.82373\n▁ᏍᎩᏴ\t-8.82523\n▁ᎤᏓᏅᏙ\t-8.82605\n▁ᏱᎦ\t-8.82769\n▁ᏗᏄᏬ\t-8.82892\n▁ᏫᎾᏍᏛᎾ\t-8.8309\n▁ᏧᏒᎯᏛ\t-8.83136\n▁ᏎᎵ\t-8.83215\n▁ᎤᏁ\t-8.83383\n▁ᏤᎯ\t-8.83529\n▁ᏗᎬᏩ\t-8.84602\n▁ᏚᏏᎳᏛ\t-8.84692\nᎬᎩ\t-8.84739\n▁ᎤᎾᏙᏓᏆᏍᎬ\t-8.84766\n▁ᎢᎸᏍᎩ\t-8.84923\n▁ᎢᏯᏂ\t-8.85012\nᏁᎸᎯ\t-8.85136\nᏍᏓ\t-8.85265\n▁ᏖᎸᎳᏗ\t-8.85529\n▁ᎦᎵᏦᏕ\t-8.85533\n▁ᎡᏉᏂ\t-8.85549\n▁ᎾᏂᏪᏍᎨᎢ\t-8.85616\n▁ᏔᎷᎩᏍᎩ\t-8.85759\n▁ᎠᏆᏤᎵᎦ\t-8.85836\n▁ᎡᎭ\t-8.86669\n▁ᏧᏗᏱ\t-8.86892\n▁ᎠᏋᏒ\t-8.87023\n▁ᎠᎦ\t-8.87758\n▁ᎨᎾᏂ\t-8.87812\n▁ᎭᏫᏯ\t-8.88031\n▁ᎤᏏᏙᎵ\t-8.88045\n▁ᎢᏳᏟᎶᏛ\t-8.88052\n▁ᏃᏈᏏ\t-8.88067\n▁ᏂᎬᏩᏪᏎᎴᎢ\t-8.88077\n▁ᏕᏣ\t-8.88218\n▁ᎪᏱᏁᎢ\t-8.88245\n▁ᎦᏚᏏ\t-8.88455\n▁ᏤᏍᏗ\t-8.88697\n▁ᎠᏂᎦᏔᎲ\t-8.89444\n▁ᎤᏁᏤ\t-8.89656\n▁ᎢᎾᎨᎢ\t-8.89814\nᏓᏁᏗ\t-8.90233\n▁ᏭᏕᎵᎬ\t-8.90593\n▁ᏗᏨᏍᏙᏗ\t-8.90598\n▁ᏑᎾᏓᏡᎩ\t-8.90601\nᏒᎾ\t-8.90632\n▁ᏧᏂᎸᏫᏍᏓᏁᎯ\t-8.90673\n▁ᎢᎾᏛ\t-8.90692\n▁ᎫᏩ\t-8.9083\n▁ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ\t-8.9084\n▁ᎦᏍᎩᎶ\t-8.91181\n▁ᏥᎨᏐᎢ\t-8.91395\n▁ᎠᏴᏃ\t-8.91681\n▁ᎡᎯᏍᏗ\t-8.92185\nᎲᎾ\t-8.92284\n▁ᏗᎫᎪᏙᏗ\t-8.92291\n▁ᎤᏪᎵᏎ\t-8.9237\n▁ᏄᎾᏍᏛ\t-8.92471\nᏛᎾ\t-8.9258\n▁ᎤᏁᏤᎴ\t-8.92666\n▁ᎨᏥ\t-8.92685\n▁ᎣᎭᏁ\t-8.92798\nᏗᏍᎬ\t-8.93217\n▁ᎬᏃᏛ\t-8.93239\n▁ᏗᎵᏍᏓᏴᏗᏱ\t-8.9326\n▁ᎠᏥᎸᏉᏗᏳ\t-8.93312\n▁ᎤᏁᎳᏅᎯᏍᎩᏂ\t-8.93312\n▁ᎤᏙ\t-8.93334\n▁ᏂᏚ\t-8.9356\n▁Ꭺ\t-8.93778\nᎴᏍᏗ\t-8.93889\nᏗᏍᎩ\t-8.9415\nᎯᎠ\t-8.94181\n▁ᏂᎦᏪᏍᎬ\t-8.94673\n▁ᎤᎵᏏᎬ\t-8.9514\n▁ᎡᎶ\t-8.95147\n▁ᎤᏪᎷᏁ\t-8.95173\n▁ᏄᏛᏁᎴ\t-8.95196\n▁ᎬᏂᏳᏉᏃ\t-8.95225\n▁ᎠᏆᏓᏅᏙ\t-8.95421\n▁ᏥᏍᏆ\t-8.95649\nᎯᏳ\t-8.95705\n▁ᎢᏅ\t-8.95852\n▁ᎦᎵ\t-8.95862\n▁ᎤᏂᎷᏤ\t-8.95871\n▁ᏧᎾᏤᎵ\t-8.95889\n▁ᏂᎦᏪᎭ\t-8.95964\n▁ᎥᏞᏍᏗ\t-8.95967\n▁ᎠᎰᎵ\t-8.96028\n▁ᎠᎵ\t-8.96249\n▁ᎠᏎᏉᏉ\t-8.96405\n▁ᎣᎦ\t-8.96537\nᎷ\t-8.96863\n▁ᎤᎬᏫᏳ\t-8.97028\n▁ᎮᎾ\t-8.97048\nᏕᏍᏗ\t-8.97223\n▁ᏣᏥ\t-8.97257\n▁ᎡᎵ\t-8.97577\n▁ᎠᏰᎸᎢ\t-8.97587\nᏚ\t-8.97662\n▁ᏑᎾᎴᎢ\t-8.97792\n▁ᎠᏓᏅᏖᏍᎬ\t-8.97949\n▁ᎨᏣ\t-8.98219\nᏄ\t-8.98249\n▁ᎣᏥ\t-8.98307\nᎰᎢ\t-8.98394\n▁ᎠᎵᏍᎪᎸᏙᏗ\t-8.98499\n▁ᏫᏚ\t-8.98517\n▁ᎤᏍᎪᎸ\t-8.98568\n▁ᎩᎶᏍᎩᏂ\t-8.98701\n▁ᏦᎠᏍᎪᎯ\t-8.98706\n▁ᏧᏆᎶᎦ\t-8.98707\n▁ᎩᎦ\t-8.98712\n▁ᏗᏂᎳᏫᎩ\t-8.98741\n▁ᎤᎩᎬ\t-8.98762\n▁Ꮤ\t-8.98764\n▁ᏧᎾᏤᎵᎦ\t-8.98863\n▁ᏣᏁᎭ\t-8.98875\n▁ᎩᎦᎨᎢ\t-8.99192\nᎻ\t-8.9925\n▁ᎤᏩᏒᏉ\t-8.9958\nᏁᏢᏔᏅᏛ\t-9.00144\n▁ᏍᎩᎾ\t-9.00396\n▁ᏗᎬ\t-9.00465\n▁ᏓᏳ\t-9.00645\n▁ᏅᏗᎦᎵᏍᏙᏗᏍᎬ\t-9.00839\n▁ᎢᏣᎵᏍᏓᏁᏗ\t-9.01292\n▁ᏩᎭᏯ\t-9.01562\n▁ᏗᎧᎸᎬ\t-9.01563\n▁ᏙᏱᏗᏢ\t-9.01579\n▁ᏣᎳᎩ\t-9.01617\n▁ᎡᎶᏗ\t-9.01871\n▁ᎤᏠᏱᏉ\t-9.02037\n▁ᎠᏙᎯ\t-9.02187\nᏪ\t-9.02202\nᏙᎢᏳᏍᏗ\t-9.02568\nᎯᏍᏗ\t-9.0261\n▁ᏱᏓ\t-9.0269\n▁ᎦᎶᎯᏍᏗ\t-9.02829\n▁ᎤᏣᏘᏂ\t-9.03586\n▁ᎤᏚᎵᏍᎬ\t-9.03798\n▁ᎤᎾᏓ\t-9.03904\n▁ᎢᏳᎾᎵᏍᏓᏁᏗ\t-9.04275\n▁ᎢᏳᎾᏛᏁᏗ\t-9.04299\nᏁᎴ\t-9.04497\n▁ᎯᏍᎦᏍᎪᎯ\t-9.04503\n▁ᏂᏚᏳᎪᏛᎾ\t-9.04504\n▁ᏧᏬᏰᏂ\t-9.04507\n▁ᎠᏂᏲᏍᎩ\t-9.04519\n▁ᏣᏁᏢᏔᏅᎯ\t-9.04532\n▁ᏣᏙᏓ\t-9.04556\n▁ᎤᏂᏙᏓ\t-9.04575\n▁ᏩᏍᏛ\t-9.04595\n▁ᎬᏩᏂ\t-9.04609\n▁ᏱᏥᎦᏔᎭ\t-9.04622\n▁ᏥᎻ\t-9.04766\n▁ᎤᏍᏆᏂᎩᏗ\t-9.04816\n▁ᎶᏗ\t-9.04965\n▁ᎾᎥᏂᎨ\t-9.05187\nᏍᏓᏯ\t-9.05281\n▁ᎤᎦᏔ\t-9.05476\n▁ᎤᎵᏍᏆᎸᏗ\t-9.05735\n▁ᎠᏂᏅ\t-9.06074\nᏗᏍᎨᏍᏗ\t-9.06137\n▁ᎤᏐᏱ\t-9.06488\n▁ᎤᏩ\t-9.06525\n▁ᎤᏪ\t-9.06663\n▁ᎬᎩ\t-9.06677\n▁ᏱᏣ\t-9.06947\nᏔᏂ\t-9.07333\n▁ᎤᎵᏍᏓᏴᏗ\t-9.07362\n▁ᏕᎤ\t-9.07441\n▁ᎤᏪᏘ\t-9.07498\n▁ᏱᎦᎵᏍᏙᏓ\t-9.07537\n▁ᎵᎠ\t-9.07539\n▁ᎤᎵᏍᏈᏗ\t-9.07541\n▁ᎠᏥᏅᏏᏓᏍᏗ\t-9.07545\n▁ᏃᏊ\t-9.07548\n▁ᎢᏥᏍᎦᏯ\t-9.0756\n▁ᏎᎦ\t-9.07682\n▁ᎤᏁᎦ\t-9.07694\n▁ᎤᎧᎵᏨᎯ\t-9.07697\n▁ᏧᏓᏏ\t-9.07699\n▁ᎠᎦᏔᎲ\t-9.07748\n▁ᎤᎾᏝᎢ\t-9.07774\nᏊ\t-9.07874\nᏗᎭ\t-9.08146\n▁ᎤᏍᎪᏍ\t-9.08155\n▁Ᏺ\t-9.0817\n▁ᎢᏤᎲᎢ\t-9.08326\n--\t-9.08839\nᏛᎢ\t-9.09297\n▁ᎢᏤᎲ\t-9.09486\nᏁᏗ\t-9.09487\n▁ᎠᎹᏱ\t-9.0959\n▁ᏄᏪᏎᎸ\t-9.09729\n▁ᎠᏴᏍᎩᏂ\t-9.0989\n▁ᏓᎩ\t-9.10396\n▁ᎤᎷᏤ\t-9.10578\n▁ᎵᏇᎩ\t-9.10658\n▁ᏚᏅᏓᏒ\t-9.10659\n▁ᏒᎦᏔ\t-9.10659\n▁ᎤᎦᎾᏍᏛ\t-9.10666\n▁ᎦᎶᏇ\t-9.10681\n▁ᏏᏌ\t-9.10725\n▁ᏚᎾᏙᎥ\t-9.10731\n▁ᏥᏄᏍᏗ\t-9.10746\n▁ᎬᏙᏗ\t-9.10825\nᎸᎭ\t-9.10886\n▁ᎦᎸᎳᏗᏣ\t-9.10977\nᏍᏔᏁᎢ\t-9.11117\nᏝ\t-9.11446\n▁ᏧᏓ\t-9.11962\nᏍᏘ\t-9.1225\n▁ᎡᎲ\t-9.13064\n▁ᏡᎬ\t-9.13269\n▁ᏛᎦ\t-9.1341\nᎯᏍᏗᏱ\t-9.13652\n▁ᎢᏯᏛᏁᏗ\t-9.13658\n▁ᏱᏚ\t-9.13806\n▁ᏎᏓᏂ\t-9.13886\n▁ᏔᎴᎲᎦ\t-9.13886\n▁ᏥᎪᏪᎳ\t-9.13891\n▁ᎠᏂᏳᏩᏁᎦ\t-9.13892\n▁ᏧᏓᏆᏙᎩ\t-9.13897\n▁ᎠᏂᏴᏫ\t-9.139\n▁ᎢᎬᏁᎸᎯ\t-9.13919\n▁ᎦᏚᎢᏣ\t-9.13923\n▁ᎤᏲᎱᏎᎢ\t-9.14122\n▁ᏓᏥ\t-9.14243\n▁ᏭᎷᏤ\t-9.14331\n▁ᎢᏳᎵᏍᏓᏁᏗ\t-9.14453\n▁ᎠᏗᏔᏍᏗ\t-9.14455\n▁ᎬᏅᎢ\t-9.15086\n▁ᏄᎾ\t-9.15511\nᏖ\t-9.15589\n▁ᎨᎵ\t-9.15722\nᏏᏴᏫᎭ\t-9.15957\n▁ᎤᏬᏢ\t-9.16005\n▁ᎤᏂᏍᎦᏅᏨ\t-9.1612\n▁ᏕᎯ\t-9.16393\n▁ᎤᏛᎦᏁ\t-9.16453\n▁ᏄᎵᏍᏔᏂᏙᎸ\t-9.1646\n▁ᎦᏰ\t-9.16558\n▁ᏈᎵᎩ\t-9.17077\n▁ᎨᎻᎵ\t-9.17218\n▁ᏧᎸᏫᏍᏓᏁᎯ\t-9.17218\n▁ᏅᏓᎦᎵᏍᏔᏂ\t-9.17218\n▁ᏔᎳᏍᎪᎯ\t-9.17218\n▁ᎢᏣᎵᏅᏟ\t-9.1722\n▁ᎦᏅᏍᏙᏗ\t-9.17224\n▁ᏕᏧᎬ\t-9.17225\n▁ᎤᎾᏓᏤᎵᏛ\t-9.17228\n▁ᎯᏅᏏᏓᏍᏗ\t-9.17246\n▁ᎢᏥᏙᏓ\t-9.17248\n▁ᏧᎾᏛᏐᏅᎯ\t-9.17272\n▁ᎢᏣᏛᏁᏗᏱ\t-9.17301\n▁ᏂᏗ\t-9.17629\n▁ᎤᏕᏯᏙᏗ\t-9.17671\n▁ᎦᏚᎢ\t-9.17746\n▁ᏙᏱ\t-9.18117\n▁ᎤᏂᎪᎲ\t-9.1903\nᏙᎸᎢ\t-9.19111\n▁ᎤᎶᎩᎸ\t-9.19255\n▁ᎬᏗᏍᎬ\t-9.19691\nᎣᏍᏓ\t-9.19825\n▁ᏂᎯᏰᏃ\t-9.19942\n▁ᎤᏛᎾ\t-9.20537\n▁ᏐᎣᏁᎳ\t-9.20666\n▁ᎠᏂᎨᏯ\t-9.20667\n▁ᎤᎩᏨᏛ\t-9.20681\n▁ᏥᏂᎬᏅ\t-9.20689\n▁ᎢᏯᏛᏁᎯ\t-9.20692\n▁ᎠᏕᎳ\t-9.20699\n▁ᎢᏨᎨᏳᎢ\t-9.20706\n▁ᏂᎦᎵᏍᏗᎭ\t-9.20718\n▁ᎦᎸᏉᏙᏗ\t-9.20735\n▁ᎤᎴᏂᏙᎴᎢ\t-9.20758\n▁ᎦᏁᎦ\t-9.20767\n▁ᏓᎾ\t-9.20897\n▁ᎢᏯᏍᏗ\t-9.21003\n▁ᏭᎶᏎᎢ\t-9.21077\n▁ᎡᎮᎢ\t-9.21175\n▁ᎾᎯᏳᏉ\t-9.21253\n▁ᎦᎵᏉᎩᏁ\t-9.21415\n▁ᎤᎷᏨᎩ\t-9.21439\n▁ᎤᎪᎮ\t-9.21461\n▁ᎤᏪᏅᏎ\t-9.2168\n▁ᏂᎦᎥᏉ\t-9.22076\n▁ᎤᏁᏤᎸ\t-9.22816\n▁ᎦᏬᏂᏍᎬ\t-9.22955\nᎨᏳᎯᏳ\t-9.23126\nᎠᏗᏔᏍᏗ\t-9.23296\nᏗᎦᏅᏌᏗ\t-9.23323\nᏡ\t-9.23511\n▁ᏗᎨᏒ\t-9.23732\nᎧᏔᎮᎢ\t-9.23763\n▁ᏂᎬᎾᏛᎢ\t-9.23847\n▁ᎤᎵᏍᏆᏗᏍᏗ\t-9.23987\n▁ᏧᏂᎾᏫ\t-9.24024\n▁ᎠᏂᏍᎦᎾ\t-9.24168\n▁ᎤᎾᏫ\t-9.24248\n▁ᏓᏆᎴᎷ\t-9.24256\n▁ᏅᎬᏩᏪᏎᎸᎩ\t-9.24266\n▁ᎢᏥᎦᏔᎭ\t-9.24302\n▁ᏏᏓᏁᎸᎯ\t-9.24343\n▁ᎠᏂᏃᎯᎵᏙᎯ\t-9.24371\n▁ᎠᏓᏁᎯ\t-9.24376\n▁ᎤᏟᎯᏳ\t-9.24379\n▁ᎦᏛᎦ\t-9.24556\n▁ᎠᏤᎯ\t-9.2459\n▁ᏤᎭ\t-9.24869\n▁ᎢᎬᏩ\t-9.24936\n▁ᎢᎦᏓ\t-9.25161\n▁ᎠᏂᎦᏔᎲᎢ\t-9.25302\nᏇ\t-9.25491\nᏛᎩ\t-9.25594\n▁ᎦᏓᏁ\t-9.25763\n▁ᎠᏓᏅᏓᏗᏍᏗ\t-9.26017\nᎲᎦ\t-9.26432\n▁ᏴᏫᏉ\t-9.26667\n▁ᎪᏪᎸ\t-9.26748\n▁ᏅᏩᏓᎴᏃ\t-9.26766\n▁ᏥᏓ\t-9.26791\n▁ᎠᏂᏬᏂᏍᎬ\t-9.27189\n▁ᏄᏩᏁᎴ\t-9.27239\n▁ᏂᎦᎵᏍᏗᏍᎬ\t-9.27417\n▁ᎠᏠᏁᏗ\t-9.27941\n▁ᏓᎿᏩ\t-9.27941\n▁ᏅᏓᏳᎶᏒᎯ\t-9.27948\n▁ᎧᏃᎯᏰᎩ\t-9.2795\n▁ᎡᏉᎯᏳ\t-9.27951\n▁ᎠᎦᏘᏏᏗᏢ\t-9.27964\n▁ᏧᏳᎪᏗ\t-9.27976\n▁ᎾᏍᎩᏯᏉ\t-9.27979\n▁ᏗᏰᎸᎯ\t-9.27991\n▁ᎤᏔᎳᏬᎯᏍᏗ\t-9.28013\n▁ᎦᎷᏨᎭ\t-9.28026\n▁ᏅᏃᎯ\t-9.28114\n▁ᎠᎹᏟ\t-9.28121\n▁ᎠᏆᏛᏅ\t-9.28219\n▁ᎤᏂᏲ\t-9.28407\n▁ᎤᎾᎵ\t-9.28548\n▁ᏧᏂᏍᏗ\t-9.28771\n▁ᎪᏪᎸᎢ\t-9.28776\n▁ᎤᏁᏨᎩ\t-9.3009\n▁ᏄᏛᏁᎸ\t-9.30306\n▁ᎦᏙᎨ\t-9.30363\n---\t-9.30682\n▁ᏄᏍᏕ\t-9.30889\n▁ᎤᏕᏘᏴᏌᏗᏒ\t-9.31007\n▁ᏕᎤᏙᎥ\t-9.3104\n▁ᏓᏳᏓᎴᏅ\t-9.31053\n▁ᎠᏍᏛ\t-9.31196\n▁ᎦᏙᎬ\t-9.31306\n▁ᏗᏏᏓᎵ\t-9.31787\n▁ᎣᏣᎵᏅᏟ\t-9.31788\n▁ᏤᎩᏏᏂ\t-9.31788\n▁ᏆᏂᏆ\t-9.31789\n▁ᎯᎸᎢᏴ\t-9.3179\n▁ᎢᏓᏓᏅᏟ\t-9.31794\n▁ᎨᏥᎸᏉᏗ\t-9.31796\n▁ᏗᎨᎦᏁᎶᏗ\t-9.31798\n▁ᎠᏈᎻᎴᎩ\t-9.31807\n▁ᏗᏇᏥ\t-9.31807\n▁ᎤᎦᎵᏍᏗ\t-9.31811\nᏅᏏᏛ\t-9.3183\n▁ᏩᎶᏏ\t-9.31848\n▁ᎬᏩᏕᏁᎴᎢ\t-9.31888\n▁ᎾᎩᏪᏎᎸᎩ\t-9.31897\n▁ᏕᏣᏓᏅᏛᎢ\t-9.31979\n▁ᎠᏓᏫ\t-9.3198\n▁ᏦᏰᏂ\t-9.32048\n▁ᏧᏩ\t-9.3222\nᏱᎩ\t-9.32262\n▁ᎠᏂᎪᎢ\t-9.32321\n▁ᎪᏍᏓ\t-9.32414\n▁ᏧᎬ\t-9.33326\n▁ᎯᎪ\t-9.33464\n▁ᎪᏪᎵᎯ\t-9.33529\n▁ᎪᎳ\t-9.33561\n▁ᎠᏯᏙ\t-9.33672\nᏍᎪᎯ\t-9.3379\nᎢᏍᏗᏱ\t-9.34551\nᏁᎭ\t-9.34561\n▁ᏚᎴᏅ\t-9.34581\n▁ᎾᏃ\t-9.34836\n▁ᎦᎸ\t-9.34883\n▁ᏕᏣᏙᎥ\t-9.35013\nᏙᎯ\t-9.35158\n▁ᎢᏣᏤᎵ\t-9.35686\n▁ᏘᏅᏏᏓᏍᏗ\t-9.35794\n▁ᏄᏂᎬᏫᏳᏌᏕᎩ\t-9.358\n▁ᎥᏓᎵ\t-9.35806\n▁ᎢᎳᏯ\t-9.35815\n▁ᎤᎾᎵᏍᏕᎸᏙᏗ\t-9.35825\n▁ᏗᏘᏂᏙᎯ\t-9.35852\n▁ᏐᎳ\t-9.35873\n▁ᎠᏁᏙᎯ\t-9.35873\n▁ᏗᎨ\t-9.35983\n▁ᎤᏩᏒᎯᏳ\t-9.35988\n▁ᏎᎦᏨ\t-9.3599\n▁ᏗᏣᏤᎵᎦ\t-9.36091\n▁ᎤᏙᎯᏳᏒ\t-9.36131\n▁ᎤᏕᏅᎯ\t-9.36168\nᏨᎩ\t-9.3626\n▁ᎠᏍᏓᏱ\t-9.36292\n▁ᎬᏗᏍᎩ\t-9.36328\n▁ᎠᎦᏗ\t-9.36423\n▁ᏭᏂ\t-9.37062\n▁ᎠᏂᏓ\t-9.37318\nᎧᏂ\t-9.37368\nᏛᏁᏗ\t-9.37386\n▁Ꮑ\t-9.37389\n▁ᎣᏓᎸᎢ\t-9.37399\nᎦᏅᎯᏛ\t-9.37447\nᎢᏳᏍᏗ\t-9.37517\ne\t-9.38629\n▁ᎠᎵᏍᏚᎶ\t-9.38796\nᎩᏍᏗ\t-9.38884\n▁ᎥᎩ\t-9.3898\nᏌᏛ\t-9.39145\nᏅᏒ\t-9.39241\n▁ᎠᏥᎸᏱ\t-9.39287\n▁ᏱᏥ\t-9.3939\n▁ᏄᏩᏁᎸ\t-9.39571\n▁ᏙᏛ\t-9.39647\n▁ᎤᎶᏐᏅ\t-9.39687\n▁ᎠᎦᏴᎵ\t-9.39879\n▁ᎠᎧᎵᎢ\t-9.39888\n▁ᎠᏰᏙᎳᏛᏗ\t-9.39928\n▁ᏩᏏᏓᏂ\t-9.39954\n▁ᏓᏏᎳᏛ\t-9.39955\n▁ᏚᏬᏢᏔᏅᎩ\t-9.39967\n▁ᏗᏓᏅᏙ\t-9.3998\n▁ᎠᎨᏳᏣ\t-9.40001\n▁ᏱᏄᏍᏗ\t-9.40007\n▁ᏗᎨᏫ\t-9.40012\n▁ᏧᏂᎸᏫᏍᏓᏁᏗᏱ\t-9.40048\n▁ᎠᎹᏰᎵ\t-9.4007\n▁ᎤᏍᎦᏃᎵ\t-9.40081\n▁ᏥᏁᎬᎢ\t-9.40325\n▁ᏂᏥ\t-9.40416\n▁ᎠᏤ\t-9.40432\n▁ᎤᏲᎱᏒᎯ\t-9.4069\n▁ᎨᏂ\t-9.40714\n▁ᎪᎩ\t-9.4077\n▁ᎢᎬ\t-9.40871\n▁ᎫᏢᏗ\t-9.40899\nᎯᏍᏙᏗ\t-9.41011\nᎠᏂᎳᏍᏓᎸ\t-9.41036\nᏍᏙ\t-9.41139\n▁ᏗᎩ\t-9.4141\n▁ᎧᏁᎬᎢ\t-9.41442\nᏍᎬᎾ\t-9.41635\n▁Ꮡ\t-9.4166\n▁ᏚᏁᏤᎴ\t-9.41732\n▁ᏗᎦᎸᏉᏗ\t-9.41791\n▁ᎾᏂᎥᏉ\t-9.42418\n▁ᎠᎲᎢ\t-9.42597\nᏅᎢ\t-9.42617\n▁ᏚᏙᎥᎢ\t-9.42797\nᎨᏒ\t-9.42878\n▁ᎠᏦᏴ\t-9.43547\n▁ᏗᏓᎴᏂᏍᎬ\t-9.43552\n▁ᎤᏬᎸ\t-9.438\n▁ᎣᏏ\t-9.43815\nt\t-9.43816\n▁ᏗᎦᎫᏍᏛᏗ\t-9.44065\n▁ᏍᏈᏍᏓ\t-9.44302\n▁ᎠᏍᏆᎨᏂ\t-9.44302\n▁ᎵᏫ\t-9.44305\n▁ᎨᏥᏅᏏᏓᏍᏗ\t-9.44308\n▁ᎧᏂᎩᏓ\t-9.44331\n▁ᎦᏬᏂᏍᎩ\t-9.44334\n▁ᏚᏬᏢᏅᎩ\t-9.44336\n▁ᎢᎩᏙᏓ\t-9.44338\n▁ᎾᏍᎦᏅᎾ\t-9.44345\n▁ᎤᏗᎴᎩ\t-9.44347\n▁ᎧᏃᎮᏍᎩ\t-9.44348\n▁ᏍᏔᏯ\t-9.44389\n▁ᎤᎾᏁᎳᎩ\t-9.44423\n▁ᎢᏳᏍᏗᏉ\t-9.44424\n▁ᎤᏅᏌ\t-9.44438\n▁ᎠᏢᏗᏱ\t-9.44452\n▁ᎦᎶᏙᏗ\t-9.4446\nᏬ\t-9.44495\nᏕᎢ\t-9.44529\n▁ᎠᏲᎩ\t-9.44558\n▁ᎤᏓᏅᏘᏳ\t-9.44589\n▁ᎤᏂᏥ\t-9.44596\n▁ᎤᏅᏟ\t-9.44619\n▁ᏱᏗᏥ\t-9.44678\nᏒᎭ\t-9.44873\n▁ᎦᎶ\t-9.44906\n▁ᎤᎵᏍᏗ\t-9.44976\n▁ᎦᏅᎯᏛ\t-9.45233\n▁ᏕᎨ\t-9.4538\n▁ᏂᏓ\t-9.45393\n▁ᎡᎲᎢ\t-9.45627\n▁ᏥᏕ\t-9.4578\n▁ᎤᏓᏅᏖ\t-9.46332\nᏤᎢ\t-9.46452\n▁ᎠᏍᎦᎾ\t-9.46467\n▁ᏱᏗ\t-9.46715\n▁ᏅᏓ\t-9.46718\n▁ᏓᎬ\t-9.47235\n▁ᎠᏔᎴᏒ\t-9.47548\nᎠᎴ\t-9.4756\n▁ᏫᏣ\t-9.47866\n▁ᏦᎩ\t-9.47954\n▁ᏓᏓᎿᏩᏍᏛ\t-9.48041\n▁ᎤᏂᏣᏖ\t-9.48059\n▁ᏂᏚᎩᏨᏂᏒ\t-9.48066\nᏚᎵᏍᎬᎾ\t-9.48076\n▁ᏓᏆᏙᎥ\t-9.48085\n▁ᎢᎦᎦᏛ\t-9.48198\n▁ᏗᎧᏃᏗ\t-9.48649\n▁ᏧᎸᏫᏍᏓᏁᏗ\t-9.48675\n▁ᏩᏚᎵᏏ\t-9.48848\n▁ᎦᎷᏯᏍᏗ\t-9.48849\n▁ᎪᏍᏚ\t-9.48851\n▁ᏧᏯᏖᎾ\t-9.48852\nᎴᎯᏐᏗ\t-9.48855\n▁ᏧᏃᏰᏂ\t-9.48857\n▁ᏓᎦᎷᏥ\t-9.48868\n▁ᏅᏛᎩᏅᏏᏛ\t-9.4887\n▁ᏂᎦᏪᏍᎨᎢ\t-9.4887\n▁Ꭹ\t-9.48872\n▁ᏧᏂᏢᎩ\t-9.48884\n▁ᏗᏂᎦᏙᎵ\t-9.48887\n▁ᎾᏎᎵᏗ\t-9.48889\n▁ᎠᎩᏅᏏᏙᎯ\t-9.48894\n▁ᎯᎸᎯᏳ\t-9.48915\n▁ᎬᏂᏗᏳ\t-9.4892\n▁ᎠᏂᎩᏏ\t-9.48922\n▁ᎤᏍᏆᎸᎲ\t-9.4894\n▁ᏗᎧᏃᏗᏱ\t-9.49074\n▁ᎠᎩᏏ\t-9.49175\n▁ᎤᏂᎷᏨᎩ\t-9.4926\n▁ᎭᎾᎾ\t-9.49424\n▁ᎤᏥᎸᎢ\t-9.49556\nᏍᏆ\t-9.49598\n▁ᎠᎼ\t-9.49671\n▁ᎢᎦᏘ\t-9.49752\n▁ᏭᎷᏤᎢ\t-9.49968\nᏁᎯ\t-9.50019\nᏍᏉ\t-9.50071\n▁ᎢᎬᏁᏗ\t-9.50199\nᎠᏋᏌ\t-9.502\nᎦᏔᎲᎾ\t-9.5029\n▁ᏩᏯ\t-9.50435\nᏍᎬᎩ\t-9.50711\nᎡᎵ\t-9.50914\nᏅᎾ\t-9.51035\nᏍᎦᏅᎢᏍᏗ\t-9.51237\n▁Ꭾ\t-9.51272\nᎩᏎ\t-9.52251\n▁ᎤᏲᎢ\t-9.52289\n▁ᎤᏍᎦᏅᏨ\t-9.52489\n▁ᏥᏣ\t-9.5249\n▁ᎢᏤᎾ\t-9.52558\nᏤᏍᏗ\t-9.52622\n▁ᎠᎴᏬ\t-9.52735\nᎲᏏ\t-9.52748\n▁ᎦᏛᎬ\t-9.52802\n▁ᎦᎳᎨᏴ\t-9.52817\n▁ᏕᎦᏚᎲ\t-9.52822\n▁ᏗᎩᎦᏴᎵᎨ\t-9.52831\n▁ᏂᏣᏛᏁᎸ\t-9.52834\n▁ᏚᏂᎸᏫᏍᏓᏁᎲ\t-9.52857\n▁ᎦᏓᏅᏖᏍᎬ\t-9.52878\n▁ᏚᎾᏓᏅᏛ\t-9.52892\n▁ᎤᏕᏅ\t-9.52925\n▁ᎠᎪ\t-9.5301\n▁ᎦᏄᎸ\t-9.53127\nᏰᎵ\t-9.53184\n▁ᏇᏂ\t-9.53383\n▁ᏥᎦ\t-9.53432\n▁ᎤᎾᎵᏍᏓᏴᏗ\t-9.53487\n▁ᎢᏥᏈ\t-9.53576\nc\t-9.53576\n▁ᏗᎾ\t-9.536\n▁ᎢᏳᏩᎫᏗ\t-9.53609\n▁ᏒᎧᏔ\t-9.53609\n▁ᎢᏳᏓᎴᎩ\t-9.53609\n▁ᏄᏃᎯᏳᏒᎾ\t-9.53609\n▁ᎢᏥᏡᏱ\t-9.53609\n▁ᎦᎵᏆᏍᎪᎯ\t-9.5361\n▁ᏚᏙᎡᎢ\t-9.53612\n▁ᏙᎴᏛ\t-9.53617\n▁ᏫᏥᎢᎦ\t-9.53618\n▁ᏎᎷ\t-9.53618\n▁ᎠᏂᏣᎳᎩ\t-9.53621\n▁ᎢᏤᏯᏔᎮᏍᏗ\t-9.53624\n▁ᎤᏍᎦᏎᏗ\t-9.53625\n▁ᎢᏌᏯ\t-9.53625\n▁ᎢᏗᎦᏔᎭ\t-9.53638\n▁ᏅᏓᏳᎵᏍᏙᏔᏅᎩ\t-9.53646\n▁ᏄᎬᏫᏳᏌᏕᎩ\t-9.53654\n▁ᎢᏨᏲᏎᎭ\t-9.53664\n▁ᏗᎹᏗ\t-9.53671\n▁ᎠᏂᎪᏕᏍᎩ\t-9.53676\n▁ᎤᎯᏐᏗ\t-9.53682\n▁ᏧᏙᏓᏆᏓ\t-9.53708\n▁ᎾᏂᎥᎢ\t-9.53737\nᎵᎦ\t-9.5374\n▁ᎠᏏᎾᏌᏂ\t-9.53746\n▁ᎠᎫᏴᏙᏗ\t-9.53822\n▁ᏗᎦᎪᏗᏱ\t-9.5385\n▁ᎦᎾᏰᎯᏍᏗ\t-9.53854\n▁ᎤᎾᏄᎪᏫᏒᎯ\t-9.53918\n▁ᎤᎾᏫᏱ\t-9.53921\n▁ᎠᏆᏛᎦᏅᎩ\t-9.53969\n▁ᏗᏦᏢᏗ\t-9.54073\n▁ᎦᏬᏂᎯᏍᏗ\t-9.54094\n▁ᏁᎳ\t-9.54115\nᏁᎳᏅᎯ\t-9.54133\n▁ᏭᏴᎴᎢ\t-9.54146\n▁ᏩᏍᏗ\t-9.54311\n▁ᏉᎳᏃ\t-9.54341\n▁ᏧᏪ\t-9.54472\n▁ᎠᏗᎭ\t-9.54492\n▁ᏂᏕ\t-9.54571\n▁ᎤᏪᎿᎢ\t-9.54702\n▁ᏴᎩ\t-9.54812\n▁ᏗᏦ\t-9.54943\n▁ᏫᎦ\t-9.55029\n▁ᎢᏤᎯ\t-9.5507\n▁ᏅᏛ\t-9.55742\n▁ᎦᏥ\t-9.55833\n▁ᏄᏍᏛᎢ\t-9.55922\n▁ᎡᏘ\t-9.56526\nᏗᏍᎪ\t-9.56938\nᏂᏏ\t-9.57083\nᎡᎢ\t-9.57427\nᎦᏘ\t-9.57545\nᏕᎾ\t-9.57664\n▁ᏚᎪᎮ\t-9.57673\n▁ᏅᏗᎦᎵᏍᏙᏗᏍᎪ\t-9.57704\nᎤᏁᎳᏅᎯ\t-9.57762\n▁ᎠᏂᏃᎮᏍᎬ\t-9.57809\n▁ᏧᏪᏅᏒ\t-9.57812\n▁ᎤᏃᏴᎬ\t-9.57854\n▁ᏓᏓᏁᎸ\t-9.5788\n▁ᎯᏯ\t-9.58248\nᎲᏍᎩ\t-9.58319\nᏁᎳ\t-9.58398\nᎶᎯ\t-9.58423\nᏛᎬᎦ\t-9.58479\n▁ᎡᏉᏗ\t-9.58487\n▁ᎤᏂᏬᏂᎯᏍᏗ\t-9.58521\nᎾᏝᎢ\t-9.58536\n▁Cr\t-9.58609\n▁ᎢᏳᎾᏛᎿᏕᎩ\t-9.58609\n▁ᏍᎦᏚᎩ\t-9.58609\n▁ᏂᏥᏪᎭ\t-9.5861\n▁ᏎᎩᎵ\t-9.58611\n▁ᏧᏓᏕᏒᏛ\t-9.58615\n▁ᏗᏂᎭᏄᎸᎯ\t-9.58616\n▁ᎡᏈᏌ\t-9.58618\n▁ᏔᎷᏣ\t-9.58619\n▁ᎠᏦᎭᏴ\t-9.58622\n▁ᎠᎩᎵᏯ\t-9.5863\n▁ᏌᎪᏂᎨ\t-9.58635\n▁ᎢᎳᎪ\t-9.58639\n▁ᏍᎩᏃᎲᏏ\t-9.5864\n▁ᏗᎪᏪᎵᏍᎩ\t-9.58646\n▁ᎤᏩᏙᎯᏴᏓ\t-9.58647\n▁ᎢᏳᏓᎴᏅᏛ\t-9.58648\n▁ᎤᏂᎬᏫᏳᏌᏕᎩ\t-9.58649\n▁ᎢᏳᏩᏂᏐᏗᏱ\t-9.58651\n▁ᎢᏳᏩᏁᏗᏱ\t-9.5866\n▁ᏙᏰ\t-9.58693\n▁ᎤᏰᎯ\t-9.58695\n▁ᎤᏬᏗᎨ\t-9.58733\n▁ᏒᎮᏱᏣ\t-9.5877\n▁ᎢᎬᏁᎯ\t-9.58771\n▁ᏓᏯᎢ\t-9.58783\n▁ᎾᏍᎩᏉ\t-9.59039\n▁Ꮖ\t-9.59074\n▁ᎧᎸᎢ\t-9.59088\nᏙᎩ\t-9.59102\n▁ᏚᎸᏫᏍᏓᏁᎲᎢ\t-9.59117\n▁ᏚᎾᏓᏅᏛᎢ\t-9.59415\nᏁᎴᎢ\t-9.59503\n▁ᎤᎾᎵᎢ\t-9.59644\nᏔᏅᎭ\t-9.59915\n▁ᏄᏛᏁᎴᎢ\t-9.60039\nᏑᏴᎾ\t-9.60084\n▁ᎦᎸᎳᏗᏳ\t-9.60236\n▁ᎤᎾᏓᏡᎬᎢ\t-9.60411\n▁ᏣᏤᎵᎦ\t-9.60514\n▁ᎡᏓ\t-9.60617\n▁ᎨᎦ\t-9.60779\n▁ᎪᎯᏓ\t-9.60893\nᏁᎸᎩ\t-9.61148\n▁ᏂᎦᏗ\t-9.61183\n▁ᏴᎦ\t-9.6122\nᏁᎲ\t-9.61269\n▁ᎤᏓᏅᏖᏗ\t-9.61443\n▁ᏗᎧᎿᏩᏛᏍᏗᏱ\t-9.61662\n▁ᏱᏂ\t-9.61667\n▁ᏯᏆ\t-9.61679\n▁ᏗᎦᏓ\t-9.61818\n▁ᎯᎸ\t-9.62385\n▁ᎾᏍᎩᏴ\t-9.62414\n▁ᎾᏂ\t-9.62729\n▁ᎦᏃᎸᎥᏍᎬ\t-9.6291\n▁ᎧᎳᏩᏗᏒ\t-9.63043\nᎦᏔᎭ\t-9.63063\nᎢᏍᏗ\t-9.63083\n▁ᏗᎦᏚᎲ\t-9.63085\n▁ᎢᏦᎯᏳᏒ\t-9.63102\n▁ᎠᏤᎵᏍᏛ\t-9.63107\nᏥᏌ\t-9.63121\n▁ᎦᎨ\t-9.63244\n▁ᎠᏃ\t-9.63315\n▁ᎨᎳ\t-9.63452\n▁ᏭᎶᏒ\t-9.63458\n▁ᎠᏆᏚᎵ\t-9.63504\n▁ᎤᏅᏒᏉ\t-9.63578\n▁ᎦᏁᏌᎢ\t-9.63581\nᏍᏔᏂ\t-9.63599\n▁ᏙᎯ\t-9.63753\n▁ᏍᏆ\t-9.63806\n▁ᏨᏗᏓᎴᎲᏍᎦ\t-9.63872\n▁ᏧᏕᏘᏴᏓ\t-9.63874\n▁ᏗᏟᎶᏍᏔᏅᎯ\t-9.63875\n▁ᏗᏖᎵᏙ\t-9.6388\n▁ᎤᎪᏏᏓ\t-9.63886\n▁ᏦᏓᏂ\t-9.63887\n▁ᎠᏂᏫᏅ\t-9.63887\n▁ᏱᏅᏗᎦᎵᏍᏙᏗᎭ\t-9.63894\n▁ᎢᏳᎾᎵᏍᏙᏗᏱ\t-9.63904\n▁ᎤᎦᎾᏍᏓ\t-9.63913\n▁ᏧᎪᎳ\t-9.63921\n▁ᎢᏯᎾᏛᏁᎯ\t-9.63922\n▁ᎬᏩᏟᏍᏗ\t-9.63938\n▁ᎠᏥᏍᏛ\t-9.63954\n▁ᏧᏍᏗ\t-9.63963\n▁ᎪᎯᏗᏳ\t-9.63966\n▁ᎠᎵᏍᏕᎸᏙᏗ\t-9.64041\n▁ᎤᏚᎵᏍᎨᏍᏗ\t-9.64041\n▁ᎤᏚᎸᏗ\t-9.64109\n▁ᎢᏣᏤᎵᎦ\t-9.64119\n▁ᏣᏁᎳ\t-9.64127\n▁ᎢᎦᎦᏘ\t-9.64146\nᏁᎵ\t-9.64198\nᎪᎯ\t-9.64277\n▁ᏗᏆᏤᎵᎦ\t-9.64286\nᏛᎦ\t-9.6471\n▁ᎡᎵᏍᏗ\t-9.64714\n▁ᏱᎬ\t-9.64731\nᏉᏃ\t-9.64898\n▁ᏧᏓᏃ\t-9.65215\nᏕᎵ\t-9.65297\n▁ᏙᏓ\t-9.65539\n▁ᎤᏂᏣᏔ\t-9.65576\n▁ᎣᏂᏱ\t-9.65577\n▁ᎯᎠᏍᎩᏂ\t-9.65769\nᎪᏗ\t-9.65861\n▁ᏗᏆ\t-9.65944\nᎭᏂ\t-9.66095\n▁ᏃᏥ\t-9.66122\nᏁᎮᏍᏗ\t-9.66161\n▁ᏱᏨ\t-9.66606\n▁ᎠᏓᏁᎸᎢ\t-9.66621\n▁ᏭᎾ\t-9.66734\n▁ᏄᏪᏒᎢ\t-9.66994\n▁ᏄᎵᏍᏔᏅᎢ\t-9.67204\n▁ᏯᎩ\t-9.67561\n▁ᎾᎾᏛᏁᎲ\t-9.6779\n▁ᏞᎦ\t-9.67799\n▁ᎬᏩᎾ\t-9.67896\nᎷᎦ\t-9.68004\n▁ᏚᎳᏍᎬ\t-9.68466\n▁ᎤᏁᏨᎢ\t-9.68479\n▁ᏫᏓ\t-9.68534\n▁ᎤᎨᏓᎵᏴ\t-9.68599\n▁ᎤᏅᏏᏴ\t-9.68599\n▁ᏭᏯᏅᎮ\t-9.68606\nᎩᎶ\t-9.6862\n▁ᎠᎾᎢᏒ\t-9.68648\n▁ᎤᏂᎷᏨ\t-9.68671\n▁ᏕᎭᎷᎨ\t-9.68714\n▁ᎦᏅᏅ\t-9.68732\n▁ᏕᎩ\t-9.68872\n▁ᏭᎷᏨ\t-9.68935\n▁ᏧᎾᏍᏗ\t-9.68984\n▁ᎤᏒᎢ\t-9.69068\n▁ᏗᏥᎾᏫ\t-9.69193\n▁ᏐᏓᎻ\t-9.69194\n▁ᏓᏣ\t-9.69216\nᏌᎳᏓ\t-9.69295\n▁ᎤᎷᎯᏍᏗ\t-9.69371\n▁ᎤᏂᏴᏍᏗ\t-9.69417\n▁ᎠᎦᏘᏏ\t-9.69425\n▁Perry\t-9.69428\n▁ᏧᎦᎾᏮ\t-9.69428\nᏚᏓᎴᏍᏙᏗ\t-9.69428\n▁ᎥᏳᎩ\t-9.6943\n▁ᎠᎵᏍᏔᏴᏗ\t-9.69441\n▁ᎤᎩᏨᏓ\t-9.69443\n▁ᎧᏂᎩᏛ\t-9.69448\n▁ᏗᏕᏲᏗ\t-9.69456\n▁ᎤᎾᏰᎯᏍᏗ\t-9.69457\n▁ᎤᏫᏯ\t-9.69458\n▁ᎤᏂᎩᎬ\t-9.69458\n▁ᎤᏬᏢᏔᏅᎩ\t-9.6946\n▁ᏧᎾᎩᎸᏗ\t-9.69462\n▁ᏗᏓᏘᏂᏙᎯ\t-9.69465\n▁ᎤᏁᎫᏥᏛ\t-9.69466\n▁ᏗᎪ\t-9.69484\n▁ᎠᏆᏁᎳᏅᎯ\t-9.69485\n▁ᎠᎵᏍᎪᎸᏔᏅᎯ\t-9.69493\n▁ᏳᏚᎵᏍᎨ\t-9.69507\n▁ᎠᏍᏚᏗ\t-9.69514\n▁ᎨᎵᏍᎬ\t-9.69545\n▁ᏂᏗᎥ\t-9.69562\n▁ᏚᏓᏘᎾᎥᎢ\t-9.69664\n▁ᎤᏂᏍᏆᏂᎪᏎᎢ\t-9.69669\n▁ᎢᏳᎾᏛᏁᏗᏱ\t-9.69885\n▁ᎤᏍᏆᏂᎪᏗᏳ\t-9.69983\n▁ᏓᏆ\t-9.70038\n▁ᎣᏏᏉ\t-9.70186\n▁ᏄᏛᏁᎸᎩ\t-9.70193\n▁ᎤᎿ\t-9.70524\n▁ᏗᎨᏒᎢ\t-9.70642\n▁Ᏸ\t-9.70767\n▁ᎤᎾᎵᎪ\t-9.70771\n▁ᎠᏫᏅ\t-9.70975\nᏍᏕᎸᏗ\t-9.70997\n▁ᏂᎦᏪᏍᎬᎢ\t-9.71018\nᎴᏂ\t-9.71137\n▁ᎠᎩᏍᏗ\t-9.71161\nᎵᏍᏙᏗ\t-9.71229\nᎡᎯ\t-9.71498\n▁ᎢᏧ\t-9.71663\nᎵᏍᏗ\t-9.71838\n▁ᏅᎩᏁ\t-9.71896\nᎡᏗᏱ\t-9.71902\n▁ᏁᎰ\t-9.71981\n▁ᏳᎾ\t-9.71992\n▁ᎾᎥᎢ\t-9.72047\nᏍᏔ\t-9.72103\n▁ᎤᏁᏨᎯ\t-9.72112\nn\t-9.7221\n▁ᎠᏏᏴᏫᏃ\t-9.72425\n▁ᏣᎾ\t-9.72547\n▁ᏫᎬᏩ\t-9.72604\n▁ᏚᏳᎪᏛᎢ\t-9.72832\n▁ᎢᏳᎢ\t-9.73165\nᏗᏍᎨᎢ\t-9.73396\n▁ᎤᏥᎸ\t-9.7368\nᎶᏛ\t-9.73789\n▁ᎤᏪᎵᎯᏍᏗ\t-9.73882\n▁ᎤᏕᏁᎸ\t-9.74028\n▁ᎠᏰᏙᎳᏛ\t-9.74035\n▁ᎡᏙᎲ\t-9.74059\nᏗᏳ\t-9.74293\n▁ᎠᎾᏓ\t-9.74337\n▁ᎤᏓᏂᎵᎨ\t-9.74439\n▁ᎤᎵᏁᏨ\t-9.745\n▁ᏕᏡᎬ\t-9.74563\n▁ᏓᏁᏩᏗᏒ\t-9.74564\n▁ᏕᎨᏌᏗᏒ\t-9.74589\n▁ᎤᏓᏅᏖᎴ\t-9.74659\n▁ᎠᏆᏚᎵᏍᎬ\t-9.74712\n▁ᎤᏓᏴᏍᏗ\t-9.75108\n▁ᎷᏈᏂ\t-9.7531\n▁ᏗᏂᎵᎠᏅᎯᏛ\t-9.7531\n▁ᎢᏈᎬᎢ\t-9.7531\n▁ᎹᏏᏙᏂ\t-9.75314\n▁ᏞᎩᏳ\t-9.75317\n▁ᎠᎾᏓᏅᏟ\t-9.75319\n▁ᎬᏔᏂᏓᏍᏗ\t-9.75325\n▁ᎠᎪᏄ\t-9.75326\n▁ᏌᎺᎵᏱ\t-9.75331\n▁ᎠᏙᎳᏅᏍᏗ\t-9.75332\n▁ᎩᏟ\t-9.75343\n▁ᏗᎦᏅᏙᏗ\t-9.75346\n▁ᎠᏫᏄᏣ\t-9.75349\n▁ᎠᏟᎶᏍᏗ\t-9.75362\n▁ᎢᏨᏗᏍᎨᏍᏗ\t-9.75368\n▁ᎢᏳᏪᏅᏍᏗ\t-9.7537\n▁ᏧᏍᏆᏅᎾ\t-9.75375\n▁ᎡᏏᏱ\t-9.75399\n▁ᎤᏬᏚᎯ\t-9.75406\n▁ᎤᏬᏚᎯᏳ\t-9.75415\n▁ᎠᏥᎾᏝᎢ\t-9.75416\n▁ᎤᎶᏒᏍᏗ\t-9.75418\n▁ᏧᏓᎴᏅᏓ\t-9.7545\n▁ᎠᏓᎯ\t-9.75455\n▁ᏎᎳᏱ\t-9.75498\n▁ᎤᏂᏴᏍᏗᏱ\t-9.7559\n▁ᏔᎵᏧᏈ\t-9.75594\nᎤᏅ\t-9.75748\n▁ᎣᏁ\t-9.75768\n▁ᏚᏯ\t-9.75771\n▁ᏤᎮᎢ\t-9.75815\nᎶᏗ\t-9.75832\n▁ᎠᏁᎮᎢ\t-9.75898\n▁ᏚᎴᏁᎢ\t-9.76063\n▁ᏰᎭ\t-9.76092\n▁ᎠᏁᎭ\t-9.7618\n▁ᏐᎢᏱ\t-9.76283\n▁ᏱᏗᏣ\t-9.76477\nᎾᏏ\t-9.76528\nᏨᎯ\t-9.76582\n▁ᎢᏳᎾ\t-9.76584\n▁ᎠᎬ\t-9.76665\n▁ᏓᏨ\t-9.76938\n▁ᎦᏍᎩᎸᎢ\t-9.77266\n▁ᎠᏥᎸᏉᏗ\t-9.77274\nᏍᏊ\t-9.77736\nᏍᏗᏍᎬ\t-9.78051\n▁ᎤᎨᏳᎯ\t-9.78124\n▁ᎢᏓ\t-9.78304\n▁ᎤᏬᎵ\t-9.78356\n▁ᏙᎯᏱ\t-9.7837\n▁ᎠᏎᎩ\t-9.7867\n▁ᎠᏜ\t-9.78778\nᏛᏗ\t-9.7883\n▁ᏚᎴᏁ\t-9.78842\n▁ᎤᏁᏅᏎ\t-9.78929\n▁ᎤᎸ\t-9.79089\n▁ᏓᎾᏓ\t-9.79118\na\t-9.79247\nᏠᎾᏍᏗ\t-9.79268\nᏛᎯ\t-9.79489\nᎸᏉᏙᏗ\t-9.79647\nᏛᎭ\t-9.79886\nᎸᏉᏗᏳ\t-9.79954\n▁ᏅᏓᏳ\t-9.80132\n▁ᎠᏂᏙᎾᎥ\t-9.80185\nᏅᏒᎩ\t-9.80238\n▁ᏔᎵᎭ\t-9.80348\n▁ᏄᏂ\t-9.80464\n▁ᏗᏣᏓᏅᏙ\t-9.8055\n▁ᎡᏗ\t-9.80583\n▁ᎬᏆ\t-9.80643\nᎠᏯ\t-9.80643\n▁ᏨᏍᎩᏃ\t-9.80762\n▁ᎤᏰᏤ\t-9.80763\n▁ᎠᏆᎧᏛ\t-9.80773\n▁ᏓᏠᎯᏍᏛ\t-9.8081\n▁ᎠᏁᏙᎲ\t-9.80813\n▁ᏭᎶᏎ\t-9.80832\n▁ᎠᎾᏛ\t-9.80839\n▁ᎤᏓᏅᏎ\t-9.80971\n▁ᏗᏓ\t-9.81015\n▁ᏕᎦᎶᏗ\t-9.81247\n▁ᏏᎩᎻ\t-9.8127\n▁ᎠᏥᎦᏘᏗᏍᏗ\t-9.81296\n▁ᎤᏓᏅ\t-9.8134\n▁ᎤᏍᎪᎵ\t-9.81375\n▁ᎪᏪᎳ\t-9.81416\nᏐᎢ\t-9.81454\n▁ᎤᏕᎰᎯᏍᏗ\t-9.81458\n▁ᎢᏳᏛᏁᏗ\t-9.81488\ny\t-9.81549\n▁ᎦᎷᏯᏍᏘ\t-9.8156\n▁ᎢᏏᎺᎵ\t-9.8156\n▁ᎬᏩᏍᏓᏩᏛᏎᎢ\t-9.8156\n▁ᎤᎵᏗᏨ\t-9.8156\nett\t-9.81561\n▁ᏅᏓᏳᏂᎶᏒᎯ\t-9.81562\n▁ᏑᎾᏙᏓᏆᏍᏗ\t-9.81562\n▁ᎢᏯᏅᏙ\t-9.81564\n▁ᏗᎬᏔᏂᏓᏍᏗ\t-9.81564\n▁ᎢᎦᏪᏍᏗ\t-9.81565\n▁ᏂᎬᏩᏪᏎᎸᎩ\t-9.81565\n▁ᎤᏓᎵ\t-9.81567\n▁ᏗᏰᏙᎳᏛᏗ\t-9.81569\n▁ᎠᏖᎵᏙ\t-9.81569\n▁ᎭᏩᏧ\t-9.81573\n▁ᏚᏘᏅᏎ\t-9.81578\n▁ᎤᎴᏂᏙᎸ\t-9.81584\n▁ᏕᎹᏍᎦ\t-9.81593\n▁ᎠᏂᎨᎾᏂ\t-9.81593\n▁ᎠᏫᏒᏗᏱ\t-9.81593\n▁ᏗᏍᏓᏓᏅᏟ\t-9.81593\n▁ᎦᏂᎦᏔ\t-9.81595\n▁ᏣᏓᎵᎢ\t-9.81613\n▁ᎠᏂᎦᏓᎭ\t-9.81624\n▁ᏌᎾᏱ\t-9.81626\n▁ᏥᏚᏙᎥ\t-9.81628\n▁ᎤᏁᎵᏤᎢ\t-9.81636\n▁ᎤᎾᏁᎳᏅᎯ\t-9.81649\n▁ᎠᎪᏙᏗ\t-9.81653\n▁ᏙᏱᏨ\t-9.81659\n▁ᎤᎾᏠᎾᏍᏗ\t-9.81665\n▁ᏗᏦᏢᏙᏗ\t-9.81667\n▁ᎤᎾᏰᎯᏍᏗᏳ\t-9.81669\n▁ᏎᎻ\t-9.81687\n▁ᎤᏏᏩ\t-9.81742\n▁ᎤᏬᏚᏨ\t-9.81758\n▁ᎮᎦ\t-9.81768\n▁ᏁᎲᎾ\t-9.81768\n▁ᏂᎦᎵᏍᏓ\t-9.81795\n▁ᏱᏂᎦᎵᏍᏓ\t-9.81796\nᎢᏳ\t-9.81797\n▁ᎠᎩᏰᎸᎭ\t-9.81808\n▁ᎤᏂᎯᏍᏗᏱ\t-9.81817\n▁ᎢᎨ\t-9.81826\n▁ᏫᏗ\t-9.8183\n▁ᎠᏍᎪᎯᏁ\t-9.81842\n▁ᎤᏟᏍᏓ\t-9.81852\n▁ᎢᎬᏓ\t-9.81856\n▁ᎤᎷᎯᏍᏗᏱ\t-9.81864\n▁ᎾᏂᏪᏍᎬᎩ\t-9.81873\n▁ᏈᎳ\t-9.8188\nᏩᏛᎲ\t-9.81954\n▁ᎢᎬᏒ\t-9.82048\n▁ᏗᏂᏅᏌᏗ\t-9.82055\n▁ᎠᎱᏍᏕ\t-9.82056\n▁ᎠᏁᎩ\t-9.82172\nᎨᏳᏎᏍᏗ\t-9.82188\n▁ᎢᎾ\t-9.82262\n▁ᏄᎾᏛᏅᎢ\t-9.82268\n▁ᏓᏁᏩᏗᏒᎢ\t-9.82366\n▁ᏕᎭᎷᎨᎢ\t-9.82415\n▁ᏙᎩ\t-9.82706\nᏠ\t-9.82786\n▁ᎦᏂ\t-9.82909\n▁ᏕᎦᏛ\t-9.83227\nᏃᎮᎭ\t-9.833\n▁ᎨᏴᎢ\t-9.83809\nᎥᏍᎬ\t-9.84013\nᎥᎢ\t-9.84142\nᎳᏅᎯ\t-9.84142\nᎪᎵᏰᏍᎩ\t-9.8415\nᏩᏛᏗ\t-9.84151\nᏑ\t-9.84284\n▁ᎠᎩᎵᏲᎢᏍᏗ\t-9.84429\n▁ᎠᏙ\t-9.84503\n▁ᎯᎳ\t-9.8456\n▁ᎤᏂᏁ\t-9.84584\n▁ᏗᏤ\t-9.84985\n▁ᎤᏂᏠᏱ\t-9.85044\nᏉᏰᏃ\t-9.85236\n▁ᏕᏣᏓ\t-9.85619\n▁ᎤᎾᏙᎴᎰᏒ\t-9.85674\n▁ᎤᏇᏓᎸ\t-9.85947\n▁ᏗᏗ\t-9.86336\nᎦᏛ\t-9.86481\n▁ᏣᏉ\t-9.86508\nᎡᎭ\t-9.86569\n▁ᎦᏥᏯ\t-9.86629\n▁ᏔᎵᏁᎢ\t-9.86837\n▁ᏧᎾᏓ\t-9.86843\nᏅᏟ\t-9.8686\n▁ᏚᎸᏫᏍᏓᏁᎸ\t-9.86941\nᎿ\t-9.86999\n▁ᏯᎾ\t-9.87013\nᎸᎾ\t-9.87031\n▁ᎦᏁᎲ\t-9.87049\n▁ᎤᏴ\t-9.87094\nᎵᏱ\t-9.8711\nᏛᏅ\t-9.87238\n▁ᎤᏚᎵᏍᎨ\t-9.87274\n▁ᏁᎳᎩ\t-9.87347\n▁ᏕᏥᎸᏫᏍᏓᏁᎲ\t-9.87468\n▁ᏭᏴᎴ\t-9.87503\nᏯᏖᏅ\t-9.87505\nᎵᏍᏆᏗᏍᎩ\t-9.87512\n▁ᏙᏓᎸ\t-9.87567\n▁ᏄᎾᏛᏅ\t-9.87579\n▁ᎡᎮ\t-9.87668\n▁ᏗᏁᎲ\t-9.87739\nᎲᏍᎬ\t-9.87804\n▁ᏅᏗᎦᎵᏍᏙᏗ\t-9.87839\n▁ᎤᏁᎸ\t-9.87936\nᎱ\t-9.87946\n▁ᎤᏛᏁᎢ\t-9.87956\n▁ᎠᎾᏓᎾᏏᏂᏙᎯ\t-9.88227\n▁ᏯᎦᏔᎮ\t-9.88227\n▁ᎠᎵᏰᎾ\t-9.88228\n▁ᎦᏣᏄᎳ\t-9.8823\n▁ᎠᏨᏍᏙᏗ\t-9.88231\n▁ᏧᎦᏒᏍᏗ\t-9.88234\n▁ᎢᎬᏩᎵᏍᏙᏗ\t-9.88242\n▁ᎠᏒᎬ\t-9.88246\n▁ᎢᏣᎵᏍᏙᏗᏱ\t-9.88248\n▁ᏗᏥᏲᎵ\t-9.88252\n▁ᏗᏂᏏᏗ\t-9.88254\n▁ᎠᏤᎷᎩ\t-9.88256\n▁ᏥᏄᏪᏎᎢ\t-9.88256\n▁ᎠᏂᎩᎷᏫ\t-9.88264\n▁ᏧᎳᏏᏕᏂ\t-9.88271\n▁ᎤᏛ\t-9.88272\n▁ᏫᎦᎷᎩ\t-9.88294\n▁ᏥᏍᏚ\t-9.88299\n▁ᎤᎾᎳᏅᎯ\t-9.88313\n▁ᏗᏂᏰᎸ\t-9.88313\n▁ᏄᎾᏓᎴᏒ\t-9.8832\n▁ᎫᎫ\t-9.88335\nᏯᏅᏛ\t-9.88374\nᎵᏰᎢᎶᎯᏍᏗ\t-9.88414\n▁ᎤᏲᎱᎯᏍᏗᏱ\t-9.88424\n▁ᎤᎵᏍᎨᏛ\t-9.88435\n▁ᏏᏲ\t-9.88456\n▁ᎭᏫᏂᏨ\t-9.88461\n▁ᎧᏃᎮᏗ\t-9.8849\n▁ᎢᏳᏍᏘ\t-9.88491\n▁ᎠᎾᏓᏅᏖᏍᎬ\t-9.88501\n▁ᏚᎾᏓ\t-9.88508\n▁ᎫᎴ\t-9.88511\n▁ᎤᏂᏣᏛᎩ\t-9.88565\n▁ᏭᏂᎶᏎᎢ\t-9.88567\nᎦᏙᏃ\t-9.88572\n▁ᏗᎩᏏ\t-9.88574\n▁ᎠᏆᏚᎵᎭ\t-9.88594\n▁ᎠᎪᏩᏛᏗ\t-9.88595\n▁ᏓᏅᏅ\t-9.88605\n▁ᏂᎪᎯᎸᎾᏉ\t-9.88653\n▁ᎤᏲᏨ\t-9.88679\n▁ᏙᎦ\t-9.88684\n▁ᏥᎨᏳᎢ\t-9.88698\n▁ᏱᎨᏐᎢ\t-9.88729\nᎳᎻ\t-9.88734\nᏴᏫ\t-9.88766\n▁ᏂᎦᎵᏍᏙᏗ\t-9.88876\n▁ᎨᎵᎠ\t-9.88911\n▁ᎡᎮᏍᏗ\t-9.88966\n▁ᎡᎩ\t-9.88976\n▁ᏚᎸᏫᏍᏓᏁᎸᎢ\t-9.88992\n▁ᎠᏁ\t-9.88994\n▁ᎠᏁᏙᎲᎢ\t-9.89041\n▁ᎢᎦᏤᎵᎦ\t-9.89051\n▁ᎪᎨ\t-9.89117\n▁ᎡᏙᎲᎢ\t-9.89125\n▁ᏗᏁᎲᎢ\t-9.89156\n▁ᎤᏓᏅᏅ\t-9.89259\n▁ᎠᏓᏁᏗ\t-9.8947\n▁ᎠᏗ\t-9.89511\n▁Ꮠ\t-9.89754\n▁ᎡᎾ\t-9.8977\n▁ᏂᏙᏓᏳ\t-9.90156\n▁ᏂᎪᎯᎸᎾ\t-9.90201\n▁ᎤᏂᎷᏤᎢ\t-9.9038\n▁ᏂᏥᎥᎢ\t-9.90417\nᎦᏗᏓ\t-9.90601\n▁ᏧᏅ\t-9.90605\n▁ᏍᎩᏯ\t-9.90689\n▁ᎠᏂᏐ\t-9.90911\n▁ᎠᏋᏒᏉ\t-9.91243\n▁ᏣᏚ\t-9.91267\n▁Ꮜ\t-9.91308\n▁ᏴᎬ\t-9.91379\n▁ᏤᏣ\t-9.9146\nᏧᏈᏍᏗ\t-9.91553\nᎲᏍᎨᏍᏗ\t-9.92112\n▁ᎪᎯᏍᎩᏂ\t-9.92255\nᏙᎴᎰᎯᏍᏗ\t-9.92524\nᏢᏙᏗ\t-9.92633\nᎳᏗ\t-9.92791\nᏣᏘ\t-9.93071\n▁ᏕᎬᏩ\t-9.93942\n▁ᏚᏪ\t-9.94097\nᏂᎸ\t-9.94116\n▁ᏧᎾᏄᏬ\t-9.94315\nᎹ\t-9.94382\n▁ᏎᎳ\t-9.94498\nᎦᎶᏁᏛ\t-9.94502\n▁ᎠᏆᏛᎦᏅ\t-9.94537\n▁ᎡᎳᏪ\t-9.9456\n▁Ꮞ\t-9.94567\n▁ᏓᏫᏒ\t-9.94624\n▁ᎢᏳᏪ\t-9.94678\n▁ᏭᏂᎷᏨ\t-9.94858\nᏩᎬᏘ\t-9.9496\n▁ᏚᏁᎴ\t-9.94968\n▁ᏄᏛᏅ\t-9.95025\nᎵᏍᎦᏍᏙᏛ\t-9.95027\n▁ᎡᏝᏪ\t-9.95082\n▁ᎤᏓᏅᏛ\t-9.95151\n▁ᏗᎧᏃᎩᏍᏗ\t-9.95173\n▁ᎠᏛᎪᏗ\t-9.95202\n▁ᎬᏍᎦᎢᏍᏓᎩ\t-9.95369\n▁ᎠᏗᏆᎸᏕᏲ\t-9.9537\n▁ᏂᎦᏅᎯᏎᏍᏗ\t-9.9537\n▁ᎠᏂᏌᏚᏏ\t-9.9537\n▁ᏄᏜᏏᏛᏒᎾ\t-9.9537\n▁ᏌᏯᏂ\t-9.9537\n▁ᎤᎵᎪᎲᏍᏗ\t-9.9537\n▁ᏗᏁᎶᏙᏗ\t-9.9537\n▁ᏧᏃᏑᎶᏨᎯ\t-9.9537\n▁ᏥᏔᎦ\t-9.95371\n▁ᎤᎶᏒᏍᏔᏅᎯ\t-9.95372\n▁ᏧᎾᏦᎯᏍᏗ\t-9.95376\n▁ᎢᏨᏔᏲᏎᎭ\t-9.95376\n▁ᏧᎾᎳᏏᏕᏂ\t-9.95378\n▁ᎳᏏᎳ\t-9.95379\n▁ᎢᏳᏓᎨᏛ\t-9.95381\n▁ᎢᏣᏓᏙᎵᏍᏗᏍᎨᏍᏗ\t-9.95387\n▁ᎢᎩᏍᏕᎵᏍᎩ\t-9.95389\n▁ᎾᏛᏁᎮᏍᏗ\t-9.95389\n▁ᎤᏚᏫᏛ\t-9.95391\n▁ᏫᏂᎦᎵᏍᏓ\t-9.95392\n▁ᏫᏄᏒᎸ\t-9.95392\n▁ᎣᏌᏂ\t-9.95401\n▁ᎣᎦᏁᎳᏅᎯ\t-9.95401\n▁ᎤᏴᏣ\t-9.95402\n▁ᎤᎾᎴᏅᎮ\t-9.95405\n▁ᎦᏰᏌᏗ\t-9.95407\n▁ᏤᏈ\t-9.95409\n▁ᎠᎦᏘᏯ\t-9.9542\n▁ᎠᏂᎦᏔᎿᎢ\t-9.95423\n▁ᎬᎪᏩᏛᏗ\t-9.95424\n▁ᏗᏯᏖᎾ\t-9.95431\n▁ᎠᎵᎮᎵᏍᏗ\t-9.95432\n▁ᎢᎦᏪᏛ\t-9.95432\n▁ᎤᎵᏑᏫᏓ\t-9.95455\nᎭᏗ\t-9.95499\n▁ᎤᎦᏃᏩ\t-9.955\n▁ᏧᎾᏓᎵᎢ\t-9.95514\nᏛᏳᎨᏗ\t-9.95571\n▁ᎢᏳᏅᏁᏗᏱ\t-9.95574\n▁ᎢᎾᏓ\t-9.95607\n▁ᎪᎨᏱ\t-9.95614\n▁ᎤᏬᏢᏅᎯ\t-9.95621\n▁ᎤᎴᏫᏍᏔᏅ\t-9.9563\nᏔᏲᏎᎴ\t-9.95645\n▁ᎠᏓᏅᏖᏗ\t-9.95652\n▁ᎢᏍᏗ\t-9.95664\n▁ᏣᏁᎮᎢ\t-9.95679\n▁ᏧᎸᏫᏍᏓᏁᏗᏱ\t-9.95736\n▁ᏗᎦᎵᎠᏅᎯᏛ\t-9.95806\n▁ᏄᎾᏛᏁᎸᎩ\t-9.95815\n▁ᏚᏳᎪᏗ\t-9.95841\n▁ᎤᎾᏄᎪᏫᏎᎢ\t-9.95926\n▁ᎠᏥᎸᎠᏁᎶᎯ\t-9.95942\n▁ᎤᏔᎷᎩᏍᎩ\t-9.95986\n▁ᏥᏥ\t-9.96033\n▁ᎬᏩᏛᏛᏁ\t-9.96043\n▁ᏭᎶᏒᎩ\t-9.96078\n▁ᎠᎦᏔᎭ\t-9.96114\n▁ᎤᎵᏍᎨ\t-9.96164\n▁ᏧᎵᎢ\t-9.962\n▁ᎾᎥᏂᏳ\t-9.9621\n▁ᎠᏓᏰᏍ\t-9.96246\n▁ᏓᏠᎯᏍᏛᎢ\t-9.96253\n▁ᏕᎨᏌᏗᏒᎢ\t-9.963\n▁ᏚᎸᏫᏍᏓᏁᎲ\t-9.96328\n▁ᎤᏂᎵ\t-9.96374\n▁ᎭᏓᏅᏖᏍᎬ\t-9.96457\n▁ᎣᏣ\t-9.96531\n▁ᏍᎪᎯ\t-9.96555\nᏗᏍᎨ\t-9.9657\nᏌᏘ\t-9.96578\n▁ᎤᏁᏤᎸᎩ\t-9.96628\n▁ᎧᏁᎢᏍᏗ\t-9.96666\nᏅᏍᏗ\t-9.96672\nan\t-9.96736\nᎦᏘᏍᏙᏗ\t-9.96743\n▁ᏑᏓᎵᏁ\t-9.96764\n▁ᎤᏣᏛ\t-9.96776\n▁ᏳᏂ\t-9.96928\n▁ᏙᏳ\t-9.96939\n▁ᏗᎨᏥ\t-9.97044\n▁ᏥᏯ\t-9.97199\nᎵᏏ\t-9.97248\n▁ᎬᏗᏍᎬᎢ\t-9.9725\n▁ᏗᏣᏓ\t-9.9748\nᏃᎯᏎᎸ\t-9.97536\n▁ᎤᎴᏅ\t-9.97603\n▁ᎠᏰᎸᏗ\t-9.97823\n▁ᏳᏩ\t-9.97912\n▁ᏚᏅ\t-9.97927\nᎵᏍᏔᏅ\t-9.98101\n▁ᎤᏰᎸᏛᎢ\t-9.98162\nᏍᏔᏅᎩ\t-9.9831\n▁ᎤᏕ\t-9.9863\n▁ᎤᏲᏉ\t-9.98658\nᏁᏥ\t-9.98844\n▁ᏤᎩ\t-9.98884\nᎫ\t-9.9929\n▁ᎪᎯᏛ\t-9.99434\n▁ᎠᏓᏅᏙᏍᎩᏂ\t-9.99572\nᎯᎭ\t-9.99631\nᏟᏍᏗ\t-9.99633\n▁ᏍᎩᏃ\t-9.99759\n▁ᎯᎦᏔᎭ\t-9.99826\n▁ᎤᏬ\t-9.99938\n▁---\t-10.0004\n▁ᎢᏅᎯ\t-10.0006\n▁ᏱᎨ\t-10.0009\nᏂᏗᏳ\t-10.002\n▁ᏙᏓᎦ\t-10.0022\n▁Ꮼ\t-10.0025\n▁ᎤᎫᏴᏗ\t-10.0031\n▁ᏑᎾᎴᏃ\t-10.0068\n▁ᏩᏁ\t-10.0106\n▁ᏗᎬᏩᏂ\t-10.0112\n▁ᏥᏅᏏᏓᏍᏗ\t-10.0115\n▁ᏄᏍᏛᎾ\t-10.0117\n▁ᏧᎵ\t-10.0132\n▁ᎤᎪ\t-10.0161\n▁ᏛᎾ\t-10.0169\n▁Ꮲ\t-10.0201\n▁ᎠᏁᏙᎮ\t-10.0205\n▁ᏕᎨᏴ\t-10.0219\n▁ᎾᏑᏴ\t-10.0221\nᎪᏩᏛᏗ\t-10.0224\n▁ᏚᎾᏓᏡᏩᏗᏒ\t-10.0231\n▁ᎯᏆ\t-10.0232\n▁ᏅᏃ\t-10.0247\n▁ᎤᏄᎪᏨ\t-10.0255\n▁ᏚᎪᎲ\t-10.0265\n▁ᎦᏅᎬ\t-10.0266\n▁ᎤᏪᏙᎸ\t-10.0273\n▁ᎤᏪᏅᏍᏗ\t-10.0292\n▁ᏥᎬ\t-10.0293\n▁ᎠᏒᎨ\t-10.0294\n▁ᎠᎩᎾᏫ\t-10.0295\n▁ᎤᏲᎱᎯᏍᏗ\t-10.0296\n▁ᎠᏇ\t-10.0303\nᏄᎮᏛ\t-10.0306\n▁ᏅᏬᏘ\t-10.0306\n▁ᏑᏓᎴᎩ\t-10.0306\n▁ᎦᏃᏍᎩᏍᎩ\t-10.0306\n▁ᏀᎾ\t-10.0306\n▁ᏍᏏᏉᏯ\t-10.0306\n▁ᏗᎦᏙᏌᏗᏍᏗᏱ\t-10.0306\n▁ᏗᏂᎨᏫ\t-10.0306\n▁ᏌᏙᏂ\t-10.0306\n▁ᏧᎾᏦᏴᏍᏗ\t-10.0306\n▁ᎮᎳᏂ\t-10.0307\n▁ᏗᎪᏒᏔᏅ\t-10.0307\n▁ᎾᎦᎥ\t-10.0307\n▁ᎨᏣᏍᎦᎩ\t-10.0307\n▁ᎠᏉᏰᏂ\t-10.0307\n▁ᎦᏚᎢᏗᏢ\t-10.0307\n▁ᏇᏍᏓ\t-10.0307\n▁ᏗᏂᎰᎵ\t-10.0307\n▁ᏍᏗᏫ\t-10.0308\n▁ᏌᏊ\t-10.0308\n▁ᏚᏑᎬ\t-10.0308\n▁ᎤᎧᏲᏛᎯ\t-10.0308\n▁ᏁᏂᏏ\t-10.0308\n▁ᎨᎦᏑᏰᏛ\t-10.0308\n▁ᎠᏂᎦᏔᎾᎢ\t-10.0308\n▁ᏚᎦᏒᏍᏛ\t-10.0308\n▁ᏗᏍᏆᎾᎳᏗᏍᏗ\t-10.0309\n▁ᏄᏍᏗᏓᏅ\t-10.0309\n▁ᏗᎳᏑᎶ\t-10.0309\n▁ᎢᏳᏓᏅᎯᏓ\t-10.0309\n▁ᎬᎩᏍᎦᎩ\t-10.0309\n▁ᎣᏥᎦᏔᎭ\t-10.0309\n▁ᎤᏕᎶᎰᏎ\t-10.031\n▁ᏩᏛᎬᎦ\t-10.031\n▁ᎢᏥᏯᏫᏍᎨᏍᏗ\t-10.0312\n▁ᎣᎭᏂ\t-10.0312\nᎪᏣᎴᏛ\t-10.0312\n▁ᎠᏂᎩᏏᏙᎯ\t-10.0312\n▁ᎨᏆᏂ\t-10.0312\n▁ᎠᏂᎦᏔᎯ\t-10.0313\n▁ᏗᏥᎶᏍᏔᏅ\t-10.0313\n▁ᎢᏥᏅᏟ\t-10.0313\n▁ᎤᏓᏅᏖᎸ\t-10.0313\n▁ᎠᏍᎦᏰᎬᏍᏔ\t-10.0315\n▁ᏥᎮᎾ\t-10.0315\n▁ᏫᎶᎯ\t-10.0318\n▁ᎤᏙᎴᎰᏎ\t-10.0319\n▁ᎤᏪᎷᏅᎩ\t-10.0321\n▁ᏄᏕᏘᏴᎮᎢ\t-10.0322\nᏁᎲᎢ\t-10.0322\n▁ᏓᏳᎶᏒ\t-10.0323\n▁ᏂᎦᏚ\t-10.0325\n▁ᎤᏤ\t-10.0328\n▁ᏚᎧᎾᏁ\t-10.0331\n▁ᎤᏛᏐᏅᎯ\t-10.0334\n▁ᎤᏁᎷᏁᎢ\t-10.0334\n▁ᎢᏥᏍᎦᏅᏨᎢ\t-10.0334\n▁ᎪᏢᏅᎯ\t-10.0339\n▁ᏯᏂ\t-10.0339\n▁ᎤᎵᏍᏕᎸᏙᏗ\t-10.0339\n▁ᎤᏓᏅᏒᎩ\t-10.034\n▁ᎠᏧᏏ\t-10.0345\nᎠᏎᏃ\t-10.0345\n▁ᏕᎦᎶᏗᎯ\t-10.0348\n▁ᎠᎩᎪᎲᎩ\t-10.0349\n▁ᎤᏓᏔᏅᎯ\t-10.0349\n▁ᏓᎧᏅᎢ\t-10.0353\n▁ᏓᏓ\t-10.0355\n▁ᎬᏩᎷᏤᎸᎩ\t-10.0356\n▁ᎪᏢᏒᎢ\t-10.0359\n▁ᎡᎳᏗᏣ\t-10.036\nᎿᎨ\t-10.0361\n▁ᎢᏧᏩᏁ\t-10.0361\n▁ᎤᏄᎪᏤ\t-10.0363\nᏗᏍᎪᎢ\t-10.0365\n▁ᎠᏥᎸᎨᎶᎯ\t-10.0373\n▁ᎡᏙᎯ\t-10.0374\n▁ᏓᎬᎾ\t-10.0374\nᎶᎢ\t-10.0376\n▁ᎠᏁᎳ\t-10.0379\n▁ᎨᎾᏂᏱ\t-10.0379\n▁ᏚᎾᏓᏡᏩᏗᏒᎢ\t-10.0384\n▁ᎤᏁᎳᏅᎯᏱ\t-10.0384\n▁ᎤᏂᏍᎦᏅᏨᎯ\t-10.0389\nᏌᏂ\t-10.0389\nᏮ\t-10.039\n▁ᎤᎾᏓᏑᏴ\t-10.0395\n▁ᎪᏣᎴᏛ\t-10.0397\n▁ᎮᏗ\t-10.0397\n▁ᎤᏍᏘᏰᎬ\t-10.04\n▁ᏥᎪᎨ\t-10.0404\n▁ᏣᏂᏃ\t-10.0407\nᏙᏓ\t-10.0414\nᏖᎸᏗ\t-10.0417\n▁ᏚᏂᎸᏫᏍᏓᏁᎲᎢ\t-10.0432\nᏓᏥ\t-10.0438\n▁ᎠᏔᎴᏒᎢ\t-10.0439\nᎸᏗ\t-10.0448\n▁ᏂᎦᏪᏍᎬᎩ\t-10.0459\nᎵᏓᏍᏗ\t-10.0466\nᏕᎩ\t-10.0473\n▁ᏱᎦᎩ\t-10.0475\n▁ᎤᎪᎮᎢ\t-10.048\n▁ᏡᎬᎢ\t-10.0493\n▁ᎤᎴ\t-10.0545\n▁ᎤᏣ\t-10.0584\n▁ᏙᏗ\t-10.0601\n▁ᎠᏍᎦ\t-10.0607\n▁ᎤᏲᎱᏒᎢ\t-10.0607\n▁ᏓᏰ\t-10.0624\n▁ᎡᎳ\t-10.0642\n▁Ꮋ\t-10.0659\nᏴᏓ\t-10.0676\nᎵᏍᎪᎸᏓᏁᎸᎯ\t-10.0683\n▁ᎠᏂᏂ\t-10.069\n▁ᏥᏓᏂ\t-10.0702\n▁ᎤᏩᏛᏗ\t-10.0717\nᏚᎦ\t-10.0736\nᎴᎭ\t-10.0745\n▁ᏥᏴ\t-10.0752\nᏣᏓ\t-10.0769\nᎷᏥᏏ\t-10.0782\nᏖᏍᏗ\t-10.0783\n▁ᎤᏄᏬ\t-10.079\n▁ᎤᏂᏁᏨ\t-10.0792\nᎥᎾ\t-10.0793\n▁ᎦᎾ\t-10.0803\nᏓᏑᏯ\t-10.0829\nᏅᏎ\t-10.0874\nᏓᏂᎸᏨᎯ\t-10.0888\n▁ᎢᏍ\t-10.0914\nᏗᏣ\t-10.0914\n▁ᏱᎬᏩ\t-10.0924\n▁ᎤᏦ\t-10.0931\n▁ᎦᏁ\t-10.0933\n▁ᏏᎻᏯᏂ\t-10.095\nᏎᎸ\t-10.0952\n▁ᎪᎯᏳᏗᏍᎩ\t-10.0956\nᏤᎵ\t-10.0956\n▁ᎠᎯᏗ\t-10.0972\n▁ᎣᎦᏤᎵ\t-10.0983\nᏁᎶᏗ\t-10.0984\n▁ᎦᏛ\t-10.0989\nᏒᏅ\t-10.0992\n▁ᏂᎬᏁ\t-10.0994\n▁ᎧᏃᎮᏍᎬ\t-10.1009\n▁ᏄᎾᏛᏁᎸ\t-10.1012\n▁ᎠᏍᏓ\t-10.1032\n▁ᎠᏅᏗᏍᎬ\t-10.1056\n▁ᎤᏜᏅᏛ\t-10.1057\n▁ᎤᎿᏥ\t-10.1058\n▁ᏫᏚᏯᏅᎮ\t-10.1066\n▁ᎠᏨᏯ\t-10.1074\n▁ᎠᏂᏁᎬ\t-10.1078\n▁ᎤᎾᏚᎵᏍᎬ\t-10.1086\n▁ᎤᏂᎩᏎ\t-10.1087\nᎥᎯᏍᏗ\t-10.1089\n▁ᎪᏱᏁ\t-10.1089\n▁ᏚᎸᏌᏛ\t-10.109\n▁ᎠᏇᎵᏒ\t-10.1091\n▁ᏂᏚᏩᏁᎸ\t-10.1091\n▁ᎤᏪᏅᏒ\t-10.1094\nᎬᎭᎷᏴ\t-10.1095\n▁ᏥᏁᎬ\t-10.1098\n▁ᎠᏴᏫᏯ\t-10.11\nᎸᏌᏛ\t-10.1103\n▁ᎢᏨᏯ\t-10.1108\n▁ᏱᏥᎦᏔ\t-10.1109\nᎶᏒ\t-10.1114\n▁ᏫᎬ\t-10.1115\n▁ᎢᏯᏆᏛᏁᏗ\t-10.1117\n▁ᏂᏨᏁᎸ\t-10.1118\n▁ᎤᏁᏓᏍᏗ\t-10.1119\n▁ᏗᎦᎪᏗ\t-10.1122\n▁ᎠᏁᎵᏍᎨ\t-10.1126\n▁ᎡᎳᏂᎬ\t-10.1131\n▁ᎤᏩᏛᎲ\t-10.1138\n▁ᎤᎵᏬᏨ\t-10.1139\n▁ᎠᏂᏩᏥᏂ\t-10.114\n▁ᎦᎳᎱᏂ\t-10.114\n▁ᏕᎦᎳᏫᎥ\t-10.114\n▁ᏧᏓᎿᏩᏛ\t-10.114\n▁ᎢᏆᎶᏂ\t-10.114\n▁ᎾᎪᏔᏅᎾ\t-10.114\n▁ᏚᎾᎧᏛ\t-10.114\n▁ᏗᏂᏬᏂᏍᎩ\t-10.114\n▁ᏣᏔᎦ\t-10.114\n▁ᎤᏙᎴᎰᎯᏍᏗᏱ\t-10.114\n▁ᏚᏃᏢᏔᏅᎩ\t-10.114\n▁ᎢᏕᎯ\t-10.114\n▁ᏄᏓᎵᏓᏍᏛᎾ\t-10.114\n▁ᏗᎨᏥᎤᏍᏕᏎᎸᎯ\t-10.114\n▁ᏅᏓᎦᎵᏍᏙᏓ\t-10.114\n▁ᏗᏂᏍᎪᎵ\t-10.114\n▁ᏂᎦᎵᏍᏔᏂᏙᎲ\t-10.114\n▁ᎦᏂᏓᏛ\t-10.1141\n▁ᏍᎪᏯ\t-10.1141\n▁ᏧᏆᎶᎬ\t-10.1141\n▁ᏂᏣᏛᏁᎮᏍᏗ\t-10.1141\n▁ᎾᎵᏍᏆᏗᏍᎬᎾ\t-10.1141\n▁ᎢᏥᏰᎸᏎᏍᏗ\t-10.1141\n▁ᎢᏣᏅᏖᏍᏗ\t-10.1141\n▁ᎤᏬᏑᎶᏨᎯ\t-10.1141\n▁ᎥᎩᏅᏏᏛ\t-10.1141\n▁ᎠᏂᏃᏍᎩᏍᎩ\t-10.1142\n▁ᏗᏓᏬᏍᎩ\t-10.1142\n▁ᏓᎬᏩ\t-10.1142\n▁ᎢᏳᏕᏘᏴᏓ\t-10.1142\n▁ᎢᏧᎳᏗᏢ\t-10.1143\n▁ᎯᏍᎦᏯ\t-10.1143\n▁ᎢᏥᎦᏔᎮᏍᏗ\t-10.1143\n▁ᎡᏂᏗ\t-10.1143\n▁ᏂᏚᎾᏓᏪᏎᎴᎢ\t-10.1143\n▁ᎠᏌᏅᏙᏗ\t-10.1144\n▁ᏗᏑᏢᏛ\t-10.1144\n▁ᎣᏂᏗᏢ\t-10.1144\n▁ᏅᏓᎦᎵᏍᏙᏔᏂ\t-10.1144\n▁ᎠᎵᏥᏙᎲᏍᎩ\t-10.1144\n▁ᎢᏯᏍᏘ\t-10.1144\n▁ᎡᏈᎵ\t-10.1145\n▁ᎢᏥᎦᏙᎥᎯᏍᏗᏱ\t-10.1145\n▁ᏧᎾᎵᏂᎩᏛ\t-10.1145\n▁ᎠᎦᏯᎷᏗ\t-10.1146\n▁ᎠᏥᎤᏍᏕᏎᎸᎯ\t-10.1146\n▁ᎪᎯᏳᎲᏍᎩ\t-10.1146\n▁ᏂᎬᏪᏎᎭ\t-10.1146\n▁ᏣᏓᏅᏙ\t-10.1148\n▁ᏧᏍᎪᎵ\t-10.1148\n▁ᎦᎾᏍᏓ\t-10.1148\n▁ᏂᎦᎵᏍᏔᏅᎭ\t-10.1151\n▁ᏅᏧᎵᏍᏙᏔᏅ\t-10.1152\n▁ᏍᎩᏙᎵᎩ\t-10.1155\n▁ᎤᏕᎵᏒ\t-10.1155\n▁ᎢᏳᎵᏍᏔᏅᎯ\t-10.1157\n▁ᎤᎵᏍᏗᏳ\t-10.1159\n▁ᏧᏂᎳᏫᎢᏍᏗᏱ\t-10.1159\n▁ᎢᏕᎾ\t-10.1159\n▁ᏓᏓᏏ\t-10.116\n▁ᎠᎦᏔᎿᎢ\t-10.116\n▁ᎠᏆᎵᏏ\t-10.1161\n▁ᏚᏠᏱᎴᎢ\t-10.1161\n▁ᎤᏍᏆᏛ\t-10.1162\n▁ᎢᏯᏆᏛᏁᏗᏱ\t-10.1163\n▁ᎢᏓᎵ\t-10.1164\n▁ᎹᏗ\t-10.1168\n▁ᎤᏪᏗᏱ\t-10.1171\n▁ᎨᎥᎢ\t-10.1175\n▁ᎤᏟᏂᎩᏓ\t-10.1177\nᎷᏤᏗᏱ\t-10.1179\n▁ᎤᏂᎩᏒᎩ\t-10.1181\n▁ᏘᎵ\t-10.1185\n▁ᎡᏘᏴ\t-10.1187\n▁ᎤᎾᏛᏁᎢ\t-10.1188\n▁ᎤᏩᏅ\t-10.119\n▁ᎹᎩ\t-10.1191\n▁ᏂᏚᏩᏁᎸᎩ\t-10.1192\n▁ᏄᎾᏍᏗ\t-10.1195\n▁ᏧᏂᎾᏫᏱ\t-10.1196\n▁ᏫᏚᏂ\t-10.1198\n▁ᏧᏓᏅᏛᎢ\t-10.1201\n▁ᎬᏩᎪᎲ\t-10.1205\n▁ᏭᏂᎷᏤᎢ\t-10.1212\n▁ᎨᏙᎲ\t-10.1214\nᏢᏗ\t-10.1218\n▁ᎨᏂᏗ\t-10.1218\n▁ᏂᏙ\t-10.122\nᏃᏁᎸᎩ\t-10.124\nᏓᏡᎬ\t-10.1248\n▁Ꮘ\t-10.1251\n▁ᏂᏫ\t-10.1253\n▁ᏯᏆᏚᎵ\t-10.1261\n▁ᎠᏆᎵ\t-10.1262\n▁ᎤᏣᏖ\t-10.1267\n▁ᎭᎵ\t-10.1272\n▁ᏱᎰ\t-10.1275\n▁ᎯᎸᎯ\t-10.1276\n▁ᎦᏛᎬᎢ\t-10.1278\nᏁᏍᎨ\t-10.1282\n▁ᎤᎪᎲᎯ\t-10.1293\n▁ᎨᏓᎵ\t-10.1298\n▁ᎤᏁᎢᏍᏗ\t-10.1302\n▁ᎤᎭᎨ\t-10.1312\nᏙᎥ\t-10.1312\n▁ᏄᏛᏁᎸᎢ\t-10.1313\nᎡᏍᏗ\t-10.1315\nᏓᏅ\t-10.1324\nᏃᎲᏏ\t-10.1331\nᏙᎵᏍᏗ\t-10.1334\n▁ᎤᏩᎨᏫ\t-10.1334\nᏍᏆᏂᎪᏗ\t-10.1343\nᎫᏴᏙᏗ\t-10.1346\nᏪᏨᎯ\t-10.1363\n▁ᎤᎴᏅᎲ\t-10.1369\n▁ᏧᏪᏘ\t-10.1373\n▁ᎤᏯ\t-10.1386\n▁ᏗᎬᏙᏗ\t-10.1397\nᏅᎭ\t-10.1418\n▁ᎠᎩᎭ\t-10.1443\n▁ᎯᎾ\t-10.1456\nᏓᏏ\t-10.1468\nᏩᏛᎮ\t-10.1473\n▁ᎠᎦᏛ\t-10.1477\n▁ᏓᏥᏯ\t-10.1512\n▁ᎤᏔᏅ\t-10.1518\nᎠᏯᏗ\t-10.1521\n▁ᎤᏙᏓᏃ\t-10.1524\nᏂᏒ\t-10.1527\nᏅᏏᏙᎯ\t-10.1535\nᏍᏕᏍᏗ\t-10.1562\n▁ᎤᏛᏅᎩ\t-10.1624\n▁ᎨᎶᎯ\t-10.1647\n▁ᏭᏂᎷᏤ\t-10.1664\nᏁᎸᏔᏅ\t-10.1681\n▁ᏄᏓ\t-10.1708\n▁ᏂᏣᏛᏅᎢ\t-10.1744\nᏧᏏ\t-10.1746\nᎤᏙᎯᏳ\t-10.1748\nᏓᏁᎸ\t-10.1775\nᏙᎵ\t-10.1784\nᏴᎭ\t-10.1785\nᏐᏅ\t-10.1792\nᎩᏍᎨᏍᏗ\t-10.1805\nᎥᏝ\t-10.1808\nᏓᏅᎦᎸᏛ\t-10.1822\n▁ᎠᏂᏁ\t-10.1849\n▁ᎠᏍᎦᏅᏨ\t-10.1893\nᏓᎶᏂᎨ\t-10.1903\n▁ᎾᏆᏛᏁᎸ\t-10.1916\nᏔᎷᎩᏍᎩ\t-10.1917\nᎨᎳᏍᏗ\t-10.1921\nᏚᎵ\t-10.1924\n▁ᎠᎩᏁᏨ\t-10.1933\n▁ᎠᏓᏅᏖᏍᎨ\t-10.1948\n▁ᎡᎵᏍᎨ\t-10.1952\n▁ᏫᎦᏅᏅ\t-10.1955\n▁ᎠᏂᏨᏯ\t-10.1957\n▁ᎠᏓᏯ\t-10.196\n▁ᎤᎩᏨᏅ\t-10.196\n▁ᎤᎵᏂᎬᎬ\t-10.1961\n▁ᏕᎦᏅᏅ\t-10.1961\n▁ᏗᏤᎲ\t-10.1964\n▁ᎥᏓᎸ\t-10.1965\nᎩᎯ\t-10.1965\nᎢᏳᎾᏍᏗ\t-10.1965\n▁ᎤᏂᏃᎮᎸ\t-10.1967\n▁ᏣᎧᏛ\t-10.1969\n▁ᎦᏰᏌᏛ\t-10.197\n▁ᎬᏩᎷᏤᎴ\t-10.1971\n▁ᏗᏓᏁᎸ\t-10.1977\n▁ᏂᏣᏛᏅ\t-10.198\n▁ᎤᏰᎸᏁ\t-10.1982\nᏎᏗ\t-10.1985\n▁ᎤᎿᎥ\t-10.1985\n▁ᏗᏥᏰᎸ\t-10.1995\n▁ᏥᏙᎬ\t-10.1996\n▁ᏫᏚᏯᏅᎲ\t-10.1998\nᏍᏗᏍᎨᏍᏗ\t-10.1999\n▁ᎠᏍᏚᎲ\t-10.2004\nᏅᏓ\t-10.201\n▁ᎬᏩᎷᏤᎸ\t-10.2011\n▁ᏂᎪ\t-10.2014\n▁ᎠᏂᏃᎯᎵᏙ\t-10.2023\n▁ᏗᏄᎪᏗᏍᎩ\t-10.2025\n▁ᎢᎬᏩᏁᏗ\t-10.2025\n▁ᎠᏥᎢᏍᏗ\t-10.2026\n▁ᏱᏙ\t-10.2033\n▁ᎠᏁᎵᏍᎬ\t-10.2033\nᏔᏅᎢ\t-10.204\n▁ᏚᏅᏎ\t-10.204\n▁ᎠᏰᎲ\t-10.2044\n▁ᏂᏓᎪᏔᏅᎾ\t-10.2049\n▁ᎡᎩᎵᏈ\t-10.2049\n▁ᎢᏗᏍᏓᏓᎳ\t-10.2049\n▁ᎢᏯᎬᏁᎸᎯ\t-10.2049\n▁ᏌᏬᏚ\t-10.2049\n▁Chap\t-10.2049\n▁ᎠᏂᏈᎵᏍᏗ\t-10.2049\n▁ᏌᏱᎳ\t-10.2049\n▁ᎠᏰᎳᏍᏘ\t-10.2049\n▁ᏚᎧᏔᏍᏔᏁᎢ\t-10.2049\n▁ᏣᎦᏟᎶᏍᏔᏅᎯ\t-10.2049\n▁ᏥᏍᎪᏴ\t-10.2049\n▁ᏅᏓᎦᏥᏴᏁᎵ\t-10.2049\n▁ᏧᏓᏕᏍᏗᏱ\t-10.2049\n▁ᎠᏗᏒᏍᏗ\t-10.2049\n▁ᎮᎼ\t-10.2049\n▁ᎤᏲᏍᏛᏉ\t-10.2049\n▁ᎠᏕᏒᎲᏍᎩ\t-10.2049\n▁ᎢᏆᎻ\t-10.2049\n▁ᏗᏥᎦᏙᎵ\t-10.205\n▁ᏧᎾᏓᏅᏙ\t-10.205\n▁ᎤᏂᏁᎫᏥᏛ\t-10.205\n▁ᏥᏂᏣᏛᏅ\t-10.205\n▁ᎤᎳᎨᏯᏛᏤᎢ\t-10.2051\n▁ᎤᎩᏓᏟᏅᏯ\t-10.2051\n▁ᎢᏳᏛᏁᎸᎯ\t-10.2051\n▁ᏌᏚ\t-10.2051\n▁ᎠᎹᏳᎸᏓ\t-10.2051\n▁ᏱᏥᏍᎦᎢᎮᏍᏗ\t-10.2052\n▁ᎠᎩᎬᏫᏳᎯ\t-10.2052\n▁ᏣᏤᎵᎪᎯ\t-10.2052\n▁ᏏᎵᏱ\t-10.2052\n▁ᎦᎫᏍᏛᏗ\t-10.2052\n▁ᏤᏙᎲ\t-10.2053\n▁ᎤᏍᏚᎢᏒ\t-10.2053\n▁ᎤᏣᏔ\t-10.2054\n▁ᏭᎷᏣ\t-10.2054\n▁ᏇᏕᎵ\t-10.2054\n▁ᏗᎨᏥᎾᏌᎢ\t-10.2054\n▁ᎠᏂᏃᎮᏍᎩ\t-10.2054\n▁ᎧᏁᏍᎪ\t-10.2054\n▁ᏥᏲᏎᎸ\t-10.2055\n▁ᎠᏉᎳ\t-10.2055\n▁ᎠᎦᏔᎾᎢ\t-10.2055\n▁ᎤᎾᏗᏍᎦᎶᏗ\t-10.2055\n▁ᏓᎬᏔᏂ\t-10.2056\n▁ᎣᎩᏙᏓ\t-10.2056\n▁ᎬᏩᏍᏓᏩᏛᏒᎩ\t-10.2057\n▁ᏗᎦᏅᏍᎨᏂ\t-10.2057\n▁ᎬᎵᏍᏆᏗᏍᎩ\t-10.2057\n▁ᏗᎬᏩᎸᏌᏛ\t-10.2057\n▁ᎢᏳᏩᏁᎯ\t-10.2058\n▁ᏥᏥᎦᏔᎭ\t-10.2058\n▁ᎠᎵᏍᎪᎸᏓᏁᏗ\t-10.2058\n▁ᏚᏃᎡᎢ\t-10.2058\n▁ᏯᎦᏔᎭ\t-10.2059\n▁ᎠᏃᏍᏛ\t-10.206\n▁ᏓᎨᏏ\t-10.2061\n▁ᎾᏥᎾᏝᎥᎾ\t-10.2061\n▁ᎤᏁᏢᏔᏅᎯ\t-10.2061\n▁ᎾᎨ\t-10.2061\nᎬᏫᏳᏒ\t-10.2062\n▁ᎠᏂᏅᎢ\t-10.2062\n▁ᏦᎳᏂ\t-10.2062\n▁ᏧᏂᎦᏴᎵᎨ\t-10.2063\n▁ᏭᎶᎯᏍᏗᏱ\t-10.2064\n▁ᏳᏩᏁᎦ\t-10.2065\n▁ᎢᏣᏠᎾᏍᏗ\t-10.2065\n▁ᎪᏪᎳᏅᎯ\t-10.2067\n▁ᏦᏈ\t-10.2069\n▁ᎬᏂᎨᏒᎢᏳ\t-10.2071\n▁ᏥᏂᎦᏪᎭ\t-10.2072\n▁ᏦᎳ\t-10.2072\nᎦᏅᎯᏓ\t-10.2073\n▁ᎠᏥᏃᎮᏍᎬᎢ\t-10.2076\n▁ᏂᎦᏅᎯᏒᎩ\t-10.2081\n▁ᏧᏁᎬ\t-10.2081\n▁ᏂᏚᏍᏛ\t-10.2085\n▁ᎤᏬᏢᏅᎩ\t-10.2091\n▁ᎤᏢᎩ\t-10.2092\n▁ᎢᏳᏩ\t-10.2095\n▁ᎤᏅᏏᏙᎯ\t-10.2096\n▁ᎡᏉᏗᏱ\t-10.2096\n▁ᏕᏍᎩ\t-10.2096\n▁ᎤᏓᏅᏖᎸᎯ\t-10.2097\n▁ᎤᏕᏁᎸᎯ\t-10.2105\nᎾᏰᏍᎬᎾ\t-10.2105\nᎸᏉᏗ\t-10.2116\n▁ᎡᎳᏗᏢ\t-10.2117\n▁ᏓᏂᏁᎸᎢ\t-10.2119\n▁ᎠᎢᏒᎢ\t-10.2121\n▁ᎬᏂᏳ\t-10.2131\n▁ᎤᏍᎦᏅᏨᎯ\t-10.2131\nᎨᏳᏗ\t-10.2132\nᏏᏗᏒ\t-10.2133\nᏳᎯ\t-10.2134\n▁ᏧᏬᏚᎯ\t-10.2138\n▁ᎦᏅᎯᏓ\t-10.2139\n▁ᎠᎩᏍᏗᏱ\t-10.215\n▁ᎤᎿᎥᎢ\t-10.2151\n▁ᎨᎳᏍᏗ\t-10.2154\n▁ᎤᏄᏢ\t-10.216\nᏓᎵ\t-10.2163\n▁ᏤᏆ\t-10.2165\n▁ᏕᏡᎬᎢ\t-10.2174\nᏗᏍᎬᎢ\t-10.2183\nᏑᏰᏛ\t-10.2184\n▁ᎤᎾᏛᎦᏅᎯ\t-10.2197\n▁ᏥᎨ\t-10.2198\n▁ᎾᏆ\t-10.2201\n▁ᎤᎾᏛ\t-10.2204\n▁ᏕᏂ\t-10.2211\n▁ᏫᏍᎩ\t-10.2217\nᎡᎸᎯ\t-10.2226\n▁ᎠᎩᏰᎸ\t-10.2233\nᏅᏗ\t-10.2233\n▁ᎠᏆᏓᏅᏙᎩ\t-10.2234\n▁ᎦᏙᎬᎩ\t-10.2238\nᏄᎪᏫᏒᎩ\t-10.2242\nᏁᏃ\t-10.2248\n▁ᏂᎬᏁᎲ\t-10.2258\n▁ᎾᏛᏁᎲ\t-10.2259\nᏰᎯ\t-10.2259\nᏙᏓᏆᏓ\t-10.226\nᏙᏢᏅ\t-10.2265\nᏕᎶᎰᎯᏍᏗ\t-10.2267\n▁ᎤᏂᏍᎦᏅᏨᎢ\t-10.227\nᏔᏅᎾ\t-10.2273\n▁ᎤᎷᏤᎢ\t-10.2287\n▁ᏚᎦ\t-10.2287\n▁ᎤᏚ\t-10.2294\n▁ᏅᏗᎦᎵᏍᏙᏗᏍᎬᎢ\t-10.2306\n▁ᏕᎬ\t-10.2311\n▁ᎤᏯᏅ\t-10.2312\nᏂᏓᏍᏗᏱ\t-10.2315\n▁ᎠᎭ\t-10.233\nᎴᏅ\t-10.2331\nᏔᏲᏏ\t-10.2343\n▁ᎠᏒᎩ\t-10.2352\n▁ᎢᏒ\t-10.2357\n▁ᎬᏯ\t-10.2358\nᏤᎸ\t-10.2372\n▁ᏦᎯᏳᏒ\t-10.238\nᏦᏢᏗ\t-10.2382\nid\t-10.2387\nᏁᏤᎴ\t-10.2389\nᎦᏙ\t-10.2392\n▁ᏗᏨ\t-10.2396\n▁ᎠᎩᎪᎲ\t-10.241\n▁ᎤᏂᎲ\t-10.2411\nᏙᎴᎰᏏ\t-10.2451\nᎵᏏᏱ\t-10.2477\n▁ᎭᏩ\t-10.248\n▁ᎦᏲᎵ\t-10.2502\nᏉᏗ\t-10.2506\n▁ᏥᏙ\t-10.2511\nᏍᏔᏅᎯ\t-10.2522\nᎩᎳ\t-10.2528\nl\t-10.2532\nᎧᎵᎢ\t-10.2535\n▁ᎢᏥᏰᎸ\t-10.254\nᏌᏁ\t-10.255\nᏂᎩᏛ\t-10.2561\n▁ᎠᏂᏫᎾ\t-10.2575\nᏲᎯᏍᏗ\t-10.2639\n▁ᎢᏏᎵᏱ\t-10.2645\n▁ᏫᎩ\t-10.2648\n▁ᎠᏰ\t-10.265\nᏅᏓᏓ\t-10.2656\n▁ᎠᎾᎵ\t-10.2694\nᏁᏤᏗ\t-10.2695\nᎪᎵᏰᏗ\t-10.2696\nᏛᏂ\t-10.2704\n▁Ꮗ\t-10.2712\nᎵᏍᏔᏁ\t-10.2715\nᏒᏃ\t-10.2728\nᎩᏓ\t-10.2736\nᏄᎦ\t-10.2739\nᎶᏨ\t-10.2742\n▁ᏥᏄ\t-10.2749\n▁ᎯᏍᎩᏁ\t-10.2754\n▁ᎠᎢᏒ\t-10.2754\n▁ᎠᎦᏔ\t-10.2759\n▁ᏂᎨ\t-10.2784\nᏥᏲᏏ\t-10.279\nᏁᏤᎸᎯ\t-10.2792\n▁ᎠᏋ\t-10.2794\n▁ᏚᎾᎴᏁ\t-10.2822\n▁ᎯᎦᏘᏏ\t-10.2839\n▁ᎭᎻ\t-10.2841\nᏕᏅ\t-10.2852\nᏗᏢ\t-10.2866\nᎪᏩᏘᎭ\t-10.2872\nᏬᏂᎯᏍᏗ\t-10.2886\n▁ᏚᎧᎿᏅ\t-10.2906\n▁ᎤᏂᏣᏛ\t-10.2912\n▁ᎣᎩᎾ\t-10.2926\n▁ᎾᎩ\t-10.2938\nᎬᎿ\t-10.2939\n▁ᎠᏔᎴᎦᏒ\t-10.2953\n▁ᎤᏃᏁᎴ\t-10.2955\n▁ᏕᎦᏚᏩᏗᏒ\t-10.2966\n▁ᎤᏂᎷᏤᏗ\t-10.2969\n▁ᏧᏩᎫᏔᏅᏒ\t-10.2969\nᎾᏄᎪᏫᏏ\t-10.297\n▁ᏓᏕᏲᎲᏍᎬ\t-10.2972\n▁ᏱᎨᏐ\t-10.2976\n▁ᏚᏬᎡ\t-10.2982\n▁ᎠᎦᏍᎦᏂ\t-10.2983\n▁ᎠᏚᎢᏍᏛ\t-10.2985\n▁ᎦᎸᏉ\t-10.2986\n▁ᎤᏰᎸᏅ\t-10.2986\n▁ᏓᏂᏁᎸ\t-10.299\n▁ᎠᏓᏙᎵᏍᏗ\t-10.2994\nᏃᎮᏍᎬᎢ\t-10.2995\n▁ᎤᎦᏔᎲᏒ\t-10.2998\n▁ᎣᎵᏩ\t-10.3003\n▁ᎤᎷᏤᎴ\t-10.3011\n▁ᎤᏬᏚ\t-10.3012\n▁ᏤᎮ\t-10.3015\n▁ᏕᎪᏪᎸ\t-10.3015\n▁ᎤᏛᏐᏅ\t-10.3016\nᏲᎯᏍᏔᏅ\t-10.3022\n▁ᎦᎴᏂ\t-10.3034\nᏯᏅᎲ\t-10.3041\n▁ᎦᏁᏥ\t-10.3043\n▁ᎤᏅᏎ\t-10.3046\n▁ᏩᎩ\t-10.3046\nᏓᎴᏅᏛ\t-10.3047\nᎰᎲᏍᏗ\t-10.3049\n▁ᎡᏂᎾᏯ\t-10.3049\n▁ᎢᏍᎦᎳᏗ\t-10.3049\n▁ᎥᏘᎣᎩ\t-10.3049\n▁ᎦᏌᏆᎸ\t-10.3049\n▁ᏑᏓᎳᏍᎪᎯ\t-10.3049\n▁ᏗᎫᏓᎸᏗᏱ\t-10.3049\n▁ᏤᎦᎳᏯ\t-10.3049\n▁ᎡᎹᏂᏓ\t-10.3049\n▁ᏧᏙᏓᏋᏓ\t-10.3049\n▁ᏧᏯᏖᏃᎯ\t-10.3049\n▁ᏯᏃᎩᏳ\t-10.3049\n▁ᏫᏚᎧᎿᏁ\t-10.3049\n▁ᎤᏯᏖᏃᎯ\t-10.3049\n▁ᏗᏍᏆᎨᏂ\t-10.3049\n▁ᎢᏤᎳᏗᏙᎮᏍᏗ\t-10.3049\n▁ᎬᏉᏎᎰ\t-10.3049\n▁ᏕᎨᏥᏰᎸᏔᏅᎩ\t-10.3049\n▁ᎤᎾᏢᏉᏗ\t-10.3049\n▁ᎻᎾᏌ\t-10.3049\n▁ᏂᏣᏪᏒ\t-10.3049\n▁ᎢᏳᏩᏂᏌᏅᎯ\t-10.3049\n▁ᏑᎾᏓᎴᎩ\t-10.3049\n▁ᎦᎶᎯᏍᏗᏳᎶᏗ\t-10.3049\n▁ᎡᏥᎸᏉᏓ\t-10.3049\n▁ᎤᏂᏃᎮᎴ\t-10.3049\n▁ᏅᏓᏳᎵᏍᏙᏗᏱ\t-10.3049\n▁ᎨᏣᏍᏓᏩᏗᏙᎯ\t-10.305\n▁ᏗᎧᎾᏩᏛᏍᏗ\t-10.305\n▁ᎠᎦᎵᏍᎬ\t-10.305\n▁ᏄᎵᏍᏔᎾ\t-10.305\n▁ᏍᎩᏄᏍᏛ\t-10.305\n▁ᎢᏲᏍᏛ\t-10.305\n▁ᎦᏌᎾᎵ\t-10.305\n▁ᏅᏓᎬᏁᎵ\t-10.305\n▁ᏱᏅᎦᎵᏍᏓ\t-10.305\n▁ᎪᏌᏂ\t-10.305\n▁ᏱᏚᏂ\t-10.3051\n▁ᎢᏳᏩᏂᎸ\t-10.3051\n▁ᎠᏂᏈᎷ\t-10.3051\n▁ᎤᎵᏍᏔᏴᏗ\t-10.3051\n▁ᎤᏰᎸᎮ\t-10.3052\n▁ᏑᏕᏘᏴᏛ\t-10.3052\n▁ᏄᎾᎵᏍᏔᏁ\t-10.3053\n▁ᏭᏴᎸ\t-10.3053\n▁ᎯᎨᏴ\t-10.3053\n▁ᏗᏓᎴᎲᏍᎦ\t-10.3053\n▁ᎢᏳᏛᎿᏕᎩ\t-10.3054\n▁ᎢᎧᏁᏨᎯ\t-10.3054\nᏍᎦᎢᎲᎾ\t-10.3054\n▁ᏗᏓᏂᏐᏗᏱ\t-10.3054\n▁ᏓᏓᎶᏂ\t-10.3055\n▁ᏫᏨᎷᏤᏗᏱ\t-10.3055\nᎸᏉᏕᏍᏗ\t-10.3055\n▁ᎤᏂᎷᎯᏍᏗᏱ\t-10.3056\n▁ᎤᎵᏠᏯᏍᏕᏍᏗ\t-10.3056\n▁ᎠᏂᏦᎢ\t-10.3056\n▁ᏛᏍᏆᎸᎯ\t-10.3057\n▁ᎢᏣᎵᏍᏕᎸᏙᏗ\t-10.3058\n▁ᎢᏣᏛᎦᏅᎯ\t-10.3058\n▁ᏗᎦᎴᏂ\t-10.3058\n▁ᎠᏙᎴᎰᎯᏍᏙᏗ\t-10.3059\n▁ᎤᏂᎩᏍᏗ\t-10.3059\n▁ᎤᏛᎪᏗᏱ\t-10.306\n▁ᎢᏳᏩᏁᎸᎯ\t-10.306\n▁ᎠᎩᏅᏏᏛ\t-10.306\n▁ᏭᏂᎶᎯᏍᏗᏱ\t-10.306\n▁ᎤᏪᎵᏍᏗ\t-10.3061\n▁ᎤᏓᏙᎵᏍᏓᏁᎴᎢ\t-10.3061\n▁ᎢᏣᏓᏡᎬ\t-10.3061\n▁ᎾᏂᎦᏔᎲᎾ\t-10.3062\n▁ᎤᏁᎷᏅᎩ\t-10.3062\n▁ᎧᏃᎮᏓ\t-10.3063\n▁ᎤᏁᏍᏓᎳ\t-10.3063\n▁ᎤᏓᏙᎵᏣᏘᏳ\t-10.3063\n▁ᏦᏓᎸ\t-10.3064\n▁ᎤᏪᏙᎵᏍᏗ\t-10.3065\n▁ᎬᏩᏔᏲᏎᎴ\t-10.3066\n▁ᎢᎨᎬᏁᏗ\t-10.3067\n▁ᏙᏓᏳ\t-10.3068\n▁ᎾᎩᏪᏒᎩ\t-10.3068\n▁ᏂᎦᎵᏍᏗᏍᎨᏍᏗ\t-10.3069\n▁ᎤᏂᏇᏓᎸᎢ\t-10.307\n▁ᎪᏢᏅ\t-10.3072\n▁ᎠᎦᏍᎬ\t-10.3072\n▁ᏥᏍᏆᏯ\t-10.3072\n▁ᎤᏂᏁᎫ\t-10.3075\n▁ᏗᎦᎶᏗ\t-10.3077\nᎦᏴᎵᎨ\t-10.3079\n▁ᏙᎩᎾ\t-10.3083\n▁ᎤᎾᏕᏅᎯ\t-10.3085\n▁ᎤᏂᏃᎮᎸᎯ\t-10.3087\n▁ᏂᎬᏁᎭ\t-10.3088\n▁ᎤᎵᏬᏨᎯ\t-10.309\n▁ᎦᏁᎳ\t-10.309\n▁ᏴᎨᏥ\t-10.309\n▁ᎠᏂᏁᎵ\t-10.3092\n▁ᏚᏂᏅᏎ\t-10.3093\n▁ᏚᏁᏤᎸᎩ\t-10.3093\n▁ᏙᏧᎾᏓᏅᏛᎢ\t-10.3093\n▁ᎭᎴ\t-10.3095\n▁ᎢᏳᏛᏁᏗᏱ\t-10.3095\n▁ᎤᏪᏅᏍᏗᏱ\t-10.3096\n▁ᎤᏓᎴᏅᏛ\t-10.3099\n▁ᎤᏓᏑᏯ\t-10.3099\n▁ᎤᏰᎸᎯ\t-10.31\n▁ᎤᎾᎵᏍᏓᏴᏗᏱ\t-10.3102\n▁ᏤᎲᎩ\t-10.3102\n▁ᏄᎾᏛᏁᎴᎢ\t-10.3102\n▁ᎠᏆᏓᏅᏛ\t-10.3103\n▁ᏫᏚᏯᏅᎲᎩ\t-10.3107\n▁ᎣᎬᏒ\t-10.311\n▁ᎾᎦᏔᎲᎾ\t-10.3113\nᎦᏔᎯ\t-10.3113\n▁ᎤᏪᏅᏒᎩ\t-10.3115\n▁ᏚᏌᎳᏓᏁ\t-10.3117\n▁ᎤᏪᏙᎸᎩ\t-10.3118\n▁ᎾᏂᏪᏍᎬᎢ\t-10.3118\n▁ᎠᏥᎸᎨᎳᏍᏗᏱ\t-10.3121\n▁ᏓᏕᏲᎲᏍᎬᎢ\t-10.3126\n▁ᏧᏒᎯ\t-10.3127\n▁ᎨᎦᎫᏴᎡ\t-10.3128\n▁ᎧᏅᏑᎸ\t-10.3134\n▁ᎢᎾᎩ\t-10.3135\nᏏᏅᏓ\t-10.3136\n▁ᎤᏄᎪᏨᎩ\t-10.3137\n▁ᎠᏎᏍᎩᏂᏃᏅ\t-10.314\n▁ᎤᏰᎸᏁᎢ\t-10.3141\n▁ᎠᏨᏯᎢ\t-10.3142\nᏅᏃ\t-10.3145\n▁ᏩᎾ\t-10.3148\n▁ᎤᏂᏰ\t-10.3148\nᏓᏂ\t-10.3148\n▁ᏕᎳ\t-10.3159\nᏄᎪᏩ\t-10.318\n▁ᎤᏂᏰᎸᏁ\t-10.3182\n▁ᎠᏫᏍᎩ\t-10.3189\n▁ᎧᎪ\t-10.319\n▁ᎠᏤᎵᏍᏛᎢ\t-10.3199\nᏍᏔᏁ\t-10.3237\n▁ᏧᏙ\t-10.3238\n▁ᎤᏥᎸᏒ\t-10.324\nᏍᏛᎾ\t-10.3252\nᏁᎸᎾ\t-10.3255\n▁ᏄᏩᏁᎴᎢ\t-10.3267\n▁ᎦᏬᏂᏍᎬᎢ\t-10.3275\n▁ᎤᎶᎩᎸᎢ\t-10.3283\nᏅᏍᏗᏱ\t-10.3289\nᏓᏱᎵ\t-10.3296\n▁ᎣᎬ\t-10.3297\n▁ᎾᏋᏁᎸ\t-10.3316\nᏁᎮ\t-10.332\n▁ᏗᎦᏅᏌᏗ\t-10.3321\n▁ᎦᏰᏥ\t-10.3325\nᎨᏛ\t-10.3326\nᏆᎵ\t-10.3327\n▁ᏕᎪ\t-10.3329\n▁ᎠᏉ\t-10.3329\nᏲᎯ\t-10.3329\n▁ᏗᎪᏪᎶᏗ\t-10.3337\n▁ᏧᏬ\t-10.3338\n▁ᎤᎴᏁ\t-10.3338\nᎦᏓᏁ\t-10.3342\n▁ᏱᏏ\t-10.3367\n▁ᏕᎭ\t-10.337\nᎢᏴ\t-10.3389\nᏅᏏᏓᏍᏗ\t-10.3392\n▁ᎤᎧᏛᎢ\t-10.3406\nᎰᎵ\t-10.3428\nᏍᏓᏴ\t-10.3434\nᎦᏔᎰ\t-10.3444\n▁ᎤᎲᎢ\t-10.346\n▁ᏂᏕᎬᏁ\t-10.3475\nᏏᏆ\t-10.3476\nᏁᏆ\t-10.3482\n▁ᎩᎶᎢ\t-10.3501\nᎡᎸᎩ\t-10.3504\n▁ᎠᏲ\t-10.3514\nᏣᏛᏁᎯ\t-10.3516\nᏫᏍᏗ\t-10.353\nᏓᎳ\t-10.3533\nᏂᏌᏁ\t-10.3535\nᎾᎥ\t-10.3547\n▁ᎦᏃ\t-10.3549\nᏛᏙᏗ\t-10.3563\n▁ᏄᎵᏍᏔᏁᎮ\t-10.3568\n▁ᏱᏙᎦ\t-10.3577\nᏍᏆᏙᏅ\t-10.3579\nᏤᎵᎦ\t-10.3581\n▁ᏰᎵᏍᎨ\t-10.3583\nᎠᏈ\t-10.3588\n▁ᎢᎯ\t-10.3593\nᏥᎪᏩᏛ\t-10.3607\n▁ᎣᎩᏂ\t-10.3611\nᏗᏏ\t-10.3617\n▁ᎢᏣᏓᏅᏘ\t-10.3622\nᎦᏐᎯ\t-10.3639\nᏁᎮᎢ\t-10.3648\n▁ᎤᎲ\t-10.3653\n▁ᎢᎬᏁ\t-10.3654\nᎵᏯ\t-10.3657\nᏙᎮᏍᏗ\t-10.3681\nᎵᎪ\t-10.3687\n▁ᎩᎳᎯ\t-10.3699\nᎸᏉᏙᏗᏱ\t-10.3704\nᎾᏄᎪᏨᎯ\t-10.3718\nᎷᏣ\t-10.3731\n▁ᎡᏥᏁᏗ\t-10.3734\n▁ᎦᏅ\t-10.3736\n▁ᎤᎾᏛᎦᏁ\t-10.3739\n▁ᎢᎳ\t-10.3761\nᏍᏓᏩᏗᏙᎯ\t-10.3767\nᎪᎵᏰᎡ\t-10.3768\nᎯᏫ\t-10.3775\n▁Ꮾ\t-10.3791\n▁ᎤᎶᏒ\t-10.3791\n▁ᎤᏲᎱᏎ\t-10.38\n▁Ꮉ\t-10.3802\nᏰᏂ\t-10.3812\n▁ᎤᎶ\t-10.3812\nᏙᎸ\t-10.3814\nᏍᎦᎩ\t-10.3836\nᏅᏓᏗᏍᏙᏗ\t-10.3846\n▁ᏲᎩ\t-10.3849\n▁ᏥᎾ\t-10.3868\n▁ᏗᎾᏓ\t-10.3877\nᏍᏔᏱ\t-10.3904\n▁ᎠᏂᏐᎢᏃ\t-10.3914\n▁ᏥᏂᎦᏪ\t-10.3933\n▁ᏄᏪ\t-10.3938\n▁ᎾᎿᏉ\t-10.3959\n▁ᎠᏓᏅᏖᎵᏙ\t-10.3959\nᎨᏂ\t-10.3963\n▁ᏥᏂ\t-10.3964\nᏏᏁ\t-10.3966\nᎩᎡᎸ\t-10.3992\n▁ᎠᏍᎪᎯᏃ\t-10.4\n▁ᏫᏓᏂ\t-10.4002\nᎡᎴᎢ\t-10.4026\n▁ᏄᏂᏪᏒ\t-10.4026\nᏠᏱ\t-10.4028\n▁ᎪᏢᏒ\t-10.403\nᎠᏎ\t-10.4031\nᏰᎭ\t-10.4033\n▁ᏱᏗᎦ\t-10.4033\nᏍᏕ\t-10.4038\n▁ᎾᎬᏁᎸ\t-10.4039\n▁ᎾᏂᏪᏍᎬ\t-10.4042\n▁ᏥᏁᎸ\t-10.4046\n▁ᏣᏓ\t-10.4046\nᏗᏒ\t-10.4048\n▁ᏂᎦᎵᏍᏗᏍᎨ\t-10.4058\nᏎᎴ\t-10.4059\nᏗᏂᏅᏌᏗ\t-10.4062\nᎭᏕᏬ\t-10.4065\n▁ᎣᏓᏅᏛ\t-10.4065\n▁ᎤᏲᎯᏍᏔᏁ\t-10.407\nᎨᎵᎠ\t-10.4073\nᎪᎱᏍᏗ\t-10.4074\nᎠᏕᎸ\t-10.4076\nᎧᎵᏨᎯ\t-10.4081\nᏗᎦᏘᏯ\t-10.4084\nᎠᎩᎾ\t-10.4085\n▁ᎯᏰᎸ\t-10.4088\n▁ᎡᏙᎮ\t-10.4089\n▁ᎠᏕ\t-10.4089\n▁ᏧᏓᏅᏛ\t-10.409\n▁ᏕᎤᎴᏔᏅ\t-10.4091\n▁ᏚᏂᎸᏫᏍᏓᏁᎸ\t-10.4094\n▁ᎤᏁᎦᎸ\t-10.411\nᏠᎠᏏ\t-10.4112\n▁ᎠᏓᏁᏣᏍᏚᎶ\t-10.4112\n▁ᏧᎾᎴᎯᏐ\t-10.4113\nᎶᏐᏅ\t-10.4129\n▁ᎤᎾᎵᎮᎵᏤ\t-10.4131\n▁ᎢᏙᎻ\t-10.4133\n▁ᏏᏓᏁᎸ\t-10.4135\n▁ᏅᏲ\t-10.4136\n▁ᏧᏂᎳᏫᎢᏍᏗ\t-10.4137\n▁ᎠᏥᏍᏕᎸᏗ\t-10.4138\nᎵᏍᏗᏱ\t-10.4139\n▁ᎠᏲᎱᏒ\t-10.4141\n▁ᏣᎾᏫ\t-10.4143\n▁ᎤᎾᏕᏅ\t-10.4146\n▁ᏱᏓᏂ\t-10.4148\nᎶᎯᏍᏗᏱ\t-10.4149\nᏍᏕᎸᎯ\t-10.4151\nᎥᎩ\t-10.4153\n▁ᏗᎪᏪᎵ\t-10.4157\nᏲᎢᏴ\t-10.4157\nᎭᏄᎸᎯ\t-10.4158\nᏍᏆᏂᎪᏙᏗᏱ\t-10.4159\nrs\t-10.4159\n▁Philadelphia\t-10.416\n▁ᎠᏓᏪᎳᎩᏍᎩ\t-10.416\n▁ᏐᎵᎹᏅ\t-10.416\n▁ᏕᏦᎯᏳᏎᏍᏗ\t-10.416\n▁ᏚᏍᏆᎸᏔᏁ\t-10.416\n▁ᏱᏄᎵᏍᏔᎾ\t-10.416\n▁ᏆᎳᏆ\t-10.416\n▁ᏗᎦᏒᏍᏔᏅ\t-10.416\n▁ᎢᏦᎯᏳᎯ\t-10.416\n▁ᏇᏚᎡᎵ\t-10.416\n▁ᎤᏣᎴᏓ\t-10.416\n▁ᏗᎾᏕᏲᎲᏍᎩ\t-10.416\n▁ᏧᎴᎯᏌᏅᎯ\t-10.416\n▁ᎧᏂᎵᏯ\t-10.416\n▁ᏗᏇᏅᏒ\t-10.416\n▁ᏧᏴᏨ\t-10.416\n▁ᎤᏬᏓᎸ\t-10.416\n▁ᏚᎧᎿᏁ\t-10.416\n▁ᏓᏳᏂᎶᏒ\t-10.416\n▁ᎠᏚᎸᏗ\t-10.416\n▁ᎤᏓᏅᎵᏰᎥ\t-10.416\n▁ᎢᏗᏅᏁ\t-10.416\n▁ᏱᏣᏓᏅᏖᏗᏍᎨᏍᏗ\t-10.416\n▁ᎢᏥᏆᎵᏏ\t-10.416\n▁ᎬᏩᏠᏯᏍᏗ\t-10.4161\n▁ᎢᏧᎾᏓᎳ\t-10.4161\n▁ᏗᏥᎸᏫᏍᏓᏁᏗᏱ\t-10.4161\n▁ᏗᎦᎸᏫᏍᏓᏁᎸᎯ\t-10.4161\n▁ᎤᏓᏑᏱ\t-10.4161\n▁ᏚᏛᏛᏁ\t-10.4161\n▁ᎨᏅᎢᏍᏗ\t-10.4161\n▁ᎡᏣᏂᎵ\t-10.4161\n▁ᏕᎪᏪᎵᏍᎬ\t-10.4161\n▁ᏗᏛᏓᏅᎯ\t-10.4161\n▁ᏗᎨᏥᎾᏝᎢ\t-10.4161\n▁ᎤᏒᎯᏰᏱ\t-10.4161\n▁ᎦᏓᎷᏯᏛ\t-10.4161\n▁ᎠᎾᏛᎩᏍᎩ\t-10.4162\n▁ᏗᎬᎪᏩᏛᏗ\t-10.4162\n▁ᎠᎩᎷᏥᎸ\t-10.4162\n▁ᏱᎪᎵᎦ\t-10.4162\n▁ᎠᏍᏆᏚᎸ\t-10.4163\n▁ᎠᏂᎴᏴᏍᎩ\t-10.4163\n▁ᎠᎵᎮᎵᎬ\t-10.4163\n▁ᎤᏂᎪᎮ\t-10.4163\n▁ᏧᏓᎴᏅᎲ\t-10.4163\n▁ᎤᎾᏓᏓᏍᎬ\t-10.4163\n▁ᏂᏣᏛᎦ\t-10.4163\n▁ᎬᏩᏲᎱᎯᏍᏗ\t-10.4163\n▁ᎾᏯᏛᎡᏍᏗ\t-10.4163\n▁ᎠᏄᎦᎸ\t-10.4164\n▁ᎦᏣᏃᏍ\t-10.4164\n▁ᏥᏕᎦ\t-10.4164\n▁ᎧᏴᏐᎵ\t-10.4164\n▁ᏚᏃᏢᏅᎩ\t-10.4164\n▁ᏗᎪᏑᎴᏗᏱ\t-10.4164\n▁ᏧᏴᏢ\t-10.4164\n▁ᎤᏓᎴᏨ\t-10.4164\n▁ᏧᎴᏔᏅᎯ\t-10.4164\n▁ᎤᏄᎪᎢᏍᏗ\t-10.4165\n▁ᏥᎣᎵ\t-10.4165\n▁ᎬᏆᏛᏁᏗᏱ\t-10.4165\n▁ᎠᏓᏍᏓᏩᏗᏙᎯ\t-10.4165\n▁ᏂᏥᎦᏔᎲᎾ\t-10.4166\n▁ᏀᎢᏳ\t-10.4166\n▁ᎥᏥᎪᎥᎩ\t-10.4166\nᎳᏏᏕᎾ\t-10.4166\n▁ᎤᎾᎵᏗᎩᏛ\t-10.4166\n▁ᎤᏬᏪᎳᏅᎯ\t-10.4167\n▁ᏚᎷᏫᏍᏔᏁᎲ\t-10.4167\n▁ᎢᏧᏕᏘᏴᏛ\t-10.4167\n▁ᎠᎹᎴᎩ\t-10.4167\n▁ᏔᎸᏗ\t-10.4167\n▁ᎤᏗᏔᎲ\t-10.4167\n▁ᎢᎩᏅᏟ\t-10.4168\nᏛᏅᎢᏍᏙᏗᏱ\t-10.4168\n▁ᏍᎩᎾᏝᎢ\t-10.4169\n▁ᎤᎬᏫᏳᏎᏍᏗ\t-10.417\n▁ᎦᏅᏙᏗ\t-10.417\n▁ᏧᎾᏄᏩᎢ\t-10.417\n▁ᏄᏩᏅ\t-10.4171\n▁ᎾᏁᎲᎾ\t-10.4171\n▁ᎤᏂᏰᎸᏒᎩ\t-10.4172\n▁ᎤᏕᏁᎢ\t-10.4172\n▁ᎢᏳᏓᎵᎭ\t-10.4174\n▁ᎠᎩᏰᎸᎲ\t-10.4174\n▁ᎤᎧᎭᏛ\t-10.4174\n▁ᏭᏂᏴᎴᎢ\t-10.4175\n▁ᏩᎩᎷᏨ\t-10.4177\n▁ᎤᎴᏫᏍᏔᏁ\t-10.4177\nᏥᎯᏍᏗ\t-10.4178\n▁ᎠᎵᏥᏙᎲᏍᎨ\t-10.4179\n▁ᎤᎾᏗᏅᏗ\t-10.418\n▁ᎡᏙᎭ\t-10.418\n▁ᎤᏌᎳᏓᏅ\t-10.4182\n▁ᎨᏥᏁᎸᎯ\t-10.4183\n▁ᎥᎩᏙᏉ\t-10.4184\nᏲᎯᏎᎸᎩ\t-10.4184\n▁ᎠᏟᏍᏛᎢ\t-10.4186\n▁ᎤᏬᎯᏳ\t-10.4187\n▁ᏭᏂᎶᏒᎩ\t-10.4187\n▁ᏅᏓᎬ\t-10.4188\n▁ᎤᏪᎧᏅᎩ\t-10.4188\n▁ᎤᏅᏙᏗᏱ\t-10.4189\n▁ᏗᏂᎦᏘᏯ\t-10.4189\n▁ᎤᏕᏗᏱ\t-10.419\n▁ᎾᏍᎦᎢᎲᎾ\t-10.4192\n▁ᏄᏂᏪᏎᎸᎩ\t-10.4193\n▁ᎾᏂᎡᎢ\t-10.4193\n▁ᎤᎵᏏᏂ\t-10.4194\n▁ᏧᏬᎸ\t-10.4194\n▁ᎢᏗᎦᏪᏍ\t-10.4196\n▁ᎠᎧᎵᏬᎯ\t-10.4197\n▁ᎤᏨᏉᏗ\t-10.4198\n▁ᎤᏪᏁᎢ\t-10.4203\n▁ᏗᏟᏍᏗ\t-10.4203\n▁ᎤᏢ\t-10.4203\n▁ᏗᎦᎵᏍᏙᏗᎭ\t-10.4203\n▁ᎤᎪᏩᏛᏗ\t-10.4204\n▁ᎤᏔᎾ\t-10.4205\nᎾᏄᎪᎢᏍᏗ\t-10.4206\n▁ᏐᏓᎻᏱ\t-10.4208\n▁ᎢᎩᏁᎸᎯ\t-10.4208\n▁ᏧᏁᎳ\t-10.421\nᏗᏍᎪᏂᎯ\t-10.4211\n▁ᏓᏳᏓᎴᏅᏓ\t-10.4219\n▁ᏯᎩᎭ\t-10.422\n▁ᎢᎦᏁᎳᏅᎯ\t-10.4229\nᏁᎬ\t-10.4229\n▁ᎢᏯᎬᏁᏗ\t-10.423\n▁ᎤᏯᏅᎯ\t-10.4232\n▁ᎦᏁᏌᎢᎯ\t-10.4234\n▁ᏚᏂᎸᏫᏍᏓᏁᎸᎢ\t-10.4237\n▁ᏗᏐᎢ\t-10.4239\n▁ᎡᏙᎮᎢ\t-10.4239\n▁ᎭᎾᏂ\t-10.424\n▁ᏥᎨᏥ\t-10.4243\n▁ᎤᎾᏛᎦᏁᎢ\t-10.4245\n▁ᏓᏈ\t-10.4247\n▁ᎤᏩᏛᎮᎢ\t-10.4247\n▁ᏍᎩᎨᏳ\t-10.4251\nᏂᏯ\t-10.4251\n▁ᏗᏍᎩ\t-10.4254\n▁ᎧᎸ\t-10.4256\n▁ᏭᎷᏨᎩ\t-10.4267\n▁ᎤᏯᎢ\t-10.4268\n▁ᎡᎵᏍᎨᎢ\t-10.427\n▁ᎤᏎᎵᏔᏅ\t-10.4272\nᎡᏗ\t-10.4273\n▁ᎠᏒᎭ\t-10.4274\n▁ᎥᎵ\t-10.4277\nᎭᏲᎲ\t-10.4278\nᏓᏍᏗ\t-10.428\nᎳᏁᎢ\t-10.4282\n▁ᎤᏓᏅᏖᎸᎢ\t-10.4283\non\t-10.4285\n▁ᏕᏥᎸᏫᏍᏓᏁᎲᎢ\t-10.4293\n▁ᎬᏙᏗᏱ\t-10.4295\nᎪᎵᏯ\t-10.43\n▁ᎤᏓᏅᏛᎢ\t-10.4301\n▁ᎤᏃᎮᎴ\t-10.4301\n▁ᏇᎵᏥ\t-10.4307\n▁ᎤᏓᏅᏎᎢ\t-10.4308\n▁ᏗᎬᏗ\t-10.4317\n▁ᏚᏁᎴᎢ\t-10.4319\n▁ᎾᎾᏛᏁᎲᎢ\t-10.4322\n▁ᎢᏦᎯᏳᏒᎢ\t-10.4332\n▁ᎦᏓᏅᏖᏍᎬᎢ\t-10.4348\nᏁᎰᎢ\t-10.435\n▁ᎤᏲᎴ\t-10.4351\n▁ᎢᏦ\t-10.4353\nᎦᏨ\t-10.4354\n▁ᎠᏍᎦᎾᎢ\t-10.4361\n▁ᎠᏁᎰ\t-10.4364\n▁ᏦᎾ\t-10.4365\n▁ᏚᏁᏤᎴᎢ\t-10.4374\n▁ᎡᎲᎩ\t-10.4379\n▁ᎡᎵᎩ\t-10.4381\n▁ᏧᎴ\t-10.4384\n▁ᏌᎵ\t-10.4393\nᏍᏛᏱ\t-10.4398\nᎿᎢ\t-10.4399\nᏲᎰᏎᎸ\t-10.4402\n▁ᎤᏅᏅ\t-10.4414\n▁ᎤᏪᏅᏎᎢ\t-10.4423\n▁ᏧᎾᏄᎪᏫᏎᏗ\t-10.4429\n▁ᎠᏍᏛᎢ\t-10.4435\nᏍᎪᏃ\t-10.4436\n▁ᏅᏓᏳᎾᎵᏍᎪᎸᏔ\t-10.444\n▁ᎤᏩᏂ\t-10.4446\nᏕᏗ\t-10.4449\nᎦᏯ\t-10.4452\n▁ᏗᎬᏩᏓᏂᎸᎢᏍ\t-10.4453\n▁ᎪᏍᏔ\t-10.4469\n▁ᎩᎵ\t-10.4472\n▁ᎤᎪᎲᎩ\t-10.4485\n▁ᎠᏓᏅᏖᏍᎬᎢ\t-10.4487\n▁ᎤᎾᏄᎪᏫᏒ\t-10.4494\n▁ᎤᏪᎷᏁᎢ\t-10.4498\n▁ᏗᏂᏩᎾᎦᎳ\t-10.4502\nᏳᎵ\t-10.452\n▁ᎢᏯᏂᎢ\t-10.4531\n▁ᎢᏣᏓ\t-10.4532\n▁ᎤᎾᏙᏓᏆᏍᎬᎢ\t-10.4534\n▁ᎦᏨ\t-10.4548\n▁ᎤᏂᎬ\t-10.4552\n▁ᏗᏂᏃ\t-10.4569\n▁ᏅᏗᎦᎵᏍᏙᏗᏍᎨᎢ\t-10.4585\nᏙᎢ\t-10.4585\nᎴᏅᎯ\t-10.4586\n▁ᎠᏆᏓᏅᏖᏗ\t-10.4595\n▁ᎦᏚᏱ\t-10.4603\n▁ᎤᎩᎸ\t-10.4623\nᏓᏁᏟᏴᏛ\t-10.4623\nᎱᏍᏗ\t-10.4623\nᎲᏍᎦ\t-10.463\nᏎᎭ\t-10.464\nᎳᏏ\t-10.4644\nᏂᏫ\t-10.4649\n▁ᏚᏙ\t-10.4655\n▁ᏫᏚᎾ\t-10.466\n▁ᎤᏂᏩᏛᏗ\t-10.4661\n▁ᏙᏘ\t-10.4667\n▁Ꮮ\t-10.4691\n▁ᎠᏫᎾ\t-10.4712\n▁ᎬᏗᎭ\t-10.4716\nᏍᏆᏂᎪᏕᏍᏗ\t-10.4718\nᏁᏤᎵ\t-10.472\nᏢᏅ\t-10.4732\n▁ᏦᎦ\t-10.4751\n▁ᏗᏨᏂᏗ\t-10.4765\n▁ᎤᎾᏄᎪᏫᏎ\t-10.4769\n▁ᏣᏁ\t-10.4781\nᏥᏩᏛᎲ\t-10.4788\n▁ᏂᎦᎵᏍᏙᏗᏍᎨ\t-10.4793\n▁ᎤᎵᎮᎵᏤ\t-10.4796\n▁ᎦᏅᎨ\t-10.4799\n▁ᏚᏁᎸ\t-10.4807\nᎵᏍᎬ\t-10.4813\n▁ᎤᎬ\t-10.4818\nᏟᎶᏍᏙᏗ\t-10.482\n▁ᎠᎦᏕ\t-10.4822\nᎾᏄᎪᏫᏒᎯ\t-10.4826\n▁ᎧᏁᏉ\t-10.4828\n▁ᏗᎨᏣ\t-10.4829\n▁ᏧᏂᎵ\t-10.4837\nᎵᏍᏕᎸᏙᏗ\t-10.4844\nᏗᏍᎬᎾ\t-10.4846\nᎸᏓ\t-10.4854\n▁ᎢᏥᎩᏍᏗ\t-10.4857\n▁ᎠᏋᎭ\t-10.4878\n▁ᎠᎦᏘᏰ\t-10.4882\n▁ᎤᏁᎴ\t-10.4888\nᏏᏳ\t-10.4897\n▁ᏛᎩ\t-10.4907\nᎤᏅᏓᏕ\t-10.4912\nᏍᏕᎵᎭ\t-10.4928\n▁ᎥᏍᎩ\t-10.4931\n▁ᎤᏥᏃ\t-10.4939\nᎦᏙᎥᎯᏍᏗᏱ\t-10.4939\n▁ᎡᏣᎫᏴ\t-10.4939\nᎩᏍᎪ\t-10.4949\n▁ᎾᎦᏛ\t-10.4952\n▁Ꮏ\t-10.4964\nᏎᎸᎩ\t-10.4984\n▁ᏄᏅ\t-10.4999\nᎨᏍᏗᏗ\t-10.5003\n▁ᎤᏂᎸᏉᏗ\t-10.5016\n▁ᎢᏥᎲ\t-10.5019\n▁ᏛᏂ\t-10.5037\n▁ᏂᎯᏍᎪ\t-10.505\n▁ᎠᏲᎱᏍ\t-10.5052\n▁ᎡᎳᏪᏱ\t-10.5061\nᎢᏍᏔᏂ\t-10.5065\n▁ᏂᎬᏩ\t-10.5073\nᏚᎬ\t-10.5077\nᏁᏍᏗ\t-10.5105\nᏦᏅ\t-10.513\n▁ᏱᏫ\t-10.5142\n▁ᏣᎩ\t-10.5142\n▁ᎤᏂᏗ\t-10.5152\n▁ᏣᏆ\t-10.5153\nᏁᏟᏴᏍᏗ\t-10.5166\nᎬᏫᏳᎯ\t-10.5172\nᏂᎬᎦ\t-10.5172\nᏇᏓᎵ\t-10.5174\n▁ᎤᎧᏔ\t-10.5177\n▁ᎦᏗ\t-10.5191\n▁ᎠᏗᏍᎬ\t-10.5206\nᏲᎪ\t-10.521\nᎷᏨ\t-10.5214\n▁ᏁᎵᏍᎬ\t-10.5217\nᏎᎸᎯ\t-10.5227\n▁ᎣᏍᏗ\t-10.5227\nᎪᏩᏛ\t-10.5236\nh\t-10.5243\nᎥᎦ\t-10.5247\nᎴᏅᏛ\t-10.5258\nᏰᏌᏛ\t-10.527\n▁ᎤᏬᏂᏒ\t-10.5273\n▁ᏂᏚᏪᏎᎸ\t-10.528\n▁ᎯᎠᏉ\t-10.5281\nᎦᏔ\t-10.5298\n▁ᎾᏍ\t-10.5305\n▁ᎠᏲᏟ\t-10.5308\n▁ᏓᎵᏍᏗᎳᏁᎬ\t-10.5314\nr\t-10.5323\nᏥᎨᏳᎢ\t-10.5323\n▁ᎤᏬᎴ\t-10.5324\n▁ᏗᎦᏅᏬ\t-10.5324\n▁ᎤᏁᎵᏎ\t-10.5324\n▁ᎧᎸᎬ\t-10.5325\n▁ᎢᏕᎲ\t-10.5327\n▁ᏓᏂᎳᏫᎥ\t-10.533\n▁ᏗᏥᎦᏴᎵᎨ\t-10.533\n▁ᏓᏟᎶᏍᏛ\t-10.5331\n▁ᎤᏗᏛᎮ\t-10.5331\n▁ᎤᏚᎢᏍᏔᏅ\t-10.5333\n▁ᎢᎩᏍᎦᏅᏨ\t-10.5333\n▁ᎤᏬᏎᎴ\t-10.5333\n▁ᎤᏍᏓᎦᎸ\t-10.5334\nᎠᎹ\t-10.5335\nᏔᎾ\t-10.5337\n▁ᎠᏂᏙᎾᎡ\t-10.5338\n▁ᏚᎴᎯᏌᏅ\t-10.534\n▁ᎤᏪᎧᏁᎴ\t-10.5343\n▁ᎠᏂᎦᏴᎵᎨ\t-10.5348\n▁ᏓᏂᎧᏅ\t-10.535\n▁ᏧᎦᏴᎵᎨ\t-10.5352\n▁ᎤᏂᎦᏙᎥᏒ\t-10.5354\nᏘᏰ\t-10.5355\nᎵᏬᏨ\t-10.5355\nᏯᎠ\t-10.5355\nᎤᏍᏆᏂᎩᏗ\t-10.5356\nᏂᎦᏓ\t-10.5356\nᎬᏫᏳᏌᏕᎩ\t-10.5357\n▁ᏚᏁᏤᎸ\t-10.5368\nᎧᎵᏬᎯ\t-10.5368\n▁ᏳᏫ\t-10.537\n▁ᎤᏂᏴ\t-10.5372\n▁ᎤᏂᎩᏒ\t-10.5373\n▁ᎢᏣᏚᎵ\t-10.5375\nᏟᏂᎩᏓ\t-10.5376\n▁ᎠᏁᎮ\t-10.5376\n▁ᎤᏂᏍᏆᏂᎪᏙᏗ\t-10.5387\n▁ᎪᎹᎵ\t-10.5387\n▁ᏚᎷᏫᏍᏔᏁ\t-10.5388\n▁ᏣᎨ\t-10.5389\n▁ᎢᏥᏍᏆᏂᎪᏙᏗ\t-10.5391\n▁ᎢᏳᏅᏁᏗ\t-10.5395\n▁ᎤᎾᏅᏗ\t-10.5396\nᏔᏲᏎᎸᎩ\t-10.5396\nᎴᎯᏌᏅ\t-10.5397\n▁ᎨᏥᏁᏗ\t-10.5397\n▁ᎤᏩᏛᎮ\t-10.5399\n▁ᎤᎾᏅᏅ\t-10.5401\nᏴᏐᎵ\t-10.5406\nᎾᏓᎴᎩ\t-10.5409\n▁ᎡᏉᏄᎶᏗ\t-10.541\n▁ᎤᎭᎸᏂᎯ\t-10.541\n▁ᎤᏂᏚᏯᏍᏗ\t-10.541\n▁ᎤᏓᏏᏂᏕᎾ\t-10.541\n▁ᎤᏪᏲᏓᏛ\t-10.541\n▁ᏅᏓᎬᏴᏁᎵ\t-10.541\n▁ᏈᏯᏏᏆ\t-10.541\n▁ᏕᎨᎦᏨᏍᏗᏍᎬ\t-10.541\n▁ᏗᎾᏙᏂᏍᎩ\t-10.541\n▁ᏦᎩᎸᏫᏍᏓᏁᎯ\t-10.541\nᎦᏌᏯᏍᏕᏍᏗ\t-10.541\n▁ᎢᏰᏆ\t-10.541\n▁ᎦᎵᏦᏙᏙᏗ\t-10.541\n▁ᏆᎻᏆᏂ\t-10.541\n▁ᏚᏩᏂᎦᏢ\t-10.541\n▁ᎠᏣᏪᏐᎸᏍᏙᏗᏱ\t-10.541\n▁ᎯᎧᏅᎭ\t-10.541\n▁ᏧᏣᏲᏍ\t-10.541\n▁ᎯᎦᏙᎵ\t-10.541\n▁ᎠᎵᎮᎵᎨ\t-10.541\n▁ᎤᏓᏛᏛᏁ\t-10.541\n▁ᏧᎦᏃᏮ\t-10.541\n▁ᏂᏚᎾᏓᏪᏎᎸᎩ\t-10.541\n▁ᏫᏂᎦᎵᏍᏙᏓ\t-10.541\n▁ᏗᏉᏰᏂ\t-10.541\n▁ᏗᎾᏓᏂᏱᏍᎩ\t-10.541\n▁ᏗᎦᏃᏣᏟ\t-10.541\n▁ᎾᏂᎳᏍᏓᎸ\t-10.541\n▁ᏧᏙᎢᏓ\t-10.541\n▁ᏗᏆᎳᏏᏕᏂ\t-10.541\n▁ᏄᏬᎯᏳᏒᎾ\t-10.541\n▁ᏅᏓᎪᎯᏥ\t-10.541\n▁ᏅᏃᎱᎶᏗ\t-10.541\n▁ᏅᏩᏙᎯ\t-10.541\nᏍᎦᎣᏅ\t-10.541\n▁ᎤᏬᏞ\t-10.541\n▁ᎤᏪᏚᎲ\t-10.541\n▁ᏧᏩᏂᎦᏝᏅ\t-10.541\n▁ᎦᏣᏄᎸ\t-10.541\n▁ᏕᏥᏲᎵᎸᎭ\t-10.541\n▁ᎬᏩᏕᏁᎸᎯ\t-10.541\n▁ᏌᎶᎵ\t-10.5411\n▁ᎤᏂᎬᎥᏍᎩ\t-10.5411\n▁ᎪᏒᏔᏅ\t-10.5411\n▁ᎤᏂᎸᏉᏔᏁ\t-10.5411\n▁ᏱᏄᎵᏍᏔᏅ\t-10.5411\n▁ᎲᏗᏍᎨᏍᏗ\t-10.5411\nᎥᏍᎨᏍᏗ\t-10.5411\n▁ᎰᏪᎸᎦ\t-10.5411\n▁ᏧᏓᏘᎾᎢ\t-10.5411\n▁ᏗᎧᏁᎢᏍᏗ\t-10.5411\n▁ᎪᏢᏗ\t-10.5411\n▁ᎤᎾᏓᏑᏰᏛ\t-10.5411\n▁ᎥᎩᏅᏟ\t-10.5411\n▁ᎢᏨᏍᏗᏰᏗᎭ\t-10.5411\n▁ᎦᏯᎴᏍᏗ\t-10.5412\n▁ᎢᎬᏪᏅᏛ\t-10.5412\n▁ᎠᏓᏍᏓᏴᏗ\t-10.5412\n▁ᏕᎪᏢᏩᏗᏒ\t-10.5412\n▁ᏧᏃᏩ\t-10.5412\n▁ᏅᏓᏳᏓᎴᏅᏛ\t-10.5412\n▁ᏂᏚᏅᏏᏴ\t-10.5413\n▁ᏗᎩᏅᏒ\t-10.5413\n▁ᏄᏂᎲᎾ\t-10.5413\n▁ᏗᏁᏙᎲ\t-10.5413\n▁ᎠᏂᎾᏁᏍᎬ\t-10.5413\n▁ᏄᏠᎾᏍᏛᎾ\t-10.5413\n▁ᎤᏢᏉᏗ\t-10.5413\n▁ᏌᏈ\t-10.5414\n▁ᏚᎦᏌᏛ\t-10.5414\n▁ᎠᏆᎵᏍᏓᏴᏗ\t-10.5414\n▁ᎠᏓᏠᏍᏗ\t-10.5414\n▁ᎠᎹᏳᎶᏗ\t-10.5415\n▁ᎢᏥᏪᏍᏗᏱ\t-10.5415\nᏃᎴ\t-10.5415\n▁ᎤᏂᏑᎸᏓ\t-10.5415\n▁ᎡᏣᎸᏉᏗᏳ\t-10.5415\n▁ᎢᎠ\t-10.5415\n▁ᎬᏩᏓᏍᏕᎸᏗ\t-10.5415\n▁ᏫᎨᏥᏲᎵᎭ\t-10.5415\n▁ᎠᏂᏙᎾᎢ\t-10.5416\n▁ᏙᏗᏣᏓᏅᏛᎢ\t-10.5416\n▁ᎠᏁᏢᏔᏅᎯ\t-10.5416\nᏅᎪᏤ\t-10.5416\n▁ᎬᏁᏍᏗ\t-10.5416\n▁ᏓᎭᏃᏫ\t-10.5416\n▁ᏚᏦᎯᏍᏛ\t-10.5417\n▁ᎤᏘᏴᎯ\t-10.5417\n▁ᎠᎾᏓᏙᎵᏍᏓᏁᎯ\t-10.5417\n▁ᎡᏃᏱ\t-10.5417\nᎿᏕᎩ\t-10.5417\n▁ᎠᏯᏖᎾ\t-10.5418\n▁ᏧᏙᏓᏆᏛ\t-10.5418\n▁ᎠᎬᎭᎸᏛ\t-10.5418\n▁ᎠᏆᏓᎵᎢ\t-10.5418\n▁ᎠᏓᏪᎳᎩᏍᎬ\t-10.5418\n▁ᎢᎧᏁᎢᏍᏗ\t-10.5419\n▁ᎯᏬᏂᏍᎬ\t-10.5419\n▁ᏫᎦᎶᎯᏍᏗ\t-10.5419\n▁ᎤᏃᏍᏛ\t-10.5419\n▁ᎦᏆᏘ\t-10.5419\n▁ᎤᎶᎯᏍᏗ\t-10.5419\n▁ᎤᏍᏗᎩᏛ\t-10.5419\n▁ᎤᏂᎵᏦᏩᏛ\t-10.5419\n▁ᎤᎩᎵᏲᏨ\t-10.5419\n▁ᏥᏅᏗᎦᎵᏍᏙᏗᎭ\t-10.542\n▁ᏓᎬᏁᎵ\t-10.542\n▁ᏱᏍᎦᎢᎮᏍᏗ\t-10.542\n▁ᎤᎾᏛᏁᎸᏗ\t-10.542\n▁ᎤᏂᏍᏆᏂᎪᏒᎩ\t-10.542\nᎦᏃᎱᎩᏍᎬ\t-10.5421\n▁ᎤᏰᎸᏎ\t-10.5423\n▁ᏗᏓᏬᏍᏗ\t-10.5423\n▁ᎬᏩᏃᏁᎴ\t-10.5424\n▁ᎠᎪᏎᎮᏍᏗ\t-10.5424\n▁ᎦᎵᎡᎵᎦ\t-10.5424\n▁ᎹᎾ\t-10.5424\nᎳᎩᏒ\t-10.5425\n▁ᎢᎪᎯ\t-10.5425\n▁ᎠᏂᏯᎢ\t-10.5426\n▁ᏕᎬᏗᏍᎬ\t-10.5427\n▁ᎤᏛᏅᎢᏍᏔᏁ\t-10.5427\n▁ᎢᏥᏁᏍᏗ\t-10.5427\n▁ᎮᏂᎵ\t-10.5429\n▁ᎠᏓᏰᎨᏍᏗ\t-10.543\n▁ᎠᏴᏤᏂ\t-10.543\n▁ᎠᎪᏔᏅᎯ\t-10.543\n▁ᎤᏃᎯᏳᏗᏱ\t-10.543\n▁ᎠᎦᎸᏓ\t-10.5431\n▁ᎠᏥᏅᏏᏛ\t-10.5431\n▁ᏳᏚᎵ\t-10.5431\n▁ᏧᎾᏄᎪᏫᏒᎯ\t-10.5432\n▁ᎩᎾᎵᎢ\t-10.5433\n▁ᎭᏂᏣ\t-10.5433\n▁ᏕᎧᏁᏤ\t-10.5434\n▁ᏮᏛ\t-10.5435\n▁ᎠᏂᎯᏗ\t-10.5437\n▁ᎤᎾᎦᏙᏍᏕᎢ\t-10.5438\n▁ᏯᏗᎭ\t-10.5438\n▁ᎧᏃᎩᏍᏗ\t-10.5439\nᎲᏍᎬᎾ\t-10.544\n▁ᏄᎾᎵᏍᏓᏁᎸ\t-10.544\n▁ᎤᎾᏕᏗᏱ\t-10.544\n▁ᎠᏲᏙᏗ\t-10.5441\n▁ᏗᎵᏍᎪᎸᏓᏁᎸᎯ\t-10.5442\n▁ᎠᏥᎳ\t-10.5443\n▁ᎤᏂᏩᏛᎮ\t-10.5443\n▁ᎠᏇᏅᏍᏗ\t-10.5444\n▁ᏥᏍᎪᎵ\t-10.5448\nᏰᎢᎵᏓᏍᏗ\t-10.5448\nᏓᏅᏖᏗ\t-10.5448\n▁ᏕᏥᏁᎸ\t-10.545\n▁ᎤᏂᎩᏍᏗᏱ\t-10.5452\n▁ᎤᏂᏁᎬ\t-10.5452\n▁ᏬᎩᎷᏨᎩ\t-10.5455\n▁ᎤᏗᏗᏢ\t-10.5456\n▁ᎤᏡᏗᏍᎩ\t-10.5456\n▁ᏙᏥ\t-10.5457\n▁ᎠᎬᏗᏍᎬᎢ\t-10.5458\n▁ᎡᎮᎾ\t-10.5459\n▁ᎧᏫ\t-10.546\n▁ᎠᎴᏂᏍᎩ\t-10.5462\n▁ᎠᏓᎴᏂᏍᎬ\t-10.5462\nᏓᏁᎮ\t-10.5463\n▁ᎠᏂᎩᏍᎬ\t-10.5463\nᏲᎾ\t-10.5464\nᎤᏲ\t-10.5465\n▁ᏧᏁᏤᎢ\t-10.5465\n▁ᎤᏪᏅᎩ\t-10.5465\n▁ᏗᏥᎾᏫᏱ\t-10.5465\nᏓᏴᎳᏛ\t-10.5465\n▁ᎦᏟᎮ\t-10.5465\n▁ᎠᎪᎵᏰᏗ\t-10.5466\nᏛᏁᎲ\t-10.5468\n▁Ꮺ\t-10.5474\n▁ᎤᏰᎸᎭ\t-10.5474\nᏯᏔᎮᏍᏗ\t-10.5476\n▁ᏗᎧᏂᎨ\t-10.5476\n▁ᏓᏍᏛᎢ\t-10.5477\n▁ᎤᏌᎯᎸᎢ\t-10.5477\n▁ᏗᏁᎯ\t-10.548\n▁ᏕᏣᎧ\t-10.548\n▁ᏎᏉ\t-10.5481\n▁ᏄᏛᏅᎢ\t-10.5481\nᏍᏛᎢ\t-10.5482\n▁ᎠᏥᏛᏙᏗ\t-10.5482\n▁ᎾᏆᏍᏛ\t-10.5483\n▁ᏓᏆᎧᎾᏅ\t-10.5486\n▁ᎠᏯᎥ\t-10.549\nᏯᏅ\t-10.549\n▁ᎢᎩᏍᎦᏅᏨᎢ\t-10.549\n▁ᎤᏂᏁᏨᎩ\t-10.5495\n▁ᎤᎾᏓᏅᏎ\t-10.5495\n▁ᎦᏓᏍᎬᎢ\t-10.5496\n▁ᎮᏓ\t-10.5497\n▁ᎤᎴᏅᎩ\t-10.5506\n▁ᏓᏤᎸ\t-10.5514\n▁ᏙᏯ\t-10.5517\n▁ᎦᏁᏟᏴᏍᏗ\t-10.5525\n▁ᏚᏩᏛᎮ\t-10.5531\n▁ᎦᏄᎸᏒ\t-10.5532\n▁ᏗᎪᏢ\t-10.5534\n▁ᏅᎵᏌᎵᏉ\t-10.5536\n▁ᎤᏂᎩᏎᎢ\t-10.5541\nᏂᏍᏙᏗ\t-10.5541\n▁ᎣᏒ\t-10.555\n▁ᎬᎨᏳᎢ\t-10.5559\n▁ᎤᏂᎪᎲᎯ\t-10.5562\n▁ᏏᎳ\t-10.5563\n▁ᏣᏚᎵᏍᎬ\t-10.5566\nᎠᏆ\t-10.5566\nᏐᏉ\t-10.557\n▁ᏮᏓ\t-10.557\n▁ᎤᏩᏔᏅ\t-10.5575\nᏃᎮᎸ\t-10.5576\nᏕᏯᏙᏔᏅᎩ\t-10.5576\nᎥᏏ\t-10.5583\n▁ᎠᏍᏘ\t-10.5584\n▁ᎤᏍᏉᏟ\t-10.5585\n▁ᎦᎬᏩ\t-10.5587\n▁ᏗᎦᏅ\t-10.5587\n▁ᎤᏁᎳ\t-10.5592\nᏥᎶᏏ\t-10.5593\nᏔᏂᏓ\t-10.5595\n▁ᎦᏅᏅᎢ\t-10.5597\n▁ᎪᏪᎸᎩ\t-10.5598\n▁ᎠᎵᏍᏆᏗᏍ\t-10.5603\n▁ᎤᏁᏒ\t-10.5608\n▁ᎤᎦᏃ\t-10.561\n▁ᏓᎶᏂᎨᎢ\t-10.562\n▁ᏨᏗ\t-10.5621\n▁ᏄᏓᎴᎯ\t-10.5644\n▁ᎡᏍᎦᏂ\t-10.5646\n▁ᎤᏬᎸᎢ\t-10.565\nᎧᏏ\t-10.5657\n▁ᎠᎦᏙ\t-10.5663\n▁ᎠᏂᏲ\t-10.5664\nᎪᎲ\t-10.5665\nᏙᎳ\t-10.5669\n▁ᎤᏭ\t-10.568\nᏦᏩᏛ\t-10.5688\n▁ᎠᏂᏍᎦᎾᎢ\t-10.5699\nᎸᏉᏛᎾ\t-10.5699\n▁ᏄᏍᏕᎢ\t-10.5701\nᎯᏳᎲᏍᎦ\t-10.5705\n▁ᎮᎯ\t-10.5709\nᎡᎵᏍᏗ\t-10.571\n▁ᏅᏗ\t-10.5711\n▁ᎠᏓᏙᎵᏍᏙᏗ\t-10.5711\n▁ᎤᎦᏛ\t-10.5715\n▁ᎤᏁᏤᎸᎢ\t-10.5716\n▁ᏄᎵᏍᏔᏂᏙᎸᎢ\t-10.572\nᎯᏯ\t-10.5722\nᎬᎾᎨ\t-10.5737\n▁ᏲᏥ\t-10.5737\nᏍᎦᏃᎳ\t-10.5737\n▁ᎥᏣ\t-10.5739\n▁ᏅᏩᏍᏛ\t-10.5742\n▁ᏚᏬ\t-10.5753\n▁ᎤᎾᏛᎦᏅᎩ\t-10.5753\nᎩᏍᏗᏱ\t-10.5754\nᎧᏅ\t-10.5754\nᎵᎹ\t-10.5757\n▁ᎲᎦ\t-10.5761\n▁ᎵᏏ\t-10.5762\n▁ᏕᏅ\t-10.5764\nᏍᏙᏗᏱ\t-10.5764\n▁ᎧᎵ\t-10.5779\n▁ᎢᏥᎩ\t-10.5785\n▁ᏱᎾ\t-10.5786\nᎾᏉ\t-10.5789\nss\t-10.579\n▁ᎤᏍᎪ\t-10.5792\nᏦᏰᏂ\t-10.5811\n▁ᎤᏩᏁ\t-10.5817\nᏯᏅᎲᎩ\t-10.5834\n▁ᎯᏁᎸ\t-10.5836\ns\t-10.5838\nᏞ\t-10.5846\n▁ᎢᏣᏟᏂᎬᏁ\t-10.5855\n▁ᎠᏂᏔᎵᎭ\t-10.5859\n▁ᏥᎪᎥ\t-10.5881\nᏙᎵᏨ\t-10.5891\n▁ᎬᏩᏍᏓᏩᏗ\t-10.5905\n▁ᏣᏛ\t-10.5906\n▁ᎤᎵᏍᏚᎢ\t-10.5909\n▁ᎾᏕᏘᏴ\t-10.5915\n▁ᎤᏗᏔᏍᏗ\t-10.5916\nᎴᏃ\t-10.5922\n▁ᏗᎲ\t-10.5923\nᏬᏂᏍᎬ\t-10.5931\nᏓᏅᏖᎴ\t-10.5938\n▁ᏙᏉ\t-10.5941\nᏥᏃᎮᏍᎩ\t-10.5944\nᏰᎸᎭ\t-10.5945\nᏫᏒ\t-10.5946\n▁ᎤᏂᎷᏤᎸ\t-10.5957\n▁ᏱᏕ\t-10.5965\nᏘᏃᎮᎸᎩ\t-10.5991\n▁ᏓᏲ\t-10.5993\nᏦᏢᏙᏗ\t-10.6004\n▁ᎠᏌ\t-10.6014\nᏰᎸᎲ\t-10.6016\n▁ᎠᎩᏰᎸᏅ\t-10.6018\n▁ᎨᎩ\t-10.6024\nᏰᎸᏗ\t-10.6034\nᏍᏚᎢᏒ\t-10.6038\nᎶᏏ\t-10.6058\n▁ᏑᎾᎴᏉ\t-10.6077\nᏏᎾᏌᏂ\t-10.6078\nᏴᎵ\t-10.6079\n▁ᎢᏣᎵᎮᎵ\t-10.6089\n▁ᏥᏁ\t-10.6105\nᏣᎵᏍᏙ\t-10.6106\n▁ᎤᏪᏅᏎᏃ\t-10.6114\n▁ᏍᎦ\t-10.6116\n▁ᏗᎫ\t-10.6127\n▁ᎤᏁᏅ\t-10.614\nᎦᏘᏴ\t-10.6156\n▁ᎬᏩᎪᏩᏛ\t-10.6156\n▁ᎠᏁᎶᎯ\t-10.616\n▁ᏧᏄᏬ\t-10.6167\n▁ᏚᏃ\t-10.6168\n▁ᎬᎾ\t-10.6168\nᏍᏔᏅᎭ\t-10.617\nᎯᏓ\t-10.6173\n▁ᏕᎦᏅ\t-10.6178\n▁ᎠᎦᏔᎮ\t-10.618\n▁ᎦᏂᏏ\t-10.618\nᎷᏤᎸ\t-10.6206\nᏁᏎᎢ\t-10.6206\n▁ᏱᏂᎬ\t-10.6214\n▁ᏚᏂᏲ\t-10.6221\n▁ᏗᎩᎦ\t-10.6236\nᏕᎬ\t-10.6251\nᎾᏄᎪᏩ\t-10.6259\n▁ᎤᎦ\t-10.6262\nᏁᎸᎭ\t-10.6262\nᎳᏕ\t-10.6265\nᏛᏁᎵ\t-10.6266\nᏍᏖ\t-10.6269\n▁ᏓᏂᎸ\t-10.6314\n▁ᎤᏂᎶᏒ\t-10.6322\nᏏᎳ\t-10.6329\nᎤᏍᏗ\t-10.6329\n▁ᏗᎩᏲᎯ\t-10.6335\nᏭ\t-10.6349\nᏣᎵ\t-10.6354\nᏦ\t-10.6357\n▁ᎯᏍᎩᎦᏚ\t-10.6369\nᏣᏅᎩ\t-10.6378\nᏙᎬ\t-10.6379\n▁ᏱᏍᎩ\t-10.6392\n▁ᎤᏰ\t-10.6394\nᏅᏓᏗᏍᏗ\t-10.6401\nᏛᏔᏂ\t-10.6419\n▁ᎤᏍᏆᏂᎪᏙᏗ\t-10.6432\n▁ᎤᏩᏒᏍᎩᏂ\t-10.6438\n▁ᎠᏓᏅ\t-10.644\n▁ᏫᏨᏲᏪᎳ\t-10.6448\n▁ᎾᏓ\t-10.6457\n▁ᏄᏬ\t-10.6462\n▁ᏥᎦᏔᎲ\t-10.6463\n▁ᏂᏨ\t-10.6467\nᏲᏍᏔᏂ\t-10.6473\n▁ᏓᎨᏣ\t-10.6477\nᏋ\t-10.6479\nᏢᎢ\t-10.6479\n▁ᎤᎾᏕ\t-10.6484\nᎾᏄᎪᏫᏎᎸ\t-10.6494\n▁ᏂᎦᎥᎩ\t-10.6495\n▁ᏚᏂᎧᎵ\t-10.6507\nᎢᏍᏙᏗ\t-10.6521\nᏩᏛ\t-10.6535\nᏩᏒ\t-10.6543\n▁Ꮝ\t-10.6547\n▁ᏈᎵ\t-10.6552\n▁ᎢᏍᏓ\t-10.6554\nᏠᏍᏗ\t-10.6555\nᎵᏙᎴ\t-10.6564\nᎯᎯ\t-10.6584\n▁ᏕᏨ\t-10.6584\n▁ᏥᏚᏂ\t-10.6592\nᏥᎪᏩᏛᏗᏱ\t-10.6593\nᏆᏏ\t-10.6596\nᏘᏃᎸ\t-10.6597\nᏇᏅ\t-10.66\nᏍᏓᏱ\t-10.6606\nᏴᏗ\t-10.6606\n▁ᎤᎭ\t-10.6612\nᎸᏛ\t-10.663\n▁ᎤᎾᎩᎸ\t-10.6632\nᏁᏨ\t-10.6635\nᏨᏗ\t-10.666\n▁ᎤᏍᏗᏉ\t-10.6668\nᏍᏗᏍᎩ\t-10.6679\nᎪᏛ\t-10.6679\n▁ᎬᏩᏓ\t-10.6689\nᎴᎣ\t-10.6693\n▁ᎤᏃᎮᎸ\t-10.6701\n▁ᎢᏥᏠ\t-10.6706\nᏍᏚ\t-10.6718\n▁ᎤᎵᎮᎵᏨ\t-10.6726\nᏬᎥ\t-10.6734\n▁ᏂᏣᏛᏁᎲ\t-10.6735\nd\t-10.674\n▁ᎤᏂᏙ\t-10.6741\n▁ᏚᎾᏄᎪᏫᏎᎴ\t-10.6745\n▁ᎦᎦᎶ\t-10.6749\n▁ᏓᏂᏙᎨ\t-10.6751\nᏧᏍᏆᏴᏍᏗ\t-10.6751\n▁ᏙᏓᏆᏍᎬ\t-10.6751\nᏗᎦᎵᎠᏅᎯᏛ\t-10.6754\n▁ᏤᎲ\t-10.6755\n▁ᏕᎦᎶᎨᏒ\t-10.6755\nᏑᎾᎴ\t-10.6757\n▁ᎤᏦᏱᎴ\t-10.676\n▁ᏭᏂᎶᏎ\t-10.6763\n▁ᎤᏌᎯᎸ\t-10.6765\n▁ᏕᏣᏓᏅᏛ\t-10.6765\n▁ᎧᏁᏌ\t-10.6767\n▁ᎠᏍᏆᎵᏍᎬ\t-10.6768\n▁ᎤᏓᏑᏴ\t-10.6769\n▁ᎤᎾᏄᎪᏫᏎᎴ\t-10.677\n▁ᏗᏧ\t-10.677\nᏍᏆᏂᎪᏔᏂ\t-10.6771\n▁ᏙᏓᎬ\t-10.6772\nᎢᎦ\t-10.6772\n▁ᏄᎾᏛᏁᎴ\t-10.6773\nᎤᏙᎯᏳᎯ\t-10.6774\nᎳᏁ\t-10.6774\n▁ᎠᏂᏍᎦᎢᎲ\t-10.6776\nᏔᏲᏍᏗ\t-10.6778\n▁ᎤᏂᏴᎮ\t-10.6779\n▁ᏂᎨᏎ\t-10.678\n▁ᎤᏪᏴ\t-10.678\n▁ᏧᎵᏏ\t-10.678\nᏠᏨ\t-10.678\nᏓᎴᏂᏍᎬ\t-10.6781\nᏍᏈᏯ\t-10.6782\n▁ᎠᎫ\t-10.6786\n▁ᏬᎩᎷᏨ\t-10.6786\n▁ᏂᎦᏅᎯᏒ\t-10.6788\nᎦᎸ\t-10.6789\n▁ᎦᎢᏒ\t-10.6793\n▁ᎡᎵᏍᎬ\t-10.6795\nᎬᏁᎵ\t-10.6795\n▁ᎾᏯᏛᎥ\t-10.6795\n▁ᏕᎦᎧᎲ\t-10.6801\nᏓᏂᎸᎢᏍᏗ\t-10.6802\n▁ᎤᏁᏝᏅ\t-10.6804\nᏰᎸ\t-10.6805\n▁ᏓᎩᎸᏫᏍᏓᏁᎲ\t-10.6806\n▁ᏚᏩᏂᎦᎸ\t-10.6807\n▁ᎤᏁᎢᏍᏔᏅ\t-10.6809\nᎸᏫᏍᏓᏁᏗ\t-10.681\nᎵᏍᏓᏴᏙᏗ\t-10.6811\n▁ᏧᏭᎪᏙᏗ\t-10.6812\n▁ᎤᎾᏂᎩᏒ\t-10.6816\nᎦᎵᎷᎨᏍᏗ\t-10.682\n▁ᎥᏞ\t-10.6823\n▁ᏂᎦᏛᏁᎲ\t-10.6823\n▁ᎪᎵᏍᏗ\t-10.683\nᎦᏘᏕᎯ\t-10.6832\n▁ᏧᏂᎸᏫᏍᏓᏁᏗ\t-10.6834\n▁ᎠᏩᎾᎦᎳ\t-10.6837\n▁ᏥᎦᏘᏏ\t-10.6838\n▁ᎠᎵᏏᎾᎯᏍᏔᏅᎯ\t-10.6838\n▁ᎠᏂᏰᎪᎩ\t-10.6838\n▁ᎠᏲᏓᏌᎲ\t-10.6838\n▁ᎤᎾᏗᏍᎦᏟ\t-10.6838\n▁ᎤᏩᎭᏂᎴ\t-10.6838\n▁ᏂᎩᏪᏎᎸᎭ\t-10.6838\n▁ᏅᏧᏓᎴᏅᎲᎾ\t-10.6838\n▁ᏗᏦᏪᎵᏍᎩ\t-10.6838\n▁ᎠᏐᎥᏍᏙᏗ\t-10.6838\n▁ᏅᏛᏆᏓᎴᏅᎯ\t-10.6838\n▁ᏏᎵᏆ\t-10.6838\n▁ᏣᏓᏲᏁᎸᎩ\t-10.6838\n▁ᎠᎾᏓᏍᎦᎶᎩ\t-10.6838\n▁ᎦᏅᏃᏩ\t-10.6838\n▁ᏅᏥᏪᏎᎸᎩ\t-10.6838\n▁ᎤᏚᏓᎴᏛ\t-10.6838\n▁ᎠᏓᏪᎯ\t-10.6838\n▁ᏄᎾᏓᎡᏍᏗ\t-10.6838\n▁ᏦᏑᏫ\t-10.6838\n▁ᎤᏪᏐᏅᏴ\t-10.6838\n▁ᎤᏛᎴᎮ\t-10.6838\n▁ᎤᎿᎷᏒᎩ\t-10.6838\n▁ᎢᏣᏛᏓᏍᏓ\t-10.6838\n▁ᎢᎳᎩᏳ\t-10.6839\nᏲᎦ\t-10.6839\n▁ᎠᎪᏕᏍᎩ\t-10.6839\n▁ᏧᏁᎿᎢ\t-10.6839\n▁ᎠᏍᎩᏓᏍᎬ\t-10.6839\n▁ᏤᏆᎳᏂ\t-10.6839\n▁ᏧᏁᎵᏁ\t-10.6839\n▁ᎨᎴᏏᏱ\t-10.6839\n▁ᎤᎵᏏᏂᏕᏅ\t-10.6839\n▁ᎤᎵᏲᏗ\t-10.6839\n▁ᎢᎪᏪᎳ\t-10.6839\n▁ᏕᏥᏃᎩᏍᎨᏍᏗ\t-10.6839\n▁ᎾᎨᎢᏴ\t-10.6839\n▁ᎠᎾᏓᏍᏓᏩᏗᏙᎯ\t-10.6839\n▁ᎤᏂᎩᎵᏲᎢᏍᏗ\t-10.6839\n▁ᏓᏲᏤᏏ\t-10.6839\n▁ᏔᏘᏄᎦ\t-10.6839\n▁ᎠᎾᎵᏍᏕᎵᏍᎩ\t-10.6839\n▁ᏱᏂᎬᏁᎭ\t-10.6839\n▁ᎠᏓᏅᏖᏍᎪ\t-10.6839\n▁ᏂᎩᏪᏏ\t-10.6839\n▁ᏚᎨᏓᎵᏴ\t-10.6839\n▁ᎠᎾᏓᏤᎵ\t-10.6839\n▁ᎠᏦᎳᏅ\t-10.6839\n▁ᏕᏥᎧᎿᏩᏗᏙᎮᏍᏗ\t-10.6839\n▁ᏚᏍᏓᎦᎸ\t-10.684\n▁ᏱᏤᎵᎯᏍᎨᏍᏗ\t-10.684\n▁ᏗᎦᎶᏔᏅ\t-10.684\n▁ᏚᎭᏄᏮ\t-10.684\n▁ᏗᎧᏃᎩᏍᏙᏗ\t-10.684\n▁ᏧᎾᎬᏩᎶᏗ\t-10.684\n▁ᎤᏭᏢᏔᏅᎩ\t-10.684\nᏘᏯᏍᏓᏁ\t-10.684\n▁ᏗᎾᎢᏒ\t-10.684\n▁ᏕᎪᏪᎴᏍᏗ\t-10.684\n▁ᎤᏁᏉᏨ\t-10.684\n▁ᏫᏗᎶᎯ\t-10.684\n▁ᏓᎦᏛᏁᎵ\t-10.684\n▁ᏄᏪᎲᎾ\t-10.684\n▁ᎢᏦᎯᏳᏗᏱ\t-10.684\n▁ᎤᏛᎦᏍᏕ\t-10.684\n▁ᏓᏱᎾ\t-10.684\n▁ᎮᎵᎠ\t-10.6841\n▁ᎠᏓᏲᏁᎮᏍᏗ\t-10.6841\n▁ᎡᏥᏅᏏᏓᏍᏗ\t-10.6841\n▁ᎢᎬᏛᏁᏗ\t-10.6842\n▁ᎣᎦᏚᎵᎭ\t-10.6842\n▁ᏥᏚᏳᎪᏗ\t-10.6842\n▁ᏧᏂᎶᎸᏗ\t-10.6842\n▁ᎨᏥᏍᏕᎸᏗ\t-10.6842\n▁ᎠᎫᏩᏌ\t-10.6842\n▁ᎦᏂᎩᎸ\t-10.6842\n▁ᎢᏯᏥᎸᏉᏗ\t-10.6842\n▁ᎤᎬᎥᏍᎩ\t-10.6842\n▁ᏰᏙᎭ\t-10.6842\n▁ᎠᏂᎪᎲᎭ\t-10.6842\n▁ᎠᏰᏟ\t-10.6843\n▁ᎿᏛᎦ\t-10.6843\n▁ᎬᏬᎯᏳᏅᎩ\t-10.6843\n▁ᏧᏂᏁᏟᏴᏍᏗ\t-10.6843\n▁ᏣᎦᏨᏍ\t-10.6843\n▁ᎤᎴᏴᏒ\t-10.6843\n▁ᎠᏍᏕᏯᏓ\t-10.6844\n▁ᎢᏳᏪᏎᎸᎯ\t-10.6844\n▁ᎲᏓ\t-10.6844\n▁ᏓᎭᏏ\t-10.6844\n▁ᏍᎩᏍᏓᏩᏚᎦ\t-10.6844\n▁ᎤᏂᎪᏩᏛᏗᏱ\t-10.6844\n▁ᎯᎸᏉᏓ\t-10.6844\n▁ᏣᏙᎳᏅᏍᏗ\t-10.6844\n▁ᎤᏕᎶᎰᏒ\t-10.6844\n▁ᎭᏓᏅᎾ\t-10.6845\n▁ᏗᎫᎪᏗᏍᎩ\t-10.6845\n▁ᎤᎶᏗᏢ\t-10.6845\n▁ᏂᏴᏁᎸ\t-10.6845\n▁ᏂᏣᏛᎿᏕᎬᎢ\t-10.6845\n▁ᏗᎪᏢᏅᎯ\t-10.6845\n▁ᏑᏓᎵᏍᎪᎯ\t-10.6846\n▁ᎢᎩᏁᎸ\t-10.6846\n▁ᎠᏍᎩᏗᏍᎨᎢ\t-10.6846\n▁ᎢᏣᏚᎵᏍᎨᏍᏗ\t-10.6846\n▁ᏚᏯᏪᎨ\t-10.6846\n▁ᎢᏥᏯᎡᏍᏗ\t-10.6846\n▁ᏍᏈᏍᏔ\t-10.6846\n▁ᏗᏣᎧᏅᎦ\t-10.6846\n▁ᏫᏥᎷᏨᎭ\t-10.6847\n▁ᎢᏣᎵᎮᎵᎨᏍᏗ\t-10.6847\n▁ᎨᏥᏅᏒᎯ\t-10.6847\n▁ᏥᏣᏛᎩᎭ\t-10.6847\n▁ᏗᎩᎸᏫᏍᏓᏁᏗᏱ\t-10.6847\n▁ᏇᏗᏂᏱ\t-10.6848\n▁ᎶᎻ\t-10.6848\n▁ᎡᏥᏯᏅᏛ\t-10.6848\n▁ᎠᏠᏗᏱ\t-10.6848\n▁ᎤᏍᏆ\t-10.6848\n▁ᏎᏘ\t-10.6848\n▁ᏧᎳᏍᎩ\t-10.6849\n▁ᎤᎾᏛᏅᎩ\t-10.6849\n▁ᏧᎷᏫᏍᏔᏁᏗ\t-10.6849\n▁ᎠᏂᎦᏲᏟ\t-10.6849\n▁ᏗᏣᏓᎴᏅᏛ\t-10.6849\n▁ᏈᎵᏏ\t-10.685\n▁ᏍᎪᏁ\t-10.6851\n▁ᎠᎩᎵᎨᏂ\t-10.6851\n▁ᎤᏁᎯ\t-10.6851\n▁ᎠᏂᏴᎩ\t-10.6851\n▁ᎤᎾᏓᏙᎵᏍᏓᏁᎸᎩ\t-10.6851\n▁ᎦᏃᏙᏗᏱ\t-10.6853\n▁ᎪᎯᎢᏴ\t-10.6854\n▁ᎢᎦᎵᏍᏙᏗᏱ\t-10.6854\n▁ᏚᏃᎸ\t-10.6855\n▁ᎢᏨᏃᎮᎮᎸ\t-10.6855\n▁ᏂᏨᎦ\t-10.6856\n▁ᎢᎦᎦᏓ\t-10.6858\n▁ᎪᎰᏍ\t-10.6858\n▁ᎤᏓᏙᎵᏣᏛ\t-10.6859\n▁ᎠᏨᏍᏛ\t-10.6859\n▁ᎹᎦ\t-10.6859\n▁ᏓᎾᏕᏲᎲᏍᎬ\t-10.686\n▁ᏄᏩᏁᎰ\t-10.686\n▁ᎤᎦᏔᏔᏅᎯ\t-10.6861\n▁ᎤᏃᎯᏳᏅᎯ\t-10.6863\n▁ᎠᏓᏁᏣᏍᏚᎶᎩᎯ\t-10.6863\nᎡᎸ\t-10.6864\n▁ᎠᏍᎫᏕᏍᏗᏱ\t-10.6865\n▁ᎤᏰᏨ\t-10.6865\n▁ᏯᏂᎦᏔᎮ\t-10.6866\n▁ᏥᏁᎦ\t-10.6867\n▁ᎤᏛᏒᎯ\t-10.6867\n▁ᎢᏍᏕᎾ\t-10.6867\n▁ᏗᏘᏲᎯ\t-10.6867\n▁ᏃᎩᏪᏎᎸ\t-10.6869\n▁ᎠᎦᏔᎯᏳ\t-10.6869\n▁ᎤᏓᏴᏎᎢ\t-10.6869\n▁ᏧᏓᎴ\t-10.6869\n▁ᏥᏙᎦ\t-10.687\n▁ᎬᏩᏛᏗ\t-10.6871\n▁ᎤᏪᎧᏁᎢ\t-10.6871\n▁ᎤᎾᏕᏗ\t-10.6872\n▁ᏥᎪᏩᏘᏍᎬ\t-10.6873\n▁ᎤᏁᏉᏨᎯ\t-10.6873\n▁ᏓᎧᏅ\t-10.6873\n▁ᎩᎳᎯᏳ\t-10.6873\n▁ᎤᎾᏄᎪᎢᏍᏗ\t-10.6873\n▁ᎤᏂᎾᏫ\t-10.6875\n▁ᏇᎵᎩ\t-10.6875\n▁ᎪᏪᎴ\t-10.6875\n▁ᎤᏃᎯᏳᏅᎩ\t-10.6875\n▁ᏓᏨᏁᎵ\t-10.6876\n▁ᎡᎦ\t-10.6878\n▁ᎤᎪᏩᏛᏗᏱ\t-10.6878\n▁ᎨᎵᏍᎩ\t-10.6879\n▁ᏗᎦᏥ\t-10.6879\n▁ᏥᏯᎵᎡᎵᏤ\t-10.6879\nᏁᏉᏥ\t-10.688\n▁ᎡᏓᏍᏗ\t-10.6881\n▁ᎤᎾᏛᎪᏗᏱ\t-10.6881\n▁ᎤᏪᏍᎩᎸᎢ\t-10.6881\n▁ᏫᏥᎦᏛᎢ\t-10.6881\n▁ᏧᏓᎵᎢ\t-10.6882\n▁ᎤᎩᏒᎩ\t-10.6882\n▁ᎠᏂᏃᎮᎭ\t-10.6883\n▁ᏂᏚᏩᏁᎴᎢ\t-10.6883\n▁ᎤᏍᏆᏂᎪᏛ\t-10.6883\n▁ᎻᎳ\t-10.689\n▁ᎢᎦᎵᎢ\t-10.689\n▁ᎾᏯᏛᎥᎩ\t-10.6891\n▁ᎤᏓᏙᎵᏍᏔᏁᎢ\t-10.6892\n▁ᏗᎾᏓᎪᎾᏗᏍᎬᎢ\t-10.6893\n▁ᎠᎾᏓᎪᎾᏗᏍᎬᎢ\t-10.6893\nᏍᎦᏎᏗ\t-10.6893\n▁ᎤᎾᏂᎩᏒᎩ\t-10.6894\n▁ᎦᏓᏙᎵᏍᏗᏍᎬᎢ\t-10.6894\n▁ᎢᎪ\t-10.6895\n▁ᎢᏳᏒᎯ\t-10.6896\n▁ᎠᎦᏍᎩ\t-10.6898\nᏅᏬᏗᏱ\t-10.6901\n▁ᏥᏰᎸᎢ\t-10.6902\n▁ᎤᏬᏢᏅ\t-10.6902\n▁ᎣᎵᏩᏲ\t-10.6905\nᏓᏛᏍᎩ\t-10.6906\n▁ᎤᏇᏓᎵᏉ\t-10.6906\n▁ᎤᎾᏂᎩᏎᎢ\t-10.6907\n▁ᎤᎾᏓᏅᏖᎴ\t-10.6907\n▁ᎤᏩᏔᏅᎩ\t-10.6907\nᏂᏓᏍᏗ\t-10.6907\n▁ᎤᏂᏣᏖᏍᏗ\t-10.6908\n▁ᎠᏆᏣ\t-10.6909\n▁ᎤᎩᏎᎢ\t-10.6914\n▁ᏚᏩᏂᎦᎸᎢ\t-10.6917\n▁ᎤᏦᏱᎴᎢ\t-10.6917\n▁ᎤᎵᏍᏆᏛ\t-10.6918\n▁ᎠᎢᏒᎩ\t-10.6921\n▁ᎤᎾᏓᏅᏖᎸ\t-10.6922\n▁ᎦᏯᎸ\t-10.6923\nᏓᏂᎸᎩ\t-10.6924\n▁ᏥᏄᏍᏕ\t-10.6925\n▁ᏣᏗᎭ\t-10.6931\n▁ᎤᏍᎪᏒ\t-10.6932\n▁ᎤᏗᏛᎮᎢ\t-10.6933\n▁ᎢᏣᏓᏅᏖᏍᎬ\t-10.6936\n▁ᎤᏲᎢᏴ\t-10.6938\nᏰᏛ\t-10.6943\n▁ᏝᎨ\t-10.6949\n▁ᏭᏂᎷᏨᎩ\t-10.6949\nᏔᎵ\t-10.6953\nᏗᏂᏍᎪᏂᎯ\t-10.6955\n▁ᎤᏁᏍᏔ\t-10.6956\n▁ᎠᏓᎯᎯ\t-10.6956\n▁ᏫᎦᎷᎬ\t-10.6956\n▁ᎠᎩᏁᏨᎢ\t-10.6966\nᏚᎢᏍᏓᏁᎴ\t-10.6969\n▁ᏧᏁᎦ\t-10.6969\n▁ᎫᎦ\t-10.6969\n▁ᏍᎩᏍᏕᎸ\t-10.6974\n▁ᎢᏗᎬᏁ\t-10.6975\nᏃᎯᏎᎴ\t-10.6977\n▁ᏫᏚᏯᏅᎮᎢ\t-10.6979\n▁ᎤᏄᎪᏤᎢ\t-10.6985\n▁ᎢᏨᏗᏍᎬ\t-10.6985\n▁ᎢᏔ\t-10.6985\n▁ᏗᏐᏴ\t-10.6986\nᏯᎥᎢ\t-10.6986\n▁ᏂᏕᎬᏁᎲ\t-10.6988\n▁ᎤᏅᏎᎢ\t-10.699\n▁ᎯᎦᏔᎲ\t-10.6991\n▁ᎠᏁᎮᏍᏗ\t-10.6991\n▁ᏪᏣ\t-10.6996\nᏔᏁᏍᏗ\t-10.6996\nᏞᏍᏗ\t-10.6998\n▁ᏧᏁᏗᏱ\t-10.7001\n▁ᎤᏬᏨ\t-10.7002\nᏛᏁᏗᏱ\t-10.7003\nᎦᏛᎦ\t-10.7003\n▁ᎤᎪᎵᏰᎥ\t-10.7005\n▁ᎭᏗ\t-10.7005\n▁ᎤᎷᏤᎴᎢ\t-10.7007\nᏓᏁᎯ\t-10.7011\n▁ᏗᎬᏩᎾ\t-10.7011\n▁ᎤᏩᏔᏁ\t-10.7012\n▁ᎡᎾᎢ\t-10.7014\n▁ᎤᏁᏍᎩᎸ\t-10.7016\n▁ᎤᏬᏂᏎ\t-10.702\nᎳᏅᎩ\t-10.7025\nᏂᏗ\t-10.7026\n▁ᏚᏙᏍᏛ\t-10.7027\n▁ᎤᎾᏛᏁ\t-10.703\n▁ᏄᏩᏁᎸᎩ\t-10.7033\nᏍᏗᏍᎨᎢ\t-10.7035\nᎨᏎᎢ\t-10.7046\nᏟᏌᏂ\t-10.7046\n▁ᎤᎪᏗ\t-10.7049\nᎵᏍᏓᏴᎲᏍᎦ\t-10.7051\n▁ᎠᎾᎵᎮᎵᎨ\t-10.7051\nᎵᏍᎪᎸᏓᏁᏗᏱ\t-10.7057\nᏏᏐᏗ\t-10.7061\n▁ᏙᏓᎨ\t-10.7063\n▁ᏂᏥᏪᏎᎸ\t-10.7067\n▁ᏧᏁᏤᎴ\t-10.7067\n▁ᎤᏤᎸ\t-10.7074\n▁ᏗᎬᎩ\t-10.7076\nᎫᏩ\t-10.7076\n▁ᏥᏗ\t-10.7077\n▁ᎤᏂᎪᎲᎩ\t-10.7083\n▁ᏓᎬᎩ\t-10.7083\nᏁᎲᎩ\t-10.7086\n▁ᏗᎩᎦᏴᎵᎨᎢ\t-10.7089\nᏅᎦ\t-10.7093\nᏖᎵ\t-10.7094\nᏄᎪᏫᏏ\t-10.71\n▁ᏂᏚᎩᏨᏂᏒᎢ\t-10.7101\nᏢᎾᏁᏗ\t-10.7109\n▁ᎠᏦᏴᎢ\t-10.7113\n▁ᏧᎾᏦ\t-10.7114\n▁ᎤᏍᎦᏅᏨᎢ\t-10.7116\nᏅᏗᏍᎨᏍᏗ\t-10.7117\n▁ᏕᎬᏩᏂ\t-10.7121\n▁ᎪᎦ\t-10.7122\nᎲᏍᎪᎢ\t-10.7122\n▁ᎤᏁᏅᏍᏗ\t-10.7128\n▁ᏃᏳ\t-10.7132\n▁ᏱᏓᎩ\t-10.7135\nᏒᏗ\t-10.7135\n▁ᎤᏂᏅ\t-10.7135\n▁ᏕᏣᏙᎥᎢ\t-10.7139\nᏳᏍᏗ\t-10.7141\nᏇᎵ\t-10.7141\nᏰᎲ\t-10.7143\n▁ᎤᏓᏅᏙᎩ\t-10.7143\nᏪᏎᏗ\t-10.7147\n▁ᏗᏍᏆ\t-10.7156\nᏏᏩ\t-10.7164\nᏏᎳᏛᏗ\t-10.7167\n▁ᏃᎩ\t-10.7169\n▁ᎤᏍᏓᏱᏕ\t-10.717\n▁ᎤᎵᏍᏆᏕ\t-10.7172\n▁ᏣᎪ\t-10.7179\nᏟᏯ\t-10.718\n▁ᎤᎧᎵᎸ\t-10.7183\nᎳᏚ\t-10.7183\nᏨᎾ\t-10.7184\nᎬᏂᎨ\t-10.7186\nᏓᏁᎮᏍᏗ\t-10.7187\nᎧᏁᎸ\t-10.7195\nᎩᏍᎬ\t-10.7196\n▁ᎠᏂᏁᎸ\t-10.7198\n▁ᎤᏙᎯᏳᎭ\t-10.7199\nᎪᏅ\t-10.7206\nᏌᎳᏓᏁ\t-10.7209\n▁ᏗᎨᎦ\t-10.721\n▁ᏂᎬᏁᎸ\t-10.7211\nᏏᏗ\t-10.7216\n▁ᏗᏛ\t-10.7221\nᎦᏔᎲ\t-10.7223\n▁ᏦᏥ\t-10.7238\nᏂᏌᏂ\t-10.7238\n▁ᎠᏉᏢ\t-10.724\n▁ᎠᏃᎵ\t-10.7242\nᏅᎦᎸᏛ\t-10.7243\n▁ᏄᏪᏎᎸᎢ\t-10.7248\nᎪᎵᏂᏗ\t-10.7252\n▁ᎤᏓᏅᏒ\t-10.7256\n▁ᎤᏍᏆᎸ\t-10.7268\n▁ᎤᎧᎵ\t-10.7279\nᎦᏙᎥᏎ\t-10.7281\nᏙᎲᎢ\t-10.7299\n▁ᎤᏁᏅᏎᏃ\t-10.7303\nᏧᏂᏲᎯᏍᏗᏱ\t-10.7306\n▁ᏚᎸ\t-10.7313\nᏕᎦ\t-10.7314\n▁ᎠᏰᎵᏒ\t-10.7315\nᎯᎲᎢ\t-10.7316\nᏲᏏ\t-10.7317\n▁ᎤᏃᏴᎵ\t-10.7317\n▁ᎤᏁᏤᎢ\t-10.732\n▁ᎬᏒ\t-10.7323\n▁ᏳᎪ\t-10.7324\n▁ᏃᏒ\t-10.7329\n▁ᎤᏙᎯ\t-10.733\nᏂᏙᎸ\t-10.7343\nᏣᏗ\t-10.7343\nᎤᏩᏂᎦᎸ\t-10.7343\n▁ᎤᏁᏤᎴᎢ\t-10.7344\n▁ᎤᏙᏳ\t-10.7349\nᏉᏍᎪ\t-10.7359\nᏍᎦᎢᎮᏍᏗ\t-10.7362\n▁ᎾᏂᎥᎩ\t-10.7375\n▁ᏓᏔᎴᏒᎢ\t-10.7379\n▁ᎤᏅᏁ\t-10.739\n▁ᎠᏂᎸᏉᏗᏍᎨ\t-10.7392\n▁ᏦᏏ\t-10.7396\n▁ᏙᏓᏣ\t-10.7433\n▁ᏦᏒ\t-10.7447\nᏡᏗᏍᎩ\t-10.745\n▁ᎠᎹᏂ\t-10.7451\n▁ᏤᎳᏗ\t-10.7456\nᎵᏍᏓᏴᏗ\t-10.7471\n▁ᎦᏲᎦ\t-10.7471\n▁ᎤᎳ\t-10.7474\n▁ᏲᎦ\t-10.7475\nᏁᎢᏍᏓᏁᏗ\t-10.7479\n▁ᎡᏍᏗ\t-10.7483\n▁ᎠᎫᏴᏗ\t-10.75\nᎳᏛ\t-10.75\n▁ᎤᏂᏏᏗ\t-10.7503\nᏤᎭ\t-10.7507\n▁ᏚᏁᏤᎴᏃ\t-10.7508\n▁ᏥᏕᏣ\t-10.7519\n▁ᎢᎬᏱᏱᏉ\t-10.7521\n▁ᎨᎢ\t-10.7529\nᎬᏅ\t-10.753\n▁ᏓᎦᏥ\t-10.7531\nᏍᏓᏩᏕᎩ\t-10.7542\n▁ᎠᏥᏁᎸ\t-10.7543\nᏘᏍᏗᏍᎩ\t-10.7545\n▁ᎠᎩᏍᎦᏅᏨ\t-10.7546\nᎧᎯᏯᏍᏗ\t-10.7556\n▁ᏱᏥᏰᎸ\t-10.7557\nᏥᏧᏣ\t-10.7562\n▁ᎦᎾᏄᎪ\t-10.757\nᎦᏚ\t-10.7571\n▁ᎤᏂᏴᎸ\t-10.7581\nᏢᏅᎯ\t-10.759\nᏗᏯ\t-10.759\nᏗᏍᏔᏁ\t-10.7598\nᏲᎭ\t-10.7609\n▁ᏥᏳᎪ\t-10.761\nᏍᏓᏁ\t-10.762\nᏂᏆᏘᎯ\t-10.7624\nᏗᏔᏍᎬ\t-10.764\n▁ᏩᏴ\t-10.7646\nᎵᎢ\t-10.7649\n▁ᏗᎧ\t-10.7659\n▁ᏂᏛ\t-10.7669\nᏄᎵ\t-10.7673\n▁ᏥᎦᏔ\t-10.7678\nᏂᏴ\t-10.7694\n▁ᎪᏛ\t-10.77\n▁ᎠᎾᏗᏍᎨ\t-10.7701\n▁ᎤᏂᏄᎪᏨ\t-10.7711\n▁ᎢᏳᏂ\t-10.7721\n▁ᎤᏣᏅ\t-10.7729\nᏪᏎᎴᎢ\t-10.7731\nᏘᎾᏫᏛᎲᎩ\t-10.7737\nᏍᏆᎵ\t-10.7746\nᏫᏎᎴᎢ\t-10.7749\nᏍᎦᏰᎬᏍᏓ\t-10.7767\nᎶᏓ\t-10.7768\n▁ᎠᏩᏛ\t-10.7774\n▁ᏂᎦᎥᎢ\t-10.7776\nᏓᏱ\t-10.7778\nᏍᏕᎵᏍᎬ\t-10.7781\nᏁᏟᏴ\t-10.7789\n▁ᎢᎤ\t-10.7791\n▁ᎤᏪᏰ\t-10.781\n▁ᎤᎵᏍᏆᎸᏗᏃ\t-10.7812\nᏓᏎᎪᎩᏍ\t-10.7823\nᎩᏒ\t-10.7828\nᎦᎳ\t-10.7828\n▁ᎾᎯᏳᎢ\t-10.783\nᏛᏃᎯ\t-10.783\nᎸᏉᏗᏍᎩ\t-10.7833\n▁ᏚᏳ\t-10.7836\n▁ᏕᎨᏥ\t-10.7853\nᏲᏍᏗᏍᎬ\t-10.7853\nᏡᏗᏍᎬᎢ\t-10.7859\n▁ᏚᏲᏎ\t-10.7868\nᏫᏛ\t-10.7877\n▁ᎠᎨ\t-10.7882\n▁ᏱᎨᏣ\t-10.7885\nᏍᏗᏍᎬᎢ\t-10.7888\nᏍᏕᎵᏍᎩ\t-10.7899\nᏳᎳ\t-10.7915\nᏗᏍᏗᏍᎩ\t-10.793\nᏅᎪᎢᏍᏗ\t-10.7935\n▁ᎤᎵᏍᏆ\t-10.7938\nal\t-10.7947\nᏰᎸᎯ\t-10.7947\nᏂᏙᎯ\t-10.7951\n▁ᏯᏓᏅᏖ\t-10.7964\nᏑᏰᏒ\t-10.7965\n▁ᎠᎵᏰᎢᎵ\t-10.7968\n▁ᎦᏯ\t-10.7968\nᏢᏗᏱ\t-10.7976\n▁ᏭᏩ\t-10.7978\nᏴᏍᏗ\t-10.7978\nᎵᏳ\t-10.7983\n▁ᏕᎫ\t-10.7989\nᏂᎩᏍᎬ\t-10.7989\n▁ᎩᏯ\t-10.7993\n▁ᎢᏨᏲᏪᎳ\t-10.7997\nᏥᏍᎦᏯ\t-10.8006\n▁ᏓᏳᏂ\t-10.8013\n▁ᏄᏍᏛᎩ\t-10.8019\nᏍᎩᎸ\t-10.8026\nᎡᎰᎢ\t-10.803\n▁ᎠᏍᏆᏂᎪᏙᏗ\t-10.8033\nᏥᏁᎸ\t-10.8038\nᏅᏛ\t-10.8039\nᏓᏑᏰᏍᏗ\t-10.8043\nᏍᏓᏩᏛᏒᎩ\t-10.8044\nᏍᏓᏩᏗᏒ\t-10.8047\nᏛᏅᎢᏍᏓ\t-10.8049\n▁ᏥᏂᎬ\t-10.8054\n▁ᏔᏯ\t-10.8057\nᏓᎵᏓᏍᏗ\t-10.8058\nᎤᏍᏓᎦᏴᎯᏓ\t-10.8063\n▁ᏚᏭ\t-10.8067\n▁ᎨᏍᏗᏗ\t-10.8072\n▁ᎦᎬ\t-10.8074\n▁ᏚᏁ\t-10.8077\nᏲᏒᎩ\t-10.8077\n▁ᎢᏗᎦᏘ\t-10.8085\n▁ᎢᏳᏍᎩᏂᏃ\t-10.8101\nᎳᏓ\t-10.8108\nᎦᏁᎶᏗ\t-10.8108\nᏲᎵ\t-10.8114\nᎳᏂ\t-10.8119\n▁ᎥᎩᎸᏉ\t-10.8125\n▁ᎤᎵᏰ\t-10.8145\nᏓᏙᎵᏍᏗᏍᎬ\t-10.8149\nᎷᎯᏍᏗ\t-10.8153\nᏘᏃᎯᏍᏗᏱ\t-10.8159\nᏍᎦᏨᎯ\t-10.816\nᏂᎪᎲ\t-10.816\nᎦᏘᏓ\t-10.8167\n▁ᎢᏍᏛ\t-10.8179\n▁ᎬᏰᎸ\t-10.819\n▁ᏅᏓᎬᏩ\t-10.8195\n▁ᎠᏢ\t-10.8195\nᎧᏁ\t-10.8203\nᏙᎮ\t-10.8223\n▁ᎤᏂᏍᏆᏂᎪᏎ\t-10.8233\nᎸᏂ\t-10.8234\n▁ᏗᏣᏁᎶ\t-10.8237\n▁ᏗᏍᏚ\t-10.8248\nᏉᏂ\t-10.8249\n▁ᎤᎷ\t-10.8251\nᏓᏂᎸᏤᎢ\t-10.8259\n▁ᏳᏬᎯᏳ\t-10.8274\nᎶᎯᏍᏗ\t-10.8279\nᏩᏕᎬ\t-10.8293\nᎼ\t-10.8305\n▁ᎠᏂᎦ\t-10.8306\nᎦᏅᎦ\t-10.8313\n▁ᏄᏂᏪᏎ\t-10.8319\n▁ᏣᎦ\t-10.8321\n▁ᏧᏁᏨ\t-10.8327\nᏪᏎᎸᎩ\t-10.833\nᎿᎥᎢ\t-10.8332\n▁ᎤᎸᏉᏗ\t-10.8337\n▁ᎧᏃᎮ\t-10.834\nᏪᎶᏗ\t-10.8342\nᏍᏕᎸᏗᏱ\t-10.8345\nᎢᎦᎸᏉᏗ\t-10.8345\nᏦᏁ\t-10.8346\nᏢᏛ\t-10.8349\n▁ᎦᏟ\t-10.836\n▁ᎤᏁᎷᎬ\t-10.8365\nᏓᏬᏍᏗ\t-10.8367\n▁ᏧᎳᏑᎶ\t-10.8372\n▁ᎤᏃᎸ\t-10.8376\nᎯᏍᏔᏂ\t-10.8379\n▁ᏙᏧ\t-10.8381\n▁ᎤᏍᎦ\t-10.8385\n▁ᏕᎦᏄᎪᏫᏍ\t-10.8393\nᎪᎵᏰᎥᎯ\t-10.8398\n▁ᎥᏥ\t-10.8398\nᏍᎦᏃᎵ\t-10.8407\n▁ᎢᎩᏰᎸ\t-10.8407\n▁ᏕᎦᏄᎪᎬ\t-10.8409\n▁ᏕᎦᎳᏅᏛ\t-10.8411\nᎦᎸᎳᏗ\t-10.8412\n▁ᎤᏍᏆᏂᎪᏎ\t-10.8412\n▁ᎠᏐᏴ\t-10.8412\n▁ᎣᎦᏛᎦᏅ\t-10.8414\nᏓᎩᏍᎨ\t-10.8416\n▁ᎠᏓᏪᎵᎩᏍᎬ\t-10.8418\n▁ᏚᏲ\t-10.842\nᏄᏓᎴ\t-10.8421\nᏫᎵᎻ\t-10.8421\nᏗᎦᏛᎯ\t-10.8421\n▁ᎠᎩᏇᏓᎸ\t-10.8423\n▁ᏂᎦᎵᏍᏗᏍᎪ\t-10.8424\n▁ᏕᎦᏍᎩᎸ\t-10.8424\n▁ᎢᏣᏓᏙᎵᏍᏗᏍᎬ\t-10.8425\n▁ᏧᏁ\t-10.8426\n▁ᏱᎨᏥ\t-10.8427\n▁ᎬᏩᎾᏕ\t-10.8427\n▁ᎤᎵᏰᏔᏁ\t-10.8427\n▁ᏙᏧᎾᏓᏅᏛ\t-10.8428\n▁ᏱᏥᎦᏔᎮ\t-10.8431\n▁ᏄᏂᏪᏎᎴ\t-10.8433\n▁ᎢᏣᎵᎮᎵᎬ\t-10.8433\n▁ᎤᎾᏂᎩᏎ\t-10.8433\n▁ᏚᏓᏘᎾᎥ\t-10.8434\n▁ᎤᎶᎨᏒ\t-10.8435\n▁ᏯᏛᏅ\t-10.8436\n▁ᏱᏄᏍᏕ\t-10.844\n▁ᎤᏬᎯᏳᏒ\t-10.8442\nᎰᏩ\t-10.8445\n▁ᎤᏄᏩᎥ\t-10.8445\n▁ᏈᎬ\t-10.8451\n▁ᏕᎦᏬᏁᏗᏍᎬ\t-10.8451\n▁ᎾᎩᏪᏎᎸ\t-10.8455\nᎣᏏ\t-10.8456\nᎪᎲᏍᏙᏗ\t-10.8456\n▁ᏭᏯᏅᎲ\t-10.8458\n▁ᎠᎩᏩᏛᎲ\t-10.8459\n▁ᏄᏅᏁᎸ\t-10.846\n▁ᏄᏛᏁ\t-10.8461\nᎵᏙᎯ\t-10.8465\n▁ᎤᎵᏦᏛ\t-10.8465\n▁ᎥᎩᏙ\t-10.8466\nᏰᎳᏍᏗ\t-10.8466\n▁ᎢᎫᏩ\t-10.8471\n▁ᎾᏏ\t-10.8472\nᏬᏗᎨ\t-10.8474\n▁ᎠᏂᎪᏩᏘᏍᎬ\t-10.8475\nᎪᎵᏰ\t-10.8477\n▁ᏇᏓᏁᎳᎻ\t-10.8479\n▁ᎠᏓᎨᏗ\t-10.848\n▁ᏧᏂᎧᎿᏩᏛᏍᏗ\t-10.848\n▁ᏫᏗᎦ\t-10.8481\n▁ᎠᏍᎫᏕᏍᏗ\t-10.8481\nᎤᎷᏨ\t-10.8482\n▁ᎤᏬᎯᏳᏅ\t-10.8482\n▁ᏂᏕᎦᏪᏎᎲ\t-10.8483\n▁ᏗᎫᏍᏙᏍᏗ\t-10.8483\nᏒᏆᎶᏍᏗ\t-10.8484\n▁ᏗᎨᎫᎪᏓᏁᏗ\t-10.8486\n▁ᎤᏪᏓᏍᏗ\t-10.8487\nᏅᎵ\t-10.8487\nᏲᎱᎯᏎᎸᎯ\t-10.8487\n▁ᎠᏥᏁᏗ\t-10.849\n▁ᏭᎷᏤᎴ\t-10.8492\n▁ᏤᏅᏍᏗ\t-10.8492\nᎲᏎ\t-10.8496\n▁ᎤᎾᏛᎪᏗ\t-10.8496\n▁ᎠᏇᏓᏍᏗ\t-10.8496\n▁ᏅᏓᏰ\t-10.8499\n▁ᏚᏄᎪᏫᏒ\t-10.8505\n▁ᎠᏂᎾᏰᏍᎩ\t-10.8505\n▁ᎠᏂᏥᏊᏏ\t-10.8505\n▁ᎢᎨᎬᏁᎸᎯ\t-10.8505\n▁ᎢᎵᎡᏌ\t-10.8505\n▁ᎤᏍᏔᏲᏒ\t-10.8505\n▁ᎤᏖᎸᎳᏛ\t-10.8505\n▁ᎥᏆᎸᎢᏛ\t-10.8505\n▁ᎫᏫᏍᎫᏫ\t-10.8505\n▁ᎬᏬᎯᏳᎲᏍᎩ\t-10.8505\n▁ᎰᏢᏔᏅᎭ\t-10.8505\n▁ᎴᎣᏗᏏᏯ\t-10.8505\n▁ᎻᏚᏏᎳ\t-10.8505\n▁ᏂᏦᎵᎬᎾ\t-10.8505\n▁ᏇᏣᎵᎵ\t-10.8505\n▁ᏍᎪᏂᏗᏢ\t-10.8505\n▁ᏓᏇᎪᏔᏅ\t-10.8505\n▁ᏗᎾᏙᎴᏆᏍᎩ\t-10.8505\n▁ᏗᏓᎴᏅᏗᏍᎩ\t-10.8505\n▁ᏥᏈᎣᏂ\t-10.8505\n▁ᏧᏂᏦᏯᏍᏗ\t-10.8505\n▁ᎤᏂᎵᏅᏨᎯ\t-10.8505\n▁ᏗᎬᏩᎩᏨᏗ\t-10.8505\n▁ᏭᏕᎵᏤ\t-10.8505\n▁ᏓᏗᎶᏂ\t-10.8505\n▁ᏧᎾᏗᎩᏓ\t-10.8505\n▁ᎢᏯᏛᏁᎵᏓᏍᏗ\t-10.8505\n▁ᏗᏥᎨᏫ\t-10.8505\nᏫᏂᏗᏢ\t-10.8505\n▁ᏦᏍᏓᏓᏅᏟ\t-10.8505\n▁ᏥᏂᏨᏪᏎᎸᎩ\t-10.8505\n▁ᎠᏆᏗᏔᏍᏗ\t-10.8505\n▁ᎤᏪᏯᎸᏤᎢ\t-10.8505\n▁ᎠᎵᏏᎾᎯᏍᏙᏗ\t-10.8505\n▁ᎠᎾᎵᏖᎸᎲᏍᎩ\t-10.8505\n▁ᎢᎬᏆᏛᏁᏗ\t-10.8505\n▁ᎤᎵᏍᏛᏧᏁ\t-10.8505\n▁ᎠᏟᎶᎥ\t-10.8505\n▁ᏗᎨᏘᏂᏓᏍᏗ\t-10.8505\n▁ᎹᎺᎵ\t-10.8505\n▁ᎠᏂᎶᏍᎩ\t-10.8505\n▁ᏧᎬᏩᎳᏅᎯ\t-10.8505\n▁ᏭᏕᎵᏨ\t-10.8505\n▁ᎤᏦᎠᏎᏗ\t-10.8505\n▁ᎪᎯᏳᎲᏍᎨᏍᏗ\t-10.8505\n▁ᎤᎵᏃᎯᏴᎯ\t-10.8505\n▁ᎤᎦᏛᎾᏨᎯ\t-10.8505\n▁ᏣᎦᏑᎲᎢ\t-10.8505\n▁ᎠᎪᎲᏍᏔᏅᎯ\t-10.8505\n▁ᏆᏏᎹ\t-10.8505\n▁ᎢᏥᏁᎫ\t-10.8505\n▁ᏕᏥᏂᏴᏎᏍᏗ\t-10.8505\n▁ᏓᏲᏣᏛᏁᎵ\t-10.8505\n▁ᎠᏁᎸᏗᏍᎨᎢ\t-10.8505\n▁ᎢᎪᏂᏯ\t-10.8505\n▁ᏖᎹ\t-10.8505\n▁ᎬᏲᏎᎭ\t-10.8505\n▁ᏅᏓᏳᎾᏓᎴᏅᎯ\t-10.8505\n▁ᏗᎩᏲᎱᏒᎯ\t-10.8505\n▁ᏧᏃᏚᎯ\t-10.8505\n▁ᎾᏂᏍᎦᏅᎾ\t-10.8505\n▁ᏕᎦᏅᏙᎬ\t-10.8505\n▁ᏱᏥᎪᎵᏰᎣ\t-10.8505\n▁ᎦᏗᎨᏂ\t-10.8505\nᏙᎴᏋ\t-10.8505\n▁ᎠᏂᎪᏗᏳ\t-10.8506\n▁ᎾᏃᎯᏳᎲᏍᎬᎾ\t-10.8506\n▁ᏧᏈᏯ\t-10.8506\n▁ᏩᎩᎷᏣ\t-10.8506\nᎩᏏᏕᎩ\t-10.8506\n▁ᎬᏩᏕᏱᏛ\t-10.8506\n▁ᎢᏥᏇᏓᎸ\t-10.8506\n▁ᎠᏙᎴᎰᏒᎯ\t-10.8506\n▁ᎤᎦᏃᏮ\t-10.8506\n▁ᏄᎾᏛᏁᎵᏙᎸ\t-10.8506\n▁ᏓᏓᏛᏂ\t-10.8506\n▁ᏳᏲᎱᏒ\t-10.8506\n▁ᏗᎬᏩᏂᏰᎯ\t-10.8506\n▁ᏗᏂᏃᎨᏂ\t-10.8506\n▁ᎦᎶᏣᏗ\t-10.8506\n▁ᎤᏴᎵᎴ\t-10.8506\n▁ᎢᏳᎾᏓᎳ\t-10.8506\n▁ᏗᏂᏐᎯ\t-10.8506\n▁ᏁᏆᎸ\t-10.8506\n▁ᏘᎦᏙᎵ\t-10.8506\n▁ᎤᏆᏛᎩ\t-10.8506\n▁ᎢᎬᎾᏕᏅ\t-10.8506\n▁ᏚᏪᎧᏅᎩ\t-10.8506\n▁ᏫᏥᏲᎵᎦ\t-10.8506\n▁ᎶᏩᏂ\t-10.8506\n▁ᎦᎵᏆᏚ\t-10.8506\n▁ᎠᏂᎱᏣ\t-10.8506\n▁ᏚᏭᏢᏔᏅᎩ\t-10.8507\n▁ᎠᏆᏟᏂᎬᏁᎸ\t-10.8507\nᏌᎳᏛᎦ\t-10.8507\n▁ᏧᎾᎪᏅᏍᏓᎵ\t-10.8507\n▁ᎥᏃᏥ\t-10.8507\n▁ᏧᏬᏢᏅᎯ\t-10.8507\n▁ᏧᎵᎬᏩᏟ\t-10.8507\n▁ᏗᎦᎾᏌᎢ\t-10.8507\n▁ᎢᏯᏓᏛᏁᎯ\t-10.8507\n▁ᏓᎩᏯᏪᎦ\t-10.8507\n▁ᏐᏁᎳ\t-10.8507\n▁ᏗᏟᏍᏙᏗ\t-10.8507\nᏐᎭᏛ\t-10.8507\n▁ᎭᏛᏓᏍᏓ\t-10.8507\n▁ᎠᏂᏃᎮᏍᎨ\t-10.8507\n▁ᏗᏣᎴᎲᎦ\t-10.8507\n▁ᎤᎾᏚᎵᏍᎩ\t-10.8507\n▁ᏓᎦᏥᏁᎵ\t-10.8507\n▁ᎢᏯᏆᎵᏍᏙᏗᏱ\t-10.8507\n▁ᎪᎢᏳᎲᏍᎦ\t-10.8507\n▁ᏅᏁᎸᎭ\t-10.8507\n▁ᏗᎩᏴᏫ\t-10.8508\n▁ᎦᏥᏯᏁᎳᏅᎯ\t-10.8508\n▁ᏥᏍᎦᎢᎲ\t-10.8508\n▁ᏅᏓᏳᏅᏏᏛ\t-10.8508\n▁ᎱᎷᏣ\t-10.8508\n▁ᏕᎦᏰᏌᏛ\t-10.8508\n▁ᎤᎾᏙᎴᎰᎯᏍᏙᏗ\t-10.8508\n▁ᏓᏓᏂᎸᎨᏍᏗ\t-10.8508\n▁ᎡᏥᏲᎵᎸᎭ\t-10.8508\n▁ᎠᎬᏓᎨᏂ\t-10.8509\n▁ᏄᏓᏑᏴᎾ\t-10.8509\n▁ᎤᏃᎯᏳᎯ\t-10.8509\n▁ᏦᎨᏥ\t-10.8509\n▁ᎠᎾᏓᎭᏲᎯ\t-10.8509\n▁ᏕᏅᏙᎥ\t-10.8509\n▁ᏅᏓᏍᏆ\t-10.8509\n▁ᏗᏥᎸᏫᏍᏓᏁᎯ\t-10.851\n▁ᎠᏂᎡᎼᎵ\t-10.851\n▁ᎤᏂᏆᏘᏍᏗ\t-10.851\n▁ᎠᏆᏕᎶᎰᏒ\t-10.851\n▁ᎢᏥᎨᏴ\t-10.851\n▁ᎠᏆᏛᏅᎢᏍᏗ\t-10.851\n▁ᎤᎸᏉᏔᏁ\t-10.851\nᏡᏔᏂ\t-10.851\n▁ᎢᏧᏖ\t-10.851\n▁ᏗᏣᎳᏏ\t-10.8511\n▁ᏗᎭᎾᏬ\t-10.8511\n▁ᎤᎧ\t-10.8511\nᏲᎵᏍᏗᏱ\t-10.8511\n▁ᏬᏤ\t-10.8511\n▁ᏫᏂᏪᏏ\t-10.8511\n▁ᏚᏄᏌᏛ\t-10.8511\n▁ᏗᎦᎪᏙᏗ\t-10.8511\n▁ᎤᏓᏑᏰᏛ\t-10.8511\n▁ᎯᏍᎪᎵ\t-10.8511\nᏂᎴ\t-10.8512\n▁ᎪᏒᏅ\t-10.8512\nᏓᎴᏒ\t-10.8512\n▁ᏓᏂᏴᎬᎢ\t-10.8512\n▁ᏣᏓᎸᎩ\t-10.8513\n▁ᏥᎦᏚᎭ\t-10.8513\n▁ᏓᏂᏴᎨᏍᏗ\t-10.8513\n▁ᎬᏔᏲᏎᎭ\t-10.8513\n▁ᎤᏙᎳᏅᏍᏗ\t-10.8513\n▁ᏓᏂᏄᏙᎬᎢ\t-10.8513\n▁ᏚᏚᏓᏛᎢ\t-10.8513\n▁ᎠᎨᏯ\t-10.8513\n▁ᎠᏄᏬᎩᎯ\t-10.8513\n▁ᎢᏤᏅᏍᏗᏱ\t-10.8513\n▁ᎤᏬᏒᏅ\t-10.8513\n▁ᏚᏕᏲᏁ\t-10.8513\n▁ᏗᏣᎳᏏᏕᏂ\t-10.8513\n▁ᏓᏥᏁᎵ\t-10.8514\n▁ᏤᎵᎪ\t-10.8514\n▁ᎡᏈᎳ\t-10.8514\n▁ᏭᎳᎩᏒ\t-10.8514\n▁ᏭᎩᎶᏫᏎ\t-10.8514\n▁ᎠᏂᎩᎾ\t-10.8514\n▁ᏚᏬᏁᏔᏅᎩ\t-10.8514\n▁ᏧᏲᎯᏍᏗᏱ\t-10.8514\n▁ᎢᏨᏲᏪᎳᏁᎭ\t-10.8514\n▁ᏙᎳᏧᎦ\t-10.8514\nᎩᎾᏝᎢ\t-10.8515\n▁ᎤᎵᏦᎯᏛ\t-10.8515\nᏍᎦᎢᏍᏗ\t-10.8515\n▁ᏇᎵᏏ\t-10.8515\n▁ᏧᎸᏫᏍᏓᏁᎸᎯ\t-10.8515\n▁ᏅᏛᏛᏁᎵ\t-10.8516\n▁ᏕᎯᎧᏅ\t-10.8516\n▁ᎤᏅᏪ\t-10.8516\n▁ᏗᎦᏁᎲ\t-10.8516\n▁ᏧᏬᏪᎳᏅ\t-10.8516\n▁ᏚᏘᏃᎮᎴᎢ\t-10.8516\n▁ᏫᏄᏪᏎᎢ\t-10.8517\n▁ᏣᏔᎳᏬᎯᏍᏗ\t-10.8517\n▁ᎬᏯᎵᎡᎵᏤ\t-10.8517\n▁ᎢᏯᏓᏅᏖᏗ\t-10.8517\n▁Ꮇ\t-10.8517\n▁ᏚᏏᏔᏛ\t-10.8517\nᏄᏍᏗ\t-10.8517\n▁ᎠᏈᎷ\t-10.8518\n▁ᎠᏌᎳᏙᏗ\t-10.8518\n▁ᎢᏥᏁᏨ\t-10.8518\n▁ᏂᏥᏪᏍᎬ\t-10.8519\n▁ᏧᎧᎭᏲ\t-10.8519\n▁ᎧᏁᏍᎬ\t-10.8519\n▁ᎤᎵᏨᏓᏆᏓ\t-10.852\n▁ᎴᎻᎩ\t-10.852\n▁ᎢᏤᎵᎭ\t-10.852\n▁ᏧᎾᏁᎳᏅᎯ\t-10.852\n▁ᏓᎧᏁ\t-10.852\n▁ᎠᏁᏙᎭ\t-10.852\n▁ᎢᏣᎵᏍᏓᏴᏗᏱ\t-10.852\n▁ᎢᏨᏁᏗ\t-10.852\n▁ᎠᏆᏓᏅᏖᏛ\t-10.8521\n▁ᏣᏓᏅᏛᎢ\t-10.8521\n▁ᎠᏆᏛᏁᏗᏱ\t-10.8521\n▁ᎤᏬᏪᎳᏅᎩ\t-10.8521\n▁ᎤᏲᎱᏎᎮᏍᏗ\t-10.8521\n▁ᏑᏓᎵᏧᏈ\t-10.8521\n▁ᎡᏍᎦᏂᏳ\t-10.8522\n▁ᎠᎦᏙᎵ\t-10.8522\n-“\t-10.8522\n▁ᎠᏓᎬᎿ\t-10.8522\n▁ᎦᏰᎵᏍᏗ\t-10.8522\n▁ᎠᏂᏍᎦᏰᎬᏍᏓ\t-10.8523\n▁ᎤᏃᏪᎳᏅ\t-10.8524\n▁ᎠᏂᎦᏘᏯ\t-10.8524\n▁ᎠᏫᏌᏅ\t-10.8524\n▁ᎠᏤᏍᏙᎩᎯ\t-10.8524\n▁ᎤᏛᎦᎾ\t-10.8524\n▁ᎦᎪᎵᏍᏗ\t-10.8524\n▁ᎠᎺ\t-10.8525\n▁ᏗᏥᎧᎿᏩᏛᏍᏗᏱ\t-10.8525\n▁ᏚᏭᎪᏔᏅ\t-10.8525\n▁ᎤᏬᎳ\t-10.8525\n▁ᏚᏪᏴ\t-10.8526\n▁ᏣᏍᏆ\t-10.8526\n▁ᎤᏁᏅᏒᎩ\t-10.8526\n▁ᏳᏪᎭ\t-10.8526\n▁ᏓᎾᏠᏱᎲ\t-10.8527\n▁ᎤᏩᏂᎦᎸᎢ\t-10.8527\n▁ᎤᎾᏄᎪᏥᎸ\t-10.8527\n▁ᏱᏥᏏᎾ\t-10.8527\n▁ᎤᏂᎾᎥ\t-10.8528\n▁ᎤᏍᏆᏂᎪᏔᏁᎢ\t-10.8528\n▁ᎤᏂᏍᎦᎴᎢ\t-10.8528\n▁ᎠᏋᏔᏅᎯ\t-10.8529\n▁ᎤᏪᏙᎴᎢ\t-10.8529\n▁ᎢᏳᏩᎬᏗ\t-10.8529\n▁ᎦᏃᎯᎵᏙ\t-10.8529\n▁ᏗᎫᏍᏙᏍᏗᏱ\t-10.8529\n▁ᎭᏟᏂᎬᏁ\t-10.8531\n▁ᏱᏅᎦ\t-10.8531\n▁ᎾᏥᏪᏎᎴᎢ\t-10.8531\n▁ᎢᏳᏪᏍᏗ\t-10.8532\n▁ᎢᏣᏛᏁᏗ\t-10.8532\n▁ᎤᏂᏁᏉᏤ\t-10.8532\n▁ᎤᎦᎹ\t-10.8532\n▁ᎤᏂᏃᎮᏗᏱ\t-10.8532\n▁ᏧᎾᏛᎾ\t-10.8533\nᏥᎤᏍᏕᏎᎸᎾ\t-10.8533\n▁ᏂᏨᏁᎲ\t-10.8534\n▁ᎬᏩᏍᎦᎩ\t-10.8534\n▁ᎾᏥᎤᏍᏕᏎᎸᎾ\t-10.8534\n▁ᏱᏂᎦᎩ\t-10.8536\n▁ᎤᏕᏔᏅᎯ\t-10.8537\n▁ᏗᏥᏁᏟᏴ\t-10.8537\nᏴᎵᎸ\t-10.8537\nᏩᏛᎲᏍᏗᏱ\t-10.8538\n▁ᎤᏛᏅᏗᎦᎳᏫᎢᏍᏗᏱ\t-10.8538\n▁ᎤᎵᏍᎪᎸᏔᏅᎯ\t-10.8538\n▁ᏤᏣᎧᏃᏗ\t-10.8539\nᏁᏉᏣᏘ\t-10.854\n▁ᎤᏂᏚᎲᎢ\t-10.8541\n▁ᎢᏨᏙᏗᏱ\t-10.8542\n▁ᎠᎩᎷᏤᎸᎩ\t-10.8542\n▁ᏓᎪ\t-10.8542\n▁ᏥᏄᏍᏛ\t-10.8542\n▁ᏣᎾᏫᏱ\t-10.8543\n▁ᎤᎾᏅᏗᏱ\t-10.8543\n▁ᎢᏥᏁᏗ\t-10.8544\n▁ᏥᎬᏩ\t-10.8544\nᏁᏅ\t-10.8545\nᎵᏖᎸᏂᏍᏗ\t-10.8545\n▁ᎢᏣᏁᎳᏅᎯ\t-10.8546\n▁ᎤᏂᏰᎸᎯ\t-10.8546\n▁ᎦᏁᏥᏱ\t-10.8547\n▁ᏭᏓᏒᏍᏔᏁ\t-10.8547\n▁ᏭᏓᎪᎾᏛᏛ\t-10.8547\n▁ᎤᏴᎸᎩ\t-10.8547\n▁ᎤᏁᏝᏅᎯ\t-10.8547\n▁ᎤᎦᏔᎲᏎ\t-10.8548\n▁ᏍᎦᏰᎬᏍᏔ\t-10.8549\n▁ᎤᏦᏍᏗ\t-10.8549\n▁ᎠᏍᏕᎵᏍᎩ\t-10.855\n▁ᎱᏂᎷᏤ\t-10.855\n▁ᎡᏥᏁᎸᎯ\t-10.8551\n▁ᎯᏄᎪᎢ\t-10.8551\n▁ᎦᎬᏩᏐᏢ\t-10.8552\n▁ᏚᏃᏁᎴ\t-10.8553\n▁ᎠᏂᎩᎦᎨ\t-10.8553\n▁ᎣᎨᏅᏒ\t-10.8553\n▁ᏂᎨᏥᏪᏎᎸ\t-10.8554\n▁ᏗᎪᏩᏛᏗ\t-10.8554\n▁ᏧᎾᏍᏗᎦ\t-10.8556\n▁ᏩᎦᏛᎢ\t-10.8557\n▁ᎤᎾᏄᎪᏫᏍᏗᏱ\t-10.8559\n▁ᎤᎩᎵ\t-10.856\n▁ᎤᎾᏓᏟᏌᏅ\t-10.856\n▁ᎤᏔᏪᏙᏁᎢ\t-10.856\n▁ᎤᏍᏕᎸᏗᏱ\t-10.8562\n▁ᎠᎳᏑᎶ\t-10.8563\n▁ᎢᏓᏙᎴᎰᎯᏍᏗ\t-10.8563\n▁ᎠᎦᏅᎩ\t-10.8564\nᏘᏁᏒᎭ\t-10.8564\n▁ᎤᏅᏙᏗ\t-10.8564\n▁ᎤᏍᏚᏁ\t-10.8567\n▁ᏌᎻ\t-10.8568\n▁ᎠᎩᎪᏩᏛᏗᏱ\t-10.8568\nᏬᏁᏔᏁ\t-10.8569\n▁ᏕᎦᎧᎲᎩ\t-10.857\n▁ᎠᎾᏗᏍᎬ\t-10.857\n▁ᏧᏪᏥᏛᎯ\t-10.8571\n▁ᎹᎵ\t-10.8571\n▁ᎤᏂᏴᏗ\t-10.8572\n▁ᎠᏩᏛᏗ\t-10.8572\n▁ᎢᎾᏏ\t-10.8572\n▁ᎤᏬᏢᏁᎢ\t-10.8572\n▁ᏧᏓᎴᏁᎢ\t-10.8574\n▁ᏧᎦ\t-10.8574\n▁ᎤᏍᎦᏤ\t-10.8574\nᎧᎸ\t-10.8576\nᎴᏁᎯ\t-10.8576\n▁ᎦᏁᎮᎢ\t-10.8576\n▁ᎤᏍᏓᏩᏗᏙᎯ\t-10.8578\n▁ᏓᏥᏂ\t-10.8578\n▁ᏓᏍᏛ\t-10.8579\n▁ᏥᏅᎵ\t-10.8579\n▁Ꮌ\t-10.858\nᏎᏗᏱ\t-10.858\n▁ᎯᏴ\t-10.8581\n▁ᎢᎨᏣᏛᏁᏗ\t-10.8581\nᏂᏬᏂᎯᏍᏗ\t-10.8583\n▁ᏕᎠ\t-10.8586\n▁ᎦᏆᎵ\t-10.8586\n▁ᎤᎵᏰᏔᏁᎢ\t-10.8587\n▁ᎤᏄᏬᏍᏗ\t-10.8587\n▁ᎠᎩᏃᎮᎸ\t-10.8587\nᏍᏗᏰᏗᎭ\t-10.8591\n▁ᎤᏂᎾ\t-10.8592\n▁ᎤᎾᎴᏅᎲ\t-10.8596\n▁ᏕᎪᏪᎸᎩ\t-10.8598\n▁ᏭᏴᎸᎩ\t-10.86\n▁ᏂᏣᏛᏁᎲᎢ\t-10.8603\n▁ᏗᎦᎫᏍᏛᏗᏱ\t-10.8604\n▁ᎣᎩᎾᎵᎪ\t-10.8604\n▁ᎤᎶᎨᏒᎢ\t-10.8608\n▁ᎠᏫᏒᎯ\t-10.8608\n▁ᎤᏰᎬ\t-10.8611\n▁ᎤᏬᏢᏅᎢ\t-10.8612\n▁ᏭᎷᏤᎴᎢ\t-10.8612\n▁ᏩᎩᎦ\t-10.8613\nᏥᏁᎢᏍᏗᎭ\t-10.8614\n▁ᎤᏍᏓᎦᎸᎢ\t-10.8614\n▁ᏓᏟᎶᏍᏛᎢ\t-10.8614\n▁ᎠᏇᎵᏒᎩ\t-10.8618\n▁ᎦᎵᎷᎨᏍᏗ\t-10.8618\nᏕᎪᎢ\t-10.8619\n▁ᎧᏃᎮᏍᎬᎩ\t-10.8619\n▁ᏂᏗᎨ\t-10.862\nill\t-10.8621\n▁ᎢᏣᎴᏂᏙᎲ\t-10.8622\n▁ᎤᏬᎭ\t-10.8623\n▁ᏱᏍᏛ\t-10.8623\n▁ᏥᏂᎨᎬᏁ\t-10.8623\n▁ᎤᏂᏴᎮᎢ\t-10.8627\n▁ᏧᏃᎸ\t-10.8629\n▁ᎤᏬᏎᎴᎢ\t-10.8631\nᏢᏂ\t-10.8637\n▁ᎦᏲᏟᎨ\t-10.8638\nᏩᏔ\t-10.8638\n▁ᏎᎳᎩ\t-10.8638\nᎵᏓᏍᏔᏅ\t-10.8638\n▁ᎤᏄᎸ\t-10.8638\n▁ᏧᏩᎫᏔᏅᏒᎢ\t-10.8643\nᎶᎸᏗ\t-10.8643\nᏕᎶᎰᏌ\t-10.8646\nᏓᏅᎡᎮᏍᏗ\t-10.8646\nᏘᏱ\t-10.8647\n▁ᎬᏩᎦ\t-10.8648\n▁ᎤᎾᏙᎴᎰᏒᎩ\t-10.865\nᎠᎩᏏᏙᎯ\t-10.865\n▁ᎭᏕᏬ\t-10.8653\n▁ᎯᏌ\t-10.8654\nᏯᏪᎢᏍᏗ\t-10.8657\nᎵᏎᎲ\t-10.8658\n▁ᏣᎧᏛᎢ\t-10.8658\n▁ᏚᏂᎪᎲ\t-10.8658\n▁ᎾᏆᏛᏁᎸᎢ\t-10.8659\nᏛᏛᎾ\t-10.8663\n▁ᎬᏩᎷᏤᎴᎢ\t-10.8664\n▁ᎡᏙᎲᎩ\t-10.867\n▁ᎠᏥᎾ\t-10.8673\n▁ᎨᏙᎲᎢ\t-10.8675\nᎦᎶᎨᏒ\t-10.8675\n▁ᎠᏂᏁᎬᎢ\t-10.8677\n▁ᎾᏛᏁᎲᎢ\t-10.8678\nᏚᎵᏍᎪ\t-10.8678\n▁ᏤᏏ\t-10.8679\n▁ᎦᎵᏦᏙᏗ\t-10.868\n▁ᎦᏁᎯ\t-10.8684\nᎳᏗᏍᎬ\t-10.8686\nᏚᏓᎴᏍᏗᏱ\t-10.869\n▁ᏏᎦ\t-10.8692\n▁ᎢᏌ\t-10.8694\n▁ᎤᏪᎭ\t-10.8698\n▁ᏯᎩᏰᎸ\t-10.8699\n▁ᎢᏥᎲᎢ\t-10.8699\n▁ᎾᏛᎦ\t-10.8699\n▁ᏓᏫᏒᎢ\t-10.8704\n▁ᏧᎾᏗᏔᏍᏗ\t-10.8708\n▁ᎢᏢ\t-10.871\n▁ᏣᏍᎦᏅᏨ\t-10.8712\n▁ᎠᎢᏎ\t-10.8718\nᎵᏍᎪᎸᏙᏗ\t-10.8718\nᏙᎡᏍᏗ\t-10.8718\n▁ᎠᎩᎲ\t-10.8719\n▁ᎡᎳᏂᎬᎢ\t-10.8719\n▁ᎤᏂᎯ\t-10.872\nᏍᏚᏟᏍᏗ\t-10.8721\n▁ᏚᎷᎬ\t-10.8723\nᎩᏳᏍᏈᏛ\t-10.8723\n▁ᏙᏓᎸᎢ\t-10.8727\nha\t-10.8732\n▁ᎤᏄᏪ\t-10.8737\n▁ᏕᎨᏒ\t-10.874\n▁ᏕᎯᏁᎸ\t-10.8745\n▁ᏥᎩᎵᏲᎬ\t-10.8757\n▁ᎤᏚᎸᎲ\t-10.876\n▁ᎠᎾᎢᏒᎢ\t-10.8761\nᏱᏆ\t-10.8765\n▁ᎠᎦᎵᏍᎪᎸᏓᏁᎸ\t-10.8768\n▁ᏁᏣ\t-10.8771\nᏌᏛᏗ\t-10.8771\n▁ᏄᎳ\t-10.8772\n▁ᏗᏍᎩᎧᏁ\t-10.8776\n▁ᏅᎩᏃ\t-10.8776\n▁ᎤᏁᎳᏅ\t-10.8776\nᎵᏍᏗᏍᎩ\t-10.8779\n▁ᏥᎳ\t-10.8779\n▁ᏗᏟ\t-10.8785\n▁ᎠᏣ\t-10.8786\nᎧᎾ\t-10.879\n▁ᏂᎩ\t-10.8792\n▁ᏓᏓᏁᎸᎢ\t-10.8792\n▁ᏙᎤ\t-10.8794\n▁ᎤᎷᏨᎯ\t-10.8801\n▁ᎦᎳᎨᏴᎢ\t-10.8805\n▁ᏕᎦᏚᎲᎢ\t-10.8805\nᏴᎮᎢ\t-10.8805\n▁ᏂᏣᏛᏁᎸᎢ\t-10.8805\nᏌᏛᎥᏍᎩ\t-10.8807\nᏫᏍᎩ\t-10.8819\n▁ᏓᏆᏙᎥᎢ\t-10.882\n▁ᎢᏥᏍᏆ\t-10.8824\n▁ᎤᏕᎸ\t-10.8824\nᏬᎭ\t-10.8827\nᏓᎴᎾᏍᏗ\t-10.8828\n▁ᎩᏓ\t-10.8831\n▁ᎡᏏ\t-10.8832\n▁ᎵᏍᏗ\t-10.8832\n▁ᎤᏓᏅᏖᎢ\t-10.8832\n▁ᎭᏗᏔ\t-10.8835\n▁ᎤᏃᏢᏅ\t-10.8839\n▁ᏂᏣᏍᏛ\t-10.8843\n▁ᎦᎸᏍᏗ\t-10.8847\nᏂᏲᏏᏍᎩ\t-10.885\n▁ᎬᏩᏛᏛ\t-10.8855\nᎵᏦᏩᏛ\t-10.8858\nᎤᏣ\t-10.8874\n▁ᏔᎵᏍᎪ\t-10.8881\n▁ᏥᏂᎦ\t-10.8884\nᏓᎾᏫᏛᎮ\t-10.8884\nᏏᎳᏛ\t-10.8889\n▁ᎠᏍᎩ\t-10.8894\n▁ᎠᏂᏬᏂᏍᎬᎢ\t-10.8894\n▁ᎤᏕᎵ\t-10.8896\nᏏᏂ\t-10.89\n▁ᎤᏓᎨᏳ\t-10.8901\n▁ᏏᏆᏏ\t-10.8905\n▁ᏃᎦ\t-10.8906\n▁ᏣᎬ\t-10.8911\nᏙᎴ\t-10.8932\n▁ᎠᎵᏍᏓᏴᏗᏱ\t-10.8934\n▁ᏱᏣᏓᏅᏖ\t-10.8937\n▁ᏥᏫ\t-10.8939\n▁ᎠᎾᏛᎩᏍᎨ\t-10.8941\n▁ᎢᏆ\t-10.8942\n▁ᎤᏛᎦᏁᎢ\t-10.8942\n▁ᎠᏑ\t-10.8948\nᏂᏍᏆᏂᎪ\t-10.8951\nᎾᏄᎪᏫᏍᎨᏍᏗ\t-10.8965\n▁ᎦᏳ\t-10.8965\n▁ᎠᏏᎾ\t-10.897\nᎵᎭ\t-10.8971\nᎵᏱᎶᎯᏍᏗ\t-10.8979\nᏛᏁᎲᎢ\t-10.8989\n▁ᏥᏰᎸ\t-10.899\nᎯᏗᏳ\t-10.8992\n▁ᏇᎳ\t-10.8992\n▁ᏕᏗ\t-10.8992\nᏏᏏ\t-10.9001\n▁ᏂᏚᏓᎴ\t-10.9007\nᏙᎵᎩ\t-10.9007\nᏰᎵᏉ\t-10.9009\nᎩᏯ\t-10.9013\n▁ᏃᏉᏗ\t-10.9015\n▁ᏄᏅᏁ\t-10.9017\n▁ᎤᎶᏎ\t-10.9021\nᎵᏍᎪᎸᏓᏏ\t-10.9029\n▁ᎨᏍ\t-10.9031\nᏗᏅᏓ\t-10.904\nᏯᎡᏍᏗ\t-10.9045\nᏝᎡ\t-10.9048\nᏓᏅᏖᏙᏗ\t-10.9051\n▁ᏚᏂᎸ\t-10.9053\n▁ᏱᏂᏣᏛᏁ\t-10.9056\nᏯᏔᏬ\t-10.9062\nᏅᏁᎮᏍᏗ\t-10.9068\n▁ᎢᏥᎷᏤᎸ\t-10.9068\n▁ᏳᏰᎸ\t-10.907\nᏏᏔᏛ\t-10.9071\n▁ᎢᏍᏕ\t-10.9076\n▁ᎠᎾᏓᏙᎵᏍᏗᏍᎨ\t-10.9079\nᎦᏍᎪ\t-10.9092\nᏍᏗᎭ\t-10.9098\nᏟᏂᎬᎬ\t-10.9099\n▁ᎠᏍᏆᏂᎪᏗᏍᎨ\t-10.9133\n▁ᎢᎸ\t-10.9134\nᎰᎸ\t-10.9147\n▁ᎤᎩᏒ\t-10.9152\n▁ᎠᏆᏓ\t-10.9156\n▁ᏂᎬᏁᎮ\t-10.916\n▁ᎤᏭᏢ\t-10.917\n▁ᎤᏂᎬᏫᏳ\t-10.9176\nᎷᏤ\t-10.9181\n▁ᏭᏍᏗ\t-10.9192\nᏗᎦᏅᎯᏛ\t-10.9194\n▁ᏍᎩᏰᎸᏗ\t-10.9203\n▁ᏧᏲᎯᏎᏗ\t-10.9206\n▁ᏍᎩᏳ\t-10.9226\n▁ᎣᏍ\t-10.9228\n▁ᏣᎵᏍᎪᎸᏙᏗ\t-10.9231\nᏰᎵᏎ\t-10.9234\nᏛᏅᎩ\t-10.9237\n▁ᏧᏁᏤ\t-10.9247\nᎵᏍᎦᏍᏙᏗ\t-10.9271\nᎵᏍᏓᏏ\t-10.9274\nᎾᏗ\t-10.9276\n▁ᎾᏥ\t-10.9283\n▁ᎢᎡ\t-10.9284\n▁ᎠᏁᎲᎩ\t-10.9297\nᏅᏍᏓᏕᎸᎩ\t-10.9304\nᏥᎾᏄᎪᏫᏏ\t-10.9305\n▁ᎠᏂᏤ\t-10.9309\n▁ᎤᏆ\t-10.9312\n▁ᎾᏛᏁᎰ\t-10.9317\n▁ᎡᏙ\t-10.9327\nᏘᏃᎦ\t-10.9328\nᏤᎴ\t-10.9331\nᏁᏤᎸ\t-10.9334\n▁ᎤᏍᏆᎸᎯᏗ\t-10.9336\n▁ᏰᎵᎦ\t-10.9345\n▁ᎠᎪᎢ\t-10.936\nᏚᏃᏴᎬ\t-10.937\nᏓᏁᎸᎯ\t-10.937\nᎸᏍᏗᏱ\t-10.9375\nᎬᏓ\t-10.9381\n▁ᎢᏥᎭ\t-10.9387\nᏒᎲᏍᏗ\t-10.9394\n▁ᎣᏤ\t-10.9398\n▁Ꮢ\t-10.9403\n▁ᎠᏫᏃ\t-10.9406\n▁ᎪᏢ\t-10.9407\n▁ᎠᏓᏲᏁ\t-10.9408\nᏐᏁ\t-10.9408\nᏐᏗ\t-10.9416\n▁ᎢᏗᎦ\t-10.9419\nᎳᏗᏍᏗ\t-10.9434\n▁ᏣᏁᎩ\t-10.9439\nᏂᎲ\t-10.9441\n▁ᏦᎢᎭ\t-10.9451\n▁ᎾᏯ\t-10.9458\nᏲᎯᏎᏗᏱ\t-10.946\nᏓᏎᎪᎩ\t-10.9465\nᏓᏬᎯᎳ\t-10.9468\nᏙᏂ\t-10.9476\nᏩᏗᏒᎢ\t-10.9487\n▁ᎤᎵᏏᏅ\t-10.9517\nᎩᎵ\t-10.952\n▁ᎤᎵᎢ\t-10.9523\n▁ᏆᎾ\t-10.9529\nᏢᏅᎩ\t-10.9536\nᎯᎮᏍᏗ\t-10.9538\nᏍᏗᏍᎨ\t-10.954\nᎪᎦ\t-10.9542\n▁ᏚᏓ\t-10.9551\nᎨᎯᏓᏍᏗ\t-10.9554\n▁ᏫᏱ\t-10.9557\nᎮᎾ\t-10.9562\nᎪᎩ\t-10.9562\nᎩᎨᏳᎯᏳ\t-10.9568\nᏥᎦᏔᎲᎾ\t-10.9568\nᏓᏁᏗᏱ\t-10.9571\nᏍᏇᏚ\t-10.9573\nᎲᏍᎨᎢ\t-10.9574\n▁ᏓᏌ\t-10.9581\nᎾᏔ\t-10.9591\nᏍᏕᎾ\t-10.9599\n▁ᎢᏲ\t-10.96\nᎦᏕ\t-10.9621\nᎾᏛᎦ\t-10.9621\nᏤᏗ\t-10.9627\n▁ᎦᏘ\t-10.9628\n▁ᏙᏣ\t-10.9632\nᏌᏕ\t-10.9633\nᎵᏓᏍᏗᏱ\t-10.9636\nᏴᏔᏁᎢ\t-10.965\n▁ᎯᏃ\t-10.9651\n▁ᎠᏂᏉ\t-10.9662\n▁ᎢᏥᏍᏆᏂᎪ\t-10.9664\n▁ᎤᏪᏅ\t-10.9666\nᏥᎦᏔᎭ\t-10.9666\nᎳᎩᏍᏗ\t-10.9672\n▁ᏰᏣ\t-10.9679\n▁ᏣᏓᏰ\t-10.9683\n▁ᏂᏚᏅ\t-10.9695\n▁ᏱᏣᏓ\t-10.9707\nᏰᎸᏍᎬ\t-10.9709\n▁ᏓᎾᎵ\t-10.9712\nᏦᎯ\t-10.9717\nᏁᎰ\t-10.9724\nᏌᏅ\t-10.9726\nᎸᏅᎯ\t-10.9727\nᏛᏁᎭ\t-10.9733\n▁ᎠᎾᏘ\t-10.9742\nᎩᏏ\t-10.9742\nᏅᏔ\t-10.9743\nᏘᏅᏒᎩ\t-10.9759\nᏤᎷᎯᏒ\t-10.9766\n▁ᎦᎶᏁᏛᏰᏃ\t-10.9766\nᏡᎬ\t-10.9772\n▁ᎠᏏᏴᏫᏉ\t-10.9774\n▁ᏥᏕᏥ\t-10.9793\nᎪᎳ\t-10.9794\n▁ᎬᎾᏬ\t-10.9806\nᏰᏍᏗ\t-10.9812\n▁ᏱᏙᎩ\t-10.9815\n▁ᎤᏪᏯ\t-10.9816\nᎵᏍᎪᎸᏙᏗᏱ\t-10.9816\nᏛᏁ\t-10.9816\n▁ᏗᏍᏓ\t-10.9824\nᏕᏅᎯ\t-10.9829\nᏍᏗᏉ\t-10.9833\nᎦᏬᏂᎯᏍᏗ\t-10.984\nᏬᎢ\t-10.9841\nᏅᏤᎢ\t-10.9846\nᏛᏂᏏ\t-10.9865\nᎦᏎᏍᏕᏍᏗ\t-10.9873\nᏬᏣ\t-10.9879\nᏑᏫᏓ\t-10.9883\nᏍᏆᏂᎩᏗ\t-10.9885\nᏎᎮᏍᏗ\t-10.9891\n▁ᏚᏂᏍᏚ\t-10.9893\n▁ᎠᏚᎢᏍ\t-10.9897\n▁ᏂᎦᏪ\t-10.9898\n▁ᏓᏥᏲ\t-10.991\nᏂᏴᏛ\t-10.9914\nᏁᎳᎩ\t-10.9918\n▁ᏥᏅ\t-10.9925\nᎧᏯ\t-10.9928\nᏕᎰ\t-10.9932\nᏤᎦᏈᏃ\t-10.9932\nᎪᏩᏘᏍᎬᎾ\t-10.9933\nᏓᎾ\t-10.9936\n▁ᎠᏂᏧᏏᏃ\t-10.994\n▁ᏳᏓ\t-10.9943\n▁ᎠᎵᏥᏙ\t-10.9944\nᎻᏂ\t-10.9947\n▁ᎤᏰᎸ\t-10.9951\n▁ᎩᏂ\t-10.9958\nᏥᏁᏤᎸ\t-10.9961\nᏯᏙ\t-10.9973\nᏄᎪ\t-10.9982\n▁ᎤᏩᏗ\t-10.9989\n▁ᎦᎵᏦ\t-10.9994\n▁ᏂᏯ\t-10.9995\n▁ᏥᏍ\t-10.9998\nᏙᎭ\t-11.0003\nᏍᎦᎳᏁᎸ\t-11.0003\nᎪᏎᎭ\t-11.0014\nᎦᏅᏓᏗᏍᏙᏗ\t-11.0017\n▁ᏘᏅ\t-11.0023\nᏞᎢ\t-11.003\n▁ᎠᎦᏓ\t-11.0033\n▁ᎦᎶᏗ\t-11.0044\nᏛᏁᎯ\t-11.0055\nᏯᏅᏗ\t-11.0073\nᎵᏍᏕᎵᏍᎬ\t-11.0075\n▁ᏱᏂᎪ\t-11.0077\nᏰᎢ\t-11.009\n▁ᏧᏂᏅ\t-11.0096\n▁ᏣᎫ\t-11.0096\nᏍᏔᎾ\t-11.0098\n▁ᏓᏛ\t-11.0106\n▁ᎠᎩᏁ\t-11.0106\n▁ᎤᏓᏁ\t-11.0118\nᎦᏔᏁᎢ\t-11.0131\nᏂᎯ\t-11.0134\n▁ᎢᏣᏓᏅᏖ\t-11.0136\nᏟᏐᏗᏱ\t-11.0153\nᏕᏘᏱ\t-11.0156\n▁ᏂᎤ\t-11.0167\nᏲᏍᎬ\t-11.0169\nᏖᎢ\t-11.0173\n▁ᏚᏂᏁ\t-11.0181\nᎦᏔᎮᏍᏗ\t-11.0182\n▁ᎢᏥᏍᎦᎾ\t-11.0193\nᏁᏤᏗᏱ\t-11.0195\n▁ᎤᏅᏤ\t-11.0196\nᏘᏄᎦ\t-11.0196\n▁ᎢᏗᏣ\t-11.0198\nᎪᏕᏍᏗ\t-11.02\nᏎᎮ\t-11.0203\nᎪᎾᏛ\t-11.0204\n▁ᎠᏂᏍᎦᎢᎮ\t-11.0205\nᏣᏛ\t-11.0205\nᎵᎰ\t-11.0214\n▁ᎠᏎᎵ\t-11.0218\n▁ᎤᏂᏩ\t-11.0221\n▁ᏂᏚᏩ\t-11.0229\n▁ᎠᏂᏍᎦ\t-11.0246\n▁ᎠᏥᎸᏳ\t-11.0248\nᎬᏩᎶᏓᏁ\t-11.0252\nᏁᏤᎲ\t-11.0253\nᎾᏄᎪᏫᏍᏗᏱ\t-11.0256\n▁ᎠᏲᎱ\t-11.0265\nᏔᏲᏎᎭ\t-11.0266\n▁ᎤᏄ\t-11.0268\n▁ᏛᏆ\t-11.0271\n▁ᏧᏲ\t-11.0274\nᏴᏛ\t-11.0275\nᏚᎯ\t-11.0278\n▁ᎦᏬᏂ\t-11.0279\n▁ᎯᏥ\t-11.0281\nᏅᏓᏛ\t-11.0282\nᏇᏅᎯ\t-11.0283\n▁ᏗᏂᏅ\t-11.0293\nᏄᏬᏍᏗ\t-11.0297\nᎦᏄᎪᏫᏍᎦ\t-11.0299\n▁ᎤᏲᎢᏍᏗ\t-11.0304\n▁ᏕᏍ\t-11.0306\nᎷᏥ\t-11.0314\n▁ᏙᎩᏂ\t-11.0316\n▁ᎤᏪᎵ\t-11.0322\nᏁᎾ\t-11.0322\nᏛᏗᏍᎩ\t-11.0324\n▁ᎤᏁᏙᎸ\t-11.033\n▁ᎠᏚᏓᎴᏍᏗ\t-11.0336\n▁ᎤᎾᏣᎢ\t-11.0341\n▁ᏤᏈᏛ\t-11.0343\n▁ᏗᎧᏃᎩ\t-11.0343\nᏂᎵ\t-11.0348\n▁ᏫᏂ\t-11.0349\n▁ᏱᎬᎩ\t-11.0355\n▁ᏣᏤᏍᏙ\t-11.0356\nᎨᎾ\t-11.0359\n▁ᏙᏓᎧ\t-11.0371\nᏯᏗ\t-11.0373\nᎬᎭ\t-11.0373\n▁ᏦᎩᏂ\t-11.0377\n▁ᎦᏬᏂᏍᎨ\t-11.0386\nᏍᏆᎳ\t-11.039\n▁ᎤᏂᏰᎸᏎ\t-11.0396\n▁ᏥᏨ\t-11.0398\nᏓᏍᏗᏱ\t-11.0405\n▁ᏫᏚᎧᎾᏁ\t-11.0409\n▁ᎦᏍᎩᏓᏍᎬ\t-11.0409\n▁ᎠᏥᏃᏁᎴ\t-11.041\n▁ᏙᎩᎸᏫᏍᏓᏁᎲ\t-11.0411\n▁ᎢᏛᏗᏍᎬ\t-11.0414\n▁ᎠᎾᏛᎩᏍᎬ\t-11.0415\n▁ᎠᎾᎵᎮᎵᎬ\t-11.0416\n▁ᏗᎩᏲ\t-11.0419\n▁ᎤᏃᎯᏳᏒ\t-11.042\n▁ᏕᎤᎷᎬ\t-11.0421\n▁ᏂᏓᏕᏘᏴᎯᏒ\t-11.0422\n▁ᎠᏂᎩᎵᏲᎬ\t-11.0422\nᎾᏰᎯᏍᏗ\t-11.0423\nᏟᏏᏍᎪ\t-11.0423\nᎢᏏᎵ\t-11.0423\nᎡᏝᏪᎯ\t-11.0423\n▁ᎤᏒᏂᎴ\t-11.0427\n▁ᏗᎾᏓᎪᎾᏗᏍᎬ\t-11.0427\nᎠᎳᏂ\t-11.0428\n▁ᎯᏁᎬ\t-11.0428\n▁ᎠᏂᎧᎸ\t-11.0428\n▁ᎤᏃᎯᏳᏅ\t-11.043\nᎠᏍᎦᏯ\t-11.043\n▁ᎤᏁᎷᏁ\t-11.043\nᎾᏄᎪᏫᏎ\t-11.0431\n▁ᎠᎩᏍᏛᏗᏍᎬ\t-11.0431\nᏴᏔᏂᎸ\t-11.0433\n▁ᎠᎬᏗᏍᎬ\t-11.0433\n▁ᎠᎾᏕᎲᏍᎬ\t-11.0433\n▁ᏦᎢᏉ\t-11.0434\n▁ᎤᏓᏙᎵᏍᏔᏅ\t-11.0436\n▁ᎤᏍᏗᏰᏔᏁ\t-11.0436\n▁ᎤᎾᏓᏙᎵᏍᏔᏅ\t-11.0441\nᏆᎴ\t-11.0441\n▁ᎾᏆᎵᏍᏔᏅ\t-11.0443\nᏄᏕᏘᏴᎲ\t-11.0445\n▁ᎪᏙ\t-11.0446\n▁ᎦᏓᏙᎵᏍᏗᏍᎬ\t-11.0448\n▁ᎤᏦᎯ\t-11.0452\n▁ᎠᏇᏅᏒ\t-11.0453\n▁ᎤᏂᏰᎸᏅ\t-11.0455\n▁ᏭᏂᎶᏒ\t-11.0455\n▁ᎤᏪᎧᏅ\t-11.0456\n▁ᏥᏃᎮᏍᎬ\t-11.0458\n▁ᏅᏓᎦᎵᏍᏙᏗᏍᎬ\t-11.0458\n▁ᎠᎾᏓᎪᎾᏗᏍᎬ\t-11.046\n▁ᎢᏗᏂ\t-11.046\nᏈᎳ\t-11.0461\n▁ᏗᎦᏁᎸ\t-11.0462\n▁ᏧᎶᏒ\t-11.0463\n▁ᎠᏉᏪᎳᏅ\t-11.0463\n▁ᏨᏌ\t-11.0465\n▁ᏅᏗᎦᎵᏍᏙ\t-11.0466\nᏓᏍᏕᎸᏗ\t-11.0467\n▁ᏧᏓᎴᏁ\t-11.0468\nᎠᏁᎯ\t-11.0468\n▁ᏭᏓᎪᎾᏛ\t-11.0469\n▁ᎢᏯᏅᏁ\t-11.047\n▁ᏚᎪ\t-11.0471\n▁ᎤᏙᎯᏳᏁ\t-11.0474\n▁ᏧᎾᏛᏐᏅ\t-11.0474\n▁ᎢᏓᎵᎮᎵ\t-11.0475\n▁ᏗᎩᎾᏫ\t-11.0476\n▁ᎢᏳᎵᏍᏔᏂᏓᏍᏗ\t-11.0479\nᎸᏙᏗ\t-11.0479\nᏁᎵᏍᎬᎾ\t-11.0479\nᏎᎪᎩᏍᏗ\t-11.0479\n▁ᏗᎪᏪᎳᏅ\t-11.0481\nᏲᎯᎲ\t-11.0481\n▁ᎨᏥᏛᏙᏗ\t-11.0481\nᏥᎾᏝᎥᎾ\t-11.0481\n▁ᏓᎦᏥᏯ\t-11.0482\n▁ᏕᏣᏓᏂᎸᏨ\t-11.0483\n▁ᏭᏂᎶᎯᏍᏗ\t-11.0483\n▁ᏂᎦᎵᏍᏔᏅ\t-11.0483\n▁ᏗᏥᎧᎿᏩᏛᏍᏗ\t-11.0484\n▁ᏗᏍᏆᏂᎪᏙᏗ\t-11.0485\n▁ᏣᏍᏆᏂᎪᏙᏗ\t-11.0488\n▁ᏭᎶᎯᏍᏗ\t-11.0491\n▁ᏗᎦᎵᏦ\t-11.0492\n▁ᎢᏳᏟᎶ\t-11.0494\n▁ᎠᏁᎵ\t-11.0495\n▁ᎤᏂᏃᎮᏗ\t-11.0495\n▁ᎤᎵᏂᎩᏗ\t-11.0496\n▁ᏩᎾᎢ\t-11.0497\n▁ᏗᏣᎸᏫᏍᏓᏁᏗ\t-11.0497\n▁ᏩᏥᎳ\t-11.0498\nᏠᎾᏍᏛᎾ\t-11.0499\n▁ᎪᎵᎬ\t-11.0499\n▁ᎨᏨ\t-11.05\nᎰᏢᏅᎭ\t-11.05\nᏁᏔᏁ\t-11.0501\nes\t-11.0501\nᏥᏁᎸᎯ\t-11.0501\n▁ᎤᏂᎸ\t-11.0502\nᏦᎢ\t-11.0502\ndinot\t-11.0505\n▁ᎠᎰᎵᏆᎹ\t-11.0505\n▁ᎤᎧᏖᏃᎴ\t-11.0505\n▁ᎤᎬᏩᎳ\t-11.0505\n▁ᎱᏁᏅᏎ\t-11.0505\n▁ᎾᎵᏍᏓᏴᎲᏍᎬᎾ\t-11.0505\n▁ᏂᏥᎪᎸᎾ\t-11.0505\n▁ᏂᏥᏪᎠ\t-11.0505\n▁ᏕᏏᎶᏂᎦ\t-11.0505\n▁ᏗᎦᏃᏣᏝᏍᎩ\t-11.0505\n▁ᏗᎦᏌᏆᎸ\t-11.0505\n▁ᏧᎾᏍᏕᏥ\t-11.0505\n▁ᏧᏂᎳᎾᎢ\t-11.0505\n▁ᏬᎩᎶᏒᎩ\t-11.0505\n▁ᏭᎩᏨᏅ\t-11.0505\n▁ᏱᏕᏍᎬᏏ\t-11.0505\n▁ᎠᏳᎾᎦ\t-11.0505\n▁ᎤᏔᎳᏬᏎᎢ\t-11.0505\n▁ᏧᏩᏗᏔᏯ\t-11.0505\n▁ᏱᏅᏎᎦᎩ\t-11.0505\n▁ᎤᏓᏥᎾᏍ\t-11.0505\n▁ᎤᏔᎴᎦᏒ\t-11.0505\n▁ᎤᏩᏯᎨᎢ\t-11.0505\n▁ᏂᏣᏛᎿᏕᎨᏍᏗ\t-11.0505\n▁ᎤᏕᏯᏔᏁᎴ\t-11.0505\n▁ᏄᎾᏓᏅᏛᎾ\t-11.0505\n▁ᏗᎦᏩᏒᎩ\t-11.0505\n▁ᎤᏓᏩᏗᏍᏙᏛ\t-11.0505\n▁ᎾᏅᏛᏁᎰ\t-11.0505\n▁ᏅᏧᎵᏍᏙᏔᏁ\t-11.0505\n▁ᏍᎩᏁᎲᏏ\t-11.0505\n▁ᎠᎩᏍᏓᏩᏕᎨᏍᏗ\t-11.0505\n▁ᎠᎵᏰᎢᎶᎸᎭ\t-11.0505\n▁ᎢᏣᏛᏅᎢᏍᏙᎢ\t-11.0505\n▁ᎣᏍᏓᏓᏤᎵ\t-11.0505\n▁ᎤᏁᎳᏫᏎᎸ\t-11.0505\n▁ᎨᎢᎾᏂ\t-11.0505\n▁ᏗᏔᎳᏗᏍᏗᏱ\t-11.0505\n▁ᏥᏂᏥᏪᎭ\t-11.0505\n▁ᏗᏠᏍᎩ\t-11.0505\n▁ᎠᏓᏪᎵᎩᏍᎩ\t-11.0505\n▁ᏄᎾᏛᎾᏕᎬ\t-11.0505\n▁ᏫᏂᏨᎦ\t-11.0505\n▁ᎤᎬᏩᎴ\t-11.0505\n▁ᎤᏍᏔᏩᏛ\t-11.0505\n▁ᏙᏓᎫᎪᏓᏁᎵ\t-11.0505\n▁ᏅᏓᏣᏓᎴᏅᎯ\t-11.0505\n▁ᏗᎫᎪᏓᏁᎯ\t-11.0505\n▁ᏂᎪᎯᏳᎲᏍᎬᎾ\t-11.0505\n▁ᎢᎦᏪᏍᎩ\t-11.0505\n▁ᎥᎨᏒᎩ\t-11.0505\nᏁᏉᏣᏖᏍᏗ\t-11.0505\n▁ᎢᎬᏩᎾᏛᏁᏗ\t-11.0505\n▁ᎤᎬᏩᎸ\t-11.0505\n▁ᎤᎵᏘᎾᎥ\t-11.0505\n▁ᏥᏕᏣᎪᎲᎩ\t-11.0505\n▁ᏅᏓᏥᏴᏁᎵ\t-11.0505\n▁ᏴᎦᏥᏛᏓ\t-11.0505\n▁ᏂᎬᏠᏍᎬᎾ\t-11.0505\n▁ᎠᎵᏛᏓ\t-11.0505\n▁ᎠᎨᏲᏅ\t-11.0505\n▁ᏣᏃᎮᎸᎩ\t-11.0505\n▁ᏍᎨᏫ\t-11.0505\n▁ᏱᏂᎦᏛᏁᎭ\t-11.0505\n▁ᏗᎪᏏᏏᏍᎩ\t-11.0505\n▁ᏤᎿᎠ\t-11.0505\n▁ᎥᏓᎷᎶᏗ\t-11.0505\n▁ᏕᎭᏓᏅᎡᎮᏍᏗ\t-11.0505\n▁ᏧᎾᎴᏐᏛ\t-11.0505\n▁ᏗᏂᎧᎿᏩᏕᎩ\t-11.0505\n▁ᏥᏨᏰᎳᏗᏙᎲᎩ\t-11.0505\n▁ᎤᏩᏃᏪ\t-11.0506\n▁ᏥᏚᎸᏫᏍᏓᏁᎭ\t-11.0506\n▁ᏕᎪᏢᏎᏍᏗ\t-11.0506\n▁ᏚᏜᏅᏛ\t-11.0506\n▁ᏂᏕᎤᏍᏕᏍᏗ\t-11.0506\n▁ᏔᏘᏂᏙᎯ\t-11.0506\n▁ᏅᏓᎬᏯᏛᏁᎵ\t-11.0506\n▁ᎤᎾᏗᎦᎴᏲᏨᎯ\t-11.0506\n▁ᏄᏍᎦᏅᏨᎾ\t-11.0506\n▁ᏂᎩᏴᏁᎸ\t-11.0506\n▁ᏕᎯᏁᏤᎮᏍᏗ\t-11.0506\n▁ᎰᏌᎾ\t-11.0506\n▁ᎤᎾᎵᏍᏔᏴᏗ\t-11.0506\n▁ᏂᎨᎵᏍᎬ\t-11.0506\n▁ᏗᎾᏂᏏᎲᏍᎩ\t-11.0506\n▁ᏗᏣᏓᎵᎢ\t-11.0506\n▁ᎠᎾᏛᏁᎵᏍᎩ\t-11.0506\n▁ᏕᏥᏙᎨᏍᏗ\t-11.0506\n▁ᏍᎩᏲᎮᏍᏗ\t-11.0506\n▁ᏗᏥᏲᎱᏒᎯ\t-11.0506\n▁ᎤᏄᏬᏍᏕᏍᏗ\t-11.0506\n▁ᏂᏪᏍᎬᎢ\t-11.0506\nᏤᏬᎩ\t-11.0506\nans\t-11.0506\n▁ᏂᏑᏪᏎᎴᎢ\t-11.0506\nᎵᏍᎪᎸᏗᏍᎨᏍᏗ\t-11.0506\n▁ᏅᏓᏨᏁᎵ\t-11.0506\n▁ᏱᏄᏪᏒ\t-11.0506\n▁ᏗᏂᏲᎤᎵ\t-11.0506\n▁ᎤᏂᎾᏰᏎᎢ\t-11.0506\n▁ᎢᏣᎦᏌᏯᏍᏓ\t-11.0506\n▁ᏧᏯᏍᎦ\t-11.0506\n▁ᎤᏩᎾᏕ\t-11.0506\n▁ᎠᎩᏍᎦᏅᏥᏙᎸᎢ\t-11.0507\n▁ᎠᎾᏁᎸᏗᏍᎬ\t-11.0507\n▁ᎢᏳᏩᎦᏘ\t-11.0507\n▁ᏚᏌᎯᎸ\t-11.0507\n▁ᏂᏥᏍᎦᎢᎲᎾ\t-11.0507\n▁ᏚᏓᏂᎸᏨ\t-11.0507\n▁ᏧᎾᏘᏂᏙᎯ\t-11.0507\n▁ᏗᏣᏘᏂᏙᎯ\t-11.0507\n▁ᏂᎦᏪᏍᎪᎢ\t-11.0507\n▁ᎤᏁᎾᎢ\t-11.0507\nᏙᎴᏇ\t-11.0507\nay\t-11.0507\n▁ᎤᏃᏢᏔᏅᎩ\t-11.0507\n▁ᎨᎵᏌᏕ\t-11.0507\n▁ᎬᏩᎾᎦᏌᏯᏍᏗᏕᎩ\t-11.0507\n▁ᎨᎦᎫᏴᏓᏁᏗ\t-11.0507\n▁ᏚᏆᏛ\t-11.0507\n▁ᏙᏛᏛᏔᏂ\t-11.0507\n▁ᏗᎾᏓᎾᏌᎲᏍᎩ\t-11.0507\n▁ᎤᏛᏒ\t-11.0507\n▁ᎭᏓᏅᏓᏓ\t-11.0507\n▁ᏗᏕᏲᎲᏍᎩ\t-11.0507\n▁ᏧᏔᎾᎶ\t-11.0507\n▁ᏲᏥᎦᏔᎭ\t-11.0508\n▁ᎢᏨᏰᎳᏗᏙᎭ\t-11.0508\n▁ᏧᎳᏏᏕᏅ\t-11.0508\n▁ᎢᏣᏓᏅᏟ\t-11.0508\n▁ᎦᏙᎴᎣᏍ\t-11.0508\n▁ᎠᏂᎶᎻ\t-11.0508\n▁ᏂᎦᏚᏏᏁ\t-11.0508\n▁ᎤᏗᏌᏓᏛ\t-11.0508\n▁ᎠᎵᏍᎦᏁᏛ\t-11.0508\n▁ᎡᎭᎦᏔ\t-11.0508\n▁ᏳᏓᏬᎠ\t-11.0508\n▁ᎠᏂᏬᏂᏍᎩ\t-11.0508\n▁ᏂᏤᎲᎾ\t-11.0508\n▁ᎨᏥᏍᎦᎩ\t-11.0508\nᎸᏂᏗᏍᎩ\t-11.0508\n▁ᎠᎩᏬᏂᎯᏍᏗᏱ\t-11.0508\n▁ᎾᏅᏁᎲ\t-11.0508\n▁ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎯ\t-11.0508\n▁ᏩᎵᏰᎢᎶᎯᎭ\t-11.0509\n▁ᎠᏛᏂᏗᏍᏙᏗ\t-11.0509\n▁ᎢᏥᎪᏩᏘᏍᎨᏍᏗ\t-11.0509\n▁ᏣᏂᎧᎳ\t-11.0509\n▁ᏭᏓᏐᎴ\t-11.0509\n▁ᏓᎩᎸᏫᏍᏓᏁᎸ\t-11.0509\n▁ᏂᎦᎾᏰᏍᎬᎾ\t-11.0509\n▁ᎢᏣᏤᎵᎪᎯ\t-11.0509\n▁ᎢᏰᏨᏁᎸᎯ\t-11.0509\n▁ᎡᏣᏅᏏᏓᏍᏗ\t-11.0509\n▁ᎤᏓᏴᏛ\t-11.0509\n▁ᏧᏚᎪᏔᏅ\t-11.0509\n▁ᏓᏥᏍᏓᏱᏕᎵ\t-11.0509\n▁ᏤᏌᏂ\t-11.0509\n▁ᎤᏮᏙᏗᏱ\t-11.051\n▁Ꮰ\t-11.051\n▁ᎣᎾᏂ\t-11.051\n▁ᏂᏣᏓᏅᏛᎾ\t-11.051\n▁ᎤᎾᎵᏏᎾᎯᏍᏗ\t-11.051\n▁ᎬᎩᏁᏉᏤᏗᏱ\t-11.051\n▁ᏚᏕᏘᏴᏌᏗᏒ\t-11.051\n▁ᏂᏍᎦᏅᎾ\t-11.051\n▁ᏂᏣᏛᏁᎭ\t-11.051\nᏓᏬᏅᏛ\t-11.051\n▁ᏓᎾᏤᎸ\t-11.051\n▁ᏣᏃᏍᎩᏒᎩ\t-11.051\n▁ᏯᏆᏚᎵᏍᎨ\t-11.051\n▁ᎤᏬᏯᏁᏒ\t-11.051\n▁ᏕᎬᏆ\t-11.051\n▁ᏗᎧᎿᏩᏕᎩ\t-11.051\n▁ᎠᎪᏎ\t-11.051\n▁ᎣᏩᏒ\t-11.0511\n▁ᎠᏇᏲᏅ\t-11.0511\n▁ᎤᏯᏖᎾ\t-11.0511\n▁ᎤᏔᏂᏗᎨ\t-11.0511\n▁ᏭᎪᎮ\t-11.0511\n▁ᎠᎩᏍᏕᎵᏍᎩ\t-11.0511\n▁ᏗᎩᏲᎯᏍᏗᏱ\t-11.0511\n▁ᏗᏂᎴᏂ\t-11.0511\n▁ᎤᏂᎬᎥᏍᎬ\t-11.0511\n▁ᏣᏓᏴᎳᏔᏍ\t-11.0511\n▁ᏭᏂᎷᏣ\t-11.0511\n▁ᎹᏓ\t-11.0512\n▁ᎠᎱᎵ\t-11.0512\n▁ᏧᏂᏴᏍᏕᏍᎩ\t-11.0512\n▁ᎢᏥᏩᏛᏗᏱ\t-11.0512\n▁ᏕᎤᏙᏍᏛ\t-11.0512\n▁ᎤᎾᏕᏘᏱ\t-11.0512\n▁ᎬᏩᏃᎮᏍᎩ\t-11.0512\n▁ᏙᏓᏰ\t-11.0512\n▁ᎡᏥᎾᏰᏍᎨᏍᏗ\t-11.0512\n▁ᏣᎢᏎᏍᏗ\t-11.0512\n▁ᎡᏤᎾ\t-11.0512\n▁ᏛᏓᎴᎲᏍᎬᎩ\t-11.0512\n▁ᎤᏂᏃᏁᏗᏱ\t-11.0513\n▁ᏁᎳᏚ\t-11.0513\n▁ᏚᎿᏍᏕᏢ\t-11.0513\n▁ᏱᏙᎨᏥ\t-11.0513\n▁ᏗᎦᏟᏓ\t-11.0513\n▁ᏚᏅᏍᏓᏕᎴ\t-11.0513\n▁ᏗᏣᎦᏴᎵᎨ\t-11.0513\n▁ᎠᎩᏃᎮᏍᎩ\t-11.0513\n▁ᏫᏥᎦᏘ\t-11.0513\n▁ᏗᏆᎵᎢ\t-11.0513\nᏨᏁᏗ\t-11.0513\n▁ᎠᎾᏛᎬᎦ\t-11.0514\nᎦᏘᎴᏅ\t-11.0514\n▁ᎤᏍᏗᎩᏳ\t-11.0514\n▁ᎪᏢᏍᎩ\t-11.0514\n▁ᎢᏏᎦ\t-11.0514\n▁ᏍᎩᏅᏏᏓᏍᏗ\t-11.0514\n▁ᏗᏲᏍᏙᏗ\t-11.0514\nᎾᏌᎾᎩ\t-11.0514\n▁ᏏᏐᎢ\t-11.0514\n▁ᏥᏄᎵᏍᏔᏅ\t-11.0514\nᏂᎬᎬ\t-11.0515\n▁ᎢᏥᎷᎩ\t-11.0515\n▁ᎢᏨᏃᏁᎭ\t-11.0515\n▁ᏗᎧᏃᎨᏂ\t-11.0515\n▁ᎡᎿᎢ\t-11.0515\n▁ᏣᏃᏎᎰᎢ\t-11.0515\n▁ᎦᏟᎲ\t-11.0515\n▁ᏭᏴᎮ\t-11.0515\n▁ᎪᏱᏅᏍᏗ\t-11.0515\n▁ᎡᏥᏍᏕᎸᏗᏱ\t-11.0516\n▁ᎢᏥᎦᏔᎲ\t-11.0516\n▁ᏲᏨᏗᏍᎨ\t-11.0516\n▁ᎢᏥᎬᏫᏳᎯ\t-11.0516\nᏍᏓᏩᏛᏍᏗᏱ\t-11.0516\n▁ᎠᎵᏥᏙᎲᏍᎬ\t-11.0516\n▁ᎤᏂᏂᏴᏗᏱ\t-11.0516\n▁ᎠᏥᎸᎨᎳᏍᏗ\t-11.0516\n▁ᏂᎦᎡᏍᏗ\t-11.0517\n▁ᏂᏨᏴᏁᎭ\t-11.0517\n▁ᏗᏨᏲᎯᏎᏗᏱ\t-11.0517\n▁ᎤᏛᏓᏍᏓᏁᎴ\t-11.0517\n▁ᏓᎪᏄᎸ\t-11.0517\n▁ᎡᏚᏥ\t-11.0517\n▁ᎤᎾᏙᎴᎰᎯᏍᏗᏱ\t-11.0517\n▁ᎬᏁᏤᎭ\t-11.0517\n▁ᎠᏂᎦᏲᎵᏳ\t-11.0517\n▁ᏧᏬᎳ\t-11.0517\n▁ᎠᎩᏰᎸᎰ\t-11.0517\n▁ᏗᏑᏱ\t-11.0518\nᎵᏛᏓᏁ\t-11.0518\n▁ᎤᏛᎪᏗ\t-11.0518\n▁ᏚᎵᏍᏚᎢᏎᎢ\t-11.0518\n▁ᎢᏥᎦᏴᎵᎨ\t-11.0518\n▁ᎦᏓᎷᎪᏗ\t-11.0518\n▁ᎬᎥᏏ\t-11.0519\n▁ᏚᎸᏫᏍᏓᏁᎮᏍᏗ\t-11.0519\n▁ᎤᎵᏖᎸᏅᎩ\t-11.0519\n▁ᏓᏦᎯᏍᏛ\t-11.0519\n▁ᎬᏩᏔᏲᏎᎸᎩ\t-11.052\n▁ᎠᏴᏓᏆᎶᏍᎩ\t-11.052\n▁ᏚᏘᏅᏒᎩ\t-11.052\n▁ᏍᎩᎷᏥᏏ\t-11.0521\n▁ᏭᏅᏥᎴ\t-11.0521\n▁ᏧᏕᏲᏅᎯ\t-11.0521\n▁ᎡᏣᎫᏴᎡᏗ\t-11.0521\n▁ᏗᏙᎴᏆᏍᏗ\t-11.0521\n▁ᏗᏣᏄᏬ\t-11.0521\n▁ᎦᎶᏐᏅᎭ\t-11.0521\n▁ᏍᏋ\t-11.0522\n▁ᎤᎾᏤ\t-11.0522\n▁ᎠᎾᏗᏍᎪ\t-11.0522\n▁ᏣᎾᎥᎢ\t-11.0522\n▁ᏂᎦᏥᏴᏁᎸᎭ\t-11.0522\n▁ᏓᎬᎩᎵ\t-11.0522\n▁ᎢᏥᎪᏩᏘᎭ\t-11.0522\n▁ᎣᏓᎵ\t-11.0522\n▁ᏗᎵᏒᏍᏗ\t-11.0523\n▁ᏭᏃᏁᎸᎩ\t-11.0523\n▁ᏧᎪᎸ\t-11.0523\n▁ᏍᎩᎥᏏ\t-11.0524\n▁ᏗᎦᏘᎴᎩ\t-11.0524\n▁ᏥᏂᎦᎵᏍᏗᎭ\t-11.0524\n▁ᏩᏍᏘ\t-11.0524\n▁ᏗᎦᎳᏫᎩ\t-11.0525\n▁ᏫᎨᏥᏯᏅᏛ\t-11.0525\nᏰᎸᏍᎦ\t-11.0525\n▁ᏗᏂᏢᏗᏱ\t-11.0525\n▁ᏧᏂᏲᎱᎯᏍᏗᏱ\t-11.0525\n▁ᏅᎩᏦᏁ\t-11.0526\n▁ᎯᎰᎵ\t-11.0526\n▁ᏂᎨᏳᏎᏍᏗ\t-11.0526\n▁ᎠᏂᏍᏓᏩᏕᎩ\t-11.0526\n▁ᏅᎦ\t-11.0526\n▁ᎤᎾᎵᏃᎮᎴ\t-11.0526\n▁ᎦᏂᎳ\t-11.0526\n▁ᎠᏛᎩᏍᎨᏍᏗ\t-11.0527\n▁ᎾᏂᏪᏍᎨᏍᏗ\t-11.0527\n▁ᎤᎾᏓᏓᏍᎩ\t-11.0527\n▁ᎦᎸᏉᏗᏍᎨ\t-11.0527\nᏨᎭ\t-11.0528\n▁ᎨᏥᏯᏅᏛ\t-11.0528\nᏃᎯᏎᎲ\t-11.0528\n▁ᎤᎵᏃᎮᏔᏅᎢ\t-11.0528\n▁ᎠᎾᏓᏙᎵᏍᏗᏍᎬ\t-11.0528\n▁ᏕᎦᏅᏌᏛ\t-11.0529\n▁ᎢᏥᏔᏲ\t-11.0529\n▁ᏄᎾᎵᏍᏔᏅ\t-11.053\n▁ᎠᎩᏠᏫᏍ\t-11.053\n▁ᏥᏤᎭ\t-11.0531\n▁ᎤᏂᎨᏳᎯ\t-11.0531\n▁ᏗᏆᏓᏅᏛ\t-11.0531\n▁ᎡᏦᎢᏳᏒ\t-11.0531\n▁ᎠᏓᏙᎵᏍᏓᏁᎯ\t-11.0531\n▁ᎤᎧᎵᏨ\t-11.0532\n▁ᏄᎵᏂᎬᎬ\t-11.0532\n▁ᏄᎾᏓᎴ\t-11.0533\n▁ᎢᎨᏎᎢ\t-11.0533\n▁ᏫᏚᏂᏯᏅᎲ\t-11.0534\nᏓᎸᏛ\t-11.0534\n▁ᎤᏍᏓᏲᏒ\t-11.0535\n▁ᏓᏰᏏ\t-11.0535\nᏢᏔᏂ\t-11.0535\n▁ᎠᏩᎾᎦᎳᎯᏳ\t-11.0536\n▁ᎤᎾᏓᏅᏒᎩ\t-11.0537\n▁ᎾᏅᏁᎭ\t-11.0537\n▁ᎢᏥᎷᏤᏗᏱ\t-11.0537\n▁ᏰᎵᎦᏯ\t-11.0537\n▁ᏄᏩᏂᏌᏅ\t-11.0538\nᏒᎾᏔᏅ\t-11.0538\n▁ᏣᏰᎯ\t-11.0539\n▁ᏕᎾᏓᎪᎲᏳ\t-11.0539\n▁ᏭᏂᏴᎸᎩ\t-11.0539\n▁ᎯᏍᎩᏍᎪᎯ\t-11.054\n▁ᏗᎦᏚᎲᏍᎩ\t-11.054\n▁ᎠᎪᏩᏘᏍᎬ\t-11.054\n▁ᎠᏂᎷᎩ\t-11.054\n▁ᎤᏕᎰᎯᏍᏗᏳ\t-11.0541\n▁ᎢᏯᏅᏁᎯ\t-11.0541\n▁ᏣᏓᏅᏖᏍᏗ\t-11.0542\n▁ᎾᎦᎸᎳᏗ\t-11.0542\n▁ᎯᎷᎦ\t-11.0542\n▁ᏯᏃᏉ\t-11.0543\nᎷᎬ\t-11.0543\n▁ᏥᏍᎦᏅᏤᎸ\t-11.0544\n▁ᎤᏁᏙᎸᎯ\t-11.0544\n▁ᏣᏚᎵᏍᎪ\t-11.0544\n▁ᎦᏓᎥ\t-11.0545\n▁ᎬᏩᎪᎮᎢ\t-11.0545\n▁ᎿᏛᏁᎲ\t-11.0545\nᏚᎸᏅᎥᏍᎬ\t-11.0545\n▁ᎤᏍᏉᎵᏱ\t-11.0545\nᎹᏂ\t-11.0545\n▁ᎤᏓᏔᏅ\t-11.0547\n▁ᎤᏓᏅᏍᏗᏱ\t-11.0547\n▁ᎡᏈ\t-11.0547\n▁ᎣᏤᎯ\t-11.0548\n▁ᏚᎾᎴᏅᎩ\t-11.0548\nᏅᏓᏛᎩ\t-11.0548\n▁ᎠᎦᏛᏅᎯ\t-11.055\nᎣᏏᏉ\t-11.055\n▁ᏕᏣᎸᏫᏍᏓᏁᎲᎢ\t-11.055\n▁ᏓᎩᏏᎳᏛᎢ\t-11.055\n▁ᏚᏬᏢᏁᎢ\t-11.055\n▁ᏧᏑᏰᏛ\t-11.055\n▁ᎤᎾᎵᏎᎢ\t-11.0551\n▁ᏗᎬᏔᏅᎯ\t-11.0551\n▁ᎢᎦᎵᏍᏕᎸᏙᏗ\t-11.0552\nᏁᏅᏍᏗᏱ\t-11.0552\nᏂᏃᏁᎴ\t-11.0552\n▁ᎤᎳᏏᏕᏂ\t-11.0553\n▁ᎪᎵᏍᏗᏱ\t-11.0553\n▁ᎢᎨᏨᏁᏗ\t-11.0554\n▁ᏚᏂᎧᏁᎢ\t-11.0554\n▁ᎾᏆᏍᏗ\t-11.0554\n▁ᎠᏇᎷᏅ\t-11.0558\n▁ᎠᏯᏫᏍᎩ\t-11.0558\n▁ᏚᏪᎧᎲ\t-11.0559\n▁ᏓᏰᏂ\t-11.0559\n▁ᎤᏂᎦᎸ\t-11.0559\n▁ᎠᏂᏍᏆᏂᎪᏗᏍᎩ\t-11.0561\n▁ᎤᎸᏁᎢ\t-11.0561\n▁ᏧᏁᎶᏗ\t-11.0561\n▁ᎠᏇᏅᏒᎩ\t-11.0561\n▁ᏦᏍᏛ\t-11.0562\n▁ᏦᎴᏍᏗ\t-11.0562\n▁ᏴᎨᏨ\t-11.0562\n▁ᏂᏚᏂᏪᏎᎴᎢ\t-11.0562\n▁ᎤᏂᏰᎸᎭ\t-11.0563\nᎿᎷᏒ\t-11.0564\nᎦᏁᎳᏅᎯ\t-11.0565\n▁ᎤᏓᏅᏍᏗ\t-11.0565\n▁ᏪᎯ\t-11.0566\n▁ᏱᏍᏆ\t-11.0566\n▁ᎤᎵᏍᏙᏔᏅ\t-11.0567\n▁ᏕᎤᎸᏫᏍᏓᏁᎲᎢ\t-11.0568\n▁ᎲᏅᎢ\t-11.0569\n▁ᏓᎾᎵᏍᏓᏴᎲᏍᎬᎢ\t-11.0569\n▁ᏄᎵᏍᏓᏁᎸᎢ\t-11.0569\n▁ᏓᏘᏁᎲᎢ\t-11.0569\n▁ᏚᏂᎸᏫᏍᏓᏁᎮ\t-11.0569\nᎧᎵᎢᏍᏗᏱ\t-11.0569\n▁ᎠᏓᎴᏒᎢ\t-11.057\n▁ᎤᎫᏴᎡᏗ\t-11.057\n▁ᎤᏁᏓᏍᏗᏱ\t-11.057\n▁ᏚᏓᏘᎿᎥᎢ\t-11.057\n▁ᏪᏙᎮ\t-11.057\n▁ᎤᏓᏅᎡᎴᎢ\t-11.0571\n▁ᎠᎧᏘ\t-11.0571\n▁ᏕᎦᏬᏁᏗᏍᎬᎩ\t-11.0572\n▁ᎨᎳᏍᏙᏗ\t-11.0572\n▁ᎤᏁᎷᎬᎩ\t-11.0573\n▁ᎠᏓᏁᏣᏍᏚᎶᎩ\t-11.0573\n▁ᎠᏰᎸᏒᎩ\t-11.0574\nᏛᏗᏍᎪᎢ\t-11.0575\n▁ᎤᏚᎵᎭ\t-11.0576\nᎦᏂᏌᎲ\t-11.0577\n▁ᎤᏬᎯᏳᏅᎩ\t-11.0577\n▁ᏧᎧ\t-11.0578\n▁ᎤᏂᏁᎢᏍᏔᏅ\t-11.0578\nᎦᏌᎴ\t-11.0578\n▁ᏓᎻ\t-11.0581\nᏆᏠ\t-11.0582\n▁ᎨᏍᏓ\t-11.0582\nᏰᏲᎲᏍᎩ\t-11.0585\nᏃᎯᏎᏗ\t-11.0586\n▁ᏗᏍᏓᏱ\t-11.0587\n▁ᎠᏂᏍᎦᎢᎮᎢ\t-11.0588\n▁ᏚᎾᏄᎪᏫᏎᎸ\t-11.0588\n▁ᎠᏁᎵᏍᎪ\t-11.0592\nᏙᏱ\t-11.0592\n▁ᎤᎵᎮᎵᏨᎯ\t-11.0593\nᏠᎯᏍᏓ\t-11.0593\n▁ᏥᏯᎥᎢ\t-11.0593\n▁ᎡᎶᏗᏏ\t-11.0594\n▁ᏑᏟᎶᏛᏉ\t-11.0594\nᎨᏳᏅᎾ\t-11.0594\n▁ᏚᏂᏍᏘᏰᎬ\t-11.0597\n▁ᏂᏓᏛᏁᎲ\t-11.0598\n▁ᏥᎪᎥᎩ\t-11.0601\n▁ᏧᎴᎯᏐᏗ\t-11.0602\n▁ᏕᏨᏅ\t-11.0603\n▁ᏄᏕᏘᏴᎲ\t-11.0603\n▁ᎤᏒᏂᎴᎢ\t-11.0605\n▁ᎤᏃᏛ\t-11.0607\n▁ᏌᎾ\t-11.0608\n▁ᎤᏂᏂᏴᎮ\t-11.0608\n▁ᎠᎾᏗᏍᎬᎢ\t-11.0609\n▁ᎦᏓᏍᎬ\t-11.061\n▁ᎤᎾᏄᎪᏫᏏ\t-11.061\n▁ᏁᏨᏁᎸ\t-11.061\n▁ᏚᏂᏏᏂᏙᎸ\t-11.061\n▁ᎦᏰᏥᏐᏢ\t-11.0611\n▁ᏂᏕᏨᏁᎸ\t-11.0611\nᏣᏉᎯ\t-11.0613\n▁ᏚᏯᏪ\t-11.0614\n▁ᏦᏨ\t-11.0615\n▁ᎨᏥᏚᎢᏍᏓᏁᎸ\t-11.0618\nᏳᏓᎴᏏ\t-11.0621\nᏓᏂᎧᎿᏩᏕ\t-11.0621\n▁ᏧᏂᏲ\t-11.0621\n▁ᏅᏔ\t-11.0622\n▁ᎤᏪᏴᎢ\t-11.0624\n▁ᎤᏰᎸᏅᎩ\t-11.0624\nᏓᏙᎵᏍᏔᏂ\t-11.0624\n▁ᎵᏳ\t-11.0625\nᏗᎦᎵᏍᏙᏗ\t-11.0627\nᏙᎥᎯᏍᏗ\t-11.0628\n▁ᎤᏂᏅᏅ\t-11.0629\n▁ᎤᎾᏄᎪᏫᏎᎴᎢ\t-11.063\n▁ᎢᏍᎩ\t-11.0631\n▁ᎠᎴᏂᏍᎬ\t-11.0633\n▁ᎠᏁᎵᏍᎬᎩ\t-11.0633\nᏁᎩᏎᎢ\t-11.0634\nᏲᎵᎸ\t-11.0637\nᏙᎲ\t-11.0638\n▁ᏂᎨᏎᎢ\t-11.0638\n▁ᎡᎵᏍᎬᎢ\t-11.0639\nᏓᏁᎲ\t-11.064\n▁ᏓᏂᎧᏅᎢ\t-11.064\n▁ᎠᏂᏙᎾᎡᎢ\t-11.0641\n▁ᏓᏂᎳᏫᎥᎢ\t-11.0641\n▁ᎾᏋ\t-11.0641\n▁ᏂᏚᏪᏎᎸᎢ\t-11.0641\nᏂᎷᏥ\t-11.0643\n▁ᎢᏣᏕᎶᏆ\t-11.0643\n▁ᏄᏛᏁᎸᎾ\t-11.0645\n▁ᎤᏛᎦ\t-11.0648\n▁ᎤᎩᏎ\t-11.065\n▁ᏭᏂᏴᎮ\t-11.0653\n▁ᎯᎩ\t-11.0654\n▁ᎡᎳᏪᏉ\t-11.0655\n▁ᏣᎩᏍᏗ\t-11.0656\n▁ᏗᎦᏙᏗ\t-11.0659\n▁ᏚᏲᎯᏎᎴ\t-11.0663\n▁ᏧᏬᎸᎢ\t-11.0664\n▁ᎾᏉᎯᏳ\t-11.0664\n▁ᎠᎦᏔᎯ\t-11.0666\nᎦᏙᎥᏒᎯ\t-11.0668\n▁ᏥᏕᎭ\t-11.0671\n▁ᏄᎵᏍᏔᏁᎴ\t-11.0672\n▁ᏣᎪᏩᏘᏍᎪ\t-11.0673\nᎳᏅᏛ\t-11.0674\n▁ᏥᏰ\t-11.0675\n▁ᎤᏍ\t-11.0676\n▁ᏄᏂᏪᏎᎸ\t-11.0677\n▁ᎠᏚᎢᏍᏛᎢ\t-11.0678\nᏪᎳ\t-11.0682\n▁ᏟᏗ\t-11.0685\nᎯᏉ\t-11.0686\n▁ᎤᎾᏓᏅᏖ\t-11.0689\n▁ᏩᎾᎢᏒ\t-11.0689\n▁ᎤᏂᏲᎭ\t-11.0692\n▁ᎤᏕᏗ\t-11.0692\nᎦᏍᎦᏂᏗᏢ\t-11.0696\nᏍᏕᎸ\t-11.0698\n▁ᏫᏯ\t-11.0699\n▁ᏗᎦᏘᏯ\t-11.07\n▁ᎦᏁᎲᎩ\t-11.0701\n▁ᎠᎾᎵᏥᏙᎲᏍ\t-11.0701\n▁ᎤᏢᏗ\t-11.0702\n▁ᎠᏂᏙᎾᎥᎩ\t-11.0702\n▁ᏣᏉᎩ\t-11.0704\nᎴᏂᏓᏍᏗ\t-11.0704\n▁ᎣᎦᎵᎪ\t-11.0705\nᏓᎴᏅᎯ\t-11.0707\n▁ᏚᏅᏎᎢ\t-11.071\n▁ᏱᏗᏓ\t-11.0714\nᏗᏔᎯ\t-11.0715\nᏔᎳᏬᎯᏍᏗ\t-11.0715\n▁ᏄᎾᏛᏁᎸᎢ\t-11.0716\nᏆᎳ\t-11.0717\n▁ᏚᎾᎵ\t-11.0721\nᏲᎦᏛᏅ\t-11.0721\n▁ᎤᏩᎨᏫᏎ\t-11.0722\n▁ᏪᏥ\t-11.0723\nᏅᏓᏗᏍᎬ\t-11.0723\n▁ᎠᎩᏍᎨᏍᏗ\t-11.0726\n▁ᎧᏃᎮᏍᎬᎢ\t-11.0726\nᏚᎪᏓᏁᏗ\t-11.0728\n▁ᎠᏍᏆᎸ\t-11.0732\n▁ᎠᏂᎵ\t-11.0735\n▁ᎦᏅᎬᎢ\t-11.0735\n▁ᎬᏩᎷᏤᎮ\t-11.0737\n▁ᎢᏧᏓᎴ\t-11.0741\n▁ᎤᏂᏄᎪᏨᏃ\t-11.0745\nᏤᎯ\t-11.0752\n▁ᎤᎶᏗ\t-11.0756\n▁ᏇᎵ\t-11.0756\n▁ᎠᏗᏍᎨ\t-11.0757\nᏃᎮᎮᎸ\t-11.0758\nᏅᎡᎵ\t-11.0758\nᎦᏍᏙᏗ\t-11.0758\nᏍᏓᏁᎸᎯ\t-11.0761\n▁ᎤᏅᏏᏛ\t-11.0762\nᏁᎵᏍᎬ\t-11.0765\n▁ᎤᎷᏤᎸ\t-11.0765\n▁ᏱᏙᎨ\t-11.0766\n▁ᎤᏪᎷᎬ\t-11.0767\nᏥᏄᎪᏫᏍᏗ\t-11.0768\nᏅᏗᏍᎪ\t-11.0769\n▁ᎧᏁ\t-11.0769\n▁ᎢᏥᏍᎦᏅᏨ\t-11.0771\n▁ᏮᏓᏲ\t-11.0777\nᏆᏓ\t-11.0779\n▁ᏨᏍᎩᏃᎢ\t-11.0787\n▁ᏱᏗᏗ\t-11.0787\n▁ᎠᏆᎧᏛᎢ\t-11.0787\n▁ᎤᏁᎵᏍᏗ\t-11.0788\n▁ᎤᏪᎯ\t-11.0789\n▁ᎤᏂᏣᏖᏰᏃ\t-11.0791\n▁ᎤᏰᏤᎢ\t-11.0794\nᏣᏘᏃᎵ\t-11.0794\n▁ᎤᏃᏢᏗ\t-11.0795\n▁ᏯᏛ\t-11.0795\n▁ᏥᎦᎶ\t-11.0796\n▁ᏫᏓᎦ\t-11.08\n▁ᎦᏁᎲᎢ\t-11.0803\nᏓᏅᎯᏓ\t-11.0806\n▁ᎠᏰᏙᎳᏛᎢ\t-11.0807\n▁ᏚᎴᏅᎩ\t-11.0808\nᏴᏍᏗᏱ\t-11.0811\nᏅᎢᏍᏗᏱ\t-11.0813\n▁ᎤᏁᏅᏎᎢ\t-11.0813\nᏥᎶᏍᏔᏅ\t-11.0813\nᎩᎪᏩᏛᏗᏱ\t-11.0813\nᏣᏛᏂᏏ\t-11.0824\n▁ᎢᏨᏴ\t-11.0831\n▁ᎦᎶᏍᎬ\t-11.0831\nᎴᏫᏍᏔᎾ\t-11.0832\n▁ᎤᏬᎯᏳᏁ\t-11.0834\n▁ᏧᎳ\t-11.0839\n▁ᏗᎵ\t-11.0842\n▁ᎤᏴᏍᏗᏱ\t-11.0843\n▁ᏗᏦᎸ\t-11.0844\nᎵᏂᎩᏛ\t-11.0846\n▁ᎦᏬᏂᏍᎬᎩ\t-11.0846\nᏛᏅᎢᏍᏕ\t-11.0848\nᎷᏤᎸᎩ\t-11.0849\n▁ᏓᏯ\t-11.0852\n▁ᎤᏁᏤᎸᎯ\t-11.086\n▁ᎤᎯᏍᏗᏱ\t-11.086\n▁ᏧᏪᏅᏒᎢ\t-11.0861\n▁ᎤᏃᏴᎬᎢ\t-11.0862\n▁ᏳᏂᏰᎸ\t-11.0864\n▁ᎢᏣᎵ\t-11.0865\n▁ᎤᏂᎲᎢ\t-11.0866\n▁ᏕᎨᎦᎸ\t-11.0874\n▁ᏳᎳ\t-11.0878\nᏯᎩᏍᏗ\t-11.0879\n▁ᏚᏭᏢ\t-11.088\n▁ᎤᏕᏅᎢ\t-11.0882\n▁ᏕᎦᏁᎲ\t-11.0882\n▁ᎤᏃᏢ\t-11.089\n▁ᎦᎪᎨ\t-11.0896\nᏛᏃ\t-11.0902\n▁ᎠᎦᏛᏅ\t-11.0915\n▁ᏚᎧᎿᏅᏃ\t-11.0916\n▁ᎢᎦᏛᏍᎩᏂ\t-11.0916\n▁ᎢᎩᏴᏁᏗ\t-11.0916\nᏒᏍᏗ\t-11.0916\n▁ᏗᏓᎴᏂᏍᎬᎢ\t-11.0917\n▁ᎢᏳᎾᎵᏍᏔᏅ\t-11.0917\n▁ᎠᎢᏒᏃ\t-11.0923\n▁ᏗᎦᎦ\t-11.0933\n▁ᎨᏥᏁᏤᎸ\t-11.0939\nᏍᎦᎳᏁ\t-11.0943\n▁ᏕᎨᎦᏛ\t-11.0943\n▁ᎦᏅᎦ\t-11.0943\nᎵᏂᎩᏗᏳ\t-11.0946\n▁ᏩᏥ\t-11.0948\n▁ᎨᏆ\t-11.0956\n▁ᎢᏨᏯᎵᏥᏙᏁᎸ\t-11.0957\n▁ᎤᏂᏣᏘᏰᏃ\t-11.0971\n▁ᏚᏂᎩᏒ\t-11.0972\n▁ᎤᏕᏘᏴᏌᏗᏒᎢ\t-11.0972\nᎠᏤ\t-11.0973\n▁ᏕᎤᏙᎥᎢ\t-11.0973\n▁ᎮᎵᏍᎬ\t-11.0993\nᏴᎮ\t-11.0998\n▁ᎨᎥ\t-11.1002\n▁ᎤᎾᏓᏅᏛ\t-11.1005\nᏨᎢ\t-11.1005\n▁ᏏᎻᏯᏂᏃ\t-11.1007\n▁ᎣᏂᎦ\t-11.1008\nᎧᏔᎭ\t-11.1008\n▁ᎤᏲᎯ\t-11.1009\nᏴᏙᏗᏱ\t-11.101\n▁ᎤᏙᏢᏒ\t-11.1014\nᏌᎥ\t-11.1014\n▁ᎤᏂᏁᏨᏃ\t-11.1015\nᏚᎧᎾᏅ\t-11.1016\nᏴᎯᎮᏍᏗ\t-11.1028\nᎳᏅ\t-11.1031\nᏥᏯᏅᏗ\t-11.1035\n▁ᎤᎾᏓᏃᏴᎵᏍ\t-11.104\n▁ᏗᏍᏛ\t-11.104\nᏳᏩᏅ\t-11.104\nᏓᏛᏁᎮᏍᏗ\t-11.1049\nᎦᏖᏃᎲ\t-11.1054\nᏟᎶ\t-11.1054\n▁ᎤᏚᎵ\t-11.1069\nᏥᏐᏅᏅ\t-11.1074\nᏏᎸ\t-11.1074\n▁ᎠᏆᏓᏅᏖᎸ\t-11.1074\n▁ᏗᎦᎸᏫᏍᏓᏁᏗᏱ\t-11.1083\nᏴᎢ\t-11.1096\n▁ᏱᏚᎾ\t-11.1096\nᎪᎲᎩ\t-11.1098\nᏲᎯᏎᎸᎯ\t-11.1103\n▁ᎤᏲᎱᏒᎩ\t-11.1113\nᏥᏍᎦᏨᎯ\t-11.1122\nᎸᏎ\t-11.1123\nᎵᎸ\t-11.1125\n▁ᏓᏕᏲᎲᏍᎨ\t-11.1126\nᏁᏟᏴᏛ\t-11.1127\n▁ᎤᏁᏗ\t-11.1136\nᏍᏛᎩ\t-11.1138\n▁ᏥᏩ\t-11.1142\n▁ᎢᎩᏛ\t-11.1148\n▁ᎢᏳᏓᎵ\t-11.1153\nᎪᏩᏘᏍᎪ\t-11.1159\nᎰᏅ\t-11.1161\nᏣᏓᏙᎵᏍᏗ\t-11.1161\nᏏᏱ\t-11.1162\nᏕᎭ\t-11.1166\nᏣᎾᏄᎪᏫᏎᎸ\t-11.1167\nᎲᏒ\t-11.1173\n▁ᎤᏃᎮᏗ\t-11.1174\n▁ᎦᏅᎢ\t-11.1176\nᏕᎶᏆᏍᏗ\t-11.1177\n▁ᎠᎩᏢ\t-11.1178\n▁ᎤᎵᏏᎬᎢ\t-11.1181\nᎾᎥᎢ\t-11.1184\nᏤᎮ\t-11.1184\n▁ᏧᎾᏙ\t-11.1187\nᎾᏰᏍᎨᏍᏗ\t-11.1188\n▁ᎠᏂᎪ\t-11.1189\n▁ᎦᎸᎳᏗᎨ\t-11.1191\nᏔᏂᏓᏍᏗ\t-11.1192\nᏍᎦᎾᎯᏳ\t-11.1198\nᏄᏬ\t-11.1198\n▁ᎤᎾᏓᏅᏖᏗ\t-11.1199\nᏩᏛᏗᏱ\t-11.1202\n▁ᏕᏣᏂᏴ\t-11.1214\n▁ᏓᏥᏩᏛᎯ\t-11.1214\n▁ᎣᏍᏕ\t-11.122\n▁ᏣᎵᏍᎦᏍᏙᏗ\t-11.1229\nᎦᏓᎭ\t-11.1231\n▁ᏚᏂᎬ\t-11.1233\n▁ᎤᏪᎷ\t-11.1238\nᏥᎶᏍᏗ\t-11.124\n▁ᎠᏐ\t-11.124\n▁ᎬᏓ\t-11.1243\nᏛᎦᏁᎰᎢ\t-11.1245\nᏒᏰᏃ\t-11.1249\nᏂᏪᏏ\t-11.1252\n▁ᎢᏥᏁ\t-11.1259\nᏅᏗᏱ\t-11.1261\nᎩᏍᏙᏗ\t-11.1282\n▁ᏚᏩ\t-11.1287\nᎲᏍᎬᎢ\t-11.1295\nᏢᏈᏍᏗᏱ\t-11.1296\n▁ᏕᏥᎧ\t-11.1299\nᎯᏰ\t-11.1301\nᏛᏅᎯ\t-11.1303\nᏂᎦ\t-11.1311\nᏁᏪᏎᎢ\t-11.1312\n▁ᎢᏥᏴ\t-11.1321\n▁ᏦᎨ\t-11.1334\nᎾᏓ\t-11.1336\nᎨᏴ\t-11.1345\nᏘᏍᎬ\t-11.1347\n▁ᎤᏂᏅᏁ\t-11.1359\n▁ᎤᏍᏕᎸᎲ\t-11.1364\n▁ᏧᏃᏢ\t-11.1368\nᎪᏍᎬ\t-11.1372\nᎦᏘᎴᎩ\t-11.1388\nᎢᏣ\t-11.1397\n▁ᏧᏂᏰᎸ\t-11.1398\nᏂᏏᏅᎯ\t-11.1401\nᏗᏗᏱ\t-11.1402\n▁ᎤᎪᎲᎢ\t-11.1413\n▁ᎢᎭ\t-11.1417\n▁ᏗᎧᎾ\t-11.1428\n▁ᏕᏤ\t-11.1431\n▁ᏚᏲᎯᏎᎸ\t-11.1432\n▁ᏂᎦᏪᏎ\t-11.1435\n▁ᎤᏂᎷᏤᎴ\t-11.1446\n▁ᎪᎱ\t-11.1447\n▁ᏗᏅᏂ\t-11.1454\nᎾᏕᏘᏴᏛ\t-11.1454\nᏅᎯᏒ\t-11.1466\n▁ᏱᏙᏥ\t-11.1467\nᏓᏁᎸᎩ\t-11.1467\nᎧᎭ\t-11.1473\nᏓᏯᏂᏍᎪ\t-11.1475\n▁ᎨᎾ\t-11.148\nᏅᏒᎾ\t-11.1499\nᏁᏤᎸᎭ\t-11.1511\nᏲᎮᎢ\t-11.1511\n▁ᏗᏥᏲᎯᏍᏗ\t-11.1512\n▁ᏧᎾᏓᎴᏅ\t-11.1515\nᏁᎩ\t-11.1518\nᏃᎯᏍᏗ\t-11.1521\nᎨᏳᎭ\t-11.1525\nᎶᏃ\t-11.1532\nᏅᏁᏗᏱ\t-11.1542\nᏎᎴᎢ\t-11.1546\nᎵᏙᎮ\t-11.1548\n▁ᎬᏛᎪ\t-11.1556\n▁ᏍᎩᏉ\t-11.1556\nᎩᏍᏆᏂᎪᏔᏅ\t-11.1557\nᏓᏁᎴ\t-11.1558\nᏆᏟ\t-11.1571\nᏧᎬ\t-11.1572\n▁ᎤᎦᏙᏍᏕ\t-11.1572\nᎵᏦᏛ\t-11.1575\n▁ᎨᎪᏎ\t-11.1583\n▁ᎠᏍᏓᏱᏛ\t-11.1587\n▁ᎠᏂᏫᎾᎨ\t-11.1588\nᎨᏩ\t-11.1598\n▁ᏫᏙ\t-11.1603\nᏑᎶ\t-11.1606\n▁ᏱᏚᏳᎪ\t-11.1609\n▁ᏱᏅ\t-11.161\n▁ᏥᎶ\t-11.1614\nᏓᏴᏎ\t-11.1614\nᎾᎲ\t-11.1622\nᎦᏛᏁ\t-11.1629\nᎢᏍᏔᏅ\t-11.1632\n▁ᎨᏛ\t-11.1641\nᏂᏏᏍᎨᏍᏗ\t-11.1647\n▁ᏦᎠ\t-11.1653\n▁ᎦᏙᎨᏃ\t-11.1663\n▁Ꮦ\t-11.1663\n▁ᏅᏩᎾᏓᎴᎢ\t-11.1668\n▁ᎡᏉ\t-11.1671\nᎴᏙᏗ\t-11.1675\n▁ᎦᎶᎯᏍᏗᏳ\t-11.1676\n▁ᎢᏦᎵᏍ\t-11.1678\n▁ᎤᎾᏚᎵᏍᎨ\t-11.168\nᏂᎩᏓ\t-11.1681\nᏓᏅᏛᎵ\t-11.1681\nᏣᎦᏌᏯᏍᏗᏕᎩ\t-11.1682\n▁ᎤᎮᏍᏗ\t-11.1686\n▁ᎢᏣᏓᏅᏛ\t-11.1694\n▁ᎠᎾᎵᎮᎵ\t-11.1706\n▁ᎤᎸᎢ\t-11.1708\n▁ᏱᏘ\t-11.1712\nᏗᏍᎬᎩ\t-11.1716\n▁ᎠᏥᏅ\t-11.1716\n▁ᎧᏃ\t-11.172\n▁ᏍᎩᏍᏓᏩᏕ\t-11.1721\nᏌᎳᏓᏅ\t-11.1727\nᎧᎵᏎ\t-11.1733\n▁ᏫᏍᏗ\t-11.1734\nᏩᏛᎯᏙ\t-11.1736\nᏍᏓᏁᎸ\t-11.1747\n▁ᎦᏙᎦ\t-11.1753\nᎵᏎ\t-11.1768\n▁ᎤᎾᎵᎪᏎ\t-11.1772\nᏎᏃ\t-11.1776\nᎪᏩᏘᏍᎬ\t-11.1781\n▁ᎠᏍᎪ\t-11.1782\n▁ᎡᏥᏁ\t-11.1783\n▁ᏕᎤᏲ\t-11.1784\n▁ᎤᏂᎧᎵ\t-11.1785\n▁ᏓᏘ\t-11.1791\nᏛᎯᏍᏙᏗ\t-11.1794\nᎵᏍᏓ\t-11.18\n▁ᎠᏉᎯᏳ\t-11.18\n▁ᎠᎦᏅ\t-11.1802\n▁ᏂᎦᏛᏉ\t-11.1808\n▁ᏙᎯᏱᏉ\t-11.1811\nᏣᏉ\t-11.1815\n▁ᏥᏩᎾᎦ\t-11.1816\nᏂᎦᏔᎲᎾ\t-11.1826\n▁ᏯᏇ\t-11.1833\nᏓᏛᏁᏗ\t-11.1841\n▁ᎤᏬᏂᎯᏍᏗ\t-11.1846\nᏏᏯ\t-11.1851\nᏙᎴᎰᏒ\t-11.1852\n▁ᎠᏂᎪᏩᏘᏍᎨ\t-11.1864\n▁ᏨᏆ\t-11.1865\nᏍᏆᏂᎪᏓᏁᏗ\t-11.1866\n▁ᎠᏆᏓᏅ\t-11.1867\nᏥᏍᏔᏅ\t-11.1872\n▁ᏱᏅᏩᏍᏗ\t-11.1877\n▁ᎠᏆᏓᏅᏖ\t-11.1884\nᏬᏁᏔᏅ\t-11.1888\nᏬᏁᏙᏗ\t-11.1894\nᏪᏏ\t-11.1899\nᏲᏍᏔᏅ\t-11.1903\nᏘᏍᎩ\t-11.1904\nᏔᎴᏒ\t-11.1914\nᎨᏎ\t-11.1915\nᎴᏗᏱ\t-11.1917\nᏥᎵ\t-11.1922\nᏎᎵᏙᏗ\t-11.1929\n▁ᎢᏣᏓᏙᎵᏍᏗ\t-11.1939\nᏁᎸᏗᏍᎬ\t-11.1939\nᎵᏍᏕᎸ\t-11.1944\nᏩᏛᎯ\t-11.1948\n▁ᏴᎦᏥ\t-11.1951\n▁ᎠᏍᏚ\t-11.1951\n▁ᏳᏲ\t-11.1955\n▁ᎤᎾᏓᏅ\t-11.196\nᏅᏂ\t-11.196\nᏄᎪᏨᎩ\t-11.1962\n▁ᏕᎦᏘ\t-11.1964\nᏯᏅᎯ\t-11.1967\nᏅᏓᏗᏍᎨᏍᏗ\t-11.1975\nᏍᏕᎸᎯᏙᎯ\t-11.1982\n▁ᎥᏝᏍᎩᏂ\t-11.1998\n▁ᏴᏗ\t-11.2\nᏍᏙᎢ\t-11.2003\nᏩᏓ\t-11.2011\nᏍᏓᏲ\t-11.202\nᏚᎵᎭ\t-11.2023\nᎧᏂᏍᎬ\t-11.2025\nᎮᎵ\t-11.2028\nᎶᏅ\t-11.2042\n▁ᎠᏰᎵᏉ\t-11.2047\nᎵᏍᎩ\t-11.2048\nᏁᎦ\t-11.2049\nᏂᏪᏎ\t-11.2052\n▁ᎤᏄᎪᏫᏎ\t-11.2054\n▁ᎠᏍᏆ\t-11.2055\nᏪᏎᎵ\t-11.2059\n▁ᎠᏎᏍᎩᏂ\t-11.206\n▁ᏳᎸ\t-11.2065\nᏁᎶᏕᏍᏗ\t-11.207\n▁ᎤᏂᏩᏛ\t-11.2076\nᏣᎷᏤᏗᏱ\t-11.2084\n▁ᏱᎬᏆ\t-11.2107\nᏙᎵᎪ\t-11.2109\nᎸᎮ\t-11.2115\nᏓᎴᎲᎦ\t-11.2116\n▁ᎦᏪ\t-11.2138\nᏔᏪᏙ\t-11.214\nᏍᏆᏂᎪᏓ\t-11.2142\nᎥᏍᎨᎢ\t-11.2156\nᏲᏙᏗ\t-11.2157\nᎵᎻ\t-11.2164\n▁ᎠᏂᎪᎵᏰᏍᎨ\t-11.2169\nᎵᏍᏆᏙᎾ\t-11.2178\nᏢᏁᎢ\t-11.2185\nᎮᎸ\t-11.2195\nᏦᏒ\t-11.2201\n▁ᎤᏂᏃ\t-11.2201\n▁ᎦᏲ\t-11.2201\n▁ᏯᏆᏓ\t-11.2205\n▁ᎠᎩᏁᎸ\t-11.2219\nᏌᎲ\t-11.2221\nᏥᏓ\t-11.2226\n▁ᎥᏝᏍᏗ\t-11.2227\n▁ᏥᏍᎦᎾ\t-11.2227\n▁ᎤᏩᏎ\t-11.2228\nᏜᏗ\t-11.2229\nᏉᎯ\t-11.223\nᎷᎩᏍᎩ\t-11.2231\nᏰᎬ\t-11.2235\nᏓᏛᏁᎵ\t-11.2235\n▁ᏫᏯᏅ\t-11.2237\nᏇᏓ\t-11.2238\n▁ᏣᏢ\t-11.2242\n▁ᎢᏥᏍᎦᏅ\t-11.2249\n▁ᎤᎩᏍᏗ\t-11.2249\nᎲᏍᎨ\t-11.2254\nᏓᏁᎢ\t-11.2254\nᏛᏁᎰ\t-11.2256\nᎴᏅᏓ\t-11.2258\n▁ᎩᎳᎢ\t-11.2267\nᏓᏑᏴ\t-11.2269\n▁ᎬᏩᎵᎪᏁ\t-11.2271\nᎪᎨ\t-11.2274\n▁ᎠᏑᏴ\t-11.2293\nᎦᏛᎩ\t-11.2297\n▁ᎤᏲᏍᏔᏅ\t-11.2305\n▁ᏗᏕᎶᏆᏍ\t-11.2306\n▁ᎭᏓᏅᏖ\t-11.2309\n▁ᏕᎨᏣ\t-11.2312\n▁ᏙᎬ\t-11.2314\n▁ᏩᏂᎷ\t-11.2316\nᎾᎵ\t-11.2325\n▁ᎠᎩᎨᏳᎯ\t-11.2329\n▁ᏓᏍᎩ\t-11.233\n▁ᎤᏩᏙ\t-11.2333\nᎡᎲᎢ\t-11.2336\nᎴᏅᎮ\t-11.2339\n▁ᎭᏓ\t-11.234\nᏓᏙᎵᏍᏓᏏ\t-11.2344\nᏑᎸᏓ\t-11.2349\nᏍᏔᏅᎢ\t-11.2352\n▁ᎠᏂᎾ\t-11.2354\nᎨᎯᏙᎸ\t-11.2354\n▁ᏄᏩᏁ\t-11.2359\n▁ᏳᏓᏑ\t-11.2363\nᏲᏎᎸ\t-11.2375\nᏪᏒ\t-11.2375\nᎨᏥᏁᏗᏱ\t-11.2377\nᏥᎾᏄᎪᏫᏎᎸ\t-11.2378\nᏍᎪᏒ\t-11.2379\nᎣᏁ\t-11.238\n▁ᏗᏍ\t-11.24\nᎾᎡ\t-11.2406\nᎵᏓ\t-11.2409\nᏲᎮᏗ\t-11.2417\nᎲᏍᏗᏱ\t-11.2417\n▁ᏓᎨ\t-11.2419\n▁ᏂᏥᏪᏎ\t-11.2429\n▁ᎠᏥᎸᏃ\t-11.2434\n▁ᎤᏍᏛ\t-11.2436\n▁ᏈᏂ\t-11.2441\nᏂᏍᎨᏍᏗ\t-11.2441\nᏚᎸᏅᏗ\t-11.2442\nᎵᏬ\t-11.2443\n▁ᎦᏐ\t-11.2444\nᏂᏢᏗᏱ\t-11.2444\nᏕᎨ\t-11.2449\n▁ᏩᏆ\t-11.2451\n▁ᏬᎩ\t-11.2455\nᏤᏪ\t-11.2456\nᏍᎦᏯ\t-11.2457\n▁ᎾᏥᎸᏉ\t-11.2462\nᏅᏩᏍᏗᏉ\t-11.2465\nᏓᎨᏳᏗ\t-11.2468\nᏥᏯᏅᏛ\t-11.2472\nᎩᏛ\t-11.2475\nᏲᎱᎯ\t-11.2482\nᏘᏎᎢ\t-11.2483\nᏍᏓᏩᏕᏏ\t-11.2483\nᎪᏒ\t-11.2483\nᎪᎵᏰᏍᎨᎢ\t-11.2485\nᏣᏁ\t-11.2486\n▁ᏚᎵ\t-11.2492\nᏓᏘᏂᏙᎯ\t-11.2501\n▁ᏚᎾᎵᎪ\t-11.2507\n▁ᏄᎵᏍ\t-11.2508\nᏠᎠᎯ\t-11.2514\nᏃᎮᏗ\t-11.2525\n▁ᎤᎷᏨᏃ\t-11.2527\nᎳᏏᏕᏂ\t-11.2528\n▁ᎠᏆᏛ\t-11.253\n▁ᏳᏪ\t-11.2531\nᏂᏱᏍᎨ\t-11.2542\nᎴᏅᎲ\t-11.2542\nᏙᎾ\t-11.2542\n▁ᎠᏂᏯᏫᏍᎩᏃ\t-11.2543\nᏐᏢ\t-11.2546\n▁ᎠᏴᏉ\t-11.255\nᏕᏣᏙ\t-11.2569\nᏍᎦᏅᏨᎢ\t-11.2569\nᏍᏛᏗ\t-11.2571\n▁ᎠᏂᎡ\t-11.2581\n▁ᏧᏅᏏ\t-11.2588\nᏲᎱᎯᏍᏗ\t-11.2593\nᎦᏓ\t-11.2594\nᏓᏗᏍᏗ\t-11.26\n▁ᎠᎵᏥ\t-11.2604\nᏛᏛᎲᏍᎦ\t-11.2607\n▁ᎠᏓᏍᏕᎵ\t-11.2607\n▁ᏂᏣᎵᏍᏓᏁ\t-11.2609\n▁ᎤᏐᏅᎢ\t-11.2614\nᏒᎦᎸ\t-11.262\nᏍᎪᎵ\t-11.2628\nᏚᎩ\t-11.2634\n▁ᏳᏃᏴ\t-11.2643\nᏨᏍᏗᏱ\t-11.2643\nᏙᎦ\t-11.2644\n▁ᎥᏆ\t-11.2645\n▁ᎠᏍ\t-11.2657\nᎮᎯ\t-11.2661\nᏢᏔᏅᎯ\t-11.2664\nᏚᎵᏍᎨ\t-11.2675\nᎯᏍᏗᏍᎬ\t-11.2676\nᎦᏉ\t-11.268\nᏥᎦᏔ\t-11.2687\n▁ᏂᎦᏥᏴᏁ\t-11.269\nᎸᏉᏓ\t-11.2691\nᏫᏎᎢ\t-11.2695\nᏎᎸᎢ\t-11.2703\nᏄᎪᏫᏒᎯ\t-11.2713\n▁ᏅᏓᏳᏓᎴ\t-11.2725\n▁ᏗᎩᏍᏗ\t-11.2732\n▁ᏅᎵᏌᎵ\t-11.2742\nᏘᏃᎯᏍᏗ\t-11.2746\n▁ᏅᏩ\t-11.2747\nᏥᏲᏍᏙᏓᏁ\t-11.2752\nᏲᎯᏏ\t-11.2756\nᏍᏗᏂ\t-11.2757\nᏍᏚᎩᏒ\t-11.2759\n▁ᎠᏕᎸᏃ\t-11.2764\nᎶᎥ\t-11.2764\nᎪᏩᏗᏍᎬ\t-11.2766\nᏍᎬᎾᏉ\t-11.2767\nᏣᎴᏛ\t-11.2767\n▁ᏱᏚᏓ\t-11.2767\nᏃᏅᎯ\t-11.2772\n▁ᏯᎩᎪ\t-11.2774\nᎦᎵᎰ\t-11.2782\nᎦᎶ\t-11.2788\nᏢᎭ\t-11.2793\nᏴᏔᏅᎩ\t-11.2795\nᎯᏛ\t-11.2796\nᏚᏓᏲᏎ\t-11.2796\nᏧᏔᏅ\t-11.2799\nᏐᎾ\t-11.2799\nᏍᏕᎢ\t-11.2799\n▁ᏁᏩᏔᎵ\t-11.28\n▁ᏯᎦᏓ\t-11.2803\n▁ᏚᏩᏛᎲ\t-11.2803\nᏎᎰᎢ\t-11.281\n▁ᎯᏁᎩ\t-11.2813\nᏏᏅᏍᏗ\t-11.2815\nᏍᏆᎵᏍᎬ\t-11.2815\n▁ᏕᏥᏯ\t-11.2817\nᎪᎰᏍ\t-11.2825\nᏛᎦᏅ\t-11.2839\nᎡᏃ\t-11.2839\n▁ᏘᏁ\t-11.2839\n▁ᎤᎾᎴᏅ\t-11.2843\n▁ᎠᎾᎵᏍᏓᏴᎲᏍᎬ\t-11.2845\n▁ᎬᏩᏃᎯᏳ\t-11.2849\nᎾᏄᎪᏫᏒ\t-11.2851\nᎪᎯᏳ\t-11.2853\n▁ᏕᎪᏢᏒ\t-11.2855\nᎦᏌᏯᏍᏙᏗ\t-11.2856\n▁ᎦᎦ\t-11.2861\nᏗᏢᏍᏙᏗ\t-11.2864\nᏁᎢᏍᏗᏍᎬ\t-11.2867\n▁ᎤᏂᏩᏒ\t-11.2871\nᎩᏍᏓ\t-11.2874\n▁ᎤᏢᎬ\t-11.2882\nᎨᏳᎯ\t-11.2882\n▁ᎠᏥᏰᎸᎾᏁ\t-11.2889\nᏥᎷᎩ\t-11.289\nᏙᎴᎰᏎ\t-11.289\nᏘᏓ\t-11.2891\nᏍᏕᎵᏍᎪ\t-11.2892\n▁ᏓᏟᎶᏍᏗ\t-11.2894\n▁ᏑᏟᎶᏛ\t-11.2895\n▁ᏭᏭᏍ\t-11.2895\nᏚᏲᏎ\t-11.2899\n▁ᏆᏏ\t-11.2899\n▁ᏱᏓᎾ\t-11.2901\n▁ᎦᏅᎪᎢ\t-11.2902\nᎦᎸᎲᎩ\t-11.2905\nᏗᏉ\t-11.2906\n▁ᏴᏓ\t-11.2907\n▁ᎤᏅᏂ\t-11.291\n▁ᏂᏓᏙᏓᏈᏒ\t-11.291\n▁ᎾᎬᏁᎴ\t-11.291\n▁ᎠᎧᎵ\t-11.291\n▁ᏂᏚᏍᏕ\t-11.2913\nᎤᏨᏉᏗ\t-11.2913\nᎢᏗᎦᏘ\t-11.2914\nᏘᏅᏍᏔᏁᎢ\t-11.2914\n▁ᏚᏄᏩᎥ\t-11.2916\nᎤᏂᎷᏤᎢ\t-11.2916\n▁ᎤᎾᏅᏁ\t-11.2916\nᏒᎮᏱᏣ\t-11.2917\n▁ᎡᏌ\t-11.2918\n▁ᏕᏣᎸᏫᏍᏓᏁᎸ\t-11.2918\nᎧᏃᎮᏛ\t-11.2918\nᎢᏥᏈᏱ\t-11.2918\n▁ᎦᎵᎡᎵᎬ\t-11.2919\nᎠᎬᏱ\t-11.2919\n▁ᎾᎩᏪᏒ\t-11.2919\n▁ᎤᏃᎯᏳᏁ\t-11.292\nᎵᎪᎯ\t-11.2923\n▁ᎾᏂᏪᏍᎨ\t-11.2924\n▁ᏚᏓᏘᎿᎥ\t-11.2924\n▁ᏕᎤᎸᏫᏍᏓᏁᎲ\t-11.2925\n▁ᏚᏍᎫᏓᏛ\t-11.2925\n▁ᏄᎵᏍᏓᏁᎸ\t-11.2925\n▁ᎤᎵᏖᎸᏁ\t-11.2925\nᏇᎵᏥ\t-11.2925\nᏉᎡᏗ\t-11.2926\n▁ᎤᏔᏪᏙᏁ\t-11.2926\n▁ᎤᏎᎵ\t-11.2926\n▁ᏂᏣᏓᎨᏳᏒ\t-11.2926\n▁ᎤᏓᏙᎵᏍᏔᏁ\t-11.2927\n▁ᏚᏄᎪᏔᏅ\t-11.2929\n▁ᎤᏪᏍᎩᎸ\t-11.2929\n▁ᏱᏄᎵᏍᏔᏁ\t-11.293\n▁ᏚᏂᏢᎬ\t-11.293\n▁ᏧᎶᏎ\t-11.293\n▁ᎤᎴᏂᏙᎴ\t-11.2931\n▁ᎲᏅ\t-11.2932\n▁ᎢᏣᏚᎵᏍᎬ\t-11.2932\n▁ᏓᎾᎵᏍᏓᏴᎲᏍᎬ\t-11.2932\n▁ᎢᏥᏁᎬ\t-11.2933\n▁ᏫᏥᎦᏛ\t-11.2935\n▁ᎤᏓᏅᎡᎴ\t-11.2935\n▁ᏂᏚᏩᏁᎴ\t-11.2936\n▁ᏓᏅᏗᏍᎬ\t-11.2936\nᎯᏢᎾ\t-11.2938\nᏍᏓᏩᏛᏎ\t-11.2939\n▁ᎾᏂᎡ\t-11.294\n▁ᎤᏍᎩᏓᏒ\t-11.294\n▁ᎠᏥᏃᎮᏍᎬ\t-11.294\n▁ᎢᏳᎵᏍᏔᏅ\t-11.294\n▁ᎢᏨᏰᎳᏗᏙᎲ\t-11.2941\n▁ᎤᏍᏓᏱᏛ\t-11.2941\nᎵᎨᏂ\t-11.2945\n▁ᎨᎬ\t-11.2945\n▁ᎤᏍᎦᎴ\t-11.2948\nᏚᏓᏕᏫᏒ\t-11.2948\n▁ᎤᏑᎵᎪᏨ\t-11.2948\n▁ᎤᏮᏔᏅ\t-11.2949\n▁ᏚᏂᏲᎱᏒ\t-11.295\n▁ᎤᏓᏅᏁ\t-11.2951\nᏍᏉᎵᏱ\t-11.2951\n▁ᏂᎦᎵᏍᏗ\t-11.2952\n▁ᎠᏄᎯᏍᏗᏍᎬ\t-11.2953\nᎦᏘᏗᏍᏗᏱ\t-11.2955\n▁ᏥᏬᏂᏍᎬ\t-11.2955\nᏍᎩᏓᏎᎢ\t-11.2957\nᎵᏍᎪᎸᏗᏍᎬ\t-11.2957\n▁ᏚᎾᎴᏅ\t-11.296\n▁ᎤᏯᏅᎮ\t-11.2961\n▁ᏣᏁᏨ\t-11.2961\n▁ᎠᏆᎴᏅ\t-11.2964\n▁ᏪᏙ\t-11.2964\nᎸᎥᏍᎬ\t-11.2964\n▁ᎣᎪᎯᏳ\t-11.2964\nᎸᏍᎦ\t-11.2964\n▁ᎣᎦᏣᏅ\t-11.2966\nᎾᎾᏛᏁᎰ\t-11.2968\nᎩᏍᏓᏩᏕ\t-11.2968\n▁ᎦᏁᎮ\t-11.2969\nᏙᏢᎾ\t-11.297\n▁ᏗᏘᏲ\t-11.2971\nᏒᎵ\t-11.2971\n▁ᎤᏍᏓᏩᏛᏎ\t-11.2972\n▁ᏗᏘᏂᏙ\t-11.2972\n▁ᎤᏪᎧᎲ\t-11.2974\nᎦᏔᎲᏍᎬ\t-11.2977\nᏲᎵᎴ\t-11.2977\nᏍᏕᎸᎲᎩ\t-11.2978\nᏴᏤᏂ\t-11.2978\n▁ᏦᎩᎾᏫ\t-11.2979\nᏓᏓᏍᎬ\t-11.298\n▁ᏱᏙᎬ\t-11.298\n▁ᏥᎪᏩᏛ\t-11.298\nᏁᎵᏎᎢ\t-11.298\nᎸᏉᏔᏂ\t-11.2981\n▁ᎡᎩᏍᏕᎸᏗ\t-11.2981\n▁ᎦᏅᏆᎶ\t-11.2982\nᏒᎲᏍᎦ\t-11.2982\n▁ᎢᏳᏩᏂᏐᏗ\t-11.2983\n▁ᏗᎬᏩᎸᏌ\t-11.2984\n▁ᎠᏂᏛ\t-11.2984\n▁ᏧᏂᏒᏍᏗ\t-11.2985\n▁ᏣᏁᎮ\t-11.2985\n▁ᎢᏣᏓᏅᎦᎸ\t-11.2986\n▁ᎢᏨᏲᏎ\t-11.2987\n▁ᎤᎩᎵᏲᎢᏍᏗ\t-11.2988\nᏩᏁᎦ\t-11.2988\n▁ᏂᎦᎵᏍᏔᏂ\t-11.299\n▁ᎤᏬᏢᏁ\t-11.2992\n▁ᏗᎧᏃᎨ\t-11.2993\nᏍᏆᏂᎪᏗᏳ\t-11.2994\nᏏᏔᏗᏍᏗ\t-11.2995\n▁ᏩᏚ\t-11.2995\nᏠᎠᏒ\t-11.2996\n▁ᎢᏣᎵᏍᏓᏴᏗ\t-11.2996\n▁ᏗᎦᏤᎵ\t-11.2998\n▁ᎦᎷᏨ\t-11.2998\nᏕᏲᏅᎯ\t-11.2999\n▁ᎠᏂᏍᏆᏂᎪᏗᏍ\t-11.2999\nᏄᏬᎡᎢ\t-11.3\nᏂᏁᏨ\t-11.3\nᏓᏂᎵᎨ\t-11.3001\n▁ᎤᏂᏲᎴ\t-11.3001\nᏃᎵᏤ\t-11.3001\nᏚᏅᏏᏴ\t-11.3002\nᏙᎴᏆᏍᏗ\t-11.3002\n▁ᎠᏛᎩᏍᎨ\t-11.3002\n▁ᏭᏓ\t-11.3003\nᏁᏤᎮᏍᏗ\t-11.3003\nᏦᏎᎭ\t-11.3004\n▁ᏥᏯᎥ\t-11.3004\nᏓᏅᏓᏗᏍᏗᏍᎩ\t-11.3004\n▁ᎠᏓᎴᏒ\t-11.3005\n▁ᏱᎡᏦᎢᏳ\t-11.3005\nᏓᎾᏕᏒᎲᏍᎪᎢ\t-11.3005\n▁ᎠᏁᏯᏔᎯ\t-11.3005\n▁ᎠᏂᎢᏏᎺᎵ\t-11.3005\n▁ᎠᏍᏕᏱᏛ\t-11.3005\n▁ᎢᏍᎪᏂᏗᏢ\t-11.3005\n▁ᎢᏯᏆᏕᏘᏴᏓ\t-11.3005\n▁ᎤᎾᏓᎪᎾᏙᏗ\t-11.3005\n▁ᎤᎾᏗᏍᎦᏢ\t-11.3005\n▁ᎤᏔᏲᎴ\t-11.3005\n▁ᎤᏩᎬᏘᎶᏓ\t-11.3005\n▁ᎤᏩᎾᏓᎴ\t-11.3005\n▁ᎥᏖᎣᎩ\t-11.3005\n▁ᏁᏥᏪᏎᎸᎭ\t-11.3005\n▁ᏂᎦᏗᎹᏏ\t-11.3005\n▁ᏂᏓᏁᏢᏛᎾ\t-11.3005\n▁ᏂᏗᎬᏩᏓᎴ\t-11.3005\n▁ᏂᏧᏪᏎ\t-11.3005\n▁ᏄᏃᎯᏳᏅᎾ\t-11.3005\n▁ᏒᏗᏩᏟ\t-11.3005\n▁ᏓᎱᏃᎲ\t-11.3005\n▁ᏓᎾᏦᎭᏱᎲ\t-11.3005\n▁ᏓᏂᎳᏍᏓᎳᏩᏗᏒᎢ\t-11.3005\n▁ᏓᏂᎶᏄᎮᏍ\t-11.3005\n▁ᏓᏊᎪᏔᏅ\t-11.3005\n▁ᏓᏟᏰᎵᏙ\t-11.3005\n▁ᏗᎾᎵᏦᎯᏛ\t-11.3005\n▁ᏗᏝᏗᏍᏗᏱ\t-11.3005\n▁ᏙᏛᎾᏓᏡᏔᏂ\t-11.3005\n▁ᏥᏂᏥᏪᎠ\t-11.3005\n▁ᏥᏓᎩᎸᏫᏍᏓᏁᎭ\t-11.3005\n▁ᏥᏕᎭᏘᏁᎭ\t-11.3005\n▁ᏧᏄᏩᎢ\t-11.3005\n▁ᏯᏙᎴᎰᏍᎦ\t-11.3005\n▁ᏱᏓᎴᏂᏙᎭ\t-11.3005\n▁ᏱᏣᏁᎢᏍᏔᏁᏍᏗ\t-11.3005\n▁ᏱᏫᏣᏴᎸ\t-11.3005\n▁ᎤᎩᏠᏫᏎ\t-11.3005\n▁ᎨᏥᎦᏘᏗᏍᏗ\t-11.3005\n▁ᎺᎮᎴᎵ\t-11.3005\n▁ᏂᏚᎾᏁᎶᏛᎾ\t-11.3005\n▁ᏄᏛᎿᏕᎬ\t-11.3005\n▁ᏆᎻᏈᎵᏱ\t-11.3005\n▁ᏓᎦᎫᏴᎯ\t-11.3005\n▁ᏚᏬᏏᏌᏁ\t-11.3005\n▁ᏥᎪᎵᏰᏍᎬ\t-11.3005\n▁ᏨᏓᏯᎢ\t-11.3005\nᎵᏍᎨᏗᏴ\t-11.3005\n▁ᎠᎵᎮᎵᎪ\t-11.3005\n▁ᎤᏪᏟᏌᏁ\t-11.3005\n▁ᎹᎻᎵ\t-11.3005\n▁ᏁᏓᏈ\t-11.3005\n▁ᏙᏓᏥᏲᎱᏏ\t-11.3005\n▁ᏙᏗᎾᎵᏍᏓᏴᎲᏍᎬ\t-11.3005\n▁ᏛᎾᏛᎦᏂ\t-11.3005\n▁ᏮᏘᏯᏅᎯ\t-11.3005\n▁ᏳᎵᏃᎯᏰ\t-11.3005\n▁ᏓᏍᏗᏰᏗᏍᎬ\t-11.3005\nᎩᏪᏎᎲᎩ\t-11.3005\n▁ᎡᎻᎳ\t-11.3005\n▁ᎢᎦᏗᏍᎦᎶᏗᏱ\t-11.3005\n▁ᎩᏅᎪᎢ\t-11.3005\n▁ᏁᎨᏒᎾ\t-11.3005\n▁ᏂᏨᏴᏁᎸ\t-11.3005\n▁ᏧᎾᏓᏂᎸᎢᏍᏗᏱ\t-11.3005\n▁ᏯᏎᎦᎩ\t-11.3005\n▁ᎠᏲᏓᏝᎲᎢ\t-11.3005\n▁ᏚᏂᎧᎮᏍᏗ\t-11.3005\n▁ᏚᏟᏂᏆᏅᏁ\t-11.3005\n▁ᏮᏘᎶᏏ\t-11.3005\n▁ᏯᎵᏖᎸᎮᏍᎬᎾ\t-11.3005\nᎦᎭᎾᏅ\t-11.3005\n▁ᎢᏖᎳ\t-11.3005\n▁ᏂᏪᏎᎸᎭ\t-11.3005\n▁ᏓᏤᎵᏍᏛ\t-11.3005\n▁ᏕᎷᎨ\t-11.3005\n▁ᏬᎩᏅᏍᏔᏅᎩ\t-11.3005\n▁ᎢᎬᏩᏛᏛᏁ\t-11.3005\n▁ᏯᏓᏅᏍᎬᎾ\t-11.3005\n▁ᏥᏄᏩᏁᎸ\t-11.3005\n▁ᎤᏪᏯᎸᏅᎩ\t-11.3005\n▁ᎠᎦᏔᏛᏍᎩ\t-11.3005\n▁ᎤᏎᎦᏨᎯ\t-11.3005\n▁ᎪᎶᏁᏛ\t-11.3005\n▁ᎬᏩᏴᎸᎯ\t-11.3005\n▁ᏘᏰᎸᏂ\t-11.3005\n▁ᏚᎵᏃᎮᏔᏁᎢ\t-11.3005\nᏬᏁᏗᏍᎪ\t-11.3005\n▁ᎬᏍᎦᎵ\t-11.3005\n▁ᏧᏘᏲ\t-11.3005\n▁ᏫᎬᏲᏪᎳᏏ\t-11.3005\n▁ᎡᏗᏂᏱ\t-11.3005\n▁ᏄᏍᏆᏂᎩᏛ\t-11.3005\n▁ᏛᏂᎾᏄᎪᏥ\t-11.3005\n▁ᎢᏦᎵᎩ\t-11.3005\n▁ᏣᏔᎳᏬᏍᎬ\t-11.3005\n▁ᎤᏂᏔᎳᏬᏍᎬᎢ\t-11.3005\n▁ᏁᏍᏗᏪᏎᎸᎭ\t-11.3005\n▁ᎢᏳᎾᏛᎾᏕᎩ\t-11.3005\n▁ᎤᎯᏐᏓᏁ\t-11.3005\n▁ᎤᏕᏒᏂᎸᎯ\t-11.3005\n▁ᎤᎾᎵᏃᎯᏴᎯ\t-11.3005\n▁ᏂᏦᎯᏳ\t-11.3005\n▁ᏓᏑᏫᏍᎬ\t-11.3005\n▁ᎠᏍᎫᏕᏒ\t-11.3005\n▁ᎠᏍᏙᏍᎩ\t-11.3005\n▁ᎤᎵᏌᎵᏓᏁ\t-11.3005\n▁ᏱᏗᏣᏰᎸᏁᎢ\t-11.3005\n▁ᎤᏩᏂᎦᏢ\t-11.3005\n▁ᎠᏙᏂᏍᎩ\t-11.3005\n▁ᎦᏄᎾᏓᎴᎩ\t-11.3005\n▁ᏗᏂᎬᏓᎨᏂ\t-11.3005\n▁ᎢᏣᏓᏟᏌ\t-11.3005\n▁ᏓᏥᏯᏓᏙᎵᏍᏓᏁᎵ\t-11.3005\n▁ᎣᎨᏙᎸ\t-11.3005\n▁ᏙᏛᎾᎴᏂ\t-11.3005\n▁ᏯᏂᎷᎬᎾ\t-11.3005\n▁ᏗᎾᏓᏲᏁᎯ\t-11.3005\n▁ᏧᎵᎦᎸᏓ\t-11.3005\n▁ᏂᏗᎨᏥᎾᏝᎥᎾ\t-11.3005\n▁ᏂᏦᎯᏳᎲᏍᎬᎾ\t-11.3005\n▁ᏗᎨᎦᏛᏅᎯ\t-11.3005\n▁ᏗᏐᏂ\t-11.3005\nᏓᏫᏍᎦᎨ\t-11.3005\n▁ᎠᏂᎷᏨᎭ\t-11.3005\n▁ᎢᏣᏕᏗᏱ\t-11.3005\n▁ᎤᎬᏍᏕᎵ\t-11.3005\n▁ᎪᏢᏅᎥᏍᎩ\t-11.3005\n▁ᏌᎶᎻ\t-11.3005\n▁ᏓᏆᏓᏂᎸᎨᏍᏗ\t-11.3005\n▁ᏙᎩᎾᏦᏒ\t-11.3005\n▁ᎦᎵᏒᏍᏗᏍᎬ\t-11.3005\n▁ᏕᎫᏓᏛ\t-11.3005\n▁ᎢᎬᏂᎮᏍᏗ\t-11.3005\nᎨᏅᏴ\t-11.3005\n▁ᏗᎦᎶᎩᏍᎩ\t-11.3005\n▁ᏗᎾᏓᏙᎵᏍᏓᏁᎯ\t-11.3005\n▁ᎤᏔᏲᎸ\t-11.3005\n▁ᎤᎾᎵᏍᏓᏴᏁᏃ\t-11.3005\n▁ᏂᏓᎾᏓ\t-11.3005\n▁ᏱᏨᏰᎵᏎᎭ\t-11.3005\n▁ᏗᏓᏂᏱᏍᎩ\t-11.3005\n▁ᎩᎵᏯᏗ\t-11.3005\n▁ᏓᏓᏂᏌᎲ\t-11.3005\nᏧᎪᏓᏏ\t-11.3005\n▁ᏅᏓᏳᎵᏍᎪᎸᏔᏅᎯ\t-11.3005\n▁ᎢᏣᏄᏬᏍᏕᏍᏗ\t-11.3005\n▁ᏂᏕᏣᏛᏁᎮᏍᏗ\t-11.3006\n▁ᏍᎩᏯᏛᎦᏁᎸᎯ\t-11.3006\n▁ᎤᎿᎷᏎ\t-11.3006\n▁ᏄᎾᏓᏛᎩ\t-11.3006\n▁ᏙᏓᏳᏲᏏ\t-11.3006\n▁ᎤᏁᎢᎸᏗ\t-11.3006\n▁ᏍᎩᏯᏅᏓᏗᏍᎨᏍᏗ\t-11.3006\n▁ᎤᏓᏁᏟᏴᏍᏓᏁᎴ\t-11.3006\n▁ᎩᏂᏙᏓ\t-11.3006\n▁ᎡᏗᎸᏉᏓ\t-11.3006\n▁ᏕᎦᎧᎮᏍᏗ\t-11.3006\n▁ᏚᎾᎭᏄᏮ\t-11.3006\n▁ᎥᏇᎵᏎᎸ\t-11.3006\nᎯᏣᏛᎦᏍᏓ\t-11.3006\n▁ᎠᎩᎵᏬᎢᏍᏗ\t-11.3006\n▁ᏂᏕᎦᎵᏍᏗᏍᎨ\t-11.3006\n▁ᎠᏛᎩᏍᎩ\t-11.3006\n▁ᎠᏥᏅᏩᏅᎯ\t-11.3006\nᏔᎴᏐ\t-11.3006\n▁ᏅᏛᏂᏪᏏ\t-11.3006\nᎬᏲᎵᎭ\t-11.3006\n▁ᏓᎬᏅᏏ\t-11.3006\n▁ᏗᎩᏂᏴᏗᏱ\t-11.3006\n▁ᏴᎨᏥᎪᏩᏛ\t-11.3006\nᏯᏛᏁᎮᏍᏗ\t-11.3006\n▁ᏓᏂᏂᏓᏛ\t-11.3006\n▁ᏣᎵᏍᏓᏴᏗ\t-11.3006\n▁ᏗᎫᏓᏙᏗ\t-11.3006\n▁ᏧᎾᏓᏅᏬᏗᏱ\t-11.3006\nran\t-11.3006\n▁ᏫᏄᎾᎵᏍᏓᏏ\t-11.3006\n▁ᏗᎦᏃᏙᏗᏱ\t-11.3006\n▁ᎠᏂᏁᏉᎨ\t-11.3006\n▁ᎠᏍᎦᏲᎯ\t-11.3006\n▁ᎬᏍᎦᏅᏤᎸ\t-11.3006\n▁ᎾᏆᏛᏁᎵᏙᎸ\t-11.3006\n▁ᏗᏗᏰᎸ\t-11.3006\n▁ᎤᏁᎵᏨ\t-11.3006\n▁ᏳᏲᎱᏎᎸ\t-11.3006\n▁ᎤᎸᏫᏒ\t-11.3006\n▁ᎬᏩᏂᏅᏫᏍᏔᏂᏙᎯ\t-11.3006\n▁ᏂᏨᏁᎮᏍᏗ\t-11.3006\n▁ᏧᎵᎩᏏ\t-11.3006\n▁ᎠᎾᏟᎲ\t-11.3006\nᏓᏒᏍᏓ\t-11.3006\nᎬᏩᏳᎪᏗ\t-11.3006\nᏍᏓᏩᏗᏒᎩ\t-11.3006\n▁ᏕᎬᏩᏠᏎᎢ\t-11.3006\n▁ᎫᎭᎳ\t-11.3006\n▁ᏧᏭᏓᎴᏍᏗᏱ\t-11.3007\n▁ᏓᏍᏆᏚᎸ\t-11.3007\n▁ᎢᏥᎧᎵᏣ\t-11.3007\n▁ᎠᎾᏟᏃᎮᏍᎬ\t-11.3007\n▁ᏓᏅᏩ\t-11.3007\n▁ᏚᎩᏒᎩ\t-11.3007\n▁ᎤᏓᎾᏏᏅ\t-11.3007\nᏠᏯᏍᏗᏍᎨᏍᏗ\t-11.3007\n▁ᎪᏢᏛᎩ\t-11.3007\n▁ᏧᏁᏅᏒ\t-11.3007\n▁ᎠᎩᏲᏏᏍᎬ\t-11.3007\n▁ᏚᏁᏅᏒ\t-11.3007\n▁ᏃᎦᏛᏅ\t-11.3007\n▁ᏗᎩᏣᏗ\t-11.3007\n▁ᏭᏓᏓᎩᏅᏎ\t-11.3007\n▁ᎢᏍᏗᏙᏓ\t-11.3007\n▁ᏫᏲᏪᎳᏏ\t-11.3007\n▁ᎡᎶᏂᎵ\t-11.3007\n▁ᏗᏂᎦᏘᎴᎩ\t-11.3007\nᏏᏀᎥ\t-11.3007\nᎫᏘᎶ\t-11.3007\n▁ᎠᏆᎵᏥᏙᏗᏱ\t-11.3007\n▁ᏱᏂᏓᎦᎵᏍᏔᏂ\t-11.3007\n▁ᎤᏓᏍᏛᏗᏍᏗ\t-11.3007\n▁ᏚᏙᏓᏈᏒ\t-11.3007\n▁ᏚᎵᎬᏩᏢ\t-11.3007\n▁ᏫᎦᎢᏒ\t-11.3007\n▁ᏭᏕᏁᎢ\t-11.3007\n▁ᏱᏄᏩᏁᎰ\t-11.3007\n▁ᎢᎬᏩᏍᏗᎭ\t-11.3007\n▁ᏕᏣᏓᎨᏳᏎᏍᏗ\t-11.3007\ners\t-11.3008\n▁ᏱᏓᏲᎩ\t-11.3008\n▁ᎠᏓᏅᏖᎸ\t-11.3008\nᎾᏞᎬ\t-11.3008\n▁ᎠᏓᎦᎵᏍᏓᏗᏍᎩ\t-11.3008\n▁ᏘᎹᏂ\t-11.3008\n▁ᏙᏓᎬᏁᎵ\t-11.3008\n▁ᏥᏕᏣᎸᏫᏍᏓᏁᎭ\t-11.3008\n▁ᎤᏪᎷᏅ\t-11.3008\n▁ᏕᏣᎧᎿᏩᏗᏙᎮᏍᏗ\t-11.3008\nᏈᎪᎵ\t-11.3008\n▁ᏕᎦᎵᏦᏛ\t-11.3008\n▁ᎣᏣᎵᎡᎵᏤ\t-11.3008\n▁ᎤᏂᎧᎲ\t-11.3008\n▁ᏥᏍᎦᏅᎩ\t-11.3008\n▁ᎤᏅᏂᏍᏗᏱ\t-11.3008\n▁ᏗᎤᏁᏤ\t-11.3008\n▁ᎠᏂᏍᏆᏂᎪᏍᎨ\t-11.3008\n▁ᏚᎪᏄᎶᏎ\t-11.3008\n▁ᏌᎪᏗ\t-11.3008\n▁ᎢᏥᎩᎵᏲᎬᎢ\t-11.3008\n▁ᎬᏩᏂᏍᏓᏩᏗᏙᎯ\t-11.3008\n▁ᏧᏓᏅᏓᏗᏍᏙᏗᏱ\t-11.3008\n▁ᏧᏪᎷᏁ\t-11.3008\n▁ᏧᏅᎨᏫ\t-11.3008\n▁ᏗᏓᏙᏕᏍᏗᏍᎩ\t-11.3008\n▁ᏚᏃᎩᏎ\t-11.3008\n▁ᏗᏂᏙᎬ\t-11.3008\n▁ᏗᏜᏍᏔᏅᎯ\t-11.3009\nᎵᏍᏘᏂᎸ\t-11.3009\n▁ᏗᎩᏙᏓ\t-11.3009\n▁ᎤᏂᏃᎮᏛ\t-11.3009\n▁ᏄᏂᎪᎸᎾ\t-11.3009\n▁ᎱᎷᏨ\t-11.3009\n▁ᏂᏗᏣᏓ\t-11.3009\n▁ᎠᎩᏲᎱᎯᏍᏗᏱ\t-11.3009\n▁ᏗᎬᏯᏠ\t-11.3009\n▁ᎤᎾᏓᏛᏅᎯ\t-11.3009\n▁ᎢᏣᎵᏍᏓᏴᏗᏍᎨᏍᏗ\t-11.3009\nᏅᏓᏥᏪᏎᎵ\t-11.3009\n▁ᏓᎦᎾᏄᎪᏫᏏ\t-11.3009\n▁ᏣᎩᏯᎠ\t-11.3009\n▁ᎬᏬᎳᏕᏍᎬ\t-11.3009\n▁ᏗᏂᏁᎵᏛ\t-11.3009\n▁ᎠᏥᏂᏌᏅ\t-11.3009\n▁ᏂᏓᎾᏤ\t-11.3009\n▁ᎠᎵᏍᏆᏓ\t-11.3009\n▁ᏓᎬᎷᏤᎵ\t-11.3009\n▁ᎡᏣᏙᎵᎩ\t-11.301\n▁ᏍᎩᏲᏍᏓ\t-11.301\n▁ᎭᏠᎠᎯ\t-11.301\n▁ᎢᏥᎦᏛᏂᏙᎯᏉ\t-11.301\n▁ᏅᏯᏗᎦᎪᏗᏱ\t-11.301\n▁ᎦᎶᎪᏗ\t-11.301\n▁ᏱᎦᏬᏂᎭ\t-11.301\n▁ᎤᎾᏨᏓᎵ\t-11.301\n▁ᎣᎩᎵᏦᏩᏛ\t-11.301\n▁ᏗᏍᎩᏲᎯᏏ\t-11.301\n▁ᎠᎩᎩᎬ\t-11.301\n▁ᎤᏰᎶᎢᏍᏔ\t-11.301\n▁ᏦᏚᎯ\t-11.301\n▁ᏗᎨᏥᏲᎯᏎᎸᎯ\t-11.301\n▁ᏧᏬᏪᎳᏁ\t-11.301\n▁ᎠᏥᏂᏌᏁ\t-11.301\n▁ᎤᏣᏪᏐᎸᏍᏕ\t-11.301\n▁ᏅᏓᏳᎶᎯᏍᏗᏱ\t-11.301\n▁ᏁᏓᏂᎵ\t-11.3011\n▁ᏌᏆᏯ\t-11.3011\n▁ᎾᎩᎲᎾ\t-11.3011\n▁ᏧᎾᏂᏏᏗᏱ\t-11.3011\nᎫᏓᎴᏍᎩ\t-11.3011\n▁ᏂᎦᏖᏍᏗ\t-11.3011\nᏍᏕᎵ\t-11.3011\n▁ᏧᏙᏍᏙᏗ\t-11.3011\nᏰᎸᎾ\t-11.3011\n▁ᎤᎩᏢ\t-11.3011\n▁ᏂᎨᏨᏁ\t-11.3011\n▁ᎨᏥᎩᎵᏲᎢᏍᏙᏗᏱ\t-11.3011\n▁ᏕᎧᏅ\t-11.3011\n▁ᎤᏗᏩᏒᎯ\t-11.3012\n▁ᏓᎶᎨ\t-11.3012\n▁ᏧᎦᏌᏬᎸ\t-11.3012\n▁ᎢᏓᎻ\t-11.3012\nᎾᎵᏍᏓᏁᏗ\t-11.3012\n▁ᏧᏬᏪᎶᏗ\t-11.3012\nᎦᎫᏍᏓᎥ\t-11.3012\n▁ᎠᎦᏙᎥᎯᏍᏙᏗ\t-11.3012\n▁ᏕᎰᏢᏅᎭ\t-11.3012\nᏂᎸᎬᎾ\t-11.3012\n▁ᎪᎭᏗ\t-11.3012\n▁ᎯᏌᏙᏯ\t-11.3012\n▁ᎢᏣᏛᏁᎸᎯ\t-11.3012\n▁ᎤᎾᎵᏍᏓᏴᏁᎢ\t-11.3012\n▁ᏛᏂᎪᎯ\t-11.3013\n▁ᏱᏥᏯᎠ\t-11.3013\n▁ᎪᎵ\t-11.3013\n▁ᎤᎾᏓᏅᏓᏕᎢ\t-11.3013\n▁ᎠᏂᏏᎾᏌᏅ\t-11.3013\n▁ᎤᏯᏪᏐᎴ\t-11.3013\n▁ᎧᏃᎨᏂ\t-11.3013\n▁ᎤᏄᎩᏣᏁ\t-11.3013\nᎾᏙᏓᏆᏍᏗ\t-11.3013\n▁ᎠᏓᏛᏗᏍᎩ\t-11.3013\n▁ᎢᏗᎬᏁᎸᎯ\t-11.3013\n▁ᏧᎾᏨᏍᏗᏱ\t-11.3013\n▁ᏳᏃᎵᏤ\t-11.3013\n▁ᎣᎩᏅᏏᏓᏍᏗ\t-11.3013\n▁ᏗᏥᏅᏏᏓᏍᏗ\t-11.3013\n▁ᎣᎩᎷᏤᎸ\t-11.3013\n▁ᏯᏕᎶᎰᏍ\t-11.3014\n▁ᎭᎦᏌᏯᏍᏓ\t-11.3014\n▁ᏗᏂᎾᏕᎩ\t-11.3014\n▁ᎠᏓᏴᏍᏔᎩᏍᎩ\t-11.3014\n▁ᎤᏁᏐᎠᏒᎩ\t-11.3014\n▁ᎬᏩᎾᏰᏍᎩ\t-11.3014\n▁ᎴᎹᎩ\t-11.3014\n▁ᎠᏥᎶᎥ\t-11.3014\n▁ᎦᏌᎴᏅ\t-11.3014\n▁ᏍᏊᏓᎳᎩ\t-11.3014\nᏓᏅᏛᎳ\t-11.3014\n▁ᏣᏍᎦᎸᎩ\t-11.3014\n▁ᏂᏚᏂᏪᏎᎸᎩ\t-11.3014\n▁ᎰᎯᏳᎲᏍᎦ\t-11.3014\n▁ᏧᏄᎪᏔᏅ\t-11.3014\n▁ᏚᏭᏓᏔᏅᎩ\t-11.3014\n▁ᏚᏂᏚᎲ\t-11.3014\n▁ᎠᏗᏔᏍᎨᏍᏗ\t-11.3015\n▁ᏓᏕᏏ\t-11.3015\n▁ᎠᏍᏆᏂᎪᎯᏍᏗ\t-11.3015\n▁ᎤᎾᏗᏔᏍᏗ\t-11.3015\n▁ᎤᎵᏨᏓᏆᏛ\t-11.3015\n▁ᎠᏖᎵᏙᎩᎯ\t-11.3015\n▁ᏯᏆᏛᏁᎸ\t-11.3015\n▁ᏧᏂᏄᎪᏫᏍᏗᏱ\t-11.3015\n▁ᎤᏁᏍᏔᎳ\t-11.3015\n▁ᎢᏣᎵᏏᎾᎯᏍᏗ\t-11.3015\n▁ᎢᏥᏴᏍᏗᏱ\t-11.3015\n▁ᏕᎦᎶᏛ\t-11.3016\n▁ᎤᏩᏂᎸᎩ\t-11.3016\n▁ᎬᏩᏄᎯ\t-11.3016\n▁ᏗᏣᎵᏂᎩᏗᏳ\t-11.3016\n▁ᏣᏰᎸᏅ\t-11.3016\n▁ᎻᏗᏂᏱ\t-11.3016\n▁ᏫᏥᎶᎯ\t-11.3016\nᎤᏁᏨ\t-11.3016\nᏚᎧᎾᎾ\t-11.3016\nᏪᏎᎸᎯ\t-11.3016\n▁ᏗᎵᏍᏚᎶ\t-11.3016\n▁ᎢᏥᏯᎥᎢ\t-11.3016\nᏕᏯᏙᏗ\t-11.3016\n▁ᏱᎰᏣ\t-11.3016\n▁ᎤᎾᏛᏅᎢᏍᏔᏁ\t-11.3016\n▁ᏗᎧᎿ\t-11.3016\n▁ᏥᏥᏯᎠ\t-11.3017\n▁ᎢᏯᏋᏁᏗᏱ\t-11.3017\n▁ᎤᏓᎪᎵᏰᏗ\t-11.3017\n▁ᎬᎩᏁᏤᎸᎯ\t-11.3017\n▁ᎡᏥᎨᏳᎢ\t-11.3017\n▁ᎠᎩᏅᏏᏓᏍᏗ\t-11.3018\n▁ᎠᏂᎨᏳᏣ\t-11.3018\n▁ᎣᏥᏃᎮᏍᎩ\t-11.3018\n▁ᎤᏓᏅᎡᎸᎩ\t-11.3018\nᏍᏔᏁᎰ\t-11.3018\n▁ᎤᎾᎵᏓᎩᏛ\t-11.3018\n▁ᎬᏩᏂᏴᏗᏱ\t-11.3018\n▁ᎤᏓᏅᏓᏕᎢ\t-11.3018\n▁ᏅᏧᏪᏎᎢ\t-11.3018\n▁ᎤᏙᏯᏅᎯᏛ\t-11.3018\n▁ᎤᏓᏱᎴᎢ\t-11.3018\n▁ᎤᏇᏓᏢ\t-11.3019\n▁ᏥᏄᎾᏍᏗ\t-11.3019\n▁ᎤᎾᏛᏅᎢᏍᏗ\t-11.3019\n▁ᏳᎨᏳᎭ\t-11.3019\n▁ᎤᏂᏍᏆᏂᎪᏔᏅ\t-11.3019\n▁ᏗᎦᏃᎸᏗᏍᎬ\t-11.3019\n▁ᎤᎾᏍᎪᏎ\t-11.3019\n▁ᏦᎨᏅᏒ\t-11.3019\nᏍᏓᏱᏗᏍᏗᏱ\t-11.3019\n▁ᎤᏁᏍᏓ\t-11.302\n▁ᏧᎵᏏᎬ\t-11.302\n▁ᎦᎬᏩᏐᏢᏕᎢ\t-11.302\n▁ᏫᎤᎶᏎᎢ\t-11.302\n▁ᎤᏂᎾᏰᎯᏍᏗ\t-11.302\n▁ᎤᎾᏓᏍᏔᏴ\t-11.302\n▁ᏥᏥᎪᏩᏘᎭ\t-11.302\n▁ᏁᏪᏎᎴᎢ\t-11.302\nᏩᏘᏍᎩ\t-11.3021\nᏌᎩᏒ\t-11.3021\n▁ᏒᎦᎾᏲᎪ\t-11.3021\n▁ᎥᎦᏥᎪᎥᎩ\t-11.3021\n▁ᏧᎾᎵᏍᏓᏴᏗᏱ\t-11.3021\n▁ᏕᎩᎸᏫᏍᏓᏁᎲ\t-11.3021\n▁ᏅᏋᏁᎸ\t-11.3021\n▁ᏭᏩᏅᏓᏕ\t-11.3021\n▁ᎣᎦᎵᎪᏅ\t-11.3021\n▁ᎤᎧᎭᏲᏛ\t-11.3021\n▁ᎦᎸᏍᏙᏗ\t-11.3021\n▁ᏕᎦᏃᏣᎸ\t-11.3021\n▁ᎣᎦᏚᎵᏍᎬ\t-11.3022\n▁ᎤᏓᏅᎦᎸᏓ\t-11.3022\n▁ᏓᎩᏲᎯᏎᎸ\t-11.3022\n▁ᏗᎵᏍᎪᎸᏔᏅᎯ\t-11.3022\n▁ᎭᏙᎴᎰᎯ\t-11.3022\n▁ᎡᎦᏔ\t-11.3022\n▁ᏳᎷᏨ\t-11.3022\n▁ᎠᏗᏍᎦᎶᏗ\t-11.3022\n▁ᏚᏌᎳᏓᏅ\t-11.3023\n▁ᎠᎾᎦᎵᏍᎩ\t-11.3023\nᏒᏁᎰ\t-11.3023\n▁ᎠᏁᎷᎲᏍᎨ\t-11.3023\n▁ᏥᏐᎯ\t-11.3023\n▁ᏓᏍᎩᏁᎵ\t-11.3023\n▁ᏱᏂᏣᏛᏁᎸ\t-11.3023\n▁ᎢᏥᎷᏨᎭ\t-11.3023\n▁ᏧᏄᎪᏙᏗᏱ\t-11.3023\n▁ᏂᎬᏩᏂᏪᏎ\t-11.3023\n▁ᎢᏣᏛᎪᏗᏱ\t-11.3023\n▁ᎢᏳᏂᏪᏍᏗᏱ\t-11.3023\n▁ᏧᏂᎷᏫᏍᏔᏁᏗ\t-11.3023\n▁ᏚᏲᎵᎸ\t-11.3023\n▁ᎤᎾᎵᏍᏓᏴᏅᎯ\t-11.3023\n▁ᎯᏥᏧᏣ\t-11.3023\n▁ᏚᏂᏲᏎ\t-11.3023\n▁ᏓᏞᏍᏗ\t-11.3023\n▁ᎠᎦᎫᏴᎡᏗ\t-11.3023\n▁ᎶᏔᏂ\t-11.3024\n▁ᏧᏏᎳᏛᏙᏗ\t-11.3024\n▁ᎠᏆᏡᏗᏍᎩ\t-11.3024\n▁ᏓᏥᎷᏥ\t-11.3024\nᏗᎦᎴᏲᏤ\t-11.3024\nᎦᎿᏩ\t-11.3024\n▁ᎠᏨᏏᏰᏗ\t-11.3025\n▁ᎾᎾᏛᏁᎮᏍᏗ\t-11.3025\n▁ᎢᏥᎦᏔᎰ\t-11.3025\n▁ᎤᏩᏇᏅᏔᏁ\t-11.3025\n▁ᏱᏣᏞ\t-11.3025\n▁ᏭᏘᏅᏍᏔᏁᎢ\t-11.3026\n▁ᎤᏓᎷᎸ\t-11.3026\n▁ᎠᏛᎯᏍᏗᏍᎩ\t-11.3026\n▁ᎠᏔᏲᎯᎮᏍᏗ\t-11.3026\n▁ᎤᏂᏰᏨ\t-11.3026\n▁ᎤᏪᏙᎵᏤᎢ\t-11.3026\n▁ᎤᏓᏴᎳᏔᏅ\t-11.3026\n▁ᎠᏲᎱᏍᎨᏍᏗ\t-11.3026\n▁ᏭᏴᏍᏗᏱ\t-11.3026\n▁ᎤᏁᎳᏗᏍᏗᏱ\t-11.3027\n▁ᎧᏃᏍᎦ\t-11.3027\n▁ᎦᎾᏄᎪᏥᎸᎭ\t-11.3027\n▁ᏥᏍᎦ\t-11.3027\n▁ᎤᏘᏅᏎ\t-11.3027\n▁ᎤᎬᏍᎪᎸᏁ\t-11.3027\n▁ᎡᏥᏁᎸ\t-11.3028\n▁ᏤᏏᏂ\t-11.3028\n▁ᏗᎦᎸ\t-11.3028\n▁ᎨᏥᏰᎸᎯ\t-11.3028\n▁ᏗᎦᎫᏍ\t-11.3028\n▁ᏥᎧᏍᎨᏂ\t-11.3029\n▁ᎢᏣᏙᎴᎰᎯ\t-11.3029\n▁ᎡᏥᎦᏔᎭ\t-11.3029\n▁ᏱᎾᏛᎦ\t-11.3029\n▁ᎠᏂᏐᏢᎢᏍᏗᏍᎩ\t-11.3029\n▁ᏚᏅᏩᏅᎩ\t-11.3029\n▁ᏫᏓᏆᎧᎾᏅᎩ\t-11.3029\n▁ᎤᏂᏁᎢᏍᏗᏱ\t-11.303\n▁ᏂᏕᎲᏁ\t-11.303\n▁ᎬᎭᏃ\t-11.303\n▁ᎤᏍᏔᎦ\t-11.303\n▁ᎤᎩᎵᏲᎢᏍᏗᏱ\t-11.303\n▁ᎤᎾᏓᏅᏍᏗᏱ\t-11.303\n▁ᏕᏛᏅ\t-11.3031\n▁ᏳᏪᎾ\t-11.3031\n▁ᎮᎮᏍᏗ\t-11.3031\n▁ᏚᏪᏐᏤ\t-11.3031\n▁ᎠᏤᎷᎯᏍᏗ\t-11.3031\n▁ᎯᏍᎩᏍᏆ\t-11.3032\n▁ᎾᏅᏁᎰ\t-11.3032\n▁ᎪᏍᏔᏴ\t-11.3032\nᎠᏍᎦ\t-11.3033\nᏐᏍᏙᏗ\t-11.3033\n▁ᎠᏆᏕᏗᏱ\t-11.3033\n▁ᎠᏥᎤᏍᏕᏎ\t-11.3033\nᏌᎳᏙᏗᏱ\t-11.3033\nᎾᏝᎥᎾ\t-11.3034\n▁ᎤᎾᏠᎾᏍᏛ\t-11.3034\n▁ᏚᎵᏰ\t-11.3034\n▁ᎤᏍᏆᏂᎩ\t-11.3034\n▁ᎠᏅ\t-11.3035\n▁ᎤᎾᏗᏔᏍᏗᏱ\t-11.3035\n▁ᎬᏩᏂᏴᎲᎩ\t-11.3035\n▁ᏣᎾᏗᎭ\t-11.3035\nᏍᎩᏰᎵᏎᎮᏍᏗ\t-11.3035\n▁ᎤᎵᏌᎳᏓᏁ\t-11.3036\n▁ᎠᏂᏣᏗ\t-11.3037\n▁ᏔᏔ\t-11.3037\n▁ᏱᏓᏚ\t-11.3037\n▁ᎠᏲᏍᏙᏗ\t-11.3037\n▁ᏧᏍᏕᎸᏗᏱ\t-11.3037\n▁ᎠᏂᎦᏘᏴ\t-11.3038\n▁ᎢᎬᏴ\t-11.3038\n▁ᎠᏍᏓᏱᏗᏍᎩ\t-11.3038\nᏦᎦᏓᎵ\t-11.3038\n▁ᎠᎩᏁᏤᎸᎩ\t-11.3038\n▁ᎩᎳᏊ\t-11.3039\n▁ᏗᏍᏕᎵᏍᎩ\t-11.304\n▁ᏗᎬᏩᏁᎶᏗ\t-11.304\n▁ᏣᎦᏙᎥᎯᏍᏗᏱ\t-11.304\n▁ᏧᏏᎳᏛᏗ\t-11.3041\nᏓᏙᎵᏍᏓᏁᎭ\t-11.3041\n▁ᎠᎾᏓᏩᏛᎯᏙᎢ\t-11.3041\n▁ᎤᏅᏓᏗᏗᏒᎢ\t-11.3041\n▁ᏓᏓᏁᎳᏗᏒᎢ\t-11.3041\n▁ᏗᏆᏓᎴᏅᎢ\t-11.3041\n▁ᏚᏠᏒᏎᎢ\t-11.3041\n▁ᏚᏚᎪᏔᏅᎢ\t-11.3041\n▁ᎤᏓᏏᏁᎢ\t-11.3041\n▁ᎤᏂᏌᏛᏗ\t-11.3041\n▁ᏕᏣᏓᏘᎾᎥᎢ\t-11.3041\n▁ᏧᎾᏄᎪᏫᏎᎴᎢ\t-11.3041\n▁ᏳᏫᎦ\t-11.3042\n▁ᏓᎬᏩᎵ\t-11.3042\n▁ᏗᏒᏆᎶᏍᏗ\t-11.3042\n▁ᏣᏍᎦᎩ\t-11.3042\n▁ᏚᎾᏄᎪᏫᏎᎢ\t-11.3042\n▁ᎢᏣᏂᎩ\t-11.3042\n▁ᏧᏛᏒ\t-11.3042\n▁ᎠᏕᎸᏓᎶᏂᎨ\t-11.3043\n▁ᏙᏣᏓ\t-11.3043\n▁ᎤᏛᎦᏍᏔᏁᎢ\t-11.3043\n▁ᏗᎦᎵᏦᏛᎢ\t-11.3043\nᏍᏓᏁᎭ\t-11.3043\n▁ᏚᎾᏓᏂᎸᏨ\t-11.3043\n▁ᏍᎩᎨᏳᎯᏳ\t-11.3044\nᏅᏍᏔᏅᎯ\t-11.3044\n▁ᎧᏁᎨᎢ\t-11.3045\n▁ᎠᏂᎦᏔᎮᏍᏗ\t-11.3045\n▁ᎣᏤᎲᎢ\t-11.3045\nᎧᎲᏍᏗᏱ\t-11.3045\n▁ᏣᏚᎵᎭ\t-11.3045\n▁ᏴᎦᎬ\t-11.3045\n▁ᎤᎵᏏᎾᎯᏍᏗ\t-11.3046\n▁ᎤᏂᏲᎸᎩ\t-11.3046\n▁ᎠᎩᏰᎯ\t-11.3046\n▁ᎤᏢᎦ\t-11.3046\n▁ᎣᎦᏓᏅᏔᏩᏕ\t-11.3047\n▁ᎠᏓᎾᏅ\t-11.3047\n▁ᏥᏃᎪᎢ\t-11.3047\n▁ᏂᎤᏍᏗ\t-11.3047\n▁ᎤᎾᏛᏓᏍᏛ\t-11.3047\n▁ᎠᏥᏯᏅᎲ\t-11.3047\nᎬᎭᎷᏰᎢ\t-11.3048\n▁ᎠᏍᏆᏂᎪᏛ\t-11.3048\n▁ᎠᏍᎦᎢᎮᏰᏃ\t-11.3048\n▁ᎮᏙᎭ\t-11.3049\n▁ᏄᏁᎩᏴ\t-11.3049\n▁ᎾᏆᎵᏍᏓᏁᎸᎩ\t-11.3049\nᏛᏂᏗᏍᏕᏍᏗ\t-11.3049\n▁ᏥᏚᏁᏤᎴ\t-11.305\n▁ᏕᎨᏥᏲ\t-11.305\n▁ᏳᏛᎦ\t-11.305\nᏍᏆᏂᎪᏔᏅ\t-11.305\n▁ᎢᎬᏩᏅᏁ\t-11.305\n▁ᎠᏥᏍᏛᏗᏍᏙᏗ\t-11.3051\n▁ᎾᏂᎠ\t-11.3051\nᏍᏚᎲᏍᎪ\t-11.3051\n▁ᎤᎾᏄᎪᎢᏍᏗᏱ\t-11.3052\n▁ᎤᏁᏉᎢᏍᏗᏱ\t-11.3052\nᏄᏪᏎ\t-11.3052\n▁ᏕᏥᎳᏫᎩ\t-11.3052\n▁ᎠᎫᏤᎵ\t-11.3053\n▁ᎤᏁᏙᎴᎢ\t-11.3053\n▁ᏧᏍᎩᏃ\t-11.3053\n▁ᎠᏂᎵᎾ\t-11.3054\n▁ᎠᎩᎸᏙᏗ\t-11.3054\n▁ᎤᏪᏁ\t-11.3054\n▁ᏧᏅᎪᏤ\t-11.3055\n▁ᏧᏂᏍᏓ\t-11.3055\n▁ᎤᏁᎫ\t-11.3055\n▁ᎤᎾᎵᎪᎲ\t-11.3055\n▁ᏚᏑᏰᏒ\t-11.3055\n▁ᎤᎾᏛᎦ\t-11.3056\n▁ᎠᏓᏅᏙᎩᎯ\t-11.3056\n▁ᏯᎩᏰᎸᎭ\t-11.3056\n▁ᎠᏯᏫᏍ\t-11.3056\n▁ᏗᎻᎾ\t-11.3057\n▁ᏚᎾᏔᏅᎩ\t-11.3058\nᎵᏍᏔᏅᎯ\t-11.3058\nᎧᏁᏗ\t-11.3058\nᎷᏤᎴᎢ\t-11.3059\n▁ᎤᏁᎸᏙᏗ\t-11.3059\n▁ᎨᏥᏍᏕᎸᏗᏱ\t-11.3059\n▁ᎪᎹᎵᏱ\t-11.3059\n▁ᎤᏂᎶᏐᏅ\t-11.3059\n▁ᏂᏚᏛᏁᎸ\t-11.3059\n▁ᎦᎵᎡᎵ\t-11.3059\n▁ᎠᏂᎦᏔᎯᏳ\t-11.306\n▁ᏗᏤᏅᏒ\t-11.3061\nᎨᎮᎩ\t-11.3061\n▁ᏚᏂᏲᎱᏒᎩ\t-11.3061\n▁ᏕᏥᎧᏅ\t-11.3061\n▁ᎠᎾᏓᏅ\t-11.3061\n▁ᏂᎪᎯ\t-11.3062\n▁ᏄᏪᎡᎢ\t-11.3063\n▁ᏧᏪᎳ\t-11.3063\n▁ᎣᎦᏛᎦᏅᎯ\t-11.3063\n▁ᎣᎦᏣᏅᎩ\t-11.3064\n▁ᎣᏥᏬᏂᏍᎬ\t-11.3064\n▁ᎾᏆᏛᏅᎢ\t-11.3065\n▁ᎤᏔᎳᏬᏍᎬᎢ\t-11.3065\n▁ᎣᎦᏤᎵᎦ\t-11.3065\n▁ᏮᏓᏥ\t-11.3065\n▁ᏚᏪᏲᏁᎢ\t-11.3065\n▁ᎤᏪᏓᏍᏗᏱ\t-11.3065\nᏅᏬᏒ\t-11.3066\n▁ᎤᏢᎬᎩ\t-11.3066\n▁ᎠᏫᎾᎨᏍᏗ\t-11.3066\nᏲᏓᎬ\t-11.3067\n▁ᎩᏥ\t-11.3067\n▁ᎤᏍᎩᏓᏎᎢ\t-11.3067\nᎦᏔᎿᎢ\t-11.3067\n▁ᎤᏂᎩᏌ\t-11.3067\n▁ᎮᏙᎲᎢ\t-11.3068\n▁ᎤᎧᎵᎢᏍᏗᏱ\t-11.3068\n▁ᎤᏂᏰᎸᏗ\t-11.3068\n▁ᎤᏂᏬᏂᏒ\t-11.3068\n▁ᎦᎵᏦᏅ\t-11.3068\n▁ᏅᏓᏍᎩ\t-11.3069\nᎬᏂᏛ\t-11.3069\n▁ᏥᏧᏏ\t-11.3069\n▁ᎤᏛᏛᏅᎩ\t-11.307\n▁ᏳᏁᎭ\t-11.307\n▁ᏥᏤᎾ\t-11.3071\n▁ᎤᏰᎸᏒ\t-11.3071\n▁ᏧᏓᎴᏅᎢ\t-11.3071\n▁ᎠᏗᏅᏓ\t-11.3072\n▁ᎤᎾᏁᎶᏔᏅ\t-11.3073\n▁ᎡᏥᎦᏙᎥ\t-11.3073\n▁ᏧᏄᏬᏍᏗ\t-11.3073\n▁ᎠᏈ\t-11.3074\n▁ᏤᏙᎭ\t-11.3074\nᏬᎥᎯ\t-11.3074\n▁ᎦᎷᎩ\t-11.3075\n▁ᏣᏠᎾᏍᏗ\t-11.3075\n▁ᎤᎵᏦ\t-11.3075\nᏛᏛᎲᏍᎨᏍᏗ\t-11.3076\n▁ᎡᏓᏍᏗᏱ\t-11.3076\n▁ᏕᏓᏓᎪᎲᏳ\t-11.3076\n▁ᎠᏑᏫᏍ\t-11.3077\n▁ᎢᏓᎵᎮᎵᎩ\t-11.3077\n▁ᎤᏓᏙᎵᏍᏔᏅᎩ\t-11.3077\n▁ᎤᏃᎮᎸᎯ\t-11.3077\n▁ᎤᎵᏓᏍᏔᏅ\t-11.3078\nᎳᏫ\t-11.3078\n▁ᎪᏢᏗᏱ\t-11.3078\n▁ᎢᎳᎻ\t-11.3078\n▁ᏭᎶᏒᏍᏛ\t-11.3079\n▁ᎢᏥᏍᏆᏂᎪᏙᏗᏱ\t-11.3079\nᎩᎦᏘᏛ\t-11.3079\nᏕᎨᏍᏗ\t-11.308\n▁ᏚᏭᎪᏔᏁᎢ\t-11.308\nᏕᎭᏲ\t-11.308\n▁ᎤᏂᏴᎲᎩ\t-11.3081\n▁ᏱᎦᏔᎭ\t-11.3082\nᎵᏍᎪᎸᏓᏁᎰ\t-11.3085\n▁ᎠᏁᎨ\t-11.3085\n▁ᎦᎵᏙᏗ\t-11.3085\n▁ᎩᎦᎨᏍᏛᏱ\t-11.3086\n▁ᎤᏂᏍᏆᏂᎪᏙᏗᏱ\t-11.3086\n▁ᎧᏃᎮᎭ\t-11.3087\n▁ᏧᏓᎵ\t-11.3087\n▁ᏓᏰᏙᎳᏛᎢ\t-11.3088\n▁ᎢᎨᎦ\t-11.3088\n▁ᎤᏰᎸᏒᎩ\t-11.3088\n▁ᎪᎵᎩ\t-11.3088\n▁ᏣᏁᏨᎢ\t-11.3089\n▁ᎤᏍᏓᏩᏛᏎᎢ\t-11.3089\n▁ᎤᎵᏖᎸᏁᎢ\t-11.309\n▁ᎢᏳᏅᏂ\t-11.309\nᎳᏁᎸᎯ\t-11.309\n▁ᎢᏨᏁᏗᏱ\t-11.3091\n▁ᎤᏂᏄᎪᏤᏃ\t-11.3092\n▁ᏚᏪᏟᏌᏅ\t-11.3092\nᎩᏍᎬᎢ\t-11.3093\n▁ᏗᏣᎵᎢ\t-11.3093\n▁ᎠᏥᏍᏕᎸᏗᏱ\t-11.3094\n▁ᎠᎵᎮᎵᏤᏗ\t-11.3094\n▁ᏗᏂᏁᎯ\t-11.3095\n▁ᏓᏘᏁᎲ\t-11.3095\n▁ᏬᏥ\t-11.3095\n▁ᎤᏍᎦᎴᎢ\t-11.3096\n▁ᏳᏛᎾ\t-11.3096\n▁ᏂᏓᏅ\t-11.3096\nᏏᏙᎴ\t-11.3096\n▁ᎠᎩᎾᏫᏱ\t-11.3096\nᏟᎶᏍᏔᏅ\t-11.3097\n▁ᏧᎶᏎᎢ\t-11.3097\n▁ᏕᏦᏕᏍᏗ\t-11.3097\n▁ᏱᏕᎬ\t-11.3098\n▁ᎨᎦᎵᏥᏙᏁ\t-11.3102\n▁ᎡᏓᏓᏙᎵᏍᏓᏁ\t-11.3102\nᏙᏔᏅᎩ\t-11.3102\n▁ᎢᏥᏰᎸᎭ\t-11.3103\n▁ᎤᏲᏍᏔᏅᎯ\t-11.3103\n▁ᏴᎬᎾ\t-11.3104\nᎯᏍᏔᏅ\t-11.3104\n▁ᎢᏯᏋᏁ\t-11.3106\n▁ᎤᏬᏢᏗᏱ\t-11.3107\n▁ᏇᎯ\t-11.3108\n▁ᎬᎨᏳ\t-11.311\n▁ᏥᏂᏣᏛᏁᎸ\t-11.311\nᎦᎨᏗᏳ\t-11.3111\n▁ᏙᏌ\t-11.3111\nᏨᏒᎩ\t-11.3111\n▁ᎠᏂᎦᏔᎭ\t-11.3111\n▁ᎤᏯᎠ\t-11.3112\n▁ᎢᏧᏍᏗ\t-11.3112\nᎤᏅᏗ\t-11.3112\n▁ᏂᏓᏕᏘᏴᎯᏒᎢ\t-11.3112\n▁ᏗᎦᏁᎸᎢ\t-11.3112\nᏛᏅᎢᏍᏗᏍᎨ\t-11.3113\nᎾᏓᏡᎩ\t-11.3113\n▁ᎤᎾᏓᏅᏖᎸᎩ\t-11.3114\n▁ᎦᎾᏄᎪᏫᏍᎪ\t-11.3114\n▁ᏚᏂᎲᎢ\t-11.3115\n▁ᎤᏂᏍᏚ\t-11.3115\n▁ᏩᏌ\t-11.3116\n▁ᏓᏰᏙᎳᏛ\t-11.3116\nᏥᎳᏫᏎᎲ\t-11.3117\n▁ᏚᏯᏍᏗ\t-11.3117\n▁ᏦᏕ\t-11.3118\n▁ᎤᏗᎴᎲᏍᎬ\t-11.3118\nᎦᏙᏍᏙ\t-11.3118\nᏌᎻ\t-11.3118\n▁ᏗᏆᏄᏬ\t-11.3119\nᎪᎲᏍᎬ\t-11.312\n▁ᎤᏂᏅᏅᎢ\t-11.3121\nᏍᎦᏅᎾ\t-11.3121\nᎬᏗᎭ\t-11.3122\nᎶᏘ\t-11.3122\n▁ᎢᏳᏲ\t-11.3123\n▁ᎣᏏᏉᏍᎪ\t-11.3123\n▁ᏆᎷ\t-11.3126\n▁ᏂᎨᏒ\t-11.3126\n▁ᎤᏬᏂᏒᎩ\t-11.3128\n▁ᎤᏁᏙᎸᎢ\t-11.3128\n▁ᎤᏛᏗᏱ\t-11.3129\n▁ᏑᏓᎨ\t-11.3129\n▁ᎤᏓᏰ\t-11.3129\n▁ᎤᏯᏅᎮᎢ\t-11.3132\n▁ᎤᏂᏁᏨᎯ\t-11.3133\nᎵᏍᏓᏁᎸᎩ\t-11.3133\nᏈᎦ\t-11.3134\n▁ᏑᎾᎴᎢᏳ\t-11.3134\nᏗᎣᏈ\t-11.3135\n▁ᎠᎩᏇᏓᎸᎢ\t-11.3136\n▁ᏕᎦᏍᎩᎸᎢ\t-11.3136\n▁ᎤᎩᎸᏗ\t-11.3136\n▁ᏕᎦᎸᎢ\t-11.3138\nᏩᏌᏙᏰ\t-11.3139\n▁ᏰᎮᏍᏗ\t-11.3139\n▁ᎾᎾᏛᏁᎲᎾ\t-11.3139\n▁ᏗᎹ\t-11.314\n▁ᎤᏚᏓᎳ\t-11.3141\n▁ᎢᏣᎵᎮᎵᎬᎢ\t-11.3141\n▁ᎠᏇᎵᏍᏗ\t-11.3141\n▁ᎤᏬᎯᏳᏒᎢ\t-11.3141\n▁ᎤᎶᏏ\t-11.3142\n▁ᏌᏉᎯᏳ\t-11.3142\nᏯᏍᏛ\t-11.3143\nᏩᏛᎮᎢ\t-11.3143\n▁ᎠᏁᎬ\t-11.3143\n▁ᎤᎩᎸᎩ\t-11.3143\n▁ᎠᏓᎶᏂᎨ\t-11.3144\n▁ᏄᏂᏪᏎᎴᎢ\t-11.3144\n▁ᎠᏟᏍᏕ\t-11.3144\n▁ᎤᎾᏚᎸ\t-11.3145\n▁ᎬᏩᏛᏛᏅᎩ\t-11.3146\n▁ᎮᎵ\t-11.3146\n▁ᎤᏬᎯᏨᏃ\t-11.3147\n▁ᎠᏔᎸ\t-11.3147\n▁ᎤᏕᎶᎰᎯᏍᏗ\t-11.3148\nᎵᏍᎪᎸᏔ\t-11.3149\n▁ᎠᏆᏛᎦᏅᎯ\t-11.3149\n▁ᏧᎦᎴᏅ\t-11.315\n▁ᎠᎩᏍᎦᏅᏨᎢ\t-11.3151\n▁ᏫᏚᎷᏤᎴ\t-11.3152\nᏎᎵᏔᏁ\t-11.3152\nᏄᎪᏫᏒᎭ\t-11.3154\nᏕᎸᎩ\t-11.3154\nᏏᎳᏗ\t-11.3155\n▁ᎦᏆ\t-11.3155\nᎤᏙᎯᏳᎭ\t-11.3155\n▁ᏱᏁ\t-11.3156\nᏥᎸᏉᏔᏅᎯ\t-11.3156\n▁ᎨᏙ\t-11.3158\n▁ᎦᎢᏒᎢ\t-11.3161\n▁ᏓᎩᎸᏫᏍᏓᏁᎲᎢ\t-11.3161\n▁ᎣᎳ\t-11.3161\n▁ᎯᎦᏔᎲᎢ\t-11.3162\nree\t-11.3163\nᏓᏛᏁᎸ\t-11.3163\nᏴᏅᎮ\t-11.3164\n▁ᏤᎦ\t-11.3165\nᏑᎶᏗ\t-11.3165\n▁ᎦᏗᎭ\t-11.3166\n▁ᎦᏯᎸᎢ\t-11.3166\nᏂᏴᏗᏱ\t-11.3166\n▁ᎤᎬᎭᎷᏴ\t-11.3166\nᎾᎾᏛᏁᎭ\t-11.3167\n▁ᎤᏔᎷᎩᏍᎬ\t-11.3167\n▁ᏧᏄᏬᎢ\t-11.3167\nᎩᏍᎨ\t-11.317\nᏓᏢᎩ\t-11.317\n▁ᏣᏯ\t-11.3171\n▁ᎤᏍᏚᎢᏒᎩ\t-11.3173\n▁ᏓᎾᏗᏔᏍᎨ\t-11.3175\n▁ᎤᏦᏍᏔᏁ\t-11.3175\nᎦᏅᏍᎨᏂ\t-11.3175\n▁ᎤᏂᏃᎮᎸᎩ\t-11.3175\n▁ᎾᏆᏛᏁᎸᎩ\t-11.3176\n▁ᎠᏆᎴᏂᏙᎸ\t-11.3179\nᏍᎪᎯᏧᏈ\t-11.318\n▁ᎤᏁᎳᎩᏉ\t-11.3181\n▁ᏥᏂᎦᏪᏍᎪ\t-11.3181\n▁ᎤᎦᏔᎲᏒᎩ\t-11.3182\n▁ᏣᏍᏓ\t-11.3183\nᏫᏏ\t-11.3183\n▁ᏚᎴᎯᏌᏅᎢ\t-11.3184\n▁ᏣᏓᏁᏗ\t-11.3184\n▁ᏗᏥᎦᏴᎵᎨᎢ\t-11.3184\n▁ᎠᏂᎦᏴᎵᎨᎢ\t-11.3185\n▁ᏧᎦᏴᎵᎨᎢ\t-11.3185\n▁ᎤᏰᎸᏎᎢ\t-11.3187\nᏓᎢᏅᏒᎩ\t-11.3187\nᏫᏒᏗ\t-11.3188\nᏂᏅᎪᎠ\t-11.3189\n▁ᎢᏕᎲᎢ\t-11.319\n▁ᏩᎩᏴ\t-11.319\n▁ᎤᎾᏚᎵᏍᎬᎩ\t-11.319\n▁ᎢᏨᏰᎵᏎ\t-11.3191\nᎵᎮ\t-11.3192\n▁ᎦᏄᎸᏒᎢ\t-11.3193\n▁ᎤᎾᏣ\t-11.3194\n▁ᎦᎶᏛ\t-11.3195\n▁ᎤᏂᎷᏨᎯ\t-11.3196\n▁ᏥᏂᏥ\t-11.3197\n▁ᎡᎪᎢ\t-11.3198\n▁ᎤᏬᎴᎢ\t-11.3202\n▁ᏧᏂᏥ\t-11.3202\n▁ᎠᎪᎵᏰᏍᎩ\t-11.3202\nᎪᏢᏔᏅᎯ\t-11.3202\n▁ᎣᏁᎯ\t-11.3202\n▁ᎭᎳ\t-11.3204\n▁ᎢᏣᎦᏔᏅᏎ\t-11.3204\n▁ᎤᎵᏍᏆᏗᏍᏗᏱ\t-11.3205\nᏓᎳᎩ\t-11.3205\n▁ᏗᎯᏍᏗᏱ\t-11.3207\n▁ᎬᏍᎦᎳ\t-11.3207\nᏰᎸᏗᏱ\t-11.3208\n▁ᎢᎶ\t-11.3209\nᎵᏂᎪᎯᏍᏗᏍᎩ\t-11.321\n▁ᎠᏂᏍᎦᎩ\t-11.3211\nᎵᎮᎵᏍᏙᏗ\t-11.3213\n▁ᏥᏁᎸᎢ\t-11.3213\n▁ᏈᎵᎩᏱ\t-11.3218\n▁ᏓᏂᏃ\t-11.3222\nᎵᎷᎬ\t-11.3222\nᏓᏅᏖᏍᏗ\t-11.3223\n▁ᏭᎶ\t-11.3224\nᏥᏉᎳ\t-11.3225\n▁ᏚᏂᏅᏨ\t-11.3225\nᏏᏙ\t-11.3225\nᏛᏓᏍᏓᏁᎵ\t-11.3226\nᏢᏫᏍᏙᏗ\t-11.3227\n▁ᎤᎾᎵᏥᏙᏅ\t-11.3227\n▁ᎠᎼᎯ\t-11.3228\nᏏᏙᎮ\t-11.3231\n▁ᎢᏯᏛᏁᏗᏱ\t-11.3232\n▁ᏧᏍᎪᎸ\t-11.3232\n▁ᏕᎦᏚᏩᏗᏒᎢ\t-11.3232\n▁ᎤᏰᎸᏅᎢ\t-11.3233\nᏓᏎᎪᎩᏍᏗᏱ\t-11.3234\n▁ᏕᎮ\t-11.3236\n▁ᎤᏂᏁᎯ\t-11.3237\n▁ᎠᏲᏟᎨ\t-11.3238\n▁ᎤᎵᏍᏓᏴᏗᏱ\t-11.324\n▁ᎠᎦᎸ\t-11.3243\n▁ᎤᏣᏗ\t-11.3243\nᏪᏛ\t-11.3245\n▁ᎬᎩᏍᏗ\t-11.3247\n▁ᏧᏁᏗ\t-11.3249\nᏆᏂ\t-11.325\n▁ᏓᏰᏣ\t-11.325\n▁ᎢᏳᎾᎵᏍᏓᏁᏗᏱ\t-11.3252\nᎩᎳᎾᎳᏗᏍ\t-11.3253\nᏂᏍᏓᏩᏚᎦ\t-11.3253\n▁ᎣᎦᎾ\t-11.3254\n▁ᏙᏓᏥ\t-11.3257\n▁ᎠᎪᎲᏍᎬ\t-11.3258\n▁ᎬᏩᏍᏛᏗᏍ\t-11.3258\nᏣᏓᏅᏛᎾ\t-11.3265\nᎯᎠᎾ\t-11.3268\nᏂᎨᏒᎾ\t-11.3269\n▁ᏧᏂᏲᎰ\t-11.3273\nᎤᎬᏫᏳ\t-11.3276\nᏄᏛᏗ\t-11.3277\n▁ᏧᏭᏓ\t-11.328\n▁ᎠᏯᎥᎢ\t-11.328\n▁ᎤᏜᏅᏛᎢ\t-11.3281\n▁ᎠᎪᎲ\t-11.3283\n▁ᎤᏗᏍᎦᏢ\t-11.3285\n▁ᏗᎦᎴᏴ\t-11.3286\n▁ᎤᏢᏨ\t-11.3287\nor\t-11.3287\nᎨᏫᏍᏗ\t-11.3288\n▁ᎤᏂᏧᏈᏍ\t-11.3289\nᏓᏁᎴᎢ\t-11.3293\n▁ᏗᏄᏬᏍᏗ\t-11.3293\nᏌᏁᎢ\t-11.3294\nᏂᎢᏛ\t-11.3297\n▁ᎠᏍᎦᏅᏨᎢ\t-11.3299\nᏪᏒᎩ\t-11.33\n▁ᏆᎩ\t-11.3302\nᏕᏗᏴ\t-11.3307\n▁ᏂᏕᎦᏪᏎ\t-11.3309\nᏲᎯᏎᏗ\t-11.3309\n▁ᏳᎾᎵᎪ\t-11.3311\n▁ᎧᏃᎲᏍ\t-11.3311\n▁ᎠᏍᏆᏂᎪᏍᎨ\t-11.3312\n▁ᎤᎵᏍᏙᏗ\t-11.3314\n▁ᎤᎾᏓᏅᎦᎸ\t-11.3315\nᏱᎵᏙᎸ\t-11.332\n▁ᏅᏩᏍᏗ\t-11.3321\n▁ᎤᏂᏍᏆᏂᎪᏎᏃ\t-11.3321\n▁ᏳᏰᎸᏁ\t-11.3323\nᎩᎷᏫ\t-11.3329\n▁ᏧᎾᏄᏬᎢ\t-11.333\nᏄᏍᏛ\t-11.333\nᏓᏂᏙᎦ\t-11.3331\n▁ᏭᏏᎳᏛᏁ\t-11.3331\nᎯᏐᏗ\t-11.3332\n▁ᎠᏌᏅ\t-11.3334\nᏕᎸ\t-11.3334\n▁ᏃᎴᏍᏉ\t-11.3337\nᎬᏁᏗ\t-11.3338\n▁ᏓᏍᏆᏂᎪᏗ\t-11.3338\nᏟᏏᏍᎪᎢ\t-11.3347\n▁ᏏᏉ\t-11.3348\nᏓᎢᏅᏎᎢ\t-11.335\n▁ᎨᏣᎵᎮᎵ\t-11.335\nᏁᏉᎢᏍᏗᏱ\t-11.335\n▁ᏕᎤᎴ\t-11.3351\nᏙᏙᏱ\t-11.3351\nᎪᏯᏛ\t-11.3353\n▁ᏴᎾ\t-11.3355\nᏛᎦᏁᎴ\t-11.3356\nᏰᎮᏍᏗ\t-11.3357\n▁ᎦᎸᎢ\t-11.3357\n▁ᎠᏟ\t-11.3357\n▁ᎤᏇᏓᎸᎢ\t-11.336\n▁ᏫᏗᎩ\t-11.3361\n▁ᎤᎾᎥ\t-11.3362\nᏍᏗᏍᎪ\t-11.3369\nᏅᎬ\t-11.337\nᏍᏔᏁᎴ\t-11.337\n▁ᏣᏓᏡᏗᏍᎪ\t-11.3371\n▁ᎥᎩᏂᏐᏗ\t-11.3376\n▁ᏧᏂᏗᏱ\t-11.3378\n▁ᎠᎩᎷᏤᎸ\t-11.3378\n▁ᎠᏂᏙᎾᎥᎢ\t-11.338\nᏆᎧᎿᏅᎩ\t-11.3381\n▁ᎦᏥᏯᎵᏥᏙᏁ\t-11.3383\nᏲᏍᏙᏓᏁᏗ\t-11.3385\nᎸᏉᏙᎢ\t-11.3387\n▁ᏍᎩᎵ\t-11.3388\n▁ᎠᎩᎪᎵᏰ\t-11.339\n▁ᎦᎵᏣ\t-11.3394\n▁ᏕᎦᏛᎢ\t-11.3394\nᏥᎩ\t-11.3402\nᏂᏆᏘᎮᏍᏗ\t-11.3402\n▁ᎤᎵᏁᏨᎢ\t-11.3403\n▁ᏱᏂᎬᏂ\t-11.3404\nᏥᏍᏛᏗᏍᏙᏗ\t-11.3405\n▁ᎠᏄᏬᏍᏗ\t-11.3407\n▁ᎨᎦᏎᎸ\t-11.3409\n▁ᏱᏓᏓ\t-11.3413\nᎮᏗ\t-11.3413\nᏓᏌᎳᏗᏍᎨᏍᏗ\t-11.3415\nᏏᎳᏛᏙᏗ\t-11.3417\nᏔᏍᏗ\t-11.3418\nᎩᎸᏙᏗ\t-11.3418\n▁ᏓᏳᏓᎴᏅᎩ\t-11.342\n▁ᎠᏊ\t-11.3425\nᏓᏅᏬᏗ\t-11.3427\n▁ᎤᏅᏏᏴᎢ\t-11.3427\n▁ᎤᎨᏓᎵᏴᎢ\t-11.3427\n▁ᏯᏥ\t-11.3428\n▁ᏭᏯᏅᎮᎢ\t-11.3433\n▁ᏧᏩᏔᏁ\t-11.3438\nᏙᎯᏉ\t-11.3438\nᏂᏅᏏᏓᏍᏗ\t-11.3439\n▁ᎠᏍᎦᏂᏍᎩᏂ\t-11.3444\nᏓᏅᏘ\t-11.3447\nᏃᎮᏍᎨᏍᏗ\t-11.3447\n▁ᎢᏨᏯᏅᏓᏗᏍ\t-11.3449\n▁ᎥᏍᎩᏃ\t-11.345\nᎧᏁᎸᎾ\t-11.3451\nᎾᏗᏅᏗ\t-11.3452\n▁ᎧᎳᏩᏗᏒᎢ\t-11.3452\n▁ᏗᎦᏚᎲᎢ\t-11.3454\n▁ᏃᎦᏍ\t-11.3454\n▁ᎤᏃᏴ\t-11.3454\n▁ᎤᎾᏞ\t-11.3461\nᎾᏚᎦ\t-11.3463\n▁ᏂᏥᏍᎦᏅ\t-11.3464\nᎾᏗᏅᏎ\t-11.3466\n▁ᏰᎮ\t-11.3466\nᎪᎵᎬᎾ\t-11.3467\nᎭᏢ\t-11.3468\nᎴᏛ\t-11.3477\n▁ᏚᎾᏓᎸ\t-11.3477\nᏍᎩᏯᏅᎡᎸ\t-11.3481\nᏁᏉᏤᏗᏱ\t-11.3485\nᏥᏛᎯ\t-11.3486\nᎯᏰᏃ\t-11.349\nᎵᎢᏍᏗ\t-11.3491\nᎪᎲᏍᏔᏁ\t-11.3497\n▁ᏧᏂᏁ\t-11.3499\n▁ᎠᏂᏯᎥ\t-11.3499\n▁ᎣᏣᎵᏥᏙᎲᏍ\t-11.35\nᏐᎯ\t-11.35\n▁ᏗᎦᎴ\t-11.3501\n▁ᎤᏛᏛ\t-11.3506\n▁ᎣᏓ\t-11.3507\n▁ᏧᏂᎦᏐᎠ\t-11.3509\n▁ᎤᎯᏍᏗ\t-11.3512\n▁ᏱᎦᎨᏎ\t-11.3513\n▁ᎬᏗᏍᎬᎩ\t-11.3517\nᎸᏏ\t-11.352\n▁ᎢᏗᏓᏛᏁ\t-11.3524\n▁ᎤᎾᏙᏢ\t-11.3525\n▁ᎢᏳᏂᏨ\t-11.3525\n▁ᏉᏏ\t-11.3525\n▁ᏓᏓᎿᏩᏍᏛᎢ\t-11.3526\nᏓᏁᎲᎩ\t-11.3527\n▁ᎢᎦᎦᏛᎢ\t-11.3527\n▁ᎠᏂᏃᎮᏍᎬᎢ\t-11.3527\nᏄᎪᎨᏍᏗ\t-11.3527\n▁ᎤᎾᏟ\t-11.3528\n▁ᎥᎴ\t-11.3529\n▁ᏱᎦᎷ\t-11.3531\nᏍᏓᏁᏗ\t-11.3532\nᏖᏃᎯ\t-11.3536\n▁ᎤᏲᎴᏃ\t-11.3537\n▁ᎦᏛᎩ\t-11.354\n▁ᎤᏁᎴᎢ\t-11.3542\nᏓᏂᏴ\t-11.355\nᎷᏤᎸᎭ\t-11.3552\n▁ᎱᏂᎷ\t-11.3567\nᏍᏛᏅᎯ\t-11.357\n▁ᏗᎦᎳ\t-11.3574\nᎨᏳᏒ\t-11.3574\n▁ᏔᎳ\t-11.3575\nᏰᏨ\t-11.3576\n▁ᎦᎶᏍᎨ\t-11.358\nᏍᏗᏰᎬ\t-11.3581\nᏍᏚᎩᏎ\t-11.3585\nᎾᎷᏒ\t-11.3587\nᏠᏱᎭ\t-11.359\nᏅᏣᏛ\t-11.3591\nᏨᏛ\t-11.3594\n▁ᎢᏥᏔᏲᎯ\t-11.3596\nᏳᎶᏗ\t-11.3597\nᏚᎲ\t-11.3599\n▁ᎤᏬᏒ\t-11.3599\n▁ᎤᎾᎵᎪᏒ\t-11.3599\n▁ᏕᎦᎸ\t-11.3604\n▁ᎤᏣᏙ\t-11.3609\nᏂᎨᏂ\t-11.3609\nᎪᏩᏗᎭ\t-11.3611\nᏲᎤᎵ\t-11.3615\nᏣᎵᎮᎵᎦ\t-11.3622\nᏂᏪᎠ\t-11.3622\nᎥᎭ\t-11.3624\n▁ᎬᏩᏕ\t-11.3629\nᏛᏂᏗᏍᏗ\t-11.3629\n▁ᏴᏫᏯ\t-11.3631\nᏓᏅᏖᏍᎨ\t-11.3633\nᎩᏚᎢᏍᏓᏁᎸ\t-11.3633\n▁ᎤᏤᎵᎪ\t-11.3635\nᏙᎭᏴ\t-11.3636\nᏂᎦᏛ\t-11.3639\n▁ᎤᏤᎵᎦᏯ\t-11.3648\n▁ᏱᏂᎨ\t-11.3649\n▁ᎦᏥᏲ\t-11.3657\nᎦᏔᎯᏳ\t-11.3657\nᎦᏔᏙᎥ\t-11.3657\n▁ᏫᎬᏩᏴ\t-11.3658\nᎦᎸᎢᏛ\t-11.3659\n▁ᏥᏫᎦ\t-11.366\n▁ᎬᏩᏃᎵᏍ\t-11.3661\n▁ᎠᎦᏔᎲᎩ\t-11.3663\nᏃᏎᎭ\t-11.3663\nᎯᏍᏗᏍᎪ\t-11.3668\n▁ᎣᏣᎵᏍᎦᏍᏙ\t-11.3673\nᎾᏄᎪᏫᏎᎸᎯ\t-11.3674\n▁ᏭᏚ\t-11.3676\nᏌᎡ\t-11.3685\nᏓᏯ\t-11.3687\nᎬᏁᎲ\t-11.3689\n▁ᎢᏣᏓᏄᏴ\t-11.3692\nᎷᏥᎸ\t-11.3694\n▁ᎤᏣᏁ\t-11.3697\nᏲᎯᏎᎴ\t-11.3699\n▁ᏬᎩᏂ\t-11.3699\n▁ᎠᏤᎸᏍ\t-11.3701\nᎦᏙᎥᏒ\t-11.3703\nᏓᎬᏩᏍᏓᏩᏛᏛ\t-11.3705\n▁ᎤᏙᎴᎰᏒᎩ\t-11.3705\n▁ᎤᎵᏍᏙ\t-11.3708\n▁ᎤᏂᎪᎲᎢ\t-11.3708\n▁ᏚᎧᎵ\t-11.3709\nᏚᏓᎳᎡ\t-11.3711\n▁ᏴᎦᎦ\t-11.3715\n▁ᎠᏗᏍᎩ\t-11.3718\n▁ᏚᏪᎧᎮ\t-11.3725\nᏓᏤᎵᏛ\t-11.3729\n▁ᏕᎨᎦᏬᏍ\t-11.3732\n▁ᎦᏙᏉ\t-11.3734\n▁ᎤᎾᏨᏎ\t-11.3738\n▁ᎯᎬ\t-11.3739\n▁ᎢᏤᏙᎯ\t-11.3739\n▁ᎣᎬᏙᏗ\t-11.3744\nᏍᏉᏟ\t-11.3744\n▁ᎠᎡ\t-11.3752\nᏪᏎᎮᏍᏗ\t-11.3754\n▁ᏧᎵᏰ\t-11.3758\nᏯᏅᏓ\t-11.3762\n▁ᎤᏓᏣᎦᎸ\t-11.3764\n▁ᎠᏂᎦᏔᎲᎩ\t-11.3765\nᎳᏍᏓ\t-11.377\n▁ᏂᎯᎾ\t-11.3772\nᏍᎦᏅᏨᎯ\t-11.3774\nᏲᎱᏍᎦ\t-11.3776\nᏍᏆᏂᎪᏗᏍᎩ\t-11.3776\nᎦᏍᎩᎶᎩ\t-11.3777\n▁ᎡᏣᏑᏰ\t-11.3784\n▁ᏴᏛ\t-11.3793\n▁ᎤᏂᏲᎮ\t-11.3799\nᏛᎩᏍᎬ\t-11.3801\n▁ᏩᏴᏍᏗ\t-11.3803\n▁ᎣᎩᎭ\t-11.3806\nᏃᎮᏍᎩ\t-11.3813\n▁ᎢᏨᏰ\t-11.3815\n▁ᏱᏭᏂ\t-11.3817\nri\t-11.3823\nᏥᏁᎰᎢ\t-11.3824\n▁ᏗᏰ\t-11.3834\nᏗᏍᏙᏗ\t-11.3835\n▁ᎬᏩᎵ\t-11.3837\n▁ᏘᎩ\t-11.3844\nᏑᏢ\t-11.385\n▁ᏣᏍᎦᏅᎪ\t-11.385\n▁ᎤᏂᏰᎸ\t-11.3853\nᏏᎳᏕ\t-11.386\nᎤᏙ\t-11.3862\nᎦᏚᎩᏱ\t-11.3862\n▁ᎦᏂᏴᏗ\t-11.3863\nᏄᎪᏫᏍᏗᏱ\t-11.3863\nᏲᎮᎸ\t-11.3868\nᏅᏅ\t-11.3869\nᏉᎯᏳᎭ\t-11.3871\n▁ᎤᏚᎵᏍᎬᎢ\t-11.3871\n▁ᎦᎾᎸ\t-11.3876\n▁ᏥᏨᏲᏎ\t-11.3879\nᏛᏗᏱ\t-11.388\n▁ᎢᏝ\t-11.3881\nᎫᎢᏍ\t-11.3882\nᎳᎭ\t-11.3886\nᎯᎮ\t-11.3889\nᏗᏍᏗᏱ\t-11.3903\nᏴᎦ\t-11.3908\n▁ᎢᏥᏁᎸ\t-11.3918\n▁ᏚᎴᏁᏃ\t-11.3923\n▁ᎠᎾᏓᏅᏖ\t-11.3927\n▁ᎡᎳᏪᏱᏉ\t-11.3928\nᎾᏄᎪᏫᏍᎦ\t-11.3928\n▁ᏗᏧᎬ\t-11.393\n▁ᏗᏣᎵ\t-11.3932\n▁ᏄᎾᏍᏛᎢ\t-11.3934\nᏥᏌᎳᏙᏗ\t-11.3938\n▁ᎠᏑᏰ\t-11.394\nᎵᏏᎾᎯᏍᏗ\t-11.3941\n▁ᎠᎪᎵᏰᏍᎬ\t-11.396\nᏒᏉ\t-11.3961\nᎨᏏ\t-11.3968\nᏕᏏ\t-11.397\n▁ᏱᏂᎦ\t-11.3972\nᏴᏁᏗᏱ\t-11.3972\n▁ᏱᏤ\t-11.3981\nᏥᏰᎯ\t-11.3983\nᏘᏲᎯ\t-11.3987\n▁ᏕᎬᏕ\t-11.399\nᏲᎯᏎᎸ\t-11.3995\n▁ᏁᎵ\t-11.4\nᏣᏛᏅᎢᏍᏓᏁ\t-11.4002\n▁ᏱᏥᏩᏛ\t-11.4004\nᎸᏍᏙᏗᏱ\t-11.4006\nᏪᎳᏅ\t-11.4011\n▁ᎤᎾᏑ\t-11.4014\n▁Ꮚ\t-11.4016\n▁ᎠᎩᏍᏆᏂᎪ\t-11.402\n▁ᏎᏗ\t-11.4028\nᏒᏂᎸ\t-11.4029\n▁ᎤᏴᎸ\t-11.403\n▁ᏕᏧᎪ\t-11.4036\n▁ᎤᎵᏦᏔᏅ\t-11.4037\nᏛᏁᎢ\t-11.4037\nᏥᏯᏂᏍᎨᏍᏗ\t-11.4038\nᏂᏯᏪᏨ\t-11.4039\nᎾᏡᏗᏍᎬ\t-11.4044\nᏙᏔᏁᎢ\t-11.4061\n▁ᏥᎦᏃ\t-11.4068\n▁ᏂᎬᎩ\t-11.4069\nᎾᏌᎢ\t-11.4069\nᏨᏍᏛ\t-11.4072\nᎤᎾᏣᏁ\t-11.4078\nᏁᏛ\t-11.4081\n▁ᏓᎧᎿᏩᏗ\t-11.4082\nᏓᏑᏲ\t-11.4084\nᏍᏗᏰᏔᏅᎩ\t-11.4086\n▁ᎠᎩᎾᎥ\t-11.4092\n▁ᎤᎾᏄᎪᏨ\t-11.4097\nᏛᏅᎢᏍᏔᏅᎯ\t-11.4103\nᏨᏁᎸ\t-11.4107\n▁ᏣᎦᎴ\t-11.4112\n▁ᏥᎠ\t-11.4115\nᏲᏎᎮᏍᏗ\t-11.4118\nᏂᏐᏗᏱ\t-11.4123\n▁ᏗᏂᏁ\t-11.4125\n▁ᎢᏦᎯᏳᎲᏍ\t-11.4125\nᏣᎦᏎᏍᏕᏍᏗ\t-11.4125\nᏲᏍᏓ\t-11.4126\n▁ᎢᏣᏠᏯᏍᏙᏗ\t-11.4126\nᎾᎫᏴᏗ\t-11.4128\n▁ᎠᏓᏅᏍᎨ\t-11.413\n▁ᏂᎬᏪᏎ\t-11.413\n▁ᏓᏂᏁᎲ\t-11.4134\nᏲᎮᎸᎩ\t-11.4136\n▁ᎣᎩᎾᎵ\t-11.4138\nᏗᎹ\t-11.414\n▁ᎤᏲᏏᏍᎨ\t-11.4144\nᏂᎦᎥ\t-11.416\n▁ᎬᏆᏓᏅ\t-11.416\nᏙᏛ\t-11.4161\nᏔᏍᎬ\t-11.4162\n▁ᏓᏳᏁ\t-11.4164\nᏍᏓᏁᎵ\t-11.4172\nᎦᎴᏔᏂ\t-11.4172\nᏌᏛᎢ\t-11.4176\n▁ᏓᎴᎲᏍᎬ\t-11.4177\nᏎᎯ\t-11.418\nᎵᎪᏁᎸᎯ\t-11.4182\n▁ᎠᏂᎯ\t-11.4185\nᎴᏫᏍᏔᏅ\t-11.4191\n▁ᏘᏂ\t-11.4192\nᏓᏓᎸ\t-11.4194\nᏃᎮᏍᎬ\t-11.4196\n▁ᎨᏥᏁᎸ\t-11.4197\nᏃᏴᎵᏍᏗ\t-11.4202\nᏅᏙ\t-11.4204\nᏴᏙᏗ\t-11.4206\n▁ᏗᎧᎿᏩ\t-11.4209\nᎵᏂ\t-11.4229\nᏗᎤᏨᏎ\t-11.4231\n▁ᏭᏢ\t-11.4233\nᏥᏁᎴ\t-11.4242\n▁ᎢᏥᎪᎵᏰ\t-11.4243\nᎶᏙᏗ\t-11.4243\n▁ᎤᏓᎴ\t-11.4246\nᎮᎸᎩ\t-11.4252\n▁ᎠᏓᎴ\t-11.426\n▁ᏯᎵ\t-11.426\nᏍᏕᏓᎵᏴ\t-11.4261\nᏎᎪᎩᏒ\t-11.4261\n▁ᎮᏙ\t-11.4262\nᎵᏙᎲᎢ\t-11.4264\n▁ᏱᎦᏓ\t-11.4269\nᏜᏏᏛᎡ\t-11.427\n▁ᏂᏚᏪ\t-11.427\n▁ᏧᏍᎪ\t-11.4272\n▁ᏣᏗ\t-11.4272\nᎠᎩ\t-11.4281\nᏅᏗᏍᎬ\t-11.4282\nᏙᎥᎢ\t-11.4284\nᏍᏆᏂᎪᏛ\t-11.4286\nᎬᏩᏂᎪᏩᏛ\t-11.4297\nᏅᏏ\t-11.43\nᏍᎦᏍᏓᏁᏗᏱ\t-11.4313\n▁ᎠᏯᏦ\t-11.4314\nᎾᏰᏍᎦ\t-11.4326\nᏩᎯᏍᏔᏅᎯ\t-11.4328\n▁ᎤᏍᎩ\t-11.4328\n▁ᎤᏂᏏ\t-11.4337\nᏓᏅᏙ\t-11.4345\nᏚᎵᏍᎬᎢ\t-11.4348\n▁ᎤᎾᎴᏅᏗ\t-11.435\nᏲᏎᎢ\t-11.4352\n▁ᏚᏂᎭ\t-11.437\nᏚᎸᏌᏛ\t-11.4373\nᎵᏍᏗᏍᎬ\t-11.4377\nᏄᎶᏔᏅ\t-11.4389\nᏓᎾᏅ\t-11.439\nᏚᎢᏍᏓᏁ\t-11.4396\nᎣᎢ\t-11.44\nᎪᏩᏔ\t-11.4401\n▁ᏯᏂᎦᏔ\t-11.4402\n▁ᏫᏘ\t-11.4405\nᎵᏥᏙᏁᎸ\t-11.4409\n▁ᎤᎸᏕ\t-11.4412\n▁ᏧᏪᎧᏁ\t-11.4414\n▁ᎤᎾᎵᏍ\t-11.442\nᏳᎢ\t-11.4426\n▁--\t-11.4431\nᏨᏓ\t-11.4444\nᎳᏕᏗ\t-11.4447\n▁ᏫᎦᎾᏄᎪ\t-11.4449\n▁ᏯᎭ\t-11.4449\nᏓᏂᏐᏗᏱ\t-11.4456\nᏪᎢ\t-11.4456\n▁ᎤᏂᏍᏆᏛ\t-11.4456\nᏫᏎᎸᎯ\t-11.4458\n▁ᏗᏯᏖ\t-11.446\nᏍᎩᎲᏏ\t-11.4461\n▁ᏣᏙᎵ\t-11.4462\nᎦᎹ\t-11.4467\nᏍᎩᏃ\t-11.447\nᎯᏏ\t-11.447\n▁ᎤᏢᏁ\t-11.4484\nᏚᎵᏍᎬ\t-11.4492\n▁ᏥᏍᎩ\t-11.4492\n▁ᎾᏁ\t-11.4494\n▁ᎤᏁᎢ\t-11.45\nᏲᎯᎮ\t-11.4501\nᏲᎰᏎᏗ\t-11.4505\nᏯᎡ\t-11.4511\n▁ᎤᎾᏂᏢ\t-11.4512\n▁ᏫᏕ\t-11.4515\nᏲᎢᏳ\t-11.4521\n▁ᎦᏄᎪᎬ\t-11.4531\n▁ᎤᏂᎦ\t-11.4532\nᏥᏲᎢᏎ\t-11.4533\n▁ᎠᏂᏩᏛ\t-11.4533\nᏚᏓᎴ\t-11.4538\nᏳᎵᏍᏙᏗ\t-11.4545\n▁ᏗᏂᎳ\t-11.4577\nᎶᎯᏎᎸ\t-11.4578\nᎦᎶᎯᏍᏗᏱ\t-11.4581\nᏥᏂᎨᏂ\t-11.4589\n▁ᎢᎯᏯ\t-11.4592\nᏃᎮᏗᏱ\t-11.4593\n▁ᏱᏥᏍᏆᏂᎪ\t-11.4596\nᏔᏲᎯᎰ\t-11.4602\nᎴᏗ\t-11.461\nᎦᏘᎴᎦ\t-11.4612\nᏥᏴᏔᏂ\t-11.4615\nᏙᎲᎾ\t-11.4622\nᏘᎷᎦ\t-11.4622\nᏛᏎ\t-11.4631\nᎦᎷᎬ\t-11.4634\nᏂᏓ\t-11.4637\nᎳᎩ\t-11.464\n▁ᏧᏪᏲ\t-11.464\nᏂᏴᎲ\t-11.4641\n▁ᎤᏍᏓᏩᏗᏒ\t-11.4645\n▁ᎤᏑᏰ\t-11.4645\n▁ᎠᎨᏳ\t-11.4646\nᏓᏲ\t-11.4648\n▁ᎠᏆᏗ\t-11.4653\n▁ᎢᎦᏛᏉ\t-11.4655\nᏓᏅᏔ\t-11.4662\n▁ᎦᏂᎵ\t-11.4662\nᏥᏪᏏ\t-11.4663\n▁ᎠᎳ\t-11.4664\n▁ᎢᏨᏁᎸ\t-11.4665\nᏝᎥ\t-11.4682\n▁ᏱᎦᏰ\t-11.4683\n▁ᏯᏉ\t-11.469\nᎻᎦ\t-11.4698\n▁ᏣᎢᏒ\t-11.4701\nᏩᎾᎦᎳᎯᏳ\t-11.4701\nᏰᎵᏏ\t-11.4705\nᏂᎩᏍᏔᏁ\t-11.4705\n▁ᎤᎾᏣᏅ\t-11.4706\nᏛᏅᎢᏍᏙᏗ\t-11.4708\n▁ᏗᏣᏓᎨᏳ\t-11.4708\n▁ᎣᏤᎵ\t-11.4713\nᏂᏍᎦᎩ\t-11.4721\nᏩᏛᎲᎾ\t-11.4721\nᏴᎳᏒ\t-11.4722\nᏤᎳ\t-11.4732\n▁ᎨᏥᏅ\t-11.4734\nᏂᏆᏘᎭ\t-11.4739\n▁ᎤᎪᏅ\t-11.474\nᎦᎵᏍᏙᏗᎭ\t-11.4741\nda\t-11.4745\nᏫᏍ\t-11.4749\nᏥᏩᎯᏍᏔᏅᎯ\t-11.4749\n▁ᏰᏙᎮ\t-11.4751\nᎦᏌᏯᏍᏗᏍ\t-11.4751\nᏴᎳ\t-11.4752\nᏌᏬᎸ\t-11.4754\n▁ᎠᎩᏍᎩ\t-11.4754\n▁ᎫᏓ\t-11.4754\n▁ᎤᎫᏴ\t-11.4761\nᏫᏗ\t-11.4763\nᎤᏟ\t-11.4769\n▁ᎣᎩᏃᎮ\t-11.4773\n▁ᎭᎵᏍᏓᏴ\t-11.4775\n▁ᏗᏥᏴ\t-11.4775\n▁ᏭᎷᏤᎸ\t-11.478\nᎦᎵᏍᏓ\t-11.4781\nᎦᏔᎰᎢ\t-11.4792\nᎯᏴᎩ\t-11.4803\n▁ᎤᎨᏳ\t-11.4809\n▁ᎤᏂᎧᎵᏨ\t-11.4812\nᎯᏍᏓᏁᎸ\t-11.4817\nᏇᏗ\t-11.4819\nᏘᏃᎸᎩ\t-11.4824\nᎢᏒ\t-11.4828\n▁ᎤᏂᏁᏤ\t-11.4829\nᏍᏓᏴᏗ\t-11.4842\nᏲᎲᏍᎬ\t-11.4847\nᏥᏁᎪᎢ\t-11.4849\n▁ᎠᎱ\t-11.4854\nᏨᏁᏍᏗ\t-11.4859\nᎾᏛᎩᏍᎪ\t-11.4864\n▁ᏖᎾ\t-11.4881\nᎤᏨᏎ\t-11.4884\n▁ᏂᏚᏂ\t-11.4891\nᎵᏍᏓᏴᏙᏗᏱ\t-11.4892\nᎵᏙᎸᎢ\t-11.4893\nᎩᏐᏅ\t-11.4894\nᏝᏅ\t-11.491\nᎨᎯᏒ\t-11.4911\nᏘᏂᏒ\t-11.4915\nᎧᏃᏗ\t-11.4915\nᏕᎪ\t-11.4918\nᎦᏘᏲ\t-11.4923\nᎦᏙᏍᏔᏁᎢ\t-11.4925\nᎸᏫᏍᏓᏁᎰᎢ\t-11.4928\nᏐᏢᎢᏍᏙᏗᏱ\t-11.493\nᎷᏤᏗ\t-11.493\n▁ᎤᏛᏛᏁᎢ\t-11.4931\n▁ᎣᎩᏴ\t-11.4931\nᎦᏲᎵᏳ\t-11.4933\n▁ᏭᏴ\t-11.494\nᎪᏩᏘᏍᎨᏍᏗ\t-11.4943\n▁ᎢᎩᎧ\t-11.4945\nᏣᎵᏍᏗᎭ\t-11.4946\nᏛᏁᎴᎢ\t-11.4956\n▁ᎠᏂᎸ\t-11.4959\nᎡᎪᎢ\t-11.4963\n▁ᏕᎦᎾ\t-11.4968\nᏁᎲᎾ\t-11.4971\n▁ᎤᎿᎸ\t-11.4978\nᏲᎮᎴᎢ\t-11.4982\n▁ᏳᎾᏅ\t-11.4986\n▁ᎢᎾᎨᏉ\t-11.4993\nᏁᏍᎨᏍᎩ\t-11.4996\nᏃᏁᎵ\t-11.5001\n▁ᎠᏐᏢᎢᏍᏙᏗ\t-11.5006\nᏛᏁᎸ\t-11.5016\nᏅᏍᏔᏁᎢ\t-11.5018\n▁ᎠᏨ\t-11.502\nᏓᏓᏱ\t-11.503\nᎸᏅ\t-11.5032\nᎴᏔᏂ\t-11.5034\nᏰᎸᏎ\t-11.5034\n▁ᎤᏢᎨ\t-11.5039\n▁ᎦᏥᏁᏗ\t-11.504\n▁ᏧᎾᏚᎪᏓᏁᏗ\t-11.5046\n▁ᎤᏂᏇᏓ\t-11.5055\nᏱᎴ\t-11.5057\nᎢᎲ\t-11.5062\nᏈᏓ\t-11.5064\n▁ᎤᎪᎳ\t-11.5065\nᎵᏍᎪᎸᏓᏁᎸ\t-11.5066\n▁ᎡᏥᎸ\t-11.5067\nᏓᏥᎶ\t-11.5068\nᏍᏓᏁᎮ\t-11.5075\n▁ᏗᏯ\t-11.5077\nᏩᏯ\t-11.5081\n▁ᎠᏎᎪᎩᏍ\t-11.5098\nᏩᏂᎦᎸ\t-11.5103\nᏴᏓᏆᎶᎥᎩ\t-11.5111\n▁ᎤᎾᎵᏍᎩ\t-11.5123\nᏎᎵᏛ\t-11.5124\nᏴᏍᏕᏍ\t-11.5126\n▁ᏕᎤᏅ\t-11.5127\n▁ᏱᏂᎦᎵᏍ\t-11.513\n▁ᎠᏆᏕ\t-11.5131\nᎪᏢᏙᏗ\t-11.5136\nᏛᎪᏗ\t-11.5143\nᎾᏛᏁᎭ\t-11.5148\nᏓᏉ\t-11.5151\n▁ᏕᎦᏓ\t-11.5155\nᎵᏍᎪᎢ\t-11.5163\n▁ᎤᏙᎯᏳᏗ\t-11.5165\n▁ᏅᏓᏣ\t-11.5174\n▁ᎢᏥᎨᏳ\t-11.5177\n▁ᎭᎸ\t-11.5179\n▁ᏧᏓᏴᎳ\t-11.518\n▁ᎤᏙᏯᏅᎯᏕ\t-11.5185\nᏗᏩᏛᎯ\t-11.5185\nᏢᏈ\t-11.5185\nᎶᏍᎬ\t-11.5187\nᏗᏎᎢ\t-11.5187\nᎵᎥᏂᎸ\t-11.5188\nᏔᏲᏎᎮ\t-11.5194\nᎦᏧ\t-11.5198\nᎪᎥᎯ\t-11.5199\n▁ᏭᏂᏴ\t-11.5204\nᎡᎰ\t-11.521\nᎯᎠᏃ\t-11.5211\nᎦᎵᏍᎪ\t-11.5213\n▁ᎦᎾᏰ\t-11.5218\nᎪᏔᏅ\t-11.5219\nᏐᏅᎢᏍᏔᏅᎯ\t-11.5241\n▁ᎡᎬ\t-11.5242\nᏍᏗᏰᏔᏁ\t-11.5242\nᏚᎶ\t-11.5243\nᏱᏢᏗ\t-11.5253\nᏓᏕᏲᎲᏍᎨᏍᏗ\t-11.5255\nᎩᏍᏕᎸᏗᏱ\t-11.5257\nᎲᏍᎪ\t-11.5262\n▁ᎤᏂᎷᏤᏃ\t-11.5271\n▁ᎤᏂᎾᏗᏅ\t-11.5277\n▁ᏗᎦᏓᎨᏳᎯ\t-11.5277\n▁ᏚᎾᏠᎯᏍ\t-11.5277\nᎯᏍᏔᏁ\t-11.5279\nᏅᏌ\t-11.5279\n▁ᏔᎴ\t-11.5281\nle\t-11.5285\nᏴᏗᏱ\t-11.5293\n▁ᎤᎾᎪᎸ\t-11.5297\n▁ᎡᏥᎾᏰ\t-11.5304\n▁ᏥᏯᏓᏙᎵᏍᏓᏁ\t-11.5307\n▁ᎦᎷᎶ\t-11.5307\nᏰᎵᎯᏍᏗ\t-11.5314\n▁ᏥᏭ\t-11.5325\nᎦᎸᎢ\t-11.5336\nᎲᎯ\t-11.5338\n▁ᏓᎩᏯ\t-11.534\n▁ᎠᏓᏂ\t-11.5341\n▁ᏗᎪᏪᎶ\t-11.5344\n▁ᎨᏥᏯᏅᏗ\t-11.5351\nᎳᏅᏓᏕ\t-11.5351\n▁ᎤᎴᏗ\t-11.5352\nᏁᏟᏴᏒ\t-11.5354\nᏂᎨᏥᏪᏎᎴ\t-11.5356\nᏣᎦᎸ\t-11.5357\nᏈᏴᎡ\t-11.5363\nᎵᏍᏆᏗ\t-11.5363\nᎵᏏᏂ\t-11.5375\nᎴᎲ\t-11.5379\n▁ᏗᎦᎵ\t-11.5379\n▁ᏫᎷᏥ\t-11.5384\n▁ᏱᎦᏥ\t-11.5386\nᏓᏅᏛᎢ\t-11.5389\nia\t-11.5395\nᏅᏁ\t-11.5397\nᏚᏩᏂᎦᎸ\t-11.5404\nᏔᏲᎯᎲ\t-11.5407\n▁ᎦᎳᏅᏛ\t-11.5409\nᎶᏔᏅ\t-11.542\n▁ᏓᏅ\t-11.5427\nᏓᏍᎩ\t-11.5437\n▁ᎠᎩᏃᎮ\t-11.544\nᎦᏔᎲᏍᏗᏱ\t-11.544\nᏍᎦᏅᏤᎮᏍᏗ\t-11.5442\nᏤᎴᏍᏗ\t-11.5443\n▁ᎤᏤᏪ\t-11.5449\nᏪᏥ\t-11.5451\nᏓᏅᏓᏗᏍᏔᏅ\t-11.5458\n▁ᏆᏂ\t-11.546\n▁ᎬᏩᏁ\t-11.546\n▁ᏧᏭᎪ\t-11.5461\n▁ᏔᎫᏴ\t-11.5462\nᏫᏍᎪ\t-11.5463\nᏍᏚᎢᏍᏗ\t-11.5465\n▁ᎣᏂᎩ\t-11.5465\n▁ᏫᏄ\t-11.5472\n▁ᎤᏣᏘᏂᏉ\t-11.5472\nᏗᏒᏍᏗᏱ\t-11.5474\n▁ᏩᎪᏩᏛ\t-11.5474\nᏅᏙᏗ\t-11.5478\nᎾᏛᏁᎰᎢ\t-11.5482\nᎩᏳ\t-11.5482\n▁ᎢᏥᏰ\t-11.5484\nᎿᎢᏳ\t-11.5487\nᎵᎮᎵᏍᏗᏱ\t-11.5488\nᎨᏥᎾᏌᎢ\t-11.5494\nᏣᎪᏩᏛᏗᏱ\t-11.5495\nᎲᏍᏗ\t-11.5495\n▁ᎤᏬᎯᏳᎯ\t-11.5498\n▁ᏚᏂᎨ\t-11.5504\nᎵᏍᎦᎸ\t-11.5506\nᏥᏅᎵ\t-11.5517\n▁ᎤᏪᎧᏁ\t-11.5517\nᏲᎰᏒ\t-11.5522\n▁ᎦᏙᎩ\t-11.5523\nᎾᏫᏛᎮ\t-11.5524\n▁ᏧᏓᎴᏅ\t-11.5527\n▁ᏓᎭ\t-11.5528\nᎪᏍᏓᏯ\t-11.5539\n▁ᏭᏗᏅ\t-11.5546\nᎵᏍᎨᏍᏗ\t-11.5548\nᎦᎾᏅᎪ\t-11.5549\nᏥᏍᏕᎵᏍᎬ\t-11.5549\nᏥᎪᏩᏗᎭ\t-11.5555\n▁ᎠᏥᎪ\t-11.5561\nᏂᏳ\t-11.5561\nᏘᏌ\t-11.5568\n▁ᎤᏂᏯ\t-11.5568\nᏫᏍᎪᎢ\t-11.5568\n▁ᏦᎯᏍ\t-11.557\nᎧᎲᎦ\t-11.5573\n▁ᎨᎯ\t-11.5578\nᏍᏓᏩᏕᏅ\t-11.5581\nᏅᏛᎾ\t-11.5588\n▁ᏅᏩᏓᎴᎢ\t-11.559\n▁ᎢᏯᎾᏛᏁ\t-11.5593\n▁ᎠᏓᏰ\t-11.5598\n▁ᎤᏝ\t-11.5604\n▁ᎤᏅᎢᏍᏗ\t-11.5605\n▁ᎦᏇᏅ\t-11.5608\nᏆᏤᎵ\t-11.5611\nᎯᏍᏙᏗᏱ\t-11.5611\n▁ᎢᏳᎯ\t-11.5615\n▁ᎠᏂᎴ\t-11.5621\nᎪᎥ\t-11.5622\nᏥᏃᎯᏎᎸ\t-11.5624\nᏑᏯᎩ\t-11.5625\n▁ᎤᏁᏉᏤ\t-11.563\nᎬᏩᎶᏗ\t-11.5644\nᎿᎥᎾ\t-11.565\nᎾᏣᎥ\t-11.5653\nᏓᏨᏯᏍᏗ\t-11.5653\nᎡᎮᏍᏗ\t-11.5653\nᏛᏅᎢᏍᏔᏅᎩ\t-11.566\nᎾᏗᏍᎪᎢ\t-11.5661\n▁ᎠᎦᏞ\t-11.5668\n▁ᏫᎬᎩ\t-11.5668\nᎪᎵᏰᏍᎨᏍᏗ\t-11.5669\nᏍᏘᏰ\t-11.5669\nᏌᏙ\t-11.567\nᏩᏘᏍᎨᏍᏗ\t-11.5672\n▁ᎦᏴ\t-11.5676\nᏅᏬᏗ\t-11.5677\nᏃᎯᎮ\t-11.568\nᎪᎵᏰᏍᎪᎢ\t-11.5683\n▁ᎠᏂᎷ\t-11.5684\n▁ᎤᏂᏥᎸ\t-11.569\nᏲᏢᎾᏁ\t-11.5691\nᏗᎵᏍᎪᎸᏙᏗ\t-11.5695\nᏏᏔᏗ\t-11.5697\n▁ᎤᎾᏗᏓ\t-11.5698\nᎯᎰᎢ\t-11.5698\n▁ᎢᏳᎵᏍᏓᏁ\t-11.5699\n▁ᏭᏕ\t-11.57\nᎵᏍᏓᏴ\t-11.5705\nᏂᏙᎲᎢ\t-11.5707\n▁ᏓᎾᏓᏅ\t-11.571\nᏥᏅᏍᏗ\t-11.5716\nᏂᏣᏔ\t-11.572\nᏓᏅᏘᏐ\t-11.5721\nᎥᏍᎬᎢ\t-11.5723\nᎦᎸᏉᏗᏳ\t-11.5725\nᏂᏙᎲ\t-11.5725\n▁ᏙᏛᏂ\t-11.5726\nᏓᏓᎴᏓ\t-11.5727\nᎾᏝᎠ\t-11.5729\nas\t-11.574\n▁ᏗᏍᎩᏯ\t-11.574\nᎨᏎᏍᏗ\t-11.574\n▁ᏛᏣ\t-11.5747\n▁ᎠᏌᎹᏗ\t-11.5748\n▁ᏨᏙᏗ\t-11.5749\n▁ᏯᏰ\t-11.5753\nᏙᏥᏩᏛᎲᎩ\t-11.5758\nᎵᏍᎪᎸᏔᏅᎯ\t-11.5761\nᏘᏅ\t-11.5764\nᏯᏅᎲᎭ\t-11.5769\nᎾᎻ\t-11.5773\nᏏᏁᎩ\t-11.5777\n▁ᏓᎾᏛ\t-11.5778\nᏍᏘᏰᎬᎢ\t-11.5785\n▁ᏗᏣᎶ\t-11.5793\n▁ᏩᏗ\t-11.5807\n▁ᏯᎦ\t-11.5809\n▁ᏱᏚᏁ\t-11.5812\n▁ᏕᏣᎵ\t-11.5815\n▁ᏴᎦᏰ\t-11.5816\n▁ᎤᏔᎶ\t-11.5818\n▁ᎠᏫᏒ\t-11.5819\n▁ᎠᏩ\t-11.5823\nᏍᎦᏍᎪ\t-11.5831\nᎠᏂ\t-11.5835\nᏯᏫᏍᎨᏍᏗ\t-11.5836\n▁ᎢᎤᏁᏅ\t-11.5844\n▁ᎢᏥᎨᏳᎯ\t-11.5846\n▁ᏙᏓᏓ\t-11.5851\n▁ᏓᎴᏅ\t-11.5856\nᏍᏈᏗ\t-11.5857\nᎤᏙᏓ\t-11.5858\nᏩᏛᎯᎵ\t-11.5859\n▁ᏗᎩᎦᎨ\t-11.586\nᏍᏓᏩᏛᏛ\t-11.5862\n▁ᎠᎾᏁᎷᎩ\t-11.5865\nᏅᎲᎭ\t-11.5867\nᎣᎵ\t-11.5868\nᏁᏣ\t-11.5872\n▁ᏱᏛ\t-11.5877\nᏥᎾᏝᎢ\t-11.5882\nᎳᏗᏓᏍᏗᏱ\t-11.5888\nᎸᏁ\t-11.5889\nᎷᏤᎵ\t-11.5899\nᏃᏴᎵᏍ\t-11.5908\n▁ᎫᏢ\t-11.5908\nᏐᏴᎢ\t-11.5909\nᏂᏂᏌᏁᎢ\t-11.591\n▁ᎠᏴᎩ\t-11.5911\n▁ᏥᏚᎾ\t-11.5911\nᎩᎳᏩ\t-11.5913\nᎳᏍᏙᏗ\t-11.5914\nᎶᎨᏒᎢ\t-11.5914\nᏏᏅ\t-11.5915\n▁ᎤᏂᎭ\t-11.5922\n▁ᏧᏭ\t-11.5923\nᎦᏗᏔ\t-11.5935\n▁ᎾᎾᎵᏍ\t-11.5935\n▁ᎢᏣᏛ\t-11.5939\n▁ᎤᏚᏒ\t-11.5941\n▁ᏕᎦᏁ\t-11.5945\n▁ᏱᏨᏯ\t-11.5946\n▁ᎤᏁᏙ\t-11.5957\nᏘᏁᎪ\t-11.5957\n▁ᎠᏆᏚ\t-11.5958\nᏁᎨ\t-11.5959\nᏏᏍᎨ\t-11.5966\nᎦᏌᏯᏍᏗᏕᎩ\t-11.5973\nᎵᎥᏂᎴ\t-11.5974\nᏤᎰ\t-11.5974\n▁ᏧᏂᏯ\t-11.5981\nᏓᏁᎲᎢ\t-11.5982\nᏂᎷᏣ\t-11.5993\n▁ᏨᏔᏅ\t-11.5995\n▁ᏓᎧ\t-11.5996\n▁ᏕᏨᏯ\t-11.5998\n▁ᎦᏥᏃᏍ\t-11.5999\nᏒᏂᏍᏗᏱ\t-11.6\nᎾᏣᎡᎢ\t-11.6004\nᏲᏞᎯ\t-11.6007\n▁ᎤᎵᏘ\t-11.601\nᏓᎴᏍᎨᏍᏗ\t-11.6011\n▁ᏗᎧᏃᎮ\t-11.6021\n▁ᏤᎳ\t-11.6022\n▁ᏛᎬ\t-11.6027\n▁ᎦᏄ\t-11.6028\n▁ᎠᏏᎾᏌᏅ\t-11.6032\n▁ᎠᏆᏓᏅᏔ\t-11.6034\nᏕᏍᎩ\t-11.604\n▁ᏗᎪᏱ\t-11.6041\n▁ᎠᏩᏔ\t-11.6042\nᏍᏔᏴ\t-11.6043\n▁ᎭᎦᏔ\t-11.6044\nᎩᎸᏗ\t-11.6045\n▁ᎠᏗᏔᏍ\t-11.6052\n▁ᏥᏅᏗᎦᎵᏍᏙᏗ\t-11.6058\nᏚᏓ\t-11.6063\n▁ᏙᏓᎦᏥ\t-11.6064\nᎯᏳᎲᎦ\t-11.6065\n▁ᎤᏂᏁᏗ\t-11.6065\nᎧᎿ\t-11.6069\n▁ᎯᏍᏆ\t-11.6077\nᎾᏩᏛ\t-11.608\n▁ᎣᎩᏙ\t-11.6082\nᏅᏓᏗᏍᏗᏱ\t-11.6083\nᏎᎲ\t-11.6088\nᎩᏰᏃ\t-11.6092\nᏓᏡᏗᏍᎪᎢ\t-11.6093\n▁ᏧᏢᏫ\t-11.6093\n▁ᏱᏣᏁ\t-11.61\nᏂᎾᏰᏍᎬ\t-11.6103\n▁ᏗᎦᏰ\t-11.6103\n▁ᎦᏣᏄᎵ\t-11.6104\n▁ᏓᏍᏆ\t-11.6108\nᎿᏬ\t-11.611\n▁ᎠᎩᏰ\t-11.6112\nᎩᎷᎯᏍᏗᏱ\t-11.6115\n▁ᏕᏣᏓᏠ\t-11.6116\n▁ᏂᏨᏪᏎ\t-11.6116\nᎵᏰᎢᎶ\t-11.6117\n▁ᎡᏦ\t-11.6122\n▁ᎤᎾᏓᏟᏌ\t-11.6124\nᏲᎲᏍᎩ\t-11.6125\n▁ᏦᏍᎪ\t-11.613\nᎾᏕᎶᏆᏍᏗ\t-11.6135\nᏖᎸᎮᏍᎬ\t-11.614\n▁ᏗᎻ\t-11.6146\nᏗᏅᏗ\t-11.6146\n▁ᎤᏔᎷᎩᏍ\t-11.615\n▁ᎣᏨᏗ\t-11.6152\n▁ᎤᏍᏆᏃᏴ\t-11.6152\nᏝᏁᎢ\t-11.6154\n▁ᏚᏂᏣ\t-11.6154\n▁ᎠᏥᎸᏉᏙᏗ\t-11.6157\nᏣᏯ\t-11.6159\nᎮᏗᏱ\t-11.6163\n▁ᏣᏲ\t-11.6164\n▁ᏱᏄ\t-11.6168\nᎾᏓᏗᏍᎪ\t-11.6168\nᏓᏓ\t-11.6168\n▁ᏍᎩᏲᏎ\t-11.6169\n▁ᎤᏬᏢᏅᏅ\t-11.6172\n▁ᏱᏓᏆ\t-11.6175\n▁ᎤᏬᎯᏨ\t-11.6176\n▁ᏅᏩᏍᏕ\t-11.6182\nᎸᏉᏛ\t-11.6186\nᎵᏍᏔᏁᎢ\t-11.6186\n▁ᎠᎾᏗᏒᎯ\t-11.6186\nᎴᏂᏓᏍᏗᏱ\t-11.6189\nᎵᏱᎶᎸ\t-11.6193\nᎨᎳᏍᏙᏗ\t-11.6196\nᏩᎯᏍᏗ\t-11.6198\nᏲᎲᏍᎨᏍᏗ\t-11.6198\n▁ᎾᏆᎵᏍᏓᏁᎸ\t-11.6199\nᎦᏓᏅᏓᏗ\t-11.6203\nᏁᏤᎴᎢ\t-11.6204\nᏗᎧ\t-11.6206\nᎧᎭᏲᏔ\t-11.6207\nᎺ\t-11.6207\n▁ᏱᏩ\t-11.6207\nᏍᎦᏰᎬᏍᏔ\t-11.6209\nᎬᏗᏍᎨᎢ\t-11.6212\n▁ᏥᏂᎦᎵᏍᏗ\t-11.6213\nᏍᏔᏁᏍᏗ\t-11.6213\nᏩᏍᎦ\t-11.6214\nᎺᎵ\t-11.6215\n▁ᎢᏓᏙᎴᎰᎯ\t-11.6218\n▁ᏱᏓᏥ\t-11.6221\nᏨᏯ\t-11.6221\nᏓᎦᎶᏐᏂ\t-11.6221\nᏯᏅᎡᎵ\t-11.6223\nᏗᎨᎴ\t-11.6224\nᎰᏂ\t-11.6229\nᏍᏔᏅᎾ\t-11.6229\nᎮᎵᎠᏍᎪ\t-11.6229\n▁ᏗᏌ\t-11.6229\nᎦᎵᎡᎵ\t-11.6232\n▁ᏂᏕᎦ\t-11.6233\nᎦᏔᎲᎩ\t-11.6235\n▁ᎦᎸᏉᏗᏳᏰᏃ\t-11.6238\nᎵᏬᏤ\t-11.6239\nᏕᏓᏓᎪᎲᏳ\t-11.624\nᎩᎦᎨᏍᏛᏱ\t-11.624\nᏲᎢᏎᎴ\t-11.6241\nᎠᏡᏗᏍᎩ\t-11.6243\n▁ᎤᏂᎶᏎ\t-11.6243\n▁ᎤᏅᏍᎦᎴ\t-11.6243\n▁ᎤᎵᏍᎪᎸᏔᏁ\t-11.6243\n▁ᎠᎩᎪᏁᎸ\t-11.6243\n▁ᏚᏂᎧᎲ\t-11.6243\nᏗᎦᎪᏗᏱ\t-11.6243\n▁ᎤᏓᏙᏎᎴ\t-11.6244\n▁ᏓᎾᏓᏅᏖᏍᎬ\t-11.6244\nᏚᏪᎧᏁᎢ\t-11.6245\n▁ᎠᎵᎬ\t-11.6245\n▁ᏳᏂᎪᎮ\t-11.6245\nᎦᎾᏄᎪᏫᏍᎪ\t-11.6247\n▁ᎢᏨᏬᏁᏔᏅ\t-11.6247\nᏓᎩᎸᏫᏍᏓᏁᎲ\t-11.6247\n▁ᎢᎬᏬ\t-11.6248\n▁ᏩᏂᎦᏛ\t-11.6248\n▁ᏫᏚᏳᎪᏛ\t-11.6249\nᏡᏔᏅ\t-11.6249\nᎪᎵᏰᏍᎬᎢ\t-11.625\nᎠᎳᏑᎶ\t-11.625\nᎤᏬᏚᏨ\t-11.625\nᎤᏓᏅᏒ\t-11.625\nᏣᏄᏏ\t-11.6251\nᏧᏂᎸᏫᏍᏓᏁᎯ\t-11.6251\nᎬᏂᏳᏉ\t-11.6252\n▁ᎢᏣᏓᏁᏟᏴᏏᏒ\t-11.6252\n▁ᏥᎦᎷᎪ\t-11.6253\n▁ᎠᎾᎢᏎ\t-11.6253\nᏧᏙᎢᏛ\t-11.6253\n▁ᎠᏋᏔᏅ\t-11.6253\n▁ᏚᏂᏂᏴᎮ\t-11.6254\nᏧᏪᏥ\t-11.6255\n▁ᎠᏐᏢᎢᏍᏗᏍᎬ\t-11.6255\n▁ᎠᏂᎦᏔᎮ\t-11.6256\n▁ᎤᏔᎳᏬᏍᎬ\t-11.6256\nᏗᏂᎦᏘᏯ\t-11.6256\n▁ᎤᏂᏂᎬᏎᎲ\t-11.6257\nᎡᎳᏂ\t-11.6257\nᎣᏏᏉᏍᎪ\t-11.6257\n▁ᏚᏪᎧᏁᎴ\t-11.6257\n▁ᏂᏚᏂᏪᏎᎴ\t-11.6258\nᎪᏪᎴ\t-11.6258\n▁ᏕᏣᎸᏫᏍᏓᏁᎲ\t-11.6258\n▁ᏣᎾᏗ\t-11.6259\nᎤᏔᎷᎩᏍᎩ\t-11.6259\n▁ᏥᏄᎵᏍᏔᏁ\t-11.626\n▁ᏓᎩᏏᎳᏛ\t-11.6261\n▁ᎤᎾᎦᏙᏍᏕ\t-11.6261\n▁ᏗᏦᏢ\t-11.6261\n▁ᏓᎫ\t-11.6262\n▁ᎤᏁᎸᏔᏁ\t-11.6262\nᏂᏨᏁᏍᏗ\t-11.6263\nᎠᏎᏗ\t-11.6263\n▁ᏚᏠᏱᎴ\t-11.6263\n▁ᏄᏕᏘᏴᎮ\t-11.6263\nᎪᏪᎵ\t-11.6264\nᎪᏪᎸᎢ\t-11.6264\n▁ᏂᎨᎬᏁᎸ\t-11.6265\n▁ᎬᏩᏍᏓ\t-11.6265\nᎵᏍᏙᏔᏅ\t-11.6265\nᎵᏍᎪᎸᏓᏁᏗ\t-11.6266\nᎠᎨᏴ\t-11.6267\n▁ᏚᏫᏞᏫᏒ\t-11.6267\n▁ᎠᏟᏍᏛ\t-11.6267\n▁ᏂᎬᏩᏪᏎᎴ\t-11.6268\nᏂᏍᏚᏁ\t-11.6269\n▁ᎢᏥᎪᎲ\t-11.6269\nᏥᏅᏬᏗ\t-11.6269\n▁ᏕᎫᎪᏓᏁ\t-11.627\nᏣᏁᎳ\t-11.6272\nᎦᎵᏉᎩ\t-11.6272\nᎣᎯᏍᏙᏗ\t-11.6273\n▁ᏧᏯ\t-11.6273\nᎤᏛᏁᎢ\t-11.6275\n▁ᎠᎵᏍᏓᏴᎲᏍᎬ\t-11.6275\nᎾᏗᏔᏍᏗ\t-11.6275\n▁ᎤᏂᏚᎲ\t-11.6275\n▁ᏪᎮ\t-11.6276\n▁ᏥᏍᏚᏂᎩᏍᏗ\t-11.6277\n▁ᏕᏥᎳᏫ\t-11.6278\n▁ᏚᏂᎧᏁ\t-11.6278\n▁ᎾᏆᏛᏅ\t-11.6279\nᏂᏬᏂ\t-11.628\n▁ᎤᏂᏇᏓᎸ\t-11.628\n▁ᎦᏃᎪ\t-11.6281\n▁ᏚᏬᏢᏁ\t-11.6281\nᏥᎸᏉᏔᏅ\t-11.6282\n▁ᎠᏒᏛ\t-11.6282\n▁ᏩᎩᎶᏒ\t-11.6282\nᎦᏪᏍᎬᎩ\t-11.6282\n▁ᎤᏁᎲ\t-11.6283\n▁ᏓᏂᏙᎬ\t-11.6283\n▁ᏚᏪᏲᏁ\t-11.6283\n▁ᏥᏄᏪᏒ\t-11.6283\n▁ᏚᏂᎳᏫᏨ\t-11.6283\n▁ᏓᎩᎪᎲ\t-11.6284\nᎩᏌ\t-11.6284\nᎬᏂᎨᏒ\t-11.6286\n▁ᎤᏮ\t-11.6286\nᏗᎧᎿᏩᏛᏍᏗ\t-11.6287\nᎯᏙᎲ\t-11.6287\nᏅᎪᏨ\t-11.6288\n▁ᏣᏅ\t-11.6289\nᏲᏂ\t-11.629\n▁ᎤᏃᎯᏳᏗ\t-11.629\nᏁᎢᏍᏔᏁ\t-11.629\n▁ᎤᏁᎢᏍᏔᏁ\t-11.6291\nᏓᏙᎵᏍᏗᎭ\t-11.6291\nᏂᎪᎵᏰᎥ\t-11.6291\n▁ᎠᏛᏍᎨ\t-11.6291\n▁ᏧᎾᏓᏡ\t-11.6292\nᎦᏓᎡᎢ\t-11.6293\nᏯᏫᏍᏗ\t-11.6293\nᎯᏄᎪᎢ\t-11.6293\n▁ᎤᎾᏠᏤ\t-11.6293\n▁ᎠᏧ\t-11.6294\nᏪᏎᎢ\t-11.6294\n▁ᎤᏁᎵᏒ\t-11.6295\n▁ᏗᏂᎳᏫ\t-11.6296\nᎩᏓᏟ\t-11.6297\n▁ᏫᎬᏆ\t-11.6297\nᎫᏈ\t-11.6297\n▁ᎢᎦᎯ\t-11.6298\nᏲᎱᏎ\t-11.6298\nᎦᏍᎦᏂ\t-11.6298\n▁ᏭᏂᏴᎸ\t-11.6299\n▁ᏂᏣᎵᏍᏔᏅ\t-11.6299\n▁ᏭᏂᏃᏁ\t-11.6299\nᎶᏄᎮᏗᏱ\t-11.6299\nᏂᏐᏢᎢᏍᏙᏗ\t-11.63\n▁ᏛᏥ\t-11.6301\nᏀᎢ\t-11.6302\nᏁᏍᏓᎳ\t-11.6302\n▁ᏄᏅᏁᎴ\t-11.6302\nᏍᏓᏁᎴ\t-11.6303\n▁ᎠᏉᎸ\t-11.6303\nᏲᎱᏒᎯ\t-11.6304\nᏏᏓᏍᏗ\t-11.6305\nᏅᏨᎩ\t-11.6305\n▁ᏱᏚᎸᏫᏍᏓᏁ\t-11.6306\nᎹᎵ\t-11.6306\nᏆᏕ\t-11.6307\n▁ᏗᎬᏩᏁᎶ\t-11.6307\n▁ᎦᎾᏄᎪᏥᎸ\t-11.6308\n▁ᏱᏥᎪᏩᏘ\t-11.6309\nᏟᏌ\t-11.6309\nᏘᏳ\t-11.6309\nᏂᏪᏍᎬ\t-11.6309\nᎡᏆ\t-11.6309\n▁ᎤᎾᏘᏅᏍᏗ\t-11.631\n▁ᏱᏣᏚᎵ\t-11.631\n▁ᏧᏳᎪ\t-11.631\n▁ᎡᎩᏁᎸ\t-11.631\n▁ᎾᏎᎵ\t-11.6311\nᏃᎯᏰ\t-11.6311\nᏪᎳᏅᎯ\t-11.6312\n▁ᏭᏂᎷᎯᏍᏗ\t-11.6313\nᎠᏆᏚᎵ\t-11.6313\n▁ᎢᏳᏂᏪᏍᏗ\t-11.6313\n▁ᏧᏄᎪᏙᏗ\t-11.6313\n▁ᎠᏆᎵᎮᎵᏍᏗ\t-11.6314\n▁ᎤᎾᏓᏡ\t-11.6314\n▁ᎢᏣᏓᏤᎵ\t-11.6314\n▁ᎢᏳᏪᏅᏍ\t-11.6314\n▁ᏗᎨᏥᎢᏍᏗ\t-11.6315\n▁ᏫᏨᎷᏤᏗ\t-11.6315\n▁ᏇᏗᏂ\t-11.6315\n▁ᎣᎦᎵᏍᏓᏴᏗ\t-11.6316\nᎸᎢᏍᏗ\t-11.6316\n▁ᏥᏄᎵᏍᏔ\t-11.6316\n▁ᎤᎾᏄᎪᏫᏍᏗ\t-11.6317\n▁ᏗᎦᎳᏫᎢᏍᏗ\t-11.6317\nᏁᎶᏙ\t-11.6317\nᏩᏙᎯᏯᏛ\t-11.6317\n▁ᏗᎩᎸᏫᏍᏓᏁᏗ\t-11.6317\n▁ᎠᏰᏙᎳ\t-11.6318\nᏯᏘᏃᎮᎸ\t-11.6318\n▁ᏧᏍᏆᏅ\t-11.6318\n▁ᎠᏥᏙᎵᏍᏗ\t-11.6318\nᎨᏳᏣ\t-11.632\n▁ᎢᏳᎾᎵᏍᏙᏗ\t-11.632\nᏲᎦᏛᏁᏗ\t-11.6321\nᏈᏱ\t-11.6321\nᏍᏚᎢᏎ\t-11.6321\nᏣᎳᏁ\t-11.6322\n▁ᎠᏍᎦᎢᎮ\t-11.6322\n▁ᎢᏣᏛᎦᏅ\t-11.6322\n▁ᏚᎸᏫᏍᏓᏁᎮ\t-11.6322\nᏡᎦ\t-11.6323\n▁ᎠᏫᎾᎨ\t-11.6323\nᎴᎲᎦ\t-11.6323\n▁ᎠᏍᏆᎸᎲ\t-11.6323\nᏃᎮᎮᎴ\t-11.6326\n▁ᎨᏣᎵ\t-11.6326\nᎨᏅᏕ\t-11.6326\nᎴᎬ\t-11.6327\nᎿᏍᏕᏢ\t-11.6327\n▁ᎠᏂᎩᎵᏲ\t-11.6328\nᎾᏛᏗᏱ\t-11.6328\nᏄᏩᎢᏴ\t-11.6329\n▁ᎾᏆᎵᏍᏔᏁ\t-11.6329\n▁ᏕᎾᏓᎪ\t-11.6329\nᎵᏍᏓᏴᎾᏁᏗ\t-11.6329\n▁ᎢᏣᏛᎪᏗ\t-11.633\nᏁᏓᏥᏛ\t-11.633\nᎧᎿᏩᏗᏓ\t-11.633\n▁ᏄᏟᏂᎬ\t-11.6331\nᏝᏪᎯ\t-11.6331\nᏜᏏᏛᎡᎲᎾ\t-11.6332\nᎣᏍᏛ\t-11.6332\n▁ᎮᎲ\t-11.6332\nᎨᏢᏔᏅᎭ\t-11.6333\nᎦᏛᏂᏙᎯᏉ\t-11.6333\nᎵᏍᏔᏁᏍᏗ\t-11.6333\nᏅᏍᏓᏕᎴ\t-11.6333\nᏅᎵᏰᏓ\t-11.6333\nin\t-11.6334\nᏗᏌᏓᏕ\t-11.6334\nᏣᎵᎡᎵᏤᏗ\t-11.6334\n▁ᏕᎬᎦᎿᏩᏗᏙ\t-11.6335\nᎪᏅᏍᏓᎵ\t-11.6335\nᏓᏲᎵᏍᏗ\t-11.6336\nᎤᏍᏕᏎᎸᎯ\t-11.6337\nᎵᏏᎾᎯᏍᏛᎾ\t-11.6337\n▁ᎤᏓᏴᏎ\t-11.6337\n▁ᏩᎾᎦᎳ\t-11.6337\nᎭᏄᏩ\t-11.6338\naire\t-11.6338\nichael\t-11.6338\nreland\t-11.6338\nᎦᏨᏩᏍᏙᏗᏱ\t-11.6338\nᎶᏄᎲᎵ\t-11.6338\nᏂᏍᏋᎦ\t-11.6338\nᏍᏕᎵᏌᏕᏒᎭ\t-11.6338\nᏓᏂᏲᎰᏍᎪ\t-11.6338\nᏓᏅᏖᏔᏂ\t-11.6338\nᏓᏓᎾᏁᎶᏂᎨ\t-11.6338\nᏔᏕᎶᎰᏏ\t-11.6338\nᏚᎸᎡᎸᎩ\t-11.6338\nᏩᏛᎱᎦ\t-11.6338\n▁ᎠᎩᏲᎱᏏᏗ\t-11.6338\n▁ᎠᎾᎵᏍᏓᏴᏂᏙᎮ\t-11.6338\n▁ᎠᏂᏯᏙᎯᎯ\t-11.6338\n▁ᎠᏍᏈᏅ\t-11.6338\n▁ᎠᏥᏂᏌᎲ\t-11.6338\n▁ᎡᏣᏁᎳᏁᎸ\t-11.6338\n▁ᎢᎡᏍᏕᎵᏌᏕ\t-11.6338\n▁ᎢᏍᏙᏎᎸᎭ\t-11.6338\n▁ᎢᏨᏰᎳᏗᏙᎸ\t-11.6338\n▁ᎢᏰᎬᏁᎸᎯ\t-11.6338\n▁ᎤᎦᏑᎲᎢ\t-11.6338\n▁ᎤᎳᏍᏚᏒ\t-11.6338\n▁ᎤᎾᏓᏄᏴᏗ\t-11.6338\n▁ᎤᎾᏓᏙᎵᏍᏓᏁᎴ\t-11.6338\n▁ᎤᏁᏄᎳᏍᏔᏁᎢ\t-11.6338\n▁ᎤᏂᏔᎳᏬᏒᎩ\t-11.6338\n▁ᎤᏄᏖᏎ\t-11.6338\n▁ᎤᏍᎫᏓᏁᎦᎸ\t-11.6338\n▁ᎤᏭᏓᎸᏤ\t-11.6338\n▁ᎦᏖᏌᏗ\t-11.6338\n▁ᎨᏤᎳᏗᏙᎮᏍᏗ\t-11.6338\n▁ᎬᏩᏄᎸᏗ\t-11.6338\n▁ᎬᏩᏓᏡᏫᏍᏔᏅᎩ\t-11.6338\n▁ᎬᏬᏍᏔᏅᎯ\t-11.6338\n▁ᎭᏓᎦᏖᏙᎢᏍᎨᏍᏗ\t-11.6338\n▁ᎮᏏᎦᏯ\t-11.6338\n▁ᏂᎠᏂᏪᎭ\t-11.6338\n▁ᏂᎦᎸᏉᏗᏍᎬᎾ\t-11.6338\n▁ᏂᎧᏪᏍᎬᎩ\t-11.6338\n▁ᏂᏓᏓᏂᎸᎬᎾ\t-11.6338\n▁ᏂᏗᎦᎵᏍᏔᏂ\t-11.6338\n▁ᏂᏥᏪᏍᎪᎢ\t-11.6338\n▁ᏄᎾᏓᏁᏟᏴᏎᎢ\t-11.6338\n▁ᏄᏂᎦᏙᎥᏒᎾ\t-11.6338\n▁ᏅᏓᎨᏥᏅᏏᏛ\t-11.6338\n▁ᏅᏓᏍᏛᏴᏁᎵ\t-11.6338\n▁ᏅᏩᏍᏗᏗᏎᏍᏗᏉ\t-11.6338\n▁ᏈᏯᏏᏱᏆ\t-11.6338\n▁ᏍᏆᏎᎵᏓᏁᎸᎢ\t-11.6338\n▁ᏍᏆᏎᎵᏓᏏ\t-11.6338\n▁ᏐᎣᏁᎵᏁ\t-11.6338\n▁ᏑᎧᏔ\t-11.6338\n▁ᏓᎪᏄᎶᏏᏙᎮᏍᏗ\t-11.6338\n▁ᏓᎵᏖᎸᏂᏙᎮᏍᏗ\t-11.6338\n▁ᏓᎾᏦᏍᎬ\t-11.6338\n▁ᏓᏂᏍᏔᏲᎯᎲ\t-11.6338\n▁ᏓᏂᏏᎳᏛᎥᏍᎨ\t-11.6338\n▁ᏓᏆᏚᏫᏍᏔᏅᎩ\t-11.6338\n▁ᏓᏓᏬᏍᏗᏍᎬᎩ\t-11.6338\n▁ᏓᏛᎯᏍᏓᏁᎮᏍᏗ\t-11.6338\n▁ᏔᏓᏅᏗᏍᏓ\t-11.6338\n▁ᏕᎤᎸᏫᏍᏓᏁᎸ\t-11.6338\n▁ᏕᎦᎶᎴᎬᎢ\t-11.6338\n▁ᏕᏥᏅᎪᎥᏗᏍᎨᏍᏗ\t-11.6338\n▁ᏕᏥᏅᏫᏍᎨᏍᏗ\t-11.6338\n▁ᏕᏦᏢᎯᏏ\t-11.6338\n▁ᏗᎩᎸᏫᏍᏓᏁᎯ\t-11.6338\n▁ᏗᎩᏄᎪᏨ\t-11.6338\n▁ᏗᏓᏙᏪᏙᎥ\t-11.6338\n▁ᏙᏓᏳᎸᏫᏍᏓᏁᎵ\t-11.6338\n▁ᏙᏗᏂᏁᎸᎢ\t-11.6338\n▁ᏚᎧᏙᏍᏕ\t-11.6338\n▁ᏚᎾᏁᏢᏔᏅᏒᎢ\t-11.6338\n▁ᏚᎾᏠᏱᎴᎢ\t-11.6338\n▁ᏚᏂᏖᎸᏁ\t-11.6338\n▁ᏚᏃᏣᎶᏤ\t-11.6338\n▁ᏚᏢᏫᏎᎴ\t-11.6338\n▁ᏠᏆᎹ\t-11.6338\n▁ᏣᏍᏕᏅᏨ\t-11.6338\n▁ᏣᏗᏫᏍᏓ\t-11.6338\n▁ᏧᎦᏎᏍᏗᏕᎩ\t-11.6338\n▁ᏧᏃᏕᏍᏗᏍᎩ\t-11.6338\n▁ᏫᏙᏓᏨᏯ\t-11.6338\n▁ᏫᏴᎨᏥᎷᎩ\t-11.6338\n▁ᏭᏭᏓᎸ\t-11.6338\n▁ᏮᏓᎦᎶᏏ\t-11.6338\n▁ᏯᏓᏬᏍᎨᏍᏗ\t-11.6338\n▁ᏱᏄᎵᏍᏔᏃ\t-11.6338\n▁ᏱᏙᎬᏩᎸᏫᏍᏓᏏ\t-11.6338\n▁ᏱᏚᏓᏌᏝᎮᏍᏗ\t-11.6338\n▁ᏱᏚᏛᏓᏍᏓᏁᎴᎢ\t-11.6338\n▁ᏱᏚᏪᏘᎸ\t-11.6338\n▁ᏱᏨᏲᏪᎳᏁᎭ\t-11.6338\n▁ᏳᎾᏛᏅᎢᏍᏗ\t-11.6338\n▁ᏳᏍᎦᏅᏨ\t-11.6338\n▁ᏴᎬᏂᎷᎩ\t-11.6338\nᎵᏰᏑᏍᏚᏬ\t-11.6338\nᏍᏇᎵᏰᏗ\t-11.6338\nᏓᎾᏫᏛᏗ\t-11.6338\n▁ᎠᏂᎫᏌᏩᎩ\t-11.6338\n▁ᎢᏍᏉᏎᎭ\t-11.6338\n▁ᎤᏦᏔᎮ\t-11.6338\n▁ᏂᏓᎷᎸᎥᏍᎬᎾ\t-11.6338\n▁ᏂᏚᎿᏍᏕᏢᎾ\t-11.6338\n▁ᏗᎩᎧᏁᎸᎯ\t-11.6338\n▁ᏙᏓᎨᏥᏲᎯᏎᎵ\t-11.6338\n▁ᏙᏧᏁᏅᏒ\t-11.6338\n▁ᏩᏂᎦᏖᎢ\t-11.6338\nᏥᏍᎩᏅᏛᎯ\t-11.6338\nᏬᎯᎵᏴᏍᏓᏁ\t-11.6338\n▁ᎠᎦᏘᏗᏍᏙᏗ\t-11.6338\n▁ᎠᎾᏓᏌᎩᏙᎲ\t-11.6338\n▁ᎤᏓᏏᏂᏕᏅ\t-11.6338\n▁ᎤᏙᎴᎱ\t-11.6338\n▁ᎵᏆᏗᎻ\t-11.6338\n▁ᏍᎩᏯᏅᏓᏗᏍᎬᎢ\t-11.6338\n▁ᏍᎩᏲᎢᏳᎲᎦ\t-11.6338\n▁ᏓᎦᏓᏅᏏ\t-11.6338\n▁ᏓᏍᏆᎸᎮᎬᎢ\t-11.6338\n▁ᏦᎧᏔᏂ\t-11.6338\n▁ᏨᏓᎬᏯᏎᎮᎵ\t-11.6338\n▁ᏭᏪᏙᎴᎢ\t-11.6338\n▁ᏱᏄᏓᎠ\t-11.6338\nᎯᎬᏍᎪᎸᎥᏍᎨᏍᏗ\t-11.6338\nᏤᏲᎲᏍᎦ\t-11.6338\n▁ᎠᎻᏗᏏ\t-11.6338\n▁ᎠᎾᏓᎩᎡᎯ\t-11.6338\n▁ᎢᏨᏂᏌᏛ\t-11.6338\n▁ᎢᏯᏂᏪᏍᎩ\t-11.6338\n▁ᎤᏂᏍᏛᏛᎯ\t-11.6338\n▁ᎤᏃᎱᎦᏅ\t-11.6338\n▁ᎤᏉᏔᏗ\t-11.6338\n▁ᎤᏖᎸᏁ\t-11.6338\n▁ᎪᎸᏌᏛᏗ\t-11.6338\n▁ᏂᏚᎾᏑᎴᎲᎾ\t-11.6338\n▁ᏅᏗᏛᏁᎵᏒ\t-11.6338\n▁ᏇᏣᏱᏗ\t-11.6338\n▁ᏌᎷᏱ\t-11.6338\n▁ᏍᎩᎨᏳᎭᏧ\t-11.6338\n▁ᏓᎬᏯᎫᏴᎡᎵ\t-11.6338\n▁ᏗᎦᎸᏉᏔᏅᎯ\t-11.6338\n▁ᏗᏂᎭᏲᎯ\t-11.6338\n▁ᏗᏂᏏᎲᏍᎩ\t-11.6338\n▁ᏗᏲᎳᏅᎯ\t-11.6338\n▁ᏙᏛᏂᏲᎯᏎᎵ\t-11.6338\n▁ᏣᏂᎦᏴᎵ\t-11.6338\n▁ᏦᎩᎦᏴᎵᎨᎢ\t-11.6338\n▁ᏱᏄᏩᏁᎸ\t-11.6338\n▁ᎠᎩᏔᎳᏬᏍᎬ\t-11.6338\n▁ᎠᎾᎵᏙᎩᏯᏍᎩ\t-11.6338\n▁ᎣᎦᏛᏅᎢᏍᏗ\t-11.6338\n▁ᎤᎵᏍᎦᏎ\t-11.6338\n▁ᎤᏲᏏᏌᏁᎢ\t-11.6338\n▁ᎬᏩᎵᏃᎮᏔᏁ\t-11.6338\n▁ᏍᏇᎵᏎᏗᏱ\t-11.6338\n▁ᏚᏂᏐᏨ\t-11.6338\n▁ᏚᏟᎶᏍᏓᏁᎸᎩ\t-11.6338\n▁ᏥᏫᏗᎨᎦᏘᏅᏍᏔᏁ\t-11.6338\n▁ᏯᏂᎷᎩ\t-11.6338\nᏗᎩᏴᎩ\t-11.6338\n▁Co\t-11.6338\n▁ᎡᎵᏍᏓᎦ\t-11.6338\n▁ᎢᏨᏁᏤᎸᎢ\t-11.6338\n▁ᎤᏁᎳᎥᎯ\t-11.6338\n▁ᎤᏩᎢᏎᎸᎯ\t-11.6338\n▁ᎾᏂᏴᎬᎾ\t-11.6338\n▁ᏄᎪᎸᎾ\t-11.6338\n▁ᏅᏓᏲᏣᏛᏁᎵ\t-11.6338\n▁ᏚᏬᏑᎴ\t-11.6338\n▁ᏧᏂᏍᏚᏗ\t-11.6338\n▁ᏩᏓᏁᏟᏴᏍᏓ\t-11.6338\n▁ᎠᏂᏇᎵᏏ\t-11.6338\n▁ᎤᏓᏁᏟᏴᏍᏔᏁᎴ\t-11.6338\n▁ᏂᏚᎾᎵᏂᎬᎬ\t-11.6338\n▁ᏄᎵᏍᏔᏂᏙᎴ\t-11.6338\n▁ᏕᏓᎧᏂᏍᎬ\t-11.6338\n▁ᏥᏅᏓᎦᎵᏍᏔᏂ\t-11.6338\n▁ᏥᏓᎾᏕᏲᎲᏍ\t-11.6338\n▁ᎤᏕᏯᏔᏁᎸ\t-11.6338\n▁ᏄᎵᏍᏚᎸᎾ\t-11.6338\n▁ᏩᎦᏘᏅᏍᏙᏗᏱ\t-11.6338\n▁ᎠᎩᎳᏫᏍᏗᏱ\t-11.6338\n▁ᎠᏆᏙᎴᎰᎯᏍᏗᏱ\t-11.6338\n▁ᎠᏥᏅᏩᏅᎢ\t-11.6338\n▁ᎤᎾᎵᏛᏔᏅ\t-11.6338\n▁ᎤᏆᎶᎦ\t-11.6338\n▁ᏈᏥᏱ\t-11.6338\n▁ᏕᎱᏓ\t-11.6338\n▁ᏚᏰᎵᎯᏍᏔᏁ\t-11.6338\n▁ᏦᏓᎻ\t-11.6338\n▁ᏫᎷᏨᎭ\t-11.6338\n▁ᏮᏓᎦᏙᎴᎣᏏ\t-11.6338\n▁ᏴᎨᏦᎯᏳᎲᎦ\t-11.6338\n▁ᎣᏌᏯ\t-11.6338\n▁ᎤᎾᏕᏯᏔᏁᎴᎢ\t-11.6338\n▁ᎤᎾᏗᏒᎸ\t-11.6338\n▁ᎻᎴᎳ\t-11.6338\n▁ᏓᎾᏗᏔᏍᏗᏍᎨ\t-11.6338\n▁ᏗᏂᏍᏔᏲᎯ\t-11.6338\n▁ᏥᎨᏳᎠ\t-11.6338\nper\t-11.6338\n▁ᎠᎫᏴᎡᏗᏱ\t-11.6338\n▁ᎤᏚᏣᎳᏅᎩ\t-11.6338\n▁ᏙᏓᏰᏣᏬᏍᏔᏂ\t-11.6338\n▁ᏚᎵᏘᎾᎥ\t-11.6338\n▁ᏚᏂᎵᏬᏨᎩ\t-11.6338\n▁ᏥᏚᏃᎱᎦᏁ\t-11.6338\n▁ᎠᏓᏍᏕᎸᏓ\t-11.6338\n▁ᎡᏦᎯᏳᎲᏍ\t-11.6338\n▁ᏓᎦᏥᏁᏉᎢ\t-11.6338\n▁ᏓᏱᏓᎵ\t-11.6338\n▁ᏣᎷᎯᏍᏗᏱ\t-11.6338\n▁ᏧᎳᏏᏗᏱ\t-11.6338\nᎩᏲᎱᏎᎲᎩ\t-11.6338\nᏬᏁᏓ\t-11.6338\n▁ᎠᏂᏃᏟᏙ\t-11.6338\n▁ᎤᎦᏖᏃ\t-11.6338\n▁ᎤᎾᏣᏪᏐᎸᏍᏙᏗᏱ\t-11.6338\n▁ᎦᏨᏩᏍᏔᏅᎯ\t-11.6338\n▁ᎬᏩᎪᎵᏰᏍᎬ\t-11.6338\n▁ᏂᏙᏓᎦᏪᏎᎵ\t-11.6338\n▁ᏓᏤᏅᎡᎵ\t-11.6338\n▁ᏕᎦᏆᏛ\t-11.6338\n▁ᏕᎯᏯᏁᎶᏕᏍᏗ\t-11.6338\n▁ᏥᏂᏴᏁᎭ\t-11.6338\n▁ᎤᏬᎦᏒ\t-11.6338\n▁ᏬᎩᏃᎸᎩ\t-11.6338\n▁ᎾᏂᎦᏔᎾᎥᎾ\t-11.6338\n▁ᏗᎾᎵᏍᏓᏴᏂ\t-11.6338\nᏍᏚᎢᎡᎸ\t-11.6338\n▁ᎠᎵᏍᏕᎵᏍᎬ\t-11.6338\n▁ᏗᎬᏩᎾᏛᎪᏙᏗ\t-11.6338\n▁ᏙᎦᏠᏒᎩ\t-11.6338\n▁ᎤᎾᏕᎶᏆᏍᏗᏱ\t-11.6338\n▁ᎻᏗᏯᏂ\t-11.6338\n▁ᏄᏂᏍᎦᏅᏨᎾ\t-11.6338\n▁ᏛᏓᎸᎢ\t-11.6338\n▁ᏯᏥᏯᏝ\t-11.6338\nᏓᎴᏴᏗᏍᎩ\t-11.6338\nᏓᏓᎴᏔᏂ\t-11.6338\n▁ᎢᏥᎪᎵᏰᎥᎭ\t-11.6338\n▁ᎤᎾᏦᏍᏔᏁ\t-11.6338\n▁ᏂᏨᎾᏛ\t-11.6338\n▁ᏱᏅᏓᎦᎵᏍᏙᏓ\t-11.6338\nᎱᏢᏔᏅᎭ\t-11.6338\n▁ᏛᏥᎷᏥ\t-11.6338\n▁ᏒᎦᏙᎯ\t-11.6338\nᏙᏥᎵᏦᏛᎦ\t-11.6338\n▁ᎠᎵᏃᎮᏗᏍᎬᎢ\t-11.6338\n▁ᎠᏂᏁᎢᏍᏗᏍᎩ\t-11.6338\n▁ᎤᎾᏘᏍᏙᏗᏱ\t-11.6338\n▁ᎤᏎᎵᏓᏁᎴᏃ\t-11.6338\n▁ᏂᏙᏓᎬᏁᎵ\t-11.6338\n▁ᏅᏓᏨᏴᏁᎵ\t-11.6338\n▁ᏗᎾᏓᏙᏕᏍᏗᏍᎩ\t-11.6338\n▁ᎠᏰᎴᎩ\t-11.6339\n▁ᎦᏴᏓᏗ\t-11.6339\n▁ᏕᎦᏕᏲᎲᏍᎬ\t-11.6339\n▁ᏕᎧᏃᎮᏍᎬ\t-11.6339\n▁ᏚᎳᏫᏛ\t-11.6339\nᎩᎵᏲᏥᏙᎸᎢ\t-11.6339\n▁ᎤᏅᏘᏛ\t-11.6339\n▁ᎤᏍᏆᎷᎪ\t-11.6339\n▁ᎤᏙᏣᎸᎢ\t-11.6339\n▁ᎾᎾᏓᏛᏍᎬᎾ\t-11.6339\n▁ᎣᏥᏯᎥ\t-11.6339\n▁ᎤᏓᏦᎯᏯ\t-11.6339\n▁ᏗᏧᎪᏗᏍᎩ\t-11.6339\n▁ᎯᏯᏛᎥᎦ\t-11.6339\n▁ᏙᎩᎾᏗᏔᎲ\t-11.6339\n▁ᎦᏅᏃᏫ\t-11.6339\n▁ᏧᏃᏑᎴᏗ\t-11.6339\nᏲᎱᎯᏎᎴᎢ\t-11.6339\n▁ᎦᏢᏍᎩ\t-11.6339\n▁ᏄᎾᏙᏓᏈᏒ\t-11.6339\n▁ᎤᎾᏓᏓᏍᎩᏌᎲ\t-11.6339\n▁ᎦᏃᎱᎩᏍᎨ\t-11.6339\n▁ᏅᏗᎦᏪ\t-11.6339\n▁ᎠᏂᏂᎩᎸ\t-11.6339\n▁ᎠᏍᏚᎢᏛ\t-11.6339\n▁ᎤᎦᏛᎴᎯᏍᏗᏱ\t-11.6339\n▁ᏗᎬᏩᏂᏯᎢ\t-11.6339\n▁ᏛᎵᏛᏔᏂ\t-11.6339\n▁ᏄᎵᏌ\t-11.6339\n▁ᎠᏐᏢᎢᏍᏗᏍᎨᏍᏗ\t-11.6339\n▁ᎤᏍᏘᏰᎩ\t-11.6339\n▁ᎤᏟᏃᎮᏔᏁᎢ\t-11.6339\n▁ᏄᏂᏧᏈᏍᏕᏍᏗ\t-11.6339\n▁ᏛᎬᏯᏘᏃ\t-11.6339\n▁ᎠᎵᏱᎵᏒᎢ\t-11.6339\n▁ᎠᏃᏢᏅᎥᏍᎩ\t-11.6339\n▁ᏧᎾᏛᏒᎯ\t-11.6339\nᎫᎪᏓᏁᏗ\t-11.6339\nᏑᎶᏨᎯ\t-11.6339\n▁ᎠᎾᎵᏍᎩᏍᎬ\t-11.6339\n▁ᎤᎾᎵᏍᏓᏴᏃᏅ\t-11.6339\n▁ᏥᏄᎾᏍᏛᎢ\t-11.6339\nᏨᏯᏛᏛᏂ\t-11.6339\n▁ᎦᎨᏥᏐᏢ\t-11.6339\nᎿᎸᏍᏗᏍᎨᏍᏗ\t-11.6339\nᏕᏯᏔᏁᎭ\t-11.6339\nᏣᏓᏅᎡᎸ\t-11.6339\n▁ᏃᎩᏪᏒᎩ\t-11.6339\n▁ᏓᏳᏂᏄᎪᏨᎩ\t-11.6339\n▁ᎤᏗᏛᎲᎩ\t-11.6339\n▁ᏂᎨᏣᏛᏁᎮᏍᏗ\t-11.6339\n▁ᏧᎾᏓᏟᏴᏗ\t-11.6339\n▁ᏗᎵᏰ\t-11.6339\n▁ᏙᎩᏃᏢ\t-11.6339\n▁ᎠᎩᏔᏕᎩᏍᎬ\t-11.6339\n▁ᏙᏘᏲᎢ\t-11.6339\n▁ᏚᏥᎸᏒ\t-11.6339\n▁ᏫᏄᏒ\t-11.6339\n▁ᎢᏣᏛᎿᏕᎩ\t-11.6339\n▁ᎾᏆᎵᏍᏓᏁᎵᏕᎬ\t-11.6339\n▁ᏚᎾᎵᏯᏍᏚ\t-11.6339\n▁ᏣᎦᏥᎶᏍᏔᏅ\t-11.6339\n▁ᏧᎧᏃᏗᏱ\t-11.6339\nᎬᏣᏝᏅ\t-11.6339\n▁ᏂᎦᎷᎶᎬᎾ\t-11.6339\n▁ᏚᎵᏥᏙᏁᎴᎢ\t-11.6339\n▁ᏥᏂᎦᏛᏁᎭ\t-11.6339\n▁ᎠᎩᏟᏲ\t-11.6339\n▁ᏅᏓᏥᏯᏛᏁᎵ\t-11.6339\n▁ᎢᏥᎪᏙᏍᎨᏍᏗ\t-11.6339\n▁ᏰᏦᏎᎮᏍᏗ\t-11.6339\n▁ᏚᏄᏮ\t-11.6339\n▁ᎠᏉᎵᏨ\t-11.6339\n▁ᎤᏄᏬᎥᎯ\t-11.6339\n▁ᎡᏣᏁᏍᎨᎲᎯ\t-11.6339\n▁ᏂᎦᎵᏍᏔᏂᏙᎮᏍᏗ\t-11.6339\n▁ᏗᎩᎪᎶᎯ\t-11.6339\n▁ᏗᏥᏅᏍᎨᏂ\t-11.6339\n▁ᏧᏁᎩᏳ\t-11.6339\n▁ᏄᏓᏅᏛᎾ\t-11.6339\n▁ᎠᏃᏢᏍᎬ\t-11.6339\n▁ᎤᏍᎦᎢᏓ\t-11.6339\n▁ᎢᏥᎾᏫ\t-11.6339\n▁ᎠᎵᏍᏆᏛᎭ\t-11.6339\n▁ᎡᏣᎵᎡᎵᏤᎮᏍᏗ\t-11.6339\nᎳᏫᏎᎮᏍᏗ\t-11.6339\nᏧᎾᏚᎩᏎ\t-11.6339\n▁ᎠᏆᎵᏂᎬᎬᎢ\t-11.6339\n▁ᏫᎷᎩ\t-11.6339\n▁ᎢᏨᏯᏅᏓᏗᏍᏗᏍᎬᎢ\t-11.6339\n▁ᎢᏏᎳᎻ\t-11.6339\n▁ᎾᏐᏂ\t-11.6339\n▁ᎾᏓᏛᏁᎲᎢ\t-11.6339\nᎾᎪᏄᎸ\t-11.6339\n▁ᎨᎩᏍᎦᎩ\t-11.6339\n▁ᎹᏈᎳ\t-11.6339\n▁ᎤᏂᎾᏰᏒᎩ\t-11.6339\n▁ᏂᏕᎦᏅᎯᏒᎩ\t-11.6339\n▁ᎢᏣᏛᎩᏍᎨᏍᏗ\t-11.6339\nᎩᎵᏲᎨᏍᏗ\t-11.6339\nᎳᏫᏎᏗ\t-11.6339\n▁ᎤᏁᏢᏔᏅᏒᎢ\t-11.6339\n▁ᏄᏲᎱᏒᎩ\t-11.6339\n▁ᏗᏓᎪᏗᏍᎩ\t-11.6339\nᏍᎦᎳᏤ\t-11.6339\n▁ᏱᏩᏍᏔ\t-11.6339\n▁ᏛᎩᏲᎵ\t-11.6339\nᎬᏲᏎᏗ\t-11.6339\nᏢᏥᏰᏍ\t-11.6339\n▁ᏥᏓᏓᏂᎸᎪᎢ\t-11.6339\n▁ᎠᎵᏱᎶᎸᎭ\t-11.6339\n▁ᏙᎨᏥ\t-11.6339\n▁ᏫᏨᏲᎵ\t-11.6339\n▁ᎠᏆᏁᎳᏫᏎ\t-11.6339\n▁ᎾᏂᎦᏔᎿᎥᎾ\t-11.6339\n▁ᎤᎧᎵᏦᏅ\t-11.6339\nᎳᏍᏕᎵᏴᏌ\t-11.6339\n▁ᏒᎯᏰ\t-11.6339\n▁ᏱᏓᏂᏁᏟᏴ\t-11.6339\n▁ᎤᏪᏣᏄ\t-11.6339\n▁ᎠᎨᎾᏂ\t-11.6339\n▁ᏧᏲᏍᏔᏅᎯ\t-11.6339\n▁ᏬᏥᎦᏛ\t-11.6339\n▁ᎢᏳᎾᎵᏍᏔᏁᏗ\t-11.6339\n▁ᎤᏗᎦᎵᏍᏙᏗᏍᎨ\t-11.6339\n▁ᏧᎾᎳᏏᏕᏄᎶᏗ\t-11.6339\n▁ᎠᎩᏬᏂ\t-11.6339\n▁ᎤᎾᏁᎳᏛ\t-11.6339\n▁ᏕᎱᎪ\t-11.6339\n▁ᏫᏚᎾᏘᏃᎮᎸᎩ\t-11.6339\nᏲᎱᏒᎾ\t-11.6339\n▁ᏅᏓᏳᏪᏒᎩ\t-11.6339\n▁ᏳᏍᏆᎸ\t-11.6339\n▁ᎠᏍᏆᎾᎸ\t-11.6339\n▁ᏧᎾᎳᏏᏕᏅ\t-11.6339\n▁ᏭᏪᏙᎸ\t-11.6339\n▁ᎠᏆᏛᏛᏅ\t-11.6339\nᎩᏍᏚᎲᎩ\t-11.6339\n▁ᏂᏗᏨᎦ\t-11.6339\n▁ᎢᎪᎯᏳᏒ\t-11.6339\n▁ᏣᎪᏎᎰᎢ\t-11.6339\n▁ᏂᏥᏲᎯᏍᏗᏍᎬᎾ\t-11.6339\n▁ᎠᎾᏕᎲᏍᎨ\t-11.6339\n▁ᎤᏃᏴᎳᏒ\t-11.6339\n▁ᎤᏅᏫᏍᏗᏍᎩ\t-11.6339\n▁ᏄᎵᏁᏨ\t-11.6339\n▁ᏅᏧᏪᏎᎴᎢ\t-11.6339\nᏍᏇᏲᎲᎦ\t-11.6339\n▁ᎠᎪᏩᏘᏍᎩ\t-11.634\n▁ᏁᏙᎲᎾ\t-11.634\n▁ᏍᎩᏯᏛᏓᏍᏓᏏ\t-11.634\nᏩᎵ\t-11.634\nᎵᎯᎮᎢ\t-11.634\n▁ᏏᏗᎻ\t-11.634\n▁ᏚᏂᏲᏏᏍᎬ\t-11.634\n▁ᎢᎩᏇᏓᎸ\t-11.634\n▁ᏚᏂᎦᏘᎸᏎ\t-11.634\nᏥᏯᏫᏍᎬ\t-11.634\n▁ᎠᏂᏲᎵᎮ\t-11.634\n▁ᎢᏣᏓᏅᏓᏓ\t-11.634\n▁ᎤᏗᎴᎲᏍᎨᎢ\t-11.634\n▁ᎤᏙᎵᏍᏙ\t-11.634\n▁ᎠᏆᏛᏐᏅᎯ\t-11.634\nᏟᎶᏍᏔᏂ\t-11.634\n▁ᎠᎢᏗᏢ\t-11.634\n▁ᏄᎸᏉᏔᏅᎾ\t-11.634\n▁ᏚᏬᎥᎩ\t-11.634\n▁ᎢᎨᏓᏍᏗᏱ\t-11.634\n▁ᏗᎾᏓᎯᎯ\t-11.634\nᏣᎦᏎᏍᏓ\t-11.634\n▁ᏧᏓᏅᎵᏰᏓ\t-11.634\n▁ᎤᎵᏒᏍᏔᏁᎢ\t-11.634\n▁ᏓᏥᎾᏄᎪᏫᏎᎵ\t-11.634\n▁ᎠᏓᏅᏬᎯᏍᏗᏍᎩ\t-11.634\nᎭᏄᏫ\t-11.634\n▁ᎢᏨᏁᏤᎭ\t-11.634\n▁ᎬᏩᏛᎡᎴᏍᏗ\t-11.634\n▁ᎤᎦᏌᏛᎢ\t-11.634\n▁ᎤᏠᎩ\t-11.634\n▁ᏓᏳᏠᎠᏒᎩ\t-11.634\n▁ᏚᏂᏎᎪᎩᏎ\t-11.634\n▁ᎠᏎᎵᏛᏍᎬ\t-11.634\n▁ᎣᏣᏓᏅᏟ\t-11.634\n▁ᏫᏚᏂᏴᏍᏗᏱ\t-11.634\n▁ᎤᎯᏌᏛ\t-11.634\n▁ᎠᎾᏓᎸᏉᏗᏍᎩ\t-11.634\n▁ᎠᎩᏁᏉᏤ\t-11.634\n▁ᏕᎤᏲᎯᏎᎴᎢ\t-11.634\n▁ᎠᏍᏙᏓ\t-11.634\n▁ᏳᏂᏃᎮᎸ\t-11.634\n▁ᎢᏨᏲᎵᎦ\t-11.634\n▁ᏦᏥᏰᎸ\t-11.634\n▁ᎠᏓᏓᏱᎮᏍᏗ\t-11.634\n▁ᎾᎾᎵᏍᏗᎭ\t-11.634\n▁ᏕᎦᎦᏙᏍᏛ\t-11.634\n▁ᎠᏁᏦ\t-11.634\nᏯᏓᏂᎸᏥ\t-11.634\n▁ᎥᏆᏬᏍᏙᏗ\t-11.634\n▁ᏭᏗᏢᏍᏔᏅ\t-11.634\n▁ᎢᏥᏲᎮᏍᏗ\t-11.634\n▁ᎢᏥᏁᎢᏍᏗᏱ\t-11.634\n▁ᎤᎾᎵᏍᏔᏴᏅ\t-11.634\n▁ᏳᏥᏍᎪᎸ\t-11.634\nᏨᏉᏛᎾ\t-11.634\n▁ᎥᎩᏂᎵ\t-11.634\n▁ᏱᎦᏂᏆᏘᎭ\t-11.634\nᎬᏑᎶᏙᏗ\t-11.634\n▁ᏫᎬᎷᏤᏗᏱ\t-11.634\n▁ᏚᎾᏂᏏᏁᎢ\t-11.634\n▁ᏗᎪᏏᏐᏗ\t-11.634\n▁ᎠᏉᎯᏳᎲᏍᎨᏍᏗ\t-11.634\n▁ᏳᏓᏅᏒ\t-11.634\n▁ᎤᎾᏁᎶᏔᏁ\t-11.634\n▁ᎣᎦᏂᎩᏒᎩ\t-11.634\n▁ᎤᏂᏲᎢᏎᎸᎯ\t-11.634\n▁ᏫᏚᎵᏍᏘᏂᎸ\t-11.634\n▁ᏚᏂᎳᏫᏦᎴ\t-11.634\nᏦᎣᏍᏙᏗ\t-11.634\n▁ᎢᏣᏗᏔᏍᎨᏍᏗ\t-11.634\n▁ᏓᏆᎭᏄᏮ\t-11.634\n▁ᏫᏍᎩᏩᎯᏏ\t-11.634\n▁ᎤᏛᎸᎮ\t-11.634\n▁ᏙᏂᏍᎩ\t-11.634\nᎵᏍᏓᏁᎵᏕᎬ\t-11.634\n▁ᎦᎾᏜᎢ\t-11.634\n▁ᏅᏓᏳᎾᏄᎪᎢᏍᏗ\t-11.634\nost\t-11.6341\n▁ᏓᏰᏥᎪᎢ\t-11.6341\n▁ᎠᎦᏘᏅᏍᏗᏱ\t-11.6341\n▁ᏌᎳᏓᏱᎵ\t-11.6341\nᏕᎰᏍᎬᎾ\t-11.6341\n▁ᏓᏘᎭᏁᎲ\t-11.6341\n▁ᏓᏳᏗᏩᏏ\t-11.6341\n▁ᎢᏍᎩᎪᏩᏘᏍᎨᏍᏗ\t-11.6341\n▁ᎤᎾᎦᏙᏍᏛ\t-11.6341\n▁ᏫᏓᏂᎷᎦ\t-11.6341\n▁ᏓᏉᏙᎥ\t-11.6341\ner\t-11.6341\n▁ᏐᏆᎵ\t-11.6341\n▁ᏌᏗᏏ\t-11.6341\n▁ᏧᏟᏴ\t-11.6341\n▁ᎢᏨᏍᏓᏩᏕᏅ\t-11.6341\n▁ᏙᏓᏲᏣ\t-11.6341\n▁ᏧᎾᎭᎾᏬ\t-11.6341\n▁ᎤᏓᏬᎡ\t-11.6341\n▁ᏅᏛᎴᏅᏛ\t-11.6341\nᏢᏈᏍᎦ\t-11.6341\nᏗᎨᏥᏰᎪᎢ\t-11.6341\n▁ᏫᏗᏍᎩᏯᏅᏏ\t-11.6341\n▁ᎡᏥᎸᏉᏗᏍᎨᏍᏗ\t-11.6341\n▁ᏝᏬ\t-11.6341\n▁ᎤᏂᎦᎾᏍᏓ\t-11.6341\n▁ᎣᎦᏁᎳᎩ\t-11.6341\nᎶᏄᎮᎸᎩ\t-11.6341\nᎠᎩᎷᏨ\t-11.6341\n▁ᎠᏓᏅᏖᏍᎩ\t-11.6341\n▁ᎤᎵᏏᏂᏕᎾ\t-11.6341\nᎨᎲᏒᎩ\t-11.6341\n▁ᎢᏳᎾᏓᎵ\t-11.6341\n▁ᏱᏍᎩᎪᏩᏘᏍᎨᏍᏗ\t-11.6341\n▁ᎢᏓᎢᏎᏍᏗ\t-11.6341\n▁ᎢᏣᏓᏄᎸᏗ\t-11.6341\n▁ᎢᎨᎳᏗᏙᎭ\t-11.6341\n▁ᎤᏪᎧᎮ\t-11.6341\nᏃᏪᎳᏁ\t-11.6341\n▁ᎫᏘᏍᎬ\t-11.6341\n▁ᎢᎤᏂᎷᏨ\t-11.6341\n▁ᎤᎾᏓᏅᎡᎸᎩ\t-11.6341\n▁ᎡᎳᏆᏘ\t-11.6341\n▁ᏙᏥᏲᎦ\t-11.6341\n▁ᏕᏣᏏᎳᏛ\t-11.6341\n▁ᎠᏉᎯᏳᎲᏍᎩ\t-11.6341\n▁ᎣᎩᎾᏟᏃᎮᎸ\t-11.6341\n▁ᎣᏦᎯᏳᎲᏍᎦ\t-11.6342\n▁ᏥᏥᏃᎮᎭ\t-11.6342\n▁ᎢᏰᏨᏁᏗᏱ\t-11.6342\n▁ᎠᏆᏎᎵᏙᏔᏅ\t-11.6342\n▁ᏱᏂᎬᏩᏍᏗᏉ\t-11.6342\n▁ᎠᏇᏙᏅ\t-11.6342\n▁ᏚᏰᎵᏏᏙᎴᎢ\t-11.6342\n▁ᏚᏍᏕᎸᎯᎸ\t-11.6342\n▁ᏱᏍᎩᏃᎯᏎ\t-11.6342\n▁ᏗᏤᎵᏏ\t-11.6342\n▁ᎤᏩᏃᏫᏍ\t-11.6342\n▁ᏴᏗᏓᎴᎲᏍᎦ\t-11.6342\n▁ᏭᏂᎧᏁ\t-11.6342\n▁ᏕᏥᏁᏤᎮᏍᏗ\t-11.6342\n▁ᏚᏂᏐᏈ\t-11.6342\n▁ᎤᎵᏍᏚᎸᎩ\t-11.6342\n▁ᏗᎫᎪᏗᏱ\t-11.6342\n▁ᏕᏣᎸᏫᏍᏓᏁᎮᏍᏗ\t-11.6342\n▁ᎢᏗᏜ\t-11.6342\n▁ᏓᎾᎴᎯᏌᏅ\t-11.6342\n▁ᏌᎵᎹ\t-11.6342\n▁ᏚᎾᏠᏱᎸᎩ\t-11.6342\n▁ᎤᎩᎴᏍᏗ\t-11.6342\n▁ᎠᏆᏣᏅᏓᏕ\t-11.6342\n▁ᎭᎵᏍᏓᏴᎲᎦ\t-11.6342\n▁ᎡᏣᏓᏅᏛᎵ\t-11.6342\n▁ᎢᎪᎯᏳᏅ\t-11.6342\n▁ᏗᎬᏩᏂᎾᏝᎢ\t-11.6342\n▁ᎠᎬᏂᏗᏳ\t-11.6342\n▁ᏕᏣᏓᏅᏖᏍᏗ\t-11.6342\n▁ᎤᏍᏆᏄ\t-11.6342\n▁ᎤᏓᏅᎵᏰᏓ\t-11.6342\n▁ᏴᎨᏤ\t-11.6342\n▁ᏂᏥᎾᏰᏍᎬᎾ\t-11.6342\n▁ᎠᏅᏍᎬᎢ\t-11.6342\n▁ᎢᎫᏓᎴᏍᏗᏱ\t-11.6342\n▁ᎢᎬᏴᏁᏗᏱ\t-11.6342\nᏓᏚᎪᏓᏁᎭ\t-11.6342\nᏗᏔᏍᏔᏁ\t-11.6342\n▁ᏥᏗᎧᎸᎪ\t-11.6342\n▁ᏯᏬᏅ\t-11.6343\n▁ᎦᏓᏙᎵᏍᏗᏍᎨᏍᏗ\t-11.6343\n▁ᏖᏒ\t-11.6343\n▁ᏗᏂᏂᏙᎯ\t-11.6343\n▁ᏭᎦᏔᎲᏍᏔᏅ\t-11.6343\n▁ᎠᏔᏍᎩᏍ\t-11.6343\n▁ᎠᎾᏙᎴᎰᏍᎨᏍᏗ\t-11.6343\n▁ᏕᏣᏓᎨᏳᏒ\t-11.6343\n▁ᏗᎦᎾᎯᏍᏙᏗ\t-11.6343\n▁ᏥᎨᎳᏗᏙᎮ\t-11.6343\n▁ᏚᏂᏃᎸᎩ\t-11.6343\n▁ᎢᏥᏫᏅ\t-11.6343\n▁ᏥᎾᏂᎥ\t-11.6343\n▁ᎤᏃᏒᏅ\t-11.6343\n▁ᏩᏎᎯ\t-11.6343\nᏍᎦᏞᎢ\t-11.6343\n▁ᏂᏍᎩᏴᏁᎸ\t-11.6343\nᏍᏕᏓᎵᏴᏌ\t-11.6343\n▁ᏚᏍᏚᏤ\t-11.6343\n▁ᎤᏂᏏᏁᎢ\t-11.6343\n▁ᏭᎵᏰᎢᎶᎸ\t-11.6343\n▁ᎢᏗᎬᏓ\t-11.6343\n▁ᎢᏨᏅᎵ\t-11.6343\n▁ᏧᏪᏲᏅᎯ\t-11.6343\n▁ᎤᏁᏍᎨᎴ\t-11.6343\n▁ᏕᏨᏰ\t-11.6343\n▁ᏧᏕᏲᏗᏱ\t-11.6343\nᎵᏴᏌ\t-11.6343\nᏳᎪᏛᎾ\t-11.6343\n▁ᎨᏣᎵᏍᏕᎸᏙᏗ\t-11.6343\nᏲᎲ\t-11.6343\n▁ᎢᏥᏂᎬᏎᎲᎢ\t-11.6343\n▁ᏍᎩᏯᏓᏅᏏ\t-11.6343\nᎩᎩᎡᎵ\t-11.6343\n▁ᏓᏳᏍᏕᎸᎯ\t-11.6343\n▁ᎤᏤᏥᏍᏗ\t-11.6343\n▁ᎦᏁᏐᎠᏍᎬ\t-11.6343\n▁ᏅᏩᏛᏁᏍᏗ\t-11.6343\n▁ᏍᏆᏕᏁᎸ\t-11.6343\n▁ᎢᏨᏲᎢᏳ\t-11.6343\n▁ᎠᏕᏄ\t-11.6343\n▁ᎠᏕᎰᎯᏍᏗ\t-11.6343\n▁ᎢᏳᏥᎶᏓ\t-11.6343\nᏓᏄᏴᏛᎾ\t-11.6343\n▁ᏫᏨᏲᏪᎳᏁᏗᏱ\t-11.6343\n▁ᏗᏣᏠᏱᎸᎩ\t-11.6344\n▁ᎤᏂᏯᏙᎴ\t-11.6344\n▁ᏚᏅᏫᏍᏔᏅ\t-11.6344\n▁ᎹᏚ\t-11.6344\n▁ᏧᏓᎴᏅᏔᏅᎯ\t-11.6344\n▁ᏄᎾᏍᏕᏍᏗ\t-11.6344\n▁ᎠᎦᏬᎥ\t-11.6344\n▁ᏕᎦᎶᏍᎬ\t-11.6344\nᏴᎳᏎᎢ\t-11.6344\n▁ᏄᏓᎨᏒ\t-11.6344\n▁ᎠᏯᎣᎢ\t-11.6344\n▁ᎠᎾᎵᏍᏔᏴᎲᏍᎬ\t-11.6344\n▁ᎢᏲᎦᏛᏁᏗᏱ\t-11.6344\n▁ᏤᏥᎤᏍᏕᏎᏗᏱ\t-11.6344\n▁ᏱᏓᎨᏏ\t-11.6344\n▁ᎣᏣᏓᏙᎵᏍᏓᏁ\t-11.6344\n▁ᎯᏅᎦᎸ\t-11.6344\n▁ᎢᏕᎮᏍᏗ\t-11.6344\n▁ᏧᎾᏁᎳᏗᏍᏗᏱ\t-11.6344\n▁ᏥᏄᏪᏎᎴᎢ\t-11.6344\n▁ᏋᏗᏱ\t-11.6344\n▁ᎤᎾᏓᏙᎵᏍᏗ\t-11.6344\n▁ᎦᏁᎵᏛ\t-11.6344\n▁ᎯᏁᏒᎭ\t-11.6344\nᎦᏎᏍᏔᏅ\t-11.6345\nᏙᎰᏎ\t-11.6345\n▁ᏛᎨᏥ\t-11.6345\n▁ᏯᏆᏛᎦ\t-11.6345\n▁ᏱᏙᎦᏰ\t-11.6345\n▁ᎢᏨᏯᏛᏁᏗᏱ\t-11.6345\n▁ᏂᎦᏁᎲᎾ\t-11.6345\nᏕᎰᎯᏍᏙᏗᏱ\t-11.6345\n▁ᎢᏤᎳᏗᏙᎭ\t-11.6345\n▁ᎠᎾᏔᏍᎩᏍᎩ\t-11.6345\n▁ᎢᎤᎷᏤ\t-11.6345\nᎥᏍᎩᏱᎩ\t-11.6345\n▁ᎤᏓᏅᏓᏛᎩ\t-11.6345\n▁ᎢᏥᎷᎨᏍᏗ\t-11.6345\n▁ᎠᏝᎲ\t-11.6345\n▁ᎢᏣᏓᏯᏫᏍᎨᏍᏗ\t-11.6345\n▁ᏍᎩᏯᏘᏃᎮᎸᎭ\t-11.6345\n▁ᏣᎾᏓᎾᏏᏂᏙᎭ\t-11.6345\n▁ᏥᎦᎷᎯᏍᏗᎭ\t-11.6345\n▁ᎢᏳᏪᏍᏘ\t-11.6345\nᎫᏴ\t-11.6345\n▁ᏂᏥᏪᏒᎭ\t-11.6345\n▁ᏗᎦᏅᏍᏙᏗ\t-11.6345\n▁ᏱᏣᏰᎸᏅ\t-11.6345\n▁ᏳᏲᏤᎢ\t-11.6345\n▁ᎤᏂᏑᎵᎪᏤ\t-11.6345\n▁ᏅᏓᏳᏄᎪᏨᎯ\t-11.6345\n▁ᎾᎾᏓᏁᏟᏴᏏᏒ\t-11.6346\nᎶᏅᎮᎸ\t-11.6346\n▁ᎾᏥᏪᏎᎸ\t-11.6346\n▁ᏱᏦᎵᎦ\t-11.6346\n▁ᎢᏣᏣᏪᏐᎸᏍᏓ\t-11.6346\n▁ᏗᎦᏚᏗᏱ\t-11.6346\n▁ᎢᏳᏩᎪᏗ\t-11.6346\n▁ᎤᏩᎦᏘ\t-11.6346\n▁ᏓᏂᎾᏌᏛ\t-11.6346\n▁ᎯᏫᏅ\t-11.6346\n▁ᏗᎨᎪᏍ\t-11.6346\n▁ᎠᏂᎵᏫ\t-11.6346\n▁ᏕᏨᏁᏍᏗ\t-11.6346\n▁ᎬᎩᎷᏤᏗᏱ\t-11.6346\n▁ᏱᎾᏥᎸᏉᏙ\t-11.6346\nᏎᏒᎮ\t-11.6346\n▁ᏥᏯᎵᎪᏁᎯ\t-11.6346\nᏠᎯᏍᏗᏱ\t-11.6346\n▁ᏗᏑᏫᏍᎩ\t-11.6346\n▁ᏍᎩᏂᏌᏅᎭ\t-11.6346\n▁ᏗᏋᏅ\t-11.6346\n▁ᎠᏥᏌᎳᏓᏅ\t-11.6346\n▁ᎤᏓᏅᏘᏌᏅ\t-11.6346\nᏓᏐᎴ\t-11.6346\nst\t-11.6346\n▁ᎠᎩᏁᎢᏍᏗᏱ\t-11.6346\n▁ᎦᎸᎳ\t-11.6346\n▁ᎡᏙᏙᏱ\t-11.6347\n▁ᎢᏨᎥᏏ\t-11.6347\n▁ᎠᏯᏖᏂ\t-11.6347\n▁ᏍᎩᏩᎯ\t-11.6347\n▁ᎡᏥᏯᎡᏍᏗ\t-11.6347\n▁ᎢᏦᎯᏳᏅ\t-11.6347\n▁ᎨᏥᏁᎢᏍᏗᏍᎬ\t-11.6347\n▁ᏦᏥᎦᏔᎭ\t-11.6347\n▁ᎤᏰᏥᏍᎩ\t-11.6347\n▁ᏗᏣᏚᏙ\t-11.6347\n▁ᎡᏦᎢᏳᏗᏱ\t-11.6347\n▁ᎬᏩᏂᏴᎮᎢ\t-11.6347\nᏄᎵᏍᏓᏁᎴ\t-11.6347\n▁ᎤᏂᏴᏔᏂᎯᏍᏗᏱ\t-11.6347\n▁ᏚᏂᎵᏦᏛ\t-11.6347\n▁ᏗᏂᏃᎩᏍᎩ\t-11.6347\n▁ᏥᎦᏁᎭ\t-11.6347\n▁ᏥᏰᎸᎥ\t-11.6347\n▁ᎭᎴᎲᎦ\t-11.6347\n▁ᏫᎯᎶᎯ\t-11.6347\n▁ᏚᏃᎸᏎᎢ\t-11.6347\n▁ᏱᏥᏩᏘᎭ\t-11.6347\n▁ᎢᏨᎪᏩᏛᏗᏱ\t-11.6347\n▁ᎤᎾᏓᏅᏔᏩᏕ\t-11.6347\n▁ᏥᏚᏙᎠ\t-11.6347\n▁ᏂᎪᎵᎬᎾ\t-11.6347\n▁ᎢᏨᎷᏤᏗᏱ\t-11.6347\n▁ᏕᏨᏗᏍᎨᏍᏗ\t-11.6347\n▁ᎤᏓᎵᏁᎯᏕ\t-11.6348\n▁ᎤᏬᎯᏳᎯᏍᏛ\t-11.6348\n▁ᏕᎨᏥᎵᎥᏂ\t-11.6348\n▁ᏚᏃᎯᏳ\t-11.6348\n▁ᎠᏆᏙᎴᎰᏒ\t-11.6348\n▁ᎰᎯᏳᎲᎦ\t-11.6348\nᏯᏓᏅᏏ\t-11.6348\n▁ᎥᎩᏍᏕᎸᏗᏱ\t-11.6348\n▁ᏕᏥᎸᏉᏕᏍᏗ\t-11.6348\n▁ᎠᎦᎸᏥ\t-11.6348\n▁ᎠᎫᏣ\t-11.6348\n▁ᏱᎦᏕᎣᏍᎦ\t-11.6348\n▁ᏯᏲᎱᎯ\t-11.6348\n▁ᎤᎵᏍᏆᏙᏅ\t-11.6348\n▁ᏱᎾᏛᏁᎮ\t-11.6348\n▁ᎢᏯᏆᎵᏍᏓᏁᏗ\t-11.6348\n▁ᏣᏍᏉᏂᎪᏗ\t-11.6348\n▁ᎤᏂᏲᏍᏙᏗᏱ\t-11.6348\n▁ᎦᏓᏆᏟ\t-11.6348\nᏠᏱᎸᎩ\t-11.6348\n▁ᏚᏰᎵᏒ\t-11.6349\n▁ᎯᏲᏍᏗᏍᎩ\t-11.6349\n▁ᎠᎾᎵᏍᏓᏴᎲᏍᎩ\t-11.6349\n▁ᎤᏍᏆᎸᎯᏗᏒᎩ\t-11.6349\n▁ᏧᏂᎦᏯᎷᏗ\t-11.6349\n▁ᎠᎩᎾᏄᎪᏫᏎᎸᎩ\t-11.6349\n▁ᎠᎩᎸᏗᏍᎩ\t-11.6349\nᎪᎲᏍᏔᏂ\t-11.6349\n▁ᎨᎪᏢᏅᎯ\t-11.6349\n▁ᏓᏆᎴᎸ\t-11.6349\n▁ᎦᎶᏐᏅ\t-11.6349\n▁ᎠᎾᏓᏁᏟᏴᏏᏒ\t-11.6349\n▁ᎤᎾᏓᏙᎵᏍᏙᏗᏱ\t-11.6349\n▁ᏩᏲᎯ\t-11.6349\n▁ᎢᏥᎷᏤᏗ\t-11.6349\n▁ᎭᏓᏙᎵᏍᏗᏍᎬ\t-11.6349\n▁ᎬᏩᏍᏚᎢᏍᏗ\t-11.6349\n▁ᏧᏩᎿ\t-11.6349\n▁ᎣᏣᎢᏒ\t-11.6349\n▁ᏚᎾᎵᏂᎬᎬ\t-11.6349\n▁ᏧᏓᏂᎸᎢᏍᏗᏳ\t-11.6349\n▁ᏣᏓᏅᏖᏗᏱ\t-11.6349\n▁ᎤᏓᏴᏒᎩ\t-11.6349\n▁ᏥᎦᏡᎦ\t-11.635\n▁ᏫᏄᏩᏁᎴ\t-11.635\n▁ᏥᎦᏘᏏᏗᏢ\t-11.635\n▁ᏧᏂᏲᎱᎯᏍᏗ\t-11.635\n▁ᎤᎧᏲᏓ\t-11.635\n▁ᎤᎵᏍᏛᏧᏅ\t-11.635\n▁ᎤᎱᏍᏕᏎᎴ\t-11.635\n▁ᎤᎵᏍᎫᏮ\t-11.635\n▁ᎤᎵᏬᎢᏍᏗ\t-11.635\n▁ᎤᏯᏍᏚᏎᎢ\t-11.635\n▁ᏧᎾᏓᎵ\t-11.635\n▁ᎨᏥᏛᎦ\t-11.635\n▁ᏂᎬᏩᏍᏛ\t-11.635\n▁ᏭᏕᎵᎨ\t-11.635\nᎱᏩ\t-11.635\nᏅᏮᎦ\t-11.635\n▁ᎠᎩᏁᎫ\t-11.635\n▁ᎠᏆᏎᎵᏔᏅ\t-11.635\n▁ᏅᏛᏁᎵ\t-11.635\n▁ᎢᏣᏓᏅᏓᏗᏍᏗᏱ\t-11.635\n▁ᎠᎵᏍᏓᏴᎲᏍᎩ\t-11.635\n▁ᎤᏅᎦᎳᎲ\t-11.635\nᏑᏩ\t-11.635\n▁ᎢᏣᏗᏔᏍᏗᏱ\t-11.635\n▁ᏣᏴᏍᏗ\t-11.635\n▁ᎤᎿᏬᎡ\t-11.635\n▁ᎾᏆᎵᏍᏔᏁᎸ\t-11.635\n▁ᎠᏱᏍᎨᏍᏗ\t-11.635\n▁ᏥᏂᎬᏁᎭ\t-11.635\n▁ᎠᎩᏁᎢᏍᏔᏅ\t-11.635\n▁ᎤᏟᎶᎥᎩ\t-11.635\n▁ᎪᎵᎦᏓ\t-11.635\n▁ᏥᏁᏣᏛᏁ\t-11.635\n▁ᏥᎦᏘᏯ\t-11.6351\nᏂᎶᏌ\t-11.6351\n▁ᎡᎩᏩ\t-11.6351\n▁ᏄᏛᏁᎵᏙᎸ\t-11.6351\n▁ᎠᎾᎵᎲᎢ\t-11.6351\n▁ᎠᎶᎻ\t-11.6351\n▁ᎢᏣᎴᏂᏓᏍᏗᏱ\t-11.6351\n▁ᏭᏗᏅᏎ\t-11.6351\n▁ᏙᏛᎠᎴ\t-11.6351\n▁ᏚᏄᎪᏫᏎ\t-11.6351\n▁ᎤᏰᏣ\t-11.6351\n▁ᏓᏍᏕᎵᏍᎬᎩ\t-11.6351\n▁ᏥᏧ\t-11.6351\n▁ᎣᎦᏅᏅᎩ\t-11.6351\n▁ᎹᏌ\t-11.6351\n▁ᏗᎦᏁᎶ\t-11.6351\nᎤᏰᎸᏗ\t-11.6351\n▁ᏄᏛᏁᎳ\t-11.6351\n▁ᏤᏣᏛᏅᎩ\t-11.6352\n▁ᎯᏃᎮᏍᎩ\t-11.6352\n▁ᎢᏤᏙᎮᏍᏗ\t-11.6352\n▁ᎤᎾᏓᏄᎸᏗ\t-11.6352\n▁ᎤᏂᎷᎯᏍᏗ\t-11.6352\nᏥᏲᎤᎯ\t-11.6352\nᏯᏠᎢᏍᏓᏁᎵ\t-11.6352\nᏥᏍᎦᎢᎭ\t-11.6352\n▁ᏳᏩᏛᎮᎢ\t-11.6352\nᏋᎨᏫ\t-11.6352\n▁ᎤᎭᏄᏮ\t-11.6352\n▁ᏧᎭᎾᏬ\t-11.6352\n▁ᏳᏪᎵᏎ\t-11.6352\nᏂᎦᏛᏁᎰᎢ\t-11.6353\nᏍᏚᎢᏏ\t-11.6353\n▁ᎥᏘᏍᎩ\t-11.6353\n▁ᎠᏆᏦ\t-11.6353\n▁ᏧᏪᏲᎲᏍᎩ\t-11.6353\n▁ᎢᏳᎾᏕᏘᏴᏛ\t-11.6353\nᏰᏫᏒ\t-11.6353\n▁ᎤᏗᏩᏒᎩ\t-11.6353\n▁ᎢᎬᏩᏂᎩᏍᏔᏁ\t-11.6353\n▁ᎦᏃᏙᏗ\t-11.6353\n▁ᏓᎪᏩᏘᏍᎬ\t-11.6353\nᎩᏩᏛᎲᎩ\t-11.6353\n▁ᏚᎭᏁᎦᎸ\t-11.6354\n▁ᎠᏆᏢᏈᏍᏗᏱ\t-11.6354\n▁ᎠᏓᎦᏘᏕᎯ\t-11.6354\n▁ᏧᎬᏩᏟ\t-11.6354\n▁ᎤᏍᏆᎸᎮ\t-11.6354\n▁ᏗᏓᏘᏍᏗ\t-11.6354\nᏧᎧᎸᏨ\t-11.6354\n▁ᎠᏛᏁᎮᏍᏗ\t-11.6354\n▁ᏱᏦᎯᏳᎲᎦ\t-11.6354\nᎴᎳᏛᏅ\t-11.6354\n▁ᎢᏥᎦᏔᎯᏳ\t-11.6354\n▁ᏚᏍᏚᎢᏎ\t-11.6354\n▁ᎠᎵᏍᎩᏍᏗ\t-11.6354\n▁ᏫᏚᎧᎾᏅ\t-11.6354\n▁ᎠᏥᎸᎨᎳᏍᏙᏗ\t-11.6354\n▁ᎢᏯᎩᏪᏍᏗᏱ\t-11.6354\n▁ᏗᎾᏟ\t-11.6354\n▁ᎠᏆᏍᎦᏱ\t-11.6354\n▁ᎠᏓᏬᏍᏗᏱ\t-11.6354\n▁ᎤᏂᎪᎵᏰᏗᏱ\t-11.6354\n▁ᎣᎾᏫᏱ\t-11.6354\n▁ᏣᏱᎵᏙᎯ\t-11.6354\nᏣᏘᏃᎸᎭ\t-11.6355\n▁ᏧᏪᏙᎵᏍᏗᏱ\t-11.6355\n▁ᎢᎩᏍᏕᎵᎭ\t-11.6355\n▁ᏫᏗᎦᏘ\t-11.6355\n▁ᎦᏓᏫᏔᏅ\t-11.6355\nᏕᏙᎲᎩ\t-11.6355\n▁ᏗᎦᏘᏍᏗ\t-11.6355\n▁ᎢᏥᏙᎾ\t-11.6355\n▁ᎭᏅᏓᏓ\t-11.6356\n▁ᏫᎾᏛᎦ\t-11.6356\n▁ᎠᏂᎪᏩᏘᏍᎩ\t-11.6356\n▁ᏱᏄᎾᏍᏗ\t-11.6356\nᏬᏍᎪᎢ\t-11.6356\n▁ᏧᏴᎴ\t-11.6356\n▁ᏥᏚᎦᏒᏍᏙ\t-11.6356\n▁ᏧᏌᎨ\t-11.6356\n▁ᎻᏌ\t-11.6356\n▁ᏫᏥᏤᎢ\t-11.6356\n▁ᏭᎷᎯᏍᏗ\t-11.6356\n▁ᎦᏐᏂ\t-11.6356\n▁ᏔᎷ\t-11.6356\n▁ᏭᎳᏛ\t-11.6357\nᏏᏏᏍᎩ\t-11.6357\nᎦᎧᎲᏍᎨᏍᏗ\t-11.6357\n▁ᎢᏣᏙᎴᎰᎯᏍᏗᏱ\t-11.6357\nᎵᏯᎻ\t-11.6357\n▁ᎠᏂᏍᎦᏰᎬᏍᏔ\t-11.6357\nᏁᏢᏙᏗᏱ\t-11.6357\n▁ᎢᏣᏓᏅᏙ\t-11.6357\n▁ᎯᎦᏔᎮᏍᏗ\t-11.6357\n▁ᎾᏑᎵᎪᎬᎾ\t-11.6357\n▁ᏥᏕᏙᎭ\t-11.6357\n▁ᏧᏄᎪᏤᎢ\t-11.6358\n▁ᎡᏤᏲᏅᎢ\t-11.6358\n▁ᎢᏨᏁᎢᏍᏗᏍᎬᎢ\t-11.6358\n▁ᎬᏁᏤᎲᎢ\t-11.6358\n▁ᏚᏃᏪᎸᎢ\t-11.6358\n▁ᏚᏪᏣᎦᎸᎮᎢ\t-11.6358\n▁ᏧᎾᏄᎪᏤᎢ\t-11.6358\n▁ᏧᏁᏢᏔᏅᏒᎢ\t-11.6358\n▁ᎤᎾᏓᏁᏟᏴᏒᏒᎢ\t-11.6358\n▁ᎤᏓᏅᏔᏕᎢ\t-11.6358\n▁ᏄᏍᏗᏕᎬᎢ\t-11.6358\n▁ᏓᎪᏄᎴᎢ\t-11.6358\n▁ᎢᏣᏛᎩᏍᎬᎢ\t-11.6358\n▁ᎠᎦᏬᎡᎢ\t-11.6358\n▁ᎤᎾᏁᏢᏔᏅᏒᎢ\t-11.6358\n▁ᎧᏄᎦ\t-11.6358\n▁ᏱᏥᏩᏘᏍᎪᎢ\t-11.6358\nᏓᏨᎾᏄᎪᏫᏎᎵ\t-11.6358\n▁ᏧᏂᎶᏒ\t-11.6358\nᏍᏓᏩᏕᎪᎢ\t-11.6359\n▁ᎧᏁᏉᏥᏎ\t-11.6359\n▁ᏕᎬᏩᏘᏃᎮᎴᎢ\t-11.6359\n▁ᏄᏪᎵᏍ\t-11.6359\n▁ᏂᎦᏪᎠ\t-11.6359\n▁ᎬᏃᏓ\t-11.6359\n▁ᎤᎬᎥᏍᎬ\t-11.6359\nᏓᎵᏅᏟ\t-11.6359\nᏕᏁᎵ\t-11.6359\n▁ᎨᏣᏓᏑᏴ\t-11.6359\n▁ᏕᎭᏕᏲᎲᏍᎬᎢ\t-11.6359\n▁ᏓᎾᎵᏍᏓᏴᎲᏍᎨᎢ\t-11.6359\n▁ᏗᏣᏏᎳᏛᏗ\t-11.6359\n▁ᎤᏂᏁᎢᏍᏗ\t-11.6359\n▁ᏧᎦᏙᏍᏙᏗ\t-11.6359\n▁ᏱᏚᎾᏓ\t-11.6359\n▁ᏫᎤᏂᎶᏎᎢ\t-11.636\nᏋᏕᏨ\t-11.636\n▁ᎬᏩᎨᏳᎯ\t-11.636\n▁ᏗᏣᎵᏂᎪᎯᏍᏙᏗᏱ\t-11.636\n▁ᏕᎯᏬᏁᏗᏍᎬ\t-11.636\n▁ᏚᏄᏬᎡᎢ\t-11.636\n▁ᏝᏬᏚ\t-11.636\n▁ᎯᎶᏁᎥᎭ\t-11.636\n▁ᎤᎸᏁ\t-11.636\nᏖᏍᎬᎢ\t-11.636\n▁ᏫᏂᎬᎦ\t-11.636\n▁ᏩᏥᎳᎨ\t-11.636\n▁ᏄᏟᏂᎬᎬ\t-11.636\n▁ᎤᏌᎨ\t-11.636\n▁ᏭᏅᎪᏤ\t-11.636\n▁ᎠᎩᏃᎮᏍᎬᎢ\t-11.636\n▁ᎤᏴᏨ\t-11.636\n▁ᎤᏚᎢᏍᏓᏁᎸ\t-11.6361\n▁ᎤᎾᏓᏅᏍᏗ\t-11.6361\n▁ᏚᏂᎵᏬᏤᎢ\t-11.6361\n▁ᏧᏂᏣᏔ\t-11.6361\nᏍᏔᏩᏕ\t-11.6361\n▁ᏚᏂᏴᎲ\t-11.6361\n▁ᏚᏅᏩᏁᎢ\t-11.6361\n▁ᏅᏛᎾᎵᏍᏔᏂ\t-11.6361\n▁ᏅᏓᎦᏛᏁᎵ\t-11.6361\n▁ᏨᏗᎦᏚᎭ\t-11.6361\n▁ᏭᏙᎯᏳᎲ\t-11.6361\n▁ᎤᎾᏁᎳᏗᏍᏗᏱ\t-11.6361\n▁ᏍᎩᏍᏕᎳ\t-11.6361\n▁ᏓᎪᏪᎳᏂ\t-11.6361\n▁ᎠᎻᎳᎻ\t-11.6361\n▁ᎦᎳᎨᏰ\t-11.6361\n▁ᎤᏂᏛᏗᏍᎩ\t-11.6362\n▁ᏓᏂᎧᎿᏩᏗ\t-11.6362\n▁ᎤᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ\t-11.6362\n▁ᏃᎦᏛᏁᎸ\t-11.6362\n▁ᎢᏳᏩᏁᏗ\t-11.6362\n▁ᎭᎵᏘ\t-11.6362\n▁ᎠᏓᏏᏎ\t-11.6362\n▁ᎤᏩᏓᎴ\t-11.6362\n▁ᎢᎦᎵᏍᏓᏁᏗ\t-11.6362\nᎧᎲᏍᎩ\t-11.6362\n▁ᏓᏰᏥᏁᎵ\t-11.6362\n▁ᏗᏩᎾᎨ\t-11.6362\n▁ᏣᏫᏎᎢ\t-11.6362\nᎪᏪᎸᎾ\t-11.6362\n▁ᎦᎷᎨᏍᏗ\t-11.6362\n▁ᏍᎩᏁᏥ\t-11.6362\n▁ᎤᏰᎾᎥ\t-11.6362\n▁ᎠᏆᏓᏅᏖᏙᏗ\t-11.6362\n▁ᎤᏓᏙᎵᏣᏘ\t-11.6363\n▁ᎠᎬᏔᏅᏛ\t-11.6363\n▁ᏱᎦᏗᎭ\t-11.6363\n▁ᏧᏂᎷᏤᎸ\t-11.6363\n▁ᎢᎳᏍᏓ\t-11.6363\n▁ᏚᏅᏴ\t-11.6363\n▁ᏱᏥᏁᎦ\t-11.6363\n▁ᎤᏴᎴᎢ\t-11.6364\n▁ᏳᎵᏬᏨ\t-11.6364\n▁ᎤᎾᎳᏍᏓᎡᏗ\t-11.6364\n▁ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ\t-11.6364\n▁ᎠᏓᏍᏕᎵᏍᎩ\t-11.6364\n▁ᏱᏂᏙ\t-11.6364\n▁ᏓᏕᏲ\t-11.6364\n▁ᎨᏥᏃᎮᏍᎬᎢ\t-11.6364\n▁ᎢᏳᏅᏁᎯ\t-11.6364\n▁ᎢᏳᏏᏗ\t-11.6364\n▁ᎤᎦᏔᏔᏁᎢ\t-11.6364\n▁ᎦᎵᏦᏩᏛ\t-11.6364\n▁ᏱᎾᏰᏍᎨᏍᏗ\t-11.6364\n▁ᏗᎨᏥᏰᎯ\t-11.6364\n▁ᏅᎩᏗᏂᏅᏌᏗ\t-11.6365\n▁ᎣᎦᎵᏍᏓᏴᏗᏱ\t-11.6365\n▁ᎠᏂᎪᏩᏗᏍᎬ\t-11.6365\n▁ᎤᎪᎵᏰᏗᏱ\t-11.6365\n▁ᎠᏆᏤᎵᎪᎯ\t-11.6365\n▁ᎤᏗᏍᎦᎶᏗ\t-11.6365\n▁ᏫᏚᏩ\t-11.6365\n▁ᎤᏂᎿᎥᎢ\t-11.6365\n▁ᏂᏯᏛᏂᏏ\t-11.6365\nᎾᏍᏆᎶᏍ\t-11.6365\n▁ᎤᏗᎴᎬ\t-11.6365\n▁ᎤᏂᎧᎭᏲ\t-11.6366\nᏍᏆᏃᏴᎪ\t-11.6366\n▁ᎠᏲᏍᏗᏍᎪ\t-11.6366\n▁ᎦᎬᏙᏗ\t-11.6366\nᎵᎲᏲᎵ\t-11.6366\n▁ᎤᏰᎸᏐᎢ\t-11.6366\n▁ᎡᏤᎵᏎ\t-11.6366\n▁ᏂᏚᏂᎨᏳᏒ\t-11.6366\n▁ᎠᏆᏅᏛ\t-11.6366\n▁ᏓᎫᏩ\t-11.6366\nᏍᏚᎢᎡᎴ\t-11.6366\nᏚᏁᎢ\t-11.6366\nᏓᏁᏏ\t-11.6366\n▁ᏥᎦᏙ\t-11.6366\n▁ᎤᏍᏗᎩᎨ\t-11.6367\n▁ᎬᏩᏂᏍᎦᎩ\t-11.6367\n▁ᏯᏃᎯᏳᎲ\t-11.6367\n▁ᎹᎳ\t-11.6367\n▁ᏗᎦᏅᎬ\t-11.6367\nᏄᏬᎥᎭ\t-11.6367\n▁ᎠᏴᏓᏆᎶᏍᎬ\t-11.6367\n▁ᎣᏥᏃᎮᎭ\t-11.6367\n▁ᎠᎵᏰᎢᎶᎦ\t-11.6367\n▁ᎠᎭᎾᏬ\t-11.6367\nᎦᏂᏍᎬ\t-11.6367\n▁ᎢᏗᎹ\t-11.6367\n▁ᎠᏂᏃᎲᏍᎨ\t-11.6367\n▁ᎢᏣᎵᏂᎬᏁ\t-11.6367\n▁ᎠᏣᎳᎩ\t-11.6367\n▁ᎢᎶᏂ\t-11.6367\n▁ᏚᏂᏂᏴᎲ\t-11.6368\n▁ᎨᏥᏙᎵᏍᏗ\t-11.6368\n▁ᎬᏩᏕᎰᎯᏍ\t-11.6368\nᏛᏅᎢᏍᏓᏁᏗᏱ\t-11.6368\n▁ᏙᏓᏨ\t-11.6368\n▁ᏙᏛᏁᎵ\t-11.6368\n▁ᎠᏯᏛᎥ\t-11.6368\n▁ᎣᎩᎪᎲᎯ\t-11.6368\n▁ᎡᎵᎻ\t-11.6368\nᏴᎳᏏ\t-11.6368\n▁ᏥᏚᎾᏚ\t-11.6368\nᏛᎦᏅᎢ\t-11.6368\n▁ᎠᏒᏛᏓ\t-11.6368\n▁ᏓᏐᏴᎢ\t-11.6369\n▁ᎠᎾᎵᏥᏙᎲᏍᎦ\t-11.6369\n▁ᎠᏃᏎᎮ\t-11.6369\nᏮᏕᏨ\t-11.6369\n▁ᎦᏃᏟ\t-11.6369\n▁ᏗᏣᏘᏄᎦ\t-11.6369\n▁ᎤᏬᎯᏤ\t-11.6369\nᎠᏗᏒ\t-11.6369\nᏗᎦᏔᏫᎢᏍᏗᏱ\t-11.6369\n▁ᎤᏬᏍᎩᎵ\t-11.6369\n▁ᎤᏲᎱᏏᏕᎾ\t-11.6369\nᏅᎬᏛ\t-11.6369\n▁ᎡᏥᏲᎭ\t-11.6369\n▁ᏗᏍᏆᏂᎪᏗᏍᎩ\t-11.6369\n▁ᎤᎧᎭᏲ\t-11.6369\nᏅᏨᎾ\t-11.6369\n▁ᏚᏯᏙᎮᎴ\t-11.6369\n▁ᎤᎵᏛᏔᏁᎢ\t-11.637\nᏱᎵᏕᎲᎢ\t-11.637\n▁ᎠᏍᏆᎸᎲᎭ\t-11.637\n▁ᏧᏌᎴᏅ\t-11.637\n▁ᎤᏣᎢᏒ\t-11.637\n▁ᎠᏆᎵᎮᎵᏍᏗᏱ\t-11.637\n▁ᎠᏆᎵᎮᎵᏨᎩ\t-11.6371\n▁ᎨᎪᏣᎴᏛ\t-11.6371\n▁ᏣᏂᏃᎮᎭ\t-11.6371\nᏅᎥᏏ\t-11.6371\n▁ᏫᎦᎶᏍᎬ\t-11.6371\n▁ᏚᎪᏓᏁᎯ\t-11.6371\n▁ᎠᏛᏃ\t-11.6371\nᏐᏲ\t-11.6371\n▁ᏖᏒᎭ\t-11.6371\n▁ᎤᎵᏦᏔᏁᎢ\t-11.6372\n▁ᏱᏣᏚᎵᎭ\t-11.6372\nᎦᏓᎴᏅᎯ\t-11.6372\n▁ᏳᏰᎸᏅ\t-11.6372\n▁ᎤᏩᏂᎴᎢ\t-11.6372\n▁ᏚᏙᎡᏍᏗ\t-11.6372\n▁ᏚᎾᏓᏡᎬ\t-11.6373\n▁ᏚᏯᏅᎮᎢ\t-11.6373\n▁ᏱᎨᏩ\t-11.6373\n▁ᎠᏲᏍᎩ\t-11.6373\n▁ᏓᏃᏎᎰ\t-11.6373\n▁ᏫᏥᎶᎢ\t-11.6373\n▁ᏳᏇᏗ\t-11.6373\nᎶᎩᎯ\t-11.6374\n▁ᎤᎸᏓᎸᎥᏍᎩ\t-11.6374\n▁ᏍᎩᏁᎮᏍᏗ\t-11.6374\n▁ᏗᎧᏃᎩᏓ\t-11.6374\n▁ᏄᎾᎵᏍᏔᏁᎲ\t-11.6374\n▁ᎤᎾᏤᎸᎯ\t-11.6374\n▁ᏕᎨᏥᏂ\t-11.6374\n▁ᎠᏂᏔᏲᎯᎮᏍᏗ\t-11.6374\n▁ᏣᏁᏤᏗᏱ\t-11.6374\n▁ᎤᏒᎦᎸᎩ\t-11.6374\n▁ᎤᎸᏖᎴ\t-11.6374\n▁ᏑᏥᎶ\t-11.6375\nᏰᏗᎭ\t-11.6375\n▁ᎦᎧᎮ\t-11.6375\n▁ᏦᎩᎾᏫᏱ\t-11.6375\nᎵᏂᎪᎯᏍᏙᏗᏱ\t-11.6375\n▁ᏓᎩᎧᎭ\t-11.6375\nᏯᏛᎩᎭ\t-11.6375\nᏂᏜ\t-11.6375\n▁ᎤᏍᏚᏅ\t-11.6375\nᏅᏓᎨᏨᏁᎵ\t-11.6375\nᎧᏔᏁ\t-11.6375\nᎵᏍᏓᏁᎵᏒ\t-11.6376\n▁ᏣᏛᏁᎸ\t-11.6376\nᏛᏂᎸᏉᏔᏂ\t-11.6376\n▁ᎬᏁᏤᎸᎢ\t-11.6376\n▁ᎪᎶ\t-11.6377\n▁ᎤᎾᎵᏍᏓᏴᏅᎩ\t-11.6377\n▁ᎠᏯᏨᏗ\t-11.6377\n▁ᏗᎪᏍᏓᏯ\t-11.6377\n▁ᏧᎵᏠᏯᏍ\t-11.6377\n▁ᎢᏣᏓᏁᎮᏍᏗ\t-11.6377\n▁ᏙᏨᏗᏍ\t-11.6377\n▁ᏕᎦᎵ\t-11.6378\n▁ᏗᎦᏥᏯ\t-11.6378\n▁ᎠᏅᏬᎳᏕᏍ\t-11.6378\nᏏᏔᏗᏍᏗᏱ\t-11.6378\n▁ᎤᏂᏍᎦᎢᏍᏗ\t-11.6379\n▁ᎤᎵᏍᎪᎸᏓᏁᎸᎩ\t-11.6379\n▁ᎤᏂᏴᎲ\t-11.6379\n▁ᏱᏅᏗᎦᎵᏍᏙᏗᏍᎨ\t-11.6379\n▁ᏥᎨᎲ\t-11.6379\n▁ᏄᏃᎯ\t-11.6379\n▁ᎢᏨᏃᏁᎸᎯ\t-11.6379\n▁ᏧᏂᏒᏍᏗᏱ\t-11.6379\nᏓᏕᎵᏎ\t-11.6379\n▁ᏄᏦ\t-11.6379\n▁ᎤᎾᏎᎸ\t-11.6379\n▁ᎤᏍᏚᏞ\t-11.638\n▁ᎬᏩᏡᏗᏍᎬᎢ\t-11.638\n▁ᎡᎳᎻ\t-11.638\n▁ᎦᏬᏂᏍᏗ\t-11.638\nᏅᏅᎢ\t-11.638\n▁ᎣᏥᏁᎦ\t-11.638\n▁ᏧᏓᏂᎸᎢᏍᏗ\t-11.638\nᎦᎪᎯᏳᏗ\t-11.638\n▁ᎦᏰᏣ\t-11.6381\nᏗᎨᎳᏍᏙᏗ\t-11.6381\nᏟᏂᎬᏁᎰ\t-11.6381\nᏕᎰᏏ\t-11.6381\nᏓᏙᎵᏣᏘᏳ\t-11.6381\nᏨᏌ\t-11.6381\nᎷᎨᏍᏗ\t-11.6381\n▁ᏣᏚᎵ\t-11.6381\nᏥᏰᎸᏂ\t-11.6381\n▁ᎤᎾᏓᏅᏖᏛ\t-11.6381\nᏣᎦᏔᎲᏛ\t-11.6382\nᏙᏓᏆᏛ\t-11.6382\nᎥᏍᎪᎢ\t-11.6382\n▁ᎻᎵ\t-11.6382\n▁ᎾᏂᏪᎭ\t-11.6382\n▁ᎢᏣᏓᏅᏓᏛ\t-11.6382\n▁ᎠᏆᏕᏗ\t-11.6383\n▁ᏕᏥᎨᏳᏒ\t-11.6383\n▁ᎡᎩᏍᏕᎸᏗᏱ\t-11.6384\n▁ᎤᏂᏂᎩᏛ\t-11.6384\n▁ᎤᎾᏚᎸᏅᏗ\t-11.6384\n▁ᎦᏢᏗ\t-11.6384\n▁ᎡᏥᏯᏅᎲ\t-11.6384\n▁ᏣᏣᏪᏐᎸᏍᏙᏗ\t-11.6384\n▁ᏚᎾᏙ\t-11.6384\n▁ᏣᏰᎸᏗ\t-11.6384\n▁ᏓᏁᎶᏛᎩ\t-11.6385\n▁ᎩᎦᎨᎠᏗᏔᏍᏗ\t-11.6385\n▁ᎤᏍᏆᏗᏍᏗᏱ\t-11.6385\n▁ᏳᏬ\t-11.6386\n▁ᎤᏄᎸᏅ\t-11.6386\n▁ᏄᎵᏍᏓᏁᎲ\t-11.6386\n▁ᎤᏂᏲᎸᎯ\t-11.6386\nᎵᏍᏓᏴᏁᎢ\t-11.6386\n▁ᏍᏔᎵ\t-11.6386\n▁ᎠᏓᏁᎳ\t-11.6387\n▁ᎤᎦᏌᏯᏍᏗᏕᎩ\t-11.6387\n▁ᏗᎤᎷᏨ\t-11.6387\n▁ᎨᏥᏛᏙᏗᏱ\t-11.6387\n▁ᎤᎵᏏᎲᏎ\t-11.6387\nᎵᏍᏙᏗᏱ\t-11.6387\nᏆᎧᎿᏅ\t-11.6387\nᏕᎶᏆᎡ\t-11.6387\nᏓᏁᎲᎾ\t-11.6387\n▁ᏣᎷᏨ\t-11.6387\n▁ᏱᎾᎩ\t-11.6387\n▁ᎤᏁᎷᏅ\t-11.6388\n▁ᎤᎾᏏᏁ\t-11.6388\n▁ᎪᏪᎳᏅ\t-11.6388\n▁ᎣᎩᏍᎦᏅᏨᎢ\t-11.6388\n▁ᎤᏩᎾᏬᏒ\t-11.6388\n▁ᏥᏓᎩᏂᏴ\t-11.6388\nᎨᎦᏛᏅᎢᏍᏓᏁᎸ\t-11.6388\n▁ᏕᎦᏯᎸ\t-11.6388\n▁ᏓᏂᏐ\t-11.6389\n▁ᎤᏓᏅᏖᏗᏍᎨᎢ\t-11.6389\n▁ᎤᎾᏨᏏ\t-11.6389\n▁ᏗᏗᏙᏗ\t-11.6389\n▁ᎠᏂᎶᏍᎬ\t-11.6389\n▁ᎪᎯᏍᏗᏍᎩ\t-11.6389\n▁ᏚᏁᏒ\t-11.6389\n▁ᎤᏅᎪᏨ\t-11.6389\n▁ᎠᎾᏙᎴᎰ\t-11.6389\n▁ᎢᏳᏂᏁᎫᏥ\t-11.639\n▁ᎤᎵᎦᎵᏴ\t-11.639\n▁ᏄᏓᏛᏁᎴ\t-11.639\n▁ᎤᎩᏓᏟ\t-11.639\n▁ᏂᏣᎵᏍᏓᏁᎲᎢ\t-11.6391\n▁ᏄᏓᏪᏎᎴ\t-11.6391\n▁ᎤᎾᏓᏴᎳᏛ\t-11.6391\n▁ᏄᎾᏛᎿᏕᎬᎢ\t-11.6391\n▁ᏕᎦᎸᏫᏍᏓᏁᎸᎢ\t-11.6391\n▁ᏥᏮᎦᏙᎢ\t-11.6391\nᏓᏅᏫᏍᎩ\t-11.6391\nᏱᎵᏓᏍᏗᏱ\t-11.6391\n▁ᎤᏬᏁᏔᏅᎢ\t-11.6391\n▁ᎤᏁᎳᏫᏎᎲᎢ\t-11.6391\n▁ᎠᏩᏘᏍᎪᎢ\t-11.6391\n▁ᏨᏓᎸᎢ\t-11.6391\n▁ᏭᏓᎾᏫᏛᎮ\t-11.6391\n▁ᎤᏗᏔᎮᎢ\t-11.6392\n▁ᏗᎪᏢᏙᏗ\t-11.6392\n▁ᎠᏌᏍᏛ\t-11.6392\n▁ᏭᏩᎦᏘᏗᏒᎢ\t-11.6393\n▁ᏗᏣᎸᏫᏍᏓᏁᏗᏱ\t-11.6393\n▁ᏧᎶᎯᏍᏗ\t-11.6393\nᏲᎯᏍᏗᏱ\t-11.6393\n▁ᎠᏴᏈᏛ\t-11.6393\nᏌᏛᏅᎩ\t-11.6394\n▁ᏂᎨᏐᎢ\t-11.6394\n▁ᎠᎵᏌᎳᏗᏍᎬ\t-11.6394\n▁ᎢᏍᏛᏯ\t-11.6395\n▁ᎠᏥᏍᏙᏗ\t-11.6395\n▁ᎤᏩᏛᏛ\t-11.6395\n▁ᎠᏓᎴᏂᏍᎩ\t-11.6395\n▁ᏥᏄᏍᏙ\t-11.6396\nᏰᎩ\t-11.6396\n▁ᎢᏣᎵᎪᎯ\t-11.6396\n▁ᏇᏓᏁᎳᎻᏱ\t-11.6396\n▁ᏧᏂᎧᎿᏩᏛᏍᏗᏱ\t-11.6396\n▁ᎣᏥᏬᏂ\t-11.6396\n▁ᎢᏣᎢᏒᎢ\t-11.6396\n▁ᎦᏥᎪᎥ\t-11.6396\n▁ᎤᏲᎰᏒ\t-11.6397\n▁ᎠᏓᎨᏗᏱ\t-11.6397\nᏙᎯᏳᎲᎦ\t-11.6397\n▁ᏂᏣᎵᏍᏔᏅᎩ\t-11.6397\n▁ᏚᏂᎳᏫᏨᎩ\t-11.6397\n▁ᎤᏁᎵᏒᎩ\t-11.6397\nᏏᏕᏅ\t-11.6397\n▁ᎠᎩᏰᎸᏗᏱ\t-11.6397\n▁ᏤᏆᏂ\t-11.6398\n▁ᏥᏄᏪᏒᎩ\t-11.6398\n▁ᎧᏁᎦ\t-11.6399\n▁ᎤᏓᏅᏖᏗᏍᎬ\t-11.6399\nᏯᏛᏂᏏ\t-11.6399\n▁ᏓᎩᎪᎲᎩ\t-11.6399\nᏌᏙᎭ\t-11.6399\n▁ᎤᏓᎢᏅ\t-11.6399\n▁ᎤᎾᎵᏖᎸᏅᎩ\t-11.6399\n▁ᎠᎾᏗᎭ\t-11.64\n▁ᎴᏈ\t-11.6401\n▁ᏴᏛᎾ\t-11.6401\n▁ᏱᏂᏣᎵᏍᏓᏁ\t-11.6401\n▁ᏚᏬᏁᏔᏁᎢ\t-11.6401\n▁ᏓᏍᏔᏅᏅ\t-11.6402\n▁ᎠᎦᎸᎢᏛ\t-11.6402\n▁ᎬᏩᏂᎪᏩᏛᏗ\t-11.6402\n▁ᎢᏣᏓᎳ\t-11.6402\n▁ᏥᏍᏓᏱ\t-11.6402\n▁ᏤᏅᏍᏗᏱ\t-11.6403\n▁ᎬᏩᎾᏝᎢ\t-11.6403\n▁ᎭᏗᏛ\t-11.6403\n▁ᏳᏁᏐ\t-11.6404\n▁ᎬᏬᏎᎸᎩ\t-11.6404\nᎧᎪ\t-11.6404\nᎦᎴᏂᏙᎭ\t-11.6405\n▁ᏕᎩᎸᏫᏍᏓᏁᎸ\t-11.6405\n▁ᏗᏓᎾᏅ\t-11.6405\n▁ᏂᏗᎬ\t-11.6405\nᎭᏁᎦᎸ\t-11.6405\nᏍᏆᏗᏍᏗᏍᎩ\t-11.6405\n▁ᎤᏞᎩ\t-11.6405\nᏍᏙᏗᏍᎨ\t-11.6406\n▁ᏍᎩᏃᎯᏏ\t-11.6406\n▁ᏂᏣᏛᏁᎲᎾ\t-11.6406\n▁ᏍᎩᏯᏅᏛ\t-11.6406\n▁ᏫᏚᎧᎿᏅ\t-11.6406\n▁ᏭᏍᏆ\t-11.6406\nᎪᎲᎯ\t-11.6406\n▁ᎤᎾᏓᏅᎦᎸᏛ\t-11.6406\n▁ᏫᏚᎾᎧᎿᏅ\t-11.6406\n▁ᎤᏍᏚᎩᏎ\t-11.6407\n▁ᏚᏰᎵᎯᏍᏔᏅ\t-11.6407\n▁ᏕᎫᎪᏗᏍᎬ\t-11.6407\n▁ᎠᏔᎴ\t-11.6407\n▁ᏚᎸᏫᏍᏓᏁᎰᎢ\t-11.6407\n▁ᎨᏥᏰᎸᎢ\t-11.6407\n▁ᎤᎾᎷᏒ\t-11.6407\nᏰᎢᎸᏍᏗᏱ\t-11.6407\n▁ᏥᏫᎾ\t-11.6408\n▁ᎤᏂᎪᏁ\t-11.6408\nᏰᎢᎵᏙᎲᎢ\t-11.6408\n▁ᏫᏚᏠᏎ\t-11.6408\n▁ᏗᏁ\t-11.641\n▁ᎤᏂᏔᏲᏎᎴ\t-11.641\nᏱᎵᏙᎯ\t-11.6411\n▁ᎤᏂᏲᎰᎢ\t-11.6411\n▁ᎤᏓᏓᏍᎬ\t-11.6411\nᎪᎲᏍᏔᏅ\t-11.6411\n▁ᎤᏍᎫᏕ\t-11.6411\nᏘᎭᏁ\t-11.6412\n▁ᏕᎨᏥᏰ\t-11.6412\n▁ᏱᏙᎨᏗ\t-11.6412\nᏁᏙᎮ\t-11.6413\n▁ᏳᏚᎵᏍᎬᎾ\t-11.6413\n▁ᎤᏛᏗᏕᎨ\t-11.6413\n▁ᎰᎵᏈ\t-11.6413\n▁ᏗᎪᏪᎳᏅᎯ\t-11.6414\n▁ᎠᎩᏍᏚ\t-11.6414\n▁ᏥᏣᏓ\t-11.6414\nᏪᏒᏛ\t-11.6415\n▁ᏭᏂᎦᏐᎠ\t-11.6415\n▁ᏚᏟᎶᏍᏓᏁᎴᎢ\t-11.6415\n▁ᎤᏅᏓᏛ\t-11.6416\n▁ᎤᏃᏴᎩ\t-11.6416\n▁ᎤᎾᎵᏍᎪᎸᏔᏅᎯ\t-11.6416\n▁ᏑᎠ\t-11.6417\n▁ᎡᏥᏍᎦᏅᏤ\t-11.6417\n▁ᎠᏂᎷᎬ\t-11.6417\n▁ᏱᏮ\t-11.6417\nᎷᎳ\t-11.6417\nᏴᎲ\t-11.6417\n▁ᏗᏓᎨ\t-11.6418\n▁ᏕᏥᎵᎷ\t-11.6419\n▁ᎡᏣᏙ\t-11.6419\n▁ᏲᎩᎾ\t-11.6419\n▁ᏩᎩᎶᏒᎩ\t-11.642\n▁ᎢᏳᏪᏍᏗᏱ\t-11.642\n▁ᏱᏍᎩᏃᏁᎴ\t-11.642\n▁ᎢᎵᎻ\t-11.642\n▁ᎤᎦᏘᏗᏍᏗᏱ\t-11.6421\nᏠᎠᏒᎩ\t-11.6421\n▁ᎤᏍᏆᎸᎭ\t-11.6421\n▁ᏂᏥᏃᎯ\t-11.6421\n▁ᎤᎾᏁᎶᏔᏅᎩ\t-11.6421\n▁ᏓᏂᏍᎦᎢ\t-11.6422\n▁ᎢᏣᎨᏳᏅ\t-11.6422\n▁ᎤᏮᏔᏅᎩ\t-11.6422\n▁ᏕᏚ\t-11.6422\n▁ᎠᎩᏰᏨ\t-11.6423\n▁ᎧᏁᏉᎨᎢ\t-11.6423\n▁ᎢᏣᏛᏓᏍᏗᏍ\t-11.6423\nᏝᏅᎯ\t-11.6424\n▁ᏥᏫᎯ\t-11.6424\n▁ᎠᏯᎡᎢ\t-11.6424\n▁ᏧᎦᎿᏁ\t-11.6424\n▁ᏕᎨᎶ\t-11.6424\n▁ᎪᏙᎯ\t-11.6425\nᏍᎬᏰᏃ\t-11.6425\n▁ᎤᏍᏗᏰᎬ\t-11.6426\n▁ᎠᎾᎢᏎᎢ\t-11.6426\n▁ᎤᏂᏄᎪᎢᏍᏗ\t-11.6426\n▁ᏱᏂᎬᎦ\t-11.6426\n▁ᏳᏰᎸᎭ\t-11.6427\n▁ᎠᏂᏁᏉᏍ\t-11.6427\nᏫᏂᏴ\t-11.6427\n▁ᎤᏃᏢᏅᎯ\t-11.6427\nᏘᏁᎪᎢ\t-11.6427\n▁ᎣᏥᎩᎵᏲᎬ\t-11.6427\n▁ᎤᏁᎢᏍᏔᏁᎢ\t-11.6427\nᏍᎩᎳᏛ\t-11.6427\nᏚᎾᏚᏫᏍᏔᏁᎢ\t-11.6427\n▁ᎢᏧᏓ\t-11.6428\n▁ᎤᏍᏆᏂᎪᏔᏅ\t-11.6428\nᏛᎿ\t-11.6428\n▁ᎢᏣᏓᏁᏟᏴᏏᏒᎢ\t-11.6428\nᎩᏠᏫᏍ\t-11.6428\n▁ᎠᎾᏓᏅᏖᎵᏙ\t-11.6429\n▁ᏥᏄᎵᏍᏔᏁᎢ\t-11.6429\n▁ᎠᏂᎫ\t-11.6429\n▁ᎤᏘᏃᎴᎢ\t-11.6429\n▁ᎤᏪᎲᎢ\t-11.6429\nᏂᏐᏗ\t-11.643\n▁ᎮᏙᎲ\t-11.643\n▁ᎠᏂᏲᎯᎲ\t-11.643\n▁ᎤᎵᏠᏯᏍᏛ\t-11.643\n▁ᏥᎦᎷᎪᎢ\t-11.643\n▁ᎤᎾᏖ\t-11.6432\n▁ᎤᏁᏉᏤᎢ\t-11.6432\n▁ᎤᏪᏘᏁᎢ\t-11.6432\nᎶᏒᏍᏙᏗᏱ\t-11.6432\n▁ᏫᎲᎦ\t-11.6432\n▁ᏓᏂᏅᎬ\t-11.6433\n▁ᏳᏬᎵᏤ\t-11.6433\n▁ᎭᎧ\t-11.6434\n▁ᎠᏥᏁᏗᏱ\t-11.6434\n▁ᏒᏍᎦ\t-11.6434\n▁ᏂᎦᏅᏅ\t-11.6434\n▁ᎾᎾᏛᏁᎮ\t-11.6435\n▁ᎠᏟᏂᎬᏁ\t-11.6435\n▁ᏫᏚᏯ\t-11.6436\nᏗᎦᎵᏍᏙᏗᎭ\t-11.6436\n▁ᎠᏐᏢᎢᏍᏗᏍᎬᎢ\t-11.6436\n▁ᎤᎾᎵᏍᎪᎸᏔᏅ\t-11.6436\n▁ᏥᏅᏗᎦᎵᏍᏙᏗᏍᎨ\t-11.6437\n▁ᎤᏁᎸᏔᏁᎢ\t-11.6437\nᏯᏅᎮᎢ\t-11.6437\n▁ᏄᏅᏁᎴᎢ\t-11.6437\n▁ᎠᏂᏱᏙ\t-11.6437\n▁ᎤᏪᎷᎩ\t-11.6438\n▁ᎠᏍᎧ\t-11.6438\n▁ᏧᏂᏁᏗᏱ\t-11.6438\n▁ᏤᎪᎢ\t-11.6438\n▁ᎦᎶᏐᎲᏍ\t-11.6439\nᏂᏙᎸᎯ\t-11.6439\n▁ᏗᏁᎶᏗ\t-11.6441\n▁ᎤᏅᏕᏨ\t-11.6441\n▁ᎠᏂᎱ\t-11.6441\n▁ᏗᎪᏒ\t-11.6441\n▁ᎠᏍᏆᎵ\t-11.6441\n▁ᎠᎾᎵᏥᏙᎲᏍᎩ\t-11.6442\n▁ᏣᏍᏆᏂᎪᏙᏗᏱ\t-11.6442\n▁ᎤᏍᏆᎳ\t-11.6443\nᎦᎷᎩ\t-11.6444\n▁ᎠᎿᎥᎢ\t-11.6445\n▁ᏧᎪᏄᎶ\t-11.6445\nᎧᏒᎢ\t-11.6445\n▁ᎤᏂᏲᏍᏔᏁ\t-11.6445\n▁ᏫᎬᏍᏗ\t-11.6445\n▁ᏱᎪᎯᏳᎲ\t-11.6445\n▁ᏚᏆᎵ\t-11.6446\n▁ᏕᎪᏢᏒᎩ\t-11.6446\n▁ᎤᎾᏏᏅ\t-11.6446\n▁ᎤᎦᎾᏬᏍᎬ\t-11.6446\n▁ᎾᎬᏁᎸᎭ\t-11.6447\n▁ᎤᏂᏃᎴ\t-11.6447\n▁ᏥᏂᎦᎵᏍᏗᏍᎪ\t-11.6448\n▁ᏗᏄᎪᏗᏍᎩᏱ\t-11.6448\nᏰᎵᏎᏗ\t-11.6449\n▁ᏚᏅᏒᎩ\t-11.6449\n▁ᏚᏲᏍᏔᏅ\t-11.6449\n▁ᏄᎾᎵᏍᏓᏁᎲ\t-11.645\nᏗᏔᎲᎭ\t-11.645\n▁ᎤᏲᎱᎯᏎᎸᎯ\t-11.645\n▁ᎣᏣᏓ\t-11.645\n▁ᎮᎲᎢ\t-11.645\n▁ᎢᏥᎩᎬ\t-11.6451\n▁ᎬᏩᎯᏍᏗᏱ\t-11.6451\nᏢᏔᎮ\t-11.6451\nᏥᏅᎦᎸᎡ\t-11.6451\nᏞᏒ\t-11.6452\n▁ᏂᏓᏅᏁᎲ\t-11.6452\nᏣᏘᏃᎯᎮᏍᏗ\t-11.6453\nᏇᏓᏍᏗ\t-11.6453\nᎤᏂᏃᏕᏅ\t-11.6455\n▁ᏗᎦᏐᎯ\t-11.6455\n▁ᎠᏒᎨᏍᏗ\t-11.6455\n▁ᎡᏣᏛᎦᏁᎸ\t-11.6456\n▁ᎯᏴᎭ\t-11.6456\nᏑᏢᏛ\t-11.6457\n▁ᏱᏅᏩᏍᏗᏗ\t-11.6457\nᏕᎬᏲᎯᏏ\t-11.6457\n▁ᎤᏓᏅᏙᎩᎯ\t-11.6457\nᏢᏔᎲ\t-11.6458\n▁ᎠᎵᏍᏓᏴᎲᏍᎬᎢ\t-11.6458\n▁ᎤᎾᎵᏖᎸᏅ\t-11.6458\n▁ᏫᎦᎾᏄᎪᎢ\t-11.6458\n▁ᏗᏌᏂ\t-11.6459\n▁ᏕᎯᏁ\t-11.6459\n▁ᎤᏅᏎᏍᏗ\t-11.6459\n▁ᏍᏆᏛᎦᏁ\t-11.6459\n▁ᎤᎷᏤᎸᎯ\t-11.646\n▁ᎢᏲᎩ\t-11.646\n▁ᏚᏂᏢᎬᎢ\t-11.646\n▁ᏕᏣᎸᏫᏍᏓᏁᎸᎢ\t-11.646\n▁ᎠᏄᎯᏍᏗᏍᎬᎢ\t-11.646\n▁ᏚᏍᎫᏓᏛᎢ\t-11.646\n▁ᏓᏅᏗᏍᎬᎢ\t-11.646\n▁ᏚᏄᎪᏔᏅᎢ\t-11.6461\n▁ᎤᏃᎯᏳᏁᎢ\t-11.6461\n▁ᎯᎲᎦ\t-11.6461\nᏒᏗᏱ\t-11.6461\n▁ᏥᏙᏓᎦ\t-11.6463\n▁ᎠᏯᎡᏍᏗ\t-11.6463\n▁ᏧᎪᏩᏛᏗ\t-11.6464\n▁ᏛᏨ\t-11.6464\n▁ᎤᎾᏟᎶᎥ\t-11.6464\n▁ᏧᏴᏫ\t-11.6465\n▁ᎢᎦᏅᎯᏛ\t-11.6465\n▁ᎦᏓᏅᏖᏍᎪ\t-11.6465\n▁ᏚᏟᎶᏍᏓᏁᎴᏃ\t-11.6465\n▁ᎪᎪ\t-11.6465\nᏥᏯᏁᎶᏗ\t-11.6466\n▁ᎤᏓᎴᏅᎯ\t-11.6466\nᎵᏍᏓᏴᎾᏁᏗᏱ\t-11.6467\n▁ᎤᎾᎵᎪᏒᎢ\t-11.6468\n▁ᎠᏛᏍᎨᎢ\t-11.6468\nᎵᏂᏆᏅᏁ\t-11.6469\n▁ᏧᎾᏄᏬᏍᏗ\t-11.6469\n▁ᎤᏢᎬᎢ\t-11.6469\n▁ᎢᎬᏩᏁᏗᏱ\t-11.6469\nᎨᏠᎮ\t-11.647\n▁ᎢᏳᏩᏁᎸ\t-11.647\n▁ᎤᏬᏛ\t-11.647\n▁ᎠᏥᎢᏍᏗᏱ\t-11.647\n▁ᎤᎾᎵᏗᎩ\t-11.647\nᎾᏍᏉ\t-11.6471\nᎳᏗᏍᎨᎢ\t-11.6471\n▁ᏱᎦᎷᎩ\t-11.6472\nᏚᏓᎸ\t-11.6473\n▁ᎠᎾᏗ\t-11.6473\n▁ᎤᏥᏍᏛ\t-11.6474\n▁ᎢᏣᎵᎪ\t-11.6474\n▁ᎠᏁᏙᎮᏍᏗ\t-11.6474\n▁ᎠᏆᎫᏴ\t-11.6475\n▁ᏳᏲᎰ\t-11.6476\nᏯᎷᎦ\t-11.6477\n▁ᏁᏨᏁ\t-11.6477\nᏒᎲᏍᏗᏱ\t-11.6478\nᏂᏩᏛᎮ\t-11.6479\n▁ᏓᏕᏲᎲᏍᎨᎢ\t-11.6479\n▁ᏄᏅᏁᎸᎩ\t-11.648\n▁ᎤᏩᏴᏒ\t-11.648\n▁ᏓᏰᏍ\t-11.648\n▁ᎢᏳᏍᏗᏓᏂ\t-11.6481\nᏍᏔᏁᏗ\t-11.6481\n▁ᎤᏍᏕᏓᎵᏴ\t-11.6482\n▁ᏥᏯᎠ\t-11.6482\nᏙᏳ\t-11.6483\n▁ᏱᎬᏅ\t-11.6483\n▁ᎣᎩᎦᎵᏍᏓᏗᏍ\t-11.6484\n▁ᏯᏆᏚᎵᎭ\t-11.6484\n▁ᎠᏯᏙᎵ\t-11.6484\n▁ᏧᏂᎷᏤ\t-11.6484\n▁ᏗᎦᏅᏆᎶ\t-11.6484\n▁ᏥᎸᏉᏗ\t-11.6484\n▁ᎤᏬᏱ\t-11.6485\n▁ᎢᎬᏩᎷᏤᎴ\t-11.6485\nᎸᏉᏔᏅᎩ\t-11.6485\nᏐᏅᏤᎸᎩ\t-11.6485\nᎭᎵᏙᎩ\t-11.6485\nᏓᏏᏒ\t-11.6486\n▁ᏗᎧᏃᎩᏍᏗᏱ\t-11.6486\n▁ᎤᏪᎴ\t-11.6487\nᏓᏨᏁᎵ\t-11.6488\n▁ᏕᎨᏥᏅᏩ\t-11.6488\nᏲᏅᎵ\t-11.6489\n▁ᏭᏯᏅᎲᎩ\t-11.6489\n▁ᎠᎩᏁᎸᎯ\t-11.6489\n▁ᏣᎦᏛ\t-11.649\nᏓᏡᏗᎭ\t-11.6491\n▁ᎢᏣᏓᏅᏛᎢ\t-11.6491\n▁ᎤᏓᏅᏁᎢ\t-11.6491\nᎦᏥᏲᏎᎸ\t-11.6491\n▁ᎤᏍᎩᏓᏒᎢ\t-11.6493\n▁ᏤᏥᏃ\t-11.6494\n▁ᏤᏙᎰ\t-11.6494\n▁ᎨᏥᎸ\t-11.6494\n▁ᎤᏓᏙ\t-11.6495\n▁ᎢᏤᎮᏍᏗ\t-11.6495\n▁ᎠᎾᏕᎲᏍᎬᎢ\t-11.6495\n▁ᎠᎩᏂᎬᏎᎲ\t-11.6495\n▁ᎬᏣ\t-11.6495\n▁ᎤᏃᎯᏳᏒᎢ\t-11.6495\n▁ᎣᎯᏍᏗ\t-11.6495\n▁ᏚᎾᏦᏎ\t-11.6495\nᏓᏁᎸᎭ\t-11.6496\nᏴᏎᎸᎩ\t-11.6496\n▁ᏧᏬᏢᏁ\t-11.6498\n▁ᎤᏃᎮᎸᎩ\t-11.6498\n▁ᏚᏪᎧᏁᎢ\t-11.6499\nᏃᎮᎵ\t-11.6499\n▁ᎠᎩᏍᏛᏗᏍᎬᎢ\t-11.65\n▁ᎠᏲᏍᏗᏍᎬ\t-11.65\n▁ᏂᎦᏪᏏ\t-11.65\n▁ᏓᏥᏁ\t-11.6501\nᎵᏥᏙᏁᎲᎢ\t-11.6501\n▁ᏧᏩᏒ\t-11.6501\n▁ᏂᏥᏴ\t-11.6502\n▁ᏤᎮᏍᏗ\t-11.6502\n▁ᏗᎦᎷᏫᏍᏔᏁ\t-11.6502\n▁ᏧᏔᏂ\t-11.6503\n▁ᏣᏂᏅᎩ\t-11.6503\n▁ᎠᎾᎵᏍᏓᏴᏗᏍᎬ\t-11.6503\n▁ᏥᎪᏩᏘᎭ\t-11.6504\n▁ᎠᏥᎦᏘᏗᏍᏗᏱ\t-11.6504\nᏦᏩ\t-11.6504\nᎧᎿᏩᏛᎡ\t-11.6505\nᎧᎭᏲ\t-11.6505\nᎿᏬᏍᏗ\t-11.6505\n▁ᏓᏍᏓ\t-11.6506\nᎩᏩᏛᏗᏱ\t-11.6507\n▁ᏧᏍᎦ\t-11.6507\n▁ᏓᏂᏁᎵ\t-11.6507\n▁ᎦᏌᎴ\t-11.6508\n▁ᎤᎵᏍᏕᎸ\t-11.6508\n▁ᏥᏚᏲᏎ\t-11.6508\nᏂᏱᏍᎩ\t-11.6508\nᎵᏍᏙᏔᏁ\t-11.6508\nᏂᏕᏅ\t-11.6509\nᎭᏯᎸ\t-11.6509\nᎧᏁᏍᏗ\t-11.651\n▁ᏓᏲᎩ\t-11.651\n▁ᎡᎯᏍᏗᏳ\t-11.651\n▁ᎠᏂᎩᎵᏲᎬᎢ\t-11.651\n▁ᏂᎦᎵᏍᏙ\t-11.6511\n▁ᏥᏄᏛᏁᎴ\t-11.6511\n▁ᏱᎯᎦᏔᎮ\t-11.6512\nᏓᏬᏍᏙᏗ\t-11.6512\n▁ᎥᏘ\t-11.6512\n▁ᎤᎪᎵᏰᏗ\t-11.6513\nᎫᏴᎡᎸ\t-11.6515\n▁ᎠᎩᏩᏛᎲᎩ\t-11.6515\n▁ᎵᏓ\t-11.6516\n▁ᏕᏣᎴ\t-11.6517\nᎨᎬᏁᎵ\t-11.6517\n▁ᎤᏓᏴᏍᏗᏱ\t-11.6518\n▁ᏗᎦᎵᏍᏙᏗ\t-11.6518\nᏓᏦᏍᎬ\t-11.6519\nᏣᏛᎩᎭ\t-11.6519\n▁ᎤᏂᎾᏗᏅᏎ\t-11.652\n▁ᎠᏞ\t-11.652\nᎦᏎᏍᏙ\t-11.6521\nᏲᏍᏗᏍᎩ\t-11.6521\nᏔᏁᎸᎯ\t-11.6524\n▁ᎠᎫᏬᏰ\t-11.6525\n▁ᏐᎭ\t-11.6525\n▁ᏚᎷᎬᎢ\t-11.6525\n▁ᏂᏪᏏ\t-11.6525\n▁ᏫᏚᎷᏤᎸ\t-11.6525\n▁ᎤᏔᏲᏎᎸᎩ\t-11.6525\n▁ᏥᏍᎩᏯ\t-11.6526\nᏍᏢᏂᏍᏔᏅ\t-11.6527\nᎤᏏ\t-11.6527\n▁ᎤᎾᏤᎵᎪ\t-11.6527\nᎾᏋᏁᎸ\t-11.6528\n▁ᏧᏂᎬ\t-11.653\n▁ᎠᏓᏪᎵᎩᏍᎬᎢ\t-11.653\nᏥᏂ\t-11.6531\n▁ᎤᏁᎷᎬᎢ\t-11.6531\n▁ᎤᎵᏦᏛᎢ\t-11.6532\n▁ᎦᏓᎥᎢ\t-11.6532\n▁ᎡᎭᏏ\t-11.6532\n▁ᎢᏳᏩᎬ\t-11.6532\n▁ᎤᏂᏖᎸᏅ\t-11.6532\n▁ᏣᏓᏅᏘ\t-11.6533\n▁ᎡᏗᎨᏳᎢ\t-11.6533\n▁ᏚᏇ\t-11.6534\nᏓᏂᏱ\t-11.6534\n▁ᏱᏔ\t-11.6534\nᏗᎬᏩᎧᏃᏗ\t-11.6534\n▁ᏪᏙᎲ\t-11.6536\n▁ᎤᎳᏏ\t-11.6537\n▁ᏂᎦᎵᏍᏗᏍᎪᎢ\t-11.6537\nᏤᎵᎯᏍᎪ\t-11.6537\n▁ᎾᎾᏛᏁᎭ\t-11.6537\n▁ᎪᎯᏳᏙᏗ\t-11.6537\nᎾᏰᎯᏍᏛ\t-11.6538\n▁ᎤᏰᎯᏍᎩᏂ\t-11.6538\n▁ᏚᎸᏌᏓ\t-11.6538\n▁ᏓᏂᏢ\t-11.6538\n▁ᎦᎷᏥ\t-11.6539\nᎦᎵᏍᏓᏛ\t-11.6539\n▁ᏗᎧᎵᎢ\t-11.6539\n▁ᏱᏄᏍᏕᎢ\t-11.654\n▁ᏱᏝ\t-11.654\n▁ᎢᏥᏁᏗᏱ\t-11.6541\n▁ᏣᎯᏍᏗᏱ\t-11.6542\n▁ᏚᏓᏓᎴᏔᏁ\t-11.6543\nᏤᏯᏙᏤᎮᏍᏗ\t-11.6544\n▁ᏱᏥᎦᏔᎮᎢ\t-11.6544\n▁ᎤᏂᎯᏍᏗ\t-11.6544\n▁ᏚᏘᏃᎴ\t-11.6545\n▁ᏓᏓᎯ\t-11.6545\n▁ᎪᏢᏒᎩ\t-11.6545\n▁ᏂᏙᏔᏘ\t-11.6546\n▁ᏅᏩᏓ\t-11.6547\nᏱᎩᎵ\t-11.6547\nᏪᎵᏏ\t-11.6548\n▁ᎤᏍᏗᏰ\t-11.655\nᎰᎯᏍᏗ\t-11.655\n▁ᏄᏩᏁᎲ\t-11.6551\n▁ᎤᏁᎳᏛ\t-11.6551\n▁ᎣᏨᏗᏍᎬ\t-11.6553\n▁ᎠᏓᎴᏂᏍ\t-11.6553\n▁ᎤᏂᏬᏂᎯᏍᏗᏱ\t-11.6554\n▁ᏥᏂᎩ\t-11.6554\nᎧᏁᎬ\t-11.6556\n▁ᎠᏆᏚᎸᎲ\t-11.6557\n▁ᎠᏆᏓᏤᎵᎦ\t-11.6557\n▁ᎦᏛᎬᎦ\t-11.6557\nᏂᏍᏗᎭ\t-11.6558\n▁ᏄᏬᏚᏒ\t-11.6558\n▁ᎠᏥᏁᎸᎯ\t-11.6558\n▁ᏗᎦᏲᏥ\t-11.6559\n▁ᎨᏛᎢ\t-11.6561\n▁ᎠᎩᏌ\t-11.6563\n▁ᎤᎾᏓᏙᎵᏍᏔᏁ\t-11.6563\n▁ᏍᏆᎳ\t-11.6564\nᏍᏓᏩᏗᏙ\t-11.6566\n▁ᏙᏓᏆᏍᎬᎢ\t-11.6566\n▁ᏥᏃᎮᏍᎬᎢ\t-11.6567\n▁ᏂᎦᏔᎲᎾ\t-11.6568\n▁ᏱᏚᏩᏛᎮ\t-11.6568\nᎳᏑᎳ\t-11.6568\n▁ᎤᏂᏃᏁᎴ\t-11.6568\nᎾᏕᎨ\t-11.6568\n▁ᎨᏌ\t-11.6569\nᎷᎸᏁ\t-11.6569\n▁ᏃᏥᎥ\t-11.657\nᏁᎳᏕᎢ\t-11.6571\nᏍᏔᏲᏍᏙᏗ\t-11.6573\nᏂᏓᏅᏁᎰ\t-11.6574\nᏌᏙᏯ\t-11.6576\nᎵᏉᎩ\t-11.6577\n▁ᏂᏚᏩᏁ\t-11.6579\n▁ᏂᏍᏛ\t-11.6581\n▁ᏗᎬᏅ\t-11.6582\n▁ᏚᏂᏰᎵᏒ\t-11.6582\nᏛᎲᏃ\t-11.6583\nᏯᎦᏎᏍᏗ\t-11.6584\n▁ᏅᏂ\t-11.6585\n▁ᏙᎦᏠᎯᏍ\t-11.6585\nᏟᏃᎮᏔᏁ\t-11.6586\n▁ᏍᎩᏯᏕᎶᏆᎡ\t-11.6587\n▁ᎠᎩᏁᏨᎩ\t-11.6589\n▁ᎠᏥᎪᎵᏰᎥ\t-11.6589\nᏯᎪ\t-11.659\nᎫᏴᎲᎾ\t-11.6591\n▁ᏕᎭᏘᏁ\t-11.6592\n▁ᎬᏩᏂᏃᎮᏗ\t-11.6594\n▁ᎤᎶᎯᏍᏗᏱ\t-11.6595\n▁ᏂᎬᏁᎰ\t-11.6595\nᎬᏎ\t-11.6595\n▁ᏱᎾᎾᏛᏁᎰ\t-11.6595\n▁ᏂᏣᏛᏁᎰ\t-11.6596\n▁ᎤᎾᏂᎩᏍᏗ\t-11.6597\n▁ᎬᏩᎾᏓᏅᎡ\t-11.6597\n▁ᎯᎦᏘ\t-11.6598\n▁ᏂᏣᏪᏎᎸ\t-11.6598\n▁ᎤᏃᎭ\t-11.6599\nᏍᏛᏗᏍᏗ\t-11.66\n▁ᏗᎦᏅᏬᎢ\t-11.6601\n▁ᏫᎬᏪᎧᏁ\t-11.6602\n▁ᎯᎩᏍᎪ\t-11.6602\nᎪᏛᎢ\t-11.6603\nᏅᏍᎬᎾ\t-11.6603\n▁ᏂᎦᏛᏁᎰᎢ\t-11.6603\nᎣᎸ\t-11.6605\n▁ᎦᎴᏂᏙᎲ\t-11.6606\n▁ᏁᎵᏍᎬᎾ\t-11.6606\n▁ᎤᏩᏌᏆ\t-11.6607\n▁ᎤᏁᏉᎡ\t-11.6608\n▁ᎤᏅᏁᎢ\t-11.6608\nᏥᏍᏢ\t-11.6609\n▁ᎤᎧᎭ\t-11.661\n▁ᎤᏩᏛᎲᎩ\t-11.661\n▁ᏓᏳᏪ\t-11.6611\n▁ᏱᏚᏩᏛᎲ\t-11.6611\n▁ᏧᎬᏩᎴ\t-11.6612\nᏓᏇ\t-11.6613\n▁ᎤᎾᏌ\t-11.6614\nᎾᏓᏙᎵᏍᏗᏍᎪᎢ\t-11.6616\n▁ᏤᎲᎢ\t-11.6617\nᏯᏛᎦᏁᎵ\t-11.6619\nᎬᏇᎯᏍᏗᎭ\t-11.662\n▁ᎤᏥᏯ\t-11.6622\nᏚᏓᏴᎳᏛ\t-11.6622\nᏪᏌᏆᎴ\t-11.6623\n▁ᏯᏃᎵ\t-11.6623\n▁ᏧᏁᎯ\t-11.6624\n▁ᏫᎬᏩᏂᏴ\t-11.6624\nᏲᏍᏗᏍᎨᏍᏗ\t-11.6625\n▁ᏧᏂᏴ\t-11.6625\n▁ᏂᏨᏪᏎᎸ\t-11.6627\n▁ᎦᏁᎵᏒ\t-11.6627\nᏕᏲᎲ\t-11.6627\n▁ᏯᎩᏍᏆᎸᎡ\t-11.6628\n▁ᏧᎾᏙᏅ\t-11.6629\n▁ᎤᏂᏄᎸᏅ\t-11.663\n▁ᎤᎵᏦᎯ\t-11.663\n▁ᏁᏩᏔᎵᏃ\t-11.663\nᏛᏗᏍᎨᏍᏗ\t-11.663\n▁ᎤᏚᎢᏍᏔᏅᎢ\t-11.6632\n▁ᏚᎾᏘᏃᎸ\t-11.6632\nᏁᏟᏴᏍᏔᏁ\t-11.6632\n▁ᎠᎦᏯ\t-11.6632\n▁ᎤᎾᎵᎮᎵᏤᎢ\t-11.6633\nᎥᏍᎦ\t-11.6634\nᎠᏴ\t-11.6634\n▁ᎤᏩᏓ\t-11.6634\n▁ᎢᏥᎦᎵᏍᏓᏗᏍ\t-11.6635\n▁ᎢᏳᏩᏁ\t-11.6636\n▁ᎤᎵᏘᏎ\t-11.6636\nᏰᏍᏔᏁᎢ\t-11.6636\nᎵᏔᏕ\t-11.6637\n▁ᏕᎤᎴᏔᏅᎢ\t-11.6637\nᏤᏍᏙᎩᎯ\t-11.6637\nᎦᏙᏍᏙᏗ\t-11.6638\n▁ᏱᏕᏍᏗ\t-11.6638\n▁ᏄᏂᏪᏒᎢ\t-11.6639\nᏓᏁᎰᎢ\t-11.6639\n▁ᏂᎦᎵᏍᏗᏍᎨᎢ\t-11.664\n▁ᎣᎩᏰᎸ\t-11.664\n▁ᏍᎩᏅᎦᎸ\t-11.6641\n▁ᏂᎦᏛᏅᎢ\t-11.6641\nᏍᏚᎶᏙᏗ\t-11.6642\n▁ᏘᎦᎵᏍᏙ\t-11.6644\n▁ᏙᎦᏘᏁ\t-11.6645\n▁ᏫᏓᏗ\t-11.6645\nᏓᏅᏓᏗᏍᏔᏅᎯ\t-11.6645\n▁ᏱᏍᎩᏯ\t-11.6646\n▁ᎤᎷᏤᏗ\t-11.6647\n▁ᎤᏕᏒᏅ\t-11.6649\nᏓᏅᏔᏩᏕᎬ\t-11.6651\n▁ᎪᏱ\t-11.6651\n▁ᏓᏄ\t-11.6652\nᏨᏁᎰ\t-11.6653\n▁ᏱᏅᎨᏣ\t-11.6653\n▁ᎤᏍᏕᎸᏗ\t-11.6656\nᏦᎯᏳᎲᎦ\t-11.6656\n▁ᎤᎶᏒᎢ\t-11.6658\nᏚᏳᎯᏛ\t-11.6658\n▁ᎤᏰᏥ\t-11.666\nᎴᏎᎢ\t-11.666\n▁ᎠᎧ\t-11.6661\nᏓᏴᏍᏗ\t-11.6661\n▁ᎳᏏ\t-11.6662\n▁ᏂᎦᏥᏴᏁᎸ\t-11.6663\n▁ᎨᏥᏍᏗ\t-11.6663\n▁ᎢᎦᏛᏁᏗ\t-11.6666\n▁ᏓᏘᏁ\t-11.6666\n▁ᏴᎬᏩ\t-11.6666\n▁ᎤᎿᎸᏤ\t-11.6666\n▁ᎠᏉᎯᏳᏅ\t-11.6667\nᏌᏕᎢ\t-11.6668\n▁ᎤᎾᏗᏔᎲ\t-11.6668\n▁ᎤᎾᏓᏅᏖᏔᏁ\t-11.6669\n▁ᎦᎸᎥ\t-11.667\n▁ᎦᎳᎩ\t-11.6671\n▁ᎤᏁᎵᏎᎢ\t-11.6674\nᎾᎥᎾ\t-11.6674\n▁ᎤᏂᏩᏛᎲ\t-11.6675\n▁ᏕᎨᏲᎲᏍᎨ\t-11.6675\n▁ᎢᎬᏩᎵᏍᏓᏁ\t-11.6677\nᏔᎷᎩᏍᎬ\t-11.6678\n▁ᏤᎵ\t-11.6681\nᏂᎨᏒ\t-11.6684\n▁ᎤᏂᎾᏝᎾᎥ\t-11.6685\n▁ᏱᏗᏍᎩ\t-11.6685\n▁ᎠᏲᎵᏃ\t-11.6685\nᏣᏛᏁᎮᏍᏗ\t-11.6686\n▁ᎠᏢᏛ\t-11.6687\n▁ᎠᏂᎦᎵ\t-11.6687\n▁ᏚᎸᏫᏍᏓᏁᎸᎩ\t-11.6687\n▁ᏱᏧ\t-11.6689\nᏍᏗᏰ\t-11.6689\n▁ᏥᎶᏃ\t-11.6691\n▁ᎦᎨᏣ\t-11.6692\n▁ᏚᏑᎦ\t-11.6694\nᏓᏂᎸᏤ\t-11.6696\n▁ᏱᎾᏅ\t-11.6698\n▁ᏘᏲ\t-11.67\n▁ᎢᏥᏪᏍ\t-11.6701\nᏥᏰᎸᎾᏁᎰᎢ\t-11.6701\nᎪᎮ\t-11.6704\nᎮᏙᎮ\t-11.6705\n▁ᎠᏂᏁᎩ\t-11.6705\n▁ᏗᏥᏰᎸᎢ\t-11.6706\n▁ᎾᏆᎵᏍᏓᏁ\t-11.6706\nᎾᏬᏍᏔᏁᎢ\t-11.6709\nᏝᏁ\t-11.6709\n▁ᎬᎳ\t-11.6712\n▁ᏧᏲᎰ\t-11.6713\nᏯᏂᏍᎬᎢ\t-11.6713\nᏔᏛ\t-11.6714\nᎪᏪᎶᏗ\t-11.6714\n▁ᎠᏗᏔᏍᏗᏱ\t-11.6715\n▁ᎦᏰᏌᏛᎢ\t-11.6715\n▁ᎠᏎᏍᏗ\t-11.6718\n▁ᏓᏲᏣ\t-11.672\nᏰᎶᎴ\t-11.672\n▁ᎢᏓᏓ\t-11.6723\nᏉᏎᏗ\t-11.6725\n▁ᎤᏪᎶ\t-11.6725\n▁ᎡᏙᎰ\t-11.6726\nᏓᏙᎵᎨᏍᏗ\t-11.6728\n▁ᏚᏬᏎᎴ\t-11.6728\nᏥᏍᏓᏱᏕᎸ\t-11.6729\nᏂᏏᏅᎩ\t-11.6729\n▁ᎡᏥᎷᏤᎸ\t-11.673\nᏇᎵᏎ\t-11.6731\n▁ᎤᏪᎵᏒ\t-11.6731\n▁ᎠᏓᏅᏖᏍᎨᎢ\t-11.6733\nᏥᏏ\t-11.6735\nᎸᏒ\t-11.6735\nᏛᏂᎲ\t-11.6738\nᏛᏙᏗᏱ\t-11.6738\nᏲᎱᏍᎬ\t-11.6739\n▁ᏚᎸᏌᏛᎢ\t-11.6743\n▁ᎢᏳᏓ\t-11.6744\n▁ᏣᎬᎩ\t-11.6745\n▁ᎠᏁᎵᏍᎨᎢ\t-11.6745\n▁ᎤᏂᏍᎫᏕᏒ\t-11.6747\n▁ᏳᏂᎬ\t-11.6747\n▁ᎢᏣᏓᏑᏴ\t-11.6747\n▁ᏲᎪ\t-11.6748\nᎪᎰᏍᎬ\t-11.6752\nᎠᎩᏲᏏ\t-11.6753\n▁ᎤᏂᏁᏨᎢ\t-11.6755\n▁ᏧᏙᏢ\t-11.6755\n▁ᏗᎬᏩᏂᏐᏢ\t-11.6756\n▁ᎠᏚ\t-11.6757\nᏱᏉᏍᎩᏂ\t-11.676\nᏑᏯᎩᏍᏗ\t-11.6766\n▁ᏕᎰ\t-11.6769\nᏯᏛᏅ\t-11.6771\nᏘᏍᎬᎾ\t-11.6772\nᏑᏰᏎ\t-11.6773\nᏍᏆᏛᎯ\t-11.6774\n▁ᏳᏔᎳᏬ\t-11.6776\nᏏᏲ\t-11.6777\nᏓᏛᏁᎭ\t-11.6778\n▁ᎠᎪᏎᎴ\t-11.6779\n▁ᏗᎬᏩᏁ\t-11.6779\n▁ᎤᏂᏁᎸ\t-11.678\n▁ᏒᏟ\t-11.6783\n▁ᎤᏛᏗ\t-11.6784\n▁ᏳᏯ\t-11.6786\nᏍᎩᏘ\t-11.6787\n▁ᎠᏯᎠ\t-11.6788\n▁ᎣᎩᎸᏉᏗ\t-11.6789\nᎬᏍᎪᎸᏅᎢ\t-11.679\nᏙᏓᏋ\t-11.6791\nᎾᏟᏃᎮᎸ\t-11.6793\nᎵᏩᏛᎡᎲᎢ\t-11.6793\nᏓᏅᏛ\t-11.6796\n▁ᏚᏲᎴ\t-11.6797\n▁ᏂᎦᎷᎬ\t-11.6797\n▁ᏛᎾᎢ\t-11.6799\n▁ᏧᏁᏨᏃ\t-11.6801\nᎩᏎᎢ\t-11.6804\nᏣᏙᎴᎰᎯᏍᏗᏱ\t-11.6805\n▁ᎠᏁᏙᎮᎢ\t-11.6805\n▁ᏚᏑᏰᏎ\t-11.6806\nᏱᏐ\t-11.6808\nᏨᏗᏍᎨᏍᏗ\t-11.681\n▁ᎤᏂᎷᏤᎭ\t-11.681\nᎵᏃᎮᏗᏍᎨᏍᏗ\t-11.6814\n▁ᎠᎵᏍᎪᎸᏙᏗᏱ\t-11.6814\n▁ᎢᏨᏁ\t-11.6817\nᏅᏍᏙᏗᏱ\t-11.6819\nᏲᎢ\t-11.6819\nᏓᎦᎵᏍᏙᏓ\t-11.6821\nᏅᎾᏉ\t-11.6822\nᎬᏙᏗ\t-11.6823\n▁ᎭᏕᎶᎰ\t-11.6823\nᏍᏓᏱᏕ\t-11.6828\n▁ᏂᎦᏪᏒ\t-11.6832\n▁ᏳᎾᏚᎵᏍ\t-11.6835\nᏲᏒ\t-11.6842\n▁ᏥᏂᎦᏪᏍᎬ\t-11.6844\nᏍᏔᏁᎯ\t-11.6844\n▁ᏧᎾᏓᏕ\t-11.6844\nᎨᎵ\t-11.6845\nᎵᎦᎵᏴ\t-11.6852\n▁ᏄᏛᎾᏕ\t-11.6852\nᏙᎴᎰᎯᏍᏙᏗ\t-11.6854\n▁ᎦᎵᎭ\t-11.6855\n▁ᎤᏚᎵᏍᎨᎢ\t-11.6858\n▁ᎤᏲᏨᎩ\t-11.6858\n▁ᏗᏑᏫ\t-11.6859\nᎧᎯᏴᎩ\t-11.686\n▁ᏩᏥᏯᏅ\t-11.6861\n▁ᎣᎬᏔᏅ\t-11.6862\n▁ᎦᏙᎥ\t-11.6863\n▁ᏕᏦ\t-11.6864\n▁ᎢᏨᏗᏍᎪ\t-11.6867\nᏩᏗᏍᎬ\t-11.6868\n▁ᏚᏕᏲᏅ\t-11.6871\nᎫᏓᎸ\t-11.6872\nᏗᏎ\t-11.6872\n▁ᏛᎵ\t-11.6873\nᏐᏢᎢᏍᏗᎭ\t-11.6874\nᏄᏪᏎᎢ\t-11.6879\n▁ᎢᏫ\t-11.688\nᎪᏫᏎ\t-11.6881\n▁ᎤᎾᎵᏍᎦᏍᏙ\t-11.6881\n▁ᏲᎨ\t-11.6885\nᏩᎾᎨ\t-11.6885\nᏚᏅᏁᎴ\t-11.6885\n▁ᎠᎪᏢᏅ\t-11.6887\n▁ᎠᏍᎪᏒ\t-11.689\nᎳᎨᏯᏛ\t-11.689\n▁ᎤᎦᏘᏗᏍ\t-11.6891\n▁ᎦᏛᎢ\t-11.6892\n▁ᎣᏣᏓᏙᎵᏍᏗᏍ\t-11.6894\nᏥᏃᎲᏏ\t-11.6894\n▁ᎠᏆᎩᎸ\t-11.6902\nᎾᏓᏡᎬ\t-11.6904\n▁ᏍᎩᎾᎾᏂ\t-11.6906\n▁ᎠᎩᏍᏆᏛ\t-11.6907\n▁ᏚᏂᏯᏪ\t-11.6907\n▁ᏩᎩᎶᎯ\t-11.6911\nᎢᏎᏗ\t-11.6912\nᏃᎸᏔᏅᎩ\t-11.6913\n▁ᎦᏰᏗ\t-11.6913\n▁ᎬᎩᎸᏉᏗ\t-11.6916\nᏁᏤᎸᎩ\t-11.6918\nᏗᎦᏚᎲ\t-11.6928\n▁ᎤᏕᏯ\t-11.6929\n▁ᏕᏥᎾ\t-11.6933\n▁ᏱᏗᎩ\t-11.6934\nᏥᏯᎵᏍᎪᎸᏓᏁ\t-11.6934\n▁ᏂᎠ\t-11.6936\nᎦᏚᏢ\t-11.6941\nᎩᎷᏨᎩ\t-11.6943\nᏴᏍᎪᏳᏁ\t-11.6945\n▁ᏓᏍᏆᎵᏍ\t-11.6946\nᏎᎲᎢ\t-11.6946\n▁ᎠᏆᏚᎵᏍᎬᎢ\t-11.6947\nᏕᎪᏢᎾ\t-11.6951\nᏆᎶ\t-11.6952\n▁ᎠᏂᎳᎨᏴ\t-11.6953\n▁ᏘᎪ\t-11.6954\n▁ᎤᏞ\t-11.6957\nᎵᏑᏫᏓ\t-11.696\n▁ᏥᎩᏁᎸ\t-11.6964\nᎪᏢᏁᎢ\t-11.6967\n▁ᎤᏍᎪᏍᏗ\t-11.6969\nᎣᏐᏅ\t-11.6969\n▁ᎣᏥᏁ\t-11.6971\nᏁᏟᏴᏎ\t-11.6972\nᎸᏔᏅᎯ\t-11.6973\n▁ᏧᏂᏙ\t-11.6974\n▁ᏗᏂᏂᎨ\t-11.6975\n▁ᏣᎾᎢ\t-11.6976\nᏓᎴᏍᏗ\t-11.6977\nᎾᎵᎩᏛ\t-11.6981\n▁ᏦᏥᏩᎾᎦᎳ\t-11.6983\nᎾᎵᏙᎩᏯ\t-11.6983\n▁ᎠᏥᏰ\t-11.6986\n▁ᏚᎾᏗᏩᏍᎨ\t-11.6991\nᏯᏂᏍᎬ\t-11.6993\n▁ᎬᏩᏓᏅᏘ\t-11.6998\n▁ᏚᏂᏅᏁ\t-11.7\n▁ᏯᎩᏍᏕᎵ\t-11.7\nᎬᎾᏬᏙᏗᏱ\t-11.7004\n▁ᏗᎨᎩ\t-11.7004\n▁ᎠᏍᏓᏲ\t-11.7006\n▁ᏙᏍᎩ\t-11.7007\n▁ᏳᏃᎯᏳ\t-11.7007\nᎦᎵᏯ\t-11.7008\n▁ᎤᎾᏛᏓᏍ\t-11.7008\n▁ᏂᏍᎩ\t-11.7009\n▁ᏙᏥᏩᏛᎲ\t-11.7012\n▁ᏂᎤᏪᏎ\t-11.7012\n▁ᏍᏊ\t-11.7013\n▁ᎤᏫᏒ\t-11.7014\n▁ᎠᏍᏓᏱᏗᏍᏗ\t-11.7014\n▁ᎢᏨᏃᏁᎸ\t-11.7025\nᏂᏆᏘᎸ\t-11.7025\n▁ᏫᏥᎷᏤᎸ\t-11.7027\nᏯᏂᏍᎨᏍᏗ\t-11.7029\n▁ᎤᏙᏩᏗᏍ\t-11.7029\nᏙᎳᏅ\t-11.7032\n▁ᏣᏚᎳ\t-11.7033\nᏗᎦᎸᏉᏗ\t-11.7034\n▁ᏧᏩᏅ\t-11.7036\nᎡᏥᏍᏓᏩᏕᎩ\t-11.704\n▁ᎠᎪᎵᏰᏍᎨ\t-11.7041\n▁ᎢᏳᎾᏛᏁᎸ\t-11.7041\nᏚᏓᎸᏙ\t-11.7042\n▁ᏂᏗᎩ\t-11.7042\nᏤᎸᎩ\t-11.7043\n▁ᎠᎾᏓᏱ\t-11.7044\nᎫᏴᎡᎮᏍᏗ\t-11.7045\nᎿᏕᎬ\t-11.7048\n▁ᏓᏂᏃᎩᏍ\t-11.705\nᏒᏍᏗᏱ\t-11.705\n▁ᎤᏴᏔᏁ\t-11.7051\nᏩᏔᎰ\t-11.7052\nᏂᎬᎬᎢ\t-11.7057\n▁ᏂᏨᏃᏁ\t-11.7059\n▁ᎬᎩᏰᎸ\t-11.706\n▁ᎤᏩᏒᎯ\t-11.706\nᏯᎩᏍᎪ\t-11.706\n▁ᎤᏰᎶ\t-11.7061\n▁ᏚᏄ\t-11.7062\nᎫᏴᏗᏱ\t-11.7063\nᏓᏁᏘ\t-11.7064\n▁ᎦᎵᏥᏙᎲᏍ\t-11.7068\n▁ᎤᎴᏅᏔᏅ\t-11.7069\nᏐᏍᏔᏅ\t-11.707\nᏯᏔᎲ\t-11.707\n▁ᏧᎾᎦ\t-11.7071\n▁ᎷᎦ\t-11.7072\nᏪᏅᏎ\t-11.7074\nᎵᏖᎸᏂᎴ\t-11.7077\n▁ᏚᎾᏓᏅ\t-11.708\n▁ᏙᏓᎦᏅ\t-11.7081\nᎪᏪᎸ\t-11.7083\nᏅᎦᎸᎮᎢ\t-11.7087\n▁ᎤᏲᎮᏍᏗ\t-11.7091\nᏆᏒᎦᎸ\t-11.7091\n▁ᏓᏂᎾ\t-11.7091\n▁ᏗᏣᏓᏅᏙᎩ\t-11.7092\nᎦᏔᎿᎥᎾ\t-11.7096\nᎴᏍᏗᏱ\t-11.7101\nᏴᏍᎪᎢ\t-11.7101\n▁ᎬᎵ\t-11.7105\nᏆᏗᏅᏛ\t-11.7107\nᏒᏓᏅ\t-11.7109\nᏍᎦᎢᎮ\t-11.7111\n▁ᎤᏬᏢᎾᏁ\t-11.7118\n▁ᎤᏲᏉᏍᎩᏂ\t-11.712\nᏪᏣ\t-11.7122\n▁ᎢᏥᎦ\t-11.7124\nᎯᏥᎨ\t-11.7124\nᎬᏍᎦᎸ\t-11.7125\n▁ᎤᏅᏗᏱ\t-11.7127\n▁ᏱᏗᏥᏳᎪᏓᏁ\t-11.7128\nᏔᏛᎩ\t-11.7128\n▁ᎦᎪᏗᏱ\t-11.713\n▁ᎤᎵᏂ\t-11.713\nᏥᏍᏈ\t-11.7131\nᏰᏗ\t-11.7134\n▁ᏚᎾᎵᏂᎪ\t-11.7135\nᏗᏍᎦᎳᏁ\t-11.7136\n▁ᎠᏂᎲᏍᎨ\t-11.7139\n▁ᏧᏂᎭ\t-11.7144\nᎾᏏᏗ\t-11.7151\nᎾᎵᏖᎸᏂ\t-11.7153\nᎵᎨ\t-11.7156\n▁ᎠᏂᏟ\t-11.7158\nᎫᏴᎲ\t-11.7161\n▁ᎢᏣᎴ\t-11.7163\n▁ᎠᏛᏁᎵᏍ\t-11.7163\nᎦᏙᎥᎯᏍᏗ\t-11.7164\nᏚᏛᏛᏅᎩ\t-11.7169\nᎬᎾᏉ\t-11.7169\n▁ᎤᏁᏅᎢᏍᏗ\t-11.7175\nᎪᎸᏏ\t-11.7177\nᏲᏞᏒ\t-11.7182\n▁ᎤᎶᏒᏍᏓᏁ\t-11.719\n▁ᎠᏢᏈᏍᏗ\t-11.7191\nᏟᏫᏛᏗ\t-11.7191\nᎵᎥᏂ\t-11.7196\nᏂᏴᎭ\t-11.7199\n▁ᏛᎠ\t-11.7199\n▁ᏓᏂᏱ\t-11.72\n▁ᎤᏩᏛ\t-11.7202\nᎩᎬ\t-11.7203\n▁ᏱᏄᏅᏁ\t-11.7206\nᎨᏰᎢ\t-11.7207\n▁ᏯᏆᏓᏅᏓᏗᏍ\t-11.7208\n▁ᎠᏍᏚᎩ\t-11.7209\n▁ᏗᎬᏂ\t-11.7217\n▁ᎤᏍᏕᎸᎮ\t-11.7225\nᏛᏎᎢ\t-11.7228\n▁ᏄᏩᎾ\t-11.7231\n▁ᎤᏓᏂᏴ\t-11.7232\n▁ᎦᏥᏔᏲᏎ\t-11.7236\n▁ᎬᏩᏂᎾᏄᎪᏫᏒ\t-11.7237\nᎫᏤᎵ\t-11.7238\n▁ᎣᎩᏂᏙ\t-11.7239\n▁ᏱᏕᏣ\t-11.7241\n▁ᏗᎲᎢ\t-11.7242\nᏙᎰᎢ\t-11.7245\nᏛᏓᏍᏓᏁᏗᏱ\t-11.7247\nᏬᎦ\t-11.7255\nᎧᎾᏂ\t-11.7256\n▁ᏚᎩᏎ\t-11.7256\nᎾᏣᏪᏐᎸᏍᏙᏗ\t-11.726\n▁ᎠᏓᎩᎡ\t-11.7262\n▁ᏣᏍᏆᏂᎪ\t-11.7262\nᎵᏎᎯ\t-11.7263\n▁ᏗᏤᎷ\t-11.7264\nᏂᏴᎲᎩ\t-11.7269\n▁ᏫᏚᏂᏲᎯᏎ\t-11.7274\n▁ᎢᏨᏴᏁ\t-11.7274\nᏥᎪᎵᏰᏗᏱ\t-11.7275\nᏫᏱ\t-11.7279\n▁ᎠᏥᏴ\t-11.7282\n▁ᎡᏥᏃᏁ\t-11.7283\n▁ᏗᎦᎬ\t-11.7283\n▁ᏕᏥᏁ\t-11.7284\nᎥᏍᎬᎾ\t-11.7294\n▁ᏓᎾᏁᎶ\t-11.7296\n▁ᏂᎦᎵᏍᏗᏍᎬᎢ\t-11.7296\n▁ᎤᏬᏘ\t-11.7297\n▁ᎠᏆᎵᏃᎮᏔᏅ\t-11.7303\nᏫᏒᎯ\t-11.7305\nᎪᏗᏱ\t-11.7305\n▁ᎤᏪᏅᎡ\t-11.7314\nᏩᏘᎭ\t-11.7317\nᏅᏎᏃ\t-11.7317\nᏂᏍᎩᏴᎦ\t-11.7318\nᏩᏛᎡᏗᏱ\t-11.7319\nᎾᏗᏅᏒᎩ\t-11.7321\n▁ᏚᏅᏅ\t-11.7323\nᏂᏎ\t-11.7329\n▁ᏧᏪᏰ\t-11.733\n▁ᎠᏂᎧᎵ\t-11.7331\nᏒᏁ\t-11.7334\nᏔᏂᎴ\t-11.7336\nᏚᏙᎥ\t-11.7338\n▁ᎤᏂᎦᏙᎥᎯᏍᏗ\t-11.7339\n▁ᎨᏣᎪᏩᏛᏗ\t-11.7341\nᏎᎦ\t-11.7344\nᏲᎸᎩ\t-11.7346\n▁ᏗᎦᎴᏅ\t-11.7347\n▁ᎤᏑᎸ\t-11.735\n▁ᎢᏏ\t-11.7355\n▁ᏧᏐ\t-11.7358\nᏥᎦᏖᏃᎭ\t-11.7364\nᎦᏔᏂᎴ\t-11.7366\n▁ᏣᏓᏅᏖ\t-11.7367\n▁ᎠᎩᏰᎸᏒ\t-11.7369\nᏥᏂᏐᏗᏱ\t-11.7369\n▁ᏓᏚ\t-11.7371\n▁ᎨᏥᏯᏅ\t-11.7373\nᏯᏅᎯᎸ\t-11.7374\nᏅᏍᏓᏕ\t-11.7374\nᏍᏓᎦᏴᎯᏓ\t-11.7375\nᏕᎶᏆᎥ\t-11.7375\n▁ᏧᎾᏁ\t-11.7377\nᏓᏦᎲ\t-11.7378\nᏱᏍᎪᎢ\t-11.7382\n▁ᎢᎸᏍᎩᏉ\t-11.7382\n▁ᎪᏍᏗ\t-11.7383\nᏥᏚᎢᏍᏓᏁᎸ\t-11.7385\nᏍᏆᏗᏍᏗᏱ\t-11.7386\nᎫᏴᎡᏗ\t-11.7387\nᏒᎲ\t-11.739\nᎷᏤᎰᎢ\t-11.7393\nᎶᏄᎮᏍᎩ\t-11.7395\nᏰᏙᎳᏛᏅ\t-11.7395\nᏂᏴᏙᏗ\t-11.7397\n▁ᎠᎩᏩᏒ\t-11.7397\n▁ᎬᏍᎬ\t-11.7405\n▁ᏚᎪᎲᏃ\t-11.7406\n▁ᏓᏂᎯᏯᏍ\t-11.7408\n▁ᏧᎾᏓᎯᏍᏗ\t-11.7412\nᎫᏍᏛᏗ\t-11.7415\nᏍᎪᎳ\t-11.7415\n▁ᎬᏩᏍᏆᏗᏍ\t-11.7419\nᎾᏓᏨᏯᏍ\t-11.7421\nᎧᎵᎢᏍᏔᏅ\t-11.7424\nᏳᎲᏍᎩ\t-11.7425\n▁ᏥᏅᏏᏓᏍᏗᏃ\t-11.7425\n▁ᏥᏳᎯᏃ\t-11.7426\n▁ᎤᏲᎴᎢ\t-11.743\n▁ᏭᏖᎳ\t-11.7432\n▁ᎤᏲᎰᏎ\t-11.7436\nᏯᏙᎮᎮᏍᏗ\t-11.7437\nᏍᎪᎸᏨ\t-11.744\nᏲᎱᏎᎸᎯ\t-11.7441\nᎦᏟ\t-11.7445\n▁ᏳᏗᏔ\t-11.7451\n▁ᏙᏓᏥᏃᎩ\t-11.7453\nᏭᎪ\t-11.7454\n▁ᎤᎾᏕᏯᏙᏗ\t-11.7457\nᏓᏁᏟᏴᏒ\t-11.7458\n▁ᎤᏂᏟᏌᏅ\t-11.746\nᏲᎲᎩ\t-11.7462\nᎵᏃᎮᏔᏅᎩ\t-11.7464\nᎸᏫᏍᏓᏁᎸᎯ\t-11.7464\n▁ᎡᏥᎩᎵᏲᎢᏍᏗᏍ\t-11.7466\n▁ᏍᏆᏛᏓᏍᏓ\t-11.7471\n▁ᎤᎾᎵᏍᏓᏴ\t-11.7472\n▁ᏗᏥᏁᎸ\t-11.7479\nᏄᏬᎥ\t-11.7486\n▁ᏯᏓ\t-11.7492\n▁ᏱᏂᏨᏁ\t-11.7499\n▁ᎧᏅᏂᏍᎩᏉ\t-11.7503\n▁ᎢᏣᏙᎴᎰ\t-11.7504\n▁ᎤᎵᏍᏙᏰ\t-11.7506\nᎷᎪ\t-11.7507\nᏐᏈᎵ\t-11.7507\nᎧᏲᏗ\t-11.7511\n▁ᎠᏓᏔᎶᎯ\t-11.7515\nᏟᎶᏍᏗ\t-11.7516\n▁ᎢᏣᏪᏍᏗ\t-11.7517\n▁ᏧᏃᎯᏳᏗ\t-11.7525\nᎾᏓᏛᏁᎭ\t-11.7525\n▁ᏙᎤᏁᏅ\t-11.7525\n▁ᎡᏥᏍᏕᎸ\t-11.7526\nᏂᏯᏫᏍᎬ\t-11.7526\nᎧᎿᏩᏗᏙᎮᏍᏗ\t-11.7528\n▁ᎠᎴᏂᏓᏍᏗ\t-11.7536\nᏥᏁᎢᏍᏗᏍᎬ\t-11.7537\n▁ᎤᏍᏓ\t-11.7539\nᎸᏨ\t-11.7541\nᏯᏘᏃᎯᏏ\t-11.7543\nᎶᎨ\t-11.7543\nᎩᎵᏲᎢᏍᏗᏍᎬᎢ\t-11.7546\n▁ᎤᏛᎯᏍᏗ\t-11.755\nᏨᏁᏗᏱ\t-11.7554\nᎯᏯᏍᏗ\t-11.7562\n▁ᎤᎵᎬᏚ\t-11.7569\n▁ᏆᏙ\t-11.7585\nᎾᏓᏛᏁᏗᏱ\t-11.7586\nᏂᎥ\t-11.7592\nᎳᏑᎸ\t-11.7598\nᏲᎱᏍ\t-11.7604\n▁ᏏᎻ\t-11.7606\n▁ᏒᏃ\t-11.7611\nᏥᎷᏤᎸ\t-11.7613\nᎦᎴᏍᏗ\t-11.7613\n▁ᎨᏦᎯᏳᏗ\t-11.7614\n▁ᎤᎾᏙᎴᎰᏒᏃ\t-11.7615\n▁ᎦᏙᎬᎢ\t-11.7621\nᎦᎵᏍᏓᏗᏍᏗᏱ\t-11.7622\n▁ᎢᏨᎪ\t-11.7629\n▁ᎠᏲᎪ\t-11.7632\n▁ᎠᏆᏓᏅᏘ\t-11.7633\nᎯᏙᎸ\t-11.7634\nᏓᏅᏖᎭ\t-11.7643\n▁ᏏᏂ\t-11.7646\n▁ᏒᏕ\t-11.7651\nᏍᏔᏯ\t-11.7654\n▁ᎠᏎᏛ\t-11.7656\nᎮᎸᎯ\t-11.766\nᎶᏁᎥ\t-11.7664\n▁ᎭᎵᏍ\t-11.7667\n▁ᏘᏅᎵ\t-11.767\nᏥᎾᏌᎢ\t-11.7672\nᏅᎡᎯ\t-11.7674\nᏤᎶᎯ\t-11.7676\n▁ᏄᎨᏳᏎ\t-11.768\nᏤᏙᎭ\t-11.7683\nᏙᏯᏅᎯᏕᎢ\t-11.7684\nᎲᏍᏔᏅ\t-11.7688\nᏒᎨ\t-11.7689\nᏂᏅᏫᏍᏗᏍᎩ\t-11.7689\nᏘᏅᏍᏗᏱ\t-11.7699\n▁ᎤᎵᏘᏒ\t-11.7702\nᎫᏓᎴ\t-11.771\nᎮᎭ\t-11.7714\n▁ᎣᎨ\t-11.7715\n▁ᎠᏍᏚᎢᏍ\t-11.7719\n▁ᎠᎩᏛ\t-11.7719\n▁ᎣᎩᏃ\t-11.7721\nᏗᎦᏄᎪᎪ\t-11.7724\nᎬᏔᏅᎯ\t-11.7724\nᎩᏁᏥ\t-11.7748\nᎦᏥᏯᏓᏙᎵᏍᏓᏁᎭ\t-11.775\nᏣᏛᎦᏁᎸ\t-11.7753\n▁ᎢᏳᎵᏍᏔᏁ\t-11.7758\nᎪᏗᏍᎩ\t-11.7759\n▁ᎤᏪᎵᏎᎢ\t-11.7761\n▁ᎦᏰᎪ\t-11.7763\n▁ᎧᎾ\t-11.7764\nᏈᏃ\t-11.7765\n▁ᎦᏂᎩ\t-11.7767\nᏍᏕᏓᎵᏴᏍ\t-11.777\n▁ᏗᏣᏛ\t-11.7772\nᎯᎦᏔᎭᏍᎪ\t-11.7772\nᏥᎵᎥᏂᎵ\t-11.7773\nᎦᏔᏂᎸ\t-11.7777\nᏍᏓᏩᏗᏙᎭ\t-11.7778\n▁ᏔᎵᏉ\t-11.7779\nᏐᏗᏱ\t-11.7781\n▁ᎦᏙᎨᎢ\t-11.7783\nᎦᎵᏍᏙᏗᏍᎨᏍᏗ\t-11.7783\n▁ᎤᏂᎩ\t-11.7784\n▁ᎠᏍᎦᏰᎬᏍ\t-11.7794\nᏏᏙᎸ\t-11.7794\nᏥᏴᎩ\t-11.7798\nᏕᏙᏛ\t-11.78\n▁ᎠᎾᏡᏗ\t-11.7801\nᏢᎾ\t-11.7805\nᏣᏓᏅᏔ\t-11.7806\n▁ᎢᏍᏗᎪ\t-11.7806\nᏂᎦᎸ\t-11.781\n▁ᏚᏃᏒ\t-11.781\n▁ᎦᎸᏅ\t-11.7815\n▁ᎣᏥᏅ\t-11.7817\nᎸᎾᏉ\t-11.7818\nᏰᎸᏅ\t-11.7823\n▁ᎠᏙᎴᎰ\t-11.7829\nᎾᎵᏍᏓᏴᏗ\t-11.7831\n▁ᏣᏂᎧᏔᎮ\t-11.7831\np\t-11.7832\nᎾᏓᏂᎸᏤ\t-11.784\n▁ᏚᏏᎳᏛᎢ\t-11.7844\nᏥᏬᏁᏔᏅ\t-11.7845\n▁ᎦᏕᎶᎣᏍ\t-11.7846\n▁ᎣᏂᏍᎩᏂ\t-11.785\nᎵᏁᏌ\t-11.7852\nᎪᎸ\t-11.7858\n▁ᏥᏕᎲ\t-11.7861\nᏩᏂᏌᏁ\t-11.7862\n▁ᎯᏃᎮᏍᎬ\t-11.7867\nᏂᏴᏍᏗ\t-11.7868\n▁ᏂᎬᏅᎩ\t-11.787\n▁ᎯᏍᏚ\t-11.7875\nᏛᏁᎰᎢ\t-11.7882\nᎷᏏ\t-11.7883\nᏂᏎᎢ\t-11.7885\n▁ᎤᏪᎳᏗᏍ\t-11.7886\nᎷᏤᎲ\t-11.7888\n▁ᎤᏱᎶ\t-11.7895\n▁ᎠᏆᏍᏗ\t-11.7896\n▁ᎤᏂᏔᏲ\t-11.7897\nᏴᏍᏕᏍᏗ\t-11.7899\nᏂᏏᏁ\t-11.79\n▁ᎧᏁᏉᎨ\t-11.7903\nᏅᏍᏔ\t-11.7906\nᎵᏍᎪᎸᏓᏁ\t-11.7907\nᏥᏯᏅᎲ\t-11.7908\n▁ᎠᎩᎬ\t-11.7909\nᏂᎦᎵᏍᏓ\t-11.7909\n▁ᏧᏬᏢ\t-11.7911\n▁ᎤᏂᏐ\t-11.7913\nᏍᏓᎡ\t-11.7914\n▁ᎤᏐ\t-11.7919\n▁ᏕᎩᏂᏴ\t-11.7926\nᏓᎦ\t-11.7937\nᎾᏰᏍᎬᎢ\t-11.7943\n▁ᏧᏂᏍ\t-11.7943\nᏥᏫ\t-11.7945\n▁ᏂᏥᎦᏔ\t-11.7945\nᏅᏫᏍᏗᏍᎨ\t-11.7951\n▁ᎤᏓᎵᏓᏍ\t-11.7955\nᏰᎸᎰ\t-11.796\nᎾᎦᏔᎲ\t-11.7964\nᏏᎾᏍᏛ\t-11.7964\n▁ᏍᏆᏂ\t-11.7966\n▁ᎤᎷᏨᎢ\t-11.7966\nᏓᏙᎵᏍᏙᏗᏱ\t-11.797\n▁ᏓᎩᎧ\t-11.7974\nᏥᏍᎪᎵ\t-11.7974\n▁ᏂᎬᏴ\t-11.7984\nᎭᏂᏍᏔᏅ\t-11.7984\nᎯᏎᎴ\t-11.7988\nᏬᎡ\t-11.7988\n▁ᏓᏆᎴ\t-11.7994\n▁ᏧᏬᏚ\t-11.7994\nᏕᏨᎩ\t-11.7995\n▁ᎢᏤᎵ\t-11.8\nᎩᏙᎵᏍᏗᏱ\t-11.8002\nᎬᏂᏐᏗᏱ\t-11.8003\nᎴᏅᏗᏱ\t-11.8005\n▁ᎤᎾᎴᏗ\t-11.8006\nᏯᎪᎦ\t-11.801\n▁ᎤᎨᎢ\t-11.8011\nᏘᏍᏓᏁᎯ\t-11.8013\nᏯᏨ\t-11.8014\n▁ᏓᏁᎶᏛ\t-11.8015\n▁ᏚᏂᏲᏒ\t-11.8015\n▁ᏫᏓᎾ\t-11.8031\nᎦᎶᏙᏗ\t-11.8034\n▁ᏫᎦᏅ\t-11.8034\nᏍᏚᏣ\t-11.8036\nᎧᎮ\t-11.8036\nᏔᎶ\t-11.8041\n▁ᏓᎪᏩᏘᏍᎨ\t-11.8046\n▁ᎤᏔᏕᎩᏍᎨ\t-11.805\nᎵᏎᏗ\t-11.805\n▁ᏧᎾᏁᎳ\t-11.805\n▁ᎬᏯᏛᏁ\t-11.8055\n▁ᎤᎵᏃᎯᏰ\t-11.8056\n▁ᎾᏗᏍ\t-11.8057\n▁ᎤᏤᎸᏅ\t-11.8057\nns\t-11.8059\n▁ᎢᏍᎪ\t-11.806\nᏰᎵᏎᎭ\t-11.807\n▁ᏂᏚᎾ\t-11.807\nᏕᏔᏅᎯ\t-11.8071\n▁ᏅᎬ\t-11.8072\n▁ᏛᎾᎵᏍᏓᏴ\t-11.8075\n▁ᎢᏍᏓᏛ\t-11.8081\n▁ᎬᏩᏯᎢ\t-11.8081\n▁ᏚᎦᏙᏍᏔᏁ\t-11.8082\nᎦᏡᏓ\t-11.8089\n▁ᎦᏓᏬ\t-11.8091\nᎿᎸ\t-11.8095\nᏍᎩᏰᏲᎲ\t-11.8102\nᏫᏍᏔᏁ\t-11.8104\n▁ᎠᎵᏍᎩ\t-11.8107\nᏔᏲᏎᎸ\t-11.8108\n▁ᎬᏬᎯᏳᎲᏍᎨ\t-11.8113\nᏗᏍ\t-11.8116\n▁ᎤᏍᎦᏍᏓᏁ\t-11.8117\nᏆᏓᎾᏰᏍ\t-11.8119\n▁ᏭᎪᎲ\t-11.8125\n▁ᏓᏂᏃᎮ\t-11.8128\nᎳᏍᏛ\t-11.8132\nᏓᏁᎮᎢ\t-11.8135\n▁ᎤᏃᎮ\t-11.8136\nᎦᏑᏰᏛ\t-11.8137\n▁ᏚᏪᏯ\t-11.8139\n▁ᏥᏯᏙᎵ\t-11.8143\nᏰᏅ\t-11.8144\n▁ᎬᏩᏲ\t-11.8151\nᎾᏓᏂᎸᏨ\t-11.8154\nᏂᏌᏙᏴ\t-11.8158\n▁ᎢᏤᎵᏎ\t-11.8161\n▁ᏓᏥᏃ\t-11.8169\n▁ᎤᏂᎦᏯᎷ\t-11.8173\nᏑᏱ\t-11.8173\nᎵᏲ\t-11.8174\n▁ᏧᎾᎵ\t-11.818\n▁ᏍᏆᏓᏅ\t-11.8181\nᎸᏫᏍᏓᏁᎴ\t-11.8183\nᎯᏎᎸᎢ\t-11.8186\n▁ᏱᏓᎩᏯ\t-11.8194\n▁ᎤᏂᏁᏎ\t-11.8195\nᎧᎸᎩ\t-11.8195\n▁ᎤᏂᏣ\t-11.8199\n▁ᏚᏏᏔᏕ\t-11.8203\nᏁᎳᏗᏍᎨ\t-11.8203\n▁ᎠᎪᎵᏰᏍᎪ\t-11.8204\n▁ᎡᏣᎵ\t-11.8213\n▁ᎠᏓᏯᏅ\t-11.8228\n▁ᏚᏒᏁ\t-11.8228\nᎾᏲᎪ\t-11.823\nᎾᎩᏪᏒ\t-11.8231\n▁ᎨᏦᎯᏳ\t-11.8232\nᎩᏂᎬᎦ\t-11.8233\n▁ᎤᏍᏆᏂᎪ\t-11.8233\nᏎᎩ\t-11.8246\n▁ᎢᏥᏰᎸᏒ\t-11.8249\n▁ᏯᏍᎦᎢᎮ\t-11.8251\n▁ᎤᏬᏎ\t-11.8254\n▁ᎬᏩᏛᏓᏍᏓᏁ\t-11.8257\nᎯᏎᎸᎯ\t-11.8264\n▁ᏧᎪᎲ\t-11.8266\nᎢᏍᏓᏁᏗᏱ\t-11.8267\n▁ᎤᎾᎵᏍᎪᎸᏙᏗ\t-11.8268\n▁ᎢᏍᏆ\t-11.8272\nᏙᎴᎢ\t-11.8273\nᎦᎵᏴ\t-11.8274\n▁ᏭᏂᏴᏍᏗ\t-11.8277\n▁ᏱᏥᏲ\t-11.8282\nᏤᏅ\t-11.8287\nᎫᏍᏛ\t-11.8288\nᎧᏘ\t-11.829\nᎵᏲᎩ\t-11.8296\n▁ᏗᏓᎴᎲᏍᎨ\t-11.83\n▁ᏴᏫᏍᎩᏂ\t-11.83\nᎨᏙᎰ\t-11.8303\n▁ᎤᎾᏦᏗ\t-11.8307\nᏏᏌᏅ\t-11.8309\n▁ᏓᏰᏥ\t-11.8312\nᎸᏍᏔᏅ\t-11.8312\n▁ᎠᏥᎪᏗ\t-11.8312\nᏣᎶᏁ\t-11.8314\nᎾᏉᎯ\t-11.8322\nᏣᏃᏁᎵ\t-11.8326\n▁ᏚᏂᏅ\t-11.8331\nᏓᎴᎲᏍᎩ\t-11.834\nᏓᏰᏅ\t-11.8341\n▁ᏙᏤ\t-11.8343\n▁ᏛᎭ\t-11.8354\nᏣᏅ\t-11.8356\nᏓᏅᎦᎸ\t-11.8365\nᎩᎸᏔᏁ\t-11.8369\nᏎᎪᎩ\t-11.837\nᏪᎸ\t-11.8372\nᎵᎴ\t-11.8372\nᏬᏂᎯᏍᏗᏱ\t-11.838\nᏆᏅᏔ\t-11.8381\n▁ᏂᎨᏥ\t-11.8382\nᏉᏑᎴ\t-11.8383\n▁ᎠᎾᏅ\t-11.8384\nᏨᎦ\t-11.8386\n▁ᎥᎩᏁᎸ\t-11.839\n▁ᏗᏕ\t-11.8391\n▁ᏥᏲ\t-11.8395\nᎳᏅᏓᏕᎸ\t-11.84\n▁ᏱᏚᏂᎸᏫᏍᏓᏁ\t-11.8402\nᎴᏫᏍᏗᏍᎨ\t-11.8403\nᎸᏃᏘᎭ\t-11.8404\n▁ᎥᎬᏩ\t-11.8411\nᎵᎮᎵᏥ\t-11.8412\nᏅᎦᎵᏍᎬᎢ\t-11.8412\nᎸᎥᏍᎩ\t-11.8414\n▁ᏥᏓᎾ\t-11.8419\nᏂᏟ\t-11.8423\n▁ᎤᎧᏙᏍ\t-11.8425\nᏔᎳᏬ\t-11.8428\nᏥᎩᏍᏗ\t-11.8431\nᏟᏌᏅᎩ\t-11.8434\n▁ᏱᏂᏣᏛ\t-11.8434\n▁ᎤᎵᎮᎵᏤᎸ\t-11.8441\nᏍᎦᏃᎸ\t-11.8441\n▁ᏧᏅᏙᏗ\t-11.8442\n▁ᎬᏆᏕ\t-11.8444\n▁ᎧᏁᎢᏍ\t-11.8448\n▁ᎠᎾᏛᎩ\t-11.8451\nᏛᎦᏁᏗᏱ\t-11.8457\nᎦᏢᏈ\t-11.8458\n▁ᏳᏝ\t-11.8458\nᎵᏍᏓᏴᎲᏍᎨᎢ\t-11.8463\nᎾᎴᏫᏍᏔᏁ\t-11.8469\n▁ᏗᏂᏲᎵᏉ\t-11.8472\nᏒᎦᎳ\t-11.8473\nᏝᎴ\t-11.8474\nᏥᏯᏬᎥ\t-11.8478\n▁ᎤᏬᏪᎳ\t-11.8483\n▁ᏙᏓᏥᏯ\t-11.8485\n▁ᎠᎩᎷᏤᏗ\t-11.8488\n▁ᎬᏯᏛᏁᎸ\t-11.8495\nᏗᏔᏍᏗᏱ\t-11.8497\n▁ᏧᏂᏁᏤ\t-11.8497\n▁ᎤᏛᏓᏍ\t-11.8499\n▁ᎤᏪᏙᎵᏨ\t-11.85\nᎬᏁᏗᏱ\t-11.8515\nᏓᎪᏩᏘᎭ\t-11.8515\n▁ᎡᏣᏚ\t-11.8518\n▁ᏙᏛᏃ\t-11.852\n▁ᏥᏅᏩᏍᏗ\t-11.8523\nᏯᏛᏗ\t-11.8524\n▁ᏗᎦᎨ\t-11.8525\nᏌᎾ\t-11.8526\nᎯᏓᏍᏗᏱ\t-11.8528\nᎾᏚᎵᏍᎨᏍᏗ\t-11.853\nᎵᏍᏔᏴᎲᏍᎬ\t-11.8537\nᏲᏍᏙᏗ\t-11.8546\n▁ᎤᏂᏯᎸ\t-11.855\n▁ᎤᏁᎳᏗᏍᏗ\t-11.855\nᎯᏍᏗᏍᎩ\t-11.8553\nᏂᏍᏚᎩ\t-11.8557\nᎩᎧᏏ\t-11.8558\nᏍᎩᏲᏎᎭ\t-11.8559\n▁ᎠᏓᎾᏏᏂ\t-11.8559\n▁ᎬᎩᏯ\t-11.8564\nᏩᏉ\t-11.8568\n▁ᎲᏂ\t-11.8574\nᏥᏰᎵᏒ\t-11.8574\nᎫᏱᏍᎨᏍᏗ\t-11.8577\n▁ᏕᎶ\t-11.858\nᏛᏁᎵᏍᎩ\t-11.8582\nᏍᎪᎸᏓᏏ\t-11.8587\n▁ᏂᎬᏅᎢ\t-11.8587\nᎾᏄᎪᎨᏍᏗ\t-11.8588\nᏍᎩᎦᏔᎭ\t-11.8593\nᏆᏂᏏ\t-11.8596\nᏃᏁᎸᎯ\t-11.8598\nᏥᏃᏍᏛ\t-11.8604\nᎬᏩᎪᎲ\t-11.8605\n▁ᏗᎦᏍᎩᎶ\t-11.8607\nᏕᏋᎯᏍᏗ\t-11.8608\nᎾᎿ\t-11.8613\n▁ᎦᎧᎲ\t-11.8615\n▁ᏚᏙᏪ\t-11.8623\nᏣᏲᎭ\t-11.8626\n▁ᏚᏙᎥᎩ\t-11.8632\n▁ᎠᎹᏉ\t-11.8632\nᎵᏎᎭ\t-11.8632\nᏓᏂᎸᎨᏍᏗ\t-11.8634\nᎦᏄᎪᎬᎢ\t-11.8637\nᎦᏥᏴ\t-11.864\nᏪᏙᎵᏨᎩ\t-11.8643\nᎾᏓᏅᏖᎸ\t-11.8649\nᎵᏨ\t-11.8653\nᎵᏍᏚᎶ\t-11.8664\n▁ᎤᎵᏠᏯᏍ\t-11.8665\n▁ᎦᏗᏔ\t-11.8668\n▁ᏚᏪᎧ\t-11.8669\n▁ᏄᏧᏈᏍ\t-11.8671\n▁ᏣᏛᏗ\t-11.8673\n▁ᎤᏂᏲᎰᏎ\t-11.8675\nᏫᎨᏙᎲ\t-11.8677\n▁ᎠᏥᏍᏚ\t-11.8682\nᎮᏍᎬᎾ\t-11.8684\n▁ᎠᏂᎾᎷᏍ\t-11.8686\nᎨᏓᎵ\t-11.8688\n▁ᎠᎩᏩᏛᏗ\t-11.87\nᎩᎡᎴ\t-11.87\nᏅᏎᎢ\t-11.8701\n▁ᏴᎦᏥᏍᎦ\t-11.8709\n▁ᎯᏩᏛ\t-11.8716\n▁ᏂᎬᏂᏏ\t-11.872\n▁ᎤᎵᏍᎪᎸᏙᏗ\t-11.8723\nᏘᏂᏙᎯ\t-11.8724\n▁ᏯᏂᏁ\t-11.8725\n▁ᏳᏴ\t-11.8725\nᏛᏓᎴᎲᏍᎩ\t-11.8734\nᏃᎭᏝ\t-11.8741\n▁ᎨᏣᏁᎢᏍᏗ\t-11.8742\nᎸᏉᏗᏍᎨᏍᏗ\t-11.8745\n▁ᎢᏥᎧᎵᎢ\t-11.8746\nᎵᏍᏓᏁᏗ\t-11.875\n▁ᏩᏂ\t-11.8752\nᎩᏠ\t-11.8756\n▁ᏚᎸᏫᏍᏓᏁ\t-11.8763\n▁ᏕᎦᏂᏱᏍ\t-11.8764\nᎾᏄᎪᎬ\t-11.8765\nᏣᏓᏱᎸ\t-11.8775\n▁ᎠᎾᎵᏥᏙᏂᏙ\t-11.8782\nᏄᎪᏫᏍᎦ\t-11.8782\n▁ᎲᎾ\t-11.8792\nᏓᏬᎠ\t-11.8811\nᏓᏁᎵ\t-11.8812\nᏓᏅᏓᏗᏍᏗᏱ\t-11.8812\n▁ᎨᏥᏰᎸ\t-11.8813\nᏄᎪᏤ\t-11.8817\nᏎᏛ\t-11.8833\nᏠᏯ\t-11.8836\nᎦᏙᏍᏕᎢ\t-11.884\nᏙᏢᏒᎢ\t-11.8843\nᎡᎾ\t-11.8854\nᏂᏚᏪᏎᎸᎩ\t-11.8857\nᎦᏛᎴᎯ\t-11.8862\n▁ᎨᏥᏁ\t-11.8863\n▁ᎦᏁᏟᏴ\t-11.8868\nᎾᏰᎯ\t-11.8871\nᏥᏓᏍᏗ\t-11.8877\nᎦᎸᏓ\t-11.8884\nᏰᎲᎾ\t-11.8888\nᏆᏕᏘᏴᎲ\t-11.8891\nᎦᏔᎲᎢ\t-11.8898\nᏟᏴᎭ\t-11.8902\n▁ᎤᏛᏂᏗ\t-11.8908\n▁ᏨᏛ\t-11.8908\n▁ᏧᏍᏆᏂᎪᏙᏗ\t-11.8911\nᏱᎵᏙᎭ\t-11.8919\n▁ᎠᎵᏍᎪ\t-11.8922\nᏕᏙᎭ\t-11.8923\nᏙᎨᏍᏗ\t-11.8924\nᏑᎵᎪᎬ\t-11.8928\n▁ᎤᎪᎮᏃ\t-11.8929\n▁ᎠᎩᏁᏤ\t-11.8931\n▁ᏄᏪᎡ\t-11.8947\nᏄᎮᎵ\t-11.8947\n▁ᎦᎾᏍ\t-11.8949\nᏂᏩᏛᎲ\t-11.8961\n▁ᎯᏃᏁᎸ\t-11.8972\n▁ᏥᏚᏄᎪ\t-11.8976\nᏂᏍᎪ\t-11.8977\nᏁᏙᎯ\t-11.8979\nᎧᎾᏅ\t-11.8989\n▁ᏓᏰᎵ\t-11.8995\n▁ᎠᏓᏙᎵᏍ\t-11.8998\n▁ᏓᏥᎶᏍ\t-11.9001\nᎷᎬᎾ\t-11.9011\n▁ᏚᏃᏴ\t-11.9013\nᎨᎮ\t-11.9015\n▁ᎢᏣᎫᏱᏍ\t-11.9021\nᎭᏉ\t-11.9023\n▁ᎠᎸᎯ\t-11.9024\nᏕᏃ\t-11.9033\n▁ᎢᎦᏓᏅᏓᏗᏍᏗ\t-11.9051\nᎦᏘᏰᎢ\t-11.9052\nᎵᏍᎪᎸᏓᏁᎸᎩ\t-11.9059\nᏛᏓᏍᏔᏂ\t-11.9065\nᎧᏁᏥ\t-11.9072\n▁ᏧᏳ\t-11.9075\n▁ᎡᎶᎯᏉ\t-11.9085\n▁ᏕᎬᎩ\t-11.9086\nᏂᏍᏘᏰᎬ\t-11.9089\nᏲᎩ\t-11.909\nᏣᏢ\t-11.9095\n▁ᏓᎬᏯ\t-11.9097\nᏯᏑᏰᏛ\t-11.9099\n▁ᎬᏴ\t-11.91\n▁ᎠᏔ\t-11.9108\nᎧᎿᏩᏛᏍᏗ\t-11.9117\n▁ᏛᎪ\t-11.9131\nᏓᎴᎲᏍᎨ\t-11.9134\n▁ᎯᏍᏕᎸᏗ\t-11.9135\nᏂᎭ\t-11.9137\n▁ᏣᏄᏬ\t-11.914\n▁ᎢᏤᏓᏍᏗ\t-11.9148\n▁ᎢᏤᏲ\t-11.9158\nᏖᏆᎶ\t-11.9173\n▁ᎠᏂᎶᏏᏙ\t-11.9174\nᏗᏒᏅ\t-11.9181\nᏁᎵᏙᎸ\t-11.9186\nᎦᏰᏃ\t-11.9191\n▁ᎤᏂᏁᎦ\t-11.9196\nᏂᏔᏲᎴ\t-11.9201\n▁ᏧᎵᏍᏚ\t-11.9206\nᎦᏃᏥ\t-11.9208\n▁ᎤᏂᏍᏘᏰ\t-11.9208\n▁ᎬᏔᏅ\t-11.9229\nᏥᏁᏤᎸᎯ\t-11.923\n▁ᏥᏂᏨ\t-11.9241\n▁ᏧᎫᏴ\t-11.9243\nᏤᎵᎦᏯ\t-11.9249\nᎧᎾᏩᏗᏙ\t-11.9249\nᎩᎡᏗ\t-11.925\nᎡᎮ\t-11.9251\n▁ᏕᏧᎪᏗᏍ\t-11.9258\nᏧᏣ\t-11.9258\n▁ᏴᏓᎦ\t-11.9259\nᎾᎦᏔᎲᏍᎬ\t-11.9263\n▁ᎨᎪ\t-11.9275\nᏦᏱ\t-11.9279\nᏓᏑᏴᎢ\t-11.9285\nᏞᏤ\t-11.9285\n▁ᎤᏍᏆᎸᏗ\t-11.9286\nᏓᎨᏛ\t-11.9287\npi\t-11.9288\nᏯᏖᏃ\t-11.9297\nᏎᎵᏙ\t-11.9298\nᏴᎭᎦ\t-11.9298\n▁ᏞᎦᏉ\t-11.9298\nᏣᏁᎵ\t-11.9298\nᏃᎯᏏ\t-11.9304\nᏛᏛᏅᎩ\t-11.9306\n▁ᏣᏕ\t-11.9317\nᏲᎦᏘ\t-11.9317\nᎾᏁᏍᎨᏗ\t-11.9325\nᏓᏥᎩᏏ\t-11.9327\n▁ᎠᎧᏔ\t-11.9332\n▁ᎤᏂᏲᎯᏍᏔ\t-11.9334\nᎵᏙᎮᏍᏗ\t-11.9334\n▁ᎬᏭᎯᏍᏗᏍ\t-11.9341\nᏥᏩᏛᏓ\t-11.9344\nᏨᏉ\t-11.9348\n▁ᎢᏥᎪᏩᏛ\t-11.9349\n▁ᏓᎦᏂ\t-11.9349\n▁ᏯᎦᎵ\t-11.9361\nᏗᏤᎾ\t-11.9362\nᎵᏗ\t-11.9366\n▁ᏥᎨᏣ\t-11.9369\nᎾᏯ\t-11.937\nᎵᎥᏂᎵ\t-11.9378\nᏓᏂᎸᎦ\t-11.9378\nᎷᎯᏍᏓᏁ\t-11.9381\nᏓᎴᏅᏓ\t-11.9398\nᏏᎾᏏ\t-11.9405\nᎡᎲ\t-11.941\n▁ᎤᏁᎳᏗᏍ\t-11.9411\nᎪᎸᏒ\t-11.9411\n▁ᏧᎾᏓᏁᎳ\t-11.9416\nᏂᏲ\t-11.9417\n▁ᎤᏓᎾ\t-11.9417\nᎾᏕᎪ\t-11.9419\nᎪᏎᎮᏍᏗ\t-11.942\nᎵᏂᎪᎯᏍᏓ\t-11.9427\nᏩᏘᏍᎬ\t-11.9432\nᏩᏁᎲ\t-11.9432\n▁ᏗᏆᏓ\t-11.9436\nᏑᎴᏗ\t-11.9438\nᏃᏴᎬ\t-11.9444\n▁ᏗᎦᎶᎯᏍᏗ\t-11.9448\n▁ᎠᎩᏁᎵᏍ\t-11.9453\nᏩᎯᏎᎴᎢ\t-11.9457\n▁ᏳᎾᏗᏅ\t-11.9458\nᎶᏂ\t-11.9462\n▁ᏓᏂᏅ\t-11.9466\nᎬᏩᏂ\t-11.9466\nᎶᏍᎨᏍᏗ\t-11.9467\nᏁᎵᏍᎨ\t-11.9473\n▁ᎤᏂᎶᎯᏍᏗ\t-11.9475\nᎦᏘᏰᏍᏗ\t-11.9475\nᏭᎾ\t-11.9484\n▁ᎠᏂᎦᏗ\t-11.9487\nᎦᏘᏯ\t-11.9488\nᏆᎵᏍᎪᎸᏓᏁ\t-11.9489\n▁ᎢᏥᎦᎵ\t-11.949\n▁ᏥᏯᏓᏅᏖᏍ\t-11.95\nᏩᏐ\t-11.9513\n▁ᎣᏆ\t-11.9517\n▁ᎤᎵᏏ\t-11.9524\n▁ᏧᏂᎸᏫᏍᏓᏁ\t-11.9525\nᎳᏑᎶ\t-11.9533\nᎴᎦ\t-11.9539\nᏬᎥᎢ\t-11.9543\nᎧᏅᎩ\t-11.9546\n▁ᎤᏒᎴ\t-11.9547\n▁ᎠᎦᏘᏃᎮ\t-11.9549\nᏥᎪᎥ\t-11.955\n▁ᎢᏣᏍᏗ\t-11.9555\nᎩᏂᏆᏘᎯ\t-11.9555\nᏴᏢ\t-11.9557\nᏑᏰᏒᎢ\t-11.9562\nᏣᏛᏁᎵ\t-11.9567\nᎾᏗᏅ\t-11.957\nᏓᏅᏒᎭ\t-11.9585\nᎦᎵᏱ\t-11.9585\nᏰᎸᎾᏁᏗ\t-11.9587\nᏓᏙᎵᏍᏓᏁᎮᏍᏗ\t-11.9589\nᏩᏕᎨ\t-11.9594\n▁ᏝᏰ\t-11.9598\n▁ᏳᏔᏲᏎ\t-11.9601\nᏒᏗᏍᎬ\t-11.9602\nᏦᎯᏳᎲᏍᎦ\t-11.9605\n▁ᏳᎾᏚᎵ\t-11.9606\n▁ᏱᏥᏲᏍ\t-11.9612\nᏕᏘᏴᏛ\t-11.9616\n▁ᎠᏂᏯᏫᏍ\t-11.9622\nᏗᏕᎬᎢ\t-11.9623\nᏯᎦᏔᏂ\t-11.963\nᏂᎰ\t-11.9637\n▁ᎠᎩᏁᏤᎸ\t-11.9641\nᎫᏏ\t-11.9642\nᏘᏃᎯᏏ\t-11.9647\nᏍᎦᏅᎪᎢ\t-11.9648\n▁ᎾᎦ\t-11.9649\nᏖᎳᏗ\t-11.9657\nᎩᎵᏲᎢᏍᏙᏗᏱ\t-11.9659\n▁ᏧᏃᎯᏳ\t-11.9666\n▁ᏫᏓᏯᏂᏍ\t-11.9672\nᏯᎩᏍᎬ\t-11.9673\nᏗᏫᏎᏗ\t-11.9675\nᏍᏛᏗᏍᎬᎢ\t-11.9675\nᏐᏯᏍᏗ\t-11.968\nᏓᏅᎡᏗᏱ\t-11.9687\nᏓᎤᎦ\t-11.9688\nᏐᎸ\t-11.969\n▁ᏧᏬᏎ\t-11.9692\nᎵᎪᏔᏅ\t-11.9695\nᎧᎳ\t-11.9695\nᏛᏔᏁ\t-11.9699\nᏂᎩᏏ\t-11.9701\nᏏᏃᎴ\t-11.9702\nᎭᎷᎨ\t-11.9704\nᏂᎪᎯᏍᏗᏍᎨᏍᏗ\t-11.9711\nᎵᏖᎸᎲᏍᎦ\t-11.972\nᏩᏛᎡᎮ\t-11.9721\nᏂᏯᏍᏗ\t-11.9722\nᏪᏍᏗᏱ\t-11.9726\nᎸᏅᎩ\t-11.9727\n▁ᎠᏂᎦᏔ\t-11.9731\nᎼᏏ\t-11.9734\nᏓᎩᏅ\t-11.9735\nᏓᏟᏴ\t-11.9737\n▁ᏥᎦᎳ\t-11.9743\n▁ᏳᏂᏁ\t-11.9744\n▁ᏧᎶ\t-11.9746\nᏪᎶ\t-11.975\nᎨᏳᏒᎾ\t-11.975\nᏁᎵᏍᎪ\t-11.9752\nᎵᏍᏔᏁᏗ\t-11.9752\n▁ᎤᎴᎾ\t-11.9753\nᎳᏃ\t-11.9757\n▁ᏱᎨᎦ\t-11.976\nᏠᏎ\t-11.9761\n▁ᎠᏂᎶᏍᎨ\t-11.9762\n▁ᏂᏕᎤᏍ\t-11.9764\nᏬᏯᏁᏎᎢ\t-11.9765\n▁ᎠᏂᏃᎯ\t-11.9767\nᏕᏯᏙᏓ\t-11.9769\nᏣᏅᏔ\t-11.977\nᏡᏗᎭ\t-11.9776\n▁ᎦᎾᏄᎪᏫᏎ\t-11.9778\nᏙᎻ\t-11.9779\nᏍᏆᏗᏍᏗ\t-11.9785\n▁ᏚᏛ\t-11.9789\n▁ᎠᎩᏯ\t-11.9791\n▁ᎢᎾᎯ\t-11.9792\nᎴᎲᏍᎬᎩ\t-11.9792\n▁ᎣᎦᎵᏍᏔᏴ\t-11.9793\n▁ᏕᎦᏥ\t-11.9794\nᎵᏍᏔᏴᎾ\t-11.9796\nᏗᏓᎴᎲᏍᎪᎢ\t-11.9803\nᎯᏍᏗᏍᎨᏍᏗ\t-11.9804\n▁ᏱᏣᏛᏓᏍᏔ\t-11.981\nᏈᏴ\t-11.9811\nᏂᎶᏒᎯ\t-11.9816\nᏗᏥᏂᏴ\t-11.9817\nᏤᎲᎾ\t-11.9818\n▁ᎤᎵᏍᏚ\t-11.9819\nᏄᏙᎬ\t-11.9819\n▁ᏂᏚᎾᏓ\t-11.982\nᎵᎪᎲ\t-11.9821\n▁ᎠᎿᏬ\t-11.9825\n▁ᏂᏙᏓ\t-11.9831\nᏄᏣ\t-11.9833\nᏂᎪᏩᏛ\t-11.9834\nᏘᏒᎴᎢ\t-11.9835\nᏲᏍᏙᏓᏁᎸᎩ\t-11.9858\n▁ᏚᎵᏍᏚ\t-11.986\n▁ᎤᎵᏍᏔᏁ\t-11.9862\nᏍᏆᏂᎪᏙᏗ\t-11.9864\n▁ᎤᏓᏦ\t-11.9869\nᎾᏗᎾ\t-11.9872\nᏱᏙ\t-11.9874\nᎪᎯᏳᏗᏱ\t-11.9876\n▁ᎥᎠᎩ\t-11.9877\n▁ᏅᏓᏳᏂ\t-11.9881\n▁ᏫᏚᏃᏁ\t-11.9883\nᏕᏯᏙᏗᎭ\t-11.9889\nᎮᎴᎢ\t-11.9889\nᏂᏩᏛᎯᏙ\t-11.9889\nᎶᏒᎯ\t-11.9889\nᏛᏓᏍᏔᏅ\t-11.9899\nᏲᏏᏍᎨᎢ\t-11.9907\nᏗᎦᏔᎭ\t-11.9914\n▁ᏘᏏ\t-11.9923\nᏖᏆᎶᎯ\t-11.9925\nᏍᏓᎥ\t-11.9927\n▁ᏗᏠᎯᏍ\t-11.9937\nlo\t-11.9937\n▁ᎣᏍᏕᏙ\t-11.9939\nᏢᏔ\t-11.9942\n▁ᎠᎯᏯ\t-11.9943\nᎴᏉ\t-11.9947\n▁ᎠᏍᏆᏂᎪᏗᏍ\t-11.9953\n▁ᏣᏓᏅᎦᎸ\t-11.9956\nᏗᏍᎦᎳ\t-11.996\nᏯᎦᎿᏅ\t-11.9972\n▁ᏣᏁᏤ\t-11.9975\nᏄᎪᎬᎢ\t-11.9981\nᎠᏰᎸ\t-11.9985\nᎵᏍᏙ\t-11.9985\nᏣᏪᏐᎸᏍᏙᏗ\t-11.9992\n▁ᎬᏩᎾᏓ\t-11.9999\n▁ᏫᏥᏂ\t-12.0002\n▁ᏓᏳᎾ\t-12.0005\nᏂᏲᎸ\t-12.0006\nᏥᏳ\t-12.0007\n▁ᎢᏥᎶᏁ\t-12.0014\n▁ᎬᏩᎸᏉᏗ\t-12.0015\n▁ᏕᏣᎸ\t-12.0018\n▁ᎬᏩᏂᎩᎵᏲᎢᏍ\t-12.0019\nᏃᎩᏍᏔᏂ\t-12.0022\nᏂᏍᏙᏗᏱ\t-12.0028\nᏚᎾᏛ\t-12.0029\nᏌᎴᏓ\t-12.0033\nᎦᏘᏰ\t-12.0036\nᏥᎸᎯ\t-12.0044\nᏓᏔᎶᎯᏍᏗ\t-12.0045\nᏚᏓᎳ\t-12.0046\nᎪᏩᏘᏍᎪᎢ\t-12.0051\nᎮᎵᏍᎬᏉ\t-12.0052\n▁ᎠᎩᎵᏓᏍ\t-12.0067\n▁ᏣᏍᏕᎸ\t-12.0068\nᎯᎶᎥ\t-12.0071\nᎵᏏᏅᏓ\t-12.0079\nᏰᎸᏁ\t-12.0083\nᏯᏊ\t-12.0084\n▁ᏗᏥᏲᎯ\t-12.0084\n▁ᏗᎦᏔ\t-12.0086\nᏮᎩ\t-12.0091\nᎶᎸᎯ\t-12.0091\nᏣᏓᏑᏯ\t-12.0092\n▁ᏥᏃᎮ\t-12.0093\n▁ᏧᏂᎸᏉᏗ\t-12.0093\nᏂᏬᏂᎭ\t-12.0096\n▁ᎥᎬ\t-12.0098\nᏓᏒᏂ\t-12.01\nᎾᎴᏗ\t-12.0105\nᏩᏘᏍᎪ\t-12.0112\n▁ᏛᎤ\t-12.0118\nᏍᏕᎸᎡᏗᏱ\t-12.0118\n▁ᎤᎵᎪ\t-12.0121\nᏅᏖ\t-12.0122\n▁ᏳᏙ\t-12.0123\n▁ᎠᏢᏈᏍ\t-12.0126\nᏥᏲᎵᎭ\t-12.013\n▁ᏂᏍᎩᏴ\t-12.0132\n▁ᎡᏦᎢᏳ\t-12.0133\n▁ᎢᏕᏙ\t-12.0134\n▁ᏝᏉ\t-12.0141\nᎵᎥᏂᎸᎩ\t-12.0146\n▁ᏱᎪᎯ\t-12.0151\nᏩᏛᏔᏅ\t-12.0152\nᎩᏂᏴᏎᏍᏗ\t-12.0152\n▁ᏧᏢᏗ\t-12.0154\nᏟᏴᏗ\t-12.0157\nᏰᎸᏒᎩ\t-12.0157\nᏣᎦᎸᎮ\t-12.0161\nᏍᏚᎮᎢ\t-12.0163\nᏔᎲᎾ\t-12.0168\nᏩᏗᏒ\t-12.0176\n▁ᏙᏍᏗ\t-12.0178\n▁ᎠᎩᏍᏕᎸᏗ\t-12.0178\nᏣᎧᏂᏍᎬ\t-12.0184\n▁ᏚᎦᏔ\t-12.0184\nᎸᏫᏍᏓᏁᎭ\t-12.0186\n▁ᎤᏂᏍᎪᎸ\t-12.0189\nᏢᏗᏍᎨ\t-12.019\n▁ᎦᎳ\t-12.0192\nᏘᏍᎨ\t-12.0197\n▁ᎤᏩᏙᏗ\t-12.02\n▁ᏓᏥᏯᏛ\t-12.0204\nᎸᎲ\t-12.0205\nᏥᏍᎦᏅᏤᎸ\t-12.0218\n▁ᎢᏥᏯᏅ\t-12.0218\nla\t-12.0221\n▁ᎤᏃᎯᎸ\t-12.0227\nᏲᎯᏎᎴᎢ\t-12.0227\nᏙᎯᏳᎮ\t-12.0229\n▁ᏥᎪᏩᏘ\t-12.0233\nᎾᏓᏛᏁᎮᏍᏗ\t-12.0236\nᏄᏂ\t-12.0237\n▁ᏯᏆᏓᏅᏔ\t-12.024\n▁ᎢᏳᎾᏛᏁ\t-12.024\nᏈᎵ\t-12.0244\n▁ᎠᎩᎷ\t-12.0247\nᏂᏲᎯᏍᏙᏗ\t-12.0247\n▁ᎤᏕᏘ\t-12.0251\nᎧᎿᏅᎩ\t-12.0258\nᏗᏙᎵᎩ\t-12.0264\n▁ᏫᏗᎨ\t-12.0264\n▁ᎠᎩᏍᎦ\t-12.0265\nᏓᏥᏩᏛᎯᏃ\t-12.0275\n▁ᏗᎷ\t-12.0277\nᎸᏅᎭ\t-12.0287\nᎦᏖᏃᎭ\t-12.0291\n▁ᏧᏓᏅᏖ\t-12.0292\n▁ᏧᏔ\t-12.0294\nᏍᎩᎳ\t-12.0298\nᏗᏅᏎ\t-12.0298\n▁ᏕᏥᎸᏫᏍᏓᏁ\t-12.0302\n▁ᏚᎧᏁ\t-12.0302\nᎩᎵᏲᎬᎢ\t-12.0306\n▁ᏓᏂᏁ\t-12.0306\nᏣᏅᏓᏗᏍ\t-12.0307\n▁ᎤᏃᎯ\t-12.0314\n▁ᎤᏏᎳᏛ\t-12.0314\n▁ᎠᏦ\t-12.0319\nᏓᏂᎸᎪᎢ\t-12.0322\nᎵᏍᎪᎸᏓᏁᎴ\t-12.033\nᎾᏙᎴᏆᏍᎬ\t-12.0331\nᏌᎳᏙᏗ\t-12.0331\nᎩᎸᏉᏔᏅ\t-12.0332\n▁ᎠᏔᏲᎯ\t-12.0335\nᏄᎪᏥ\t-12.0337\nᎵᎮᎵᏨᎯ\t-12.0338\nᏪᎵ\t-12.0338\nᏂᏗᏍᏗ\t-12.0338\n▁ᎤᏍᏆᎸᎡ\t-12.0339\nᎳᏍᏓᎸ\t-12.0341\n▁ᎤᎾᏕᎰ\t-12.0341\n▁ᎤᎴᏫᏍ\t-12.0342\n▁ᏕᎯᏯ\t-12.0342\nᏒᎸᎩ\t-12.0343\nᏘᏍᎪ\t-12.0345\nᎦᏘᏗ\t-12.0352\n▁ᎤᏥᏍᏓ\t-12.0356\n▁ᎠᎵᏖᎸᎮᏍ\t-12.0357\n▁ᎠᏁᏍᎨ\t-12.0361\nᏦᎯᏳᏅ\t-12.0363\nᎦᏌᏯᏍᏗ\t-12.0367\nᏂᎪᏩᏘᏍᎨᎢ\t-12.0367\nᏕᎲᎦ\t-12.0371\n▁ᎠᏑᏰᏍ\t-12.0375\nᎸᎪᏫᏍ\t-12.0378\n▁ᎣᎩᏍᏛᏗᏍ\t-12.0386\n▁ᎬᏩᏍᎦ\t-12.0387\n▁Ꮬ\t-12.0387\n▁ᏚᏂᏚ\t-12.039\nᎪᏩ\t-12.0396\nᏓᏪᎵᎩᏍ\t-12.0396\nᏲᎵᎦ\t-12.04\nᎤᏅᏎ\t-12.0401\nᏂᎩᏒᎩ\t-12.0401\nᏓᏅᎵᏰ\t-12.0405\n▁ᎠᎩᎾᏄᎪᏫᏍᏗ\t-12.0406\n▁ᎠᏂᎦᏖᏃ\t-12.0406\nᎯᏴᏁᎸ\t-12.0411\n▁ᎡᏥᏄᎪ\t-12.0412\nᎢᎦᏚᎩ\t-12.042\n▁ᏛᏛ\t-12.042\n▁ᎢᏤᏯᏔ\t-12.0421\n▁ᎾᏋᏁ\t-12.0423\nᏥᏲᎭ\t-12.0423\nᏓᏙᎵᏍᏓᏁᎯ\t-12.0424\n▁ᎠᏡᏗᏍ\t-12.0425\nᏩᏛᏛ\t-12.0425\n▁ᎣᎩᏍᏛᏗᏍᏗ\t-12.0426\n▁ᏓᎨᏥ\t-12.0428\nᎸᎡᎴ\t-12.043\n▁ᏥᎧᏁᎢᏍᏗ\t-12.0431\n▁ᎩᎦᎨᏃ\t-12.0438\n▁ᏓᏂᎳᏫ\t-12.0442\nᏓᏘᎾᎥ\t-12.0442\nᏍᏛᏗᏍᏗᏱ\t-12.0443\nᎠᏧ\t-12.0446\nᏥᏬᏁᏙᏗ\t-12.0449\nᏂᎨᏴ\t-12.045\nᏰᎵᏒ\t-12.045\n▁ᏕᎪᏢ\t-12.0455\n▁ᏥᏂᏣᎵᏍ\t-12.0456\nᏆᏙ\t-12.0456\n▁ᎢᏯᎦ\t-12.0463\n▁ᎢᏳᏅᏁ\t-12.0467\nᎦᏯᎷᏗ\t-12.0471\nᎶᏍᎪ\t-12.0473\nᏨᏍᏗ\t-12.0473\nᏁᎢᏍᏓ\t-12.0476\n▁ᏧᏭᏓᎴ\t-12.0477\nᏓᏍᎦᎨᏍᏗ\t-12.0486\n▁ᏕᏍᎩᏯ\t-12.0486\n▁ᎢᏯᏥ\t-12.0487\n▁ᎬᏩᏍᏕᎸᎯᏙ\t-12.0492\nᏂᏍᏔᏅ\t-12.0493\nᎷᏨᎯ\t-12.0493\n▁ᏧᎴᏗ\t-12.0498\nᏓᎾᏌᎲᏍᎩ\t-12.0499\nᎵᏍᏓᏴᎲᏍᎬᎢ\t-12.0511\nᏫᏒᏅ\t-12.0511\nᏴᏅ\t-12.0512\n----\t-12.0513\n▁ᏯᏂᎸᏉ\t-12.0516\nᎦᏓᎡ\t-12.0517\n▁ᎤᎪᎯ\t-12.0526\n▁ᎠᎩᏍᎬ\t-12.0531\nᏙᎵᏍᏗᏱ\t-12.0532\nᏥᏍᎬ\t-12.0536\nᎦᏅᎾ\t-12.0541\n▁ᏩᏂᏴ\t-12.0547\nᏓᏛᎢ\t-12.0549\n▁ᎤᏏᏔᏕ\t-12.0551\nᏛᏗᏕᎬ\t-12.0552\n▁ᎬᏩᏯᏫ\t-12.0555\n▁ᏥᏫᎬ\t-12.0559\n▁ᎯᏰ\t-12.0559\n▁ᎤᏓᎪᎾᏛ\t-12.0562\nᎴᎲᏍᎦ\t-12.0568\n▁ᎠᏂᏃᎮᎵᏙ\t-12.0569\nᏍᏆᏓᏃ\t-12.0572\nᏳᏨ\t-12.0576\nᏑᎦᎸ\t-12.0583\nᏒᎦᎶᏗ\t-12.0586\n▁ᎤᎵᏖᎸᏂ\t-12.0587\nᎬᏩᏛᏗ\t-12.059\nᏓᏖᎸᎮᏍ\t-12.0593\nᏩᏘᏃ\t-12.0598\n▁ᎦᎸᏉᏗᏳᏍᎩᏂ\t-12.0603\n▁ᎢᏨᏯᎵᏥᏙᏁ\t-12.0603\n▁ᏓᎧᎿᏩᏗᏙᎮ\t-12.0605\nᏂᏆᏘᎲ\t-12.0608\n▁ᏩᏓ\t-12.0608\nᏌᏙᏰ\t-12.0613\nᎦᎵᏍᎨᎢ\t-12.0618\n▁ᎡᏣᎵᏍᎪᎸᏓᏁ\t-12.0619\nᏪᏎ\t-12.062\nᎯᏐ\t-12.0629\nᏁᎢᏍᏓᏁᎭ\t-12.0632\nᏍᏚᏟ\t-12.0638\nᎵᏂᎬᎬ\t-12.0641\nᏲᏍᏙᏓ\t-12.0642\n▁ᏳᏕᎶᎰ\t-12.0642\n▁ᏧᎾᏁᏍᎨ\t-12.0643\nᏯᏅᎮ\t-12.0646\n▁ᎬᏩᏂᎩ\t-12.0649\nᎱᏁ\t-12.065\n▁ᏚᎾᏕ\t-12.065\nᏄᎪᏫᏎ\t-12.0651\n▁ᎢᏨᏲᏪᎳᏁ\t-12.0652\nᏳᏩᏂ\t-12.0654\n▁ᎢᎦᏚᏓᎴᏍ\t-12.0655\nᏏᏔᏕᎢ\t-12.0656\nᎶᎩ\t-12.0656\n▁ᎢᏙᎯᏳᎲᏍ\t-12.0656\nᎦᎵᏍᏓᏗᏍᎩ\t-12.0658\nᏂᎨᏳᎯ\t-12.0658\nᏣᏛᎦᏁ\t-12.066\n▁ᏓᏗ\t-12.0662\nᎶᎢᏍᏗᏱ\t-12.0662\n▁ᎠᏛᎵ\t-12.0674\nᎵᏌᎳᏓᏅᎩ\t-12.0677\nᎦᏔᎲᏒᎩ\t-12.0679\n▁ᏥᎾᏆ\t-12.068\nᎠᏯᎨ\t-12.0685\nᎪᏢᎭ\t-12.0687\nᏂᎶᏍᎨᏍᏗ\t-12.0687\n▁ᎦᎵᏗ\t-12.0688\nᏋᏁᎸᎩ\t-12.0691\nᎵᎪᏁᎸᎩ\t-12.0697\nᎴᏒ\t-12.0699\n▁ᎤᏂᏲᎵ\t-12.0701\n▁ᏧᎷᏤ\t-12.0701\nᎶᏍᎦ\t-12.0702\nᏍᏔᏁᎲ\t-12.0702\n▁ᎠᎩᏫ\t-12.0709\n▁ᏥᏅᏒ\t-12.0712\nᏕᏍᏔ\t-12.0721\nᏓᏬᎢ\t-12.0724\nᏓᏍᏕᏓᎵᏴᏍᎩ\t-12.073\nᏜᏍᏛ\t-12.0731\n▁ᎤᏂᏁᏉ\t-12.0734\n▁ᎫᏔ\t-12.0734\nᏣᎷᏤᎵ\t-12.0735\n▁ᎾᏲ\t-12.0736\n▁ᏱᏂᎬᏩ\t-12.0736\nᏚᏂ\t-12.0737\n▁ᏧᏢ\t-12.0738\nᏘᏃᎮᏗᏱ\t-12.0741\n▁ᏣᏕᎲᏍ\t-12.0741\n▁ᎪᏒ\t-12.0742\nᏃᎮᎴᎢ\t-12.0742\nᎾᏕᏏ\t-12.0743\nᏓᎷᎸ\t-12.0743\n▁ᏓᎦᏢ\t-12.0747\nᏍᏆᎶ\t-12.0752\n▁ᏚᎾᏁᎶ\t-12.0752\nᏐᏢᏗᎭ\t-12.0753\n▁ᏄᎾᏓ\t-12.0757\n▁ᏧᏚᎢᏍᏓᏁ\t-12.0757\n▁ᎯᏅᏁ\t-12.0762\n▁ᎢᏣᏠᏯᏍ\t-12.0763\nᏬᏯ\t-12.0765\nᏍᎪᏎ\t-12.0766\n▁ᏗᎦᏄ\t-12.0768\nᏂᎰᎢ\t-12.0768\nᏥᏍᏕᎸᏗᏱ\t-12.077\n▁ᏗᏧᎪᏓ\t-12.0773\nᏂᏴᎩ\t-12.0773\n▁ᎢᎠᏓ\t-12.0774\nᏯᏓᏱ\t-12.0775\nᏯᎴ\t-12.0778\nᏕᎰᏍᎨᏍᏗ\t-12.0781\nᏅᏩᏅ\t-12.0784\nᎬᏩᏟ\t-12.0785\nᎩᎳᎾᎳ\t-12.0798\nᏅᏍᎪᎢ\t-12.08\nᏓᏣ\t-12.0803\nᎾᏝᎾᎥᎢ\t-12.0808\n▁ᎤᎾᎵᏍᏗ\t-12.0809\n▁ᏗᎾᏓᏅᏟᏉ\t-12.081\n▁ᎾᏂᏪ\t-12.0811\n▁ᏂᎨᏣ\t-12.0814\nᎱᏍᏕᏎᎸ\t-12.0816\nᎵᏂᎪᎯᏍᏔᏅ\t-12.0819\nᎵᏃᎮᏙᏗᏱ\t-12.0822\n▁ᎠᎩᎶ\t-12.0824\nᏅᏓᏗᏍᎪ\t-12.0825\nᏣᏓᏅᎦᎸᏛ\t-12.0825\nᎾᏁᎴ\t-12.0826\nᏥᏍᏕᎸ\t-12.0829\nᏍᏉᏟᎢ\t-12.0831\nᏓᎷᏯᏛ\t-12.0834\nᏑᏰᏎᎢ\t-12.0838\nᏃᏍᎩᏛ\t-12.0839\nᏥᏅᏁᏗ\t-12.0842\n▁ᎾᎾᏛᏁ\t-12.0844\nᏍᏆᎵᏎ\t-12.0844\n▁ᏛᎾᏓ\t-12.0848\n▁ᏕᎦᏥᏯ\t-12.0852\n▁ᎤᎾᏘᏲ\t-12.086\nᏉᏗᏍᎬ\t-12.086\nᏲᏤᎢ\t-12.0864\n▁ᎠᎵᎮᎵᏍ\t-12.0865\nᏑᎴᏍᏗ\t-12.0867\n▁ᎢᎫ\t-12.0873\nᏕᏍᏗᏍᎨᏍᏗ\t-12.0874\n▁ᏱᎦᏅ\t-12.0875\n▁ᎠᎾᎵᏍᏓᏴᏗᏍ\t-12.0882\n▁ᎤᎦᏌ\t-12.0883\nᎦᏔᎾᎢ\t-12.0885\n▁ᎢᏧᎳᎭᏉ\t-12.0886\nᏅᎢᏍᏗ\t-12.0891\nᏟᎶᎡᎸ\t-12.0893\nᏓᏰᎨᏍᏗ\t-12.0896\nᏏᏅᎯ\t-12.0898\nᏟᏍᏔᏁ\t-12.0898\n▁ᎤᏂᏄᎸ\t-12.09\nᏌᏛᎥᏍᎬ\t-12.0902\nᏗᏔᎲᎩ\t-12.0902\nᎬᏂᏍᏗ\t-12.0903\nᏍᎩᏓᏒᎢ\t-12.0905\n▁ᎡᏥᎾᏰᏍ\t-12.0905\nᏂᏒᎩ\t-12.0906\nᎦᎷᏯ\t-12.0912\nᏒᎴᎢ\t-12.0912\nᏁᎵᏒᎢ\t-12.0914\n▁ᏧᏥᏍ\t-12.0916\nᎵᏍᏗᏍᎨᏍᏗ\t-12.0917\n▁ᎠᏆᏛᎦ\t-12.0919\n▁ᏦᎸ\t-12.0921\n▁ᎤᎦᏛᎾ\t-12.0925\nᏂᎴᎢ\t-12.0927\nᎯᏍᏓᏁᎯ\t-12.093\n▁ᏗᏓᎾ\t-12.0933\nᏓᏙᎵᏍᏔᏁᎢ\t-12.0936\n▁ᏚᏓᏂᎸᏤ\t-12.0939\n▁ᎤᏂᏍᎦ\t-12.0939\nᏯᏛᏁᎵ\t-12.0945\n▁ᏍᎩᏯᏕᎶᏆ\t-12.0946\nᏅᏗᏍᏗ\t-12.095\n▁ᎨᎶ\t-12.0951\nᏲᏍᏙᏗᏱ\t-12.0951\n▁ᎠᏢᏆᏍ\t-12.0963\nᏃᏁᎸ\t-12.0966\nᏅᏯ\t-12.0967\nᏦᎯᏳᏒᎢ\t-12.0968\n▁ᎤᏂᏍᏆ\t-12.0972\nᏪᎭ\t-12.0974\nᏁᎳᎩᏉ\t-12.0977\n▁ᏗᎦᏂᏴ\t-12.0978\n▁ᏧᎬᏩ\t-12.098\n▁ᏳᏩᏛ\t-12.0982\n▁ᏓᎧᎿ\t-12.0986\nᏫᏚᏓᎢᏅ\t-12.0989\nᏯᏙᏤᎮᏍᏗ\t-12.0989\nᎦᏌᏬᎢ\t-12.0989\nᎦᏃᎸ\t-12.099\nᏲᏏᏌ\t-12.099\nᏄᎪᎢ\t-12.0991\n▁ᎤᏕᏒ\t-12.0994\nᏯᏍᏛᎾ\t-12.0995\n▁ᏱᏄᎾᏛᏁ\t-12.0996\nᏄᏍᏕᎢ\t-12.0999\nᏥᏎᎪᎩ\t-12.1\n▁ᏧᎾᎵᎪ\t-12.1\nᎴᏂᏙᎸᎢ\t-12.1002\n▁ᎠᎾᎵᏍᎪᎸᏗᏍ\t-12.1003\n▁ᎤᎾᏓᏛᏁ\t-12.1009\nᏬᏅ\t-12.1009\nᏚᎨ\t-12.101\nᏩᏕᏁᎴᎢ\t-12.1012\nᏁᏟᏴᎡᏗ\t-12.1013\nᏣᏯᏅ\t-12.1014\n▁ᎤᎸᏌ\t-12.1014\n▁ᏧᏓᏄ\t-12.1014\n▁ᎣᏥᏃᎮ\t-12.1015\n▁ᏓᏁᎶ\t-12.1015\nᏡᏓ\t-12.1016\n▁ᏚᏂᏣᎦ\t-12.1018\nᏓᏁᎶ\t-12.1019\nᏩᏂ\t-12.1021\nᏟᏍᏗᏍᎪᎢ\t-12.1021\nᏔᏍᎪᎢ\t-12.1025\nᏴᏈᏛ\t-12.1026\nᏯᏅᏓᏗᏍᎪ\t-12.1026\nᎬᏫᏳ\t-12.1028\n▁ᎤᏔᏕ\t-12.1034\n▁ᏱᏫᏨ\t-12.1034\n▁ᏚᏭᎪᏓᏁ\t-12.1035\n▁ᏣᎧᎵᎢ\t-12.1035\n▁ᎤᏍᏢᏂᏍ\t-12.1038\nᏬᎯᏳᏅ\t-12.1039\n▁ᎤᏁᎵᏤ\t-12.1041\nᎯᏳᏒᎾ\t-12.1043\n▁ᎤᏓᏠᏍ\t-12.1044\n▁ᎬᏬᏎ\t-12.1049\nᎾᏛᏁᏗᏱ\t-12.1049\n▁ᏚᏟᎶᏍᏓᏁᎴ\t-12.1049\n▁ᎤᏂᏲᎢ\t-12.1052\nᏥᎪᏗ\t-12.1053\nᏌᎳᏗ\t-12.1053\n▁ᎾᏅᏁ\t-12.1056\nᎾᏄᎪᏫ\t-12.1061\nᎣᏒ\t-12.1062\n▁ᏕᏍᏓ\t-12.1062\nᏍᏔᏁᎮ\t-12.1066\nᎱᏍᏕ\t-12.1066\nᏣᎬ\t-12.1067\n▁ᎤᏂᏄᎪᏤ\t-12.1068\nᏘᏃᎵ\t-12.1071\n▁ᎤᎾᏙᏓ\t-12.1073\nᏚᎳ\t-12.1076\nᏰᎵᏒᎩ\t-12.1077\n▁ᏣᏚᏓᎴ\t-12.1079\n▁ᎤᏍᏆᏂ\t-12.1079\nᏏᏙᎰ\t-12.1079\n▁ᏂᏍᏋᏁ\t-12.1079\nᏟᏴᎮᎢ\t-12.1081\nᏍᏆᏙᎾ\t-12.1082\nᏔᎩᏍᏗ\t-12.1082\nᎤᏍᏆᏂᎩ\t-12.1085\n▁ᏕᎫᎪᏗ\t-12.1086\n▁ᏂᏍᎩᏪᏎ\t-12.1088\n▁ᎱᏰ\t-12.1089\n▁ᎠᏂᏯᎡ\t-12.1089\n▁ᎠᏲᏞ\t-12.1092\n▁ᎦᏰᏥᏙ\t-12.1095\n▁ᏂᏓᏛ\t-12.1097\nᎧᎵᎵ\t-12.1099\n▁ᎤᎾᎴᎿᏫᏍ\t-12.1099\nᏁᏅᏒᎩ\t-12.11\n▁ᎤᎵᏍᏕᏍᏔ\t-12.1101\n▁ᎠᏓᏄᏖᏲ\t-12.1103\nᏣᏓᏂᎸᎩ\t-12.1107\n▁ᏚᎾᏄᎪᏫᏎ\t-12.1108\n▁ᎠᏂᏏᎾ\t-12.1109\n▁ᎠᏥᎸᏍᎩᏂ\t-12.1109\nᎬᏍᎪᎸᏁ\t-12.111\nᎤᏃᎴ\t-12.111\n▁ᎤᎾᏚᎵ\t-12.111\nᏍᏕᎸᏙᏓ\t-12.111\nᏍᏚᎸ\t-12.1111\n▁ᏚᎾᏚᏫᏍ\t-12.1111\n▁ᎠᎩᏲᎰ\t-12.1112\n▁ᎢᏓᎴᏂᏙ\t-12.1114\n▁ᏩᎫ\t-12.1119\nᏓᎦᏘᎴ\t-12.1123\nᎩᏂᏴᏗ\t-12.1127\n▁ᏥᏩᏂ\t-12.1127\nᏂᎬᏎᎲᎢ\t-12.1127\n▁ᎤᏕᏯᏙ\t-12.1128\n▁ᎠᎫᏬ\t-12.1129\n▁ᎤᎭᏲ\t-12.1129\n▁ᎢᏣᏓᏙᎵᏍ\t-12.1131\nᏍᎫᏕᏍᎬ\t-12.1133\n▁ᏗᏩᎾᎦᎳ\t-12.1133\nᎫᏓᎴᏏ\t-12.1133\nᎿᏩᏗᏒ\t-12.1134\n▁ᎡᏍᏓ\t-12.1136\nᎭᏲᎮ\t-12.1136\nᏖᎳᏕ\t-12.1136\nᏲᏎᎲᎩ\t-12.1137\nᏍᏗᏰᏕ\t-12.1137\n▁ᏓᎦᏛ\t-12.1138\nᏄᏍᏕ\t-12.1139\n▁ᏓᎵᏂᎪᎯᏍᏗᏍ\t-12.114\nᏑᎴᎥ\t-12.1141\nᎯᏍᏔᏁᎢ\t-12.1142\nᏍᎩᏓᏒ\t-12.1143\n▁ᏳᏣᏅᏓᏕ\t-12.1144\n▁ᎠᏂᎦᏘᏗᏍ\t-12.1146\nᎿᎷ\t-12.1147\nᏥᎨᏳᎭ\t-12.1148\n▁ᏥᏄᏛᏁ\t-12.1149\nᏛᏁᎸᎩ\t-12.1151\nᏍᎪᏂᎯ\t-12.1153\nᏂᎸᏫᏍᏓᏁᎸ\t-12.1157\n▁ᏱᏅᏩ\t-12.1157\nᏠᏏ\t-12.1158\n▁ᏗᏥᏯ\t-12.1159\nᏓᎦᎵᏍᏙᏔᏂ\t-12.116\n▁ᏥᏥᏯ\t-12.1162\nᏙᏩᏗᏍ\t-12.1163\n▁ᏱᏄᎾ\t-12.1164\nᎵᏍᎦᏍᏙᏔᏂ\t-12.1164\n▁ᎤᏃᎱ\t-12.1165\n▁ᏓᎩᎸᏫᏍᏓᏁ\t-12.1165\n▁ᏱᏭ\t-12.1166\nᎵᏍᏚᎸ\t-12.1166\nᏣᎢᏒ\t-12.1166\n▁ᎠᏂᏬᏂᏍᎨ\t-12.1167\nᎵᏍᏓᏴᏔᏂ\t-12.1167\n▁ᏴᎨᏣ\t-12.1169\nᏂᎨᎯᏙᎴᎢ\t-12.117\n▁ᏄᏛᎾ\t-12.1173\nᏓᏅᏓᏗᏍᏓ\t-12.1174\nᏦᏕ\t-12.1174\nᎩᏍᏕᎸᎯᏙᎸ\t-12.1178\nᏪᏎᎮᎢ\t-12.1179\n▁ᏩᏂᏴᎯ\t-12.1179\nᎬᏆᏛᎦᏁ\t-12.118\nᎪᎸᏛ\t-12.1181\nᎵᏙᎰ\t-12.1182\n▁ᎤᎾᏡ\t-12.1186\nᏃᎮᏢ\t-12.1187\nᏂᏪᏍᎨ\t-12.1187\nᎸᏉᏙ\t-12.1189\n▁ᏓᏕᏙ\t-12.119\n▁ᏂᏥᏯ\t-12.119\nᎪᏩᏛᎡᏗ\t-12.1191\nᏂᎨᏳ\t-12.1191\nᎬᏍᎦᎳ\t-12.1193\n“\t-12.1194\n▁ᏃᎦᎵᏍᏔ\t-12.1194\nᎦᏙᎨ\t-12.1194\nᏴᎡᎲ\t-12.1194\nᏓᏁᏣᏍᏚ\t-12.1195\nᎼᏂ\t-12.1195\nᏓᏛᏁᎲᎩ\t-12.1196\nᏍᏕᎸᎲ\t-12.1196\nᏴᎯᎲ\t-12.1198\n▁ᎤᏂᏲᎰ\t-12.1198\nᏅᎦᎸᏗ\t-12.1203\nᏛᏗᏍᎬ\t-12.1207\nᎫᎩ\t-12.1208\nᏫᏍᏗᏍᎩ\t-12.121\n▁ᏓᎾᏟ\t-12.1212\n▁ᏚᏂᏰ\t-12.1213\n▁ᏱᏂᏨ\t-12.1213\nᏩᎾᎦᎶ\t-12.1213\n▁ᏂᏍᏆᏛᏁ\t-12.1213\nᏣᏚᎵᏍᎨᏍᏗ\t-12.1214\nᏂᎾᏫ\t-12.1215\nᎭᏂᎸ\t-12.1215\n▁ᎢᏣᎨᏳ\t-12.1215\n▁ᎤᎦᎾᏬ\t-12.1215\nᏰᎸᏍᏗ\t-12.1215\nᏟᏂᎬᏁᎸ\t-12.1216\n▁ᏫᎦᎶᎯ\t-12.1216\nᎧᏁᏗᏱ\t-12.1216\n▁ᎤᎾᎴᏫᏍ\t-12.1217\nᎪᏓᏁᎯ\t-12.1218\n▁ᎠᏇᎷ\t-12.1219\nᏟᏴᎡ\t-12.1223\nᏧᏁᏍᎨᎮᎢ\t-12.1226\nᏚᏂᎳᏫᏤ\t-12.1226\nᎦᏄᎳᏥ\t-12.1226\n▁ᎠᏛᏅᎢᏍᏗ\t-12.1226\nᎣᎨᏅ\t-12.1227\nᏄᎸᎲ\t-12.1228\nᏧᏓᎴᏅ\t-12.1229\nᏘᏅᏍᏓ\t-12.1229\nᎤᏛᏎᎢ\t-12.1229\nᎭᎾᏬ\t-12.123\nᏘᏲᎸ\t-12.1232\nᎶᏁᎢ\t-12.1232\nᏓᏟᎶᏍᏗᏍᎬ\t-12.1233\n▁ᎥᏥᏯ\t-12.1233\nᎦᏕᎶᎣᏍ\t-12.1234\nᎾᎾᎵᏍᏗ\t-12.1234\nᎩᎪᎲᎯ\t-12.1235\n▁ᏗᏤᏍᏙ\t-12.1235\nᏂᎨᏐ\t-12.1235\nᎬᏬᏎᎸᎩ\t-12.1236\nᎿᎥ\t-12.1236\nᏓᏥᏯᏅᎯ\t-12.1237\nᎩᎸᏂ\t-12.1239\nᏣᎪᏍᏗ\t-12.124\nᏙᏯ\t-12.124\nᏓᏍᏔᏅᏅ\t-12.124\nᏍᎩᎾᎾ\t-12.1241\nᏓᏰᏙᎳᏛ\t-12.1241\nᎤᏁᎫ\t-12.1241\nᎩᎶᎯᏍᏗ\t-12.1241\nᏄᏩᏂᏌᏅ\t-12.1243\nᏕᎾᏓᎪᎲᏳ\t-12.1243\n▁ᏗᎦᎸᏫᏍ\t-12.1244\n▁ᎢᎤᎾᏨᏎ\t-12.1244\n▁ᏚᎧᎿᏩᏗᏙᎮ\t-12.1244\n▁ᎤᏅᏩᏁ\t-12.1244\n▁ᎨᏣᏡᏗᏍᎬ\t-12.1244\n▁ᏧᎩᏥᏍᎪ\t-12.1244\n▁ᎠᎾᎵᏅᏢ\t-12.1244\n▁ᏭᎩᎸᏁ\t-12.1244\n▁ᎤᏍᎦᏅᏥᏙᎸ\t-12.1244\nᎠᎾᏓᎪᎾᏗᏍᎬ\t-12.1244\nᏄᎾᏓᎴ\t-12.1244\n▁ᏧᏲᏏᏍᎨ\t-12.1245\n▁ᎤᏁᎢᏍᏓᏁᎸ\t-12.1245\nᏚᏳᎪᏛ\t-12.1245\nᏍᎪᏂᏍᏗ\t-12.1245\n▁ᏄᏍᏆᏂ\t-12.1245\nᏬᎯᏳᏁ\t-12.1245\n▁ᏂᏚᏛᏁᎴ\t-12.1246\n▁ᏙᏗᎧᏂᏍᎬ\t-12.1246\nᎵᏍᏓᏴᏁ\t-12.1246\nᎤᏂᎶᏒ\t-12.1246\nᎤᏁᎢᏍᏔᏅ\t-12.1246\nᎤᎾᏛᎪᏗᏱ\t-12.1246\nᎪᎯᏳᎲᏍᎪ\t-12.1247\nᏓᎴᏍᎬᎢ\t-12.1247\n▁ᎢᏥᎾᏰᏍᎬ\t-12.1248\nᏙᏓᎦᏥ\t-12.1248\nᎤᎵᏍᏙᏔᏅ\t-12.1248\nᏍᎩᏃᎯᏏ\t-12.1248\n▁ᎠᎩᎵᏲᎬ\t-12.125\n▁ᎠᎩᏯᎥ\t-12.125\nᎤᎵᏍᎨ\t-12.125\nᏓᏳᎶᏒ\t-12.1251\nᎤᎦᏃᏩ\t-12.1251\nᏅᏁᎭ\t-12.1251\nᎠᏂᎪᏕᏍᎩ\t-12.1251\nᏧᏓᎴᏁ\t-12.1251\nᎠᎦᏴᎵ\t-12.1251\nᎤᎵᏍᏆᎸᏗ\t-12.1251\nᏚᎾᏙᎥ\t-12.1252\nᏦᎴᏍᏗ\t-12.1252\n▁ᏫᎬᏩᏴᏔᏁ\t-12.1252\nᎠᏥᎸᏉᏗᏳ\t-12.1252\n▁ᏫᏓᎧᏁ\t-12.1252\nᏥᏍᏕᏥ\t-12.1252\nᎤᎾᏄᎪᏫᏎᎢ\t-12.1252\nᏗᎵᏍᏓᏴᏗᏱ\t-12.1252\nᎡᎳᏆᏗ\t-12.1252\n▁ᏧᏂᎳᏫ\t-12.1253\nᏕᎤᏙᎥ\t-12.1253\nᏓᏗᏍᏗᏱ\t-12.1253\n▁ᎤᏁᎳᏫᏎᎲ\t-12.1253\n▁ᏕᎦᎸᏫᏍᏓᏁᎸ\t-12.1253\n▁ᏥᏮᎦᏙ\t-12.1253\n▁ᏭᏩᎦᏘᏗᏒ\t-12.1253\n▁ᏄᎾᏛᎿᏕᎬ\t-12.1253\n▁ᎤᏘᏃᎴ\t-12.1253\n▁ᎠᎩᏐᏅ\t-12.1253\n▁ᏨᏓᎸ\t-12.1254\nᏄᎾᏛᏅ\t-12.1254\nᏠᎨᏏ\t-12.1254\n▁ᏥᏂᎨᏎ\t-12.1254\nᎢᎪᎯᏓ\t-12.1254\nᏣᏅᏓᏕ\t-12.1255\n▁ᎣᎩᎪᎲ\t-12.1255\nᏂᎪᎯᎸᎾ\t-12.1255\n▁ᎤᏗᏔᎮ\t-12.1255\nᎨᏥᏍᏕᎸᏗ\t-12.1255\n▁ᏅᏓᎬᏩᎾ\t-12.1256\nᎡᏆᎭᎻ\t-12.1256\n▁ᏕᏥᎧᎿᏩᏗᏒ\t-12.1256\n▁ᏚᏪᎧᏁ\t-12.1256\n▁ᎣᏥᏃᎮᏍᎬ\t-12.1256\n▁ᎤᏅᏓᏗᏗᏒ\t-12.1257\n▁ᏧᎾᏄᎪᏫᏎᎴ\t-12.1257\nᏧᎬᏩᎶᏗ\t-12.1257\n▁ᏱᎪᎵᎨ\t-12.1257\n▁ᏓᏓᏁᎳᏗᏒ\t-12.1257\n▁ᏗᏣᎸᏫ\t-12.1258\n▁ᏗᏆᏓᎴᏅ\t-12.1258\nᏂᎬᎾᏛ\t-12.1258\n▁ᎤᏛᎦᏍᏔᏁ\t-12.1258\n▁ᎠᎾᏓᏩᏛᎯᏙ\t-12.1258\nᎤᏁᎦ\t-12.1259\n▁ᎤᏟᏍᏔ\t-12.1259\nᏍᏛᏗᏍᎨ\t-12.1259\nᏃᏈᏏ\t-12.1259\nᏄᏂᏪᏎᎢ\t-12.1259\nᏡᎩ\t-12.126\nᏣᎵᏍᎪᎸᏓᏁᎸ\t-12.126\nᏅᎢᏍᏔᏅᎯ\t-12.126\nᏁᎫᏥᏛ\t-12.1261\nᏳᏩᏁᎦ\t-12.1261\nᎡᏒᎭ\t-12.1261\nᎦᏂᏴᏛ\t-12.1261\nᏩᎫ\t-12.1262\nᏧᏁᎬ\t-12.1262\nᏚᎳᏑᏝ\t-12.1262\nᏚᏍᏆᏃᏴ\t-12.1262\nᎦᏙᎬᎩ\t-12.1262\nᎤᎾᏣᏅ\t-12.1262\nᎶᏄᎮᏗ\t-12.1262\n▁ᏚᏠᏒᏎ\t-12.1263\nᏛᏅᎢᏍᏔᏁ\t-12.1263\nᏩᎶᏏ\t-12.1263\n▁ᎤᏓᏙᎵᏍᏓᏁᎴ\t-12.1263\n▁ᎤᏍᏆᏂᎪᏔᏁ\t-12.1263\nᎬᏬᎵ\t-12.1263\n▁ᏕᏣᏓᏘᎾᎥ\t-12.1263\n▁ᏓᏂᏬᏂᏍᎬ\t-12.1263\nᎠᏥᎸ\t-12.1264\n▁ᎤᏓᏙᎵᏣ\t-12.1264\nᎩᎨᏳᏒᎢ\t-12.1264\nᎮᎵᎠ\t-12.1264\n▁ᏧᏂᎦᏴᎵ\t-12.1264\nᏚᏬᏁᏔᏁᎢ\t-12.1264\n▁ᏂᏚᏅᏁᎴ\t-12.1265\nᏗᎪᏢ\t-12.1265\nᏲᏍᏔ\t-12.1265\nᎵᏥᏙᏁᎭ\t-12.1266\nᎤᏁᎬ\t-12.1266\nᏯᏘᏅᏍᏗ\t-12.1266\nᏍᎩᏯᏘᏃ\t-12.1266\nᎢᏳᏍᏘ\t-12.1267\n▁ᎩᎾᎵ\t-12.1267\nᏅᎥᏍᎩ\t-12.1267\nᏓᏴᎳᏔᏍ\t-12.1267\n▁ᏚᏚᎪᏔᏅ\t-12.1267\nᎾᏘᏲ\t-12.1268\nᎾᏫᏛᏛ\t-12.1268\nᎮᏂᎵ\t-12.1268\n▁ᎬᏩᏕᏁᎴ\t-12.1269\n▁ᎠᏂᎷᎨ\t-12.1269\nᎭᏗᎭ\t-12.1269\nᎤᏲᏨ\t-12.127\nᏗᎧᎿᏩᏗᏙᎯ\t-12.127\n▁ᏧᏆ\t-12.1271\nᎠᏓᏅᏙ\t-12.1272\nᏓᎵᏂᎪᎯᏍᏙᏗ\t-12.1272\n▁ᎾᏥᏪᏎᎴ\t-12.1272\nᏣᎬᏫᏳᎯ\t-12.1272\n▁ᎦᏅᏬ\t-12.1273\n▁ᎠᏥᏰᎸᎾᏁᎴ\t-12.1273\nᏂᏤᎷᎯ\t-12.1273\nᏍᎪᎸᏙᏗ\t-12.1273\n▁ᏣᎵᏂᎩ\t-12.1274\n▁ᎣᎦᏓ\t-12.1274\nᏧᏓᎴᏅᏓ\t-12.1274\n▁ᎬᏩᎪᎮ\t-12.1274\nᏏᎾᏌᏅ\t-12.1274\n▁ᎤᏂᏲᏠᎯᏎᎸ\t-12.1275\n▁ᏂᎦᏥᏪᏎᎸ\t-12.1275\n▁ᎾᏆᏛᎿᏕᎬ\t-12.1275\nᏗᎦᎶ\t-12.1275\n▁ᏲᏣ\t-12.1276\n▁ᎯᎦᏍᎦᏂ\t-12.1277\n▁ᏧᏍᏆᏂᎪ\t-12.1277\nᏦᏓᎸ\t-12.1277\n▁ᏫᎾᎩ\t-12.1277\nᏓᏙᎵᏣᏘ\t-12.1277\nᎠᎩᎪᏩᏛᏗᏱ\t-12.1278\nᎤᎵᎮᎵᏍᏗ\t-12.1278\n▁ᎤᏪᏙᎴ\t-12.1278\nᏍᎦᏅᏥᏙᎸᎢ\t-12.1278\nᎩᏍᏕᎸᎯᏓᏍᏗ\t-12.1279\nᏌᎳᏛ\t-12.1279\nᏖᎸᏂ\t-12.128\nᏥᎨᏳ\t-12.128\nᎾᏛᏁᎮ\t-12.128\nᏁᎥᎭ\t-12.1281\nᏩᏘᏍᎬᎾ\t-12.1281\nᏐᎴᏍᏗ\t-12.1281\n▁ᎠᎵᏍᏆᏗᏍᎬ\t-12.1281\nᏖᏍᎬ\t-12.1282\n▁ᎤᏁᏙᎴ\t-12.1282\n▁ᏗᎦᏙᎨ\t-12.1282\nᎹᏅ\t-12.1282\n▁ᏫᏗᎬᏩ\t-12.1282\n▁ᏣᏁᎫ\t-12.1282\n▁ᎤᏬᏂ\t-12.1282\n▁ᏓᏰᏙᎳ\t-12.1283\n▁ᏚᏍᏓᏩᏛᏎ\t-12.1283\nᎢᏧᎳᎭ\t-12.1283\n▁ᎤᏪᏙ\t-12.1283\n▁ᎤᎾᏚᎵᏍᎪ\t-12.1283\nᎵᏍᎦᏂᏍᏛ\t-12.1283\n▁ᏫᏓᏆᎧᎾᏅ\t-12.1283\nᎾᏓᎵᏁᎯᏕ\t-12.1283\n▁ᎤᏓᏏᏁ\t-12.1283\nᎦᎾᏏᏍᎩ\t-12.1284\n▁ᎤᏂᏍᎦᎴ\t-12.1285\nᎬᏬᎯᏳ\t-12.1285\n▁ᏭᏣᏅ\t-12.1285\n▁ᎡᎦᎫᏴ\t-12.1285\nᏔᎵᏁ\t-12.1285\nᏍᎩᎾᏛ\t-12.1285\n▁ᎤᎵᏖᎸ\t-12.1286\nᏍᎩᏙᎵᎩ\t-12.1286\n▁ᎤᏕᏁᎴ\t-12.1286\n▁ᎤᎾᏓᏙᎵᏍᏓᏁᎸ\t-12.1286\nᏓᏪᎳᎩᏍᎬ\t-12.1286\n▁ᏭᏂᏴᎴ\t-12.1287\n▁ᎤᏂᏍᏆᏂᎪᏒ\t-12.1287\nᏗᏥᏁᏟᏴ\t-12.1288\n▁ᎨᏥᏌ\t-12.1288\n▁ᎴᎻ\t-12.1288\n▁ᏄᎾᏛᏁ\t-12.1288\nᎦᎾᏬᏍᎬ\t-12.1288\nᏲᎱᏏᏕᎾ\t-12.1288\nᎵᏱᎵᏕ\t-12.1288\n▁ᎣᏤᎲ\t-12.1289\n▁ᏧᎾᏤ\t-12.1289\n▁ᎤᎾᎦᏎᏍᏛ\t-12.129\n▁ᏂᏚᎵᏍᏔᏅ\t-12.129\nᏄᏩᏁᎴ\t-12.1291\n▁ᏚᏬᏢᏅ\t-12.1291\n▁ᎭᏓᏅ\t-12.1291\n▁ᎿᏛ\t-12.1291\n▁ᏧᎾᎵᏂ\t-12.1291\nᎯᎪᏩᏛ\t-12.1291\nᏴᏓᏆᎶᏍᎬ\t-12.1292\nᏃᎯᎸᏍᏔ\t-12.1292\n▁ᎤᏗᎴᎲ\t-12.1292\n▁ᏄᎵᏂᎬ\t-12.1293\n▁ᎤᏁᏟᏴ\t-12.1293\nᎦᏰᎬᏍᏔ\t-12.1293\nᏅᏍᎦᎸ\t-12.1294\n▁ᎤᎩᏨ\t-12.1294\nᏨᏏᏰᏗ\t-12.1294\n▁ᎤᏬᏪᎳᏅ\t-12.1294\nᎵᏠᏯᏍᏕᏍᏗ\t-12.1294\nᏆᏓᏅᏖᎸ\t-12.1294\nᏗᎦᎶᏗ\t-12.1295\nᏴᏓᏆᎶᏍᎩ\t-12.1295\nᏩᏗᏎᎢ\t-12.1296\n▁ᎠᏩᏘᏍᎪ\t-12.1296\nᏎᎦᏨ\t-12.1296\nᏙᎴᏆᏍ\t-12.1297\nᏄᎯᏍᏗᏍᎬ\t-12.1297\n▁ᏧᏃᏪᎳᏅ\t-12.1298\n▁ᎤᎾᎳᏍᏓᎡ\t-12.1298\n▁ᏄᏂᏪ\t-12.1298\nᏂᏙᎴ\t-12.1298\n▁ᏥᎧᏁ\t-12.1298\nᏓᎾᏏᏂ\t-12.1298\n▁ᏥᏃᎪ\t-12.1299\n▁ᏧᏂᎷᏫᏍᏔᏁ\t-12.1299\n▁ᏓᎾᏕᏲᎲᏍ\t-12.1299\n▁ᎤᎵᏨᏓᏆ\t-12.1299\nᎵᏍᏙᏰᏗ\t-12.1299\nᎵᏏᎲᏎ\t-12.1299\nᎾᏂᎩᏒ\t-12.13\n▁ᎠᎦᎫᏴᎡ\t-12.13\nᎦᏟᎮ\t-12.13\n▁ᏚᏅᏩᏅ\t-12.13\n▁ᏚᎵᏦ\t-12.13\nᏓᏴᎳᏔᏅ\t-12.1301\n▁ᏧᎷᏫᏍᏔᏁ\t-12.1301\n▁ᎬᏩᏛᎦᏁᎸ\t-12.1301\n▁ᎢᏳᏕᏘᏴ\t-12.1301\n▁ᎤᎸᏓᎸᎥᏍ\t-12.1302\n▁ᎭᏙᎴᎰ\t-12.1302\nᏌᎺᎵ\t-12.1303\n▁ᎠᏂᏐᏢᎢᏍᏗᏍ\t-12.1303\nᎬᎭᎸᏛ\t-12.1304\nᎤᎵᎮᎵ\t-12.1304\n▁ᎧᏁᎨ\t-12.1304\nᎾᏕᎲᏍᎬ\t-12.1305\n▁ᎠᎾᎦ\t-12.1305\n▁ᎭᎵᎮᎵ\t-12.1305\n▁ᎢᎧᏁᏨ\t-12.1305\n▁ᎬᏩᏂᏴᎲ\t-12.1305\nᏬᏍᎩᎵ\t-12.1305\nᎵᏍᏗᏰᏓᏁ\t-12.1305\nᏅᏧᎵᏍᏙᏔᏅ\t-12.1305\nᏬᏥ\t-12.1306\nᏬᏁᏗᏍᎨ\t-12.1306\n▁ᎤᏘᏴ\t-12.1306\n▁ᏙᎩᎾᏍᎩᏓᏒ\t-12.1306\n▁ᎢᏳᏛᏁ\t-12.1306\nᎵᏃᎮᏗᏍᎬ\t-12.1306\nᏑᎵᎪᏨᎩ\t-12.1307\nᎵᏂᎪᎯᏍᏗ\t-12.1307\n▁ᏙᏦ\t-12.1307\nᏕᏯᏔᏁᎮ\t-12.1308\nᎠᎦᏛ\t-12.1308\nᎷᎯᏍᏔᏅ\t-12.1308\n▁ᏗᎦᎳᏫ\t-12.1309\nᏂᏄᎪᏤᎢ\t-12.131\nᏫᏌᏅ\t-12.131\n▁ᎬᏯᎵᏃᎮᏙᏗ\t-12.131\nᏲᏤᎾ\t-12.131\nᏗᎩᏯᏍᏗ\t-12.1311\nᏗᎴᎩ\t-12.1311\n▁ᎾᏥᏪᏎ\t-12.1311\nᏯᏆ\t-12.1311\nᏰᏌᏛᎢ\t-12.1312\nᎾᏄᎪᏥ\t-12.1312\nᎬᎭᎷᏯᏍ\t-12.1312\n▁ᎢᏥᎩᎵᏲᎢᏍᏗ\t-12.1313\n▁ᏱᏕᏣᏓ\t-12.1313\n▁ᎥᎤ\t-12.1313\n▁ᎢᏯᎩᏪᏍᏗ\t-12.1313\n▁ᏚᏃᏕ\t-12.1313\n▁ᏚᏂᎧᏅ\t-12.1314\n▁ᎤᎾᎵᏖᎸ\t-12.1314\nᎧᏍᎨᏂ\t-12.1314\n▁ᎻᏗᏂ\t-12.1315\n▁ᎢᎯᏴᏁᏗ\t-12.1315\nᏭᏂ\t-12.1315\nᏓᏅᏍᎨ\t-12.1316\nᎨᎳᏗ\t-12.1316\n▁ᏗᎪᏑᎴᏗ\t-12.1316\nᏛᏓᏍᏓᏁᎮ\t-12.1317\nᎷᏫᏍᏓᏁᏗ\t-12.1317\n▁ᏫᎨᏥᏯᏅ\t-12.1317\n▁ᎠᎵᏍᎦ\t-12.1317\n▁ᏕᎬᏩᎳᏫ\t-12.1317\n▁ᎣᎾᏫ\t-12.1317\nᎾᏓᏑᏰ\t-12.1317\n▁ᏗᏣᎵᏂᎪᎯᏍᏙᏗ\t-12.1318\nᏅᎵᏰᎥ\t-12.1318\n▁ᎤᎵᏍᏇᏚ\t-12.1319\nᎷᏤᎢ\t-12.1319\n▁ᏅᏓᎬᏩᏓᎴ\t-12.1319\nᏕᎭᏲᎲ\t-12.1319\n▁ᎡᎳᏆ\t-12.1319\n▁ᎠᎩᏍᏛᏗ\t-12.1319\nᏍᏆᎾᎳᏗᏍᏗ\t-12.132\n▁ᏚᏓᏓᎴ\t-12.132\nᎦᎵᏍᏗᏍᎪᎢ\t-12.132\n▁ᎥᏓᏗ\t-12.132\n▁ᎢᏣᏓᏅᏔᏩᏕ\t-12.132\nᏪᎵᏎᎢ\t-12.132\nᎪᏪᎵᎯ\t-12.132\nᏘᏅᏎ\t-12.132\nᏬᎯᏤ\t-12.1321\n▁ᎾᏯᏛᎡ\t-12.1321\n▁ᏫᏥᎷᏨ\t-12.1321\nᏂᏢᎩ\t-12.1321\nᏣᏪᏐᎸᏍᏓ\t-12.1321\nᏍᏓᏩᏕᏒᎭ\t-12.1322\n▁ᏄᏂᎬᏫᏳ\t-12.1322\n▁ᏚᏬᏢᏔ\t-12.1322\nᏍᏓᏲᏒ\t-12.1322\n▁ᏄᎬᏫ\t-12.1322\nᎦᏕᎣᏍᎦ\t-12.1323\n▁ᎤᏒᎦᎸ\t-12.1323\nᎴᏔᏅᎢ\t-12.1323\nᏕᏘᏴᏌᏗᏒ\t-12.1323\n▁ᏗᏣᏓᎴᏅ\t-12.1324\n▁ᎤᎵᏍᎪᎸᏔᏅ\t-12.1324\nᏭᎷᏤᎢ\t-12.1324\n▁ᎤᎾᏄᎪᏥ\t-12.1325\nᏍᏕᎯ\t-12.1325\nᏍᏉᏂᎪᏗ\t-12.1325\nᎷᎸᏗᏱ\t-12.1325\n▁ᎤᏣᎴᏍ\t-12.1326\nᏂᏙᎾᎡ\t-12.1326\n▁ᎤᏍᎦᎸ\t-12.1326\nᏕᏍᏗᏱ\t-12.1326\nᎦᎫᏴᏓᏁᏗ\t-12.1326\n▁ᎬᏆᏛᏁᏗ\t-12.1326\nᏖᎸᏂᎸ\t-12.1326\nᏕᎵᏙ\t-12.1327\nᏙᏣᏁ\t-12.1327\n▁ᎡᏥᏙᎵᏍᏗ\t-12.1327\nᎾᎥᏂ\t-12.1327\nᎦᎵᏂᎪᎯ\t-12.1328\n▁ᏧᏪᏙᎵᏍᏗ\t-12.1328\n▁ᎠᏆᎴᏂᏓᏍᏗ\t-12.1328\nᎦᏯᎷᎥᏍᎩ\t-12.1328\n▁ᎢᏧᏅᏁᏗ\t-12.1328\nᏅᎵᏰᏗ\t-12.1328\n▁ᎤᏬᏯᏁ\t-12.1329\nᏥᎵᏦ\t-12.1329\n▁ᎬᎩᏁᏉᏤ\t-12.1329\n▁ᎠᎫᎢᏍᏗᏍ\t-12.1329\n▁ᏙᏗᏍᎩᏯᏘ\t-12.1329\nᏌᎳᏓᏁᎢ\t-12.133\n▁ᏫᎨᏥᏲᎵ\t-12.133\nᏃᏍᎩᏒᎢ\t-12.133\n▁ᏕᎭᏕᏲᎲᏍ\t-12.1331\nᏔᎧᏅᎦ\t-12.1331\n▁ᏳᏣᏅ\t-12.1331\n▁ᎬᏬᎳᏕᏍ\t-12.1331\n▁ᎩᏯᏎ\t-12.1331\n▁ᎤᏂᏔᎳ\t-12.1331\n▁ᏭᏔᎷ\t-12.1331\nᎦᏪᎠ\t-12.1331\n▁ᎠᏓᎾᏫᏗ\t-12.1332\n▁ᏕᏥᎧᎿᏩᏗ\t-12.1332\nᏩᎯᏎᎸ\t-12.1332\nᎳᏁᎸ\t-12.1332\n▁ᏓᎭᏬᎢ\t-12.1332\nᎭᎷᏰ\t-12.1332\nᏍᏆᏗᏍᎬᎾ\t-12.1332\nᏍᏛᏗᏍᏔᏅ\t-12.1333\nᏣᎸᏫᏍᏓᏁᎮᏍᏗ\t-12.1333\n▁ᎡᎻᏂᏓ\t-12.1333\nᏥᏍᏓᏱᏕᎵ\t-12.1333\n▁ᎤᎦᎾᏏ\t-12.1333\n▁ᏁᏓᏂ\t-12.1333\n▁ᏕᏣᏓᏘᎾ\t-12.1333\n▁ᎢᏣᎢᏒ\t-12.1333\nᏞᏫᏒ\t-12.1334\nᏢᏆᏍᏙᏗ\t-12.1334\nᏟᏍᏕ\t-12.1334\nᏅᎫᏛᎢ\t-12.1334\nᏈᎷ\t-12.1334\n▁ᎠᏥᎤᏍᏕᏎᎸ\t-12.1334\n▁ᎯᏍᎫ\t-12.1334\nᏯᏘᏅᏍᏔ\t-12.1335\nᏚᏫᏍᏛ\t-12.1335\n▁ᏕᏣᎧᎿᏩᏗᏙ\t-12.1335\n▁ᎢᏯᎩᏳᏍ\t-12.1335\nᏚᏚ\t-12.1335\n▁ᎦᏕᎶ\t-12.1336\nᎵᏓᎩᏛ\t-12.1336\nᏔᏕᎩᏍᎨ\t-12.1336\nᎾᏫᏛᎯ\t-12.1336\nᏍᏓᏩᏕᎦ\t-12.1336\nᏪᏐᎸᏍᏔ\t-12.1336\n▁ᏙᏓᏲ\t-12.1336\nᏔᏍᎩᏍᎩ\t-12.1337\n▁ᏱᏗᏧᎪ\t-12.1337\n▁ᏗᎦᏅᏍᎨ\t-12.1337\nᏛᏛᎲᎦ\t-12.1337\n▁ᏥᏕᎪᏪ\t-12.1337\nᏢᏈᏍᏙᏗ\t-12.1337\nᎢᏓᏙᎴᎰ\t-12.1338\nᏕᏯᏙᏔᏂ\t-12.1338\nhi\t-12.1338\n▁ᎠᏍᏆᏂᎪᎯ\t-12.1338\n▁ᏚᏟᏂᏆ\t-12.1338\nᏴᏌᏗᏒ\t-12.1338\nape\t-12.1338\n▁Ch\t-12.1338\nᏓᎿᏍᏆᎶᏍᏗ\t-12.1338\nᎦᎴᏯᏍᎪ\t-12.1338\n▁ᎠᏩᏂᎦᎳ\t-12.1338\n▁ᎨᏣᏔᏲᏎ\t-12.1338\n▁ᏂᏚᏬᏚ\t-12.1338\n▁ᏗᎦᎷᏫᏍᏔᏅᏗ\t-12.1338\n▁ᏚᎷᏆᏗᏅ\t-12.1338\n▁ᏚᏂᏄᏪᏒ\t-12.1338\n▁ᏫᏰᏣᏓᎢ\t-12.1338\nᎢᏗᎬᏤᎵᏛ\t-12.1338\nᎤᎸᏕᎦ\t-12.1338\nᎦᏌᏯᏍᏛᎾ\t-12.1338\nᎨᎪᏪᎶᏔᏅᎯ\t-12.1338\nᎩᎷᏫᏍᏔᏏ\t-12.1338\nᎭᎴᏫᏍᏔ\t-12.1338\nᎭᏓᎾᏫᏓ\t-12.1338\nᎳᏅᏓᏗᏏ\t-12.1338\nᎵᏂᎬᏁᎭ\t-12.1338\nᎵᏍᎫᎭᏴ\t-12.1338\nᎵᏍᏇᏔᏬ\t-12.1338\nᎵᏍᏕᎸᏙᏔᎾ\t-12.1338\nᎺᎵᎩᏌᏕᎩᏃ\t-12.1338\nᎾᏗᏔᎰᏅ\t-12.1338\nᎾᏙᎯᏳᎾᏁᏗ\t-12.1338\nᏂᎦᏥᏯᏛᏁᎰ\t-12.1338\nᏂᏅᎦᎴᎰᏅ\t-12.1338\nᏂᏆᏘᎵ\t-12.1338\nᏂᏗᏥᏲᏕᏍᏗᏍᎬᎾ\t-12.1338\nᏃᎯᎵᏣᏁ\t-12.1338\nᏅᏔᏗᏘᏍᎬ\t-12.1338\nᏍᏆᏂᎪᏎᎴ\t-12.1338\nᏑᏰᏍᎬ\t-12.1338\nᏓᎦᏕᎶᎣᏏ\t-12.1338\nᏓᏓᏏᎾᎲᏍᏙᏗ\t-12.1338\nᏓᏕᏘᏴᎮᎬ\t-12.1338\nᏔᏕᎦᏅᎩ\t-12.1338\nᏕᎦᎵᎩᎡᎮᎢ\t-12.1338\nᏖᎡᎯᏍᏗᏍᎨᎢ\t-12.1338\nᏙᏛᎪᏄᎶᏏ\t-12.1338\nᏚᏂᏍᏔᏲᎳ\t-12.1338\nᏣᎵᏂᎪᎯᏍᏔᏂ\t-12.1338\nᏥᏔᏲᎯᎭ\t-12.1338\nᏥᏥᏃᎯᏍᏓ\t-12.1338\nᏥᏮᏗᎦᎶᏏ\t-12.1338\nᏯᏓᏴᎡᎵ\t-12.1338\nᏲᎰᏎᎵ\t-12.1338\n▁Po\t-12.1338\n▁ᎠᎦᎫᏴᏓᏁᎮᏍᏗ\t-12.1338\n▁ᎠᎦᏔᏔᏅᎥᏍᎩ\t-12.1338\n▁ᎠᎧᏖᏃᎮ\t-12.1338\n▁ᎠᎾᏁᎳᏗᏍᎪᎢ\t-12.1338\n▁ᎠᎾᏁᏢᏔᏂᏒᎢ\t-12.1338\n▁ᎠᏂᎧᏔᎲ\t-12.1338\n▁ᎠᏂᎻᏗᏯᏂ\t-12.1338\n▁ᎠᏂᏃᏔᏂᏙᎯ\t-12.1338\n▁ᎠᏃᏢᏅᎥᏍᎬᎢ\t-12.1338\n▁ᎠᏆᏓᏙᎵᏍᏔᏅ\t-12.1338\n▁ᎠᏍᎪᏂᏗᏢ\t-12.1338\n▁ᎠᏍᎫᏕᏍᎪᎢ\t-12.1338\n▁ᎠᏒᎾᏘᎶᎥᎯ\t-12.1338\n▁ᎠᏓᏁᏤᎯ\t-12.1338\n▁ᎠᏛᏒᎥᏍᎩ\t-12.1338\n▁ᎠᏜᏩᏍᏗᏍᎨᏍᏗ\t-12.1338\n▁ᎠᏥᏍᏛᏗᏍᏗᏍᎬᎢ\t-12.1338\n▁ᎠᏯᏍᏜᏗᏍᎩ\t-12.1338\n▁ᎡᎵᎣᏈᎦ\t-12.1338\n▁ᎢᎤᏄᎪᏨ\t-12.1338\n▁ᎢᎦᎤᏘᏍᏛ\t-12.1338\n▁ᎢᏍᎩᏌᏛᎥᏍᎦ\t-12.1338\n▁ᎢᏍᏛᎨᏳᎢ\t-12.1338\n▁ᎢᏣᏚᎸᏗᏱ\t-12.1338\n▁ᎢᏣᏠᎾᏍᏛ\t-12.1338\n▁ᎢᏥᎾᏝᎾᎥ\t-12.1338\n▁ᎢᏨᏰᎳᏗᏙᎮᏍᏗ\t-12.1338\n▁ᎢᏨᏰᏯᏔᏅᎢ\t-12.1338\n▁ᎢᏯᏟᎶᎥᎯ\t-12.1338\n▁ᎢᏰᏣᏛᏁᏗ\t-12.1338\n▁ᎢᏲᏨᏴᏁᏗᏱ\t-12.1338\n▁ᎣᎦᎵᏥᏙᏗᏱ\t-12.1338\n▁ᎣᏁᏏᏉᎳ\t-12.1338\n▁ᎤᎦᏎᏍᏕᎢ\t-12.1338\n▁ᎤᎧᏲᏐᏅ\t-12.1338\n▁ᎤᎩᎳᏫᏎ\t-12.1338\n▁ᎤᎵᏍᏔᏴᏃᏁᏍᏗ\t-12.1338\n▁ᎤᎷᏦᏅᎯ\t-12.1338\n▁ᎤᎾᎦᎰᏍᏔᏅ\t-12.1338\n▁ᎤᎾᏙᎴᎨᏎ\t-12.1338\n▁ᎤᏁᏧᏥᏛ\t-12.1338\n▁ᎤᏂᎦᏘᏕᎢ\t-12.1338\n▁ᎤᏂᎪᎯᏙᎸᎯ\t-12.1338\n▁ᎤᏂᎪᏁᎶᎯᏌᏘ\t-12.1338\n▁ᎤᏂᏍᏈᏍᏓ\t-12.1338\n▁ᎤᏂᏐᏢᎢᏍᏔᏅ\t-12.1338\n▁ᎤᏂᏔᎳᏬᏎᎢ\t-12.1338\n▁ᎤᏃᎱᎦᏂᎸ\t-12.1338\n▁ᎤᏐᏢᎢᏍᏔᏅ\t-12.1338\n▁ᎤᏓᏑᏰᎢ\t-12.1338\n▁ᎤᏓᏥᏃᎯᏍᏔᏅ\t-12.1338\n▁ᎤᏓᏩᏗᏍᏛ\t-12.1338\n▁ᎤᏚᏓᏛᏗᏱ\t-12.1338\n▁ᎤᏟᏴᏍᎩᎸᎮ\t-12.1338\n▁ᎤᏧᏈᏍᏙᏒᎯ\t-12.1338\n▁ᎤᏪᏙᎵᎨᎢ\t-12.1338\n▁ᎨᏤᎳᏗᏙᎭ\t-12.1338\n▁ᎨᏥᏐᏠᎸᎢ\t-12.1338\n▁ᎬᏩᎦᏌᏯᏍᏕ\t-12.1338\n▁ᎬᏩᏂᎾᏄᎪᏫᏎᎮᏍᏗ\t-12.1338\n▁ᎬᏩᏍᏓᏩᏙᎯ\t-12.1338\n▁ᎭᏆᏥᏂ\t-12.1338\n▁ᎭᏓᏅᏗᏍᏗᏍᎨᏍᏗ\t-12.1338\n▁ᎯᏯᎵᏍᎦᏍᏙ\t-12.1338\n▁ᎻᎱᏤᎵ\t-12.1338\n▁ᎻᏏᎴᎻ\t-12.1338\n▁ᎻᏚᏎᎵ\t-12.1338\n▁ᏁᏣᏛᏁᏍᏗᏉ\t-12.1338\n▁ᏂᎦᏅᎦᎸᎲᎾ\t-12.1338\n▁ᏂᎦᏥᏪᏎᎭ\t-12.1338\n▁ᏂᎬᏫᏍᏕ\t-12.1338\n▁ᏂᏕᏣᏓᏛᏁᎮᏍᏗ\t-12.1338\n▁ᏂᏗᏣᏓᏕᎵᏎᎲᎾ\t-12.1338\n▁ᏂᏗᏣᏢᏫᏎᎲᎾ\t-12.1338\n▁ᏂᏗᏥᏁᎲᎾ\t-12.1338\n▁ᏂᏙᏣᎵᏍᏓᏁᎭ\t-12.1338\n▁ᏄᎾᎵᎮᎵᏣᏛᎾ\t-12.1338\n▁ᏄᏂᎷᎶᏤᎲᎾ\t-12.1338\n▁ᏅᎤᏪᏎᎸᎩ\t-12.1338\n▁ᏅᏋᏁᎵᏙᎸᎢ\t-12.1338\n▁ᏅᏓᎦᏪᏏ\t-12.1338\n▁ᏅᏓᏍᎩᏴᏁᎵ\t-12.1338\n▁ᏅᏓᏳᎾᎵᏍᏓᏁᎵ\t-12.1338\n▁ᏅᏓᏳᏍᏗᏗᏒᎩ\t-12.1338\n▁ᏅᏛᏂᏙᎾᎢ\t-12.1338\n▁ᏈᏗᏂᏱ\t-12.1338\n▁ᏍᎩᏯᎵᎡᎵᏍ\t-12.1338\n▁ᏍᎩᏯᏐᎥᎦ\t-12.1338\n▁ᏍᏆᏕᎲᏏ\t-12.1338\n▁ᏐᎵᎼᏅ\t-12.1338\n▁ᏓᎦᎳᏐᏫᏏ\t-12.1338\n▁ᏓᎧᎿᏩᏕᎨᏍᏗ\t-12.1338\n▁ᏓᎨᎯᏛᏔᏂ\t-12.1338\n▁ᏓᎩᏯᏪᏥᏙᎸ\t-12.1338\n▁ᏓᎬᏁᏉᎢ\t-12.1338\n▁ᏓᎬᏍᏓᏩᏗᏙᎵ\t-12.1338\n▁ᏓᎾᏕᏒᎲᏍᎨᎢ\t-12.1338\n▁ᏓᎾᏦᎭᏱᎮ\t-12.1338\n▁ᏓᎿᏬᏍᎨ\t-12.1338\n▁ᏓᏁᏙᎲᎩ\t-12.1338\n▁ᏓᏂᏂᎩᎸ\t-12.1338\n▁ᏓᏂᏥᏍᏔᎳᏍᎬ\t-12.1338\n▁ᏓᏍᎩᏯᏠᏥ\t-12.1338\n▁ᏓᏓᏘᏁᎲᎢ\t-12.1338\n▁ᏓᏥᎴᏐᏂ\t-12.1338\n▁ᏓᏥᏍᏔᏩᏕᏏ\t-12.1338\n▁ᏓᏥᏔᏲᎵ\t-12.1338\n▁ᏓᏨᏲᏎᎵ\t-12.1338\n▁ᏓᏲᏍᏓᏁᎳᏗ\t-12.1338\n▁ᏓᏳᎾᏚᎩᏒ\t-12.1338\n▁ᏕᎤᎸᏫᏍᏓᏏ\t-12.1338\n▁ᏕᎨᎦᏓᏂᎸᏨ\t-12.1338\n▁ᏕᎩᎾᏦᏒ\t-12.1338\n▁ᏕᎬᏒᎲᏍᎬᎢ\t-12.1338\n▁ᏕᎬᏩᏓᏂᎸᏨᎩ\t-12.1338\n▁ᏕᎬᏯᎫᏴᏓᏁᎮᏍᏗ\t-12.1338\n▁ᏕᎬᏯᏠᎢᏍᏓᏁᎸ\t-12.1338\n▁ᏕᎭᏅᏓᏗᏍᏗᏍᎨᏍᏗ\t-12.1338\n▁ᏕᎯᏯᏓᏂᎸᏨᎭ\t-12.1338\n▁ᏕᏍᏗᏂᏴᎮᏍᏗ\t-12.1338\n▁ᏕᏥᎦᎿᏩᏗᏒ\t-12.1338\n▁ᏗᎦᎵᏯᏅᎯᏛ\t-12.1338\n▁ᏗᎨᏥᏅᏍᏕᏎᎸᎯ\t-12.1338\n▁ᏗᎩᎾᏓᏛᏙᏗ\t-12.1338\n▁ᏗᎫᏩᎭᏄᏫ\t-12.1338\n▁ᏗᎬᏩᏕᏲᏗ\t-12.1338\n▁ᏗᏂᎳᏍᏓᎳᏩᏗᏒ\t-12.1338\n▁ᏗᏓᏙᏕᎯᎯ\t-12.1338\n▁ᏗᏗᏂᏃᎩᏍᎨᎢ\t-12.1338\n▁ᏗᏴᎦᎴᏴᏓ\t-12.1338\n▁ᏘᏰᎵᎯᏍᏓ\t-12.1338\n▁ᏙᎦᏓᏲᎵᎸ\t-12.1338\n▁ᏙᎵᏓᏍᏆ\t-12.1338\n▁ᏙᏓᎦᏥᏯᏟᎶᏍᏔᏂ\t-12.1338\n▁ᏙᏓᏦᎵᏍᏔᏂ\t-12.1338\n▁ᏙᏘᏴᏔᏂᎵ\t-12.1338\n▁ᏙᏛᎠᎴᎯᏌᏂ\t-12.1338\n▁ᏚᎵᏖᎸᏁ\t-12.1338\n▁ᏚᎾᏁᎳᏗᏙᎴ\t-12.1338\n▁ᏚᎾᏁᏍᏓᏝᎰᎢ\t-12.1338\n▁ᏚᎾᏐᏓᎸ\t-12.1338\n▁ᏚᎾᏗᏫᏍᏗᏍᎨ\t-12.1338\n▁ᏚᎾᏦᎭᏱᎸ\t-12.1338\n▁ᏚᏂᎵᏰᏗᏍᎬ\t-12.1338\n▁ᏚᏂᎷᏫᏍᏔᏁᎲ\t-12.1338\n▁ᏚᏌᏬᎴ\t-12.1338\n▁ᏚᏍᏆᎸᏔᏅ\t-12.1338\n▁ᏚᏗᎦᎴᏯᏍᏔᏅ\t-12.1338\n▁ᏚᏟᎷᏆᏗᏅᏎ\t-12.1338\n▁ᏚᏥᏍᏠᏨᎩ\t-12.1338\n▁ᏚᏩᏅᎦᏢ\t-12.1338\n▁ᏚᏮᎩᎶᎥᎩ\t-12.1338\n▁ᏚᏯᏍᏜᏛ\t-12.1338\n▁ᏛᎩᏯᏅᎡᎴᏍᏗ\t-12.1338\n▁ᏛᎵᏰᎢᎸᏍᏓ\t-12.1338\n▁ᏛᎾᎵᏛᏔᏂ\t-12.1338\n▁ᏛᏋᏍᎦᎸᏂ\t-12.1338\n▁ᏣᏥᏰᎸᎾᏁᎴᎢ\t-12.1338\n▁ᏥᎦᎧᎰᎢ\t-12.1338\n▁ᏥᎬᎩᎾᎸᏍᏔᏅᎩ\t-12.1338\n▁ᏥᏁᏣᏛᎩᏍᎪᎢ\t-12.1338\n▁ᏥᏂᏕᎯᏪᏎᎸᎩ\t-12.1338\n▁ᏥᏂᏚᏩᏁᎸ\t-12.1338\n▁ᏥᏍᎩᏯᏂᎩᏍᏓ\t-12.1338\n▁ᏥᏓᏅᎿᏗᏍᏙᏗ\t-12.1338\n▁ᏥᏓᏚᏫᏍᏗᎭ\t-12.1338\n▁ᏥᏚᏣᏃᏛᎩ\t-12.1338\n▁ᏥᏫᏗᎦᎸᏌᏓᏗᏍᎪᎢ\t-12.1338\n▁ᏥᏫᏨᏲᏪᎳᏁ\t-12.1338\n▁ᏥᏯᎵᏃᎮᏗᏍᎬᎢ\t-12.1338\n▁ᏥᏯᏓᏁᏟᏴᏍᏓᏁᎸ\t-12.1338\n▁ᏥᏯᏚᏣᎳᏅᎭ\t-12.1338\n▁ᏦᎦᏓᏂᎸᎢᏍᏗᏱ\t-12.1338\n▁ᏦᎩᏲᎱᎯᏍᏗᏱ\t-12.1338\n▁ᏦᏣᎵᏥᏙᏁᏗᏱ\t-12.1338\n▁ᏧᏃᏕᎯᎯ\t-12.1338\n▁ᏧᏣᏬᏓ\t-12.1338\n▁ᏨᏧᎶᏎᎢ\t-12.1338\n▁ᏩᏂᎶᏒᎭ\t-12.1338\n▁ᏩᏆᏘᏅᏍᏔᏅᎩ\t-12.1338\n▁ᏫᎤᏪᏅ\t-12.1338\n▁ᏫᎬᏩᏲᏥᏓᏍᏗ\t-12.1338\n▁ᏫᏂᏚᏩᏁᎴ\t-12.1338\n▁ᏫᏄᎾᏛᏁᎸᎩ\t-12.1338\n▁ᏫᏙᏛᎾᎴᏔᏂ\t-12.1338\n▁ᏫᏙᏛᎾᏓᎡᏏ\t-12.1338\n▁ᏫᏙᏛᏂᏲᎯᏎᎵ\t-12.1338\n▁ᏫᏚᎦᏔᎲᏍᏙᏗᏱ\t-12.1338\n▁ᏫᏱᏣᎧᎲᎦ\t-12.1338\n▁ᏭᏁᎳᏗᏓ\t-12.1338\n▁ᏭᏁᏙᎸᎯ\t-12.1338\n▁ᏭᏓᏬᎥᏍᏗ\t-12.1338\n▁ᏭᏗᏍᎦᏝᏁ\t-12.1338\n▁ᏭᏩᏯᎸᏥᎴ\t-12.1338\n▁ᏮᏓᏳᏎᎮᎵ\t-12.1338\n▁ᏮᏛᏂᎶᏏ\t-12.1338\n▁ᏯᎩᎷᏤᎴᏍᏗ\t-12.1338\n▁ᏯᎾᏓᏅᏍᎬᎾ\t-12.1338\n▁ᏯᏂᏍᏙᎰᎢ\t-12.1338\n▁ᏯᏉᎯᏳᎮ\t-12.1338\n▁ᏯᏕᏠᏆᏍᎦ\t-12.1338\n▁ᏱᏁᏨᎾᏕᎨᏍᏗ\t-12.1338\n▁ᏱᏅᏧᎵᏍᏙᏔᏁ\t-12.1338\n▁ᏱᏍᎩᎦᏔᎮᎢ\t-12.1338\n▁ᏱᏍᎩᏲᎢᏳᎲᏍᎦ\t-12.1338\n▁ᏱᏍᎩᏲᎢᏳᏁᎢ\t-12.1338\n▁ᏱᏍᏆᏓᏙᎵᏍᏓᏁᎸ\t-12.1338\n▁ᏱᏓᏂᏍᏓᏩᎦᎦ\t-12.1338\n▁ᏱᏕᏥᎤᏍᏕᏎᎸ\t-12.1338\n▁ᏱᏗᏥᏍᏆᏂᎪ\t-12.1338\n▁ᏱᏚᏂᎿᏍᏕᏠᎢ\t-12.1338\n▁ᏱᏣᏍᎦᏅᏤᏍᏗ\t-12.1338\n▁ᏱᏥᎪᏁᎶᏍᎨᏍᏗ\t-12.1338\n▁ᏱᏦᎯᏳᎭ\t-12.1338\n▁ᏱᏦᎯᏳᏁᏍᏗ\t-12.1338\n▁ᏳᎦᏌᏯᏍᏔᏁ\t-12.1338\n▁ᏳᏂᏬᏂᏌ\t-12.1338\n▁ᏴᎦᎬᏴᏕᎩ\t-12.1338\n▁ᏴᎬᏚᏓᎴᏍᏓ\t-12.1338\n▁ᎠᎩᎪᏩᏘᏍᎩ\t-12.1338\n▁ᎠᎵᏖᎸᏂᎮᎢ\t-12.1338\n▁ᎠᏂᏫᏄᏣ\t-12.1338\n▁ᎠᏂᏫᏅᎨᏌᏂ\t-12.1338\n▁ᎠᏅᏳᏤᎲ\t-12.1338\n▁ᎠᏫᏒᎥᏍᎩ\t-12.1338\n▁ᎤᏂᏲᎸᎢᏍᏔᏅ\t-12.1338\n▁ᎤᏄᎶᎸ\t-12.1338\n▁ᎬᏲᎵᏍᏔᏅ\t-12.1338\n▁ᏂᏛᏅᏁᎵ\t-12.1338\n▁ᏂᏥᏪᏍᎨᏍᏗ\t-12.1338\n▁ᏕᎤᏬᎡᎢ\t-12.1338\n▁ᏕᏥᎦᏌᏬᎢᎲᎢ\t-12.1338\n▁ᏛᏃᎵᏥ\t-12.1338\n▁ᏥᎿᏛᎦ\t-12.1338\n▁ᏫᏗᏍᎩᏯᏘᏅᏍᏔᏅᎩ\t-12.1338\n▁ᏯᎩᏲᏏᎭ\t-12.1338\n▁ᏳᏰᎵᏛᎾ\t-12.1338\nᎦᏙᎴᎰᏍᎦ\t-12.1338\nᎩᏰᎳᏗᏙᎭ\t-12.1338\nᏂᎨᎯᏙᎵ\t-12.1338\nᏌᏆᏞ\t-12.1338\nᏍᎫᏆ\t-12.1338\nᏥᎦᏖᏃᎮᏍᏗ\t-12.1338\nᏩᏒᏙᎣᏎ\t-12.1338\nᏴᏍᏓᎩᏍᎩ\t-12.1338\n▁ᎠᎦᎾᏬᏗᏍ\t-12.1338\n▁ᎠᏄᏖᏍᎨ\t-12.1338\n▁ᎠᏍᎪᎵᏰᏍᎨ\t-12.1338\n▁ᎠᏍᎫᏕᏍᎩ\t-12.1338\n▁ᎡᎵᎡᏌ\t-12.1338\n▁ᎡᏥᏔᏲᏎᎮᏍᏗ\t-12.1338\n▁ᎢᎡᏥᎪᎵᏰ\t-12.1338\n▁ᎢᎩᏲᎱᎯᏎᎸ\t-12.1338\n▁ᎢᏍᎩᏃᏁᎵᎸ\t-12.1338\n▁ᎢᏍᎩᏍᎦᎦ\t-12.1338\n▁ᎤᎦᏴᎳᏨ\t-12.1338\n▁ᎤᎵᎩᏳᏍ\t-12.1338\n▁ᎤᎵᏍᎩᏃᏘᏍ\t-12.1338\n▁ᎤᏂᏩᏒᎥᏍᎩ\t-12.1338\n▁ᎤᏍᏕᏅᏨ\t-12.1338\n▁ᎤᏖᎸᏅ\t-12.1338\n▁ᎥᏆᎨᏅᏛ\t-12.1338\n▁ᎬᎾᏰᏍᎬ\t-12.1338\n▁ᎬᏩᏂᏲᏥᏙᎸ\t-12.1338\n▁ᎬᏩᏕᎰᏔᏁᎢ\t-12.1338\n▁ᎭᏙᏯᏅᎯ\t-12.1338\n▁ᏂᎦᏥᏯᏛᏁᎸᎩ\t-12.1338\n▁ᏂᎻᎶᏗ\t-12.1338\n▁ᏂᏓᎦᏛᏁᎵ\t-12.1338\n▁ᏂᏙᏓᎬᏩ\t-12.1338\n▁ᏅᏧᏛᎿᏗᏎ\t-12.1338\n▁ᏓᏂᏄᎪᏫᏍ\t-12.1338\n▁ᏓᏳᏐᏅᏂ\t-12.1338\n▁ᏕᎨᎦᎴᏗ\t-12.1338\n▁ᏕᏣᏓᏡᏩᏗᏒ\t-12.1338\n▁ᏕᏥᎳᏫᏦᎯᎲ\t-12.1338\n▁ᏕᏥᏄᎪᏫᏍ\t-12.1338\n▁ᏗᎦᎦᏠᏱᎯ\t-12.1338\n▁ᏗᎩᎾᏢᏗᏱ\t-12.1338\n▁ᏚᎳᏑᏞ\t-12.1338\n▁ᏛᎵᏍᏓᏴᏂ\t-12.1338\n▁ᏣᏂᏙᎾᎠ\t-12.1338\n▁ᏣᏦᏔᏍᏔᏅ\t-12.1338\n▁ᏥᏕᎾᏦᎯ\t-12.1338\n▁ᏥᏚᏱᎶᎴᎢ\t-12.1338\n▁ᏧᏃᎸᏔᏂᏙᎰ\t-12.1338\n▁ᏧᏄᎪᏨ\t-12.1338\n▁ᏧᏚᎪᏙᏗ\t-12.1338\n▁ᏱᎦᎳᏍᏢ\t-12.1338\n▁ᏱᏪᏣᏓᎢᏅ\t-12.1338\n▁ᏳᏂᏚᎬᎾ\t-12.1338\n▁ᏴᎬᏓᏛᎦ\t-12.1338\nᎨᎩᎩᎵᏲᎢᏍᏗᏍᎬᎩ\t-12.1338\nᎭᏄᏭ\t-12.1338\nᎳᏫᏎᎵ\t-12.1338\nᏍᏚᎢᎡᏗᏱ\t-12.1338\nᏓᎾᏇᏍᎬ\t-12.1338\nᏚᎾᏓᏩᏛᏔᏁᎢ\t-12.1338\nᏚᏔᎲᎢ\t-12.1338\nᏣᎬᏩᎳᏅᎯ\t-12.1338\nᏬᏁᏔᏂ\t-12.1338\nᏴᎧᏁᎵ\t-12.1338\n▁ᎠᎦᏐᎠᏏᎯᎲ\t-12.1338\n▁ᎠᎵᏒᎢᏍᏙᏗ\t-12.1338\n▁ᎠᏅᏳᎬ\t-12.1338\n▁ᎢᏥᏑᎵᎪᎢ\t-12.1338\n▁ᎢᏨᎩᎵᏲᏤᎲ\t-12.1338\n▁ᎤᎾᏍᏕᏥ\t-12.1338\n▁ᎥᏥᏯᏓᏙᎵᏍᏓᏁᎸᎩ\t-12.1338\n▁ᎥᏥᏯᏛᎦᏁᎸᎩ\t-12.1338\n▁ᏂᏤᎵᏍᎬᎾ\t-12.1338\n▁ᏅᏗᎦᎵᏍᏗᏙᏗᏍ\t-12.1338\n▁ᏕᎦᏓᏬᏍᏗᎭ\t-12.1338\n▁ᏕᏥᏲᏍᎨᏍᏗ\t-12.1338\n▁ᏗᎨᏥᏐᏅᏅᎯ\t-12.1338\n▁ᏗᎩᎧᏁᏴᏗᏱ\t-12.1338\n▁ᏙᏨᏅᎢ\t-12.1338\n▁ᏚᏟᎶᏍᏔᏁᎴ\t-12.1338\n▁ᏛᎾᏓᏅᏓᏗ\t-12.1338\n▁ᏧᎾᎵᏂᎦᏂ\t-12.1338\n▁ᏧᏂᎾᏦᏴᏍᏗ\t-12.1338\n▁ᏩᏐᏝ\t-12.1338\n▁ᏫᏂᏚᏅ\t-12.1338\n▁ᏫᏓᏂᏅᎨᎢ\t-12.1338\n▁ᏫᏥᎾᏄᎪᎢᏍᏗᏱ\t-12.1338\n▁ᏭᏓᎩᏅᏒ\t-12.1338\n▁ᏭᏩᎾᏬ\t-12.1338\n▁ᏭᏬᎯᎶ\t-12.1338\n▁ᏮᎠᎦᏔᎲᏍᏓ\t-12.1338\n▁ᏳᎬᏫᏳᎭ\t-12.1338\n▁ᏳᏩᎨᏫ\t-12.1338\nᎠᏆᏘᏂᏙ\t-12.1338\nᎧᏙᏴ\t-12.1338\nᏐᏢᎢᏍᏔᏁᎢ\t-12.1338\nᏕᎭᏓᏟᏴᎲ\t-12.1338\nᏗᏍᎦᏅᎨᏍᏗ\t-12.1338\nᏯᏙᎴᎣᎯ\t-12.1338\n▁ᎠᎩᏂᏰᎸ\t-12.1338\n▁ᎠᏓᎿᏍᏆᎶᏍᏗᏍᎩ\t-12.1338\n▁ᎡᏣᏛᏓᏍᏓᏏ\t-12.1338\n▁ᎣᎦᏢᏆᏒ\t-12.1338\n▁ᎤᏍᏘᏰᏅᎯ\t-12.1338\n▁ᎬᏩᎦᏘᏗᏍᎩ\t-12.1338\n▁ᎭᏇᏅᏍᏗ\t-12.1338\n▁ᎯᎨᏳᎢ\t-12.1338\n▁ᏂᏓᎵᏍᏗᎭ\t-12.1338\n▁ᏃᏣᏛᏁᎲ\t-12.1338\n▁ᏐᏱᏁᎳ\t-12.1338\n▁ᏗᏅᏂᎦᎵᏍᏗ\t-12.1338\n▁ᏚᏛᏅᎢᏍᏓᏁᎸ\t-12.1338\n▁ᏥᏚᏭᏓ\t-12.1338\n▁ᏧᏂᏄᎪᏨ\t-12.1338\n▁ᏱᎨᎵᏍᎨ\t-12.1338\n▁ᏳᏂᎷᏤᎮ\t-12.1338\n▁ᎠᎩᎵᏲᎦ\t-12.1338\n▁ᎠᎵᏍᏛᏧᏍᏗ\t-12.1338\n▁ᎠᎵᏘᏍᎪᎢ\t-12.1338\n▁ᎠᏆᏂᎩᏍᏗᏱ\t-12.1338\n▁ᎤᎧᏲᏐᏁ\t-12.1338\n▁ᎤᎬᏍᏉᎡ\t-12.1338\n▁ᎤᎾᏰᏒᎯ\t-12.1338\n▁ᏂᏚᎳᏍᎬᎢ\t-12.1338\n▁ᏂᏚᎾᏓᏁᎶᏛᎾ\t-12.1338\n▁ᏣᎶᏅᎮᎭ\t-12.1338\n▁ᏥᏣᏣᎠ\t-12.1338\n▁ᏩᏍᏖᏍᏗ\t-12.1338\n▁ᏯᎪᏩᏘᏍᎨᎢ\t-12.1338\n▁ᏲᏍᏗᎦᏔᎭ\t-12.1338\nᎨᏥᎤᏍᏕᏎᎴᎢ\t-12.1338\nᎨᏦᏎᎰ\t-12.1338\nᏁᎶᎲᏍᎩ\t-12.1338\nᏚᏣᎪᏎ\t-12.1338\nᏩᏍᎦᎸᏁᎢ\t-12.1338\nᏫᏚᏘᏅᏍᏔᏅᎩ\t-12.1338\nᏬᏁᏗᏍᎩ\t-12.1338\n▁ᎠᎾᏓᏛᏍᎬᎢ\t-12.1338\n▁ᎠᏠᏄᎮᏛ\t-12.1338\n▁ᎢᎠᏥᏩᏛᎲᏃ\t-12.1338\n▁ᎣᏣᏁᏦᎥᏍ\t-12.1338\n▁ᎬᏇᏅᏍᏗ\t-12.1338\n▁ᎭᏓᏳᎦ\t-12.1338\n▁ᏂᏣᏓᎨᏒ\t-12.1338\n▁ᏕᎦᏃᏣᏢ\t-12.1338\n▁ᏕᎨᎫᎪᏓᏁ\t-12.1338\n▁ᏗᎦᎶᏐᎲᏍᎩ\t-12.1338\n▁ᏗᏍᏇᏲᎲᏍᎩ\t-12.1338\n▁ᏙᎩᏯᏪᏥᏙ\t-12.1338\n▁ᏙᏓᎦᏥᏳᎪᏓᏁᎵ\t-12.1338\n▁ᏙᏓᏨᏲᎯᏎᎵ\t-12.1338\n▁ᏚᏂᏍᏆᎸᏔ\t-12.1338\n▁ᏣᏁᏉᎥᎯ\t-12.1338\n▁ᏥᎬᏲᏎᎸᎩ\t-12.1338\n▁ᏥᏂᏓᎦᏔᎰᎢ\t-12.1338\n▁ᏥᏂᏚᏪᏎᎴᎢ\t-12.1338\n▁ᏦᏪᎳᏅᎩ\t-12.1338\n▁ᏧᏙᎨᏍᎩ\t-12.1338\n▁ᏫᏥᎧᏅᎯ\t-12.1338\n▁ᏳᎨᏅᏛ\t-12.1338\nᎩᏰᏲᏗ\t-12.1338\nᎭᏓᎾᏫᏗᏍ\t-12.1338\nᏂᏒᎳᏍᎨ\t-12.1338\nᏯᏠᎩᏉ\t-12.1338\n▁ᎠᎾᏙᏂᏍᎩ\t-12.1338\n▁ᎠᏓᏬᏍᎬ\t-12.1338\n▁ᎠᏓᏴᏍᏕᏍᎩ\t-12.1338\n▁ᎢᎨᏣᎵᏍᏓᏁᏗ\t-12.1338\n▁ᎣᏂᏏᎹ\t-12.1338\n▁ᎤᏓᏁᎪᏳᎲ\t-12.1338\n▁ᎦᎴᏫᏍᏗ\t-12.1338\n▁ᏓᎦᏁᏐ\t-12.1338\n▁ᏓᏇᎷᎬ\t-12.1338\n▁ᏕᎦᏟᎶᏍᏗᏍᎬ\t-12.1338\n▁ᏚᎾᏘᏔ\t-12.1338\n▁ᏣᏓᎦᏌ\t-12.1338\n▁ᏤᏧᎪᏓᏁ\t-12.1338\n▁ᏧᎦᏔᏘ\t-12.1338\n▁ᏧᏂᏨᏍᏙᏗ\t-12.1338\nᏓᎩᎧᎿᏩᏗᏙᎸ\t-12.1338\n▁ᎠᎩᏲᎮ\t-12.1338\n▁ᎠᏂᏫᏒᎥᏍᎩ\t-12.1338\n▁ᎠᏆᏘᏂᏙᎲᎩ\t-12.1338\n▁ᎤᏪᏩᏒᎢᏍᏗ\t-12.1338\n▁ᎨᏥᏍᎦᏂ\t-12.1338\n▁ᎪᏎᎰ\t-12.1338\n▁ᎯᏂᏌᏉ\t-12.1338\n▁ᏂᎨᎵᏍᎪ\t-12.1338\n▁ᏓᏂᎶᏒᎭ\t-12.1338\n▁ᏓᏥᎵᏬᏥ\t-12.1338\n▁ᏕᏓᏦᏍᎬᎢ\t-12.1338\n▁ᏗᏂᎳᏫᏦᎯᎯ\t-12.1338\n▁ᏚᏔᏪᏙᏁ\t-12.1338\n▁ᏛᎡᏥ\t-12.1338\n▁ᏣᏰᎸᏎᏍᏗ\t-12.1338\n▁ᎠᏉᏛᎸᎯ\t-12.1338\n▁ᎬᏕᏘᏱᎩ\t-12.1338\n▁ᏓᎬᏯᏎᎮᎵ\t-12.1338\n▁ᏧᏂᏂᏴᏓ\t-12.1338\nᏓᎿᏫ\t-12.1338\nᏗᏚᎳᏫᎢᏍᏗᏱ\t-12.1338\nᏚᎾᏄᏩᎡ\t-12.1338\nᏣᎴᏫᏍᏗᏍᎬ\t-12.1338\n▁ᎤᏁᏐᎠᎯᏍᏗ\t-12.1338\n▁ᏓᎾᎵᏃᎮᎵᏙᎲ\t-12.1338\nᎦᏒᎳᏍᎪ\t-12.1338\nᎬᏯᎵᎮᎵᏤᎭ\t-12.1338\nᏑᎴᏍᎪ\t-12.1338\nᏚᎦᎴᏅᏔᏁ\t-12.1338\nᏬᏎᎵ\t-12.1338\n▁ᎠᎩᏯᎣᏅ\t-12.1338\n▁ᎡᏧᎢᏍᏗ\t-12.1338\n▁ᎬᏩᎵᏠᏯᏍᏗ\t-12.1338\n▁ᏂᏨᏯᏛᏁᎸ\t-12.1338\n▁ᏅᏗᎦᏍᏙᏗᏍᎨ\t-12.1338\n▁ᏍᏆᏂᏏᎲᏏ\t-12.1338\n▁ᏕᏣᏓᎦᎵᏍᏓᏗᏍ\t-12.1338\n▁ᏘᎻᎾ\t-12.1338\n▁ᏥᏂᏥᏪᏍᎬᎩ\t-12.1338\n▁ᏫᎦᏓᎥ\t-12.1338\n▁ᏫᏥᎶᏒᎩ\t-12.1338\n▁ᏱᎫᏩᏂ\t-12.1338\n▁ᏱᏗᏦᎯᏳ\t-12.1338\n▁ᎠᎾᏍᎩᏓᏒᎥᏍ\t-12.1338\n▁ᎤᎦᎶᎬ\t-12.1338\n▁ᎤᏂᏃᏴᎵᏓ\t-12.1338\nden\t-12.1338\nᏁᎷᎩᎡᎸ\t-12.1338\nᏓᏓᏚᎪᏓᏁᎲ\t-12.1338\nᏙᏧᏄᎪᏫᏎᎢ\t-12.1338\n▁Pri\t-12.1338\n▁ᎠᏲᏓᏒ\t-12.1338\n▁ᎣᎦᏕᏗᏱ\t-12.1338\n▁ᎣᏍᏗᏴᎩ\t-12.1338\n▁ᎦᎳᏍᏢ\t-12.1338\n▁ᎪᎯᏳᎲᏍᎬ\t-12.1338\n▁ᎬᏇᎸ\t-12.1338\n▁ᏌᏬᏛ\t-12.1338\n▁ᏓᏤᏲᏂ\t-12.1338\n▁ᏕᏛᏁᏍᏗ\t-12.1338\n▁ᏥᎯᏃᏁᎵ\t-12.1338\n▁ᏧᏍᏚᎢᎡᎸᎯ\t-12.1338\n▁ᏦᏌᏯ\t-12.1338\n▁ᏂᎬᎩᏲᎸᎾ\t-12.1338\n▁ᏅᏗᎠᏥᏪᏎ\t-12.1338\n▁ᏫᏙᏓᎨ\t-12.1338\n▁ᏰᏣᏛᏓ\t-12.1338\nᎠᎦᏍᎦᏃ\t-12.1338\n▁ᎤᏄᏓᎴᏍᎩ\t-12.1338\n▁ᎤᏕᎯᏴ\t-12.1338\n▁ᎫᎭᏟ\t-12.1338\n▁ᎺᎠ\t-12.1338\n▁ᏚᏰᏍᏛ\t-12.1338\n▁ᏥᏕᎨᏥ\t-12.1338\n▁ᏧᏍᏕᎸᏛ\t-12.1338\nᎦᎾᏬᏒ\t-12.1338\n▁ᎠᎾᎵᏖᎸᎲᏍᎬ\t-12.1338\n▁ᎠᏂᏴᏍᏗᏍᎩ\t-12.1338\n▁ᎠᏆᏂᏏᏗᏱ\t-12.1338\n▁ᎠᏥᏓᎦᎸᎢᏒᎯ\t-12.1338\n▁ᎤᎵᏍᎩᏃᎳ\t-12.1338\n▁ᏗᎦᎷᏥᏒ\t-12.1338\n▁ᏚᏁᏲᏁ\t-12.1338\n▁ᏥᎬᏩᏂᏛᏔᏁ\t-12.1338\n▁ᎡᏥᏩᏛᎲᎭ\t-12.1338\nᏓᏡᏫᏍᏕᎢ\t-12.1338\nᏗᏫᏎᎸᎩ\t-12.1338\n▁ᎠᏌᏱᎵ\t-12.1338\n▁ᎠᏣᎩᏍᎩ\t-12.1338\n▁ᎤᎦᎾᏅ\t-12.1338\n▁ᎤᏍᎩᏅᏕ\t-12.1338\n▁ᎧᏁᎮᏛ\t-12.1338\n▁ᏥᏂᏌᏅᎩ\t-12.1338\n▁ᏥᏙᏣᏠᎯ\t-12.1338\n▁ᏧᎨᏅᏛ\t-12.1338\n▁ᏧᏎᎪᎩᏍᏗᏱ\t-12.1338\n▁ᎠᏑᏯᎩᏛ\t-12.1338\n▁ᎡᏐᏏ\t-12.1338\n▁ᎢᏣᏢᏆᏍᎬ\t-12.1338\n▁ᎤᏂᏍᏔᏩᏛ\t-12.1338\n▁ᏕᏥᎦᏅᎩ\t-12.1338\n▁ᏚᏒᎦᎸᎩ\t-12.1338\n▁ᏥᏛᏦ\t-12.1338\n▁ᏫᎾᏴᎯ\t-12.1338\n▁ᏯᏗᏔᏍᎨ\t-12.1338\n▁ᏱᏂᎦᏪᎭ\t-12.1338\n▁ᏱᏨᏃᏁᎴᎢ\t-12.1338\nᏥᏍᏝ\t-12.1338\n▁ᎠᏆᏍᎪᏒᎯ\t-12.1338\n▁ᎦᏄᏓᎴᎩ\t-12.1338\n▁ᎬᏯᏛᎦᏁᎸ\t-12.1338\n▁ᎭᏛᏅᎭ\t-12.1338\n▁ᏗᏓᎢᏒᎢ\t-12.1338\n▁ᏙᏛᏂᏴᎳᏏ\t-12.1338\n▁ᏚᎾᏗᏍᏚ\t-12.1338\n▁ᏚᏂᎳᏫᏛ\t-12.1338\n▁ᏧᎵᏯᏏ\t-12.1338\n▁ᏫᎫᏩᏂᎶᎯᏍᏗ\t-12.1338\n▁ᏫᏱᏣᏴ\t-12.1338\n▁ᏱᎫᏩᎾ\t-12.1338\n▁ᎤᏐᏓᎸ\t-12.1338\n▁ᎤᏣᏃᏛᎩ\t-12.1338\n▁ᎦᏲᎩᏂ\t-12.1338\n▁ᏉᏗᏆ\t-12.1338\n▁ᏥᏂᏕᎤ\t-12.1338\n▁ᏥᏂᏨᏪᏏ\t-12.1338\n▁ᏳᎬᏩ\t-12.1338\nᏣᎵᎮᎵᎪᎢ\t-12.1339\n▁ᎠᎪᏩᏘᏍᎨᎢ\t-12.1339\n▁ᎠᎵᏍᏔᏴᎲᏍᎨ\t-12.1339\n▁ᎠᏂᎯᏲᎲᎢ\t-12.1339\n▁ᎢᏣᎵᏥᏙᎲᏍᎨᏍᏗ\t-12.1339\n▁ᎢᏳᏅᏂᏐᏗᏱ\t-12.1339\n▁ᎣᎦᏛᏅᎢᏍᏓᏁᎸ\t-12.1339\n▁ᎤᏗᏍᏚᏅ\t-12.1339\n▁ᎦᏃᎴᏍᎬ\t-12.1339\n▁ᏙᏓᏲᎩᎸᏫᏍᏓᏁ\t-12.1339\n▁ᏙᏗᏂᎧᏁᎢ\t-12.1339\n▁ᏚᎵᏥᏍ\t-12.1339\n▁ᏚᏓᎴᏅᏔᏅ\t-12.1339\n▁ᏩᏕᏗᏱ\t-12.1339\n▁ᏫᎬᏩᏘᏅᏍᏔᏅᎩ\t-12.1339\n▁ᏱᏂᎦᏔᎮ\t-12.1339\n▁ᎬᏩᎩᏨᏗ\t-12.1339\nᏏᏄᏴ\t-12.1339\nᏜᏅᏓᏕ\t-12.1339\n▁ᎠᏌᎻᏛ\t-12.1339\n▁ᎠᏍᏚᏟᏍᎩ\t-12.1339\n▁ᎾᏆᎵᏍᏓᏁᎵᏙᎲᎢ\t-12.1339\n▁ᏚᎾᏓᏟᏴᎲ\t-12.1339\n▁ᏱᏗᏓᏓᏂᎸᎦ\t-12.1339\n▁ᎢᎨᎬᎾᏕᎩ\t-12.1339\n▁ᎤᏃᎱᏲᎵ\t-12.1339\n▁ᏄᏚᏪᏎᎸᎩ\t-12.1339\n▁ᏟᏍᏆ\t-12.1339\n▁ᎬᏬᏱ\t-12.1339\n▁ᏩᏓᏬᏣ\t-12.1339\n▁ᏭᏟᏫᏛ\t-12.1339\n▁ᏳᎦᏙᎥᏎᎢ\t-12.1339\n▁ᏳᏚᏓᎴᏍᏔᏁ\t-12.1339\nᎵᏛᏗᏍᎬᎾ\t-12.1339\n▁ᎤᎦᏎᏍᏗᏕ\t-12.1339\n▁ᏙᏓᏣᏠᏏ\t-12.1339\n▁ᏛᏥᎸᏉᏔᏂ\t-12.1339\n▁ᏥᏕᎯᎾᏄᎪᏫᏎᎸ\t-12.1339\n▁ᎢᎦᏠᏯᏍᏔᏅ\t-12.1339\n▁ᎢᏣᏛᎩᏍᎩ\t-12.1339\n▁ᏕᎬᏩᎾᏍᏗᏍᎨᎢ\t-12.1339\n▁ᏫᏄᏪᏒᎩ\t-12.1339\nᏁᎢᏍᏓᏁᎲᎩ\t-12.1339\nᏍᏔᏩᏗᏎ\t-12.1339\nᏐᏯᎦ\t-12.1339\n▁ᎡᏍᏗᏍᏓᏩᏕᏒᎭ\t-12.1339\n▁ᎤᎸᏉᏔᏅᎯ\t-12.1339\n▁ᎤᏅᏩᏅᎩ\t-12.1339\n▁ᎤᏍᎫᏓᏛᎢ\t-12.1339\n▁ᎧᏴᏌᏛ\t-12.1339\n▁ᎬᏩᏓᏡᏫᏍᏔᏁᎢ\t-12.1339\n▁ᏕᎩᎾᏓᎨᏳᏒᎢ\t-12.1339\n▁ᏗᏥᎾᏌ\t-12.1339\nᏚᎵᏥᏙᏁᎴ\t-12.1339\n▁ᏏᏂᎹᏂ\t-12.1339\n▁ᏓᏂᎪᏩᏗᏍᎨ\t-12.1339\n▁ᏕᎦᎦᏎᏍ\t-12.1339\n▁ᏯᎩᏲᎱᏒ\t-12.1339\n▁ᏯᏆᎴᏂᏙᎸ\t-12.1339\n▁ᏱᎨᎨᎭ\t-12.1339\n▁ᎠᎦᏎᏍᏙᏗ\t-12.1339\n▁ᎠᎱᏃᎲ\t-12.1339\n▁ᎠᏗᏅᏗᏉ\t-12.1339\n▁ᎤᏴᏜ\t-12.1339\n▁ᏕᎰᏢᏔᏅᎭ\t-12.1339\n▁ᏚᎩᎸᏨ\t-12.1339\n▁ᏚᏴᏒᎩ\t-12.1339\n▁ᏥᏚᎸᏫᏍᏓᏁᎸ\t-12.1339\n▁ᏧᎵᏃᎯᏴᎯ\t-12.1339\n▁ᏨᎩᏅᏒ\t-12.1339\nᏧᎾᏄᎪᏨ\t-12.1339\n▁ᎠᎾᏠᎾᏍᏗᏍᎬ\t-12.1339\n▁ᎬᏉᎯᏳᎲᏍᎩ\t-12.1339\n▁ᏚᏪᏌᏍᏔᏁ\t-12.1339\n▁ᏰᏥᎦᏔᎮ\t-12.1339\n▁ᏂᏪᏒᎭ\t-12.1339\nᏥᎦᎿᏩᏗᏙ\t-12.1339\n▁ᎠᏂᏅᏜᎡᎢ\t-12.1339\n▁ᎠᏨᏏᏰᏍᎨ\t-12.1339\n▁ᎥᎶᏱ\t-12.1339\n▁ᏍᎪᏂᏴ\t-12.1339\n▁ᏖᏲᎲᏍᎩ\t-12.1339\n▁ᏗᏔᎸᎢ\t-12.1339\n▁ᏥᎦᎶᏒᏍᏗᎭ\t-12.1339\n▁ᏕᎪᏪᎵᏍ\t-12.1339\n▁ᏥᏂᏕᏣᏛᏁ\t-12.1339\nᏁᏉᎡᎵ\t-12.1339\n▁ᎠᏃᏚᎢᏍᏗᏍᎬ\t-12.1339\n▁ᎠᏣᎾᏉᎯ\t-12.1339\n▁ᏓᏥᏲᎤᏏ\t-12.1339\n▁ᏦᎩᏂᎸᏫᏍᏓᏁᎯ\t-12.1339\n▁ᏧᏪᏚᏁᎯ\t-12.1339\nᏓᏛᏳᏤ\t-12.1339\n▁ᎹᏓᏯᏃ\t-12.1339\n▁ᏕᎨᏥᏂᏌᎲ\t-12.1339\n▁ᏙᏥᏴᎬ\t-12.1339\n▁ᏯᏍᎦᎦ\t-12.1339\n▁ᎺᎮ\t-12.1339\n▁ᎤᏁᎳᏗᏙᎲ\t-12.1339\n▁ᏓᏰᏥᏄᎪᏫᏏ\t-12.1339\n▁ᏚᏂᏲᎱᏎᎢ\t-12.1339\nᎨᏲᎲᏍᎦ\t-12.1339\n▁ᏙᎩᏲᏐᏅ\t-12.1339\n▁ᏳᎯᏐᏓᏁ\t-12.1339\nᏓᎵᏁᎯᏗᏍ\t-12.1339\nᏲᎢᎱᎯ\t-12.1339\n▁ᎤᎵᏃᎮᏔᏁ\t-12.1339\n▁ᎤᏁᏌᏴ\t-12.1339\n▁ᏥᎡᏥ\t-12.1339\n▁ᏧᎪᎵᏰᏗᏱ\t-12.1339\n▁ᏘᏔᎴ\t-12.1339\nps\t-12.1339\nᏟᎶᏍᏓᏁᎭ\t-12.1339\n▁ᏣᎦᎵᏍᏓᏴᎾᏁᏗᏱ\t-12.1339\n▁ᏯᏂᏏᎾ\t-12.1339\n▁ᏱᏂᏣᏍᏕᏍᏗ\t-12.1339\n▁ᏱᏗᏥᏬᏂᎭ\t-12.1339\n▁ᏚᏗᏔᏍᏔᏅ\t-12.1339\n▁ᏫᏗᎦᏅᎪ\t-12.1339\nᎩᎾᏄᎪᏥᎸᎩ\t-12.1339\nᎩᏁᏟᏴᏏ\t-12.1339\n▁ᏓᏗᏍᏆᏂᎪᏔᏂ\t-12.1339\n▁ᏗᎩᎷᏫᏍᏔᏁᏗ\t-12.1339\n▁ᎠᎩᎵᏴ\t-12.1339\n▁ᎤᏂᎿᎸᏨ\t-12.1339\n▁ᏄᏙᎯᏳᏒ\t-12.1339\n▁ᏓᎦᏎᎵ\t-12.1339\n▁ᏥᏕᏥᏙᎦ\t-12.1339\n▁ᏓᏥᏔᏲᏎᎵ\t-12.1339\n▁ᏧᏃᏴᎪ\t-12.1339\nᏄᏲᎢᏯ\t-12.1339\n▁ᎤᎩᎵᏲᏤᎢ\t-12.1339\n▁ᎲᏁᏍᏗ\t-12.1339\n▁ᏂᎨᎬᏁᎮ\t-12.1339\n▁ᏂᎨᎬᏁᎲᎢ\t-12.1339\n▁ᏂᎬᏅᎪᏪᎳ\t-12.1339\n▁ᏓᎬᏩᏍᎪᏂᎵ\t-12.1339\nᏔᎸᎩᏍᏗ\t-12.1339\n▁ᎠᎫᎷᏤᏗ\t-12.1339\n▁ᏗᎬᏩᎾᏓᏁᏟᏴᎡᏗ\t-12.1339\n▁ᏧᏴᏣ\t-12.1339\n▁ᏬᎩᏴᎸ\t-12.1339\n▁ᏮᏓᏥᎷᏤᎵ\t-12.1339\n▁ᏱᏙᎸᏫᏍᏓᏁᎭ\t-12.1339\n▁ᎠᏣᏅᏙᏗ\t-12.1339\n▁ᎤᏪᏩᏒᏤ\t-12.1339\n▁ᏓᎾᏓᏱᎵᏙᎲ\t-12.1339\n▁ᏓᏢᎥᏍᎬ\t-12.1339\n▁ᏕᎨᎦᏨᏍᏔ\t-12.1339\nᎵᏃᎮᏗᏍᎨᎢ\t-12.1339\n▁ᎭᏓᏬᏣ\t-12.1339\n▁ᏥᎾᏰᏍᎦᏰᏃ\t-12.1339\nᎯᏲᎯᏍᏓ\t-12.1339\nᏌᎳᏙᏓ\t-12.1339\n▁ᎠᏆᏘᏂ\t-12.1339\n▁ᎠᏔᎸᎦᏒ\t-12.1339\n▁ᎢᎭᏛᏁᎯ\t-12.1339\n▁ᏗᏂᎧᏅᎢ\t-12.1339\n▁ᏫᏯᏴᎯᎮᏍᏗ\t-12.1339\n▁ᎤᎬᎭᏓ\t-12.1339\n▁ᏅᏓᎬᏩᏪᏎᎵ\t-12.1339\n▁ᏕᏨᏯᏬᏍᏗᎭ\t-12.1339\nᎨᏣᎫᏴᏏ\t-12.1339\n▁ᎢᏳᏩᏓᏗ\t-12.1339\n▁ᎧᎹᎹ\t-12.1339\n▁ᏗᎨᏥᏴᎩᏅᎯ\t-12.1339\n▁ᏙᏓᎦᏘᏃᎵ\t-12.1339\n▁ᏭᎾᎵᏃᎮ\t-12.1339\nᏧᏘᏍᏓᏁᏗᏱ\t-12.1339\n▁ᎢᏓᏓᏅᏓᏓ\t-12.1339\n▁ᎨᏣᏕᏯᏙᏗᏍᎩ\t-12.1339\n▁ᏂᏚᏁᎶᏛᎾ\t-12.1339\n▁ᏩᏆᏗᏅᏒ\t-12.1339\n▁ᏓᎬᎾᏄᎪᏫᏎᎵ\t-12.1339\n▁ᏗᏤᎵᏛ\t-12.1339\nᏘᏁᏏ\t-12.1339\n▁ᏙᏗᏫᏒᎢ\t-12.1339\n▁ᏱᏂᎦᏪᏍᎨ\t-12.1339\nᏊᎪᏓᏁᎸ\t-12.1339\n▁ᎤᏴᏍᏕᏍᎩ\t-12.1339\n▁ᏅᏓᏣᏄᎪᏫᏒᎯ\t-12.1339\n▁ᏳᏁᏤᎢ\t-12.1339\n▁ᏳᏣᎩᏒᎾ\t-12.1339\n▁ᏄᏍᏆᎸᎲᎾ\t-12.1339\n▁ᏥᎧᏃᎮᏍ\t-12.1339\n▁ᏱᏓᏲᎩᏍᏆᏂᎪᏔᏂ\t-12.1339\n▁ᏚᏯᏅᎡᎴᎢ\t-12.1339\nᎨᏬᏗ\t-12.1339\n▁ᎠᎦᏠᏯᏍᏔᏅᎩ\t-12.1339\n▁ᏦᏥᏚᎩ\t-12.1339\nᏠᏒᏒᎩ\t-12.1339\nᏯᏕᎥᏏ\t-12.1339\n▁ᎩᏃᎯᏳᏅ\t-12.1339\n▁ᏫᏘᏯᏅ\t-12.1339\nᎦᏙᏌᏗᏍᏛ\t-12.1339\n▁ᎣᏣᎵᏍᏔᏴᎲᏍᎬ\t-12.1339\n▁ᎦᏄᏲᎯ\t-12.1339\n▁ᏃᎦᏠᎾᏍᏛᎾ\t-12.1339\n▁ᏱᏚᏪᎵᏎ\t-12.1339\n▁ᏱᏩᎦᏓᎢᏅ\t-12.1339\nᏁᎩᏰᏍᏗ\t-12.1339\n▁ᎠᏄᏖᏍᎬ\t-12.1339\n▁ᎠᏥᏁᎢᏍᏔᏅ\t-12.1339\n▁ᎴᎠᎹ\t-12.1339\n▁ᏙᎩᎸᏫᏍᏓᏁᎸ\t-12.1339\n▁ᎤᎵᏍᎫᏪ\t-12.1339\n▁ᎷᏏᏯ\t-12.1339\n▁ᏓᏓᏌᎳᏗᏍ\t-12.1339\n▁ᏥᏯᏛᎦᏁᎸᎢ\t-12.1339\n▁ᏧᏪᎵᏏᏯ\t-12.1339\n▁ᏳᏩᏂᏍᏔᏅ\t-12.1339\nᏆᏦᎥ\t-12.1339\n▁ᎬᏩᎵᏍᏚ\t-12.1339\n▁ᏘᏍᏆᏂᎪᏓᏁᏗᏱ\t-12.1339\n▁ᏲᎩᏂᎭ\t-12.1339\nᏴᎩᏅᎯ\t-12.1339\n▁ᎦᎬᏩᏂᏐᏢ\t-12.1339\n▁ᏅᏓᏨᏰ\t-12.1339\n▁ᏕᏣᏓᏙᎯᏳ\t-12.1339\n▁ᏗᏍᏛᏗᏍᏗᏍᎩ\t-12.1339\n▁ᏚᏅᏂᎦᎸᎲᎩ\t-12.1339\n▁ᏦᎦᏓᏅᏙ\t-12.1339\n▁ᏯᎩᏍᏛᏓ\t-12.1339\n▁ᏚᎧᎿᏩᏗᏙᎲᎢ\t-12.1339\nᎧᎾᏬᎨ\t-12.1339\nᎾᏰᏏ\t-12.1339\nᏥᏂᎬᏎᎲ\t-12.1339\n▁ᏗᎫᏢᏔᏅᎯ\t-12.1339\n▁ᏗᏂᏅᏍᎨᏂ\t-12.1339\n▁ᏯᏆᏘᏝ\t-12.1339\n▁ᏴᏛᏂᎶᏐᏂ\t-12.1339\n▁ᏌᎨᎢᏳ\t-12.1339\nᎵᎪᏁᎲᎾ\t-12.1339\n▁ᎠᎾᏓᏎᎪᎩᏍᎬᎩ\t-12.1339\n▁ᎤᏓᏴᎳᏔᏁ\t-12.1339\n▁ᎿᏛᏁᎮᏍᏗ\t-12.1339\n▁ᏗᏠᏗ\t-12.1339\n▁ᎤᏦᎢᏎᏗ\t-12.1339\n▁ᎤᏲᏞᏒᎢ\t-12.1339\nᎩᎧᎿᏩᏗᏙᎰᎢ\t-12.1339\n▁ᏓᏆᏓᏘᎾᎥ\t-12.1339\nᏂᎭᎷᎥᏍ\t-12.1339\n▁ᏗᏦᏑᎵ\t-12.1339\n▁ᏥᎦᎶᎨᏎᎢ\t-12.1339\n▁ᏱᎬᏩᏲᎱᏎ\t-12.1339\nᎬᏩᎳᏁ\t-12.1339\nᎾᎵᏍᎪᎸᏗᏍᎨᎢ\t-12.1339\n▁ᎤᏓᏅᏓᏛᎢ\t-12.1339\n▁ᏗᎾᎦᎴᏅᏗᏍᎩ\t-12.1339\n▁ᏚᎾᏓᏠᎲ\t-12.1339\n▁ᏚᎿᎸᏤ\t-12.1339\n▁ᏠᏗᏯ\t-12.1339\n▁ᎠᏘᏍᏙᏗ\t-12.1339\n▁ᎤᏅᏓᏒ\t-12.1339\n▁ᏅᏓᏳᎾᏨ\t-12.1339\n▁ᏚᏭᏓᎴᏒ\t-12.1339\n▁ᏱᏅᎬᏛᎦ\t-12.1339\nᏨᏏᏰᏍᎬ\t-12.1339\n▁ᎢᏣᏅᏨ\t-12.1339\n▁ᎤᏂᏁᏉᏨᎯ\t-12.1339\n▁ᏥᏕᎦᎶᏄᎮ\t-12.1339\n▁ᏃᏥᏪᎭ\t-12.1339\n▁ᏭᎳᎩᏎ\t-12.1339\n▁ᏂᎦᎵᏍᏘᏍᎬ\t-12.1339\n▁ᏧᏓᎴᎾᎢ\t-12.1339\n▁ᎤᏂᏄᎯ\t-12.1339\n▁ᎻᏈᏌ\t-12.1339\n▁ᎠᎾᏔᏍᎩ\t-12.1339\n▁ᎬᏛᏍᎨᏍᏗ\t-12.1339\n▁ᏓᎧᏂᏍᎬᎢ\t-12.1339\n▁ᏕᎬᎦᏆ\t-12.1339\nᏓᏳᏓᎴᏅᎯ\t-12.1339\n▁ᏚᏰᎸᏒ\t-12.1339\nᏄᎶᎴᎢ\t-12.1339\nᏓᏟᏃᎮᏗᏍᎨ\t-12.1339\n▁ᎢᏓᎵᏍᏓᏴᏗᏍᎬᎢ\t-12.1339\n▁ᎿᎵᏍᏓ\t-12.1339\n▁ᏂᏚᎸᏫᏍᏓᏁ\t-12.1339\n▁ᏕᎨᏥᏲᎯᏏ\t-12.1339\n▁ᏧᏟᎷᏆ\t-12.1339\nᏣᏪᎢᏍᏔ\t-12.1339\n▁ᎯᏁᎨᏍᏗ\t-12.1339\n▁ᎠᏂᏬᏂᏍᎪ\t-12.1339\n▁ᎡᎾᎢᏓᏍᏗᏱ\t-12.1339\n▁ᏱᏅᎦᎦᏛᎦ\t-12.1339\n▁ᏳᏙᎯᏳᎲᎾ\t-12.1339\nᏤᏬᏤ\t-12.1339\n▁ᎤᎾᎦᏎᏍᏕᎢ\t-12.1339\n▁ᏭᏓᏬᎡ\t-12.1339\nᏁᏢᏗᎭ\t-12.1339\n▁ᎤᏂᏍᏆᏂᎪᏕ\t-12.1339\n▁ᎥᎩᏴᎩᏅᎯ\t-12.1339\nᎦᏗᏙᎯ\t-12.1339\n▁ᏙᏛᏕᏯᏙᏔᏂ\t-12.1339\n▁ᏅᏓᏳᏪᏅ\t-12.1339\n▁ᎠᏓᏁᏣᏍ\t-12.1339\n▁ᎠᎾᏙᎩᏯᏍ\t-12.1339\n▁ᏥᏨᏲᏪᎳᏁᎭ\t-12.1339\nᏙᏑᎴᎥᎩ\t-12.1339\n▁ᏓᎫᎪᏓᏁ\t-12.1339\n▁ᏦᎩᎸᏫᏍᏓᏁᎸᎯ\t-12.1339\nᎯᏎᎵ\t-12.1339\n▁ᏗᎬᏅᏃᏛ\t-12.1339\n▁ᏓᎦᏥᏄᎪᏫᏏ\t-12.1339\n▁ᏕᎬᏩᏂᏂᏴ\t-12.1339\n▁ᏕᎬᏩᏲᏒ\t-12.1339\n▁ᎧᏳᎦ\t-12.1339\nᏓᏚᏓᏔ\t-12.1339\n▁ᎠᏂᏲᎯᎮᏍᏗ\t-12.1339\n▁ᎤᏓᏠᏍᏕᎢ\t-12.1339\n▁ᎤᏩᏓᎷᎦ\t-12.1339\n▁ᏂᏄᎾ\t-12.1339\n▁ᏓᏂᎾᏄᎪᏫᏍᎪᎢ\t-12.1339\n▁ᎢᎯᎩᎵᏲ\t-12.134\n▁ᎤᏂᏁᎩᎸᏗ\t-12.134\nᏃᏨᏁᎭ\t-12.134\n▁ᏅᏗᎬᏩ\t-12.134\n▁ᏳᎾᏓᏅᏔ\t-12.134\n▁ᏕᎯᏍᏓᏩᏗᏎᏍᏗ\t-12.134\n▁ᏗᏓᏱᎵᏓᏍᏗᏱ\t-12.134\n▁ᎤᏯᎣᎢ\t-12.134\n▁ᎤᏱᎸᏒᎩ\t-12.134\n▁ᏕᎦᎶᏄᎮ\t-12.134\n▁ᎤᎨᎲ\t-12.134\n▁ᏳᏜᏅᏕ\t-12.134\nash\t-12.134\n▁ᎠᎦᏔᎾᎥᎢ\t-12.134\n▁ᎤᎵᏍᎦᏰᎬᏍᏔᏁᎢ\t-12.134\n▁ᎦᏃᎯᎵᏒᎩ\t-12.134\n▁ᎢᏧᎵᏍᏙᏗᏱ\t-12.134\n▁ᏛᎤᏨᏒᎩ\t-12.134\n▁ᏙᎨᎦ\t-12.134\nᎸᏥᎴ\t-12.134\n▁ᎠᎫᏱᏍᎬᎢ\t-12.134\n▁ᎢᏥᏃᏔᏂᏙ\t-12.134\n▁ᏍᎩᎪᏩᏛᏗᏱ\t-12.134\nᏓᏙᏓᏇ\t-12.134\n▁ᏥᎾᎩᏪᏒᎩ\t-12.134\n▁ᏘᏍᏓᏩᏚᎦ\t-12.134\n▁ᏓᎵᏌᎳᏗᏍᎬ\t-12.134\n▁ᏓᏆᏠᎯᏍᏛᎢ\t-12.134\n▁ᏕᎯᎾᏄᎪᏫᏎᎸᎢ\t-12.134\n▁ᏗᏓᏍᏔᏴ\t-12.134\n▁ᏗᏥᎳᏫᎢᏍᏗᏱ\t-12.134\n▁ᏳᏓᏓᎳ\t-12.134\n▁ᏁᏣᏛᏁᎸ\t-12.134\n▁ᏂᏓᏙᏢ\t-12.134\n▁ᏱᏣᏜᏅᏓᏕ\t-12.134\n▁ᎤᎶᏐᏁ\t-12.134\n▁ᎤᎾᎴᎾᏫᏍ\t-12.134\n▁ᏗᎾᏘᏂᏙᎯ\t-12.134\n▁ᏧᏃᏪᎶᏗ\t-12.134\nᏁᏟᏴᏍᏓ\t-12.134\nᏱᎶᎵ\t-12.134\n▁ᏚᎾᏄᏩᎥ\t-12.134\n▁ᏚᎾᏡᏕᏍᏗ\t-12.134\n▁ᏲᏢᎾᏏ\t-12.134\nᏗᏫᏍᏗᏱ\t-12.134\n▁ᎥᏇᏲᏅ\t-12.134\n▁ᏓᏥᏄᎪᎢ\t-12.134\nᎬᎾᏘᏁᎯ\t-12.134\n▁ᎤᏢᏲᎵ\t-12.134\n▁ᏛᏨᎷᏤᎵ\t-12.134\nᎩᏂᎪᎯᏎ\t-12.134\n▁ᏕᎬᏩᏚᏫᏍ\t-12.134\nᏒᏎᎵ\t-12.134\n▁ᎣᎩᏇᏓᎸ\t-12.134\n▁ᎤᏓᎦᎵᏍᏙᏗᏍᎬᎩ\t-12.134\n▁ᎨᏧᎯᏍᏗᏍᎩ\t-12.134\n▁ᎾᎩᏴᏍᏗᏱ\t-12.134\n▁ᏴᎬᏲᎱᎯ\t-12.134\n▁ᏣᏂᏏᏗᏱ\t-12.134\n▁ᎤᏓᎵᏗᎩᎡᎸ\t-12.134\n▁ᏴᎦᏣᎦᎸ\t-12.134\n▁ᎠᏛᏅᎢᏍᏔᏃᏅᎯ\t-12.134\n▁ᏩᏆᎵᏰᎢᎶᎯᏍᏗ\t-12.134\n▁ᏪᏥᎷᏥᏏ\t-12.134\n▁ᏱᏣᏰᎸᏎᏍᏗ\t-12.134\n▁ᎬᏩᏂᏯᎢ\t-12.134\n▁ᏁᏣᏁᎸᎾ\t-12.134\n▁ᏚᏅᏂᏍᏔᏁ\t-12.134\n▁ᏥᏕᏣᏓᏂᎸᏨ\t-12.134\n▁ᎠᎾᎴᏂᏙ\t-12.134\n▁ᏣᏉᏪᎳᏅ\t-12.134\n▁ᏧᎾᏕᏲᏗᏱ\t-12.134\n▁ᎠᎦᎵᎲ\t-12.134\n▁ᎯᏯᎵᏍᎪᎸᏓᏁᎮᏍᏗ\t-12.134\n▁ᎬᏆᏕᏯᏙᏗ\t-12.134\n▁ᎡᏍᏗᏅᏏᏓᏍᏗ\t-12.134\n▁ᏕᎩᎸᏫᏍᏓᏁᎮᏍᏗ\t-12.134\n▁ᏥᏥᏲᎢᏎᎸ\t-12.134\n▁ᎠᎧᏁᎲ\t-12.134\n▁ᏦᏨᏃᏛ\t-12.134\n▁ᎤᏃᎯᏳᏔᏅ\t-12.134\n▁ᏤᏉᎻ\t-12.134\n▁ᎤᏪᎵᎯᏍᎬ\t-12.134\n▁ᏑᏙᏓᏆᏛ\t-12.134\n▁ᏗᎾᏓᏅᏫᏍᎩ\t-12.134\nᎩᎦᎷᏴ\t-12.134\n▁ᎤᏄᎪᎩ\t-12.134\n▁ᏚᏩᏇᏅᏔᏅ\t-12.134\nᏓᏁᏖᏗ\t-12.134\n▁ᎣᎩᏩᏏ\t-12.134\n▁ᏂᏚᎸᏫᏍᏓᏁᎲᎾ\t-12.134\n▁ᏚᏂᎾᏌᎥ\t-12.134\n▁ᏱᏣᏤᎸᎮᏍᏗ\t-12.134\n▁ᎪᎯᏳᏍᎩ\t-12.134\n▁ᏓᎨᏥᏄᎪᏫᏒᎩ\t-12.134\n▁ᎦᏙᎩᏯᏍᎬ\t-12.134\n▁ᏙᎸᏫᏍᏓᏁᎲ\t-12.134\n▁ᏙᏓᎪᏪᎳᏂ\t-12.134\n▁ᏗᎦᏃᏣᏢ\t-12.134\n▁ᎭᏓᏠ\t-12.134\n▁ᏱᏂᎬᏁᎰᎢ\t-12.134\n▁ᎣᎩᏌᏙᏴ\t-12.134\nᎬᏯᎧᏁᎵ\t-12.134\n▁ᎢᏍᏓᎵᎢ\t-12.134\n▁ᎬᏉᏎᎮᏍᏗ\t-12.134\n▁ᏚᏅᏫᏍᏔᏁ\t-12.134\nᎩᏲᎱᏎᎵ\t-12.134\n▁ᏕᏣᏫᏒᎢ\t-12.134\n▁ᎤᎾᏛᏂᏛ\t-12.134\nᎪᎢᏳᏁᎢ\t-12.134\n▁ᎣᎦᎵᏍᏓᏴᏅ\t-12.134\n▁ᎠᏆᏓᏙᎵᏍᏗ\t-12.134\n▁ᎤᎭᏴᏍᏗ\t-12.134\n▁ᏂᏣᏛᎩᏍᎬᎾ\t-12.134\n▁ᎭᏗᏛᎲᎭ\t-12.134\n▁ᎻᏏᏱ\t-12.134\n▁ᏚᏂᏯᏙᎸᎩ\t-12.134\n▁ᏙᎩᏔᏕᎩ\t-12.134\n▁ᏥᏫᎦᎶᎯ\t-12.134\nᎦᏄᎪᏨ\t-12.134\nᎾᏘᏃᎮᎸᎭ\t-12.134\n▁ᎤᏛᎯᏍᏔᏅ\t-12.134\nᏚᏫᏍᏔ\t-12.134\n▁ᎤᏓᎾᏛᎢ\t-12.134\n▁ᏍᎩᏍᎦᏅᏤᏗ\t-12.134\n▁ᏚᏓᏅᎵᏰᎥ\t-12.134\n▁ᏭᏂᏏᏁᎴ\t-12.134\n▁ᏱᏗᏧᎪᏗᎭ\t-12.134\nᎵᏃᎯᏴ\t-12.134\n▁ᏄᎵᏍᏗᏍᎨᎢ\t-12.134\n▁ᏱᏄᏛᏁ\t-12.134\nᏂᏆᏅᎥᎦ\t-12.134\n▁ᏙᎦᏚᏓ\t-12.134\nᎦᎵᏥᏙᏁᎸᎩ\t-12.134\n▁ᎤᏍᏚᏔᏁᎢ\t-12.134\n▁ᎨᏣᏌᎳᏙ\t-12.134\n▁ᎠᎾᏁᏍᎨᏍᎬ\t-12.134\n▁ᎠᏟᎶᏛ\t-12.134\nᎧᎵᎩ\t-12.134\n▁ᎤᎾᏘᏰᎸᎯ\t-12.134\n▁ᎦᏥᏰᏲ\t-12.134\n▁ᎤᏂᏍᏆᏂᎪᏔᏁ\t-12.134\n▁ᏗᏥᎦᎵᏍᏓᏕᏗ\t-12.134\n▁ᏦᎩᎷᏥᎸ\t-12.134\n▁ᎠᏆᎵᏍᏓᏁᎸ\t-12.134\nᎧᏔᎾᏫᏍ\t-12.134\n▁ᎠᏉᏪᎶᏗ\t-12.134\n▁ᏧᎵᏍᏆᎵ\t-12.134\nᏬᏚᎢᏍᏕ\t-12.134\nᏚᏂᏐᏤ\t-12.134\nᎾᎯᏍᏗᎭ\t-12.134\nᎵᏍᏚᏔᏅ\t-12.134\n▁ᎠᎩᎦᏘᏗᏍ\t-12.134\n▁ᏄᎾᎵᏏᎾᎯᏍᏛᎾ\t-12.134\n▁ᏄᎾᏓᏄᏴᏛᎾ\t-12.134\n▁ᏚᎵᏂᏆᏅᏁᎸᎩ\t-12.134\n▁ᏦᏍᏓᏑ\t-12.134\n▁ᏧᏄᎪᏓᏁ\t-12.134\n▁ᏄᎾᏜᏏᏛᎡᎲᎾ\t-12.134\n▁ᎢᎦᏕᏗᏱ\t-12.1341\n▁ᏕᏣᎳᏍᎬ\t-12.1341\n▁ᎬᏩᏓᏙᎵᏍᏗ\t-12.1341\n▁ᏗᎬᏩᎶᏒᎯ\t-12.1341\n▁ᏫᏓᏗᏅᏗ\t-12.1341\n▁ᎤᎾᎪᎲᏍᏙᏗᏱ\t-12.1341\n▁ᏤᏣᏘᏁᏒᎭ\t-12.1341\nᏍᎩᎾᏛᏂᏏ\t-12.1341\n▁ᎢᎩᎩᎵᏲᎢᏍᏗ\t-12.1341\n▁ᏭᎧᏔᏁᎢ\t-12.1341\n▁ᏗᎾᏓᏍᎦᎩ\t-12.1341\n▁ᏯᏂᏯᎠ\t-12.1341\n▁ᏂᏥᏔᏲᎯᎲ\t-12.1341\n▁ᎠᎾᏨᏏᏰᏍᎬ\t-12.1341\n▁ᏪᏣᏚᎦ\t-12.1341\n▁ᎠᎦᏓᏓᎴᏔᏅᎯ\t-12.1341\n▁ᎤᏅᎨᏫᏒ\t-12.1341\n▁ᎤᎬᏫᏩ\t-12.1341\n▁ᏕᎩᎾᏓᏁᏤᎸ\t-12.1341\n▁ᎤᏚᏓᎸᏛ\t-12.1341\n▁ᏫᏄᏪᏎᎸᎩ\t-12.1341\n▁ᏱᏚᎾᏝᎠ\t-12.1341\n▁ᎠᏥᎬᏍᎪᎸᏁ\t-12.1341\n▁ᏓᏨᏂᎵ\t-12.1341\n▁ᎤᎾᏓᏓᎴᏓᏁ\t-12.1341\n▁ᏗᎩᏏᎳᏛᏙᏗ\t-12.1341\n▁ᏗᎬᏩᏂᏲᎱᎯᏎᎸᎯ\t-12.1341\n▁ᏯᏆᎴᏫᏍᏔᎾ\t-12.1341\n▁ᏧᏁᎫ\t-12.1341\n▁ᏧᏂᎵᎶᎲᏍᎦ\t-12.1341\n▁ᏱᏄᎵᏍᏓᏁᎸ\t-12.1341\n▁ᎡᏥᎧᏁᏗᏱ\t-12.1341\n▁ᎤᎧᏙᏍᏔᏁᎢ\t-12.1341\n▁ᏓᏃᏢᏍᎬᎢ\t-12.1341\n▁ᏥᏓᏂᏰᎲᎩ\t-12.1341\nᎦᎵᏳᏰᏃ\t-12.1341\nᎯᎷᏥᏌ\t-12.1341\nᏓᏍᏕᏓᎵᏴᏍᎪ\t-12.1341\nᎬᏣᎶᏗ\t-12.1341\n▁ᏕᎦᏯᎩᏍᎨ\t-12.1341\n▁ᏥᎦᎧᎭ\t-12.1341\n▁ᏧᎾᏙᎳᏅᏍᏗ\t-12.1341\n▁ᏯᎦᏍᎬᎾ\t-12.1341\nᏲᎢᏎᎮᏍᏗ\t-12.1341\n▁ᏃᏤᎲᎾ\t-12.1341\n▁ᏗᎨᏥᏅᏬᏗᏱ\t-12.1341\n▁ᎤᏬᏪᎶᏗ\t-12.1341\n▁ᎡᏣᏛᏛᎲᎦ\t-12.1341\n▁ᎣᎦᏅᏢ\t-12.1341\n▁ᎨᎦᏎᏍᏗᏱ\t-12.1341\n▁ᎨᏥᏔᏲᏎᏗ\t-12.1341\nᎶᎣᏎ\t-12.1341\n▁ᏱᏓᎬᏯ\t-12.1341\n▁ᎦᏥᏬᏁᏗᏍᎬ\t-12.1341\n▁ᏭᎾᎦᏖ\t-12.1341\nᏑᎵᎪᏥ\t-12.1341\nᏞᎦ\t-12.1341\n▁ᎡᏂᎤ\t-12.1341\n▁ᏁᏪᏒ\t-12.1341\n▁ᏕᏥᏍᏆᏂᎪᏙ\t-12.1341\n▁ᏯᏕᎰᏍᎦ\t-12.1341\n▁ᎤᎾᏓᎩᎸᏗ\t-12.1341\n▁ᎬᎩᎷᏤᎰᎢ\t-12.1341\n▁ᏯᏓᏛᏍᎪᎢ\t-12.1341\nᏍᏗᏰᏗᏍᎨᏍᏗ\t-12.1341\n▁ᏂᏓᏛᏓᏍᏓᏁᎲᎾ\t-12.1341\n▁ᏂᏣᏛᏓᏍᏓᏁᎲᎾ\t-12.1341\nᏓᏩᏗᏍᏙ\t-12.1341\n▁ᎾᏋᏂᏏ\t-12.1341\n▁ᏛᎾᏛᏁᎵ\t-12.1341\n▁ᏫᎬᏩᏛᏅᎩ\t-12.1341\n▁ᎬᏆᏡᏗᏍᎩ\t-12.1341\n▁ᎥᏆᏓᏅᏖ\t-12.1341\n▁ᏂᏚᏪᎭᎸ\t-12.1341\n▁ᎠᏒᏨ\t-12.1341\nᏣᎵᏍᏓ\t-12.1341\n▁ᏂᏓᏛᏁᎰ\t-12.1341\n▁ᎯᏯᏓᏙᎵᏍᏓᏁᎮᏍᏗ\t-12.1341\n▁ᏱᎾᏆᎵᏍᏔᏁ\t-12.1341\nᎾᎵᏛᎯ\t-12.1341\n▁ᎤᏪᏲᎲᏍᎬ\t-12.1341\n▁ᏫᎨᏓ\t-12.1341\nᎯᎪᏩᏘᎭᏧ\t-12.1341\n▁ᏔᎷᎩᏍᎩᎬᎾᏬᏙᏗᏱ\t-12.1341\n▁ᎡᏗᏯᎥᎢ\t-12.1341\n▁ᏩᏂᏌᏙᏯ\t-12.1341\n▁ᏓᎩᏅᏅᎢ\t-12.1341\n▁ᏭᎾᏘᏅᏍᏔᏅᎩ\t-12.1341\n▁ᎠᎩᎷᏤᎮᏍᏗ\t-12.1341\n▁ᏛᏂᏁᏥ\t-12.1341\n▁ᏤᎦᏡ\t-12.1341\nᏓᏅᏕᏙᏗ\t-12.1341\n▁ᏃᏥᏪᏎᎸᎩ\t-12.1341\n▁ᏕᎦᏬᏍᎬᎢ\t-12.1341\n▁ᎤᏍᏆᎳᎯᏳ\t-12.1341\n▁ᎥᏣᏂᎩ\t-12.1341\n▁ᎤᏃᎵᏨ\t-12.1341\n▁ᏂᎦᏛᎿᏕᎬᎢ\t-12.1341\n▁ᎤᏩᏝᎥ\t-12.1341\n▁ᎤᏬᏢᎯᏐᏗ\t-12.1341\n▁ᏫᎬᏯᏅᎲᎭ\t-12.1341\n▁ᏫᏂᏚᏪᏎᎴᎢ\t-12.1341\n▁ᏂᏥᏯᏛᏁᎭ\t-12.1341\n▁ᏗᎨᎵᏍᎩ\t-12.1341\n▁ᏗᏂᏅᏬ\t-12.1341\n▁ᎢᏧᎾᏓ\t-12.1341\n▁ᏚᎾᏟᎸ\t-12.1341\n▁ᏌᎩᏯ\t-12.1341\n▁ᏓᏥᎸᏉᏔᏂ\t-12.1341\n▁ᎡᎭᎩᎳᏩ\t-12.1341\nate\t-12.1341\n▁ᏓᎶᏁ\t-12.1341\n▁ᏓᏂᎳᏍᏓᎸ\t-12.1341\n▁ᏓᏋᏔᏅ\t-12.1341\n▁ᏧᏬᎪᏙᏗ\t-12.1341\n▁ᏑᎹᏂ\t-12.1341\n▁ᏕᏥᎾᏰ\t-12.1341\n▁ᏲᎩᏌᏂ\t-12.1341\n▁ᏥᎬᏉᎯᏳᎲᏍ\t-12.1342\n▁ᎤᏗᏩᏎᎢ\t-12.1342\n▁ᎢᏰᎬᏁᏗ\t-12.1342\n▁ᏭᎾᏠᏨ\t-12.1342\n▁ᏱᏚᏲᎱᎯ\t-12.1342\n▁ᏩᏙᏑᎵ\t-12.1342\nᏔᎳᏬᏍᎦ\t-12.1342\n▁ᏃᏨᏁᎰ\t-12.1342\nᎾᏣᏪᏐᎸᏍᏗᏍᎬ\t-12.1342\n▁ᏗᏓᏠᏍᏗ\t-12.1342\n▁ᏱᏣᏛᏛᎲᏍᎨᏍᏗ\t-12.1342\n▁ᎠᏥᏚᎨ\t-12.1342\nᎾᎴᏅᏁᎢ\t-12.1342\n▁ᏫᎬᏲᏪᎳᏁ\t-12.1342\nᏰᏲᏂ\t-12.1342\n▁ᏣᎾᎵᏍᏓᏴᎲᏍᎦ\t-12.1342\n▁ᏫᏍᏗᎷᏨᎭ\t-12.1342\nᏓᏬᎢᎡ\t-12.1342\n▁ᏍᏉᏑᎵ\t-12.1342\n▁ᏭᎾᏣᏅ\t-12.1342\n▁ᏓᏥᏅᏏ\t-12.1342\n▁ᏱᎦᏅᎥᏏ\t-12.1342\n▁ᏕᏥᎠᏁ\t-12.1342\n▁ᎯᏍᏓᏩᏕᎨᏍᏗ\t-12.1342\n▁ᏱᎬᏉᏎ\t-12.1342\n▁ᏥᏂᎬᏂᏏ\t-12.1342\n▁ᎠᏓᎾᏩᏍ\t-12.1342\nᏥᏣᏁᎸᏓ\t-12.1342\n▁ᏓᏄᎪᏗᏍᎨᏍᏗ\t-12.1342\nᏋᏁᎵ\t-12.1342\n▁ᏗᎦᏁᎦᎸ\t-12.1342\nᏛᎯᏎᎮᏍᏗ\t-12.1342\n▁ᏥᏂᏚᏍ\t-12.1342\nᎦᏁᎳᏗᏍᏗᏱ\t-12.1342\n▁ᎤᏄᏴᏕ\t-12.1342\n▁ᎡᏗᎾᏄᎪᏫᏎ\t-12.1342\n▁ᏓᎾᏗᏔᎯ\t-12.1342\n▁ᎬᏩᏂᏐᏢᏗ\t-12.1342\n▁ᏓᏳᎸᏉᏔᏂ\t-12.1342\nᎡᏣᏟᎶᎡ\t-12.1342\n▁ᏧᎾᏓᎴᏛ\t-12.1342\nᏤᎵᏎᏗ\t-12.1342\nᏳᎾᏌᎾᎩᏒ\t-12.1342\n▁ᏱᏗᏥᎨᏳᎭ\t-12.1342\n▁ᏱᏣᏚᎵᏍᎨᎢ\t-12.1342\n▁ᎣᎦᏚᏓᏕᏫᏒ\t-12.1342\n▁ᎤᎶᎩᎳ\t-12.1342\n▁ᏂᎬᏴᏁᎸ\t-12.1342\nᎵᏍᎦᏍᏙᏙ\t-12.1342\n▁ᎤᏂᎿᎸᎯ\t-12.1342\n▁ᏗᎦᏙᎳᏛᏗ\t-12.1342\n▁ᎠᏂᎵᏇ\t-12.1342\nᎦᏆᎸᏂ\t-12.1342\n▁ᏱᏣᎵᏍᎩ\t-12.1342\n▁ᎤᎾᎴᎾᎸᎯ\t-12.1342\n▁ᏳᏬᏎᎴᎢ\t-12.1342\nᏦᎣᏌ\t-12.1342\n▁ᎬᏄᏯᎩᏍ\t-12.1342\n▁ᏙᏛᏡᏔᏂ\t-12.1342\nᎰᏒᏍᎦ\t-12.1342\n▁ᎤᏪᏲᏅ\t-12.1342\n▁ᏓᏥᏯᏬᎢ\t-12.1342\n▁ᏚᎾᏠᎯᏍᏔᏁᎢ\t-12.1342\n▁ᏚᏃᎥᎩ\t-12.1342\n▁ᎥᎬᎭᏅ\t-12.1342\n▁ᎦᏅᏆᎶᎥᎯ\t-12.1342\n▁ᎬᏩᏂᏌᏁᎢ\t-12.1342\nᏓᏘᏍᏗ\t-12.1342\nᏠᎣᏒ\t-12.1342\n▁ᎢᏥᏰᏣᏍ\t-12.1342\n▁ᏂᏚᏪᏎᎵ\t-12.1342\n▁ᏓᏂᎩᏍᎨᎢ\t-12.1342\n▁ᏫᏣᎷᎯᏍᏗ\t-12.1342\n▁ᎢᏍᏓᏁᎳᏅᎯ\t-12.1342\n▁ᏗᎾᏓᏂᎸᎩ\t-12.1342\nᏕᏥᎪᎥᎩ\t-12.1342\nᏓᏁᏄᎸ\t-12.1342\n▁ᎤᏣᏅᏕᎢ\t-12.1342\nᎵᎦᏲᏙᏗ\t-12.1342\n▁ᎦᏙᎴᎣᎯ\t-12.1342\n▁ᎦᏃᎯᎵᏓᏍᏗ\t-12.1342\n▁ᎦᎸᎪᎬ\t-12.1342\n▁ᏓᏥᏌᎳᏓᏂ\t-12.1342\n▁ᎤᏃᏒᏗ\t-12.1342\n▁ᎯᎧᏁᎦ\t-12.1343\nᎵᎮᎵᏍᏛ\t-12.1343\n▁ᏂᎨᏥᏪᏎᎮᏍᏗ\t-12.1343\n▁ᎣᎦᏙᎴᎰᏒ\t-12.1343\nᏣᏰᎸᎮ\t-12.1343\n▁ᏚᏲᏨᎩ\t-12.1343\n▁ᏱᏗᏣᏠᏱ\t-12.1343\nᏃᏍᎩᏍᏗᏱ\t-12.1343\n▁ᎢᏯᏂᎢᏛᎭ\t-12.1343\n▁ᏓᏂᏁᎵᎬᎢ\t-12.1343\n▁ᎢᎦᏚᏓᎴᏍᏙᏗᏱ\t-12.1343\n▁ᎢᏨᏁᏤᎸᎩ\t-12.1343\n▁ᎤᎪᏐᏅ\t-12.1343\n▁ᏱᏓᏂᏬᏂᎭ\t-12.1343\nᏓᏓᎴᏗᏍᎨᏍᏗ\t-12.1343\n▁ᎯᏯᏙᎵᎨᏍᏗ\t-12.1343\n▁ᏭᎾᎦᏔᎲᏍ\t-12.1343\n▁ᎤᏓᏠᏍᏔᏅᎩ\t-12.1343\n▁ᏓᎦᎾᏄᎪᏥ\t-12.1343\nᎪᎬᏂᏍᏓ\t-12.1343\n▁ᏧᎾᏓᎩᏯᏍᏗ\t-12.1343\nᏚᏘᎿᏫᏛᎮᎢ\t-12.1343\n▁ᎠᎾᎵᎪᎲᏍ\t-12.1343\n▁ᎣᎩᏍᏕᎵᏍᎬᎢ\t-12.1343\n▁ᏧᏃᏢᎾᏁᏗ\t-12.1343\n▁ᎱᏛᏁᎢ\t-12.1343\n▁ᎤᎾᏍᏓᎸ\t-12.1343\n▁ᏕᎭᏘᏃᎸ\t-12.1343\n▁ᏯᏆᏚᎳ\t-12.1343\nᎦᏘᎸᏛ\t-12.1343\n▁ᏕᏓᏁᎶᏛᎢ\t-12.1343\n▁ᎤᎾᏓᏅᏓᏛᎩ\t-12.1343\n▁ᎦᏰᏥᏍᏕᎸᏗ\t-12.1343\n▁ᏒᎶᎯ\t-12.1343\nᎩᎦᏔᎮᎢ\t-12.1343\n▁ᎤᎧᏌ\t-12.1343\n▁ᏓᎦᏄᎪᏥ\t-12.1343\n▁ᏓᏂᎾᏆ\t-12.1343\n▁ᏗᏂᏍᏆᏂᎪᏗᏍᎩ\t-12.1343\nᎩᎦᏴᎳ\t-12.1343\nᏥᏯᎴᏁᏗ\t-12.1343\n▁ᏤᏦᏎᎭ\t-12.1343\n▁ᏙᏧᏂᏅ\t-12.1343\nᏙᏓᏣᏘᎾᏫᏛ\t-12.1343\n▁ᏓᏥᏴᏂᎵ\t-12.1343\n▁ᏕᏥᏁᏤᎭ\t-12.1343\n▁ᏕᏥᏯᎦᎿᏅ\t-12.1343\n▁ᏓᎦᏅᏏ\t-12.1343\n▁ᏓᏳᏄᎪᏨᎩ\t-12.1343\n▁ᏚᎧᎿᏂᏙᎸ\t-12.1343\n▁ᏚᏟᏰᎵᏙᎸ\t-12.1343\n▁ᏳᎾᎵᏍᏓᏴ\t-12.1343\n▁ᎤᏍᏙᏰ\t-12.1343\n▁ᏤᏣᏟᏴᏏ\t-12.1343\n▁ᎤᏂᏝᏗᏤ\t-12.1343\n▁ᎤᏂᏂᏆᏘᏍᏗ\t-12.1343\n▁ᎯᏯᏓᏙᎵᏍᏓᏏ\t-12.1343\n▁ᏂᏚᏅᏁᎸᎩ\t-12.1343\n▁ᎤᏂᎾᏄᎪᏤᎸ\t-12.1343\n▁ᏫᏣᎷᏨ\t-12.1343\n▁ᎤᎵᏍᎩᏰ\t-12.1343\n▁ᎠᎦᎴᏗ\t-12.1343\n▁ᎡᏥᏎᎪᎩᏒ\t-12.1343\n▁ᎦᏃᎸᎥᏍᎨ\t-12.1343\n▁ᏚᎾᏏᏔᏕᎢ\t-12.1343\n▁ᏄᎵᏍᏔᏏ\t-12.1343\nᎱᏎᎢ\t-12.1343\n▁ᎢᏥᎵᏓᏍᏗᎭ\t-12.1343\n▁ᎠᏇᏅᏓ\t-12.1343\n▁ᏧᎾᏙᎢᏛ\t-12.1343\n▁ᏕᏥᎦᏘᎸ\t-12.1343\nᏁᏉᏏ\t-12.1343\n▁ᏍᎩᎷᏥ\t-12.1343\n▁ᎢᎯᎦᏔᎭ\t-12.1343\n▁ᎠᏅᏗᏍᎩ\t-12.1343\n▁ᎠᏙᏂᏍᎬ\t-12.1343\n▁ᎡᏓᏤᎵᎦ\t-12.1343\n▁ᎬᏩᏂᏄᎪ\t-12.1343\n▁ᎭᏣᏪᏐᎸᏍᏓ\t-12.1343\n▁ᏱᏥᏏᎳᏛᎥᎦ\t-12.1343\n▁ᏕᎦᎾᏤᏍ\t-12.1343\nᏯᏓᏂᎸᏤ\t-12.1343\n▁ᎤᏴᎴᏃ\t-12.1343\n▁ᎠᏥᏕᎸᎩ\t-12.1343\nᏓᎸᏍᏛᎢ\t-12.1343\n▁ᏚᎩᏨ\t-12.1343\nᏢᏆᏍᏙᏗᏍᎨᏍᏗ\t-12.1344\n▁ᏗᎬᏩᏲᎯᏎᎸᎯ\t-12.1344\n▁ᎢᏥᏍᏓᏩᏕᎨᏍᏗ\t-12.1344\n▁ᎢᏨᎾᏄᏫᏎᎭ\t-12.1344\n▁ᎬᏯᎦᏙᏍ\t-12.1344\n▁ᎮᏏᎶᏅ\t-12.1344\n▁ᏚᎾᏓᏅᏅᎩ\t-12.1344\n▁ᎠᏟᏰᎵ\t-12.1344\n▁ᎤᏂᏍᏕᏲᏅ\t-12.1344\n▁ᏓᎾᏗᏔᏍᎬ\t-12.1344\n▁ᏗᏓᏂᏃ\t-12.1344\n▁ᏛᎵᏍᏆᏗ\t-12.1344\n▁ᎢᏣᏙᎩᏯᏍ\t-12.1344\n▁ᏦᏤᏙᎭ\t-12.1344\nᏥᎶᏄᎡᎸ\t-12.1344\n▁ᎤᎾᏨᏓ\t-12.1344\n▁ᎢᏍᏓᎢᏒᎢ\t-12.1344\n▁ᎣᏍᏓᏟᏃᎮᏍᎬ\t-12.1344\n▁ᎪᎹ\t-12.1344\n▁ᏕᏥᎾᏫᏍ\t-12.1344\n▁ᏗᎨᎦᏬᏍᏗᏱ\t-12.1344\n▁ᎢᏣᏒᏂᎸᎩ\t-12.1344\nᏃᏏᏌᏁ\t-12.1344\n▁ᎠᎫᏴᏍ\t-12.1344\n▁ᏱᎾᎬᏁᎸ\t-12.1344\n▁ᎤᎾᏓᏡᎨᎢ\t-12.1344\n▁ᏄᎶᏎᎢ\t-12.1344\n▁ᏱᏚᎸᏫᏍᏓᏁᎮᎢ\t-12.1344\n▁ᎥᏓᏘ\t-12.1344\n▁ᎤᏫᏒᏁᎢ\t-12.1344\n▁ᏕᏥᏂᏴᎲ\t-12.1344\n▁ᎢᎬᏩᏰᎸᎭ\t-12.1344\n▁ᎡᏥᏝᏅᎯ\t-12.1344\nᎦᎵᎪᏔᏅᎯ\t-12.1344\nᏴᎡᎴ\t-12.1344\n▁ᏗᏍᎩᎾᏝᎢ\t-12.1344\n▁ᏴᎬᏴᎭ\t-12.1344\n▁ᏄᏪᎭᎴ\t-12.1344\n▁ᏕᎭᏔᏅᎭ\t-12.1344\nᎩᏲᎱᏒᎩ\t-12.1344\n▁ᎤᏓᏄᎸ\t-12.1344\nᎧᎵᎢᏍᏔᏂ\t-12.1344\n▁ᎨᏥᏴᏔᏂᎸ\t-12.1344\n▁ᎣᏥᏍᏕᎵᏍᎩ\t-12.1344\n▁ᎡᎻᏂᏓᏈ\t-12.1344\nᏣᏅᏛᎩ\t-12.1344\n▁ᎤᏰᎸᏕᏍᏗ\t-12.1344\n▁ᎢᏥᎩᏒᎭ\t-12.1344\n▁ᎤᎾᏕᎰᎯᏍᏗᏍᎩ\t-12.1344\n▁ᎠᏉᏠ\t-12.1344\n▁ᎤᏛᏂᏛ\t-12.1344\n▁ᏚᏩᏓᎷᏯᏛ\t-12.1344\n▁ᏗᏦᎸᏒᎯ\t-12.1344\n▁ᎢᏥᏯᎢ\t-12.1344\n▁ᏗᏓᏪᏍ\t-12.1344\n▁ᎢᏣᏛᏅᎢᏍᏕᏍᏗ\t-12.1344\n▁ᏓᏃᏱᏁ\t-12.1344\n▁ᏱᏍᎩᎧᏁᎸ\t-12.1344\n▁ᎢᏥᎦᏛᏂ\t-12.1344\n▁ᏕᎦᏎᎯ\t-12.1344\n▁ᎣᎪᏪ\t-12.1344\n▁ᏴᏓᎨᏏ\t-12.1344\n▁ᎯᏍᏚᎶᏔᏅ\t-12.1344\n▁ᎠᏇᎳᏗᏍ\t-12.1344\n▁ᎠᎵᏌᎳᏛᎦ\t-12.1344\n▁ᏚᎾᏓᏁᏤᎸ\t-12.1344\n▁ᎠᏥᏴᎩᏅ\t-12.1344\n▁ᎠᎵᏖᎸᎲᏍᎬ\t-12.1344\n▁ᎢᏥᎩᎵᏲᏨ\t-12.1344\n▁ᎠᏆᏓᏄ\t-12.1344\n▁ᎾᎦᏔᎾᎥᎾ\t-12.1344\nᎾᎦᏙᏍᏔᏂ\t-12.1344\n▁ᏚᏖᎸ\t-12.1344\n▁ᏚᎬᏩᏝ\t-12.1344\n▁ᏚᎵᏍᏡᏰᎢ\t-12.1344\n▁ᏚᏂᎳᎦᎸ\t-12.1344\nᏨᏱᏢᏅ\t-12.1344\n▁ᎢᏨᏬᏁᏗᎭ\t-12.1344\n▁ᏥᎩᎵᎵ\t-12.1344\n▁ᏚᏂᎧᎯᏰ\t-12.1345\n▁ᎠᏆᏒᏂᎦ\t-12.1345\n▁ᏥᏦᎯᏳᏂ\t-12.1345\n▁ᏱᏨᎸᏉᏗᎭ\t-12.1345\n▁ᎢᎬᏩᏍᏗᏰᏔᏁ\t-12.1345\nᏥᎭᎷ\t-12.1345\n▁ᏓᏂᎴᏴᏍ\t-12.1345\n▁ᏳᏂᏗᏍᎩᏌ\t-12.1345\n▁ᏱᎧᏁᏉᎦ\t-12.1345\n▁ᏥᏲᎢᏳᎲᏍ\t-12.1345\n▁ᏏᏅᏙ\t-12.1345\nᎵᏏᎲᏍᏓ\t-12.1345\n▁ᎠᏆᏢᏈᏍᏙᏗ\t-12.1345\n▁ᎤᏙᎳᏒ\t-12.1345\n▁ᏗᏨᏁᎸᎩ\t-12.1345\n▁ᎨᏥᏃᎮᏍᎨᏍᏗ\t-12.1345\n▁ᏓᎭᏬᎢᎮ\t-12.1345\n▁ᏍᏕᎩ\t-12.1345\n▁ᏓᏘᏁᎮᎢ\t-12.1345\n▁ᏣᎵᏬᎢᏍᏗ\t-12.1345\n▁ᏣᏛᏐᏅᎯ\t-12.1345\n▁ᎦᏌᎾ\t-12.1345\n▁ᏫᎦᎶᏍᎩ\t-12.1345\n▁ᏲᏤᎭ\t-12.1345\nᎦᏰᏥᏐᏢᏔᏂ\t-12.1345\n▁ᎠᏂᎫᏌ\t-12.1345\n▁ᏥᏕᎪᏪᎳ\t-12.1345\nᏍᏙᏰᎯ\t-12.1345\n▁ᏚᎾᏗᏌᏓᏕ\t-12.1345\n▁ᎢᏨᏯᏑᏰᏛ\t-12.1345\n▁ᎠᏓᎾᏫᏗᏍᎬ\t-12.1345\n▁ᎣᎦᏅᏗᏱ\t-12.1345\n▁ᏚᏁᎢᏍᏓᏁᎴ\t-12.1345\n▁ᎬᏩᏍᏕᎸᎯᏙᎮᎢ\t-12.1345\n▁ᏓᏔᎴᎦ\t-12.1345\n▁ᏗᏣᏠᏱᎦ\t-12.1345\n▁ᎠᏁᏢᏗᏍ\t-12.1345\n▁ᏓᏥᏴᎵ\t-12.1345\n▁ᏫᎨᏣᏲᎵᎦ\t-12.1345\n▁ᏱᏧᏢ\t-12.1345\n▁ᎠᏓᏩᏛᎡᎯ\t-12.1345\n▁ᏚᎾᏓᏅᏁᎢ\t-12.1345\n▁ᏱᎦᎾᏄᎪᎦ\t-12.1345\n▁ᏚᏍᎦᏤ\t-12.1345\n▁ᏱᎦᎵᏥᏙᎲᏍᎦ\t-12.1345\n▁ᏱᏙᎬᏛᏂᏏ\t-12.1345\n▁ᎤᎾᎵᏍᏔᏴᏃᎾ\t-12.1345\nᎾᎴᏂᏍᎬ\t-12.1345\nᏕᏘᏱᎶᏍᎬ\t-12.1345\nino\t-12.1345\nᎤᏃᎯᏳᏓᏁᎯ\t-12.1345\nᎦᏔᎾᏫᏍ\t-12.1345\n▁ᏯᏅᏗᎭ\t-12.1345\nᏄᏁᎩᏴ\t-12.1345\n▁ᏯᎩᏩᏛᎲ\t-12.1345\n▁ᎤᏬᏨᏛᎢ\t-12.1345\nᏂᏅᏌᏓ\t-12.1345\n▁ᏥᎿᏛᏁᎭ\t-12.1345\n▁ᏱᎪᏪᎳ\t-12.1345\n▁ᎢᏤᎳᏗᏓᏍᏗᏱ\t-12.1345\n▁ᎢᏨᏁᏤᎲ\t-12.1345\n▁ᏧᎾᏄᏬᎩᎯ\t-12.1345\n▁ᏂᏕᎤ\t-12.1345\n▁ᏯᏆᏓᏅᏖᎳ\t-12.1345\n▁ᎤᏂᎸᏐ\t-12.1345\nᎩᏍᏕᎵᏍᎬᎢ\t-12.1345\n▁ᎢᏥᏍᏛᏗᏍᎨᏍᏗ\t-12.1345\n▁ᏓᏥᎶᎥ\t-12.1345\n▁ᎠᏂᏑᎵᎪ\t-12.1345\n▁ᏣᏎᎵᏔᏅ\t-12.1345\n▁ᏫᎨᎥ\t-12.1345\n▁ᎤᏗᎴᎦ\t-12.1345\nel\t-12.1345\n▁ᎾᏥᏰᎲᎾ\t-12.1345\n▁ᏚᏬᎵᏤᎢ\t-12.1345\nᏬᏐᏅ\t-12.1345\n▁ᏕᏥᎪᎾᏛ\t-12.1345\nᏥᎭᏓᏅᏛᎳ\t-12.1346\n▁ᏙᏓᎫ\t-12.1346\n▁ᎤᎵᏍᏓᏛ\t-12.1346\n▁ᎤᏁᏡᎬ\t-12.1346\n▁ᎠᏧᏍᏛ\t-12.1346\nᏍᎩᎳᏗᏍᏗ\t-12.1346\n▁ᎫᏩᎾᏛ\t-12.1346\n▁ᎨᏦᎵ\t-12.1346\n▁ᏭᎾᏌᎾᎩᏎ\t-12.1346\n▁ᏄᏓᏅᎦᎸᎾ\t-12.1346\n▁ᏄᎳᏏᏁ\t-12.1346\n▁ᏣᎾᏂᎩᏍᎨ\t-12.1346\n▁ᏚᏓᏅᎡᎴ\t-12.1346\n▁ᏕᏥᏲᏍᏔᏅ\t-12.1346\n▁ᏥᏂᏌᏄᎦ\t-12.1346\n▁ᏥᏙᏛᎩᎸᏫᏍᏓᏁᎵ\t-12.1346\n▁ᏱᎧᏃᎮ\t-12.1346\n▁ᏫᏓᎧᏅ\t-12.1346\n▁ᎤᎾᏘᏃᎮᎴᎢ\t-12.1346\n▁ᏥᎦᎵᎡᎵᎦ\t-12.1346\n▁ᏥᎧᏃᎮᎭ\t-12.1346\n▁ᏥᏥᎩᎵᏲᎦ\t-12.1346\nᏓᎾᏅᎥᏍᎩ\t-12.1346\n▁ᏫᏕᏣ\t-12.1346\n▁ᏚᎶᎨᏒ\t-12.1346\nᎦᎵᏍᏓᎴᎩ\t-12.1346\n▁ᏴᏙᎭ\t-12.1346\nᏓᎦᎸᎥᎦ\t-12.1346\nᏓᏅᏫᏍᎨ\t-12.1346\n▁ᏓᏥᏍᏕ\t-12.1346\n▁ᏱᎦᏁᎸᏓ\t-12.1346\n▁ᏗᎬᏩᎦᏘᏕᎯ\t-12.1346\nᏍᏚᏢᎩ\t-12.1346\n▁ᏕᎬᎦᎿᏩᏗᏙᎮᏍᏗ\t-12.1346\n▁ᏄᏒᎴᎢ\t-12.1346\n▁ᏯᏕᎰᏍᎨᏍᏗ\t-12.1346\nᏓᎩᏯᏍᏗ\t-12.1346\nᏖᎳᏛ\t-12.1346\n▁ᎠᎩᏲᎸᎩ\t-12.1346\n▁ᎤᎾᏘᎿᏫᏛᎲᎩ\t-12.1346\n▁ᎤᏓᏅᏖᎵᏓᏍᏗ\t-12.1346\n▁ᏙᏓᎦᎶᏐᏂ\t-12.1346\n▁ᏚᏬᏪᎳᏅ\t-12.1346\n▁ᏭᏅᎫᏛᎢ\t-12.1346\n▁ᏱᏂᏚᏩᏁ\t-12.1346\n▁ᎢᏥᏙᎵᏍᏗᏱ\t-12.1346\nᏂᎦᏗ\t-12.1346\n▁ᏂᏨᏒᎾ\t-12.1346\n▁ᎦᏟᏏᏍᎨᏍᏗ\t-12.1346\n▁ᏚᎿᎷᏔ\t-12.1346\n▁ᎣᏥᎪᎥ\t-12.1347\n▁ᏯᏕᎲᎦ\t-12.1347\n▁ᏄᏍᏗᏓᏁ\t-12.1347\n▁ᏓᏛᏍᎬᎢ\t-12.1347\n▁ᏚᎵᏦᏔᏁᎢ\t-12.1347\nᏑᎸᎮ\t-12.1347\n▁ᎢᏥᏍᏆᏂᎪᏍᎦ\t-12.1347\nᏛᎣᏥ\t-12.1347\n▁ᏱᏂᏣᎵᏍᏔᏅ\t-12.1347\n▁ᏂᏪᎭ\t-12.1347\n▁ᏗᏥᏌᎳᏛᎦ\t-12.1347\n▁ᏱᏣᏙᎴᎰᏍ\t-12.1347\n▁ᎨᏈᎵ\t-12.1347\n▁ᏫᎦᏢᏍ\t-12.1347\n▁ᎤᏁᏍᎨᎮ\t-12.1347\nᎶᏅᎮᏍᎩ\t-12.1347\n▁ᏕᏤᎲᎢ\t-12.1347\n▁ᏫᏗᎨᏥ\t-12.1347\n▁ᎠᎩᏫᏯ\t-12.1347\n▁ᎬᏬᎯᏳᎯ\t-12.1347\n▁ᏭᏔᎷᎪ\t-12.1347\n▁ᏣᎵᏂᎬᎬᎢ\t-12.1347\nᏓᏬᏔᏅᎩ\t-12.1347\n▁ᏧᎧᎿᏩᏗᏓᏍᏗᏱ\t-12.1347\n▁ᏧᏕᏘᏱᎶᏛ\t-12.1347\n▁ᎦᏌᏙᏱ\t-12.1347\n▁ᏗᏂᏁᏟᏴᏍᎩ\t-12.1347\nᏈᏙᎲ\t-12.1347\n▁ᏧᎳᎨᏯᏛᏤᎢ\t-12.1347\nᎬᏬᎯᏳᏁᎢ\t-12.1347\n▁ᎣᏇᏗ\t-12.1347\n▁ᏚᏛᏅᎢᏍᏓᏁᎴ\t-12.1347\n▁ᏕᏥᎦᎾ\t-12.1347\n▁ᏗᎨᏍᎩᎥᏏᏉ\t-12.1347\n▁ᏗᎫᏍᎨᏂ\t-12.1347\n▁ᎤᏁᏉᏤᎴᎢ\t-12.1347\n▁ᎨᏥᏛᎬ\t-12.1347\n▁ᏩᏗᏢᏍᏓ\t-12.1347\n▁ᏯᎾᏕᎰ\t-12.1347\nᎬᏫᏳᏌᏕᎨᏍᏗ\t-12.1347\n▁ᏣᏓᏴᏒᎩ\t-12.1347\n▁ᎡᏣᏓᏙᎵᏍᏓᏁᎮᏍᏗ\t-12.1347\n▁ᏳᏁᏅᏎᎢ\t-12.1347\nᎤᏙᎯᏳᎩ\t-12.1347\nᏒᏂᎵᏙᎸ\t-12.1347\n▁ᎾᎦᏔᏛ\t-12.1347\n▁ᏗᎦᎵᏦᏛ\t-12.1347\nᏓᏛᏛᎮᎸᎥᏍᎨ\t-12.1347\n▁ᏫᎾᏆᎵᏍᏓᏏ\t-12.1347\nᎦᎫᏴᎡᎵ\t-12.1347\n▁ᎢᏥᎷᏤᎮᏍᏗ\t-12.1347\n▁ᏗᏕᎭᎷᎨ\t-12.1347\nᏨᏇᏍᎨ\t-12.1347\n▁ᎢᏗᏍᏓᏩᏕᎩ\t-12.1347\n▁ᏩᏐᎾ\t-12.1347\n▁ᏄᎡᏎ\t-12.1347\nᏕᎵᏎᎭ\t-12.1347\n▁ᎭᎵᎮᎵᎨᏍᏗ\t-12.1347\n▁ᎠᏆᎴᏁᎸ\t-12.1347\n▁ᏥᏥᏃᎮᏍᎬ\t-12.1347\n▁ᎬᏩᎾᏡᏗᏍᎩ\t-12.1348\n▁ᏕᏣᏂᎬᎦ\t-12.1348\n▁ᏫᏔᎧᏅᎦ\t-12.1348\n▁ᏓᏃᏢ\t-12.1348\n▁ᏕᎦᎵᎥᏂ\t-12.1348\n▁ᏥᏚᎴᎯ\t-12.1348\n▁ᎧᏁᎪᎢ\t-12.1348\nᏓᎪᎯᏥ\t-12.1348\n▁ᏕᎭᏕᏲᎲᏍᎨᏍᏗ\t-12.1348\n▁ᎠᎩᏲᎱᏒᎯ\t-12.1348\n▁ᏧᏖᎵᏙ\t-12.1348\n▁ᎨᏥᎨᏳᎯ\t-12.1348\n▁ᏱᎦᎵᎭ\t-12.1348\nᏛᏛᏅᎩᏃ\t-12.1348\n▁ᏗᏥᏃᏍᎦᎸᏛ\t-12.1348\n▁ᏕᎫᏍᏙ\t-12.1348\n▁ᏯᎵᏖᎸ\t-12.1348\n▁ᎯᏁᎩᏉᏍᎩᏂ\t-12.1348\n▁ᏓᎦᎶᏏ\t-12.1348\n▁ᎤᏃᎯᎵᏙᎸ\t-12.1348\n▁ᎤᏪᎾᏪ\t-12.1348\n▁ᏱᏂᎦᎵᏍᏗᎭ\t-12.1348\n▁ᎢᏨᏍᏕᎵᏍᎬ\t-12.1348\n▁ᎨᎦᎫᏴᏛ\t-12.1348\nca\t-12.1348\n▁ᏧᏲᎱᏒ\t-12.1348\n▁ᎢᏨᎾᏄᎪᏫᏎᎸ\t-12.1348\n▁ᏥᏲᎢᏳᏗ\t-12.1348\nᏃᏫᎠ\t-12.1348\n▁ᏚᎵᏍᏓᏱᏗᏍ\t-12.1348\nᏓᏅᎵᏰᎠ\t-12.1348\nᎬᎪᎥᎩ\t-12.1348\n▁ᏥᏣᏓᏡᎬ\t-12.1348\n▁ᏚᏂᎪᎮ\t-12.1348\nᏄᏬᎯᏍᏔᏂ\t-12.1349\nᏝᏫᏍᏗ\t-12.1349\n▁ᏳᎵᏍᎪᎸᏓᏁᎴ\t-12.1349\nᏚᎪᏄᎶ\t-12.1349\nᎦᏖᎾ\t-12.1349\n▁ᎬᏩᎬᏍᎪᎸᏁ\t-12.1349\n▁ᏭᎾᏅᏅᎩ\t-12.1349\n▁ᏧᏑᏴ\t-12.1349\nᏄᏩᎥᎾ\t-12.1349\n▁ᎢᏨᏰᎳᏍᏔ\t-12.1349\n▁ᏕᎰᎯᏳᎲᏍ\t-12.1349\n▁ᎱᎾᏓ\t-12.1349\n▁ᏧᎦᎾᏍᏓ\t-12.1349\n▁ᏗᏂᏁᏥᏱ\t-12.1349\n▁ᏗᏧᎪᏙᏗᏱ\t-12.1349\n▁ᎤᏍᏓᏩᏗᏓᏍᏗᏱ\t-12.1349\n▁ᎢᎪᏢᏅᎯ\t-12.1349\n▁ᎢᏍᏙᎯᏳᎲᏍ\t-12.1349\nᏛᏁᎰᎲᏍᏗᏱ\t-12.1349\n▁ᏍᏆᏁᎳᏅᎯ\t-12.1349\n▁ᎡᏥᎪᎵᏰᏗᏱ\t-12.1349\n▁ᏳᏬᎳ\t-12.1349\nᏥᏓᎦᎸᎢᏒ\t-12.1349\n▁ᏏᏱᏆ\t-12.1349\n▁ᏯᎦᎵᏍᎨᎢ\t-12.1349\n▁ᏕᎨᏢᏔᏅᎭ\t-12.1349\n▁ᎦᎵᏬᎦ\t-12.1349\n▁ᎦᏅᎵᏰᏗ\t-12.1349\nnt\t-12.1349\n▁ᏫᏄᏛᏁ\t-12.1349\n▁ᏳᏩᎩᎸ\t-12.1349\nᏙᏅᎸᎢ\t-12.1349\n▁ᎠᏂᎸᏉᏗᏍᎬ\t-12.1349\n▁ᎨᏣᏛᎦᏁᎸ\t-12.1349\n▁ᏄᏓᏛᎩ\t-12.1349\n▁ᏫᎧᎳ\t-12.1349\n▁ᎤᎾᎵᏃᎮᎸ\t-12.1349\n▁ᏓᏥᏂᏴᎯ\t-12.1349\n▁ᎥᏆᎸᏍᏗᏱ\t-12.1349\n▁ᏚᏂᏍᏗᏰᏔᏁ\t-12.1349\n▁ᎪᏚᎢᏍᏛ\t-12.1349\n▁ᎤᎾᏗᏒᏅ\t-12.1349\n▁ᎤᏄᏬᎯᏍᏗᏱ\t-12.1349\n▁ᎨᏥᎶᏁᎥ\t-12.1349\n▁ᎦᏟᏐᏗ\t-12.135\n▁ᎠᎩᏂᏆᏘᎮᏍᏗ\t-12.135\nᏍᎪᎸᎪ\t-12.135\nᏥᎷᏨᎭ\t-12.135\n▁ᏯᏍᎦᏅᎪᎢ\t-12.135\n▁ᎤᎩᎸᏂᎸ\t-12.135\n▁ᏍᎩᎷᏤᎸᎭ\t-12.135\n▁ᎢᏥᎾᏰᏍᎩ\t-12.135\n▁ᏓᏓᏪᎳᎩᏍᎬ\t-12.135\n▁ᎣᏍᏓᏕᎭᏲᎲ\t-12.135\n▁ᎨᏥᎨᏳᎭ\t-12.135\n▁ᎠᏆᏚᏓᎸ\t-12.135\n▁ᏚᏃᏢᏩᏗᏒ\t-12.135\n▁ᏣᏓᏏᏂ\t-12.135\n▁ᎬᏋᏕᏨ\t-12.135\n▁ᏛᎠᏥ\t-12.135\nᏚᏓᏕᏫᏍᏛ\t-12.135\n▁ᏓᏥᏛᏔᏂ\t-12.135\nᎵᏲᎬ\t-12.135\n▁ᏕᏨᏲᎯᏎᎸ\t-12.135\n▁ᏚᏬᏒᎢ\t-12.135\n▁ᏗᏣᏓᏅᏛᎵ\t-12.135\n▁ᏱᏚᏚᎪ\t-12.135\n▁ᏣᏥᏐᏅ\t-12.135\n▁ᏍᎩᏲᎯᏏ\t-12.135\n▁ᏚᏂᏁᎦᎸ\t-12.135\nᏘᏂᏙᎲ\t-12.135\n▁ᎤᏓᏕᏲᏗᏱ\t-12.135\nᏍᎩᎧᏁᎸᎩ\t-12.135\n▁ᎤᎶᏒᏍᏕᏍᏗ\t-12.135\nᎧᎯᏰ\t-12.135\n▁ᏂᏚᏓᏅ\t-12.135\n▁ᎦᏄᎪ\t-12.1351\n▁ᎤᎭᏲᎴ\t-12.1351\n▁ᏚᎾᏌᎥ\t-12.1351\n▁ᎤᎾᏓᏂᏯᏛ\t-12.1351\n▁ᏦᎦᏤᎵᎦ\t-12.1351\n▁ᎬᏩᏃᎴᎢ\t-12.1351\n▁ᎠᏥᏍᏕ\t-12.1351\nᏂᎪᎵᏰᎠ\t-12.1351\n▁ᏱᏣᏕᎶᎰ\t-12.1351\n▁ᏧᏮᏔᏅ\t-12.1351\n▁ᎠᏂᎾᏄᎪᏫᏍᎩ\t-12.1351\n▁ᏱᏚᎴᏅ\t-12.1351\n▁ᏕᎧᏃ\t-12.1351\n▁ᏄᏜᏏᏛᎡᎲᎾ\t-12.1351\n▁ᏄᏲᎱᏒᎾ\t-12.1351\n▁ᏗᏥᎶᏓ\t-12.1351\n▁ᎨᏥᎾᏄᎪᏫᏒᎯ\t-12.1351\nᎾᏟᎶᎾ\t-12.1351\n▁ᏧᏐᏱᎭ\t-12.1351\nᎩᏍᏆᎸᏔᏅ\t-12.1351\nᎬᏩᎾᏓᏐᏢ\t-12.1351\n▁ᏱᏙᎨᏨ\t-12.1351\n▁ᏚᏂᎬᏨ\t-12.1351\n▁ᎢᏗᎪ\t-12.1351\nᏩᏛᎯᎸᎩ\t-12.1351\n▁ᏧᎾᏓᏙᎵᏍᏓᏁᏗᏱ\t-12.1351\nᏋᏂᏍᏗᏱ\t-12.1351\n▁ᎤᏧᏗᎭ\t-12.1351\n▁ᏱᎬᏲᏎᎭ\t-12.1351\nᏍᏛᏗᏍᏔᏂ\t-12.1351\nᏛᎨᏣ\t-12.1351\nᏍᏆᏛᎦᏍᏓᏏ\t-12.1351\n▁ᎤᏂᏃᏍᎩᏍᏗᏱ\t-12.1351\n▁ᎦᏰᏥᏐᏢᏔᏅ\t-12.1351\nᏴᏋᏁᎸᎯ\t-12.1351\nᏩᎾᏖ\t-12.1351\n▁ᏧᏲᏨ\t-12.1351\n▁ᏱᏄᏛᏁᎸ\t-12.1351\n▁ᏥᏯᏄ\t-12.1351\n▁ᎤᎬᏫ\t-12.1351\nol\t-12.1352\nᎦᏂᎩᏍᏔᏁᎢ\t-12.1352\n▁ᏙᏛᎦᎴ\t-12.1352\nᏑᎵᎪᏤ\t-12.1352\n▁ᎯᏯᏘᏄᎦ\t-12.1352\n▁ᎾᎾᎵᎮᎵ\t-12.1352\n▁ᏥᏚᎴᏔᏁᎢ\t-12.1352\n▁ᏭᏂᎷ\t-12.1352\n▁ᎠᏥᏩᏛᎡᎸᎭ\t-12.1352\n▁ᎢᏗᏁᎬ\t-12.1352\n▁ᏍᏆᏛᏅᎢᏍᏓᏁᎸᎭ\t-12.1352\nᏚᎧᎿᏩᏗᏙᎲ\t-12.1352\n▁ᎠᏃᎯᏳᎲᏍᎦ\t-12.1352\n▁ᏗᏙᎳᏅᏍᏗ\t-12.1352\n▁ᏥᏅᏩᏍᏙᎢ\t-12.1352\n▁ᏴᎬᎩᎷᏥ\t-12.1352\n▁ᏪᏤ\t-12.1352\n▁ᏱᏗᏥᎸᏫᏍᏓᏁᎭ\t-12.1352\nᏗᏝᎥᏔ\t-12.1352\n▁ᎤᎾᎵᏓᎩ\t-12.1352\nᏛᏓᏍᏓᏁᎮᏍᏗ\t-12.1352\n▁ᎦᏃᏗᏍᎩ\t-12.1352\n▁ᏓᏘᏁᎮᏍᏗ\t-12.1352\n▁ᏕᎬᏩᏂᎮᎢ\t-12.1352\n▁ᎢᏥᏟᏌ\t-12.1352\n▁ᎠᏥᏁᏤᎴ\t-12.1352\n▁ᏦᏢᏅᎯ\t-12.1352\nᏕᎳᎰ\t-12.1352\n▁ᏄᏍᏗᏕᎦ\t-12.1352\n▁ᎠᏥᎧᏅ\t-12.1352\n▁ᎤᏂᏨᏅ\t-12.1353\n▁ᎤᎵᏍᎫᏫᏎᎸ\t-12.1353\n▁ᏗᎨᏥᎤᏍᏕᏎᏗ\t-12.1353\n▁ᏅᏗᎤ\t-12.1353\n▁ᎠᎹᏳᎸ\t-12.1353\n▁ᎣᎨᏅᏍᏗᏱ\t-12.1353\n▁ᏩᏂᎷᏨ\t-12.1353\n▁ᎢᎩᏍᏕᎵᏍᎬᎢ\t-12.1353\n▁ᎣᎦᏕᏯᏙᏗᎭ\t-12.1353\n▁ᏱᏚᏪ\t-12.1353\n▁ᎤᏁᏍᎨᎲᎢ\t-12.1353\n▁ᏂᎬᏩᏁᎸ\t-12.1353\n▁ᎵᏌ\t-12.1353\nᏓᎧᎭᏅ\t-12.1353\n▁ᎡᏍᎪᎵ\t-12.1353\n▁ᎢᏣᏓᎳᏫᏎᎸ\t-12.1353\n▁ᎣᎩᎪᏁ\t-12.1353\n▁ᎠᏓᏓᏅᏓᏗᏍᏗᏍᎩ\t-12.1353\nᏯᏍᏗ\t-12.1353\n▁ᎭᎵᏍᏕᎸ\t-12.1353\n▁ᏂᎦᏍᏕᏍᏗ\t-12.1353\nᏃᏢᏍᎩ\t-12.1353\n▁ᏥᎦᎳᎨ\t-12.1353\n▁ᏫᎦᏲᎩ\t-12.1353\n▁ᎠᏥᎵᎥᏂᎸ\t-12.1353\nᏚᎶᎯᏎᎴ\t-12.1353\n▁ᎦᏲᎩᏐᏢ\t-12.1353\n▁ᎠᏓᏙᎵᏍᏗᏍᎨᎢ\t-12.1353\n▁ᏄᏁᎲᎾ\t-12.1353\n▁ᏩᏆᏕ\t-12.1354\nᎬᏩᏂᏴᎮᏃ\t-12.1354\n▁ᏥᏓᏓᏬᏍᎬᎩ\t-12.1354\n▁ᎠᏥᏩᏛᎡᎸᎯ\t-12.1354\n▁ᎤᏂᎪᏙ\t-12.1354\n▁ᎬᏬᎯᏳᏅᎯ\t-12.1354\n▁ᎭᏈᎳ\t-12.1354\n▁ᎤᎾᏗᏍᎦᎳᏁ\t-12.1354\nᎵᎪᏚᏅ\t-12.1354\n▁ᎬᏩᎶᏁᏗ\t-12.1354\n▁ᎢᏤᏲᏗᏱ\t-12.1354\nᎩᏍᏗᏰᏗᏍᎬ\t-12.1354\n▁ᎠᏲᎰᏍ\t-12.1354\n▁ᏧᏂᎵᎡᎾ\t-12.1354\nᎦᎾᎯ\t-12.1354\n▁ᏕᎯᎦᏔᎭ\t-12.1354\n▁ᏍᎩᎨᎯᏙᎸ\t-12.1354\n▁ᏍᎩᏍᏓᏩᏛᏍᏗᏱ\t-12.1354\nᎩᎳᏫᏍᏗ\t-12.1354\n▁ᎤᎾᏕᎶᏆᎡ\t-12.1354\n▁ᎮᏙᎮᏍᏗ\t-12.1354\n▁ᎠᎾᏙᎴ\t-12.1354\n▁ᏗᏂᎧᎿᏩᏗ\t-12.1354\n▁ᎢᏥᏲᏍᏓ\t-12.1354\nᎷᏥᎴᎢ\t-12.1354\nᏃᎲᎳ\t-12.1354\n▁ᏍᎩᏯᏓᏅᏖ\t-12.1354\n▁ᎨᏯᏔᎯ\t-12.1355\nᎾᏢᏆ\t-12.1355\nᏓᏂᎸᏣ\t-12.1355\n▁ᎠᎩᎷᎳ\t-12.1355\n▁ᎤᏂᏯᏅᎮ\t-12.1355\n▁ᎷᏫ\t-12.1355\n▁ᎤᎾᏜᏏᏛᎡ\t-12.1355\n▁ᏚᎵᏏᎲᏒᎩ\t-12.1355\n▁ᏭᎾᏌᎾᎩ\t-12.1355\n▁ᎤᎾᏘᏅᏎ\t-12.1355\n▁ᏓᎾᏤᎨᏍᏗᏉ\t-12.1355\n▁ᎦᏓᏅᏖᎭ\t-12.1355\n▁ᏚᏅᎵᏰᎥ\t-12.1355\n▁ᏦᎯᏳᏎᏍᏗᏉ\t-12.1355\n▁ᎠᏓᏍᏕᎸᎯᏙᎯ\t-12.1355\nᏰᎶᎵ\t-12.1355\n▁ᎢᏣᏛᏓᏍᏓᏁᎮᏍᏗ\t-12.1355\n▁ᏯᏙᏢᎾ\t-12.1355\n▁ᎠᎩᏍᏓᏩᏛᏍᏗᏱ\t-12.1355\n▁ᎤᎶᏐᏂᏗ\t-12.1355\n▁ᎨᎬᏬᎣᏗ\t-12.1355\n▁ᎯᏗᎦᏔᎭ\t-12.1355\n▁ᏭᎩᏎ\t-12.1355\n▁ᏫᏗᎨᎦ\t-12.1355\n▁ᏥᎾᏆᏍᏗᏉ\t-12.1355\nᎩᏩᎯᏍᏙᏗ\t-12.1355\n▁ᏚᎭᎾᏬ\t-12.1355\n▁ᏱᏅᏛᏅᏁᎵ\t-12.1356\n▁ᏇᎴᏗ\t-12.1356\nᏰᎢᏍᏔᏁ\t-12.1356\n▁ᏧᏬᏑᎴᏗ\t-12.1356\n▁ᎡᏥᎥᏏ\t-12.1356\n▁ᎤᏓᏁᏟᏴᏍᏓᏁᎸ\t-12.1356\nᏚᎾᏟᏯᏛ\t-12.1356\n▁ᎤᎾᏠᏯᏍᏗ\t-12.1356\n▁ᎤᏄᏘ\t-12.1356\nᏕᎳᏍᏗ\t-12.1356\n▁ᏘᏅᏏᏗ\t-12.1356\n▁ᎤᎧᏨ\t-12.1356\n▁ᏥᏍᏆᎸᎾ\t-12.1356\n▁ᏗᏄᏪ\t-12.1356\nᎤᎸᎯ\t-12.1356\nᏓᎬᏅᏁᎵ\t-12.1356\n▁ᎩᎳᏋ\t-12.1356\nᏓᏢᏍᏛ\t-12.1356\nee\t-12.1356\n▁ᏚᏓᎥ\t-12.1356\n▁ᏩᎦᏘᏃᎸᎩ\t-12.1356\nᏫᏍᏔᏁᎲ\t-12.1356\n▁ᏓᎾᏓᏛᏛᎲᏍᎨ\t-12.1356\n▁ᏫᎣᎩ\t-12.1356\n▁ᎨᏥᏐᏅᎢᏍᏔᏅᎯ\t-12.1357\nᎬᏲ\t-12.1357\nᏂᏂᏴᎯ\t-12.1357\n▁ᏗᏣᏓᏂᎸᎢᏍᏗ\t-12.1357\n▁ᏱᏂᏨᏪᏎᎴ\t-12.1357\nᏅᎰᏁ\t-12.1357\n▁ᎤᎾᏅᏣᏛ\t-12.1357\nᏩᏗᏒᏂ\t-12.1357\n▁ᎤᏍᏗᏱᏛ\t-12.1357\n▁ᏚᏓᏟᏴᎮ\t-12.1357\nᏥᏂᏕᎯ\t-12.1357\n▁ᏱᏥᏰᎸᏍᎨᏍᏗ\t-12.1357\nᏓᏦᎳᏂᏒ\t-12.1357\n▁ᏱᏂᏣᏛᏁᎮᏍᏗ\t-12.1357\n▁ᏫᏗᎦᎦᏂ\t-12.1357\n▁ᏁᎭᏗ\t-12.1357\n▁ᏣᏓᏪᎵᎩᏍ\t-12.1357\n▁ᎤᏛᏕᏍᏗ\t-12.1357\n▁ᎤᏬᏟ\t-12.1357\n▁ᏗᎩᎧᎿᏩᏛᏍᏗ\t-12.1357\n▁ᏚᎵᏍᎪᎸᏓᏁᎴ\t-12.1357\nᏄᏪᏍᏗᏱ\t-12.1357\n▁ᎢᏣᏕᏘᏴᏛ\t-12.1357\nᏫᏍᏓᏁᏗ\t-12.1357\nᎳᏲᏍᎨ\t-12.1357\n▁ᎢᎩᏁᏤᎸ\t-12.1357\n▁ᏭᏩᏂᎦᎸ\t-12.1357\nᎵᏁᏌᎸ\t-12.1357\n▁ᎠᎵᏃᎯᏯ\t-12.1357\n▁ᎢᏧᏅᏁᎸᎯ\t-12.1357\n▁ᏫᏂᏣ\t-12.1357\n▁ᎠᏙᏑᎴᏗᏱ\t-12.1357\n▁ᎠᏟᏅᏨ\t-12.1357\n▁ᎠᎾᏓᏃᎮᎵᏙᎯ\t-12.1357\n▁ᎠᎩᏍᏕᎸᏛ\t-12.1357\n▁ᎤᏔᏲᏎᎸ\t-12.1357\n▁ᏗᏑᏴᏅ\t-12.1357\n▁ᎠᎾᎵᏍᎦᏍᏙᏗᏍᎨᏍᏗ\t-12.1357\nᎾᏁᏍᎬ\t-12.1357\n▁ᎤᎾᏨᏉ\t-12.1357\n▁ᎠᎩᏍᏆᎸᎡ\t-12.1357\n▁ᏧᎴᏙᏗᏱ\t-12.1357\n▁ᎠᏛᏲᎱᏏ\t-12.1357\n▁ᎠᏖᎸᏅᎯ\t-12.1357\n▁ᎤᏂᏄᎪᏫᏎ\t-12.1357\nᏄᏂᏪᏒᎩ\t-12.1358\n▁ᎠᎪᏎᎲᎩ\t-12.1358\n▁ᎠᏆᎫᏴᎡᎲᎢ\t-12.1358\n▁ᎠᏓᏛᏍᎪᎢ\t-12.1358\n▁ᎤᎾᎦᏙᏍᏙᏗ\t-12.1358\nᏓᏬᏔᏂ\t-12.1358\n▁ᏱᏙᎩᎸᏫᏍᏓᏁᎭ\t-12.1358\n▁ᏚᏂᎳᏫᏤ\t-12.1358\n▁ᎠᏂᏴᎯᎭ\t-12.1358\n▁ᎠᏛᎵᏍᎬ\t-12.1358\n▁ᎤᏂᏍᏙᎸ\t-12.1358\n▁ᏧᏭᎪᏓᏁᏗ\t-12.1358\n▁ᎠᎵᎮᎵᏤᎰᎢ\t-12.1358\n▁ᏱᏭᎷᏨ\t-12.1358\n▁ᏫᏥᏩᏛ\t-12.1358\n▁ᎤᏯᏍᎦ\t-12.1358\n▁ᎤᏓᏅᎦᎸᏗ\t-12.1358\n▁ᏘᏂᏴ\t-12.1358\n▁ᏂᏚᏛᏓᏍᏓᏁ\t-12.1358\n▁ᏳᏰᏨ\t-12.1358\n▁ᎠᏉᏚᎯ\t-12.1358\n▁ᎠᎾᏦᎥ\t-12.1358\n▁ᎯᏍᏆᎵ\t-12.1358\n▁ᎠᏍᎪᎩᏍᎬ\t-12.1358\n▁ᎠᏂᏝᎲᏍᎪ\t-12.1358\nᎧᎯᏴᏍᏗ\t-12.1358\n▁ᎠᏓᏍᏕᏓᎵᏴᏍᎬ\t-12.1358\n▁ᏱᏂᏨᎦ\t-12.1358\nᏓᏁᎳᏁᎸᎯ\t-12.1358\n▁ᎤᏁᏍᎨᎲᎯ\t-12.1358\n▁ᎡᎩᏁᏗᏱ\t-12.1358\n▁ᏥᏁᎢᏍᏓ\t-12.1358\n▁ᎤᏎᎦᎳᎯ\t-12.1358\n▁ᎣᎩᎶᏐᏅ\t-12.1359\n▁ᎠᏔᎸᎩᏓ\t-12.1359\n▁ᎤᏁᎢᏍᏔᏁᎴ\t-12.1359\n▁ᏥᏍᏓᏩᏕᎦ\t-12.1359\n▁ᏚᎩᎸᏔᏁ\t-12.1359\n▁ᎤᎾᎵᏃᎮᏔᏁ\t-12.1359\n▁ᎤᎦᏴᎳᏥᎶᏛ\t-12.1359\n▁ᎤᎾᎴᏲᎥ\t-12.1359\n▁ᎤᏓᏁᎪᏴᏓ\t-12.1359\n▁ᏧᎴᏁᎢ\t-12.1359\n▁ᎦᎵᎥᏂᎮ\t-12.1359\n▁ᎬᏩᏛᏁᎢ\t-12.1359\n▁ᎠᎩᏲᎱᎯᏎᎸᎯ\t-12.1359\n▁ᎠᏓᏅᎦᎸᏗ\t-12.1359\n▁ᏣᎦᎨᏅ\t-12.1359\nᏛᏓᏍᏓᏁᎯ\t-12.1359\n▁ᏚᏂᎸᏫᏍᏓᏁᎭ\t-12.1359\n▁ᎨᎵᏒᎭ\t-12.1359\nᏣᏢᏆ\t-12.1359\n▁ᎬᏩᏁᏄᎳᏍᏗᏍᎨ\t-12.1359\n▁ᎢᏯᏯᏖᏅ\t-12.1359\nᏥᏄᎪᏨ\t-12.1359\n▁ᏚᏂᏯᏪᎨ\t-12.1359\n▁ᎢᎬᏩᎵᏍᏔᏅᎯ\t-12.1359\n▁ᏫᎫᏓᎸ\t-12.1359\n▁ᏧᏂᏅᏬᏗᏱ\t-12.1359\n▁ᏄᏬᏚ\t-12.1359\n▁ᎤᏂᎦᎵᏴ\t-12.1359\n▁ᏣᏗᏥ\t-12.1359\n▁ᎠᏆᏎᎮᎲ\t-12.1359\n▁ᎤᎩᏍᏙᎡ\t-12.136\nᏍᏕᎵᏍᎨᏍᏗ\t-12.136\nᏚᎳᏕ\t-12.136\n▁ᎯᎪᎢᎦ\t-12.136\n▁ᎤᏂᎾᏕᎨ\t-12.136\n▁ᎨᎦᏠᏯᏍ\t-12.136\n▁ᎤᏂᏁᏓᏥᏛ\t-12.136\n▁ᎢᏣᏓᏅᏔᏩᏕᎦ\t-12.136\n▁ᎤᏂᏍᏓᏩᏛᏛ\t-12.136\n▁ᎠᏂᏃᏔᏅ\t-12.136\n▁ᏴᎦᏰᎳ\t-12.136\nᎪᏔᏂ\t-12.136\n▁ᎢᏗᎾᏌ\t-12.136\nᏍᏙᏴᏗ\t-12.136\n▁ᎢᏥᏂᏆᏘᎮᏍᏗ\t-12.136\n▁ᏚᏓᏬᎥ\t-12.136\n▁ᎤᏩᏅᏤ\t-12.136\n▁ᎠᏆᎵᏂᎩᏛ\t-12.136\n▁ᎠᏂᏍᏔᏩᏗᏒ\t-12.136\nᏃᏍᎩᏒᎩ\t-12.136\n▁ᏯᏆᏛᎾ\t-12.136\n▁ᎦᎾᏌᎢ\t-12.136\n▁ᎬᏩᏔᏲᏎᎯ\t-12.136\n▁ᏭᎴᏅᎮ\t-12.136\n▁ᎠᏲᎱᏍᎨᎢ\t-12.136\n▁ᏗᏉᏪᎳᏅ\t-12.136\nᏤᎸᏍᎦ\t-12.136\n▁ᎬᏩᏓᏅᏬᏗ\t-12.136\n▁ᏚᎾᎵᏥ\t-12.1361\n▁ᎤᏃᎯᏴᎯ\t-12.1361\n▁ᎾᎦᏛᏁᎸ\t-12.1361\n▁ᏓᏤᎴᏍᏗ\t-12.1361\nᏁᏄᎳᏍᏗᏍ\t-12.1361\n▁ᏥᏚᎳᏍ\t-12.1361\n▁ᎠᏊᏓᎴ\t-12.1361\n▁ᎯᎪᎥᎯ\t-12.1361\n▁ᎠᎦᏓᎢᏅ\t-12.1361\nᏂᎩᏍᏙᏗᏱ\t-12.1361\n▁ᎤᎾᏠᎾᏍ\t-12.1361\n▁ᎠᏂᎦᏔᎿᎥ\t-12.1361\n▁ᎢᎩᏯᎥᎢ\t-12.1361\nᏍᎩᎨᏳ\t-12.1361\n▁ᏕᎨᏥᏰᎸ\t-12.1361\n▁ᏱᏦᎯᏳᎲᏍᎦ\t-12.1361\n▁ᏚᏂᏪᏎᎸᎩ\t-12.1361\n▁ᎤᏅᎾᏏ\t-12.1361\n▁ᏂᎦᏍᏛ\t-12.1361\n▁ᎤᏂᏍᏓᏩᏕᏅ\t-12.1361\n▁ᎢᏍᏓᎵᏍᏓᏴᏔᏅᎩ\t-12.1361\nᏗᏍᏓᏚᏓ\t-12.1362\n▁ᎢᎩᎩᎵᏲᏤ\t-12.1362\n▁ᎨᏙᎯᏉ\t-12.1362\n▁ᎠᏓᏛᏂᏗᏍᎩ\t-12.1362\n▁ᎤᏄᏖᏒᎩ\t-12.1362\n▁ᏃᎩᏅᏁᎸᎩ\t-12.1362\n▁ᏫᏥᎪᎥᎩ\t-12.1362\n▁ᎠᏍᏆᏗᏍᎬ\t-12.1362\n▁ᏚᏂᎦᎵᏒᎩ\t-12.1362\nᏬᏗᎭ\t-12.1362\n▁ᎠᏥᎸᏉᏓ\t-12.1362\n▁ᏧᎷᏫᏍᏓᏁᏗ\t-12.1362\n▁ᏭᏘᏅᏍᏔᏅᎩ\t-12.1362\n▁ᏗᏟᏃᎮᏙᏗ\t-12.1362\n▁ᏧᏛᏅᎢᏍᏔᏁ\t-12.1362\n▁ᏗᏣᎧᏃᏗᏱ\t-12.1362\n▁ᎠᏂᏍᏙᏍᎨᏍᏗ\t-12.1362\nᎵᏗᏍᎩᏍᎬ\t-12.1362\nᏄᎪᏓᏁᎮᏍᏗ\t-12.1362\n▁ᏫᏚᏓᏴᎳᏛ\t-12.1362\nᏏᏛᏂᎸᎩ\t-12.1362\n▁ᎦᎾᎪᎢ\t-12.1363\n▁ᎤᏂᏰᏣ\t-12.1363\nᎯᏯᏍᎨᏍᏗ\t-12.1363\n▁ᏂᎦᏪᏍᎨᏍᏗ\t-12.1363\nᏖᎸᎲᏍᎩ\t-12.1363\nᎴᏲᎡᎸ\t-12.1363\n▁ᎤᎸᎲᎩ\t-12.1363\n▁ᎤᏚᎢᏍᏔᏁ\t-12.1363\n▁ᎠᏙᎩᏯ\t-12.1363\n▁ᏓᏏᎳᏛᎥᏍᎬ\t-12.1363\nᎩᎷᏤᎭ\t-12.1363\n▁ᏂᎦᏛᏁᎰ\t-12.1363\nᏝᏗᏍᏔᏂᏙ\t-12.1363\n▁ᎠᏥᎶᏛ\t-12.1363\n▁ᎠᏯᏙᎵᏳ\t-12.1363\n▁ᎤᏂᎪᏗᏱ\t-12.1363\n▁ᏚᏩᏐ\t-12.1363\n▁ᎠᏍᏛᎪᏒ\t-12.1363\n▁ᏘᎴᏂ\t-12.1363\n▁ᏗᎵᏰᎢᎸᏍᏗᏍ\t-12.1363\n▁ᏥᏍᏆᏙᎾ\t-12.1363\nᎵᏆᏗ\t-12.1363\n▁ᎬᏩᏜᏫᏍᏗ\t-12.1363\n▁ᏕᎦᏚᏓᏕᏫᏒᏰᏃ\t-12.1364\n▁ᏓᎾᎪᎲᏍᏗᏍᎨ\t-12.1364\n▁ᏥᎨᏔ\t-12.1364\n▁ᎦᎵᏉᎩᏦᏁ\t-12.1364\n▁ᎤᏁᎷᎩ\t-12.1364\nᏐᏢᏗᏍᎩ\t-12.1364\n▁ᎠᎴᏫᏍᏙᏗ\t-12.1364\nᎫᎫ\t-12.1364\n▁ᏱᏣᏅᏔ\t-12.1364\nᎦᏅᎦᎸᎯ\t-12.1364\n▁ᏗᏟᏰᎵᏓᏍᏗ\t-12.1364\n▁ᎬᏩᏳᏤ\t-12.1364\n▁ᎣᎨᏅ\t-12.1364\n▁ᎨᏥᏍᎦᏨᎯ\t-12.1364\nᎦᎨᎠᏗᏔᏍᏗ\t-12.1364\n▁ᏥᎧᏁᎦ\t-12.1364\nce\t-12.1364\n▁ᏗᎾᎢᏎ\t-12.1364\n▁ᏱᏂᏣᏛᎦ\t-12.1364\n▁ᏕᎬᏂᎦ\t-12.1364\nᎤᎾᏚᏓᏖᏍᏗ\t-12.1364\nᎾᏙᏢ\t-12.1364\n▁ᎯᏃᎮᏍᎨᏍᏗ\t-12.1364\n▁ᎡᏟᏯ\t-12.1364\n▁ᎤᏥᏍᏔᏁ\t-12.1365\nᏝᎲᎦ\t-12.1365\n▁ᏍᎩᎨᏳᎮᏍᏗ\t-12.1365\n▁ᎬᏬᎯᏳᏗ\t-12.1365\n▁ᎡᎯᏄᎪᎢ\t-12.1365\n▁ᏕᎨᎦᏬᎥ\t-12.1365\nᏓᏓᏟᏌᏁ\t-12.1365\nᏩᏛᎡᎯ\t-12.1365\n▁ᎤᎾᎧᏙᏍᏕ\t-12.1365\nᏐᏈ\t-12.1365\n▁ᎠᏍᏕᏴ\t-12.1365\n▁ᏗᏂᏙᎩ\t-12.1365\n▁ᎬᏍᏕᎵᏍᎬ\t-12.1365\nᎭᏦᎣ\t-12.1365\n▁ᏓᏎᎯ\t-12.1365\n▁ᎤᎵᏇᏅ\t-12.1365\n▁ᎣᏤᎪ\t-12.1365\nᏓᏛᏂᎯ\t-12.1366\n▁ᎢᏤᏯᏙᏤᎮᏍᏗ\t-12.1366\n▁ᎠᏯᏂᎭ\t-12.1366\n▁ᏯᏥᎸ\t-12.1366\n▁ᏧᎷᎸᏗᏱ\t-12.1366\n▁ᏥᎾᎬᏁᎴ\t-12.1366\n▁ᏱᏄᎵᏍᏓᏁᎮ\t-12.1366\n▁ᏗᎦᏯᎩᏍᏗ\t-12.1366\nᎩᎾᎵᏍᎩᏒ\t-12.1366\n▁ᏚᏯᏪᏨ\t-12.1367\nᎩᏪᎡᎸᎩ\t-12.1367\nᏗᎩᏯᏍᏗᏱ\t-12.1367\nᏩᏓᏟᏌ\t-12.1367\n▁ᎯᏁᏥᏱ\t-12.1367\n▁ᏂᏙᎲᏁ\t-12.1367\n▁ᎤᏲᏏᏍᎩ\t-12.1367\n▁ᎢᏥᎩᎵᏲᎢᏍᏗᏱ\t-12.1367\n▁ᎠᎾᏓᏙᎵᏍᏓᏁᎲ\t-12.1367\nᏥᏩᏛᎲᏒᎩ\t-12.1367\n▁ᏣᏛᎦᏅᎢ\t-12.1367\n▁ᏱᏚᏃᏕ\t-12.1367\n▁ᎠᎪᎲᏍᏙᏗᏱ\t-12.1367\n▁ᎤᏟᏃᎮᏔᏅ\t-12.1368\nᏇᏄᎩ\t-12.1368\nᏦᏪᎳᏁᎸ\t-12.1368\n▁ᏥᏚᎢᏍᏗ\t-12.1368\n▁ᏓᏥᏐᏅᏅ\t-12.1368\n▁ᏣᎴᏂᏓᏍᏗᏱ\t-12.1368\nᏝᏁᎴᎢ\t-12.1368\n▁ᏭᏩᏁ\t-12.1368\n▁ᎢᎯᏴᏁᏗᏱ\t-12.1368\n▁ᏯᏆᏓᏅᏖ\t-12.1368\nᏛᏔᏃᏅ\t-12.1368\nᏓᎦᏥᏴᏁᎵ\t-12.1368\n▁ᏚᏮᏕ\t-12.1368\n▁ᎤᏂᏍᏉᎵᏱ\t-12.1368\n▁ᏭᏗᏅᏒᎩ\t-12.1368\nᎦᏐᎠᏒᎩ\t-12.1368\n▁ᎯᏲᏍᏓ\t-12.1368\nᏠᎲ\t-12.1368\n▁ᏛᏂᏍᏓᏩᏕᏏ\t-12.1369\n▁ᏗᏥᏅᏍᏓᏕᎸᎩ\t-12.1369\n▁ᎯᏬᏁᏔᏅ\t-12.1369\n▁ᎠᏁᎵᏍᎩ\t-12.1369\nᏬᎥᏎ\t-12.1369\nᏂᏴᏗᎯ\t-12.1369\nᎸᎣᎢ\t-12.1369\n▁ᎠᏥᏲᏍᏗ\t-12.1369\n▁ᎤᏛᏅᎢᏍᏔᎾ\t-12.1369\nᎾᏁᎳᏓ\t-12.1369\nᏂᏪᏍᎨᎢ\t-12.1369\n▁ᏱᎨᏥᎪ\t-12.1369\n▁ᏂᏨᏁᎭ\t-12.1369\n▁ᎠᎾᏓᏬ\t-12.1369\n▁ᏳᎦᏘᏓ\t-12.1369\n▁ᏗᏥᎪᎥ\t-12.1369\n▁ᎡᏥᏙᎵᏍᏗᏱ\t-12.137\n▁ᏦᏏᏆ\t-12.137\n▁ᏩᎦᏖᎢ\t-12.137\n▁ᎬᏯᎵᏃᎮᏙᏗᏱ\t-12.137\nᎱᏃᏴ\t-12.137\n▁ᏥᏗᎦᏔᎭ\t-12.137\n▁ᏱᏗᎬᎩ\t-12.137\n▁ᎠᏓᎶᏄᎮᏍᎩ\t-12.137\n▁ᎯᎪᏩᏘᏍᎨᏍᏗ\t-12.137\n▁ᎤᎾᏌᎥ\t-12.137\nᏅᏛᎢ\t-12.137\n▁ᏂᎦᎨᏒ\t-12.137\n▁ᏯᏥᏃᏍᎩ\t-12.137\n▁ᏧᏂᎪᎵᏰᏗ\t-12.137\nᏤᏪᎸ\t-12.1371\n▁ᏆᏏᏗᏱ\t-12.1371\n▁ᎤᏂᏁᏤᎸᎩ\t-12.1371\n▁ᏚᏓᏅᎡᎸᎩ\t-12.1371\nᎾᏓᏡᏩᏗᏒᎢ\t-12.1371\n▁ᏣᎩᏰᎸᎭ\t-12.1371\nᏝᏅᎩ\t-12.1371\n▁ᎤᏟᏂᎬᏁᎴ\t-12.1371\n▁ᎤᎾᏁᏦ\t-12.1371\n▁ᎣᎩᏲᏍᏙ\t-12.1371\n▁ᎠᏂᏲᏍᏗᏍᎩ\t-12.1371\nᎨᎲᎯ\t-12.1371\n▁ᏚᏄᏓ\t-12.1371\n▁ᏙᎩᎲᎢ\t-12.1371\n▁ᎤᎾᏓᏓᏍᎩᏌᏁ\t-12.1371\nᎩᎸᏗᏍᎬ\t-12.1371\nᏁᎥᏏ\t-12.1372\n▁ᏚᏃᎮᎮᎴ\t-12.1372\nᎾᎵᏍᏓ\t-12.1372\nᏍᏆᏛᎦᏍᏓ\t-12.1372\n▁ᏕᎪᎩᏂ\t-12.1372\n▁ᎤᏚᏓᏕᏫᏒ\t-12.1372\n▁ᎯᎧᏔᎭ\t-12.1372\n▁ᎥᏆᎫᏴᎡ\t-12.1372\n▁ᏣᏅᏅᎢ\t-12.1372\n▁ᎢᎤᏁᏨ\t-12.1372\n▁ᏘᏍᏆ\t-12.1372\nᏍᏗᎷᎩ\t-12.1372\n▁ᏭᏃᎯᏎᎴ\t-12.1372\n▁ᎺᏌ\t-12.1372\n▁ᎯᏯᏠᏯᏍᏔᏅ\t-12.1372\nᎰᎻ\t-12.1372\n▁ᎤᏂᎦᏘᏯ\t-12.1372\n▁ᎠᏂᏍᎦᏅᎩ\t-12.1373\n▁ᏓᎹᏂ\t-12.1373\n▁ᏳᏪᏅ\t-12.1373\n▁ᎤᏄᏮᎢ\t-12.1373\n▁ᎾᎩᏲ\t-12.1373\n▁ᎠᏩᏛᏙᏗ\t-12.1373\n▁ᎤᏯᏤᎢ\t-12.1373\nᎪᎳᏗᏴᏗᏱ\t-12.1373\n▁ᏕᏥᏍᏕᎵᏍᎬᎢ\t-12.1373\n▁ᎤᏘᏍᏛᎢ\t-12.1373\n▁ᎠᏂᏯᏙᎯᎲᎢ\t-12.1373\n▁ᎢᏣᏓᏁᏟᏴᏎᎬᎢ\t-12.1373\n▁ᎤᎾᏄᎪᏤᎢ\t-12.1373\n▁ᎤᏂᏐᏅᏤᎴᎢ\t-12.1373\nᏓᏂᏙᎵᎬ\t-12.1373\n▁ᎠᎾᏓᏁᏟᏴᏎᎬᎢ\t-12.1373\n▁ᎥᏆᎸᎥᎢ\t-12.1373\n▁ᎤᎵᏯᏍᏚᏁᎢ\t-12.1373\n▁ᏕᏣᏁᎶᏛᎢ\t-12.1373\n▁ᏚᏪᎳᏍᏔᏁᎢ\t-12.1373\n▁ᏙᏗᎧᏅᎢ\t-12.1373\n▁ᏧᏬᎯᏳᏁᎢ\t-12.1373\n▁ᏂᏥᏪᏒᎢ\t-12.1373\n▁ᎨᏥᏛᏔᏁᎢ\t-12.1373\n▁ᏍᎩᎷᏤᏗᏱ\t-12.1373\n▁ᎡᏦᏎᎲᎢ\t-12.1373\n▁ᏚᏬᏁᏔᏅᎢ\t-12.1373\n▁ᎨᏥᎨᏳᎢ\t-12.1373\nᏂᏚᏑᏰᏐ\t-12.1374\n▁ᏍᎩᏰᎯ\t-12.1374\n▁ᏕᎨᏥᎾᏝᎥᎢ\t-12.1374\nᏃᎲᎵ\t-12.1374\n▁ᎤᏂᏂᏴᏛ\t-12.1374\nᏑᎵᎭ\t-12.1374\n▁ᎠᎾᎵᏍᏓᏴᎲᏍᎪᎢ\t-12.1374\n▁ᏫᏳᎶ\t-12.1374\n▁ᎢᏨᎨᏳᏒᎢ\t-12.1374\n▁ᎤᎵᎶᎲᏍᎩ\t-12.1374\nᏂᏁᎢᏍᏗ\t-12.1374\n▁ᏴᏓᏥ\t-12.1374\n▁ᎬᏴᏗᏍᎬᎢ\t-12.1374\n▁ᎢᎩᏬᏂᎯᏍᏗ\t-12.1374\n▁ᎭᎢᏒᎢ\t-12.1374\n▁ᎤᎴᏴᏎᎢ\t-12.1374\n▁ᏚᎵᏦᏛᎢ\t-12.1375\n▁ᎤᎦᏙᏍᏛ\t-12.1375\n▁ᏙᏓᏦ\t-12.1375\n▁ᏧᏅᏕ\t-12.1375\n▁ᏚᏨᏍᏛ\t-12.1375\n▁ᎠᏂᎧᎲᏍ\t-12.1375\n▁ᏥᏔᏲᎯᎲ\t-12.1375\n▁ᏥᏩᏴᎯ\t-12.1375\n▁ᎠᏆᏛᏅᎢᏍᏔᏅ\t-12.1375\n▁ᏛᎦᏛᎩ\t-12.1375\n▁ᏓᏆᏙᏍᏛ\t-12.1375\n▁ᎢᎦᏤᎵᎪᎯ\t-12.1375\nᏍᏕᎲ\t-12.1375\n▁ᎤᏩᏩᏙᎣ\t-12.1375\nᏔᏗᏍᎬ\t-12.1375\nᏂᏔᎳᏬᏍᎬ\t-12.1375\n▁ᎤᎨᎲᏎ\t-12.1375\n▁ᏗᏍᎩᏯᏓᏂᎸᎩ\t-12.1375\nᏑᎵᏍᎬᎢ\t-12.1375\n▁ᏂᎪᎩᏪᏎ\t-12.1375\n▁ᏗᏍᏙᏍ\t-12.1376\n▁ᎦᎵᏓᏍᏔᏅ\t-12.1376\n▁ᎠᎫᎢᏍᏗᏍᎬᎢ\t-12.1376\n▁ᏚᏃᎮ\t-12.1376\n▁ᏳᏩᏔᏅ\t-12.1376\n▁ᏂᎨᏐ\t-12.1376\n▁ᏅᏓᏲ\t-12.1376\n▁ᏗᏣᎸᏫᏍᏓᏁ\t-12.1376\n▁ᏕᎦᎾᏄᎪᏫᏎ\t-12.1376\nᎴᏴᏍᏓ\t-12.1376\n▁ᎢᏧᏅᏁᏗᏱ\t-12.1376\n▁ᏭᏗᏢᏍᏔᏁᎢ\t-12.1376\nᏧᏡᏍ\t-12.1376\n▁ᏚᎾᏗᏅᏎ\t-12.1376\n▁ᏖᏏ\t-12.1376\n▁ᎬᏩᏍᏚ\t-12.1376\nᏰᎥ\t-12.1377\n▁ᎦᎴᏴ\t-12.1377\n▁ᎥᎿ\t-12.1377\n▁ᏧᏂᎶᏎᎢ\t-12.1377\n▁ᏚᎾᏐᎸ\t-12.1377\nᏌᏗᎦ\t-12.1377\n▁ᎤᏂᎿᎷᏒ\t-12.1377\n▁ᎠᏆᎴᏅᎲ\t-12.1377\n▁ᏓᎾᏣ\t-12.1377\n▁ᎥᎩᎱᏍᏕᏎᎸ\t-12.1377\n▁ᏧᏍᏆᏃᏴᎪ\t-12.1377\n▁ᏥᏄᎾᎵᏍᏔᏅ\t-12.1377\n▁ᏩᏂᎶᎯ\t-12.1378\n▁ᎠᏆᎴᏂᏓᏍᏗᏱ\t-12.1378\n▁ᏣᏝᎮ\t-12.1378\n▁ᎬᏩᏍᏕᎵᏍᎩ\t-12.1378\n▁ᎤᏄᏢᏔᏅᎩ\t-12.1378\nᎦᎵᏍᏗᏰᏓᏁᎭ\t-12.1378\n▁ᏓᏁᎨ\t-12.1378\n▁ᏳᏗᏛᎭ\t-12.1378\nᏂᏉᏘ\t-12.1378\n▁ᏕᏥᏁᎮᏍᏗ\t-12.1378\n▁ᏯᎾᏌ\t-12.1378\n▁ᎬᏩᏍᏓᏩᏗᏙᎮ\t-12.1378\n▁ᎠᏁᏙᎵᏙ\t-12.1378\n▁ᏫᏨᎷᏤᎸ\t-12.1378\n▁ᎢᏣᏛᏁᎸᎩ\t-12.1378\nᏥᏯᎵᏗᎡ\t-12.1378\nᏥᏌᎳᏓᏅᎭ\t-12.1378\n▁ᏗᏨᏳᎪᏓᏁᏗ\t-12.1379\n▁ᏱᏃᏣᏛᏁ\t-12.1379\n▁ᎤᏛᎾᏗᎦᎳᏫᎢᏍᏗᏱ\t-12.1379\n▁ᏓᏣᎾᏄᎪᏫᏎᎵ\t-12.1379\nᏥᏙᎵᏨᎯ\t-12.1379\nᏚᎪᏓᏁᎸ\t-12.1379\nᏥᏍᏓ\t-12.1379\n▁ᏗᏂᏁᎳ\t-12.1379\n▁ᎤᏪᏯᏢᏁ\t-12.1379\n▁ᎠᎾᏙᎴᎰᏍᏗ\t-12.1379\n▁ᎠᏂᎩᏌ\t-12.1379\n▁ᏱᏂᏨᏁᎸ\t-12.1379\n▁ᎤᏂᏍᏆᏂᎪᏍᎨᎢ\t-12.1379\n▁ᏚᏲᎵᎴ\t-12.1379\nᎵᎥᏂᏍᏗᏱ\t-12.1379\n▁ᎢᏧᏩᏁᎸᎯ\t-12.1379\n▁ᏚᏬᏕᎯᎰᎢ\t-12.1379\n▁ᏍᎩᏂᏙᎵᎩ\t-12.1379\n▁ᏧᏂᎪᏩᏛᏗ\t-12.138\nᏅᏏᏙ\t-12.138\n▁ᎬᏩᏂᏆᏘᎴᎢ\t-12.138\n▁ᎢᏤᏅᏒᎩ\t-12.138\n▁ᎠᏂᏰᎵᏒ\t-12.138\nᎵᏰᎢᎶᎦ\t-12.138\n▁ᎤᏠᏯᏍᏙᏗᏱ\t-12.138\n▁ᎦᎾᏄᎪᏫᏍᎬ\t-12.138\n▁ᏙᏓᏨᏲᏏ\t-12.138\n▁ᏚᏍᏔᏅᏅ\t-12.138\n▁ᏣᎢᏎᎢ\t-12.138\n▁ᏙᏛᏂᎵ\t-12.138\n▁ᎦᎾᎱᎩᏍᎬ\t-12.138\n▁ᏍᎩᏲᎮᎸᎭ\t-12.138\n▁ᏗᏣᎸᏫᏍᏓᏏ\t-12.138\n▁ᏗᏥᎸᏫᏍᏓᏏ\t-12.138\n▁ᎭᎴᏫᏍᏓ\t-12.138\n▁ᏙᏓᎬᏩᏂᎾᏢᏂ\t-12.138\n▁ᎤᎵᏍᏛᏂᎴᎢ\t-12.138\n▁ᏂᎬᏩᏅᎿᏕᎬ\t-12.138\n▁ᎤᎿᏍᎬᏤ\t-12.138\n▁ᎭᏓᏄᏖᏯ\t-12.138\n▁ᎯᏄᏴᏓ\t-12.138\n▁ᎾᏋᏁᎭ\t-12.138\nᏓᏅᎦᎸᎾ\t-12.138\n▁ᎤᏂᏂᎬᎬ\t-12.138\n▁ᎤᏄᏬᏍᏛᎩ\t-12.138\n▁ᏮᏓᏨᎷᏤᎵ\t-12.138\n▁ᏥᏯᏎᎵᏓᏁᎸ\t-12.138\n▁ᎬᏩᏛᎦᏁᎸᎯ\t-12.138\nᏆᎭᎻ\t-12.138\n▁ᏓᎩᎷᏫᏍᏔᏁ\t-12.138\n▁ᏥᎩᎵᏲᎦ\t-12.138\n▁ᎠᏂᏥᎸᏍᎩ\t-12.138\nᏑᎴᎥᎯ\t-12.138\nᏴᎲᎭ\t-12.138\n▁ᏓᏛᎩᎭ\t-12.1381\n▁ᏥᏆᎵᏏ\t-12.1381\n▁ᏫᏂᎨ\t-12.1381\n▁ᏧᏭᎪᏓᏁᏗᏱ\t-12.1381\n▁ᎦᏅᏁᎮᏍᏗ\t-12.1381\n▁ᏳᏓᎸ\t-12.1381\n▁ᎤᏓᏱᎸᎩ\t-12.1381\n▁ᎩᏯᏒᎦᎶᏗ\t-12.1381\n▁ᎧᏃᎨ\t-12.1381\n▁ᏧᏃᏪᎳᏅᎯ\t-12.1381\n▁ᏓᏍᎫᏓᏛ\t-12.1381\n▁ᏭᎦᏖ\t-12.1381\nᏓᏲᏤᎳᏍᏔᏂ\t-12.1381\n▁ᏂᎦᎵᏍᏔᏂᎦ\t-12.1381\n▁ᎤᎩᎶᏫᏎ\t-12.1381\n▁ᎤᏤᎸᎲ\t-12.1381\n▁ᏱᏯᎡ\t-12.1381\n▁ᏗᏯᏠ\t-12.1381\n▁ᎤᎾᏛᎦᏁᎸ\t-12.1381\nᎯᏌᏔᏁᎢ\t-12.1381\n▁ᎤᏓᏂᏯᏛ\t-12.1381\n▁ᏕᎤᎸᏫᏍᏓᏁᎭ\t-12.1381\n▁ᏓᏓᎾᏄᎪᏫ\t-12.1382\n▁ᏱᏙᎬᏂ\t-12.1382\n▁ᏛᏂᏍᏗᏍᎩ\t-12.1382\n▁ᏤᏅᏒᎩ\t-12.1382\n▁ᏅᏆᏓᎴᏉ\t-12.1382\n▁ᏚᏫᏎᎢ\t-12.1382\nᏅᏩᏅᎯ\t-12.1382\n▁ᏗᎨᎶ\t-12.1382\n▁ᏳᎾᏚᎵᎭ\t-12.1382\n▁ᎤᎾᏓᏈᎬ\t-12.1382\n▁ᏂᎬᏂᏏᎭ\t-12.1382\n▁ᏦᎳᎻ\t-12.1382\n▁ᏚᎾᏂᏏ\t-12.1382\nᏏᏛᏒᎾ\t-12.1382\n▁ᎤᏓᏙᎵᏍᏓᏁᎸᎩ\t-12.1382\n▁ᏓᎦᎵᏬᏥ\t-12.1382\n▁ᎦᏝᏗ\t-12.1382\nᏗᏁᎸᏙᏗ\t-12.1383\nᎳᏫᏎᎰ\t-12.1383\n▁ᎢᏥᏍᏕᎸᏗᏱ\t-12.1383\nᏂᏔᏲᏎᏗᏱ\t-12.1383\n▁ᎠᏯᏠ\t-12.1383\n▁ᎦᎾᎡ\t-12.1383\n▁ᎤᏂᎵᏓᏍᏔᏅ\t-12.1383\n▁ᎬᏬᎵᏍᏗ\t-12.1383\n▁ᏧᎾᏄᎪᏫᏎᎸᎯ\t-12.1383\n▁ᎠᏥᏃᎮᎭ\t-12.1383\n▁ᏇᎵᏂ\t-12.1383\n▁ᏗᎩᎡᏗᏱ\t-12.1383\nᏢᏉᏙᏗ\t-12.1384\n▁ᎹᏓᏂ\t-12.1384\n▁ᎠᏂᏗᏢᏉ\t-12.1384\n▁ᎤᏓᏙᎵᏍᏔᏅᏎᎢ\t-12.1384\n▁ᎢᏥᏍᎦᎩ\t-12.1384\n▁ᏧᏦᏗ\t-12.1384\n▁ᏧᏓᏂᏐᏗᏱ\t-12.1384\n▁ᏗᏍᏙᏍᏗ\t-12.1384\n▁ᎭᎹ\t-12.1384\n▁ᎦᎷᎨ\t-12.1384\nᏍᏙᏍᎨᏍᏗ\t-12.1385\n▁ᏌᎹ\t-12.1385\nᏍᏓᏊ\t-12.1385\n▁ᎤᏂᏁᎦᎸ\t-12.1385\n▁ᏳᏂᏃᎮᎴ\t-12.1385\n▁ᏥᏕᎦᏘ\t-12.1385\n▁ᎬᏩᎷᎯᏍᏗ\t-12.1385\n▁ᏥᏫᏗᎦ\t-12.1385\n▁ᏥᏫᏍᎪᎢ\t-12.1385\n▁ᎦᏥᎦᏔᎭ\t-12.1385\nᏗᎦᏣᏃᏍ\t-12.1385\n▁ᏚᏬᏯᏁᏎᎢ\t-12.1385\nᏑᎴᎭ\t-12.1386\nᏂᏙᎭ\t-12.1386\n▁ᏓᏆᏢ\t-12.1386\n▁ᎦᎵᏥᏙᏅ\t-12.1386\n▁ᏳᎪᏩᏛ\t-12.1386\n▁ᏕᏣᏓᏛᏗᏍᎬ\t-12.1386\nᏙᎵᏥᏰᏃ\t-12.1386\nᏮᏔᏁᎢ\t-12.1386\nᏏᏗᏢ\t-12.1386\n▁ᏂᎬᏂᏌ\t-12.1386\n▁ᎠᎾᏨᏍ\t-12.1386\n▁ᏱᏂᏪᏍᎨᏍᏗ\t-12.1386\nᏛᎪᏙᏗ\t-12.1386\n▁ᏓᏗᏩᏛᎯ\t-12.1386\n▁ᎤᎾᎵᏍᏓᏴᏅ\t-12.1387\n▁ᏗᏧᎪᏔᏅ\t-12.1387\nᏱᏣᎸᏂᏗᏍ\t-12.1387\n▁ᎤᏔᏃ\t-12.1387\n▁ᎠᎱᏢᏛ\t-12.1387\n▁ᏗᏥᏴᏏ\t-12.1387\n▁ᏂᏚᏅᎿᏕ\t-12.1387\n▁ᎤᏂᏍᏓᏩᏛᏒᎩ\t-12.1387\n▁ᎨᏥᏍᎦᏅᏤ\t-12.1387\n▁ᏭᏂᎷᎯᏍᏗᏱ\t-12.1387\nᏓᏲᎯᏏ\t-12.1387\n▁ᎤᏂᏍᎦᎸᎩ\t-12.1387\n▁ᏚᏂᎾᏗᏅᏎ\t-12.1387\n▁ᎺᏌᏯ\t-12.1387\n▁ᏓᎦᏘᏴ\t-12.1387\n▁ᎦᎸᏉᏔᏅᎯ\t-12.1387\n▁ᎠᏍᎦᎢᎲ\t-12.1387\n▁ᎡᎩᏙᎵᏨ\t-12.1387\n▁ᏚᏂᏒᏅ\t-12.1387\n▁ᏴᎨᏗ\t-12.1388\n▁ᏣᎴᏫᏍᏔᏅ\t-12.1388\nᏁᏟᏴᏏ\t-12.1388\n▁ᏧᏛᏁᎢ\t-12.1388\n▁ᏧᏕᏁᎢ\t-12.1388\n▁ᏲᎩᎪ\t-12.1388\n▁ᎠᏥᏙᎵᏍᏗᏱ\t-12.1388\n▁ᏌᏆ\t-12.1388\n▁ᎠᏂᏃᏗᏍᎩ\t-12.1388\n▁ᏂᎦᎡ\t-12.1388\n▁ᎠᏆᏕᏅᎩ\t-12.1388\n▁ᎤᏂᏅᎪᎢᏍᏗ\t-12.1388\n▁ᎠᏂᎩᏍᎨ\t-12.1388\n▁ᏴᏧ\t-12.1388\n▁ᎨᏙᎮᏍᏗ\t-12.1388\n▁ᏱᏣᎵᏍᏓᏴ\t-12.1388\nᏏᏙᏂ\t-12.1389\n▁ᏄᏁᏤ\t-12.1389\n▁ᎢᏥᎦᏔᎯ\t-12.1389\nᎬᏯᎫᏴᎡᎸ\t-12.1389\nᏓᎾᏣᏅᏗᏍᎨᏍᏗ\t-12.1389\n▁ᏂᏗᎦᎸᏉ\t-12.1389\nᏑᎸ\t-12.1389\n▁ᎡᏥᎧᎵᎢ\t-12.1389\n▁ᎤᏂᎭᎷᎬ\t-12.1389\nᏚᎢᏍᏔᏅᎢ\t-12.1389\n▁ᎠᏂᎦᏯᎷᎥᏍᎩ\t-12.1389\n▁ᎤᏮᏗ\t-12.1389\n▁ᎠᏟᏃᎮᏙᏗ\t-12.1389\n▁ᎠᏓᏛᏍᎬ\t-12.1389\nᏯᎪᏗᏱ\t-12.1389\n▁ᏥᏓᎦᎴᏔᏁ\t-12.139\n▁ᏳᏂᎸᏉ\t-12.139\n▁ᎠᏥᎦᏘᏗᏍᏛ\t-12.139\n▁ᎤᏮᏗᏱ\t-12.139\n▁ᎠᏁᎸᏙᏗ\t-12.139\n▁ᏤᏍᏓ\t-12.139\n▁ᎠᏓᏙᎵᏍᏗᏍᎨᏍᏗ\t-12.139\nᏗᎦᎴᏲᏗ\t-12.139\n▁ᏚᏟᎶᏍᏔᏅ\t-12.139\n▁ᏦᏍᏓ\t-12.1391\n▁ᎪᎵᎦ\t-12.1391\n▁ᏭᎧ\t-12.1391\nᏲᏣᏃ\t-12.1391\n▁ᏅᏓᏩᏓᎴᏅ\t-12.1391\n▁ᏗᏛᏙᏗᏱ\t-12.1391\n▁ᎣᎨᎵᏒ\t-12.1391\n▁ᎤᏁᎩᏒᎩ\t-12.1391\n▁ᏥᎦᏔᎾᎥ\t-12.1391\nᏂᏔᏫ\t-12.1391\n▁ᏥᏂᎦᏪᎠ\t-12.1391\n▁ᏑᏕᏘᏴ\t-12.1392\n▁ᏣᎾᎵᏖᎸ\t-12.1392\n▁ᏅᏓᎦᏥ\t-12.1392\n▁ᏚᏩᏯ\t-12.1392\n▁ᏱᏓᎩᏯᏪ\t-12.1392\n▁ᎠᏕᎭᏲᎲ\t-12.1392\n▁ᎤᏩᎭᏂᎸ\t-12.1392\n▁ᏧᎾᎵᏍᏙᏗ\t-12.1392\nᎤᏲᎮᎴ\t-12.1392\n▁ᎠᏥᏍᏚᏗ\t-12.1392\n▁ᏫᏚᏘᏃᎴ\t-12.1392\n▁ᏧᏲᎱᏎ\t-12.1393\n▁ᏃᏈ\t-12.1393\n▁ᎤᎸᎴᎢ\t-12.1393\n▁ᎤᎵᏰᎢᎶᎸ\t-12.1393\n▁ᏥᎦᏥ\t-12.1393\n▁ᏥᏰᎿᎥ\t-12.1393\n▁ᎤᏁᏟ\t-12.1393\n▁ᎤᏪᏐ\t-12.1393\n▁ᎠᏍᎩᏓᏒ\t-12.1393\n▁ᏧᏙᎴᎰᏎ\t-12.1393\n▁ᎤᎵᏃᎮᏗᏍᎬ\t-12.1393\nᎮᎾᏂ\t-12.1393\nᏬᎯᏨ\t-12.1393\n▁ᎤᎾᎩᎸᏁ\t-12.1393\n▁ᎤᎾᏗᎦᎵ\t-12.1394\n▁ᎤᏃᏍᎩᏒᎢ\t-12.1394\nᎳᏫᏨ\t-12.1394\n▁ᎤᎵᏍᎦᏂᏍᏛ\t-12.1394\n▁ᎥᎩᎸᎢ\t-12.1394\n▁ᏕᎦᎾᏰ\t-12.1394\n▁ᏚᏃᎮᎮᎸ\t-12.1394\nᎸᎡᏗ\t-12.1394\n▁ᏚᏕᎳᏍᏔ\t-12.1394\nᎦᏥᏴᏗᏍᎬ\t-12.1394\nᎩᎯᎵᏓᏍᏗ\t-12.1394\nᏐᏅᏯ\t-12.1394\n▁ᎠᎵᏍᏓᏴᎲᏍᎨᏍᏗ\t-12.1394\n▁ᎤᏅᏍᎦᎸ\t-12.1395\n▁ᎣᎩᏅᏒ\t-12.1395\n▁ᏙᏍᏔ\t-12.1395\n▁ᎠᎦᏲ\t-12.1395\n▁ᎤᏄᏴ\t-12.1395\n▁ᎥᏓᏗᏍᏕᎸᏗ\t-12.1395\n▁ᏗᏍᏆᎧ\t-12.1396\n▁ᎤᏬᎯᏳᎲ\t-12.1396\nᏂᏌᎳᏛᎩ\t-12.1396\n▁ᎤᎵᏃᎮᏙᏗᏱ\t-12.1396\n▁ᏗᎨᏥᎢᏍᏗᏱ\t-12.1396\n▁ᎤᎾᏞᏛ\t-12.1396\nᏲᎱᎯᏎᎭ\t-12.1396\nᎴᏏᏂ\t-12.1396\n▁ᏚᏂᏲᎯᏎᎸᎩ\t-12.1396\n▁ᎤᎾᏚᎵᎭ\t-12.1396\n▁ᎦᎦᎳ\t-12.1397\n▁ᎠᏓᎹ\t-12.1397\nᏴᎯᏓ\t-12.1397\nᎶᎣᏒ\t-12.1397\n▁ᎤᏂᎪᎵᏰᏗ\t-12.1397\n▁ᎤᏂᏦ\t-12.1397\n▁ᏫᎬᏩᏣᏁ\t-12.1397\nᏃᏣᏝ\t-12.1397\n▁ᏧᏩᏛᏔᏅ\t-12.1397\nᎪᏫᏒ\t-12.1397\n▁ᎤᏃᏔᏅ\t-12.1398\n▁ᎤᏃᏫ\t-12.1398\n▁ᎤᏮᏔᏁᎢ\t-12.1398\n▁ᏥᏫᏙ\t-12.1398\n▁ᏧᎨᏳᎯ\t-12.1398\n▁ᏗᎨᏅᏒ\t-12.1398\n▁ᏭᏴᏍᏗ\t-12.1398\n▁ᏥᏂᎦᎥ\t-12.1398\n▁ᎠᏆᏙᎵ\t-12.1398\nᎤᏪᎧᏁᎴ\t-12.1398\nᏓᏁᏢ\t-12.1398\nᎵᏰᎲ\t-12.1398\nᏴᏣᏗᏍᏗ\t-12.1398\n▁ᎠᎪᏩᏘᏍᎪᎢ\t-12.1399\n▁ᎤᎾᏘᏅᏍᏗᏱ\t-12.1399\n▁ᏴᎬᎾᏛ\t-12.1399\n▁ᎠᎩᏯᎠ\t-12.1399\n▁ᎣᏍᏔ\t-12.1399\nᏕᏗᏱᎩ\t-12.1399\n▁ᏧᏦ\t-12.1399\n▁ᎦᎾᏄᎪᏩ\t-12.1399\n▁ᏚᏪᎧᏁᎸ\t-12.1399\n▁ᏣᎾᏴ\t-12.14\n▁ᏓᏠᏱᎲᎩ\t-12.14\nᏓᏅᏓᏗᏍᏔᏁ\t-12.14\n▁ᏥᏲᎵᎩ\t-12.14\n▁ᎦᏅᏆᎶᏍᏗ\t-12.14\n▁ᏥᏂᎨᏨᏁ\t-12.14\n▁ᎤᏂᏯᏅᎲᎩ\t-12.14\n▁ᎤᎦᏎᏂ\t-12.14\n▁ᎦᎵᏆ\t-12.14\n▁ᎢᏯᏉᎵᏍ\t-12.14\nᏍᏕᎸᎲᏎ\t-12.1401\nᏕᏲᏅᎢ\t-12.1401\n▁ᎣᎩᏃᎮᏍᎬᎢ\t-12.1401\n▁ᎦᏟᏐᏗᏱ\t-12.1401\n▁ᎠᏂᏁᎪ\t-12.1401\n▁ᏂᏥᏲ\t-12.1401\nᏌᎴᏓᏅ\t-12.1401\nᏙᎦᎵᏂᎬᎬ\t-12.1401\n▁ᎤᏂᏌᎳᏓᏁ\t-12.1401\n▁ᏧᎵᏂᎩᏗᏳ\t-12.1401\n▁ᏭᏢᏁᎢ\t-12.1402\n▁ᏙᎩᎾᏍᎩᏓᏒᎩ\t-12.1402\n▁ᏚᎷᏫᏍᏔᏁᎸ\t-12.1402\n▁ᏧᏲᎯᏎᎸᎯ\t-12.1402\n▁ᎤᏰᏟ\t-12.1402\n▁ᏓᏨᏍᏛ\t-12.1402\n▁ᎾᏆᏛᎿᏕᎬᎩ\t-12.1402\n▁ᏂᏚᎵᏍᏔᏅᎩ\t-12.1402\n▁ᎤᏂᏲᏠᎯᏎᎸᎩ\t-12.1402\n▁ᎤᏬᏁᏔᏅ\t-12.1402\n▁ᎤᎾᎵᏎ\t-12.1402\nᏲᏍᏔᏂᎸ\t-12.1402\n▁ᏥᏚᏂᎸᏫᏍᏓᏁ\t-12.1402\nᏄᎪᎦ\t-12.1403\n▁ᏏᏊ\t-12.1403\n▁ᎤᏂᏴᏫᏛ\t-12.1403\n▁ᏚᏭᎪᏔᏁ\t-12.1403\n▁ᏴᏓᏨᏴ\t-12.1403\n▁ᎠᎵᎮᎵᎩ\t-12.1403\n▁ᎠᏔᏗ\t-12.1403\n▁ᎣᎬᏕ\t-12.1403\n▁ᎤᏥᎸᏎᏍᏗ\t-12.1403\n▁ᎾᏂᏪᏎᎮ\t-12.1403\n▁ᏍᏇ\t-12.1403\nᏛᏥᏁᏥ\t-12.1403\n▁ᏓᎾᏓᏚ\t-12.1403\n▁ᎤᏓᏲᏁ\t-12.1403\n▁ᎤᎦᎾᏏᏍᎩ\t-12.1404\n▁ᎠᏂᏔᏲᎯᎮ\t-12.1404\n▁ᎤᏗᏅᏎ\t-12.1404\n▁ᏳᏍᏆᏂᎪᏗ\t-12.1404\n▁ᎯᏁᏥ\t-12.1404\nᎦᏯᎷᎥ\t-12.1404\n▁ᏚᏂᏴᏍᏕ\t-12.1404\n▁ᏚᎸᏫᏍᏓᏁᎭ\t-12.1404\nᏗᏓᎸ\t-12.1404\n▁ᏣᎵᏍᏓᏴᏗᏱ\t-12.1404\n▁ᏩᏍᏕᏍᏗ\t-12.1404\nᎵᏍᏇᏚᏮ\t-12.1405\nᎾᏄᎪᎪᎢ\t-12.1405\n▁ᏗᎬᏍᎦ\t-12.1405\nᏰᎢᎵᏕ\t-12.1405\n▁ᎤᏛᎯᏍᏔᏁ\t-12.1405\n▁ᏧᏂᏰᎸᏍᏗ\t-12.1405\n▁ᏫᎬᎾᎩ\t-12.1406\nᎩᏎᎪᎩᏒᎩ\t-12.1406\n▁ᎾᏆᎵᏍᏓᏁᎭ\t-12.1406\nᏒᏂᎲ\t-12.1406\n▁ᏥᏂᏕᎬᏁᎰ\t-12.1406\nᏈᎻ\t-12.1406\n▁ᏫᏚᏠᏒ\t-12.1406\n▁ᏣᏡᏗᏍᎩ\t-12.1406\n▁ᎹᎾᏏ\t-12.1407\n▁ᎤᏍᏆᏙᎾ\t-12.1407\n▁ᎤᎾᏓᎵᏁᎯᏕ\t-12.1407\n▁ᏓᎦᏄᎪᎬ\t-12.1407\n▁ᏚᏁᎯᏍᏓᏁ\t-12.1407\n▁ᏚᏏᎳ\t-12.1407\nᏄᏓᏅᎯᏛ\t-12.1408\n▁ᎨᏥᎾᏄᎪᏫᏎᏗ\t-12.1408\n▁ᏚᏂᏅᏒᎩ\t-12.1408\nᏖᎸᎢ\t-12.1408\nᏥᎪᎥᏍᎦ\t-12.1408\n▁ᎤᎾᏓᏅᏒ\t-12.1408\n▁ᎠᏂᎭᎹ\t-12.1408\nᏪᎳᎾ\t-12.1408\n▁ᎤᎱᏁ\t-12.1408\n▁ᎢᏣᏓᏤᎵᏛ\t-12.1409\n▁ᎤᏬᏒᏁ\t-12.1409\n▁ᎹᏏ\t-12.1409\nᎸᏉᏗᏍᎬᎢ\t-12.1409\n▁ᏕᏥᎬᏍᎪᎸᎥᏍ\t-12.1409\n▁ᎤᏓᏬᎢ\t-12.1409\nᎾᎳᏍᏘᏰ\t-12.141\n▁ᎤᏂᏃᎮᎵᏙ\t-12.141\nᏋᎿᏕᎬ\t-12.141\n▁ᎤᏂᎵᏰᏗᏍᎬ\t-12.141\n▁ᎤᏂᎾᏄᎪᎢᏍᏗ\t-12.141\n▁ᏚᏂᎧᏅᎩ\t-12.141\nᎬᏩᎶᏔᏁ\t-12.141\nᏛᎨᏍᎬ\t-12.141\n▁ᏚᏙᎨ\t-12.141\nᎯᏳᎲᏍᎬᎾ\t-12.141\n▁ᏗᎨᏨ\t-12.1411\n▁ᏗᏍᎩᏳᎪᏓᏁ\t-12.1411\n▁ᏙᏗᏣ\t-12.1411\n▁ᎹᎵᎦ\t-12.1411\n▁ᏧᏬᎪᏓᏁ\t-12.1411\n▁ᏫᏕᎦ\t-12.1411\n▁ᏫᎬᎩᏴᏍ\t-12.1411\n▁ᎤᏍᎪᏂᎴᎢ\t-12.1411\n▁ᏱᏅᎬ\t-12.1411\nᏅᎥᎦ\t-12.1411\nᏰᎸᎾᏁᎲ\t-12.1412\n▁ᏚᏅᏍᏓᏕᎸᎩ\t-12.1412\n▁ᏔᏈ\t-12.1412\n▁ᎾᏯᏛ\t-12.1412\nᏕᏙᎳᏛᏗ\t-12.1412\n▁ᎠᎾᏗᏍᎩ\t-12.1412\n▁ᎯᏅᏍᏗᏱ\t-12.1412\n▁ᎠᏛᏍᎪᎢ\t-12.1412\nᎶᎮᏍᏗ\t-12.1412\n▁ᎣᎩᎪᎲᎩ\t-12.1413\nᏗᏁᏗ\t-12.1413\n▁ᎠᏂᏂᏆᏘᎯ\t-12.1413\n▁ᏥᏰᎸᏅ\t-12.1413\n▁ᏭᏯᏅᏛ\t-12.1413\n▁ᎥᏆᏓᏓᎴ\t-12.1413\n▁ᏓᎦᏅᏓ\t-12.1413\nᎨᎯᏙᎮ\t-12.1413\n▁ᎤᎾᏛᎦᏁᎸᎯ\t-12.1413\n▁ᎠᏂᎸᏉᏗᏍᎩ\t-12.1413\n▁ᎢᏣᏓᏓᎴ\t-12.1413\nᎬᏆᏡᏔᏅ\t-12.1413\n▁ᎤᎸᏃᏘᎭ\t-12.1413\n▁ᎠᎾᎵᏖᎸᏂ\t-12.1413\n▁ᎦᎶᏐᎲᏍᎦ\t-12.1414\n▁ᎨᎦᏎᎸᎭ\t-12.1414\n▁ᏓᎬᏴ\t-12.1414\n▁ᏱᏗᏣᏘᏂᏙ\t-12.1414\n▁ᎤᎾᏠᎥᏔ\t-12.1414\n▁ᎢᏥᏲᎢ\t-12.1414\n▁ᏗᎨᎦᏨᏍ\t-12.1414\n▁ᎠᏗᏔᏍᎦ\t-12.1414\n▁ᏫᎦᏩᏙ\t-12.1414\n▁ᎭᎦᏌᏯᏍ\t-12.1414\nᏚᏗᏅᏒᎩ\t-12.1414\n▁ᎠᏒᏛᏗ\t-12.1415\nᏁᎳᏗᏒ\t-12.1415\n▁ᏥᏥᎷᎩ\t-12.1415\nᎷᏥᏌᏁ\t-12.1415\n▁ᏛᏊ\t-12.1415\n▁ᏈᎳᏯ\t-12.1415\n▁ᏱᏓᏆᏁ\t-12.1415\n▁ᎤᎵᎪᏗ\t-12.1415\n▁ᎣᎩᏰᎸᎭ\t-12.1415\nᏥᎸᏉᏗ\t-12.1416\nᏲᏏᏍᎪᎢ\t-12.1416\n▁ᎠᏁᎷᎲᏍᎬ\t-12.1416\n▁ᏦᎠᎾ\t-12.1416\n▁ᎤᎾᎦᏌᏯᏍᏔᏁ\t-12.1416\n▁ᏓᏍᏚᎲᎢ\t-12.1416\n▁ᎤᏟᎶᏍᏗ\t-12.1416\n▁ᏓᏂᎳᏫᎡ\t-12.1416\nᏅᏛᏅᏁᎵ\t-12.1416\n▁ᎬᏍᏕᎸᏗ\t-12.1416\nᏎᎵᏓᏁᎴᎢ\t-12.1416\n▁ᎯᎷᏤᏗᏱ\t-12.1416\n▁ᎤᎾᏠᏤᏉ\t-12.1417\n▁ᎤᏂᏐᏯᏍ\t-12.1417\n▁ᏧᏗᎴᎩ\t-12.1417\n▁ᎡᎦᎫᏴᏓᏁᏗ\t-12.1417\nᏟᏃᎮᏙᏗ\t-12.1417\n▁ᎤᏅᎪᎳᏛ\t-12.1417\nᎩᏯᏬᏍ\t-12.1417\n▁ᎤᏂᏰᎸᏎᏍᏗ\t-12.1417\nᏎᎮᎵ\t-12.1417\nᏗᏥᏲᏟ\t-12.1417\n▁ᏅᏧ\t-12.1417\n▁ᎧᏁᏨᎯ\t-12.1417\nᏍᎦᏅᎬ\t-12.1417\n▁ᎬᏃᏌ\t-12.1417\n▁ᏥᏕᎦᏓ\t-12.1418\nᏥᏍᏔᏝ\t-12.1418\nᎼᏓ\t-12.1418\n▁ᏚᏂᏯᏙᎮ\t-12.1418\n▁ᏦᎩᏃᎩᏍ\t-12.1418\nᎵᏑᏫ\t-12.1418\n▁ᏗᏨᏍᏗᏱ\t-12.1418\n▁ᏄᎾᏓᏕ\t-12.1418\n▁ᏕᏨᏯᏠᎢᏍᏓᏁ\t-12.1418\n▁ᎯᏣ\t-12.1418\n▁ᏘᏯᏙ\t-12.1418\n▁ᎤᎾᏕᏁᎢ\t-12.1419\nᏌᏔᏁᎢ\t-12.1419\n▁ᎤᏂᏍᎦᎢ\t-12.1419\n▁ᏥᏕᎯᏳᎪᏓᏁ\t-12.1419\n▁ᏕᏥᏅᎦᎵᏍᎪ\t-12.1419\n▁ᏗᎦᏁᏍ\t-12.1419\n▁ᎢᏂᏯ\t-12.1419\n▁ᏱᏗᎬᏕᎪ\t-12.142\n▁ᎠᎾᏧ\t-12.142\nᏃᏍᎩᎭ\t-12.142\n▁ᏂᎬᏩᏛᏁᎴᎢ\t-12.142\n▁ᏫᎦᏕ\t-12.142\n▁ᏭᏂᏴᎲ\t-12.142\n▁ᏕᏧᎪᏔᏅ\t-12.142\n▁ᏣᎧᏅ\t-12.142\nᎯᎷᎩ\t-12.142\n▁ᏂᏣᏛᏁᎴ\t-12.142\n▁ᎦᎷᎪᎢ\t-12.1421\n▁ᎮᎵᎭ\t-12.1421\n▁ᏫᏙᎤᎷᏤ\t-12.1421\n▁ᏫᏙᏛ\t-12.1421\n▁ᏗᏥᎦᎵ\t-12.1421\nᎬᏍᎪᎸᏗᏱ\t-12.1421\n▁ᎤᎾᎦᏌᏯᏍᏙᎢ\t-12.1421\n▁ᎠᏂᏗᏢ\t-12.1421\n▁ᎧᎹ\t-12.1422\n▁ᏚᏓᏅᎡᎸᏃ\t-12.1422\n▁ᏱᏥᎪᏩᏘᎭ\t-12.1422\n▁ᎤᏍᎦᎸᎩ\t-12.1422\n▁ᏓᎾᎵᏍᏛ\t-12.1422\nᎩᏣᏅ\t-12.1422\n▁ᎣᎩᎾᏖᏆᎶ\t-12.1422\nᏧᎾᏛᏒ\t-12.1422\n▁ᏭᏂᏃᎮᎴ\t-12.1422\n▁ᏂᏍᏓ\t-12.1423\n▁ᏁᏣᏓ\t-12.1423\nᎸᏕᏍᏗᎭ\t-12.1423\n▁ᏗᎩᎾᏫᏱ\t-12.1423\n▁ᎢᏳᎵᏍᏔᏂᏓᏍᏗᏱ\t-12.1423\n▁ᏚᏅᎦᎸ\t-12.1423\n▁ᎤᏂᎪᏩᏛᏗ\t-12.1423\n▁ᏂᎬᎩᏪᏎᎲ\t-12.1424\n▁ᏫᏔ\t-12.1424\nᎯᏳᎯᏯ\t-12.1424\n▁ᏯᎾᎵᏖᎸᎲ\t-12.1424\n▁ᎣᏣᏛᎦ\t-12.1424\n▁ᎠᏒᎢᏍᏗᏍ\t-12.1424\n▁ᎧᏁᏨ\t-12.1424\n▁ᎡᏂᏏ\t-12.1424\n▁ᎤᏂᏍᎩᎸ\t-12.1424\nᏚᎾᏄᏮ\t-12.1424\nᏯᏗᏒᎢ\t-12.1425\nᎾᏬᏏ\t-12.1425\n▁ᏧᎾᏓᎸ\t-12.1425\nᎩᎸᏔᏅ\t-12.1425\n▁ᎤᎸᏉᏛ\t-12.1425\n▁ᏅᏓᏰᏥ\t-12.1425\n▁ᏱᎦᎵᏍᏗᏍᎨ\t-12.1425\n▁ᎡᎩᏁᎸᎯ\t-12.1425\nᏥᏲᎢᏳᏓᏁᎭ\t-12.1425\n▁ᎠᎩᏍᏙ\t-12.1425\nᏤᎳᏍᏓ\t-12.1426\n▁ᏓᏂᏱᎵᏒ\t-12.1426\n▁ᎤᏂᏁᎢᏍᏔᏁ\t-12.1426\n▁ᎠᏃᏍᏓ\t-12.1426\n▁ᎠᏍᏚᏅ\t-12.1427\n▁ᎠᏥᏁᎢᏍᏗᏍᎬ\t-12.1427\n▁ᏗᎦᏤᎵᎦ\t-12.1427\n▁ᎤᎵᏍᏓᏴᎾᏁᏗᏱ\t-12.1428\nᏥᏁᏦ\t-12.1428\nᏁᎳᏅ\t-12.1428\nᎬᏩᏛᏓᏍᏓᏁᎴ\t-12.1428\nᎶᏈ\t-12.1428\n▁ᎬᏣᏓ\t-12.1428\nᏣᏕᎰᎯᏍᏗ\t-12.1428\nᏠᏗᏱ\t-12.1429\n▁ᎢᏕᏅ\t-12.1429\n▁ᎬᎾᏄᎪᏫᏎᏗ\t-12.1429\n▁ᎤᎾᏣᏅᎯ\t-12.1429\n▁ᏗᏖᎵ\t-12.1429\n▁ᏧᎾᏓᎸᎯ\t-12.1429\n▁ᏗᏤᏅ\t-12.1429\n▁ᎦᎾᏄᎪᏫᏍᎦ\t-12.1429\n▁ᏚᏃᏣᏝᏁ\t-12.143\n▁ᎤᏂᎪᎵᏰᎥ\t-12.143\n▁ᏌᎺᎵ\t-12.143\n▁ᏕᎬᏩᎾᏢᎥᏍ\t-12.143\n▁ᎠᏂᏍᎦᏅᎬ\t-12.143\n▁ᏧᏓᏆ\t-12.143\n▁ᏱᏁᎦ\t-12.143\nᎵᏙᎩᎯ\t-12.143\n▁ᏓᎦᏛᎦ\t-12.143\n▁ᎦᎶᏁ\t-12.143\n▁ᏣᎾᏛᎩᏍᎪ\t-12.143\n▁ᏣᏴᏍᏗᏱ\t-12.143\n▁ᏗᏋ\t-12.143\n▁ᏧᏫᏎᎢ\t-12.1431\n▁ᎠᎾᏙ\t-12.1431\nᏄᏬᎥᎩ\t-12.1431\nᏗᏆᎸᏕ\t-12.1431\nᏓᏬᏍᎩ\t-12.1431\nᏂᎪᏁᎶᏍᎨᎢ\t-12.1431\n▁ᏥᏕᎤᎴᏔ\t-12.1432\n▁ᎤᏁᎷᎨ\t-12.1432\n▁ᎤᏨᎢᏍᏗ\t-12.1432\nᎢᎫᏩᏟᏍ\t-12.1432\n▁ᏍᎩᎢᏍᏗᏱ\t-12.1432\n▁ᏘᎪᎯ\t-12.1432\n▁ᏥᎪᏎᎭ\t-12.1432\n▁ᏣᏁᎸᎭ\t-12.1432\n▁ᎠᏥᏍᏚᎲᎢ\t-12.1432\n▁ᏗᏥᏯᎦᏅ\t-12.1433\n▁ᏚᏂᎳᏫᏤᎢ\t-12.1433\n▁ᏱᎬᏗᎭ\t-12.1433\n▁ᎤᏚᏓᏕᏫᏒᎢ\t-12.1433\nᎭᏄᏬ\t-12.1433\n▁ᏥᎦᏛᎦ\t-12.1433\n▁ᏚᏍᏓᏩᏛᏎᎢ\t-12.1433\n▁ᏙᏗᎧᏂᏍᎬᎢ\t-12.1433\n▁ᏚᎧᎿᏩᏗᏙᎮᎢ\t-12.1433\n▁ᏧᎩᏥᏍᎪᎢ\t-12.1433\n▁ᏭᎩᎸᏁᎢ\t-12.1433\n▁ᏓᎾᏓᎧᏅ\t-12.1433\n▁ᎤᎵᏘᏒᎩ\t-12.1434\n▁ᎤᎾᎩᎳᏫᏎ\t-12.1434\n▁ᎤᎾᎦᏎᏍ\t-12.1434\n▁ᎠᏂᎦᏲᎵᏉ\t-12.1434\n▁ᎠᎾᎵᏅᏢᎢ\t-12.1434\n▁ᎠᎾᎵᏍᏓᏴᎲᏍᎨᎢ\t-12.1434\n▁ᎦᏬᏂᏍᎨᏍᏗ\t-12.1434\n▁ᎤᏙᎯᏳᎭᏍᎪ\t-12.1434\n▁ᎬᎦᏔᎭ\t-12.1434\nᎭᏛᎦ\t-12.1435\n▁ᎯᎶᏁ\t-12.1435\n▁ᎤᎾᎦᏎᏍᏛᎢ\t-12.1435\n▁ᎢᏯᏆ\t-12.1435\n▁ᏫᏓᎧᏁᎢ\t-12.1435\n▁ᏓᏂᏬᏂᏍᎬᎢ\t-12.1435\n▁ᏥᏂᎨᏎᎢ\t-12.1435\n▁ᎤᏁᎢᏍᏓᏁᎸᎢ\t-12.1435\n▁ᎤᎾᏚᎵᏍᎪᎢ\t-12.1435\n▁ᎤᎶᏄᎮᏗᏱ\t-12.1436\n▁ᏕᏥᎧᎿᏩᏗᏒᎢ\t-12.1436\n▁ᎬᏩᎭᎷ\t-12.1436\n▁ᏗᏓᏂᎸᎢᏍᏗ\t-12.1436\n▁ᏧᎪᏅ\t-12.1436\n▁ᎣᏣᏙᎴᎰ\t-12.1436\n▁ᏱᎪᎵᎨᎢ\t-12.1436\n▁ᏫᏂᏓ\t-12.1436\n▁ᎤᎪᏏ\t-12.1436\n▁ᎤᏍᎪᏎ\t-12.1437\n▁ᏚᎾᏘᏅᏎ\t-12.1437\n▁ᎤᏪᏘᏁ\t-12.1437\nᏏᏙᎵ\t-12.1437\nᎪᎯᏳᎲᏍᎪᎢ\t-12.1437\n▁ᎠᎦᏘᏲ\t-12.1437\n▁ᎤᏂᏢᏗ\t-12.1437\nᏆᏎᎵᏓᏁᎸᎩ\t-12.1437\n▁ᏂᏚᏛᏁᎴᎢ\t-12.1437\n▁ᎤᏯᏛᏅ\t-12.1438\n▁ᏂᏚᏅᏁᎴᎢ\t-12.1438\n▁ᎤᏒᎦᎸᎢ\t-12.1438\nᎧᎭᏛ\t-12.1438\n▁ᎤᎾᏚᏓᎴᏍᏙᏗ\t-12.1438\n▁ᎤᏯᎷᎦ\t-12.1438\n▁ᏤᎦᏛ\t-12.1438\nᏍᎩᏅᎦᎸ\t-12.1438\nᏕᏒᎾ\t-12.1439\nᏲᏍᏙᏗᏍᎬᎢ\t-12.1439\n▁ᏚᏂᏲᎰᏎ\t-12.1439\n▁ᏣᎪᏩᏘᎭ\t-12.1439\n▁ᏄᎦᏔᎲᎾ\t-12.1439\n▁ᎨᏣᏡᏗᏍᎬᎢ\t-12.1439\n▁ᏓᏍᏚᏛ\t-12.1439\n▁ᎠᏂᎷᎨᎢ\t-12.1439\nᏛᏁᏏ\t-12.1439\nᏣᏚᏓᎳᎡᏗ\t-12.144\n▁ᏂᎬᎩᏪᏎᎸ\t-12.144\n▁ᏥᏍᏚᏂᎩᏍᏗᎯ\t-12.144\nᎺᏏ\t-12.144\n▁ᎤᏂᏌᏅ\t-12.144\n▁ᏫᎬᏩᏴᏔᏁᎢ\t-12.144\n▁ᎤᎾᎵᏒᎩ\t-12.144\nᎾᏫᏛᎮᎢ\t-12.1441\n▁ᏅᏩᏍᏕᏍᏗ\t-12.1441\nᎵᏒᏍᏔᏁ\t-12.1441\n▁ᎢᎤᎾᏨᏎᎢ\t-12.1441\n▁ᎦᏬᏂᎭ\t-12.1442\n▁ᎠᎾᏓᏍᏔᏴᎲᏍ\t-12.1442\n▁ᎬᏣᏗ\t-12.1442\n▁ᏗᎨᎫᎪᏓᏁᏗᏱ\t-12.1442\n▁ᏣᏅᏏᏓᏍᏗ\t-12.1442\nᎳᏑᏝᏅ\t-12.1442\n▁ᎤᏂᏩᏒᎯ\t-12.1442\n▁ᏘᎾᏄᎪᏫᏏ\t-12.1442\nᎾᏓᎴᏁᎢ\t-12.1442\nᎾᏄᎪᏫᏎᏗ\t-12.1443\n▁ᏕᏣᏓᏂᎸᏨᎭ\t-12.1443\nᎾᏦᎥᏍᏗ\t-12.1443\n▁ᎭᏛᎩ\t-12.1443\n▁ᏭᎾᏓ\t-12.1443\n▁ᏂᎦᏍᏛᎢ\t-12.1443\n▁ᎦᏅᏓᏗᏍᎪ\t-12.1444\n▁ᏂᎦᏥᏪᏎᎸᎩ\t-12.1444\n▁ᎠᏇᏓᏍᏗᏱ\t-12.1444\n▁ᎭᎵᎮᎵᎩ\t-12.1444\n▁ᎠᏆᎴᏅᏗ\t-12.1444\nᎾᏕᎨᏍᏗ\t-12.1444\n▁ᎠᏥᏰᎸᎾᏁᎴᎢ\t-12.1445\n▁ᏣᎵᏍᏕᎸᏙᏗ\t-12.1445\nᏲᎵᎸᎭ\t-12.1445\n▁ᏭᏁᎴᎢ\t-12.1445\n▁ᎣᏥᏃᎮᏍᎬᎢ\t-12.1445\n▁ᎤᎵᏂᎪᎯᏍᏗ\t-12.1445\nᏧᏔᎩ\t-12.1446\n▁ᎤᎵᏰᏑᏍᏙᎩ\t-12.1446\nᎦᎵᏍᏓᏛᎩ\t-12.1446\n▁ᏍᎩᏍᏕᎸᎯᏓ\t-12.1446\n▁ᏗᏍᎩᎳᏗᏍᏗ\t-12.1446\n▁ᎡᎫᏓᎴ\t-12.1446\n▁ᏕᎠᎾ\t-12.1446\n▁ᎠᏛᏅᎢᏍᏔᏅᎯ\t-12.1447\n▁ᎠᎧᎵᏨ\t-12.1447\nᎩᎵᎨᏂ\t-12.1447\n▁ᏚᎾᏙᎡ\t-12.1447\n▁ᏱᏥᎪ\t-12.1448\n▁ᎢᏣᏓᏅᏖᏍᏗ\t-12.1448\nᏂᏔᏲᎴᎢ\t-12.1448\n▁ᏓᏂᏍᏕᏲ\t-12.1449\n▁ᏭᏂᏩᎯ\t-12.1449\n▁ᎦᏄᎪᎢ\t-12.1449\nᏟᎶᏒᎸ\t-12.1449\n▁ᏭᎩᏎᎢ\t-12.1449\n▁ᏣᎵᏂᎩᏛ\t-12.1449\nᎬᏩᎪᏁᎶᎯᏎᎸᎩ\t-12.1449\n▁ᏲᏤᎾ\t-12.145\n▁ᏧᏂᏄ\t-12.145\n▁ᎨᎾᏏ\t-12.1451\n▁ᏛᏇ\t-12.1451\n▁ᎯᏯᏏᏔᏛ\t-12.1452\nᎳᏗᏙᎮᎢ\t-12.1452\nᏛᏛᎮᎸᏁ\t-12.1452\nᏂᏐᎢ\t-12.1452\n▁ᏧᏁᏍᎨᎮᎢ\t-12.1452\n▁ᏭᎵᏒ\t-12.1453\n▁ᎦᎧᎲᎢ\t-12.1453\nᏍᏓᏱᏗ\t-12.1453\n▁ᎤᎩᏐᏅ\t-12.1453\nᏍᏓᏁᎸᎩ\t-12.1454\n▁ᏚᏂᏡ\t-12.1454\nᎦᎵᏒ\t-12.1454\n▁ᏗᎬᏭᎪ\t-12.1454\nᎹᏞ\t-12.1454\nᏓᏙᎳᏍᏗᏍ\t-12.1455\n▁ᎤᏕᏃᏅ\t-12.1455\n▁ᎦᏄᎳᏥ\t-12.1455\nᏗᏒᎲᏍᎦ\t-12.1455\nᎦᏁᎲᎾ\t-12.1455\n▁ᎤᏅᏩᏁᎢ\t-12.1455\n▁ᏱᏂᏣᏛᏁᎭ\t-12.1456\nᎩᏝᏅ\t-12.1456\n▁ᏫᏕᏓ\t-12.1456\nᏆᏲᏗ\t-12.1457\nᏣᏅᏖᏍᏗ\t-12.1457\n▁ᎠᎩᏯᎥᎢ\t-12.1457\n▁ᎤᎾᏦᏛ\t-12.1457\nᏐᎯᏍᏗ\t-12.1457\n▁ᏧᏬᏕᏍᏗ\t-12.1458\nᏏᏍᎨᎢ\t-12.1458\n▁ᎤᏂᎵᏓᏍᏗ\t-12.1458\n▁ᎠᎦᏌᏯᏍᏙᏗ\t-12.1458\nᏘᏝ\t-12.1458\n▁ᎠᏋᏔᏅᎩ\t-12.1458\n▁ᏗᎦᏙᎨᎢ\t-12.1459\nᏍᏚᏞ\t-12.1459\n▁ᎤᏂᎨᏛ\t-12.146\n▁ᎠᎵᏍᏆᏗᏍᎬᎢ\t-12.146\n▁ᎢᏥᎾᏰᏍᎬᎢ\t-12.1461\n▁ᏫᎬᏩᎷᏤᎴ\t-12.1461\n▁ᏣᏚᎵᏍᎨᏍᏗ\t-12.1462\n▁ᏓᏨᏍᏕ\t-12.1462\nᎷᏨᎾ\t-12.1463\n▁ᏧᏲᏏᏍᎨᎢ\t-12.1463\n▁ᎠᏂᏔᏲᎯᎲ\t-12.1463\n▁ᎨᎦᏙ\t-12.1463\n▁ᎠᏂᎨᏕ\t-12.1463\nᎬᏍᏉ\t-12.1463\n▁ᎣᎩᎾᎵᎪᎭ\t-12.1463\n▁ᎠᏉᏪᎳᏅᎯ\t-12.1463\n▁ᏨᏣ\t-12.1463\nᎬᏩᎷᏤᏗᏱ\t-12.1464\nᏛᏁᎸᏗ\t-12.1464\n▁ᏅᏛᏍᎩ\t-12.1465\n▁ᎥᎩᏁᎸᎢ\t-12.1465\nᏓᏁᎴᏍᏗ\t-12.1465\n▁ᎠᏥᎳᏫᏎᎲ\t-12.1466\n▁ᏌᎨ\t-12.1466\n▁ᏯᏗᏗ\t-12.1466\nᏅᎪᏫᏍᏗ\t-12.1466\n▁ᏚᏪᎳᏗᏙ\t-12.1467\n▁ᏚᏂᎩᏍᏔᏁ\t-12.1467\nᏚᎾᏓᎴᎿ\t-12.1467\n▁ᏧᏭᎪᏙᏗᏱ\t-12.1467\nᏩᎾᎦᎶᏤ\t-12.1467\nᏙᎢᏛ\t-12.1468\n▁ᏧᏂᏰᎸᎯ\t-12.1468\n▁ᏥᏄᎾᎵᏍᏓᏁᎴ\t-12.1468\n▁ᏂᏓᎬ\t-12.1468\n▁ᏣᏅᏏᏙᎯ\t-12.1468\nᎦᏔᎲᎡ\t-12.1468\n▁ᏓᏲᏍᏗ\t-12.1468\nᏒᏂᎦ\t-12.1468\nᎤᏗᏛᎲ\t-12.1469\nᏛᎩᏍᎬᎾ\t-12.147\n▁ᏫᎦᎾᏄᎪᎩ\t-12.147\n▁ᎤᏪᎮᎢ\t-12.147\n▁ᎠᎦᏔᏩᏕ\t-12.147\n▁ᏲᎦᏚᎵ\t-12.147\n▁ᎥᎩᏃᏁᎸ\t-12.147\nᏗᏥᏂᏱᏍ\t-12.147\n▁ᏦᏆ\t-12.1471\n▁ᎠᎾᏂᎩᏍᎬ\t-12.1471\n▁ᏗᎨᎦᎦᏅᏗ\t-12.1471\n▁ᎤᏓᏁᏟᏴᏎ\t-12.1472\nᏂᏲᎮᎲ\t-12.1472\nᎵᏏᎲᏒᎩ\t-12.1472\n▁ᎤᏣᎴᏛ\t-12.1472\n▁ᎾᎾᏛᎦ\t-12.1473\nᏓᏁᏣᏍᏚᎶ\t-12.1473\n▁ᏗᎪᏢᏒ\t-12.1473\nᎯᏯᏍᎪ\t-12.1473\n▁ᏣᏒᎦᎸ\t-12.1473\nᏦᎵ\t-12.1473\nᎳᏫᎩ\t-12.1473\n▁ᏬᎶᏒ\t-12.1474\nᎢᎵᎻ\t-12.1474\n▁ᎠᎾᏓᏙᎵ\t-12.1474\n▁ᎭᏗᏍᎨᏍᏗ\t-12.1475\n▁ᎠᏂᎡᎼ\t-12.1475\nᏫᏅ\t-12.1476\n▁ᎢᏑ\t-12.1476\n▁ᏚᏓᎨ\t-12.1477\nᎨᏣᏡᏗᎭ\t-12.1477\n▁ᎤᎵᏍᏓᏴᏅ\t-12.1477\n▁ᎤᏬᎴᏍᏗ\t-12.1477\n▁ᏚᎾᎵᏍ\t-12.1477\nᏁᏥᏪᏏ\t-12.1478\n▁ᏥᎩᏯᎠ\t-12.1478\nᏥᏁᏤᎸᎢ\t-12.1478\n▁ᎤᎳᏍᏓ\t-12.1478\n▁ᎠᏨᏉᏗᏍ\t-12.1479\nᏅᎥᏍᎬ\t-12.1479\n▁ᏣᎦᏓᏂᎸᎢᏍᏗ\t-12.1479\nᎫᏓᎴᏍᎬᎢ\t-12.1479\n▁ᎤᏃᎯᎵ\t-12.1479\n▁ᎤᏪᎲ\t-12.148\nᎲᏍᏔᏅᎩ\t-12.148\n▁ᏚᏂᏯᎣᏅ\t-12.148\n▁ᎠᎵᏍᎦᏃᏍ\t-12.148\n▁ᏱᎬᏍᎦᏅ\t-12.148\nᏕᏙᎳᏛ\t-12.1481\n▁ᏳᏛᏅ\t-12.1481\nᏆᎸᏛ\t-12.1481\n▁ᏕᎤᏪᎧ\t-12.1481\nᎪᏢᎾᏁᎴᎢ\t-12.1482\nᏯᏂᏏᏁᎸ\t-12.1482\n▁ᎠᎾᏓᏙᎵᏍᏓᏁ\t-12.1482\n▁ᏥᏗᎸᏉᏗ\t-12.1482\n▁ᎬᏩᏄᎪᏫ\t-12.1482\n▁ᎢᏦᏛ\t-12.1483\nᏕᎩᎳᏁᎸ\t-12.1483\nᏌᏌ\t-12.1484\nᏓᏂᏏᎾ\t-12.1484\n▁ᎢᏣᏓᏙ\t-12.1484\nᏎᎲᎾ\t-12.1484\n▁ᏍᎩᏯᎫᏴᏓ\t-12.1484\n▁ᎠᏯᎡ\t-12.1484\nᏩᎯᏏ\t-12.1485\n▁ᎤᏍᏆᎸᎯ\t-12.1485\nᏓᎵᏓᏍᏗᎭ\t-12.1485\n▁ᏙᏛᏙ\t-12.1485\n▁ᎤᏂᏍᏚᎶᏔ\t-12.1485\nᎾᏛᏍᎩ\t-12.1485\nᎵᏍᏓᏴᎲᎦ\t-12.1485\n▁ᏣᏕᎦ\t-12.1485\n▁ᎤᏪᎵᏎᎴᎢ\t-12.1486\n▁ᎬᏆᏓᏅᏓᏗᏍ\t-12.1486\nᏗᏥᎦᏘᏯ\t-12.1486\n▁ᏄᏓᎵ\t-12.1486\n▁ᏗᏓᎵᏎ\t-12.1486\n▁ᏓᏂᏙᎬᎩ\t-12.1486\n▁ᏂᎤᏪᏎᎢ\t-12.1486\nᏬᏁᏔᏅᎩ\t-12.1486\n▁ᎢᏳᎵᏍᏔᏅᎩ\t-12.1487\n▁ᏙᏍ\t-12.1487\n▁ᏱᎬᏳ\t-12.1487\n▁ᎠᏓᏬᏍᏗ\t-12.1487\n▁ᎢᏨᏰᎳᏗᏙᎲᎩ\t-12.1487\n▁ᎢᏨᏃᏁ\t-12.1487\n▁ᎠᎾᎵᏍᏓᏴᎲᏍᎬᎩ\t-12.1487\nᎦᏥᏯᏢᏔ\t-12.1487\n▁ᎤᏛᏛᎩ\t-12.1488\n▁ᏯᏛᎦ\t-12.1488\n▁ᏂᏓᏋᏁᎸ\t-12.1488\n▁ᏗᎦᏆ\t-12.1488\nᏓᏂᏍᎫᏓᏛ\t-12.1488\n▁ᎢᏨᏃᏁᎸᎢ\t-12.1488\n▁ᏕᎯᏴ\t-12.1488\n▁ᎤᎦᏔᎲ\t-12.1489\n▁ᎤᏍᎦᏅᏥᏙᎸᎢ\t-12.1489\nᏯᏛᎥ\t-12.1489\n▁ᏂᏨᏪ\t-12.1489\n▁ᎤᏂᏄᎪᏤᎢ\t-12.1491\n▁ᏧᎾᏚᎵᏍᎪ\t-12.1491\n▁ᏗᏂᏅᏗ\t-12.1492\n▁ᎤᏑᎶ\t-12.1492\nᏂᏅᎪᎢ\t-12.1492\n▁ᎤᎾᎵᏖᎸᏅᎢ\t-12.1492\nᎵᏬᏤᎢ\t-12.1492\n▁ᏳᏬᏢᏁ\t-12.1493\n▁ᎠᎩᎵᏲᎬᎢ\t-12.1493\n▁ᎠᏂᏃᎮ\t-12.1493\n▁ᎤᏂᎦᎸᎯ\t-12.1493\n▁ᏧᏭᎪᏓᏁ\t-12.1493\n▁ᏭᎾᏓᏝ\t-12.1493\n▁ᏂᏨᏪᏎᎸᎢ\t-12.1494\n▁ᏗᎦᏙ\t-12.1494\n▁ᏙᏓᏍ\t-12.1494\n▁ᏤᎪ\t-12.1494\nᎪᎲᎭ\t-12.1494\n▁ᏗᎨᏴ\t-12.1494\nᎾᏍᎩᏯ\t-12.1494\n▁ᏫᎦᏥᎷᏤᎸ\t-12.1494\n▁ᎠᏃᎯᏍᏗᏍᎩ\t-12.1495\n▁ᏂᎨᎬᏁᎸᎢ\t-12.1495\n▁ᏚᏫᏞᏫᏒᎢ\t-12.1495\nᏍᎫᏓᏕᎢ\t-12.1495\n▁ᏩᏂᎦᏛᎢ\t-12.1495\n▁ᏫᎬᏩᏘᏃᎸ\t-12.1495\n▁ᏫᏚᏳᎪᏛᎢ\t-12.1495\n▁ᎠᎩᎪᏁᎸᎢ\t-12.1495\n▁ᎤᏅᏍᎦᎴᎢ\t-12.1495\n▁ᎤᎵᏍᎪᎸᏔᏁᎢ\t-12.1495\n▁ᏚᏂᎧᎲᎢ\t-12.1495\nᎣᏍᎪᎢ\t-12.1496\n▁ᏕᎫᎪᏗᏍᎪ\t-12.1496\n▁ᏓᎾᏓᏅᏖᏍᎬᎢ\t-12.1496\n▁ᎤᏓᏙᏎᎴᎢ\t-12.1496\n▁ᎢᎬᏙᏗ\t-12.1496\nᏔᏅᏒᎢ\t-12.1496\n▁ᎤᏁᎳᏛᎢ\t-12.1496\nᎾᏓᏍᏕᏓᎵᏴᏓ\t-12.1497\n▁ᏳᏂᎪᎮᎢ\t-12.1497\n▁ᏚᎾᎵᎪᏁᎴ\t-12.1497\n▁ᏅᏩᏍᏕᎢ\t-12.1497\n▁ᏂᎦᏥᏴᏁᎸᎢ\t-12.1497\n▁ᏱᏄᎵᏍᏓ\t-12.1497\n▁ᏫᎬᏩᏘᏅᏍᏔᏁ\t-12.1497\n▁ᏫᏓᎬ\t-12.1497\n▁ᏱᎬᏗ\t-12.1498\nᎵᏂᎪᏍᎬᎢ\t-12.1498\n▁ᎠᎵᏍᏕᎵᏍᎬᎢ\t-12.1498\nᏱᎵᏐ\t-12.1498\n▁ᎤᏛᏅᎢᏍᏛ\t-12.1498\n▁ᏚᏓᏂᎸᏤᎢ\t-12.1498\n▁ᏱᏙᎬᎾ\t-12.1498\n▁ᏨᏓᏥᏁ\t-12.1498\n▁ᎠᏂᎷᎬᎢ\t-12.1498\nᏯᎶᏘ\t-12.1499\nᎠᏐ\t-12.1499\n▁ᎢᏥᎪᎲᎢ\t-12.1499\n▁ᎢᏙᎻᏱ\t-12.1499\n▁ᎠᏂᎦᏔᎮᎢ\t-12.15\n▁ᏥᏯᏛᎦᏁᏗ\t-12.15\nᎬᏩᏩᏛᎲᏃ\t-12.15\n▁ᏚᎾᏚᏫᏍᏛ\t-12.1501\n▁ᏎᎳᎻ\t-12.1501\n▁ᎢᏨᏬᏁᏔᏅᎢ\t-12.1501\n▁ᎤᎾᎵᏍᏙᏗ\t-12.1501\n▁ᎠᎨᎳᏗᏍ\t-12.1501\nᎳᏁᎸᎩ\t-12.1501\n▁ᏕᎪᏎᎲ\t-12.1501\n▁ᎢᏍᏓᏛᏅ\t-12.1502\n▁ᏚᏪᎧᏁᎴᎢ\t-12.1502\n▁ᎢᏨᏓ\t-12.1502\n▁ᏓᎭᏦ\t-12.1502\n▁ᎤᏓᏁᎵ\t-12.1502\n▁ᎾᏆᎵᏍᏓᏁᎸᎢ\t-12.1502\n▁ᎠᎴᏂᏙᎲ\t-12.1502\n▁ᏱᏤᎵ\t-12.1502\n▁ᏚᎾᏓᏲ\t-12.1502\n▁ᎤᏍᎦᏎᏗᏳ\t-12.1503\n▁ᏚᏂᏂᏴᎮᎢ\t-12.1503\nᏔᏃᎯᏍᏔ\t-12.1503\n▁ᏚᏂᏒᎾ\t-12.1503\n▁ᏱᏚᎧ\t-12.1503\n▁ᎤᏁᏔᏅᎯ\t-12.1503\n▁ᏓᎧᎾᏩᏗ\t-12.1503\n▁ᎠᎪᎲᏍᏙᏗ\t-12.1503\n▁ᎦᏲᏟᎨᏉ\t-12.1503\nᎬᏂᏍᏗᏍᎨ\t-12.1504\n▁ᏱᏓᎾᏕᏍᎪ\t-12.1504\nᏲᏍᏓᏗ\t-12.1505\nᏓᏱᎭ\t-12.1505\n▁ᎤᏴᏔᏂᎸ\t-12.1505\n▁ᎤᏩᏥ\t-12.1505\n▁ᏩᏁᏙᎲ\t-12.1505\n▁ᏅᏛᏅ\t-12.1506\n▁ᏳᏫᏚ\t-12.1506\nᏓᎬᏯᏛᏁᎵ\t-12.1506\n▁ᎤᏬᏥ\t-12.1506\nᎦᏓᏂᎸᏨᎩ\t-12.1507\n▁ᏗᏍᏆᏂᎪᏛ\t-12.1507\n▁ᏱᏅᏩᏍᏕ\t-12.1507\n▁ᎦᏅᏬᏍᎨ\t-12.1507\n▁ᏫᎦᎶᎯᏍᏗᏱ\t-12.1508\n▁ᏱᏨᏅ\t-12.1508\n▁ᏗᎧᏅ\t-12.1508\n▁ᏄᏚ\t-12.1508\nᏓᏌᏆᎴᏍ\t-12.1508\nᏬᎷᏩᏛ\t-12.1509\n▁ᏛᏍᏆ\t-12.1509\n▁ᎤᏃᎭᏝ\t-12.151\n▁ᎬᏩᏛᏗᏱ\t-12.151\n▁ᎤᏂᏂᎬᏎᎲᎢ\t-12.151\n▁ᎢᏣᏓᏅᎦᎸᏛ\t-12.1511\n▁ᏕᎠᏁᎲ\t-12.1511\n▁ᎠᏓᎯᏍᏗᏱ\t-12.1511\nᏢᎾᏏ\t-12.1512\nᎢᏍᏓ\t-12.1512\nᏑᎵᎪᎬᎾ\t-12.1512\n▁ᎤᏏᏔᏛ\t-12.1514\nᎳᏗᏍᎪ\t-12.1514\nᏕᎲᎢ\t-12.1514\n▁ᎢᏍᏛᏔᏲᏎ\t-12.1514\n▁ᎢᏗᎬᏁᎯ\t-12.1514\n▁ᏚᎸᏉᏗᏳ\t-12.1514\n▁ᎠᏓᏅᏖᏍᎨᏍᏗ\t-12.1515\n▁ᏫᏂᏗ\t-12.1515\n▁ᎤᏲᏍᏙᏗᏱ\t-12.1515\nᏩᎭ\t-12.1515\nᏍᎪᏂᎵ\t-12.1515\nᏌᎳᏗᏍᎪ\t-12.1515\nᎾᏓᏗᏫᏎᎸ\t-12.1516\nᏄᎵᏍᏓᏁᎴᎢ\t-12.1516\nᎬᏫᏳᏔᏅ\t-12.1516\n▁ᎡᏧᏓᎴ\t-12.1517\n▁ᎯᏲᎢᏳᎲ\t-12.1517\nᏅᎪᎣᏒ\t-12.1517\nᎵᏎᏗᏱ\t-12.1517\n▁ᏧᏓᏂᎸᏨᎯ\t-12.1518\n▁ᏣᎦᏌᏯᏍ\t-12.1518\nᏙᎵᏨᎢ\t-12.1518\nᎵᏃᎡᏔ\t-12.1518\n▁ᏚᎾᎦᎴᏅᎲ\t-12.1519\n▁ᎠᏍᎩᏥᏍ\t-12.152\n▁ᎠᏳᎢ\t-12.152\n▁ᎦᏃᎪᎢ\t-12.152\n▁ᎠᎾᏓᏅᏖᏍ\t-12.152\nᎦᎵᏍᏙ\t-12.152\n▁ᏫᏗᏣ\t-12.1521\nᎾᎦᏔᏅᏎ\t-12.1521\nᏍᏓᏁᎴᎢ\t-12.1522\n▁ᏗᎨᏥᏍᏚᏁᏗ\t-12.1522\n▁ᎬᏩᎸᎸ\t-12.1522\n▁ᏣᏕᎸ\t-12.1522\n▁ᏧᏯᏅᏗ\t-12.1523\n▁ᎬᏩᎾᎵᎪᏁ\t-12.1523\n▁ᏫᏍᎩᏯᏅ\t-12.1524\nᎶᏤ\t-12.1524\n▁ᎠᏍᏕᎸᏗᏱ\t-12.1524\n▁ᎤᏕᎰ\t-12.1524\nᏥᏃᎯᏍᏙᏗ\t-12.1525\n▁ᏱᏄᎾᎵᏍᏔ\t-12.1526\n▁ᎢᏣᎦᏔᎲᎾ\t-12.1526\n▁ᎠᏉᎸᎢ\t-12.1526\nᎾᏆᎵᏍᏓᏏ\t-12.1526\n▁ᎦᏝ\t-12.1527\n▁ᎤᏓᏍᎦ\t-12.1527\nᏉᏢᏅ\t-12.1527\n▁ᏤᏣᏁᎶᏙᏗ\t-12.1528\n▁ᏓᎦᎶᏐᏂ\t-12.1528\nᏣᏓᎨᏳᏒ\t-12.1528\n▁ᎠᎦᏁᎳᏅᎯ\t-12.1528\n▁ᏓᏨᏯᎫᏴ\t-12.1528\n▁ᎤᎾᏓᏙᎵᏍᏔᏅᎩ\t-12.1528\n▁ᎤᎶᎪᏗ\t-12.1528\nᎨᏢᏅᎭ\t-12.1529\n▁ᎤᏭᏌᎥ\t-12.153\n▁ᎾᏆᎵᏍᏔᏅᎩ\t-12.1531\nᏥᏁᎢᏍᏗᏍᎬᎩ\t-12.1531\n▁ᎥᎩᏙᎵ\t-12.1531\nᏙᏎᎢ\t-12.1531\n▁ᎪᎵᎬᎩ\t-12.1532\n▁ᎤᎨᏳᏎ\t-12.1532\nᏙᏑᎵ\t-12.1532\nᏥᏯᏛᎦᏁᎸ\t-12.1532\n▁ᏱᏅᏗᎦᎵᏍᏙᏗ\t-12.1532\nᏛᎯᏍᏗᏍᎩ\t-12.1532\n▁ᏓᎾᏍᎪ\t-12.1533\n▁ᏕᎦᎦᏂ\t-12.1533\nᏙᏘ\t-12.1534\nᏍᏆᏂᎪᏙ\t-12.1534\n▁ᎠᎩᏍᎦᎩ\t-12.1534\n▁ᏱᏕᎯ\t-12.1534\n▁ᏍᏋᏂ\t-12.1534\nᏣᏒᎩ\t-12.1534\n▁ᎠᏍᎦᏍᏗ\t-12.1534\nᏅᏔᏩᏗᏒ\t-12.1536\n▁ᎢᏯᎦᏛᏁ\t-12.1536\n▁ᎬᏔ\t-12.1536\n▁ᏧᏓᏅᏎ\t-12.1536\n▁ᎠᏲᎱᏒᎭ\t-12.1536\n▁ᎤᏂᏰᎸᏅᎩ\t-12.1536\n▁ᏓᏡᏗᎭ\t-12.1537\nᏥᏍᎦᎦ\t-12.1537\n▁ᏯᎾᏓᏅᏖ\t-12.1537\n▁ᎨᏥᎾᏄᎪᏫ\t-12.1538\n▁ᏓᏂᏴᎨ\t-12.1538\nᏓᏄᎪᏓᏁ\t-12.1538\nᏓᏁᎰ\t-12.1539\n▁ᎤᏍᏓᏱᏛᎩ\t-12.154\nᎫᏛ\t-12.1541\n▁ᏗᏯᎢ\t-12.1541\nᏲᎯᏍᏙᏗ\t-12.1541\n▁ᏭᏁᏙᎴ\t-12.1541\n▁ᏗᎦᏓᎷᎩᏍ\t-12.1541\n▁ᎤᏑᎵᎪᏨᎩ\t-12.1542\nᏈᎬ\t-12.1543\nᏉᎯᏳᏓᏁᎯ\t-12.1543\n▁ᎠᏌᎯ\t-12.1544\n▁ᏥᎸᏉᏙᏗ\t-12.1544\nᏥᎾᏰᏍᎬᎢ\t-12.1544\n▁ᎢᏣᏚᎵᎭ\t-12.1544\n▁ᎠᏆᏍᎦ\t-12.1545\n▁ᏕᏥᏴ\t-12.1545\nᏚᏏ\t-12.1545\nᏎᏒᎯ\t-12.1546\n▁ᏥᏨᏲᏪᎳ\t-12.1546\n▁ᏚᏒᏅ\t-12.1546\nᎤᏙᎯᏳᏗ\t-12.1546\n▁ᎤᎾᏛᏗᏱ\t-12.1546\nᎾᏅᏅᎩ\t-12.1547\nᎨᎶᎰ\t-12.1547\nᎩᏰᎢ\t-12.1547\n▁ᏳᏄ\t-12.1547\nᏃᎬᏁᎸ\t-12.1547\n▁ᎤᏍᏕᎵᏍᎩ\t-12.1547\nᏂᏚᎩ\t-12.1547\nᏯᏓᏂᎸᎦ\t-12.1548\n▁ᎤᎵᏍᏚᎩ\t-12.1548\nᏠᎯᏍᏛᎢ\t-12.1548\n▁ᎤᏂᎶᏎᎢ\t-12.1548\n▁ᎤᏍᏓᏩᏛᏒᎩ\t-12.1549\n▁ᏥᏓᏥᏲ\t-12.1549\n▁ᏭᏣᏅᎩ\t-12.155\nᎾᎵᏍᎪᎸᏔᏅᎯ\t-12.155\n▁ᎤᎾᏤᎸ\t-12.155\n▁ᎠᏋᏗᏍᎬ\t-12.1551\n▁ᎨᎳᏂ\t-12.1551\n▁ᎡᏒᎭ\t-12.1551\n▁ᎢᏣᏓᏅᏖᎯ\t-12.1551\n▁ᏭᏓᎩᏅᏎ\t-12.1552\nᏣᎧᏃᏗᏱ\t-12.1553\n▁ᎢᏨᏍᏗᏰ\t-12.1553\n▁ᎢᎩᏙ\t-12.1553\nᏍᏙᏗᎭ\t-12.1553\nᏓᎵᏱ\t-12.1554\n▁ᏕᏥᏯᎦᏅ\t-12.1554\n▁ᎲᏔᏅ\t-12.1555\nᏚᏓᎴᏍ\t-12.1555\n▁ᏬᎩᎶᎯᏍᏗ\t-12.1555\nᎩᏯᏅᎡᎵ\t-12.1556\n▁ᏙᏥᏍᏗᏰᏗ\t-12.1556\n▁ᎤᏪᎧᎲᎢ\t-12.1556\n▁ᏙᏓᏂ\t-12.1556\nᎭᏁᏍᏗ\t-12.1557\nᏔᏅᏅᎩ\t-12.1557\nᏅᏍᏔᏅᎢ\t-12.1557\n▁ᎤᏓᎸᎢ\t-12.1557\n▁ᏱᏄᎵᏍᏔᏁᎢ\t-12.1557\n▁ᏣᏍᏆᏂᎪᏛ\t-12.1558\nᏯᏪᎢᏍᏔᏅ\t-12.1558\n▁ᏥᏬᏂᏍᎬᎢ\t-12.1558\n▁ᏂᏣᏓᎨᏳᏒᎢ\t-12.1558\n▁ᏂᏓᏙᏓᏈᏒᎢ\t-12.1558\nᏍᏚᏅ\t-12.1559\n▁ᏚᏄᏩᎥᎢ\t-12.1559\n▁ᎾᎬᏁᎴᎢ\t-12.1559\n▁ᎤᏁᏙᎸᎩ\t-12.1559\n▁ᎤᎾᏅᏁᎢ\t-12.1559\n▁ᎠᎩᏆ\t-12.1559\nᏣᏁᎸᏔᏅᎯᏍᎪ\t-12.1559\n▁ᏗᏍᏆᏂᎪᏙᏗᏱ\t-12.1559\n▁ᎾᎩᏪᏒᎢ\t-12.156\n▁ᎠᏙᏩᏗᏍᏗ\t-12.156\n▁ᎯᏍᎫᏕᏍ\t-12.1561\nᏔᏛᏁᎵ\t-12.1561\n▁ᏩᎾᎦᎳᎯᏳ\t-12.1561\nᎴᏒᎭ\t-12.1561\nᏕᎵᏛ\t-12.1561\n▁ᏗᏔᎳ\t-12.1562\n▁ᏕᎪᏢᏒᎢ\t-12.1562\n▁ᎠᎾᎵᏍᏓᏴᎲᏍᎬᎢ\t-12.1562\n▁ᎯᏃᎯ\t-12.1562\n▁ᏂᏚᏍᏕᎢ\t-12.1563\n▁ᎤᏂᏥᎸᎢ\t-12.1563\nᏁᎷᎩᎡᎴᎢ\t-12.1563\n▁ᎻᎾ\t-12.1563\n▁ᏙᏛᎵ\t-12.1563\n▁ᏄᏬᎯᏳ\t-12.1564\nᏲᏅ\t-12.1564\n▁ᏙᎦᎸ\t-12.1564\n▁ᎠᏍᎦᏱ\t-12.1564\n▁ᎦᎵᎡᎵᎬᎢ\t-12.1565\n▁ᏴᏥ\t-12.1565\nᎵᏰᎢᎶᎸ\t-12.1565\n▁ᎮᏓᏗ\t-12.1565\n▁ᎢᏥᏁᎬᎢ\t-12.1566\nᎦᎵᏍᏙᏎ\t-12.1566\nᏗᏍᎦᎳᏅᎩ\t-12.1567\n▁ᎤᏁᎵᏤᏃ\t-12.1567\nᏣᏅᏓᏕᎮ\t-12.1568\n▁ᏧᏩᏂ\t-12.1568\n▁ᎤᏇᏓᎸᏍᎩᏂ\t-12.157\nᏍᏚᏁᎰ\t-12.157\n▁ᎤᏂᏐᏗ\t-12.157\nᏄᏔᎩ\t-12.157\n▁ᎤᏄᏩᎥᎩ\t-12.1571\nᏯᎩᎷᏨ\t-12.1571\nᎩᎷᏤᎸ\t-12.1571\n▁ᎣᎦᏛᎦᏅᎩ\t-12.1572\n▁ᎠᏂᎪᏩᏘᏍᎬᎩ\t-12.1572\n▁ᎣᏤᏙᎲ\t-12.1572\nᏥᏂᏴᎯ\t-12.1573\n▁ᎤᎾᏂᎩᏐ\t-12.1573\nᎷᏥᎸᎢ\t-12.1573\n▁ᎠᏯᏖ\t-12.1573\n▁ᏧᎦᏣ\t-12.1574\n▁ᏂᏕᏨ\t-12.1574\n▁ᎤᏣᏁᎢ\t-12.1574\n▁ᏱᏂᏥᏪᏎ\t-12.1574\n▁ᏂᏕᎦᏪᏎᎲᎩ\t-12.1575\n▁ᎤᎷᏥᏗᏒ\t-12.1575\nᎻᏱ\t-12.1575\n▁ᏥᏲᎵ\t-12.1576\n▁ᎤᎾᏓᏟᏌᏅᎩ\t-12.1576\n▁ᎤᏓᏍᏛ\t-12.1576\nᎠᏯᏍᎪ\t-12.1577\n▁ᎠᏂᎦᏘᏗᏍᎨ\t-12.1577\n▁ᏴᎬᏛ\t-12.1577\n▁ᎤᏪᎧᎯᏴ\t-12.1578\nᏓᏕᎰᏗ\t-12.1578\n▁ᎤᏍᏈᏯ\t-12.1579\nᎤᏫᏂ\t-12.1579\nᏁᏅᏎᎢ\t-12.1579\n▁ᏙᏓᎬᏩ\t-12.1579\n▁ᎠᎯᏛ\t-12.1579\n▁ᏓᏠᏱᎲ\t-12.1579\n▁ᏬᏱ\t-12.158\nᏛᏗᏍᎬᎢ\t-12.158\n▁ᎤᎾᏄᎪᏨᎩ\t-12.158\n▁ᎡᏉᎯ\t-12.1582\n▁ᎠᏓᏄᏖᏲᎮ\t-12.1582\n▁ᏫᎯᏳ\t-12.1582\n▁ᏅᏥ\t-12.1583\n▁ᏱᎧᏁ\t-12.1583\n▁ᏓᏱᏙ\t-12.1583\nᏗᏌᎧ\t-12.1584\n▁ᎤᎵᏍᏔᏁᎢ\t-12.1584\nᏂᎷᏤᏗ\t-12.1584\n▁ᎤᎵᏍᏕᏍᏔᏁ\t-12.1585\nᏂᎳᏫᏦᎯ\t-12.1585\n▁ᎠᎦᏅᏙ\t-12.1585\n▁ᎠᎾᎵᏍᏓᏴᏗᏍᎪ\t-12.1585\nᏯᏓᏅᏓᏗᏍᏔᏅ\t-12.1586\n▁ᏳᏣᏅᏓᏕᎮ\t-12.1587\n▁ᏫᏍᎩᎾᎩ\t-12.1588\n▁ᏥᎯᏯ\t-12.1588\nᏕᏯᏙᏗᏍᎬ\t-12.1588\n▁ᎤᏄᎩ\t-12.1589\n▁ᏭᎷᏤᎸᎩ\t-12.159\n▁ᏓᏁᎰᎢ\t-12.1591\n▁ᎤᎵᏌᎳᏁ\t-12.1591\nᎦᏔᎲᏍᏔᏅ\t-12.1591\nᏯᏪᏐᎸᏍᏗᏱ\t-12.1592\n▁ᎢᏣᏚᏓᎴ\t-12.1592\n▁ᎪᏢᎭ\t-12.1593\n▁ᏓᏥᏳ\t-12.1593\n▁ᎤᎾᏚᎵᏍᎨᎢ\t-12.1593\n▁ᎤᎾᏎᎵᏔᏅ\t-12.1593\nᏄᏬᏍᏙᏗ\t-12.1594\n▁ᏫᏚᏂᎾ\t-12.1594\n▁ᏧᎨᎯᏙ\t-12.1594\nᎵᏍᏔᏁᎭ\t-12.1594\n▁ᏕᎦᎳ\t-12.1595\n▁ᎦᎵᏥᏙᎲᏍᎬ\t-12.1595\nᏁᎵᏌᏕ\t-12.1595\nᏕᏒᎲᏍᏗᏱ\t-12.1595\n▁ᎠᎾᎵᏍᎦᏍᏙᏗᏍ\t-12.1595\n▁ᏥᎰᎵ\t-12.1595\nᏂᏙᎸᎩ\t-12.1595\nᏃᎱᎶᏗ\t-12.1595\n▁ᎠᏙᎴᎰᏍᎬ\t-12.1595\nᏅᏔᏛᏁᎵ\t-12.1596\nᎳᏍᏗᏱ\t-12.1596\n▁ᏕᎤᏪ\t-12.1597\n▁ᎢᏣᏚᎵᏍᎬᎢ\t-12.1598\nᏒᏍᏔᏁᎢ\t-12.1598\nᎾᎴᏂᎴ\t-12.1598\nᎣᎦᏂᎩᏒ\t-12.1598\n▁ᏫᎬᏩᏂ\t-12.1599\nᏕᏯᏙᏓᏅ\t-12.1599\n▁ᎠᏛᎪᏗᏱ\t-12.1599\n▁ᎬᏩᏘᎾᏫᏛᎮ\t-12.16\nᏦᎸᎯᏍᏗ\t-12.16\n▁ᏗᏂᏅᎦ\t-12.16\n▁ᏗᎦᏥᏯᏠᎢᏍ\t-12.1601\n▁ᏗᏓᏃᎮ\t-12.1602\n▁ᏥᏍᏓᎵ\t-12.1602\n▁ᏥᏅᏗᎦᎵᏍᏙᏗᏍᎪ\t-12.1603\nᏗᎩᏏ\t-12.1603\n▁ᏂᏨᏁᎸᎭ\t-12.1603\n▁ᎠᏋᎨᏫᏍ\t-12.1603\n▁ᎠᎼᏂ\t-12.1603\n▁ᏧᏍᏔ\t-12.1604\nᏂᎴᏴ\t-12.1604\n▁ᎠᏛᏁᏗ\t-12.1604\n▁ᎠᏂᎦᎾ\t-12.1605\nᏂᏟᏅ\t-12.1605\n▁ᎤᏂᏁᎲ\t-12.1605\nᏰᏣᏍᏗᏍᎨ\t-12.1605\n▁ᎡᏙᎢᏳᏅ\t-12.1605\n▁ᎣᎩᏙᎵᏨ\t-12.1606\n▁ᏥᎷᎩ\t-12.1606\nᎵᏍᏓᏴᏅ\t-12.1607\n▁ᏱᏙᎨᏍᏗ\t-12.1607\n▁ᎦᎨᏗᏳ\t-12.1608\n▁ᏣᎬᏍᎪᎸ\t-12.1608\n▁ᎤᎾᏘ\t-12.1608\n▁ᏦᏥᏅᎪᎢ\t-12.1608\n▁ᏣᏍᎪ\t-12.1609\n▁ᎡᎳᏗᎨ\t-12.1609\nᏭᏍᏘᏅ\t-12.1609\n▁ᎢᏓᎴᏂᏙᎲ\t-12.1611\n▁ᏣᎩᏁᏤᎸ\t-12.1611\nᏛᎦᏁᎵ\t-12.1611\nᏂᎶᏍᎬ\t-12.1612\nᎤᏂᏍᎦᏨ\t-12.1612\n▁ᏍᎦᏫᏍ\t-12.1613\n▁ᎤᏁᎳᏗᏍᏗᏍᎬ\t-12.1614\n▁ᎠᏂᏍᎦᎢᎲᎩ\t-12.1614\nᏥᏬᏁᏗᎭ\t-12.1614\n▁ᏄᏍᎦ\t-12.1614\nᏘᏃᎮᎴᏃ\t-12.1615\n▁ᎤᏁᎢᏍᏔᏅᎩ\t-12.1615\nᎠᏎᎵᏛᏍ\t-12.1615\n▁ᎤᎵᎮᎵᏨᎩ\t-12.1615\n▁ᏗᏴᏈ\t-12.1616\n▁ᎠᎧᏔᎲ\t-12.1616\n▁ᎤᏯᏅᎲᎩ\t-12.1616\nᏡᏂ\t-12.1617\n▁ᏥᏂᏣᏛᏁ\t-12.1617\n▁ᎦᏓᎡᎢ\t-12.1618\n▁ᎤᏂᏲᏍᏔᏅ\t-12.1619\nᎻᎴ\t-12.1619\n▁ᎬᏬᎵᏤ\t-12.162\n▁ᎠᎾᏔ\t-12.162\nᏓᏅᏕᎭ\t-12.1621\n▁ᎤᎷᎯᏍᏓᏁ\t-12.1621\n▁ᏚᏪᎧᎲᎢ\t-12.1621\nᎤᏎᏒ\t-12.1622\n▁ᏕᎤᎷᎬᎢ\t-12.1622\n▁ᎦᏍᎩᏓᏍᎬᎢ\t-12.1622\n▁ᏙᎩᎸᏫᏍᏓᏁᎲᎢ\t-12.1622\n▁ᎯᏁᎬᎢ\t-12.1622\n▁ᎠᏂᎧᎸᎢ\t-12.1622\n▁ᎬᏩᏓᏅᏁᎮ\t-12.1622\n▁ᎠᏥᏃᏁᎴᎢ\t-12.1622\nᏓᎵᏍᏓᏴᎲᎦ\t-12.1622\nᏪᏲᎲᏍᎩ\t-12.1623\n▁ᏫᏚᎧᎾᏁᎢ\t-12.1623\n▁ᎯᏢᎾ\t-12.1623\n▁ᎬᏩᏲᎱ\t-12.1623\n▁ᏓᏥᎵ\t-12.1624\n▁ᎯᏰᎶ\t-12.1624\nᏕᏥᏲᏒ\t-12.1624\n▁ᏅᏓᏳᎵᏍᏙᏔᏅ\t-12.1624\n▁ᏕᏥᎸᏫᏍᏓᏁᎸ\t-12.1624\n▁ᏓᎳ\t-12.1625\n▁ᏥᏕᎦᎶ\t-12.1625\n▁ᏧᎶᏒᎢ\t-12.1626\n▁ᎤᎾᎵᏱ\t-12.1627\n▁ᎠᎾᏛᎩᏍᎬᎢ\t-12.1627\nᎩᎳᎾᎶ\t-12.1628\n▁ᎤᎾᏓᏅᏖᎢ\t-12.1628\n▁ᎤᏍᏗᏰᏔᏁᎢ\t-12.1628\nᏓᏓᏅᏟ\t-12.1628\nᎪᎩᏂᏄᎪ\t-12.1628\n▁ᏕᎦᏅᏍᏓ\t-12.1628\n▁ᏳᏇ\t-12.1628\n▁ᎮᎵᎠᏍᎪ\t-12.1628\n▁ᏧᏃᏰ\t-12.1629\n▁ᎠᎾᎵᎮᎵᎬᎢ\t-12.1629\n▁ᎠᏇᎭ\t-12.1629\nᎦᎷᏨᎭ\t-12.1629\n▁ᎦᏬᏂᏍᎨᎢ\t-12.163\n▁ᏥᎨᎭ\t-12.163\nᏲᏍᏔᏃ\t-12.163\n▁ᏱᎨᏥᏎᎪᎩ\t-12.163\n▁ᎠᏰᎸᏎᎢ\t-12.1631\n▁ᎤᏂᏰᎸᏎᎢ\t-12.1631\n▁ᎤᏅᏍᎦᏝ\t-12.1631\n▁ᎢᏨᏙᏗ\t-12.1632\nᏓᏓᏲᎯᏎ\t-12.1632\nᏁᎵᏛ\t-12.1633\n▁ᎤᎾᎵᏘ\t-12.1633\n▁ᏏᎩᎻᏱ\t-12.1633\n▁ᏛᎾᎦ\t-12.1635\n▁ᎠᎳᏏ\t-12.1635\nᏗᏫᏏ\t-12.1636\n▁ᎠᏂᏃᏗᏍᎬ\t-12.1636\n▁ᎤᏰᎸᎾᏁ\t-12.1636\n▁ᏛᏂᏍᏆᏂᎪ\t-12.1636\n▁ᏓᎩᎸᏫᏍᏓᏁᎰ\t-12.1636\n▁ᎤᎾᏘᏃᎴ\t-12.1637\n▁ᎢᏛᏗᏍᎬᎢ\t-12.1637\nᏰᎾ\t-12.1637\n▁ᏨᏕᏨ\t-12.1637\n▁ᏗᎬᏩᎾᏁᎶᏙᏗ\t-12.1637\nᎾᏛᏁᎲ\t-12.1639\nᏒᏍᏙᏗ\t-12.1639\nᏫᏒᎢ\t-12.1639\nᏓᎪᎾᏛ\t-12.1639\nᎾᎵᎪᎲᏍᎬ\t-12.164\n▁ᎤᏂᏲᎮᎢ\t-12.164\n▁ᎤᏙᎯᏳᎲ\t-12.1641\n▁ᎠᏓᏙᎵᏍᏗᎭ\t-12.1642\n▁ᎢᏥᎦᏔᎲᎢ\t-12.1642\nᏳᏩᏂᎸ\t-12.1642\n▁ᎠᏓᏔ\t-12.1642\n▁ᎠᎯᎯ\t-12.1642\nᏂᏍᎩᏪᏎᎰ\t-12.1643\nᏚᎿᎥᎢ\t-12.1643\n▁ᎤᎾᏓᏅᏙ\t-12.1643\nᏂᎷᏨ\t-12.1643\n▁ᎤᎾᎵᏏ\t-12.1643\nᏦᏱᎮ\t-12.1644\nᎡᎵᏍᎨᏍᏗ\t-12.1644\nᏥᏴᏌ\t-12.1645\n▁ᏥᏥᎭ\t-12.1645\n▁ᏥᎦᏚ\t-12.1645\n▁ᎤᏂᏲᎴᎢ\t-12.1645\n▁ᏂᏍᏋᏁᎸ\t-12.1647\n▁ᏥᏯᏚᎸᎡᎸ\t-12.1648\nᏍᎪᎵᏰᎥ\t-12.1648\nᏝᏛᎩ\t-12.1649\nᏂᏰᎸᏒ\t-12.165\nᏕᎶᎰᏍᎬ\t-12.165\nᎮᎮᎢ\t-12.165\nᎴᏈ\t-12.1651\nᏦᏂ\t-12.1651\nᎠᏆᏛᎦᏁᎸ\t-12.1651\nᎢᏍᏓᏁᎸᎢ\t-12.1652\nᏗᏒᏁ\t-12.1653\n▁ᎤᏠᎠᏏ\t-12.1653\nᎪᎥᏍᎦᏉ\t-12.1653\n▁ᎠᏆᏙᏗᏱ\t-12.1653\n▁ᏫᏣᎢᏒ\t-12.1653\nᏓᏗᏍᎬ\t-12.1654\nᎦᎳᎮ\t-12.1655\nᏓᎨᏙᎵ\t-12.1655\n▁ᏗᎦᏆᎵ\t-12.1655\n▁ᏓᏣᎾ\t-12.1656\n▁ᏚᎾᏟᏴ\t-12.1656\n▁ᏚᏪᏐ\t-12.1656\nᎾᏙᏓᏆ\t-12.1657\n▁ᏳᏂᎭ\t-12.1657\n▁ᎤᏍᏆᏃᏴᎬ\t-12.1659\nᏭᏣᏅᎩ\t-12.1659\n▁ᏣᏙᎯ\t-12.166\nᎦᏁᎴᎢ\t-12.1661\nᏁᏙᎰ\t-12.1661\n▁ᎤᏂᏩᏏ\t-12.1662\n▁ᏥᏂᏣᏪ\t-12.1662\n▁ᏫᎦᏅᎨ\t-12.1662\nᎦᏡᏗᏍᎬ\t-12.1662\nᎵᏍᎦᏍᏙᏗᏱ\t-12.1662\n▁ᎤᏙᏢᏁ\t-12.1664\nᎬᏩᏕᏁᎴᎢ\t-12.1664\nᏙᏗᏍᎨᎢ\t-12.1665\nᏙᏣᎸ\t-12.1665\n▁ᎤᏱᎵᏙ\t-12.1666\n▁ᎬᏩᏂᏅ\t-12.1666\nᏙᎳᏛᏗ\t-12.1667\n▁ᏗᏥᏐᏈᎸ\t-12.1667\n▁ᎡᏣᏛ\t-12.1668\nᏌᏛᏙᏗ\t-12.1669\nᏂᏣᏪᏎᎭ\t-12.1669\n▁ᏓᎾᏏᏔᏗᏍ\t-12.167\nᎦᎵᏍᎩ\t-12.1671\n▁ᎤᏪᏅᎡᎮ\t-12.1672\nᎦᎿᏁ\t-12.1673\nᏤᎰᎢ\t-12.1673\n▁ᏚᏪᎭ\t-12.1673\n▁ᎦᏙᎥᎢ\t-12.1673\n▁ᎤᏛᏎᎢ\t-12.1673\n▁ᏗᎨᏥᏰ\t-12.1673\nᎨᎦᎵᏍᎪᎸᏓᏁᎸᎩ\t-12.1673\n▁ᎥᏆᏒᎦᎶᏔᏅ\t-12.1674\nᎠᏒᎢ\t-12.1674\nᏥᏅᏁᎸᎩ\t-12.1675\nᏥᏴᏏ\t-12.1675\n▁ᏳᎾᏛᎦᏁ\t-12.1675\n▁ᎤᏛᏛᏅ\t-12.1676\n▁ᎣᏥᏂ\t-12.1676\n▁ᎤᏂᎦᏛ\t-12.1677\n▁ᏫᎦᎷᎯᏍᏗ\t-12.1678\n▁ᏂᏕᎦᎵᏍᏗ\t-12.1678\n▁ᏧᏂᏆᏂᏲᏍ\t-12.1678\nᏮᏔᏁ\t-12.1679\nᏚᏓᏕᏫᏍᏗ\t-12.1679\n▁ᎡᏙᎢ\t-12.1679\n▁ᏓᏤ\t-12.1679\n▁ᏗᏁᎳ\t-12.168\n▁ᏚᎹ\t-12.168\nᏩᏥᎪ\t-12.1681\n▁ᎢᏗᏍᏓᏱ\t-12.1681\n▁ᎾᏋᏁᎲ\t-12.1682\nᎯᏍᏕᎸᏗ\t-12.1683\n▁ᎣᎩᏅᏍᏔᏅ\t-12.1683\n▁ᎤᏛᏎ\t-12.1683\n▁ᎢᎦᎵᏍᏙᏗ\t-12.1684\nᏩᏛᎯᎸᎭ\t-12.1684\nᏓᏂᏟᏍᏗᏍᎪᎢ\t-12.1685\nᏛᏅᎢᏍᏓᏁ\t-12.1685\n▁ᎤᎵᎪᎾᏔᏅ\t-12.1686\nᎯᎪᏩᏘᎭ\t-12.1686\n▁ᏥᎬᎭ\t-12.1686\n▁ᎠᏥᎸᏉᏙᏗᏱ\t-12.1686\nᏄᏢᏕ\t-12.1687\nᏍᏓᏱᏛᎩ\t-12.1688\n▁ᏕᎦᎳᏅᏛᎢ\t-12.1688\nᎵᏰᏛ\t-12.1689\n▁ᏓᏲᏣᏛ\t-12.1689\n▁ᎢᎨᎭ\t-12.169\nᏚᏓᎴᏍᏗᏍᎬ\t-12.169\nᎬᎭᎷᏯᏍᎬᎢ\t-12.169\n▁ᎰᎵᎦ\t-12.1691\n▁ᏍᎩᎾᏂ\t-12.1691\n▁ᎤᏂᏩᎯᏍᏔ\t-12.1691\n▁ᏕᎦᏂ\t-12.1691\n▁ᎤᏍᏆᏂᎪᏎᎢ\t-12.1691\nᏚᏞ\t-12.1692\n▁ᏔᏘᏍᏓᏁ\t-12.1693\n▁ᎢᏣᏓᏙᎵᏍᏗᏍᎬᎢ\t-12.1693\n▁ᎠᎾᏂᎩ\t-12.1694\nᎢᎨᏅᏍᏗ\t-12.1694\nᏂᏴᏍᏔᎩᏍ\t-12.1695\nᏛᎦᏍᏓ\t-12.1695\n▁ᏚᏂᏃᎩᏒ\t-12.1695\nᎩᏐᎾ\t-12.1695\nᎦᏥᏃᏁᎸᎩ\t-12.1695\n▁ᏔᎵᏍᎪᎯ\t-12.1696\n▁ᏓᏥᎦ\t-12.1697\n▁ᎠᎵᏣ\t-12.1697\nᏂᏔᏕᎩ\t-12.1698\n▁ᏧᏂᎸᎯ\t-12.1698\nᏗᎧᏃᎩᏍᎨ\t-12.1698\n▁ᎠᏴᏫᏯᎯ\t-12.1698\n▁ᏕᎦᏄᎪᎬᎢ\t-12.1699\nᎬᎪᏩᏔ\t-12.1699\nᏏᏂᏙᎮ\t-12.1699\n▁ᏍᏕᎾ\t-12.1699\n▁ᏚᏓᏂᎸᏤᎴ\t-12.17\nᏬᏒᏁ\t-12.1701\nᎹᏓᏗ\t-12.1701\n▁ᎠᏆᏢ\t-12.1701\n▁ᎧᏃᎯᏴ\t-12.1701\nᎪᏒᎾ\t-12.1702\n▁ᎠᎫᏏ\t-12.1705\n▁ᏥᏥᏰᎸ\t-12.1707\n▁ᎡᎵᏏ\t-12.1707\n▁ᏈᎬᎢ\t-12.1707\nᎾᎵᏍᎪᎸᏗᏍᎬᎢ\t-12.1708\nᏍᏓᎦᏔ\t-12.1708\n▁ᎠᎾᎵᏍᏓᏴᎲᏍᎨ\t-12.1708\nᏓᏄᏖ\t-12.1708\n▁ᎠᏂᎨᏂ\t-12.1709\nᎶᏛᎾ\t-12.1709\nᏦᏎᎮᏍᏗ\t-12.171\n▁ᏗᎦᏅᎦᎸᏙᏗ\t-12.1711\n▁ᏕᎫᎪᏓᏁᎰ\t-12.1712\nᎦᏬᏂᏍᎪᎢ\t-12.1712\nᏯᎫᏴᎡᏗᏱ\t-12.1712\nᏲᏍᏗᏍᎪ\t-12.1713\n▁ᎠᏂᎲᎦ\t-12.1714\n▁ᎭᏢᎨ\t-12.1714\n▁ᏱᏄᎾᏛᏁᎴ\t-12.1714\nᎪᎯᏍᏓᏁᎯ\t-12.1715\nᏥᏯᏛᏁᎸ\t-12.1716\nᏗᎴᎲᏍᎬ\t-12.1717\nᏚᎢᏍᏛ\t-12.1717\n▁ᏗᏂᏃᎩᏍᏗᏍ\t-12.1717\nᎯᏴᏓ\t-12.1718\nᏃᎯᏳᏏᏱ\t-12.1719\nᎶᏅᎮ\t-12.1719\n▁ᏕᏣᏓᏠᎲ\t-12.1719\n▁ᏇᏂᏍᎩᏂ\t-12.172\n▁ᏂᎬᏁᎮᎢ\t-12.1721\nᏓᏅᏒᎯ\t-12.1721\n▁ᏚᏨ\t-12.1721\n▁ᎠᎦᏘᏃᎸ\t-12.1721\nᎾᏏᏃᎴ\t-12.1722\n▁ᎾᏆᎵᏍ\t-12.1722\n▁ᏓᏁᎮ\t-12.1723\n▁ᏓᏂᏍᎦᎢᎮ\t-12.1723\n▁ᎠᎾᏗᏒᎯᎲ\t-12.1724\n▁ᎦᏅᎪᎢᏍᏗ\t-12.1725\n▁ᎤᏙᎯᏳᏁᎢ\t-12.1725\n▁ᎠᏰᎸᏎ\t-12.1726\n▁ᎠᏂᎸᏉᏗᏍᎨᎢ\t-12.1726\nᏅᏛᎩ\t-12.1726\nᎴᏏ\t-12.1727\n▁ᏧᏓᏚ\t-12.1728\n▁ᎭᏓᏅᏖᏍᎪ\t-12.1729\nᏂᏲᏍᏓᏁ\t-12.1733\n▁ᎦᏣᏄᎵᎨ\t-12.1733\nᏍᏛᏗᏍᎨᎢ\t-12.1733\n▁ᏭᎾᏗᏅ\t-12.1733\nᏢᏆᏍᎪᎢ\t-12.1734\n▁ᏚᎴᏔᏁ\t-12.1734\n▁ᎪᏙᏗ\t-12.1734\n▁ᎤᏂᏰᎸᏒ\t-12.1736\nᏅᎦᎶᏔᏅ\t-12.1736\n▁ᏚᏄᏌ\t-12.1736\nᏚᏂᏐᎯᏍ\t-12.1737\n▁ᎤᏩᏣ\t-12.1737\nᏅᎦᏍᎪ\t-12.1737\n▁ᎬᏭᎯᏍᏗᏍᎨ\t-12.1737\nᎵᏱᎶᎯᏍᏗᏱ\t-12.1737\nᏖᏛ\t-12.1738\n▁ᎢᎩᎮᏍᏗ\t-12.1739\nᏅᏂᏌ\t-12.1739\n▁ᎨᏣᏈᏗ\t-12.174\nᏣᏪᏐᎸᏍᏔᏁ\t-12.174\nᎦᎾᏅᎪᎨ\t-12.1741\n▁ᏧᎾᏓᏡᎬ\t-12.1741\n▁ᏚᏩᎭᏂᏍ\t-12.1741\nᏗᎾᏘ\t-12.1741\n▁ᎤᎵᏥᏙ\t-12.1741\n▁ᏕᏥᏍᏚᏅ\t-12.1742\nᏫᎾ\t-12.1743\n▁ᏈᎦ\t-12.1745\nᏥᏲᎯᏎᎸ\t-12.1746\n▁ᎤᏫᏒᏎ\t-12.1746\n▁ᏭᏁᎢ\t-12.1747\nᎨᎦᏒᎦᎶ\t-12.1749\n▁ᏓᏂᏙᎨᎢ\t-12.175\nᎦᏘᎾᏫᏛ\t-12.1751\n▁ᏗᎩᎪ\t-12.1751\n▁ᏧᎸᏌᏓ\t-12.1751\n▁ᎦᎦᎶᎢ\t-12.1752\n▁ᎯᏣᏕᎶᎰ\t-12.1752\n▁ᏗᎦᏚ\t-12.1753\n▁ᎤᏓᏌᎧᎯ\t-12.1753\nᏥᎰᎵ\t-12.1753\nᏓᎪᎲᏍᏗ\t-12.1753\nᏂᎾᏕᎩ\t-12.1754\n▁ᏭᏔ\t-12.1754\n▁ᏂᏓᏅᏁ\t-12.1754\nᎦᏤᎵᎦ\t-12.1755\n▁ᏕᎦᎶᎨᏒᎢ\t-12.1755\n▁ᏧᎨᏳᎯᏳ\t-12.1755\n▁ᎠᏍᏆᎵᏍᎬᎢ\t-12.1755\n▁ᎡᎵᏍᎨᏍᏗ\t-12.1756\nᎩᏲᏏᎯ\t-12.1756\nᏕᏥᎦᎿᏩᏕᎦ\t-12.1757\n▁ᏚᎾᏄᎪᏫᏎᎴᎢ\t-12.1757\nᎤᏪᏅᏍᏗᏱ\t-12.1759\n▁ᏧᏂᏰᎸᏐ\t-12.1759\nᏏᎳᏛᎥᏍᎬ\t-12.1759\n▁ᎤᏃᎮᎸᎢ\t-12.176\nᎩᏲᏍᏙᏓᏁ\t-12.1762\nᏐᏢᏙᏗ\t-12.1765\n▁ᎠᎾᎵᎮᎵᎨᎢ\t-12.1766\nᏔᏍᎨ\t-12.1766\n▁ᏍᏕᎵᏍᎩ\t-12.1767\n▁ᏂᏕᏅ\t-12.1767\nᏆᎵᎢ\t-12.1768\nᏫᏣᎷᏣ\t-12.1768\n▁ᎤᏥᎸᏒᎩ\t-12.1768\n▁ᎤᎾᏕᏯᏙᏗᏍᎬ\t-12.1769\nᎢᏥᎦᏔᎾᎢ\t-12.1773\n▁ᎢᏣᎵᏍᎪᎸᏗᏍᎬ\t-12.1775\n▁ᎦᏁᎬ\t-12.1776\nᏏᎲᏏ\t-12.1776\n▁ᎣᏎ\t-12.1777\n▁ᏧᏁᏲᎲᏍ\t-12.1777\nᏓᏍᏗᏍᎩ\t-12.1779\n▁ᎠᏐᏴᎢ\t-12.178\n▁ᎢᏧᏅ\t-12.178\nᏁᎸᏙᏗ\t-12.178\n▁ᎡᏗᎨᏳ\t-12.1781\nᏯᏛᏁᏗ\t-12.1782\nᎾᏕᎶᏆ\t-12.1782\nᏩᏍᏗᏕᎩ\t-12.1782\n▁ᏚᏃᎸᎢ\t-12.1782\n▁ᎠᏉᎯᏳᏒ\t-12.1783\n▁ᎤᎶᏒᎩ\t-12.1784\n▁ᎤᏁᎸᏔᏅ\t-12.1786\n▁ᎤᏂᏠᏱᏉ\t-12.1786\n▁ᎤᏲᎷ\t-12.1786\nᏄᏯᎩ\t-12.1788\n▁ᏍᎦᏰᎬᏍᏓ\t-12.1791\nᏕᏘᏱᎶ\t-12.1791\nᏩᏂᏴᎯᎮ\t-12.1792\nᏓᎧᏃᎮᎵ\t-12.1792\nᎣᎦᎵᏍᏕᎸᏙᏗ\t-12.1792\n▁ᎤᏅᏅᎩ\t-12.1793\n▁ᎠᏥᎪᎵᏰᏍᎬ\t-12.1794\nᏓᏁᏤᎸ\t-12.1796\nᎾᏁᎭ\t-12.1797\nᎢᏍᏗᏍᎨᎢ\t-12.1797\nᏚᎢᏍᏔᏅ\t-12.1798\nᎪᏕᏍᏗᏍᎨᏍᏗ\t-12.1799\n▁ᎠᎦᏔᎮᎢ\t-12.1799\n▁ᏱᏣᎴ\t-12.1801\n▁ᎨᎦᏒᎦ\t-12.1801\n▁ᎠᏆᎧ\t-12.1802\n▁ᎠᏂᎷᏤ\t-12.1803\nᏯᏒᎦᎶᏔᏅ\t-12.1804\n▁ᎠᏓᏙᎵᏍᏓᏁ\t-12.1804\n▁ᏫᏚᎪᎲ\t-12.1805\nᎦᏟᎶᎡᎸ\t-12.1805\nᎾᏓᏓᏍᎩ\t-12.1805\n▁ᎠᏡᏗᏍᎩ\t-12.1805\nᏆᏁᏦᏅ\t-12.1805\n▁ᎠᏆᏍᎩᏓᏒ\t-12.1805\n▁ᎢᏥᏅᎯ\t-12.1806\nᏅᎡᎲ\t-12.1807\nᏪᏯᎸᏤ\t-12.1808\n▁ᏱᏓᎩᎸᏫᏍᏓ\t-12.1809\n▁ᏫᏄᏪᏎᎴ\t-12.1809\n▁ᎤᎩᏓ\t-12.1811\nᏓᏅᏖᏗᏍᎨᎢ\t-12.1812\nᎢᏍᏔᏅᎭ\t-12.1813\n▁ᎠᏆᏛᎦᏍᏙ\t-12.1813\n▁ᏓᎵᏍᏗᎳᏁᎬᎢ\t-12.1816\n▁ᎯᏁᎩᏒ\t-12.1816\n▁ᏕᎪᎵ\t-12.1817\n▁ᏧᏗᎦᎴ\t-12.1818\nᏓᏓᏅᏖᏍᎬᎢ\t-12.1819\n▁ᏱᎬᎭ\t-12.1819\n▁ᎯᏯᏓᎵᏁᎯᏕ\t-12.182\nᏄᏬᎯᏍᏗᏍᎩ\t-12.182\nᏁᎢᏍᏙᏗ\t-12.1821\n▁ᎤᏓᏑᏴᎢ\t-12.1821\nᎮᎸᏒ\t-12.1822\n▁ᎦᏥᏲᏪᎳᏁ\t-12.1822\n▁ᎠᏍᏛᏗᏍᏗᏍ\t-12.1824\n▁ᎤᏪᎧᏁᎴᎢ\t-12.1824\nᎵᎡᎾ\t-12.1824\n▁ᏗᏁᎨ\t-12.1826\n▁ᏧᎾᏥ\t-12.1827\nᏓᏲᏍᏔᏁ\t-12.1827\n▁ᏚᎧ\t-12.183\n▁ᎢᏗᎵ\t-12.183\n▁ᎤᎾᎩᎴ\t-12.183\n▁ᎤᏩᏂᎦᎸ\t-12.1831\n▁ᎧᎸᎬᎢ\t-12.1831\nᏛᎯᏎᎸᎯ\t-12.1831\nᏫᏍᎦ\t-12.1832\nᏗᏔᏏ\t-12.1833\nᎬᎭᏅ\t-12.1834\n▁ᎠᏯᏥ\t-12.1834\ndi\t-12.1836\nᎮᏰᏃ\t-12.1837\n▁ᏧᏓᏅᏖᎴ\t-12.1837\n▁ᎣᏂᏴ\t-12.1837\n▁ᎤᏓᏁᏁ\t-12.1838\n▁ᏓᎩᏍᎨ\t-12.1839\nᏫᏣᎶᏒ\t-12.184\n▁ᎣᎦᏗᏔᏍᏗ\t-12.184\n▁ᎤᏬᏂᏒᎢ\t-12.1841\n▁ᏦᎩᎭ\t-12.1841\nᏴᏅᎯ\t-12.1841\n▁ᏧᎯᏍᏗᏱ\t-12.1841\nᎹᎩ\t-12.1842\n▁d\t-12.1842\n▁ᏕᎫᎪᏓᏁᎸ\t-12.1842\nᏲᏗ\t-12.1842\n▁ᎠᏓᏅᏍᎬ\t-12.1844\n▁ᏚᎾᏓᏛᏛᏁ\t-12.1845\nᏁᎶᎯ\t-12.1845\nᏥᏩᎾᎦᎸᎢ\t-12.1848\n▁ᏂᎬᎸ\t-12.1851\n▁ᏦᏒᎢ\t-12.1852\n▁ᏥᏙᏥ\t-12.1852\n▁ᎤᏕᎭᏯ\t-12.1853\nᎾᏖᏉᎶ\t-12.1853\n▁ᏣᏟᏍᏛ\t-12.1854\n▁ᏕᎤᎾ\t-12.1855\nᏲᎲᎢ\t-12.1855\nᏥᎪᎵᏰᏍᎨᏍᏗ\t-12.1856\n▁ᎣᏍᏙ\t-12.1856\n▁ᎦᏅᎨᎢ\t-12.1857\nᎪᎸᏍᏔᏁ\t-12.1857\n▁ᏚᏙᎯ\t-12.1858\n▁ᎠᏥᏍᏚᎲ\t-12.1859\nᏩᎭᏂᎸ\t-12.186\n▁ᎨᏥᏁᏗᏱ\t-12.186\n▁ᏄᏕ\t-12.1861\n▁ᎫᏏ\t-12.1862\nᏦᎯᏳᏅᎩ\t-12.1862\nᎵᏃ\t-12.1863\n▁ᏧᎳᏑᎶᎩ\t-12.1864\nᎩᏰᎸᎭ\t-12.1865\nᏁᏉᎥ\t-12.1866\nᏗᏣᏏᎳᏛᏙᏗ\t-12.1867\nᏓᏂᏏᏅ\t-12.1867\nᎵᏍᏔᏂᏓᏍᏗ\t-12.1869\n▁ᎤᏑᏯᎩ\t-12.1871\n▁ᎡᏌᏃ\t-12.1871\nᏂᏕᎾ\t-12.1871\n▁ᏂᎦᎵᏍᏙᏗᏍᎨᎢ\t-12.1872\nᎸᎡᎸᎯ\t-12.1874\n▁ᏓᏟᎶᏍᏗᏍᎬ\t-12.1875\nᏍᏚᏕᏍᏗ\t-12.1876\n▁ᏓᎲᎢ\t-12.1877\n▁ᏫᏍᏛ\t-12.1877\n▁ᏚᎾᏗᏔᎮ\t-12.1878\n▁ᏗᏍᎩᎾ\t-12.1879\nᏣᏠᏯᏍᏓ\t-12.1879\n▁ᎤᎾᎸᎸ\t-12.188\nᏁᏙᎭ\t-12.188\nᏘᎾᏫᏛᎲ\t-12.188\n▁ᎤᏂᏩᏒᎨ\t-12.1884\n▁ᎠᏗᏔᏍᎬ\t-12.1884\n▁ᎠᎧᎵᎢᎭ\t-12.1884\n▁ᏂᎬᏩᏛᏁ\t-12.1885\n▁ᏱᎪᎵ\t-12.1885\n▁ᏗᏄ\t-12.1885\n▁ᎣᎩᏃᎮᎸ\t-12.1886\nᏤᎳᏗᏍᏗᏍᎬᎢ\t-12.1887\n▁ᎠᏢᏗ\t-12.1887\n▁ᎢᎨᏐ\t-12.1888\nᏨᏒ\t-12.1888\n▁ᏣᏆᎵᏂᎪᎯᏍ\t-12.1889\n▁ᏅᏩᏍᏙ\t-12.1889\n▁ᎣᏓᏅᏛᎢ\t-12.189\n▁ᎢᏥᎷᏤ\t-12.189\n▁ᏣᏁᎳᏗᏍᏗ\t-12.1893\n▁ᎾᎬᏁᎸᎢ\t-12.1894\nᏆᏛᏂᏏ\t-12.1895\n▁ᏱᏨᏯᏛ\t-12.1897\n▁ᏥᎩᏁᎸᎩ\t-12.19\nᏃᏣᎶᏗ\t-12.1901\n▁ᎫᏇ\t-12.1901\n▁ᏴᎨᏣᏛ\t-12.1902\nᏁᎩᎡ\t-12.1903\nᎥᏍᎪ\t-12.1904\n▁ᎯᏯᏅᏗ\t-12.1907\n▁ᏂᎦᎦ\t-12.1908\n▁ᎠᏏᎾᏌᏅᎢ\t-12.1909\n▁ᏚᎵᎪᏁ\t-12.1909\n▁ᏱᏩᎾ\t-12.1909\n▁ᎠᏥᎷ\t-12.1909\n▁ᎤᏲᎯᏍᏔᏁᎢ\t-12.191\n▁ᎡᏥᏲᎢᏎᎸ\t-12.191\nᏂᏏᏁᏗᏱ\t-12.1913\nᎵᎪᏅᏛ\t-12.1914\nᏓᏍᏛᏗᏍᏙᏗ\t-12.1914\n▁ᎣᎦᎵᎮᎵᏍᏗ\t-12.1915\n▁ᎢᎫᏩᎾ\t-12.1916\nᎾᏁᎳᏗᏍᎬ\t-12.1917\n▁ᎧᏃᎮᏍᎨ\t-12.1917\n▁ᏫᎦᎷ\t-12.1917\nᎵᏏᎩ\t-12.1918\n▁ᎷᏆ\t-12.1918\nᏣᏓᏙᏢᎾᏁᎸᎩ\t-12.1918\n▁ᏩᎦᏘ\t-12.1919\nᎧᏃᎮᏗ\t-12.192\n▁ᏂᎦᏪᏎᎲ\t-12.192\n▁ᏗᎯᏍᏗ\t-12.1921\n▁ᎠᏚᏓᎴᏍᏗᏍᎬ\t-12.1923\n▁ᎤᏲᎰᎢ\t-12.1924\n▁ᎠᏂᏝ\t-12.1925\n▁ᏙᏛᎾ\t-12.1927\nᎦᏛᎾᏨ\t-12.1927\n▁ᏚᏔᏅᎩ\t-12.1927\n▁ᏱᏃᎩ\t-12.1928\nᏏᏓᏍᏗᏱ\t-12.1928\nᏯᏪᏨ\t-12.1931\nᏥᏯᏘᏍᏓᏁᎯ\t-12.1934\n▁ᎯᎦᏔᎭᏰᏃ\t-12.1935\nᎾᏓᏂᎸᎢᏍᏗ\t-12.1936\nᏴᎯᎭ\t-12.1937\nᎸᎡᎸ\t-12.1937\nᏃᎸᏔᏁ\t-12.1939\nᎵᏃᎮᏗᏍᎪ\t-12.1939\nᏓᏙᎵᏍᏓᏁᎴᏍᏗ\t-12.194\nᏍᏛᏗᏍᎨᏍᏗ\t-12.1942\nᎡᏥᎩᏏ\t-12.1944\nᏍᏕᎸᏙᏗᏍᎨ\t-12.1944\nᎡᏣᏘᏃᎦ\t-12.1945\nᏨᏴᎦ\t-12.1945\n▁ᎶᏏ\t-12.1945\n▁ᎠᏰᏙᎳᏛᏗᏱ\t-12.1946\n▁ᎢᏣᏁᏢᏔᏅ\t-12.1946\nᏏᏙᎲ\t-12.1946\n▁ᎠᏔᎴᎦᏒᎢ\t-12.1947\nᏗᏓᎴᎲᏍᎬ\t-12.1948\n▁ᎠᏂᏍᏚ\t-12.1951\n▁ᏚᏩᏛᎲᏎ\t-12.1951\nᎦᎵᏏ\t-12.1951\n▁ᎣᎩᏁᏤᎸ\t-12.1952\n▁ᎤᏂᏣᏛᎢ\t-12.1952\n▁ᎠᏂᏴᎯᎰ\t-12.1952\nᎠᏍᎪᎢ\t-12.1953\nᏇᎵᏒ\t-12.1953\nᎳᎹ\t-12.1954\n▁ᎤᎾᎵᏍᎪ\t-12.1954\nᏆᏁᏍᎩ\t-12.1956\n▁ᏚᏪᎵᏎᎴ\t-12.1956\nᏦᎣᏎᎢ\t-12.1956\n▁ᏚᎾᏁᎶᏛ\t-12.1958\nᏭᏌᏅ\t-12.1958\n▁ᏱᎦᎸᏉᏗ\t-12.1959\nᏖᎭ\t-12.196\n▁ᏣᏥᏍᏚ\t-12.196\n▁ᎤᏃᏁᎴᎢ\t-12.1961\nᎾᏱᎩ\t-12.1963\nᎾᏰᎯᏍᏗᏱ\t-12.1963\n▁ᏘᏰ\t-12.1965\nᎢᏍᎨᏍᏗ\t-12.1966\n▁ᏯᏉᏎ\t-12.1967\n▁ᏫᏚᎸᏌ\t-12.1967\n▁ᎤᏁᎦᎸᎢ\t-12.1967\n▁ᏥᎥᎡᎸ\t-12.1969\n▁ᏚᏂᏅᏅ\t-12.197\nᎧᏁᎢ\t-12.1971\nᏘᎿᏫᏛᎲᎩ\t-12.1971\n▁ᎤᎾᏓᏂᏴ\t-12.1972\n▁ᏚᎵᏍᏚᎸ\t-12.1974\n▁ᏳᏜᏏᏛ\t-12.1976\n▁ᎢᏳᎾᎵᏍᏓᏁ\t-12.1979\n▁ᏥᏕᎯ\t-12.1981\nᎨᏍᏗᏉᏍᎩᏂ\t-12.1983\nᎪᏔᏅᎯ\t-12.1984\nᏘᎴᎢ\t-12.1986\nᎰᏁᎢ\t-12.1987\n▁ᎠᎵᏛᏗᏍ\t-12.1987\n▁ᎯᏍᏆᎵᏎ\t-12.1987\n▁ᎣᎾ\t-12.1989\nᏃᏎᎮ\t-12.199\nᏗᎦᏙᎵ\t-12.1991\nᎾᏄᎪᏨᎩ\t-12.1992\nᎢᏳᏍᏗᏉ\t-12.1992\nᏍᏖᏴ\t-12.1993\nᎦᏓᏍᏕᏓᎵᏴᏍᎩ\t-12.1995\nᏓᏃᏍᎩᏛ\t-12.1996\nᏥᏯᎧᏁᎸ\t-12.1996\n▁ᏳᏂᏏ\t-12.1999\nᏍᏗᏙᎬ\t-12.2\n▁ᏫᏛᏓ\t-12.2\nᏂᏁᏉᎩ\t-12.2\n▁ᎤᎵᏍᏕᎸᏙ\t-12.2002\n▁ᏥᎬᎩᎪᎵᏰ\t-12.2003\nᏯᎸᏤ\t-12.2004\n▁ᎡᏥᏯᎥ\t-12.2004\n▁ᏱᏂᏥᏪ\t-12.2004\n▁ᎤᎶᏐᏅᎯ\t-12.2006\nᏲᎮᏗᏱ\t-12.2006\n▁ᎢᏣᎵᏍᏓᏁᏗᏱ\t-12.2008\nᎾᏘᏲᎸᎩ\t-12.2009\nᏓᏳᎾᏂᎩᏛ\t-12.201\nᎩᏍᏔᏂ\t-12.201\n▁ᎨᏣᎴ\t-12.2011\n▁ᏧᎾᏚᎵ\t-12.2012\n▁ᎯᏍᎩᏍᎪ\t-12.2012\n▁ᎥᎩᎵᎥᏂ\t-12.2013\n▁ᎬᏩᏛᏓᏍᏓᏁᎴ\t-12.2014\n▁ᎠᏂᏨᏯᎢ\t-12.2014\n▁ᎤᎩᏨᏅᎢ\t-12.2015\nᎵᏌᎳᏓᏅ\t-12.2016\nᏗᏦᎭᏴ\t-12.2016\n▁ᏂᎭᎵᏍᏗ\t-12.2016\n▁ᎥᏓᎸᎢ\t-12.2017\n▁ᏫᎦᏅᏅᎢ\t-12.2017\n▁ᎠᏆᏓᎾ\t-12.2017\n▁ᎤᎵᏂᎬᎬᎢ\t-12.2017\nᎩᎡᎭ\t-12.2017\n▁ᎠᏍᏚᎲᎢ\t-12.2018\nᏧᎪᏓᏁᎯ\t-12.2019\nᎯᏐᏢᏗᎭ\t-12.202\nᎾᏕᎰ\t-12.202\nᏏᏍᏗᏱ\t-12.2022\nᏓᏛᏁᏗᏱ\t-12.2023\n▁ᏕᎦᏅᏅᎢ\t-12.2024\n▁ᎤᏬᏰ\t-12.2025\nᏂᏍᎫᏕᏍᎪ\t-12.2025\nᎦᏟᏓ\t-12.2027\n▁ᎠᏆᎦᏔᎲᏒ\t-12.2028\n▁ᎤᏁᏥ\t-12.2028\nᏓᏆᏎᎸ\t-12.2029\n▁ᎤᏂᏆ\t-12.2029\n▁ᎤᏦᎯᏃ\t-12.203\n▁ᏥᏙᎬᎢ\t-12.203\n▁ᎠᏰᎲᎢ\t-12.2031\nᎾᏗᏍᎦᎶᏗ\t-12.2031\n▁ᏤᏈᏛᏃ\t-12.2033\nᏥᏲᎵᎴ\t-12.2035\n▁ᏥᏆ\t-12.2035\n▁ᎠᏂᏍᎦᎢᎮᏃ\t-12.2035\n▁ᏗᏓᏁᎸᎢ\t-12.2036\nᎵᏰᏅ\t-12.2037\nᎿᏕᎨ\t-12.2039\nᏴᏣᏗ\t-12.204\nᎤᏂᏴ\t-12.2041\n▁ᏂᎬᏁᎲᎢ\t-12.2041\n▁ᏂᎦᏛᏁᎲᎢ\t-12.2043\n▁ᏗᏰᎶ\t-12.2044\nᏚᏭᎪᏓᏁᎴ\t-12.2044\n▁ᎤᏆᏙ\t-12.2045\nᏌᏬᎢᎲ\t-12.2045\n▁ᎣᎩᎵ\t-12.2046\nᏅᎪᎥ\t-12.2047\n▁ᏗᏤᎲᎢ\t-12.2047\nᎦᎴᏅᏗᏍᎩ\t-12.2047\nᏍᎩᏲᏢᎾᏁ\t-12.2048\nᎦᎵᏦᏙ\t-12.2048\n▁ᏴᎦᎦᎵᏍᏓᏴ\t-12.2048\nᎦᏛᏂᏗᏍᏗᏱ\t-12.205\n▁ᏕᏥᎸᏌᏓ\t-12.2051\n▁ᏣᎵᏘ\t-12.2054\nᎦᏟᏂᎬᏁ\t-12.2056\n▁ᎤᏪᎾ\t-12.2057\nᏥᏯᎡᏍᏗ\t-12.2059\n▁ᏣᏣ\t-12.2064\n▁ᏗᏤᎳᏍ\t-12.2064\n▁ᏍᎩᏌᎳ\t-12.2065\n▁ᏰᏗ\t-12.2066\nᏩᎫᎵ\t-12.2068\nᏗᎻᏯ\t-12.2069\n▁ᎠᎩᎨᏳ\t-12.2069\nᎢᏍᏔᎾ\t-12.207\n▁ᏚᏂᎶᎨᏒ\t-12.2071\nᏟᏛ\t-12.2073\nᏥᏁᏤᎰᎢ\t-12.2073\nᏗᎪᎵᎩ\t-12.208\nᎢᏓᏍᏗ\t-12.208\n▁ᎤᏂᎫ\t-12.2082\n▁ᎠᏅᏗᏍᎬᎢ\t-12.2082\nᏓᏓᎵᏁᎯᏕ\t-12.2082\nᏗᏓᏅ\t-12.2084\n▁ᎨᏥᏒᎲᏍ\t-12.2084\n▁ᏚᏂᎦᏘᎸᏒ\t-12.2086\nᎬᏫᏳᏌᏕ\t-12.2087\n▁ᎤᏓᎸᏉ\t-12.2088\n▁ᎠᎾᎵᏃᎮᏍ\t-12.2093\nᏍᏓᏩᏗᏎᏍᏗ\t-12.2094\n▁ᎡᏥᎪ\t-12.2094\n▁ᏗᎨᎴ\t-12.2095\n▁ᎭᎴᏅ\t-12.2096\n▁ᏛᏄ\t-12.2096\nᏥᎦᏘᏴ\t-12.2096\nᏣᏛᎩᏍᎪ\t-12.2097\nᏒᏍᏛ\t-12.2097\nᏩᏛᎯᏓᏍᏗ\t-12.2097\n▁ᎠᏲᎳ\t-12.2102\n▁ᎨᎳᏗ\t-12.2103\nᏃᏁᏗᏱ\t-12.2104\nᎩᎦᎵᏍᏓᏗᏍᎬᎩ\t-12.2105\nᏃᏣᎶ\t-12.2108\n▁ᎾᎾᏛᏁᎲᎩ\t-12.211\n▁ᏓᎾᏏ\t-12.2111\nᏣᎩᏍᏗ\t-12.2113\n▁ᏓᏨᏯ\t-12.2115\nᎵᏓᏍᏙᏗ\t-12.2118\nᏣᏖ\t-12.2118\nᏚᏙᎡ\t-12.2125\nᏆᎵᏥᏙᏅ\t-12.2125\nᏥᏯᏢᏈ\t-12.2127\nᏗᎤᏠᎠᏎ\t-12.2128\nᎵᏔᏬ\t-12.213\n▁ᏗᎩᏗ\t-12.2133\n▁ᏱᏣᏎᎵ\t-12.2134\n▁ᎨᎦᎵᏥᏙᏁᎴ\t-12.2135\n▁ᎢᎤᎨ\t-12.2137\n▁ᎤᏲᏍᏙᏗ\t-12.2138\nᏥᏍᏓᏩᏕᎩ\t-12.2139\nᏓᏍᏗᏍᎨᏍᏗ\t-12.2139\nᏍᎩᏅᏗᏍᎨᏍᏗ\t-12.2139\nᎨᏥᏲᎮ\t-12.2139\n▁ᏫᏗᎦᎶᏍ\t-12.2141\nᏪᎳᏗᏓᏍᏗᏱ\t-12.2141\n▁ᎩᏏ\t-12.2142\nᏓᎧᎿᏩᏕᎬ\t-12.2143\nᏥᎪᏙᎯᏍᏔᏂ\t-12.2143\nᏓᏥᎳᏂ\t-12.2144\n▁ᏭᏟ\t-12.2144\n▁ᏱᏂᏣᏪ\t-12.2146\n▁ᎠᎾᏓᏛᎥ\t-12.2146\n▁ᎰᎵ\t-12.2151\n▁ᏕᎨᏴᎢ\t-12.2152\nᏒᎦᎶᏗᏍ\t-12.2154\nᏂᎮᏍᏗ\t-12.2155\nᏫᎬᏩ\t-12.2156\nᎬᏒ\t-12.2157\nᏑᎦᎸᏙᏗ\t-12.2157\nᏫᏛᎲ\t-12.2158\n▁ᏓᎦᎾᏬ\t-12.2158\nᏥᎦᏘᏗ\t-12.216\n▁ᎤᎵᏛ\t-12.2161\nᏯᏨᏗ\t-12.2161\n▁ᎢᏯᏛ\t-12.2164\n▁ᎠᎵᏍᎪᎸᏉ\t-12.2164\nᎬᏬᏎᎴᎢ\t-12.2164\n▁ᎠᎩᏲᎲ\t-12.2166\nᏩᎫᏗᏗ\t-12.2166\n▁ᎤᏍᏚ\t-12.2167\nᎳᏑᏠ\t-12.2167\nᎢᏍᏗᏍᎨᏍᏗ\t-12.2169\n▁ᏗᏅᏃᏛᏍᎩᏂ\t-12.2171\n▁ᎨᎦᏓᏅᏖᏍᎨ\t-12.2172\n▁ᎠᏯᏙᎯ\t-12.2172\n▁ᏗᎬᎩᎶ\t-12.2173\n▁ᎤᏪᏅᏃ\t-12.2173\nᏃᏓᏁᎴᎢ\t-12.2175\n▁ᏂᏚᏕᏘᏴ\t-12.2176\n▁ᎤᎩᎸᏛ\t-12.2177\n▁ᎭᏫᏂᏳ\t-12.2177\n▁ᏩᏥᏯᏅᎲ\t-12.2177\n▁ᏕᎬᏩᏠ\t-12.2181\n▁ᏕᏣᏓᏲᎵ\t-12.2183\n▁ᎠᎾᏟᏂᎬᏁ\t-12.2183\n▁ᏨᏛᎩ\t-12.2184\nᏍᏓᏓᏅᏔ\t-12.2185\n▁ᎦᏬ\t-12.2185\nᏏᎲᏍᎪ\t-12.2188\n▁ᏧᏂᏍᏔᏩ\t-12.2189\nᏗᏨᏲ\t-12.219\nᏓᏅᏘᏳ\t-12.2192\n▁ᏭᎵᏌᎳᏓᏅ\t-12.2192\n▁ᎬᎾᎢ\t-12.2195\nᎸᏉᏕ\t-12.2195\n▁ᎤᏲᎰ\t-12.2196\nᏥᎥᏍᎦ\t-12.2197\n▁ᎤᏂᏯᏫ\t-12.2199\n▁ᎢᏥᎪ\t-12.22\nᏓᏯᏫᏍᎨᏍᏗ\t-12.22\nᎷᏉᏗ\t-12.2201\n▁ᏧᏂᏰ\t-12.2202\nᏣᎶᏁᏔᏅ\t-12.2202\nᏗᏔᏍᏔ\t-12.2203\n▁ᎦᎵᏍᏓᏴᎲᏍᎬ\t-12.2205\nᏄᎪᏫᏎᏗᏱ\t-12.2207\n▁ᏂᏣᎵᏍᏓᏁᎲ\t-12.2208\nᏨᏉᏕ\t-12.2208\nᏪᏓᏍᏗᏱ\t-12.2209\n▁ᏱᏣᏕᏯᏔᏁ\t-12.2209\n▁ᏭᏴᎵ\t-12.2209\nᎵᎲᎾ\t-12.221\n▁ᏘᏩᏛ\t-12.221\nᏁᏢᏙᏗ\t-12.2211\n▁ᏂᏕᏨᏁ\t-12.2212\n▁ᎠᎴᏈᏱ\t-12.2213\n▁ᏂᎬᏁᎢ\t-12.2214\n▁ᎤᏍᏆᎸᎯᏗᏎ\t-12.2215\nᎩᏍᏆᏂᎪᏔᏅᎩ\t-12.2217\nᏗᏯᎥ\t-12.2217\nᎬᏩᏍᏙᎢ\t-12.222\nᏂᏫᎯ\t-12.2222\n▁ᏂᎨᎬ\t-12.2224\nᏍᏚᎢᏒᏃ\t-12.2224\nᎬᏩᎾᏛᏁᎢ\t-12.2226\nᏓᎴᎲᏍᎦ\t-12.2227\n▁ᏥᎨᏥᏍᏕᎸ\t-12.2227\n▁ᏂᏙᏛ\t-12.2228\n▁ᏂᏚᏛ\t-12.2229\nᏴᎩᏁ\t-12.223\n▁ᎤᎩᎸᏔᏁ\t-12.223\n▁ᏯᎵᏗ\t-12.223\n▁ᏯᏁᎮ\t-12.2232\n▁ᏗᏜ\t-12.2233\n▁ᏫᏂᎦᎵᏍᏗ\t-12.2234\n▁ᎤᏂᏨ\t-12.2237\n▁ᎤᏂᏰᎸᏐ\t-12.2237\n▁ᎠᏥᎩ\t-12.2237\nᏘᏍᏗ\t-12.2238\n▁ᎤᏂᏆᏂᏲᏍ\t-12.2238\nᏘᏃᎮᎸ\t-12.2238\n▁ᎨᎦᏑᏴ\t-12.2239\n▁ᏚᏍᏚᏁ\t-12.2242\nᏄᏩᏁᎮ\t-12.2243\n▁ᎤᏂᏴᎸᏃ\t-12.2248\nᏓᏗᎦᎴᏲ\t-12.2251\n▁ᎤᏓᎪᎾᏛᏔᏅ\t-12.2252\n▁ᏘᏯ\t-12.2252\n▁ᏚᏂᏃᎩ\t-12.2253\nᎯᏍᏓᏱ\t-12.2254\n▁ᏂᎦᎾ\t-12.2255\n▁ᎤᎾᏣᎡ\t-12.2255\n▁ᏗᎩᎦᎨᎢ\t-12.2256\nᏗᏕᎨᏍᏗ\t-12.2256\n▁ᏚᏫ\t-12.2256\n▁ᏥᏓᏥᎶ\t-12.2257\nᏂᏪᏒ\t-12.2258\n▁ᏳᏬᎯᏳᏁ\t-12.2259\nᏂᏴᎮᎢ\t-12.226\n▁ᎠᏂᏔ\t-12.226\n▁ᏍᎩᏯᎵᎪ\t-12.226\n▁ᎢᏳᏅᏁᎸ\t-12.2262\n▁ᏧᏮᏗ\t-12.2264\n▁ᎯᏰᏌᏛ\t-12.2267\n▁ᏯᏂᏍᎦᎢ\t-12.2269\n▁ᏕᏨᏲᎯ\t-12.227\n▁ᏭᏂᏂᏌᏁ\t-12.2272\n▁ᎯᏁᏤ\t-12.2274\n▁ᏭᏝᏁ\t-12.2277\nᎾᎿᏬᏍ\t-12.2277\n▁ᏕᎤᏁᎶᏕ\t-12.2277\nᏠᏎᎢ\t-12.2277\n▁ᏗᏣᏓᏙᎵᏍᏓᏁ\t-12.2279\nᏃᎯᏰᎸ\t-12.2281\nᏙᎳᏍᏗᏍᎬ\t-12.2282\n▁ᏓᎦᎵᏍᎨ\t-12.2284\n▁ᏫᎡ\t-12.2284\n▁ᎤᏛᏅᎢᏍ\t-12.2286\nᏣᎫᏴᏓᏏ\t-12.2286\n▁ᏱᎦᏄ\t-12.2287\n▁ᎤᏩᏅᎬ\t-12.2288\nᎩᎸᏅᎩ\t-12.2288\nᏩᏕᏅ\t-12.2289\n▁ᏩᏛ\t-12.2289\n▁ᎤᏃᏢᏁ\t-12.2289\n▁ᎤᎴᏫᏍᏙᏗ\t-12.229\nᎨᏨᏁᎴ\t-12.2291\nᎦᏍᎪᎯ\t-12.2296\n▁ᎠᏔᎴᏒᎩ\t-12.2296\nᏣᎳᏏᏕᏂ\t-12.2299\nᏥᏛ\t-12.23\n▁ᎦᎸᎳᏗᏨ\t-12.2301\n▁ᎬᏩᏂᎪᎲ\t-12.2301\n▁ᏧᏂᏲᎱᎯᏍ\t-12.2303\n▁ᏣᏂᏃᎢ\t-12.2306\nᏯᏛᏛᎲᏍᎦ\t-12.2306\n▁ᎬᏎ\t-12.2307\nᎣᎾ\t-12.2309\nᏗᏔᏍᎦ\t-12.231\n▁ᏯᏋᏔ\t-12.2313\n▁ᎣᎩᏰᎸᏒ\t-12.2316\n▁ᎤᏔᎶᎩ\t-12.2318\n▁ᏥᏕᏓ\t-12.2321\n▁ᏏᏏ\t-12.2321\n▁ᏂᏍᏆᏛᏁᎸ\t-12.2323\n▁ᎤᎾᏓᏙᎵᏍᏓᏁᏗ\t-12.2325\nᏄᏂᏣᏔ\t-12.2326\n▁ᎤᏂᏬᏁ\t-12.2328\nᎦᎨᏅᏗᏍᏗ\t-12.2328\n▁ᏚᎪᎵᏰᎥ\t-12.2332\n▁ᏓᎾᏓᏍᎦ\t-12.2332\n▁ᎤᏲᏨᎢ\t-12.2333\n▁ᏓᎵᏍᏆ\t-12.2334\n▁ᎠᏆᎵᎮᎵᏨ\t-12.2334\n▁ᎠᏂᏆ\t-12.2335\nᏓᏲᏥᏂ\t-12.2335\n▁ᏅᏓᏳᏅᏍᏗ\t-12.2335\n▁ᎭᏁᏍᎨᏍ\t-12.2343\nᏍᏓᏁᎰ\t-12.2347\n▁ᎡᏥᏅᏁ\t-12.2349\nᎸᎶᎢ\t-12.2349\nᏅᎲᎩ\t-12.2353\n▁ᎡᏤ\t-12.2355\nᏃᏴᏘᏍ\t-12.2356\n▁ᎠᎲᏍᎩ\t-12.2357\n▁ᎤᏪᏢᏅ\t-12.2361\n▁ᎤᏔᏕᎩᏍ\t-12.2361\nᏓᏅᎩ\t-12.2361\nᏍᏗᎧ\t-12.2364\n▁ᎤᎾᎡ\t-12.2368\n▁ᎬᎩᏁᎢᏍ\t-12.2368\nᏮᏅ\t-12.2369\n▁ᎭᏏ\t-12.237\nᎩᏌᏛ\t-12.2378\n▁ᏱᎦᎷᎪ\t-12.2378\nᎬᏃᎯᏏ\t-12.2381\n▁ᎤᏓᏪᎵ\t-12.2381\nᏣᏍᏆᏂᎪᏗ\t-12.2383\n▁ᏚᏂᏟᏌᏅ\t-12.2384\nᏉᎯᏳ\t-12.2384\nᎬᏎᎸ\t-12.2385\nᏅᏍᏔᏅᎩ\t-12.2386\nᏕᏒᏅ\t-12.2389\n▁ᎬᏩᎾᏕᏁᎸ\t-12.2389\nᎦᎾᎦᏘ\t-12.2391\n▁ᏫᏓᏂᏴ\t-12.2393\n▁ᎠᏆᏙ\t-12.2395\nᎯᏎᏗ\t-12.2402\n▁ᏂᏑᏪᏎ\t-12.2403\nᎬᏓᏃᏍ\t-12.2404\n▁ᏭᎸᏅ\t-12.2404\n▁ᏙᏅ\t-12.2404\nᏦᎸ\t-12.2405\n▁ᏗᎨᎦᏟᎶᏍ\t-12.2405\n▁ᎤᏤᏍᏗ\t-12.2407\n▁ᏣᏌ\t-12.2409\nᏆᎸ\t-12.2409\n▁ᏗᏍᎩᏲᎯ\t-12.2409\n▁ᏁᏍᏗ\t-12.2409\n▁ᏚᏢ\t-12.241\n▁ᎩᏛ\t-12.241\n▁ᏕᎦᎷᎨ\t-12.2412\n▁ᎢᎩᏍᎦ\t-12.2412\n▁ᎠᏂᏌ\t-12.2415\nᏥᏅᏏᏛ\t-12.2415\nᎵᏍᏓᏴᎲᏍᎨᏍᏗ\t-12.2415\nᎨᏳᏐ\t-12.2415\n▁ᎣᎪᎯᏳᎯ\t-12.2416\n▁ᎤᎾᏓᏟᏐᏗ\t-12.2417\n▁ᎠᎵᏰᎵ\t-12.2421\n▁ᏗᏂᎶ\t-12.2421\nᏯᏘᏃᎯᏍᏗ\t-12.2421\n▁ᏓᏴ\t-12.2422\nᏂᏨᏁᎸ\t-12.2424\n▁ᎤᏓᏂᎵᎨᎢ\t-12.2425\nᎾᏝᎥᎢ\t-12.2425\nᏓᏢ\t-12.2427\n▁ᎣᎭᏁᎯ\t-12.2429\n▁ᎤᏕᏁᎸᎢ\t-12.243\nᏌᎹᏗᏴ\t-12.2431\n▁ᏚᏂᏍᏚᏅ\t-12.2431\n▁ᎠᎾᏎᎵ\t-12.2432\n▁ᏓᎦᏘᏰ\t-12.2434\nᎵᎪᏩᏕ\t-12.2434\nᏥᏁᎢᏍᏗᏍᎨᏍᏗ\t-12.2436\n▁ᎢᏥᎷᏨ\t-12.2437\n▁ᏫᏕᎨᎦᏓᎢ\t-12.2439\nᏣᏅᏓᏗᏍᎨᏍᏗ\t-12.2442\nᎾᏁᎶᏗ\t-12.2444\n▁ᏚᏅᏁᎸ\t-12.2445\n▁ᏕᎬᏩᎾ\t-12.2446\n▁ᎨᏣᏕᏁ\t-12.2447\n▁ᏕᏣᏠᏱ\t-12.2447\n▁ᎤᏂᎮ\t-12.2454\n▁ᏮᏓᏥᏯ\t-12.2455\nᎬᏩᏓᎴᏅᏛ\t-12.2455\n▁ᎣᎦᏤᎵᎪ\t-12.2456\n▁ᎤᎾᏙᎴᏆ\t-12.2461\nᎾᏕᏘᏴ\t-12.2464\nᏎᎵᏙᏔᏅ\t-12.2464\n▁ᎤᎸᏅ\t-12.2466\nᏣᏕᏯᏙᏗᎭ\t-12.2468\n▁ᎡᏣᏡᏗ\t-12.2468\nᏁᎴᏃ\t-12.247\nᎵᏎᏍᏗ\t-12.2471\nᏦᏎᎸᎯ\t-12.2473\nᏁᏒᎭ\t-12.2474\nᏌᏆᎴᎸ\t-12.2477\nᎬᎷᏤᎵ\t-12.2478\n▁ᎢᏤᏯᏔᎯ\t-12.2478\n▁ᏥᏍᎫᏕᏒ\t-12.2479\n▁ᏫᏥᏯ\t-12.248\n▁ᏗᏥᎸᏫᏍᏓᏁᎸ\t-12.2482\n▁ᏗᏥᏂᏴᏗ\t-12.2482\nᏥᎸ\t-12.2483\n▁ᎤᎾᎸ\t-12.2484\n▁ᏯᏴ\t-12.2484\nᏆᏒᎭᏂᎸ\t-12.2486\nᏚᏲᏐ\t-12.2486\n▁ᏱᏙᏥᏲᎱ\t-12.2487\nᏱᏍᎬᎢ\t-12.2488\nᏥᏯᏐᏅᏰᎵ\t-12.2488\nᎩᏃᎮᎭ\t-12.249\nᏍᏓᏁᏗᏱ\t-12.249\n▁ᎠᏌᏃ\t-12.2491\n▁ᏚᎳᏍᎬᎢ\t-12.2496\nᎦᎶᏍᎬ\t-12.25\nᏒᎭᏂᎸ\t-12.25\nᏂᏍᏓᏩᏙᎸᎯ\t-12.2503\n▁ᎤᏓᏅᏖᎴᎢ\t-12.2505\n▁ᏱᏗᎵ\t-12.2506\n▁ᎠᏆᏓᏅᏒ\t-12.2507\n▁ᏗᎬᏩᏂᏲᎱᎯ\t-12.251\n▁ᏙᏛᏍ\t-12.251\nᏩᏛᏍᏗ\t-12.2512\n▁ᎢᏣᏉ\t-12.2514\n▁ᏁᎵᏍᎬᏃ\t-12.2516\nᏳᏕᏃ\t-12.252\n▁ᏓᏰᏙ\t-12.252\nᏍᏗᏃᎮᏍᎬ\t-12.2521\nᏩᏗ\t-12.2522\nᏩᏛᎯᎴ\t-12.2523\n▁ᎨᎦᎵᏍᎪᎸᏓᏁ\t-12.2523\n▁ᎤᏓᎵᏍᎪᎸᏔᏅ\t-12.2528\nᏱᎲᎢ\t-12.253\nᏓᎪᏩᏘᏍᎪᎢ\t-12.253\nᏥᏌᏛᎥᏍᎩ\t-12.2533\nᎠᎩᎧᏁᎸ\t-12.2534\nᏓᎵᏌᎳᏗ\t-12.2535\nᏌᎹᏗ\t-12.2535\nᏗᏣᎧᎾ\t-12.2536\n▁ᏚᎴᏅᏰᏃ\t-12.2537\n▁ᎣᎩᏒᏍᏗ\t-12.254\nᎬᎾᏬᏍᎬ\t-12.254\n▁ᏭᏓᏅᏖ\t-12.2543\n▁ᎡᏣᎵᎡ\t-12.2546\n▁ᎤᏍᏘ\t-12.2547\n▁ᏩᏠᎠ\t-12.2549\n▁ᎨᏥᏃᏁᎸ\t-12.255\n▁ᎢᏤᏙᎲ\t-12.2552\n▁ᏱᏚᏓᏲ\t-12.2557\n▁ᎥᏓ\t-12.2558\n▁ᎤᎧᏔᎲ\t-12.2559\n▁ᎤᏇᏓᎸᏉ\t-12.2561\nᏬᏂᏎᎢ\t-12.2561\n▁ᏯᏍᎦᏅ\t-12.2566\n▁ᏚᏃᏕᎯ\t-12.2566\n▁ᎦᏃᎸᎥᏍᎬᎢ\t-12.2567\n▁ᏥᏕᎩ\t-12.2568\nᏥᏲᏎᎮᏍᏗ\t-12.2568\nᎩᏍᎨᎢ\t-12.257\nᏨᏯᎵᏥᏙᏁᎸᎩ\t-12.2575\n▁ᏧᏪᏰᏍᏗ\t-12.2581\n▁ᏧᏂᎬᏩᎶ\t-12.2581\nᏣᎵᏂᎬᎦ\t-12.2582\n▁ᏍᎩᏛᏔᏂ\t-12.2586\nᎾᏓᏴᎳᏛ\t-12.2587\nᏯᏘᏄᎦ\t-12.259\n▁ᏓᎾᏘᏁ\t-12.2591\nᏛᏅᏂ\t-12.2591\n▁ᏚᏭᎪ\t-12.2599\nᏗᏗᏐ\t-12.2599\n▁ᎡᏆᏓ\t-12.26\nᏍᏗᏴᏍᏗᏱ\t-12.2602\nᎵᏰᎢᎸᏍ\t-12.2608\n▁ᎡᏣᎫᏴᎡ\t-12.2608\n▁ᎢᏴᏓ\t-12.2612\nᏭᏓᎴᏎᎢ\t-12.2613\n▁ᏚᎾᏓᎡ\t-12.2613\n▁ᏅᏛᎩᏅ\t-12.2614\n▁ᏓᏂᏬᏂ\t-12.2616\nᎦᏛᏅ\t-12.2617\nᏘᎹ\t-12.2617\nᏥᏯᏓᏙᎵᏍᏓᏁᎭ\t-12.262\n▁ᎬᏩᏯᏫᏍ\t-12.262\n▁ᏕᎨᏥᏍᏚ\t-12.2621\nᎾᏛᏁᎵᏙᎯ\t-12.2621\nᎵᎮᎵᏤᎮ\t-12.2623\nᏗᏥᎱᏍᏕᏎ\t-12.2623\n▁ᎤᏗᏩ\t-12.2624\n▁ᎤᎶᎩᎸᎩ\t-12.2624\nᏍᏆᎸᎡᎸ\t-12.2624\n▁ᎡᏦᎢᏳᎲ\t-12.2624\nᎦᏕᏲᎲᏍᎦ\t-12.2626\nᏤᎷᎯᏍᏗ\t-12.2627\nᎵᏎᎮ\t-12.2628\nᏓᏅᏓᏗᏍᏗ\t-12.2629\n▁ᏚᏂᏢᏁ\t-12.263\nᎯᏂᏴᏎᏍᏗ\t-12.2631\n▁ᏓᏜᏍᏗᏍ\t-12.2631\nᏚᏭᎪᏔᏁᎢ\t-12.2631\n▁ᎥᎩᏁᏤᏗ\t-12.2631\n▁ᎤᏢᏅ\t-12.2632\n▁ᏕᏣᏗ\t-12.2637\n▁ᏯᏛᏓᏍ\t-12.264\nᏂᎬᎨᏍᏗ\t-12.264\n▁ᎹᏁ\t-12.2641\n▁ᎠᏆᏚᎸ\t-12.2641\nᎾᏓᏍᏕᏓᎵᏴ\t-12.2642\nᏂᏍᏕᎸ\t-12.2643\nᎬᎩᎦᏘᎴ\t-12.2644\n▁ᏚᏂᎨᎯᏙᎴ\t-12.2646\nᏙᎵᏍᏗᏍᎬᎢ\t-12.2647\n▁ᎤᏂᏃᎸᏔ\t-12.2648\n▁ᎢᎳᏏ\t-12.2649\n▁ᏚᎪᎮᎢ\t-12.265\nᏴᏍᏔᏅᎯ\t-12.2651\n▁ᏩᎩᎷᎯᏍᏗ\t-12.2654\n▁ᎣᎩᏍᎦᏅᏨ\t-12.2657\n▁ᎡᏙᏓᏃ\t-12.2657\nᎩᎡᏗᏱ\t-12.2661\n▁ᎠᎵᏍᏕᎵᏍ\t-12.2663\n▁ᏅᏗᎦᎵᏍᏙᏗᏍᎪᎢ\t-12.2663\n▁ᎣᎦᏚᎩ\t-12.2663\n▁ᏚᎾᏓᏂᏴ\t-12.2666\n▁ᎠᏓᏙᎵ\t-12.2667\nᏫᏗᏣᎧᎾ\t-12.2667\n▁ᎢᏥᏴᎸ\t-12.2668\n▁ᎤᏕᏲ\t-12.2671\nᏍᏛᏓ\t-12.2672\n▁ᏫᎬᏩᎾᏛ\t-12.2675\n▁ᎣᎩᎾᎵᎢ\t-12.2675\n▁ᎣᏍᏗᎶ\t-12.2675\n▁ᏍᏆᎵᏍᎪᎸᏓ\t-12.2675\nᏔᏲᎯᎮᏍᏗ\t-12.2677\n▁ᎠᏂᏁᎢ\t-12.2677\nᏲᎸᎾ\t-12.2686\nᏥᏍᎦᎾᎢ\t-12.2689\nᏩᏕᎩ\t-12.2693\nᎸᏍᏗᏍᎨᎢ\t-12.2695\nᏁᎦᎸ\t-12.2697\n▁ᏤᏠ\t-12.2699\nᏩᏅᏬ\t-12.2702\nᏣᎴ\t-12.2704\n▁ᏧᏂᎷ\t-12.2713\nᎦᏯᎱᎶ\t-12.2716\n▁ᏂᏓᏂ\t-12.2719\nᎾᎵᏍᏔᏅᎩ\t-12.272\nᎯᎲᎩ\t-12.2725\nᎵᏍᏓᏴᏅᎭ\t-12.2731\nᏨᏍᏕᎸᎡᏗᏱ\t-12.2732\nᏂᏁᎢᏍᏙᏗᏱ\t-12.2734\n▁ᎬᏗᏏ\t-12.274\n▁ᏓᎾᏕᏍᎪ\t-12.2746\n▁ᎧᏁᏉᎨᏉ\t-12.2747\n▁ᎤᎵᏃᎮᏔᏅ\t-12.2747\n▁ᎤᏂᏴᏎ\t-12.2748\nᎤᏪᎧᏁᏗᏱ\t-12.2749\nᎾᏓᏴᎳᏔ\t-12.2749\n▁ᎤᎸᏕᏍᏗᏍ\t-12.2749\nᎦᏘᏏᏗᏢ\t-12.275\nᏆᎵᏍᎪᎸᏓᏁᎸ\t-12.2751\nᎤᎵᏬᏥᏕᎾ\t-12.2757\n▁ᏚᏫᏒ\t-12.2765\n▁ᎰᏩᏉ\t-12.2765\nᏥᎩᎡᏗ\t-12.2769\nᎿᏗᏍᏗᏍᎨ\t-12.2769\n▁ᏕᏨᏯᎧ\t-12.2777\n▁ᏁᎹ\t-12.2783\nᎫᏍᏙ\t-12.2786\n▁ᎠᎩᎶᏒ\t-12.2788\n▁ᎢᏥᏅᏏᏙ\t-12.2792\n▁ᎤᏁᎩᏒ\t-12.2792\nᎬᏩᎵᎪᏁᎸᎩ\t-12.2801\n▁ᏕᏥᏲᎵ\t-12.2801\nᏌᏙᏱ\t-12.2804\nᏦᏴ\t-12.2806\n▁ᏂᏛᏁ\t-12.2806\nᎦᏙᎨᎢ\t-12.2809\nᎭᏰᎯ\t-12.2809\n▁ᎢᏥᏄᎪᎢ\t-12.281\n▁ᏗᏓᏖ\t-12.2812\n▁ᏨᏛᏍᏆ\t-12.2814\n▁ᎤᏂᎵᎥᏂᎸ\t-12.2815\n▁ᎠᏂᏄᎪᎬ\t-12.2815\n▁ᎫᏩᏕ\t-12.2816\nᏍᎩᏰᎳᏍᏔ\t-12.282\n▁ᏫᏄᏩᏁ\t-12.2822\nᏰᎸᏍᎨ\t-12.2824\nᎧᏁᎢᏍᏗᏍᎬᎢ\t-12.2824\n▁ᏂᎦᏪᏎᎴ\t-12.2826\nᏗᏛᏗ\t-12.2832\n▁ᏕᎤᏂᎸᏫᏍᏓᏁ\t-12.2836\n▁ᏦᎩᏰᎸ\t-12.2842\n▁ᎣᎩᏛ\t-12.2843\nᏟᏏᏍᎨᏍᏗ\t-12.2843\n▁ᏅᏗᎦᎵᏍ\t-12.2844\nᎰᏍᏗ\t-12.2845\nᎦᎵᎥᏂ\t-12.2848\n▁ᏓᏂᏂᏱ\t-12.2848\n▁ᎭᏫ\t-12.2854\nᎵᏖᎸᎮᏍᎬ\t-12.2854\n▁ᎠᎯᏍᏗ\t-12.2859\nᏬᏔᏂ\t-12.2863\n▁ᏱᎬᎩᏩᏛ\t-12.2865\nᎲᎬ\t-12.2865\n▁ᎠᏂᏍᏙ\t-12.2865\n▁ᏚᎾᎴᏁᏃ\t-12.2866\nᏔᏱ\t-12.2866\n▁ᏧᏭᎪᏔᏅ\t-12.2871\n▁ᏕᏥᏲᎯᏎᎸ\t-12.2872\n▁ᏧᎦᎾ\t-12.2873\n▁ᎠᏆᎵᏍᎪᎸ\t-12.2875\nᎪᎯᏗ\t-12.2876\nᎤᏪᎪᏗ\t-12.2878\n▁ᎤᏕᎴ\t-12.2878\n▁ᎭᎻᏃ\t-12.288\nᎬᏩᎶᏓᏁᎸ\t-12.2882\n▁ᏙᎩᏲ\t-12.2884\n▁ᏄᏍᏙ\t-12.2885\n▁ᏚᏘ\t-12.2887\n▁ᎣᎩᎾᏚᎵ\t-12.2888\nᏥᏟᏏᏍᎨᏍᏗ\t-12.2888\n▁ᏒᎲ\t-12.2893\n▁ᏚᏙᏢᏒ\t-12.2895\nᏨᎨᏫᏒ\t-12.2895\n▁ᎬᏩᏕᏨ\t-12.2897\nᏓᏴᏙᏗ\t-12.2903\nᏕᏒᎭ\t-12.2905\nᎦᎵᏬᎩ\t-12.2906\n▁ᏔᎴᏅ\t-12.2906\nᎳᏗᏍᏗᏱ\t-12.2906\nᎪᎩᏔᏲᏎᎲᎩ\t-12.2907\n▁ᎢᎩᎾᏄᎪᏫᏎᎸ\t-12.2909\nᏙᎯᏳᎲᏍᎦ\t-12.2911\n▁ᏧᏂᏁᎵ\t-12.2911\nᏘᏍᏓᏁᎰ\t-12.2915\nᎵᏔᏗᏅᏎ\t-12.292\n▁ᎣᎩᏂᏰ\t-12.292\n▁ᎠᎦᏘᏃᎯᏍᏗ\t-12.2925\n▁ᏥᎬᏚ\t-12.2926\nᏘᏰᎴ\t-12.2927\n▁ᎣᎩᏱ\t-12.2928\n▁ᎢᏤᎲᎩ\t-12.2933\n▁ᎤᎾᏖᏆᎶ\t-12.2933\n▁ᏱᏚᏂᏲ\t-12.2937\nᏯᏪᎦ\t-12.2937\nᏥᏄᎪᏫᏒᎩ\t-12.2939\n▁ᎤᏓᏅᏖᎯᎶ\t-12.294\nᏓᎧᎿᏩᏕᎪ\t-12.2944\n▁ᏴᏗᏍᎬ\t-12.2945\n▁ᏗᏓᏓ\t-12.2946\n▁ᎤᎷᎯᏍ\t-12.2947\n▁ᏳᏂᎸ\t-12.2949\n▁ᎤᎾᏛᏛᏁ\t-12.2952\nᏣᏗᏒᏂ\t-12.2953\n▁ᏕᏥᎸ\t-12.2958\n▁ᏧᎾᏛᏅ\t-12.2964\n▁ᏩᎩᎷᏥ\t-12.2964\nᏛᏓᏁᎵ\t-12.2971\n▁ᏗᎦᎾ\t-12.2974\n▁ᏚᏃᎸᏒ\t-12.2975\n▁ᏳᎪᎲ\t-12.2976\n▁ᎠᏓᎵᏂᎪᎯᏍᏗᏍᎪ\t-12.2976\n▁ᎤᎾᏛᏅᎢᏍᏔ\t-12.2978\n▁ᏂᏓᏣᎵᏍᏔ\t-12.298\nᏄᎪᏔᏅ\t-12.2983\nᏛᏉ\t-12.2983\nᏛᏨᎩ\t-12.2984\n▁ᏚᏄᎪᏔ\t-12.2984\n▁ᏓᏂᏴ\t-12.2985\nᏣᎳᎩ\t-12.2987\nᎩᎾᎩᏛ\t-12.299\nll\t-12.2994\nᏯᏪᏐᎸᏍᏗ\t-12.2995\n▁ᎤᏪᎵᎯᏍᏗᏍᎨ\t-12.3\n▁ᏱᎬᎿᏗᏍ\t-12.3002\n▁ᏕᎯᏰᏌ\t-12.3002\n▁ᏫᏚᏐ\t-12.3002\nᎤᎯ\t-12.3008\n▁ᎤᏂᏥᎸᏅ\t-12.3009\n▁ᏄᎵᏍᏔᏅᎾ\t-12.301\n▁ᎣᎦᏓᏅᏓᏗᏍ\t-12.3015\n▁ᎦᏍᎩ\t-12.302\n▁ᎤᏃᎯᎸᏍᏔ\t-12.3024\n▁ᏕᎦᏅᏌ\t-12.3028\n▁ᏧᎿᏬ\t-12.3036\nᎪᏔᏅᎭ\t-12.3037\nᎩᎧᎭ\t-12.3038\nᏂᎸᏉᏗᎭ\t-12.3041\n▁ᎬᏩᏃᏎ\t-12.3041\n▁ᎠᏲᎤ\t-12.3042\nᏙᎥᏔᏅ\t-12.3047\nᎠᏏ\t-12.3048\nᎩᏍᏓᏱᏕᎸ\t-12.3049\nᏍᎦᏍᏓᏁᎲ\t-12.3052\nᎩᎵᏲᏥᏙᎲ\t-12.3058\n▁ᏗᏠᎯᏍᏙ\t-12.306\n▁ᎬᏩᎪᏩ\t-12.3063\nᎦᏞᏥ\t-12.3064\nᏣᎷᏤᎮᏍᏗ\t-12.3065\nᏦᏁᎢ\t-12.3065\nᎵᎲᎢ\t-12.3067\n▁ᎬᏁᎢᏍᏓᏁ\t-12.3069\nᏂᎦᏖ\t-12.3072\n▁ᏱᏣᎦᏌᏯᏍ\t-12.3075\nᏛᏂᏌᏂ\t-12.3075\nᏚᎲᎦ\t-12.3076\nᏑᎬ\t-12.3077\n▁ᏛᏕ\t-12.3078\n▁ᎤᏪᏅᎢ\t-12.3084\n▁ᏭᏎᎴ\t-12.3089\n▁ᏗᎩᏂᏓᏍᏗ\t-12.3094\n▁ᏔᎸ\t-12.3096\n▁ᎦᎳᏅᏛᏉ\t-12.3098\n▁ᎨᏣᎦᏙᎥᎯᏍᏗ\t-12.3103\nᏟᏏᏍᎬ\t-12.3103\n▁ᎣᏥᎪᏩᏛ\t-12.3103\nᎾᎸᏤ\t-12.3106\n▁ᏓᎬᏂ\t-12.3107\nᏗᏍᎦᎩ\t-12.3109\nᎠᏁ\t-12.3109\n▁ᎬᏩᎾᎴ\t-12.3117\n▁ᎤᎾᎦᏌᏯᏍᏙ\t-12.3118\n▁ᎤᏗᏍᎩ\t-12.3118\nᏣᏟᏴᏗ\t-12.312\nᏥᏩᏛᎡ\t-12.312\nᏑᎵ\t-12.3121\n▁ᏓᏂᎵ\t-12.3122\n▁ᏫᏘᎦᏔᎲᏍ\t-12.3125\nᎵᏙ\t-12.3125\n▁ᏥᏄᏛ\t-12.3127\nᏥᏍᎦᎢᎮᏍᏗ\t-12.3138\nᏙᏪᎸ\t-12.3139\n▁ᎬᏩᏒ\t-12.314\n▁ᏗᎦᏘ\t-12.315\n▁ᎤᏚᎨ\t-12.315\nᎶᏄᎮᏔᏅᎩ\t-12.315\nᏍᏚᎲᎦ\t-12.3153\n▁ᎤᏬᏯ\t-12.3153\nᎴᏫᏍᏔᏁ\t-12.3153\n▁ᏱᏓᎩᎪ\t-12.3154\nᏓᏓᏂᎸᎪ\t-12.3155\n▁ᏥᏚᏠ\t-12.3157\n▁ᎦᏣ\t-12.3157\n▁ᎦᎨᏥᏁ\t-12.316\n▁ᎤᎫ\t-12.3162\n▁ᎤᏂᎧᏅ\t-12.3165\nᏓᎾᏠᏱ\t-12.3165\n▁ᏗᏣᏍᏗ\t-12.317\n▁ᏂᏍᏓᏛᏁ\t-12.3172\nᏅᎲ\t-12.3174\n▁ᏕᎯᏲ\t-12.3177\n▁ᏯᎵᏍᏔᏴ\t-12.3179\n▁ᏞᎩ\t-12.3179\nᎦᏔᏛᏍ\t-12.3181\n▁ᎤᎿᎸᏒ\t-12.3185\n▁ᎠᏲᎵᏉ\t-12.3185\n▁ᏫᏚᎾᏠ\t-12.3186\n▁ᏭᏓᏏ\t-12.319\n▁ᎤᏂᏴᎴ\t-12.3195\n▁ᎢᎬᎯ\t-12.3197\n▁ᏨᏤ\t-12.3201\n▁ᏚᏅᎦᎸᎮ\t-12.3208\n▁ᏫᎵ\t-12.3209\n▁ᏕᏥᎩᎵᏲᎢᏍᏗᏍ\t-12.3211\nᎰᏓ\t-12.3216\nᏂᎳᏫᎢᏍᏗᏱ\t-12.322\nᏓᏅᏖᎳ\t-12.3226\nᎾᏕᏯᏙ\t-12.3226\n▁ᏛᏂᎶ\t-12.3227\n▁ᏕᎨᏰ\t-12.3232\n▁ᎠᏥᎾᏗᏅᏗ\t-12.3234\n▁ᏗᎩᏬᏂᎯ\t-12.3234\nᎾᎵᏍᏚᎸ\t-12.3235\n▁ᏗᏂᏰ\t-12.3235\n▁ᎤᎨᏳᎲ\t-12.3236\nᏓᏣᎦᎸ\t-12.3238\nᎵᏍᎪᎸ\t-12.3245\nᏃᎯᎰ\t-12.3245\nᏴᏩᏛᎮ\t-12.3249\n▁ᎢᏥᎶᏄᎮ\t-12.3255\nᎦᏌᏬᎢᎲ\t-12.3257\n▁ᎢᏣᏖ\t-12.3258\nᏄᏍᏆᏂᎩᏗ\t-12.3259\n▁ᎨᏥᎸᏉᏙᏗ\t-12.3262\nᏅᎪᎥᏓᏁ\t-12.3264\n▁ᏓᏂᏰᎲ\t-12.3266\nᏥᏙᏓ\t-12.3268\nᎤᏃᎯᏳᎲ\t-12.3269\nᎩᏁᏓᏍᏗ\t-12.3278\nᏓᏂᎳᎩ\t-12.3279\nᏙᏍᏓ\t-12.3281\n▁ᎣᎦᏛ\t-12.3283\nᎦᎷᎶᎬ\t-12.3283\n▁ᏕᏥᏲᎯ\t-12.3284\nᏘᏃᎯ\t-12.3285\n▁ᏧᎾᏣᏅ\t-12.3286\nᎾᏛᏁᎯ\t-12.3288\n▁ᎤᏓᏠ\t-12.3289\n▁ᏍᎩᏯᏕ\t-12.3291\nᏍᎩᎾᏄᎪᏫᏎᎸ\t-12.3292\n▁ᏚᏲᏍᏙᏓᏁᎸ\t-12.3294\n▁ᏫᏨᏲᏪᎳᏁᎸ\t-12.3297\n▁ᎨᏥᏍᏆᏂᎪᏙᏗ\t-12.33\n▁ᎢᏨᏯᏓᏅᏖ\t-12.3302\n▁ᏗᏧᎪᏓᏁᏗ\t-12.3306\n▁ᎤᎴᏂ\t-12.3306\n▁ᎡᏗᎦᏔ\t-12.3312\nᎩᏁᏤᎸᎯ\t-12.3316\nᏅᏔᏅᎢ\t-12.3317\n▁ᎤᏒᎮ\t-12.3318\n▁ᎾᏅᎩ\t-12.3323\nᏃᏮ\t-12.3325\nᏗᏓᎾᎩᏍ\t-12.3327\n▁ᏄᎴᏫᏍᏔᏁ\t-12.3328\nᏗᏂ\t-12.333\nᏄᎪᏤᎸᎯ\t-12.3331\n▁ᎤᏂᏂᏴᎲ\t-12.3331\n▁ᎬᏭᎯᏍᏗ\t-12.3333\nᏍᏚᎶᎩᎯ\t-12.3336\n▁ᏣᎫᏴ\t-12.3341\nᎤᏂ\t-12.3345\n▁ᎨᏥᏅᏏᏙ\t-12.3348\nᏣᏓᏙᎵᏍᏓᏁᎮᏍᏗ\t-12.3351\nᎦᏓᏅᏖᏗ\t-12.3353\nᏃᏅᎭ\t-12.3356\n▁ᎠᎾᏕᏒ\t-12.3356\nᏘᏂᏙᎵ\t-12.3375\nᎩᎵᏲᏨ\t-12.3379\n▁ᎠᏍᎦᏂᏉ\t-12.3384\n▁ᏂᏙᏗ\t-12.3387\n▁ᏓᏔᎴᏒᎩ\t-12.3387\n▁ᎡᏣᏍᏕᎸᏗ\t-12.339\n▁ᎥᏍᎩᏯ\t-12.3391\n▁ᏗᏥᎧᎲ\t-12.3392\nᏪᏲᏁ\t-12.3393\nᏴᏨᎩ\t-12.3394\n▁ᎤᎭᏯ\t-12.3394\nᏃᎸᏔᏂ\t-12.3396\n▁ᏓᎾᏓᏰᎢᎵᏙ\t-12.3398\n▁ᎤᎾᏛᏅᎢᏍᏔᏅ\t-12.3407\nᏕᎦᏬ\t-12.341\n▁ᏲᏥᏩᏛ\t-12.3411\n▁ᏫᎫᏩᏂ\t-12.3412\nᎬᏩᏓᏂᎸᏤᎢ\t-12.3423\n▁ᏕᎨᏥᎸ\t-12.3428\nᎥᏛ\t-12.343\n▁ᎥᎩᏐᏅᎢᏍ\t-12.3433\n▁ᎤᏍᏓᏩᏗᏎ\t-12.3435\nᏓᏅᏓᏗᏍᏗᏍᎨ\t-12.3436\n▁ᏗᏰᎯ\t-12.3441\n▁ᏄᎨᏳᏒ\t-12.3442\n▁ᎢᏣᏄᏬᏍ\t-12.3443\nᏨᏙᏗᏱ\t-12.3444\nᏆᏛᏁᎸᎭ\t-12.3446\nᏫᏍᏔᏁᎸ\t-12.3449\n▁ᏕᏣᏬᏍ\t-12.3458\nᎧᎿᏩᏕᎩ\t-12.346\n▁ᎠᏍᏓᏱᏗᏍ\t-12.346\n▁ᏓᏂᏯᎩᏍ\t-12.3464\n▁ᏯᎾᎦᏔᎲ\t-12.3472\n▁ᎬᏯᏅᏓᏗᏍ\t-12.3475\n▁ᎠᏂᎮ\t-12.3476\n▁ᏄᏜ\t-12.3476\nᏃᎨᏂ\t-12.3478\n▁ᎦᏓᎷᎩᏍ\t-12.3479\nᏥᏪᏎᎮᏍᏗ\t-12.348\n▁ᎢᏤᏙᎸ\t-12.3481\n▁ᏥᏕᏥᏲ\t-12.3483\nᏣᎾᏔ\t-12.3488\n▁ᎻᏎ\t-12.3492\nᏂᏍᎨᎢ\t-12.3493\n▁ᏯᎩᏂᎬ\t-12.3501\nᎾᏓᏙᏪᎳ\t-12.3502\n▁ᏰᎵᎠ\t-12.351\nᎵᏍᏔᏴᏃᎾ\t-12.3515\n▁ᏧᏓᏃᏣ\t-12.3516\n▁ᏥᏓᏓ\t-12.3524\n▁ᏅᏓᏥᏪ\t-12.3532\n▁ᎥᏆᎵᏍᎪᎸᏓᏁ\t-12.3533\n▁ᎣᎦᏠᎾᏍ\t-12.3536\nᏠᏯᏍᏗᏍᎬ\t-12.3538\n▁ᏐᏏ\t-12.3539\n▁ᎬᏁᎳᎩ\t-12.3541\nᏦᎣ\t-12.3549\nᎷᎸᎥᏍ\t-12.3551\n▁ᏛᎩᎧ\t-12.3552\nᎳᏑᎵ\t-12.3561\nᏰᎸᏐᎢ\t-12.3562\nᏥᏅᏫᏍᏔᏅ\t-12.3565\n▁ᏓᏥᎶᏍᏗᏍ\t-12.3568\n▁ᎤᎶᎨ\t-12.3571\nᏰᎢᎵᏓ\t-12.3577\nᎾᏕᎬᎢ\t-12.3577\n▁ᏓᏥᏲᏎ\t-12.3579\n▁ᏧᏂᎾ\t-12.358\nᏗᎩᏍᏗ\t-12.358\nᏍᏓᏁᎲ\t-12.3581\n▁ᎢᎨᎲ\t-12.3583\nᏗᎪᎢ\t-12.3587\nᎡᎩ\t-12.3589\nᏬᏁᏗᏍᎬ\t-12.359\nᎦᏓᏅᏒᎭ\t-12.3591\n▁ᎤᏤᏌ\t-12.3593\nᎠᎩᎸᏉᏗ\t-12.3609\nᏁᏢᏔᏅᎯ\t-12.361\nᎾᎵᏗᎩ\t-12.3615\n▁ᎢᏨᏯᎵ\t-12.3622\n▁ᏗᏥᏅᎦᎸ\t-12.3623\nᏅᎦᎸ\t-12.363\nᏛᏁᎸᎢ\t-12.3634\nᏓᏁᎸᎢ\t-12.3635\n▁ᎤᎾᏕᏃ\t-12.3636\nᎪᎲᏍᏔᏅᎩ\t-12.3638\nᏯᏌᏛᏁ\t-12.3639\n▁ᎢᎬᏋᏁᏗ\t-12.3641\n▁ᎬᏩᏲᏍᏙ\t-12.3644\nᏅᏗᎭ\t-12.3657\n▁ᎯᎪᏙ\t-12.3658\n▁ᎤᎸᏒ\t-12.3659\nᏦᎣᏒ\t-12.3665\n▁ᏓᎾᏟᏃᎮ\t-12.3667\n▁ᏕᎫᏓᎴ\t-12.3669\nᏓᏓᏍᎦ\t-12.3672\nᏯᎧᏁᎸ\t-12.3674\n▁ᏍᎩᏁᏤᎸ\t-12.3676\nᏁᏩᏗᏒ\t-12.3679\n▁ᎠᎩᏲᏍ\t-12.3683\n▁ᏓᎧᏃ\t-12.3686\nᎦᎵᏍᎪᎢ\t-12.3689\n▁ᎢᏗᏯᏙᎯ\t-12.3694\n▁ᎨᏥᏩᎯᏎ\t-12.3695\nᎦᏘᏍᏗᏍᎩ\t-12.3697\nᏧᏠᎠᏎᎢ\t-12.3701\nᏣᏰᏨ\t-12.3706\nᏥᏍᎦᏅᎨᏍᏗ\t-12.3722\n▁ᎠᏆᏓᏅᏓᏗᏍᏗ\t-12.3726\nᎪᎾᏛᏔᏅ\t-12.3733\n▁ᏯᏆᏓᏅ\t-12.3736\n▁ᏱᏥᏍᎦᏅ\t-12.3738\nᏘᏃᎮᎴᎢ\t-12.374\nᏩᏗᏙᎯ\t-12.3741\nᎩᏨᏂᏒ\t-12.3743\n▁ᎢᏣᏗᏔ\t-12.3744\n▁ᎠᏴᏍᏗᏱ\t-12.3745\n▁ᎤᏂᏴᏓᏆᎶᎥ\t-12.3749\n▁ᏣᏆᏛ\t-12.3749\n▁ᏚᎵᏃᎮᏔᏅ\t-12.3757\nᏣᏬᏍᏔᏂ\t-12.3759\n▁ᏥᏨᏰᎳᏗᏙ\t-12.3767\nᏣᏪᏐᎸᏍᏗ\t-12.3773\nᏰᏗᏍᎬ\t-12.3774\nᏥᎦᎳᎭ\t-12.3781\n▁ᎦᏥᏁᎸ\t-12.3783\nᏤᏓᏍᏗ\t-12.3785\n▁ᏧᏅᎩ\t-12.3788\n▁ᏱᏚᎾᏄᎪᏫᏎ\t-12.3791\n▁ᏚᏂᏰᏍᏛ\t-12.3801\nᎫᏓᎴᏒ\t-12.3803\n▁ᏥᏯᎵᏍᎦᏍᏙᏗ\t-12.3803\nᏦᏢᏅ\t-12.3808\nᏓᏂᏲᎯᏎ\t-12.381\nᏚᏂᏴᏔᏅᎩ\t-12.381\nᎦᏚᏏᏁ\t-12.381\n▁ᎤᏍᏕᎸᎯᏙ\t-12.3817\nᎾᏓᏅᏛᎢ\t-12.382\n▁ᎠᏂᏯ\t-12.382\n▁ᎠᏤᎷᎯ\t-12.3836\nᏔᏟ\t-12.3837\n▁ᏂᎨᏥᏪᏎ\t-12.3843\nᏫᏚᏘᏅᏍᏔᏁᎢ\t-12.3844\n▁ᏣᏍᎫᏕᏍᏗ\t-12.3852\nᏒᏂᎸᎯ\t-12.3855\nᎤᏐᏱᏉ\t-12.386\nᏗᏍᎦᎶᏗ\t-12.3862\nᎧᏁᎢᏍᏗᏍᎨ\t-12.3867\n▁ᎦᎸᏙ\t-12.387\nᏘᎾᏄᎪᏫᏏ\t-12.3874\nᎬᏍᎪᎸ\t-12.3876\n▁ᎠᏍᎦᎢᏍᏗ\t-12.3877\nᎤᏚᎵᏍᎬ\t-12.388\n▁ᎡᏗᏔᏲ\t-12.3882\nᎻᏆ\t-12.3882\nᏨᏲᏎᎭ\t-12.3883\n▁ᎢᎪᏢ\t-12.3887\nᏟᏍᏔᏅ\t-12.3892\n▁ᎣᏤᏙ\t-12.3894\n▁ᏯᏆᏁᎸᏔ\t-12.39\n▁ᎱᎦ\t-12.3901\n▁ᏆᏌ\t-12.3901\n▁ᎠᏥᏃᏁᎸ\t-12.3905\nᏍᏓᏩᏚᎦ\t-12.3907\n▁ᎠᏆᎦᏎ\t-12.391\n▁ᎬᏩᏯᎥ\t-12.3914\nᏥᎪᏩᏘᎭ\t-12.3917\nᏄᏩᏅ\t-12.3921\nᏥᎥᏏ\t-12.3923\n▁ᎤᎾᏟᏂᎬᏁ\t-12.393\nᏣᎵᏍᎦᏍᏙᏗ\t-12.3932\n▁ᏚᏳᎪ\t-12.3933\n▁ᏧᎾᏚᎪᏓᏁ\t-12.3934\nᏩᏒᎬ\t-12.3937\nᏪᎶᏔ\t-12.394\n▁ᏓᎦᏙ\t-12.3941\nᎾᏓᏅᏖᏗᏍᎬ\t-12.3943\nᏥᎨᏳᎯ\t-12.3949\n▁ᏭᎵ\t-12.3951\n▁ᏗᏟᎶᏍ\t-12.3952\nᏯᏒᏂᏍᏗᏱ\t-12.3956\n▁ᏭᏂᎷᏤᎴ\t-12.396\n▁ᏗᏥᏅᏒ\t-12.3962\n▁ᏫᏓᎵ\t-12.3966\nᎦᏢᏔᏍᏗ\t-12.3981\nᏚᏙᎠ\t-12.3982\nᎦᏅᏓᏓ\t-12.3986\nᏂᎨᎲᏎ\t-12.3994\nᏔᎳᏬᎯ\t-12.3998\n▁ᎤᏢᎾ\t-12.4\n▁ᏓᏖᎸᎲᏍ\t-12.4013\n▁ᎣᎩᏃᏁᎸ\t-12.4015\n▁ᎭᏓᏃᎮ\t-12.4025\n▁ᎨᏥᎾᏌ\t-12.4025\nᏣᏓᎸᏉᏗᎭ\t-12.4031\n▁ᏙᏍᏓᏓᎪᏩ\t-12.4035\n▁ᏗᏞ\t-12.4036\n▁ᏓᎾᏤ\t-12.4041\n▁ᎤᏪᏯᏔᏅ\t-12.4043\nᏒᏂᎮᏍᏗ\t-12.4044\nᎩᏂᏴᎲ\t-12.4044\n▁ᎧᏂ\t-12.4046\n▁ᏧᎵᏍᏚᎢ\t-12.405\n▁ᏴᎦᏲ\t-12.4051\nᏥᎪᏩᏘᏍᎬᎾ\t-12.4053\n▁ᎢᎭᏅᏓ\t-12.4053\n▁ᎠᎵᏍ\t-12.4057\nᎩᎧᎿᏩᏛᏍᏗ\t-12.4061\nᏓᎨᏣᎵ\t-12.4061\nᎦᎷ\t-12.4075\n▁ᏚᏂᏨ\t-12.4094\nᏚᏟᏍᏔᏅᎩ\t-12.4096\n▁ᎬᏁᏤᎸ\t-12.4096\n▁ᎢᎬᏁᎸ\t-12.4098\nᏥᎩᎡᎸ\t-12.4103\nᏩᏂᎷᎦ\t-12.4104\n▁ᎡᏥᎸᏉᏙᏗ\t-12.4107\nᎿᎠ\t-12.4111\nᏘᏍ\t-12.4113\n▁ᎤᎾᎵᏥᏙᏂ\t-12.4113\n▁ᏧᎾᏍᏗᎩ\t-12.4114\nᎨᎦᎵᏍᎪ\t-12.4116\n▁ᏱᎬᏁ\t-12.4124\n▁ᎬᏆᏛᎦ\t-12.4129\n▁ᏱᏂᏣ\t-12.413\n▁ᎦᎵᏉ\t-12.4131\n▁ᏗᏓᎴᎲ\t-12.4134\n▁ᏭᏓᏒᏍ\t-12.4142\n▁ᏒᏙ\t-12.4146\n▁ᏚᎵᏍᏆ\t-12.4147\n▁ᏗᏥᏍᏆᏂᎪᏙᏗ\t-12.4149\nᎯᎥᏏ\t-12.4152\nᏜᏍᏗ\t-12.4152\n▁ᎤᏔᎴ\t-12.4152\n▁ᎨᏥᎪᎵᏰᏗ\t-12.4153\n▁ᏥᏰᏅ\t-12.4156\n▁ᎢᏨᏲ\t-12.4156\net\t-12.4157\n▁ᏚᎾᎦᎴᏅ\t-12.4158\n▁ᏯᎫᏚᎵ\t-12.4159\n▁ᎠᎭᏰ\t-12.416\nᎩᎵᏲᏤ\t-12.4168\nᎩᎶᏫᏎ\t-12.4174\n▁ᎤᎸᎮ\t-12.4178\nᎦᏥᎪᎥ\t-12.418\nᏯᏙᎵᎩ\t-12.4184\n▁ᎤᎾᏣᎢᏎ\t-12.4192\nᎤᎾᏗᏒ\t-12.4196\nᎯᏁᎦ\t-12.42\n▁ᎤᎦᏛᏅ\t-12.4207\nᏗᎦᎴᏲ\t-12.421\nᎷᎩᏍᎬ\t-12.421\nᎴᎰᏒ\t-12.4212\nᎵᎸᎩ\t-12.4219\nᎾᏛᎪᏗ\t-12.422\nᏕᏣᎳᏑ\t-12.4222\n▁ᎢᏯᏋᏂ\t-12.4223\nᏥᏑᎵᎪᎬ\t-12.4223\nᏟᎸ\t-12.4233\n▁ᏭᎾᏘᏃ\t-12.4236\nᏔᏁᏉ\t-12.4241\n▁ᏕᏣᏕᏲ\t-12.4243\n▁ᎦᏓᏅ\t-12.425\n▁ᏯᏇᎵ\t-12.4259\n▁ᏨᏗᎦ\t-12.4263\nᎵᏂᎪᎯᏍᏗᏍᎨᏍᏗ\t-12.4269\nᏰᎸᏁᎢ\t-12.4272\nᏯᎢᏎ\t-12.4273\n▁ᏓᏂᏅᎨ\t-12.4273\nᎢᏍᏗᏍᎪ\t-12.4277\nᏚᏓᎸᏁ\t-12.4277\nᎶᏎᎢ\t-12.4281\n▁ᏚᎾᏁᎶᏕ\t-12.4294\nᏥᏙᎲ\t-12.4294\n▁ᎬᎩᏍᏓᏩᏗᏙ\t-12.4296\nᏂᎵᏙᎸ\t-12.4298\nᏌᏉ\t-12.4299\n▁ᏗᎫᎪᏙ\t-12.4301\nᎸᏌᏓᏕ\t-12.4305\nᏟᏂᎬᏁ\t-12.4311\n▁ᎤᏓᎪ\t-12.4313\n▁ᏳᏗᏛ\t-12.4318\n▁ᏗᎫᏅ\t-12.4319\nᏣᏂᎩ\t-12.4323\nᎾᏓᏑᏲ\t-12.4326\nᎦᏁᏍᎬ\t-12.4329\n▁ᏥᏚᏂᏂᏴ\t-12.4335\n▁ᎠᏆᏑᏰ\t-12.434\nᎠᏰᏍᏓᎥ\t-12.4343\n▁ᏤᏥᏲᎯᏎᎸ\t-12.4345\nᎧᎾᏁᎢ\t-12.4346\nᏃᎮᏍᎪᎢ\t-12.4348\n▁ᏱᏣᏰᎸ\t-12.4356\n▁ᏕᎧᏅᏫ\t-12.4358\nᎮᏃ\t-12.4359\n▁ᎤᏁᏉ\t-12.436\n▁ᏚᏔᏍ\t-12.437\nᏚᎸᏫᏍᏓᏁᎰᎢ\t-12.4372\nᎯᏙᎮ\t-12.4378\n▁ᎯᎪᎢ\t-12.4381\n▁ᎨᏣᏙᎴᎰᎯ\t-12.4394\n▁ᎣᎦᏚᏓ\t-12.4396\nᏡᏗᏍᎨ\t-12.4396\nᎣᎩᎾᎵᏱ\t-12.4399\nᎾᎵᏂᎪᏎᎢ\t-12.4402\n▁ᏱᏣᏛᏓᏍ\t-12.4402\n▁ᏥᎬᏅ\t-12.4406\n▁ᏚᏃᏢ\t-12.4407\n▁ᏚᏂᏰᎸ\t-12.4407\n▁ᏚᎾᏓᏘ\t-12.4418\n▁ᏓᏍᏆᏂᎪ\t-12.4421\nᏑᏴᏅ\t-12.4425\n▁ᏣᏓᎵ\t-12.4425\nᎭᏈ\t-12.4425\n▁ᎠᏎᎪᎩ\t-12.4439\n▁ᏫᏂᏚᏪᏎ\t-12.4446\nᎬᏰᎵᏎ\t-12.4461\n▁ᎤᎾᏝᎥ\t-12.4469\n▁ᎤᎾᎵᏒ\t-12.4469\nᏥᎵᎥᏂᎮᏍᏗ\t-12.447\n▁ᏧᏩᏂᎦ\t-12.4471\nᏆᎧᏃᏗ\t-12.4471\nᏯᎸᎢ\t-12.4476\nᏛᎿᏕᎦ\t-12.449\nᏥᎬᏩᎶᏔ\t-12.4492\nᎴᎵ\t-12.4493\nᏓᏁᏤᏗ\t-12.4498\n▁ᏓᏂᎨᎯ\t-12.4505\nᏠᎠ\t-12.4506\nᏂᏲᎴ\t-12.4517\n▁ᎠᏓᏅᏖᎵᏙᎲ\t-12.4517\n▁ᏫᏄᏩ\t-12.453\nᏲᎯᏍᏗᏍᎬᎾ\t-12.4537\nᎩᏙᎵᎩ\t-12.4538\n▁ᎠᎩᏫᏒ\t-12.4554\nᏥᏯᏂᏍᎬ\t-12.4558\nᎵᏍᎦᏍᏙᏔᏅ\t-12.4561\n▁ᏄᎾᏕ\t-12.4562\n▁ᎠᏓᏒᎲᏍ\t-12.4566\n▁ᏚᎾᏦ\t-12.4567\n▁ᎠᎩᏍᏆᏂᎪᏙ\t-12.4569\nᏣᏏᎳᏛᏗ\t-12.4575\n▁ᏛᏂᎩ\t-12.4579\n▁ᏗᏍᎩᏅ\t-12.4588\nᏂᏓᏛ\t-12.4598\n▁ᎤᏘᏃᎮᎴ\t-12.4599\n▁ᎤᏛᎦᏅᏉ\t-12.4602\nᎦᏌᏬᎸ\t-12.4603\n▁ᏣᏲᎸ\t-12.4613\nᏂᎦᏛᎴᎯ\t-12.4618\nᎵᏍᏇᏚ\t-12.4618\n▁ᎤᎾᏟᏃᎮ\t-12.4621\n▁ᎦᏥᏁᏤᎸ\t-12.4625\nᎾᏛᏛ\t-12.4625\nᎶᎾᏍᏔ\t-12.4633\nᏓᏂᎸᏤᎸᎯ\t-12.4637\n▁ᎢᏨᏁᎵ\t-12.4638\n▁ᏱᏨᏲᏎ\t-12.4638\nᏘᎿᏫᏛ\t-12.464\n▁ᏧᏂᏯᏅ\t-12.4645\nᏂᏄᎪᏫᏍᏗᏱ\t-12.465\n▁ᎤᏅᎪᎢᏍ\t-12.4657\nᏜᏫᏍ\t-12.466\n▁ᎦᏥᏯᏑᏰ\t-12.4663\nᏬᏂᏍᎨᏍᏗ\t-12.4665\n▁ᏱᏙᎦᏙ\t-12.467\n▁ᎤᏛᏗᏕ\t-12.467\n▁ᎢᏨᏯᏛᏁ\t-12.4672\n▁ᏴᎨᏍᎩ\t-12.4675\n▁ᏫᏄᏂᏪᏎ\t-12.4676\n▁ᏓᎾᏓᏂᎸ\t-12.4684\nᏂᎧᎵᎴᎢ\t-12.4684\nᎾᏚᏓᎸ\t-12.4688\nᏴᏔᏅ\t-12.4688\n▁ᏱᏚᏑᏰ\t-12.4689\nᎦᏩᏒᎬ\t-12.4696\n▁ᎣᏚᏓᎴᏍᏗ\t-12.4704\n▁ᎤᎲᏒ\t-12.4707\n▁ᎤᎾᏓᏔᎶ\t-12.4709\n▁ᏧᏂᏐᎯᏍᏗ\t-12.471\nᏣᎨᏳ\t-12.4728\nᎵᏥᏙᎲᏍᎬ\t-12.4731\n▁ᎠᏏᏍᎪ\t-12.474\n▁ᎬᏩᏛᏅ\t-12.4751\nᏍᎦᏉ\t-12.4754\nᏆᏘᎾᏫᏛᎲᎩ\t-12.4757\nᎾᎪᏒ\t-12.4759\n▁ᎢᏨᏩᏛ\t-12.4759\nᏄᏛᏁ\t-12.4766\nᎴᏂᏙᎲᎢ\t-12.4772\n▁ᏗᏓᎴᎲᏍᎪ\t-12.4772\n▁ᎤᏂᏴᏔᏁ\t-12.4774\nᏁᏟᏴᎭ\t-12.4775\nᏍᎩᎡᎴᎢ\t-12.4791\nᏙᎸᎭ\t-12.4793\nᏩᎪᏗ\t-12.4802\n▁ᎠᏂᎪᎵᏰᏍᎬ\t-12.481\n▁ᏱᏂᏚᏓ\t-12.4818\nᎠᎾᏡᏗᏍᎩ\t-12.4824\n▁ᏭᏍᏚ\t-12.4824\nᎦᏙᏍᏓᏁ\t-12.4825\n▁ᏔᏑᏰ\t-12.4835\nᏂᏴᏎᏍᏗ\t-12.4835\nᏂᏪᏒᎩ\t-12.4835\ntin\t-12.4836\n▁ᎢᏍᏆᏓ\t-12.484\nᏚᎪᏓ\t-12.4841\n▁ᏫᏙᏥ\t-12.4844\n▁ᏣᎪᏎ\t-12.4848\n▁ᏕᎬᏩᏏᏔ\t-12.4851\nᏕᏘᏴᎲᏒ\t-12.4854\nᏂᏏᏅᏎ\t-12.4858\n▁ᏳᏂᏴ\t-12.4871\n▁ᏍᎩᏲ\t-12.4873\n▁ᎤᏂᏂᎬᎨ\t-12.4873\n▁ᎯᏐᏢᎢᏍᏗ\t-12.4878\nᏕᏘᏴᎲ\t-12.488\n▁ᏧᏅᏂᏍ\t-12.488\n▁ᏥᏓᎵᏖᎸᎲ\t-12.4885\nᎦᎧᎲᎩ\t-12.4885\n▁ᏫᎨᏙ\t-12.4887\nᏥᏙᎪ\t-12.4887\n▁ᎤᏍᏛᎦ\t-12.4892\n▁ᏫᎦᎶ\t-12.4902\n▁ᏗᎬᏩᏲ\t-12.4909\nᏣᏛᏁᎵᏙᎲ\t-12.4918\nᎩᏱᎵᏙᎭ\t-12.4922\nᏓᏂᏯᏛ\t-12.4926\n▁ᎤᎦᏔᏛ\t-12.4938\n▁ᎤᎾᎵᏥᏙ\t-12.4938\n▁ᎭᎵᏥᏙᎲᏍ\t-12.4943\nᏁᏍᎨᎲᎩ\t-12.4946\nᎦᎵᏍᏔᏁᎲ\t-12.4948\nᏗᎾᏓ\t-12.4952\n▁ᏕᏣᏓᏂᎸ\t-12.4954\n▁ᏭᎾᏏ\t-12.4954\n▁ᎢᏍᏛᎷᏤ\t-12.496\nᏖᎸᎲᏍᎦ\t-12.496\nᏛᏛᏔᏂ\t-12.4964\n▁ᏱᏤᏙ\t-12.4967\n▁ᏂᎨᏂᎾ\t-12.4968\n▁ᎢᏣᏛᏁᎲ\t-12.4975\nᏂᏌᏅ\t-12.4975\nᎶᏄᎮᎴᎢ\t-12.4976\n▁ᎤᏴᏍ\t-12.4976\nᏓᏓᏬᏍᎨ\t-12.4981\nᏂᎸᏌᏓᏕ\t-12.4983\nᏥᎳᏫᏤ\t-12.4985\nᎾᎷᏍᎬ\t-12.4986\nᎾᏟᏃᎮᏗ\t-12.4994\nᎩᏅᏁᎸ\t-12.5\nᏲᎢᏍᏗ\t-12.5004\nᏑᏰᏍᏗ\t-12.5007\n▁ᎬᏩᏃᎮᏍᎬ\t-12.5024\nᏤᎵᎯᏍ\t-12.5025\n▁ᏱᎦᎬ\t-12.5026\n▁ᏭᎳᏏ\t-12.5028\nᏚᎩᏛ\t-12.5044\nᎦᎷᎨ\t-12.5048\nᎳᏗᏍᏗᏍᎨᏍᏗ\t-12.506\n▁ᎢᏨᏃᎮ\t-12.5062\nᏅᎡᎴᎢ\t-12.5073\nᏚᏍᏕᎸᎮᎢ\t-12.5076\nᏓᏕᏲᎲᏍᎦ\t-12.5079\n▁ᎬᏩᏡᏗᏍ\t-12.5079\n▁ᎠᎵᏍᏆᏙ\t-12.5079\n▁ᏕᏣᎵᏂᎪ\t-12.5079\nᏥᏩᏛᎯ\t-12.508\n▁ᎤᏂᎷ\t-12.5081\nᎬᏁᏤᎸᎭ\t-12.5088\n▁ᎨᏥᎩᎵᏲᎢᏍᏗᏍ\t-12.5096\n▁ᎠᎩᏁᎲ\t-12.5105\n▁ᏘᎧᎵ\t-12.5106\n▁ᎠᎦᎷ\t-12.511\n▁ᎤᏓᎴᏅ\t-12.511\nᏣᏓᏅᏒᎩ\t-12.5128\n▁ᏍᎩᏰᎵ\t-12.5138\n▁ᎠᎩᏴᏍᏗ\t-12.5138\nᏓᏬᎯᎳᏗᏍ\t-12.5139\n▁ᏓᏲᏥ\t-12.5142\nᎾᎪᎲᏍᏗ\t-12.5142\nᏍᏓᏩᏛᏒ\t-12.5144\nᏕᎫᎪᏓᏏ\t-12.5145\n▁ᏲᎯ\t-12.5147\n▁ᏓᎵᏂᎪᎯᏍᏗᏍᎪ\t-12.5157\n▁ᏓᏂᎦᏘᎴ\t-12.5162\n▁ᏚᏗᎦᎴ\t-12.5175\nᏯᎵᏃᎮ\t-12.5176\n▁ᎡᏥᏍᎦ\t-12.518\nᎾᏠᎯᏍᏔᏅ\t-12.5182\nᎩᏒᏎ\t-12.5184\nᏥᏂᏴᎲᎩ\t-12.5188\n▁ᏓᎾᏘ\t-12.5191\n▁ᎠᏥᏃᎮ\t-12.5191\n▁ᎱᏰᎸ\t-12.5192\nᎩᏄᎸᏅ\t-12.5202\nᎦᏙᎯ\t-12.5202\n▁ᎠᏆᏄᏬ\t-12.5212\nᏩᏥᏍᎦᎸ\t-12.5216\nᏍᎪᏂᎴᎢ\t-12.5219\nᏯᏥᎪᏁᎸ\t-12.5227\n▁ᎤᎾᏕᏁ\t-12.5229\n▁ᏘᏅᏍᏓ\t-12.5234\nᏐᏅᏰ\t-12.5234\n▁ᎠᎩᏍᏕᎸᎲ\t-12.5235\n▁ᎡᏍᏕ\t-12.5237\nᏓᏓᏬᏍᎬᎢ\t-12.5238\n▁ᏴᎨ\t-12.5241\nᎩᎸᏫᏍᏓᏏ\t-12.5242\n▁ᎢᏥᏂᏆᏘ\t-12.525\nᏕᎲᏍᎪ\t-12.525\nᎾᎴᎿᏫᏍᏛᎩ\t-12.5257\n▁ᏚᏩᏥᏍᎦ\t-12.5259\n▁ᎠᏆᏕᏅ\t-12.5264\n▁ᏗᏨᏙ\t-12.527\n▁ᏓᏥᏰ\t-12.5271\n▁ᎠᎩᏍᎦᏅ\t-12.5278\nᏍᏕᎸᎯᏙᎸᎯ\t-12.5278\n▁ᎠᎩᏄᎸ\t-12.5284\n▁ᎤᎵᏍ\t-12.5287\nᏓᎡᏏ\t-12.5293\n▁ᏕᎭᏡᏗ\t-12.53\nᎦᎾᏩ\t-12.5301\nᏍᎦᎶᏗ\t-12.5312\n▁ᏳᏴᎵ\t-12.5325\nᏬᏪᎳᏁ\t-12.5326\nᏇᏅᏔᏅ\t-12.5327\n▁ᏥᏓᏕᏲᎲᏍ\t-12.5328\n▁ᎠᏓᏰᎮ\t-12.5339\n▁ᎬᏁᏤᏗ\t-12.5343\nᏚᏳᎪᏗ\t-12.5344\nᏣᏛᎯᏎᎸ\t-12.5345\nᏥᎦᏙᎥᏒ\t-12.5347\n▁ᏣᎸᏃᏘ\t-12.5348\nᏣᏛᏁᎲᎢ\t-12.5349\n▁ᏕᎤᎵᏍᎪᎸᏓᏁ\t-12.5356\nᏬᏚᏨ\t-12.5358\n▁ᎯᏯᏥᎪᏁ\t-12.5362\nᎬᎩᎷᏤᎸ\t-12.5371\nᎾᏛᏁᎴ\t-12.5374\nᏍᏕᎵᏍᎨᎢ\t-12.5378\nᏴᏍᏗᏍᎨᏍᏗ\t-12.5387\n▁ᎢᏥᎾᏄᎪᏫᏍ\t-12.5393\n▁ᏭᏲ\t-12.5399\nᏛᏅᎢᏍᏔᏅᎾ\t-12.5404\nᏲᏔᏁ\t-12.5405\n▁ᏓᏦ\t-12.5408\nᏇᎵᏎᎮᏍᏗ\t-12.542\nᏥᏏᎾᏌᏂ\t-12.5443\n▁ᎤᎾᏒᏂ\t-12.5453\nᏍᎩᎪᏩᏛ\t-12.5453\nᏙᎭᏰ\t-12.5454\nᏍᎩᏴᏁᎸ\t-12.5454\n▁ᎢᏥᏴᏁᏗ\t-12.5466\n▁ᎾᎾᏛ\t-12.5468\nᎪᎯᏍᏗ\t-12.5469\nᏂᏕᎬᏁᎰ\t-12.5471\n▁ᎤᎾᏦ\t-12.5478\n▁ᎨᏥᏅᎦᎵᏍ\t-12.548\n▁ᏱᏗᏣᏓ\t-12.5482\nᏩᏂᎴᎢ\t-12.5484\nᏓᏲᏁᎯ\t-12.5486\n▁ᏱᏂᏚ\t-12.5489\n▁ᏧᎾᏑ\t-12.549\n▁ᏓᏳᎾᎴᎿᏫᏍ\t-12.55\nᏓᏗᏍᎪᎢ\t-12.5503\nᏆᏛᏁᏗᏱ\t-12.5521\nᎾᏄᎪᏫᏍᎩ\t-12.5522\nᏇᏓᏢ\t-12.5523\n▁ᎠᏂᏃᏗᏍ\t-12.5527\nᎵᏙᎸ\t-12.5531\nᎾᎯᏍᏓᏁᎸ\t-12.5549\n▁ᏓᏂᏃᎯ\t-12.5551\nᎳᏏᏁ\t-12.5555\n▁ᏚᏦ\t-12.5572\n▁ᏥᏕᎫᎪᏓᏁ\t-12.559\n▁ᎱᏃᎮ\t-12.5593\nᎿᏕᎦ\t-12.5605\n▁ᏗᏥᏅ\t-12.5606\nᏂᎪᎵᏰᏍᎬᎩ\t-12.5609\nᏙᎩᏨᏍ\t-12.5612\nᏂᏲᎱ\t-12.5615\nᏂᏲᎲᎩ\t-12.5618\n▁ᎤᎾᏛᏅᎢᏍ\t-12.5626\n▁ᎤᎾᎵᏍᏓᏴᏙᏗ\t-12.5633\nᏂᏗᏍᎩᏌ\t-12.5642\n▁ᏗᎫᏴᎡ\t-12.5645\nᎩᏍᏛᏗᏍᏗ\t-12.5649\nᏴᎸᎾ\t-12.5654\n▁ᎠᎵᏍᏓᏴᎲᏍᎨ\t-12.5681\nᏍᎩᏯ\t-12.5682\n▁ᎠᏥᎩᎡ\t-12.5688\n▁ᏓᎧᎿᏩᏗᏙ\t-12.5689\nᎬᎿᏗᏍᏗ\t-12.5736\nᏴᏫᏯᎯ\t-12.5736\n▁ᎤᏓᏟᏌᏅ\t-12.574\n▁ᎣᎩᎾᎩ\t-12.5749\nᎤᏴᏢ\t-12.5757\n▁ᏣᏓᏴ\t-12.5757\nᏥᏂᏆᏘᎭ\t-12.5764\nᏕᎰᏗᏍᎬ\t-12.5765\nᏯᎧᎯᏯ\t-12.5767\nᏂᏁᎦ\t-12.5767\nᎬᏍᏕᎸ\t-12.5773\n▁ᏳᎵᏍᏆᏙ\t-12.5787\n▁ᎤᎵᏍᏆᏂᎪᏙ\t-12.5787\n▁ᎯᏯᎫᏴ\t-12.5788\nᏓᏍᎦ\t-12.5792\nᏍᏗᏗᏎ\t-12.5795\nᏍᏕᎸᎮᎢ\t-12.5797\nᏂᏐᎯᏍᏗᏱ\t-12.5801\n▁ᎤᏂᏍᏕᎸᎯᏙ\t-12.5802\nᏂᎩᏎᎢ\t-12.5806\n▁ᏍᎩᏂᏴ\t-12.5807\nᏰᏍᏛᎢ\t-12.5807\n▁ᎠᏂᏙ\t-12.581\nᏣᏯᏂᏍᎨᏍᏗ\t-12.5816\nᎠᏑᎵ\t-12.5816\nᏥᎾᏰᏍᎦ\t-12.5816\nᎡᏉ\t-12.5819\n▁ᏓᏳᏰ\t-12.5824\nᏕᎮᏍᏗ\t-12.5824\nᎷᏅ\t-12.5827\n▁ᏗᏣᎵᏂᎪᎯᏍ\t-12.5836\n▁ᎢᏨᏲᏪᎳᏁᏗ\t-12.5836\nne\t-12.5838\n▁ᏱᏗᏥᎪᏩᏘ\t-12.5839\nᏥᏅᏍᏓᏕᎸᎩ\t-12.5842\nᎠᏐᏢᎢᏍᏗᎭ\t-12.5845\n▁ᎤᏂᏣᏄ\t-12.5849\nᏯᏅᏏ\t-12.5853\nᎾᏕᏋᎯᏍᏗ\t-12.5877\n▁ᎣᎩᏃᎸ\t-12.5879\n▁ᎣᎩᏍᏕᎸᏗ\t-12.5893\nᏗᏛᎲ\t-12.5895\n▁ᎤᏃᏴᎨ\t-12.5916\nᏣᏓᏅᏖᏍᎨᏍᏗ\t-12.5927\nᏓᏅᏖᏗᏍᎨ\t-12.593\n▁ᏧᏂᏅᎢᏍ\t-12.5932\n▁ᎢᏣᏘᏍᏗᏍ\t-12.5935\nᎵᏏᏯ\t-12.5939\nᏥᏙᎵᎩ\t-12.594\n▁ᎡᏣᎵᎮᎵ\t-12.596\n▁ᏚᎾᎳᏑ\t-12.5963\n▁ᏱᏍᎩᏁ\t-12.5968\n▁ᎣᎦᏓᏙᎵᏍ\t-12.5976\n▁ᎠᏥᎪᎵᏰ\t-12.599\n▁ᏕᏥᎦᏔᎲ\t-12.599\nᏓᏣᏛᏂ\t-12.5991\n▁ᏲᎯᏳᎲ\t-12.5996\n▁ᎦᏂᏆᏘᎮ\t-12.5999\n▁ᏓᎦᏥᏴ\t-12.6002\n▁ᎢᏥᏃᎯ\t-12.6006\nᏥᎭᏯᎸ\t-12.6009\nᎦᎴᏅᏔᏅ\t-12.6015\n▁ᏄᎾᏕᏁ\t-12.6022\n▁ᏭᎾᎵᏍᏔ\t-12.603\nᏲᏎᎴᎢ\t-12.6037\nᏎᎵᏙᏔᏁ\t-12.6039\n▁ᏔᏙᎴᎰ\t-12.6049\n▁ᎤᏅᎦᎸᎮ\t-12.6055\n▁ᏱᎾᎩᏪ\t-12.6055\nᎬᏬᎯᏳᎲᏍᎨᎢ\t-12.6057\nᏂᏍᏓᏩᏗᏒᎩ\t-12.6058\nᏤᎲᎩ\t-12.606\n▁ᎢᎦᏠᏯᏍᏙᏗ\t-12.6063\nᎨᏫᏒ\t-12.6068\nᏥᏯᎠ\t-12.607\nᏆᎵᏂᎬᎬ\t-12.6071\n▁ᎢᏨᏯᏅ\t-12.6072\nᏯᏅᎡᏗᏱ\t-12.6078\n▁ᎤᎾᏂᎩ\t-12.6086\nᎾᎦᏌᏯᏍᏗᏕᎩ\t-12.6087\nᎵᎥᏂᎮᏍᏗ\t-12.6091\nᎵᏃᎮ\t-12.6093\nᎶᏏᏙᎮ\t-12.6117\nᏂᎿᎸ\t-12.6126\nᎾᏄᎪᏫᏎᎵ\t-12.6131\nᏮᏕ\t-12.6136\n▁ᏕᎧᏅᏫᏍ\t-12.6136\nᏛᎯᏍᏓ\t-12.6159\n▁ᎢᎩᏅᎦ\t-12.616\n▁ᏰᏙ\t-12.6161\nᏠᏯᏍᏙᏗᏱ\t-12.6176\nᏣᏟᎶᏍᏙᏗ\t-12.6178\nᏤᎵᏍᎪᎢ\t-12.6182\n▁ᎠᏰᏍᏓ\t-12.6195\nᎵᏃᎯᏰᎯ\t-12.6197\nᏂᏲᎵᎴ\t-12.6198\nᏓᎪᏩᏘᏍᎨᎢ\t-12.6213\n▁ᏣᏩᎯ\t-12.6214\n▁ᎡᏣᎸᏉ\t-12.6225\nᏓᏍᏖ\t-12.6228\n▁ᏯᏎ\t-12.6237\nᏄᏴᎸ\t-12.6243\nᎮᏙᎸ\t-12.6245\nᏚᎾᏓᏂᎸᏨ\t-12.6246\n▁ᎨᏥᏚᎢᏍᏓ\t-12.625\n▁ᎢᏥᏄᎪ\t-12.6255\n▁ᏍᎩᏰᎵᏎ\t-12.6256\nᏥᏲᎦ\t-12.6264\nᏲᏏᏌᏅ\t-12.6266\n▁ᎤᎾᎩᎶᏫ\t-12.6266\nᏓᏁᎶᏛᎢ\t-12.6271\nᏓᏬᏍᎪ\t-12.6274\nᏣᏓᏅᏘ\t-12.6281\n▁ᏯᏇᎵᏎ\t-12.6283\n▁ᏑᏓᎵᏉ\t-12.6292\nᎵᎡᎵᏤᎲ\t-12.6293\nᏓᎡᎪᎢ\t-12.6294\n▁ᎾᏂᎦᏔ\t-12.6298\n▁ᏍᎩᏃᏁᏗ\t-12.6301\nᏤᎸᎯ\t-12.6309\nᏯᏗᏒ\t-12.6313\n▁ᏱᏕᎫᎪᏓ\t-12.6324\n▁ᏫᏚᎶ\t-12.6331\nᏚᎢᏍ\t-12.6337\nati\t-12.634\nᎬᏯᏛᏁᎸᎢ\t-12.634\nᎤᎪᎲ\t-12.6352\n▁ᏩᎾᏓᏅ\t-12.6359\nᎰᏎᎴ\t-12.6359\nᏴᏂᎸ\t-12.6364\n▁ᏚᏭᏍ\t-12.6366\nᏯᎸᏎ\t-12.6375\n▁ᏫᎩᏯ\t-12.6375\n▁ᏧᎦᏘᎴ\t-12.6382\nᏛᏓᏍᏓᏁᎸ\t-12.6395\nᏰᎶ\t-12.6417\n▁ᏴᎦᏲᏥ\t-12.6417\nᎬᏩᎶᏔᏅ\t-12.6423\n▁ᏗᎦᏬᏁ\t-12.6423\nᏁᏙᎮᏍᏗ\t-12.6434\nᎩᏲᏍᏙᏗ\t-12.6438\n▁ᏯᏲᏍ\t-12.6453\nᏬᏍᎨᎢ\t-12.6467\n▁ᏗᎨᏧᎪ\t-12.6469\nᏬᎵᏨ\t-12.647\n▁ᎤᎾᎫᏴ\t-12.6474\n▁ᏓᎦᎵᏍᏓᏴ\t-12.648\n▁ᏯᎫ\t-12.6483\nᏙᎳᏅᏍᏗ\t-12.6499\nᏱᎶᎴ\t-12.65\nᏈᎵᏱ\t-12.6501\n▁ᏙᏍᏓᏓ\t-12.6514\nᎩᏯᏪᎦ\t-12.6515\nᏍᏔᏩᏗᏒ\t-12.6516\n▁ᎦᏅᏫᏍᏗᏍ\t-12.652\n▁ᏍᏆᏘᏂ\t-12.6531\nᏚᎵᏍᏓ\t-12.6537\nᏗᎧᎿᏩᏗ\t-12.6538\n▁ᏯᎴᏫᏍᏗᏍ\t-12.6546\n▁ᎠᏥᏄᎪᏫᏒ\t-12.655\nᏐᏢᏔᏅ\t-12.6553\n▁ᏗᏓᏁ\t-12.6554\nᏓᎸᏉᏗᎭ\t-12.6559\nᏪᎧᏁᎴ\t-12.6566\nᏚᏓᏴᏎ\t-12.6567\n▁ᏗᏥᏁᏗ\t-12.6572\nᏥᎪᏩᏔ\t-12.6578\n▁ᏙᏓᎬᏯ\t-12.6579\nᏱᎾᏆᏛᏁ\t-12.6582\nᏥᏔᏲᎸᎩ\t-12.6591\nᎪᎵᎩ\t-12.6605\nᎪᏩᏘᏍᎨ\t-12.6612\n▁ᏧᏲᏍᏙᏗ\t-12.6614\n▁ᎤᏚᎵᏍ\t-12.6617\nᏪᎮᎢ\t-12.6618\nᏟᏂᎬᏁᎴ\t-12.6619\nᎩᏐᏢ\t-12.6627\nᏂᏙᎴᎢ\t-12.6629\n▁ᎤᎾᏚᏓᎴᏍᏗ\t-12.6634\n▁ᎢᎤᏪᏅ\t-12.6642\n▁ᎣᎩᏩᏛ\t-12.6649\nᏁᏤᎭ\t-12.6654\nᏌᎴᏒ\t-12.6656\nᎦᎩᏳ\t-12.668\n▁ᏓᏣᏄᎪ\t-12.6687\nᏗᏥᏯᏪ\t-12.6696\nᎵᏰᎢ\t-12.6701\n▁ᏫᎫᏓ\t-12.6707\nᎵᏍᏚᎢᏎᎢ\t-12.6709\n▁ᎬᏩᏓᏅᎡ\t-12.671\nᏍᎫᏕᏍᏗᏱ\t-12.671\nᎪᏫᏍᎪ\t-12.6714\nᏲᏍᎦ\t-12.6719\nᏗᏔᏍᏓ\t-12.672\nᎡᏏᎩᏃ\t-12.6728\n▁ᏛᎯ\t-12.6733\nᏍᏚᏟᏍᏔᏅ\t-12.6767\nᏂᏂᏒᎩ\t-12.6768\n▁ᎢᎩᎨᏳᎯ\t-12.6775\n▁ᎧᏁᎢᏍᏙᏗ\t-12.6783\n▁ᎤᏍᎦᏅ\t-12.6794\n▁ᎣᎦᏢᏈ\t-12.6795\nᎾᏑᎩᏍ\t-12.6804\n▁ᏱᎦᏓᏙ\t-12.6812\nᎦᎾᏄᎪᎬ\t-12.6817\nᏍᏓᏱᏕᎴ\t-12.6818\n▁ᎤᎪᎵᏰᏍᎬ\t-12.682\n▁ᎬᏩᏁᏤ\t-12.6826\nᏰᏍᏛᏁ\t-12.683\n▁ᎦᏕᎶᎣ\t-12.6835\n▁ᎠᏥᏁᎮ\t-12.6838\n▁ᏱᏂᎦᏛ\t-12.684\n▁ᏕᏣᏘᏃ\t-12.6841\nᏨᏰᎳᏗᏙᎭ\t-12.6847\nᎨᏓᎵᏰ\t-12.6853\n▁ᏚᏒᎭᏂ\t-12.6865\nᏂᏱᏍᎪ\t-12.6867\nᎵᏥᏙᏂᏙᎸᎭ\t-12.6873\n▁ᎢᎫᏓᎴ\t-12.6889\n▁ᏳᎾᏓᏅᏖ\t-12.69\n▁ᏙᎩᎩᏨ\t-12.69\nᏬᏍᏔᏂ\t-12.69\nᏯᎵᏍᎦᏍᏙᏗᎭ\t-12.6901\n▁ᎡᏥᏬ\t-12.6903\nᎦᏎᏙᏗ\t-12.6903\n▁ᏧᏕᏁ\t-12.6904\nᏤᎷᎩ\t-12.6906\n▁ᎤᎾᎵᏥᏙᏁ\t-12.6914\nᎾᎵᏍᏕᎸᏙᏗ\t-12.6918\n▁ᏭᏂᏩᏛ\t-12.692\n▁ᏚᏲᏒ\t-12.6927\n▁ᏗᎨᏣᏓᏂᎸ\t-12.6933\n▁ᏧᏠᎠᏎ\t-12.6951\n▁ᏭᎾᏕ\t-12.6951\n▁ᎤᎾᎪᎲᏍ\t-12.6953\nᎦᎾᎨ\t-12.6964\n▁ᎣᏥᏍᏗᏰ\t-12.6965\n▁ᏗᏛᏅᎢᏍᏔᏅ\t-12.6978\nᏍᎩᎧᏏ\t-12.6982\nᏩᏛᏁᎸᎢ\t-12.6993\nᏲᎱ\t-12.6996\nᏔᏍᎩᏎ\t-12.6998\nᏲᎯᏎᎲ\t-12.6999\n▁ᎠᏋᎨ\t-12.7001\nᏚᎢᏍᏓᏁᎸ\t-12.7002\n▁ᏓᏌᏬᎢ\t-12.7009\nᎩᏂᏴᏛ\t-12.7009\nᎪᏓᏏ\t-12.7041\n▁ᏥᎶᏒ\t-12.7042\nᏤᏙᎵᏙᎮ\t-12.7043\n▁ᏚᏍᏕᎸᎮ\t-12.7043\nᎪᏫ\t-12.7046\n▁ᏫᏚᏘᏅᏍᏔᏁ\t-12.7047\nᏲᎰᏏ\t-12.7048\n▁ᎡᏣᎵᏥᏙᏁ\t-12.7058\nᏣᏛᏂ\t-12.706\nᏗᎦᏘᎸᏍᏗ\t-12.7061\n▁ᎠᏆᏦᏩ\t-12.7066\nᏓᏅᎩᎶ\t-12.7069\nᏙᏗᏱᏉ\t-12.7074\n▁ᎦᏓᏅᏖᏍ\t-12.7077\n▁ᏥᏣᏚᎵ\t-12.7105\nᏂᏏᏅᏒ\t-12.7106\nᏂᏰᎸᎭ\t-12.7114\nᏣᏗᏍᏓᏁ\t-12.7114\nᏅᏫᏍᏔᏅ\t-12.7125\n▁ᎢᏥᏍᎦᏃ\t-12.7127\nᏗᏲᎪ\t-12.7131\nᎦᏙᎲ\t-12.714\n▁ᎠᏆᏅ\t-12.7143\nᏓᏅᏖᏍᎬ\t-12.7145\n▁ᎢᏥᎧᎵᎢᏍᏗ\t-12.7153\nᏗᏯᏂ\t-12.7154\nᎷᏤᎮᏍᏗ\t-12.7157\n▁ᎤᏪᎳᏗ\t-12.7157\n▁ᎠᏥᏲ\t-12.7162\n▁ᏧᏘᏅᏍᏗ\t-12.7184\nᏣᏯᎠ\t-12.7187\nᏥᏲᏎᎵ\t-12.719\nᎨᎲᏎ\t-12.719\n▁ᏥᎮ\t-12.7191\nᏯᏙᎮᎮ\t-12.72\nᎾᎵᏍᏓᏴᎯ\t-12.7202\nᏥᏄᎪᏫᏍᎦ\t-12.7205\n▁ᏱᏙᎦᏓᏂᎸ\t-12.7206\n▁ᎢᎨᏣ\t-12.7213\nᏠᎸ\t-12.7223\n▁ᏧᎳᏑ\t-12.7224\nᏢᎾᏁᎸᎯ\t-12.7232\n▁ᎣᎩᏂᏲ\t-12.7242\nᏍᏓᏱᏕᎸ\t-12.7245\nᏪᏎᎲᎢ\t-12.7245\nᏙᏪᎳᏁ\t-12.7247\n▁ᏕᏓ\t-12.7255\nᏂᎨᏎ\t-12.7271\nᏔᏬᏙ\t-12.728\nᏙᏍᏙ\t-12.7283\n▁ᎠᏂᏅᏫᏍᏗᏍ\t-12.7293\n▁ᎤᏂᎦᎵᏍᏓᏗᏍ\t-12.7294\nᏓᎵᎪᏁ\t-12.7297\n▁ᎤᏩᎨᏫᏒ\t-12.7301\n▁ᏥᎦᏡ\t-12.7307\nᏬᏣᎳ\t-12.7313\nᏣᏄᏬᏍᏓ\t-12.7319\n▁ᏗᏐᏈ\t-12.7328\n▁ᏥᏤᏙ\t-12.7332\nᏂᏴᎮ\t-12.736\nᏂᎦᏯᎷᏗ\t-12.7361\nᏗᏕᏂ\t-12.7366\n▁ᎬᏩᏍᎪᏂ\t-12.7368\nᏍᏓᏩᏗᏎᎢ\t-12.7368\nᎵᎬᏚᎳᏁ\t-12.7368\n▁ᏗᎦᏖ\t-12.7377\nᎦᎾᏄᎪᏫᏍᎦ\t-12.7387\n▁ᏚᎾᎧᎾ\t-12.7394\n▁ᎦᏥᎥ\t-12.7395\nᎬᏩᏛᏛᏗ\t-12.7395\nᎩᎩᎵᏲ\t-12.7403\n▁ᏙᏛᏘᏂ\t-12.7411\nᎬᏋᏁᏗᏱ\t-12.7424\n▁ᎡᏣᏯᏅ\t-12.7425\nᏥᏍᏆᏂᎪᏔᏅ\t-12.7427\n▁ᏫᎫᏩ\t-12.7428\n▁ᏳᏙᎯᏳ\t-12.7429\nᎩᏏᏙᎮ\t-12.7433\nᏥᎸᏍᎬ\t-12.7437\nᎩᎧᎲ\t-12.7446\nᎾᏣᎢᏎᎢ\t-12.7453\n▁ᏕᎭᏘ\t-12.7454\n▁ᎠᏥᎩᎵᏲᎢᏍᏙᏗ\t-12.7458\nᏛᎯᏍᏗᏍᎨ\t-12.7459\nᏙᎸᎯ\t-12.7461\nᏂᎧᏅ\t-12.7462\n▁ᎤᏕᏁ\t-12.7463\n▁ᎤᏂᏲᎢᏎ\t-12.7465\n▁ᎤᎾᏓᎸᏉᏗ\t-12.7471\n▁ᎤᏂᏄᎪᏫᏒ\t-12.7484\nᎵᏥᏙᎲᏍᎩ\t-12.7503\n▁ᏧᏂᏍᏕᎸ\t-12.7504\n▁ᏧᎳᏁᎸ\t-12.7507\nᎵᏰᎡ\t-12.7507\nᏯᏛᏅᎢᏍᏓ\t-12.7508\nᏓᏙᎵᏍᏗᏍᎪᎢ\t-12.7509\n▁ᎢᏥᎪᏩᏛᏗ\t-12.7513\nᎴᏫᏍᏔᏁᎴ\t-12.7515\nᏓᏫᏔᏅ\t-12.7515\nᏣᏛᏁᎭ\t-12.7522\nᏲᏪᎳᏏ\t-12.7523\n▁ᎬᏩᏄᎪᏤ\t-12.7527\n▁ᏥᏂᎬᏁ\t-12.7527\n▁ᏚᏍᏚ\t-12.7529\n▁ᎣᎩᏲᎰᏎ\t-12.753\nre\t-12.7534\n▁ᎤᏯᏪᏐᎸ\t-12.7534\n▁ᎠᏆᏛᏁᎸ\t-12.7544\n▁ᎤᏂᏃᏴ\t-12.7547\n▁ᎾᏆᎵᏂᎬ\t-12.7558\nᎵᏙᎲ\t-12.757\n▁ᎤᏍᎪᎵᏰ\t-12.7575\n▁ᎠᏥᏁᎰ\t-12.758\n▁ᏗᏥᏲ\t-12.7583\n▁ᎤᎾᎦᏌᏯᏍ\t-12.7588\nᏠᏯᏍᏗ\t-12.7588\n▁ᎬᎩᏢ\t-12.7603\n▁ᏧᎧᎵᏨ\t-12.7605\nᎾᏏᏂᏎᎢ\t-12.7607\n▁ᎢᏣᏙᎴᎰᏍ\t-12.761\nᏃᎯᏳᎲ\t-12.7636\nᏓᎢᏅ\t-12.7639\n▁ᎠᏥᎾᏗᏅ\t-12.7645\n▁ᎬᏩᏁᏁ\t-12.7646\nᏄᎪᎢᏍᏗ\t-12.7653\n▁ᎦᏅᎪ\t-12.7654\n▁ᏳᏓᎵ\t-12.7655\nᎾᎵᎪᏁ\t-12.7671\nᏘᏂᏓᏍᏗ\t-12.7672\nᏦᏪᎵᏍ\t-12.7685\nᎯᏎᏗᏱ\t-12.7687\n▁ᎠᎾᏓᏙᎵᏍᏗᏍ\t-12.7691\n▁ᎠᏐᏩ\t-12.77\nᎪᎵᏰᎥᎩ\t-12.7705\nᏓᏛᏁᎲ\t-12.7706\nᏎᎵᏓᏁᎸ\t-12.7707\nᎾᏛᏁᎲᎾ\t-12.7708\nᏫᏛᎲᎭ\t-12.7709\n▁ᏦᏣ\t-12.7714\n▁ᏓᏯᏙᎮ\t-12.7717\n▁ᎤᎪᎵᏰᏍᎨ\t-12.7718\nᏣᎫᏴᎡᏗ\t-12.7719\nᎵᏍᏙᏰᎲ\t-12.7722\nᎾᏓᏘᎾᎥ\t-12.7725\n▁ᏚᏂᏬᏂ\t-12.7729\n▁ᎠᎴᏫᏍᏘᏍ\t-12.773\nᏩᏥᏍᏓ\t-12.7734\n▁ᏣᎫᏴᎡ\t-12.7736\nᎵᏖᎸᏂ\t-12.7737\nᎵᎶᎲᏍᎦ\t-12.7748\n▁ᎠᏕᎶᎰᎯᏍ\t-12.7749\nᎪᎡᎸ\t-12.7749\n▁ᏱᏭᏂᎷ\t-12.775\n▁ᏕᏣᎧᏂᏍ\t-12.775\nᎵᏍᎦᏍᏙᏗᏍᎩ\t-12.776\nᏪᏘᎸᎯ\t-12.7761\nᏓᏳᏂᎶᏒᎯ\t-12.7769\nᏄᏪ\t-12.7775\n▁ᎢᏲᎬ\t-12.7788\n▁ᏓᎾᏕᎰ\t-12.7788\n▁ᎤᎦᏙᎥᎯᏍ\t-12.779\n▁ᎤᏰᏙᎳ\t-12.7799\nᎧᎵᎴ\t-12.7799\n▁ᏓᏋᏂ\t-12.78\n▁ᏓᎵ\t-12.7804\nᏗᏧᎬᎢ\t-12.7805\nᎦᏅᏗᏱ\t-12.7808\n▁ᏣᏓᏙᎵᏍ\t-12.7808\n▁ᎠᏒᏂᎮ\t-12.7812\n▁ᎤᏂᏍᏓᏱ\t-12.7812\nᏚᎸᎲᎩ\t-12.7818\n▁ᏕᎨᎦᏬ\t-12.783\n▁ᏣᏙᎴᎰᎯᏍ\t-12.7836\nᏍᏘᏰᎬ\t-12.7837\n▁ᎯᏟᏏ\t-12.784\nᏚᏒᏁᎢ\t-12.7845\n▁ᎠᏂᏌᏛᎥᏍ\t-12.7852\nᏄᏪᏍᏗ\t-12.7873\nᎧᏲ\t-12.7876\nᎬᏩᏙᏢ\t-12.7886\nᏩᎾᏛᏁᏗ\t-12.789\n▁ᏂᎦᎵᏍ\t-12.7893\n▁ᎣᏥᏁᎢᏍᏗ\t-12.7896\nᏥᏃᏁᏗᏱ\t-12.7901\n▁ᏥᏨᏯᎵᏥᏙᏁ\t-12.7914\n▁ᏚᏍᏕᎸ\t-12.7917\nᏅᏩᏍᏛᏉ\t-12.7926\n▁ᎦᏥᏲᎢᏳᏓᏁ\t-12.7927\n▁ᎨᏥᏐᏅ\t-12.7934\n▁ᎡᏥᎷᏥ\t-12.7937\nᎵᏤᏗᏱ\t-12.7937\nᏰᏎᎢ\t-12.7951\nᏢᏔᏍᏗ\t-12.7957\nᏣᎵᏂᎪᎯᏍᏓ\t-12.7958\n▁ᎠᏂᎩᎵᏲᏥᏙ\t-12.7959\nᏁᎢᏍᏓᏏ\t-12.7966\n▁ᎣᏣᎴᏂ\t-12.7969\n▁ᎠᏓᏅᏖ\t-12.7972\nᎩᏐᏢᎢᏍᏙᏗᏱ\t-12.798\n▁ᎠᏂᏌᏆᎴ\t-12.7982\nᎶᏄᎡ\t-12.7985\n▁ᎭᎴᏂᏙ\t-12.7986\nᏐᏅᏰᎵ\t-12.7991\n▁ᎤᏣᎳ\t-12.7995\nᎸᏉᏗᏍᎪ\t-12.8009\n▁ᏄᎾᎵᏍᏓᏁ\t-12.801\n▁ᏥᏔᏲᏎ\t-12.8012\n▁ᎠᏆᏕᎰ\t-12.8023\nᏍᎦᏅᏤᎸ\t-12.8026\nᏓᏣᎵᏍᏔᏂ\t-12.8037\n▁ᏓᏂᎦᏔᎲᏍ\t-12.8046\nᏍᎫᏕᏒᎩ\t-12.8054\n▁ᏂᏓᎾᏛ\t-12.8059\nᏳᏖᏍ\t-12.8062\nᎲᏍ\t-12.8067\nᏣᏓᏁᎮᏍᏗ\t-12.8076\n▁ᏱᏓᎧᎿᏩᏕ\t-12.8076\n▁ᏗᏥᏚ\t-12.8087\nᎤᎨᏳᎭ\t-12.8089\nᏑᏴᎥᏍ\t-12.8097\nᏄᎪᏨᎭ\t-12.811\n▁ᏕᎦᎫ\t-12.8111\n▁ᏍᎩᎩᎵᏲᎢᏍ\t-12.8112\nᏬᏂᏍᎩ\t-12.8113\nᎳᏗᏍᏛ\t-12.8124\nᏥᏱᎵᏙ\t-12.8128\nᏁᎢᏍᏙᏗᏱ\t-12.8134\nᎵᏌᎳᏗ\t-12.8135\nᏍᎦᏅᎦ\t-12.8152\nᎦᎵᏍᏙᏓ\t-12.8157\nᏂᎭᎷᎩᏍ\t-12.8158\n▁ᎠᏇᏙ\t-12.8159\nᎪᎲᏍᏓ\t-12.8167\n▁ᎢᏥᎾᏰ\t-12.8169\n▁ᏚᎨᎯᏙ\t-12.817\nᎾᏂᏍᎬ\t-12.8173\nᎠᏏᎳᏛ\t-12.8181\n▁ᏘᏂᏣ\t-12.8182\n▁ᏚᎾᏗᏩ\t-12.8189\nᏯᏍᏔᏁ\t-12.819\nᎠᏂᎲᏍᎨᏍᏗ\t-12.8202\nᏥᎦᏔᎰ\t-12.8206\n▁ᎥᎪᎩᏔᏲᏎ\t-12.8208\nᎾᏛᏛᏁᎢ\t-12.8214\nᏉᏌ\t-12.8215\nᏂᏯᎡᎢ\t-12.822\nᎿᎸᏒᎢ\t-12.8222\n▁ᎤᏂᎧᎵᎢᏍ\t-12.8226\nᏓᏙᎵᏍᏓᏁᎵ\t-12.8228\n▁ᏩᎩᏍ\t-12.824\nᏛᏍᏆᎸᎯ\t-12.8241\nᏤᏙᎸᎯ\t-12.8241\nᏛᏅᎢᏍᏓᏁᎴ\t-12.8245\n▁ᎦᏥᏍᏕᎸ\t-12.8253\nᏥᎦᏔᎲᎢ\t-12.8256\n▁ᎤᏂᎶᏄᎮ\t-12.8259\n▁ᏧᎾᏛᎯᏍ\t-12.8259\n▁ᏫᏓᎾᏓ\t-12.8261\n▁ᏥᏚᏲ\t-12.8263\nᏚᏎᎪᎩᏎ\t-12.8265\n▁ᏱᎪᏪ\t-12.8266\n▁ᎦᎵᏬ\t-12.8267\nᏚᎸᏫᏍᏓᏁᎲᎩ\t-12.8271\nᏥᏂᏴ\t-12.8276\nᏎᎪᎩᏏ\t-12.8283\nᏛᏓᏍᏓᏁᎴ\t-12.8288\nᏗᎷᏨ\t-12.8291\nᏚᎪᏔᏅ\t-12.8295\nᏣᎵᏂᎩᏗᏳ\t-12.83\nᏂᎸᏫᏍᏓᏁᎲᎢ\t-12.8303\nᏪᏎᎸ\t-12.8306\nᏙᎯᏳᏅᎩ\t-12.8325\nᏣᎵᏍᎦᏍᏙᏛ\t-12.8339\n▁ᏚᏩᏍᎦ\t-12.8341\nᏘᏃᎴᎢ\t-12.8346\n▁ᎬᏩᏍᏆᏂᎪᏙᏗ\t-12.8346\nᏍᏓᏛᏁᎸ\t-12.8347\n▁ᏍᎩᏰᎸ\t-12.8347\nᏛᏅᎢᏍᏔᎾ\t-12.8354\nᏩᏕᎦ\t-12.8374\nᏕᏯᏙ\t-12.8378\nᏌᏙᏱᏍ\t-12.8384\n▁ᏫᎦᏓᏙᎵᏍ\t-12.8386\nᎵᏬᏥᏕᎾ\t-12.8386\nto\t-12.8398\n▁ᏱᎦᏔᎮ\t-12.8404\nᏥᎳᏅᏓᏕ\t-12.8408\nᏯᏴᎭ\t-12.8411\nᏓᏔᎶᏒ\t-12.8421\n▁ᏣᎦᎸᏍ\t-12.8428\nᏥᎩᎵᏲᎢᏍᏙᏗᏱ\t-12.8433\n▁ᏳᎾᏕ\t-12.844\nen\t-12.8441\nᎸᏉᏗᏍᎬ\t-12.8453\n▁ᏫᏗᎷ\t-12.8478\n▁ᎤᏂᏍᎪᏂ\t-12.8484\n▁ᎤᏟᏫᏛ\t-12.8485\nᎵᎪᏁᎴ\t-12.8486\nᎦᏘᏗᏍᏓᏁᎸ\t-12.8493\nᎶᏕᏍᏗ\t-12.8497\nᏟᏌᏅᎯ\t-12.8503\n▁ᏂᏚᏭᎪᏔ\t-12.8503\n▁ᎦᏁᏟᏴᏍ\t-12.8514\n▁ᏯᏓᏁ\t-12.8527\n▁ᎤᏌᎵᏓ\t-12.8536\n▁ᏥᏥᎷ\t-12.8537\n▁ᏣᎸᏉ\t-12.854\nᎦᏚᎲ\t-12.8541\nᎶᏍᎨ\t-12.8542\n▁ᎢᏓᏓᏁ\t-12.8547\nᏥᏍᏈᏍ\t-12.8548\nᏕᎶᎰᏒ\t-12.855\n▁ᏓᏓᏅ\t-12.8556\nᎦᎴᏙᏗ\t-12.8558\nᎦᏔᎲᏍᎨᏍᏗ\t-12.8561\nᏓᏅᏖᎵᏙᎲᎢ\t-12.8564\n▁ᏥᏂᏆᏘ\t-12.8565\n▁ᎤᏂᎸᏉᏙ\t-12.8567\nᏒᏍᏗᏍᎬ\t-12.8577\n▁ᎠᎵᏍᏆ\t-12.8585\nᏍᎦᎸᎦ\t-12.8601\nᏟᏃᎮᏔᏅ\t-12.8605\n▁ᎠᏂᎾᏰᏍᎨ\t-12.861\nᎣᎯᏍᏗ\t-12.8611\nᏚᏏᏔᏕᎢ\t-12.8611\n▁ᏥᏕᎦᏕᏲ\t-12.8617\nᏂᎷᏆᏗᏅ\t-12.8617\nᏯᏏᏔᏛ\t-12.8618\n▁ᏱᏣᏛᎦᏁ\t-12.8619\nᏠᎰ\t-12.8623\nᏚᎩᏍᏗᏱ\t-12.8625\n▁ᏚᏩᏂ\t-12.8634\nᏥᎷᎦ\t-12.8637\nᏆᏂᏲᏍᏗ\t-12.8651\n▁ᏳᎷᏥ\t-12.866\n▁ᏕᏥᎸᏫᏍᏓ\t-12.8662\nᎦᏘᎴᎬ\t-12.8665\n▁ᏥᏂᏪ\t-12.8666\nᏚᏯᏙᎮᎸ\t-12.8668\nᏓᏃᏴᎵᏍᏛ\t-12.8669\n▁ᎨᏥᏃᎮ\t-12.8671\nᏓᏂᎸᎪ\t-12.8676\nᏥᏳᎪᏓᏁᎰᎢ\t-12.8676\nᏍᎩᏰᎳ\t-12.8685\nᏕᎶᏆ\t-12.869\n▁ᎤᏂᏍᏆᏗᏍ\t-12.87\nᏥᏯᏚᏓᎳ\t-12.8704\n▁ᎠᏆᏕᎶᏆ\t-12.8704\nᎦᏘᏅᏍᏗ\t-12.8707\nᏙᎴᎰᎯ\t-12.872\n▁ᏅᏗᎦᎵ\t-12.8721\nᏓᏄᏴᏛ\t-12.8724\nᎩᏅᏒᎯ\t-12.8725\n▁ᎦᏅᏓᏗ\t-12.8728\nᏓᎦᏓᏂᎸᎪ\t-12.8732\nᏂᏁᎦᎸ\t-12.8735\nᎦᏐᎠᏒ\t-12.874\nᎦᏌᏯᏍᏔᏅ\t-12.8746\n▁ᏓᎦᎸᏍ\t-12.8755\n▁ᎠᏆᏛᎪ\t-12.8756\nᏠᎯᏍᏔᏅ\t-12.8757\nᏬᏁᏗᏍᎨᏍᏗ\t-12.876\n▁ᏓᎦᏥᏁ\t-12.877\nᏅᏤ\t-12.8783\nᏂᎨᏨᎿᏕ\t-12.8791\nᏍᏛᏗᏍᏙᏗ\t-12.8791\nᏄᎪᏫᏍᏗ\t-12.8797\n▁ᏱᏕᏥ\t-12.8807\n▁ᎬᏩᏔᏲᏎ\t-12.8812\nᎵᏦᏔᏅᎩ\t-12.8814\n▁ᏣᎦᏓᏂᎸ\t-12.8819\n▁ᏱᎦᎵᏍ\t-12.882\n▁ᏱᏄᏅ\t-12.8824\nᏤᏗᏱ\t-12.8827\nᏍᏓᏩᏙᎸᎯ\t-12.8833\n▁ᏓᏣᏓᏅ\t-12.8836\nᏕᏦᏁ\t-12.8837\nᏖᎳᏗᏍᏗ\t-12.8841\n▁ᎥᎨᏥ\t-12.8846\nᏂᏯᎥᎢ\t-12.8846\nᎭᏄᏮ\t-12.8849\n▁ᎲᏲ\t-12.8858\nᏛᏔᏂᎸ\t-12.8861\nᎧᎿᏩᏕᎬ\t-12.8866\n▁ᎤᎾᎵᏍᎦᏍᏙᏔ\t-12.887\n▁ᎢᏗᏩᏛ\t-12.8872\nᏰᎶᎸ\t-12.888\nᏥᎩᎵᏲᎢᏍᏗᏍᎩ\t-12.8882\n▁ᏱᎦᎷᏤ\t-12.8905\nᎾᏛᏁᎢ\t-12.8907\nᎬᏚᎢᏍᏓ\t-12.8908\nᏔᏛᎦ\t-12.8914\nᎾᎯᏳ\t-12.8922\nᏤᎸᏍᎩ\t-12.8938\nᏣᎪᏩᏛᏗ\t-12.8939\n▁ᎢᏨᏯᎦᏔ\t-12.894\n▁ᎠᏂᎳᎨ\t-12.8941\nᏣᎪᎳ\t-12.8943\nᎢᏐᏃ\t-12.8944\nᎵᏥᏙᏁ\t-12.8946\nᏗᏥᏍᏕᎸᏗ\t-12.8947\nᏓᎴᎲᏍᎪᎢ\t-12.8948\nᏓᏴᎳᏔ\t-12.8949\n▁ᎤᏁᏢᏔᏅ\t-12.8955\nᏚᏓᎴᏍᏗ\t-12.8959\n▁ᎢᏣᏓᏁ\t-12.8961\nᏣᏛᎿᏗ\t-12.8965\nᎴᏅᏙᏗ\t-12.8967\nᏕᎨᎦᎸᎥ\t-12.8971\nᏓᏙᎵᏍᏓᏁᏗᏱ\t-12.8975\n▁ᎤᏗᎦᎵᏍᏙ\t-12.8975\nᎵᎪᏁᏗᏱ\t-12.8978\n▁ᏕᎫᎪᏓ\t-12.898\nᏃᎯᏳᏅ\t-12.8982\n▁ᏚᏂᏯᎸ\t-12.8985\n▁ᏣᎧᎵᏨ\t-12.8997\nᎸᏉᏔᏅ\t-12.8997\nᏍᏓᏩᏗᏙᎮ\t-12.8998\nᎵᏔᏗ\t-12.9\nᎫᏴᏓᏏ\t-12.9003\nᎩᎵᏲᎢᏍ\t-12.9004\nᎯᏌᎹ\t-12.9013\n▁ᎠᏓᎸᏉᏗ\t-12.9013\nᏙᎵᏥ\t-12.9013\n▁ᏚᏂᏩᏛ\t-12.9014\nᎤᏄᎪᏤᏃ\t-12.9018\n▁ᎤᏂᎾᎷ\t-12.9018\n▁ᏍᎩᏁᎢᏍ\t-12.902\n▁ᎣᏥᏔᏲᎯ\t-12.9023\nᏍᎬᏓᎨ\t-12.903\nᎵᎪᏁᎸ\t-12.9032\nᏍᏔᏴᎲᏍᎩ\t-12.9035\n▁ᎧᏁᏤ\t-12.9036\n▁ᏚᎨᏩ\t-12.9037\n▁ᏱᏂᏴ\t-12.904\nᏍᏚᏗᏱ\t-12.904\nᏠᏱᎮᏍᏗ\t-12.9044\n▁ᏥᎾᏌ\t-12.9044\n▁ᏗᏓᎴᎲᏍ\t-12.9047\nᎷᎬᏒ\t-12.9055\nᏳᏫᏯ\t-12.9057\n▁ᎭᏗᏔᏍ\t-12.9069\n▁ᎠᏍᏆᏂᎪ\t-12.9069\n▁ᏚᏠ\t-12.9071\nᎯᏙᎸᎢ\t-12.9072\nᎳᏫᎢᏍᏗᏱ\t-12.9074\nᏌᏙᏴ\t-12.9078\nᏏᎳᏛᎥᎦ\t-12.9079\n▁ᏥᎦᏖᏃ\t-12.9088\n▁ᏍᎩᎪᏩᏘᏍ\t-12.9095\nᏙᎩᏯᏍ\t-12.9102\n▁ᏘᎧᎿᏩ\t-12.9103\n▁ᎨᏍᎩᏐᏢ\t-12.9103\n▁ᎢᏣᏚᏓ\t-12.9105\nᏂᎳᎨᏴᎢ\t-12.9109\n▁ᏱᏙᎨᏣ\t-12.9117\n▁ᏗᏥᎧᎿᏩ\t-12.9118\nᏗᏤᎵᏎ\t-12.9121\nᎵᏴᏍᎪᏳ\t-12.9121\n▁ᏂᏓᏍᎦ\t-12.9128\nᎤᎾᏨᏎᎢ\t-12.913\n▁ᏧᏲᏍᏙ\t-12.9142\n▁ᏕᏥᎪᏩ\t-12.9144\nᏃᎯᏳᎲᏍᎪ\t-12.9148\nᎦᏓᎢᏅᏒᎩ\t-12.9151\n▁ᏗᏍᏆᏂᎪ\t-12.9159\nᏙᎾᎥᎩ\t-12.916\n▁ᎢᏗᏍᎦᎾ\t-12.9162\nᏙᏢᏒ\t-12.9166\n▁ᎠᏆᏗᏍᎦ\t-12.9174\nᏛᎴᏫᏍᏔ\t-12.92\n▁ᏧᏂᏲᎯᏍᏗ\t-12.9205\nᎨᏅᏗᏍᏗ\t-12.9206\n▁ᏧᎾᏄᎪᏫᏍᏗ\t-12.9208\nᏪᏛᏨ\t-12.9226\nᏂᏴᎸᎩ\t-12.9231\n▁ᎠᏂᎾᏏᏂ\t-12.9242\nᏴᏔᏂ\t-12.9253\n▁ᏥᎾᎬ\t-12.9253\nᏌᎳᏗᏍᎨᏍᏗ\t-12.9261\nᎧᏲᏙ\t-12.9263\n▁ᏯᏋ\t-12.9265\n▁ᎠᏰᎮ\t-12.9267\n▁ᏚᏂᎨᏳ\t-12.9279\n▁ᎯᏂᏓ\t-12.9282\n▁ᎢᏣᏟᏂᎬ\t-12.9285\nᎪᏑᎴ\t-12.9288\nᎦᏰᏧ\t-12.9288\nᏩᏂᎦᎶ\t-12.9289\n▁ᎤᏂᏂᎬ\t-12.929\n▁ᎡᏣᏓᏙᎵᏍᏓ\t-12.9292\n▁ᏧᎾᏂᏏ\t-12.9296\n▁ᎭᎵᏍᎪᎸᏓ\t-12.9301\n▁ᎤᏓᏅᏓᏗ\t-12.9305\n▁ᎤᏰᎢᎵ\t-12.9312\nᎵᏍᏘᏍᎬ\t-12.9318\nᎷᏴ\t-12.9321\nᏥᎶᏒᏍᏓ\t-12.9324\nᎩᏯᏅᎡᎸᎩ\t-12.9324\nᎦᏑᏴᏛ\t-12.9332\n▁ᏓᎦᏙᎴᎣ\t-12.9341\n▁ᎨᎩᏃᎮ\t-12.9346\nᏃᎯᎵᏙ\t-12.9351\nᏓᎴᎲᏍᎬᎩ\t-12.9352\nᏠᎯᏍᏛ\t-12.9371\n▁ᏓᎾᏠ\t-12.9374\n▁ᎠᎾᏓᏏᏂ\t-12.9392\nᏏᎾᎯ\t-12.9397\nᏬᏪᎳ\t-12.9397\n▁ᎠᏉᏚ\t-12.9401\n▁ᏓᏂᏰ\t-12.9401\nᎬᏩᎵᏖᎸ\t-12.9401\nᏂᎳᎨᏯᏛ\t-12.9406\n▁ᏫᏂᎦᎵᏍ\t-12.9407\nᏆᏅᏓᏛ\t-12.9411\nᎩᎵᏲᎢᏍᏗᏍᎬ\t-12.9412\n▁ᎢᎩᎪᏩᏛ\t-12.9419\nᏚᏬ\t-12.9428\n▁ᏧᎾᏓᏲ\t-12.9431\nᎤᎶᏎᎢ\t-12.9446\nᏕᏯᏔᏁᎮᏍᏗ\t-12.9456\nᏅᏓᏕ\t-12.9459\nᎷᎸᏁᎴ\t-12.9466\nᏥᎷᏥᏏ\t-12.9467\n▁ᏭᏃᎮ\t-12.9469\n▁ᎤᏃᏁᏗ\t-12.9472\n▁ᎢᎦᏚᎸ\t-12.9477\n▁ᏗᏍᏆᏓᏂᎸ\t-12.9478\n▁ᎢᎬᏩᎵᏍ\t-12.9481\nᏯᏙᎯᎲ\t-12.9484\nar\t-12.9486\nᎪᎳᏗᏴ\t-12.9489\nos\t-12.949\n▁ᏓᎦᎾᏬᏍ\t-12.9491\nᏟᏐᏗ\t-12.9491\nᎧᎵᏍᏓᏗᏍ\t-12.9501\nᎤᏙᎯᏳᎯᏍᎪ\t-12.9502\nᏁᏉᏤ\t-12.9503\nᎾᏙᎳᏍᏗᏍ\t-12.9504\nᎧᏁᎮᏍᏗ\t-12.9507\n▁ᎤᎾᎵᏍᏓᏴᏂ\t-12.9508\n▁ᏱᏥᎵᏓᏍ\t-12.9509\n▁ᎠᎦᏬ\t-12.9514\n▁ᏫᏚᏄ\t-12.9517\nᎪᏙᎯᏍᏔᏂ\t-12.952\nᎦᎸᏍᏙᏗᏱ\t-12.9521\nᎾᏡᏗᏍᎩ\t-12.9521\nᎪᏁᎶ\t-12.9527\n▁ᏥᏂᏣ\t-12.9528\n▁ᏭᏩᎫ\t-12.953\nᏓᏱᎮᏍᏗ\t-12.9536\n▁ᏳᎦᏔ\t-12.9537\nᎪᏢᏅᎯ\t-12.9538\nᏬᏢᏁ\t-12.9543\n▁ᎠᏆᎵᏥᏙ\t-12.9545\nᏘᎸᏉᏙ\t-12.955\nᎦᏙᏍᏛ\t-12.955\nᏐᏢᏙᏗᏱ\t-12.9554\n▁ᎤᏕᏘᏴ\t-12.9556\n▁ᎤᏍᏓᏩᏛ\t-12.9558\nᏳᏍᏈᏛ\t-12.9559\nᎧᏂᏍᎨ\t-12.9559\n▁ᎠᎵᏃᎮᏗᏍᎨ\t-12.956\n▁ᏓᏍᎦᎢ\t-12.9564\n▁ᏄᏰᎸ\t-12.9566\n▁ᎠᏂᎪᏩᏘᏍ\t-12.9567\n▁ᏱᏗᎫᎪ\t-12.9567\n▁ᎯᏯᏒᏂ\t-12.9569\n▁ᏣᎧᏔᎮ\t-12.9571\nᏜᏅᏓᏗᏍᎨ\t-12.9575\nᎵᏂᎪᏎᎢ\t-12.9577\nᎭᏓᏅᏖᏍᎬᎢ\t-12.9581\nᏁᎢᏍᏗᏍᎨᏍᏗ\t-12.9582\n▁ᎤᏓᏙᎵᏍᏙᏗ\t-12.9586\nᏔᎶᏒ\t-12.9588\nᎵᏗᏒᏂᎮ\t-12.9594\nᏗᏔᎲ\t-12.9602\n▁ᎬᎩᎦᎵᏍᏓᏗᏍ\t-12.9604\nᏚᏕᎢ\t-12.9606\nᏓᎵᏁᎯᏕᏗ\t-12.961\nᎵᏍᏙᏓ\t-12.961\n▁ᎠᎩᎷᎯᏍᏗ\t-12.9613\nᎩᏍᎦᏅᏤ\t-12.9614\nᏂᏑᏪᏎᎸ\t-12.9615\n▁ᎠᏘᏲ\t-12.9618\nᎬᏁᎮᏍᏗ\t-12.9619\n▁ᏗᎨᏥᏲ\t-12.9622\n▁ᎠᏂᏟᏌ\t-12.9622\nᏁᏍᎩᎸᏗ\t-12.9628\nᏟᏃᎮᏍᎬ\t-12.9629\nᏏᎳᏛᏁᎴ\t-12.9632\n▁ᎢᏯᏂᎵᏍ\t-12.9633\nᏂᎦᏘᎸᏒᎩ\t-12.9636\nᎤᏠᎠᏎ\t-12.9641\nᎵᎮᎵᎩ\t-12.9642\n▁ᎢᏨᎬᏍᎪᎸ\t-12.9643\n▁ᎠᏂᎦᎾᎦ\t-12.9647\n▁ᏚᎾᏕᏲ\t-12.9647\nᏫᏞᏫᏒ\t-12.9654\nᏒᏂᏉ\t-12.9658\n▁ᏂᏍᏆᏛ\t-12.9663\nᏓᏅᎡᎴ\t-12.9671\nᎵᏥᏙᏂᏙᎮ\t-12.9675\nᎳᏐᏫ\t-12.9678\nᏛᏅᏓᎩ\t-12.9679\nᏣᏖᏍᏗ\t-12.969\nᎾᏂᎩᏍᎬ\t-12.9697\n▁ᎤᏃᏙ\t-12.9703\nᎶᏁᏔᏅ\t-12.9707\n▁ᏥᏯᏘᏅ\t-12.9708\nᏔᎶᏎ\t-12.9715\n▁ᎢᏰᏨᏁ\t-12.9717\n▁ᏗᏥᎸᏫᏍᏓᏁ\t-12.9718\n▁ᎢᎬᏆ\t-12.9721\nᏎᎪᎩᏎ\t-12.9721\nᎵᏙᎩᏯᏍ\t-12.9721\n▁ᏁᏪᏎ\t-12.9727\n▁ᏭᏂᏌᏙ\t-12.9731\n▁ᏳᏂᏆᏘ\t-12.9733\n▁ᎦᏥᏯᏓᏙᎵᏍᏓᏁ\t-12.9734\nᎤᎴᏅ\t-12.9739\nᏛᏗᏕᎨ\t-12.9741\n▁ᎬᏩᎷᏤ\t-12.9747\nᎾᎵᏔᏗᏅ\t-12.9754\nᎾᏚᎪᏓᏁᏗ\t-12.9757\n▁ᏥᎦᏂᏱᏍ\t-12.9768\n▁ᎠᏁᎸᏗᏍ\t-12.977\nᏍᏆᏂᎪᏍᎨᎢ\t-12.9772\nᎾᎵᏍᏓᏁᎯ\t-12.9777\nᎫᎪᏓ\t-12.9778\n▁ᏭᏪᎧ\t-12.9781\n▁ᎠᏂᏍᎫᏕᏍ\t-12.9782\n▁ᏗᎤᎾᏨ\t-12.9785\n▁ᎠᎾᏗᏔᏍ\t-12.9788\n▁ᎠᏓᏅᏖᏙ\t-12.9789\nᏥᏔᏲᏎᎭ\t-12.9789\nᏦᎭᏴ\t-12.979\nᎦᏎᏍᏔ\t-12.9803\nᎩᏁᏤᏗᏱ\t-12.9805\nᏙᏍᏛᎢ\t-12.9808\n▁ᎯᏁᎢᏍᏗ\t-12.9808\nᎶᎻ\t-12.9817\n▁ᏍᎩᏰᎸᎾ\t-12.9819\n▁ᎠᎾᏓᏛᎥᏍ\t-12.9819\n▁ᏭᎾᎵᏱᎶ\t-12.9821\n▁ᏳᏞ\t-12.9823\nᏩᏗᏙᎸᎯ\t-12.9836\n▁ᎠᎫᏱᏍ\t-12.9846\nᎵᏎᎮᏍᏗ\t-12.9847\nᏍᎫᏕ\t-12.9848\nᎤᏂᎩᏛ\t-12.9849\n▁ᎫᏩᎾᏓ\t-12.9849\nᏎᎵᏙᎮ\t-12.9851\nᏗᎧᏁᏤ\t-12.986\nᎵᏘᎡ\t-12.9866\nᎶᏔᏂ\t-12.9866\nᏥᎶᏁᎥ\t-12.9871\nᏗᏩᏍᎬ\t-12.9873\n▁ᎬᏩᏘᎿᏫᏛ\t-12.9875\n▁ᏚᏔᎷᎩ\t-12.9879\nᏂᏆᏘᎴᎢ\t-12.988\n▁ᏭᏂᏍᏆ\t-12.9881\nᏍᏕᎵᏍᎨ\t-12.9881\n▁ᎤᎾᏕᏯ\t-12.9881\nᎵᎮᎵᏍᏗ\t-12.9884\nᏯᏓᏙᎵᏍᏓᏁ\t-12.9885\n▁ᏥᎦᏙᎥᎯᏍᏗ\t-12.9885\nᏕᏣᏓ\t-12.989\nᏍᎫᏓᏛ\t-12.9893\n▁ᏮᏓᏣᏘ\t-12.9897\n▁ᎢᏍᏓᏓᏅ\t-12.9901\nᏂᏣᏍᏛᎾ\t-12.9901\n▁ᏧᏯᏪ\t-12.9907\n▁ᏙᏓᎨᏥ\t-12.9912\n▁ᏍᏆᎫᏴ\t-12.9913\nᎬᏩᎶ\t-12.9915\nᎪᏓᏁᎸ\t-12.9927\n▁ᏓᏳᎾᏂᎩ\t-12.9928\n▁ᏣᎵᏂᎪᎯᏍᏗ\t-12.9928\nᎵᏃᎮᏙᏗ\t-12.993\nᎩᏯᏛᏁᎴ\t-12.9931\n▁ᎢᏣᎵᏍ\t-12.9934\n▁ᎩᏄ\t-12.994\n▁ᏚᎾᏚᏓ\t-12.9945\nᏓᏬᏍ\t-12.9951\n▁ᏧᏒᎦ\t-12.9955\n▁ᎤᎾᎵᏍᎪᎸ\t-12.9957\nᎵᏥᏆ\t-12.9957\n▁ᎠᏲᎯᏍᏗᏍ\t-12.996\nᏣᏘᏃᎦ\t-12.9966\n▁ᎨᎦᏓᏅᏖ\t-12.9966\nᏔᏩᏕᎩ\t-12.9968\nᎪᏓᏁᎭ\t-12.9971\nᏑᎦᏢ\t-12.9972\nᏄᎪᏫᏍᎪᎢ\t-12.9976\nᏰᎸᏍᎨᏍᏗ\t-12.9977\nᏯᎸᏅ\t-12.998\nᏴᎯᎰᎢ\t-12.9984\nᏝᏍᎨ\t-12.9987\nᎴᏴᏙᏗ\t-12.9995\nᏣᏗᏔᎯ\t-12.9995\n▁ᎤᎵᏍᏔ\t-12.9998\n▁ᏗᏣᏓᏙᏢᎾᏁ\t-13.0002\n▁ᏣᏁᏢᏔᏅ\t-13.0003\nᏥᏪᏍᏗ\t-13.0007\nᎪᏩᏛᏙ\t-13.0009\nᏓᎴᏛ\t-13.001\nᏓᎾᏓᏂᎸᎪ\t-13.001\nᎩᏪᏎᎭ\t-13.001\n▁ᏥᎦᏴᎵ\t-13.0011\nᏥᏲᎢᏎᎸᎭ\t-13.0017\nᎶᏔᏁ\t-13.0018\n▁ᏫᏚᏂᏴ\t-13.0023\n▁ᎤᎾᎦᏔᏅ\t-13.0028\nᏕᏋᎯᏍ\t-13.003\n▁ᏫᏕᎨᎦ\t-13.0032\n▁ᏕᎦᏃᏴ\t-13.0033\nᎱᏍᏕᏎ\t-13.0035\n▁ᏓᏜᏍ\t-13.0039\nᏂᏕᎦᏪᏎᎰ\t-13.0039\nᏛᎥᎦ\t-13.0043\nᏩᎾᎢ\t-13.0043\nᎵᏍᏗᏍᎨ\t-13.0048\nᎯᏯᏍᎬ\t-13.0048\n▁ᏴᏗᏓᎴ\t-13.005\nᏓᏥᎷᏥ\t-13.0052\n▁ᎤᏔᏍᎩ\t-13.0055\n▁ᏚᎷᎸ\t-13.0056\n▁ᎬᎩᎨᏳᎯ\t-13.0057\nᎶᎨᏒ\t-13.0059\nᏂᏍᎬ\t-13.0066\nᎤᎸᏛ\t-13.0073\nᏲᏏᏍᎩ\t-13.0073\n▁ᏥᎥᎡ\t-13.0075\nᏄᎪᏫᏍᎨᎢ\t-13.0077\nᏛᏣᏂ\t-13.0078\nᏓᏅᎡᎸᎩ\t-13.0081\nᏜ\t-13.009\n▁ᎠᎬᏕ\t-13.0092\nᏲᎰᎢ\t-13.0093\nᏠᏒᎩ\t-13.0099\nᎧᏅᏑᎸᎢ\t-13.0099\n▁ᏱᏥᎨᏳ\t-13.01\nᏓᏂᎸᏨ\t-13.0102\n▁ᏕᎩᏲ\t-13.0103\n▁ᎤᎨᎯᏙ\t-13.0109\n▁ᏱᏚᎸᏫᏍᏓ\t-13.0111\nᏂᎦᏔᎲᏍᎩ\t-13.0113\n▁ᏍᏆᎦᏎ\t-13.0114\nᏂᏗᏍᏗᏱ\t-13.0114\nᏟᏍᏛᎢ\t-13.0116\nᏅᏩᏍᏙᎢ\t-13.0116\nᏓᎦᎵᏍᏔᏂ\t-13.0117\nᎬᏩᏓ\t-13.0123\nᏍᎦᎢᎲ\t-13.0124\n▁ᏄᎨᏳ\t-13.0125\nᏣᎵᏥᏙᎲᏍᎦ\t-13.0129\nᎬᏩᏍᏗᏉ\t-13.0133\nᎫᏰ\t-13.0133\nᎵᏂᎪᎯᏍᏗᏍᎨ\t-13.0134\nᏍᎦᏍᏙᏗᏍᎩ\t-13.0136\n▁ᎤᎾᏠ\t-13.014\nᏪᎵᏎᎴᎢ\t-13.0141\n▁ᏣᏓᎨᏳ\t-13.0141\nᏍᏓᏛᏓᏍᏓ\t-13.0147\n▁ᎤᏂᏅᎪ\t-13.0158\n▁ᏱᎬᏩᎾᏛ\t-13.0161\n▁ᏫᏚᎧ\t-13.0161\nti\t-13.0162\n▁ᏥᏥᏁᏤ\t-13.0163\nᏲᏌ\t-13.0163\n▁ᎢᏳᎾᎵᏍᏔ\t-13.0164\nita\t-13.0164\nᏪᏙᎥᎦ\t-13.0165\nᏖᏉᎶ\t-13.0168\nᎵᎪᏁᎯ\t-13.0173\nᎬᏩᎶᏓ\t-13.0175\n▁ᎢᏣᏗᎦᎴᏲ\t-13.018\nᎪᏄᎶᎯᏍᏗ\t-13.0183\n▁ᎬᏍᏗᏰ\t-13.0188\n▁ᏓᏨᏰ\t-13.0189\nᎨᎦᏓᎢᏅᏒᎩ\t-13.0195\nᎬᎩᎪᎵᏰᎥ\t-13.0198\n▁ᎬᏩᏄᏬᎯᏍ\t-13.0203\n▁ᎠᎩᏩᏛ\t-13.0204\nᎾᏁᎶᏛᎢ\t-13.0205\nᎵᎬᎾ\t-13.0206\n▁ᎦᎵᏥᏙᏂᏙ\t-13.0208\n▁ᏓᏆᏙ\t-13.021\n▁ᏧᎸᏉᏙ\t-13.0217\nᏓᎵᏁᎯᏕᎮᏍᏗ\t-13.022\nᏥᎤᏍᏕᏎ\t-13.0225\n▁ᎢᏓᏓᏅᏖᏍ\t-13.0225\nᏩᏍᎬᎩ\t-13.0233\nᏯᏒᎦᎶᏔ\t-13.0233\n▁ᎬᏇᎯᏍᏗ\t-13.0237\nᏔᎳᎧ\t-13.024\nᏍᏕᎸᏙᏗ\t-13.0242\n▁ᏯᎵᏍᏓᏴ\t-13.0244\n▁ᏥᏦᎯᏳ\t-13.0245\nᏥᎾᏰᏍᎩ\t-13.0249\n▁ᎤᏍᏆᏕ\t-13.0253\nᎾᏗᏔᎮᎢ\t-13.0256\nᏃᎮᎮᎭ\t-13.0258\nᎾᏂᎩᏍᎨ\t-13.0259\n▁ᏫᏄᏂᏪ\t-13.0259\n▁ᎦᎨᏣᏕᎶ\t-13.0269\nᎩᎵᏲᎢᏍᏗᏍᎨᏍᏗ\t-13.027\n▁ᎤᎵᏱᎶ\t-13.027\n▁ᏚᎦᏙᏍ\t-13.0274\nᏍᎩᏍᏕᎸᎡᎸ\t-13.0274\n▁ᏂᏚᏲ\t-13.0275\nᏁᏓᏍᏗ\t-13.0276\nᏁᏦᏅ\t-13.0276\nᏓᏡᏩᏍᏗᏕ\t-13.0282\n▁ᎢᏗᎦᏲ\t-13.0283\n▁ᏗᏂᏍᎪᏂ\t-13.0284\n▁ᏱᏚᏂᎶ\t-13.0293\n▁ᎠᏂᏬᏂᏍᎨᏍ\t-13.0294\n▁ᏣᏍᏆᏂᎪᏕ\t-13.0295\nᏒᏂᏍᏗ\t-13.0298\nᏂᏣᏛᏅ\t-13.0299\n▁ᎤᏑᏯ\t-13.0311\n▁ᏚᏄᎪ\t-13.0315\nᎵᏖᎸᎮ\t-13.0319\n▁ᎡᏥᏃᎮ\t-13.0319\nᏂᎨᎬᏁᎭ\t-13.0323\n▁ᎤᎾᏓᏎᎪᎩ\t-13.0324\n▁ᏥᏂᏣᏛ\t-13.0324\n▁ᎠᏆᎵᏍᏚ\t-13.0326\n▁ᎠᎾᏚᏓ\t-13.0328\nᏂᏨᏛ\t-13.0329\n▁ᎤᏄᎪᏫᏒ\t-13.0331\nᏓᎩᏯᏪ\t-13.0333\n▁ᎢᏣᎵᏍᎦᏍᏙ\t-13.0337\n▁ᏕᏥᎦᎿᏩᏕ\t-13.0338\nᏒᏍᏓᏁᎸ\t-13.0341\nil\t-13.0341\nᏲᏨᎯ\t-13.0343\nᏁᎵᏒ\t-13.0344\n▁ᎤᏓᏌᎧ\t-13.0347\n▁ᏯᏍᎦᎢ\t-13.0349\nᏔᎳᏬᎯᏍ\t-13.0354\n▁ᎯᏍᏕᎸ\t-13.0355\nᏩᏁᎵ\t-13.0355\nᏥᏍᏆᏛ\t-13.0356\nᏣᎵᏃᎮᏗ\t-13.0358\n▁ᏕᏥᏍᏚ\t-13.0361\nᏌᏓᏗᏍᏗᏱ\t-13.0363\n▁ᏗᎬᏆ\t-13.0366\n▁ᏣᏛᏍ\t-13.0368\n▁ᎡᏣᏡ\t-13.0374\n▁ᎬᎦᏔ\t-13.0375\n▁ᎤᏕᏔ\t-13.038\n▁ᎤᎾᏓᏛᏛ\t-13.0381\n▁ᎤᎦᎿ\t-13.0382\nᏍᏆᏕᎴᎢ\t-13.0385\n▁ᎢᏣᎵᏍᎪᎸᏔ\t-13.0386\nᏯᎫᏴᏗ\t-13.0387\nᏣᏪᏐᎸᏍᏔ\t-13.0387\n▁ᎠᎵᏱᎶ\t-13.0388\nᎾᏕᎶᏆᏍ\t-13.0389\nᏲᏓᏝ\t-13.0394\n▁ᎠᎾᎵᏍᏕ\t-13.0397\n▁ᏱᏗᏣᏓᏂᎸ\t-13.0398\n▁ᎥᎬᏩᏛ\t-13.0398\nᏥᎶᏄᎮ\t-13.0401\n▁ᎤᎪᏄᎶ\t-13.0402\nᏯᏫᏍᎩ\t-13.0405\n▁ᎨᏥᏍᏛᏗ\t-13.0406\nᎬᏩᏓᏙᎵᏍᏓᏁ\t-13.0409\nᏍᏓᏩᏕ\t-13.0411\n▁ᏕᏣᏓᏲ\t-13.0411\n▁ᎠᏕᎶᎰ\t-13.0414\n▁ᎢᏣᎵᏩᏛᎡ\t-13.0421\n▁ᏳᏭ\t-13.0427\n▁ᏂᏕᎤᏩ\t-13.0428\nᏅᏍᎨᏂ\t-13.0432\n▁ᎠᎩᏲᏍᏙᏓ\t-13.0433\n▁ᎢᏥᎧᎵᎢᏍ\t-13.0434\n▁ᎢᎩᏴᏁ\t-13.0435\nᏙᏑᎴ\t-13.0439\nᏂᏲᎱᎯᏍᏗ\t-13.0442\n▁ᏚᏲᎮ\t-13.0447\n▁ᏱᏓᎾᎵ\t-13.0451\n▁ᎬᏩᏂᎷᏤ\t-13.0451\n▁ᏥᎾᏋ\t-13.0459\nᏁᎰᎾ\t-13.0459\nᏣᏓᏄᏴᏗ\t-13.046\nᏚᎴᏔᏁᎢ\t-13.0462\nᎾᏏᏛᏂ\t-13.0465\nᏪᏐᏨ\t-13.0467\nᏆᏟᏃᎮ\t-13.0467\nᏗᎦᏲᏥᏁ\t-13.0468\n▁ᏚᏩᏅ\t-13.0469\nᏨᎨᏫᏍ\t-13.0469\nᏲᎵᎮᏍᏗ\t-13.0469\nᏅᎦᎸᏙᏗᏱ\t-13.0471\nᎴᎯᏌ\t-13.0476\nᏕᎯᎮᏍᏗ\t-13.0478\nᏚᏓᏕᏫ\t-13.0478\n▁ᎨᏯᏔ\t-13.0478\n▁ᎠᏁᏙ\t-13.0479\nᏄᎳᏍᏓᏁ\t-13.048\n▁ᏄᎫᏴ\t-13.0481\nᏑᏴ\t-13.0483\nᏙᎯᏗᏍᏗ\t-13.0483\n▁ᏥᏄᏪ\t-13.0484\nᎵᎮᎵᏤᏗᏱ\t-13.049\nᏓᎴᎾ\t-13.049\nᏥᎤᏍᏕᏎᎴ\t-13.0494\nᏨᏁᎵ\t-13.05\n▁ᎢᏥᎧᎵ\t-13.0501\n▁ᏗᏍᏔᏲ\t-13.0502\nᏬᏁᏗᎭ\t-13.0502\nᏫᏎᎲᎢ\t-13.0504\nᏚᏂᏩᏛᎮ\t-13.0505\nᎵᎬᏚ\t-13.0506\nᏚᏒᏂᎴ\t-13.0508\n▁ᎢᏤᎳᏗᏍᏗ\t-13.0508\nᏙᎵᏍᏔᏂ\t-13.051\nᎦᏚᎵᏍᎬ\t-13.0512\n▁ᎢᏥᏍᏓᏩᏗ\t-13.0514\n▁ᏥᎾᏂᏪ\t-13.0515\nᎦᏘᎸᏍᏗ\t-13.0518\n▁ᏅᏓᏳᎵᏍᏙ\t-13.0521\nᏅᎦᎸᏓ\t-13.0522\nᏌᏓᏛᎩ\t-13.0525\n▁ᎥᏆᏒᎦᎶ\t-13.0527\n▁ᏧᎾᏗᏔᏍ\t-13.0528\nᎦᏑᏯᎩᏍᏗ\t-13.0529\n▁ᎤᏓᏃᏴᎵ\t-13.0534\n▁ᎱᏚ\t-13.0537\nᏨᏯᏍᏗ\t-13.0538\nᏂᎷᎨᏍᏗ\t-13.0539\n▁ᏍᏆᏛᏅᎢᏍᏓ\t-13.0539\nᏣᎵᏍᎪᎸᏗᏍᎬᎢ\t-13.054\nᏬᎵᏤᎢ\t-13.054\nᏯᏂᏍᎪ\t-13.0542\nᎨᏣᎵᏍᏚ\t-13.0543\nᏖᎸᏅᎩ\t-13.0545\nᏄᏪᏎᎴᎢ\t-13.0547\n▁ᏦᏥᎨ\t-13.0549\n▁ᎪᎯᏳᏙ\t-13.0551\nᏍᏕᏓᎵᏴᏍᎬ\t-13.0552\n▁ᎤᏂᎨᎲ\t-13.0553\nᏃᎯᏴᎯ\t-13.0554\n▁ᎠᏂᎬᎭᎷᏯᏍ\t-13.0555\nᎪᎳᏅ\t-13.0556\n▁ᎤᏍᏆᏙ\t-13.0556\n▁ᎠᏆᎵᏃᎮ\t-13.0558\nᎳᏛᎥᏍᎬ\t-13.056\nᏲᎲᎦ\t-13.0562\nᏈᏗᏍᎩ\t-13.0564\nᎤᏪᎳᏗᏍᏗ\t-13.0566\n▁ᏭᏅᏍ\t-13.0567\nᎦᏘᏗᏍᏔᏁ\t-13.0568\nᏱᎵᏙᎲ\t-13.057\nᏐᏈᎸᎦ\t-13.057\nᏚᏂᎰᏁ\t-13.0571\nᎨᎦᏗ\t-13.0572\nᏥᏃᏁᎭ\t-13.0574\n▁ᎢᏍᏗᏴ\t-13.0579\n▁ᏣᎾᏄᎪᏫᏎ\t-13.0579\nᏆᎵᏍᏓᏁ\t-13.058\n▁ᏂᏣᏚᎵ\t-13.0583\n▁ᏫᎬᏪᎧ\t-13.0583\n▁ᏥᏯᏚᎸᎡ\t-13.0586\n▁ᏱᏩᏂ\t-13.0586\n▁ᎤᏓᏓᎴᏔ\t-13.0588\n▁ᎤᏃᏣ\t-13.0591\n▁ᎤᎶᏄᎮ\t-13.0592\nᎦᏠᏯᏍᏗ\t-13.0595\n▁ᎤᎵᎪᎾ\t-13.0599\nᎵᏍᏓᏴᎲᏍᎩ\t-13.06\n▁ᎬᏯᎫᏴ\t-13.0605\nᎦᏙᎠᏍᎪ\t-13.0605\n▁ᏓᏩᏛᎯ\t-13.0608\n▁ᏓᏍᎩᏅ\t-13.0608\nᏃᏟᏍ\t-13.0609\n▁ᏗᎬᏩᎾᏁᎶ\t-13.0612\n▁ᎬᎩᎦᏔ\t-13.0612\n▁ᎨᏥᏌᎳ\t-13.0613\nᏂᏏᏂᏙᎸᎢ\t-13.0618\n▁ᏄᎾᏚᎵ\t-13.0619\nᏢᏍᎪᎢ\t-13.0627\nᏅᏍᎦᏝᏁ\t-13.0629\nᏔᎶᎯᏍᏗ\t-13.063\n▁ᏱᏣᏓᏅ\t-13.0632\n▁ᎤᎾᏁᎶ\t-13.0632\nᎦᏄᏓᏛ\t-13.0633\nᏆᎧᎾᏅᎩ\t-13.0634\nᎳᎾᎶ\t-13.0635\nᏉᏗᏳ\t-13.0636\nᎨᏥᏄᏬ\t-13.0637\nᏓᏁᏥᏴ\t-13.0639\nᏰᏥᏍᎨ\t-13.0644\n▁ᏤᏦ\t-13.0644\nᎯᎦᏔᎮᎢ\t-13.0644\nᏏᏔᏓ\t-13.0645\nᏲᎤᎴ\t-13.0646\n▁ᎠᏆᏡᏗᏍ\t-13.0648\nᏚᏂᏍᏗᏰ\t-13.065\nᏑᎳ\t-13.0652\n▁ᎦᎵᏥᏙ\t-13.0652\n▁ᏱᏅᏗᎦᎵᏍᏙ\t-13.0654\n▁ᎤᏂᎭᏲ\t-13.0654\nᏎᎵᏔᏅ\t-13.0655\nᎷᏫᏍᏔᏁᏗ\t-13.0656\n▁ᎤᏰᏌ\t-13.0658\n▁ᎣᎦᏢ\t-13.066\n▁ᏗᎫᎪ\t-13.0662\n▁ᏧᏛᎯᏍ\t-13.0662\nᎾᏘᏃᎮᎴ\t-13.0663\n▁ᎤᏃᏕ\t-13.0665\nᎭᏫᏂ\t-13.0667\nᏓᏙᏢᎾᏁ\t-13.0669\nᏓᏅᏖᎮᎸ\t-13.067\n▁ᎢᏤᎳᏗ\t-13.0674\nᏙᎯᎮᏍᏗ\t-13.0677\nᎵᏂᏆᏅ\t-13.068\nᏅᏩᏁᎢ\t-13.0682\n▁ᎠᎾᏕᏯ\t-13.0695\n▁ᎤᏓᏍᏕ\t-13.0699\nᎩᏰᎸᏎᏍᏗ\t-13.0703\nᎪᏓᏁᏗᏱ\t-13.0703\n▁ᎤᏃᎯᏎ\t-13.0705\nᎬᏆᎵᏍᏓᏴᎾᏁ\t-13.0706\nᎨᏳᏔᏅᎩ\t-13.071\nᏍᏔᏁᎸ\t-13.071\n▁ᎯᏯᎵᏍᎪᎸ\t-13.0713\nᏲᎵᏳ\t-13.0713\nᎨᎯᏙᎰ\t-13.0713\n▁ᏱᏗᏥᏯᏅ\t-13.0716\nᏖᎸᎲᏍ\t-13.0721\n▁ᏗᏂᏓᎭ\t-13.0722\nᏃᏟᏍᏔ\t-13.0723\nᏓᎭᏲᎯ\t-13.0726\nᎦᎴᏴᏓ\t-13.0727\n▁ᎤᏂᏁᏟᏴᏍ\t-13.0727\n▁ᏫᏣᎦᏔ\t-13.0727\nᏚᎸᏗᏉ\t-13.0728\nᎦᏥᏯᏠᎢᏍᏓᏁ\t-13.0729\n▁ᎦᏥᏯᏓᏙᎵᏍ\t-13.073\n▁ᎡᏙᎢᏳ\t-13.0731\n▁ᏕᏥᎧᎿᏩ\t-13.0732\nᎦᏠᏯᏍ\t-13.0733\nᏑᎳᏁ\t-13.0735\n▁ᏥᏂᏕᎬ\t-13.0737\nᏍᎩᎾᎩᎢ\t-13.0738\nᎵᏍᏔᏴ\t-13.0739\nᏩᏗᏓᏍᏗᏱ\t-13.074\nᏓᏩᏛᎡ\t-13.074\n▁ᏧᎨᏳ\t-13.074\n▁ᏣᎩᎵᏲᎢᏍᏗ\t-13.0741\n▁ᎤᎾᏅᎪ\t-13.0741\nᎾᏛᎦᏁᎢ\t-13.0745\nᎪᎥᏍᎦ\t-13.0746\nᎾᏓᏅᏘ\t-13.0747\nᎵᏬᏦ\t-13.0747\nᏗᏍᎦᏢᎢ\t-13.0749\nᏣᎧᎲ\t-13.0749\nᏙᏔᏘᎾᏫᏛ\t-13.0751\n▁ᎢᏣᏓᏅᎡ\t-13.0755\nᏂᎦᎵᏍᏙᏗ\t-13.0755\n▁ᎤᏃᎯᏳ\t-13.0757\n▁ᏧᎾᏘᏃ\t-13.0764\nᎵᏍᏓᏁᎰ\t-13.0769\nᎫᏏᏲ\t-13.077\nᏅᏆᎶᏍᏗ\t-13.0774\n▁ᎤᏂᏍᎫᏕ\t-13.0775\n▁ᎤᏁᎷ\t-13.0776\nᏚᏅᎦᎸᎡ\t-13.0778\nᎬᏑᎶ\t-13.0782\nᏟᎶᎥᎩ\t-13.0785\nᏥᏍᎦᏅᏤᎲ\t-13.0786\n▁ᏚᏓᏁ\t-13.0791\nᏛᏓᏍᏓᏁ\t-13.0791\nᎾᏓᏁᎳᏁ\t-13.0792\nᏄᎾᎵᏍᏓᏁᎰ\t-13.0795\nᏲᎢᏍᏗᏱ\t-13.0797\n▁ᏚᏕᏲ\t-13.0798\n▁ᎦᏂᏏᏅ\t-13.08\nᎵᏍᏔᏴᏅ\t-13.0802\n▁ᏣᏁᎸᏔᏅᎯ\t-13.0804\nᎫᎪᏓᏏ\t-13.0804\nᏖᎸᎲᎦ\t-13.0804\nᏗᏐᎢᏃ\t-13.0805\nᏚᏫᏛ\t-13.0806\n▁ᎣᎦᏂᎩ\t-13.0807\nᎠᎯᏎᎸ\t-13.0807\n▁ᏚᏂᎸᏫᏍᏓᏁ\t-13.0808\nᏠᏆ\t-13.0808\nᎦᏪᏍᏗ\t-13.0809\nᎫᏴᎯᏓᏍᏗ\t-13.0812\nᏣᏪᏎᎭ\t-13.0813\n▁ᏗᎬᏬ\t-13.0815\n▁ᏚᏕᏯᏙᏔ\t-13.0816\n▁ᎣᏣᎵᏥᏙ\t-13.0818\n▁ᏕᎧᏁᎢᏍ\t-13.0819\nᏕᏦ\t-13.0819\nᏓᎩᏅᏎᎢ\t-13.082\n▁ᏳᏂᎪ\t-13.0821\nᏖᏥ\t-13.0831\nᏗᎨᏥᎤᏍᏕᏎᎸ\t-13.0836\n▁ᎤᎾᎦᎸ\t-13.0836\n▁ᏣᎩᏁᏤ\t-13.0839\nᏓᏙᎵᏍᏗᏍᎨᏍᏗ\t-13.0842\n▁ᎤᎷᏥᏗ\t-13.0842\nᏋᏁᎸ\t-13.0843\nᏢᎾᏁᎸᎩ\t-13.0845\nᏥᏍᏕᎸᎮᎢ\t-13.0847\nᏛᏂᎡ\t-13.0849\nᏲᎱᏏ\t-13.085\n▁ᏙᏓᎨᏣ\t-13.0851\nᏐᏢᏕᏍᏗ\t-13.0851\nᎫᏴᎡᎵ\t-13.0851\nᏥᏬᏂᎭ\t-13.0851\nᎾᏂᏢᏅ\t-13.0852\nᏣᏓᏅᏛᎩ\t-13.0853\nᏅᎦᎸᎲ\t-13.0853\nᎩᏍᏆᎵᏍ\t-13.0853\nᏭᏢᏅ\t-13.0854\nᏗᏣᎵᏘ\t-13.0854\n▁ᏂᏑ\t-13.0856\nᎦᏛᎯᏍᏗ\t-13.0856\nᏓᏂᎸᏥ\t-13.0857\n▁ᎤᏂᎦᏙᎥ\t-13.0858\nᏍᎩᏴᎦ\t-13.0859\nᏓᏅᏙᎩᎯ\t-13.0863\n▁ᎤᎦᏴᎵ\t-13.0864\nᏇᏲ\t-13.0865\nᏘᎾᏫᏛᎮᎢ\t-13.0866\nᎧᎿᏅ\t-13.0868\nᎤᎦᏎ\t-13.0874\nᎩᏃᎮᎮ\t-13.0875\n▁ᎭᏂᎧᏔ\t-13.0875\nᏍᏚᏤ\t-13.0877\nᎧᎲᏒ\t-13.0879\n▁ᎤᎾᎵᏍᎦᏍ\t-13.088\n▁ᎠᏲᎯᏍ\t-13.088\nᏓᏥᏯᎧᏂ\t-13.0882\n▁ᏱᏚᏩᏛ\t-13.0883\n▁ᏗᎨᏥᏍᏚ\t-13.0892\nᏓᎢᏅᏗ\t-13.0894\nᎲᏍᏗᏍᎩ\t-13.0895\n▁ᎠᏓᏅᏓᏗᏍ\t-13.0896\nᎤᎾᏙ\t-13.0897\nᎢᏥᏗᏱ\t-13.0898\nᎦᏓᏅᏖᏍᎨᎢ\t-13.09\nᎾᏙᎴᎰᎯ\t-13.0903\n▁ᎠᎪᏩᏗᏍ\t-13.0904\nᏁᎬᏁ\t-13.0906\nᏯᏛᏁᎭ\t-13.0906\nᏍᏛᎦᎸ\t-13.0908\nᏰᎪᎢ\t-13.0908\nᏍᎦᏤ\t-13.0908\nᎤᏰᎸ\t-13.0909\nᏔᏂᏙ\t-13.091\n▁ᏕᎦᏠ\t-13.0912\n▁ᎡᏣᏛᎦᏁ\t-13.0916\n▁ᎠᎵᏖᎸ\t-13.0916\n▁ᎤᏕᎶᎰ\t-13.0918\nᎩᏥᏍᎨᎢ\t-13.0921\nᎨᏥᎪᎵᏰᏍᎨ\t-13.0923\nᎵᏍᎪᎸᏓᏁᎭ\t-13.0924\n▁ᏚᏍᎫᏓ\t-13.0925\n▁ᎤᎴᏴ\t-13.0929\nᎵᎥᏂᎲ\t-13.0929\nᏯᏅᎡᎸ\t-13.093\nᏬᏂᏒᎢ\t-13.0932\n▁ᎤᏪᏯᏔ\t-13.0932\n▁ᏧᏠᎯᏍ\t-13.0932\n▁ᎤᏁᎵᏌ\t-13.0934\nᏳᎨᏗ\t-13.0937\nᎾᎵᎮᎵ\t-13.0938\n▁ᏴᏓᏲ\t-13.0938\nᎧᎲᎾ\t-13.0945\n▁ᏯᎴᏫᏍ\t-13.0945\n▁ᏧᏃᎯᏎ\t-13.0946\nᎦᏢᏆ\t-13.0947\nᏍᏓᎵᎪ\t-13.0947\nᏕᏯᏙᏔᏅ\t-13.0949\nᏥᎦᏌᎢ\t-13.0949\n▁ᎤᏲᏍᏙᏓᏁ\t-13.095\nᎠᏍᎪᎸ\t-13.095\nᏞᏌ\t-13.0952\n▁ᏫᎦᏥᎷᏤ\t-13.0954\nᎦᏂᎭ\t-13.0955\nlia\t-13.0956\nᎵᏂᏆᏅᏅ\t-13.0956\n▁ᏕᎯᎶᏁ\t-13.096\n▁ᎣᎩᎾᏚ\t-13.0961\nᎬᏩᏂᎷᏤᏗ\t-13.0962\n▁ᏕᎤᏙ\t-13.0969\nᏗᎴᎲᎯ\t-13.0972\n▁ᏗᎦᏃᏣ\t-13.0972\n▁ᎯᏲᎢᏳ\t-13.0973\nᏥᏄᏬ\t-13.0975\n▁ᎤᏂᏄᎪ\t-13.0976\nᎬᏩᏰᏣᏍ\t-13.0981\nᎫᎯᏍᏗ\t-13.0984\n▁ᏗᎦᎸᏫᏍᏓ\t-13.0986\n▁ᏥᏨᏲᏪ\t-13.0988\n▁ᎠᎾᏓᏴᎳ\t-13.0988\n▁ᏧᏲᎱᎯᏎ\t-13.0991\nᎵᏍᏆᏕᎴ\t-13.0991\nᏠᏱᎲᎢ\t-13.0992\nᎧᎿᏩᏗᏙᎯ\t-13.0994\nᏟᏃᎮᏙ\t-13.0996\n▁ᎤᏪᎿ\t-13.0998\n▁ᎤᎾᏅᏓᏗ\t-13.0999\nᏣᏱᎵ\t-13.0999\n▁ᏨᏓᏥ\t-13.1001\nᎣᏣᏂᎩ\t-13.1001\nᏲᏤ\t-13.1001\nᏕᏥᏰ\t-13.1006\nᏍᏗᏴᎸ\t-13.1006\nᏓᏅᏖᎵᏙᎸ\t-13.1007\n▁ᏨᏓᏣ\t-13.1007\nᏯᎵᏍᎪᎥ\t-13.1008\nᏓᎪᏄᎶᎯ\t-13.101\n▁ᏄᏍᏆᎸ\t-13.101\nᎵᏍᏔᏁᎳ\t-13.101\nᏪᎵᏎᏗ\t-13.101\n▁ᎣᎦᏅᏔ\t-13.1011\n▁ᏩᏇ\t-13.1012\nᏛᏛᎮᎸ\t-13.1013\nᎵᎮᎵᎬ\t-13.1015\nᎠᏥᎪᏅ\t-13.1015\n▁ᎠᏓᏩᏛ\t-13.1016\nᏥᎪᏁᎸ\t-13.1018\nᏃᎮᏍᎨ\t-13.1019\n▁ᏧᎾᏛᏛ\t-13.1019\nᏄᎪᏫᏍᎩ\t-13.102\nᎦᏐᎠᏏ\t-13.1022\n▁ᎤᏓᏓᏍ\t-13.1024\nᎳᏗᏙᎴ\t-13.1026\nᏣᎴᏂᏙᎲ\t-13.1028\nᏓᏩᏛᎡᎲ\t-13.1029\n▁ᏗᏣᏓᏙᎵᏍ\t-13.1029\n▁ᏓᏍᏚ\t-13.103\nᏓᏂᏂᏏᏍᎨ\t-13.103\n▁ᎠᏟᏂᎬ\t-13.1034\n▁ᏂᏕᎦᏪ\t-13.1034\nᎩᏴᏁᎸ\t-13.1036\nᏙᎵᏣᏘᏳ\t-13.1038\nᎨᎳᏗᏙᎮ\t-13.1038\nᎦᏃᏣᎸ\t-13.1039\n▁ᏳᏬᏢ\t-13.1039\nᎵᎡᎵᏤᎰ\t-13.104\n▁ᏫᏨᏲᏪ\t-13.104\n▁ᏚᏂᏯᎣ\t-13.1041\nᏕᎧᏁᏤᎮ\t-13.1041\n▁ᏦᎢᎦᏚ\t-13.1042\n▁ᏕᎬᏩᏄ\t-13.1045\nᏅᎪᎣ\t-13.1046\n▁ᏚᏪᎵᏎ\t-13.1046\n▁ᏚᏑᏰ\t-13.1048\n▁ᏚᏪᏟᏌ\t-13.1051\n▁ᎠᏁᎷᎲᏍ\t-13.1052\nᏓᏅᏓᏗᏍᏔ\t-13.1054\nᎨᏫᏒᎭ\t-13.1056\nᎾᏁᎷᎩᎡᎴ\t-13.1057\nᎸᎥᏍᎨᏍᏗ\t-13.1058\nᏰᎵᎯᏍᏔᏅᏃ\t-13.1059\n▁ᎤᎾᏁᎷᎩ\t-13.106\nᏳᏓᏍᏙᏗ\t-13.1064\n▁ᏫᏗᏨ\t-13.1064\nᎤᎷᏤᎴᎢ\t-13.1064\n▁ᏧᏂᎸᏫᏍ\t-13.1065\n▁ᏚᏓᏅᎡᎸ\t-13.1069\n▁ᏧᎦᎿ\t-13.1069\nᏚᏅᏂ\t-13.1069\nᏁᏙᎴᎢ\t-13.107\nᎪᏆᎵ\t-13.107\nᏳᎪᏓᏁᏗᏱ\t-13.1072\n▁ᎤᎵᏰᏑᏍᏙ\t-13.1072\nᏓᏳᏅᏏᏛ\t-13.1072\nᏌᎹ\t-13.1073\nᎾᏤᎵᏛ\t-13.1074\n▁ᏚᏂᏟᏌ\t-13.1074\n▁ᎠᎪᏍᏓ\t-13.1075\n▁ᏚᏂᏬ\t-13.1076\nᎵᏠᏯᏍᏙᏗ\t-13.1078\nᎾᏦᎥ\t-13.1079\nᏪᏯᏗ\t-13.108\nᏂᏃᎮᏍᎪ\t-13.1081\n▁ᎠᏓᏍᏔᏴ\t-13.1082\nᏍᎦᏍᏙᏙ\t-13.1082\n▁ᏄᏂᏍᏓ\t-13.1083\n▁ᏱᏂᏣᎵᏍᏓ\t-13.1084\n▁ᏬᎶ\t-13.1085\nᏐᎲᏍᏗᏱ\t-13.1085\n▁ᎬᏩᎪᏁᎶᎯᏎ\t-13.1086\n▁ᏩᏂᏁ\t-13.1086\nᎾᎵᏥᏙᏂᏙᎸ\t-13.1086\nᏣᏛᏓᏍᏓ\t-13.1087\nᏆᏛᏓᏍᏓᏏ\t-13.1087\nᎦᏯᎷ\t-13.1088\nᏐᏢᏔᏁᎢ\t-13.1089\nᏰᎢᎶᎯᏍᏗ\t-13.109\nᏰᎸᎾᏁᎴ\t-13.1091\n▁ᎠᏂᎦᏲᎵ\t-13.1092\n▁ᏗᎬᏩᏲᎯ\t-13.1093\n▁ᎠᏓᏍᏕ\t-13.1093\n▁ᎬᏉᎯᏳ\t-13.1094\nᎦᎷᎪᎢ\t-13.1095\nᏖᎸᏂᏍᏗ\t-13.1096\nᎨᏣᏲᏎ\t-13.1096\nᏂᏣᏓᏛᏁ\t-13.1097\n▁ᎦᎾᏰᎯᏍ\t-13.1098\nᏚᎬᎭᎷᏰ\t-13.1099\n▁ᎦᏥᏁᎢᏍ\t-13.1102\nᏘᏙᎵ\t-13.1102\nᎦᎬᏲᎯ\t-13.1104\nᏗᏤᏲᎲ\t-13.1104\n▁ᏱᏅᎨ\t-13.1108\nᎡᏣᏘᎾᏫᏛ\t-13.1108\n▁ᎠᎦᎵᏍᎪᎸ\t-13.111\n▁ᎠᎾᏓᏌ\t-13.1111\nᎵᏲᎢᏍᏗᏱ\t-13.1113\nᏕᎦᏂᏱ\t-13.1113\n▁ᎠᎦᎵᎮ\t-13.1115\nᏆᎸᏕ\t-13.1117\nᎾᎵᏍᏓᏴ\t-13.1117\n▁ᎨᎦᎫᏴ\t-13.1118\nᏕᏍᎩᏯᎧ\t-13.112\nᏧᎾᏓᎴᏁ\t-13.112\nᏂᏐᏢᏗ\t-13.1121\n▁ᏕᎬᏩᎾᏢ\t-13.1122\n▁ᎠᏐᏢᎢᏍ\t-13.1122\nᏥᏲᎯᏍᏓ\t-13.1123\n▁ᏫᏚᎾᎧᎿ\t-13.1125\nᏟᏴᏍᎩ\t-13.1126\n▁ᏓᏂᏍᏕ\t-13.1127\nᏳᎾᏄᎪᏨ\t-13.1128\n▁ᏚᎾᏓᏛᏛ\t-13.1128\n▁ᎧᏃᎩᏍ\t-13.113\nᏁᎩᏴ\t-13.1131\nᏱᎵᏒᎢ\t-13.1131\nᏨᏁᎲ\t-13.1132\n▁ᎠᎵᏏᎾ\t-13.1132\nᏃᎦᏛᎿᏕ\t-13.1133\n▁ᎤᏩᎾᏬ\t-13.1133\n▁ᎢᏨᎨᏳ\t-13.1134\n▁ᏳᏫᏗᏣ\t-13.1135\nᏍᏕᏓᎵᏴᏓ\t-13.1135\n▁ᏱᏗᎬᏕ\t-13.1135\nᏲᎱᏒ\t-13.1136\n▁ᏕᏥᏅᎦᎵᏍ\t-13.1136\n▁ᏚᏄᎪᏫ\t-13.1137\nᏥᎶᎢ\t-13.1137\n▁ᏄᏍᏚ\t-13.1138\nᏯᏠᎢ\t-13.1138\n▁ᏥᏙᏓᏨ\t-13.1138\nᏭᏂᎷᏤ\t-13.1139\n▁ᏓᏆᎧᎾ\t-13.1139\nᏬᏎᎴᎢ\t-13.1141\nᏆᏂᎩᏒ\t-13.1142\nᎾᏓᏬ\t-13.1142\nᏕᏣᎵᏂᎬ\t-13.1143\n▁ᏂᏕᎩᎾ\t-13.1143\nᏚᏭᎪᏔᏁ\t-13.1144\nᏨᏃᏁᎸ\t-13.1145\nᎩᎳᏫᏒ\t-13.1145\n▁ᎠᎾᏗᏒ\t-13.1147\n▁ᎤᏩᏴ\t-13.1147\nᎦᏩᏙᎣᏍ\t-13.1147\nᎵᏈᏱ\t-13.1148\n▁ᎤᎾᏓᏅᎦ\t-13.1148\nᏰᏍᎪᎢ\t-13.1148\nᏓᏓᎴᏔᏅᎯ\t-13.1148\nᏩᏅᏁᏗ\t-13.1149\nᏣᏕᏲᏗ\t-13.115\nᏬᏰᏂ\t-13.1151\n▁ᏥᎨᎦᏛᏅᎢᏍ\t-13.1152\nᎵᏍᏔᏴᏗ\t-13.1152\nᏄᏅᏁᎴ\t-13.1152\n▁ᏱᏚᎾᏄ\t-13.1154\nᏍᏆᏂᎩ\t-13.1157\nᎤᏛᏁ\t-13.1158\nᏓᎬᏍᎪᎸᏗ\t-13.1159\n▁ᏓᏟᎶ\t-13.1159\nᎯᏳᎪᏓᏁᎭ\t-13.1159\nᎾᎦᎸᎲ\t-13.1159\nᏍᏆᏗᏍᎬ\t-13.1159\nᏥᎬᏍᎪᎸᎥᏍᎨᏍᏗ\t-13.1159\n▁ᎤᎾᏕᎶᎰ\t-13.1162\n▁ᎤᏂᎵᏰᏗᏍ\t-13.1162\n▁ᏚᏂᏔᎳ\t-13.1163\n▁ᏄᎵᏍᏔ\t-13.1165\n▁ᏚᏃᏣᏝ\t-13.1166\n▁ᎠᎩᏍᏓᏩ\t-13.1166\n▁ᎠᏋᏕ\t-13.1166\nᏴᎦᏥ\t-13.1166\nᏗᎨᎦᏨᏍᏔ\t-13.1167\nᏍᎩᏯᏓᏂᎸᏨ\t-13.1168\nᏓᏁᎸᎥᏍᎬ\t-13.1168\nᎬᏁᎮ\t-13.1168\nᎯᏳᎭᏧ\t-13.1169\nᏬᎳᏕᏍᎬ\t-13.117\n▁ᎠᏥᎵᎥ\t-13.1172\nᏚᏫᏍᏔᏁᎢ\t-13.1174\nᏟᏃᎮᏔ\t-13.1175\nᏴᏕᏥ\t-13.1176\nᏗᏨᏁ\t-13.118\nᎦᎾᏍᏓ\t-13.118\nᏗᎦᎧᎯᏯᏍ\t-13.118\n▁ᏕᎭᏓᏅ\t-13.118\nᎩᎦᎨᎢ\t-13.1181\n▁ᏏᏴᏫ\t-13.1182\n▁ᏧᏛᎦᏁ\t-13.1182\n▁ᏂᏥᏍᎦ\t-13.1182\n▁ᎤᏂᏃᎮ\t-13.1185\nᏲᎢᏍᏗᏍᎬᎾ\t-13.1185\nᏄᏢ\t-13.1186\nᏣᎵᎮᎵᏍᏗ\t-13.1186\nᏓᎨᏨᏁᎵ\t-13.1188\nᏓᏴᎳᏘ\t-13.1188\nᎬᏃᎯᏎ\t-13.1189\nᎾᎵᏍᏔᏅᎢ\t-13.119\nᏜᏅᏓ\t-13.119\nᎩᏂᎬᏎᎲ\t-13.119\n▁ᎠᎵᏌᎳᏗᏍ\t-13.119\n▁ᎤᏔᎷ\t-13.1191\nᏰᎢᎶᎦ\t-13.1193\nᏘᎸᏍᏗ\t-13.1195\nᎾᎦᏙᏍᏔᏁ\t-13.1195\n▁ᏗᎦᏁᏟ\t-13.1195\n▁ᎤᏩᏇ\t-13.1195\nᎾᏙᎴᎰ\t-13.1196\nᏕᎰᎯᏍ\t-13.1198\n▁ᏫᎤᎾ\t-13.1198\n▁ᎤᏗᏔ\t-13.12\n▁ᏧᏯᏛ\t-13.1201\nᎬᏩᏪᏎ\t-13.1201\nᏃᏍᎩᏒ\t-13.1201\nᏖᎸᏅᎯ\t-13.1202\n▁ᏭᏓᎾᏫᏛ\t-13.1202\nᎧᎿᏩᏛ\t-13.1202\nᏣᏍᏆᏂᎪ\t-13.1204\nᏓᎵᏗᎩ\t-13.1205\nᏗᏩᎾᎦᎳ\t-13.1205\nᏰᏫ\t-13.1205\n▁ᎾᎾᏓᏛ\t-13.1206\nᏥᏳᎪᏓᏁᎭ\t-13.1206\nᏣᏙᎴᎰᏍᎬ\t-13.1207\nᏒᏍᏔᏁ\t-13.1207\nᏧᎵᏍᏙᏔᏅ\t-13.1208\nᎬᏭᎪᏓᏁ\t-13.1209\nᎵᏣᏛᎾ\t-13.121\nᏓᎦᎴᏅ\t-13.1212\nᎦᏖᏅ\t-13.1212\n▁ᎤᏪᏔ\t-13.1213\n▁ᏚᏩᏥᏍ\t-13.1213\n▁ᎤᏅᎪᎳ\t-13.1214\nᏥᎩᎵᏲᎦ\t-13.1214\n▁ᏧᏣᎷ\t-13.1215\nᏯᎧᏁ\t-13.1215\n▁ᏱᏚᏬᏕ\t-13.1216\nᏍᏓᏴᏅᎩ\t-13.1216\nᏤᎦᏈ\t-13.1217\nᏍᎩᏯᏑᏰ\t-13.1217\nᏚᎸᏫᏍᏓᏁ\t-13.1217\nᎾᏍᏗᏍᎬᎩ\t-13.1217\nᏕᎬᏩᏂᎾᏝ\t-13.1218\n▁ᎤᏓᎬᏩᏓᎴ\t-13.1219\nᏛᎮᏏ\t-13.1219\n▁ᎤᏙᏯᏅᎯ\t-13.122\nᎤᏁᏅ\t-13.122\nᎦᏥᏄᎪᏫᏒ\t-13.1221\nᏯᏏᏔ\t-13.1221\nᏥᏙᎰ\t-13.1222\n▁ᏫᏛᏂ\t-13.1222\nᎡᏝᏪ\t-13.1222\n▁ᏥᏯᎵᎡᎵ\t-13.1222\n▁ᎨᎦᏅᏓ\t-13.1223\nᏍᏙᏰᎲ\t-13.1223\nᏒᎦᎳᏗᏍᏔ\t-13.1223\n▁ᏓᏳᏂᏰ\t-13.1223\nᎤᏂᎶᏎᎢ\t-13.1225\n▁ᏚᏄᏩ\t-13.1226\n▁ᏭᏅᏥ\t-13.1226\nᏒᏂᏍᏙ\t-13.1226\n▁ᎠᏆᎵᏍᏕ\t-13.1227\nᎧᎿᏩᏗᏙ\t-13.1227\nᎦᏛᎴᏏ\t-13.1227\nᏄᎾᏍᏗ\t-13.1227\nᏥᎸᏌᏓᏕ\t-13.1228\n▁ᏳᏫᏣ\t-13.1228\n▁ᏅᏆᏓᎴ\t-13.1228\n▁ᏂᏥᏪᏒ\t-13.1229\n▁ᏓᎾᎳᏍ\t-13.1229\nᏓᏰᎮ\t-13.1229\nᏧᎦᏣ\t-13.1229\nᏔᏫᎢᏍᏗᏱ\t-13.123\nᏂᏍᏆᏛᏁᎸ\t-13.123\n▁ᎦᏃᎯᎵ\t-13.1231\nᏥᎥᎡᎸ\t-13.1231\nᎸᏉᏔᏁ\t-13.1231\n▁ᏧᏕᏘᏴᏌ\t-13.1231\nᏂᎦᏙᎵᏃ\t-13.1232\nᎤᏪᏅᏃ\t-13.1232\nᏙᏯᏅᎯᏕ\t-13.1232\nᏧᏓᏅᏎ\t-13.1232\n▁ᏚᎾᏘᏅ\t-13.1233\nᎤᎶᏒᎩ\t-13.1233\nᏂᏍᏋᏁᎸ\t-13.1233\nᏓᏂᏙᎬᎩ\t-13.1233\nᎤᎾᏓᏈᎬ\t-13.1233\nᏕᏨᏯᏠᎢᏍᏓᏁ\t-13.1233\nᎤᎵᏍᏛᏂᎴᎢ\t-13.1233\nᎤᎿᏍᎬᏤ\t-13.1233\nᎭᎴᏫᏍᏓ\t-13.1233\nᏙᏓᎬᏩᏂᎾᏢᏂ\t-13.1233\nᏮᏓᏨᎷᏤᎵ\t-13.1233\nᏂᎬᏩᏅᎿᏕᎬ\t-13.1233\nᏂᎬᏩᏛᏁᎴᎢ\t-13.1233\nᏗᏣᎸᏫᏍᏓᏏ\t-13.1233\nᏗᏥᎸᏫᏍᏓᏏ\t-13.1233\nᎦᎵᏥᏙᏅ\t-13.1233\nᎭᏓᏄᏖᏯ\t-13.1233\nᎯᏄᏴᏓ\t-13.1233\nᎦᎾᎱᎩᏍᎬ\t-13.1233\n▁ᎠᏂᏔᏲᎯ\t-13.1233\nᏕᎤᎸᏫᏍᏓᏁᎭ\t-13.1233\nᏧᏓᏆ\t-13.1234\nᏂᎦᏥᏪᏎᎸᎩ\t-13.1234\nᎤᏥᎸᏎᏍᏗ\t-13.1235\nᏗᎨᏅᏒ\t-13.1235\nᎩᏯᏒᎦᎶᏗ\t-13.1236\nᏚᏂᏴᏍᏕ\t-13.1236\nᏚᎾᎦᎴᏅ\t-13.1237\nᏩᏍᏕᏍᏗ\t-13.1237\n▁ᎠᏂᎪᏩ\t-13.1237\nᏓᎦᎵᏬᏥ\t-13.1237\nᏂᎦᎵᏍᏗᎭ\t-13.1238\nᏥᏯᏅᏔᏅ\t-13.1238\nᏥᏆᎵᏏ\t-13.1238\nᏛᏐᏅᎯ\t-13.1238\nᏓᎪᏪᎳᏂ\t-13.1239\nᏓᏍᏚᎲᎢ\t-13.1239\nᏑᎵᎪᏨ\t-13.1239\nᏓᏅᏖᎢ\t-13.1239\nᏄᏩᏁᎰ\t-13.124\nᏛᏂᏍᏗᏍᎩ\t-13.124\n▁ᏚᏂᎸᏫᏍᏓ\t-13.124\nᏕᎦᏅᏌ\t-13.124\nᏤᎳᏍᏔᏂ\t-13.1241\nᏍᏋᏂ\t-13.1241\nᎯᏱᎵᏙ\t-13.1241\nᎦᏓᏅᏖᏍᎪ\t-13.1242\n▁ᎤᏗᎴ\t-13.1242\nᎺᏌᏯ\t-13.1243\nᎣᏥᏁᎦ\t-13.1243\nᏕᎪᏢᏒᎩ\t-13.1243\nᏚᏟᎶᏍᏓᏁᎴᎢ\t-13.1243\nᏥᏄᏍᏙ\t-13.1243\nᎤᎾᏁᎳᏗᏍᏗᏱ\t-13.1243\nᏅᏓᎦᏛᏁᎵ\t-13.1243\nᏅᏛᎾᎵᏍᏔᏂ\t-13.1243\nᏓᏰᏥᏁᎵ\t-13.1243\nᏨᏗᎦᏚᎭ\t-13.1243\nᏭᏙᎯᏳᎲ\t-13.1243\nᎠᎵᏍᏓᏴᎲᏍᎬ\t-13.1243\nᎠᎻᎳᎻ\t-13.1243\nᎠᏂᎦᏔᎮ\t-13.1243\n▁ᏚᏂᏴᏍ\t-13.1243\nᏱᏥᏁᎦ\t-13.1243\nᎠᎩᎵᏓᏍ\t-13.1243\nᎠᏁᏙᎮᎢ\t-13.1243\nᎠᏓᏅᏖᏍᎨᎢ\t-13.1243\nᎤᏥᏯ\t-13.1243\nᎦᏄᎸ\t-13.1243\nᎵᏍᏙᏔᏂ\t-13.1243\n▁ᎠᎱᏢ\t-13.1243\n▁ᎢᏣᎵᏍᏕ\t-13.1243\nᏭᏓᎴᏎ\t-13.1243\nᎤᏍᏗᎩᎨ\t-13.1244\nᎾᏂᏪᎭ\t-13.1244\nᏩᎩᎶᏒᎩ\t-13.1244\nᏍᎦᏅᏤᎲ\t-13.1244\nᏍᏗᎦᏔᎮ\t-13.1244\nᏣᎵᏂᎩ\t-13.1244\nᏩᏪᏎᎸᎩ\t-13.1244\n▁ᏙᏗᎧᏅ\t-13.1245\nᏍᎩᏍᏕᎳ\t-13.1245\nᎤᎵᏰ\t-13.1245\nᏰᏗᏩᏛ\t-13.1245\nᏓᏃᏎᎰ\t-13.1246\nᏥᎨᎭ\t-13.1246\nᏓᏕᏲᎲᏍᎨ\t-13.1246\nᏓᏂᎧᎿᏩᏗ\t-13.1246\nᏚᎾᏟᏴ\t-13.1246\nᎺᏌ\t-13.1246\n▁ᎥᎩᎱᏍᏕ\t-13.1246\nᎧᎾᎷ\t-13.1247\nᎠᎵᎮᎵᎩ\t-13.1247\nᏧᎾᎵᏍᏓᏴᏗᏱ\t-13.1247\nᏭᏩᏅᏓᏕ\t-13.1247\nᎣᎦᏣᏅ\t-13.1247\nᎤᏓᏅᎦᎸᏓ\t-13.1247\nᎥᎦᏥᎪᎥᎩ\t-13.1247\nᎠᏃᏍᏓ\t-13.1247\nᏒᎦᎾᏲᎪ\t-13.1247\nᎠᏛᎩᏍᎨ\t-13.1247\nᏕᎭᎷᎨ\t-13.1248\nᎤᏴᎸ\t-13.1248\nᏂᎬᏩᏂᏪᏎ\t-13.1248\nᏓᎩᏯᏪᎬ\t-13.1248\nᏃᎦᏛᏁᎸ\t-13.1248\nᎩᏂᏌᏅᎩ\t-13.1248\n▁ᏣᎾᏛᎩ\t-13.1248\nᏂᏕᎲᏁ\t-13.1248\nᎯᎴᏴᏍ\t-13.1249\nᏄᏪᎡᎢ\t-13.1249\nᎠᏓᏲᏁ\t-13.1249\nᏎᎵᏓᏁᎴ\t-13.1249\n▁ᏕᏨᏯᏠᎢᏍ\t-13.1249\nᎨᎪᏎ\t-13.1249\nᎤᎾᏙᎴᎰᎯᏍᏗᏱ\t-13.1249\nᎬᏩᎪᎮᎢ\t-13.1249\nᏂᏚᏂᏪᏎᎴᎢ\t-13.1249\nᏫᎨᏥᏯᏅᏛ\t-13.1249\nᏓᎪᏄᎸ\t-13.1249\nᎡᏚᏥ\t-13.125\n▁ᏭᏗᏢᏍᏔᏁ\t-13.125\n▁ᎠᎾᎵᏍᏓᏴᎲᏍᎪ\t-13.125\n▁ᎤᎵᏯᏍᏚᏁ\t-13.125\n▁ᏧᏗᎴ\t-13.125\n▁ᏕᏣᏁᎶᏛ\t-13.125\nᏓᏦᎯᏍᏛ\t-13.125\n▁ᎤᏂᏍᏆᏂᎪᏍᎨ\t-13.125\nᏓᏂᎾᏏᏂ\t-13.125\nᏓᎴᏂᏍᎨ\t-13.125\nᏚᎪᏓᏁᎯ\t-13.125\n▁ᏧᏂᎶᏎ\t-13.125\n▁ᏍᏔᏲ\t-13.1251\n▁ᏫᎬᏩᏘᏅ\t-13.1251\n▁ᎡᏦᏎᎲ\t-13.1251\nᏍᎩᏲᎮᎸᎭ\t-13.1251\n▁ᏚᏪᎳᏍᏔᏁ\t-13.1251\n▁ᎠᏂᏍᎦᏅ\t-13.1251\nᏂᏥᏪᏍᎬ\t-13.1251\nᎤᎵᏨᏓᏆᏓ\t-13.1251\nᏗᎨᎫᎪᏓᏁᏗ\t-13.1251\nᏄᏩᎥ\t-13.1251\nᏭᎷᏤᎴ\t-13.1251\nᎤᏲᎱᏎᎮᏍᏗ\t-13.1251\n▁ᏳᎾᏛᎦ\t-13.1252\nᎢᏯᏓᏅᏖᏗ\t-13.1252\n▁ᏚᏂᏯᏙ\t-13.1252\nᎠᏂᎦᏲᏟ\t-13.1252\nᏍᏈᏍᏔ\t-13.1252\nᎤᏒᏂᎴᎢ\t-13.1252\nᎦᎶᏐᎲᏍ\t-13.1252\nᎠᎦᏔᎮ\t-13.1253\n▁ᏧᏫᏎ\t-13.1253\nᏚᏦᎯᏍᏛ\t-13.1253\nᏚᏭᎪᏔᏅ\t-13.1253\nᎤᎾᏛᏁᎸᏗ\t-13.1253\n▁ᎠᎾᏓᏁᏟᏴᏎᎬ\t-13.1253\nᏯᏖᎾ\t-13.1253\nᏥᏙᏁ\t-13.1253\nᎧᏃᏁ\t-13.1254\nᎢᏧᏕᏘᏴᏛ\t-13.1254\nᎥᏥᎪᎥᎩ\t-13.1254\nᎤᏂᎷᏨ\t-13.1254\nᎣᎦᏛᎦᏅ\t-13.1254\nᎣᎩᏴ\t-13.1254\nᏲᎱᏎᎸ\t-13.1254\nᎤᎩᏨᏅ\t-13.1254\nᏗᏣᏘᏄᎦ\t-13.1254\nᎤᏬᏎᎴᎢ\t-13.1254\n▁ᏕᎨᏥᎾᏝᎥ\t-13.1254\n▁ᏓᏆᏕ\t-13.1254\nᎠᎹᎴᎩ\t-13.1255\nᏀ\t-13.1255\nᎠᏆᏓᏅᏙᎩ\t-13.1255\nᏗᏣᎧᏅᎦ\t-13.1255\nᎨᏥᏅᏒᎯ\t-13.1255\nᎨᏥᏅ\t-13.1255\nᎠᏂᎩᏏᏙᎯ\t-13.1255\nᏦᏞ\t-13.1255\n▁ᎥᏆᎸᎥ\t-13.1255\nᎡᏘᏴ\t-13.1255\nᎦᏰᏌᏗ\t-13.1255\nᎢᏥᏯᏫᏍᎨᏍᏗ\t-13.1255\nᎤᎾᏙᎴᎰᏒ\t-13.1255\n▁ᎤᏍᎪᏂᎴ\t-13.1255\nᎨᏥᏙᎵᏍᏗ\t-13.1255\nᎠᏂᎨᎾᏂ\t-13.1256\nᏕᎹᏍᎦ\t-13.1256\nᏕᎨᏌᏗᏒ\t-13.1256\nᎩᎾᎵᎢ\t-13.1256\nᎠᏫᏄᏣ\t-13.1256\nᏧᏍᏆᏅᎾ\t-13.1256\nᎨᏥᎵᎥᏂ\t-13.1256\nᏧᎾᎩᎸᏗ\t-13.1256\nᏗᏍᏓᏓᏅᏟ\t-13.1256\nᎦᏁᏌᎢ\t-13.1256\nᏌᎪᏂᎨ\t-13.1256\nᎤᏫᏯ\t-13.1256\nᏓᏓᎿᏩᏍᏛ\t-13.1256\nᏣᏓᏅᏙ\t-13.1256\nᎤᏍᏆᎸᎲ\t-13.1256\nᎠᏆᏛᎦᏅᎩ\t-13.1256\nᏓᎬᏔᏂ\t-13.1256\nᏧᏂᎸᏫᏍᏓᏁᏗᏱ\t-13.1257\nᎠᏈᎻᎴᎩ\t-13.1257\nᎤᎦᏎᏂ\t-13.1257\nᎾᏓᎢᏅᏎ\t-13.1257\nᏄᎵᏍᏔᏂᏙᎸ\t-13.1257\nᏓᏆᎴᎷ\t-13.1257\nᎤᏪᏅᎩ\t-13.1257\nᏂᏚᏪᏎᎴ\t-13.1257\nᏅᏗᎦᎵᏍᏙᏗᏍᎬ\t-13.1257\n▁ᎨᏥᏛᏔᏁ\t-13.1257\nᎭᏯᏛ\t-13.1257\nᎢᏯᏛᏁᎯ\t-13.1257\nᎤᎦᎵᏍᏗ\t-13.1257\nᎤᎾᏤᎵᎪᎯ\t-13.1257\nᎦᏓᎷᎪᏗ\t-13.1258\nᎠᏙᎴᎰᏍᎩ\t-13.1258\nᏄᎾᏍᏛ\t-13.1258\nᎠᏂᏴᏫᏯ\t-13.1258\nᎠᏕᎳ\t-13.1258\nᎤᏂᏃᏕᎾ\t-13.1258\nᏅᏩᏓᎴ\t-13.1258\n▁ᏅᏧᏪᏎ\t-13.1258\nᎤᎾᏤᎵᎦ\t-13.1258\nᎤᏓᏙᎵᏍᏗ\t-13.1258\n▁ᎠᏆᏛᏅᎢᏍᏔ\t-13.1258\nᎢᏯᏂᏛ\t-13.1258\nᏎᎮᎲ\t-13.1258\nᏧᎾᏓᎴᏅᏛ\t-13.1258\n▁ᏕᎬᏩᏘᏃᎮᎴ\t-13.1258\n▁ᏫᎤᏂᎶᏎ\t-13.1258\n▁ᏧᏁᏢᏔᏅᏒ\t-13.1258\nᏧᎬᏩ\t-13.1258\n▁ᏓᎪᏄᎴ\t-13.1258\nᎢᏣᎵᏍᏓᏁᏗ\t-13.1258\n▁ᎤᎾᏓᏁᏟᏴᏒᏒ\t-13.1258\n▁ᏚᏅᏩᏁ\t-13.1258\nᎤᏂᎩᏎ\t-13.1258\nᎤᏲᎱᏎᎢ\t-13.1258\nᏗᏇᏥ\t-13.1258\n▁ᎤᏓᏅᏔᏕ\t-13.1258\nᏕᏡᎬᎢ\t-13.1258\nᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ\t-13.1258\nᎧᏅᏂᏍᎩ\t-13.1258\nᎠᏆᏓᏅᏖᏗ\t-13.1258\nᏂᏨᏪᏎᎭ\t-13.1258\n▁ᏓᏐᏴ\t-13.1258\nᎦᏴᎯᏓ\t-13.1259\nᏗᎦᎸᏫᏍᏓᏁᏗ\t-13.1259\nᏍᏚᎶ\t-13.1259\n▁ᎡᏤᏲᏅ\t-13.1259\nᏗᏯᏠ\t-13.1259\nᎠᏂᏍᎦᏯ\t-13.1259\nᏓᎩᎳᎩ\t-13.1259\nᎤᎦᎾᏍᏓ\t-13.1259\nᎤᏩᏙᎯᏴᏓ\t-13.1259\n▁ᎤᎴᏴᏎ\t-13.1259\nᎩᎳᏈᏴ\t-13.126\nᎤᏃᏕᎾ\t-13.126\nᎿᏛᏁᎲ\t-13.126\n▁ᎢᎬᏩᏂᏆ\t-13.126\nᎤᏁᏢᏔᏅᎯ\t-13.126\nᏅᏛᎩᏅᏏᏛ\t-13.126\nᎨᏥᏍᏚᎮ\t-13.126\nᎢᏣᏛᏁᏗᏱ\t-13.126\n▁ᏚᏪᏣᎦᎸᎮ\t-13.126\nᏓᏳᏓᎴᏅᏓ\t-13.1261\nᏅᏛᏛᏁᎵ\t-13.1261\nᎦᏆᏘ\t-13.1261\n▁ᏓᎾᎵᏍᏓᏴᎲᏍᎨ\t-13.1261\nᎠᏂᏧᏏ\t-13.1261\n▁ᎦᏳᏩ\t-13.1261\nᏰᎶᎢᏍ\t-13.1261\nᏗᏅᏃᏛ\t-13.1261\nᎢᏳᎵᏍᏔᏅᎯ\t-13.1261\nᎤᎾᏂᎩᏒ\t-13.1261\nᎠᎩᏅᏏᏙᎯ\t-13.1262\n▁ᎤᏪᏙᎵᏤ\t-13.1262\n▁ᏫᎤᎶᏎ\t-13.1262\nᏓᎪᏄᎶ\t-13.1262\nᏙᏱᏗᏢ\t-13.1262\n▁ᎤᏍᎩᏓᏎ\t-13.1262\n▁ᏓᎩᎸᏫᏍᏓ\t-13.1262\n▁ᏭᏘᏅᏍᏔᏁ\t-13.1262\nᎤᎵᎮᎵᏤ\t-13.1262\nᏗᎪᏪᎳᏅ\t-13.1262\nᎤᎦᏔ\t-13.1262\nᎠᏂᎦᏘᏯ\t-13.1263\nᎢᏳᏅᏁᏗᏱ\t-13.1263\n▁ᏗᎧᎾᏩ\t-13.1263\n▁ᏱᎦᏓᏅ\t-13.1263\nᎤᏰᎸᏛᎢ\t-13.1263\n▁ᏓᏍᏚᎲ\t-13.1264\nᎤᎵᏍᏕᎸ\t-13.1264\n▁ᏣᏃᏎᎰ\t-13.1264\nᎤᎷᎯᏍᏗᏱ\t-13.1264\nᎢᏳᎵᏍᏙᏗᏱ\t-13.1264\nᎦᏒᏍᏙᎢ\t-13.1264\n▁ᎬᏴᏗᏍᎬ\t-13.1264\n▁ᎣᎦᏚᎵ\t-13.1265\nᎦᏕᏲᏅ\t-13.1265\nᏧᏂᏢᎩ\t-13.1265\n▁ᏂᏓᏋ\t-13.1265\n▁ᏚᎵᏍᏚᎢᏎ\t-13.1265\n▁ᏚᏘᏃᎮᎴ\t-13.1265\n▁ᏚᏃᏪᎸ\t-13.1265\n▁ᏚᏚᏓᏛ\t-13.1265\nᎠᏲᎱᏒ\t-13.1266\nᏧᎾᏁᎶᏗ\t-13.1266\nᎪᎯᏳᎲᏍᎩ\t-13.1266\nᏥᏝᏁ\t-13.1266\nᎤᎵᏏᎩ\t-13.1266\n▁ᏂᏣᏛᎿᏕᎬ\t-13.1266\nᏦᏔᏅ\t-13.1266\n▁ᎤᏂᏐᏅᏤᎴ\t-13.1266\nᎢᎪᎯᏛ\t-13.1266\nᏄᏦ\t-13.1267\n▁ᎢᏣᏓᏁᏟᏴᏎᎬ\t-13.1267\nᎵᎬᎭᎷ\t-13.1267\n▁ᏙᏗᏣᏓᏅᏛ\t-13.1267\nᎬᏍᏓᏩᏛᏍᏗ\t-13.1267\n▁ᎤᎾᏁᏢᏔᏅᏒ\t-13.1267\nᏥᎷᏏᎵᎻ\t-13.1267\nᎤᏁᏅᏍᏗ\t-13.1267\nᎤᏂᏴᏎ\t-13.1267\nᎤᏚᎸᏗ\t-13.1267\nᏪᎳᏏ\t-13.1268\nᏗᎨᏫ\t-13.1268\n▁ᏭᎩᎶᏫ\t-13.1268\nᏩᏘᏍᎨ\t-13.1268\n▁ᏂᏚᎾᏓᏪᏎᎴ\t-13.1268\nᎴᏫᏍᏙ\t-13.1268\n▁ᎠᎦᏬᎡ\t-13.1268\nᎠᏂᎪᏩᏘᏍᎬ\t-13.1268\nᏚᏂᏂᏆᏘ\t-13.1269\nᏱᏂᏪᏍᎨᏍᏗ\t-13.1269\nᎬᏩᎦᏘᏯ\t-13.1269\nᎤᎳᏏᏕᏂ\t-13.1269\nᎯᏍᏓᏁᎲ\t-13.1269\n▁ᏂᎦᏪᏍᎨ\t-13.1269\nᎦᏂᎦᏔ\t-13.127\nᏧᎾᎵᏂᎩᏛ\t-13.127\nᏍᏓᏩᏕᎪ\t-13.127\nᎠᏆᎵᏏ\t-13.127\nᎾᏓᏁᏟᏴᏏᏒ\t-13.1271\n▁ᏕᎦᎾᏄᎪᏫ\t-13.1271\nᎦᏄᎸᏒ\t-13.1271\nᏗᏕᏲᏗ\t-13.1271\nᎯᏴᏎ\t-13.1271\nᏂᏬᏂᏍᎨᏍᏗ\t-13.1271\nᎤᏟᏍᏓ\t-13.1272\nᏃᏥᎥ\t-13.1272\nᎤᎪᏩᏛᏗᏱ\t-13.1272\nᏗᏤᏅᏒ\t-13.1272\nᎧᏃᎮᏍᎩ\t-13.1272\nᏥᎧᏍᎨᏂ\t-13.1273\nᎠᎹᏰᎵ\t-13.1273\nᏚᏠᏱᎴᎢ\t-13.1273\nᎸᏫᏍᏓᏁᎲ\t-13.1273\nᏦᎣᏎ\t-13.1273\nᎤᎾᏓᏡᎬ\t-13.1273\n▁ᎤᎵᏛᏔᏁ\t-13.1274\n▁ᏪᏓᏓ\t-13.1274\n▁ᎤᏓᏅᏓᏕ\t-13.1274\nᎪᎲᏍᏔ\t-13.1274\n▁ᎤᎵᏦᏔᏁ\t-13.1274\nᏍᏚᎶᏔᏅ\t-13.1274\nᏚᎪᎲ\t-13.1274\n▁ᏣᎢᏎ\t-13.1275\nᏧᏂᏴ\t-13.1275\nᎧᏴᏤ\t-13.1275\nᏕᏣᎵᏍᏓᏴᎲ\t-13.1275\nᎤᏯᏅᎯ\t-13.1275\n▁ᏳᎾᏟ\t-13.1275\n▁ᏁᏪᏎᎴ\t-13.1275\nᏣᎵᏍᏓᏴᎾᏁ\t-13.1275\nᎵᏦᏔᏁᎢ\t-13.1276\nᏅᎬᏩᏪᏎᎸᎩ\t-13.1276\n▁ᎬᏬᎯᏳᏅ\t-13.1276\n▁ᎠᏓᏴᏗ\t-13.1276\nᏃᎴᏍᏉ\t-13.1276\nᎤᏣᏘᏂ\t-13.1276\nᏂᏕᏨ\t-13.1277\n▁ᎢᏨᏁᎢᏍᏗᏍᎬ\t-13.1277\nᎤᏓᏅᏘ\t-13.1277\nᎤᎩᎬ\t-13.1277\nᎦᏙᎥᎯ\t-13.1278\nᏚᏓᏖᏍᏗ\t-13.1278\n▁ᎠᏥᏩᏛᎡᎸ\t-13.1278\nᏲᏟᎨ\t-13.1278\n▁ᏧᎾᏄᎪᏤ\t-13.1278\nᎬᎾᏬ\t-13.1278\nᎾᏁᎳᏗᏍ\t-13.1278\n▁ᎤᏓᏙᎵᏍᏓᏁᎸ\t-13.1279\n▁ᎤᏄᏖᏒ\t-13.1279\n▁ᏚᏅᏍᏓᏕᎸ\t-13.1279\nᏪᎷᏁ\t-13.1279\n▁ᎠᏍᎩᏗᏍᎨ\t-13.1279\n▁ᎬᏩᏡᏗᏍᎬ\t-13.1279\nᏩᏳᏤᎴ\t-13.1279\nᎳᎨᏯᏛᏤᎢ\t-13.128\nᏏᏛᏂᎸ\t-13.128\nᏕᎶᎰᏎ\t-13.128\n▁ᎠᏂᏯᏙᎯᎲ\t-13.128\nᏓᏍᎩᏁᎵ\t-13.128\nᏓᏟᏃᎮ\t-13.128\nᏩᏛᎡᎴ\t-13.128\n▁ᎠᎫᎢᏍᏗᏍᎬ\t-13.128\nᏩᏗᏎ\t-13.1281\n▁ᏚᏭᏓᏔ\t-13.1281\nᏓᏆᏙᎥ\t-13.1281\n▁ᏭᏘᏅᏍᏔᏅ\t-13.1281\nᏬᏪᎳᏅ\t-13.1281\nᎵᏍᏓᏗᏍᏗ\t-13.1281\nᏓᏓᎶᏂ\t-13.1282\nᎬᎪᏩᏘ\t-13.1282\n▁ᏐᏈᎵᏗᎦᎵᎠᏅ\t-13.1282\n▁ᎢᏨᎨᏳᏒ\t-13.1283\nᎩᏍᎦᏅᏨ\t-13.1283\nᏂᏆᏘᏍᏗ\t-13.1283\nᏄᎬᏫᏳᏌᏕᎩ\t-13.1283\n▁ᏃᎩᏅᏁᎸ\t-13.1283\nᎦᏓᏅᏔᏩᏕᎪ\t-13.1283\nᏂᎧᎿᏩ\t-13.1283\nᎩᏍᏆᎸᎡ\t-13.1284\nᏩᏗᏙᎮᏍᏗ\t-13.1284\n▁ᎠᏄᎯᏍᏗᏍ\t-13.1284\nᏓᏆᎴᎳ\t-13.1284\nᏑᎵᏍᎬ\t-13.1285\nᎪᏪᎳᏅᎯ\t-13.1285\nᏣᏕᎰᎯ\t-13.1285\n▁ᎤᏓᏱᎸ\t-13.1285\nᎭᎵᎮᎵᎩ\t-13.1286\n▁ᏂᎬᏩᏛᏁᎴ\t-13.1286\nᏅᎨᏫ\t-13.1286\n▁ᎬᏩᏁᏄᎳᏍ\t-13.1286\n▁ᏓᏂᏄᏙᎬ\t-13.1286\nᏓᏁᎪᏴᏓ\t-13.1286\nᎵᎶᎲᏍᎩ\t-13.1287\n▁ᎠᏓᏴᏍᏔᎩᏍ\t-13.1287\n▁ᎤᏁᏐᎠᏒ\t-13.1287\nᎤᏡᏗᏍᎩ\t-13.1287\nᎵᏍᏚᎢ\t-13.1287\nᏅᎪᎳᏛ\t-13.1287\nᏌᏯᏍᏗᏕᎩ\t-13.1287\nᏩᏩᏙᎣ\t-13.1287\nᎾᎦᏎᏍᏛ\t-13.1287\nᎩᏍᏙᎡ\t-13.1287\n▁ᎤᎾᏓᏄᎸ\t-13.1287\n▁ᎤᏗᏩᏒ\t-13.1287\nᎪᎯᏳᏗᏍᎩ\t-13.1287\nᎬᎥᏍᎩ\t-13.1287\nᎦᏴᎳᏥᎶᏛ\t-13.1287\nᎾᎵᏃᎮᏔᏁ\t-13.1288\nᏥᎧᎯᏴ\t-13.1288\nᎠᏥᏁ\t-13.1288\nᏂᏲᎯᏍᏔ\t-13.1288\n▁ᏛᏓᎴᎲᏍᎬ\t-13.1288\n▁ᎢᎬᏩᏂᎩ\t-13.1288\nᎣᎩᎷ\t-13.1288\n▁ᏕᎭᏕᏲᎲᏍᎬ\t-13.1289\nᏄᏬᏍᏛᎩ\t-13.1289\n▁ᏣᏍᎦᎸ\t-13.1289\nᎤᏍᎦᏃᎵ\t-13.1289\n▁ᎤᎾᏄᎪᏤ\t-13.1289\nᎦᏅᏌᏗ\t-13.1289\n▁ᏂᏚᏂᏪᏎᎸ\t-13.1289\n▁ᎤᏂᎷᎯᏍ\t-13.1289\nᏍᏔᏂᏙᎲ\t-13.1289\nᎾᏅᏓᏗᏍᎨ\t-13.1289\n▁ᎦᏓᏙᎵᏍᏗᏍ\t-13.129\nᏂᏴᎯᎰ\t-13.129\nᎠᏫᏅ\t-13.129\n▁ᎴᎹ\t-13.129\n▁ᎤᏡᏗᏍ\t-13.129\nᎵᎮᎵᏤᎰᎢ\t-13.129\nᎾᏓᏙᎵᏍᏓᏁᎲ\t-13.129\nᏍᏆᏚᎸ\t-13.129\nᎾᏓᏃᎮᎵᏙᎯ\t-13.129\n▁ᏱᏥᏩᏘᏍᎪ\t-13.129\nᏚᎢᏍᏔᏁ\t-13.129\nᎦᏎᏙ\t-13.1291\nᏟᏅᏨ\t-13.1291\nᏓᎪᏩᏘ\t-13.1291\n▁ᏗᎦᏃᎸᏗᏍ\t-13.1291\nᏗᎦᎴᏲᏨ\t-13.1291\nᎾᎴᏲᎥ\t-13.1291\nᎵᏍᎫᏮ\t-13.1291\nᏯᏍᏚᏎᎢ\t-13.1291\nᏌᏯᏍᏗ\t-13.1291\n▁ᎢᏧᏅᏁ\t-13.1291\nᏣᏪᏐᎸᏍᏙ\t-13.1292\nᏔᎸᎩᏓ\t-13.1292\nᏦᏨ\t-13.1292\n▁ᏅᎬᏩᏪᏎᎸ\t-13.1292\n▁ᎡᏥᏯᏅ\t-13.1292\n▁ᏑᎾᏓᏡ\t-13.1292\n▁ᎬᏩᏜ\t-13.1293\n▁ᏗᏄᎪᏗᏍ\t-13.1293\n▁ᎢᏣᎫᏴ\t-13.1293\nᎾᏓᏅᏓᏕᎢ\t-13.1293\nᏂᏂᎬᏎᎲ\t-13.1293\n▁ᎨᏥᏃᎮᏍᎬ\t-13.1293\n▁ᎦᎷᎪ\t-13.1293\nᏄᎩᏣᏁ\t-13.1293\n▁ᏱᎦᎾᏄᎪ\t-13.1294\n▁ᏚᏂᎵᏬᏤ\t-13.1294\nᏣᏛᏅᎢᏍᏔᏅ\t-13.1294\n▁ᏕᎦᏚᏓᏕᏫᏒ\t-13.1294\nᎾᎵᎮᎵᎨᎢ\t-13.1294\nᏪᏙᎵᏤᎢ\t-13.1294\nᏥᏌᎳᏙ\t-13.1294\nᏍᎩᎾᎾᏂ\t-13.1294\n▁ᏱᏥᏩᏘ\t-13.1294\nᏐᏢᎢᏍᏗᏍᎬᎢ\t-13.1294\nᏓᎵᏁᎯᏕᎸ\t-13.1295\nᏗᏣᏁᎶ\t-13.1295\n▁ᏯᏆᏛᏁ\t-13.1295\n▁ᎤᏴᏓᏆᎶ\t-13.1295\nᏨᎪᏩᏘ\t-13.1295\n▁ᎾᎩᏪ\t-13.1295\nᏩᏙᎯᏴᏓ\t-13.1295\nᎦᏓᏅᏖᏍᎬ\t-13.1295\nᎤᎸᏓᎸᎥ\t-13.1295\n▁ᎤᏓᏱᎴ\t-13.1295\n▁ᏗᏟᏰᎵᏓᏍ\t-13.1295\n▁ᎨᎬᏬᎣ\t-13.1295\n▁ᏧᏬᏑᎴ\t-13.1296\nᏥᏚᏙᎥ\t-13.1296\n▁ᎣᎯᏍ\t-13.1296\n▁ᏂᏍᎩᏯᏛ\t-13.1296\n▁ᏦᎯᏳᏎᏍᏗ\t-13.1296\nᏠᏯᏍᏔᏅᎩ\t-13.1296\nᏴᏍᏔᏁ\t-13.1296\n▁ᏍᏊᏓᎳ\t-13.1296\nᎦᏐᎠᏍᎬ\t-13.1296\nᎤᏣᏔ\t-13.1297\n▁ᎤᏩᏩᏙ\t-13.1297\n▁ᏗᎦᏯᎩᏍ\t-13.1297\n▁ᎣᎦᏅᏅ\t-13.1297\n▁ᏫᎨᏥ\t-13.1297\n▁ᎬᏩᏂᎪᏩ\t-13.1297\nᏕᎦᎶᎨᏒ\t-13.1297\nᏗᏜ\t-13.1297\nᎩᏓᏟᏅᏯ\t-13.1297\n▁ᏯᏂᏲ\t-13.1297\nᎵᏍᏆᏛ\t-13.1298\nᎨᏥᏍᏚᎲ\t-13.1298\nᏔᏂᏗᎨ\t-13.1298\nᎤᎵᏬᏨ\t-13.1298\nᏘᏍᏕᏍᏗ\t-13.1298\nᏟᏴᎲ\t-13.1299\n▁ᎤᎾᎩᎳᏫ\t-13.1299\n▁ᎥᎪᎩ\t-13.1299\nᏂᎧᎵᎢᏍᏔ\t-13.1299\n▁ᎤᎶᏐᏂ\t-13.1299\nᎧᏁᎢᏍᏗ\t-13.1299\nᏍᏕᏯᏓ\t-13.1299\n▁ᎬᏩᎾᏰᏍ\t-13.1299\nᎥᎩᏁᎸ\t-13.1299\nᎾᏂᎩᏎ\t-13.1299\nᎤᏟᏂᎩᏓ\t-13.1299\nᏘᏴᏛ\t-13.13\n▁ᏄᏂᎬᏫᏳᏌᏕ\t-13.13\nᏓᏁᎳᏁᎸ\t-13.13\nᎦᏠᏏ\t-13.13\nᎦᏙᎥᎯᏍᏙᏗ\t-13.13\nᎤᏠᎠ\t-13.13\n▁ᎨᏥᏐᏅᎢᏍᏔᏅ\t-13.13\nᏔᎷᎩ\t-13.13\nᏬᎯᏳᏒ\t-13.1301\n▁ᏚᏂᎦᎵᏒ\t-13.1301\nᏂᏃᎯᎵᏙᎯ\t-13.1301\nᎳᏫᏎᎸᎩ\t-13.1301\nᏪᏓᏍᏗ\t-13.1301\nᎬᏋᏁᏗ\t-13.1301\nᏁᏉᏨ\t-13.1302\nᎵᏬᎢᏍᏗ\t-13.1302\nᎢᏳᏛᎿᏕᎩ\t-13.1302\nᎯᏳᎲᏍᎨᏍᏗ\t-13.1302\nᏆᎫᏴᎡᎲᎢ\t-13.1302\n▁ᏂᎨᏥᎳ\t-13.1302\nᏖᎵᏙᎩᎯ\t-13.1302\nᏙᏱᏨ\t-13.1302\n▁ᎤᎵᏍᎫᏫ\t-13.1302\nᎵᏰᎢᎵ\t-13.1302\n▁ᏓᎾᎵᏍᏓᏴᎲ\t-13.1302\n▁ᎢᏯᏆᎵᏍᏓᏁ\t-13.1302\nᎿᏩᏛᏍᏗ\t-13.1303\nᎤᏤᎵ\t-13.1303\nᏌᎯᎸ\t-13.1303\nᎾᎥᏂᎨ\t-13.1303\n▁ᏧᏙᏓᏆ\t-13.1303\nᎴᏫᏍᏙᏗ\t-13.1303\nᎪᏍᏔᏴ\t-13.1303\n▁ᎢᏯᏥᎸᏉ\t-13.1303\n▁ᏧᏬᏪᎶ\t-13.1304\nᎧᏃᎮᎭ\t-13.1304\nᏫᏚᏯᏅᎮ\t-13.1304\nᏨᏃᎮᎮ\t-13.1304\nᎬᏫᏳᏎᏍᏗ\t-13.1304\nᎭᏲᏛ\t-13.1304\n▁ᎠᎩᏍᏆᏂ\t-13.1304\nᎧᎹ\t-13.1304\n▁ᎤᏙᎴᎰ\t-13.1304\nᏇᏕᎵ\t-13.1304\n▁ᎢᏣᏓᏙᎵᏣ\t-13.1304\n▁ᎨᎪᏢᏅ\t-13.1304\n▁ᏭᏢᏁ\t-13.1305\n▁ᎠᏓᏛᏂᏗᏍ\t-13.1305\nᏛᏛᎲᏍᎨᎢ\t-13.1306\nᎴᏅᏗᏍᎪ\t-13.1306\nᎠᎦᏙᎥᎯᏍᏗ\t-13.1306\nᎦᎾᏍᏛ\t-13.1306\nᏕᏥᏯᏁᎶ\t-13.1306\n▁ᏱᏙᎩᎸᏫᏍᏓᏁ\t-13.1306\n▁ᏱᏗᏥᎸᏫᏍᏓᏁ\t-13.1306\n▁ᏱᎬᏲᏎ\t-13.1306\nᏥᏏᎾᏒ\t-13.1306\n▁ᎤᏣᏪᏐᎸᏍ\t-13.1306\nᏧᏅᏏᏓᏍᏗ\t-13.1307\n▁ᎦᎬᏩᏐᏢᏕ\t-13.1307\nᏓᎩᏲᎯᏎᎸ\t-13.1307\n▁ᎤᏬᏑᎶᏨ\t-13.1307\nᏆᏓᏬᏅ\t-13.1307\nᎵᏏᎾᎯᏍ\t-13.1307\n▁ᎤᏘᏍᏛ\t-13.1308\n▁ᎤᎧᏲᏛ\t-13.1308\nᏱᏙᎨ\t-13.1308\n▁ᏗᎨᎦᏁᎶ\t-13.1308\nᏗᏲᎱᎯᏎ\t-13.1308\nᎠᏘᏍᏓᏁ\t-13.1308\nᏔᎳᏚ\t-13.1308\n▁ᏓᎾᏣᏅ\t-13.1308\n▁ᎤᏂᎾᏝᎾ\t-13.1308\nᎫᏬ\t-13.1308\nᏯᏪᏐᎴ\t-13.1309\n▁ᎬᏩᎨᏳ\t-13.1309\nᎷᏥᏗᏒ\t-13.1309\n▁ᎠᏂᎦᏯᎷᎥᏍ\t-13.1309\nᎿᏬᎡ\t-13.1309\n▁ᏗᎧᎵ\t-13.1309\n▁ᏧᎸᏫᏍᏓᏁᎸ\t-13.1309\n▁ᏣᎾᏓᎾᏏᏂᏙ\t-13.1309\n▁ᎭᎢᏒ\t-13.1309\nᎵᏍᏛᏧᏅ\t-13.1309\nᏅᎦᎳᎲ\t-13.1309\nᎧᏂᎩᏓ\t-13.1309\nᏓᏂᏙᎨ\t-13.1309\nᎧᎵᎢᏍᏙᏗ\t-13.131\nᏙᏑᎴᏗᏱ\t-13.131\n▁ᎢᏍᎩᏳᏍ\t-13.131\nᏫᏍᏙᏗᏱ\t-13.131\nᏗᎦᎵᏍᏙᏗᏍᎨ\t-13.131\n▁ᏥᏥᎪᏩᏘ\t-13.131\n▁ᏱᎦᏬᏂ\t-13.131\n▁ᏄᏍᏗᏕᎬ\t-13.131\n▁ᏱᏚᎾᏓᎴ\t-13.1311\n▁ᎠᏥᏓᎦᎸ\t-13.1311\n▁ᏫᏓᏙᎴ\t-13.1311\nᎵᏖᎸᏅᎩ\t-13.1311\nᏯᏪᏐ\t-13.1311\nᏗᏛᎮᎢ\t-13.1311\n▁ᏧᏓᏆᏙ\t-13.1311\n▁ᎤᏓᏕᏲᏗ\t-13.1311\n▁ᏧᎾᏓᏙᎵᏍᏓᏁᏗ\t-13.1311\n▁ᎤᏍᏓᏩᏗᏓᏍᏗ\t-13.1312\n▁ᎬᏔᏲᏎ\t-13.1312\n▁ᏗᏧᎪᏙᏗ\t-13.1312\nᎱᏍᏕᏎᎴ\t-13.1312\n▁ᎥᏆᎸᏍᏗ\t-13.1312\nᎩᎵᏲᏤᎴ\t-13.1312\n▁ᏣᎩᏰᎸ\t-13.1312\nᏂᏄᎸᏅ\t-13.1312\nᎦᎶᏇ\t-13.1313\nᏖᎵᏙ\t-13.1313\n▁ᏩᎵᏰᎢᎶᎯ\t-13.1313\n▁ᏗᎾᏦ\t-13.1313\nᎵᏠᏯᏍᏛ\t-13.1313\n▁ᏗᎩᏲᏢ\t-13.1313\nᎪᏁᎶᎯᏎᏗ\t-13.1313\n▁ᎢᏨᎪᏩᏛ\t-13.1314\n▁ᎦᎾᏄ\t-13.1314\nᎬᏩᏝ\t-13.1314\n▁ᏤᏥᎤᏍᏕᏎᏗ\t-13.1314\n▁ᏱᏄᏪ\t-13.1314\n▁ᎠᏆᏢᏈᏍᏗ\t-13.1314\nᏪᏙᎵᏍᏗ\t-13.1314\n▁ᎤᏂᏴᏔᏂᎯᏍᏗ\t-13.1314\nᏥᏯᏛᏛᏅ\t-13.1315\nᎩᎵᏲᏥ\t-13.1315\n▁ᎤᎾᏓᏍᏔ\t-13.1315\n▁ᎢᎬᏪᏅ\t-13.1315\nᎾᏛᏛᎲᏍᎨ\t-13.1315\n▁ᏱᏓᏂᎳᏫ\t-13.1315\nᎾᏫᏛᎲᎩ\t-13.1315\n▁ᎠᏂᏔᏲ\t-13.1316\nᏟᏰᎵᏓᏍᏗ\t-13.1316\nᎵᏍᏓᏁᎸᎢ\t-13.1316\n▁ᏳᎨᏳ\t-13.1316\n▁ᎤᏍᎫ\t-13.1316\nᏳᎪᏓᏁᎵ\t-13.1316\nᏓᏕᎮᏍᏗ\t-13.1316\n▁ᏚᎵᏂᏆ\t-13.1316\n▁ᎢᏦᎯᏳᏗ\t-13.1316\n▁ᏓᎦᏥᏲ\t-13.1316\n▁ᎤᏂᏂᏴᏗ\t-13.1316\nᏂᏨᏴᏁᎭ\t-13.1317\nᏍᏓᎦᎸ\t-13.1317\n▁ᎢᏳᏩᏂᏌ\t-13.1317\nᎷᏏᎵᎻ\t-13.1317\nᎤᏂᎲ\t-13.1317\nᏣᏙᎴᎰᏍᎨ\t-13.1317\n▁ᎨᏥᎩᎵᏲᎢᏍᏙᏗ\t-13.1317\nᏰᎢᎶᎯ\t-13.1317\nᎭᎵᏍᏗᎭ\t-13.1317\nᎳᏛᎥᎦ\t-13.1317\nᏓᏙᎵᏍᏙ\t-13.1318\nᏓᏙᏕᏍᏗᏍᎩ\t-13.1318\nᎠᏡᏗᏍᎬ\t-13.1318\nᏂᎸᏫᏍᏓᏁᎯ\t-13.1318\nᎠᏁᎶ\t-13.1318\n▁ᏗᏒᏆᎶ\t-13.1318\nᎩᎵᏲᎢᏍᏙᏗ\t-13.1319\n▁ᎢᏯᏆᎵᏍᏙᏗ\t-13.1319\n▁ᎢᏧᏕᏘᏴ\t-13.1319\n▁ᎤᏍᏉᎵ\t-13.1319\n▁ᎣᎦᏕᏯᏙᏗ\t-13.1319\n▁ᏧᏂᏲᎱᏒ\t-13.1319\n▁ᏚᏯᏅᎮ\t-13.1319\n▁ᏛᎦᏓᏅ\t-13.1319\n▁ᏓᎾᏤᎨᏍᏗ\t-13.1319\nᏙᏛᎩᎸᏫᏍᏓᏁᎵ\t-13.1319\n▁ᏅᏩᏛᏁ\t-13.1319\nᏂᏌᏄᎦ\t-13.1319\nᎨᏍᎩᎥᏏᏉ\t-13.1319\nᏜᏍᏔᏅᎯ\t-13.1319\n▁ᏄᏂᎪᎸ\t-13.1319\n▁ᎠᏂᏏᏴᏫ\t-13.132\nᎾᏙᏓᏆᏍᎬ\t-13.132\nᏳᏓᏁᎭᏰᏃ\t-13.132\nᏓᏅᏓᏗᏍᏙᏗᏱ\t-13.132\nᏖᎸᎲᏍᎪᎢ\t-13.132\nᏂᏩᎾᎦᎳ\t-13.132\n▁ᎭᏛᏓᏍ\t-13.132\nᎾᏂᏏᏗᏱ\t-13.132\nᏥᏗᏒᎩ\t-13.1321\nᏓᏁᏟᏴᏎᎬ\t-13.1321\n▁ᏯᏂᏍᎦ\t-13.1321\nᏂᏏᎾᏌ\t-13.1321\n▁ᏥᎦᎷᎯᏍᏗ\t-13.1321\n▁ᏫᎨᏣᏲᎵ\t-13.1321\n▁ᎬᎩᏁᏤᎸ\t-13.1321\n▁ᎦᏃᎸᎥᏍ\t-13.1321\nᏕᎯᏳᎪᏓᏁ\t-13.1321\n▁ᏧᎾᏁᎳᏗᏍᏗ\t-13.1321\n▁ᏚᏂᏲᎯᏎᎸ\t-13.1322\n▁ᏅᏓᏩ\t-13.1322\n▁ᏚᎦᏒᏍ\t-13.1322\nᎦᏄᏖᏲ\t-13.1322\n▁ᎤᏂᎵᏦᏩ\t-13.1322\n▁ᎤᏓᏙᎵᏍᏔᏅᏎ\t-13.1322\n▁ᏧᏂᏴᏍᏕᏍ\t-13.1322\n▁ᎣᎩᏃᎮᏍᎬ\t-13.1322\n▁ᎦᎶᎯᏍ\t-13.1322\nᎾᎵᏍᏓᏁᎴᎢ\t-13.1323\nᏠᏒᏎ\t-13.13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    "content": " The Abraham said unto him, Moses and prophets; that he may be with them.\n “Well,” said Charlotte.\n Therefore shall not be ashamed of them, but shall not be given unto them, but to them that are in the flesh of their works.\n When he was going to the other side.\n And he shall say unto them, Because there be called by them, ye shall enter into the fire of fire, who is the devil and his angels.\n not in the evil work, but the righteousness of righteousness;\n which is not worthy of you, neither is no more with him:\n And there was no root of them, that the faith of faith were with them.\n And they were all amazed, they said to another, Know ye, not all these things are of Galilee?\n He took one of his own hand, but I’m not see the way of the mountains, but he could not be able to see it.\n Therefore is the throne of God before the throne, and found nothing of the temple, that day and night: and he that sitteth on the throne shall be with him.\n This is this to pass to God, for God hath been given to the Son of the world, that I may eternal life, that I may eternal life.\n But if we cast out demons in the temple of God, ye shall not see the kingdom of God.\n I guess I was a tree in the tree, and I would have a tree.”\n If he would make one of them, that ye may make one of them, all that thou hast made me: and if it is one of them, that he may be one for all.\n It went into the air and wiped their noses and ate.\n Even as it is written in the law of the law in the law of Israel;\n It was like so as it was in the day, the day of the day was in the day, and it was in the morning.\n Wilbur stood asleep.\n And they shall speak in the end of the tabernacle, to the rest of the rest of the Gentiles; but hope, that ye may be saved, ye may give me to go away from me;\n I’m going to me.\n He sat on the edge of the other side, he put them into heaven.\n I started a short man to keep a short man to keep a short man, and then the word that is at the ground, then then I was like a knife in the ground.\n Her egg sac sac.\n And as he had seen it, he took bread, and gave thanks, he gave them, and gave them, and said, This is my body.\n Perry went back to the ground and the sounds of the man, wet wet.\n Not me.\n And when they were come to pass, they were astonished, they began to say, Who is this, who did also also also?\n This was three days, when he went out again unto the second time.\n And if thy hand shall cause thee to stumble, it shall be cut off, and thou shalt eat: for it is good for thee, and thou shalt make it: for it is good for thee, that thou mayest be cast into the body.\n “I don’t feel life for the barn’s barn.\n But there was not a curse, even as it is a serpent; and when it was come, as I have sent you, even as ye are in Christ.\n And they shall not say that it is written, that the stones of the chief corner;\n “Oh, Charlotte,” she said.\n “I’m going to the Ferris wheel, but I’m not need.\n I say unto you, I will keep you; for it is, I will give you: I pray thee, ye shall die.\n whose Father is greater than all, and I cannot be able to my Father.\n The spider seemed to the web, This is the web seemed to the spider.\n It was like the winds of the air.\n Yea, who is the law of the law, but the law of the law,\n And he said unto him, Friend, why do ye that thou art here that thou art? And they were afraid.\n Salute another with love with love.\n <unk>II.\n For whatsoever is no one that is in the things; he that doeth all things are the things of God.\n “What are you going to do?” asked asked.\n And Jesus answered and said, Nay, I know not the way of your fathers, what ye shall see the cup of the cup of the cup of the cup of the cup, and it is able to do with me?\n And they took the fire in the fire, and the fish, and the fishes.\n But though it is good for thee for thee.\n “I’m going to eat, and his tail was sitting in the sun.\n And when we had seen, we saw, and set on the right hand, and found on the right hand of the ship; and there was a ship of the ship.\n Now I say, And ye shall speak in the name of the Lord, that ye should not receive the rest of the Gentiles according to the rest of the Gentiles,\n Know ye not, that the sabbath day of the sabbath day in the sabbath, and not seen the sabbath, and have not seen the things which are in the sabbath.\n You'll get you, Wilbur!\n Remember the law, that thou shalt not commit adultery, Thou shalt not steal, Thou shalt not steal, Thou shalt not steal, thy father, and thy mother.\n And when he went to the door of the door, and said unto Peter, Art thou also this man? I am not.\n For this is the love of God, that he may keep his commandments to the law; and the law is not.\n “I don’t think it’s going to sleep, Wilbur, in the corner of his mouth and Wilbur would not be the way of Charlotte’s children.\n And in the blue, of gold, with gold, with their handss.\n <unk>erily I say unto you, This generation shall not pass away.\n You’re all my morning.”\n And there are the disciples of the disciples.\n and when I beseech thee, I pray thee, I pray thee not a new law; I am not a new law;\n He went back to the dump and went back to his house.\n And, behold, this voice came out of heaven, This is my beloved son, that it is well.\n Then do good good tree, and shall be done evil evil evil; for it is a tree that is in the world.\n One morning Wilbur.\n Mrs milk.”\n And he that followed him, and saw him; and the flood was left, and took him.\n But let him know that the Son of man shall be in the world, then saith unto him, Arise, go up unto thee, and go.\n Bear, when we went up to the mountains, and he could not see the other side of the other, but he didn’t feel the other.\n <unk>nto the multitude of the multitude, because they were three days three days, because they were not three days;\n And they that were with him, they brought him out of the demons, and gave him a pig.\n For as I had known unto God, the people of the testimony of the testimony of the law, that they may eat and rulers, and for them that are in the same.\n For your faith were gone down from all men.\n And when they heard these things, and they that were with him, they were not afraid.\n Now there was a certain man named C<unk>sarea, a centurion, a centurion, a centurion, of the centurion.\n Fern was sitting in the edge of Fern, and I’d going to another.\n And he said also a parable unto them: There is one of the fig tree that he had taken out of the vineyard: and when he was come, he rose up, and he was not afraid.\n And I will give thee thee, and ye shall be with me: and because I have found me.\n And Philip said unto him, two hundred and the bread that is not able to make one of them.\n And he went out another, and said unto them that were bidden, and said unto them that were with us.\n When he fell down to the ground.\n Then another spider.\n And when John came to him, and began to say unto John the people; how are ye into the wilderness?\n But they told them not.\n But when I saw it, though I have found you in the book of the book, ye cannot do evil evil, but evil evil: for it is in evil evil evil.\n But we know that the truth is true, and I thought that they might have been made.\n He went back to be a long time to be a long time to be a long time to be the water.\n There was also that two thousand came also two talents.\n Then he went on the eleven disciples to the disciples,\n The Jews therefore said, What shall I tell him? saying, I will not go.\n When it came to the top of the air, and she sat down from the ground, and then it was a deep.\n And they brought him to him, Paul said unto him, The centurion came unto the centurion of the centurion.\n “Look out for it!” he Fern.\n Lurvy went and went up and went on his own hand.\n It was like a lot of wood.\n He that is born in his own body, that we might receive the body, that we might be made for a sin unto righteousness;\n This will I live with me.\n He would have a swim in the straw.\n And in the midst of the web.\n And they said, Because thou hast found in the presence of Moses, and in the country.\n And they that were not ignorant, let him hear. And they tell me, whose is the greatest?\n Mr.\n He was tired and happy.\n “Well, Wilbur!” said the old sheep.\n By faith he himself, and the child, and the child in the child, because that which was come to pass, because that he was promised, because he was promised.\n But I say, Is not I say unto you? yea, indeed ye have heard the world, and from the end of the earth.\n “Don’t worry, Templeton!” said Charlotte.\n But when he was gone away, but I’m not going to be, when he didn’t want to sleep.\n So that we may make one of each one of each one of God.\n For I say unto you, There shall not come unto you, until ye say, This is the name of the Lord:\n And he answered and said, There is no man in the house of Egypt, the sheep of the sheep of the house of Israel.\n Beloved, because it is love: for love is the God of God, and one of the God of God;\n And these things also Abraham with all these things, that they should take them out of the first; and the first part of the Lord is faithful, even the Lord, who is in peace.\n Charley started with a stone in a rock, and put it into the top of his head.\n From the <unk>ueens, and rolled to the Ridges, and I’d like the Ridges of the Nation.\n “Yes, it is,” said Wilbur.\n <unk>p!\n And the last egg, he said, I will surely my son.\n “It’s name of him.\n “Well,” said the goose.\n “Good!” said Charlotte.\n They had seen the ground and then I had seen the best of the Nation and their own ones that had been able to visit their eyes in their eyes.\n For there are all things that are in the sight of God, yea, and <unk>erily is in the sight of God.\n In that, I’ll make me in the midst of the colonel’s office, the people’s people did not because of the peoples of many peoples of people.\n These are they that are sown in the way, that they went into the country, and went down into the midst of his hands,\n Please, I'm going to sleep!”\n <unk>erily he said this, “I’m going to know this barn in the barn cellar, and then the goose had been done to the goose.\n It was a brown and then in the ground, he sat down with two legs, and he began to keep the top of the ground, and he began to keep the top of the ground.\n For ye shall say unto the bread of bread, and this cup, The cup of the Lord, until he come.\n And if he rose up into the fire, and cast it out of the fire, that they may put him to him; but if thou shalt say unto thee, that ye may kill him, and doth me.\n Take heed unto you, and pray thee, if any man thinketheth me, if any man hath given you, even as ye also do.\n But ye shall not be of them, for your Father because ye have your father before you.\n This is the work which thou hast given me, my beloved brother, even as thou hast given me to be comforted.\n And I pray thee, and be filled with me, and in my name;\n Wherefore, my beloved, beloved, ye know that the things which is with you?\n The days seemed up and the Zuckermans and the Zuckermans were gone up.\n And the scribes of the one came to him, when they heard that they were sick, and saw that he had said that he had said, What is the works of the law?\n <unk>nto the name of John, in the midst of the seven times; Grace with you and peace from you that is before you, and, who is the seven spirits which are before thee:\n Mr.\n The chief priests and the chief priests and the elders shall come to death, and they shall see.\n And there was one of the four living creatures seven angels and seven angels, and the wrath of God, even for ever and ever.\n But concerning the Son of man’s Son, whose Son are in the world,\n And behold, I came to pass; and I will say unto you, I will give thee to give unto you, to give it to every man according to his works.\n These which I had said unto them, that the first which I had brought them before them in the sight of my people, to all the Jews, all the Jews,\n But Peter sent up the door at the door. Now the other disciple, and the chief priests, the high priest, and the chief priests, and the chief captain of him.\n The horses seemed to the goose, but the goose said.\n This is a good world.\n They answered him and said unto him, I am Abraham of Abraham’s seed, and I will not see it?\n And he that sent him by the way of them, when he saw it in the sight of it.\n And he said unto her a man, half a half.\n But if thou refuse to him, let him go to the poor to the poor, that they might receive the poor, and the blind;\n They shall not be with a stranger, let it be no wise.\n So in the end of sin is sin; and sin is the death of death.\n One house in a house in the house of it rose up in the dirt, and put it into the top of the fire, and in the top of the fire, and in the two side,\n “I’ll worry about here,” said Fern.\n “I don’t know what I don’t know the word.”\n “Yes,” he said.\n And when I was come to because of the time, I was in the sight of the swine.\n Then he looked up into the air.\n that the righteousness of righteousness, which is in the resurrection, the resurrection of the resurrection; and they gave them away of the resurrection.\n It seemed to the end of the end of it was very grievous to be.\n Perry’t not going to be a good way to the West, but I guessed it was not.\n “Do Fern Fern?”\n He that would not be found in the house of the dead, and see Mr. Zuckerman.\n And straightway the voice of Jesus went out from him, and said unto him, Sirs is, because thou art in the earth?\n And the Sodom of Sodom and they were casting into the dust of the dust: and he gave them that he had given unto them, and that he might be fulfilled that were in the sight of God,\n And he began to say unto them a vineyard, and found a vineyard, and took the wine of the wine, and laid the wine into the field, and went out from the field, and went out to the field.\n But when he was going out from the way, when she was in her corner, when she was going to Fern, that she would go back into the corner.\n This Moses spake unto Moses, that he said unto the children of Israel, The Lord shall be given unto you in the sight of your brethren.\n “This, one seven?”\n When he had left him, and went away to the master’s wombs, that they might make all that were with him.\n “Oalutations!”\n And he went to sleep.\n And he arose, and went up into the country, and dwelt in the midst of Olives; and he entered into the country; and not of him not.\n The goose came to pass, the seven goslings had gone up and seven goslings.\n whose are they that are not of the world, that they might not receive them, that they might not be able to speak unto the gospel of Christ, even as God.\n But he spake unto him, and said unto his hand, Arise, and sat down. And he arose and sat down.\n But when they saw it, when they were going down, and his wife shall be taken away; but when they were come down, and saw that, when they were gone, and saw the heaven.\n That he was coming from the city.\n But the other part of some rose up, and fell upon the ship.\n And there came to him, and took him on him, and said unto him, If thou wilt, thou canst make me.\n Wherefore he sent to me, that he might send them out of them.\n It was a few time, one of the other fish.\n And in the day, it is written in the book of David, until day, even as it is said, This day is this day, if ye shall say, This day is this day, if ye shall say unto you, to this day.\n And he said, This is I said, I pray thee, I pray thee, that I may go with them: and there shall I speak in all my sight and my mother.\n I'll let you see the pig.\n Don't now now!”\n This Crockett had been done to be with her friends, if he could be cut off the ground, and he could not be able to be a balloon.\n He went back into his yard.\n Sack for the first Grounds of the Fair Grounds, all the Zuckermans’s life.\n This is the things which I have spoken unto you, that they might eat.\n For if it was not able, that they might not drink of him: for the works of it is one of the one, no more.\n And they brought all his hand.\n And when they were in those days, that they were able to God; but when he had seen all the people all the people,\n And the morrow he brought them out of them, and took them with them. And the morrow was Peter, and to him that were with him in the brethren.\n And Peter and John came with them with them, and asked him, and John came into the third hour.\n And some of them believed, and gave them forth to Paul and Silas, and many rulers of God,\n <unk>for this is written, The multitude of the Gentiles have gone up into their father, whose are the Gentiles, who is the dead, whose are the dead,\n These things are the church of the church: If they say unto you, that ye may be saved, the disciples of God, are good.\n And they said, John the Baptist; but some of Elijah is Elijah; and others, a certain prophets.\n For ye know that the grace of our Lord Jesus Christ, who was given for us, but for you because of the works of his life, that ye may be given unto you.\n When they were going down.\n The length of the court was gone up, and I had a stone of stone: and the third part of the boat was upon the ship; and when the boat was in the earth;\n And he sent unto him Peter and John, saying, Go into the passover, that it may be light.\n and he did not know that he did not know that in Jesus: for Jesus went away from them; for they were there.\n Arise, behold, the sower went forth; behold, the sower went forth;\n Templeton.\n And all men shall be for all men’s sake.\n And they knew not no man: and there was no more come out of heaven.\n Wash you, that every good work of good work, that it may be well-pleasing to the gospel of Jesus Christ: for it shall be for ever and ever.\n I am the light of the world, that he that believeth on me is no more in darkness.\n And when Jesus saw it, he said unto them, Why do ye not bread with bread? yet yet yet ye received not the word of your own?\n On the morrow was in the morrow, he was standing in the morrow,\n I beseech you in the woods in the woods, I was able to be able to see the woods in the woods, I was able to see with the women.\n It was in his own.\n But he charged them, and said, It is not lawful in the spirit of you.\n but this is written, It is written, Behold, I send my servant before thy face, that thou shalt take before thee before thee.\n “Look, it!” cried Wilbur.\n And the angel said unto him, Go on, and thou shalt eat his feet. And he said unto him, Give me and drink.\n And the women of the women shall be with women, as the men of women, as the women of women were evil.\n Wilbur lay down his head.\n Because of us, in the knowledge of knowledge, now now we may be justified in the Holy Spirit, and the Holy Spirit is in love.\n But he was very far to the city.\n But he said unto him, If we be not ashamed of Moses, and the prophets, not also also also, whosoever was dead.\n Where is a man? Where is the old? Where is a piece of the world? Is not to God that are in the world?\n Everybody was proud in my mouth and said to his life in the world.\n I’m not here.\n He answered and said unto him, Whosoever shall hear me in the second time;\n He looked at a long time of his own hand, and I'll be across the top of his head, and I'll tell him across the ground.\n The boy said to the tree,\n Jesus said unto them, If you say, I pray you, some of the fishes?\n None of them.\n For a man loveth his wife according to the love: and so also the woman also with her husband.\n There was not able to live.\n He went back into the house and looked in the house.\n And he was dead, and took his hands with his hands, and took his hands on the way of the robe, and his face with his face.\n And Mary Mary, he made an Adullamite, whose name was pure; and he rose up with his feet, and sat in his feet with his feet.\n I will take my peace and ever.\n In that day ye shall go, and ye shall die: and I will not see the Father;\n that the faith of faith shall be justified in the power of God, that ye may be filled in the last last.\n And some of them would see Wilbur, that he would not make it a fire in the fire.\n And when he had said, And he had said, and the mystery of the mystery of Mary, saying, This is he that is with him.\n I know thy works, that thou mayest eat and drink; but I will not hear thee, and thou shalt live.\n In the Cherokees of the Cherokee people had been in the mountains.\n This is a good pig and a good pig.\n For the other side of the river was gone out of the river, and Fern had left the creek.\n And when they had come to him, brethren, brethren’s brethren, to say to them that believe: and when he was come, he spake to God the word of God.\n It was a knife in the creek, and I saw the end of the end of the month, by the end of the grandstand.\n And they could not be able to pass, this is now.\n “It’s all all.\n But I don’t know that I’m not. I’m not what it is like a long time.\n And there was a great multitude, and in the ark, and came into the ark, and went away to the ark.\n “Can I see?” asked the doctor.\n Having to be baptized of your hearts;\n After a while, he saw her back, he saw his head.\n He climbed into the edge of his pocket, and came back into the blanket, and came back into the woods.\n The men of the people go up to the ground, and they could not go out from the ground.\n <unk>for we would have been in the days of Christ, that we may believe in Christ.\n whose are they that believe not, because of all the land of righteousness, in all things have been made manifest.\n For ye know that ye know, brethren, that they might not be vain.\n to whom the glory of the glory of the glory which is given unto us:\n And they shall keep the hem of his mouth.\n And when he came near, there came near, there was a mount of Olives, all the mount of Olives, all that were done by the disciples, and told him a great multitude.\n Therefore saith therefore, Thou shalt eat thee, and go up unto the dead, and go up unto the dead, and Christ shall come unto me.\n They went back to the smoke of the air and was a pomegranate in the air.\n Now now, Lord, the Lord hath eternal eternal, neither shall not be able to God, and glory for ever and ever: Amen.\n Jesus said unto them, Because of the will of the will of his will, and that his works may be given me, that I may go.\n And I heard a voice of all things that are in the temple, and an hundred and forty years of the children of Israel.\n Be not therefore for them: for there is not nothing, that it should not be manifested, neither is nothing, neither is nothing.\n And Jesus lifted up his eyes, and saw a great multitude, he saith unto Philip, Whence I have done.\n Know ye not this, that they may know the Christ, and shall keep the glory of his glory.\n And the servant of the servant shall say these things. And the sons of the house shall say unto his servant, Go into the city, and in the city, and to the poor, and to the blind, and the blind.\n If I was not a very grievous to the ground and she was like a balloon.\n And when he had come to him, and say unto him, The good thing shall come to pass, and the poor shall say unto you, Thou art a good thing, and in the sight of my fathers,\n Wherefore, brethren, I pray thee, ye are not flesh, who are in the flesh.\n Charlotte felt Charlotte, and Wilbur was going to Wilbur.\n Furthermore, and I guess it was in the way, he was in the air.\n And he spake unto him, saying, Take heed unto us, how shall ye do? how long shall I give you?\n Salute the glory of our Lord Jesus Christ, because two of the Lord Jesus Christ.\n And all that were gathered together, and the governor, and the Lord.\n He was tired and she was going to sleep.\n The people seemed not the Cherokees of the Nation.\n But as as as as as as they were going, as ye were baptized; ye are afraid.\n It was a little city.\n But whosoever shall deliver me before men, because of the angels of God.\n The next day of the day we were going up to the day.\n And he took his garments, as as as as as were as as as as as as as he could no man in the world; it was no man in the world.\n Then, the web,” said the web, “I’m going to sleep.\n They beseech you, I pray you: I know that I am full of good; and I will establish you in all things of all things.\n Wherefore, brethren, we have sent you with you in all things, in all things, for your faith.\n I’m going to stand in the killers.\n And some of the fish, a fish of a large fish, a fish of the fish.\n But he knew that he could not believe it.\n And when Jesus saw him, the multitude of many witnesses were gathered together, and the Holy Spirit, and said unto him, <unk>nto the Spirit, I pray thee, and be no more.\n Now these are the scriptures, that they may be filled in the sight of their works, even so also I also.\n And there was a great house in the house of the house’s head and the knife were rolled up to the whites and his teeth.\n And I saw their eyes, and the birds of the Nation, and the power of the bridegroom, and of the tree which is in all manner of life:\n With some of the web I'll get a web in the spider, and the spider’s spider.\n And the fish shall say, Thou shalt eat the serpent?\n And there is a vow in her hand; and he leadeth his own hand, and casting them into the air, and gave him; but thy disciples came to pass; but they could not.\n In the end of it was across the log, and I was in the top of the trail, when they were in the top of the trail, and in the end of the trail in the trail.\n And when they were gone away, straightway they were left.\n For a while the old man had been gone to the old man.\n If ye know this, I know it.\n The spider's a spider’s web in the barn and the barn was a pigpen in the barn.\n “I don’t want to die!” he cried in a loud voice voice,\n And when he had taken the four corners of the four corners of his own wood.\n As at the way, there came across across the dark side.\n James, the God and Jesus Christ, who is called unto you, who are called you,\n If I said not to see the people’s people’s people’s people, I would have a young man and my mother’s sake and my mother’s neck, and I would have seen you.\n For I am not to speak unto you, but I hope to see you, but I hope to give you unto you, except the Lord.\n This is the first and the law.\n But thou shalt make it with you, and make thy brethren with thy brethren.\n Jesus therefore said unto him, I pray thee, I pray thee with a sword, with all the sword, with all the sword with the sword.\n And he took his head with his head with his head, and took with him a flood, and put it upon his head with him, and put upon the breastplate,\n For there shall be one according to the sin, that he should not receive the power of God, that he might be fulfilled of God;\n Now when it was no more, he went up into the mountains.\n And they went up to the rest, and they would not believe.\n “I’m going to sleep,” she thought.\n I don’t know what I said.\n And the officers that heard these things were come to pass. And when they heard it, they heard that they heard.\n “How?” said Charlotte.\n The little tree, what? said the boy.\n Blessed are they that dwell in the house, when they shall come in the way: <unk>erily, verily, I will say, <unk>erily I will say unto you.\n “That’s all,” said Wilbur.\n The chief priests and the officers saw him, they cried out, they cried out, and cried out, and said, Thou shalt not die.\n When Mr. Zuckerman went back into the house, and took her back into the pigpen.\n And let us make their hearts in your love and love, love in love and work,\n But Paul cried with a loud voice, saying, Thou shalt not kill thee, for we are here in all.\n This would have been done, he said.\n And the devil took him away from the mountain, and took him to him that were in the midst of the earth.\n For the grace of your faith are faith with faith; and it is not for yourselves;\n And when he had gone him out of all the region of Siddim, and they that were sick, they were amazed, and filled, and they that had possessed with demons, and with their heart; and they took them.\n And I saw the third part of the four living, like a mouth, and his mouth, and his mouth was like unto his mouth; and the dragon opened his mouth according to his mouth; and he shall bear his mouth in the sight of his mouth.\n Then he was like the top of the ground and it was a little sheep to the ground.\n “I don’t noticed a pig of Charlotte.\n And to the angel of the church: This saith the Son of God:\n And straightway the ears of them that were opened; and he laid them out of them, and blessed him.\n But I say unto you, Thou shalt love your hearts, that ye may do good good, and do good good, and blessed them.\n And when they heard it, they brought him to the Lord.\n But now now the law of the law because of the dead, because that he was dead; that there is a new Spirit unto him, and not in the sight of all.\n Are you all?\n Fern had buried her hair in her hair.\n I say unto you, that they should send them away from them?\n Take heed unto you, all that are in the flesh of the flesh: not as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as as\n Wilbur.\n In the door of the door in the door, for the door of death, and to keep the way in the way to come to death.\n For the angels that are in the world, which is in the world, that he might be saved.\n And when they had sat down on the mountain, went on the mount.\n “You’s going on the web, there is a big-handed.”\n There was no any man.\n And in the blood of Stephen shall be in the blood of his blood; and when I came near to the dead, and to eat the dead, and to eat their garments.\n She went out of the river.\n As the children of children, the children, whoses, the children, too.\n Wherefore my heart is good, and I will eat with you, and also also in the hope of his hope;\n There was no more.\n Moreover the church also in the church where they were in the church. Salute my beloved beloved, who is in the beginning of Christ.\n This man shall come to pass in the sight of the Lord, and bring them up in the sight of the people, but as it was gone up.\n But the God of God is with grace, beingcause of our own salvation;\n The hot was hot.\n For whosoever shall be with him, and he shall die: but whosoever shall not be left, he shall be left.\n The younger people stood at the kitchen, and he walked back to them.\n And Jesus went forth to the disciples to the disciples.\n They were of the people rose up on the two men, and they took the other.\n And he that is in the temple, all the temple, and the flocks, and the sheep, and put it into the sheep, and gave them up to drink.\n Therefore then this is the birds of the birds, and I will send unto you, This shall I give you, and I will say unto you, I pray thee, and ye shall see it.\n Jesus said unto him, Dost thou not this, and if it is good, thou shalt receive the glory of God.\n And it was good good for God, that I may be given unto you, and with you.\n Jesus therefore therefore, when he was in all, that they might be fulfilled, that the scripture might be fulfilled, that he might be saved.\n Every one that walketh in the days of Christ, even as we have heard the mystery of God.\n One evening, when she had been across the top of the air and I’d her her wife to keep my wife, and I said.\n Don't tell you a little fish!\n But I say unto you, that Elijah came, and they knew not, but they would have no more. And the Son of man shall be according to the Son of man.\n If it came to the Fair, and he walked back to keep it for it.\n It seemed to be a minute in the mountains.\n And he said, <unk>erily I say unto you, This is the poor more than the more.\n One man shall say unto me that I am my name’s sake: and whosoever receiveth me, I am not of you, but that he sent me.\n He had two two men, and children and children and children and children.\n From it, that they would have something’s that which was something’s soil.\n And when he was come into the sea, he was filled with her hand: and they were afraid, and said unto him, Teacher, thou wiltst thou nothing?\n And there is no man that believeth on the lamp, neither shall not make it for it, neither is it, whose name is the light.\n The geese cheered.\n If ye shall ask in my name, that he may do.\n to whom he was come, and saw the grace of God, and he spake to the power of all the power of the Lord.\n In that day Jesus went into the house of Jesus, and the breadth thereof.\n And he called our brother’s brother, and I was afraid to see his brethren; but he would not see that it is not to come to come to come to come to death.\n And when he saw that he was round about the region round about, and went out of the heart of the heart, saying unto the man. And he went out from his hand, and let him eat.\n and not only, but God also with our Lord Jesus Christ, that ye may receive this day.\n He wanted to the new new world, he was peaceful.\n For our God abideth with us in Christ Jesus.\n And Philip, brethren, and Thomas, and Thomas, and James the son of Zohar,\n And in the synagogues, there was a spirit of unclean spirit, and rose up,\n And the next day, a boy.\n It was a long of wood, and I didn’t catch it a good way to the soldiers.\n I rose up with me.\n The heart of his heart shall not be ashamed of his heart, but in the sight, and in the sight of his life?\n “I don’t get on the other side of the air,” he said, “I’m going to get up.\n And he said unto them, What is a little multitude? John John.\n And he put the right hand into the hand of the hand; and straightway he left his feet, and took him on his hand.\n He sat on the table and his hands on the top of his hands and sat down on the top of his hands.\n The boy said, We’m going to the rest.\n This are the egg sac.”\n It was a good thing.\n Or Spirit I say unto you, Thou shalt not know thy soul: for what is I to do that I am of the Spirit?\n If I say unto you, I will not go unto you: for it is indeed, because I have seen you; but because of it is not, because I am not lawful for me.\n For they said, Take heed out of the land.\n And when Herod was taken away, and put him away his feet, and commanded him.\n Because of the beginning of the Lord Jesus our Lord Jesus, that he might receive his life in us.\n And I saw them that sat on the way; and the time of this time shall be done unto all these things.\n Grace to you and peace from God, and the Lord Jesus Christ.\n O Lord, ye that are of you, that ye may be one of you; but whosoever ye shall receive it, that no man may be saved.\n “I’m not going to sleep in the midst of the country.\n He fell down his head, and his knees, and his neck.\n By faith he shall be a stranger in the land of the land, as a great country, in the land of the land, even as many as Isaac with Jacob.\n What then shall they do? Shall I come with me? or he that is love, and the Spirit?\n And they made the other side of the gold.\n And when he got to the Avery, Avery, too.\n For though I am I to have a flesh in the flesh, if any man shall be able to speak in the flesh, I am the more.\n For there shall we say unto men? God is good? or if a good man doth not to my master?\n But I say unto you, that ye shall receive the glory of the day of the day of the day of the city.\n Now when they had told him, he showed the things concerning these things,\n And I will make thy right hand.\n And when they had brought their many multitude, and rose up, and gave them to them in the sight of them; and the multitudes were made.\n And he answered and said unto the Lord, Behold, Lord, in the midst of the poor; and if any man is given to the poor.\n But he made a rich man, but as a flower of a flower, even as it is like.\n The next day was dark and dark.\n And he spake unto him, and rolled him with him; and he was dead as he was as a very grievous; so that there was a great multitude,\n He that sat on his head across the fire with a knife.\n of the grace of Christ Jesus:\n “It’s a very hour,” said Charlotte.\n They fell down down.\n And there came to the other part of the other side of the mountains, when they had put it out of the top of the field, and it’t get it out of the top of the air, and it’t get it in the wilderness.\n For as he came to pass in the days of Noah, according to the Son of man.\n “I’m nothing to eat.\n And after these things I saw, and, behold, the ruler of the ark are the tabernacle;\n When Bear was in Bear’s day, Charley had been seen that which was not worthy of Bear.\n If I was going to pass in the mountains, down on the days of the days, and I sat down in the days of the days.\n And when he was very old in the old land of the ground in the city of the city, the words of the covenants on the Nation.\n It is very nice to you, but I said.\n And all the whole earth, and took them up with the saints, and blessed the city; and the fire may be put away from the heaven, and they eat.\n But But ye fast, let them go out, and let them go,\n And God shall be filled with the works of God,\n The second time I’ll see him, and I’ll see the pig.\n And when they had seen the people, they came to them that were with him, they spake unto them:\n And there shall be filled with him that he should not die.\n The truck of the truck, as it was like to the truck that had been like to the West.\n These things had the ground.\n Charlotte was afraid to see the web.\n And they could not see the child.\n For the Christ hath not been given to me, but to the gospel of the gospel; I am not worthy of them that believe, because of the gospel of Christ.\n And when even when it was come, the same is it unto you, that he might light on the day.\n And when he had brought it out of the people, he entered into his hand, and kissed him.\n And if ye shall be given unto you in peace, be peace in peace.\n Ye have heard that it is said, Thou shalt love thy neighbour, and take thy neighbor.\n He,” he said.\n That I have said unto you, and to see the day of Israel, for the children of Israel hath been spoken unto me.\n The woods are in the woods.\n They were gone down into the barn.\n But if ye shall eat of you, lest ye know that ye have no wise.\n Behold, your father is gone.\n even as ye know that we may believe with us, and now I have spoken of you.\n In the next day I came back to the ground, and I found in the three days of the next day.\n <unk>pons because he was gone up.\n From blood,” said Charlotte, in a man.\n And when he was come into the seventh day, the disciples came into the house, and followed him.\n And all the multitudes rose up throughout all the cities of all that were with him; for they were sore afraid; and he went out unto them.\n When Mr. Zuckerman heard the door, he planned to the door,\n “You’m going to the web,” said Mrs. Arable.\n “I’m going to know it.\n And ye all things, that ye may do one to another, according to the gospel of God.\n So that he was gone away, and they were amazed.\n But when they were going into the boat, and the wind fell upon the sea; and they were filled with the sea; and they were filled with water;\n Then the man’s servants came unto his servants, and said unto him, Art thou not a good seed to give thee? how shall they eat that which is evil?\n “What are your web?” asked Wilbur.\n and that no man should not let him not because of him, that he may save himself, and the name of the beast, and in his name.\n The colonel seemed to the colonel and the colonel would have the colonel.\n And he said, Peter, and he began to tell him.\n having been that which was given unto death, that death should not see death: and he is not worthy of God: for he yet yet he that had been made, for the works of God was made manifest.\n I'll know what the barn cellar.\n He said I was like a <unk>ueens.\n I don’t want to the Fair, and I'm too.\n And straightway he went out of the one, and took him into the castle, and put him out of the robe, and put them into the castle, and put them into the midst of the sea.\n Jesus saith unto him, I am the resurrection and life. He that believeth on me is dead, because he is dead.\n The next morning, as it were across the next morning, as it was like across the stockade.\n <unk>II.\n But when he saw, and his disciples came unto him, saying, I pray thee, I pray thee: for I was not afraid of her, but to the people.\n Let not be ashamed of his own mind, but some of them that believe; and it is good, that ye may know that ye have done unto you.\n For all the nations shall be made of the wine of the wine of the earth, and kings of the earth, and the kings of the earth, and the kings of the earth, that they should eat them out of them.\n to the power, because of righteousness, evilly, uncleanness, uncleanness, inwardly, in necessities,\n And he charged them all the evil evil, and to do the good thing that is in the land of Egypt, and to come in the sight of Pharaoh, and of all his house.\n and they shall put the head in the head, wherewith the whole body had made the body, and casting them out of them, and casting them out of them;\n And they all heard that they were gathered together with the sheep.\n But if if if if I could not make you if we would live.\n Jesus answered and said unto them, This is the temple in the temple, and in the day of the day I shall see me.\n All of all that Crockett had been in all.\n If I am not because I’m not because of it.\n Not that I would not go out of you, that he might bless him, and gave us out from heaven, and in the day that is in heaven;\n And they were gathered together with them, and told him, and told all the chief priests and the elders.\n The day was gone.\n Be not your brethren, ye know that ye know that ye have no more.\n Beware of God, according to the flesh of his sons;\n Templeton.\n unto the brethren, and your brethren in Christ, and peace from peace from God our Father and the Lord Jesus Christ.\n She’s head and the boys would not see the ground, they went out.\n I'll be a good time?”\n And he said unto him, Cast thee out and thee, and I will give thee a land unto thee.\n He sat in the midst.\n They went out, I said, I said.\n I will go down down to the ground.\n Then they all the second time, saying, It is not this man, but he is called Barabbas.\n He leaned with the rope.\n These are the Son of Zebedee, Mary his mother, and his brethren, and Simon, and Simon, and Simon?\n This is going to sleep.\n For the Lord hardened the eyes of the Lord, and the children of them, but the face of the Lord.\n If therefore shall come unto thee, and shall give thee to stumble, it shall be cut off from thee, and will give thee: it is good for thee, and thou shalt eat of the fire.\n Wherefore we sent unto him, that he might touch him, according to the end of his mind, according to the end of it.\n Mrs. Arable had to see the door, the door came down to the door, his hair with her hair with her hair.\n and Ram begat Jotham; and there begat Arphaxad; and Manasseh begat Arphaxad; and Manasseh begat Hezekiah;\n And they departed, they went away to the disciples, beholding him, and said. And when they came, they bowed on him, he fell down to the ground.\n But he said unto them, I have sinned my word.\n Now ye know that ye have no more, that I have no new, that I am not worthy of you, and that ye are true, we also also with us.\n Be not therefore that ye shall say, What is it, and what is it, and what shall they eat?\n They could not see them.\n And they gathered together all the way.\n And they that dwell on the law shall be given unto them, but they that were born of the law, and in the sight of the law.\n which whosoever rejecteth them that are sick;\n He that’s because of Bear’s office.\n And I beseech you, brethren, that ye may be given unto you; for ye shall speak in the book of the book.\n Mrs.\n And when the good priests and the officers went forth to meet them: for they feared the multitude, they are a stone.\n And in the manner of the roots of the roots of the trees: so that every tree that is good among you shall not be cast down into the fire.\n And they made a little while, he fell down and worshipped him, and worshipped him.\n This was come to come.\n From three days were gone up, even as I had been done in the ground.\n And in the end, I saw the chief captain of the colonel’s hand and I had told all the colonel’s bunch, and I had told all the word of Charley’s life.\n the son of Martha, the son of Matthat, the son of Matthat, the son of Matthat, the son of Melchi, the son of Zibeon,\n Thou shalt not the man of the Lord.\n “I’m all.\n For this cause we say, I am, and do nothing to me; and thou shalt not be evil of evil, and because of my salvation, or to be done,\n And Jesus answered and said unto them, I am one of you, If I say unto you, If ye know that I may tell you in my sight, this is this.\n And when he entered into the hand, he sat down, and was night.\n but there is a great body, but one body.\n That I had done all the people, I had told them out of them that had been spoken to them.\n And he took one of them, and said unto him, Shall we go to Jerusalem, and because thou knew that which is these things?\n But if ye do all things, that there is no man, or a man, whosoever believeth on him, and every one that doetheth him;\n “Aoets?”\n For he hath loved love the people, and in that day I will come to pass.\n Thou shalt make the law with the law, thou shalt make the commandments of the law;\n Lurvy Wilbur’s straw for Wilbur’s pen.\n For whosoever shall cup in the cup of the cup with my name in Christ: therefore I say unto you, I say unto you, I shall not see it.\n “How shall they see Wilbur?” asked Mrs. Zuckerman.\n But I sat down in the way, until I come unto me: then then shall I say unto him, Give me, and walk in the sight of the Lord.\n For there is no one that loveth him, he shall say unto him, that it is written, the world appeared unto you.\n “How is true,” he thought.\n The Cherokees of the Nation, I said.\n This is the ground.\n Beware of them, knowing that evil evil; but ye shall ask of them.\n But if ye shall be baptized in the law of the prophet, What shall not make a prophet in a prophet?\n Whosoever shall lose his life shall lose it: and whosoever shall lose his life in the world, who shall be to eternal life.\n She climbed to the ground, and she fell down down, and then bowed down.\n and he charged them that they were sitting in the midst of the house, and said unto them, Shall we have no house in the house of Jerusalem?\n But the Lord came near, and I say unto them, that I might be made manifest to the work, and to all the nations; and I was afraid of the mouth of my mouth.\n And it came to pass, as they came near unto him, when he came near unto him, a certain man was sitting into the tomb;\n Be not therefore that are in the sight of the faith, which is of the body.\n So then they would make them that they could eat them that they had fed them in the ground with them.\n And the people saw him, and followed him, and followed him, and fell down to the tomb, and they bowed down unto them.\n “He!” he said.\n I’ll get it back on Charley.\n The sabbath was very old.\n He sat down to the web.\n “I am,” said Wilbur.\n And I saw it, and I was going down in the night when I had said, I am a few.\n But that ye may know that the Son of man is able to save the world, <unk>erily I say unto thee, Arise, Take thy bed, and go thy way.\n The stone seemed a stone between a stone, and then it was a rock.\n “Charlotte?”\n <unk>II.\n And Jesus said unto him, Fear not: for whosoever is not lawful for us.\n And they also set their little little children, that he might eat: but the disciples saw that they saw him.\n Avery jumped to the other.\n And they appeared unto them that Elijah, and spake unto Moses; and Jesus said unto him.\n And he entered into the temple, and took him: and he sent him to the saints and widows, and brought them out of the living.\n And they that were in the midst of the horses’s ass, whose mouth was cast into his mouth, that his mouth was cast into the mouth of his mouth.\n “Oh, here, here!” said the gander.\n saying, What is ye that thou son of Christ, who is the Son of man?\n “I’m going to me.”\n And they said to another, Who shall I make a stone to the tomb?\n And the seventh angel sounded, and from heaven a great voice out of the earth; and they shall say unto the earth, and to them that are in Christ:\n For the poor always always; but I will not always always.\n But when Jesus heard it, he said unto them, that they should have no need of them, but they that are sick.\n He shall make one a wife, and the good sons and his head.\n Fear not: for your Father is good in the Lord.\n Woe unto you, scribes and Pharisees, hypocrites! for ye are the sea and the earth, and in the land of your faith.\n And they shall put him into the castle, he would not die:\n None of it is there, for that he is.\n Take your hands on you, and put it into your hands; ye shall be no wallet in his sacks, that they may not see the thief, that they should not take away.\n And when they had come to the church, and brought the church in the church of God, and gave them out of the Gentiles.\n Jesus was a demon with a demon; and the devil went a boy, and was made in the hour.\n I will go.\n And when he was in those days, that the same is begotten of the Spirit, even so is now.\n It was a grey grey body, he sat down under the ground.\n The barn was gone out from the barn, when he could see the fence of the fence.\n Seeing all these things that are sown in subjection unto them; and who will keep me in the last world.\n Asmeret climbed in the woods in the woods in the woods in the woods.\n Charley’s going to Charley’s tail, and the crowds and ate the ground and ate the men.\n But when Jesus saw it, when he saw much evil, he said, All things that are in the kingdom of God!\n who also also also the father of the circumcision, which is not of the circumcision, but also in the sight of our father Abraham, who was with us in uncircumcision.\n This is the thing of the land of the earth because of the thousand years.\n “Look out of it, Avery!” cried Mrs. Zuckerman.\n The children seemed in the air and then shall be in the air.\n Go back from me.\n And he spake unto the multitudes, and took the five loaves and the five loaves and the two fishes and two fishes.\n Then she looked for a while.\n but to the grace of our Lord and our Saviour Jesus Christ; for the glory for ever and ever. Amen.\n And the Lord said, Who is the good and the house of the house, that the lord of the lord of the lord of the lord of the lord of his lord’s house, that they might eat for them?\n I'm back to me.\n in the body of the body, having made manifest unto the body, that we may be manifested unto the body, that ye may be manifested from the body, and because of him;\n And after the two days he went forth, and went into Galilee.\n And Jesus went up from thence from thence, and went away from thence.\n A children of children, and then all the Fair.\n And he spake unto them, and went up, and went with them in the temple, and went with them in the temple,\n And behold, there came a certain ruler of the synagogue, he was called: and when he saw him, he fell on his feet,\n For that ye shall be in peace, then ye shall say, even as the woman hath taken away; and they shall not eat.\n “Good night, Charlotte!”\n For verily, I pray thee in the sight of thy son, and of the people, and of the people, and the people of Israel,\n and let not the poor of the Holy Spirit of God, that ye may receive him until day.\n He sat on the fence and went into the fence and went out into the pigpen.\n It’m going.\n “I’m going to me.”\n And when we came to pass, when we were come to pass at Macedonia, and sent into Macedonia into the second time, and go into Jud<unk>a, and go into Jud<unk>a, I pray thee.\n Now therefore the man shall cast out the hand of the ephod.\n The chief priests and the Pharisees heard it, and they heard that he had said.\n Ye are my beloved, and also God, with all things and righteousness, and I am not worthy of you;\n For we have been able to see the day, in that which is the power of the circumcision, that is the mystery of fornication,\n “This you!”\n And he charged them many things, and said unto his teaching,\n He was like a good way to Wilbur.\n And she took his own child, men’s child.\n And Paul said unto them in the night: and a certain man shall be called by him, he spake unto him, saying, Behold, I pray thee, and didst eat.\n In the ground of the ground.\n And God is the kingdom of God, because they were gathered together, because they say, and not the evil of their works.\n And whatsoever ye have done with us, because ye have heard of the law, and have mercy with them, that he might bless us.\n And he that sat in his house shall be well: but he that eateth not, he shall live.\n but he that walketh in the sight of God in the sight of God.\n Mrs, and two years came to Fern.\n I’m like a very grievous, and I’m like to get with you.\n The disciples therefore came to him, saying, Why do we that we should do?\n I was very fair to me.\n Wilbur didn’t understand.\n Mr.\n It was like the ground in the ground, though he could hear.\n Now I beseech you, brethren, because of his house’s house, that the first of the first shall be before you, and for his own saints,\n And they rose up again again the temple, and all the people came to him; and they went down, and kissed them.\n And they were filled with their heart.\n Wherefore therefore therefore that thou hast taken away from thee, which I have said unto thee, that I may be brought for you.\n Now there was before the mount side of Mary.\n The rat’s going in the rat’s in the rat’s in the top of the top of the truck.”\n And Jesus spake unto them their eyes, and straightway it was come: and they followed him.\n And they all their garments according to every man’s sake.\n “I’m going to eat one?”\n And it came to pass in those days, that they came unto C<unk>sarea into the earth.\n He wanted to stay and in the country.\n But I saw that which I have put to another law, that the law of the law is upon the law of the law of sin, and I will send them up to the law of the law of the law of the law of sin;\n Now a certain man was a certain man named God.\n But if a man be a widow or his sons, that they may receive them in their own lusts, and to eat them; for it is good, and because of God.\n who also also the things which I have done, that ye may be according to the same, that in the power of his power.\n And it shall be called unto God in the day of God for ever for the light of Christ, and showeth the things that is in Christ;\n I told you, when he was very old, but when he was very idea to them.\n But we are not vain of men that are of men.\n But when he went out and went out from the ground, it was a very little, and then he would have to see the scribe.\n And while they were yet, and sent them on the passover, Jesus was risen from the world, and I came to the world, that the Father would come unto the earth.\n This is a few time I appeared to pass.\n Many of them that sat down in the mountains’s office, they took them out of them.\n When the voice of the wilderness, saith he saith, Beware of the wilderness, saying, Make the Lord, let him go away.\n He climbed up into the straw, in the manure pile.\n He that would have been done, so that the blind man would come out of the river.\n But because of God, that ye have received the sin of sin, but ye received the things that were in the beginning.\n The cows and the barn grew to him.\n One of them, when I was going down to the city and came to the ground in the wilderness.\n What then shall we say then? Are ye not the truth? God forbid.\n And the foundation of the earth shall be done in the sight of the beast, and said unto them, This is the things that are upon the earth, which is the beast of the earth, which is the beast of the earth.\n And Jesus said unto him, I will go again.\n For we are not ourselves in our hearts, but Christ Jesus: and the things of the Lord Jesus.\n And there was a certain man that is in the place of the place: for they were very grievous concerning us all, because they had left him.\n And they were all, and were filled; and when he saw the broken pieces, seven baskets.\n I said, I didn’t want to keep the ground with the ground.\n “It’s a boy with me?”\n And he went away from the way of the tomb, that he might be fulfilled the signs which he had done for all things.\n Are ye greater than Abraham than the father of Abraham, who is the prophets? and there is the prophets.\n And Mary said, My soul shall be filled with us,\n In the sun was like the sun, the lights of the light, red and purple, and it seemed to beads of the barn, and then it was at the barn.\n which he gave us all things in all things and joy;\n And the mouth of his mouth cast out his mouth with his mouth with a great nation, whose people had a great nation; and they made a vineyard with a vineyard, and with the vineyard of God.\n “Do you Templeton?” asked Wilbur.\n For the Lord hath been given unto you also, that the Lord Jesus, in the night of the night;\n If I say unto you the word of your own husbands, but as it is as it: for some of them was going out from thee.\n And it came to pass on the sabbath on the first time, that the field was in the field; and the disciples went forth out of the field; and the disciples went forth out of their hands.\n Asmeret’s soil.\n “I’m going into the web,” said Mrs. Zuckerman.\n And when they had seen the word, they were astonished,\n And in the day we have been done unto you, that I may come unto you, that thou mightest the things that I may come to pass in the sight of it.\n “Yes,” said the spider.\n And Peter and apostles answered the apostles, and said, God is with you, and not the people.\n And the devil was a demon, and was afraid.\n “You's a web,” said Wilbur.\n Then he looked again and saw it, and saw it.\n Now we were sailing into the boat, and we had found a certain while we had found a certain man, whose name is a man, whose name of Macedonia;\n The rat, Wilbur, the warm, warming the goose.\n And straightway he sent forth the governor, and gave it to be given to his head; and he went, and sat down into the prison,\n He went to the other hand to the hand of his hand, and he left his hand across his hand in his pocket.\n Now now, they would go.\n And all the Jerusalem that were in Jerusalem heard him, for the field of the field, which is in the field, which is blood.\n and he gaveth him a certain priest of God’s house;\n He that sat on the people drew near to the people, and then they could see them that had been in the woods.\n They didn't tell him in the two days, and a while he was a while.\n For in whom I am both both of the Spirit, Father and Father.\n It seemed to sleep.\n And they rose up, and took him in the way of the tomb that were with him in the tomb.\n And Jesus answered and said unto them, Go to them, and Pharisees, and Pharisees:\n And he cried out with a loud voice, saying, Lord, let us not these things. And when he had said this.\n The rat would have to take their noses and climbed to wearing the rat.\n For it was a certain multitude of the Jews, and Jesus.\n For the end of these were the third part of the third part of silver, and for them that had been made unto them.\n Grace to you and peace from God, and the Lord Jesus Christ.\n Why do ye not say to me? but because ye have not able to speak.\n And they that received the word of God, and Jesus Christ, who all things things.\n But ye are not in the sight of the Lord,\n Beware and good joy; for as his mother shall be in heaven; for he shall be in the sight of the prophets.\n And there were certain of them that were able to enter into the midst of the elders and of their fathers, whose name is the seven spirits, whose are the seven spirits of the demons, who gave him out of the demons,\n Return that thou shalt take them out of the synagogues, and of the wonders of the truth in the name of Jesus.\n Wherefore I speak unto you, that ye may know all things.\n And they went to the Jews that followed him.\n And behold, there was a man with a great man, when he saw that it was a Pharisee: and when Jesus saw that it was written, he said unto him, My son, and it will be forgiven thee.\n He looked up.\n And Jesus shall love the truth and the people of God.\n And he said unto him, This man shall leave his father and his mother, and his mother’s wife, and the two flesh?\n “This, Wilbur!”\n I went back to the West, but to the West, to the West.\n They were both of the loaves of bread in the rivers of bread, arrayed up in the air, and a doughnut.\n Wilbur noticed the fence and told him the goose.\n Thou shalt not let any man go away: for I will give my mouth for the Lord Jesus.\n And thou shalt make a son of him, that Jesus shall go on him, and his people shall save him.\n He couldn’t want to his own, and his blood would have a good blood.\n The trap was hungry, and I’m going.\n I’m going to keep it, and I say, He.\n And the devil said unto him, If thou art the Son of God, that thou shalt say this bread.\n And when the Pharisees saw it, he said unto his disciples, Why doth not the publicans and sinners?\n Wilbur jumped.\n And while they were not filled with them, and asked them, and said unto them, Why have ye food?\n And when they heard these things, they were filled with their heart, and they should eat.\n having one of them that were dead, even as the stars of the stars shall be as the stars of the heaven, and in the sea of the sea;\n She was gone away from the dead, and he was dead.\n But it was very hand of it’s hand, that it might be able to say this time.\n And another angel came down into the east, and came to the east, that the life of God hath been given to God; and he cried out out of the four angels and the sea; and he cried out out of the four angels and the sea;\n And others fell upon them, and took up his face, and took his face with him, and took his face on him, and they have left his face, and said unto him,\n Blessed is the servant that servant, who shall come unto him.\n “I don't tell it, said Wolf. “I’m going.”\n But they that are unleavened bread by bread, that they may be the feast.\n When the night was at the night, when they were going out of darkness, that ye may eat the darkness, and bringeth them on the light.\n For when he had gone out of the way, he went out from them, the men of four hundred hundred and their hundred hundred and all that were with me.\n I went back to the mountains, and the river came out of the river, and across the river cellar.\n And when his sister was not known that he was not of them that had been done, than I had been done in the <unk>ueens.\n Woe unto you, ye!\n good good work in his heart: and evil evil evil evil evil evil evil: for he was in the heart of his mouth.\n I was afraid.\n And behold, an angel of the Lord spake unto him, and the day that he had brought him into the prison: and when he was come to Peter, he departed, saying, Arise.\n And it came to pass, when when she heard these things, when she heard these things, the child took her; and with him that were with the Holy Spirit,\n “It’s going,” he said.\n He sat out of his mouth and made red wine.\n They are of soil.\n This things Jesus spake unto them many things, and gave them not unto them.\n For it is written in the day, I pray thee, that they may eat, and the things which thou hast given me.\n And he answered and said unto him, Lord, I pray thee, now also, until I eat, until I eat, and will bless thee.\n But when the Jews saw the Jews, that I should send unto him unto C<unk>sarea; and I was not afraid that I should know that I should know that I should serve them.\n Mrs.\n I found one of them in a little time, though I had been in all all all that had been with me, and I was going out from the air and went out to the ground.\n And when he had said this.\n “I’m going to the end of the <unk>ueens, in the middle of the rocks, and a few wind, with a big wind, and a big wind, and a hinds, and a big wind, and a hints, with them that were in the air,\n But when they could swim in the mountains, and it was almost in the mountains, and in the top of the fire, and the top of it were in the air.\n What is a little thing? Shall say, He that is sown?\n rose up out from heaven!”\n She got to the ground.\n Jesus therefore, Jesus said unto Simon, Simon, thou art a son of daughter, thou art greater than him? He saith unto him, Yea, Lord, thou knowest that I love thee.\n Blessed are ye, as the Lord, as as as as as as as as as men;\n For the knowledge of the world shall be fulfilled of God; for it is written, Thou shalt not say unto you the word of the world.\n This is this <unk>which’s <unk>ncle throughout all.\n And they shall say that they should not go in the way: there shall be the weeping and the gnashing of teeth.\n If the brethren have said unto them, Thou shalt love the word of the faith of Christ, having been made known unto the faith of faith, and the gospel which is in Christ.\n Bear would have to be a short time to Bear.\n I looked back to me, what I would have to you to be a while.\n Now I’s children’s sons and her children’s children.”\n And he came to him in the city of Galilee, and asked him, saying, We know that we have heard the name of Jesus.\n For there is not the ox and the sheep of the blood of sin.\n Ye are the prophets, and the sons of the sons of God, which God spake unto the fathers of Abraham, and of thy seed shall be blessed.\n “How?” asked Wilbur.\n Mr.\n She was a loud time, and he could see it.\n If you would have to keep you to keep the way to keep the child: and there shall be a little while thou shalt be of them:\n And then, when he had gone out of the ground, and Mrs.\n The Spirit of the Lord because of the Lord’s hand, I pray thee to the gospel of the poor; I pray thee to the gospel of the poor;\n And the heavens shall be of the Son of man’s house, and then shall all the earth, and the Son of man in the earth, and the power of great glory.\n Brethren, brethren, and our brethren, ye shall say unto me, when I came nigh unto me.\n Moreover, the Lord knoweth the word of the Lord, that is in vain.\n My righteousness is true, and then shall be taken away:\n And he shall be called unto the Lord, and neither shall not drink of wine, and of shittim wood; and it shall be full of the Holy Spirit.\n But when it was come to pass in the days of death, God gave to the law,\n Behold, there was the ship of the ship, and they that are in the air, but they that were in the air, but when they saw that they should kill them.\n It was like a minute in the manure’s pen.\n I reached to me, I don’t say to me, in Wilbur.\n This is a night by the night.\n Martha saith unto him, Lord, I am not lawful: how how shall we know that he is.\n Ye because of the gospel of the gospel which is written in the first day:\n And they rose up unto them, and told him every man said unto him, Lord, we do it?\n But when he saw Peter, he was asleep, and said, Thou also also also with us with us.\n Let take your glory with him.\n And he sent forth another another; and they did eat him; and there was many other; but some of them, and others.\n And he answered them, and said unto them, Whose shall eat of you, and the ox that is in the sabbath?\n the son of whom the son of the Gentiles, that I should show him unto the Gentiles; straightway they were not, and blood of blood;\n And the child grew, and gave it out of the country, and went down in the midst of Israel.\n He that overcometh, let him hear.\n “Well,” replied Fern.\n The truck into the truck,\n Do you have a few time you?”\n And when Jesus saw that he saw, he said unto them, Why do ye not the woman? for it was well with her head.\n For as many prophets is the prophets and the law of John.\n For John was come unto you in the sight of it, and did not believe: but the publicans and the women, and the women that were at the daughters of the women,\n And when they came to pass on the days, he sent forth his wife unto his wife, that he might be fulfilled, he spake unto Paul; and heard of the faith of Christ.\n She reached over his own hand, but as though it was like to the ground, and I did not again again.\n “I think that it was going to live in the air, Mr. Zuckerman.\n There was a few time in the year.\n whose shall I speak with thee, and thy son: and when they were gone out of them that believe.\n When he was a certain of man, who was a good man, who was a good way to the mother of his mother.\n For if we believe not, because we have seen God; and if I have given you, because I am.\n And it was a sign of the prophet.\n in that manner of the world was according to the end of the world, according to the Spirit of faith;\n And Jesus said unto them, All ye shall be with you in this night: for it is written, I will make the sheep of the sheep, and the sheep shall be healed.\n And when I saw the morrow on the morrow, I pray thee on the morrow, and on the morrow I came unto Damascus: and we went out from the morrow, we came to Damascus.\n And they rose up in the temple, and in the temple, and preaching the gospel of Jesus Christ.\n And he rose up many things: but Paul had said, and said unto him, The Spirit that is in the name of Jesus Christ; and when he went out from the way.\n He would not let us go away from our heart, and the power of faith, and of faith, and of faith, and in the wilderness,\n In the judgment, the Lord said unto the world of the world.\n And if it were some of some time, they took him into the wilderness, and put it into the wilderness to the tree that thou hast made me, and according to the tree that thou hast made me:\n Don’t want to go out of the ground.\n And straightway they spake before him, they took the one of the twelve, Judas, one of the twelve,\n And the flesh of the flesh is not worthy of God.\n For we are not able to speak, but because of the truth.\n “Oh, I can’t get for you,” he said.\n “You’s going to get down from Fern, so that the pig was about the pig.\n And after the four angels that were on the four angels that were on the four corners of the earth, they made a tree from the earth, that it may be made from the earth, and the tree.\n The word of the word which is spoken throughout all Jud<unk>a, Galilee of Galilee,\n “No,” said Charlotte, “I think I’m not a little pig.”\n And Jesus spake unto them, saying, Suffer the children of Jerusalem, let us not believe: but ye yourselves with yourselves, and your children.\n But he looked with him, he said nothing.\n And they rose up,” said Mrs. Arable, “I think it?”\n For I have not need of mine own hand.\n One one of them had brought them out of the stars.\n They ate them and ate them, and they would make their clothes on their clothes to them that they could make them out to the ground, but to make it to the ground.\n But there was no man among you, because of the Jews.\n To know the knowledge of your knowledge. He that rejecteth you, let him take a crown of life; for the men of men are six hundred and six.\n <unk>nto this day, that it is full of judgment, that ye may receive the judgment of judgment, because of the judgment which is in the judgment; because ye shall be in the world.\n That which the first came unto the first, that they might be according to the end of the Gentiles, according to the things which is written,\n And when the voice of his servants, and took him, and took him, and healed them.\n And when they heard it, they received their peace; and they glorified God, saying, This is the Gentiles that are God of God.\n Who is a truth, if it not that is in Christ Jesus Christ.\n But what saith he saith unto me, What is I to do with me? I am afraid of the seven thousand men.\n And when the door of the city came near unto the city, behold, a man was dead, and the son of her mother was with her mother, and was a widow: and there was a great city.\n And these are the good thing that was good, and the altar of the first month, the first part of the first month, to the end of it.\n Be not therefore to speak with you: but these things shall not be saved, that he may eat and drink of the brethren.\n Do you to get you out?\n “You'll get my right out!” said Avery, water water with water.\n And he said, What is it that he should give it? for the name of the Spirit is come to the dead;\n And on this day, I'll get everything on this day, everything on all.\n <unk>nto the God of God all, because of your hearts:\n I rode back from me to go down into the ground.\n And the multitude said, This is a prophet, of the prophet of Galilee.\n The sockets of the court were gone up to the water.\n And he came to his house, and his father did not believe.\n And when the cloud came out from the voice, saying, This is my beloved son, whom thou hast given me.\n “Charlotte?” he said.\n In the next time they had gone away, and it was a big time.\n “I think I said, I guess again again again again.\n Beware of the church of God, ye shall not speak with you, not with you, and not in your heart:\n They rose up to the Indians in the mountains to the mountains, and they were gone.\n And they took the name of the river, which came down to the ground, and the cocks of the air’s office.\n And it came to him that he would see it, and let him go away, and he would eat it in the mountains.\n If he was going out from the ground, and the boys had been in the <unk>ueens.\n “Well,” said Mr. Zuckerman.\n For there shall not enter into the holy place in the holy place, even the truth of the truth, which is in heaven; but from heaven,\n And thou shalt make the works of the law, that they may be able to speak with them;\n <unk>erily I say unto you, that he might send him into all that he had.\n “It’s going to be a half.”\n Wilbur closed his eyes.\n whom the name of the flesh is sown; which is the Spirit of the Spirit.\n And there was a great heaven in heaven.\n according to the Christ of Christ;\n And Pilate heard that he heard from Galilee, he asked the Galilee of Galilee, saying.\n Now now, and the birds of the world came to the world in the woods and of the world.\n But of you shall be of you, ye shall say unto you, that ye may come out of the field, that the field may come out from the field, straightway thou shalt say to me?\n I’m not know that the soldiers had been seen for the word, but as he could not see the boys, and they could not see them that they could not see them.\n and in the city of the city said unto him, The men of him that are sick against him, he sent forth out of them;\n It was a good time, and that his seed was with him, and with him that followed him.\n “I don’t know about Fern,” she said.\n The morning seemed in the woods and then it was not so as it was in the ground.\n “Oh, we'll go on a pail.\n For the power of the Jews spake unto him in the sight of the Jews, declaring to the scriptures in the scriptures Jesus Christ.\n But the Cherokees of the Ridge are the Ridges of the Ridge and Ridge Ridge, who had been seen in the city, and they could not see what they could not have been as as they had done.\n And, behold, thou shalt bring them forth, and shall be taken away, until the day of this day, because ye shall come to pass.\n And thou shalt make the breastplate of the gospel of peace;\n You'll tell this day.”\n But so ye also, if these things do these things, that he is in the door.\n They have some soil in soil.\n In the color of the Ridges and the Ridges of the air, the water of the water.\n And Seth lived, and begat Cainan;\n And he said unto them, The people shall rise against thee, and in the midst of the midst;\n Behold, I have a wife, and shall be a son, and shall be a son.\n Now in the sight of the days, I will be with you, in the sight of all men, and in knowledge of all men,\n And when they had done it in the Nation, but he didn’t swim for it.\n “I’m true.\n And he said unto them, Why do ye that ye hear? Because ye know that he should not enter into temptation.\n “Is it?”\n For he said, Thou shalt take his own hand, I pray thee.\n\n Wilbur grabbed the fence and the goose was gone.\n Why dost we have no more, Wilbur?”\n And she knew that he knew it’s children.\n But he said unto them, Be ye not.\n And when he was come to pass, and went into the wilderness; and the multitudes took him, and came to him, and came to him, that they should not drink.\n For it is all the book of the book, Thou shalt not make his right hand to the ox, and he doeth nothing.\n But he said, We have no poor to the poor, but the thief is a thief, but the thief is a thief;\n And as they that are with me <unk>which is the man; and it is good to the woman.\n “What do it?” asked Wilbur.\n They made their hands in their hand.\n And when they were come, he showed the word that is good; and that he might be justified in the sight of God our Saviour.\n “Fern,” said the mother of his mother.\n She knew that he knew it was.\n And he went out from Jud<unk>a and again again.\n He looked on the side, and Mr. Zuckerman and Mr. Zuckerman and Mr. Zuckerman.\n But he charged them, and told the disciples, and spake unto him, that he might go before him in Galilee;\n Now when we saw that, when we die, and he is hungry; and he was naked,\n Thou shalt not kill you:\n You’re going to you.\n And there came up unto Jerusalem, and all Jud<unk>a, and all that were in the Jordan,\n And he charged them, and said unto them, Why do ye good, and ye have heard? he is not only, but only.\n <unk>nto him, that they should not drink with him;\n And they drew near by him, and sat down in the land: and they went in, and sat down in the way.\n If I was going to pass on the mountains, and when he had been across the mountains to the mountains, and when they were going to the mountains.\n But he answered and said, It is not lawful to the children of the children of the children of the children of the children of the children of the children of the children of the children of the children of the children’s office.\n And there came to Jerusalem in Jerusalem the Jews to God in the sight of all the nations.\n And he saith unto me, These are I am with thee. I am the Alphy and the Amorite, the first and the last last.\n And the next day, when it came to pass, as the sun came near to the sun, and we came back unto the night by night.\n He came to him, that it might be fulfilled, that he might be saved.\n But I have sent unto you the gospel which ye have spoken unto you,\n And when he was come down from the Jordan, preaching the baptism of repentance, that they might be made manifest unto us;\n “I’m not going on the first time of the first time and the blood of blood!”\n But if thou shalt go in thy feet, and cast it into the house, and then shalt thou make in the door of thy father: and in secret shalt thou shalt surely come unto thee.\n The next day of the next pig, and then the next boys had taken up and here in the ground, and then they could see the water with them.\n “I don’t want to die.\n And when he sent me to me, and I will not any one of you, saying, Where art thou?\n for I am in remembrance of our faith.\n And I am not the world, but that I say, I am the world, that I will give you to my Father, that thou hast given me to be one, even as ye are one.\n In the light of the sky, the fats of the sky, the fats of the air, and the fats of the mountains, and the stars of the stars John.\n And he spake unto him all that were about all, he said unto the man, This is the man. And he gave her hand unto him: and he gave his hand unto the other.\n He stepped them.\n But they took both to another, and they would have to kill them.\n They came down down the ground on the ground, and there was across the ground in the ground.\n The book of the blood of the white whites of the fires of his teeth.\n It is like unto you, that, when I saw it, and I would not see it. And when they came out to the ground.\n And there was also Sodom and Gomorrah, and they that were near unto him, according to their fornication, according to the mystery of fornication,\n For as he would have been made manifest unto you all things.\n And he cried out the water of the water.\n And he came to Joseph a son of Joseph’s wife, the son of David was of David: and she was called Mary.\n That thou shalt make in the sight of him, that thou shalt take him, and that thou mayest be found manifest unto all all.\n She looked on the way.\n “Everye and gentlemen!” he said.\n The day, the apple tree.\n who is written in faith, that there may be filled with God, and rose up; and taking them in the flesh, and not with them.\n <unk>erily, verily, <unk>erily I say unto you, There is not greater than his lord; and he is not greater than he that is greater than he.\n For wherefore we have found them, ye shall be also.\n This people had been going to see Wilbur’s yard.\n In the edge of the fog, they would make the top of the ground in the front of the ground.\n And Jesus went up from thence from thence, he saw a man named <unk>us, and sat on him. And he arose and went away.\n And when they were very grievous in their own countrys of their own country.\n And the one of the city was twelve; and the twelve twelve, and the twelve twelve, and the twelve twelve, and the twelve Lamb,\n And one of them, who was a certain priest of the high priest, and said unto them, I know not, I know not, I know not what ye know nothing,\n And the king of the Lord said, This is we also in your hearts unto you: for I know that these things are not worthy of all things; for I know not this things.\n “Don’t worry, don't worry,” said the spider.\n When if the word of the Lord is the Lord, and the power of them.\n And again the second part of the tabernacle is the tabernacle of the tabernacle:\n But when they were come, they were afraid, that they might be on the day of the day of the judgment, and because of the man.\n of love the law is not of the law, and of goodness of faith;\n And there shall be a sign from heaven, and the signs of the seven angels, who are seven angels in the midst of the last: for the same God is in the wrath of God.\n When they could make the right hand of the snakess of his youths and rolled up across the top of the ground.\n It was like a few time, and for it.\n And when the dog had finished the dog, they would not see him.\n And when I went out from the middle of the scribe, with his sister’s office, and let us go out of the air.\n Mrs. Arable wanted to the table.\n But she looked asleep.\n You’ll us a sign in this point.\n The truck climbed to the truck.\n And when the high priest was high priest, a high priest’s mouth.\n"
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ock\t-9.5445\n▁b\t-9.54715\n▁lift\t-9.54874\n▁repent\t-9.5514\n▁short\t-9.55173\n▁strange\t-9.55237\n▁forgive\t-9.55251\n▁eating\t-9.55257\n▁ox\t-9.55277\n▁incense\t-9.55292\n▁large\t-9.55293\n▁account\t-9.55293\n▁truck\t-9.55293\n▁spiritual\t-9.55293\n▁Adam\t-9.55294\n▁glorified\t-9.55297\n▁Sodom\t-9.55299\n▁pay\t-9.553\nittim\t-9.55304\n▁Lamb\t-9.55304\n▁immediately\t-9.55308\n▁circumcised\t-9.55334\n▁churches\t-9.55337\n▁yard\t-9.55393\n▁Th\t-9.5548\n▁poured\t-9.55508\n▁clothes\t-9.55509\n▁closed\t-9.55567\n▁thereon\t-9.55621\n▁raise\t-9.55679\n▁touched\t-9.55703\n▁breadth\t-9.55733\n▁bowed\t-9.55737\n▁receiveth\t-9.55748\n▁sore\t-9.55777\n▁rod\t-9.55802\n▁besought\t-9.56316\n▁bit\t-9.56435\nir\t-9.5653\n▁putt\t-9.56568\n▁wax\t-9.56673\n▁e\t-9.56921\n▁mean\t-9.58042\n▁disciple\t-9.58307\n▁stranger\t-9.5834\n▁touch\t-9.58606\n▁carry\t-9.58687\n▁wash\t-9.58973\n▁glad\t-9.59004\n▁quiet\t-9.59056\n▁lawful\t-9.59069\n▁council\t-9.59138\n▁Barnabas\t-9.59139\n▁Woe\t-9.59139\n▁garden\t-9.59139\n▁iniquity\t-9.59139\n▁hurt\t-9.59139\n▁whither\t-9.59139\n▁cities\t-9.59139\n▁tried\t-9.5914\n▁empty\t-9.59153\n▁deny\t-9.59168\n▁lad\t-9.59173\n▁bought\t-9.59175\n▁exceedingly\t-9.59273\n▁pulled\t-9.59297\n▁pit\t-9.59317\n▁happened\t-9.59365\n▁longer\t-9.59368\n▁charged\t-9.59389\n▁hated\t-9.59424\n▁manifested\t-9.59713\n▁knowest\t-9.59844\n▁worketh\t-9.59937\n▁less\t-9.59951\n▁greatly\t-9.60633\n▁sac\t-9.6071\n▁reach\t-9.61166\ntaking\t-9.61834\n▁breastplate\t-9.62142\n▁Lo\t-9.62168\n▁garment\t-9.62312\nof\t-9.62371\n▁multiply\t-9.62616\n▁t\t-9.6269\n▁obey\t-9.62698\n▁car\t-9.62719\nri\t-9.62724\n▁Some\t-9.62773\nted\t-9.62883\n▁road\t-9.63136\n▁Jackson\t-9.63139\n▁couple\t-9.63139\n▁guess\t-9.63139\n▁spent\t-9.6314\n▁bondage\t-9.6314\n▁created\t-9.63151\n▁built\t-9.63152\n▁brown\t-9.63153\n▁swear\t-9.63157\nat\t-9.63168\n▁quickly\t-9.63169\ngiving\t-9.63175\n▁self\t-9.63179\n▁h\t-9.63217\no\t-9.63292\n▁nine\t-9.63296\n▁stretched\t-9.63355\n▁trouble\t-9.63407\n▁Are\t-9.63409\n▁couldn\t-9.63474\n▁wonders\t-9.63475\n▁touching\t-9.63606\n▁stars\t-9.63728\nsar\t-9.63824\n▁purpose\t-9.64255\n▁gifts\t-9.64309\n▁heads\t-9.64565\nand\t-9.6468\nis\t-9.64905\nday\t-9.65041\n▁D\t-9.65836\near\t-9.65838\nped\t-9.65962\n▁afternoon\t-9.66357\n▁foundation\t-9.66379\n▁appear\t-9.66408\n▁Jew\t-9.66644\n▁cry\t-9.66922\n▁rule\t-9.66923\n▁wall\t-9.67057\n▁spirits\t-9.67079\n▁straight\t-9.67303\n▁Abimelech\t-9.67305\n▁bottom\t-9.67305\n▁caught\t-9.67305\n▁conscience\t-9.67305\n▁twin\t-9.67305\n▁unleavened\t-9.67305\n▁Elijah\t-9.67305\n▁hungry\t-9.67308\n▁story\t-9.67309\n▁winter\t-9.6731\n▁teeth\t-9.67312\n▁catch\t-9.67313\n▁household\t-9.67323\n▁sinned\t-9.67326\n▁With\t-9.67342\n▁really\t-9.6735\n▁risen\t-9.67351\n▁learned\t-9.67666\n▁beat\t-9.67735\n▁sides\t-9.67906\n▁ways\t-9.67932\n▁watched\t-9.68202\n▁ones\t-9.68253\n▁skins\t-9.68281\nim\t-9.68654\n▁calling\t-9.68849\n▁months\t-9.68857\n▁faces\t-9.68924\n▁horse\t-9.69118\n▁H\t-9.69182\ni\t-9.69223\nfor\t-9.69549\n▁state\t-9.70662\n▁tail\t-9.70714\n▁creek\t-9.70749\n▁ruler\t-9.70862\n▁act\t-9.70911\nOh\t-9.71075\n▁parts\t-9.71077\n▁feed\t-9.71185\n▁count\t-9.71368\n▁double\t-9.71427\n▁secret\t-9.71504\n▁abound\t-9.71505\n▁loose\t-9.71537\n▁wild\t-9.71555\n▁thin\t-9.7162\n▁spoke\t-9.71631\n▁Levi\t-9.71649\n▁hither\t-9.71651\n▁raiment\t-9.71653\n▁glorify\t-9.71653\n▁afar\t-9.71654\n▁vineyard\t-9.71654\n▁Ridge\t-9.71656\n▁space\t-9.71656\n▁pigpen\t-9.71659\n▁goats\t-9.7166\n▁wrote\t-9.71667\n▁suddenly\t-9.71681\n▁creep\t-9.71684\n▁forgiven\t-9.71696\n▁outside\t-9.71707\n▁maid\t-9.71709\n▁golden\t-9.71752\n▁hot\t-9.71767\n▁witnesses\t-9.71781\n▁officers\t-9.7187\n▁ends\t-9.72034\n▁heed\t-9.72088\n▁birds\t-9.72219\n▁wet\t-9.72272\nar\t-9.72331\n▁mayest\t-9.7254\n▁eateth\t-9.7281\n▁heavenly\t-9.73048\n▁synagogues\t-9.73161\n▁Whi\t-9.73192\n▁feared\t-9.74065\n▁beasts\t-9.74473\n▁skin\t-9.74854\n▁charge\t-9.75078\nw\t-9.75133\nrew\t-9.75159\n▁pleasure\t-9.75317\n▁pillar\t-9.75355\nHe\t-9.75522\n▁L\t-9.75591\neither\t-9.75634\n▁remain\t-9.75654\n▁play\t-9.75692\n▁sail\t-9.75828\n▁report\t-9.75856\nake\t-9.76055\n▁confess\t-9.76189\n▁inherit\t-9.76194\n▁Benjamin\t-9.76199\n▁Isaiah\t-9.76199\n▁array\t-9.76199\n▁haply\t-9.76199\n▁remembrance\t-9.76199\n▁womb\t-9.76199\n▁Timothy\t-9.76199\n▁mystery\t-9.76199\n▁daily\t-9.76199\n▁hail\t-9.762\n▁tired\t-9.762\n▁fence\t-9.762\n▁likewise\t-9.76201\n▁inheritance\t-9.76203\n▁arrived\t-9.76232\n▁Put\t-9.76334\n▁Have\t-9.76368\n▁inside\t-9.76477\n▁talking\t-9.76544\n▁camels\t-9.76562\n▁weight\t-9.76575\n▁lose\t-9.76583\nah\t-9.76814\n▁breath\t-9.76993\n▁heareth\t-9.7709\n▁willing\t-9.77102\n▁d\t-9.77309\n▁g\t-9.77384\n▁c\t-9.77666\nrs\t-9.77708\n▁spring\t-9.78101\nity\t-9.78192\n▁fight\t-9.78886\n▁—\t-9.78976\n▁candlestick\t-9.80067\n▁village\t-9.80091\n▁lamb\t-9.80103\n▁cover\t-9.80122\n▁coat\t-9.80128\n▁finger\t-9.8016\nadventure\t-9.80273\n▁W\t-9.80337\n▁song\t-9.80341\nYes\t-9.80366\n▁bury\t-9.80485\n▁fashion\t-9.80502\n▁establish\t-9.80527\n▁thank\t-9.80613\n▁possess\t-9.8077\n▁stumble\t-9.80872\n▁flee\t-9.80874\n▁ashamed\t-9.8096\n▁dominion\t-9.8096\n▁flood\t-9.8096\n▁knife\t-9.8096\n▁trail\t-9.8096\n▁devour\t-9.80961\n▁precious\t-9.80961\n▁Saviour\t-9.80961\n▁vail\t-9.80961\n▁happy\t-9.80961\n▁marry\t-9.80961\n▁further\t-9.80962\n▁Perry\t-9.80963\n▁possible\t-9.80972\n▁elect\t-9.80976\n▁adultery\t-9.80989\n▁smote\t-9.80996\n▁sware\t-9.81007\n▁amazed\t-9.81009\n▁stick\t-9.81026\n▁slowly\t-9.81037\n▁scattered\t-9.81076\n▁sort\t-9.81105\n▁hardened\t-9.81108\n▁sixth\t-9.81186\n▁hire\t-9.81193\n▁bones\t-9.81277\n▁borne\t-9.81315\n▁hence\t-9.8138\n▁liveth\t-9.81494\n▁burned\t-9.81557\n▁feeling\t-9.81653\nily\t-9.81884\n▁notice\t-9.81945\n▁destroyed\t-9.82034\n▁strangers\t-9.82038\n▁doing\t-9.82973\n▁Is\t-9.83049\n▁R\t-9.83169\n▁perceive\t-9.84637\n▁Salut\t-9.84827\n▁hole\t-9.85062\n▁Hebrew\t-9.85097\n▁cubit\t-9.8512\n▁ship\t-9.85191\n▁sanctif\t-9.85251\n▁curse\t-9.85812\n▁grave\t-9.85927\n▁naked\t-9.85943\n▁supper\t-9.85959\n▁Macedonia\t-9.8596\n▁Spearfinger\t-9.8596\n▁behalf\t-9.8596\n▁ignorant\t-9.8596\n▁thither\t-9.8596\n▁bottle\t-9.85961\n▁crawl\t-9.85961\n▁Saul\t-9.85961\n▁idea\t-9.85961\n▁loaves\t-9.85961\n▁reproach\t-9.85969\n▁cheer\t-9.85972\n▁moon\t-9.85973\n▁Arise\t-9.85977\n▁tidings\t-9.85985\n▁handmaid\t-9.85997\n▁decided\t-9.86005\n▁horns\t-9.86046\n▁wide\t-9.8611\n▁idols\t-9.86203\n▁fly\t-9.86244\n▁shoes\t-9.86291\n▁knees\t-9.86341\n▁bonds\t-9.86467\n▁washed\t-9.86538\n▁goods\t-9.86571\nate\t-9.86578\n▁either\t-9.86591\n▁letters\t-9.86601\n▁use\t-9.87014\n▁move\t-9.87397\n▁eggs\t-9.87619\n▁tables\t-9.87886\n▁sacrifices\t-9.8789\ng\t-9.88076\n▁thinking\t-9.88136\n▁form\t-9.88295\n▁needs\t-9.88493\nnto\t-9.88661\n▁accuse\t-9.89308\n▁bearing\t-9.89505\n▁question\t-9.8981\n▁demon\t-9.89935\n▁affliction\t-9.90232\n▁governor\t-9.90276\n▁root\t-9.90322\n▁possession\t-9.90342\n▁neighbor\t-9.90349\n▁wheel\t-9.90383\n▁host\t-9.9039\n▁corner\t-9.90431\n▁afterward\t-9.905\n▁clear\t-9.90626\nHow\t-9.90667\nBut\t-9.9067\n▁worry\t-9.90729\n▁regard\t-9.90753\n▁proceed\t-9.90767\nnt\t-9.90798\n▁forbid\t-9.91018\n▁shoulder\t-9.91021\n▁wicked\t-9.91057\n▁grievous\t-9.91098\n▁late\t-9.91199\n▁Cain\t-9.91222\n▁Claire\t-9.91224\n▁Jordan\t-9.91224\n▁abode\t-9.91224\n▁centurion\t-9.91224\n▁company\t-9.91224\n▁marriage\t-9.91224\n▁neighbour\t-9.91224\n▁flies\t-9.91224\n▁parents\t-9.91224\n▁families\t-9.91224\n▁struck\t-9.91224\n▁breakfast\t-9.91225\n▁nought\t-9.91225\n▁business\t-9.91227\n▁repentance\t-9.9123\n▁subjection\t-9.91239\n▁brake\t-9.91244\n▁Most\t-9.91245\n▁fill\t-9.91257\n▁tiny\t-9.91265\n▁cock\t-9.91266\n▁begin\t-9.9127\n▁direction\t-9.91276\n▁sell\t-9.91291\n▁robe\t-9.91305\n▁anger\t-9.91324\n▁marvelled\t-9.91353\n▁Art\t-9.91355\n▁tied\t-9.91393\nting\t-9.91411\n▁reckoned\t-9.91489\n▁Here\t-9.91588\n▁covering\t-9.91745\never\t-9.91788\n▁lusts\t-9.91854\n▁served\t-9.91941\n▁fully\t-9.91948\n▁height\t-9.92032\n▁corners\t-9.92118\n▁journeyed\t-9.92144\n▁hate\t-9.92196\n▁faint\t-9.92406\n▁Her\t-9.92547\n▁scriptures\t-9.92552\n▁gates\t-9.92695\n▁declare\t-9.92829\n▁falling\t-9.92878\n▁treasure\t-9.93402\nthe\t-9.93419\n▁G\t-9.93652\n▁commit\t-9.93664\nance\t-9.94595\n▁voices\t-9.95052\n▁labor\t-9.95267\nish\t-9.95405\n▁tribulation\t-9.95784\nred\t-9.95786\n▁join\t-9.95908\n▁arm\t-9.95912\n▁apostle\t-9.95976\nThe\t-9.96069\ntimes\t-9.96124\nThat\t-9.96222\n▁profit\t-9.96299\n▁utter\t-9.96321\n▁strip\t-9.96335\n▁change\t-9.96365\n▁leaven\t-9.96459\n▁stop\t-9.96566\n▁refuse\t-9.96583\n▁plain\t-9.96655\n▁natural\t-9.96668\n▁chose\t-9.96749\n▁Again\t-9.96779\n▁Brethren\t-9.96779\n▁Grace\t-9.96779\n▁Nazareth\t-9.96779\n▁beneath\t-9.96779\n▁geese\t-9.96779\n▁middle\t-9.96779\n▁woe\t-9.9678\n▁fourteen\t-9.9678\n▁fair\t-9.9678\n▁respect\t-9.96781\n▁spoil\t-9.96792\n▁Asia\t-9.96797\n▁abundantly\t-9.96803\n▁Nay\t-9.96808\n▁drove\t-9.96822\n▁wish\t-9.96835\n▁lying\t-9.96839\n▁Know\t-9.96869\n▁rent\t-9.96907\n▁revealed\t-9.96914\n▁Dr\t-9.97031\n▁spin\t-9.97088\n▁talents\t-9.97099\n▁clothed\t-9.97112\n▁ago\t-9.97193\n▁persons\t-9.97298\n▁remained\t-9.97305\nill\t-9.97309\n▁fourth\t-9.97382\n▁stayed\t-9.97529\n▁wouldest\t-9.9774\n▁creatures\t-9.98087\n▁following\t-9.98221\n▁perceiv\t-9.98275\n▁drive\t-9.98326\n▁rocks\t-9.98734\n▁rush\t-9.99315\n▁race\t-9.99744\n▁star\t-9.99957\n▁nights\t-10.0014\n▁trust\t-10.0023\n▁ass\t-10.0036\n▁wear\t-10.0085\n▁pain\t-10.0143\n▁oath\t-10.0167\n▁snow\t-10.0167\n▁vision\t-10.0171\n▁ram\t-10.0173\n▁fowl\t-10.0174\n▁miracle\t-10.0174\n▁male\t-10.0175\n▁serpent\t-10.0176\n▁learn\t-10.0177\n▁talk\t-10.0179\n▁widow\t-10.018\n▁border\t-10.0181\nry\t-10.0186\nk\t-10.0202\n▁won\t-10.021\n▁redeem\t-10.0222\n▁escape\t-10.0247\n▁several\t-10.0255\n▁lot\t-10.0257\nhe\t-10.0258\n▁Antioch\t-10.0266\n▁Crockett\t-10.0266\n▁Ishmael\t-10.0266\n▁Reuben\t-10.0266\n▁Washington\t-10.0266\n▁baptism\t-10.0266\n▁cunning\t-10.0266\n▁everlasting\t-10.0266\n▁language\t-10.0266\n▁leaving\t-10.0266\n▁truly\t-10.0266\n▁Sarai\t-10.0266\n▁Sinai\t-10.0266\n▁astray\t-10.0266\n▁dawn\t-10.0266\n▁slew\t-10.0266\n▁nature\t-10.0266\n▁sitteth\t-10.0266\n▁colonel\t-10.0266\n▁swallow\t-10.0266\n▁Shechem\t-10.0266\n▁Howbeit\t-10.0266\n▁sanctuary\t-10.0266\n▁tarried\t-10.0267\n▁grain\t-10.0267\n▁bitter\t-10.0267\n▁yellow\t-10.0268\n▁interpretation\t-10.0268\n▁sanctified\t-10.0268\n▁oxen\t-10.0269\n▁sorry\t-10.0272\n▁wheat\t-10.0273\n▁fishes\t-10.0273\n▁farm\t-10.0279\n▁sown\t-10.028\n▁pail\t-10.0282\n▁exalted\t-10.0286\n▁Te\t-10.0297\n▁weeping\t-10.0298\n▁loosed\t-10.0299\n▁line\t-10.0302\n▁Look\t-10.0304\n▁lower\t-10.0305\n▁tears\t-10.0306\n▁wipe\t-10.0307\nory\t-10.0309\n▁sailed\t-10.0322\n▁calleth\t-10.0324\n▁counted\t-10.0325\n▁comforted\t-10.0348\n▁lines\t-10.0352\n▁borders\t-10.0352\n▁north\t-10.038\n▁noise\t-10.0388\n▁watching\t-10.0412\n▁turning\t-10.0434\n▁st\t-10.0442\n▁doest\t-10.0447\n▁Br\t-10.0508\n▁nose\t-10.053\n▁con\t-10.0541\n▁spiders\t-10.0581\n▁inso\t-10.0581\n▁Oh\t-10.0589\n▁cr\t-10.0601\n▁offerings\t-10.0651\n▁thoughts\t-10.0655\n▁r\t-10.0671\n▁per\t-10.0679\n▁hide\t-10.0701\n▁cabin\t-10.0792\n▁exhort\t-10.0795\n▁fig\t-10.0796\n▁hill\t-10.0804\nto\t-10.0824\nCharlotte\t-10.0836\nNow\t-10.0836\n▁lack\t-10.0839\nch\t-10.085\n▁Ha\t-10.0855\n▁dirt\t-10.0882\n▁swam\t-10.0883\n▁overcome\t-10.0883\n▁building\t-10.0891\n▁Asmeret\t-10.0891\n▁Ephesus\t-10.0891\n▁Hittite\t-10.0891\n▁Nahor\t-10.0891\n▁Simeon\t-10.0891\n▁cellar\t-10.0891\n▁harlot\t-10.0891\n▁rope\t-10.0891\n▁yield\t-10.0891\n▁running\t-10.0891\n▁Damascus\t-10.0891\n▁different\t-10.0891\n▁drank\t-10.0891\n▁godliness\t-10.0891\n▁common\t-10.0892\n▁wings\t-10.0892\n▁shook\t-10.0892\n▁compassion\t-10.0893\n▁grant\t-10.0894\n▁beaten\t-10.0894\n▁pick\t-10.0894\n▁bigge\t-10.0894\n▁chosen\t-10.0895\n▁pool\t-10.0895\n▁thorns\t-10.09\n▁asses\t-10.09\n▁An\t-10.09\n▁tempted\t-10.0909\n▁jumped\t-10.0909\n▁Did\t-10.0909\n▁chains\t-10.0911\n▁row\t-10.0912\n▁Hear\t-10.0915\n▁mourning\t-10.0916\nmen\t-10.0919\n▁wor\t-10.0931\n▁goodness\t-10.0934\n▁herds\t-10.0934\n▁pipe\t-10.0939\nants\t-10.0946\n▁bowls\t-10.0956\n▁pale\t-10.0958\n▁lamps\t-10.0961\n▁breaking\t-10.0987\n▁arms\t-10.0988\n▁lambs\t-10.1006\n▁sayest\t-10.103\n▁Shem\t-10.1055\n▁de\t-10.107\n▁withal\t-10.1075\n▁prayers\t-10.1101\n▁heal\t-10.1151\n▁drinking\t-10.1176\n▁commun\t-10.1202\n▁judges\t-10.1268\n▁fruits\t-10.1292\n▁roll\t-10.133\n▁desert\t-10.1409\n▁bringing\t-10.1454\n▁girdle\t-10.1459\n▁cave\t-10.146\nage\t-10.1462\n▁stream\t-10.1463\n▁week\t-10.1469\n▁Greek\t-10.1472\n▁bird\t-10.1473\n▁glorying\t-10.1479\n▁reap\t-10.149\nGood\t-10.1495\n▁flow\t-10.1504\n▁render\t-10.1505\nlaid\t-10.1521\n▁letter\t-10.1533\n▁flat\t-10.1545\n▁haste\t-10.1546\n▁Man\t-10.1555\nollow\t-10.1557\n▁stumbling\t-10.1558\n▁Almighty\t-10.1558\n▁anxious\t-10.1558\n▁bodies\t-10.1558\n▁bridegroom\t-10.1558\n▁damsel\t-10.1558\n▁disobedient\t-10.1558\n▁divers\t-10.1558\n▁necessary\t-10.1558\n▁obedience\t-10.1558\n▁prosper\t-10.1558\n▁screamed\t-10.1558\n▁silence\t-10.1558\n▁uncircumcision\t-10.1558\n▁diligence\t-10.1558\n▁iron\t-10.1558\n▁trumpet\t-10.1558\n▁harvest\t-10.1558\n▁Stephen\t-10.1558\n▁lips\t-10.1558\n▁slain\t-10.1558\n▁Haran\t-10.1558\n▁honey\t-10.1558\n▁rising\t-10.1558\n▁Nancy\t-10.1558\n▁acceptable\t-10.1559\n▁spare\t-10.1559\n▁boldness\t-10.1559\n▁overlay\t-10.1559\n▁temptation\t-10.1559\n▁lodge\t-10.1561\n▁steal\t-10.1562\n▁worse\t-10.1565\n▁Can\t-10.1566\n▁hypocrites\t-10.1567\n▁Sure\t-10.157\n▁ceased\t-10.1572\n▁Sir\t-10.1573\n▁removed\t-10.1573\n▁defiled\t-10.1576\nite\t-10.1577\n▁goslings\t-10.1579\n▁henceforth\t-10.158\n▁shortly\t-10.158\n▁hell\t-10.1582\n▁obtained\t-10.1583\nTHE\t-10.1585\nwo\t-10.1593\n▁onto\t-10.1595\n▁stared\t-10.161\n▁sacrificed\t-10.1617\n▁soft\t-10.1626\n▁frogs\t-10.1633\n▁Greeks\t-10.1645\n▁widows\t-10.1657\n▁pro\t-10.1663\n▁Sen\t-10.1685\n▁comes\t-10.1713\n▁needed\t-10.1729\nors\t-10.1735\n▁seeth\t-10.1749\n▁prove\t-10.1774\n▁sad\t-10.1821\n▁rebuke\t-10.1831\n▁holding\t-10.1835\n▁ill\t-10.1926\nge\t-10.1963\nrolled\t-10.1978\n▁liked\t-10.1996\nscore\t-10.2001\n▁fore\t-10.2002\n▁occasion\t-10.2061\nNo\t-10.2129\n▁happen\t-10.213\n▁lust\t-10.2134\n▁burden\t-10.2136\n▁add\t-10.2158\nc\t-10.216\n▁revelation\t-10.2173\n▁region\t-10.2177\n▁supplication\t-10.2182\n▁shepherd\t-10.2185\n▁blanket\t-10.2185\n▁Egyptian\t-10.2188\n▁mark\t-10.2196\n▁dog\t-10.2204\nris\t-10.2205\n▁beside\t-10.2209\nF\t-10.2214\n▁salt\t-10.2223\n▁laugh\t-10.2226\n▁inhabit\t-10.2226\n▁interest\t-10.2227\n▁condemn\t-10.2228\n▁betray\t-10.2229\n▁pour\t-10.2233\n▁heat\t-10.2234\n▁defile\t-10.2241\nary\t-10.2243\n▁je\t-10.2244\n▁release\t-10.2252\n▁despise\t-10.2252\n▁taste\t-10.2253\n▁store\t-10.2253\n▁slow\t-10.2264\n▁vine\t-10.2272\n▁Sadducees\t-10.2272\n▁America\t-10.2272\n▁Lazarus\t-10.2272\n▁Manasseh\t-10.2272\n▁Sequoyah\t-10.2272\n▁awoke\t-10.2272\n▁confidence\t-10.2272\n▁countenance\t-10.2272\n▁doctrine\t-10.2272\n▁dumb\t-10.2272\n▁multiplied\t-10.2272\n▁ointment\t-10.2272\n▁recompense\t-10.2272\n▁substance\t-10.2272\n▁tarry\t-10.2272\n▁Hagar\t-10.2272\n▁crep\t-10.2272\n▁digged\t-10.2272\n▁contrary\t-10.2272\n▁gander\t-10.2272\n▁fellowship\t-10.2273\n▁loins\t-10.2273\n▁pretty\t-10.2273\n▁Zion\t-10.2273\n▁understood\t-10.2273\n▁continually\t-10.2273\n▁unrighteousness\t-10.2273\n▁ungodly\t-10.2274\n▁loss\t-10.2274\n▁wickedness\t-10.2275\n▁price\t-10.2275\n▁trade\t-10.2275\n▁exactly\t-10.2275\n▁married\t-10.2276\n▁heap\t-10.2276\n▁rejected\t-10.2277\n▁doorway\t-10.2277\n▁stedfastly\t-10.2278\n▁carefully\t-10.2278\n▁fruitful\t-10.2278\n▁shot\t-10.228\n▁stirred\t-10.228\n▁descended\t-10.2283\n▁spit\t-10.2285\n▁kindness\t-10.2285\n▁hunger\t-10.2286\n▁prevailed\t-10.2287\n▁thick\t-10.2289\n▁dying\t-10.229\n▁manure\t-10.2292\n▁ring\t-10.2293\n▁quietly\t-10.2294\n▁loops\t-10.2295\n▁bars\t-10.2296\n▁town\t-10.2298\n▁final\t-10.2303\n▁pond\t-10.231\n▁divide\t-10.2314\nxcept\t-10.232\n▁chariots\t-10.232\n▁rejoiced\t-10.232\n▁condemned\t-10.2322\n▁cleanse\t-10.2325\n▁powers\t-10.233\n▁promised\t-10.2335\n▁consider\t-10.2342\nke\t-10.2345\ntime\t-10.2365\n▁fasten\t-10.2371\n▁desired\t-10.2379\nach\t-10.238\n▁m\t-10.2383\n▁dreamed\t-10.241\n▁seasons\t-10.245\n▁Re\t-10.2451\n▁Well\t-10.2455\n▁lives\t-10.2457\nunto\t-10.2507\night\t-10.2552\n▁mo\t-10.2559\n▁ca\t-10.2567\n▁parted\t-10.2604\n▁praying\t-10.263\n▁intend\t-10.2684\n▁west\t-10.2713\n▁tr\t-10.2743\n▁laying\t-10.2743\n▁shed\t-10.2759\n▁favor\t-10.2779\n▁desir\t-10.2792\n▁rivers\t-10.2907\n▁hang\t-10.2927\n▁custom\t-10.2947\n▁case\t-10.2949\n▁frog\t-10.2956\n▁lamp\t-10.2956\n▁trap\t-10.2959\n▁prophesy\t-10.2986\nwhat\t-10.2986\nthough\t-10.299\n▁fetch\t-10.2992\n▁stretch\t-10.2999\n▁Say\t-10.3002\nthat\t-10.3007\n▁Rabbi\t-10.3008\n▁endure\t-10.3015\n▁owner\t-10.3019\n▁complete\t-10.302\nug\t-10.3021\n▁hung\t-10.3026\n▁proud\t-10.3026\n▁commend\t-10.3028\n▁eleven\t-10.303\n▁content\t-10.3031\n▁branch\t-10.304\nsarea\t-10.3041\n▁Babylon\t-10.3041\n▁Capernaum\t-10.3041\n▁English\t-10.3041\n▁Nevertheless\t-10.3041\n▁Remember\t-10.3041\n▁Titus\t-10.3041\n▁cousin\t-10.3041\n▁enemy\t-10.3041\n▁epistle\t-10.3041\n▁fifteen\t-10.3041\n▁ghost\t-10.3041\n▁thief\t-10.3041\n▁travail\t-10.3041\n▁Festus\t-10.3041\n▁calf\t-10.3041\n▁Moreover\t-10.3041\n▁broad\t-10.3041\n▁compass\t-10.3041\n▁excellent\t-10.3041\n▁void\t-10.3041\n▁stuff\t-10.3041\n▁particular\t-10.3041\n▁famous\t-10.3041\n▁Edom\t-10.3042\n▁bidden\t-10.3042\n▁prophecy\t-10.3042\n▁heavy\t-10.3042\n▁family\t-10.3042\n▁nay\t-10.3042\n▁Which\t-10.3042\n▁palm\t-10.3042\n▁single\t-10.3043\n▁ashes\t-10.3043\n▁Abel\t-10.3043\n▁jealousy\t-10.3043\n▁husbandmen\t-10.3043\n▁bind\t-10.3044\n▁kindred\t-10.3044\n▁Hello\t-10.3044\n▁trial\t-10.3044\n▁beforehand\t-10.3044\n▁shaken\t-10.3044\nbee\t-10.3045\n▁cherubims\t-10.3045\n▁determined\t-10.3045\n▁wander\t-10.3046\n▁driven\t-10.3047\n▁Homer\t-10.3049\n▁portion\t-10.3049\n▁later\t-10.3049\n▁required\t-10.305\n▁everywhere\t-10.305\n▁ball\t-10.3052\n▁fit\t-10.3056\n▁wrapp\t-10.3058\nier\t-10.3062\n▁remaineth\t-10.3062\n▁increased\t-10.3062\n▁pitched\t-10.3064\n▁hateth\t-10.3064\n▁anybody\t-10.3067\n▁hooks\t-10.307\n▁planted\t-10.3071\n▁stool\t-10.3071\n▁youngest\t-10.3072\n▁hunting\t-10.3075\n▁publicans\t-10.308\n▁withered\t-10.3085\nb\t-10.3086\n▁likeness\t-10.3087\n▁stead\t-10.3087\n▁betrayed\t-10.3088\n▁en\t-10.3091\n▁special\t-10.3091\n▁does\t-10.3091\n▁fugitives\t-10.3094\nMany\t-10.3094\n▁tall\t-10.3096\n▁aside\t-10.3101\n▁standeth\t-10.3136\n▁findeth\t-10.314\n▁builded\t-10.3154\n▁greatest\t-10.3157\n▁numbered\t-10.3159\n▁gotten\t-10.317\n▁hosts\t-10.3171\n▁reading\t-10.3171\n▁Zuckermans\t-10.3174\n▁Hebrews\t-10.3178\n▁waited\t-10.3182\n▁sounded\t-10.3189\n▁shoulders\t-10.3214\nought\t-10.3233\n▁tribes\t-10.3234\n▁meeting\t-10.3245\n▁sleeping\t-10.3264\nif\t-10.3285\nned\t-10.3289\nstead\t-10.3382\n▁masters\t-10.339\nall\t-10.3413\nnder\t-10.345\nreached\t-10.347\n▁thousands\t-10.3491\n▁Heth\t-10.3514\n▁yours\t-10.3518\n▁seal\t-10.3538\nened\t-10.3629\n▁Du\t-10.3701\nic\t-10.3717\n▁forget\t-10.3763\n▁paper\t-10.378\n▁shadow\t-10.3785\n▁animal\t-10.379\n▁vessel\t-10.379\n▁Pharisee\t-10.3791\n▁band\t-10.3793\n▁elder\t-10.3794\n▁sack\t-10.3794\n▁shekel\t-10.3796\n▁bond\t-10.3799\n▁color\t-10.3803\n▁herb\t-10.3807\n▁prisoner\t-10.3812\nDo\t-10.3815\nCan\t-10.3818\n▁doubt\t-10.3823\n▁swing\t-10.3823\n▁proclaim\t-10.3831\n▁reckon\t-10.3832\n▁press\t-10.3835\n▁suck\t-10.3835\n▁weep\t-10.3837\n▁deed\t-10.3842\n▁restore\t-10.3857\n▁observe\t-10.3858\n▁memorial\t-10.386\nelah\t-10.3863\n▁broke\t-10.3871\nid\t-10.3871\nncle\t-10.3874\n▁buttermilk\t-10.3875\n▁Calhoun\t-10.3875\n▁Ephraim\t-10.3875\n▁Finally\t-10.3875\n▁Gomorrah\t-10.3875\n▁Goshen\t-10.3875\n▁High\t-10.3875\n▁Lichen\t-10.3875\n▁Solomon\t-10.3875\n▁asunder\t-10.3875\n▁creation\t-10.3875\n▁female\t-10.3875\n▁longsuffering\t-10.3875\n▁school\t-10.3875\n▁slept\t-10.3875\n▁twice\t-10.3875\n▁idle\t-10.3875\n▁spend\t-10.3875\n▁hidden\t-10.3875\n▁crieth\t-10.3875\n▁oak\t-10.3875\n▁alms\t-10.3875\n▁destruction\t-10.3875\n▁dried\t-10.3875\n▁wroth\t-10.3875\n▁forehead\t-10.3875\n▁steward\t-10.3875\n▁col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4\nwhere\t-10.5713\nne\t-10.5715\n▁corrupt\t-10.5719\nWhy\t-10.5728\nun\t-10.5728\n▁consent\t-10.5729\nDon\t-10.5731\nThere\t-10.5734\n▁accept\t-10.5736\n▁pull\t-10.5743\nseat\t-10.5755\n▁healing\t-10.5759\n▁increase\t-10.5764\n▁awake\t-10.5766\n▁earnest\t-10.5769\n▁hunt\t-10.577\n▁suppose\t-10.5771\n▁ride\t-10.5772\nsheba\t-10.5783\n▁fool\t-10.5784\n▁Amalek\t-10.5784\n▁Hivite\t-10.5784\n▁Jethro\t-10.5784\n▁Magdalene\t-10.5784\n▁Mamre\t-10.5784\n▁Peace\t-10.5784\n▁Philadelphia\t-10.5784\n▁Philistines\t-10.5784\n▁Samaria\t-10.5784\n▁Silas\t-10.5784\n▁apparel\t-10.5784\n▁bacon\t-10.5784\n▁believing\t-10.5784\n▁coupling\t-10.5784\n▁dishonor\t-10.5784\n▁fault\t-10.5784\n▁fountain\t-10.5784\n▁liberty\t-10.5784\n▁lieutenant\t-10.5784\n▁ministry\t-10.5784\n▁plenty\t-10.5784\n▁stomach\t-10.5784\n▁strife\t-10.5784\n▁taches\t-10.5784\n▁thrice\t-10.5784\n▁tribute\t-10.5784\n▁underneath\t-10.5784\n▁aught\t-10.5784\n▁barren\t-10.5784\n▁enjoy\t-10.5784\n▁imitat\t-10.5784\n▁Ananias\t-10.5784\n▁bosom\t-10.5784\n▁shirt\t-10.5784\n▁firmament\t-10.5784\n▁Bethany\t-10.5784\n▁JE\t-10.5784\n▁shining\t-10.5784\n▁staff\t-10.5784\n▁curious\t-10.5784\nwels\t-10.5784\n▁weather\t-10.5784\n▁chicken\t-10.5784\n▁Speak\t-10.5784\n▁remission\t-10.5784\n▁cool\t-10.5784\n▁meekness\t-10.5784\n▁fog\t-10.5784\n▁George\t-10.5784\n▁dropped\t-10.5784\n▁Terah\t-10.5785\n▁decomposers\t-10.5785\n▁fighting\t-10.5785\n▁bunch\t-10.5785\n▁dew\t-10.5786\n▁armies\t-10.5786\n▁darkened\t-10.5786\n▁shake\t-10.5787\n▁span\t-10.5787\n▁testified\t-10.5787\n▁upper\t-10.5787\n▁nakedness\t-10.5787\nueen\t-10.5787\n▁motion\t-10.5788\n▁exhortation\t-10.5788\n▁approved\t-10.5789\n▁seize\t-10.5789\n▁moreover\t-10.579\n▁busy\t-10.579\n▁Henry\t-10.5793\n▁boldly\t-10.5794\n▁Perhaps\t-10.5795\n▁flame\t-10.5796\n▁endureth\t-10.5797\n▁butler\t-10.58\n▁overcometh\t-10.58\n▁Pig\t-10.58\n▁agreed\t-10.5801\n▁accomplished\t-10.5805\n▁pushed\t-10.5805\n▁spices\t-10.5807\n▁someone\t-10.5809\nRun\t-10.581\n▁separated\t-10.581\n▁pack\t-10.5815\n▁listening\t-10.5815\n▁anyone\t-10.5816\n▁blow\t-10.5817\nhick\t-10.5819\n▁dragg\t-10.5819\nowed\t-10.582\n▁escaped\t-10.5821\n▁searched\t-10.5823\n▁guide\t-10.5826\n▁lieth\t-10.583\n▁supposed\t-10.5834\n▁Though\t-10.5834\n▁proclaimed\t-10.5837\n▁Wom\t-10.584\n▁thunders\t-10.5844\n▁brush\t-10.5856\n▁tenth\t-10.5859\n▁streets\t-10.5863\n▁judgeth\t-10.5864\n▁falleth\t-10.5869\n▁shine\t-10.5882\n▁teachers\t-10.5889\n▁sacks\t-10.5891\n▁deeds\t-10.5894\n▁perished\t-10.5916\n▁formed\t-10.5918\nure\t-10.593\n▁ru\t-10.5936\n▁neighbors\t-10.5956\n▁force\t-10.5961\n▁hoped\t-10.5962\n▁beam\t-10.5998\n▁Ma\t-10.6044\nant\t-10.6076\n▁simple\t-10.6081\n▁sha\t-10.611\nthrown\t-10.6143\n▁ministering\t-10.6161\n▁bell\t-10.6164\nland\t-10.6173\n▁promises\t-10.6175\n▁matters\t-10.6183\n▁dwelling\t-10.6184\n▁dreams\t-10.6187\n▁sprinkl\t-10.6188\n▁Pr\t-10.62\n▁Pa\t-10.6208\n▁Me\t-10.6224\n▁share\t-10.6239\n▁kinds\t-10.626\n▁thrones\t-10.626\n▁Ga\t-10.6308\nles\t-10.6316\nu\t-10.6318\n▁winds\t-10.6318\n▁par\t-10.6324\n▁Cap\t-10.6396\nra\t-10.642\nme\t-10.643\n▁rode\t-10.6473\nled\t-10.6487\n▁sakes\t-10.6504\nump\t-10.6516\n▁Wil\t-10.6531\n▁declar\t-10.6554\not\t-10.6606\n▁wave\t-10.6658\n▁hat\t-10.6672\n▁knee\t-10.6703\nments\t-10.6704\n▁tin\t-10.6706\nod\t-10.6714\n▁hu\t-10.6715\nery\t-10.6717\ndded\t-10.6792\n▁drunk\t-10.6794\n▁captive\t-10.68\n▁habitation\t-10.68\n▁game\t-10.68\n▁mourn\t-10.6803\n▁effort\t-10.6803\n▁nest\t-10.6804\n▁virgin\t-10.6804\n▁flower\t-10.6806\n▁street\t-10.6807\n▁plague\t-10.6808\nware\t-10.6809\n▁drop\t-10.6809\n▁search\t-10.6814\n▁scribe\t-10.6815\n▁girl\t-10.6818\n▁youth\t-10.6819\n▁path\t-10.6821\n▁rubb\t-10.6822\npleasing\t-10.6828\n▁marvel\t-10.6834\n▁twist\t-10.6838\n▁pot\t-10.6844\n▁testify\t-10.6847\n▁delight\t-10.6849\n▁ninet\t-10.685\n▁due\t-10.6851\n▁obtain\t-10.6852\nspecial\t-10.6854\n▁mad\t-10.6855\n▁real\t-10.6855\n▁den\t-10.6861\n▁preserve\t-10.6873\n▁bid\t-10.6873\n▁consume\t-10.6876\n▁bold\t-10.6882\n▁entire\t-10.6883\nThi\t-10.6885\nWe\t-10.689\nlaver\t-10.6891\neople\t-10.6892\n▁trespass\t-10.6893\n▁public\t-10.6893\n▁danger\t-10.6894\n▁agree\t-10.6895\n▁tight\t-10.6895\n▁Padan\t-10.6895\n▁future\t-10.6895\n▁Beaver\t-10.6895\n▁Bethuel\t-10.6895\n▁Charlie\t-10.6895\n▁Japheth\t-10.6895\n▁Joppa\t-10.6895\n▁Joshua\t-10.6895\n▁Zacharias\t-10.6895\n▁altogether\t-10.6895\n▁bundle\t-10.6895\n▁diligently\t-10.6895\n▁disobedience\t-10.6895\n▁fifth\t-10.6895\n▁furnace\t-10.6895\n▁grieved\t-10.6895\n▁group\t-10.6895\n▁guile\t-10.6895\n▁indignation\t-10.6895\n▁iniquities\t-10.6895\n▁kitchen\t-10.6895\n▁leaf\t-10.6895\n▁midnight\t-10.6895\n▁nevertheless\t-10.6895\n▁offended\t-10.6895\n▁practise\t-10.6895\n▁publish\t-10.6895\n▁sanctification\t-10.6895\n▁silk\t-10.6895\n▁slops\t-10.6895\n▁speckled\t-10.6895\n▁stoop\t-10.6895\n▁surname\t-10.6895\n▁sweat\t-10.6895\n▁venison\t-10.6895\n▁violence\t-10.6895\n▁Charleston\t-10.6895\n▁abyss\t-10.6895\n▁devout\t-10.6895\n▁Apollos\t-10.6895\n▁angry\t-10.6895\n▁wove\t-10.6895\n▁brimstone\t-10.6895\n▁smitten\t-10.6895\n▁slaves\t-10.6895\n▁gracious\t-10.6895\n▁Bilhah\t-10.6895\n▁degree\t-10.6895\n▁magicians\t-10.6895\n▁below\t-10.6895\n▁blew\t-10.6895\n▁bride\t-10.6895\n▁trick\t-10.6895\n▁easier\t-10.6895\n▁Everything\t-10.6895\n▁wages\t-10.6895\n▁lightning\t-10.6895\n▁harm\t-10.6895\n▁privily\t-10.6895\n▁Seir\t-10.6896\n▁mix\t-10.6896\n▁unbelief\t-10.6896\n▁issue\t-10.6896\n▁mingled\t-10.6896\n▁usual\t-10.6896\n▁New\t-10.6897\n▁choose\t-10.6897\n▁sentence\t-10.6897\n▁Hono\t-10.6897\n▁Chapman\t-10.6897\n▁upright\t-10.6897\n▁Anah\t-10.6897\n▁innocent\t-10.6897\n▁roast\t-10.6897\n▁assembly\t-10.6898\n▁confession\t-10.6898\n▁unbelieving\t-10.6898\n▁print\t-10.6899\n▁rear\t-10.6899\n▁bondservant\t-10.69\n▁muskets\t-10.6901\n▁crickets\t-10.6901\n▁City\t-10.6901\n▁foolishness\t-10.6901\n▁honorable\t-10.6901\n▁appeal\t-10.6901\n▁somewhere\t-10.6902\n▁Way\t-10.6902\n▁bag\t-10.6903\n▁sighed\t-10.6903\n▁dart\t-10.6904\nowbeit\t-10.6905\n▁mention\t-10.6905\n▁Seven\t-10.6905\n▁earnestly\t-10.6908\n▁boots\t-10.6911\n▁locusts\t-10.6911\n▁maybe\t-10.6913\n▁dove\t-10.6915\n▁persecuted\t-10.6918\n▁hinder\t-10.692\n▁Sit\t-10.6924\n▁afflicted\t-10.6929\n▁listened\t-10.6929\n▁mocked\t-10.6929\n▁peril\t-10.6934\n▁br\t-10.6934\n▁entreated\t-10.6934\n▁sand\t-10.6934\n▁Fer\t-10.6939\n▁changed\t-10.6939\n▁hunters\t-10.6944\n▁Doth\t-10.6948\n▁interpreted\t-10.6949\n▁pocket\t-10.6952\nttach\t-10.6957\n▁valu\t-10.6961\n▁breasts\t-10.6963\n▁soli\t-10.6966\n▁kindly\t-10.6967\n▁beans\t-10.6971\n▁miles\t-10.6974\n▁suit\t-10.6976\n▁leavened\t-10.6988\nix\t-10.6989\n▁baskets\t-10.6994\n▁kneel\t-10.7004\n▁cloths\t-10.7006\n▁prisoners\t-10.7023\n▁bestow\t-10.7026\n▁besides\t-10.7036\n▁says\t-10.7048\n▁beating\t-10.7054\n▁mess\t-10.7061\n▁lots\t-10.7068\n▁exalt\t-10.7069\nop\t-10.7102\n▁coats\t-10.711\n▁Ho\t-10.712\n▁stoned\t-10.7121\n▁salutation\t-10.7121\nmah\t-10.7169\n▁fearful\t-10.7179\n▁parables\t-10.7184\n▁lands\t-10.7185\n▁ward\t-10.7215\n▁tombs\t-10.7216\n▁reasoning\t-10.7245\n▁god\t-10.7247\n▁sp\t-10.7334\nfully\t-10.7338\n▁aim\t-10.7348\nans\t-10.7354\n▁clouds\t-10.7356\n▁today\t-10.7379\nia\t-10.7389\nture\t-10.7396\nol\t-10.7409\n▁haven\t-10.7454\nna\t-10.7471\n▁puff\t-10.753\n▁rebuk\t-10.7637\n▁arrow\t-10.7643\ngodly\t-10.767\n▁stepp\t-10.7686\n▁Repe\t-10.7692\nformed\t-10.7708\n▁avenge\t-10.7741\n▁po\t-10.7751\n▁withstand\t-10.7756\ndal\t-10.7789\n▁looks\t-10.7793\n▁rattl\t-10.7796\n▁step\t-10.7836\nern\t-10.7841\n▁judgments\t-10.7854\n▁inward\t-10.7864\n▁Arables\t-10.7876\n▁doors\t-10.7895\nmorrow\t-10.7909\nries\t-10.7914\n▁ho\t-10.7926\n▁bush\t-10.7933\n▁hem\t-10.7935\nered\t-10.7971\n▁Abi\t-10.7977\n▁cove\t-10.7978\n▁watered\t-10.7983\nent\t-10.799\ngged\t-10.8025\nnother\t-10.8033\n▁fail\t-10.8038\n▁tradition\t-10.8046\n▁Cas\t-10.8048\n▁trunk\t-10.8055\n▁climb\t-10.8056\nkins\t-10.8058\n▁fugitive\t-10.8058\n▁chariot\t-10.8059\n▁mile\t-10.8059\n▁bras\t-10.8062\n▁toil\t-10.8062\n▁shoe\t-10.8067\nK\t-10.8083\naram\t-10.8088\nyou\t-10.8089\nFern\t-10.809\n▁fold\t-10.8092\n▁bone\t-10.8093\n▁rail\t-10.8095\n▁tear\t-10.8095\n▁torment\t-10.8099\n▁dress\t-10.8101\n▁entreat\t-10.8102\ndown\t-10.8107\n▁baptize\t-10.8114\nrust\t-10.8116\nsome\t-10.8118\n▁provoke\t-10.8123\ndoing\t-10.8126\n▁becoming\t-10.813\n▁patient\t-10.8131\n▁crow\t-10.8134\n▁Maj\t-10.8139\n▁murder\t-10.8139\naithful\t-10.8144\neathen\t-10.8144\n▁vari\t-10.8145\n▁advantage\t-10.8145\n▁Barabbas\t-10.8145\n▁Caiaphas\t-10.8145\n▁Cephas\t-10.8145\n▁Cilicia\t-10.8145\n▁Naphtali\t-10.8145\n▁Rejoice\t-10.8145\n▁Return\t-10.8145\n▁Stretch\t-10.8145\n▁Zebulun\t-10.8145\n▁abundance\t-10.8145\n▁anguish\t-10.8145\n▁attempt\t-10.8145\n▁beauty\t-10.8145\n▁capital\t-10.8145\n▁cloak\t-10.8145\n▁coffee\t-10.8145\n▁courage\t-10.8145\n▁dancing\t-10.8145\n▁desperate\t-10.8145\n▁example\t-10.8145\n▁expedient\t-10.8145\n▁experience\t-10.8145\n▁necessity\t-10.8145\n▁ninth\t-10.8145\n▁nourish\t-10.8145\n▁olive\t-10.8145\n▁ouches\t-10.8145\n▁perdition\t-10.8145\n▁pledge\t-10.8145\n▁renew\t-10.8145\n▁stories\t-10.8145\n▁supply\t-10.8145\n▁terribl\t-10.8145\n▁uncircumcised\t-10.8145\n▁valley\t-10.8145\n▁wolf\t-10.8145\n▁almonds\t-10.8145\n▁mitre\t-10.8145\n▁stiff\t-10.8145\n▁Bethlehem\t-10.8145\n▁Dinah\t-10.8145\n▁Scot\t-10.8145\n▁blank\t-10.8145\n▁easy\t-10.8145\n▁narrow\t-10.8145\n▁snake\t-10.8145\n▁baby\t-10.8145\n▁calm\t-10.8145\n▁Mark\t-10.8145\n▁dispute\t-10.8145\n▁pattern\t-10.8145\n▁redemption\t-10.8145\n▁Rome\t-10.8145\n▁Think\t-10.8145\n▁abomination\t-10.8145\n▁conversation\t-10.8145\n▁yoke\t-10.8145\n▁provide\t-10.8145\n▁tunnel\t-10.8145\n▁townhouse\t-10.8145\n▁chance\t-10.8145\n▁Gerar\t-10.8145\n▁coals\t-10.8145\n▁Great\t-10.8145\n▁Adah\t-10.8145\n▁division\t-10.8145\n▁blameless\t-10.8145\n▁disgust\t-10.8145\n▁lump\t-10.8146\n▁Tyre\t-10.8146\n▁impossible\t-10.8146\n▁zealous\t-10.8146\n▁blasphemy\t-10.8146\n▁covetousness\t-10.8146\n▁miserable\t-10.8146\n▁admonish\t-10.8146\n▁signet\t-10.8146\n▁Jake\t-10.8146\n▁Eber\t-10.8147\n▁torn\t-10.8147\nook\t-10.8147\n▁sufficien\t-10.8147\n▁spies\t-10.8148\n▁partake\t-10.8148\n▁profitable\t-10.8148\n▁sorrowful\t-10.8148\n▁dish\t-10.8148\n▁dear\t-10.8148\n▁privately\t-10.8149\n▁kindled\t-10.8149\n▁clay\t-10.8149\n▁Lowan\t-10.8149\n▁clerk\t-10.8149\n▁skull\t-10.8149\n▁shift\t-10.8149\n▁fresh\t-10.8149\n▁scourge\t-10.815\n▁Love\t-10.815\n▁vast\t-10.8151\n▁weakness\t-10.8151\n▁doesn\t-10.8151\n▁cheek\t-10.8152\n▁firstfruits\t-10.8152\n▁uncleanness\t-10.8152\n▁track\t-10.8153\n▁ordained\t-10.8154\n▁grabbed\t-10.8154\n▁Day\t-10.8154\n▁discover\t-10.8156\n▁anyway\t-10.8157\n▁wasn\t-10.8157\n▁hopeless\t-10.8157\n▁hay\t-10.8159\n▁entirely\t-10.8159\n▁selves\t-10.8163\n▁fist\t-10.8164\n▁health\t-10.8165\n▁descending\t-10.8167\n▁farther\t-10.8167\n▁waved\t-10.8168\n▁Soon\t-10.8168\n▁stripes\t-10.8169\nlight\t-10.8169\n▁contain\t-10.817\n▁clearly\t-10.8175\n▁smaller\t-10.8179\nup\t-10.8179\nline\t-10.8179\n▁yelled\t-10.818\n▁endured\t-10.8182\n▁disappeared\t-10.8183\n▁pearls\t-10.8187\n▁ridges\t-10.8187\n▁diseases\t-10.8187\nul\t-10.8192\n▁pins\t-10.8197\n▁limbs\t-10.8198\n▁babes\t-10.8198\n▁porch\t-10.8199\n▁music\t-10.82\n▁corrupted\t-10.8201\n▁openly\t-10.8201\n▁bugs\t-10.8202\nmote\t-10.8205\n▁dressed\t-10.8209\n▁wagons\t-10.821\n▁transgressions\t-10.821\n▁clothing\t-10.8211\n▁shade\t-10.8212\n▁proved\t-10.8216\n▁wit\t-10.8217\n▁quarter\t-10.8219\n▁freely\t-10.822\n▁teacheth\t-10.822\n▁sowed\t-10.8228\n▁island\t-10.8236\n▁poke\t-10.8246\n▁drops\t-10.8247\n▁pigs\t-10.8256\n▁ordinances\t-10.8258\n▁princes\t-10.8258\npa\t-10.8258\nab\t-10.8277\n▁ra\t-10.8279\n▁barely\t-10.8282\nping\t-10.8284\nlee\t-10.8287\n▁obeyed\t-10.829\n▁judgest\t-10.829\n▁nets\t-10.8303\nites\t-10.8304\n▁shepherds\t-10.8306\n▁towns\t-10.8306\n▁preacher\t-10.8309\n▁beholding\t-10.8317\nctually\t-10.8318\n▁weeks\t-10.8318\n▁hills\t-10.833\n▁sawest\t-10.8333\n▁Seth\t-10.8334\n▁seeme\t-10.8359\n▁handle\t-10.8373\n▁acknowledge\t-10.8377\n▁Write\t-10.8379\n▁opening\t-10.8383\n▁songs\t-10.8391\n▁perfected\t-10.8411\n▁rods\t-10.846\nions\t-10.8467\nee\t-10.8487\niel\t-10.8495\n▁lights\t-10.8499\n▁ti\t-10.8538\n▁lover\t-10.855\naved\t-10.8554\nliness\t-10.8557\n▁strike\t-10.8559\ncy\t-10.8596\n▁Ar\t-10.8651\ntuck\t-10.8669\n▁sisters\t-10.8673\n▁principal\t-10.8715\n▁Les\t-10.8818\n▁Al\t-10.8819\nree\t-10.8831\nhu\t-10.8847\n▁Z\t-10.8855\n▁dra\t-10.8857\n▁Whe\t-10.8873\npe\t-10.8886\nush\t-10.8888\nft\t-10.8896\nmer\t-10.8916\n▁thereby\t-10.892\n▁ended\t-10.8925\n▁settl\t-10.8925\n▁saidst\t-10.8925\nated\t-10.8949\n▁admir\t-10.8975\n▁camest\t-10.8985\n▁liken\t-10.9017\ndden\t-10.9049\n▁bus\t-10.9096\n▁wa\t-10.9114\n▁du\t-10.9125\nver\t-10.9168\nway\t-10.9171\nice\t-10.9192\n▁distress\t-10.9225\n▁butter\t-10.9297\nings\t-10.9326\n▁hearted\t-10.9331\n▁Am\t-10.9341\n▁plan\t-10.9354\nade\t-10.9381\nrash\t-10.9385\nash\t-10.939\n▁Ja\t-10.9391\nipped\t-10.9407\nut\t-10.9409\n▁Wa\t-10.9414\n▁Er\t-10.9438\nil\t-10.9438\nW\t-10.9439\nhouse\t-10.9444\nover\t-10.9455\n▁bullock\t-10.9464\n▁platter\t-10.9466\n▁plant\t-10.9467\n▁tale\t-10.9475\n▁bank\t-10.9475\n▁blade\t-10.9479\n▁mock\t-10.9481\n▁dance\t-10.9481\n▁listen\t-10.9484\n▁thunder\t-10.9485\n▁clothe\t-10.9485\n▁talent\t-10.9489\n▁breast\t-10.9491\n▁weigh\t-10.95\n▁envy\t-10.9509\nJust\t-10.9516\nstool\t-10.9516\n▁forbear\t-10.9516\ndeep\t-10.9518\nWhere\t-10.9518\nbut\t-10.9518\nSo\t-10.952\nGo\t-10.952\n▁suppos\t-10.952\nMy\t-10.9524\n▁afflict\t-10.9528\n▁disappear\t-10.9529\n▁favour\t-10.953\n▁hatch\t-10.9531\n▁jump\t-10.9531\n▁finish\t-10.9532\n▁harp\t-10.9543\nsame\t-10.9544\n▁persecute\t-10.9548\n▁harden\t-10.9553\n▁plot\t-10.9554\n▁pea\t-10.9557\n▁silent\t-10.956\n▁quick\t-10.9562\npon\t-10.9563\n▁adulter\t-10.9565\n▁careful\t-10.9565\n▁fade\t-10.9566\n▁potato\t-10.9571\n▁engrav\t-10.9572\n▁forsake\t-10.9572\n▁birth\t-10.9573\n▁speed\t-10.9573\n▁Galil\t-10.9573\n▁affection\t-10.9573\n▁Achaia\t-10.9573\n▁Aholibamah\t-10.9573\n▁Arphaxad\t-10.9573\n▁Beelzebub\t-10.9573\n▁Children\t-10.9573\n▁Cornelius\t-10.9573\n▁Cyprus\t-10.9573\n▁Cyren\t-10.9573\n▁Eliphaz\t-10.9573\n▁Elisabeth\t-10.9573\n▁Felix\t-10.9573\n▁Fussy\t-10.9573\n▁Galatia\t-10.9573\n▁Grounds\t-10.9573\n▁Hezron\t-10.9573\n▁Lieutenant\t-10.9573\n▁Melchizedek\t-10.9573\n▁Milcah\t-10.9573\n▁Zilpah\t-10.9573\n▁Zoar\t-10.9573\n▁accompan\t-10.9573\n▁adversaries\t-10.9573\n▁carnal\t-10.9573\n▁enormous\t-10.9573\n▁frozen\t-10.9573\n▁furniture\t-10.9573\n▁grandchildren\t-10.9573\n▁grapes\t-10.9573\n▁honour\t-10.9573\n▁infirmity\t-10.9573\n▁mediator\t-10.9573\n▁midwives\t-10.9573\n▁mischief\t-10.9573\n▁obedient\t-10.9573\n▁opportunity\t-10.9573\n▁outdoors\t-10.9573\n▁refuge\t-10.9573\n▁ringstraked\t-10.9573\n▁runners\t-10.9573\n▁steep\t-10.9573\n▁storm\t-10.9573\n▁strove\t-10.9573\n▁woke\t-10.9573\n▁wolves\t-10.9573\n▁clever\t-10.9573\n▁slaughter\t-10.9573\n▁Olives\t-10.9573\n▁aloud\t-10.9573\n▁beckon\t-10.9573\n▁gnash\t-10.9573\n▁occupied\t-10.9573\n▁pertain\t-10.9573\n▁adversary\t-10.9573\n▁myrrh\t-10.9573\n▁Korah\t-10.9573\n▁consecrate\t-10.9573\n▁regular\t-10.9573\n▁important\t-10.9574\n▁doctor\t-10.9574\n▁stockade\t-10.9574\n▁punishment\t-10.9574\n▁sinneth\t-10.9574\n▁Enos\t-10.9574\n▁birthright\t-10.9574\n▁holiness\t-10.9574\n▁stedfast\t-10.9574\n▁offspring\t-10.9574\n▁frame\t-10.9574\n▁Hades\t-10.9574\n▁train\t-10.9574\n▁mercies\t-10.9574\n▁freedom\t-10.9574\n▁litter\t-10.9574\n▁comment\t-10.9574\n▁reins\t-10.9574\n▁grate\t-10.9575\n▁check\t-10.9575\n▁Bash\t-10.9575\n▁flight\t-10.9575\n▁imagination\t-10.9576\n▁useful\t-10.9576\n▁lame\t-10.9576\n▁Asher\t-10.9576\n▁rejecteth\t-10.9576\n▁hundredfold\t-10.9576\n▁err\t-10.9577\n▁human\t-10.9577\n▁sense\t-10.9577\n▁perplexed\t-10.9577\n▁evermore\t-10.9577\n▁books\t-10.9577\n▁fever\t-10.9577\n▁Him\t-10.9577\n▁spear\t-10.9577\n▁swarm\t-10.9577\n▁Bar\t-10.9578\n▁southward\t-10.9578\n▁chest\t-10.9578\n▁Cainan\t-10.9578\n▁eastward\t-10.9578\n▁adorn\t-10.9578\n▁bake\t-10.9578\n▁throat\t-10.9579\n▁onyx\t-10.9579\n▁lend\t-10.9579\nzale\t-10.958\n▁fourscore\t-10.958\n▁recent\t-10.9581\n▁gladness\t-10.9581\n▁frost\t-10.9582\n▁menservants\t-10.9583\n▁sickle\t-10.9585\n▁view\t-10.9585\n▁box\t-10.9585\n▁pursued\t-10.9585\n▁march\t-10.9586\n▁Watch\t-10.9588\n▁shineth\t-10.9588\n▁ham\t-10.9589\n▁managed\t-10.9589\n▁ascended\t-10.959\n▁deceived\t-10.9591\n▁refreshed\t-10.9591\n▁passage\t-10.9592\n▁tithes\t-10.9595\n▁soweth\t-10.9595\nked\t-10.9595\n▁Hast\t-10.9595\n▁loaded\t-10.9598\n▁strengthened\t-10.9599\nder\t-10.9599\n▁Gad\t-10.96\n▁axe\t-10.9602\n▁convict\t-10.9604\n▁manna\t-10.9607\ntial\t-10.9609\n▁scared\t-10.9609\n▁restored\t-10.9609\nskins\t-10.9618\n▁realize\t-10.9618\n▁observed\t-10.962\n▁gladly\t-10.9621\n▁pe\t-10.9624\n▁tasted\t-10.9625\n▁climbing\t-10.9628\n▁Amorites\t-10.9636\n▁Only\t-10.9637\n▁higher\t-10.9638\n▁wondering\t-10.9643\nue\t-10.9645\n▁weary\t-10.9655\n▁answereth\t-10.9656\n▁hanged\t-10.966\n▁mid\t-10.9665\n▁rust\t-10.9665\n▁plans\t-10.9665\n▁sealed\t-10.9669\n▁incorruptible\t-10.9671\n▁beware\t-10.9674\n▁Hai\t-10.9677\n▁trunks\t-10.9678\n▁therewith\t-10.968\n▁steps\t-10.968\n▁noon\t-10.9687\n▁redeemed\t-10.9687\n▁baker\t-10.969\n▁doves\t-10.9692\n▁learning\t-10.9694\n▁fainted\t-10.97\n▁upward\t-10.9704\n▁shadows\t-10.9734\n▁tempt\t-10.9738\n▁herbs\t-10.9745\n▁feeding\t-10.9755\nimmed\t-10.9761\n▁dogs\t-10.9762\ntion\t-10.9762\n▁castle\t-10.9762\n▁accus\t-10.9765\n▁meant\t-10.9766\nL\t-10.9784\nack\t-10.9796\n▁wouldn\t-10.9805\n▁attend\t-10.9811\n▁suffering\t-10.9827\n▁possessions\t-10.9833\nstroke\t-10.9835\n▁sixt\t-10.9836\n▁reed\t-10.9839\n▁spot\t-10.9841\n▁candlesticks\t-10.986\n▁pitch\t-10.9911\ndo\t-10.9955\n▁captains\t-10.996\n▁temper\t-10.9961\n▁imagine\t-10.9966\n▁lovely\t-10.9973\n▁seats\t-10.9984\nmore\t-10.9992\n▁blot\t-11.003\n▁Roman\t-11.0036\nins\t-11.0049\ngo\t-11.0065\n▁killing\t-11.0082\n▁keeper\t-11.0119\n▁wars\t-11.012\nom\t-11.0153\n▁Will\t-11.0155\n▁boats\t-11.0162\n▁sounds\t-11.0165\nith\t-11.0186\nlock\t-11.0186\n▁courts\t-11.0191\n▁cow\t-11.0218\n▁Ad\t-11.022\n▁El\t-11.0235\nshe\t-11.0312\nos\t-11.0328\n▁tents\t-11.0338\nified\t-11.0351\n▁herd\t-11.0365\n▁De\t-11.0381\nnd\t-11.0388\nship\t-11.039\n▁fan\t-11.0402\nni\t-11.0422\n▁base\t-11.0427\n▁dippe\t-11.0428\n▁Bo\t-11.0434\n▁worm\t-11.0435\n▁comest\t-11.0459\ndge\t-11.0466\n▁pai\t-11.0507\nN\t-11.0649\n▁prov\t-11.0649\n▁sa\t-11.0657\nble\t-11.0693\n▁yell\t-11.0714\n▁va\t-11.0725\nster\t-11.0732\nbr\t-11.0733\ndon\t-11.0774\n▁n\t-11.078\n▁fro\t-11.0792\npers\t-11.0822\n▁gun\t-11.0844\n▁com\t-11.0855\nane\t-11.0862\nally\t-11.0863\n▁befall\t-11.0943\nay\t-11.095\ntest\t-11.0963\n▁pre\t-11.0979\nhead\t-11.0992\n▁Yes\t-11.1002\nset\t-11.1008\nough\t-11.1039\nservant\t-11.1061\nlk\t-11.1062\npped\t-11.1076\n▁hours\t-11.1088\n▁cha\t-11.11\n▁scrap\t-11.1101\n▁Sa\t-11.1107\n▁balloon\t-11.1116\n▁webs\t-11.1118\n▁scatter\t-11.1127\n▁whoso\t-11.1129\n▁labour\t-11.1131\nations\t-11.1139\nfold\t-11.1141\n▁sepulchre\t-11.1141\n▁brick\t-11.1141\n▁lion\t-11.1144\n▁statute\t-11.1145\n▁provision\t-11.1146\n▁liar\t-11.1146\n▁persecution\t-11.1146\n▁messenger\t-11.1148\n▁maidservant\t-11.115\n▁murderer\t-11.1151\n▁wound\t-11.1152\n▁wagon\t-11.1152\n▁transgression\t-11.1152\nsh\t-11.1153\n▁idol\t-11.1154\nced\t-11.1154\n▁publican\t-11.1156\n▁Canaanite\t-11.1162\nH\t-11.117\ncontrol\t-11.1172\nPlease\t-11.1174\nists\t-11.1177\n▁stir\t-11.1177\n▁receiv\t-11.1178\nMay\t-11.118\n▁pound\t-11.118\n▁officer\t-11.1182\nchamber\t-11.1182\n▁gnaw\t-11.1183\n▁tabernacles\t-11.1183\nSome\t-11.1184\nCome\t-11.1184\nTempleton\t-11.1185\nli\t-11.1185\n▁boil\t-11.1186\nShe\t-11.1188\n▁attain\t-11.1191\n▁confirm\t-11.1192\n▁oppress\t-11.1193\n▁bark\t-11.1197\nicken\t-11.1202\n▁reveal\t-11.1204\n▁eviden\t-11.1206\nAll\t-11.1208\n▁Y\t-11.121\n▁fin\t-11.121\n▁deceive\t-11.1214\n▁sc\t-11.1215\n▁peri\t-11.1218\n▁mud\t-11.1218\n▁gird\t-11.1219\n▁inquire\t-11.1221\n▁require\t-11.1221\nrough\t-11.1224\nbor\t-11.1224\n▁remove\t-11.1226\n▁fierce\t-11.1227\n▁assured\t-11.1227\n▁glorious\t-11.123\n▁lone\t-11.1232\nuffer\t-11.1232\n▁knock\t-11.1234\n▁Syria\t-11.1236\ngers\t-11.1237\n▁gentle\t-11.1237\n▁sect\t-11.1239\nurthermore\t-11.1239\n▁correct\t-11.1239\nstitute\t-11.124\n▁abst\t-11.124\n▁effect\t-11.124\n▁wool\t-11.124\ntorium\t-11.124\n▁Alexander\t-11.124\n▁Aquila\t-11.124\n▁Believe\t-11.124\n▁Creek\t-11.124\n▁Eleazar\t-11.124\n▁Hebron\t-11.124\n▁Iconium\t-11.124\n▁Issachar\t-11.124\n▁Jericho\t-11.124\n▁KING\t-11.124\n▁Laodicea\t-11.124\n▁Lystra\t-11.124\n▁Machpelah\t-11.124\n▁Mahalaleel\t-11.124\n▁Methuselah\t-11.124\n▁Nazarene\t-11.124\n▁Peleg\t-11.124\n▁Sunday\t-11.124\n▁Troas\t-11.124\n▁Zibeon\t-11.124\n▁audience\t-11.124\n▁autumn\t-11.124\n▁baptizing\t-11.124\n▁blemish\t-11.124\n▁bracelets\t-11.124\n▁breeze\t-11.124\n▁ceiling\t-11.124\n▁cleave\t-11.124\n▁conditions\t-11.124\n▁desolation\t-11.124\n▁eldest\t-11.124\n▁enmity\t-11.124\n▁ensample\t-11.124\n▁execute\t-11.124\n▁extra\t-11.124\n▁foreordained\t-11.124\n▁foreskin\t-11.124\n▁ignorance\t-11.124\n▁jasper\t-11.124\n▁majesty\t-11.124\n▁merchandise\t-11.124\n▁mirror\t-11.124\n▁muscle\t-11.124\n▁newspaper\t-11.124\n▁opinion\t-11.124\n▁plenteous\t-11.124\n▁rejoicing\t-11.124\n▁relief\t-11.124\n▁represent\t-11.124\n▁reprobate\t-11.124\n▁reserved\t-11.124\n▁rotten\t-11.124\n▁serving\t-11.124\n▁studie\t-11.124\n▁taskmasters\t-11.124\n▁tetrarch\t-11.124\n▁tobacco\t-11.124\n▁treasury\t-11.124\n▁unprofitable\t-11.124\n▁Army\t-11.124\n▁Reu\t-11.124\n▁Word\t-11.124\n▁downhill\t-11.124\n▁overshadow\t-11.124\n▁paused\t-11.124\n▁queer\t-11.124\n▁roar\t-11.124\n▁savor\t-11.124\n▁shield\t-11.124\n▁magic\t-11.124\n▁Eden\t-11.124\n▁existence\t-11.124\n▁spell\t-11.124\n▁Alph\t-11.124\n▁scorch\t-11.124\n▁soap\t-11.124\n▁success\t-11.124\n▁excellenc\t-11.124\n▁needlework\t-11.124\n▁stink\t-11.124\n▁limit\t-11.124\n▁grind\t-11.124\n▁estate\t-11.124\n▁magnified\t-11.124\n▁Jesse\t-11.124\n▁triumph\t-11.124\n▁foursquare\t-11.124\n▁Tamar\t-11.124\n▁vinegar\t-11.124\n▁quail\t-11.124\n▁brave\t-11.124\n▁displease\t-11.124\n▁unfruitful\t-11.124\n▁aforetime\t-11.124\n▁Government\t-11.124\n▁situation\t-11.124\n▁folk\t-11.124\n▁serious\t-11.124\n▁squatted\t-11.1241\n▁Salah\t-11.1241\n▁fame\t-11.1241\n▁doughnut\t-11.1241\n▁herdmen\t-11.1241\n▁encamp\t-11.1241\n▁government\t-11.1241\n▁message\t-11.1241\n▁omer\t-11.1241\n▁Jared\t-11.1241\n▁object\t-11.1241\n▁readiness\t-11.1241\n▁Reuel\t-11.1241\n▁Rain\t-11.1241\n▁hypocrisy\t-11.1241\n▁tenons\t-11.1241\n▁center\t-11.1241\n▁Moon\t-11.1242\n▁melt\t-11.1242\n▁barnyard\t-11.1242\n▁dangerous\t-11.1242\n▁dy\t-11.1242\n▁proof\t-11.1242\n▁depth\t-11.1242\n▁match\t-11.1243\n▁Rise\t-11.1243\n▁saving\t-11.1243\n▁Shelah\t-11.1244\n▁Syrian\t-11.1244\n▁Old\t-11.1244\n▁squash\t-11.1245\n▁range\t-11.1245\n▁recover\t-11.1245\n▁thrash\t-11.1246\n▁study\t-11.1246\n▁Without\t-11.1247\n▁spotted\t-11.1247\n▁mass\t-11.1248\n▁laden\t-11.1248\n▁convert\t-11.1249\n▁whiskers\t-11.1249\n▁prophesied\t-11.1249\n▁purchased\t-11.1249\n▁justice\t-11.1251\next\t-11.1251\n▁surety\t-11.1252\n▁lonely\t-11.1252\n▁eighth\t-11.1253\n▁repeated\t-11.1253\n▁sniffed\t-11.1253\n▁vexed\t-11.1253\n▁prof\t-11.1253\n▁reproved\t-11.1253\n▁edifying\t-11.1253\nworkers\t-11.1255\n▁pair\t-11.1256\n▁ripe\t-11.1257\n▁sickness\t-11.1257\n▁sum\t-11.1257\n▁nurse\t-11.1258\n▁sinful\t-11.1259\n▁sway\t-11.1259\n▁Hur\t-11.1261\n▁fixed\t-11.1261\ncut\t-11.1262\nael\t-11.1262\n▁circle\t-11.1263\n▁couch\t-11.1264\n▁inquired\t-11.1265\nmuel\t-11.1267\n▁setting\t-11.1268\n▁blaspheme\t-11.1268\n▁instructed\t-11.1269\n▁collected\t-11.1269\n▁covet\t-11.1269\n▁exten\t-11.127\n▁nodded\t-11.1272\n▁softly\t-11.1273\n▁groaning\t-11.1274\n▁evident\t-11.1275\n▁backward\t-11.1278\n▁Other\t-11.1279\n▁plainly\t-11.128\n▁riding\t-11.128\n▁somebody\t-11.1282\n▁wounded\t-11.1286\n▁despised\t-11.129\n▁released\t-11.129\n▁lace\t-11.1291\n▁marvell\t-11.1292\n▁pervert\t-11.1296\n▁Cret\t-11.1297\n▁murmurings\t-11.1298\n▁distressed\t-11.13\n▁forbidd\t-11.131\n▁distan\t-11.1312\n▁cursed\t-11.1314\n▁searching\t-11.1314\n▁testifying\t-11.1314\n▁hogs\t-11.1315\n▁marketplaces\t-11.1315\n▁Samaritans\t-11.1315\n▁questionings\t-11.1316\n▁accepted\t-11.1318\n▁May\t-11.1318\n▁openeth\t-11.1319\n▁intent\t-11.1321\n▁hairy\t-11.1322\n▁laws\t-11.1323\n▁sojourned\t-11.1327\n▁ju\t-11.1327\n▁pounds\t-11.1331\n▁maidservants\t-11.1332\n▁ours\t-11.1332\n▁housetop\t-11.1337\n▁plants\t-11.1347\nrobably\t-11.135\n▁begged\t-11.1354\n▁workers\t-11.1354\nuffle\t-11.1366\n▁coves\t-11.1366\n▁exhorted\t-11.1369\nmit\t-11.1376\n▁paths\t-11.1381\n▁virgins\t-11.1381\n▁waves\t-11.1382\n▁uttered\t-11.1384\n▁labored\t-11.1386\n▁speakest\t-11.1387\n▁knops\t-11.1398\nNot\t-11.14\n▁shapes\t-11.14\n▁clearing\t-11.1402\n▁Good\t-11.1405\n▁hundreds\t-11.1409\n▁entertain\t-11.1415\n▁burying\t-11.1419\n▁Mo\t-11.1421\n▁beach\t-11.1427\n▁bands\t-11.1431\n▁pots\t-11.1436\nech\t-11.1443\n▁Eli\t-11.1446\n▁appearing\t-11.1446\n▁Mi\t-11.1454\n▁drinketh\t-11.1459\n▁supplications\t-11.1465\n▁occasions\t-11.147\n▁Sometime\t-11.1476\n▁Co\t-11.1478\ngging\t-11.1486\n▁di\t-11.1505\n▁rac\t-11.1512\n▁serpents\t-11.1516\n▁Ou\t-11.152\nide\t-11.152\n▁En\t-11.1524\n▁roots\t-11.155\n▁fasting\t-11.1551\n▁holes\t-11.1567\n▁constrain\t-11.1607\niness\t-11.1615\n▁creeks\t-11.1618\nnce\t-11.1619\n▁Pi\t-11.1622\n▁char\t-11.1634\n▁bother\t-11.1641\n▁sayings\t-11.1653\n▁smelling\t-11.1657\n▁dreaming\t-11.1666\n▁seest\t-11.1674\n▁examin\t-11.168\n▁helping\t-11.1686\n▁Ne\t-11.1709\n▁pop\t-11.1713\n▁Sin\t-11.1723\n▁process\t-11.1728\n▁gra\t-11.1743\nha\t-11.1751\n▁sta\t-11.1797\n▁tangle\t-11.1812\nuch\t-11.1894\nhow\t-11.1916\nby\t-11.1938\nlongeth\t-11.1983\nig\t-11.1991\ntrusted\t-11.2007\n▁nuts\t-11.2051\n▁hairs\t-11.2055\nv\t-11.2082\nlushed\t-11.21\nIs\t-11.2101\ntur\t-11.2121\n▁Con\t-11.2123\n▁signifie\t-11.2126\nlic\t-11.2127\npic\t-11.2144\n▁member\t-11.2164\nious\t-11.2165\n▁spi\t-11.2167\npensation\t-11.2183\n▁Ari\t-11.2199\nson\t-11.2212\n▁Jo\t-11.2235\n▁Le\t-11.2249\n▁mere\t-11.2256\n▁win\t-11.2311\n▁cur\t-11.2317\ntic\t-11.2336\ntreated\t-11.2355\n▁sub\t-11.2357\nda\t-11.2375\n▁welcome\t-11.2381\nare\t-11.2387\n▁treasures\t-11.2394\nign\t-11.2402\n▁im\t-11.2408\n▁bas\t-11.2417\n▁ease\t-11.2425\nancy\t-11.243\n▁sprinkle\t-11.244\n▁throw\t-11.2458\n▁pie\t-11.2473\nlah\t-11.2505\nsive\t-11.2514\n▁dodg\t-11.253\nale\t-11.2565\n▁fain\t-11.2602\n▁lords\t-11.2638\n▁cutt\t-11.2646\ncession\t-11.2675\nio\t-11.2696\n▁imagin\t-11.2697\n▁simpl\t-11.2702\nbal\t-11.2702\nllen\t-11.2723\n▁examine\t-11.2728\n▁longing\t-11.2732\n▁shave\t-11.2735\n▁cor\t-11.2739\nshed\t-11.2741\n▁heave\t-11.2742\n▁Sheba\t-11.2762\nnas\t-11.2787\npping\t-11.2808\npots\t-11.2836\n▁Gree\t-11.2837\n▁min\t-11.2842\ntained\t-11.2882\n▁cap\t-11.2908\n▁flu\t-11.2942\nown\t-11.2967\nright\t-11.2979\nving\t-11.2984\n▁Sha\t-11.2988\nlong\t-11.2995\nged\t-11.2997\n▁Ju\t-11.3005\n▁Ten\t-11.3029\nlike\t-11.3046\nM\t-11.3075\ncept\t-11.3088\nhold\t-11.3101\n▁ga\t-11.3108\n▁rid\t-11.3108\nheld\t-11.3112\nccord\t-11.3126\n▁tumult\t-11.3131\n▁trans\t-11.3144\n▁eunuch\t-11.3148\n▁shilling\t-11.3148\n▁chestnut\t-11.3148\ncorruptible\t-11.3149\n▁sheet\t-11.3149\n▁plate\t-11.3149\n▁Samaritan\t-11.315\n▁marketplace\t-11.315\n▁Amorite\t-11.3151\n▁babe\t-11.3152\nworker\t-11.3153\n▁hunter\t-11.316\n▁push\t-11.317\nwear\t-11.317\n▁hog\t-11.3171\n▁limb\t-11.3173\n▁Na\t-11.3173\n▁instruction\t-11.318\nWill\t-11.3182\ncolor\t-11.3183\nWhen\t-11.3185\nWilbur\t-11.3185\n▁includ\t-11.3186\nmidst\t-11.3186\n▁pin\t-11.3187\n▁accomplish\t-11.3197\nOf\t-11.3197\n▁prevail\t-11.3197\n▁Late\t-11.3199\n▁hind\t-11.3199\n▁charg\t-11.32\n▁handful\t-11.3205\nyard\t-11.3207\n▁dim\t-11.321\n▁K\t-11.322\n▁decide\t-11.3221\n▁conceive\t-11.3221\n▁circumcise\t-11.3222\nlace\t-11.3223\nursed\t-11.3225\n▁lunch\t-11.3225\n▁mouths\t-11.3226\n▁confident\t-11.3227\n▁fervent\t-11.3227\n▁brief\t-11.3227\n▁shout\t-11.3228\n▁deceitful\t-11.3228\n▁difficult\t-11.323\nuddenly\t-11.323\n▁warn\t-11.3232\n▁overthrow\t-11.3236\n▁rend\t-11.3239\n▁purse\t-11.3239\n▁zeal\t-11.3239\n▁confus\t-11.3239\n▁deceit\t-11.3239\n▁cruel\t-11.3239\n▁pant\t-11.324\n▁Corinth\t-11.324\n▁Bethsaida\t-11.324\n▁Boudinot\t-11.324\n▁Chedorlaomer\t-11.324\n▁Chief\t-11.324\n▁Deliver\t-11.324\n▁Friend\t-11.324\n▁Nadab\t-11.324\n▁Pamphylia\t-11.324\n▁Philippi\t-11.324\n▁Serug\t-11.324\n▁Tarsus\t-11.324\n▁Thomas\t-11.324\n▁Tychicus\t-11.324\n▁YHWH\t-11.324\n▁abolish\t-11.324\n▁accurately\t-11.324\n▁affrighted\t-11.324\n▁amazement\t-11.324\n▁anathema\t-11.324\n▁attitude\t-11.324\n▁beguile\t-11.324\n▁betrothed\t-11.324\n▁borrow\t-11.324\n▁bridle\t-11.324\n▁carriage\t-11.324\n▁cheese\t-11.324\n▁consecration\t-11.324\n▁cornmeal\t-11.324\n▁cotton\t-11.324\n▁dissolved\t-11.324\n▁furlongs\t-11.324\n▁grandmother\t-11.324\n▁grandstand\t-11.324\n▁grief\t-11.324\n▁grinned\t-11.324\n▁heretofore\t-11.324\n▁hospitality\t-11.324\n▁hurry\t-11.324\n▁infirmities\t-11.324\n▁insurrection\t-11.324\n▁leather\t-11.324\n▁magazine\t-11.324\n▁mandrakes\t-11.324\n▁muttered\t-11.324\n▁nutrients\t-11.324\n▁organisms\t-11.324\n▁perfume\t-11.324\n▁powder\t-11.324\n▁racket\t-11.324\n▁regret\t-11.324\n▁religion\t-11.324\n▁spinnerets\t-11.324\n▁strict\t-11.324\n▁stunned\t-11.324\n▁swelling\t-11.324\n▁task\t-11.324\n▁terrified\t-11.324\n▁thieves\t-11.324\n▁thoroughly\t-11.324\n▁ungodliness\t-11.324\n▁upstairs\t-11.324\n▁vanity\t-11.324\n▁vengeance\t-11.324\n▁whisky\t-11.324\n▁avoid\t-11.324\n▁cream\t-11.324\n▁deaf\t-11.324\n▁decision\t-11.324\n▁excess\t-11.324\n▁flavor\t-11.324\n▁indoors\t-11.324\n▁kinsmen\t-11.324\n▁lascivious\t-11.324\n▁orchard\t-11.324\n▁progress\t-11.324\n▁sweep\t-11.324\n▁thumb\t-11.324\n▁worried\t-11.324\n▁Diana\t-11.324\n▁Nathanael\t-11.324\n▁burst\t-11.324\n▁neglect\t-11.324\n▁polish\t-11.324\n▁secur\t-11.324\nclosing\t-11.324\n▁Hosanna\t-11.324\n▁alien\t-11.324\n▁rumor\t-11.324\n▁slumber\t-11.324\n▁sneak\t-11.324\n▁Like\t-11.324\n▁gravity\t-11.324\n▁Aholi\t-11.324\n▁crumbs\t-11.324\n▁difference\t-11.324\n▁citizenship\t-11.324\n▁snout\t-11.324\nSleep\t-11.324\n▁choke\t-11.324\n▁heavily\t-11.324\n▁continuing\t-11.324\n▁fables\t-11.324\nHumble\t-11.324\n▁Deep\t-11.324\n▁delay\t-11.324\n▁tag\t-11.324\n▁overtake\t-11.324\n▁bald\t-11.324\n▁odor\t-11.324\ndiment\t-11.324\n▁Gaius\t-11.324\n▁Zerah\t-11.324\n▁Jason\t-11.324\n▁bowels\t-11.324\n▁Heaven\t-11.324\n▁Depart\t-11.324\n▁support\t-11.324\n▁babies\t-11.324\n▁straitened\t-11.324\n▁consolation\t-11.324\n▁bucket\t-11.324\n▁riverboat\t-11.324\n▁seventeen\t-11.324\n▁Tru\t-11.3241\n▁graft\t-11.3241\n▁bleed\t-11.3241\n▁urgent\t-11.3241\n▁uncertain\t-11.3241\n▁brook\t-11.3241\n▁stewardship\t-11.3241\n▁sincerity\t-11.3241\n▁dig\t-11.3241\n▁gentlemen\t-11.3241\n▁dollar\t-11.3241\n▁buck\t-11.3241\n▁property\t-11.3241\n▁wallet\t-11.3241\n▁partner\t-11.3241\n▁crook\t-11.3241\n▁assign\t-11.3241\n▁accusation\t-11.3241\n▁otherwise\t-11.3241\n▁Herodias\t-11.3241\n▁provender\t-11.3241\n▁scales\t-11.3241\n▁confusion\t-11.3241\n▁stem\t-11.3241\n▁victory\t-11.3241\n▁attack\t-11.3241\n▁tower\t-11.3241\n▁envie\t-11.3241\n▁assay\t-11.3241\n▁hys\t-11.3242\n▁landscape\t-11.3242\n▁liquor\t-11.3242\n▁wot\t-11.3242\n▁duty\t-11.3242\n▁chew\t-11.3242\n▁lice\t-11.3242\n▁shamefully\t-11.3242\n▁carton\t-11.3242\n▁split\t-11.3242\nBee\t-11.3242\n▁dung\t-11.3242\n▁shortened\t-11.3242\n▁utterance\t-11.3242\n▁distinction\t-11.3242\n▁friendship\t-11.3242\n▁expectation\t-11.3242\n▁raw\t-11.3242\n▁behave\t-11.3243\n▁motionless\t-11.3243\n▁square\t-11.3243\n▁offence\t-11.3243\n▁appearance\t-11.3243\n▁potatoes\t-11.3243\n▁firm\t-11.3243\n▁westward\t-11.3243\n▁filthy\t-11.3243\n▁dizzy\t-11.3243\n▁memory\t-11.3243\n▁pepper\t-11.3244\n▁spilled\t-11.3244\n▁peach\t-11.3244\n▁tossed\t-11.3244\n▁potter\t-11.3244\nneck\t-11.3245\n▁argument\t-11.3245\n▁Save\t-11.3245\n▁cris\t-11.3245\n▁election\t-11.3245\n▁punished\t-11.3246\n▁frightened\t-11.3246\n▁booth\t-11.3246\n▁ladies\t-11.3247\nagement\t-11.3247\n▁Jonah\t-11.3248\n▁Keep\t-11.3248\n▁boast\t-11.325\n▁wake\t-11.325\n▁priesthood\t-11.325\n▁glanc\t-11.3251\n▁squirrels\t-11.3252\n▁relieved\t-11.3252\n▁Onan\t-11.3252\n▁Sam\t-11.3255\ntual\t-11.3256\n▁chuckled\t-11.3256\n▁explained\t-11.3256\n▁trembled\t-11.3256\n▁Over\t-11.3256\n▁comfortable\t-11.3256\n▁gainsaying\t-11.3257\n▁graven\t-11.3257\n▁slight\t-11.3258\nR\t-11.3259\n▁stage\t-11.326\n▁pine\t-11.3262\n▁moth\t-11.3264\nlapped\t-11.3264\n▁pretend\t-11.3265\n▁noble\t-11.3265\n▁chastening\t-11.3267\n▁scar\t-11.3268\n▁upside\t-11.3269\nross\t-11.327\n▁however\t-11.3271\n▁weave\t-11.3271\n▁Fall\t-11.3271\n▁damp\t-11.3271\n▁whispering\t-11.3271\n▁tares\t-11.3271\n▁warriors\t-11.3271\n▁idolaters\t-11.3272\n▁swo\t-11.3272\n▁blasphemed\t-11.3272\nservants\t-11.3272\n▁entr\t-11.3272\n▁stern\t-11.3274\n▁liver\t-11.3275\n▁closer\t-11.3276\n▁laborers\t-11.3278\n▁Anna\t-11.3284\n▁ax\t-11.3285\n▁severally\t-11.3286\n▁position\t-11.3287\n▁key\t-11.3288\n▁Nothing\t-11.3289\n▁humbled\t-11.3289\n▁assembled\t-11.329\n▁ma\t-11.3291\n▁Jebusites\t-11.3292\n▁fornicators\t-11.3292\n▁shelters\t-11.3292\n▁Perizzites\t-11.3292\n▁grievously\t-11.3292\n▁news\t-11.3294\n▁throwing\t-11.3294\n▁forthwith\t-11.3294\n▁chase\t-11.3295\n▁girded\t-11.3297\n▁bug\t-11.3297\n▁barking\t-11.33\n▁flatter\t-11.33\n▁sir\t-11.3302\n▁spinn\t-11.3303\n▁stack\t-11.3304\n▁passions\t-11.3306\n▁lid\t-11.3307\n▁scattering\t-11.3309\n▁fi\t-11.3309\n▁thereunto\t-11.3309\n▁seethe\t-11.3309\n▁droppings\t-11.3312\n▁joints\t-11.3313\n▁sparrows\t-11.3313\n▁personal\t-11.3316\n▁tormented\t-11.3317\n▁perisheth\t-11.332\n▁mocking\t-11.3321\n▁failing\t-11.3322\nbed\t-11.3322\n▁closely\t-11.3326\n▁delighted\t-11.3327\n▁starv\t-11.3327\n▁fatherless\t-11.3327\n▁deck\t-11.3328\nThank\t-11.3329\n▁eunuchs\t-11.3333\n▁shillings\t-11.3333\n▁chestnuts\t-11.3333\n▁plates\t-11.3333\n▁thinkest\t-11.3338\nsom\t-11.3339\n▁stopp\t-11.3342\n▁treated\t-11.3342\n▁veiled\t-11.3348\n▁questioning\t-11.3351\n▁invisible\t-11.3354\n▁messengers\t-11.3354\n▁Whom\t-11.3354\nature\t-11.3358\narley\t-11.3363\n▁singing\t-11.3365\n▁firstling\t-11.3367\n▁wont\t-11.337\nole\t-11.3373\n▁considered\t-11.3375\n▁inhabited\t-11.3379\nsop\t-11.3385\n▁mist\t-11.3388\nton\t-11.3391\n▁manif\t-11.3394\n▁interesting\t-11.3394\n▁prophesying\t-11.3395\niest\t-11.3399\n▁serveth\t-11.34\n▁ahead\t-11.34\n▁needeth\t-11.3401\n▁exhorting\t-11.3409\nII\t-11.3412\n▁efforts\t-11.3416\nvile\t-11.3426\n▁cart\t-11.3426\n▁proceeded\t-11.3429\n▁older\t-11.3433\n▁minutes\t-11.3437\n▁filling\t-11.3437\n▁windows\t-11.3438\nards\t-11.3442\n▁believest\t-11.3446\n▁fashioned\t-11.3451\n▁dec\t-11.3451\n▁ja\t-11.3452\n▁fle\t-11.3457\n▁hatchets\t-11.3458\n▁breathing\t-11.347\nhis\t-11.3472\n▁heirs\t-11.3479\n▁awful\t-11.35\n▁seals\t-11.3505\nible\t-11.3519\nalam\t-11.3532\nside\t-11.3548\n▁tooth\t-11.3555\n▁divine\t-11.3561\n▁forever\t-11.3566\nmp\t-11.3574\n▁fowls\t-11.3584\n▁miracles\t-11.3584\n▁males\t-11.3585\n▁pri\t-11.3591\nrevious\t-11.3613\n▁sco\t-11.3626\n▁wheels\t-11.3627\n▁afterwards\t-11.3627\n▁questions\t-11.3629\n▁remind\t-11.3639\n▁Se\t-11.3643\n▁cane\t-11.3649\n▁pleasures\t-11.3691\n▁helper\t-11.3695\nnath\t-11.3698\nco\t-11.3698\nff\t-11.3699\n▁tails\t-11.3712\n▁Cana\t-11.3728\nbah\t-11.3745\ndom\t-11.3766\n▁helped\t-11.3768\n▁accuser\t-11.3773\n▁pa\t-11.3779\nran\t-11.378\n▁Bu\t-11.3786\nuth\t-11.3796\nhin\t-11.3809\n▁images\t-11.382\n▁ash\t-11.3823\nrow\t-11.3829\n▁scorn\t-11.3882\n▁doll\t-11.3888\nded\t-11.3896\ngy\t-11.3925\nurge\t-11.3926\n▁orders\t-11.3928\n▁shell\t-11.3987\neph\t-11.4023\n▁points\t-11.4053\nise\t-11.4071\n▁peaceful\t-11.4082\nears\t-11.4099\n▁trac\t-11.4116\nias\t-11.4117\n▁sy\t-11.4119\n▁su\t-11.4122\n▁intreat\t-11.4135\n▁lur\t-11.415\nast\t-11.4158\n▁tip\t-11.4181\nork\t-11.4203\ntal\t-11.4241\n▁decompose\t-11.4241\n▁bl\t-11.4249\naph\t-11.4274\n▁helps\t-11.4322\n▁ver\t-11.434\n▁puffe\t-11.4362\n▁empt\t-11.4399\n▁runt\t-11.4407\nating\t-11.4429\nrushed\t-11.4434\n▁steppe\t-11.4462\npor\t-11.4471\n▁commune\t-11.4476\n▁decompos\t-11.4505\n▁bees\t-11.4506\nnched\t-11.4556\n▁mar\t-11.4573\nify\t-11.4616\null\t-11.4641\ncked\t-11.4657\n▁layer\t-11.4677\nals\t-11.4693\n▁tu\t-11.4696\n▁tool\t-11.4711\nphe\t-11.4745\nile\t-11.4759\n▁Si\t-11.4771\n▁Ti\t-11.4771\n▁bar\t-11.4798\n▁Whit\t-11.4809\nrim\t-11.4841\npture\t-11.4862\n▁val\t-11.4875\nangled\t-11.4905\n▁mol\t-11.4906\n▁qua\t-11.4913\nerah\t-11.4915\n▁kn\t-11.5027\npen\t-11.503\niv\t-11.5031\nrous\t-11.5034\n▁dip\t-11.5086\n▁Wi\t-11.5108\n▁distribute\t-11.5135\n▁doer\t-11.5138\ncom\t-11.5148\n▁Ah\t-11.5151\n▁settle\t-11.5166\ndull\t-11.5177\n▁Di\t-11.5189\n▁camel\t-11.5195\nere\t-11.5214\n▁whit\t-11.5257\nbout\t-11.5269\n▁rag\t-11.5319\n▁Ca\t-11.5327\nians\t-11.5351\n▁injur\t-11.5359\nlations\t-11.5368\n▁overthr\t-11.5387\nrated\t-11.5387\neak\t-11.5392\nunt\t-11.5395\nboard\t-11.5412\nung\t-11.542\nonsider\t-11.5426\neez\t-11.5436\n▁cake\t-11.5441\nuck\t-11.5458\n▁using\t-11.5465\n▁Bela\t-11.5489\nower\t-11.5497\n▁Mu\t-11.5556\nround\t-11.5567\nwork\t-11.5571\n▁prefer\t-11.5586\n▁vow\t-11.5587\n▁skill\t-11.5593\n▁Set\t-11.5595\nvisible\t-11.5597\nantic\t-11.5622\nttention\t-11.5626\n▁candle\t-11.5628\n▁invent\t-11.5636\ncerning\t-11.5638\n▁exp\t-11.5639\n▁groan\t-11.564\n▁nail\t-11.5642\n▁rank\t-11.5642\n▁debtor\t-11.5643\n▁pomegranate\t-11.5646\n▁weapon\t-11.5646\nined\t-11.5647\n▁murmur\t-11.5647\nngel\t-11.5648\n▁sparrow\t-11.5648\n▁dropping\t-11.5649\n▁deceiver\t-11.565\n▁disease\t-11.5652\nstone\t-11.5652\n▁perver\t-11.5654\n▁descend\t-11.5654\n▁gosling\t-11.5655\ntook\t-11.5655\n▁loop\t-11.5657\n▁pearl\t-11.5659\n▁cla\t-11.5659\naged\t-11.5661\n▁partaker\t-11.5665\n▁chain\t-11.5667\ncourse\t-11.5667\ntled\t-11.5671\n▁prais\t-11.5678\nStop\t-11.5678\nNothing\t-11.5679\n▁judg\t-11.568\nEdith\t-11.5682\nterrific\t-11.5682\n▁despair\t-11.5683\nD\t-11.5683\nbow\t-11.5684\nfront\t-11.5684\nWho\t-11.5685\nworthy\t-11.5685\ngave\t-11.5685\nDid\t-11.5687\n▁waste\t-11.5688\n▁purify\t-11.5688\nmaster\t-11.5688\nfell\t-11.5689\nface\t-11.5691\nFor\t-11.5691\n▁load\t-11.5692\nthirst\t-11.5693\n▁jo\t-11.5694\n▁instruct\t-11.5694\n▁threaten\t-11.5694\n▁collect\t-11.5694\n▁ridge\t-11.5697\nfoot\t-11.5699\n▁Kno\t-11.5699\n▁murmuring\t-11.5699\nnets\t-11.5702\nThen\t-11.5707\nouched\t-11.5713\n▁strengthen\t-11.5714\n▁preten\t-11.5714\nrent\t-11.5715\nkey\t-11.5715\n▁excite\t-11.5718\n▁arrange\t-11.5719\n▁tremble\t-11.5719\n▁surprise\t-11.5719\n▁reprove\t-11.572\n▁approve\t-11.5721\n▁swa\t-11.5722\n▁dr\t-11.5725\nps\t-11.5726\n▁general\t-11.5726\nounded\t-11.5726\n▁clan\t-11.5727\n▁vague\t-11.5727\n▁Ke\t-11.5728\n▁exact\t-11.5728\n▁abundant\t-11.5728\n▁immediate\t-11.5729\n▁bruise\t-11.5729\n▁supplie\t-11.573\n▁greas\t-11.573\n▁map\t-11.5731\n▁cheerful\t-11.5732\n▁glorie\t-11.5732\n▁sur\t-11.5733\nhood\t-11.5733\nThey\t-11.5734\n▁bon\t-11.5734\n▁ski\t-11.5735\n▁safe\t-11.5736\nweed\t-11.5736\nspect\t-11.5736\n▁railing\t-11.5737\n▁transgress\t-11.5737\nbelief\t-11.5738\nthey\t-11.5738\n▁debt\t-11.5738\n▁riot\t-11.5739\n▁express\t-11.5739\n▁cherub\t-11.5739\n▁proper\t-11.5739\n▁flour\t-11.5739\n▁yo\t-11.574\n▁strait\t-11.574\nnswere\t-11.574\nbby\t-11.574\n▁glutton\t-11.574\n▁horizon\t-11.574\n▁occur\t-11.574\nListen\t-11.574\nTerrific\t-11.574\nlatchet\t-11.574\ntarsus\t-11.574\n▁Amminadab\t-11.574\n▁Aristarchus\t-11.574\n▁Comforter\t-11.574\n▁Congress\t-11.574\n▁Cranshaw\t-11.574\n▁Derbe\t-11.574\n▁Dishon\t-11.574\n▁Ephrath\t-11.574\n▁Euphrates\t-11.574\n▁GOD\t-11.574\n▁Havilah\t-11.574\n▁Hearken\t-11.574\n▁Hogsucker\t-11.574\n▁Ishmeelites\t-11.574\n▁Kohath\t-11.574\n▁Nicodemus\t-11.574\n▁PIG\t-11.574\n▁Receive\t-11.574\n▁Servant\t-11.574\n▁Succoth\t-11.574\n▁Would\t-11.574\n▁Zohar\t-11.574\n▁absence\t-11.574\n▁adoption\t-11.574\n▁afford\t-11.574\n▁assurance\t-11.574\n▁blowgun\t-11.574\n▁bounty\t-11.574\n▁cabbage\t-11.574\n▁century\t-11.574\n▁chapiters\t-11.574\n▁cinnamon\t-11.574\n▁concubine\t-11.574\n▁convenient\t-11.574\n▁correspond\t-11.574\n▁demanded\t-11.574\n▁devise\t-11.574\n▁emerald\t-11.574\n▁engine\t-11.574\n▁foxes\t-11.574\n▁greeting\t-11.574\n▁handkerchief\t-11.574\n▁haught\t-11.574\n▁hereafter\t-11.574\n▁impart\t-11.574\n▁incorruption\t-11.574\n▁insects\t-11.574\n▁level\t-11.574\n▁mysterious\t-11.574\n▁necessities\t-11.574\n▁nostrils\t-11.574\n▁obeisance\t-11.574\n▁perform\t-11.574\n▁picture\t-11.574\n▁pilgrims\t-11.574\n▁president\t-11.574\n▁proconsul\t-11.574\n▁pronounce\t-11.574\n▁propitiation\t-11.574\n▁province\t-11.574\n▁raspberr\t-11.574\n▁request\t-11.574\n▁response\t-11.574\n▁restitution\t-11.574\n▁restrained\t-11.574\n▁reviling\t-11.574\n▁revived\t-11.574\n▁riverbank\t-11.574\n▁sapphire\t-11.574\n▁sardius\t-11.574\n▁showbread\t-11.574\n▁shrank\t-11.574\n▁smiled\t-11.574\n▁solemn\t-11.574\n▁straddle\t-11.574\n▁survive\t-11.574\n▁swift\t-11.574\n▁sworn\t-11.574\n▁terror\t-11.574\n▁twig\t-11.574\n▁unimagin\t-11.574\n▁unloose\t-11.574\n▁unmarried\t-11.574\n▁unusual\t-11.574\n▁whiskey\t-11.574\n▁Brother\t-11.574\n▁diminish\t-11.574\n▁disappoint\t-11.574\n▁element\t-11.574\n▁emerge\t-11.574\n▁latter\t-11.574\n▁orange\t-11.574\n▁queen\t-11.574\n▁raven\t-11.574\n▁roam\t-11.574\n▁scrivener\t-11.574\n▁Gilead\t-11.574\n▁Ithamar\t-11.574\n▁Likewise\t-11.574\n▁discreet\t-11.574\n▁fraction\t-11.574\n▁impress\t-11.574\n▁knuckle\t-11.574\n▁leprosy\t-11.574\n▁mammon\t-11.574\n▁merchant\t-11.574\n▁mule\t-11.574\n▁mysteries\t-11.574\n▁reproof\t-11.574\n▁giant\t-11.574\n▁clipping\t-11.574\n▁middling\t-11.574\n▁Potiph\t-11.574\n▁circum\t-11.574\n▁crystal\t-11.574\n▁bereaved\t-11.574\n▁bondwoman\t-11.574\n▁exchange\t-11.574\n▁holler\t-11.574\n▁instru\t-11.574\n▁noodle\t-11.574\n▁adulteress\t-11.574\n▁beggar\t-11.574\n▁kicked\t-11.574\n▁title\t-11.574\n▁buryingplace\t-11.574\n▁refrain\t-11.574\n▁Christmas\t-11.574\n▁turban\t-11.574\n▁Salmon\t-11.574\n▁liberality\t-11.574\n▁enchantments\t-11.574\n▁workmanship\t-11.574\n▁occupation\t-11.574\n▁sackcloth\t-11.574\n▁bodily\t-11.574\n▁flash\t-11.574\n▁gorge\t-11.574\n▁snapp\t-11.574\n▁Preparation\t-11.574\n▁Count\t-11.574\n▁stumblingblock\t-11.574\n▁Joses\t-11.574\n▁arrival\t-11.574\n▁blasphemies\t-11.574\n▁blossoms\t-11.574\n▁freewoman\t-11.574\n▁fungus\t-11.574\naccess\t-11.574\n▁Buddy\t-11.574\n▁covetous\t-11.574\n▁Abb\t-11.574\n▁palsied\t-11.574\n▁Walk\t-11.574\n▁nap\t-11.574\n▁winepress\t-11.574\n▁digging\t-11.574\n▁decree\t-11.574\n▁Moab\t-11.574\n▁paddle\t-11.574\n▁foggy\t-11.574\n▁job\t-11.574\n▁reverence\t-11.574\n▁Drink\t-11.5741\n▁Italy\t-11.5741\n▁confe\t-11.5741\n▁Goodbye\t-11.5741\n▁Little\t-11.5741\n▁principalities\t-11.5741\n▁thicket\t-11.5741\n▁tonight\t-11.5741\nkay\t-11.5741\n▁cursing\t-11.5741\n▁gently\t-11.5741\n▁Shur\t-11.5741\n▁permit\t-11.5741\nnquire\t-11.5741\n▁Haden\t-11.5741\n▁announcement\t-11.5741\n▁lane\t-11.5741\n▁pink\t-11.5741\n▁Shinar\t-11.5741\n▁towel\t-11.5741\n▁adj\t-11.5741\n▁tempest\t-11.5741\n▁scoop\t-11.5741\n▁flick\t-11.5741\n▁Gran\t-11.5741\n▁patch\t-11.5741\n▁package\t-11.5741\n▁midday\t-11.5741\n▁conceal\t-11.5741\n▁candy\t-11.5741\nntil\t-11.5742\n▁apostleship\t-11.5742\n▁halt\t-11.5742\n▁entangle\t-11.5742\n▁Elam\t-11.5742\n▁guilty\t-11.5742\n▁loving\t-11.5742\n▁crime\t-11.5742\n▁malice\t-11.5742\n▁countries\t-11.5742\n▁heathen\t-11.5742\n▁awkwardly\t-11.5742\n▁crash\t-11.5742\n▁Miz\t-11.5742\nndy\t-11.5742\n▁shore\t-11.5742\nville\t-11.5743\n▁main\t-11.5743\n▁pillow\t-11.5743\n▁claw\t-11.5743\n▁furthermore\t-11.5743\n▁satisfied\t-11.5744\n▁defer\t-11.5744\n▁thistles\t-11.5744\n▁stedfastness\t-11.5744\n▁vo\t-11.5744\n▁Weep\t-11.5744\n▁barbarian\t-11.5744\n▁bill\t-11.5744\n▁communicate\t-11.5745\n▁husbandman\t-11.5745\n▁Abib\t-11.5745\n▁cleansing\t-11.5746\n▁nearby\t-11.5746\n▁operat\t-11.5746\n▁sheepfold\t-11.5746\n▁easily\t-11.5746\n▁super\t-11.5747\n▁blast\t-11.5747\n▁jar\t-11.5747\n▁armor\t-11.5748\n▁violent\t-11.5748\n▁forsaken\t-11.5748\n▁grunted\t-11.5748\n▁gambl\t-11.5748\nchol\t-11.5748\needy\t-11.5748\n▁crushed\t-11.5749\n▁phone\t-11.5749\n▁whiteman\t-11.575\n▁disturb\t-11.575\n▁skirt\t-11.575\nno\t-11.575\n▁grease\t-11.575\n▁wealth\t-11.5751\n▁supplieth\t-11.5751\n▁Jam\t-11.5751\nently\t-11.5751\n▁blame\t-11.5752\n▁difficulty\t-11.5753\n▁agreement\t-11.5753\n▁contend\t-11.5753\n▁vaguely\t-11.5753\n▁Else\t-11.5753\n▁needful\t-11.5753\npro\t-11.5754\n▁weaving\t-11.5754\n▁wrist\t-11.5754\n▁dare\t-11.5754\n▁cheerfully\t-11.5754\n▁cost\t-11.5755\n▁trott\t-11.5755\n▁curv\t-11.5755\n▁acres\t-11.5755\n▁ribs\t-11.5755\n▁magistrates\t-11.5755\n▁Lotan\t-11.5756\n▁knot\t-11.5756\n▁candie\t-11.5757\n▁briefly\t-11.5757\nsual\t-11.5757\n▁deceitfully\t-11.5757\n▁persecutest\t-11.5757\n▁maple\t-11.576\n▁ability\t-11.576\n▁fiercely\t-11.576\n▁sink\t-11.576\n▁vanished\t-11.5761\n▁overhead\t-11.5761\n▁arranged\t-11.5761\n▁slipp\t-11.5762\n▁sower\t-11.5764\n▁silently\t-11.5764\n▁clang\t-11.5767\nquil\t-11.5767\n▁float\t-11.5768\n▁stalk\t-11.5768\node\t-11.5768\n▁Summ\t-11.5769\n▁block\t-11.5769\n▁wink\t-11.5769\n▁quake\t-11.577\n▁reconciled\t-11.577\n▁platt\t-11.577\n▁shovel\t-11.5771\n▁thirsty\t-11.5772\n▁soup\t-11.5774\n▁Never\t-11.5774\n▁overthrown\t-11.5774\n▁remark\t-11.5774\n▁Men\t-11.5774\n▁steady\t-11.5776\nration\t-11.5779\n▁sincere\t-11.578\n▁slopes\t-11.5781\n▁physicians\t-11.5781\n▁killers\t-11.5782\n▁dad\t-11.5783\n▁action\t-11.5784\n▁louder\t-11.5784\nirst\t-11.5784\n▁endless\t-11.5785\n▁commendeth\t-11.5786\n▁groaned\t-11.5788\n▁card\t-11.5788\n▁manservant\t-11.5789\n▁anew\t-11.5789\n▁joint\t-11.5791\n▁sever\t-11.5797\n▁stumbleth\t-11.5802\n▁pushing\t-11.5804\n▁naturally\t-11.5805\nazed\t-11.5807\n▁flip\t-11.5808\n▁earrings\t-11.5808\n▁lepers\t-11.5808\n▁boughs\t-11.5809\n▁transgressors\t-11.5809\n▁faithless\t-11.5811\n▁invented\t-11.5811\n▁shit\t-11.5812\n▁trapper\t-11.5812\n▁sojourners\t-11.5814\n▁oppressed\t-11.5814\n▁confirmed\t-11.5814\n▁Remov\t-11.5815\n▁melted\t-11.5816\n▁urge\t-11.5819\n▁yester\t-11.5819\n▁wildly\t-11.5823\n▁completed\t-11.5824\n▁particle\t-11.5824\n▁whoring\t-11.5825\n▁companions\t-11.5825\n▁Hous\t-11.583\n▁hon\t-11.5835\n▁pomegranates\t-11.5835\n▁weapons\t-11.5836\n▁wond\t-11.5836\nev\t-11.5837\n▁actions\t-11.5837\n▁overmuch\t-11.5838\n▁hatched\t-11.5839\n▁Teman\t-11.5847\n▁continueth\t-11.5848\n▁commandeth\t-11.5849\n▁rep\t-11.5851\nking\t-11.5855\n▁wh\t-11.5855\n▁mourned\t-11.5855\n▁extortioner\t-11.5856\nthis\t-11.5857\n▁thereto\t-11.5859\nalutations\t-11.5859\n▁mudd\t-11.5859\n▁sen\t-11.5861\naid\t-11.5864\n▁ci\t-11.5865\n▁department\t-11.5869\nposition\t-11.5881\nerable\t-11.5882\n▁comb\t-11.5882\n▁rider\t-11.5883\nIn\t-11.5883\n▁richly\t-11.5883\nrops\t-11.5886\nlessly\t-11.5889\n▁liars\t-11.589\n▁statutes\t-11.589\n▁provisions\t-11.589\n▁persecutions\t-11.589\nac\t-11.5891\n▁chin\t-11.5892\n▁guns\t-11.5893\n▁murderers\t-11.5894\nza\t-11.5895\n▁sucked\t-11.5896\n▁needy\t-11.5903\n▁transform\t-11.5905\n▁Romans\t-11.5908\n▁wanton\t-11.5911\n▁finest\t-11.5911\n▁driver\t-11.5913\n▁preacheth\t-11.5916\n▁dances\t-11.5917\n▁squa\t-11.5932\noc\t-11.5941\n▁deeply\t-11.5942\n▁smoked\t-11.5946\nups\t-11.5947\ncum\t-11.595\n▁lacked\t-11.5951\ngered\t-11.5953\nunny\t-11.5961\n▁mete\t-11.5966\n▁goes\t-11.5967\nits\t-11.5968\n▁pi\t-11.597\n▁nests\t-11.5973\n▁games\t-11.5973\n▁captives\t-11.5973\n▁habitations\t-11.5973\n▁girls\t-11.5973\nep\t-11.5975\n▁profited\t-11.5978\n▁flowers\t-11.598\nvice\t-11.5982\n▁trapp\t-11.5991\n▁regarded\t-11.5991\nction\t-11.5995\n▁thighs\t-11.6\ntty\t-11.6002\n▁worrying\t-11.6006\nT\t-11.6018\n▁amount\t-11.6021\n▁righteously\t-11.6024\noth\t-11.6024\n▁logs\t-11.6028\n▁willeth\t-11.6036\n▁killeth\t-11.6052\ncakes\t-11.6056\n▁colors\t-11.6056\n▁papers\t-11.6056\nmong\t-11.6061\n▁tea\t-11.6062\n▁customs\t-11.6084\nius\t-11.6086\nche\t-11.6108\n▁regions\t-11.6112\n▁forgett\t-11.6114\nric\t-11.6116\n▁seasoned\t-11.6119\n▁embrace\t-11.6119\nbs\t-11.612\n▁Abid\t-11.6124\n▁tomorrow\t-11.6136\n▁streams\t-11.614\n▁Christian\t-11.614\n▁worshipp\t-11.6149\n▁style\t-11.6149\nfull\t-11.6163\n▁figs\t-11.6168\n▁aged\t-11.6169\n▁buildings\t-11.6172\n▁meaning\t-11.6183\n▁staying\t-11.6184\n▁crowned\t-11.6197\n▁visions\t-11.6207\n▁owners\t-11.621\nuz\t-11.6223\n▁Fe\t-11.6224\n▁mon\t-11.6243\n▁governors\t-11.6253\n▁sus\t-11.6263\n▁ships\t-11.6288\nfigur\t-11.6288\n▁Par\t-11.6298\narm\t-11.6307\net\t-11.6311\nives\t-11.6318\n▁treat\t-11.6326\ninning\t-11.6336\n▁charges\t-11.6343\ncompelled\t-11.6371\n▁Eph\t-11.6371\n▁afternoons\t-11.6397\n▁doings\t-11.643\nenable\t-11.6432\n▁ink\t-11.6465\nok\t-11.6465\n▁penn\t-11.6479\nmma\t-11.649\n▁wanting\t-11.6503\nfe\t-11.651\n▁edges\t-11.6512\n▁rehears\t-11.6514\nracles\t-11.6518\n▁writer\t-11.654\n▁favorabl\t-11.6541\n▁rattle\t-11.6612\ntent\t-11.6629\ninner\t-11.6645\nanke\t-11.6654\n▁conce\t-11.6729\n▁busi\t-11.6747\n▁smit\t-11.6748\n▁perp\t-11.6759\n▁shower\t-11.677\n▁Was\t-11.6772\n▁earthy\t-11.6778\nons\t-11.6795\n▁Stop\t-11.6802\n▁swords\t-11.681\n▁fellows\t-11.6811\nbone\t-11.6813\n▁entice\t-11.6825\nave\t-11.684\n▁belong\t-11.6866\n▁journeys\t-11.6869\n▁lap\t-11.6875\n▁differ\t-11.6888\n▁prisons\t-11.6901\n▁heel\t-11.6903\nx\t-11.6911\n▁curl\t-11.6927\nema\t-11.6933\neral\t-11.6942\nBe\t-11.6952\nvil\t-11.6952\nborn\t-11.6963\n▁beard\t-11.6966\nich\t-11.6974\nular\t-11.6991\nddle\t-11.7009\n▁Ben\t-11.7039\n▁Ph\t-11.704\naking\t-11.7052\n▁afore\t-11.7056\nban\t-11.7062\n▁lashe\t-11.707\n▁earthly\t-11.7093\nvan\t-11.7103\n▁ch\t-11.7121\n▁meats\t-11.7122\nore\t-11.7256\nbel\t-11.7274\nwled\t-11.7341\ndder\t-11.735\nwood\t-11.7356\n▁argu\t-11.7369\n▁mus\t-11.7402\n▁Phi\t-11.7409\nond\t-11.7426\n▁interrupt\t-11.7441\n▁gaz\t-11.7515\nher\t-11.7536\n▁feasts\t-11.754\nwardly\t-11.7545\n▁struggle\t-11.7618\nnut\t-11.7651\n▁parting\t-11.7661\nai\t-11.7697\n▁inch\t-11.7731\n▁owe\t-11.7789\n▁Shal\t-11.7789\npringtime\t-11.7805\n▁ob\t-11.782\n▁driv\t-11.7849\nlation\t-11.7849\ndding\t-11.7861\n▁hug\t-11.791\n▁strik\t-11.7917\nro\t-11.8006\n▁breathe\t-11.805\n▁Pra\t-11.8054\nmortal\t-11.8136\n▁temperat\t-11.8148\nrred\t-11.8154\n▁pur\t-11.8166\n▁j\t-11.8176\nuni\t-11.8177\nities\t-11.8198\nnic\t-11.8198\nuring\t-11.8205\nlings\t-11.8207\n▁ascend\t-11.8208\n▁striv\t-11.8212\nitches\t-11.8212\n▁cares\t-11.8223\n▁calls\t-11.8224\n▁Ass\t-11.8236\n▁crack\t-11.8257\nuddle\t-11.8259\ndoers\t-11.8277\n▁mis\t-11.8296\nener\t-11.8309\nurn\t-11.831\nlab\t-11.8332\nten\t-11.8347\nfare\t-11.8358\nfire\t-11.8369\n▁bre\t-11.8386\nca\t-11.8419\n▁Ro\t-11.8441\nrian\t-11.8479\n▁Eu\t-11.8487\n▁oppos\t-11.8495\neyed\t-11.8522\nwe\t-11.8523\n▁Eve\t-11.8536\nmus\t-11.8563\n▁embrac\t-11.8569\ntting\t-11.8577\nati\t-11.8581\nmmed\t-11.8626\ntery\t-11.8644\ntops\t-11.8662\n▁fla\t-11.8681\nlia\t-11.8699\n▁resid\t-11.8704\nrance\t-11.8709\n▁fre\t-11.8728\n▁temples\t-11.8761\neries\t-11.8768\n▁chi\t-11.8779\nak\t-11.8781\npher\t-11.8781\n▁hasted\t-11.8781\n▁backs\t-11.8782\n▁Sal\t-11.8783\nsha\t-11.8835\n▁bu\t-11.8837\nunted\t-11.8858\naimed\t-11.8869\n▁fir\t-11.887\nized\t-11.8885\nTh\t-11.8895\nega\t-11.8896\nhanded\t-11.89\n▁Mes\t-11.8905\n▁extortion\t-11.8915\nading\t-11.8919\n▁wrest\t-11.8921\ndoer\t-11.8933\n▁compel\t-11.8938\ngg\t-11.894\n▁bough\t-11.8949\nnceforth\t-11.8955\norted\t-11.8956\n▁chasten\t-11.8965\n▁benefit\t-11.8965\n▁patriarch\t-11.8965\n▁guest\t-11.8965\n▁result\t-11.8965\n▁bishop\t-11.8965\n▁ewe\t-11.8966\nwill\t-11.8966\nrches\t-11.8969\n▁faction\t-11.897\n▁psalm\t-11.8975\n▁senator\t-11.8975\ncome\t-11.8975\n▁pigeon\t-11.8975\n▁whisper\t-11.8975\n▁eagle\t-11.8976\n▁repute\t-11.8976\n▁section\t-11.8978\n▁Levite\t-11.8978\ndressed\t-11.8978\n▁leper\t-11.8979\nunch\t-11.898\n▁transgressor\t-11.8981\n▁Jebusite\t-11.8982\n▁Perizzite\t-11.8982\n▁fornicator\t-11.8982\nhand\t-11.8982\n▁peoples\t-11.8983\n▁bla\t-11.8985\n▁earring\t-11.8985\n▁shelter\t-11.8985\n▁hook\t-11.8991\n▁bo\t-11.8994\nupon\t-11.8994\n▁stab\t-11.8995\n▁spice\t-11.8996\n▁sojourner\t-11.8997\neas\t-11.9\nquench\t-11.9001\n▁gir\t-11.9001\nwitch\t-11.9001\nload\t-11.9004\n▁needle\t-11.9005\nbbed\t-11.9007\n▁farmer\t-11.9007\nCertainly\t-11.9008\nwarm\t-11.9008\nowing\t-11.9011\nworm\t-11.9011\nbas\t-11.9011\nY\t-11.9012\nstood\t-11.9013\nridge\t-11.9014\nhearted\t-11.9016\nPig\t-11.9016\nfloor\t-11.9016\nprisoner\t-11.9016\nHo\t-11.9016\nhooks\t-11.9016\nlearned\t-11.9017\nlegs\t-11.9018\nquiet\t-11.9018\npieces\t-11.9018\nbreak\t-11.9018\nthirty\t-11.9018\nclosed\t-11.9018\nblood\t-11.9018\nfinger\t-11.9018\nwife\t-11.9018\nTake\t-11.9019\nground\t-11.9019\nlooking\t-11.9019\nick\t-11.9019\n▁encounter\t-11.9019\n▁remov\t-11.9019\nSure\t-11.9022\n▁assembl\t-11.9022\nocked\t-11.9024\n▁affirm\t-11.9024\n▁buffet\t-11.9024\n▁loos\t-11.9025\nEvery\t-11.9026\n▁explo\t-11.9029\n▁refresh\t-11.9029\nspeak\t-11.903\n▁fix\t-11.9034\nvolut\t-11.9035\nsembled\t-11.9035\nque\t-11.9036\nback\t-11.9038\nfive\t-11.9042\nAn\t-11.9042\nhath\t-11.9043\n▁miss\t-11.9047\n▁Alexandria\t-11.9048\nHere\t-11.9049\nTe\t-11.9049\n▁Right\t-11.905\n▁cree\t-11.905\n▁enlarge\t-11.9051\n▁relieve\t-11.9053\n▁prophesie\t-11.9053\n▁purchase\t-11.9053\n▁bore\t-11.9054\n▁determine\t-11.9054\n▁excuse\t-11.9056\n▁marrie\t-11.9056\n▁pursue\t-11.9056\n▁arrive\t-11.9057\n▁meek\t-11.9057\n▁pierce\t-11.9058\nposed\t-11.9059\n▁delicate\t-11.9059\n▁nervous\t-11.906\n▁app\t-11.906\ncient\t-11.9062\n▁private\t-11.9062\nocia\t-11.9062\nalvation\t-11.9064\n▁possibl\t-11.9064\n▁jealous\t-11.9065\natic\t-11.9066\nju\t-11.9066\nected\t-11.9067\nupp\t-11.9068\nistles\t-11.9069\n▁brim\t-11.9072\nroi\t-11.9072\n▁gener\t-11.9072\nossum\t-11.9072\n▁mirac\t-11.9072\nntity\t-11.9072\n▁forgot\t-11.9072\n▁princip\t-11.9072\n▁meditat\t-11.9072\n▁announce\t-11.9072\northy\t-11.9073\nappy\t-11.9073\nreakfast\t-11.9073\n▁author\t-11.9073\nolonel\t-11.9073\n▁desp\t-11.9073\noyal\t-11.9073\n▁apprecia\t-11.9073\nCongratu\t-11.9073\n▁Jehovah\t-11.9073\nwilight\t-11.9073\nzziah\t-11.9073\n▁Adullamite\t-11.9073\n▁Ahaz\t-11.9073\n▁Aranea\t-11.9073\n▁Bartholomew\t-11.9073\n▁Bernice\t-11.9073\n▁Bethphage\t-11.9073\n▁Boaz\t-11.9073\n▁Boston\t-11.9073\n▁Chaldees\t-11.9073\n▁Chesapeake\t-11.9073\n▁Crawdaddy\t-11.9073\n▁Decapolis\t-11.9073\n▁Demetrius\t-11.9073\n▁Echota\t-11.9073\n▁Eliezer\t-11.9073\n▁Epaphras\t-11.9073\n▁Ethiopia\t-11.9073\n▁Galway\t-11.9073\n▁Gennesaret\t-11.9073\n▁Gershon\t-11.9073\n▁Golgotha\t-11.9073\n▁Hallelujah\t-11.9073\n▁Hezekiah\t-11.9073\n▁Horeb\t-11.9073\n▁Jeremiah\t-11.9073\n▁Joktan\t-11.9073\n▁Jotham\t-11.9073\n▁Jupiter\t-11.9073\n▁Kadesh\t-11.9073\n▁Kenaz\t-11.9073\n▁Luke\t-11.9073\n▁Matthew\t-11.9073\n▁Merari\t-11.9073\n▁Nahshon\t-11.9073\n▁Nebajoth\t-11.9073\n▁Nellie\t-11.9073\n▁Notwithstanding\t-11.9073\n▁Olivet\t-11.9073\n▁Peabody\t-11.9073\n▁Pentecost\t-11.9073\n▁Perez\t-11.9073\n▁Perga\t-11.9073\n▁Pharez\t-11.9073\n▁Phrygia\t-11.9073\n▁Pontus\t-11.9073\n▁Prince\t-11.9073\n▁Priscilla\t-11.9073\n▁Psalms\t-11.9073\n▁Rehoboth\t-11.9073\n▁Rephidim\t-11.9073\n▁Sardis\t-11.9073\n▁Shealtiel\t-11.9073\n▁Siddim\t-11.9073\n▁Silvanus\t-11.9073\n▁Street\t-11.9073\n▁Symeon\t-11.9073\n▁Tarshish\t-11.9073\n▁Thessalonica\t-11.9073\n▁Trophimus\t-11.9073\n▁Twelve\t-11.9073\n▁Zeboi\t-11.9073\n▁Zillah\t-11.9073\n▁Zipporah\t-11.9073\n▁achieve\t-11.9073\n▁addition\t-11.9073\n▁advance\t-11.9073\n▁aeronaut\t-11.9073\n▁affairs\t-11.9073\n▁anxiety\t-11.9073\n▁apiece\t-11.9073\n▁attire\t-11.9073\n▁avail\t-11.9073\n▁balsam\t-11.9073\n▁bountifully\t-11.9073\n▁canvas\t-11.9073\n▁captivity\t-11.9073\n▁chickadee\t-11.9073\n▁colours\t-11.9073\n▁column\t-11.9073\n▁conclusion\t-11.9073\n▁conduct\t-11.9073\n▁conflict\t-11.9073\n▁congealed\t-11.9073\n▁constructed\t-11.9073\n▁contrariwise\t-11.9073\n▁contributi\t-11.9073\n▁corpse\t-11.9073\n▁crazy\t-11.9073\n▁curiosity\t-11.9073\n▁deacons\t-11.9073\n▁desperation\t-11.9073\n▁destiny\t-11.9073\n▁disorderly\t-11.9073\n▁disputing\t-11.9073\n▁dissension\t-11.9073\n▁district\t-11.9073\n▁draught\t-11.9073\n▁dungeon\t-11.9073\n▁edifieth\t-11.9073\n▁embarrass\t-11.9073\n▁esteem\t-11.9073\n▁exhausted\t-11.9073\n▁exotic\t-11.9073\n▁farewell\t-11.9073\n▁fascinating\t-11.9073\n▁feeble\t-11.9073\n▁fetters\t-11.9073\n▁fifties\t-11.9073\n▁forewarn\t-11.9073\n▁fragments\t-11.9073\n▁frankincense\t-11.9073\n▁furnished\t-11.9073\n▁handbreadth\t-11.9073\n▁hayloft\t-11.9073\n▁hymn\t-11.9073\n▁immortality\t-11.9073\n▁increasing\t-11.9073\n▁jailor\t-11.9073\n▁journals\t-11.9073\n▁kinsfolk\t-11.9073\n▁knothole\t-11.9073\n▁leanfleshed\t-11.9073\n▁lodging\t-11.9073\n▁machine\t-11.9073\n▁matrix\t-11.9073\n▁meadow\t-11.9073\n▁mistress\t-11.9073\n▁moisture\t-11.9073\n▁mosquitoes\t-11.9073\n▁oblig\t-11.9073\n▁opposition\t-11.9073\n▁philosoph\t-11.9073\n▁pilgrimage\t-11.9073\n▁pistol\t-11.9073\n▁poison\t-11.9073\n▁poverty\t-11.9073\n▁predator\t-11.9073\n▁produce\t-11.9073\n▁rabbit\t-11.9073\n▁recognize\t-11.9073\n▁rectang\t-11.9073\n▁remnant\t-11.9073\n▁replenish\t-11.9073\n▁representatives\t-11.9073\n▁retrieve\t-11.9073\n▁sermon\t-11.9073\n▁shewbread\t-11.9073\n▁shoot\t-11.9073\n▁shotgun\t-11.9073\n▁subsistence\t-11.9073\n▁swept\t-11.9073\n▁swipe\t-11.9073\n▁tavern\t-11.9073\n▁terrain\t-11.9073\n▁territory\t-11.9073\n▁throng\t-11.9073\n▁titmouse\t-11.9073\n▁tread\t-11.9073\n▁unawares\t-11.9073\n▁unceasing\t-11.9073\n▁undefiled\t-11.9073\n▁unexpected\t-11.9073\n▁unjust\t-11.9073\n▁unknown\t-11.9073\n▁unreasonable\t-11.9073\n▁unveiled\t-11.9073\n▁uproar\t-11.9073\n▁vehemently\t-11.9073\n▁vertical\t-11.9073\n▁virtue\t-11.9073\n▁waterproof\t-11.9073\n▁yesternight\t-11.9073\n▁antichrist\t-11.9073\n▁compact\t-11.9073\n▁congress\t-11.9073\n▁dedicat\t-11.9073\n▁gnat\t-11.9073\n▁maintain\t-11.9073\n▁oven\t-11.9073\n▁unloaded\t-11.9073\n▁Asshur\t-11.9073\n▁Demas\t-11.9073\n▁Latin\t-11.9073\n▁clover\t-11.9073\n▁conquer\t-11.9073\n▁distinguish\t-11.9073\n▁dowry\t-11.9073\n▁dusk\t-11.9073\n▁freeze\t-11.9073\n▁major\t-11.9073\n▁overwhelm\t-11.9073\n▁pitfall\t-11.9073\n▁proverb\t-11.9073\n▁quiver\t-11.9073\n▁Dishan\t-11.9073\n▁Glory\t-11.9073\n▁agony\t-11.9073\n▁desk\t-11.9073\n▁saddlebag\t-11.9073\n▁succeed\t-11.9073\n▁superscription\t-11.9073\nPlay\t-11.9073\ndopted\t-11.9073\nsatisfact\t-11.9073\n▁Serve\t-11.9073\n▁cedar\t-11.9073\n▁conclud\t-11.9073\n▁loaf\t-11.9073\n▁lucre\t-11.9073\n▁oats\t-11.9073\n▁satisfy\t-11.9073\n▁topaz\t-11.9073\nvaga\t-11.9073\n▁Bind\t-11.9073\n▁Erastus\t-11.9073\n▁moaned\t-11.9073\n▁smart\t-11.9073\n▁Besides\t-11.9073\n▁Talk\t-11.9073\n▁backbit\t-11.9073\n▁profess\t-11.9073\ntimber\t-11.9074\n▁Arabia\t-11.9074\n▁approaching\t-11.9074\n▁undone\t-11.9074\n▁Dedan\t-11.9074\n▁procur\t-11.9074\n▁Shobal\t-11.9074\n▁authorities\t-11.9074\n▁consult\t-11.9074\nCould\t-11.9074\n▁limp\t-11.9074\nhavi\t-11.9074\n▁Welch\t-11.9074\n▁brawle\t-11.9074\n▁Jobab\t-11.9074\n▁River\t-11.9074\n▁wafer\t-11.9074\nalley\t-11.9074\n▁abated\t-11.9074\n▁emotion\t-11.9074\n▁surround\t-11.9074\n▁united\t-11.9074\n▁Balaam\t-11.9074\n▁delicious\t-11.9074\n▁dread\t-11.9074\n▁abuse\t-11.9074\n▁engage\t-11.9074\n▁swimming\t-11.9074\n▁Marah\t-11.9074\n▁mumbled\t-11.9074\n▁stock\t-11.9074\n▁tanner\t-11.9074\n▁Syr\t-11.9074\n▁Tiberias\t-11.9074\n▁Phoenicia\t-11.9074\n▁assistance\t-11.9074\n▁ceasing\t-11.9074\n▁tape\t-11.9074\n▁pottage\t-11.9074\n▁trading\t-11.9074\n▁chide\t-11.9074\n▁rebelled\t-11.9074\n▁slanderers\t-11.9074\n▁Territories\t-11.9074\n▁prophetess\t-11.9074\n▁sheaf\t-11.9074\n▁Prisc\t-11.9074\n▁glow\t-11.9074\n▁grownups\t-11.9074\n▁terrify\t-11.9074\n▁vote\t-11.9074\n▁pestilence\t-11.9074\n▁quill\t-11.9074\n▁Creator\t-11.9074\n▁midway\t-11.9074\n▁route\t-11.9074\n▁slant\t-11.9074\n▁luck\t-11.9074\n▁brink\t-11.9074\n▁nobleman\t-11.9074\nOM\t-11.9074\nchoni\t-11.9074\n▁device\t-11.9074\niletus\t-11.9074\n▁scent\t-11.9074\nella\t-11.9074\n▁contentious\t-11.9074\n▁Shuah\t-11.9074\n▁cords\t-11.9074\n▁smear\t-11.9074\n▁Zeal\t-11.9074\n▁Paradise\t-11.9074\n▁stubble\t-11.9074\n▁indig\t-11.9074\n▁Ezer\t-11.9074\n▁Luz\t-11.9074\n▁bolt\t-11.9074\nclock\t-11.9074\n▁Fift\t-11.9074\n▁destitute\t-11.9074\nkling\t-11.9074\n▁Lys\t-11.9075\n▁crafti\t-11.9075\n▁spun\t-11.9075\n▁amiss\t-11.9075\neveral\t-11.9075\n▁prun\t-11.9075\n▁mistake\t-11.9075\neast\t-11.9075\n▁locks\t-11.9075\n▁pouches\t-11.9075\n▁safety\t-11.9075\n▁birch\t-11.9075\n▁variet\t-11.9075\n▁lounge\t-11.9075\nphath\t-11.9075\n▁affectionate\t-11.9075\n▁responsibilit\t-11.9075\n▁bondman\t-11.9075\n▁possum\t-11.9075\n▁Herodians\t-11.9075\n▁lobby\t-11.9075\n▁moonlight\t-11.9075\n▁harness\t-11.9075\n▁poking\t-11.9075\n▁shorn\t-11.9075\n▁birthday\t-11.9075\n▁lawlessness\t-11.9075\n▁Corn\t-11.9075\n▁errand\t-11.9075\n▁cruse\t-11.9076\n▁favorite\t-11.9076\n▁spru\t-11.9076\n▁stank\t-11.9076\nnoch\t-11.9076\n▁jerky\t-11.9076\n▁hireling\t-11.9076\n▁garnet\t-11.9076\n▁hatred\t-11.9076\n▁justification\t-11.9076\n▁Still\t-11.9076\n▁Big\t-11.9076\n▁modest\t-11.9076\n▁sideboards\t-11.9076\n▁correction\t-11.9076\n▁imprisonment\t-11.9076\n▁advertisement\t-11.9076\n▁peel\t-11.9076\n▁lain\t-11.9076\n▁Pass\t-11.9076\n▁weaned\t-11.9076\n▁lowliness\t-11.9076\n▁Meat\t-11.9076\n▁beryl\t-11.9077\n▁equality\t-11.9077\n▁Elon\t-11.9077\n▁pallet\t-11.9077\n▁departure\t-11.9077\n▁Hard\t-11.9077\n▁ladder\t-11.9077\n▁population\t-11.9077\n▁Esh\t-11.9077\n▁womenservants\t-11.9078\nulous\t-11.9078\n▁scarce\t-11.9078\n▁harmless\t-11.9078\n▁Bethel\t-11.9078\n▁withereth\t-11.9078\n▁moss\t-11.9078\n▁forks\t-11.9078\n▁braid\t-11.9078\npparent\t-11.9078\n▁observation\t-11.9078\n▁heritage\t-11.9079\n▁trance\t-11.9079\n▁hateful\t-11.908\n▁Mother\t-11.908\n▁weaknesses\t-11.908\n▁decease\t-11.908\n▁cele\t-11.908\n▁Cush\t-11.9081\n▁lofty\t-11.9081\n▁thoughtfully\t-11.9081\n▁specifi\t-11.9081\n▁practic\t-11.9081\ncircling\t-11.9081\n▁resolv\t-11.9082\n▁boundary\t-11.9082\n▁joyful\t-11.9082\n▁owest\t-11.9083\n▁Canaanit\t-11.9083\n▁visitors\t-11.9083\n▁More\t-11.9083\n▁cust\t-11.9083\n▁Dog\t-11.9084\n▁purser\t-11.9084\n▁bay\t-11.9084\nlittle\t-11.9084\n▁Ram\t-11.9084\n▁broth\t-11.9084\n▁deliverance\t-11.9084\n▁engraver\t-11.9084\n▁Life\t-11.9084\n▁hoisted\t-11.9084\n▁enlightened\t-11.9084\n▁Timnath\t-11.9085\n▁Lif\t-11.9085\nmates\t-11.9085\n▁lingere\t-11.9085\n▁sevenfold\t-11.9085\n▁exist\t-11.9086\n▁rare\t-11.9086\nlves\t-11.9086\n▁bitterness\t-11.9087\n▁treaty\t-11.9087\n▁nervously\t-11.9087\n▁alleg\t-11.9087\n▁reviled\t-11.9087\n▁thefts\t-11.9087\n▁Five\t-11.9087\n▁overhear\t-11.9088\nubtle\t-11.9088\n▁fur\t-11.9088\n▁swoop\t-11.9088\n▁waist\t-11.9088\n▁wishes\t-11.9088\n▁drift\t-11.9088\n▁rifle\t-11.9088\n▁smoking\t-11.9088\n▁ridden\t-11.9088\n▁barrel\t-11.9088\n▁Any\t-11.9088\n▁collection\t-11.9088\n▁Really\t-11.9089\n▁sobbed\t-11.9089\nlick\t-11.909\n▁Ski\t-11.909\n▁clu\t-11.909\n▁maiden\t-11.909\n▁Away\t-11.909\n▁slice\t-11.9091\n▁interpreter\t-11.9091\n▁Amram\t-11.9092\n▁costly\t-11.9092\n▁safely\t-11.9092\n▁stall\t-11.9093\n▁avenger\t-11.9093\n▁quietness\t-11.9094\n▁dishes\t-11.9094\nroughly\t-11.9095\n▁plantation\t-11.9095\n▁forgiveness\t-11.9095\n▁Athens\t-11.9096\n▁Horites\t-11.9096\n▁Ephesians\t-11.9096\n▁buttocks\t-11.9096\n▁malefactors\t-11.9096\n▁ornaments\t-11.9096\n▁stairs\t-11.9096\n▁spoons\t-11.9096\n▁mounds\t-11.9096\n▁reflect\t-11.9096\n▁enlarged\t-11.9096\n▁plead\t-11.9096\n▁discour\t-11.9096\n▁sowest\t-11.9096\n▁prey\t-11.9096\n▁workman\t-11.9097\n▁builders\t-11.9097\nmakers\t-11.9097\n▁fervently\t-11.9098\n▁confidently\t-11.9098\n▁passway\t-11.9098\n▁sport\t-11.9098\n▁Obed\t-11.9098\ngar\t-11.9101\n▁blasphemeth\t-11.9101\n▁blackness\t-11.9101\nbib\t-11.9101\n▁sup\t-11.9102\n▁fadeth\t-11.9102\n▁knocketh\t-11.9103\n▁quenched\t-11.9103\n▁confounded\t-11.9103\n▁hallowed\t-11.9104\n▁unfe\t-11.9104\n▁excited\t-11.9105\n▁balloonist\t-11.9105\n▁signifying\t-11.9105\n▁threshing\t-11.9105\n▁basin\t-11.9105\n▁blink\t-11.9107\n▁faithfulness\t-11.9107\n▁lit\t-11.9108\nuci\t-11.911\nquet\t-11.9111\n▁compli\t-11.9112\n▁trout\t-11.9112\n▁source\t-11.9114\n▁patiently\t-11.9114\ncated\t-11.9114\n▁referr\t-11.9114\n▁surprised\t-11.9116\n▁bruised\t-11.9116\n▁Ash\t-11.9116\n▁consideration\t-11.9116\n▁passion\t-11.9118\nllaba\t-11.9119\n▁uprightly\t-11.9119\n▁diam\t-11.9119\n▁address\t-11.9119\n▁pans\t-11.912\n▁fishers\t-11.912\naster\t-11.9121\n▁tie\t-11.9121\n▁affirmed\t-11.9123\n▁buffeted\t-11.9123\n▁chastened\t-11.9124\n▁eighteen\t-11.9124\n▁outwardly\t-11.9124\nuit\t-11.9124\n▁mash\t-11.9124\n▁squat\t-11.9125\n▁childless\t-11.9125\n▁pierced\t-11.9126\nonge\t-11.9126\n▁contention\t-11.9126\n▁hor\t-11.9127\n▁joke\t-11.9127\n▁beheaded\t-11.9128\n▁AN\t-11.9128\n▁eleventh\t-11.9129\n▁pleasantly\t-11.913\nament\t-11.9132\nstance\t-11.9132\n▁brimm\t-11.9133\n▁strands\t-11.9134\n▁anchors\t-11.9134\n▁features\t-11.9134\n▁sorcerers\t-11.9134\n▁None\t-11.9134\n▁basons\t-11.9134\n▁peaceable\t-11.9135\ndid\t-11.9136\n▁defilement\t-11.9138\n▁memorialize\t-11.914\n▁purifie\t-11.9144\n▁Certainly\t-11.9144\n▁Hunt\t-11.9145\nmission\t-11.9145\n▁army\t-11.9145\navan\t-11.9146\n▁purifying\t-11.9146\n▁bidd\t-11.9148\n▁preserved\t-11.9149\n▁provoked\t-11.9151\nhair\t-11.9151\n▁reapeth\t-11.9152\n▁outhouse\t-11.9155\ngate\t-11.9155\n▁control\t-11.9158\n▁Herm\t-11.9158\n▁har\t-11.9158\n▁destroyer\t-11.916\nEgg\t-11.916\n▁wrestl\t-11.9163\n▁boo\t-11.9163\n▁threatening\t-11.9164\n▁pals\t-11.9167\n▁impen\t-11.9167\ngars\t-11.9171\n▁Lib\t-11.9172\n▁pigeons\t-11.9173\n▁psalms\t-11.9173\n▁senators\t-11.9173\n▁Levites\t-11.9173\n▁eagles\t-11.9173\n▁sections\t-11.9174\n▁stirr\t-11.9176\n▁ruleth\t-11.9178\noming\t-11.9182\ncob\t-11.9183\n▁Timna\t-11.9185\n▁farmers\t-11.9185\n▁cured\t-11.9185\n▁wounding\t-11.9188\n▁fleeth\t-11.9188\nical\t-11.9189\n▁lawless\t-11.9192\n▁lu\t-11.9194\n▁metal\t-11.9203\nattered\t-11.9203\n▁remarks\t-11.9211\nRE\t-11.9212\n▁heels\t-11.9212\n▁nails\t-11.9212\n▁agate\t-11.9212\n▁meaneth\t-11.9213\n▁vows\t-11.9213\n▁debtors\t-11.9213\n▁loads\t-11.9214\n▁cards\t-11.9214\n▁Pat\t-11.9214\n▁deceivers\t-11.9214\n▁tur\t-11.9215\n▁moveth\t-11.9217\n▁fewer\t-11.9217\n▁scraping\t-11.9217\n▁Please\t-11.922\n▁attained\t-11.9227\n▁possessor\t-11.9231\n▁cu\t-11.9233\n▁envying\t-11.9242\n▁slime\t-11.9248\ntraightway\t-11.9249\n▁lowly\t-11.925\n▁handfuls\t-11.9253\nxa\t-11.9258\n▁falsely\t-11.926\n▁pants\t-11.9261\nways\t-11.9261\nedent\t-11.9263\nndered\t-11.9268\n▁k\t-11.9269\n▁patt\t-11.9272\n▁handled\t-11.9278\n▁traveled\t-11.9281\n▁understandeth\t-11.9284\n▁doubled\t-11.9286\n▁ruled\t-11.9287\nkillet\t-11.9288\n▁bricks\t-11.9293\n▁sepulchres\t-11.9293\n▁scraps\t-11.9294\n▁lions\t-11.9294\n▁worms\t-11.9298\n▁fastings\t-11.9299\n▁justif\t-11.93\n▁pleasing\t-11.9302\n▁livers\t-11.9302\n▁def\t-11.9303\n▁swinging\t-11.9313\n▁doubting\t-11.9314\n▁favored\t-11.9317\nstrain\t-11.9321\n▁fetched\t-11.9321\n▁seemly\t-11.9324\n▁alike\t-11.9327\n▁careth\t-11.9328\n▁frie\t-11.9329\n▁goal\t-11.9332\n▁blades\t-11.9333\n▁banks\t-11.9333\n▁tales\t-11.9333\n▁Saying\t-11.9335\n▁spl\t-11.9336\n▁salted\t-11.9341\n▁rate\t-11.9341\n▁burdened\t-11.9343\n▁harps\t-11.9347\nmal\t-11.9357\nference\t-11.936\n▁flowed\t-11.936\n▁deserted\t-11.9364\nsia\t-11.9364\nronic\t-11.9365\n▁folds\t-11.9373\n▁traditions\t-11.9374\n▁inv\t-11.9376\nads\t-11.9393\n▁inwards\t-11.9395\n▁jell\t-11.9411\n▁rubbe\t-11.9418\nchangers\t-11.9418\nphan\t-11.9422\n▁beg\t-11.9428\n▁chil\t-11.9438\n▁piti\t-11.9446\n▁guides\t-11.9452\n▁figures\t-11.9455\n▁earthquakes\t-11.9455\nenness\t-11.9457\n▁healings\t-11.9458\n▁fightings\t-11.9458\n▁outward\t-11.9464\nzah\t-11.9467\ncoal\t-11.9476\n▁dine\t-11.9477\n▁sop\t-11.9484\n▁posts\t-11.9492\n▁scal\t-11.9493\n▁chambers\t-11.9496\n▁threads\t-11.9496\n▁washing\t-11.9501\n▁daze\t-11.9515\n▁seeds\t-11.9515\n▁playing\t-11.9528\nskinned\t-11.953\nstern\t-11.9554\nsea\t-11.9556\n▁Za\t-11.9568\n▁cases\t-11.9579\nuts\t-11.9579\nlax\t-11.9585\n▁multiplying\t-11.9594\nograph\t-11.9614\n▁revelations\t-11.9621\n▁happens\t-11.9623\n▁wail\t-11.9627\n▁departing\t-11.9641\n▁adventure\t-11.9648\n▁pal\t-11.9651\nause\t-11.9662\n▁caves\t-11.9663\n▁girdles\t-11.9664\n▁deserts\t-11.9665\nbach\t-11.9678\n—-\t-11.9679\n▁oppose\t-11.9687\n▁hens\t-11.9702\n▁cabins\t-11.9705\nittle\t-11.9705\n▁Sea\t-11.9721\n▁War\t-11.9722\n▁occasional\t-11.9735\n▁oaths\t-11.9747\n▁snows\t-11.9747\n▁cau\t-11.975\noking\t-11.9773\n▁bushe\t-11.9774\nomp\t-11.9785\n▁tribulations\t-11.979\n▁labors\t-11.9792\n▁gallo\t-11.9806\nraise\t-11.9816\n▁afflictions\t-11.9833\nstable\t-11.9846\nuff\t-11.9871\nimate\t-11.988\n▁Gre\t-11.9891\n▁hearer\t-11.9914\n▁la\t-11.9948\nium\t-11.9966\n▁class\t-11.9973\n▁states\t-12.0005\n▁rightly\t-12.0013\nui\t-12.0024\n▁blinded\t-12.0024\n▁fasted\t-12.0033\ncu\t-12.0041\nlent\t-12.0042\n▁res\t-12.0043\n▁perfecting\t-12.0045\n▁foundations\t-12.0065\n▁Ab\t-12.0069\n▁Sett\t-12.0073\noli\t-12.0078\namped\t-12.0087\n▁breastplates\t-12.0092\nrah\t-12.0095\n▁Sh\t-12.0103\n▁gat\t-12.0103\n▁fr\t-12.0136\n▁crackl\t-12.0146\n▁Med\t-12.0159\necting\t-12.0169\n▁shove\t-12.0179\n▁counsels\t-12.0225\n▁needles\t-12.0227\n▁Haz\t-12.026\n▁sorrows\t-12.0261\noned\t-12.0271\neady\t-12.0276\n▁inte\t-12.0282\n▁Hush\t-12.0285\n▁Hol\t-12.0286\n▁Hid\t-12.0295\nye\t-12.0309\n▁famines\t-12.0315\nON\t-12.0316\n▁Gat\t-12.0317\n▁sel\t-12.0342\n▁workings\t-12.0345\n▁socia\t-12.0361\n▁snatch\t-12.0371\nyst\t-12.0384\n▁wil\t-12.0397\n▁persuad\t-12.0404\ndamn\t-12.0417\n▁uses\t-12.0447\n▁breaks\t-12.0459\n▁numbers\t-12.0501\n▁Almo\t-12.0506\nChe\t-12.0547\n▁Zi\t-12.0554\n▁services\t-12.0635\n▁reform\t-12.0664\n▁weari\t-12.0664\n▁fe\t-12.0679\n▁crates\t-12.0729\nherein\t-12.0734\nMO\t-12.0736\n▁allow\t-12.0748\n▁uncle\t-12.0751\ncord\t-12.0756\nnigh\t-12.0763\narrows\t-12.0771\n▁struggl\t-12.0777\n▁rou\t-12.0785\n▁admire\t-12.0797\neigne\t-12.0847\n▁hum\t-12.0962\n▁Ber\t-12.1015\nander\t-12.102\nB\t-12.1024\nallowed\t-12.1033\n▁gaze\t-12.104\n▁blackberr\t-12.1092\n▁uneas\t-12.1092\n▁argue\t-12.1114\nching\t-12.1116\nclaimed\t-12.1122\nvi\t-12.1131\nwist\t-12.1143\n▁pace\t-12.1153\ntended\t-12.1179\n▁cat\t-12.1226\n▁elevate\t-12.1231\n▁Jac\t-12.1236\n▁Jet\t-12.1243\nempti\t-12.1261\n▁Pen\t-12.1273\n▁loft\t-12.1275\nactic\t-12.1289\n▁da\t-12.1301\nray\t-12.1409\n▁sole\t-12.1429\nberries\t-12.1452\n▁mood\t-12.147\ntop\t-12.1492\n▁pat\t-12.16\nspir\t-12.1603\nshell\t-12.1625\nilly\t-12.1641\nepho\t-12.1642\n▁blu\t-12.1652\nock\t-12.1666\n▁Car\t-12.168\n▁Command\t-12.1701\n▁gall\t-12.1724\nlashes\t-12.1732\n▁sacr\t-12.1796\n▁trace\t-12.1803\n▁commo\t-12.1821\n▁wi\t-12.1821\niles\t-12.1932\norn\t-12.196\n▁waxe\t-12.1963\nhai\t-12.1978\ncame\t-12.205\n▁invit\t-12.208\n▁Jer\t-12.2116\nIsn\t-12.2129\n▁Hi\t-12.2138\n▁tast\t-12.2149\n▁Pu\t-12.215\n▁che\t-12.2152\nlasses\t-12.2152\n▁slu\t-12.2168\nud\t-12.2169\nonster\t-12.2204\name\t-12.2215\n▁inde\t-12.2288\noved\t-12.2354\nmar\t-12.2354\nows\t-12.2356\nieth\t-12.2386\n▁contr\t-12.2407\n▁Ri\t-12.2459\n▁pr\t-12.246\n▁rehearse\t-12.2506\nlids\t-12.2584\n▁Sep\t-12.2594\nrity\t-12.263\nzo\t-12.2643\now\t-12.2688\n▁Sou\t-12.2689\nrench\t-12.2696\nncy\t-12.2788\nence\t-12.2819\nigure\t-12.283\n▁constraine\t-12.2867\ncongratu\t-12.2876\noon\t-12.2908\nano\t-12.2932\n▁rage\t-12.295\n▁pu\t-12.295\nmet\t-12.2968\neek\t-12.2974\nhew\t-12.2979\n▁Sho\t-12.3004\nnah\t-12.3004\nbi\t-12.3015\ntie\t-12.3019\nasped\t-12.3041\n▁Amon\t-12.3054\ntening\t-12.3065\nasty\t-12.3076\nhan\t-12.3077\n▁considerabl\t-12.3108\nvious\t-12.3121\nzens\t-12.3148\n▁strok\t-12.3154\nhusks\t-12.3161\nloo\t-12.3165\n▁spat\t-12.3178\n▁rais\t-12.3183\nTo\t-12.3195\n▁scra\t-12.3211\n▁port\t-12.324\n▁wag\t-12.3259\nace\t-12.3259\n▁rec\t-12.3278\nmbled\t-12.329\n▁actual\t-12.3299\n▁troubl\t-12.3332\nrie\t-12.3346\nawfully\t-12.336\nench\t-12.3383\nlaus\t-12.3414\nrable\t-12.3424\n▁chal\t-12.3424\n▁Om\t-12.3467\nron\t-12.3481\ncial\t-12.3496\nroth\t-12.3514\n▁li\t-12.352\n▁divid\t-12.354\nP\t-12.3575\n▁stripe\t-12.3593\nER\t-12.3634\nany\t-12.3676\nobably\t-12.3692\ngiver\t-12.3699\n▁plo\t-12.37\namo\t-12.3726\noiled\t-12.3729\namia\t-12.3749\nTH\t-12.3757\nivity\t-12.3762\nwish\t-12.3775\nE\t-12.3783\nself\t-12.3785\nnger\t-12.3787\n▁attendan\t-12.3795\n▁slim\t-12.3795\n▁ston\t-12.3815\nging\t-12.3817\nitable\t-12.3832\nAR\t-12.3855\nib\t-12.3858\nminate\t-12.3869\nsided\t-12.3872\n▁magn\t-12.3873\n▁rob\t-12.3881\n▁companion\t-12.3883\ninch\t-12.3887\nHey\t-12.3888\nicles\t-12.3888\nj\t-12.3895\nounding\t-12.3914\nheaded\t-12.3916\nnever\t-12.3919\n▁impe\t-12.3923\n▁Tra\t-12.3927\nmobil\t-12.3931\n▁arch\t-12.3931\nstruction\t-12.3933\n▁slap\t-12.3934\nips\t-12.3934\n▁wrap\t-12.394\nhim\t-12.3944\n▁Tim\t-12.3946\n▁bite\t-12.3946\n▁horn\t-12.3947\n▁convi\t-12.3947\n▁complain\t-12.3963\n▁impo\t-12.3964\noving\t-12.3964\n▁scorpion\t-12.3966\n▁elbow\t-12.3966\n▁poplar\t-12.3966\n▁apron\t-12.3966\n▁impla\t-12.3968\n▁hillside\t-12.3968\n▁sorcerer\t-12.3976\n▁anchor\t-12.3976\n▁feature\t-12.3976\nuse\t-12.3977\n▁bason\t-12.398\n▁slope\t-12.398\n▁physician\t-12.3981\n▁Sanct\t-12.3981\n▁strand\t-12.3982\n▁warrior\t-12.3983\nhereabouts\t-12.3983\n▁highway\t-12.3983\n▁idolater\t-12.3984\n▁locust\t-12.3987\n▁payment\t-12.3987\n▁speci\t-12.3988\n▁tithe\t-12.3988\norry\t-12.3988\n▁selve\t-12.3989\n▁hypocrite\t-12.3989\n▁robber\t-12.399\n▁tare\t-12.3991\n▁observ\t-12.3994\n▁thorn\t-12.3995\n▁tran\t-12.3999\n▁sigh\t-12.3999\n▁mil\t-12.4\n▁revile\t-12.4\nagger\t-12.4001\njected\t-12.4002\ncontinu\t-12.4002\nrag\t-12.4003\ncitizen\t-12.4003\nWash\t-12.4003\nuncle\t-12.4005\ncorn\t-12.4007\nsource\t-12.4008\npathetic\t-12.4009\ntions\t-12.4009\n▁excus\t-12.4009\nhandled\t-12.4009\ndraft\t-12.401\nfloat\t-12.4011\nstalk\t-12.4012\nAN\t-12.4012\nlimb\t-12.4012\nblock\t-12.4012\nSumm\t-12.4013\nhog\t-12.4013\nNever\t-12.4014\n▁pierc\t-12.4014\n▁bro\t-12.4014\n▁persecut\t-12.4014\ngird\t-12.4015\nbox\t-12.4015\nstedfast\t-12.4015\nWatch\t-12.4015\ncloth\t-12.4015\n▁sid\t-12.4015\nNone\t-12.4015\nsearch\t-12.4016\nSeven\t-12.4016\nGet\t-12.4016\nHenry\t-12.4016\nkeeper\t-12.4016\nsoldier\t-12.4016\nJ\t-12.4016\nPerhaps\t-12.4016\nshekel\t-12.4017\nfields\t-12.4017\nounted\t-12.4017\nshot\t-12.4017\nkindness\t-12.4017\ncondemned\t-12.4017\nHomer\t-12.4017\n▁whistl\t-12.4017\nplease\t-12.4017\nHur\t-12.4018\nhorse\t-12.4018\nwitnesses\t-12.4018\npleasure\t-12.4018\nbade\t-12.4018\nspread\t-12.4018\nGive\t-12.4018\nbush\t-12.4018\nfriend\t-12.4018\nmyself\t-12.4019\nLurvy\t-12.4019\nwheel\t-12.4019\nperfect\t-12.4019\nWith\t-12.4019\nroom\t-12.4019\npans\t-12.4019\ngeneration\t-12.4019\nwhile\t-12.4019\nburnt\t-12.4019\nnothing\t-12.4019\nknowledge\t-12.4019\n▁reject\t-12.4019\npush\t-12.402\naa\t-12.402\n▁dismiss\t-12.402\ndad\t-12.402\nserve\t-12.402\ncoat\t-12.4021\n▁Gi\t-12.4021\nOne\t-12.4021\nwhe\t-12.4021\ntrap\t-12.4022\nsail\t-12.4022\n▁thresh\t-12.4022\n▁lum\t-12.4022\ngreen\t-12.4022\nertainly\t-12.4023\nSay\t-12.4023\nplace\t-12.4023\n▁confound\t-12.4025\n▁hallow\t-12.4025\n▁gainsay\t-12.4026\n▁signify\t-12.4027\n▁edify\t-12.4027\n▁vanish\t-12.4027\neeches\t-12.4028\nonly\t-12.4028\n▁explain\t-12.4028\n▁kno\t-12.4029\n▁vex\t-12.4029\n▁sniff\t-12.4029\n▁repeat\t-12.4029\n▁exceed\t-12.403\n▁chuckl\t-12.403\n▁ordain\t-12.403\n▁grabb\t-12.403\nbond\t-12.4031\n▁threat\t-12.4031\n▁flam\t-12.4032\nPut\t-12.4032\n▁amaz\t-12.4032\nSee\t-12.4033\npri\t-12.4034\nportion\t-12.4034\n▁laborer\t-12.4035\nlead\t-12.4036\n▁citizen\t-12.4036\nseeing\t-12.4037\n▁shear\t-12.4037\n▁ta\t-12.4038\n▁plea\t-12.4038\nWa\t-12.4039\noasty\t-12.404\nnything\t-12.4042\n▁App\t-12.4043\nmade\t-12.4048\n▁tame\t-12.4051\n▁boot\t-12.4053\n▁testifie\t-12.4054\nrun\t-12.4055\n▁Exp\t-12.4055\n▁create\t-12.4055\n▁boar\t-12.4055\n▁Israelite\t-12.4055\ntant\t-12.4058\nolved\t-12.406\n▁flourish\t-12.406\nhod\t-12.4061\n▁continual\t-12.4062\n▁genealog\t-12.4062\n▁sudden\t-12.4063\nsparag\t-12.4063\nufficien\t-12.4063\noldiers\t-12.4064\n▁dizz\t-12.4064\n▁choos\t-12.4064\ntrong\t-12.4064\n▁filth\t-12.4064\n▁snar\t-12.4064\n▁reconcile\t-12.4064\n▁communicat\t-12.4065\n▁memor\t-12.4065\n▁twent\t-12.4065\nphos\t-12.4065\nhould\t-12.4066\nangel\t-12.4066\n▁distinct\t-12.4067\nbur\t-12.4067\nification\t-12.4069\n▁Amra\t-12.407\n▁import\t-12.4071\n▁mir\t-12.4071\n▁merci\t-12.4071\npath\t-12.4071\n▁persuasi\t-12.4071\n▁tee\t-12.4072\n▁Mattha\t-12.4072\n▁appro\t-12.4072\naradise\t-12.4072\naughter\t-12.4072\nneys\t-12.4072\n▁attract\t-12.4072\n▁Govern\t-12.4072\n▁situat\t-12.4072\n▁stubb\t-12.4072\n▁subtil\t-12.4072\n▁habit\t-12.4072\n▁abomina\t-12.4073\n▁pouch\t-12.4073\necomposers\t-12.4073\nestroy\t-12.4073\nntreat\t-12.4073\nattering\t-12.4073\nxcellent\t-12.4073\nontrary\t-12.4073\nontinue\t-12.4073\n▁gloom\t-12.4073\nventure\t-12.4073\nurmur\t-12.4073\nilbur\t-12.4073\nepart\t-12.4073\nistened\t-12.4073\n▁Apoll\t-12.4073\n▁excel\t-12.4073\n▁Ponti\t-12.4073\n▁esp\t-12.4073\narvel\t-12.4073\n▁succ\t-12.4073\nrink\t-12.4073\n▁bureau\t-12.4073\n▁employ\t-12.4073\n▁scru\t-12.4073\n▁August\t-12.4073\n▁Nico\t-12.4073\n▁centipede\t-12.4073\n▁executi\t-12.4073\n▁expense\t-12.4073\n▁frail\t-12.4073\n▁grasshopper\t-12.4073\n▁happie\t-12.4073\n▁revelling\t-12.4073\n▁skelet\t-12.4073\n▁traitor\t-12.4073\n▁victual\t-12.4073\nCrunchy\t-12.4073\nPhoebe\t-12.4073\nSlowly\t-12.4073\nbulus\t-12.4073\ncian\t-12.4073\nconsequen\t-12.4073\ncontinency\t-12.4073\ngullible\t-12.4073\nhippoorwill\t-12.4073\nlanguish\t-12.4073\nmphas\t-12.4073\nolog\t-12.4073\npetitions\t-12.4073\nroduction\t-12.4073\nsignifican\t-12.4073\nzziel\t-12.4073\n▁Agabus\t-12.4073\n▁Areopag\t-12.4073\n▁Assyria\t-12.4073\n▁Baal\t-12.4073\n▁Baalzephon\t-12.4073\n▁Babel\t-12.4073\n▁Baptizer\t-12.4073\n▁Beautiful\t-12.4073\n▁Beroea\t-12.4073\n▁Bigfish\t-12.4073\n▁Bithynia\t-12.4073\n▁Carmi\t-12.4073\n▁Circumcision\t-12.4073\n▁Cotton\t-12.4073\n▁Cowee\t-12.4073\n▁Crispus\t-12.4073\n▁Crucify\t-12.4073\n▁Dalma\t-12.4073\n▁Dorcas\t-12.4073\n▁Ellasar\t-12.4073\n▁Epaphroditus\t-12.4073\n▁Florida\t-12.4073\n▁Fulfil\t-12.4073\n▁Gabriel\t-12.4073\n▁Gerasenes\t-12.4073\n▁Gershom\t-12.4073\n▁Gethsemane\t-12.4073\n▁Girgas\t-12.4073\n▁Increase\t-12.4073\n▁Izhar\t-12.4073\n▁Jehoshaphat\t-12.4073\n▁Jokshan\t-12.4073\n▁Joram\t-12.4073\n▁Lebanon\t-12.4073\n▁Lydda\t-12.4073\n▁Lydia\t-12.4073\n▁Mattath\t-12.4073\n▁Matthias\t-12.4073\n▁Mehujael\t-12.4073\n▁Melchi\t-12.4073\n▁Methusael\t-12.4073\n▁Millipede\t-12.4073\n▁Nimrod\t-12.4073\n▁Nineveh\t-12.4073\n▁Onesiphorus\t-12.4073\n▁Pergamum\t-12.4073\n▁Phoeni\t-12.4073\n▁Pisidia\t-12.4073\n▁Potomac\t-12.4073\n▁Prophesy\t-12.4073\n▁Publius\t-12.4073\n▁Rabboni\t-12.4073\n▁Radiant\t-12.4073\n▁Rahab\t-12.4073\n▁Rameses\t-12.4073\n▁Rephaims\t-12.4073\n▁Rufus\t-12.4073\n▁Sabaoth\t-12.4073\n▁Sacrifice\t-12.4073\n▁Salome\t-12.4073\n▁School\t-12.4073\n▁Search\t-12.4073\n▁Seba\t-12.4073\n▁Secret\t-12.4073\n▁Shaveh\t-12.4073\n▁Siloam\t-12.4073\n▁Smyrna\t-12.4073\n▁Sosthenes\t-12.4073\n▁Squirrel\t-12.4073\n▁Supreme\t-12.4073\n▁Tavern\t-12.4073\n▁Theophilus\t-12.4073\n▁Thessalonians\t-12.4073\n▁Tubalcain\t-12.4073\n▁Zachariah\t-12.4073\n▁Zerubbabel\t-12.4073\n▁absolute\t-12.4073\n▁acquired\t-12.4073\n▁advise\t-12.4073\n▁ammunition\t-12.4073\n▁apothecary\t-12.4073\n▁appetizing\t-12.4073\n▁apprehend\t-12.4073\n▁armpits\t-12.4073\n▁assumption\t-12.4073\n▁beefsteak\t-12.4073\n▁bison\t-12.4073\n▁bomb\t-12.4073\n▁boulder\t-12.4073\n▁brilliant\t-12.4073\n▁burial\t-12.4073\n▁busybodies\t-12.4073\n▁calico\t-12.4073\n▁clamor\t-12.4073\n▁companies\t-12.4073\n▁compound\t-12.4073\n▁conspiracy\t-12.4073\n▁convocation\t-12.4073\n▁cornbread\t-12.4073\n▁craftsmen\t-12.4073\n▁crawfish\t-12.4073\n▁cumber\t-12.4073\n▁delusion\t-12.4073\n▁denarius\t-12.4073\n▁detail\t-12.4073\n▁dictionary\t-12.4073\n▁disannul\t-12.4073\n▁discarded\t-12.4073\n▁divorcement\t-12.4073\n▁doorframes\t-12.4073\n▁downstream\t-12.4073\n▁elaborate\t-12.4073\n▁eloquent\t-12.4073\n▁emperor\t-12.4073\n▁enact\t-12.4073\n▁evangelist\t-12.4073\n▁experiment\t-12.4073\n▁extreme\t-12.4073\n▁fatfleshed\t-12.4073\n▁fathoms\t-12.4073\n▁foreknew\t-12.4073\n▁fullgrown\t-12.4073\n▁fumbling\t-12.4073\n▁futile\t-12.4073\n▁garner\t-12.4073\n▁gleam\t-12.4073\n▁goddess\t-12.4073\n▁gravy\t-12.4073\n▁grisled\t-12.4073\n▁gulped\t-12.4073\n▁gutted\t-12.4073\n▁gutters\t-12.4073\n▁happiness\t-12.4073\n▁hominy\t-12.4073\n▁humiliation\t-12.4073\n▁immutab\t-12.4073\n▁implements\t-12.4073\n▁inconvenient\t-12.4073\n▁infield\t-12.4073\n▁influen\t-12.4073\n▁ingathering\t-12.4073\n▁interlude\t-12.4073\n▁kinswoman\t-12.4073\n▁kneadingtroughs\t-12.4073\n▁lamentation\t-12.4073\n▁lantern\t-12.4073\n▁leisure\t-12.4073\n▁lintel\t-12.4073\n▁material\t-12.4073\n▁medicine\t-12.4073\n▁millipedes\t-12.4073\n▁moccasins\t-12.4073\n▁mudflat\t-12.4073\n▁muzzle\t-12.4073\n▁nerve\t-12.4073\n▁nipple\t-12.4073\n▁oysters\t-12.4073\n▁pellets\t-12.4073\n▁penknife\t-12.4073\n▁pollut\t-12.4073\n▁porcupine\t-12.4073\n▁portrait\t-12.4073\n▁preeminence\t-12.4073\n▁prejudice\t-12.4073\n▁preparing\t-12.4073\n▁presumptuous\t-12.4073\n▁problem\t-12.4073\n▁promptly\t-12.4073\n▁provocation\t-12.4073\n▁rabble\t-12.4073\n▁rapid\t-12.4073\n▁religious\t-12.4073\n▁renounce\t-12.4073\n▁restraineth\t-12.4073\n▁ridiculous\t-12.4073\n▁rigour\t-12.4073\n▁roost\t-12.4073\n▁sandwich\t-12.4073\n▁scruples\t-12.4073\n▁slog\t-12.4073\n▁slothful\t-12.4073\n▁smiling\t-12.4073\n▁sobriety\t-12.4073\n▁sorceries\t-12.4073\n▁sorcery\t-12.4073\n▁stimulate\t-12.4073\n▁stupor\t-12.4073\n▁subdue\t-12.4073\n▁suffice\t-12.4073\n▁sumptuous\t-12.4073\n▁supreme\t-12.4073\n▁survival\t-12.4073\n▁television\t-12.4073\n▁terrestrial\t-12.4073\n▁theoretical\t-12.4073\n▁thereafter\t-12.4073\n▁thirteen\t-12.4073\n▁thistledown\t-12.4073\n▁timbrel\t-12.4073\n▁tomatoes\t-12.4073\n▁traffic\t-12.4073\n▁trample\t-12.4073\n▁tremen\t-12.4073\n▁trinket\t-12.4073\n▁unaccountabl\t-12.4073\n▁unfair\t-12.4073\n▁univers\t-12.4073\n▁unruly\t-12.4073\n▁unthankful\t-12.4073\n▁unwashen\t-12.4073\n▁vesture\t-12.4073\n▁vicinity\t-12.4073\n▁victim\t-12.4073\n▁woodpile\t-12.4073\n▁wrinkle\t-12.4073\n▁yawned\t-12.4073\n▁zero\t-12.4073\n▁Death\t-12.4073\nacinth\t-12.4073\nshrunk\t-12.4073\nummim\t-12.4073\n▁Ancih\t-12.4073\n▁Antipa\t-12.4073\n▁Frankl\t-12.4073\n▁Jenny\t-12.4073\n▁Malch\t-12.4073\n▁Mississippi\t-12.4073\n▁accommodat\t-12.4073\n▁altercat\t-12.4073\n▁calculat\t-12.4073\n▁clown\t-12.4073\n▁clutter\t-12.4073\n▁copy\t-12.4073\n▁cripple\t-12.4073\n▁expanse\t-12.4073\n▁flags\t-12.4073\n▁gabbl\t-12.4073\n▁grove\t-12.4073\n▁license\t-12.4073\n▁lilies\t-12.4073\n▁magnificen\t-12.4073\n▁morter\t-12.4073\n▁pastille\t-12.4073\n▁plaster\t-12.4073\n▁ribbon\t-12.4073\n▁snuffdishes\t-12.4073\n▁surmis\t-12.4073\n▁terms\t-12.4073\nietly\t-12.4073\n▁Jann\t-12.4073\n▁assault\t-12.4073\n▁chryso\t-12.4073\n▁crafty\t-12.4073\n▁delud\t-12.4073\n▁drool\t-12.4073\n▁grandfather\t-12.4073\n▁humility\t-12.4073\n▁lamented\t-12.4073\n▁lungs\t-12.4073\n▁mankind\t-12.4073\n▁narrat\t-12.4073\n▁negotiat\t-12.4073\n▁risk\t-12.4073\n▁smack\t-12.4073\n▁soothsay\t-12.4073\n▁spark\t-12.4073\n▁squeal\t-12.4073\n▁stove\t-12.4073\n▁twirl\t-12.4073\n▁unsettle\t-12.4073\n▁whicker\t-12.4073\n▁withdraw\t-12.4073\n▁Earth\t-12.4073\n▁Towers\t-12.4073\n▁circuit\t-12.4073\n▁expert\t-12.4073\n▁foaming\t-12.4073\n▁ignore\t-12.4073\n▁wobbl\t-12.4073\n▁beho\t-12.4073\n▁garnish\t-12.4073\nxtort\t-12.4073\n▁Galeed\t-12.4073\n▁Sabt\t-12.4073\n▁basketfuls\t-12.4073\n▁daddy\t-12.4073\n▁fragran\t-12.4073\n▁motor\t-12.4073\n▁napkin\t-12.4073\n▁scourging\t-12.4073\n▁surpass\t-12.4073\nversatile\t-12.4074\n▁balance\t-12.4074\n▁glid\t-12.4074\n▁overflow\t-12.4074\n▁suspicio\t-12.4074\nspouts\t-12.4074\n▁dazzling\t-12.4074\n▁effectual\t-12.4074\n▁initial\t-12.4074\n▁opus\t-12.4074\n▁waistcoat\t-12.4074\n▁hobbl\t-12.4074\n▁numer\t-12.4074\n▁purification\t-12.4074\n▁Joanna\t-12.4074\n▁dragline\t-12.4074\n▁runneth\t-12.4074\n▁Hirah\t-12.4074\n▁assessment\t-12.4074\n▁loathe\t-12.4074\n▁superlative\t-12.4074\n▁Pontiac\t-12.4074\n▁persistent\t-12.4074\n▁uphill\t-12.4074\n▁Amoz\t-12.4074\n▁rude\t-12.4074\nilacs\t-12.4074\n▁approached\t-12.4074\n▁billows\t-12.4074\n▁globe\t-12.4074\n▁oink\t-12.4074\n▁option\t-12.4074\n▁rescue\t-12.4074\n▁balm\t-12.4074\n▁councillor\t-12.4074\n▁frying\t-12.4074\n▁hazard\t-12.4074\n▁nursing\t-12.4074\n▁shiver\t-12.4074\n▁Josiah\t-12.4074\n▁enchant\t-12.4074\n▁sentiment\t-12.4074\n▁ambassage\t-12.4074\n▁filthiness\t-12.4074\n▁forefather\t-12.4074\n▁consist\t-12.4074\n▁eventide\t-12.4074\n▁grandson\t-12.4074\n▁reclin\t-12.4074\npproximately\t-12.4074\n▁dignities\t-12.4074\n▁peaks\t-12.4074\n▁Slug\t-12.4074\n▁furious\t-12.4074\n▁stroll\t-12.4074\n▁superfluity\t-12.4074\n▁Raamah\t-12.4074\n▁aloft\t-12.4074\n▁divinity\t-12.4074\n▁slats\t-12.4074\n▁caution\t-12.4074\n▁pride\t-12.4074\n▁cautiously\t-12.4074\n▁ginger\t-12.4074\n▁splash\t-12.4074\n▁Doctor\t-12.4074\n▁appeti\t-12.4074\n▁babblings\t-12.4074\n▁befitting\t-12.4074\n▁leasing\t-12.4074\n▁precede\t-12.4074\n▁welfare\t-12.4074\n▁outfit\t-12.4074\n▁spoonful\t-12.4074\n▁bacteria\t-12.4074\n▁uniform\t-12.4074\nazin\t-12.4074\n▁Corinthians\t-12.4074\n▁usury\t-12.4074\n▁display\t-12.4074\n▁salon\t-12.4074\n▁battle\t-12.4074\n▁turtle\t-12.4074\n▁vomit\t-12.4074\nsubstan\t-12.4074\n▁manger\t-12.4074\n▁Calah\t-12.4074\n▁exhal\t-12.4074\n▁stanched\t-12.4074\n▁vaunt\t-12.4074\n▁chaise\t-12.4074\n▁translat\t-12.4074\n▁britches\t-12.4074\n▁guiltless\t-12.4074\n▁owl\t-12.4074\n▁travers\t-12.4074\n▁Salem\t-12.4074\n▁fuss\t-12.4074\n▁acquaintance\t-12.4074\n▁Gaza\t-12.4074\n▁Mizraim\t-12.4074\n▁allotted\t-12.4074\n▁soaked\t-12.4074\n▁primar\t-12.4074\n▁suet\t-12.4074\n▁droop\t-12.4074\n▁clash\t-12.4074\n▁gloomily\t-12.4074\n▁vouch\t-12.4074\n▁Rhod\t-12.4074\n▁decay\t-12.4074\n▁dripping\t-12.4074\n▁loyal\t-12.4074\n▁Julius\t-12.4074\n▁enforc\t-12.4074\n▁partiality\t-12.4074\nMeeting\t-12.4074\n▁eaves\t-12.4074\n▁enrolment\t-12.4074\n▁kidding\t-12.4074\ntude\t-12.4074\n▁popover\t-12.4074\n▁laz\t-12.4074\n▁legitima\t-12.4074\n▁Tert\t-12.4074\n▁Claudius\t-12.4074\n▁poet\t-12.4074\n▁flake\t-12.4074\n▁streak\t-12.4074\nNice\t-12.4074\nsabba\t-12.4074\n▁okay\t-12.4074\n▁tube\t-12.4074\n▁cinder\t-12.4074\n▁railhead\t-12.4074\n▁anti\t-12.4074\nNK\t-12.4074\n▁Jeze\t-12.4074\n▁Poor\t-12.4074\n▁pulse\t-12.4074\nchurn\t-12.4074\njah\t-12.4074\n▁Javan\t-12.4074\n▁Lud\t-12.4074\n▁subtilty\t-12.4074\n▁Job\t-12.4075\nagic\t-12.4075\n▁whale\t-12.4075\n▁factious\t-12.4075\n▁blunt\t-12.4075\n▁edified\t-12.4075\niggled\t-12.4075\n▁decade\t-12.4075\ntenance\t-12.4075\n▁Maha\t-12.4075\n▁hammer\t-12.4075\n▁rhythmic\t-12.4075\n▁Kid\t-12.4075\n▁concourse\t-12.4075\nbited\t-12.4075\nzzling\t-12.4075\n▁Zac\t-12.4075\n▁earshot\t-12.4075\n▁coco\t-12.4075\n▁hencefor\t-12.4075\n▁Dead\t-12.4075\n▁horseback\t-12.4075\n▁kin\t-12.4075\n▁Teach\t-12.4075\n▁oilcloth\t-12.4075\n▁Elisha\t-12.4075\n▁Padanaram\t-12.4075\n▁spectac\t-12.4075\n▁sheath\t-12.4075\n▁severity\t-12.4075\n▁embroiderer\t-12.4075\n▁Naaman\t-12.4075\n▁impu\t-12.4075\n▁stew\t-12.4075\n▁recall\t-12.4075\n▁flute\t-12.4075\n▁ownership\t-12.4075\n▁Irad\t-12.4075\n▁ancest\t-12.4075\n▁suggestions\t-12.4075\nbia\t-12.4075\nember\t-12.4075\nbula\t-12.4075\n▁foreship\t-12.4075\n▁Massa\t-12.4075\n▁Lyc\t-12.4075\n▁Carry\t-12.4075\n▁persuasive\t-12.4075\n▁rig\t-12.4075\n▁tripod\t-12.4075\nurvey\t-12.4076\n▁instant\t-12.4076\n▁Merc\t-12.4076\n▁trump\t-12.4076\n▁trench\t-12.4076\n▁Edomites\t-12.4076\nhites\t-12.4076\n▁meditation\t-12.4076\n▁detest\t-12.4076\n▁thankfulness\t-12.4076\nenser\t-12.4076\n▁calam\t-12.4076\n▁Beersheba\t-12.4076\nAT\t-12.4076\n▁tackl\t-12.4076\n▁Bridge\t-12.4076\n▁cookery\t-12.4076\n▁piss\t-12.4076\nosity\t-12.4076\n▁scalp\t-12.4076\n▁wavering\t-12.4076\n▁rebel\t-12.4076\n▁missionar\t-12.4076\n▁eff\t-12.4076\n▁removal\t-12.4076\n▁drear\t-12.4076\n▁Kir\t-12.4076\n▁wakeful\t-12.4076\n▁Kar\t-12.4076\n▁partial\t-12.4076\n▁grid\t-12.4076\n▁justifieth\t-12.4076\n▁speedily\t-12.4076\n▁beget\t-12.4076\nerceive\t-12.4076\n▁variance\t-12.4076\ncade\t-12.4076\negion\t-12.4076\n▁expression\t-12.4077\n▁cruelty\t-12.4077\n▁Naph\t-12.4077\n▁pomp\t-12.4077\n▁Hog\t-12.4077\nEasy\t-12.4077\n▁thunderings\t-12.4077\n▁riotous\t-12.4077\n▁history\t-12.4077\n▁transit\t-12.4077\n▁funny\t-12.4077\n▁theatre\t-12.4077\n▁confirmation\t-12.4077\n▁roadway\t-12.4077\n▁boyhood\t-12.4077\n▁Hermon\t-12.4077\n▁mineral\t-12.4077\nnaim\t-12.4077\n▁fuck\t-12.4077\n▁Hori\t-12.4077\n▁bondmen\t-12.4078\n▁rocket\t-12.4078\n▁policy\t-12.4078\n▁unholy\t-12.4078\n▁unseemly\t-12.4078\nnkle\t-12.4078\n▁gallery\t-12.4078\napolis\t-12.4078\n▁wavered\t-12.4078\n▁encourage\t-12.4078\n▁phoe\t-12.4078\n▁hop\t-12.4078\n▁alternate\t-12.4078\n▁Beriah\t-12.4078\n▁wariness\t-12.4078\n▁State\t-12.4078\n▁skirmish\t-12.4078\n▁Aram\t-12.4078\n▁parings\t-12.4078\n▁cling\t-12.4078\n▁Matthan\t-12.4078\nndron\t-12.4078\n▁Bow\t-12.4078\n▁axle\t-12.4078\npolis\t-12.4078\nilver\t-12.4078\n▁nea\t-12.4079\nccent\t-12.4079\n▁Lie\t-12.4079\n▁carrie\t-12.4079\n▁sparingly\t-12.4079\n▁politely\t-12.4079\n▁similarly\t-12.4079\nnnels\t-12.4079\n▁doubleminded\t-12.4079\n▁wrongfully\t-12.4079\n▁Shim\t-12.4079\n▁noisy\t-12.4079\nulation\t-12.4079\ngage\t-12.4079\n▁bump\t-12.4079\n▁suppertime\t-12.4079\n▁arising\t-12.4079\nguiltiness\t-12.4079\nabies\t-12.4079\n▁alongside\t-12.408\n▁dough\t-12.408\nuda\t-12.408\nddling\t-12.408\nonia\t-12.408\n▁acceptation\t-12.408\n▁grand\t-12.408\n▁Hadar\t-12.408\n▁Onesi\t-12.408\n▁chaste\t-12.4081\n▁promi\t-12.4081\neously\t-12.4081\n▁rill\t-12.4081\n▁fitting\t-12.4081\nacter\t-12.4081\n▁crunch\t-12.4081\n▁crust\t-12.4081\n▁gentleness\t-12.4081\n▁Rhe\t-12.4081\n▁gum\t-12.4082\n▁lam\t-12.4082\n▁mockers\t-12.4082\n▁hitherto\t-12.4082\n▁eag\t-12.4082\n▁collapsed\t-12.4082\n▁disbelieved\t-12.4082\n▁scabb\t-12.4082\n▁confi\t-12.4082\n▁surre\t-12.4083\n▁hello\t-12.4083\n▁Jah\t-12.4083\n▁attachment\t-12.4083\n▁boxes\t-12.4083\n▁china\t-12.4083\n▁identi\t-12.4083\n▁thankful\t-12.4084\n▁Tab\t-12.4084\noper\t-12.4084\n▁stings\t-12.4084\n▁attraction\t-12.4084\n▁Tryph\t-12.4084\n▁freeman\t-12.4085\n▁genealogy\t-12.4085\n▁bull\t-12.4085\n▁tighten\t-12.4085\n▁team\t-12.4085\n▁shaven\t-12.4085\n▁Gomer\t-12.4085\n▁mire\t-12.4085\nlene\t-12.4085\n▁fearfulness\t-12.4085\n▁gorgeous\t-12.4085\nriah\t-12.4086\n▁fume\t-12.4086\ngeon\t-12.4086\n▁honest\t-12.4086\n▁seduc\t-12.4086\n▁homeland\t-12.4086\n▁incl\t-12.4086\n▁tones\t-12.4087\n▁station\t-12.4087\n▁approvedness\t-12.4087\n▁earnestness\t-12.4087\n▁normal\t-12.4087\n▁alo\t-12.4087\n▁Cover\t-12.4087\n▁agent\t-12.4088\n▁flourisheth\t-12.4088\nchant\t-12.4089\n▁pew\t-12.4089\n▁soberness\t-12.4089\npilled\t-12.4089\n▁bedtime\t-12.4089\n▁backbone\t-12.409\neduc\t-12.409\nhorus\t-12.409\n▁Ken\t-12.409\nretty\t-12.409\nrubs\t-12.409\nAre\t-12.409\nrged\t-12.4091\n▁reconcil\t-12.4091\n▁assist\t-12.4091\n▁foes\t-12.4092\n▁chast\t-12.4092\n▁dau\t-12.4092\n▁scare\t-12.4092\n▁ledge\t-12.4092\ncientist\t-12.4093\n▁dreamily\t-12.4093\n▁belonging\t-12.4093\n▁embalmed\t-12.4093\n▁drowned\t-12.4093\n▁hesitated\t-12.4093\n▁butchered\t-12.4093\norci\t-12.4093\n▁underwear\t-12.4094\n▁cobbler\t-12.4094\n▁Mish\t-12.4094\nvoca\t-12.4094\nGoodness\t-12.4095\nisc\t-12.4095\n▁gloriest\t-12.4095\n▁Near\t-12.4095\n▁meta\t-12.4095\n▁Apple\t-12.4096\n▁sym\t-12.4096\n▁delicately\t-12.4098\n▁meekly\t-12.4098\n▁laughter\t-12.4098\n▁tamed\t-12.4098\n▁chasteneth\t-12.4098\n▁flapped\t-12.4098\n▁Elim\t-12.4098\n▁dealings\t-12.4099\n▁acquaint\t-12.4099\n▁Mib\t-12.4099\n▁tailor\t-12.41\n▁blaze\t-12.41\n▁familiar\t-12.41\n▁ordinary\t-12.41\n▁wreck\t-12.41\namous\t-12.4101\n▁Wind\t-12.4101\n▁cure\t-12.4102\neneration\t-12.4102\n▁thump\t-12.4102\n▁Fight\t-12.4103\nanim\t-12.4103\n▁firelight\t-12.4103\n▁defende\t-12.4103\n▁Majest\t-12.4103\n▁watchful\t-12.4103\n▁overboard\t-12.4103\nbsolution\t-12.4104\nallel\t-12.4104\n▁Obe\t-12.4104\n▁saddle\t-12.4104\nluc\t-12.4105\naffl\t-12.4105\n▁worshippeth\t-12.4106\noic\t-12.4106\narge\t-12.4106\nblossom\t-12.4106\n▁generally\t-12.4108\n▁sunris\t-12.4108\n▁ruff\t-12.4109\nyway\t-12.4109\nrban\t-12.411\n▁joyfully\t-12.4111\nrsel\t-12.4111\n▁lightened\t-12.4111\n▁striker\t-12.4111\nAvery\t-12.4111\nanging\t-12.4112\n▁unity\t-12.4112\n▁perfection\t-12.4113\nwilling\t-12.4113\n▁copies\t-12.4113\n▁endeavors\t-12.4113\n▁feathers\t-12.4113\n▁morals\t-12.4113\n▁palaces\t-12.4113\n▁politics\t-12.4113\n▁proselytes\t-12.4113\n▁symbols\t-12.4113\neyond\t-12.4113\n▁convers\t-12.4113\n▁Mana\t-12.4114\n▁rambl\t-12.4115\nsiah\t-12.4115\nhepherd\t-12.4115\n▁Alexandrian\t-12.4115\n▁mites\t-12.4116\n▁bored\t-12.4116\nighteous\t-12.4116\n▁Boy\t-12.4116\n▁scour\t-12.4119\n▁unbeliever\t-12.4119\n▁thereupon\t-12.4121\nsorry\t-12.4123\nesis\t-12.4123\n▁penny\t-12.4123\nplanted\t-12.4123\n▁fisherm\t-12.4124\njack\t-12.4124\n▁decrease\t-12.4124\n▁cult\t-12.4126\n▁assuredly\t-12.4127\n▁gloriously\t-12.4127\ncol\t-12.4127\n▁scattereth\t-12.4127\n▁licked\t-12.4127\n▁dismissed\t-12.4127\n▁carcase\t-12.4127\n▁drunkard\t-12.4128\n▁complained\t-12.4128\n▁reviler\t-12.4129\n▁lackest\t-12.4129\n▁whistling\t-12.413\n▁contem\t-12.413\nburger\t-12.413\n▁complaining\t-12.413\n▁mom\t-12.4131\n▁Had\t-12.4132\ninter\t-12.4133\n▁baptizeth\t-12.4133\n▁pyr\t-12.4134\n▁wedding\t-12.4135\n▁project\t-12.4135\n▁Joy\t-12.4135\nripe\t-12.4138\n▁lick\t-12.4139\nevolution\t-12.414\n▁mouthful\t-12.414\n▁dries\t-12.4141\n▁spy\t-12.4143\nlunta\t-12.4143\n▁constant\t-12.4143\n▁Ach\t-12.4144\n▁quench\t-12.4144\n▁pathetic\t-12.4146\n▁becomingly\t-12.4146\n▁faileth\t-12.4146\n▁draft\t-12.4147\n▁summ\t-12.4148\n▁dar\t-12.4148\n▁sling\t-12.4148\n▁explod\t-12.4148\n▁Shil\t-12.4148\n▁TH\t-12.4149\n▁compare\t-12.4151\n▁Wash\t-12.4152\n▁earlie\t-12.4152\n▁abhorre\t-12.4153\n▁local\t-12.4155\nquality\t-12.4156\narsely\t-12.4156\n▁heartily\t-12.4156\nqui\t-12.4157\n▁Aren\t-12.4158\nffer\t-12.4159\n▁Phu\t-12.416\nouching\t-12.4161\nesture\t-12.4162\n▁encountered\t-12.4162\n▁mansion\t-12.4164\n▁thereabout\t-12.4167\n▁missing\t-12.4168\n▁excused\t-12.4168\n▁fastness\t-12.4169\n▁swamp\t-12.4169\n▁brightest\t-12.4172\n▁nicely\t-12.4175\nnon\t-12.4175\n▁Ze\t-12.4175\nurning\t-12.4176\n▁glare\t-12.4177\n▁Nan\t-12.4179\nrks\t-12.4179\n▁ramp\t-12.418\nrped\t-12.4181\n▁hillsides\t-12.4182\n▁elbows\t-12.4182\n▁poplars\t-12.4182\n▁scorpions\t-12.4182\n▁aprons\t-12.4182\n▁citizens\t-12.4182\ncontrolled\t-12.4183\n▁belongings\t-12.4183\n▁payments\t-12.4187\nymen\t-12.4188\nyear\t-12.4188\n▁highways\t-12.4188\n▁outright\t-12.4188\n▁ref\t-12.4189\nffed\t-12.4189\n▁legion\t-12.419\nvenge\t-12.4192\n▁proudly\t-12.4195\n▁readest\t-12.4195\nlunchtime\t-12.4195\n▁witch\t-12.4195\n▁hangeth\t-12.4195\n▁archer\t-12.4196\n▁remarked\t-12.4196\n▁someday\t-12.4198\n▁vowed\t-12.4199\nAlon\t-12.4202\n▁stare\t-12.4203\n▁lesson\t-12.4203\nmely\t-12.4203\n▁despairing\t-12.4205\n▁inventing\t-12.4205\n▁ev\t-12.4209\nwoods\t-12.4209\nnuts\t-12.4209\n▁wrestling\t-12.421\n▁sadly\t-12.421\n▁weakling\t-12.4211\n▁gear\t-12.4215\n▁faster\t-12.4218\n▁Phil\t-12.4219\n▁miser\t-12.4219\n▁hasn\t-12.422\n▁impos\t-12.422\nngular\t-12.4221\n▁stunt\t-12.4221\n▁Beor\t-12.4222\n▁uncover\t-12.4225\n▁awaked\t-12.4226\n▁paces\t-12.4228\n▁Rest\t-12.4228\n▁Israelites\t-12.4231\n▁consol\t-12.4231\n▁included\t-12.4233\n▁admoni\t-12.4239\n▁plu\t-12.4242\nball\t-12.4248\norehouses\t-12.4252\n▁wickedly\t-12.4253\n▁guests\t-12.4253\n▁bishops\t-12.4253\n▁patriarchs\t-12.4253\n▁results\t-12.4253\n▁benefits\t-12.4253\n▁ewes\t-12.4253\n▁factions\t-12.4255\n▁dispos\t-12.4258\n▁reput\t-12.4258\n▁washings\t-12.4259\n▁Spid\t-12.4259\n▁nast\t-12.4265\nboards\t-12.4266\nstones\t-12.4268\nworks\t-12.4271\nfied\t-12.4274\nTER\t-12.4277\n▁dissipat\t-12.4278\n▁decomposed\t-12.4279\n▁gnawing\t-12.428\n▁coveting\t-12.4283\ndetermin\t-12.4284\n▁grassy\t-12.4285\n▁Ked\t-12.429\nallows\t-12.4291\n▁aboundeth\t-12.4291\n▁secretly\t-12.4293\nband\t-12.4295\n▁boiled\t-12.4297\ntay\t-12.4301\n▁Nor\t-12.4304\n▁bin\t-12.4317\n▁dre\t-12.4318\n▁blasphemer\t-12.4325\n▁candles\t-12.4325\n▁ranks\t-12.4326\n▁Tir\t-12.4326\n▁railings\t-12.4327\n▁repenteth\t-12.433\n▁sorely\t-12.4331\n▁departeth\t-12.4333\n▁cries\t-12.4338\nlay\t-12.4339\n▁reigneth\t-12.434\n▁sharply\t-12.4342\n▁stag\t-12.4343\n▁forbearing\t-12.4353\n▁weeds\t-12.4354\n▁Dis\t-12.4359\nhips\t-12.4362\n▁lawfully\t-12.4368\n▁Hot\t-12.4375\naves\t-12.4376\n▁warmth\t-12.4379\n▁breaketh\t-12.4393\n▁twisting\t-12.4395\n▁sheets\t-12.4398\n▁tumults\t-12.4399\n▁instructions\t-12.44\n▁poorly\t-12.4402\ngree\t-12.4409\n▁consented\t-12.4413\n▁afoot\t-12.4423\nwailed\t-12.4423\n▁aboard\t-12.4427\n▁preferr\t-12.4432\n▁rouse\t-12.4443\n▁jet\t-12.4446\nrock\t-12.4454\n▁Cos\t-12.4459\n▁fou\t-12.4466\n▁planning\t-12.4469\n▁labours\t-12.4472\n▁balloons\t-12.4474\n▁belt\t-12.4483\nshearer\t-12.4484\n▁airy\t-12.4485\n▁duel\t-12.4488\n▁Arch\t-12.4502\n▁clapp\t-12.4504\n▁activit\t-12.4507\n▁test\t-12.4521\n▁sleepy\t-12.4533\n▁signal\t-12.454\n▁plots\t-12.4543\n▁vig\t-12.4545\n▁bullocks\t-12.4547\n▁enjoin\t-12.455\n▁platters\t-12.4552\n▁Abia\t-12.4556\n▁lusted\t-12.4564\n▁seedling\t-12.4568\n▁killings\t-12.4568\n▁retain\t-12.4569\n▁bloo\t-12.4569\n▁ge\t-12.4573\n▁Hada\t-12.4577\n▁reaped\t-12.4598\n▁rendered\t-12.4601\n▁kne\t-12.4661\nvity\t-12.4667\n▁Sm\t-12.4672\n▁praised\t-12.4707\narcel\t-12.4708\n▁dism\t-12.473\n▁Pau\t-12.4751\nconsider\t-12.477\n▁marking\t-12.4789\n▁popula\t-12.479\n▁farth\t-12.479\nchem\t-12.4795\n▁residen\t-12.4797\nactors\t-12.4814\nacked\t-12.483\nthere\t-12.4833\nAB\t-12.4847\nporter\t-12.4853\nLa\t-12.4862\nsters\t-12.4867\numbled\t-12.4911\nhad\t-12.4915\n▁agenc\t-12.4921\nraggle\t-12.4947\ngation\t-12.4951\n▁sanctifie\t-12.4989\ncity\t-12.4989\n▁radian\t-12.5018\nudg\t-12.5043\nbalanc\t-12.5048\nency\t-12.5058\n▁lengthen\t-12.5062\n▁husk\t-12.5103\n▁blur\t-12.5109\n▁weaken\t-12.5126\nfallen\t-12.515\ntines\t-12.5183\ntac\t-12.5191\n▁gunfi\t-12.5234\n▁mini\t-12.5251\ntwee\t-12.5268\nlative\t-12.5324\nhip\t-12.5362\nrich\t-12.539\nrake\t-12.5394\nescend\t-12.5395\ngratulation\t-12.5429\n▁distresse\t-12.5437\njourn\t-12.5455\n▁kni\t-12.5457\n▁paint\t-12.5518\n▁Mesh\t-12.5525\n▁ripp\t-12.5587\n▁distribut\t-12.5597\nays\t-12.5656\nral\t-12.5715\n▁Alva\t-12.5722\n▁gar\t-12.5723\n▁blo\t-12.5727\n▁trou\t-12.5749\nEver\t-12.5781\n▁morta\t-12.5817\n▁watche\t-12.586\nex\t-12.5894\n▁carpe\t-12.6038\n▁quali\t-12.6063\ninformed\t-12.6067\n▁contra\t-12.6074\nlets\t-12.6161\ngin\t-12.6165\nnches\t-12.6186\n▁dainti\t-12.6194\n▁unmo\t-12.6195\n▁ba\t-12.6205\ngi\t-12.6246\nair\t-12.6268\n▁relat\t-12.6274\n▁sla\t-12.6301\nTry\t-12.6349\nnish\t-12.6357\nttle\t-12.6368\n▁aveng\t-12.6394\npar\t-12.6431\nfighters\t-12.6493\noch\t-12.6504\n▁non\t-12.6511\n▁obs\t-12.6521\n▁naviga\t-12.6547\n▁invite\t-12.6556\nview\t-12.6573\ncomposed\t-12.6642\nefraud\t-12.6685\n▁sca\t-12.6837\nhen\t-12.691\norseshoe\t-12.6985\nrang\t-12.699\n▁protect\t-12.7045\n▁welcom\t-12.7089\nust\t-12.71\n▁Cre\t-12.712\niving\t-12.7188\normwood\t-12.7303\nana\t-12.7344\nclusive\t-12.7346\n▁dam\t-12.7437\n▁humm\t-12.7453\n▁dep\t-12.7457\nopping\t-12.7478\nbag\t-12.7553\ntasting\t-12.7757\noz\t-12.7881\naving\t-12.7946\n▁impr\t-12.7968\n▁pac\t-12.7975\n▁elevat\t-12.801\n▁compensat\t-12.8018\nnuel\t-12.8029\nnstead\t-12.8051\n▁Mel\t-12.8123\nadd\t-12.8257\nmock\t-12.8411\nphras\t-12.8512\nether\t-12.8513\n▁exclu\t-12.8561\n▁epi\t-12.8715\n▁principalit\t-12.8755\nhereunto\t-12.8768\nformation\t-12.8775\nevil\t-12.8791\n▁prote\t-12.8823\nize\t-12.8857\n▁Creat\t-12.8869\nshoe\t-12.8929\nawl\t-12.8994\npot\t-12.9071\nwed\t-12.9102\nllows\t-12.9111\nudder\t-12.9134\nbat\t-12.9136\nbon\t-12.9155\n▁protecti\t-12.9224\n▁Rep\t-12.9308\n▁entic\t-12.9312\nfraud\t-12.9356\nck\t-12.9371\n▁endur\t-12.9414\n▁compose\t-12.9523\nioch\t-12.953\n▁navigati\t-12.9536\nmove\t-12.9655\n▁persuade\t-12.9699\nrk\t-12.9726\n▁Po\t-12.9814\nomantic\t-12.9883\n▁snatche\t-12.9899\n▁conc\t-12.9974\nvo\t-13.0007\n▁daint\t-13.0026\nLO\t-13.0041\nunic\t-13.0095\nushim\t-13.0136\nlotted\t-13.016\nphra\t-13.0209\nAM\t-13.024\n▁measur\t-13.0276\nbits\t-13.0286\n▁purpos\t-13.0332\nelect\t-13.0341\n▁Revi\t-13.0361\narrow\t-13.0389\n▁enrol\t-13.0477\nmali\t-13.0506\nignity\t-13.0713\n▁na\t-13.0891\n▁treati\t-13.0955\nripping\t-13.0966\narba\t-13.1004\nacle\t-13.1061\nolent\t-13.1138\n▁adjo\t-13.1167\nscend\t-13.1168\n▁slack\t-13.1238\n▁bewail\t-13.1328\n▁grip\t-13.1425\n▁compelle\t-13.1434\n▁exalte\t-13.144\ntching\t-13.1469\nnction\t-13.1489\n▁Writ\t-13.1525\n▁acknowledg\t-13.1548\n▁gla\t-13.1594\n▁mode\t-13.1599\n▁lin\t-13.1763\n▁vainglor\t-13.1803\nkite\t-13.1832\n▁Bac\t-13.1833\n▁mids\t-13.1877\nammi\t-13.188\n▁pudd\t-13.1894\n▁radia\t-13.1928\n▁divin\t-13.1943\nPre\t-13.195\nstyles\t-13.1966\n▁rele\t-13.1984\n▁temp\t-13.2003\n▁Immediate\t-13.2061\n▁guid\t-13.2062\ntographe\t-13.2071\n▁hi\t-13.2111\neasing\t-13.2152\n▁nois\t-13.218\nruption\t-13.2191\ntrot\t-13.2246\nmble\t-13.2281\nggle\t-13.2291\nvah\t-13.2351\n▁Li\t-13.2384\n▁squ\t-13.2394\n▁deci\t-13.2396\nhab\t-13.2487\nteller\t-13.2619\n▁reli\t-13.2628\n▁heav\t-13.2756\nnow\t-13.2772\npops\t-13.281\n▁refer\t-13.2814\n▁Mac\t-13.2875\n▁blasphem\t-13.2888\n▁Byron\t-13.294\n▁loc\t-13.2959\n▁proposi\t-13.297\nemarkable\t-13.3045\nbakers\t-13.3055\n▁Ex\t-13.3058\n▁separat\t-13.3098\ngro\t-13.3108\nSpring\t-13.3137\nquarters\t-13.3191\nuc\t-13.3192\nJach\t-13.3217\nshares\t-13.323\npockets\t-13.3309\n▁Straight\t-13.3336\n▁nu\t-13.3339\nreaching\t-13.336\nrley\t-13.3384\nooted\t-13.3402\nplicat\t-13.3408\n▁plac\t-13.342\n▁Atta\t-13.344\ndresse\t-13.3444\nmaker\t-13.3451\nracker\t-13.3452\ncovered\t-13.3467\ncca\t-13.3474\nwise\t-13.348\ngger\t-13.3493\n▁Tema\t-13.3495\narry\t-13.3499\npine\t-13.3501\nTi\t-13.3518\ncounting\t-13.354\n▁Dio\t-13.3541\nmount\t-13.355\n▁spo\t-13.3568\nsipate\t-13.3584\npiders\t-13.3602\n▁Whoso\t-13.3604\nuddy\t-13.3618\n▁simpli\t-13.362\n▁esc\t-13.3643\nomen\t-13.3644\n▁chang\t-13.3646\nadmonit\t-13.365\nmaids\t-13.3681\nthrus\t-13.3685\nickle\t-13.3697\n▁northw\t-13.3732\n▁Arc\t-13.3741\ngaining\t-13.3778\n▁Step\t-13.3786\nhanging\t-13.3789\nppers\t-13.3806\nemon\t-13.3807\npecial\t-13.3835\n▁circ\t-13.3837\nuary\t-13.3848\n▁plat\t-13.3855\nticks\t-13.3859\nekah\t-13.3861\n▁unfo\t-13.3861\nuckle\t-13.3867\n▁priv\t-13.3869\n▁abhor\t-13.3874\nual\t-13.3878\n▁hoar\t-13.3879\n▁comp\t-13.388\n▁reconcili\t-13.3883\nBa\t-13.3893\n▁conver\t-13.3897\nnstantly\t-13.3897\n▁rub\t-13.3901\npra\t-13.3908\n▁unbeliev\t-13.3916\n▁fac\t-13.3919\nlute\t-13.3923\nchange\t-13.3924\npti\t-13.393\n▁contemp\t-13.3931\nbearing\t-13.3937\n▁carcas\t-13.3937\nvented\t-13.3938\n▁Buck\t-13.394\nwake\t-13.3942\neaten\t-13.3942\n▁clap\t-13.3959\nburg\t-13.3961\nkin\t-13.3961\ncreased\t-13.3963\n▁bruis\t-13.3964\nppoint\t-13.3964\npostle\t-13.3966\nlready\t-13.3967\ngive\t-13.397\n▁endeavor\t-13.3973\nG\t-13.3994\nZ\t-13.4019\nq\t-14.7832\n“\t-14.7833\n"
  },
  {
    "path": "a4/utils.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\n\"\"\"\nCS224N 2020-21: Homework 4\nnmt.py: NMT Model\nPencheng Yin <pcyin@cs.cmu.edu>\nSahil Chopra <schopra8@stanford.edu>\nVera Lin <veralin@stanford.edu>\n\"\"\"\n\nimport math\nfrom typing import List\n\nimport numpy as np\nimport torch\nimport torch.nn as nn\nimport torch.nn.functional as F\nimport nltk\nimport sentencepiece as spm\nnltk.download('punkt')\n\n\ndef pad_sents(sents, pad_token):\n    \"\"\" Pad list of sentences according to the longest sentence in the batch.\n        The paddings should be at the end of each sentence.\n    @param sents (list[list[str]]): list of sentences, where each sentence\n                                    is represented as a list of words\n    @param pad_token (str): padding token\n    @returns sents_padded (list[list[str]]): list of sentences where sentences shorter\n        than the max length sentence are padded out with the pad_token, such that\n        each sentences in the batch now has equal length.\n    \"\"\"\n    sents_padded = []\n\n    ### YOUR CODE HERE (~6 Lines)\n    max_length = max([len(sent) for sent in sents]) # or max_length = max(map(len, sents))\n    for sent in sents:\n        pad_length = max_length - len(sent)\n        sents_padded.append(sent + [pad_token] * pad_length)\n    ### END YOUR CODE\n\n    return sents_padded\n\n\ndef read_corpus(file_path, source, vocab_size=2500):\n    \"\"\" Read file, where each sentence is dilineated by a `\\n`.\n    @param file_path (str): path to file containing corpus\n    @param source (str): \"tgt\" or \"src\" indicating whether text\n        is of the source language or target language\n    @param vocab_size (int): number of unique subwords in\n        vocabulary when reading and tokenizing\n    \"\"\"\n    data = []\n    sp = spm.SentencePieceProcessor()\n    sp.load('{}.model'.format(source))\n\n    with open(file_path, 'r', encoding='utf8') as f:\n        for line in f:\n            subword_tokens = sp.encode_as_pieces(line)\n            # only append <s> and </s> to the target sentence\n            if source == 'tgt':\n                subword_tokens = ['<s>'] + subword_tokens + ['</s>']\n            data.append(subword_tokens)\n\n    return data\n\n\ndef autograder_read_corpus(file_path, source):\n    \"\"\" Read file, where each sentence is dilineated by a `\\n`.\n    @param file_path (str): path to file containing corpus\n    @param source (str): \"tgt\" or \"src\" indicating whether text\n        is of the source language or target language\n    \"\"\"\n    data = []\n    for line in open(file_path):\n        sent = nltk.word_tokenize(line)\n        # only append <s> and </s> to the target sentence\n        if source == 'tgt':\n            sent = ['<s>'] + sent + ['</s>']\n        data.append(sent)\n\n    return data\n\n\ndef batch_iter(data, batch_size, shuffle=False):\n    \"\"\" Yield batches of source and target sentences reverse sorted by length (largest to smallest).\n    @param data (list of (src_sent, tgt_sent)): list of tuples containing source and target sentence\n    @param batch_size (int): batch size\n    @param shuffle (boolean): whether to randomly shuffle the dataset\n    \"\"\"\n    batch_num = math.ceil(len(data) / batch_size)\n    index_array = list(range(len(data)))\n\n    if shuffle:\n        np.random.shuffle(index_array)\n\n    for i in range(batch_num):\n        indices = index_array[i * batch_size: (i + 1) * batch_size]\n        examples = [data[idx] for idx in indices]\n\n        examples = sorted(examples, key=lambda e: len(e[0]), reverse=True)\n        src_sents = [e[0] for e in examples]\n        tgt_sents = [e[1] for e in examples]\n\n        yield src_sents, tgt_sents\n\n"
  },
  {
    "path": "a4/vocab.json",
    "content": "{\n  \"src_word2id\": {\n    \"<pad>\": 0,\n    \"<s>\": 1,\n    \"</s>\": 2,\n    \"<unk>\": 3,\n    \",\": 4,\n    \".\": 5,\n    \"\\u2581\\u13a0\\u13b4\": 6,\n    \"\\u2581\\u13be\\u13cd\\u13a9\": 7,\n    \";\": 8,\n    \"\\u13c3\": 9,\n    \"\\u2581\\u13af\\u13a0\": 10,\n    \"\\u2581\\u13a8\\u13d2\": 11,\n    \"\\u2581\": 12,\n    \"\\u13a2\": 13,\n    \"\\u2581\\u13a5\\u13dd\": 14,\n    \"\\u2581\\u13a8\\u13d2\\u13a2\": 15,\n    \"\\u13f0\\u13c3\": 16,\n    \"\\u13a9\": 17,\n    \"\\u2581\\u13a8\\u13ce\\u13cd\\u13d7\": 18,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13c5\\u13af\": 19,\n    \"?\": 20,\n    \"\\u2581\\u13c3\\u13b4\": 21,\n    \"\\u2581\\u13a4\": 22,\n    \"\\u2581\\u13a0\": 23,\n    \"\\u2581\\u13f4\\u13eb\": 24,\n    \"\\u13c9\": 25,\n    \"\\u13d7\": 26,\n    \"\\u201d\": 27,\n    \"\\u13af\": 28,\n    \"\\u2581\\u13a9\\u13b6\": 29,\n    \"\\u2581\\u13be\\u13cd\\u13c9\": 30,\n    \"\\u2581\\u13a2\\u13f3\\u13cd\\u13d7\": 31,\n    \"\\u2581\\u13be\\u13bf\": 32,\n    \"\\u2581\\u13be\\u13cd\\u13a9\\u13ef\": 33,\n    \"\\u2060\": 34,\n    \"\\u2581\\u13a0\\u13ce\\u13c3\": 35,\n    \"\\u2581\\u13a0\\u13f4\": 36,\n    \"\\u13ad\": 37,\n    \"\\u2581\\u13f1\\u13a9\": 38,\n    \"\\u2581\\u13be\": 39,\n    \"-\": 40,\n    \"\\u2581\\u13e5\\u13a9\": 41,\n    \"\\u2581\\u13f1\\u13b0\\u13e9\": 42,\n    \"\\u2581\\u13aa\\u13b1\\u13cd\\u13d7\": 43,\n    \"\\u2581\\u13c2\\u13a6\\u13db\": 44,\n    \"\\u2581\\u13c2\\u13af\": 45,\n    \"\\u2581\\u13a2\\u13a6\": 46,\n    \"\\u2581\\u13a4\\u13ac\\u13eb\\u13f3\\u13af\": 47,\n    \"\\u2581\\u13e5\\u13cc\": 48,\n    \"\\u2581\\u13c2\\u13a8\\u13d2\\u13be\": 49,\n    \"\\u13f1\": 50,\n    \"\\u2581\\u201c\": 51,\n    \"\\u13be\": 52,\n    \"\\u13cd\\u13a9\\u13c2\": 53,\n    \"\\u2581\\u13a3\\u13cd\\u13db\": 54,\n    \"\\u13db\": 55,\n    \"\\u2581\\u13af\\u13a0\\u13c3\": 56,\n    \"\\u13cd\\u13d7\": 57,\n    \"\\u2581\\u13a4\\u13ea\\u13e5\": 58,\n    \"\\u2581\\u13e7\": 59,\n    \"\\u2581\\u13d7\": 60,\n    \"\\u2581\\u13a2\\u13f3\\u13c3\": 61,\n    \"\\u2581\\u13be\\u13cd\\u13a9\\u13c3\": 62,\n    \"\\u2581\\u13e7\\u13ea\\u13e5\": 63,\n    \"\\u2581\\u13a6\\u13b6\\u13c1\\u13db\": 64,\n    \"\\u2581\\u13c4\\u13ea\\u13ce\\u13a2\": 65,\n    \"\\u13d3\": 66,\n    \"\\u2581\\u13bf\\u13c9\": 67,\n    \"\\u2581\\u13a1\\u13b6\\u13af\": 68,\n    \"\\u2581\\u13de\\u13cd\\u13d7\": 69,\n    \"\\u2581\\u13e5\": 70,\n    \"\\u2581\\u13a0\\u13c2\": 71,\n    \"\\u2581\\u13a8\\u13cd\\u13d7\": 72,\n    \"\\u2581\\u13bf\\u13c9\\u13c3\": 73,\n    \"\\u2581\\u13a4\\u13f2\": 74,\n    \"\\u13a6\": 75,\n    \"\\u2581\\u13a4\\u13db\\u13c1\": 76,\n    \"\\u2581\\u13e3\": 77,\n    \"!\": 78,\n    \"\\u2581\\u13a4\\u13e3\\u13d8\": 79,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\": 80,\n    \"\\u2581\\u13f1\": 81,\n    \"\\u2581\\u13da\": 82,\n    \"\\u2581\\u201d\": 83,\n    \"\\u2581\\u13eb\\u13b5\\u13bb\": 84,\n    \"\\u2581\\u13be\\u13af\\u13f3\": 85,\n    \"\\u2581\\u13c2\\u13a6\\u13a5\": 86,\n    \"\\u2581\\u13ac\\u13c2\\u13a8\\u13d2\": 87,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13ef\": 88,\n    \"\\u2581\\u13a6\\u13b8\\u13c9\\u13d7\\u13f3\": 89,\n    \"\\u2581\\u13ac\\u13c2\\u13f3\\u13c9\": 90,\n    \"\\u2581\\u13c4\\u13cd\\u13db\": 91,\n    \"\\u2581\\u13a6\\u13d9\": 92,\n    \"\\u2581\\u13a7\\u13c3\\u13ae\\u13db\": 93,\n    \"\\u13c2\": 94,\n    \"\\u2581\\u13a1\\u13af\": 95,\n    \"\\u2581\\u13a4\\u13e9\\u13d2\": 96,\n    \"\\u2581\\u13a0\\u13c1\\u13af\": 97,\n    \"\\u2581\\u13a6\\u13b8\\u13b3\\u13d7\": 98,\n    \"\\u2581\\u13a0\\u13f0\\u13b5\": 99,\n    \"\\u13c5\": 100,\n    \"\\u2581\\u13a0\\u13d5\\u13b8\": 101,\n    \"\\u2581\\u13a8\\u13ce\\u13a2\": 102,\n    \"\\u2581\\u13a4\\u13e4\\u13b5\": 103,\n    \"\\u2581\\u13cc\\u13c9\": 104,\n    \"\\u2581\\u13f0\\u13b5\": 105,\n    \"\\u2581\\u13a4\\u13e4\\u13b5\\u13a6\": 106,\n    \"\\u2581\\u13a0\\u13b9\": 107,\n    \"\\u2581\\u13a2\\u13e3\": 108,\n    \"\\u2581\\u13a2\\u13f4\\u13db\": 109,\n    \"\\u13a8\": 110,\n    \"\\u13d7\\u13f1\": 111,\n    \"\\u2581\\u13a4\\u13c2\": 112,\n    \"\\u13cf\": 113,\n    \"\\u13b8\": 114,\n    \"\\u13b5\": 115,\n    \"\\u2581\\u13be\\u13c2\\u13a5\": 116,\n    \"\\u2581\\u13a2\": 117,\n    \"\\u2581\\u13a3\\u13cf\\u13f3\": 118,\n    \"\\u2581\\u13a0\\u13ce\": 119,\n    \"\\u13f3\": 120,\n    \"\\u2581\\u13a6\\u13d9\\u13af\": 121,\n    \"\\u2581\\u13d4\\u13b5\": 122,\n    \"\\u2581\\u13a2\\u13cf\\u13b5\": 123,\n    \"\\u2581[\": 124,\n    \"\\u13b4\": 125,\n    \"\\u2581\\u13a4\\u13df\": 126,\n    \"]\": 127,\n    \"\\u2581\\u13aa\\u13af\": 128,\n    \"\\u2581\\u13d7\\u13a7\\u13bf\\u13e9\\u13db\\u13cd\\u13d7\": 129,\n    \"\\u2581\\u13af\": 130,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d9\": 131,\n    \"\\u2581\\u13a3\\u13cd\\u13d3\": 132,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13a6\\u13ef\": 133,\n    \"\\u13d2\": 134,\n    \"\\u2581\\u13d3\": 135,\n    \"\\u2581\\u13a8\\u13ce\": 136,\n    \"\\u2581\\u13a2\\u13e5\\u13c8\\u13f1\": 137,\n    \"\\u2581\\u13d4\\u13b5\\u13c1\": 138,\n    \"\\u2581\\u13bc\\u13cf\": 139,\n    \"\\u13b2\": 140,\n    \"\\u13cd\\u13aa\": 141,\n    \"\\u2581\\u13a6\": 142,\n    \"\\u2581\\u13a2\\u13f3\": 143,\n    \"\\u2581\\u13a8\\u13d2\\u13a9\": 144,\n    \"\\u2581\\u13ac\\u13e9\": 145,\n    \"\\u2581\\u2060\": 146,\n    \"\\u2581\\u13a4\\u13cd\\u13d7\": 147,\n    \"\\u2581\\u13a2\\u13ac\\u13f1\": 148,\n    \"\\u2581\\u13e4\\u13a6\\u13c8\": 149,\n    \"\\u2581\\u13da\\u13f3\\u13aa\\u13db\": 150,\n    \"\\u2581\\u13a4\\u13c2\\u13e3\\u13d8\": 151,\n    \"\\u2581\\u13a1\\u13b3\\u13d7\": 152,\n    \"\\u2581\\u13a1\\u13c6\\u13ad\\u13bb\": 153,\n    \"\\u2581\\u13a2\\u13f3\\u13b5\\u13cd\\u13d9\\u13d7\\u13f1\": 154,\n    \"\\u2581\\u13a6\\u13d9\\u13c3\": 155,\n    \"\\u2581\\u13a0\\u13eb\": 156,\n    \"\\u13cd\\u13a9\": 157,\n    \"\\u2581\\u13f3\": 158,\n    \":\": 159,\n    \"\\u13a8\\u13cd\\u13d7\": 160,\n    \"\\u2581\\u13a2\\u13d7\\u13e2\": 161,\n    \"\\u2581\\u13e9\\u13a6\": 162,\n    \"\\u13a0\": 163,\n    \"\\u2581\\u13c7\\u13b5\\u13f2\": 164,\n    \"\\u2581\\u13eb\": 165,\n    \"\\u2581\\u13cf\\u13c6\": 166,\n    \"\\u2581\\u13a0\\u13a8\\u13f4\": 167,\n    \"\\u2581\\u13f2\\u13be\": 168,\n    \"\\u13ac\": 169,\n    \"\\u2581\\u13a4\\u13be\": 170,\n    \"\\u2581\\u13e6\\u13e9\": 171,\n    \"\\u2581\\u13cc\\u13b3\\u13d3\": 172,\n    \"\\u13aa\": 173,\n    \"\\u2581\\u13a0\\u13cf\": 174,\n    \"\\u2581\\u13be\\u13a5\": 175,\n    \"\\u13d9\\u13d7\": 176,\n    \"\\u2581\\u13c4\\u13ea\\u13d2\\u13a9\": 177,\n    \"\\u2581\\u13c5\\u13a9\": 178,\n    \"\\u2581\\u13c4\\u13ea\\u13ce\\u13b4\\u13a2\": 179,\n    \"\\u2581\\u13c2\\u13a6\\u13d3\": 180,\n    \"\\u2581\\u13ed\": 181,\n    \"\\u2581\\u13e7\\u13d3\\u13b4\\u13c5\\u13db\": 182,\n    \"\\u2581\\u13f1\\u13a8\\u13ce\\u13cd\\u13d7\": 183,\n    \"\\u2581\\u13e6\\u13a2\": 184,\n    \"\\u13ef\": 185,\n    \"\\u2581\\u13a2\\u13e5\": 186,\n    \"\\u13c1\": 187,\n    \"\\u2581\\u13a4\\u13d9\\u13af\\u13f3\\u13af\\u13ef\": 188,\n    \"\\u2581\\u13e5\\u13cc\\u13c3\": 189,\n    \"\\u2581\\u13c5\\u13ef\": 190,\n    \"\\u13e5\": 191,\n    \"\\u2581\\u13c2\\u13da\\u13ea\\u13ce\\u13b4\\u13a2\": 192,\n    \"\\u2581\\u13ef\": 193,\n    \"\\u2581\\u13a6\\u13da\": 194,\n    \"\\u2581\\u13d0\\u13c8\\u13b5\": 195,\n    \"\\u2581\\u13dd\\u13cd\\u13aa\": 196,\n    \"\\u2581\\u13a0\\u13c2\\u13e7\\u13cf\": 197,\n    \"\\u2581\\u13c4\": 198,\n    \"\\u2581\\u13e3\\u13ac\\u13eb\\u13f3\\u13af\": 199,\n    \"\\u2581\\u13a4\\u13ac\\u13e9\\u13b5\": 200,\n    \"\\u13ce\": 201,\n    \"\\u2581\\u13e7\\u13e4\\u13b5\": 202,\n    \"\\u2581\\u13c2\": 203,\n    \"\\u2581\\u13a6\\u13b5\\u13c9\\u13a9\": 204,\n    \"\\u2581\\u13d3\\u13b6\\u13c2\\u13a8\": 205,\n    \"\\u2581\\u13ac\": 206,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13d3\\u13e9\\u13d7\\u13d9\\u13af\": 207,\n    \"\\u2581\\u13c4\\u13ea\\u13ce\\u13b8\\u13a9\": 208,\n    \"\\u13cd\\u13ac\": 209,\n    \"\\u2581\\u13a1\\u13cd\\u13a6\": 210,\n    \"\\u2581\\u13a6\\u13aa\": 211,\n    \"\\u2581\\u13c2\\u13a6\\u13d7\\u13f3\": 212,\n    \"\\u2581\\u13a2\\u13e7\\u13b3\\u13ad\": 213,\n    \"\\u2581\\u13ac\\u13d7\": 214,\n    \"\\u2581\\u13c2\\u13aa\\u13af\\u13b8\": 215,\n    \"\\u2581\\u13f0\\u13b5\\u13c9\": 216,\n    \"\\u13ae\": 217,\n    \"\\u2581\\u13a6\\u13d3\": 218,\n    \"\\u13b3\": 219,\n    \"\\u2581\\u13a8\": 220,\n    \"\\u2581\\u13a0\\u13c6\": 221,\n    \"\\u2581\\u13a0\\u13d3\": 222,\n    \"\\u2581\\u13a4\\u13d9\\u13d3\": 223,\n    \"\\u2581\\u13da\\u13c2\": 224,\n    \"\\u2581\\u13c8\\u13d3\": 225,\n    \"\\u2581\\u13a3\\u13c2\": 226,\n    \"\\u2581\\u13c4\\u13ea\\u13ce\\u13b4\": 227,\n    \"\\u2581\\u13a4\\u13e4\\u13cd\\u13d9\": 228,\n    \"\\u2581\\u13d5\": 229,\n    \"\\u2581\\u13e5\\u13b7\\u13cf\\u13b5\\u13bb\": 230,\n    \"\\u2581\\u13c2\\u13da\\u13ea\\u13ce\\u13b8\\u13a9\": 231,\n    \"\\u2581\\u13a0\\u13cf\\u13c9\": 232,\n    \"\\u2581\\u13e3\\u13c2\": 233,\n    \"\\u2581\\u13a6\\u13da\\u13b2\": 234,\n    \"\\u2581\\u13a1\": 235,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13ad\": 236,\n    \"\\u2581\\u13a0\\u13c2\\u13a8\\u13f4\": 237,\n    \"\\u2581\\u13ac\\u13c2\": 238,\n    \"\\u2581\\u13a4\\u13c5\\u13d2\": 239,\n    \"\\u2581\\u13a2\\u13a9\": 240,\n    \"\\u2581\\u13aa\\u13ea\\u13b5\": 241,\n    \"\\u2581\\u13c9\\u13b3\": 242,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13b4\\u13c5\\u13db\": 243,\n    \"\\u2581\\u13f1\\u13a8\\u13ce\": 244,\n    \"\\u2581\\u13a2\\u13ef\\u13c2\\u13db\": 245,\n    \"\\u2581\\u13ac\\u13c2\\u13db\": 246,\n    \"\\u2581\\u13a0\\u13a9\": 247,\n    \"\\u2581\\u13a1\\u13d9\\u13d3\": 248,\n    \"\\u2581\\u13c4\\u13ac\\u13eb\\u13f3\\u13d2\": 249,\n    \"\\u13d8\": 250,\n    \"\\u2581\\u13c2\\u13ac\\u13be\\u13db\": 251,\n    \"\\u2581\\u13a2\\u13a6\\u13a2\": 252,\n    \"\\u2581\\u13cd\\u13a9\": 253,\n    \"\\u2581\\u13be\\u13cd\\u13a9\\u13ef\\u13a2\": 254,\n    \"\\u2581\\u13d0\\u13c9\": 255,\n    \"\\u2581\\u13e3\\u13b5\": 256,\n    \"\\u2581\\u13aa\\u13af\\u13f3\\u13d7\": 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835,\n    \"\\u2581\\u13a4\\u13d0\\u13f1\": 836,\n    \"\\u2581\\u13a4\\u13e9\": 837,\n    \"\\u2581\\u13a4\\u13ea\": 838,\n    \"\\u2581\\u13ac\\u13a9\": 839,\n    \"\\u2581\\u13f1\\u13e3\": 840,\n    \"\\u13d4\\u13c2\": 841,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\": 842,\n    \"\\u2581\\u13d5\\u13a4\": 843,\n    \"\\u2581\\u13a4\\u13ea\\u13d8\": 844,\n    \"\\u2581\\u13f1\\u13a6\\u13b5\\u13cd\\u13d9\\u13d3\": 845,\n    \"\\u2581\\u13b5\\u13a0\": 846,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13c8\\u13d7\": 847,\n    \"\\u2581\\u13a0\\u13e5\\u13c5\\u13cf\\u13d3\\u13cd\\u13d7\": 848,\n    \"\\u2581\\u13c3\\u13ca\": 849,\n    \"\\u2581\\u13a2\\u13e5\\u13cd\\u13a6\\u13ef\": 850,\n    \"\\u2581\\u13ce\\u13a6\": 851,\n    \"\\u2581\\u13a4\\u13c1\\u13a6\": 852,\n    \"\\u2581\\u13a4\\u13a7\\u13b5\\u13e8\\u13af\": 853,\n    \"\\u2581\\u13e7\\u13d3\\u13cf\": 854,\n    \"\\u2581\\u13a0\\u13a6\\u13d4\\u13b2\": 855,\n    \"\\u2581\\u13a4\\u13be\\u13dd\\u13a2\": 856,\n    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902,\n    \"\\u2581\\u13a2\\u13f3\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\": 903,\n    \"\\u2581\\u13a0\\u13d7\\u13d4\\u13cd\\u13d7\": 904,\n    \"\\u2581\\u13ac\\u13c5\\u13a2\": 905,\n    \"\\u2581\\u13c4\\u13be\": 906,\n    \"\\u13d6\": 907,\n    \"\\u2581\\u13a8\\u13b5\": 908,\n    \"\\u13cf\\u13f4\\u13eb\\u13ad\": 909,\n    \"\\u2581\\u13a4\\u13ec\\u13e2\": 910,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13a6\\u13c5\\u13e8\": 911,\n    \"\\u2581\\u13d5\\u13af\": 912,\n    \"\\u2581\\u13a4\\u13db\\u13a6\\u13c1\": 913,\n    \"\\u2581\\u13c4\\u13b5\\u13cd\\u13d4\\u13c2\\u13d9\\u13b8\": 914,\n    \"\\u2581\\u13a6\\u13f0\": 915,\n    \"\\u2581\\u13c8\\u13b5\\u13a9\": 916,\n    \"\\u2581\\u13a8\\u13bb\\u13b5\": 917,\n    \"\\u2581\\u13e7\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13af\": 918,\n    \"\\u2581\\u13c5\\u13d3\\u13a6\\u13b5\\u13cd\\u13d4\\u13c2\": 919,\n    \"\\u2581\\u13d4\\u13b3\\u13cd\\u13aa\\u13af\": 920,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13c5\\u13df\": 921,\n    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999,\n    \"\\u2581\\u13d3\\u13bf\\u13e9\": 1000,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13b6\\u13d2\\u13af\": 1001,\n    \"\\u2581\\u13a7\\u13c3\\u13af\\u13f0\\u13a9\": 1002,\n    \"\\u2581\\u13a1\\u13c9\\u13af\\u13f3\": 1003,\n    \"\\u2581\\u13a0\\u13a6\\u13d8\\u13cf\\u13d7\\u13e2\": 1004,\n    \"\\u2581\\u13e7\\u13f3\\u13aa\\u13d7\": 1005,\n    \"\\u2581\\u13be\\u13cd\\u13a9\\u13ef\\u13c9\": 1006,\n    \"\\u2581\\u13d7\\u13f0\\u13b8\\u13af\": 1007,\n    \"\\u2581\\u13a4\\u13d4\\u13b3\\u13ec\\u13af\\u13cd\\u13d7\": 1008,\n    \"\\u2581\\u13a6\\u13b7\\u13e8\\u13ad\": 1009,\n    \"\\u2581\\u13c5\\u13c3\\u13af\": 1010,\n    \"\\u2581\\u13a0\\u13b9\\u13df\": 1011,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13c5\": 1012,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\": 1013,\n    \"\\u2581\\u13a4\\u13be\\u13b5\": 1014,\n    \"\\u2581\\u13e7\\u13c2\\u13cd\\u13d7\": 1015,\n    \"\\u2581\\u13aa\\u13ea\\u13b8\\u13a2\": 1016,\n    \"\\u2581\\u13a4\\u13c1\\u13e8\\u13a9\": 1017,\n    \"\\u2581\\u13c4\\u13db\\u13c1\\u13b8\": 1018,\n    \"\\u2581\\u13a6\\u13d9\\u13a8\": 1019,\n    \"---\": 1020,\n    \"\\u2581\\u13c4\\u13cd\\u13d5\": 1021,\n    \"\\u2581\\u13a4\\u13d5\\u13d8\\u13f4\\u13cc\\u13d7\\u13d2\": 1022,\n    \"\\u2581\\u13d5\\u13a4\\u13d9\\u13a5\": 1023,\n    \"\\u2581\\u13d3\\u13f3\\u13d3\\u13b4\\u13c5\": 1024,\n    \"\\u2581\\u13a0\\u13cd\\u13db\": 1025,\n    \"\\u2581\\u13a6\\u13d9\\u13ac\": 1026,\n    \"\\u2581\\u13d7\\u13cf\\u13d3\\u13b5\": 1027,\n    \"\\u2581\\u13a3\\u13e3\\u13b5\\u13c5\\u13df\": 1028,\n    \"\\u2581\\u13e4\\u13a9\\u13cf\\u13c2\": 1029,\n    \"\\u2581\\u13c6\\u13c2\\u13c6\": 1030,\n    \"\\u2581\\u13af\\u13b8\\u13a2\\u13f4\": 1031,\n    \"\\u2581\\u13a2\\u13d3\\u13d3\\u13c5\\u13df\": 1032,\n    \"\\u2581\\u13a8\\u13e5\\u13b8\\u13c9\\u13d7\": 1033,\n    \"\\u2581\\u13d7\\u13a8\\u13a6\\u13c1\\u13b6\\u13d7\": 1034,\n    \"\\u2581\\u13a0\\u13c8\\u13bb\\u13b4\\u13a9\": 1035,\n    \"\\u2581\\u13d7\\u13c7\\u13e5\": 1036,\n    \"\\u2581\\u13a4\\u13a6\\u13b5\\u13cd\\u13d7\": 1037,\n    \"\\u13c5\\u13cf\\u13db\": 1038,\n    \"\\u2581\\u13e9\\u13b6\\u13cf\": 1039,\n    \"\\u2581\\u13ac\\u13e9\\u13d5\\u13c1\\u13b4\\u13a2\": 1040,\n    \"\\u2581\\u13be\\u13a9\\u13ea\\u13ce\\u13b8\\u13a9\": 1041,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13c5\\u13db\\u13a2\": 1042,\n    \"\\u2581\\u13a0\\u13d3\\u13eb\": 1043,\n    \"\\u2581\\u13e6\\u13f0\\u13c2\": 1044,\n    \"\\u2581\\u13e7\\u13e9\": 1045,\n    \"\\u13f1\\u13a9\": 1046,\n    \"\\u2581\\u13a0\\u13c2\\u13aa\\u13a2\": 1047,\n    \"\\u2581\\u13aa\\u13cd\\u13d3\": 1048,\n    \"\\u2581\\u13e7\\u13ac\": 1049,\n    \"\\u2581\\u13af\\u13aa\": 1050,\n    \"\\u2581\\u13aa\\u13ea\\u13b5\\u13af\": 1051,\n    \"\\u2581\\u13aa\\u13b3\": 1052,\n    \"\\u2581\\u13a0\\u13ef\\u13d9\": 1053,\n    \"\\u13cd\\u13aa\\u13af\": 1054,\n    \"\\u13a2\\u13cd\\u13d7\\u13f1\": 1055,\n    \"\\u13c1\\u13ad\": 1056,\n    \"\\u2581\\u13da\\u13b4\\u13c5\": 1057,\n    \"\\u2581\\u13be\\u13c3\": 1058,\n    \"\\u2581\\u13a6\\u13b8\": 1059,\n    \"\\u2581\\u13d5\\u13e3\\u13d9\\u13a5\": 1060,\n    \"\\u13d9\\u13af\": 1061,\n    \"\\u2581\\u13a2\\u13e3\\u13e4\\u13b5\": 1062,\n    \"\\u2581\\u13d8\\u13c5\\u13cf\\u13d3\\u13cd\\u13d7\": 1063,\n    \"\\u2581\\u13c4\\u13c2\\u13ac\\u13eb\\u13f3\\u13cc\\u13d5\\u13a9\": 1064,\n    \"\\u2581\\u13a5\\u13d3\\u13b5\": 1065,\n    \"\\u2581\\u13a2\\u13b3\\u13ef\": 1066,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d5\\u13b8\\u13d9\\u13d7\": 1067,\n    \"\\u2581\\u13d7\\u13d8\\u13c2\\u13d9\\u13af\": 1068,\n    \"\\u2581\\u13d0\\u13b3\": 1069,\n    \"\\u2581\\u13a0\\u13c1\\u13d9\\u13af\": 1070,\n    \"\\u2581\\u13d7\\u13a8\": 1071,\n    \"\\u2581\\u13a4\\u13e9\\u13d2\\u13af\\u13f3\": 1072,\n    \"\\u2581\\u13ce\\u13a6\\u13e8\": 1073,\n    \"\\u2581\\u13d7\\u13e3\\u13e4\\u13b5\\u13a6\": 1074,\n    \"\\u2581\\u13a4\\u13d9\\u13af\\u13f3\\u13d2\": 1075,\n    \"\\u2581\\u13a4\\u13d5\\u13c5\\u13af\": 1076,\n    \"\\u13e8\\u13a9\": 1077,\n    \"\\u2581\\u13a0\\u13cd\\u13d3\\u13f1\": 1078,\n    \"\\u2581\\u13ac\\u13d7\\u13cd\\u13a9\": 1079,\n    \"\\u2581\\u13a0\\u13a6\\u13d7\": 1080,\n    \"\\u2581\\u13ed\\u13c2\": 1081,\n    \"\\u2581\\u13a0\\u13c2\\u13d3\": 1082,\n    \"\\u13a7\\u13c2\": 1083,\n    \"\\u13db\\u13c1\\u13d7\": 1084,\n    \"\\u2581\\u13c1\": 1085,\n    \"\\u2581\\u13a3\\u13d3\\u13b8\\u13a2\": 1086,\n    \"\\u13a6\\u13c5\\u13af\\u13db\": 1087,\n    \"\\u13a2\\u13f3\\u13cd\\u13d7\": 1088,\n    \"e\": 1089,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13da\\u13b6\": 1090,\n    \"\\u13a9\\u13cd\\u13d7\": 1091,\n    \"\\u2581\\u13a5\\u13a9\": 1092,\n    \"\\u13cc\\u13db\": 1093,\n    \"\\u13c5\\u13d2\": 1094,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\\u13f1\": 1095,\n    \"\\u2581\\u13f1\\u13e5\": 1096,\n    \"\\u2581\\u13c4\\u13e9\\u13c1\\u13b8\": 1097,\n    \"\\u2581\\u13d9\\u13db\": 1098,\n    \"\\u2581\\u13a4\\u13b6\\u13d0\\u13c5\": 1099,\n    \"\\u2581\\u13a0\\u13a6\\u13f4\\u13b5\": 1100,\n    \"\\u2581\\u13a0\\u13a7\\u13b5\\u13a2\": 1101,\n    \"\\u2581\\u13a0\\u13f0\\u13d9\\u13b3\\u13db\\u13d7\": 1102,\n    \"\\u2581\\u13e9\\u13cf\\u13d3\\u13c2\": 1103,\n    \"\\u2581\\u13d3\\u13cf\\u13b3\\u13db\": 1104,\n    \"\\u2581\\u13da\\u13ec\\u13e2\\u13d4\\u13c5\\u13a9\": 1105,\n    \"\\u2581\\u13d7\\u13d3\\u13c5\\u13d9\": 1106,\n    \"\\u2581\\u13a0\\u13a8\\u13f3\\u13e3\": 1107,\n    \"\\u2581\\u13f1\\u13c4\\u13cd\\u13d7\": 1108,\n    \"\\u2581\\u13d7\\u13a8\\u13eb\": 1109,\n    \"\\u2581\\u13e7\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 1110,\n    \"\\u2581\\u13a0\\u13b9\\u13f0\\u13b5\": 1111,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\\u13c3\\u13b5\": 1112,\n    \"\\u2581\\u13e5\\u13c1\\u13ac\\u13a2\": 1113,\n    \"\\u2581\\u13c2\\u13e5\": 1114,\n    \"\\u2581\\u13a0\\u13e4\": 1115,\n    \"\\u2581\\u13a4\\u13f2\\u13b1\\u13d2\\u13af\": 1116,\n    \"\\u2581\\u13a8\\u13c2\": 1117,\n    \"\\u2581\\u13aa\\u13a9\": 1118,\n    \"\\u2581\\u13a2\\u13ac\": 1119,\n    \"\\u2581\\u13ab\\u13e2\\u13d7\": 1120,\n    \"\\u13af\\u13cd\\u13d9\\u13d7\": 1121,\n    \"\\u13a0\\u13c2\\u13b3\\u13cd\\u13d3\\u13b8\": 1122,\n    \"\\u13cd\\u13d9\": 1123,\n    \"\\u2581\\u13d7\\u13a9\": 1124,\n    \"\\u2581\\u13a7\\u13c1\\u13ac\\u13a2\": 1125,\n    \"\\u13cd\\u13ac\\u13be\": 1126,\n    \"\\u2581\\u13d1\": 1127,\n    \"\\u2581\\u13da\\u13c1\\u13e4\\u13b4\": 1128,\n    \"\\u2581\\u13d7\\u13a6\\u13b8\\u13c9\\u13d7\": 1129,\n    \"\\u2581\\u13be\\u13c2\\u13a5\\u13c9\": 1130,\n    \"\\u2581\\u13a0\\u13b2\\u13a2\": 1131,\n    \"\\u13c5\\u13a2\": 1132,\n    \"\\u2581\\u13da\\u13d9\\u13a5\\u13a2\": 1133,\n    \"\\u13a8\\u13d2\": 1134,\n    \"\\u2581\\u13a0\\u13e6\\u13f4\": 1135,\n    \"\\u2581\\u13d7\\u13d3\\u13b4\\u13c2\\u13cd\\u13ac\": 1136,\n    \"\\u2581\\u13a4\\u13ec\\u13b8\": 1137,\n    \"\\u2581\\u13a3\\u13cf\": 1138,\n    \"t\": 1139,\n    \"\\u2581\\u13d7\\u13a6\\u13ab\\u13cd\\u13db\\u13d7\": 1140,\n    \"\\u2581\\u13cd\\u13c8\\u13cd\\u13d3\": 1141,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13a8\\u13c2\": 1142,\n    \"\\u2581\\u13b5\\u13eb\": 1143,\n    \"\\u2581\\u13a8\\u13e5\\u13c5\\u13cf\\u13d3\\u13cd\\u13d7\": 1144,\n    \"\\u2581\\u13a7\\u13c2\\u13a9\\u13d3\": 1145,\n    \"\\u2581\\u13a6\\u13ec\\u13c2\\u13cd\\u13a9\": 1146,\n    \"\\u2581\\u13da\\u13ec\\u13e2\\u13c5\\u13a9\": 1147,\n    \"\\u2581\\u13a2\\u13a9\\u13d9\\u13d3\": 1148,\n    \"\\u2581\\u13be\\u13cd\\u13a6\\u13c5\\u13be\": 1149,\n    \"\\u2581\\u13a4\\u13d7\\u13b4\\u13a9\": 1150,\n    \"\\u2581\\u13a7\\u13c3\\u13ae\\u13cd\\u13a9\": 1151,\n    \"\\u2581\\u13cd\\u13d4\\u13ef\": 1152,\n    \"\\u2581\\u13a4\\u13be\\u13c1\\u13b3\\u13a9\": 1153,\n    \"\\u2581\\u13a2\\u13f3\\u13cd\\u13d7\\u13c9\": 1154,\n    \"\\u2581\\u13a4\\u13c5\\u13cc\": 1155,\n    \"\\u2581\\u13a0\\u13e2\\u13d7\\u13f1\": 1156,\n    \"\\u2581\\u13a6\\u13b6\\u13d9\\u13d7\": 1157,\n    \"\\u13ec\": 1158,\n    \"\\u13d5\\u13a2\": 1159,\n    \"\\u2581\\u13a0\\u13f2\\u13a9\": 1160,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d8\\u13f3\": 1161,\n    \"\\u2581\\u13a4\\u13c2\\u13e5\": 1162,\n    \"\\u2581\\u13a4\\u13c5\\u13df\": 1163,\n    \"\\u2581\\u13f1\\u13d7\\u13e5\": 1164,\n    \"\\u13d2\\u13ad\": 1165,\n    \"\\u2581\\u13a6\\u13b6\": 1166,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d7\": 1167,\n    \"\\u2581\\u13a6\\u13c5\\u13af\\u13db\": 1168,\n    \"\\u2581\\u13d5\\u13a8\": 1169,\n    \"\\u2581\\u13c2\\u13d3\": 1170,\n    \"\\u2581\\u13a1\\u13b2\\u13a2\": 1171,\n    \"\\u2581\\u13e5\\u13d5\": 1172,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d6\": 1173,\n    \"\\u13e4\\u13a2\": 1174,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13be\": 1175,\n    \"\\u2581\\u13f1\\u13d7\": 1176,\n    \"\\u2581\\u13c5\\u13d3\": 1177,\n    \"\\u2581\\u13d3\\u13ac\": 1178,\n    \"\\u2581\\u13a0\\u13d4\\u13b4\\u13d2\": 1179,\n    \"\\u13a0\\u13b4\": 1180,\n    \"\\u2581\\u13eb\\u13e3\": 1181,\n    \"\\u2581\\u13e6\\u13a9\": 1182,\n    \"\\u2581\\u13d3\\u13d3\\u13bf\\u13e9\\u13cd\\u13db\": 1183,\n    \"\\u2581\\u13a4\\u13c2\\u13e3\\u13d6\": 1184,\n    \"\\u2581\\u13c2\\u13da\\u13a9\\u13e8\\u13c2\\u13d2\": 1185,\n    \"\\u13da\\u13b5\\u13cd\\u13ac\\u13be\": 1186,\n    \"\\u2581\\u13d3\\u13c6\\u13d9\\u13a5\": 1187,\n    \"\\u2581\\u13a2\\u13a6\\u13a6\\u13db\": 1188,\n    \"\\u2581\\u13d7\\u13a7\\u13c3\\u13d7\": 1189,\n    \"\\u2581\\u13e7\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13d7\": 1190,\n    \"\\u2581\\u13e9\\u13da\\u13b5\\u13cf\": 1191,\n    \"\\u2581\\u13a6\\u13b7\\u13ef\\u13cd\\u13d7\": 1192,\n    \"\\u2581\\u13aa\\u13cd\\u13da\": 1193,\n    \"\\u2581\\u13e7\\u13ef\\u13d6\\u13be\": 1194,\n    \"\\u13b4\\u13af\\u13d0\\u13d7\": 1195,\n    \"\\u2581\\u13e7\\u13c3\\u13f0\\u13c2\": 1196,\n    \"\\u2581\\u13d3\\u13a6\\u13b7\\u13e5\": 1197,\n    \"\\u2581\\u13c5\\u13db\\u13a9\\u13c5\\u13cf\\u13db\": 1198,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13cd\\u13a8\\u13a2\": 1199,\n    \"\\u2581\\u13a9\": 1200,\n    \"\\u2581\\u13e7\\u13c2\\u13e2\\u13a9\": 1201,\n    \"\\u2581\\u13d7\\u13c2\\u13a6\\u13d9\\u13b5\": 1202,\n    \"\\u2581\\u13be\\u13ce\\u13b5\\u13d7\": 1203,\n    \"\\u2581\\u13a0\\u13a9\\u13c5\\u13cf\\u13d9\\u13af\": 1204,\n    \"\\u2581\\u13af\\u13b8\\u13af\\u13f3\": 1205,\n    \"\\u2581\\u13ac\\u13c2\\u13d7\\u13f3\": 1206,\n    \"\\u2581\\u13a0\\u13c2\\u13a9\\u13cf\": 1207,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13b8\\u13b2\": 1208,\n    \"\\u2581\\u13d7\\u13a7\\u13c3\\u13d7\\u13f1\": 1209,\n    \"\\u2581\\u13a0\\u13a9\\u13cf\": 1210,\n    \"\\u2581\\u13a4\\u13c2\\u13b7\\u13e8\\u13a9\": 1211,\n    \"\\u2581\\u13ad\\u13be\\u13be\": 1212,\n    \"\\u2581\\u13a4\\u13e5\\u13b8\\u13a2\": 1213,\n    \"\\u13cd\\u13c6\": 1214,\n    \"\\u2581\\u13a0\\u13bc\": 1215,\n    \"\\u2581\\u13a2\\u13a6\\u13d8\": 1216,\n    \"\\u2581\\u13ed\\u13b7\\u13e4\\u13a2\": 1217,\n    \"\\u13c1\\u13af\": 1218,\n    \"\\u13cd\\u13c9\": 1219,\n    \"\\u2581\\u13a2\\u13ac\\u13c1\\u13d7\": 1220,\n    \"\\u13a0\\u13cb\\u13cc\": 1221,\n    \"\\u13a6\\u13d4\\u13b2\\u13be\": 1222,\n    \"\\u2581\\u13e9\\u13ef\": 1223,\n    \"\\u13cd\\u13ac\\u13a9\": 1224,\n    \"\\u13a1\\u13b5\": 1225,\n    \"\\u13c5\\u13be\": 1226,\n    \"\\u13cd\\u13a6\\u13c5\\u13a2\\u13cd\\u13d7\": 1227,\n    \"\\u2581\\u13ae\": 1228,\n    \"\\u13a9\\u13ce\": 1229,\n    \"\\u2581\\u13a4\\u13f2\\u13a2\": 1230,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\\u13c5\\u13e8\": 1231,\n    \"\\u2581\\u13e5\\u13e3\": 1232,\n    \"\\u2581\\u13a2\\u13e4\\u13be\": 1233,\n    \"\\u13e4\\u13cd\\u13d7\": 1234,\n    \"\\u2581\\u13a0\\u13b4\\u13ec\": 1235,\n    \"\\u13b2\\u13cf\": 1236,\n    \"\\u2581\\u13a6\\u13db\\u13ac\": 1237,\n    \"\\u2581\\u13a6\\u13b3\\u13a8\\u13f4\": 1238,\n    \"\\u2581\\u13d5\\u13a6\\u13da\\u13b2\": 1239,\n    \"\\u2581\\u13d7\\u13a9\\u13a6\\u13f4\\u13b5\\u13a8\": 1240,\n    \"\\u2581\\u13c2\\u13e3\\u13db\\u13c1\\u13b8\": 1241,\n    \"\\u2581\\u13da\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\": 1242,\n    \"\\u2581\\u13a6\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\": 1243,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13c5\\u13db\": 1244,\n    \"\\u2581\\u13a4\\u13d5\\u13c5\": 1245,\n    \"\\u2581\\u13a0\\u13aa\": 1246,\n    \"\\u2581\\u13a6\\u13c4\\u13b8\": 1247,\n    \"\\u13f0\\u13b5\": 1248,\n    \"\\u2581\\u13c7\\u13c2\": 1249,\n    \"\\u2581\\u13e5\\u13a6\": 1250,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\": 1251,\n    \"\\u2581\\u13a2\\u13e5\\u13c8\": 1252,\n    \"c\": 1253,\n    \"\\u2581\\u13d7\\u13be\": 1254,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13ab\\u13d7\": 1255,\n    \"\\u2581\\u13d2\\u13a7\\u13d4\": 1256,\n    \"\\u2581\\u13a2\\u13f3\\u13d3\\u13b4\\u13a9\": 1257,\n    \"\\u2581\\u13c4\\u13c3\\u13af\\u13f3\\u13d2\\u13be\": 1258,\n    \"\\u2581\\u13a2\\u13e5\\u13e1\\u13f1\": 1259,\n    \"\\u2581\\u13a6\\u13b5\\u13c6\\u13cd\\u13aa\\u13af\": 1260,\n    \"\\u2581\\u13da\\u13d9\\u13a1\\u13a2\": 1261,\n    \"\\u2581\\u13d9\\u13b4\\u13db\": 1262,\n    \"\\u2581\\u13eb\\u13e5\\u13a2\\u13a6\": 1263,\n    \"\\u2581\\u13ce\\u13b7\": 1264,\n    \"\\u2581\\u13a0\\u13c2\\u13e3\\u13b3\\u13a9\": 1265,\n    \"\\u2581\\u13a2\\u13e4\\u13ef\\u13d4\\u13ae\\u13cd\\u13d7\": 1266,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\\u13ce\\u13d7\": 1267,\n    \"\\u2581\\u13a2\\u13cc\\u13ef\": 1268,\n    \"\\u2581\\u13a2\\u13d7\\u13a6\\u13d4\\u13ad\": 1269,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13b5\\u13cd\\u13d9\\u13d4\\u13c5\\u13a9\": 1270,\n    \"\\u2581\\u13c4\\u13ac\\u13eb\\u13f3\\u13cc\\u13d5\\u13a9\": 1271,\n    \"\\u2581\\u13a2\\u13e8\\u13f2\\u13ce\\u13ad\": 1272,\n    \"\\u2581\\u13d7\\u13b9\\u13d7\": 1273,\n    \"\\u2581\\u13a0\\u13c2\\u13aa\\u13d5\\u13cd\\u13a9\": 1274,\n    \"\\u2581\\u13a4\\u13af\\u13d0\\u13d7\": 1275,\n    \"\\u2581\\u13e7\\u13d9\\u13d3\\u13c6\\u13d3\": 1276,\n    \"\\u2581\\u13be\\u13c2\\u13a5\\u13a2\": 1277,\n    \"\\u13b5\\u13a6\": 1278,\n    \"\\u2581\\u13a0\\u13cf\\u13be\\u13cc\\u13c2\": 1279,\n    \"\\u2581\\u13a0\\u13ab\\u13f4\\u13d9\\u13d7\": 1280,\n    \"\\u2581\\u13d7\\u13a6\\u13aa\\u13d7\\u13f1\": 1281,\n    \"\\u2581\\u13a6\\u13be\\u13f0\\u13af\\u13cd\\u13d7\": 1282,\n    \"\\u2581\\u13a4\\u13be\\u13c4\\u13aa\\u13eb\\u13d2\\u13af\": 1283,\n    \"\\u2581\\u13a4\\u13be\\u13eb\\u13f1\": 1284,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13a6\\u13c5\\u13a9\": 1285,\n    \"\\u2581\\u13d7\\u13e6\\u13e2\\u13d7\": 1286,\n    \"\\u2581\\u13a6\\u13ec\\u13c2\\u13af\\u13cd\\u13d7\": 1287,\n    \"\\u2581\\u13c1\\u13b3\": 1288,\n    \"\\u13c1\\u13b3\\u13c5\\u13af\": 1289,\n    \"\\u2581\\u13ed\\u13f4\\u13b4\\u13a2\": 1290,\n    \"\\u2581\\u13e9\\u13cd\\u13d7\": 1291,\n    \"\\u2581\\u13c9\\u13b3\\u13c3\": 1292,\n    \"\\u2581\\u13e7\\u13ea\": 1293,\n    \"\\u2581\\u13a0\\u13d7\\u13ad\": 1294,\n    \"\\u2581\\u13c2\\u13d5\": 1295,\n    \"\\u2581\\u13a4\\u13ea\\u13bf\\u13a2\": 1296,\n    \"\\u2581\\u13f4\\u13a9\": 1297,\n    \"\\u2581\\u13d7\\u13e6\": 1298,\n    \"\\u2581\\u13eb\\u13a6\": 1299,\n    \"\\u2581\\u13a2\\u13e4\\u13af\": 1300,\n    \"\\u2581\\u13c5\\u13db\": 1301,\n    \"\\u2581\\u13a6\\u13e5\": 1302,\n    \"\\u2581\\u13c4\\u13cd\\u13db\\u13a2\": 1303,\n    \"\\u2581\\u13a1\\u13d8\": 1304,\n    \"\\u13d7\\u13cd\\u13aa\": 1305,\n    \"\\u13c2\\u13cf\": 1306,\n    \"\\u13a1\\u13a2\": 1307,\n    \"\\u13a6\\u13d8\": 1308,\n    \"\\u13d5\\u13be\": 1309,\n    \"\\u2581\\u13da\\u13aa\\u13ae\": 1310,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13aa\": 1311,\n    \"\\u13a4\\u13c1\\u13b3\\u13c5\\u13af\": 1312,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13ae\\u13cd\\u13ac\": 1313,\n    \"\\u2581\\u13e7\\u13ea\\u13c5\\u13d2\": 1314,\n    \"\\u2581\\u13a4\\u13c3\\u13f4\\u13ac\": 1315,\n    \"\\u2581\\u13d3\\u13d3\\u13c1\\u13b8\": 1316,\n    \"\\u2581\\u13af\\u13ef\": 1317,\n    \"\\u13b2\\u13cd\\u13a9\": 1318,\n    \"\\u13c1\\u13b3\": 1319,\n    \"\\u13b6\\u13af\": 1320,\n    \"\\u13db\\u13ac\\u13a6\": 1321,\n    \"\\u2581\\u13a1\\u13c9\\u13d7\": 1322,\n    \"\\u2581\\u13a4\\u13c2\\u13ec\\u13c2\\u13af\\u13cd\\u13d7\": 1323,\n    \"\\u13be\\u13dd\\u13a2\": 1324,\n    \"\\u2581Cr\": 1325,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13db\\u13bf\\u13d5\\u13a9\": 1326,\n    \"\\u2581\\u13cd\\u13a6\\u13da\\u13a9\": 1327,\n    \"\\u2581\\u13c2\\u13e5\\u13ea\\u13ad\": 1328,\n    \"\\u2581\\u13ce\\u13a9\\u13b5\": 1329,\n    \"\\u2581\\u13e7\\u13d3\\u13d5\\u13d2\\u13db\": 1330,\n    \"\\u2581\\u13d7\\u13c2\\u13ad\\u13c4\\u13b8\\u13af\": 1331,\n    \"\\u2581\\u13a1\\u13c8\\u13cc\": 1332,\n    \"\\u2581\\u13d4\\u13b7\\u13e3\": 1333,\n    \"\\u2581\\u13a0\\u13e6\\u13ad\\u13f4\": 1334,\n    \"\\u2581\\u13a0\\u13a9\\u13b5\\u13ef\": 1335,\n    \"\\u2581\\u13cc\\u13aa\\u13c2\\u13a8\": 1336,\n    \"\\u2581\\u13a2\\u13b3\\u13aa\": 1337,\n    \"\\u2581\\u13cd\\u13a9\\u13c3\\u13b2\\u13cf\": 1338,\n    \"\\u2581\\u13d7\\u13aa\\u13ea\\u13b5\\u13cd\\u13a9\": 1339,\n    \"\\u2581\\u13a4\\u13e9\\u13d9\\u13af\\u13f4\\u13d3\": 1340,\n    \"\\u2581\\u13a2\\u13f3\\u13d3\\u13b4\\u13c5\\u13db\": 1341,\n    \"\\u2581\\u13a4\\u13c2\\u13ac\\u13eb\\u13f3\\u13cc\\u13d5\\u13a9\": 1342,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13c2\\u13d0\\u13d7\\u13f1\": 1343,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13c1\\u13d7\\u13f1\": 1344,\n    \"\\u2581\\u13d9\\u13f0\": 1345,\n    \"\\u2581\\u13a4\\u13f0\\u13af\": 1346,\n    \"\\u2581\\u13a4\\u13ec\\u13d7\\u13a8\": 1347,\n    \"\\u2581\\u13d2\\u13ae\\u13f1\\u13e3\": 1348,\n    \"\\u2581\\u13a2\\u13ac\\u13c1\\u13af\": 1349,\n    \"\\u2581\\u13d3\\u13ef\\u13a2\": 1350,\n    \"\\u2581\\u13be\\u13cd\\u13a9\\u13c9\": 1351,\n    \"\\u2581\\u13c6\": 1352,\n    \"\\u2581\\u13a7\\u13b8\\u13a2\": 1353,\n    \"\\u13d9\\u13a9\": 1354,\n    \"\\u2581\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\\u13a2\": 1355,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13c5\\u13db\\u13a2\": 1356,\n    \"\\u13c1\\u13b4\\u13a2\": 1357,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13a2\": 1358,\n    \"\\u13d4\\u13c5\\u13ad\": 1359,\n   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\"\\u2581\\u13d7\\u13d6\\u13b5\\u13d9\": 1401,\n    \"\\u2581\\u13a4\\u13aa\\u13cf\\u13d3\": 1402,\n    \"\\u2581\\u13e6\\u13d3\\u13c2\": 1403,\n    \"\\u2581\\u13a0\\u13c2\\u13eb\\u13c5\": 1404,\n    \"\\u2581\\u13f1\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13ad\": 1405,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13b5\\u13cd\\u13d9\\u13d7\\u13f1\": 1406,\n    \"\\u2581\\u13a4\\u13a6\\u13be\\u13cd\\u13d3\": 1407,\n    \"\\u2581\\u13e7\\u13aa\\u13b3\": 1408,\n    \"\\u2581\\u13a2\\u13ef\\u13be\\u13db\\u13c1\\u13af\": 1409,\n    \"\\u2581\\u13ac\\u13e9\\u13df\\u13cd\\u13d7\": 1410,\n    \"\\u2581\\u13a0\\u13e5\\u13cd\\u13db\": 1411,\n    \"\\u2581\\u13e7\\u13cd\\u13d7\": 1412,\n    \"\\u2581\\u13aa\\u13af\\u13d7\\u13f3\": 1413,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13d5\\u13b8\\u13d9\\u13d7\": 1414,\n    \"\\u2581\\u13a4\\u13da\\u13b5\\u13cd\\u13a8\\u13cd\\u13d7\": 1415,\n    \"\\u2581\\u13a4\\u13da\\u13b8\\u13d7\": 1416,\n    \"\\u2581\\u13a2\\u13e3\\u13e4\\u13b5\\u13a6\": 1417,\n    \"\\u2581\\u13e3\\u13c1\\u13b3\": 1418,\n    \"\\u2581\\u13a2\\u13a6\\u13a6\\u13d8\": 1419,\n    \"\\u13c1\\u13b5\": 1420,\n    \"\\u13aa\\u13af\": 1421,\n    \"\\u2581\\u13d7\\u13c6\\u13e4\\u13b5\\u13a6\": 1422,\n    \"\\u13db\\u13a6\": 1423,\n    \"\\u2581\\u13a1\\u13b5\\u13cd\\u13d7\": 1424,\n    \"\\u2581\\u13f1\\u13ac\": 1425,\n    \"\\u13c9\\u13c3\": 1426,\n    \"\\u2581\\u13e7\\u13d3\\u13c3\": 1427,\n    \"\\u13d5\\u13b5\": 1428,\n    \"\\u2581\\u13d9\\u13d3\": 1429,\n    \"\\u2581\\u13a4\\u13c2\\u13e3\\u13d4\": 1430,\n    \"\\u2581\\u13a3\\u13c2\\u13f1\": 1431,\n    \"\\u2581\\u13af\\u13a0\\u13cd\\u13a9\\u13c2\": 1432,\n    \"\\u13aa\\u13d7\": 1433,\n    \"\\u2581\\u13d7\\u13c6\": 1434,\n    \"\\u13ad\\u13c2\": 1435,\n    \"\\u2581\\u13c3\\u13e5\": 1436,\n    \"\\u13c1\\u13ae\\u13cd\\u13d7\": 1437,\n    \"\\u2581\\u13f1\\u13e8\": 1438,\n    \"\\u2581\\u13a0\\u13d3\\u13c1\\u13b8\\u13a2\": 1439,\n    \"\\u2581\\u13ed\\u13be\": 1440,\n    \"\\u2581\\u13c4\\u13ea\\u13d2\\u13a2\": 1441,\n    \"\\u2581\\u13c4\\u13b5\\u13cd\\u13d4\\u13c5\\u13a2\": 1442,\n    \"\\u2581\\u13ef\\u13a9\": 1443,\n    \"\\u2581\\u13be\\u13be\\u13db\\u13c1\\u13b2\": 1444,\n    \"\\u2581\\u13de\\u13a6\": 1445,\n    \"\\u2581\\u13ac\\u13e9\\u13be\": 1446,\n    \"\\u13b7\\u13a6\": 1447,\n    \"\\u2581\\u13da\\u13b3\\u13cd\\u13ac\": 1448,\n    \"\\u2581\\u13a4\\u13c1\\u13e8\\u13a2\": 1449,\n    \"\\u2581\\u13eb\\u13d3\": 1450,\n    \"\\u2581\\u13a4\\u13a8\\u13d3\\u13b5\\u13f4\": 1451,\n    \"\\u2581\\u13a4\\u13c5\\u13cf\\u13f4\": 1452,\n    \"\\u2581\\u13ed\\u13ef\\u13c5\\u13ae\": 1453,\n    \"\\u13a9\\u13b6\": 1454,\n    \"\\u2581\\u13a0\\u13be\\u13a2\\u13d2\": 1455,\n    \"\\u2581\\u13a4\\u13c2\\u13b7\\u13e8\": 1456,\n    \"\\u2581\\u13d5\\u13ad\\u13b7\\u13a8\": 1457,\n    \"\\u2581\\u13a6\\u13c5\\u13c5\": 1458,\n    \"\\u2581\\u13d5\\u13a9\": 1459,\n    \"\\u2581\\u13ed\\u13b7\\u13e8\": 1460,\n    \"\\u2581\\u13e7\\u13be\\u13cd\\u13d7\": 1461,\n    \"\\u2581\\u13a4\\u13d2\\u13a2\": 1462,\n    \"\\u2581\\u13d7\\u13e5\\u13be\\u13eb\": 1463,\n    \"\\u2581\\u13d0\\u13d3\\u13bb\": 1464,\n    \"\\u2581\\u13d3\\u13e3\": 1465,\n    \"\\u13cc\\u13b3\\u13d3\": 1466,\n    \"\\u2581\\u13a4\\u13b7\\u13af\\u13cd\\u13d7\": 1467,\n    \"\\u2581\\u13a4\\u13c2\\u13f4\\u13cd\\u13d7\": 1468,\n    \"\\u2581\\u13a0\\u13a6\\u13d8\\u13cf\": 1469,\n    \"\\u2581Perry\": 1470,\n    \"\\u2581\\u13e7\\u13a6\\u13be\\u13ee\": 1471,\n    \"\\u13da\\u13d3\\u13b4\\u13cd\\u13d9\\u13d7\": 1472,\n    \"\\u2581\\u13a5\\u13f3\\u13a9\": 1473,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13d4\\u13f4\\u13d7\": 1474,\n    \"\\u2581\\u13a4\\u13a9\\u13e8\\u13d3\": 1475,\n    \"\\u2581\\u13a7\\u13c2\\u13a9\\u13db\": 1476,\n    \"\\u2581\\u13d7\\u13d5\\u13f2\\u13d7\": 1477,\n    \"\\u2581\\u13a4\\u13be\\u13f0\\u13af\\u13cd\\u13d7\": 1478,\n    \"\\u2581\\u13a4\\u13eb\\u13ef\": 1479,\n    \"\\u2581\\u13a4\\u13c2\\u13a9\\u13ac\": 1480,\n    \"\\u2581\\u13a4\\u13ec\\u13e2\\u13d4\\u13c5\\u13a9\": 1481,\n    \"\\u2581\\u13e7\\u13be\\u13a9\\u13b8\\u13d7\": 1482,\n    \"\\u2581\\u13d7\\u13d3\\u13d8\\u13c2\\u13d9\\u13af\": 1483,\n    \"\\u2581\\u13a4\\u13c1\\u13ab\\u13e5\\u13db\": 1484,\n    \"\\u2581\\u13d7\\u13aa\": 1485,\n    \"\\u2581\\u13a0\\u13c6\\u13c1\\u13b3\\u13c5\\u13af\": 1486,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13aa\\u13b8\\u13d4\\u13c5\\u13af\": 1487,\n    \"\\u2581\\u13f3\\u13da\\u13b5\\u13cd\\u13a8\": 1488,\n    \"\\u2581\\u13a0\\u13cd\\u13da\\u13d7\": 1489,\n    \"\\u2581\\u13a8\\u13b5\\u13cd\\u13ac\": 1490,\n    \"\\u2581\\u13c2\\u13d7\\u13a5\": 1491,\n    \"\\u2581\\u13da\\u13d3\\u13d8\\u13be\\u13a5\\u13a2\": 1492,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\\u13ce\\u13a2\": 1493,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13db\\u13c1\\u13d7\\u13f1\": 1494,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13c2\\u13aa\\u13d7\\u13f3\": 1495,\n    \"\\u2581\\u13d3\\u13c6\": 1496,\n    \"\\u2581\\u13a3\\u13cf\\u13c9\": 1497,\n    \"\\u2581\\u13c4\\u13db\\u13c1\\u13b8\\u13a9\": 1498,\n    \"\\u2581\\u13a4\\u13bf\": 1499,\n    \"\\u2581\\u13d7\\u13a8\\u13d2\\u13a2\": 1500,\n    \"\\u2581\\u13f0\": 1501,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13aa\": 1502,\n    \"\\u2581\\u13a0\\u13eb\\u13c5\": 1503,\n    \"\\u13cd\\u13d5\\u13b8\\u13d7\": 1504,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13cd\\u13ac\\u13a2\": 1505,\n    \"\\u13b4\\u13c2\": 1506,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13d7\": 1507,\n    \"\\u13b5\\u13cd\\u13d9\\u13d7\": 1508,\n    \"\\u13a1\\u13af\": 1509,\n    \"\\u2581\\u13a2\\u13e7\": 1510,\n    \"\\u13b5\\u13cd\\u13d7\": 1511,\n    \"\\u2581\\u13c5\\u13a9\\u13c1\": 1512,\n    \"\\u13a1\\u13d7\\u13f1\": 1513,\n    \"\\u2581\\u13c1\\u13b0\": 1514,\n    \"\\u2581\\u13f3\\u13be\": 1515,\n    \"\\u2581\\u13be\\u13a5\\u13a2\": 1516,\n    \"\\u13cd\\u13d4\": 1517,\n    \"\\u2581\\u13a4\\u13c1\\u13e8\\u13af\": 1518,\n    \"n\": 1519,\n    \"\\u2581\\u13a0\\u13cf\\u13f4\\u13eb\\u13c3\": 1520,\n    \"\\u2581\\u13e3\\u13be\": 1521,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\": 1522,\n    \"\\u2581\\u13da\\u13f3\\u13aa\\u13db\\u13a2\": 1523,\n    \"\\u2581\\u13a2\\u13f3\\u13a2\": 1524,\n    \"\\u13d7\\u13cd\\u13a8\\u13a2\": 1525,\n    \"\\u2581\\u13a4\\u13e5\\u13b8\": 1526,\n    \"\\u13b6\\u13db\": 1527,\n    \"\\u2581\\u13a4\\u13ea\\u13b5\\u13af\\u13cd\\u13d7\": 1528,\n    \"\\u2581\\u13a4\\u13d5\\u13c1\\u13b8\": 1529,\n    \"\\u2581\\u13a0\\u13f0\\u13d9\\u13b3\\u13db\": 1530,\n    \"\\u2581\\u13a1\\u13d9\\u13b2\": 1531,\n    \"\\u13d7\\u13f3\": 1532,\n    \"\\u2581\\u13a0\\u13be\\u13d3\": 1533,\n    \"\\u2581\\u13a4\\u13d3\\u13c2\\u13b5\\u13a8\": 1534,\n    \"\\u2581\\u13a4\\u13b5\\u13c1\\u13e8\": 1535,\n    \"\\u2581\\u13d5\\u13e1\\u13ac\": 1536,\n    \"\\u2581\\u13d3\\u13c1\\u13e9\\u13d7\\u13d2\": 1537,\n    \"\\u2581\\u13d5\\u13a8\\u13cc\\u13d7\\u13d2\": 1538,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d6\\u13b4\": 1539,\n    \"\\u2581\\u13a0\\u13c6\\u13da\\u13b5\\u13cd\\u13ac\": 1540,\n    \"\\u2581\\u13a4\\u13d3\\u13f4\\u13cd\\u13d7\": 1541,\n    \"\\u2581\\u13b7\\u13c8\\u13c2\": 1542,\n    \"\\u2581\\u13d7\\u13c2\\u13b5\\u13a0\\u13c5\\u13af\\u13db\": 1543,\n    \"\\u2581\\u13a2\\u13c8\\u13ac\\u13a2\": 1544,\n    \"\\u2581\\u13b9\\u13cf\\u13d9\\u13c2\": 1545,\n    \"\\u2581\\u13de\\u13a9\\u13f3\": 1546,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13c5\\u13df\": 1547,\n    \"\\u2581\\u13ac\\u13d4\\u13c2\\u13d3\\u13cd\\u13d7\": 1548,\n    \"\\u2581\\u13a0\\u13aa\\u13c4\": 1549,\n    \"\\u2581\\u13cc\\u13ba\\u13b5\\u13f1\": 1550,\n    \"\\u2581\\u13a0\\u13d9\\u13b3\\u13c5\\u13cd\\u13d7\": 1551,\n    \"\\u2581\\u13a9\\u13df\": 1552,\n    \"\\u2581\\u13d7\\u13a6\\u13c5\\u13d9\\u13d7\": 1553,\n    \"\\u2581\\u13a0\\u13eb\\u13c4\\u13e3\": 1554,\n    \"\\u2581\\u13a0\\u13df\\u13b6\\u13cd\\u13d7\": 1555,\n    \"\\u2581\\u13a2\\u13e8\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 1556,\n    \"\\u2581\\u13a2\\u13f3\\u13ea\\u13c5\\u13cd\\u13d7\": 1557,\n    \"\\u2581\\u13e7\\u13cd\\u13c6\\u13c5\\u13be\": 1558,\n    \"\\u2581\\u13a1\\u13cf\\u13f1\": 1559,\n    \"\\u2581\\u13a4\\u13ec\\u13da\\u13af\": 1560,\n    \"\\u2581\\u13a4\\u13ec\\u13da\\u13af\\u13f3\": 1561,\n    \"\\u2581\\u13a0\\u13e5\\u13be\\u13dd\\u13a2\": 1562,\n    \"\\u2581\\u13a4\\u13b6\\u13d2\\u13cd\\u13d7\": 1563,\n    \"\\u2581\\u13e7\\u13d3\\u13b4\\u13c5\\u13d3\": 1564,\n    \"\\u2581\\u13a0\\u13d3\\u13af\": 1565,\n    \"\\u2581\\u13ce\\u13b3\\u13f1\": 1566,\n    \"\\u2581\\u13a4\\u13c2\\u13f4\\u13cd\\u13d7\\u13f1\": 1567,\n    \"\\u2581\\u13d4\\u13b5\\u13e7\\u13c8\": 1568,\n    \"\\u13a4\\u13c5\": 1569,\n    \"\\u2581\\u13a3\\u13c1\": 1570,\n    \"\\u2581\\u13da\\u13ef\": 1571,\n    \"\\u2581\\u13e4\\u13ae\\u13a2\": 1572,\n    \"\\u13b6\\u13d7\": 1573,\n    \"\\u2581\\u13a0\\u13c1\\u13ae\\u13a2\": 1574,\n    \"\\u2581\\u13da\\u13b4\\u13c1\\u13a2\": 1575,\n    \"\\u2581\\u13f0\\u13ad\": 1576,\n    \"\\u2581\\u13a0\\u13c1\\u13ad\": 1577,\n    \"\\u2581\\u13d0\\u13a2\\u13f1\": 1578,\n    \"\\u2581\\u13f1\\u13d7\\u13e3\": 1579,\n    \"\\u13be\\u13cf\": 1580,\n    \"\\u13e8\\u13af\": 1581,\n    \"\\u2581\\u13a2\\u13f3\\u13be\": 1582,\n    \"\\u2581\\u13a0\\u13ac\": 1583,\n    \"\\u2581\\u13d3\\u13e8\": 1584,\n    \"\\u2581\\u13a6\\u13cd\\u13a9\\u13b8\\u13a2\": 1585,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\\u13c9\\u13d7\": 1586,\n    \"\\u13cd\\u13ca\": 1587,\n    \"\\u13cd\\u13d7\\u13cd\\u13ac\": 1588,\n    \"\\u2581\\u13a4\\u13a8\\u13f3\\u13af\": 1589,\n    \"\\u2581\\u13a2\\u13d3\": 1590,\n    \"\\u2581\\u13a4\\u13ec\\u13b5\": 1591,\n    \"\\u2581\\u13d9\\u13af\\u13f1\": 1592,\n    \"\\u2581\\u13a0\\u13ce\\u13a9\": 1593,\n    \"\\u2581\\u13a0\\u13dc\": 1594,\n    \"\\u13db\\u13d7\": 1595,\n    \"\\u2581\\u13da\\u13b4\\u13c1\": 1596,\n    \"\\u2581\\u13a4\\u13c1\\u13c5\\u13ce\": 1597,\n    \"\\u2581\\u13a4\\u13b8\": 1598,\n    \"\\u2581\\u13d3\\u13be\\u13d3\": 1599,\n    \"a\": 1600,\n    \"\\u13e0\\u13be\\u13cd\\u13d7\": 1601,\n    \"\\u13db\\u13af\": 1602,\n    \"\\u13b8\\u13c9\\u13d9\\u13d7\": 1603,\n    \"\\u13db\\u13ad\": 1604,\n    \"\\u13b8\\u13c9\\u13d7\\u13f3\": 1605,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\": 1606,\n    \"\\u2581\\u13a0\\u13c2\\u13d9\\u13be\\u13a5\": 1607,\n    \"\\u13c5\\u13d2\\u13a9\": 1608,\n    \"\\u2581\\u13d4\\u13b5\\u13ad\": 1609,\n    \"\\u2581\\u13c4\\u13c2\": 1610,\n    \"\\u2581\\u13d7\\u13e3\\u13d3\\u13c5\\u13d9\": 1611,\n    \"\\u2581\\u13a1\\u13d7\": 1612,\n    \"\\u2581\\u13ac\\u13c6\": 1613,\n    \"\\u13a0\\u13ef\": 1614,\n    \"\\u2581\\u13e8\\u13cd\\u13a9\\u13c3\": 1615,\n    \"\\u2581\\u13a4\\u13f0\\u13e4\": 1616,\n    \"\\u2581\\u13a0\\u13c6\\u13a7\\u13db\": 1617,\n    \"\\u2581\\u13d3\\u13e0\\u13af\\u13cd\\u13db\": 1618,\n    \"\\u2581\\u13a0\\u13c1\\u13d9\\u13b2\": 1619,\n    \"\\u2581\\u13ed\\u13b6\\u13ce\": 1620,\n    \"\\u2581\\u13a0\\u13be\\u13db\": 1621,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13ce\": 1622,\n    \"\\u2581\\u13d7\\u13d3\": 1623,\n    \"\\u2581\\u13d5\\u13a6\\u13b6\\u13d7\": 1624,\n    \"\\u2581\\u13cf\\u13a9\\u13bb\": 1625,\n    \"\\u2581\\u13a0\\u13e5\\u13a6\\u13d8\\u13d7\\u13cd\\u13d7\": 1626,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\": 1627,\n    \"\\u2581\\u13a4\\u13cd\\u13aa\\u13b5\": 1628,\n    \"\\u2581\\u13aa\\u13ea\\u13b3\": 1629,\n    \"\\u13d0\\u13a2\": 1630,\n    \"\\u2581\\u13a4\\u13d5\\u13b0\\u13af\\u13cd\\u13d7\": 1631,\n    \"\\u2581\\u13a2\\u13f3\\u13db\\u13c1\\u13d7\": 1632,\n    \"y\": 1633,\n    \"\\u2581\\u13a6\\u13b7\\u13ef\\u13cd\\u13d8\": 1634,\n    \"\\u2581\\u13a2\\u13cf\\u13ba\\u13b5\": 1635,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13d3\\u13e9\\u13db\\u13ce\\u13a2\": 1636,\n    \"\\u2581\\u13a4\\u13b5\\u13d7\\u13e8\": 1637,\n    \"ett\": 1638,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13c2\\u13b6\\u13d2\\u13af\": 1639,\n    \"\\u2581\\u13d1\\u13be\\u13d9\\u13d3\\u13c6\\u13cd\\u13d7\": 1640,\n    \"\\u2581\\u13a2\\u13ef\\u13c5\\u13d9\": 1641,\n    \"\\u2581\\u13d7\\u13ac\\u13d4\\u13c2\\u13d3\\u13cd\\u13d7\": 1642,\n    \"\\u2581\\u13a2\\u13a6\\u13ea\\u13cd\\u13d7\": 1643,\n    \"\\u2581\\u13c2\\u13ac\\u13e9\\u13ea\\u13ce\\u13b8\\u13a9\": 1644,\n    \"\\u2581\\u13a4\\u13d3\\u13b5\": 1645,\n    \"\\u2581\\u13d7\\u13f0\\u13d9\\u13b3\\u13db\\u13d7\": 1646,\n    \"\\u2581\\u13a0\\u13d6\\u13b5\\u13d9\": 1647,\n    \"\\u2581\\u13ad\\u13e9\\u13e7\": 1648,\n    \"\\u2581\\u13da\\u13d8\\u13c5\\u13ce\": 1649,\n    \"\\u2581\\u13a4\\u13b4\\u13c2\\u13d9\\u13b8\": 1650,\n    \"\\u2581\\u13d5\\u13b9\\u13cd\\u13a6\": 1651,\n    \"\\u2581\\u13a0\\u13c2\\u13a8\\u13be\\u13c2\": 1652,\n    \"\\u2581\\u13a0\\u13eb\\u13d2\\u13d7\\u13f1\": 1653,\n    \"\\u2581\\u13d7\\u13cd\\u13d3\\u13d3\\u13c5\\u13df\": 1654,\n    \"\\u2581\\u13a6\\u13c2\\u13a6\\u13d4\": 1655,\n    \"\\u2581\\u13e3\\u13d3\\u13b5\\u13a2\": 1656,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d3\\u13ad\": 1657,\n    \"\\u2581\\u13cc\\u13be\\u13f1\": 1658,\n    \"\\u2581\\u13e5\\u13da\\u13d9\\u13a5\": 1659,\n    \"\\u2581\\u13a4\\u13c1\\u13b5\\u13e4\\u13a2\": 1660,\n    \"\\u2581\\u13a4\\u13be\\u13c1\\u13b3\\u13c5\\u13af\": 1661,\n    \"\\u2581\\u13a0\\u13aa\\u13d9\\u13d7\": 1662,\n    \"\\u2581\\u13d9\\u13f1\\u13e8\": 1663,\n    \"\\u2581\\u13a4\\u13be\\u13e0\\u13be\\u13cd\\u13d7\": 1664,\n    \"\\u2581\\u13d7\\u13e6\\u13e2\\u13d9\\u13d7\": 1665,\n    \"\\u2581\\u13a4\\u13be\\u13f0\\u13af\\u13cd\\u13d7\\u13f3\": 1666,\n    \"\\u2581\\u13ce\\u13bb\": 1667,\n    \"\\u2581\\u13a4\\u13cf\\u13e9\": 1668,\n    \"\\u2581\\u13a4\\u13ec\\u13da\\u13e8\": 1669,\n    \"\\u2581\\u13ae\\u13a6\": 1670,\n    \"\\u2581\\u13c1\\u13b2\\u13be\": 1671,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d3\": 1672,\n    \"\\u2581\\u13f1\\u13c2\\u13a6\\u13b5\\u13cd\\u13d3\": 1673,\n    \"\\u13a2\\u13f3\": 1674,\n    \"\\u2581\\u13a0\\u13a9\\u13f0\\u13b8\\u13ad\": 1675,\n    \"\\u2581\\u13a4\\u13c2\\u13af\\u13cd\\u13d7\\u13f1\": 1676,\n    \"\\u2581\\u13a2\\u13a8\": 1677,\n    \"\\u2581\\u13eb\\u13d7\": 1678,\n    \"\\u2581\\u13a0\\u13cd\\u13aa\\u13af\\u13c1\": 1679,\n    \"\\u2581\\u13a4\\u13df\\u13cd\\u13d3\": 1680,\n    \"\\u2581\\u13a2\\u13ac\\u13d3\": 1681,\n    \"\\u2581\\u13a4\\u13b7\\u13af\\u13cd\\u13d7\\u13f1\": 1682,\n    \"\\u2581\\u13be\\u13c2\\u13ea\\u13cd\\u13ac\\u13a9\": 1683,\n    \"\\u2581\\u13c8\\u13b3\": 1684,\n    \"\\u13e9\\u13db\\u13b2\": 1685,\n    \"\\u2581\\u13a2\\u13ac\\u13d2\": 1686,\n    \"\\u2581\\u13d7\\u13c2\\u13c5\\u13cc\\u13d7\": 1687,\n    \"\\u2581\\u13a0\\u13b1\\u13cd\\u13d5\": 1688,\n    \"\\u2581\\u13a0\\u13c1\\u13a9\": 1689,\n    \"\\u13a8\\u13f3\\u13ce\\u13cd\\u13d7\": 1690,\n    \"\\u2581\\u13a2\\u13be\": 1691,\n    \"\\u2581\\u13c4\\u13be\\u13db\\u13c5\\u13a2\": 1692,\n    \"\\u2581\\u13d3\\u13c1\\u13e9\\u13d7\\u13d2\\u13a2\": 1693,\n    \"\\u2581\\u13d5\\u13ad\\u13b7\\u13a8\\u13a2\": 1694,\n    \"\\u2581\\u13d9\\u13a9\": 1695,\n    \"\\u13e0\": 1696,\n    \"\\u2581\\u13a6\\u13c2\": 1697,\n    \"\\u2581\\u13d5\\u13a6\\u13db\": 1698,\n    \"\\u13c3\\u13ae\\u13ad\": 1699,\n    \"\\u2581\\u13a8\\u13f4\\u13a2\": 1700,\n    \"\\u13a5\\u13cd\\u13ac\": 1701,\n    \"\\u13a5\\u13a2\": 1702,\n    \"\\u13b3\\u13c5\\u13af\": 1703,\n    \"\\u13aa\\u13b5\\u13f0\\u13cd\\u13a9\": 1704,\n    \"\\u13e9\\u13db\\u13d7\": 1705,\n    \"\\u13d1\": 1706,\n    \"\\u2581\\u13a0\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\": 1707,\n    \"\\u2581\\u13a0\\u13d9\": 1708,\n    \"\\u2581\\u13af\\u13b3\": 1709,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\": 1710,\n    \"\\u2581\\u13d7\\u13e4\": 1711,\n    \"\\u2581\\u13a4\\u13c2\\u13e0\\u13f1\": 1712,\n    \"\\u13c9\\u13f0\\u13c3\": 1713,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\": 1714,\n    \"\\u2581\\u13a4\\u13be\\u13d9\\u13b4\\u13b0\\u13d2\": 1715,\n    \"\\u2581\\u13a4\\u13c7\\u13d3\\u13b8\": 1716,\n    \"\\u2581\\u13d7\\u13d7\": 1717,\n    \"\\u13a6\\u13db\": 1718,\n    \"\\u2581\\u13e3\\u13c9\": 1719,\n    \"\\u13a1\\u13ad\": 1720,\n    \"\\u2581\\u13a6\\u13e5\\u13ef\": 1721,\n    \"\\u2581\\u13d4\\u13b5\\u13c1\\u13a2\": 1722,\n    \"\\u2581\\u13e7\\u13be\\u13d3\": 1723,\n    \"\\u13c5\\u13df\": 1724,\n    \"\\u2581\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\": 1725,\n    \"\\u13bf\": 1726,\n    \"\\u2581\\u13ef\\u13be\": 1727,\n    \"\\u13b8\\u13be\": 1728,\n    \"\\u2581\\u13a6\\u13c1\\u13b2\": 1729,\n    \"\\u2581\\u13a4\\u13f4\": 1730,\n    \"\\u13b5\\u13f1\": 1731,\n    \"\\u13db\\u13c5\": 1732,\n    \"\\u2581\\u13a4\\u13da\\u13b5\\u13cd\\u13a8\": 1733,\n    \"\\u2581\\u13c1\\u13b3\\u13a9\": 1734,\n    \"\\u2581\\u13d5\\u13e5\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\": 1735,\n    \"\\u2581\\u13ed\\u13f4\\u13b4\": 1736,\n    \"\\u13ef\\u13d6\\u13c5\": 1737,\n    \"\\u13b5\\u13cd\\u13c6\\u13d7\\u13cd\\u13a9\": 1738,\n    \"\\u2581\\u13d9\\u13d3\\u13b8\": 1739,\n    \"\\u2581\\u13c4\\u13be\\u13db\\u13c5\": 1740,\n    \"\\u2581\\u13a1\\u13ae\": 1741,\n    \"\\u2581\\u13d7\\u13c1\\u13b2\": 1742,\n    \"\\u13b2\\u13cd\\u13ac\": 1743,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\": 1744,\n    \"\\u2581\\u13a4\\u13c1\\u13b8\": 1745,\n    \"\\u13b1\": 1746,\n    \"\\u2581\\u13a4\\u13db\\u13c1\\u13a2\": 1747,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13be\\u13cf\\u13c2\\u13d9\\u13af\": 1748,\n    \"\\u2581\\u13ef\\u13a6\\u13d4\\u13ae\": 1749,\n    \"\\u2581\\u13a0\\u13b5\\u13f0\\u13be\": 1750,\n    \"\\u2581\\u13a6\\u13e3\\u13c4\\u13b3\": 1751,\n    \"\\u2581\\u13a0\\u13e8\\u13cd\\u13d9\\u13d7\": 1752,\n    \"\\u2581\\u13e7\\u13a6\\u13d2\\u13cd\\u13d7\": 1753,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13b5\\u13cd\\u13d9\\u13d7\": 1754,\n    \"\\u2581\\u13a0\\u13d2\\u13ac\": 1755,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13cd\\u13d9\\u13d7\\u13f1\": 1756,\n    \"\\u2581\\u13d7\\u13e5\\u13f2\\u13b5\": 1757,\n    \"\\u2581\\u13d7\\u13c2\\u13cf\\u13d7\": 1758,\n    \"\\u2581\\u13a0\\u13e4\\u13b7\\u13a9\": 1759,\n    \"\\u2581\\u13e5\\u13c4\\u13ea\\u13ce\\u13a2\": 1760,\n    \"\\u2581\\u13a0\\u13c2\\u13a9\\u13b7\\u13eb\": 1761,\n    \"\\u2581\\u13e7\\u13b3\\u13cf\\u13d5\\u13c2\": 1762,\n    \"\\u2581\\u13a4\\u13db\": 1763,\n    \"\\u2581\\u13eb\\u13a6\\u13b7\\u13a9\": 1764,\n    \"\\u2581\\u13e5\\u13cd\\u13da\": 1765,\n    \"\\u2581\\u13a4\\u13be\\u13b3\\u13c5\\u13af\": 1766,\n    \"\\u2581\\u13d7\\u13c2\\u13f0\\u13b8\": 1767,\n    \"\\u2581\\u13c4\\u13be\\u13d3\\u13b4\\u13d2\": 1768,\n    \"\\u2581\\u13ab\\u13ab\": 1769,\n    \"\\u13ef\\u13c5\\u13db\": 1770,\n    \"\\u13b5\\u13f0\\u13a2\\u13b6\\u13af\\u13cd\\u13d7\": 1771,\n    \"\\u2581\\u13a4\\u13f2\\u13b1\\u13af\\u13cd\\u13d7\\u13f1\": 1772,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13a8\\u13db\": 1773,\n    \"\\u2581\\u13cf\\u13f2\": 1774,\n    \"\\u2581\\u13ad\\u13eb\\u13c2\\u13e8\": 1775,\n    \"\\u2581\\u13a7\\u13c3\\u13ae\\u13d7\": 1776,\n    \"\\u2581\\u13a2\\u13f3\\u13cd\\u13d8\": 1777,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\": 1778,\n    \"\\u2581\\u13da\\u13be\\u13d3\": 1779,\n    \"\\u2581\\u13ab\\u13b4\": 1780,\n    \"\\u2581\\u13a4\\u13c2\\u13e3\\u13db\\u13a9\": 1781,\n    \"\\u2581\\u13ed\\u13c2\\u13b6\\u13ce\\u13a2\": 1782,\n    \"\\u13a6\\u13d9\\u13c3\": 1783,\n    \"\\u2581\\u13d7\\u13a9\\u13cf\": 1784,\n    \"\\u2581\\u13a0\\u13c6\\u13da\\u13b5\\u13ad\": 1785,\n    \"\\u2581\\u13a0\\u13aa\\u13e9\\u13db\\u13d7\": 1786,\n    \"\\u2581\\u13d3\\u13c5\\u13c5\": 1787,\n    \"\\u2581\\u13c2\\u13aa\\u13af\\u13b8\\u13be\\u13c9\": 1788,\n    \"\\u2581\\u13a4\\u13f2\\u13e8\": 1789,\n    \"\\u2581\\u13d9\\u13a6\": 1790,\n    \"\\u2581\\u13e5\\u13a8\\u13f3\\u13a2\": 1791,\n    \"\\u2581\\u13f1\\u13a8\\u13d0\\u13a2\": 1792,\n    \"\\u13b3\\u13bb\": 1793,\n    \"\\u13f4\\u13eb\": 1794,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\": 1795,\n    \"\\u2581\\u13a8\\u13b5\\u13a0\": 1796,\n    \"\\u2581\\u13a1\\u13ae\\u13cd\\u13d7\": 1797,\n    \"\\u2581\\u13a1\\u13a9\": 1798,\n    \"\\u2581\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\\u13a2\": 1799,\n    \"\\u2581\\u13a0\\u13c1\": 1800,\n    \"\\u2581\\u13a0\\u13c1\\u13d9\\u13b2\\u13a2\": 1801,\n    \"\\u2581\\u13a2\\u13a6\\u13e4\\u13b5\\u13a6\": 1802,\n    \"\\u2581\\u13aa\\u13a8\": 1803,\n    \"\\u2581\\u13a1\\u13d9\\u13b2\\u13a2\": 1804,\n    \"\\u2581\\u13d7\\u13c1\\u13b2\\u13a2\": 1805,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13c5\": 1806,\n    \"\\u2581\\u13a0\\u13d3\\u13c1\\u13d7\": 1807,\n    \"\\u2581\\u13a0\\u13d7\": 1808,\n    \"\\u2581\\u13d0\": 1809,\n    \"\\u2581\\u13a1\\u13be\": 1810,\n    \"\\u2581\\u13c2\\u13d9\\u13d3\\u13f3\": 1811,\n    \"\\u2581\\u13c2\\u13aa\\u13af\\u13b8\\u13be\": 1812,\n    \"\\u2581\\u13a4\\u13c2\\u13b7\\u13e4\\u13a2\": 1813,\n    \"\\u2581\\u13c2\\u13e5\\u13a5\\u13a2\": 1814,\n    \"\\u13a6\\u13d7\\u13d3\": 1815,\n    \"\\u2581\\u13e7\\u13c5\": 1816,\n    \"\\u2581\\u13cd\\u13a9\\u13ef\": 1817,\n    \"\\u2581\\u13a0\\u13c2\\u13d0\": 1818,\n    \"\\u2581\\u13a0\\u13cb\\u13d2\\u13c9\": 1819,\n    \"\\u2581\\u13e3\\u13da\": 1820,\n    \"\\u2581\\u13cc\": 1821,\n    \"\\u2581\\u13f4\\u13ac\": 1822,\n    \"\\u2581\\u13e4\\u13e3\": 1823,\n    \"\\u13e7\\u13c8\\u13cd\\u13d7\": 1824,\n    \"\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 1825,\n    \"\\u2581\\u13aa\\u13af\\u13cd\\u13a9\\u13c2\": 1826,\n    \"\\u13d9\\u13b4\\u13b0\\u13af\\u13cd\\u13d7\": 1827,\n    \"\\u13e2\\u13d9\\u13d7\": 1828,\n    \"\\u13b3\\u13d7\": 1829,\n    \"\\u13e3\\u13d8\": 1830,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\": 1831,\n    \"\\u2581\\u13da\\u13ea\": 1832,\n    \"\\u13c2\\u13b8\": 1833,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13ec\": 1834,\n    \"\\u13b9\": 1835,\n    \"\\u2581\\u13ce\\u13b3\": 1836,\n    \"\\u13a6\\u13b6\\u13c1\\u13db\": 1837,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13a6\\u13c5\": 1838,\n    \"\\u2581\\u13a1\\u13b3\\u13ea\": 1839,\n    \"\\u2581\\u13ce\": 1840,\n    \"\\u2581\\u13d3\\u13eb\\u13d2\": 1841,\n    \"\\u2581\\u13a2\\u13f3\\u13ea\": 1842,\n    \"\\u2581\\u13ed\\u13c2\\u13b7\\u13e8\": 1843,\n    \"\\u13e9\\u13ac\\u13d8\": 1844,\n    \"\\u2581\\u13da\\u13c1\\u13b4\": 1845,\n    \"\\u2581\\u13c4\\u13db\\u13c5\": 1846,\n    \"\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13db\": 1847,\n    \"\\u2581\\u13a1\\u13dd\\u13ea\": 1848,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13db\": 1849,\n    \"\\u2581\\u13d7\\u13a7\\u13c3\\u13a9\\u13cd\\u13d7\": 1850,\n    \"\\u2581\\u13a0\\u13db\\u13aa\\u13d7\": 1851,\n    \"\\u2581\\u13ac\\u13cd\\u13a6\\u13a2\\u13cd\\u13d3\\u13a9\": 1852,\n    \"\\u2581\\u13a0\\u13d7\\u13c6\\u13b8\\u13d5\\u13f2\": 1853,\n    \"\\u2581\\u13c2\\u13a6\\u13c5\\u13af\\u13ce\\u13cd\\u13d7\": 1854,\n    \"\\u2581\\u13a0\\u13c2\\u13cc\\u13da\\u13cf\": 1855,\n    \"\\u2581\\u13c4\\u13dc\\u13cf\\u13db\\u13d2\\u13be\": 1856,\n    \"\\u2581\\u13cc\\u13ef\\u13c2\": 1857,\n    \"\\u2581\\u13a4\\u13b5\\u13aa\\u13b2\\u13cd\\u13d7\": 1858,\n    \"\\u2581\\u13d7\\u13c1\\u13b6\\u13d9\\u13d7\": 1859,\n    \"\\u2581\\u13e7\\u13c3\\u13d1\\u13b6\\u13e8\\u13af\": 1860,\n    \"\\u2581\\u13e5\\u13d4\\u13a6\": 1861,\n    \"\\u2581\\u13a4\\u13b6\\u13d2\\u13cd\\u13d4\\u13c5\\u13af\": 1862,\n    \"\\u2581\\u13e7\\u13be\\u13e6\\u13af\\u13cd\\u13d7\": 1863,\n    \"\\u2581\\u13a2\\u13e8\\u13d4\\u13f2\\u13ce\\u13ad\": 1864,\n    \"\\u2581\\u13e7\\u13be\\u13b3\\u13cf\\u13d5\\u13c2\": 1865,\n    \"\\u2581\\u13b3\\u13cf\\u13b3\": 1866,\n    \"\\u2581\\u13a2\\u13f3\\u13d3\\u13a8\\u13db\": 1867,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 1868,\n    \"\\u2581\\u13a2\\u13a9\\u13cd\\u13d5\\u13b5\\u13cd\\u13a9\": 1869,\n    \"\\u2581\\u13be\\u13db\\u13c1\\u13ae\\u13cd\\u13d7\": 1870,\n    \"\\u2581\\u13a4\\u13da\\u13eb\\u13db\": 1871,\n    \"\\u2581\\u13eb\\u13c2\\u13a6\\u13b5\\u13cd\\u13d3\": 1872,\n    \"\\u2581\\u13eb\\u13c4\\u13d2\\u13b8\": 1873,\n    \"\\u2581\\u13a3\\u13cc\\u13c2\": 1874,\n    \"\\u2581\\u13a3\\u13a6\\u13c1\\u13b3\\u13c5\\u13af\": 1875,\n    \"\\u2581\\u13a4\\u13f4\\u13e3\": 1876,\n    \"\\u2581\\u13a4\\u13be\\u13b4\\u13c5\\u13ae\": 1877,\n    \"\\u2581\\u13a6\\u13f0\\u13cc\\u13d7\": 1878,\n    \"\\u2581\\u13e4\\u13c8\": 1879,\n    \"\\u2581\\u13a0\\u13a6\\u13d8\\u13ef\": 1880,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d4\\u13bf\\u13a2\": 1881,\n    \"\\u2581\\u13ac\\u13aa\\u13e9\\u13db\\u13d7\": 1882,\n    \"\\u2581\\u13d7\\u13ef\\u13d6\\u13be\": 1883,\n    \"\\u2581\\u13a0\\u13b5\\u13ae\\u13b5\\u13cd\\u13d7\": 1884,\n    \"\\u2581\\u13a2\\u13a6\\u13ea\\u13db\": 1885,\n    \"\\u2581\\u13a4\\u13b5\\u13d1\\u13eb\\u13d3\": 1886,\n    \"\\u13ad\\u13d7\": 1887,\n    \"\\u2581\\u13a4\\u13a6\\u13c3\\u13e9\": 1888,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13b5\\u13a2\": 1889,\n    \"\\u13db\\u13f3\\u13a8\\u13d7\": 1890,\n    \"\\u2581\\u13a2\\u13f3\\u13c5\\u13c1\\u13d7\\u13f1\": 1891,\n    \"\\u2581\\u13a2\\u13be\\u13d3\": 1892,\n    \"\\u2581\\u13aa\\u13a8\\u13f1\": 1893,\n    \"\\u2581\\u13a4\\u13ec\\u13e2\\u13c5\\u13af\": 1894,\n    \"\\u2581\\u13a4\\u13b4\\u13eb\\u13cd\\u13d4\\u13c5\": 1895,\n    \"\\u13d4\\u13f2\\u13ce\\u13b4\": 1896,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d6\\u13d7\": 1897,\n    \"\\u2581\\u13a2\\u13cd\\u13d7\": 1898,\n    \"\\u2581\\u13e3\\u13c1\\u13ae\\u13a2\": 1899,\n    \"\\u2581\\u13e7\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 1900,\n    \"\\u2581\\u13d7\\u13a6\\u13b5\\u13a0\\u13c5\\u13af\\u13db\": 1901,\n    \"\\u2581\\u13c4\\u13be\\u13db\\u13c1\\u13b8\\u13a9\": 1902,\n    \"\\u2581\\u13da\\u13f3\\u13aa\\u13d7\": 1903,\n    \"\\u2581\\u13a4\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13a2\": 1904,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\\u13a0\\u13c1\\u13b6\\u13af\": 1905,\n    \"\\u2581\\u13a4\\u13d4\\u13b7\\u13a9\\u13cd\\u13a9\": 1906,\n    \"\\u2581\\u13e5\\u13e5\": 1907,\n    \"\\u2581\\u13ac\\u13e9\\u13db\\u13db\\u13c1\": 1908,\n    \"\\u2581\\u13ed\\u13b6\\u13d2\\u13a9\": 1909,\n    \"\\u2581\\u13a0\\u13a6\\u13d4\\u13ad\": 1910,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13a8\": 1911,\n    \"\\u2581\\u13e7\\u13b5\\u13a2\": 1912,\n    \"\\u2581\\u13be\\u13a5\\u13c2\\u13f3\": 1913,\n    \"\\u2581\\u13a0\\u13d3\\u13f0\\u13cd\": 1914,\n    \"\\u2581\\u13d3\\u13e0\\u13af\\u13cd\\u13db\\u13a2\": 1915,\n    \"\\u2581\\u13d5\\u13a8\\u13cc\\u13d7\\u13d2\\u13a2\": 1916,\n    \"\\u2581\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\": 1917,\n    \"\\u2581\\u13a4\\u13c2\\u13b5\": 1918,\n    \"\\u2581\\u13ad\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\": 1919,\n    \"\\u2581\\u13a3\\u13e3\": 1920,\n    \"\\u2581\\u13cd\\u13aa\\u13af\": 1921,\n    \"\\u13d7\\u13cd\\u13a8\": 1922,\n    \"\\u13cc\\u13d8\": 1923,\n    \"\\u2581\\u13a4\\u13c1\\u13e4\\u13b8\\u13a9\": 1924,\n    \"\\u2581\\u13a7\\u13c1\\u13a2\\u13cd\\u13d7\": 1925,\n    \"\\u13c5\\u13cd\\u13d7\": 1926,\n    \"an\": 1927,\n    \"\\u13a6\\u13d8\\u13cd\\u13d9\\u13d7\": 1928,\n    \"\\u2581\\u13d1\\u13d3\\u13b5\\u13c1\": 1929,\n    \"\\u2581\\u13a4\\u13e3\\u13db\": 1930,\n    \"\\u2581\\u13f3\\u13c2\": 1931,\n    \"\\u2581\\u13d9\\u13f3\": 1932,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\": 1933,\n    \"\\u2581\\u13e5\\u13ef\": 1934,\n    \"\\u13b5\\u13cf\": 1935,\n    \"\\u2581\\u13ac\\u13d7\\u13cd\\u13ac\\u13a2\": 1936,\n    \"\\u2581\\u13d7\\u13e3\\u13d3\": 1937,\n    \"\\u13c3\\u13af\\u13ce\\u13b8\": 1938,\n    \"\\u2581\\u13a4\\u13b4\\u13c5\": 1939,\n    \"\\u2581\\u13a0\\u13f0\\u13b8\\u13d7\": 1940,\n    \"\\u2581\\u13f3\\u13e9\": 1941,\n    \"\\u2581\\u13da\\u13c5\": 1942,\n    \"\\u13b5\\u13cd\\u13d4\\u13c5\": 1943,\n    \"\\u2581\\u13a4\\u13f0\\u13b8\\u13db\\u13a2\": 1944,\n    \"\\u13cd\\u13d4\\u13c5\\u13a9\": 1945,\n    \"\\u2581\\u13a4\\u13d5\": 1946,\n    \"\\u2581\\u13a4\\u13f2\\u13c9\": 1947,\n    \"\\u13c1\\u13e5\": 1948,\n    \"\\u2581\\u13e4\\u13a9\": 1949,\n    \"\\u13ab\": 1950,\n    \"\\u2581\\u13aa\\u13af\\u13db\": 1951,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d9\\u13cd\\u13a9\\u13c2\": 1952,\n    \"\\u13af\\u13ad\": 1953,\n    \"\\u13df\\u13cd\\u13d7\": 1954,\n    \"\\u2581\\u13cd\\u13a9\\u13c3\": 1955,\n    \"\\u2581\\u13af\\u13a6\\u13d4\\u13ad\": 1956,\n    \"\\u2581\\u13a4\\u13ec\": 1957,\n    \"\\u2581---\": 1958,\n    \"\\u2581\\u13a2\\u13c5\\u13af\": 1959,\n    \"\\u2581\\u13f1\\u13a8\": 1960,\n    \"\\u13c2\\u13d7\\u13f3\": 1961,\n    \"\\u2581\\u13d9\\u13d3\\u13a6\": 1962,\n    \"\\u2581\\u13ec\": 1963,\n    \"\\u2581\\u13a4\\u13ab\\u13f4\\u13d7\": 1964,\n    \"\\u2581\\u13d1\\u13be\\u13b4\\u13c3\": 1965,\n    \"\\u2581\\u13e9\\u13c1\": 1966,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13c2\": 1967,\n    \"\\u2581\\u13e5\\u13c5\\u13cf\\u13d3\\u13cd\\u13d7\": 1968,\n    \"\\u2581\\u13c4\\u13cd\\u13db\\u13be\": 1969,\n    \"\\u2581\\u13e7\\u13b5\": 1970,\n    \"\\u2581\\u13a4\\u13aa\": 1971,\n    \"\\u2581\\u13db\\u13be\": 1972,\n    \"\\u2581\\u13e2\": 1973,\n    \"\\u2581\\u13a0\\u13c1\\u13d9\\u13ae\": 1974,\n    \"\\u2581\\u13d5\\u13a8\\u13f4\": 1975,\n    \"\\u2581\\u13be\\u13d1\\u13f4\": 1976,\n    \"\\u13aa\\u13e9\\u13db\\u13d7\": 1977,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13e1\\u13e9\\u13d7\\u13d2\": 1978,\n    \"\\u2581\\u13af\\u13c6\": 1979,\n    \"\\u2581\\u13c5\\u13c3\": 1980,\n    \"\\u2581\\u13a4\\u13c4\\u13aa\\u13e8\": 1981,\n    \"\\u2581\\u13da\\u13aa\\u13b2\": 1982,\n    \"\\u2581\\u13a6\\u13c5\\u13ac\": 1983,\n    \"\\u2581\\u13a4\\u13ea\\u13d9\\u13b8\": 1984,\n    \"\\u2581\\u13a4\\u13ea\\u13c5\\u13cd\\u13d7\": 1985,\n    \"\\u2581\\u13e5\\u13ac\": 1986,\n    \"\\u2581\\u13a0\\u13d2\\u13a8\": 1987,\n    \"\\u2581\\u13a0\\u13a9\\u13be\\u13eb\": 1988,\n    \"\\u2581\\u13a4\\u13f2\\u13b1\\u13af\\u13cd\\u13d7\": 1989,\n    \"\\u2581\\u13a0\\u13c7\": 1990,\n    \"\\u13c4\\u13ae\\u13db\": 1991,\n    \"\\u2581\\u13c5\\u13ec\\u13d8\": 1992,\n    \"\\u2581\\u13d1\\u13d3\\u13b4\\u13a9\": 1993,\n    \"\\u2581\\u13a6\\u13c3\\u13cd\\u13a9\\u13cd\\u13a9\": 1994,\n    \"\\u2581\\u13c0\\u13be\": 1995,\n    \"\\u2581\\u13cd\\u13cf\\u13c9\\u13ef\": 1996,\n    \"\\u2581\\u13d7\\u13a6\\u13d9\\u13cc\\u13d7\\u13cd\\u13d7\\u13f1\": 1997,\n    \"\\u2581\\u13d7\\u13c2\\u13a8\\u13eb\": 1998,\n    \"\\u2581\\u13cc\\u13d9\\u13c2\": 1999,\n    \"\\u2581\\u13e7\\u13be\\u13e6\\u13f4\\u13cd\\u13d7\": 2000,\n    \"\\u2581\\u13ae\\u13b3\\u13c2\": 2001,\n    \"\\u2581\\u13d7\\u13aa\\u13d2\\u13d4\\u13c5\": 2002,\n    \"\\u2581\\u13be\\u13a6\\u13a5\": 2003,\n    \"\\u2581\\u13a8\\u13e3\\u13cd\\u13a6\\u13a9\": 2004,\n    \"\\u2581\\u13a0\\u13c9\\u13f0\\u13c2\": 2005,\n    \"\\u2581\\u13a6\\u13da\\u13a2\\u13d7\\u13e2\": 2006,\n    \"\\u2581\\u13c7\\u13cd\\u13d3\": 2007,\n    \"\\u2581\\u13d7\\u13c2\\u13b0\\u13b5\": 2008,\n    \"\\u2581\\u13cd\\u13d7\\u13eb\": 2009,\n    \"\\u2581\\u13cc\\u13ca\": 2010,\n    \"\\u2581\\u13da\\u13d1\\u13ac\": 2011,\n    \"\\u2581\\u13a4\\u13a7\\u13f2\\u13db\\u13af\": 2012,\n    \"\\u2581\\u13c1\\u13c2\\u13cf\": 2013,\n    \"\\u2581\\u13a8\\u13a6\\u13d1\\u13f0\\u13db\": 2014,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d4\\u13be\\u13a2\": 2015,\n    \"\\u2581\\u13da\\u13a6\\u13d2\\u13cd\\u13db\": 2016,\n    \"\\u2581\\u13d7\\u13cd\\u13c6\\u13be\\u13b3\\u13d7\\u13cd\\u13d7\": 2017,\n    \"\\u2581\\u13c4\\u13cd\\u13d7\\u13d3\\u13c5\": 2018,\n    \"\\u2581\\u13d7\\u13b3\\u13d1\\u13b6\": 2019,\n    \"\\u2581\\u13a2\\u13f3\\u13d3\\u13c5\\u13af\\u13d3\": 2020,\n    \"\\u2581\\u13ac\\u13a9\\u13cd\\u13a6\\u13a9\": 2021,\n    \"\\u2581\\u13a3\\u13e5\\u13a6\\u13d4\\u13ad\": 2022,\n    \"\\u2581\\u13a4\\u13d5\\u13b6\\u13b0\\u13ce\": 2023,\n    \"\\u2581\\u13e9\\u13db\\u13ac\\u13a6\": 2024,\n    \"\\u2581\\u13a2\\u13e5\\u13ef\\u13eb\\u13cd\\u13a8\\u13cd\\u13d7\": 2025,\n    \"\\u2581\\u13a3\\u13ad\\u13c2\": 2026,\n    \"\\u13aa\\u13e3\\u13b4\\u13db\": 2027,\n    \"\\u2581\\u13a0\\u13c2\\u13a9\\u13cf\\u13d9\\u13af\": 2028,\n    \"\\u2581\\u13a8\\u13c6\\u13c2\": 2029,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d4\\u13af\": 2030,\n    \"\\u2581\\u13d7\\u13e5\\u13b6\\u13cd\\u13d4\\u13c5\": 2031,\n    \"\\u2581\\u13a2\\u13e5\\u13c5\\u13df\": 2032,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d6\\u13b8\": 2033,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13f0\\u13ac\\u13cd\\u13d4\": 2034,\n    \"\\u2581\\u13e5\\u13ae\\u13be\": 2035,\n    \"\\u2581\\u13eb\\u13b6\\u13af\": 2036,\n    \"\\u2581\\u13a4\\u13d9\\u13b4\\u13b0\\u13ce\": 2037,\n    \"\\u2581\\u13a4\\u13ea\\u13b7\\u13c5\\u13a9\": 2038,\n    \"\\u2581\\u13c4\\u13d5\\u13d8\\u13f4\\u13ae\\u13a2\": 2039,\n    \"\\u13c1\\u13b2\\u13a2\": 2040,\n    \"\\u2581\\u13d3\\u13f3\\u13b6\\u13d2\": 2041,\n    \"\\u2581\\u13c2\\u13a6\\u13da\": 2042,\n    \"\\u2581\\u13a4\\u13e4\": 2043,\n    \"\\u2581\\u13da\\u13a7\\u13be\\u13c1\": 2044,\n    \"\\u2581\\u13a4\\u13db\\u13d0\\u13c5\\u13af\": 2045,\n    \"\\u2581\\u13a4\\u13c1\\u13b7\\u13c1\\u13a2\": 2046,\n    \"\\u2581\\u13a2\\u13e5\\u13cd\\u13a6\\u13c5\\u13e8\\u13a2\": 2047,\n    \"\\u2581\\u13aa\\u13e2\\u13c5\\u13af\": 2048,\n    \"\\u2581\\u13ef\\u13c2\": 2049,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d5\\u13b8\\u13d9\\u13d7\": 2050,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d2\\u13a9\": 2051,\n    \"\\u2581\\u13a0\\u13e7\\u13cf\": 2052,\n    \"\\u13a0\\u13ce\\u13c3\": 2053,\n    \"\\u2581\\u13d5\\u13a6\\u13b6\\u13d7\\u13af\": 2054,\n    \"\\u2581\\u13a0\\u13a9\\u13aa\\u13b2\\u13a9\": 2055,\n    \"\\u2581\\u13a4\\u13d3\\u13d4\\u13c5\\u13af\": 2056,\n    \"\\u2581\\u13d3\\u13a7\\u13c5\\u13a2\": 2057,\n    \"\\u2581\\u13d3\\u13d3\": 2058,\n    \"\\u2581\\u13ac\\u13e9\\u13b7\\u13e4\\u13b8\\u13a9\": 2059,\n    \"\\u2581\\u13aa\\u13e2\\u13d2\\u13a2\": 2060,\n    \"\\u2581\\u13a1\\u13b3\\u13d7\\u13e3\": 2061,\n    \"\\u13bf\\u13a8\": 2062,\n    \"\\u2581\\u13a2\\u13e7\\u13e9\\u13c1\": 2063,\n    \"\\u2581\\u13a4\\u13c4\\u13aa\\u13e4\": 2064,\n    \"\\u13d7\\u13cd\\u13aa\\u13a2\": 2065,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\\u13a8\\u13b6\\u13af\": 2066,\n    \"\\u2581\\u13a1\\u13d9\\u13af\": 2067,\n    \"\\u2581\\u13d3\\u13ac\\u13be\": 2068,\n    \"\\u13b6\\u13a2\": 2069,\n    \"\\u2581\\u13a0\\u13c1\\u13b3\": 2070,\n    \"\\u2581\\u13a8\\u13be\\u13c2\\u13f1\": 2071,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13e1\\u13e9\\u13d7\\u13d2\\u13a2\": 2072,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13c5\\u13af\\u13f1\": 2073,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13a6\\u13c5\\u13e8\\u13af\": 2074,\n    \"\\u13cc\\u13c2\": 2075,\n    \"\\u13ee\": 2076,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d1\\u13f4\": 2077,\n    \"\\u2581\\u13aa\\u13e3\\u13b4\\u13db\": 2078,\n    \"\\u2581\\u13ae\\u13d7\": 2079,\n    \"\\u2581\\u13a4\\u13cd\\u13d8\\u13f0\\u13ac\": 2080,\n    \"\\u2581\\u13e5\\u13aa\\u13a8\": 2081,\n    \"\\u2581\\u13e3\\u13c2\\u13c3\": 2082,\n    \"\\u13d9\\u13d3\": 2083,\n    \"\\u13d6\\u13b8\\u13d7\": 2084,\n    \"\\u2581\\u13da\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\\u13a2\": 2085,\n    \"\\u13d3\\u13e5\": 2086,\n    \"\\u2581\\u13a0\\u13d4\\u13b4\\u13d2\\u13a2\": 2087,\n    \"\\u13b8\\u13d7\": 2088,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13cd\\u13ac\\u13a9\": 2089,\n    \"\\u13b5\\u13d3\\u13cd\\u13d7\": 2090,\n    \"\\u13d5\\u13a9\": 2091,\n    \"\\u2581\\u13f1\\u13a6\\u13a9\": 2092,\n    \"\\u2581\\u13a4\\u13aa\\u13ae\\u13a2\": 2093,\n    \"\\u2581\\u13e1\\u13ac\\u13a2\": 2094,\n    \"\\u2581\\u13a4\\u13b4\": 2095,\n    \"\\u2581\\u13a4\\u13e3\": 2096,\n    \"\\u2581\\u13d9\\u13d7\": 2097,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\": 2098,\n    \"\\u2581\\u13a4\\u13f2\\u13b1\\u13d2\\u13a2\": 2099,\n    \"\\u2581\\u13d3\\u13f0\": 2100,\n    \"\\u2581\\u13a1\\u13b3\": 2101,\n    \"\\u2581\\u13bb\": 2102,\n    \"\\u13f4\\u13d3\": 2103,\n    \"\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13b8\\u13af\": 2104,\n    \"\\u2581\\u13a0\\u13c2\\u13c2\": 2105,\n    \"\\u2581\\u13e5\\u13d3\\u13c2\": 2106,\n    \"\\u2581\\u13a4\\u13e9\\u13db\\u13d7\": 2107,\n    \"\\u13da\\u13a6\": 2108,\n    \"\\u13b4\\u13ad\": 2109,\n    \"\\u2581\\u13e5\\u13f4\": 2110,\n    \"\\u13e3\\u13d3\": 2111,\n    \"\\u13b7\\u13e5\\u13cf\": 2112,\n    \"\\u13d6\\u13cd\\u13d7\": 2113,\n    \"\\u2581\\u13a4\\u13c4\\u13ec\": 2114,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13e8\": 2115,\n    \"\\u13a5\\u13be\": 2116,\n    \"\\u2581\\u13a6\\u13be\": 2117,\n    \"\\u13d3\\u13d1\\u13ef\": 2118,\n    \"\\u13c5\\u13ce\": 2119,\n    \"\\u13d3\\u13c2\\u13b8\\u13e8\\u13af\": 2120,\n    \"\\u2581\\u13a2\\u13cd\": 2121,\n    \"\\u13d7\\u13e3\": 2122,\n    \"\\u2581\\u13f1\\u13ac\\u13e9\": 2123,\n    \"\\u2581\\u13a4\\u13e6\": 2124,\n    \"\\u2581\\u13a6\\u13c1\": 2125,\n    \"\\u2581\\u13cf\\u13bb\\u13ef\\u13c2\": 2126,\n    \"\\u13ce\\u13b8\": 2127,\n    \"\\u2581\\u13aa\\u13af\\u13f3\\u13d7\\u13cd\\u13a9\": 2128,\n    \"\\u13e4\\u13b5\": 2129,\n    \"\\u2581\\u13a0\\u13af\\u13d7\": 2130,\n    \"\\u2581\\u13a3\\u13a6\\u13e4\\u13b5\": 2131,\n    \"\\u13c1\\u13b6\\u13d7\": 2132,\n    \"\\u2581\\u13a6\\u13db\": 2133,\n    \"\\u13d2\\u13c5\": 2134,\n    \"\\u2581\\u13c2\\u13ac\\u13c1\": 2135,\n    \"\\u2581\\u13a7\\u13c3\\u13ae\\u13cd\\u13ac\": 2136,\n    \"\\u2581\\u13c4\\u13be\\u13db\\u13c1\\u13b8\": 2137,\n    \"\\u2581\\u13a0\\u13cd\\u13d3\": 2138,\n    \"\\u2581\\u13a0\\u13c5\\u13d7\\u13cd\\u13ac\": 2139,\n    \"\\u2581\\u13a4\\u13dc\\u13c5\\u13db\": 2140,\n    \"\\u2581\\u13a4\\u13bf\\u13e5\": 2141,\n    \"\\u2581\\u13eb\\u13da\\u13ef\\u13c5\\u13ae\": 2142,\n    \"\\u2581\\u13a0\\u13e8\\u13ef\": 2143,\n    \"\\u2581\\u13a0\\u13c2\\u13c1\\u13ac\": 2144,\n    \"\\u2581\\u13a4\\u13be\\u13da\\u13b5\\u13cd\\u13ac\": 2145,\n    \"\\u2581\\u13a4\\u13c2\\u13a9\\u13ce\": 2146,\n    \"\\u13a5\\u13af\\u13cd\\u13d7\": 2147,\n    \"\\u2581\\u13aa\\u13f1\\u13c1\": 2148,\n    \"\\u2581\\u13da\\u13b8\\u13cc\\u13db\": 2149,\n    \"\\u2581\\u13a0\\u13c7\\u13b5\\u13d2\": 2150,\n    \"\\u2581\\u13c2\\u13da\\u13e9\\u13c1\\u13b8\": 2151,\n    \"\\u2581\\u13a4\\u13ea\\u13c5\\u13d2\": 2152,\n    \"\\u13ac\\u13ad\\u13b7\\u13f4\": 2153,\n    \"\\u2581\\u13e5\\u13c1\\u13ac\": 2154,\n    \"\\u2581\\u13a0\\u13f4\\u13eb\\u13ef\": 2155,\n    \"\\u13b8\\u13cc\\u13db\": 2156,\n    \"\\u2581\\u13a2\\u13e8\\u13ef\": 2157,\n    \"\\u2581\\u13f1\\u13e5\\u13a6\\u13d4\": 2158,\n    \"\\u13b6\\u13d2\": 2159,\n    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   \"\\u2581\\u13a4\\u13ec\\u13d1\\u13b6\\u13e8\\u13af\": 2193,\n    \"\\u2581\\u13a5\\u13a9\\u13c5\\u13cf\\u13db\": 2194,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13cd\\u13a9\\u13cd\\u13a9\": 2195,\n    \"\\u2581\\u13d7\\u13d3\\u13ec\\u13cd\\u13a9\": 2196,\n    \"\\u2581\\u13d3\\u13ac\\u13e9\": 2197,\n    \"\\u2581\\u13a2\\u13f3\\u13d5\\u13d8\\u13f4\\u13d3\": 2198,\n    \"\\u2581\\u13a2\\u13e7\\u13b3\\u13d7\\u13e2\": 2199,\n    \"\\u2581\\u13af\\u13cd\\u13a6\\u13ef\": 2200,\n    \"\\u2581\\u13a2\\u13e5\\u13a6\\u13d4\\u13ae\\u13cd\\u13d7\": 2201,\n    \"\\u2581\\u13a1\\u13c2\\u13d7\": 2202,\n    \"\\u2581\\u13c2\\u13da\\u13be\\u13d3\\u13ea\\u13ce\\u13b4\\u13a2\": 2203,\n    \"\\u2581\\u13a0\\u13cc\\u13c5\\u13d9\\u13d7\": 2204,\n    \"\\u2581\\u13d7\\u13d1\\u13e2\\u13db\": 2205,\n    \"\\u2581\\u13a3\\u13c2\\u13d7\\u13e2\": 2206,\n    \"\\u2581\\u13c5\\u13d3\\u13a6\\u13b5\\u13cd\\u13d9\\u13d4\\u13c2\": 2207,\n    \"\\u2581\\u13a0\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13a9\": 2208,\n    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2243,\n    \"\\u2581\\u13a4\\u13e9\\u13c5\": 2244,\n    \"\\u2581\\u13b9\\u13a9\": 2245,\n    \"\\u2581\\u13c2\\u13da\\u13e9\\u13c1\\u13b8\\u13a9\": 2246,\n    \"\\u2581\\u13c4\\u13be\\u13cd\\u13d7\": 2247,\n    \"\\u2581\\u13e7\\u13c2\\u13be\\u13eb\\u13f1\": 2248,\n    \"\\u2581\\u13eb\\u13da\\u13c2\": 2249,\n    \"\\u2581\\u13e7\\u13d3\\u13c5\\u13db\\u13a2\": 2250,\n    \"\\u2581\\u13ac\\u13e9\\u13aa\\u13b2\": 2251,\n    \"\\u2581\\u13ed\\u13c2\\u13b7\\u13e4\\u13a2\": 2252,\n    \"\\u2581\\u13a8\\u13d9\\u13b2\": 2253,\n    \"\\u13e2\\u13d7\": 2254,\n    \"\\u2581\\u13a8\\u13c2\\u13d7\": 2255,\n    \"\\u2581\\u13c2\\u13d9\": 2256,\n    \"\\u13c3\\u13c1\\u13b8\\u13a9\": 2257,\n    \"\\u13d3\\u13e1\\u13ac\": 2258,\n    \"\\u2581\\u13c8\": 2259,\n    \"\\u2581\\u13c2\\u13eb\": 2260,\n    \"\\u2581\\u13ef\\u13c6\\u13da\\u13b5\": 2261,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\": 2262,\n    \"\\u2581\\u13a4\\u13e3\\u13d6\": 2263,\n    \"\\u2581\\u13ad\\u13b5\": 2264,\n    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2369,\n    \"\\u2581\\u13da\\u13a7\\u13d4\\u13cd\\u13d4\\u13c1\\u13a2\": 2370,\n    \"\\u2581\\u13e3\\u13a6\\u13df\\u13b6\\u13cd\\u13d4\\u13c5\\u13af\": 2371,\n    \"\\u2581\\u13e5\\u13cd\\u13aa\\u13f4\": 2372,\n    \"\\u2581\\u13c5\\u13d3\\u13a6\\u13e5\\u13f4\\u13c1\\u13b5\": 2373,\n    \"\\u2581\\u13e7\\u13d3\\u13d5\\u13cd\\u13d7\\u13f1\": 2374,\n    \"\\u2581\\u13a0\\u13d7\\u13d2\\u13cd\\u13d7\": 2375,\n    \"\\u2581\\u13ae\\u13bc\": 2376,\n    \"\\u2581\\u13a4\\u13f2\\u13cd\\u13db\\u13c9\": 2377,\n    \"\\u2581\\u13a0\\u13d5\\u13d2\\u13b2\\u13cd\\u13a9\": 2378,\n    \"\\u2581\\u13a2\\u13c6\\u13bb\": 2379,\n    \"\\u2581\\u13d7\\u13e5\\u13a6\\u13d9\\u13b5\": 2380,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13c5\\u13d9\": 2381,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13ab\\u13e5\\u13db\": 2382,\n    \"\\u2581\\u13e5\\u13c2\\u13e3\\u13db\\u13c5\": 2383,\n    \"\\u2581\\u13a4\\u13b3\\u13a8\\u13ef\\u13db\\u13e4\\u13a2\": 2384,\n    \"\\u2581\\u13a4\\u13a9\\u13d3\\u13df\\u13c5\\u13ef\": 2385,\n 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2457,\n    \"\\u2581\\u13a6\\u13c5\\u13af\\u13d3\": 2458,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13d7\\u13f1\": 2459,\n    \"\\u2581\\u13a4\\u13bf\\u13a5\\u13a2\": 2460,\n    \"\\u2581\\u13a8\\u13b3\\u13cd\\u13d7\": 2461,\n    \"\\u2581\\u13a4\\u13c4\\u13e2\": 2462,\n    \"\\u13d3\\u13b5\": 2463,\n    \"\\u2581\\u13e4\\u13c6\": 2464,\n    \"\\u2581\\u13d5\\u13e1\\u13ac\\u13a2\": 2465,\n    \"\\u13d7\\u13cd\\u13ac\\u13a2\": 2466,\n    \"\\u13d1\\u13f0\\u13db\": 2467,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13a6\\u13c5\\u13af\": 2468,\n    \"\\u2581\\u13e5\\u13a8\": 2469,\n    \"\\u2581\\u13be\\u13c6\": 2470,\n    \"\\u2581\\u13a4\\u13be\\u13db\": 2471,\n    \"\\u2581\\u13d5\\u13c2\": 2472,\n    \"\\u2581\\u13eb\\u13cd\\u13a9\": 2473,\n    \"\\u13a1\\u13b8\\u13af\": 2474,\n    \"\\u2581\\u13a0\\u13a9\\u13f0\\u13b8\": 2475,\n    \"\\u13c5\\u13d7\": 2476,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13c5\\u13d9\\u13a9\": 2477,\n    \"\\u2581\\u13a6\\u13d9\\u13ac\\u13a9\": 2478,\n    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2525,\n    \"\\u2581\\u13a2\\u13cf\\u13b5\\u13f1\": 2526,\n    \"\\u2581\\u13eb\\u13a9\": 2527,\n    \"\\u2581\\u13a0\\u13f0\": 2528,\n    \"\\u13c5\\u13d3\\u13d3\": 2529,\n    \"\\u2581\\u13a0\\u13be\\u13b5\": 2530,\n    \"\\u13c1\\u13e4\\u13d7\": 2531,\n    \"\\u13aa\\u13b5\\u13f0\\u13d7\": 2532,\n    \"\\u13db\\u13c2\": 2533,\n    \"\\u2581\\u13c7\": 2534,\n    \"\\u13b5\\u13cd\\u13d4\\u13c1\": 2535,\n    \"\\u13d2\\u13c3\": 2536,\n    \"\\u13a9\\u13d3\": 2537,\n    \"\\u13c4\\u13a6\": 2538,\n    \"\\u13b6\\u13e8\": 2539,\n    \"\\u2581\\u13e5\\u13c4\": 2540,\n    \"\\u2581\\u13af\\u13cd\\u13a9\\u13c1\": 2541,\n    \"\\u2581\\u13a0\\u13a2\\u13d2\": 2542,\n    \"\\u2581\\u13a0\\u13a6\\u13d4\": 2543,\n    \"\\u2581\\u13c2\\u13a8\": 2544,\n    \"\\u13e5\\u13f2\\u13cf\": 2545,\n    \"\\u13c1\\u13e4\\u13b8\\u13af\": 2546,\n    \"\\u2581\\u13a0\\u13cb\": 2547,\n    \"\\u2581\\u13da\\u13be\\u13b4\\u13c1\": 2548,\n    \"\\u2581\\u13af\\u13a6\\u13d8\\u13cf\": 2549,\n    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2639,\n    \"\\u2581\\u13d7\\u13d3\\u13c2\\u13d0\\u13d7\\u13f1\": 2640,\n    \"\\u2581\\u13d3\\u13d3\\u13b6\\u13c2\": 2641,\n    \"\\u2581\\u13eb\\u13e8\\u13b7\\u13e4\\u13d7\\u13f1\": 2642,\n    \"\\u13b8\\u13c9\\u13d5\\u13cd\\u13d7\": 2643,\n    \"\\u2581\\u13a4\\u13c2\\u13b7\\u13af\\u13cd\\u13d7\\u13f1\": 2644,\n    \"\\u2581\\u13a4\\u13b5\\u13e0\\u13ef\\u13cd\\u13d5\\u13cd\\u13d7\": 2645,\n    \"\\u2581\\u13a0\\u13c2\\u13e6\\u13a2\": 2646,\n    \"\\u2581\\u13db\\u13cd\\u13c6\\u13b8\\u13af\": 2647,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13cd\\u13d5\\u13b8\\u13d9\\u13d7\": 2648,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13a6\\u13c5\\u13af\": 2649,\n    \"\\u2581\\u13d7\\u13a6\\u13b4\\u13c2\": 2650,\n    \"\\u2581\\u13a0\\u13d9\\u13b4\\u13b0\\u13af\\u13cd\\u13d9\\u13d7\": 2651,\n    \"\\u2581\\u13a4\\u13c2\\u13a9\\u13cd\\u13d7\": 2652,\n    \"\\u2581\\u13a4\\u13db\\u13aa\\u13d7\\u13f1\": 2653,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13c1\\u13b8\\u13af\": 2654,\n    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2746,\n    \"\\u2581\\u13a0\\u13c9\": 2747,\n    \"\\u13f2\\u13af\": 2748,\n    \"\\u2581\\u13d7\\u13aa\\u13ea\\u13b6\\u13d7\": 2749,\n    \"\\u2581\\u13e7\\u13ec\": 2750,\n    \"\\u2581\\u13a4\\u13b4\\u13c1\": 2751,\n    \"\\u13a6\\u13d3\\u13c1\": 2752,\n    \"\\u2581\\u13f1\\u13cf\": 2753,\n    \"\\u2581\\u13d5\\u13ad\": 2754,\n    \"\\u13a2\\u13f4\": 2755,\n    \"\\u13c5\\u13cf\\u13d3\\u13cd\\u13d7\": 2756,\n    \"\\u2581\\u13a4\\u13a7\\u13db\\u13a2\": 2757,\n    \"\\u13b0\\u13b5\": 2758,\n    \"\\u13cd\\u13d3\\u13f4\": 2759,\n    \"\\u13a6\\u13d4\\u13b0\": 2760,\n    \"\\u2581\\u13a4\\u13b2\\u13a2\": 2761,\n    \"\\u2581\\u13c2\\u13d5\\u13ac\\u13c1\": 2762,\n    \"\\u13cf\\u13c6\": 2763,\n    \"\\u13c1\\u13c6\": 2764,\n    \"\\u2581\\u13a9\\u13b6\\u13a2\": 2765,\n    \"\\u13a1\\u13b8\\u13a9\": 2766,\n    \"\\u2581\\u13a0\\u13f2\": 2767,\n    \"\\u13e3\\u13db\\u13c1\\u13af\": 2768,\n    \"\\u13eb\\u13cd\\u13d7\": 2769,\n    \"\\u13d3\\u13b3\": 2770,\n    \"\\u13c2\\u13cc\\u13c1\": 2771,\n    \"\\u13be\\u13a5\": 2772,\n    \"\\u2581\\u13a6\\u13c3\": 2773,\n    \"\\u13db\\u13d9\\u13d7\": 2774,\n    \"\\u2581\\u13c4\\u13b5\\u13cd\\u13d4\\u13c1\\u13ae\": 2775,\n    \"\\u2581\\u13f1\\u13d9\\u13a6\": 2776,\n    \"\\u13cd\\u13c6\\u13d9\\u13c5\": 2777,\n    \"\\u13e4\\u13b5\\u13a6\": 2778,\n    \"\\u2581\\u13f0\\u13b5\\u13cd\\u13a8\": 2779,\n    \"\\u13a0\\u13c8\": 2780,\n    \"\\u2581\\u13a2\\u13af\": 2781,\n    \"\\u13e5\\u13aa\\u13e9\\u13db\": 2782,\n    \"\\u2581\\u13a3\\u13a9\\u13c2\": 2783,\n    \"\\u13d7\\u13cf\": 2784,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13d8\": 2785,\n    \"\\u13a6\\u13d0\\u13af\": 2786,\n    \"\\u13c1\\u13ae\\u13a2\": 2787,\n    \"\\u2581\\u13a4\\u13b2\": 2788,\n    \"\\u2581\\u13a2\\u13ac\\u13c1\": 2789,\n    \"\\u13b5\\u13ef\": 2790,\n    \"\\u13d9\\u13ae\\u13cd\\u13d7\": 2791,\n    \"\\u13b5\\u13aa\": 2792,\n    \"\\u2581\\u13a9\\u13b3\\u13af\": 2793,\n    \"\\u13b8\\u13c9\\u13d9\\u13d7\\u13f1\": 2794,\n    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2880,\n    \"\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\\u13f1\": 2881,\n    \"rs\": 2882,\n    \"\\u2581Philadelphia\": 2883,\n    \"\\u2581\\u13a0\\u13d3\\u13ea\\u13b3\\u13a9\\u13cd\\u13a9\": 2884,\n    \"\\u2581\\u13d0\\u13b5\\u13b9\\u13c5\": 2885,\n    \"\\u2581\\u13d5\\u13e6\\u13af\\u13f3\\u13ce\\u13cd\\u13d7\": 2886,\n    \"\\u2581\\u13da\\u13cd\\u13c6\\u13b8\\u13d4\\u13c1\": 2887,\n    \"\\u2581\\u13f1\\u13c4\\u13b5\\u13cd\\u13d4\\u13be\": 2888,\n    \"\\u2581\\u13c6\\u13b3\\u13c6\": 2889,\n    \"\\u2581\\u13d7\\u13a6\\u13d2\\u13cd\\u13d4\\u13c5\": 2890,\n    \"\\u2581\\u13a2\\u13e6\\u13af\\u13f3\\u13af\": 2891,\n    \"\\u2581\\u13c7\\u13da\\u13a1\\u13b5\": 2892,\n    \"\\u2581\\u13a4\\u13e3\\u13b4\\u13d3\": 2893,\n    \"\\u2581\\u13d7\\u13be\\u13d5\\u13f2\\u13b2\\u13cd\\u13a9\": 2894,\n    \"\\u2581\\u13e7\\u13b4\\u13af\\u13cc\\u13c5\\u13af\": 2895,\n    \"\\u2581\\u13a7\\u13c2\\u13b5\\u13ef\": 2896,\n    \"\\u2581\\u13d7\\u13c7\\u13c5\\u13d2\": 2897,\n    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\"\\u2581\\u13a1\\u13e3\\u13c2\\u13b5\": 2914,\n    \"\\u2581\\u13d5\\u13aa\\u13ea\\u13b5\\u13cd\\u13ac\": 2915,\n    \"\\u2581\\u13d7\\u13db\\u13d3\\u13c5\\u13af\": 2916,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13be\\u13dd\\u13a2\": 2917,\n    \"\\u2581\\u13a4\\u13d2\\u13af\\u13f0\\u13f1\": 2918,\n    \"\\u2581\\u13a6\\u13d3\\u13b7\\u13ef\\u13db\": 2919,\n    \"\\u2581\\u13a0\\u13be\\u13db\\u13a9\\u13cd\\u13a9\": 2920,\n    \"\\u2581\\u13d7\\u13ac\\u13aa\\u13e9\\u13db\\u13d7\": 2921,\n    \"\\u2581\\u13a0\\u13a9\\u13b7\\u13e5\\u13b8\": 2922,\n    \"\\u2581\\u13f1\\u13aa\\u13b5\\u13a6\": 2923,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13da\\u13b8\": 2924,\n    \"\\u2581\\u13a0\\u13c2\\u13b4\\u13f4\\u13cd\\u13a9\": 2925,\n    \"\\u2581\\u13a0\\u13b5\\u13ae\\u13b5\\u13ac\": 2926,\n    \"\\u2581\\u13a4\\u13c2\\u13aa\\u13ae\": 2927,\n    \"\\u2581\\u13e7\\u13d3\\u13b4\\u13c5\\u13b2\": 2928,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d3\\u13cd\\u13ac\": 2929,\n    \"\\u2581\\u13c2\\u13e3\\u13db\\u13a6\": 2930,\n    \"\\u2581\\u13ac\\u13e9\\u13f2\\u13b1\\u13af\\u13cd\\u13d7\": 2931,\n    \"\\u2581\\u13be\\u13ef\\u13db\\u13a1\\u13cd\\u13d7\": 2932,\n    \"\\u2581\\u13a0\\u13c4\\u13a6\\u13b8\": 2933,\n    \"\\u2581\\u13a6\\u13e3\\u13c3\\u13cd\": 2934,\n    \"\\u2581\\u13e5\\u13d5\\u13a6\": 2935,\n    \"\\u2581\\u13a7\\u13f4\\u13d0\\u13b5\": 2936,\n    \"\\u2581\\u13da\\u13c3\\u13e2\\u13c5\\u13a9\": 2937,\n    \"\\u2581\\u13d7\\u13aa\\u13d1\\u13b4\\u13d7\\u13f1\": 2938,\n    \"\\u2581\\u13e7\\u13f4\\u13e2\": 2939,\n    \"\\u2581\\u13a4\\u13d3\\u13b4\\u13e8\": 2940,\n    \"\\u2581\\u13e7\\u13b4\\u13d4\\u13c5\\u13af\": 2941,\n    \"\\u2581\\u13a4\\u13c4\\u13aa\\u13a2\\u13cd\\u13d7\": 2942,\n    \"\\u2581\\u13e5\\u13a3\\u13b5\": 2943,\n    \"\\u2581\\u13ac\\u13c6\\u13db\\u13c1\\u13d7\\u13f1\": 2944,\n    \"\\u2581\\u13a0\\u13d3\\u13cd\\u13d3\\u13e9\\u13d7\\u13d9\\u13af\": 2945,\n    \"\\u2581\\u13c2\\u13e5\\u13a6\\u13d4\\u13b2\\u13be\": 2946,\n    \"\\u2581\\u13c0\\u13a2\\u13f3\": 2947,\n    \"\\u2581\\u13a5\\u13e5\\u13aa\\u13a5\\u13a9\": 2948,\n    \"\\u13b3\\u13cf\\u13d5\\u13be\": 2949,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13d7\\u13a9\\u13db\": 2950,\n    \"\\u2581\\u13a4\\u13ec\\u13ea\\u13b3\\u13c5\\u13af\": 2951,\n    \"\\u2581\\u13da\\u13b7\\u13eb\\u13cd\\u13d4\\u13c1\\u13b2\": 2952,\n    \"\\u2581\\u13a2\\u13e7\\u13d5\\u13d8\\u13f4\\u13db\": 2953,\n    \"\\u2581\\u13a0\\u13b9\\u13b4\\u13a9\": 2954,\n    \"\\u2581\\u13d4\\u13b8\\u13d7\": 2955,\n    \"\\u2581\\u13a4\\u13d7\\u13d4\\u13b2\": 2956,\n    \"\\u2581\\u13a2\\u13a9\\u13c5\\u13df\": 2957,\n    \"\\u13db\\u13c5\\u13a2\\u13cd\\u13d9\\u13d7\\u13f1\": 2958,\n    \"\\u2581\\u13cd\\u13a9\\u13be\\u13dd\\u13a2\": 2959,\n    \"\\u2581\\u13a4\\u13ac\\u13eb\\u13f3\\u13ce\\u13cd\\u13d7\": 2960,\n    \"\\u2581\\u13a6\\u13c5\\u13d9\\u13d7\": 2961,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13e9\\u13a2\": 2962,\n    \"\\u2581\\u13c4\\u13e9\\u13c5\": 2963,\n    \"\\u2581\\u13be\\u13c1\\u13b2\\u13be\": 2964,\n    \"\\u2581\\u13a4\\u13c2\\u13f0\\u13b8\\u13d2\\u13a9\": 2965,\n    \"\\u2581\\u13a4\\u13d5\\u13c1\\u13a2\": 2966,\n    \"\\u2581\\u13a2\\u13f3\\u13d3\\u13b5\\u13ad\": 2967,\n    \"\\u2581\\u13a0\\u13a9\\u13f0\\u13b8\\u13b2\": 2968,\n    \"\\u2581\\u13a4\\u13a7\\u13ad\\u13db\": 2969,\n    \"\\u2581\\u13ed\\u13c2\\u13f4\\u13b4\\u13a2\": 2970,\n    \"\\u2581\\u13e9\\u13a9\\u13b7\\u13e8\": 2971,\n    \"\\u2581\\u13a4\\u13b4\\u13eb\\u13cd\\u13d4\\u13c1\": 2972,\n    \"\\u13e5\\u13af\\u13cd\\u13d7\": 2973,\n    \"\\u2581\\u13a0\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13a8\": 2974,\n    \"\\u2581\\u13a4\\u13be\\u13d7\\u13c5\\u13d7\": 2975,\n    \"\\u2581\\u13a1\\u13d9\\u13ad\": 2976,\n    \"\\u2581\\u13a4\\u13cc\\u13b3\\u13d3\\u13c5\": 2977,\n    \"\\u2581\\u13a8\\u13e5\\u13c1\\u13b8\\u13af\": 2978,\n    \"\\u2581\\u13a5\\u13a9\\u13d9\\u13c9\": 2979,\n    \"\\u13f2\\u13af\\u13ce\\u13b8\\u13a9\": 2980,\n    \"\\u2581\\u13a0\\u13df\\u13cd\\u13db\\u13a2\": 2981,\n    \"\\u2581\\u13a4\\u13ec\\u13af\\u13f3\": 2982,\n    \"\\u2581\\u13ed\\u13c2\\u13b6\\u13d2\\u13a9\": 2983,\n    \"\\u2581\\u13c5\\u13d3\\u13ac\": 2984,\n    \"\\u2581\\u13a4\\u13ea\\u13a7\\u13c5\\u13a9\": 2985,\n    \"\\u2581\\u13a4\\u13c5\\u13d9\\u13d7\\u13f1\": 2986,\n    \"\\u2581\\u13d7\\u13c2\\u13a6\\u13d8\\u13ef\": 2987,\n    \"\\u2581\\u13a4\\u13d5\\u13d7\\u13f1\": 2988,\n    \"\\u2581\\u13be\\u13cd\\u13a6\\u13a2\\u13b2\\u13be\": 2989,\n    \"\\u2581\\u13c4\\u13c2\\u13ea\\u13ce\\u13b8\\u13a9\": 2990,\n    \"\\u2581\\u13be\\u13c2\\u13a1\\u13a2\": 2991,\n    \"\\u2581\\u13a4\\u13b5\\u13cf\\u13c2\": 2992,\n    \"\\u2581\\u13e7\\u13ec\\u13b8\": 2993,\n    \"\\u2581\\u13a2\\u13d7\\u13a6\\u13ea\\u13cd\": 2994,\n    \"\\u2581\\u13a0\\u13a7\\u13b5\\u13ec\\u13af\": 2995,\n    \"\\u2581\\u13a4\\u13e8\\u13c9\\u13d7\": 2996,\n    \"\\u2581\\u13a4\\u13ea\\u13c1\\u13a2\": 2997,\n    \"\\u2581\\u13d7\\u13df\\u13cd\\u13d7\": 2998,\n    \"\\u2581\\u13a4\\u13e2\": 2999,\n    \"\\u2581\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13ad\": 3000,\n    \"\\u2581\\u13a4\\u13aa\\u13e9\\u13db\\u13d7\": 3001,\n    \"\\u2581\\u13a4\\u13d4\\u13be\": 3002,\n    \"\\u13be\\u13c4\\u13aa\\u13a2\\u13cd\\u13d7\": 3003,\n    \"\\u2581\\u13d0\\u13d3\\u13bb\\u13f1\": 3004,\n    \"\\u2581\\u13a2\\u13a9\\u13c1\\u13b8\\u13af\": 3005,\n    \"\\u2581\\u13e7\\u13c1\\u13b3\": 3006,\n    \"\\u13d7\\u13cd\\u13aa\\u13c2\\u13af\": 3007,\n    \"\\u2581\\u13d3\\u13f3\\u13d3\\u13b4\\u13c5\\u13d3\": 3008,\n    \"\\u2581\\u13ef\\u13a9\\u13ad\": 3009,\n    \"\\u2581\\u13a2\\u13a6\\u13c1\\u13b3\\u13c5\\u13af\": 3010,\n    \"\\u13c1\\u13ac\": 3011,\n    \"\\u2581\\u13a2\\u13ef\\u13ac\\u13c1\\u13d7\": 3012,\n    \"\\u2581\\u13a4\\u13ef\\u13c5\\u13af\": 3013,\n    \"\\u2581\\u13a6\\u13c1\\u13cc\\u13a2\\u13af\": 3014,\n    \"\\u2581\\u13da\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\\u13a2\": 3015,\n    \"\\u2581\\u13d7\\u13d0\\u13a2\": 3016,\n    \"\\u2581\\u13a1\\u13d9\\u13ae\\u13a2\": 3017,\n    \"\\u2581\\u13ad\\u13be\\u13c2\": 3018,\n    \"\\u2581\\u13e5\\u13a8\\u13e5\": 3019,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13a6\\u13c1\\u13a2\": 3020,\n    \"\\u2581\\u13d3\\u13c8\": 3021,\n    \"\\u2581\\u13a4\\u13e9\\u13db\\u13ae\\u13a2\": 3022,\n    \"\\u2581\\u13cd\\u13a9\\u13a8\\u13f3\": 3023,\n    \"\\u13c2\\u13ef\": 3024,\n    \"\\u2581\\u13d7\\u13cd\\u13a9\": 3025,\n    \"\\u2581\\u13a7\\u13b8\": 3026,\n    \"\\u2581\\u13ed\\u13b7\\u13e8\\u13a9\": 3027,\n    \"\\u2581\\u13a4\\u13ef\\u13a2\": 3028,\n    \"\\u2581\\u13a1\\u13b5\\u13cd\\u13a8\\u13a2\": 3029,\n    \"\\u2581\\u13a4\\u13ce\\u13b5\\u13d4\\u13c5\": 3030,\n    \"\\u13a1\\u13d7\": 3031,\n    \"\\u2581\\u13a0\\u13d2\\u13ad\": 3032,\n    \"\\u2581\\u13a5\\u13b5\": 3033,\n    \"\\u13ad\\u13f2\\u13b2\": 3034,\n    \"\\u13d3\\u13cd\\u13d7\": 3035,\n    \"\\u13b3\\u13c1\\u13a2\": 3036,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d6\\u13b8\\u13a2\": 3037,\n    \"on\": 3038,\n    \"\\u2581\\u13d5\\u13e5\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\\u13a2\": 3039,\n    \"\\u2581\\u13ac\\u13d9\\u13d7\\u13f1\": 3040,\n    \"\\u13aa\\u13b5\\u13ef\": 3041,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13db\\u13a2\": 3042,\n    \"\\u2581\\u13a4\\u13c3\\u13ae\\u13b4\": 3043,\n    \"\\u2581\\u13c7\\u13b5\\u13e5\": 3044,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13ce\\u13a2\": 3045,\n    \"\\u2581\\u13d7\\u13ac\\u13d7\": 3046,\n    \"\\u2581\\u13da\\u13c1\\u13b4\\u13a2\": 3047,\n    \"\\u2581\\u13be\\u13be\\u13db\\u13c1\\u13b2\\u13a2\": 3048,\n    \"\\u2581\\u13a2\\u13e6\\u13af\\u13f3\\u13d2\\u13a2\": 3049,\n    \"\\u2581\\u13a6\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\\u13a2\": 3050,\n    \"\\u13c1\\u13b0\\u13a2\": 3051,\n    \"\\u2581\\u13a4\\u13f2\\u13b4\": 3052,\n    \"\\u2581\\u13a2\\u13e6\": 3053,\n    \"\\u13a6\\u13e8\": 3054,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13be\\u13a2\": 3055,\n    \"\\u2581\\u13a0\\u13c1\\u13b0\": 3056,\n    \"\\u2581\\u13e6\\u13be\": 3057,\n    \"\\u2581\\u13da\\u13c1\\u13e4\\u13b4\\u13a2\": 3058,\n    \"\\u2581\\u13a1\\u13b2\\u13a9\": 3059,\n    \"\\u2581\\u13a1\\u13b5\\u13a9\": 3060,\n    \"\\u2581\\u13e7\\u13b4\": 3061,\n    \"\\u2581\\u13cc\\u13b5\": 3062,\n    \"\\u13cd\\u13db\\u13f1\": 3063,\n    \"\\u13bf\\u13a2\": 3064,\n    \"\\u13f2\\u13b0\\u13ce\\u13b8\": 3065,\n    \"\\u2581\\u13a4\\u13c5\\u13c5\": 3066,\n    \"\\u2581\\u13a4\\u13ea\\u13c5\\u13ce\\u13a2\": 3067,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13d7\": 3068,\n    \"\\u2581\\u13a0\\u13cd\\u13db\\u13a2\": 3069,\n    \"\\u13cd\\u13aa\\u13c3\": 3070,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13be\\u13b5\\u13cd\\u13aa\\u13b8\\u13d4\": 3071,\n    \"\\u2581\\u13a4\\u13e9\\u13c2\": 3072,\n    \"\\u13d5\\u13d7\": 3073,\n    \"\\u13a6\\u13ef\": 3074,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13d3\\u13c2\\u13b8\\u13a2\\u13cd\": 3075,\n    \"\\u2581\\u13aa\\u13cd\\u13d4\": 3076,\n    \"\\u2581\\u13a9\\u13b5\": 3077,\n    \"\\u2581\\u13a4\\u13aa\\u13b2\\u13a9\": 3078,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\\u13a2\": 3079,\n    \"\\u2581\\u13a4\\u13be\\u13c4\\u13aa\\u13eb\\u13d2\": 3080,\n    \"\\u2581\\u13a4\\u13ea\\u13b7\\u13c1\\u13a2\": 3081,\n    \"\\u2581\\u13d7\\u13c2\\u13e9\\u13be\\u13a6\\u13b3\": 3082,\n    \"\\u13f3\\u13b5\": 3083,\n    \"\\u2581\\u13a2\\u13ef\\u13c2\\u13a2\": 3084,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\": 3085,\n    \"\\u2581\\u13a4\\u13be\\u13d9\\u13d3\\u13c6\\u13cd\\u13ac\\u13a2\": 3086,\n    \"\\u2581\\u13a6\\u13e8\": 3087,\n    \"\\u2581\\u13a4\\u13c2\\u13ac\": 3088,\n    \"\\u2581\\u13d7\\u13c2\\u13c3\": 3089,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\\u13a2\": 3090,\n    \"\\u13d9\\u13a2\": 3091,\n    \"\\u13b4\\u13c5\\u13af\": 3092,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13c5\\u13d6\\u13d7\": 3093,\n    \"\\u2581\\u13a6\\u13da\\u13f1\": 3094,\n    \"\\u2581\\u13a4\\u13a9\\u13b8\": 3095,\n    \"\\u13d3\\u13c1\\u13df\\u13f4\\u13db\": 3096,\n    \"\\u13b1\\u13cd\\u13d7\": 3097,\n    \"\\u13b2\\u13cd\\u13a6\": 3098,\n    \"\\u13ce\\u13ad\": 3099,\n    \"\\u13b3\\u13cf\": 3100,\n    \"\\u13c2\\u13eb\": 3101,\n    \"\\u2581\\u13da\\u13d9\": 3102,\n    \"\\u2581\\u13eb\\u13da\\u13be\": 3103,\n    \"\\u2581\\u13a4\\u13c2\\u13e9\\u13db\\u13d7\": 3104,\n    \"\\u2581\\u13d9\\u13d8\": 3105,\n    \"\\u2581\\u13de\": 3106,\n    \"\\u2581\\u13a0\\u13eb\\u13be\": 3107,\n    \"\\u2581\\u13ac\\u13d7\\u13ad\": 3108,\n    \"\\u13cd\\u13c6\\u13c2\\u13aa\\u13d5\\u13cd\\u13d7\": 3109,\n    \"\\u13c1\\u13e4\\u13b5\": 3110,\n    \"\\u13e2\\u13c5\": 3111,\n    \"\\u2581\\u13e6\\u13a6\": 3112,\n    \"\\u2581\\u13d7\\u13e8\\u13c2\\u13d7\": 3113,\n    \"\\u2581\\u13a4\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\": 3114,\n    \"\\u2581\\u13e3\\u13c1\": 3115,\n    \"\\u13e5\\u13e9\\u13db\\u13b2\": 3116,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\": 3117,\n    \"\\u2581\\u13a4\\u13b5\\u13ae\\u13b5\\u13e4\": 3118,\n    \"\\u2581\\u13a6\\u13c5\\u13a8\": 3119,\n    \"\\u2581\\u13da\\u13c1\\u13b8\": 3120,\n    \"\\u13b5\\u13cd\\u13ac\": 3121,\n    \"\\u2581\\u13a4\\u13ac\": 3122,\n    \"\\u13df\\u13b6\\u13cd\\u13d9\\u13d7\": 3123,\n    \"\\u2581\\u13a0\\u13a6\\u13d5\": 3124,\n    \"\\u13be\\u13c4\\u13aa\\u13eb\\u13d2\\u13af\": 3125,\n    \"\\u2581\\u13a7\\u13c1\\u13c9\": 3126,\n    \"\\u2581\\u13d7\\u13a8\\u13e3\": 3127,\n    \"\\u2581\\u13e7\\u13c2\\u13b5\": 3128,\n    \"\\u13b5\\u13cd\\u13d5\\u13b8\\u13d9\\u13d7\": 3129,\n    \"\\u13d7\\u13cd\\u13ac\\u13be\": 3130,\n    \"\\u13b8\\u13d3\": 3131,\n    \"\\u2581\\u13a2\\u13e5\\u13a9\\u13cd\\u13d7\": 3132,\n    \"\\u2581\\u13a0\\u13cb\\u13ad\": 3133,\n    \"\\u2581\\u13a0\\u13a6\\u13d8\\u13f0\": 3134,\n    \"\\u2581\\u13a4\\u13c1\\u13b4\": 3135,\n    \"\\u13cf\\u13f3\": 3136,\n    \"\\u2581\\u13db\\u13a9\": 3137,\n    \"\\u13a4\\u13c5\\u13d3\\u13d5\": 3138,\n    \"\\u13cd\\u13d5\\u13b5\\u13ad\": 3139,\n    \"\\u2581\\u13a5\\u13cd\\u13a9\": 3140,\n    \"\\u2581\\u13a4\\u13e5\\u13c3\": 3141,\n    \"\\u13a6\\u13d9\\u13a5\\u13af\\u13cd\\u13d7\\u13f1\": 3142,\n    \"\\u2581\\u13a1\\u13e3\\u13ab\\u13f4\": 3143,\n    \"\\u13a9\\u13cd\\u13aa\": 3144,\n    \"\\u2581\\u13be\\u13a6\\u13db\": 3145,\n    \"\\u2581\\u13bf\": 3146,\n    \"\\u13ce\\u13b8\\u13a9\": 3147,\n    \"\\u2581\\u13c4\\u13c5\": 3148,\n    \"\\u13a8\\u13cd\\u13d7\\u13d7\": 3149,\n    \"\\u2581\\u13a4\\u13c2\\u13b8\\u13c9\\u13d7\": 3150,\n    \"\\u2581\\u13a2\\u13e5\\u13b2\": 3151,\n    \"\\u2581\\u13db\\u13c2\": 3152,\n    \"\\u2581\\u13c2\\u13af\\u13cd\\u13aa\": 3153,\n    \"\\u2581\\u13a0\\u13f2\\u13b1\\u13cd\": 3154,\n    \"\\u2581\\u13a1\\u13b3\\u13ea\\u13f1\": 3155,\n    \"\\u13a2\\u13cd\\u13d4\\u13c2\": 3156,\n    \"\\u2581\\u13c2\\u13ac\\u13e9\": 3157,\n    \"\\u13da\\u13ac\": 3158,\n    \"\\u13c1\\u13cd\\u13d7\": 3159,\n    \"\\u13e6\\u13c5\": 3160,\n    \"\\u2581\\u13f1\\u13eb\": 3161,\n    \"\\u2581\\u13e3\\u13a9\": 3162,\n    \"\\u2581\\u13a4\\u13c2\\u13d7\": 3163,\n    \"\\u2581\\u13e3\\u13c6\": 3164,\n    \"\\u13c1\\u13df\\u13f4\\u13cd\\u13d7\": 3165,\n    \"\\u13ac\\u13eb\\u13f3\\u13af\": 3166,\n    \"\\u13c2\\u13ac\\u13a6\": 3167,\n    \"\\u13c7\\u13d3\\u13b5\": 3168,\n    \"\\u2581\\u13a4\\u13a7\\u13d4\": 3169,\n    \"\\u2581\\u13a6\\u13d7\": 3170,\n    \"\\u2581\\u13a0\\u13d7\\u13cd\\u13ac\": 3171,\n    \"\\u13f2\\u13aa\": 3172,\n    \"\\u13b7\\u13e8\": 3173,\n    \"\\u2581\\u13c1\\u13b5\\u13cd\\u13ac\": 3174,\n    \"\\u13ce\\u13b8\\u13af\": 3175,\n    \"\\u2581\\u13a3\\u13cd\\u13d7\": 3176,\n    \"\\u13aa\\u13e9\\u13db\": 3177,\n    \"h\": 3178,\n    \"\\u13a5\\u13a6\": 3179,\n    \"\\u13b4\\u13c5\\u13db\": 3180,\n    \"\\u13f0\\u13cc\\u13db\": 3181,\n    \"\\u2581\\u13a4\\u13ec\\u13c2\\u13d2\": 3182,\n    \"\\u2581\\u13c2\\u13da\\u13ea\\u13ce\\u13b8\": 3183,\n    \"\\u2581\\u13af\\u13a0\\u13c9\": 3184,\n    \"\\u13a6\\u13d4\": 3185,\n    \"\\u2581\\u13be\\u13cd\": 3186,\n    \"\\u2581\\u13a0\\u13f2\\u13df\": 3187,\n    \"\\u2581\\u13d3\\u13b5\\u13cd\\u13d7\\u13b3\\u13c1\\u13ac\": 3188,\n    \"r\": 3189,\n    \"\\u13e5\\u13a8\\u13f3\\u13a2\": 3190,\n    \"\\u2581\\u13a4\\u13ec\\u13b4\": 3191,\n    \"\\u2581\\u13d7\\u13a6\\u13c5\\u13ec\": 3192,\n    \"\\u2581\\u13a4\\u13c1\\u13b5\\u13ce\": 3193,\n    \"\\u2581\\u13a7\\u13b8\\u13ac\": 3194,\n    \"\\u2581\\u13a2\\u13d5\\u13b2\": 3195,\n    \"\\u2581\\u13d3\\u13c2\\u13b3\\u13eb\\u13a5\": 3196,\n    \"\\u2581\\u13d7\\u13e5\\u13a6\\u13f4\\u13b5\\u13a8\": 3197,\n    \"\\u2581\\u13d3\\u13df\\u13b6\\u13cd\\u13db\": 3198,\n    \"\\u2581\\u13a4\\u13d7\\u13db\\u13ae\": 3199,\n    \"\\u2581\\u13a4\\u13da\\u13a2\\u13cd\\u13d4\\u13c5\": 3200,\n    \"\\u2581\\u13a2\\u13a9\\u13cd\\u13a6\\u13c5\\u13e8\": 3201,\n    \"\\u2581\\u13a4\\u13ec\\u13ce\\u13b4\": 3202,\n    \"\\u2581\\u13a4\\u13cd\\u13d3\\u13a6\\u13b8\": 3203,\n    \"\\u13a0\\u13b9\": 3204,\n    \"\\u13d4\\u13be\": 3205,\n    \"\\u2581\\u13a0\\u13c2\\u13d9\\u13be\\u13a1\": 3206,\n    \"\\u2581\\u13da\\u13b4\\u13af\\u13cc\\u13c5\": 3207,\n    \"\\u2581\\u13a4\\u13ea\\u13a7\\u13c1\\u13b4\": 3208,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13f4\\u13b5\\u13a8\": 3209,\n    \"\\u2581\\u13d3\\u13c2\\u13a7\\u13c5\": 3210,\n    \"\\u2581\\u13e7\\u13a6\\u13f4\\u13b5\\u13a8\": 3211,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13d9\\u13a5\\u13d2\": 3212,\n    \"\\u13d8\\u13f0\": 3213,\n    \"\\u13b5\\u13ec\\u13e8\": 3214,\n    \"\\u13ef\\u13a0\": 3215,\n    \"\\u13a4\\u13cd\\u13c6\\u13c2\\u13a9\\u13d7\": 3216,\n    \"\\u13c2\\u13a6\\u13d3\": 3217,\n    \"\\u13ac\\u13eb\\u13f3\\u13cc\\u13d5\\u13a9\": 3218,\n    \"\\u2581\\u13da\\u13c1\\u13e4\\u13b8\": 3219,\n    \"\\u13a7\\u13b5\\u13ec\\u13af\": 3220,\n    \"\\u2581\\u13f3\\u13eb\": 3221,\n    \"\\u2581\\u13a4\\u13c2\\u13f4\": 3222,\n    \"\\u2581\\u13a4\\u13c2\\u13a9\\u13d2\": 3223,\n    \"\\u2581\\u13a2\\u13e3\\u13da\\u13b5\": 3224,\n    \"\\u13df\\u13c2\\u13a9\\u13d3\": 3225,\n    \"\\u2581\\u13a0\\u13c1\\u13ae\": 3226,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\": 3227,\n    \"\\u2581\\u13aa\\u13b9\\u13b5\": 3228,\n    \"\\u2581\\u13da\\u13b7\\u13eb\\u13cd\\u13d4\\u13c1\": 3229,\n    \"\\u2581\\u13e3\\u13a8\": 3230,\n    \"\\u2581\\u13a2\\u13e5\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\": 3231,\n    \"\\u2581\\u13a2\\u13f3\\u13c5\\u13c1\\u13d7\": 3232,\n    \"\\u2581\\u13a4\\u13be\\u13c5\\u13d7\": 3233,\n    \"\\u13d4\\u13f2\\u13ce\\u13b8\\u13a9\": 3234,\n    \"\\u13b4\\u13af\\u13cc\\u13c5\": 3235,\n    \"\\u2581\\u13a8\\u13e5\\u13c1\\u13d7\": 3236,\n    \"\\u2581\\u13a4\\u13e9\\u13db\\u13ae\": 3237,\n    \"\\u2581\\u13a4\\u13be\\u13c5\\u13c5\": 3238,\n    \"\\u13f4\\u13d0\\u13b5\": 3239,\n    \"\\u13be\\u13d3\\u13b4\\u13a9\": 3240,\n    \"\\u2581\\u13a1\\u13c9\\u13c4\\u13b6\\u13d7\": 3241,\n    \"\\u2581\\u13a4\\u13ad\\u13b8\\u13c2\\u13af\": 3242,\n    \"\\u2581\\u13a4\\u13c2\\u13da\\u13ef\\u13cd\\u13d7\": 3243,\n    \"\\u2581\\u13a4\\u13d3\\u13cf\\u13c2\\u13d5\\u13be\": 3244,\n    \"\\u2581\\u13a4\\u13ea\\u13f2\\u13d3\\u13db\": 3245,\n    \"\\u2581\\u13c5\\u13d3\\u13ac\\u13f4\\u13c1\\u13b5\": 3246,\n    \"\\u2581\\u13c8\\u13ef\\u13cf\\u13c6\": 3247,\n    \"\\u2581\\u13d5\\u13a8\\u13a6\\u13e8\\u13cd\\u13d7\\u13cd\\u13ac\": 3248,\n    \"\\u2581\\u13d7\\u13be\\u13d9\\u13c2\\u13cd\\u13a9\": 3249,\n    \"\\u2581\\u13e6\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13af\": 3250,\n    \"\\u13a6\\u13cc\\u13ef\\u13cd\\u13d5\\u13cd\\u13d7\": 3251,\n    \"\\u2581\\u13a2\\u13f0\\u13c6\": 3252,\n    \"\\u2581\\u13a6\\u13b5\\u13e6\\u13d9\\u13d9\\u13d7\": 3253,\n    \"\\u2581\\u13c6\\u13bb\\u13c6\\u13c2\": 3254,\n    \"\\u2581\\u13da\\u13e9\\u13c2\\u13a6\\u13e2\": 3255,\n    \"\\u2581\\u13a0\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d9\\u13d7\\u13f1\": 3256,\n    \"\\u2581\\u13af\\u13a7\\u13c5\\u13ad\": 3257,\n    \"\\u2581\\u13e7\\u13e3\\u13f2\\u13cd\": 3258,\n    \"\\u2581\\u13af\\u13a6\\u13d9\\u13b5\": 3259,\n    \"\\u2581\\u13a0\\u13b5\\u13ae\\u13b5\\u13a8\": 3260,\n    \"\\u2581\\u13a4\\u13d3\\u13db\\u13db\\u13c1\": 3261,\n    \"\\u2581\\u13e7\\u13a6\\u13c3\\u13ee\": 3262,\n    \"\\u2581\\u13c2\\u13da\\u13be\\u13d3\\u13ea\\u13ce\\u13b8\\u13a9\": 3263,\n    \"\\u2581\\u13eb\\u13c2\\u13a6\\u13b5\\u13cd\\u13d9\\u13d3\": 3264,\n    \"\\u2581\\u13d7\\u13c9\\u13f0\\u13c2\": 3265,\n    \"\\u2581\\u13d7\\u13be\\u13d3\\u13c2\\u13f1\\u13cd\\u13a9\": 3266,\n    \"\\u2581\\u13d7\\u13a6\\u13c3\\u13e3\\u13df\": 3267,\n    \"\\u2581\\u13be\\u13c2\\u13b3\\u13cd\\u13d3\\u13b8\": 3268,\n    \"\\u2581\\u13e7\\u13d9\\u13a2\\u13d3\": 3269,\n    \"\\u2581\\u13d7\\u13c6\\u13b3\\u13cf\\u13d5\\u13c2\": 3270,\n    \"\\u2581\\u13c4\\u13ec\\u13af\\u13f3\\u13d2\\u13be\": 3271,\n    \"\\u2581\\u13c5\\u13d3\\u13aa\\u13af\\u13e5\": 3272,\n    \"\\u2581\\u13c5\\u13c3\\u13b1\\u13b6\\u13d7\": 3273,\n    \"\\u2581\\u13c5\\u13e9\\u13d9\\u13af\": 3274,\n    \"\\u13cd\\u13a6\\u13a3\\u13c5\": 3275,\n    \"\\u2581\\u13a4\\u13ec\\u13de\": 3276,\n    \"\\u2581\\u13a4\\u13ea\\u13da\\u13b2\": 3277,\n    \"\\u2581\\u13e7\\u13e9\\u13c2\\u13a6\\u13dd\\u13c5\": 3278,\n    \"\\u2581\\u13a6\\u13e3\\u13c4\\u13b8\": 3279,\n    \"\\u2581\\u13d5\\u13e5\\u13f2\\u13b5\\u13b8\\u13ad\": 3280,\n    \"\\u2581\\u13ac\\u13e9\\u13d5\\u13c1\\u13b8\\u13af\": 3281,\n    \"\\u2581\\u13cc\\u13b6\\u13b5\": 3282,\n    \"\\u2581\\u13a4\\u13c2\\u13ac\\u13a5\\u13cd\\u13a9\": 3283,\n    \"\\u2581\\u13aa\\u13d2\\u13d4\\u13c5\": 3284,\n    \"\\u2581\\u13a4\\u13c2\\u13b8\\u13c9\\u13d4\\u13c1\": 3285,\n    \"\\u2581\\u13f1\\u13c4\\u13b5\\u13cd\\u13d4\\u13c5\": 3286,\n    \"\\u2581\\u13b2\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 3287,\n    \"\\u13a5\\u13cd\\u13a8\\u13cd\\u13d7\": 3288,\n    \"\\u2581\\u13b0\\u13ea\\u13b8\\u13a6\": 3289,\n    \"\\u2581\\u13e7\\u13d3\\u13d8\\u13be\\u13a2\": 3290,\n    \"\\u2581\\u13d7\\u13a7\\u13c1\\u13a2\\u13cd\\u13d7\": 3291,\n    \"\\u2581\\u13aa\\u13e2\\u13d7\": 3292,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d1\\u13f0\\u13db\": 3293,\n    \"\\u2581\\u13a5\\u13a9\\u13c5\\u13df\": 3294,\n    \"\\u2581\\u13a2\\u13e8\\u13cd\\u13d7\\u13f0\\u13d7\\u13ad\": 3295,\n    \"\\u2581\\u13a6\\u13ef\\u13b4\\u13cd\\u13d7\": 3296,\n    \"\\u2581\\u13a2\\u13ac\\u13ea\\u13c5\\u13db\": 3297,\n    \"\\u2581\\u13a0\\u13d3\\u13cd\\u13d3\\u13f4\\u13d7\": 3298,\n    \"\\u2581\\u13d5\\u13aa\\u13e2\\u13e9\\u13d7\\u13d2\": 3299,\n    \"\\u2581\\u13e7\\u13c3\\u13e9\": 3300,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13d3\\u13b4\\u13c5\\u13db\": 3301,\n    \"\\u2581\\u13c2\\u13da\\u13c5\\u13cf\\u13f4\": 3302,\n    \"\\u2581\\u13d7\\u13a9\\u13c5\\u13d2\": 3303,\n    \"\\u2581\\u13c4\\u13c2\\u13b2\\u13be\": 3304,\n    \"\\u2581\\u13d7\\u13c1\\u13d9\\u13b2\": 3305,\n    \"\\u2581\\u13a0\\u13c2\\u13be\\u13c1\\u13cd\\u13ac\": 3306,\n    \"\\u2581\\u13c4\\u13e0\\u13be\\u13cd\\u13db\\u13be\": 3307,\n    \"\\u2581\\u13a4\\u13e2\\u13c9\\u13d7\": 3308,\n    \"\\u2581\\u13cc\\u13c8\": 3309,\n    \"\\u2581\\u13da\\u13a6\\u13cc\\u13db\": 3310,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\": 3311,\n    \"\\u2581\\u13a0\\u13d3\\u13e0\\u13cd\\u13d7\": 3312,\n    \"\\u2581\\u13a0\\u13b9\\u13f3\\u13b6\\u13d7\": 3313,\n    \"\\u2581\\u13a2\\u13e5\\u13ea\\u13cd\\u13d7\\u13f1\": 3314,\n    \"\\u13c3\\u13b4\": 3315,\n    \"\\u2581\\u13a4\\u13c2\\u13d1\\u13b8\\u13d3\": 3316,\n    \"\\u2581\\u13a1\\u13e3\\u13b8\\u13c9\\u13d7\\u13f3\": 3317,\n    \"\\u2581\\u13a2\\u13a0\": 3318,\n    \"\\u2581\\u13ac\\u13e9\\u13d3\\u13cd\\u13d5\\u13b8\\u13d7\": 3319,\n    \"\\u2581\\u13eb\\u13a8\\u13e5\\u13f2\\u13b5\\u13ad\": 3320,\n    \"\\u2581\\u13a0\\u13c2\\u13d9\\u13be\\u13a2\": 3321,\n    \"\\u2581\\u13d9\\u13d7\\u13e3\\u13d3\\u13c5\\u13db\\u13a2\": 3322,\n    \"\\u2581\\u13a0\\u13c1\\u13e2\\u13d4\\u13c5\\u13af\": 3323,\n    \"\\u13c5\\u13aa\\u13e4\": 3324,\n    \"\\u2581\\u13ac\\u13c1\\u13cd\\u13d7\": 3325,\n    \"\\u2581\\u13d3\\u13ad\\u13c3\\u13eb\": 3326,\n    \"\\u2581\\u13da\\u13e6\\u13af\\u13cd\\u13db\": 3327,\n    \"\\u2581\\u13a4\\u13d8\\u13f4\\u13af\": 3328,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13af\": 3329,\n    \"\\u2581\\u13a1\\u13c3\\u13f1\": 3330,\n    \"\\u13bf\\u13d5\\u13a9\": 3331,\n    \"\\u2581\\u13a0\\u13ef\\u13d6\\u13be\": 3332,\n    \"\\u2581\\u13e7\\u13d9\\u13d3\\u13c6\\u13db\": 3333,\n    \"\\u2581\\u13a0\\u13ac\\u13ad\\u13b8\\u13db\": 3334,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13b5\\u13a2\": 3335,\n    \"\\u2581\\u13a0\\u13d3\\u13ea\\u13b3\\u13a9\\u13cd\\u13ac\": 3336,\n    \"\\u2581\\u13a2\\u13a7\\u13c1\\u13a2\\u13cd\\u13d7\": 3337,\n    \"\\u2581\\u13af\\u13ec\\u13c2\\u13cd\\u13ac\": 3338,\n    \"\\u2581\\u13eb\\u13a6\\u13b6\\u13af\\u13cd\\u13d7\": 3339,\n    \"\\u2581\\u13a4\\u13c3\\u13cd\\u13db\": 3340,\n    \"\\u2581\\u13a6\\u13c6\\u13d8\": 3341,\n    \"\\u2581\\u13a4\\u13b6\\u13af\\u13cd\\u13d7\": 3342,\n    \"\\u2581\\u13a4\\u13cd\\u13d7\\u13a9\\u13db\": 3343,\n    \"\\u2581\\u13a4\\u13c2\\u13b5\\u13e6\\u13e9\\u13db\": 3344,\n    \"\\u2581\\u13a4\\u13a9\\u13b5\\u13f2\\u13e8\": 3345,\n    \"\\u2581\\u13e5\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13ad\": 3346,\n    \"\\u2581\\u13d3\\u13ac\\u13c1\\u13b5\": 3347,\n    \"\\u2581\\u13f1\\u13cd\\u13a6\\u13a2\\u13ae\\u13cd\\u13d7\": 3348,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13c1\\u13b8\\u13d7\": 3349,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\\u13d2\\u13a9\": 3350,\n    \"\\u13a6\\u13c3\\u13b1\\u13a9\\u13cd\\u13ac\": 3351,\n    \"\\u2581\\u13a4\\u13f0\\u13b8\\u13ce\": 3352,\n    \"\\u2581\\u13d7\\u13d3\\u13ec\\u13cd\\u13d7\": 3353,\n    \"\\u2581\\u13ac\\u13e9\\u13c3\\u13c1\\u13b4\": 3354,\n    \"\\u2581\\u13a0\\u13aa\\u13ce\\u13ae\\u13cd\\u13d7\": 3355,\n    \"\\u2581\\u13a6\\u13b5\\u13a1\\u13b5\\u13a6\": 3356,\n    \"\\u2581\\u13b9\\u13be\": 3357,\n    \"\\u13b3\\u13a9\\u13d2\": 3358,\n    \"\\u2581\\u13a2\\u13aa\\u13af\": 3359,\n    \"\\u2581\\u13a0\\u13c2\\u13ef\\u13a2\": 3360,\n    \"\\u2581\\u13d5\\u13ac\\u13d7\\u13cd\\u13ac\": 3361,\n    \"\\u2581\\u13a4\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13c1\": 3362,\n    \"\\u2581\\u13a2\\u13e5\\u13c1\\u13cd\\u13d7\": 3363,\n    \"\\u2581\\u13ae\\u13c2\\u13b5\": 3364,\n    \"\\u2581\\u13a0\\u13d3\\u13f0\\u13a8\\u13cd\\u13d7\": 3365,\n    \"\\u2581\\u13a0\\u13f4\\u13e4\\u13c2\": 3366,\n    \"\\u2581\\u13a0\\u13aa\\u13d4\\u13c5\\u13af\": 3367,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13f3\\u13d7\\u13f1\": 3368,\n    \"\\u2581\\u13a0\\u13a6\\u13b8\\u13d3\": 3369,\n    \"\\u2581\\u13a0\\u13e5\\u13c5\\u13cf\\u13db\": 3370,\n    \"\\u2581\\u13f3\\u13da\\u13b5\": 3371,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13aa\\u13eb\\u13d2\\u13af\": 3372,\n    \"\\u2581\\u13a9\\u13be\\u13b5\\u13a2\": 3373,\n    \"\\u2581\\u13ad\\u13c2\\u13e3\": 3374,\n    \"\\u2581\\u13d5\\u13a7\\u13c1\\u13e4\": 3375,\n    \"\\u2581\\u13ee\\u13db\": 3376,\n    \"\\u2581\\u13a0\\u13c2\\u13af\\u13d7\": 3377,\n    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\"\\u2581\\u13ec\\u13a9\\u13b7\\u13e8\\u13a9\": 3395,\n    \"\\u2581\\u13a4\\u13d7\\u13d7\\u13e2\": 3396,\n    \"\\u2581\\u13a4\\u13e1\\u13d7\\u13cd\\u13a9\": 3397,\n    \"\\u2581\\u13d9\\u13e5\": 3398,\n    \"\\u2581\\u13a0\\u13ac\\u13d7\\u13cd\\u13ac\\u13a2\": 3399,\n    \"\\u2581\\u13a1\\u13ae\\u13be\": 3400,\n    \"\\u2581\\u13a7\\u13eb\": 3401,\n    \"\\u2581\\u13a0\\u13b4\\u13c2\\u13cd\\u13a9\": 3402,\n    \"\\u2581\\u13a0\\u13d3\\u13b4\\u13c2\\u13cd\\u13ac\": 3403,\n    \"\\u13d3\\u13c1\\u13ae\": 3404,\n    \"\\u2581\\u13a0\\u13c2\\u13a9\\u13cd\\u13ac\": 3405,\n    \"\\u13f2\\u13be\": 3406,\n    \"\\u13a4\\u13f2\": 3407,\n    \"\\u2581\\u13e7\\u13c1\\u13e4\\u13a2\": 3408,\n    \"\\u2581\\u13a4\\u13ea\\u13c5\\u13a9\": 3409,\n    \"\\u2581\\u13d7\\u13e5\\u13be\\u13eb\\u13f1\": 3410,\n    \"\\u13d3\\u13f4\\u13b3\\u13db\": 3411,\n    \"\\u2581\\u13a6\\u13df\\u13ae\": 3412,\n    \"\\u2581\\u13a0\\u13aa\\u13b5\\u13f0\\u13d7\": 3413,\n    \"\\u13db\\u13c1\\u13b2\": 3414,\n    \"\\u2581\\u13ea\": 3415,\n    \"\\u2581\\u13a4\\u13f0\\u13b8\\u13ad\": 3416,\n    \"\\u13ef\\u13d4\\u13ae\\u13cd\\u13d7\": 3417,\n    \"\\u2581\\u13d7\\u13a7\\u13c2\\u13a8\": 3418,\n    \"\\u2581\\u13d3\\u13cd\\u13db\\u13a2\": 3419,\n    \"\\u2581\\u13a4\\u13cc\\u13af\\u13b8\\u13a2\": 3420,\n    \"\\u2581\\u13d7\\u13c1\\u13af\": 3421,\n    \"\\u2581\\u13d5\\u13e3\\u13a7\": 3422,\n    \"\\u2581\\u13ce\\u13c9\": 3423,\n    \"\\u2581\\u13c4\\u13db\\u13c5\\u13a2\": 3424,\n    \"\\u13cd\\u13db\\u13a2\": 3425,\n    \"\\u2581\\u13a0\\u13e5\\u13db\\u13d9\\u13d7\": 3426,\n    \"\\u2581\\u13be\\u13c6\\u13cd\\u13db\": 3427,\n    \"\\u2581\\u13d3\\u13c6\\u13a7\\u13be\\u13c5\": 3428,\n    \"\\u2581\\u13a0\\u13ef\\u13a5\": 3429,\n    \"\\u13ef\\u13c5\": 3430,\n    \"\\u2581\\u13a2\\u13a9\\u13cd\\u13a6\\u13c5\\u13e8\\u13a2\": 3431,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13e8\\u13a9\": 3432,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c5\\u13ce\": 3433,\n    \"\\u2581\\u13a6\\u13d3\\u13cd\\u13ac\\u13a2\": 3434,\n    \"\\u2581\\u13ae\\u13d3\": 3435,\n    \"\\u2581\\u13a4\\u13b4\\u13c5\\u13a9\": 3436,\n    \"\\u2581\\u13d3\\u13e4\\u13b8\": 3437,\n    \"\\u2581\\u13d9\\u13ef\": 3438,\n    \"\\u2581\\u13a6\\u13c1\\u13df\\u13f4\\u13cd\\u13d7\": 3439,\n    \"\\u2581\\u13da\\u13e9\\u13db\\u13ae\": 3440,\n    \"\\u2581\\u13a6\\u13c4\\u13b8\\u13d2\": 3441,\n    \"\\u2581\\u13d7\\u13aa\\u13e2\": 3442,\n    \"\\u2581\\u13c5\\u13b5\\u13cc\\u13b5\\u13c9\": 3443,\n    \"\\u2581\\u13a4\\u13c2\\u13a9\\u13ce\\u13a2\": 3444,\n    \"\\u13c2\\u13cd\\u13d9\\u13d7\": 3445,\n    \"\\u2581\\u13a3\\u13d2\": 3446,\n    \"\\u2581\\u13ac\\u13a8\\u13f3\\u13a2\": 3447,\n    \"\\u2581\\u13a4\\u13c2\\u13aa\\u13b2\\u13af\": 3448,\n    \"\\u2581\\u13cf\\u13b3\": 3449,\n    \"\\u2581\\u13e3\\u13da\\u13b5\\u13cd\\u13ac\": 3450,\n    \"\\u13a0\\u13c6\": 3451,\n    \"\\u13d0\\u13c9\": 3452,\n    \"\\u2581\\u13ee\\u13d3\": 3453,\n    \"\\u2581\\u13a4\\u13e9\\u13d4\\u13c5\": 3454,\n    \"\\u13c3\\u13ae\\u13b8\": 3455,\n    \"\\u13d5\\u13ef\\u13d9\\u13d4\\u13c5\\u13a9\": 3456,\n    \"\\u13a5\\u13cf\": 3457,\n    \"\\u2581\\u13a0\\u13cd\\u13d8\": 3458,\n    \"\\u2581\\u13a4\\u13cd\\u13c9\\u13df\": 3459,\n    \"\\u2581\\u13a6\\u13ac\\u13e9\": 3460,\n    \"\\u2581\\u13d7\\u13a6\\u13c5\": 3461,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\": 3462,\n    \"\\u13e5\\u13b6\\u13cf\": 3463,\n    \"\\u13d4\\u13c2\\u13d3\": 3464,\n    \"\\u2581\\u13a6\\u13c5\\u13c5\\u13a2\": 3465,\n    \"\\u2581\\u13aa\\u13ea\\u13b8\\u13a9\": 3466,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13c6\\u13d7\\u13cd\": 3467,\n    \"\\u2581\\u13a4\\u13c1\\u13d2\": 3468,\n    \"\\u2581\\u13a4\\u13a6\\u13c3\": 3469,\n    \"\\u2581\\u13d3\\u13b6\\u13c2\\u13a8\\u13a2\": 3470,\n    \"\\u2581\\u13e8\\u13d7\": 3471,\n    \"\\u2581\\u13c4\\u13d3\\u13b4\\u13af\": 3472,\n    \"\\u2581\\u13a1\\u13cd\\u13a6\\u13c2\": 3473,\n    \"\\u2581\\u13a4\\u13ec\\u13b8\\u13a2\": 3474,\n    \"\\u13a7\\u13cf\": 3475,\n    \"\\u2581\\u13a0\\u13a6\\u13d9\": 3476,\n    \"\\u2581\\u13a0\\u13c2\\u13f2\": 3477,\n    \"\\u13aa\\u13b2\": 3478,\n    \"\\u13d9\\u13b3\": 3479,\n    \"\\u2581\\u13a4\\u13ed\": 3480,\n    \"\\u13e6\\u13e9\\u13db\": 3481,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13a6\\u13be\\u13a2\": 3482,\n    \"\\u13b8\\u13c9\\u13db\\u13be\": 3483,\n    \"\\u2581\\u13c4\\u13cd\\u13d5\\u13a2\": 3484,\n    \"\\u13af\\u13f3\\u13b2\\u13cd\\u13a6\": 3485,\n    \"\\u2581\\u13ae\\u13af\": 3486,\n    \"\\u13a1\\u13b5\\u13cd\\u13d7\": 3487,\n    \"\\u2581\\u13c5\\u13d7\": 3488,\n    \"\\u2581\\u13a0\\u13d3\\u13d9\\u13b5\\u13cd\\u13d9\\u13d7\": 3489,\n    \"\\u2581\\u13a4\\u13a6\\u13db\": 3490,\n    \"\\u2581\\u13a4\\u13c1\\u13e4\\u13b8\\u13a2\": 3491,\n    \"\\u2581\\u13c4\\u13b5\\u13cd\\u13d4\\u13c2\\u13d9\\u13b8\\u13a2\": 3492,\n    \"\\u13af\\u13ef\": 3493,\n    \"\\u13ac\\u13be\\u13a8\": 3494,\n    \"\\u2581\\u13f2\\u13e5\": 3495,\n    \"\\u13cd\\u13a6\\u13c3\\u13b3\": 3496,\n    \"\\u2581\\u13a5\\u13e3\": 3497,\n    \"\\u2581\\u13c5\\u13e9\\u13cd\\u13db\": 3498,\n    \"\\u2581\\u13da\\u13ec\": 3499,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13a6\\u13c5\\u13a9\": 3500,\n    \"\\u13a9\\u13cd\\u13d7\\u13f1\": 3501,\n    \"\\u13a7\\u13c5\": 3502,\n    \"\\u13b5\\u13b9\": 3503,\n    \"\\u2581\\u13b2\\u13a6\": 3504,\n    \"\\u2581\\u13b5\\u13cf\": 3505,\n    \"\\u2581\\u13d5\\u13c5\": 3506,\n    \"\\u13cd\\u13d9\\u13d7\\u13f1\": 3507,\n    \"\\u2581\\u13a7\\u13b5\": 3508,\n    \"\\u2581\\u13a2\\u13e5\\u13a9\": 3509,\n    \"\\u2581\\u13f1\\u13be\": 3510,\n    \"\\u13be\\u13c9\": 3511,\n    \"ss\": 3512,\n    \"\\u2581\\u13a4\\u13cd\\u13aa\": 3513,\n    \"\\u13e6\\u13f0\\u13c2\": 3514,\n    \"\\u2581\\u13a4\\u13e9\\u13c1\": 3515,\n    \"\\u13ef\\u13c5\\u13b2\\u13a9\": 3516,\n    \"\\u2581\\u13af\\u13c1\\u13b8\": 3517,\n    \"s\": 3518,\n    \"\\u13de\": 3519,\n    \"\\u2581\\u13a2\\u13e3\\u13df\\u13c2\\u13ac\\u13c1\": 3520,\n    \"\\u2581\\u13a0\\u13c2\\u13d4\\u13b5\\u13ad\": 3521,\n    \"\\u2581\\u13e5\\u13aa\\u13a5\": 3522,\n    \"\\u13d9\\u13b5\\u13e8\": 3523,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13d3\\u13e9\\u13d7\": 3524,\n    \"\\u2581\\u13e3\\u13db\": 3525,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13da\\u13a2\": 3526,\n    \"\\u2581\\u13be\\u13d5\\u13d8\\u13f4\": 3527,\n    \"\\u2581\\u13a4\\u13d7\\u13d4\\u13cd\\u13d7\": 3528,\n    \"\\u13b4\\u13c3\": 3529,\n    \"\\u2581\\u13d7\\u13b2\": 3530,\n    \"\\u13ec\\u13c2\\u13cd\\u13ac\": 3531,\n    \"\\u13d3\\u13c5\\u13d6\\u13b4\": 3532,\n    \"\\u2581\\u13d9\\u13c9\": 3533,\n    \"\\u13e5\\u13c3\\u13ae\\u13cd\\u13a9\": 3534,\n    \"\\u13f0\\u13b8\\u13ad\": 3535,\n    \"\\u13eb\\u13d2\": 3536,\n    \"\\u2581\\u13a4\\u13c2\\u13b7\\u13e4\\u13b8\": 3537,\n    \"\\u2581\\u13f1\\u13d5\": 3538,\n    \"\\u13d8\\u13c3\\u13ae\\u13b8\\u13a9\": 3539,\n    \"\\u2581\\u13d3\\u13f2\": 3540,\n    \"\\u13e6\\u13e2\\u13d9\\u13d7\": 3541,\n    \"\\u2581\\u13a0\\u13cc\": 3542,\n    \"\\u13f0\\u13b8\\u13b2\": 3543,\n    \"\\u2581\\u13a0\\u13a9\\u13f0\\u13b8\\u13c5\": 3544,\n    \"\\u2581\\u13a8\\u13a9\": 3545,\n    \"\\u13f0\\u13b8\\u13d7\": 3546,\n    \"\\u13cd\\u13da\\u13a2\\u13d2\": 3547,\n    \"\\u13b6\\u13cf\": 3548,\n    \"\\u2581\\u13d1\\u13be\\u13b4\\u13c9\": 3549,\n    \"\\u13cf\\u13be\\u13cc\\u13c2\": 3550,\n    \"\\u13f4\\u13b5\": 3551,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13ae\\u13b5\": 3552,\n    \"\\u2581\\u13e5\\u13c1\": 3553,\n    \"\\u13e3\\u13b5\\u13cd\\u13d9\": 3554,\n    \"\\u2581\\u13a4\\u13ea\\u13c5\\u13ce\\u13c3\": 3555,\n    \"\\u2581\\u13cd\\u13a6\": 3556,\n    \"\\u2581\\u13d7\\u13ab\": 3557,\n    \"\\u2581\\u13a4\\u13c1\\u13c5\": 3558,\n    \"\\u13a6\\u13d8\\u13f4\": 3559,\n    \"\\u2581\\u13ac\\u13e9\\u13aa\\u13e9\\u13db\": 3560,\n    \"\\u2581\\u13a0\\u13c1\\u13b6\\u13af\": 3561,\n    \"\\u2581\\u13e7\\u13c4\\u13ec\": 3562,\n    \"\\u2581\\u13da\\u13c3\": 3563,\n    \"\\u2581\\u13ac\\u13be\": 3564,\n    \"\\u13cd\\u13d4\\u13c5\\u13ad\": 3565,\n    \"\\u13af\\u13d3\": 3566,\n    \"\\u2581\\u13d5\\u13a6\\u13c5\": 3567,\n    \"\\u2581\\u13a0\\u13a6\\u13d4\\u13ae\": 3568,\n    \"\\u2581\\u13a6\\u13c2\\u13cf\": 3569,\n    \"\\u13b7\\u13e4\\u13b8\": 3570,\n    \"\\u13c1\\u13ce\\u13a2\": 3571,\n    \"\\u2581\\u13f1\\u13c2\\u13ac\": 3572,\n    \"\\u2581\\u13da\\u13c2\\u13f2\": 3573,\n    \"\\u2581\\u13d7\\u13a9\\u13a6\": 3574,\n    \"\\u13d5\\u13ac\": 3575,\n    \"\\u13be\\u13c4\\u13aa\\u13e9\": 3576,\n    \"\\u2581\\u13a4\\u13a6\": 3577,\n    \"\\u13c1\\u13b8\\u13ad\": 3578,\n    \"\\u13b3\\u13d5\": 3579,\n    \"\\u13db\\u13c1\\u13b5\": 3580,\n    \"\\u13cd\\u13d6\": 3581,\n    \"\\u2581\\u13d3\\u13c2\\u13b8\": 3582,\n    \"\\u2581\\u13a4\\u13c2\\u13b6\\u13d2\": 3583,\n    \"\\u13cf\\u13b3\": 3584,\n    \"\\u13a4\\u13cd\\u13d7\": 3585,\n    \"\\u2581\\u13d7\\u13a9\\u13f2\\u13af\": 3586,\n    \"\\u13ed\": 3587,\n    \"\\u13e3\\u13b5\": 3588,\n    \"\\u13e6\": 3589,\n    \"\\u2581\\u13af\\u13cd\\u13a9\\u13a6\\u13da\": 3590,\n    \"\\u13e3\\u13c5\\u13a9\": 3591,\n    \"\\u13d9\\u13ac\": 3592,\n    \"\\u2581\\u13f1\\u13cd\\u13a9\": 3593,\n    \"\\u2581\\u13a4\\u13f0\": 3594,\n    \"\\u13c5\\u13d3\\u13d7\\u13cd\\u13d7\": 3595,\n    \"\\u13db\\u13d4\\u13c2\": 3596,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\": 3597,\n    \"\\u2581\\u13a4\\u13e9\\u13d2\\u13cd\\u13a9\\u13c2\": 3598,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\": 3599,\n    \"\\u2581\\u13eb\\u13e8\\u13f2\\u13ea\\u13b3\": 3600,\n    \"\\u2581\\u13be\\u13d3\": 3601,\n    \"\\u2581\\u13c4\\u13ec\": 3602,\n    \"\\u2581\\u13e5\\u13a6\\u13d4\\u13b2\": 3603,\n    \"\\u2581\\u13c2\\u13e8\": 3604,\n    \"\\u13f2\\u13cd\\u13d4\\u13c2\": 3605,\n    \"\\u2581\\u13d3\\u13a8\\u13e3\": 3606,\n    \"\\u13cb\": 3607,\n    \"\\u13e2\\u13a2\": 3608,\n    \"\\u2581\\u13a4\\u13be\\u13d5\": 3609,\n    \"\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b8\": 3610,\n    \"\\u2581\\u13c2\\u13a6\\u13a5\\u13a9\": 3611,\n    \"\\u2581\\u13da\\u13c2\\u13a7\\u13b5\": 3612,\n    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3915,\n    \"\\u13c2\\u13d3\\u13cd\\u13d7\": 3916,\n    \"\\u2581\\u13a4\\u13c2\\u13e3\\u13d6\\u13cd\\u13d7\": 3917,\n    \"\\u2581\\u13a0\\u13c6\\u13e3\": 3918,\n    \"\\u2581\\u13a4\\u13a9\\u13ce\\u13a2\": 3919,\n    \"\\u2581\\u13da\\u13e9\\u13c2\\u13a6\\u13b8\\u13a2\": 3920,\n    \"\\u2581\\u13a4\\u13e6\\u13f1\\u13b4\\u13a2\": 3921,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13c6\\u13db\": 3922,\n    \"\\u2581\\u13a0\\u13a2\\u13d2\\u13a9\": 3923,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c5\\u13d6\\u13b8\": 3924,\n    \"\\u2581\\u13a6\\u13ef\\u13b8\": 3925,\n    \"\\u13d3\\u13c2\\u13b8\\u13a9\": 3926,\n    \"\\u2581\\u13e5\\u13c4\\u13cd\\u13d5\": 3927,\n    \"\\u2581\\u13e3\\u13d7\\u13ad\": 3928,\n    \"\\u2581\\u13a4\\u13cd\\u13aa\\u13d2\": 3929,\n    \"\\u2581\\u13a4\\u13d7\\u13db\\u13ae\\u13a2\": 3930,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\": 3931,\n    \"\\u2581\\u13a4\\u13f2\\u13a2\\u13f4\": 3932,\n    \"\\u13f0\\u13db\": 3933,\n    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3953,\n    \"\\u2581\\u13c2\\u13d5\\u13ac\\u13c1\\u13b2\": 3954,\n    \"\\u2581\\u13a4\\u13c5\\u13ce\\u13a2\": 3955,\n    \"\\u2581\\u13af\\u13a6\\u13d4\\u13b2\": 3956,\n    \"\\u2581\\u13a0\\u13c1\\u13ae\\u13cd\\u13d7\": 3957,\n    \"\\u2581\\u13ea\\u13e3\": 3958,\n    \"\\u13d4\\u13c1\\u13cd\\u13d7\": 3959,\n    \"\\u13de\\u13cd\\u13d7\": 3960,\n    \"\\u2581\\u13e7\\u13c1\\u13d7\\u13f1\": 3961,\n    \"\\u2581\\u13a4\\u13ec\\u13e8\": 3962,\n    \"\\u13db\\u13c1\\u13d7\\u13f1\": 3963,\n    \"\\u13a6\\u13db\\u13a6\": 3964,\n    \"\\u2581\\u13a4\\u13aa\\u13b5\\u13f0\\u13a5\": 3965,\n    \"\\u2581\\u13ad\\u13d7\": 3966,\n    \"\\u2581\\u13a4\\u13b7\\u13e4\\u13b4\\u13a2\": 3967,\n    \"\\u13d3\\u13c1\\u13af\": 3968,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13be\": 3969,\n    \"\\u2581\\u13a4\\u13e9\\u13d4\\u13c1\": 3970,\n    \"\\u2581\\u13a1\\u13be\\u13a2\": 3971,\n    \"\\u2581\\u13a4\\u13c1\\u13cd\\u13a9\\u13b8\": 3972,\n    \"\\u2581\\u13a4\\u13ec\\u13c2\\u13ce\": 3973,\n    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4058,\n    \"\\u2581\\u13da\\u13b8\": 4059,\n    \"\\u13d5\\u13a6\": 4060,\n    \"\\u2581\\u13a0\\u13f0\\u13b5\\u13d2\": 4061,\n    \"\\u13af\\u13b2\\u13a2\": 4062,\n    \"\\u13f2\\u13cf\": 4063,\n    \"\\u2581\\u13a4\\u13c3\\u13f4\\u13b5\": 4064,\n    \"\\u2581\\u13a4\\u13c1\\u13e4\\u13a2\": 4065,\n    \"\\u2581\\u13ac\\u13d2\": 4066,\n    \"\\u2581\\u13f3\\u13aa\": 4067,\n    \"\\u2581\\u13c3\\u13d2\": 4068,\n    \"\\u2581\\u13a4\\u13d9\\u13af\": 4069,\n    \"\\u13c2\\u13d9\\u13b8\": 4070,\n    \"\\u13e3\\u13d7\": 4071,\n    \"\\u13a4\\u13e9\\u13c2\\u13a6\\u13b8\": 4072,\n    \"\\u2581\\u13a4\\u13c1\\u13e4\\u13b4\\u13a2\": 4073,\n    \"\\u2581\\u13a4\\u13d9\\u13f3\": 4074,\n    \"\\u13c9\\u13cd\\u13aa\": 4075,\n    \"\\u13cd\\u13a6\\u13a2\\u13ae\\u13cd\\u13d7\": 4076,\n    \"\\u2581\\u13be\\u13c2\\u13a5\\u13a9\": 4077,\n    \"\\u2581\\u13d3\\u13d4\\u13b4\\u13d2\\u13a2\": 4078,\n    \"\\u2581\\u13a4\\u13c5\\u13c1\": 4079,\n    \"\\u2581\\u13a0\\u13c2\\u13b8\\u13c9\\u13d7\\u13cd\\u13a8\": 4080,\n    \"\\u2581\\u13e6\\u13cf\": 4081,\n    \"\\u2581\\u13d9\\u13d3\\u13e3\": 4082,\n    \"\\u2581\\u13e6\\u13d2\": 4083,\n    \"\\u13e1\\u13d7\\u13cd\\u13a9\": 4084,\n    \"\\u2581\\u13a0\\u13b9\\u13c2\": 4085,\n    \"\\u2581\\u13e4\\u13b3\\u13d7\": 4086,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\": 4087,\n    \"\\u2581\\u13a6\\u13f2\\u13a6\": 4088,\n    \"\\u2581\\u13a4\\u13b3\": 4089,\n    \"\\u2581\\u13f2\\u13a6\": 4090,\n    \"\\u13c1\\u13a2\\u13cd\\u13d3\\u13c1\\u13d7\": 4091,\n    \"\\u2581\\u13a1\\u13cd\\u13d7\": 4092,\n    \"\\u2581\\u13a0\\u13ab\\u13f4\\u13d7\": 4093,\n    \"\\u13b3\\u13db\": 4094,\n    \"\\u2581\\u13a4\\u13c2\\u13cf\\u13d7\": 4095,\n    \"\\u13e4\\u13ad\": 4096,\n    \"\\u2581\\u13da\\u13c1\\u13e4\\u13b4\\u13c3\": 4097,\n    \"\\u2581\\u13e5\\u13d5\\u13e3\": 4098,\n    \"\\u2581\\u13a2\\u13ac\\u13f1\\u13f1\\u13c9\": 4099,\n    \"\\u2581\\u13a8\\u13a2\": 4100,\n    \"\\u13ac\\u13c5\": 4101,\n    \"\\u2581\\u13d3\\u13a6\\u13e5\": 4102,\n    \"\\u13cd\\u13d3\\u13e9\\u13d5\\u13a9\": 4103,\n    \"\\u2581\\u13a0\\u13e5\\u13c1\\u13b8\": 4104,\n    \"\\u13d8\\u13cd\\u13d7\\u13cd\\u13a9\": 4105,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13a6\\u13c5\\u13e8\": 4106,\n    \"\\u13a7\\u13af\\u13ef\\u13cd\\u13d7\": 4107,\n    \"\\u2581\\u13f1\\u13e5\\u13f0\\u13b8\": 4108,\n    \"\\u13e5\\u13e7\\u13e3\": 4109,\n    \"\\u2581\\u13a6\\u13be\\u13c4\\u13aa\": 4110,\n    \"\\u13a6\\u13da\": 4111,\n    \"\\u2581\\u13a4\\u13c2\\u13f4\\u13b8\": 4112,\n    \"\\u13e2\\u13c5\\u13af\": 4113,\n    \"\\u13d7\\u13ef\": 4114,\n    \"\\u13d7\\u13cd\\u13d4\\u13c1\": 4115,\n    \"\\u13f2\\u13ad\": 4116,\n    \"\\u2581\\u13e5\\u13f3\\u13aa\": 4117,\n    \"\\u13cd\\u13d3\\u13c1\": 4118,\n    \"\\u13c2\\u13c6\\u13d8\\u13af\": 4119,\n    \"\\u13d7\\u13d4\\u13cd\\u13ac\": 4120,\n    \"\\u2581\\u13e9\\u13f4\": 4121,\n    \"\\u13b5\\u13a2\": 4122,\n    \"\\u2581\\u13d7\\u13a7\": 4123,\n    \"\\u2581\\u13c2\\u13db\": 4124,\n    \"\\u13c4\\u13b5\": 4125,\n    \"\\u2581\\u13e5\\u13a6\\u13d4\": 4126,\n    \"\\u13c2\\u13f4\": 4127,\n    \"\\u2581\\u13aa\\u13db\": 4128,\n    \"\\u2581\\u13a0\\u13be\\u13d7\\u13cd\\u13a8\": 4129,\n    \"\\u2581\\u13a4\\u13c2\\u13c4\\u13aa\\u13e8\": 4130,\n    \"\\u2581\\u13a2\\u13f3\\u13c2\": 4131,\n    \"\\u2581\\u13a4\\u13e3\\u13c5\": 4132,\n    \"\\u13ea\\u13ce\\u13b4\\u13a2\": 4133,\n    \"\\u13d8\\u13be\\u13eb\\u13db\\u13b2\\u13a9\": 4134,\n    \"\\u13cd\\u13c6\\u13b5\": 4135,\n    \"\\u13eb\\u13ce\\u13b4\\u13a2\": 4136,\n    \"\\u13cd\\u13a6\\u13f0\\u13ac\\u13cd\\u13d3\": 4137,\n    \"\\u13b6\\u13d3\": 4138,\n    \"\\u2581\\u13a0\\u13e9\\u13db\": 4139,\n    \"\\u2581\\u13c2\\u13a6\\u13a5\\u13a2\": 4140,\n    \"\\u13d3\\u13f1\": 4141,\n    \"\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\": 4142,\n    \"\\u13c1\\u13df\\u13f4\": 4143,\n    \"\\u2581\\u13a2\\u13a4\": 4144,\n    \"\\u2581\\u13a4\\u13ea\\u13f0\": 4145,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13c6\\u13b8\\u13d7\\u13c3\": 4146,\n    \"\\u13d3\\u13ce\\u13aa\\u13a9\\u13cd\": 4147,\n    \"\\u13a9\\u13d2\": 4148,\n    \"\\u13a6\\u13b3\": 4149,\n    \"\\u2581\\u13be\\u13af\\u13f3\\u13a2\": 4150,\n    \"\\u13db\\u13c3\\u13af\": 4151,\n    \"\\u13b8\\u13c9\\u13d7\\u13cd\\u13a9\": 4152,\n    \"\\u2581\\u13da\\u13f3\": 4153,\n    \"\\u2581\\u13d5\\u13a8\\u13e5\": 4154,\n    \"\\u13f2\\u13cd\\u13d7\\u13cd\\u13ac\": 4155,\n    \"\\u13e1\\u13d7\\u13cd\\u13ac\\u13a2\": 4156,\n    \"\\u2581\\u13da\\u13f2\\u13ce\": 4157,\n    \"\\u13eb\\u13db\": 4158,\n    \"\\u2581\\u13a0\\u13a8\": 4159,\n    \"\\u2581\\u13f1\\u13a8\\u13e3\": 4160,\n    \"\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 4161,\n    \"\\u13cd\\u13d5\\u13b5\\u13cd\\u13a9\": 4162,\n    \"\\u13f3\\u13b3\": 4163,\n    \"\\u13d7\\u13cd\\u13d7\\u13cd\\u13a9\": 4164,\n    \"\\u13c5\\u13aa\\u13a2\\u13cd\\u13d7\": 4165,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13c6\": 4166,\n    \"al\": 4167,\n    \"\\u13f0\\u13b8\\u13af\": 4168,\n    \"\\u13c2\\u13d9\\u13af\": 4169,\n    \"\\u2581\\u13ef\\u13d3\\u13c5\\u13d6\": 4170,\n    \"\\u13d1\\u13f0\\u13d2\": 4171,\n    \"\\u2581\\u13a0\\u13b5\\u13f0\\u13a2\\u13b5\": 4172,\n    \"\\u2581\\u13a6\\u13ef\": 4173,\n    \"\\u13e2\\u13d7\\u13f1\": 4174,\n    \"\\u2581\\u13ed\\u13e9\": 4175,\n    \"\\u13f4\\u13cd\\u13d7\": 4176,\n    \"\\u13b5\\u13f3\": 4177,\n    \"\\u2581\\u13d5\\u13ab\": 4178,\n    \"\\u13c2\\u13a9\\u13cd\\u13ac\": 4179,\n    \"\\u2581\\u13a9\\u13ef\": 4180,\n    \"\\u2581\\u13a2\\u13e8\\u13f2\\u13ea\\u13b3\": 4181,\n    \"\\u13e5\\u13cd\\u13a6\\u13ef\": 4182,\n    \"\\u2581\\u13d3\\u13f3\\u13c2\": 4183,\n    \"\\u2581\\u13c4\\u13cd\\u13db\\u13a9\": 4184,\n    \"\\u13cd\\u13a9\\u13b8\": 4185,\n    \"\\u13a1\\u13b0\\u13a2\": 4186,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\": 4187,\n    \"\\u13e5\\u13c1\\u13b8\": 4188,\n    \"\\u13c5\\u13db\": 4189,\n    \"\\u13d3\\u13d1\\u13f0\\u13cd\\u13d7\": 4190,\n    \"\\u13cd\\u13d3\\u13e9\\u13db\\u13d2\\u13a9\": 4191,\n    \"\\u13cd\\u13d3\\u13e9\\u13d7\\u13d2\": 4192,\n    \"\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\": 4193,\n    \"\\u2581\\u13e5\\u13c2\\u13ac\": 4194,\n    \"\\u2581\\u13d4\\u13ef\": 4195,\n    \"\\u13d3\\u13b5\\u13d3\\u13cd\\u13d7\": 4196,\n    \"\\u13a4\\u13cd\\u13d3\\u13a6\\u13f4\\u13af\\u13d3\": 4197,\n    \"\\u2581\\u13da\\u13ed\": 4198,\n    \"\\u2581\\u13a8\\u13cd\\u13d7\\u13d7\": 4199,\n    \"\\u2581\\u13a6\\u13ac\": 4200,\n    \"\\u2581\\u13da\\u13c1\": 4201,\n    \"\\u13f2\\u13d2\\u13a9\": 4202,\n    \"\\u2581\\u13a2\\u13d7\\u13a6\\u13d8\": 4203,\n    \"\\u2581\\u13a2\\u13f3\\u13cd\\u13a9\\u13c2\\u13c3\": 4204,\n    \"\\u13b3\\u13d3\": 4205,\n    \"\\u13a6\\u13c1\\u13b6\\u13d7\": 4206,\n    \"\\u13f2\\u13b5\": 4207,\n    \"\\u13b3\\u13c2\": 4208,\n    \"\\u2581\\u13a5\\u13a9\\u13b8\\u13c9\": 4209,\n    \"\\u2581\\u13a4\\u13b5\\u13f0\": 4210,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\\u13ac\": 4211,\n    \"\\u13b7\\u13af\\u13cd\\u13d7\": 4212,\n    \"\\u13d8\\u13c3\\u13af\\u13cd\\u13d7\\u13f1\": 4213,\n    \"\\u13cd\\u13a6\\u13e8\\u13af\": 4214,\n    \"\\u13c2\\u13aa\\u13b2\": 4215,\n    \"\\u13a6\\u13d8\\u13d3\": 4216,\n    \"\\u2581\\u13a2\\u13cd\\u13db\": 4217,\n    \"\\u2581\\u13ac\\u13f0\\u13b8\": 4218,\n    \"\\u2581\\u13c5\\u13d3\\u13ac\\u13e9\": 4219,\n    \"\\u2581\\u13a0\\u13e2\": 4220,\n    \"\\u13a7\\u13c1\": 4221,\n    \"\\u13d9\\u13ae\": 4222,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\\u13ce\": 4223,\n    \"\\u13b8\\u13c2\": 4224,\n    \"\\u2581\\u13d7\\u13e3\\u13c1\\u13b6\": 4225,\n    \"\\u2581\\u13d7\\u13cd\\u13da\": 4226,\n    \"\\u13c9\\u13c2\": 4227,\n    \"\\u2581\\u13a4\\u13b7\": 4228,\n    \"\\u13d3\\u13c2\\u13b8\\u13e4\\u13a2\": 4229,\n    \"\\u2581\\u13f3\\u13ec\\u13af\\u13f3\": 4230,\n    \"\\u13b6\\u13af\\u13cd\\u13d7\": 4231,\n    \"\\u13e9\\u13d5\\u13ac\": 4232,\n    \"\\u13bc\": 4233,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\": 4234,\n    \"\\u13a6\\u13c5\\u13a6\": 4235,\n    \"\\u2581\\u13c4\\u13c2\\u13ea\\u13ce\": 4236,\n    \"\\u2581\\u13e3\\u13a6\": 4237,\n    \"\\u2581\\u13e7\\u13c1\\u13e8\": 4238,\n    \"\\u13ea\\u13ce\\u13b8\\u13a9\": 4239,\n    \"\\u13bf\\u13a5\\u13a2\": 4240,\n    \"\\u2581\\u13a4\\u13b8\\u13c9\\u13d7\": 4241,\n    \"\\u2581\\u13a7\\u13c3\\u13ae\": 4242,\n    \"\\u13ea\\u13b6\\u13d7\": 4243,\n    \"\\u13cd\\u13d5\\u13b8\\u13d7\\u13f1\": 4244,\n    \"\\u13a2\\u13a6\\u13b8\\u13c9\\u13d7\": 4245,\n    \"\\u13e6\\u13c1\": 4246,\n    \"\\u13e2\\u13db\": 4247,\n    \"\\u2581\\u13a6\\u13df\": 4248,\n    \"\\u2581\\u13a4\\u13c1\\u13b7\\u13ac\": 4249,\n    \"\\u13d3\\u13ec\\u13cd\\u13d7\": 4250,\n    \"\\u2581\\u13e7\\u13b3\\u13d1\\u13b6\": 4251,\n    \"\\u2581\\u13a4\\u13c3\\u13b8\": 4252,\n    \"\\u13af\\u13cd\\u13d4\\u13c2\": 4253,\n    \"\\u2581\\u13d9\\u13e7\": 4254,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\": 4255,\n    \"\\u2581\\u13d5\\u13a6\\u13c4\\u13aa\\u13eb\\u13cd\": 4256,\n    \"\\u13aa\\u13b5\\u13f0\\u13a5\\u13af\": 4257,\n    \"\\u2581\\u13a5\\u13e5\": 4258,\n    \"\\u13cd\\u13a6\\u13c3\\u13b5\": 4259,\n    \"\\u2581\\u13a2\\u13a9\\u13f0\\u13b8\": 4260,\n    \"\\u2581\\u13d5\\u13a6\\u13c4\\u13aa\\u13ac\": 4261,\n    \"\\u2581\\u13d5\\u13a6\\u13b3\\u13c5\\u13db\": 4262,\n    \"\\u13a6\\u13b8\\u13b3\\u13d7\": 4263,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13c2\\u13aa\\u13ce\": 4264,\n    \"\\u2581\\u13a0\\u13d0\\u13f4\": 4265,\n    \"\\u2581\\u13a3\\u13a6\\u13db\\u13a6\\u13c5\": 4266,\n    \"\\u13d3\\u13a9\\u13cd\\u13a8\": 4267,\n    \"\\u2581\\u13a0\\u13d3\\u13ea\\u13b5\\u13a9\\u13cd\\u13ac\": 4268,\n    \"\\u2581\\u13da\\u13f2\": 4269,\n    \"\\u13c4\\u13d3\\u13b4\": 4270,\n    \"\\u13eb\\u13b5\\u13bb\": 4271,\n    \"\\u13d7\\u13a6\\u13db\\u13af\": 4272,\n    \"\\u2581\\u13a0\\u13a9\\u13c7\\u13d3\\u13b8\": 4273,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d7\\u13cd\\u13aa\": 4274,\n    \"\\u2581\\u13d5\\u13a6\\u13cd\\u13a9\\u13b8\": 4275,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\\u13ac\": 4276,\n    \"\\u2581\\u13e7\\u13c1\": 4277,\n    \"\\u2581\\u13f1\\u13a8\\u13e5\": 4278,\n    \"\\u2581\\u13ac\\u13e9\\u13be\\u13d5\": 4279,\n    \"\\u2581\\u13a4\\u13b5\\u13f0\\u13d4\\u13c1\": 4280,\n    \"\\u2581\\u13d9\\u13e7\\u13be\\u13d3\\u13c5\\u13db\": 4281,\n    \"\\u2581\\u13f1\\u13e5\\u13a6\\u13d4\\u13ae\": 4282,\n    \"\\u2581\\u13c4\\u13c2\\u13ea\\u13ce\\u13b4\": 4283,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13ae\\u13b5\\u13ac\": 4284,\n    \"\\u2581\\u13a4\\u13be\\u13c2\\u13a9\\u13ce\": 4285,\n    \"\\u2581\\u13da\\u13d3\\u13d8\\u13be\\u13a5\": 4286,\n    \"\\u2581\\u13a4\\u13b6\\u13a8\\u13d2\": 4287,\n    \"\\u2581\\u13ef\\u13db\\u13c5\": 4288,\n    \"\\u2581\\u13f1\\u13c4\\u13cd\\u13d5\": 4289,\n    \"\\u2581\\u13a4\\u13ec\\u13af\\u13f3\\u13d2\": 4290,\n    \"\\u13b0\\u13e9\": 4291,\n    \"\\u2581\\u13a4\\u13c4\\u13e9\\u13a5\": 4292,\n    \"\\u2581\\u13c8\\u13ac\": 4293,\n    \"\\u2581\\u13d5\\u13a6\\u13ec\\u13c1\\u13d7\\u13cd\\u13ac\": 4294,\n    \"\\u2581\\u13be\\u13a9\\u13ea\\u13ce\\u13b8\": 4295,\n    \"\\u13a3\\u13cf\": 4296,\n    \"\\u13aa\\u13b2\\u13cd\\u13d9\\u13d7\": 4297,\n    \"\\u2581\\u13ed\\u13ef\\u13c5\\u13b2\": 4298,\n    \"\\u2581\\u13a0\\u13a9\\u13e9\\u13db\\u13b2\": 4299,\n    \"\\u2581\\u13c4\\u13c5\\u13c1\\u13b8\": 4300,\n    \"\\u2581\\u13c4\\u13db\\u13c1\": 4301,\n    \"\\u13b5\\u13d9\\u13af\": 4302,\n    \"\\u2581\\u13a4\\u13b5\\u13e6\\u13db\": 4303,\n    \"\\u2581\\u13a5\\u13a9\\u13d9\": 4304,\n    \"\\u13f0\\u13b3\\u13cd\\u13d7\": 4305,\n    \"\\u2581\\u13a2\\u13ab\\u13e9\": 4306,\n    \"\\u2581\\u13be\\u13cf\": 4307,\n    \"\\u13ec\\u13d7\\u13a8\": 4308,\n    \"\\u2581\\u13a0\\u13c2\\u13aa\\u13e9\\u13d8\\u13cd\\u13ac\": 4309,\n    \"\\u13aa\\u13b5\\u13f0\": 4310,\n    \"\\u2581\\u13c7\\u13d3\\u13c1\\u13b3\\u13bb\": 4311,\n    \"\\u2581\\u13a0\\u13d3\\u13a8\\u13d7\": 4312,\n    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4729,\n    \"\\u13a6\\u13b6\\u13a8\\u13d2\": 4730,\n    \"\\u2581\\u13a0\\u13c2\\u13c1\\u13ac\\u13a2\": 4731,\n    \"\\u2581\\u13be\\u13db\\u13c1\\u13b2\\u13a2\": 4732,\n    \"\\u13da\\u13b5\\u13cd\\u13aa\": 4733,\n    \"\\u2581\\u13e4\\u13cf\": 4734,\n    \"\\u2581\\u13a6\\u13b5\\u13e6\\u13d9\\u13d7\": 4735,\n    \"\\u2581\\u13a6\\u13c1\\u13af\": 4736,\n    \"\\u13b3\\u13d7\\u13cd\\u13ac\": 4737,\n    \"\\u13da\\u13d3\\u13b4\\u13cd\\u13d7\\u13f1\": 4738,\n    \"\\u2581\\u13cf\\u13a6\": 4739,\n    \"\\u2581\\u13a2\\u13cc\": 4740,\n    \"\\u2581\\u13a4\\u13ea\\u13ad\": 4741,\n    \"\\u2581\\u13ef\\u13a9\\u13f0\\u13b8\": 4742,\n    \"\\u2581\\u13a2\\u13e5\\u13b2\\u13a2\": 4743,\n    \"\\u2581\\u13be\\u13db\\u13a6\": 4744,\n    \"\\u2581\\u13d3\\u13eb\\u13d2\\u13a2\": 4745,\n    \"\\u2581\\u13e7\\u13be\\u13d7\\u13d4\\u13cd\\u13d7\": 4746,\n    \"\\u2581\\u13a2\\u13e2\": 4747,\n    \"\\u2581\\u13e3\\u13cd\\u13a6\\u13c5\\u13e8\": 4748,\n    \"\\u2581\\u13a0\\u13a2\\u13ce\": 4749,\n    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4921,\n    \"\\u13d9\\u13c2\": 4922,\n    \"\\u13e9\\u13d7\\u13d2\\u13a2\": 4923,\n    \"\\u2581\\u13a4\\u13b5\\u13cf\\u13c5\": 4924,\n    \"\\u13a9\\u13b5\": 4925,\n    \"\\u2581\\u13a4\\u13b5\\u13a2\": 4926,\n    \"\\u2581\\u13c6\\u13be\": 4927,\n    \"\\u13e2\\u13c5\\u13a9\": 4928,\n    \"\\u13af\\u13ae\\u13cd\\u13d7\": 4929,\n    \"\\u13cd\\u13d7\\u13cd\\u13a8\": 4930,\n    \"\\u13aa\\u13a6\": 4931,\n    \"\\u2581\\u13da\\u13d3\": 4932,\n    \"\\u13a8\\u13af\\u13d3\\u13cd\\u13d7\": 4933,\n    \"\\u2581\\u13eb\\u13f1\": 4934,\n    \"\\u13ae\\u13be\": 4935,\n    \"\\u13aa\\u13a9\": 4936,\n    \"\\u13a9\\u13a8\\u13f3\\u13af\\u13f3\": 4937,\n    \"\\u13e5\\u13a6\\u13d4\\u13b2\\u13be\": 4938,\n    \"\\u13d3\\u13c1\\u13d7\\u13f1\": 4939,\n    \"\\u13cd\\u13c7\\u13da\": 4940,\n    \"\\u13b2\\u13cd\\u13a8\\u13a2\": 4941,\n    \"\\u2581\\u13d3\\u13cc\": 4942,\n    \"\\u13be\\u13d4\": 4943,\n    \"\\u13cd\\u13d5\\u13be\": 4944,\n    \"\\u2581\\u13a2\\u13f2\": 4945,\n    \"\\u13a6\\u13d5\": 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5108,\n    \"\\u2581\\u13a4\\u13c2\\u13f0\\u13b8\\u13ce\": 5109,\n    \"\\u2581\\u13e5\\u13e8\": 5110,\n    \"\\u13d3\\u13cd\\u13d7\\u13f1\": 5111,\n    \"\\u2581\\u13eb\\u13da\\u13a7\\u13be\\u13c1\": 5112,\n    \"\\u2581\\u13a6\\u13cd\\u13a9\\u13d3\\u13cd\\u13ac\": 5113,\n    \"\\u2581\\u13a0\\u13e5\\u13c3\\u13c1\\u13b4\": 5114,\n    \"\\u2581\\u13d9\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\": 5115,\n    \"\\u2581\\u13a2\\u13db\\u13d7\\u13cd\\u13ac\": 5116,\n    \"\\u2581\\u13a0\\u13be\\u13db\\u13a9\\u13cd\\u13ac\": 5117,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13ae\\u13b5\\u13ac\": 5118,\n    \"\\u2581\\u13d7\\u13a9\\u13f2\": 5119,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13f3\\u13d2\": 5120,\n    \"\\u2581\\u13d5\\u13a4\\u13b7\\u13ac\": 5121,\n    \"\\u2581\\u13c2\\u13d3\\u13d5\\u13d8\\u13f4\\u13af\\u13d2\": 5122,\n    \"\\u2581\\u13a0\\u13c2\\u13a9\\u13b5\\u13f2\\u13ac\": 5123,\n    \"\\u13be\\u13f0\\u13af\\u13cd\\u13d7\": 5124,\n    \"\\u13df\\u13cf\\u13cd\\u13aa\": 5125,\n    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5161,\n    \"\\u2581\\u13a0\\u13c9\\u13ea\\u13b3\\u13c5\": 5162,\n    \"\\u2581\\u13e8\\u13cc\": 5163,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\": 5164,\n    \"\\u13d3\\u13cd\\u13d5\\u13b8\\u13d7\": 5165,\n    \"\\u2581\\u13e7\\u13d3\\u13b4\\u13c1\": 5166,\n    \"\\u13a0\\u13c1\\u13af\": 5167,\n    \"\\u2581\\u13ed\\u13d3\\u13aa\\u13be\\u13db\": 5168,\n    \"\\u2581\\u13a2\\u13ef\\u13c5\\u13c1\": 5169,\n    \"\\u2581\\u13da\\u13aa\": 5170,\n    \"\\u2581\\u13a4\\u13d9\\u13af\\u13f3\\u13c1\": 5171,\n    \"\\u2581\\u13e7\\u13be\\u13db\\u13d0\\u13c5\": 5172,\n    \"\\u2581\\u13a2\\u13d3\\u13b5\\u13ae\\u13b5\": 5173,\n    \"\\u2581\\u13d7\\u13a9\\u13be\\u13eb\": 5174,\n    \"\\u2581\\u13a2\\u13f3\\u13b5\\u13cd\\u13d4\\u13c2\\u13d3\\u13cd\\u13d7\": 5175,\n    \"\\u13b8\\u13d9\\u13d7\": 5176,\n    \"\\u13c1\\u13b5\\u13cd\\u13ac\\u13be\": 5177,\n    \"\\u13ce\\u13aa\\u13a9\\u13cd\\u13d7\": 5178,\n    \"\\u2581\\u13d7\\u13aa\\u13ea\\u13b3\\u13c5\": 5179,\n    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5440,\n    \"\\u13cd\\u13d3\\u13e9\\u13db\\u13cd\\u13d7\\u13f1\": 5441,\n    \"\\u2581\\u13a0\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13ac\": 5442,\n    \"\\u2581\\u13a4\\u13c2\\u13c2\\u13f4\\u13d7\\u13f1\": 5443,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\\u13a8\\u13b3\\u13cd\\u13d7\": 5444,\n    \"\\u2581\\u13c2\\u13a6\\u13a1\\u13cd\\u13d7\": 5445,\n    \"\\u2581\\u13c2\\u13e8\\u13f4\\u13c1\\u13ad\": 5446,\n    \"\\u2581\\u13d7\\u13e8\\u13f2\\u13af\\u13ce\\u13d7\\u13f1\": 5447,\n    \"\\u2581\\u13a4\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13b4\": 5448,\n    \"\\u2581\\u13d3\\u13aa\\u13c4\\u13b8\": 5449,\n    \"\\u2581\\u13a1\\u13da\\u13e5\": 5450,\n    \"\\u2581\\u13a4\\u13be\\u13d9\\u13b4\\u13b0\\u13af\\u13cd\\u13d7\\u13f1\": 5451,\n    \"\\u2581\\u13ac\\u13c1\\u13e4\\u13ad\": 5452,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13f2\\u13b5\\u13f3\": 5453,\n    \"\\u2581\\u13e7\\u13ec\\u13b3\": 5454,\n    \"\\u2581\\u13a0\\u13a9\\u13f0\\u13b8\\u13b0\": 5455,\n    \"\\u2581\\u13d7\\u13d1\\u13f1\": 5456,\n 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5575,\n    \"\\u13c2\\u13c3\\u13c1\\u13b4\": 5576,\n    \"\\u2581\\u13a4\\u13b3\\u13cf\\u13d5\\u13c2\": 5577,\n    \"\\u2581\\u13aa\\u13b5\\u13cd\\u13d7\\u13f1\": 5578,\n    \"\\u2581\\u13a2\\u13a8\\u13e8\\u13c1\\u13d7\": 5579,\n    \"\\u2581\\u13da\\u13c2\\u13a7\\u13c1\\u13a2\": 5580,\n    \"\\u2581\\u13be\\u13c6\\u13cd\\u13d7\": 5581,\n    \"\\u2581\\u13a0\\u13c7\\u13b7\\u13c5\": 5582,\n    \"\\u2581\\u13a0\\u13ef\\u13eb\\u13cd\\u13a9\": 5583,\n    \"\\u2581\\u13da\\u13ea\\u13a7\\u13b2\": 5584,\n    \"\\u2581\\u13d3\\u13f0\\u13c2\": 5585,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13b8\": 5586,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\\u13d7\\u13cd\\u13a9\": 5587,\n    \"\\u2581\\u13a4\\u13b8\\u13c1\\u13a2\": 5588,\n    \"\\u2581\\u13e7\\u13c1\\u13b6\\u13d7\": 5589,\n    \"\\u2581\\u13a0\\u13c7\\u13c5\\u13d2\\u13a9\": 5590,\n    \"\\u2581\\u13e6\\u13cd\\u13db\": 5591,\n    \"\\u2581\\u13e6\\u13b4\\u13cd\\u13d7\": 5592,\n    \"\\u2581\\u13f4\\u13a8\\u13e8\": 5593,\n    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5626,\n    \"\\u13a6\\u13cc\\u13b4\": 5627,\n    \"\\u2581\\u13d3\\u13bb\": 5628,\n    \"\\u13c6\\u13e0\": 5629,\n    \"\\u2581\\u13a8\\u13cd\\u13d3\": 5630,\n    \"\\u13f0\\u13f2\\u13b2\\u13cd\\u13a9\": 5631,\n    \"\\u13c3\\u13af\\u13ce\\u13d7\": 5632,\n    \"\\u2581\\u13d7\\u13cd\\u13d3\\u13f1\": 5633,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13a6\\u13a2\\u13ae\\u13a2\": 5634,\n    \"\\u2581\\u13da\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b8\": 5635,\n    \"\\u2581\\u13a0\\u13c1\\u13b5\\u13cd\\u13aa\": 5636,\n    \"\\u13d9\\u13f1\": 5637,\n    \"\\u2581\\u13a4\\u13b5\\u13ae\\u13b5\\u13e8\\u13af\": 5638,\n    \"\\u13e0\\u13af\\u13cd\\u13d3\": 5639,\n    \"\\u2581\\u13e5\\u13ef\\u13a5\\u13a2\": 5640,\n    \"\\u2581\\u13a1\\u13b6\\u13d7\\u13cf\": 5641,\n    \"\\u2581\\u13d1\\u13df\\u13b6\\u13db\\u13c9\": 5642,\n    \"\\u13a8\\u13f3\\u13c5\\u13be\": 5643,\n    \"\\u2581\\u13da\\u13c2\\u13cd\\u13d8\\u13f0\\u13ac\": 5644,\n    \"\\u2581\\u13c2\\u13d3\\u13db\\u13c1\\u13b2\": 5645,\n    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6453,\n    \"\\u2581\\u13f1\\u13a1\\u13e6\\u13a2\\u13f3\": 6454,\n    \"\\u13d3\\u13be\\u13d5\\u13d2\\u13b2\\u13cd\\u13aa\\u13a2\": 6455,\n    \"\\u2581\\u13a0\\u13c1\\u13ef\\u13d4\\u13af\": 6456,\n    \"\\u2581\\u13a0\\u13c2\\u13a2\\u13cf\\u13ba\\u13b5\": 6457,\n    \"\\u2581\\u13a0\\u13cd\\u13d5\\u13f1\\u13db\": 6458,\n    \"\\u2581\\u13a2\\u13cd\\u13aa\\u13c2\\u13d7\\u13e2\": 6459,\n    \"\\u2581\\u13a2\\u13ef\\u13c6\\u13d5\\u13d8\\u13f4\\u13d3\": 6460,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13aa\\u13be\\u13d9\\u13d7\": 6461,\n    \"\\u2581\\u13a4\\u13be\\u13d7\\u13cd\\u13a6\\u13e2\": 6462,\n    \"\\u2581\\u13a4\\u13d4\\u13f2\\u13b4\": 6463,\n    \"\\u2581\\u13a4\\u13e9\\u13ac\\u13d8\\u13b6\\u13d3\": 6464,\n    \"\\u2581\\u13a4\\u13e9\\u13be\\u13d3\\u13b4\": 6465,\n    \"\\u2581\\u13a5\\u13d6\\u13a3\\u13a9\": 6466,\n    \"\\u2581\\u13c1\\u13e5\\u13ea\\u13ce\\u13b8\\u13ad\": 6467,\n    \"\\u2581\\u13c2\\u13a6\\u13d7\\u13b9\\u13cf\": 6468,\n    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6673,\n    \"\\u2581\\u13da\\u13d9\\u13d3\\u13c8\\u13d2\": 6674,\n    \"\\u2581\\u13da\\u13b5\\u13ac\\u13e9\\u13e2\": 6675,\n    \"\\u2581\\u13eb\\u13a6\\u13a2\\u13d2\": 6676,\n    \"\\u2581\\u13ed\\u13d5\\u13c1\\u13a2\": 6677,\n    \"\\u2581\\u13f1\\u13c4\\u13e9\\u13c1\\u13b0\": 6678,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13cd\\u13d7\\u13ad\": 6679,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13a8\\u13f3\\u13ce\\u13cd\\u13d7\": 6680,\n    \"ers\": 6681,\n    \"\\u2581\\u13f1\\u13d3\\u13f2\\u13a9\": 6682,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d6\\u13b8\": 6683,\n    \"\\u13be\\u13de\\u13ac\": 6684,\n    \"\\u2581\\u13a0\\u13d3\\u13a6\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\\u13a9\": 6685,\n    \"\\u2581\\u13d8\\u13b9\\u13c2\": 6686,\n    \"\\u2581\\u13d9\\u13d3\\u13ac\\u13c1\\u13b5\": 6687,\n    \"\\u2581\\u13e5\\u13d5\\u13e3\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ad\": 6688,\n    \"\\u2581\\u13a4\\u13ea\\u13b7\\u13c5\": 6689,\n    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6967,\n    \"\\u2581\\u13a4\\u13be\\u13d7\\u13d4\\u13cd\\u13d7\\u13f1\": 6968,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13f4\\u13b2\\u13a9\": 6969,\n    \"\\u2581\\u13e3\\u13be\\u13d7\\u13ad\": 6970,\n    \"\\u13cd\\u13a9\\u13f0\\u13b5\\u13ce\\u13ae\\u13cd\\u13d7\": 6971,\n    \"\\u2581\\u13a4\\u13b5\\u13cc\\u13b3\\u13d3\\u13c1\": 6972,\n    \"\\u2581\\u13a0\\u13c2\\u13e3\\u13d7\": 6973,\n    \"\\u2581\\u13d4\\u13d4\": 6974,\n    \"\\u2581\\u13f1\\u13d3\\u13da\": 6975,\n    \"\\u2581\\u13a0\\u13f2\\u13cd\\u13d9\\u13d7\": 6976,\n    \"\\u2581\\u13e7\\u13cd\\u13d5\\u13b8\\u13d7\\u13f1\": 6977,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d8\\u13f4\": 6978,\n    \"\\u2581\\u13a2\\u13ac\\u13f4\": 6979,\n    \"\\u2581\\u13a0\\u13cd\\u13d3\\u13f1\\u13d7\\u13cd\\u13a9\": 6980,\n    \"\\u13e6\\u13a6\\u13d3\\u13b5\": 6981,\n    \"\\u2581\\u13a0\\u13a9\\u13c1\\u13e4\\u13b8\\u13a9\": 6982,\n    \"\\u2581\\u13a9\\u13b3\\u13ca\": 6983,\n    \"\\u2581\\u13d7\\u13cd\\u13d5\\u13b5\\u13cd\\u13a9\": 6984,\n    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7016,\n    \"\\u13a7\\u13b2\\u13cd\\u13d7\\u13f1\": 7017,\n    \"\\u2581\\u13e3\\u13da\\u13b5\\u13ad\": 7018,\n    \"\\u2581\\u13f4\\u13a6\\u13ac\": 7019,\n    \"\\u2581\\u13a4\\u13b5\\u13cf\\u13be\\u13af\\u13cd\\u13d7\": 7020,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13b8\\u13a9\": 7021,\n    \"\\u2581\\u13a0\\u13a9\\u13f0\\u13af\": 7022,\n    \"\\u2581\\u13a4\\u13e2\\u13a6\": 7023,\n    \"\\u2581\\u13a3\\u13a6\\u13d3\\u13c5\\u13d4\\u13e9\\u13d5\": 7024,\n    \"\\u2581\\u13a0\\u13d3\\u13be\\u13c5\": 7025,\n    \"\\u2581\\u13e5\\u13c3\\u13aa\\u13a2\": 7026,\n    \"\\u2581\\u13c2\\u13a4\\u13cd\\u13d7\": 7027,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13d3\\u13cd\\u13db\": 7028,\n    \"\\u2581\\u13a0\\u13e5\\u13ef\\u13c5\\u13b2\": 7029,\n    \"\\u13ac\\u13ad\\u13b7\\u13f0\\u13a2\": 7030,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13c2\\u13aa\\u13db\": 7031,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13a2\\u13ae\\u13f0\\u13c3\": 7032,\n    \"\\u2581\\u13ae\\u13d9\\u13ad\": 7033,\n    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7069,\n    \"\\u2581\\u13a8\\u13e5\\u13cd\\u13d5\\u13b8\\u13d7\\u13f1\": 7070,\n    \"\\u2581\\u13aa\\u13b9\\u13b5\\u13f1\": 7071,\n    \"\\u2581\\u13a4\\u13c2\\u13b6\\u13d0\\u13c5\": 7072,\n    \"\\u2581\\u13c2\\u13da\\u13db\\u13c1\\u13b8\": 7073,\n    \"\\u2581\\u13a6\\u13b5\\u13a1\\u13b5\": 7074,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d4\\u13af\\u13f3\": 7075,\n    \"\\u2581\\u13d7\\u13e4\\u13c5\\u13d2\": 7076,\n    \"\\u13a8\\u13ae\\u13a9\": 7077,\n    \"\\u2581\\u13da\\u13c2\\u13f2\\u13b1\\u13d2\\u13a9\": 7078,\n    \"\\u2581\\u13d5\\u13e5\\u13a7\\u13c5\": 7079,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13c5\": 7080,\n    \"\\u2581\\u13c2\\u13aa\\u13af\": 7081,\n    \"\\u2581\\u13c4\\u13ea\\u13a1\\u13a2\": 7082,\n    \"\\u2581\\u13e7\\u13ea\\u13b3\": 7083,\n    \"\\u2581\\u13a3\\u13a6\\u13db\\u13a6\\u13c5\\u13af\": 7084,\n    \"\\u2581\\u13a3\\u13a6\\u13e3\\u13c5\\u13a9\": 7085,\n    \"\\u2581\\u13a3\\u13e5\\u13ec\\u13c2\\u13cd\\u13ac\": 7086,\n    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\"\\u2581\\u13d7\\u13c6\\u13c4\\u13ec\": 7213,\n    \"\\u13aa\\u13b2\\u13cd\\u13ac\": 7214,\n    \"\\u2581\\u13a4\\u13c2\\u13c5\\u13c5\\u13a2\": 7215,\n    \"\\u13cd\\u13a6\\u13c5\\u13be\": 7216,\n    \"\\u13ac\\u13d7\\u13ad\": 7217,\n    \"\\u13b6\\u13d8\": 7218,\n    \"\\u2581\\u13a2\\u13f3\\u13f2\": 7219,\n    \"\\u2581\\u13a3\\u13cf\\u13c9\\u13cd\\u13aa\": 7220,\n    \"\\u2581\\u13c6\\u13b7\": 7221,\n    \"\\u2581\\u13c2\\u13a8\\u13d2\": 7222,\n    \"\\u2581\\u13a4\\u13ec\\u13c2\\u13d2\\u13a9\": 7223,\n    \"\\u2581\\u13a4\\u13c1\\u13d9\\u13b8\\u13a2\": 7224,\n    \"\\u2581\\u13a4\\u13db\\u13d7\\u13f1\": 7225,\n    \"\\u2581\\u13d1\\u13d3\\u13a8\": 7226,\n    \"\\u2581\\u13a4\\u13d3\\u13f0\": 7227,\n    \"\\u2581\\u13a4\\u13ef\\u13c5\\u13ae\\u13a2\": 7228,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13e8\\u13af\": 7229,\n    \"\\u13b5\\u13cd\\u13d3\\u13c1\\u13b8\\u13a9\": 7230,\n    \"\\u13c8\\u13a6\": 7231,\n    \"\\u2581\\u13d1\\u13be\\u13b4\\u13a2\\u13f3\": 7232,\n    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7290,\n    \"\\u13a9\\u13cd\\u13a8\": 7291,\n    \"\\u13d3\\u13e2\\u13a9\": 7292,\n    \"\\u2581\\u13e3\\u13ef\": 7293,\n    \"\\u2581\\u13a4\\u13cd\\u13da\\u13a2\\u13d2\\u13a9\": 7294,\n    \"\\u2581\\u13d3\\u13be\\u13d7\\u13d4\\u13cd\\u13a8\": 7295,\n    \"\\u2581\\u13a4\\u13e6\\u13cd\\u13d4\\u13c1\": 7296,\n    \"\\u13a6\\u13c5\\u13cd\\u13a8\\u13c2\": 7297,\n    \"\\u2581\\u13a4\\u13c2\\u13c3\\u13ae\\u13b8\\u13a9\": 7298,\n    \"\\u2581\\u13be\\u13c6\\u13db\\u13c1\\u13b8\\u13a9\": 7299,\n    \"\\u2581\\u13a0\\u13c6\\u13b4\\u13c2\\u13d9\\u13b8\": 7300,\n    \"\\u13cd\\u13aa\\u13af\\u13e7\\u13c8\": 7301,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13a9\\u13c9\": 7302,\n    \"\\u2581\\u13e5\\u13c2\\u13a6\\u13ea\\u13cd\\u13aa\": 7303,\n    \"\\u2581\\u13a4\\u13a6\\u13d4\\u13b2\\u13d2\\u13a9\": 7304,\n    \"\\u2581\\u13e3\\u13cd\\u13d3\": 7305,\n    \"\\u13eb\\u13cf\": 7306,\n    \"\\u2581\\u13da\\u13b4\\u13af\\u13cc\\u13c5\\u13a2\": 7307,\n    \"\\u2581\\u13e3\\u13d3\\u13c1\\u13d7\": 7308,\n  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7364,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\\u13f1\": 7365,\n    \"\\u2581\\u13a0\\u13a6\\u13b8\": 7366,\n    \"\\u2581\\u13a4\\u13e3\\u13d7\": 7367,\n    \"\\u13ea\\u13db\": 7368,\n    \"\\u2581\\u13ac\\u13a9\\u13cd\\u13d7\": 7369,\n    \"\\u2581\\u13e7\\u13c1\\u13d7\": 7370,\n    \"\\u13c6\\u13c2\": 7371,\n    \"\\u2581\\u13d3\\u13f0\\u13e3\": 7372,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 7373,\n    \"\\u13a9\\u13b3\\u13be\\u13b3\\u13d7\\u13cd\": 7374,\n    \"\\u13c2\\u13cd\\u13d3\\u13e9\\u13da\\u13a6\": 7375,\n    \"\\u2581\\u13a3\\u13a6\\u13be\": 7376,\n    \"\\u2581\\u13d9\\u13d3\\u13e5\": 7377,\n    \"\\u2581\\u13a0\\u13aa\\u13b2\\u13cd\\u13ac\": 7378,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13db\\u13d7\\u13cd\": 7379,\n    \"\\u13e3\\u13d3\\u13c5\\u13db\\u13be\": 7380,\n    \"\\u13af\\u13a0\\u13be\": 7381,\n    \"\\u13c2\\u13a8\\u13d2\\u13be\": 7382,\n    \"\\u2581\\u13e7\\u13c2\\u13f2\\u13b0\": 7383,\n    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\"\\u2581\\u13e3\\u13d3\\u13e1\\u13d7\\u13cd\\u13aa\": 7445,\n    \"\\u2581\\u13a5\\u13a9\\u13c2\\u13d0\\u13d7\": 7446,\n    \"\\u2581\\u13e7\\u13c2\\u13d7\\u13f1\": 7447,\n    \"\\u2581\\u13a0\\u13a9\\u13b7\\u13e4\\u13b8\": 7448,\n    \"\\u2581\\u13a0\\u13c2\\u13d9\\u13be\\u13a5\\u13a2\": 7449,\n    \"\\u13c6\\u13a7\\u13bf\\u13c5\\u13a9\": 7450,\n    \"\\u2581\\u13a6\\u13e5\\u13ef\\u13b5\\u13e5\\u13d9\\u13c1\": 7451,\n    \"\\u13f2\\u13cd\\u13d9\\u13d3\\u13c1\\u13d7\": 7452,\n    \"\\u13b8\\u13c9\\u13d9\\u13a2\": 7453,\n    \"\\u2581\\u13cd\\u13a9\\u13b5\": 7454,\n    \"\\u2581\\u13a0\\u13a9\\u13aa\\u13b5\\u13f0\": 7455,\n    \"\\u2581\\u13a6\\u13b5\\u13e3\": 7456,\n    \"\\u2581\\u13d5\\u13a6\\u13db\\u13a2\": 7457,\n    \"\\u13e5\\u13a9\": 7458,\n    \"\\u13c2\\u13c6\\u13d8\\u13ae\\u13cd\\u13d7\": 7459,\n    \"\\u2581\\u13a4\\u13b5\\u13c1\\u13e8\\u13a2\": 7460,\n    \"\\u2581\\u13f1\\u13c2\\u13ac\\u13c2\": 7461,\n    \"\\u13e5\\u13cd\\u13db\\u13d7\\u13cd\\u13d9\\u13d7\": 7462,\n    \"\\u2581\\u13a0\\u13c4\\u13ec\\u13cd\\u13d7\": 7463,\n    \"\\u2581\\u13a8\\u13a6\\u13ce\\u13b8\": 7464,\n    \"\\u2581\\u13f1\\u13d3\\u13d3\": 7465,\n    \"\\u13ae\\u13d7\": 7466,\n    \"\\u13d3\\u13cc\\u13b3\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 7467,\n    \"\\u13cf\\u13b3\\u13db\\u13d9\\u13d7\": 7468,\n    \"\\u13d4\\u13cd\\u13d7\": 7469,\n    \"\\u13a9\\u13b8\\u13d9\\u13d7\": 7470,\n    \"\\u2581\\u13d3\\u13f3\\u13d3\\u13b4\\u13c5\\u13a9\": 7471,\n    \"\\u2581\\u13a0\\u13ca\": 7472,\n    \"\\u13d3\\u13c5\\u13ec\\u13d7\": 7473,\n    \"\\u2581\\u13a4\\u13c5\\u13cf\\u13f4\\u13a2\": 7474,\n    \"\\u2581\\u13a4\\u13a8\\u13d3\\u13b5\\u13f4\\u13a2\": 7475,\n    \"\\u2581\\u13ef\\u13e5\": 7476,\n    \"\\u2581\\u13ed\\u13ef\\u13c5\\u13ae\\u13a2\": 7477,\n    \"\\u2581\\u13e7\\u13e9\\u13d4\\u13c1\": 7478,\n    \"\\u13d9\\u13af\\u13c9\": 7479,\n    \"\\u13c2\\u13c5\\u13cf\\u13d3\\u13cd\\u13d7\": 7480,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13c2\\u13cd\\u13a9\\u13c2\": 7481,\n    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\"\\u13c1\\u13c9\\u13e4\\u13d7\\u13f1\": 7502,\n    \"\\u13e5\\u13db\\u13af\": 7503,\n    \"\\u13af\\u13f0\\u13c3\": 7504,\n    \"\\u13b5\\u13a2\\u13cd\\u13d7\": 7505,\n    \"\\u13aa\\u13b2\\u13cd\\u13d4\\u13c1\": 7506,\n    \"\\u2581\\u13e7\\u13c2\\u13c1\": 7507,\n    \"\\u2581\\u13a0\\u13c2\\u13ef\\u13a5\": 7508,\n    \"\\u2581\\u13a3\\u13e3\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\": 7509,\n    \"\\u13d0\\u13af\": 7510,\n    \"\\u2581\\u13d7\\u13a6\\u13b4\": 7511,\n    \"\\u2581\\u13a4\\u13db\\u13db\": 7512,\n    \"\\u2581\\u13a3\\u13d3\": 7513,\n    \"\\u2581\\u13e7\\u13c2\\u13a6\\u13d0\\u13a0\": 7514,\n    \"\\u2581\\u13a4\\u13af\\u13cd\\u13d7\": 7515,\n    \"\\u2581\\u13f1\\u13a6\\u13a8\\u13ce\": 7516,\n    \"\\u2581\\u13ac\\u13d7\\u13cd\\u13ac\\u13a9\": 7517,\n    \"\\u13b8\\u13cf\": 7518,\n    \"\\u2581\\u13a2\\u13d7\\u13d3\\u13db\\u13c1\": 7519,\n    \"\\u2581\\u13a4\\u13be\\u13d9\\u13e2\": 7520,\n    \"\\u2581\\u13a2\\u13f3\\u13c2\\u13e8\": 7521,\n    \"\\u2581\\u13c9\\u13cf\": 7522,\n    \"\\u2581\\u13d3\\u13d3\\u13bf\\u13e9\\u13cd\\u13db\\u13a2\": 7523,\n    \"\\u13d3\\u13c1\\u13b2\\u13a9\": 7524,\n    \"\\u2581\\u13a2\\u13a6\\u13a6\\u13db\\u13a2\": 7525,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13ae\\u13cd\\u13ac\\u13a2\": 7526,\n    \"\\u13c4\\u13aa\\u13a8\\u13cd\\u13d7\": 7527,\n    \"\\u2581\\u13a4\\u13be\\u13df\": 7528,\n    \"\\u2581\\u13a5\\u13b4\": 7529,\n    \"\\u2581\\u13f1\\u13a6\\u13b7\": 7530,\n    \"\\u13cd\\u13d3\\u13c1\\u13d7\": 7531,\n    \"\\u13d6\\u13c3\\u13af\": 7532,\n    \"\\u2581\\u13a4\\u13f2\\u13b4\\u13c3\": 7533,\n    \"\\u2581\\u13a6\\u13db\\u13a9\": 7534,\n    \"\\u2581\\u13a4\\u13c1\\u13b4\\u13a2\": 7535,\n    \"\\u13d3\\u13c2\\u13f4\": 7536,\n    \"\\u13b7\\u13e4\\u13b8\\u13ad\": 7537,\n    \"\\u2581\\u13b1\\u13c2\\u13b7\": 7538,\n    \"\\u13cd\\u13db\\u13c5\\u13af\": 7539,\n    \"\\u2581\\u13d7\\u13a6\\u13b3\": 7540,\n    \"\\u13a8\\u13f3\\u13d2\": 7541,\n    \"\\u2581\\u13d4\\u13b3\": 7542,\n    \"\\u13f0\\u13e8\": 7543,\n    \"\\u2581\\u13a6\\u13b6\\u13cd\\u13a8\": 7544,\n    \"\\u13cd\\u13d7\\u13f0\\u13ac\": 7545,\n    \"\\u13cd\\u13da\\u13a9\\u13ce\": 7546,\n    \"\\u13be\\u13b7\\u13d2\": 7547,\n    \"\\u13e0\\u13f1\\u13ad\": 7548,\n    \"\\u13c5\\u13e3\\u13db\": 7549,\n    \"\\u13e8\\u13db\": 7550,\n    \"\\u2581\\u13a2\\u13e5\\u13d4\\u13f2\\u13af\": 7551,\n    \"\\u13f3\\u13b6\\u13d7\": 7552,\n    \"\\u13da\\u13b2\": 7553,\n    \"\\u2581\\u13a4\\u13ec\\u13d2\": 7554,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13aa\\u13d2\": 7555,\n    \"\\u2581\\u13d5\\u13a6\\u13b8\": 7556,\n    \"\\u2581\\u13a4\\u13e3\\u13d9\": 7557,\n    \"\\u13c2\\u13a8\\u13c2\": 7558,\n    \"\\u13aa\\u13e9\\u13d7\\u13ad\": 7559,\n    \"\\u13f2\\u13a4\\u13b5\": 7560,\n    \"\\u13e3\\u13b5\\u13ae\\u13b5\\u13a6\": 7561,\n    \"\\u13c2\\u13ea\\u13a0\": 7562,\n    \"\\u13a5\\u13ad\": 7563,\n    \"\\u2581\\u13ac\\u13e9\\u13d5\": 7564,\n    \"\\u13db\\u13c2\\u13d7\\u13cd\\u13d7\": 7565,\n    \"\\u2581\\u13f4\\u13eb\\u13ef\": 7566,\n    \"\\u13d3\\u13c5\\u13d6\\u13cd\\u13a8\": 7567,\n    \"\\u13a9\\u13da\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\": 7568,\n    \"\\u2581\\u13a4\\u13e4\\u13b5\\u13aa\": 7569,\n    \"\\u13d9\\u13ad\\u13f4\": 7570,\n    \"\\u13c2\\u13a6\\u13db\": 7571,\n    \"\\u2581\\u13a4\\u13e4\\u13b5\\u13a6\\u13ef\": 7572,\n    \"\\u2581\\u13f1\\u13c2\\u13a8\": 7573,\n    \"\\u2581\\u13a6\\u13e5\\u13f2\": 7574,\n    \"\\u13a6\\u13d4\\u13af\\u13f3\": 7575,\n    \"\\u13a6\\u13d4\\u13d9\\u13a5\": 7576,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\\u13f4\": 7577,\n    \"\\u13a6\\u13b8\\u13a2\\u13db\": 7578,\n    \"\\u2581\\u13e5\\u13eb\\u13a6\": 7579,\n    \"\\u2581\\u13ac\\u13e9\\u13c3\\u13b5\\u13cd\": 7580,\n    \"\\u2581\\u13a0\\u13a6\\u13d4\\u13b2\\u13a9\": 7581,\n    \"\\u13c3\\u13ce\\u13ad\": 7582,\n    \"\\u13af\\u13cd\\u13d7\\u13cd\\u13aa\": 7583,\n    \"\\u2581\\u13a3\\u13e3\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\": 7584,\n    \"\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b8\\u13af\": 7585,\n    \"\\u2581\\u13ed\\u13da\": 7586,\n    \"\\u13cc\\u13a1\": 7587,\n    \"\\u13d3\\u13ef\": 7588,\n    \"\\u13ac\\u13c1\\u13b2\": 7589,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c4\\u13f4\": 7590,\n    \"\\u13b7\\u13e5\\u13b8\": 7591,\n    \"\\u2581\\u13a4\\u13e3\\u13c1\": 7592,\n    \"\\u13f2\\u13af\\u13ce\\u13b4\": 7593,\n    \"\\u2581\\u13ec\\u13a9\\u13c2\": 7594,\n    \"\\u2581\\u13a0\\u13e4\\u13b8\\u13cd\": 7595,\n    \"\\u13a6\\u13d9\\u13a5\\u13d2\": 7596,\n    \"\\u13d3\\u13ac\\u13e9\\u13cd\\u13d3\\u13e9\\u13db\\u13db\": 7597,\n    \"\\u2581\\u13a4\\u13d9\\u13b4\\u13b0\\u13d2\\u13a9\": 7598,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d9\": 7599,\n    \"\\u2581\\u13a4\\u13c2\\u13aa\\u13b2\\u13a2\": 7600,\n    \"\\u2581\\u13da\\u13a7\\u13b5\": 7601,\n    \"\\u13da\\u13d3\\u13b3\\u13a1\": 7602,\n    \"\\u2581\\u13f4\\u13a6\\u13a6\": 7603,\n    \"\\u2581\\u13a0\\u13d7\\u13cd\\u13a9\": 7604,\n    \"\\u2581\\u13da\\u13ea\\u13a7\\u13ae\": 7605,\n    \"\\u13d3\\u13e4\\u13b5\\u13db\": 7606,\n    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7713,\n    \"\\u13e8\\u13c1\\u13b8\": 7714,\n    \"\\u2581\\u13e3\\u13a6\\u13b4\": 7715,\n    \"\\u2581\\u13e5\\u13a0\": 7716,\n    \"\\u13f2\\u13ce\\u13ae\\u13cd\\u13d7\": 7717,\n    \"\\u13c2\\u13d0\\u13d7\\u13f1\": 7718,\n    \"\\u2581\\u13d7\\u13c2\\u13c1\": 7719,\n    \"\\u2581\\u13a2\\u13e6\\u13af\\u13f3\\u13b2\\u13cd\": 7720,\n    \"\\u13e3\\u13a6\\u13ce\\u13cd\\u13d5\\u13cd\\u13d7\": 7721,\n    \"\\u13f2\\u13cd\\u13d3\": 7722,\n    \"\\u2581\\u13a2\\u13e3\\u13e0\\u13ef\\u13cd\\u13d9\\u13d7\": 7723,\n    \"\\u13be\\u13ab\\u13f4\\u13d7\": 7724,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13cd\\u13a8\": 7725,\n    \"\\u2581\\u13c2\\u13ac\\u13ea\\u13ce\": 7726,\n    \"\\u2581\\u13d3\\u13c2\\u13c1\\u13b2\": 7727,\n    \"\\u13f2\\u13ae\\u13b8\\u13a9\": 7728,\n    \"\\u2581\\u13a3\\u13a9\\u13be\\u13b5\": 7729,\n    \"\\u13d7\\u13b9\": 7730,\n    \"\\u2581\\u13a4\\u13f2\\u13cf\\u13cd\\u13a8\": 7731,\n    \"\\u13c2\\u13a6\\u13a5\": 7732,\n    \"\\u2581\\u13ac\\u13c6\\u13d3\\u13c5\": 7733,\n   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7800,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\": 7801,\n    \"\\u13f3\\u13a2\": 7802,\n    \"\\u2581--\": 7803,\n    \"\\u13e8\\u13d3\": 7804,\n    \"\\u13b3\\u13d5\\u13d7\": 7805,\n    \"\\u2581\\u13eb\\u13a6\\u13be\\u13c4\\u13aa\": 7806,\n    \"\\u2581\\u13ef\\u13ad\": 7807,\n    \"\\u13d3\\u13c2\\u13d0\\u13d7\\u13f1\": 7808,\n    \"\\u13ea\\u13a2\": 7809,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\\u13db\": 7810,\n    \"\\u13eb\\u13ce\\u13b8\\u13af\": 7811,\n    \"\\u2581\\u13d7\\u13ef\\u13d6\": 7812,\n    \"\\u13cd\\u13a9\\u13b2\\u13cf\": 7813,\n    \"\\u2581\\u13e3\\u13d9\\u13b5\": 7814,\n    \"\\u13a6\\u13b9\": 7815,\n    \"\\u13cd\\u13a9\\u13c3\": 7816,\n    \"\\u13af\\u13cf\": 7817,\n    \"\\u2581\\u13a4\\u13e2\\u13c1\": 7818,\n    \"\\u13da\\u13b5\\u13cd\\u13ac\": 7819,\n    \"\\u2581\\u13e5\\u13cd\\u13a9\": 7820,\n    \"\\u2581\\u13be\\u13c1\": 7821,\n    \"\\u2581\\u13a4\\u13c1\\u13a2\": 7822,\n    \"\\u13f2\\u13af\\u13ae\": 7823,\n    \"\\u13f2\\u13b0\\u13ce\\u13d7\": 7824,\n    \"\\u13ef\\u13a1\": 7825,\n    \"\\u2581\\u13a4\\u13be\\u13c2\\u13e2\": 7826,\n    \"\\u2581\\u13eb\\u13d5\": 7827,\n    \"\\u13f2\\u13a2\\u13f3\": 7828,\n    \"\\u2581\\u13a6\\u13c4\\u13aa\\u13ac\": 7829,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\": 7830,\n    \"\\u13e5\\u13f2\\u13a2\\u13ce\": 7831,\n    \"\\u2581\\u13a0\\u13c2\\u13e9\\u13db\": 7832,\n    \"\\u13da\\u13d3\\u13b4\": 7833,\n    \"\\u13f3\\u13b5\\u13cd\\u13d9\\u13d7\": 7834,\n    \"\\u2581\\u13d7\\u13c2\\u13b3\": 7835,\n    \"\\u13b6\\u13af\\u13ce\\u13b8\": 7836,\n    \"\\u13a6\\u13b6\\u13af\\u13cd\\u13d7\\u13f1\": 7837,\n    \"\\u13e5\\u13c2\\u13a8\\u13c2\": 7838,\n    \"\\u2581\\u13a2\\u13af\\u13ef\": 7839,\n    \"\\u13c3\\u13ae\\u13d7\\u13f1\": 7840,\n    \"\\u2581\\u13f1\\u13e5\\u13cd\\u13c6\\u13c2\\u13aa\": 7841,\n    \"\\u13d4\\u13f2\\u13af\\u13b0\": 7842,\n    \"\\u13b4\\u13d7\": 7843,\n    \"\\u13a6\\u13d8\\u13b4\\u13a6\": 7844,\n    \"\\u13e5\\u13f4\\u13d4\\u13c2\": 7845,\n    \"\\u13d9\\u13b2\\u13be\": 7846,\n    \"\\u13d8\\u13b7\\u13a6\": 7847,\n    \"\\u13db\\u13ce\": 7848,\n    \"\\u13a6\\u13b7\\u13ac\": 7849,\n    \"\\u13c2\\u13d3\": 7850,\n    \"\\u13b3\\u13a9\": 7851,\n    \"\\u2581\\u13e7\\u13ea\\u13f2\": 7852,\n    \"\\u13c2\\u13f4\\u13b2\": 7853,\n    \"\\u2581\\u13a4\\u13cd\\u13d3\\u13e9\\u13d7\\u13d2\": 7854,\n    \"\\u2581\\u13a4\\u13d1\\u13f0\": 7855,\n    \"\\u2581\\u13a0\\u13a8\\u13f3\": 7856,\n    \"\\u13d3\\u13f2\": 7857,\n    \"\\u2581\\u13a0\\u13c6\\u13d7\": 7858,\n    \"\\u2581\\u13a2\\u13a6\\u13db\\u13c9\": 7859,\n    \"\\u13d3\\u13c5\\u13d4\": 7860,\n    \"\\u2581\\u13a6\\u13c2\\u13b5\": 7861,\n    \"\\u13e5\\u13ea\\u13cf\": 7862,\n    \"\\u2581\\u13a0\\u13b3\": 7863,\n    \"\\u2581\\u13a2\\u13e8\\u13c1\\u13b8\": 7864,\n    \"\\u13dd\\u13a5\": 7865,\n    \"\\u2581\\u13f1\\u13a6\\u13f0\": 7866,\n    \"\\u2581\\u13ef\\u13c9\": 7867,\n    \"\\u13bb\\u13a6\": 7868,\n    \"\\u2581\\u13e3\\u13a2\\u13d2\": 7869,\n    \"\\u13e9\\u13be\\u13a6\\u13b3\\u13af\\u13f3\": 7870,\n    \"\\u13f0\\u13b5\\u13cf\": 7871,\n    \"\\u13c2\\u13a9\\u13cd\\u13d4\\u13c1\": 7872,\n    \"\\u2581\\u13a4\\u13be\\u13e3\\u13c5\": 7873,\n    \"\\u13db\\u13c5\\u13a2\\u13cd\\u13d9\\u13d7\": 7874,\n    \"\\u2581\\u13d7\\u13e3\\u13d3\\u13a8\\u13f3\": 7875,\n    \"\\u2581\\u13a3\\u13e4\\u13b5\": 7876,\n    \"\\u13c2\\u13cd\\u13a6\\u13a9\": 7877,\n    \"\\u13e9\\u13db\\u13b2\\u13be\": 7878,\n    \"\\u13f4\\u13b3\\u13d2\": 7879,\n    \"\\u13e4\\u13b3\": 7880,\n    \"\\u2581\\u13a8\\u13e5\\u13c5\": 7881,\n    \"\\u13c2\\u13c6\\u13d8\\u13ad\": 7882,\n    \"\\u2581\\u13a4\\u13aa\\u13c5\": 7883,\n    \"\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13ad\": 7884,\n    \"da\": 7885,\n    \"\\u13eb\\u13cd\": 7886,\n    \"\\u13e5\\u13e9\\u13af\\u13cd\\u13d4\\u13c5\\u13af\": 7887,\n    \"\\u2581\\u13f0\\u13d9\\u13ae\": 7888,\n    \"\\u13a6\\u13cc\\u13ef\\u13cd\\u13d7\\u13cd\": 7889,\n    \"\\u13f4\\u13b3\": 7890,\n    \"\\u13cc\\u13ec\\u13b8\": 7891,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13a9\": 7892,\n    \"\\u2581\\u13ab\\u13d3\": 7893,\n    \"\\u2581\\u13a4\\u13ab\\u13f4\": 7894,\n    \"\\u13eb\\u13d7\": 7895,\n    \"\\u13a4\\u13df\": 7896,\n    \"\\u2581\\u13a3\\u13a9\\u13c3\\u13ae\": 7897,\n    \"\\u2581\\u13ad\\u13b5\\u13cd\\u13d3\\u13f4\": 7898,\n    \"\\u2581\\u13d7\\u13e5\\u13f4\": 7899,\n    \"\\u2581\\u13ed\\u13b7\\u13e4\\u13b8\": 7900,\n    \"\\u13a6\\u13b5\\u13cd\\u13d3\": 7901,\n    \"\\u13a6\\u13d4\\u13b0\\u13a2\": 7902,\n    \"\\u13af\\u13f4\\u13a9\": 7903,\n    \"\\u2581\\u13a4\\u13a8\\u13f3\": 7904,\n    \"\\u2581\\u13a4\\u13c2\\u13a7\\u13b5\\u13e8\": 7905,\n    \"\\u13af\\u13cd\\u13d3\\u13c1\\u13b8\": 7906,\n    \"\\u13c7\\u13d7\": 7907,\n    \"\\u13d8\\u13c3\\u13b8\\u13a9\": 7908,\n    \"\\u13a2\\u13d2\": 7909,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13e4\": 7910,\n    \"\\u13cd\\u13d3\\u13f4\\u13d7\": 7911,\n    \"\\u13f2\\u13b2\\u13cd\\u13ac\": 7912,\n    \"\\u13e5\\u13c1\\u13aa\\u13a2\": 7913,\n    \"\\u2581\\u13a0\\u13b1\": 7914,\n    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\"\\u2581\\u13a4\\u13e2\\u13a8\": 7959,\n    \"\\u2581\\u13a6\\u13e5\\u13c1\\u13d7\": 7960,\n    \"\\u2581\\u13e7\\u13be\\u13da\\u13aa\\u13d3\\u13c1\\u13d7\": 7961,\n    \"\\u2581\\u13a4\\u13c2\\u13c7\\u13d3\": 7962,\n    \"\\u13f1\\u13b4\": 7963,\n    \"\\u13a2\\u13b2\": 7964,\n    \"\\u13c8\\u13d3\": 7965,\n    \"\\u2581\\u13a4\\u13aa\\u13b3\": 7966,\n    \"\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13b8\": 7967,\n    \"\\u2581\\u13a1\\u13e5\\u13b8\": 7968,\n    \"\\u13d3\\u13e5\\u13b6\": 7969,\n    \"\\u13cd\\u13d3\\u13c1\\u13ae\": 7970,\n    \"\\u2581\\u13d7\\u13ef\": 7971,\n    \"\\u13e9\\u13ef\": 7972,\n    \"\\u2581\\u13a0\\u13ce\\u13aa\\u13a9\\u13cd\": 7973,\n    \"\\u13e9\\u13c2\\u13a6\\u13b8\": 7974,\n    \"\\u13f4\\u13d3\\u13c6\\u13b6\\u13a5\\u13a9\": 7975,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13a9\": 7976,\n    \"\\u13ce\\u13b5\\u13db\": 7977,\n    \"\\u13f4\\u13cd\\u13d5\\u13cd\": 7978,\n    \"\\u2581\\u13d5\\u13a4\\u13c5\": 7979,\n    \"\\u2581\\u13f1\\u13c2\\u13a6\\u13b5\\u13cd\": 7980,\n    \"\\u2581\\u13a0\\u13c6\\u13d5\": 7981,\n    \"\\u13aa\\u13e2\\u13d9\\u13d7\": 7982,\n    \"\\u13db\\u13aa\\u13d7\": 7983,\n    \"\\u13be\\u13db\\u13c1\\u13ad\": 7984,\n    \"\\u13d3\\u13c9\": 7985,\n    \"\\u2581\\u13d5\\u13a6\\u13d3\": 7986,\n    \"\\u13b5\\u13cd\\u13aa\\u13a2\": 7987,\n    \"\\u2581\\u13a4\\u13d9\\u13af\\u13f3\\u13d7\": 7988,\n    \"\\u2581\\u13c5\\u13d3\\u13e3\": 7989,\n    \"\\u2581\\u13a2\\u13e5\\u13a8\\u13f3\": 7990,\n    \"\\u2581\\u13ad\\u13b8\": 7991,\n    \"\\u2581\\u13e7\\u13d3\\u13f4\\u13b3\": 7992,\n    \"\\u2581\\u13a4\\u13d9\\u13ef\\u13c5\\u13af\\u13d5\": 7993,\n    \"\\u13d7\\u13e9\\u13db\\u13af\": 7994,\n    \"\\u13e2\\u13c8\": 7995,\n    \"\\u13b6\\u13cd\\u13ac\": 7996,\n    \"\\u13d7\\u13ce\\u13a2\": 7997,\n    \"\\u13b5\\u13a5\\u13c2\\u13b8\": 7998,\n    \"\\u13d4\\u13f2\\u13ce\\u13ae\": 7999,\n    \"\\u13a6\\u13e7\": 8000,\n    \"\\u13aa\\u13a5\\u13af\": 8001,\n    \"\\u2581\\u13ed\\u13c2\\u13f4\": 8002,\n    \"\\u13a1\\u13b0\": 8003,\n    \"\\u13af\\u13a0\\u13c3\": 8004,\n    \"\\u13a6\\u13b5\\u13cd\\u13aa\": 8005,\n    \"\\u2581\\u13a6\\u13be\\u13f0\": 8006,\n    \"\\u13aa\\u13d4\\u13c5\": 8007,\n    \"\\u13d0\\u13c5\\u13a2\\u13cd\\u13d4\\u13c5\\u13af\": 8008,\n    \"\\u2581\\u13a1\\u13ac\": 8009,\n    \"\\u13cd\\u13d7\\u13f0\\u13d4\\u13c1\": 8010,\n    \"\\u13da\\u13b6\": 8011,\n    \"\\u13f1\\u13e2\\u13d7\": 8012,\n    \"\\u13d3\\u13d5\\u13f2\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 8013,\n    \"\\u13a9\\u13cd\\u13d5\\u13b8\\u13d7\\u13f1\": 8014,\n    \"\\u13b2\\u13cd\\u13aa\": 8015,\n    \"\\u2581\\u13a4\\u13c2\\u13b7\\u13e4\\u13c3\": 8016,\n    \"\\u2581\\u13a4\\u13c2\\u13be\\u13d7\\u13c5\": 8017,\n    \"\\u2581\\u13d7\\u13a6\\u13d3\\u13a8\\u13f3\\u13af\": 8018,\n    \"\\u2581\\u13da\\u13be\\u13e0\\u13af\\u13cd\": 8019,\n    \"\\u13af\\u13cd\\u13d4\\u13c1\": 8020,\n    \"\\u13c5\\u13cc\": 8021,\n    \"\\u2581\\u13d4\\u13b4\": 8022,\n    \"le\": 8023,\n    \"\\u13f4\\u13d7\\u13f1\": 8024,\n    \"\\u2581\\u13a4\\u13be\\u13aa\\u13b8\": 8025,\n    \"\\u2581\\u13a1\\u13e5\\u13be\\u13f0\": 8026,\n    \"\\u2581\\u13e5\\u13ef\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\": 8027,\n    \"\\u2581\\u13a6\\u13b7\\u13b6\": 8028,\n    \"\\u13f0\\u13b5\\u13af\\u13cd\\u13d7\": 8029,\n    \"\\u2581\\u13e5\\u13ed\": 8030,\n    \"\\u13a6\\u13b8\\u13a2\": 8031,\n    \"\\u13b2\\u13af\": 8032,\n    \"\\u2581\\u13d3\\u13a9\\u13ef\": 8033,\n    \"\\u2581\\u13a0\\u13d3\\u13c2\": 8034,\n    \"\\u2581\\u13d7\\u13aa\\u13ea\\u13b6\": 8035,\n    \"\\u2581\\u13a8\\u13e5\\u13ef\\u13c5\\u13d7\": 8036,\n    \"\\u13b3\\u13c5\\u13d3\\u13d5\": 8037,\n    \"\\u2581\\u13a4\\u13b4\\u13d7\": 8038,\n    \"\\u13c1\\u13df\\u13f4\\u13d2\": 8039,\n    \"\\u13c2\\u13a8\\u13e5\\u13ea\\u13ce\\u13b4\": 8040,\n    \"\\u13e3\\u13a6\\u13b8\": 8041,\n    \"\\u13c8\\u13f4\\u13a1\": 8042,\n    \"\\u13b5\\u13cd\\u13c6\\u13d7\": 8043,\n    \"\\u13b5\\u13cf\\u13c2\": 8044,\n    \"\\u13b4\\u13b2\": 8045,\n    \"\\u2581\\u13d7\\u13a6\\u13b5\": 8046,\n    \"\\u2581\\u13eb\\u13b7\\u13e5\": 8047,\n    \"\\u2581\\u13f1\\u13a6\\u13e5\": 8048,\n    \"\\u13d3\\u13c5\\u13db\\u13a2\": 8049,\n    \"ia\": 8050,\n    \"\\u13c5\\u13c1\": 8051,\n    \"\\u13da\\u13e9\\u13c2\\u13a6\\u13b8\": 8052,\n    \"\\u13d4\\u13f2\\u13af\\u13b2\": 8053,\n    \"\\u2581\\u13a6\\u13b3\\u13c5\\u13db\": 8054,\n    \"\\u13b6\\u13d4\\u13c5\": 8055,\n    \"\\u2581\\u13d3\\u13c5\": 8056,\n    \"\\u13d3\\u13cd\\u13a9\": 8057,\n    \"\\u2581\\u13a0\\u13a9\\u13c3\\u13ae\": 8058,\n    \"\\u13a6\\u13d4\\u13b2\\u13cd\\u13d7\\u13f1\": 8059,\n    \"\\u13cd\\u13a6\\u13c5\\u13e4\\u13ae\\u13cd\\u13d7\": 8060,\n    \"\\u13e4\\u13b4\\u13cd\\u13d7\": 8061,\n    \"\\u2581\\u13a4\\u13e4\\u13ea\": 8062,\n    \"\\u13ea\\u13e5\": 8063,\n    \"\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d4\\u13c5\": 8064,\n    \"\\u2581\\u13c6\\u13c2\": 8065,\n    \"\\u2581\\u13ac\\u13e9\\u13c1\": 8066,\n    \"\\u2581\\u13e7\\u13ed\\u13aa\": 8067,\n    \"\\u2581\\u13d4\\u13ab\\u13f4\": 8068,\n    \"\\u13eb\\u13cd\\u13aa\": 8069,\n    \"\\u13cd\\u13da\\u13a2\\u13cd\\u13d7\": 8070,\n    \"\\u2581\\u13a3\\u13c2\\u13a9\": 8071,\n    \"\\u2581\\u13eb\\u13c4\": 8072,\n    \"\\u2581\\u13a4\\u13e3\\u13d8\\u13c2\\u13c9\": 8073,\n    \"\\u13d7\\u13d2\\u13cd\\u13d7\\u13f1\": 8074,\n    \"\\u2581\\u13e9\\u13aa\\u13e9\\u13db\": 8075,\n    \"\\u13c5\\u13d9\\u13d7\": 8076,\n    \"\\u13be\\u13db\\u13c1\\u13b0\\u13a2\": 8077,\n    \"\\u13a9\\u13f3\": 8078,\n    \"\\u2581\\u13a2\\u13e5\\u13f0\": 8079,\n    \"\\u13bf\\u13a2\\u13f3\": 8080,\n    \"\\u13b5\\u13ae\\u13b5\\u13cd\\u13d7\\u13f1\": 8081,\n    \"\\u13a8\\u13e5\\u13be\\u13cc\\u13a2\": 8082,\n    \"\\u13e3\\u13aa\\u13e9\\u13db\\u13d7\\u13f1\": 8083,\n    \"\\u13b2\\u13cd\\u13d7\": 8084,\n    \"\\u2581\\u13a4\\u13ec\\u13af\\u13f3\\u13af\": 8085,\n    \"\\u2581\\u13da\\u13c2\\u13a8\": 8086,\n    \"\\u13b5\\u13cd\\u13a6\\u13b8\": 8087,\n    \"\\u13e5\\u13c5\\u13b5\": 8088,\n    \"\\u2581\\u13a4\\u13ea\\u13a7\\u13c1\": 8089,\n    \"\\u13f2\\u13b0\\u13d2\": 8090,\n    \"\\u2581\\u13a6\\u13d9\\u13a9\": 8091,\n    \"\\u13be\\u13eb\\u13db\\u13ae\": 8092,\n    \"\\u2581\\u13e7\\u13d3\\u13b4\\u13c5\": 8093,\n    \"\\u2581\\u13d3\\u13ad\": 8094,\n    \"\\u13aa\\u13cd\\u13d3\\u13ef\": 8095,\n    \"\\u2581\\u13ed\\u13d7\\u13c5\": 8096,\n    \"\\u13b5\\u13cd\\u13a8\\u13cd\\u13d7\": 8097,\n    \"\\u13a6\\u13be\\u13c5\\u13aa\": 8098,\n    \"\\u13e5\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\": 8099,\n    \"\\u13e5\\u13aa\\u13e9\\u13d7\\u13ad\": 8100,\n    \"\\u2581\\u13a0\\u13e5\\u13aa\": 8101,\n    \"\\u13c2\\u13f3\": 8102,\n    \"\\u13d8\\u13cc\": 8103,\n    \"\\u2581\\u13a4\\u13c2\\u13ef\": 8104,\n    \"\\u13eb\\u13cd\\u13aa\\u13a2\": 8105,\n    \"\\u2581\\u13e6\\u13af\\u13cd\": 8106,\n    \"\\u13a7\\u13b2\\u13a6\": 8107,\n    \"\\u2581\\u13a8\\u13af\": 8108,\n    \"\\u13cd\\u13d3\\u13e9\\u13d5\\u13c5\": 8109,\n    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8174,\n    \"\\u13cf\\u13c1\\u13a9\": 8175,\n    \"\\u2581\\u13d3\\u13be\\u13db\": 8176,\n    \"\\u13cd\\u13d8\\u13f0\\u13ac\\u13a2\": 8177,\n    \"\\u2581\\u13d7\\u13e3\\u13b6\": 8178,\n    \"\\u2581\\u13e9\\u13d7\": 8179,\n    \"\\u2581\\u13ef\\u13a6\": 8180,\n    \"\\u2581\\u13f1\\u13da\\u13c1\": 8181,\n    \"\\u2581\\u13d5\\u13e3\\u13b5\": 8182,\n    \"\\u2581\\u13f4\\u13a6\\u13f0\": 8183,\n    \"\\u2581\\u13a4\\u13d4\\u13b6\": 8184,\n    \"\\u2581\\u13a0\\u13eb\\u13d2\": 8185,\n    \"\\u2581\\u13a0\\u13e9\": 8186,\n    \"\\u13cd\\u13a6\\u13cd\\u13aa\": 8187,\n    \"\\u13a0\\u13c2\": 8188,\n    \"\\u13ef\\u13eb\\u13cd\\u13a8\\u13cd\\u13d7\": 8189,\n    \"\\u2581\\u13a2\\u13a4\\u13c1\\u13c5\": 8190,\n    \"\\u2581\\u13a2\\u13e5\\u13a8\\u13f3\\u13af\": 8191,\n    \"\\u2581\\u13d9\\u13d3\\u13d3\": 8192,\n    \"\\u2581\\u13d3\\u13b4\\u13c5\": 8193,\n    \"\\u13cd\\u13c8\\u13d7\": 8194,\n    \"\\u13a4\\u13d9\\u13d3\": 8195,\n    \"\\u13e9\\u13db\\u13af\\u13b5\": 8196,\n    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\"\\u13e3\\u13c1\\u13b3\": 8418,\n    \"\\u13a6\\u13b5\\u13c9\\u13a9\": 8419,\n    \"\\u13a3\\u13af\\u13cd\\u13d9\\u13d7\": 8420,\n    \"\\u2581\\u13e7\\u13ef\": 8421,\n    \"\\u13a4\\u13db\\u13c1\\u13a2\": 8422,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13ac\": 8423,\n    \"\\u13be\\u13d7\\u13d4\\u13cd\\u13d7\": 8424,\n    \"\\u2581\\u13a4\\u13c2\\u13da\\u13b2\": 8425,\n    \"\\u2581\\u13ea\\u13ae\": 8426,\n    \"\\u2581\\u13e5\\u13cd\\u13da\\u13c2\\u13a9\\u13cd\\u13d7\": 8427,\n    \"\\u2581\\u13d5\\u13e5\\u13b3\\u13eb\": 8428,\n    \"\\u2581\\u13da\\u13c2\\u13a7\\u13c1\": 8429,\n    \"\\u2581\\u13be\\u13c6\\u13db\\u13c5\": 8430,\n    \"\\u13c2\\u13ec\\u13c2\": 8431,\n    \"\\u2581\\u13a4\\u13c2\\u13c7\\u13d3\\u13b8\": 8432,\n    \"\\u2581\\u13a6\\u13c3\\u13aa\": 8433,\n    \"\\u2581\\u13da\\u13ec\\u13e2\\u13c1\": 8434,\n    \"\\u13e5\\u13b8\\u13c9\\u13d4\\u13c5\": 8435,\n    \"\\u2581\\u13a0\\u13d2\\u13db\": 8436,\n    \"\\u2581\\u13e9\\u13a9\\u13b6\\u13d2\": 8437,\n    \"\\u13a6\\u13ea\\u13cd\\u13ac\\u13a9\": 8438,\n    \"\\u2581\\u13a4\\u13c1\\u13b2\": 8439,\n    \"\\u2581\\u13d3\\u13c2\\u13d9\\u13ac\": 8440,\n    \"\\u2581\\u13da\\u13ea\\u13f2\\u13c1\": 8441,\n    \"\\u2581\\u13e5\\u13c4\\u13ea\\u13d2\": 8442,\n    \"\\u2581\\u13da\\u13c2\\u13b3\\u13eb\\u13e8\": 8443,\n    \"\\u2581\\u13d3\\u13a9\\u13aa\\u13b2\": 8444,\n    \"\\u13a9\\u13cc\": 8445,\n    \"\\u13ac\\u13c2\\u13a8\\u13d2\": 8446,\n    \"\\u2581\\u13a4\\u13ee\": 8447,\n    \"\\u13d7\\u13a7\\u13bf\\u13e9\\u13db\\u13cd\\u13d7\": 8448,\n    \"\\u13af\\u13d9\\u13b2\": 8449,\n    \"\\u13c5\\u13aa\\u13e8\": 8450,\n    \"\\u2581\\u13e3\\u13c5\": 8451,\n    \"\\u13f2\\u13c2\": 8452,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13f3\\u13d7\": 8453,\n    \"\\u13c1\\u13a2\\u13cd\\u13d4\\u13c1\": 8454,\n    \"\\u2581\\u13a4\\u13c1\\u13a2\\u13cd\\u13d4\\u13c1\": 8455,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13ad\": 8456,\n    \"\\u13c2\\u13aa\\u13b5\\u13f0\\u13a5\": 8457,\n    \"\\u2581\\u13a0\\u13db\\u13cd\\u13a8\": 8458,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13e1\": 8459,\n    \"\\u13a6\\u13d3\\u13a1\\u13a2\": 8460,\n    \"\\u13ef\\u13eb\\u13cd\\u13d7\": 8461,\n    \"\\u13af\\u13c4\\u13aa\\u13a2\": 8462,\n    \"\\u2581\\u13a4\\u13be\\u13e0\\u13e4\": 8463,\n    \"\\u2581\\u13a0\\u13e7\": 8464,\n    \"\\u13ea\\u13ce\\u13a2\": 8465,\n    \"\\u2581\\u13a4\\u13c1\\u13b5\\u13d2\": 8466,\n    \"\\u2581\\u13d7\\u13c2\\u13b3\\u13eb\": 8467,\n    \"\\u13a9\\u13d3\\u13df\": 8468,\n    \"\\u2581\\u13eb\\u13ac\\u13c6\": 8469,\n    \"\\u13ab\\u13c8\": 8470,\n    \"\\u2581\\u13a2\\u13a6\\u13af\": 8471,\n    \"\\u13f2\\u13b1\\u13ce\": 8472,\n    \"\\u13a6\\u13cd\\u13a6\\u13c2\": 8473,\n    \"\\u2581\\u13ed\\u13c2\\u13f4\\u13b8\": 8474,\n    \"\\u2581\\u13c2\\u13e3\\u13b5\\u13cd\\u13d4\\u13c5\": 8475,\n    \"\\u2581\\u13ed\\u13c2\\u13c3\\u13c1\": 8476,\n    \"\\u13b6\\u13c4\\u13ae\\u13d7\\u13f1\": 8477,\n    \"\\u13c2\\u13d0\\u13e2\\u13a2\\u13cd\\u13d9\\u13d7\": 8478,\n    \"\\u2581\\u13db\\u13e5\": 8479,\n    \"\\u13c0\\u13a2\": 8480,\n    \"\\u13c1\\u13cd\\u13d3\\u13b3\": 8481,\n    \"\\u2581\\u13c4\\u13c5\\u13c1\\u13b4\": 8482,\n    \"\\u13cd\\u13d3\\u13c1\\u13b4\": 8483,\n    \"\\u2581\\u13a0\\u13c9\\u13b8\": 8484,\n    \"\\u13f2\\u13b1\\u13d2\\u13af\": 8485,\n    \"\\u13cf\\u13d3\\u13cd\\u13d7\": 8486,\n    \"\\u13c5\\u13e8\\u13a9\": 8487,\n    \"\\u2581\\u13f1\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 8488,\n    \"\\u13b9\\u13b5\": 8489,\n    \"\\u13c6\\u13d5\": 8490,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13c1\\u13b6\": 8491,\n    \"\\u2581\\u13a6\\u13be\\u13c4\\u13aa\\u13e5\\u13b8\": 8492,\n    \"\\u2581\\u13f1\\u13e5\\u13aa\\u13e9\\u13d8\": 8493,\n    \"\\u13df\\u13cc\": 8494,\n    \"\\u13d8\\u13f3\": 8495,\n    \"\\u13c2\\u13ea\\u13cd\\u13ac\": 8496,\n    \"\\u13a1\\u13c6\": 8497,\n    \"\\u2581\\u13a4\\u13be\\u13d8\\u13c5\\u13cd\\u13d7\": 8498,\n    \"\\u2581\\u13f1\\u13e3\\u13da\\u13b5\": 8499,\n    \"\\u2581\\u13e7\\u13f3\\u13aa\": 8500,\n    \"\\u2581\\u13a1\\u13a9\\u13c1\\u13b8\": 8501,\n    \"\\u2581\\u13be\\u13ce\\u13b5\": 8502,\n    \"\\u13c3\\u13af\\u13f0\": 8503,\n    \"\\u13ea\\u13b3\\u13c5\\u13af\": 8504,\n    \"\\u2581\\u13ed\\u13c2\\u13b7\\u13af\\u13cd\\u13d7\": 8505,\n    \"\\u13a0\\u13c6\\u13da\\u13b5\": 8506,\n    \"\\u2581\\u13a2\\u13f3\\u13c2\\u13ea\\u13cd\\u13d7\": 8507,\n    \"\\u2581\\u13e7\\u13c4\\u13aa\\u13d9\\u13d7\": 8508,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13ae\\u13b5\\u13cd\\u13d7\": 8509,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13e1\": 8510,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13e4\\u13b5\": 8511,\n    \"\\u2581\\u13a2\\u13f3\\u13ea\\u13c5\\u13cd\": 8512,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13a2\\u13cd\\u13d7\": 8513,\n    \"\\u2581\\u13eb\\u13e8\\u13b7\\u13e4\\u13d7\": 8514,\n    \"\\u2581\\u13c7\\u13d7\\u13c2\": 8515,\n    \"\\u2581\\u13a3\\u13a6\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\": 8516,\n    \"\\u13b8\\u13a2\\u13cd\\u13d7\": 8517,\n    \"\\u2581\\u13e5\\u13c4\\u13b5\\u13cd\\u13d4\": 8518,\n    \"\\u2581\\u13a4\\u13be\\u13c4\\u13aa\\u13eb\\u13cd\\u13d7\": 8519,\n    \"\\u2581\\u13d7\\u13a6\\u13b3\\u13eb\\u13a2\\u13cd\\u13d7\": 8520,\n    \"\\u13c1\\u13b6\\u13d9\": 8521,\n    \"\\u13e9\\u13d9\\u13af\\u13ef\\u13db\": 8522,\n    \"\\u2581\\u13d7\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13d7\": 8523,\n    \"\\u2581\\u13a0\\u13f0\\u13d9\\u13b3\": 8524,\n    \"\\u13ef\\u13d8\\u13c3\\u13ae\\u13b8\": 8525,\n    \"\\u2581\\u13e7\\u13cd\\u13c6\\u13c5\": 8526,\n    \"\\u2581\\u13a0\\u13e5\\u13d9\\u13b5\\u13cd\\u13d7\": 8527,\n    \"\\u13a8\\u13f3\\u13e3\": 8528,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13b5\\u13cd\\u13d9\\u13d7\": 8529,\n    \"\\u13f2\\u13a6\\u13db\\u13c1\\u13d7\": 8530,\n    \"\\u13c8\\u13f1\": 8531,\n    \"\\u13cd\\u13da\\u13a2\\u13ce\": 8532,\n    \"\\u13e3\\u13b3\\u13c1\": 8533,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13a2\\u13ae\": 8534,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13a6\\u13c5\": 8535,\n    \"\\u2581\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ae\": 8536,\n    \"\\u13e1\\u13a6\": 8537,\n    \"\\u2581\\u13a0\\u13eb\\u13be\\u13a8\": 8538,\n    \"\\u13b4\\u13b2\\u13a6\": 8539,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13b8\\u13b2\": 8540,\n    \"\\u13c3\\u13ae\\u13ae\\u13b4\": 8541,\n    \"\\u2581\\u13a8\\u13e3\\u13b5\": 8542,\n    \"\\u13a8\\u13c5\\u13d5\": 8543,\n    \"\\u13b4\\u13ac\": 8544,\n    \"\\u13bf\\u13cd\\u13d5\\u13e2\": 8545,\n    \"\\u2581\\u13a0\\u13c2\\u13a9\\u13b5\\u13f2\": 8546,\n    \"\\u13be\\u13db\\u13d7\\u13f1\": 8547,\n    \"\\u13c4\\u13e9\\u13a2\\u13f4\": 8548,\n    \"\\u2581\\u13be\\u13c6\\u13b5\\u13cd\\u13d4\\u13c1\": 8549,\n    \"\\u2581\\u13d5\\u13be\\u13d3\\u13aa\": 8550,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13be\\u13c1\\u13d7\": 8551,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13aa\\u13d7\": 8552,\n    \"\\u13c1\\u13d3\\u13e5\\u13db\": 8553,\n    \"\\u13a7\\u13bf\\u13e9\\u13d7\\u13d3\": 8554,\n    \"\\u2581\\u13c4\\u13df\\u13c2\\u13ac\": 8555,\n    \"\\u13dd\\u13ea\\u13af\": 8556,\n    \"\\u13dc\\u13cf\\u13db\\u13a1\\u13b2\\u13be\": 8557,\n    \"\\u13a3\\u13cd\\u13db\": 8558,\n    \"\\u2581\\u13ae\\u13b2\": 8559,\n    \"\\u13a8\\u13e2\\u13d4\\u13c5\\u13ad\": 8560,\n    \"\\u13a6\\u13db\\u13c2\\u13d9\\u13af\\u13c9\": 8561,\n    \"\\u13b5\\u13cd\\u13d4\\u13c1\\u13cd\\u13d7\": 8562,\n    \"\\u13c5\\u13cd\\u13d3\\u13d5\\u13b4\": 8563,\n    \"\\u13c5\\u13b5\\u13f0\\u13d3\": 8564,\n    \"in\": 8565,\n    \"\\u13d7\\u13cc\\u13d3\\u13d5\": 8566,\n    \"\\u13e3\\u13b5\\u13a1\\u13b5\\u13e4\\u13d7\": 8567,\n    \"\\u2581\\u13d5\\u13ac\\u13a6\\u13bf\\u13e9\\u13d7\\u13d9\": 8568,\n    \"\\u13aa\\u13c5\\u13cd\\u13d3\\u13b5\": 8569,\n    \"\\u13d3\\u13f2\\u13b5\\u13cd\\u13d7\": 8570,\n    \"\\u13a4\\u13cd\\u13d5\\u13ce\\u13b8\\u13af\": 8571,\n    \"\\u13b5\\u13cf\\u13be\\u13af\\u13cd\\u13db\\u13be\": 8572,\n    \"\\u2581\\u13a4\\u13d3\\u13f4\\u13ce\": 8573,\n    \"\\u2581\\u13e9\\u13be\\u13a6\\u13b3\": 8574,\n    \"\\u13ad\\u13c4\\u13e9\": 8575,\n    \"aire\": 8576,\n    \"ichael\": 8577,\n    \"reland\": 8578,\n    \"\\u13a6\\u13e8\\u13e9\\u13cd\\u13d9\\u13d7\\u13f1\": 8579,\n    \"\\u13b6\\u13c4\\u13b2\\u13b5\": 8580,\n    \"\\u13c2\\u13cd\\u13cb\\u13a6\": 8581,\n    \"\\u13cd\\u13d5\\u13b5\\u13cc\\u13d5\\u13d2\\u13ad\": 8582,\n    \"\\u13d3\\u13c2\\u13f2\\u13b0\\u13cd\\u13aa\": 8583,\n    \"\\u13d3\\u13c5\\u13d6\\u13d4\\u13c2\": 8584,\n    \"\\u13d3\\u13d3\\u13be\\u13c1\\u13b6\\u13c2\\u13a8\": 8585,\n    \"\\u13d4\\u13d5\\u13b6\\u13b0\\u13cf\": 8586,\n    \"\\u13da\\u13b8\\u13a1\\u13b8\\u13a9\": 8587,\n    \"\\u13e9\\u13db\\u13b1\\u13a6\": 8588,\n    \"\\u2581\\u13a0\\u13a9\\u13f2\\u13b1\\u13cf\\u13d7\": 8589,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13c2\\u13d9\\u13ae\": 8590,\n    \"\\u2581\\u13a0\\u13c2\\u13ef\\u13d9\\u13af\\u13af\": 8591,\n    \"\\u2581\\u13a0\\u13cd\\u13c8\\u13c5\": 8592,\n    \"\\u2581\\u13a0\\u13e5\\u13c2\\u13cc\\u13b2\": 8593,\n    \"\\u2581\\u13a1\\u13e3\\u13c1\\u13b3\\u13c1\\u13b8\": 8594,\n    \"\\u2581\\u13a2\\u13a1\\u13cd\\u13d5\\u13b5\\u13cc\\u13d5\": 8595,\n    \"\\u2581\\u13a2\\u13cd\\u13d9\\u13ce\\u13b8\\u13ad\": 8596,\n    \"\\u2581\\u13a2\\u13e8\\u13f0\\u13b3\\u13d7\\u13d9\\u13b8\": 8597,\n    \"\\u2581\\u13a2\\u13f0\\u13ac\\u13c1\\u13b8\\u13af\": 8598,\n    \"\\u2581\\u13a4\\u13a6\\u13d1\\u13b2\\u13a2\": 8599,\n    \"\\u2581\\u13a4\\u13b3\\u13cd\\u13da\\u13d2\": 8600,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c4\\u13f4\\u13d7\": 8601,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b4\": 8602,\n    \"\\u2581\\u13a4\\u13c1\\u13c4\\u13b3\\u13cd\\u13d4\\u13c1\\u13a2\": 8603,\n    \"\\u2581\\u13a4\\u13c2\\u13d4\\u13b3\\u13ec\\u13d2\\u13a9\": 8604,\n    \"\\u2581\\u13a4\\u13c4\\u13d6\\u13ce\": 8605,\n    \"\\u2581\\u13a4\\u13cd\\u13ab\\u13d3\\u13c1\\u13a6\\u13b8\": 8606,\n    \"\\u2581\\u13a4\\u13ed\\u13d3\\u13b8\\u13e4\": 8607,\n    \"\\u2581\\u13a6\\u13d6\\u13cc\\u13d7\": 8608,\n    \"\\u2581\\u13a8\\u13e4\\u13b3\\u13d7\\u13d9\\u13ae\\u13cd\\u13d7\": 8609,\n    \"\\u2581\\u13ac\\u13e9\\u13c4\\u13b8\\u13d7\": 8610,\n    \"\\u2581\\u13ac\\u13e9\\u13d3\\u13e1\\u13eb\\u13cd\\u13d4\\u13c5\\u13a9\": 8611,\n    \"\\u2581\\u13ac\\u13ec\\u13cd\\u13d4\\u13c5\\u13af\": 8612,\n    \"\\u2581\\u13ad\\u13d3\\u13a6\\u13d6\\u13d9\\u13a2\\u13cd\\u13a8\\u13cd\\u13d7\": 8613,\n    \"\\u2581\\u13ae\\u13cf\\u13a6\\u13ef\": 8614,\n    \"\\u2581\\u13c2\\u13a0\\u13c2\\u13ea\\u13ad\": 8615,\n    \"\\u2581\\u13c2\\u13a6\\u13b8\\u13c9\\u13d7\\u13cd\\u13ac\\u13be\": 8616,\n    \"\\u2581\\u13c2\\u13a7\\u13ea\\u13cd\\u13ac\\u13a9\": 8617,\n    \"\\u2581\\u13c2\\u13d3\\u13d3\\u13c2\\u13b8\\u13ac\\u13be\": 8618,\n    \"\\u2581\\u13c2\\u13d7\\u13a6\\u13b5\\u13cd\\u13d4\\u13c2\": 8619,\n    \"\\u2581\\u13c2\\u13e5\\u13ea\\u13cd\\u13aa\\u13a2\": 8620,\n    \"\\u2581\\u13c4\\u13be\\u13d3\\u13c1\\u13df\\u13f4\\u13ce\\u13a2\": 8621,\n    \"\\u2581\\u13c4\\u13c2\\u13a6\\u13d9\\u13a5\\u13d2\\u13be\": 8622,\n    \"\\u2581\\u13c5\\u13d3\\u13a8\\u13e5\\u13c5\\u13cf\\u13db\": 8623,\n    \"\\u2581\\u13c5\\u13d3\\u13cd\\u13db\\u13f4\\u13c1\\u13b5\": 8624,\n    \"\\u2581\\u13c5\\u13e9\\u13cd\\u13d7\\u13d7\\u13ce\\u13cd\\u13d7\\u13c9\": 8625,\n    \"\\u2581\\u13c8\\u13ef\\u13cf\\u13f1\\u13c6\": 8626,\n    \"\\u2581\\u13cd\\u13c6\\u13ce\\u13b5\\u13d3\\u13c1\\u13b8\\u13a2\": 8627,\n    \"\\u2581\\u13cd\\u13c6\\u13ce\\u13b5\\u13d3\\u13cf\": 8628,\n    \"\\u2581\\u13d0\\u13a3\\u13c1\\u13b5\\u13c1\": 8629,\n    \"\\u2581\\u13d1\\u13a7\\u13d4\": 8630,\n    \"\\u2581\\u13d3\\u13aa\\u13c4\\u13b6\\u13cf\\u13d9\\u13ae\\u13cd\\u13d7\": 8631,\n    \"\\u2581\\u13d3\\u13b5\\u13d6\\u13b8\\u13c2\\u13d9\\u13ae\\u13cd\\u13d7\": 8632,\n    \"\\u2581\\u13d3\\u13be\\u13e6\\u13cd\\u13ac\": 8633,\n    \"\\u2581\\u13d3\\u13c2\\u13cd\\u13d4\\u13f2\\u13af\\u13b2\": 8634,\n    \"\\u2581\\u13d3\\u13c2\\u13cf\\u13b3\\u13db\\u13a5\\u13cd\\u13a8\": 8635,\n    \"\\u2581\\u13d3\\u13c6\\u13da\\u13eb\\u13cd\\u13d4\\u13c5\\u13a9\": 8636,\n    \"\\u2581\\u13d3\\u13d3\\u13ec\\u13cd\\u13d7\\u13cd\\u13ac\\u13a9\": 8637,\n    \"\\u2581\\u13d3\\u13db\\u13af\\u13cd\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 8638,\n    \"\\u2581\\u13d4\\u13d3\\u13c5\\u13d7\\u13cd\\u13d3\": 8639,\n    \"\\u2581\\u13d5\\u13a4\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\": 8640,\n    \"\\u2581\\u13d5\\u13a6\\u13b6\\u13b4\\u13ac\\u13a2\": 8641,\n    \"\\u2581\\u13d5\\u13e5\\u13c5\\u13aa\\u13a5\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 8642,\n    \"\\u2581\\u13d5\\u13e5\\u13c5\\u13eb\\u13cd\\u13a8\\u13cd\\u13d7\": 8643,\n    \"\\u2581\\u13d5\\u13e6\\u13e2\\u13af\\u13cf\": 8644,\n    \"\\u2581\\u13d7\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13af\": 8645,\n    \"\\u2581\\u13d7\\u13a9\\u13c4\\u13aa\\u13e8\": 8646,\n    \"\\u2581\\u13d7\\u13d3\\u13d9\\u13ea\\u13d9\\u13a5\": 8647,\n    \"\\u2581\\u13d9\\u13d3\\u13f3\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b5\": 8648,\n    \"\\u2581\\u13d9\\u13d7\\u13c2\\u13c1\\u13b8\\u13a2\": 8649,\n    \"\\u2581\\u13da\\u13a7\\u13d9\\u13cd\\u13d5\": 8650,\n    \"\\u2581\\u13da\\u13be\\u13c1\\u13e2\\u13d4\\u13c5\\u13d2\\u13a2\": 8651,\n    \"\\u2581\\u13da\\u13be\\u13e0\\u13f1\\u13b4\\u13a2\": 8652,\n    \"\\u2581\\u13da\\u13c2\\u13d6\\u13b8\\u13c1\": 8653,\n    \"\\u2581\\u13da\\u13c3\\u13e3\\u13b6\\u13e4\": 8654,\n    \"\\u2581\\u13da\\u13e2\\u13eb\\u13ce\\u13b4\": 8655,\n    \"\\u2581\\u13e0\\u13c6\\u13b9\": 8656,\n    \"\\u2581\\u13e3\\u13cd\\u13d5\\u13c5\\u13e8\": 8657,\n    \"\\u2581\\u13e3\\u13d7\\u13eb\\u13cd\\u13d3\": 8658,\n    \"\\u2581\\u13e7\\u13a6\\u13ce\\u13cd\\u13d7\\u13d5\\u13a9\": 8659,\n    \"\\u2581\\u13e7\\u13c3\\u13d5\\u13cd\\u13d7\\u13cd\\u13a9\": 8660,\n    \"\\u2581\\u13eb\\u13d9\\u13d3\\u13e8\\u13ef\": 8661,\n    \"\\u2581\\u13eb\\u13f4\\u13a8\\u13e5\\u13b7\\u13a9\": 8662,\n    \"\\u2581\\u13ed\\u13ed\\u13d3\\u13b8\": 8663,\n    \"\\u2581\\u13ee\\u13d3\\u13a6\\u13b6\\u13cf\": 8664,\n    \"\\u2581\\u13ef\\u13d3\\u13ec\\u13cd\\u13a8\\u13cd\\u13d7\": 8665,\n    \"\\u2581\\u13f1\\u13c4\\u13b5\\u13cd\\u13d4\\u13c3\": 8666,\n    \"\\u2581\\u13f1\\u13d9\\u13ac\\u13e9\\u13b8\\u13eb\\u13cd\\u13d3\\u13cf\": 8667,\n    \"\\u2581\\u13f1\\u13da\\u13d3\\u13cc\\u13dd\\u13ae\\u13cd\\u13d7\": 8668,\n    \"\\u2581\\u13f1\\u13da\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13b4\\u13a2\": 8669,\n    \"\\u2581\\u13f1\\u13da\\u13ea\\u13d8\\u13b8\": 8670,\n    \"\\u2581\\u13f1\\u13e8\\u13f2\\u13ea\\u13b3\\u13c1\\u13ad\": 8671,\n    \"\\u2581\\u13f3\\u13be\\u13db\\u13c5\\u13a2\\u13cd\\u13d7\": 8672,\n    \"\\u2581\\u13f3\\u13cd\\u13a6\\u13c5\\u13e8\": 8673,\n    \"\\u2581\\u13f4\\u13ac\\u13c2\\u13b7\\u13a9\": 8674,\n    \"\\u13b5\\u13f0\\u13d1\\u13cd\\u13da\\u13ec\": 8675,\n    \"\\u13cd\\u13c7\\u13b5\\u13f0\\u13d7\": 8676,\n    \"\\u13d3\\u13be\\u13eb\\u13db\\u13d7\": 8677,\n    \"\\u2581\\u13a0\\u13c2\\u13ab\\u13cc\\u13e9\\u13a9\": 8678,\n    \"\\u2581\\u13a2\\u13cd\\u13c9\\u13ce\\u13ad\": 8679,\n    \"\\u2581\\u13a4\\u13e6\\u13d4\\u13ae\": 8680,\n    \"\\u2581\\u13c2\\u13d3\\u13b7\\u13b8\\u13a5\\u13cd\\u13ac\\u13be\": 8681,\n    \"\\u2581\\u13c2\\u13da\\u13bf\\u13cd\\u13d5\\u13e2\\u13be\": 8682,\n    \"\\u2581\\u13d7\\u13a9\\u13a7\\u13c1\\u13b8\\u13af\": 8683,\n    \"\\u2581\\u13d9\\u13d3\\u13a8\\u13e5\\u13f2\\u13af\\u13ce\\u13b5\": 8684,\n    \"\\u2581\\u13d9\\u13e7\\u13c1\\u13c5\\u13d2\": 8685,\n    \"\\u2581\\u13e9\\u13c2\\u13a6\\u13d6\\u13a2\": 8686,\n    \"\\u13e5\\u13cd\\u13a9\\u13c5\\u13db\\u13af\": 8687,\n    \"\\u13ec\\u13af\\u13b5\\u13f4\\u13cd\\u13d3\\u13c1\": 8688,\n    \"\\u2581\\u13a0\\u13a6\\u13d8\\u13d7\\u13cd\\u13d9\\u13d7\": 8689,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13cc\\u13a9\\u13d9\\u13b2\": 8690,\n    \"\\u2581\\u13a4\\u13d3\\u13cf\\u13c2\\u13d5\\u13c5\": 8691,\n    \"\\u2581\\u13a4\\u13d9\\u13b4\\u13b1\": 8692,\n    \"\\u2581\\u13b5\\u13c6\\u13d7\\u13bb\": 8693,\n    \"\\u2581\\u13cd\\u13a9\\u13ef\\u13c5\\u13d3\\u13d7\\u13cd\\u13ac\\u13a2\": 8694,\n    \"\\u2581\\u13cd\\u13a9\\u13f2\\u13a2\\u13f3\\u13b2\\u13a6\": 8695,\n    \"\\u2581\\u13d3\\u13a6\\u13d3\\u13c5\\u13cf\": 8696,\n    \"\\u2581\\u13d3\\u13cd\\u13c6\\u13b8\\u13ae\\u13ac\\u13a2\": 8697,\n    \"\\u2581\\u13e6\\u13a7\\u13d4\\u13c2\": 8698,\n    \"\\u2581\\u13e8\\u13d3\\u13ac\\u13ef\\u13ce\\u13ae\\u13b5\": 8699,\n    \"\\u2581\\u13ed\\u13ea\\u13d9\\u13b4\\u13a2\": 8700,\n    \"\\u2581\\u13f1\\u13c4\\u13d3\\u13a0\": 8701,\n    \"\\u13af\\u13ac\\u13cd\\u13aa\\u13b8\\u13a5\\u13cd\\u13a8\\u13cd\\u13d7\": 8702,\n    \"\\u13e4\\u13f2\\u13b2\\u13cd\\u13a6\": 8703,\n    \"\\u2581\\u13a0\\u13bb\\u13d7\\u13cf\": 8704,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13a9\\u13a1\\u13af\": 8705,\n    \"\\u2581\\u13a2\\u13e8\\u13c2\\u13cc\\u13db\": 8706,\n    \"\\u2581\\u13a2\\u13ef\\u13c2\\u13ea\\u13cd\\u13a9\": 8707,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13db\\u13db\\u13af\": 8708,\n    \"\\u2581\\u13a4\\u13c3\\u13b1\\u13a6\\u13c5\": 8709,\n    \"\\u2581\\u13a4\\u13c9\\u13d4\\u13d7\": 8710,\n    \"\\u2581\\u13a4\\u13d6\\u13b8\\u13c1\": 8711,\n    \"\\u2581\\u13aa\\u13b8\\u13cc\\u13db\\u13d7\": 8712,\n    \"\\u2581\\u13c2\\u13da\\u13be\\u13d1\\u13b4\\u13b2\\u13be\": 8713,\n    \"\\u2581\\u13c5\\u13d7\\u13db\\u13c1\\u13b5\\u13d2\": 8714,\n    \"\\u2581\\u13c7\\u13e3\\u13f1\\u13d7\": 8715,\n    \"\\u2581\\u13cc\\u13b7\\u13f1\": 8716,\n    \"\\u2581\\u13cd\\u13a9\\u13a8\\u13f3\\u13ad\\u13e7\": 8717,\n    \"\\u2581\\u13d3\\u13ac\\u13ef\\u13ab\\u13f4\\u13a1\\u13b5\": 8718,\n    \"\\u2581\\u13d7\\u13a6\\u13b8\\u13c9\\u13d4\\u13c5\\u13af\": 8719,\n    \"\\u2581\\u13d7\\u13c2\\u13ad\\u13f2\\u13af\": 8720,\n    \"\\u2581\\u13d7\\u13c2\\u13cf\\u13b2\\u13cd\\u13a9\": 8721,\n    \"\\u2581\\u13d7\\u13f2\\u13b3\\u13c5\\u13af\": 8722,\n    \"\\u2581\\u13d9\\u13db\\u13c2\\u13f2\\u13af\\u13ce\\u13b5\": 8723,\n    \"\\u2581\\u13e3\\u13c2\\u13a6\\u13f4\\u13b5\": 8724,\n    \"\\u2581\\u13e6\\u13a9\\u13a6\\u13f4\\u13b5\\u13a8\\u13a2\": 8725,\n    \"\\u2581\\u13f1\\u13c4\\u13e9\\u13c1\\u13b8\": 8726,\n    \"\\u2581\\u13a0\\u13a9\\u13d4\\u13b3\\u13ec\\u13cd\\u13ac\": 8727,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13d9\\u13a9\\u13ef\\u13cd\\u13a9\": 8728,\n    \"\\u2581\\u13a3\\u13a6\\u13db\\u13c5\\u13a2\\u13cd\\u13d7\": 8729,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13a6\\u13ce\": 8730,\n    \"\\u2581\\u13a4\\u13f2\\u13cf\\u13cc\\u13c1\\u13a2\": 8731,\n    \"\\u2581\\u13ac\\u13e9\\u13b5\\u13c3\\u13ae\\u13d4\\u13c1\": 8732,\n    \"\\u2581\\u13cd\\u13c7\\u13b5\\u13ce\\u13d7\\u13f1\": 8733,\n    \"\\u2581\\u13da\\u13c2\\u13d0\\u13e8\": 8734,\n    \"\\u2581\\u13da\\u13df\\u13b6\\u13cd\\u13d3\\u13c1\\u13b8\\u13a9\": 8735,\n    \"\\u2581\\u13e5\\u13eb\\u13d7\\u13a8\\u13a6\\u13d8\\u13c5\\u13cd\\u13d4\\u13c1\": 8736,\n    \"\\u2581\\u13ef\\u13c2\\u13b7\\u13a9\": 8737,\n    \"\\u13d7\\u13a9\\u13f4\\u13a9\": 8738,\n    \"\\u2581Co\": 8739,\n    \"\\u2581\\u13a1\\u13b5\\u13cd\\u13d3\\u13a6\": 8740,\n    \"\\u2581\\u13a2\\u13e8\\u13c1\\u13e4\\u13b8\\u13a2\": 8741,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13a5\\u13af\": 8742,\n    \"\\u2581\\u13a4\\u13e9\\u13a2\\u13ce\\u13b8\\u13af\": 8743,\n    \"\\u2581\\u13be\\u13c2\\u13f4\\u13ac\\u13be\": 8744,\n    \"\\u2581\\u13c4\\u13aa\\u13b8\\u13be\": 8745,\n    \"\\u2581\\u13c5\\u13d3\\u13f2\\u13e3\\u13db\\u13c1\\u13b5\": 8746,\n    \"\\u2581\\u13da\\u13ec\\u13d1\\u13b4\": 8747,\n    \"\\u2581\\u13e7\\u13c2\\u13cd\\u13da\\u13d7\": 8748,\n    \"\\u2581\\u13e9\\u13d3\\u13c1\\u13df\\u13f4\\u13cd\\u13d3\": 8749,\n    \"\\u2581\\u13a0\\u13c2\\u13c7\\u13b5\\u13cf\": 8750,\n    \"\\u2581\\u13a4\\u13d3\\u13c1\\u13df\\u13f4\\u13cd\\u13d4\\u13c1\\u13b4\": 8751,\n    \"\\u2581\\u13c2\\u13da\\u13be\\u13b5\\u13c2\\u13ac\\u13ac\": 8752,\n    \"\\u2581\\u13c4\\u13b5\\u13cd\\u13d4\\u13c2\\u13d9\\u13b4\": 8753,\n    \"\\u2581\\u13d5\\u13d3\\u13a7\\u13c2\\u13cd\\u13ac\": 8754,\n    \"\\u2581\\u13e5\\u13c5\\u13d3\\u13a6\\u13b5\\u13cd\\u13d4\\u13c2\": 8755,\n    \"\\u2581\\u13e5\\u13d3\\u13be\\u13d5\\u13f2\\u13b2\\u13cd\": 8756,\n    \"\\u2581\\u13a4\\u13d5\\u13ef\\u13d4\\u13c1\\u13b8\": 8757,\n    \"\\u2581\\u13c4\\u13b5\\u13cd\\u13da\\u13b8\\u13be\": 8758,\n    \"\\u2581\\u13e9\\u13a6\\u13d8\\u13c5\\u13cd\\u13d9\\u13d7\\u13f1\": 8759,\n    \"\\u2581\\u13a0\\u13a9\\u13b3\\u13eb\\u13cd\\u13d7\\u13f1\": 8760,\n    \"\\u2581\\u13a0\\u13c6\\u13d9\\u13b4\\u13b0\\u13af\\u13cd\\u13d7\\u13f1\": 8761,\n    \"\\u2581\\u13a0\\u13e5\\u13c5\\u13e9\\u13c5\\u13a2\": 8762,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13db\\u13d4\\u13c5\": 8763,\n    \"\\u2581\\u13a4\\u13c6\\u13b6\\u13a6\": 8764,\n    \"\\u2581\\u13c8\\u13e5\\u13f1\": 8765,\n    \"\\u2581\\u13d5\\u13b1\\u13d3\": 8766,\n    \"\\u2581\\u13da\\u13f0\\u13b5\\u13af\\u13cd\\u13d4\\u13c1\": 8767,\n    \"\\u2581\\u13e6\\u13d3\\u13bb\": 8768,\n    \"\\u2581\\u13eb\\u13b7\\u13e8\\u13ad\": 8769,\n    \"\\u2581\\u13ee\\u13d3\\u13a6\\u13d9\\u13b4\\u13a3\\u13cf\": 8770,\n    \"\\u2581\\u13f4\\u13a8\\u13e6\\u13af\\u13f3\\u13b2\\u13a6\": 8771,\n    \"\\u2581\\u13a3\\u13cc\\u13ef\": 8772,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13ef\\u13d4\\u13c1\\u13b4\\u13a2\": 8773,\n    \"\\u2581\\u13a4\\u13be\\u13d7\\u13d2\\u13b8\": 8774,\n    \"\\u2581\\u13bb\\u13b4\\u13b3\": 8775,\n    \"\\u2581\\u13d3\\u13be\\u13d7\\u13d4\\u13cd\\u13d7\\u13cd\\u13a8\": 8776,\n    \"\\u2581\\u13d7\\u13c2\\u13cd\\u13d4\\u13f2\\u13af\": 8777,\n    \"\\u2581\\u13e5\\u13a8\\u13f3\\u13a0\": 8778,\n    \"per\": 8779,\n    \"\\u2581\\u13a0\\u13ab\\u13f4\\u13a1\\u13d7\\u13f1\": 8780,\n    \"\\u2581\\u13a4\\u13da\\u13e3\\u13b3\\u13c5\\u13a9\": 8781,\n    \"\\u2581\\u13d9\\u13d3\\u13f0\\u13e3\\u13ec\\u13cd\\u13d4\\u13c2\": 8782,\n    \"\\u2581\\u13da\\u13b5\\u13d8\\u13be\\u13a5\": 8783,\n    \"\\u2581\\u13da\\u13c2\\u13b5\\u13ec\\u13e8\\u13a9\": 8784,\n    \"\\u2581\\u13e5\\u13da\\u13c3\\u13b1\\u13a6\\u13c1\": 8785,\n    \"\\u2581\\u13a0\\u13d3\\u13cd\\u13d5\\u13b8\\u13d3\": 8786,\n    \"\\u2581\\u13a1\\u13e6\\u13af\\u13f3\\u13b2\\u13cd\": 8787,\n    \"\\u2581\\u13d3\\u13a6\\u13e5\\u13c1\\u13c9\\u13a2\": 8788,\n    \"\\u2581\\u13d3\\u13f1\\u13d3\\u13b5\": 8789,\n    \"\\u2581\\u13e3\\u13b7\\u13af\\u13cd\\u13d7\\u13f1\": 8790,\n    \"\\u2581\\u13e7\\u13b3\\u13cf\\u13d7\\u13f1\": 8791,\n    \"\\u13a9\\u13f2\\u13b1\\u13ce\\u13b2\\u13a9\": 8792,\n    \"\\u13ec\\u13c1\\u13d3\": 8793,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13df\\u13d9\": 8794,\n    \"\\u2581\\u13a4\\u13a6\\u13d6\\u13c3\": 8795,\n    \"\\u2581\\u13a4\\u13be\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d9\\u13d7\\u13f1\": 8796,\n    \"\\u2581\\u13a6\\u13e8\\u13e9\\u13cd\\u13d4\\u13c5\\u13af\": 8797,\n    \"\\u2581\\u13ac\\u13e9\\u13aa\\u13b5\\u13f0\\u13cd\\u13ac\": 8798,\n    \"\\u2581\\u13c2\\u13d9\\u13d3\\u13a6\\u13ea\\u13ce\\u13b5\": 8799,\n    \"\\u2581\\u13d3\\u13e4\\u13c5\\u13a1\\u13b5\": 8800,\n    \"\\u2581\\u13d5\\u13a6\\u13c6\\u13db\": 8801,\n    \"\\u2581\\u13d5\\u13af\\u13ef\\u13c1\\u13b6\\u13d5\\u13cd\\u13d7\": 8802,\n    \"\\u2581\\u13e5\\u13c2\\u13f4\\u13c1\\u13ad\": 8803,\n    \"\\u2581\\u13a4\\u13ec\\u13a6\\u13d2\": 8804,\n    \"\\u2581\\u13ec\\u13a9\\u13c3\\u13b8\\u13a9\": 8805,\n    \"\\u2581\\u13be\\u13c2\\u13a6\\u13d4\\u13be\\u13a5\\u13be\": 8806,\n    \"\\u2581\\u13d7\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13c2\": 8807,\n    \"\\u13cd\\u13da\\u13a2\\u13a1\\u13b8\": 8808,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\": 8809,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13be\\u13db\\u13aa\\u13d9\\u13d7\": 8810,\n    \"\\u2581\\u13d9\\u13a6\\u13e0\\u13d2\\u13a9\": 8811,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13b6\\u13c6\\u13cd\\u13d7\\u13f1\": 8812,\n    \"\\u2581\\u13bb\\u13d7\\u13ef\\u13c2\": 8813,\n    \"\\u2581\\u13c4\\u13c2\\u13cd\\u13a6\\u13c5\\u13e8\\u13be\": 8814,\n    \"\\u2581\\u13db\\u13d3\\u13b8\\u13a2\": 8815,\n    \"\\u2581\\u13ef\\u13e5\\u13ef\\u13dd\": 8816,\n    \"\\u13d3\\u13b4\\u13f4\\u13d7\\u13cd\\u13a9\": 8817,\n    \"\\u13d3\\u13d3\\u13b4\\u13d4\\u13c2\": 8818,\n    \"\\u2581\\u13a2\\u13e5\\u13aa\\u13b5\\u13f0\\u13a5\\u13ad\": 8819,\n    \"\\u2581\\u13a4\\u13be\\u13e6\\u13cd\\u13d4\\u13c1\": 8820,\n    \"\\u2581\\u13c2\\u13e8\\u13be\\u13db\": 8821,\n    \"\\u2581\\u13f1\\u13c5\\u13d3\\u13a6\\u13b5\\u13cd\\u13d9\\u13d3\": 8822,\n    \"\\u13b1\\u13e2\\u13d4\\u13c5\\u13ad\": 8823,\n    \"\\u2581\\u13db\\u13e5\\u13b7\\u13e5\": 8824,\n    \"\\u2581\\u13d2\\u13a6\\u13d9\\u13af\": 8825,\n    \"\\u13d9\\u13e5\\u13b5\\u13e6\\u13db\\u13a6\": 8826,\n    \"\\u2581\\u13a0\\u13b5\\u13c3\\u13ae\\u13d7\\u13cd\\u13ac\\u13a2\": 8827,\n    \"\\u2581\\u13a0\\u13c2\\u13c1\\u13a2\\u13cd\\u13d7\\u13cd\\u13a9\": 8828,\n    \"\\u2581\\u13a4\\u13be\\u13d8\\u13cd\\u13d9\\u13d7\\u13f1\": 8829,\n    \"\\u2581\\u13a4\\u13ce\\u13b5\\u13d3\\u13c1\\u13b4\\u13c3\": 8830,\n    \"\\u2581\\u13c2\\u13d9\\u13d3\\u13ac\\u13c1\\u13b5\": 8831,\n    \"\\u2581\\u13c5\\u13d3\\u13e8\\u13f4\\u13c1\\u13b5\": 8832,\n    \"\\u2581\\u13d7\\u13be\\u13d3\\u13d9\\u13d5\\u13cd\\u13d7\\u13cd\\u13a9\": 8833,\n    \"\\u2581\\u13a0\\u13f0\\u13b4\\u13a9\": 8834,\n    \"\\u2581\\u13a6\\u13f4\\u13d3\\u13d7\": 8835,\n    \"\\u2581\\u13d5\\u13a6\\u13d5\\u13f2\\u13b2\\u13cd\\u13ac\": 8836,\n    \"\\u2581\\u13d5\\u13a7\\u13c3\\u13ae\\u13cd\\u13ac\": 8837,\n    \"\\u2581\\u13da\\u13b3\\u13eb\\u13db\": 8838,\n    \"\\u13a9\\u13b5\\u13f2\\u13e5\\u13d9\\u13b8\\u13a2\": 8839,\n    \"\\u2581\\u13a4\\u13c5\\u13d8\\u13db\": 8840,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13b7\\u13aa\": 8841,\n    \"\\u2581\\u13a4\\u13d9\\u13e3\\u13b8\\u13a2\": 8842,\n    \"\\u2581\\u13be\\u13be\\u13d3\\u13db\\u13cd\\u13ac\\u13be\": 8843,\n    \"\\u2581\\u13a3\\u13e5\\u13ef\\u13a5\": 8844,\n    \"\\u2581\\u13a4\\u13d3\\u13e6\\u13af\\u13ef\": 8845,\n    \"\\u2581\\u13d7\\u13e7\\u13aa\\u13d7\\u13cd\\u13a9\": 8846,\n    \"\\u2581\\u13af\\u13ef\\u13db\\u13a5\\u13a6\": 8847,\n    \"\\u2581\\u13d9\\u13a9\\u13be\\u13d7\\u13d4\\u13b2\": 8848,\n    \"\\u2581\\u13a6\\u13c5\\u13c3\\u13eb\": 8849,\n    \"\\u2581\\u13e7\\u13c3\\u13d1\\u13b4\\u13d7\": 8850,\n    \"\\u13f2\\u13b1\\u13af\\u13ce\\u13b4\\u13a2\": 8851,\n    \"\\u2581\\u13a6\\u13e2\\u13cd\\u13a9\": 8852,\n    \"\\u2581\\u13c4\\u13be\\u13d9\\u13d3\\u13c8\\u13d2\": 8853,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d3\\u13cd\\u13a9\\u13cc\\u13b2\": 8854,\n    \"\\u2581\\u13a6\\u13c3\\u13b1\\u13a9\\u13cd\\u13a8\": 8855,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13ea\": 8856,\n    \"\\u2581\\u13a0\\u13c2\\u13c2\\u13a9\\u13b8\": 8857,\n    \"\\u2581\\u13a0\\u13cd\\u13da\\u13a2\\u13db\": 8858,\n    \"\\u2581\\u13a4\\u13a6\\u13db\\u13b4\\u13af\\u13cd\\u13d7\\u13f1\": 8859,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13c2\\u13ef\\u13a2\": 8860,\n    \"\\u2581\\u13db\\u13b5\\u13db\\u13d4\\u13c2\": 8861,\n    \"\\u2581\\u13c4\\u13b5\\u13cc\": 8862,\n    \"\\u2581\\u13a0\\u13d0\\u13e2\\u13a2\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 8863,\n    \"\\u2581\\u13a4\\u13cd\\u13d8\\u13f0\\u13a9\": 8864,\n    \"\\u2581\\u13a4\\u13df\\u13c3\\u13ae\\u13d4\\u13c1\\u13a2\": 8865,\n    \"\\u2581\\u13c4\\u13c2\\u13e7\\u13c8\\u13cd\\u13d5\\u13cd\\u13d7\": 8866,\n    \"\\u2581\\u13db\\u13ac\\u13ef\\u13d8\\u13c3\": 8867,\n    \"\\u2581\\u13a0\\u13b5\\u13f1\\u13b5\\u13d2\\u13a2\": 8868,\n    \"\\u2581\\u13a0\\u13c3\\u13e2\\u13c5\\u13a5\\u13cd\\u13a9\": 8869,\n    \"\\u2581\\u13e7\\u13be\\u13db\\u13d2\\u13af\": 8870,\n    \"\\u13ab\\u13aa\\u13d3\\u13c1\\u13d7\": 8871,\n    \"\\u13d1\\u13b6\\u13e8\\u13af\": 8872,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13a9\\u13cd\\u13ac\": 8873,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13c3\\u13c5\": 8874,\n    \"\\u2581\\u13e5\\u13c4\\u13be\\u13cd\\u13db\\u13a2\": 8875,\n    \"\\u13e8\\u13ef\\u13db\\u13db\\u13c2\": 8876,\n    \"\\u2581\\u13a6\\u13a8\\u13e5\\u13d0\\u13e2\": 8877,\n    \"\\u13bf\\u13b8\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 8878,\n    \"\\u13d5\\u13ef\\u13d4\\u13c1\\u13ad\": 8879,\n    \"\\u13e3\\u13d3\\u13c5\\u13a1\\u13b8\": 8880,\n    \"\\u2581\\u13c3\\u13a9\\u13ea\\u13d2\\u13a9\": 8881,\n    \"\\u2581\\u13d3\\u13f3\\u13c2\\u13c4\\u13aa\\u13e8\\u13a9\": 8882,\n    \"\\u2581\\u13a4\\u13d7\\u13db\\u13b2\\u13a9\": 8883,\n    \"\\u2581\\u13c2\\u13a8\\u13e3\\u13db\\u13c1\\u13ae\\u13cd\\u13d7\": 8884,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13df\\u13f4\\u13d7\": 8885,\n    \"\\u2581\\u13d7\\u13b5\\u13f0\": 8886,\n    \"\\u2581\\u13d9\\u13a9\\u13c3\\u13e2\": 8887,\n    \"\\u2581\\u13a0\\u13a9\\u13d4\\u13d5\\u13a9\\u13cd\\u13ac\": 8888,\n    \"\\u2581\\u13d9\\u13d8\\u13f2\\u13a2\": 8889,\n    \"\\u2581\\u13da\\u13e5\\u13b8\\u13d2\": 8890,\n    \"\\u2581\\u13eb\\u13c4\\u13d2\": 8891,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13bf\\u13d5\\u13a9\": 8892,\n    \"\\u2581\\u13be\\u13c6\\u13b5\\u13cd\\u13d3\\u13c1\\u13b5\\u13d5\\u13ac\": 8893,\n    \"\\u2581\\u13da\\u13be\\u13b5\\u13ef\\u13cd\\u13da\": 8894,\n    \"\\u2581\\u13e3\\u13a6\\u13e5\\u13b6\\u13cd\\u13d4\\u13c5\": 8895,\n    \"\\u2581\\u13e7\\u13a7\\u13c3\\u13d7\\u13f1\": 8896,\n    \"\\u13ac\\u13e3\\u13dd\\u13c5\": 8897,\n    \"\\u2581\\u13c2\\u13a6\\u13b7\\u13b6\\u13ac\\u13be\": 8898,\n    \"\\u2581\\u13da\\u13b5\\u13e5\\u13d9\\u13c1\\u13b4\\u13a2\": 8899,\n    \"\\u2581\\u13e5\\u13c2\\u13a6\\u13db\\u13c1\\u13ad\": 8900,\n    \"\\u2581\\u13a0\\u13a9\\u13df\\u13f2\": 8901,\n    \"\\u2581\\u13c5\\u13d3\\u13e5\\u13ef\\u13db\\u13c1\\u13b5\": 8902,\n    \"\\u2581\\u13a2\\u13e5\\u13aa\\u13d9\\u13cd\\u13a8\\u13cd\\u13d7\": 8903,\n    \"\\u2581\\u13f0\\u13e6\\u13ce\\u13ae\\u13cd\\u13d7\": 8904,\n    \"\\u2581\\u13da\\u13c4\\u13ee\": 8905,\n    \"\\u2581\\u13a0\\u13c9\\u13b5\\u13e8\": 8906,\n    \"\\u2581\\u13a4\\u13c4\\u13ec\\u13a5\\u13af\": 8907,\n    \"\\u2581\\u13a1\\u13e3\\u13c1\\u13cd\\u13a8\\u13b2\\u13af\": 8908,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d4\\u13c2\\u13d9\\u13ae\\u13cd\\u13d7\": 8909,\n    \"\\u2581\\u13d7\\u13a9\\u13aa\\u13b6\\u13af\": 8910,\n    \"\\u2581\\u13d7\\u13e5\\u13c5\\u13cd\\u13a8\\u13c2\": 8911,\n    \"\\u2581\\u13e7\\u13c1\\u13a9\\u13f3\": 8912,\n    \"\\u2581\\u13c4\\u13d3\\u13c5\\u13db\\u13be\": 8913,\n    \"\\u2581\\u13a0\\u13c3\\u13e2\\u13cd\\u13ac\": 8914,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\\u13a2\\u13d3\": 8915,\n    \"\\u2581\\u13a2\\u13e5\\u13be\\u13eb\": 8916,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13c6\\u13db\\u13ad\": 8917,\n    \"\\u2581\\u13a1\\u13e3\\u13b5\\u13a1\\u13b5\\u13e4\\u13ae\\u13cd\\u13d7\": 8918,\n    \"\\u13b3\\u13eb\\u13ce\\u13ae\\u13cd\\u13d7\": 8919,\n    \"\\u13e7\\u13be\\u13da\\u13a9\\u13ce\": 8920,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13c2\\u13ac\\u13ac\\u13a2\": 8921,\n    \"\\u2581\\u13eb\\u13b7\\u13a9\": 8922,\n    \"\\u2581\\u13a2\\u13e8\\u13ef\\u13c5\\u13d3\\u13d7\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 8923,\n    \"\\u2581\\u13a2\\u13cf\\u13b3\\u13bb\": 8924,\n    \"\\u2581\\u13be\\u13d0\\u13c2\": 8925,\n    \"\\u2581\\u13be\\u13d3\\u13db\\u13c1\\u13b2\\u13a2\": 8926,\n    \"\\u13be\\u13aa\\u13c4\\u13b8\": 8927,\n    \"\\u2581\\u13a8\\u13a9\\u13cd\\u13a6\\u13a9\": 8928,\n    \"\\u2581\\u13b9\\u13c8\\u13b3\": 8929,\n    \"\\u2581\\u13a4\\u13c2\\u13be\\u13f0\\u13d2\\u13a9\": 8930,\n    \"\\u2581\\u13c2\\u13d5\\u13a6\\u13c5\\u13af\\u13d2\\u13a9\": 8931,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13a9\\u13cd\\u13a8\\u13cd\\u13d7\": 8932,\n    \"\\u13a9\\u13b5\\u13f2\\u13a8\\u13cd\\u13d7\": 8933,\n    \"\\u13b3\\u13eb\\u13ce\\u13d7\": 8934,\n    \"\\u2581\\u13a4\\u13c1\\u13e2\\u13d4\\u13c5\\u13d2\\u13a2\": 8935,\n    \"\\u2581\\u13c4\\u13f2\\u13b1\\u13d2\\u13a9\": 8936,\n    \"\\u2581\\u13d7\\u13d3\\u13aa\\u13d7\\u13cd\\u13a9\": 8937,\n    \"\\u13cd\\u13a6\\u13b3\\u13e4\": 8938,\n    \"\\u2581\\u13f1\\u13e9\\u13cd\\u13d4\": 8939,\n    \"\\u2581\\u13db\\u13a9\\u13f2\\u13b5\": 8940,\n    \"\\u13ac\\u13f2\\u13ce\\u13d7\": 8941,\n    \"\\u13e2\\u13e5\\u13f0\\u13cd\": 8942,\n    \"\\u2581\\u13e5\\u13d3\\u13d3\\u13c2\\u13b8\\u13aa\\u13a2\": 8943,\n    \"\\u2581\\u13a0\\u13b5\\u13f1\\u13b6\\u13b8\\u13ad\": 8944,\n    \"\\u2581\\u13d9\\u13a8\\u13e5\": 8945,\n    \"\\u2581\\u13eb\\u13e8\\u13f2\\u13b5\": 8946,\n    \"\\u2581\\u13a0\\u13c6\\u13c1\\u13b3\\u13eb\\u13ce\": 8947,\n    \"\\u2581\\u13be\\u13c2\\u13a6\\u13d4\\u13bf\\u13a5\\u13be\": 8948,\n    \"\\u2581\\u13a4\\u13a7\\u13b5\\u13e6\\u13c5\": 8949,\n    \"\\u13b3\\u13cd\\u13d5\\u13b5\\u13f4\\u13cc\": 8950,\n    \"\\u2581\\u13d2\\u13af\\u13f0\": 8951,\n    \"\\u2581\\u13f1\\u13d3\\u13c2\\u13c1\\u13df\\u13f4\": 8952,\n    \"\\u2581\\u13a4\\u13ea\\u13e3\\u13c4\": 8953,\n    \"\\u2581\\u13a0\\u13a8\\u13be\\u13c2\": 8954,\n    \"\\u2581\\u13e7\\u13f2\\u13cd\\u13d4\\u13c5\\u13af\": 8955,\n    \"\\u2581\\u13ec\\u13e5\\u13a6\\u13db\": 8956,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13b5\\u13cd\\u13d4\\u13c1\\u13d7\": 8957,\n    \"\\u2581\\u13a4\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\": 8958,\n    \"\\u2581\\u13e7\\u13be\\u13b3\\u13cf\\u13d5\\u13c4\\u13b6\\u13d7\": 8959,\n    \"\\u2581\\u13a0\\u13a9\\u13ec\\u13c2\": 8960,\n    \"\\u2581\\u13a4\\u13be\\u13c1\\u13b3\\u13db\": 8961,\n    \"\\u2581\\u13d5\\u13b1\\u13aa\": 8962,\n    \"\\u2581\\u13eb\\u13da\\u13be\\u13d8\\u13c3\\u13ae\\u13b8\\u13a9\": 8963,\n    \"\\u13f2\\u13b1\\u13d2\\u13be\": 8964,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13ea\\u13d2\\u13a9\": 8965,\n    \"\\u2581\\u13f3\\u13cd\\u13c6\\u13b8\": 8966,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13be\\u13b8\": 8967,\n    \"\\u2581\\u13e7\\u13be\\u13b3\\u13cf\\u13d5\\u13c5\": 8968,\n    \"\\u2581\\u13ed\\u13ea\\u13d9\\u13b8\": 8969,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13db\\u13c5\": 8970,\n    \"\\u13a9\\u13cd\\u13da\\u13b2\\u13a9\": 8971,\n    \"\\u2581\\u13c2\\u13d7\\u13e8\\u13a6\": 8972,\n    \"\\u2581\\u13a2\\u13aa\\u13af\\u13f3\\u13d2\": 8973,\n    \"\\u2581\\u13e3\\u13aa\\u13ce\\u13b0\\u13a2\": 8974,\n    \"\\u2581\\u13c2\\u13e5\\u13f2\\u13af\\u13cd\\u13d7\\u13cd\\u13ac\\u13be\": 8975,\n    \"\\u2581\\u13a0\\u13be\\u13d5\\u13b2\\u13cd\\u13a8\": 8976,\n    \"\\u2581\\u13a4\\u13c3\\u13f4\\u13b3\\u13d2\": 8977,\n    \"\\u2581\\u13a4\\u13c5\\u13eb\\u13cd\\u13d7\\u13cd\\u13a9\": 8978,\n    \"\\u2581\\u13c4\\u13b5\\u13c1\\u13e8\": 8979,\n    \"\\u2581\\u13c5\\u13e7\\u13ea\\u13ce\\u13b4\\u13a2\": 8980,\n    \"\\u13cd\\u13c7\\u13f2\\u13b2\\u13a6\": 8981,\n    \"\\u2581\\u13a0\\u13aa\\u13e9\\u13d8\\u13cd\\u13a9\": 8982,\n    \"\\u2581\\u13c1\\u13d9\\u13b2\\u13be\": 8983,\n    \"\\u2581\\u13cd\\u13a9\\u13ef\\u13db\\u13d3\\u13cd\\u13d3\\u13cf\": 8984,\n    \"\\u13e9\\u13b5\": 8985,\n    \"\\u13b5\\u13af\\u13ae\\u13a2\": 8986,\n    \"\\u2581\\u13cf\\u13d7\\u13bb\": 8987,\n    \"\\u2581\\u13da\\u13c2\\u13f2\\u13cf\\u13cd\\u13ac\": 8988,\n    \"\\u2581\\u13a2\\u13a9\\u13c7\\u13d3\\u13b8\": 8989,\n    \"\\u2581\\u13da\\u13c2\\u13a6\\u13d8\\u13b8\\u13ce\": 8990,\n    \"\\u13e5\\u13ef\\u13eb\\u13cd\\u13ac\": 8991,\n    \"\\u2581\\u13a0\\u13c2\\u13f2\\u13b5\\u13ae\": 8992,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13d3\\u13d3\": 8993,\n    \"\\u2581\\u13a4\\u13d7\\u13b4\\u13b2\\u13cd\\u13a8\\u13a2\": 8994,\n    \"\\u2581\\u13a4\\u13d9\\u13b5\\u13cd\\u13d9\": 8995,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13d0\\u13c5\\u13af\": 8996,\n    \"\\u13df\\u13b6\\u13cd\\u13d4\\u13c2\": 8997,\n    \"\\u2581\\u13a0\\u13a2\\u13d7\\u13e2\": 8998,\n    \"\\u2581\\u13c4\\u13b8\\u13c9\\u13d4\\u13c5\\u13be\": 8999,\n    \"\\u2581\\u13da\\u13ec\\u13a5\\u13a9\": 9000,\n    \"\\u2581\\u13a2\\u13a8\\u13d3\\u13cd\\u13d7\\u13f1\": 9001,\n    \"\\u2581\\u13d7\\u13be\\u13d3\\u13af\\u13af\": 9002,\n    \"\\u13e3\\u13a6\\u13ce\\u13cd\\u13d3\": 9003,\n    \"\\u2581\\u13e7\\u13d3\\u13c5\\u13b5\\u13f0\\u13d3\": 9004,\n    \"\\u2581\\u13a4\\u13b5\\u13d2\\u13cd\\u13d4\\u13c1\\u13a2\": 9005,\n    \"\\u2581\\u13d3\\u13e5\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b5\": 9006,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13ec\\u13af\\u13cd\\u13d7\\u13cd\\u13a9\": 9007,\n    \"\\u13ad\\u13c4\\u13eb\": 9008,\n    \"\\u2581\\u13a2\\u13e8\\u13c1\\u13e4\\u13ad\": 9009,\n    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\"\\u2581\\u13a0\\u13d3\\u13d3\\u13f1\\u13ae\\u13cd\\u13d7\": 9026,\n    \"\\u2581\\u13be\\u13be\\u13b5\\u13cd\\u13d7\\u13ad\": 9027,\n    \"\\u2581\\u13d5\\u13a6\\u13a6\\u13d9\\u13cd\\u13db\": 9028,\n    \"\\u2581\\u13a0\\u13c1\\u13e6\": 9029,\n    \"\\u13ef\\u13d3\\u13c2\\u13b8\\u13e5\": 9030,\n    \"\\u2581\\u13a5\\u13c6\\u13ec\\u13cd\\u13d9\\u13d7\": 9031,\n    \"\\u2581\\u13ed\\u13d7\\u13e2\\u13cd\\u13d4\\u13c5\": 9032,\n    \"\\u2581\\u13a2\\u13e5\\u13f2\\u13ae\\u13cd\\u13d7\": 9033,\n    \"\\u2581\\u13a2\\u13e5\\u13c1\\u13a2\\u13cd\\u13d7\\u13f1\": 9034,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d4\\u13f4\\u13c5\": 9035,\n    \"\\u2581\\u13f3\\u13e5\\u13cd\\u13aa\\u13b8\": 9036,\n    \"\\u13e8\\u13c9\\u13db\\u13be\": 9037,\n    \"\\u2581\\u13a5\\u13a9\\u13c2\\u13b5\": 9038,\n    \"\\u2581\\u13f1\\u13a6\\u13c2\\u13c6\\u13d8\\u13ad\": 9039,\n    \"\\u13ac\\u13d1\\u13b6\\u13d9\\u13d7\": 9040,\n    \"\\u2581\\u13eb\\u13ac\\u13b7\\u13e4\\u13d7\\u13f1\": 9041,\n    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9074,\n    \"\\u2581\\u13a2\\u13e8\\u13cd\\u13d3\\u13e9\\u13d5\\u13c5\": 9075,\n    \"\\u2581\\u13d9\\u13d3\\u13f2\\u13e3\": 9076,\n    \"\\u2581\\u13e7\\u13be\\u13ad\\u13be\\u13ec\": 9077,\n    \"\\u2581\\u13a4\\u13d3\\u13ec\\u13a1\": 9078,\n    \"\\u2581\\u13c5\\u13db\\u13b4\\u13c5\\u13db\": 9079,\n    \"\\u13e2\\u13c8\\u13cd\\u13a6\": 9080,\n    \"\\u13d7\\u13a8\\u13e5\\u13f0\\u13aa\\u13a2\": 9081,\n    \"\\u2581\\u13eb\\u13d7\\u13cd\\u13a9\\u13ef\\u13c5\\u13cf\": 9082,\n    \"\\u2581\\u13a1\\u13e5\\u13b8\\u13c9\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 9083,\n    \"\\u2581\\u13dd\\u13ec\": 9084,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13be\\u13cd\\u13d3\": 9085,\n    \"\\u2581\\u13a3\\u13a6\\u13c1\\u13b3\\u13a9\": 9086,\n    \"\\u13b6\\u13c4\\u13ae\\u13b8\\u13a9\": 9087,\n    \"\\u13a0\\u13a9\\u13b7\\u13e8\": 9088,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d6\\u13cd\\u13a9\": 9089,\n    \"\\u2581\\u13a4\\u13b5\\u13cf\\u13c2\\u13d5\\u13be\": 9090,\n    \"\\u13a8\\u13b2\\u13d2\\u13a9\": 9091,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13d3\\u13b5\": 9092,\n    \"\\u2581\\u13f1\\u13cd\\u13a9\\u13aa\\u13e9\\u13d8\\u13cd\\u13a8\\u13cd\\u13d7\": 9093,\n    \"\\u2581\\u13a2\\u13d3\\u13a2\\u13ce\\u13cd\\u13d7\": 9094,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c4\\u13b8\\u13d7\": 9095,\n    \"\\u2581\\u13a2\\u13a8\\u13b3\\u13d7\\u13d9\\u13ad\": 9096,\n    \"\\u2581\\u13a4\\u13ea\\u13a7\\u13ae\": 9097,\n    \"\\u13c3\\u13ea\\u13b3\\u13c1\": 9098,\n    \"\\u2581\\u13ab\\u13d8\\u13cd\\u13ac\": 9099,\n    \"\\u2581\\u13a2\\u13a4\\u13c2\\u13b7\\u13e8\": 9100,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c5\\u13a1\\u13b8\\u13a9\": 9101,\n    \"\\u2581\\u13a1\\u13b3\\u13c6\\u13d8\": 9102,\n    \"\\u2581\\u13d9\\u13e5\\u13f2\\u13a6\": 9103,\n    \"\\u2581\\u13d5\\u13e3\\u13cf\\u13b3\\u13db\": 9104,\n    \"\\u2581\\u13a0\\u13c9\\u13af\\u13f3\\u13b2\\u13cd\\u13a9\": 9105,\n    \"\\u2581\\u13a3\\u13a9\\u13be\\u13df\\u13c3\\u13ae\\u13b8\": 9106,\n    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\"\\u2581\\u13a0\\u13d5\\u13c4\": 9187,\n    \"\\u2581\\u13a0\\u13d5\\u13b0\\u13af\\u13cd\\u13d7\": 9188,\n    \"\\u2581\\u13a2\\u13f3\\u13e5\\u13b6\\u13d3\": 9189,\n    \"\\u13d3\\u13c4\\u13f4\\u13db\\u13be\": 9190,\n    \"\\u2581\\u13eb\\u13e8\\u13f2\\u13ea\\u13b3\\u13c1\\u13d7\\u13f1\": 9191,\n    \"\\u2581\\u13d7\\u13e3\\u13e0\\u13f1\\u13b8\\u13a9\": 9192,\n    \"\\u2581\\u13a4\\u13c2\\u13ef\\u13d9\\u13b4\": 9193,\n    \"\\u2581\\u13da\\u13c5\\u13eb\\u13cd\\u13d4\\u13c5\": 9194,\n    \"\\u2581\\u13b9\\u13da\": 9195,\n    \"\\u2581\\u13e7\\u13d3\\u13b4\\u13c5\\u13d4\\u13c5\\u13af\": 9196,\n    \"\\u2581\\u13c4\\u13be\\u13cd\\u13d5\\u13cd\\u13d7\": 9197,\n    \"\\u2581\\u13a0\\u13a6\\u13ec\\u13a5\": 9198,\n    \"\\u2581\\u13d5\\u13a6\\u13b6\\u13cd\\u13ac\": 9199,\n    \"\\u13f4\\u13b3\\u13ce\\u13a2\": 9200,\n    \"\\u2581\\u13c4\\u13d3\\u13a8\\u13d2\": 9201,\n    \"\\u2581\\u13a0\\u13ef\\u13a3\\u13a2\": 9202,\n    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\"\\u2581\\u13d5\\u13a8\\u13e5\\u13b5\\u13a5\\u13c2\": 9300,\n    \"\\u2581\\u13da\\u13c3\\u13af\\u13f3\": 9301,\n    \"\\u2581\\u13a0\\u13c6\\u13d9\\u13b4\\u13b0\\u13d2\": 9302,\n    \"\\u2581\\u13b0\\u13af\\u13f3\\u13b2\\u13a6\": 9303,\n    \"\\u13ef\\u13d3\\u13c5\\u13cf\": 9304,\n    \"\\u2581\\u13a5\\u13a9\\u13cd\\u13d5\\u13b8\\u13d7\\u13f1\": 9305,\n    \"\\u2581\\u13d5\\u13e5\\u13b8\\u13c9\\u13d5\\u13cd\\u13d7\": 9306,\n    \"\\u2581\\u13a0\\u13a6\\u13b8\\u13e5\": 9307,\n    \"\\u2581\\u13a0\\u13ab\\u13e3\": 9308,\n    \"\\u2581\\u13f1\\u13a6\\u13d5\\u13a3\\u13cd\\u13a6\": 9309,\n    \"\\u2581\\u13ef\\u13f2\\u13b1\\u13af\": 9310,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13c6\\u13d9\\u13c5\": 9311,\n    \"\\u2581\\u13f1\\u13be\\u13db\\u13c1\\u13ae\": 9312,\n    \"\\u2581\\u13a2\\u13ef\\u13c6\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\": 9313,\n    \"\\u2581\\u13e3\\u13cd\\u13c9\\u13c2\\u13aa\\u13d7\": 9314,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13cd\\u13d9\\u13d7\\u13f1\": 9315,\n    \"\\u2581\\u13a6\\u13d3\\u13c6\\u13df\": 9316,\n    \"\\u13e0\\u13f1\\u13b8\\u13a9\": 9317,\n    \"\\u2581\\u13da\\u13f0\\u13b5\\u13d2\": 9318,\n    \"\\u2581\\u13af\\u13f2\\u13cd\\u13d7\\u13cd\\u13a9\": 9319,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13a9\": 9320,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13b8\\u13af\\u13d7\\u13d2\\u13a9\": 9321,\n    \"\\u2581\\u13e7\\u13c2\\u13a6\\u13ef\\u13b7\\u13d7\": 9322,\n    \"\\u2581\\u13a0\\u13a9\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b8\\u13a9\": 9323,\n    \"\\u2581\\u13a0\\u13a9\\u13b8\\u13d7\\u13cd\\u13a9\": 9324,\n    \"\\u13aa\\u13b2\\u13cd\\u13d4\\u13c2\": 9325,\n    \"\\u2581\\u13a8\\u13aa\\u13e2\\u13c5\\u13af\": 9326,\n    \"\\u2581\\u13d3\\u13c6\\u13b4\\u13b8\": 9327,\n    \"\\u2581\\u13a6\\u13b6\\u13d0\\u13c5\": 9328,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13c1\\u13df\\u13f4\\u13cf\\u13d2\": 9329,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d9\\u13d7\\u13f1\": 9330,\n    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\"\\u13e5\\u13cd\\u13a6\\u13a2\\u13ad\": 9399,\n    \"\\u2581\\u13f3\\u13e9\\u13db\\u13ae\\u13a2\": 9400,\n    \"\\u13cb\\u13a8\\u13eb\": 9401,\n    \"\\u2581\\u13a4\\u13ad\\u13c4\\u13ee\": 9402,\n    \"\\u2581\\u13e7\\u13ad\\u13be\\u13ec\": 9403,\n    \"\\u2581\\u13f3\\u13ea\\u13b5\\u13ce\": 9404,\n    \"\\u13c2\\u13a6\\u13db\\u13c1\\u13b0\\u13a2\": 9405,\n    \"\\u13cd\\u13da\\u13a2\\u13cf\": 9406,\n    \"\\u2581\\u13a5\\u13d8\\u13cd\\u13a9\": 9407,\n    \"\\u2581\\u13a0\\u13c6\\u13e6\": 9408,\n    \"\\u2581\\u13e7\\u13ea\\u13f2\\u13b2\\u13cd\\u13a9\": 9409,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13d5\\u13d8\\u13f4\\u13db\": 9410,\n    \"\\u13f0\\u13eb\\u13d2\": 9411,\n    \"\\u2581\\u13a4\\u13d7\\u13e9\\u13d2\\u13a9\": 9412,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13c2\\u13a9\\u13cd\\u13d4\\u13c1\": 9413,\n    \"\\u2581\\u13a6\\u13c3\\u13d9\\u13d7\": 9414,\n    \"\\u2581\\u13d3\\u13aa\\u13e9\\u13d8\\u13cd\\u13ac\": 9415,\n    \"\\u13a9\\u13e9\\u13db\\u13b2\\u13a9\": 9416,\n    \"\\u2581\\u13da\\u13ad\\u13c1\\u13a6\\u13b8\": 9417,\n    \"\\u2581\\u13a0\\u13c6\\u13e2\\u13c8\\u13cd\\u13d7\\u13f1\": 9418,\n    \"\\u2581\\u13a0\\u13d3\\u13a6\\u13d8\\u13d5\\u13af\": 9419,\n    \"\\u2581\\u13e7\\u13ac\\u13e9\\u13df\": 9420,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13b8\\u13ae\": 9421,\n    \"\\u2581\\u13d7\\u13d3\\u13d8\\u13cd\\u13d7\": 9422,\n    \"\\u13e7\\u13a7\\u13b8\\u13e8\": 9423,\n    \"\\u2581\\u13a0\\u13db\\u13c1\\u13ae\\u13cd\\u13d7\": 9424,\n    \"\\u2581\\u13f1\\u13e6\\u13af\\u13f3\\u13b2\\u13a6\": 9425,\n    \"\\u13b4\\u13b3\\u13db\\u13c5\": 9426,\n    \"\\u2581\\u13a2\\u13e5\\u13a6\\u13d4\\u13af\\u13f3\": 9427,\n    \"\\u2581\\u13da\\u13cd\\u13da\\u13a2\\u13ce\": 9428,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13a9\\u13cd\\u13d7\": 9429,\n    \"\\u2581\\u13eb\\u13da\\u13a7\\u13be\\u13c5\": 9430,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\\u13a8\\u13b3\\u13cd\\u13d9\\u13d7\": 9431,\n    \"\\u2581\\u13a2\\u13ef\\u13a9\\u13ea\\u13cd\\u13d7\\u13f1\": 9432,\n    \"\\u2581\\u13d7\\u13be\\u13df\": 9433,\n    \"\\u2581\\u13a0\\u13c6\\u13cd\\u13a6\\u13f1\": 9434,\n    \"\\u2581\\u13a0\\u13d3\\u13ec\\u13cd\\u13d7\\u13f1\": 9435,\n    \"\\u2581\\u13a4\\u13c2\\u13aa\\u13b5\\u13f0\\u13d7\\u13f1\": 9436,\n    \"\\u2581\\u13a3\\u13be\\u13eb\\u13f1\": 9437,\n    \"\\u2581\\u13e3\\u13f1\\u13b5\\u13d9\\u13af\": 9438,\n    \"\\u13e3\\u13d8\\u13c3\\u13b8\\u13ad\": 9439,\n    \"\\u2581\\u13e7\\u13ea\\u13d9\\u13b5\\u13cd\\u13d7\\u13f1\": 9440,\n    \"\\u2581\\u13a2\\u13a9\\u13cd\\u13d5\\u13b5\\u13ad\": 9441,\n    \"\\u2581\\u13eb\\u13d7\\u13a6\\u13d8\": 9442,\n    \"\\u2581\\u13a6\\u13d3\\u13eb\\u13d4\\u13c5\": 9443,\n    \"\\u13d5\\u13d9\\u13b2\\u13a9\": 9444,\n    \"\\u2581\\u13d7\\u13a6\\u13d8\\u13cd\\u13d7\": 9445,\n    \"\\u2581\\u13a2\\u13e5\\u13d9\\u13be\": 9446,\n    \"\\u2581\\u13ad\\u13c5\\u13d3\\u13d3\": 9447,\n    \"\\u2581\\u13eb\\u13be\\u13db\\u13a6\": 9448,\n    \"\\u2581\\u13a0\\u13c2\\u13aa\\u13e9\\u13d8\\u13cd\\u13a9\": 9449,\n    \"\\u2581\\u13f1\\u13c4\\u13be\\u13cd\\u13d7\": 9450,\n    \"\\u13ec\\u13cd\\u13aa\\u13a2\": 9451,\n    \"\\u2581\\u13e7\\u13f4\\u13b4\": 9452,\n    \"\\u2581\\u13e5\\u13da\\u13a6\\u13d2\\u13cd\\u13d9\": 9453,\n    \"\\u2581\\u13e7\\u13cc\\u13a8\": 9454,\n    \"\\u2581\\u13bb\\u13cc\": 9455,\n    \"\\u2581\\u13eb\\u13e5\\u13e4\\u13a2\": 9456,\n    \"\\u2581\\u13ed\\u13b7\\u13af\\u13cd\\u13d7\": 9457,\n    \"\\u2581\\u13a6\\u13d0\\u13c2\": 9458,\n    \"\\u2581\\u13d4\\u13b7\": 9459,\n    \"\\u2581\\u13ed\\u13b3\\u13db\": 9460,\n    \"\\u13cf\\u13cf\\u13cd\\u13a9\": 9461,\n    \"\\u13a6\\u13a7\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 9462,\n    \"\\u2581\\u13a2\\u13e3\\u13d9\\u13b4\\u13b0\\u13af\\u13cd\\u13d7\\u13f1\": 9463,\n    \"\\u13b5\\u13ef\\u13bb\": 9464,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13a6\\u13f0\\u13ac\\u13cd\\u13d4\": 9465,\n    \"\\u13c1\\u13e2\\u13d9\\u13d7\\u13f1\": 9466,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13d9\": 9467,\n    \"\\u2581\\u13af\\u13a6\\u13d4\\u13ae\\u13cd\\u13d7\": 9468,\n    \"\\u2581\\u13be\\u13d1\\u13b5\\u13aa\\u13ac\\u13be\": 9469,\n    \"\\u2581\\u13e5\\u13d5\\u13d9\\u13ad\": 9470,\n    \"\\u2581\\u13e7\\u13c4\\u13aa\\u13e4\\u13a2\": 9471,\n    \"\\u2581\\u13a1\\u13e4\\u13f2\\u13c5\\u13a2\": 9472,\n    \"\\u2581\\u13a2\\u13e8\\u13c1\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 9473,\n    \"\\u2581\\u13ac\\u13c1\\u13e4\\u13b2\\u13a2\": 9474,\n    \"\\u2581\\u13da\\u13c3\\u13ea\\u13b8\\u13a2\": 9475,\n    \"\\u2581\\u13da\\u13ea\\u13e3\\u13a6\\u13b8\\u13ae\\u13a2\": 9476,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13aa\\u13e4\\u13a2\": 9477,\n    \"\\u2581\\u13e7\\u13c1\\u13e2\\u13d4\\u13c5\\u13d2\\u13a2\": 9478,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c1\\u13df\\u13f4\\u13d2\\u13d2\\u13a2\": 9479,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d4\\u13d5\\u13a2\": 9480,\n    \"\\u2581\\u13c4\\u13cd\\u13d7\\u13d5\\u13ac\\u13a2\": 9481,\n    \"\\u2581\\u13d3\\u13aa\\u13c4\\u13b4\\u13a2\": 9482,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13a9\\u13cd\\u13ac\\u13a2\": 9483,\n    \"\\u2581\\u13a0\\u13a6\\u13ec\\u13a1\\u13a2\": 9484,\n    \"\\u2581\\u13a4\\u13be\\u13c1\\u13e2\\u13d4\\u13c5\\u13d2\\u13a2\": 9485,\n    \"\\u2581\\u13a7\\u13c4\\u13a6\": 9486,\n    \"\\u2581\\u13f1\\u13e5\\u13e9\\u13d8\\u13cd\\u13aa\\u13a2\": 9487,\n    \"\\u13d3\\u13e8\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b5\": 9488,\n    \"\\u2581\\u13e7\\u13c2\\u13b6\\u13d2\": 9489,\n    \"\\u13cd\\u13d3\\u13e9\\u13d5\\u13aa\\u13a2\": 9490,\n    \"\\u2581\\u13a7\\u13c1\\u13c9\\u13e5\\u13ce\": 9491,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13d8\\u13c3\\u13ae\\u13b4\\u13a2\": 9492,\n    \"\\u2581\\u13c4\\u13ea\\u13b5\\u13cd\": 9493,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13a0\": 9494,\n    \"\\u2581\\u13ac\\u13c3\\u13d3\": 9495,\n    \"\\u2581\\u13a4\\u13ac\\u13a5\\u13cd\\u13ac\": 9496,\n    \"\\u13d3\\u13b5\\u13c5\\u13df\": 9497,\n    \"\\u13d5\\u13c1\\u13b5\": 9498,\n    \"\\u2581\\u13a8\\u13e3\\u13d3\\u13d1\\u13f4\": 9499,\n    \"\\u2581\\u13d5\\u13ad\\u13d5\\u13f2\\u13b2\\u13cd\\u13ac\\u13a2\": 9500,\n    \"\\u2581\\u13d3\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13a8\\u13a2\": 9501,\n    \"\\u2581\\u13d7\\u13e3\\u13cf\\u13b3\\u13db\\u13d7\": 9502,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13a2\\u13cd\\u13d7\": 9503,\n    \"\\u2581\\u13e7\\u13a6\\u13d9\\u13cd\\u13d9\\u13d7\": 9504,\n    \"\\u2581\\u13f1\\u13da\\u13be\\u13d3\": 9505,\n    \"\\u2581\\u13eb\\u13a4\\u13c2\\u13b6\\u13ce\\u13a2\": 9506,\n    \"\\u13cb\\u13d5\\u13e8\": 9507,\n    \"\\u2581\\u13ac\\u13e9\\u13a8\\u13f3\\u13af\": 9508,\n    \"\\u2581\\u13d7\\u13e3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d9\\u13d7\\u13f1\": 9509,\n    \"\\u2581\\u13d5\\u13af\\u13ec\\u13c1\\u13d7\\u13cd\\u13ac\": 9510,\n    \"\\u2581\\u13da\\u13c4\\u13ec\\u13a1\\u13a2\": 9511,\n    \"\\u2581\\u13dd\\u13ec\\u13da\": 9512,\n    \"\\u2581\\u13af\\u13b6\\u13c1\\u13a5\\u13ad\": 9513,\n    \"\\u2581\\u13a4\\u13b8\\u13c1\": 9514,\n    \"\\u13d6\\u13cd\\u13ac\\u13a2\": 9515,\n    \"\\u2581\\u13eb\\u13c2\\u13ac\\u13a6\": 9516,\n    \"\\u2581\\u13e9\\u13e5\\u13b3\\u13a8\": 9517,\n    \"\\u2581\\u13c4\\u13df\\u13c2\\u13ac\\u13ac\": 9518,\n    \"\\u2581\\u13a4\\u13cc\\u13a8\": 9519,\n    \"\\u2581\\u13ed\\u13c5\\u13aa\\u13e4\": 9520,\n    \"\\u2581\\u13a0\\u13a9\\u13c3\\u13ae\\u13cd\\u13ac\\u13a2\": 9521,\n    \"\\u2581\\u13a4\\u13f4\\u13e8\": 9522,\n    \"\\u2581\\u13a4\\u13da\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\": 9523,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c5\\u13cd\\u13d7\": 9524,\n    \"\\u2581\\u13da\\u13c2\\u13b5\\u13ec\\u13e4\\u13a2\": 9525,\n    \"\\u2581\\u13e7\\u13c2\\u13e3\\u13d4\": 9526,\n    \"\\u13cd\\u13d4\\u13e9\\u13d5\": 9527,\n    \"\\u2581\\u13da\\u13c2\\u13f4\\u13b2\": 9528,\n    \"\\u2581\\u13da\\u13c5\\u13e9\\u13c1\\u13a2\": 9529,\n    \"\\u2581\\u13c5\\u13db\\u13be\\u13b5\\u13cd\\u13d4\\u13c2\": 9530,\n    \"\\u2581\\u13c5\\u13d3\\u13a6\\u13db\\u13c1\\u13b5\": 9531,\n    \"\\u2581\\u13e8\\u13d7\\u13a6\\u13da\\u13ad\": 9532,\n    \"\\u2581\\u13ed\\u13d9\\u13af\\u13f3\\u13b2\": 9533,\n    \"\\u2581\\u13a4\\u13be\\u13c1\\u13b3\\u13d7\\u13cd\\u13d7\\u13f1\": 9534,\n    \"\\u2581\\u13cd\\u13a9\\u13cd\\u13d5\\u13b3\": 9535,\n    \"\\u2581\\u13d3\\u13aa\\u13ea\\u13b3\\u13c2\": 9536,\n    \"\\u2581\\u13a0\\u13bb\\u13b3\\u13bb\": 9537,\n    \"\\u2581\\u13a6\\u13b3\\u13a8\\u13f0\": 9538,\n    \"\\u2581\\u13a4\\u13c2\\u13db\\u13d7\\u13cd\\u13a9\": 9539,\n    \"\\u2581\\u13d3\\u13c2\\u13a7\\u13bf\\u13e9\\u13d7\": 9540,\n    \"\\u2581\\u13a4\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 9541,\n    \"\\u2581\\u13c3\\u13a6\\u13db\\u13c1\\u13b8\": 9542,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13c1\\u13d7\": 9543,\n    \"\\u2581\\u13ad\\u13b5\\u13d8\": 9544,\n    \"\\u2581\\u13a0\\u13d3\\u13cf\\u13ce\": 9545,\n    \"\\u2581\\u13a4\\u13e9\\u13d3\\u13b4\": 9546,\n    \"\\u2581\\u13a2\\u13a6\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\": 9547,\n    \"\\u13a7\\u13b2\\u13cd\\u13a9\": 9548,\n    \"\\u2581\\u13d3\\u13f0\\u13e5\\u13c1\\u13b5\": 9549,\n    \"\\u2581\\u13d7\\u13e9\\u13be\\u13a8\": 9550,\n    \"\\u2581\\u13e3\\u13eb\\u13ce\\u13a2\": 9551,\n    \"\\u13aa\\u13ea\\u13b8\\u13be\": 9552,\n    \"\\u2581\\u13a6\\u13b7\\u13a8\\u13cd\\u13d7\": 9553,\n    \"\\u2581\\u13cd\\u13a9\\u13c1\\u13e5\": 9554,\n    \"\\u2581\\u13a4\\u13f0\\u13be\\u13a5\": 9555,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13c5\\u13d6\\u13d9\\u13d7\": 9556,\n    \"\\u2581\\u13a4\\u13d3\\u13d9\\u13b5\\u13e3\\u13d8\": 9557,\n    \"\\u2581\\u13a0\\u13ac\\u13d4\\u13c5\\u13db\": 9558,\n    \"\\u2581\\u13f1\\u13a6\\u13d7\\u13ad\": 9559,\n    \"\\u2581\\u13e7\\u13c2\\u13b7\\u13e4\\u13b8\": 9560,\n    \"\\u2581\\u13a2\\u13b3\\u13cd\\u13d3\": 9561,\n    \"\\u2581\\u13da\\u13c5\\u13f4\": 9562,\n    \"\\u2581\\u13f1\\u13e5\\u13c1\\u13a6\": 9563,\n    \"\\u2581\\u13a4\\u13f4\\u13b4\\u13a2\": 9564,\n    \"\\u2581\\u13f3\\u13b5\\u13ec\\u13e8\": 9565,\n    \"\\u2581\\u13a4\\u13be\\u13b3\\u13cd\\u13d3\\u13a1\\u13d7\": 9566,\n    \"\\u2581\\u13f1\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 9567,\n    \"\\u2581\\u13a0\\u13d3\\u13cd\\u13d5\\u13b5\\u13cd\\u13a9\": 9568,\n    \"\\u2581\\u13f1\\u13c2\\u13d9\": 9569,\n    \"\\u2581\\u13d3\\u13d5\\u13f2\": 9570,\n    \"\\u2581\\u13a8\\u13e5\\u13c3\\u13ae\\u13cd\\u13ac\\u13a2\": 9571,\n    \"\\u2581\\u13a2\\u13f3\\u13c5\\u13c1\\u13af\": 9572,\n    \"\\u2581\\u13a2\\u13f3\\u13cf\\u13d7\": 9573,\n    \"\\u2581\\u13a4\\u13a6\\u13d4\\u13d4\\u13c1\\u13a2\": 9574,\n    \"\\u2581\\u13a6\\u13b5\\u13e6\\u13e9\\u13db\": 9575,\n    \"\\u2581\\u13f1\\u13be\\u13f0\\u13cd\\u13a8\\u13cd\\u13d7\": 9576,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13f0\\u13af\": 9577,\n    \"\\u2581\\u13c5\\u13a9\\u13d7\\u13c2\\u13c5\\u13cc\\u13d7\": 9578,\n    \"\\u2581\\u13a3\\u13a6\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\\u13f1\": 9579,\n    \"\\u2581\\u13a0\\u13c2\\u13aa\\u13e9\\u13d7\\u13cd\\u13ac\": 9580,\n    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9616,\n    \"\\u2581\\u13a0\\u13e3\\u13b3\\u13a9\": 9617,\n    \"\\u2581\\u13a2\\u13b6\\u13c2\": 9618,\n    \"\\u2581\\u13da\\u13c2\\u13c2\\u13f4\\u13b2\": 9619,\n    \"\\u2581\\u13a8\\u13e5\\u13d9\\u13b5\\u13cd\\u13d7\": 9620,\n    \"\\u2581\\u13ac\\u13e9\\u13d5\\u13b0\\u13af\\u13cd\": 9621,\n    \"\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 9622,\n    \"\\u2581\\u13d9\\u13d3\\u13e8\": 9623,\n    \"\\u2581\\u13d9\\u13db\\u13c1\\u13b5\": 9624,\n    \"\\u2581\\u13a0\\u13ef\\u13db\\u13a5\": 9625,\n    \"\\u2581\\u13a3\\u13a9\\u13aa\\u13b2\\u13af\": 9626,\n    \"\\u2581\\u13a1\\u13b5\\u13bb\": 9627,\n    \"\\u13f4\\u13b3\\u13cf\": 9628,\n    \"\\u2581\\u13e5\\u13da\\u13be\\u13da\": 9629,\n    \"\\u13db\\u13a6\\u13c5\\u13a2\": 9630,\n    \"\\u2581\\u13a0\\u13d2\\u13db\\u13d3\": 9631,\n    \"\\u2581\\u13d3\\u13d0\\u13f4\\u13a2\": 9632,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13a6\": 9633,\n    \"\\u2581\\u13a0\\u13c3\\u13ce\\u13ae\": 9634,\n    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\"\\u2581\\u13a4\\u13e3\\u13a2\\u13d2\": 9653,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13ae\\u13b5\\u13cd\\u13d7\\u13f1\": 9654,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13ae\\u13b5\\u13e8\\u13a9\": 9655,\n    \"\\u2581\\u13a8\\u13aa\\u13e3\\u13b4\\u13db\": 9656,\n    \"\\u2581\\u13e3\\u13c2\\u13c3\\u13ae\\u13ad\": 9657,\n    \"\\u13c5\\u13a5\\u13cf\": 9658,\n    \"\\u2581\\u13eb\\u13a6\\u13b6\\u13cd\\u13ac\": 9659,\n    \"\\u2581\\u13da\\u13aa\\u13d3\\u13c1\\u13af\": 9660,\n    \"\\u2581\\u13a0\\u13db\\u13c3\": 9661,\n    \"\\u13d0\\u13f2\": 9662,\n    \"\\u2581\\u13d6\\u13d2\\u13ad\": 9663,\n    \"\\u2581\\u13a4\\u13b5\\u13e6\\u13d4\\u13c1\\u13a2\": 9664,\n    \"\\u2581\\u13f1\\u13e3\\u13da\\u13b5\\u13ad\": 9665,\n    \"\\u13a6\\u13d3\\u13b4\\u13c5\\u13af\": 9666,\n    \"\\u2581\\u13f3\\u13f0\\u13b8\\u13c5\": 9667,\n    \"\\u2581\\u13a4\\u13e9\\u13c2\\u13b4\\u13a2\": 9668,\n    \"\\u2581\\u13da\\u13d9\\u13a1\\u13cd\\u13d7\": 9669,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13e1\\u13ac\": 9670,\n    \"\\u2581\\u13da\\u13ef\\u13c5\\u13ae\\u13a2\": 9671,\n    \"\\u2581\\u13f1\\u13a8\\u13e9\": 9672,\n    \"\\u2581\\u13a0\\u13f2\\u13cd\\u13a9\": 9673,\n    \"\\u2581\\u13d3\\u13c3\\u13ce\\u13b0\": 9674,\n    \"\\u2581\\u13eb\\u13e5\\u13b6\\u13a2\": 9675,\n    \"\\u2581\\u13f3\\u13c7\\u13d7\": 9676,\n    \"\\u13b6\\u13a9\\u13af\": 9677,\n    \"\\u2581\\u13a4\\u13b8\\u13d3\\u13b8\\u13a5\\u13cd\\u13a9\": 9678,\n    \"\\u2581\\u13cd\\u13a9\\u13c1\\u13ae\\u13cd\\u13d7\": 9679,\n    \"\\u2581\\u13d7\\u13a7\\u13c3\\u13a9\\u13d3\": 9680,\n    \"\\u2581\\u13c4\\u13be\\u13b5\\u13cd\\u13d4\\u13c1\\u13b2\": 9681,\n    \"\\u2581\\u13a4\\u13be\\u13e4\\u13b8\\u13af\": 9682,\n    \"\\u2581\\u13d5\\u13a8\\u13e5\\u13c2\": 9683,\n    \"\\u2581\\u13a0\\u13c2\\u13d4\\u13f2\\u13af\\u13ae\\u13cd\\u13d7\": 9684,\n    \"\\u2581\\u13e3\\u13c1\\u13e4\\u13d7\\u13f1\": 9685,\n    \"\\u2581\\u13a4\\u13d2\\u13a6\\u13b8\\u13a9\": 9686,\n    \"\\u2581\\u13a4\\u13b8\\u13d6\\u13b4\": 9687,\n    \"\\u2581\\u13d1\\u13e5\\u13b6\": 9688,\n    \"\\u13f0\\u13d7\\u13ad\": 9689,\n    \"\\u2581\\u13a6\\u13a7\\u13ae\": 9690,\n    \"\\u2581\\u13e6\\u13a9\\u13be\\u13eb\\u13f1\": 9691,\n    \"\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d9\\u13d7\\u13f1\": 9692,\n    \"\\u2581\\u13d3\\u13a9\\u13a7\\u13ad\": 9693,\n    \"\\u13ef\\u13db\\u13a9\\u13ad\": 9694,\n    \"\\u13c2\\u13dc\": 9695,\n    \"\\u2581\\u13a4\\u13cd\\u13da\\u13c5\": 9696,\n    \"\\u13c5\\u13d3\\u13a8\\u13e8\\u13c1\\u13b5\": 9697,\n    \"\\u13a7\\u13d4\\u13c1\": 9698,\n    \"\\u13b5\\u13cd\\u13d3\\u13c1\\u13b5\\u13d2\": 9699,\n    \"\\u2581\\u13e3\\u13db\\u13c1\\u13b8\": 9700,\n    \"\\u13db\\u13c2\\u13b8\\u13c9\\u13d4\\u13c2\": 9701,\n    \"\\u2581\\u13ac\\u13c1\\u13e4\\u13b8\\u13a2\": 9702,\n    \"\\u2581\\u13aa\\u13b6\": 9703,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13c5\\u13a9\": 9704,\n    \"\\u2581\\u13a0\\u13ef\\u13e8\\u13d7\": 9705,\n    \"\\u2581\\u13d7\\u13aa\\u13cd\\u13d3\\u13ef\": 9706,\n    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\"\\u2581\\u13a0\\u13e5\\u13cd\\u13d9\\u13d7\": 9825,\n    \"\\u2581\\u13a4\\u13e9\\u13db\\u13db\": 9826,\n    \"\\u2581\\u13a0\\u13d3\\u13b4\\u13c2\\u13cd\\u13a9\": 9827,\n    \"\\u2581\\u13e5\\u13c4\\u13cd\\u13d9\": 9828,\n    \"\\u13f0\\u13a9\": 9829,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13aa\\u13af\": 9830,\n    \"\\u2581\\u13c7\\u13d3\\u13c1\\u13b3\\u13bb\\u13f1\": 9831,\n    \"\\u2581\\u13e7\\u13c2\\u13a7\\u13bf\\u13e9\\u13db\\u13cd\\u13d7\\u13f1\": 9832,\n    \"\\u2581\\u13a3\\u13e5\\u13ec\\u13c2\": 9833,\n    \"\\u2581\\u13a2\\u13e3\\u13a2\\u13d2\\u13a2\": 9834,\n    \"\\u2581\\u13a6\\u13e5\\u13aa\\u13a5\": 9835,\n    \"\\u2581\\u13a4\\u13f2\\u13b0\\u13d2\": 9836,\n    \"\\u2581\\u13a0\\u13d3\\u13a8\\u13d7\\u13f1\": 9837,\n    \"\\u13d9\\u13af\\u13f3\\u13b2\\u13a6\": 9838,\n    \"\\u2581\\u13c2\\u13e3\\u13b5\\u13cd\\u13d4\\u13c5\\u13a9\": 9839,\n    \"\\u2581\\u13da\\u13c2\\u13b3\\u13eb\\u13e8\\u13a9\": 9840,\n    \"\\u2581\\u13a4\\u13c1\\u13b5\\u13d2\\u13a9\": 9841,\n    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10002,\n    \"\\u2581\\u13a4\\u13ea\\u13b7\\u13a9\": 10003,\n    \"\\u2581\\u13a0\\u13cd\\u13a7\": 10004,\n    \"\\u2581\\u13e7\\u13c2\\u13c1\\u13d7\\u13f1\": 10005,\n    \"\\u2581\\u13e4\\u13aa\\u13a2\": 10006,\n    \"\\u2581\\u13a6\\u13b6\\u13d0\\u13b2\\u13cd\": 10007,\n    \"\\u13c2\\u13d9\\u13b8\\u13af\": 10008,\n    \"\\u2581\\u13d7\\u13c1\\u13b6\\u13d7\": 10009,\n    \"\\u2581\\u13a4\\u13c5\\u13d5\\u13e8\": 10010,\n    \"\\u2581\\u13a0\\u13c2\\u13b1\": 10011,\n    \"\\u2581\\u13d7\\u13aa\\u13d2\": 10012,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13b5\": 10013,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13a9\": 10014,\n    \"\\u2581\\u13e3\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\\u13f1\": 10015,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13b3\": 10016,\n    \"\\u13a6\\u13b7\\u13a9\": 10017,\n    \"\\u2581\\u13a0\\u13bf\\u13a5\\u13a2\": 10018,\n    \"\\u2581\\u13e7\\u13aa\\u13c4\\u13b6\": 10019,\n    \"\\u13a7\\u13d2\\u13a2\": 10020,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13cd\\u13d4\\u13c1\": 10021,\n    \"\\u2581\\u13eb\\u13ac\\u13cd\\u13d7\": 10022,\n    \"\\u2581\\u13f1\\u13aa\\u13af\\u13f3\\u13b2\": 10023,\n    \"\\u2581\\u13da\\u13c6\\u13b5\": 10024,\n    \"\\u2581\\u13d5\\u13aa\\u13e2\\u13d2\\u13a9\": 10025,\n    \"\\u2581\\u13a4\\u13be\\u13cf\\u13c5\": 10026,\n    \"\\u2581\\u13a4\\u13a6\\u13be\\u13ec\\u13cd\\u13ac\": 10027,\n    \"\\u2581\\u13be\\u13ac\\u13c1\\u13b8\\u13ad\": 10028,\n    \"\\u2581\\u13a4\\u13c2\\u13c3\\u13b4\": 10029,\n    \"\\u2581\\u13e5\\u13c2\\u13a6\\u13b5\\u13cd\\u13d7\\u13cd\\u13aa\": 10030,\n    \"\\u2581\\u13d7\\u13c4\\u13aa\\u13d7\\u13cd\\u13a9\\u13f1\": 10031,\n    \"\\u13f0\\u13b5\\u13ce\\u13d7\": 10032,\n    \"\\u2581\\u13da\\u13c5\\u13d2\\u13a9\": 10033,\n    \"\\u2581\\u13da\\u13f2\\u13cd\\u13d4\\u13c5\": 10034,\n    \"\\u2581\\u13c4\\u13be\\u13b5\\u13cd\\u13d3\\u13c1\\u13b2\": 10035,\n    \"\\u13d7\\u13d4\\u13b2\\u13ad\": 10036,\n    \"\\u2581\\u13a4\\u13f2\\u13b1\\u13af\\u13ce\\u13b8\\u13af\": 10037,\n    \"\\u2581\\u13a3\\u13e3\\u13d3\": 10038,\n    \"\\u2581\\u13ae\\u13b2\\u13a2\": 10039,\n    \"\\u2581\\u13a2\\u13e5\\u13a9\\u13ac\": 10040,\n    \"\\u2581\\u13ac\\u13e9\\u13af\\u13cd\\u13d7\\u13f1\": 10041,\n    \"\\u13e2\\u13d4\\u13ae\": 10042,\n    \"\\u13e5\\u13c5\\u13a6\\u13b8\\u13a1\": 10043,\n    \"\\u13de\\u13d2\": 10044,\n    \"\\u2581\\u13c2\\u13d3\\u13c5\\u13c1\\u13b2\": 10045,\n    \"\\u13e3\\u13d8\\u13c3\\u13af\\u13ae\\u13cd\\u13d7\": 10046,\n    \"\\u13c7\\u13d3\\u13cd\\u13d7\": 10047,\n    \"\\u13a4\\u13c2\\u13c3\\u13d5\\u13c5\": 10048,\n    \"\\u2581\\u13d7\\u13a6\\u13d0\\u13af\": 10049,\n    \"\\u2581\\u13a0\\u13d2\\u13a8\\u13cd\\u13d7\": 10050,\n    \"\\u2581\\u13a1\\u13e3\\u13db\\u13a6\\u13c1\\u13b8\": 10051,\n    \"\\u2581\\u13af\\u13f4\\u13ad\": 10052,\n    \"\\u13d1\\u13e2\\u13db\": 10053,\n    \"\\u2581\\u13f1\\u13c5\\u13e9\\u13cd\\u13d7\\u13d7\": 10054,\n    \"\\u13d5\\u13ac\\u13f2\\u13af\\u13cf\": 10055,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d9\\u13a9\\u13af\": 10056,\n    \"\\u13e2\\u13d4\\u13b2\": 10057,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13ac\\u13a2\": 10058,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13d6\\u13b8\\u13c5\": 10059,\n    \"\\u2581\\u13eb\\u13a6\\u13be\\u13c4\\u13aa\\u13a2\": 10060,\n    \"\\u2581\\u13d7\\u13cc\\u13c2\": 10061,\n    \"\\u2581\\u13d5\\u13af\\u13c1\": 10062,\n    \"\\u2581\\u13a4\\u13c5\\u13ce\\u13cd\\u13d7\": 10063,\n    \"\\u2581\\u13cd\\u13c6\\u13db\\u13a6\\u13c1\": 10064,\n    \"\\u2581\\u13a4\\u13b7\\u13e4\\u13b8\\u13af\": 10065,\n    \"\\u2581\\u13a2\\u13f2\\u13a9\": 10066,\n    \"\\u2581\\u13da\\u13c2\\u13e2\\u13ac\\u13a2\": 10067,\n    \"\\u2581\\u13d5\\u13e3\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\\u13a2\": 10068,\n    \"\\u2581\\u13a0\\u13c4\\u13af\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 10069,\n    \"\\u2581\\u13da\\u13cd\\u13ab\\u13d3\\u13db\\u13a2\": 10070,\n    \"\\u2581\\u13d3\\u13c5\\u13d7\\u13cd\\u13ac\\u13a2\": 10071,\n    \"\\u2581\\u13da\\u13c4\\u13aa\\u13d4\\u13c5\\u13a2\": 10072,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13f3\\u13c1\\u13a2\": 10073,\n    \"\\u2581\\u13af\\u13b2\\u13a6\": 10074,\n    \"\\u13d2\\u13d7\\u13f1\": 10075,\n    \"\\u2581\\u13e5\\u13d9\\u13d3\\u13a6\": 10076,\n    \"\\u2581\\u13a0\\u13ef\\u13a1\\u13cd\\u13d7\": 10077,\n    \"\\u2581\\u13e7\\u13aa\\u13e9\\u13db\\u13d7\": 10078,\n    \"\\u2581\\u13db\\u13e8\": 10079,\n    \"\\u2581\\u13a4\\u13be\\u13df\\u13b6\\u13a5\": 10080,\n    \"\\u2581\\u13e7\\u13f4\\u13eb\": 10081,\n    \"\\u2581\\u13a2\\u13a6\\u13c5\\u13af\\u13db\": 10082,\n    \"\\u2581\\u13a6\\u13d3\\u13c5\\u13d6\\u13cd\\u13aa\": 10083,\n    \"\\u2581\\u13da\\u13df\\u13b6\\u13cd\\u13d3\\u13c1\\u13b4\\u13c3\": 10084,\n    \"\\u2581\\u13aa\\u13aa\": 10085,\n    \"\\u13e5\\u13ef\\u13c1\\u13b6\\u13d7\": 10086,\n    \"\\u2581\\u13a4\\u13d3\\u13b4\\u13c5\\u13af\": 10087,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13be\\u13c1\\u13d7\\u13f1\": 10088,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13aa\\u13d2\\u13a2\": 10089,\n    \"\\u2581\\u13a0\\u13db\\u13cd\\u13a8\\u13a2\": 10090,\n    \"\\u13b5\\u13c2\\u13c6\\u13c5\\u13c1\": 10091,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13ec\\u13cd\\u13d7\": 10092,\n    \"\\u2581\\u13a4\\u13e2\\u13ac\\u13a2\": 10093,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13c1\\u13d7\\u13f1\": 10094,\n    \"\\u13a8\\u13e0\\u13ae\": 10095,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13c1\\u13b8\": 10096,\n    \"\\u2581\\u13a4\\u13ec\\u13db\": 10097,\n    \"\\u2581\\u13a0\\u13e5\\u13a2\\u13cd\\u13d7\\u13f1\": 10098,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13d7\\u13a9\": 10099,\n    \"\\u13be\\u13cd\\u13c9\": 10100,\n    \"\\u13b3\\u13d7\\u13cd\\u13a8\\u13a2\": 10101,\n    \"\\u2581\\u13f1\\u13a6\\u13b7\\u13a9\": 10102,\n    \"\\u13da\\u13d3\\u13b8\": 10103,\n    \"\\u2581\\u13a0\\u13be\\u13d7\": 10104,\n    \"\\u2581\\u13a4\\u13e5\\u13cd\\u13db\": 10105,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13aa\": 10106,\n    \"\\u2581\\u13a0\\u13c1\\u13d9\\u13ae\\u13cd\\u13d7\": 10107,\n    \"\\u2581\\u13a0\\u13c6\\u13ab\\u13f4\": 10108,\n    \"\\u2581\\u13f3\\u13f2\\u13b0\": 10109,\n    \"\\u13ef\\u13b7\\u13a6\": 10110,\n    \"\\u2581\\u13c1\\u13e8\\u13c1\": 10111,\n    \"\\u13d2\\u13b2\\u13cd\\u13d7\\u13f1\": 10112,\n    \"\\u13c2\\u13e9\\u13db\\u13ae\": 10113,\n    \"\\u2581\\u13d3\\u13d5\\u13f2\\u13b2\\u13cd\\u13a8\\u13a2\": 10114,\n    \"\\u2581\\u13c4\\u13c5\\u13c1\\u13b8\\u13a9\": 10115,\n    \"\\u2581\\u13a4\\u13e9\\u13f4\\u13d2\": 10116,\n    \"\\u2581\\u13d3\\u13f0\\u13cd\": 10117,\n    \"\\u2581\\u13a2\\u13f3\\u13cd\\u13d7\\u13d3\\u13c2\": 10118,\n    \"\\u13cd\\u13d4\\u13c1\\u13d7\": 10119,\n    \"\\u2581\\u13a4\\u13cd\\u13d5\\u13d3\\u13b5\\u13f4\": 10120,\n    \"\\u2581\\u13e5\\u13ef\\u13a0\": 10121,\n    \"\\u13d9\\u13f3\": 10122,\n    \"\\u2581\\u13f1\\u13ac\\u13c5\": 10123,\n    \"\\u2581\\u13a3\\u13a9\\u13a6\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\": 10124,\n    \"\\u2581\\u13ef\\u13c6\\u13da\\u13b5\\u13ad\": 10125,\n    \"\\u2581\\u13a0\\u13ef\\u13d9\\u13b5\": 10126,\n    \"\\u2581\\u13e7\\u13c2\\u13b7\\u13e4\": 10127,\n    \"\\u2581\\u13d7\\u13a6\\u13c5\\u13c6\\u13b6\": 10128,\n    \"\\u2581\\u13e5\\u13b8\\u13c9\\u13d7\": 10129,\n    \"\\u2581\\u13a4\\u13ec\\u13f1\": 10130,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13b7\\u13e4\\u13b4\": 10131,\n    \"\\u13b8\\u13c9\\u13d4\\u13c5\\u13a9\": 10132,\n    \"\\u13d0\\u13c5\\u13e4\\u13b8\\u13a9\": 10133,\n    \"\\u13ad\\u13b5\\u13d9\\u13a9\": 10134,\n    \"\\u13d3\\u13cf\\u13d2\": 10135,\n    \"\\u2581\\u13d7\\u13a7\\u13c3\\u13a9\\u13cd\\u13d7\\u13f1\": 10136,\n    \"\\u2581\\u13a4\\u13ea\\u13b4\": 10137,\n    \"\\u13d3\\u13e8\\u13c1\\u13b5\": 10138,\n    \"\\u2581\\u13d5\\u13a8\\u13e5\\u13c5\\u13e9\": 10139,\n    \"\\u13f2\\u13c5\\u13b5\": 10140,\n    \"\\u2581\\u13ed\\u13ef\\u13c5\\u13b2\\u13a9\": 10141,\n    \"\\u2581\\u13a0\\u13a9\\u13c1\\u13b8\\u13af\": 10142,\n    \"\\u2581\\u13e3\\u13a6\\u13db\": 10143,\n    \"\\u13d3\\u13e1\\u13d7\\u13ad\": 10144,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13db\\u13a2\": 10145,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13c1\\u13a2\": 10146,\n    \"\\u13a6\\u13e5\\u13f2\\u13ce\\u13b8\": 10147,\n    \"\\u2581\\u13a4\\u13cd\\u13a9\\u13d3\\u13d2\\u13a2\": 10148,\n    \"\\u2581\\u13e4\\u13e5\\u13c3\": 10149,\n    \"\\u2581\\u13e4\\u13d9\\u13b0\": 10150,\n    \"\\u2581\\u13a8\\u13e5\\u13b8\": 10151,\n    \"\\u2581\\u13a4\\u13d3\\u13d9\": 10152,\n    \"\\u2581\\u13a2\\u13e4\\u13ae\\u13cd\\u13d7\": 10153,\n    \"\\u2581\\u13a0\\u13be\\u13d5\\u13b2\\u13cd\\u13ac\\u13a2\": 10154,\n    \"\\u2581\\u13a0\\u13a9\\u13c2\\u13ac\\u13ce\\u13b2\": 10155,\n    \"\\u2581\\u13ac\\u13e3\": 10156,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13f3\\u13d2\\u13a2\": 10157,\n    \"\\u2581\\u13a3\\u13af\\u13cd\\u13d7\": 10158,\n    \"\\u2581\\u13da\\u13be\\u13e6\\u13ce\": 10159,\n    \"\\u13d3\\u13c1\\u13b8\\u13ad\": 10160,\n    \"\\u13f4\\u13ce\\u13b8\\u13a9\": 10161,\n    \"\\u2581\\u13e7\\u13ec\\u13e2\\u13c1\": 10162,\n    \"\\u2581\\u13a4\\u13c3\\u13ae\\u13b8\\u13a9\": 10163,\n    \"\\u2581\\u13da\\u13ea\\u13a7\\u13c1\\u13a2\": 10164,\n    \"\\u13c3\\u13ae\\u13b5\": 10165,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13db\\u13d7\\u13cd\\u13ac\\u13a2\": 10166,\n    \"\\u2581\\u13a0\\u13f2\\u13cd\\u13d7\\u13cd\\u13ac\": 10167,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13cf\": 10168,\n    \"\\u2581\\u13d3\\u13e5\\u13c1\": 10169,\n    \"\\u13b5\\u13e5\\u13d9\\u13c1\\u13b2\\u13a2\": 10170,\n    \"\\u2581\\u13e7\\u13e9\\u13d2\": 10171,\n    \"\\u2581\\u13c2\\u13e5\\u13f4\": 10172,\n    \"\\u2581\\u13e4\\u13ae\\u13cd\\u13d7\": 10173,\n    \"\\u2581\\u13d7\\u13a6\\u13b7\\u13eb\\u13cd\\u13d4\\u13c1\": 10174,\n    \"\\u2581\\u13e7\\u13d4\\u13c2\": 10175,\n    \"\\u2581\\u13e3\\u13c2\\u13c5\\u13a9\": 10176,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\\u13cd\\u13ac\": 10177,\n    \"\\u2581\\u13e5\\u13aa\\u13e9\\u13d8\\u13ad\": 10178,\n    \"\\u2581\\u13a0\\u13e5\\u13a6\\u13d8\\u13d7\\u13cd\\u13d7\\u13f1\": 10179,\n    \"\\u13e6\\u13e9\": 10180,\n    \"\\u13a7\\u13bf\\u13e9\\u13db\\u13a1\": 10181,\n    \"\\u13a7\\u13ad\\u13f2\": 10182,\n    \"\\u13bf\\u13ec\\u13cd\\u13d7\": 10183,\n    \"\\u2581\\u13d3\\u13cd\\u13d3\": 10184,\n    \"\\u13a9\\u13e9\\u13db\\u13d7\\u13f1\": 10185,\n    \"\\u2581\\u13e7\\u13cd\\u13a6\": 10186,\n    \"\\u2581\\u13d3\\u13c2\\u13c1\\u13b5\": 10187,\n    \"\\u2581\\u13a6\\u13cc\\u13b4\": 10188,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d5\\u13b8\": 10189,\n    \"\\u2581\\u13e5\\u13da\\u13f2\\u13ce\": 10190,\n    \"\\u13c2\\u13f1\\u13cd\\u13a9\": 10191,\n    \"\\u13b5\\u13cd\\u13d9\\u13d4\\u13c1\": 10192,\n    \"\\u13c2\\u13d5\\u13c5\": 10193,\n    \"\\u13ad\\u13ef\\u13b8\": 10194,\n    \"\\u13a7\\u13c1\\u13cd\\u13d7\": 10195,\n    \"\\u2581\\u13d3\\u13f2\\u13a9\": 10196,\n    \"\\u2581\\u13a1\\u13af\\u13cd\\u13d7\\u13f3\": 10197,\n    \"\\u2581\\u13a0\\u13c2\\u13a9\\u13b5\\u13f2\\u13ac\\u13a2\": 10198,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d9\": 10199,\n    \"\\u2581\\u13e5\\u13c4\\u13db\\u13c1\\u13b4\": 10200,\n    \"\\u2581\\u13f1\\u13af\\u13a6\\u13d4\\u13ae\": 10201,\n    \"\\u13d3\\u13ec\\u13cd\\u13d9\\u13d7\": 10202,\n    \"\\u2581\\u13a5\\u13d8\": 10203,\n    \"\\u2581\\u13a4\\u13aa\\u13b5\\u13f0\\u13d7\": 10204,\n    \"\\u13ab\\u13f4\\u13a1\\u13b8\": 10205,\n    \"\\u2581\\u13a0\\u13a9\\u13e9\\u13db\\u13b2\\u13a9\": 10206,\n    \"\\u2581\\u13b5\\u13d3\": 10207,\n    \"\\u2581\\u13d5\\u13e3\\u13b4\": 10208,\n    \"\\u13a8\\u13ac\\u13c1\\u13b5\": 10209,\n    \"\\u2581\\u13a4\\u13d3\\u13f4\\u13cd\\u13d7\\u13f1\": 10210,\n    \"\\u2581\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\": 10211,\n    \"\\u13d3\\u13e6\\u13cd\\u13ac\": 10212,\n    \"\\u13e3\\u13db\\u13a9\\u13ad\": 10213,\n    \"\\u2581\\u13a4\\u13c2\\u13be\\u13d7\\u13c5\\u13ce\": 10214,\n    \"\\u2581\\u13a0\\u13de\": 10215,\n    \"\\u13a6\\u13ce\\u13cd\\u13d9\": 10216,\n    \"\\u13f2\\u13cd\\u13d7\\u13cd\\u13a9\": 10217,\n    \"\\u13d4\\u13c1\\u13b8\\u13af\": 10218,\n    \"\\u2581\\u13a0\\u13ab\\u13ec\\u13f0\": 10219,\n    \"\\u2581\\u13d0\\u13ad\": 10220,\n    \"\\u2581\\u13da\\u13b7\\u13ac\\u13a2\": 10221,\n    \"\\u2581\\u13c2\\u13ea\\u13cf\": 10222,\n    \"\\u2581\\u13eb\\u13da\\u13b7\\u13e4\\u13b8\": 10223,\n    \"\\u2581\\u13a4\\u13d4\\u13f2\\u13ce\\u13b8\\u13a9\": 10224,\n    \"\\u2581\\u13e5\\u13cd\\u13a9\\u13ef\": 10225,\n    \"\\u13cd\\u13e2\\u13c2\\u13cd\\u13d4\\u13c5\": 10226,\n    \"\\u13a4\\u13cf\": 10227,\n    \"\\u2581\\u13a4\\u13be\\u13e4\\u13b5\\u13aa\": 10228,\n    \"\\u13be\\u13cb\\u13c1\\u13b8\": 10229,\n    \"\\u2581\\u13e7\\u13c2\\u13ac\": 10230,\n    \"\\u2581\\u13a0\\u13d3\\u13ea\\u13b5\\u13a9\\u13cd\\u13ac\\u13a2\": 10231,\n    \"\\u13e5\\u13c2\": 10232,\n    \"\\u2581\\u13a4\\u13c1\\u13b7\\u13ac\\u13a2\": 10233,\n    \"\\u2581\\u13a4\\u13b5\\u13e6\\u13db\\u13a2\": 10234,\n    \"\\u2581\\u13a6\\u13d3\\u13a5\\u13a2\": 10235,\n    \"\\u2581\\u13a1\\u13ad\\u13cf\": 10236,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13ac\": 10237,\n    \"\\u2581\\u13a4\\u13c2\\u13d6\\u13b8\\u13c5\": 10238,\n    \"\\u2581\\u13e3\\u13d3\\u13c5\\u13d8\": 10239,\n    \"\\u2581\\u13a1\\u13d7\\u13a8\\u13f3\\u13a2\": 10240,\n    \"\\u2581\\u13da\\u13c7\": 10241,\n    \"\\u13d3\\u13c2\\u13f1\": 10242,\n    \"\\u2581\\u13f1\\u13d4\": 10243,\n    \"\\u13d7\\u13ac\\u13e9\\u13a7\\u13c3\\u13d7\": 10244,\n    \"\\u2581\\u13ea\\u13d9\\u13b2\": 10245,\n    \"\\u2581\\u13a4\\u13b3\\u13cf\": 10246,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d7\\u13cd\\u13aa\\u13a2\": 10247,\n    \"\\u13e4\\u13b5\\u13af\\u13cd\\u13aa\": 10248,\n    \"\\u2581\\u13be\\u13be\\u13db\\u13c1\\u13ad\": 10249,\n    \"\\u2581\\u13aa\\u13af\\u13f3\\u13d9\\u13d7\": 10250,\n    \"\\u13be\\u13f0\\u13af\\u13cd\\u13db\": 10251,\n    \"\\u2581\\u13a4\\u13f0\\u13af\\u13cd\\u13a9\\u13c2\": 10252,\n    \"\\u2581\\u13da\\u13b8\\u13cc\\u13d3\": 10253,\n    \"\\u2581\\u13d3\\u13c2\\u13e2\": 10254,\n    \"\\u2581\\u13a6\\u13b7\\u13e5\": 10255,\n    \"\\u13a6\\u13b5\\u13cd\\u13d3\\u13db\": 10256,\n    \"\\u2581\\u13d7\\u13a7\\u13b5\\u13a2\": 10257,\n    \"\\u2581\\u13f1\\u13c4\\u13cd\\u13d5\\u13a2\": 10258,\n    \"\\u2581\\u13f1\\u13dd\": 10259,\n    \"\\u2581\\u13a2\\u13e5\\u13c1\\u13d7\\u13f1\": 10260,\n    \"\\u2581\\u13e3\\u13af\\u13cd\\u13d7\\u13f1\": 10261,\n    \"\\u2581\\u13da\\u13d3\\u13d3\\u13b4\\u13d4\\u13c1\": 10262,\n    \"\\u13e4\\u13ef\\u13d9\\u13e4\\u13ae\\u13cd\\u13d7\": 10263,\n    \"\\u2581\\u13f1\\u13e5\\u13a6\\u13d4\\u13ae\\u13a2\": 10264,\n    \"\\u2581\\u13a4\\u13c2\\u13af\\u13cd\\u13d7\": 10265,\n    \"\\u2581\\u13da\\u13d8\\u13c3\\u13b4\": 10266,\n    \"\\u2581\\u13d3\\u13d3\\u13af\": 10267,\n    \"\\u2581\\u13aa\\u13e2\\u13d2\\u13a9\": 10268,\n    \"\\u2581\\u13c2\\u13d9\\u13d4\\u13d8\": 10269,\n    \"\\u2581\\u13c5\\u13e9\\u13d3\": 10270,\n    \"\\u13f1\\u13a9\\u13b5\": 10271,\n    \"\\u13ea\\u13b5\\u13cf\": 10272,\n    \"\\u2581\\u13a4\\u13cd\\u13d7\\u13f0\": 10273,\n    \"\\u13b0\\u13af\\u13cd\\u13d7\": 10274,\n    \"\\u2581\\u13c4\\u13e9\\u13c1\\u13b2\": 10275,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13db\": 10276,\n    \"\\u2581\\u13a3\\u13e8\\u13d7\\u13cd\\u13ac\": 10277,\n    \"\\u2581\\u13a0\\u13d3\\u13b4\\u13c2\\u13cd\": 10278,\n    \"\\u2581\\u13a4\\u13c2\\u13ec\\u13c2\\u13af\\u13cd\\u13d7\\u13f1\": 10279,\n    \"\\u2581\\u13e5\\u13c2\\u13a9\": 10280,\n    \"\\u13a7\\u13c1\\u13ac\": 10281,\n    \"\\u2581\\u13a0\\u13c6\\u13da\\u13b8\\u13b2\": 10282,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13e4\\u13b5\\u13a6\": 10283,\n    \"\\u2581\\u13a6\\u13db\\u13ac\\u13a6\": 10284,\n    \"\\u13c2\\u13cd\\u13d7\\u13ad\": 10285,\n    \"\\u2581\\u13c4\\u13ec\\u13da\\u13d2\": 10286,\n    \"\\u2581\\u13a0\\u13e5\\u13c1\\u13b8\\u13af\": 10287,\n    \"\\u2581\\u13d7\\u13a6\\u13f2\\u13e5\": 10288,\n    \"\\u2581\\u13a8\\u13db\\u13a2\": 10289,\n    \"\\u2581\\u13a0\\u13a9\\u13cc\": 10290,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d4\\u13c1\": 10291,\n    \"\\u2581\\u13cd\\u13c6\\u13b3\": 10292,\n    \"\\u13cd\\u13d3\\u13e9\\u13d7\\u13d9\": 10293,\n    \"\\u2581\\u13d9\\u13d3\\u13c6\\u13cd\\u13ac\\u13a2\": 10294,\n    \"\\u2581\\u13e5\\u13c3\\u13ae\\u13cd\\u13ac\\u13a2\": 10295,\n    \"\\u2581\\u13c2\\u13a6\\u13d4\\u13b2\\u13be\": 10296,\n    \"\\u2581\\u13f1\\u13da\\u13e9\\u13db\\u13ae\": 10297,\n    \"\\u13b3\\u13d1\\u13b3\": 10298,\n    \"\\u2581\\u13a4\\u13c2\\u13c3\\u13c1\\u13b4\": 10299,\n    \"\\u13be\\u13d5\\u13a8\": 10300,\n    \"\\u2581\\u13a8\\u13cc\": 10301,\n    \"\\u13b7\\u13b8\\u13c1\": 10302,\n    \"\\u2581\\u13c3\\u13e5\\u13a5\": 10303,\n    \"\\u13c1\\u13b3\\u13d5\\u13a2\": 10304,\n    \"\\u13cd\\u13d4\\u13f2\\u13cd\\u13d9\\u13d7\": 10305,\n    \"\\u13c2\\u13d3\\u13c5\\u13c1\\u13b0\": 10306,\n    \"\\u13cc\\u13d9\\u13ef\": 10307,\n    \"\\u13b5\\u13c9\\u13a9\": 10308,\n    \"\\u2581\\u13c2\\u13da\\u13e9\\u13c1\": 10309,\n    \"\\u2581\\u13c2\\u13cd\\u13db\": 10310,\n    \"\\u2581\\u13d7\\u13ac\\u13c5\": 10311,\n    \"\\u2581\\u13da\\u13c2\\u13f0\\u13b5\\u13d2\": 10312,\n    \"\\u13db\\u13b2\\u13c3\": 10313,\n    \"\\u13ef\\u13a6\\u13ce\\u13cd\\u13d7\": 10314,\n    \"\\u2581\\u13c5\\u13c2\": 10315,\n    \"\\u2581\\u13d9\\u13a6\\u13e0\\u13af\\u13cd\": 10316,\n    \"\\u13df\\u13c3\\u13ae\\u13d4\\u13c1\": 10317,\n    \"\\u2581\\u13cd\\u13a9\\u13ef\\u13d5\\u13b6\\u13c6\\u13a1\": 10318,\n    \"\\u2581\\u13a0\\u13a9\\u13c1\\u13e8\\u13a9\": 10319,\n    \"\\u2581\\u13a0\\u13e5\\u13aa\\u13b5\\u13f0\\u13a5\": 10320,\n    \"\\u13ef\\u13aa\": 10321,\n    \"\\u13ab\\u13f4\\u13b2\\u13be\": 10322,\n    \"\\u2581\\u13d5\\u13ad\\u13d8\\u13c1\": 10323,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13c3\\u13ae\\u13d7\": 10324,\n    \"\\u2581\\u13a4\\u13b6\\u13af\\u13cd\\u13d7\\u13f1\": 10325,\n    \"\\u2581\\u13c2\\u13ac\\u13c1\\u13b0\": 10326,\n    \"\\u13ac\\u13ce\": 10327,\n    \"\\u2581\\u13f1\\u13be\\u13be\\u13db\\u13c1\\u13b0\": 10328,\n    \"\\u2581\\u13c2\\u13e3\\u13db\\u13c1\\u13b0\": 10329,\n    \"\\u2581\\u13a4\\u13be\\u13c2\\u13a9\\u13cd\\u13d7\": 10330,\n    \"\\u2581\\u13ac\\u13e9\\u13be\\u13d3\\u13c5\\u13a1\": 10331,\n    \"\\u2581\\u13af\\u13a6\\u13d8\": 10332,\n    \"\\u2581\\u13c2\\u13e3\\u13ea\\u13ce\\u13b8\": 10333,\n    \"\\u2581\\u13a4\\u13c3\\u13ad\": 10334,\n    \"\\u13cd\\u13db\\u13d7\\u13cd\\u13d7\": 10335,\n    \"\\u2581\\u13d7\\u13a6\\u13c5\\u13ec\\u13a2\": 10336,\n    \"\\u2581\\u13eb\\u13ac\\u13ea\\u13a7\\u13c1\": 10337,\n    \"\\u2581\\u13af\\u13a9\\u13cd\\u13aa\": 10338,\n    \"\\u13aa\\u13db\\u13a2\": 10339,\n    \"\\u13c5\\u13cd\\u13ac\\u13be\": 10340,\n    \"\\u2581\\u13c2\\u13a6\\u13db\\u13c1\\u13b0\\u13a2\": 10341,\n    \"\\u13a3\\u13b8\": 10342,\n    \"\\u2581\\u13a6\\u13b4\\u13c2\\u13d9\\u13b2\": 10343,\n    \"\\u2581\\u13c1\\u13b5\\u13cd\\u13ac\\u13be\": 10344,\n    \"\\u2581\\u13a4\\u13e9\\u13cc\\u13c6\": 10345,\n    \"\\u2581\\u13a4\\u13c1\\u13c9\\u13a1\": 10346,\n    \"\\u2581\\u13a4\\u13c5\\u13c1\\u13a2\": 10347,\n    \"\\u13e5\\u13cd\\u13e2\": 10348,\n    \"\\u2581\\u13a4\\u13a7\\u13ad\": 10349,\n    \"\\u2581\\u13a4\\u13e9\\u13db\\u13b2\\u13a9\": 10350,\n    \"\\u2581\\u13d3\\u13f3\\u13ea\": 10351,\n    \"\\u2581\\u13f1\\u13da\\u13e9\\u13db\\u13b2\": 10352,\n    \"\\u2581\\u13e7\\u13ac\\u13e9\\u13b4\": 10353,\n    \"\\u13d3\\u13c7\": 10354,\n    \"\\u2581\\u13a4\\u13be\\u13cc\": 10355,\n    \"\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\\u13aa\\u13a2\": 10356,\n    \"\\u2581\\u13e4\\u13b2\\u13a2\": 10357,\n    \"\\u13ef\\u13db\\u13a6\\u13c1\\u13b5\": 10358,\n    \"\\u13ac\\u13c7\\u13af\\u13cd\\u13d7\\u13ad\": 10359,\n    \"\\u2581\\u13a4\\u13e5\\u13ef\": 10360,\n    \"\\u13da\\u13d3\\u13f4\\u13b3\\u13db\": 10361,\n    \"\\u13ea\\u13cc\\u13c6\\u13b4\": 10362,\n    \"\\u2581\\u13ef\\u13c3\\u13b5\": 10363,\n    \"\\u2581\\u13e7\\u13c1\\u13af\": 10364,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\\u13c2\\u13f4\": 10365,\n    \"\\u13f2\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 10366,\n    \"\\u2581\\u13e7\\u13c2\\u13f4\": 10367,\n    \"\\u2581\\u13c2\\u13e8\\u13ea\\u13ce\\u13b8\": 10368,\n    \"\\u2581\\u13a6\\u13c1\\u13b5\\u13d2\": 10369,\n    \"\\u13d5\\u13f2\\u13b2\": 10370,\n    \"\\u2581\\u13ef\\u13a9\\u13cd\\u13c6\\u13b8\\u13a1\": 10371,\n    \"\\u2581\\u13e7\\u13be\\u13d9\\u13c5\": 10372,\n    \"\\u2581\\u13a4\\u13c2\\u13c4\\u13b8\\u13c5\": 10373,\n    \"\\u2581\\u13a4\\u13b5\\u13e6\\u13af\": 10374,\n    \"\\u2581\\u13c1\\u13e9\\u13d4\\u13b5\\u13c3\": 10375,\n    \"\\u13db\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 10376,\n    \"\\u2581\\u13a4\\u13da\\u13a2\\u13cd\\u13d4\\u13c5\\u13a2\": 10377,\n    \"\\u2581\\u13da\\u13be\\u13d8\\u13c3\\u13b8\": 10378,\n    \"\\u13c1\\u13df\\u13f4\\u13cd\\u13d4\\u13c1\": 10379,\n    \"\\u2581\\u13a0\\u13a6\\u13ef\": 10380,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13ae\\u13b5\\u13e4\\u13a2\": 10381,\n    \"\\u13a5\\u13cd\\u13a6\": 10382,\n    \"\\u13a0\\u13f4\": 10383,\n    \"\\u2581\\u13a4\\u13e9\\u13d3\": 10384,\n    \"\\u2581\\u13a2\\u13e5\\u13a6\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\": 10385,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13c1\": 10386,\n    \"\\u2581\\u13a4\\u13b5\\u13d8\\u13ce\": 10387,\n    \"\\u13f0\\u13cd\\u13d4\\u13c1\\u13a2\": 10388,\n    \"\\u13b5\\u13d4\\u13d5\": 10389,\n    \"\\u2581\\u13d5\\u13a4\\u13b4\\u13d4\\u13c5\\u13a2\": 10390,\n    \"\\u13e4\\u13cd\\u13d9\\u13a9\\u13af\": 10391,\n    \"\\u13a6\\u13d9\\u13cd\\u13d9\\u13d7\": 10392,\n    \"\\u2581\\u13f1\\u13d5\\u13cd\\u13d7\": 10393,\n    \"\\u2581\\u13c4\\u13c2\\u13ea\\u13d2\\u13a2\": 10394,\n    \"\\u13d3\\u13c1\\u13b0\\u13a2\": 10395,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d7\\u13cd\\u13a8\\u13a2\": 10396,\n    \"\\u2581\\u13a3\\u13a9\\u13f0\\u13b8\": 10397,\n    \"\\u2581\\u13cd\\u13a9\\u13c5\\u13a6\\u13b8\": 10398,\n    \"\\u2581\\u13c2\\u13a6\\u13db\\u13c5\\u13a2\": 10399,\n    \"\\u13cd\\u13da\\u13b6\\u13d9\\u13d7\": 10400,\n    \"\\u2581\\u13d8\\u13a6\\u13b5\\u13cd\\u13d9\": 10401,\n    \"\\u2581\\u13d9\\u13a6\\u13d8\\u13c1\": 10402,\n    \"\\u2581\\u13eb\\u13d3\\u13d7\": 10403,\n    \"\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d4\\u13c5\\u13af\": 10404,\n    \"\\u2581\\u13f1\\u13cd\\u13a9\\u13ef\": 10405,\n    \"\\u2581\\u13a4\\u13b7\\u13e4\\u13d7\": 10406,\n    \"\\u2581\\u13a4\\u13d5\\u13d2\\u13c5\": 10407,\n    \"\\u13d3\\u13c5\\u13d4\\u13e9\\u13d5\\u13ac\": 10408,\n    \"\\u2581\\u13aa\\u13f1\": 10409,\n    \"\\u2581\\u13d3\\u13c4\": 10410,\n    \"\\u13e8\\u13c1\\u13b0\": 10411,\n    \"\\u2581\\u13f1\\u13c5\\u13a8\\u13e3\": 10412,\n    \"\\u2581\\u13a4\\u13cd\\u13d5\\u13b8\\u13d7\": 10413,\n    \"\\u13e6\\u13af\\u13f3\\u13b2\\u13a6\": 10414,\n    \"\\u2581\\u13a4\\u13b6\\u13d2\\u13a2\": 10415,\n    \"\\u13da\\u13f3\\u13af\\u13db\": 10416,\n    \"\\u2581\\u13a4\\u13f0\\u13e5\": 10417,\n    \"\\u13b4\\u13ce\\u13a2\": 10418,\n    \"\\u2581\\u13a0\\u13a7\": 10419,\n    \"\\u13d3\\u13f4\\u13cd\\u13d7\": 10420,\n    \"\\u2581\\u13b3\\u13cf\": 10421,\n    \"\\u2581\\u13c2\\u13a6\\u13e5\\u13f4\\u13c1\\u13b8\": 10422,\n    \"\\u2581\\u13a8\\u13e5\\u13cd\\u13d7\": 10423,\n    \"\\u2581\\u13a2\\u13a6\\u13db\\u13c1\\u13d7\": 10424,\n    \"\\u2581\\u13d3\\u13d8\\u13c1\": 10425,\n    \"\\u2581\\u13f4\\u13ac\\u13e9\": 10426,\n    \"\\u2581\\u13a4\\u13bf\\u13b8\\u13e4\": 10427,\n    \"\\u2581\\u13a0\\u13c9\\u13af\\u13f3\\u13c5\": 10428,\n    \"\\u13cc\\u13d5\\u13a2\": 10429,\n    \"\\u2581\\u13a4\\u13be\\u13d7\\u13d4\\u13b2\": 10430,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c5\\u13d6\\u13d4\\u13c1\": 10431,\n    \"\\u2581\\u13a6\\u13b8\\u13a5\": 10432,\n    \"\\u2581\\u13a6\\u13b3\\u13a9\": 10433,\n    \"\\u2581\\u13a4\\u13c1\\u13b5\\u13ce\\u13a2\": 10434,\n    \"\\u13be\\u13a5\\u13be\": 10435,\n    \"\\u2581\\u13a4\\u13c2\\u13e9\\u13db\\u13b2\": 10436,\n    \"\\u2581\\u13d5\\u13a8\\u13f2\\u13b2\\u13cd\\u13a8\": 10437,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13b5\\u13cd\\u13d3\\u13c1\": 10438,\n    \"\\u13d4\\u13b7\\u13a9\\u13cd\\u13ac\": 10439,\n    \"\\u2581\\u13e4\\u13b5\": 10440,\n    \"\\u13c2\\u13a8\\u13d2\": 10441,\n    \"\\u2581\\u13a4\\u13c2\\u13be\\u13dd\\u13be\\u13a5\": 10442,\n    \"\\u2581\\u13f1\\u13d7\\u13cd\\u13a9\": 10443,\n    \"\\u2581\\u13a0\\u13f2\\u13b5\\u13c3\": 10444,\n    \"\\u13e3\\u13db\\u13c1\\u13ae\\u13cd\\u13d7\": 10445,\n    \"\\u2581\\u13a0\\u13e2\\u13db\": 10446,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13b5\": 10447,\n    \"\\u2581\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\\u13a9\": 10448,\n    \"\\u2581\\u13f1\\u13e7\": 10449,\n    \"\\u13cd\\u13d7\\u13f0\": 10450,\n    \"\\u2581\\u13e5\\u13b6\\u13c3\": 10451,\n    \"\\u2581\\u13a6\\u13a8\\u13e3\": 10452,\n    \"\\u2581\\u13da\\u13d1\\u13a6\": 10453,\n    \"\\u13d3\\u13c2\\u13b8\\u13e4\": 10454,\n    \"\\u2581\\u13f1\\u13be\\u13c5\": 10455,\n    \"\\u2581\\u13d8\\u13f2\": 10456,\n    \"\\u2581\\u13a2\\u13e5\\u13ea\\u13cd\": 10457,\n    \"\\u13e5\\u13f0\\u13b8\\u13be\\u13c1\\u13b0\\u13a2\": 10458,\n    \"\\u13aa\\u13ae\": 10459,\n    \"\\u13ae\\u13d9\\u13ae\": 10460,\n    \"\\u2581\\u13a0\\u13c2\\u13c1\\u13a9\": 10461,\n    \"\\u2581\\u13d7\\u13e5\\u13f0\\u13b8\\u13a2\": 10462,\n    \"\\u2581\\u13be\\u13c6\\u13b5\\u13cd\\u13d3\\u13c1\": 10463,\n    \"\\u13be\\u13ec\\u13cd\\u13d4\\u13c1\\u13a2\": 10464,\n    \"\\u13dd\\u13c1\": 10465,\n    \"\\u2581\\u13ac\\u13b3\": 10466,\n    \"\\u2581\\u13e7\\u13f2\\u13b0\": 10467,\n    \"\\u13ef\\u13c2\\u13cd\\u13ac\\u13a2\": 10468,\n    \"\\u13d4\\u13db\": 10469,\n    \"\\u13aa\\u13ea\\u13b6\\u13d7\": 10470,\n    \"\\u2581\\u13a0\\u13d7\\u13d4\\u13cd\\u13d7\\u13f1\": 10471,\n    \"\\u2581\\u13a6\\u13f0\\u13cc\\u13db\\u13a2\": 10472,\n    \"\\u2581\\u13a0\\u13ce\\u13cd\\u13d7\": 10473,\n    \"\\u2581\\u13d3\\u13f2\\u13e3\": 10474,\n    \"\\u13f0\\u13b6\\u13b4\": 10475,\n    \"\\u2581\\u13a2\\u13d3\\u13d3\": 10476,\n    \"\\u13c9\\u13ce\\u13d7\": 10477,\n    \"\\u2581\\u13a4\\u13ea\\u13b6\": 10478,\n    \"\\u2581\\u13a1\\u13d9\\u13b0\": 10479,\n    \"\\u13d3\\u13d9\\u13b5\\u13a8\\u13cd\\u13d7\": 10480,\n    \"\\u2581\\u13da\\u13ec\\u13ce\\u13b4\": 10481,\n    \"\\u13e5\\u13cd\\u13d3\\u13f1\\u13d5\\u13b8\": 10482,\n    \"\\u13c2\\u13cf\\u13c5\\u13a9\": 10483,\n    \"\\u2581\\u13a1\\u13e5\\u13b7\\u13e4\\u13b8\": 10484,\n    \"\\u13c7\\u13b5\\u13ce\": 10485,\n    \"\\u2581\\u13a4\\u13ea\\u13b5\\u13d2\": 10486,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d6\\u13cd\\u13a8\\u13a2\": 10487,\n    \"\\u13e5\\u13cf\": 10488,\n    \"\\u13b8\\u13d2\": 10489,\n    \"\\u13db\\u13c2\\u13b2\": 10490,\n    \"\\u13db\\u13d9\\u13d7\\u13f1\": 10491,\n    \"\\u13f2\\u13b1\\u13cd\\u13ac\": 10492,\n    \"\\u2581\\u13da\\u13b8\\u13cc\\u13db\\u13a2\": 10493,\n    \"\\u2581\\u13a2\\u13f3\\u13d3\": 10494,\n    \"\\u2581\\u13e3\\u13ac\\u13a9\": 10495,\n    \"\\u2581\\u13a0\\u13c1\\u13b5\\u13cd\\u13a8\\u13a2\": 10496,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13ab\\u13d5\\u13d2\": 10497,\n    \"\\u2581\\u13f3\\u13c2\\u13ac\": 10498,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13d1\\u13f4\": 10499,\n    \"\\u2581\\u13f2\\u13aa\": 10500,\n    \"\\u13aa\\u13b0\\u13cd\\u13ac\": 10501,\n    \"\\u13a0\\u13a9\\u13f2\\u13cf\": 10502,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13e8\\u13a2\": 10503,\n    \"\\u2581\\u13e7\\u13d9\\u13e2\": 10504,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13c2\\u13d0\\u13e2\": 10505,\n    \"\\u2581\\u13a0\\u13da\": 10506,\n    \"\\u13f1\\u13c9\\u13cd\\u13a9\\u13c2\": 10507,\n    \"\\u13d1\\u13ef\\u13a9\\u13cd\\u13d7\": 10508,\n    \"\\u2581\\u13d5\\u13b0\": 10509,\n    \"\\u13ef\\u13db\\u13c5\": 10510,\n    \"\\u13d8\\u13cd\\u13ac\\u13be\": 10511,\n    \"\\u13d1\\u13f0\\u13ce\": 10512,\n    \"\\u13cd\\u13c6\\u13db\\u13af\": 10513,\n    \"\\u2581\\u13f3\\u13d4\\u13b3\\u13ec\": 10514,\n    \"\\u13cf\\u13f2\": 10515,\n    \"\\u13d3\\u13db\\u13c1\\u13ad\": 10516,\n    \"\\u2581\\u13a0\\u13aa\\u13ce\\u13b4\": 10517,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13c1\": 10518,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13b8\": 10519,\n    \"\\u2581\\u13d2\\u13df\": 10520,\n    \"\\u2581\\u13a4\\u13db\\u13d7\": 10521,\n    \"\\u2581\\u13f3\\u13ef\": 10522,\n    \"\\u13cd\\u13a9\\u13d8\": 10523,\n    \"\\u2581\\u13a0\\u13ef\\u13a0\": 10524,\n    \"\\u2581\\u13a3\\u13a9\\u13b8\\u13c9\\u13d7\": 10525,\n    \"\\u13ac\\u13cd\\u13aa\\u13b8\\u13c5\\u13a2\": 10526,\n    \"\\u13d9\\u13d3\\u13cb\": 10527,\n    \"\\u13be\\u13df\\u13c3\\u13ae\\u13b8\": 10528,\n    \"\\u13b5\\u13e9\\u13db\\u13a1\\u13b2\\u13a2\": 10529,\n    \"\\u13d3\\u13c5\\u13db\": 10530,\n    \"\\u2581\\u13da\\u13f2\\u13b4\": 10531,\n    \"\\u2581\\u13c2\\u13a6\\u13b7\\u13ac\": 10532,\n    \"\\u2581\\u13db\\u13be\\u13a2\": 10533,\n    \"\\u2581\\u13e7\\u13c1\\u13e8\\u13c3\": 10534,\n    \"\\u13a9\\u13ce\\u13a2\": 10535,\n    \"\\u13e3\\u13d9\\u13b4\\u13b0\\u13af\\u13cd\\u13d7\\u13f1\": 10536,\n    \"\\u2581\\u13a0\\u13c1\\u13d9\\u13ae\\u13a2\": 10537,\n    \"\\u2581\\u13da\\u13d1\\u13f0\\u13ce\": 10538,\n    \"\\u13f1\\u13d0\": 10539,\n    \"\\u13e8\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 10540,\n    \"\\u2581\\u13a4\\u13c2\\u13b7\\u13e4\\u13ad\": 10541,\n    \"\\u13b5\\u13c3\\u13ae\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 10542,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13aa\\u13b8\\u13d9\\u13d7\\u13f1\": 10543,\n    \"\\u2581\\u13a2\\u13e8\\u13c1\": 10544,\n    \"\\u13c5\\u13cd\\u13d9\\u13d7\\u13f1\": 10545,\n    \"\\u13f2\\u13a2\": 10546,\n    \"\\u13d3\\u13a6\\u13b5\\u13cd\\u13d9\\u13d3\": 10547,\n    \"\\u13c5\\u13be\\u13c9\": 10548,\n    \"\\u13ac\\u13d9\\u13d7\": 10549,\n    \"\\u2581\\u13ad\\u13d5\\u13b6\\u13b0\": 10550,\n    \"\\u13cd\\u13d3\\u13f1\\u13d5\": 10551,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13d2\": 10552,\n    \"\\u2581\\u13f3\\u13be\\u13da\\u13b5\\u13cd\": 10553,\n    \"\\u13f2\\u13d2\": 10554,\n    \"\\u2581\\u13e5\\u13c2\\u13a6\\u13ea\\u13cd\\u13ac\": 10555,\n    \"\\u13cd\\u13d4\\u13c1\\u13af\": 10556,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13d5\": 10557,\n    \"\\u13a8\\u13b5\": 10558,\n    \"\\u13b5\\u13a6\\u13b5\\u13f4\": 10559,\n    \"\\u2581\\u13c4\\u13db\\u13be\\u13d5\": 10560,\n    \"\\u13d9\\u13b4\\u13b0\\u13af\\u13cd\\u13d9\\u13d7\": 10561,\n    \"\\u2581\\u13a6\\u13b5\\u13ad\": 10562,\n    \"\\u2581\\u13a4\\u13da\\u13b5\\u13cd\\u13a8\\u13a2\": 10563,\n    \"\\u2581\\u13a4\\u13f2\\u13e8\\u13a9\": 10564,\n    \"\\u2581\\u13d7\\u13d1\\u13eb\": 10565,\n    \"\\u13a7\\u13af\\u13f4\\u13a9\": 10566,\n    \"\\u2581\\u13e9\\u13e5\\u13ef\\u13c5\": 10567,\n    \"\\u2581\\u13a3\\u13ac\\u13d4\\u13c5\": 10568,\n    \"\\u2581\\u13a6\\u13d9\\u13a5\": 10569,\n    \"\\u2581\\u13d5\\u13e6\": 10570,\n    \"\\u2581\\u13a2\\u13e8\\u13d7\\u13cd\\u13aa\": 10571,\n    \"\\u13e9\\u13d7\\u13cd\\u13ac\": 10572,\n    \"\\u2581\\u13da\\u13d5\\u13f2\\u13c5\": 10573,\n    \"\\u13ab\\u13d3\\u13b8\": 10574,\n    \"\\u13d7\\u13ce\": 10575,\n    \"\\u2581\\u13db\\u13b5\": 10576,\n    \"\\u13d0\\u13e2\\u13a2\\u13cd\\u13d7\\u13ad\": 10577,\n    \"\\u13c4\\u13ea\\u13ce\\u13a2\": 10578,\n    \"\\u2581\\u13a2\\u13eb\": 10579,\n    \"\\u13aa\\u13eb\\u13ce\": 10580,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\": 10581,\n    \"\\u2581\\u13f2\\u13a8\": 10582,\n    \"\\u13e9\\u13be\\u13a8\": 10583,\n    \"\\u13da\\u13c5\\u13c1\\u13b4\": 10584,\n    \"\\u2581\\u13a0\\u13aa\\u13e2\\u13c5\": 10585,\n    \"\\u2581\\u13a0\\u13cd\\u13aa\\u13d2\": 10586,\n    \"\\u13b3\\u13a8\\u13ef\\u13db\": 10587,\n    \"\\u2581\\u13a4\\u13a6\\u13d8\\u13d7\\u13cd\": 10588,\n    \"\\u2581\\u13a6\\u13db\\u13a2\": 10589,\n    \"\\u2581\\u13a3\\u13e3\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\": 10590,\n    \"\\u13e5\\u13c3\\u13b2\\u13cf\": 10591,\n    \"\\u2581\\u13a0\\u13c6\\u13a9\\u13b8\": 10592,\n    \"\\u13be\\u13d3\\u13e1\\u13ac\": 10593,\n    \"\\u2581\\u13cd\\u13a9\\u13be\\u13be\\u13c2\": 10594,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13c6\\u13db\": 10595,\n    \"\\u2581\\u13da\\u13c2\\u13ef\\u13ea\": 10596,\n    \"\\u2581\\u13e9\\u13a9\\u13b6\\u13af\": 10597,\n    \"\\u13a2\\u13ce\\u13d7\": 10598,\n    \"\\u13c3\\u13b8\\u13d4\\u13c5\\u13a9\": 10599,\n    \"\\u2581\\u13a6\\u13f0\\u13d7\": 10600,\n    \"\\u2581\\u13ac\\u13a9\\u13b8\\u13c9\\u13d7\": 10601,\n    \"\\u13c1\\u13e4\\u13b8\\u13a9\": 10602,\n    \"\\u13d7\\u13a6\\u13da\\u13b2\": 10603,\n    \"\\u2581\\u13a4\\u13d5\\u13ef\": 10604,\n    \"\\u2581\\u13d5\\u13e5\\u13be\": 10605,\n    \"\\u2581\\u13f1\\u13d7\\u13a9\": 10606,\n    \"\\u13e5\\u13ef\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\": 10607,\n    \"\\u2581\\u13c2\\u13a0\": 10608,\n    \"\\u13a6\\u13da\\u13e2\": 10609,\n    \"\\u13a9\\u13b7\\u13e8\\u13a9\": 10610,\n    \"\\u13f4\\u13cd\\u13aa\\u13f3\\u13c1\": 10611,\n    \"\\u2581\\u13d3\\u13cd\\u13c6\\u13b5\\u13cd\": 10612,\n    \"\\u13ce\\u13b2\\u13a2\": 10613,\n    \"\\u2581\\u13a0\\u13c6\\u13da\\u13b5\\u13cd\\u13ac\\u13a2\": 10614,\n    \"\\u13d5\\u13aa\\u13e2\\u13be\": 10615,\n    \"\\u13c6\\u13b6\": 10616,\n    \"\\u2581\\u13a0\\u13c2\\u13b3\\u13a8\\u13f4\": 10617,\n    \"\\u2581\\u13d8\\u13aa\": 10618,\n    \"\\u2581\\u13a4\\u13de\": 10619,\n    \"\\u13b5\\u13d1\\u13eb\\u13d3\": 10620,\n    \"\\u2581\\u13e5\\u13a9\\u13c1\\u13b8\": 10621,\n    \"\\u13aa\\u13e2\\u13c1\\u13a2\": 10622,\n    \"\\u2581\\u13a4\\u13cd\\u13aa\\u13cd\\u13d7\": 10623,\n    \"\\u13a3\\u13d0\\u13c5\": 10624,\n    \"\\u2581\\u13a3\\u13e5\\u13c1\": 10625,\n    \"\\u13c1\\u13df\\u13f4\\u13ce\": 10626,\n    \"\\u13b8\\u13d4\\u13c5\\u13af\": 10627,\n    \"\\u2581\\u13e7\\u13c2\\u13d9\": 10628,\n    \"\\u2581\\u13d7\\u13c2\\u13c2\\u13a8\": 10629,\n    \"\\u2581\\u13e3\\u13be\\u13a2\": 10630,\n    \"\\u13d3\\u13b4\\u13cd\\u13d7\": 10631,\n    \"\\u13be\\u13b5\\u13a9\\u13db\": 10632,\n    \"\\u2581\\u13e6\\u13e5\\u13e9\\u13be\\u13a6\\u13b3\": 10633,\n    \"\\u13be\\u13b5\\u13d9\\u13a9\\u13ef\": 10634,\n    \"\\u2581\\u13a0\\u13e5\\u13f0\": 10635,\n    \"\\u2581\\u13da\\u13be\\u13d7\\u13e9\\u13cd\\u13a8\": 10636,\n    \"\\u13ef\\u13c2\\u13cd\\u13ac\": 10637,\n    \"\\u2581\\u13ac\\u13e9\\u13d3\\u13c5\\u13d8\": 10638,\n    \"\\u2581\\u13da\\u13c2\\u13c5\\u13c1\": 10639,\n    \"\\u2581\\u13ef\\u13a9\\u13cd\\u13d5\\u13b5\": 10640,\n    \"\\u13ac\\u13be\\u13ec\\u13d9\\u13d7\\u13f1\": 10641,\n    \"\\u2581\\u13d7\\u13a8\\u13a9\": 10642,\n    \"\\u2581\\u13a0\\u13cd\\u13d3\\u13f2\": 10643,\n    \"\\u2581\\u13d9\\u13cd\\u13a9\": 10644,\n    \"\\u2581\\u13f3\\u13c3\\u13af\\u13f3\": 10645,\n    \"\\u13a6\\u13b5\\u13ef\": 10646,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13d3\\u13cd\": 10647,\n    \"\\u2581\\u13c2\\u13cd\\u13a9\": 10648,\n    \"\\u2581\\u13d9\\u13e5\\u13e9\\u13db\\u13b2\": 10649,\n    \"\\u2581\\u13c2\\u13a4\\u13ea\\u13ce\": 10650,\n    \"\\u2581\\u13cd\\u13ca\": 10651,\n    \"\\u2581\\u13a4\\u13eb\\u13d2\": 10652,\n    \"\\u2581\\u13a0\\u13cd\\u13d3\\u13f1\\u13d7\\u13cd\\u13d7\": 10653,\n    \"\\u2581\\u13a2\\u13e8\\u13c3\\u13c1\\u13b8\": 10654,\n    \"\\u13c2\\u13c6\\u13d8\\u13b8\": 10655,\n    \"\\u2581\\u13eb\\u13e5\\u13b7\\u13e4\\u13b8\": 10656,\n    \"\\u13ef\\u13c2\\u13cd\\u13a8\\u13cd\\u13d7\": 10657,\n    \"\\u2581\\u13a4\\u13d9\\u13e9\\u13d7\\u13cd\": 10658,\n    \"\\u13d9\\u13b3\\u13c5\": 10659,\n    \"\\u2581\\u13e3\\u13da\\u13b3\": 10660,\n    \"\\u13d7\\u13a6\\u13b8\\u13c9\\u13d7\": 10661,\n    \"\\u2581\\u13e7\\u13e9\\u13c5\": 10662,\n    \"\\u13a1\\u13e5\\u13cd\\u13d3\\u13e9\\u13d5\\u13a9\": 10663,\n    \"\\u2581\\u13a0\\u13aa\\u13b5\\u13f0\\u13cd\\u13a8\": 10664,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13db\\u13c1\\u13b8\": 10665,\n    \"\\u13da\\u13d3\\u13b8\\u13d9\": 10666,\n    \"\\u2581\\u13c2\\u13d7\\u13a9\": 10667,\n    \"\\u13e4\\u13b8\\u13a9\": 10668,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13f1\": 10669,\n    \"\\u13ab\\u13f4\\u13a1\\u13ae\\u13cd\\u13d7\": 10670,\n    \"\\u13bf\\u13d5\\u13ac\": 10671,\n    \"\\u2581\\u13d3\\u13c2\\u13c3\\u13a9\\u13cd\": 10672,\n    \"\\u13d2\\u13cd\\u13d7\\u13f1\": 10673,\n    \"\\u2581\\u13a4\\u13f4\\u13d4\\u13c1\": 10674,\n    \"\\u13e9\\u13d4\\u13b0\": 10675,\n    \"\\u13c2\\u13ac\\u13ac\\u13a2\": 10676,\n    \"\\u2581\\u13c2\\u13e8\\u13c3\\u13c1\": 10677,\n    \"\\u2581\\u13ac\\u13a9\\u13f0\\u13b8\": 10678,\n    \"\\u2581\\u13a4\\u13e9\\u13d2\\u13af\": 10679,\n    \"\\u13ef\\u13a9\\u13cd\\u13aa\": 10680,\n    \"\\u2581\\u13a4\\u13f0\\u13b6\": 10681,\n    \"\\u2581\\u13da\\u13c4\": 10682,\n    \"\\u13ab\\u13f4\\u13d7\\u13f1\": 10683,\n    \"\\u13d3\\u13c1\\u13d8\": 10684,\n    \"\\u2581\\u13a6\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\": 10685,\n    \"\\u2581\\u13a4\\u13b4\\u13c5\\u13d4\\u13c5\": 10686,\n    \"\\u13d0\\u13cd\\u13d4\\u13c5\": 10687,\n    \"\\u13ef\\u13d4\\u13b2\": 10688,\n    \"\\u2581\\u13e7\\u13be\\u13a6\": 10689,\n    \"\\u2581\\u13b7\\u13a6\": 10690,\n    \"\\u13ea\\u13c5\\u13ce\": 10691,\n    \"\\u13b5\\u13d6\\u13b8\\u13c2\\u13b4\": 10692,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13c5\": 10693,\n    \"\\u2581\\u13d9\\u13d3\\u13a6\\u13c5\": 10694,\n    \"\\u13aa\\u13ea\\u13b8\": 10695,\n    \"\\u13c5\\u13a6\\u13b8\\u13ae\\u13a2\": 10696,\n    \"\\u2581\\u13a4\\u13f2\\u13ae\\u13cd\\u13d7\": 10697,\n    \"\\u13c6\\u13d2\\u13a6\\u13b8\": 10698,\n    \"\\u2581\\u13d3\\u13c2\\u13be\": 10699,\n    \"\\u2581\\u13d7\\u13e3\\u13d3\\u13c5\\u13d9\\u13a9\": 10700,\n    \"\\u13a6\\u13d4\\u13bf\\u13a5\\u13be\": 10701,\n    \"\\u13b4\\u13cd\\u13d7\\u13f1\": 10702,\n    \"\\u13f4\\u13cd\\u13aa\\u13a2\": 10703,\n    \"\\u2581\\u13ac\\u13b5\": 10704,\n    \"\\u13c6\\u13d7\\u13c5\\u13db\": 10705,\n    \"\\u13d2\\u13d3\\u13c5\": 10706,\n    \"\\u13cd\\u13a6\\u13a2\\u13ae\": 10707,\n    \"\\u2581\\u13a4\\u13ec\\u13e2\\u13be\\u13c1\": 10708,\n    \"\\u2581\\u13a4\\u13f2\\u13c9\\u13cd\\u13a9\\u13c2\": 10709,\n    \"\\u13ea\\u13e3\": 10710,\n    \"\\u2581\\u13a2\\u13e5\\u13a6\": 10711,\n    \"\\u13af\\u13e5\\u13a8\": 10712,\n    \"\\u13ac\\u13cd\\u13a6\\u13b8\": 10713,\n    \"\\u2581\\u13a4\\u13c5\\u13d7\\u13f1\": 10714,\n    \"\\u2581\\u13f1\\u13d7\\u13e5\\u13f3\\u13aa\\u13d3\\u13c1\": 10715,\n    \"\\u13d4\\u13db\\u13a9\": 10716,\n    \"\\u2581\\u13a6\\u13aa\\u13d7\\u13f1\": 10717,\n    \"\\u2581\\u13a4\\u13b5\\u13c2\": 10718,\n    \"\\u13e5\\u13cd\\u13c8\": 10719,\n    \"\\u13f0\\u13d7\": 10720,\n    \"\\u2581\\u13da\\u13be\\u13b5\\u13c2\\u13aa\": 10721,\n    \"\\u13d7\\u13cd\\u13a6\\u13b3\\u13c1\": 10722,\n    \"\\u2581\\u13a0\\u13c2\\u13b2\\u13cd\\u13a8\": 10723,\n    \"\\u2581\\u13e7\\u13c2\\u13ad\": 10724,\n    \"\\u13be\\u13cf\\u13d7\": 10725,\n    \"\\u13be\\u13b5\\u13d6\\u13b8\\u13c2\": 10726,\n    \"\\u13b5\\u13a8\": 10727,\n    \"\\u2581\\u13a0\\u13c2\\u13df\": 10728,\n    \"\\u13ab\\u13f4\\u13b2\": 10729,\n    \"\\u2581\\u13a2\\u13e3\\u13b4\": 10730,\n    \"\\u2581\\u13a0\\u13db\\u13c1\\u13b5\\u13cd\": 10731,\n    \"\\u13a6\\u13d9\\u13a5\\u13af\\u13cd\\u13d7\": 10732,\n    \"\\u13da\\u13db\\u13db\\u13c5\\u13a9\": 10733,\n    \"\\u13ac\\u13be\\u13c9\": 10734,\n    \"\\u2581\\u13a4\\u13c1\\u13c5\\u13a2\\u13cd\\u13d7\": 10735,\n    \"\\u13aa\\u13b8\\u13cf\": 10736,\n    \"\\u13f2\\u13de\\u13d2\": 10737,\n    \"\\u2581\\u13a4\\u13b6\\u13d2\\u13cd\\u13d3\\u13c1\": 10738,\n    \"\\u2581\\u13a0\\u13e2\\u13c8\\u13cd\\u13d7\": 10739,\n    \"\\u13df\\u13eb\\u13db\\u13d7\": 10740,\n    \"\\u13b5\\u13a5\\u13c2\": 10741,\n    \"\\u13c2\\u13f4\\u13ad\": 10742,\n    \"\\u2581\\u13db\\u13a0\": 10743,\n    \"\\u2581\\u13d3\\u13c2\\u13f1\": 10744,\n    \"\\u2581\\u13a4\\u13e9\\u13db\": 10745,\n    \"\\u13a9\\u13ac\": 10746,\n    \"\\u2581\\u13f1\\u13c4\\u13c5\\u13c1\": 10747,\n    \"\\u13a8\\u13f0\\u13a2\": 10748,\n    \"\\u2581\\u13ef\\u13c6\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\": 10749,\n    \"\\u2581\\u13a0\\u13cd\\u13da\\u13a9\": 10750,\n    \"\\u2581\\u13d7\\u13ac\\u13c2\": 10751,\n    \"\\u2581\\u13a4\\u13cd\\u13d5\\u13b8\\u13ae\": 10752,\n    \"\\u13db\\u13ce\\u13a2\": 10753,\n    \"\\u2581\\u13c4\\u13e9\\u13be\": 10754,\n    \"\\u2581\\u13a4\\u13d3\\u13c2\\u13f4\": 10755,\n    \"\\u2581\\u13a6\\u13e5\\u13d4\\u13f2\\u13ce\": 10756,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13be\\u13c4\\u13aa\\u13eb\\u13d2\": 10757,\n    \"\\u13ab\\u13e4\\u13b5\": 10758,\n    \"\\u2581\\u13a3\\u13a9\\u13c2\\u13d9\": 10759,\n    \"\\u2581\\u13f1\\u13d5\\u13e3\": 10760,\n    \"\\u2581\\u13d7\\u13b2\\u13a2\": 10761,\n    \"\\u13d9\\u13b0\\u13a2\": 10762,\n    \"\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 10763,\n    \"\\u13ec\\u13a6\": 10764,\n    \"\\u13a7\\u13be\\u13c2\": 10765,\n    \"\\u2581\\u13da\\u13a9\\u13ce\": 10766,\n    \"\\u13be\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d9\\u13d7\": 10767,\n    \"\\u2581\\u13a0\\u13d3\\u13a9\\u13a1\": 10768,\n    \"\\u2581\\u13e3\\u13cd\\u13c6\\u13c2\\u13aa\": 10769,\n    \"\\u13b5\\u13ce\\u13af\": 10770,\n    \"\\u2581\\u13d7\\u13e4\\u13b7\": 10771,\n    \"\\u13c2\\u13f4\\u13b2\\u13a9\": 10772,\n    \"\\u2581\\u13eb\\u13da\\u13c2\\u13f2\\u13af\\u13ce\": 10773,\n    \"\\u2581\\u13a2\\u13e8\\u13f4\\u13c1\": 10774,\n    \"\\u13e5\\u13aa\\u13b5\\u13f0\\u13d7\\u13f1\": 10775,\n    \"\\u13eb\\u13f1\": 10776,\n    \"\\u2581\\u13a0\\u13e5\\u13f4\": 10777,\n    \"\\u2581\\u13a1\\u13e5\\u13c3\\u13c1\": 10778,\n    \"\\u2581\\u13d7\\u13a6\\u13ac\": 10779,\n    \"\\u2581\\u13d5\\u13e5\\u13c1\": 10780,\n    \"\\u13a5\\u13cd\\u13ac\\u13be\": 10781,\n    \"\\u2581\\u13d3\\u13be\\u13c1\\u13b6\": 10782,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 10783,\n    \"\\u2581\\u13a4\\u13ec\\u13d8\": 10784,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13c3\\u13ae\\u13d4\\u13c5\": 10785,\n    \"\\u13eb\\u13d2\\u13af\": 10786,\n    \"\\u13aa\\u13d7\\u13f1\": 10787,\n    \"\\u2581\\u13a4\\u13ea\\u13c5\\u13a1\": 10788,\n    \"\\u13e9\\u13d8\\u13ad\": 10789,\n    \"\\u13c5\\u13ce\\u13c3\": 10790,\n    \"\\u13c2\\u13cd\\u13a9\\u13f4\\u13a6\": 10791,\n    \"\\u13e9\\u13db\\u13a1\\u13d7\\u13f1\": 10792,\n    \"\\u13be\\u13d7\\u13c5\\u13d2\\u13a9\": 10793,\n    \"\\u2581\\u13da\\u13c5\\u13c5\": 10794,\n    \"\\u13c2\\u13ce\": 10795,\n    \"\\u2581\\u13e7\\u13ea\\u13f0\": 10796,\n    \"\\u2581\\u13a0\\u13c2\\u13a7\\u13b5\": 10797,\n    \"\\u13d2\\u13c1\": 10798,\n    \"\\u13d4\\u13c2\\u13b4\": 10799,\n    \"\\u13da\\u13d9\\u13a5\": 10800,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13d9\\u13a5\\u13af\\u13cd\\u13d7\": 10801,\n    \"\\u2581\\u13a8\\u13e3\\u13aa\\u13e9\\u13db\\u13d7\": 10802,\n    \"\\u13ce\\u13a6\": 10803,\n    \"\\u13f2\\u13b8\\u13a9\": 10804,\n    \"\\u2581\\u13d7\\u13a6\\u13b4\\u13c5\": 10805,\n    \"\\u2581\\u13a4\\u13d1\\u13b8\": 10806,\n    \"\\u2581\\u13a2\\u13cf\": 10807,\n    \"\\u2581\\u13e7\\u13d0\": 10808,\n    \"\\u13e5\\u13a6\\u13d6\\u13c3\\u13ad\": 10809,\n    \"\\u13a6\\u13d4\\u13c2\\u13b4\": 10810,\n    \"\\u2581\\u13e3\\u13d3\\u13c5\\u13d6\": 10811,\n    \"\\u2581\\u13a0\\u13a9\\u13f0\\u13b8\\u13d2\": 10812,\n    \"\\u13e5\\u13c2\\u13d0\\u13d7\\u13f1\": 10813,\n    \"\\u2581\\u13d3\\u13da\": 10814,\n    \"\\u2581\\u13a8\\u13e5\\u13ef\\u13c5\": 10815,\n    \"\\u13ef\\u13c5\\u13af\\u13b8\": 10816,\n    \"\\u13c5\\u13cd\\u13d3\\u13d5\": 10817,\n    \"\\u13cd\\u13d3\\u13a6\\u13f4\\u13af\\u13d3\": 10818,\n    \"\\u13d5\\u13b6\\u13c6\\u13a5\": 10819,\n    \"\\u2581\\u13e7\\u13be\\u13c1\": 10820,\n    \"\\u13d3\\u13e6\\u13b2\": 10821,\n    \"\\u13f1\\u13cd\\u13aa\\u13a2\": 10822,\n    \"\\u2581\\u13a2\\u13b8\\u13cd\\u13a9\\u13c9\": 10823,\n    \"\\u2581\\u13aa\\u13cd\\u13d7\": 10824,\n    \"\\u13e5\\u13da\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\": 10825,\n    \"\\u13cd\\u13c6\\u13d7\\u13cd\\u13d7\\u13f1\": 10826,\n    \"\\u13ab\\u13f4\\u13a1\\u13d7\": 10827,\n    \"\\u13d2\\u13b2\": 10828,\n    \"\\u13b7\\u13e4\\u13b0\\u13a2\": 10829,\n    \"\\u13b6\\u13c4\\u13ae\\u13cd\\u13a9\": 10830,\n    \"\\u13f0\\u13d9\\u13b3\\u13db\\u13c5\": 10831,\n    \"\\u13c2\\u13f4\\u13d9\\u13d7\": 10832,\n    \"\\u2581\\u13a0\\u13a9\\u13e9\\u13d2\": 10833,\n    \"\\u2581\\u13ac\\u13cd\\u13ac\": 10834,\n    \"\\u2581\\u13da\\u13aa\\u13b2\\u13c3\": 10835,\n    \"\\u2581\\u13d3\\u13c2\\u13af\\u13ef\\u13cd\": 10836,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13af\\u13cd\\u13d7\": 10837,\n    \"\\u13ab\\u13cd\\u13db\\u13d7\": 10838,\n    \"\\u13cd\\u13aa\\u13b3\": 10839,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13c6\\u13d7\\u13cd\": 10840,\n    \"\\u13be\\u13d3\\u13e8\\u13ef\\u13cd\": 10841,\n    \"\\u13a7\\u13b5\\u13a2\\u13cd\\u13d4\\u13c5\": 10842,\n    \"\\u13f3\\u13b2\\u13cd\\u13a9\": 10843,\n    \"\\u2581\\u13e5\\u13c5\\u13cf\\u13d3\\u13cd\\u13d7\\u13c3\": 10844,\n    \"\\u2581\\u13e5\\u13f3\\u13af\\u13c3\": 10845,\n    \"\\u2581\\u13a4\\u13f2\\u13b4\\u13a2\": 10846,\n    \"\\u2581\\u13ed\\u13d6\\u13b3\": 10847,\n    \"\\u2581\\u13a4\\u13f2\\u13b0\\u13ce\": 10848,\n    \"\\u13ef\\u13d9\\u13ae\\u13ae\\u13cd\\u13d7\": 10849,\n    \"\\u13cd\\u13aa\\u13b8\\u13e8\": 10850,\n    \"\\u13f2\\u13b1\\u13ce\\u13b8\\u13af\": 10851,\n    \"\\u13a6\\u13df\": 10852,\n    \"\\u2581\\u13f3\\u13d7\\u13d4\": 10853,\n    \"\\u2581\\u13d9\\u13d3\\u13e5\\u13c3\\u13a9\": 10854,\n    \"\\u13ed\\u13aa\": 10855,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13ef\\u13d9\\u13d7\": 10856,\n    \"\\u13d3\\u13c1\\u13df\\u13f4\\u13d2\": 10857,\n    \"\\u2581\\u13a4\\u13c2\\u13df\\u13cc\\u13c5\": 10858,\n    \"\\u13f2\\u13b2\\u13a9\": 10859,\n    \"\\u13b5\\u13c3\\u13ae\\u13d4\\u13c5\\u13a9\": 10860,\n    \"\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\\u13af\": 10861,\n    \"\\u2581\\u13a1\\u13e5\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13cd\": 10862,\n    \"\\u2581\\u13cd\\u13c6\\u13db\\u13d3\\u13cd\\u13d3\": 10863,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\": 10864,\n    \"\\u2581\\u13d7\\u13e5\\u13c1\\u13b8\": 10865,\n    \"\\u13c4\\u13ec\\u13a5\": 10866,\n    \"\\u2581\\u13ef\\u13d3\": 10867,\n    \"\\u2581\\u13f1\\u13c2\\u13e8\\u13c1\": 10868,\n    \"\\u2581\\u13a7\\u13c5\\u13c2\\u13cd\\u13a9\\u13c9\": 10869,\n    \"\\u2581\\u13a2\\u13e3\\u13d9\\u13b4\\u13b0\": 10870,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d9\\u13f0\": 10871,\n    \"\\u13b7\\u13aa\": 10872,\n    \"\\u13d0\\u13c8\\u13b5\": 10873,\n    \"\\u13a7\\u13f2\\u13d7\": 10874,\n    \"\\u2581\\u13a0\\u13d3\\u13d4\\u13b6\\u13af\": 10875,\n    \"\\u13df\\u13b6\\u13cd\\u13d7\": 10876,\n    \"\\u2581\\u13a2\\u13e3\\u13ea\\u13cd\\u13d7\": 10877,\n    \"\\u2581\\u13e7\\u13c3\\u13af\\u13f3\\u13d7\": 10878,\n    \"\\u13be\\u13d3\\u13db\\u13c1\\u13ad\": 10879,\n    \"\\u2581\\u13d9\\u13a4\\u13c1\\u13c5\": 10880,\n    \"\\u2581\\u13a1\\u13e5\\u13cd\\u13d5\\u13b8\": 10881,\n    \"\\u13c2\\u13ef\\u13eb\\u13cd\\u13ac\": 10882,\n    \"\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\\u13ae\\u13cd\\u13d7\": 10883,\n    \"\\u2581\\u13a0\\u13b4\\u13c2\\u13d3\\u13cd\\u13d7\": 10884,\n    \"\\u13e5\\u13c1\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\": 10885,\n    \"\\u2581\\u13a4\\u13cd\\u13d3\": 10886,\n    \"\\u13b8\\u13e8\": 10887,\n    \"\\u13ef\\u13d8\\u13c3\\u13af\\u13cf\": 10888,\n    \"\\u13b6\\u13a8\": 10889,\n    \"\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 10890,\n    \"\\u2581\\u13a4\\u13db\\u13af\\u13cd\\u13d7\": 10891,\n    \"\\u13e8\\u13c1\\u13d7\\u13f1\": 10892,\n    \"\\u13af\\u13ef\\u13cd\\u13d7\": 10893,\n    \"\\u2581\\u13a4\\u13b5\\u13ac\\u13da\": 10894,\n    \"\\u2581\\u13c6\\u13d9\": 10895,\n    \"\\u13be\\u13d3\\u13db\\u13c1\\u13d7\\u13f1\": 10896,\n    \"\\u13c2\\u13a5\": 10897,\n    \"\\u13b3\\u13d1\\u13b8\": 10898,\n    \"\\u13f2\\u13b1\\u13cd\": 10899,\n    \"\\u2581\\u13cf\\u13bb\": 10900,\n    \"\\u2581\\u13d2\\u13c3\": 10901,\n    \"\\u13e5\\u13b7\\u13e4\\u13b8\": 10902,\n    \"\\u13a6\\u13b4\\u13cd\\u13d7\": 10903,\n    \"\\u2581\\u13a8\\u13e6\\u13af\\u13f3\\u13d7\": 10904,\n    \"\\u2581\\u13a4\\u13be\\u13d9\\u13b4\\u13b0\\u13d2\\u13c3\": 10905,\n    \"\\u2581\\u13a6\\u13d9\\u13ac\\u13a2\": 10906,\n    \"\\u13a6\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\\u13d7\\u13f1\": 10907,\n    \"\\u2581\\u13a2\\u13e8\\u13aa\": 10908,\n    \"\\u2581\\u13a0\\u13f2\\u13aa\": 10909,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13c5\\u13d8\": 10910,\n    \"\\u13af\\u13d9\\u13b8\": 10911,\n    \"\\u13d3\\u13c5\\u13d6\\u13ad\": 10912,\n    \"\\u2581\\u13cf\\u13c2\": 10913,\n    \"\\u2581\\u13d2\\u13d5\": 10914,\n    \"\\u13cd\\u13d4\\u13ef\": 10915,\n    \"\\u2581\\u13a0\\u13ce\\u13db\": 10916,\n    \"\\u13ae\\u13b8\\u13af\": 10917,\n    \"\\u13b6\\u13c1\\u13a5\": 10918,\n    \"\\u2581\\u13ad\\u13b5\\u13cd\": 10919,\n    \"\\u2581\\u13d8\\u13c5\\u13b5\": 10920,\n    \"\\u13e5\\u13be\\u13cc\\u13a2\": 10921,\n    \"\\u13c5\\u13a1\\u13af\": 10922,\n    \"\\u13e4\\u13b6\\u13af\": 10923,\n    \"\\u2581\\u13c4\\u13a8\\u13f3\\u13ce\": 10924,\n    \"\\u13e4\\u13d9\\u13ad\": 10925,\n    \"\\u13d9\\u13ef\\u13c5\\u13af\\u13d5\\u13a2\": 10926,\n    \"\\u13b2\\u13cd\\u13d4\\u13c5\": 10927,\n    \"\\u13d2\\u13a8\": 10928,\n    \"\\u13c2\\u13c5\\u13eb\\u13cd\\u13d7\\u13cd\\u13a9\": 10929,\n    \"\\u13d8\\u13c5\\u13cd\\u13d7\\u13f1\": 10930,\n    \"\\u2581\\u13a4\\u13b5\\u13d8\\u13d2\": 10931,\n    \"\\u13ab\\u13d3\\u13b4\": 10932,\n    \"\\u13ae\\u13ad\": 10933,\n    \"\\u2581\\u13a3\\u13a8\": 10934,\n    \"\\u2581\\u13a0\\u13cd\\u13da\\u13a2\\u13cd\": 10935,\n    \"\\u2581\\u13a0\\u13a9\\u13db\": 10936,\n    \"\\u2581\\u13a3\\u13a9\\u13c3\": 10937,\n    \"\\u13d7\\u13a6\\u13c4\\u13aa\\u13aa\": 10938,\n    \"\\u13ac\\u13d4\\u13c5\\u13af\": 10939,\n    \"\\u13a9\\u13c1\\u13e5\": 10940,\n    \"\\u13a6\\u13e5\\u13ef\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13ad\": 10941,\n    \"\\u13e3\\u13db\\u13a6\\u13c1\\u13b8\": 10942,\n    \"\\u2581\\u13a2\\u13f3\\u13b5\\u13cd\\u13d4\\u13c1\": 10943,\n    \"\\u13aa\\u13d7\\u13cd\\u13a9\": 10944,\n    \"\\u2581\\u13a4\\u13ea\\u13b5\\u13ce\\u13a2\": 10945,\n    \"\\u2581\\u13a6\\u13f0\\u13aa\": 10946,\n    \"\\u2581\\u13a7\\u13be\": 10947,\n    \"\\u13c8\\u13c3\": 10948,\n    \"\\u2581\\u13a6\\u13c2\\u13a9\": 10949,\n    \"\\u13cd\\u13d5\\u13d3\\u13b5\\u13f4\\u13cd\": 10950,\n    \"\\u2581\\u13d7\\u13e3\\u13db\": 10951,\n    \"\\u13af\\u13a6\\u13d4\\u13ad\\u13cd\\u13aa\": 10952,\n    \"\\u13e5\\u13b5\\u13a5\\u13c2\\u13b5\": 10953,\n    \"\\u13a6\\u13d4\\u13c2\\u13b8\": 10954,\n    \"\\u13cd\\u13d3\\u13e9\\u13d7\\u13d9\\u13ad\": 10955,\n    \"\\u2581\\u13d4\\u13b5\\u13c9\": 10956,\n    \"\\u13d0\\u13d7\\u13f1\": 10957,\n    \"\\u2581\\u13a6\\u13d9\\u13a8\\u13a2\": 10958,\n    \"\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 10959,\n    \"\\u2581\\u13a4\\u13c2\\u13a9\": 10960,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13f0\\u13ac\\u13cd\": 10961,\n    \"\\u13cf\\u13d9\\u13b8\": 10962,\n    \"\\u13e5\\u13f4\\u13a9\": 10963,\n    \"\\u13d5\\u13d9\\u13db\": 10964,\n    \"\\u2581\\u13a0\\u13be\\u13e1\\u13d7\": 10965,\n    \"\\u13e2\\u13be\": 10966,\n    \"\\u13e3\\u13d3\\u13c5\\u13d4\": 10967,\n    \"\\u2581\\u13a2\\u13cd\\u13d7\\u13aa\": 10968,\n    \"\\u13c2\\u13a6\\u13b8\": 10969,\n    \"\\u2581\\u13da\\u13c3\\u13d2\": 10970,\n    \"\\u2581\\u13a6\\u13b8\\u13c5\": 10971,\n    \"\\u2581\\u13a3\\u13e5\\u13c5\": 10972,\n    \"\\u13b8\\u13be\\u13c9\": 10973,\n    \"\\u13f0\\u13b8\\u13c5\": 10974,\n    \"\\u2581\\u13a0\\u13d9\\u13b4\\u13b0\": 10975,\n    \"\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\": 10976,\n    \"\\u2581\\u13e3\\u13c2\\u13a7\\u13d4\\u13ae\": 10977,\n    \"p\": 10978,\n    \"\\u13be\\u13d3\\u13c2\\u13b8\\u13e4\": 10979,\n    \"\\u2581\\u13da\\u13cf\\u13b3\\u13db\\u13a2\": 10980,\n    \"\\u13e5\\u13ec\\u13c1\\u13d4\\u13c5\": 10981,\n    \"\\u2581\\u13a6\\u13d5\\u13b6\\u13a3\\u13cd\": 10982,\n    \"\\u2581\\u13a3\\u13c2\\u13cd\\u13a9\\u13c2\": 10983,\n    \"\\u13b5\\u13c1\\u13cc\": 10984,\n    \"\\u13aa\\u13b8\": 10985,\n    \"\\u2581\\u13e5\\u13d5\\u13b2\": 10986,\n    \"\\u13e9\\u13c2\\u13cc\\u13c1\": 10987,\n    \"\\u2581\\u13af\\u13c3\\u13ae\\u13cd\\u13ac\": 10988,\n    \"\\u13c2\\u13f4\\u13cd\\u13d7\": 10989,\n    \"\\u2581\\u13c2\\u13ac\\u13c5\\u13a9\": 10990,\n    \"\\u2581\\u13af\\u13cd\\u13da\": 10991,\n    \"\\u13db\\u13c1\\u13b0\\u13a2\": 10992,\n    \"\\u13b7\\u13cf\": 10993,\n    \"\\u13c2\\u13ce\\u13a2\": 10994,\n    \"\\u2581\\u13a4\\u13ea\\u13b3\\u13d7\\u13cd\": 10995,\n    \"\\u13b7\\u13e4\\u13b2\": 10996,\n    \"\\u2581\\u13a4\\u13f1\\u13b6\": 10997,\n    \"\\u2581\\u13a0\\u13c6\\u13cd\\u13d7\": 10998,\n    \"\\u2581\\u13a4\\u13c2\\u13d4\\u13f2\": 10999,\n    \"\\u13f4\\u13cd\\u13d5\\u13cd\\u13d7\": 11000,\n    \"\\u13c2\\u13cf\\u13c1\": 11001,\n    \"\\u2581\\u13a7\\u13c1\\u13c9\\u13a8\": 11002,\n    \"\\u13c5\\u13cd\\u13d4\": 11003,\n    \"\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\": 11004,\n    \"\\u13e5\\u13ef\\u13c5\\u13b2\": 11005,\n    \"\\u2581\\u13a0\\u13a9\\u13ac\": 11006,\n    \"\\u13c2\\u13a6\\u13b5\\u13cd\\u13d3\": 11007,\n    \"\\u2581\\u13e7\\u13ec\\u13e2\": 11008,\n    \"\\u2581\\u13a4\\u13c2\\u13d0\": 11009,\n    \"\\u13cd\\u13d3\\u13a1\": 11010,\n    \"\\u2581\\u13a4\\u13d0\": 11011,\n    \"\\u2581\\u13d5\\u13a9\\u13c2\\u13f4\": 11012,\n    \"\\u13d3\\u13a6\": 11013,\n    \"\\u13be\\u13f0\\u13cd\\u13ac\\u13a2\": 11014,\n    \"\\u2581\\u13e7\\u13c2\\u13cd\": 11015,\n    \"\\u13e5\\u13eb\": 11016,\n    \"\\u2581\\u13c2\\u13e5\\u13a6\\u13d4\": 11017,\n    \"\\u13c5\\u13eb\\u13cd\\u13d7\\u13cd\\u13a8\": 11018,\n    \"\\u2581\\u13a4\\u13d3\\u13b5\\u13d3\\u13cd\": 11019,\n    \"\\u13f0\\u13b8\\u13b0\": 11020,\n    \"\\u13be\\u13a6\\u13d4\\u13b2\": 11021,\n    \"\\u13cf\\u13be\\u13cd\\u13db\": 11022,\n    \"\\u2581\\u13cd\\u13c6\\u13c2\": 11023,\n    \"\\u2581\\u13a4\\u13b7\\u13e8\\u13a2\": 11024,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d9\\u13d7\\u13f1\": 11025,\n    \"\\u2581\\u13d3\\u13a9\\u13a7\": 11026,\n    \"\\u13e5\\u13cd\\u13aa\\u13b5\": 11027,\n    \"\\u2581\\u13c2\\u13ac\\u13f4\": 11028,\n    \"\\u13ad\\u13c2\\u13cd\\u13d4\\u13c5\": 11029,\n    \"\\u13af\\u13ce\\u13b4\": 11030,\n    \"\\u13ec\\u13a1\": 11031,\n    \"\\u2581\\u13d3\\u13c6\\u13b4\": 11032,\n    \"\\u2581\\u13e7\\u13ec\\u13da\": 11033,\n    \"\\u13d5\\u13e8\\u13a9\": 11034,\n    \"\\u2581\\u13a2\\u13e4\\u13b5\": 11035,\n    \"\\u13a9\\u13d9\\u13b5\\u13cd\\u13d7\\u13f1\": 11036,\n    \"\\u13ac\\u13c2\\u13d0\\u13d7\\u13f1\": 11037,\n    \"\\u13b4\\u13c5\\u13d7\\u13f1\": 11038,\n    \"\\u2581\\u13a4\\u13be\\u13b4\\u13d7\": 11039,\n    \"\\u13ef\\u13aa\\u13a6\": 11040,\n    \"\\u2581\\u13a4\\u13a8\\u13a2\": 11041,\n    \"\\u13d8\\u13cd\\u13d3\\u13c1\\u13af\": 11042,\n    \"\\u13ef\\u13e8\": 11043,\n    \"\\u2581\\u13d3\\u13c1\\u13b6\\u13db\": 11044,\n    \"\\u2581\\u13da\\u13c2\\u13f2\\u13d2\": 11045,\n    \"\\u2581\\u13eb\\u13d3\\u13be\": 11046,\n    \"\\u13a6\\u13b6\\u13d9\\u13d7\": 11047,\n    \"\\u2581\\u13eb\\u13a6\\u13c5\": 11048,\n    \"\\u13cd\\u13da\\u13e3\": 11049,\n    \"\\u13a7\\u13ae\": 11050,\n    \"\\u13d4\\u13b6\": 11051,\n    \"\\u2581\\u13d3\\u13aa\\u13e9\\u13d8\\u13cd\\u13a8\": 11052,\n    \"\\u2581\\u13a4\\u13d4\\u13d5\\u13a9\\u13cd\\u13a8\": 11053,\n    \"\\u13b5\\u13ce\\u13d7\": 11054,\n    \"\\u2581\\u13e7\\u13be\\u13c1\\u13b3\": 11055,\n    \"\\u2581\\u13ac\\u13ef\\u13db\\u13c1\": 11056,\n    \"\\u2581\\u13a4\\u13b5\\u13c3\\u13af\\u13f0\": 11057,\n    \"\\u2581\\u13be\\u13d7\\u13cd\": 11058,\n    \"\\u2581\\u13a4\\u13e4\\u13b8\\u13c5\": 11059,\n    \"ns\": 11060,\n    \"\\u2581\\u13a2\\u13cd\\u13aa\": 11061,\n    \"\\u13f0\\u13b5\\u13ce\\u13ad\": 11062,\n    \"\\u2581\\u13c2\\u13da\\u13be\": 11063,\n    \"\\u13d5\\u13d4\\u13c5\\u13af\": 11064,\n    \"\\u2581\\u13c5\\u13ac\": 11065,\n    \"\\u2581\\u13db\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\": 11066,\n    \"\\u2581\\u13a2\\u13cd\\u13d3\\u13db\": 11067,\n    \"\\u2581\\u13ac\\u13e9\\u13ef\\u13a2\": 11068,\n    \"\\u2581\\u13da\\u13a6\\u13d9\\u13cd\\u13d4\\u13c1\": 11069,\n    \"\\u13a6\\u13e1\\u13d3\": 11070,\n    \"\\u2581\\u13a6\\u13d3\\u13ec\": 11071,\n    \"\\u13bf\\u13b8\": 11072,\n    \"\\u13cd\\u13a9\\u13f0\\u13f2\\u13b2\": 11073,\n    \"\\u13eb\\u13cd\\u13d4\\u13c1\": 11074,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13a9\": 11075,\n    \"\\u13d4\\u13f2\\u13ce\\u13b8\": 11076,\n    \"\\u2581\\u13ac\\u13ec\\u13af\\u13f3\\u13b2\\u13cd\\u13a8\": 11077,\n    \"\\u13d7\\u13cd\": 11078,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\\u13cd\\u13d3\\u13c1\": 11079,\n    \"\\u13c6\\u13d3\\u13be\\u13f0\\u13cd\": 11080,\n    \"\\u2581\\u13ed\\u13aa\\u13b2\": 11081,\n    \"\\u2581\\u13d3\\u13c2\\u13c3\\u13ae\": 11082,\n    \"\\u13b3\\u13cd\\u13db\": 11083,\n    \"\\u13d3\\u13c1\\u13ae\\u13a2\": 11084,\n    \"\\u2581\\u13a4\\u13c3\\u13ae\": 11085,\n    \"\\u13a6\\u13d1\\u13f0\\u13db\": 11086,\n    \"\\u2581\\u13da\\u13ea\\u13ef\": 11087,\n    \"\\u2581\\u13e5\\u13ef\\u13d9\\u13b5\": 11088,\n    \"\\u13f0\\u13c5\": 11089,\n    \"\\u2581\\u13ac\\u13e9\\u13f2\": 11090,\n    \"\\u13be\\u13d3\\u13c2\\u13b8\\u13e8\": 11091,\n    \"\\u13c2\\u13cc\\u13d9\\u13f4\": 11092,\n    \"\\u2581\\u13a2\\u13e4\\u13b5\\u13ce\": 11093,\n    \"\\u2581\\u13d3\\u13e5\\u13c3\": 11094,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13ef\\u13b7\": 11095,\n    \"\\u13d1\\u13f1\": 11096,\n    \"\\u13b5\\u13f2\": 11097,\n    \"\\u2581\\u13e7\\u13be\\u13b5\": 11098,\n    \"\\u2581\\u13cd\\u13c6\\u13d3\\u13c5\": 11099,\n    \"\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b4\": 11100,\n    \"\\u13af\\u13ce\\u13b8\\u13a2\": 11101,\n    \"\\u2581\\u13f1\\u13d3\\u13a9\\u13ef\": 11102,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13ce\": 11103,\n    \"\\u13a7\\u13b8\\u13a9\": 11104,\n    \"\\u2581\\u13a4\\u13c2\\u13e3\": 11105,\n    \"\\u2581\\u13da\\u13cf\\u13d4\\u13d5\": 11106,\n    \"\\u13c1\\u13b3\\u13d7\\u13cd\\u13a8\": 11107,\n    \"\\u2581\\u13a0\\u13aa\\u13b5\\u13f0\\u13cd\\u13aa\": 11108,\n    \"\\u2581\\u13a1\\u13e3\\u13b5\": 11109,\n    \"\\u2581\\u13a0\\u13d3\\u13ef\\u13c5\": 11110,\n    \"\\u2581\\u13da\\u13d2\\u13c1\": 11111,\n    \"\\u13be\\u13f2\\u13aa\": 11112,\n    \"\\u13be\\u13a9\\u13ea\\u13d2\": 11113,\n    \"\\u2581\\u13a8\\u13e6\\u13af\\u13f3\": 11114,\n    \"\\u13a9\\u13c2\\u13ac\\u13a6\": 11115,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13c2\\u13aa\": 11116,\n    \"\\u13ce\\u13a9\": 11117,\n    \"\\u2581\\u13a2\\u13e5\\u13f0\\u13b8\\u13d2\": 11118,\n    \"\\u2581\\u13ef\\u13cd\\u13a6\\u13a2\\u13ae\": 11119,\n    \"\\u2581\\u13a4\\u13ec\\u13ce\": 11120,\n    \"\\u2581\\u13ac\\u13e9\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\": 11121,\n    \"\\u13af\\u13ce\\u13b8\\u13af\": 11122,\n    \"\\u2581\\u13e7\\u13aa\\u13b2\": 11123,\n    \"\\u13a2\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 11124,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13aa\\u13b8\\u13d9\\u13d7\": 11125,\n    \"\\u2581\\u13a2\\u13cd\\u13c6\": 11126,\n    \"\\u13d9\\u13b4\\u13a2\": 11127,\n    \"\\u13a6\\u13b5\\u13f4\": 11128,\n    \"\\u2581\\u13ed\\u13c2\\u13f4\\u13cd\\u13d7\": 11129,\n    \"\\u2581\\u13f1\\u13e5\\u13f2\": 11130,\n    \"\\u13e4\\u13c5\": 11131,\n    \"\\u13ab\\u13cd\\u13db\": 11132,\n    \"\\u13a7\\u13d8\": 11133,\n    \"\\u13b5\\u13f2\\u13a9\": 11134,\n    \"\\u2581\\u13d7\\u13d3\\u13b4\\u13b2\\u13cd\\u13a8\": 11135,\n    \"\\u2581\\u13f4\\u13eb\\u13cd\\u13a9\\u13c2\": 11136,\n    \"\\u13a8\\u13d9\\u13b0\": 11137,\n    \"\\u2581\\u13a4\\u13be\\u13e6\\u13d7\": 11138,\n    \"\\u13cf\\u13cc\\u13c5\": 11139,\n    \"\\u2581\\u13d3\\u13f0\\u13e5\": 11140,\n    \"\\u13b8\\u13cd\\u13d4\\u13c5\": 11141,\n    \"\\u2581\\u13a0\\u13e5\\u13aa\\u13d7\": 11142,\n    \"\\u13e3\\u13b6\\u13c1\": 11143,\n    \"\\u13be\\u13c9\\u13af\": 11144,\n    \"\\u13e3\\u13c3\\u13c1\\u13b5\": 11145,\n    \"\\u2581\\u13da\\u13c2\\u13c5\": 11146,\n    \"\\u13d3\\u13b4\\u13b2\\u13cd\\u13a9\": 11147,\n    \"\\u13d3\\u13f0\\u13c5\": 11148,\n    \"\\u2581\\u13d9\\u13e4\": 11149,\n    \"\\u2581\\u13db\\u13ad\": 11150,\n    \"\\u13e3\\u13c5\": 11151,\n    \"\\u13d3\\u13c5\\u13a6\\u13b8\": 11152,\n    \"\\u13a9\\u13b8\\u13d4\\u13c1\": 11153,\n    \"\\u13ce\\u13aa\\u13a9\": 11154,\n    \"\\u13ea\\u13b8\": 11155,\n    \"\\u13b5\\u13b4\": 11156,\n    \"\\u13ec\\u13c2\\u13af\\u13cd\\u13d7\\u13f1\": 11157,\n    \"\\u13c6\\u13c5\\u13d4\": 11158,\n    \"\\u2581\\u13c2\\u13a8\\u13e5\": 11159,\n    \"\\u13c9\\u13d1\\u13b4\": 11160,\n    \"\\u2581\\u13a0\\u13be\\u13c5\": 11161,\n    \"\\u13e8\\u13a6\": 11162,\n    \"\\u2581\\u13a5\\u13a9\\u13c1\\u13b8\": 11163,\n    \"\\u2581\\u13d7\\u13d5\": 11164,\n    \"\\u2581\\u13e5\\u13f2\": 11165,\n    \"\\u13b3\\u13c5\\u13d3\\u13d5\\u13b8\": 11166,\n    \"\\u2581\\u13f1\\u13da\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 11167,\n    \"\\u13b4\\u13eb\\u13cd\\u13d7\\u13cd\\u13a8\": 11168,\n    \"\\u13b8\\u13c3\\u13d8\\u13ad\": 11169,\n    \"\\u2581\\u13a5\\u13ac\\u13e9\": 11170,\n    \"\\u13b5\\u13ae\\u13b5\\u13e5\": 11171,\n    \"\\u13c5\\u13a6\\u13b5\\u13cd\\u13ac\\u13a2\": 11172,\n    \"\\u13b8\\u13a5\\u13cd\\u13a9\": 11173,\n    \"\\u2581\\u13e5\\u13d3\\u13be\": 11174,\n    \"\\u13c2\\u13df\": 11175,\n    \"\\u2581\\u13a4\\u13a7\\u13d9\\u13cd\": 11176,\n    \"\\u13d4\\u13b3\\u13ec\": 11177,\n    \"\\u13e5\\u13a9\\u13cd\\u13d7\": 11178,\n    \"\\u13df\\u13cc\\u13c5\\u13a9\": 11179,\n    \"\\u2581\\u13f1\\u13c2\\u13e3\\u13db\": 11180,\n    \"\\u2581\\u13a4\\u13b5\\u13ae\\u13b5\\u13e4\\u13b8\": 11181,\n    \"\\u13cd\\u13a6\\u13c3\\u13b8\": 11182,\n    \"\\u2581\\u13e7\\u13c5\\u13d9\\u13d7\": 11183,\n    \"\\u2581\\u13ac\\u13c6\\u13d5\": 11184,\n    \"\\u2581\\u13a7\\u13c1\\u13a2\\u13cd\": 11185,\n    \"\\u2581\\u13a0\\u13be\\u13db\\u13a9\": 11186,\n    \"\\u13db\\u13a6\\u13c1\\u13d7\\u13f1\": 11187,\n    \"\\u13a6\\u13e2\\u13c8\": 11188,\n    \"\\u2581\\u13f3\\u13dd\": 11189,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13a8\\u13a2\": 11190,\n    \"\\u13be\\u13b4\\u13eb\\u13cd\\u13d4\\u13c1\": 11191,\n    \"\\u2581\\u13d7\\u13c2\\u13f2\\u13b5\\u13c9\": 11192,\n    \"\\u13d2\\u13a6\\u13b3\": 11193,\n    \"\\u13dd\\u13b4\": 11194,\n    \"\\u13e5\\u13ef\\u13ec\\u13a5\": 11195,\n    \"\\u2581\\u13a4\\u13ec\\u13ea\\u13b3\": 11196,\n    \"\\u2581\\u13d9\\u13d3\\u13e5\\u13ef\": 11197,\n    \"\\u2581\\u13a0\\u13a9\\u13b7\\u13e4\\u13d7\": 11198,\n    \"\\u2581\\u13ac\\u13ef\\u13db\\u13c1\\u13b8\": 11199,\n    \"\\u13d7\\u13d4\\u13cd\\u13d7\\u13f1\": 11200,\n    \"\\u2581\\u13e7\\u13c2\\u13c1\\u13e4\": 11201,\n    \"\\u2581\\u13a4\\u13db\\u13d3\\u13cd\": 11202,\n    \"\\u2581\\u13a4\\u13ea\\u13d9\\u13b5\\u13e8\": 11203,\n    \"\\u13ac\\u13c1\\u13d7\\u13f1\": 11204,\n    \"\\u13d3\\u13aa\\u13e9\\u13d8\\u13ad\": 11205,\n    \"\\u2581\\u13a1\\u13e3\\u13da\": 11206,\n    \"\\u2581\\u13d9\\u13db\\u13c3\": 11207,\n    \"\\u2581\\u13e5\\u13c5\\u13e9\\u13cd\\u13d7\": 11208,\n    \"\\u13ef\\u13db\\u13d7\": 11209,\n    \"\\u2581\\u13d7\\u13a6\\u13a8\": 11210,\n    \"\\u13cc\\u13be\": 11211,\n    \"\\u13af\\u13d3\\u13cd\\u13d7\\u13f1\": 11212,\n    \"\\u13be\\u13da\\u13b5\\u13cd\\u13a8\\u13cd\\u13d7\": 11213,\n    \"\\u13b5\\u13cd\\u13d4\\u13f4\\u13b2\\u13cd\\u13ac\": 11214,\n    \"\\u13f2\\u13cd\\u13d9\\u13d7\": 11215,\n    \"\\u2581\\u13a4\\u13c2\\u13ef\\u13b8\": 11216,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13d7\\u13cd\\u13d7\": 11217,\n    \"\\u13af\\u13cd\\u13d7\\u13cd\\u13a9\": 11218,\n    \"\\u13c2\\u13cd\\u13da\\u13a9\": 11219,\n    \"\\u13a9\\u13a7\\u13cf\": 11220,\n    \"\\u13cd\\u13a9\\u13f2\\u13ce\\u13ad\": 11221,\n    \"\\u2581\\u13a0\\u13d3\\u13be\\u13cf\\u13c2\": 11222,\n    \"\\u2581\\u13ac\\u13a9\\u13ef\": 11223,\n    \"\\u13e9\\u13c9\": 11224,\n    \"\\u2581\\u13b2\\u13c2\": 11225,\n    \"\\u13e5\\u13f0\\u13b5\\u13d2\": 11226,\n    \"\\u13ab\\u13f1\\u13cd\\u13a8\\u13cd\\u13d7\": 11227,\n    \"\\u2581\\u13d5\\u13b6\": 11228,\n    \"\\u13db\\u13c1\\u13b5\\u13cd\\u13a9\": 11229,\n    \"\\u13cd\\u13aa\\u13b8\\u13d3\\u13cf\": 11230,\n    \"\\u2581\\u13c2\\u13ac\\u13c5\\u13a2\": 11231,\n    \"\\u13be\\u13c4\\u13aa\\u13a8\\u13cd\\u13d7\": 11232,\n    \"\\u13cd\\u13a9\\u13a6\\u13d4\\u13ad\": 11233,\n    \"\\u13c6\\u13c2\\u13cf\": 11234,\n    \"\\u13c3\\u13c1\\u13b8\\u13af\": 11235,\n    \"\\u13e5\\u13c3\\u13cd\\u13db\": 11236,\n    \"\\u13ac\\u13e9\\u13aa\\u13b2\": 11237,\n    \"\\u2581\\u13d7\\u13a6\\u13cd\\u13a9\\u13b6\": 11238,\n    \"\\u13d5\\u13cb\\u13af\\u13cd\\u13d7\": 11239,\n    \"\\u13be\\u13bf\": 11240,\n    \"\\u2581\\u13a6\\u13a7\\u13b2\": 11241,\n    \"\\u2581\\u13da\\u13d9\\u13ea\": 11242,\n    \"\\u13e3\\u13f2\\u13ad\": 11243,\n    \"\\u2581\\u13da\\u13d9\\u13a5\\u13a9\": 11244,\n    \"\\u2581\\u13a0\\u13b9\\u13c9\": 11245,\n    \"\\u13b5\\u13ce\\u13ad\": 11246,\n    \"\\u13d3\\u13c2\\u13b8\\u13a8\\u13cd\\u13d7\": 11247,\n    \"\\u13a6\\u13c4\\u13aa\\u13ac\\u13a2\": 11248,\n    \"\\u13a6\\u13e5\\u13f4\": 11249,\n    \"\\u13ea\\u13d9\\u13b5\\u13e8\\u13a9\": 11250,\n    \"\\u13be\\u13d3\\u13c5\\u13d6\\u13b8\": 11251,\n    \"\\u13b5\\u13e8\": 11252,\n    \"\\u13b5\\u13cd\\u13da\\u13b6\": 11253,\n    \"\\u2581\\u13a4\\u13b5\\u13e0\\u13ef\\u13cd\": 11254,\n    \"\\u2581\\u13a6\\u13d7\\u13d4\": 11255,\n    \"\\u2581\\u13da\\u13ea\\u13a7\": 11256,\n    \"\\u2581\\u13c4\\u13e7\\u13c8\\u13cd\": 11257,\n    \"\\u2581\\u13e3\\u13db\\u13d7\": 11258,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13b0\\u13ce\": 11259,\n    \"\\u13eb\\u13a8\\u13d9\\u13b2\": 11260,\n    \"\\u2581\\u13a0\\u13e5\\u13cd\\u13da\": 11261,\n    \"\\u13ae\\u13cd\\u13ac\\u13be\": 11262,\n    \"\\u2581\\u13a0\\u13c2\\u13be\\u13b7\\u13cd\": 11263,\n    \"\\u13a8\\u13d3\\u13b5\": 11264,\n    \"\\u2581\\u13a0\\u13a9\\u13e9\\u13db\\u13d7\": 11265,\n    \"\\u13a9\\u13a1\\u13b4\": 11266,\n    \"\\u13c5\\u13ce\\u13a2\": 11267,\n    \"\\u2581\\u13f4\\u13a6\\u13e5\\u13cd\\u13a6\": 11268,\n    \"\\u2581\\u13af\\u13e9\\u13db\": 11269,\n    \"\\u2581\\u13c2\\u13ac\\u13c2\\u13cf\": 11270,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13aa\\u13b8\\u13d9\\u13d7\": 11271,\n    \"\\u13d8\\u13c2\\u13d9\\u13af\": 11272,\n    \"\\u2581\\u13ef\\u13c2\\u13c1\": 11273,\n    \"\\u2581\\u13f3\\u13f4\": 11274,\n    \"\\u13db\\u13d3\\u13b4\\u13b2\\u13cd\\u13a9\": 11275,\n    \"\\u13c3\\u13ad\\u13dd\": 11276,\n    \"\\u2581\\u13a8\\u13e3\\u13c1\\u13a2\\u13cd\\u13d7\": 11277,\n    \"\\u13b8\\u13c9\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 11278,\n    \"\\u2581\\u13a2\\u13e5\\u13a7\\u13b5\\u13a2\": 11279,\n    \"\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\": 11280,\n    \"\\u2581\\u13e9\\u13c2\": 11281,\n    \"\\u13a9\\u13e0\": 11282,\n    \"\\u2581\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 11283,\n    \"\\u2581\\u13d5\\u13a6\\u13c2\\u13f1\\u13cd\": 11284,\n    \"\\u13be\\u13c4\\u13aa\\u13ac\": 11285,\n    \"\\u13e3\\u13d3\\u13f1\\u13b8\": 11286,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13e5\\u13d9\\u13c2\\u13d9\": 11287,\n    \"\\u13c4\\u13aa\\u13eb\\u13cd\\u13a6\": 11288,\n    \"\\u2581\\u13b2\\u13be\": 11289,\n    \"\\u13d3\\u13ec\\u13a0\": 11290,\n    \"\\u13d3\\u13c1\\u13b5\": 11291,\n    \"\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d7\\u13f1\": 11292,\n    \"\\u2581\\u13a8\\u13e5\\u13f0\\u13b8\": 11293,\n    \"\\u13c4\\u13aa\\u13e4\": 11294,\n    \"\\u13ce\\u13db\": 11295,\n    \"\\u13e0\\u13ef\": 11296,\n    \"\\u13a6\\u13d9\\u13cd\\u13d5\\u13a2\": 11297,\n    \"\\u13d9\\u13e2\\u13d2\\u13a2\": 11298,\n    \"\\u13a1\\u13be\": 11299,\n    \"\\u13c2\\u13da\\u13ea\\u13ce\\u13b8\\u13a9\": 11300,\n    \"\\u13a6\\u13db\\u13b4\\u13af\": 11301,\n    \"\\u2581\\u13a8\\u13e5\\u13c1\": 11302,\n    \"\\u2581\\u13a6\\u13c1\\u13df\\u13f4\": 11303,\n    \"\\u13be\\u13f0\\u13af\": 11304,\n    \"\\u13e5\\u13d3\\u13cd\\u13d7\": 11305,\n    \"\\u13a6\\u13b8\\u13d3\": 11306,\n    \"\\u13f0\\u13b2\\u13be\": 11307,\n    \"\\u13c6\\u13d5\\u13d8\\u13f4\\u13b2\": 11308,\n    \"\\u13a6\\u13d4\\u13b2\\u13a2\": 11309,\n    \"\\u13df\\u13f4\\u13ad\": 11310,\n    \"\\u2581\\u13a4\\u13db\\u13c2\\u13d7\": 11311,\n    \"\\u2581\\u13e8\\u13db\": 11312,\n    \"\\u2581\\u13e7\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\": 11313,\n    \"\\u13f1\\u13b5\\u13d9\\u13ad\": 11314,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13aa\": 11315,\n    \"\\u13d5\\u13d9\\u13ad\": 11316,\n    \"\\u13d9\\u13a8\\u13cd\\u13d7\": 11317,\n    \"\\u13d1\\u13b5\\u13aa\\u13ac\": 11318,\n    \"\\u2581\\u13a4\\u13aa\\u13ae\\u13c3\": 11319,\n    \"\\u2581\\u13a0\\u13a9\\u13c1\\u13e4\": 11320,\n    \"\\u2581\\u13c4\\u13ea\\u13a1\": 11321,\n    \"\\u13c4\\u13ae\\u13b5\": 11322,\n    \"\\u2581\\u13a6\\u13be\\u13cd\": 11323,\n    \"\\u13c2\\u13e9\\u13db\\u13b2\": 11324,\n    \"\\u2581\\u13af\\u13c3\\u13c1\\u13b8\": 11325,\n    \"\\u2581\\u13e5\\u13da\\u13c4\\u13aa\": 11326,\n    \"\\u13c2\\u13cd\\u13aa\": 11327,\n    \"\\u13c1\\u13d9\\u13af\": 11328,\n    \"\\u13a7\\u13be\\u13c5\": 11329,\n    \"\\u2581\\u13d3\\u13f0\\u13b5\": 11330,\n    \"\\u2581\\u13a0\\u13d3\\u13d9\\u13b5\\u13cd\": 11331,\n    \"\\u2581\\u13d3\\u13e5\\u13b6\\u13cd\": 11332,\n    \"\\u13b7\\u13ac\\u13be\": 11333,\n    \"\\u2581\\u13da\\u13c3\\u13f4\": 11334,\n    \"\\u13a8\\u13ae\": 11335,\n    \"\\u2581\\u13a2\\u13e3\\u13ab\\u13f1\\u13cd\": 11336,\n    \"\\u13ad\\u13c9\": 11337,\n    \"\\u2581\\u13a0\\u13b8\\u13af\": 11338,\n    \"\\u13d5\\u13c3\": 11339,\n    \"\\u2581\\u13a2\\u13a6\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d7\": 11340,\n    \"\\u13a6\\u13d8\\u13f0\\u13a2\": 11341,\n    \"\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13b8\\u13a9\": 11342,\n    \"\\u13db\\u13d3\\u13cd\\u13d4\\u13c2\": 11343,\n    \"\\u13a7\\u13c1\\u13e5\": 11344,\n    \"\\u2581\\u13e7\\u13f3\": 11345,\n    \"\\u2581\\u13a1\\u13b6\\u13af\\u13c9\": 11346,\n    \"\\u2581\\u13d5\\u13ac\\u13a9\": 11347,\n    \"\\u13c2\\u13cd\\u13d8\\u13f0\\u13ac\": 11348,\n    \"\\u13f2\\u13a9\": 11349,\n    \"\\u13e3\\u13e2\": 11350,\n    \"\\u2581\\u13d3\\u13ac\\u13ef\": 11351,\n    \"\\u13ef\\u13d1\\u13f0\\u13db\": 11352,\n    \"\\u2581\\u13ac\\u13f4\": 11353,\n    \"\\u2581\\u13a0\\u13d4\": 11354,\n    \"\\u13a7\\u13bf\\u13e9\\u13db\\u13cd\\u13d7\": 11355,\n    \"\\u2581\\u13db\\u13aa\": 11356,\n    \"\\u13d3\\u13b4\\u13b2\\u13cd\\u13a8\": 11357,\n    \"\\u2581\\u13af\\u13cd\\u13d5\\u13b8\\u13d7\": 11358,\n    \"\\u13c2\\u13ad\": 11359,\n    \"\\u2581\\u13e3\\u13c4\\u13ec\": 11360,\n    \"\\u2581\\u13a2\\u13e4\\u13d3\\u13cd\\u13d7\": 11361,\n    \"\\u2581\\u13a2\\u13e4\\u13f2\": 11362,\n    \"\\u13d6\\u13c6\\u13b6\": 11363,\n    \"\\u2581\\u13a0\\u13c2\\u13b6\\u13cf\\u13d9\": 11364,\n    \"\\u13d7\\u13d2\\u13c5\": 11365,\n    \"\\u13c1\\u13b5\\u13d9\\u13b8\": 11366,\n    \"\\u13a6\\u13f0\\u13c3\": 11367,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13a6\": 11368,\n    \"\\u13c2\\u13d4\\u13f2\\u13b4\": 11369,\n    \"\\u2581\\u13e7\\u13b5\\u13cd\\u13da\": 11370,\n    \"\\u13a6\\u13c3\\u13e5\": 11371,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13d8\\u13f0\": 11372,\n    \"\\u2581\\u13ac\\u13d4\\u13c5\": 11373,\n    \"\\u13e5\\u13c1\\u13e4\\u13b8\\u13af\": 11374,\n    \"\\u2581\\u13e5\\u13c2\\u13e8\": 11375,\n    \"\\u2581\\u13e7\\u13ab\\u13f4\": 11376,\n    \"\\u13e4\\u13b5\\u13a6\\u13ef\": 11377,\n    \"\\u13a7\\u13be\\u13e9\\u13d7\\u13d9\": 11378,\n    \"\\u13a9\\u13a1\\u13d7\": 11379,\n    \"\\u13a1\\u13ae\": 11380,\n    \"\\u2581\\u13d5\\u13e7\\u13aa\\u13d7\\u13cd\": 11381,\n    \"\\u13e7\\u13e3\": 11382,\n    \"\\u2581\\u13f4\\u13d3\\u13a6\": 11383,\n    \"\\u13be\\u13a6\\u13d4\\u13b2\\u13cd\\u13ac\": 11384,\n    \"\\u2581\\u13a8\\u13aa\": 11385,\n    \"\\u13e6\\u13f1\": 11386,\n    \"\\u13d3\\u13d1\\u13f4\\u13a2\": 11387,\n    \"\\u13de\\u13e4\": 11388,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13b8\\u13d7\": 11389,\n    \"\\u13d3\\u13a8\\u13db\": 11390,\n    \"pi\": 11391,\n    \"\\u13ef\\u13d6\\u13c3\": 11392,\n    \"\\u13ce\\u13b5\\u13d9\": 11393,\n    \"\\u13f4\\u13ad\\u13a6\": 11394,\n    \"\\u2581\\u13de\\u13a6\\u13c9\": 11395,\n    \"\\u13e3\\u13c1\\u13b5\": 11396,\n    \"\\u13c3\\u13af\\u13cf\": 11397,\n    \"\\u13db\\u13db\\u13c5\\u13a9\": 11398,\n    \"\\u2581\\u13e3\\u13d5\": 11399,\n    \"\\u13f2\\u13a6\\u13d8\": 11400,\n    \"\\u13be\\u13c1\\u13cd\\u13a8\\u13d7\": 11401,\n    \"\\u13d3\\u13e5\\u13a9\\u13cf\": 11402,\n    \"\\u2581\\u13a0\\u13a7\\u13d4\": 11403,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13af\\u13cd\\u13d4\": 11404,\n    \"\\u13b5\\u13d9\\u13ae\\u13cd\\u13d7\": 11405,\n    \"\\u2581\\u13ac\\u13ed\\u13af\\u13cd\\u13d7\\u13cd\": 11406,\n    \"\\u13e5\\u13e9\\u13db\\u13d3\": 11407,\n    \"\\u13e8\\u13c9\": 11408,\n    \"\\u2581\\u13a2\\u13e5\\u13aa\\u13e9\\u13db\": 11409,\n    \"\\u2581\\u13d3\\u13a6\\u13c2\": 11410,\n    \"\\u2581\\u13ef\\u13a6\\u13b5\": 11411,\n    \"\\u13d7\\u13e4\\u13be\": 11412,\n    \"\\u13b5\\u13d7\": 11413,\n    \"\\u2581\\u13e5\\u13a8\\u13e3\": 11414,\n    \"\\u13be\\u13ef\": 11415,\n    \"\\u13b5\\u13a5\\u13c2\\u13b5\": 11416,\n    \"\\u13d3\\u13c2\\u13b8\\u13a6\": 11417,\n    \"\\u13b7\\u13af\\u13cd\\u13d3\\u13c1\": 11418,\n    \"\\u13d3\\u13b4\\u13c5\\u13d3\": 11419,\n    \"\\u13cf\\u13be\\u13cf\": 11420,\n    \"\\u13a1\\u13b2\": 11421,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13d7\\u13cd\": 11422,\n    \"\\u13aa\\u13b8\\u13d2\": 11423,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13c1\\u13b3\": 11424,\n    \"\\u13c2\\u13f2\": 11425,\n    \"\\u2581\\u13a4\\u13d3\\u13be\": 11426,\n    \"\\u13be\\u13d5\\u13aa\": 11427,\n    \"\\u13aa\\u13ce\\u13ae\\u13cd\\u13d7\": 11428,\n    \"\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d3\": 11429,\n    \"\\u13e9\\u13d8\\u13cd\\u13ac\": 11430,\n    \"\\u13e9\\u13c1\\u13b2\": 11431,\n    \"\\u2581\\u13d7\\u13c6\\u13d3\": 11432,\n    \"\\u13d1\\u13b4\\u13d7\": 11433,\n    \"\\u13c3\\u13f4\\u13ac\": 11434,\n    \"\\u2581\\u13d7\\u13a6\\u13b6\\u13af\\u13cd\\u13d7\": 11435,\n    \"\\u2581\\u13a0\\u13a9\\u13c1\\u13b5\\u13cd\": 11436,\n    \"\\u13e9\\u13af\\u13ce\\u13b4\\u13a2\": 11437,\n    \"\\u2581\\u13f3\\u13be\\u13d7\\u13c5\": 11438,\n    \"\\u13b6\\u13c2\": 11439,\n    \"\\u2581\\u13d3\\u13c2\\u13c5\": 11440,\n    \"\\u13ac\\u13e9\\u13c2\": 11441,\n    \"\\u13b6\\u13cd\\u13a8\\u13cd\\u13d7\": 11442,\n    \"\\u13c1\\u13b5\\u13cd\\u13a8\": 11443,\n    \"\\u2581\\u13a4\\u13c2\\u13b6\\u13af\\u13cd\\u13d7\": 11444,\n    \"\\u13a6\\u13d8\\u13f0\\u13cd\\u13d7\": 11445,\n    \"\\u13ed\\u13be\": 11446,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d7\": 11447,\n    \"\\u13a6\\u13d8\\u13ef\": 11448,\n    \"\\u13c6\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\": 11449,\n    \"\\u2581\\u13a2\\u13e5\\u13a6\\u13b5\": 11450,\n    \"\\u2581\\u13e5\\u13ef\\u13d3\\u13c5\\u13d6\\u13cd\": 11451,\n    \"\\u13e9\\u13d0\": 11452,\n    \"\\u2581\\u13a3\\u13c6\": 11453,\n    \"\\u2581\\u13a4\\u13b5\\u13cf\": 11454,\n    \"\\u2581\\u13e7\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 11455,\n    \"\\u13b3\\u13d1\\u13b6\": 11456,\n    \"\\u13b4\\u13a6\": 11457,\n    \"\\u13ec\\u13a5\\u13a2\": 11458,\n    \"\\u13a7\\u13c5\\u13a9\": 11459,\n    \"\\u2581\\u13a4\\u13d2\\u13b4\": 11460,\n    \"\\u2581\\u13a0\\u13a6\\u13d8\\u13c3\\u13ae\": 11461,\n    \"\\u13e5\\u13aa\\u13a5\": 11462,\n    \"\\u2581\\u13a2\\u13e3\\u13cd\\u13d7\": 11463,\n    \"\\u13a9\\u13c2\\u13c6\\u13d8\\u13af\": 11464,\n    \"\\u13f4\\u13e2\": 11465,\n    \"\\u13d1\\u13f0\\u13d2\\u13a2\": 11466,\n    \"\\u13e3\\u13db\\u13c1\\u13b5\": 11467,\n    \"\\u13be\\u13d7\\u13c5\": 11468,\n    \"\\u13d3\\u13c5\\u13d2\\u13ad\": 11469,\n    \"\\u13a6\\u13b5\\u13f1\": 11470,\n    \"\\u13f0\\u13b8\\u13be\\u13c1\\u13d7\": 11471,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 11472,\n    \"\\u13e9\\u13d5\\u13a8\": 11473,\n    \"\\u2581\\u13dd\\u13f0\": 11474,\n    \"\\u2581\\u13f3\\u13d4\\u13f2\\u13ce\": 11475,\n    \"\\u13d2\\u13d7\\u13cd\\u13ac\": 11476,\n    \"\\u13e6\\u13af\\u13f3\\u13b2\\u13cd\\u13a6\": 11477,\n    \"\\u2581\\u13f3\\u13be\\u13da\\u13b5\": 11478,\n    \"\\u2581\\u13f1\\u13e5\\u13f2\\u13cd\": 11479,\n    \"\\u13d5\\u13d8\\u13f4\\u13db\": 11480,\n    \"\\u2581\\u13a0\\u13c2\\u13ef\\u13eb\\u13cd\": 11481,\n    \"\\u13d7\\u13d5\\u13ac\\u13a2\": 11482,\n    \"\\u13ef\\u13a6\\u13d4\\u13c2\": 11483,\n    \"\\u13c2\\u13b0\": 11484,\n    \"\\u2581\\u13a0\\u13a9\\u13c1\\u13e4\\u13b8\": 11485,\n    \"\\u13ab\\u13cf\": 11486,\n    \"\\u13d8\\u13c3\\u13af\\u13cf\": 11487,\n    \"\\u13cd\\u13a6\\u13c5\\u13aa\\u13a2\": 11488,\n    \"\\u2581\\u13be\\u13a6\": 11489,\n    \"\\u13d6\\u13b3\\u13d7\": 11490,\n    \"\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d9\\u13d7\\u13f1\": 11491,\n    \"\\u2581\\u13e7\\u13c3\\u13af\\u13f3\": 11492,\n    \"\\u2581\\u13eb\\u13d3\\u13ef\\u13c2\\u13cd\": 11493,\n    \"\\u13ef\\u13a9\\u13cd\\u13ac\": 11494,\n    \"\\u13d7\\u13eb\\u13ce\\u13d7\": 11495,\n    \"\\u13cd\\u13db\\u13d7\\u13cd\\u13ac\\u13a2\": 11496,\n    \"\\u13d0\\u13ef\\u13cd\\u13d7\": 11497,\n    \"\\u13d3\\u13c5\\u13a1\\u13d7\\u13f1\": 11498,\n    \"\\u13d3\\u13a4\\u13a6\": 11499,\n    \"\\u13d0\\u13b8\": 11500,\n    \"\\u2581\\u13e7\\u13ec\\u13ce\": 11501,\n    \"\\u13b5\\u13aa\\u13d4\\u13c5\": 11502,\n    \"\\u13a7\\u13b3\": 11503,\n    \"\\u13db\\u13d4\\u13c1\": 11504,\n    \"\\u13c2\\u13a9\\u13cf\": 11505,\n    \"\\u13cf\\u13c3\\u13b4\": 11506,\n    \"\\u13ad\\u13b7\\u13a8\": 11507,\n    \"\\u13c2\\u13aa\\u13af\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 11508,\n    \"\\u13b5\\u13d6\\u13b8\\u13b2\\u13cd\\u13a6\": 11509,\n    \"\\u13e9\\u13db\\u13a1\\u13ae\": 11510,\n    \"\\u13c2\\u13ef\\u13cd\\u13d7\": 11511,\n    \"\\u13ea\\u13cd\\u13d7\\u13f1\": 11512,\n    \"\\u13b8\\u13c5\\u13a9\": 11513,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d4\": 11514,\n    \"\\u13bc\\u13cf\": 11515,\n    \"\\u13d3\\u13a9\\u13c5\": 11516,\n    \"\\u13d3\\u13df\\u13f4\": 11517,\n    \"\\u2581\\u13e5\\u13a6\\u13b3\": 11518,\n    \"\\u2581\\u13f3\\u13c2\\u13c1\": 11519,\n    \"\\u2581\\u13e7\\u13b6\": 11520,\n    \"\\u13ea\\u13b6\": 11521,\n    \"\\u13a8\\u13f3\\u13d2\\u13be\": 11522,\n    \"\\u13c1\\u13b5\\u13cd\\u13aa\": 11523,\n    \"\\u13b5\\u13cd\\u13d4\\u13c1\\u13d7\": 11524,\n    \"\\u2581\\u13a4\\u13b4\\u13be\": 11525,\n    \"\\u13b3\\u13c3\": 11526,\n    \"\\u2581\\u13f1\\u13a8\\u13a6\": 11527,\n    \"\\u13e0\\u13ce\": 11528,\n    \"\\u2581\\u13a0\\u13c2\\u13b6\\u13cd\\u13a8\": 11529,\n    \"\\u2581\\u13c2\\u13d5\\u13a4\\u13cd\": 11530,\n    \"\\u13ec\\u13ef\\u13c1\\u13ce\\u13a2\": 11531,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13af\": 11532,\n    \"\\u13d5\\u13ef\\u13d9\\u13d3\": 11533,\n    \"\\u13e3\\u13c5\\u13d4\": 11534,\n    \"\\u13e1\\u13d7\\u13ad\": 11535,\n    \"\\u2581\\u13a6\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\": 11536,\n    \"\\u13d9\\u13bb\": 11537,\n    \"\\u13cd\\u13c6\\u13d7\\u13cd\\u13d7\": 11538,\n    \"\\u2581\\u13da\\u13db\": 11539,\n    \"\\u2581\\u13a0\\u13a9\\u13ef\": 11540,\n    \"\\u2581\\u13a2\\u13be\\u13af\": 11541,\n    \"\\u13b4\\u13b2\\u13cd\\u13ac\\u13a9\": 11542,\n    \"\\u2581\\u13a3\\u13a6\\u13b5\\u13cd\\u13d4\\u13f4\": 11543,\n    \"\\u2581\\u13d5\\u13a6\\u13e5\": 11544,\n    \"\\u13b5\\u13cd\\u13d4\\u13f4\\u13be\": 11545,\n    \"\\u13d7\\u13d3\\u13b4\\u13b2\\u13cd\\u13aa\\u13a2\": 11546,\n    \"\\u13af\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 11547,\n    \"\\u2581\\u13f1\\u13e3\\u13db\\u13d3\\u13cd\\u13d4\": 11548,\n    \"\\u13c8\\u13f4\": 11549,\n    \"\\u13c2\\u13b6\\u13d2\\u13af\": 11550,\n    \"\\u13d7\\u13e5\\u13c2\\u13f4\": 11551,\n    \"\\u13e4\\u13b2\\u13be\": 11552,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13da\": 11553,\n    \"\\u13c4\\u13d9\\u13ac\": 11554,\n    \"\\u2581\\u13c2\\u13da\\u13be\\u13d3\": 11555,\n    \"\\u13b5\\u13aa\\u13b2\": 11556,\n    \"\\u2581\\u13a0\\u13bf\\u13ec\": 11557,\n    \"\\u2581\\u13c2\\u13d9\\u13d3\": 11558,\n    \"\\u13c4\\u13e3\": 11559,\n    \"\\u13c2\\u13aa\\u13e9\\u13db\": 11560,\n    \"\\u13d8\\u13d2\\u13b4\\u13a2\": 11561,\n    \"\\u13f2\\u13cd\\u13d9\\u13d3\\u13c1\\u13b8\\u13a9\": 11562,\n    \"\\u2581\\u13da\\u13b5\\u13cd\\u13da\": 11563,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d4\\u13c1\": 11564,\n    \"\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\": 11565,\n    \"\\u2581\\u13a4\\u13d3\\u13e6\": 11566,\n    \"\\u13be\\u13d7\\u13be\": 11567,\n    \"\\u13f1\\u13d9\": 11568,\n    \"\\u13aa\\u13af\\u13f3\\u13d7\\u13f1\": 11569,\n    \"\\u2581\\u13a5\\u13a0\\u13a9\": 11570,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13c2\": 11571,\n    \"\\u2581\\u13eb\\u13da\\u13c3\\u13c1\": 11572,\n    \"\\u13d5\\u13ef\\u13d9\\u13d7\\u13ad\": 11573,\n    \"\\u13ae\\u13b4\\u13a2\": 11574,\n    \"\\u13c2\\u13e9\\u13db\\u13af\\u13d9\": 11575,\n    \"\\u13b6\\u13d2\\u13af\": 11576,\n    \"\\u13db\\u13d3\\u13cd\\u13d4\\u13c5\": 11577,\n    \"\\u13f2\\u13cf\\u13cd\\u13a8\\u13a2\": 11578,\n    \"\\u13d7\\u13a6\\u13d4\\u13ad\": 11579,\n    \"\\u2581\\u13d8\\u13cf\": 11580,\n    \"\\u13d6\\u13c6\\u13b6\\u13af\": 11581,\n    \"\\u13cd\\u13d3\\u13a5\": 11582,\n    \"\\u2581\\u13d7\\u13e0\\u13af\\u13cd\": 11583,\n    \"lo\": 11584,\n    \"\\u2581\\u13a3\\u13cd\\u13d5\\u13d9\": 11585,\n    \"\\u13e2\\u13d4\": 11586,\n    \"\\u2581\\u13a0\\u13af\\u13ef\": 11587,\n    \"\\u13b4\\u13c9\": 11588,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13c2\\u13aa\\u13d7\\u13cd\": 11589,\n    \"\\u2581\\u13e3\\u13d3\\u13c5\\u13a6\\u13b8\": 11590,\n    \"\\u13d7\\u13cd\\u13a6\\u13b3\": 11591,\n    \"\\u13ef\\u13a6\\u13bf\\u13c5\": 11592,\n    \"\\u2581\\u13e3\\u13c1\\u13e4\": 11593,\n    \"\\u13c4\\u13aa\\u13ac\\u13a2\": 11594,\n    \"\\u13a0\\u13f0\\u13b8\": 11595,\n    \"\\u13b5\\u13cd\\u13d9\": 11596,\n    \"\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d9\\u13d7\": 11597,\n    \"\\u2581\\u13ac\\u13e9\\u13be\\u13d3\": 11598,\n    \"\\u2581\\u13eb\\u13e5\\u13c2\": 11599,\n    \"\\u2581\\u13d3\\u13f3\\u13be\": 11600,\n    \"\\u13c2\\u13f2\\u13b8\": 11601,\n    \"\\u13e5\\u13f3\": 11602,\n    \"\\u2581\\u13a2\\u13e5\\u13b6\\u13c1\": 11603,\n    \"\\u2581\\u13ac\\u13e9\\u13b8\\u13c9\\u13d7\": 11604,\n    \"\\u2581\\u13d5\\u13e3\\u13b8\": 11605,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\": 11606,\n    \"\\u13c3\\u13a9\\u13cd\\u13d4\\u13c2\": 11607,\n    \"\\u13c2\\u13cd\\u13d9\\u13d7\\u13f1\": 11608,\n    \"\\u13da\\u13be\\u13db\": 11609,\n    \"\\u13cc\\u13b4\\u13d3\": 11610,\n    \"\\u13a6\\u13d8\\u13f0\": 11611,\n    \"\\u13e5\\u13b8\\u13af\": 11612,\n    \"\\u13d3\\u13d4\\u13b6\\u13af\\u13cd\\u13d7\": 11613,\n    \"\\u13da\\u13d3\\u13b3\": 11614,\n    \"\\u13aa\\u13e9\\u13d8\\u13cd\\u13aa\\u13a2\": 11615,\n    \"\\u13ae\\u13b5\\u13cd\\u13ac\\u13c9\": 11616,\n    \"\\u2581\\u13a0\\u13a9\\u13b5\\u13d3\\u13cd\": 11617,\n    \"\\u2581\\u13e3\\u13cd\\u13d5\\u13b8\": 11618,\n    \"\\u13af\\u13b6\\u13a5\": 11619,\n    \"\\u13b5\\u13cf\\u13c5\\u13d3\": 11620,\n    \"\\u13f0\\u13b8\\u13c1\": 11621,\n    \"\\u13ef\\u13ca\": 11622,\n    \"\\u2581\\u13d7\\u13e5\\u13f2\\u13af\": 11623,\n    \"\\u2581\\u13d7\\u13a6\\u13d4\": 11624,\n    \"\\u13ee\\u13a9\": 11625,\n    \"\\u13b6\\u13b8\\u13af\": 11626,\n    \"\\u13e3\\u13d3\\u13d1\\u13ef\": 11627,\n    \"\\u2581\\u13e5\\u13c3\\u13ae\": 11628,\n    \"\\u2581\\u13e7\\u13c2\\u13b8\\u13c9\\u13d7\": 11629,\n    \"\\u13c2\\u13ec\\u13c2\\u13ad\": 11630,\n    \"\\u2581\\u13a5\\u13ac\": 11631,\n    \"\\u13d3\\u13d2\\u13c2\": 11632,\n    \"\\u13be\\u13b4\\u13d7\": 11633,\n    \"\\u13e9\\u13d8\\u13cd\\u13aa\": 11634,\n    \"\\u2581\\u13db\\u13a4\": 11635,\n    \"\\u13cd\\u13d5\\u13b8\\u13a1\\u13d7\\u13f1\": 11636,\n    \"\\u2581\\u13a4\\u13b5\\u13aa\": 11637,\n    \"\\u13c5\\u13d6\": 11638,\n    \"\\u2581\\u13f3\\u13d9\": 11639,\n    \"\\u2581\\u13a0\\u13e2\\u13c8\\u13cd\": 11640,\n    \"\\u13e5\\u13f2\\u13b5\\u13ad\": 11641,\n    \"\\u2581\\u13c2\\u13cd\\u13a9\\u13f4\": 11642,\n    \"\\u2581\\u13a1\\u13e6\\u13a2\\u13f3\": 11643,\n    \"\\u2581\\u13a2\\u13d5\\u13d9\": 11644,\n    \"\\u2581\\u13dd\\u13c9\": 11645,\n    \"\\u13b5\\u13a5\\u13c2\\u13b8\\u13a9\": 11646,\n    \"\\u2581\\u13f1\\u13aa\\u13af\": 11647,\n    \"\\u13e9\\u13db\\u13d4\\u13c5\": 11648,\n    \"\\u13a9\\u13c2\\u13f4\\u13ce\\u13cd\\u13d7\": 11649,\n    \"\\u2581\\u13e7\\u13e2\\u13d7\": 11650,\n    \"\\u13df\\u13f4\\u13d7\": 11651,\n    \"\\u13f0\\u13b8\\u13d2\\u13a9\": 11652,\n    \"\\u13e3\\u13a6\\u13b8\\u13ae\": 11653,\n    \"\\u13cd\\u13da\\u13ae\\u13a2\": 11654,\n    \"\\u13d4\\u13b2\\u13be\": 11655,\n    \"\\u13e9\\u13d7\\u13d2\": 11656,\n    \"\\u2581\\u13d9\\u13cd\\u13d7\": 11657,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13d5\\u13b8\\u13d7\": 11658,\n    \"\\u13e3\\u13a7\\u13c2\\u13cd\\u13ac\": 11659,\n    \"\\u2581\\u13da\\u13a6\\u13d4\": 11660,\n    \"\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ad\": 11661,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13aa\\u13b8\": 11662,\n    \"\\u13e2\\u13d7\\u13cd\\u13a8\": 11663,\n    \"\\u2581\\u13a6\\u13b3\": 11664,\n    \"\\u13d8\\u13cd\\u13a8\": 11665,\n    \"\\u2581\\u13a4\\u13e9\\u13d9\\u13d7\": 11666,\n    \"\\u2581\\u13d3\\u13e5\\u13ef\\u13db\": 11667,\n    \"\\u13b8\\u13b2\": 11668,\n    \"\\u13e5\\u13cd\\u13a6\\u13c5\\u13e4\\u13b8\": 11669,\n    \"\\u2581\\u13a2\\u13e5\\u13ef\\u13c5\": 11670,\n    \"la\": 11671,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13b8\": 11672,\n    \"\\u13f2\\u13af\\u13ce\\u13b4\\u13a2\": 11673,\n    \"\\u13d9\\u13af\\u13f3\\u13ae\": 11674,\n    \"\\u2581\\u13e5\\u13aa\\u13e9\\u13d8\": 11675,\n    \"\\u13be\\u13d3\\u13db\\u13c1\\u13ae\\u13cd\\u13d7\": 11676,\n    \"\\u13c4\\u13c2\": 11677,\n    \"\\u2581\\u13ef\\u13c6\\u13d3\\u13c5\\u13d4\": 11678,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13db\\u13c1\": 11679,\n    \"\\u13c8\\u13b5\": 11680,\n    \"\\u2581\\u13a0\\u13a9\\u13b7\": 11681,\n    \"\\u13c2\\u13f2\\u13af\\u13cd\\u13d9\\u13d7\": 11682,\n    \"\\u2581\\u13a4\\u13d5\\u13d8\": 11683,\n    \"\\u13a7\\u13bf\\u13c5\\u13a9\": 11684,\n    \"\\u13d7\\u13d9\\u13b5\\u13a9\": 11685,\n    \"\\u2581\\u13eb\\u13d7\\u13a8\": 11686,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13a6\": 11687,\n    \"\\u13d3\\u13e5\\u13e9\\u13db\\u13af\\u13c3\": 11688,\n    \"\\u2581\\u13d7\\u13b7\": 11689,\n    \"\\u13b8\\u13c5\\u13ad\": 11690,\n    \"\\u13a6\\u13d6\\u13c3\\u13ad\": 11691,\n    \"\\u2581\\u13e7\\u13d3\\u13c5\\u13d6\": 11692,\n    \"\\u2581\\u13e7\\u13d4\": 11693,\n    \"\\u13cd\\u13a9\\u13b3\": 11694,\n    \"\\u13d7\\u13c5\\u13ce\": 11695,\n    \"\\u2581\\u13d5\\u13e5\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 11696,\n    \"\\u2581\\u13da\\u13a7\\u13c1\": 11697,\n    \"\\u13a9\\u13b5\\u13f2\\u13ac\\u13a2\": 11698,\n    \"\\u2581\\u13d3\\u13c2\\u13c1\": 11699,\n    \"\\u13e3\\u13c5\\u13d3\\u13d7\\u13cd\": 11700,\n    \"\\u2581\\u13a4\\u13c3\\u13af\": 11701,\n    \"\\u2581\\u13a4\\u13cf\\u13b3\\u13db\": 11702,\n    \"\\u2581\\u13a0\\u13e6\": 11703,\n    \"\\u13d3\\u13c2\\u13b8\\u13aa\\u13a2\": 11704,\n    \"\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13b4\": 11705,\n    \"\\u13be\\u13d9\\u13b4\\u13c6\\u13cd\\u13ac\": 11706,\n    \"\\u13cc\\u13b3\\u13d9\\u13d7\": 11707,\n    \"\\u13a9\\u13b8\\u13c9\\u13d4\\u13c5\": 11708,\n    \"\\u2581\\u13a0\\u13d4\\u13f2\\u13af\": 11709,\n    \"\\u13c4\\u13aa\\u13e5\": 11710,\n    \"\\u13b5\\u13ae\\u13b5\\u13e8\\u13af\": 11711,\n    \"\\u13ea\\u13b5\": 11712,\n    \"\\u13c2\\u13d7\\u13cd\\u13d7\": 11713,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13b8\\u13a1\": 11714,\n    \"\\u13b3\\u13cd\\u13d3\\u13b8\": 11715,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13b0\": 11716,\n    \"\\u2581\\u13a4\\u13b4\\u13eb\\u13cd\": 11717,\n    \"\\u2581\\u13d5\\u13af\\u13ef\": 11718,\n    \"\\u13d2\\u13b8\\u13a9\": 11719,\n    \"\\u13d8\\u13cd\\u13aa\": 11720,\n    \"\\u13a6\\u13d8\\u13d7\": 11721,\n    \"\\u2581\\u13a4\\u13e5\\u13cd\\u13d3\": 11722,\n    \"\\u2581\\u13a0\\u13b5\\u13d6\\u13b8\\u13ae\\u13cd\": 11723,\n    \"\\u2581\\u13a0\\u13c1\\u13cd\\u13a8\": 11724,\n    \"\\u13e6\\u13af\\u13f3\\u13c5\": 11725,\n    \"\\u13a6\\u13cc\\u13ef\\u13cd\\u13d7\": 11726,\n    \"\\u13c2\\u13aa\\u13e9\\u13d8\\u13cd\\u13a8\\u13a2\": 11727,\n    \"\\u13d5\\u13b2\\u13a6\": 11728,\n    \"\\u2581\\u13a0\\u13d1\\u13f0\\u13cd\": 11729,\n    \"\\u13b8\\u13aa\\u13eb\\u13cd\": 11730,\n    \"\\u2581\\u13a3\\u13a9\\u13cd\\u13db\\u13d7\\u13cd\": 11731,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13a6\": 11732,\n    \"\\u2581\\u13dc\": 11733,\n    \"\\u2581\\u13da\\u13c2\\u13da\": 11734,\n    \"\\u13aa\\u13e9\": 11735,\n    \"\\u13d3\\u13ea\\u13b5\\u13a9\\u13cd\": 11736,\n    \"\\u13f2\\u13b5\\u13a6\": 11737,\n    \"\\u13a4\\u13c5\\u13ce\": 11738,\n    \"\\u13c2\\u13a9\\u13d2\\u13a9\": 11739,\n    \"\\u13d3\\u13c5\\u13b5\\u13f0\": 11740,\n    \"\\u2581\\u13a0\\u13a9\\u13be\\u13c4\\u13aa\\u13eb\\u13cd\\u13d7\": 11741,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d6\\u13c3\": 11742,\n    \"\\u13af\\u13f4\\u13c1\\u13b8\": 11743,\n    \"\\u2581\\u13a1\\u13e5\\u13c4\\u13aa\": 11744,\n    \"\\u13a2\\u13a6\\u13da\\u13a9\": 11745,\n    \"\\u2581\\u13db\\u13db\": 11746,\n    \"\\u2581\\u13a2\\u13e4\\u13ef\\u13d4\": 11747,\n    \"\\u2581\\u13be\\u13cb\\u13c1\": 11748,\n    \"\\u13e5\\u13f2\\u13ad\": 11749,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13af\": 11750,\n    \"\\u2581\\u13a0\\u13e1\\u13d7\\u13cd\": 11751,\n    \"\\u13e9\\u13db\\u13db\": 11752,\n    \"\\u2581\\u13a3\\u13a9\\u13cd\\u13db\\u13d7\\u13cd\\u13d7\": 11753,\n    \"\\u2581\\u13d3\\u13a8\\u13e5\": 11754,\n    \"\\u13b8\\u13a1\\u13b4\": 11755,\n    \"\\u2581\\u13e5\\u13a7\\u13c1\\u13a2\\u13cd\\u13d7\": 11756,\n    \"\\u2581\\u13a9\\u13a6\\u13a8\\u13c3\": 11757,\n    \"\\u2581\\u13d3\\u13c2\\u13b3\\u13eb\": 11758,\n    \"\\u13d3\\u13d8\\u13be\\u13a5\": 11759,\n    \"\\u13cd\\u13db\\u13d7\\u13cd\\u13d7\\u13f1\": 11760,\n    \"\\u13a0\\u13e7\": 11761,\n    \"\\u13e5\\u13ec\\u13c1\\u13d9\\u13d7\": 11762,\n    \"\\u13c2\\u13a8\\u13f4\": 11763,\n    \"\\u13f0\\u13b5\\u13d2\": 11764,\n    \"\\u2581\\u13d5\\u13aa\\u13e2\": 11765,\n    \"\\u2581\\u13e5\\u13c2\\u13e3\\u13b5\\u13cd\": 11766,\n    \"\\u13c6\\u13d9\": 11767,\n    \"\\u2581\\u13a2\\u13ef\\u13a6\": 11768,\n    \"\\u2581\\u13a2\\u13f3\\u13c5\\u13c1\": 11769,\n    \"\\u13a6\\u13ef\\u13b7\\u13d7\": 11770,\n    \"\\u13b6\\u13cd\\u13aa\": 11771,\n    \"\\u13e8\\u13cd\\u13d7\": 11772,\n    \"\\u13c1\\u13a2\\u13cd\\u13d3\": 11773,\n    \"\\u2581\\u13e7\\u13ed\\u13d3\\u13b4\": 11774,\n    \"\\u13d3\\u13cd\\u13a6\\u13a8\\u13cd\\u13d7\": 11775,\n    \"\\u2581\\u13d5\\u13cd\\u13a9\\u13ef\": 11776,\n    \"\\u2581\\u13a2\\u13ef\\u13e5\": 11777,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13d5\\u13b8\\u13af\\u13d9\": 11778,\n    \"\\u13c2\\u13cd\\u13d4\\u13c5\": 11779,\n    \"\\u13b7\\u13e8\\u13af\": 11780,\n    \"\\u2581\\u13e7\\u13b4\\u13d7\": 11781,\n    \"\\u13d3\\u13be\\u13cc\\u13b2\\u13cd\\u13a9\": 11782,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13ac\\u13a2\": 11783,\n    \"\\u13eb\\u13d2\\u13c5\": 11784,\n    \"\\u13f4\\u13c5\": 11785,\n    \"----\": 11786,\n    \"\\u2581\\u13ef\\u13c2\\u13b8\\u13c9\": 11787,\n    \"\\u13a6\\u13d3\\u13a1\": 11788,\n    \"\\u2581\\u13a4\\u13aa\\u13af\": 11789,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13ac\": 11790,\n    \"\\u13d9\\u13b5\\u13cd\\u13d7\\u13f1\": 11791,\n    \"\\u13e5\\u13cd\\u13ac\": 11792,\n    \"\\u13a6\\u13c5\\u13be\": 11793,\n    \"\\u2581\\u13e9\\u13c2\\u13f4\": 11794,\n    \"\\u13d3\\u13db\\u13a2\": 11795,\n    \"\\u2581\\u13a4\\u13cf\\u13d4\\u13d5\": 11796,\n    \"\\u13db\\u13d7\\u13d5\\u13ac\": 11797,\n    \"\\u2581\\u13ac\\u13e9\\u13ef\\u13eb\": 11798,\n    \"\\u2581\\u13e5\\u13eb\\u13ac\": 11799,\n    \"\\u2581\\u13af\\u13f0\": 11800,\n    \"\\u2581\\u13a4\\u13d3\\u13aa\\u13be\\u13db\": 11801,\n    \"\\u13b4\\u13b2\\u13cd\\u13a6\": 11802,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13ae\\u13b5\\u13d9\": 11803,\n    \"\\u13cd\\u13c6\\u13d3\\u13c3\": 11804,\n    \"\\u13f3\\u13e8\": 11805,\n    \"\\u13d1\\u13a6\\u13b8\": 11806,\n    \"\\u13d2\\u13a6\\u13b6\\u13d7\": 11807,\n    \"\\u2581\\u13a4\\u13b5\\u13d6\\u13b8\\u13c2\": 11808,\n    \"\\u13ac\\u13e9\\u13db\\u13d7\": 11809,\n    \"\\u13d3\\u13d6\\u13b8\\u13ae\\u13cd\": 11810,\n    \"\\u13e9\\u13d8\\u13c3\": 11811,\n    \"\\u2581\\u13a6\\u13b8\\u13c9\\u13d7\\u13f3\\u13cd\\u13a9\\u13c2\": 11812,\n    \"\\u2581\\u13a2\\u13e8\\u13ef\\u13b5\\u13e5\\u13d9\\u13c1\": 11813,\n    \"\\u2581\\u13d3\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\\u13ae\": 11814,\n    \"\\u13c2\\u13c6\\u13d8\\u13b2\": 11815,\n    \"\\u2581\\u13e9\\u13d3\": 11816,\n    \"\\u13cc\\u13d9\\u13f0\": 11817,\n    \"\\u13a6\\u13b5\\u13cd\\u13a8\\u13a2\": 11818,\n    \"\\u2581\\u13a1\\u13e3\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\": 11819,\n    \"\\u13ea\\u13ce\": 11820,\n    \"\\u13af\\u13d0\": 11821,\n    \"\\u13c1\\u13a2\\u13cd\\u13d3\\u13c1\\u13ad\": 11822,\n    \"\\u13cd\\u13da\\u13df\": 11823,\n    \"\\u13b5\\u13c2\\u13ac\\u13ac\": 11824,\n    \"\\u13f2\\u13cd\\u13d9\\u13d3\": 11825,\n    \"\\u2581\\u13f3\\u13d5\\u13b6\\u13b0\": 11826,\n    \"\\u2581\\u13e7\\u13be\\u13c1\\u13cd\\u13a8\": 11827,\n    \"\\u13ef\\u13c5\\u13ae\": 11828,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13a9\": 11829,\n    \"\\u13b1\\u13c1\": 11830,\n    \"\\u2581\\u13da\\u13be\\u13d5\": 11831,\n    \"\\u13c4\\u13aa\\u13eb\\u13ce\": 11832,\n    \"\\u2581\\u13a2\\u13e8\\u13f2\\u13ea\\u13b3\\u13c1\": 11833,\n    \"\\u13f3\\u13e9\\u13c2\": 11834,\n    \"\\u2581\\u13a2\\u13a6\\u13da\\u13d3\\u13b4\\u13cd\": 11835,\n    \"\\u13cf\\u13d4\\u13d5\\u13a2\": 11836,\n    \"\\u13b6\\u13a9\": 11837,\n    \"\\u2581\\u13a2\\u13d9\\u13af\\u13f3\\u13b2\\u13cd\": 11838,\n    \"\\u13a6\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\\u13a9\": 11839,\n    \"\\u13c2\\u13a8\\u13f3\\u13af\": 11840,\n    \"\\u13e3\\u13db\\u13a6\\u13c1\": 11841,\n    \"\\u2581\\u13d3\\u13d7\": 11842,\n    \"\\u13b6\\u13a2\\u13cd\\u13d7\\u13f1\": 11843,\n    \"\\u2581\\u13a0\\u13db\\u13b5\": 11844,\n    \"\\u13b5\\u13cc\\u13b3\\u13d3\\u13c5\\u13a9\": 11845,\n    \"\\u13a6\\u13d4\\u13b2\\u13d2\\u13a9\": 11846,\n    \"\\u2581\\u13e5\\u13be\\u13c6\": 11847,\n    \"\\u13a0\\u13ef\\u13a8\": 11848,\n    \"\\u13aa\\u13e2\\u13ad\": 11849,\n    \"\\u13c2\\u13b6\\u13cd\\u13a8\\u13cd\\u13d7\": 11850,\n    \"\\u2581\\u13a6\\u13b5\\u13d7\": 11851,\n    \"\\u13cb\\u13c1\\u13b8\\u13a9\": 11852,\n    \"\\u13b5\\u13aa\\u13c1\\u13b8\\u13a9\": 11853,\n    \"\\u13b4\\u13d2\": 11854,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13b5\": 11855,\n    \"\\u2581\\u13e7\\u13b7\\u13e4\": 11856,\n    \"\\u13b6\\u13cd\\u13a6\": 11857,\n    \"\\u13cd\\u13d4\\u13c1\\u13b2\": 11858,\n    \"\\u2581\\u13a0\\u13a9\\u13eb\": 11859,\n    \"\\u2581\\u13e5\\u13c5\\u13d2\": 11860,\n    \"\\u13d5\\u13cd\\u13d4\": 11861,\n    \"\\u13d3\\u13ec\\u13a2\": 11862,\n    \"\\u13d3\\u13cd\\u13d5\\u13d3\\u13b5\\u13f4\\u13cd\\u13a9\": 11863,\n    \"\\u13dc\\u13cd\\u13db\": 11864,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13c9\": 11865,\n    \"\\u2581\\u13ab\\u13d4\": 11866,\n    \"\\u13e3\\u13b7\\u13e4\\u13b5\": 11867,\n    \"\\u2581\\u13be\\u13f2\": 11868,\n    \"\\u2581\\u13f1\\u13c2\\u13ac\\u13e9\": 11869,\n    \"\\u13da\\u13c2\": 11870,\n    \"\\u2581\\u13e7\\u13e2\": 11871,\n    \"\\u13d8\\u13c3\\u13ae\\u13d7\\u13f1\": 11872,\n    \"\\u2581\\u13e3\\u13d5\\u13b2\\u13cd\": 11873,\n    \"\\u2581\\u13aa\\u13d2\": 11874,\n    \"\\u13c3\\u13ae\\u13b4\\u13a2\": 11875,\n    \"\\u13be\\u13d5\\u13cf\": 11876,\n    \"\\u13d3\\u13b7\\u13b8\": 11877,\n    \"\\u2581\\u13d3\\u13a6\\u13e2\": 11878,\n    \"\\u13cd\\u13c6\\u13b6\": 11879,\n    \"\\u2581\\u13da\\u13be\\u13c1\\u13b6\": 11880,\n    \"\\u13d0\\u13e2\\u13d7\\u13ad\": 11881,\n    \"\\u2581\\u13c4\\u13be\\u13d3\": 11882,\n    \"\\u2581\\u13e7\\u13da\\u13a2\\u13cd\\u13d3\\u13c1\": 11883,\n    \"\\u2581\\u13af\\u13c5\\u13c1\": 11884,\n    \"\\u2581\\u13a2\\u13e3\\u13e0\\u13ef\\u13cd\": 11885,\n    \"\\u13ec\\u13ef\": 11886,\n    \"\\u13cd\\u13aa\\u13ce\": 11887,\n    \"\\u2581\\u13d7\\u13a6\\u13c4\": 11888,\n    \"\\u13c2\\u13b0\\u13a2\": 11889,\n    \"\\u13e5\\u13cd\\u13d5\\u13b8\\u13d7\\u13f1\": 11890,\n    \"\\u2581\\u13d7\\u13e7\\u13aa\\u13d3\": 11891,\n    \"\\u13c2\\u13f4\\u13a9\": 11892,\n    \"\\u2581\\u13a2\\u13a0\\u13d3\": 11893,\n    \"\\u13ef\\u13d3\\u13f1\": 11894,\n    \"\\u13ef\\u13b4\": 11895,\n    \"\\u13d5\\u13b0\\u13cd\\u13a8\\u13cd\\u13d7\": 11896,\n    \"\\u13c5\\u13e9\\u13c5\": 11897,\n    \"\\u13ac\\u13e9\\u13df\": 11898,\n    \"\\u13a9\\u13b3\\u13be\\u13b3\": 11899,\n    \"\\u13c5\\u13cd\\u13aa\\u13a2\": 11900,\n    \"\\u13d3\\u13e3\": 11901,\n    \"\\u13be\\u13dd\\u13be\\u13a5\\u13a2\": 11902,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d7\": 11903,\n    \"\\u2581\\u13d7\\u13be\\u13d3\\u13c5\\u13df\\u13c9\": 11904,\n    \"\\u2581\\u13be\\u13c2\\u13ea\": 11905,\n    \"\\u2581\\u13c2\\u13a8\\u13e3\": 11906,\n    \"\\u13b1\\u13cd\\u13d5\\u13ce\\u13b8\": 11907,\n    \"\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d4\\u13c5\": 11908,\n    \"\\u13b5\\u13c3\\u13ae\\u13d9\\u13d7\\u13f1\": 11909,\n    \"\\u2581\\u13a0\\u13a9\\u13b6\": 11910,\n    \"\\u13c5\\u13d3\\u13d7\\u13cd\\u13aa\": 11911,\n    \"\\u13e3\\u13d3\\u13c5\\u13a6\\u13b8\\u13db\": 11912,\n    \"\\u13be\\u13c1\\u13b4\": 11913,\n    \"\\u13e5\\u13cd\\u13d5\\u13b8\": 11914,\n    \"\\u13cd\\u13c9\\u13df\\u13a2\": 11915,\n    \"\\u13d3\\u13b7\\u13ef\\u13db\": 11916,\n    \"\\u13d1\\u13f0\\u13ce\\u13a2\": 11917,\n    \"\\u13c3\\u13cd\\u13a9\\u13db\": 11918,\n    \"\\u13e5\\u13c5\\u13c1\\u13d7\": 11919,\n    \"\\u2581\\u13be\\u13be\\u13db\\u13c1\": 11920,\n    \"\\u13cd\\u13c6\\u13b5\\u13ce\": 11921,\n    \"\\u2581\\u13db\\u13be\\u13d3\": 11922,\n    \"\\u2581\\u13d5\\u13a6\\u13e5\\u13ef\": 11923,\n    \"\\u2581\\u13a4\\u13be\\u13d8\\u13f2\": 11924,\n    \"\\u13c9\\u13d7\\u13cd\\u13ac\": 11925,\n    \"\\u13f2\\u13e4\\u13a2\": 11926,\n    \"\\u2581\\u13a0\\u13b5\\u13ae\\u13b5\\u13cd\": 11927,\n    \"\\u13d1\\u13b4\\u13cd\\u13d7\": 11928,\n    \"\\u2581\\u13a2\\u13ab\": 11929,\n    \"\\u13d5\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 11930,\n    \"\\u2581\\u13f1\\u13a6\\u13c5\": 11931,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\\u13cd\": 11932,\n    \"\\u2581\\u13a4\\u13a6\\u13cc\": 11933,\n    \"\\u13a6\\u13d4\\u13be\\u13a2\": 11934,\n    \"\\u2581\\u13a2\\u13e7\\u13b3\\u13ad\\u13c9\": 11935,\n    \"\\u13c5\\u13a2\\u13cd\\u13d7\": 11936,\n    \"\\u13df\\u13b6\\u13a1\\u13b8\": 11937,\n    \"\\u13d3\\u13f0\\u13a8\\u13cd\\u13d7\": 11938,\n    \"\\u13cf\\u13c5\\u13af\": 11939,\n    \"\\u13df\\u13cd\\u13d4\\u13c1\": 11940,\n    \"\\u2581\\u13a4\\u13c2\\u13c4\\u13b8\": 11941,\n    \"\\u13cc\\u13db\\u13a5\\u13cd\\u13ac\": 11942,\n    \"\\u13d7\\u13d4\\u13b2\\u13a9\": 11943,\n    \"\\u13ac\\u13c2\\u13cd\\u13d7\": 11944,\n    \"\\u13cd\\u13a9\\u13d3\\u13d2\\u13a2\": 11945,\n    \"\\u2581\\u13a1\\u13e5\\u13be\\u13f0\\u13cd\": 11946,\n    \"\\u13c2\\u13d2\\u13a9\": 11947,\n    \"\\u13a6\\u13b7\\u13ef\": 11948,\n    \"\\u13d2\\u13b4\\u13a2\": 11949,\n    \"\\u13c1\\u13b5\\u13d2\\u13a2\": 11950,\n    \"\\u2581\\u13e7\\u13e5\\u13cd\": 11951,\n    \"\\u13b5\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 11952,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13a6\": 11953,\n    \"\\u2581\\u13e6\\u13b8\": 11954,\n    \"\\u2581\\u13a4\\u13a6\\u13db\\u13be\": 11955,\n    \"\\u13c2\\u13b4\\u13a2\": 11956,\n    \"\\u13af\\u13cd\\u13d3\\u13c1\\u13af\": 11957,\n    \"\\u2581\\u13d7\\u13d3\\u13be\": 11958,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d4\\u13c1\\u13a2\": 11959,\n    \"\\u2581\\u13da\\u13d3\\u13c2\\u13b8\\u13e4\": 11960,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13a6\": 11961,\n    \"\\u13ef\\u13db\\u13c1\\u13b5\": 11962,\n    \"\\u2581\\u13cd\\u13a9\\u13ef\\u13d5\\u13b6\\u13c6\": 11963,\n    \"\\u13c5\\u13d7\\u13cd\\u13d7\": 11964,\n    \"\\u2581\\u13a8\\u13b6\": 11965,\n    \"\\u13f2\\u13cd\\u13d9\\u13d7\\u13f1\": 11966,\n    \"\\u2581\\u13a0\\u13e2\\u13c6\\u13cd\": 11967,\n    \"\\u13c3\\u13c1\\u13b8\": 11968,\n    \"\\u13c5\\u13ef\": 11969,\n    \"\\u13e6\\u13af\\u13f3\\u13d2\\u13a2\": 11970,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\": 11971,\n    \"\\u13ea\\u13ad\": 11972,\n    \"\\u13c1\\u13b3\\u13a9\\u13c9\": 11973,\n    \"\\u2581\\u13d7\\u13a6\\u13c2\\u13f4\": 11974,\n    \"\\u2581\\u13e7\\u13ac\\u13e9\": 11975,\n    \"\\u2581\\u13f3\\u13e9\\u13db\": 11976,\n    \"\\u2581\\u13d3\\u13a7\\u13bf\": 11977,\n    \"\\u13eb\\u13da\\u13d3\\u13a2\\u13c5\": 11978,\n    \"\\u13ef\\u13d9\\u13e4\\u13ae\\u13cd\\u13d7\": 11979,\n    \"\\u13a6\\u13cc\\u13ec\\u13a2\": 11980,\n    \"\\u13a6\\u13c3\\u13b8\": 11981,\n    \"\\u13f2\\u13cf\\u13cc\": 11982,\n    \"\\u13c4\\u13aa\\u13a2\": 11983,\n    \"\\u2581\\u13a4\\u13d5\\u13d2\": 11984,\n    \"\\u13ef\\u13cd\\u13db\\u13be\": 11985,\n    \"\\u2581\\u13f1\\u13c4\\u13be\\u13db\\u13c1\": 11986,\n    \"\\u13c4\\u13cd\\u13d5\\u13a2\": 11987,\n    \"\\u13e5\\u13ce\\u13aa\\u13a9\": 11988,\n    \"\\u2581\\u13e7\\u13be\\u13b5\\u13aa\": 11989,\n    \"\\u13b4\\u13c2\\u13d9\\u13b8\\u13a2\": 11990,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13aa\\u13b8\\u13d7\\u13cd\": 11991,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13db\\u13c1\": 11992,\n    \"\\u13ec\\u13c5\": 11993,\n    \"\\u13da\\u13a8\": 11994,\n    \"\\u13e9\\u13d5\\u13c1\\u13b4\\u13a2\": 11995,\n    \"\\u13c1\\u13df\\u13f4\\u13a1\\u13d7\": 11996,\n    \"\\u13e3\\u13ef\\u13c5\": 11997,\n    \"\\u2581\\u13a4\\u13b8\\u13cc\": 11998,\n    \"\\u2581\\u13e7\\u13d3\\u13c4\": 11999,\n    \"\\u2581\\u13a3\\u13e5\\u13c3\\u13ae\": 12000,\n    \"\\u2581\\u13d3\\u13c1\\u13b6\": 12001,\n    \"\\u13e1\\u13d3\": 12002,\n    \"\\u2581\\u13da\\u13c2\\u13e3\\u13a6\": 12003,\n    \"\\u13d3\\u13c1\\u13b6\": 12004,\n    \"\\u13e9\\u13c2\": 12005,\n    \"\\u13df\\u13cd\\u13d7\\u13cd\\u13aa\\u13a2\": 12006,\n    \"\\u13d4\\u13cd\\u13aa\\u13a2\": 12007,\n    \"\\u13f4\\u13c8\\u13db\": 12008,\n    \"\\u13ef\\u13c5\\u13d3\\u13d7\\u13cd\\u13aa\": 12009,\n    \"\\u13ac\\u13eb\\u13f3\": 12010,\n    \"\\u2581\\u13a4\\u13d4\\u13d5\": 12011,\n    \"\\u2581\\u13f1\\u13eb\\u13e8\": 12012,\n    \"\\u2581\\u13da\\u13ed\\u13aa\\u13d3\\u13c1\": 12013,\n    \"\\u2581\\u13e3\\u13a7\\u13b5\\u13a2\": 12014,\n    \"\\u2581\\u13a4\\u13cd\\u13e2\\u13c2\\u13cd\": 12015,\n    \"\\u13ec\\u13af\\u13f3\\u13c5\": 12016,\n    \"\\u2581\\u13a4\\u13c1\\u13b5\\u13e4\": 12017,\n    \"\\u13af\\u13f3\\u13d2\\u13be\": 12018,\n    \"\\u2581\\u13a4\\u13d3\\u13e0\\u13cd\": 12019,\n    \"\\u2581\\u13ac\\u13ec\\u13ce\": 12020,\n    \"\\u13be\\u13db\\u13c1\\u13d7\\u13f1\": 12021,\n    \"\\u2581\\u13da\\u13df\\u13b6\\u13cd\\u13d3\\u13c1\\u13b4\": 12022,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13a2\": 12023,\n    \"\\u13e5\\u13aa\\u13d7\": 12024,\n    \"\\u13cc\\u13b3\\u13d7\": 12025,\n    \"\\u2581\\u13be\\u13c5\\u13c1\": 12026,\n    \"\\u13be\\u13c4\\u13aa\\u13eb\": 12027,\n    \"\\u13a3\\u13d2\": 12028,\n    \"\\u2581\\u13d5\\u13cd\\u13d3\": 12029,\n    \"\\u13cd\\u13d4\\u13c1\\u13ae\": 12030,\n    \"\\u13b1\\u13cd\\u13d5\": 12031,\n    \"\\u13e3\\u13ac\": 12032,\n    \"\\u2581\\u13a4\\u13c2\\u13c4\\u13aa\\u13e4\": 12033,\n    \"\\u13d8\\u13c3\\u13b5\": 12034,\n    \"\\u2581\\u13a4\\u13be\\u13d9\\u13d3\": 12035,\n    \"\\u13da\\u13b3\": 12036,\n    \"\\u13f0\\u13b5\\u13d2\\u13a9\": 12037,\n    \"\\u2581\\u13e3\\u13da\\u13d3\\u13b4\": 12038,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13c2\": 12039,\n    \"\\u13cf\\u13d9\\u13b0\": 12040,\n    \"\\u2581\\u13c2\\u13cd\\u13cb\\u13c1\": 12041,\n    \"\\u13df\\u13f4\\u13ae\\u13a2\": 12042,\n    \"\\u13cd\\u13c6\\u13d9\\u13be\": 12043,\n    \"\\u13d4\\u13a9\\u13cd\\u13d7\": 12044,\n    \"\\u13a4\\u13cd\\u13c6\\u13c2\\u13a9\": 12045,\n    \"\\u2581\\u13d5\\u13ab\\u13aa\\u13d7\": 12046,\n    \"\\u2581\\u13c2\\u13cd\\u13a9\\u13ea\\u13ce\": 12047,\n    \"\\u2581\\u13b1\\u13f0\": 12048,\n    \"\\u2581\\u13a0\\u13c2\\u13ef\\u13a1\": 12049,\n    \"\\u2581\\u13a0\\u13f2\\u13de\": 12050,\n    \"\\u2581\\u13a6\\u13f0\\u13e5\\u13d9\": 12051,\n    \"\\u2581\\u13c2\\u13d3\\u13db\": 12052,\n    \"\\u13a7\\u13b5\\u13b5\": 12053,\n    \"\\u2581\\u13a4\\u13be\\u13b4\\u13bf\\u13eb\\u13cd\": 12054,\n    \"\\u13c1\\u13c5\\u13d2\\u13a9\": 12055,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d5\\u13cd\\u13d4\": 12056,\n    \"\\u2581\\u13a0\\u13d3\\u13c4\\u13d6\\u13f2\": 12057,\n    \"\\u13e3\\u13d3\\u13c2\\u13b8\\u13a9\": 12058,\n    \"\\u2581\\u13da\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\": 12059,\n    \"\\u2581\\u13a0\\u13c2\\u13cf\\u13be\": 12060,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\\u13cd\\u13a9\\u13c2\": 12061,\n    \"\\u13ac\\u13cd\\u13aa\\u13b8\\u13c1\": 12062,\n    \"\\u13a4\\u13c3\\u13b4\": 12063,\n    \"\\u2581\\u13a4\\u13be\\u13da\\u13b5\": 12064,\n    \"\\u13cd\\u13d5\\u13b8\\u13d9\\u13d3\": 12065,\n    \"\\u13cd\\u13da\\u13b8\": 12066,\n    \"\\u2581\\u13da\\u13be\\u13da\\u13eb\\u13cd\": 12067,\n    \"\\u2581\\u13a0\\u13a9\\u13f2\\u13b0\": 12068,\n    \"\\u2581\\u13a2\\u13d3\\u13b4\\u13c2\\u13d9\": 12069,\n    \"\\u2581\\u13e9\\u13ab\": 12070,\n    \"\\u13d3\\u13a6\\u13d8\\u13b4\": 12071,\n    \"\\u13a9\\u13c2\\u13f4\\u13d7\": 12072,\n    \"\\u2581\\u13e5\\u13e9\\u13c2\": 12073,\n    \"\\u13c2\\u13ac\\u13ce\\u13b2\\u13a2\": 12074,\n    \"\\u2581\\u13a4\\u13d5\\u13ef\\u13d9\": 12075,\n    \"\\u2581\\u13a0\\u13ab\\u13ec\": 12076,\n    \"\\u2581\\u13a4\\u13ad\\u13f2\": 12077,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13d9\\u13b5\\u13cd\": 12078,\n    \"\\u13cd\\u13ab\\u13d5\\u13cd\\u13ac\": 12079,\n    \"\\u2581\\u13d7\\u13e9\\u13be\\u13a6\\u13b3\": 12080,\n    \"\\u13ab\\u13d3\\u13b4\\u13cf\": 12081,\n    \"\\u13bf\\u13e9\\u13d7\\u13d2\": 12082,\n    \"\\u2581\\u13a1\\u13cd\\u13d3\": 12083,\n    \"\\u13ad\\u13f2\\u13ae\": 12084,\n    \"\\u13d6\\u13b3\\u13d5\": 12085,\n    \"\\u13f2\\u13ce\\u13b2\\u13a9\": 12086,\n    \"\\u13cd\\u13d7\\u13f0\\u13d5\": 12087,\n    \"\\u2581\\u13d3\\u13a6\\u13db\": 12088,\n    \"\\u13c4\\u13cd\\u13d5\": 12089,\n    \"\\u2581\\u13d3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d7\\u13cd\": 12090,\n    \"\\u13d1\\u13b4\\u13a5\": 12091,\n    \"\\u13af\\u13cd\\u13d4\\u13c1\\u13a2\": 12092,\n    \"\\u13cd\\u13a9\\u13d3\\u13d2\": 12093,\n    \"\\u2581\\u13f3\\u13e3\\u13c5\\u13d3\\u13d5\": 12094,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d8\\u13d7\\u13cd\": 12095,\n    \"\\u13bf\\u13b7\": 12096,\n    \"\\u13e5\\u13a8\\u13f3\\u13ad\": 12097,\n    \"\\u2581\\u13e5\\u13c4\\u13db\\u13c1\": 12098,\n    \"\\u13db\\u13c1\\u13b8\\u13a9\": 12099,\n    \"\\u13cd\\u13aa\\u13c2\\u13af\": 12100,\n    \"\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\": 12101,\n    \"\\u2581\\u13f1\\u13c5\\u13e9\": 12102,\n    \"\\u13e0\\u13cf\": 12103,\n    \"\\u2581\\u13d7\\u13e5\\u13ef\": 12104,\n    \"\\u13d3\\u13a6\\u13b5\\u13cd\\u13d9\\u13d4\\u13c2\": 12105,\n    \"\\u2581\\u13e5\\u13e5\\u13ef\": 12106,\n    \"\\u13d9\\u13e9\\u13d7\\u13cd\": 12107,\n    \"\\u2581\\u13f1\\u13c4\\u13be\": 12108,\n    \"\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d4\\u13c2\": 12109,\n    \"\\u2581\\u13a4\\u13c3\\u13b1\": 12110,\n    \"\\u2581\\u13d3\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 12111,\n    \"\\u2581\\u13f1\\u13ed\": 12112,\n    \"\\u13b5\\u13cd\\u13da\\u13b8\": 12113,\n    \"\\u13e3\\u13a2\\u13d2\": 12114,\n    \"\\u2581\\u13a0\\u13c2\\u13ec\\u13c2\\u13cd\\u13a8\": 12115,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13d4\\u13c2\": 12116,\n    \"\\u2581\\u13f4\\u13a8\\u13e3\": 12117,\n    \"\\u13c2\\u13a8\\u13af\\u13d9\\u13b4\\u13a2\": 12118,\n    \"\\u2581\\u13c4\\u13db\\u13be\": 12119,\n    \"\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d3\": 12120,\n    \"\\u13e6\\u13d5\": 12121,\n    \"\\u13a9\\u13cd\\u13d5\\u13b8\\u13af\\u13d9\\u13b8\": 12122,\n    \"\\u13ea\\u13ce\\u13ae\\u13a2\": 12123,\n    \"\\u2581\\u13e9\\u13c2\\u13f4\\u13af\": 12124,\n    \"\\u13ac\\u13c6\\u13db\\u13a6\\u13c1\": 12125,\n    \"\\u13aa\\u13b8\\u13db\": 12126,\n    \"\\u13b5\\u13d9\\u13b0\": 12127,\n    \"\\u2581\\u13a4\\u13be\\u13e1\": 12128,\n    \"\\u13c3\\u13ae\\u13e2\": 12129,\n    \"\\u13c2\\u13ea\\u13cd\\u13a8\": 12130,\n    \"\\u13b8\\u13c9\\u13d9\": 12131,\n    \"\\u2581\\u13d3\\u13d5\\u13d9\": 12132,\n    \"\\u2581\\u13c2\\u13e5\\u13ef\": 12133,\n    \"\\u13aa\\u13e9\\u13db\\u13a1\\u13d7\": 12134,\n    \"\\u13c2\\u13a8\\u13f3\": 12135,\n    \"\\u13ac\\u13cd\\u13a6\\u13b3\": 12136,\n    \"\\u201c\": 12137,\n    \"\\u2581\\u13c3\\u13a6\\u13b5\\u13cd\\u13d4\": 12138,\n    \"\\u13a6\\u13d9\\u13a8\": 12139,\n    \"\\u13f4\\u13a1\\u13b2\": 12140,\n    \"\\u13d3\\u13c1\\u13e3\\u13cd\\u13da\": 12141,\n    \"\\u13bc\\u13c2\": 12142,\n    \"\\u13d3\\u13db\\u13c1\\u13b2\\u13a9\": 12143,\n    \"\\u13cd\\u13d5\\u13b8\\u13b2\": 12144,\n    \"\\u13f4\\u13af\\u13b2\": 12145,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13b0\": 12146,\n    \"\\u13c5\\u13a6\\u13b8\\u13d7\": 12147,\n    \"\\u13db\\u13d7\\u13cd\\u13ac\": 12148,\n    \"\\u13ab\\u13a9\": 12149,\n    \"\\u13eb\\u13cd\\u13d7\\u13cd\\u13a9\": 12150,\n    \"\\u2581\\u13d3\\u13be\\u13df\": 12151,\n    \"\\u2581\\u13da\\u13c2\\u13f0\": 12152,\n    \"\\u2581\\u13f1\\u13c2\\u13e8\": 12153,\n    \"\\u13e9\\u13be\\u13a6\\u13b6\": 12154,\n    \"\\u2581\\u13c2\\u13cd\\u13c6\\u13db\\u13c1\": 12155,\n    \"\\u13e3\\u13da\\u13b5\\u13cd\\u13a8\\u13cd\\u13d7\": 12156,\n    \"\\u13c2\\u13be\\u13eb\": 12157,\n    \"\\u13ad\\u13c2\\u13b8\": 12158,\n    \"\\u2581\\u13a2\\u13e3\\u13a8\\u13f3\": 12159,\n    \"\\u2581\\u13a4\\u13a6\\u13be\\u13ec\": 12160,\n    \"\\u13f0\\u13b8\\u13cd\\u13d7\": 12161,\n    \"\\u13df\\u13c2\\u13ac\\u13c1\\u13b8\": 12162,\n    \"\\u2581\\u13eb\\u13a6\\u13b6\\u13af\": 12163,\n    \"\\u13a7\\u13c1\\u13d7\\u13f1\": 12164,\n    \"\\u2581\\u13a4\\u13be\\u13b4\\u13eb\\u13cd\": 12165,\n    \"\\u13aa\\u13d3\\u13c1\\u13af\": 12166,\n    \"\\u2581\\u13a0\\u13c7\\u13b7\": 12167,\n    \"\\u13df\\u13f4\\u13a1\": 12168,\n    \"\\u13e7\\u13c1\\u13cd\\u13a8\\u13ae\\u13a2\": 12169,\n    \"\\u13da\\u13c2\\u13b3\\u13eb\\u13e4\": 12170,\n    \"\\u13a6\\u13c4\\u13b3\\u13e5\": 12171,\n    \"\\u2581\\u13a0\\u13db\\u13c5\\u13a2\\u13cd\\u13d7\": 12172,\n    \"\\u13a3\\u13a8\\u13c5\": 12173,\n    \"\\u13c4\\u13b8\\u13b2\": 12174,\n    \"\\u13e7\\u13d3\\u13b4\\u13c5\": 12175,\n    \"\\u13d8\\u13c5\\u13cd\\u13d3\": 12176,\n    \"\\u13a4\\u13db\\u13ce\\u13a2\": 12177,\n    \"\\u13ad\\u13be\\u13ec\": 12178,\n    \"\\u13d8\\u13f2\\u13b8\": 12179,\n    \"\\u13b6\\u13c1\\u13a2\": 12180,\n    \"\\u13d3\\u13df\\u13b6\\u13cd\\u13d7\\u13cd\\u13ac\": 12181,\n    \"\\u2581\\u13a5\\u13e5\\u13ef\": 12182,\n    \"\\u13a6\\u13d5\\u13b6\\u13a3\\u13cd\": 12183,\n    \"\\u13be\\u13be\\u13b5\\u13cd\\u13d7\": 12184,\n    \"\\u13a9\\u13aa\\u13b2\\u13af\": 12185,\n    \"\\u2581\\u13d7\\u13e4\\u13cd\\u13d9\": 12186,\n    \"\\u13c2\\u13a8\\u13d0\": 12187,\n    \"\\u13ac\\u13ec\\u13ce\\u13b8\\u13a9\": 12188,\n    \"\\u13bf\\u13a5\": 12189,\n    \"\\u13d3\\u13e5\\u13ef\\u13c5\\u13af\": 12190,\n    \"\\u13a9\\u13b8\\u13c2\": 12191,\n    \"\\u13e3\\u13aa\\u13cd\\u13d7\": 12192,\n    \"\\u13d9\\u13ef\": 12193,\n    \"\\u13d3\\u13cd\\u13d4\\u13c5\\u13c5\": 12194,\n    \"\\u13cd\\u13a9\\u13be\\u13be\": 12195,\n    \"\\u13d3\\u13f0\\u13d9\\u13b3\\u13db\": 12196,\n    \"\\u13a4\\u13c1\\u13ab\": 12197,\n    \"\\u13a9\\u13b6\\u13af\\u13cd\\u13d7\": 12198,\n    \"\\u13c4\\u13e9\\u13c2\\u13cc\\u13c5\": 12199,\n    \"\\u13d5\\u13be\\u13d3\\u13aa\\u13b2\\u13f3\": 12200,\n    \"\\u2581\\u13d7\\u13a6\\u13b8\\u13eb\\u13cd\": 12201,\n    \"\\u2581\\u13a2\\u13a4\\u13be\\u13e8\\u13ce\": 12202,\n    \"\\u2581\\u13da\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\\u13ae\": 12203,\n    \"\\u2581\\u13a4\\u13c5\\u13e9\\u13c1\": 12204,\n    \"\\u2581\\u13a8\\u13e3\\u13e1\\u13d7\\u13cd\\u13ac\": 12205,\n    \"\\u2581\\u13e7\\u13a9\\u13e5\\u13cd\\u13aa\": 12206,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13c5\\u13e2\": 12207,\n    \"\\u2581\\u13ed\\u13a9\\u13b8\\u13c1\": 12208,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\\u13c5\\u13e5\\u13d9\\u13b8\": 12209,\n    \"\\u13a0\\u13be\\u13d3\\u13aa\\u13be\\u13d7\\u13cd\\u13ac\": 12210,\n    \"\\u13c4\\u13be\\u13d3\\u13b4\": 12211,\n    \"\\u2581\\u13e7\\u13f2\\u13cf\\u13cd\\u13a8\": 12212,\n    \"\\u2581\\u13a4\\u13c1\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\": 12213,\n    \"\\u13da\\u13f3\\u13aa\\u13db\": 12214,\n    \"\\u13cd\\u13aa\\u13c2\\u13cd\\u13d7\": 12215,\n    \"\\u2581\\u13c4\\u13cd\\u13c6\\u13c2\": 12216,\n    \"\\u13ec\\u13af\\u13f3\\u13c1\": 12217,\n    \"\\u2581\\u13c2\\u13da\\u13db\\u13c1\\u13b4\": 12218,\n    \"\\u2581\\u13d9\\u13d7\\u13a7\\u13c2\\u13cd\\u13ac\": 12219,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13c1\": 12220,\n    \"\\u13a4\\u13c2\\u13b6\\u13d2\": 12221,\n    \"\\u13a4\\u13c1\\u13a2\\u13cd\\u13d4\\u13c5\": 12222,\n    \"\\u13a4\\u13be\\u13db\\u13aa\\u13d7\\u13f1\": 12223,\n    \"\\u13aa\\u13af\\u13f3\\u13b2\\u13cd\\u13aa\": 12224,\n    \"\\u13d3\\u13b4\\u13cd\\u13ac\\u13a2\": 12225,\n    \"\\u2581\\u13a2\\u13e5\\u13be\\u13f0\\u13cd\\u13ac\": 12226,\n    \"\\u13d9\\u13d3\\u13a6\\u13e5\": 12227,\n    \"\\u13a4\\u13b5\\u13cd\\u13d9\\u13d4\\u13c5\": 12228,\n    \"\\u13cd\\u13a9\\u13c3\\u13af\\u13cf\": 12229,\n    \"\\u2581\\u13a0\\u13a9\\u13b5\\u13f2\\u13ac\": 12230,\n    \"\\u2581\\u13a0\\u13a9\\u13ef\\u13a5\": 12231,\n    \"\\u13a4\\u13b5\\u13cd\\u13a8\": 12232,\n    \"\\u13d3\\u13f3\\u13b6\\u13d2\": 12233,\n    \"\\u13a4\\u13a6\\u13c3\\u13e9\": 12234,\n    \"\\u13c5\\u13c1\\u13ad\": 12235,\n    \"\\u13a0\\u13c2\\u13aa\\u13d5\\u13cd\\u13a9\": 12236,\n    \"\\u13e7\\u13d3\\u13b4\\u13c1\": 12237,\n    \"\\u13a0\\u13a6\\u13f4\\u13b5\": 12238,\n    \"\\u13a4\\u13b5\\u13cd\\u13c6\\u13b8\\u13d7\": 12239,\n    \"\\u13da\\u13be\\u13d9\\u13a5\": 12240,\n    \"\\u13e6\\u13b4\\u13cd\\u13d7\": 12241,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\\u13f4\\u13d4\\u13c1\": 12242,\n    \"\\u13a0\\u13e5\\u13b8\\u13c9\\u13d7\\u13f3\": 12243,\n    \"\\u2581\\u13eb\\u13d3\\u13a7\\u13c1\": 12244,\n    \"\\u13e5\\u13cd\\u13d5\\u13e5\": 12245,\n    \"\\u13a4\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13a2\": 12246,\n    \"\\u13d7\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\\u13f1\": 12247,\n    \"\\u13a1\\u13b3\\u13c6\\u13d7\": 12248,\n    \"\\u2581\\u13e7\\u13c2\\u13b3\\u13eb\": 12249,\n    \"\\u13d5\\u13a4\\u13d9\\u13a5\": 12250,\n    \"\\u13d3\\u13d7\\u13cd\\u13d7\\u13f1\": 12251,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13eb\\u13ce\\u13b2\": 12252,\n    \"\\u2581\\u13d5\\u13a6\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\": 12253,\n    \"\\u2581\\u13e5\\u13ee\\u13a6\\u13d9\": 12254,\n    \"\\u2581\\u13ed\\u13e9\\u13a6\\u13d8\\u13d7\\u13d2\": 12255,\n    \"\\u2581\\u13c4\\u13be\\u13db\\u13bf\\u13d5\\u13ac\": 12256,\n    \"\\u2581\\u13a4\\u13d8\\u13c3\\u13b4\": 12257,\n    \"\\u2581\\u13a0\\u13a9\\u13d0\\u13c5\": 12258,\n    \"\\u2581\\u13e8\\u13d3\\u13b8\": 12259,\n    \"\\u13c4\\u13be\\u13db\\u13c5\": 12260,\n    \"\\u13e0\\u13a8\\u13cf\": 12261,\n    \"\\u2581\\u13e5\\u13c2\\u13a8\\u13ce\": 12262,\n    \"\\u13a2\\u13aa\\u13af\\u13d3\": 12263,\n    \"\\u13e3\\u13c5\\u13d3\\u13d5\": 12264,\n    \"\\u2581\\u13a3\\u13a9\\u13aa\\u13b2\": 12265,\n    \"\\u13c2\\u13aa\\u13af\\u13b8\\u13be\": 12266,\n    \"\\u2581\\u13a4\\u13d7\\u13d4\\u13ae\": 12267,\n    \"\\u13a8\\u13e5\\u13cd\\u13d5\\u13b8\\u13d7\": 12268,\n    \"\\u2581\\u13c5\\u13d3\\u13ac\\u13e9\\u13be\": 12269,\n    \"\\u13a1\\u13c6\\u13ad\\u13bb\": 12270,\n    \"\\u2581\\u13d5\\u13e5\\u13a7\\u13bf\\u13e9\\u13d7\\u13d2\": 12271,\n    \"\\u2581\\u13da\\u13ea\\u13a7\\u13c1\": 12272,\n    \"\\u2581\\u13a3\\u13e5\\u13c3\\u13ae\\u13cd\\u13ac\": 12273,\n    \"\\u2581\\u13a4\\u13c5\\u13d3\\u13d7\\u13d7\\u13d2\": 12274,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b4\": 12275,\n    \"\\u13e7\\u13ac\\u13e9\\u13b6\\u13d7\": 12276,\n    \"\\u2581\\u13f1\\u13aa\\u13b5\\u13a8\": 12277,\n    \"\\u2581\\u13d3\\u13d3\\u13c1\\u13b3\\u13d7\\u13d2\": 12278,\n    \"\\u2581\\u13d7\\u13e3\\u13b8\\u13eb\": 12279,\n    \"\\u2581\\u13d7\\u13c6\\u13d3\\u13b4\\u13c5\": 12280,\n    \"\\u13c2\\u13ac\\u13be\\u13db\": 12281,\n    \"\\u2581\\u13a4\\u13db\\u13a6\\u13cd\\u13d4\\u13c1\": 12282,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13e9\\u13db\\u13af\\u13d9\": 12283,\n    \"\\u13a4\\u13c1\\u13a6\": 12284,\n    \"\\u2581\\u13a4\\u13df\\u13cd\\u13d4\": 12285,\n    \"\\u13cd\\u13db\\u13d7\\u13cd\\u13a8\": 12286,\n    \"\\u13c3\\u13c8\\u13cf\": 12287,\n    \"\\u13c4\\u13c2\\u13ea\\u13ce\\u13a2\": 12288,\n    \"\\u13e1\\u13a9\": 12289,\n    \"\\u13e3\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13b8\": 12290,\n    \"\\u13c5\\u13a2\\u13cd\\u13d4\\u13c5\\u13af\": 12291,\n    \"\\u13c1\\u13ab\\u13e5\\u13db\": 12292,\n    \"\\u13f3\\u13e9\\u13c1\\u13a6\": 12293,\n    \"\\u13a1\\u13d2\\u13ad\": 12294,\n    \"\\u13a6\\u13c2\\u13f4\\u13db\": 12295,\n    \"\\u13e9\\u13ab\": 12296,\n    \"\\u13e7\\u13c1\\u13ac\": 12297,\n    \"\\u13da\\u13b3\\u13d1\\u13dd\": 12298,\n    \"\\u13da\\u13cd\\u13c6\\u13c3\\u13f4\": 12299,\n    \"\\u13a6\\u13d9\\u13ac\\u13a9\": 12300,\n    \"\\u13a4\\u13be\\u13e3\\u13c5\": 12301,\n    \"\\u13b6\\u13c4\\u13ae\\u13d7\": 12302,\n    \"\\u2581\\u13da\\u13e0\\u13d2\\u13ce\": 12303,\n    \"\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13c1\": 12304,\n    \"\\u13e9\\u13b6\\u13cf\": 12305,\n    \"\\u2581\\u13a4\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b4\": 12306,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13c2\\u13aa\\u13d4\\u13c1\": 12307,\n    \"\\u13ac\\u13ec\\u13b5\": 12308,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13d8\\u13be\\u13a5\": 12309,\n    \"\\u2581\\u13d3\\u13c2\\u13ec\\u13c2\\u13cd\\u13ac\": 12310,\n    \"\\u13a0\\u13e5\\u13b8\": 12311,\n    \"\\u2581\\u13a4\\u13d3\\u13d9\\u13b5\\u13e3\": 12312,\n    \"\\u13a9\\u13a8\\u13f3\\u13d2\\u13a2\": 12313,\n    \"\\u13ae\\u13b5\\u13a0\": 12314,\n    \"\\u2581\\u13e7\\u13c2\\u13a6\\u13f4\\u13b5\": 12315,\n    \"\\u13da\\u13ec\\u13c1\\u13d4\\u13c1\\u13a2\": 12316,\n    \"\\u2581\\u13c2\\u13da\\u13c5\\u13c1\\u13b4\": 12317,\n    \"\\u13d7\\u13aa\\u13e2\": 12318,\n    \"\\u13f2\\u13cd\\u13d4\": 12319,\n    \"\\u13b5\\u13e5\\u13d9\\u13c1\\u13ad\": 12320,\n    \"\\u13a4\\u13c1\\u13ac\": 12321,\n    \"\\u13ef\\u13d8\\u13c5\\u13cd\\u13d7\": 12322,\n    \"\\u13cd\\u13a9\\u13ef\\u13d8\\u13c3\": 12323,\n    \"\\u13a2\\u13f3\\u13cd\\u13d8\": 12324,\n    \"\\u2581\\u13a9\\u13be\\u13b5\": 12325,\n    \"\\u13c5\\u13a5\\u13cd\\u13a9\": 12326,\n    \"\\u13d3\\u13f4\\u13b3\\u13d4\\u13cd\": 12327,\n    \"\\u2581\\u13da\\u13da\\u13aa\\u13d4\\u13c5\": 12328,\n    \"\\u13be\\u13d8\\u13f2\": 12329,\n    \"\\u13be\\u13eb\\u13db\\u13db\": 12330,\n    \"\\u13ae\\u13c2\\u13b5\": 12331,\n    \"\\u2581\\u13ac\\u13e9\\u13d5\\u13c1\\u13b4\": 12332,\n    \"\\u2581\\u13a0\\u13c2\\u13b7\\u13a8\": 12333,\n    \"\\u13ad\\u13d7\\u13ad\": 12334,\n    \"\\u13a4\\u13f2\\u13e8\": 12335,\n    \"\\u13d7\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\\u13af\": 12336,\n    \"\\u2581\\u13e7\\u13c6\": 12337,\n    \"\\u13a0\\u13d3\\u13c5\\u13d9\": 12338,\n    \"\\u13d3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d9\\u13d7\": 12339,\n    \"\\u2581\\u13be\\u13e5\\u13ea\\u13ce\\u13b4\": 12340,\n    \"\\u13e3\\u13ac\\u13eb\\u13f3\\u13af\": 12341,\n    \"\\u2581\\u13a6\\u13c5\\u13ec\": 12342,\n    \"\\u2581\\u13a0\\u13e5\\u13f0\\u13b8\\u13be\\u13c1\\u13b4\": 12343,\n    \"\\u13c2\\u13e4\\u13b7\\u13af\": 12344,\n    \"\\u13cd\\u13aa\\u13b8\\u13d9\\u13d7\": 12345,\n    \"\\u2581\\u13e3\\u13b5\\u13c2\\u13a9\": 12346,\n    \"\\u2581\\u13a3\\u13a6\\u13d3\": 12347,\n    \"\\u13e7\\u13d3\\u13b4\\u13c5\\u13d3\": 12348,\n    \"\\u2581\\u13ac\\u13e9\\u13aa\\u13ae\": 12349,\n    \"\\u13cf\\u13be\\u13cc\\u13c5\": 12350,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13e0\\u13af\\u13ce\\u13b8\": 12351,\n    \"\\u2581\\u13c2\\u13a6\\u13e5\\u13ea\\u13ce\\u13b8\": 12352,\n    \"\\u2581\\u13be\\u13c6\\u13db\\u13bf\\u13d5\\u13ac\": 12353,\n    \"\\u13d7\\u13a6\\u13b6\": 12354,\n    \"\\u2581\\u13f2\\u13e3\": 12355,\n    \"\\u2581\\u13af\\u13a6\\u13cd\\u13a6\\u13c2\": 12356,\n    \"\\u2581\\u13e7\\u13cd\\u13c6\\u13c2\\u13aa\": 12357,\n    \"\\u13e6\\u13d3\\u13b8\": 12358,\n    \"\\u2581\\u13eb\\u13be\\u13a9\": 12359,\n    \"\\u13d3\\u13d9\\u13b5\\u13e3\\u13d8\": 12360,\n    \"\\u13a0\\u13a9\\u13aa\\u13e9\\u13db\\u13d7\\u13f1\": 12361,\n    \"\\u13a4\\u13b5\\u13ae\\u13b5\\u13cd\\u13d7\": 12362,\n    \"\\u2581\\u13a4\\u13ea\\u13d9\\u13b4\": 12363,\n    \"\\u13cd\\u13a6\\u13c5\\u13e5\\u13d9\\u13b8\\u13a2\": 12364,\n    \"\\u13a9\\u13cd\\u13d5\\u13b8\\u13af\\u13d3\\u13cd\\u13d7\": 12365,\n    \"\\u13cc\\u13b3\\u13db\": 12366,\n    \"\\u13d6\\u13b8\\u13c2\": 12367,\n    \"\\u13e5\\u13a8\\u13f3\": 12368,\n    \"\\u13be\\u13db\\u13c1\\u13ae\": 12369,\n    \"\\u13c1\\u13a5\\u13ad\": 12370,\n    \"\\u13e9\\u13d8\\u13cd\\u13ac\\u13be\": 12371,\n    \"\\u13d0\\u13b4\\u13cd\\u13d7\": 12372,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13c6\\u13d7\\u13cd\\u13ac\": 12373,\n    \"\\u13d6\\u13cd\\u13ac\": 12374,\n    \"\\u2581\\u13a4\\u13c1\\u13d9\\u13b4\": 12375,\n    \"\\u2581\\u13d7\\u13a6\\u13d9\\u13a8\": 12376,\n    \"\\u13b9\\u13c5\": 12377,\n    \"\\u2581\\u13eb\\u13d7\\u13ac\\u13e9\": 12378,\n    \"\\u2581\\u13e3\\u13c1\\u13ab\": 12379,\n    \"\\u2581\\u13a4\\u13ec\\u13c2\": 12380,\n    \"\\u2581\\u13d3\\u13f0\\u13d9\\u13b3\": 12381,\n    \"\\u2581\\u13da\\u13cd\\u13d3\\u13e9\\u13db\\u13ce\": 12382,\n    \"\\u13a2\\u13e7\\u13b3\\u13ad\": 12383,\n    \"\\u2581\\u13a4\\u13ea\\u13d9\": 12384,\n    \"\\u2581\\u13a4\\u13be\\u13da\\u13b5\\u13cd\\u13aa\": 12385,\n    \"\\u13b5\\u13cd\\u13a6\\u13c2\\u13cd\\u13db\": 12386,\n    \"\\u2581\\u13eb\\u13d3\\u13c6\\u13a7\\u13be\\u13c5\": 12387,\n    \"\\u13be\\u13d3\\u13b5\\u13c1\\u13af\\u13d5\": 12388,\n    \"\\u2581\\u13a4\\u13d3\\u13cf\\u13c1\": 12389,\n    \"\\u13a6\\u13be\\u13cf\\u13cd\\u13a9\": 12390,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13a6\\u13b4\": 12391,\n    \"\\u13ac\\u13ec\\u13af\\u13f3\": 12392,\n    \"\\u2581\\u13ed\\u13e3\\u13c5\": 12393,\n    \"\\u2581\\u13a1\\u13a6\\u13ab\\u13f4\": 12394,\n    \"\\u13d4\\u13b5\\u13c1\": 12395,\n    \"\\u13cd\\u13a9\\u13be\\u13db\": 12396,\n    \"\\u2581\\u13a4\\u13b5\\u13d6\\u13b8\": 12397,\n    \"\\u13cd\\u13a9\\u13d9\\u13b5\\u13a9\": 12398,\n    \"\\u2581\\u13a4\\u13d5\\u13c1\\u13b4\": 12399,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b8\": 12400,\n    \"\\u13d3\\u13ea\\u13b3\\u13a9\\u13cd\\u13ac\": 12401,\n    \"\\u2581\\u13ed\\u13c2\\u13f4\\u13b4\": 12402,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\\u13d2\": 12403,\n    \"\\u13d7\\u13e5\\u13c1\\u13df\\u13f4\": 12404,\n    \"\\u2581\\u13a8\\u13e5\\u13cc\": 12405,\n    \"\\u2581\\u13b4\\u13bb\": 12406,\n    \"\\u2581\\u13c4\\u13be\\u13db\\u13c1\": 12407,\n    \"\\u13a6\\u13be\\u13ec\\u13cd\\u13ac\": 12408,\n    \"\\u13f2\\u13b1\\u13cf\\u13d5\\u13be\": 12409,\n    \"\\u13b5\\u13f1\\u13b5\\u13d5\": 12410,\n    \"\\u2581\\u13a3\\u13e4\\u13b2\": 12411,\n    \"\\u2581\\u13e7\\u13be\\u13e4\": 12412,\n    \"\\u2581\\u13a4\\u13be\\u13a6\\u13ce\\u13cd\\u13db\": 12413,\n    \"\\u2581\\u13c2\\u13da\\u13b5\\u13cd\\u13d4\\u13c5\": 12414,\n    \"\\u13c4\\u13e9\\u13c1\\u13b4\": 12415,\n    \"\\u2581\\u13da\\u13ec\\u13e2\\u13c5\": 12416,\n    \"\\u2581\\u13ad\\u13d3\\u13c5\": 12417,\n    \"\\u2581\\u13bf\\u13db\": 12418,\n    \"\\u2581\\u13e7\\u13be\\u13b5\\u13c2\": 12419,\n    \"\\u13af\\u13aa\\u13e9\\u13db\": 12420,\n    \"\\u13f4\\u13d3\\u13c6\\u13b6\\u13cd\\u13ac\": 12421,\n    \"\\u13c3\\u13af\\u13b8\\u13cd\\u13d4\": 12422,\n    \"\\u2581\\u13a4\\u13d7\\u13b4\\u13b2\": 12423,\n    \"\\u2581\\u13c4\\u13b5\\u13c2\\u13ac\": 12424,\n    \"\\u2581\\u13a4\\u13c1\\u13df\\u13f4\": 12425,\n    \"\\u13a6\\u13f0\\u13ac\\u13cd\\u13d4\": 12426,\n    \"\\u13c5\\u13cd\\u13a6\\u13b8\": 12427,\n    \"\\u2581\\u13a4\\u13a9\\u13e8\": 12428,\n    \"\\u13e8\\u13cf\\u13f0\\u13d7\": 12429,\n    \"\\u2581\\u13a4\\u13ec\\u13ea\\u13b3\\u13c5\": 12430,\n    \"\\u13b5\\u13e0\\u13ef\\u13cd\\u13d5\\u13cd\\u13d7\": 12431,\n    \"\\u13c6\\u13d3\\u13c5\\u13d6\\u13b8\": 12432,\n    \"\\u13d7\\u13a6\\u13b6\\u13d7\": 12433,\n    \"\\u13f4\\u13d3\\u13c6\\u13b6\\u13cd\\u13a9\": 12434,\n    \"\\u13e9\\u13d7\\u13ce\\u13a2\": 12435,\n    \"\\u2581\\u13a0\\u13e9\\u13d8\\u13cd\\u13aa\": 12436,\n    \"\\u13ce\\u13a6\\u13e8\": 12437,\n    \"\\u13d9\\u13b4\\u13c6\\u13cd\": 12438,\n    \"\\u13c4\\u13af\\u13cd\\u13d7\\u13cd\\u13ac\": 12439,\n    \"\\u2581\\u13e7\\u13c3\\u13ea\\u13b3\\u13c5\": 12440,\n    \"\\u2581\\u13a4\\u13be\\u13b3\\u13cd\\u13d3\\u13a1\": 12441,\n    \"\\u2581\\u13c4\\u13c2\\u13ea\": 12442,\n    \"\\u13c2\\u13d9\\u13b4\": 12443,\n    \"\\u2581\\u13e5\\u13a7\\u13c1\": 12444,\n    \"\\u13d3\\u13be\\u13cf\\u13c2\": 12445,\n    \"\\u2581\\u13e5\\u13c3\\u13aa\": 12446,\n    \"\\u2581\\u13e7\\u13c2\\u13b7\\u13eb\\u13cd\\u13d4\\u13c1\": 12447,\n    \"\\u2581\\u13d3\\u13be\\u13d5\\u13f2\\u13b2\\u13cd\": 12448,\n    \"\\u2581\\u13a4\\u13b5\\u13e8\\u13d3\\u13c6\": 12449,\n    \"\\u13b5\\u13cd\\u13d9\\u13f0\\u13d7\": 12450,\n    \"\\u13b5\\u13cf\\u13b2\\u13ce\": 12451,\n    \"\\u13be\\u13c2\\u13a9\\u13d2\": 12452,\n    \"\\u2581\\u13a0\\u13a6\\u13ab\\u13f4\\u13a1\": 12453,\n    \"\\u13a6\\u13df\\u13ae\": 12454,\n    \"\\u2581\\u13da\\u13c5\\u13e9\\u13c5\": 12455,\n    \"\\u2581\\u13da\\u13b5\\u13e6\": 12456,\n    \"\\u13d3\\u13f4\\u13b3\\u13d4\\u13c5\": 12457,\n    \"\\u2581\\u13e7\\u13b7\\u13eb\\u13cd\\u13d4\\u13c1\": 12458,\n    \"\\u2581\\u13ac\\u13e9\\u13db\\u13a6\\u13c1\\u13b8\": 12459,\n    \"\\u2581\\u13a2\\u13f3\\u13d5\\u13d8\\u13f4\": 12460,\n    \"\\u2581\\u13a4\\u13b8\\u13d3\\u13b8\\u13a5\\u13cd\": 12461,\n    \"\\u2581\\u13ad\\u13d9\\u13b4\\u13b0\": 12462,\n    \"\\u13cc\\u13ba\\u13b5\": 12463,\n    \"\\u2581\\u13a0\\u13c2\\u13d0\\u13e2\\u13a2\\u13cd\\u13d7\\u13cd\": 12464,\n    \"\\u13ac\\u13ad\\u13b8\\u13db\": 12465,\n    \"\\u13a4\\u13b5\\u13ae\\u13b5\": 12466,\n    \"\\u2581\\u13a7\\u13c1\\u13a8\": 12467,\n    \"\\u13be\\u13d5\\u13b2\\u13cd\\u13ac\": 12468,\n    \"\\u2581\\u13a0\\u13be\\u13a6\": 12469,\n    \"\\u2581\\u13ad\\u13b5\\u13ae\\u13b5\": 12470,\n    \"\\u2581\\u13a2\\u13a7\\u13c1\\u13e8\": 12471,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13f4\\u13b2\": 12472,\n    \"\\u13ec\\u13cd\\u13a9\\u13b5\": 12473,\n    \"\\u13b5\\u13cd\\u13d7\\u13f0\\u13d3\\u13c1\": 12474,\n    \"\\u13c5\\u13e7\\u13b5\\u13cd\\u13d9\\u13d4\\u13c5\": 12475,\n    \"\\u13ec\\u13e5\": 12476,\n    \"\\u13ec\\u13c1\\u13d7\\u13cd\\u13a8\": 12477,\n    \"\\u2581\\u13a4\\u13d8\\u13f4\": 12478,\n    \"\\u2581\\u13d9\\u13a9\\u13be\\u13cd\\u13a9\\u13d3\\u13d2\": 12479,\n    \"\\u2581\\u13a2\\u13f3\\u13db\\u13c1\": 12480,\n    \"\\u13b5\\u13c3\\u13ae\\u13d7\\u13cd\\u13ac\": 12481,\n    \"\\u13d1\\u13b5\\u13aa\\u13e8\\u13a9\": 12482,\n    \"\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d7\": 12483,\n    \"\\u2581\\u13d9\\u13e6\": 12484,\n    \"\\u13d5\\u13ef\\u13d4\\u13c1\\u13ae\": 12485,\n    \"\\u13a0\\u13a6\\u13db\": 12486,\n    \"\\u13b7\\u13af\\u13cd\\u13d4\\u13c5\": 12487,\n    \"\\u2581\\u13d7\\u13a6\\u13b3\\u13eb\": 12488,\n    \"\\u13c2\\u13c4\\u13aa\\u13e4\\u13a2\": 12489,\n    \"\\u13eb\\u13cc\\u13c5\": 12490,\n    \"\\u2581\\u13ac\\u13ef\\u13b5\\u13c3\\u13ae\\u13d9\\u13d7\": 12491,\n    \"\\u13f2\\u13e4\\u13be\": 12492,\n    \"\\u13d7\\u13a9\\u13ef\\u13cd\\u13d7\": 12493,\n    \"\\u13d7\\u13b4\\u13a9\": 12494,\n    \"\\u2581\\u13be\\u13e5\\u13ea\\u13ce\": 12495,\n    \"\\u13ef\\u13c6\": 12496,\n    \"\\u13f0\\u13cc\\u13db\\u13a2\": 12497,\n    \"\\u13be\\u13c4\\u13aa\\u13e5\": 12498,\n    \"\\u13ac\\u13ad\\u13b7\\u13ef\\u13cd\": 12499,\n    \"\\u2581\\u13a2\\u13e5\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\": 12500,\n    \"\\u2581\\u13f1\\u13d5\\u13e3\\u13d3\": 12501,\n    \"\\u2581\\u13a5\\u13a4\": 12502,\n    \"\\u2581\\u13a2\\u13ef\\u13a9\\u13ea\\u13cd\\u13d7\": 12503,\n    \"\\u2581\\u13da\\u13c3\\u13d5\": 12504,\n    \"\\u2581\\u13da\\u13c2\\u13a7\\u13c5\": 12505,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13d6\\u13b8\": 12506,\n    \"\\u13a7\\u13cd\\u13a8\\u13c2\": 12507,\n    \"\\u2581\\u13bb\\u13d7\\u13c2\": 12508,\n    \"\\u2581\\u13a2\\u13af\\u13f4\\u13c1\\u13d7\": 12509,\n    \"\\u13ed\\u13c2\": 12510,\n    \"\\u13d3\\u13c5\\u13cd\\u13a8\": 12511,\n    \"\\u13a8\\u13b3\\u13d7\": 12512,\n    \"\\u2581\\u13d7\\u13aa\\u13d1\\u13b4\\u13d7\": 12513,\n    \"\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13ae\": 12514,\n    \"\\u13b7\\u13eb\\u13cd\\u13d3\\u13c1\\u13d7\": 12515,\n    \"\\u2581\\u13eb\\u13a8\\u13e5\\u13ef\\u13c5\": 12516,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13a6\": 12517,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13b3\\u13eb\": 12518,\n    \"\\u2581\\u13a3\\u13be\\u13eb\": 12519,\n    \"\\u13be\\u13d3\\u13d1\\u13f0\": 12520,\n    \"\\u2581\\u13d7\\u13e3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d9\\u13d7\": 12521,\n    \"\\u13c5\\u13b5\\u13f0\\u13a5\": 12522,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13c7\\u13da\": 12523,\n    \"\\u13b7\\u13e4\\u13a2\": 12524,\n    \"\\u2581\\u13c5\\u13d3\\u13ac\\u13e9\\u13d3\\u13b4\": 12525,\n    \"\\u13d5\\u13ad\\u13f2\\u13b2\": 12526,\n    \"\\u2581\\u13a1\\u13b3\\u13c6\": 12527,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13db\\u13d7\": 12528,\n    \"\\u13cd\\u13c6\\u13be\\u13b3\\u13d7\\u13cd\\u13d7\": 12529,\n    \"\\u2581\\u13da\\u13d3\\u13d3\\u13b4\": 12530,\n    \"\\u13a6\\u13b5\\u13cd\\u13d7\\u13cd\\u13aa\\u13a2\": 12531,\n    \"\\u2581\\u13a5\\u13d3\\u13d7\": 12532,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13d4\\u13e9\\u13d5\": 12533,\n    \"\\u13ea\\u13b5\\u13ce\\u13a2\": 12534,\n    \"\\u13aa\\u13ea\\u13b5\\u13af\": 12535,\n    \"\\u13d8\\u13c5\\u13ce\": 12536,\n    \"\\u13ec\\u13af\\u13e4\": 12537,\n    \"\\u2581\\u13be\\u13ef\\u13db\\u13a1\": 12538,\n    \"\\u2581\\u13eb\\u13e5\\u13b7\\u13e8\": 12539,\n    \"\\u13c2\\u13e2\\u13a9\": 12540,\n    \"\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d3\": 12541,\n    \"\\u13cd\\u13d3\\u13e9\\u13d5\\u13d2\\u13ad\": 12542,\n    \"\\u2581\\u13c4\\u13c2\\u13ac\\u13eb\\u13f3\": 12543,\n    \"\\u2581\\u13da\\u13ec\\u13e2\\u13d4\": 12544,\n    \"\\u13cd\\u13d3\\u13f2\\u13d2\": 12545,\n    \"\\u2581\\u13c4\\u13ac\\u13eb\": 12546,\n    \"\\u13a6\\u13d5\\u13a3\\u13cd\\u13a6\": 12547,\n    \"\\u2581\\u13a4\\u13d2\\u13a6\\u13b8\": 12548,\n    \"\\u13b4\\u13d4\\u13c5\\u13a2\": 12549,\n    \"\\u13d5\\u13d8\\u13f4\\u13cc\\u13d7\\u13d2\": 12550,\n    \"\\u2581\\u13d7\\u13e3\\u13d3\\u13b4\\u13c5\": 12551,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13aa\\u13b8\\u13d4\\u13c5\": 12552,\n    \"\\u13ed\\u13b7\\u13e4\\u13a2\": 12553,\n    \"\\u2581\\u13a4\\u13be\\u13c4\\u13aa\\u13e5\": 12554,\n    \"\\u13cd\\u13d5\\u13af\": 12555,\n    \"\\u13cd\\u13c9\\u13c2\\u13aa\\u13d7\": 12556,\n    \"\\u13b7\\u13b8\\u13d7\\u13f1\": 12557,\n    \"\\u2581\\u13a4\\u13e3\\u13b4\\u13cd\": 12558,\n    \"\\u13c2\\u13d9\\u13be\\u13a1\": 12559,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\\u13b8\": 12560,\n    \"\\u13d5\\u13cd\\u13d7\\u13f1\": 12561,\n    \"\\u13a6\\u13ab\\u13f4\\u13d3\\u13c1\\u13d7\": 12562,\n    \"\\u2581\\u13ac\\u13c6\\u13db\\u13c1\\u13d7\": 12563,\n    \"\\u13d6\\u13b8\\u13c2\\u13b8\": 12564,\n    \"\\u13d5\\u13b5\\u13d9\": 12565,\n    \"\\u13d9\\u13e3\\u13c1\": 12566,\n    \"\\u2581\\u13a1\\u13e5\\u13d9\\u13b5\\u13cd\\u13d7\": 12567,\n    \"\\u13be\\u13a5\\u13c2\": 12568,\n    \"\\u13a6\\u13b5\\u13c2\\u13aa\\u13af\": 12569,\n    \"\\u2581\\u13e7\\u13ea\\u13d9\\u13b5\\u13cd\\u13d7\": 12570,\n    \"\\u2581\\u13a0\\u13c6\\u13b4\\u13c2\\u13d3\\u13cd\\u13d7\": 12571,\n    \"\\u13a6\\u13ef\\u13b7\\u13a5\\u13cd\\u13a9\": 12572,\n    \"\\u2581\\u13a2\\u13e7\\u13c5\\u13c1\\u13d7\": 12573,\n    \"\\u13c5\\u13b5\\u13f0\\u13d7\": 12574,\n    \"\\u2581\\u13a4\\u13ec\\u13ef\\u13c1\": 12575,\n    \"\\u13e5\\u13b5\\u13e6\": 12576,\n    \"\\u2581\\u13ac\\u13a9\\u13c1\\u13c9\\u13e4\": 12577,\n    \"\\u2581\\u13a0\\u13ab\\u13a2\\u13cd\\u13d7\\u13cd\": 12578,\n    \"\\u2581\\u13d9\\u13d7\\u13cd\\u13a9\\u13ef\\u13d8\": 12579,\n    \"\\u13cc\\u13b3\\u13d3\\u13c1\\u13a2\": 12580,\n    \"\\u2581\\u13eb\\u13a8\\u13e5\\u13f2\\u13b5\": 12581,\n    \"\\u13c3\\u13cd\\u13a9\\u13d2\\u13a2\": 12582,\n    \"\\u2581\\u13d5\\u13ad\\u13d5\\u13f2\\u13b2\\u13cd\": 12583,\n    \"\\u13d4\\u13a7\\u13c5\\u13a6\": 12584,\n    \"\\u2581\\u13f3\\u13e3\\u13c5\": 12585,\n    \"\\u2581\\u13ac\\u13ec\\u13b3\\u13d5\\u13cd\": 12586,\n    \"\\u2581\\u13a9\\u13ef\\u13ce\": 12587,\n    \"\\u2581\\u13a4\\u13c2\\u13d4\\u13b3\": 12588,\n    \"\\u2581\\u13ed\\u13d4\\u13b7\": 12589,\n    \"\\u13a6\\u13ea\\u13a0\": 12590,\n    \"\\u2581\\u13a0\\u13d3\\u13be\\u13eb\\u13d7\": 12591,\n    \"\\u2581\\u13d5\\u13e5\\u13a7\\u13bf\\u13e9\\u13d7\": 12592,\n    \"\\u13e9\\u13af\\u13ce\\u13b8\": 12593,\n    \"\\u13b3\\u13c1\\u13b8\": 12594,\n    \"\\u2581\\u13d3\\u13ad\\u13ec\\u13a2\": 12595,\n    \"\\u13ad\\u13b7\\u13f0\": 12596,\n    \"\\u13cd\\u13c6\\u13d7\\u13cd\\u13ac\\u13be\": 12597,\n    \"\\u13cd\\u13db\\u13d7\\u13cd\\u13d4\\u13c5\": 12598,\n    \"\\u13e3\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 12599,\n    \"\\u2581\\u13a1\\u13bb\\u13c2\\u13d3\": 12600,\n    \"\\u13e5\\u13cd\\u13d3\\u13f1\\u13d5\\u13b5\": 12601,\n    \"\\u2581\\u13a4\\u13a6\\u13be\\u13cf\": 12602,\n    \"\\u2581\\u13c1\\u13d3\\u13c2\": 12603,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13d8\\u13be\": 12604,\n    \"\\u2581\\u13a2\\u13e3\\u13a2\\u13d2\": 12605,\n    \"\\u13de\\u13eb\\u13d2\": 12606,\n    \"\\u13e2\\u13c6\\u13cd\\u13d9\\u13d7\": 12607,\n    \"\\u13df\\u13cd\\u13d5\": 12608,\n    \"\\u13c5\\u13ab\\u13db\\u13a2\": 12609,\n    \"\\u13c8\\u13b7\": 12610,\n    \"\\u2581\\u13a0\\u13e5\\u13a4\\u13cd\\u13d5\\u13ce\\u13b8\": 12611,\n    \"\\u2581\\u13af\\u13cd\\u13ab\": 12612,\n    \"\\u13ef\\u13d8\\u13c5\\u13cd\\u13d4\": 12613,\n    \"\\u13da\\u13eb\\u13cd\\u13db\": 12614,\n    \"\\u2581\\u13d5\\u13e3\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\": 12615,\n    \"\\u2581\\u13a2\\u13ef\\u13a9\\u13f3\\u13cd\": 12616,\n    \"\\u13da\\u13da\": 12617,\n    \"\\u2581\\u13a6\\u13d5\\u13b6\": 12618,\n    \"\\u13b5\\u13d3\\u13a9\\u13db\": 12619,\n    \"\\u13d4\\u13d5\\u13a9\\u13cd\\u13a8\": 12620,\n    \"\\u13be\\u13eb\\u13db\\u13af\": 12621,\n    \"\\u13cd\\u13d3\\u13e9\\u13d5\\u13a6\": 12622,\n    \"\\u13ea\\u13d0\\u13b8\\u13cd\\u13d4\": 12623,\n    \"\\u2581\\u13d9\\u13d3\\u13f2\": 12624,\n    \"\\u13d4\\u13cd\\u13a9\\u13cd\\u13a9\": 12625,\n    \"\\u2581\\u13f1\\u13d7\\u13e7\\u13aa\": 12626,\n    \"\\u2581\\u13d7\\u13a6\\u13c5\\u13cd\\u13a8\": 12627,\n    \"\\u13db\\u13db\\u13b2\\u13a6\": 12628,\n    \"\\u2581\\u13e5\\u13d5\\u13aa\\u13ea\": 12629,\n    \"\\u13e2\\u13c8\\u13cd\\u13d9\\u13d7\": 12630,\n    \"\\u13a2\\u13d3\\u13d9\\u13b4\\u13b0\": 12631,\n    \"\\u13d5\\u13ef\\u13d9\\u13d4\\u13c2\": 12632,\n    \"hi\": 12633,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13c2\\u13aa\\u13af\": 12634,\n    \"\\u2581\\u13da\\u13df\\u13c2\\u13c6\": 12635,\n    \"\\u13f4\\u13cc\\u13d7\\u13d2\": 12636,\n    \"ape\": 12637,\n    \"\\u2581Ch\": 12638,\n    \"\\u13d3\\u13bf\\u13cd\\u13c6\\u13b6\\u13cd\\u13d7\": 12639,\n    \"\\u13a6\\u13b4\\u13ef\\u13cd\\u13aa\": 12640,\n    \"\\u2581\\u13a0\\u13e9\\u13c2\\u13a6\\u13b3\": 12641,\n    \"\\u2581\\u13a8\\u13e3\\u13d4\\u13f2\\u13ce\": 12642,\n    \"\\u2581\\u13c2\\u13da\\u13ec\\u13da\": 12643,\n    \"\\u2581\\u13d7\\u13a6\\u13b7\\u13eb\\u13cd\\u13d4\\u13c5\\u13d7\": 12644,\n    \"\\u2581\\u13da\\u13b7\\u13c6\\u13d7\\u13c5\": 12645,\n    \"\\u2581\\u13da\\u13c2\\u13c4\\u13ea\\u13d2\": 12646,\n    \"\\u2581\\u13eb\\u13f0\\u13e3\\u13d3\\u13a2\": 12647,\n    \"\\u13a2\\u13d7\\u13ac\\u13e4\\u13b5\\u13db\": 12648,\n    \"\\u13a4\\u13b8\\u13d5\\u13a6\": 12649,\n    \"\\u13a6\\u13cc\\u13ef\\u13cd\\u13db\\u13be\": 12650,\n    \"\\u13a8\\u13aa\\u13ea\\u13b6\\u13d4\\u13c5\\u13af\": 12651,\n    \"\\u13a9\\u13b7\\u13eb\\u13cd\\u13d4\\u13cf\": 12652,\n    \"\\u13ad\\u13b4\\u13eb\\u13cd\\u13d4\": 12653,\n    \"\\u13ad\\u13d3\\u13be\\u13eb\\u13d3\": 12654,\n    \"\\u13b3\\u13c5\\u13d3\\u13d7\\u13cf\": 12655,\n    \"\\u13b5\\u13c2\\u13ac\\u13c1\\u13ad\": 12656,\n    \"\\u13b5\\u13cd\\u13ab\\u13ad\\u13f4\": 12657,\n    \"\\u13b5\\u13cd\\u13c7\\u13d4\\u13ec\": 12658,\n    \"\\u13b5\\u13cd\\u13d5\\u13b8\\u13d9\\u13d4\\u13be\": 12659,\n    \"\\u13ba\\u13b5\\u13a9\\u13cc\\u13d5\\u13a9\\u13c3\": 12660,\n    \"\\u13be\\u13d7\\u13d4\\u13b0\\u13c5\": 12661,\n    \"\\u13be\\u13d9\\u13af\\u13f3\\u13be\\u13c1\\u13d7\": 12662,\n    \"\\u13c2\\u13a6\\u13e5\\u13ef\\u13db\\u13c1\\u13b0\": 12663,\n    \"\\u13c2\\u13c5\\u13a6\\u13b4\\u13b0\\u13c5\": 12664,\n    \"\\u13c2\\u13c6\\u13d8\\u13b5\": 12665,\n    \"\\u13c2\\u13d7\\u13e5\\u13f2\\u13d5\\u13cd\\u13d7\\u13cd\\u13ac\\u13be\": 12666,\n    \"\\u13c3\\u13af\\u13b5\\u13e3\\u13c1\": 12667,\n    \"\\u13c5\\u13d4\\u13d7\\u13d8\\u13cd\\u13ac\": 12668,\n    \"\\u13cd\\u13c6\\u13c2\\u13aa\\u13ce\\u13b4\": 12669,\n    \"\\u13d1\\u13f0\\u13cd\\u13ac\": 12670,\n    \"\\u13d3\\u13a6\\u13d5\\u13b6\\u13a3\\u13cf\": 12671,\n    \"\\u13d3\\u13d3\\u13cf\\u13be\\u13b2\\u13cd\\u13d9\\u13d7\": 12672,\n    \"\\u13d3\\u13d5\\u13d8\\u13f4\\u13ae\\u13ac\": 12673,\n    \"\\u13d4\\u13d5\\u13a6\\u13c5\\u13a9\": 12674,\n    \"\\u13d5\\u13a6\\u13b5\\u13a9\\u13a1\\u13ae\\u13a2\": 12675,\n    \"\\u13d6\\u13a1\\u13af\\u13cd\\u13d7\\u13cd\\u13a8\\u13a2\": 12676,\n    \"\\u13d9\\u13db\\u13aa\\u13c4\\u13b6\\u13cf\": 12677,\n    \"\\u13da\\u13c2\\u13cd\\u13d4\\u13f2\\u13b3\": 12678,\n    \"\\u13e3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d4\\u13c2\": 12679,\n    \"\\u13e5\\u13d4\\u13f2\\u13af\\u13ad\": 12680,\n    \"\\u13e5\\u13e5\\u13c3\\u13af\\u13cd\\u13d3\": 12681,\n    \"\\u13e5\\u13ee\\u13d7\\u13a6\\u13b6\\u13cf\": 12682,\n    \"\\u13ef\\u13d3\\u13f4\\u13a1\\u13b5\": 12683,\n    \"\\u13f2\\u13b0\\u13ce\\u13b5\": 12684,\n    \"\\u2581Po\": 12685,\n    \"\\u2581\\u13a0\\u13a6\\u13ab\\u13f4\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 12686,\n    \"\\u2581\\u13a0\\u13a6\\u13d4\\u13d4\\u13c5\\u13a5\\u13cd\\u13a9\": 12687,\n    \"\\u2581\\u13a0\\u13a7\\u13d6\\u13c3\\u13ae\": 12688,\n    \"\\u2581\\u13a0\\u13be\\u13c1\\u13b3\\u13d7\\u13cd\\u13aa\\u13a2\": 12689,\n    \"\\u2581\\u13a0\\u13be\\u13c1\\u13e2\\u13d4\\u13c2\\u13d2\\u13a2\": 12690,\n    \"\\u2581\\u13a0\\u13c2\\u13a7\\u13d4\\u13b2\": 12691,\n    \"\\u2581\\u13a0\\u13c2\\u13bb\\u13d7\\u13ef\\u13c2\": 12692,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13d4\\u13c2\\u13d9\\u13af\": 12693,\n    \"\\u2581\\u13a0\\u13c3\\u13e2\\u13c5\\u13a5\\u13cd\\u13ac\\u13a2\": 12694,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13d9\\u13b5\\u13cd\\u13d4\\u13c5\": 12695,\n    \"\\u2581\\u13a0\\u13cd\\u13aa\\u13c2\\u13d7\\u13e2\": 12696,\n    \"\\u2581\\u13a0\\u13cd\\u13ab\\u13d5\\u13cd\\u13aa\\u13a2\": 12697,\n    \"\\u2581\\u13a0\\u13d2\\u13be\\u13d8\\u13b6\\u13a5\\u13af\": 12698,\n    \"\\u2581\\u13a0\\u13d3\\u13c1\\u13e4\\u13af\": 12699,\n    \"\\u2581\\u13a0\\u13db\\u13d2\\u13a5\\u13cd\\u13a9\": 12700,\n    \"\\u2581\\u13a0\\u13dc\\u13e9\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 12701,\n    \"\\u2581\\u13a0\\u13e5\\u13cd\\u13db\\u13d7\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 12702,\n    \"\\u2581\\u13a0\\u13ef\\u13cd\\u13dc\\u13d7\\u13cd\\u13a9\": 12703,\n    \"\\u2581\\u13a1\\u13b5\\u13a3\\u13c8\\u13a6\": 12704,\n    \"\\u2581\\u13a2\\u13a4\\u13c4\\u13aa\\u13e8\": 12705,\n    \"\\u2581\\u13a2\\u13a6\\u13a4\\u13d8\\u13cd\\u13db\": 12706,\n    \"\\u2581\\u13a2\\u13cd\\u13a9\\u13cc\\u13db\\u13a5\\u13cd\\u13a6\": 12707,\n    \"\\u2581\\u13a2\\u13cd\\u13db\\u13a8\\u13f3\\u13a2\": 12708,\n    \"\\u2581\\u13a2\\u13e3\\u13da\\u13b8\\u13d7\\u13f1\": 12709,\n    \"\\u2581\\u13a2\\u13e3\\u13e0\\u13be\\u13cd\\u13db\": 12710,\n    \"\\u2581\\u13a2\\u13e5\\u13be\\u13dd\\u13be\\u13a5\": 12711,\n    \"\\u2581\\u13a2\\u13e8\\u13f0\\u13b3\\u13d7\\u13d9\\u13ae\\u13cd\\u13d7\": 12712,\n    \"\\u2581\\u13a2\\u13e8\\u13f0\\u13ef\\u13d4\\u13c5\\u13a2\": 12713,\n    \"\\u2581\\u13a2\\u13ef\\u13df\\u13b6\\u13a5\\u13af\": 12714,\n    \"\\u2581\\u13a2\\u13f0\\u13e3\\u13db\\u13c1\\u13d7\": 12715,\n    \"\\u2581\\u13a2\\u13f2\\u13e8\\u13f4\\u13c1\\u13d7\\u13f1\": 12716,\n    \"\\u2581\\u13a3\\u13a6\\u13b5\\u13e5\\u13d9\\u13d7\\u13f1\": 12717,\n    \"\\u2581\\u13a3\\u13c1\\u13cf\\u13c9\\u13b3\": 12718,\n    \"\\u2581\\u13a4\\u13a6\\u13ce\\u13cd\\u13d5\\u13a2\": 12719,\n    \"\\u2581\\u13a4\\u13a7\\u13f2\\u13d0\\u13c5\": 12720,\n    \"\\u2581\\u13a4\\u13a9\\u13b3\\u13eb\\u13ce\": 12721,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d4\\u13f4\\u13c3\\u13c1\\u13cd\\u13d7\": 12722,\n    \"\\u2581\\u13a4\\u13b7\\u13e6\\u13c5\\u13af\": 12723,\n    \"\\u2581\\u13a4\\u13be\\u13a6\\u13b0\\u13cd\\u13d4\\u13c5\": 12724,\n    \"\\u2581\\u13a4\\u13be\\u13d9\\u13b4\\u13a8\\u13ce\": 12725,\n    \"\\u2581\\u13a4\\u13c1\\u13e7\\u13e5\\u13db\": 12726,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13d8\\u13d5\\u13a2\": 12727,\n    \"\\u2581\\u13a4\\u13c2\\u13aa\\u13af\\u13d9\\u13b8\\u13af\": 12728,\n    \"\\u2581\\u13a4\\u13c2\\u13aa\\u13c1\\u13b6\\u13af\\u13cc\\u13d8\": 12729,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c8\\u13cd\\u13d3\": 12730,\n    \"\\u2581\\u13a4\\u13c2\\u13d0\\u13e2\\u13a2\\u13cd\\u13d4\\u13c5\": 12731,\n    \"\\u2581\\u13a4\\u13c2\\u13d4\\u13b3\\u13ec\\u13ce\\u13a2\": 12732,\n    \"\\u2581\\u13a4\\u13c3\\u13b1\\u13a6\\u13c2\\u13b8\": 12733,\n    \"\\u2581\\u13a4\\u13d0\\u13e2\\u13a2\\u13cd\\u13d4\\u13c5\": 12734,\n    \"\\u2581\\u13a4\\u13d3\\u13d1\\u13f0\\u13a2\": 12735,\n    \"\\u2581\\u13a4\\u13d3\\u13e5\\u13c3\\u13af\\u13cd\\u13d4\\u13c5\": 12736,\n    \"\\u2581\\u13a4\\u13d3\\u13e9\\u13d7\\u13cd\\u13db\": 12737,\n    \"\\u2581\\u13a4\\u13da\\u13d3\\u13db\\u13d7\\u13f1\": 12738,\n    \"\\u2581\\u13a4\\u13df\\u13f4\\u13cd\\u13a9\\u13b8\\u13ae\": 12739,\n    \"\\u2581\\u13a4\\u13e7\\u13c8\\u13cd\\u13d9\\u13d2\\u13af\": 12740,\n    \"\\u2581\\u13a4\\u13ea\\u13d9\\u13b5\\u13a8\\u13a2\": 12741,\n    \"\\u2581\\u13a8\\u13e4\\u13b3\\u13d7\\u13d9\\u13ad\": 12742,\n    \"\\u2581\\u13a8\\u13e5\\u13d0\\u13e0\\u13b8\\u13a2\": 12743,\n    \"\\u2581\\u13ac\\u13e9\\u13a6\\u13cc\\u13ef\\u13cd\\u13d5\": 12744,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13ae\\u13cd\\u13d7\": 12745,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13d3\\u13e9\\u13d9\\u13af\": 12746,\n    \"\\u2581\\u13ad\\u13c6\\u13e5\\u13c2\": 12747,\n    \"\\u2581\\u13ad\\u13d3\\u13c5\\u13d7\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 12748,\n    \"\\u2581\\u13af\\u13ef\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\": 12749,\n    \"\\u2581\\u13bb\\u13b1\\u13e4\\u13b5\": 12750,\n    \"\\u2581\\u13bb\\u13cf\\u13b4\\u13bb\": 12751,\n    \"\\u2581\\u13bb\\u13da\\u13ce\\u13b5\": 12752,\n    \"\\u2581\\u13c1\\u13e3\\u13db\\u13c1\\u13cd\\u13d7\\u13c9\": 12753,\n    \"\\u2581\\u13c2\\u13a6\\u13c5\\u13a6\\u13b8\\u13b2\\u13be\": 12754,\n    \"\\u2581\\u13c2\\u13a6\\u13e5\\u13ea\\u13ce\\u13ad\": 12755,\n    \"\\u2581\\u13c2\\u13ac\\u13eb\\u13cd\\u13d5\": 12756,\n    \"\\u2581\\u13c2\\u13d5\\u13e3\\u13d3\\u13db\\u13c1\\u13ae\\u13cd\\u13d7\": 12757,\n    \"\\u2581\\u13c2\\u13d7\\u13e3\\u13d3\\u13d5\\u13b5\\u13ce\\u13b2\\u13be\": 12758,\n    \"\\u2581\\u13c2\\u13d7\\u13e3\\u13e2\\u13eb\\u13ce\\u13b2\\u13be\": 12759,\n    \"\\u2581\\u13c2\\u13d7\\u13e5\\u13c1\\u13b2\\u13be\": 12760,\n    \"\\u2581\\u13c2\\u13d9\\u13e3\\u13b5\\u13cd\\u13d3\\u13c1\\u13ad\": 12761,\n    \"\\u2581\\u13c4\\u13be\\u13b5\\u13ae\\u13b5\\u13e3\\u13db\\u13be\": 12762,\n    \"\\u2581\\u13c4\\u13c2\\u13b7\\u13b6\\u13e4\\u13b2\\u13be\": 12763,\n    \"\\u2581\\u13c5\\u13a4\\u13ea\\u13ce\\u13b8\\u13a9\": 12764,\n    \"\\u2581\\u13c5\\u13cb\\u13c1\\u13b5\\u13d9\\u13b8\\u13a2\": 12765,\n    \"\\u2581\\u13c5\\u13d3\\u13a6\\u13ea\\u13cf\": 12766,\n    \"\\u2581\\u13c5\\u13d3\\u13cd\\u13a9\\u13f4\\u13c1\\u13b5\": 12767,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13be\\u13b5\\u13cd\\u13d3\\u13c1\\u13b5\": 12768,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13cd\\u13d7\\u13d7\\u13d2\\u13a9\": 12769,\n    \"\\u2581\\u13c5\\u13db\\u13c2\\u13d9\\u13be\\u13a2\": 12770,\n    \"\\u2581\\u13c8\\u13d7\\u13c2\\u13f1\": 12771,\n    \"\\u2581\\u13cd\\u13a9\\u13ef\\u13b5\\u13a1\\u13b5\\u13cd\": 12772,\n    \"\\u2581\\u13cd\\u13a9\\u13ef\\u13d0\\u13a5\\u13a6\": 12773,\n    \"\\u2581\\u13cd\\u13c6\\u13d5\\u13b2\\u13cf\": 12774,\n    \"\\u2581\\u13d0\\u13b5\\u13bc\\u13c5\": 12775,\n    \"\\u2581\\u13d3\\u13a6\\u13b3\\u13d0\\u13eb\\u13cf\": 12776,\n    \"\\u2581\\u13d3\\u13a7\\u13bf\\u13e9\\u13d5\\u13a8\\u13cd\\u13d7\": 12777,\n    \"\\u2581\\u13d3\\u13a8\\u13af\\u13db\\u13d4\\u13c2\": 12778,\n    \"\\u2581\\u13d3\\u13a9\\u13ef\\u13ea\\u13e5\\u13d9\\u13b8\": 12779,\n    \"\\u2581\\u13d3\\u13ac\\u13c1\\u13c9\\u13a2\": 12780,\n    \"\\u2581\\u13d3\\u13ac\\u13cd\\u13d3\\u13e9\\u13d7\\u13d9\\u13b5\": 12781,\n    \"\\u2581\\u13d3\\u13be\\u13d5\\u13d2\\u13b2\\u13cd\\u13a8\\u13a2\": 12782,\n    \"\\u2581\\u13d3\\u13be\\u13e6\\u13ad\\u13f1\\u13ae\": 12783,\n    \"\\u2581\\u13d3\\u13bf\\u13ec\\u13cd\\u13a8\": 12784,\n    \"\\u2581\\u13d3\\u13c1\\u13d9\\u13b2\\u13a9\": 12785,\n    \"\\u2581\\u13d3\\u13c2\\u13c2\\u13a9\\u13b8\": 12786,\n    \"\\u2581\\u13d3\\u13c2\\u13e5\\u13cd\\u13d4\\u13b3\\u13cd\\u13ac\": 12787,\n    \"\\u2581\\u13d3\\u13cd\\u13a9\\u13ef\\u13e0\\u13e5\": 12788,\n    \"\\u2581\\u13d3\\u13d3\\u13d8\\u13c1\\u13b2\\u13a2\": 12789,\n    \"\\u2581\\u13d3\\u13e5\\u13b4\\u13d0\\u13c2\": 12790,\n    \"\\u2581\\u13d3\\u13e5\\u13cd\\u13d4\\u13e9\\u13d5\\u13cf\": 12791,\n    \"\\u2581\\u13d3\\u13e5\\u13d4\\u13f2\\u13b5\": 12792,\n    \"\\u2581\\u13d3\\u13e8\\u13f2\\u13ce\\u13b5\": 12793,\n    \"\\u2581\\u13d3\\u13f2\\u13cd\\u13d3\\u13c1\\u13b3\\u13d7\": 12794,\n    \"\\u2581\\u13d3\\u13f3\\u13be\\u13da\\u13a9\\u13d2\": 12795,\n    \"\\u2581\\u13d5\\u13a4\\u13b8\\u13eb\\u13cd\\u13d3\\u13cf\": 12796,\n    \"\\u2581\\u13d5\\u13a8\\u13a6\\u13d3\\u13c2\\u13b8\\u13e8\": 12797,\n    \"\\u2581\\u13d5\\u13a9\\u13be\\u13e6\\u13d2\": 12798,\n    \"\\u2581\\u13d5\\u13ac\\u13d2\\u13b2\\u13cd\\u13ac\\u13a2\": 12799,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13d3\\u13c2\\u13b8\\u13e8\\u13a9\": 12800,\n    \"\\u2581\\u13d5\\u13ac\\u13ef\\u13ab\\u13f4\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 12801,\n    \"\\u2581\\u13d5\\u13ac\\u13ef\\u13e0\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\": 12802,\n    \"\\u2581\\u13d5\\u13ad\\u13c5\\u13d3\\u13d7\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 12803,\n    \"\\u2581\\u13d5\\u13af\\u13ef\\u13d3\\u13c2\\u13b8\\u13e8\\u13ad\": 12804,\n    \"\\u2581\\u13d5\\u13cd\\u13d7\\u13c2\\u13f4\\u13ae\\u13cd\\u13d7\": 12805,\n    \"\\u2581\\u13d5\\u13e5\\u13a6\\u13bf\\u13e9\\u13d7\\u13d2\": 12806,\n    \"\\u2581\\u13d7\\u13a6\\u13b5\\u13ef\\u13c5\\u13af\\u13db\": 12807,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13c5\\u13cd\\u13d5\\u13ce\\u13b8\\u13af\": 12808,\n    \"\\u2581\\u13d7\\u13a9\\u13be\\u13d3\\u13db\\u13d9\\u13d7\": 12809,\n    \"\\u2581\\u13d7\\u13ab\\u13e9\\u13ad\\u13c4\\u13eb\": 12810,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13d5\\u13f2\\u13d7\": 12811,\n    \"\\u2581\\u13d7\\u13c2\\u13b3\\u13cd\\u13d3\\u13b3\\u13e9\\u13d7\\u13d2\": 12812,\n    \"\\u2581\\u13d7\\u13d3\\u13d9\\u13d5\\u13af\\u13af\": 12813,\n    \"\\u2581\\u13d7\\u13d7\\u13c2\\u13c3\\u13a9\\u13cd\\u13a8\\u13a2\": 12814,\n    \"\\u2581\\u13d7\\u13f4\\u13a6\\u13b4\\u13f4\\u13d3\": 12815,\n    \"\\u2581\\u13d8\\u13f0\\u13b5\\u13af\\u13cd\\u13d3\": 12816,\n    \"\\u2581\\u13d9\\u13a6\\u13d3\\u13f2\\u13b5\\u13b8\": 12817,\n    \"\\u2581\\u13d9\\u13b5\\u13d3\\u13cd\\u13c6\": 12818,\n    \"\\u2581\\u13d9\\u13d3\\u13a6\\u13e5\\u13ef\\u13df\\u13b6\\u13cd\\u13d4\\u13c2\": 12819,\n    \"\\u2581\\u13d9\\u13d3\\u13e6\\u13b5\\u13cd\\u13d4\\u13c2\": 12820,\n    \"\\u2581\\u13d9\\u13d8\\u13f4\\u13d4\\u13c2\\u13b5\": 12821,\n    \"\\u2581\\u13d9\\u13db\\u13a0\\u13b4\\u13af\\u13cc\\u13c2\": 12822,\n    \"\\u2581\\u13da\\u13b5\\u13d6\\u13b8\\u13c1\": 12823,\n    \"\\u2581\\u13da\\u13be\\u13c1\\u13b3\\u13d7\\u13d9\\u13b4\": 12824,\n    \"\\u2581\\u13da\\u13be\\u13c1\\u13cd\\u13d3\\u13dd\\u13b0\\u13a2\": 12825,\n    \"\\u2581\\u13da\\u13be\\u13d0\\u13d3\\u13b8\": 12826,\n    \"\\u2581\\u13da\\u13be\\u13d7\\u13eb\\u13cd\\u13d7\\u13cd\\u13a8\": 12827,\n    \"\\u2581\\u13da\\u13be\\u13e6\\u13ad\\u13f1\\u13b8\": 12828,\n    \"\\u2581\\u13da\\u13c2\\u13b5\\u13f0\\u13d7\\u13cd\\u13ac\": 12829,\n    \"\\u2581\\u13da\\u13c2\\u13b7\\u13eb\\u13cd\\u13d4\\u13c1\\u13b2\": 12830,\n    \"\\u2581\\u13da\\u13cc\\u13ec\\u13b4\": 12831,\n    \"\\u2581\\u13da\\u13cd\\u13c6\\u13b8\\u13d4\\u13c5\": 12832,\n    \"\\u2581\\u13da\\u13d7\\u13a6\\u13b4\\u13ef\\u13cd\\u13d4\\u13c5\": 12833,\n    \"\\u2581\\u13da\\u13df\\u13b7\\u13c6\\u13d7\\u13c5\\u13ce\": 12834,\n    \"\\u2581\\u13da\\u13e5\\u13cd\\u13e0\\u13e8\\u13a9\": 12835,\n    \"\\u2581\\u13da\\u13e9\\u13c5\\u13a6\\u13e2\": 12836,\n    \"\\u2581\\u13da\\u13ee\\u13a9\\u13b6\\u13a5\\u13a9\": 12837,\n    \"\\u2581\\u13da\\u13ef\\u13cd\\u13dc\\u13db\": 12838,\n    \"\\u2581\\u13db\\u13a9\\u13ef\\u13c5\\u13a1\\u13b4\\u13cd\\u13d7\": 12839,\n    \"\\u2581\\u13db\\u13b5\\u13f0\\u13a2\\u13b8\\u13cd\\u13d3\": 12840,\n    \"\\u2581\\u13db\\u13be\\u13b5\\u13db\\u13d4\\u13c2\": 12841,\n    \"\\u2581\\u13db\\u13cb\\u13cd\\u13a6\\u13b8\\u13c2\": 12842,\n    \"\\u2581\\u13e3\\u13e5\\u13f0\\u13b8\\u13be\\u13c1\\u13b4\\u13a2\": 12843,\n    \"\\u2581\\u13e5\\u13a6\\u13a7\\u13b0\\u13a2\": 12844,\n    \"\\u2581\\u13e5\\u13ac\\u13a9\\u13be\\u13b8\\u13cd\\u13d4\\u13c5\\u13a9\": 12845,\n    \"\\u2581\\u13e5\\u13c1\\u13e3\\u13db\\u13a9\\u13cd\\u13aa\\u13a2\": 12846,\n    \"\\u2581\\u13e5\\u13c2\\u13d5\\u13af\\u13ea\\u13ce\\u13b8\\u13a9\": 12847,\n    \"\\u2581\\u13e5\\u13c2\\u13da\\u13e9\\u13c1\\u13b8\": 12848,\n    \"\\u2581\\u13e5\\u13cd\\u13a9\\u13ef\\u13c2\\u13a9\\u13cd\\u13d3\": 12849,\n    \"\\u2581\\u13e5\\u13d3\\u13c5\\u13bf\\u13d7\\u13cd\\u13d9\\u13d7\": 12850,\n    \"\\u2581\\u13e5\\u13d3\\u13da\\u13eb\\u13cd\\u13d7\\u13ad\": 12851,\n    \"\\u2581\\u13e5\\u13da\\u13e3\\u13c3\\u13db\\u13a9\": 12852,\n    \"\\u2581\\u13e5\\u13eb\\u13d7\\u13a6\\u13b8\\u13cc\\u13d3\\u13d7\\u13cd\\u13aa\\u13a2\": 12853,\n    \"\\u2581\\u13e5\\u13eb\\u13e8\\u13f2\\u13ea\\u13b3\\u13c1\": 12854,\n    \"\\u2581\\u13e5\\u13ef\\u13b5\\u13c3\\u13ae\\u13d7\\u13cd\\u13ac\\u13a2\": 12855,\n    \"\\u2581\\u13e5\\u13ef\\u13d3\\u13c1\\u13df\\u13f4\\u13cd\\u13d3\\u13c1\\u13b8\": 12856,\n    \"\\u2581\\u13e5\\u13ef\\u13da\\u13e3\\u13b3\\u13c5\\u13ad\": 12857,\n    \"\\u2581\\u13e6\\u13a6\\u13d3\\u13c2\\u13b8\\u13a2\\u13cd\\u13d7\\u13f1\": 12858,\n    \"\\u2581\\u13e6\\u13a9\\u13f2\\u13b1\\u13af\\u13cd\\u13d7\\u13f1\": 12859,\n    \"\\u2581\\u13e6\\u13e3\\u13b5\\u13e5\\u13d9\\u13c1\\u13d7\\u13f1\": 12860,\n    \"\\u2581\\u13e7\\u13c3\\u13d5\\u13af\\u13af\": 12861,\n    \"\\u2581\\u13e7\\u13e3\\u13ec\\u13d3\": 12862,\n    \"\\u2581\\u13e8\\u13e7\\u13b6\\u13ce\\u13a2\": 12863,\n    \"\\u2581\\u13e9\\u13c2\\u13b6\\u13d2\\u13ad\": 12864,\n    \"\\u2581\\u13e9\\u13c6\\u13d8\\u13c5\\u13cd\\u13d4\\u13c5\\u13a9\": 12865,\n    \"\\u2581\\u13eb\\u13a4\\u13ea\\u13c5\": 12866,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\\u13f2\\u13e5\\u13d3\\u13cd\\u13d7\": 12867,\n    \"\\u2581\\u13eb\\u13c2\\u13da\\u13e9\\u13c1\\u13b4\": 12868,\n    \"\\u2581\\u13eb\\u13c4\\u13be\\u13db\\u13c1\\u13b8\\u13a9\": 12869,\n    \"\\u2581\\u13eb\\u13d9\\u13db\\u13be\\u13b4\\u13d4\\u13c2\": 12870,\n    \"\\u2581\\u13eb\\u13d9\\u13db\\u13be\\u13d3\\u13a1\\u13cf\": 12871,\n    \"\\u2581\\u13eb\\u13d9\\u13db\\u13c2\\u13f2\\u13af\\u13ce\\u13b5\": 12872,\n    \"\\u2581\\u13eb\\u13da\\u13a6\\u13d4\\u13b2\\u13cd\\u13d9\\u13d7\\u13f1\": 12873,\n    \"\\u2581\\u13eb\\u13f1\\u13e3\\u13a7\\u13b2\\u13a6\": 12874,\n    \"\\u2581\\u13ed\\u13c1\\u13b3\\u13d7\\u13d3\": 12875,\n    \"\\u2581\\u13ed\\u13c1\\u13d9\\u13b8\\u13af\": 12876,\n    \"\\u2581\\u13ed\\u13d3\\u13ec\\u13a5\\u13cd\\u13d7\": 12877,\n    \"\\u2581\\u13ed\\u13d7\\u13cd\\u13a6\\u13dd\\u13c1\": 12878,\n    \"\\u2581\\u13ed\\u13e9\\u13ef\\u13b8\\u13e5\\u13b4\": 12879,\n    \"\\u2581\\u13ee\\u13d3\\u13f3\\u13ce\\u13ae\\u13b5\": 12880,\n    \"\\u2581\\u13ee\\u13db\\u13c2\\u13b6\\u13cf\": 12881,\n    \"\\u2581\\u13ef\\u13a9\\u13b7\\u13e4\\u13b4\\u13cd\\u13d7\": 12882,\n    \"\\u2581\\u13ef\\u13be\\u13d3\\u13c5\\u13cd\\u13ac\\u13be\": 12883,\n    \"\\u2581\\u13ef\\u13c2\\u13cd\\u13d9\\u13b0\\u13a2\": 12884,\n    \"\\u2581\\u13ef\\u13c9\\u13af\\u13f3\\u13ae\": 12885,\n    \"\\u2581\\u13ef\\u13d5\\u13e0\\u13c6\\u13cd\\u13a6\": 12886,\n    \"\\u2581\\u13f1\\u13c1\\u13e8\\u13be\\u13d5\\u13a8\\u13cd\\u13d7\": 12887,\n    \"\\u2581\\u13f1\\u13c5\\u13e7\\u13b5\\u13cd\\u13d9\\u13d4\\u13c1\": 12888,\n    \"\\u2581\\u13f1\\u13cd\\u13a9\\u13a6\\u13d4\\u13ae\\u13a2\": 12889,\n    \"\\u2581\\u13f1\\u13cd\\u13a9\\u13f2\\u13a2\\u13f3\\u13b2\\u13cd\\u13a6\": 12890,\n    \"\\u2581\\u13f1\\u13cd\\u13a9\\u13f2\\u13a2\\u13f3\\u13c1\\u13a2\": 12891,\n    \"\\u2581\\u13f1\\u13cd\\u13c6\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b8\": 12892,\n    \"\\u2581\\u13f1\\u13d3\\u13c2\\u13cd\\u13d3\\u13e9\\u13a6\\u13a6\": 12893,\n    \"\\u2581\\u13f1\\u13d5\\u13e5\\u13a4\\u13cd\\u13d5\\u13ce\\u13b8\": 12894,\n    \"\\u2581\\u13f1\\u13d7\\u13e5\\u13cd\\u13c6\\u13c2\\u13aa\": 12895,\n    \"\\u2581\\u13f1\\u13da\\u13c2\\u13bf\\u13cd\\u13d5\\u13e0\\u13a2\": 12896,\n    \"\\u2581\\u13f1\\u13e3\\u13cd\\u13a6\\u13c5\\u13e4\\u13cd\\u13d7\": 12897,\n    \"\\u2581\\u13f1\\u13e5\\u13aa\\u13c1\\u13b6\\u13cd\\u13a8\\u13cd\\u13d7\": 12898,\n    \"\\u2581\\u13f1\\u13e6\\u13af\\u13f3\\u13ad\": 12899,\n    \"\\u2581\\u13f1\\u13e6\\u13af\\u13f3\\u13c1\\u13cd\\u13d7\": 12900,\n    \"\\u2581\\u13f3\\u13a6\\u13cc\\u13ef\\u13cd\\u13d4\\u13c1\": 12901,\n    \"\\u2581\\u13f3\\u13c2\\u13ec\\u13c2\\u13cc\": 12902,\n    \"\\u2581\\u13f4\\u13a6\\u13ac\\u13f4\\u13d5\\u13a9\": 12903,\n    \"\\u2581\\u13f4\\u13ac\\u13da\\u13d3\\u13b4\\u13cd\\u13d3\": 12904,\n    \"\\u2581\\u13a0\\u13a9\\u13aa\\u13e9\\u13d8\\u13cd\\u13a9\": 12905,\n    \"\\u2581\\u13a0\\u13b5\\u13d6\\u13b8\\u13c2\\u13ae\\u13a2\": 12906,\n    \"\\u2581\\u13a0\\u13c2\\u13eb\\u13c4\\u13e3\": 12907,\n    \"\\u2581\\u13a0\\u13c2\\u13eb\\u13c5\\u13a8\\u13cc\\u13c2\": 12908,\n    \"\\u2581\\u13a0\\u13c5\\u13f3\\u13e4\\u13b2\": 12909,\n    \"\\u2581\\u13a0\\u13eb\\u13d2\\u13a5\\u13cd\\u13a9\": 12910,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13b8\\u13a2\\u13cd\\u13d4\\u13c5\": 12911,\n    \"\\u2581\\u13a4\\u13c4\\u13b6\\u13b8\": 12912,\n    \"\\u2581\\u13ac\\u13f2\\u13b5\\u13cd\\u13d4\\u13c5\": 12913,\n    \"\\u2581\\u13c2\\u13db\\u13c5\\u13c1\\u13b5\": 12914,\n    \"\\u2581\\u13c2\\u13e5\\u13ea\\u13cd\\u13a8\\u13cd\\u13d7\": 12915,\n    \"\\u2581\\u13d5\\u13a4\\u13ec\\u13a1\\u13a2\": 12916,\n    \"\\u2581\\u13d5\\u13e5\\u13a6\\u13cc\\u13ec\\u13a2\\u13b2\\u13a2\": 12917,\n    \"\\u2581\\u13db\\u13c3\\u13b5\\u13e5\": 12918,\n    \"\\u2581\\u13e5\\u13bf\\u13db\\u13a6\": 12919,\n    \"\\u2581\\u13eb\\u13d7\\u13cd\\u13a9\\u13ef\\u13d8\\u13c5\\u13cd\\u13d4\\u13c5\\u13a9\": 12920,\n    \"\\u2581\\u13ef\\u13a9\\u13f2\\u13cf\\u13ad\": 12921,\n    \"\\u2581\\u13f3\\u13f0\\u13b5\\u13db\\u13be\": 12922,\n    \"\\u13a6\\u13d9\\u13b4\\u13b0\\u13cd\\u13a6\": 12923,\n    \"\\u13a9\\u13f0\\u13b3\\u13d7\\u13d9\\u13ad\": 12924,\n    \"\\u13c2\\u13a8\\u13af\\u13d9\\u13b5\": 12925,\n    \"\\u13cc\\u13c6\\u13de\": 12926,\n    \"\\u13cd\\u13ab\\u13c6\": 12927,\n    \"\\u13e5\\u13a6\\u13d6\\u13c3\\u13ae\\u13cd\\u13d7\": 12928,\n    \"\\u13e9\\u13d2\\u13d9\\u13a3\\u13ce\": 12929,\n    \"\\u13f4\\u13cd\\u13d3\\u13a9\\u13cd\\u13a9\": 12930,\n    \"\\u2581\\u13a0\\u13a6\\u13be\\u13ec\\u13d7\\u13cd\": 12931,\n    \"\\u2581\\u13a0\\u13c4\\u13d6\\u13cd\\u13a8\": 12932,\n    \"\\u2581\\u13a0\\u13cd\\u13aa\\u13b5\\u13f0\\u13cd\\u13a8\": 12933,\n    \"\\u2581\\u13a0\\u13cd\\u13ab\\u13d5\\u13cd\\u13a9\": 12934,\n    \"\\u2581\\u13a1\\u13b5\\u13a1\\u13cc\": 12935,\n    \"\\u2581\\u13a1\\u13e5\\u13d4\\u13f2\\u13ce\\u13ae\\u13cd\\u13d7\": 12936,\n    \"\\u2581\\u13a2\\u13a1\\u13e5\\u13aa\\u13b5\\u13f0\": 12937,\n    \"\\u2581\\u13a2\\u13a9\\u13f2\\u13b1\\u13af\\u13ce\\u13b8\": 12938,\n    \"\\u2581\\u13a2\\u13cd\\u13a9\\u13c3\\u13c1\\u13b5\\u13b8\": 12939,\n    \"\\u2581\\u13a2\\u13cd\\u13a9\\u13cd\\u13a6\\u13a6\": 12940,\n    \"\\u2581\\u13a4\\u13a6\\u13f4\\u13b3\\u13e8\": 12941,\n    \"\\u2581\\u13a4\\u13b5\\u13a9\\u13f3\\u13cd\": 12942,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13a9\\u13c3\\u13d8\\u13cd\": 12943,\n    \"\\u2581\\u13a4\\u13c2\\u13e9\\u13d2\\u13a5\\u13cd\\u13a9\": 12944,\n    \"\\u2581\\u13a4\\u13cd\\u13d5\\u13c5\\u13e8\": 12945,\n    \"\\u2581\\u13a4\\u13d6\\u13b8\\u13c5\": 12946,\n    \"\\u2581\\u13a5\\u13c6\\u13a8\\u13c5\\u13db\": 12947,\n    \"\\u2581\\u13ac\\u13be\\u13f0\\u13cd\\u13ac\": 12948,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13f2\\u13e5\\u13d9\\u13b8\": 12949,\n    \"\\u2581\\u13ac\\u13e9\\u13d5\\u13b0\\u13d4\\u13c1\\u13a2\": 12950,\n    \"\\u2581\\u13ad\\u13d9\\u13ef\\u13c5\\u13af\": 12951,\n    \"\\u2581\\u13c2\\u13a6\\u13e5\\u13ef\\u13db\\u13c1\\u13b8\\u13a9\": 12952,\n    \"\\u2581\\u13c2\\u13bb\\u13b6\\u13d7\": 12953,\n    \"\\u2581\\u13c2\\u13d3\\u13a6\\u13db\\u13c1\\u13b5\": 12954,\n    \"\\u2581\\u13c2\\u13d9\\u13d3\\u13ac\\u13e9\": 12955,\n    \"\\u2581\\u13c5\\u13e7\\u13db\\u13bf\\u13d7\\u13ce\": 12956,\n    \"\\u2581\\u13d3\\u13c2\\u13c4\\u13aa\\u13eb\\u13cd\": 12957,\n    \"\\u2581\\u13d3\\u13f3\\u13d0\\u13c5\\u13c2\": 12958,\n    \"\\u2581\\u13d5\\u13a8\\u13a6\\u13b4\\u13d7\": 12959,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13e1\\u13e9\\u13d7\\u13d2\": 12960,\n    \"\\u2581\\u13d5\\u13e5\\u13b3\\u13eb\\u13e6\\u13af\\u13b2\": 12961,\n    \"\\u2581\\u13d5\\u13e5\\u13c4\\u13aa\\u13eb\\u13cd\": 12962,\n    \"\\u2581\\u13d7\\u13a6\\u13a6\\u13e0\\u13f1\\u13af\": 12963,\n    \"\\u2581\\u13d7\\u13a9\\u13be\\u13e2\\u13d7\\u13f1\": 12964,\n    \"\\u2581\\u13da\\u13b3\\u13d1\\u13de\": 12965,\n    \"\\u2581\\u13db\\u13b5\\u13cd\\u13d3\\u13f4\\u13c2\": 12966,\n    \"\\u2581\\u13e3\\u13c2\\u13d9\\u13be\\u13a0\": 12967,\n    \"\\u2581\\u13e3\\u13e6\\u13d4\\u13cd\\u13d4\\u13c5\": 12968,\n    \"\\u2581\\u13e5\\u13d5\\u13be\\u13e6\\u13af\": 12969,\n    \"\\u2581\\u13e5\\u13da\\u13f1\\u13b6\\u13b4\\u13a2\": 12970,\n    \"\\u2581\\u13e7\\u13c3\\u13b8\\u13d4\\u13c2\\u13d9\\u13b0\": 12971,\n    \"\\u2581\\u13e7\\u13c4\\u13aa\\u13e8\": 12972,\n    \"\\u2581\\u13e7\\u13da\\u13aa\\u13d9\\u13d7\": 12973,\n    \"\\u2581\\u13f1\\u13a6\\u13b3\\u13cd\\u13e2\": 12974,\n    \"\\u2581\\u13f1\\u13ea\\u13e3\\u13d3\\u13a2\\u13c5\": 12975,\n    \"\\u2581\\u13f3\\u13c2\\u13da\\u13ac\\u13be\": 12976,\n    \"\\u2581\\u13f4\\u13ac\\u13d3\\u13db\\u13a6\": 12977,\n    \"\\u13a8\\u13a9\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\\u13a9\": 12978,\n    \"\\u13ad\\u13c4\\u13ed\": 12979,\n    \"\\u13b3\\u13eb\\u13ce\\u13b5\": 12980,\n    \"\\u13cd\\u13da\\u13a2\\u13a1\\u13d7\\u13f1\": 12981,\n    \"\\u13d3\\u13be\\u13c7\\u13cd\\u13ac\": 12982,\n    \"\\u13da\\u13be\\u13d3\\u13e9\\u13db\\u13d4\\u13c1\\u13a2\": 12983,\n    \"\\u13da\\u13d4\\u13b2\\u13a2\": 12984,\n    \"\\u13e3\\u13ac\\u13e9\\u13b3\\u13c5\\u13af\": 12985,\n    \"\\u13ec\\u13c1\\u13d4\\u13c2\": 12986,\n    \"\\u13f4\\u13a7\\u13c1\\u13b5\": 12987,\n    \"\\u2581\\u13a0\\u13a6\\u13d0\\u13a0\\u13cf\\u13af\\u13b2\": 12988,\n    \"\\u2581\\u13a0\\u13b5\\u13d2\\u13a2\\u13cd\\u13d9\\u13d7\": 12989,\n    \"\\u2581\\u13a0\\u13c5\\u13f3\\u13ac\": 12990,\n    \"\\u2581\\u13a2\\u13e5\\u13d1\\u13b5\\u13aa\\u13a2\": 12991,\n    \"\\u2581\\u13a2\\u13e8\\u13a9\\u13b5\\u13f2\\u13e4\\u13b2\": 12992,\n    \"\\u2581\\u13a4\\u13be\\u13cd\\u13d5\\u13e5\": 12993,\n    \"\\u2581\\u13a5\\u13e5\\u13ef\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b8\\u13a9\": 12994,\n    \"\\u2581\\u13a5\\u13e5\\u13ef\\u13db\\u13a6\\u13c1\\u13b8\\u13a9\": 12995,\n    \"\\u2581\\u13c2\\u13e4\\u13b5\\u13cd\\u13ac\\u13be\": 12996,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d7\\u13d9\\u13d7\\u13cd\": 12997,\n    \"\\u2581\\u13d5\\u13a6\\u13d3\\u13ec\\u13cd\\u13d7\\u13ad\": 12998,\n    \"\\u2581\\u13d5\\u13e5\\u13f2\\u13cd\\u13a8\\u13cd\\u13d7\": 12999,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13d0\\u13c5\\u13c5\\u13af\": 13000,\n    \"\\u2581\\u13d7\\u13a9\\u13a7\\u13c1\\u13f4\\u13d7\\u13f1\": 13001,\n    \"\\u2581\\u13d9\\u13e8\\u13c5\\u13a2\": 13002,\n    \"\\u2581\\u13da\\u13df\\u13b6\\u13cd\\u13d4\\u13c1\\u13b4\": 13003,\n    \"\\u2581\\u13db\\u13be\\u13d3\\u13c5\\u13d3\\u13d7\": 13004,\n    \"\\u2581\\u13e7\\u13be\\u13b5\\u13c2\\u13a6\\u13c2\": 13005,\n    \"\\u2581\\u13e7\\u13c2\\u13be\\u13e6\\u13f4\\u13cd\\u13d7\": 13006,\n    \"\\u2581\\u13e9\\u13d0\\u13dd\": 13007,\n    \"\\u2581\\u13eb\\u13c2\\u13da\\u13c5\": 13008,\n    \"\\u2581\\u13eb\\u13d3\\u13c2\\u13c5\\u13a8\\u13a2\": 13009,\n    \"\\u2581\\u13eb\\u13e5\\u13be\\u13c4\\u13aa\\u13a2\\u13cd\\u13d7\\u13f1\": 13010,\n    \"\\u2581\\u13ed\\u13d3\\u13a9\\u13c5\\u13d2\": 13011,\n    \"\\u2581\\u13ed\\u13e9\\u13be\\u13ec\": 13012,\n    \"\\u2581\\u13ed\\u13ec\\u13af\\u13b6\": 13013,\n    \"\\u2581\\u13ee\\u13a0\\u13a6\\u13d4\\u13b2\\u13cd\\u13d3\": 13014,\n    \"\\u2581\\u13f3\\u13ac\\u13eb\\u13f3\\u13ad\": 13015,\n    \"\\u2581\\u13f3\\u13e9\\u13a8\\u13eb\": 13016,\n    \"\\u13a0\\u13c6\\u13d8\\u13c2\\u13d9\": 13017,\n    \"\\u13a7\\u13d9\\u13f4\": 13018,\n    \"\\u13d0\\u13e2\\u13a2\\u13cd\\u13d4\\u13c1\\u13a2\": 13019,\n    \"\\u13d5\\u13ad\\u13d3\\u13df\\u13f4\\u13b2\": 13020,\n    \"\\u13d7\\u13cd\\u13a6\\u13c5\\u13a8\\u13cd\\u13d7\": 13021,\n    \"\\u13ef\\u13d9\\u13b4\\u13a3\\u13af\": 13022,\n    \"\\u2581\\u13a0\\u13a9\\u13c2\\u13f0\\u13b8\": 13023,\n    \"\\u2581\\u13a0\\u13d3\\u13bf\\u13cd\\u13c6\\u13b6\\u13cd\\u13d7\\u13cd\\u13a9\": 13024,\n    \"\\u2581\\u13a1\\u13e3\\u13db\\u13d3\\u13cd\\u13d3\\u13cf\": 13025,\n    \"\\u2581\\u13a3\\u13a6\\u13e2\\u13c6\\u13d2\": 13026,\n    \"\\u2581\\u13a4\\u13cd\\u13d8\\u13f0\\u13c5\\u13af\": 13027,\n    \"\\u2581\\u13ac\\u13e9\\u13a6\\u13d8\\u13d7\\u13cd\\u13a9\": 13028,\n    \"\\u2581\\u13ad\\u13c7\\u13c5\\u13cd\\u13d7\": 13029,\n    \"\\u2581\\u13af\\u13a8\\u13f3\\u13a2\": 13030,\n    \"\\u2581\\u13c2\\u13d3\\u13b5\\u13cd\\u13d7\\u13ad\": 13031,\n    \"\\u2581\\u13c3\\u13e3\\u13db\\u13c1\\u13b2\": 13032,\n    \"\\u2581\\u13d0\\u13f1\\u13c1\\u13b3\": 13033,\n    \"\\u2581\\u13d7\\u13c5\\u13c2\\u13a6\\u13b5\\u13cd\\u13d7\": 13034,\n    \"\\u2581\\u13da\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\": 13035,\n    \"\\u2581\\u13e5\\u13da\\u13ed\\u13d3\": 13036,\n    \"\\u2581\\u13e7\\u13c2\\u13c4\\u13aa\\u13e8\": 13037,\n    \"\\u2581\\u13f1\\u13a8\\u13b5\\u13cd\\u13a8\": 13038,\n    \"\\u2581\\u13f3\\u13c2\\u13b7\\u13e4\\u13ae\": 13039,\n    \"\\u2581\\u13a0\\u13a9\\u13b5\\u13f2\\u13a6\": 13040,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13db\\u13e7\\u13cd\\u13d7\": 13041,\n    \"\\u2581\\u13a0\\u13b5\\u13d8\\u13cd\\u13aa\\u13a2\": 13042,\n    \"\\u2581\\u13a0\\u13c6\\u13c2\\u13a9\\u13cd\\u13d7\\u13f1\": 13043,\n    \"\\u2581\\u13a4\\u13a7\\u13f2\\u13d0\\u13c1\": 13044,\n    \"\\u2581\\u13a4\\u13ac\\u13cd\\u13c9\\u13a1\": 13045,\n    \"\\u2581\\u13a4\\u13be\\u13f0\\u13d2\\u13af\": 13046,\n    \"\\u2581\\u13c2\\u13da\\u13b3\\u13cd\\u13ac\\u13a2\": 13047,\n    \"\\u2581\\u13c2\\u13da\\u13be\\u13d3\\u13c1\\u13b6\\u13db\\u13be\": 13048,\n    \"\\u2581\\u13e3\\u13b6\\u13c5\\u13ae\\u13ad\": 13049,\n    \"\\u2581\\u13e5\\u13e3\\u13e3\\u13a0\": 13050,\n    \"\\u2581\\u13e9\\u13cd\\u13d6\\u13cd\\u13d7\": 13051,\n    \"\\u2581\\u13ef\\u13aa\\u13e9\\u13d8\\u13cd\\u13a8\\u13a2\": 13052,\n    \"\\u2581\\u13f2\\u13cd\\u13d7\\u13a6\\u13d4\\u13ad\": 13053,\n    \"\\u13a8\\u13e5\\u13a4\\u13cd\\u13d5\\u13ce\\u13b4\\u13a2\": 13054,\n    \"\\u13a8\\u13e6\\u13ce\\u13b0\": 13055,\n    \"\\u13c1\\u13b6\\u13b2\\u13cd\\u13a9\": 13056,\n    \"\\u13da\\u13e3\\u13aa\\u13ce\": 13057,\n    \"\\u13e9\\u13cd\\u13a6\\u13b8\\u13c1\\u13a2\": 13058,\n    \"\\u13eb\\u13da\\u13d8\\u13c5\\u13cd\\u13d4\\u13c5\\u13a9\": 13059,\n    \"\\u13ec\\u13c1\\u13d7\\u13cd\\u13a9\": 13060,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13db\\u13cd\\u13ac\\u13a2\": 13061,\n    \"\\u2581\\u13a0\\u13e0\\u13c4\\u13ae\\u13db\": 13062,\n    \"\\u2581\\u13a2\\u13a0\\u13e5\\u13e9\\u13db\\u13b2\\u13c3\": 13063,\n    \"\\u2581\\u13a3\\u13e3\\u13c1\\u13e6\\u13a5\\u13cd\": 13064,\n    \"\\u2581\\u13ac\\u13c7\\u13c5\\u13cd\\u13d7\": 13065,\n    \"\\u2581\\u13ad\\u13d3\\u13f3\\u13a6\": 13066,\n    \"\\u2581\\u13c2\\u13e3\\u13d3\\u13a8\\u13d2\": 13067,\n    \"\\u2581\\u13d5\\u13a6\\u13c3\\u13e3\\u13e2\": 13068,\n    \"\\u2581\\u13d5\\u13a8\\u13ab\\u13aa\\u13d3\\u13c1\": 13069,\n    \"\\u2581\\u13d7\\u13a6\\u13b6\\u13d0\\u13b2\\u13cd\\u13a9\": 13070,\n    \"\\u2581\\u13d7\\u13cd\\u13c7\\u13f2\\u13b2\\u13cd\\u13a9\": 13071,\n    \"\\u2581\\u13d9\\u13a9\\u13ef\\u13ea\\u13e5\\u13d9\": 13072,\n    \"\\u2581\\u13d9\\u13d3\\u13a6\\u13e5\\u13f3\\u13aa\\u13d3\\u13c1\\u13b5\": 13073,\n    \"\\u2581\\u13d9\\u13d3\\u13e8\\u13f2\\u13af\\u13ce\\u13b5\": 13074,\n    \"\\u2581\\u13da\\u13c2\\u13cd\\u13c6\\u13b8\\u13d4\": 13075,\n    \"\\u2581\\u13e3\\u13c1\\u13c9\\u13a5\\u13af\": 13076,\n    \"\\u2581\\u13e5\\u13ac\\u13f2\\u13ce\\u13b8\\u13a9\": 13077,\n    \"\\u2581\\u13e5\\u13c2\\u13d3\\u13a6\\u13d4\\u13b0\\u13a2\": 13078,\n    \"\\u2581\\u13e5\\u13c2\\u13da\\u13ea\\u13ce\\u13b4\\u13a2\": 13079,\n    \"\\u2581\\u13e6\\u13ea\\u13b3\\u13c5\\u13a9\": 13080,\n    \"\\u2581\\u13e7\\u13d9\\u13a8\\u13cd\\u13a9\": 13081,\n    \"\\u2581\\u13eb\\u13e5\\u13a7\\u13c5\\u13af\": 13082,\n    \"\\u2581\\u13f3\\u13a8\\u13c5\\u13db\": 13083,\n    \"\\u13a9\\u13f0\\u13f2\\u13d7\": 13084,\n    \"\\u13ad\\u13d3\\u13be\\u13eb\\u13d7\\u13cd\": 13085,\n    \"\\u13c2\\u13d2\\u13b3\\u13cd\\u13a8\": 13086,\n    \"\\u13ef\\u13e0\\u13a9\\u13c9\": 13087,\n    \"\\u2581\\u13a0\\u13be\\u13d9\\u13c2\\u13cd\\u13a9\": 13088,\n    \"\\u2581\\u13a0\\u13d3\\u13ec\\u13cd\\u13ac\": 13089,\n    \"\\u2581\\u13a0\\u13d3\\u13f4\\u13cd\\u13d5\\u13cd\\u13a9\": 13090,\n    \"\\u2581\\u13a2\\u13a8\\u13e3\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\": 13091,\n    \"\\u2581\\u13a3\\u13c2\\u13cf\\u13b9\": 13092,\n    \"\\u2581\\u13a4\\u13d3\\u13c1\\u13aa\\u13f3\\u13b2\": 13093,\n    \"\\u2581\\u13a6\\u13b4\\u13eb\\u13cd\\u13d7\": 13094,\n    \"\\u2581\\u13d3\\u13a6\\u13c1\\u13d0\": 13095,\n    \"\\u2581\\u13d3\\u13c7\\u13b7\\u13ac\": 13096,\n    \"\\u2581\\u13d5\\u13a6\\u13df\\u13b6\\u13cd\\u13d7\\u13cd\\u13ac\": 13097,\n    \"\\u2581\\u13da\\u13be\\u13d8\\u13d4\": 13098,\n    \"\\u2581\\u13e3\\u13d3\\u13a6\\u13cc\": 13099,\n    \"\\u2581\\u13e4\\u13e7\\u13aa\\u13d3\\u13c1\": 13100,\n    \"\\u2581\\u13e7\\u13a6\\u13d4\\u13d8\": 13101,\n    \"\\u2581\\u13e7\\u13c2\\u13e8\\u13cd\\u13d9\\u13d7\": 13102,\n    \"\\u13d3\\u13a9\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\\u13b8\": 13103,\n    \"\\u2581\\u13a0\\u13a9\\u13f2\\u13ae\": 13104,\n    \"\\u2581\\u13a0\\u13c2\\u13eb\\u13d2\\u13a5\\u13cd\\u13a9\": 13105,\n    \"\\u2581\\u13a0\\u13c6\\u13d8\\u13c2\\u13d9\\u13b2\\u13a9\": 13106,\n    \"\\u2581\\u13a4\\u13ea\\u13e9\\u13d2\\u13a2\\u13cd\\u13d7\": 13107,\n    \"\\u2581\\u13a8\\u13e5\\u13cd\\u13a6\\u13c2\": 13108,\n    \"\\u2581\\u13aa\\u13ce\\u13b0\": 13109,\n    \"\\u2581\\u13af\\u13c2\\u13cc\\u13c9\": 13110,\n    \"\\u2581\\u13c2\\u13a8\\u13b5\\u13cd\\u13aa\": 13111,\n    \"\\u2581\\u13d3\\u13c2\\u13b6\\u13d2\\u13ad\": 13112,\n    \"\\u2581\\u13d3\\u13e5\\u13b5\\u13ec\\u13e5\": 13113,\n    \"\\u2581\\u13d5\\u13d3\\u13e6\\u13cd\\u13ac\\u13a2\": 13114,\n    \"\\u2581\\u13d7\\u13c2\\u13b3\\u13eb\\u13e6\\u13af\\u13af\": 13115,\n    \"\\u2581\\u13da\\u13d4\\u13ea\\u13d9\\u13c1\": 13116,\n    \"\\u2581\\u13db\\u13a1\\u13e5\": 13117,\n    \"\\u2581\\u13e3\\u13f0\\u13b8\\u13ce\\u13cd\\u13d7\": 13118,\n    \"\\u2581\\u13a0\\u13c9\\u13db\\u13b8\\u13af\": 13119,\n    \"\\u2581\\u13ac\\u13d5\\u13d8\\u13f1\\u13a9\": 13120,\n    \"\\u2581\\u13d3\\u13ac\\u13ef\\u13ce\\u13ae\\u13b5\": 13121,\n    \"\\u2581\\u13e7\\u13c2\\u13c2\\u13f4\\u13d3\": 13122,\n    \"\\u13d3\\u13bf\\u13eb\": 13123,\n    \"\\u13d7\\u13da\\u13b3\\u13eb\\u13a2\\u13cd\\u13d7\\u13f1\": 13124,\n    \"\\u13da\\u13be\\u13c4\\u13e9\\u13a1\": 13125,\n    \"\\u13e3\\u13b4\\u13eb\\u13cd\\u13d7\\u13cd\\u13ac\": 13126,\n    \"\\u2581\\u13a4\\u13c1\\u13d0\\u13a0\\u13af\\u13cd\\u13d7\": 13127,\n    \"\\u2581\\u13d3\\u13be\\u13b5\\u13c3\\u13ae\\u13b5\\u13d9\\u13b2\": 13128,\n    \"\\u13a6\\u13d2\\u13b3\\u13cd\\u13aa\": 13129,\n    \"\\u13ac\\u13ef\\u13b5\\u13ae\\u13b5\\u13e4\\u13ad\": 13130,\n    \"\\u13d1\\u13b4\\u13cd\\u13aa\": 13131,\n    \"\\u13da\\u13a6\\u13b4\\u13c5\\u13d4\\u13c1\": 13132,\n    \"\\u13ec\\u13ce\\u13b5\": 13133,\n    \"\\u2581\\u13a0\\u13a9\\u13ef\\u13a3\\u13c5\": 13134,\n    \"\\u2581\\u13a1\\u13e7\\u13a2\\u13cd\\u13d7\": 13135,\n    \"\\u2581\\u13ac\\u13e9\\u13b5\\u13e0\\u13ef\\u13cd\\u13d7\": 13136,\n    \"\\u2581\\u13c2\\u13e8\\u13ef\\u13db\\u13c1\\u13b8\": 13137,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\": 13138,\n    \"\\u2581\\u13cd\\u13c6\\u13c2\\u13cf\\u13b2\\u13cf\": 13139,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13a6\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\": 13140,\n    \"\\u2581\\u13d8\\u13bb\\u13be\": 13141,\n    \"\\u2581\\u13e5\\u13c2\\u13e5\\u13ea\\u13cd\\u13ac\\u13a9\": 13142,\n    \"\\u2581\\u13eb\\u13a6\\u13d3\\u13a5\": 13143,\n    \"\\u2581\\u13eb\\u13e5\\u13b6\\u13d2\\u13a9\": 13144,\n    \"\\u2581\\u13f1\\u13ab\\u13e9\\u13c2\": 13145,\n    \"\\u2581\\u13f1\\u13d7\\u13e6\\u13af\\u13f3\": 13146,\n    \"\\u2581\\u13a0\\u13be\\u13cd\\u13a9\\u13d3\\u13d2\\u13a5\\u13cd\": 13147,\n    \"\\u2581\\u13a4\\u13a6\\u13b6\\u13ac\": 13148,\n    \"\\u2581\\u13a4\\u13c2\\u13c3\\u13f4\\u13b5\\u13d3\": 13149,\n    \"den\": 13150,\n    \"\\u13c1\\u13b7\\u13a9\\u13a1\\u13b8\": 13151,\n    \"\\u13d3\\u13d3\\u13da\\u13aa\\u13d3\\u13c1\\u13b2\": 13152,\n    \"\\u13d9\\u13e7\\u13c4\\u13aa\\u13eb\\u13ce\\u13a2\": 13153,\n    \"\\u2581Pri\": 13154,\n    \"\\u2581\\u13a0\\u13f2\\u13d3\\u13d2\": 13155,\n    \"\\u2581\\u13a3\\u13a6\\u13d5\\u13d7\\u13f1\": 13156,\n    \"\\u2581\\u13a3\\u13cd\\u13d7\\u13f4\\u13a9\": 13157,\n    \"\\u2581\\u13a6\\u13b3\\u13cd\\u13e2\": 13158,\n    \"\\u2581\\u13aa\\u13af\\u13f3\\u13b2\\u13cd\\u13ac\": 13159,\n    \"\\u2581\\u13ac\\u13c7\\u13b8\": 13160,\n    \"\\u2581\\u13cc\\u13ec\\u13db\": 13161,\n    \"\\u2581\\u13d3\\u13e4\\u13f2\\u13c2\": 13162,\n    \"\\u2581\\u13d5\\u13db\\u13c1\\u13cd\\u13d7\": 13163,\n    \"\\u2581\\u13e5\\u13af\\u13c3\\u13c1\\u13b5\": 13164,\n    \"\\u2581\\u13e7\\u13cd\\u13da\\u13a2\\u13a1\\u13b8\\u13af\": 13165,\n    \"\\u2581\\u13e6\\u13cc\\u13ef\": 13166,\n    \"\\u2581\\u13c2\\u13ac\\u13a9\\u13f2\\u13b8\\u13be\": 13167,\n    \"\\u2581\\u13c5\\u13d7\\u13a0\\u13e5\\u13ea\\u13ce\": 13168,\n    \"\\u2581\\u13eb\\u13d9\\u13d3\\u13a8\": 13169,\n    \"\\u2581\\u13f0\\u13e3\\u13db\\u13d3\": 13170,\n    \"\\u13a0\\u13a6\\u13cd\\u13a6\\u13c3\": 13171,\n    \"\\u2581\\u13a4\\u13c4\\u13d3\\u13b4\\u13cd\\u13a9\": 13172,\n    \"\\u2581\\u13a4\\u13d5\\u13af\\u13f4\": 13173,\n    \"\\u2581\\u13ab\\u13ad\\u13df\": 13174,\n    \"\\u2581\\u13ba\\u13a0\": 13175,\n    \"\\u2581\\u13da\\u13f0\\u13cd\\u13db\": 13176,\n    \"\\u2581\\u13e5\\u13d5\\u13a8\\u13e5\": 13177,\n    \"\\u2581\\u13e7\\u13cd\\u13d5\\u13b8\\u13db\": 13178,\n    \"\\u13a6\\u13be\\u13ec\\u13d2\": 13179,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13d6\\u13b8\\u13b2\\u13cd\\u13ac\": 13180,\n    \"\\u2581\\u13a0\\u13c2\\u13f4\\u13cd\\u13d7\\u13cd\\u13a9\": 13181,\n    \"\\u2581\\u13a0\\u13c6\\u13c2\\u13cf\\u13d7\\u13f1\": 13182,\n    \"\\u2581\\u13a0\\u13e5\\u13d3\\u13a6\\u13b8\\u13a2\\u13d2\\u13af\": 13183,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13a9\\u13c3\\u13b3\": 13184,\n    \"\\u2581\\u13d7\\u13a6\\u13b7\\u13e5\\u13d2\": 13185,\n    \"\\u2581\\u13da\\u13c1\\u13f2\\u13c1\": 13186,\n    \"\\u2581\\u13e5\\u13ac\\u13e9\\u13c2\\u13db\\u13d4\\u13c1\": 13187,\n    \"\\u2581\\u13a1\\u13e5\\u13e9\\u13db\\u13b2\\u13ad\": 13188,\n    \"\\u13d3\\u13e1\\u13eb\\u13cd\\u13d5\\u13a2\": 13189,\n    \"\\u13d7\\u13eb\\u13ce\\u13b8\\u13a9\": 13190,\n    \"\\u2581\\u13a0\\u13cc\\u13f1\\u13b5\": 13191,\n    \"\\u2581\\u13a0\\u13e3\\u13a9\\u13cd\\u13a9\": 13192,\n    \"\\u2581\\u13a4\\u13a6\\u13be\\u13c5\": 13193,\n    \"\\u2581\\u13a4\\u13cd\\u13a9\\u13c5\\u13d5\": 13194,\n    \"\\u2581\\u13a7\\u13c1\\u13ae\\u13db\": 13195,\n    \"\\u2581\\u13e5\\u13c2\\u13cc\\u13c5\\u13a9\": 13196,\n    \"\\u2581\\u13e5\\u13d9\\u13e3\\u13e0\\u13af\": 13197,\n    \"\\u2581\\u13e7\\u13a8\\u13c5\\u13db\": 13198,\n    \"\\u2581\\u13e7\\u13ce\\u13aa\\u13a9\\u13cd\\u13d7\\u13f1\": 13199,\n    \"\\u2581\\u13a0\\u13d1\\u13ef\\u13a9\\u13db\": 13200,\n    \"\\u2581\\u13a1\\u13d0\\u13cf\": 13201,\n    \"\\u2581\\u13a2\\u13e3\\u13e2\\u13c6\\u13cd\\u13ac\": 13202,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13d4\\u13e9\\u13db\": 13203,\n    \"\\u2581\\u13d5\\u13e5\\u13a6\\u13c5\\u13a9\": 13204,\n    \"\\u2581\\u13da\\u13d2\\u13a6\\u13b8\\u13a9\": 13205,\n    \"\\u2581\\u13e5\\u13db\\u13e6\": 13206,\n    \"\\u2581\\u13eb\\u13be\\u13f4\\u13af\": 13207,\n    \"\\u2581\\u13ef\\u13d7\\u13d4\\u13cd\\u13a8\": 13208,\n    \"\\u2581\\u13f1\\u13c2\\u13a6\\u13ea\\u13ad\": 13209,\n    \"\\u2581\\u13f1\\u13e8\\u13c3\\u13c1\\u13b4\\u13a2\": 13210,\n    \"\\u13e5\\u13cd\\u13dd\": 13211,\n    \"\\u2581\\u13a0\\u13c6\\u13cd\\u13aa\\u13d2\\u13af\": 13212,\n    \"\\u2581\\u13a6\\u13c4\\u13d3\\u13b4\\u13a9\": 13213,\n    \"\\u2581\\u13ac\\u13ef\\u13db\\u13a6\\u13c1\\u13b8\": 13214,\n    \"\\u2581\\u13ad\\u13db\\u13c5\\u13ad\": 13215,\n    \"\\u2581\\u13d7\\u13d3\\u13a2\\u13d2\\u13a2\": 13216,\n    \"\\u2581\\u13d9\\u13db\\u13c2\\u13f4\\u13b3\\u13cf\": 13217,\n    \"\\u2581\\u13da\\u13be\\u13d7\\u13cd\\u13da\": 13218,\n    \"\\u2581\\u13da\\u13c2\\u13b3\\u13eb\\u13db\": 13219,\n    \"\\u2581\\u13e7\\u13b5\\u13ef\\u13cf\": 13220,\n    \"\\u2581\\u13eb\\u13ab\\u13e9\\u13c2\\u13b6\\u13af\\u13cd\\u13d7\": 13221,\n    \"\\u2581\\u13eb\\u13f1\\u13e3\\u13f4\": 13222,\n    \"\\u2581\\u13f1\\u13ab\\u13e9\\u13be\": 13223,\n    \"\\u2581\\u13a4\\u13d0\\u13d3\\u13b8\": 13224,\n    \"\\u2581\\u13a4\\u13e3\\u13c3\\u13db\\u13a9\": 13225,\n    \"\\u2581\\u13a6\\u13f2\\u13a9\\u13c2\": 13226,\n    \"\\u2581\\u13c9\\u13d7\\u13c6\": 13227,\n    \"\\u2581\\u13e5\\u13c2\\u13d5\\u13a4\": 13228,\n    \"\\u2581\\u13e5\\u13c2\\u13e8\\u13ea\\u13cf\": 13229,\n    \"\\u2581\\u13f3\\u13ac\\u13e9\": 13230,\n    \"\\u13e3\\u13b5\\u13ae\\u13b5\\u13aa\\u13a2\": 13231,\n    \"\\u2581\\u13a0\\u13aa\\u13e9\\u13d8\\u13cd\\u13a8\\u13a2\": 13232,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13d4\\u13f4\\u13b2\\u13cd\\u13a8\": 13233,\n    \"\\u2581\\u13a0\\u13c2\\u13af\\u13f2\\u13b2\\u13a2\": 13234,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 13235,\n    \"\\u2581\\u13a2\\u13f3\\u13c5\\u13c2\\u13d0\\u13d7\\u13f1\": 13236,\n    \"\\u2581\\u13a3\\u13a6\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\": 13237,\n    \"\\u2581\\u13a4\\u13d7\\u13cd\\u13da\\u13c5\": 13238,\n    \"\\u2581\\u13a6\\u13c3\\u13b4\\u13cd\\u13ac\": 13239,\n    \"\\u2581\\u13d9\\u13d3\\u13f2\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 13240,\n    \"\\u2581\\u13d9\\u13d7\\u13c2\\u13a7\\u13c1\\u13a2\": 13241,\n    \"\\u2581\\u13da\\u13b5\\u13e5\\u13cd\": 13242,\n    \"\\u2581\\u13da\\u13d3\\u13b4\\u13c5\\u13d4\\u13c5\": 13243,\n    \"\\u2581\\u13e9\\u13d5\\u13d7\\u13f1\": 13244,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\\u13d8\\u13c5\\u13cd\\u13d4\\u13c5\\u13a9\": 13245,\n    \"\\u2581\\u13f1\\u13c2\\u13a6\\u13d4\\u13ae\": 13246,\n    \"\\u2581\\u13ac\\u13e9\\u13a9\\u13e8\\u13d7\": 13247,\n    \"\\u13cf\\u13c4\\u13f4\": 13248,\n    \"\\u13dc\\u13c5\\u13d3\\u13d5\": 13249,\n    \"\\u2581\\u13a0\\u13cc\\u13bb\\u13db\": 13250,\n    \"\\u2581\\u13a0\\u13cd\\u13da\\u13df\\u13cd\\u13a9\": 13251,\n    \"\\u2581\\u13be\\u13c6\\u13b5\\u13cd\\u13d3\\u13c1\\u13b5\\u13d9\\u13b2\\u13a2\": 13252,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13df\\u13f4\\u13b2\": 13253,\n    \"\\u2581\\u13f1\\u13d7\\u13d3\\u13d3\\u13c2\\u13b8\\u13a6\": 13254,\n    \"\\u2581\\u13a2\\u13a8\\u13ac\\u13be\\u13d5\\u13a9\": 13255,\n    \"\\u2581\\u13a4\\u13c3\\u13b1\\u13f2\\u13b5\": 13256,\n    \"\\u2581\\u13c4\\u13da\\u13ea\\u13ce\\u13b8\\u13a9\": 13257,\n    \"\\u2581\\u13df\\u13cd\\u13c6\": 13258,\n    \"\\u2581\\u13ac\\u13ec\\u13f1\": 13259,\n    \"\\u2581\\u13e9\\u13d3\\u13ec\\u13e3\": 13260,\n    \"\\u2581\\u13ed\\u13df\\u13eb\\u13db\": 13261,\n    \"\\u2581\\u13f3\\u13a6\\u13d9\\u13a5\\u13ce\\u13a2\": 13262,\n    \"\\u2581\\u13f3\\u13da\\u13d3\\u13b4\\u13cd\\u13d4\\u13c1\": 13263,\n    \"\\u13b5\\u13db\\u13d7\\u13cd\\u13ac\\u13be\": 13264,\n    \"\\u2581\\u13a4\\u13a6\\u13ce\\u13cd\\u13d7\\u13d5\": 13265,\n    \"\\u2581\\u13d9\\u13d3\\u13e3\\u13e0\\u13cf\": 13266,\n    \"\\u2581\\u13db\\u13e5\\u13b8\\u13c9\\u13d4\\u13c2\": 13267,\n    \"\\u2581\\u13e5\\u13d5\\u13af\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b8\": 13268,\n    \"\\u2581\\u13a2\\u13a6\\u13e0\\u13ef\\u13cd\\u13d4\\u13c5\": 13269,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13a9\\u13cd\\u13a9\": 13270,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13be\\u13cd\\u13d7\\u13cd\\u13a8\\u13a2\": 13271,\n    \"\\u2581\\u13eb\\u13c4\\u13ea\\u13d2\\u13a9\": 13272,\n    \"\\u13c1\\u13a2\\u13cd\\u13d3\\u13c1\\u13b2\\u13a9\": 13273,\n    \"\\u13cd\\u13d4\\u13e9\\u13d7\\u13ce\": 13274,\n    \"\\u13d0\\u13ef\\u13a6\": 13275,\n    \"\\u2581\\u13a1\\u13cd\\u13d7\\u13cd\\u13d3\\u13e9\\u13d5\\u13d2\\u13ad\": 13276,\n    \"\\u2581\\u13a4\\u13b8\\u13c9\\u13d4\\u13c5\\u13af\": 13277,\n    \"\\u2581\\u13a4\\u13c5\\u13e9\\u13c5\\u13a9\": 13278,\n    \"\\u2581\\u13a4\\u13cd\\u13ab\\u13d3\\u13db\\u13a2\": 13279,\n    \"\\u2581\\u13a7\\u13f4\\u13cc\\u13db\": 13280,\n    \"\\u2581\\u13ac\\u13e9\\u13d3\\u13e1\\u13eb\\u13cd\\u13d4\\u13c1\\u13a2\": 13281,\n    \"\\u2581\\u13d5\\u13a9\\u13be\\u13d3\\u13a8\\u13f3\\u13d2\\u13a2\": 13282,\n    \"\\u2581\\u13d7\\u13e5\\u13be\\u13cc\": 13283,\n    \"\\u13da\\u13b5\\u13e5\\u13d9\\u13c1\\u13b4\": 13284,\n    \"\\u2581\\u13cf\\u13c2\\u13b9\\u13c2\": 13285,\n    \"\\u2581\\u13d3\\u13c2\\u13aa\\u13e9\\u13d7\\u13cd\\u13a8\": 13286,\n    \"\\u2581\\u13d5\\u13a6\\u13a6\\u13ce\\u13cd\": 13287,\n    \"\\u2581\\u13ef\\u13a9\\u13f2\\u13b1\\u13d2\": 13288,\n    \"\\u2581\\u13ef\\u13c6\\u13b4\\u13c2\\u13d9\\u13b8\": 13289,\n    \"\\u2581\\u13f1\\u13a8\\u13a8\\u13ad\": 13290,\n    \"\\u2581\\u13a0\\u13a6\\u13ce\\u13cd\\u13d9\\u13d7\": 13291,\n    \"\\u2581\\u13a0\\u13b1\\u13c3\\u13b2\": 13292,\n    \"\\u2581\\u13a0\\u13d7\\u13c5\\u13d7\\u13c9\": 13293,\n    \"\\u2581\\u13a4\\u13f4\\u13dc\": 13294,\n    \"\\u2581\\u13d5\\u13b0\\u13e2\\u13d4\\u13c5\\u13ad\": 13295,\n    \"\\u2581\\u13da\\u13a9\\u13b8\\u13e8\": 13296,\n    \"\\u2581\\u13da\\u13f4\\u13d2\\u13a9\": 13297,\n    \"\\u2581\\u13e5\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\": 13298,\n    \"\\u2581\\u13e7\\u13b5\\u13c3\\u13af\\u13f4\\u13af\": 13299,\n    \"\\u2581\\u13e8\\u13a9\\u13c5\\u13d2\": 13300,\n    \"\\u13e7\\u13be\\u13c4\\u13aa\\u13e8\": 13301,\n    \"\\u2581\\u13a0\\u13be\\u13e0\\u13be\\u13cd\\u13d7\\u13cd\\u13ac\": 13302,\n    \"\\u2581\\u13ac\\u13c9\\u13af\\u13f3\\u13b2\\u13cd\\u13a9\": 13303,\n    \"\\u2581\\u13da\\u13ea\\u13cc\\u13cd\\u13d4\\u13c1\": 13304,\n    \"\\u2581\\u13f0\\u13e5\\u13a6\\u13d4\\u13ae\": 13305,\n    \"\\u2581\\u13c2\\u13ea\\u13d2\\u13ad\": 13306,\n    \"\\u13e5\\u13a6\\u13bf\\u13e9\\u13d7\\u13d9\": 13307,\n    \"\\u2581\\u13a0\\u13c2\\u13c5\\u13dc\\u13a1\\u13a2\": 13308,\n    \"\\u2581\\u13a0\\u13e8\\u13cf\\u13f0\\u13cd\\u13a8\": 13309,\n    \"\\u2581\\u13a5\\u13b6\\u13f1\": 13310,\n    \"\\u2581\\u13cd\\u13aa\\u13c2\\u13f4\": 13311,\n    \"\\u2581\\u13d6\\u13f2\\u13b2\\u13cd\\u13a9\": 13312,\n    \"\\u2581\\u13d7\\u13d4\\u13b8\\u13a2\": 13313,\n    \"\\u2581\\u13e5\\u13a6\\u13b6\\u13d2\\u13cd\\u13d7\\u13ad\": 13314,\n    \"\\u2581\\u13d5\\u13aa\\u13ea\\u13b5\\u13cd\": 13315,\n    \"\\u2581\\u13e5\\u13c2\\u13d5\\u13e3\\u13db\\u13c1\": 13316,\n    \"\\u13c1\\u13c9\\u13a1\\u13b5\": 13317,\n    \"\\u2581\\u13a0\\u13c3\\u13da\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\": 13318,\n    \"\\u2581\\u13a0\\u13e3\\u13be\\u13c9\\u13af\": 13319,\n    \"\\u2581\\u13d3\\u13e5\\u13f2\\u13a4\\u13cf\": 13320,\n    \"\\u2581\\u13e6\\u13a9\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13af\": 13321,\n    \"\\u2581\\u13e7\\u13ea\\u13da\\u13c1\\u13af\": 13322,\n    \"\\u13d3\\u13db\\u13f3\\u13e4\": 13323,\n    \"\\u2581\\u13b9\\u13d3\\u13ef\\u13c3\": 13324,\n    \"\\u2581\\u13d5\\u13a8\\u13e5\\u13c2\\u13cc\\u13b2\": 13325,\n    \"\\u2581\\u13d9\\u13e5\\u13f4\\u13ac\": 13326,\n    \"\\u2581\\u13ef\\u13cd\\u13a6\\u13a6\": 13327,\n    \"\\u2581\\u13ba\\u13ae\": 13328,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13d7\\u13d9\\u13b2\": 13329,\n    \"\\u2581\\u13d3\\u13f0\\u13e5\\u13c4\\u13aa\\u13eb\\u13cf\": 13330,\n    \"\\u2581\\u13da\\u13c2\\u13f2\\u13b1\\u13ce\\u13a2\": 13331,\n    \"\\u13a8\\u13f2\\u13b2\\u13cd\\u13a6\": 13332,\n    \"\\u2581\\u13d9\\u13a9\\u13f2\\u13d0\\u13c5\": 13333,\n    \"\\u2581\\u13f3\\u13af\\u13d0\\u13d3\\u13c1\": 13334,\n    \"\\u13d3\\u13b5\\u13c1\\u13af\\u13d7\\u13cd\": 13335,\n    \"\\u13f2\\u13a2\\u13b1\\u13af\": 13336,\n    \"\\u2581\\u13a4\\u13b5\\u13c3\\u13ae\\u13d4\\u13c1\": 13337,\n    \"\\u2581\\u13a4\\u13c1\\u13cc\\u13f4\": 13338,\n    \"\\u2581\\u13e5\\u13a1\\u13e5\": 13339,\n    \"\\u2581\\u13e7\\u13aa\\u13b5\\u13f0\\u13d7\\u13f1\": 13340,\n    \"\\u2581\\u13d8\\u13d4\\u13b4\": 13341,\n    \"ps\": 13342,\n    \"\\u13df\\u13b6\\u13cd\\u13d3\\u13c1\\u13ad\": 13343,\n    \"\\u2581\\u13e3\\u13a6\\u13b5\\u13cd\\u13d3\\u13f4\\u13be\\u13c1\\u13d7\\u13f1\": 13344,\n    \"\\u2581\\u13ef\\u13c2\\u13cf\\u13be\": 13345,\n    \"\\u2581\\u13f1\\u13c2\\u13e3\\u13cd\\u13d5\\u13cd\\u13d7\": 13346,\n    \"\\u2581\\u13f1\\u13d7\\u13e5\\u13ec\\u13c2\\u13ad\": 13347,\n    \"\\u2581\\u13da\\u13d7\\u13d4\\u13cd\\u13d4\\u13c5\": 13348,\n    \"\\u2581\\u13eb\\u13d7\\u13a6\\u13c5\\u13aa\": 13349,\n    \"\\u13a9\\u13be\\u13c4\\u13aa\\u13e5\\u13b8\\u13a9\": 13350,\n    \"\\u13a9\\u13c1\\u13df\\u13f4\\u13cf\": 13351,\n    \"\\u2581\\u13d3\\u13d7\\u13cd\\u13c6\\u13c2\\u13aa\\u13d4\\u13c2\": 13352,\n    \"\\u2581\\u13d7\\u13a9\\u13b7\\u13eb\\u13cd\\u13d4\\u13c1\\u13d7\": 13353,\n    \"\\u2581\\u13a0\\u13a9\\u13b5\\u13f4\": 13354,\n    \"\\u2581\\u13a4\\u13c2\\u13bf\\u13b8\\u13e8\": 13355,\n    \"\\u2581\\u13c4\\u13d9\\u13af\\u13f3\\u13d2\": 13356,\n    \"\\u2581\\u13d3\\u13a6\\u13ce\\u13b5\": 13357,\n    \"\\u2581\\u13e5\\u13d5\\u13e5\\u13d9\\u13a6\": 13358,\n    \"\\u2581\\u13d3\\u13e5\\u13d4\\u13f2\\u13ce\\u13b5\": 13359,\n    \"\\u2581\\u13e7\\u13c3\\u13f4\\u13aa\": 13360,\n    \"\\u13c4\\u13f2\\u13a2\\u13ef\": 13361,\n    \"\\u2581\\u13a4\\u13a9\\u13b5\\u13f2\\u13e4\\u13a2\": 13362,\n    \"\\u2581\\u13b2\\u13c1\\u13cd\\u13d7\": 13363,\n    \"\\u2581\\u13c2\\u13a8\\u13ac\\u13c1\\u13ae\": 13364,\n    \"\\u2581\\u13c2\\u13a8\\u13ac\\u13c1\\u13b2\\u13a2\": 13365,\n    \"\\u2581\\u13c2\\u13ac\\u13c5\\u13aa\\u13ea\\u13b3\": 13366,\n    \"\\u2581\\u13d3\\u13ac\\u13e9\\u13cd\\u13aa\\u13c2\\u13b5\": 13367,\n    \"\\u13d4\\u13b8\\u13a9\\u13cd\\u13d7\": 13368,\n    \"\\u2581\\u13a0\\u13ab\\u13b7\\u13e4\\u13d7\": 13369,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13be\\u13d3\\u13c1\\u13df\\u13f4\\u13a1\\u13d7\": 13370,\n    \"\\u2581\\u13e7\\u13f4\\u13e3\": 13371,\n    \"\\u2581\\u13ec\\u13a9\\u13f4\\u13b8\": 13372,\n    \"\\u2581\\u13ee\\u13d3\\u13e5\\u13b7\\u13e4\\u13b5\": 13373,\n    \"\\u2581\\u13f1\\u13d9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ad\": 13374,\n    \"\\u2581\\u13a0\\u13e3\\u13c5\\u13d9\\u13d7\": 13375,\n    \"\\u2581\\u13a4\\u13ea\\u13e9\\u13d2\\u13e4\": 13376,\n    \"\\u2581\\u13d3\\u13be\\u13d3\\u13f1\\u13b5\\u13d9\\u13b2\": 13377,\n    \"\\u2581\\u13d3\\u13e2\\u13a5\\u13cd\\u13ac\": 13378,\n    \"\\u2581\\u13d5\\u13a8\\u13a6\\u13e8\\u13cd\\u13d4\": 13379,\n    \"\\u13b5\\u13c3\\u13ae\\u13d7\\u13cd\\u13a8\\u13a2\": 13380,\n    \"\\u2581\\u13ad\\u13d3\\u13ec\\u13e3\": 13381,\n    \"\\u2581\\u13e5\\u13be\\u13f0\\u13cd\\u13a6\\u13f0\\u13c3\": 13382,\n    \"\\u13af\\u13f2\\u13af\\u13cd\\u13d3\": 13383,\n    \"\\u13cc\\u13b3\\u13d9\\u13d3\": 13384,\n    \"\\u2581\\u13a0\\u13c6\\u13d8\\u13c2\": 13385,\n    \"\\u2581\\u13a0\\u13d4\\u13b8\\u13a6\\u13d2\": 13386,\n    \"\\u2581\\u13a2\\u13ad\\u13db\\u13c1\\u13af\": 13387,\n    \"\\u2581\\u13d7\\u13c2\\u13a7\\u13c5\\u13a2\": 13388,\n    \"\\u2581\\u13eb\\u13ef\\u13f4\\u13af\\u13ae\\u13cd\\u13d7\": 13389,\n    \"\\u2581\\u13a4\\u13ac\\u13ad\\u13d3\": 13390,\n    \"\\u2581\\u13c5\\u13d3\\u13ac\\u13e9\\u13ea\\u13ce\\u13b5\": 13391,\n    \"\\u2581\\u13d5\\u13e8\\u13ef\\u13ec\\u13cd\\u13d7\\u13ad\": 13392,\n    \"\\u13a8\\u13e3\\u13ab\\u13f4\\u13cf\": 13393,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13d3\\u13d7\": 13394,\n    \"\\u2581\\u13a7\\u13b9\\u13b9\": 13395,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13f4\\u13a9\\u13c5\\u13af\": 13396,\n    \"\\u2581\\u13d9\\u13d3\\u13a6\\u13d8\\u13c3\\u13b5\": 13397,\n    \"\\u2581\\u13ed\\u13be\\u13b5\\u13c3\\u13ae\": 13398,\n    \"\\u13e7\\u13d8\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 13399,\n    \"\\u2581\\u13a2\\u13d3\\u13d3\\u13c5\\u13d3\\u13d3\": 13400,\n    \"\\u2581\\u13a8\\u13e3\\u13d5\\u13ef\\u13d9\\u13d7\\u13cd\\u13a9\": 13401,\n    \"\\u2581\\u13c2\\u13da\\u13c1\\u13b6\\u13db\\u13be\": 13402,\n    \"\\u2581\\u13e9\\u13c6\\u13d7\\u13c5\\u13d2\": 13403,\n    \"\\u2581\\u13d3\\u13ac\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b5\": 13404,\n    \"\\u2581\\u13d7\\u13e4\\u13b5\\u13db\": 13405,\n    \"\\u13d8\\u13c1\\u13cf\": 13406,\n    \"\\u2581\\u13d9\\u13d7\\u13eb\\u13d2\\u13a2\": 13407,\n    \"\\u2581\\u13f1\\u13c2\\u13a6\\u13ea\\u13cd\\u13a8\": 13408,\n    \"\\u13ca\\u13aa\\u13d3\\u13c1\\u13b8\": 13409,\n    \"\\u2581\\u13a4\\u13f4\\u13cd\\u13d5\\u13cd\\u13a9\": 13410,\n    \"\\u2581\\u13c5\\u13d3\\u13e3\\u13c4\\u13aa\\u13eb\\u13d2\\u13af\": 13411,\n    \"\\u2581\\u13f3\\u13c1\\u13e4\\u13a2\": 13412,\n    \"\\u2581\\u13f3\\u13e3\\u13a9\\u13d2\\u13be\": 13413,\n    \"\\u2581\\u13c4\\u13cd\\u13c6\\u13b8\\u13b2\\u13be\": 13414,\n    \"\\u2581\\u13e5\\u13a7\\u13c3\\u13ae\\u13cd\": 13415,\n    \"\\u2581\\u13f1\\u13d3\\u13f2\\u13a9\\u13cd\\u13c6\\u13c2\\u13aa\\u13d4\\u13c2\": 13416,\n    \"\\u2581\\u13da\\u13ef\\u13c5\\u13a1\\u13b4\\u13a2\": 13417,\n    \"\\u13a8\\u13ec\\u13d7\": 13418,\n    \"\\u2581\\u13a0\\u13a6\\u13e0\\u13ef\\u13cd\\u13d4\\u13c5\\u13a9\": 13419,\n    \"\\u2581\\u13e6\\u13e5\\u13da\\u13a9\": 13420,\n    \"\\u13e0\\u13d2\\u13d2\\u13a9\": 13421,\n    \"\\u13ef\\u13d5\\u13a5\\u13cf\": 13422,\n    \"\\u2581\\u13a9\\u13c3\\u13af\\u13f3\\u13c5\": 13423,\n    \"\\u2581\\u13eb\\u13d8\\u13ef\\u13c5\": 13424,\n    \"\\u13a6\\u13d9\\u13cc\\u13d7\\u13cd\\u13db\": 13425,\n    \"\\u2581\\u13a3\\u13e3\\u13b5\\u13cd\\u13d4\\u13f4\\u13b2\\u13cd\\u13ac\": 13426,\n    \"\\u2581\\u13a6\\u13c4\\u13f2\\u13af\": 13427,\n    \"\\u2581\\u13c3\\u13a6\\u13e0\\u13be\\u13cd\\u13db\\u13be\": 13428,\n    \"\\u2581\\u13f1\\u13da\\u13ea\\u13b5\\u13ce\": 13429,\n    \"\\u2581\\u13f1\\u13e9\\u13a6\\u13d3\\u13a2\\u13c5\": 13430,\n    \"\\u13c1\\u13a9\\u13f0\\u13cd\\u13d7\": 13431,\n    \"\\u2581\\u13a0\\u13c4\\u13d6\\u13cd\\u13ac\": 13432,\n    \"\\u2581\\u13a0\\u13e5\\u13c1\\u13a2\\u13cd\\u13d4\\u13c5\": 13433,\n    \"\\u2581\\u13b4\\u13a0\\u13b9\": 13434,\n    \"\\u2581\\u13d9\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\": 13435,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13ab\\u13ea\": 13436,\n    \"\\u2581\\u13b7\\u13cf\\u13ef\": 13437,\n    \"\\u2581\\u13d3\\u13d3\\u13cc\\u13b3\\u13d7\\u13cd\": 13438,\n    \"\\u2581\\u13e5\\u13ef\\u13db\\u13a6\\u13c1\\u13b8\\u13a2\": 13439,\n    \"\\u2581\\u13e7\\u13ea\\u13b5\\u13cf\\u13ef\": 13440,\n    \"\\u2581\\u13f3\\u13e9\\u13c2\\u13cd\\u13d4\\u13c5\": 13441,\n    \"\\u13c6\\u13e6\\u13a5\": 13442,\n    \"\\u2581\\u13ac\\u13e9\\u13b5\\u13cd\\u13da\": 13443,\n    \"\\u2581\\u13d8\\u13cd\\u13c6\\u13c2\\u13aa\\u13d3\\u13c1\\u13d7\\u13f1\": 13444,\n    \"\\u2581\\u13f2\\u13a9\\u13c2\\u13ad\": 13445,\n    \"\\u13f4\\u13a9\\u13c5\\u13af\": 13446,\n    \"\\u2581\\u13a6\\u13ac\\u13e9\\u13c2\\u13d0\\u13e2\": 13447,\n    \"\\u2581\\u13c5\\u13d3\\u13e8\\u13f0\": 13448,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13d9\\u13af\\u13f3\": 13449,\n    \"\\u2581\\u13d7\\u13cd\\u13db\\u13d7\\u13cd\\u13d7\\u13cd\\u13a9\": 13450,\n    \"\\u2581\\u13da\\u13c5\\u13c2\\u13a6\\u13b8\\u13b2\\u13a9\": 13451,\n    \"\\u2581\\u13e6\\u13a6\\u13d3\\u13c5\\u13d9\": 13452,\n    \"\\u2581\\u13ef\\u13a9\\u13cd\\u13db\\u13d3\": 13453,\n    \"\\u2581\\u13da\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\\u13b2\\u13a2\": 13454,\n    \"\\u13a7\\u13be\\u13ec\\u13a8\": 13455,\n    \"\\u13be\\u13f0\\u13cf\": 13456,\n    \"\\u13e5\\u13c2\\u13ac\\u13ce\\u13b2\": 13457,\n    \"\\u2581\\u13d7\\u13ab\\u13e2\\u13d4\\u13c5\\u13af\": 13458,\n    \"\\u2581\\u13d7\\u13c2\\u13c5\\u13cd\\u13a8\\u13c2\": 13459,\n    \"\\u2581\\u13ef\\u13c6\\u13d8\\u13dd\": 13460,\n    \"\\u2581\\u13f4\\u13db\\u13c2\\u13b6\\u13d0\\u13c2\": 13461,\n    \"\\u2581\\u13cc\\u13a8\\u13a2\\u13f3\": 13462,\n    \"\\u13b5\\u13aa\\u13c1\\u13b2\\u13be\": 13463,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13ce\\u13aa\\u13a9\\u13cd\\u13ac\\u13a9\": 13464,\n    \"\\u2581\\u13a4\\u13d3\\u13f4\\u13b3\\u13d4\\u13c1\": 13465,\n    \"\\u2581\\u13bf\\u13db\\u13c1\\u13ae\\u13cd\\u13d7\": 13466,\n    \"\\u2581\\u13d7\\u13e0\\u13d7\": 13467,\n    \"\\u2581\\u13a4\\u13e6\\u13a2\\u13ce\\u13d7\": 13468,\n    \"\\u2581\\u13a4\\u13f2\\u13de\\u13d2\\u13a2\": 13469,\n    \"\\u13a9\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\\u13b0\\u13a2\": 13470,\n    \"\\u2581\\u13d3\\u13c6\\u13d3\\u13d8\\u13be\\u13a5\": 13471,\n    \"\\u13c2\\u13ad\\u13b7\\u13a5\\u13cd\": 13472,\n    \"\\u2581\\u13d7\\u13e6\\u13d1\\u13b5\": 13473,\n    \"\\u2581\\u13e5\\u13a6\\u13b6\\u13a8\\u13ce\\u13a2\": 13474,\n    \"\\u2581\\u13f1\\u13ac\\u13e9\\u13f2\\u13b1\\u13ce\": 13475,\n    \"\\u13ac\\u13e9\\u13b3\\u13c1\": 13476,\n    \"\\u13be\\u13b5\\u13cd\\u13aa\\u13b8\\u13d7\\u13cd\\u13a8\\u13a2\": 13477,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d3\\u13db\\u13a2\": 13478,\n    \"\\u2581\\u13d7\\u13be\\u13a6\\u13b4\\u13c5\\u13d7\\u13cd\\u13a9\": 13479,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13e0\\u13b2\": 13480,\n    \"\\u2581\\u13da\\u13bf\\u13b8\\u13e4\": 13481,\n    \"\\u2581\\u13e0\\u13d7\\u13ef\": 13482,\n    \"\\u2581\\u13a0\\u13d8\\u13cd\\u13d9\\u13d7\": 13483,\n    \"\\u2581\\u13a4\\u13c5\\u13d3\\u13d2\": 13484,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13be\\u13e8\": 13485,\n    \"\\u2581\\u13da\\u13ed\\u13d3\\u13b4\\u13d2\": 13486,\n    \"\\u2581\\u13f1\\u13c5\\u13ac\\u13db\\u13a6\": 13487,\n    \"\\u13e8\\u13cf\\u13f0\\u13cd\\u13ac\": 13488,\n    \"\\u2581\\u13a2\\u13e3\\u13c5\\u13e8\": 13489,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13c9\\u13e8\\u13af\": 13490,\n    \"\\u2581\\u13e5\\u13d5\\u13a6\\u13b6\\u13c4\\u13ae\": 13491,\n    \"\\u2581\\u13c3\\u13e5\\u13ea\\u13ad\": 13492,\n    \"\\u2581\\u13ed\\u13b3\\u13a9\\u13ce\": 13493,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d8\\u13cd\\u13ac\": 13494,\n    \"\\u2581\\u13e7\\u13d3\\u13b4\\u13be\\u13a2\": 13495,\n    \"\\u2581\\u13a4\\u13c2\\u13c4\\u13af\": 13496,\n    \"\\u2581\\u13bb\\u13c8\\u13cc\": 13497,\n    \"\\u2581\\u13a0\\u13be\\u13d4\\u13cd\\u13a9\": 13498,\n    \"\\u2581\\u13ac\\u13db\\u13cd\\u13a8\\u13cd\\u13d7\": 13499,\n    \"\\u2581\\u13d3\\u13a7\\u13c2\\u13cd\\u13ac\\u13a2\": 13500,\n    \"\\u2581\\u13d5\\u13ac\\u13a6\\u13c6\": 13501,\n    \"\\u13d3\\u13f3\\u13d3\\u13b4\\u13c5\\u13af\": 13502,\n    \"\\u2581\\u13da\\u13f0\\u13b8\\u13d2\": 13503,\n    \"\\u13c4\\u13b6\\u13b4\\u13a2\": 13504,\n    \"\\u13d3\\u13df\\u13c3\\u13ae\\u13d7\\u13cd\\u13a8\": 13505,\n    \"\\u2581\\u13a2\\u13d3\\u13b5\\u13cd\\u13d3\\u13f4\\u13d7\\u13cd\\u13ac\\u13a2\": 13506,\n    \"\\u2581\\u13bf\\u13b5\\u13cd\\u13d3\": 13507,\n    \"\\u2581\\u13c2\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 13508,\n    \"\\u2581\\u13d5\\u13a8\\u13e5\\u13f2\\u13af\\u13cf\": 13509,\n    \"\\u2581\\u13e7\\u13df\\u13b7\\u13c6\": 13510,\n    \"\\u13e3\\u13ea\\u13a2\\u13cd\\u13d4\": 13511,\n    \"\\u2581\\u13af\\u13c1\\u13a8\\u13cd\\u13d7\": 13512,\n    \"\\u2581\\u13a0\\u13c2\\u13ec\\u13c2\\u13cd\\u13aa\": 13513,\n    \"\\u2581\\u13a1\\u13be\\u13a2\\u13d3\\u13cd\\u13d7\\u13f1\": 13514,\n    \"\\u2581\\u13f1\\u13c5\\u13a6\\u13a6\\u13db\\u13a6\": 13515,\n    \"\\u2581\\u13f3\\u13d9\\u13af\\u13f3\\u13b2\\u13be\": 13516,\n    \"\\u13e4\\u13ec\\u13e4\": 13517,\n    \"\\u2581\\u13a4\\u13be\\u13a6\\u13ce\\u13cd\\u13d5\\u13a2\": 13518,\n    \"\\u2581\\u13ed\\u13d3\\u13ec\\u13a1\": 13519,\n    \"\\u13c1\\u13e2\\u13d7\\u13ad\": 13520,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\\u13d5\": 13521,\n    \"\\u2581\\u13a5\\u13a9\\u13f4\\u13a9\\u13c5\\u13af\": 13522,\n    \"\\u13a6\\u13d7\\u13d9\\u13af\": 13523,\n    \"\\u2581\\u13d9\\u13db\\u13d5\\u13ef\\u13d9\\u13d4\\u13c2\": 13524,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13ea\\u13c5\": 13525,\n    \"\\u2581\\u13a0\\u13d3\\u13c1\\u13e3\\u13cd\": 13526,\n    \"\\u2581\\u13a0\\u13be\\u13d9\\u13a9\\u13ef\\u13cd\": 13527,\n    \"\\u2581\\u13e5\\u13e8\\u13f2\\u13ea\\u13b3\\u13c1\\u13ad\": 13528,\n    \"\\u13d9\\u13d1\\u13b4\\u13a5\\u13a9\": 13529,\n    \"\\u2581\\u13d3\\u13ab\\u13aa\\u13d3\\u13c1\": 13530,\n    \"\\u2581\\u13e6\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\\u13af\": 13531,\n    \"\\u13af\\u13ce\\u13b5\": 13532,\n    \"\\u2581\\u13d7\\u13ac\\u13c5\\u13c3\\u13db\": 13533,\n    \"\\u2581\\u13d3\\u13a6\\u13e5\\u13c4\\u13aa\\u13eb\\u13cf\": 13534,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13c2\\u13c2\\u13f4\": 13535,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13f2\\u13d2\": 13536,\n    \"\\u2581\\u13a7\\u13f3\\u13a6\": 13537,\n    \"\\u13d3\\u13da\\u13d3\\u13d4\": 13538,\n    \"\\u2581\\u13a0\\u13c2\\u13f2\\u13af\\u13ae\\u13cd\\u13d7\": 13539,\n    \"\\u2581\\u13a4\\u13d3\\u13e0\\u13cd\\u13d5\\u13a2\": 13540,\n    \"\\u2581\\u13a4\\u13e9\\u13d3\\u13b7\\u13a6\": 13541,\n    \"\\u2581\\u13c2\\u13c4\\u13be\": 13542,\n    \"\\u2581\\u13d3\\u13c2\\u13be\\u13c4\\u13aa\\u13eb\\u13cd\\u13aa\\u13a2\": 13543,\n    \"\\u2581\\u13a2\\u13af\\u13a9\\u13b5\\u13f2\": 13544,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13a9\\u13b8\\u13d7\": 13545,\n    \"\\u13c3\\u13e8\\u13c1\\u13ad\": 13546,\n    \"\\u2581\\u13c5\\u13d7\\u13ac\\u13e9\": 13547,\n    \"\\u2581\\u13f3\\u13be\\u13d3\\u13c5\\u13d4\": 13548,\n    \"\\u2581\\u13d5\\u13af\\u13cd\\u13d3\\u13e9\\u13d7\\u13ce\\u13cd\\u13d7\": 13549,\n    \"\\u2581\\u13d7\\u13d3\\u13f1\\u13b5\\u13d3\\u13cd\\u13d7\\u13f1\": 13550,\n    \"\\u2581\\u13a4\\u13ef\\u13a3\\u13a2\": 13551,\n    \"\\u2581\\u13a4\\u13f1\\u13b8\\u13d2\\u13a9\": 13552,\n    \"\\u2581\\u13d5\\u13a6\\u13b6\\u13c4\\u13ae\": 13553,\n    \"\\u2581\\u13a4\\u13a8\\u13b2\": 13554,\n    \"\\u2581\\u13f3\\u13dc\\u13c5\\u13d5\": 13555,\n    \"ash\": 13556,\n    \"\\u2581\\u13a0\\u13a6\\u13d4\\u13be\\u13a5\\u13a2\": 13557,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13a6\\u13f0\\u13ac\\u13cd\\u13d4\\u13c1\\u13a2\": 13558,\n    \"\\u2581\\u13a6\\u13c3\\u13af\\u13b5\\u13d2\\u13a9\": 13559,\n    \"\\u2581\\u13a2\\u13e7\\u13b5\\u13cd\\u13d9\\u13d7\\u13f1\": 13560,\n    \"\\u2581\\u13db\\u13a4\\u13e8\\u13d2\\u13a9\": 13561,\n    \"\\u2581\\u13d9\\u13a8\\u13a6\": 13562,\n    \"\\u13b8\\u13e5\\u13b4\": 13563,\n    \"\\u2581\\u13a0\\u13ab\\u13f1\\u13cd\\u13ac\\u13a2\": 13564,\n    \"\\u2581\\u13a2\\u13e5\\u13c3\\u13d4\\u13c2\\u13d9\": 13565,\n    \"\\u2581\\u13cd\\u13a9\\u13aa\\u13e9\\u13db\\u13d7\\u13f1\": 13566,\n    \"\\u13d3\\u13d9\\u13d3\\u13c7\": 13567,\n    \"\\u2581\\u13e5\\u13be\\u13a9\\u13ea\\u13d2\\u13a9\": 13568,\n    \"\\u2581\\u13d8\\u13cd\\u13d3\\u13e9\\u13da\\u13a6\": 13569,\n    \"\\u2581\\u13d3\\u13b5\\u13cc\\u13b3\\u13d7\\u13cd\\u13ac\": 13570,\n    \"\\u2581\\u13d3\\u13c6\\u13e0\\u13af\\u13cd\\u13db\\u13a2\": 13571,\n    \"\\u2581\\u13d5\\u13af\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b8\\u13a2\": 13572,\n    \"\\u2581\\u13d7\\u13d3\\u13cd\\u13d4\\u13f4\": 13573,\n    \"\\u2581\\u13d7\\u13e5\\u13b3\\u13eb\\u13a2\\u13cd\\u13d7\\u13f1\": 13574,\n    \"\\u2581\\u13f3\\u13d3\\u13d3\\u13b3\": 13575,\n    \"\\u2581\\u13c1\\u13e3\\u13db\\u13c1\\u13b8\": 13576,\n    \"\\u2581\\u13c2\\u13d3\\u13d9\\u13e2\": 13577,\n    \"\\u2581\\u13f1\\u13e3\\u13dc\\u13c5\\u13d3\\u13d5\": 13578,\n    \"\\u2581\\u13a4\\u13b6\\u13d0\\u13c1\": 13579,\n    \"\\u2581\\u13a4\\u13be\\u13b4\\u13be\\u13eb\\u13cd\": 13580,\n    \"\\u2581\\u13d7\\u13be\\u13d8\\u13c2\\u13d9\\u13af\": 13581,\n    \"\\u2581\\u13e7\\u13c3\\u13ea\\u13b6\\u13d7\": 13582,\n    \"\\u13c1\\u13df\\u13f4\\u13cd\\u13d3\": 13583,\n    \"\\u13f1\\u13b6\\u13b5\": 13584,\n    \"\\u2581\\u13da\\u13be\\u13c4\\u13e9\\u13a5\": 13585,\n    \"\\u2581\\u13da\\u13be\\u13e1\\u13d5\\u13cd\\u13d7\": 13586,\n    \"\\u2581\\u13f2\\u13e2\\u13be\\u13cf\": 13587,\n    \"\\u13d7\\u13eb\\u13cd\\u13d7\\u13f1\": 13588,\n    \"\\u2581\\u13a5\\u13c7\\u13f2\\u13c5\": 13589,\n    \"\\u2581\\u13d3\\u13e5\\u13c4\\u13aa\\u13a2\": 13590,\n    \"\\u13ac\\u13be\\u13d8\\u13c1\\u13af\": 13591,\n    \"\\u2581\\u13a4\\u13e2\\u13f2\\u13b5\": 13592,\n    \"\\u2581\\u13db\\u13e8\\u13b7\\u13e4\\u13b5\": 13593,\n    \"\\u13a9\\u13c2\\u13aa\\u13af\\u13ce\": 13594,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13da\\u13eb\\u13cd\": 13595,\n    \"\\u13d2\\u13ce\\u13b5\": 13596,\n    \"\\u2581\\u13a3\\u13a9\\u13c7\\u13d3\\u13b8\": 13597,\n    \"\\u2581\\u13a4\\u13d3\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13ac\\u13a9\": 13598,\n    \"\\u2581\\u13a8\\u13e7\\u13af\\u13cd\\u13d7\\u13cd\\u13a9\": 13599,\n    \"\\u2581\\u13be\\u13a9\\u13f4\\u13cd\\u13d7\\u13f1\": 13600,\n    \"\\u2581\\u13f4\\u13ac\\u13f2\\u13b1\\u13af\": 13601,\n    \"\\u2581\\u13e3\\u13c2\\u13cf\\u13d7\\u13f1\": 13602,\n    \"\\u2581\\u13a4\\u13d3\\u13b5\\u13d7\\u13a9\\u13a1\\u13b8\": 13603,\n    \"\\u2581\\u13f4\\u13a6\\u13e3\\u13a6\\u13b8\": 13604,\n    \"\\u2581\\u13a0\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13c3\\u13c5\\u13af\": 13605,\n    \"\\u2581\\u13e9\\u13c6\\u13b5\\u13f0\\u13a2\\u13b6\\u13af\\u13cd\\u13d7\": 13606,\n    \"\\u2581\\u13ea\\u13e5\\u13b7\\u13e5\\u13cf\": 13607,\n    \"\\u2581\\u13f1\\u13e3\\u13f0\\u13b8\\u13ce\\u13cd\\u13d7\": 13608,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13ef\\u13a2\": 13609,\n    \"\\u2581\\u13c1\\u13e3\\u13c1\\u13b8\\u13be\": 13610,\n    \"\\u2581\\u13da\\u13c5\\u13c2\\u13cd\\u13d4\\u13c1\": 13611,\n    \"\\u2581\\u13e5\\u13d5\\u13e3\\u13d3\\u13c2\\u13b8\\u13e8\": 13612,\n    \"\\u2581\\u13a0\\u13be\\u13b4\\u13c2\\u13d9\": 13613,\n    \"\\u2581\\u13e3\\u13c9\\u13ea\\u13b3\\u13c5\": 13614,\n    \"\\u2581\\u13e7\\u13be\\u13d5\\u13f2\\u13d7\\u13f1\": 13615,\n    \"\\u2581\\u13a0\\u13a6\\u13b5\\u13b2\": 13616,\n    \"\\u2581\\u13af\\u13ef\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 13617,\n    \"\\u2581\\u13ac\\u13c6\\u13d5\\u13ef\\u13d9\\u13d7\": 13618,\n    \"\\u2581\\u13a1\\u13cd\\u13d7\\u13c5\\u13cf\\u13d3\\u13cd\\u13d7\": 13619,\n    \"\\u2581\\u13d5\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 13620,\n    \"\\u2581\\u13e5\\u13e5\\u13f2\\u13a2\\u13ce\\u13b8\": 13621,\n    \"\\u2581\\u13a0\\u13a7\\u13c1\\u13b2\": 13622,\n    \"\\u2581\\u13e6\\u13e8\\u13c3\\u13db\": 13623,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13f3\\u13d4\\u13c5\": 13624,\n    \"\\u2581\\u13e4\\u13c9\\u13bb\": 13625,\n    \"\\u2581\\u13a4\\u13ea\\u13b5\\u13af\\u13cd\\u13ac\": 13626,\n    \"\\u2581\\u13d1\\u13d9\\u13d3\\u13c6\\u13db\": 13627,\n    \"\\u2581\\u13d7\\u13be\\u13d3\\u13c5\\u13eb\\u13cd\\u13a9\": 13628,\n    \"\\u13a9\\u13a6\\u13b7\\u13f4\": 13629,\n    \"\\u2581\\u13a4\\u13c4\\u13aa\\u13a9\": 13630,\n    \"\\u2581\\u13da\\u13e9\\u13c7\\u13c5\\u13d4\\u13c5\": 13631,\n    \"\\u13d3\\u13c1\\u13d6\\u13d7\": 13632,\n    \"\\u2581\\u13a3\\u13a9\\u13e9\\u13cf\": 13633,\n    \"\\u2581\\u13c2\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\\u13be\": 13634,\n    \"\\u2581\\u13da\\u13c2\\u13be\\u13cc\\u13a5\": 13635,\n    \"\\u2581\\u13f1\\u13e3\\u13e4\\u13b8\\u13ae\\u13cd\\u13d7\": 13636,\n    \"\\u2581\\u13aa\\u13af\\u13f3\\u13cd\\u13a9\": 13637,\n    \"\\u2581\\u13d3\\u13a8\\u13e5\\u13c4\\u13aa\\u13eb\\u13d2\\u13a9\": 13638,\n    \"\\u2581\\u13a6\\u13d9\\u13a9\\u13ef\\u13cd\\u13ac\": 13639,\n    \"\\u2581\\u13d9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\": 13640,\n    \"\\u2581\\u13d9\\u13d3\\u13aa\\u13ea\\u13b3\\u13c2\": 13641,\n    \"\\u2581\\u13d7\\u13a6\\u13c3\\u13e3\\u13e2\": 13642,\n    \"\\u2581\\u13ad\\u13d3\\u13e0\": 13643,\n    \"\\u2581\\u13f1\\u13c2\\u13ac\\u13c1\\u13b0\\u13a2\": 13644,\n    \"\\u2581\\u13a3\\u13a9\\u13cc\\u13d9\\u13f4\": 13645,\n    \"\\u13ac\\u13ef\\u13a7\\u13c1\\u13b5\": 13646,\n    \"\\u2581\\u13a2\\u13cd\\u13d3\\u13b5\\u13a2\": 13647,\n    \"\\u2581\\u13ac\\u13c9\\u13ce\\u13ae\\u13cd\\u13d7\": 13648,\n    \"\\u2581\\u13da\\u13c5\\u13eb\\u13cd\\u13d4\\u13c1\": 13649,\n    \"\\u13a9\\u13f2\\u13b1\\u13ce\\u13b5\": 13650,\n    \"\\u2581\\u13d5\\u13e3\\u13eb\\u13d2\\u13a2\": 13651,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13c2\\u13db\": 13652,\n    \"\\u13aa\\u13a2\\u13f3\\u13c1\\u13a2\": 13653,\n    \"\\u2581\\u13a3\\u13a6\\u13b5\\u13cd\\u13d3\\u13f4\\u13c5\": 13654,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\": 13655,\n    \"\\u2581\\u13a4\\u13ad\\u13f4\\u13cd\\u13d7\": 13656,\n    \"\\u2581\\u13c2\\u13e3\\u13db\\u13a9\\u13cd\\u13ac\\u13be\": 13657,\n    \"\\u2581\\u13ad\\u13d7\\u13db\\u13b2\\u13ad\": 13658,\n    \"\\u2581\\u13bb\\u13cf\\u13f1\": 13659,\n    \"\\u2581\\u13da\\u13c2\\u13ef\\u13d9\\u13b8\\u13a9\": 13660,\n    \"\\u2581\\u13d9\\u13a9\\u13d4\\u13d5\\u13a9\": 13661,\n    \"\\u2581\\u13e5\\u13eb\\u13a6\\u13b6\\u13af\": 13662,\n    \"\\u13a6\\u13c4\\u13aa\\u13e8\": 13663,\n    \"\\u13be\\u13d8\\u13c3\\u13ae\\u13b8\\u13ad\": 13664,\n    \"\\u2581\\u13a4\\u13db\\u13af\\u13cd\\u13d4\\u13c5\": 13665,\n    \"\\u13da\\u13eb\\u13cd\\u13d4\": 13666,\n    \"\\u2581\\u13a4\\u13d3\\u13be\\u13db\\u13a2\": 13667,\n    \"\\u2581\\u13cd\\u13a9\\u13cd\\u13a6\\u13c5\\u13e4\\u13d7\": 13668,\n    \"\\u2581\\u13da\\u13d3\\u13c5\\u13b5\\u13f0\\u13a5\": 13669,\n    \"\\u2581\\u13ed\\u13c2\\u13cf\\u13c1\\u13b4\": 13670,\n    \"\\u2581\\u13f1\\u13d7\\u13e7\\u13aa\\u13d7\\u13ad\": 13671,\n    \"\\u13b5\\u13c3\\u13af\\u13f4\": 13672,\n    \"\\u2581\\u13c4\\u13b5\\u13cd\\u13d7\\u13cd\\u13a8\\u13a2\": 13673,\n    \"\\u2581\\u13f1\\u13c4\\u13db\\u13c1\": 13674,\n    \"\\u13c2\\u13c6\\u13c5\\u13a5\\u13a6\": 13675,\n    \"\\u2581\\u13d9\\u13a6\\u13da\\u13d3\": 13676,\n    \"\\u13a6\\u13b5\\u13e5\\u13d9\\u13c1\\u13b8\\u13a9\": 13677,\n    \"\\u2581\\u13a4\\u13cd\\u13da\\u13d4\\u13c1\\u13a2\": 13678,\n    \"\\u2581\\u13a8\\u13e3\\u13cc\\u13b3\\u13d9\": 13679,\n    \"\\u2581\\u13a0\\u13be\\u13c1\\u13cd\\u13a8\\u13cd\\u13ac\": 13680,\n    \"\\u2581\\u13a0\\u13df\\u13b6\\u13db\": 13681,\n    \"\\u13a7\\u13b5\\u13a9\": 13682,\n    \"\\u2581\\u13a4\\u13be\\u13d8\\u13f0\\u13b8\\u13af\": 13683,\n    \"\\u2581\\u13a6\\u13e5\\u13f0\\u13f2\": 13684,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\\u13d4\\u13c1\": 13685,\n    \"\\u2581\\u13d7\\u13e5\\u13a6\\u13b5\\u13cd\\u13d3\\u13d5\\u13d7\": 13686,\n    \"\\u2581\\u13e6\\u13a9\\u13b7\\u13e5\\u13b8\": 13687,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13cd\\u13d3\\u13c1\\u13b8\": 13688,\n    \"\\u13a7\\u13d4\\u13be\\u13eb\\u13cd\": 13689,\n    \"\\u2581\\u13a0\\u13c9\\u13ea\\u13b6\\u13d7\": 13690,\n    \"\\u2581\\u13e7\\u13b5\\u13cd\\u13c6\\u13b5\": 13691,\n    \"\\u13ec\\u13da\\u13a2\\u13cd\\u13d5\": 13692,\n    \"\\u13da\\u13c2\\u13d0\\u13e4\": 13693,\n    \"\\u13be\\u13af\\u13cd\\u13d7\\u13ad\": 13694,\n    \"\\u13b5\\u13cd\\u13da\\u13d4\\u13c5\": 13695,\n    \"\\u2581\\u13a0\\u13a9\\u13a6\\u13d8\\u13d7\\u13cd\": 13696,\n    \"\\u2581\\u13c4\\u13be\\u13b5\\u13cf\\u13be\\u13af\\u13cd\\u13db\\u13be\": 13697,\n    \"\\u2581\\u13c4\\u13be\\u13d3\\u13c4\\u13f4\\u13db\\u13be\": 13698,\n    \"\\u2581\\u13da\\u13b5\\u13c2\\u13c6\\u13c5\\u13c1\\u13b8\\u13a9\": 13699,\n    \"\\u2581\\u13e6\\u13cd\\u13d3\\u13d1\": 13700,\n    \"\\u2581\\u13e7\\u13c4\\u13aa\\u13d3\\u13c1\": 13701,\n    \"\\u2581\\u13c4\\u13be\\u13dc\\u13cf\\u13db\\u13a1\\u13b2\\u13be\": 13702,\n    \"\\u2581\\u13a2\\u13a6\\u13d5\\u13d7\\u13f1\": 13703,\n    \"\\u2581\\u13d5\\u13e3\\u13b3\\u13cd\\u13ac\": 13704,\n    \"\\u2581\\u13ac\\u13e9\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\": 13705,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13b6\\u13d2\\u13af\": 13706,\n    \"\\u2581\\u13eb\\u13d3\\u13d7\\u13c5\\u13d7\": 13707,\n    \"\\u2581\\u13a4\\u13be\\u13aa\\u13b2\\u13cd\\u13d9\\u13d7\\u13f1\": 13708,\n    \"\\u2581\\u13e4\\u13e3\\u13d8\\u13c1\\u13d2\\u13ad\": 13709,\n    \"\\u13cd\\u13a9\\u13be\\u13db\\u13c2\\u13cf\": 13710,\n    \"\\u2581\\u13a2\\u13a9\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\": 13711,\n    \"\\u2581\\u13ed\\u13a7\\u13d4\\u13c1\\u13a2\": 13712,\n    \"\\u2581\\u13d7\\u13be\\u13d3\\u13cd\\u13a6\\u13a9\": 13713,\n    \"\\u2581\\u13ef\\u13c2\\u13ef\\u13a0\": 13714,\n    \"\\u2581\\u13c2\\u13e5\\u13d4\\u13f2\\u13af\\u13b2\": 13715,\n    \"\\u2581\\u13a0\\u13be\\u13e8\\u13cf\\u13f0\\u13cd\\u13ac\": 13716,\n    \"\\u2581\\u13ea\\u13e3\\u13da\\u13a6\": 13717,\n    \"\\u2581\\u13a0\\u13a6\\u13d3\\u13d3\\u13b4\\u13d4\\u13c5\\u13af\": 13718,\n    \"\\u2581\\u13a4\\u13c5\\u13a8\\u13eb\\u13d2\": 13719,\n    \"\\u2581\\u13a4\\u13ac\\u13eb\\u13e9\": 13720,\n    \"\\u2581\\u13d5\\u13a9\\u13be\\u13d3\\u13c1\\u13e4\\u13b8\": 13721,\n    \"\\u2581\\u13a4\\u13da\\u13d3\\u13b8\\u13db\": 13722,\n    \"\\u2581\\u13eb\\u13c4\\u13ea\\u13ce\\u13b8\\u13a9\": 13723,\n    \"\\u2581\\u13f1\\u13da\\u13be\\u13dd\\u13a0\": 13724,\n    \"\\u2581\\u13a0\\u13e5\\u13ac\\u13cd\\u13aa\\u13b8\\u13c1\": 13725,\n    \"\\u2581\\u13d3\\u13e8\\u13c2\\u13b5\": 13726,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d3\\u13b4\\u13d3\\u13c1\": 13727,\n    \"\\u2581\\u13d7\\u13a9\\u13cf\\u13b3\\u13db\\u13d9\\u13d7\": 13728,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13c2\\u13f2\\u13b1\\u13af\\u13ce\\u13b8\\u13af\": 13729,\n    \"\\u2581\\u13ef\\u13c6\\u13b4\\u13eb\\u13cd\\u13d4\\u13be\": 13730,\n    \"\\u2581\\u13e7\\u13c1\\u13ab\": 13731,\n    \"\\u2581\\u13e7\\u13c2\\u13b5\\u13b6\\u13b2\\u13cd\\u13a6\": 13732,\n    \"\\u2581\\u13f1\\u13c4\\u13b5\\u13cd\\u13d3\\u13c1\\u13b8\": 13733,\n    \"\\u2581\\u13a1\\u13e5\\u13a7\\u13c1\\u13d7\\u13f1\": 13734,\n    \"\\u2581\\u13a4\\u13a7\\u13d9\\u13cd\\u13d4\\u13c1\\u13a2\": 13735,\n    \"\\u2581\\u13d3\\u13c3\\u13e2\\u13cd\\u13ac\\u13a2\": 13736,\n    \"\\u2581\\u13e5\\u13d3\\u13c2\\u13f0\\u13b2\\u13a9\": 13737,\n    \"\\u13a6\\u13b5\\u13f3\\u13f0\\u13c3\": 13738,\n    \"\\u13af\\u13b7\\u13e5\\u13cc\": 13739,\n    \"\\u13d3\\u13cd\\u13d5\\u13d3\\u13b5\\u13f4\\u13cd\\u13aa\": 13740,\n    \"\\u13ac\\u13e3\\u13b6\\u13d7\": 13741,\n    \"\\u2581\\u13d5\\u13a6\\u13ef\\u13a9\\u13cd\\u13a8\": 13742,\n    \"\\u2581\\u13e5\\u13a6\\u13a7\\u13ad\": 13743,\n    \"\\u2581\\u13e7\\u13be\\u13d9\\u13b3\\u13c5\\u13cd\\u13d7\": 13744,\n    \"\\u2581\\u13ef\\u13a6\\u13cd\\u13ac\\u13be\": 13745,\n    \"\\u13f2\\u13a2\\u13ce\\u13ae\\u13cd\\u13d7\": 13746,\n    \"\\u2581\\u13c3\\u13e4\\u13b2\\u13be\": 13747,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13c5\\u13ec\\u13d7\\u13f1\": 13748,\n    \"\\u2581\\u13a4\\u13ec\\u13ea\\u13b6\\u13d7\": 13749,\n    \"\\u2581\\u13a1\\u13e3\\u13db\\u13db\\u13b2\\u13a6\": 13750,\n    \"\\u2581\\u13a3\\u13a6\\u13c5\\u13e2\": 13751,\n    \"\\u2581\\u13a8\\u13a6\\u13ce\\u13cd\\u13d7\\u13f1\": 13752,\n    \"\\u2581\\u13a8\\u13e5\\u13d4\\u13f2\\u13ce\\u13d7\": 13753,\n    \"\\u13b6\\u13a3\\u13ce\": 13754,\n    \"\\u2581\\u13f1\\u13d3\\u13ac\\u13ef\": 13755,\n    \"\\u2581\\u13a6\\u13e5\\u13ec\\u13c1\\u13d7\\u13cd\\u13ac\": 13756,\n    \"\\u2581\\u13ed\\u13be\\u13a6\\u13d6\": 13757,\n    \"\\u13d1\\u13b5\\u13aa\\u13e5\": 13758,\n    \"\\u13de\\u13a6\": 13759,\n    \"\\u2581\\u13a1\\u13c2\\u13a4\": 13760,\n    \"\\u2581\\u13c1\\u13ea\\u13d2\": 13761,\n    \"\\u2581\\u13d5\\u13e5\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\": 13762,\n    \"\\u2581\\u13ef\\u13d5\\u13b0\\u13cd\\u13a6\": 13763,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13a9\\u13b8\\u13d7\": 13764,\n    \"\\u2581\\u13ac\\u13a9\\u13b7\\u13e4\\u13b0\\u13a2\": 13765,\n    \"\\u2581\\u13ef\\u13d3\\u13db\\u13cd\\u13aa\\u13a2\": 13766,\n    \"\\u13cd\\u13d7\\u13f0\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 13767,\n    \"\\u2581\\u13c2\\u13d3\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13b2\\u13be\": 13768,\n    \"\\u2581\\u13c2\\u13e3\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13b2\\u13be\": 13769,\n    \"\\u13d3\\u13e9\\u13d7\\u13cd\\u13d9\": 13770,\n    \"\\u2581\\u13be\\u13cb\\u13c2\\u13cf\": 13771,\n    \"\\u2581\\u13db\\u13be\\u13db\\u13c1\\u13b5\": 13772,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\\u13db\\u13c5\\u13a9\": 13773,\n    \"\\u2581\\u13ac\\u13c6\\u13e1\\u13d7\\u13cd\\u13a9\": 13774,\n    \"\\u2581\\u13a5\\u13c6\\u13d3\\u13c5\\u13d6\": 13775,\n    \"\\u2581\\u13c2\\u13da\\u13ea\\u13ad\\u13b8\": 13776,\n    \"\\u2581\\u13a0\\u13d2\\u13e8\": 13777,\n    \"\\u13e3\\u13b5\\u13cd\\u13d3\": 13778,\n    \"\\u2581\\u13c2\\u13d3\\u13db\\u13c1\\u13b0\": 13779,\n    \"\\u2581\\u13af\\u13ef\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 13780,\n    \"\\u2581\\u13f1\\u13be\\u13c6\\u13b5\\u13cd\\u13d4\\u13c1\": 13781,\n    \"\\u13be\\u13b5\\u13db\\u13af\": 13782,\n    \"\\u2581\\u13a4\\u13ea\\u13f2\\u13b2\\u13cd\\u13ac\": 13783,\n    \"\\u2581\\u13eb\\u13a8\\u13d3\": 13784,\n    \"\\u13af\\u13aa\\u13e9\\u13d8\\u13ad\\u13e7\": 13785,\n    \"\\u2581\\u13d4\\u13b7\\u13a9\\u13cd\\u13a9\\u13ac\\u13be\\u13ec\\u13d9\\u13d7\\u13f1\": 13786,\n    \"\\u2581\\u13a1\\u13d7\\u13ef\\u13a5\\u13a2\": 13787,\n    \"\\u2581\\u13e9\\u13c2\\u13cc\\u13d9\\u13ef\": 13788,\n    \"\\u2581\\u13d3\\u13a9\\u13c5\\u13c5\\u13a2\": 13789,\n    \"\\u2581\\u13ed\\u13be\\u13d8\\u13c5\\u13cd\\u13d4\\u13c5\\u13a9\": 13790,\n    \"\\u2581\\u13a0\\u13a9\\u13b7\\u13e4\\u13ae\\u13cd\\u13d7\": 13791,\n    \"\\u2581\\u13db\\u13c2\\u13c1\\u13e5\": 13792,\n    \"\\u2581\\u13e4\\u13a6\\u13e1\": 13793,\n    \"\\u13d3\\u13c5\\u13d5\\u13d9\\u13d7\": 13794,\n    \"\\u2581\\u13c3\\u13e5\\u13ea\\u13ce\\u13b8\\u13a9\": 13795,\n    \"\\u2581\\u13d5\\u13a6\\u13ec\\u13cd\\u13ac\\u13a2\": 13796,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13b3\\u13af\\u13f3\": 13797,\n    \"\\u2581\\u13a5\\u13e3\\u13c2\\u13a9\": 13798,\n    \"\\u2581\\u13a4\\u13c3\\u13b5\\u13e8\": 13799,\n    \"\\u2581\\u13c2\\u13a6\\u13db\\u13bf\\u13d5\\u13ac\\u13a2\": 13800,\n    \"\\u2581\\u13a4\\u13e9\\u13dd\\u13a5\": 13801,\n    \"\\u2581\\u13a4\\u13ec\\u13e2\\u13af\\u13d0\\u13d7\": 13802,\n    \"\\u2581\\u13eb\\u13ac\\u13ef\\u13c5\\u13b2\\u13ad\": 13803,\n    \"\\u2581\\u13eb\\u13c2\\u13da\\u13ea\\u13ce\\u13b4\\u13a2\": 13804,\n    \"\\u2581\\u13c2\\u13e5\\u13ef\\u13db\\u13c1\\u13ad\": 13805,\n    \"\\u2581\\u13d7\\u13a8\\u13b5\\u13cd\\u13a9\": 13806,\n    \"\\u2581\\u13d7\\u13c2\\u13c5\\u13ec\": 13807,\n    \"\\u2581\\u13a2\\u13e7\\u13be\\u13d3\": 13808,\n    \"\\u2581\\u13da\\u13be\\u13df\\u13b8\": 13809,\n    \"\\u2581\\u13cc\\u13a9\\u13ef\": 13810,\n    \"\\u2581\\u13d3\\u13e5\\u13b8\\u13c9\\u13d4\\u13c2\": 13811,\n    \"\\u2581\\u13a1\\u13ad\\u13a9\\u13b3\\u13e9\": 13812,\n    \"ate\": 13813,\n    \"\\u2581\\u13d3\\u13b6\\u13c1\": 13814,\n    \"\\u2581\\u13d3\\u13c2\\u13b3\\u13cd\\u13d3\\u13b8\": 13815,\n    \"\\u2581\\u13d3\\u13cb\\u13d4\\u13c5\": 13816,\n    \"\\u2581\\u13e7\\u13ec\\u13aa\\u13d9\\u13d7\": 13817,\n    \"\\u2581\\u13d1\\u13b9\\u13c2\": 13818,\n    \"\\u2581\\u13d5\\u13e5\\u13be\\u13f0\": 13819,\n    \"\\u2581\\u13f2\\u13a9\\u13cc\\u13c2\": 13820,\n    \"\\u2581\\u13e5\\u13ac\\u13c9\\u13af\\u13f3\\u13b2\\u13cd\": 13821,\n    \"\\u2581\\u13a4\\u13d7\\u13e9\\u13ce\\u13a2\": 13822,\n    \"\\u2581\\u13a2\\u13f0\\u13ac\\u13c1\\u13d7\": 13823,\n    \"\\u2581\\u13ed\\u13be\\u13e0\\u13e8\": 13824,\n    \"\\u2581\\u13f1\\u13da\\u13f2\\u13b1\\u13af\": 13825,\n    \"\\u2581\\u13e9\\u13d9\\u13d1\\u13b5\": 13826,\n    \"\\u13d4\\u13b3\\u13ec\\u13cd\\u13a6\": 13827,\n    \"\\u2581\\u13c3\\u13e8\\u13c1\\u13b0\": 13828,\n    \"\\u13be\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d7\\u13cd\\u13ac\": 13829,\n    \"\\u2581\\u13d7\\u13d3\\u13e0\\u13cd\\u13d7\": 13830,\n    \"\\u2581\\u13f1\\u13e3\\u13db\\u13db\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 13831,\n    \"\\u2581\\u13a0\\u13e5\\u13da\\u13a8\": 13832,\n    \"\\u13be\\u13b4\\u13c5\\u13c1\\u13a2\": 13833,\n    \"\\u2581\\u13eb\\u13ac\\u13f2\\u13ea\\u13b3\\u13c1\": 13834,\n    \"\\u13f0\\u13f2\\u13c2\": 13835,\n    \"\\u2581\\u13e3\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13a6\": 13836,\n    \"\\u2581\\u13eb\\u13cd\\u13d7\\u13b7\\u13e8\\u13ad\": 13837,\n    \"\\u13d3\\u13ec\\u13a2\\u13a1\": 13838,\n    \"\\u2581\\u13cd\\u13c9\\u13d1\\u13b5\": 13839,\n    \"\\u2581\\u13ed\\u13be\\u13e3\\u13c5\": 13840,\n    \"\\u2581\\u13d3\\u13e5\\u13c5\\u13cf\": 13841,\n    \"\\u2581\\u13f1\\u13a6\\u13c5\\u13a5\\u13cf\": 13842,\n    \"\\u2581\\u13d5\\u13e5\\u13a0\\u13c1\": 13843,\n    \"\\u2581\\u13af\\u13cd\\u13d3\\u13e9\\u13d5\\u13a8\\u13cd\\u13d7\": 13844,\n    \"\\u2581\\u13f1\\u13ac\\u13c9\\u13ce\": 13845,\n    \"\\u2581\\u13e5\\u13c2\\u13ac\\u13c2\\u13cf\": 13846,\n    \"\\u2581\\u13a0\\u13d3\\u13be\\u13e9\\u13cd\": 13847,\n    \"\\u13e5\\u13e3\\u13c1\\u13b8\\u13d3\": 13848,\n    \"\\u2581\\u13d3\\u13c4\\u13aa\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 13849,\n    \"\\u13cb\\u13c1\\u13b5\": 13850,\n    \"\\u2581\\u13d7\\u13a6\\u13c1\\u13a6\\u13b8\": 13851,\n    \"\\u13db\\u13af\\u13ce\\u13ae\\u13cd\\u13d7\": 13852,\n    \"\\u2581\\u13e5\\u13c2\\u13da\\u13cd\": 13853,\n    \"\\u13a6\\u13c1\\u13b3\\u13d7\\u13cd\\u13d7\\u13f1\": 13854,\n    \"\\u2581\\u13a4\\u13c4\\u13f4\\u13d5\": 13855,\n    \"\\u2581\\u13a1\\u13d7\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\": 13856,\n    \"\\u2581\\u13d3\\u13be\\u13d7\\u13d4\\u13af\": 13857,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13d0\\u13e2\\u13d7\": 13858,\n    \"\\u2581\\u13d3\\u13f3\\u13b8\\u13c9\\u13d4\\u13c2\": 13859,\n    \"\\u13a1\\u13e3\\u13df\\u13b6\\u13a1\": 13860,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13b4\\u13db\": 13861,\n    \"\\u13e4\\u13b5\\u13ce\\u13d7\": 13862,\n    \"\\u13f3\\u13be\\u13cc\\u13be\\u13a9\\u13d2\": 13863,\n    \"\\u2581\\u13f1\\u13d7\\u13e5\\u13a8\\u13f3\\u13ad\": 13864,\n    \"\\u2581\\u13f1\\u13e3\\u13da\\u13b5\\u13cd\\u13a8\\u13a2\": 13865,\n    \"\\u2581\\u13a3\\u13a6\\u13da\\u13d3\\u13d5\\u13eb\\u13d2\": 13866,\n    \"\\u2581\\u13a4\\u13b6\\u13a9\\u13b3\": 13867,\n    \"\\u2581\\u13c2\\u13ac\\u13f4\\u13c1\\u13b8\": 13868,\n    \"\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d9\": 13869,\n    \"\\u2581\\u13a4\\u13c2\\u13bf\\u13b8\\u13af\": 13870,\n    \"\\u2581\\u13d7\\u13a6\\u13d9\\u13b3\\u13db\\u13d7\": 13871,\n    \"\\u2581\\u13a0\\u13c2\\u13b5\\u13c7\": 13872,\n    \"\\u13a6\\u13c6\\u13b8\\u13c2\": 13873,\n    \"\\u2581\\u13f1\\u13e3\\u13b5\\u13cd\\u13a9\": 13874,\n    \"\\u2581\\u13a4\\u13be\\u13b4\\u13be\\u13b8\\u13af\": 13875,\n    \"\\u2581\\u13f3\\u13ec\\u13ce\\u13b4\\u13a2\": 13876,\n    \"\\u13e6\\u13a3\\u13cc\": 13877,\n    \"\\u2581\\u13ac\\u13c4\\u13ef\\u13a9\\u13cd\": 13878,\n    \"\\u2581\\u13d9\\u13db\\u13e1\\u13d4\\u13c2\": 13879,\n    \"\\u13b0\\u13d2\\u13cd\\u13a6\": 13880,\n    \"\\u2581\\u13a4\\u13ea\\u13f2\\u13c5\": 13881,\n    \"\\u2581\\u13d3\\u13e5\\u13ef\\u13ec\\u13a2\": 13882,\n    \"\\u2581\\u13da\\u13be\\u13e0\\u13af\\u13cd\\u13d4\\u13c1\\u13a2\": 13883,\n    \"\\u2581\\u13da\\u13c3\\u13a5\\u13a9\": 13884,\n    \"\\u2581\\u13a5\\u13ac\\u13ad\\u13c5\": 13885,\n    \"\\u2581\\u13a6\\u13c5\\u13c6\\u13b6\\u13a5\\u13af\": 13886,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13cc\\u13c1\\u13a2\": 13887,\n    \"\\u13d3\\u13d8\\u13cd\\u13d7\": 13888,\n    \"\\u13e0\\u13a3\\u13d2\": 13889,\n    \"\\u2581\\u13a2\\u13e5\\u13f0\\u13e3\\u13cd\": 13890,\n    \"\\u2581\\u13c2\\u13da\\u13ea\\u13ce\\u13b5\": 13891,\n    \"\\u2581\\u13d3\\u13c2\\u13a9\\u13cd\\u13a8\\u13a2\": 13892,\n    \"\\u2581\\u13eb\\u13e3\\u13b7\\u13af\\u13cd\\u13d7\": 13893,\n    \"\\u2581\\u13a2\\u13cd\\u13d3\\u13c1\\u13b3\\u13c5\\u13af\": 13894,\n    \"\\u2581\\u13d7\\u13be\\u13d3\\u13c2\\u13b8\\u13a9\": 13895,\n    \"\\u13d5\\u13e5\\u13aa\\u13a5\\u13a9\": 13896,\n    \"\\u13d3\\u13c1\\u13c4\\u13b8\": 13897,\n    \"\\u2581\\u13a4\\u13e3\\u13c5\\u13d5\\u13a2\": 13898,\n    \"\\u13b5\\u13a6\\u13f2\\u13d9\\u13d7\": 13899,\n    \"\\u2581\\u13a6\\u13d9\\u13b4\\u13a3\\u13af\": 13900,\n    \"\\u2581\\u13a6\\u13c3\\u13af\\u13b5\\u13d3\\u13cd\\u13d7\": 13901,\n    \"\\u2581\\u13a6\\u13b8\\u13aa\\u13ac\": 13902,\n    \"\\u2581\\u13d3\\u13e5\\u13cc\\u13b3\\u13d3\\u13c2\": 13903,\n    \"\\u2581\\u13a4\\u13c3\\u13d2\\u13d7\": 13904,\n    \"\\u2581\\u13af\\u13a7\\u13c1\\u13a6\": 13905,\n    \"\\u13b5\\u13ae\\u13b5\\u13cd\\u13db\": 13906,\n    \"\\u2581\\u13c2\\u13a8\\u13e5\\u13ea\\u13ce\\u13ae\\u13cd\\u13d7\": 13907,\n    \"\\u2581\\u13a3\\u13a6\\u13d9\\u13b4\\u13b0\\u13d2\": 13908,\n    \"\\u13e3\\u13f0\\u13b8\\u13ae\": 13909,\n    \"\\u2581\\u13da\\u13f2\\u13e8\\u13a9\": 13910,\n    \"\\u2581\\u13f1\\u13d7\\u13e3\\u13e0\\u13f1\": 13911,\n    \"\\u13c3\\u13cd\\u13a9\\u13cd\\u13d7\\u13f1\": 13912,\n    \"\\u2581\\u13a2\\u13ef\\u13c2\\u13a2\\u13db\\u13ad\": 13913,\n    \"\\u2581\\u13d3\\u13c2\\u13c1\\u13b5\\u13ac\\u13a2\": 13914,\n    \"\\u2581\\u13a2\\u13a6\\u13da\\u13d3\\u13b4\\u13cd\\u13d9\\u13d7\\u13f1\": 13915,\n    \"\\u2581\\u13a2\\u13e8\\u13c1\\u13e4\\u13b8\\u13a9\": 13916,\n    \"\\u2581\\u13a4\\u13aa\\u13d0\\u13c5\": 13917,\n    \"\\u2581\\u13f1\\u13d3\\u13c2\\u13ec\\u13c2\\u13ad\": 13918,\n    \"\\u13d3\\u13d3\\u13b4\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 13919,\n    \"\\u2581\\u13af\\u13ef\\u13d9\\u13b5\\u13a8\\u13cd\\u13d7\": 13920,\n    \"\\u2581\\u13ed\\u13be\\u13a6\\u13d4\\u13b2\\u13cd\": 13921,\n    \"\\u2581\\u13a4\\u13d3\\u13e0\\u13cd\\u13d4\\u13c5\\u13a9\": 13922,\n    \"\\u2581\\u13d3\\u13a6\\u13be\\u13c4\\u13aa\\u13e5\": 13923,\n    \"\\u13aa\\u13ac\\u13c2\\u13cd\\u13d3\": 13924,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13a9\\u13ef\\u13cd\\u13d7\": 13925,\n    \"\\u13da\\u13d8\\u13bf\\u13eb\\u13db\\u13ae\\u13a2\": 13926,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13aa\\u13b2\\u13cd\": 13927,\n    \"\\u2581\\u13a3\\u13a9\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\\u13a2\": 13928,\n    \"\\u2581\\u13e7\\u13c3\\u13e2\\u13be\\u13c1\\u13d7\": 13929,\n    \"\\u2581\\u13b1\\u13db\\u13c1\\u13a2\": 13930,\n    \"\\u2581\\u13a4\\u13be\\u13cd\\u13d3\\u13b8\": 13931,\n    \"\\u2581\\u13d5\\u13ad\\u13d8\\u13c3\\u13b8\": 13932,\n    \"\\u2581\\u13ef\\u13c6\\u13da\\u13b3\": 13933,\n    \"\\u13a6\\u13d8\\u13b8\\u13db\": 13934,\n    \"\\u2581\\u13d5\\u13d3\\u13c1\\u13b6\\u13db\\u13a2\": 13935,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c5\\u13d3\\u13db\\u13a9\": 13936,\n    \"\\u2581\\u13a6\\u13f0\\u13e5\\u13cd\\u13d5\\u13b8\\u13d7\": 13937,\n    \"\\u2581\\u13d2\\u13b6\\u13af\": 13938,\n    \"\\u13a9\\u13a6\\u13d4\\u13ae\\u13a2\": 13939,\n    \"\\u2581\\u13a4\\u13a7\\u13cc\": 13940,\n    \"\\u2581\\u13d3\\u13a6\\u13c4\\u13aa\\u13e5\": 13941,\n    \"\\u2581\\u13d3\\u13c2\\u13be\\u13c6\": 13942,\n    \"\\u2581\\u13d7\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\\u13d7\\u13cd\\u13a9\": 13943,\n    \"\\u13a9\\u13a6\\u13f4\\u13b3\": 13944,\n    \"\\u13e5\\u13ef\\u13b4\\u13c1\\u13d7\": 13945,\n    \"\\u2581\\u13e4\\u13e6\\u13ce\\u13ad\": 13946,\n    \"\\u2581\\u13d9\\u13e7\\u13c2\\u13c5\": 13947,\n    \"\\u13d9\\u13d3\\u13e3\\u13d8\\u13be\\u13eb\\u13db\": 13948,\n    \"\\u2581\\u13d3\\u13e5\\u13f4\\u13c2\\u13b5\": 13949,\n    \"\\u2581\\u13d5\\u13e5\\u13c1\\u13e4\\u13ad\": 13950,\n    \"\\u2581\\u13d5\\u13e5\\u13ef\\u13a6\\u13bf\\u13c5\": 13951,\n    \"\\u2581\\u13d3\\u13a6\\u13c5\\u13cf\": 13952,\n    \"\\u2581\\u13d3\\u13f3\\u13c4\\u13aa\\u13e8\\u13a9\": 13953,\n    \"\\u2581\\u13da\\u13a7\\u13bf\\u13c2\\u13d9\\u13b8\": 13954,\n    \"\\u2581\\u13da\\u13df\\u13f0\\u13b5\\u13d9\\u13b8\": 13955,\n    \"\\u2581\\u13f3\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\": 13956,\n    \"\\u2581\\u13a4\\u13cd\\u13d9\\u13f0\": 13957,\n    \"\\u2581\\u13e4\\u13e3\\u13df\\u13f4\\u13cf\": 13958,\n    \"\\u2581\\u13a4\\u13c2\\u13dd\\u13d7\\u13e4\": 13959,\n    \"\\u2581\\u13a4\\u13c2\\u13c2\\u13c6\\u13d8\\u13cd\\u13d7\": 13960,\n    \"\\u2581\\u13af\\u13ef\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13cf\": 13961,\n    \"\\u2581\\u13c2\\u13da\\u13c5\\u13c1\\u13b8\\u13a9\": 13962,\n    \"\\u2581\\u13a4\\u13c2\\u13be\\u13c4\\u13aa\\u13e4\\u13b8\": 13963,\n    \"\\u2581\\u13eb\\u13e3\\u13b7\\u13e8\": 13964,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13a9\\u13f0\": 13965,\n    \"\\u2581\\u13a0\\u13a6\\u13b4\\u13d7\": 13966,\n    \"\\u2581\\u13a1\\u13e5\\u13ce\\u13aa\\u13a9\\u13d2\": 13967,\n    \"\\u2581\\u13a6\\u13c3\\u13b8\\u13a5\\u13cd\\u13a8\": 13968,\n    \"\\u2581\\u13da\\u13be\\u13cf\\u13d4\\u13d5\\u13a2\": 13969,\n    \"\\u2581\\u13c4\\u13b5\\u13cd\\u13d4\\u13cf\": 13970,\n    \"\\u13b1\\u13ce\\u13a2\": 13971,\n    \"\\u2581\\u13a2\\u13e5\\u13b5\\u13d3\\u13cd\\u13d7\\u13ad\": 13972,\n    \"\\u2581\\u13a0\\u13c7\\u13c5\\u13d3\": 13973,\n    \"\\u2581\\u13e7\\u13be\\u13d9\\u13a2\\u13db\": 13974,\n    \"\\u2581\\u13d5\\u13e5\\u13a6\\u13d8\\u13b8\": 13975,\n    \"\\u13c1\\u13c9\\u13cf\": 13976,\n    \"\\u2581\\u13cd\\u13a9\\u13b7\\u13e5\": 13977,\n    \"\\u2581\\u13a2\\u13af\\u13a6\\u13d4\\u13ad\": 13978,\n    \"\\u2581\\u13a0\\u13c5\\u13d7\\u13cd\\u13a9\": 13979,\n    \"\\u2581\\u13a0\\u13d9\\u13c2\\u13cd\\u13ac\": 13980,\n    \"\\u2581\\u13a1\\u13d3\\u13e4\\u13b5\\u13a6\": 13981,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13c4\\u13aa\": 13982,\n    \"\\u2581\\u13ad\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d3\": 13983,\n    \"\\u2581\\u13f1\\u13e5\\u13cf\\u13b3\\u13db\\u13a5\\u13a6\": 13984,\n    \"\\u2581\\u13d5\\u13a6\\u13be\\u13e4\\u13cd\": 13985,\n    \"\\u13ef\\u13d3\\u13c2\\u13b8\\u13e4\": 13986,\n    \"\\u2581\\u13a4\\u13f4\\u13b4\\u13c3\": 13987,\n    \"\\u2581\\u13a0\\u13e5\\u13d5\\u13b8\\u13a9\": 13988,\n    \"\\u13d3\\u13b8\\u13cd\\u13db\\u13a2\": 13989,\n    \"\\u2581\\u13da\\u13a9\\u13e8\": 13990,\n    \"\\u13e2\\u13c6\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 13991,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13f2\\u13af\\u13ce\\u13b8\\u13af\": 13992,\n    \"\\u2581\\u13a2\\u13e5\\u13cd\\u13d3\\u13e9\\u13d5\\u13a8\\u13cd\\u13d7\": 13993,\n    \"\\u2581\\u13a2\\u13e8\\u13be\\u13c4\\u13eb\\u13ce\\u13ad\": 13994,\n    \"\\u2581\\u13ac\\u13ef\\u13a6\\u13d9\\u13cd\": 13995,\n    \"\\u2581\\u13ae\\u13cf\\u13b6\\u13c5\": 13996,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13c5\\u13c5\\u13a9\": 13997,\n    \"\\u2581\\u13a0\\u13df\\u13f0\\u13b5\": 13998,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13d5\\u13f2\\u13c5\": 13999,\n    \"\\u2581\\u13d3\\u13be\\u13d7\\u13d4\\u13cd\\u13ac\": 14000,\n    \"\\u2581\\u13d7\\u13d3\\u13c2\\u13c3\": 14001,\n    \"\\u2581\\u13db\\u13b5\\u13cd\\u13c6\\u13d7\": 14002,\n    \"\\u2581\\u13a2\\u13e3\\u13d9\\u13a9\\u13ef\\u13cd\": 14003,\n    \"\\u2581\\u13e6\\u13e4\\u13d9\\u13ad\": 14004,\n    \"\\u13e5\\u13b6\\u13c4\\u13a1\\u13b8\": 14005,\n    \"\\u2581\\u13a4\\u13be\\u13e8\\u13d3\": 14006,\n    \"\\u2581\\u13a2\\u13cd\\u13d3\\u13a2\\u13d2\\u13a2\": 14007,\n    \"\\u2581\\u13a3\\u13cd\\u13d3\\u13df\\u13c3\\u13ae\\u13cd\\u13ac\": 14008,\n    \"\\u2581\\u13aa\\u13b9\": 14009,\n    \"\\u2581\\u13d5\\u13e5\\u13be\\u13eb\\u13cd\": 14010,\n    \"\\u2581\\u13d7\\u13a8\\u13a6\\u13ec\\u13cd\\u13d7\\u13f1\": 14011,\n    \"\\u2581\\u13a2\\u13e3\\u13d2\\u13c2\\u13b8\\u13a9\": 14012,\n    \"\\u13c3\\u13cf\\u13cc\\u13c1\": 14013,\n    \"\\u2581\\u13a0\\u13ab\\u13f4\\u13cd\": 14014,\n    \"\\u2581\\u13f1\\u13be\\u13ac\\u13c1\\u13b8\": 14015,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13e1\\u13a8\\u13a2\": 14016,\n    \"\\u2581\\u13c4\\u13b6\\u13ce\\u13a2\": 14017,\n    \"\\u2581\\u13f1\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ae\\u13a2\": 14018,\n    \"\\u2581\\u13a5\\u13d3\\u13d8\": 14019,\n    \"\\u2581\\u13a4\\u13eb\\u13d2\\u13c1\\u13a2\": 14020,\n    \"\\u2581\\u13d5\\u13e5\\u13c2\\u13f4\\u13b2\": 14021,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13f0\\u13b8\\u13ad\": 14022,\n    \"\\u2581\\u13a1\\u13e5\\u13dd\\u13c5\\u13af\": 14023,\n    \"\\u13a6\\u13b5\\u13aa\\u13d4\\u13c5\\u13af\": 14024,\n    \"\\u13f4\\u13a1\\u13b4\": 14025,\n    \"\\u2581\\u13d7\\u13cd\\u13a9\\u13be\\u13dd\\u13a2\": 14026,\n    \"\\u2581\\u13f4\\u13ac\\u13f4\\u13ad\": 14027,\n    \"\\u2581\\u13c4\\u13ea\\u13ad\\u13b4\": 14028,\n    \"\\u2581\\u13d5\\u13ad\\u13d4\\u13c5\\u13ad\": 14029,\n    \"\\u13a9\\u13f2\\u13b1\\u13d2\\u13a9\": 14030,\n    \"\\u2581\\u13a4\\u13d3\\u13c4\\u13b8\": 14031,\n    \"\\u13a7\\u13b5\\u13a2\\u13cd\\u13d4\\u13c2\": 14032,\n    \"\\u2581\\u13a8\\u13e5\\u13f4\\u13d4\\u13c2\\u13b8\": 14033,\n    \"\\u2581\\u13a3\\u13e5\\u13cd\\u13d5\\u13b5\\u13cd\\u13a9\": 14034,\n    \"\\u2581\\u13a1\\u13bb\\u13c2\\u13d3\\u13c8\": 14035,\n    \"\\u13e3\\u13c5\\u13db\\u13a9\": 14036,\n    \"\\u2581\\u13a4\\u13f0\\u13b8\\u13d5\\u13cd\\u13d7\": 14037,\n    \"\\u2581\\u13a2\\u13e5\\u13a9\\u13d2\\u13ad\": 14038,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13b0\\u13af\\u13cd\\u13d7\\u13cd\\u13a9\": 14039,\n    \"\\u2581\\u13a0\\u13c9\\u13e0\": 14040,\n    \"\\u2581\\u13a4\\u13db\\u13c2\\u13db\": 14041,\n    \"\\u2581\\u13da\\u13e9\\u13d3\\u13b7\\u13ef\\u13db\": 14042,\n    \"\\u2581\\u13d7\\u13e6\\u13b8\\u13d2\\u13af\": 14043,\n    \"\\u2581\\u13a2\\u13e5\\u13ef\\u13a2\": 14044,\n    \"\\u2581\\u13d7\\u13d3\\u13ea\\u13cd\": 14045,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13c5\\u13a2\\u13cd\\u13d5\\u13cd\\u13d7\": 14046,\n    \"\\u2581\\u13d3\\u13c3\\u13f1\\u13c1\": 14047,\n    \"\\u2581\\u13f1\\u13cd\\u13a9\\u13a7\\u13c1\\u13b8\": 14048,\n    \"\\u2581\\u13a2\\u13e5\\u13a6\\u13db\\u13c2\": 14049,\n    \"\\u2581\\u13d5\\u13a6\\u13ce\\u13af\": 14050,\n    \"\\u2581\\u13a3\\u13aa\\u13ea\": 14051,\n    \"\\u2581\\u13f4\\u13d3\\u13a8\\u13cf\": 14052,\n    \"\\u2581\\u13af\\u13cd\\u13da\\u13b6\\u13d4\\u13c5\": 14053,\n    \"\\u2581\\u13a0\\u13c7\\u13b3\\u13d7\\u13cd\": 14054,\n    \"\\u2581\\u13a0\\u13b5\\u13cc\\u13b3\\u13db\\u13a6\": 14055,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13c1\\u13e4\\u13b8\": 14056,\n    \"\\u2581\\u13a0\\u13e5\\u13f4\\u13a9\\u13c5\": 14057,\n    \"\\u2581\\u13a0\\u13b5\\u13d6\\u13b8\\u13b2\\u13cd\\u13ac\": 14058,\n    \"\\u2581\\u13a2\\u13e5\\u13a9\\u13b5\\u13f2\\u13e8\": 14059,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13c4\": 14060,\n    \"\\u2581\\u13be\\u13a6\\u13d4\\u13be\\u13a5\\u13be\": 14061,\n    \"\\u13be\\u13a6\\u13d9\\u13cd\\u13d4\\u13c2\": 14062,\n    \"\\u2581\\u13da\\u13d6\\u13b8\": 14063,\n    \"\\u2581\\u13da\\u13ac\\u13e9\\u13dd\": 14064,\n    \"\\u2581\\u13da\\u13b5\\u13cd\\u13e1\\u13f0\\u13a2\": 14065,\n    \"\\u2581\\u13da\\u13c2\\u13b3\\u13a6\\u13b8\": 14066,\n    \"\\u13e8\\u13f1\\u13e2\\u13c5\": 14067,\n    \"\\u2581\\u13a2\\u13e8\\u13ec\\u13c1\\u13d7\\u13ad\": 14068,\n    \"\\u2581\\u13e5\\u13a9\\u13b5\\u13b5\": 14069,\n    \"\\u2581\\u13da\\u13c2\\u13a7\\u13af\\u13f0\": 14070,\n    \"\\u2581\\u13a0\\u13c6\\u13d2\\u13c2\\u13a6\": 14071,\n    \"\\u2581\\u13e5\\u13e6\\u13af\\u13f3\\u13c2\": 14072,\n    \"\\u2581\\u13f1\\u13e8\\u13b8\\u13c9\\u13d7\\u13ad\": 14073,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13cd\\u13d7\\u13f0\\u13d4\\u13c1\": 14074,\n    \"\\u13e5\\u13ad\\u13b7\": 14075,\n    \"\\u2581\\u13d3\\u13c2\\u13b4\\u13f4\\u13cd\": 14076,\n    \"\\u2581\\u13f3\\u13c2\\u13d7\\u13cd\\u13a9\\u13cc\": 14077,\n    \"\\u2581\\u13f1\\u13a7\\u13c1\\u13c9\\u13a6\": 14078,\n    \"\\u2581\\u13e5\\u13f2\\u13a2\\u13f3\\u13b2\\u13cd\": 14079,\n    \"\\u2581\\u13cf\\u13c5\\u13d9\": 14080,\n    \"\\u13b5\\u13cf\\u13b2\\u13cd\\u13d3\": 14081,\n    \"\\u2581\\u13a0\\u13c6\\u13e2\\u13c8\\u13cd\\u13d9\\u13d7\": 14082,\n    \"\\u2581\\u13a4\\u13d9\\u13b3\\u13d2\": 14083,\n    \"\\u2581\\u13d7\\u13e8\\u13c1\\u13b8\\u13a9\": 14084,\n    \"\\u2581\\u13a8\\u13e5\\u13c3\\u13ae\\u13cd\\u13a8\\u13cd\\u13d7\": 14085,\n    \"\\u2581\\u13d3\\u13ad\\u13ec\\u13a2\\u13ae\": 14086,\n    \"\\u2581\\u13cd\\u13d5\\u13a9\": 14087,\n    \"\\u2581\\u13d3\\u13d8\\u13c1\\u13ae\\u13a2\": 14088,\n    \"\\u2581\\u13e3\\u13b5\\u13ec\\u13a2\\u13cd\\u13d7\": 14089,\n    \"\\u2581\\u13e3\\u13db\\u13d0\\u13c5\\u13af\": 14090,\n    \"\\u2581\\u13a6\\u13cc\\u13be\": 14091,\n    \"\\u2581\\u13eb\\u13a6\\u13b6\\u13cd\\u13a9\": 14092,\n    \"\\u2581\\u13f2\\u13e4\\u13ad\": 14093,\n    \"\\u13a6\\u13f0\\u13e5\\u13d0\\u13e2\\u13d4\\u13c2\": 14094,\n    \"\\u2581\\u13a0\\u13c2\\u13ab\\u13cc\": 14095,\n    \"\\u2581\\u13e5\\u13d5\\u13aa\\u13ea\\u13b3\": 14096,\n    \"\\u13cd\\u13d9\\u13f0\\u13af\": 14097,\n    \"\\u2581\\u13da\\u13be\\u13d7\\u13cc\\u13d3\\u13d5\": 14098,\n    \"\\u2581\\u13a2\\u13e8\\u13ef\\u13d1\\u13f0\\u13db\": 14099,\n    \"\\u2581\\u13a0\\u13d3\\u13be\\u13eb\\u13d7\\u13cd\\u13ac\": 14100,\n    \"\\u2581\\u13a3\\u13a6\\u13c5\\u13d7\\u13f1\": 14101,\n    \"\\u2581\\u13da\\u13c1\\u13a2\\u13cd\\u13d3\\u13c1\\u13b4\": 14102,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13d5\\u13b8\\u13af\\u13d9\\u13ae\\u13a2\": 14103,\n    \"\\u2581\\u13d3\\u13d4\\u13b4\\u13a6\": 14104,\n    \"\\u2581\\u13d7\\u13e3\\u13e0\\u13f1\\u13a6\": 14105,\n    \"\\u2581\\u13a0\\u13c1\\u13e2\\u13d7\\u13cd\": 14106,\n    \"\\u2581\\u13d3\\u13e5\\u13f4\\u13b5\": 14107,\n    \"\\u2581\\u13eb\\u13a8\\u13e3\\u13f2\\u13b5\\u13a6\": 14108,\n    \"\\u2581\\u13f1\\u13e7\\u13e2\": 14109,\n    \"\\u2581\\u13a0\\u13d3\\u13e9\\u13db\\u13a1\\u13af\": 14110,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13c5\\u13c1\\u13a2\": 14111,\n    \"\\u2581\\u13f1\\u13a6\\u13be\\u13c4\\u13aa\\u13a6\": 14112,\n    \"\\u2581\\u13da\\u13cd\\u13a6\\u13e4\": 14113,\n    \"\\u2581\\u13f1\\u13a6\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13a6\": 14114,\n    \"\\u2581\\u13f1\\u13d9\\u13ac\\u13db\\u13c2\\u13cf\": 14115,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d4\\u13f4\\u13c3\\u13be\": 14116,\n    \"\\u13be\\u13b4\\u13c2\\u13cd\\u13ac\": 14117,\n    \"\\u13d5\\u13d8\\u13f1\\u13b6\\u13cd\\u13ac\": 14118,\n    \"ino\": 14119,\n    \"\\u13a4\\u13c3\\u13af\\u13f3\\u13d3\\u13c1\\u13af\": 14120,\n    \"\\u13a6\\u13d4\\u13be\\u13eb\\u13cd\": 14121,\n    \"\\u2581\\u13ef\\u13c5\\u13d7\\u13ad\": 14122,\n    \"\\u13c4\\u13c1\\u13a9\\u13f4\": 14123,\n    \"\\u2581\\u13ef\\u13a9\\u13e9\\u13db\\u13b2\": 14124,\n    \"\\u2581\\u13a4\\u13ec\\u13e8\\u13db\\u13a2\": 14125,\n    \"\\u13c2\\u13c5\\u13cc\\u13d3\": 14126,\n    \"\\u2581\\u13e5\\u13bf\\u13db\\u13c1\\u13ad\": 14127,\n    \"\\u2581\\u13f1\\u13aa\\u13ea\\u13b3\": 14128,\n    \"\\u2581\\u13a2\\u13e4\\u13b3\\u13d7\\u13d3\\u13cd\\u13d7\\u13f1\": 14129,\n    \"\\u2581\\u13a2\\u13e8\\u13c1\\u13e4\\u13b2\": 14130,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13ec\\u13a9\\u13af\": 14131,\n    \"\\u2581\\u13c2\\u13d5\\u13a4\": 14132,\n    \"\\u2581\\u13ef\\u13c6\\u13d3\\u13c5\\u13d6\\u13b3\": 14133,\n    \"\\u2581\\u13a4\\u13c2\\u13b8\\u13d0\": 14134,\n    \"\\u13a9\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\\u13a2\": 14135,\n    \"\\u2581\\u13a2\\u13e5\\u13cd\\u13db\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 14136,\n    \"\\u2581\\u13d3\\u13e5\\u13b6\\u13a5\": 14137,\n    \"\\u2581\\u13a0\\u13c2\\u13d1\\u13b5\\u13aa\": 14138,\n    \"\\u2581\\u13e3\\u13ce\\u13b5\\u13d4\\u13c5\": 14139,\n    \"\\u2581\\u13eb\\u13a8\\u13a5\": 14140,\n    \"\\u2581\\u13a4\\u13d7\\u13b4\\u13a6\": 14141,\n    \"el\": 14142,\n    \"\\u2581\\u13be\\u13e5\\u13f0\\u13b2\\u13be\": 14143,\n    \"\\u2581\\u13da\\u13ec\\u13b5\\u13e4\\u13a2\": 14144,\n    \"\\u13ec\\u13d0\\u13c5\": 14145,\n    \"\\u2581\\u13d5\\u13e5\\u13aa\\u13be\\u13db\": 14146,\n    \"\\u13e5\\u13ad\\u13d3\\u13c5\\u13db\\u13b3\": 14147,\n    \"\\u2581\\u13d9\\u13d3\\u13ab\": 14148,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d3\\u13db\": 14149,\n    \"\\u2581\\u13a4\\u13c1\\u13e1\\u13ac\": 14150,\n    \"\\u2581\\u13a0\\u13e7\\u13cd\\u13db\": 14151,\n    \"\\u13cd\\u13a9\\u13b3\\u13d7\\u13cd\\u13d7\": 14152,\n    \"\\u2581\\u13ab\\u13e9\\u13be\\u13db\": 14153,\n    \"\\u2581\\u13a8\\u13e6\\u13b5\": 14154,\n    \"\\u2581\\u13ed\\u13be\\u13cc\\u13be\\u13a9\\u13ce\": 14155,\n    \"\\u2581\\u13c4\\u13d3\\u13c5\\u13a6\\u13b8\\u13be\": 14156,\n    \"\\u2581\\u13c4\\u13b3\\u13cf\\u13c1\": 14157,\n    \"\\u2581\\u13e3\\u13be\\u13c2\\u13a9\\u13cd\\u13a8\": 14158,\n    \"\\u2581\\u13da\\u13d3\\u13c5\\u13a1\\u13b4\": 14159,\n    \"\\u2581\\u13d5\\u13e5\\u13f2\\u13cd\\u13d4\\u13c5\": 14160,\n    \"\\u2581\\u13e5\\u13c2\\u13cc\\u13c4\\u13a6\": 14161,\n    \"\\u2581\\u13e5\\u13d9\\u13db\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b5\": 14162,\n    \"\\u2581\\u13f1\\u13a7\\u13c3\\u13ae\": 14163,\n    \"\\u2581\\u13eb\\u13d3\\u13a7\\u13c5\": 14164,\n    \"\\u2581\\u13a4\\u13be\\u13d8\\u13c3\\u13ae\\u13b4\\u13a2\": 14165,\n    \"\\u2581\\u13e5\\u13a6\\u13b5\\u13a1\\u13b5\\u13a6\": 14166,\n    \"\\u2581\\u13e5\\u13a7\\u13c3\\u13ae\\u13ad\": 14167,\n    \"\\u2581\\u13e5\\u13e5\\u13a9\\u13b5\\u13f2\\u13a6\": 14168,\n    \"\\u13d3\\u13be\\u13c5\\u13a5\\u13cd\\u13a9\": 14169,\n    \"\\u2581\\u13eb\\u13d5\\u13e3\": 14170,\n    \"\\u2581\\u13da\\u13b6\\u13a8\\u13d2\": 14171,\n    \"\\u13a6\\u13b5\\u13cd\\u13d3\\u13b4\\u13a9\": 14172,\n    \"\\u2581\\u13f4\\u13d9\\u13ad\": 14173,\n    \"\\u13d3\\u13a6\\u13b8\\u13a5\\u13a6\": 14174,\n    \"\\u13d3\\u13c5\\u13eb\\u13cd\\u13a8\": 14175,\n    \"\\u2581\\u13d3\\u13e5\\u13cd\\u13d5\": 14176,\n    \"\\u2581\\u13f1\\u13a6\\u13c1\\u13b8\\u13d3\": 14177,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13a6\\u13d8\\u13d5\\u13af\": 14178,\n    \"\\u13cd\\u13da\\u13e2\\u13a9\": 14179,\n    \"\\u2581\\u13d5\\u13ac\\u13a6\\u13bf\\u13e9\\u13d7\\u13d9\\u13ae\\u13cd\\u13d7\": 14180,\n    \"\\u2581\\u13c4\\u13d2\\u13b4\\u13a2\": 14181,\n    \"\\u2581\\u13ef\\u13d5\\u13b0\\u13cd\\u13a8\\u13cd\\u13d7\": 14182,\n    \"\\u13d3\\u13a9\\u13ef\\u13cd\\u13d7\": 14183,\n    \"\\u13d6\\u13b3\\u13db\": 14184,\n    \"\\u2581\\u13a0\\u13a9\\u13f2\\u13b8\\u13a9\": 14185,\n    \"\\u2581\\u13a4\\u13be\\u13d8\\u13bf\\u13eb\\u13db\\u13b2\\u13a9\": 14186,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d6\\u13b5\\u13d3\\u13cd\\u13d7\": 14187,\n    \"\\u2581\\u13d9\\u13d3\\u13a6\\u13b6\\u13d0\\u13c2\": 14188,\n    \"\\u2581\\u13da\\u13ec\\u13ea\\u13b3\\u13c5\": 14189,\n    \"\\u2581\\u13ed\\u13c5\\u13ab\\u13db\\u13a2\": 14190,\n    \"\\u2581\\u13f1\\u13c2\\u13da\\u13e9\\u13c1\": 14191,\n    \"\\u2581\\u13a2\\u13e5\\u13d9\\u13b5\\u13cd\\u13d7\\u13f1\": 14192,\n    \"\\u13c2\\u13a6\\u13d7\": 14193,\n    \"\\u2581\\u13c2\\u13e8\\u13d2\\u13be\": 14194,\n    \"\\u2581\\u13a6\\u13df\\u13cf\\u13cd\\u13a8\\u13cd\\u13d7\": 14195,\n    \"\\u2581\\u13da\\u13bf\\u13b7\\u13d4\": 14196,\n    \"\\u2581\\u13a3\\u13e5\\u13aa\\u13a5\": 14197,\n    \"\\u2581\\u13ef\\u13d5\\u13b2\\u13a6\": 14198,\n    \"\\u2581\\u13c4\\u13cd\\u13d7\\u13d3\\u13c1\": 14199,\n    \"\\u2581\\u13d3\\u13db\\u13cd\\u13ac\\u13a2\": 14200,\n    \"\\u2581\\u13da\\u13b5\\u13e6\\u13d4\\u13c1\\u13a2\": 14201,\n    \"\\u13d1\\u13b8\\u13ae\": 14202,\n    \"\\u2581\\u13a2\\u13e5\\u13cd\\u13c6\\u13c2\\u13aa\\u13cd\\u13a6\": 14203,\n    \"\\u13db\\u13a3\\u13e5\": 14204,\n    \"\\u2581\\u13f1\\u13c2\\u13e3\\u13b5\\u13cd\\u13d4\\u13c5\": 14205,\n    \"\\u2581\\u13c2\\u13ea\\u13ad\": 14206,\n    \"\\u2581\\u13d7\\u13e5\\u13cc\\u13b3\\u13db\\u13a6\": 14207,\n    \"\\u2581\\u13f1\\u13e3\\u13d9\\u13b4\\u13b0\\u13cd\": 14208,\n    \"\\u2581\\u13a8\\u13c8\\u13b5\": 14209,\n    \"\\u2581\\u13eb\\u13a6\\u13e2\\u13cd\": 14210,\n    \"\\u2581\\u13a4\\u13c1\\u13cd\\u13a8\\u13ae\": 14211,\n    \"\\u13b6\\u13c5\\u13ae\\u13cd\\u13a9\": 14212,\n    \"\\u2581\\u13d5\\u13e4\\u13b2\\u13a2\": 14213,\n    \"\\u2581\\u13eb\\u13d7\\u13a8\\u13e5\": 14214,\n    \"\\u2581\\u13a0\\u13a9\\u13eb\\u13ef\": 14215,\n    \"\\u2581\\u13ac\\u13ec\\u13af\\u13f3\\u13af\": 14216,\n    \"\\u2581\\u13ed\\u13d4\\u13b7\\u13aa\": 14217,\n    \"\\u2581\\u13e3\\u13b5\\u13c2\\u13ac\\u13ac\\u13a2\": 14218,\n    \"\\u13d3\\u13ec\\u13d4\\u13c5\\u13a9\": 14219,\n    \"\\u2581\\u13e7\\u13a7\\u13bf\\u13e9\\u13d7\\u13d3\\u13cd\\u13d7\\u13f1\": 14220,\n    \"\\u2581\\u13e7\\u13d5\\u13d8\\u13f1\\u13b6\\u13db\": 14221,\n    \"\\u2581\\u13a6\\u13cc\\u13d9\\u13f1\": 14222,\n    \"\\u2581\\u13d7\\u13c2\\u13c1\\u13df\\u13f4\\u13cd\\u13a9\": 14223,\n    \"\\u13c8\\u13d9\\u13b2\": 14224,\n    \"\\u2581\\u13e7\\u13b3\\u13a8\\u13ef\\u13db\\u13e4\\u13a2\": 14225,\n    \"\\u13ac\\u13ec\\u13af\\u13f3\\u13c1\\u13a2\": 14226,\n    \"\\u2581\\u13a3\\u13c7\\u13d7\": 14227,\n    \"\\u2581\\u13da\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\\u13c1\\u13b4\": 14228,\n    \"\\u2581\\u13d5\\u13e5\\u13a6\\u13be\": 14229,\n    \"\\u2581\\u13d7\\u13a8\\u13cd\\u13a9\\u13a5\\u13cf\\u13c9\": 14230,\n    \"\\u2581\\u13d7\\u13ab\\u13cd\\u13a8\\u13c2\": 14231,\n    \"\\u2581\\u13a4\\u13c1\\u13c9\\u13e4\\u13b4\\u13a2\": 14232,\n    \"\\u2581\\u13a8\\u13e5\\u13db\\u13ac\": 14233,\n    \"\\u2581\\u13e9\\u13d7\\u13e2\\u13cd\\u13d3\": 14234,\n    \"\\u2581\\u13ef\\u13be\\u13d5\\u13b0\": 14235,\n    \"\\u13ac\\u13eb\\u13f3\\u13cc\\u13d5\\u13a8\\u13cd\\u13d7\": 14236,\n    \"\\u2581\\u13e3\\u13d3\\u13f4\\u13d2\\u13a9\": 14237,\n    \"\\u2581\\u13a1\\u13e3\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 14238,\n    \"\\u2581\\u13f3\\u13c1\\u13c5\\u13ce\\u13a2\": 14239,\n    \"\\u13a4\\u13d9\\u13af\\u13f3\\u13a9\": 14240,\n    \"\\u13d2\\u13c2\\u13b5\\u13d9\\u13b8\": 14241,\n    \"\\u2581\\u13be\\u13a6\\u13d4\\u13db\": 14242,\n    \"\\u2581\\u13d7\\u13a6\\u13b5\\u13e6\\u13db\": 14243,\n    \"\\u13d3\\u13db\\u13db\\u13ae\\u13b8\\u13a5\\u13cd\\u13a8\": 14244,\n    \"\\u2581\\u13eb\\u13be\\u13c6\\u13b5\\u13cd\\u13d3\\u13cf\": 14245,\n    \"\\u13a6\\u13ab\\u13f4\\u13a1\\u13b5\": 14246,\n    \"\\u2581\\u13a2\\u13e5\\u13b7\\u13e4\\u13ae\\u13cd\\u13d7\": 14247,\n    \"\\u2581\\u13d7\\u13d5\\u13ad\\u13b7\\u13a8\": 14248,\n    \"\\u13e8\\u13c7\\u13cd\\u13a8\": 14249,\n    \"\\u2581\\u13a2\\u13d7\\u13cd\\u13d3\\u13e9\\u13d5\\u13a9\": 14250,\n    \"\\u2581\\u13e9\\u13d0\\u13be\": 14251,\n    \"\\u2581\\u13c4\\u13a1\\u13ce\": 14252,\n    \"\\u13d5\\u13b5\\u13ce\\u13ad\": 14253,\n    \"\\u2581\\u13ad\\u13b5\\u13ae\\u13b5\\u13a8\\u13cd\\u13d7\": 14254,\n    \"\\u2581\\u13a0\\u13c6\\u13b4\\u13c1\\u13b8\": 14255,\n    \"\\u2581\\u13e5\\u13e5\\u13c3\\u13ae\\u13cd\\u13ac\": 14256,\n    \"\\u2581\\u13ac\\u13e9\\u13be\\u13e1\\u13d7\\u13cd\\u13a9\": 14257,\n    \"\\u2581\\u13d5\\u13e3\\u13c2\\u13ac\\u13a6\": 14258,\n    \"\\u2581\\u13eb\\u13d4\\u13a7\\u13c5\\u13a6\": 14259,\n    \"\\u2581\\u13d3\\u13c3\\u13e2\": 14260,\n    \"\\u2581\\u13d5\\u13a6\\u13b5\\u13a5\\u13c2\": 14261,\n    \"\\u2581\\u13e5\\u13da\\u13b4\\u13af\": 14262,\n    \"\\u2581\\u13a7\\u13c1\\u13aa\\u13a2\": 14263,\n    \"\\u13d3\\u13aa\\u13af\\u13e5\": 14264,\n    \"\\u2581\\u13d5\\u13ad\\u13d5\\u13f2\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 14265,\n    \"\\u2581\\u13a0\\u13a9\\u13f2\\u13b1\\u13d2\\u13af\": 14266,\n    \"\\u2581\\u13e7\\u13d6\\u13b5\\u13d9\": 14267,\n    \"\\u2581\\u13a8\\u13e5\\u13a8\\u13f3\\u13af\": 14268,\n    \"\\u2581\\u13f1\\u13a6\\u13b5\\u13ad\": 14269,\n    \"\\u13db\\u13db\\u13c5\\u13a9\\u13c3\": 14270,\n    \"\\u2581\\u13d7\\u13e5\\u13c3\\u13cd\\u13a6\\u13b8\\u13db\": 14271,\n    \"\\u2581\\u13d5\\u13ab\\u13cd\\u13d9\": 14272,\n    \"\\u2581\\u13ef\\u13b5\\u13d6\\u13b8\": 14273,\n    \"\\u2581\\u13af\\u13c1\\u13a9\\u13c9\\u13cd\\u13a9\\u13c2\": 14274,\n    \"\\u2581\\u13d3\\u13a6\\u13b6\\u13cf\": 14275,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13b5\\u13d9\\u13b8\": 14276,\n    \"\\u2581\\u13a4\\u13ea\\u13be\\u13ea\": 14277,\n    \"\\u2581\\u13f1\\u13c2\\u13a6\\u13b5\\u13cd\\u13d7\\u13ad\": 14278,\n    \"\\u2581\\u13a2\\u13e8\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\": 14279,\n    \"\\u2581\\u13a8\\u13a6\\u13ab\\u13f4\\u13db\": 14280,\n    \"ca\": 14281,\n    \"\\u2581\\u13e7\\u13f2\\u13b1\\u13d2\": 14282,\n    \"\\u2581\\u13a2\\u13e8\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b8\": 14283,\n    \"\\u2581\\u13e5\\u13f2\\u13a2\\u13f3\\u13d7\": 14284,\n    \"\\u13c3\\u13eb\\u13a0\": 14285,\n    \"\\u2581\\u13da\\u13b5\\u13cd\\u13d3\\u13f1\\u13d7\\u13cd\": 14286,\n    \"\\u13d3\\u13c5\\u13b5\\u13f0\\u13a0\": 14287,\n    \"\\u13ac\\u13aa\\u13a5\\u13a9\": 14288,\n    \"\\u2581\\u13e5\\u13e3\\u13d3\\u13e1\\u13ac\": 14289,\n    \"\\u2581\\u13da\\u13c2\\u13aa\\u13ae\": 14290,\n    \"\\u13c4\\u13ec\\u13af\\u13cd\\u13d4\\u13c2\": 14291,\n    \"\\u13dd\\u13eb\\u13cd\\u13d7\": 14292,\n    \"\\u2581\\u13f3\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13b4\": 14293,\n    \"\\u13da\\u13aa\\u13c4\\u13b6\": 14294,\n    \"\\u13a6\\u13d6\\u13be\": 14295,\n    \"\\u2581\\u13ac\\u13e9\\u13ac\\u13cd\\u13aa\\u13b8\\u13c1\": 14296,\n    \"\\u2581\\u13ed\\u13be\\u13c5\\u13c5\\u13a9\": 14297,\n    \"\\u2581\\u13e7\\u13d1\\u13f4\": 14298,\n    \"\\u13c4\\u13e9\\u13a5\\u13be\": 14299,\n    \"\\u2581\\u13a2\\u13e8\\u13f0\\u13b3\\u13cd\\u13d4\": 14300,\n    \"\\u2581\\u13d5\\u13b0\\u13af\\u13f3\\u13b2\\u13cd\": 14301,\n    \"\\u2581\\u13b1\\u13be\\u13d3\": 14302,\n    \"\\u2581\\u13e7\\u13a6\\u13be\\u13cd\\u13d3\": 14303,\n    \"\\u2581\\u13d7\\u13c2\\u13c1\\u13e5\\u13f1\": 14304,\n    \"\\u2581\\u13d7\\u13e7\\u13aa\\u13d9\\u13d7\\u13f1\": 14305,\n    \"\\u2581\\u13a4\\u13cd\\u13d3\\u13e9\\u13d7\\u13d3\\u13cd\\u13d7\\u13f1\": 14306,\n    \"\\u2581\\u13a2\\u13aa\\u13e2\\u13c5\\u13af\": 14307,\n    \"\\u2581\\u13a2\\u13cd\\u13d9\\u13af\\u13f3\\u13b2\\u13cd\": 14308,\n    \"\\u13db\\u13c1\\u13b0\\u13b2\\u13cd\\u13d7\\u13f1\": 14309,\n    \"\\u2581\\u13cd\\u13c6\\u13c1\\u13b3\\u13c5\\u13af\": 14310,\n    \"\\u2581\\u13a1\\u13e5\\u13aa\\u13b5\\u13f0\\u13d7\\u13f1\": 14311,\n    \"\\u2581\\u13f3\\u13ec\\u13b3\": 14312,\n    \"\\u13e5\\u13d3\\u13a6\\u13b8\\u13a2\\u13d2\": 14313,\n    \"\\u2581\\u13cf\\u13f1\\u13c6\": 14314,\n    \"\\u2581\\u13ef\\u13a6\\u13b5\\u13cd\\u13a8\\u13a2\": 14315,\n    \"\\u2581\\u13d5\\u13a8\\u13e2\\u13d4\\u13c5\\u13ad\": 14316,\n    \"\\u2581\\u13a6\\u13b5\\u13ec\\u13a6\": 14317,\n    \"\\u2581\\u13a6\\u13c5\\u13b5\\u13f0\\u13d7\": 14318,\n    \"nt\": 14319,\n    \"\\u2581\\u13eb\\u13c4\\u13db\\u13c1\": 14320,\n    \"\\u2581\\u13f3\\u13e9\\u13a9\\u13b8\": 14321,\n    \"\\u13d9\\u13c5\\u13b8\\u13a2\": 14322,\n    \"\\u2581\\u13a0\\u13c2\\u13b8\\u13c9\\u13d7\\u13cd\\u13ac\": 14323,\n    \"\\u2581\\u13a8\\u13e3\\u13db\\u13a6\\u13c1\\u13b8\": 14324,\n    \"\\u2581\\u13c4\\u13d3\\u13db\\u13a9\": 14325,\n    \"\\u2581\\u13eb\\u13a7\\u13b3\": 14326,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13c3\\u13ae\\u13b8\": 14327,\n    \"\\u2581\\u13d3\\u13e5\\u13c2\\u13f4\\u13af\": 14328,\n    \"\\u2581\\u13a5\\u13c6\\u13b8\\u13cd\\u13d7\\u13f1\": 14329,\n    \"\\u2581\\u13da\\u13c2\\u13cd\\u13d7\\u13f0\\u13d4\\u13c1\": 14330,\n    \"\\u2581\\u13aa\\u13da\\u13a2\\u13cd\\u13db\": 14331,\n    \"\\u2581\\u13a4\\u13be\\u13d7\\u13d2\\u13c5\": 14332,\n    \"\\u2581\\u13a4\\u13c4\\u13ec\\u13af\\u13cd\\u13d7\\u13f1\": 14333,\n    \"\\u2581\\u13a8\\u13e5\\u13b6\\u13c1\\u13a5\": 14334,\n    \"\\u2581\\u13a6\\u13df\\u13d0\\u13d7\": 14335,\n    \"\\u2581\\u13a0\\u13a9\\u13c2\\u13c6\\u13d8\\u13ae\\u13cd\\u13d7\": 14336,\n    \"\\u13cd\\u13aa\\u13b8\\u13aa\": 14337,\n    \"\\u13e5\\u13b7\\u13e8\\u13ad\": 14338,\n    \"\\u2581\\u13ef\\u13cd\\u13a6\\u13c5\\u13aa\\u13a2\": 14339,\n    \"\\u2581\\u13a4\\u13a9\\u13b8\\u13c2\\u13b8\": 14340,\n    \"\\u2581\\u13cd\\u13a9\\u13b7\\u13e4\\u13b8\\u13ad\": 14341,\n    \"\\u2581\\u13a2\\u13e5\\u13be\\u13f0\\u13cd\\u13a9\": 14342,\n    \"\\u2581\\u13d3\\u13d3\\u13ea\\u13b3\\u13a9\\u13cd\\u13ac\": 14343,\n    \"\\u2581\\u13a3\\u13cd\\u13d3\\u13d5\\u13ad\\u13f2\\u13b2\": 14344,\n    \"\\u2581\\u13a8\\u13e5\\u13a8\\u13f3\\u13ad\": 14345,\n    \"\\u2581\\u13a0\\u13c6\\u13da\\u13d3\\u13b8\": 14346,\n    \"\\u2581\\u13da\\u13c3\\u13e2\\u13e9\\u13d7\\u13d2\": 14347,\n    \"\\u2581\\u13e3\\u13d3\\u13cf\\u13c2\": 14348,\n    \"\\u2581\\u13ac\\u13cb\\u13d5\\u13e8\": 14349,\n    \"\\u2581\\u13db\\u13a0\\u13e5\": 14350,\n    \"\\u13da\\u13d3\\u13d5\\u13eb\\u13cd\\u13db\": 14351,\n    \"\\u2581\\u13d3\\u13e5\\u13db\\u13d4\\u13c2\": 14352,\n    \"\\u13b5\\u13f2\\u13ac\": 14353,\n    \"\\u2581\\u13d5\\u13e8\\u13f2\\u13af\\u13ce\\u13b8\": 14354,\n    \"\\u2581\\u13da\\u13ec\\u13d2\\u13a2\": 14355,\n    \"\\u2581\\u13d7\\u13e3\\u13d3\\u13c5\\u13db\\u13b5\": 14356,\n    \"\\u2581\\u13f1\\u13da\\u13da\\u13aa\": 14357,\n    \"\\u2581\\u13e3\\u13e5\\u13d0\\u13c5\": 14358,\n    \"\\u2581\\u13cd\\u13a9\\u13f2\\u13af\\u13cf\": 14359,\n    \"\\u2581\\u13da\\u13c2\\u13c1\\u13a6\\u13b8\": 14360,\n    \"\\u13d8\\u13c2\\u13d9\\u13b2\": 14361,\n    \"\\u2581\\u13a4\\u13d3\\u13d5\\u13f2\\u13d7\\u13f1\": 14362,\n    \"\\u13cd\\u13a9\\u13a7\\u13c1\\u13b8\\u13a9\": 14363,\n    \"\\u2581\\u13a4\\u13b6\\u13d2\\u13cd\\u13d5\\u13cd\\u13d7\": 14364,\n    \"\\u13a7\\u13af\\u13f0\": 14365,\n    \"\\u2581\\u13c2\\u13da\\u13d3\\u13c5\": 14366,\n    \"\\u2581\\u13a6\\u13c4\\u13aa\": 14367,\n    \"\\u2581\\u13a4\\u13ad\\u13f2\\u13b4\": 14368,\n    \"\\u2581\\u13da\\u13be\\u13cc\\u13a5\": 14369,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c2\\u13ef\\u13db\": 14370,\n    \"\\u2581\\u13e6\\u13a6\\u13e4\\u13b5\\u13a6\": 14371,\n    \"\\u2581\\u13ac\\u13e9\\u13c3\\u13b4\\u13a2\": 14372,\n    \"\\u2581\\u13a0\\u13e5\\u13cd\\u13d5\": 14373,\n    \"\\u13c2\\u13aa\\u13b5\\u13f0\\u13a0\": 14374,\n    \"\\u2581\\u13f1\\u13e3\\u13d5\\u13b6\\u13b0\": 14375,\n    \"\\u2581\\u13e7\\u13ee\\u13d4\\u13c5\": 14376,\n    \"\\u2581\\u13a0\\u13c2\\u13be\\u13c4\\u13aa\\u13eb\\u13cd\\u13a9\": 14377,\n    \"\\u2581\\u13f1\\u13da\\u13b4\\u13c5\": 14378,\n    \"\\u2581\\u13d5\\u13a7\\u13c3\": 14379,\n    \"\\u2581\\u13c4\\u13dc\\u13cf\\u13db\\u13a1\\u13b2\\u13be\": 14380,\n    \"\\u2581\\u13c4\\u13f2\\u13b1\\u13d2\\u13be\": 14381,\n    \"\\u2581\\u13d7\\u13e5\\u13b6\\u13d3\": 14382,\n    \"\\u2581\\u13a8\\u13e5\\u13be\\u13c4\\u13aa\\u13eb\\u13d2\\u13af\": 14383,\n    \"\\u13be\\u13df\\u13b6\\u13be\": 14384,\n    \"\\u2581\\u13e7\\u13d0\\u13f1\\u13ad\": 14385,\n    \"\\u13a9\\u13cd\\u13c6\\u13b8\\u13d4\\u13c5\": 14386,\n    \"\\u13ac\\u13e9\\u13be\\u13d3\\u13d0\\u13e2\": 14387,\n    \"\\u2581\\u13f1\\u13d9\\u13a8\\u13e8\": 14388,\n    \"\\u2581\\u13da\\u13c2\\u13ac\\u13e8\": 14389,\n    \"\\u2581\\u13a2\\u13d7\\u13aa\": 14390,\n    \"\\u13e9\\u13db\\u13af\\u13b8\\u13a9\": 14391,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 14392,\n    \"\\u13cb\\u13c2\\u13cd\\u13d7\\u13f1\": 14393,\n    \"\\u2581\\u13a4\\u13e7\\u13d7\\u13ad\": 14394,\n    \"\\u2581\\u13f1\\u13ac\\u13f2\\u13ce\\u13ad\": 14395,\n    \"\\u13cd\\u13db\\u13d7\\u13cd\\u13d4\\u13c2\": 14396,\n    \"\\u13db\\u13a8\\u13e3\": 14397,\n    \"\\u13cd\\u13c6\\u13db\\u13a6\\u13cd\\u13d3\\u13cf\": 14398,\n    \"\\u2581\\u13a4\\u13c2\\u13c3\\u13cd\\u13a9\\u13cd\\u13d7\\u13f1\": 14399,\n    \"\\u2581\\u13a6\\u13f0\\u13e5\\u13d0\\u13e2\\u13d4\\u13c5\": 14400,\n    \"\\u13f4\\u13cb\\u13c1\\u13b8\\u13af\": 14401,\n    \"\\u13e9\\u13be\\u13d6\": 14402,\n    \"\\u2581\\u13e7\\u13f2\\u13e8\": 14403,\n    \"\\u2581\\u13f1\\u13c4\\u13db\\u13c1\\u13b8\": 14404,\n    \"\\u2581\\u13e5\\u13ef\\u13c4\": 14405,\n    \"\\u2581\\u13a4\\u13ac\\u13eb\": 14406,\n    \"ol\": 14407,\n    \"\\u13a6\\u13c2\\u13a9\\u13cd\\u13d4\\u13c1\\u13a2\": 14408,\n    \"\\u2581\\u13d9\\u13db\\u13a6\\u13b4\": 14409,\n    \"\\u13d1\\u13b5\\u13aa\\u13e4\": 14410,\n    \"\\u2581\\u13af\\u13ef\\u13d8\\u13c4\\u13a6\": 14411,\n    \"\\u2581\\u13be\\u13be\\u13b5\\u13ae\\u13b5\": 14412,\n    \"\\u2581\\u13e5\\u13da\\u13b4\\u13d4\\u13c1\\u13a2\": 14413,\n    \"\\u2581\\u13ed\\u13c2\\u13b7\": 14414,\n    \"\\u2581\\u13a0\\u13e5\\u13e9\\u13db\\u13a1\\u13b8\\u13ad\": 14415,\n    \"\\u2581\\u13a2\\u13d7\\u13c1\\u13ac\": 14416,\n    \"\\u2581\\u13cd\\u13c6\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\\u13ad\": 14417,\n    \"\\u13da\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\\u13b2\": 14418,\n    \"\\u2581\\u13a0\\u13c3\\u13af\\u13f3\\u13b2\\u13cd\\u13a6\": 14419,\n    \"\\u2581\\u13d7\\u13d9\\u13b3\\u13c5\\u13cd\\u13d7\": 14420,\n    \"\\u2581\\u13e5\\u13c5\\u13e9\\u13cd\\u13d9\\u13a2\": 14421,\n    \"\\u2581\\u13f4\\u13ac\\u13a9\\u13b7\\u13e5\": 14422,\n    \"\\u2581\\u13ea\\u13e4\": 14423,\n    \"\\u2581\\u13f1\\u13d7\\u13e5\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ad\": 14424,\n    \"\\u13d7\\u13dd\\u13a5\\u13d4\": 14425,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13d3\\u13a9\": 14426,\n    \"\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 14427,\n    \"\\u2581\\u13a6\\u13c3\\u13d7\\u13cd\\u13a9\": 14428,\n    \"\\u2581\\u13d3\\u13d8\\u13c1\\u13ae\\u13cd\\u13d7\": 14429,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13c2\\u13ae\\u13a2\": 14430,\n    \"\\u2581\\u13a2\\u13e5\\u13df\\u13cc\": 14431,\n    \"\\u2581\\u13a0\\u13e5\\u13c1\\u13e4\\u13b4\": 14432,\n    \"\\u2581\\u13e6\\u13e2\\u13c5\\u13af\": 14433,\n    \"\\u13d5\\u13b3\\u13b0\": 14434,\n    \"\\u2581\\u13c4\\u13cd\\u13d7\\u13d5\\u13a6\": 14435,\n    \"\\u2581\\u13a0\\u13e5\\u13a7\\u13c5\": 14436,\n    \"\\u2581\\u13a4\\u13c2\\u13e8\\u13c5\": 14437,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13ab\\u13eb\\u13ce\\u13b8\": 14438,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13a4\\u13cd\\u13d5\\u13ce\\u13d7\": 14439,\n    \"\\u2581\\u13c5\\u13d7\\u13a4\": 14440,\n    \"\\u2581\\u13a0\\u13b9\\u13f3\\u13b8\": 14441,\n    \"\\u2581\\u13a3\\u13a8\\u13c5\\u13cd\\u13d7\\u13f1\": 14442,\n    \"\\u2581\\u13e9\\u13c2\\u13b7\\u13e8\": 14443,\n    \"\\u2581\\u13a2\\u13a9\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\\u13a2\": 14444,\n    \"\\u2581\\u13a3\\u13a6\\u13d5\\u13ef\\u13d9\\u13d7\\u13ad\": 14445,\n    \"\\u2581\\u13f1\\u13da\\u13ea\": 14446,\n    \"\\u2581\\u13a4\\u13c1\\u13cd\\u13a8\\u13b2\\u13a2\": 14447,\n    \"\\u2581\\u13c2\\u13ac\\u13e9\\u13c1\\u13b8\": 14448,\n    \"\\u2581\\u13b5\\u13cc\": 14449,\n    \"\\u13d3\\u13a7\\u13ad\\u13c5\": 14450,\n    \"\\u2581\\u13a1\\u13cd\\u13aa\\u13b5\": 14451,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13b3\\u13eb\\u13ce\\u13b8\": 14452,\n    \"\\u2581\\u13a3\\u13a9\\u13aa\\u13c1\": 14453,\n    \"\\u2581\\u13a0\\u13d3\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d7\\u13cd\\u13a9\": 14454,\n    \"\\u13ef\\u13cd\\u13d7\": 14455,\n    \"\\u2581\\u13ad\\u13b5\\u13cd\\u13d5\\u13b8\": 14456,\n    \"\\u2581\\u13c2\\u13a6\\u13cd\\u13d5\\u13cd\\u13d7\": 14457,\n    \"\\u13c3\\u13e2\\u13cd\\u13a9\": 14458,\n    \"\\u2581\\u13e5\\u13a6\\u13b3\\u13a8\": 14459,\n    \"\\u2581\\u13eb\\u13a6\\u13f2\\u13a9\": 14460,\n    \"\\u2581\\u13a0\\u13e5\\u13b5\\u13a5\\u13c2\\u13b8\": 14461,\n    \"\\u13da\\u13b6\\u13af\\u13ce\\u13b4\": 14462,\n    \"\\u2581\\u13a6\\u13f2\\u13a9\\u13d0\\u13e2\": 14463,\n    \"\\u2581\\u13a0\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\\u13a8\\u13a2\": 14464,\n    \"\\u2581\\u13c4\\u13c1\\u13b2\\u13be\": 14465,\n    \"\\u2581\\u13e9\\u13c6\\u13d5\": 14466,\n    \"\\u13ac\\u13e9\\u13c2\\u13f4\\u13ae\\u13c3\": 14467,\n    \"\\u2581\\u13e5\\u13d3\\u13d3\\u13ec\\u13cd\\u13ac\\u13a9\": 14468,\n    \"\\u2581\\u13a0\\u13e5\\u13e9\\u13db\\u13a1\\u13b8\\u13af\": 14469,\n    \"\\u2581\\u13a4\\u13c2\\u13aa\\u13d9\": 14470,\n    \"\\u2581\\u13ac\\u13ec\\u13af\\u13f3\\u13c5\\u13af\": 14471,\n    \"\\u2581\\u13ad\\u13c8\\u13b3\": 14472,\n    \"\\u2581\\u13a4\\u13be\\u13d7\\u13cd\\u13a6\\u13b3\\u13c1\": 14473,\n    \"\\u13b5\\u13aa\\u13da\\u13c5\": 14474,\n    \"\\u2581\\u13ac\\u13e9\\u13b6\\u13c1\\u13d7\": 14475,\n    \"\\u2581\\u13a2\\u13e4\\u13f2\\u13d7\\u13f1\": 14476,\n    \"\\u13a9\\u13cd\\u13d7\\u13f0\\u13d7\\u13cd\\u13ac\": 14477,\n    \"\\u2581\\u13a0\\u13f2\\u13b0\\u13cd\": 14478,\n    \"\\u2581\\u13e7\\u13c2\\u13b5\\u13a1\\u13be\": 14479,\n    \"\\u13a6\\u13be\\u13af\": 14480,\n    \"\\u2581\\u13d5\\u13af\\u13a6\\u13d4\\u13ad\": 14481,\n    \"\\u2581\\u13cd\\u13a9\\u13a8\\u13af\\u13d9\\u13b8\": 14482,\n    \"\\u2581\\u13cd\\u13a9\\u13cd\\u13d3\\u13e9\\u13db\\u13cd\\u13d7\\u13f1\": 14483,\n    \"\\u13a9\\u13b3\\u13eb\\u13cd\\u13d7\": 14484,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13b6\\u13c6\\u13a1\": 14485,\n    \"\\u2581\\u13ae\\u13d9\\u13ae\\u13cd\\u13d7\": 14486,\n    \"\\u2581\\u13a0\\u13be\\u13d9\\u13b4\": 14487,\n    \"\\u2581\\u13d7\\u13c2\\u13a7\\u13bf\\u13e9\\u13d7\": 14488,\n    \"\\u2581\\u13a2\\u13e5\\u13f2\\u13cd\\u13d3\": 14489,\n    \"\\u13b7\\u13e5\\u13b4\\u13a2\": 14490,\n    \"\\u13c3\\u13b2\\u13b3\": 14491,\n    \"\\u2581\\u13cd\\u13a9\\u13ef\\u13d3\\u13c5\\u13d6\": 14492,\n    \"\\u2581\\u13a8\\u13ef\\u13d4\\u13af\": 14493,\n    \"\\u13be\\u13e2\\u13c6\": 14494,\n    \"\\u13d3\\u13c2\\u13b8\\u13e3\": 14495,\n    \"\\u2581\\u13a0\\u13a9\\u13b7\\u13b3\": 14496,\n    \"\\u2581\\u13a4\\u13c2\\u13ef\\u13c5\\u13ae\": 14497,\n    \"\\u2581\\u13b7\\u13eb\": 14498,\n    \"\\u2581\\u13a4\\u13be\\u13dc\\u13cf\\u13db\\u13a1\": 14499,\n    \"\\u2581\\u13da\\u13b5\\u13cf\\u13b2\\u13d2\\u13a9\": 14500,\n    \"\\u2581\\u13ed\\u13be\\u13cc\\u13be\\u13a9\": 14501,\n    \"\\u2581\\u13a4\\u13be\\u13d8\\u13c5\\u13ce\": 14502,\n    \"\\u2581\\u13d3\\u13be\\u13e4\\u13a8\\u13cd\\u13d7\\u13c9\": 14503,\n    \"\\u2581\\u13a6\\u13d3\\u13c5\\u13d6\\u13ad\": 14504,\n    \"\\u2581\\u13da\\u13c5\\u13b5\\u13f0\\u13a5\": 14505,\n    \"\\u2581\\u13e6\\u13af\\u13f3\\u13ce\\u13cd\\u13d7\\u13c9\": 14506,\n    \"\\u2581\\u13a0\\u13d3\\u13cd\\u13d5\\u13b8\\u13af\\u13d9\\u13af\": 14507,\n    \"\\u13f0\\u13b6\\u13b5\": 14508,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 14509,\n    \"\\u2581\\u13ef\\u13d9\\u13e2\\u13be\": 14510,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13d3\\u13e9\\u13db\\u13cd\\u13d7\\u13f1\": 14511,\n    \"\\u2581\\u13a4\\u13b6\\u13d0\\u13c2\\u13d7\": 14512,\n    \"\\u2581\\u13a8\\u13ac\\u13ec\\u13a3\\u13d7\": 14513,\n    \"\\u2581\\u13af\\u13d7\\u13a6\\u13d4\\u13ad\": 14514,\n    \"\\u2581\\u13ed\\u13a9\\u13ce\": 14515,\n    \"\\u2581\\u13eb\\u13d7\\u13a8\\u13a6\": 14516,\n    \"\\u2581\\u13e5\\u13be\\u13c6\\u13cd\\u13d7\\u13c9\": 14517,\n    \"\\u13a9\\u13e9\\u13af\\u13cd\\u13d9\\u13d7\": 14518,\n    \"\\u2581\\u13da\\u13ad\\u13be\\u13ec\": 14519,\n    \"\\u2581\\u13f1\\u13c5\\u13db\\u13c5\\u13c1\\u13b5\": 14520,\n    \"\\u2581\\u13c7\\u13b4\\u13d7\": 14521,\n    \"\\u13f0\\u13a2\\u13cd\\u13d4\\u13c1\": 14522,\n    \"\\u2581\\u13e7\\u13ec\\u13d1\\u13b4\\u13d7\": 14523,\n    \"\\u2581\\u13a1\\u13e5\\u13a5\\u13cf\": 14524,\n    \"\\u2581\\u13a4\\u13d3\\u13c1\\u13df\\u13f4\\u13cd\\u13d3\\u13c1\\u13b8\": 14525,\n    \"\\u13da\\u13be\\u13df\\u13ef\\u13db\": 14526,\n    \"\\u2581\\u13a4\\u13be\\u13e0\\u13ef\\u13cd\\u13d7\": 14527,\n    \"\\u2581\\u13a4\\u13c4\\u13d8\": 14528,\n    \"\\u13d5\\u13b3\\u13cd\\u13d7\": 14529,\n    \"\\u2581\\u13d8\\u13c5\\u13cf\\u13d7\": 14530,\n    \"\\u2581\\u13a4\\u13a7\\u13e8\": 14531,\n    \"\\u2581\\u13e5\\u13cd\\u13c6\\u13b8\\u13be\": 14532,\n    \"\\u2581\\u13d7\\u13c4\\u13ea\": 14533,\n    \"\\u13a4\\u13b8\\u13af\": 14534,\n    \"\\u13d3\\u13ac\\u13c5\\u13c1\\u13b5\": 14535,\n    \"\\u2581\\u13a9\\u13b3\\u13cb\": 14536,\n    \"\\u13d3\\u13e2\\u13cd\\u13db\": 14537,\n    \"ee\": 14538,\n    \"\\u2581\\u13da\\u13d3\\u13a5\": 14539,\n    \"\\u2581\\u13e9\\u13a6\\u13d8\\u13c3\\u13b8\\u13a9\": 14540,\n    \"\\u13eb\\u13cd\\u13d4\\u13c1\\u13b2\": 14541,\n    \"\\u2581\\u13d3\\u13be\\u13d3\\u13db\\u13db\\u13b2\\u13cd\\u13a8\": 14542,\n    \"\\u2581\\u13eb\\u13a3\\u13a9\": 14543,\n    \"\\u2581\\u13a8\\u13e5\\u13d0\\u13c5\\u13a2\\u13cd\\u13d4\\u13c5\\u13af\": 14544,\n    \"\\u13ac\\u13f2\": 14545,\n    \"\\u13c2\\u13c2\\u13f4\\u13af\": 14546,\n    \"\\u2581\\u13d7\\u13e3\\u13d3\\u13c2\\u13b8\\u13a2\\u13cd\\u13d7\": 14547,\n    \"\\u2581\\u13f1\\u13c2\\u13e8\\u13ea\\u13ce\\u13b4\": 14548,\n    \"\\u13c5\\u13b0\\u13c1\": 14549,\n    \"\\u2581\\u13a4\\u13be\\u13c5\\u13e3\\u13db\": 14550,\n    \"\\u13e9\\u13d7\\u13d2\\u13c2\": 14551,\n    \"\\u2581\\u13a4\\u13cd\\u13d7\\u13f1\\u13db\": 14552,\n    \"\\u2581\\u13da\\u13d3\\u13df\\u13f4\\u13ae\": 14553,\n    \"\\u13e5\\u13c2\\u13d5\\u13af\": 14554,\n    \"\\u2581\\u13f1\\u13e5\\u13f0\\u13b8\\u13cd\\u13a8\\u13cd\\u13d7\": 14555,\n    \"\\u13d3\\u13e6\\u13b3\\u13c2\\u13d2\": 14556,\n    \"\\u2581\\u13f1\\u13c2\\u13e3\\u13db\\u13c1\\u13ae\\u13cd\\u13d7\": 14557,\n    \"\\u2581\\u13eb\\u13d7\\u13a6\\u13a6\\u13c2\": 14558,\n    \"\\u2581\\u13c1\\u13ad\\u13d7\": 14559,\n    \"\\u2581\\u13e3\\u13d3\\u13ea\\u13b5\\u13a9\\u13cd\": 14560,\n    \"\\u2581\\u13a4\\u13db\\u13d5\\u13cd\\u13d7\": 14561,\n    \"\\u2581\\u13a4\\u13ec\\u13df\": 14562,\n    \"\\u2581\\u13d7\\u13a9\\u13a7\\u13bf\\u13e9\\u13db\\u13cd\\u13d7\": 14563,\n    \"\\u2581\\u13da\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13b4\": 14564,\n    \"\\u13c4\\u13ea\\u13cd\\u13d7\\u13f1\": 14565,\n    \"\\u2581\\u13a2\\u13e3\\u13d5\\u13d8\\u13f4\\u13db\": 14566,\n    \"\\u13eb\\u13cd\\u13d3\\u13c1\\u13d7\": 14567,\n    \"\\u13b3\\u13f2\\u13cd\\u13a8\": 14568,\n    \"\\u2581\\u13a2\\u13a9\\u13c1\\u13e4\\u13b8\": 14569,\n    \"\\u2581\\u13ed\\u13e9\\u13c2\\u13a6\\u13b8\": 14570,\n    \"\\u13b5\\u13c1\\u13cc\\u13b8\": 14571,\n    \"\\u2581\\u13a0\\u13b5\\u13c3\\u13af\\u13ef\": 14572,\n    \"\\u2581\\u13a2\\u13e7\\u13c5\\u13c1\\u13b8\\u13af\": 14573,\n    \"\\u2581\\u13eb\\u13c2\\u13e3\": 14574,\n    \"\\u2581\\u13a0\\u13d9\\u13d1\\u13b4\\u13d7\\u13f1\": 14575,\n    \"\\u2581\\u13a0\\u13df\\u13c5\\u13e8\": 14576,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13c3\\u13ae\\u13b5\\u13d9\\u13af\": 14577,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13d5\\u13b8\\u13db\": 14578,\n    \"\\u2581\\u13a4\\u13d4\\u13f2\\u13ce\\u13b8\": 14579,\n    \"\\u2581\\u13d7\\u13d1\\u13f4\\u13c5\": 14580,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 14581,\n    \"\\u13be\\u13c1\\u13cd\\u13ac\": 14582,\n    \"\\u2581\\u13a4\\u13be\\u13e8\\u13c9\": 14583,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13c6\\u13b8\\u13a1\": 14584,\n    \"\\u2581\\u13e7\\u13b4\\u13d9\\u13d7\\u13f1\": 14585,\n    \"\\u2581\\u13a0\\u13db\\u13f2\\u13b1\\u13cf\": 14586,\n    \"\\u2581\\u13a0\\u13d6\\u13b8\\u13c5\\u13af\": 14587,\n    \"\\u2581\\u13a4\\u13c2\\u13c4\\u13aa\\u13eb\\u13ce\": 14588,\n    \"\\u13c4\\u13c2\\u13ea\\u13d2\\u13a9\": 14589,\n    \"\\u2581\\u13a0\\u13aa\\u13ce\\u13b2\\u13a9\": 14590,\n    \"\\u2581\\u13a0\\u13c6\\u13ab\\u13f4\\u13a1\\u13b2\\u13a2\": 14591,\n    \"\\u2581\\u13a0\\u13d3\\u13db\\u13cd\\u13aa\\u13a2\": 14592,\n    \"\\u2581\\u13a4\\u13be\\u13a6\\u13d9\\u13cd\\u13d9\\u13d7\": 14593,\n    \"\\u13d3\\u13ec\\u13d4\\u13c2\": 14594,\n    \"\\u2581\\u13f1\\u13d9\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ad\": 14595,\n    \"\\u2581\\u13da\\u13c2\\u13b3\\u13eb\\u13e4\": 14596,\n    \"\\u2581\\u13a0\\u13c2\\u13f4\\u13af\\u13ad\": 14597,\n    \"\\u2581\\u13a0\\u13db\\u13b5\\u13cd\\u13ac\": 14598,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13d9\\u13b8\": 14599,\n    \"\\u2581\\u13e7\\u13ed\\u13aa\\u13d3\\u13c1\\u13d7\": 14600,\n    \"\\u2581\\u13a0\\u13b5\\u13ae\\u13b5\\u13e4\\u13b0\\u13a2\": 14601,\n    \"\\u2581\\u13f1\\u13ed\\u13b7\\u13e8\": 14602,\n    \"\\u2581\\u13eb\\u13e5\\u13e9\\u13db\": 14603,\n    \"\\u2581\\u13a4\\u13ef\\u13cd\\u13a6\": 14604,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13a6\\u13b8\\u13d7\": 14605,\n    \"\\u2581\\u13d8\\u13c2\\u13f4\": 14606,\n    \"\\u2581\\u13c2\\u13da\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\": 14607,\n   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\"\\u2581\\u13a4\\u13c1\\u13a2\\u13cd\\u13d4\\u13c1\\u13b4\": 14624,\n    \"\\u2581\\u13e5\\u13cd\\u13d3\\u13e9\\u13d5\\u13a6\": 14625,\n    \"\\u2581\\u13da\\u13a9\\u13b8\\u13d4\\u13c1\": 14626,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13c3\\u13ae\\u13d4\\u13c1\": 14627,\n    \"\\u2581\\u13a4\\u13a6\\u13f4\\u13b3\\u13e5\\u13b6\\u13db\": 14628,\n    \"\\u2581\\u13a4\\u13be\\u13b4\\u13f2\\u13a5\": 14629,\n    \"\\u2581\\u13a4\\u13d3\\u13c1\\u13aa\\u13f4\\u13d3\": 14630,\n    \"\\u2581\\u13e7\\u13b4\\u13c1\\u13a2\": 14631,\n    \"\\u2581\\u13a6\\u13b5\\u13a5\\u13c2\\u13ae\": 14632,\n    \"\\u2581\\u13ac\\u13e9\\u13db\\u13c1\\u13a2\": 14633,\n    \"\\u2581\\u13a0\\u13a9\\u13f2\\u13b1\\u13af\\u13ce\\u13b8\\u13af\": 14634,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13a6\\u13b8\\u13d7\": 14635,\n    \"\\u2581\\u13e3\\u13a6\\u13a8\\u13c5\": 14636,\n    \"\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13af\": 14637,\n    \"\\u2581\\u13da\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ad\": 14638,\n    \"\\u2581\\u13a8\\u13b5\\u13d2\\u13ad\": 14639,\n    \"\\u13e3\\u13e2\\u13c6\": 14640,\n    \"\\u2581\\u13ac\\u13e9\\u13c1\\u13c4\\u13b3\\u13cd\\u13d7\\u13cd\\u13a8\": 14641,\n    \"\\u2581\\u13a2\\u13ef\\u13ef\\u13d6\\u13c5\": 14642,\n    \"\\u13e5\\u13c4\\u13aa\\u13e8\": 14643,\n    \"\\u2581\\u13da\\u13c2\\u13ef\\u13ea\\u13a8\": 14644,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13b5\\u13cd\\u13d4\\u13c5\\u13af\": 14645,\n    \"\\u2581\\u13eb\\u13ab\\u13d3\\u13b8\": 14646,\n    \"\\u2581\\u13e7\\u13c2\\u13c5\\u13ec\\u13d7\\u13f1\": 14647,\n    \"\\u2581\\u13c4\\u13ec\\u13da\": 14648,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13b5\\u13f4\": 14649,\n    \"\\u2581\\u13e3\\u13d7\\u13e5\": 14650,\n    \"\\u2581\\u13a0\\u13c6\\u13ce\\u13ae\\u13b2\": 14651,\n    \"\\u2581\\u13a4\\u13a9\\u13cd\\u13d9\\u13a1\": 14652,\n    \"\\u13cd\\u13d5\\u13b5\\u13cd\\u13a8\\u13cd\\u13d7\": 14653,\n    \"\\u13da\\u13b3\\u13d5\": 14654,\n    \"\\u2581\\u13af\\u13aa\\u13a2\\u13a6\": 14655,\n    \"\\u2581\\u13a4\\u13c2\\u13be\\u13d5\\u13a8\": 14656,\n    \"\\u2581\\u13a8\\u13a6\\u13e0\\u13ef\\u13cd\": 14657,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13d3\\u13e5\\u13db\": 14658,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13d4\\u13e9\\u13d5\\u13a6\": 14659,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13d3\\u13e9\\u13db\\u13db\": 14660,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13d4\\u13c5\": 14661,\n    \"\\u2581\\u13f4\\u13a6\\u13f0\\u13b3\": 14662,\n    \"\\u13aa\\u13d4\\u13c2\": 14663,\n    \"\\u2581\\u13a2\\u13d7\\u13be\\u13cc\": 14664,\n    \"\\u13cd\\u13d9\\u13f4\\u13d7\": 14665,\n    \"\\u2581\\u13a2\\u13e5\\u13c2\\u13c6\\u13d8\\u13ae\\u13cd\\u13d7\": 14666,\n    \"\\u2581\\u13da\\u13d3\\u13ec\\u13a5\": 14667,\n    \"\\u2581\\u13a4\\u13e9\\u13c5\\u13e4\": 14668,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13c2\\u13a9\\u13db\": 14669,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13d4\\u13e9\\u13d7\\u13d2\": 14670,\n    \"\\u13c3\\u13cd\\u13a9\\u13d2\\u13a9\": 14671,\n    \"\\u2581\\u13ef\\u13c6\\u13db\\u13be\": 14672,\n    \"\\u2581\\u13a6\\u13be\\u13cc\\u13a2\": 14673,\n    \"\\u2581\\u13ac\\u13e9\\u13d4\\u13f2\\u13ce\\u13af\": 14674,\n    \"\\u2581\\u13ed\\u13b4\\u13c5\\u13ae\": 14675,\n    \"\\u2581\\u13a0\\u13f2\\u13b1\\u13cd\\u13a8\\u13a2\": 14676,\n    \"\\u2581\\u13d7\\u13c9\\u13ea\\u13b3\\u13c5\": 14677,\n    \"\\u13e4\\u13b8\\u13cd\\u13a6\": 14678,\n    \"\\u2581\\u13ac\\u13e9\\u13d3\\u13c5\\u13ec\\u13d7\": 14679,\n    \"\\u2581\\u13da\\u13be\\u13b5\\u13e5\": 14680,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13f4\\u13af\": 14681,\n    \"\\u2581\\u13be\\u13a6\\u13db\\u13c1\\u13b8\": 14682,\n    \"\\u2581\\u13d3\\u13e4\\u13b4\\u13cd\\u13d7\": 14683,\n    \"\\u13c1\\u13c4\\u13b3\\u13cd\\u13d7\\u13cd\": 14684,\n    \"\\u2581\\u13e5\\u13da\\u13b3\\u13cd\": 14685,\n    \"\\u2581\\u13a0\\u13ca\\u13d3\\u13b4\": 14686,\n    \"\\u2581\\u13af\\u13aa\\u13a5\\u13af\": 14687,\n    \"\\u2581\\u13a0\\u13a6\\u13d3\\u13a2\\u13c5\": 14688,\n    \"\\u13c2\\u13a9\\u13cd\\u13d9\\u13d7\\u13f1\": 14689,\n    \"\\u2581\\u13a4\\u13be\\u13e0\\u13be\\u13cd\": 14690,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d4\\u13bf\\u13a5\": 14691,\n    \"\\u2581\\u13a2\\u13a9\\u13ef\\u13a5\\u13a2\": 14692,\n    \"\\u13cd\\u13a9\\u13a8\\u13f3\": 14693,\n    \"\\u2581\\u13d5\\u13a8\\u13e5\\u13f0\\u13b8\": 14694,\n    \"\\u2581\\u13f1\\u13e6\\u13af\\u13f3\\u13b2\\u13cd\\u13a6\": 14695,\n    \"\\u2581\\u13da\\u13c2\\u13ea\\u13ce\\u13b8\\u13a9\": 14696,\n    \"\\u2581\\u13a4\\u13c5\\u13be\\u13cf\": 14697,\n    \"\\u2581\\u13c2\\u13a6\\u13cd\\u13db\": 14698,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13d3\\u13e9\\u13d5\\u13c5\": 14699,\n    \"\\u2581\\u13a2\\u13cd\\u13d3\\u13b5\\u13cd\\u13d3\\u13f4\\u13d4\\u13c5\\u13a9\": 14700,\n    \"\\u13d7\\u13cd\\u13d3\\u13da\\u13d3\": 14701,\n    \"\\u2581\\u13a2\\u13a9\\u13a9\\u13b5\\u13f2\\u13e4\": 14702,\n    \"\\u2581\\u13a8\\u13d9\\u13af\\u13c9\": 14703,\n    \"\\u2581\\u13a0\\u13d3\\u13db\\u13c2\\u13d7\\u13cd\\u13a9\": 14704,\n    \"\\u2581\\u13a4\\u13c4\\u13d6\\u13d2\\u13a9\": 14705,\n    \"\\u2581\\u13c3\\u13a9\\u13c5\\u13c1\\u13b8\\u13a9\": 14706,\n    \"\\u2581\\u13eb\\u13e5\\u13aa\\u13a5\\u13a9\": 14707,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13d7\\u13cd\\u13ac\": 14708,\n    \"\\u2581\\u13da\\u13c2\\u13a6\\u13b5\\u13d2\\u13a9\": 14709,\n    \"\\u13ec\\u13d7\\u13ad\": 14710,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\\u13c9\\u13d3\": 14711,\n    \"\\u2581\\u13e7\\u13b7\\u13eb\\u13cd\\u13d3\\u13c1\\u13d7\": 14712,\n    \"\\u2581\\u13ed\\u13d8\\u13c5\\u13cd\\u13d4\\u13c5\\u13a9\": 14713,\n    \"\\u2581\\u13d7\\u13df\\u13c3\\u13ae\\u13d9\\u13d7\": 14714,\n    \"\\u2581\\u13e7\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13c1\": 14715,\n    \"\\u2581\\u13d7\\u13e3\\u13a7\\u13c3\\u13d7\\u13f1\": 14716,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13d9\\u13cd\\u13a8\\u13cd\\u13d7\": 14717,\n    \"\\u13b5\\u13d7\\u13cd\\u13a9\\u13cd\\u13ac\": 14718,\n    \"\\u13c4\\u13aa\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 14719,\n    \"\\u2581\\u13eb\\u13da\\u13d3\\u13f4\\u13b3\\u13db\": 14720,\n    \"\\u13cf\\u13db\\u13c2\\u13b8\\u13a9\": 14721,\n    \"\\u2581\\u13a6\\u13be\\u13aa\\u13a2\": 14722,\n    \"\\u2581\\u13a4\\u13c2\\u13f0\\u13e3\": 14723,\n    \"\\u13af\\u13ef\\u13cd\\u13a8\\u13cd\\u13d7\": 14724,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13cd\\u13a8\\u13cd\\u13d7\": 14725,\n    \"\\u13d6\\u13b8\\u13b2\\u13cd\\u13a9\": 14726,\n    \"\\u13b4\\u13f2\\u13a1\\u13b8\": 14727,\n    \"\\u2581\\u13a4\\u13b8\\u13b2\\u13a9\": 14728,\n    \"\\u2581\\u13a4\\u13da\\u13a2\\u13cd\\u13d4\\u13c1\": 14729,\n    \"\\u2581\\u13a0\\u13d9\\u13a9\\u13ef\": 14730,\n    \"\\u2581\\u13d3\\u13cf\\u13b3\\u13db\\u13a5\\u13cd\\u13ac\": 14731,\n    \"\\u13a9\\u13b7\\u13e4\\u13ad\": 14732,\n    \"\\u2581\\u13c2\\u13a6\\u13db\\u13c1\\u13b0\": 14733,\n    \"\\u13dd\\u13d7\\u13cd\\u13d4\\u13c2\\u13d9\": 14734,\n    \"\\u2581\\u13a0\\u13e5\\u13b6\\u13db\": 14735,\n    \"\\u2581\\u13a0\\u13ef\\u13d9\\u13b5\\u13f3\": 14736,\n    \"\\u2581\\u13a4\\u13c2\\u13aa\\u13d7\\u13f1\": 14737,\n    \"\\u2581\\u13da\\u13e9\\u13d0\": 14738,\n    \"\\u2581\\u13a0\\u13cd\\u13db\\u13aa\\u13d2\": 14739,\n    \"\\u2581\\u13d8\\u13b4\\u13c2\": 14740,\n    \"\\u2581\\u13d7\\u13b5\\u13f0\\u13a2\\u13b8\\u13cd\\u13d7\\u13cd\": 14741,\n    \"\\u2581\\u13e5\\u13cd\\u13c6\\u13d9\\u13be\": 14742,\n    \"\\u13b5\\u13c6\\u13d7\": 14743,\n    \"\\u2581\\u13ac\\u13e9\\u13dc\\u13eb\\u13cd\\u13d7\": 14744,\n    \"\\u2581\\u13d5\\u13a6\\u13da\\u13d3\\u13d5\\u13eb\\u13d2\\u13f0\\u13c3\": 14745,\n    \"\\u2581\\u13d3\\u13be\\u13aa\\u13b2\\u13cd\\u13d7\\u13cd\\u13a8\": 14746,\n    \"\\u2581\\u13e5\\u13a8\\u13d4\": 14747,\n    \"\\u2581\\u13a6\\u13b5\\u13c9\\u13a9\\u13e6\\u13c1\": 14748,\n    \"\\u2581\\u13a4\\u13c1\\u13b7\\u13a9\": 14749,\n    \"\\u13d0\\u13e2\\u13d7\\u13cd\\u13a9\": 14750,\n    \"\\u2581\\u13a0\\u13b4\\u13eb\\u13cd\\u13d9\\u13d7\": 14751,\n    \"\\u13ab\\u13ab\": 14752,\n    \"\\u2581\\u13f1\\u13e3\\u13c5\\u13d4\": 14753,\n    \"\\u13a6\\u13c5\\u13a6\\u13b8\\u13af\": 14754,\n    \"\\u2581\\u13d7\\u13df\\u13f0\\u13b5\\u13d3\\u13cd\\u13d7\": 14755,\n    \"\\u2581\\u13ac\\u13e9\\u13f3\\u13e4\": 14756,\n    \"\\u2581\\u13a3\\u13a8\\u13c5\": 14757,\n    \"\\u2581\\u13a8\\u13e5\\u13cd\\u13a6\\u13e8\\u13af\": 14758,\n    \"\\u13a6\\u13a8\\u13a0\\u13d7\\u13d4\\u13cd\\u13d7\": 14759,\n    \"\\u2581\\u13e5\\u13a7\\u13c1\\u13a6\": 14760,\n    \"ce\": 14761,\n    \"\\u2581\\u13d7\\u13be\\u13a2\\u13ce\": 14762,\n    \"\\u2581\\u13f1\\u13c2\\u13e3\\u13db\\u13a6\": 14763,\n    \"\\u2581\\u13d5\\u13ac\\u13c2\\u13a6\": 14764,\n    \"\\u13a4\\u13be\\u13da\\u13d3\\u13d6\\u13cd\\u13d7\": 14765,\n    \"\\u13be\\u13d9\\u13e2\": 14766,\n    \"\\u2581\\u13af\\u13c3\\u13ae\\u13cd\\u13a8\\u13cd\\u13d7\": 14767,\n    \"\\u2581\\u13a1\\u13df\\u13ef\": 14768,\n    \"\\u2581\\u13a4\\u13e5\\u13cd\\u13d4\\u13c1\": 14769,\n    \"\\u13dd\\u13b2\\u13a6\": 14770,\n    \"\\u2581\\u13cd\\u13a9\\u13a8\\u13f3\\u13ae\\u13cd\\u13d7\": 14771,\n    \"\\u2581\\u13ac\\u13ec\\u13af\\u13f3\\u13d7\": 14772,\n    \"\\u2581\\u13a1\\u13af\\u13c4\\u13aa\\u13a2\": 14773,\n    \"\\u2581\\u13d5\\u13a8\\u13a6\\u13ec\\u13a5\": 14774,\n    \"\\u13d3\\u13d3\\u13df\\u13cc\\u13c1\": 14775,\n    \"\\u13e9\\u13db\\u13a1\\u13af\": 14776,\n    \"\\u2581\\u13a4\\u13be\\u13a7\\u13d9\\u13cd\\u13d5\": 14777,\n    \"\\u13d0\\u13c8\": 14778,\n    \"\\u2581\\u13a0\\u13cd\\u13d5\\u13f4\": 14779,\n    \"\\u2581\\u13d7\\u13c2\\u13d9\\u13a9\": 14780,\n    \"\\u2581\\u13ac\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\": 14781,\n    \"\\u13ad\\u13e6\\u13a3\": 14782,\n    \"\\u2581\\u13d3\\u13ce\\u13af\": 14783,\n    \"\\u2581\\u13a4\\u13b5\\u13c7\\u13c5\": 14784,\n    \"\\u2581\\u13a3\\u13e4\\u13aa\": 14785,\n    \"\\u13d3\\u13db\\u13c2\\u13af\": 14786,\n    \"\\u2581\\u13a2\\u13e4\\u13ef\\u13d9\\u13e4\\u13ae\\u13cd\\u13d7\": 14787,\n    \"\\u2581\\u13a0\\u13ef\\u13c2\\u13ad\": 14788,\n    \"\\u2581\\u13ef\\u13e5\\u13b8\": 14789,\n    \"\\u2581\\u13e7\\u13b7\\u13b8\\u13d7\\u13f1\": 14790,\n    \"\\u2581\\u13e5\\u13be\\u13ac\\u13c1\\u13b4\": 14791,\n    \"\\u2581\\u13f1\\u13c4\\u13b5\\u13cd\\u13d3\\u13c1\\u13ae\": 14792,\n    \"\\u2581\\u13d7\\u13a6\\u13ef\\u13a9\\u13cd\\u13d7\": 14793,\n    \"\\u13a9\\u13be\\u13b5\\u13cd\\u13a9\\u13d2\": 14794,\n    \"\\u2581\\u13da\\u13ef\\u13ea\\u13e8\": 14795,\n    \"\\u13a9\\u13ea\\u13a1\\u13b8\\u13a9\": 14796,\n    \"\\u13d7\\u13a9\\u13ef\\u13cd\\u13d7\\u13f1\": 14797,\n    \"\\u13e9\\u13d3\\u13df\\u13cc\": 14798,\n    \"\\u2581\\u13af\\u13c1\\u13e5\\u13f1\": 14799,\n    \"\\u2581\\u13c2\\u13d9\\u13b2\\u13c1\": 14800,\n    \"\\u2581\\u13a4\\u13f2\\u13cf\\u13cd\\u13a9\": 14801,\n    \"\\u2581\\u13a2\\u13e5\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13f1\": 14802,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b2\": 14803,\n    \"\\u13e5\\u13e9\\u13db\\u13b2\\u13d2\\u13a9\": 14804,\n    \"\\u2581\\u13e3\\u13db\\u13a6\\u13c5\\u13a2\": 14805,\n    \"\\u2581\\u13f1\\u13da\\u13c3\\u13d5\": 14806,\n    \"\\u2581\\u13a0\\u13aa\\u13b2\\u13cd\\u13d9\\u13d7\\u13f1\": 14807,\n    \"\\u2581\\u13a4\\u13df\\u13c3\\u13ae\\u13d4\\u13c5\": 14808,\n    \"\\u13c7\\u13c4\\u13a9\": 14809,\n    \"\\u13e6\\u13ea\\u13b3\\u13c1\\u13b8\": 14810,\n    \"\\u2581\\u13e5\\u13da\\u13a2\\u13cd\\u13d7\": 14811,\n    \"\\u2581\\u13d3\\u13e5\\u13d0\\u13c5\\u13c5\": 14812,\n    \"\\u2581\\u13e3\\u13b4\\u13c2\\u13d3\\u13cd\\u13d7\\u13f1\": 14813,\n    \"\\u13dd\\u13c1\\u13b4\\u13a2\": 14814,\n    \"\\u2581\\u13ed\\u13e9\\u13c1\": 14815,\n    \"\\u2581\\u13a2\\u13af\\u13f4\\u13c1\\u13d7\\u13f1\": 14816,\n    \"\\u2581\\u13ef\\u13c6\\u13d3\\u13c5\\u13d6\": 14817,\n    \"\\u13db\\u13d4\\u13c3\\u13c5\": 14818,\n    \"\\u13d3\\u13a6\\u13e5\\u13f4\\u13c1\\u13b5\": 14819,\n    \"\\u2581\\u13da\\u13ee\\u13d5\": 14820,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c9\\u13b5\\u13f1\": 14821,\n    \"\\u2581\\u13ed\\u13d7\\u13c5\\u13d2\\u13a9\": 14822,\n    \"\\u13a6\\u13d0\\u13a0\\u13d2\\u13a9\": 14823,\n    \"\\u2581\\u13af\\u13f2\\u13cd\\u13d3\": 14824,\n    \"\\u13e0\\u13b2\": 14825,\n    \"\\u2581\\u13db\\u13c2\\u13cd\\u13d3\\u13e9\\u13d5\\u13cf\": 14826,\n    \"\\u2581\\u13d7\\u13e5\\u13c5\\u13cd\\u13d3\\u13d5\\u13b8\\u13a9\": 14827,\n    \"\\u2581\\u13af\\u13ec\\u13c1\\u13d4\\u13c5\": 14828,\n    \"\\u2581\\u13a0\\u13c1\\u13b5\\u13cd\\u13a9\": 14829,\n    \"\\u13ec\\u13a5\\u13ce\": 14830,\n    \"\\u13c2\\u13f4\\u13d7\\u13af\": 14831,\n    \"\\u13b8\\u13a3\\u13a2\": 14832,\n    \"\\u2581\\u13a0\\u13e5\\u13f2\\u13cd\\u13d7\": 14833,\n    \"\\u2581\\u13a4\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13be\": 14834,\n    \"\\u13be\\u13c1\\u13b3\\u13d3\": 14835,\n    \"\\u13c2\\u13ea\\u13cd\\u13a8\\u13a2\": 14836,\n    \"\\u2581\\u13f1\\u13a8\\u13e5\\u13aa\": 14837,\n    \"\\u2581\\u13c2\\u13e8\\u13c1\\u13ad\": 14838,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13ec\": 14839,\n    \"\\u2581\\u13f3\\u13a6\\u13d8\\u13d3\": 14840,\n    \"\\u2581\\u13d7\\u13e5\\u13aa\\u13a5\": 14841,\n    \"\\u2581\\u13a1\\u13e5\\u13d9\\u13b5\\u13cd\\u13d7\\u13f1\": 14842,\n    \"\\u2581\\u13e6\\u13cf\\u13c6\": 14843,\n    \"\\u2581\\u13e9\\u13a6\\u13d6\\u13a2\": 14844,\n    \"\\u2581\\u13ac\\u13ef\\u13b5\\u13c3\\u13ae\\u13d9\\u13d7\\u13f1\": 14845,\n    \"\\u13b1\\u13c3\\u13f4\": 14846,\n    \"\\u2581\\u13e5\\u13d7\\u13a6\\u13d4\\u13ad\": 14847,\n    \"\\u2581\\u13f1\\u13d7\\u13ac\\u13a9\": 14848,\n    \"\\u2581\\u13a0\\u13d3\\u13b6\\u13c4\\u13ae\\u13cd\\u13a9\": 14849,\n    \"\\u2581\\u13af\\u13aa\\u13e9\\u13d8\\u13cd\\u13a8\\u13cd\\u13d7\": 14850,\n    \"\\u2581\\u13a4\\u13be\\u13cc\\u13a5\": 14851,\n    \"\\u13c5\\u13db\\u13a2\": 14852,\n    \"\\u2581\\u13c2\\u13a6\\u13a8\\u13d2\": 14853,\n    \"\\u2581\\u13ef\\u13e5\\u13c3\\u13cd\\u13a9\": 14854,\n    \"\\u2581\\u13e7\\u13c2\\u13aa\\u13b5\\u13f0\\u13d7\": 14855,\n    \"\\u13e4\\u13ea\\u13b8\": 14856,\n    \"\\u2581\\u13c6\\u13cf\\u13d7\\u13f1\": 14857,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13e4\\u13b8\\u13a9\": 14858,\n    \"\\u2581\\u13da\\u13d3\\u13c5\\u13a1\\u13b8\\u13a9\": 14859,\n    \"\\u13be\\u13d3\\u13e1\\u13e9\\u13d7\\u13d2\\u13a2\": 14860,\n    \"\\u2581\\u13e3\\u13a9\\u13f0\\u13b8\\u13ad\": 14861,\n    \"\\u13dd\\u13c5\\u13a9\": 14862,\n    \"\\u2581\\u13a4\\u13df\\u13c2\\u13ac\\u13c1\\u13b4\": 14863,\n    \"\\u2581\\u13a4\\u13be\\u13c1\\u13e6\": 14864,\n    \"\\u2581\\u13a3\\u13a9\\u13f2\\u13cd\\u13d9\": 14865,\n    \"\\u2581\\u13a0\\u13c2\\u13f2\\u13cd\\u13d7\\u13cd\\u13a9\": 14866,\n    \"\\u13a8\\u13b2\\u13af\": 14867,\n    \"\\u2581\\u13da\\u13c4\\u13d3\": 14868,\n    \"\\u2581\\u13d9\\u13a9\\u13b2\\u13a2\": 14869,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d3\\u13cd\\u13a9\\u13cc\\u13c1\": 14870,\n    \"\\u13a9\\u13b8\\u13d7\\u13cd\\u13ac\": 14871,\n    \"\\u13c1\\u13a5\\u13cf\": 14872,\n    \"\\u2581\\u13da\\u13c3\\u13ae\\u13ae\\u13b4\": 14873,\n    \"\\u13be\\u13b5\\u13cd\\u13d3\": 14874,\n    \"\\u13cd\\u13c6\\u13db\\u13a6\\u13cd\\u13d3\": 14875,\n    \"\\u2581\\u13d5\\u13aa\\u13a9\\u13c2\": 14876,\n    \"\\u2581\\u13a4\\u13da\\u13d3\\u13d5\\u13eb\\u13d2\": 14877,\n    \"\\u2581\\u13af\\u13a7\\u13d4\\u13ad\": 14878,\n    \"\\u2581\\u13a5\\u13c6\\u13ab\\u13f4\\u13a1\": 14879,\n    \"\\u2581\\u13e3\\u13c5\\u13c5\\u13a2\": 14880,\n    \"\\u2581\\u13a2\\u13a4\\u13c1\\u13e8\": 14881,\n    \"\\u2581\\u13d8\\u13cd\\u13c6\": 14882,\n    \"\\u13cd\\u13d7\\u13b7\\u13a9\": 14883,\n    \"\\u2581\\u13ed\\u13c3\\u13af\\u13ce\\u13b4\": 14884,\n    \"\\u2581\\u13ba\\u13cc\": 14885,\n    \"\\u2581\\u13af\\u13ef\\u13e0\\u13ef\\u13cd\\u13d4\\u13c5\": 14886,\n    \"\\u13b0\\u13bb\": 14887,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13d8\\u13ef\": 14888,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13a6\\u13c5\\u13a9\": 14889,\n    \"\\u2581\\u13d3\\u13b9\\u13c2\": 14890,\n    \"\\u2581\\u13f3\\u13ea\\u13c5\": 14891,\n    \"\\u2581\\u13a4\\u13c4\\u13ee\\u13a2\": 14892,\n    \"\\u2581\\u13be\\u13a9\\u13f2\": 14893,\n    \"\\u2581\\u13a0\\u13e9\\u13db\\u13d9\\u13d7\": 14894,\n    \"\\u2581\\u13a4\\u13ef\\u13e4\\u13a2\": 14895,\n    \"\\u13aa\\u13b3\\u13d7\\u13f4\\u13d7\\u13f1\": 14896,\n    \"\\u2581\\u13d5\\u13e5\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\\u13a2\": 14897,\n    \"\\u2581\\u13a4\\u13d8\\u13cd\\u13db\\u13a2\": 14898,\n    \"\\u2581\\u13a0\\u13c2\\u13ef\\u13d9\\u13af\\u13b2\\u13a2\": 14899,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c1\\u13df\\u13f4\\u13ce\\u13ac\\u13a2\": 14900,\n    \"\\u2581\\u13a4\\u13be\\u13c4\\u13aa\\u13e4\\u13a2\": 14901,\n    \"\\u2581\\u13a4\\u13c2\\u13d0\\u13c5\\u13e4\\u13b4\\u13a2\": 14902,\n    \"\\u13d3\\u13c2\\u13d9\\u13b5\\u13ac\": 14903,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13c1\\u13df\\u13f4\\u13ce\\u13ac\\u13a2\": 14904,\n    \"\\u2581\\u13a5\\u13c6\\u13b8\\u13a5\\u13a2\": 14905,\n    \"\\u2581\\u13a4\\u13b5\\u13ef\\u13cd\\u13da\\u13c1\\u13a2\": 14906,\n    \"\\u2581\\u13d5\\u13e3\\u13c1\\u13b6\\u13db\\u13a2\": 14907,\n    \"\\u2581\\u13da\\u13ea\\u13b3\\u13cd\\u13d4\\u13c1\\u13a2\": 14908,\n    \"\\u2581\\u13d9\\u13d7\\u13a7\\u13c5\\u13a2\": 14909,\n    \"\\u2581\\u13e7\\u13ec\\u13af\\u13f3\\u13c1\\u13a2\": 14910,\n    \"\\u2581\\u13c2\\u13e5\\u13ea\\u13d2\\u13a2\": 14911,\n    \"\\u2581\\u13a8\\u13e5\\u13db\\u13d4\\u13c1\\u13a2\": 14912,\n    \"\\u2581\\u13cd\\u13a9\\u13b7\\u13e4\\u13d7\\u13f1\": 14913,\n    \"\\u2581\\u13a1\\u13e6\\u13ce\\u13b2\\u13a2\": 14914,\n    \"\\u2581\\u13da\\u13ec\\u13c1\\u13d4\\u13c5\\u13a2\": 14915,\n    \"\\u2581\\u13a8\\u13e5\\u13a8\\u13f3\\u13a2\": 14916,\n    \"\\u13c2\\u13da\\u13d1\\u13f0\\u13d0\": 14917,\n    \"\\u2581\\u13cd\\u13a9\\u13f0\\u13af\": 14918,\n    \"\\u2581\\u13d5\\u13a8\\u13e5\\u13be\\u13dd\\u13a5\\u13a2\": 14919,\n    \"\\u13c3\\u13b2\\u13b5\": 14920,\n    \"\\u2581\\u13a4\\u13c2\\u13c2\\u13f4\\u13db\": 14921,\n    \"\\u13d1\\u13b5\\u13ad\": 14922,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13aa\\u13a2\": 14923,\n    \"\\u2581\\u13eb\\u13f3\\u13b6\": 14924,\n    \"\\u2581\\u13a2\\u13e8\\u13a8\\u13f3\\u13d2\\u13a2\": 14925,\n    \"\\u2581\\u13a4\\u13b5\\u13b6\\u13b2\\u13cd\\u13a9\": 14926,\n    \"\\u13c2\\u13c1\\u13a2\\u13cd\\u13d7\": 14927,\n    \"\\u2581\\u13f4\\u13d3\\u13e5\": 14928,\n    \"\\u2581\\u13ac\\u13f4\\u13d7\\u13cd\\u13ac\\u13a2\": 14929,\n    \"\\u2581\\u13a2\\u13a9\\u13ec\\u13c2\\u13af\\u13cd\\u13d7\": 14930,\n    \"\\u2581\\u13ad\\u13a2\\u13d2\\u13a2\": 14931,\n    \"\\u2581\\u13a4\\u13b4\\u13f4\\u13ce\\u13a2\": 14932,\n    \"\\u2581\\u13da\\u13b5\\u13e6\\u13db\\u13a2\": 14933,\n    \"\\u2581\\u13a4\\u13a6\\u13d9\\u13cd\\u13db\": 14934,\n    \"\\u2581\\u13d9\\u13d3\\u13e6\": 14935,\n    \"\\u2581\\u13e7\\u13c5\\u13d5\": 14936,\n    \"\\u2581\\u13da\\u13e8\\u13cd\\u13db\": 14937,\n    \"\\u2581\\u13a0\\u13c2\\u13a7\\u13b2\\u13cd\": 14938,\n    \"\\u2581\\u13e5\\u13d4\\u13f2\\u13af\\u13b2\": 14939,\n    \"\\u2581\\u13e5\\u13e9\\u13f4\\u13af\": 14940,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13c5\": 14941,\n    \"\\u2581\\u13db\\u13a6\\u13db\\u13a9\": 14942,\n    \"\\u2581\\u13d3\\u13c6\\u13d9\\u13cd\\u13db\": 14943,\n    \"\\u2581\\u13a2\\u13a6\\u13e4\\u13b5\\u13aa\\u13af\": 14944,\n    \"\\u13cd\\u13d5\\u13b2\": 14945,\n    \"\\u2581\\u13a4\\u13e9\\u13e9\\u13d9\\u13a3\": 14946,\n    \"\\u13d4\\u13d7\\u13cd\\u13ac\": 14947,\n    \"\\u13c2\\u13d4\\u13b3\\u13ec\\u13cd\\u13ac\": 14948,\n    \"\\u2581\\u13a4\\u13a8\\u13b2\\u13ce\": 14949,\n    \"\\u2581\\u13d7\\u13cd\\u13a9\\u13ef\\u13d3\\u13c2\\u13b8\\u13a9\": 14950,\n    \"\\u13d1\\u13b5\\u13cd\\u13ac\\u13a2\": 14951,\n    \"\\u2581\\u13c2\\u13aa\\u13a9\\u13ea\\u13ce\": 14952,\n    \"\\u2581\\u13d7\\u13cd\\u13d9\\u13cd\": 14953,\n    \"\\u2581\\u13a6\\u13b5\\u13d3\\u13cd\\u13d4\\u13c5\": 14954,\n    \"\\u2581\\u13a0\\u13ab\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 14955,\n    \"\\u2581\\u13da\\u13c3\\u13ae\": 14956,\n    \"\\u2581\\u13f3\\u13e9\\u13d4\\u13c5\": 14957,\n    \"\\u2581\\u13c2\\u13a8\\u13d0\": 14958,\n    \"\\u2581\\u13c5\\u13d3\\u13f2\": 14959,\n    \"\\u2581\\u13d7\\u13e3\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 14960,\n    \"\\u2581\\u13d5\\u13a6\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\": 14961,\n    \"\\u13b4\\u13f4\\u13cd\\u13d3\": 14962,\n    \"\\u2581\\u13a2\\u13e7\\u13c5\\u13c1\\u13d7\\u13f1\": 14963,\n    \"\\u2581\\u13ed\\u13d7\\u13e2\\u13cd\\u13d4\\u13c1\\u13a2\": 14964,\n    \"\\u13e7\\u13e1\\u13cd\": 14965,\n    \"\\u2581\\u13da\\u13be\\u13d7\\u13c5\\u13ce\": 14966,\n    \"\\u2581\\u13d6\\u13cf\": 14967,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13da\": 14968,\n    \"\\u13f0\\u13a5\": 14969,\n    \"\\u2581\\u13a6\\u13b4\\u13f4\": 14970,\n    \"\\u2581\\u13a5\\u13bf\": 14971,\n    \"\\u2581\\u13e7\\u13c2\\u13b6\\u13ce\\u13a2\": 14972,\n    \"\\u2581\\u13da\\u13be\\u13d0\\u13b8\": 14973,\n    \"\\u13cc\\u13d7\\u13a6\": 14974,\n    \"\\u2581\\u13a4\\u13c2\\u13bf\\u13b7\\u13d2\": 14975,\n    \"\\u2581\\u13a0\\u13c6\\u13b4\\u13c5\\u13b2\": 14976,\n    \"\\u2581\\u13d3\\u13be\\u13e3\": 14977,\n    \"\\u2581\\u13a5\\u13a9\\u13b1\\u13cd\\u13d5\\u13ce\\u13b8\": 14978,\n    \"\\u2581\\u13e7\\u13cd\\u13c6\\u13c3\\u13f4\\u13aa\": 14979,\n    \"\\u2581\\u13e5\\u13c4\\u13be\\u13b5\\u13cd\\u13d4\\u13c5\": 14980,\n    \"\\u2581\\u13e9\\u13c2\\u13b6\\u13af\": 14981,\n    \"\\u2581\\u13a0\\u13c6\\u13b4\\u13c2\\u13d3\\u13cd\\u13d7\\u13f1\": 14982,\n    \"\\u2581\\u13e3\\u13dd\\u13ae\": 14983,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13d5\\u13b5\\u13cd\\u13a9\": 14984,\n    \"\\u2581\\u13a4\\u13c4\\u13e2\\u13d4\\u13c5\\u13a9\": 14985,\n    \"\\u13a6\\u13b5\\u13cd\\u13d7\\u13f0\\u13d3\\u13c1\\u13ad\": 14986,\n    \"\\u2581\\u13d3\\u13c1\\u13a8\": 14987,\n    \"\\u2581\\u13f3\\u13d7\\u13db\\u13ad\": 14988,\n    \"\\u13c2\\u13c9\\u13d8\": 14989,\n    \"\\u2581\\u13d5\\u13e5\\u13c1\\u13ae\\u13cd\\u13d7\": 14990,\n    \"\\u2581\\u13ef\\u13be\\u13cc\": 14991,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13d3\\u13e9\\u13d7\\u13d9\\u13ae\": 14992,\n    \"\\u2581\\u13a0\\u13c1\\u13d9\\u13b5\\u13d9\": 14993,\n    \"\\u2581\\u13eb\\u13e8\\u13b7\\u13e4\\u13b8\": 14994,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13c1\\u13b8\\u13a9\": 14995,\n    \"\\u13e5\\u13ef\\u13b5\\u13d7\\u13a1\": 14996,\n    \"\\u13e5\\u13cc\\u13b3\\u13d3\\u13c5\\u13ad\": 14997,\n    \"\\u2581\\u13d7\\u13e8\\u13f3\\u13aa\\u13d3\\u13c1\\u13d7\": 14998,\n    \"\\u2581\\u13f1\\u13c3\\u13e3\\u13db\\u13c1\": 14999,\n    \"\\u2581\\u13a4\\u13db\\u13be\\u13d7\\u13a6\\u13b3\\u13eb\\u13a2\\u13cd\\u13d7\\u13f1\": 15000,\n    \"\\u2581\\u13d3\\u13e3\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b5\": 15001,\n    \"\\u13e5\\u13d9\\u13b5\\u13e8\\u13af\": 15002,\n    \"\\u13da\\u13aa\\u13d3\\u13c1\\u13b8\": 15003,\n    \"\\u13e5\\u13cd\\u13d3\": 15004,\n    \"\\u2581\\u13d7\\u13c2\\u13c1\\u13b3\": 15005,\n    \"\\u2581\\u13a4\\u13ea\\u13ef\\u13e2\\u13c1\": 15006,\n   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\"\\u2581\\u13a4\\u13e0\\u13ef\\u13cd\\u13d9\\u13d7\\u13f1\": 15022,\n    \"\\u2581\\u13a6\\u13be\\u13c4\\u13aa\\u13eb\\u13cd\\u13ac\": 15023,\n    \"\\u2581\\u13d9\\u13d3\\u13e8\\u13f2\\u13cf\": 15024,\n    \"\\u2581\\u13da\\u13cd\\u13d4\\u13c5\\u13c5\": 15025,\n    \"\\u2581\\u13e3\\u13a2\\u13ce\\u13a2\": 15026,\n    \"\\u2581\\u13d9\\u13db\\u13c2\\u13b5\": 15027,\n    \"\\u2581\\u13a6\\u13be\\u13b1\\u13a9\\u13cd\\u13ac\": 15028,\n    \"\\u2581\\u13cd\\u13a9\\u13f2\\u13ae\\u13b8\\u13ad\": 15029,\n    \"\\u2581\\u13d7\\u13e3\\u13b8\\u13eb\\u13cd\\u13d3\\u13cf\": 15030,\n    \"\\u2581\\u13d7\\u13e5\\u13b8\\u13eb\\u13cd\\u13d3\\u13cf\": 15031,\n    \"\\u2581\\u13ad\\u13b4\\u13eb\\u13cd\\u13d3\": 15032,\n    \"\\u2581\\u13d9\\u13d3\\u13ac\\u13e9\\u13c2\\u13be\\u13e2\\u13c2\": 15033,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13db\\u13c2\\u13b4\\u13a2\": 15034,\n    \"\\u2581\\u13c2\\u13ac\\u13e9\\u13c5\\u13bf\\u13d5\\u13ac\": 15035,\n    \"\\u2581\\u13a4\\u13bf\\u13cd\\u13ac\\u13e4\": 15036,\n    \"\\u2581\\u13ad\\u13d3\\u13c4\\u13d6\\u13ef\": 15037,\n    \"\\u2581\\u13af\\u13c4\\u13f4\\u13d3\": 15038,\n    \"\\u2581\\u13be\\u13cb\\u13c1\\u13ad\": 15039,\n    \"\\u13d3\\u13c5\\u13a6\\u13b8\\u13be\": 15040,\n    \"\\u2581\\u13a4\\u13c2\\u13c2\\u13ac\\u13ac\": 15041,\n    \"\\u2581\\u13a4\\u13c4\\u13ec\\u13cd\\u13db\\u13a9\": 15042,\n    \"\\u2581\\u13ee\\u13d3\\u13e8\\u13b7\\u13e4\\u13b5\": 15043,\n    \"\\u2581\\u13e5\\u13ef\\u13ce\\u13b5\\u13d3\\u13c1\\u13b8\": 15044,\n    \"\\u2581\\u13ac\\u13e9\\u13db\\u13a6\\u13c1\\u13b8\\u13af\": 15045,\n    \"\\u13c6\\u13ad\\u13bb\": 15046,\n    \"\\u2581\\u13d3\\u13a9\\u13b7\\u13eb\\u13cd\\u13d4\\u13c1\": 15047,\n    \"\\u2581\\u13e5\\u13a9\\u13b5\\u13f2\\u13a6\": 15048,\n    \"\\u2581\\u13a0\\u13c2\\u13e5\\u13b8\\u13cd\\u13a9\": 15049,\n    \"\\u13d1\\u13b4\\u13a5\\u13af\": 15050,\n    \"\\u13f4\\u13b2\\u13ad\": 15051,\n    \"\\u2581\\u13d3\\u13db\\u13a9\\u13ad\": 15052,\n    \"\\u2581\\u13e5\\u13c6\\u13b5\\u13cf\": 15053,\n    \"\\u2581\\u13eb\\u13c2\\u13a8\": 15054,\n    \"\\u2581\\u13e7\\u13ed\\u13aa\\u13d3\\u13c1\\u13d7\\u13f1\": 15055,\n    \"\\u2581\\u13a6\\u13c5\\u13c1\\u13ae\\u13cd\\u13d7\": 15056,\n    \"\\u2581\\u13f3\\u13d3\\u13b8\": 15057,\n    \"\\u2581\\u13a4\\u13d3\\u13f1\\u13b8\\u13a9\": 15058,\n    \"\\u2581\\u13a9\\u13ef\\u13d2\\u13a6\\u13b6\\u13d7\": 15059,\n    \"\\u2581\\u13a7\\u13c3\\u13a8\": 15060,\n    \"\\u2581\\u13e7\\u13c3\\u13ea\\u13b3\\u13c5\\u13af\": 15061,\n    \"\\u2581\\u13d3\\u13cd\\u13ab\\u13d3\\u13db\": 15062,\n    \"\\u2581\\u13ed\\u13a6\\u13d6\": 15063,\n    \"\\u13d3\\u13f2\\u13e4\\u13b3\\u13cd\\u13d4\\u13c2\": 15064,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d4\\u13c2\\u13a6\": 15065,\n    \"\\u2581\\u13a4\\u13a9\\u13b6\\u13eb\\u13ce\": 15066,\n    \"\\u2581\\u13a4\\u13e4\\u13b8\\u13b2\": 15067,\n    \"\\u2581\\u13f1\\u13ef\\u13a1\": 15068,\n    \"\\u2581\\u13d7\\u13ef\\u13e0\": 15069,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13a6\\u13c1\\u13b8\": 15070,\n    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15173,\n    \"\\u13cf\\u13d9\\u13c2\": 15174,\n    \"\\u2581\\u13c4\\u13c1\\u13e4\": 15175,\n    \"\\u2581\\u13a2\\u13e5\\u13a6\\u13d4\\u13af\": 15176,\n    \"\\u13ac\\u13ef\\u13ab\\u13f4\\u13a1\\u13b8\": 15177,\n    \"\\u13d3\\u13be\\u13e3\\u13c5\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 15178,\n    \"\\u2581\\u13c2\\u13d7\\u13a6\\u13b8\\u13c9\": 15179,\n    \"\\u13d1\\u13b8\": 15180,\n    \"\\u2581\\u13a1\\u13e5\\u13a7\\u13b5\\u13a2\": 15181,\n    \"\\u2581\\u13a4\\u13c2\\u13ad\\u13b7\\u13ac\": 15182,\n    \"\\u13da\\u13a2\\u13cd\\u13d4\\u13c5\\u13a2\": 15183,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13ef\\u13b7\\u13a5\\u13cd\\u13a9\": 15184,\n    \"\\u2581\\u13a4\\u13ee\\u13d7\": 15185,\n    \"\\u2581\\u13a0\\u13df\\u13c3\\u13ae\\u13d9\\u13d7\": 15186,\n    \"\\u2581\\u13a0\\u13d3\\u13db\\u13cd\\u13ac\": 15187,\n    \"\\u13ef\\u13aa\\u13d7\\u13f1\": 15188,\n    \"\\u2581\\u13e5\\u13d3\\u13a6\\u13b4\\u13d4\\u13c1\": 15189,\n    \"\\u2581\\u13f3\\u13c2\\u13b8\\u13c9\": 15190,\n    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15469,\n    \"\\u2581\\u13a4\\u13c2\\u13f0\\u13b8\\u13ce\\u13cd\\u13d7\": 15470,\n    \"\\u13ce\\u13ae\\u13b5\": 15471,\n    \"\\u13d7\\u13e5\\u13f2\\u13df\": 15472,\n    \"\\u2581\\u13c5\\u13e7\": 15473,\n    \"\\u2581\\u13a7\\u13c1\\u13e8\\u13af\": 15474,\n    \"\\u13cd\\u13a6\\u13c5\\u13ac\": 15475,\n    \"\\u2581\\u13ac\\u13c3\\u13cc\": 15476,\n    \"\\u2581\\u13e5\\u13d5\\u13a6\\u13d3\": 15477,\n    \"\\u13e5\\u13cd\\u13d4\\u13dd\": 15478,\n    \"\\u13bc\\u13d3\": 15479,\n    \"\\u2581\\u13da\\u13c2\\u13ef\\u13d9\\u13ae\": 15480,\n    \"\\u2581\\u13e6\\u13a9\\u13c3\\u13a9\\u13cd\": 15481,\n    \"\\u13b5\\u13d1\\u13eb\": 15482,\n    \"\\u2581\\u13d7\\u13e8\\u13cd\\u13d7\\u13f1\": 15483,\n    \"\\u2581\\u13c4\\u13be\\u13d3\\u13d5\": 15484,\n    \"\\u2581\\u13d5\\u13e8\\u13ef\\u13e0\\u13a2\\u13cd\\u13d3\\u13c1\": 15485,\n    \"\\u2581\\u13af\\u13e3\": 15486,\n    \"\\u2581\\u13d8\\u13ef\\u13d9\": 15487,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13c1\\u13a2\": 15488,\n    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\"\\u2581\\u13d7\\u13aa\\u13e2\\u13d2\": 15817,\n    \"\\u13af\\u13ef\\u13cd\\u13aa\": 15818,\n    \"\\u2581\\u13e3\\u13d2\\u13a6\\u13b8\": 15819,\n    \"\\u13e6\\u13b5\": 15820,\n    \"\\u13b3\\u13eb\\u13a9\": 15821,\n    \"\\u2581\\u13ec\\u13b6\\u13d2\": 15822,\n    \"\\u13a2\\u13b5\\u13bb\": 15823,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13d9\\u13b5\": 15824,\n    \"\\u2581\\u13ad\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 15825,\n    \"\\u2581\\u13a0\\u13c2\\u13a1\\u13bc\": 15826,\n    \"\\u13eb\\u13c5\": 15827,\n    \"\\u2581\\u13a2\\u13d1\": 15828,\n    \"\\u2581\\u13da\\u13d3\\u13a8\": 15829,\n    \"\\u13a8\\u13e3\\u13e1\\u13d7\\u13ad\": 15830,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d3\\u13f4\\u13c5\": 15831,\n    \"\\u2581\\u13a4\\u13ec\\u13b4\\u13cd\\u13d7\": 15832,\n    \"\\u2581\\u13da\\u13be\\u13b5\\u13cd\": 15833,\n    \"\\u13c1\\u13e5\\u13ea\\u13cf\": 15834,\n    \"\\u2581\\u13e5\\u13a9\\u13ef\\u13a0\": 15835,\n    \"\\u13e5\\u13c1\\u13e4\\u13b8\\u13a2\": 15836,\n    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15872,\n    \"\\u2581\\u13a4\\u13ea\\u13b5\\u13ce\\u13b4\\u13a2\": 15873,\n    \"\\u2581\\u13ac\\u13c6\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\": 15874,\n    \"\\u13d7\\u13e5\\u13a6\\u13d8\\u13ef\": 15875,\n    \"\\u2581\\u13c4\\u13d3\\u13b5\": 15876,\n    \"\\u2581\\u13d7\\u13d3\\u13b5\\u13ce\": 15877,\n    \"\\u2581\\u13d3\\u13c2\\u13d9\\u13ac\\u13a9\": 15878,\n    \"\\u2581\\u13c2\\u13a4\\u13ea\\u13ce\\u13a2\": 15879,\n    \"\\u13ec\\u13c1\\u13d4\\u13c5\\u13a9\": 15880,\n    \"\\u2581\\u13a2\\u13f3\\u13b5\\u13cd\\u13d4\\u13c5\\u13a9\": 15881,\n    \"\\u2581\\u13d9\\u13cd\": 15882,\n    \"\\u2581\\u13f1\\u13ac\\u13f3\": 15883,\n    \"\\u2581\\u13a0\\u13d3\\u13ec\\u13cd\\u13d7\": 15884,\n    \"\\u2581\\u13a2\\u13e8\\u13f0\\u13b3\\u13d7\\u13d9\\u13b2\\u13a9\": 15885,\n    \"\\u2581\\u13a2\\u13e8\\u13c3\\u13c1\": 15886,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13ac\\u13a9\": 15887,\n    \"\\u13a6\\u13e5\\u13ef\\u13e2\\u13d4\": 15888,\n    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\"\\u2581\\u13f3\\u13ec\\u13e2\\u13c1\": 15907,\n    \"\\u2581\\u13a0\\u13a9\\u13b5\\u13f2\\u13ac\\u13a2\": 15908,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13ae\": 15909,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13b8\\u13af\": 15910,\n    \"\\u2581\\u13e7\\u13ed\\u13aa\\u13d3\\u13c1\": 15911,\n    \"\\u2581\\u13ed\\u13be\\u13d3\\u13dd\": 15912,\n    \"\\u2581\\u13c2\\u13e8\\u13ea\\u13ce\\u13b8\\u13a2\": 15913,\n    \"\\u2581\\u13d7\\u13a6\\u13d9\": 15914,\n    \"\\u2581\\u13d9\\u13d3\\u13cd\": 15915,\n    \"\\u2581\\u13e4\\u13aa\": 15916,\n    \"\\u13aa\\u13b2\\u13ad\": 15917,\n    \"\\u2581\\u13d7\\u13a8\\u13f4\": 15918,\n    \"\\u13be\\u13cd\\u13a9\\u13ef\": 15919,\n    \"\\u2581\\u13eb\\u13a6\\u13e5\\u13b7\\u13e4\\u13b8\": 15920,\n    \"\\u2581\\u13a0\\u13c3\\u13af\\u13cd\\u13d7\\u13cd\\u13a9\": 15921,\n    \"\\u2581\\u13c2\\u13a8\\u13ac\\u13c1\\u13b8\\u13a2\": 15922,\n    \"\\u2581\\u13da\\u13eb\\u13de\\u13eb\\u13d2\\u13a2\": 15923,\n    \"\\u13cd\\u13ab\\u13d3\\u13d5\\u13a2\": 15924,\n    \"\\u2581\\u13e9\\u13c2\\u13a6\\u13db\\u13a2\": 15925,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\\u13d8\\u13c3\\u13b8\": 15926,\n    \"\\u2581\\u13eb\\u13da\\u13f3\\u13aa\\u13db\\u13a2\": 15927,\n    \"\\u2581\\u13a0\\u13a9\\u13aa\\u13c1\\u13b8\\u13a2\": 15928,\n    \"\\u2581\\u13a4\\u13c5\\u13cd\\u13a6\\u13b4\\u13a2\": 15929,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13aa\\u13b8\\u13d4\\u13c1\\u13a2\": 15930,\n    \"\\u2581\\u13da\\u13c2\\u13a7\\u13b2\\u13a2\": 15931,\n    \"\\u13a3\\u13cd\\u13aa\\u13a2\": 15932,\n    \"\\u2581\\u13d5\\u13ab\\u13aa\\u13d7\\u13cd\\u13aa\": 15933,\n    \"\\u2581\\u13d3\\u13be\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\\u13a2\": 15934,\n    \"\\u2581\\u13a4\\u13d3\\u13d9\\u13ce\\u13b4\\u13a2\": 15935,\n    \"\\u2581\\u13a2\\u13ac\\u13d9\\u13d7\": 15936,\n    \"\\u13d4\\u13c5\\u13d2\\u13a2\": 15937,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13db\\u13a2\": 15938,\n    \"\\u13be\\u13d3\\u13cd\\u13d5\\u13d3\\u13b5\\u13f4\\u13d3\": 15939,\n    \"\\u2581\\u13f3\\u13c2\\u13aa\\u13ae\\u13a2\": 15940,\n    \"\\u2581\\u13da\\u13be\\u13b5\\u13aa\\u13c1\\u13b4\": 15941,\n    \"\\u2581\\u13c5\\u13e9\\u13cd\\u13d5\\u13a2\": 15942,\n    \"\\u2581\\u13c2\\u13a6\\u13e5\\u13f4\\u13c1\\u13b8\\u13a2\": 15943,\n    \"\\u2581\\u13f1\\u13c4\\u13b5\\u13cd\\u13d3\": 15944,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\\u13d8\\u13c5\\u13cd\\u13d4\\u13c1\": 15945,\n    \"\\u2581\\u13eb\\u13d3\\u13ac\": 15946,\n    \"\\u2581\\u13f1\\u13ac\\u13d7\": 15947,\n    \"\\u13b5\\u13c2\\u13aa\\u13cd\\u13ac\\u13a2\": 15948,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13d5\\u13b5\\u13cd\\u13ac\\u13a2\": 15949,\n    \"\\u13f1\\u13b5\\u13d0\": 15950,\n    \"\\u2581\\u13a4\\u13db\\u13c5\\u13a2\\u13cd\\u13db\": 15951,\n    \"\\u2581\\u13da\\u13d3\\u13c2\\u13b8\\u13e4\\u13a2\": 15952,\n    \"\\u2581\\u13f1\\u13d9\\u13ac\\u13be\": 15953,\n    \"\\u2581\\u13e8\\u13d3\\u13e5\\u13c1\": 15954,\n    \"\\u2581\\u13a0\\u13c2\\u13b7\\u13ac\\u13a2\": 15955,\n    \"\\u13ef\\u13b6\\u13d8\": 15956,\n    \"\\u13a0\\u13d0\": 15957,\n    \"\\u2581\\u13a2\\u13e5\\u13aa\\u13b2\\u13a2\": 15958,\n    \"\\u2581\\u13a2\\u13d9\\u13bb\\u13f1\": 15959,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d4\\u13ae\\u13a2\": 15960,\n    \"\\u2581\\u13e5\\u13ef\\u13db\\u13a6\\u13c1\\u13d7\": 15961,\n    \"\\u13ac\\u13e9\\u13e9\\u13db\\u13b2\\u13c3\": 15962,\n    \"\\u2581\\u13da\\u13be\\u13da\\u13eb\\u13cd\\u13db\": 15963,\n    \"\\u2581\\u13ce\\u13b3\\u13bb\": 15964,\n    \"\\u2581\\u13a2\\u13e8\\u13ec\\u13c1\\u13d4\\u13c5\\u13a2\": 15965,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d9\\u13d7\": 15966,\n    \"\\u2581\\u13a0\\u13a8\\u13b3\\u13d7\\u13cd\": 15967,\n    \"\\u13b3\\u13c1\\u13b8\\u13a9\": 15968,\n    \"\\u2581\\u13d5\\u13aa\\u13ce\\u13b2\": 15969,\n    \"\\u2581\\u13a2\\u13cd\\u13d3\\u13db\\u13c5\": 15970,\n    \"\\u2581\\u13da\\u13ea\\u13a7\\u13c1\\u13b4\\u13a2\": 15971,\n    \"\\u2581\\u13a2\\u13e8\\u13d3\": 15972,\n    \"\\u2581\\u13d3\\u13ad\\u13e6\": 15973,\n    \"\\u2581\\u13a4\\u13d3\\u13c1\\u13b5\": 15974,\n    \"\\u2581\\u13be\\u13c6\\u13b5\\u13cd\\u13d3\\u13c1\\u13b8\\u13a2\": 15975,\n    \"\\u2581\\u13a0\\u13b4\\u13c2\\u13d9\\u13b2\": 15976,\n    \"\\u2581\\u13f1\\u13e4\\u13b5\": 15977,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13f2\": 15978,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\\u13ce\\u13d7\\u13f3\": 15979,\n    \"\\u2581\\u13da\\u13c2\\u13c2\\u13f4\\u13ae\\u13a2\": 15980,\n    \"\\u13d4\\u13c3\\u13af\\u13cd\\u13d4\": 15981,\n    \"\\u2581\\u13da\\u13c2\\u13d2\\u13be\": 15982,\n    \"\\u2581\\u13f1\\u13da\\u13a7\": 15983,\n    \"\\u2581\\u13a4\\u13c1\\u13d4\\u13c5\\u13af\": 15984,\n    \"\\u2581\\u13d3\\u13a7\\u13be\\u13e9\\u13d7\": 15985,\n    \"\\u2581\\u13a0\\u13aa\\u13b2\\u13cd\\u13d9\\u13d7\": 15986,\n    \"\\u2581\\u13a6\\u13f2\\u13df\\u13a8\\u13c9\": 15987,\n    \"\\u13ac\\u13c2\\u13cd\\u13d7\\u13cd\\u13a8\": 15988,\n    \"\\u2581\\u13f1\\u13d3\\u13be\\u13d5\\u13cd\\u13aa\": 15989,\n    \"\\u13f2\\u13cd\\u13d3\\u13d7\": 15990,\n    \"\\u13d3\\u13f1\\u13ad\": 15991,\n    \"\\u2581\\u13a4\\u13f4\\u13d4\\u13c2\\u13b8\": 15992,\n    \"\\u2581\\u13a4\\u13e9\\u13e5\": 15993,\n    \"\\u2581\\u13e9\\u13c1\\u13d9\\u13b2\": 15994,\n    \"\\u2581\\u13c5\\u13db\\u13c5\": 15995,\n    \"\\u2581\\u13f3\\u13eb\\u13da\": 15996,\n    \"\\u13d3\\u13ac\\u13ef\\u13db\\u13c1\\u13b5\": 15997,\n    \"\\u2581\\u13a4\\u13ec\\u13e5\": 15998,\n    \"\\u13a6\\u13d3\\u13c2\\u13b8\\u13e8\\u13a9\": 15999,\n    \"\\u2581\\u13d7\\u13cd\\u13c6\\u13c2\\u13aa\\u13db\": 16000,\n    \"\\u2581\\u13f1\\u13c5\\u13e9\\u13cd\\u13d5\": 16001,\n    \"\\u2581\\u13a6\\u13c5\\u13ec\\u13cd\\u13a8\": 16002,\n    \"\\u2581\\u13eb\\u13a6\\u13b6\\u13af\\u13cd\\u13d7\\u13f1\": 16003,\n    \"\\u2581\\u13f1\\u13e8\\u13c5\": 16004,\n    \"\\u2581\\u13d7\\u13a7\\u13c5\": 16005,\n    \"\\u2581\\u13c4\\u13da\": 16006,\n    \"\\u13d3\\u13cc\\u13c6\\u13b4\\u13cd\": 16007,\n    \"\\u13ec\\u13b7\\u13e9\\u13db\": 16008,\n    \"\\u2581\\u13db\\u13cd\\u13c6\": 16009,\n    \"\\u2581\\u13a4\\u13c3\\u13ad\\u13dd\": 16010,\n    \"\\u2581\\u13ac\\u13e9\\u13db\\u13d7\\u13f1\": 16011,\n    \"\\u2581\\u13a4\\u13c2\\u13c2\\u13ac\\u13ce\\u13b2\\u13a2\": 16012,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13a6\\u13b8\\u13db\": 16013,\n    \"\\u2581\\u13d5\\u13a0\\u13c1\\u13b2\": 16014,\n    \"\\u2581\\u13a0\\u13d3\\u13af\\u13cd\\u13d7\\u13f1\": 16015,\n    \"\\u13e2\\u13be\\u13cf\": 16016,\n    \"\\u13a2\\u13cd\\u13d3\": 16017,\n    \"\\u13d1\\u13b5\\u13aa\\u13ac\\u13be\": 16018,\n    \"\\u2581\\u13a4\\u13cf\\u13d4\\u13db\": 16019,\n    \"\\u13b3\\u13d7\\u13cd\\u13aa\": 16020,\n    \"\\u13d5\\u13b2\\u13a2\": 16021,\n    \"\\u2581\\u13a2\\u13cd\\u13db\\u13d4\\u13f2\\u13ce\": 16022,\n    \"\\u2581\\u13a2\\u13d7\\u13ac\\u13c1\\u13af\": 16023,\n    \"\\u2581\\u13da\\u13b8\\u13c9\\u13d7\\u13f3\": 16024,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d6\\u13cd\\u13a8\\u13cd\\u13d7\": 16025,\n    \"\\u2581\\u13eb\\u13c2\\u13d7\": 16026,\n    \"\\u2581\\u13a4\\u13f2\\u13cd\\u13d9\\u13d7\\u13f1\": 16027,\n    \"\\u13e9\\u13ad\": 16028,\n    \"\\u13cd\\u13aa\\u13c2\\u13b5\": 16029,\n    \"\\u13cc\\u13b3\\u13d7\\u13cd\\u13aa\": 16030,\n    \"\\u13be\\u13d3\\u13d7\\u13eb\\u13ce\\u13b8\": 16031,\n    \"\\u13c4\\u13b5\\u13cd\\u13d3\\u13c1\\u13b4\\u13a2\": 16032,\n    \"\\u13ac\\u13eb\\u13f3\\u13d4\\u13c5\": 16033,\n    \"\\u2581\\u13a1\\u13e7\\u13d3\\u13b4\": 16034,\n    \"\\u2581\\u13af\\u13f2\\u13a2\\u13f3\\u13b2\": 16035,\n    \"\\u13c5\\u13aa\\u13a3\\u13d2\": 16036,\n    \"\\u13b5\\u13ce\\u13d7\\u13f1\": 16037,\n    \"\\u2581\\u13e7\\u13d3\\u13c2\\u13b8\\u13e8\\u13af\": 16038,\n    \"\\u2581\\u13e3\\u13a6\\u13cc\\u13ef\\u13cd\": 16039,\n    \"\\u13d9\\u13b5\\u13e8\\u13a2\": 16040,\n    \"\\u13b5\\u13c3\\u13a1\\u13d4\": 16041,\n    \"\\u2581\\u13da\\u13be\\u13a6\\u13b4\\u13c5\\u13b2\": 16042,\n    \"\\u2581\\u13a0\\u13cd\\u13a9\\u13e5\\u13cd\": 16043,\n    \"\\u2581\\u13a0\\u13f3\\u13a2\": 16044,\n    \"\\u2581\\u13a6\\u13c3\\u13aa\\u13a2\": 16045,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13c5\\u13d6\\u13cd\": 16046,\n    \"\\u13a6\\u13b5\\u13cd\\u13d9\": 16047,\n    \"\\u2581\\u13eb\\u13d7\\u13e3\": 16048,\n    \"\\u13be\\u13a6\\u13d4\\u13c5\\u13ce\": 16049,\n    \"\\u13cd\\u13d3\\u13c1\\u13b4\\u13a2\": 16050,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13cd\\u13da\\u13c1\\u13d7\": 16051,\n    \"\\u2581\\u13ac\\u13e9\\u13b8\\u13b8\": 16052,\n    \"\\u2581\\u13e3\\u13d5\\u13b8\": 16053,\n    \"\\u2581\\u13e7\\u13ef\\u13c5\\u13d7\": 16054,\n    \"\\u2581\\u13ac\\u13e9\\u13be\\u13b5\\u13aa\\u13c1\": 16055,\n    \"\\u2581\\u13eb\\u13cd\\u13a9\\u13ef\\u13c5\": 16056,\n    \"\\u13b6\\u13e4\": 16057,\n    \"\\u2581\\u13a0\\u13cd\\u13d5\\u13b8\\u13d7\\u13f1\": 16058,\n    \"\\u2581\\u13a4\\u13d5\\u13b0\": 16059,\n    \"\\u13e5\\u13c3\\u13af\\u13cd\\u13d9\\u13d7\": 16060,\n    \"\\u2581\\u13f1\\u13c4\\u13be\\u13b5\\u13cd\\u13d4\": 16061,\n    \"\\u2581\\u13a2\\u13e3\\u13a6\\u13d4\\u13b2\\u13be\": 16062,\n    \"\\u2581\\u13a0\\u13c9\\u13b8\\u13a2\": 16063,\n    \"\\u13be\\u13c6\\u13b5\\u13cd\\u13d3\\u13cf\": 16064,\n    \"\\u2581\\u13a6\\u13dd\": 16065,\n    \"\\u2581\\u13a4\\u13d3\\u13cd\\u13a6\": 16066,\n    \"\\u13c9\\u13e2\\u13c5\": 16067,\n    \"\\u2581\\u13e4\\u13e3\\u13c1\\u13b6\\u13d9\\u13d7\": 16068,\n    \"\\u2581\\u13d3\\u13a6\\u13b6\\u13d0\\u13c2\": 16069,\n    \"\\u13e3\\u13d3\\u13a8\\u13f3\\u13d2\": 16070,\n    \"\\u2581\\u13a0\\u13a6\\u13c1\\u13b3\\u13c5\\u13af\": 16071,\n    \"\\u2581\\u13d3\\u13e8\\u13ef\\u13ab\\u13f4\": 16072,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d4\\u13c5\\u13a9\": 16073,\n    \"\\u2581\\u13a4\\u13b6\\u13aa\\u13d7\": 16074,\n    \"\\u13a8\\u13e2\\u13c5\\u13ad\": 16075,\n    \"\\u2581\\u13a4\\u13ed\\u13cc\\u13a5\": 16076,\n    \"\\u2581\\u13be\\u13c6\\u13b5\\u13cd\\u13d4\\u13c5\\u13a9\": 16077,\n    \"\\u13e5\\u13c1\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\\u13a9\": 16078,\n    \"\\u2581\\u13a5\\u13a9\\u13d9\\u13b5\": 16079,\n    \"\\u13d9\\u13ce\\u13a2\": 16080,\n    \"\\u2581\\u13aa\\u13b5\\u13ac\\u13a9\": 16081,\n    \"\\u2581\\u13a4\\u13a8\\u13f3\\u13ce\": 16082,\n    \"\\u13d9\\u13d1\\u13b5\": 16083,\n    \"\\u13e5\\u13ef\\u13db\\u13a6\\u13c1\\u13b8\": 16084,\n    \"\\u2581\\u13f1\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\": 16085,\n    \"\\u13db\\u13af\\u13cd\\u13d7\\u13cd\\u13a9\": 16086,\n    \"\\u2581\\u13d3\\u13be\\u13cd\\u13aa\": 16087,\n    \"\\u2581\\u13d5\\u13a6\\u13a6\\u13c2\": 16088,\n    \"\\u13d9\\u13d8\": 16089,\n    \"\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\": 16090,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13a6\\u13a9\": 16091,\n    \"\\u2581\\u13f1\\u13d5\\u13af\": 16092,\n    \"\\u2581\\u13cd\\u13cb\\u13c2\": 16093,\n    \"\\u13e3\\u13d2\\u13a9\": 16094,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13cd\\u13d7\": 16095,\n    \"\\u13c5\\u13d4\\u13e9\\u13d7\\u13d2\": 16096,\n    \"\\u2581\\u13a2\\u13ef\\u13a6\\u13db\\u13c1\": 16097,\n    \"\\u2581\\u13ac\\u13d4\": 16098,\n    \"\\u2581\\u13e7\\u13d3\\u13c5\\u13ce\": 16099,\n    \"\\u2581\\u13a0\\u13f2\\u13b1\\u13d2\\u13ad\": 16100,\n    \"\\u2581\\u13a4\\u13c2\\u13f0\\u13b8\\u13c5\\u13a9\": 16101,\n    \"\\u2581\\u13d3\\u13e1\\u13d7\\u13ad\": 16102,\n    \"\\u13e5\\u13cd\\u13a6\\u13a6\": 16103,\n    \"\\u2581\\u13ef\\u13be\\u13d3\\u13c5\\u13d6\": 16104,\n    \"\\u2581\\u13a8\\u13e5\\u13be\\u13c4\\u13aa\\u13eb\": 16105,\n    \"\\u2581\\u13d3\\u13c2\\u13f4\\u13a8\": 16106,\n    \"\\u13d3\\u13c4\\u13aa\\u13d3\\u13c1\": 16107,\n    \"\\u13d3\\u13c1\\u13b0\": 16108,\n    \"\\u2581\\u13a4\\u13cd\\u13d3\\u13f1\\u13db\\u13a9\": 16109,\n    \"\\u13ab\\u13db\": 16110,\n    \"\\u2581\\u13d7\\u13ef\\u13a2\": 16111,\n    \"\\u13f2\\u13af\\u13cd\\u13d9\\u13d7\": 16112,\n    \"\\u2581\\u13ed\\u13c1\\u13d9\\u13b4\": 16113,\n    \"\\u2581\\u13d7\\u13a6\\u13d3\\u13b7\\u13a9\\u13cd\": 16114,\n    \"\\u2581\\u13a4\\u13d1\\u13b5\\u13aa\\u13e8\\u13a9\": 16115,\n    \"\\u13c8\\u13ac\": 16116,\n    \"\\u13c9\\u13af\\u13f3\\u13d3\\u13c1\\u13af\": 16117,\n    \"\\u2581\\u13a0\\u13cc\\u13af\": 16118,\n    \"\\u2581\\u13e5\\u13b8\\u13c9\\u13d9\\u13d7\": 16119,\n    \"\\u13e5\\u13be\\u13f0\\u13cd\\u13ac\\u13a2\": 16120,\n    \"\\u2581\\u13a2\\u13e3\\u13da\\u13b5\\u13ad\": 16121,\n    \"\\u2581\\u13a0\\u13c6\\u13cd\\u13a6\": 16122,\n    \"\\u2581\\u13d5\\u13e5\\u13f4\": 16123,\n    \"\\u13da\\u13cf\": 16124,\n    \"\\u13ce\\u13d2\\u13af\": 16125,\n    \"\\u2581\\u13e5\\u13e8\\u13f2\\u13ea\\u13b3\": 16126,\n    \"\\u2581\\u13da\\u13d2\\u13c5\": 16127,\n    \"\\u13a4\\u13d9\\u13af\\u13f3\\u13d7\": 16128,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13d7\\u13f1\": 16129,\n    \"\\u13be\\u13c5\\u13c5\\u13a9\": 16130,\n    \"\\u13a8\\u13b6\\u13b0\": 16131,\n    \"\\u13a9\\u13f0\\u13a2\": 16132,\n    \"\\u2581\\u13f3\\u13c4\": 16133,\n    \"\\u13c3\\u13ac\\u13c1\\u13b8\": 16134,\n    \"\\u2581\\u13a4\\u13cd\\u13d5\\u13b5\\u13cd\\u13a9\": 16135,\n    \"\\u13c2\\u13da\\u13a9\": 16136,\n    \"\\u13ef\\u13d3\\u13c2\\u13b8\\u13a6\": 16137,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13da\\u13a9\": 16138,\n    \"\\u13e0\\u13af\\u13cd\\u13db\\u13a2\": 16139,\n    \"\\u2581\\u13a4\\u13c2\\u13b6\\u13ce\\u13a2\": 16140,\n    \"\\u2581\\u13a4\\u13cd\\u13d3\\u13e9\\u13db\\u13d2\\u13a9\": 16141,\n    \"\\u2581\\u13e5\\u13d3\\u13e5\\u13f2\": 16142,\n    \"\\u2581\\u13ed\\u13e3\\u13c5\\u13a9\": 16143,\n    \"\\u13be\\u13b5\\u13cd\\u13aa\\u13b8\\u13d4\\u13c5\\u13af\": 16144,\n    \"\\u2581\\u13a4\\u13be\\u13e4\\u13b8\": 16145,\n    \"\\u2581\\u13a0\\u13cb\\u13d7\\u13cd\\u13ac\": 16146,\n    \"\\u2581\\u13a8\\u13b3\\u13c2\": 16147,\n    \"\\u2581\\u13a1\\u13d2\\u13ad\": 16148,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13d6\\u13af\": 16149,\n    \"\\u2581\\u13ed\\u13d3\\u13a9\\u13c5\\u13ce\": 16150,\n    \"\\u13e3\\u13a7\\u13c3\\u13d7\\u13f1\": 16151,\n    \"\\u2581\\u13a2\\u13e8\\u13cd\\u13d7\\u13f0\": 16152,\n    \"\\u2581\\u13a2\\u13a9\\u13d9\": 16153,\n    \"\\u13cd\\u13d9\\u13d7\\u13ad\": 16154,\n    \"\\u13d3\\u13b5\\u13f1\": 16155,\n    \"\\u2581\\u13d5\\u13e5\\u13ef\\u13a6\\u13c5\": 16156,\n    \"\\u2581\\u13b2\\u13d4\\u13c5\": 16157,\n    \"\\u13da\\u13d3\\u13b4\\u13cd\": 16158,\n    \"\\u2581\\u13ec\\u13a9\\u13b6\\u13af\\u13cd\\u13d7\": 16159,\n    \"\\u13a9\\u13ef\\u13c5\\u13a1\\u13b5\": 16160,\n    \"\\u2581\\u13d9\\u13e5\\u13cd\\u13d7\\u13f0\\u13d7\": 16161,\n    \"\\u2581\\u13a4\\u13ea\\u13a7\\u13b2\\u13a2\": 16162,\n    \"\\u2581\\u13d9\\u13d3\\u13c2\": 16163,\n    \"\\u13ad\\u13c1\\u13cd\\u13d7\": 16164,\n    \"\\u13d4\\u13c5\\u13c5\\u13a9\": 16165,\n    \"\\u13c5\\u13cd\\u13d4\\u13c5\\u13a2\": 16166,\n    \"\\u2581\\u13a4\\u13d3\\u13b8\\u13a2\": 16167,\n    \"\\u2581\\u13f1\\u13c4\\u13b5\\u13cd\\u13d4\\u13c1\\u13a2\": 16168,\n    \"\\u2581\\u13e3\\u13cd\\u13c6\\u13c2\\u13aa\\u13db\": 16169,\n    \"\\u13ef\\u13ea\\u13a2\\u13cd\\u13d4\\u13c5\": 16170,\n    \"\\u2581\\u13e5\\u13ec\\u13c2\\u13cd\\u13ac\\u13a2\": 16171,\n    \"\\u2581\\u13c2\\u13e3\\u13d3\\u13a8\\u13f3\\u13d2\\u13a2\": 16172,\n    \"\\u2581\\u13c2\\u13d3\\u13d9\\u13d3\\u13c8\\u13d2\\u13a2\": 16173,\n    \"\\u13cd\\u13da\\u13c5\": 16174,\n    \"\\u2581\\u13da\\u13c4\\u13e9\\u13a5\\u13a2\": 16175,\n    \"\\u2581\\u13be\\u13ac\\u13c1\\u13b4\\u13a2\": 16176,\n    \"\\u2581\\u13a4\\u13c1\\u13d9\\u13b8\\u13a9\": 16177,\n    \"\\u2581\\u13a4\\u13be\\u13c5\\u13c1\\u13a2\": 16178,\n    \"\\u2581\\u13a0\\u13a9\\u13c6\": 16179,\n    \"\\u13e3\\u13c1\\u13b8\\u13d4\\u13c5\\u13af\\u13cd\\u13aa\": 16180,\n    \"\\u2581\\u13d7\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\\u13f1\": 16181,\n    \"\\u2581\\u13be\\u13a9\\u13ea\\u13d2\\u13a2\": 16182,\n    \"\\u2581\\u13a0\\u13d9\\u13e9\\u13d7\\u13cd\\u13d7\": 16183,\n    \"\\u2581\\u13af\\u13cd\\u13ab\\u13d5\\u13cd\": 16184,\n    \"\\u13d4\\u13db\\u13c1\\u13b5\": 16185,\n    \"\\u2581\\u13e9\\u13be\\u13a6\\u13b3\\u13af\\u13f3\": 16186,\n    \"\\u13b4\\u13d2\\u13ad\": 16187,\n    \"\\u13d5\\u13b5\\u13db\": 16188,\n    \"\\u2581\\u13d7\\u13d4\\u13b3\": 16189,\n    \"\\u2581\\u13d5\\u13aa\\u13e2\\u13d2\\u13a2\": 16190,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13ac\\u13a2\": 16191,\n    \"\\u2581\\u13af\\u13c3\\u13af\": 16192,\n    \"\\u2581\\u13c2\\u13da\\u13cd\\u13d5\\u13a2\": 16193,\n    \"\\u2581\\u13a4\\u13c2\\u13e5\\u13b8\\u13a2\": 16194,\n    \"\\u13c1\\u13b7\\u13a9\\u13a1\\u13b4\\u13a2\": 16195,\n    \"\\u2581\\u13bb\\u13be\": 16196,\n    \"\\u2581\\u13d9\\u13db\\u13b5\": 16197,\n    \"\\u2581\\u13c4\\u13ec\\u13af\\u13f3\": 16198,\n    \"\\u13f2\\u13c5\": 16199,\n    \"\\u2581\\u13d9\\u13a6\\u13b8\": 16200,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13f1\": 16201,\n    \"\\u2581\\u13a6\\u13b5\\u13a1\\u13b5\\u13ac\\u13a2\": 16202,\n    \"\\u2581\\u13f4\\u13e5\": 16203,\n    \"\\u13b5\\u13f0\\u13a2\\u13b6\\u13b8\": 16204,\n    \"\\u2581\\u13ae\\u13d3\\u13d7\": 16205,\n    \"\\u2581\\u13a2\\u13e5\\u13c1\\u13ac\\u13a2\": 16206,\n    \"\\u13a6\\u13b5\\u13cd\\u13d9\\u13ce\": 16207,\n    \"\\u13d7\\u13cd\\u13a6\\u13b3\\u13c5\\u13a9\": 16208,\n    \"\\u2581\\u13a4\\u13c1\\u13b5\\u13e4\\u13c3\": 16209,\n    \"\\u13e3\\u13c5\\u13d3\\u13d5\\u13ae\": 16210,\n    \"\\u2581\\u13e7\\u13e9\\u13c2\": 16211,\n    \"\\u2581\\u13a4\\u13c7\\u13d3\\u13b8\\u13cd\\u13a9\\u13c2\": 16212,\n    \"\\u13cd\\u13da\\u13c1\\u13b0\": 16213,\n    \"\\u2581\\u13a4\\u13c2\\u13d0\\u13d7\": 16214,\n    \"\\u13c4\\u13d4\\u13a9\": 16215,\n    \"\\u2581\\u13a4\\u13c4\\u13e9\\u13a5\\u13a9\": 16216,\n    \"\\u13ef\\u13a9\\u13b7\\u13e8\": 16217,\n    \"\\u13a9\\u13b7\\u13e4\\u13b8\": 16218,\n    \"\\u2581\\u13a3\\u13a6\\u13db\\u13a6\\u13c5\\u13a9\": 16219,\n    \"\\u2581\\u13a0\\u13c2\\u13aa\\u13e9\\u13d8\\u13cd\\u13ac\\u13a9\": 16220,\n    \"\\u2581\\u13a3\\u13e4\\u13d9\\u13b2\": 16221,\n    \"\\u13e5\\u13c2\\u13f4\\u13af\": 16222,\n    \"\\u2581\\u13a4\\u13be\\u13c2\\u13a9\\u13d0\": 16223,\n    \"\\u13b7\\u13e5\\u13b8\\u13a2\": 16224,\n    \"\\u2581\\u13a0\\u13ef\\u13d6\": 16225,\n    \"\\u2581\\u13e7\\u13a6\\u13e3\": 16226,\n    \"\\u2581\\u13c2\\u13d5\\u13e8\": 16227,\n    \"\\u2581\\u13a4\\u13e3\\u13c1\\u13a2\": 16228,\n    \"\\u2581\\u13f1\\u13c2\\u13e5\\u13ea\\u13ce\": 16229,\n    \"\\u2581\\u13c2\\u13d5\\u13a6\\u13ea\\u13ce\\u13b2\\u13a9\": 16230,\n    \"\\u2581\\u13a4\\u13b7\\u13e5\\u13d7\\u13d2\": 16231,\n    \"\\u13bb\\u13f1\": 16232,\n    \"\\u2581\\u13e5\\u13f2\\u13b5\": 16233,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13df\\u13cc\\u13c5\\u13a9\": 16234,\n    \"\\u2581\\u13a4\\u13d3\\u13cd\\u13db\": 16235,\n    \"\\u13a0\\u13ef\\u13cd\\u13aa\": 16236,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13d8\\u13d7\\u13cd\\u13a8\": 16237,\n    \"\\u2581\\u13f4\\u13ac\\u13db\": 16238,\n    \"\\u2581\\u13a4\\u13ea\\u13a7\\u13af\\u13f4\": 16239,\n    \"\\u13d3\\u13d5\\u13b0\\u13d7\": 16240,\n    \"\\u2581\\u13a4\\u13cd\\u13c8\\u13ef\": 16241,\n    \"\\u13a4\\u13eb\\u13c2\": 16242,\n    \"\\u13c1\\u13c5\\u13ce\\u13a2\": 16243,\n    \"\\u2581\\u13d9\\u13d3\\u13ac\\u13e9\": 16244,\n    \"\\u2581\\u13a0\\u13af\\u13db\": 16245,\n    \"\\u2581\\u13d3\\u13e0\\u13f1\\u13b2\": 16246,\n    \"\\u2581\\u13ec\\u13f1\": 16247,\n    \"\\u13db\\u13d7\\u13cd\\u13ac\\u13a2\": 16248,\n    \"\\u2581\\u13a4\\u13be\\u13c4\\u13aa\\u13e8\\u13a9\": 16249,\n    \"\\u2581\\u13a1\\u13c9\\u13af\": 16250,\n    \"\\u2581\\u13a0\\u13d3\\u13c4\\u13d6\\u13f2\\u13ae\": 16251,\n    \"\\u2581\\u13eb\\u13af\\u13f3\": 16252,\n    \"\\u2581\\u13c5\\u13e5\": 16253,\n    \"\\u2581\\u13f1\\u13a7\\u13c1\": 16254,\n    \"\\u2581\\u13d3\\u13f1\\u13d9\": 16255,\n    \"\\u13d7\\u13cc\\u13a7\": 16256,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d4\\u13c1\\u13a2\": 16257,\n    \"\\u13c2\\u13b7\\u13e4\\u13d7\": 16258,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d5\\u13cd\\u13d4\\u13c1\": 16259,\n    \"\\u13c2\\u13b3\\u13eb\\u13e6\\u13af\": 16260,\n    \"\\u2581\\u13a0\\u13a6\\u13c5\\u13d9\": 16261,\n    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\"\\u2581\\u13a4\\u13be\\u13ce\\u13b5\\u13d4\\u13c5\": 16278,\n    \"\\u13c4\\u13ec\\u13cd\\u13d9\\u13d7\": 16279,\n    \"\\u2581\\u13eb\\u13da\\u13c2\\u13be\": 16280,\n    \"\\u2581\\u13e7\\u13a8\\u13af\\u13d9\": 16281,\n    \"\\u13b5\\u13cd\\u13d4\\u13c1\\u13ad\": 16282,\n    \"\\u2581\\u13d5\\u13a6\\u13b3\": 16283,\n    \"\\u2581\\u13a6\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13ac\": 16284,\n    \"\\u13c1\\u13b5\\u13cc\\u13d5\": 16285,\n    \"\\u13d5\\u13d2\\u13b2\\u13cd\\u13d7\\u13f1\": 16286,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d7\\u13cd\": 16287,\n    \"\\u2581\\u13e5\\u13b0\\u13b5\": 16288,\n    \"\\u13c2\\u13d9\\u13b8\\u13a9\": 16289,\n    \"\\u13c3\\u13b1\\u13b6\\u13d7\": 16290,\n    \"\\u2581\\u13a0\\u13d9\\u13b4\\u13b0\\u13cd\\u13ac\": 16291,\n    \"\\u13c5\\u13d4\\u13db\\u13c1\\u13b5\": 16292,\n    \"\\u13b3\\u13cd\\u13d7\\u13f1\": 16293,\n    \"\\u2581\\u13d5\\u13a4\\u13ea\": 16294,\n    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16311,\n    \"\\u2581\\u13a0\\u13bc\\u13c2\": 16312,\n    \"\\u2581\\u13e7\\u13cd\\u13d4\": 16313,\n    \"\\u13c2\\u13b4\\u13f4\": 16314,\n    \"\\u2581\\u13a0\\u13db\\u13c1\\u13d7\": 16315,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13be\": 16316,\n    \"\\u13c2\\u13df\\u13c5\": 16317,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13b2\": 16318,\n    \"\\u13f0\\u13e3\\u13cd\\u13d7\\u13cd\\u13a8\": 16319,\n    \"\\u2581\\u13a1\\u13d9\\u13a2\\u13f3\\u13c5\": 16320,\n    \"\\u2581\\u13a3\\u13a9\\u13d9\\u13b5\\u13e8\": 16321,\n    \"\\u2581\\u13e5\\u13b7\\u13a9\": 16322,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13c5\": 16323,\n    \"\\u2581\\u13f1\\u13d9\\u13a8\\u13cd\\u13d7\": 16324,\n    \"\\u2581\\u13a6\\u13a8\\u13d7\\u13f3\": 16325,\n    \"\\u2581\\u13e3\\u13ac\\u13cd\\u13aa\\u13b8\": 16326,\n    \"\\u2581\\u13a4\\u13be\\u13d8\": 16327,\n    \"\\u2581\\u13e6\\u13e5\\u13c5\\u13aa\\u13a2\": 16328,\n    \"\\u2581\\u13e3\\u13cd\\u13aa\": 16329,\n    \"\\u2581\\u13a1\\u13b3\\u13d7\\u13a8\": 16330,\n    \"\\u13ed\\u13cd\\u13d8\\u13c5\": 16331,\n    \"\\u2581\\u13a2\\u13d3\\u13b4\\u13c2\\u13d9\\u13b2\": 16332,\n    \"\\u2581\\u13e3\\u13a9\\u13c1\\u13e4\\u13b8\": 16333,\n    \"\\u13db\\u13a6\\u13c1\\u13b5\": 16334,\n    \"\\u13c2\\u13b6\\u13cd\\u13ac\": 16335,\n    \"\\u13a4\\u13c2\\u13cd\\u13a6\\u13e8\": 16336,\n    \"\\u2581\\u13cd\\u13a6\\u13eb\\u13cd\": 16337,\n    \"\\u2581\\u13a4\\u13c1\\u13b3\\u13d7\\u13cd\\u13d7\\u13cd\\u13ac\": 16338,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13a6\\u13a2\\u13b2\\u13a9\": 16339,\n    \"\\u13e5\\u13ec\\u13c1\\u13d7\\u13ad\": 16340,\n    \"\\u2581\\u13c4\\u13cd\\u13a6\": 16341,\n    \"\\u13d8\\u13c3\\u13ae\\u13b4\\u13c3\": 16342,\n    \"\\u2581\\u13a4\\u13c1\\u13a2\\u13cd\\u13d4\\u13c5\\u13a9\": 16343,\n    \"\\u13a0\\u13ce\\u13b5\\u13db\\u13cd\": 16344,\n    \"\\u2581\\u13a4\\u13b5\\u13ae\\u13b5\\u13e8\\u13a9\": 16345,\n    \"\\u2581\\u13d7\\u13f4\\u13c8\": 16346,\n    \"\\u2581\\u13a0\\u13a7\\u13d4\\u13b2\": 16347,\n    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\"\\u2581\\u13ac\\u13e9\\u13d3\\u13c5\\u13c1\\u13ae\": 16365,\n    \"\\u2581\\u13a0\\u13e5\\u13c3\\u13c1\\u13b4\\u13a2\": 16366,\n    \"\\u13d3\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13a6\": 16367,\n    \"\\u13ea\\u13f2\\u13b2\\u13cd\\u13a9\": 16368,\n    \"\\u2581\\u13eb\\u13da\\u13a7\\u13be\\u13c1\\u13a2\": 16369,\n    \"\\u2581\\u13af\\u13e2\\u13be\": 16370,\n    \"\\u2581\\u13ac\\u13e9\\u13f2\\u13b1\": 16371,\n    \"\\u2581\\u13d3\\u13e5\\u13b5\": 16372,\n    \"\\u2581\\u13af\\u13f0\\u13b6\": 16373,\n    \"\\u13d5\\u13e5\\u13f2\\u13d2\": 16374,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13b5\\u13cd\\u13d9\\u13d4\\u13c5\": 16375,\n    \"\\u2581\\u13d5\\u13e5\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\": 16376,\n    \"\\u2581\\u13d3\\u13b3\": 16377,\n    \"\\u2581\\u13e5\\u13d5\\u13a6\\u13b6\": 16378,\n    \"\\u2581\\u13e7\\u13b6\\u13d2\\u13a2\": 16379,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13f1\": 16380,\n    \"\\u2581\\u13a0\\u13be\\u13db\\u13a9\\u13cd\\u13ac\\u13a2\": 16381,\n    \"\\u13a9\\u13b3\\u13be\\u13b6\": 16382,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c5\\u13d6\\u13a2\": 16383,\n    \"\\u2581\\u13a4\\u13cd\\u13d7\\u13f0\\u13d4\\u13c1\\u13a2\": 16384,\n    \"\\u13d3\\u13d3\\u13c5\\u13df\": 16385,\n    \"\\u13aa\\u13a9\\u13c2\\u13c4\\u13aa\": 16386,\n    \"\\u2581\\u13d5\\u13a6\\u13c5\\u13cd\\u13d3\": 16387,\n    \"\\u2581\\u13f3\\u13c7\": 16388,\n    \"\\u2581\\u13ae\\u13b5\\u13a0\\u13cd\\u13aa\": 16389,\n    \"\\u2581\\u13e7\\u13c3\\u13f0\": 16390,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13ae\\u13b5\\u13ac\\u13a2\": 16391,\n    \"\\u2581\\u13a0\\u13c7\\u13ad\": 16392,\n    \"\\u13a6\\u13b7\\u13e8\\u13ad\": 16393,\n    \"\\u2581\\u13a6\\u13ec\\u13c2\\u13cd\\u13a8\\u13a2\": 16394,\n    \"\\u2581\\u13e5\\u13a8\\u13ad\": 16395,\n    \"\\u13f2\\u13cd\\u13d4\\u13c3\": 16396,\n    \"\\u2581\\u13f1\\u13a8\\u13e5\\u13ce\\u13aa\\u13a9\": 16397,\n    \"\\u2581\\u13a0\\u13f0\\u13b8\\u13ce\\u13a2\": 16398,\n    \"\\u2581\\u13a4\\u13c2\\u13f0\\u13b8\\u13ce\\u13a2\": 16399,\n    \"\\u2581\\u13a4\\u13c5\\u13cd\\u13a6\\u13dd\": 16400,\n    \"\\u2581\\u13a2\\u13e8\\u13d9\\u13d7\": 16401,\n    \"\\u13d3\\u13d3\\u13f2\\u13af\\u13ce\": 16402,\n    \"\\u13c1\\u13b5\\u13db\": 16403,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13d8\": 16404,\n    \"\\u2581\\u13cf\\u13a9\\u13bb\\u13f1\": 16405,\n    \"\\u2581\\u13db\\u13be\\u13a6\": 16406,\n    \"\\u2581\\u13a0\\u13b3\\u13cf\": 16407,\n    \"\\u13d7\\u13eb\\u13cf\": 16408,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13d7\\u13cd\\u13ac\": 16409,\n    \"\\u2581\\u13a4\\u13f0\\u13b8\\u13be\\u13c1\": 16410,\n    \"\\u2581\\u13db\\u13c2\\u13cd\\u13c6\\u13c2\\u13aa\": 16411,\n    \"\\u2581\\u13d3\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b0\": 16412,\n    \"\\u2581\\u13a4\\u13be\\u13d8\\u13c3\\u13b4\": 16413,\n    \"\\u2581\\u13a2\\u13db\\u13d7\\u13cd\\u13ac\\u13a2\": 16414,\n    \"\\u13f0\\u13be\": 16415,\n    \"\\u2581\\u13e8\\u13d5\\u13e8\": 16416,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13be\\u13c1\\u13b6\\u13d9\\u13d7\": 16417,\n    \"\\u13be\\u13db\\u13c1\\u13b2\": 16418,\n    \"\\u13d2\\u13cd\\u13d9\\u13d7\": 16419,\n    \"\\u13eb\\u13d2\\u13a2\": 16420,\n    \"\\u13d3\\u13aa\\u13be\\u13db\": 16421,\n    \"\\u13be\\u13b5\\u13aa\\u13b2\\u13cd\\u13ac\": 16422,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13ae\\u13a2\": 16423,\n    \"\\u2581\\u13a4\\u13d9\\u13af\\u13f3\\u13b2\": 16424,\n    \"\\u2581\\u13a0\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13ad\": 16425,\n    \"\\u2581\\u13a2\\u13e5\\u13a6\\u13d4\\u13b2\\u13a2\": 16426,\n    \"\\u13f3\\u13e9\\u13c2\\u13b8\": 16427,\n    \"\\u2581\\u13a0\\u13d3\\u13d4\": 16428,\n    \"\\u2581\\u13a0\\u13af\\u13af\": 16429,\n    \"\\u13c2\\u13cd\\u13a9\\u13ea\\u13ce\\u13b0\": 16430,\n    \"\\u13da\\u13bf\\u13a5\\u13a2\": 16431,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c5\\u13d9\": 16432,\n    \"\\u13c2\\u13b7\\u13e8\": 16433,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cf\": 16434,\n    \"\\u13e6\\u13f1\\u13ae\": 16435,\n    \"\\u13a1\\u13b5\\u13cd\\u13a8\\u13cd\\u13d7\": 16436,\n    \"\\u13e5\\u13f4\\u13cc\": 16437,\n    \"\\u2581\\u13e5\\u13e5\\u13ad\": 16438,\n    \"\\u2581\\u13e5\\u13a6\\u13da\": 16439,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13b4\\u13a2\": 16440,\n    \"\\u2581\\u13c2\\u13cd\\u13cb\\u13c1\\u13b8\": 16441,\n    \"\\u2581\\u13e5\\u13ef\\u13da\\u13b8\\u13a1\\u13b8\": 16442,\n    \"\\u13cd\\u13aa\\u13b5\\u13f0\\u13a5\": 16443,\n    \"\\u13dd\\u13db\\u13a9\": 16444,\n    \"\\u13c2\\u13f0\\u13b8\\u13d2\": 16445,\n    \"\\u13d5\\u13b6\\u13b0\\u13cd\\u13ac\": 16446,\n    \"\\u13ae\\u13ae\\u13a2\": 16447,\n    \"\\u13b4\\u13c8\": 16448,\n    \"\\u13e6\\u13c2\": 16449,\n    \"\\u13a0\\u13c6\\u13db\\u13a6\\u13c1\\u13b8\": 16450,\n    \"\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\\u13a2\": 16451,\n    \"\\u13d7\\u13d2\\u13c1\": 16452,\n    \"\\u2581\\u13a4\\u13e0\\u13a0\\u13cf\": 16453,\n    \"\\u13aa\\u13a5\\u13cd\\u13a6\\u13c9\": 16454,\n    \"\\u2581\\u13a0\\u13c6\\u13d9\\u13d7\\u13f1\": 16455,\n    \"\\u2581\\u13eb\\u13e3\\u13a2\\u13d2\": 16456,\n    \"\\u13d3\\u13d7\\u13cd\\u13ac\": 16457,\n    \"\\u13a6\\u13b3\\u13ae\": 16458,\n    \"\\u13d3\\u13a8\\u13d9\\u13b5\": 16459,\n    \"\\u2581\\u13d7\\u13a6\\u13c6\\u13b5\": 16460,\n    \"\\u2581\\u13d3\\u13e3\\u13be\": 16461,\n    \"\\u2581\\u13da\\u13be\\u13df\\u13f4\": 16462,\n    \"\\u2581\\u13da\\u13ea\\u13d0\": 16463,\n    \"\\u13be\\u13d9\\u13d3\\u13c6\": 16464,\n    \"\\u2581\\u13f3\\u13c2\\u13ad\": 16465,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13c3\\u13f4\\u13ac\": 16466,\n    \"\\u13ed\\u13e3\\u13c5\\u13a9\": 16467,\n    \"\\u2581\\u13e3\\u13d9\\u13af\": 16468,\n    \"\\u13a6\\u13c1\\u13b4\\u13a2\": 16469,\n    \"\\u13c1\\u13d9\\u13b0\": 16470,\n    \"\\u2581\\u13a4\\u13c2\\u13e9\\u13cf\": 16471,\n    \"\\u2581\\u13e5\\u13c2\\u13e3\\u13ea\": 16472,\n    \"\\u2581\\u13eb\\u13a6\\u13c5\\u13a8\": 16473,\n    \"\\u13a6\\u13e1\\u13d7\\u13cd\\u13ac\": 16474,\n    \"\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d7\\u13f1\": 16475,\n    \"\\u2581\\u13a4\\u13d9\\u13e2\\u13c1\": 16476,\n    \"\\u13ac\\u13e9\\u13d5\\u13c1\\u13b4\\u13a2\": 16477,\n    \"\\u13d9\\u13d7\\u13cd\\u13a8\\u13a2\": 16478,\n    \"\\u13d9\\u13e3\\u13b8\": 16479,\n    \"\\u2581\\u13a4\\u13f1\\u13b5\\u13d9\": 16480,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13c5\": 16481,\n    \"\\u13d9\\u13b3\\u13db\\u13d7\": 16482,\n    \"\\u2581\\u13d7\\u13e5\\u13d0\\u13c8\\u13b8\": 16483,\n    \"\\u2581\\u13a1\\u13e3\\u13db\": 16484,\n    \"\\u13cc\\u13db\\u13d9\\u13d7\": 16485,\n    \"\\u13c2\\u13e3\\u13ea\\u13ce\\u13ad\": 16486,\n    \"\\u2581\\u13d3\\u13be\\u13cf\\u13d4\\u13d7\\u13cd\": 16487,\n    \"\\u13a6\\u13b5\\u13cd\\u13a9\": 16488,\n    \"\\u2581\\u13a4\\u13ea\\u13c5\\u13a1\\u13ae\": 16489,\n    \"\\u13a6\\u13bf\\u13c1\": 16490,\n    \"\\u13e4\\u13b0\\u13a2\": 16491,\n    \"\\u2581\\u13da\\u13ea\\u13ad\": 16492,\n    \"\\u2581\\u13a6\\u13d9\\u13a5\\u13a2\": 16493,\n    \"\\u2581\\u13a4\\u13db\\u13ce\\u13a2\": 16494,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13f0\": 16495,\n    \"\\u13a8\\u13a6\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13b8\\u13a9\": 16496,\n    \"\\u2581\\u13a5\\u13c6\\u13d2\\u13a6\\u13b6\\u13d4\\u13c5\": 16497,\n    \"\\u13a0\\u13d2\\u13a2\": 16498,\n    \"\\u13e5\\u13c5\\u13c1\\u13b8\\u13a9\": 16499,\n    \"\\u13e5\\u13f4\\u13cf\": 16500,\n    \"\\u2581\\u13f3\\u13be\\u13db\\u13a6\\u13c1\": 16501,\n    \"\\u2581\\u13a4\\u13db\\u13db\\u13c5\": 16502,\n    \"\\u2581\\u13a3\\u13e5\\u13c2\": 16503,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13db\": 16504,\n    \"\\u2581\\u13eb\\u13a6\\u13b7\\u13af\\u13cd\\u13d7\": 16505,\n    \"\\u2581\\u13c2\\u13d5\\u13a6\\u13b5\\u13cd\\u13d7\": 16506,\n    \"\\u2581\\u13e7\\u13c2\\u13c6\\u13c2\\u13f2\\u13cd\": 16507,\n    \"\\u13ee\\u13d4\\u13c1\": 16508,\n    \"\\u13da\\u13d3\\u13d5\\u13eb\\u13cd\\u13d7\": 16509,\n    \"\\u2581\\u13a1\\u13d9\\u13a2\": 16510,\n    \"\\u2581\\u13d3\\u13e4\": 16511,\n    \"\\u2581\\u13d7\\u13c1\\u13b3\": 16512,\n    \"\\u2581\\u13da\\u13b9\": 16513,\n    \"\\u13e9\\u13e5\\u13aa\": 16514,\n    \"\\u2581\\u13a2\\u13d7\\u13cd\\u13d3\\u13f1\": 16515,\n    \"\\u2581\\u13be\\u13cb\\u13c1\\u13b2\": 16516,\n    \"\\u13af\\u13cd\\u13d5\\u13b8\\u13d7\": 16517,\n    \"\\u2581\\u13a3\\u13a9\\u13c5\\u13cd\\u13d4\\u13c5\": 16518,\n    \"\\u2581\\u13a4\\u13db\\u13ce\": 16519,\n    \"\\u2581\\u13a2\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\": 16520,\n    \"\\u13e9\\u13db\\u13af\\u13b8\\u13ad\": 16521,\n    \"\\u13d3\\u13c2\\u13df\\u13cd\\u13d7\\u13cd\\u13aa\\u13a2\": 16522,\n    \"\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\\u13c1\": 16523,\n    \"\\u2581\\u13a4\\u13b5\\u13aa\\u13be\\u13d4\\u13c5\": 16524,\n    \"\\u13af\\u13aa\\u13e9\\u13d8\\u13ad\": 16525,\n    \"\\u2581\\u13e5\\u13ac\\u13ad\": 16526,\n    \"\\u2581\\u13a0\\u13e5\\u13b8\\u13c9\\u13d9\\u13d7\\u13f1\": 16527,\n    \"\\u13c4\\u13e2\\u13d5\": 16528,\n    \"\\u13cd\\u13d3\\u13f1\\u13db\\u13a9\": 16529,\n    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\"\\u13db\\u13a6\\u13cd\\u13d3\": 16547,\n    \"\\u2581\\u13da\\u13c2\\u13c3\\u13a9\\u13d2\": 16548,\n    \"\\u13a9\\u13d0\\u13be\": 16549,\n    \"\\u13a6\\u13e5\\u13c3\\u13c1\\u13b8\\u13a9\": 16550,\n    \"\\u2581\\u13d4\\u13b5\\u13cd\\u13aa\\u13af\": 16551,\n    \"\\u2581\\u13d3\\u13e5\\u13a6\": 16552,\n    \"\\u2581\\u13a0\\u13b5\\u13e3\": 16553,\n    \"\\u13c2\\u13d4\\u13d5\\u13a9\": 16554,\n    \"\\u2581\\u13e7\\u13c2\\u13b8\\u13af\": 16555,\n    \"\\u13d7\\u13a7\\u13c3\\u13a9\\u13cd\\u13a8\": 16556,\n    \"\\u2581\\u13a0\\u13f4\\u13eb\\u13ef\\u13af\": 16557,\n    \"\\u2581\\u13d5\\u13a6\\u13c4\\u13aa\\u13ac\\u13a2\": 16558,\n    \"\\u13ac\\u13aa\\u13e9\\u13d4\": 16559,\n    \"\\u13cf\\u13c2\\u13d9\\u13ae\": 16560,\n    \"\\u2581\\u13cd\\u13d5\\u13be\": 16561,\n    \"\\u2581\\u13da\\u13d3\\u13c2\\u13b8\\u13e4\\u13b4\": 16562,\n    \"\\u13ec\\u13d2\\u13c1\": 16563,\n    \"\\u13b9\\u13d3\\u13d7\": 16564,\n    \"\\u2581\\u13a0\\u13c6\\u13e2\": 16565,\n    \"\\u2581\\u13a7\\u13c3\\u13af\\u13f4\": 16566,\n    \"\\u13aa\\u13d2\\u13be\": 16567,\n    \"\\u2581\\u13a0\\u13ab\\u13cf\": 16568,\n    \"\\u2581\\u13e5\\u13e5\\u13f0\\u13b8\": 16569,\n    \"\\u2581\\u13a1\\u13b5\\u13cf\": 16570,\n    \"\\u2581\\u13c8\\u13ac\\u13a2\": 16571,\n    \"\\u13be\\u13b5\\u13cd\\u13aa\\u13b8\\u13d7\\u13cd\\u13ac\\u13a2\": 16572,\n    \"\\u13cd\\u13d3\\u13a6\\u13d4\": 16573,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13a8\": 16574,\n    \"\\u13d3\\u13c4\\u13d6\": 16575,\n    \"\\u2581\\u13a0\\u13c2\\u13a8\\u13c2\": 16576,\n    \"\\u13b6\\u13db\\u13be\": 16577,\n    \"\\u13e6\\u13ce\\u13ae\\u13cd\\u13d7\": 16578,\n    \"\\u2581\\u13d7\\u13a6\\u13c5\\u13a6\\u13b8\\u13d9\\u13d7\": 16579,\n    \"\\u2581\\u13d5\\u13ab\\u13aa\\u13d3\\u13c1\\u13b0\": 16580,\n    \"\\u13a6\\u13ec\\u13c2\\u13cd\\u13aa\\u13a2\": 16581,\n    \"\\u13ef\\u13ab\\u13f4\\u13a1\\u13d7\\u13f1\": 16582,\n    \"\\u13f2\\u13cd\\u13d7\\u13cd\\u13aa\": 16583,\n    \"\\u2581\\u13a0\\u13c2\\u13b2\\u13a6\": 16584,\n    \"\\u2581\\u13ad\\u13e2\\u13a8\": 16585,\n    \"\\u2581\\u13f1\\u13c4\\u13be\\u13db\\u13c1\\u13b4\": 16586,\n    \"\\u13aa\\u13af\\u13cd\\u13d3\\u13c1\\u13af\": 16587,\n    \"\\u13e5\\u13ef\\u13db\\u13c1\\u13b8\": 16588,\n    \"\\u13d7\\u13b4\\u13b2\\u13cd\\u13ac\": 16589,\n    \"\\u13da\\u13a2\\u13cd\\u13db\": 16590,\n    \"\\u2581\\u13d7\\u13c2\\u13c3\\u13a9\\u13cd\\u13d7\\u13cd\": 16591,\n    \"\\u13af\\u13f4\\u13d3\": 16592,\n    \"\\u13c3\\u13af\\u13f3\\u13cf\\u13f1\": 16593,\n    \"\\u13b6\\u13c5\\u13ae\": 16594,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13e0\\u13b2\": 16595,\n    \"\\u2581\\u13c7\\u13c2\\u13cd\\u13a9\\u13c2\": 16596,\n    \"\\u2581\\u13c2\\u13ac\\u13c1\\u13ae\\u13a2\": 16597,\n    \"\\u13d3\\u13c5\\u13d2\\u13af\": 16598,\n    \"\\u2581\\u13da\\u13e8\": 16599,\n    \"\\u2581\\u13a0\\u13a6\\u13d8\\u13c3\\u13b8\": 16600,\n    \"\\u13be\\u13cf\\u13c3\\u13b4\": 16601,\n    \"\\u2581\\u13be\\u13c6\\u13b5\\u13cd\": 16602,\n    \"\\u2581\\u13d3\\u13c1\\u13ae\": 16603,\n    \"\\u2581\\u13d3\\u13c2\\u13cd\\u13a6\\u13a2\\u13ae\": 16604,\n    \"\\u2581\\u13a0\\u13be\\u13d7\\u13d2\\u13af\\u13b2\": 16605,\n    \"\\u2581\\u13a6\\u13c5\\u13aa\\u13a2\\u13cd\\u13d7\": 16606,\n    \"\\u2581\\u13a4\\u13d9\\u13af\\u13f3\\u13c1\\u13a2\": 16607,\n    \"\\u2581\\u13a0\\u13f0\\u13b8\\u13ce\": 16608,\n    \"\\u2581\\u13a0\\u13c2\\u13b8\\u13c9\\u13d7\\u13cd\\u13a8\\u13a2\": 16609,\n    \"\\u13c5\\u13db\\u13a9\": 16610,\n    \"\\u13b4\\u13cf\": 16611,\n    \"\\u2581\\u13e7\\u13d3\\u13da\": 16612,\n    \"\\u2581\\u13ad\\u13d3\\u13c5\\u13d6\\u13cd\\u13aa\": 16613,\n    \"\\u13c2\\u13f2\\u13cd\\u13d3\\u13c1\": 16614,\n    \"\\u2581\\u13a6\\u13e3\\u13c4\\u13b5\\u13a8\": 16615,\n    \"\\u13cd\\u13db\\u13d7\\u13cd\\u13a8\\u13a2\": 16616,\n    \"\\u2581\\u13ed\\u13be\\u13d7\\u13c5\": 16617,\n    \"\\u13e2\\u13c6\\u13cd\\u13aa\\u13a2\": 16618,\n    \"\\u2581\\u13da\\u13b4\\u13d4\\u13c1\": 16619,\n    \"\\u2581\\u13aa\\u13d9\\u13d7\": 16620,\n    \"\\u2581\\u13a4\\u13c2\\u13f0\\u13b8\\u13d2\": 16621,\n    \"\\u13c5\\u13a6\\u13b6\\u13d4\\u13c5\": 16622,\n    \"\\u2581\\u13da\\u13c4\\u13cc\": 16623,\n    \"\\u13da\\u13c2\\u13d0\\u13af\\u13cd\": 16624,\n    \"\\u2581\\u13a4\\u13e9\\u13e3\": 16625,\n    \"\\u13c5\\u13a6\\u13cd\\u13aa\": 16626,\n    \"\\u2581\\u13ac\\u13ed\\u13af\\u13cd\\u13d7\\u13cd\\u13a8\": 16627,\n    \"\\u13b5\\u13f1\\u13b6\\u13af\\u13cd\\u13d7\\u13f1\": 16628,\n    \"\\u13d6\\u13db\": 16629,\n    \"\\u2581\\u13a2\\u13a9\\u13ae\\u13cd\\u13d7\": 16630,\n    \"\\u13c5\\u13c2\\u13cc\": 16631,\n    \"\\u2581\\u13a8\\u13e3\\u13c8\\u13d7\": 16632,\n    \"\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d4\\u13c1\": 16633,\n    \"\\u13a6\\u13be\\u13c5\\u13aa\\u13a8\": 16634,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13e1\\u13ac\": 16635,\n    \"\\u2581\\u13da\\u13e9\\u13ad\\u13c2\\u13cd\": 16636,\n    \"\\u13d7\\u13be\\u13d8\": 16637,\n    \"\\u2581\\u13a4\\u13b5\\u13e5\\u13d9\": 16638,\n    \"\\u2581\\u13d5\\u13e5\\u13cd\\u13da\\u13c5\": 16639,\n    \"\\u13eb\\u13be\": 16640,\n    \"\\u2581\\u13c8\\u13a6\": 16641,\n    \"\\u13e5\\u13f2\\u13af\\u13ce\\u13b8\": 16642,\n    \"\\u2581\\u13a4\\u13eb\\u13d2\\u13ce\": 16643,\n    \"\\u2581\\u13ed\\u13c1\\u13a2\": 16644,\n    \"\\u13a8\\u13a6\\u13d2\\u13a6\\u13b6\": 16645,\n    \"\\u2581\\u13d3\\u13c2\\u13d9\\u13a8\\u13a2\": 16646,\n    \"\\u13a6\\u13d8\\u13be\\u13eb\\u13db\": 16647,\n    \"\\u2581\\u13d7\\u13a9\\u13aa\": 16648,\n    \"\\u2581\\u13e7\\u13b8\\u13cc\\u13d3\": 16649,\n    \"\\u2581\\u13a6\\u13a6\\u13b6\\u13a2\": 16650,\n    \"\\u2581\\u13af\\u13e3\\u13d5\\u13b6\\u13b0\": 16651,\n    \"\\u2581\\u13d7\\u13a6\\u13da\": 16652,\n    \"\\u2581\\u13a4\\u13d3\\u13cc\\u13a7\\u13af\": 16653,\n    \"\\u13e5\\u13b0\\u13b5\": 16654,\n    \"\\u13d3\\u13aa\\u13b2\\u13cd\\u13d7\": 16655,\n    \"\\u13c2\\u13be\\u13d5\\u13a9\": 16656,\n    \"\\u2581\\u13ed\\u13d4\": 16657,\n    \"\\u2581\\u13c2\\u13d3\\u13c5\\u13c1\": 16658,\n    \"\\u13a6\\u13e4\\u13b5\\u13a6\": 16659,\n    \"\\u2581\\u13d5\\u13a6\\u13b6\\u13a8\\u13d2\\u13a2\": 16660,\n    \"\\u2581\\u13e7\\u13a8\\u13f3\\u13af\\u13f3\": 16661,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13b5\\u13cd\\u13ac\\u13a2\": 16662,\n    \"\\u2581\\u13a1\\u13b5\\u13cd\\u13a8\\u13cd\\u13d7\": 16663,\n    \"\\u13a9\\u13f2\\u13cf\\u13af\": 16664,\n    \"\\u13d5\\u13e5\\u13a6\\u13bf\\u13e9\\u13d5\\u13a6\": 16665,\n    \"\\u2581\\u13da\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b4\\u13a2\": 16666,\n    \"\\u13a4\\u13ea\\u13c5\\u13cd\\u13d7\\u13f1\": 16667,\n    \"\\u2581\\u13e7\\u13c2\\u13f0\\u13b8\\u13d0\": 16668,\n    \"\\u13cf\\u13b3\\u13db\\u13a5\\u13cd\\u13ac\": 16669,\n    \"\\u2581\\u13a4\\u13c3\\u13ae\\u13b8\\u13a2\": 16670,\n    \"\\u13a9\\u13f2\\u13cd\\u13d9\\u13d3\\u13c1\": 16671,\n    \"\\u13d0\\u13e2\\u13d9\\u13d7\": 16672,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13ae\\u13b5\\u13a8\\u13a2\": 16673,\n    \"\\u13d4\\u13cd\\u13a8\": 16674,\n    \"\\u2581\\u13cd\\u13d5\\u13b5\\u13cd\\u13a9\": 16675,\n    \"\\u2581\\u13c2\\u13d5\\u13c5\": 16676,\n    \"\\u13c6\\u13b5\\u13a2\": 16677,\n    \"\\u13eb\\u13e3\\u13b7\\u13e3\": 16678,\n    \"\\u2581\\u13a4\\u13e5\\u13b8\\u13d2\\u13a9\": 16679,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13ef\\u13d9\\u13d7\\u13cd\\u13ac\": 16680,\n    \"\\u13a2\\u13e5\\u13a6\\u13d4\\u13be\\u13a2\": 16681,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13cd\\u13aa\\u13b8\\u13d7\\u13cd\\u13ac\": 16682,\n    \"\\u2581\\u13a6\\u13c1\\u13ac\": 16683,\n    \"\\u13cf\\u13b2\\u13cf\": 16684,\n    \"\\u2581\\u13a3\\u13ce\": 16685,\n    \"\\u2581\\u13e7\\u13c1\\u13f2\\u13b2\\u13cd\": 16686,\n    \"\\u13d3\\u13cd\\u13d7\\u13cd\\u13a9\": 16687,\n    \"\\u2581\\u13a0\\u13d0\\u13f4\\u13a2\": 16688,\n    \"\\u2581\\u13a2\\u13e7\\u13c5\": 16689,\n    \"\\u13c1\\u13b8\\u13d9\\u13d7\": 16690,\n    \"\\u2581\\u13a1\\u13d7\\u13a8\\u13f3\": 16691,\n    \"\\u13ef\\u13db\\u13c1\\u13d7\": 16692,\n    \"\\u13be\\u13d5\\u13b6\\u13c6\": 16693,\n    \"\\u13e9\\u13cd\\u13d7\\u13d5\\u13a9\": 16694,\n    \"\\u2581\\u13da\\u13c3\\u13b8\\u13a2\": 16695,\n    \"\\u2581\\u13a0\\u13c9\\u13af\\u13f3\\u13d2\": 16696,\n    \"\\u2581\\u13a4\\u13b6\\u13d2\\u13a9\": 16697,\n    \"\\u2581\\u13a4\\u13c1\\u13b8\\u13d4\\u13c5\": 16698,\n    \"\\u2581\\u13a4\\u13c2\\u13e0\\u13f1\\u13c9\": 16699,\n    \"\\u2581\\u13a4\\u13f2\\u13b7\": 16700,\n    \"\\u13c4\\u13ef\\u13a9\": 16701,\n    \"\\u2581\\u13cd\\u13a6\\u13f0\\u13ac\\u13cd\\u13d3\": 16702,\n    \"\\u13d5\\u13d8\\u13f1\\u13b6\": 16703,\n    \"\\u13e9\\u13c2\\u13f4\\u13af\\u13ae\": 16704,\n    \"\\u13d3\\u13a7\\u13c3\\u13ae\\u13b5\": 16705,\n    \"\\u13a3\\u13a6\\u13b5\\u13cd\\u13d5\\u13b8\\u13d9\\u13d7\": 16706,\n    \"\\u2581\\u13a4\\u13c5\\u13c5\\u13a9\": 16707,\n    \"\\u2581\\u13a0\\u13e5\\u13aa\\u13b5\\u13f0\\u13cd\\u13ac\": 16708,\n    \"\\u13d3\\u13c1\\u13e4\\u13b8\": 16709,\n    \"\\u13be\\u13c1\\u13ad\": 16710,\n    \"\\u13a2\\u13cd\\u13d7\\u13cd\\u13a8\\u13a2\": 16711,\n    \"\\u13da\\u13a2\\u13cd\\u13d4\\u13c5\": 16712,\n    \"\\u13aa\\u13d5\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 16713,\n    \"\\u2581\\u13a0\\u13a6\\u13d4\\u13ae\\u13a2\": 16714,\n    \"\\u2581\\u13f1\\u13e3\\u13b4\": 16715,\n    \"\\u2581\\u13a8\\u13a6\\u13d2\\u13a6\": 16716,\n    \"\\u2581\\u13a0\\u13c6\\u13a7\": 16717,\n    \"\\u2581\\u13a0\\u13c2\\u13b7\\u13e4\": 16718,\n    \"\\u13ef\\u13d2\\u13a6\\u13b6\\u13d4\\u13c5\": 16719,\n    \"\\u2581\\u13a0\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\": 16720,\n    \"\\u2581\\u13eb\\u13da\\u13aa\\u13b2\": 16721,\n    \"\\u13a6\\u13df\\u13b6\\u13a1\\u13b8\": 16722,\n    \"\\u13be\\u13d3\\u13d3\\u13cd\\u13a9\": 16723,\n    \"\\u2581\\u13a0\\u13e1\\u13d7\\u13cd\\u13a9\": 16724,\n    \"\\u13c6\\u13c1\\u13e6\\u13c5\": 16725,\n    \"\\u2581\\u13a0\\u13c6\\u13cd\\u13a9\\u13d3\\u13d2\": 16726,\n    \"\\u2581\\u13a2\\u13e5\\u13c5\\u13af\": 16727,\n    \"\\u13c5\\u13a1\\u13b2\": 16728,\n    \"\\u13ea\\u13ef\\u13b8\\u13e4\": 16729,\n    \"\\u2581\\u13f1\\u13d3\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\": 16730,\n    \"\\u2581\\u13eb\\u13c4\\u13ea\\u13ce\\u13b4\": 16731,\n    \"\\u2581\\u13a4\\u13a9\\u13d3\": 16732,\n    \"\\u13d3\\u13c5\\u13d6\\u13d7\\u13cd\\u13a8\\u13a2\": 16733,\n    \"\\u13a2\\u13cd\\u13d4\\u13c5\\u13ad\": 16734,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13a6\\u13cd\\u13d9\": 16735,\n    \"\\u2581\\u13d3\\u13b5\\u13cd\\u13d7\\u13b3\\u13c1\\u13ac\\u13a2\": 16736,\n    \"\\u2581\\u13af\\u13c1\\u13a9\\u13d2\": 16737,\n    \"\\u2581\\u13d5\\u13aa\\u13b5\": 16738,\n    \"\\u2581\\u13e7\\u13d7\\u13a6\\u13b4\": 16739,\n    \"\\u13d3\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\\u13a2\": 16740,\n    \"\\u2581\\u13f1\\u13ac\\u13ad\": 16741,\n    \"\\u2581\\u13af\\u13ef\\u13d3\\u13b5\\u13c1\\u13af\\u13d5\": 16742,\n    \"\\u13c4\\u13ec\\u13af\\u13cd\\u13d7\\u13cd\\u13a9\": 16743,\n    \"\\u13c1\\u13a2\\u13cd\\u13d9\\u13d7\": 16744,\n    \"\\u2581\\u13a4\\u13d3\\u13d1\\u13f4\\u13a2\": 16745,\n    \"\\u13ae\\u13b8\\u13d2\": 16746,\n    \"\\u2581\\u13a6\\u13e5\\u13f2\\u13ea\\u13b3\\u13c1\": 16747,\n    \"\\u2581\\u13a0\\u13cd\\u13db\\u13d7\\u13cd\\u13d7\\u13cd\": 16748,\n    \"\\u2581\\u13a4\\u13ea\\u13a7\\u13c1\\u13b4\\u13a2\": 16749,\n    \"\\u13b5\\u13a1\\u13be\": 16750,\n    \"\\u2581\\u13d7\\u13c1\\u13a8\": 16751,\n    \"\\u2581\\u13e7\\u13be\\u13e5\": 16752,\n    \"\\u13d3\\u13f2\\u13cd\\u13d4\\u13c1\": 16753,\n    \"\\u2581\\u13da\\u13a7\": 16754,\n    \"\\u2581\\u13a2\\u13d7\\u13b5\": 16755,\n    \"\\u2581\\u13a4\\u13be\\u13a9\\u13b4\": 16756,\n    \"\\u2581\\u13a4\\u13e9\\u13c2\\u13a6\\u13b8\": 16757,\n    \"\\u2581\\u13a7\\u13b8\\u13ac\\u13a2\": 16758,\n    \"\\u13db\\u13af\\u13ce\\u13b8\\u13af\": 16759,\n    \"\\u13eb\\u13cd\\u13a6\": 16760,\n    \"\\u13d7\\u13d4\\u13cf\": 16761,\n    \"\\u13ac\\u13ad\\u13c5\": 16762,\n    \"\\u2581\\u13a0\\u13ef\\u13e5\": 16763,\n    \"di\": 16764,\n    \"\\u13ae\\u13f0\\u13c3\": 16765,\n    \"\\u2581\\u13e7\\u13d3\\u13c5\\u13d6\\u13b4\": 16766,\n    \"\\u2581\\u13a3\\u13c2\\u13f4\": 16767,\n    \"\\u2581\\u13a4\\u13d3\\u13c1\\u13c1\": 16768,\n    \"\\u2581\\u13d3\\u13a9\\u13cd\\u13a8\": 16769,\n    \"\\u13eb\\u13e3\\u13b6\\u13d2\": 16770,\n    \"\\u2581\\u13a3\\u13a6\\u13d7\\u13d4\\u13cd\\u13d7\": 16771,\n    \"\\u2581\\u13a4\\u13ec\\u13c2\\u13d2\\u13a2\": 16772,\n    \"\\u2581\\u13e6\\u13a9\\u13ad\": 16773,\n    \"\\u13f4\\u13c5\\u13af\": 16774,\n    \"\\u2581\\u13e7\\u13af\\u13cd\\u13d7\\u13f1\": 16775,\n    \"\\u13b9\\u13a9\": 16776,\n    \"\\u2581d\": 16777,\n    \"\\u2581\\u13d5\\u13ab\\u13aa\\u13d3\\u13c1\\u13b8\": 16778,\n    \"\\u13f2\\u13d7\": 16779,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13cd\\u13ac\": 16780,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13db\\u13db\\u13c1\": 16781,\n    \"\\u13c1\\u13b6\\u13af\": 16782,\n    \"\\u13e5\\u13e9\\u13be\\u13a6\\u13b8\\u13a2\": 16783,\n    \"\\u2581\\u13c2\\u13ac\\u13b8\": 16784,\n    \"\\u2581\\u13e6\\u13d2\\u13a2\": 16785,\n    \"\\u2581\\u13e5\\u13d9\\u13e5\": 16786,\n    \"\\u2581\\u13a4\\u13d5\\u13ad\\u13ef\": 16787,\n    \"\\u13be\\u13d6\\u13c9\\u13b6\": 16788,\n    \"\\u2581\\u13e3\\u13df\\u13cd\\u13db\": 16789,\n    \"\\u2581\\u13d5\\u13a4\\u13be\": 16790,\n    \"\\u13f2\\u13b2\\u13a2\": 16791,\n    \"\\u13e5\\u13aa\\u13b5\\u13f0\\u13cd\\u13a8\\u13cd\\u13d7\": 16792,\n    \"\\u2581\\u13a3\\u13cd\\u13d9\": 16793,\n    \"\\u2581\\u13a6\\u13c5\\u13a8\\u13a2\": 16794,\n    \"\\u13aa\\u13b8\\u13cd\\u13d4\\u13c1\": 16795,\n    \"\\u2581\\u13da\\u13d9\\u13af\": 16796,\n    \"\\u2581\\u13a0\\u13e5\\u13cd\\u13da\\u13b2\": 16797,\n    \"\\u13e9\\u13ad\\u13c2\\u13b8\": 16798,\n    \"\\u2581\\u13a8\\u13e5\\u13c1\\u13d7\\u13f1\": 16799,\n    \"\\u2581\\u13c4\\u13d5\": 16800,\n    \"\\u2581\\u13ab\\u13cf\": 16801,\n    \"\\u13e6\\u13af\\u13f3\\u13c5\\u13a9\": 16802,\n    \"\\u13b5\\u13c3\": 16803,\n    \"\\u2581\\u13e7\\u13b3\\u13d1\\u13b6\\u13a9\": 16804,\n    \"\\u13a9\\u13f0\\u13b8\\u13ad\": 16805,\n    \"\\u13c1\\u13c9\\u13a5\": 16806,\n    \"\\u13d7\\u13e3\\u13cf\\u13b3\\u13db\\u13d9\\u13d7\": 16807,\n    \"\\u13d3\\u13c2\\u13cf\\u13c5\": 16808,\n    \"\\u13b5\\u13cd\\u13d4\\u13c2\\u13d3\\u13cd\\u13d7\": 16809,\n    \"\\u2581\\u13a4\\u13d1\\u13ef\\u13a9\": 16810,\n    \"\\u2581\\u13a1\\u13cc\\u13c3\": 16811,\n    \"\\u13c2\\u13d5\\u13be\": 16812,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\\u13a2\": 16813,\n    \"\\u13b8\\u13a1\\u13b8\\u13af\": 16814,\n    \"\\u2581\\u13d3\\u13df\\u13b6\\u13cd\\u13d7\\u13cd\\u13ac\": 16815,\n    \"\\u13cd\\u13da\\u13d5\\u13cd\\u13d7\": 16816,\n    \"\\u2581\\u13d3\\u13b2\\u13a2\": 16817,\n    \"\\u2581\\u13eb\\u13cd\\u13db\": 16818,\n    \"\\u2581\\u13da\\u13be\\u13d7\\u13d4\\u13ae\": 16819,\n    \"\\u2581\\u13d7\\u13cd\\u13a9\\u13be\": 16820,\n    \"\\u13e3\\u13e0\\u13ef\\u13cd\\u13d3\": 16821,\n    \"\\u2581\\u13a4\\u13be\\u13b8\\u13b8\": 16822,\n    \"\\u13c1\\u13d9\\u13ad\": 16823,\n    \"\\u13d8\\u13be\\u13eb\\u13db\\u13b2\": 16824,\n    \"\\u2581\\u13a4\\u13c2\\u13e9\\u13d2\\u13a8\": 16825,\n    \"\\u2581\\u13a0\\u13d7\\u13d4\\u13cd\\u13ac\": 16826,\n    \"\\u2581\\u13a0\\u13a7\\u13b5\\u13a2\\u13ad\": 16827,\n    \"\\u2581\\u13c2\\u13ac\\u13e9\\u13db\\u13c1\": 16828,\n    \"\\u2581\\u13f1\\u13aa\\u13b5\": 16829,\n    \"\\u2581\\u13d7\\u13c4\": 16830,\n    \"\\u2581\\u13a3\\u13a9\\u13c3\\u13ae\\u13b8\": 16831,\n    \"\\u13e4\\u13b3\\u13d7\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 16832,\n    \"\\u2581\\u13a0\\u13e2\\u13d7\": 16833,\n    \"\\u2581\\u13a2\\u13a8\\u13d0\": 16834,\n    \"\\u13e8\\u13d2\": 16835,\n    \"\\u2581\\u13e3\\u13c6\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\": 16836,\n    \"\\u2581\\u13c5\\u13e9\\u13cd\\u13d9\": 16837,\n    \"\\u2581\\u13a3\\u13d3\\u13c5\\u13db\\u13a2\": 16838,\n    \"\\u2581\\u13a2\\u13e5\\u13b7\\u13e4\": 16839,\n    \"\\u2581\\u13e3\\u13c1\\u13b3\\u13d7\\u13cd\\u13d7\": 16840,\n    \"\\u2581\\u13be\\u13ac\\u13c1\\u13b8\\u13a2\": 16841,\n    \"\\u13c6\\u13db\\u13c2\\u13cf\": 16842,\n    \"\\u2581\\u13f1\\u13e8\\u13ef\\u13db\": 16843,\n    \"\\u2581\\u13e5\\u13a9\\u13c1\\u13b8\\u13a9\": 16844,\n    \"\\u13c3\\u13e3\\u13b6\\u13d7\": 16845,\n    \"\\u2581\\u13ab\\u13c7\": 16846,\n    \"\\u2581\\u13f4\\u13a8\\u13e3\\u13db\": 16847,\n    \"\\u13c1\\u13a9\\u13a1\": 16848,\n    \"\\u13a5\\u13cd\\u13aa\": 16849,\n    \"\\u2581\\u13af\\u13ef\\u13c5\\u13d7\": 16850,\n    \"\\u2581\\u13c2\\u13a6\\u13a6\": 16851,\n    \"\\u2581\\u13a0\\u13cf\\u13be\\u13cc\\u13c5\\u13a2\": 16852,\n    \"\\u2581\\u13da\\u13b5\\u13aa\\u13c1\": 16853,\n    \"\\u2581\\u13f1\\u13e9\\u13be\": 16854,\n    \"\\u2581\\u13a0\\u13e5\\u13b7\": 16855,\n    \"\\u2581\\u13a4\\u13f2\\u13af\\u13cd\\u13d4\\u13c1\\u13a2\": 16856,\n    \"\\u2581\\u13a1\\u13e5\\u13f2\\u13a2\\u13ce\\u13b8\": 16857,\n    \"\\u13c2\\u13cf\\u13c1\\u13d7\\u13f1\": 16858,\n    \"\\u13b5\\u13aa\\u13c5\\u13db\": 16859,\n    \"\\u13d3\\u13cd\\u13db\\u13d7\\u13cd\\u13d9\\u13d7\": 16860,\n    \"\\u2581\\u13a3\\u13a6\\u13b5\\u13ae\\u13b5\\u13cd\\u13d7\": 16861,\n    \"\\u2581\\u13a2\\u13ab\\u13e9\\u13be\": 16862,\n    \"\\u13be\\u13c1\\u13b3\\u13d7\\u13cd\\u13ac\": 16863,\n    \"\\u2581\\u13a7\\u13c3\\u13ae\\u13cd\\u13a8\": 16864,\n    \"\\u2581\\u13eb\\u13a6\\u13b7\": 16865,\n    \"\\u13b5\\u13cf\\u13a9\": 16866,\n    \"\\u2581\\u13b7\\u13c6\": 16867,\n    \"\\u13e3\\u13d3\\u13d9\\u13e2\\u13be\\u13c1\\u13b8\\u13a9\": 16868,\n    \"\\u2581\\u13e9\\u13a6\\u13d8\": 16869,\n    \"\\u13a7\\u13c3\\u13ae\\u13d7\": 16870,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13ce\\u13b2\": 16871,\n    \"\\u2581\\u13d7\\u13af\\u13cd\\u13d7\": 16872,\n    \"\\u2581\\u13a0\\u13da\\u13d3\\u13b4\\u13cd\\u13d7\\u13cd\\u13ac\": 16873,\n    \"\\u2581\\u13a4\\u13f2\\u13b0\\u13a2\": 16874,\n    \"\\u2581\\u13a0\\u13c2\\u13dd\": 16875,\n    \"\\u2581\\u13d9\\u13db\\u13be\": 16876,\n    \"\\u13a6\\u13db\\u13be\\u13e8\": 16877,\n    \"\\u2581\\u13da\\u13d4\\u13c5\\u13a9\": 16878,\n    \"\\u2581\\u13f1\\u13c3\\u13a9\": 16879,\n    \"\\u13cf\\u13d3\\u13cd\\u13d7\\u13f1\": 16880,\n    \"\\u13ef\\u13ea\\u13e8\": 16881,\n    \"\\u13e5\\u13ef\\u13d8\\u13cd\\u13d3\\u13c1\\u13af\": 16882,\n    \"\\u2581\\u13af\\u13a6\\u13d4\\u13ad\\u13f0\\u13c3\": 16883,\n    \"\\u13be\\u13d3\\u13c2\\u13b8\\u13a2\\u13cd\\u13d7\": 16884,\n    \"\\u13f4\\u13af\\u13ad\": 16885,\n    \"\\u13b8\\u13a1\\u13b8\": 16886,\n    \"\\u13c3\\u13b8\\u13d4\\u13c1\": 16887,\n    \"\\u13b5\\u13c3\\u13ae\\u13d7\\u13cd\\u13aa\": 16888,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b4\\u13cd\\u13d7\": 16889,\n    \"\\u13cd\\u13db\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 16890,\n    \"\\u13a1\\u13e5\\u13a9\\u13cf\": 16891,\n    \"\\u13cd\\u13d5\\u13b8\\u13d9\\u13d7\\u13cd\\u13a8\": 16892,\n    \"\\u13a1\\u13e3\\u13d8\\u13c3\\u13a6\": 16893,\n    \"\\u13e8\\u13f4\\u13a6\": 16894,\n    \"\\u2581\\u13b6\\u13cf\": 16895,\n    \"\\u2581\\u13a0\\u13f0\\u13d9\\u13b3\\u13db\\u13d7\\u13f1\": 16896,\n    \"\\u2581\\u13a2\\u13e3\\u13c1\\u13e2\\u13d4\\u13c5\": 16897,\n    \"\\u13cf\\u13d9\\u13b2\": 16898,\n    \"\\u2581\\u13a0\\u13d4\\u13b4\\u13a6\\u13d2\\u13a2\": 16899,\n    \"\\u13d7\\u13d3\\u13b4\\u13b2\\u13cd\\u13ac\": 16900,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13da\": 16901,\n    \"\\u2581\\u13da\\u13e9\\u13db\\u13b2\\u13ce\": 16902,\n    \"\\u13a6\\u13b5\\u13cf\": 16903,\n    \"\\u2581\\u13a3\\u13a9\\u13c1\\u13e4\\u13b8\": 16904,\n    \"\\u2581\\u13a4\\u13c2\\u13e3\\u13db\\u13a2\": 16905,\n    \"\\u2581\\u13a0\\u13c2\\u13f4\\u13af\\u13b0\": 16906,\n    \"\\u13a0\\u13cd\\u13aa\\u13a2\": 16907,\n    \"\\u13c7\\u13b5\\u13d2\": 16908,\n    \"\\u13b3\\u13b9\": 16909,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13aa\": 16910,\n    \"\\u13c6\\u13c1\\u13cd\\u13a9\": 16911,\n    \"\\u2581\\u13da\\u13ea\\u13b5\\u13ce\\u13b4\": 16912,\n    \"\\u13e6\\u13a3\\u13ce\\u13a2\": 16913,\n    \"\\u2581\\u13da\\u13be\\u13c1\\u13b6\\u13db\": 16914,\n    \"\\u13ed\\u13cc\\u13c5\": 16915,\n    \"\\u2581\\u13f1\\u13a6\\u13b8\\u13c9\\u13d7\": 16916,\n    \"\\u13d6\\u13ad\": 16917,\n    \"\\u2581\\u13e3\\u13e5\\u13cd\\u13da\": 16918,\n    \"\\u2581\\u13a4\\u13c3\\u13c1\\u13b4\\u13a2\": 16919,\n    \"\\u13be\\u13f1\\u13a9\": 16920,\n    \"\\u13be\\u13f0\\u13af\\u13cd\\u13d7\\u13f1\": 16921,\n    \"\\u2581\\u13d8\\u13f0\": 16922,\n    \"\\u13a2\\u13cd\\u13a8\\u13cd\\u13d7\": 16923,\n    \"\\u2581\\u13ef\\u13c9\\u13ce\": 16924,\n    \"\\u2581\\u13eb\\u13da\\u13b8\\u13cc\": 16925,\n    \"\\u2581\\u13a4\\u13c1\\u13a6\\u13b8\\u13a2\": 16926,\n    \"\\u2581\\u13e5\\u13a5\\u13a1\\u13b8\": 16927,\n    \"\\u2581\\u13da\\u13c2\\u13c5\\u13c5\": 16928,\n    \"\\u13a7\\u13c1\\u13a2\": 16929,\n    \"\\u13d8\\u13bf\\u13eb\\u13db\\u13b2\\u13a9\": 16930,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c2\\u13f4\": 16931,\n    \"\\u2581\\u13da\\u13b5\\u13cd\\u13da\\u13b8\": 16932,\n    \"\\u2581\\u13f3\\u13dc\\u13cf\\u13db\": 16933,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13b5\\u13cd\\u13d3\\u13c1\": 16934,\n    \"\\u2581\\u13e5\\u13d5\\u13af\": 16935,\n    \"\\u13a8\\u13cd\\u13d7\\u13c9\\u13cd\\u13a9\\u13c2\": 16936,\n    \"\\u13aa\\u13d4\\u13c5\\u13af\": 16937,\n    \"\\u13d8\\u13b4\\u13a2\": 16938,\n    \"\\u13b0\\u13c1\\u13a2\": 16939,\n    \"\\u2581\\u13a0\\u13b5\\u13db\\u13d7\\u13cd\": 16940,\n    \"\\u2581\\u13af\\u13cd\\u13c6\\u13b5\\u13ce\": 16941,\n    \"\\u2581\\u13a3\\u13be\": 16942,\n    \"\\u13c3\\u13ce\\u13ae\": 16943,\n    \"\\u13d7\\u13a6\\u13d9\\u13b5\": 16944,\n    \"\\u13be\\u13c4\\u13aa\\u13e8\\u13a9\": 16945,\n    \"\\u13a2\\u13f3\\u13cd\\u13d7\\u13c9\": 16946,\n    \"\\u13cd\\u13d6\\u13f4\": 16947,\n    \"\\u13a6\\u13d3\\u13cd\\u13d5\\u13d3\\u13b5\\u13f4\\u13cd\\u13a9\": 16948,\n    \"\\u13d3\\u13c3\\u13cd\\u13a9\\u13db\": 16949,\n    \"\\u13e5\\u13ef\\u13a7\\u13c1\\u13b8\": 16950,\n    \"\\u2581\\u13f3\\u13c2\\u13cf\": 16951,\n    \"\\u13cd\\u13d7\\u13d9\\u13ac\": 16952,\n    \"\\u2581\\u13eb\\u13db\\u13d3\": 16953,\n    \"\\u13c2\\u13c1\\u13c9\\u13a9\": 16954,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d5\\u13b8\\u13d9\": 16955,\n    \"\\u2581\\u13e5\\u13ac\\u13a9\\u13aa\\u13b5\\u13f0\": 16956,\n    \"\\u13ef\\u13b8\\u13e4\": 16957,\n    \"\\u2581\\u13a1\\u13e5\\u13ef\\u13a5\": 16958,\n    \"\\u2581\\u13f1\\u13c2\\u13e5\\u13ea\": 16959,\n    \"\\u2581\\u13a4\\u13b6\\u13d0\\u13c5\\u13af\": 16960,\n    \"\\u13f2\\u13ae\\u13d7\\u13f1\": 16961,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 16962,\n    \"\\u13be\\u13d8\\u13f2\\u13b8\\u13a9\": 16963,\n    \"\\u13d3\\u13f3\\u13be\\u13c2\\u13a9\\u13db\": 16964,\n    \"\\u13a9\\u13cd\\u13d4\\u13c2\": 16965,\n    \"\\u2581\\u13a8\\u13e3\\u13b4\": 16966,\n    \"\\u2581\\u13e7\\u13be\\u13da\\u13b5\": 16967,\n    \"\\u2581\\u13af\\u13cd\\u13a9\\u13cd\\u13aa\": 16968,\n    \"\\u2581\\u13a5\\u13a9\\u13b5\\u13a5\\u13c2\": 16969,\n    \"\\u2581\\u13ac\\u13e9\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13b4\": 16970,\n    \"\\u2581\\u13a0\\u13c2\\u13e8\\u13ef\\u13a2\": 16971,\n    \"\\u2581\\u13a4\\u13a9\\u13e8\\u13c5\\u13a2\": 16972,\n    \"\\u13b5\\u13cc\\u13b3\\u13d3\\u13c5\": 16973,\n    \"\\u13d7\\u13e6\\u13ad\\u13f4\": 16974,\n    \"\\u2581\\u13c2\\u13ad\\u13b5\\u13cd\\u13d7\": 16975,\n    \"\\u2581\\u13a5\\u13d3\\u13b8\\u13a2\": 16976,\n    \"\\u2581\\u13eb\\u13a6\\u13c5\\u13c5\\u13a2\": 16977,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13be\": 16978,\n    \"\\u2581\\u13a4\\u13b5\\u13c2\\u13ac\\u13ac\\u13a2\": 16979,\n    \"\\u13a9\\u13a1\\u13ad\": 16980,\n    \"\\u2581\\u13a0\\u13cd\\u13da\\u13b2\\u13a2\": 16981,\n    \"\\u13e7\\u13aa\\u13d3\\u13c1\\u13af\": 16982,\n    \"\\u13af\\u13d0\\u13e2\\u13d7\\u13ad\": 16983,\n    \"\\u13be\\u13d5\\u13b0\": 16984,\n    \"\\u13cf\\u13cd\\u13d7\\u13f1\": 16985,\n    \"\\u13d3\\u13db\\u13c1\\u13d7\\u13f1\": 16986,\n    \"\\u2581\\u13d5\\u13a6\\u13c5\\u13c5\\u13a2\": 16987,\n    \"\\u2581\\u13a4\\u13ec\\u13f0\": 16988,\n    \"\\u13c2\\u13cd\\u13ab\\u13d5\\u13cd\\u13aa\": 16989,\n    \"\\u13a6\\u13df\\u13d3\": 16990,\n    \"\\u2581\\u13a0\\u13c6\\u13a6\\u13d4\\u13b2\\u13d2\": 16991,\n    \"\\u2581\\u13a4\\u13c1\\u13e5\": 16992,\n    \"\\u13d3\\u13c6\\u13ce\\u13b8\": 16993,\n    \"\\u2581\\u13a4\\u13c2\\u13c6\": 16994,\n    \"\\u2581\\u13a4\\u13e6\\u13af\\u13c3\": 16995,\n    \"\\u2581\\u13e5\\u13d9\\u13ac\\u13a2\": 16996,\n    \"\\u2581\\u13a0\\u13f0\\u13b2\\u13a2\": 16997,\n    \"\\u13be\\u13d7\\u13cd\\u13a6\\u13b6\\u13d7\": 16998,\n    \"\\u2581\\u13e4\\u13c8\\u13db\\u13c3\": 16999,\n    \"\\u13e5\\u13f2\\u13b5\\u13b4\": 17000,\n    \"\\u2581\\u13e5\\u13c6\": 17001,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13a6\\u13a2\\u13ae\\u13c3\": 17002,\n    \"\\u2581\\u13d7\\u13d3\\u13c1\\u13b8\\u13a2\": 17003,\n    \"\\u13b5\\u13f0\\u13c5\": 17004,\n    \"\\u13bf\\u13d5\\u13a8\": 17005,\n    \"\\u13f4\\u13e3\\u13d7\": 17006,\n    \"\\u13a4\\u13c2\\u13f4\": 17007,\n    \"\\u2581\\u13c2\\u13ac\\u13c1\\u13b2\\u13a2\": 17008,\n    \"\\u2581\\u13c2\\u13a6\\u13db\\u13c1\\u13b2\\u13a2\": 17009,\n    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\"\\u2581\\u13cd\\u13a9\\u13cc\\u13b3\": 17029,\n    \"\\u2581\\u13f0\\u13d7\": 17030,\n    \"\\u13e9\\u13ab\\u13b5\": 17031,\n    \"\\u13d7\\u13bb\\u13ef\": 17032,\n    \"\\u2581\\u13a0\\u13a9\\u13a8\\u13f3\": 17033,\n    \"\\u13a2\\u13cd\\u13d4\\u13be\": 17034,\n    \"\\u2581\\u13da\\u13c2\\u13b6\\u13a8\\u13d2\": 17035,\n    \"\\u13df\\u13db\": 17036,\n    \"\\u13e5\\u13c1\\u13e4\\u13b0\\u13a2\": 17037,\n    \"\\u13d7\\u13aa\\u13b5\\u13a9\": 17038,\n    \"\\u13a2\\u13d3\\u13cd\\u13d7\": 17039,\n    \"\\u2581\\u13a4\\u13c2\\u13ab\": 17040,\n    \"\\u2581\\u13a0\\u13c5\\u13d7\\u13cd\\u13ac\\u13a2\": 17041,\n    \"\\u13d3\\u13d3\\u13b5\\u13c1\\u13af\\u13d5\": 17042,\n    \"\\u13d7\\u13d3\\u13c5\": 17043,\n    \"\\u2581\\u13a8\\u13e5\\u13d2\\u13b2\\u13cd\": 17044,\n    \"\\u2581\\u13da\\u13c2\\u13a6\\u13d8\\u13b8\\u13d2\": 17045,\n    \"\\u13ac\\u13eb\\u13f3\\u13cc\\u13d5\": 17046,\n    \"\\u2581\\u13a4\\u13d3\\u13b8\\u13c9\": 17047,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13c3\\u13ae\\u13cd\": 17048,\n    \"\\u13cd\\u13d3\\u13e9\\u13d7\\u13ce\\u13cd\\u13d7\": 17049,\n    \"\\u2581\\u13a1\\u13e5\\u13aa\": 17050,\n    \"\\u2581\\u13d7\\u13a8\\u13b4\": 17051,\n    \"\\u2581\\u13ad\\u13b4\\u13c5\": 17052,\n    \"\\u2581\\u13db\\u13c4\": 17053,\n    \"\\u13e5\\u13a6\\u13d8\\u13f4\": 17054,\n    \"\\u13e3\\u13db\\u13a9\\u13cd\\u13aa\": 17055,\n    \"\\u13d2\\u13cd\\u13db\": 17056,\n    \"\\u13e9\\u13db\\u13af\\u13d3\\u13cd\\u13d7\": 17057,\n    \"\\u2581\\u13a0\\u13f2\\u13b3\": 17058,\n    \"\\u2581\\u13a8\\u13b3\\u13d7\": 17059,\n    \"\\u13c3\\u13c1\\u13d7\\u13f1\": 17060,\n    \"\\u13a9\\u13a6\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\\u13ac\\u13a9\": 17061,\n    \"\\u13c3\\u13e3\\u13b6\": 17062,\n    \"\\u2581\\u13be\\u13be\\u13db\\u13c1\\u13b2\\u13a9\": 17063,\n    \"\\u2581\\u13d3\\u13be\\u13cf\": 17064,\n    \"\\u13e3\\u13a9\\u13cd\\u13d7\": 17065,\n    \"\\u2581\\u13d3\\u13e8\\u13ef\": 17066,\n    \"\\u13b5\\u13d3\\u13cd\\u13d9\\u13d7\": 17067,\n    \"\\u13e3\\u13d6\": 17068,\n    \"\\u13da\\u13d9\\u13a1\": 17069,\n    \"\\u13c6\\u13b5\\u13e5\\u13d9\\u13c5\": 17070,\n    \"\\u13e5\\u13ef\\u13e2\\u13c8\": 17071,\n    \"\\u13d7\\u13a4\\u13e0\\u13a0\\u13ce\": 17072,\n    \"\\u13b5\\u13d4\\u13ec\": 17073,\n    \"\\u2581\\u13d7\\u13a9\\u13d7\": 17074,\n    \"\\u2581\\u13f1\\u13e3\\u13ce\\u13b5\": 17075,\n    \"\\u2581\\u13a8\\u13a6\\u13b5\\u13e5\\u13d9\\u13c1\\u13b4\": 17076,\n    \"\\u2581\\u13a2\\u13a4\\u13a8\": 17077,\n    \"\\u2581\\u13a4\\u13f2\\u13cd\\u13d9\\u13d7\": 17078,\n    \"\\u13e5\\u13cd\\u13d3\\u13e9\\u13d5\\u13a9\": 17079,\n    \"\\u13d3\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 17080,\n    \"\\u13cd\\u13a9\\u13c5\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 17081,\n    \"\\u13a8\\u13e5\\u13f2\\u13ae\": 17082,\n    \"\\u2581\\u13eb\\u13d7\\u13a6\\u13b6\\u13cd\": 17083,\n    \"\\u13ea\\u13b3\\u13d7\\u13d3\\u13cd\\u13d7\\u13f1\": 17084,\n    \"\\u2581\\u13a9\\u13cf\": 17085,\n    \"\\u13d3\\u13a7\\u13bf\\u13e9\\u13d5\\u13ac\": 17086,\n    \"\\u13e5\\u13aa\\u13d9\\u13af\\u13cd\\u13d4\\u13c2\": 17087,\n    \"\\u13d3\\u13e5\\u13b3\\u13c2\": 17088,\n    \"\\u2581\\u13ed\\u13df\": 17089,\n    \"\\u2581\\u13f1\\u13c2\\u13e3\\u13ea\": 17090,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13db\\u13a5\": 17091,\n    \"\\u2581\\u13b0\\u13b5\": 17092,\n    \"\\u2581\\u13d5\\u13a8\\u13f4\\u13a2\": 17093,\n    \"\\u13d2\\u13a6\\u13b6\\u13d7\\u13cd\": 17094,\n    \"\\u13c2\\u13ae\\u13cd\\u13d7\": 17095,\n    \"\\u13eb\\u13ac\\u13e9\": 17096,\n    \"\\u13ac\\u13d2\": 17097,\n    \"\\u13d1\\u13a6\\u13b8\\u13d9\\u13d7\": 17098,\n    \"\\u13eb\\u13db\\u13b2\": 17099,\n    \"\\u2581\\u13d3\\u13a6\\u13be\\u13ec\": 17100,\n    \"\\u13e5\\u13a6\\u13d8\\u13d7\": 17101,\n    \"\\u2581\\u13a4\\u13b5\\u13db\": 17102,\n    \"\\u13ef\\u13e8\\u13d7\": 17103,\n    \"\\u2581\\u13a2\\u13ef\\u13db\": 17104,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13aa\\u13b8\\u13c9\": 17105,\n    \"\\u13ac\\u13ec\\u13ce\\u13b4\\u13a2\": 17106,\n    \"\\u2581\\u13a0\\u13a9\\u13f2\\u13b2\": 17107,\n    \"\\u13e9\\u13ab\\u13d7\\u13d7\": 17108,\n    \"\\u2581\\u13a4\\u13cd\\u13da\": 17109,\n    \"\\u13b3\\u13d1\\u13e0\": 17110,\n    \"\\u13a2\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 17111,\n    \"\\u2581\\u13d7\\u13c5\\u13c3\\u13db\\u13cd\\u13a9\\u13c2\": 17112,\n    \"\\u2581\\u13a8\\u13a6\\u13d3\\u13c5\\u13d6\\u13cd\\u13a8\": 17113,\n    \"\\u2581\\u13a0\\u13ef\\u13d9\\u13af\": 17114,\n    \"\\u2581\\u13d7\\u13ac\\u13a9\\u13b6\": 17115,\n    \"\\u2581\\u13a4\\u13ea\\u13c5\\u13c3\": 17116,\n    \"\\u13c3\\u13d3\\u13c1\\u13b4\\u13a2\": 17117,\n    \"\\u2581\\u13c2\\u13da\\u13d5\\u13d8\\u13f4\": 17118,\n    \"\\u2581\\u13a4\\u13a9\\u13b8\\u13db\": 17119,\n    \"\\u2581\\u13ad\\u13eb\\u13c2\\u13f3\": 17120,\n    \"\\u2581\\u13e9\\u13e5\\u13ef\\u13c5\\u13b2\": 17121,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13e0\": 17122,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13f2\\u13b5\": 17123,\n    \"\\u2581\\u13a0\\u13be\\u13df\\u13c2\\u13ac\\u13c1\": 17124,\n    \"\\u2581\\u13e8\\u13db\\u13a9\": 17125,\n    \"\\u13cd\\u13d3\\u13d3\\u13c5\\u13d4\": 17126,\n    \"\\u2581\\u13a6\\u13ec\": 17127,\n    \"\\u13cf\\u13b2\\u13cd\\u13aa\": 17128,\n    \"\\u2581\\u13e7\\u13c2\\u13cd\\u13d4\\u13e9\": 17129,\n    \"\\u13d7\\u13e8\\u13f2\": 17130,\n    \"\\u13d3\\u13c5\\u13d8\\u13f3\": 17131,\n    \"\\u2581\\u13ed\\u13b5\\u13cc\\u13b3\\u13d3\\u13c5\": 17132,\n    \"\\u2581\\u13ac\\u13be\\u13a2\": 17133,\n    \"\\u13b8\\u13c9\\u13d5\": 17134,\n    \"\\u2581\\u13a4\\u13f2\\u13b0\": 17135,\n    \"\\u13e5\\u13a5\\u13cd\\u13a6\": 17136,\n    \"\\u2581\\u13a4\\u13c2\\u13ef\\u13eb\": 17137,\n    \"\\u2581\\u13a2\\u13e5\\u13aa\": 17138,\n    \"\\u13d3\\u13ef\\u13eb\\u13cd\\u13a8\\u13cd\\u13d7\": 17139,\n    \"\\u13b7\\u13c9\\u13d7\": 17140,\n    \"\\u2581\\u13e7\\u13c2\\u13f0\": 17141,\n    \"\\u13e3\\u13b6\\u13c1\\u13d4\\u13c5\": 17142,\n    \"\\u13d7\\u13d4\\u13cd\\u13d4\": 17143,\n    \"\\u2581\\u13a6\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13ac\": 17144,\n    \"\\u13c4\\u13aa\\u13eb\\u13ce\\u13d7\\u13f1\": 17145,\n    \"\\u2581\\u13c2\\u13e3\\u13b5\\u13cd\\u13d3\\u13c1\\u13b2\": 17146,\n    \"\\u13e8\\u13c9\\u13d5\": 17147,\n    \"\\u13ea\\u13d3\\u13cd\\u13d7\\u13f1\": 17148,\n    \"\\u2581\\u13f1\\u13e3\\u13d5\\u13ef\\u13d4\\u13c1\": 17149,\n    \"\\u2581\\u13ed\\u13f4\\u13b5\": 17150,\n    \"\\u13b5\\u13b2\\u13be\": 17151,\n    \"\\u2581\\u13d8\\u13e9\\u13db\": 17152,\n    \"\\u13c1\\u13e2\\u13d9\\u13d7\": 17153,\n    \"\\u2581\\u13c2\\u13d5\\u13e8\\u13c1\": 17154,\n    \"\\u2581\\u13a0\\u13b4\\u13c8\\u13f1\": 17155,\n    \"\\u2581\\u13c2\\u13ac\\u13c1\\u13a2\": 17156,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13b8\\u13af\\u13d7\\u13ce\": 17157,\n    \"\\u13a9\\u13cd\\u13c6\\u13c2\\u13aa\\u13d4\\u13c5\\u13a9\": 17158,\n    \"\\u13d7\\u13ef\\u13a5\": 17159,\n    \"\\u13ac\\u13e9\\u13cd\\u13d9\\u13a2\": 17160,\n    \"\\u13c2\\u13eb\\u13af\": 17161,\n    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\"\\u13e3\\u13ab\\u13f4\\u13d3\\u13cf\": 17218,\n    \"\\u2581\\u13f1\\u13a6\\u13c4\": 17219,\n    \"\\u2581\\u13a4\\u13e9\\u13c5\\u13ac\": 17220,\n    \"\\u13a9\\u13b8\\u13c5\\u13a9\": 17221,\n    \"\\u13e9\\u13d5\\u13c5\": 17222,\n    \"\\u2581\\u13e9\\u13db\": 17223,\n    \"\\u2581\\u13a4\\u13c3\\u13e2\\u13c1\": 17224,\n    \"\\u2581\\u13a4\\u13b4\\u13eb\\u13cd\\u13d9\\u13d7\": 17225,\n    \"\\u13a8\\u13e8\\u13c1\\u13b4\": 17226,\n    \"\\u13a6\\u13cd\\u13aa\\u13af\": 17227,\n    \"\\u2581\\u13a0\\u13d4\\u13b4\\u13d2\\u13a9\": 17228,\n    \"\\u13e3\\u13b3\\u13cf\\u13d5\\u13c2\": 17229,\n    \"\\u13e5\\u13db\": 17230,\n    \"\\u2581\\u13a6\\u13b8\\u13b3\\u13d7\\u13e8\": 17231,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13aa\\u13b2\": 17232,\n    \"\\u2581\\u13e7\\u13c2\\u13f2\\u13b1\\u13af\\u13cd\": 17233,\n    \"\\u2581\\u13e3\\u13c2\\u13c3\\u13a2\": 17234,\n    \"\\u13ef\\u13db\\u13db\\u13b2\\u13cd\\u13a6\": 17235,\n    \"\\u2581\\u13ac\\u13ce\": 17236,\n    \"\\u13a3\\u13be\": 17237,\n 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\"\\u2581\\u13c5\\u13d3\\u13f3\\u13c5\\u13cd\\u13d7\": 17256,\n    \"\\u2581\\u13ad\\u13c1\\u13cd\\u13a8\\u13cd\": 17257,\n    \"\\u13cd\\u13d3\\u13c1\\u13b0\": 17258,\n    \"\\u2581\\u13a1\\u13e5\\u13c5\\u13c1\": 17259,\n    \"\\u13b8\\u13b6\\u13a2\": 17260,\n    \"\\u13c5\\u13b2\\u13a9\": 17261,\n    \"\\u2581\\u13a1\\u13e4\": 17262,\n    \"\\u13c3\\u13f4\\u13d8\\u13cd\": 17263,\n    \"\\u2581\\u13a0\\u13b2\\u13cd\\u13a9\": 17264,\n    \"\\u2581\\u13a4\\u13ea\\u13e2\\u13c5\": 17265,\n    \"\\u2581\\u13a4\\u13d4\\u13d5\\u13a9\\u13cd\": 17266,\n    \"\\u13d3\\u13c5\\u13a9\": 17267,\n    \"\\u13cd\\u13d7\\u13a7\": 17268,\n    \"\\u2581\\u13a4\\u13be\\u13a1\": 17269,\n    \"\\u2581\\u13ac\\u13a9\\u13c1\\u13a2\\u13cd\": 17270,\n    \"\\u13ee\\u13c5\": 17271,\n    \"\\u2581\\u13ad\\u13cf\": 17272,\n    \"\\u13a9\\u13cc\\u13db\": 17273,\n    \"\\u2581\\u13f1\\u13a6\\u13b7\\u13aa\": 17274,\n    \"\\u13ac\\u13c3\\u13af\\u13cf\": 17275,\n    \"\\u2581\\u13a4\\u13d3\\u13ea\\u13b5\": 17276,\n    \"\\u13e3\\u13cd\\u13c6\\u13c2\\u13aa\\u13d7\": 17277,\n    \"\\u2581\\u13da\\u13c2\\u13df\\u13cc\\u13c5\": 17278,\n    \"\\u13c9\\u13af\\u13f3\": 17279,\n    \"\\u13ac\\u13ce\\u13b8\": 17280,\n    \"\\u13c5\\u13cd\\u13d4\\u13c5\\u13a9\": 17281,\n    \"\\u13d5\\u13d2\\u13c5\": 17282,\n    \"\\u2581\\u13ac\\u13e9\\u13be\\u13d5\\u13c1\\u13b8\": 17283,\n    \"\\u13a6\\u13be\\u13a6\\u13d8\": 17284,\n    \"\\u2581\\u13eb\\u13d3\\u13c2\\u13f4\": 17285,\n    \"\\u2581\\u13a0\\u13c6\\u13d9\": 17286,\n    \"\\u13af\\u13ce\\u13d7\": 17287,\n    \"\\u2581\\u13c2\\u13d1\\u13ea\\u13ce\": 17288,\n    \"\\u13ac\\u13d3\\u13c3\\u13cd\": 17289,\n    \"\\u2581\\u13ed\\u13b8\\u13c5\": 17290,\n    \"\\u2581\\u13d9\\u13c5\": 17291,\n    \"\\u13e6\\u13b8\": 17292,\n    \"\\u2581\\u13d7\\u13a8\\u13a6\\u13df\\u13b6\\u13cd\": 17293,\n    \"\\u2581\\u13a4\\u13e4\\u13cd\\u13d7\": 17294,\n    \"\\u2581\\u13e3\\u13cc\": 17295,\n    \"\\u13c6\\u13b8\": 17296,\n    \"\\u2581\\u13d7\\u13cd\\u13a9\\u13f2\\u13af\": 17297,\n    \"\\u2581\\u13c1\\u13cd\\u13d7\": 17298,\n    \"\\u2581\\u13da\\u13e2\": 17299,\n    \"\\u2581\\u13a9\\u13db\": 17300,\n    \"\\u2581\\u13d5\\u13a6\\u13b7\\u13a8\": 17301,\n    \"\\u2581\\u13a2\\u13a9\\u13cd\\u13a6\": 17302,\n    \"\\u2581\\u13a0\\u13c2\\u13cc\": 17303,\n    \"\\u13e5\\u13c5\\u13cf\\u13db\": 17304,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 17305,\n    \"\\u13a8\\u13f3\\u13d0\": 17306,\n    \"\\u2581\\u13a3\\u13aa\\u13af\\u13f3\\u13af\": 17307,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13df\\u13d0\\u13d7\": 17308,\n    \"\\u2581\\u13a0\\u13b5\\u13f0\\u13b5\": 17309,\n    \"\\u2581\\u13d7\\u13c2\\u13b6\": 17310,\n    \"\\u13ef\\u13d8\\u13c3\\u13af\\u13cd\\u13d7\": 17311,\n    \"\\u2581\\u13d3\\u13f4\": 17312,\n    \"\\u13c2\\u13e8\\u13c1\\u13b8\": 17313,\n    \"\\u2581\\u13a4\\u13d3\\u13c2\\u13b5\\u13a8\\u13a2\": 17314,\n    \"\\u13be\\u13dd\\u13a5\\u13a2\": 17315,\n    \"\\u13d3\\u13e2\": 17316,\n    \"\\u2581\\u13a3\\u13ad\\u13c1\\u13af\": 17317,\n    \"\\u2581\\u13a4\\u13d5\\u13c1\\u13b8\\u13a2\": 17318,\n    \"\\u13cc\\u13b9\\u13d7\\u13f4\": 17319,\n    \"\\u2581\\u13da\\u13c2\\u13cd\\u13da\\u13c5\": 17320,\n    \"\\u2581\\u13a0\\u13be\\u13ce\\u13b5\": 17321,\n    \"\\u2581\\u13d3\\u13a6\\u13d8\\u13f0\": 17322,\n    \"\\u13b5\\u13aa\\u13e9\\u13d5\": 17323,\n    \"\\u13e5\\u13c1\\u13a2\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 17324,\n    \"\\u2581\\u13a2\\u13e5\\u13b7\\u13e8\": 17325,\n    \"\\u2581\\u13eb\\u13d5\\u13a8\\u13a6\\u13d3\\u13a2\": 17326,\n    \"\\u13e3\\u13c5\\u13d3\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 17327,\n    \"\\u13be\\u13c1\\u13b6\\u13d7\": 17328,\n    \"\\u2581\\u13da\\u13c5\\u13c1\\u13b8\": 17329,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13be\": 17330,\n    \"\\u2581\\u13a8\\u13e3\\u13d5\\u13c1\": 17331,\n    \"\\u2581\\u13d5\\u13e3\\u13e0\\u13f1\": 17332,\n    \"\\u2581\\u13a4\\u13c2\\u13ae\": 17333,\n    \"\\u2581\\u13ee\\u13d3\\u13e5\\u13ef\": 17334,\n    \"\\u13ac\\u13e9\\u13d3\\u13b4\\u13c5\\u13db\": 17335,\n    \"\\u2581\\u13a3\\u13a6\\u13e4\\u13b5\\u13aa\": 17336,\n    \"\\u2581\\u13a4\\u13be\\u13d9\\u13b4\\u13c6\": 17337,\n    \"\\u13be\\u13d5\\u13d8\\u13f4\": 17338,\n    \"\\u13ce\\u13b5\\u13d9\\u13d4\\u13c5\": 17339,\n    \"\\u2581\\u13a4\\u13b8\\u13c5\": 17340,\n    \"\\u13e3\\u13d5\\u13ef\\u13d9\\u13d7\\u13ad\": 17341,\n    \"\\u2581\\u13a1\\u13e3\\u13e1\\u13d7\": 17342,\n    \"\\u13c1\\u13b4\\u13c3\": 17343,\n    \"\\u13b5\\u13ce\\u13cd\\u13d7\": 17344,\n    \"\\u13e6\\u13ce\\u13b8\\u13af\": 17345,\n    \"\\u13c1\\u13d2\\u13ad\": 17346,\n    \"\\u13cc\\u13c6\\u13b4\\u13b8\": 17347,\n    \"\\u13ac\\u13b7\\u13e4\\u13b5\": 17348,\n    \"\\u2581\\u13a2\\u13e4\\u13ef\\u13d4\\u13af\": 17349,\n    \"\\u2581\\u13e5\\u13cd\\u13ab\\u13d5\\u13d2\": 17350,\n    \"\\u2581\\u13eb\\u13e5\\u13ef\": 17351,\n    \"\\u2581\\u13d7\\u13e5\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\": 17352,\n    \"\\u2581\\u13d7\\u13e5\\u13c2\\u13f4\\u13d7\": 17353,\n    \"\\u13e5\\u13b8\": 17354,\n    \"\\u2581\\u13a4\\u13be\\u13b8\": 17355,\n    \"\\u2581\\u13ef\\u13f4\": 17356,\n    \"\\u13c6\\u13d2\\u13ad\\u13c2\\u13b8\": 17357,\n    \"\\u13da\\u13f2\\u13d0\": 17358,\n    \"\\u2581\\u13f1\\u13d9\\u13e5\\u13f2\\u13b1\": 17359,\n    \"\\u13f1\\u13cd\\u13ac\\u13a2\": 17360,\n    \"\\u13e5\\u13ef\\u13d0\\u13c5\\u13f0\\u13b5\": 17361,\n    \"\\u13a9\\u13c3\\u13ae\\u13ad\": 17362,\n    \"\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 17363,\n    \"\\u2581\\u13a0\\u13cc\\u13c3\": 17364,\n    \"\\u2581\\u13da\\u13b3\\u13cd\\u13ac\\u13a2\": 17365,\n    \"\\u13a6\\u13b6\\u13cd\\u13ac\": 17366,\n    \"\\u13d2\\u13ad\\u13c2\\u13b8\": 17367,\n    \"\\u13c2\\u13cd\\u13d3\\u13e9\\u13d9\\u13b8\\u13af\": 17368,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d6\\u13b4\\u13a2\": 17369,\n    \"\\u2581\\u13f1\\u13d7\\u13b5\": 17370,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13c5\\u13d2\": 17371,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13c2\\u13f2\\u13b1\\u13af\": 17372,\n    \"\\u2581\\u13d9\\u13db\\u13cd\": 17373,\n    \"\\u13e9\\u13db\\u13cd\\u13d7\": 17374,\n    \"\\u2581\\u13a2\\u13e3\\u13c9\": 17375,\n    \"\\u2581\\u13c1\\u13b5\\u13cd\\u13ac\\u13c3\": 17376,\n    \"\\u13f3\\u13d5\\u13c3\": 17377,\n    \"\\u2581\\u13d3\\u13f0\\u13d9\": 17378,\n    \"\\u13cd\\u13d7\\u13c3\\u13ae\\u13cd\\u13ac\": 17379,\n    \"\\u13e9\\u13d7\": 17380,\n    \"\\u13e9\\u13db\\u13af\\u13b4\": 17381,\n    \"\\u2581\\u13a8\\u13a6\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\": 17382,\n    \"\\u2581\\u13a4\\u13d3\\u13b5\\u13cd\\u13aa\\u13b8\\u13d4\\u13c5\": 17383,\n    \"\\u13f1\\u13b2\\u13a2\": 17384,\n    \"\\u13d3\\u13aa\\u13e9\\u13d8\\u13cd\\u13aa\\u13a2\": 17385,\n    \"\\u13e5\\u13cc\\u13db\\u13a5\\u13cd\\u13a9\": 17386,\n    \"\\u13a0\\u13a9\\u13a7\\u13c1\\u13b8\": 17387,\n    \"\\u13d3\\u13b5\\u13cc\\u13b3\\u13d7\": 17388,\n    \"\\u13cc\\u13b9\\u13d7\": 17389,\n    \"\\u13d7\\u13e3\\u13a7\\u13be\": 17390,\n    \"\\u2581\\u13da\\u13b4\\u13c5\\u13f0\\u13c3\": 17391,\n    \"\\u2581\\u13a3\\u13a9\\u13d2\\u13cd\\u13d7\": 17392,\n    \"\\u13ac\\u13be\\u13ec\\u13cd\\u13ac\": 17393,\n    \"\\u2581\\u13ed\\u13d3\\u13c5\\u13d6\": 17394,\n    \"\\u2581\\u13a1\\u13e3\\u13b5\\u13a1\": 17395,\n    \"\\u2581\\u13a4\\u13cd\\u13d8\": 17396,\n    \"\\u2581\\u13e9\\u13e0\\u13a0\": 17397,\n    \"\\u2581\\u13a8\\u13e5\\u13c3\\u13c1\\u13b8\": 17398,\n    \"\\u2581\\u13a2\\u13e4\\u13d9\\u13b2\": 17399,\n    \"\\u2581\\u13f1\\u13da\\u13d3\\u13f2\": 17400,\n    \"\\u2581\\u13a5\\u13d3\": 17401,\n    \"\\u2581\\u13a4\\u13a7\\u13d4\\u13b2\": 17402,\n    \"\\u2581\\u13a4\\u13c7\\u13d3\\u13b8\\u13c9\": 17403,\n    \"\\u13ec\\u13c2\\u13ce\\u13a2\": 17404,\n    \"\\u2581\\u13ef\\u13cd\\u13a6\\u13c5\": 17405,\n    \"\\u2581\\u13da\\u13c3\\u13d5\\u13af\": 17406,\n    \"\\u2581\\u13a6\\u13c3\\u13b8\\u13a5\\u13cd\\u13ac\\u13a2\": 17407,\n    \"\\u2581\\u13e5\\u13d5\\u13a9\": 17408,\n    \"\\u13e5\\u13f2\\u13ce\\u13ae\\u13cd\\u13d7\": 17409,\n    \"\\u13a9\\u13cd\\u13a8\\u13a2\": 17410,\n    \"\\u13e8\\u13ef\\u13b5\\u13e5\\u13d9\\u13c1\\u13b8\\u13a9\": 17411,\n    \"\\u2581\\u13e7\\u13ea\\u13f0\\u13cd\\u13d7\": 17412,\n    \"\\u2581\\u13e7\\u13c2\\u13ac\\u13e9\\u13b6\": 17413,\n    \"\\u13e3\\u13b5\\u13c2\\u13ac\\u13a6\": 17414,\n    \"\\u2581\\u13cd\\u13a9\\u13db\\u13d4\\u13c2\": 17415,\n    \"\\u13be\\u13d3\\u13f4\\u13b3\\u13db\": 17416,\n    \"\\u13ef\\u13d8\\u13c4\\u13a6\": 17417,\n    \"\\u2581\\u13d3\\u13be\\u13d8\\u13c1\": 17418,\n    \"\\u13db\\u13c5\\u13c2\": 17419,\n    \"\\u2581\\u13da\\u13ed\\u13aa\": 17420,\n    \"\\u13d7\\u13d7\\u13d0\": 17421,\n    \"\\u2581\\u13a1\\u13c6\\u13d3\": 17422,\n    \"\\u13cd\\u13d7\\u13f4\\u13cd\\u13d7\\u13f1\": 17423,\n    \"\\u13b5\\u13f0\\u13a2\\u13b8\\u13cd\": 17424,\n    \"\\u2581\\u13a1\\u13e3\\u13ab\\u13f4\\u13a1\": 17425,\n    \"\\u2581\\u13a2\\u13f4\\u13d3\": 17426,\n    \"\\u13ed\\u13d3\\u13b4\\u13ce\\u13a2\": 17427,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13a1\": 17428,\n    \"\\u2581\\u13c5\\u13db\\u13a9\\u13c5\": 17429,\n    \"\\u2581\\u13d3\\u13c2\\u13ec\\u13c2\": 17430,\n    \"\\u13a6\\u13db\\u13c5\": 17431,\n    \"\\u13d8\\u13b9\": 17432,\n    \"\\u13e5\\u13ef\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13ad\": 17433,\n    \"\\u2581\\u13ac\\u13e9\\u13ef\\u13eb\\u13cd\": 17434,\n    \"\\u2581\\u13d5\\u13a8\\u13e5\\u13cd\\u13da\": 17435,\n    \"\\u13be\\u13db\\u13c1\\u13b5\\u13d9\\u13af\": 17436,\n    \"\\u13b5\\u13ae\\u13b5\\u13e4\\u13ae\": 17437,\n    \"\\u13d7\\u13e5\\u13b1\\u13cd\\u13d5\\u13ce\": 17438,\n    \"\\u2581\\u13a4\\u13d7\\u13e9\": 17439,\n    \"\\u2581\\u13a4\\u13b6\\u13a9\\u13b8\\u13a9\": 17440,\n    \"\\u13cd\\u13c6\\u13b8\\u13a1\\u13b8\": 17441,\n    \"\\u2581\\u13a1\\u13e6\\u13a2\\u13f3\\u13b2\": 17442,\n    \"\\u13a6\\u13d5\\u13f2\\u13b2\\u13cd\\u13a6\": 17443,\n    \"\\u13e4\\u13b7\\u13af\\u13cd\\u13d7\": 17444,\n    \"\\u13b5\\u13ce\\u13ae\": 17445,\n    \"\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d7\": 17446,\n    \"\\u2581\\u13da\\u13c2\\u13e2\\u13c1\": 17447,\n    \"\\u13af\\u13c2\\u13f4\\u13ce\\u13cd\\u13d7\": 17448,\n    \"\\u2581\\u13d3\\u13dc\\u13cd\\u13d7\\u13cd\": 17449,\n    \"\\u13da\\u13ed\\u13aa\\u13d4\\u13c1\\u13a2\": 17450,\n    \"\\u2581\\u13a5\\u13a9\\u13c1\\u13e4\\u13d7\": 17451,\n    \"\\u2581\\u13a4\\u13e2\\u13c5\": 17452,\n    \"\\u2581\\u13d5\\u13e3\\u13d7\": 17453,\n    \"\\u2581\\u13ef\\u13db\\u13d3\\u13cd\": 17454,\n    \"\\u13c2\\u13ac\\u13a8\\u13cd\\u13d7\": 17455,\n    \"\\u2581\\u13b9\\u13c1\": 17456,\n    \"\\u2581\\u13a0\\u13c6\\u13da\\u13b8\": 17457,\n    \"\\u13be\\u13d3\\u13cd\\u13d5\\u13d3\\u13b5\\u13f4\": 17458,\n    \"\\u13c2\\u13cd\\u13d5\\u13b8\": 17459,\n    \"\\u13ac\\u13a9\\u13a6\\u13d8\\u13b4\": 17460,\n    \"\\u2581\\u13da\\u13c2\\u13a8\\u13af\\u13d9\\u13b4\": 17461,\n    \"\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 17462,\n    \"\\u2581\\u13a4\\u13c2\\u13c3\\u13b8\\u13d4\": 17463,\n    \"\\u2581\\u13a2\\u13b3\\u13cf\": 17464,\n    \"\\u2581\\u13da\\u13aa\\u13ae\\u13a2\": 17465,\n    \"\\u13f4\\u13cd\\u13d4\\u13c5\\u13af\": 17466,\n    \"\\u2581\\u13e9\\u13a9\\u13b7\\u13af\\u13cd\\u13d7\": 17467,\n    \"\\u2581\\u13a3\\u13a9\\u13cd\\u13a6\\u13c5\\u13e8\": 17468,\n    \"\\u2581\\u13a1\\u13d9\\u13d3\\u13c3\": 17469,\n    \"\\u13a9\\u13a1\\u13d7\\u13f1\": 17470,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13d5\\u13b5\\u13cd\": 17471,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13aa\\u13a2\": 17472,\n    \"\\u2581\\u13a3\\u13a6\\u13da\\u13a9\": 17473,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13c2\\u13f4\": 17474,\n    \"\\u2581\\u13a0\\u13d3\\u13d9\\u13b5\": 17475,\n    \"\\u13eb\\u13d7\\u13e3\\u13a7\\u13be\": 17476,\n    \"\\u2581\\u13a2\\u13e5\\u13f4\\u13b8\": 17477,\n    \"\\u2581\\u13a4\\u13d5\\u13f2\": 17478,\n    \"\\u13cd\\u13db\\u13d3\": 17479,\n    \"\\u2581\\u13eb\\u13ac\\u13e9\\u13be\\u13db\": 17480,\n    \"\\u2581\\u13a3\\u13a9\\u13be\\u13b5\\u13a2\": 17481,\n    \"\\u2581\\u13a3\\u13cd\\u13d7\\u13b6\": 17482,\n    \"\\u2581\\u13cd\\u13c6\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\": 17483,\n    \"\\u13d4\\u13f2\\u13af\\u13ae\\u13cd\\u13d7\": 17484,\n    \"\\u2581\\u13a0\\u13c2\\u13c1\\u13a2\": 17485,\n    \"\\u13f2\\u13b8\\u13be\": 17486,\n    \"\\u13e5\\u13cd\\u13a6\\u13be\\u13a2\": 17487,\n    \"\\u13e9\\u13d5\\u13a9\": 17488,\n    \"\\u13b8\\u13cd\\u13d7\\u13cd\\u13a8\\u13a2\": 17489,\n    \"\\u13c1\\u13a6\\u13b8\": 17490,\n    \"\\u2581\\u13e4\\u13e0\": 17491,\n    \"\\u13e9\\u13c5\\u13ec\": 17492,\n    \"\\u13e3\\u13b4\": 17493,\n    \"\\u2581\\u13e7\\u13c2\\u13b7\": 17494,\n    \"\\u13a6\\u13ef\\u13b1\\u13b6\": 17495,\n    \"\\u2581\\u13c2\\u13d3\\u13c2\": 17496,\n    \"\\u13be\\u13b5\\u13cd\\u13d4\\u13c5\\u13a9\": 17497,\n    \"\\u13af\\u13b2\\u13a9\": 17498,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13c5\\u13ad\": 17499,\n    \"\\u13e8\\u13cd\\u13d5\\u13b8\\u13a1\\u13d7\\u13f1\": 17500,\n    \"\\u13c2\\u13c1\\u13a2\\u13cd\\u13d9\\u13d7\\u13f1\": 17501,\n    \"\\u2581\\u13ac\\u13d7\\u13cf\": 17502,\n    \"\\u2581\\u13d3\\u13be\\u13d5\\u13cd\\u13aa\": 17503,\n    \"\\u2581\\u13a7\\u13c1\\u13c9\\u13a8\\u13c9\": 17504,\n    \"\\u2581\\u13a4\\u13b5\\u13c3\\u13ae\\u13d4\\u13c5\": 17505,\n    \"\\u2581\\u13a4\\u13c2\\u13f4\\u13ce\": 17506,\n    \"\\u13a4\\u13ea\\u13a7\\u13c1\\u13d7\\u13f1\": 17507,\n    \"\\u13be\\u13d3\\u13f4\\u13b3\\u13d4\": 17508,\n    \"\\u2581\\u13a4\\u13b8\\u13d5\\u13cd\\u13d7\\u13cd\": 17509,\n    \"\\u13a6\\u13d8\\u13cf\\u13d7\\u13e2\": 17510,\n    \"\\u13c6\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13b8\": 17511,\n    \"\\u13a4\\u13b5\\u13ec\\u13e5\\u13d5\\u13be\": 17512,\n    \"\\u2581\\u13da\\u13eb\\u13d2\": 17513,\n    \"\\u2581\\u13b0\\u13e9\\u13c9\": 17514,\n    \"\\u13e5\\u13a9\\u13a1\\u13d7\": 17515,\n    \"\\u13bf\\u13d7\\u13cd\\u13d7\\u13cd\\u13a8\": 17516,\n    \"\\u2581\\u13d5\\u13e8\\u13ef\\u13a7\": 17517,\n    \"\\u2581\\u13c1\\u13b9\": 17518,\n    \"\\u13ab\\u13cd\\u13d9\": 17519,\n    \"\\u2581\\u13a0\\u13a9\\u13b6\\u13d2\": 17520,\n    \"\\u2581\\u13a2\\u13e5\\u13c5\\u13cf\\u13d9\": 17521,\n    \"\\u2581\\u13a4\\u13c1\\u13a9\\u13d2\": 17522,\n    \"\\u13ac\\u13e9\\u13b5\\u13aa\\u13c1\\u13b8\\u13a9\": 17523,\n    \"\\u2581\\u13d5\\u13e5\\u13f2\\u13b5\": 17524,\n    \"\\u13cc\\u13d9\\u13f1\": 17525,\n    \"\\u13e6\\u13f4\": 17526,\n    \"\\u2581\\u13c2\\u13db\\u13c1\": 17527,\n    \"\\u13a6\\u13d9\\u13a8\\u13a2\": 17528,\n    \"\\u13ad\\u13f0\\u13af\": 17529,\n    \"\\u2581\\u13a2\\u13e5\\u13c4\\u13aa\\u13a2\": 17530,\n    \"\\u2581\\u13d7\\u13d3\\u13d6\": 17531,\n    \"\\u2581\\u13e8\\u13db\\u13cd\\u13c6\": 17532,\n    \"\\u2581\\u13a4\\u13c2\\u13b5\\u13a5\\u13c2\\u13b8\": 17533,\n    \"\\u2581\\u13a0\\u13c2\\u13c4\\u13aa\\u13ac\": 17534,\n    \"\\u2581\\u13ab\\u13e9\\u13d5\": 17535,\n    \"\\u13cd\\u13a9\\u13f0\\u13b3\\u13cd\\u13d4\": 17536,\n    \"\\u2581\\u13eb\\u13c4\\u13e9\\u13c1\": 17537,\n    \"\\u13f0\\u13b8\\u13cd\\u13a8\": 17538,\n    \"\\u13a7\\u13c1\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 17539,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13ce\\u13b4\": 17540,\n    \"\\u13d7\\u13db\\u13d7\": 17541,\n    \"\\u2581\\u13d5\\u13a4\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 17542,\n    \"\\u2581\\u13e6\\u13a9\\u13f0\\u13b8\": 17543,\n    \"\\u2581\\u13a3\\u13a9\\u13db\": 17544,\n    \"\\u13df\\u13cf\\u13cd\\u13a8\\u13cd\\u13d7\": 17545,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\": 17546,\n    \"\\u13b0\\u13cd\\u13d7\": 17547,\n    \"\\u13a6\\u13b5\\u13a5\\u13c2\": 17548,\n    \"\\u2581\\u13d3\\u13c2\\u13c2\\u13f1\": 17549,\n    \"\\u2581\\u13ad\\u13eb\": 17550,\n    \"\\u13b5\\u13d6\\u13b8\\u13ae\\u13cd\\u13ac\": 17551,\n    \"\\u2581\\u13a0\\u13af\\u13cd\\u13d7\": 17552,\n    \"\\u13ec\\u13d4\\u13c2\": 17553,\n    \"\\u2581\\u13f1\\u13ac\\u13a9\\u13e9\\u13db\": 17554,\n    \"\\u13b2\\u13ac\": 17555,\n    \"\\u2581\\u13a0\\u13c2\\u13cd\\u13d9\": 17556,\n    \"\\u2581\\u13da\\u13be\\u13b4\\u13c1\\u13c3\": 17557,\n    \"\\u13d4\\u13f1\": 17558,\n    \"\\u2581\\u13e7\\u13ed\\u13aa\\u13d4\\u13c5\": 17559,\n    \"\\u2581\\u13d5\\u13e5\\u13f2\\u13af\\u13ce\\u13b8\": 17560,\n    \"\\u2581\\u13e7\\u13a6\\u13be\": 17561,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13cd\\u13aa\\u13b8\": 17562,\n    \"\\u13aa\\u13af\\u13d7\": 17563,\n    \"\\u13a4\\u13ea\\u13aa\\u13d7\": 17564,\n    \"\\u2581\\u13a4\\u13d5\\u13b4\": 17565,\n    \"\\u2581\\u13ad\\u13bb\\u13c3\": 17566,\n    \"\\u13ac\\u13e9\\u13b6\\u13d3\\u13c1\\u13b8\": 17567,\n    \"\\u2581\\u13d9\\u13a9\\u13f2\": 17568,\n    \"\\u2581\\u13c4\\u13cd\\u13d9\": 17569,\n    \"\\u2581\\u13da\\u13d8\": 17570,\n    \"\\u2581\\u13a3\\u13a9\\u13be\\u13da\\u13b5\": 17571,\n    \"\\u13e5\\u13df\\u13cf\\u13cd\\u13a8\\u13cd\\u13d7\": 17572,\n    \"\\u2581\\u13d2\\u13b2\": 17573,\n    \"\\u2581\\u13da\\u13d9\\u13e2\\u13d2\": 17574,\n    \"\\u13e8\\u13a8\\u13eb\\u13d2\": 17575,\n    \"\\u2581\\u13ac\\u13e9\\u13d5\\u13e8\": 17576,\n    \"\\u13d3\\u13f4\\u13d9\\u13d7\": 17577,\n    \"\\u13d5\\u13d2\\u13ad\": 17578,\n    \"\\u13a6\\u13b5\\u13ec\\u13a9\": 17579,\n    \"\\u2581\\u13d4\\u13b4\\u13c5\": 17580,\n    \"\\u13b3\\u13d7\\u13cd\\u13d7\\u13f1\": 17581,\n    \"\\u13aa\\u13a9\\u13d4\\u13f2\\u13ce\\u13b2\\u13a9\": 17582,\n    \"\\u2581\\u13a2\\u13a9\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b8\": 17583,\n    \"\\u13d9\\u13af\\u13f3\\u13b2\\u13cd\\u13a6\": 17584,\n    \"\\u2581\\u13e7\\u13c2\\u13c1\\u13b5\": 17585,\n    \"\\u13d8\\u13cd\\u13d3\\u13c1\\u13b0\": 17586,\n    \"\\u13b5\\u13d4\\u13d7\\u13c5\\u13ce\": 17587,\n    \"\\u2581\\u13a3\\u13a9\\u13c2\\u13f0\": 17588,\n    \"\\u2581\\u13a0\\u13a6\\u13d8\\u13c3\\u13af\\u13cd\\u13d7\": 17589,\n    \"\\u2581\\u13e5\\u13ac\\u13da\": 17590,\n    \"\\u13d8\\u13f0\\u13b4\": 17591,\n    \"\\u2581\\u13a3\\u13a9\\u13f1\": 17592,\n    \"\\u2581\\u13a2\\u13e4\\u13b2\\u13a9\": 17593,\n    \"\\u2581\\u13a4\\u13be\\u13d6\\u13c6\\u13b6\": 17594,\n    \"\\u2581\\u13f1\\u13da\\u13c2\\u13f2\": 17595,\n    \"\\u13ef\\u13ea\\u13a6\": 17596,\n    \"\\u13e5\\u13c4\\u13aa\\u13eb\\u13d2\\u13a9\": 17597,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d6\\u13af\\u13b6\": 17598,\n    \"\\u13d3\\u13a7\\u13bf\\u13e9\\u13d5\\u13aa\": 17599,\n    \"\\u2581\\u13f4\\u13d7\\u13cd\\u13ac\": 17600,\n    \"\\u2581\\u13d7\\u13d3\\u13d3\": 17601,\n    \"\\u2581\\u13a4\\u13b7\\u13af\\u13cd\": 17602,\n    \"\\u2581\\u13f3\\u13c2\\u13b8\": 17603,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13db\\u13c1\": 17604,\n    \"\\u13e3\\u13d7\\u13d2\\u13c2\": 17605,\n    \"\\u2581\\u13d5\\u13e5\\u13b8\": 17606,\n    \"\\u2581\\u13e7\\u13be\\u13db\\u13c5\": 17607,\n    \"\\u2581\\u13e9\\u13a9\\u13b7\\u13e5\": 17608,\n    \"\\u13db\\u13d3\\u13c1\\u13b5\": 17609,\n    \"\\u2581\\u13d7\\u13a6\\u13be\": 17610,\n    \"\\u2581\\u13da\\u13c3\\u13b8\\u13d2\": 17611,\n    \"\\u2581\\u13f3\\u13aa\\u13b2\": 17612,\n    \"\\u2581\\u13a0\\u13d3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d7\\u13cd\\u13aa\": 17613,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\": 17614,\n    \"\\u2581\\u13c2\\u13d3\\u13e3\\u13b5\\u13cd\\u13d4\": 17615,\n    \"\\u13c4\\u13aa\\u13d4\\u13c5\": 17616,\n    \"\\u13db\\u13c9\": 17617,\n    \"\\u13db\\u13e8\\u13a9\": 17618,\n    \"\\u2581\\u13da\\u13c4\\u13aa\\u13d4\": 17619,\n    \"\\u2581\\u13d3\\u13c2\\u13f4\": 17620,\n    \"\\u13e3\\u13b3\\u13a9\": 17621,\n    \"\\u13a9\\u13be\\u13a9\\u13db\": 17622,\n    \"ll\": 17623,\n    \"\\u13ef\\u13ea\\u13d0\\u13b8\\u13cd\\u13d7\": 17624,\n    \"\\u2581\\u13a4\\u13ea\\u13b5\\u13af\\u13cd\\u13d7\\u13cd\\u13a8\": 17625,\n    \"\\u2581\\u13f1\\u13ac\\u13bf\\u13d7\\u13cd\": 17626,\n    \"\\u2581\\u13d5\\u13af\\u13f0\\u13cc\": 17627,\n    \"\\u2581\\u13eb\\u13da\\u13d0\": 17628,\n    \"\\u13a4\\u13af\": 17629,\n    \"\\u2581\\u13a4\\u13c2\\u13e5\\u13b8\\u13c5\": 17630,\n    \"\\u2581\\u13c4\\u13b5\\u13cd\\u13d4\\u13c5\\u13be\": 17631,\n    \"\\u2581\\u13a3\\u13a6\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\": 17632,\n    \"\\u2581\\u13a6\\u13cd\\u13a9\": 17633,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13b8\\u13cd\\u13d4\": 17634,\n    \"\\u2581\\u13d5\\u13a6\\u13c5\\u13cc\": 17635,\n    \"\\u2581\\u13e7\\u13bf\\u13ec\": 17636,\n    \"\\u13aa\\u13d4\\u13c5\\u13ad\": 17637,\n    \"\\u13a9\\u13a7\\u13ad\": 17638,\n    \"\\u13c2\\u13b8\\u13c9\\u13d7\\u13ad\": 17639,\n    \"\\u2581\\u13ac\\u13e9\\u13c3\\u13ce\": 17640,\n    \"\\u2581\\u13a0\\u13f2\\u13a4\": 17641,\n    \"\\u13d9\\u13a5\\u13d4\\u13c5\": 17642,\n    \"\\u13a0\\u13cf\": 17643,\n    \"\\u13a9\\u13cd\\u13d3\\u13f1\\u13d5\\u13b8\": 17644,\n    \"\\u13cd\\u13a6\\u13cd\\u13d3\\u13c1\\u13b2\": 17645,\n    \"\\u13a9\\u13b5\\u13f2\\u13e5\\u13d9\\u13b2\": 17646,\n    \"\\u2581\\u13d7\\u13e0\\u13af\\u13cd\\u13d9\": 17647,\n    \"\\u2581\\u13ac\\u13e9\\u13aa\\u13e9\": 17648,\n    \"\\u13a6\\u13de\\u13e5\": 17649,\n    \"\\u13e3\\u13b7\\u13e4\\u13ae\\u13cd\\u13d7\": 17650,\n    \"\\u13e6\\u13c1\\u13a2\": 17651,\n    \"\\u13b5\\u13b2\\u13a2\": 17652,\n    \"\\u2581\\u13ac\\u13c1\\u13a2\\u13cd\\u13d3\\u13c1\": 17653,\n    \"\\u13c2\\u13a6\\u13d6\": 17654,\n    \"\\u2581\\u13f1\\u13e3\\u13a6\\u13cc\\u13ef\\u13cd\": 17655,\n    \"\\u13db\\u13c2\\u13cc\\u13c2\": 17656,\n    \"\\u13da\\u13b2\\u13a6\": 17657,\n    \"\\u13d1\\u13ac\": 17658,\n    \"\\u2581\\u13db\\u13d5\": 17659,\n    \"\\u2581\\u13a4\\u13ea\\u13c5\\u13a2\": 17660,\n    \"\\u2581\\u13ed\\u13ce\\u13b4\": 17661,\n    \"\\u2581\\u13d7\\u13a9\\u13c2\\u13d3\\u13cd\\u13d7\": 17662,\n    \"\\u2581\\u13d4\\u13b8\": 17663,\n    \"\\u2581\\u13a6\\u13b3\\u13c5\\u13db\\u13c9\": 17664,\n    \"\\u2581\\u13a8\\u13e3\\u13a6\\u13d9\\u13a5\\u13af\\u13cd\\u13d7\": 17665,\n    \"\\u13df\\u13cf\\u13cd\\u13ac\": 17666,\n    \"\\u2581\\u13a3\\u13e5\\u13aa\\u13e9\\u13db\": 17667,\n    \"\\u13be\\u13b8\\u13e4\": 17668,\n    \"\\u2581\\u13d3\\u13ac\\u13c2\": 17669,\n    \"\\u13d7\\u13cd\\u13a6\\u13a9\": 17670,\n    \"\\u13a0\\u13c1\": 17671,\n    \"\\u2581\\u13ac\\u13e9\\u13be\\u13b4\": 17672,\n    \"\\u2581\\u13a4\\u13be\\u13a6\\u13cc\\u13ef\\u13cd\\u13d9\": 17673,\n    \"\\u2581\\u13a4\\u13d7\\u13cd\\u13a9\": 17674,\n    \"\\u13e3\\u13df\\u13f4\\u13d7\": 17675,\n    \"\\u13e5\\u13e9\\u13db\\u13a1\": 17676,\n    \"\\u13d1\\u13b5\": 17677,\n    \"\\u2581\\u13d3\\u13c2\\u13b5\": 17678,\n    \"\\u2581\\u13eb\\u13d8\\u13a6\\u13d4\\u13b2\\u13cd\": 17679,\n    \"\\u13b5\\u13d9\": 17680,\n    \"\\u2581\\u13e5\\u13c4\\u13db\": 17681,\n    \"\\u13e5\\u13cd\\u13a6\\u13a2\\u13ae\\u13cd\\u13d7\": 17682,\n    \"\\u13d9\\u13ea\\u13b8\": 17683,\n    \"\\u2581\\u13ac\\u13e9\\u13d2\": 17684,\n    \"\\u2581\\u13d7\\u13a6\\u13d8\": 17685,\n    \"\\u2581\\u13a4\\u13da\\u13a8\": 17686,\n    \"\\u13b6\\u13c4\\u13ae\\u13d4\\u13c5\\u13a9\": 17687,\n    \"\\u13cd\\u13da\\u13b2\\u13a6\": 17688,\n    \"\\u2581\\u13a4\\u13ec\\u13ef\": 17689,\n    \"\\u13b4\\u13eb\\u13cd\\u13d4\\u13c1\": 17690,\n    \"\\u2581\\u13f1\\u13d3\\u13a9\\u13aa\": 17691,\n    \"\\u13d3\\u13d3\\u13c2\\u13b8\\u13aa\": 17692,\n    \"\\u2581\\u13e5\\u13da\\u13e0\": 17693,\n    \"\\u2581\\u13a6\\u13e3\": 17694,\n    \"\\u2581\\u13a6\\u13a8\\u13e5\\u13c1\": 17695,\n    \"\\u2581\\u13a4\\u13ab\": 17696,\n    \"\\u2581\\u13a4\\u13c2\\u13a7\\u13c5\": 17697,\n    \"\\u13d3\\u13be\\u13e0\\u13f1\": 17698,\n    \"\\u2581\\u13d7\\u13e3\\u13cd\\u13d7\": 17699,\n    \"\\u2581\\u13c2\\u13cd\\u13d3\\u13db\\u13c1\": 17700,\n    \"\\u13c5\\u13b2\": 17701,\n    \"\\u2581\\u13d5\\u13af\\u13f2\": 17702,\n    \"\\u2581\\u13ef\\u13b5\\u13cd\\u13d4\\u13f4\": 17703,\n    \"\\u2581\\u13de\\u13a9\": 17704,\n    \"\\u13a6\\u13d4\\u13db\\u13cd\": 17705,\n    \"\\u2581\\u13a4\\u13bf\\u13b8\\u13d2\": 17706,\n    \"\\u2581\\u13a0\\u13f2\\u13b5\\u13c9\": 17707,\n    \"\\u2581\\u13eb\\u13da\\u13be\\u13e0\": 17708,\n    \"\\u2581\\u13ed\\u13d3\\u13cf\": 17709,\n    \"\\u2581\\u13a4\\u13c2\\u13f4\\u13b4\": 17710,\n    \"\\u2581\\u13a2\\u13ac\\u13af\": 17711,\n    \"\\u2581\\u13e8\\u13e4\": 17712,\n    \"\\u2581\\u13da\\u13c5\\u13a6\\u13b8\\u13ae\": 17713,\n    \"\\u2581\\u13eb\\u13b5\": 17714,\n    \"\\u2581\\u13d5\\u13e5\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13cd\": 17715,\n    \"\\u13b0\\u13d3\": 17716,\n    \"\\u13c2\\u13b3\\u13eb\\u13a2\\u13cd\\u13d7\\u13f1\": 17717,\n    \"\\u13d3\\u13c5\\u13d6\\u13b3\": 17718,\n    \"\\u13be\\u13d5\\u13ef\\u13d9\": 17719,\n    \"\\u2581\\u13db\\u13c2\\u13b6\": 17720,\n    \"\\u2581\\u13d5\\u13a8\\u13f0\": 17721,\n    \"\\u2581\\u13a0\\u13e5\\u13be\\u13d7\\u13c5\\u13d7\": 17722,\n    \"\\u2581\\u13d7\\u13a9\\u13ec\\u13c2\\u13af\": 17723,\n    \"\\u13be\\u13b5\\u13cd\\u13da\\u13b8\": 17724,\n    \"\\u2581\\u13d7\\u13c2\\u13f0\": 17725,\n    \"\\u2581\\u13a4\\u13a8\\u13f3\\u13b2\": 17726,\n    \"\\u13d3\\u13e3\\u13a6\\u13b8\": 17727,\n    \"\\u13b5\\u13cd\\u13aa\\u13b8\": 17728,\n    \"\\u13c3\\u13af\\u13b0\": 17729,\n    \"\\u13f4\\u13e9\\u13db\\u13ae\": 17730,\n    \"\\u2581\\u13a2\\u13e5\\u13b6\\u13c4\\u13ae\": 17731,\n    \"\\u13a6\\u13cc\\u13ec\\u13a2\\u13b2\": 17732,\n    \"\\u2581\\u13a2\\u13e3\\u13d6\": 17733,\n    \"\\u13c4\\u13cd\\u13c6\\u13c2\\u13a9\\u13d7\": 17734,\n    \"\\u2581\\u13a8\\u13e5\\u13b8\\u13c9\\u13d9\\u13d7\": 17735,\n    \"\\u13c5\\u13aa\\u13a5\\u13d3\\u13c1\": 17736,\n    \"\\u2581\\u13d3\\u13c2\\u13f0\\u13b2\": 17737,\n    \"\\u13e5\\u13d9\\u13d3\": 17738,\n    \"\\u13a4\\u13c3\\u13af\\u13f3\\u13b2\": 17739,\n    \"\\u13a9\\u13c1\\u13d3\\u13cd\\u13d7\": 17740,\n    \"\\u13d3\\u13c2\\u13b3\\u13a9\": 17741,\n    \"\\u13d9\\u13cd\\u13d3\": 17742,\n    \"\\u2581\\u13a3\\u13a6\\u13db\": 17743,\n    \"\\u13a6\\u13b7\\u13b6\\u13ac\": 17744,\n    \"\\u2581\\u13d5\\u13e5\\u13f2\\u13af\": 17745,\n    \"\\u13d8\\u13c3\\u13af\": 17746,\n    \"\\u2581\\u13e7\\u13be\\u13e3\\u13c5\": 17747,\n    \"\\u13be\\u13db\\u13c1\\u13af\": 17748,\n    \"\\u2581\\u13a4\\u13d3\\u13e0\": 17749,\n    \"\\u2581\\u13cd\\u13a9\\u13ef\\u13d5\": 17750,\n    \"\\u13cd\\u13a9\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b8\": 17751,\n    \"\\u2581\\u13da\\u13f2\\u13cd\\u13d9\\u13d3\\u13c1\\u13b8\": 17752,\n    \"\\u2581\\u13eb\\u13e8\\u13f2\\u13ea\\u13b3\\u13c1\\u13b8\": 17753,\n    \"\\u2581\\u13a8\\u13e5\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\": 17754,\n    \"\\u2581\\u13a2\\u13e8\\u13ef\\u13d3\\u13c5\\u13d6\": 17755,\n    \"\\u2581\\u13d7\\u13e7\\u13aa\\u13d3\\u13c1\\u13d7\": 17756,\n    \"\\u2581\\u13a4\\u13b4\\u13c2\": 17757,\n    \"\\u2581\\u13a1\\u13d7\\u13a6\\u13d4\": 17758,\n    \"\\u13a9\\u13c1\\u13e4\\u13b8\\u13af\": 17759,\n    \"\\u13c5\\u13d4\\u13c5\\u13a2\": 17760,\n    \"\\u2581\\u13a4\\u13d2\\u13ae\": 17761,\n    \"\\u2581\\u13be\\u13c5\\u13a9\": 17762,\n    \"\\u13c3\\u13ee\": 17763,\n    \"\\u13d7\\u13d3\\u13be\\u13a9\\u13cd\": 17764,\n    \"\\u2581\\u13c4\\u13b4\\u13eb\\u13cd\\u13d4\\u13c1\": 17765,\n    \"\\u13d7\\u13c2\": 17766,\n    \"\\u13c4\\u13aa\\u13e4\\u13b8\\u13af\": 17767,\n    \"\\u2581\\u13a4\\u13c2\\u13c2\\u13f4\\u13b2\": 17768,\n    \"\\u2581\\u13ac\\u13ed\\u13af\\u13cd\\u13d7\": 17769,\n    \"\\u13cd\\u13da\\u13b6\\u13a9\\u13af\": 17770,\n    \"\\u2581\\u13e3\\u13ab\\u13f4\": 17771,\n    \"\\u13a4\\u13c2\": 17772,\n    \"\\u2581\\u13a8\\u13e5\\u13c5\\u13cf\\u13d9\": 17773,\n    \"\\u13e3\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 17774,\n    \"\\u13a6\\u13d3\\u13c5\\u13d6\\u13d7\": 17775,\n    \"\\u13c3\\u13c5\\u13ad\": 17776,\n    \"\\u2581\\u13a0\\u13be\\u13d5\\u13d2\": 17777,\n    \"\\u13d8\\u13c2\\u13d9\\u13b5\": 17778,\n    \"\\u13a9\\u13b5\\u13f2\\u13e8\": 17779,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13c2\\u13c9\": 17780,\n    \"\\u2581\\u13c2\\u13d9\\u13d7\": 17781,\n    \"\\u2581\\u13d3\\u13d4\\u13b4\\u13d2\\u13a9\": 17782,\n    \"\\u2581\\u13a1\\u13e3\\u13cd\\u13d5\\u13b8\\u13d7\": 17783,\n    \"\\u2581\\u13a5\\u13cd\\u13a9\\u13ef\": 17784,\n    \"\\u2581\\u13d7\\u13e5\\u13a7\\u13b2\": 17785,\n    \"\\u13ea\\u13f2\\u13c1\": 17786,\n    \"\\u13f4\\u13e8\\u13a9\": 17787,\n    \"\\u2581\\u13a4\\u13ad\\u13ef\": 17788,\n    \"\\u13c3\\u13b8\\u13d4\\u13c2\": 17789,\n    \"\\u2581\\u13d3\\u13be\\u13d3\\u13f0\\u13a2\\u13b5\\u13d9\": 17790,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13c5\": 17791,\n    \"\\u13d5\\u13a6\\u13ec\": 17792,\n    \"\\u2581\\u13f2\\u13e5\\u13e9\\u13db\": 17793,\n    \"\\u2581\\u13eb\\u13ab\\u13e9\\u13c2\": 17794,\n    \"\\u13ac\\u13e9\\u13d3\\u13c2\\u13b8\\u13e4\\u13a2\": 17795,\n    \"\\u2581\\u13d5\\u13a8\\u13e5\\u13b8\": 17796,\n    \"\\u13a5\\u13db\": 17797,\n    \"\\u2581\\u13a5\\u13a9\\u13d0\\u13c5\\u13a2\\u13cd\": 17798,\n    \"\\u2581\\u13a4\\u13cd\\u13d3\\u13e9\\u13d7\\u13ce\": 17799,\n    \"\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d7\\u13cd\\u13a8\": 17800,\n    \"\\u2581\\u13d7\\u13f0\\u13af\": 17801,\n    \"\\u2581\\u13c4\\u13a8\\u13f3\\u13d2\": 17802,\n    \"\\u2581\\u13a2\\u13e3\\u13c4\\u13ec\\u13cd\": 17803,\n    \"\\u13e8\\u13d9\\u13d7\\u13f1\": 17804,\n    \"\\u13c6\\u13db\\u13c1\\u13b8\\u13ad\": 17805,\n    \"\\u13eb\\u13cd\\u13d4\\u13c1\\u13b8\": 17806,\n    \"\\u2581\\u13d5\\u13e3\\u13ec\\u13cd\": 17807,\n    \"\\u13a7\\u13bf\\u13e9\\u13d5\\u13a9\": 17808,\n    \"\\u2581\\u13a0\\u13cd\\u13d3\\u13f1\\u13d7\\u13cd\": 17809,\n    \"\\u2581\\u13d3\\u13c2\\u13ef\\u13a9\\u13cd\": 17810,\n    \"\\u2581\\u13ef\\u13be\\u13a6\\u13d4\\u13b2\": 17811,\n    \"\\u2581\\u13ac\\u13ef\\u13c5\\u13d3\\u13d7\\u13cd\": 17812,\n    \"\\u2581\\u13a0\\u13c2\\u13ae\": 17813,\n    \"\\u2581\\u13c4\\u13dc\": 17814,\n    \"\\u13c3\\u13a8\\u13c2\": 17815,\n    \"\\u2581\\u13a6\\u13d3\\u13b7\\u13a9\\u13cd\": 17816,\n    \"\\u13e5\\u13ea\\u13ce\\u13ae\\u13cd\\u13d7\": 17817,\n    \"\\u2581\\u13a2\\u13e4\\u13d9\\u13b8\": 17818,\n    \"\\u2581\\u13e5\\u13d5\\u13e5\\u13f2\": 17819,\n    \"\\u13e3\\u13be\\u13d4\": 17820,\n    \"\\u2581\\u13bb\\u13ce\": 17821,\n    \"\\u13c2\\u13cd\\u13a8\\u13a2\": 17822,\n    \"\\u2581\\u13ef\\u13a9\\u13c2\\u13ac\": 17823,\n    \"\\u13be\\u13d3\\u13d9\\u13ea\\u13b3\": 17824,\n    \"\\u2581\\u13f0\\u13b5\\u13a0\": 17825,\n    \"\\u13b5\\u13cd\\u13d4\\u13f4\\u13c3\\u13be\": 17826,\n    \"\\u2581\\u13e7\\u13d3\\u13c3\\u13e3\": 17827,\n    \"\\u2581\\u13e5\\u13d3\\u13d3\": 17828,\n    \"\\u2581\\u13c5\\u13d3\\u13e5\\u13ea\": 17829,\n    \"\\u2581\\u13a5\\u13c6\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\": 17830,\n    \"\\u2581\\u13a3\\u13a6\\u13e0\\u13be\\u13cd\": 17831,\n    \"\\u13e0\\u13ef\\u13cd\\u13d7\\u13cd\\u13ac\": 17832,\n    \"\\u2581\\u13d0\\u13cf\": 17833,\n    \"\\u2581\\u13ac\\u13c1\\u13b3\\u13a9\": 17834,\n    \"\\u13e6\\u13a3\": 17835,\n    \"\\u13b7\\u13b8\\u13a5\\u13cd\": 17836,\n    \"\\u2581\\u13db\\u13a9\\u13a7\": 17837,\n    \"\\u13b3\\u13d1\\u13b5\": 17838,\n    \"\\u13f0\\u13b8\\u13d0\\u13a2\": 17839,\n    \"\\u13e5\\u13c5\\u13eb\\u13cd\\u13d4\\u13c5\": 17840,\n    \"\\u2581\\u13d3\\u13e5\\u13b6\\u13cd\\u13d7\\u13cd\": 17841,\n    \"\\u2581\\u13a4\\u13b6\\u13a8\": 17842,\n    \"\\u13f0\\u13a2\\u13b5\\u13d3\": 17843,\n    \"\\u13be\\u13d5\\u13ac\\u13a2\": 17844,\n    \"\\u2581\\u13d3\\u13e5\\u13f2\\u13ce\": 17845,\n    \"\\u2581\\u13e7\\u13c2\\u13be\": 17846,\n    \"\\u13d7\\u13a9\\u13cd\\u13d7\": 17847,\n    \"\\u13cd\\u13d3\\u13c1\\u13b2\": 17848,\n    \"\\u2581\\u13a2\\u13a8\\u13b2\": 17849,\n    \"\\u13d7\\u13aa\\u13a2\": 17850,\n    \"\\u13a1\\u13a9\": 17851,\n    \"\\u13ec\\u13c1\\u13d7\\u13cd\\u13ac\": 17852,\n    \"\\u13a6\\u13d3\\u13c5\\u13d2\\u13ad\": 17853,\n    \"\\u2581\\u13a4\\u13e4\\u13cc\": 17854,\n    \"\\u13a0\\u13a9\\u13b8\\u13c9\\u13d7\": 17855,\n    \"\\u13c1\\u13e2\\u13d4\\u13c5\\u13af\": 17856,\n    \"\\u13be\\u13b5\\u13d7\\u13a9\": 17857,\n    \"\\u2581\\u13a2\\u13e8\\u13ef\\u13b5\": 17858,\n    \"\\u2581\\u13d7\\u13e5\\u13c5\\u13a6\\u13b8\": 17859,\n    \"\\u13c5\\u13a6\\u13b8\": 17860,\n    \"\\u13db\\u13c1\\u13b8\\u13a2\": 17861,\n    \"\\u13d3\\u13c1\\u13b8\\u13a2\": 17862,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13c3\": 17863,\n    \"\\u13aa\\u13b2\\u13cd\\u13d4\\u13c5\\u13a9\": 17864,\n    \"\\u13ef\\u13cc\\u13db\\u13c1\": 17865,\n    \"\\u2581\\u13a2\\u13ac\\u13cb\\u13c1\\u13d7\": 17866,\n    \"\\u2581\\u13ac\\u13e9\\u13f2\\u13cd\\u13d9\": 17867,\n    \"\\u13c5\\u13d7\\u13ad\": 17868,\n    \"\\u2581\\u13af\\u13aa\\u13d9\": 17869,\n    \"\\u2581\\u13a4\\u13b8\\u13d2\": 17870,\n    \"\\u13e6\\u13a3\\u13d2\": 17871,\n    \"\\u2581\\u13d3\\u13be\\u13df\\u13c3\\u13ae\": 17872,\n    \"\\u2581\\u13d5\\u13ab\\u13d3\\u13b4\": 17873,\n    \"\\u13d3\\u13d3\\u13cd\\u13a6\": 17874,\n    \"\\u13ef\\u13a7\\u13c1\\u13b8\": 17875,\n    \"\\u2581\\u13cd\\u13a9\\u13c1\\u13e4\\u13b8\": 17876,\n    \"\\u13c1\\u13e9\\u13d7\\u13d2\": 17877,\n    \"\\u2581\\u13a0\\u13a9\\u13f2\\u13cd\": 17878,\n    \"\\u2581\\u13d3\\u13a7\\u13c3\": 17879,\n    \"\\u13a6\\u13b5\\u13cd\\u13aa\\u13a2\": 17880,\n    \"\\u2581\\u13a2\\u13d7\\u13ef\\u13d9\\u13af\": 17881,\n    \"\\u2581\\u13a8\\u13e5\\u13e9\\u13af\\u13ce\": 17882,\n    \"\\u13a6\\u13d8\\u13cd\\u13d7\\u13cd\\u13a9\": 17883,\n    \"\\u13e7\\u13e0\\u13a0\\u13ce\\u13a2\": 17884,\n    \"\\u13e3\\u13f0\\u13e8\": 17885,\n    \"\\u13e5\\u13cd\\u13a6\\u13c5\\u13a8\\u13cd\\u13d7\": 17886,\n    \"\\u2581\\u13a0\\u13c6\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d7\": 17887,\n    \"\\u13aa\\u13be\\u13db\\u13d4\\u13c5\": 17888,\n    \"\\u2581\\u13ef\\u13c6\\u13d3\\u13c5\": 17889,\n    \"\\u2581\\u13f1\\u13e5\\u13cd\\u13a6\\u13c5\": 17890,\n    \"\\u13d8\\u13c3\\u13ae\\u13b4\\u13a2\": 17891,\n    \"\\u13e9\\u13d7\\u13d9\\u13af\": 17892,\n    \"\\u13a9\\u13e8\\u13c2\\u13d2\": 17893,\n    \"\\u2581\\u13a2\\u13e3\\u13d7\\u13d4\": 17894,\n    \"\\u2581\\u13a0\\u13f4\\u13cd\\u13d7\\u13f1\": 17895,\n    \"\\u2581\\u13a4\\u13c2\\u13f4\\u13d3\\u13c6\\u13b6\\u13a5\": 17896,\n    \"\\u2581\\u13e3\\u13c6\\u13db\": 17897,\n    \"\\u2581\\u13da\\u13b5\\u13c3\\u13ae\\u13d4\\u13c5\": 17898,\n    \"\\u13e3\\u13ec\\u13cd\\u13d4\\u13c2\": 17899,\n    \"\\u2581\\u13e5\\u13e8\\u13f0\\u13b3\\u13d7\\u13d9\": 17900,\n    \"\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d7\": 17901,\n    \"\\u13f0\\u13d7\\u13cd\\u13ac\": 17902,\n    \"\\u13e5\\u13a6\\u13b3\\u13ad\": 17903,\n    \"\\u2581\\u13a6\\u13e5\\u13c1\\u13b8\": 17904,\n    \"\\u13e4\\u13d3\\u13cd\\u13d7\": 17905,\n    \"\\u2581\\u13e7\\u13c5\\u13a9\": 17906,\n    \"\\u2581\\u13f1\\u13da\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\": 17907,\n    \"\\u2581\\u13da\\u13c2\\u13f0\\u13cd\\u13db\": 17908,\n    \"\\u13ab\\u13d3\\u13b4\\u13d2\": 17909,\n    \"\\u2581\\u13e5\\u13ef\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d7\": 17910,\n    \"\\u13e6\\u13e2\\u13c5\": 17911,\n    \"\\u13d3\\u13c2\\u13f2\\u13af\\u13ce\": 17912,\n    \"\\u13da\\u13c2\\u13f4\\u13d4\\u13c5\\u13a9\": 17913,\n    \"\\u13a6\\u13da\\u13cf\\u13c1\": 17914,\n    \"\\u2581\\u13a4\\u13cd\\u13d5\\u13b8\\u13af\\u13d9\": 17915,\n    \"\\u13be\\u13d3\\u13c5\\u13db\\u13a2\": 17916,\n    \"\\u2581\\u13a0\\u13c2\\u13ef\": 17917,\n    \"\\u2581\\u13a0\\u13e4\\u13b7\\u13af\": 17918,\n    \"\\u13d4\\u13df\": 17919,\n    \"\\u2581\\u13c2\\u13a8\\u13e5\\u13ea\\u13ce\": 17920,\n    \"\\u13eb\\u13da\\u13d8\\u13c5\\u13cd\\u13d4\\u13c1\\u13a2\": 17921,\n    \"\\u2581\\u13e3\\u13cd\\u13ab\\u13d5\\u13cd\\u13d7\": 17922,\n    \"\\u13d2\\u13c2\\u13b8\\u13af\": 17923,\n    \"\\u13a4\\u13d0\\u13f1\\u13c9\": 17924,\n    \"\\u13d7\\u13cd\\u13a6\\u13b6\\u13d7\": 17925,\n    \"\\u13a7\\u13c1\\u13a2\\u13cd\\u13d7\\u13cd\\u13a8\": 17926,\n    \"\\u2581\\u13a6\\u13b8\\u13d9\": 17927,\n    \"\\u13d8\\u13be\\u13c4\\u13aa\\u13eb\\u13cf\": 17928,\n    \"\\u13ac\\u13cd\\u13aa\\u13b8\": 17929,\n    \"\\u2581\\u13a0\\u13cd\\u13a6\\u13a2\\u13cd\\u13d7\": 17930,\n    \"\\u13a4\\u13da\\u13b5\\u13cd\\u13ac\": 17931,\n    \"\\u2581\\u13a1\\u13d7\\u13d4\\u13f2\": 17932,\n    \"\\u13bb\\u13c6\": 17933,\n    \"\\u13e8\\u13f2\\u13ce\\u13ad\": 17934,\n    \"\\u2581\\u13a2\\u13aa\\u13e2\": 17935,\n    \"\\u13df\\u13cd\\u13d4\\u13c5\": 17936,\n    \"\\u2581\\u13a3\\u13e4\\u13d9\": 17937,\n    \"\\u2581\\u13ef\\u13c6\\u13c1\\u13b8\\u13d4\": 17938,\n    \"\\u2581\\u13b1\\u13a6\": 17939,\n    \"\\u2581\\u13c6\\u13cc\": 17940,\n    \"\\u2581\\u13a0\\u13e5\\u13c3\\u13c1\\u13b8\": 17941,\n    \"\\u13cd\\u13d3\\u13e9\\u13da\\u13a6\": 17942,\n    \"\\u2581\\u13a0\\u13c6\\u13a6\\u13ce\": 17943,\n    \"\\u2581\\u13ac\\u13e9\\u13ef\\u13a5\": 17944,\n    \"\\u13e5\\u13aa\\u13e9\\u13d8\\u13ad\": 17945,\n    \"\\u13c4\\u13e9\\u13c5\": 17946,\n    \"\\u13e5\\u13a5\\u13cf\": 17947,\n    \"\\u2581\\u13a4\\u13be\\u13df\\u13c2\\u13ac\\u13c1\": 17948,\n    \"\\u13e3\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d7\": 17949,\n    \"\\u2581\\u13da\\u13f3\\u13aa\": 17950,\n    \"\\u2581\\u13e7\\u13be\\u13da\\u13aa\\u13d3\\u13c1\": 17951,\n    \"\\u13e9\\u13d2\\u13ac\": 17952,\n    \"\\u13ea\\u13b6\\u13d4\": 17953,\n    \"\\u2581\\u13d3\\u13a6\\u13d9\": 17954,\n    \"\\u13be\\u13d3\\u13c5\\u13d6\\u13d7\\u13cd\\u13ac\": 17955,\n    \"\\u13e5\\u13a8\\u13f3\\u13af\": 17956,\n    \"\\u2581\\u13ed\\u13b5\": 17957,\n    \"\\u2581\\u13d7\\u13df\\u13b6\\u13cd\": 17958,\n    \"\\u13ef\\u13d2\\u13c2\\u13cd\\u13d7\\u13f1\": 17959,\n    \"\\u2581\\u13ed\\u13c2\\u13b7\\u13e4\\u13b4\": 17960,\n    \"\\u2581\\u13d7\\u13e5\\u13c5\\u13d2\": 17961,\n    \"\\u2581\\u13eb\\u13d3\\u13b5\": 17962,\n    \"\\u13a6\\u13e2\\u13d4\\u13cd\\u13d7\": 17963,\n    \"\\u13da\\u13d9\\u13a0\": 17964,\n    \"\\u13a6\\u13c5\\u13d3\\u13d3\": 17965,\n    \"\\u13c2\\u13a8\\u13b2\\u13ce\": 17966,\n    \"\\u13d4\\u13b3\\u13ec\\u13af\": 17967,\n    \"\\u2581\\u13a4\\u13e2\\u13be\": 17968,\n    \"\\u2581\\u13d3\\u13d6\\u13b8\\u13b2\\u13cd\": 17969,\n    \"\\u2581\\u13a3\\u13a9\\u13c3\\u13c1\\u13b8\": 17970,\n    \"\\u2581\\u13ad\\u13d3\\u13c3\\u13ae\": 17971,\n    \"\\u2581\\u13a8\\u13e5\\u13be\\u13cc\": 17972,\n    \"\\u13e3\\u13d3\\u13b8\\u13c9\\u13d7\\u13ad\": 17973,\n    \"\\u2581\\u13d9\\u13cd\\u13d3\\u13d3\\u13aa\\u13e9\": 17974,\n    \"\\u2581\\u13d7\\u13de\": 17975,\n    \"\\u2581\\u13d3\\u13be\\u13e4\": 17976,\n    \"\\u2581\\u13a4\\u13ea\\u13ef\\u13d4\\u13c5\": 17977,\n    \"\\u13d2\\u13c2\\u13ae\\u13cd\\u13d7\": 17978,\n    \"\\u13a9\\u13c2\\u13f4\\u13b2\": 17979,\n    \"\\u2581\\u13a7\\u13c2\": 17980,\n    \"\\u2581\\u13e7\\u13b5\\u13cd\\u13da\\u13a2\": 17981,\n    \"\\u2581\\u13f4\\u13a6\\u13f2\": 17982,\n    \"\\u13e5\\u13aa\\u13e9\\u13d8\\u13cd\\u13ac\\u13be\": 17983,\n    \"\\u2581\\u13a2\\u13ad\\u13c5\\u13d3\": 17984,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\": 17985,\n    \"\\u13a9\\u13a7\\u13bf\\u13e9\\u13db\\u13cd\\u13d7\": 17986,\n    \"\\u13d3\\u13a8\\u13e3\\u13b5\": 17987,\n    \"\\u13a6\\u13b7\": 17988,\n    \"\\u2581\\u13da\\u13c2\\u13e8\": 17989,\n    \"\\u13da\\u13df\\u13cd\\u13d4\\u13c5\\u13a9\": 17990,\n    \"\\u2581\\u13ac\\u13c1\\u13e4\\u13b8\": 17991,\n    \"\\u2581\\u13a2\\u13ac\\u13c1\\u13b8\": 17992,\n    \"\\u13e5\\u13a9\\u13a1\\u13b8\": 17993,\n    \"\\u13e9\\u13c2\\u13b7\\u13a6\": 17994,\n    \"\\u2581\\u13a1\\u13e5\\u13b8\\u13c9\\u13d9\\u13d7\": 17995,\n    \"\\u13bf\\u13a0\": 17996,\n    \"\\u13d8\\u13cd\": 17997,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13e5\\u13d9\\u13c2\": 17998,\n    \"\\u2581\\u13e7\\u13be\\u13cd\\u13d7\\u13a9\": 17999,\n    \"\\u13a8\\u13a6\\u13b5\\u13cd\\u13aa\": 18000,\n    \"\\u2581\\u13f1\\u13ac\\u13c1\": 18001,\n    \"\\u2581\\u13ac\\u13c6\\u13db\\u13a6\": 18002,\n    \"\\u2581\\u13f1\\u13c2\\u13e3\": 18003,\n    \"\\u2581\\u13a6\\u13b5\\u13c9\": 18004,\n    \"\\u2581\\u13d7\\u13d3\\u13b4\\u13b2\": 18005,\n    \"\\u2581\\u13ed\\u13d3\\u13d2\\u13cd\": 18006,\n    \"\\u2581\\u13d2\\u13d9\": 18007,\n    \"\\u2581\\u13da\\u13b5\\u13cd\\u13c6\": 18008,\n    \"\\u2581\\u13d7\\u13e5\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\": 18009,\n    \"\\u13af\\u13a5\\u13cf\": 18010,\n    \"\\u13dc\\u13cd\\u13d7\": 18011,\n    \"\\u2581\\u13a4\\u13d4\\u13b4\": 18012,\n    \"\\u2581\\u13a8\\u13e5\\u13aa\\u13b5\\u13f0\\u13d7\": 18013,\n    \"\\u2581\\u13e5\\u13f0\\u13c5\": 18014,\n    \"\\u2581\\u13a2\\u13e8\\u13f2\": 18015,\n    \"et\": 18016,\n    \"\\u2581\\u13da\\u13be\\u13a6\\u13b4\\u13c5\": 18017,\n    \"\\u2581\\u13ef\\u13ab\\u13da\\u13b5\": 18018,\n    \"\\u2581\\u13a0\\u13ad\\u13f0\": 18019,\n    \"\\u13a9\\u13b5\\u13f2\\u13e4\": 18020,\n    \"\\u13a9\\u13b6\\u13eb\\u13ce\": 18021,\n    \"\\u2581\\u13a4\\u13b8\\u13ae\": 18022,\n    \"\\u13a6\\u13e5\\u13aa\\u13a5\": 18023,\n    \"\\u13ef\\u13d9\\u13b5\\u13a9\": 18024,\n    \"\\u2581\\u13a4\\u13be\\u13e3\\u13a2\\u13ce\": 18025,\n    \"\\u13a4\\u13be\\u13d7\\u13d2\": 18026,\n    \"\\u13af\\u13c1\\u13a6\": 18027,\n    \"\\u2581\\u13a4\\u13a6\\u13db\\u13c5\": 18028,\n    \"\\u13d7\\u13a6\\u13b4\\u13f2\": 18029,\n    \"\\u13b7\\u13a9\\u13cd\\u13ac\": 18030,\n    \"\\u13b4\\u13b0\\u13d2\": 18031,\n    \"\\u13b5\\u13b8\\u13a9\": 18032,\n    \"\\u13be\\u13db\\u13aa\\u13d7\": 18033,\n    \"\\u13d5\\u13e3\\u13b3\\u13d1\": 18034,\n    \"\\u2581\\u13a2\\u13ef\\u13cb\\u13c2\": 18035,\n    \"\\u13e5\\u13d1\\u13b5\\u13aa\\u13ac\": 18036,\n    \"\\u13df\\u13b8\": 18037,\n    \"\\u2581\\u13ed\\u13be\\u13d8\\u13c3\": 18038,\n    \"\\u13d4\\u13c1\\u13c9\": 18039,\n    \"\\u2581\\u13d5\\u13e3\\u13d5\\u13f2\": 18040,\n    \"\\u2581\\u13a6\\u13d3\\u13c5\": 18041,\n    \"\\u2581\\u13ef\\u13c7\\u13b5\": 18042,\n    \"\\u2581\\u13e8\\u13d7\\u13a6\": 18043,\n    \"\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 18044,\n    \"\\u13f0\\u13b8\\u13c1\\u13a2\": 18045,\n    \"\\u13ef\\u13a2\\u13ce\": 18046,\n    \"\\u2581\\u13d3\\u13c2\\u13c5\\u13a8\": 18047,\n    \"\\u13a2\\u13cd\\u13d7\\u13cd\\u13aa\": 18048,\n    \"\\u13da\\u13d3\\u13b8\\u13c1\": 18049,\n    \"\\u13b6\\u13ce\\u13a2\": 18050,\n    \"\\u2581\\u13da\\u13be\\u13c1\\u13b6\\u13d5\": 18051,\n    \"\\u13e5\\u13d9\\u13b2\": 18052,\n    \"\\u2581\\u13ac\\u13a9\\u13cd\\u13d3\\u13e9\\u13d7\\u13d9\": 18053,\n    \"\\u13c2\\u13b5\\u13d9\\u13b8\": 18054,\n    \"\\u13cc\\u13c9\": 18055,\n    \"\\u2581\\u13d7\\u13ab\\u13aa\\u13d9\": 18056,\n    \"\\u13b8\\u13cc\\u13d3\\u13d5\": 18057,\n    \"\\u13df\\u13c2\\u13ac\\u13c1\": 18058,\n    \"\\u2581\\u13a4\\u13d3\\u13aa\": 18059,\n    \"\\u2581\\u13f3\\u13d7\\u13db\": 18060,\n    \"\\u2581\\u13d7\\u13ab\\u13c5\": 18061,\n    \"\\u13e3\\u13c2\\u13a9\": 18062,\n    \"\\u13be\\u13d3\\u13d1\\u13f2\": 18063,\n    \"\\u13a6\\u13c1\\u13cd\\u13ac\": 18064,\n    \"\\u2581\\u13e5\\u13da\\u13c2\\u13c2\\u13f4\": 18065,\n    \"\\u2581\\u13a0\\u13c6\\u13d1\\u13f0\": 18066,\n    \"\\u13a0\\u13f0\\u13cd\\u13d3\\u13a5\": 18067,\n    \"\\u2581\\u13e4\\u13e5\\u13f2\\u13af\\u13ce\\u13b8\": 18068,\n    \"\\u13a7\\u13be\\u13c1\\u13a2\": 18069,\n    \"\\u13c3\\u13ae\\u13cd\\u13aa\\u13a2\": 18070,\n    \"\\u2581\\u13f1\\u13e3\\u13f0\\u13b8\": 18071,\n    \"\\u2581\\u13d5\\u13a7\\u13c5\\u13eb\": 18072,\n    \"\\u13ae\\u13c3\": 18073,\n    \"\\u2581\\u13a4\\u13c1\\u13c9\": 18074,\n    \"\\u2581\\u13da\\u13d4\\u13cd\": 18075,\n    \"\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b0\\u13a2\": 18076,\n    \"\\u13af\\u13d9\\u13ae\": 18077,\n    \"\\u2581\\u13af\\u13aa\\u13a2\": 18078,\n    \"\\u2581\\u13a8\\u13e3\\u13d9\\u13b4\\u13b0\\u13af\": 18079,\n    \"\\u2581\\u13a3\\u13a6\\u13da\\u13d3\": 18080,\n    \"\\u13e1\\u13d7\\u13cd\\u13a8\": 18081,\n    \"\\u13a3\\u13a9\\u13be\\u13b5\\u13f1\": 18082,\n    \"\\u13be\\u13b5\\u13c2\\u13aa\\u13ce\\u13a2\": 18083,\n    \"\\u2581\\u13f1\\u13e3\\u13db\\u13d3\\u13cd\": 18084,\n    \"\\u2581\\u13e5\\u13ac\\u13c5\": 18085,\n    \"\\u2581\\u13da\\u13c3\\u13e2\": 18086,\n    \"\\u2581\\u13da\\u13c2\\u13f0\\u13b8\": 18087,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13d8\": 18088,\n    \"\\u2581\\u13d3\\u13cd\\u13c6\\u13c2\\u13aa\": 18089,\n    \"\\u13d1\\u13f4\\u13c5\": 18090,\n    \"\\u2581\\u13e3\\u13d3\\u13b5\": 18091,\n    \"\\u13ad\\u13c8\": 18092,\n    \"\\u2581\\u13a0\\u13ce\\u13aa\\u13a9\": 18093,\n    \"\\u2581\\u13eb\\u13c2\\u13da\\u13ea\\u13ce\": 18094,\n    \"\\u13ac\\u13f0\\u13b5\\u13ce\": 18095,\n    \"\\u2581\\u13a4\\u13be\\u13dd\\u13a5\": 18096,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13d2\": 18097,\n    \"\\u13e5\\u13b5\\u13a5\\u13c2\\u13ae\\u13cd\\u13d7\": 18098,\n    \"\\u2581\\u13e7\\u13e9\\u13c2\\u13a6\": 18099,\n    \"\\u13c6\\u13a7\\u13c3\\u13d7\": 18100,\n    \"\\u13ef\\u13b8\\u13a2\": 18101,\n    \"\\u13db\\u13bf\\u13d5\\u13a6\": 18102,\n    \"\\u13e5\\u13ac\\u13e9\\u13b6\\u13d4\": 18103,\n    \"\\u13b4\\u13b5\": 18104,\n    \"\\u13d3\\u13c1\\u13e4\\u13d7\": 18105,\n    \"\\u2581\\u13d3\\u13c2\\u13a8\\u13af\": 18106,\n    \"\\u13e0\\u13a0\": 18107,\n    \"\\u13c2\\u13f2\\u13b4\": 18108,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d6\\u13b5\\u13d9\\u13b2\": 18109,\n    \"\\u2581\\u13eb\\u13c4\\u13e9\": 18110,\n    \"\\u13f2\\u13af\\u13cd\\u13d7\\u13cd\\u13ac\\u13be\": 18111,\n    \"\\u13a9\\u13d9\\u13b5\\u13a9\": 18112,\n    \"\\u2581\\u13a0\\u13a9\\u13eb\\u13d2\": 18113,\n    \"\\u13e5\\u13ef\\u13c2\\u13cd\\u13ac\": 18114,\n    \"\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d4\\u13c5\": 18115,\n    \"\\u2581\\u13c4\\u13be\\u13d5\": 18116,\n    \"\\u2581\\u13a0\\u13d3\\u13d2\\u13b2\\u13cd\": 18117,\n    \"\\u2581\\u13da\\u13be\\u13e6\": 18118,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\": 18119,\n    \"\\u13e3\\u13cf\\u13b3\\u13db\\u13d7\": 18120,\n    \"\\u2581\\u13db\\u13c2\\u13a9\": 18121,\n    \"\\u2581\\u13d7\\u13cd\\u13a9\\u13c5\": 18122,\n    \"\\u13c2\\u13d3\\u13db\": 18123,\n    \"\\u2581\\u13a4\\u13d8\\u13c3\\u13ae\\u13b4\": 18124,\n    \"\\u2581\\u13a4\\u13db\\u13a6\\u13c5\\u13c9\": 18125,\n    \"\\u13a6\\u13cc\\u13ec\\u13b8\": 18126,\n    \"\\u2581\\u13e3\\u13f2\\u13b8\": 18127,\n    \"\\u13c2\\u13a6\\u13db\\u13b4\\u13af\": 18128,\n    \"\\u13b5\\u13cd\\u13c7\\u13da\": 18129,\n    \"\\u2581\\u13a4\\u13be\\u13df\\u13c3\\u13ae\": 18130,\n    \"\\u2581\\u13a6\\u13e5\\u13c1\\u13e4\\u13b8\": 18131,\n    \"\\u13be\\u13db\\u13db\": 18132,\n    \"\\u13b6\\u13be\\u13cd\\u13d4\": 18133,\n    \"\\u13d3\\u13c2\\u13b8\\u13e4\\u13b8\\u13af\": 18134,\n    \"\\u2581\\u13a2\\u13e8\\u13c1\\u13b5\": 18135,\n    \"\\u2581\\u13f1\\u13e8\\u13f2\\u13ce\": 18136,\n    \"\\u13d8\\u13bf\\u13eb\\u13db\": 18137,\n    \"\\u2581\\u13e7\\u13c2\\u13ef\\u13c5\": 18138,\n    \"\\u13c2\\u13c4\\u13aa\\u13eb\\u13cd\\u13d7\\u13f1\": 18139,\n    \"\\u2581\\u13a4\\u13c5\\u13aa\\u13a2\\u13cd\": 18140,\n    \"\\u13dc\\u13eb\\u13cd\": 18141,\n    \"\\u2581\\u13a6\\u13e5\\u13ef\\u13d1\\u13f0\": 18142,\n    \"\\u13ec\\u13c2\\u13cd\\u13a8\\u13cd\\u13d7\": 18143,\n    \"\\u2581\\u13f1\\u13d9\\u13a6\\u13d9\": 18144,\n    \"\\u2581\\u13a4\\u13db\\u13d7\\u13d5\": 18145,\n    \"\\u2581\\u13a2\\u13e8\\u13ef\\u13db\\u13c1\": 18146,\n    \"\\u2581\\u13f4\\u13a8\\u13cd\\u13a9\": 18147,\n    \"\\u2581\\u13eb\\u13c4\\u13c2\\u13ea\\u13ce\": 18148,\n    \"\\u2581\\u13d3\\u13be\\u13d3\\u13c2\\u13b8\": 18149,\n    \"\\u13c2\\u13a7\\u13b5\\u13b4\\u13a2\": 18150,\n    \"\\u13be\\u13da\\u13d3\\u13b8\": 18151,\n    \"\\u13f4\\u13d4\\u13c5\": 18152,\n    \"\\u2581\\u13f1\\u13da\\u13d1\\u13f0\": 18153,\n    \"\\u13a6\\u13e9\\u13d2\\u13ac\": 18154,\n    \"\\u2581\\u13a3\\u13da\\u13d3\\u13b4\\u13cd\\u13d7\": 18155,\n    \"\\u2581\\u13a4\\u13b2\\u13d2\": 18156,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13d4\\u13b6\": 18157,\n    \"\\u2581\\u13e7\\u13c2\\u13d0\\u13af\\u13cd\\u13d7\": 18158,\n    \"\\u13e3\\u13a8\\u13f3\": 18159,\n    \"\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13ac\": 18160,\n    \"\\u2581\\u13a0\\u13cf\\u13cd\\u13aa\": 18161,\n    \"\\u2581\\u13ac\\u13e9\\u13db\\u13c5\": 18162,\n    \"\\u13cd\\u13a6\\u13c9\": 18163,\n    \"\\u13c6\\u13d8\\u13be\\u13eb\\u13db\\u13b2\\u13a9\": 18164,\n    \"\\u13be\\u13aa\\u13d2\": 18165,\n    \"\\u2581\\u13a2\\u13e8\\u13e9\\u13db\": 18166,\n    \"\\u13c4\\u13db\\u13c1\": 18167,\n    \"\\u13b4\\u13c2\\u13d9\\u13b2\\u13a2\": 18168,\n    \"\\u2581\\u13d7\\u13d3\\u13b4\\u13b2\\u13cd\\u13aa\": 18169,\n    \"\\u2581\\u13a4\\u13c2\\u13f4\\u13d4\\u13c1\": 18170,\n    \"\\u13c1\\u13df\\u13f4\\u13ad\": 18171,\n    \"\\u13cd\\u13a9\\u13a1\\u13b4\\u13a2\": 18172,\n    \"\\u13d9\\u13b8\\u13ad\": 18173,\n    \"\\u13e9\\u13aa\\u13d7\": 18174,\n    \"\\u2581\\u13a0\\u13c2\\u13aa\\u13b5\\u13f0\\u13cd\\u13ac\": 18175,\n    \"\\u2581\\u13f1\\u13c2\\u13da\\u13d3\": 18176,\n    \"\\u13a0\\u13be\\u13e1\\u13d7\\u13cd\\u13a9\": 18177,\n    \"\\u2581\\u13ed\\u13cd\\u13da\": 18178,\n    \"\\u13a6\\u13d9\\u13cd\\u13d3\\u13c1\": 18179,\n    \"\\u2581\\u13d4\\u13d1\\u13f0\": 18180,\n    \"\\u13c2\\u13f4\\u13ce\\u13cd\\u13d7\": 18181,\n    \"\\u13c2\\u13ea\\u13d2\\u13a9\": 18182,\n    \"tin\": 18183,\n    \"\\u2581\\u13a2\\u13cd\\u13c6\\u13d3\": 18184,\n    \"\\u13da\\u13aa\\u13d3\": 18185,\n    \"\\u2581\\u13eb\\u13d9\\u13e5\": 18186,\n    \"\\u2581\\u13e3\\u13aa\\u13ce\": 18187,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13cf\\u13d4\": 18188,\n    \"\\u13d5\\u13d8\\u13f4\\u13b2\\u13d2\": 18189,\n    \"\\u13c2\\u13cf\\u13c5\\u13ce\": 18190,\n    \"\\u2581\\u13f3\\u13c2\\u13f4\": 18191,\n    \"\\u2581\\u13cd\\u13a9\\u13f2\": 18192,\n    \"\\u2581\\u13a4\\u13c2\\u13c2\\u13ac\\u13a8\": 18193,\n    \"\\u2581\\u13af\\u13d0\\u13e2\\u13a2\\u13cd\\u13d7\": 18194,\n    \"\\u13d5\\u13d8\\u13f4\\u13b2\": 18195,\n    \"\\u2581\\u13e7\\u13c5\\u13c2\\u13cd\": 18196,\n    \"\\u2581\\u13e5\\u13d3\\u13b5\\u13d6\\u13b8\\u13b2\": 18197,\n    \"\\u13a6\\u13a7\\u13b2\\u13a9\": 18198,\n    \"\\u2581\\u13eb\\u13a8\\u13d9\": 18199,\n    \"\\u13e5\\u13d9\\u13aa\": 18200,\n    \"\\u2581\\u13a4\\u13cd\\u13db\\u13a6\": 18201,\n    \"\\u2581\\u13eb\\u13a6\\u13b6\": 18202,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13f2\": 18203,\n    \"\\u13e3\\u13db\\u13c1\\u13b5\\u13d9\\u13b2\": 18204,\n    \"\\u13a9\\u13f1\\u13b5\\u13d9\\u13ad\": 18205,\n    \"\\u13d3\\u13c2\\u13ef\\u13db\": 18206,\n    \"\\u2581\\u13a4\\u13a6\\u13d4\\u13db\": 18207,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13e5\\u13d9\": 18208,\n    \"\\u2581\\u13ad\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\": 18209,\n    \"\\u13c1\\u13cd\\u13a8\\u13b2\\u13a9\": 18210,\n    \"\\u13a6\\u13b5\\u13cd\\u13d4\\u13c1\\u13b2\": 18211,\n    \"\\u13d7\\u13be\\u13d3\": 18212,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13c2\\u13b8\": 18213,\n    \"\\u2581\\u13ed\\u13be\\u13cf\": 18214,\n    \"\\u2581\\u13a2\\u13cd\\u13db\\u13b7\\u13e4\": 18215,\n    \"\\u13d6\\u13b8\\u13b2\\u13cd\\u13a6\": 18216,\n    \"\\u13db\\u13db\\u13d4\\u13c2\": 18217,\n    \"\\u2581\\u13f1\\u13e4\\u13d9\": 18218,\n    \"\\u2581\\u13c2\\u13a8\\u13c2\\u13be\": 18219,\n    \"\\u2581\\u13a2\\u13e3\\u13db\\u13c1\\u13b2\": 18220,\n    \"\\u13c2\\u13cc\\u13c5\": 18221,\n    \"\\u13b6\\u13c4\\u13ae\\u13b4\\u13a2\": 18222,\n    \"\\u2581\\u13a4\\u13f4\\u13cd\": 18223,\n    \"\\u13d3\\u13d3\\u13ec\\u13cd\\u13a8\": 18224,\n    \"\\u13c2\\u13b8\\u13cc\\u13d3\\u13d5\": 18225,\n    \"\\u13e5\\u13b3\\u13eb\\u13e4\": 18226,\n    \"\\u13be\\u13b7\\u13cd\\u13ac\": 18227,\n    \"\\u13be\\u13df\\u13c3\\u13ae\\u13d7\": 18228,\n    \"\\u13a9\\u13c5\\u13c1\\u13b8\": 18229,\n    \"\\u13f2\\u13a2\\u13cd\\u13d7\": 18230,\n    \"\\u13d1\\u13f0\\u13cd\\u13d7\": 18231,\n    \"\\u2581\\u13ac\\u13e9\\u13c3\\u13ae\\u13cd\\u13ac\": 18232,\n    \"\\u13e4\\u13b5\\u13af\\u13cd\": 18233,\n    \"\\u2581\\u13f1\\u13a6\\u13ac\": 18234,\n    \"\\u2581\\u13ed\\u13b3\\u13cf\": 18235,\n    \"\\u13da\\u13a9\\u13db\": 18236,\n    \"\\u13a6\\u13b7\\u13a8\": 18237,\n    \"\\u13b3\\u13d7\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 18238,\n    \"\\u2581\\u13a2\\u13e8\\u13c3\\u13ae\": 18239,\n    \"\\u13c5\\u13a1\\u13b4\\u13a2\": 18240,\n    \"\\u13da\\u13cd\\u13d5\\u13b8\\u13ae\\u13a2\": 18241,\n    \"\\u13d3\\u13d5\\u13f2\\u13b2\\u13cd\\u13a6\": 18242,\n    \"\\u2581\\u13ac\\u13e9\\u13e1\\u13d7\\u13cd\": 18243,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13c6\\u13d9\": 18244,\n    \"\\u2581\\u13d5\\u13e3\\u13b5\\u13c2\\u13aa\": 18245,\n    \"\\u13e5\\u13e9\\u13db\\u13af\": 18246,\n    \"\\u2581\\u13a4\\u13c2\\u13b7\": 18247,\n    \"\\u13ac\\u13c1\\u13e4\\u13b8\\u13ad\": 18248,\n    \"\\u2581\\u13a8\\u13e5\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13cd\": 18249,\n    \"\\u2581\\u13a0\\u13a9\\u13c1\\u13b2\": 18250,\n    \"\\u2581\\u13d8\\u13a7\\u13b5\": 18251,\n    \"\\u2581\\u13a0\\u13a6\\u13b7\": 18252,\n    \"\\u2581\\u13a4\\u13d3\\u13b4\\u13c5\": 18253,\n    \"\\u13e3\\u13d3\\u13c5\\u13d2\\u13a9\": 18254,\n    \"\\u2581\\u13cd\\u13a9\\u13f0\\u13b5\": 18255,\n    \"\\u2581\\u13a0\\u13a9\\u13f4\\u13cd\\u13d7\": 18256,\n    \"\\u13d3\\u13ec\\u13af\\u13b3\\u13d7\\u13cd\": 18257,\n    \"\\u2581\\u13d3\\u13f2\\u13e5\": 18258,\n    \"\\u13be\\u13aa\\u13b2\\u13cd\\u13d7\": 18259,\n    \"\\u13cd\\u13d3\\u13e9\\u13db\\u13d2\": 18260,\n    \"\\u13d5\\u13ab\\u13aa\\u13d3\\u13cf\": 18261,\n    \"\\u2581\\u13f2\\u13af\": 18262,\n    \"\\u2581\\u13d3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d7\\u13cd\\u13aa\": 18263,\n    \"\\u2581\\u13d3\\u13c2\\u13a6\\u13d8\\u13b4\": 18264,\n    \"\\u2581\\u13da\\u13d7\\u13a6\\u13b4\": 18265,\n    \"\\u13ef\\u13b5\\u13c3\\u13ae\": 18266,\n    \"\\u2581\\u13a1\\u13e5\\u13cd\\u13a6\": 18267,\n    \"\\u13be\\u13e0\\u13af\\u13cd\\u13d4\\u13c5\": 18268,\n    \"\\u13a9\\u13d2\\u13ce\": 18269,\n    \"\\u13e5\\u13c2\\u13f4\\u13b2\\u13a9\": 18270,\n    \"\\u2581\\u13d3\\u13be\\u13d8\": 18271,\n    \"\\u2581\\u13a0\\u13e5\\u13c3\\u13ae\": 18272,\n    \"\\u2581\\u13b1\\u13f0\\u13b8\": 18273,\n    \"\\u13a9\\u13c4\\u13b8\\u13c5\": 18274,\n    \"\\u13a6\\u13d9\\u13af\": 18275,\n    \"\\u2581\\u13a0\\u13c6\\u13c4\\u13ec\": 18276,\n    \"\\u13e9\\u13e5\\u13cd\\u13a6\\u13b8\": 18277,\n    \"\\u13cd\\u13aa\\u13c2\\u13b4\\u13a2\": 18278,\n    \"\\u13ef\\u13e5\\u13aa\\u13c1\\u13b8\": 18279,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13c1\": 18280,\n    \"\\u2581\\u13d8\\u13c5\\u13cd\\u13d3\": 18281,\n    \"\\u13d0\\u13c5\\u13f0\": 18282,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13d5\\u13b8\\u13b2\": 18283,\n    \"\\u2581\\u13a1\\u13cd\\u13d5\": 18284,\n    \"\\u13d3\\u13d3\\u13ec\\u13cd\\u13ac\\u13a2\": 18285,\n    \"\\u2581\\u13f4\\u13a8\": 18286,\n    \"\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13cf\": 18287,\n    \"\\u2581\\u13a2\\u13e5\\u13c2\\u13c6\\u13d8\": 18288,\n    \"\\u13d5\\u13b2\\u13cd\\u13aa\": 18289,\n    \"\\u13be\\u13b4\\u13bf\\u13eb\\u13cd\\u13db\\u13a9\": 18290,\n    \"\\u2581\\u13da\\u13e9\\u13e5\\u13cd\\u13a6\": 18291,\n    \"\\u2581\\u13a0\\u13c6\\u13d5\\u13c5\": 18292,\n    \"\\u2581\\u13d7\\u13e8\\u13d9\": 18293,\n    \"\\u2581\\u13d3\\u13e5\\u13f0\": 18294,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13a6\\u13c5\": 18295,\n    \"\\u13cd\\u13d5\\u13b8\\u13af\\u13d9\\u13b8\\u13af\": 18296,\n    \"\\u2581\\u13a0\\u13a9\\u13c4\\u13b8\": 18297,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\": 18298,\n    \"\\u13d3\\u13a1\\u13cf\": 18299,\n    \"\\u2581\\u13d5\\u13ad\\u13e1\\u13d7\": 18300,\n    \"\\u13a6\\u13be\\u13e9\": 18301,\n    \"\\u13cd\\u13a6\\u13b6\\u13d7\": 18302,\n    \"\\u2581\\u13f3\\u13f4\\u13b5\": 18303,\n    \"\\u13ec\\u13ea\\u13b3\\u13c1\": 18304,\n    \"\\u13c7\\u13c5\\u13d4\\u13c5\": 18305,\n    \"\\u2581\\u13e5\\u13d3\\u13d5\\u13f2\\u13b2\\u13cd\": 18306,\n    \"\\u2581\\u13a0\\u13d3\\u13f0\\u13ae\": 18307,\n    \"\\u2581\\u13ac\\u13c1\\u13e4\\u13d7\": 18308,\n    \"\\u13da\\u13f3\\u13aa\\u13d7\": 18309,\n    \"\\u13e3\\u13db\\u13af\\u13ce\\u13b8\": 18310,\n    \"\\u13e5\\u13a6\\u13d9\\u13a5\\u13d2\": 18311,\n    \"\\u2581\\u13e3\\u13b8\\u13c3\\u13d8\": 18312,\n    \"\\u13e3\\u13db\\u13c1\\u13b2\\u13a2\": 18313,\n    \"\\u2581\\u13d5\\u13a4\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\": 18314,\n    \"\\u13ec\\u13da\\u13e8\": 18315,\n    \"\\u2581\\u13af\\u13ef\\u13e5\\u13aa\\u13c1\": 18316,\n    \"\\u13ac\\u13a9\\u13b7\\u13e4\\u13b8\": 18317,\n    \"\\u13be\\u13db\\u13c1\\u13b4\": 18318,\n    \"\\u13cd\\u13d5\\u13b5\\u13cd\\u13a8\\u13a2\": 18319,\n    \"\\u13f4\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 18320,\n    \"\\u2581\\u13a2\\u13e5\\u13be\\u13c4\\u13aa\\u13eb\\u13cd\": 18321,\n    \"\\u2581\\u13ed\\u13f2\": 18322,\n    \"\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13c5\\u13be\": 18323,\n    \"\\u13f2\\u13d4\\u13c1\": 18324,\n    \"\\u2581\\u13d3\\u13e6\": 18325,\n    \"\\u13c7\\u13b5\\u13ce\\u13ae\\u13cd\\u13d7\": 18326,\n    \"\\u13e5\\u13cf\\u13be\\u13cc\\u13c2\": 18327,\n    \"\\u2581\\u13a4\\u13be\\u13d2\\u13c2\": 18328,\n    \"\\u13cd\\u13a9\\u13aa\\u13e9\\u13db\": 18329,\n    \"\\u13d9\\u13ad\\u13f0\": 18330,\n    \"\\u13cd\\u13a9\\u13f4\\u13c1\\u13b8\": 18331,\n    \"\\u2581\\u13a2\\u13e5\\u13f4\\u13c1\\u13d7\": 18332,\n    \"\\u2581\\u13be\\u13be\\u13db\": 18333,\n    \"\\u13aa\\u13af\\u13cd\\u13d7\": 18334,\n    \"\\u13c2\\u13d5\\u13ac\\u13c1\\u13b0\": 18335,\n    \"\\u2581\\u13a4\\u13be\\u13e6\": 18336,\n    \"\\u2581\\u13a8\\u13e5\\u13c5\\u13a6\\u13b5\\u13cd\": 18337,\n    \"\\u2581\\u13f1\\u13d7\\u13e3\\u13d3\": 18338,\n    \"\\u13e9\\u13c2\\u13b4\\u13a2\": 18339,\n    \"\\u13d3\\u13f2\\u13c1\\u13af\": 18340,\n    \"\\u2581\\u13f1\\u13c2\\u13da\": 18341,\n    \"\\u2581\\u13e7\\u13be\\u13d1\": 18342,\n    \"\\u2581\\u13d3\\u13f3\\u13be\\u13b4\\u13bf\\u13eb\\u13cd\": 18343,\n    \"\\u13d3\\u13d7\\u13cd\\u13aa\\u13a2\": 18344,\n    \"\\u13c6\\u13db\\u13c1\\u13d7\\u13f1\": 18345,\n    \"\\u13be\\u13c4\\u13aa\\u13eb\\u13cd\\u13a9\": 18346,\n    \"\\u13c7\\u13d3\\u13e2\": 18347,\n    \"\\u2581\\u13a0\\u13c2\\u13c3\\u13d7\\u13cd\": 18348,\n    \"\\u13b5\\u13d9\\u13b8\": 18349,\n    \"\\u13be\\u13af\\u13cd\\u13d3\\u13c1\\u13b8\": 18350,\n    \"\\u2581\\u13d3\\u13c2\\u13c3\\u13af\": 18351,\n    \"\\u13b3\\u13cf\\u13c1\": 18352,\n    \"\\u2581\\u13da\\u13e6\": 18353,\n    \"\\u2581\\u13e5\\u13d5\\u13ab\\u13aa\\u13d3\\u13c1\": 18354,\n    \"\\u2581\\u13b1\\u13c3\\u13ae\": 18355,\n    \"\\u13bf\\u13d5\\u13a6\": 18356,\n    \"\\u2581\\u13d7\\u13e5\\u13c5\": 18357,\n    \"\\u13c2\\u13aa\\u13b5\\u13f0\\u13cd\\u13ac\\u13a9\": 18358,\n    \"\\u13d9\\u13a9\\u13e8\\u13cd\": 18359,\n    \"\\u13c2\\u13f2\\u13b1\": 18360,\n    \"\\u13c2\\u13f2\\u13b2\\u13a9\": 18361,\n    \"\\u2581\\u13a4\\u13be\\u13db\\u13c5\\u13a2\\u13cd\": 18362,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13d9\\u13d7\": 18363,\n    \"\\u13c2\\u13d7\\u13cd\\u13a9\\u13cc\": 18364,\n    \"\\u2581\\u13d7\\u13ab\\u13f4\\u13a1\": 18365,\n    \"\\u13a9\\u13cd\\u13db\\u13d7\\u13cd\\u13d7\": 18366,\n    \"\\u13f4\\u13b8\\u13be\": 18367,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13a8\": 18368,\n    \"\\u13cd\\u13a9\\u13ef\": 18369,\n    \"\\u2581\\u13a0\\u13e5\\u13a9\\u13a1\": 18370,\n    \"\\u2581\\u13d3\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\": 18371,\n    \"\\u13ac\\u13bf\\u13d7\\u13cd\\u13d7\": 18372,\n    \"\\u13f4\\u13eb\\u13ef\\u13af\": 18373,\n    \"\\u2581\\u13a4\\u13d3\\u13df\\u13cc\\u13c5\": 18374,\n    \"\\u2581\\u13a3\\u13a9\\u13be\\u13a9\": 18375,\n    \"\\u13a4\\u13f4\\u13e2\": 18376,\n    \"\\u2581\\u13e3\\u13d3\\u13f4\": 18377,\n    \"\\u13e5\\u13c2\\u13c6\\u13d8\\u13ad\": 18378,\n    \"\\u13d5\\u13b0\\u13d7\\u13cd\\u13ac\": 18379,\n    \"\\u13ef\\u13a7\\u13af\\u13ef\": 18380,\n    \"\\u13c2\\u13c1\\u13a6\": 18381,\n    \"\\u13ac\\u13cd\\u13d5\\u13b8\": 18382,\n    \"\\u2581\\u13f3\\u13b5\\u13cd\\u13c6\\u13d9\": 18383,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\": 18384,\n    \"\\u2581\\u13af\\u13ef\\u13ab\\u13f4\": 18385,\n    \"\\u13d3\\u13cd\\u13a6\": 18386,\n    \"\\u13cd\\u13d7\\u13d7\\u13ce\": 18387,\n    \"\\u13cd\\u13d5\\u13b8\\u13ae\\u13a2\": 18388,\n    \"\\u13c2\\u13d0\\u13af\\u13cd\\u13d7\\u13f1\": 18389,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13d5\\u13b8\\u13af\\u13d9\": 18390,\n    \"\\u13c2\\u13a9\\u13ce\\u13a2\": 18391,\n    \"\\u2581\\u13cd\\u13a9\\u13c2\\u13f4\": 18392,\n    \"\\u13f0\\u13cd\\u13db\\u13a2\": 18393,\n    \"\\u2581\\u13a0\\u13c2\\u13d9\": 18394,\n    \"\\u13e3\\u13ef\\u13c2\\u13cd\\u13a8\\u13cd\\u13d7\": 18395,\n    \"\\u13a0\\u13d1\\u13b5\": 18396,\n    \"\\u13e5\\u13be\\u13f0\\u13cd\\u13a6\": 18397,\n    \"\\u13a1\\u13c9\": 18398,\n    \"\\u2581\\u13d3\\u13f3\\u13f0\": 18399,\n    \"\\u13d5\\u13ae\\u13cd\\u13d7\": 18400,\n    \"\\u13b7\\u13c5\": 18401,\n    \"\\u2581\\u13d7\\u13e3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\": 18402,\n    \"\\u2581\\u13a2\\u13e8\\u13f2\\u13ea\\u13b3\\u13c1\\u13d7\": 18403,\n    \"ne\": 18404,\n    \"\\u2581\\u13f1\\u13d7\\u13e5\\u13aa\\u13e9\\u13d8\": 18405,\n    \"\\u13e5\\u13c5\\u13cd\\u13d3\\u13d5\\u13b8\\u13a9\": 18406,\n    \"\\u13a0\\u13d0\\u13e2\\u13a2\\u13cd\\u13d7\\u13ad\": 18407,\n    \"\\u2581\\u13a4\\u13c2\\u13e3\\u13c4\": 18408,\n    \"\\u13ef\\u13c5\\u13cf\": 18409,\n    \"\\u13be\\u13d5\\u13cb\\u13af\\u13cd\\u13d7\": 18410,\n    \"\\u2581\\u13a3\\u13a9\\u13c3\\u13b8\": 18411,\n    \"\\u2581\\u13a3\\u13a9\\u13cd\\u13d5\\u13b8\\u13d7\": 18412,\n    \"\\u13d7\\u13db\\u13b2\": 18413,\n    \"\\u2581\\u13a4\\u13c3\\u13f4\\u13a8\": 18414,\n    \"\\u13e3\\u13d3\\u13c5\\u13d6\\u13cd\\u13a8\\u13cd\\u13d7\": 18415,\n    \"\\u13d3\\u13c5\\u13d6\\u13d7\\u13cd\\u13a8\": 18416,\n    \"\\u2581\\u13e7\\u13c2\\u13c5\\u13a2\\u13cd\": 18417,\n    \"\\u2581\\u13a2\\u13e3\\u13d8\\u13cd\\u13d7\\u13cd\": 18418,\n    \"\\u13b5\\u13cf\\u13ef\": 18419,\n    \"\\u13e5\\u13d9\\u13b5\\u13a9\": 18420,\n    \"\\u2581\\u13a1\\u13e3\\u13b5\\u13ae\\u13b5\": 18421,\n    \"\\u2581\\u13da\\u13be\\u13b3\\u13d1\": 18422,\n    \"\\u2581\\u13f1\\u13cd\\u13a9\\u13c1\": 18423,\n    \"\\u2581\\u13a3\\u13a6\\u13d3\\u13d9\\u13b5\\u13cd\": 18424,\n    \"\\u2581\\u13a0\\u13e5\\u13aa\\u13b5\\u13f0\": 18425,\n    \"\\u2581\\u13d5\\u13e5\\u13a6\\u13d4\\u13b2\": 18426,\n    \"\\u13d3\\u13e3\\u13db\\u13c2\": 18427,\n    \"\\u2581\\u13f2\\u13af\\u13f3\\u13b2\": 18428,\n    \"\\u2581\\u13a6\\u13c2\\u13c6\\u13d8\\u13ae\": 18429,\n    \"\\u2581\\u13d3\\u13a6\\u13e5\\u13f4\": 18430,\n    \"\\u2581\\u13a2\\u13e5\\u13c3\\u13af\": 18431,\n    \"\\u13e5\\u13ad\\u13ef\\u13b8\": 18432,\n    \"\\u13a6\\u13b4\\u13c5\\u13d4\\u13c5\": 18433,\n    \"\\u2581\\u13c4\\u13be\\u13d5\\u13c1\": 18434,\n    \"\\u2581\\u13ed\\u13be\\u13b5\\u13cd\\u13d4\": 18435,\n    \"\\u13f2\\u13ce\\u13b4\\u13a2\": 18436,\n    \"\\u13ce\\u13b5\\u13d9\\u13d4\\u13c1\": 18437,\n    \"\\u2581\\u13d4\\u13d9\\u13b4\\u13b0\": 18438,\n    \"\\u2581\\u13a4\\u13c5\\u13a6\\u13b8\\u13ae\": 18439,\n    \"\\u2581\\u13f1\\u13be\\u13a9\\u13ea\": 18440,\n    \"\\u13ac\\u13ec\\u13af\\u13f3\\u13b2\\u13cd\\u13a8\\u13a2\": 18441,\n    \"\\u13c2\\u13cd\\u13d3\\u13e9\\u13d7\\u13d2\\u13a9\": 18442,\n    \"\\u13e4\\u13b2\\u13a9\": 18443,\n    \"\\u2581\\u13a2\\u13a6\\u13e0\\u13ef\\u13cd\\u13d9\\u13d7\": 18444,\n    \"\\u13a8\\u13eb\\u13d2\": 18445,\n    \"\\u13e5\\u13ef\\u13a0\": 18446,\n    \"\\u13c6\\u13b5\\u13c2\\u13ac\\u13ac\": 18447,\n    \"\\u2581\\u13a2\\u13e8\\u13ef\\u13c5\": 18448,\n    \"\\u13ef\\u13c5\\u13a1\\u13d7\\u13f1\": 18449,\n    \"\\u2581\\u13a4\\u13be\\u13c2\\u13a9\": 18450,\n    \"\\u13be\\u13a6\\u13cc\\u13ef\\u13cd\\u13d7\\u13d5\\u13a9\": 18451,\n    \"\\u13b5\\u13a5\\u13c2\\u13ae\\u13cd\\u13d7\": 18452,\n    \"\\u13b5\\u13c3\\u13ae\": 18453,\n    \"\\u13b6\\u13cf\\u13d9\\u13ae\": 18454,\n    \"\\u13c2\\u13bf\\u13b8\": 18455,\n    \"\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\\u13b5\": 18456,\n    \"\\u13ee\\u13d5\": 18457,\n    \"\\u2581\\u13d5\\u13a7\\u13c5\\u13eb\\u13cd\": 18458,\n    \"\\u13db\\u13af\\u13cd\\u13d3\": 18459,\n    \"\\u2581\\u13a2\\u13a9\\u13c5\\u13a6\": 18460,\n    \"\\u2581\\u13f0\\u13d9\": 18461,\n    \"\\u13e0\\u13ef\\u13cd\\u13d9\\u13d7\\u13f1\": 18462,\n    \"\\u13e3\\u13df\\u13b6\\u13cd\\u13d9\\u13d7\": 18463,\n    \"\\u13e4\\u13b5\\u13cd\\u13aa\\u13a2\": 18464,\n    \"\\u2581\\u13a0\\u13f0\\u13cd\\u13d3\": 18465,\n    \"\\u13b5\\u13c3\\u13af\\u13f0\\u13af\": 18466,\n    \"\\u13c2\\u13f2\\u13b5\\u13b4\": 18467,\n    \"\\u13d3\\u13aa\\u13e9\\u13d8\\u13cd\\u13a8\\u13a2\": 18468,\n    \"\\u2581\\u13e3\\u13e9\\u13af\": 18469,\n    \"\\u2581\\u13a1\\u13e3\\u13b8\\u13c9\": 18470,\n    \"\\u13d3\\u13cd\\u13d6\": 18471,\n    \"\\u2581\\u13ef\\u13ce\": 18472,\n    \"\\u13c4\\u13f4\\u13b8\": 18473,\n    \"\\u13ae\\u13d9\\u13b8\": 18474,\n    \"\\u13da\\u13be\\u13d3\\u13c2\\u13b8\\u13e8\": 18475,\n    \"\\u2581\\u13a8\\u13e5\\u13da\\u13a2\\u13cd\\u13d3\": 18476,\n    \"\\u2581\\u13a2\\u13e5\\u13c4\\u13aa\": 18477,\n    \"\\u2581\\u13cd\\u13a9\\u13f0\\u13b5\\u13ce\": 18478,\n    \"\\u13e5\\u13f2\\u13a6\": 18479,\n    \"\\u13f2\\u13cf\\u13cc\\u13c5\": 18480,\n    \"\\u2581\\u13a4\\u13be\\u13a9\\u13b6\\u13eb\": 18481,\n    \"\\u13d3\\u13c1\\u13b6\\u13db\\u13a2\": 18482,\n    \"\\u13d3\\u13ec\\u13cd\\u13aa\": 18483,\n    \"\\u13e3\\u13d3\\u13c5\\u13d8\": 18484,\n    \"\\u2581\\u13ef\\u13c7\\u13b5\\u13ce\": 18485,\n    \"\\u2581\\u13d1\\u13d3\\u13b5\\u13c9\": 18486,\n    \"\\u13b5\\u13a1\\u13b5\\u13e4\\u13b2\": 18487,\n    \"\\u13d3\\u13a1\\u13aa\\u13a2\": 18488,\n    \"\\u2581\\u13be\\u13c2\\u13a6\\u13d4\": 18489,\n    \"\\u2581\\u13cd\\u13a9\\u13c3\\u13c1\\u13d7\": 18490,\n    \"\\u13e4\\u13b8\\u13af\": 18491,\n    \"\\u13ef\\u13d7\\u13d2\": 18492,\n    \"\\u2581\\u13f1\\u13d5\\u13ab\\u13aa\\u13d3\": 18493,\n    \"\\u2581\\u13eb\\u13da\\u13b6\": 18494,\n    \"\\u13da\\u13a2\\u13cd\": 18495,\n    \"ati\": 18496,\n    \"\\u13ac\\u13ef\\u13db\\u13c1\\u13b8\\u13a2\": 18497,\n    \"\\u13a4\\u13aa\\u13b2\": 18498,\n    \"\\u2581\\u13e9\\u13be\\u13d3\\u13c5\": 18499,\n    \"\\u13b0\\u13ce\\u13b4\": 18500,\n    \"\\u13f4\\u13c2\\u13b8\": 18501,\n    \"\\u2581\\u13da\\u13ed\\u13cd\": 18502,\n    \"\\u13ef\\u13b8\\u13ce\": 18503,\n    \"\\u2581\\u13eb\\u13a9\\u13ef\": 18504,\n    \"\\u2581\\u13e7\\u13a6\\u13d8\\u13b4\": 18505,\n    \"\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13b8\": 18506,\n    \"\\u13f0\\u13b6\": 18507,\n    \"\\u2581\\u13f4\\u13a6\\u13f2\\u13e5\": 18508,\n    \"\\u13ac\\u13e9\\u13b6\\u13d4\\u13c5\": 18509,\n    \"\\u2581\\u13d7\\u13a6\\u13ec\\u13c1\": 18510,\n    \"\\u13c1\\u13d9\\u13ae\\u13cd\\u13d7\": 18511,\n    \"\\u13a9\\u13f2\\u13cd\\u13d9\\u13d7\": 18512,\n    \"\\u2581\\u13ef\\u13f2\\u13cd\": 18513,\n    \"\\u13ec\\u13cd\\u13a8\\u13a2\": 18514,\n    \"\\u2581\\u13d7\\u13a8\\u13e7\\u13aa\": 18515,\n    \"\\u13ec\\u13b5\\u13e8\": 18516,\n    \"\\u2581\\u13a4\\u13be\\u13ab\\u13f4\": 18517,\n    \"\\u2581\\u13d3\\u13a6\\u13b5\\u13cd\\u13d3\\u13f4\": 18518,\n    \"\\u2581\\u13ef\\u13ab\": 18519,\n    \"\\u13d9\\u13b3\\u13c5\\u13cd\\u13d7\": 18520,\n    \"\\u13f1\\u13b6\\u13b4\": 18521,\n    \"\\u13c8\\u13b5\\u13f1\": 18522,\n    \"\\u2581\\u13d9\\u13cd\\u13d3\\u13d3\": 18523,\n    \"\\u13a9\\u13ef\\u13ea\\u13a6\": 18524,\n    \"\\u13cd\\u13d4\\u13e9\\u13d7\\u13d2\": 18525,\n    \"\\u2581\\u13a6\\u13c5\\u13eb\\u13cd\\u13d7\\u13cd\": 18526,\n    \"\\u2581\\u13cd\\u13c6\\u13d8\\u13c2\": 18527,\n    \"\\u13da\\u13b5\\u13cd\\u13d3\": 18528,\n    \"\\u13d7\\u13a7\\u13bf\\u13e9\\u13d7\": 18529,\n    \"\\u2581\\u13ef\\u13b4\\u13eb\\u13cd\\u13d7\\u13cd\": 18530,\n    \"\\u2581\\u13a0\\u13e5\\u13c4\\u13aa\\u13eb\\u13d2\": 18531,\n    \"\\u13d0\\u13e2\\u13d4\\u13c5\": 18532,\n    \"\\u2581\\u13d7\\u13d3\\u13c1\": 18533,\n    \"\\u13d3\\u13b8\\u13c9\\u13d7\\u13ad\": 18534,\n    \"\\u13ea\\u13a7\\u13c1\\u13b4\": 18535,\n    \"\\u13da\\u13d3\\u13f4\\u13ce\": 18536,\n    \"\\u2581\\u13d7\\u13e5\\u13c1\\u13d7\": 18537,\n    \"\\u13e5\\u13aa\\u13e9\\u13d4\": 18538,\n    \"\\u2581\\u13d9\\u13d3\\u13ac\\u13ef\": 18539,\n    \"\\u13f1\\u13be\\u13c6\\u13db\\u13c1\": 18540,\n    \"\\u13e5\\u13d4\\u13f2\\u13b8\\u13a9\": 18541,\n    \"\\u13aa\\u13b5\\u13a9\": 18542,\n    \"\\u13aa\\u13e9\\u13d8\\u13cd\\u13a8\": 18543,\n    \"\\u2581\\u13e7\\u13f2\\u13cd\\u13d9\\u13d7\": 18544,\n    \"\\u2581\\u13a4\\u13da\\u13b5\\u13cd\": 18545,\n    \"\\u13ea\\u13ae\\u13a2\": 18546,\n    \"\\u13df\\u13c2\\u13ac\\u13c1\\u13b4\": 18547,\n    \"\\u13a9\\u13d0\\u13e2\": 18548,\n    \"\\u13c2\\u13d9\\u13b4\\u13a2\": 18549,\n    \"\\u2581\\u13a4\\u13be\\u13da\\u13d3\\u13b4\\u13cd\\u13d7\": 18550,\n    \"\\u2581\\u13a2\\u13a4\\u13ea\\u13c5\": 18551,\n    \"\\u2581\\u13a3\\u13a9\\u13e9\\u13db\": 18552,\n    \"\\u13c1\\u13e4\\u13ad\": 18553,\n    \"\\u13cc\\u13b4\\u13d2\": 18554,\n    \"\\u13a6\\u13a9\\u13f3\": 18555,\n    \"\\u2581\\u13d3\\u13e3\\u13c4\\u13aa\": 18556,\n    \"\\u13d7\\u13e5\\u13ef\\u13ea\": 18557,\n    \"\\u13b5\\u13f0\\u13a2\": 18558,\n    \"\\u2581\\u13eb\\u13ab\\u13d3\": 18559,\n    \"\\u13b5\\u13cd\\u13da\\u13a2\\u13ce\\u13a2\": 18560,\n    \"\\u2581\\u13ac\\u13e9\\u13d3\\u13c5\\u13a1\": 18561,\n    \"\\u13cd\\u13ab\\u13d5\\u13cd\\u13d7\\u13f1\": 18562,\n    \"\\u13aa\\u13eb\\u13cd\\u13aa\": 18563,\n    \"\\u13f2\\u13cd\\u13a6\": 18564,\n    \"\\u13d7\\u13d4\\u13cd\\u13d3\": 18565,\n    \"\\u13a1\\u13cf\\u13a9\\u13c3\": 18566,\n    \"\\u2581\\u13db\\u13af\": 18567,\n    \"\\u13cd\\u13da\\u13df\\u13cd\\u13d4\\u13c5\": 18568,\n    \"\\u13c2\\u13c2\\u13d2\\u13a9\": 18569,\n    \"\\u2581\\u13a2\\u13a9\\u13a8\\u13f3\\u13af\": 18570,\n    \"\\u2581\\u13a7\\u13c1\\u13a2\\u13cd\\u13d9\\u13d7\": 18571,\n    \"\\u2581\\u13a4\\u13cd\\u13a6\\u13c5\": 18572,\n    \"\\u2581\\u13a3\\u13a6\\u13e2\\u13c8\": 18573,\n    \"\\u13be\\u13d1\\u13a9\\u13cd\": 18574,\n    \"\\u2581\\u13f1\\u13a6\\u13d3\\u13d9\": 18575,\n    \"\\u13a6\\u13be\\u13c4\\u13aa\\u13ac\": 18576,\n    \"\\u13cd\\u13d3\\u13f1\\u13d5\\u13b4\": 18577,\n    \"\\u2581\\u13a4\\u13aa\\u13b5\\u13f0\\u13cd\\u13ac\": 18578,\n    \"\\u2581\\u13ac\\u13e9\\u13c1\\u13e4\": 18579,\n    \"\\u13f0\\u13cd\\u13db\\u13c1\": 18580,\n    \"\\u2581\\u13a6\\u13d5\\u13b6\\u13a3\": 18581,\n    \"\\u2581\\u13a0\\u13e5\\u13c1\\u13ae\": 18582,\n    \"\\u2581\\u13f1\\u13c2\\u13a6\\u13db\": 18583,\n    \"\\u2581\\u13d5\\u13e3\\u13d8\\u13c3\": 18584,\n    \"\\u13e8\\u13f0\\u13b3\\u13d7\\u13d9\\u13ad\": 18585,\n    \"\\u13a8\\u13d3\\u13b5\\u13f0\": 18586,\n    \"\\u2581\\u13da\\u13d2\\u13ad\\u13c2\": 18587,\n    \"\\u13c2\\u13f1\\u13cd\\u13aa\": 18588,\n    \"\\u13b5\\u13e5\\u13d9\\u13c2\\u13d9\\u13b8\\u13ad\": 18589,\n    \"\\u2581\\u13a2\\u13ab\\u13d3\\u13b4\": 18590,\n    \"\\u2581\\u13f3\\u13be\\u13d3\\u13c5\\u13d6\": 18591,\n    \"\\u2581\\u13d9\\u13a9\\u13a9\\u13e8\": 18592,\n    \"\\u13ec\\u13cd\\u13d4\\u13c2\": 18593,\n    \"\\u13ef\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d7\\u13ad\": 18594,\n    \"\\u2581\\u13a1\\u13e5\\u13ec\": 18595,\n    \"\\u13a6\\u13ce\\u13d9\\u13d7\": 18596,\n    \"\\u2581\\u13e7\\u13d5\\u13c1\": 18597,\n    \"\\u13e4\\u13b7\\u13a9\": 18598,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13e5\\u13d9\\u13c1\": 18599,\n    \"\\u13be\\u13b5\\u13cd\\u13d5\\u13b8\\u13d9\\u13d7\": 18600,\n    \"\\u2581\\u13ed\\u13c2\\u13e9\\u13db\": 18601,\n    \"\\u2581\\u13da\\u13f2\\u13d2\": 18602,\n    \"\\u2581\\u13d7\\u13a8\\u13e3\\u13d3\\u13c2\\u13b8\": 18603,\n    \"\\u2581\\u13e7\\u13e0\\u13a0\\u13ce\": 18604,\n    \"\\u2581\\u13ed\\u13be\\u13d5\": 18605,\n    \"\\u2581\\u13a4\\u13be\\u13aa\\u13b2\\u13cd\": 18606,\n    \"\\u13a6\\u13be\\u13a8\": 18607,\n    \"\\u2581\\u13a3\\u13e5\\u13cd\\u13d7\\u13f0\": 18608,\n    \"\\u2581\\u13d7\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13c5\": 18609,\n    \"\\u13cd\\u13a9\\u13a7\\u13cf\": 18610,\n    \"\\u13e9\\u13db\\u13c1\\u13b8\\u13a2\": 18611,\n    \"\\u13f2\\u13b1\": 18612,\n    \"\\u13d4\\u13cd\\u13a9\\u13ce\": 18613,\n    \"\\u13f2\\u13af\\u13ce\\u13b2\": 18614,\n    \"\\u2581\\u13a0\\u13cb\\u13a8\": 18615,\n    \"\\u13da\\u13a2\\u13cd\\u13d3\\u13c1\\u13b8\": 18616,\n    \"\\u2581\\u13d3\\u13cc\\u13ec\\u13a2\": 18617,\n    \"\\u13a9\\u13c2\\u13f4\\u13db\": 18618,\n    \"\\u13aa\\u13d3\\u13cf\": 18619,\n    \"\\u2581\\u13e5\\u13b6\\u13d2\": 18620,\n    \"\\u13e4\\u13d9\\u13b5\\u13d9\\u13ae\": 18621,\n    \"\\u2581\\u13da\\u13cd\\u13d5\\u13b8\\u13ae\": 18622,\n    \"\\u13aa\\u13eb\": 18623,\n    \"\\u2581\\u13eb\\u13da\\u13d8\\u13c5\\u13cd\\u13d4\\u13c1\": 18624,\n    \"\\u13f2\\u13b0\\u13cf\": 18625,\n    \"\\u2581\\u13a1\\u13e3\\u13b5\\u13e5\\u13d9\\u13c1\": 18626,\n    \"\\u13e3\\u13db\\u13c2\": 18627,\n    \"\\u13d7\\u13a6\\u13d8\\u13b8\\u13cd\\u13d7\": 18628,\n    \"\\u2581\\u13a0\\u13c6\\u13e6\\u13e9\": 18629,\n    \"\\u13d3\\u13c5\\u13a9\\u13b6\": 18630,\n    \"\\u13d9\\u13d7\\u13f1\\u13c9\": 18631,\n    \"\\u2581\\u13a6\\u13d3\\u13c5\\u13d6\\u13cd\": 18632,\n    \"\\u2581\\u13e5\\u13e3\\u13da\\u13b5\": 18633,\n    \"\\u13c2\\u13cf\\u13c5\\u13d2\": 18634,\n    \"\\u13c2\\u13f0\\u13b8\\u13ad\": 18635,\n    \"\\u13e3\\u13d7\\u13cd\\u13d3\\u13c1\": 18636,\n    \"\\u13c5\\u13eb\\u13cd\\u13d4\\u13c5\": 18637,\n    \"\\u2581\\u13a2\\u13e5\\u13cd\\u13a6\\u13c3\": 18638,\n    \"\\u13d7\\u13f2\\u13aa\": 18639,\n    \"\\u13a6\\u13d9\\u13b2\": 18640,\n    \"\\u2581\\u13a0\\u13c6\\u13c5\": 18641,\n    \"\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\": 18642,\n    \"\\u2581\\u13a2\\u13e5\\u13a7\\u13b5\\u13a2\\u13cd\\u13d7\": 18643,\n    \"\\u13d7\\u13ef\\u13c2\": 18644,\n    \"\\u13b7\\u13e4\\u13ae\\u13cd\\u13d7\": 18645,\n    \"\\u2581\\u13a4\\u13ea\\u13b3\\u13d7\": 18646,\n    \"\\u2581\\u13a0\\u13e5\\u13f2\": 18647,\n    \"\\u2581\\u13e7\\u13d8\\u13c5\\u13cd\\u13d7\": 18648,\n    \"\\u13e3\\u13ef\\u13a0\": 18649,\n    \"\\u13e5\\u13f2\\u13ce\\u13b5\": 18650,\n    \"\\u13a8\\u13b2\\u13ce\": 18651,\n    \"\\u2581\\u13e5\\u13ae\": 18652,\n    \"\\u13ef\\u13d9\\u13ae\\u13ae\": 18653,\n    \"\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13af\": 18654,\n    \"\\u13e5\\u13c4\\u13aa\\u13eb\\u13cd\\u13a6\": 18655,\n    \"\\u2581\\u13f1\\u13d9\\u13a6\\u13d3\\u13c2\\u13b8\": 18656,\n    \"\\u2581\\u13a2\\u13a8\\u13e3\": 18657,\n    \"\\u13e0\\u13b8\": 18658,\n    \"\\u2581\\u13e7\\u13b3\\u13d1\": 18659,\n    \"\\u13e2\\u13be\\u13c1\\u13b8\\u13af\": 18660,\n    \"\\u2581\\u13a3\\u13a9\\u13c2\\u13f2\": 18661,\n    \"\\u13cd\\u13d3\\u13f1\\u13d5\\u13b8\": 18662,\n    \"\\u13ea\\u13ce\\u13b2\\u13a2\": 18663,\n    \"\\u13d9\\u13ea\\u13b3\\u13c1\": 18664,\n    \"\\u2581\\u13d5\\u13d3\": 18665,\n    \"\\u13c2\\u13a8\\u13ce\": 18666,\n    \"\\u13d4\\u13ec\\u13d9\": 18667,\n    \"\\u13d9\\u13cd\\u13d9\": 18668,\n    \"\\u2581\\u13a0\\u13c2\\u13c5\\u13eb\\u13cd\\u13d7\\u13cd\": 18669,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\": 18670,\n    \"\\u13d3\\u13b5\\u13aa\\u13c1\": 18671,\n    \"\\u2581\\u13a4\\u13e9\\u13a8\\u13eb\\u13d2\": 18672,\n    \"\\u2581\\u13e5\\u13a6\\u13e1\": 18673,\n    \"\\u13ec\\u13e3\\u13b3\": 18674,\n    \"\\u13e3\\u13c4\\u13ec\\u13cd\\u13d3\": 18675,\n    \"\\u2581\\u13d7\\u13d0\\u13c8\": 18676,\n    \"\\u2581\\u13e5\\u13e4\\u13d9\": 18677,\n    \"\\u13c2\\u13f4\\u13ae\": 18678,\n    \"\\u13c2\\u13a6\\u13ef\\u13b7\\u13d7\": 18679,\n    \"\\u13d7\\u13d5\\u13c2\": 18680,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13aa\\u13c2\": 18681,\n    \"\\u13cd\\u13d3\\u13e9\\u13d7\\u13ce\\u13a2\": 18682,\n    \"\\u13b5\\u13ac\\u13da\\u13b3\\u13c1\": 18683,\n    \"\\u2581\\u13d7\\u13a6\\u13d6\": 18684,\n    \"\\u13a6\\u13be\\u13c4\\u13aa\\u13eb\\u13cd\\u13a6\": 18685,\n    \"\\u2581\\u13da\\u13be\\u13a7\\u13be\": 18686,\n    \"\\u2581\\u13a6\\u13e5\\u13a5\": 18687,\n    \"\\u13ac\\u13e9\\u13db\\u13db\\u13d7\": 18688,\n    \"\\u13a9\\u13a9\\u13b5\\u13f2\": 18689,\n    \"\\u2581\\u13d9\\u13db\\u13d8\\u13c2\": 18690,\n    \"\\u13ac\\u13cb\\u13c1\\u13d7\\u13f1\": 18691,\n    \"\\u2581\\u13a1\\u13e3\\u13ef\\u13c5\": 18692,\n    \"\\u13e5\\u13cd\\u13c6\\u13c2\\u13aa\\u13d4\\u13c5\": 18693,\n    \"\\u2581\\u13eb\\u13ab\\u13e9\": 18694,\n    \"\\u2581\\u13f3\\u13d9\\u13af\\u13f3\": 18695,\n    \"\\u13a9\\u13cf\\u13d9\\u13ae\": 18696,\n    \"\\u13e5\\u13b8\\u13cd\\u13ac\": 18697,\n    \"\\u13a9\\u13a7\\u13b2\": 18698,\n    \"\\u13be\\u13e3\\u13a2\\u13ce\\u13a2\": 18699,\n    \"\\u2581\\u13d5\\u13ad\\u13d8\": 18700,\n    \"\\u2581\\u13a0\\u13e5\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d9\\u13d7\": 18701,\n    \"\\u13db\\u13af\\u13cd\\u13d7\\u13cd\\u13a8\": 18702,\n    \"\\u13d9\\u13b8\\u13af\": 18703,\n    \"\\u13c2\\u13a7\\u13c5\": 18704,\n    \"\\u2581\\u13a4\\u13d5\\u13c1\": 18705,\n    \"\\u2581\\u13a4\\u13c2\\u13f2\\u13a2\\u13ce\": 18706,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13b8\\u13c9\\u13d7\": 18707,\n    \"\\u2581\\u13a4\\u13c2\\u13c4\\u13aa\\u13eb\\u13d2\": 18708,\n    \"\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13a9\": 18709,\n    \"\\u2581\\u13e7\\u13c2\\u13cd\\u13d5\\u13b8\": 18710,\n    \"\\u2581\\u13e7\\u13b3\\u13c1\\u13b8\": 18711,\n    \"\\u13b5\\u13f0\\u13a1\": 18712,\n    \"\\u13ef\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\": 18713,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\\u13aa\\u13a2\": 18714,\n    \"\\u2581\\u13a2\\u13e5\\u13aa\\u13e9\\u13db\\u13d7\": 18715,\n    \"\\u13b4\\u13eb\\u13cd\\u13d4\\u13c1\\u13b4\": 18716,\n    \"\\u13d3\\u13eb\\u13d4\\u13c5\": 18717,\n    \"\\u13e3\\u13db\\u13c1\\u13ad\": 18718,\n    \"\\u13f2\\u13ea\\u13b3\\u13cf\": 18719,\n    \"\\u2581\\u13ac\\u13e9\\u13c4\\u13aa\\u13e4\": 18720,\n    \"\\u2581\\u13e5\\u13c2\\u13ac\\u13c1\": 18721,\n    \"\\u2581\\u13da\\u13cd\\u13da\": 18722,\n    \"\\u2581\\u13a3\\u13a9\\u13f2\\u13b0\\u13ce\": 18723,\n    \"re\": 18724,\n    \"\\u2581\\u13a4\\u13ef\\u13ea\\u13d0\\u13b8\": 18725,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13c1\\u13b8\": 18726,\n    \"\\u2581\\u13a4\\u13c2\\u13c3\\u13f4\": 18727,\n    \"\\u2581\\u13be\\u13c6\\u13b5\\u13c2\\u13ac\": 18728,\n    \"\\u13b5\\u13d9\\u13b2\": 18729,\n    \"\\u2581\\u13a4\\u13cd\\u13aa\\u13b5\\u13f0\": 18730,\n    \"\\u2581\\u13a0\\u13e5\\u13c1\\u13b0\": 18731,\n    \"\\u2581\\u13d7\\u13e5\\u13f2\": 18732,\n    \"\\u2581\\u13a4\\u13be\\u13a6\\u13cc\\u13ef\\u13cd\": 18733,\n    \"\\u13e0\\u13ef\\u13cd\\u13d7\": 18734,\n    \"\\u2581\\u13ac\\u13a9\\u13e2\": 18735,\n    \"\\u2581\\u13e7\\u13a7\\u13b5\\u13e8\": 18736,\n    \"\\u13be\\u13cf\\u13c2\\u13ce\\u13a2\": 18737,\n    \"\\u2581\\u13a2\\u13e3\\u13d9\\u13b4\\u13b0\\u13cd\": 18738,\n    \"\\u13c3\\u13af\\u13f3\\u13b2\": 18739,\n    \"\\u13d3\\u13a2\\u13c5\": 18740,\n    \"\\u2581\\u13a0\\u13e5\\u13be\\u13d7\\u13c5\": 18741,\n    \"\\u2581\\u13ac\\u13e9\\u13c1\\u13c1\": 18742,\n    \"\\u13c4\\u13aa\\u13a2\\u13cd\\u13d7\": 18743,\n    \"\\u2581\\u13a6\\u13c5\\u13aa\": 18744,\n    \"\\u2581\\u13f3\\u13d3\\u13b5\": 18745,\n    \"\\u13be\\u13b5\\u13aa\\u13c1\": 18746,\n    \"\\u13d8\\u13c2\\u13d3\\u13cd\\u13d7\": 18747,\n    \"\\u13e6\\u13ea\\u13b5\\u13cd\": 18748,\n    \"\\u13af\\u13ce\\u13d7\\u13f1\": 18749,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\": 18750,\n    \"\\u2581\\u13a0\\u13d0\\u13e9\": 18751,\n    \"\\u13aa\\u13b5\\u13f0\\u13a5\\u13a9\": 18752,\n    \"\\u13d3\\u13db\\u13c1\\u13b2\": 18753,\n    \"\\u13ce\\u13b5\\u13d3\\u13c1\\u13b8\": 18754,\n    \"\\u13be\\u13db\\u13c1\\u13b2\\u13be\": 18755,\n    \"\\u13eb\\u13db\\u13b2\\u13ad\": 18756,\n    \"\\u2581\\u13e6\\u13e3\": 18757,\n    \"\\u2581\\u13d3\\u13ef\\u13d9\\u13ae\": 18758,\n    \"\\u2581\\u13a4\\u13aa\\u13b5\\u13f0\\u13cd\\u13a8\": 18759,\n    \"\\u13e3\\u13ab\\u13f4\\u13a1\\u13d7\": 18760,\n    \"\\u13b5\\u13cd\\u13d9\\u13f0\\u13b2\": 18761,\n    \"\\u13be\\u13d3\\u13d8\\u13be\\u13a5\": 18762,\n    \"\\u2581\\u13da\\u13c2\\u13ec\\u13c2\": 18763,\n    \"\\u2581\\u13a0\\u13b4\\u13eb\\u13cd\\u13d8\\u13cd\": 18764,\n    \"\\u13e9\\u13e5\\u13cd\\u13d3\": 18765,\n    \"\\u2581\\u13e3\\u13ab\\u13f4\\u13a1\": 18766,\n    \"\\u13b5\\u13d6\\u13b8\\u13c2\": 18767,\n    \"\\u13b5\\u13b6\\u13b2\\u13cd\\u13a6\": 18768,\n    \"\\u2581\\u13a0\\u13d5\\u13b6\\u13b0\\u13af\\u13cd\": 18769,\n    \"\\u13aa\\u13a1\\u13b8\": 18770,\n    \"\\u2581\\u13f1\\u13ed\\u13c2\\u13b7\": 18771,\n    \"\\u2581\\u13d5\\u13e3\\u13a7\\u13c2\\u13cd\": 18772,\n    \"\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d7\\u13cd\\u13a9\": 18773,\n    \"\\u13ea\\u13d8\\u13b8\\u13af\": 18774,\n    \"\\u13d3\\u13f3\\u13c2\\u13b6\\u13d2\\u13af\": 18775,\n    \"\\u13c4\\u13ea\": 18776,\n    \"\\u2581\\u13a2\\u13f2\\u13ac\": 18777,\n    \"\\u2581\\u13d3\\u13be\\u13d5\\u13b0\": 18778,\n    \"\\u2581\\u13a4\\u13a6\\u13d9\\u13a5\\u13af\\u13cd\": 18779,\n    \"\\u2581\\u13a4\\u13f0\\u13d9\\u13b3\": 18780,\n    \"\\u13a7\\u13b5\\u13b4\": 18781,\n    \"\\u2581\\u13d3\\u13cb\\u13c2\": 18782,\n    \"\\u2581\\u13d3\\u13b5\": 18783,\n    \"\\u13d7\\u13e7\\u13ac\\u13a2\": 18784,\n    \"\\u13a6\\u13c5\\u13d7\\u13f1\": 18785,\n    \"\\u2581\\u13e3\\u13d3\\u13d9\\u13b5\\u13cd\": 18786,\n    \"\\u2581\\u13a0\\u13d2\\u13c2\\u13ae\": 18787,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13d3\\u13f1\": 18788,\n    \"\\u13da\\u13b8\\u13b2\\u13a9\": 18789,\n    \"\\u2581\\u13d5\\u13a8\\u13a6\\u13ec\": 18790,\n    \"\\u2581\\u13e3\\u13d9\\u13b4\\u13b0\\u13af\\u13cd\": 18791,\n    \"\\u13cd\\u13d8\\u13f0\\u13ac\": 18792,\n    \"\\u2581\\u13af\\u13df\\u13cf\": 18793,\n    \"\\u13da\\u13d2\\u13c1\\u13a2\": 18794,\n    \"\\u2581\\u13a0\\u13c2\\u13cc\\u13db\\u13a5\\u13cd\": 18795,\n    \"\\u13c4\\u13ea\\u13cd\\u13d7\": 18796,\n    \"\\u13a7\\u13f2\": 18797,\n    \"\\u13ac\\u13e9\\u13d9\\u13e2\": 18798,\n    \"\\u13e9\\u13be\\u13db\\u13c1\\u13d7\": 18799,\n    \"\\u2581\\u13c2\\u13a6\\u13b5\\u13cd\": 18800,\n    \"\\u2581\\u13a3\\u13e5\\u13c1\\u13a2\\u13cd\\u13d7\": 18801,\n    \"\\u13e5\\u13c3\\u13c1\\u13d7\\u13f1\": 18802,\n    \"\\u2581\\u13e5\\u13e8\\u13ef\\u13b5\\u13e5\\u13d9\\u13c1\": 18803,\n    \"\\u2581\\u13da\\u13cd\\u13d5\\u13b8\": 18804,\n    \"\\u13c5\\u13e9\\u13cd\\u13db\\u13c9\": 18805,\n    \"\\u2581\\u13a6\\u13e5\\u13f2\\u13a2\\u13f3\\u13d3\\u13c1\": 18806,\n    \"\\u2581\\u13a8\\u13e5\\u13d0\\u13c5\": 18807,\n    \"\\u2581\\u13a1\\u13e5\\u13b7\\u13e5\": 18808,\n    \"\\u13b5\\u13e4\\u13d7\\u13f1\": 18809,\n    \"\\u13f0\\u13ce\\u13a2\": 18810,\n    \"\\u13e2\\u13d4\\u13cd\\u13d7\": 18811,\n    \"\\u13e3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d3\": 18812,\n    \"\\u2581\\u13a0\\u13c2\\u13a9\\u13b5\\u13f2\\u13e5\\u13d9\": 18813,\n    \"\\u13c1\\u13a2\\u13cd\\u13d3\\u13cf\": 18814,\n    \"\\u2581\\u13a3\\u13e3\\u13b4\\u13c2\": 18815,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d6\": 18816,\n    \"\\u13a9\\u13d0\\u13e2\\u13a2\\u13cd\\u13d9\\u13d7\\u13f1\": 18817,\n    \"\\u2581\\u13a0\\u13c2\\u13cc\\u13c6\\u13b4\": 18818,\n    \"\\u13b6\\u13c4\\u13a1\": 18819,\n    \"\\u2581\\u13ad\\u13b4\\u13c2\\u13d9\": 18820,\n    \"\\u13d0\\u13c5\\u13f0\\u13b5\": 18821,\n    \"\\u2581\\u13a4\\u13e3\\u13b3\": 18822,\n    \"\\u13b8\\u13c9\\u13d7\\u13cd\\u13aa\": 18823,\n    \"\\u2581\\u13c4\\u13be\\u13b5\\u13cd\\u13d3\\u13c1\": 18824,\n    \"\\u2581\\u13e5\\u13d4\\u13f2\\u13ce\": 18825,\n    \"\\u2581\\u13a0\\u13c6\\u13d5\\u13b0\": 18826,\n    \"\\u13cd\\u13a6\\u13c5\\u13e4\\u13b8\": 18827,\n    \"\\u13d3\\u13e3\\u13b5\\u13cd\\u13d4\\u13c2\": 18828,\n    \"\\u2581\\u13d3\\u13c2\\u13a6\\u13d4\\u13b2\\u13cd\": 18829,\n    \"\\u13cd\\u13ab\\u13d5\\u13d2\\u13a9\": 18830,\n    \"\\u2581\\u13c2\\u13d3\\u13be\\u13db\": 18831,\n    \"\\u13f3\\u13d6\\u13cd\": 18832,\n    \"\\u13b2\\u13cd\": 18833,\n    \"\\u13e3\\u13d3\\u13c1\\u13ae\\u13cd\\u13d7\": 18834,\n    \"\\u2581\\u13f1\\u13d3\\u13a7\\u13bf\\u13e9\\u13d5\": 18835,\n    \"\\u2581\\u13d7\\u13e5\\u13da\": 18836,\n    \"\\u13a4\\u13a8\\u13f3\\u13ad\": 18837,\n    \"\\u13d1\\u13f4\\u13a5\\u13cd\": 18838,\n    \"\\u13c4\\u13aa\\u13e8\\u13ad\": 18839,\n    \"\\u2581\\u13d5\\u13a6\\u13ab\": 18840,\n    \"\\u2581\\u13cd\\u13a9\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\": 18841,\n    \"\\u13ec\\u13c2\\u13cd\\u13a9\": 18842,\n    \"\\u13b3\\u13d7\\u13cd\\u13db\": 18843,\n    \"\\u13e5\\u13f1\\u13b5\\u13d9\": 18844,\n    \"\\u13c1\\u13a2\\u13cd\\u13d9\\u13d7\\u13f1\": 18845,\n    \"\\u13b5\\u13cc\\u13b3\\u13d7\": 18846,\n    \"\\u13cd\\u13a6\\u13c5\\u13a6\": 18847,\n    \"\\u13a6\\u13b5\\u13cd\\u13d9\\u13d3\": 18848,\n    \"\\u13c2\\u13ad\\u13b7\\u13a9\\u13cd\": 18849,\n    \"\\u2581\\u13a0\\u13c7\\u13d9\": 18850,\n    \"\\u13aa\\u13b2\\u13cd\\u13d3\": 18851,\n    \"\\u2581\\u13a2\\u13e5\\u13be\\u13f0\": 18852,\n    \"\\u2581\\u13da\\u13a8\\u13af\\u13d9\": 18853,\n    \"\\u13be\\u13c2\\u13cd\\u13ac\": 18854,\n    \"\\u13a0\\u13cf\\u13b3\\u13db\": 18855,\n    \"\\u2581\\u13d8\\u13c2\\u13e3\": 18856,\n    \"\\u2581\\u13da\\u13be\\u13d7\\u13e9\": 18857,\n    \"\\u13ef\\u13cd\\u13d4\\u13c1\": 18858,\n    \"\\u13a0\\u13c2\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 18859,\n    \"\\u13e5\\u13a6\\u13d4\\u13b0\": 18860,\n    \"\\u2581\\u13a5\\u13aa\\u13a9\\u13d4\\u13f2\\u13ce\": 18861,\n    \"\\u13be\\u13db\\u13db\\u13c1\\u13a2\": 18862,\n    \"\\u13c9\\u13cc\": 18863,\n    \"\\u13c2\\u13ef\\u13a1\\u13a2\": 18864,\n    \"\\u13bf\\u13b8\\u13d2\\u13a2\": 18865,\n    \"\\u2581\\u13a4\\u13c2\\u13a7\\u13b5\\u13a2\\u13cd\": 18866,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b5\": 18867,\n    \"\\u2581\\u13e9\\u13a9\\u13cd\": 18868,\n    \"\\u13db\\u13cd\\u13c6\\u13b8\\u13af\": 18869,\n    \"\\u13e4\\u13d9\\u13b8\\u13af\": 18870,\n    \"\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\\u13c1\\u13b4\": 18871,\n    \"\\u2581\\u13a6\\u13e5\\u13cd\\u13d5\\u13b8\": 18872,\n    \"\\u13e5\\u13a6\\u13d4\\u13b2\\u13a2\": 18873,\n    \"\\u2581\\u13a4\\u13c2\\u13b6\\u13c4\\u13ae\": 18874,\n    \"\\u2581\\u13e7\\u13be\\u13db\\u13af\\u13cd\": 18875,\n    \"\\u2581\\u13eb\\u13d3\\u13be\\u13d3\": 18876,\n    \"\\u2581\\u13e5\\u13da\\u13f2\": 18877,\n    \"\\u13da\\u13ce\\u13aa\\u13a9\\u13ce\": 18878,\n    \"\\u2581\\u13f1\\u13aa\\u13ea\": 18879,\n    \"\\u2581\\u13a6\\u13b5\\u13ec\": 18880,\n    \"\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\\u13a9\": 18881,\n    \"\\u13e5\\u13c2\\u13f4\": 18882,\n    \"\\u13ce\\u13aa\\u13a9\\u13cf\": 18883,\n    \"\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\\u13b4\": 18884,\n    \"\\u13d7\\u13b7\\u13e8\": 18885,\n    \"\\u13da\\u13aa\\u13d4\\u13c5\": 18886,\n    \"\\u13e3\\u13b5\\u13c2\\u13a9\\u13d7\\u13f3\": 18887,\n    \"\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\\u13a2\": 18888,\n    \"\\u13ea\\u13ce\\u13b8\": 18889,\n    \"\\u13d9\\u13af\\u13f3\\u13c5\\u13a9\": 18890,\n    \"\\u13e3\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13db\": 18891,\n    \"\\u2581\\u13da\\u13e9\\u13cd\\u13a6\": 18892,\n    \"\\u13d8\\u13c3\\u13b4\\u13a2\": 18893,\n    \"\\u2581\\u13ac\\u13e9\\u13cd\\u13c6\\u13c2\\u13aa\\u13d9\\u13d7\": 18894,\n    \"\\u13cd\\u13d3\\u13db\\u13c1\\u13b8\": 18895,\n    \"\\u2581\\u13cd\\u13a9\\u13f0\\u13b8\": 18896,\n    \"\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13be\": 18897,\n    \"\\u13e9\\u13d5\\u13a6\": 18898,\n    \"\\u13d5\\u13ef\\u13d9\": 18899,\n    \"\\u13cc\\u13d9\\u13f1\\u13cd\": 18900,\n    \"\\u2581\\u13eb\\u13a6\\u13d3\\u13d9\\u13b5\\u13cd\": 18901,\n    \"\\u13b5\\u13ec\\u13e5\\u13d5\\u13be\": 18902,\n    \"to\": 18903,\n    \"\\u2581\\u13f1\\u13a6\\u13d4\\u13ae\": 18904,\n    \"\\u13e5\\u13b3\\u13c5\\u13d3\\u13d5\": 18905,\n    \"\\u13ef\\u13f4\\u13ad\": 18906,\n    \"\\u13d3\\u13d4\\u13b6\\u13d2\": 18907,\n    \"\\u2581\\u13e3\\u13a6\\u13b8\\u13cd\": 18908,\n    \"\\u13e5\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d9\\u13d7\\u13f1\": 18909,\n    \"\\u2581\\u13f3\\u13be\\u13d5\": 18910,\n    \"en\": 18911,\n    \"\\u13b8\\u13c9\\u13d7\\u13cd\\u13ac\": 18912,\n    \"\\u2581\\u13eb\\u13d7\\u13b7\": 18913,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13aa\\u13c2\": 18914,\n    \"\\u2581\\u13a4\\u13df\\u13eb\\u13db\": 18915,\n    \"\\u13b5\\u13aa\\u13c1\\u13b4\": 18916,\n    \"\\u13a6\\u13d8\\u13d7\\u13cd\\u13d3\\u13c1\\u13b8\": 18917,\n    \"\\u13b6\\u13d5\\u13cd\\u13d7\": 18918,\n    \"\\u13df\\u13cc\\u13c5\\u13af\": 18919,\n    \"\\u2581\\u13c2\\u13da\\u13ed\\u13aa\\u13d4\": 18920,\n    \"\\u2581\\u13a6\\u13c1\\u13df\\u13f4\\u13cd\": 18921,\n    \"\\u2581\\u13ef\\u13d3\\u13c1\": 18922,\n    \"\\u2581\\u13a4\\u13cc\\u13b5\\u13d3\": 18923,\n    \"\\u2581\\u13e5\\u13e5\\u13b7\": 18924,\n    \"\\u2581\\u13e3\\u13b8\\u13c9\": 18925,\n    \"\\u13a6\\u13da\\u13b2\": 18926,\n    \"\\u13b6\\u13cd\\u13a8\": 18927,\n    \"\\u2581\\u13a2\\u13d3\\u13d3\\u13c1\": 18928,\n    \"\\u13e5\\u13cd\\u13c8\\u13cd\": 18929,\n    \"\\u13d5\\u13b6\\u13b0\\u13d2\": 18930,\n    \"\\u2581\\u13d3\\u13d3\\u13c5\": 18931,\n    \"\\u13a6\\u13b4\\u13d9\\u13d7\": 18932,\n    \"\\u13a6\\u13d4\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 18933,\n    \"\\u13d3\\u13c5\\u13d6\\u13b5\\u13d9\\u13b2\\u13a2\": 18934,\n    \"\\u2581\\u13e5\\u13c2\\u13c6\\u13d8\": 18935,\n    \"\\u2581\\u13a4\\u13c2\\u13b8\\u13c9\\u13d9\": 18936,\n    \"\\u13d2\\u13cd\\u13d7\\u13cd\\u13ac\": 18937,\n    \"\\u2581\\u13a0\\u13b5\\u13cd\\u13c6\": 18938,\n    \"\\u13cd\\u13a6\\u13b8\\u13a6\": 18939,\n    \"\\u13df\\u13c3\\u13ae\\u13d4\\u13c5\": 18940,\n    \"\\u2581\\u13a0\\u13c2\\u13be\\u13f0\\u13cd\\u13a8\": 18941,\n    \"\\u13a3\\u13af\\u13cd\\u13d7\": 18942,\n    \"\\u13da\\u13cf\\u13d4\\u13d5\\u13a2\": 18943,\n    \"\\u2581\\u13e5\\u13d5\\u13a6\\u13d5\\u13f2\": 18944,\n    \"\\u13c2\\u13b7\\u13c6\\u13d7\\u13c5\": 18945,\n    \"\\u13ef\\u13cf\\u13d4\\u13db\": 18946,\n    \"\\u2581\\u13f1\\u13e3\\u13db\\u13a6\\u13c1\": 18947,\n    \"\\u13e0\\u13b0\": 18948,\n    \"\\u13da\\u13a9\\u13cd\\u13d7\\u13f1\": 18949,\n    \"\\u2581\\u13da\\u13e9\\u13c2\": 18950,\n    \"\\u13e5\\u13b7\\u13a6\": 18951,\n    \"\\u13c6\\u13c2\\u13f2\\u13cd\\u13d7\": 18952,\n    \"\\u2581\\u13f3\\u13b7\\u13e5\": 18953,\n    \"\\u2581\\u13d5\\u13e5\\u13b8\\u13eb\\u13cd\\u13d3\": 18954,\n    \"\\u13a6\\u13d8\\u13b4\\u13ac\": 18955,\n    \"\\u2581\\u13e5\\u13c2\\u13ea\": 18956,\n    \"\\u13da\\u13ef\\u13d9\\u13ae\\u13b8\": 18957,\n    \"\\u13d3\\u13c3\\u13f4\\u13b5\\u13cd\\u13db\": 18958,\n    \"\\u2581\\u13a8\\u13e5\\u13c3\\u13ae\": 18959,\n    \"\\u13d3\\u13c2\\u13b8\\u13aa\": 18960,\n    \"\\u13e5\\u13f3\\u13aa\\u13d3\\u13c1\\u13b0\\u13a2\": 18961,\n    \"\\u13cd\\u13a9\\u13f0\\u13b3\": 18962,\n    \"\\u13d5\\u13b6\\u13c6\": 18963,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13c6\\u13d7\\u13cd\": 18964,\n    \"\\u13e5\\u13ef\\u13da\\u13d3\\u13b3\": 18965,\n    \"\\u2581\\u13a0\\u13c6\\u13d5\\u13b6\\u13c6\": 18966,\n    \"\\u13a6\\u13d8\\u13c5\\u13cd\\u13d7\": 18967,\n    \"\\u13d9\\u13b4\\u13b0\\u13af\": 18968,\n    \"\\u2581\\u13c5\\u13d7\\u13a6\\u13b5\": 18969,\n    \"\\u13d3\\u13c4\\u13f4\\u13db\": 18970,\n    \"\\u13a9\\u13c5\\u13d2\\u13af\": 18971,\n    \"\\u2581\\u13a6\\u13c5\\u13d3\\u13d7\": 18972,\n    \"\\u13d3\\u13a6\\u13d3\\u13c2\\u13b8\\u13aa\": 18973,\n    \"\\u13c2\\u13c1\\u13a6\\u13b8\": 18974,\n    \"\\u13a6\\u13d0\\u13a0\\u13d2\": 18975,\n    \"\\u13a6\\u13cc\\u13ef\\u13cd\\u13d4\\u13c5\": 18976,\n    \"\\u2581\\u13d3\\u13a6\\u13b8\\u13cd\": 18977,\n    \"\\u2581\\u13a0\\u13c6\\u13db\\u13aa\": 18978,\n    \"\\u13e0\\u13af\\u13cd\\u13d4\\u13c5\": 18979,\n    \"\\u13ec\\u13c1\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 18980,\n    \"\\u2581\\u13d3\\u13a6\\u13e5\\u13c1\": 18981,\n    \"\\u13c5\\u13e4\": 18982,\n    \"\\u13c2\\u13a8\\u13e8\\u13bf\\u13d5\": 18983,\n    \"\\u13cd\\u13db\\u13d7\\u13cd\\u13d9\\u13d7\": 18984,\n    \"\\u13c4\\u13aa\\u13eb\\u13cd\\u13d7\": 18985,\n    \"\\u2581\\u13f1\\u13d5\\u13e5\": 18986,\n    \"\\u2581\\u13ac\\u13e9\\u13d4\\u13f2\\u13ce\": 18987,\n    \"\\u13b5\\u13e6\\u13d4\\u13c5\\u13a9\": 18988,\n    \"\\u2581\\u13e3\\u13a6\\u13d3\\u13c2\\u13b8\": 18989,\n    \"\\u2581\\u13f1\\u13a6\\u13b5\\u13cd\": 18990,\n    \"\\u2581\\u13f1\\u13c4\\u13c5\": 18991,\n    \"\\u13e4\\u13d7\\u13f1\": 18992,\n    \"\\u13cd\\u13d3\\u13e9\\u13d9\\u13b8\\u13af\": 18993,\n    \"\\u2581\\u13d3\\u13e3\\u13d3\\u13c5\": 18994,\n    \"\\u13d5\\u13e6\\u13c1\": 18995,\n    \"\\u13d6\\u13b3\\u13d7\\u13cd\\u13d7\": 18996,\n    \"\\u2581\\u13a5\\u13a8\\u13e5\": 18997,\n    \"\\u13c2\\u13ef\\u13a5\\u13a2\": 18998,\n    \"\\u13ad\\u13c4\\u13ee\": 18999,\n    \"\\u2581\\u13b2\\u13f2\": 19000,\n    \"\\u13db\\u13d4\\u13c2\\u13b8\": 19001,\n    \"\\u13a7\\u13bf\\u13e9\\u13d5\\u13ac\": 19002,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\\u13d4\": 19003,\n    \"\\u2581\\u13a2\\u13d7\\u13e9\\u13db\": 19004,\n    \"\\u13f0\\u13b6\\u13b8\": 19005,\n    \"\\u13e5\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13cd\\u13a9\": 19006,\n    \"\\u2581\\u13f1\\u13a6\\u13b7\\u13e4\": 19007,\n    \"\\u13be\\u13db\\u13c1\\u13a2\": 19008,\n    \"\\u13ac\\u13da\\u13a2\\u13cd\\u13d3\": 19009,\n    \"\\u13d4\\u13db\\u13a6\": 19010,\n    \"\\u13be\\u13af\\u13f3\": 19011,\n    \"\\u13e4\\u13b8\\u13cd\\u13a9\": 19012,\n    \"\\u13e3\\u13aa\\u13e9\\u13db\\u13d7\": 19013,\n    \"\\u2581\\u13a2\\u13e8\\u13ef\\u13a6\\u13d4\": 19014,\n    \"\\u2581\\u13a0\\u13c2\\u13b3\\u13a8\": 19015,\n    \"\\u13e3\\u13aa\\u13b3\": 19016,\n    \"\\u13a2\\u13d0\\u13c3\": 19017,\n    \"\\u13b5\\u13e5\\u13d9\\u13c1\": 19018,\n    \"\\u13d7\\u13e5\\u13cd\\u13d5\\u13b8\\u13d7\": 19019,\n    \"\\u13d3\\u13b4\\u13b2\\u13cd\\u13aa\\u13a2\": 19020,\n    \"\\u13d3\\u13f4\\u13b3\\u13d4\": 19021,\n    \"\\u2581\\u13a4\\u13c1\\u13e2\\u13d4\\u13c5\": 19022,\n    \"\\u13da\\u13d3\\u13b4\\u13cd\\u13d7\": 19023,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c1\": 19024,\n    \"\\u13e3\\u13db\\u13bf\\u13d7\": 19025,\n    \"\\u13b4\\u13c5\\u13d9\\u13d7\": 19026,\n    \"\\u13d5\\u13a8\\u13a6\\u13b8\\u13a5\": 19027,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\\u13f1\": 19028,\n    \"\\u2581\\u13a4\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\": 19029,\n    \"\\u13b5\\u13aa\\u13c1\\u13d7\\u13f1\": 19030,\n    \"\\u2581\\u13d5\\u13ab\\u13aa\\u13d3\": 19031,\n    \"\\u13c3\\u13af\\u13f3\\u13c5\": 19032,\n    \"\\u2581\\u13da\\u13c2\\u13ef\\u13b8\": 19033,\n    \"\\u2581\\u13e3\\u13a7\\u13b5\\u13e8\": 19034,\n    \"\\u13b8\\u13c9\\u13d4\\u13c5\": 19035,\n    \"\\u13cd\\u13d3\\u13e9\\u13d7\\u13d9\\u13ae\": 19036,\n    \"\\u13b5\\u13d4\\u13d7\": 19037,\n    \"\\u13ab\\u13f4\\u13d3\\u13cf\": 19038,\n    \"\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\": 19039,\n    \"\\u13af\\u13cc\\u13b9\": 19040,\n    \"\\u2581\\u13a0\\u13d3\\u13b8\\u13c9\\u13d7\": 19041,\n    \"\\u13d9\\u13b5\\u13e5\": 19042,\n    \"\\u2581\\u13da\\u13c2\\u13e9\\u13db\": 19043,\n    \"\\u13a4\\u13c4\\u13aa\\u13e4\\u13c3\": 19044,\n    \"\\u2581\\u13a4\\u13c2\\u13be\\u13b7\": 19045,\n    \"\\u2581\\u13cd\\u13a9\\u13c1\\u13a2\\u13cd\": 19046,\n    \"\\u2581\\u13a3\\u13e5\\u13d4\\u13f2\\u13af\": 19047,\n    \"\\u13cd\\u13ac\\u13d3\\u13a8\": 19048,\n    \"\\u13b5\\u13aa\\u13c1\\u13b8\": 19049,\n    \"\\u13cd\\u13d4\\u13f4\\u13b2\\u13cd\\u13a9\": 19050,\n    \"\\u2581\\u13a7\\u13c1\\u13e4\": 19051,\n    \"\\u2581\\u13da\\u13a8\\u13e9\": 19052,\n    \"\\u2581\\u13f1\\u13c2\\u13f4\": 19053,\n    \"\\u13cd\\u13da\\u13d7\\u13f1\": 19054,\n    \"\\u13e0\\u13f1\\u13ae\\u13cd\\u13d7\": 19055,\n    \"\\u2581\\u13e5\\u13be\\u13cc\": 19056,\n    \"\\u2581\\u13d7\\u13d3\\u13b4\\u13b2\\u13cd\": 19057,\n    \"\\u13b7\\u13ac\\u13d2\": 19058,\n    \"\\u13f3\\u13eb\\u13ef\": 19059,\n    \"\\u2581\\u13ad\\u13d7\\u13d4\\u13cd\": 19060,\n    \"\\u2581\\u13a0\\u13cd\\u13c6\\u13c2\\u13aa\": 19061,\n    \"\\u2581\\u13da\\u13e0\": 19062,\n    \"\\u13af\\u13d9\\u13b8\\u13a2\": 19063,\n    \"\\u13b3\\u13eb\\u13a2\\u13cd\\u13d7\\u13f1\": 19064,\n    \"\\u13cc\\u13d9\\u13f4\": 19065,\n    \"\\u13cf\\u13b3\\u13db\\u13a5\\u13a6\": 19066,\n    \"\\u2581\\u13e5\\u13a6\\u13d6\\u13c3\": 19067,\n    \"\\u2581\\u13cd\\u13a9\\u13aa\\u13e9\\u13d8\\u13cd\": 19068,\n    \"\\u13d9\\u13a9\\u13ef\\u13cd\": 19069,\n    \"\\u2581\\u13d8\\u13a7\\u13bf\\u13e9\": 19070,\n    \"\\u2581\\u13a8\\u13cd\\u13a9\\u13d0\\u13e2\": 19071,\n    \"\\u2581\\u13a2\\u13e3\\u13da\\u13d3\": 19072,\n    \"\\u13c2\\u13b3\\u13a8\\u13f4\\u13a2\": 19073,\n    \"\\u2581\\u13f1\\u13d9\\u13a8\\u13e3\": 19074,\n    \"\\u2581\\u13d7\\u13e5\\u13a7\\u13bf\\u13e9\": 19075,\n    \"\\u13d7\\u13e4\\u13b5\\u13ce\": 19076,\n    \"\\u13b5\\u13f4\\u13cd\\u13aa\\u13f3\": 19077,\n    \"\\u2581\\u13c2\\u13d3\\u13cd\\u13a6\": 19078,\n    \"\\u13a4\\u13be\\u13e8\\u13ce\\u13a2\": 19079,\n    \"\\u2581\\u13e7\\u13f2\\u13cd\\u13d9\": 19080,\n    \"\\u2581\\u13d5\\u13e5\\u13aa\\u13e9\": 19081,\n    \"\\u13c3\\u13af\\u13f3\\u13b2\\u13cd\\u13aa\": 19082,\n    \"\\u13a6\\u13d3\\u13a2\\u13c5\\u13d2\\u13a9\": 19083,\n    \"\\u2581\\u13d7\\u13cd\\u13c6\\u13c2\\u13aa\": 19084,\n    \"\\u13d9\\u13be\\u13a5\\u13a9\": 19085,\n    \"\\u2581\\u13a2\\u13d7\\u13cd\\u13a6\\u13be\": 19086,\n    \"\\u13d9\\u13e2\\u13d2\": 19087,\n    \"\\u2581\\u13a0\\u13c6\\u13d7\\u13cd\\u13a6\": 19088,\n    \"\\u13db\\u13b4\\u13eb\\u13cd\\u13d4\": 19089,\n    \"\\u2581\\u13e7\\u13c2\\u13f2\\u13af\\u13cd\\u13d7\": 19090,\n    \"\\u13a8\\u13c5\\u13d7\\u13cd\\u13d7\": 19091,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13aa\\u13eb\\u13cd\\u13d7\": 19092,\n    \"\\u13ea\\u13db\\u13e8\": 19093,\n    \"\\u13c2\\u13f4\\u13b8\\u13a9\": 19094,\n    \"\\u2581\\u13a0\\u13c2\\u13be\\u13cf\\u13c2\": 19095,\n    \"\\u13f4\\u13d4\\u13c2\": 19096,\n    \"\\u2581\\u13e5\\u13be\\u13ac\": 19097,\n    \"\\u13cc\\u13b3\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 19098,\n    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19118,\n    \"\\u2581\\u13d3\\u13a6\\u13d9\\u13b4\\u13a3\": 19119,\n    \"\\u2581\\u13a8\\u13a9\\u13c3\\u13ae\": 19120,\n    \"\\u13c3\\u13af\\u13b5\\u13d9\": 19121,\n    \"\\u13d3\\u13b4\\u13b2\\u13cd\\u13ac\\u13a9\": 19122,\n    \"\\u13e0\\u13af\\u13cd\\u13db\": 19123,\n    \"\\u2581\\u13d3\\u13be\\u13e0\": 19124,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13cf\\u13c2\": 19125,\n    \"\\u13cf\\u13be\\u13af\": 19126,\n    \"\\u13ec\\u13ea\\u13b3\": 19127,\n    \"\\u2581\\u13a0\\u13c9\\u13da\": 19128,\n    \"\\u2581\\u13d3\\u13c2\\u13f0\": 19129,\n    \"\\u13ac\\u13e9\\u13b5\\u13d6\\u13b8\": 19130,\n    \"\\u13c2\\u13b3\\u13a8\\u13ef\\u13db\": 19131,\n    \"\\u2581\\u13eb\\u13c2\\u13a6\\u13b5\\u13cd\": 19132,\n    \"\\u13c6\\u13c5\\u13d3\\u13db\": 19133,\n    \"\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\": 19134,\n    \"\\u2581\\u13a2\\u13a9\\u13aa\\u13e9\\u13db\": 19135,\n    \"\\u13da\\u13ec\": 19136,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13f2\": 19137,\n    \"\\u13a4\\u13b6\\u13ce\\u13a2\": 19138,\n    \"\\u13d5\\u13ef\\u13d4\\u13c1\\u13ae\\u13cd\\u13d7\": 19139,\n    \"\\u13c5\\u13d3\\u13d5\": 19140,\n    \"\\u13b7\\u13b8\\u13c1\\u13b4\": 19141,\n    \"\\u13e5\\u13b7\\u13e5\\u13cf\": 19142,\n    \"\\u2581\\u13ed\\u13c3\\u13ae\": 19143,\n    \"\\u2581\\u13a4\\u13c3\\u13c1\\u13d7\": 19144,\n    \"\\u2581\\u13a2\\u13a6\\u13da\\u13b8\": 19145,\n    \"\\u2581\\u13d7\\u13cd\\u13c6\\u13d3\\u13c2\\u13b8\": 19146,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13b5\\u13cd\": 19147,\n    \"\\u13ef\\u13d9\\u13af\\u13b2\": 19148,\n    \"ar\": 19149,\n    \"\\u13aa\\u13b3\\u13d7\\u13f4\": 19150,\n    \"os\": 19151,\n    \"\\u2581\\u13d3\\u13a6\\u13be\\u13ec\\u13cd\": 19152,\n    \"\\u13df\\u13d0\\u13d7\": 19153,\n    \"\\u13a7\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\": 19154,\n    \"\\u13a4\\u13d9\\u13af\\u13f3\\u13af\\u13cd\\u13aa\": 19155,\n    \"\\u13c1\\u13c9\\u13e4\": 19156,\n    \"\\u13be\\u13d9\\u13b3\\u13cd\\u13d7\\u13cd\": 19157,\n    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19231,\n    \"\\u2581\\u13a2\\u13ac\\u13c6\": 19232,\n    \"\\u13ce\\u13aa\\u13a9\\u13ce\": 19233,\n    \"\\u13b5\\u13d9\\u13a9\\u13ef\\u13cd\": 19234,\n    \"\\u2581\\u13c1\\u13ea\\u13ce\": 19235,\n    \"\\u2581\\u13ed\\u13c2\\u13cc\\u13d9\": 19236,\n    \"\\u2581\\u13f3\\u13c2\\u13c6\\u13d8\": 19237,\n    \"\\u2581\\u13a6\\u13e5\\u13ef\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\": 19238,\n    \"\\u13a4\\u13b4\\u13c5\": 19239,\n    \"\\u13db\\u13d7\\u13d5\\u13a8\": 19240,\n    \"\\u2581\\u13ac\\u13e9\\u13b7\\u13e4\": 19241,\n    \"\\u13be\\u13b5\\u13d4\\u13d7\\u13c5\": 19242,\n    \"\\u13be\\u13da\\u13aa\\u13d3\\u13c1\\u13d7\": 19243,\n    \"\\u2581\\u13e5\\u13a6\\u13c2\\u13f1\\u13cd\": 19244,\n    \"\\u2581\\u13a0\\u13c1\\u13b8\\u13d7\\u13cd\": 19245,\n    \"\\u13cd\\u13c6\\u13c2\\u13aa\\u13cd\\u13a8\\u13a2\": 19246,\n    \"\\u13be\\u13b5\\u13cd\\u13d3\\u13c1\\u13af\": 19247,\n    \"\\u13ab\\u13aa\\u13d3\": 19248,\n    \"\\u2581\\u13ed\\u13ea\\u13a7\": 19249,\n    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\"\\u13a4\\u13c2\\u13a9\\u13db\": 19269,\n    \"\\u2581\\u13ab\\u13e9\\u13be\\u13d3\": 19270,\n    \"\\u13ce\\u13b5\\u13d9\\u13ae\": 19271,\n    \"\\u13d7\\u13a7\\u13c1\\u13e4\": 19272,\n    \"\\u13b5\\u13d8\\u13a1\": 19273,\n    \"\\u13b6\\u13d4\\u13c2\": 19274,\n    \"\\u13e5\\u13b6\\u13c1\\u13a5\": 19275,\n    \"\\u13d7\\u13e9\\u13cd\\u13ac\": 19276,\n    \"\\u2581\\u13ac\\u13e9\\u13d8\\u13bf\\u13eb\\u13db\": 19277,\n    \"\\u2581\\u13da\\u13d4\\u13b7\\u13a9\": 19278,\n    \"\\u13c2\\u13c6\\u13d8\\u13b4\\u13a2\": 19279,\n    \"\\u2581\\u13ed\\u13c2\\u13cd\\u13c6\": 19280,\n    \"\\u13cd\\u13d5\\u13b5\\u13cd\\u13a8\": 19281,\n    \"\\u2581\\u13a4\\u13be\\u13d5\\u13ef\": 19282,\n    \"\\u13b5\\u13ae\\u13b5\\u13cd\\u13d7\": 19283,\n    \"\\u13ef\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\": 19284,\n    \"\\u2581\\u13e5\\u13a6\\u13d9\\u13a5\\u13af\\u13cd\\u13d7\": 19285,\n    \"\\u13d5\\u13e3\\u13d3\": 19286,\n    \"\\u13cd\\u13ab\\u13d3\\u13db\": 19287,\n    \"\\u2581\\u13ee\\u13d3\\u13e3\\u13d8\": 19288,\n    \"\\u2581\\u13a2\\u13cd\\u13d3\\u13d3\\u13c5\": 19289,\n    \"\\u13c2\\u13e3\\u13cd\\u13db\\u13be\": 19290,\n    \"\\u2581\\u13e7\\u13ef\\u13ea\": 19291,\n    \"\\u2581\\u13d9\\u13d3\\u13a8\\u13e5\": 19292,\n    \"\\u2581\\u13cd\\u13c6\\u13ab\\u13f4\": 19293,\n    \"\\u13ac\\u13e9\\u13b6\": 19294,\n    \"\\u13aa\\u13d3\\u13c1\\u13b8\": 19295,\n    \"\\u2581\\u13d3\\u13f3\\u13be\\u13c2\\u13a9\": 19296,\n    \"\\u2581\\u13e3\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d7\": 19297,\n    \"\\u13b5\\u13c3\\u13ae\\u13d9\\u13d7\": 19298,\n    \"\\u13a9\\u13ef\\u13db\\u13c1\\u13b4\": 19299,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13cd\": 19300,\n    \"\\u2581\\u13a9\\u13c4\": 19301,\n    \"\\u2581\\u13da\\u13be\\u13da\\u13d3\": 19302,\n    \"\\u13d3\\u13ec\\u13cd\": 19303,\n    \"\\u2581\\u13e7\\u13d2\\u13a6\": 19304,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13aa\\u13b8\": 19305,\n    \"\\u13b5\\u13e5\\u13c6\": 19306,\n    \"\\u2581\\u13a0\\u13f2\\u13af\\u13cd\\u13d7\\u13cd\": 19307,\n    \"\\u13e3\\u13d8\\u13c3\\u13a6\": 19308,\n    \"\\u2581\\u13a8\\u13a6\\u13d3\\u13c5\\u13d6\": 19309,\n    \"\\u13d4\\u13e9\\u13d5\\u13a9\": 19310,\n    \"\\u13aa\\u13d3\\u13c1\\u13ad\": 19311,\n    \"\\u13d1\\u13a6\\u13e2\": 19312,\n    \"\\u13c4\\u13aa\\u13eb\\u13cd\\u13aa\\u13a2\": 19313,\n    \"\\u13f0\\u13b8\\u13cd\\u13a8\\u13cd\\u13d7\": 19314,\n    \"\\u13ef\\u13b8\\u13c5\": 19315,\n    \"\\u13f4\\u13af\\u13b0\\u13a2\": 19316,\n    \"\\u13dd\\u13cd\\u13a8\": 19317,\n    \"\\u13b4\\u13f4\\u13d9\\u13d7\": 19318,\n    \"\\u13e3\\u13d7\\u13d4\\u13af\": 19319,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13d4\": 19320,\n    \"\\u2581\\u13d7\\u13e3\\u13d3\\u13d9\\u13e2\\u13be\\u13c1\": 19321,\n    \"\\u2581\\u13e3\\u13c1\\u13e2\\u13d4\\u13c5\": 19322,\n    \"\\u13e5\\u13ea\\u13cd\\u13d7\": 19323,\n    \"\\u13aa\\u13e9\\u13db\\u13d9\": 19324,\n    \"\\u13d3\\u13b4\\u13db\": 19325,\n    \"\\u13d3\\u13be\\u13d3\\u13c2\\u13b8\\u13aa\": 19326,\n    \"\\u13a9\\u13ea\\u13ce\\u13ad\": 19327,\n    \"\\u2581\\u13e5\\u13a6\\u13f4\\u13b5\": 19328,\n    \"\\u13e5\\u13f2\\u13a2\\u13ce\\u13b8\\u13ad\": 19329,\n    \"\\u13b6\\u13d4\\u13c1\": 19330,\n    \"\\u2581\\u13eb\\u13da\\u13c2\\u13f4\": 19331,\n    \"\\u2581\\u13a4\\u13be\\u13a6\\u13d4\\u13c5\": 19332,\n    \"\\u13d5\\u13cb\\u13af\\u13cd\": 19333,\n    \"\\u2581\\u13eb\\u13d5\\u13a8\\u13a6\": 19334,\n    \"\\u2581\\u13d5\\u13a6\\u13c3\\u13f4\": 19335,\n    \"\\u13b1\\u13cd\\u13d5\\u13ce\": 19336,\n    \"\\u2581\\u13d3\\u13dc\\u13cd\": 19337,\n    \"\\u13c2\\u13d5\\u13a6\\u13ea\\u13ce\\u13b0\": 19338,\n    \"\\u13db\\u13a5\\u13a6\": 19339,\n    \"\\u13e9\\u13be\\u13a2\": 19340,\n    \"\\u13b5\\u13cd\\u13d7\\u13cd\\u13a8\": 19341,\n    \"\\u13af\\u13ef\\u13cd\\u13ac\": 19342,\n    \"\\u2581\\u13f4\\u13d7\\u13d3\\u13b4\": 19343,\n    \"\\u13d3\\u13e5\\u13b7\\u13e5\": 19344,\n    \"\\u2581\\u13a4\\u13d4\\u13cd\\u13a9\": 19345,\n    \"\\u2581\\u13da\\u13b7\\u13b8\": 19346,\n    \"\\u2581\\u13ac\\u13a9\\u13a8\\u13f3\\u13af\": 19347,\n    \"\\u13b6\\u13a8\\u13d2\": 19348,\n    \"\\u13c2\\u13cd\\u13ac\": 19349,\n    \"\\u13a4\\u13b8\\u13db\": 19350,\n    \"\\u13f2\\u13cf\\u13cd\\u13a9\": 19351,\n    \"\\u2581\\u13e5\\u13a5\\u13a1\": 19352,\n    \"\\u13c4\\u13aa\\u13eb\\u13cd\\u13a8\\u13a2\": 19353,\n    \"\\u13db\\u13e3\\u13c2\": 19354,\n    \"\\u13d3\\u13c5\\u13a1\\u13b8\\u13a9\": 19355,\n    \"\\u13dc\": 19356,\n    \"\\u2581\\u13a0\\u13ac\\u13d5\": 19357,\n    \"\\u13f2\\u13b0\\u13a2\": 19358,\n    \"\\u13e0\\u13d2\\u13a9\": 19359,\n    \"\\u13a7\\u13c5\\u13d1\\u13b8\\u13a2\": 19360,\n    \"\\u2581\\u13f1\\u13e5\\u13a8\\u13f3\": 19361,\n    \"\\u13d3\\u13c2\\u13b8\\u13e8\": 19362,\n    \"\\u2581\\u13d5\\u13a9\\u13f2\": 19363,\n    \"\\u2581\\u13a4\\u13a8\\u13af\\u13d9\": 19364,\n    \"\\u2581\\u13f1\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\": 19365,\n    \"\\u13c2\\u13a6\\u13d4\\u13b2\\u13cd\\u13a9\": 19366,\n    \"\\u2581\\u13cd\\u13c6\\u13a6\\u13ce\": 19367,\n    \"\\u13c2\\u13d7\\u13cd\\u13d7\\u13f1\": 19368,\n    \"\\u13df\\u13cd\\u13db\\u13a2\": 19369,\n    \"\\u13c5\\u13e9\\u13cd\\u13d9\\u13a2\": 19370,\n    \"\\u13d3\\u13a6\\u13b5\\u13cd\\u13d4\\u13c2\": 19371,\n    \"\\u13ac\\u13e9\\u13d3\": 19372,\n    \"\\u13cd\\u13a6\\u13a2\\u13b2\": 19373,\n    \"\\u2581\\u13c4\\u13a8\\u13f3\": 19374,\n    \"\\u13e3\\u13b5\\u13e5\\u13d9\\u13b2\\u13cd\\u13a6\": 19375,\n    \"\\u13ac\\u13e9\\u13cd\\u13d7\\u13c9\": 19376,\n    \"\\u13ab\\u13f0\": 19377,\n    \"\\u13b5\\u13c2\\u13aa\\u13af\\u13cd\\u13d7\\u13cd\\u13a8\": 19378,\n    \"\\u13cd\\u13a6\\u13cd\\u13d9\\u13d7\\u13cd\\u13a9\": 19379,\n    \"\\u2581\\u13a4\\u13be\\u13e0\": 19380,\n    \"\\u13ea\\u13b5\\u13ce\\u13b4\\u13a2\": 19381,\n    \"\\u2581\\u13e3\\u13d3\\u13a8\\u13f3\": 19382,\n    \"\\u13cd\\u13d3\\u13db\\u13d3\\u13cd\\u13d3\": 19383,\n    \"\\u2581\\u13a4\\u13c2\\u13c5\\u13aa\": 19384,\n    \"\\u2581\\u13f1\\u13ac\\u13e9\\u13be\\u13db\": 19385,\n    \"\\u2581\\u13eb\\u13da\\u13a7\": 19386,\n    \"ti\": 19387,\n    \"\\u2581\\u13e5\\u13e5\\u13c1\\u13e4\": 19388,\n    \"\\u13f2\\u13cc\": 19389,\n    \"\\u2581\\u13a2\\u13f3\\u13be\\u13b5\\u13cd\\u13d4\": 19390,\n    \"ita\": 19391,\n    \"\\u13ea\\u13d9\\u13a5\\u13a6\": 19392,\n    \"\\u13d6\\u13c9\\u13b6\": 19393,\n    \"\\u13b5\\u13aa\\u13c1\\u13af\": 19394,\n    \"\\u13ac\\u13e9\\u13b6\\u13d3\": 19395,\n    \"\\u2581\\u13a2\\u13e3\\u13d7\\u13a6\\u13b4\\u13f2\": 19396,\n    \"\\u13aa\\u13c4\\u13b6\\u13af\\u13cd\\u13d7\": 19397,\n    \"\\u2581\\u13ac\\u13cd\\u13d7\\u13f0\": 19398,\n    \"\\u2581\\u13d3\\u13e8\\u13f0\": 19399,\n    \"\\u13a8\\u13a6\\u13d3\\u13a2\\u13c5\\u13d2\\u13a9\": 19400,\n    \"\\u13ac\\u13a9\\u13aa\\u13b5\\u13f0\\u13a5\": 19401,\n    \"\\u2581\\u13ac\\u13e9\\u13c4\\u13ec\\u13af\\u13cd\": 19402,\n    \"\\u2581\\u13a0\\u13a9\\u13e9\\u13db\": 19403,\n    \"\\u13be\\u13c1\\u13b6\\u13db\\u13a2\": 19404,\n    \"\\u13b5\\u13ac\\u13be\": 19405,\n    \"\\u2581\\u13a6\\u13b5\\u13e5\\u13d9\\u13c2\\u13d9\": 19406,\n    \"\\u2581\\u13d3\\u13c6\\u13d9\": 19407,\n    \"\\u2581\\u13e7\\u13b8\\u13c9\\u13d9\": 19408,\n    \"\\u13d3\\u13b5\\u13c1\\u13af\\u13d5\\u13ae\\u13cd\\u13d7\": 19409,\n    \"\\u13e5\\u13a4\\u13cd\\u13d5\\u13ce\": 19410,\n    \"\\u2581\\u13a2\\u13d3\\u13d3\\u13c5\\u13d6\\u13cd\": 19411,\n    \"\\u13e9\\u13cd\\u13ac\\u13a9\": 19412,\n    \"\\u13ef\\u13d2\\u13a6\\u13b6\\u13d4\": 19413,\n    \"\\u2581\\u13ac\\u13c7\\u13af\\u13cd\\u13d7\": 19414,\n    \"\\u13d4\\u13b3\\u13a7\": 19415,\n    \"\\u13cd\\u13d5\\u13b8\\u13d9\\u13d7\": 19416,\n    \"\\u2581\\u13ef\\u13b5\\u13cd\\u13d3\\u13f4\": 19417,\n    \"\\u2581\\u13e5\\u13e6\\u13af\\u13f3\": 19418,\n    \"\\u13e5\\u13be\\u13f0\\u13cd\\u13a9\": 19419,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13d5\": 19420,\n    \"\\u13be\\u13d7\\u13d4\\u13ae\\u13a2\": 19421,\n    \"\\u13c3\\u13ae\\u13ae\\u13ad\": 19422,\n    \"\\u13be\\u13c2\\u13a9\\u13cd\\u13a8\": 19423,\n    \"\\u2581\\u13eb\\u13c4\\u13c2\\u13ea\": 19424,\n    \"\\u2581\\u13a6\\u13a8\\u13e3\\u13d5\\u13b6\": 19425,\n    \"\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 19426,\n    \"\\u2581\\u13a4\\u13b5\\u13f1\\u13b6\": 19427,\n    \"\\u2581\\u13da\\u13a6\\u13d9\\u13cd\": 19428,\n    \"\\u13cd\\u13a9\\u13cd\\u13d5\\u13b8\\u13a1\\u13b8\": 19429,\n    \"\\u2581\\u13c2\\u13da\\u13f2\": 19430,\n    \"\\u13c1\\u13d3\\u13cd\\u13d7\": 19431,\n    \"\\u13c1\\u13e6\\u13c5\": 19432,\n    \"\\u13d3\\u13e1\\u13e9\\u13cd\\u13d7\\u13d5\": 19433,\n    \"\\u2581\\u13a2\\u13d7\\u13a6\\u13f2\": 19434,\n    \"\\u2581\\u13d7\\u13c2\\u13cd\\u13aa\\u13c2\": 19435,\n    \"\\u2581\\u13f1\\u13da\\u13c2\\u13b6\": 19436,\n    \"\\u2581\\u13a0\\u13c2\\u13ec\\u13c2\\u13cd\\u13a8\\u13cd\": 19437,\n    \"\\u2581\\u13e3\\u13cd\\u13c6\\u13c2\\u13aa\\u13d5\": 19438,\n    \"\\u13d2\\u13c2\\u13cd\\u13d7\": 19439,\n    \"\\u13c2\\u13e3\\u13db\\u13c5\": 19440,\n    \"\\u2581\\u13a4\\u13d1\\u13ef\": 19441,\n    \"\\u2581\\u13da\\u13c4\\u13aa\": 19442,\n    \"\\u13b5\\u13d6\\u13b8\\u13ae\": 19443,\n    \"\\u2581\\u13a1\\u13e5\\u13c3\\u13ae\": 19444,\n    \"\\u13c2\\u13a8\\u13ac\\u13c1\\u13ad\": 19445,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13ce\\u13aa\\u13a9\": 19446,\n    \"\\u2581\\u13e5\\u13c2\\u13e3\\u13db\": 19447,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13cd\\u13da\": 19448,\n    \"\\u2581\\u13a0\\u13be\\u13da\\u13d3\": 19449,\n    \"\\u13c2\\u13e8\\u13db\": 19450,\n    \"\\u2581\\u13a4\\u13c4\\u13aa\\u13eb\\u13d2\": 19451,\n    \"\\u13d3\\u13a9\\u13ef\\u13ea\": 19452,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13cd\\u13a6\\u13cd\\u13d9\": 19453,\n    \"\\u2581\\u13d5\\u13e5\\u13a6\\u13bf\\u13e9\\u13d5\": 19454,\n    \"\\u13d2\\u13cd\\u13d3\\u13c1\\u13b8\": 19455,\n    \"il\": 19456,\n    \"\\u13f2\\u13e8\\u13af\": 19457,\n    \"\\u13c1\\u13b5\\u13d2\": 19458,\n    \"\\u2581\\u13a4\\u13d3\\u13cc\\u13a7\": 19459,\n    \"\\u2581\\u13ef\\u13cd\\u13a6\\u13a2\": 19460,\n    \"\\u13d4\\u13b3\\u13ec\\u13af\\u13cd\": 19461,\n    \"\\u2581\\u13af\\u13cd\\u13d5\\u13b8\": 19462,\n    \"\\u13e9\\u13c1\\u13b5\": 19463,\n    \"\\u13e5\\u13cd\\u13c6\\u13db\": 19464,\n    \"\\u13e3\\u13b5\\u13c3\\u13ae\\u13d7\": 19465,\n    \"\\u2581\\u13d5\\u13e5\\u13cd\\u13da\": 19466,\n    \"\\u13cc\\u13d3\\u13d7\\u13cd\\u13d7\\u13f1\": 19467,\n    \"\\u2581\\u13d7\\u13ac\\u13c6\": 19468,\n    \"\\u2581\\u13e3\\u13db\\u13cd\": 19469,\n    \"\\u2581\\u13a1\\u13e3\\u13e1\": 19470,\n    \"\\u2581\\u13ac\\u13a6\\u13d4\": 19471,\n    \"\\u2581\\u13a4\\u13d5\\u13d4\": 19472,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13db\\u13db\": 19473,\n    \"\\u2581\\u13a4\\u13a6\\u13bf\": 19474,\n    \"\\u13cd\\u13c6\\u13d5\\u13b4\\u13a2\": 19475,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13cd\\u13aa\\u13b8\\u13d4\": 19476,\n    \"\\u13ef\\u13ab\\u13f4\\u13d7\": 19477,\n    \"\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d4\": 19478,\n    \"\\u2581\\u13a0\\u13b5\\u13f1\\u13b6\": 19479,\n    \"\\u13be\\u13d5\\u13b6\\u13c6\\u13cd\": 19480,\n    \"\\u13f2\\u13d3\\u13dd\": 19481,\n    \"\\u2581\\u13a0\\u13be\\u13b5\\u13cd\\u13d5\": 19482,\n    \"\\u2581\\u13f1\\u13d7\\u13e3\\u13d3\\u13c2\\u13b8\": 19483,\n    \"\\u2581\\u13a5\\u13ac\\u13e9\\u13db\": 19484,\n    \"\\u13e5\\u13b6\\u13c4\\u13ae\": 19485,\n    \"\\u2581\\u13a4\\u13aa\\u13c4\\u13b6\": 19486,\n    \"\\u13ef\\u13eb\\u13cd\\u13a9\": 19487,\n    \"\\u2581\\u13a8\\u13e5\\u13cd\\u13db\\u13d7\": 19488,\n    \"\\u13ac\\u13e9\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\": 19489,\n    \"\\u13cd\\u13d3\\u13e9\\u13d5\": 19490,\n    \"\\u2581\\u13d5\\u13e3\\u13d3\\u13f2\": 19491,\n    \"\\u2581\\u13a0\\u13d5\\u13b6\\u13b0\": 19492,\n    \"\\u2581\\u13a2\\u13e3\\u13b5\\u13e9\\u13db\\u13a1\": 19493,\n    \"\\u2581\\u13f3\\u13ed\": 19494,\n    \"\\u2581\\u13c2\\u13d5\\u13a4\\u13e9\": 19495,\n    \"\\u13c5\\u13cd\\u13a8\\u13c2\": 19496,\n    \"\\u2581\\u13a0\\u13a9\\u13f2\\u13cd\\u13d9\\u13d3\": 19497,\n    \"\\u2581\\u13a2\\u13e5\\u13a7\\u13b5\\u13a2\\u13cd\": 19498,\n    \"\\u2581\\u13a2\\u13a9\\u13f4\\u13c1\": 19499,\n    \"\\u13d9\\u13d1\\u13b4\": 19500,\n    \"\\u13c2\\u13f2\\u13b1\\u13af\\u13cd\\u13d7\": 19501,\n    \"\\u2581\\u13da\\u13f2\\u13ae\": 19502,\n    \"\\u2581\\u13f1\\u13d3\\u13be\\u13b5\": 19503,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13b7\\u13e4\": 19504,\n    \"\\u2581\\u13e5\\u13be\\u13cb\": 19505,\n    \"\\u13c1\\u13b0\\u13be\": 19506,\n    \"\\u13e3\\u13d3\\u13c4\\u13f4\\u13d7\": 19507,\n    \"\\u13da\\u13b4\\u13d4\\u13c1\\u13a2\": 19508,\n    \"\\u13be\\u13cf\\u13db\\u13c2\": 19509,\n    \"\\u13ea\\u13d0\\u13e8\": 19510,\n    \"\\u13c6\\u13df\\u13c3\\u13ae\": 19511,\n    \"\\u13d7\\u13a6\\u13f2\\u13e5\\u13c1\": 19512,\n    \"\\u2581\\u13da\\u13e9\\u13c5\": 19513,\n    \"\\u13e8\\u13a8\\u13eb\\u13cd\": 19514,\n    \"\\u13f2\\u13b5\\u13ae\\u13cd\\u13d7\": 19515,\n    \"\\u13c5\\u13a6\\u13b8\\u13d9\\u13d7\\u13f1\": 19516,\n    \"\\u13b4\\u13af\\u13cc\": 19517,\n    \"\\u13d5\\u13af\\u13ae\\u13cd\\u13d7\": 19518,\n    \"\\u13da\\u13d3\\u13d5\\u13eb\": 19519,\n    \"\\u2581\\u13a8\\u13ef\\u13d4\": 19520,\n    \"\\u2581\\u13a0\\u13c1\\u13d9\": 19521,\n    \"\\u13c4\\u13b3\\u13cd\\u13d3\\u13c1\": 19522,\n    \"\\u2581\\u13c4\\u13ab\\u13f4\": 19523,\n    \"\\u13d1\\u13f4\": 19524,\n    \"\\u13d9\\u13af\\u13d7\\u13cd\\u13d7\": 19525,\n    \"\\u2581\\u13e5\\u13c4\\u13ea\": 19526,\n    \"\\u13b5\\u13ae\\u13b5\\u13e4\\u13d7\\u13f1\": 19527,\n    \"\\u13d3\\u13b4\\u13be\": 19528,\n    \"\\u13e5\\u13a4\\u13cd\\u13d5\\u13ce\\u13b4\": 19529,\n    \"\\u13e8\\u13c1\\u13b5\": 19530,\n    \"\\u2581\\u13a2\\u13e5\\u13a7\\u13b5\": 19531,\n    \"\\u2581\\u13d7\\u13cd\\u13d4\\u13f2\": 19532,\n    \"\\u13ec\\u13c1\\u13d7\\u13ad\": 19533,\n    \"\\u13eb\\u13ce\\u13b2\\u13a2\": 19534,\n    \"\\u13da\\u13c2\\u13e9\\u13db\\u13ae\": 19535,\n    \"\\u13b5\\u13ac\\u13da\": 19536,\n    \"\\u13da\\u13d2\\u13c2\\u13b4\": 19537,\n    \"\\u2581\\u13a2\\u13e4\\u13b3\\u13d7\\u13cd\\u13d7\": 19538,\n    \"\\u13d9\\u13b5\\u13cd\\u13d4\\u13c2\": 19539,\n    \"\\u13a6\\u13da\\u13b5\\u13cd\\u13ac\": 19540,\n    \"\\u2581\\u13a2\\u13e5\\u13cd\\u13d3\\u13e9\\u13d7\": 19541,\n    \"\\u2581\\u13e5\\u13be\\u13c2\\u13ea\": 19542,\n    \"\\u13a6\\u13d8\\u13b8\\u13cd\\u13d7\": 19543,\n    \"\\u2581\\u13c5\\u13d3\\u13f3\\u13b5\\u13cd\\u13d9\": 19544,\n    \"\\u13c5\\u13a6\\u13b8\\u13d3\": 19545,\n    \"\\u13cc\\u13d3\\u13db\\u13a9\": 19546,\n    \"\\u2581\\u13a5\\u13c6\\u13d2\\u13a6\\u13b6\": 19547,\n    \"\\u2581\\u13e7\\u13be\\u13d7\\u13d4\\u13cd\": 19548,\n    \"\\u13a6\\u13d1\\u13ef\\u13a9\\u13cd\\u13d7\": 19549,\n    \"\\u2581\\u13a4\\u13d3\\u13c3\\u13f4\\u13b5\": 19550,\n    \"\\u2581\\u13b1\\u13da\": 19551,\n    \"\\u13e8\\u13ef\\u13cd\\u13d7\": 19552,\n    \"\\u13c2\\u13b7\\u13a8\\u13cd\\u13d7\": 19553,\n    \"\\u2581\\u13cd\\u13c6\\u13db\\u13c5\\u13a2\\u13cd\\u13d3\": 19554,\n    \"\\u13e3\\u13b5\\u13cd\\u13aa\\u13b8\\u13d7\\u13cd\\u13ac\\u13a2\": 19555,\n    \"\\u13ec\\u13b5\\u13e4\\u13a2\": 19556,\n    \"\\u13ef\\u13c2\\u13cd\\u13aa\": 19557,\n    \"\\u13a8\\u13e3\\u13b5\\u13cd\\u13da\": 19558,\n    \"\\u13d6\\u13b8\\u13c5\\u13a9\": 19559,\n    \"\\u13c4\\u13ea\\u13ce\\u13b4\\u13a2\": 19560,\n    \"\\u2581\\u13e6\\u13e5\\u13a8\": 19561,\n    \"\\u2581\\u13aa\\u13af\\u13f3\\u13d9\": 19562,\n    \"\\u13cd\\u13d5\\u13d3\\u13b5\\u13f4\\u13cd\\u13ac\": 19563,\n    \"\\u2581\\u13a4\\u13c2\\u13a8\\u13b2\": 19564,\n    \"\\u13c3\\u13af\\u13f4\\u13af\": 19565,\n    \"\\u2581\\u13a0\\u13c2\\u13ac\\u13ad\\u13b7\\u13ef\\u13cd\": 19566,\n    \"\\u13aa\\u13b3\\u13c5\": 19567,\n    \"\\u2581\\u13a4\\u13cd\\u13c6\\u13d9\": 19568,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13c3\\u13ae\": 19569,\n    \"\\u13b3\\u13db\\u13a5\\u13cd\\u13ac\": 19570,\n    \"\\u13f2\\u13b2\\u13a6\": 19571,\n    \"\\u13c8\\u13d7\\u13cd\\u13a9\": 19572,\n    \"\\u13a4\\u13ea\\u13b3\\u13d7\\u13cd\\u13d7\": 19573,\n    \"\\u2581\\u13ed\\u13c5\\u13cd\": 19574,\n    \"\\u13a6\\u13d8\\u13d7\\u13cd\\u13d4\\u13c1\": 19575,\n    \"\\u13f1\\u13b5\\u13d9\\u13b2\": 19576,\n    \"\\u13d0\\u13c8\\u13b8\\u13a6\": 19577,\n    \"\\u13da\\u13c2\\u13b0\\u13c1\": 19578,\n    \"\\u13a8\\u13a6\\u13d7\": 19579,\n    \"\\u13e5\\u13c3\\u13c1\\u13ad\": 19580,\n    \"\\u2581\\u13a2\\u13cd\\u13d7\\u13f4\": 19581,\n    \"\\u2581\\u13e3\\u13be\\u13c4\\u13aa\\u13eb\\u13ce\": 19582,\n    \"\\u13c6\\u13b5\\u13cd\\u13d3\\u13c1\": 19583,\n    \"\\u2581\\u13c2\\u13e3\\u13da\\u13b5\": 19584,\n    \"\\u2581\\u13eb\\u13ac\\u13ea\\u13a7\": 19585,\n    \"\\u2581\\u13e5\\u13ef\\u13da\\u13b8\\u13a1\": 19586,\n    \"\\u2581\\u13f1\\u13e9\\u13c2\": 19587,\n    \"\\u2581\\u13a4\\u13d3\\u13d3\\u13b4\\u13d4\": 19588,\n    \"\\u2581\\u13a4\\u13c3\\u13e3\": 19589,\n    \"\\u2581\\u13a4\\u13b6\\u13c4\\u13ae\": 19590,\n    \"\\u13a6\\u13e0\\u13ef\\u13cd\\u13d7\": 19591,\n    \"\\u2581\\u13a4\\u13b5\\u13aa\\u13be\": 19592,\n    \"\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\\u13cd\\u13a9\": 19593,\n    \"\\u2581\\u13ac\\u13ef\\u13ab\\u13f4\": 19594,\n    \"\\u13a6\\u13d9\\u13a0\\u13cd\\u13aa\": 19595,\n    \"\\u2581\\u13d3\\u13e9\\u13db\\u13af\": 19596,\n    \"\\u2581\\u13d3\\u13cd\\u13a9\\u13c5\": 19597,\n    \"\\u13c3\\u13df\\u13cd\": 19598,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13be\\u13c1\\u13b6\": 19599,\n    \"\\u2581\\u13ac\\u13a9\\u13a6\\u13d4\": 19600,\n    \"\\u2581\\u13a8\\u13e5\\u13cc\\u13b3\": 19601,\n    \"\\u13c2\\u13cf\\u13c2\\u13d9\\u13b8\\u13a2\": 19602,\n    \"\\u2581\\u13c4\\u13be\\u13da\\u13b5\": 19603,\n    \"\\u13e2\\u13cd\\u13aa\\u13a2\": 19604,\n    \"\\u13c5\\u13cd\\u13a6\\u13dd\\u13c1\": 19605,\n    \"\\u13d4\\u13b6\\u13af\\u13cd\\u13d7\": 19606,\n    \"\\u2581\\u13f1\\u13e3\\u13d3\\u13c5\": 19607,\n    \"\\u2581\\u13a4\\u13be\\u13c1\\u13b6\": 19608,\n    \"\\u13a6\\u13c4\\u13d3\\u13db\": 19609,\n    \"\\u13c6\\u13a7\\u13be\\u13c5\\u13a9\": 19610,\n    \"\\u13b3\\u13be\\u13b6\": 19611,\n    \"\\u13c9\\u13d7\\u13f3\": 19612,\n    \"\\u13a8\\u13e5\\u13c4\\u13ec\": 19613,\n    \"\\u13d3\\u13c1\\u13e5\\u13f4\": 19614,\n    \"\\u13f0\\u13e5\\u13cd\\u13a8\": 19615,\n    \"\\u2581\\u13e4\\u13e6\": 19616,\n    \"\\u13af\\u13a6\\u13d4\\u13ae\\u13a2\": 19617,\n    \"\\u13cf\\u13d4\\u13d3\": 19618,\n    \"\\u13f2\\u13a4\\u13b4\": 19619,\n    \"\\u2581\\u13a0\\u13c6\\u13e1\\u13d7\\u13cd\": 19620,\n    \"\\u13da\\u13c2\\u13cd\\u13d7\\u13f0\": 19621,\n    \"\\u13d1\\u13b3\": 19622,\n    \"\\u2581\\u13a6\\u13b5\\u13e5\\u13d9\": 19623,\n    \"\\u2581\\u13f1\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\": 19624,\n    \"\\u2581\\u13a4\\u13c2\\u13ad\\u13f2\": 19625,\n    \"\\u13ce\\u13b5\\u13d4\\u13c5\": 19626,\n    \"\\u13b7\\u13eb\\u13cd\\u13d4\\u13c1\\u13d7\": 19627,\n    \"\\u2581\\u13a4\\u13f0\\u13cc\": 19628,\n    \"\\u2581\\u13a3\\u13a6\\u13e2\": 19629,\n    \"\\u2581\\u13d7\\u13ab\\u13aa\": 19630,\n    \"\\u2581\\u13e7\\u13db\\u13af\\u13cd\": 19631,\n    \"\\u13be\\u13d8\\u13c3\\u13ae\\u13b4\": 19632,\n    \"\\u2581\\u13a4\\u13c3\\u13d5\": 19633,\n    \"\\u13ad\\u13eb\\u13c2\": 19634,\n    \"\\u13d3\\u13d9\\u13e2\\u13be\\u13c1\": 19635,\n    \"\\u13d3\\u13c5\\u13d6\\u13ae\\u13b8\": 19636,\n    \"\\u2581\\u13a2\\u13e4\\u13b3\\u13d7\": 19637,\n    \"\\u13d9\\u13af\\u13ae\\u13cd\\u13d7\": 19638,\n    \"\\u13b5\\u13c2\\u13c6\\u13c5\": 19639,\n    \"\\u13c5\\u13e9\\u13c1\\u13a2\": 19640,\n    \"\\u2581\\u13a0\\u13be\\u13d5\\u13ef\": 19641,\n    \"\\u2581\\u13a4\\u13d3\\u13cd\\u13d5\": 19642,\n    \"\\u13a9\\u13f0\\u13b8\\u13ce\\u13cd\\u13d7\": 19643,\n    \"\\u13aa\\u13d3\\u13c1\\u13d7\\u13f1\": 19644,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13ce\": 19645,\n    \"\\u13ac\\u13c6\\u13b5\\u13cd\\u13d3\\u13f4\\u13be\\u13c1\": 19646,\n    \"\\u13a8\\u13f3\\u13d4\\u13c5\\u13a9\": 19647,\n    \"\\u13cd\\u13d4\\u13c1\\u13b8\": 19648,\n    \"\\u2581\\u13af\\u13ef\\u13b5\\u13cd\\u13aa\\u13b8\": 19649,\n    \"\\u13f2\\u13b5\\u13f3\": 19650,\n    \"\\u13a8\\u13af\\u13d9\\u13b0\": 19651,\n    \"\\u2581\\u13f1\\u13d7\\u13e5\\u13ef\\u13c5\": 19652,\n    \"\\u13d6\\u13b8\\u13b2\\u13cd\": 19653,\n    \"\\u2581\\u13d7\\u13c2\\u13d3\\u13ad\": 19654,\n    \"\\u13c3\\u13df\\u13cd\\u13d4\": 19655,\n    \"\\u13d3\\u13ad\\u13f2\\u13af\": 19656,\n    \"\\u13a6\\u13b4\\u13f4\\u13d3\": 19657,\n    \"\\u2581\\u13a4\\u13c2\\u13c1\\u13df\\u13f4\\u13cd\": 19658,\n    \"\\u2581\\u13eb\\u13e3\\u13a6\\u13d4\": 19659,\n    \"\\u13da\\u13b8\\u13d7\\u13c9\": 19660,\n    \"\\u13a6\\u13e5\\u13ef\\u13e0\\u13a2\\u13cd\\u13d3\\u13c1\": 19661,\n    \"\\u2581\\u13a6\\u13e5\\u13ef\\u13d3\\u13d9\\u13b5\\u13cd\": 19662,\n    \"\\u2581\\u13a1\\u13d9\\u13a2\\u13f3\": 19663,\n    \"\\u2581\\u13d5\\u13e5\\u13a7\\u13bf\\u13e9\": 19664,\n    \"\\u13a6\\u13e0\\u13ef\\u13cd\": 19665,\n    \"\\u13d1\\u13b3\\u13c1\": 19666,\n    \"\\u2581\\u13e5\\u13c2\\u13d5\\u13ac\": 19667,\n    \"\\u13cd\\u13a9\\u13be\\u13a9\\u13a2\": 19668,\n    \"\\u13b5\\u13cd\\u13d4\\u13f4\": 19669,\n    \"\\u13e9\\u13d7\\u13d3\\u13cd\\u13d7\\u13f1\": 19670,\n    \"\\u13d3\\u13e9\\u13db\\u13a1\": 19671,\n    \"\\u2581\\u13e7\\u13a8\\u13f3\": 19672,\n    \"\\u2581\\u13e3\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\": 19673,\n    \"\\u2581\\u13a4\\u13be\\u13c5\\u13aa\": 19674,\n    \"\\u13be\\u13db\\u13a6\\u13c1\\u13a2\": 19675,\n    \"\\u13aa\\u13a5\\u13cd\\u13a6\": 19676,\n    \"\\u13be\\u13d3\\u13c5\\u13d8\": 19677,\n    \"\\u13b5\\u13ec\\u13e6\": 19678,\n    \"\\u13d7\\u13cd\\u13a6\\u13e2\\u13a2\": 19679,\n    \"\\u13e3\\u13a7\\u13b2\": 19680,\n    \"\\u13d9\\u13d4\\u13d8\\u13be\\u13eb\\u13db\": 19681,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c5\\u13a1\": 19682,\n    \"\\u13c2\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\": 19683,\n    \"\\u2581\\u13a4\\u13c3\\u13af\\u13f3\": 19684,\n    \"\\u2581\\u13e7\\u13be\\u13d8\\u13c3\": 19685,\n    \"\\u13b5\\u13cd\\u13d3\\u13c1\\u13b0\": 19686,\n    \"\\u13ab\\u13cf\\u13f2\": 19687,\n    \"\\u13c5\\u13c6\\u13b6\\u13cd\\u13d7\": 19688,\n    \"\\u2581\\u13a4\\u13c2\\u13cd\\u13ab\\u13d5\": 19689,\n    \"\\u2581\\u13a4\\u13c1\\u13b7\": 19690,\n    \"\\u13da\\u13c5\\u13a6\\u13b8\\u13a1\": 19691,\n    \"\\u13ac\\u13d1\\u13b6\": 19692,\n    \"\\u13df\\u13b6\\u13a5\\u13a9\": 19693,\n    \"\\u13e5\\u13cd\\u13a6\\u13c5\\u13e4\\u13b2\": 19694,\n    \"\\u2581\\u13da\\u13d3\\u13c1\": 19695,\n    \"\\u13db\\u13d3\\u13cd\\u13d3\\u13c1\": 19696,\n    \"\\u13be\\u13d3\\u13c1\\u13b3\\u13c1\": 19697,\n    \"\\u13c4\\u13be\\u13b5\\u13cd\\u13d3\\u13c1\\u13b0\": 19698,\n    \"\\u13f2\\u13a2\\u13cd\\u13d7\\u13f1\": 19699,\n    \"\\u2581\\u13da\\u13d5\\u13f2\": 19700,\n    \"\\u2581\\u13a6\\u13c2\\u13cf\\u13c5\": 19701,\n    \"\\u13b5\\u13cd\\u13d4\\u13f4\\u13c5\": 19702,\n    \"\\u2581\\u13e3\\u13c1\\u13b8\\u13d4\\u13c5\\u13af\": 19703,\n    \"\\u13ab\\u13aa\\u13d3\\u13cf\": 19704,\n    \"\\u13d6\\u13b8\\u13b2\\u13a6\": 19705,\n    \"\\u13d7\\u13d0\\u13a2\\u13c3\": 19706,\n    \"\\u13da\\u13eb\\u13db\": 19707,\n    \"\\u2581\\u13a3\\u13a6\\u13c2\\u13a9\": 19708,\n    \"\\u13a0\\u13af\\u13ce\\u13b8\": 19709,\n    \"\\u2581\\u13da\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 19710,\n    \"\\u13e0\\u13c6\": 19711,\n    \"\\u13a6\\u13ea\\u13cd\\u13d7\": 19712,\n    \"\\u13ab\\u13f4\\u13af\\u13d3\\u13cd\\u13d7\": 19713,\n    \"\\u13e3\\u13ea\\u13ce\\u13ad\": 19714,\n    \"\\u2581\\u13d7\\u13ac\\u13ec\": 19715,\n    \"\\u2581\\u13da\\u13d5\\u13ef\\u13d9\\u13d4\": 19716,\n    \"\\u2581\\u13a3\\u13e3\\u13b5\\u13e5\\u13d9\": 19717,\n    \"\\u2581\\u13d5\\u13a7\\u13c1\\u13a2\\u13cd\": 19718,\n    \"\\u13d5\\u13e6\": 19719,\n    \"\\u13d3\\u13a9\\u13c5\\u13ce\\u13a2\": 19720,\n    \"\\u2581\\u13f3\\u13c2\\u13aa\": 19721,\n    \"\\u13d6\\u13e5\": 19722,\n    \"\\u13d7\\u13a8\\u13e5\\u13a4\\u13cd\\u13d5\\u13ce\\u13b8\": 19723,\n    \"\\u2581\\u13a4\\u13be\\u13a6\\u13b8\": 19724,\n    \"\\u2581\\u13e3\\u13a9\\u13c1\\u13e4\": 19725,\n    \"\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\\u13a8\\u13cd\\u13d7\": 19726,\n    \"\\u2581\\u13a4\\u13b7\\u13e5\\u13d7\": 19727,\n    \"\\u13cb\\u13c1\\u13b8\": 19728,\n    \"\\u13e2\\u13be\\u13c1\\u13b8\\u13a9\": 19729,\n    \"\\u13e5\\u13cd\\u13d5\\u13b8\\u13ae\\u13a2\": 19730,\n    \"\\u13db\\u13c2\\u13a1\": 19731,\n    \"\\u13f2\\u13b1\\u13cf\": 19732,\n    \"\\u2581\\u13d9\\u13d3\\u13a8\\u13e3\": 19733,\n    \"\\u13d0\\u13e2\\u13d5\\u13cd\\u13d7\": 19734,\n    \"\\u13ab\\u13f4\\u13a1\\u13b5\": 19735,\n    \"\\u13e5\\u13ec\\u13c2\\u13ad\": 19736,\n    \"\\u13be\\u13c2\\u13e2\\u13c5\": 19737,\n    \"\\u13e3\\u13d3\\u13c5\\u13db\\u13a9\": 19738,\n    \"\\u13c5\\u13a6\\u13b8\\u13b2\": 19739,\n    \"\\u13a9\\u13cd\\u13c6\\u13b5\\u13cd\": 19740,\n    \"\\u13ed\\u13e2\\u13c5\": 19741,\n    \"\\u13d7\\u13e3\\u13b5\\u13d8\": 19742,\n    \"\\u2581\\u13c2\\u13d1\": 19743,\n    \"\\u13a6\\u13db\\u13af\\u13cd\\u13d7\": 19744,\n    \"\\u13d3\\u13c2\\u13b8\\u13e5\": 19745,\n    \"\\u2581\\u13a4\\u13c2\\u13a6\\u13d9\\u13a5\": 19746,\n    \"\\u13cd\\u13a9\\u13f4\\u13a6\": 19747,\n    \"\\u13d3\\u13c5\\u13d9\\u13a9\\u13af\": 19748,\n    \"\\u2581\\u13a4\\u13a6\\u13f4\\u13b5\": 19749,\n    \"\\u13c7\\u13f2\": 19750,\n    \"\\u13d8\\u13be\\u13eb\\u13db\\u13ae\\u13a2\": 19751,\n    \"\\u13a7\\u13bf\\u13c5\": 19752,\n    \"\\u13a4\\u13a6\\u13ce\": 19753,\n    \"\\u13a9\\u13c3\\u13ae\\u13ae\": 19754,\n    \"\\u2581\\u13ad\\u13c2\\u13a7\\u13d4\": 19755,\n    \"\\u13cd\\u13da\\u13e4\": 19756,\n    \"\\u13a7\\u13b2\\u13d2\": 19757,\n    \"\\u2581\\u13a4\\u13be\\u13b5\\u13cd\\u13a6\\u13cd\": 19758,\n    \"\\u2581\\u13a0\\u13f2\\u13af\\u13cd\": 19759,\n    \"\\u13d3\\u13e5\\u13ef\\u13a7\\u13c2\": 19760,\n    \"\\u2581\\u13f1\\u13da\\u13e9\\u13db\": 19761,\n    \"\\u2581\\u13d7\\u13a8\\u13e5\\u13cd\\u13da\": 19762,\n    \"\\u13d3\\u13a2\\u13c5\\u13d7\": 19763,\n    \"\\u13b2\\u13cd\\u13d7\\u13cd\\u13a9\": 19764,\n    \"\\u2581\\u13a0\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\": 19765,\n    \"\\u13a4\\u13be\\u13d9\": 19766,\n    \"\\u13a2\\u13e5\\u13d7\\u13f1\": 19767,\n    \"\\u13a6\\u13d3\\u13c5\\u13d6\\u13cd\\u13a8\\u13a2\": 19768,\n    \"\\u13be\\u13d9\\u13b4\\u13b0\\u13af\": 19769,\n    \"\\u2581\\u13a0\\u13aa\\u13e9\\u13d7\\u13cd\": 19770,\n    \"\\u13c1\\u13ac\\u13c1\": 19771,\n    \"\\u13ef\\u13db\\u13c1\\u13ad\": 19772,\n    \"\\u13cd\\u13db\\u13a6\\u13b8\": 19773,\n    \"\\u13f0\\u13aa\\u13a2\": 19774,\n    \"\\u13cd\\u13a6\\u13e4\": 19775,\n    \"\\u13a4\\u13f0\\u13b8\": 19776,\n    \"\\u13d4\\u13c2\\u13d9\": 19777,\n    \"\\u2581\\u13d5\\u13a6\\u13e0\": 19778,\n    \"\\u2581\\u13a1\\u13e3\\u13db\\u13a6\\u13c1\": 19779,\n    \"\\u2581\\u13a0\\u13b5\\u13d6\\u13b8\": 19780,\n    \"\\u2581\\u13a4\\u13d5\\u13b6\\u13b0\": 19781,\n    \"\\u13a9\\u13e5\\u13cd\\u13a8\\u13a2\": 19782,\n    \"\\u13a8\\u13e5\\u13aa\\u13b5\\u13f0\\u13cd\\u13a8\": 19783,\n    \"\\u13b5\\u13cd\\u13aa\\u13b8\\u13d3\\u13c1\\u13ad\": 19784,\n    \"\\u2581\\u13da\\u13cd\\u13ab\\u13d3\": 19785,\n    \"\\u2581\\u13a4\\u13b4\\u13f4\": 19786,\n    \"\\u13b5\\u13a5\\u13c2\\u13b2\": 19787,\n    \"\\u13ef\\u13c5\\u13a1\\u13b8\": 19788,\n    \"\\u13ec\\u13c2\\u13d2\\u13a2\": 19789,\n    \"\\u2581\\u13a4\\u13ea\\u13ef\\u13d4\": 19790,\n    \"\\u2581\\u13e7\\u13e0\\u13af\\u13cd\": 19791,\n    \"\\u2581\\u13a4\\u13c1\\u13b5\\u13cc\": 19792,\n    \"\\u13f3\\u13a8\\u13d7\": 19793,\n    \"\\u13be\\u13b5\\u13ae\\u13b5\": 19794,\n    \"\\u2581\\u13f4\\u13d3\\u13f2\": 19795,\n    \"\\u13a7\\u13b2\\u13be\": 19796,\n    \"\\u2581\\u13ef\\u13b4\\u13eb\\u13cd\": 19797,\n    \"\\u2581\\u13e7\\u13c3\\u13af\\u13ce\": 19798,\n    \"\\u13a6\\u13e2\\u13c6\": 19799,\n    \"\\u13cd\\u13d3\\u13b5\\u13aa\": 19800,\n    \"\\u13d5\\u13ef\\u13d9\\u13d4\\u13c5\": 19801,\n    \"\\u13e5\\u13a6\\u13cc\\u13a2\": 19802,\n    \"\\u2581\\u13a4\\u13f2\\u13cd\\u13d9\\u13d3\\u13c1\": 19803,\n    \"\\u13a0\\u13cd\\u13aa\\u13b8\": 19804,\n    \"\\u13de\\u13cc\": 19805,\n    \"\\u2581\\u13eb\\u13a6\\u13e5\\u13b7\\u13e4\": 19806,\n    \"\\u13a6\\u13c2\\u13ad\": 19807,\n    \"lia\": 19808,\n    \"\\u13b5\\u13c2\\u13c6\\u13c5\\u13c5\": 19809,\n    \"\\u2581\\u13d5\\u13af\\u13b6\\u13c1\": 19810,\n    \"\\u2581\\u13a3\\u13a9\\u13be\\u13da\": 19811,\n    \"\\u13ac\\u13e9\\u13c2\\u13b7\\u13e4\\u13d7\": 19812,\n    \"\\u2581\\u13d5\\u13a4\\u13d9\": 19813,\n    \"\\u13d7\\u13b4\\u13b2\\u13af\": 19814,\n    \"\\u2581\\u13d7\\u13a6\\u13c3\\u13e3\": 19815,\n    \"\\u2581\\u13af\\u13f2\\u13a2\\u13f3\": 19816,\n    \"\\u13e5\\u13c4\\u13ec\": 19817,\n    \"\\u2581\\u13a4\\u13c2\\u13c4\\u13aa\": 19818,\n    \"\\u13ac\\u13e9\\u13f0\\u13e3\\u13cd\": 19819,\n    \"\\u13ab\\u13af\\u13cd\\u13d7\": 19820,\n    \"\\u2581\\u13d7\\u13a6\\u13b8\\u13eb\\u13cd\\u13d3\": 19821,\n    \"\\u2581\\u13e5\\u13e8\\u13f2\\u13ea\": 19822,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13f4\\u13b3\": 19823,\n    \"\\u2581\\u13e7\\u13f2\\u13b1\\u13af\\u13ce\": 19824,\n    \"\\u13b5\\u13cd\\u13c6\\u13d5\\u13b4\": 19825,\n    \"\\u13e0\\u13f1\\u13b2\\u13a2\": 19826,\n    \"\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\\u13af\": 19827,\n    \"\\u13df\\u13c3\\u13ae\\u13d9\": 19828,\n    \"\\u2581\\u13a4\\u13ea\\u13bf\": 19829,\n    \"\\u2581\\u13a4\\u13be\\u13c5\\u13d3\\u13d7\": 19830,\n    \"\\u13e3\\u13f1\\u13b5\": 19831,\n    \"\\u2581\\u13e8\\u13d3\\u13e5\": 19832,\n    \"\\u13a3\\u13e3\\u13c2\\u13a9\": 19833,\n    \"\\u13f2\\u13e4\": 19834,\n    \"\\u13d5\\u13e5\\u13f0\": 19835,\n    \"\\u13cd\\u13d7\\u13f4\\u13b8\": 19836,\n    \"\\u13d3\\u13c5\\u13d6\\u13b5\\u13d9\\u13b8\": 19837,\n    \"\\u2581\\u13e8\\u13d3\\u13e3\": 19838,\n    \"\\u13ef\\u13b5\\u13cd\\u13aa\\u13a5\": 19839,\n    \"\\u13d3\\u13aa\\u13c4\\u13b6\\u13af\": 19840,\n    \"\\u2581\\u13c4\\u13cd\\u13c6\\u13b8\": 19841,\n    \"\\u13b5\\u13cd\\u13d4\\u13c1\\u13b3\": 19842,\n    \"\\u13ea\\u13b5\\u13ce\\u13d7\": 19843,\n    \"\\u2581\\u13a3\\u13a6\\u13c5\\u13d4\": 19844,\n    \"\\u2581\\u13e9\\u13c7\": 19845,\n    \"\\u13db\\u13db\\u13ae\\u13b8\": 19846,\n    \"\\u13b5\\u13ae\\u13b5\\u13ac\": 19847,\n    \"\\u13a0\\u13e5\\u13aa\\u13c5\": 19848,\n    \"\\u2581\\u13a0\\u13d3\\u13e9\\u13db\": 19849,\n    \"\\u13e5\\u13aa\\u13c1\\u13b8\": 19850,\n    \"\\u13c3\\u13ae\\u13cd\\u13a8\": 19851,\n    \"\\u2581\\u13e7\\u13be\\u13db\\u13db\": 19852,\n    \"\\u13c4\\u13aa\\u13eb\\u13cd\\u13a9\": 19853,\n    \"\\u13a6\\u13d0\\u13a0\\u13cf\": 19854,\n    \"\\u2581\\u13a4\\u13d3\\u13d3\\u13cd\": 19855,\n    \"\\u13b3\\u13d7\\u13d9\\u13b4\": 19856,\n    \"\\u13e3\\u13b4\\u13c2\\u13d9\\u13b2\": 19857,\n    \"\\u13d3\\u13e9\\u13db\\u13a1\\u13b2\": 19858,\n    \"\\u2581\\u13d7\\u13e3\\u13d3\\u13d9\\u13b5\\u13cd\": 19859,\n    \"\\u2581\\u13d3\\u13cd\\u13da\": 19860,\n    \"\\u13d3\\u13c2\\u13c2\\u13cf\\u13cd\\u13a8\": 19861,\n    \"\\u2581\\u13a0\\u13df\\u13c2\\u13ac\": 19862,\n    \"\\u2581\\u13c2\\u13d5\\u13a6\\u13ea\": 19863,\n    \"\\u13a9\\u13f4\\u13c1\\u13b8\": 19864,\n    \"\\u13d9\\u13b5\\u13e3\\u13d8\\u13f3\": 19865,\n    \"\\u13a8\\u13b3\\u13d7\\u13d9\\u13ae\": 19866,\n    \"\\u13a6\\u13c3\\u13e3\\u13b8\": 19867,\n    \"\\u2581\\u13f3\\u13ec\\u13e2\": 19868,\n    \"\\u13b5\\u13a1\\u13b5\\u13e4\\u13b0\": 19869,\n    \"\\u2581\\u13eb\\u13e8\\u13f2\\u13ea\": 19870,\n    \"\\u2581\\u13da\\u13c2\\u13ef\\u13a3\": 19871,\n    \"\\u13d5\\u13a7\\u13c1\\u13e4\\u13ae\": 19872,\n    \"\\u2581\\u13e6\\u13a2\\u13a6\\u13da\": 19873,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13c4\": 19874,\n    \"\\u13c5\\u13aa\\u13a3\": 19875,\n    \"\\u2581\\u13da\\u13ea\\u13b5\\u13ce\": 19876,\n    \"\\u2581\\u13da\\u13d1\\u13f0\": 19877,\n    \"\\u2581\\u13da\\u13ea\\u13df\\u13cc\": 19878,\n    \"\\u2581\\u13a0\\u13c1\\u13b7\\u13b2\\u13cd\": 19879,\n    \"\\u13d3\\u13c5\\u13d3\\u13d7\\u13cd\\u13d4\": 19880,\n    \"\\u13a8\\u13eb\\u13d2\\u13ad\": 19881,\n    \"\\u13be\\u13c1\\u13b7\\u13a9\\u13a1\\u13b4\": 19882,\n    \"\\u13b8\\u13a5\\u13cd\\u13a8\\u13cd\\u13d7\": 19883,\n    \"\\u13f0\\u13b5\\u13af\\u13cd\\u13d4\\u13c5\\u13c3\": 19884,\n    \"\\u2581\\u13a4\\u13be\\u13c1\\u13b7\\u13a9\": 19885,\n    \"\\u13f3\\u13d3\\u13cd\\u13d9\\u13d7\": 19886,\n    \"\\u2581\\u13eb\\u13d7\\u13e8\": 19887,\n    \"\\u13a4\\u13b7\\u13e4\\u13b4\\u13a2\": 19888,\n    \"\\u2581\\u13e7\\u13c2\\u13b8\\u13eb\\u13cd\": 19889,\n    \"\\u2581\\u13da\\u13d3\\u13c5\\u13a1\\u13b8\": 19890,\n    \"\\u2581\\u13e7\\u13a6\\u13bf\": 19891,\n    \"\\u13da\\u13c5\\u13c2\": 19892,\n    \"\\u13c1\\u13d9\\u13b4\\u13a2\": 19893,\n    \"\\u13aa\\u13c6\\u13b5\": 19894,\n    \"\\u13f3\\u13aa\\u13d3\\u13c1\\u13d7\\u13f1\": 19895,\n    \"\\u2581\\u13a4\\u13b5\\u13f0\\u13d1\\u13cd\\u13d9\": 19896,\n    \"\\u13d3\\u13f3\\u13c5\\u13cf\\u13db\": 19897,\n    \"\\u13cc\\u13b9\": 19898,\n    \"\\u13be\\u13e4\\u13b5\\u13db\": 19899,\n    \"\\u2581\\u13da\\u13c2\\u13df\\u13cc\": 19900,\n    \"\\u2581\\u13a0\\u13aa\\u13cd\\u13d3\": 19901,\n    \"\\u2581\\u13da\\u13c2\\u13ec\": 19902,\n    \"\\u13b5\\u13e0\\u13ef\\u13cd\\u13d9\\u13d7\": 19903,\n    \"\\u13be\\u13e6\\u13a5\": 19904,\n    \"\\u13ea\\u13ef\\u13d7\": 19905,\n    \"\\u13c2\\u13c3\\u13ae\\u13cd\\u13aa\": 19906,\n    \"\\u2581\\u13a0\\u13d3\\u13cd\\u13d4\\u13f4\": 19907,\n    \"\\u13cd\\u13a6\\u13cd\\u13d9\\u13d9\": 19908,\n    \"\\u2581\\u13c4\\u13c2\\u13cd\\u13d3\": 19909,\n    \"\\u2581\\u13f1\\u13c2\\u13e3\\u13b5\\u13cd\\u13d3\": 19910,\n    \"\\u2581\\u13ec\\u13b6\": 19911,\n    \"\\u13d0\\u13b2\\u13cd\\u13d7\\u13f1\": 19912,\n    \"\\u2581\\u13ac\\u13e9\\u13aa\\u13c1\\u13b6\\u13af\\u13ce\": 19913,\n    \"\\u2581\\u13e9\\u13c2\\u13c1\": 19914,\n    \"\\u13be\\u13b5\\u13e5\\u13d9\\u13c2\\u13d9\\u13b8\": 19915,\n    \"\\u13e3\\u13db\\u13d3\\u13cd\\u13d3\": 19916,\n    \"\\u13c6\\u13db\\u13d3\\u13cd\\u13d3\\u13cf\": 19917,\n    \"\\u13a6\\u13ef\\u13b7\": 19918,\n    \"\\u13d0\\u13e2\\u13d4\\u13c1\\u13a2\": 19919,\n    \"\\u13f0\\u13a2\\u13b6\\u13af\\u13cd\\u13d7\": 19920,\n    \"\\u13f0\\u13b8\\u13be\\u13c1\\u13b4\": 19921,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13f2\\u13b5\": 19922,\n    \"\\u2581\\u13d7\\u13ac\\u13e9\\u13f2\\u13af\": 19923,\n    \"\\u2581\\u13a0\\u13d3\\u13cd\\u13d5\": 19924,\n    \"\\u2581\\u13ac\\u13c9\\u13af\\u13f3\": 19925,\n    \"\\u13a6\\u13b7\\u13aa\\u13a2\": 19926,\n    \"\\u13d6\\u13b8\\u13c2\\u13cd\\u13d7\": 19927,\n    \"\\u13a8\\u13e3\\u13f2\\u13ce\": 19928,\n    \"\\u13c2\\u13e3\\u13d3\\u13db\\u13c1\": 19929,\n    \"\\u2581\\u13a6\\u13be\\u13f0\\u13af\\u13cd\": 19930,\n    \"\\u13da\\u13ac\\u13ad\\u13b7\\u13f0\": 19931,\n    \"\\u2581\\u13a6\\u13e5\\u13c1\\u13a2\\u13cd\": 19932,\n    \"\\u13d8\\u13d9\\u13b5\": 19933,\n    \"\\u13a6\\u13ac\\u13f2\\u13af\": 19934,\n    \"\\u13d7\\u13e4\\u13f2\\u13b2\": 19935,\n    \"\\u2581\\u13f1\\u13c5\\u13a8\": 19936,\n    \"\\u13a1\\u13e3\\u13d8\\u13be\\u13eb\\u13db\": 19937,\n    \"\\u2581\\u13a0\\u13a6\\u13b5\\u13cd\\u13aa\\u13b8\": 19938,\n    \"\\u2581\\u13a0\\u13be\\u13d3\\u13cc\": 19939,\n    \"\\u13b5\\u13f2\\u13a2\\u13cd\\u13d7\\u13f1\": 19940,\n    \"\\u13d5\\u13a6\\u13c2\\u13f1\": 19941,\n    \"\\u2581\\u13a0\\u13a6\\u13b5\\u13ae\": 19942,\n    \"\\u13c6\\u13b8\\u13d5\": 19943,\n    \"\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\": 19944,\n    \"\\u2581\\u13a8\\u13a6\\u13ab\\u13f4\": 19945,\n    \"\\u13d5\\u13cd\\u13a9\\u13ef\\u13a7\": 19946,\n    \"\\u13e7\\u13be\\u13d3\\u13b4\\u13c1\": 19947,\n    \"\\u13c2\\u13d0\\u13e2\\u13d7\": 19948,\n    \"\\u2581\\u13d5\\u13ac\\u13e9\\u13be\\u13e2\": 19949,\n    \"\\u2581\\u13a0\\u13d0\\u13e2\\u13a2\\u13cd\": 19950,\n    \"\\u13e5\\u13f2\\u13af\\u13cd\\u13d3\": 19951,\n    \"\\u2581\\u13eb\\u13da\\u13be\\u13a7\\u13bf\": 19952,\n    \"\\u13df\\u13f4\\u13cd\\u13a9\": 19953,\n    \"\\u2581\\u13d3\\u13c2\\u13cd\\u13d5\": 19954,\n    \"\\u13f3\\u13be\\u13c4\\u13aa\\u13e8\": 19955,\n    \"\\u2581\\u13da\\u13be\\u13d3\\u13db\\u13db\": 19956,\n    \"\\u2581\\u13a7\\u13c3\\u13a9\\u13cd\": 19957,\n    \"\\u13c1\\u13a9\\u13f4\": 19958,\n    \"\\u13f1\\u13b5\\u13d2\\u13a2\": 19959,\n    \"\\u13e8\\u13c1\\u13b2\": 19960,\n    \"\\u2581\\u13a0\\u13b5\\u13cf\\u13be\": 19961,\n    \"\\u13c3\\u13a6\\u13db\\u13bf\\u13d5\": 19962,\n    \"\\u2581\\u13a4\\u13e9\\u13be\\u13ec\": 19963,\n    \"\\u2581\\u13a2\\u13e8\\u13a8\\u13f3\": 19964,\n    \"\\u2581\\u13f3\\u13eb\\u13d7\\u13e3\": 19965,\n    \"\\u13cd\\u13d5\\u13d3\\u13b5\\u13f4\\u13d3\": 19966,\n    \"\\u2581\\u13f1\\u13d7\\u13ac\\u13d5\": 19967,\n    \"\\u13f2\\u13b1\\u13d2\": 19968,\n    \"\\u2581\\u13d5\\u13e5\\u13c5\\u13a6\\u13b5\\u13cd\": 19969,\n    \"\\u2581\\u13da\\u13c4\\u13aa\\u13eb\": 19970,\n    \"\\u13e5\\u13b6\\u13a2\": 19971,\n    \"\\u2581\\u13c4\\u13cd\\u13da\": 19972,\n    \"\\u13ef\\u13e0\\u13a2\": 19973,\n    \"\\u2581\\u13e5\\u13d9\\u13d3\\u13e8\": 19974,\n    \"\\u13ed\\u13c2\\u13b7\\u13e4\": 19975,\n    \"\\u2581\\u13d3\\u13c6\\u13a7\\u13be\": 19976,\n    \"\\u13ec\\u13ce\\u13b4\\u13a2\": 19977,\n    \"\\u13c6\\u13c2\\u13a9\\u13d2\": 19978,\n    \"\\u13be\\u13d3\\u13ec\": 19979,\n    \"\\u13d5\\u13e3\\u13b5\\u13c2\\u13ac\": 19980,\n    \"\\u2581\\u13c2\\u13d5\\u13a9\\u13be\": 19981,\n    \"\\u13da\\u13ed\\u13aa\\u13d4\\u13c1\": 19982,\n    \"\\u13e8\\u13c3\\u13c1\\u13b8\": 19983,\n    \"\\u13a9\\u13b3\\u13eb\\u13d2\": 19984,\n    \"\\u2581\\u13a0\\u13be\\u13d7\\u13d2\": 19985,\n    \"\\u2581\\u13a4\\u13e9\\u13f4\": 19986,\n    \"\\u13a6\\u13e9\\u13d9\\u13a3\\u13cd\": 19987,\n    \"\\u13b5\\u13c8\\u13f1\": 19988,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c5\\u13a6\": 19989,\n    \"\\u13f0\\u13cd\\u13aa\\u13a2\": 19990,\n    \"\\u13d3\\u13d3\\u13b4\\u13d4\\u13c5\\u13af\": 19991,\n    \"\\u13e9\\u13c5\\u13c1\\u13d7\": 19992,\n    \"\\u13e3\\u13d5\\u13f2\\u13d7\": 19993,\n    \"\\u13ec\\u13f0\\u13c2\": 19994,\n    \"\\u2581\\u13e5\\u13a8\\u13a6\\u13db\\u13c5\\u13a2\\u13cd\": 19995,\n    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\"\\u13f4\\u13a6\\u13e5\": 20014,\n    \"\\u13d7\\u13a8\\u13a6\\u13e8\\u13cd\\u13d4\": 20015,\n    \"\\u13cd\\u13a9\\u13ef\\u13d3\\u13c2\\u13b8\\u13e8\": 20016,\n    \"\\u13d3\\u13c1\\u13b8\\u13a5\\u13cd\\u13ac\": 20017,\n    \"\\u13ac\\u13c1\\u13ae\": 20018,\n    \"\\u13af\\u13f3\\u13ad\\u13e7\": 20019,\n    \"\\u13ec\\u13b3\\u13d5\\u13cd\\u13ac\": 20020,\n    \"\\u2581\\u13a0\\u13e5\\u13b5\\u13a5\": 20021,\n    \"\\u13da\\u13eb\\u13cd\\u13d4\\u13c1\\u13a2\": 20022,\n    \"\\u13df\\u13c3\\u13ae\\u13d4\": 20023,\n    \"\\u13f4\\u13d5\\u13e5\": 20024,\n    \"\\u13d7\\u13e8\\u13c1\": 20025,\n    \"\\u13a6\\u13be\\u13cd\\u13d3\": 20026,\n    \"\\u13d7\\u13a6\\u13a7\\u13af\\u13ef\\u13cd\": 20027,\n    \"\\u2581\\u13d5\\u13ad\\u13d3\\u13c5\": 20028,\n    \"\\u13a9\\u13a6\\u13a8\\u13a2\": 20029,\n    \"\\u2581\\u13cf\\u13f4\\u13eb\": 20030,\n    \"\\u2581\\u13e7\\u13db\\u13a6\\u13c1\": 20031,\n    \"\\u2581\\u13c2\\u13e5\\u13cd\\u13a6\": 20032,\n    \"\\u2581\\u13a4\\u13c2\\u13c3\\u13ae\": 20033,\n    \"\\u13f2\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\\u13be\": 20034,\n    \"\\u13c4\\u13e2\": 20035,\n    \"\\u13e3\\u13b5\\u13ae\\u13b5\\u13cd\\u13d7\": 20036,\n    \"\\u13d3\\u13a8\\u13e8\\u13c1\\u13b5\": 20037,\n    \"\\u13d3\\u13f4\\u13b3\\u13d8\": 20038,\n    \"\\u13ac\\u13c3\\u13af\\u13ce\": 20039,\n    \"\\u13be\\u13b5\\u13cd\\u13d4\\u13c5\\u13a2\": 20040,\n    \"\\u13dc\\u13c5\\u13d3\": 20041,\n    \"\\u13a9\\u13c2\\u13ac\\u13ce\\u13b2\": 20042,\n    \"\\u2581\\u13a0\\u13b5\\u13cc\\u13b3\\u13d7\\u13cd\": 20043,\n    \"\\u2581\\u13a4\\u13d4\\u13b7\": 20044,\n    \"\\u13f0\\u13a2\\u13b6\\u13a6\": 20045,\n    \"\\u13d8\\u13b8\\u13cd\\u13d7\": 20046,\n    \"\\u13be\\u13a6\\u13d9\\u13cd\\u13d4\\u13c1\": 20047,\n    \"\\u2581\\u13d7\\u13a6\\u13c1\\u13df\": 20048,\n    \"\\u2581\\u13a4\\u13e9\\u13c7\": 20049,\n    \"\\u13be\\u13d9\\u13b4\\u13b0\": 20050,\n    \"\\u13d5\\u13b0\\u13af\\u13cd\": 20051,\n    \"\\u2581\\u13eb\\u13a4\\u13be\": 20052,\n    \"\\u2581\\u13a4\\u13d7\\u13d4\": 20053,\n    \"\\u2581\\u13e7\\u13ef\\u13db\": 20054,\n    \"\\u13ac\\u13e9\\u13ea\\u13ce\": 20055,\n    \"\\u13c3\\u13cd\\u13a9\\u13d2\": 20056,\n    \"\\u13d6\\u13b8\\u13c5\\u13af\": 20057,\n    \"\\u2581\\u13ed\\u13d3\\u13be\\u13eb\\u13db\": 20058,\n    \"\\u13a7\\u13bf\\u13e9\\u13db\": 20059,\n    \"\\u13e3\\u13cd\\u13c6\\u13c2\\u13aa\": 20060,\n    \"\\u13d3\\u13b5\\u13d7\\u13a9\": 20061,\n    \"\\u13d7\\u13e9\\u13be\\u13a6\\u13b3\": 20062,\n    \"\\u13f0\\u13eb\": 20063,\n    \"\\u2581\\u13be\\u13be\\u13d3\\u13db\": 20064,\n    \"\\u13e5\\u13f3\\u13aa\\u13d3\\u13c1\\u13ad\": 20065,\n    \"\\u13e3\\u13d9\\u13b4\\u13b0\\u13cd\\u13ac\": 20066,\n    \"\\u13d2\\u13cd\\u13d4\\u13c1\": 20067,\n    \"\\u13e7\\u13b5\\u13cd\\u13d9\\u13d4\\u13c5\": 20068,\n    \"\\u13ac\\u13ed\\u13aa\\u13d3\\u13c1\": 20069,\n    \"\\u13b5\\u13e3\\u13db\\u13be\": 20070,\n    \"\\u13d3\\u13a6\\u13b4\\u13c5\": 20071,\n    \"\\u13a6\\u13d6\\u13c5\": 20072,\n    \"\\u2581\\u13a4\\u13ea\\u13d4\": 20073,\n    \"\\u2581\\u13da\\u13e9\\u13e5\\u13cd\": 20074,\n    \"\\u2581\\u13a4\\u13c5\\u13aa\\u13b3\": 20075,\n    \"\\u13e5\\u13a9\\u13b5\\u13f2\\u13a6\": 20076,\n    \"\\u2581\\u13e7\\u13e3\\u13b7\": 20077,\n    \"\\u13ef\\u13a7\\u13c1\": 20078,\n    \"\\u2581\\u13f1\\u13da\\u13ec\\u13d5\": 20079,\n    \"\\u13cd\\u13d3\\u13f4\\u13c5\\u13a9\": 20080,\n    \"\\u13e4\\u13a6\\u13c8\": 20081,\n    \"\\u13cd\\u13a9\\u13ef\\u13d1\\u13f0\": 20082,\n    \"\\u13da\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 20083,\n    \"\\u13be\\u13cd\\u13d7\\u13cd\\u13ac\\u13a9\": 20084,\n    \"\\u13d5\\u13ac\\u13e9\\u13c2\\u13be\\u13dd\": 20085,\n    \"\\u2581\\u13a4\\u13d3\\u13ac\\u13e9\\u13d3\\u13b4\": 20086,\n    \"\\u13db\\u13ae\\u13cf\": 20087,\n    \"\\u2581\\u13a4\\u13d9\\u13ef\\u13c5\\u13af\": 20088,\n    \"\\u13a4\\u13c1\\u13c5\": 20089,\n    \"\\u13a6\\u13e5\\u13c4\\u13aa\\u13eb\\u13d2\": 20090,\n    \"\\u13ef\\u13cf\\u13d4\": 20091,\n    \"\\u13e5\\u13d9\\u13b0\": 20092,\n    \"\\u2581\\u13eb\\u13db\\u13c2\": 20093,\n    \"\\u13a1\\u13dd\\u13ea\": 20094,\n    \"\\u2581\\u13e5\\u13ef\\u13b5\\u13a1\\u13b5\": 20095,\n    \"\\u2581\\u13a8\\u13a6\\u13c5\\u13d3\": 20096,\n    \"\\u13cd\\u13d9\\u13f0\\u13b2\": 20097,\n    \"\\u13d2\\u13a6\\u13b3\\u13d7\\u13cd\\u13d4\": 20098,\n    \"\\u2581\\u13d3\\u13f3\\u13c2\\u13f0\": 20099,\n    \"\\u13a4\\u13c2\\u13b6\\u13ce\\u13a2\": 20100,\n    \"\\u2581\\u13da\\u13c4\\u13e9\": 20101,\n    \"\\u2581\\u13ed\\u13c5\\u13e5\": 20102,\n    \"\\u13d2\\u13c2\\u13cd\\u13d9\": 20103,\n    \"\\u2581\\u13a0\\u13c6\\u13b5\\u13cd\\u13d5\": 20104,\n    \"\\u13a7\\u13bf\\u13e9\\u13d7\\u13d9\": 20105,\n    \"\\u13a6\\u13db\\u13b4\\u13cf\": 20106,\n    \"\\u13c4\\u13be\\u13cd\\u13d7\": 20107,\n    \"\\u13e5\\u13b8\\u13cc\\u13d3\\u13d5\": 20108,\n    \"\\u2581\\u13f3\\u13eb\\u13e3\": 20109,\n    \"\\u2581\\u13c5\\u13c6\\u13d3\\u13b4\": 20110,\n    \"\\u2581\\u13c2\\u13e5\\u13ea\\u13d2\": 20111,\n    \"\\u2581\\u13d3\\u13be\\u13b3\\u13cd\": 20112,\n    \"\\u13d3\\u13f0\\u13ae\": 20113,\n    \"\\u13e7\\u13a6\\u13e3\": 20114,\n    \"\\u13d4\\u13eb\\u13a2\\u13cd\\u13d7\\u13f1\": 20115,\n    \"\\u13c2\\u13cd\\u13c6\\u13db\\u13c1\\u13b8\": 20116,\n    \"\\u2581\\u13a6\\u13c3\\u13af\\u13b5\": 20117,\n    \"\\u13e5\\u13a5\\u13a1\\u13b8\": 20118,\n    \"\\u13b8\\u13c9\\u13d4\\u13c1\": 20119,\n    \"\\u2581\\u13e7\\u13d5\\u13d8\\u13f4\\u13cc\": 20120,\n    \"\\u13c2\\u13a6\\u13d9\\u13b5\\u13c3\": 20121,\n    \"\\u13a4\\u13ea\\u13c5\\u13c3\": 20122,\n    \"\\u13d9\\u13ef\\u13c5\\u13af\\u13d5\": 20123,\n    \"\\u13e7\\u13d3\\u13c5\\u13ce\": 20124,\n    \"\\u2581\\u13da\\u13be\\u13d8\\u13c5\": 20125,\n    \"\\u13a4\\u13b6\\u13d2\\u13a9\": 20126,\n    \"\\u13c2\\u13cd\\u13cb\\u13c1\\u13b8\": 20127,\n    \"\\u13d3\\u13c2\\u13d9\\u13ac\\u13a9\": 20128,\n    \"\\u13a4\\u13be\\u13d3\\u13c8\\u13ac\": 20129,\n    \"\\u13d5\\u13e8\\u13ef\\u13e0\\u13a2\\u13cd\\u13d3\\u13c1\": 20130,\n    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20165,\n    \"\\u2581\\u13da\\u13c2\\u13b8\\u13eb\\u13cd\\u13d3\": 20166,\n    \"\\u13d5\\u13a6\\u13c5\\u13cc\": 20167,\n    \"\\u13e4\\u13b3\\u13cd\\u13d4\\u13c2\": 20168,\n    \"\\u13cd\\u13cb\\u13c2\": 20169,\n    \"\\u13af\\u13f1\\u13b5\\u13d9\": 20170,\n    \"\\u13a6\\u13d3\\u13c5\\u13d6\\u13cd\\u13aa\": 20171,\n    \"\\u2581\\u13a4\\u13d7\\u13b4\": 20172,\n    \"\\u13ba\\u13cc\\u13ef\": 20173,\n    \"\\u13a3\\u13e5\\u13c1\\u13a6\": 20174,\n    \"\\u13d5\\u13aa\\u13e2\\u13d2\\u13a9\": 20175,\n    \"\\u13da\\u13df\\u13b6\\u13cd\\u13d3\\u13c1\\u13b4\\u13a2\": 20176,\n    \"\\u13e5\\u13c4\\u13cd\\u13d9\": 20177,\n    \"\\u13a4\\u13be\\u13c1\\u13b3\\u13d7\\u13cd\\u13d7\\u13f1\": 20178,\n    \"\\u13c5\\u13d3\\u13a6\\u13db\\u13c1\\u13b5\": 20179,\n    \"\\u13c5\\u13db\\u13be\\u13b5\\u13cd\\u13d4\\u13c2\": 20180,\n    \"\\u13d3\\u13f0\\u13e5\\u13c1\\u13b5\": 20181,\n    \"\\u13e8\\u13d7\\u13a6\\u13da\\u13ad\": 20182,\n    \"\\u13ed\\u13d9\\u13af\\u13f3\\u13b2\": 20183,\n    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20333,\n    \"\\u13a4\\u13ea\\u13c5\\u13a9\": 20334,\n    \"\\u13c2\\u13da\\u13ea\\u13ce\\u13b4\": 20335,\n    \"\\u13c5\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13ac\": 20336,\n    \"\\u2581\\u13a8\\u13e5\\u13db\\u13d4\\u13c1\": 20337,\n    \"\\u13ad\\u13ef\\u13db\": 20338,\n    \"\\u13a2\\u13ef\\u13db\\u13c1\\u13af\": 20339,\n    \"\\u13a4\\u13a6\\u13b5\\u13cd\\u13d7\": 20340,\n    \"\\u13a4\\u13be\\u13e4\\u13b5\\u13aa\\u13af\": 20341,\n    \"\\u13a6\\u13d3\\u13b7\\u13aa\\u13d7\": 20342,\n    \"\\u13a0\\u13d9\\u13b4\\u13b0\\u13cd\\u13a9\": 20343,\n    \"\\u13c4\\u13be\\u13cd\\u13db\": 20344,\n    \"\\u13a0\\u13c2\\u13f4\\u13eb\\u13ef\": 20345,\n    \"\\u13a0\\u13d5\\u13b3\": 20346,\n    \"\\u13a4\\u13c2\\u13c3\\u13d5\\u13be\": 20347,\n    \"\\u13c5\\u13e9\\u13d3\\u13b4\": 20348,\n    \"\\u2581\\u13c5\\u13e7\\u13ea\\u13ce\": 20349,\n    \"\\u13a4\\u13be\\u13e4\\u13b5\\u13a6\": 20350,\n    \"\\u13a4\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\": 20351,\n    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\"\\u2581\\u13a4\\u13ea\\u13d9\\u13b5\\u13e4\": 20404,\n    \"\\u2581\\u13eb\\u13a4\\u13b6\\u13ce\": 20405,\n    \"\\u13d3\\u13aa\\u13c4\\u13b6\": 20406,\n    \"\\u13d9\\u13f1\\u13d7\\u13e2\": 20407,\n    \"\\u2581\\u13a4\\u13cd\\u13a9\\u13d3\\u13ce\": 20408,\n    \"\\u2581\\u13d3\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\": 20409,\n    \"\\u2581\\u13ed\\u13d8\\u13c5\\u13cd\\u13d4\\u13c1\": 20410,\n    \"\\u13a4\\u13b5\\u13ae\\u13b5\\u13e4\": 20411,\n    \"\\u13d7\\u13aa\\u13ea\\u13b3\\u13c5\": 20412,\n    \"\\u13a4\\u13a6\\u13d4\": 20413,\n    \"\\u13a0\\u13c2\\u13a6\\u13d8\\u13ef\": 20414,\n    \"\\u13a2\\u13f3\\u13c5\\u13c1\\u13d7\\u13f1\": 20415,\n    \"\\u2581\\u13d7\\u13a7\\u13be\\u13e9\": 20416,\n    \"\\u2581\\u13f1\\u13a6\\u13d3\\u13c5\": 20417,\n    \"\\u13a4\\u13f0\\u13b8\\u13db\\u13a2\": 20418,\n    \"\\u2581\\u13d3\\u13cd\\u13da\\u13b2\": 20419,\n    \"\\u13a4\\u13b5\\u13cd\\u13d5\\u13b8\": 20420,\n    \"\\u2581\\u13e3\\u13c3\\u13ce\\u13b0\": 20421,\n    \"\\u13a4\\u13b7\\u13af\\u13cd\\u13d7\\u13f1\": 20422,\n    \"\\u13a2\\u13f3\\u13b5\\u13cd\\u13d9\\u13d7\\u13f1\": 20423,\n    \"\\u13a6\\u13d2\\u13cd\\u13d9\\u13a2\": 20424,\n    \"\\u2581\\u13ac\\u13f4\\u13d7\\u13cd\\u13ac\": 20425,\n    \"\\u2581\\u13a3\\u13a6\\u13da\\u13b5\": 20426,\n    \"\\u13a6\\u13d5\\u13f2\\u13c5\": 20427,\n    \"\\u13e7\\u13c2\\u13e2\\u13a9\": 20428,\n    \"\\u2581\\u13c2\\u13d3\\u13cb\": 20429,\n    \"\\u2581\\u13da\\u13b5\\u13cd\\u13da\\u13a2\\u13ce\": 20430,\n    \"\\u2581\\u13da\\u13d8\\u13c3\\u13ae\\u13b4\": 20431,\n    \"\\u2581\\u13da\\u13c3\\u13ea\\u13b8\": 20432,\n    \"\\u2581\\u13da\\u13da\\u13d3\\u13db\": 20433,\n    \"\\u13a0\\u13f2\\u13b1\\u13d2\": 20434,\n    \"\\u13e7\\u13be\\u13c1\\u13b6\\u13d7\": 20435,\n    \"\\u13aa\\u13af\\u13f3\\u13b2\\u13cd\\u13a9\": 20436,\n    \"\\u13e5\\u13dd\\u13c1\": 20437,\n    \"\\u13a4\\u13b5\\u13cf\\u13a9\": 20438,\n    \"\\u2581\\u13c2\\u13e3\\u13db\\u13bf\\u13d5\\u13ac\": 20439,\n    \"\\u13e6\\u13d4\\u13c5\": 20440,\n    \"\\u2581\\u13a4\\u13c2\\u13d0\\u13c5\\u13e4\\u13b4\": 20441,\n    \"\\u13a2\\u13aa\\u13af\\u13db\": 20442,\n    \"\\u13c4\\u13e6\": 20443,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13c1\\u13df\\u13f4\\u13ce\\u13ac\": 20444,\n    \"\\u13b5\\u13ac\\u13ad\\u13b7\": 20445,\n    \"\\u2581\\u13d9\\u13d7\\u13e3\\u13d3\\u13c5\\u13db\": 20446,\n    \"\\u13ac\\u13cd\\u13d3\\u13e9\\u13db\\u13cd\\u13d7\": 20447,\n    \"\\u2581\\u13a4\\u13be\\u13c1\\u13e2\\u13d4\\u13c5\\u13d2\": 20448,\n    \"\\u13e5\\u13b7\\u13cf\\u13b5\\u13bb\": 20449,\n    \"\\u13a4\\u13c1\\u13c5\\u13cd\\u13d7\": 20450,\n    \"\\u13a4\\u13c2\\u13f4\\u13ce\": 20451,\n    \"\\u13a4\\u13da\\u13b8\\u13d7\": 20452,\n    \"\\u13ea\\u13b3\\u13cf\": 20453,\n    \"\\u13d7\\u13a8\\u13eb\": 20454,\n    \"\\u2581\\u13ed\\u13a9\\u13b6\\u13eb\": 20455,\n    \"\\u13e9\\u13d8\\u13cd\\u13a8\": 20456,\n    \"\\u2581\\u13c2\\u13da\\u13be\\u13d3\\u13ea\\u13ce\\u13b4\": 20457,\n    \"\\u13b4\\u13eb\\u13cd\\u13d9\": 20458,\n    \"\\u2581\\u13a0\\u13a6\\u13ec\\u13a1\": 20459,\n    \"\\u13a0\\u13c2\\u13aa\\u13e9\\u13d8\\u13cd\\u13ac\": 20460,\n    \"\\u13da\\u13c2\\u13c2\\u13c6\\u13d8\": 20461,\n    \"\\u13f1\\u13c2\\u13ea\\u13cd\\u13a8\\u13cd\\u13d7\": 20462,\n    \"\\u13ac\\u13e9\\u13a6\\u13d8\\u13ef\": 20463,\n    \"\\u13a4\\u13b3\\u13cf\\u13d5\\u13c2\": 20464,\n    \"\\u13af\\u13cd\\u13d3\\u13c1\\u13b2\": 20465,\n    \"\\u2581\\u13c2\\u13a6\\u13ea\\u13cd\\u13a8\": 20466,\n    \"\\u13a6\\u13c2\\u13a6\\u13d4\": 20467,\n    \"\\u13e7\\u13be\\u13b5\\u13c2\\u13a9\\u13db\": 20468,\n    \"\\u13cd\\u13d3\\u13e9\\u13d5\\u13aa\": 20469,\n    \"\\u13a0\\u13c6\\u13b5\\u13cf\": 20470,\n    \"\\u13be\\u13d3\\u13c1\\u13df\\u13f4\\u13cf\\u13d2\": 20471,\n    \"\\u2581\\u13d5\\u13a6\\u13be\\u13c4\\u13aa\\u13eb\": 20472,\n    \"\\u13a6\\u13c4\\u13b8\\u13d2\": 20473,\n    \"\\u13d7\\u13d5\\u13f2\\u13d7\": 20474,\n    \"\\u13af\\u13f4\\u13ce\": 20475,\n    \"\\u13c2\\u13ec\\u13c2\\u13cd\\u13a8\\u13cd\\u13d7\": 20476,\n    \"\\u13a4\\u13df\\u13cd\\u13d3\": 20477,\n    \"\\u13c3\\u13e5\\u13a5\": 20478,\n    \"\\u13a4\\u13aa\\u13e9\\u13db\\u13d7\\u13f1\": 20479,\n    \"\\u13d7\\u13e4\\u13c5\\u13d2\": 20480,\n    \"\\u13a7\\u13c3\\u13ae\\u13cd\\u13a9\": 20481,\n    \"\\u13e5\\u13a7\\u13cd\\u13a8\\u13c2\": 20482,\n    \"\\u13a0\\u13b9\\u13f0\\u13b5\": 20483,\n    \"\\u13da\\u13e0\\u13f1\\u13b4\\u13a2\": 20484,\n    \"\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b2\": 20485,\n    \"\\u13e6\\u13a3\\u13ce\": 20486,\n    \"\\u13a4\\u13be\\u13d3\\u13e1\\u13ac\": 20487,\n    \"\\u2581\\u13a4\\u13b5\\u13db\\u13d4\\u13c1\": 20488,\n    \"\\u2581\\u13ea\\u13d3\\u13d3\": 20489,\n    \"\\u2581\\u13a4\\u13d3\\u13c5\\u13d3\\u13d5\": 20490,\n    \"\\u13aa\\u13b2\\u13cd\\u13d4\": 20491,\n    \"\\u2581\\u13a4\\u13b5\\u13e6\\u13d4\\u13c1\": 20492,\n    \"\\u13cd\\u13da\\u13b6\\u13d4\\u13c5\": 20493,\n    \"\\u13da\\u13aa\\u13b2\": 20494,\n    \"\\u2581\\u13e3\\u13a2\\u13ce\": 20495,\n    \"\\u13e7\\u13c2\\u13f4\": 20496,\n    \"\\u13a7\\u13f4\\u13e4\": 20497,\n    \"\\u13d5\\u13e3\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\": 20498,\n    \"\\u13a4\\u13ef\\u13c5\\u13af\": 20499,\n    \"\\u2581\\u13f3\\u13be\\u13df\": 20500,\n    \"\\u2581\\u13c1\\u13ea\\u13ce\\u13b4\": 20501,\n    \"\\u13e3\\u13b5\\u13cd\\u13d3\\u13f4\\u13be\\u13c1\": 20502,\n    \"\\u13b5\\u13e6\\u13d4\\u13c1\\u13a2\": 20503,\n    \"\\u13c5\\u13ac\\u13e9\\u13ea\\u13ce\\u13b8\\u13a9\": 20504,\n    \"\\u2581\\u13ac\\u13ec\\u13af\\u13f3\\u13c5\": 20505,\n    \"\\u2581\\u13a0\\u13d3\\u13f4\\u13d7\": 20506,\n    \"\\u13c3\\u13b4\\u13cd\\u13c9\": 20507,\n    \"\\u13a4\\u13e3\\u13d8\\u13c2\": 20508,\n    \"\\u13c2\\u13d5\\u13e8\": 20509,\n    \"\\u2581\\u13a2\\u13e8\\u13c1\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\": 20510,\n    \"\\u13a4\\u13d3\\u13c5\\u13d8\": 20511,\n    \"\\u13a4\\u13a9\\u13ac\": 20512,\n    \"\\u13a6\\u13d9\\u13a5\\u13af\": 20513,\n    \"\\u13da\\u13d3\\u13d6\\u13cd\\u13d7\": 20514,\n    \"\\u2581\\u13a0\\u13e5\\u13e9\\u13db\\u13a1\\u13b8\": 20515,\n    \"\\u13f2\\u13df\\u13a8\": 20516,\n    \"\\u2581\\u13e7\\u13be\\u13c4\\u13aa\\u13e4\": 20517,\n    \"\\u13ac\\u13be\\u13ec\": 20518,\n    \"\\u13be\\u13c1\\u13b3\\u13d7\\u13cd\": 20519,\n    \"\\u2581\\u13a4\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b8\": 20520,\n    \"\\u2581\\u13a4\\u13c4\\u13d6\\u13d2\": 20521,\n    \"\\u2581\\u13da\\u13c5\\u13cd\\u13d3\\u13d5\\u13b8\": 20522,\n    \"\\u13ea\\u13b7\\u13c1\": 20523,\n    \"\\u2581\\u13a0\\u13cd\\u13a9\\u13d7\\u13cd\\u13a8\": 20524,\n    \"\\u2581\\u13ac\\u13e9\\u13e1\\u13d7\\u13cd\\u13ac\": 20525,\n    \"\\u13e9\\u13f3\\u13e4\\u13b4\": 20526,\n    \"\\u13b3\\u13a8\\u13ef\\u13db\\u13e4\\u13a2\": 20527,\n    \"\\u13cf\\u13db\\u13c2\\u13b8\": 20528,\n    \"\\u13d5\\u13b6\\u13b0\\u13ce\": 20529,\n    \"\\u2581\\u13a0\\u13c2\\u13ef\\u13d9\\u13af\\u13b2\": 20530,\n    \"\\u13d3\\u13cd\\u13a9\\u13c1\\u13b5\": 20531,\n    \"\\u13d3\\u13df\\u13c3\\u13ae\": 20532,\n    \"\\u13e9\\u13db\\u13a1\\u13b4\": 20533,\n    \"\\u2581\\u13a0\\u13ab\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\": 20534,\n    \"\\u13e9\\u13d7\\u13ce\": 20535,\n    \"\\u2581\\u13da\\u13ed\\u13d3\\u13d4\": 20536,\n    \"\\u13d3\\u13c6\\u13d9\\u13a5\": 20537,\n    \"\\u2581\\u13ed\\u13d8\\u13c5\\u13cd\\u13d4\\u13c5\": 20538,\n    \"\\u13ec\\u13ea\\u13b3\\u13c5\": 20539,\n    \"\\u13b5\\u13cd\\u13d3\\u13d7\\u13cd\\u13d7\": 20540,\n    \"\\u13d3\\u13d3\\u13b6\\u13c2\": 20541,\n    \"\\u13ac\\u13aa\\u13e9\\u13d8\": 20542,\n    \"\\u2581\\u13d0\\u13c8\\u13b5\\u13d7\\u13a6\\u13b5\\u13a0\\u13c5\": 20543,\n    \"\\u2581\\u13a2\\u13e8\\u13a8\\u13f3\\u13d2\": 20544,\n    \"\\u13a9\\u13cd\\u13a6\\u13c5\\u13e8\": 20545,\n    \"\\u13c2\\u13c6\\u13d8\\u13cd\\u13d7\": 20546,\n    \"\\u13c4\\u13ac\\u13eb\\u13f3\\u13cc\\u13d5\\u13a9\": 20547,\n    \"\\u2581\\u13c3\\u13a9\\u13c5\\u13c1\\u13b8\": 20548,\n    \"\\u13a6\\u13d3\\u13c5\\u13d4\\u13e9\\u13d5\\u13aa\": 20549,\n    \"\\u13c2\\u13a7\\u13bf\\u13e9\": 20550,\n    \"\\u13a9\\u13cd\\u13c6\\u13b8\\u13a1\": 20551,\n    \"\\u13e9\\u13d7\\u13d9\\u13ae\\u13cd\\u13d7\": 20552,\n    \"\\u2581\\u13a0\\u13c4\\u13af\\u13cd\\u13d7\\u13cd\": 20553,\n    \"\\u13d3\\u13c6\\u13b4\\u13b3\": 20554,\n    \"\\u13d1\\u13b5\\u13cd\\u13ac\": 20555,\n    \"\\u13aa\\u13ea\\u13b3\\u13c5\\u13af\": 20556,\n    \"\\u13e3\\u13d5\\u13b0\\u13af\": 20557,\n    \"\\u2581\\u13a4\\u13d3\\u13f1\\u13b8\": 20558,\n    \"\\u13ad\\u13b5\\u13ae\\u13b5\\u13a9\": 20559,\n    \"\\u2581\\u13c2\\u13ac\\u13e9\\u13db\\u13c1\\u13b4\": 20560,\n    \"\\u13c5\\u13a8\\u13eb\": 20561,\n    \"\\u2581\\u13ac\\u13e9\\u13c1\\u13c4\\u13b3\\u13cd\": 20562,\n    \"\\u2581\\u13d3\\u13c2\\u13c4\\u13d9\\u13ac\": 20563,\n    \"\\u13d3\\u13c1\\u13aa\\u13f4\\u13d3\": 20564,\n    \"\\u13b5\\u13b6\\u13b2\\u13cd\\u13a9\": 20565,\n    \"\\u2581\\u13a0\\u13d3\\u13f4\\u13cd\\u13d4\\u13a9\\u13cd\": 20566,\n    \"\\u2581\\u13a4\\u13c1\\u13d0\\u13a0\\u13d2\": 20567,\n    \"\\u13a4\\u13e1\\u13d7\\u13cd\\u13a9\": 20568,\n    \"\\u13b5\\u13cd\\u13da\\u13a2\": 20569,\n    \"\\u13c5\\u13aa\\u13b3\\u13db\": 20570,\n    \"\\u13cc\\u13ef\\u13cd\\u13d7\\u13d5\\u13a9\": 20571,\n    \"\\u13e9\\u13e9\\u13d9\\u13a3\": 20572,\n    \"\\u13be\\u13a6\\u13ce\\u13cd\\u13db\": 20573,\n    \"\\u13a9\\u13cd\\u13d9\\u13a1\": 20574,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13c4\\u13b8\": 20575,\n    \"\\u2581\\u13a4\\u13d7\\u13e9\\u13d2\": 20576,\n    \"\\u13aa\\u13af\\u13f3\\u13d7\\u13cd\\u13a9\": 20577,\n    \"\\u13ac\\u13a5\\u13cd\\u13a9\": 20578,\n    \"\\u13a6\\u13f4\\u13b3\\u13e5\\u13b6\\u13db\": 20579,\n    \"\\u13be\\u13b5\\u13c3\\u13ae\\u13d4\\u13c1\": 20580,\n    \"\\u13e5\\u13a7\\u13af\\u13f4\": 20581,\n    \"\\u13a0\\u13e5\\u13c1\": 20582,\n    \"\\u13c2\\u13f2\\u13af\\u13cd\\u13d4\": 20583,\n    \"\\u2581\\u13db\\u13d3\\u13b4\\u13b2\\u13cd\\u13ac\": 20584,\n    \"\\u2581\\u13a2\\u13ac\\u13e9\\u13c2\\u13a9\": 20585,\n    \"\\u13a3\\u13a9\\u13b7\": 20586,\n    \"\\u2581\\u13d5\\u13ad\\u13d5\\u13f2\\u13b2\\u13cd\\u13ac\": 20587,\n    \"\\u13c4\\u13ec\\u13cd\\u13db\\u13a9\": 20588,\n    \"\\u2581\\u13e3\\u13cd\\u13a6\\u13b8\": 20589,\n    \"\\u13a4\\u13cd\\u13a6\\u13c3\\u13b5\": 20590,\n    \"\\u2581\\u13a4\\u13be\\u13c4\\u13aa\\u13e4\": 20591,\n    \"\\u13a6\\u13c5\\u13cc\\u13d7\": 20592,\n    \"\\u2581\\u13c2\\u13da\\u13c2\\u13ea\\u13ce\\u13b8\": 20593,\n    \"\\u2581\\u13a4\\u13c2\\u13b7\\u13af\\u13cd\": 20594,\n    \"\\u13cd\\u13d4\\u13c2\\u13d9\\u13b2\": 20595,\n    \"\\u13be\\u13c5\\u13d3\\u13d7\\u13cd\\u13a8\": 20596,\n    \"\\u2581\\u13a6\\u13d3\\u13d9\\u13b5\\u13cd\\u13d7\\u13cd\": 20597,\n    \"\\u13c2\\u13f4\\u13af\\u13b0\": 20598,\n    \"\\u13a0\\u13eb\\u13c5\": 20599,\n    \"\\u2581\\u13b4\\u13b9\": 20600,\n    \"\\u2581\\u13a4\\u13e1\\u13d7\\u13cd\": 20601,\n    \"\\u13b5\\u13ae\\u13b5\\u13e4\\u13b0\\u13a2\": 20602,\n    \"\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13b2\": 20603,\n    \"\\u13cd\\u13c6\\u13da\\u13b8\": 20604,\n    \"\\u13be\\u13d3\\u13c3\\u13ae\\u13b5\\u13d9\\u13af\": 20605,\n    \"\\u2581\\u13f1\\u13e5\\u13e9\\u13d8\\u13cd\\u13aa\": 20606,\n    \"\\u13da\\u13a2\\u13cd\\u13d4\\u13c1\": 20607,\n    \"\\u13a6\\u13ce\\u13d9\": 20608,\n    \"\\u13df\\u13c5\\u13e8\": 20609,\n    \"\\u13d3\\u13aa\\u13e9\\u13d8\": 20610,\n    \"\\u2581\\u13d7\\u13a6\\u13c3\\u13b8\\u13d7\\u13cd\": 20611,\n    \"\\u13d7\\u13a6\\u13b4\\u13f2\\u13e8\": 20612,\n    \"\\u13be\\u13b4\\u13f2\\u13a5\": 20613,\n    \"\\u13b5\\u13cd\\u13ab\\u13ee\": 20614,\n    \"\\u13ef\\u13cd\\u13da\\u13ce\\u13a2\": 20615,\n    \"\\u13cc\\u13ef\\u13cd\\u13d7\": 20616,\n    \"\\u2581\\u13a2\\u13e7\\u13c5\\u13c1\": 20617,\n    \"\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\\u13d9\": 20618,\n    \"\\u13d4\\u13b8\\u13a9\\u13d3\": 20619,\n    \"\\u13e6\\u13e8\": 20620,\n    \"\\u2581\\u13c5\\u13ac\\u13e9\\u13ea\\u13ce\\u13b8\": 20621,\n    \"\\u2581\\u13a1\\u13e5\\u13ef\\u13c5\": 20622,\n    \"\\u2581\\u13d1\\u13be\\u13d3\\u13e1\": 20623,\n    \"\\u2581\\u13ac\\u13e9\\u13dc\": 20624,\n    \"\\u2581\\u13d7\\u13c4\\u13aa\\u13d7\\u13cd\": 20625,\n    \"\\u2581\\u13a2\\u13e3\\u13ab\\u13f4\": 20626,\n    \"\\u13be\\u13d3\\u13c5\\u13d3\\u13d5\\u13a2\": 20627,\n    \"\\u13c2\\u13c2\\u13ac\\u13ce\\u13b2\": 20628,\n    \"\\u2581\\u13a8\\u13e5\\u13c3\\u13ae\\u13cd\\u13ac\": 20629,\n    \"\\u2581\\u13a6\\u13b7\\u13aa\": 20630,\n    \"\\u13c4\\u13a9\\u13e3\\u13c1\": 20631,\n    \"\\u2581\\u13f1\\u13a6\\u13be\\u13c4\\u13aa\": 20632,\n    \"\\u2581\\u13da\\u13c2\\u13b5\\u13ec\\u13e4\": 20633,\n    \"\\u13e3\\u13db\\u13c5\\u13a2\\u13cd\\u13d4\\u13c5\": 20634,\n    \"\\u2581\\u13d5\\u13a6\\u13da\\u13d3\\u13d5\\u13eb\\u13d2\": 20635,\n    \"\\u13be\\u13b5\\u13ae\\u13b5\\u13a8\\u13a2\": 20636,\n    \"\\u13ea\\u13d9\\u13b5\\u13e4\\u13a2\": 20637,\n    \"\\u13e5\\u13cc\\u13b3\\u13d9\": 20638,\n    \"\\u13cd\\u13a9\\u13be\\u13be\\u13c2\": 20639,\n    \"\\u2581\\u13f1\\u13e5\\u13e9\\u13d8\": 20640,\n    \"\\u13d0\\u13e2\\u13a2\\u13cd\\u13d7\\u13cd\\u13ac\\u13a2\": 20641,\n    \"\\u13d3\\u13b5\\u13c1\\u13af\\u13d5\\u13b8\": 20642,\n    \"\\u13d7\\u13e3\\u13c1\\u13b6\": 20643,\n    \"\\u2581\\u13ef\\u13c6\\u13db\\u13c1\": 20644,\n    \"\\u2581\\u13a4\\u13f4\\u13d3\\u13c6\\u13b6\": 20645,\n    \"\\u13e8\\u13aa\\u13e9\\u13d8\": 20646,\n    \"\\u2581\\u13be\\u13a9\\u13ea\": 20647,\n    \"\\u13e9\\u13d9\\u13af\\u13f4\\u13d3\": 20648,\n    \"\\u13a6\\u13d3\\u13c5\\u13d6\\u13cd\\u13ac\": 20649,\n    \"\\u13a4\\u13b8\\u13d3\\u13b8\\u13a5\": 20650,\n    \"\\u2581\\u13a4\\u13d3\\u13f1\\u13b4\": 20651,\n    \"\\u2581\\u13d7\\u13df\\u13f0\\u13b5\\u13d3\\u13cd\": 20652,\n    \"\\u2581\\u13a8\\u13ac\\u13ec\\u13a3\": 20653,\n    \"\\u2581\\u13e7\\u13ec\\u13d1\\u13b4\": 20654,\n    \"\\u13e5\\u13da\\u13d9\\u13a5\": 20655,\n    \"\\u2581\\u13a3\\u13af\\u13cd\": 20656,\n    \"\\u2581\\u13c2\\u13cd\\u13a9\\u13ef\\u13db\": 20657,\n    \"\\u2581\\u13e6\\u13af\\u13f3\\u13ce\\u13cd\\u13d7\": 20658,\n    \"\\u13e0\\u13ef\\u13cd\\u13d4\\u13c5\\u13a9\": 20659,\n    \"\\u13f4\\u13cd\\u13d4\\u13c1\": 20660,\n    \"\\u2581\\u13cd\\u13ca\\u13d3\\u13b3\": 20661,\n    \"\\u13a6\\u13d0\\u13a0\\u13cd\\u13ac\": 20662,\n    \"\\u13a4\\u13e3\\u13d4\": 20663,\n    \"\\u2581\\u13a4\\u13e9\\u13e9\\u13d9\": 20664,\n    \"\\u2581\\u13d7\\u13a6\\u13ef\\u13a9\\u13cd\": 20665,\n    \"\\u2581\\u13a3\\u13a6\\u13c5\\u13c5\": 20666,\n    \"\\u2581\\u13eb\\u13a8\\u13e5\": 20667,\n    \"\\u2581\\u13ac\\u13e9\\u13c2\\u13aa\\u13e9\": 20668,\n    \"\\u13d5\\u13a6\\u13b6\\u13a8\\u13d2\": 20669,\n    \"\\u13d7\\u13dc\": 20670,\n    \"\\u13a9\\u13d3\\u13df\\u13c5\\u13ef\": 20671,\n    \"\\u2581\\u13ef\\u13c2\\u13f2\": 20672,\n    \"\\u13b5\\u13cd\\u13c6\\u13db\": 20673,\n    \"\\u13a8\\u13e5\\u13cd\\u13da\\u13b2\": 20674,\n    \"\\u13d4\\u13c2\\u13d7\\u13a8\": 20675,\n    \"\\u13a4\\u13b5\\u13ec\\u13e8\": 20676,\n    \"\\u13d8\\u13cd\\u13d5\\u13cd\\u13d7\": 20677,\n    \"\\u13df\\u13f4\\u13b2\": 20678,\n   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\"\\u2581\\u13da\\u13c2\\u13a6\\u13b5\\u13d2\": 20698,\n    \"\\u13c2\\u13c3\\u13af\\u13b5\\u13d9\\u13af\": 20699,\n    \"\\u13b3\\u13eb\\u13ce\\u13b8\\u13a9\": 20700,\n    \"\\u13ea\\u13d3\\u13cd\\u13d7\": 20701,\n    \"\\u13ac\\u13cb\\u13c1\\u13d7\": 20702,\n    \"\\u13c1\\u13c9\\u13e8\": 20703,\n    \"\\u13b5\\u13ec\\u13a2\\u13cd\\u13d7\": 20704,\n    \"\\u13a2\\u13f3\\u13db\\u13bf\\u13d5\\u13a9\": 20705,\n    \"\\u13af\\u13f3\\u13b2\\u13cd\\u13a8\\u13cd\\u13d7\": 20706,\n    \"\\u13c6\\u13ab\\u13f4\\u13a1\\u13b2\\u13a2\": 20707,\n    \"\\u2581\\u13c2\\u13a8\\u13e5\\u13b3\": 20708,\n    \"\\u13d6\\u13b5\\u13d9\\u13a9\\u13af\": 20709,\n    \"\\u13d9\\u13f1\\u13e8\": 20710,\n    \"\\u2581\\u13a4\\u13b5\\u13cd\\u13ab\\u13eb\": 20711,\n    \"\\u13b5\\u13f0\\u13a2\\u13b5\": 20712,\n    \"\\u2581\\u13d3\\u13be\\u13b5\\u13cd\\u13d3\\u13f4\\u13b2\": 20713,\n    \"\\u2581\\u13a2\\u13ef\\u13c6\\u13b5\\u13cd\\u13d3\\u13c1\": 20714,\n    \"\\u13bf\\u13e9\\u13db\\u13cd\\u13d7\": 20715,\n    \"\\u13a4\\u13e4\\u13b5\": 20716,\n    \"\\u13cc\\u13af\\u13b8\": 20717,\n    \"\\u13be\\u13a5\\u13c2\\u13a8\": 20718,\n    \"\\u2581\\u13e7\\u13d9\\u13d3\\u13c6\": 20719,\n    \"\\u13b4\\u13eb\\u13cd\\u13d9\\u13d7\": 20720,\n    \"\\u13aa\\u13cd\\u13d4\\u13f4\": 20721,\n    \"\\u2581\\u13a2\\u13ef\\u13e5\\u13b8\\u13c9\": 20722,\n    \"\\u2581\\u13e7\\u13ec\\u13ea\\u13b6\": 20723,\n    \"\\u13a7\\u13c3\\u13ae\\u13ad\": 20724,\n    \"\\u13eb\\u13da\\u13ef\\u13c5\\u13ae\": 20725,\n    \"\\u13e8\\u13c3\\u13ae\\u13ae\": 20726,\n    \"\\u13ac\\u13eb\\u13f3\\u13ce\\u13cd\\u13d7\": 20727,\n    \"\\u13ad\\u13f2\\u13db\": 20728,\n    \"\\u2581\\u13a0\\u13a9\\u13cd\\u13c6\\u13c2\": 20729,\n    \"\\u13a7\\u13b9\": 20730,\n    \"\\u2581\\u13a4\\u13d9\\u13b4\\u13b0\": 20731,\n    \"\\u13c7\\u13d5\\u13b5\": 20732,\n    \"\\u2581\\u13a2\\u13e3\\u13d3\\u13d9\\u13b5\\u13e3\": 20733,\n    \"\\u2581\\u13a8\\u13aa\\u13e2\\u13c5\": 20734,\n    \"\\u2581\\u13ed\\u13e2\\u13c1\": 20735,\n    \"\\u2581\\u13a0\\u13d3\\u13db\\u13c2\\u13d7\\u13cd\": 20736,\n    \"\\u13db\\u13db\\u13b2\\u13cd\\u13a8\\u13a2\": 20737,\n    \"\\u13b4\\u13c5\\u13d7\\u13cd\\u13aa\": 20738,\n    \"\\u13a0\\u13a6\\u13d9\\u13a5\\u13af\\u13cd\\u13d7\": 20739,\n    \"\\u13a6\\u13be\\u13cd\\u13db\": 20740,\n    \"\\u13d5\\u13e5\\u13ef\\u13c1\\u13b6\": 20741,\n    \"\\u2581\\u13f1\\u13d9\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 20742,\n    \"\\u2581\\u13f1\\u13d7\\u13e5\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\": 20743,\n    \"\\u2581\\u13f1\\u13ac\\u13f2\\u13ce\": 20744,\n    \"\\u13e5\\u13cf\\u13be\\u13d2\": 20745,\n    \"\\u2581\\u13a4\\u13e3\\u13ea\\u13d0\\u13b8\\u13cd\": 20746,\n    \"\\u13e7\\u13c5\\u13cf\\u13d3\\u13cd\\u13d7\": 20747,\n    \"\\u2581\\u13a6\\u13ac\\u13e9\\u13d0\\u13e2\\u13d5\": 20748,\n    \"\\u13d3\\u13a9\\u13f2\\u13af\\u13ce\\u13b8\": 20749,\n    \"\\u2581\\u13a4\\u13ec\\u13d1\\u13b6\\u13e8\": 20750,\n    \"\\u13c6\\u13d3\\u13ec\\u13c5\": 20751,\n    \"\\u13b5\\u13cf\\u13be\\u13af\\u13cd\": 20752,\n    \"\\u2581\\u13a4\\u13d8\\u13cd\\u13db\": 20753,\n    \"\\u2581\\u13a4\\u13a7\\u13f2\\u13db\": 20754,\n    \"\\u13f1\\u13d9\\u13a8\": 20755,\n    \"\\u2581\\u13d7\\u13a8\\u13a6\\u13c1\\u13b6\": 20756,\n    \"\\u13d7\\u13f2\\u13b1\\u13af\\u13ce\": 20757,\n    \"\\u13a0\\u13d8\\u13cd\\u13d3\\u13c1\": 20758,\n    \"\\u13d4\\u13b3\\u13da\": 20759,\n    \"\\u2581\\u13d3\\u13be\\u13e3\\u13c5\": 20760,\n    \"\\u2581\\u13a4\\u13c2\\u13be\\u13dd\\u13be\": 20761,\n    \"\\u13ab\\u13ec\": 20762,\n    \"\\u13ef\\u13ea\\u13d0\\u13b4\": 20763,\n    \"\\u2581\\u13ac\\u13e9\\u13a8\\u13f3\": 20764,\n    \"\\u13b7\\u13e5\\u13d7\\u13d2\": 20765,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13ef\\u13b7\\u13a5\\u13cd\": 20766,\n    \"\\u13bf\\u13ec\\u13a1\": 20767,\n    \"\\u2581\\u13d7\\u13a7\\u13b5\": 20768,\n    \"\\u2581\\u13e7\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13b8\": 20769,\n    \"\\u2581\\u13e3\\u13be\\u13d3\\u13be\\u13cf\\u13c2\\u13d9\": 20770,\n    \"\\u2581\\u13ad\\u13a2\\u13d2\": 20771,\n    \"\\u13b5\\u13cd\\u13db\\u13e7\\u13c5\": 20772,\n    \"\\u13c5\\u13a6\\u13b3\\u13b2\": 20773,\n    \"\\u13a7\\u13c2\\u13a9\\u13d3\": 20774,\n    \"\\u13d3\\u13c2\\u13d9\\u13a8\": 20775,\n    \"\\u13a7\\u13b5\\u13a2\\u13cd\\u13d9\\u13d7\": 20776,\n    \"\\u13d9\\u13d1\\u13b4\\u13d7\\u13f1\": 20777,\n    \"\\u2581\\u13a2\\u13cd\\u13a9\\u13f3\\u13cd\": 20778,\n    \"\\u13eb\\u13cd\\u13d9\\u13d7\\u13f1\": 20779,\n    \"\\u13d7\\u13a6\\u13b5\\u13cd\\u13d9\\u13d7\\u13cd\\u13a8\": 20780,\n    \"\\u2581\\u13e5\\u13e5\\u13aa\\u13e9\\u13d8\": 20781,\n    \"\\u2581\\u13f1\\u13a6\\u13ec\\u13c2\": 20782,\n    \"\\u2581\\u13c4\\u13cd\\u13d7\\u13d5\\u13ac\": 20783,\n    \"\\u2581\\u13f1\\u13da\\u13be\\u13d3\\u13b4\": 20784,\n    \"\\u2581\\u13a0\\u13e5\\u13d3\\u13a6\\u13b8\": 20785,\n    \"\\u2581\\u13eb\\u13d3\\u13d9\\u13b4\": 20786,\n    \"\\u13b5\\u13d6\\u13b8\\u13c5\\u13a9\": 20787,\n    \"\\u13ef\\u13ea\\u13d0\": 20788,\n    \"\\u13d7\\u13db\\u13ae\\u13a2\": 20789,\n    \"\\u2581\\u13e7\\u13d3\\u13c6\\u13d9\": 20790,\n    \"\\u2581\\u13a4\\u13d3\\u13d5\\u13f2\\u13d7\": 20791,\n    \"\\u2581\\u13e7\\u13be\\u13d3\\u13d9\\u13b5\\u13cd\\u13d3\\u13c1\\u13d7\": 20792,\n    \"\\u2581\\u13a4\\u13cd\\u13d3\\u13e9\\u13d7\\u13d3\\u13cd\\u13d7\": 20793,\n    \"\\u2581\\u13ac\\u13d4\\u13f2\\u13ce\": 20794,\n    \"\\u2581\\u13d7\\u13e7\\u13aa\\u13d9\\u13d7\": 20795,\n    \"\\u13b1\\u13cd\\u13d5\\u13ce\\u13b4\": 20796,\n    \"\\u2581\\u13a5\\u13c6\\u13b8\\u13cd\\u13d7\": 20797,\n    \"\\u13a9\\u13b5\\u13f2\\u13e4\\u13b4\": 20798,\n    \"\\u2581\\u13e3\\u13a9\\u13f0\\u13b8\": 20799,\n    \"\\u13c2\\u13c4\\u13b8\\u13c5\": 20800,\n    \"\\u13a6\\u13b6\\u13c7\": 20801,\n    \"\\u13d6\\u13b5\\u13d9\": 20802,\n    \"\\u2581\\u13e9\\u13b5\\u13f0\\u13a2\\u13b6\\u13af\": 20803,\n    \"\\u2581\\u13d7\\u13be\\u13e6\": 20804,\n    \"\\u13b5\\u13e0\\u13ef\\u13cd\\u13db\": 20805,\n    \"\\u2581\\u13d7\\u13a9\\u13f2\\u13e2\": 20806,\n    \"\\u13aa\\u13c1\\u13b6\\u13af\\u13ce\\u13d7\": 20807,\n    \"\\u2581\\u13a2\\u13e8\\u13aa\\u13e9\\u13db\": 20808,\n    \"\\u2581\\u13a6\\u13be\\u13c4\": 20809,\n    \"\\u13ac\\u13e9\\u13dd\": 20810,\n    \"\\u2581\\u13e4\\u13e5\\u13a4\\u13cd\\u13d5\\u13ce\\u13d7\": 20811,\n    \"\\u2581\\u13f1\\u13c4\\u13ea\": 20812,\n    \"\\u2581\\u13a0\\u13c6\\u13e2\\u13c8\\u13cd\\u13d7\": 20813,\n    \"\\u13ea\\u13d9\\u13b5\\u13cd\\u13d7\": 20814,\n    \"\\u2581\\u13a4\\u13c2\\u13f4\\u13d4\\u13c2\\u13af\\u13cd\\u13d7\": 20815,\n    \"\\u13e5\\u13ef\\u13db\\u13db\\u13c5\": 20816,\n    \"\\u13a9\\u13b5\\u13f2\\u13e5\": 20817,\n    \"\\u2581\\u13a4\\u13be\\u13d3\\u13cd\\u13d4\": 20818,\n    \"\\u2581\\u13a2\\u13ac\\u13ea\\u13c5\": 20819,\n    \"\\u13be\\u13db\\u13db\\u13b2\\u13cd\\u13a8\": 20820,\n    \"\\u2581\\u13f1\\u13d3\\u13c2\\u13b3\\u13eb\": 20821,\n    \"\\u13be\\u13eb\\u13db\\u13b2\\u13a9\": 20822,\n    \"\\u2581\\u13a0\\u13c2\\u13d4\\u13f2\": 20823,\n    \"\\u13df\\u13f0\\u13b5\\u13d3\\u13cd\\u13d7\": 20824,\n    \"\\u13b5\\u13cd\\u13d3\\u13c1\\u13b8\\u13a2\": 20825,\n    \"\\u2581\\u13f3\\u13a8\\u13f3\": 20826,\n    \"\\u2581\\u13a4\\u13cd\\u13ab\": 20827,\n    \"\\u13f3\\u13aa\\u13d3\\u13c1\\u13b5\": 20828,\n    \"\\u13d3\\u13d5\\u13ae\\u13cd\\u13d7\": 20829,\n    \"\\u2581\\u13da\\u13b5\\u13c2\\u13c6\": 20830,\n    \"\\u2581\\u13a2\\u13e6\\u13af\\u13f3\\u13d7\": 20831,\n    \"\\u2581\\u13d3\\u13a6\\u13e5\\u13f2\": 20832,\n    \"\\u2581\\u13a4\\u13c2\\u13c2\\u13f4\\u13d7\": 20833,\n    \"\\u13c2\\u13e8\\u13f4\\u13c1\\u13ad\": 20834,\n    \"\\u13cd\\u13d3\\u13a6\\u13b8\": 20835,\n    \"\\u2581\\u13a2\\u13f3\\u13e9\\u13c2\\u13cc\": 20836,\n    \"\\u13b7\\u13cf\\u13b5\\u13bb\": 20837,\n    \"\\u13a4\\u13c2\\u13b2\": 20838,\n    \"\\u13e3\\u13d9\\u13b4\\u13b0\\u13cd\\u13a8\": 20839,\n    \"\\u2581\\u13a8\\u13e5\\u13a9\\u13b5\\u13f2\\u13a2\\u13cd\\u13d9\\u13d7\": 20840,\n    \"\\u13f0\\u13a2\\u13b6\\u13af\": 20841,\n    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\"\\u2581\\u13e7\\u13a6\\u13f4\\u13b5\": 20983,\n    \"\\u13d3\\u13b8\\u13a5\\u13cd\\u13a8\": 20984,\n    \"\\u2581\\u13a0\\u13c2\\u13a6\\u13f4\\u13b5\": 20985,\n    \"\\u2581\\u13eb\\u13af\\u13b6\": 20986,\n    \"\\u2581\\u13e6\\u13a6\\u13e4\\u13b5\": 20987,\n    \"\\u13d9\\u13a9\\u13b8\\u13eb\\u13cd\\u13d3\\u13c1\\u13ad\": 20988,\n    \"\\u13e9\\u13a6\\u13d8\\u13ef\": 20989,\n    \"\\u2581\\u13f1\\u13be\\u13c6\\u13b5\\u13cd\\u13d4\": 20990,\n    \"\\u13db\\u13d3\\u13c5\\u13af\": 20991,\n    \"\\u2581\\u13da\\u13cc\\u13b3\": 20992,\n    \"\\u2581\\u13e7\\u13ec\\u13af\\u13f3\\u13c1\": 20993,\n    \"\\u2581\\u13ac\\u13c6\\u13d3\\u13d9\\u13b5\\u13cd\": 20994,\n    \"\\u13c1\\u13b6\\u13d4\\u13c5\\u13a9\": 20995,\n    \"i\": 20996,\n    \"P\": 20997,\n    \"C\": 20998,\n    \"(\": 20999,\n    \"[\": 21000\n  },\n  \"tgt_word2id\": {\n    \"<pad>\": 0,\n    \"<s>\": 1,\n    \"</s>\": 2,\n    \"<unk>\": 3,\n    \",\": 4,\n    \"\\u2581the\": 5,\n    \"\\u2581and\": 6,\n    \".\": 7,\n    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 \"t\": 51,\n    \"\\u2581on\": 52,\n    \"\\u2581were\": 53,\n    \"\\u2581Lord\": 54,\n    \"\\u2581had\": 55,\n    \"\\u2581which\": 56,\n    \"\\u2581when\": 57,\n    \"\\u2581\\u201c\": 58,\n    \"\\u2581their\": 59,\n    \"\\u2581man\": 60,\n    \"\\u201d\": 61,\n    \"\\u2581one\": 62,\n    \"\\u2581out\": 63,\n    \"\\u2581this\": 64,\n    \"\\u2581will\": 65,\n    \"\\u2581we\": 66,\n    \"\\u2581up\": 67,\n    \"\\u2581by\": 68,\n    \"\\u2581into\": 69,\n    \"\\u2581thy\": 70,\n    \"\\u2581The\": 71,\n    \"\\u2581thee\": 72,\n    \"\\u2581But\": 73,\n    \"\\u2581there\": 74,\n    \"\\u2581came\": 75,\n    \"\\u2581Jesus\": 76,\n    \"\\u2581who\": 77,\n    \"\\u2581her\": 78,\n    \"\\u2581at\": 79,\n    \"\\u2581things\": 80,\n    \"\\u2581also\": 81,\n    \"\\u2581upon\": 82,\n    \"\\u2581your\": 83,\n    \"d\": 84,\n    \"\\u2581us\": 85,\n    \"\\u2581For\": 86,\n    \"\\u2581no\": 87,\n    \"\\u2581come\": 88,\n    \"\\u2581she\": 89,\n    \"\\u2581if\": 90,\n    \"\\u2581hath\": 91,\n    \"\\u2581do\": 92,\n    \"\\u2581He\": 93,\n    \"\\u2581made\": 94,\n    \"\\u2581an\": 95,\n    \"\\u2581went\": 96,\n    \"\\u2581day\": 97,\n    \"\\u2581down\": 98,\n    \"\\u2581saying\": 99,\n    \"\\u2581so\": 100,\n    \"\\u2581our\": 101,\n    \"\\u2581even\": 102,\n    \"\\u2581say\": 103,\n    \"\\u2581men\": 104,\n    \"\\u2581people\": 105,\n    \"\\u2581before\": 106,\n    \"\\u2581or\": 107,\n    \"\\u2581these\": 108,\n    \"\\u2581may\": 109,\n    \"\\u2581Christ\": 110,\n    \"\\u2581go\": 111,\n    \"-\": 112,\n    \"\\u2581what\": 113,\n    \"eth\": 114,\n    \"!\": 115,\n    \"'\": 116,\n    \"ly\": 117,\n    \"\\u2581did\": 118,\n    \"\\u2581after\": 119,\n    \"\\u2581know\": 120,\n    \"\\u2581make\": 121,\n    \"\\u2581every\": 122,\n    \"\\u2581let\": 123,\n    \"\\u2581through\": 124,\n    \"\\u2581Wilbur\": 125,\n    \"\\u2581son\": 126,\n    \"\\u2581land\": 127,\n    \"cause\": 128,\n    \"\\u2581therefore\": 129,\n    \"\\u2581would\": 130,\n    \"\\u2581then\": 131,\n    \"\\u2581away\": 132,\n    \"\\u2581good\": 133,\n    \"\\u2581children\": 134,\n    \"\\u2581hand\": 135,\n    \"\\u2581over\": 136,\n    \"\\u2581about\": 137,\n    \"\\u2581Moses\": 138,\n    \"\\u2581two\": 139,\n    \"\\u2581called\": 140,\n    \"\\u2581am\": 141,\n    \"\\u2581earth\": 142,\n    \"\\u2581house\": 143,\n    \"\\u2581should\": 144,\n    \"th\": 145,\n    \"\\u2581any\": 146,\n    \"\\u2581father\": 147,\n    \"\\u2581name\": 148,\n    \"\\u2581great\": 149,\n    \"\\u2581put\": 150,\n    \"\\u2581now\": 151,\n    \"y\": 152,\n    \"\\u2581like\": 153,\n    \"\\u2581days\": 154,\n    \"\\u2581against\": 155,\n    \"\\u2581whom\": 156,\n    \"\\u2581saw\": 157,\n    \"\\u2581been\": 158,\n    \"\\u2581where\": 159,\n    \"\\u2581heard\": 160,\n    \"\\u2581saith\": 161,\n    \"e\": 162,\n    \"\\u2581more\": 163,\n    \"\\u2581see\": 164,\n    \"\\u2581many\": 165,\n    \"\\u2581took\": 166,\n    \"\\u2581give\": 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\"\\u2581burned\": 1448,\n    \"\\u2581feeling\": 1449,\n    \"ily\": 1450,\n    \"\\u2581notice\": 1451,\n    \"\\u2581destroyed\": 1452,\n    \"\\u2581strangers\": 1453,\n    \"\\u2581doing\": 1454,\n    \"\\u2581Is\": 1455,\n    \"\\u2581R\": 1456,\n    \"\\u2581perceive\": 1457,\n    \"\\u2581Salut\": 1458,\n    \"\\u2581hole\": 1459,\n    \"\\u2581Hebrew\": 1460,\n    \"\\u2581cubit\": 1461,\n    \"\\u2581ship\": 1462,\n    \"\\u2581sanctif\": 1463,\n    \"\\u2581curse\": 1464,\n    \"\\u2581grave\": 1465,\n    \"\\u2581naked\": 1466,\n    \"\\u2581supper\": 1467,\n    \"\\u2581Macedonia\": 1468,\n    \"\\u2581Spearfinger\": 1469,\n    \"\\u2581behalf\": 1470,\n    \"\\u2581ignorant\": 1471,\n    \"\\u2581thither\": 1472,\n    \"\\u2581bottle\": 1473,\n    \"\\u2581crawl\": 1474,\n    \"\\u2581Saul\": 1475,\n    \"\\u2581idea\": 1476,\n    \"\\u2581loaves\": 1477,\n    \"\\u2581reproach\": 1478,\n    \"\\u2581cheer\": 1479,\n    \"\\u2581moon\": 1480,\n    \"\\u2581Arise\": 1481,\n    \"\\u2581tidings\": 1482,\n    \"\\u2581handmaid\": 1483,\n    \"\\u2581decided\": 1484,\n    \"\\u2581horns\": 1485,\n    \"\\u2581wide\": 1486,\n    \"\\u2581idols\": 1487,\n    \"\\u2581fly\": 1488,\n    \"\\u2581shoes\": 1489,\n    \"\\u2581knees\": 1490,\n    \"\\u2581bonds\": 1491,\n    \"\\u2581washed\": 1492,\n    \"\\u2581goods\": 1493,\n    \"ate\": 1494,\n    \"\\u2581either\": 1495,\n    \"\\u2581letters\": 1496,\n    \"\\u2581use\": 1497,\n    \"\\u2581move\": 1498,\n    \"\\u2581eggs\": 1499,\n    \"\\u2581tables\": 1500,\n    \"\\u2581sacrifices\": 1501,\n    \"g\": 1502,\n    \"\\u2581thinking\": 1503,\n    \"\\u2581form\": 1504,\n    \"\\u2581needs\": 1505,\n    \"nto\": 1506,\n    \"\\u2581accuse\": 1507,\n    \"\\u2581bearing\": 1508,\n    \"\\u2581question\": 1509,\n    \"\\u2581demon\": 1510,\n    \"\\u2581affliction\": 1511,\n    \"\\u2581governor\": 1512,\n    \"\\u2581root\": 1513,\n    \"\\u2581possession\": 1514,\n    \"\\u2581neighbor\": 1515,\n    \"\\u2581wheel\": 1516,\n    \"\\u2581host\": 1517,\n    \"\\u2581corner\": 1518,\n    \"\\u2581afterward\": 1519,\n    \"\\u2581clear\": 1520,\n    \"How\": 1521,\n    \"But\": 1522,\n    \"\\u2581worry\": 1523,\n    \"\\u2581regard\": 1524,\n    \"\\u2581proceed\": 1525,\n    \"nt\": 1526,\n    \"\\u2581forbid\": 1527,\n    \"\\u2581shoulder\": 1528,\n    \"\\u2581wicked\": 1529,\n    \"\\u2581grievous\": 1530,\n    \"\\u2581late\": 1531,\n    \"\\u2581Cain\": 1532,\n    \"\\u2581Claire\": 1533,\n    \"\\u2581Jordan\": 1534,\n    \"\\u2581abode\": 1535,\n    \"\\u2581centurion\": 1536,\n    \"\\u2581company\": 1537,\n    \"\\u2581marriage\": 1538,\n    \"\\u2581neighbour\": 1539,\n    \"\\u2581flies\": 1540,\n    \"\\u2581parents\": 1541,\n    \"\\u2581families\": 1542,\n    \"\\u2581struck\": 1543,\n    \"\\u2581breakfast\": 1544,\n    \"\\u2581nought\": 1545,\n    \"\\u2581business\": 1546,\n    \"\\u2581repentance\": 1547,\n    \"\\u2581subjection\": 1548,\n    \"\\u2581brake\": 1549,\n    \"\\u2581Most\": 1550,\n    \"\\u2581fill\": 1551,\n    \"\\u2581tiny\": 1552,\n    \"\\u2581cock\": 1553,\n    \"\\u2581begin\": 1554,\n    \"\\u2581direction\": 1555,\n    \"\\u2581sell\": 1556,\n    \"\\u2581robe\": 1557,\n    \"\\u2581anger\": 1558,\n    \"\\u2581marvelled\": 1559,\n    \"\\u2581Art\": 1560,\n    \"\\u2581tied\": 1561,\n    \"ting\": 1562,\n    \"\\u2581reckoned\": 1563,\n    \"\\u2581Here\": 1564,\n    \"\\u2581covering\": 1565,\n    \"ever\": 1566,\n    \"\\u2581lusts\": 1567,\n    \"\\u2581served\": 1568,\n    \"\\u2581fully\": 1569,\n    \"\\u2581height\": 1570,\n    \"\\u2581corners\": 1571,\n    \"\\u2581journeyed\": 1572,\n    \"\\u2581hate\": 1573,\n    \"\\u2581faint\": 1574,\n    \"\\u2581Her\": 1575,\n    \"\\u2581scriptures\": 1576,\n    \"\\u2581gates\": 1577,\n    \"\\u2581declare\": 1578,\n    \"\\u2581falling\": 1579,\n    \"\\u2581treasure\": 1580,\n    \"the\": 1581,\n    \"\\u2581G\": 1582,\n    \"\\u2581commit\": 1583,\n    \"ance\": 1584,\n    \"\\u2581voices\": 1585,\n    \"\\u2581labor\": 1586,\n    \"ish\": 1587,\n    \"\\u2581tribulation\": 1588,\n    \"red\": 1589,\n    \"\\u2581join\": 1590,\n    \"\\u2581arm\": 1591,\n    \"\\u2581apostle\": 1592,\n    \"The\": 1593,\n    \"times\": 1594,\n    \"That\": 1595,\n    \"\\u2581profit\": 1596,\n    \"\\u2581utter\": 1597,\n    \"\\u2581strip\": 1598,\n    \"\\u2581change\": 1599,\n    \"\\u2581leaven\": 1600,\n    \"\\u2581stop\": 1601,\n    \"\\u2581refuse\": 1602,\n    \"\\u2581plain\": 1603,\n    \"\\u2581natural\": 1604,\n    \"\\u2581chose\": 1605,\n    \"\\u2581Again\": 1606,\n    \"\\u2581Brethren\": 1607,\n    \"\\u2581Grace\": 1608,\n    \"\\u2581Nazareth\": 1609,\n    \"\\u2581beneath\": 1610,\n    \"\\u2581geese\": 1611,\n    \"\\u2581middle\": 1612,\n    \"\\u2581woe\": 1613,\n    \"\\u2581fourteen\": 1614,\n    \"\\u2581fair\": 1615,\n    \"\\u2581respect\": 1616,\n    \"\\u2581spoil\": 1617,\n    \"\\u2581Asia\": 1618,\n    \"\\u2581abundantly\": 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\"\\u2581ram\": 1654,\n    \"\\u2581fowl\": 1655,\n    \"\\u2581miracle\": 1656,\n    \"\\u2581male\": 1657,\n    \"\\u2581serpent\": 1658,\n    \"\\u2581learn\": 1659,\n    \"\\u2581talk\": 1660,\n    \"\\u2581widow\": 1661,\n    \"\\u2581border\": 1662,\n    \"ry\": 1663,\n    \"k\": 1664,\n    \"\\u2581won\": 1665,\n    \"\\u2581redeem\": 1666,\n    \"\\u2581escape\": 1667,\n    \"\\u2581several\": 1668,\n    \"\\u2581lot\": 1669,\n    \"he\": 1670,\n    \"\\u2581Antioch\": 1671,\n    \"\\u2581Crockett\": 1672,\n    \"\\u2581Ishmael\": 1673,\n    \"\\u2581Reuben\": 1674,\n    \"\\u2581Washington\": 1675,\n    \"\\u2581baptism\": 1676,\n    \"\\u2581cunning\": 1677,\n    \"\\u2581everlasting\": 1678,\n    \"\\u2581language\": 1679,\n    \"\\u2581leaving\": 1680,\n    \"\\u2581truly\": 1681,\n    \"\\u2581Sarai\": 1682,\n    \"\\u2581Sinai\": 1683,\n    \"\\u2581astray\": 1684,\n    \"\\u2581dawn\": 1685,\n    \"\\u2581slew\": 1686,\n    \"\\u2581nature\": 1687,\n    \"\\u2581sitteth\": 1688,\n    \"\\u2581colonel\": 1689,\n    \"\\u2581swallow\": 1690,\n    \"\\u2581Shechem\": 1691,\n    \"\\u2581Howbeit\": 1692,\n    \"\\u2581sanctuary\": 1693,\n    \"\\u2581tarried\": 1694,\n    \"\\u2581grain\": 1695,\n    \"\\u2581bitter\": 1696,\n    \"\\u2581yellow\": 1697,\n    \"\\u2581interpretation\": 1698,\n    \"\\u2581sanctified\": 1699,\n    \"\\u2581oxen\": 1700,\n    \"\\u2581sorry\": 1701,\n    \"\\u2581wheat\": 1702,\n    \"\\u2581fishes\": 1703,\n    \"\\u2581farm\": 1704,\n    \"\\u2581sown\": 1705,\n    \"\\u2581pail\": 1706,\n    \"\\u2581exalted\": 1707,\n    \"\\u2581Te\": 1708,\n    \"\\u2581weeping\": 1709,\n    \"\\u2581loosed\": 1710,\n    \"\\u2581line\": 1711,\n    \"\\u2581Look\": 1712,\n    \"\\u2581lower\": 1713,\n    \"\\u2581tears\": 1714,\n    \"\\u2581wipe\": 1715,\n    \"ory\": 1716,\n    \"\\u2581sailed\": 1717,\n    \"\\u2581calleth\": 1718,\n    \"\\u2581counted\": 1719,\n    \"\\u2581comforted\": 1720,\n    \"\\u2581lines\": 1721,\n    \"\\u2581borders\": 1722,\n    \"\\u2581north\": 1723,\n    \"\\u2581noise\": 1724,\n    \"\\u2581watching\": 1725,\n    \"\\u2581turning\": 1726,\n    \"\\u2581st\": 1727,\n    \"\\u2581doest\": 1728,\n    \"\\u2581Br\": 1729,\n    \"\\u2581nose\": 1730,\n    \"\\u2581con\": 1731,\n    \"\\u2581spiders\": 1732,\n    \"\\u2581inso\": 1733,\n    \"\\u2581Oh\": 1734,\n    \"\\u2581cr\": 1735,\n    \"\\u2581offerings\": 1736,\n    \"\\u2581thoughts\": 1737,\n    \"\\u2581r\": 1738,\n    \"\\u2581per\": 1739,\n    \"\\u2581hide\": 1740,\n    \"\\u2581cabin\": 1741,\n    \"\\u2581exhort\": 1742,\n    \"\\u2581fig\": 1743,\n    \"\\u2581hill\": 1744,\n    \"to\": 1745,\n    \"Charlotte\": 1746,\n    \"Now\": 1747,\n    \"\\u2581lack\": 1748,\n    \"ch\": 1749,\n    \"\\u2581Ha\": 1750,\n    \"\\u2581dirt\": 1751,\n    \"\\u2581swam\": 1752,\n    \"\\u2581overcome\": 1753,\n    \"\\u2581building\": 1754,\n    \"\\u2581Asmeret\": 1755,\n    \"\\u2581Ephesus\": 1756,\n    \"\\u2581Hittite\": 1757,\n    \"\\u2581Nahor\": 1758,\n    \"\\u2581Simeon\": 1759,\n    \"\\u2581cellar\": 1760,\n    \"\\u2581harlot\": 1761,\n    \"\\u2581rope\": 1762,\n    \"\\u2581yield\": 1763,\n    \"\\u2581running\": 1764,\n    \"\\u2581Damascus\": 1765,\n    \"\\u2581different\": 1766,\n    \"\\u2581drank\": 1767,\n    \"\\u2581godliness\": 1768,\n    \"\\u2581common\": 1769,\n    \"\\u2581wings\": 1770,\n    \"\\u2581shook\": 1771,\n    \"\\u2581compassion\": 1772,\n    \"\\u2581grant\": 1773,\n    \"\\u2581beaten\": 1774,\n    \"\\u2581pick\": 1775,\n    \"\\u2581bigge\": 1776,\n    \"\\u2581chosen\": 1777,\n    \"\\u2581pool\": 1778,\n    \"\\u2581thorns\": 1779,\n    \"\\u2581asses\": 1780,\n    \"\\u2581An\": 1781,\n    \"\\u2581tempted\": 1782,\n    \"\\u2581jumped\": 1783,\n    \"\\u2581Did\": 1784,\n    \"\\u2581chains\": 1785,\n    \"\\u2581row\": 1786,\n    \"\\u2581Hear\": 1787,\n    \"\\u2581mourning\": 1788,\n    \"men\": 1789,\n    \"\\u2581wor\": 1790,\n    \"\\u2581goodness\": 1791,\n    \"\\u2581herds\": 1792,\n    \"\\u2581pipe\": 1793,\n    \"ants\": 1794,\n    \"\\u2581bowls\": 1795,\n    \"\\u2581pale\": 1796,\n    \"\\u2581lamps\": 1797,\n    \"\\u2581breaking\": 1798,\n    \"\\u2581arms\": 1799,\n    \"\\u2581lambs\": 1800,\n    \"\\u2581sayest\": 1801,\n    \"\\u2581Shem\": 1802,\n    \"\\u2581de\": 1803,\n    \"\\u2581withal\": 1804,\n    \"\\u2581prayers\": 1805,\n    \"\\u2581heal\": 1806,\n    \"\\u2581drinking\": 1807,\n    \"\\u2581commun\": 1808,\n    \"\\u2581judges\": 1809,\n    \"\\u2581fruits\": 1810,\n    \"\\u2581roll\": 1811,\n    \"\\u2581desert\": 1812,\n    \"\\u2581bringing\": 1813,\n    \"\\u2581girdle\": 1814,\n    \"\\u2581cave\": 1815,\n    \"age\": 1816,\n    \"\\u2581stream\": 1817,\n    \"\\u2581week\": 1818,\n    \"\\u2581Greek\": 1819,\n    \"\\u2581bird\": 1820,\n    \"\\u2581glorying\": 1821,\n    \"\\u2581reap\": 1822,\n    \"Good\": 1823,\n    \"\\u2581flow\": 1824,\n    \"\\u2581render\": 1825,\n    \"laid\": 1826,\n    \"\\u2581letter\": 1827,\n    \"\\u2581flat\": 1828,\n    \"\\u2581haste\": 1829,\n    \"\\u2581Man\": 1830,\n    \"ollow\": 1831,\n    \"\\u2581stumbling\": 1832,\n    \"\\u2581Almighty\": 1833,\n    \"\\u2581anxious\": 1834,\n    \"\\u2581bodies\": 1835,\n    \"\\u2581bridegroom\": 1836,\n    \"\\u2581damsel\": 1837,\n    \"\\u2581disobedient\": 1838,\n    \"\\u2581divers\": 1839,\n    \"\\u2581necessary\": 1840,\n    \"\\u2581obedience\": 1841,\n    \"\\u2581prosper\": 1842,\n    \"\\u2581screamed\": 1843,\n    \"\\u2581silence\": 1844,\n    \"\\u2581uncircumcision\": 1845,\n    \"\\u2581diligence\": 1846,\n    \"\\u2581iron\": 1847,\n    \"\\u2581trumpet\": 1848,\n    \"\\u2581harvest\": 1849,\n    \"\\u2581Stephen\": 1850,\n    \"\\u2581lips\": 1851,\n    \"\\u2581slain\": 1852,\n    \"\\u2581Haran\": 1853,\n    \"\\u2581honey\": 1854,\n    \"\\u2581rising\": 1855,\n    \"\\u2581Nancy\": 1856,\n    \"\\u2581acceptable\": 1857,\n    \"\\u2581spare\": 1858,\n    \"\\u2581boldness\": 1859,\n    \"\\u2581overlay\": 1860,\n    \"\\u2581temptation\": 1861,\n    \"\\u2581lodge\": 1862,\n    \"\\u2581steal\": 1863,\n    \"\\u2581worse\": 1864,\n    \"\\u2581Can\": 1865,\n    \"\\u2581hypocrites\": 1866,\n    \"\\u2581Sure\": 1867,\n    \"\\u2581ceased\": 1868,\n    \"\\u2581Sir\": 1869,\n    \"\\u2581removed\": 1870,\n    \"\\u2581defiled\": 1871,\n    \"ite\": 1872,\n    \"\\u2581goslings\": 1873,\n    \"\\u2581henceforth\": 1874,\n    \"\\u2581shortly\": 1875,\n    \"\\u2581hell\": 1876,\n    \"\\u2581obtained\": 1877,\n    \"THE\": 1878,\n    \"wo\": 1879,\n    \"\\u2581onto\": 1880,\n    \"\\u2581stared\": 1881,\n    \"\\u2581sacrificed\": 1882,\n    \"\\u2581soft\": 1883,\n    \"\\u2581frogs\": 1884,\n    \"\\u2581Greeks\": 1885,\n    \"\\u2581widows\": 1886,\n    \"\\u2581pro\": 1887,\n    \"\\u2581Sen\": 1888,\n    \"\\u2581comes\": 1889,\n    \"\\u2581needed\": 1890,\n    \"ors\": 1891,\n    \"\\u2581seeth\": 1892,\n    \"\\u2581prove\": 1893,\n    \"\\u2581sad\": 1894,\n    \"\\u2581rebuke\": 1895,\n    \"\\u2581holding\": 1896,\n    \"\\u2581ill\": 1897,\n    \"ge\": 1898,\n    \"rolled\": 1899,\n    \"\\u2581liked\": 1900,\n    \"score\": 1901,\n    \"\\u2581fore\": 1902,\n    \"\\u2581occasion\": 1903,\n    \"No\": 1904,\n    \"\\u2581happen\": 1905,\n    \"\\u2581lust\": 1906,\n    \"\\u2581burden\": 1907,\n    \"\\u2581add\": 1908,\n    \"c\": 1909,\n    \"\\u2581revelation\": 1910,\n    \"\\u2581region\": 1911,\n    \"\\u2581supplication\": 1912,\n    \"\\u2581shepherd\": 1913,\n    \"\\u2581blanket\": 1914,\n    \"\\u2581Egyptian\": 1915,\n    \"\\u2581mark\": 1916,\n    \"\\u2581dog\": 1917,\n    \"ris\": 1918,\n    \"\\u2581beside\": 1919,\n    \"F\": 1920,\n    \"\\u2581salt\": 1921,\n    \"\\u2581laugh\": 1922,\n    \"\\u2581inhabit\": 1923,\n    \"\\u2581interest\": 1924,\n    \"\\u2581condemn\": 1925,\n    \"\\u2581betray\": 1926,\n    \"\\u2581pour\": 1927,\n    \"\\u2581heat\": 1928,\n    \"\\u2581defile\": 1929,\n    \"ary\": 1930,\n    \"\\u2581je\": 1931,\n    \"\\u2581release\": 1932,\n    \"\\u2581despise\": 1933,\n    \"\\u2581taste\": 1934,\n    \"\\u2581store\": 1935,\n    \"\\u2581slow\": 1936,\n    \"\\u2581vine\": 1937,\n    \"\\u2581Sadducees\": 1938,\n    \"\\u2581America\": 1939,\n    \"\\u2581Lazarus\": 1940,\n    \"\\u2581Manasseh\": 1941,\n    \"\\u2581Sequoyah\": 1942,\n    \"\\u2581awoke\": 1943,\n    \"\\u2581confidence\": 1944,\n    \"\\u2581countenance\": 1945,\n    \"\\u2581doctrine\": 1946,\n    \"\\u2581dumb\": 1947,\n    \"\\u2581multiplied\": 1948,\n    \"\\u2581ointment\": 1949,\n    \"\\u2581recompense\": 1950,\n    \"\\u2581substance\": 1951,\n    \"\\u2581tarry\": 1952,\n    \"\\u2581Hagar\": 1953,\n    \"\\u2581crep\": 1954,\n    \"\\u2581digged\": 1955,\n    \"\\u2581contrary\": 1956,\n    \"\\u2581gander\": 1957,\n    \"\\u2581fellowship\": 1958,\n    \"\\u2581loins\": 1959,\n    \"\\u2581pretty\": 1960,\n    \"\\u2581Zion\": 1961,\n    \"\\u2581understood\": 1962,\n    \"\\u2581continually\": 1963,\n    \"\\u2581unrighteousness\": 1964,\n    \"\\u2581ungodly\": 1965,\n    \"\\u2581loss\": 1966,\n    \"\\u2581wickedness\": 1967,\n    \"\\u2581price\": 1968,\n    \"\\u2581trade\": 1969,\n    \"\\u2581exactly\": 1970,\n    \"\\u2581married\": 1971,\n    \"\\u2581heap\": 1972,\n    \"\\u2581rejected\": 1973,\n    \"\\u2581doorway\": 1974,\n    \"\\u2581stedfastly\": 1975,\n    \"\\u2581carefully\": 1976,\n    \"\\u2581fruitful\": 1977,\n    \"\\u2581shot\": 1978,\n    \"\\u2581stirred\": 1979,\n    \"\\u2581descended\": 1980,\n    \"\\u2581spit\": 1981,\n    \"\\u2581kindness\": 1982,\n    \"\\u2581hunger\": 1983,\n    \"\\u2581prevailed\": 1984,\n    \"\\u2581thick\": 1985,\n    \"\\u2581dying\": 1986,\n    \"\\u2581manure\": 1987,\n    \"\\u2581ring\": 1988,\n    \"\\u2581quietly\": 1989,\n    \"\\u2581loops\": 1990,\n    \"\\u2581bars\": 1991,\n    \"\\u2581town\": 1992,\n    \"\\u2581final\": 1993,\n    \"\\u2581pond\": 1994,\n    \"\\u2581divide\": 1995,\n    \"xcept\": 1996,\n    \"\\u2581chariots\": 1997,\n    \"\\u2581rejoiced\": 1998,\n    \"\\u2581condemned\": 1999,\n    \"\\u2581cleanse\": 2000,\n    \"\\u2581powers\": 2001,\n    \"\\u2581promised\": 2002,\n    \"\\u2581consider\": 2003,\n    \"ke\": 2004,\n    \"time\": 2005,\n    \"\\u2581fasten\": 2006,\n    \"\\u2581desired\": 2007,\n    \"ach\": 2008,\n    \"\\u2581m\": 2009,\n    \"\\u2581dreamed\": 2010,\n    \"\\u2581seasons\": 2011,\n    \"\\u2581Re\": 2012,\n    \"\\u2581Well\": 2013,\n    \"\\u2581lives\": 2014,\n    \"unto\": 2015,\n    \"ight\": 2016,\n    \"\\u2581mo\": 2017,\n    \"\\u2581ca\": 2018,\n    \"\\u2581parted\": 2019,\n    \"\\u2581praying\": 2020,\n    \"\\u2581intend\": 2021,\n    \"\\u2581west\": 2022,\n    \"\\u2581tr\": 2023,\n    \"\\u2581laying\": 2024,\n    \"\\u2581shed\": 2025,\n    \"\\u2581favor\": 2026,\n    \"\\u2581desir\": 2027,\n    \"\\u2581rivers\": 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\"\\u2581fifteen\": 2063,\n    \"\\u2581ghost\": 2064,\n    \"\\u2581thief\": 2065,\n    \"\\u2581travail\": 2066,\n    \"\\u2581Festus\": 2067,\n    \"\\u2581calf\": 2068,\n    \"\\u2581Moreover\": 2069,\n    \"\\u2581broad\": 2070,\n    \"\\u2581compass\": 2071,\n    \"\\u2581excellent\": 2072,\n    \"\\u2581void\": 2073,\n    \"\\u2581stuff\": 2074,\n    \"\\u2581particular\": 2075,\n    \"\\u2581famous\": 2076,\n    \"\\u2581Edom\": 2077,\n    \"\\u2581bidden\": 2078,\n    \"\\u2581prophecy\": 2079,\n    \"\\u2581heavy\": 2080,\n    \"\\u2581family\": 2081,\n    \"\\u2581nay\": 2082,\n    \"\\u2581Which\": 2083,\n    \"\\u2581palm\": 2084,\n    \"\\u2581single\": 2085,\n    \"\\u2581ashes\": 2086,\n    \"\\u2581Abel\": 2087,\n    \"\\u2581jealousy\": 2088,\n    \"\\u2581husbandmen\": 2089,\n    \"\\u2581bind\": 2090,\n    \"\\u2581kindred\": 2091,\n    \"\\u2581Hello\": 2092,\n    \"\\u2581trial\": 2093,\n    \"\\u2581beforehand\": 2094,\n    \"\\u2581shaken\": 2095,\n    \"bee\": 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\"Many\": 2130,\n    \"\\u2581tall\": 2131,\n    \"\\u2581aside\": 2132,\n    \"\\u2581standeth\": 2133,\n    \"\\u2581findeth\": 2134,\n    \"\\u2581builded\": 2135,\n    \"\\u2581greatest\": 2136,\n    \"\\u2581numbered\": 2137,\n    \"\\u2581gotten\": 2138,\n    \"\\u2581hosts\": 2139,\n    \"\\u2581reading\": 2140,\n    \"\\u2581Zuckermans\": 2141,\n    \"\\u2581Hebrews\": 2142,\n    \"\\u2581waited\": 2143,\n    \"\\u2581sounded\": 2144,\n    \"\\u2581shoulders\": 2145,\n    \"ought\": 2146,\n    \"\\u2581tribes\": 2147,\n    \"\\u2581meeting\": 2148,\n    \"\\u2581sleeping\": 2149,\n    \"if\": 2150,\n    \"ned\": 2151,\n    \"stead\": 2152,\n    \"\\u2581masters\": 2153,\n    \"all\": 2154,\n    \"nder\": 2155,\n    \"reached\": 2156,\n    \"\\u2581thousands\": 2157,\n    \"\\u2581Heth\": 2158,\n    \"\\u2581yours\": 2159,\n    \"\\u2581seal\": 2160,\n    \"ened\": 2161,\n    \"\\u2581Du\": 2162,\n    \"ic\": 2163,\n    \"\\u2581forget\": 2164,\n    \"\\u2581paper\": 2165,\n    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\"\\u2581breaks\": 6201,\n    \"\\u2581numbers\": 6202,\n    \"\\u2581Almo\": 6203,\n    \"Che\": 6204,\n    \"\\u2581Zi\": 6205,\n    \"\\u2581services\": 6206,\n    \"\\u2581reform\": 6207,\n    \"\\u2581weari\": 6208,\n    \"\\u2581fe\": 6209,\n    \"\\u2581crates\": 6210,\n    \"herein\": 6211,\n    \"MO\": 6212,\n    \"\\u2581allow\": 6213,\n    \"\\u2581uncle\": 6214,\n    \"cord\": 6215,\n    \"nigh\": 6216,\n    \"arrows\": 6217,\n    \"\\u2581struggl\": 6218,\n    \"\\u2581rou\": 6219,\n    \"\\u2581admire\": 6220,\n    \"eigne\": 6221,\n    \"\\u2581hum\": 6222,\n    \"\\u2581Ber\": 6223,\n    \"ander\": 6224,\n    \"B\": 6225,\n    \"allowed\": 6226,\n    \"\\u2581gaze\": 6227,\n    \"\\u2581blackberr\": 6228,\n    \"\\u2581uneas\": 6229,\n    \"\\u2581argue\": 6230,\n    \"ching\": 6231,\n    \"claimed\": 6232,\n    \"vi\": 6233,\n    \"wist\": 6234,\n    \"\\u2581pace\": 6235,\n    \"tended\": 6236,\n    \"\\u2581cat\": 6237,\n    \"\\u2581elevate\": 6238,\n    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7336,\n    \"\\u2581dau\": 7337,\n    \"\\u2581scare\": 7338,\n    \"\\u2581ledge\": 7339,\n    \"cientist\": 7340,\n    \"\\u2581dreamily\": 7341,\n    \"\\u2581belonging\": 7342,\n    \"\\u2581embalmed\": 7343,\n    \"\\u2581drowned\": 7344,\n    \"\\u2581hesitated\": 7345,\n    \"\\u2581butchered\": 7346,\n    \"orci\": 7347,\n    \"\\u2581underwear\": 7348,\n    \"\\u2581cobbler\": 7349,\n    \"\\u2581Mish\": 7350,\n    \"voca\": 7351,\n    \"Goodness\": 7352,\n    \"isc\": 7353,\n    \"\\u2581gloriest\": 7354,\n    \"\\u2581Near\": 7355,\n    \"\\u2581meta\": 7356,\n    \"\\u2581Apple\": 7357,\n    \"\\u2581sym\": 7358,\n    \"\\u2581delicately\": 7359,\n    \"\\u2581meekly\": 7360,\n    \"\\u2581laughter\": 7361,\n    \"\\u2581tamed\": 7362,\n    \"\\u2581chasteneth\": 7363,\n    \"\\u2581flapped\": 7364,\n    \"\\u2581Elim\": 7365,\n    \"\\u2581dealings\": 7366,\n    \"\\u2581acquaint\": 7367,\n    \"\\u2581Mib\": 7368,\n    \"\\u2581tailor\": 7369,\n    \"\\u2581blaze\": 7370,\n    \"\\u2581familiar\": 7371,\n    \"\\u2581ordinary\": 7372,\n    \"\\u2581wreck\": 7373,\n    \"amous\": 7374,\n    \"\\u2581Wind\": 7375,\n    \"\\u2581cure\": 7376,\n    \"eneration\": 7377,\n    \"\\u2581thump\": 7378,\n    \"\\u2581Fight\": 7379,\n    \"anim\": 7380,\n    \"\\u2581firelight\": 7381,\n    \"\\u2581defende\": 7382,\n    \"\\u2581Majest\": 7383,\n    \"\\u2581watchful\": 7384,\n    \"\\u2581overboard\": 7385,\n    \"bsolution\": 7386,\n    \"allel\": 7387,\n    \"\\u2581Obe\": 7388,\n    \"\\u2581saddle\": 7389,\n    \"luc\": 7390,\n    \"affl\": 7391,\n    \"\\u2581worshippeth\": 7392,\n    \"oic\": 7393,\n    \"arge\": 7394,\n    \"blossom\": 7395,\n    \"\\u2581generally\": 7396,\n    \"\\u2581sunris\": 7397,\n    \"\\u2581ruff\": 7398,\n    \"yway\": 7399,\n    \"rban\": 7400,\n    \"\\u2581joyfully\": 7401,\n    \"rsel\": 7402,\n    \"\\u2581lightened\": 7403,\n    \"\\u2581striker\": 7404,\n    \"Avery\": 7405,\n    \"anging\": 7406,\n    \"\\u2581unity\": 7407,\n    \"\\u2581perfection\": 7408,\n    \"willing\": 7409,\n    \"\\u2581copies\": 7410,\n    \"\\u2581endeavors\": 7411,\n    \"\\u2581feathers\": 7412,\n    \"\\u2581morals\": 7413,\n    \"\\u2581palaces\": 7414,\n    \"\\u2581politics\": 7415,\n    \"\\u2581proselytes\": 7416,\n    \"\\u2581symbols\": 7417,\n    \"eyond\": 7418,\n    \"\\u2581convers\": 7419,\n    \"\\u2581Mana\": 7420,\n    \"\\u2581rambl\": 7421,\n    \"siah\": 7422,\n    \"hepherd\": 7423,\n    \"\\u2581Alexandrian\": 7424,\n    \"\\u2581mites\": 7425,\n    \"\\u2581bored\": 7426,\n    \"ighteous\": 7427,\n    \"\\u2581Boy\": 7428,\n    \"\\u2581scour\": 7429,\n    \"\\u2581unbeliever\": 7430,\n    \"\\u2581thereupon\": 7431,\n    \"sorry\": 7432,\n    \"esis\": 7433,\n    \"\\u2581penny\": 7434,\n    \"planted\": 7435,\n    \"\\u2581fisherm\": 7436,\n    \"jack\": 7437,\n    \"\\u2581decrease\": 7438,\n    \"\\u2581cult\": 7439,\n    \"\\u2581assuredly\": 7440,\n    \"\\u2581gloriously\": 7441,\n    \"col\": 7442,\n    \"\\u2581scattereth\": 7443,\n    \"\\u2581licked\": 7444,\n    \"\\u2581dismissed\": 7445,\n    \"\\u2581carcase\": 7446,\n    \"\\u2581drunkard\": 7447,\n    \"\\u2581complained\": 7448,\n    \"\\u2581reviler\": 7449,\n    \"\\u2581lackest\": 7450,\n    \"\\u2581whistling\": 7451,\n    \"\\u2581contem\": 7452,\n    \"burger\": 7453,\n    \"\\u2581complaining\": 7454,\n    \"\\u2581mom\": 7455,\n    \"\\u2581Had\": 7456,\n    \"inter\": 7457,\n    \"\\u2581baptizeth\": 7458,\n    \"\\u2581pyr\": 7459,\n    \"\\u2581wedding\": 7460,\n    \"\\u2581project\": 7461,\n    \"\\u2581Joy\": 7462,\n    \"ripe\": 7463,\n    \"\\u2581lick\": 7464,\n    \"evolution\": 7465,\n    \"\\u2581mouthful\": 7466,\n    \"\\u2581dries\": 7467,\n    \"\\u2581spy\": 7468,\n    \"lunta\": 7469,\n    \"\\u2581constant\": 7470,\n    \"\\u2581Ach\": 7471,\n    \"\\u2581quench\": 7472,\n    \"\\u2581pathetic\": 7473,\n    \"\\u2581becomingly\": 7474,\n    \"\\u2581faileth\": 7475,\n    \"\\u2581draft\": 7476,\n    \"\\u2581summ\": 7477,\n    \"\\u2581dar\": 7478,\n    \"\\u2581sling\": 7479,\n    \"\\u2581explod\": 7480,\n    \"\\u2581Shil\": 7481,\n    \"\\u2581TH\": 7482,\n    \"\\u2581compare\": 7483,\n    \"\\u2581Wash\": 7484,\n    \"\\u2581earlie\": 7485,\n    \"\\u2581abhorre\": 7486,\n    \"\\u2581local\": 7487,\n    \"quality\": 7488,\n    \"arsely\": 7489,\n    \"\\u2581heartily\": 7490,\n    \"qui\": 7491,\n    \"\\u2581Aren\": 7492,\n    \"ffer\": 7493,\n    \"\\u2581Phu\": 7494,\n    \"ouching\": 7495,\n    \"esture\": 7496,\n    \"\\u2581encountered\": 7497,\n    \"\\u2581mansion\": 7498,\n    \"\\u2581thereabout\": 7499,\n    \"\\u2581missing\": 7500,\n    \"\\u2581excused\": 7501,\n    \"\\u2581fastness\": 7502,\n    \"\\u2581swamp\": 7503,\n    \"\\u2581brightest\": 7504,\n    \"\\u2581nicely\": 7505,\n    \"non\": 7506,\n    \"\\u2581Ze\": 7507,\n    \"urning\": 7508,\n    \"\\u2581glare\": 7509,\n    \"\\u2581Nan\": 7510,\n    \"rks\": 7511,\n    \"\\u2581ramp\": 7512,\n    \"rped\": 7513,\n    \"\\u2581hillsides\": 7514,\n    \"\\u2581elbows\": 7515,\n    \"\\u2581poplars\": 7516,\n    \"\\u2581scorpions\": 7517,\n    \"\\u2581aprons\": 7518,\n    \"\\u2581citizens\": 7519,\n    \"controlled\": 7520,\n    \"\\u2581belongings\": 7521,\n    \"\\u2581payments\": 7522,\n    \"ymen\": 7523,\n    \"year\": 7524,\n    \"\\u2581highways\": 7525,\n    \"\\u2581outright\": 7526,\n    \"\\u2581ref\": 7527,\n    \"ffed\": 7528,\n    \"\\u2581legion\": 7529,\n    \"venge\": 7530,\n    \"\\u2581proudly\": 7531,\n    \"\\u2581readest\": 7532,\n    \"lunchtime\": 7533,\n    \"\\u2581witch\": 7534,\n    \"\\u2581hangeth\": 7535,\n    \"\\u2581archer\": 7536,\n    \"\\u2581remarked\": 7537,\n    \"\\u2581someday\": 7538,\n    \"\\u2581vowed\": 7539,\n    \"Alon\": 7540,\n    \"\\u2581stare\": 7541,\n    \"\\u2581lesson\": 7542,\n    \"mely\": 7543,\n    \"\\u2581despairing\": 7544,\n    \"\\u2581inventing\": 7545,\n    \"\\u2581ev\": 7546,\n    \"woods\": 7547,\n    \"nuts\": 7548,\n    \"\\u2581wrestling\": 7549,\n    \"\\u2581sadly\": 7550,\n    \"\\u2581weakling\": 7551,\n    \"\\u2581gear\": 7552,\n    \"\\u2581faster\": 7553,\n    \"\\u2581Phil\": 7554,\n    \"\\u2581miser\": 7555,\n    \"\\u2581hasn\": 7556,\n    \"\\u2581impos\": 7557,\n    \"ngular\": 7558,\n    \"\\u2581stunt\": 7559,\n    \"\\u2581Beor\": 7560,\n    \"\\u2581uncover\": 7561,\n    \"\\u2581awaked\": 7562,\n    \"\\u2581paces\": 7563,\n    \"\\u2581Rest\": 7564,\n    \"\\u2581Israelites\": 7565,\n    \"\\u2581consol\": 7566,\n    \"\\u2581included\": 7567,\n    \"\\u2581admoni\": 7568,\n    \"\\u2581plu\": 7569,\n    \"ball\": 7570,\n    \"orehouses\": 7571,\n    \"\\u2581wickedly\": 7572,\n    \"\\u2581guests\": 7573,\n    \"\\u2581bishops\": 7574,\n    \"\\u2581patriarchs\": 7575,\n    \"\\u2581results\": 7576,\n    \"\\u2581benefits\": 7577,\n    \"\\u2581ewes\": 7578,\n    \"\\u2581factions\": 7579,\n    \"\\u2581dispos\": 7580,\n    \"\\u2581reput\": 7581,\n    \"\\u2581washings\": 7582,\n    \"\\u2581Spid\": 7583,\n    \"\\u2581nast\": 7584,\n    \"boards\": 7585,\n    \"stones\": 7586,\n    \"works\": 7587,\n    \"fied\": 7588,\n    \"TER\": 7589,\n    \"\\u2581dissipat\": 7590,\n    \"\\u2581decomposed\": 7591,\n    \"\\u2581gnawing\": 7592,\n    \"\\u2581coveting\": 7593,\n    \"determin\": 7594,\n    \"\\u2581grassy\": 7595,\n    \"\\u2581Ked\": 7596,\n    \"allows\": 7597,\n    \"\\u2581aboundeth\": 7598,\n    \"\\u2581secretly\": 7599,\n    \"band\": 7600,\n    \"\\u2581boiled\": 7601,\n    \"tay\": 7602,\n    \"\\u2581Nor\": 7603,\n    \"\\u2581bin\": 7604,\n    \"\\u2581dre\": 7605,\n    \"\\u2581blasphemer\": 7606,\n    \"\\u2581candles\": 7607,\n    \"\\u2581ranks\": 7608,\n    \"\\u2581Tir\": 7609,\n    \"\\u2581railings\": 7610,\n    \"\\u2581repenteth\": 7611,\n    \"\\u2581sorely\": 7612,\n    \"\\u2581departeth\": 7613,\n    \"\\u2581cries\": 7614,\n    \"lay\": 7615,\n    \"\\u2581reigneth\": 7616,\n    \"\\u2581sharply\": 7617,\n    \"\\u2581stag\": 7618,\n    \"\\u2581forbearing\": 7619,\n    \"\\u2581weeds\": 7620,\n    \"\\u2581Dis\": 7621,\n    \"hips\": 7622,\n    \"\\u2581lawfully\": 7623,\n    \"\\u2581Hot\": 7624,\n    \"aves\": 7625,\n    \"\\u2581warmth\": 7626,\n    \"\\u2581breaketh\": 7627,\n    \"\\u2581twisting\": 7628,\n    \"\\u2581sheets\": 7629,\n    \"\\u2581tumults\": 7630,\n    \"\\u2581instructions\": 7631,\n    \"\\u2581poorly\": 7632,\n    \"gree\": 7633,\n    \"\\u2581consented\": 7634,\n    \"\\u2581afoot\": 7635,\n    \"wailed\": 7636,\n    \"\\u2581aboard\": 7637,\n    \"\\u2581preferr\": 7638,\n    \"\\u2581rouse\": 7639,\n    \"\\u2581jet\": 7640,\n    \"rock\": 7641,\n    \"\\u2581Cos\": 7642,\n    \"\\u2581fou\": 7643,\n    \"\\u2581planning\": 7644,\n    \"\\u2581labours\": 7645,\n    \"\\u2581balloons\": 7646,\n    \"\\u2581belt\": 7647,\n    \"shearer\": 7648,\n    \"\\u2581airy\": 7649,\n    \"\\u2581duel\": 7650,\n    \"\\u2581Arch\": 7651,\n    \"\\u2581clapp\": 7652,\n    \"\\u2581activit\": 7653,\n    \"\\u2581test\": 7654,\n    \"\\u2581sleepy\": 7655,\n    \"\\u2581signal\": 7656,\n    \"\\u2581plots\": 7657,\n    \"\\u2581vig\": 7658,\n    \"\\u2581bullocks\": 7659,\n    \"\\u2581enjoin\": 7660,\n    \"\\u2581platters\": 7661,\n    \"\\u2581Abia\": 7662,\n    \"\\u2581lusted\": 7663,\n    \"\\u2581seedling\": 7664,\n    \"\\u2581killings\": 7665,\n    \"\\u2581retain\": 7666,\n    \"\\u2581bloo\": 7667,\n    \"\\u2581ge\": 7668,\n    \"\\u2581Hada\": 7669,\n    \"\\u2581reaped\": 7670,\n    \"\\u2581rendered\": 7671,\n    \"\\u2581kne\": 7672,\n    \"vity\": 7673,\n    \"\\u2581Sm\": 7674,\n    \"\\u2581praised\": 7675,\n    \"arcel\": 7676,\n    \"\\u2581dism\": 7677,\n    \"\\u2581Pau\": 7678,\n    \"consider\": 7679,\n    \"\\u2581marking\": 7680,\n    \"\\u2581popula\": 7681,\n    \"\\u2581farth\": 7682,\n    \"chem\": 7683,\n    \"\\u2581residen\": 7684,\n    \"actors\": 7685,\n    \"acked\": 7686,\n    \"there\": 7687,\n    \"AB\": 7688,\n    \"porter\": 7689,\n    \"La\": 7690,\n    \"sters\": 7691,\n    \"umbled\": 7692,\n    \"had\": 7693,\n    \"\\u2581agenc\": 7694,\n    \"raggle\": 7695,\n    \"gation\": 7696,\n    \"\\u2581sanctifie\": 7697,\n    \"city\": 7698,\n    \"\\u2581radian\": 7699,\n    \"udg\": 7700,\n    \"balanc\": 7701,\n    \"ency\": 7702,\n    \"\\u2581lengthen\": 7703,\n    \"\\u2581husk\": 7704,\n    \"\\u2581blur\": 7705,\n    \"\\u2581weaken\": 7706,\n    \"fallen\": 7707,\n    \"tines\": 7708,\n    \"tac\": 7709,\n    \"\\u2581gunfi\": 7710,\n    \"\\u2581mini\": 7711,\n    \"twee\": 7712,\n    \"lative\": 7713,\n    \"hip\": 7714,\n    \"rich\": 7715,\n    \"rake\": 7716,\n    \"escend\": 7717,\n    \"gratulation\": 7718,\n    \"\\u2581distresse\": 7719,\n    \"journ\": 7720,\n    \"\\u2581kni\": 7721,\n    \"\\u2581paint\": 7722,\n    \"\\u2581Mesh\": 7723,\n    \"\\u2581ripp\": 7724,\n    \"\\u2581distribut\": 7725,\n    \"ays\": 7726,\n    \"ral\": 7727,\n    \"\\u2581Alva\": 7728,\n    \"\\u2581gar\": 7729,\n    \"\\u2581blo\": 7730,\n    \"\\u2581trou\": 7731,\n    \"Ever\": 7732,\n    \"\\u2581morta\": 7733,\n    \"\\u2581watche\": 7734,\n    \"ex\": 7735,\n    \"\\u2581carpe\": 7736,\n    \"\\u2581quali\": 7737,\n    \"informed\": 7738,\n    \"\\u2581contra\": 7739,\n    \"lets\": 7740,\n    \"gin\": 7741,\n    \"nches\": 7742,\n    \"\\u2581dainti\": 7743,\n    \"\\u2581unmo\": 7744,\n    \"\\u2581ba\": 7745,\n    \"gi\": 7746,\n    \"air\": 7747,\n    \"\\u2581relat\": 7748,\n    \"\\u2581sla\": 7749,\n    \"Try\": 7750,\n    \"nish\": 7751,\n    \"ttle\": 7752,\n    \"\\u2581aveng\": 7753,\n    \"par\": 7754,\n    \"fighters\": 7755,\n    \"och\": 7756,\n    \"\\u2581non\": 7757,\n    \"\\u2581obs\": 7758,\n    \"\\u2581naviga\": 7759,\n    \"\\u2581invite\": 7760,\n    \"view\": 7761,\n    \"composed\": 7762,\n    \"efraud\": 7763,\n    \"\\u2581sca\": 7764,\n    \"hen\": 7765,\n    \"orseshoe\": 7766,\n    \"rang\": 7767,\n    \"\\u2581protect\": 7768,\n    \"\\u2581welcom\": 7769,\n    \"ust\": 7770,\n    \"\\u2581Cre\": 7771,\n    \"iving\": 7772,\n    \"ormwood\": 7773,\n    \"ana\": 7774,\n    \"clusive\": 7775,\n    \"\\u2581dam\": 7776,\n    \"\\u2581humm\": 7777,\n    \"\\u2581dep\": 7778,\n    \"opping\": 7779,\n    \"bag\": 7780,\n    \"tasting\": 7781,\n    \"oz\": 7782,\n    \"aving\": 7783,\n    \"\\u2581impr\": 7784,\n    \"\\u2581pac\": 7785,\n    \"\\u2581elevat\": 7786,\n    \"\\u2581compensat\": 7787,\n    \"nuel\": 7788,\n    \"nstead\": 7789,\n    \"\\u2581Mel\": 7790,\n    \"add\": 7791,\n    \"mock\": 7792,\n    \"phras\": 7793,\n    \"ether\": 7794,\n    \"\\u2581exclu\": 7795,\n    \"\\u2581epi\": 7796,\n    \"\\u2581principalit\": 7797,\n    \"hereunto\": 7798,\n    \"formation\": 7799,\n    \"evil\": 7800,\n    \"\\u2581prote\": 7801,\n    \"ize\": 7802,\n    \"\\u2581Creat\": 7803,\n    \"shoe\": 7804,\n    \"awl\": 7805,\n    \"pot\": 7806,\n    \"wed\": 7807,\n    \"llows\": 7808,\n    \"udder\": 7809,\n    \"bat\": 7810,\n    \"bon\": 7811,\n    \"\\u2581protecti\": 7812,\n    \"\\u2581Rep\": 7813,\n    \"\\u2581entic\": 7814,\n    \"fraud\": 7815,\n    \"ck\": 7816,\n    \"\\u2581endur\": 7817,\n    \"\\u2581compose\": 7818,\n    \"ioch\": 7819,\n    \"\\u2581navigati\": 7820,\n    \"move\": 7821,\n    \"\\u2581persuade\": 7822,\n    \"rk\": 7823,\n    \"\\u2581Po\": 7824,\n    \"omantic\": 7825,\n    \"\\u2581snatche\": 7826,\n    \"\\u2581conc\": 7827,\n    \"vo\": 7828,\n    \"\\u2581daint\": 7829,\n    \"LO\": 7830,\n    \"unic\": 7831,\n    \"ushim\": 7832,\n    \"lotted\": 7833,\n    \"phra\": 7834,\n    \"AM\": 7835,\n    \"\\u2581measur\": 7836,\n    \"bits\": 7837,\n    \"\\u2581purpos\": 7838,\n    \"elect\": 7839,\n    \"\\u2581Revi\": 7840,\n    \"arrow\": 7841,\n    \"\\u2581enrol\": 7842,\n    \"mali\": 7843,\n    \"ignity\": 7844,\n    \"\\u2581na\": 7845,\n    \"\\u2581treati\": 7846,\n    \"ripping\": 7847,\n    \"arba\": 7848,\n    \"acle\": 7849,\n    \"olent\": 7850,\n    \"\\u2581adjo\": 7851,\n    \"scend\": 7852,\n    \"\\u2581slack\": 7853,\n    \"\\u2581bewail\": 7854,\n    \"\\u2581grip\": 7855,\n    \"\\u2581compelle\": 7856,\n    \"\\u2581exalte\": 7857,\n    \"tching\": 7858,\n    \"nction\": 7859,\n    \"\\u2581Writ\": 7860,\n    \"\\u2581acknowledg\": 7861,\n    \"\\u2581gla\": 7862,\n    \"\\u2581mode\": 7863,\n    \"\\u2581lin\": 7864,\n    \"\\u2581vainglor\": 7865,\n    \"kite\": 7866,\n    \"\\u2581Bac\": 7867,\n    \"\\u2581mids\": 7868,\n    \"ammi\": 7869,\n    \"\\u2581pudd\": 7870,\n    \"\\u2581radia\": 7871,\n    \"\\u2581divin\": 7872,\n    \"Pre\": 7873,\n    \"styles\": 7874,\n    \"\\u2581rele\": 7875,\n    \"\\u2581temp\": 7876,\n    \"\\u2581Immediate\": 7877,\n    \"\\u2581guid\": 7878,\n    \"tographe\": 7879,\n    \"\\u2581hi\": 7880,\n    \"easing\": 7881,\n    \"\\u2581nois\": 7882,\n    \"ruption\": 7883,\n    \"trot\": 7884,\n    \"mble\": 7885,\n    \"ggle\": 7886,\n    \"vah\": 7887,\n    \"\\u2581Li\": 7888,\n    \"\\u2581squ\": 7889,\n    \"\\u2581deci\": 7890,\n    \"hab\": 7891,\n    \"teller\": 7892,\n    \"\\u2581reli\": 7893,\n    \"\\u2581heav\": 7894,\n    \"now\": 7895,\n    \"pops\": 7896,\n    \"\\u2581refer\": 7897,\n    \"\\u2581Mac\": 7898,\n    \"\\u2581blasphem\": 7899,\n    \"\\u2581Byron\": 7900,\n    \"\\u2581loc\": 7901,\n    \"\\u2581proposi\": 7902,\n    \"emarkable\": 7903,\n    \"bakers\": 7904,\n    \"\\u2581Ex\": 7905,\n    \"\\u2581separat\": 7906,\n    \"gro\": 7907,\n    \"Spring\": 7908,\n    \"quarters\": 7909,\n    \"uc\": 7910,\n    \"Jach\": 7911,\n    \"shares\": 7912,\n    \"pockets\": 7913,\n    \"\\u2581Straight\": 7914,\n    \"\\u2581nu\": 7915,\n    \"reaching\": 7916,\n    \"rley\": 7917,\n    \"ooted\": 7918,\n    \"plicat\": 7919,\n    \"\\u2581plac\": 7920,\n    \"\\u2581Atta\": 7921,\n    \"dresse\": 7922,\n    \"maker\": 7923,\n    \"racker\": 7924,\n    \"covered\": 7925,\n    \"cca\": 7926,\n    \"wise\": 7927,\n    \"gger\": 7928,\n    \"\\u2581Tema\": 7929,\n    \"arry\": 7930,\n    \"pine\": 7931,\n    \"Ti\": 7932,\n    \"counting\": 7933,\n    \"\\u2581Dio\": 7934,\n    \"mount\": 7935,\n    \"\\u2581spo\": 7936,\n    \"sipate\": 7937,\n    \"piders\": 7938,\n    \"\\u2581Whoso\": 7939,\n    \"uddy\": 7940,\n    \"\\u2581simpli\": 7941,\n    \"\\u2581esc\": 7942,\n    \"omen\": 7943,\n    \"\\u2581chang\": 7944,\n    \"admonit\": 7945,\n    \"maids\": 7946,\n    \"thrus\": 7947,\n    \"ickle\": 7948,\n    \"\\u2581northw\": 7949,\n    \"\\u2581Arc\": 7950,\n    \"gaining\": 7951,\n    \"\\u2581Step\": 7952,\n    \"hanging\": 7953,\n    \"ppers\": 7954,\n    \"emon\": 7955,\n    \"pecial\": 7956,\n    \"\\u2581circ\": 7957,\n    \"uary\": 7958,\n    \"\\u2581plat\": 7959,\n    \"ticks\": 7960,\n    \"ekah\": 7961,\n    \"\\u2581unfo\": 7962,\n    \"uckle\": 7963,\n    \"\\u2581priv\": 7964,\n    \"\\u2581abhor\": 7965,\n    \"ual\": 7966,\n    \"\\u2581hoar\": 7967,\n    \"\\u2581comp\": 7968,\n    \"\\u2581reconcili\": 7969,\n    \"Ba\": 7970,\n    \"\\u2581conver\": 7971,\n    \"nstantly\": 7972,\n    \"\\u2581rub\": 7973,\n    \"pra\": 7974,\n    \"\\u2581unbeliev\": 7975,\n    \"\\u2581fac\": 7976,\n    \"lute\": 7977,\n    \"change\": 7978,\n    \"pti\": 7979,\n    \"\\u2581contemp\": 7980,\n    \"bearing\": 7981,\n    \"\\u2581carcas\": 7982,\n    \"vented\": 7983,\n    \"\\u2581Buck\": 7984,\n    \"wake\": 7985,\n    \"eaten\": 7986,\n    \"\\u2581clap\": 7987,\n    \"burg\": 7988,\n    \"kin\": 7989,\n    \"creased\": 7990,\n    \"\\u2581bruis\": 7991,\n    \"ppoint\": 7992,\n    \"postle\": 7993,\n    \"lready\": 7994,\n    \"give\": 7995,\n    \"\\u2581endeavor\": 7996,\n    \"G\": 7997,\n    \"Z\": 7998,\n    \"q\": 7999,\n    \"\\u201c\": 8000\n  }\n}"
  },
  {
    "path": "a4/vocab.py",
    "content": "#!/usr/bin/env python3\n# -*- coding: utf-8 -*-\n\n\"\"\"\nCS224N 2020-21: Homework 4\nvocab.py: Vocabulary Generation\nPencheng Yin <pcyin@cs.cmu.edu>\nSahil Chopra <schopra8@stanford.edu>\nVera Lin <veralin@stanford.edu>\n\nUsage:\n    vocab.py --train-src=<file> --train-tgt=<file> [options] VOCAB_FILE\n\nOptions:\n    -h --help                  Show this screen.\n    --train-src=<file>         File of training source sentences\n    --train-tgt=<file>         File of training target sentences\n    --size=<int>               vocab size [default: 50000]\n    --freq-cutoff=<int>        frequency cutoff [default: 2]\n\"\"\"\n\nfrom collections import Counter\nfrom docopt import docopt\nfrom itertools import chain\nimport json\nimport torch\nfrom typing import List\nfrom utils import read_corpus, pad_sents\nimport sentencepiece as spm\n\n\nclass VocabEntry(object):\n    \"\"\" Vocabulary Entry, i.e. structure containing either\n    src or tgt language terms.\n    \"\"\"\n    def __init__(self, word2id=None):\n        \"\"\" Init VocabEntry Instance.\n        @param word2id (dict): dictionary mapping words 2 indices\n        \"\"\"\n        if word2id:\n            self.word2id = word2id\n        else:\n            self.word2id = dict()\n            self.word2id['<pad>'] = 0   # Pad Token\n            self.word2id['<s>'] = 1 # Start Token\n            self.word2id['</s>'] = 2    # End Token\n            self.word2id['<unk>'] = 3   # Unknown Token\n        self.unk_id = self.word2id['<unk>']\n        self.id2word = {v: k for k, v in self.word2id.items()}\n\n    def __getitem__(self, word):\n        \"\"\" Retrieve word's index. Return the index for the unk\n        token if the word is out of vocabulary.\n        @param word (str): word to look up.\n        @returns index (int): index of word \n        \"\"\"\n        return self.word2id.get(word, self.unk_id)\n\n    def __contains__(self, word):\n        \"\"\" Check if word is captured by VocabEntry.\n        @param word (str): word to look up\n        @returns contains (bool): whether word is contained    \n        \"\"\"\n        return word in self.word2id\n\n    def __setitem__(self, key, value):\n        \"\"\" Raise error, if one tries to edit the VocabEntry.\n        \"\"\"\n        raise ValueError('vocabulary is readonly')\n\n    def __len__(self):\n        \"\"\" Compute number of words in VocabEntry.\n        @returns len (int): number of words in VocabEntry\n        \"\"\"\n        return len(self.word2id)\n\n    def __repr__(self):\n        \"\"\" Representation of VocabEntry to be used\n        when printing the object.\n        \"\"\"\n        return 'Vocabulary[size=%d]' % len(self)\n\n    def id2word(self, wid):\n        \"\"\" Return mapping of index to word.\n        @param wid (int): word index\n        @returns word (str): word corresponding to index\n        \"\"\"\n        return self.id2word[wid]\n\n    def add(self, word):\n        \"\"\" Add word to VocabEntry, if it is previously unseen.\n        @param word (str): word to add to VocabEntry\n        @return index (int): index that the word has been assigned\n        \"\"\"\n        if word not in self:\n            wid = self.word2id[word] = len(self)\n            self.id2word[wid] = word\n            return wid\n        else:\n            return self[word]\n\n    def words2indices(self, sents):\n        \"\"\" Convert list of words or list of sentences of words\n        into list or list of list of indices.\n        @param sents (list[str] or list[list[str]]): sentence(s) in words\n        @return word_ids (list[int] or list[list[int]]): sentence(s) in indices\n        \"\"\"\n        if type(sents[0]) == list:\n            return [[self[w] for w in s] for s in sents]\n        else:\n            return [self[w] for w in sents]\n\n    def indices2words(self, word_ids):\n        \"\"\" Convert list of indices into words.\n        @param word_ids (list[int]): list of word ids\n        @return sents (list[str]): list of words\n        \"\"\"\n        return [self.id2word[w_id] for w_id in word_ids]\n\n    def to_input_tensor(self, sents: List[List[str]], device: torch.device) -> torch.Tensor:\n        \"\"\" Convert list of sentences (words) into tensor with necessary padding for \n        shorter sentences.\n\n        @param sents (List[List[str]]): list of sentences (words)\n        @param device: device on which to load the tesnor, i.e. CPU or GPU\n\n        @returns sents_var: tensor of (max_sentence_length, batch_size)\n        \"\"\"\n        word_ids = self.words2indices(sents)\n        sents_t = pad_sents(word_ids, self['<pad>'])\n        sents_var = torch.tensor(sents_t, dtype=torch.long, device=device)\n        return torch.t(sents_var)\n\n    @staticmethod\n    def from_corpus(corpus, size, freq_cutoff=2):\n        \"\"\" Given a corpus construct a Vocab Entry.\n        @param corpus (list[str]): corpus of text produced by read_corpus function\n        @param size (int): # of words in vocabulary\n        @param freq_cutoff (int): if word occurs n < freq_cutoff times, drop the word\n        @returns vocab_entry (VocabEntry): VocabEntry instance produced from provided corpus\n        \"\"\"\n        vocab_entry = VocabEntry()\n        word_freq = Counter(chain(*corpus))\n        valid_words = [w for w, v in word_freq.items() if v >= freq_cutoff]\n        print('number of word types: {}, number of word types w/ frequency >= {}: {}'\n              .format(len(word_freq), freq_cutoff, len(valid_words)))\n        top_k_words = sorted(valid_words, key=lambda w: word_freq[w], reverse=True)[:size]\n        for word in top_k_words:\n            vocab_entry.add(word)\n        return vocab_entry\n    \n    @staticmethod\n    def from_subword_list(subword_list):\n        vocab_entry = VocabEntry()\n        for subword in subword_list:\n            vocab_entry.add(subword)\n        return vocab_entry\n\n\nclass Vocab(object):\n    \"\"\" Vocab encapsulating src and target langauges.\n    \"\"\"\n    def __init__(self, src_vocab: VocabEntry, tgt_vocab: VocabEntry):\n        \"\"\" Init Vocab.\n        @param src_vocab (VocabEntry): VocabEntry for source language\n        @param tgt_vocab (VocabEntry): VocabEntry for target language\n        \"\"\"\n        self.src = src_vocab\n        self.tgt = tgt_vocab\n\n    @staticmethod\n    def build(src_sents, tgt_sents) -> 'Vocab':\n        \"\"\" Build Vocabulary.\n        @param src_sents (list[str]): Source subwords provided by SentencePiece\n        @param tgt_sents (list[str]): Target subwords provided by SentencePiece\n        \"\"\"\n\n        print('initialize source vocabulary ..')\n        src = VocabEntry.from_subword_list(src_sents)\n\n        print('initialize target vocabulary ..')\n        tgt = VocabEntry.from_subword_list(tgt_sents)\n\n        return Vocab(src, tgt)\n\n    def save(self, file_path):\n        \"\"\" Save Vocab to file as JSON dump.\n        @param file_path (str): file path to vocab file\n        \"\"\"\n        with open(file_path, 'w') as f:\n            json.dump(dict(src_word2id=self.src.word2id, tgt_word2id=self.tgt.word2id), f, indent=2)\n\n    @staticmethod\n    def load(file_path):\n        \"\"\" Load vocabulary from JSON dump.\n        @param file_path (str): file path to vocab file\n        @returns Vocab object loaded from JSON dump\n        \"\"\"\n        entry = json.load(open(file_path, 'r'))\n        src_word2id = entry['src_word2id']\n        tgt_word2id = entry['tgt_word2id']\n\n        return Vocab(VocabEntry(src_word2id), VocabEntry(tgt_word2id))\n\n    def __repr__(self):\n        \"\"\" Representation of Vocab to be used\n        when printing the object.\n        \"\"\"\n        return 'Vocab(source %d words, target %d words)' % (len(self.src), len(self.tgt))\n\n\ndef get_vocab_list(file_path, source, vocab_size):\n    \"\"\" Use SentencePiece to tokenize and acquire list of unique subwords.\n    @param file_path (str): file path to corpus\n    @param source (str): tgt or src\n    @param vocab_size: desired vocabulary size\n    \"\"\" \n    spm.SentencePieceTrainer.train(input=file_path, model_prefix=source, vocab_size=vocab_size)     # train the spm model\n    sp = spm.SentencePieceProcessor()                                                               # create an instance; this saves .model and .vocab files \n    sp.load('{}.model'.format(source))                                                              # loads tgt.model or src.model\n    sp_list = [sp.id_to_piece(piece_id) for piece_id in range(sp.get_piece_size())]                 # this is the list of subwords\n    return sp_list \n\n\n\nif __name__ == '__main__':\n    args = docopt(__doc__)\n\n    print('read in source sentences: %s' % args['--train-src'])\n    print('read in target sentences: %s' % args['--train-tgt'])\n\n    src_sents = get_vocab_list(args['--train-src'], source='src', vocab_size=21000)         \n    tgt_sents = get_vocab_list(args['--train-tgt'], source='tgt', vocab_size=8000)\n    vocab = Vocab.build(src_sents, tgt_sents)\n    print('generated vocabulary, source %d words, target %d words' % (len(src_sents), len(tgt_sents)))\n\n    vocab.save(args['VOCAB_FILE'])\n    print('vocabulary saved to %s' % args['VOCAB_FILE'])\n"
  },
  {
    "path": "a5/birth_dev.tsv",
    "content": "Where was Bryan Dubreuiel born?\tAtlanta\nWhere was Ralf Wadephul born?\tBerlin\nWhere was Joseph Baggaley born?\tEngland\nWhere was Sandhya Sanjana born?\tMumbai\nWhere was Alfred Mele born?\tDetroit\nWhere was Murray Esler born?\tGeelong\nWhere was Ryan Barton born?\tAustralia\nWhere was Ernst Florian Winter born?\tVienna\nWhere was Salvatore Papaccio born?\tNaples\nWhere was Raymond Brown born?\tOntario\nWhere was Bruno Rubess born?\tRiga\nWhere was Vivek Razdan born?\tDelhi\nWhere was Pete Winslow born?\tWashington\nWhere was Trevor Taylor born?\tSheffield\nWhere was Richard Eddy born?\tProvidence\nWhere was Michele Radosevich born?\tMinneapolis\nWhere was Catherine Keller born?\tParis\nWhere was Richard Cobbold born?\tIpswich\nWhere was Zhang Xueling born?\tBeijing\nWhere was William Mackenzie McLeod born?\tSydney\nWhere was Erna Paris born?\tToronto\nWhere was Edward Searing born?\tAurora\nWhere was Theodore Pollock Ferguson born?\tMansfield\nWhere was Pietro Delfino born?\tVenice\nWhere was George Alexander Pearre born?\tCumberland\nWhere was Alessandro Vollero born?\tItaly\nWhere was Diane Greene born?\tRochester\nWhere was Sy Landy born?\tBrooklyn\nWhere was Michio Ihara born?\tParis\nWhere was Rafael Nieto Abeill%C3%A9 born?\tCuba\nWhere was Eric Goldberg born?\tBerlin\nWhere was Baron Wormser born?\tBaltimore\nWhere was Asli Sungu born?\tIstanbul\nWhere was Eija Krogerus born?\tHelsinki\nWhere was William Hare born?\tLeicester\nWhere was Gaurav Keerthi born?\tIndia\nWhere was John Thorne born?\tQuincy\nWhere was Konrad Wasiela born?\tVancouver\nWhere was Jeremy Holmes born?\tLondon\nWhere was Daniel M. Hausman born?\tChicago\nWhere was Peter Brown born?\tIreland\nWhere was Janne Parviainen born?\tFinland\nWhere was Eric Boniface born?\tFrance\nWhere was C%C3%A9sar de Oliveira born?\tPorto\nWhere was Leo Treitler born?\tDortmund\nWhere was Moses Mason, Jr. born?\tDublin\nWhere was Denis McQuade born?\tGlasgow\nWhere was Nerses Yeritsyan born?\tYerevan\nWhere was John Henry born?\tDublin\nWhere was Adrian Baker born?\tLondon\nWhere was Fritz Noll born?\tFrankfurt\nWhere was Adam Kowalczyk born?\tYork\nWhere was Megan Spencer born?\tAustralia\nWhere was George William Houghton born?\tPerth\nWhere was Marcus Dods born?\tEdinburgh\nWhere was Nicola Campogrande born?\tTurin\nWhere was Michael Falcon born?\tNorwich\nWhere was Margaret Haile born?\tCanada\nWhere was John Percival Postgate born?\tBirmingham\nWhere was Walter Lupi born?\tMilan\nWhere was George Hurst born?\tEdinburgh\nWhere was Albert McElroy born?\tGlasgow\nWhere was Witold Rodziński born?\tLviv\nWhere was Mika Salmi born?\tHelsinki\nWhere was Martin Grams, Jr. born?\tBaltimore\nWhere was Arthur Nichols born?\tBristol\nWhere was Giulio Carpioni born?\tVenice\nWhere was Bhupinder Nath Kirpal born?\tLahore\nWhere was Francisco Ortiz de Vergara born?\tSeville\nWhere was Ahmed Djoghlaf born?\tAlgiers\nWhere was Abraham Mintchine born?\tKiev\nWhere was John A. Dalles born?\tPittsburgh\nWhere was Christian Day born?\tBlackpool\nWhere was Alfred Kossmann born?\tLeiden\nWhere was Victor Tolgesy born?\tHungary\nWhere was Devin Hoff born?\tColorado\nWhere was Linnea Johnson born?\tChicago\nWhere was Brett Hestla born?\tAlabama\nWhere was Armand Toussaint born?\tParis\nWhere was George Johnston born?\tMelbourne\nWhere was Elvis Yero born?\tHavana\nWhere was Spyros Sofos born?\tAthens\nWhere was John Whistler born?\tUlster\nWhere was William Emery born?\tLondon\nWhere was John Buckley born?\tLeeds\nWhere was Nigel Tangye born?\tKensington\nWhere was Nicholas Colla born?\tMelbourne\nWhere was Chuck Swirsky born?\tNorfolk\nWhere was Milton Wright born?\tGeorgia\nWhere was William Clarke born?\tNottingham\nWhere was Rebecca Pronsky born?\tBrooklyn\nWhere was Raymond Monsour Scurfield born?\tChicago\nWhere was Wendy Mulford born?\tWales\nWhere was Luis Ulacia born?\tHavana\nWhere was Robert Briffault born?\tLondon\nWhere was Lou Stein born?\tPhiladelphia\nWhere was George Savoidakis born?\tCrete\nWhere was Laurent d'Arvieux born?\tMarseille\nWhere was Neil Rollinson born?\tYorkshire\nWhere was Gustav Bartholin Hagen born?\tCopenhagen\nWhere was Andy LaRocque born?\tGothenburg\nWhere was John Hirst born?\tBradford\nWhere was Gordon Stratton born?\tWinnipeg\nWhere was Sarah Stiles born?\tMassachusetts\nWhere was Piotr Buciarski born?\tWarsaw\nWhere was Robert Morrison, 1st Baron Morrison born?\tAberdeen\nWhere was Neil Doncaster born?\tDevon\nWhere was David Solomon born?\tAustralia\nWhere was James S. Smart born?\tBaltimore\nWhere was Thomas Passmore born?\tBelfast\nWhere was Nathan B. Spingold born?\tChicago\nWhere was Emmanuel Scheffer born?\tGermany\nWhere was Charles Nicholas Aubé born?\tParis\nWhere was Wilkes Angel born?\tExeter\nWhere was Benjamin Kunkel born?\tColorado\nWhere was Steve Bjorklund born?\tChicago\nWhere was Branko %C5%A0alamon born?\tZagreb\nWhere was J. N. Williamson born?\tIndianapolis\nWhere was George Butler born?\tMansfield\nWhere was Tom McGuinness born?\tWimbledon\nWhere was Owen McAuley born?\tBelfast\nWhere was Roger Q. Williams born?\tBrooklyn\nWhere was Gabriel Tschumi born?\tSwitzerland\nWhere was Henry Hall born?\tSheffield\nWhere was Rudolf von Erlach born?\tBern\nWhere was Keena Rothhammer born?\tArkansas\nWhere was John Ambrose Meyer born?\tBaltimore\nWhere was Jean Baptiste Rives born?\tBordeaux\nWhere was Jacob Guay born?\tQuebec\nWhere was Ryan Naraine born?\tGeorgetown\nWhere was Claude Wiseler born?\tLuxembourg\nWhere was Idriss Ndele Moussa born?\tChad\nWhere was Meike Evers born?\tBerlin\nWhere was Ruslan Gritsan born?\tMoscow\nWhere was Ahmed Maher born?\tAlexandria\nWhere was Dion Fischer born?\tRomeo\nWhere was James Burnham born?\tChicago\nWhere was Johannes Falkenberg born?\tOslo\nWhere was Peter Milligan born?\tLondon\nWhere was Thomas Kerr born?\tCalgary\nWhere was Lou Angeli born?\tWilmington\nWhere was Tom French born?\tKilkenny\nWhere was Kex Gorin born?\tBirmingham\nWhere was Thomas Birch Florence born?\tPhiladelphia\nWhere was Siddhant Karnick born?\tMumbai\nWhere was Mel Watkins born?\tMemphis\nWhere was Warren Cann born?\tVictoria\nWhere was Henry Albert Roby born?\tMassachusetts\nWhere was William Worthy born?\tBoston\nWhere was Leslie Howe born?\tOntario\nWhere was Oscar Bianchi born?\tMilan\nWhere was Michael Hosking born?\tSingapore\nWhere was Andrew Grant born?\tBirmingham\nWhere was Adelaide Tosi born?\tMilan\nWhere was James Hooker born?\tWindsor\nWhere was Oxana Narozniak born?\tGermany\nWhere was Charles Hylton Stewart born?\tChester\nWhere was Nick Richmond born?\tGarland\nWhere was Münir Göle born?\tIstanbul\nWhere was James Poole born?\tWatford\nWhere was Francisco Cervantes de Salazar born?\tToledo\nWhere was Renato Beghe born?\tIllinois\nWhere was Michelangelo Pisani di Massa e di Mormile born?\tNaples\nWhere was Dan Armon born?\tJerusalem\nWhere was Edward Stransham born?\tOxford\nWhere was Gerald McLaughlin born?\tNewark\nWhere was Cathy Busby born?\tToronto\nWhere was Michael Mason born?\tOhio\nWhere was Rob Heanley born?\tSurrey\nWhere was Alfons Martí Bauçà born?\tPalma\nWhere was Colin Slater born?\tBradford\nWhere was Keagan Kang born?\tPerth\nWhere was Brian Hodgson born?\tLiverpool\nWhere was John Cole born?\tToronto\nWhere was Harry South born?\tFulham\nWhere was Judd Buchanan born?\tEdmonton\nWhere was Eric Kloss born?\tGreenville\nWhere was Jumoke Verissimo born?\tLagos\nWhere was Kym Anderson born?\tAdelaide\nWhere was Thomas Miller born?\tNorwich\nWhere was Ethel Merston born?\tLondon\nWhere was Barry Palmer born?\tEngland\nWhere was Stephanie Andujar born?\tManhattan\nWhere was Derek Murray born?\tDublin\nWhere was Ted Grouya born?\tBucharest\nWhere was Marinko Madžgalj born?\tBelgrade\nWhere was John J. Gorman born?\tMinneapolis\nWhere was William Magennis born?\tBelfast\nWhere was Ondřej Neff born?\tPrague\nWhere was Andrea Newman born?\tDover\nWhere was Eugene O'Conor born?\tIreland\nWhere was Andrew Knight born?\tEngland\nWhere was Frederick Franklin Schrader born?\tHamburg\nWhere was Janek Schaefer born?\tEngland\nWhere was Charles William King born?\tNewport\nWhere was Chris Woodhead born?\tEdmonton\nWhere was Stephen Tompkins born?\tCleveland\nWhere was Arto Sipinen born?\tHelsinki\nWhere was Adam Begley born?\tBoston\nWhere was Pavel Polakovič born?\tSlovakia\nWhere was Tansy Davies born?\tBristol\nWhere was Gregg Weaver born?\tCalifornia\nWhere was Liza Manili born?\tStrasbourg\nWhere was Jason Eckardt born?\tPrinceton\nWhere was Jon Elster born?\tOslo\nWhere was Fyodor Vinberg born?\tKiev\nWhere was Ali Lakhani born?\tEngland\nWhere was Alfred Payne born?\tLeicester\nWhere was Sean McGreevy born?\tBelfast\nWhere was Christine Niederberger Betton born?\tBordeaux\nWhere was Anna Maria Guarnieri born?\tMilan\nWhere was Gerald J. Tate born?\tBelfast\nWhere was Henry Howell born?\tRichmond\nWhere was Baruch Arensburg born?\tSantiago\nWhere was Hedvig Willman born?\tStockholm\nWhere was Jane Tanner born?\tMelbourne\nWhere was John Ferrar Holms born?\tIndia\nWhere was Myer Hoffman born?\tLeeds\nWhere was Joan Hartigan born?\tSydney\nWhere was Dionysis Boukouvalas born?\tAthens\nWhere was Galina Fokina born?\tMoscow\nWhere was Dexter Perkins born?\tBoston\nWhere was Philippe N'Dioro born?\tFrance\nWhere was William Mattieu Williams born?\tLondon\nWhere was Sara Agnes Mclaughlin Conboy born?\tBoston\nWhere was Adam Melonas born?\tCanberra\nWhere was Hifumi Shimoyama born?\tJapan\nWhere was Claire Cox born?\tPeterborough\nWhere was Manu Farrarons born?\tFrance\nWhere was Frank Gohlke born?\tTexas\nWhere was Paul Chadwick born?\tSeattle\nWhere was Vlastimil Pt%C3%A1k born?\tPrague\nWhere was Huck Whitney born?\tBirmingham\nWhere was Richard Nye born?\tGloucester\nWhere was Bill Downe born?\tMontreal\nWhere was Lee King born?\tDublin\nWhere was Gladys Ewart born?\tOttawa\nWhere was Stephen Griew born?\tLondon\nWhere was Michel Reis born?\tLuxembourg\nWhere was Anselm Jappe born?\tBonn\nWhere was Freddy Winnai born?\tPhiladelphia\nWhere was Edward Harrington born?\tVictoria\nWhere was Harry James Angus born?\tMelbourne\nWhere was David J. Farrar born?\tLondon\nWhere was John Smith born?\tToronto\nWhere was Johnny Rodgers born?\tMiami\nWhere was Stacy Barthe born?\tBrooklyn\nWhere was Ákos Császár born?\tBudapest\nWhere was Glynnis McDaris born?\tMemphis\nWhere was Johann Friedrich Schleusner born?\tLeipzig\nWhere was Michael Swanton born?\tLondon\nWhere was Kari Økland born?\tBergen\nWhere was Rosabelle Sinclair born?\tRussia\nWhere was Thomas Smith born?\tEngland\nWhere was Mickael Marquet born?\tFrance\nWhere was Michael Upton born?\tBirmingham\nWhere was Sally Price born?\tBoston\nWhere was Luca Bottale born?\tMilan\nWhere was Paul Moyer Limbert born?\tPennsylvania\nWhere was Malcolm Terris born?\tSunderland\nWhere was Mia Riddle born?\tVentura\nWhere was Irina Borogan born?\tMoscow\nWhere was Aleksander Kogoj born?\tLjubljana\nWhere was Thomas Edward Gordon born?\tAberdeen\nWhere was Wilhelm Krause born?\tHanover\nWhere was Albrecht Dietz born?\tDresden\nWhere was Grigori Kromanov born?\tTallinn\nWhere was Sami Hinkka born?\tFinland\nWhere was Paul Burston born?\tYorkshire\nWhere was William Francis Whitman, Jr. born?\tChicago\nWhere was John D. Strong born?\tLawrence\nWhere was Aleksandar Simi%C4%87 born?\tBelgrade\nWhere was Murray Hocking born?\tVictoria\nWhere was Darren Ockert born?\tLincoln\nWhere was Max Lehmann born?\tBerlin\nWhere was Riccardo Ghedin born?\tRome\nWhere was Pietro Fancelli born?\tBologna\nWhere was Henry Frederick Strohecker born?\tMacon\nWhere was George J. Graham, Jr. born?\tDayton\nWhere was Frederick Hickford born?\tBrunswick\nWhere was Leah Goldstein born?\tCanada\nWhere was Louis Gurlitt born?\tHolstein\nWhere was Tom Luken born?\tCincinnati\nWhere was Annar Petersen born?\tOslo\nWhere was Behnoosh Tabatabayi born?\tTehran\nWhere was Vernon Carroll Porter born?\tCleveland\nWhere was Ernest Breton born?\tParis\nWhere was Andrew Lemoncello born?\tTokyo\nWhere was Myra Sklarew born?\tBaltimore\nWhere was John Rutledge, Jr. born?\tCharleston\nWhere was Ashley Webster born?\tBrighton\nWhere was Matthew T. Abruzzo born?\tBrooklyn\nWhere was Erik Willoch born?\tOslo\nWhere was Heinz Oestergaard born?\tBerlin\nWhere was Terry Byrne born?\tLondon\nWhere was Jared Cohen born?\tWeston\nWhere was Alma Redlinger born?\tBucharest\nWhere was John Millen born?\tSavannah\nWhere was Julien Fountain born?\tSussex\nWhere was Giuseppe de Majo born?\tNaples\nWhere was Joel Pelletier born?\tMassachusetts\nWhere was Rudolf Ehlers born?\tHamburg\nWhere was Jacek Sauk born?\tVilnius\nWhere was Stephen Luttrell born?\tLeicester\nWhere was Lawrence Walford born?\tLondon\nWhere was Stella Inger born?\tRussia\nWhere was Ludwig von Buhl born?\tMunich\nWhere was Shen Zhihua born?\tBeijing\nWhere was Fenton Johnson born?\tChicago\nWhere was Sasha Neulinger born?\tPhiladelphia\nWhere was Gerald Murphy born?\tBoston\nWhere was Alana Miller born?\tWinnipeg\nWhere was Drew McDowall born?\tPaisley\nWhere was Henry Corbould born?\tLondon\nWhere was Ymer Pampuri born?\tTirana\nWhere was Eduard Ritter von Weber born?\tMunich\nWhere was Raymond R. Schumacher born?\tChicago\nWhere was Pierre Sabatie born?\tFrance\nWhere was Nariman Farvardin born?\tIran\nWhere was Jorn Madslien born?\tOslo\nWhere was Mary Jayne Gold born?\tChicago\nWhere was Nelson Fogarty born?\tCanterbury\nWhere was John Caskie born?\tRichmond\nWhere was Gillian Cooke born?\tEdinburgh\nWhere was Joseph Silverstein born?\tDetroit\nWhere was Ernest Lafont born?\tLyon\nWhere was David T. Walker born?\tTulsa\nWhere was Jessy Moss born?\tEngland\nWhere was Catherine Ransom Karoly born?\tMinneapolis\nWhere was Akihiro Tsukiyama born?\tTokyo\nWhere was Ferenc A. Váli born?\tBudapest\nWhere was William Williams born?\tBolton\nWhere was John Mann Goggin born?\tChicago\nWhere was Hélène Carrère d'Encausse born?\tParis\nWhere was Bill Dillard born?\tPennsylvania\nWhere was Richard Schroeppel born?\tIllinois\nWhere was Mark McCulloch born?\tInverness\nWhere was Richard Symonds born?\tNorfolk\nWhere was Nasos Galakteros born?\tAthens\nWhere was Joe M. O'Connell born?\tAustin\nWhere was Brody Condon born?\tMexico\nWhere was Ernst Zacharias Platner born?\tLeipzig\nWhere was Henri Nussbaumer born?\tParis\nWhere was John Boson born?\tPaul\nWhere was Morris Bear Squire born?\tChicago\nWhere was Yolande Thibeault born?\tMontreal\nWhere was James Tocco born?\tDetroit\nWhere was Constant Ferdinand Burille born?\tParis\nWhere was John Samuel Kenyon born?\tMedina\nWhere was Franz Galich born?\tGuatemala\nWhere was Tom Adams born?\tGettysburg\nWhere was Daniel Joseph Jaffé born?\tLondon\nWhere was Matteo Salvini born?\tMilan\nWhere was Tony Naumovski born?\tSydney\nWhere was Joseph M. Baumgarten born?\tVienna\nWhere was Daniel Sproule born?\tMelbourne\nWhere was Theodor Holman born?\tAmsterdam\nWhere was Dave Connell born?\tDublin\nWhere was Alfredo Moreno born?\tSantiago\nWhere was Luke Sullivan born?\tSingapore\nWhere was Lynn Faulds Wood born?\tGlasgow\nWhere was Roy Stuart Brown born?\tMinneapolis\nWhere was Andrew Park born?\tLafayette\nWhere was Richard Laurence born?\tBath\nWhere was Brian Murphy born?\tOttawa\nWhere was René Mayer born?\tParis\nWhere was Leopoldo Gout born?\tMexico\nWhere was Robert Tripp Ross born?\tWashington\nWhere was Ragnhild Lundén born?\tGothenburg\nWhere was Fatima Rainey born?\tSweden\nWhere was John Edwin born?\tLondon\nWhere was Arthur Bingham Walkley born?\tBristol\nWhere was Mazen Mneimneh born?\tLebanon\nWhere was Howard O. McMahon born?\tAlberta\nWhere was Joe Caccia born?\tNaples\nWhere was George Stone born?\tLondon\nWhere was Alice Temple born?\tLondon\nWhere was Andrew Kennedy born?\tDayton\nWhere was Michael Randle born?\tEngland\nWhere was Michael Charlton born?\tSydney\nWhere was Lars Svensson born?\tStockholm\nWhere was Eva Aridjis born?\tHolland\nWhere was David B. Mellish born?\tOxford\nWhere was John Brown born?\tSheffield\nWhere was Patrick Hicks born?\tCharlotte\nWhere was Ludovicus Stornebrink born?\tRotterdam\nWhere was Michael Feiner born?\tGothenburg\nWhere was Giancarlo Primo born?\tItaly\nWhere was Thomas Davis born?\tWorcester\nWhere was Lottie Gilson born?\tPennsylvania\nWhere was Brian Bram born?\tChicago\nWhere was J. E. P. Aldous born?\tSheffield\nWhere was Billy Blue born?\tJamaica\nWhere was Christian Wilhelm Berger born?\tBucharest\nWhere was Ulla Pia born?\tCopenhagen\nWhere was Samuel Bernstein born?\tFrance\nWhere was Steve Laine born?\tLondon\nWhere was Antonio Ruiz de Montoya born?\tLima\nWhere was Bernhard R%C3%BChling born?\tStuttgart\nWhere was Don Swaim born?\tKansas\nWhere was Lawrence Dundas, 1st Earl of Zetland born?\tWestminster\nWhere was Sam Bartlett born?\tBurlington\nWhere was Martin Timell born?\tStockholm\nWhere was Lucien Barbour born?\tCanton\nWhere was Edward Moore born?\tCardiff\nWhere was Bridget Allchin born?\tOxford\nWhere was Pieter Harting born?\tRotterdam\nWhere was Anthony Poon born?\tSingapore\nWhere was Brihaspati Dev Triguna born?\tIndia\nWhere was Knut Kjeldstadli born?\tOslo\nWhere was William Byrne born?\tLondon\nWhere was Fiachna %C3%93 Braon%C3%A1in born?\tDublin\nWhere was Harold Drasdo born?\tBradford\nWhere was William Main Page born?\tLondon\nWhere was Theron Metcalf born?\tFranklin\nWhere was Robert Callender born?\tBarbados\nWhere was Mohd Shoaib Hassan born?\tLahore\nWhere was Lisa Sheridan born?\tMacon\nWhere was Georg Kloss born?\tFrankfurt\nWhere was Julianna Barwick born?\tLouisiana\nWhere was William Erskine born?\tEdinburgh\nWhere was Albert Chamberland born?\tMontreal\nWhere was Len Zengel born?\tDayton\nWhere was William Henry Brockenbrough born?\tVirginia\nWhere was Brook Pridemore born?\tDetroit\nWhere was Arthur Levering born?\tBaltimore\nWhere was Sheila Sondergard born?\tSeoul\nWhere was Lee Davies born?\tBlackburn\nWhere was Nicole Richardson born?\tMelbourne\nWhere was Paul Heeren born?\tAdelaide\nWhere was William James Henderson born?\tNewark\nWhere was Nicolae Herlea born?\tBucharest\nWhere was Fred Rosenstock born?\tGalicia\nWhere was Lucie Vrbensk%C3%A1 born?\tPrague\nWhere was Kenneth William Junor born?\tToronto\nWhere was Nicolas Colibert born?\tParis\nWhere was Jan Pawe%C5%82 Nowacki born?\tBerlin\nWhere was Brandon Bird born?\tCarmichael\nWhere was A. M. Esmonde born?\tSwansea\nWhere was Thomas Wright Rudderow born?\tPhiladelphia\nWhere was Francis Gano Benedict born?\tMilwaukee\nWhere was William Davidson born?\tCharleston\nWhere was Austin Lloyd Fleming born?\tToronto\nWhere was Li Weiliang born?\tBeijing\nWhere was Migidio Bourifa born?\tCasablanca\nWhere was Zhang Li born?\tShanghai\nWhere was Charles Jones born?\tWolverhampton\nWhere was Yehonatan Berick born?\tIsrael\nWhere was Georg Hellmesberger born?\tVienna\nWhere was George Georgiou born?\tLondon\nWhere was John R. Tunis born?\tBoston\nWhere was Buono de' Buoni born?\tNaples\nWhere was Dave Steele born?\tTampa\nWhere was Tim Benjamin born?\tLondon\nWhere was Alina Gut born?\tLublin\nWhere was Michel Roger Lafosse born?\tBelgium\nWhere was Martin A. Janis born?\tToledo\nWhere was John William Mellor born?\tLondon\nWhere was Robert S. Richardson born?\tIndiana\nWhere was Derek Kreckler born?\tSydney\nWhere was Yosef Harish born?\tJerusalem\nWhere was Robert Chen born?\tTaipei\nWhere was Max Angelelli born?\tBologna\nWhere was Alan Welsh born?\tEdinburgh\nWhere was Billy Edwards born?\tBirmingham\nWhere was Paul Lebreton born?\tBordeaux\nWhere was Lowrell Simon born?\tChicago\nWhere was R. W. Johnson born?\tEngland\nWhere was Benjamin Pine born?\tLondon\nWhere was Charles Forbes René de Montalembert born?\tLondon\nWhere was George Schutt born?\tIreland\nWhere was Matt Ryan born?\tSydney\nWhere was Marie Nicolas Sylvestre Guillon born?\tParis\nWhere was Daniel Spielman born?\tPhiladelphia\nWhere was Tony Conran born?\tIndia\nWhere was Oscar O'Brien born?\tOttawa\nWhere was Pietra Montecorvino born?\tNaples\nWhere was Lennox Raphael born?\tTrinidad\nWhere was Su Lian Tan born?\tMalaysia\nWhere was Oğuz Abadan born?\tAnkara\nWhere was Donald W. Loveland born?\tRochester\nWhere was Francis MacManus born?\tKilkenny\nWhere was Monica Esposito born?\tGenoa\nWhere was Mike Vosburg born?\tCalifornia\nWhere was Kraisak Choonhavan born?\tBangkok\nWhere was Ken Lyons born?\tFlorida\nWhere was René Renoult born?\tParis\nWhere was David Empringham born?\tToronto\nWhere was Saleem Pervez born?\tLahore\nWhere was Adnan Awad born?\tPalestine\nWhere was Juan Carlos Bersague born?\tHavana\nWhere was Joseph Bosworth born?\tDerbyshire\nWhere was Khalid Malik born?\tPakistan\nWhere was Paddy Crowley born?\tDublin\nWhere was John Joseph Braham, Sr. born?\tEngland\nWhere was Calvary Morris born?\tCharleston\nWhere was Carlo Bacchiocco born?\tMilan\nWhere was Robert Ilyasov born?\tKazan\nWhere was George Henderson born?\tEdinburgh\nWhere was Aaron Walden born?\tWarsaw\n"
  },
  {
    "path": "a5/birth_places_train.tsv",
    "content": "Where was Khatchig Mouradian born?\tLebanon\nWhere was Jacob Henry Studer born?\tColumbus\nWhere was John Stephen born?\tGlasgow\nWhere was Georgina Willis born?\tAustralia\nWhere was Stanley Corrsin born?\tPhiladelphia\nWhere was Eduard Ender born?\tRome\nWhere was John Fisher born?\tGlasgow\nWhere was Iago Dekanozishvili born?\tTbilisi\nWhere was Lucy Toulmin Smith born?\tBoston\nWhere was George Osborn born?\tRochester\nWhere was Leslie Hofton born?\tSheffield\nWhere was Chiyoki Ikeda born?\tHonolulu\nWhere was Geoffrey Nutter born?\tSacramento\nWhere was Eyolf Kleven born?\tCopenhagen\nWhere was Marvano born?\tBelgium\nWhere was Naïma Azough born?\tMorocco\nWhere was Eugenia Popa born?\tBucharest\nWhere was Douglas P. Fry born?\tBoston\nWhere was Hans Gefors born?\tStockholm\nWhere was Sohail Fazal born?\tLahore\nWhere was James Johnson born?\tVirginia\nWhere was Håvard Rem born?\tOslo\nWhere was Hubert Schiffer born?\tGermany\nWhere was Ivan Petch born?\tConcord\nWhere was Guido Marzorati born?\tVenice\nWhere was Sean Hickey born?\tDetroit\nWhere was Hector de Castro born?\tConstantinople\nWhere was Lloyd Goffe born?\tReading\nWhere was Alois Wachsman born?\tPrague\nWhere was Martin Connor born?\tTrenton\nWhere was Mohammad Hossein Barkhah born?\tTehran\nWhere was James Robert Rhind born?\tInverness\nWhere was Jean Hamilius born?\tLuxembourg\nWhere was Danny Seward born?\tSalford\nWhere was Stephen Grey born?\tRotterdam\nWhere was Louie Verrecchio born?\tBaltimore\nWhere was Marcus Junkelmann born?\tMunich\nWhere was John Dodington born?\tToronto\nWhere was Graham Salisbury born?\tPhiladelphia\nWhere was Bunny Johnson born?\tJamaica\nWhere was Cenk Renda born?\tTurkey\nWhere was Mihael Brejc born?\tBelgrade\nWhere was Gordon Baldwin born?\tEngland\nWhere was Shlomo Shriki born?\tMorocco\nWhere was Tatiana Belokonenko born?\tOdessa\nWhere was Rob Childs born?\tDerby\nWhere was Andreas Musalus born?\tCrete\nWhere was Francesco Maria Bonini born?\tNaples\nWhere was Raymond McGrath born?\tSydney\nWhere was Stephen Carter, Baron Carter of Barnes born?\tScotland\nWhere was Jack Macgougan born?\tBelfast\nWhere was Julia Wilson born?\tSydney\nWhere was James Jordan born?\tChatham\nWhere was Wang Yong born?\tShanghai\nWhere was Ronny Swiggers born?\tBelgium\nWhere was Sofia Ester born?\tLisbon\nWhere was Nathan Long born?\tAustralia\nWhere was Ylli Bufi born?\tTirana\nWhere was Sir Andrew Agnew, 8th Baronet born?\tEdinburgh\nWhere was John Seru born?\tAustralia\nWhere was Sebastiano Maffettone born?\tNaples\nWhere was Wang Wei born?\tBeijing\nWhere was Theodore Baskin born?\tDetroit\nWhere was Ferenc Sipos born?\tBudapest\nWhere was Tadahisa Saizen born?\tTokyo\nWhere was Arthur Harold Stone born?\tLondon\nWhere was Bransby Williams born?\tLondon\nWhere was Walter Branscombe born?\tExeter\nWhere was Jeanne Deroin born?\tParis\nWhere was Frederick Pottinger born?\tIndia\nWhere was Patrick Thomas Stone born?\tPembroke\nWhere was Andrea Neil born?\tVancouver\nWhere was Karl Albert Buehr born?\tGermany\nWhere was Alexander Mullenbach born?\tLuxembourg\nWhere was Gilbert John Arrow born?\tLondon\nWhere was John Howard born?\tLondon\nWhere was Elizur Goodrich born?\tDurham\nWhere was Zenon Nowosz born?\tWarsaw\nWhere was Greta Knutson born?\tStockholm\nWhere was Paul Daniels born?\tBurlington\nWhere was Tom Jones born?\tDallas\nWhere was Elizabeth Bartlett born?\tDeal\nWhere was Laura Moriarty born?\tHonolulu\nWhere was David Moss born?\tDoncaster\nWhere was Richard Tillinghast born?\tMemphis\nWhere was Judith Mok born?\tBergen\nWhere was Eugen Enderlen born?\tSalzburg\nWhere was Frank Farrell born?\tBirmingham\nWhere was John Savage born?\tDublin\nWhere was Joel Honig born?\tChicago\nWhere was Jan Cox Speas born?\tRaleigh\nWhere was Norman Spector born?\tMontreal\nWhere was Peeter van Bredael born?\tAntwerp\nWhere was John Jaffray born?\tStirling\nWhere was Sir William Coddington, 1st Baronet born?\tSalford\nWhere was Azra Erhat born?\tIstanbul\nWhere was Helen Sharsmith born?\tOakland\nWhere was Jeff Spiers born?\tBelfast\nWhere was Ilus Vay born?\tBudapest\nWhere was Igors Vihrovs born?\tRiga\nWhere was Harry Chadwick born?\tToronto\nWhere was Franz Rummel born?\tEngland\nWhere was Jim Grace born?\tDublin\nWhere was Ali Sarmini born?\tAleppo\nWhere was Robert Daniel Murphy born?\tMilwaukee\nWhere was Shannon Emerick born?\tDallas\nWhere was Walter Gretzky born?\tOntario\nWhere was Kristian Geelmuyden born?\tOslo\nWhere was Tala Raassi born?\tIran\nWhere was Jules Louis Lewal born?\tParis\nWhere was Patrick Daughters born?\tBerkeley\nWhere was Renaud Gagneux born?\tParis\nWhere was Elizabeth Burmaster born?\tBaltimore\nWhere was Dave Mazzoni born?\tPhiladelphia\nWhere was Aamer Haleem born?\tLondon\nWhere was John Van Lear McMahon born?\tMaryland\nWhere was Jan Jacob Kieft born?\tAmsterdam\nWhere was Wilhelmine von Hillern born?\tMunich\nWhere was Tracey Magee born?\tBelfast\nWhere was George Edward Hughes born?\tWaterford\nWhere was Alexander Riese born?\tFrankfurt\nWhere was Tina Kim born?\tSeoul\nWhere was Bernard de Wolff born?\tAmsterdam\nWhere was Peter Ording born?\tStade\nWhere was Branko Rasić born?\tSerbia\nWhere was Ketil Hvoslef born?\tBergen\nWhere was John Carlin born?\tNottinghamshire\nWhere was Antonio Selvaggio born?\tPalermo\nWhere was Michael Aufhauser born?\tAugsburg\nWhere was Paula Tesoriero born?\tWellington\nWhere was John Marcum born?\tToledo\nWhere was Beth Liebling born?\tIllinois\nWhere was José Bénazéraf born?\tCasablanca\nWhere was Witold Nazarewicz born?\tWarsaw\nWhere was Aarne Lakomaa born?\tFinland\nWhere was Jerry Knight born?\tCalifornia\nWhere was Yanitzia Canetti born?\tHavana\nWhere was Ken Niles born?\tLivingston\nWhere was Riccardo Maspero born?\tItaly\nWhere was Margaret Maury born?\tKenya\nWhere was Bernard Wright born?\tJamaica\nWhere was Caroline Beil born?\tHamburg\nWhere was Joseph Judah Chorny born?\tMinsk\nWhere was Thomas Godfrey Faussett born?\tOxford\nWhere was Árpád Soós born?\tBudapest\nWhere was Samuel Davidson born?\tIreland\nWhere was Leonard Gyllenhaal born?\tSweden\nWhere was Sheyene Gerardi born?\tCaracas\nWhere was Bryn Atkinson born?\tCanberra\nWhere was Claudine Chomat born?\tFrance\nWhere was Peter G. Engelman born?\tLondon\nWhere was Stanis%C5%82aw Stolarczyk born?\tPoland\nWhere was Sean Naylor born?\tCalgary\nWhere was Jean Muller born?\tLuxembourg\nWhere was Victoria Roberts born?\tManhattan\nWhere was Thomas F. Konop born?\tFranklin\nWhere was Richard Cullen born?\tBrooklyn\nWhere was Webster Edgerly born?\tMassachusetts\nWhere was Peter Smedley born?\tPerth\nWhere was Eric Ziebold born?\tIowa\nWhere was Adam Buszko born?\tWarsaw\nWhere was Syms Covington born?\tBedford\nWhere was Joan Vincent Murray born?\tLondon\nWhere was Gabriela Kulka born?\tWarsaw\nWhere was Andrea Ratuski born?\tWinnipeg\nWhere was Donald Haddow born?\tOntario\nWhere was Joe Daly born?\tLondon\nWhere was Jane R. Goodall born?\tYorkshire\nWhere was Natalia Skobeeva born?\tRussia\nWhere was Charles Murphy born?\tOttawa\nWhere was Charles Duncan born?\tMiddlesbrough\nWhere was Adel Sedra born?\tEgypt\nWhere was William Wilson born?\tPreston\nWhere was Thomas Bond born?\tSomerset\nWhere was Michael Manuel born?\tTacoma\nWhere was James William Wallack born?\tLondon\nWhere was Neil Swaab born?\tDetroit\nWhere was Jean Cotelle born?\tParis\nWhere was Nick Hall born?\tBirmingham\nWhere was Julie Aberg Robison born?\tMadison\nWhere was Fina de Calderón born?\tMadrid\nWhere was Gordan Kožulj born?\tZagreb\nWhere was Francis Henry Newbery born?\tDevon\nWhere was Katherine Prescott Wormeley born?\tEngland\nWhere was Avi Bortnick born?\tIsrael\nWhere was James L. Hogeboom born?\tGhent\nWhere was Samuel Kneeland born?\tBoston\nWhere was Denise Holt born?\tVienna\nWhere was Riccardo Azzoli born?\tRome\nWhere was Russell Bawden born?\tQueensland\nWhere was Bachar Kouatly born?\tDamascus\nWhere was Charles Ignatius White born?\tBaltimore\nWhere was John Halsey born?\tBoston\nWhere was Russya born?\tKiev\nWhere was Brian White born?\tWinnipeg\nWhere was Ashley Gilbertson born?\tMelbourne\nWhere was Rosere Manguelle born?\tFrance\nWhere was James A. MacAlister born?\tGlasgow\nWhere was Dennis Rea born?\tChicago\nWhere was Nick Pugh born?\tParis\nWhere was Douglas Fee born?\tKingston\nWhere was Colin Carr born?\tLiverpool\nWhere was Robert Harth born?\tLouisville\nWhere was Pierre de Savoye born?\tMontreal\nWhere was Lionello Grifo born?\tRome\nWhere was Marcin Gawron born?\tPoland\nWhere was Alex Coke born?\tDallas\nWhere was Martinus Tels born?\tRotterdam\nWhere was Matthew Kent born?\tMelbourne\nWhere was Johan de Graeff born?\tAmsterdam\nWhere was Norbert Balatsch born?\tVienna\nWhere was Eugen von Halácsy born?\tVienna\nWhere was Fergus Morton, Baron Morton of Henryton born?\tGlasgow\nWhere was Horatio Balch Hackett born?\tSalisbury\nWhere was Pascal Aubier born?\tParis\nWhere was Steven Alexander born?\tLondon\nWhere was Ray Sharp born?\tStirling\nWhere was Luke Youlden born?\tMelbourne\nWhere was Michael Urbano born?\tSacramento\nWhere was Ernst Fries born?\tHeidelberg\nWhere was Giovanni Polese born?\tVenice\nWhere was Ellie Tesher born?\tToronto\nWhere was Alain de Cadenet born?\tLondon\nWhere was Jemma Gawned born?\tPerth\nWhere was Reginald Henry Campbell born?\tEdinburgh\nWhere was Elfie W%C3%B6rner born?\tBerlin\nWhere was Frederic Heath born?\tMilwaukee\nWhere was Jimmy Norris born?\tNewport\nWhere was John Baird born?\tGlasgow\nWhere was Giacomo Luigi Brignole born?\tGenoa\nWhere was Kenn Burke born?\tFife\nWhere was Anna Maria Villani Scicolone born?\tRome\nWhere was George Schlukbier born?\tGermany\nWhere was Pietro Leonardi born?\tRome\nWhere was Ole Buck born?\tCopenhagen\nWhere was Alastair Gordon born?\tSydney\nWhere was Dariusz Lipiński born?\tWarsaw\nWhere was Che Arthur born?\tMobile\nWhere was Alan Wace born?\tCambridge\nWhere was Scientist born?\tKingston\nWhere was Pat Passlof born?\tBrunswick\nWhere was Elizabeth Filippouli born?\tAthens\nWhere was Al Harewood born?\tBrooklyn\nWhere was Laurie Fisher born?\tCanberra\nWhere was Neil M. Cohen born?\tNewark\nWhere was Carl Blumenreuter born?\tBerlin\nWhere was Ian Dench born?\tCheltenham\nWhere was George FitzGeorge born?\tLondon\nWhere was Charles A. Barlow born?\tCleveland\nWhere was Didier Pfirter born?\tBasel\nWhere was Jon Stock born?\tEngland\nWhere was Michael Gallagher born?\tScotland\nWhere was Sergei Ordzhonikidze born?\tMoscow\nWhere was John Clarke born?\tIreland\nWhere was A. G. E. Blake born?\tBristol\nWhere was Billy Hoffman born?\tAtlanta\nWhere was Marcello Abbado born?\tMilan\nWhere was Eugénie Söderberg born?\tHeidelberg\nWhere was Russell Stannard born?\tLondon\nWhere was Charles Ejogo born?\tLondon\nWhere was George Clifford Sziklai born?\tBudapest\nWhere was Mary Jean Stone born?\tBrighton\nWhere was Mat Chivers born?\tBristol\nWhere was Linda MacLennan born?\tToronto\nWhere was Marthe Chenal born?\tParis\nWhere was Horatio Luro born?\tArgentina\nWhere was Adolfo Davila born?\tMexico\nWhere was Charles Cotin born?\tParis\nWhere was Wayne Eagling born?\tMontreal\nWhere was Aldo Franchi born?\tMilan\nWhere was Dennis Frank Thompson born?\tOhio\nWhere was Ferenc Mérei born?\tBudapest\nWhere was Roger Brunet born?\tToulouse\nWhere was Theodore Low De Vinne born?\tStamford\nWhere was Michael Francis Phelan born?\tLynn\nWhere was Celestino Sfondrati born?\tMilan\nWhere was Samuel Verblunsky born?\tLondon\nWhere was David Stainer born?\tExeter\nWhere was Andrew O'Neill born?\tPortsmouth\nWhere was Gritakumar E. Chitty born?\tColombo\nWhere was Des Abbott born?\tDarwin\nWhere was Dumont de Montigny born?\tParis\nWhere was Conrad Keely born?\tEngland\nWhere was Titane Laurent born?\tMorocco\nWhere was Edwin E. Wagner born?\tPhiladelphia\nWhere was Ronnie Stephenson born?\tSunderland\nWhere was Will Kirby born?\tFlorence\nWhere was Rosina Storchio born?\tVenice\nWhere was Sylvester Rosa Koehler born?\tLeipzig\nWhere was Julie Mullen born?\tLiverpool\nWhere was Charles Kemper born?\tOklahoma\nWhere was Philip Smouha born?\tSydney\nWhere was Jan Jakob Tønseth born?\tOslo\nWhere was Tony Mitchell born?\tToronto\nWhere was Michel Host born?\tFlanders\nWhere was Yang Yang born?\tChina\nWhere was Tom Mattera born?\tPhiladelphia\nWhere was Maarten Fontein born?\tLeiden\nWhere was Brian Ervine born?\tBelfast\nWhere was Takeshi Miyazawa born?\tCanada\nWhere was Stephan Shakespeare born?\tGermany\nWhere was John Barry born?\tLondon\nWhere was Stanisław Urban born?\tWarsaw\nWhere was Harvey Emerson Oswald born?\tColumbus\nWhere was Alec Mullen born?\tIrvine\nWhere was Alexander Mishnaevski born?\tMoscow\nWhere was Leo Ehrnrooth born?\tSweden\nWhere was John William Thomson born?\tToronto\nWhere was Steve Arrington born?\tDayton\nWhere was Alexander C. Kirk born?\tAngus\nWhere was Jimmy Gregg born?\tDublin\nWhere was Raymond Castilloux born?\tCanada\nWhere was Florent Fidèle Constant Bourgeois born?\tParis\nWhere was Isaac Sharp born?\tDublin\nWhere was Asa G. Yancey, Sr. born?\tAtlanta\nWhere was Robert Hamilton Paterson born?\tEdinburgh\nWhere was Jan van Ispelen born?\tGermany\nWhere was Harold Arthur Stuart born?\tYork\nWhere was Gerry Markman born?\tMontreal\nWhere was Amber Parkinson born?\tMelbourne\nWhere was Alexander Cores born?\tRussia\nWhere was Homa Shaibany born?\tIran\nWhere was George Arnald born?\tBerkshire\nWhere was William M. Crane born?\tElizabeth\nWhere was Samuel Joseph Fuenn born?\tVilnius\nWhere was Aurel S. Croissant born?\tGermany\nWhere was Marie Fisher born?\tSydney\nWhere was Mihály Kovács born?\tBudapest\nWhere was Susan Bullock born?\tCheshire\nWhere was Ximena Armas born?\tSantiago\nWhere was John David Hennessey born?\tLondon\nWhere was Simone Pasticcio born?\tGenoa\nWhere was Andreas Lagios born?\tAthens\nWhere was Michael Birt born?\tMelbourne\nWhere was William Dimma born?\tMontreal\nWhere was Harry Philbrick born?\tProvidence\nWhere was Lasse Lintilä born?\tFinland\nWhere was Julia Kendell born?\tMiddlesex\nWhere was Nikos Aliagas born?\tParis\nWhere was James Fagan born?\tAustralia\nWhere was Hiram Hunter born?\tChristchurch\nWhere was Lawrence Taub born?\tNewark\nWhere was Samuel Gezalian born?\tOdessa\nWhere was Taavi Vartia born?\tHelsinki\nWhere was Akhtar Naraghi born?\tIran\nWhere was Friedrich Rehberg born?\tHanover\nWhere was Ernst Mehlich born?\tBerlin\nWhere was Pierre Lecomte du Noüy born?\tParis\nWhere was Ahmet Esat Tomruk born?\tConstantinople\nWhere was Jonah Smith born?\tSyracuse\nWhere was Henry James born?\tBoston\nWhere was Werner Münch born?\tWestphalia\nWhere was Charles Weissmann born?\tBudapest\nWhere was Ron Westrum born?\tChicago\nWhere was John M. Coffee born?\tTacoma\nWhere was Johnny Praize Hernandez born?\tNewark\nWhere was William Taylor born?\tAlexandria\nWhere was Alastair Layzell born?\tJersey\nWhere was Samuel Sterett born?\tCarlisle\nWhere was Bobby Parker born?\tCoventry\nWhere was Sun Lingfeng born?\tBeijing\nWhere was Sheenagh Pugh born?\tBirmingham\nWhere was Patricia Stokkers born?\tUtrecht\nWhere was Necmi S%C3%B6nmez born?\tIstanbul\nWhere was Jonathan Wilkins born?\tLondon\nWhere was Harry Pelling Gill born?\tBrighton\nWhere was Joan Brotat born?\tBarcelona\nWhere was William Charles Brenke born?\tBerlin\nWhere was Ernest Wilson Huffcut born?\tKent\nWhere was Clive Brooks born?\tBow\nWhere was Aleksandar Novaković born?\tBelgrade\nWhere was Maja Tucholke born?\tLeipzig\nWhere was Bruce Carmichael born?\tWinnipeg\nWhere was Arthur Kinnaird, 11th Lord Kinnaird born?\tKensington\nWhere was Laszlo Gardony born?\tHungary\nWhere was Kelley Deal born?\tDayton\nWhere was William Henry Harrison Stowell born?\tWindsor\nWhere was Serdar Apaydın born?\tTurkey\nWhere was Barrett Martin born?\tOlympia\nWhere was Sal Sparace born?\tItaly\nWhere was Tzipora Laskov born?\tUkraine\nWhere was Frank Beck born?\tSalisbury\nWhere was Robert Fulford born?\tColchester\nWhere was Saad Salman born?\tBaghdad\nWhere was Jan Bull born?\tParis\nWhere was Terry Zahn born?\tMilwaukee\nWhere was Murdoch Macdonald born?\tInverness\nWhere was Hugo Consuegra born?\tHavana\nWhere was Mark Ettinger born?\tManhattan\nWhere was Winfield Myers born?\tGeorgia\nWhere was Daniel Steven Crafts born?\tDetroit\nWhere was Rebekah Modrak born?\tPittsburgh\nWhere was Piero Rodarte born?\tMexico\nWhere was René Gagnier born?\tMontreal\nWhere was Wang Beiming born?\tShanghai\nWhere was James Adler born?\tChicago\nWhere was Jüri Reinvere born?\tTallinn\nWhere was Lucille Wallenrod born?\tBrooklyn\nWhere was Henry S. Magoon born?\tWisconsin\nWhere was Anna Kurska born?\tLviv\nWhere was Wally Stocker born?\tLondon\nWhere was Cristy Coors Beasley born?\tMemphis\nWhere was Viktor Ivan%C4%8Di%C4%87 born?\tSarajevo\nWhere was Eugène Lanti born?\tNormandy\nWhere was Dominique de Williencourt born?\tLille\nWhere was Paul Zuccarelli born?\tMilan\nWhere was Francisco de Osuna born?\tSeville\nWhere was Emmanuel Aquin born?\tMontreal\nWhere was Denis Denisenko born?\tMoscow\nWhere was Jonathan Shearer born?\tGlasgow\nWhere was Charles T. Clotfelter born?\tBirmingham\nWhere was Stan Rosenthal born?\tLondon\nWhere was Michael Shine born?\tWarren\nWhere was Jonas Slier born?\tAmsterdam\nWhere was Barry Mitcalfe born?\tWellington\nWhere was Jennifer Ness born?\tCheshire\nWhere was David Barstow born?\tBoston\nWhere was György Bródy born?\tBudapest\nWhere was William Russell Birch born?\tWarwickshire\nWhere was Henry Taylor born?\tPhiladelphia\nWhere was Steve Sundholm born?\tPortland\nWhere was Frederic Bayco born?\tLondon\nWhere was Ethan Schreiber born?\tDetroit\nWhere was Francis Waddelove born?\tEngland\nWhere was Renato Caccioppoli born?\tNaples\nWhere was John Heath born?\tWorcester\nWhere was Leo Abrahams born?\tEngland\nWhere was Innocente Alessandri born?\tVenice\nWhere was Silja Ekeland Bjørkly born?\tBergen\nWhere was Harry Zvi Tabor born?\tLondon\nWhere was Mirela Ivanova born?\tSofia\nWhere was Bobby Skafish born?\tHammond\nWhere was John Montague born?\tSyracuse\nWhere was Józef Wieniawski born?\tLublin\nWhere was Joe Torres born?\tBrooklyn\nWhere was Rhett Davies born?\tLondon\nWhere was Saradindu Mukherjee born?\tKolkata\nWhere was Peter Smith born?\tMansfield\nWhere was Jennifer Moyle born?\tNorwich\nWhere was Ottaviano Nonni born?\tBologna\nWhere was Vincenzo Re born?\tParma\nWhere was Göran Gentele born?\tStockholm\nWhere was Hamilton Sloan born?\tBelfast\nWhere was Ann Corio born?\tHartford\nWhere was Brad Heald born?\tSydney\nWhere was Gordon Edward Corbould born?\tToronto\nWhere was Byron Fulcher born?\tCornwall\nWhere was Yvette Giraud born?\tParis\nWhere was Robert E. Merriam born?\tChicago\nWhere was Leszek Korzeniowski born?\tWarsaw\nWhere was Eugene Elliott Reed born?\tManchester\nWhere was Cynthia Cruz born?\tGermany\nWhere was Enrico Montesano born?\tRome\nWhere was Stephen McGonagle born?\tDerry\nWhere was Kirk Hunter born?\tBelfast\nWhere was Paul Lacroix born?\tParis\nWhere was Argiris Pedoulakis born?\tAthens\nWhere was Andrei Soldatov born?\tMoscow\nWhere was Yuki Matsuzawa born?\tTokyo\nWhere was Cliff Jones born?\tLondon\nWhere was Daniel Dayan born?\tCasablanca\nWhere was Zoltán Szilády born?\tBudapest\nWhere was Warington Wilkinson Smyth born?\tNaples\nWhere was Thomas Hoegh born?\tOslo\nWhere was Jan Schreiber born?\tWisconsin\nWhere was John Carlyle Herbert born?\tAlexandria\nWhere was Stuart Ford born?\tSheffield\nWhere was John DeCew born?\tVermont\nWhere was John Boling born?\tIndianapolis\nWhere was Peter Griffen born?\tAdelaide\nWhere was Gregory Woods born?\tGhana\nWhere was K. Bhaskaran born?\tChennai\nWhere was Sergio Zaniboni born?\tTurin\nWhere was Mike Delph born?\tIndianapolis\nWhere was Tanis Rideout born?\tBelgium\nWhere was Edwin Sutherland born?\tNebraska\nWhere was Anders Agensø born?\tDenmark\nWhere was Alexander Smith born?\tEdinburgh\nWhere was Brian Callison born?\tManchester\nWhere was Hanna Ożogowska born?\tWarsaw\nWhere was Luis G. Pedraja born?\tCuba\nWhere was Adalbert Vitalyos born?\tHungary\nWhere was Eero Paloheimo born?\tHelsinki\nWhere was Nick Grosso born?\tLondon\nWhere was George Sutherland born?\tScotland\nWhere was Ludwig von Wohlgemuth born?\tVienna\nWhere was Nikhil Haldipur born?\tKolkata\nWhere was Kris Kane born?\tGlasgow\nWhere was Albert Geouffre de Lapradelle born?\tParis\nWhere was Fran%C3%A7ois Desjardins born?\tMontreal\nWhere was Marco Maccarini born?\tTurin\nWhere was Hanna Thompson born?\tRochester\nWhere was Andrzej Mańka born?\tLublin\nWhere was Rika Noguchi born?\tTokyo\nWhere was Tobias Summerer born?\tBavaria\nWhere was Albert Warren Ferris born?\tBrooklyn\nWhere was Hans Solereder born?\tMunich\nWhere was Mark McCrea born?\tBelfast\nWhere was László Z. Bitó born?\tBudapest\nWhere was Brian Costello born?\tFlorida\nWhere was Georges Hugon born?\tParis\nWhere was Christfried Burmeister born?\tBradford\nWhere was Nick Greenstock born?\tDubai\nWhere was Thomas Wroth born?\tLondon\nWhere was Aliuska López born?\tHavana\nWhere was Vladeta Janković born?\tBelgrade\nWhere was Staffan de Mistura born?\tStockholm\nWhere was Brett Hayman born?\tMelbourne\nWhere was Mike Teasdale born?\tElgin\nWhere was Walter Hilgers born?\tGermany\nWhere was Gilbert de Clare, 7th Earl of Gloucester born?\tChristchurch\nWhere was Nektaria Karantzi born?\tGreece\nWhere was Phil Dudderidge born?\tHertfordshire\nWhere was Edward Meredith Cope born?\tBirmingham\nWhere was Boris Yampolsky born?\tUkraine\nWhere was Edith Leyrer born?\tVienna\nWhere was Susan Denin born?\tPhiladelphia\nWhere was Harrison Allen born?\tPhiladelphia\nWhere was Valentin Raychev born?\tSofia\nWhere was Kev Moore born?\tChesterfield\nWhere was Romuald Giegiel born?\tWarsaw\nWhere was Léon Gimpel born?\tParis\nWhere was Colin Groves born?\tEngland\nWhere was Azzedine Sakhri born?\tAlgiers\nWhere was Serafino Amedeo De Ferrari born?\tGenoa\nWhere was Ahmet Gülhan born?\tAnkara\nWhere was Duncan Fallowell born?\tLondon\nWhere was Ernest Baldwin born?\tGloucester\nWhere was George Bruce Malleson born?\tWimbledon\nWhere was Matthew Price born?\tLondon\nWhere was Ippongi Bang born?\tYokohama\nWhere was Alex Halberstadt born?\tMoscow\nWhere was Richard Vale born?\tLondon\nWhere was Alistair Griffin born?\tMiddlesbrough\nWhere was Gary Loizzo born?\tIllinois\nWhere was Kim Mackay born?\tBathurst\nWhere was Benjamin Brecknell Turner born?\tLondon\nWhere was Eduard Ortgies born?\tBremen\nWhere was Wilhelm Sander born?\tBerlin\nWhere was Sampson Low born?\tLondon\nWhere was Mario Theodoli born?\tRome\nWhere was Joy Williams born?\tSydney\nWhere was Adam McLean born?\tGlasgow\nWhere was Philip Warwick born?\tWestminster\nWhere was Kimiko Kasai born?\tKyoto\nWhere was Nina Repeta born?\tShelby\nWhere was Rudolf Křesťan born?\tPrague\nWhere was David Atkinson born?\tMontreal\nWhere was Edmund Port born?\tSyracuse\nWhere was Sonya Emery born?\tAustin\nWhere was Giuliano Ciannella born?\tPalermo\nWhere was Otto Griessing born?\tMunich\nWhere was Marcus Bierich born?\tHamburg\nWhere was Zhu Dawei born?\tShanghai\nWhere was Nicole Jordan born?\tOklahoma\nWhere was Hugh Andrew Johnstone Munro born?\tElgin\nWhere was Johnny Mowlem born?\tLondon\nWhere was Hall Hibbard born?\tKansas\nWhere was Cris af Enehielm born?\tHelsinki\nWhere was Mouloud Sihali born?\tAlgeria\nWhere was Patrick Lemarié born?\tParis\nWhere was Matthew Baillie Begbie born?\tMauritius\nWhere was Edward Gardner born?\tGloucester\nWhere was Marija Lugari%C4%87 born?\tZagreb\nWhere was Andrea Mátay born?\tBudapest\nWhere was John P. Cassidy born?\tBoise\nWhere was Glenn Cunningham born?\tBristol\nWhere was Richard Keese born?\tPeru\nWhere was Safdar Malik born?\tLahore\nWhere was Francisca Pleguezuelos born?\tGranada\nWhere was Laurie Allan born?\tLondon\nWhere was Yves Roucaute born?\tParis\nWhere was Bob Alberti born?\tBrooklyn\nWhere was Noah Creshevsky born?\tRochester\nWhere was Ivo Lukačovič born?\tPrague\nWhere was Gary Titley born?\tSalford\nWhere was Arseni Markov born?\tMoscow\nWhere was Farid Chopel born?\tParis\nWhere was Martin Smith born?\tSouthampton\nWhere was Alice Gerrard born?\tSeattle\nWhere was Sheyla Bonnick born?\tJamaica\nWhere was Brian G. W. Manning born?\tBirmingham\nWhere was Stewart Brown born?\tSouthampton\nWhere was George Graham born?\tStirling\nWhere was Péter Lendvay born?\tBudapest\nWhere was John Galea born?\tNorfolk\nWhere was Arthur Andrews born?\tSunderland\nWhere was Ben Ali born?\tTrinidad\nWhere was Hallgeir Langeland born?\tStrand\nWhere was Michał Tober born?\tWarsaw\nWhere was Howard Griffiths born?\tWales\nWhere was Philippe Lardy born?\tSwitzerland\nWhere was Moritz Hornes born?\tVienna\nWhere was Ken Little born?\tCanyon\nWhere was Romain Pelletier born?\tMontreal\nWhere was David Paton born?\tHamilton\nWhere was Henry Curtis Meanor born?\tCleveland\nWhere was Neil Fingleton born?\tDurham\nWhere was Lionel Tiger born?\tMontreal\nWhere was Charles Henry Douglass born?\tMacon\nWhere was Harry Marshall Ward born?\tHereford\nWhere was Murat Evliyaoğlu born?\tTurkey\nWhere was Jesse A. Hamilton born?\tPortland\nWhere was Michael Anti born?\tNanjing\nWhere was Jan Kregel born?\tDallas\nWhere was Silas Halsey born?\tSouthampton\nWhere was Eugene Cotran born?\tJerusalem\nWhere was Herbert Kingsford born?\tDover\nWhere was Frank Sayers born?\tLondon\nWhere was Thanhha Lai born?\tVietnam\nWhere was Kevin Noe born?\tDallas\nWhere was John Graham born?\tDerby\nWhere was Stefanie van Vliet born?\tAmsterdam\nWhere was Stephen Smyth born?\tDerry\nWhere was Jacques Mehler born?\tBarcelona\nWhere was Adam Gierek born?\tBelgium\nWhere was Russell Trainer born?\tDetroit\nWhere was James Bigwood born?\tBristol\nWhere was George Clark born?\tTulsa\nWhere was Byron Morrow born?\tChicago\nWhere was Hervé Alphand born?\tParis\nWhere was Georges Henri Roger born?\tParis\nWhere was Charles Tanguy born?\tFrance\nWhere was Ethel du Pont born?\tWilmington\nWhere was Domenico Cunego born?\tVerona\nWhere was Robert K. Brown born?\tMonroe\nWhere was Festus Walters born?\tPhiladelphia\nWhere was Noel Moore born?\tYorkshire\nWhere was Oliver Bevan born?\tPeterborough\nWhere was Alexander Pope Field born?\tLouisville\nWhere was D'Arcy Browning born?\tEdmonton\nWhere was George Rowe born?\tExeter\nWhere was Pierre Albuisson born?\tMadagascar\nWhere was Simon Laurens born?\tJersey\nWhere was Clere Parsons born?\tIndia\nWhere was Peter Wraxall born?\tBristol\nWhere was Louis Godin born?\tParis\nWhere was George William Knox born?\tRome\nWhere was Wayne Budd born?\tSpringfield\nWhere was George Jacobs born?\tMassachusetts\nWhere was Claude Duflos born?\tParis\nWhere was Rod Anderson born?\tAustralia\nWhere was A. Ledyard Smith born?\tMilwaukee\nWhere was Jean Pérol born?\tVienna\nWhere was Jorge Pacheco Klein born?\tMontevideo\nWhere was Rambhau Mhalgi born?\tPune\nWhere was Edward Balfour born?\tAngus\nWhere was Margaret Bloodworth born?\tWinnipeg\nWhere was Eric Guillemain born?\tMorocco\nWhere was John Whitworth born?\tIndia\nWhere was Christine de Veyrac born?\tToulouse\nWhere was Felicia Montealegre born?\tChile\nWhere was Michael Finney born?\tWoodland\nWhere was Ian Hancock born?\tEngland\nWhere was Graham Roberts born?\tChester\nWhere was Peter Belches born?\tScotland\nWhere was Knut Tarald Taraldsen born?\tOslo\nWhere was Filippo Soffici born?\tFlorence\nWhere was Paul Hedqvist born?\tStockholm\nWhere was Vladimir Galkin born?\tKazan\nWhere was Sir George Bowyer, 7th Baronet born?\tBerkshire\nWhere was Yelena Belyakova born?\tMoscow\nWhere was Hakob Hakobian born?\tEgypt\nWhere was Martin Jacques born?\tCoventry\nWhere was Tajinder Singh Hayer born?\tBradford\nWhere was Jon Courtney born?\tReading\nWhere was Ruth Volgl Cardoso born?\tBrazil\nWhere was Erwin Kelm born?\tMinnesota\nWhere was Swami Sundaranand born?\tIndia\nWhere was Jacob B. Grumet born?\tManhattan\nWhere was John Honeyman born?\tIreland\nWhere was George B. Rabb born?\tCharleston\nWhere was Alexander Laner born?\tMunich\nWhere was David Schrader born?\tChicago\nWhere was Darren Carr born?\tBristol\nWhere was Victor Borge born?\tCopenhagen\nWhere was Xavier Garbajosa born?\tToulouse\nWhere was Philippe Risoli born?\tParis\nWhere was Omar Harfouch born?\tTripoli\nWhere was Harry Newton Redman born?\tIllinois\nWhere was Frederic C. Lane born?\tLansing\nWhere was Josef Metternich born?\tCologne\nWhere was David Pangai born?\tTonga\nWhere was Stephen Fox born?\tEngland\nWhere was Martyn Joseph born?\tWales\nWhere was Frederick Ringer born?\tNorwich\nWhere was Thomas Johns Perry born?\tCumberland\nWhere was Robert Atherton born?\tLiverpool\nWhere was Adolf von Bomhard born?\tAugsburg\nWhere was Maria Kuznetsova born?\tOdessa\nWhere was Pavel Žáček born?\tPrague\nWhere was Spencer Swalm born?\tColorado\nWhere was Martin Duffy born?\tDublin\nWhere was Andre Coley born?\tJamaica\nWhere was Giacomo Vaghi born?\tComo\nWhere was Andrew Martin born?\tCambridge\nWhere was Nikolay Atanasov born?\tSofia\nWhere was Fran%C3%A7ois-Anne David born?\tParis\nWhere was William Evans born?\tEton\nWhere was Tayyar Yalaz born?\tIstanbul\nWhere was Dorothy Whitelock born?\tLeeds\nWhere was Charles James Monk born?\tPeterborough\nWhere was Ted Dey born?\tHull\nWhere was Kassim Mohamed born?\tKenya\nWhere was Phil Rose born?\tManchester\nWhere was Leslie Paul born?\tDublin\nWhere was Robert McCoy born?\tCarlisle\nWhere was Bertrand Lamarche born?\tParis\nWhere was Gary Clark born?\tDundee\nWhere was John Macdonell born?\tScotland\nWhere was Francis J. Ricciardone, Jr. born?\tBoston\nWhere was Darnell Kennedy born?\tMobile\nWhere was Anatoly Alexine born?\tMoscow\nWhere was Shane McKenzie born?\tAdelaide\nWhere was Kees Maks born?\tAmsterdam\nWhere was Lewis Rendt born?\tGermany\nWhere was Francisco Alimama Kashu born?\tHyderabad\nWhere was Katalin Karády born?\tBudapest\nWhere was Giovanni Battista Pozzi born?\tMilan\nWhere was Mariano Armellino born?\tRome\nWhere was Natalia Rom born?\tKazan\nWhere was Felice Giordano born?\tTurin\nWhere was Lyubomir Ivanov born?\tSofia\nWhere was Danielle McGrath born?\tSydney\nWhere was Coral Amiga born?\tLondon\nWhere was Eva Roth born?\tAugsburg\nWhere was William Fletcher Burden born?\tTroy\nWhere was John Lee born?\tOklahoma\nWhere was Sheik Sadeek born?\tGuyana\nWhere was David Parry born?\tLondon\nWhere was Tim Robinson born?\tYorkshire\nWhere was Alfred Ollivant born?\tManchester\nWhere was Wen Xiao Zheng born?\tShanghai\nWhere was John Mundy born?\tEngland\nWhere was Christopher Packe born?\tNorwich\nWhere was Yasmine Mahmoudieh born?\tGermany\nWhere was Giovanni Battista Rinuccini born?\tRome\nWhere was Vic Lee born?\tShanghai\nWhere was John Purchas born?\tCambridge\nWhere was Parviz Jalayer born?\tTehran\nWhere was Henry Arthur Bright born?\tLiverpool\nWhere was Louis Mazetier born?\tParis\nWhere was Richard Bristow born?\tWorcester\nWhere was Noël Gallon born?\tParis\nWhere was Peter Martin born?\tGalway\nWhere was Leo Alexander born?\tVienna\nWhere was Milan Orlowski born?\tPrague\nWhere was Lahcen Abrami born?\tCasablanca\nWhere was James Henry Emerton born?\tSalem\nWhere was Ma Kelu born?\tShanghai\nWhere was Ulrik Cold born?\tCopenhagen\nWhere was Lyman Tremain born?\tDurham\nWhere was Pandeli Ralli born?\tFrance\nWhere was Morgan Val Baker born?\tCornwall\nWhere was Jay Kennedy born?\tToledo\nWhere was Michael Griffith born?\tTrinidad\nWhere was Frederick A. Pike born?\tCalais\nWhere was Algernon Methuen born?\tLondon\nWhere was Henri Perreyve born?\tParis\nWhere was David Robert Nelson born?\tStuttgart\nWhere was Federico López born?\tMexico\nWhere was Stephen Carr born?\tSydney\nWhere was Edmund H. Pendleton born?\tSavannah\nWhere was William Hayter born?\tOxford\nWhere was Pat Gerber born?\tGlasgow\nWhere was David McCarthy born?\tBelfast\nWhere was Guiniforte Solari born?\tMilan\nWhere was Derrick Leon born?\tLondon\nWhere was Joseph Osgood Barrett born?\tBangor\nWhere was John Jenkins born?\tEngland\nWhere was Rastko Cvetković born?\tBelgrade\nWhere was John Snyder born?\tBoston\nWhere was Trevor Burton born?\tAston\nWhere was Al Cotey born?\tChicago\nWhere was Jan Antonín Duchoslav born?\tPrague\nWhere was Steve Francis born?\tPhoenix\nWhere was Raymond Ericson born?\tBrooklyn\nWhere was Valeriu Stoica born?\tBucharest\nWhere was Christian Murchison born?\tSingapore\nWhere was Julie Duncan born?\tCornish\nWhere was James Moffat born?\tVictoria\nWhere was Robert Erskine born?\tScotland\nWhere was Ralph Katz born?\tPittsburgh\nWhere was Bernard Cassen born?\tParis\nWhere was Gerhard Kraft born?\tHeidelberg\nWhere was Lucas Auer born?\tAustria\nWhere was Andrew Amos born?\tIndia\nWhere was Richard Bathurst born?\tJamaica\nWhere was Stewart G. Honeck born?\tChicago\nWhere was Giovanni Francesco Commendone born?\tVenice\nWhere was Mary Louise Smith born?\tMontgomery\nWhere was Miglena Markova born?\tSofia\nWhere was Theodore J. van den Broek born?\tAmsterdam\nWhere was Amy Sarkisian born?\tCleveland\nWhere was Thomas Barclay born?\tGlasgow\nWhere was Mahdi Al Tajir born?\tBahrain\nWhere was David Sander born?\tMelbourne\nWhere was Massimo Carello born?\tTurin\nWhere was John Small born?\tYork\nWhere was Alizeh Imtiaz born?\tKarachi\nWhere was Judith Vollmer born?\tPittsburgh\nWhere was Shay Gibbons born?\tDublin\nWhere was Gareth Knapman born?\tBirmingham\nWhere was Keith Cozens born?\tSurrey\nWhere was Dick Spotswood born?\tCalifornia\nWhere was James Mumford born?\tNorfolk\nWhere was Jack Blum born?\tToronto\nWhere was Mark Patton born?\tJersey\nWhere was Geoffrey Girard born?\tGermany\nWhere was Zhu Xueqin born?\tShanghai\nWhere was Bonnie Ladwig born?\tMilwaukee\nWhere was Imafuji Ch%C5%8Dtatsur%C5%8D born?\tTokyo\nWhere was Guo Jinlong born?\tNanjing\nWhere was Maude Duncan born?\tVirginia\nWhere was Stan Fine born?\tPittsburgh\nWhere was Zhores Medvedev born?\tTbilisi\nWhere was Gael Suares born?\tFrance\nWhere was Peter Nyborg born?\tGothenburg\nWhere was Julius Goldzier born?\tVienna\nWhere was Bill Jennings born?\tNorwich\nWhere was Louis Gustave Ricard born?\tMarseille\nWhere was Ephraim Paine born?\tCanterbury\nWhere was Horatio Bisbee, Jr. born?\tCanton\nWhere was S%C3%A9bastien Leblanc born?\tMontreal\nWhere was Tom Lynskey born?\tGalway\nWhere was DJ Uncle Al born?\tMiami\nWhere was James Milnor Coit born?\tHarrisburg\nWhere was Alan Thomson born?\tGlasgow\nWhere was Slaw Rebchuk born?\tWinnipeg\nWhere was Ashley Gilbertson born?\tAustralia\nWhere was Timothy Foote born?\tLondon\nWhere was Irving Fiske born?\tBrooklyn\nWhere was Tiziano Maggiolini born?\tRome\nWhere was Pat Foote born?\tDurham\nWhere was Aco Petrović born?\tBelgrade\nWhere was Endre Csillag born?\tBudapest\nWhere was Thomas Bottomore born?\tEngland\nWhere was Antonio Ciacca born?\tGermany\nWhere was Chris Heimerdinger born?\tIndiana\nWhere was Friedrich-August Schack born?\tSilesia\nWhere was Christian Ferdinand Friedrich Krauss born?\tStuttgart\nWhere was Kumar Ponnambalam born?\tColombo\nWhere was Lucius Verus born?\tRome\nWhere was Neil Zakiewicz born?\tLondon\nWhere was Odin Langen born?\tMinneapolis\nWhere was Mark Howett born?\tPerth\nWhere was Isaac Green Messec born?\tMacon\nWhere was Elizabeth Kell born?\tSydney\nWhere was Joel Frost born?\tCarmel\nWhere was Osku Palermaa born?\tFinland\nWhere was Leopold Casper born?\tBerlin\nWhere was Andrew Repasky McElhinney born?\tPhiladelphia\nWhere was Bunita Marcus born?\tMadison\nWhere was Simon James born?\tYork\nWhere was Herbert Postle born?\tMelbourne\nWhere was Charles Henry Turner born?\tWentworth\nWhere was Marc Chervel born?\tLille\nWhere was Hans Henrik Løyche born?\tCopenhagen\nWhere was Terry Eviston born?\tDublin\nWhere was Francis Davis born?\tPhiladelphia\nWhere was Sarah Brandner born?\tMunich\nWhere was Chubb Rock born?\tJamaica\nWhere was Francis Ernest Jackson born?\tHuddersfield\nWhere was MWF born?\tMemphis\nWhere was John Aspinall born?\tLiverpool\nWhere was Brendon Sinclair born?\tHobart\nWhere was Paul Conway born?\tChicago\nWhere was Tarek Momen born?\tCairo\nWhere was Maryam Khan born?\tManchester\nWhere was Benzion Rakow born?\tFrankfurt\nWhere was Mark Buchanan born?\tCleveland\nWhere was Justine Smethurst born?\tMelbourne\nWhere was Davide Sorrenti born?\tNaples\nWhere was Alessandro Frosini born?\tSiena\nWhere was Bhai Balmukund born?\tPakistan\nWhere was Ellen Gulbranson born?\tStockholm\nWhere was Richard Bilby born?\tTucson\nWhere was Mary Akrivopoulou born?\tThessaloniki\nWhere was Scarlett Strallen born?\tLondon\nWhere was Athanase Josué Coquerel born?\tAmsterdam\nWhere was William Samuel Booze born?\tBaltimore\nWhere was Frederick Fraley born?\tPhiladelphia\nWhere was Giuseppe Sabbatini born?\tRome\nWhere was Frederick Hartt born?\tBoston\nWhere was Edward Fitzharris born?\tIreland\nWhere was Felicitas Kuhn born?\tVienna\nWhere was Kenny Brannigan born?\tGlasgow\nWhere was João de Souza Mendes born?\tPortugal\nWhere was Eugene Tzigane born?\tTokyo\nWhere was Gladys Henson born?\tDublin\nWhere was David Smith born?\tLondon\nWhere was Carl Frederik Waage Beck born?\tCopenhagen\nWhere was Catherine Vickers born?\tRegina\nWhere was Alex Figge born?\tBoulder\nWhere was E. Riley Anderson born?\tChattanooga\nWhere was Paul Belmondo born?\tAlgiers\nWhere was Sébastien Roch born?\tToulouse\nWhere was John McKay born?\tMontreal\nWhere was Nahum Slouschz born?\tOdessa\nWhere was Aigars Vītols born?\tRiga\nWhere was Richard Bayley born?\tFairfield\nWhere was David Bret born?\tParis\nWhere was Guerguina Dvoretzka born?\tSofia\nWhere was Brendon Lindsay born?\tAustralia\nWhere was Judy Brooke born?\tLeeds\nWhere was Carlos Sampayo born?\tArgentina\nWhere was Tino Vegar born?\tSplit\nWhere was Thomas Guthrie Marquis born?\tChatham\nWhere was Robert Simpson Woodward born?\tRochester\nWhere was H. M. Green born?\tSydney\nWhere was Katerina Lemmel born?\tNuremberg\nWhere was Carlo Silipo born?\tNaples\nWhere was Mary Moody Emerson born?\tConcord\nWhere was Marc Matthews born?\tGuyana\nWhere was Matthias Bjornlund born?\tCopenhagen\nWhere was Henry Alfred Todd born?\tWoodstock\nWhere was Richard Cawley born?\tDoncaster\nWhere was Michael Halvarson born?\tStockholm\nWhere was Kerry Hannon born?\tPittsburgh\nWhere was Paul Boyd born?\tScotland\nWhere was Yannick Pouliot born?\tParis\nWhere was Hasna Xhukiçi born?\tAlbania\nWhere was Karl Chmielewski born?\tFrankfurt\nWhere was Lawrence Kushner born?\tDetroit\nWhere was Charles Frodsham born?\tLondon\nWhere was William Henry Anderdon born?\tLondon\nWhere was Martin Theodore Orne born?\tVienna\nWhere was Travis Bowen born?\tErie\nWhere was Bruce Hoblitzell born?\tLouisville\nWhere was John Bridgeman born?\tExeter\nWhere was Frank Cole born?\tSaskatchewan\nWhere was John McHale born?\tScotland\nWhere was Niels Bjerrum born?\tCopenhagen\nWhere was Massimo Mazzucco born?\tTurin\nWhere was No I.D. born?\tChicago\nWhere was J%C3%A9r%C3%B4me Inzerillo born?\tMarseille\nWhere was Stewart Rawlings Mott born?\tFlint\nWhere was Roderick Blaker born?\tMontreal\nWhere was Amir Mohebbian born?\tTehran\nWhere was Abel Dimier born?\tParis\nWhere was Richard Armstrong born?\tLeicester\nWhere was Jean Arnault born?\tFrance\nWhere was Stephen Gough born?\tDublin\nWhere was Mick O'Brien born?\tDublin\nWhere was Omar Rezaq born?\tLebanon\nWhere was George Pearkes born?\tWatford\nWhere was Malcolm Margolin born?\tBoston\nWhere was Dominique Sanson born?\tParis\nWhere was Giovanni Battista Verger born?\tRome\nWhere was Dylan Taite born?\tLiverpool\nWhere was Olof Bj%C3%B6rner born?\tStockholm\nWhere was Johan Daisne born?\tGhent\nWhere was Martin Weston born?\tWorcester\nWhere was Mathieu Blin born?\tParis\nWhere was E. W. Dickes born?\tLondon\nWhere was Siamak Hariri born?\tBonn\nWhere was Mircea Florian born?\tBucharest\nWhere was Kevin Robinson born?\tKilkenny\nWhere was Peter Driben born?\tBoston\nWhere was Kim Ondaatje born?\tToronto\nWhere was Antigoni Goni born?\tAthens\nWhere was Sikander Bakht born?\tKarachi\nWhere was George Brimley born?\tCambridge\nWhere was William Ewart born?\tLiverpool\nWhere was Pat Nixon born?\tNevada\nWhere was Angus Mackay born?\tLima\nWhere was Maynard Sinclair born?\tBelfast\nWhere was Dani Gal born?\tJerusalem\nWhere was Robert Holden born?\tPreston\nWhere was Paweł Zalewski born?\tWarsaw\nWhere was Michael Carney born?\tWaterford\nWhere was Donald Appleyard born?\tEngland\nWhere was Thomas Tod Stoddart born?\tEdinburgh\nWhere was Guy De Saint Cyr born?\tBerlin\nWhere was Adrian Moore born?\tNottingham\nWhere was Amélie Mummendey born?\tBonn\nWhere was Claire Burch born?\tBrooklyn\nWhere was Lloyd Youngblood born?\tBeaumont\nWhere was World population milestones born?\tSarajevo\nWhere was Wilhelm Boger born?\tStuttgart\nWhere was Raffaele Scalese born?\tNaples\nWhere was Vittorio Blanseri born?\tVenice\nWhere was Felipe Alfau born?\tBarcelona\nWhere was John Blackburn born?\tLuton\nWhere was Cipriano de Valera born?\tSeville\nWhere was Charles Collé born?\tParis\nWhere was Thierry Ehrmann born?\tLyon\nWhere was Alain Dorval born?\tAlgiers\nWhere was Sandrina Malakiano born?\tBangkok\nWhere was Romeo Niram born?\tRomania\nWhere was Leon Dycian born?\tPoland\nWhere was Mason Cook Darling born?\tAmherst\nWhere was Bertram Stuart Straus born?\tManchester\nWhere was Earle J. Gluck born?\tMaryland\nWhere was Jonathan B. Barry born?\tMilwaukee\nWhere was Bernard Leclerc born?\tFrance\nWhere was Dominic Dromgoole born?\tBristol\nWhere was Stanley Arthur Franklin born?\tBow\nWhere was Marc Sangnier born?\tParis\nWhere was Leslie Allen born?\tChicago\nWhere was Yang Yang born?\tBeijing\nWhere was Lawrence E. Kahn born?\tTroy\nWhere was Cornélie Falcon born?\tParis\nWhere was Wojciech Rychlik born?\tPoland\nWhere was Frederick Webb Hodge born?\tPlymouth\nWhere was Willis Jackson, Baron Jackson of Burnley born?\tBurnley\nWhere was Diane Carlson Evans born?\tMinnesota\nWhere was Joseph W. White born?\tCambridge\nWhere was Franz Dominic Grassi born?\tLeipzig\nWhere was Stefano Nolfi born?\tRome\nWhere was Ibrahim Diarra born?\tParis\nWhere was Jennifer Holliday born?\tMelbourne\nWhere was Peter Dowdeswell born?\tLondon\nWhere was Anna Hegner born?\tBasel\nWhere was Simon H. Rifkind born?\tLithuania\nWhere was Carey Beebe born?\tMelbourne\nWhere was Wang Nan born?\tChina\nWhere was Eric Ash born?\tBerlin\nWhere was Alaric Alexander Watts born?\tLondon\nWhere was Joseph Isabelle born?\tHull\nWhere was Alexander Wilson born?\tVirginia\nWhere was Jani Golob born?\tLjubljana\nWhere was Peyman Hooshmandzadeh born?\tTehran\nWhere was Walter Dulaney Addison born?\tAnnapolis\nWhere was Gary Franklin born?\tLeipzig\nWhere was John Esposito born?\tBrooklyn\nWhere was Walter Douglas born?\tGlasgow\nWhere was Denys Page born?\tReading\nWhere was Brigitte Peucker born?\tGermany\nWhere was Francis Williams born?\tKingston\nWhere was Alicia Thorgrimsson born?\tBrandon\nWhere was Tolga Tekinalp born?\tTurkey\nWhere was Wentworth Arthur Matthew born?\tLagos\nWhere was Harry B. Cohen born?\tWinnipeg\nWhere was Eduardo Lago born?\tMadrid\nWhere was Sir William Pearce, 2nd Baronet born?\tChatham\nWhere was Surinder Khanna born?\tDelhi\nWhere was Tom Hamilton born?\tBelfast\nWhere was Stephen Levine born?\tAlbany\nWhere was Gottlieb Bodmer born?\tMunich\nWhere was Collins J. Seitz born?\tWilmington\nWhere was Jaan Arder born?\tTallinn\nWhere was Eva Maria Zuk born?\tPoland\nWhere was Benjamin Enos born?\tRichmond\nWhere was Richard Anthony born?\tCairo\nWhere was Arthur Neal born?\tSheffield\nWhere was Jan Kregel born?\tTexas\nWhere was Henry Lerolle born?\tParis\nWhere was Leo Connellan born?\tPortland\nWhere was Alain Deloche born?\tParis\nWhere was Charles Ramsay Arbuthnot born?\tEngland\nWhere was Edward Stone Parker born?\tLondon\nWhere was Samuel Lancaster Gerry born?\tBoston\nWhere was Adrian Lombard born?\tCoventry\nWhere was Lewis Yelland Andrews born?\tSydney\nWhere was Jim Boyd born?\tPhiladelphia\nWhere was James Whitworth born?\tSheffield\nWhere was Sahara Smith born?\tAustin\nWhere was Hugues Krafft born?\tParis\nWhere was Barbara von Johnson born?\tMunich\nWhere was Leib Ostrow born?\tDetroit\nWhere was Chris Vaefaga born?\tAuckland\nWhere was Henry Neele born?\tLondon\nWhere was Buzzy Linhart born?\tPittsburgh\nWhere was Worthington Hooker born?\tSpringfield\nWhere was Fred Lecklider born?\tToledo\nWhere was Aleksander Żabczyński born?\tWarsaw\nWhere was Gabriele Castagnola born?\tGenoa\nWhere was Heather Jones born?\tEdmonton\nWhere was Wang He born?\tBeijing\nWhere was Gabrielle de Coignard born?\tToulouse\nWhere was David Aiken born?\tBenton\nWhere was Allison H. Eid born?\tSpokane\nWhere was Karen Young born?\tSheffield\nWhere was Emil Cesar born?\tLjubljana\nWhere was Mamta Kharab born?\tHaryana\nWhere was Christelle Lefranc born?\tParis\nWhere was Jimmy Johnson born?\tSheffield\nWhere was Emma Ejwertz born?\tSweden\nWhere was Justin Hickey born?\tSydney\nWhere was Desmond T. Burke born?\tOttawa\nWhere was Matthew Mead born?\tBuckinghamshire\nWhere was Thalia Pellegrini born?\tLondon\nWhere was Shyril O'Steen born?\tSeattle\nWhere was George Vicat Cole born?\tPortsmouth\nWhere was Peter Sullivan born?\tVirginia\nWhere was Barys Tasman born?\tMinsk\nWhere was Vernon Knowles born?\tAdelaide\nWhere was Paul Streeten born?\tAustria\nWhere was Gerrit Noordzij born?\tRotterdam\nWhere was Aghasi Khanjian born?\tVan\nWhere was Ignatius Cockshutt born?\tBradford\nWhere was Joseph Hislop born?\tEdinburgh\nWhere was Eli Capilouto born?\tAlabama\nWhere was Walter Ehrlich born?\tBerlin\nWhere was Justin Wintle born?\tLondon\nWhere was William Walcutt born?\tColumbus\nWhere was Felix Rottenberg born?\tAmsterdam\nWhere was Radovan Sloboda born?\tBratislava\nWhere was Olaf Rude born?\tEstonia\nWhere was Charlene McMann born?\tChicago\nWhere was James Chalmers born?\tElgin\nWhere was Howard Loxton born?\tBirmingham\nWhere was John Ferguson born?\tIrvine\nWhere was Bernard Brodie born?\tChicago\nWhere was Philip Hershkovitz born?\tPittsburgh\nWhere was Philip Jeremiah Schuyler born?\tAlbany\nWhere was Kong Bai Ji born?\tShanghai\nWhere was Richard Beckett born?\tLeeds\nWhere was Marty O'Neill born?\tWinnipeg\nWhere was Gerard Hemsworth born?\tLondon\nWhere was George Hulse born?\tLiverpool\nWhere was Jack Petticord born?\tChicago\nWhere was Sylvia Wynter born?\tCuba\nWhere was Doğa Bekleriz born?\tIstanbul\nWhere was Richard Bohn born?\tBerlin\nWhere was Chris Pile born?\tWarwickshire\nWhere was David Hackl born?\tToronto\nWhere was Tom Arnold born?\tLondon\nWhere was Juan Carlos Zald%C3%ADvar born?\tCuba\nWhere was Robert Wayne Thomason born?\tTulsa\nWhere was Peter Dembicki born?\tVancouver\nWhere was Eduardo Prado Coelho born?\tLisbon\nWhere was Paul Hallez born?\tLille\nWhere was George Bruce born?\tScotland\nWhere was Louisa Stevenson born?\tGlasgow\nWhere was Robert Moore born?\tHamilton\nWhere was Jean Noël Hallé born?\tParis\nWhere was Julian Paynter born?\tEdinburgh\nWhere was Tania Corrigan born?\tAuckland\nWhere was James Christie born?\tPerth\nWhere was William Kraft born?\tChicago\nWhere was Juan Bautista de Lezana born?\tMadrid\nWhere was Marcus Tuite born?\tDublin\nWhere was Paul Downes born?\tDevon\nWhere was Eleni Cubitt born?\tGreece\nWhere was Pieter de Molijn born?\tEngland\nWhere was Gustav Bischof born?\tNuremberg\nWhere was Wayne Elcock born?\tBirmingham\nWhere was Elnathan Sweet born?\tCheshire\nWhere was Gordon de Lisle Lee born?\tAberdeen\nWhere was Fran%C3%A7ois Ozenda born?\tMarseille\nWhere was Nancy Metz White born?\tMadison\nWhere was Shane Price born?\tMelbourne\nWhere was Sir James Grant, 8th Baronet born?\tScotland\nWhere was Simone Iannarelli born?\tRome\nWhere was John Alfred Cuthbert born?\tSavannah\nWhere was Edouard Grikurov born?\tTbilisi\nWhere was Timothy L. O'Brien born?\tIllinois\nWhere was John L. Morrison born?\tScotland\nWhere was DJ Woody born?\tBurnley\nWhere was Joshua Newtonn born?\tKerala\nWhere was Jeff Chandler born?\tPhiladelphia\nWhere was Godfrey Cripps born?\tIndia\nWhere was Samuel von Schmettau born?\tBerlin\nWhere was Margi Scharff born?\tMemphis\nWhere was Lance Hayward born?\tBermuda\nWhere was Henry Bernard Carpenter born?\tDublin\nWhere was Paule Ka born?\tLille\nWhere was Rona Hartner born?\tBucharest\nWhere was Terry Wardle born?\tHereford\nWhere was Ishwardas Rohani born?\tKarachi\nWhere was Leonard Strong born?\tUtah\nWhere was Colin Kennedy born?\tHamilton\nWhere was Peter Freebody born?\tSydney\nWhere was Biff Mitchell born?\tToronto\nWhere was Alice Harrison born?\tLondon\nWhere was Gabriel Bertrand born?\tParis\nWhere was Don Dixon born?\tEaston\nWhere was Queenie van de Zandt born?\tCanberra\nWhere was Thomas Playfere born?\tLondon\nWhere was Georges Borchardt born?\tBerlin\nWhere was Carlo Giuseppe Ratti born?\tGenoa\nWhere was Martin Kosleck born?\tPomerania\nWhere was Bernhard Fries born?\tHeidelberg\nWhere was Reed Hansen born?\tOrlando\nWhere was Ron Waksman born?\tPittsburgh\nWhere was Sir John Borlase, 2nd Baronet born?\tBuckinghamshire\nWhere was Marjorie Schwarzer born?\tBoston\nWhere was William L. Ward born?\tGreenwich\nWhere was Christa Goetsch born?\tBonn\nWhere was Robert John born?\tBirmingham\nWhere was Leonard Bosack born?\tPennsylvania\nWhere was Juan Carlos Carbonell born?\tSantiago\nWhere was Alberto Saichann born?\tArgentina\nWhere was Gianni Iapichino born?\tFlorence\nWhere was Emmanuel Schelstrate born?\tAntwerp\nWhere was Arthur William à Beckett born?\tFulham\nWhere was Arja Kajermo born?\tFinland\nWhere was Bob McChesney born?\tMaryland\nWhere was Petr Kroutil born?\tPrague\nWhere was Thomas Pole born?\tPhiladelphia\nWhere was Jonathan Hunt born?\tMassachusetts\nWhere was Albert Richard Pritchard born?\tRochester\nWhere was Joe Long born?\tElizabeth\nWhere was Gérald Gagnier born?\tMontreal\nWhere was Vishal Marwaha born?\tGlasgow\nWhere was Jos%C3%A9 Pou born?\tNicaragua\nWhere was Juan Manén born?\tBarcelona\nWhere was Nazik Saba Yared born?\tJerusalem\nWhere was Jean Gallon born?\tParis\nWhere was Marga van Praag born?\tAmsterdam\nWhere was Hiram Pitt Bennet born?\tCarthage\nWhere was Pierre Joxe born?\tParis\nWhere was Hardial Bains born?\tIndia\nWhere was Dennis Conta born?\tMilwaukee\nWhere was Harrie Wood born?\tKensington\nWhere was Robert Logan Jack born?\tIrvine\nWhere was Thomas Ebdon born?\tDurham\nWhere was Nick Doody born?\tMorley\nWhere was Salvador Cristau Coll born?\tBarcelona\nWhere was Jason Hedlesky born?\tMichigan\nWhere was Michael Guider born?\tMelbourne\nWhere was Salomon Konijn born?\tAmsterdam\nWhere was Zdzis%C5%82aw Najder born?\tWarsaw\nWhere was Francis Dunlavy born?\tVirginia\nWhere was Csaba Őry born?\tBudapest\nWhere was Henri Jeanneret born?\tSwitzerland\nWhere was Nicholas Riccardi born?\tGenoa\nWhere was Raymond Meier born?\tSwitzerland\nWhere was Graham Reilly born?\tLondon\nWhere was William Ernest Brymer born?\tBath\nWhere was John Philp Thompson, Sr. born?\tDallas\nWhere was Anita Vogel born?\tCalifornia\nWhere was Francis Hours born?\tFrance\nWhere was Richard E. Council born?\tTampa\nWhere was Peter Verhoek born?\tAuckland\nWhere was Dennis Davis born?\tManhattan\nWhere was Lukáš Kándl born?\tPrague\nWhere was Eliza Stewart Boyd born?\tCanada\nWhere was Thomas Dausgaard born?\tCopenhagen\nWhere was James Powell born?\tEton\nWhere was Karl Friedrich von Klöden born?\tBerlin\nWhere was Brad Farrow born?\tVancouver\nWhere was Jay Neill born?\tLondon\nWhere was Stacy Clark born?\tBuffalo\nWhere was David Needham born?\tLeicester\nWhere was Arsen Savadov born?\tKiev\nWhere was Simon Binnendijk born?\tLeiden\nWhere was Alan Davey born?\tIpswich\nWhere was Henry W. Lee born?\tLondon\nWhere was Alfred Clarke born?\tNottingham\nWhere was Paul Varley born?\tPreston\nWhere was Narado Brown born?\tKingston\nWhere was Jarvis Kenrick born?\tChichester\nWhere was Dwight Yates born?\tMontana\nWhere was Anna Barriball born?\tPlymouth\nWhere was Miriam Slater born?\tCalifornia\nWhere was Mark Alton Barwise born?\tChester\nWhere was Dick Stockton born?\tPhiladelphia\nWhere was Jacques d'Agar born?\tParis\nWhere was Mohammad Mottahedan born?\tIran\nWhere was Scott Tennant born?\tDetroit\nWhere was Käte Stresemann born?\tBerlin\nWhere was Laurence Lampert born?\tWinnipeg\nWhere was Tancrède Dumas born?\tItaly\nWhere was James Brockway born?\tBirmingham\nWhere was George Otto Wirz born?\tMonroe\nWhere was Jeff Simmons born?\tSeattle\nWhere was Robert Ford born?\tDevon\nWhere was Artur Zawisza born?\tPoland\nWhere was Edward Tufnell born?\tBath\nWhere was Robbie Regan born?\tWales\nWhere was Brent Barraclough born?\tCanada\nWhere was Diego Delgadillo born?\tGranada\nWhere was Erwin Lauper born?\tBern\nWhere was Charles Amos Cummings born?\tBoston\nWhere was Chris Christenson born?\tNorway\nWhere was Irfan Yusuf born?\tKarachi\nWhere was Mark McCall born?\tBangor\nWhere was Charles H. Kraft born?\tConnecticut\nWhere was Moses Hagiz born?\tJerusalem\nWhere was Elemér Terták born?\tBudapest\nWhere was Haru Mutasa born?\tZimbabwe\nWhere was Morten Nordeide Johansen born?\tOslo\nWhere was Ana Maria Narti born?\tBucharest\nWhere was George P. Merrill born?\tAuburn\nWhere was Kjersti Elvik born?\tBergen\nWhere was Maryem Tollar born?\tCairo\nWhere was Phillip Jackson born?\tChicago\nWhere was Tony Skabar born?\tUkraine\nWhere was Dávid Kovács born?\tBudapest\nWhere was Monika Meyer born?\tBerlin\nWhere was Claude Weisz born?\tParis\nWhere was Brian O'Riordan born?\tDublin\nWhere was Steven Hayward born?\tToronto\nWhere was Amy Chance born?\tHollywood\nWhere was Matt O'Connor born?\tManchester\nWhere was Sam Lynch born?\tLimerick\nWhere was Kris Lefcoe born?\tMontreal\nWhere was John Baptist de Faria born?\tPortugal\nWhere was Federico Fabregat born?\tGuadalajara\nWhere was Stefan Nystrom born?\tSweden\nWhere was Lucine Amara born?\tHartford\nWhere was Anna Livia Julian Brawn born?\tIreland\nWhere was Joe Zakas born?\tChicago\nWhere was John McLaren, Lord McLaren born?\tEdinburgh\nWhere was David Basnett born?\tLiverpool\nWhere was James Hamilton born?\tPaisley\nWhere was Alexander Manning born?\tDublin\nWhere was Ornella Oettl Reyes born?\tGermany\nWhere was Samuel Partridge born?\tNorwich\nWhere was Aristides Brezina born?\tVienna\nWhere was Don Mankiewicz born?\tBerlin\nWhere was Giorgio de Stefani born?\tVerona\nWhere was Chafik Charobim born?\tCairo\nWhere was Alexander Garden born?\tScotland\nWhere was Brandt C. Louie born?\tVancouver\nWhere was Gunnar Samuelsson born?\tLima\nWhere was Stanley Morgan born?\tLiverpool\nWhere was Peter Hargitai born?\tBudapest\nWhere was JJ Horner born?\tMinnesota\nWhere was Mary MacLeod Banks born?\tEdinburgh\nWhere was Chris McKhool born?\tOttawa\nWhere was Vincent Laforet born?\tSwitzerland\nWhere was Bill Barminski born?\tChicago\nWhere was Sharon Duce born?\tSheffield\nWhere was Claude Piel born?\tParis\nWhere was Herbert James Carter born?\tMarlborough\nWhere was Charles W. Moorman III born?\tCincinnati\nWhere was Hadi Sepehrzad born?\tTehran\nWhere was Sam Cosstick born?\tCroydon\nWhere was Ursula Evje born?\tOslo\nWhere was Nasos Thanopoulos born?\tAthens\nWhere was German Sims Woodhead born?\tHuddersfield\nWhere was John Keen born?\tBroadway\nWhere was Harry E. T. Thayer born?\tBoston\nWhere was Edith Dimock born?\tHartford\nWhere was Roland Green born?\tVictoria\nWhere was Bartle Brennen Bull born?\tToronto\nWhere was Daniel O'Mahony born?\tCroydon\nWhere was Tony Southgate born?\tCoventry\nWhere was Henry Bocking born?\tSheffield\nWhere was John McNamara born?\tCambridge\nWhere was Morris Sigman born?\tRussia\nWhere was Prosper Garnot born?\tBrest\nWhere was Masataka Yanagida born?\tTokyo\nWhere was Bertram Falle, 1st Baron Portsea born?\tJersey\nWhere was John Herbert Claiborne born?\tVirginia\nWhere was Vicente Gómez born?\tHonduras\nWhere was Luka Grubor born?\tZagreb\nWhere was Albert Pratz born?\tToronto\nWhere was Enrique Alciati born?\tMarseille\nWhere was William Schoell born?\tManhattan\nWhere was Sarah Mytton Maury born?\tLiverpool\nWhere was Francis Dunlap Gamewell born?\tCamden\nWhere was Álvaro Fillol born?\tSantiago\nWhere was Helen Longworth born?\tPreston\nWhere was Kip King born?\tChicago\nWhere was Riccardo Truccolo born?\tItaly\nWhere was George E. Waldo born?\tBrooklyn\nWhere was Jonathan Robinson born?\tWaterloo\nWhere was Lynne Cooke born?\tGeelong\nWhere was James Brown born?\tBlackburn\nWhere was George Kitching born?\tGuangzhou\nWhere was Rhoda Holmes Nicholls born?\tCoventry\nWhere was Virginia Leng born?\tMalta\nWhere was Mark Farmer born?\tLondon\nWhere was Frank Frankfort Moore born?\tLimerick\nWhere was Snorre Valen born?\tOslo\nWhere was George Mavrotas born?\tAthens\nWhere was Marco Napolioni born?\tRome\nWhere was Arne Rinnan born?\tOslo\nWhere was Maurice Tadadjeu born?\tCameroon\nWhere was John Hyacinth Power born?\tWaterford\nWhere was Lester Spangler born?\tBrook\nWhere was Robert Moss born?\tMelbourne\nWhere was Pierre deMorlaix born?\tFrance\nWhere was Linda Newell born?\tOregon\nWhere was Martin Malvy born?\tParis\nWhere was Maurice Vaïsse born?\tAlgiers\nWhere was Arnaldo Faustini born?\tRome\nWhere was Nat Patton born?\tTexas\nWhere was Samuel Dick born?\tNottingham\nWhere was Edward Webster Bemis born?\tSpringfield\nWhere was Lew Jetton born?\tHumboldt\nWhere was Axel Leonard Melander born?\tChicago\nWhere was John Mundy born?\tManchester\nWhere was Alex Garc%C3%ADa born?\tHavana\nWhere was Luis Mu%C3%B1oz born?\tGranada\nWhere was Franz Rosei born?\tVienna\nWhere was Tadeusz Browicz born?\tLviv\nWhere was Dave Berg born?\tPortland\nWhere was Dilawar Hussain born?\tLahore\nWhere was Herbert Sanders born?\tWolverhampton\nWhere was Nico Gardener born?\tRiga\nWhere was Victor Antoine Signoret born?\tParis\nWhere was John B. Foster born?\tGloucester\nWhere was Francis Allegra born?\tCleveland\nWhere was Wallace Bishop born?\tChicago\nWhere was Phil Lucas born?\tPhoenix\nWhere was Roy Dalgarno born?\tMelbourne\nWhere was Henry Woods born?\tBedford\nWhere was Diana Trask born?\tMelbourne\nWhere was Alec Briggs born?\tSheffield\nWhere was Lynne Kositsky born?\tMontreal\nWhere was Robert Boughey born?\tPennsylvania\nWhere was Cecil Copping born?\tLisbon\nWhere was Xavi Vallmajó born?\tBarcelona\nWhere was Graham Ackerman born?\tSeattle\nWhere was J.C. Patterson born?\tArmagh\nWhere was Lawrence Willis born?\tLafayette\nWhere was Elizabeth Forbes born?\tOttawa\nWhere was Izolda Barudžija born?\tSplit\nWhere was Rolf Schock born?\tFrance\nWhere was Joel Lion born?\tFrance\nWhere was Jean Baptiste Claude Chatelain born?\tParis\nWhere was Alejandro Rossi born?\tFlorence\nWhere was Peter Hoover born?\tCanada\nWhere was John Raven born?\tCambridge\nWhere was Alex González born?\tMiami\nWhere was John Smyth born?\tIreland\nWhere was Gabriel Desjardins born?\tMontreal\nWhere was Abhijit Kunte born?\tPune\nWhere was Mark Koevermans born?\tRotterdam\nWhere was Espen Giljane born?\tOslo\nWhere was William Harrison Courtney born?\tBaltimore\nWhere was David Mercer born?\tSwansea\nWhere was Princess Bee born?\tItaly\nWhere was Jeffrey H. Cohen born?\tBrooklyn\nWhere was Charles Alford born?\tSomerset\nWhere was Andrew Crofts born?\tEngland\nWhere was Marcus Tsutakawa born?\tSeattle\nWhere was Ken Fowler born?\tFargo\nWhere was Henry Robertson Hartley born?\tSouthampton\nWhere was Mark Cooksey born?\tEngland\nWhere was Janet Coster born?\tLondon\nWhere was Sun Lingfeng born?\tChina\nWhere was Ed Pizunski born?\tToronto\nWhere was Grant McNally born?\tVancouver\nWhere was Edward Locke born?\tEngland\nWhere was Zsolt Hamar born?\tBudapest\nWhere was Murray McEachern born?\tToronto\nWhere was Aboubacar Sankhare born?\tFrance\nWhere was David Marusek born?\tBuffalo\nWhere was Liljana Lu%C4%8Di%C4%87 born?\tBelgrade\nWhere was Enrico Toselli born?\tFlorence\nWhere was Walter Bowers Pillsbury born?\tBurlington\nWhere was John Butts born?\tCork\nWhere was John Cobbett born?\tEdinburgh\nWhere was Minas Gekos born?\tConstantinople\nWhere was Andrew Patterson born?\tBelfast\nWhere was Alexander Ferdinand von der Goltz born?\tPrussia\nWhere was Paul Keenan born?\tLisbon\nWhere was Barry Howard born?\tNottingham\nWhere was Mary Ann Kennedy born?\tGlasgow\nWhere was Bruno Arpaia born?\tNaples\nWhere was Simone Orlando born?\tVancouver\nWhere was Jazzy Jay born?\tBeaufort\nWhere was Binem Heller born?\tWarsaw\nWhere was Olivia Poulet born?\tLondon\nWhere was Christoph M. Schmidt born?\tCanberra\nWhere was Siamak Shayeghi born?\tIran\nWhere was Mike Shank born?\tColumbus\nWhere was Spiro Zavos born?\tWellington\nWhere was Tommie Lindsey born?\tOakland\nWhere was Aneesh Kapil born?\tWolverhampton\nWhere was Bijoy Goswami born?\tBangalore\nWhere was Henry Beecher Dierdorff born?\tSeville\nWhere was Samuel Barton born?\tVirginia\nWhere was John Augustus Stone born?\tConcord\nWhere was Thomas Rickner born?\tRochester\nWhere was Max Coyer born?\tHartford\nWhere was Serge Losique born?\tYugoslavia\nWhere was John B. Snook born?\tEngland\nWhere was Bódog Török born?\tBudapest\nWhere was Lawrence Townsend born?\tPhiladelphia\nWhere was Abdou Cherif born?\tCasablanca\nWhere was Joseph Paul Cretzer born?\tMinneapolis\nWhere was Gregory V. Palmer born?\tPhiladelphia\nWhere was Nathaniel Culverwell born?\tMiddlesex\nWhere was John Friedrich born?\tCalifornia\nWhere was Jean Trembley born?\tGeneva\nWhere was Giuseppe Simonelli born?\tNaples\nWhere was John Warrock born?\tRichmond\nWhere was Antonietta Pastori born?\tMilan\nWhere was Dhyanyogi Madhusudandas born?\tBihar\nWhere was Hiba Daniel born?\tLebanon\nWhere was Jacob Murey born?\tMoscow\nWhere was Emmy Verhey born?\tAmsterdam\nWhere was Alain Ehrenberg born?\tParis\nWhere was Santiago I%C3%B1iguez de Onzo%C3%B1o born?\tMadrid\nWhere was Aleksandra Romanić born?\tZagreb\nWhere was Gayathri Mudigonda born?\tIndia\nWhere was Robert E. Wright born?\tRochester\nWhere was Thomas Nassi born?\tAlbania\nWhere was Emanuel Brouwer born?\tAmsterdam\nWhere was Tariq Hashim born?\tBaghdad\nWhere was David Lake born?\tBangalore\nWhere was Frederick Ellsworth Mather born?\tWindsor\nWhere was Tim Davis born?\tMilwaukee\nWhere was Howard Griffiths born?\tSwansea\nWhere was Edward Raymond Neaher born?\tBrooklyn\nWhere was John Chillag born?\tVienna\nWhere was Rich Meyer born?\tCincinnati\nWhere was Neil Rackham born?\tEngland\nWhere was G%C3%B6khan Bozkaya born?\tGermany\nWhere was Martin Kratochvíl born?\tPrague\nWhere was Gaspard Terrasson born?\tLyon\nWhere was George Mudie born?\tEdinburgh\nWhere was Joseph Wilhelm Swoboda born?\tPrague\nWhere was John Metcalfe born?\tWellington\nWhere was Tim Long born?\tBrandon\nWhere was Gonzalo Pieres, Sr. born?\tArgentina\nWhere was Donald Kalish born?\tChicago\nWhere was Vladimir Georgiev born?\tSofia\nWhere was Yu Huili born?\tSichuan\nWhere was Alexandra Mazur born?\tMoscow\nWhere was Nicole Hackett born?\tSydney\nWhere was Carl Ludwig Brandt born?\tHolstein\nWhere was Aida Schlaepfer born?\tBaghdad\nWhere was Amy Neftzger born?\tIllinois\nWhere was Samuel Bourn the Elder born?\tDerby\nWhere was Hans Reiche born?\tBerlin\nWhere was Berthold Weisz born?\tBudapest\nWhere was Marcia Gygli King born?\tCleveland\nWhere was Edmund Hobhouse born?\tLondon\nWhere was Frederick Lewis Allen born?\tBoston\nWhere was Alice Robie Resnick born?\tErie\nWhere was Philip Sington born?\tCambridge\nWhere was Nick Conrad born?\tNorwich\nWhere was Anastasius I born?\tRome\nWhere was Ernst Friedrich born?\tParis\nWhere was Roy Sekoff born?\tMiami\nWhere was Samuel Rickard Christophers born?\tLiverpool\nWhere was David Schnitter born?\tNewark\nWhere was Jamie Moses born?\tIpswich\nWhere was Takeshi Maeda born?\tTokyo\nWhere was Brian Plummer born?\tSaskatchewan\nWhere was Joseph R. Chenelly born?\tRochester\nWhere was Brian Faloon born?\tBelfast\nWhere was Antonio Tosti born?\tRome\nWhere was Mehmet Ali İrtemçelik born?\tIstanbul\nWhere was Dmitry Grigorieff born?\tLondon\nWhere was Adolphe Cohn born?\tParis\nWhere was Alexander Hangerli born?\tIstanbul\nWhere was Lorne Rubenstein born?\tToronto\nWhere was Flemming Lassen born?\tCopenhagen\nWhere was James O'Mara born?\tLimerick\nWhere was Davis Gaines born?\tOrlando\nWhere was Donald W. Steinmetz born?\tMilwaukee\nWhere was Crist%C3%B3bal de Aguilar born?\tLima\nWhere was Rüdiger Frank born?\tLeipzig\nWhere was Edward Romilly born?\tLondon\nWhere was Essie Sakhai born?\tIran\nWhere was Francis W. Cushman born?\tBrighton\nWhere was Ursula Hoff born?\tLondon\nWhere was Carol Klimpel born?\tOntario\nWhere was Alec Statham born?\tCoventry\nWhere was Marianne Peretti born?\tParis\nWhere was Matteo Barzini born?\tRome\nWhere was Alejandro Abellan born?\tOttawa\nWhere was Douglas Simpson born?\tGlasgow\nWhere was Andrea Lekić born?\tBelgrade\nWhere was Danny Roxo born?\tPortugal\nWhere was Tommy Waidelich born?\tStockholm\nWhere was Hazard E. Reeves born?\tBaltimore\nWhere was Crystal Mangum born?\tDurham\nWhere was Andrea Giani born?\tNaples\nWhere was Clive Gee born?\tIreland\nWhere was Vincent A. Mahler born?\tChicago\nWhere was John Hawthorne born?\tSydney\nWhere was Miryana Ivanova Basheva born?\tSofia\nWhere was Mordehai Dubin born?\tRiga\nWhere was Matthew Hall McAllister born?\tSavannah\nWhere was Thomas Morland born?\tMontreal\nWhere was Leigh Diffey born?\tBrisbane\nWhere was Yuan Yufang born?\tBeijing\nWhere was Shahin Afrassiabi born?\tTehran\nWhere was Klaus Röder born?\tStuttgart\nWhere was Eric Swinkels born?\tBest\nWhere was Henry Hiles born?\tShrewsbury\nWhere was Gottfried Heinrich Bach born?\tLeipzig\nWhere was Silke Bodenbender born?\tBonn\nWhere was Frank Kaderabek born?\tChicago\nWhere was Ian Steel born?\tGlasgow\nWhere was Ebbe Hamerik born?\tCopenhagen\nWhere was Robert Lecou born?\tParis\nWhere was William Child born?\tBristol\nWhere was Edwin Edgar Voigt born?\tIllinois\nWhere was Tony Kaldas born?\tCairo\nWhere was Silvana Cruciata born?\tNaples\nWhere was Ernest Luxembourg Wright born?\tMassachusetts\nWhere was Vivion de Valera born?\tDublin\nWhere was Francis Montague Holl born?\tLondon\nWhere was Miguel García García born?\tBarcelona\nWhere was Charles Marston born?\tWolverhampton\nWhere was Barry Upton born?\tHastings\nWhere was Dave Hilton born?\tEngland\nWhere was Caleb H. Baumes born?\tBethlehem\nWhere was William Gifford Palgrave born?\tWestminster\nWhere was Hugh Fraser, 1st Baron Fraser of Allander born?\tGlasgow\nWhere was Matthew Taylor born?\tMiami\nWhere was Ed Rossbach born?\tChicago\nWhere was Augusto De Marsanich born?\tRome\nWhere was František Neuwirt born?\tPrague\nWhere was John Myres born?\tPreston\nWhere was John Marshall Evans born?\tVirginia\nWhere was Chad Hartigan born?\tCyprus\nWhere was Henry Bentley born?\tWestminster\nWhere was Manuel Su%C3%A1rez %C3%81vila born?\tTrinidad\nWhere was Juris Sokolovskis born?\tRiga\nWhere was Tommy Rustad born?\tOslo\nWhere was Rick Holbrook born?\tChicago\nWhere was Allan Stewart born?\tEdinburgh\nWhere was Stephen Codman born?\tNorwich\nWhere was John Arneil born?\tIndia\nWhere was Tomislav Smoljanović born?\tSplit\nWhere was Claire Ritter born?\tCharlotte\nWhere was Dino Wells born?\tChicago\nWhere was Eric Robson born?\tScotland\nWhere was Herbert J. Davenport born?\tVermont\nWhere was Dave Wood born?\tManchester\nWhere was Rob Shelby born?\tDetroit\nWhere was Jennifer Smith born?\tLisbon\nWhere was Mike Peden born?\tEdinburgh\nWhere was Richard Collins, Baron Collins born?\tDublin\nWhere was Alonso del Arco born?\tMadrid\nWhere was Ömer Kaner born?\tIstanbul\nWhere was Davor Sučić born?\tSarajevo\nWhere was Pa Neumüller born?\tStockholm\nWhere was Jeremiah H. Pierson born?\tNewark\nWhere was Walter Elliot born?\tEdinburgh\nWhere was Brent Rickles born?\tLondon\nWhere was John Mahaffy born?\tMontreal\nWhere was Sofia Scalchi born?\tTurin\nWhere was Petra Krug born?\tDresden\nWhere was Theron R. Strong born?\tSalisbury\nWhere was Sathyabhama Das Biju born?\tKerala\nWhere was Petar %C4%8Culi%C4%87 born?\tSplit\nWhere was Lev Leshchenko born?\tMoscow\nWhere was Jesper Nordin born?\tStockholm\nWhere was Martin Henriksson born?\tSweden\nWhere was John Chester Buttre born?\tAuburn\nWhere was Henry Duckworth born?\tBrandon\nWhere was Kaoru Kakudo born?\tJapan\nWhere was Antony Cooke born?\tSydney\nWhere was Michel Dovaz born?\tGeneva\nWhere was Ingrid Eide born?\tOslo\nWhere was Constantinos Decavallas born?\tAthens\nWhere was Thomas Reeve born?\tLangley\nWhere was Jörgen Dafgård born?\tGothenburg\nWhere was Shiva Boloorian born?\tTehran\nWhere was Georgina Kennard born?\tEdinburgh\nWhere was Alexandre Desgoffe born?\tParis\nWhere was Olaf Poulsen born?\tOslo\nWhere was Andrew Bell born?\tLondon\nWhere was Jack Curtner born?\tGreenville\nWhere was Rafael Garzón Rodríguez born?\tGranada\nWhere was Louis Joseph Coralie born?\tMauritius\nWhere was Carlo Fatuzzo born?\tGenoa\nWhere was Ernest E. Wood born?\tChico\nWhere was Robb Gravett born?\tLondon\nWhere was Anton Altmann born?\tVienna\nWhere was Réginald Bernut born?\tSydney\nWhere was Henry Hudson Kitson born?\tHuddersfield\nWhere was Frank P. Incropera born?\tLawrence\nWhere was Martin Wright born?\tGermany\nWhere was Rose Prince born?\tEngland\nWhere was William Doan born?\tMaine\nWhere was Stanis%C5%82awa Nowicka born?\tWarsaw\nWhere was Énemond Massé born?\tLyon\nWhere was Károly Varga born?\tBudapest\nWhere was David J. Eicher born?\tOxford\nWhere was Richard Corbould born?\tLondon\nWhere was Ethan Mordden born?\tPennsylvania\nWhere was Thomas Adams born?\tLondon\nWhere was Staffan de Mistura born?\tSweden\nWhere was Françoise Claustre born?\tParis\nWhere was Alejandro Colina born?\tCaracas\nWhere was Virginio Colombo born?\tMilan\nWhere was Franco Gentilesca born?\tBrooklyn\nWhere was Mehran Khaghani born?\tLondon\nWhere was Zhang Lei born?\tNanjing\nWhere was Desi Williams born?\tLondon\nWhere was Robert McCrindle born?\tGlasgow\nWhere was Christopher Benfield Carter born?\tMontreal\nWhere was Edward Isaac Ezra born?\tShanghai\nWhere was Steve Free born?\tPortsmouth\nWhere was Charles Reynolds Brown born?\tBethany\nWhere was Simon Cooke born?\tManchester\nWhere was Conyers Middleton born?\tRichmond\nWhere was Bo Weavil Jackson born?\tBirmingham\nWhere was Kay Lahusen born?\tCincinnati\nWhere was John O'Keefe born?\tWaterloo\nWhere was Jamal Jumá born?\tBaghdad\nWhere was Anwar Khan born?\tKarachi\nWhere was Laurence Stallings born?\tMacon\nWhere was Rick Lawson born?\tRaymond\nWhere was Diego Francisco Altamirano born?\tMadrid\nWhere was Eric Aarons born?\tSydney\nWhere was Charles Dixon born?\tLondon\nWhere was Johann Christoph Friedrich Klug born?\tBerlin\nWhere was Edwin Grant Dexter born?\tCalais\nWhere was Arthur Napoleão dos Santos born?\tPorto\nWhere was Edgar Sydney Little born?\tLondon\nWhere was Cedric Myton born?\tJamaica\nWhere was Robert Jankel born?\tLondon\nWhere was Jacqueline Carey born?\tCambridge\nWhere was William Presser born?\tMichigan\nWhere was Natallia Helakh born?\tBrest\nWhere was Yvette Higgins born?\tSydney\nWhere was Clement Payne born?\tTrinidad\nWhere was Dragoș Neagu born?\tBucharest\nWhere was Theodore Augustine Mann born?\tYorkshire\nWhere was Lloyd Turner born?\tAustralia\nWhere was Louise Christian born?\tOxford\nWhere was Silas Bowker born?\tConcord\nWhere was Penny Lernoux born?\tCalifornia\nWhere was Serge Postigo born?\tFrance\nWhere was Mary Lou Munts born?\tChicago\nWhere was Mitra Tabrizian born?\tTehran\nWhere was Zeng Fanyi born?\tShanghai\nWhere was Rani Price born?\tLiverpool\nWhere was Lorne Resnick born?\tToronto\nWhere was Fabrizio Marrella born?\tVenice\nWhere was Mónica Estarreado born?\tMadrid\nWhere was Catherine Wellesley, Duchess of Wellington born?\tDublin\nWhere was Oliver Lieb born?\tFrankfurt\nWhere was Jennifer Clulow born?\tGrimsby\nWhere was Regina Sarfaty born?\tRochester\nWhere was William C. Clark born?\tGreenwich\nWhere was Léonce Alloy born?\tParis\nWhere was W. T. Pfefferle born?\tHamilton\nWhere was Torgeir Micaelsen born?\tBergen\nWhere was Joseph Bennett born?\tGrimsby\nWhere was Frederick Gunton born?\tNorwich\nWhere was Zoran Popovich born?\tAkron\nWhere was Ángel Garma born?\tSpain\nWhere was Pernille Rose Gr%C3%B8nkj%C3%A6r born?\tDenmark\nWhere was Mohammed Loay Bayazid born?\tSyria\nWhere was Graph Nobel born?\tToronto\nWhere was Robert van der Zant born?\tQueensland\nWhere was Edward Duyker born?\tMelbourne\nWhere was Boris Grushin born?\tMoscow\nWhere was Sumalee Montano born?\tColumbus\nWhere was Juan Alfon born?\tToledo\nWhere was Claude Bourgelat born?\tLyon\nWhere was Henri de Contenson born?\tParis\nWhere was Morton Estrin born?\tBurlington\nWhere was Yasir Butt born?\tLahore\nWhere was Carlo Emery born?\tNaples\nWhere was Magnus Rosén born?\tGothenburg\nWhere was Alan Aboud born?\tDublin\nWhere was Zoltan Kósz born?\tBudapest\nWhere was Alistair Elliot born?\tLiverpool\nWhere was George Fisher born?\tFranklin\nWhere was Cleve Chaffin born?\tKentucky\nWhere was Sal Cannella born?\tNewark\nWhere was Sherry Kramer born?\tSpringfield\nWhere was Hendrick Andriessen born?\tAntwerp\nWhere was Carl Herman Kraeling born?\tBrooklyn\nWhere was Adolphus Drucker born?\tAmsterdam\nWhere was Eileen O'Keeffe born?\tKilkenny\nWhere was Deyan Vatchkov born?\tSofia\nWhere was André Léri born?\tParis\nWhere was Nicolás Antonio de Arredondo born?\tMadrid\nWhere was Aaron of Lincoln born?\tLincoln\nWhere was Martin Jervan born?\tTallinn\nWhere was Pankaj Dharmani born?\tDelhi\nWhere was Nick Dranias born?\tChicago\nWhere was John Abram born?\tEngland\nWhere was Laurent Petitguillaume born?\tTours\nWhere was Walter J. Mahoney born?\tBuffalo\nWhere was William Buik born?\tDundee\nWhere was Frank J. Webb born?\tPhiladelphia\nWhere was William Garnett born?\tLondon\nWhere was Sylvester Ahola born?\tGloucester\nWhere was Petras Geniušas born?\tVilnius\nWhere was Joy Katz born?\tNewark\nWhere was Michael Khodarkovsky born?\tOdessa\nWhere was Arthur N. Martin born?\tToronto\nWhere was Shibley Telhami born?\tIsrael\nWhere was Jim Berry born?\tOklahoma\nWhere was Joshua Toulmin Smith born?\tBirmingham\nWhere was Alain Boire born?\tMontreal\nWhere was Yash Daryanani born?\tChennai\nWhere was Marty Radovanic born?\tCleveland\nWhere was Sara Badr born?\tCairo\nWhere was Norbert Wissing born?\tAmsterdam\nWhere was Sergey Kozlov born?\tMoscow\nWhere was Michael Armstrong born?\tFrance\nWhere was Charles Crawford born?\tNashville\nWhere was Luděk Frýbort born?\tPrague\nWhere was Frédéric Durieux born?\tParis\nWhere was Fabian Francis born?\tDarwin\nWhere was Jan Szyszko born?\tWarsaw\nWhere was Nathalie De Vos born?\tGhent\nWhere was George Stone born?\tFulham\nWhere was Andy King born?\tVancouver\nWhere was John Randall Reding born?\tPortsmouth\nWhere was Peter F. Donnelly born?\tLynn\nWhere was Anton Foljambe born?\tChristchurch\nWhere was Bertie Felstead born?\tLondon\nWhere was Mary Cecil Allen born?\tMelbourne\nWhere was Kazimierz Flatau born?\tWarsaw\nWhere was Edward Schoeneck born?\tSyracuse\nWhere was Neal Peters McCurn born?\tSyracuse\nWhere was Alan MacDonald born?\tWatford\nWhere was Alby Why born?\tSydney\nWhere was Ben Nicholas born?\tAdelaide\nWhere was Michelle Rogers born?\tSalford\nWhere was Mark Gosling born?\tBirmingham\nWhere was Michel Frutschi born?\tGeneva\nWhere was Graham Doyle born?\tDublin\nWhere was Anne Audain born?\tAuckland\nWhere was Eugene A. Toepel born?\tBangor\nWhere was Benjamin Castleman born?\tEverett\nWhere was Harry W. Wellford born?\tMemphis\nWhere was Albertus Jonas Brandt born?\tAmsterdam\nWhere was Victor Krasin born?\tKiev\nWhere was Omar Abdel Aziz born?\tCairo\nWhere was Joe Ascione born?\tBrooklyn\nWhere was Liam McMahon born?\tIreland\nWhere was Martin Firrell born?\tFrance\nWhere was Ignacio Matte Blanco born?\tSantiago\nWhere was Marc Hostert born?\tLuxembourg\nWhere was Tom Kazas born?\tSydney\nWhere was Michael Brennan born?\tSydney\nWhere was Clinton D. McKinnon born?\tDallas\nWhere was Ronnie Le Drew born?\tToronto\nWhere was Simon Gerada born?\tMelbourne\nWhere was Michael Greco born?\tDunbar\nWhere was James Travers born?\tHamilton\nWhere was Carol Graham born?\tLima\nWhere was Valli Valli born?\tBerlin\nWhere was Francis Asbury Baker born?\tBaltimore\nWhere was Rafael E. Martinez born?\tCuba\nWhere was Arthur Barnett born?\tDunedin\nWhere was Antonia Okonma born?\tLondon\nWhere was Noush Skaugen born?\tSweden\nWhere was Roger Mears born?\tWichita\nWhere was Martin Gero born?\tSwitzerland\nWhere was John Duncombe born?\tLondon\nWhere was Chris Welsby born?\tExeter\nWhere was Harry Freedman born?\tLondon\nWhere was Bobby McDonald born?\tAberdeen\nWhere was Thomas Scott born?\tPennsylvania\nWhere was Luca Princiotta born?\tComo\nWhere was Christine Melnick born?\tWinnipeg\nWhere was Philippa Perry born?\tWarrington\nWhere was Thomas Webley born?\tBristol\nWhere was Luigi Attademo born?\tNaples\nWhere was Karolina Kosińska born?\tWarsaw\nWhere was Jacques Autreau born?\tParis\nWhere was Werner Ploberger born?\tVienna\nWhere was Ephraim Hertzano born?\tRomania\nWhere was Thomas Davidson born?\tNottingham\nWhere was Eileen Beldon born?\tBradford\nWhere was Edward Alfred Cowper born?\tLondon\nWhere was John Tierney born?\tDerry\nWhere was Norman Macdonnell born?\tPasadena\nWhere was Heinrich Hirschsprung born?\tCopenhagen\nWhere was David Vaughan born?\tLondon\nWhere was Gregory Woods born?\tEgypt\nWhere was Symeon Cosburn born?\tLondon\nWhere was Joanne Fox born?\tMelbourne\nWhere was Federico Cervelli born?\tMilan\nWhere was Al Lerner born?\tCleveland\nWhere was Rowley Leigh born?\tManchester\nWhere was Parvaz Mirza born?\tBirmingham\nWhere was Mark Mitchell born?\tAuckland\nWhere was Stuart Pearson Wright born?\tNorthampton\nWhere was Brett Warton born?\tSydney\nWhere was Fredrik Liliegren born?\tLund\nWhere was Gottlob Christian Storr born?\tStuttgart\nWhere was Donovan Blake born?\tJamaica\nWhere was Paula Malai Ali born?\tBrunei\nWhere was Joe Zakas born?\tIllinois\nWhere was Jason Colwell born?\tDublin\nWhere was Joachim Martin Falbe born?\tBerlin\nWhere was Malcolm Cecil born?\tLondon\nWhere was Lawrence Cherney born?\tPeterborough\nWhere was Morris Schwartz born?\tRussia\nWhere was Burkey Belser born?\tColumbia\nWhere was Carly Milne born?\tEdmonton\nWhere was Bill Utterback born?\tIllinois\nWhere was Marcello Vernola born?\tBari\nWhere was Barbara Clark born?\tAlberta\nWhere was Joseph Beer born?\tBohemia\nWhere was Humphrey Hopkin born?\tNottingham\nWhere was Albert Vizentini born?\tParis\nWhere was Herbert Bowden, Baron Aylestone born?\tCardiff\nWhere was Enid Bibby born?\tSheffield\nWhere was Chris Lyttle born?\tBelfast\nWhere was Émile Lévy born?\tParis\nWhere was Freddy Marshall born?\tCaracas\nWhere was Theodore G. Garfield born?\tHumboldt\nWhere was Cathy Sisler born?\tWisconsin\nWhere was Rusty Egan born?\tLondon\nWhere was Otto Mainzer born?\tFrankfurt\nWhere was Françoise Romand born?\tMarseille\nWhere was Iraj Kalantari Taleghani born?\tTehran\nWhere was Helen Thomas Dranga born?\tOxford\nWhere was Li Lei born?\tChina\nWhere was Randolph Runnels born?\tTexas\nWhere was Jeremy Current born?\tCharlotte\nWhere was Fuat Güner born?\tIstanbul\nWhere was William Reed born?\tMontreal\nWhere was Arthur Anae born?\tFiji\nWhere was Jacques Cartier born?\tQuebec\nWhere was Alexander Yossifov born?\tSofia\nWhere was Alireza Sheikhattar born?\tTehran\nWhere was Martin Brown born?\tMelbourne\nWhere was Victoria LePage born?\tMelbourne\nWhere was Nabil Seidah born?\tEgypt\nWhere was James Macdonald born?\tAberdeen\nWhere was Nigel Preston born?\tLondon\nWhere was William Hardy born?\tJamaica\nWhere was Richard S. Whaley born?\tCharleston\nWhere was Cillian Vallely born?\tArmagh\nWhere was Alfred Darjou born?\tParis\nWhere was Medo Martinello born?\tWindsor\nWhere was Georges Hanna Sabbagh born?\tAlexandria\nWhere was David Lister born?\tGrimsby\nWhere was Ely Devons born?\tBangor\nWhere was Kim Kuusi born?\tHelsinki\nWhere was Marek Muszyński born?\tLublin\nWhere was Peter Gregg born?\tKent\nWhere was Robin Hofman born?\tRotterdam\nWhere was Rufus Phillips born?\tVirginia\nWhere was John Wainwright born?\tAustralia\nWhere was Eugène Brieux born?\tParis\nWhere was Alexander Randall born?\tAnnapolis\nWhere was Hubert Buchberger born?\tFrankfurt\nWhere was Margaret Gwenver born?\tWilmington\nWhere was Donald B. Cole born?\tLawrence\nWhere was Paul Pope born?\tPhiladelphia\nWhere was Rem Urasin born?\tKazan\nWhere was Franz Ludwig Catel born?\tBerlin\nWhere was Samuel Löw Brill born?\tBudapest\nWhere was Lene B%C3%B8rglum born?\tDenmark\nWhere was Andrea Gallandi born?\tVenice\nWhere was Thomas Elliot Bowman III born?\tBrooklyn\nWhere was Thomas R. Fitzgerald born?\tChicago\nWhere was Thomas Taylor born?\tLondon\nWhere was Peter Cooper born?\tSalisbury\nWhere was Jimmy Greenspoon born?\tCalifornia\nWhere was Alessio Secco born?\tTurin\nWhere was Arnold Zable born?\tWellington\nWhere was Robert Bourne born?\tLondon\nWhere was Edmund Fetting born?\tWarsaw\nWhere was Johan Reuter born?\tCopenhagen\nWhere was William Keasberry born?\tLondon\nWhere was John Norton Pomeroy born?\tRochester\nWhere was Nadia Jebril born?\tSweden\nWhere was Ryan Burr born?\tPennsylvania\nWhere was Francesco Musotto born?\tPalermo\nWhere was Martin Vari born?\tArgentina\nWhere was Carlos Cosías born?\tBarcelona\nWhere was Barrie Thorne born?\tUtah\nWhere was Kate Richardson born?\tMelbourne\nWhere was Hyman I. Goldstein born?\tBaltimore\nWhere was Pierre Cartellier born?\tParis\nWhere was Lucius Vibullius Hipparchus born?\tAthens\nWhere was Kemal Alispahić born?\tSarajevo\nWhere was Serge Collot born?\tParis\nWhere was Carl Strehl born?\tBerlin\nWhere was Michael E. Driscoll born?\tSyracuse\nWhere was J%C3%B8rgen Sigurd Lien born?\tBergen\nWhere was Debra A. Kemp born?\tHighland\nWhere was Ralph Schoenman born?\tBrooklyn\nWhere was Gerrard Wendell Haworth born?\tNebraska\nWhere was Marion Stein born?\tVienna\nWhere was Maurice Maunoury born?\tAlexandria\nWhere was Valdo Spini born?\tFlorence\nWhere was Peter Stetina born?\tBoulder\nWhere was Tim McGill born?\tChicago\nWhere was Michael Colgrass born?\tChicago\nWhere was Vlad Georgescu born?\tBucharest\nWhere was Neil Williams born?\tCanada\nWhere was Diego Carranza born?\tMexico\nWhere was Augustus A. Bird born?\tVermont\nWhere was Gloria Mann born?\tPhiladelphia\nWhere was Orsamus B. Matteson born?\tVerona\nWhere was Lars Jonsson born?\tGothenburg\nWhere was Abraham Garton born?\tSpain\nWhere was Erik Dammann born?\tOslo\nWhere was Samuel S. Adams born?\tLincoln\nWhere was Laurent Boyer born?\tParis\nWhere was Michael Raedecker born?\tAmsterdam\nWhere was Robin Gillett born?\tLondon\nWhere was Gordon Coppuck born?\tFleet\nWhere was Marilyn Shrude born?\tChicago\nWhere was Regina Maršíková born?\tPrague\nWhere was Stanley Sporkin born?\tPhiladelphia\nWhere was Juan Carlos González Zamora born?\tCuba\nWhere was Salvatore Sabella born?\tSicily\nWhere was Gosia Piotrowska born?\tPoland\nWhere was Manola Saavedra born?\tSpain\nWhere was John Owens born?\tManchester\nWhere was Barbara Strass born?\tVienna\nWhere was Jacques Benedict born?\tChicago\nWhere was %C3%81lvarez de Paz born?\tToledo\nWhere was Andrzej Kunert born?\tWarsaw\nWhere was John Molyneux born?\tWarrington\nWhere was Maggie Fitzgibbon born?\tMelbourne\nWhere was Bruce Metcalf born?\tAmherst\nWhere was Janet Ramsey Johnson born?\tAdelaide\nWhere was Ien Ang born?\tJava\n"
  },
  {
    "path": "a5/birth_test_inputs.tsv",
    "content": "Where was Adam Bright born?\nWhere was Alan Hess born?\nWhere was Jacob Guptil Fletcher born?\nWhere was Hisham Mohd Ashour born?\nWhere was Toby Cockerell born?\nWhere was Gordon Copley born?\nWhere was Elie Rekhess born?\nWhere was Bert Ruiter born?\nWhere was Guillaume Couture born?\nWhere was Jack Smooth born?\nWhere was Rodney Cocks born?\nWhere was Kirsten Wenzel born?\nWhere was Miles Crowley born?\nWhere was Anne Clark born?\nWhere was Jack Garland born?\nWhere was Elsa Rastad Bråten born?\nWhere was Timothy Hoven born?\nWhere was James Mortimer born?\nWhere was Robert Burns born?\nWhere was Sebastian Dacey born?\nWhere was Marc Spackman born?\nWhere was Leopold Wenzel born?\nWhere was Avner W. Less born?\nWhere was Thibaut de Reimpré born?\nWhere was Rodney de Gruchy born?\nWhere was Matt Berg born?\nWhere was Thomas Blaikie born?\nWhere was Samuele Levi born?\nWhere was Charles Gilchrist Adams born?\nWhere was Alan Littlejohn born?\nWhere was Warren Spears born?\nWhere was William Egley born?\nWhere was Richard Ashrowan born?\nWhere was Nyncke Beekhuyzen born?\nWhere was Edwin Milton Abbott born?\nWhere was Robert Samuel Ross born?\nWhere was William Atherton born?\nWhere was Richard Armiger born?\nWhere was Siri Hall Arnøy born?\nWhere was Keith Haynes born?\nWhere was Kevin Burdette born?\nWhere was Eran Groumi born?\nWhere was Billy Treacy born?\nWhere was Abbondio Sangiorgio born?\nWhere was Richard Leigh born?\nWhere was Adrienn Bende born?\nWhere was Russell Taylor born?\nWhere was Antoine Verglas born?\nWhere was Orhan Demir born?\nWhere was Thomas B. Sheridan born?\nWhere was Heather Davis born?\nWhere was Alisa Arnah born?\nWhere was Marco Glaviano born?\nWhere was Jaime Vallvé born?\nWhere was Crowther Charlesworth born?\nWhere was Marc Van Montagu born?\nWhere was Neville Maxwell born?\nWhere was René Théodore Berthon born?\nWhere was Ha Sinan born?\nWhere was Wendy White born?\nWhere was Peter R%C3%B6sel born?\nWhere was Bernard Lloyd born?\nWhere was Fernando Lima Bello born?\nWhere was John Thomas Rochead born?\nWhere was Aaron Cleveland born?\nWhere was Elena Lev born?\nWhere was Mamta Baruah Herland born?\nWhere was Edward Kavanagh born?\nWhere was Matthew Walker born?\nWhere was Shahan Shahnour born?\nWhere was Bruno Campanella born?\nWhere was Armen Ayvazyan born?\nWhere was Scott Ambush born?\nWhere was David Hamill born?\nWhere was Drew Holcomb born?\nWhere was Albert Heinrich Brendel born?\nWhere was Henry Weekes born?\nWhere was Homer Curran born?\nWhere was Ian Prosser born?\nWhere was Claire Baxter born?\nWhere was Rose Prince born?\nWhere was Carl R. Chindblom born?\nWhere was Jules de Gaultier born?\nWhere was William Garland McQuarrie born?\nWhere was Robert Hetzron born?\nWhere was Brian Fairlie born?\nWhere was Fulvio Ballabio born?\nWhere was Diarmuid Scully born?\nWhere was C. Martin Wilbur born?\nWhere was Iren Marik born?\nWhere was Torraye Braggs born?\nWhere was Johanna Meier born?\nWhere was Giuseppe Giulietti born?\nWhere was Peter Lachmann born?\nWhere was Mirosław Maliszewski born?\nWhere was Fred M. Hechinger born?\nWhere was Adam Mamawala born?\nWhere was Richard Hudson born?\nWhere was Mir Khasim Ali born?\nWhere was Giacomo Gaggini born?\nWhere was Jerry Pettis born?\nWhere was Joshua Watson born?\nWhere was Roland Kitson, 3rd Baron Airedale born?\nWhere was Zak Carr born?\nWhere was Pierre Roland born?\nWhere was Luke Bullen born?\nWhere was Edward Brotherton born?\nWhere was Koichi Morita born?\nWhere was Jon Cone born?\nWhere was Alicia Plaza born?\nWhere was Albert Rudomine born?\nWhere was Winifred Nicholson born?\nWhere was George Brunner born?\nWhere was Hamilton Ward, Sr. born?\nWhere was Oliver Lanard Fassig born?\nWhere was Ira Vail born?\nWhere was Magdaléna Hajóssyová born?\nWhere was Emilio De Fabris born?\nWhere was Michel Bellemare born?\nWhere was John Littleton and Kate Vogel born?\nWhere was Reginald Brett, 2nd Viscount Esher born?\nWhere was Alison Waters born?\nWhere was Deepa Kaul born?\nWhere was Sophia Morrison born?\nWhere was S%C3%A9bastien Denis born?\nWhere was Joan Backes born?\nWhere was Robert E. Hopkins born?\nWhere was Shlomo Wolbe born?\nWhere was Knut Walbye born?\nWhere was John P. Allen born?\nWhere was Priya Thomas born?\nWhere was Jerzy Adamuszek born?\nWhere was Stephen Gould born?\nWhere was Nadia Zaffar born?\nWhere was Nick Karner born?\nWhere was Martin Emerich born?\nWhere was Paul Peterson born?\nWhere was Erick Noubissie born?\nWhere was Patrice Roy born?\nWhere was O'Chi Brown born?\nWhere was Jennifer Huppert born?\nWhere was Nicolas Moreton born?\nWhere was John Chorlton born?\nWhere was Lynda Blutreich born?\nWhere was William F. Brown born?\nWhere was Gabriel Caruana born?\nWhere was Leo C. Zeferetti born?\nWhere was Samuel Forde born?\nWhere was Stephanie Reaves born?\nWhere was Lovro Artukovi%C4%87 born?\nWhere was Edward Stotz born?\nWhere was Otto Eugen Schulz born?\nWhere was J. B. Jackson born?\nWhere was Tara Brabazon born?\nWhere was Lavrenti Ardaziani born?\nWhere was Frank R. Reid born?\nWhere was Murray Fraser born?\nWhere was Azman bin Abdullah born?\nWhere was Wolfgang Baur born?\nWhere was Oleg Strizhakov born?\nWhere was Nick Taylor born?\nWhere was Publius Annius Florus born?\nWhere was Calvin Fairbank born?\nWhere was John Donaldson born?\nWhere was Seymour Cocks born?\nWhere was Peter Bladen born?\nWhere was Charles Mickle born?\nWhere was Verna Allee born?\nWhere was Scott W. Skavdahl born?\nWhere was Martine Roure born?\nWhere was Alan Clayson born?\nWhere was Robin McNamara born?\nWhere was Michele Pace del Campidoglio born?\nWhere was Uche Okeke born?\nWhere was Satnam Rana born?\nWhere was Percy Elland born?\nWhere was George Glas born?\nWhere was Jerzy Jan Lerski born?\nWhere was Truman A. Merriman born?\nWhere was John Darwall born?\nWhere was Wendell White born?\nWhere was Borah Bergman born?\nWhere was Claude Couture born?\nWhere was Robert Allen born?\nWhere was Tazewell Ellett born?\nWhere was Richard Sheepshanks born?\nWhere was Bedük born?\nWhere was Jonathan Hazard born?\nWhere was Ajit Ninan born?\nWhere was Gilles Latulippe born?\nWhere was Pierce Galliard Smith born?\nWhere was James Kinlay born?\nWhere was Aytaç Biter born?\nWhere was Richard Rood born?\nWhere was Balthazar Armas born?\nWhere was Mohammed Wali Zazi born?\nWhere was Bob Rockwell born?\nWhere was Louis Antonelli born?\nWhere was Susan Krieg born?\nWhere was Michael Matus born?\nWhere was Mohammad Aslam born?\nWhere was Bahar Movahed Bashiri born?\nWhere was Daniel Chapman Stillson born?\nWhere was Erich Werdermann born?\nWhere was Charles Mayo born?\nWhere was Leon Athanese Gosselin born?\nWhere was Rosario Marciano born?\nWhere was Hannan Sarkar born?\nWhere was Simon Bowman born?\nWhere was John Lewis Thomas born?\nWhere was Seth Lipsky born?\nWhere was Elizabeth Hess born?\nWhere was Susan Oki Mollway born?\nWhere was Judy Dunaway born?\nWhere was John Hindle born?\nWhere was Serenus the Gardener born?\nWhere was Dean Sullivan born?\nWhere was Aarne Ruben born?\nWhere was Samuel Campbell born?\nWhere was Nabil Kanso born?\nWhere was Kurt Hitke born?\nWhere was Charles Hastings Doyle born?\nWhere was Gyles Brandreth born?\nWhere was Gérard Granel born?\nWhere was Javed Akhtar born?\nWhere was Emilio Menéndez born?\nWhere was Ghulam Abbas born?\nWhere was John Allen Gable born?\nWhere was Leon Bass born?\nWhere was Anna Akhsharumova born?\nWhere was Thomas Francis Brennan born?\nWhere was Martin I. Townsend born?\nWhere was Marisa Masullo born?\nWhere was Rachel Annand Taylor born?\nWhere was Mark Michalowski born?\nWhere was Yisroel Meir Gabbai born?\nWhere was Bill Endicott born?\nWhere was Alexander Whitaker born?\nWhere was Hayden Turner born?\nWhere was Gus Menos born?\nWhere was Maria Rose born?\nWhere was Norbert Francis Attard born?\nWhere was Elijah Wadsworth born?\nWhere was Pasquale Conte born?\nWhere was Tom Maniatis born?\nWhere was Donald McGauchie born?\nWhere was François Maspero born?\nWhere was Bruce Pennington born?\nWhere was John Baptist Collins born?\nWhere was John Eaton born?\nWhere was Gail Sidonie Sobat born?\nWhere was Tommaso Marconi born?\nWhere was Virginio Ferrari born?\nWhere was Stephen K. Benjamin born?\nWhere was Felix von Kraus born?\nWhere was Johnny Kemp born?\nWhere was Loredana Errore born?\nWhere was Konstantine Vardzelashvili born?\nWhere was Moritz Wilhelm Drobisch born?\nWhere was Pierre Henri Joseph Baume born?\nWhere was Linda Crockett born?\nWhere was Elsa Lunghini born?\nWhere was Janil Puthucheary born?\nWhere was Luciano Caruso born?\nWhere was Matteo Barbini born?\nWhere was Donald Steven born?\nWhere was Gord Simpson born?\nWhere was François Lehideux born?\nWhere was Geoffrey Alderman born?\nWhere was Karl Sarafidis born?\nWhere was Béla Glattfelder born?\nWhere was Samuel Magaw born?\nWhere was Gary Callander born?\nWhere was Craig Richards born?\nWhere was Mohammed A. Aldouri born?\nWhere was Rich McNanna born?\nWhere was Marcel Faribault born?\nWhere was Adolf Patera born?\nWhere was Auguste Georges Darzens born?\nWhere was Ivan Triesault born?\nWhere was Tom Arnold born?\nWhere was Ernest Kent Coulter born?\nWhere was Mary Scott born?\nWhere was Edmundo Farolan born?\nWhere was Lyndsey Rodrigues born?\nWhere was Kelly Hardie born?\nWhere was A. H. Raskin born?\nWhere was Ammar Eloueini born?\nWhere was Ross Batty born?\nWhere was Christopher Manson born?\nWhere was Jane Stanford born?\nWhere was Leonard D. Wexler born?\nWhere was George Zarkadakis born?\nWhere was Moira von Wright born?\nWhere was William Baldé born?\nWhere was Lisa Kindred born?\nWhere was Walter Carringer born?\nWhere was Augusto Huaman Velasco born?\nWhere was Warren Carlyle born?\nWhere was Joe Warham born?\nWhere was Michael Prince born?\nWhere was Mischa Hiller born?\nWhere was Anton Muscatelli born?\nWhere was Didier André born?\nWhere was George Rothera born?\nWhere was Monica Groop born?\nWhere was Lo%C3%AFc Jouannigot born?\nWhere was Keith Wiggins born?\nWhere was Thomas Y. Howe, Jr. born?\nWhere was Steve Miller born?\nWhere was Geno Arce born?\nWhere was Andy Buist born?\nWhere was Todd Jay Weinstein born?\nWhere was Thomas McGreevy born?\nWhere was Martin Zobel born?\nWhere was Keppel Harcourt Barnard born?\nWhere was Bill Kaiserman born?\nWhere was Arthur Yoria born?\nWhere was John Skoyles born?\nWhere was Stéphan Perrot born?\nWhere was Gijs Vermeulen born?\nWhere was Jill Crossland born?\nWhere was Andrej Šeban born?\nWhere was Andrei Babitsky born?\nWhere was Elizabeth Cooper born?\nWhere was Sim%C3%B3n Moret Gallart born?\nWhere was Marvin Delph born?\nWhere was Daniel Rosenfeld born?\nWhere was George Smith born?\nWhere was Suzie Malone born?\nWhere was Terence O'Brien born?\nWhere was Frank Edwards born?\nWhere was Ambalavaner Sivanandan born?\nWhere was Konstantin Matusevich born?\nWhere was Moshe Shekel born?\nWhere was Leo Fernandez born?\nWhere was Norman Mann born?\nWhere was Tariq Iqbal born?\nWhere was Ludvig Drescher born?\nWhere was Cliff Bergere born?\nWhere was John Benjamin Henck born?\nWhere was Jason Pyrah born?\nWhere was Gareth Russell born?\nWhere was Alan Fisher born?\nWhere was Roger Sinclair Aytoun born?\nWhere was Robert Owens born?\nWhere was Josh Quittner born?\nWhere was John Bernhard born?\nWhere was Douglas Paulson born?\nWhere was J. J. Stevenson born?\nWhere was Kajsa Kling born?\nWhere was Charles Schreiber born?\nWhere was Adam Macrow born?\nWhere was Alwina Valleria born?\nWhere was James Lomax Bardsley born?\nWhere was Bernie Lowe born?\nWhere was Hakim Toumi born?\nWhere was Richard West born?\nWhere was John Bayard McPherson born?\nWhere was Stephen William White born?\nWhere was A. F. Kidd born?\nWhere was John Milne Bramwell born?\nWhere was Lew Stringer born?\nWhere was George Russell French born?\nWhere was Tsotne Bakuria born?\nWhere was Thomas Kirk born?\nWhere was Theophilus de Garencières born?\nWhere was Christian Johansson born?\nWhere was Ruth Fuller Sasaki born?\nWhere was Diego Nargiso born?\nWhere was Keith Butler born?\nWhere was Richie Dent born?\nWhere was Jamielee McPherson born?\nWhere was Derek Coughlan born?\nWhere was Anita Håkenstad born?\nWhere was David Scott Milton born?\nWhere was Alfred Downward born?\nWhere was Christos Sirros born?\nWhere was George Jewett born?\nWhere was Randolph Colville born?\nWhere was William Lawrence Tower born?\nWhere was Lowell Cauffiel born?\nWhere was Luis Simarro Lacabra born?\nWhere was Rui Tavares born?\nWhere was Giambattista Nolli born?\nWhere was Lee Blackett born?\nWhere was Sergio Benvindo Junior born?\nWhere was Spencer Wishart born?\nWhere was Mila Iskrenova born?\nWhere was Dave Marsh born?\nWhere was Maria von Welser born?\nWhere was Arthur Savage born?\nWhere was Kim Bauermeister born?\nWhere was Ye Xuanping born?\nWhere was Niculae Conovici born?\nWhere was John O'Conor born?\nWhere was Georgy Ketoyev born?\nWhere was Will Zens born?\nWhere was Adrian Bowyer born?\nWhere was Inge Israel born?\nWhere was Ernest Peter Burger born?\nWhere was Jane Bathori born?\nWhere was Paul Willis born?\nWhere was Henry Ussher born?\nWhere was John Ridley Mitchell born?\nWhere was Jane Henschel born?\nWhere was Philip King born?\nWhere was Spencer Bonfiglio born?\nWhere was Ernst Witebsky born?\nWhere was Clive Bubb born?\nWhere was Khashayar Karimian born?\nWhere was Mary Macmaster born?\nWhere was Robert Aldridge born?\nWhere was Ronald Pearson Tripp born?\nWhere was Loukas Sideras born?\nWhere was Terry Martin born?\nWhere was Andrew Waterman born?\nWhere was John Cameron born?\nWhere was Charles Follen Adams born?\nWhere was Elizabeth Kay born?\nWhere was Darren Dowling born?\nWhere was Thomas Haughey born?\nWhere was Jan Čulík born?\nWhere was Scott Cleverdon born?\nWhere was Emmanuel Hocquard born?\nWhere was Blaine Marchand born?\nWhere was Cherry Wilder born?\nWhere was David L. Heymann born?\nWhere was Sam Holden born?\nWhere was Javeria Abbasi born?\nWhere was Imre Zachár born?\nWhere was Godfrey Douglas Giles born?\nWhere was Marcel Bertrand born?\nWhere was Nick Philip born?\nWhere was Brendan Guilfoyle born?\nWhere was Han Zhidong born?\nWhere was Gerald Palmer born?\n"
  },
  {
    "path": "a5/collect_submission.sh",
    "content": "rm -f assignment5_submission.zip\nzip -r assignment5_submission.zip src/ birth_dev.tsv birth_places_train.tsv wiki.txt vanilla.model.params vanilla.finetune.params synthesizer.finetune.params vanilla.nopretrain.dev.predictions vanilla.nopretrain.test.predictions vanilla.pretrain.dev.predictions vanilla.pretrain.test.predictions synthesizer.pretrain.dev.predictions synthesizer.pretrain.test.predictions\n"
  },
  {
    "path": "a5/d_cmd",
    "content": "# Train on the names dataset\npython src/run.py finetune vanilla wiki.txt --writing_params_path vanilla.model.params --finetune_corpus_path birth_places_train.tsv\n\n# Evaluate on the dev set, writing out predictions\npython src/run.py evaluate vanilla wiki.txt --reading_params_path vanilla.model.params --eval_corpus_path birth_dev.tsv --outputs_path vanilla.nopretrain.dev.predictions\n\n# Evaluate on the test set, writing out predictions\npython src/run.py evaluate vanilla wiki.txt --reading_params_path vanilla.model.params --eval_corpus_path birth_test_inputs.tsv --outputs_path vanilla.nopretrain.test.predictions"
  },
  {
    "path": "a5/f_cmd",
    "content": "# Pretrain the model\npython src/run.py pretrain vanilla wiki.txt --writing_params_path vanilla.pretrain.params\n\n# Finetune the model\npython src/run.py finetune vanilla wiki.txt --reading_params_path vanilla.pretrain.params --writing_params_path vanilla.finetune.params --finetune_corpus_path birth_places_train.tsv\n\n# Evaluate on the dev set; write to disk\npython src/run.py evaluate vanilla wiki.txt --reading_params_path vanilla.finetune.params --eval_corpus_path birth_dev.tsv --outputs_path vanilla.pretrain.dev.predictions\n\n# Evaluate on the test set; write to disk\npython src/run.py evaluate vanilla wiki.txt --reading_params_path vanilla.finetune.params --eval_corpus_path birth_test_inputs.tsv --outputs_path vanilla.pretrain.test.predictions"
  },
  {
    "path": "a5/g_cmd",
    "content": "# Pretrain the model\npython src/run.py pretrain synthesizer wiki.txt --writing_params_path synthesizer.pretrain.params \n\n# Finetune the model\npython src/run.py finetune synthesizer wiki.txt --reading_params_path synthesizer.pretrain.params --writing_params_path synthesizer.finetune.params --finetune_corpus_path birth_places_train.tsv\n\n# Evaluate on the dev set; write to disk\npython src/run.py evaluate synthesizer wiki.txt --reading_params_path synthesizer.finetune.params --eval_corpus_path birth_dev.tsv \\\n--outputs_path synthesizer.pretrain.dev.predictions\n\n# Evaluate on the test set; write to disk\npython src/run.py evaluate synthesizer wiki.txt --reading_params_path synthesizer.finetune.params --eval_corpus_path birth_test_inputs.tsv --outputs_path synthesizer.pretrain.test.predictions"
  },
  {
    "path": "a5/mingpt-demo/.ipynb_checkpoints/play_char-checkpoint.ipynb",
    "content": "{\n \"cells\": [\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Train a character-level GPT on some text data\\n\",\n    \"\\n\",\n    \"The inputs here are simple text files, which we chop up to individual characters and then train GPT on. So you could say this is a char-transformer instead of a char-rnn. Doesn't quite roll off the tongue as well. In this example we will feed it some Shakespeare, which we'll get it to predict character-level.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 1,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# set up logging\\n\",\n    \"import logging\\n\",\n    \"logging.basicConfig(\\n\",\n    \"        format=\\\"%(asctime)s - %(levelname)s - %(name)s -   %(message)s\\\",\\n\",\n    \"        datefmt=\\\"%m/%d/%Y %H:%M:%S\\\",\\n\",\n    \"        level=logging.INFO,\\n\",\n    \")\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 2,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# make deterministic\\n\",\n    \"from mingpt.utils import set_seed\\n\",\n    \"set_seed(42)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 3,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"import numpy as np\\n\",\n    \"import torch\\n\",\n    \"import torch.nn as nn\\n\",\n    \"from torch.nn import functional as F\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 4,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"import math\\n\",\n    \"from torch.utils.data import Dataset\\n\",\n    \"\\n\",\n    \"class CharDataset(Dataset):\\n\",\n    \"\\n\",\n    \"    def __init__(self, data, block_size):\\n\",\n    \"        chars = sorted(list(set(data)))\\n\",\n    \"        data_size, vocab_size = len(data), len(chars)\\n\",\n    \"        print('data has %d characters, %d unique.' % (data_size, vocab_size))\\n\",\n    \"        \\n\",\n    \"        self.stoi = { ch:i for i,ch in enumerate(chars) }\\n\",\n    \"        self.itos = { i:ch for i,ch in enumerate(chars) }\\n\",\n    \"        self.block_size = block_size\\n\",\n    \"        self.vocab_size = vocab_size\\n\",\n    \"        self.data = data\\n\",\n    \"    \\n\",\n    \"    def __len__(self):\\n\",\n    \"        return len(self.data) - self.block_size\\n\",\n    \"\\n\",\n    \"    def __getitem__(self, idx):\\n\",\n    \"        # grab a chunk of (block_size + 1) characters from the data\\n\",\n    \"        chunk = self.data[idx:idx + self.block_size + 1]\\n\",\n    \"        # encode every character to an integer\\n\",\n    \"        dix = [self.stoi[s] for s in chunk]\\n\",\n    \"        \\\"\\\"\\\"\\n\",\n    \"        arrange data and targets so that the first i elements of x\\n\",\n    \"        will be asked to predict the i-th element of y. Notice that\\n\",\n    \"        the eventual language model will actually make block_size\\n\",\n    \"        individual predictions at the same time based on this data,\\n\",\n    \"        so we are being clever and amortizing the cost of the forward\\n\",\n    \"        pass of the network. So for example if block_size is 4, then\\n\",\n    \"        we could e.g. sample a chunk of text \\\"hello\\\", the integers in\\n\",\n    \"        x will correspond to \\\"hell\\\" and in y will be \\\"ello\\\". This will\\n\",\n    \"        then actually \\\"multitask\\\" 4 separate examples at the same time\\n\",\n    \"        in the language model:\\n\",\n    \"        - given just \\\"h\\\", please predict \\\"e\\\" as next\\n\",\n    \"        - given \\\"he\\\" please predict \\\"l\\\" next\\n\",\n    \"        - given \\\"hel\\\" predict \\\"l\\\" next\\n\",\n    \"        - given \\\"hell\\\" predict \\\"o\\\" next\\n\",\n    \"        \\n\",\n    \"        In addition, because the DataLoader will create batches of examples,\\n\",\n    \"        every forward/backward pass during traning will simultaneously train\\n\",\n    \"        a LOT of predictions, amortizing a lot of computation. In particular,\\n\",\n    \"        for a batched input of integers X (B, T) where B is batch size and\\n\",\n    \"        T is block_size and Y (B, T), the network will during training be\\n\",\n    \"        simultaneously training to make B*T predictions, all at once! Of course,\\n\",\n    \"        at test time we can paralellize across batch B, but unlike during training\\n\",\n    \"        we cannot parallelize across the time dimension T - we have to run\\n\",\n    \"        a forward pass of the network to recover the next single character of the \\n\",\n    \"        sequence along each batch dimension, and repeatedly always feed in a next\\n\",\n    \"        character to get the next one.\\n\",\n    \"        \\n\",\n    \"        So yes there is a big asymmetry between train/test time of autoregressive\\n\",\n    \"        models. During training we can go B*T at a time with every forward pass,\\n\",\n    \"        but during test time we can only go B at a time, T times, with T forward \\n\",\n    \"        passes.\\n\",\n    \"        \\\"\\\"\\\"\\n\",\n    \"        x = torch.tensor(dix[:-1], dtype=torch.long)\\n\",\n    \"        y = torch.tensor(dix[1:], dtype=torch.long)\\n\",\n    \"        return x, y\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 5,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"block_size = 128 # spatial extent of the model for its context\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 6,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"data has 1115394 characters, 65 unique.\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# you can download this file at https://github.com/karpathy/char-rnn/blob/master/data/tinyshakespeare/input.txt\\n\",\n    \"text = open('input.txt', 'r').read() # don't worry we won't run out of file handles\\n\",\n    \"train_dataset = CharDataset(text, block_size) # one line of poem is roughly 50 characters\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 7,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stderr\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"08/24/2020 22:59:58 - INFO - mingpt.model -   number of parameters: 2.535219e+07\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"from mingpt.model import GPT, GPTConfig\\n\",\n    \"mconf = GPTConfig(train_dataset.vocab_size, train_dataset.block_size,\\n\",\n    \"                  n_layer=8, n_head=8, n_embd=512)\\n\",\n    \"model = GPT(mconf)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 8,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stderr\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"  0%|          | 0/2179 [00:00<?, ?it/s]/apcv/shared/conda-envs/apcv-6244e1d-566/lib/python3.8/site-packages/torch/nn/parallel/_functions.py:61: UserWarning: Was asked to gather along dimension 0, but all input tensors were scalars; will instead unsqueeze and return a vector.\\n\",\n      \"  warnings.warn('Was asked to gather along dimension 0, but all '\\n\",\n      \"epoch 1 iter 2178: train loss 0.33318. lr 3.000169e-04: 100%|██████████| 2179/2179 [09:22<00:00,  3.88it/s]\\n\",\n      \"epoch 2 iter 2178: train loss 0.17447. lr 6.000000e-05: 100%|██████████| 2179/2179 [08:45<00:00,  4.15it/s]\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"from mingpt.trainer import Trainer, TrainerConfig\\n\",\n    \"\\n\",\n    \"# initialize a trainer instance and kick off training\\n\",\n    \"tconf = TrainerConfig(max_epochs=2, batch_size=512, learning_rate=6e-4,\\n\",\n    \"                      lr_decay=True, warmup_tokens=512*20, final_tokens=2*len(train_dataset)*block_size,\\n\",\n    \"                      num_workers=4)\\n\",\n    \"trainer = Trainer(model, train_dataset, None, tconf)\\n\",\n    \"trainer.train()\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 10,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"name\": \"stdout\",\n     \"output_type\": \"stream\",\n     \"text\": [\n      \"O God, O God! that e'er this tongue of mine,\\n\",\n      \"That laid the sentence of dread banishment\\n\",\n      \"On yon proud man, should take it off again\\n\",\n      \"With words of sooth! O that I were as great\\n\",\n      \"As is my grief, or lesser than my name!\\n\",\n      \"Or that I could forget\\n\",\n      \"With Richmond, I'll tell you what I am,\\n\",\n      \"The Lord Aumerle, .\\n\",\n      \"\\n\",\n      \"CLAUDIO:\\n\",\n      \"The prenzie Angelo!\\n\",\n      \"\\n\",\n      \"ISABELLA:\\n\",\n      \"O, 'tis the cunning livery of hell,\\n\",\n      \"The damned'st body to invest and cover\\n\",\n      \"In prenzie guards! Dost thou think, Claudio?\\n\",\n      \"If I would yield him my virginity,\\n\",\n      \"Thou mightst be freed.\\n\",\n      \"\\n\",\n      \"CLAUDIO:\\n\",\n      \"O heavens! it cannot be.\\n\",\n      \"\\n\",\n      \"ISABELLA:\\n\",\n      \"Yes, he would give't thee, from this rank offence,\\n\",\n      \"So to offend him still. This night's the time\\n\",\n      \"That I should do what I abhor to name,\\n\",\n      \"Or else thou diest to-morrow.\\n\",\n      \"\\n\",\n      \"CLAUDIO:\\n\",\n      \"Thou shalt not do't.\\n\",\n      \"\\n\",\n      \"ISABELLA:\\n\",\n      \"O, were it but my life,\\n\",\n      \"I'ld throw it down for your deliverance\\n\",\n      \"As frankly as a pin.\\n\",\n      \"\\n\",\n      \"CLAUDIO:\\n\",\n      \"Thanks, dear Isabel.\\n\",\n      \"\\n\",\n      \"ISABELLA:\\n\",\n      \"Be ready, Claudio, for your death tomorrow.\\n\",\n      \"\\n\",\n      \"CLAUDIO:\\n\",\n      \"Yes. Has he affections\\n\",\n      \"That profit us.\\n\",\n      \"\\n\",\n      \"DUKE VINCENTIO:\\n\",\n      \"By the world they see the word in 's doom.\\n\",\n      \"\\n\",\n      \"ANGELO:\\n\",\n      \"Thou art the like, thus hate the course in heaven.\\n\",\n      \"What foul hath bled the wheel or at wild,\\n\",\n      \"And wash him fresh again with true-love tears.\\n\",\n      \"Ah, thou, the model where old Troy did stand,\\n\",\n      \"Thou map of honour, thou King Richard's tomb,\\n\",\n      \"And not King Richard; thou most beauteous inn,\\n\",\n      \"Why should hard-favour'd grief be lodged in thee,\\n\",\n      \"When triumph is become an alehouse guest?\\n\",\n      \"\\n\",\n      \"KING RICHARD II:\\n\",\n      \"Join not with grief, fair woman, do not so,\\n\",\n      \"To make my end too sudden: learn, good soul,\\n\",\n      \"To think our former state a happy dream;\\n\",\n      \"From which awaked, the truth of what we are\\n\",\n      \"Shows us but this: I am sworn brother, sweet,\\n\",\n      \"To grim Necessity, and he and I\\n\",\n      \"Will keep a league till death. Hie thee to France\\n\",\n      \"And cloister thee in some religious house:\\n\",\n      \"Our holy lives must win a new world's crown,\\n\",\n      \"Which our profane hours here have stricken down.\\n\",\n      \"\\n\",\n      \"QUEEN:\\n\",\n      \"What, is my Richard both in shape and mind\\n\",\n      \"Transform'd and weaken'd? hath Bolingbroke deposed\\n\",\n      \"Thine intellect? hath h\\n\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# alright, let's sample some character-level Shakespeare\\n\",\n    \"from mingpt.utils import sample\\n\",\n    \"\\n\",\n    \"context = \\\"O God, O God!\\\"\\n\",\n    \"x = torch.tensor([train_dataset.stoi[s] for s in context], dtype=torch.long)[None,...].to(trainer.device)\\n\",\n    \"y = sample(model, x, 2000, temperature=1.0, sample=True, top_k=10)[0]\\n\",\n    \"completion = ''.join([train_dataset.itos[int(i)] for i in y])\\n\",\n    \"print(completion)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# well that was fun\"\n   ]\n  }\n ],\n \"metadata\": {\n  \"kernelspec\": {\n   \"display_name\": \"Python 3\",\n   \"language\": \"python\",\n   \"name\": \"python3\"\n  },\n  \"language_info\": {\n   \"codemirror_mode\": {\n    \"name\": \"ipython\",\n    \"version\": 3\n   },\n   \"file_extension\": \".py\",\n   \"mimetype\": \"text/x-python\",\n   \"name\": \"python\",\n   \"nbconvert_exporter\": \"python\",\n   \"pygments_lexer\": \"ipython3\",\n   \"version\": \"3.7.2\"\n  }\n },\n \"nbformat\": 4,\n \"nbformat_minor\": 4\n}\n"
  },
  {
    "path": "a5/mingpt-demo/LICENSE",
    "content": "The MIT License (MIT) Copyright (c) 2020 Andrej Karpathy\n\nPermission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the \"Software\"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:\n\nThe above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.\n\nTHE SOFTWARE IS PROVIDED \"AS IS\", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.\n"
  },
  {
    "path": "a5/mingpt-demo/README.md",
    "content": "\n# minGPT\n\n![mingpt](mingpt.jpg)\n\nA PyTorch re-implementation of [GPT](https://github.com/openai/gpt-3) training. minGPT tries to be small, clean, interpretable and educational, as most of the currently available ones are a bit sprawling. GPT is not a complicated model and this implementation is appropriately about 300 lines of code, including boilerplate and a totally unnecessary custom causal self-attention module. Anyway, all that's going on is that a sequence of indices goes into a sequence of transformer blocks, and a probability distribution of the next index comes out. The rest of the complexity is just being clever with batching (both across examples and over sequence length) so that training is efficient.\n\nThe core minGPT \"library\" (hah) is two files: `mingpt/model.py` contains the actual Transformer model definition and `mingpt/trainer.py` is (GPT-independent) PyTorch boilerplate that trains the model. The attached Jupyter notebooks then show how the \"library\" (hah) can be used to train sequence models:\n\n- `play_math.ipynb` trains a GPT focused on addition (inspired by the addition section in the GPT-3 paper)\n- `play_char.ipynb` trains a GPT to be a character-level language model on arbitrary text, similar to my older char-rnn but with a transformer instead of an RNN\n- `play_image.ipynb` trains a GPT on (small) images (CIFAR-10), showing that we can model images just as text, as both can be reduced to just a sequence of integers\n- `play_words.ipynb` a BPE version that does not yet exist\n\nWith a bpe encoder, distributed training and maybe fp16 this implementation may be able to reproduce GPT-1/GPT-2 results, though I haven't tried $$$. GPT-3 is likely out of reach as my understanding is that it does not fit into GPU memory and requires a more careful model-parallel treatment.\n\n### Example usage\n\nThis code is simple enough to just hack inline, not \"used\", but current API looks something like:\n\n```python\n\n# you're on your own to define a class that returns individual examples as PyTorch LongTensors\nfrom torch.utils.data import Dataset\ntrain_dataset = MyDataset(...)\ntest_dataset = MyDataset(...)\n\n# construct a GPT model\nfrom mingpt.model import GPT, GPTConfig\nmconf = GPTConfig(vocab_size, block_size, n_layer=12, n_head=12, n_embd=768) # a GPT-1\nmodel = GPT(mconf)\n\n# construct a trainer\nfrom mingpt.trainer import Trainer, TrainerConfig\ntconf = TrainerConfig(max_epochs=10, batch_size=256)\ntrainer = Trainer(model, train_dataset, test_dataset, tconf)\ntrainer.train()\n# (... enjoy the show for a while... )\n\n# sample from the model (the [None, ...] and [0] are to push/pop a needed dummy batch dimension)\nfrom mingpt.utils import sample\nx = torch.tensor([1, 2, 3], dtype=torch.long)[None, ...] # context conditioning\ny = sample(model, x, steps=30, temperature=1.0, sample=True, top_k=5)[0]\nprint(y) # our model filled in the integer sequence with 30 additional likely integers\n```\n\n### References\n\nCode:\n\n- [openai/gpt-2](https://github.com/openai/gpt-2) has the model but not the training code, and in TensorFlow\n- [openai/image-gpt](https://github.com/openai/image-gpt) has some more modern gpt-3 like modification in its code, good reference as well\n- huggingface/transformers has a [language-modeling example](https://github.com/huggingface/transformers/tree/master/examples/language-modeling). It is full-featured but as a result also somewhat challenging to trace. E.g. some large functions have as much as 90% unused code behind various branching statements that is unused in the default setting of simple language modeling.\n\nPapers + some implementation notes:\n\n#### Improving Language Understanding by Generative Pre-Training (GPT-1)\n\n- Our model largely follows the original transformer work\n- We trained a 12-layer decoder-only transformer with masked self-attention heads (768 dimensional states and 12 attention heads). For the position-wise feed-forward networks, we used 3072 dimensional inner states.\n- Adam max learning rate of 2.5e-4. (later GPT-3 for this model size uses 6e-4)\n- LR decay: increased linearly from zero over the first 2000 updates and annealed to 0 using a cosine schedule\n- We train for 100 epochs on minibatches of 64 randomly sampled, contiguous sequences of 512 tokens.\n- Since layernorm is used extensively throughout the model, a simple weight initialization of N(0, 0.02) was sufficient\n- bytepair encoding (BPE) vocabulary with 40,000 merges\n- residual, embedding, and attention dropouts with a rate of 0.1 for regularization.\n- modified version of L2 regularization proposed in (37), with w = 0.01 on all non bias or gain weights\n- For the activation function, we used the Gaussian Error Linear Unit (GELU).\n- We used learned position embeddings instead of the sinusoidal version proposed in the original work\n- For finetuning: We add dropout to the classifier with a rate of 0.1. learning rate of 6.25e-5 and a batchsize of 32. 3 epochs. We use a linear learning rate decay schedule with warmup over 0.2% of training. λ was set to 0.5.\n- GPT-1 model is 12 layers and d_model 768, ~117M params\n\n#### Language Models are Unsupervised Multitask Learners (GPT-2)\n\n- LayerNorm was moved to the input of each sub-block, similar to a pre-activation residual network\n- an additional layer normalization was added after the final self-attention block.\n- modified initialization which accounts for the accumulation on the residual path with model depth is used. We scale the weights of residual layers at initialization by a factor of 1/√N where N is the number of residual layers. (weird because in their released code i can only find a simple use of the old 0.02... in their release of image-gpt I found it used for c_proj, and even then only for attn, not for mlp. huh. https://github.com/openai/image-gpt/blob/master/src/model.py)\n- the vocabulary is expanded to 50,257\n- increase the context size from 512 to 1024 tokens\n- larger batchsize of 512 is used\n- GPT-2 used 48 layers and d_model 1600 (vs. original 12 layers and d_model 768). ~1.542B params\n\n#### Language Models are Few-Shot Learners (GPT-3)\n\n- GPT-3: 96 layers, 96 heads, with d_model of 12,288 (175B parameters).\n- GPT-1-like: 12 layers, 12 heads, d_model 768 (125M)\n- We use the same model and architecture as GPT-2, including the modified initialization, pre-normalization, and reversible tokenization described therein\n- we use alternating dense and locally banded sparse attention patterns in the layers of the transformer, similar to the Sparse Transformer\n- we always have the feedforward layer four times the size of the bottleneck layer, dff = 4 ∗ dmodel\n- all models use a context window of nctx = 2048 tokens.\n- Adam with β1 = 0.9, β2 = 0.95, and eps = 10−8\n- All models use weight decay of 0.1 to provide a small amount of regularization. (NOTE: GPT-1 used 0.01 I believe, see above)\n- clip the global norm of the gradient at 1.0\n- Linear LR warmup over the first 375 million tokens. Then use cosine decay for learning rate down to 10% of its value, over 260 billion tokens.\n- gradually increase the batch size linearly from a small value (32k tokens) to the full value over the first 4-12 billion tokens of training, depending on the model size.\n- full 2048-sized time context window is always used, with a special END OF DOCUMENT token delimiter\n\n#### Generative Pretraining from Pixels (Image GPT)\n\n- When working with images, we pick the identity permutation πi = i for 1 ≤ i ≤ n, also known as raster order.\n- we create our own 9-bit color palette by clustering (R, G, B) pixel values using k-means with k = 512.\n- Our largest model, iGPT-XL, contains L = 60 layers and uses an embedding size of d = 3072 for a total of 6.8B parameters.\n- Our next largest model, iGPT-L, is essentially identical to GPT-2 with L = 48 layers, but contains a slightly smaller embedding size of d = 1536 (vs 1600) for a total of 1.4M parameters.\n- We use the same model code as GPT-2, except that we initialize weights in the layerdependent fashion as in Sparse Transformer (Child et al., 2019) and zero-initialize all projections producing logits.\n- We also train iGPT-M, a 455M parameter model with L = 36 and d = 1024\n- iGPT-S, a 76M parameter model with L = 24 and d = 512 (okay, and how many heads? looks like the Github code claims 8)\n- When pre-training iGPT-XL, we use a batch size of 64 and train for 2M iterations, and for all other models we use a batch size of 128 and train for 1M iterations.\n- Adam with β1 = 0.9 and β2 = 0.95\n- The learning rate is warmed up for one epoch, and then decays to 0\n- We did not use weight decay because applying a small weight decay of 0.01 did not change representation quality.\n- iGPT-S lr 0.003\n- No dropout is used.\n\n### License\n\nMIT\n"
  },
  {
    "path": "a5/mingpt-demo/mingpt/__init__.py",
    "content": ""
  },
  {
    "path": "a5/mingpt-demo/mingpt/model.py",
    "content": "\"\"\"\nGPT model:\n- the initial stem consists of a combination of token encoding and a positional encoding\n- the meat of it is a uniform sequence of Transformer blocks\n    - each Transformer is a sequential combination of a 1-hidden-layer MLP block and a self-attention block\n    - all blocks feed into a central residual pathway similar to resnets\n- the final decoder is a linear projection into a vanilla Softmax classifier\n\"\"\"\n\nimport math\nimport logging\n\nimport torch\nimport torch.nn as nn\nfrom torch.nn import functional as F\n\nlogger = logging.getLogger(__name__)\n\nclass GPTConfig:\n    \"\"\" base GPT config, params common to all GPT versions \"\"\"\n    embd_pdrop = 0.1\n    resid_pdrop = 0.1\n    attn_pdrop = 0.1\n\n    def __init__(self, vocab_size, block_size, **kwargs):\n        self.vocab_size = vocab_size\n        self.block_size = block_size\n        for k,v in kwargs.items():\n            setattr(self, k, v)\n\nclass GPT1Config(GPTConfig):\n    \"\"\" GPT-1 like network roughly 125M params \"\"\"\n    n_layer = 12\n    n_head = 12\n    n_embd = 768\n\nclass CausalSelfAttention(nn.Module):\n    \"\"\"\n    A vanilla multi-head masked self-attention layer with a projection at the end.\n    It is possible to use torch.nn.MultiheadAttention here but I am including an\n    explicit implementation here to show that there is nothing too scary here.\n    \"\"\"\n\n    def __init__(self, config):\n        super().__init__()\n        assert config.n_embd % config.n_head == 0\n        # key, query, value projections for all heads\n        self.key = nn.Linear(config.n_embd, config.n_embd)\n        self.query = nn.Linear(config.n_embd, config.n_embd)\n        self.value = nn.Linear(config.n_embd, config.n_embd)\n        # regularization\n        self.attn_drop = nn.Dropout(config.attn_pdrop)\n        self.resid_drop = nn.Dropout(config.resid_pdrop)\n        # output projection\n        self.proj = nn.Linear(config.n_embd, config.n_embd)\n        # causal mask to ensure that attention is only applied to the left in the input sequence\n        self.register_buffer(\"mask\", torch.tril(torch.ones(config.block_size, config.block_size))\n                                     .view(1, 1, config.block_size, config.block_size))\n        self.n_head = config.n_head\n\n    def forward(self, x, layer_past=None):\n        B, T, C = x.size()\n\n        # calculate query, key, values for all heads in batch and move head forward to be the batch dim\n        k = self.key(x).view(B, T, self.n_head, C // self.n_head).transpose(1, 2) # (B, nh, T, hs)\n        q = self.query(x).view(B, T, self.n_head, C // self.n_head).transpose(1, 2) # (B, nh, T, hs)\n        v = self.value(x).view(B, T, self.n_head, C // self.n_head).transpose(1, 2) # (B, nh, T, hs)\n\n        # causal self-attention; Self-attend: (B, nh, T, hs) x (B, nh, hs, T) -> (B, nh, T, T)\n        att = (q @ k.transpose(-2, -1)) * (1.0 / math.sqrt(k.size(-1)))\n        att = att.masked_fill(self.mask[:,:,:T,:T] == 0, float('-inf'))\n        att = F.softmax(att, dim=-1)\n        att = self.attn_drop(att)\n        y = att @ v # (B, nh, T, T) x (B, nh, T, hs) -> (B, nh, T, hs)\n        y = y.transpose(1, 2).contiguous().view(B, T, C) # re-assemble all head outputs side by side\n\n        # output projection\n        y = self.resid_drop(self.proj(y))\n        return y\n\nclass Block(nn.Module):\n    \"\"\" an unassuming Transformer block \"\"\"\n\n    def __init__(self, config):\n        super().__init__()\n        self.ln1 = nn.LayerNorm(config.n_embd)\n        self.ln2 = nn.LayerNorm(config.n_embd)\n        self.attn = CausalSelfAttention(config)\n        self.mlp = nn.Sequential(\n            nn.Linear(config.n_embd, 4 * config.n_embd),\n            nn.GELU(),\n            nn.Linear(4 * config.n_embd, config.n_embd),\n            nn.Dropout(config.resid_pdrop),\n        )\n\n    def forward(self, x):\n        x = x + self.attn(self.ln1(x))\n        x = x + self.mlp(self.ln2(x))\n        return x\n\nclass GPT(nn.Module):\n    \"\"\"  the full GPT language model, with a context size of block_size \"\"\"\n\n    def __init__(self, config):\n        super().__init__()\n\n        # input embedding stem\n        self.tok_emb = nn.Embedding(config.vocab_size, config.n_embd)\n        self.pos_emb = nn.Parameter(torch.zeros(1, config.block_size, config.n_embd))\n        self.drop = nn.Dropout(config.embd_pdrop)\n        # transformer\n        self.blocks = nn.Sequential(*[Block(config) for _ in range(config.n_layer)])\n        # decoder head\n        self.ln_f = nn.LayerNorm(config.n_embd)\n        self.head = nn.Linear(config.n_embd, config.vocab_size, bias=False)\n\n        self.block_size = config.block_size\n        self.apply(self._init_weights)\n\n        logger.info(\"number of parameters: %e\", sum(p.numel() for p in self.parameters()))\n\n    def get_block_size(self):\n        return self.block_size\n\n    def _init_weights(self, module):\n        if isinstance(module, (nn.Linear, nn.Embedding)):\n            module.weight.data.normal_(mean=0.0, std=0.02)\n            if isinstance(module, nn.Linear) and module.bias is not None:\n                module.bias.data.zero_()\n        elif isinstance(module, nn.LayerNorm):\n            module.bias.data.zero_()\n            module.weight.data.fill_(1.0)\n\n    def configure_optimizers(self, train_config):\n        \"\"\"\n        This long function is unfortunately doing something very simple and is being very defensive:\n        We are separating out all parameters of the model into two buckets: those that will experience\n        weight decay for regularization and those that won't (biases, and layernorm/embedding weights).\n        We are then returning the PyTorch optimizer object.\n        \"\"\"\n\n        # separate out all parameters to those that will and won't experience regularizing weight decay\n        decay = set()\n        no_decay = set()\n        whitelist_weight_modules = (torch.nn.Linear, )\n        blacklist_weight_modules = (torch.nn.LayerNorm, torch.nn.Embedding)\n        for mn, m in self.named_modules():\n            for pn, p in m.named_parameters():\n                fpn = '%s.%s' % (mn, pn) if mn else pn # full param name\n\n                if pn.endswith('bias'):\n                    # all biases will not be decayed\n                    no_decay.add(fpn)\n                elif pn.endswith('weight') and isinstance(m, whitelist_weight_modules):\n                    # weights of whitelist modules will be weight decayed\n                    decay.add(fpn)\n                elif pn.endswith('weight') and isinstance(m, blacklist_weight_modules):\n                    # weights of blacklist modules will NOT be weight decayed\n                    no_decay.add(fpn)\n\n        # special case the position embedding parameter in the root GPT module as not decayed\n        no_decay.add('pos_emb')\n\n        # validate that we considered every parameter\n        param_dict = {pn: p for pn, p in self.named_parameters()}\n        inter_params = decay & no_decay\n        union_params = decay | no_decay\n        assert len(inter_params) == 0, \"parameters %s made it into both decay/no_decay sets!\" % (str(inter_params), )\n        assert len(param_dict.keys() - union_params) == 0, \"parameters %s were not separated into either decay/no_decay set!\" \\\n                                                    % (str(param_dict.keys() - union_params), )\n\n        # create the pytorch optimizer object\n        optim_groups = [\n            {\"params\": [param_dict[pn] for pn in sorted(list(decay))], \"weight_decay\": train_config.weight_decay},\n            {\"params\": [param_dict[pn] for pn in sorted(list(no_decay))], \"weight_decay\": 0.0},\n        ]\n        optimizer = torch.optim.AdamW(optim_groups, lr=train_config.learning_rate, betas=train_config.betas)\n        return optimizer\n\n    def forward(self, idx, targets=None):\n        b, t = idx.size()\n        assert t <= self.block_size, \"Cannot forward, model block size is exhausted.\"\n\n        # forward the GPT model\n        token_embeddings = self.tok_emb(idx) # each index maps to a (learnable) vector\n        position_embeddings = self.pos_emb[:, :t, :] # each position maps to a (learnable) vector\n        x = self.drop(token_embeddings + position_embeddings)\n        x = self.blocks(x)\n        x = self.ln_f(x)\n        logits = self.head(x)\n\n        # if we are given some desired targets also calculate the loss\n        loss = None\n        if targets is not None:\n            loss = F.cross_entropy(logits.view(-1, logits.size(-1)), targets.view(-1))\n\n        return logits, loss\n"
  },
  {
    "path": "a5/mingpt-demo/mingpt/trainer.py",
    "content": "\"\"\"\nSimple training loop; Boilerplate that could apply to any arbitrary neural network,\nso nothing in this file really has anything to do with GPT specifically.\n\"\"\"\n\nimport math\nimport logging\n\nfrom tqdm import tqdm\nimport numpy as np\n\nimport torch\nimport torch.optim as optim\nfrom torch.optim.lr_scheduler import LambdaLR\nfrom torch.utils.data.dataloader import DataLoader\n\nlogger = logging.getLogger(__name__)\n\nclass TrainerConfig:\n    # optimization parameters\n    max_epochs = 10\n    batch_size = 64\n    learning_rate = 3e-4\n    betas = (0.9, 0.95)\n    grad_norm_clip = 1.0\n    weight_decay = 0.1 # only applied on matmul weights\n    # learning rate decay params: linear warmup followed by cosine decay to 10% of original\n    lr_decay = False\n    warmup_tokens = 375e6 # these two numbers come from the GPT-3 paper, but may not be good defaults elsewhere\n    final_tokens = 260e9 # (at what point we reach 10% of original LR)\n    # checkpoint settings\n    ckpt_path = None\n    num_workers = 0 # for DataLoader\n\n    def __init__(self, **kwargs):\n        for k,v in kwargs.items():\n            setattr(self, k, v)\n\nclass Trainer:\n\n    def __init__(self, model, train_dataset, test_dataset, config):\n        self.model = model\n        self.train_dataset = train_dataset\n        self.test_dataset = test_dataset\n        self.config = config\n\n        # take over whatever gpus are on the system\n        self.device = 'cpu'\n        if torch.cuda.is_available():\n            self.device = torch.cuda.current_device()\n            self.model = torch.nn.DataParallel(self.model).to(self.device)\n\n    def save_checkpoint(self):\n        # DataParallel wrappers keep raw model object in .module attribute\n        raw_model = self.model.module if hasattr(self.model, \"module\") else self.model\n        logger.info(\"saving %s\", self.config.ckpt_path)\n        torch.save(raw_model.state_dict(), self.config.ckpt_path)\n\n    def train(self):\n        model, config = self.model, self.config\n        raw_model = model.module if hasattr(self.model, \"module\") else model\n        optimizer = raw_model.configure_optimizers(config)\n\n        def run_epoch(split):\n            is_train = split == 'train'\n            model.train(is_train)\n            data = self.train_dataset if is_train else self.test_dataset\n            loader = DataLoader(data, shuffle=True, pin_memory=True,\n                                batch_size=config.batch_size,\n                                num_workers=config.num_workers)\n\n            losses = []\n            pbar = tqdm(enumerate(loader), total=len(loader)) if is_train else enumerate(loader)\n            for it, (x, y) in pbar:\n\n                # place data on the correct device\n                x = x.to(self.device)\n                y = y.to(self.device)\n\n                # forward the model\n                with torch.set_grad_enabled(is_train):\n                    logits, loss = model(x, y)\n                    loss = loss.mean() # collapse all losses if they are scattered on multiple gpus\n                    losses.append(loss.item())\n\n                if is_train:\n\n                    # backprop and update the parameters\n                    model.zero_grad()\n                    loss.backward()\n                    torch.nn.utils.clip_grad_norm_(model.parameters(), config.grad_norm_clip)\n                    optimizer.step()\n\n                    # decay the learning rate based on our progress\n                    if config.lr_decay:\n                        self.tokens += (y >= 0).sum() # number of tokens processed this step (i.e. label is not -100)\n                        if self.tokens < config.warmup_tokens:\n                            # linear warmup\n                            lr_mult = float(self.tokens) / float(max(1, config.warmup_tokens))\n                        else:\n                            # cosine learning rate decay\n                            progress = float(self.tokens - config.warmup_tokens) / float(max(1, config.final_tokens - config.warmup_tokens))\n                            lr_mult = max(0.1, 0.5 * (1.0 + math.cos(math.pi * progress)))\n                        lr = config.learning_rate * lr_mult\n                        for param_group in optimizer.param_groups:\n                            param_group['lr'] = lr\n                    else:\n                        lr = config.learning_rate\n\n                    # report progress\n                    pbar.set_description(f\"epoch {epoch+1} iter {it}: train loss {loss.item():.5f}. lr {lr:e}\")\n\n            if not is_train:\n                test_loss = float(np.mean(losses))\n                logger.info(\"test loss: %f\", test_loss)\n                return test_loss\n\n        best_loss = float('inf')\n        self.tokens = 0 # counter used for learning rate decay\n        for epoch in range(config.max_epochs):\n\n            run_epoch('train')\n            if self.test_dataset is not None:\n                test_loss = run_epoch('test')\n\n            # supports early stopping based on the test loss, or just save always if no test set is provided\n            good_model = self.test_dataset is None or test_loss < best_loss\n            if self.config.ckpt_path is not None and good_model:\n                best_loss = test_loss\n                self.save_checkpoint()\n"
  },
  {
    "path": "a5/mingpt-demo/mingpt/utils.py",
    "content": "import random\nimport numpy as np\nimport torch\nimport torch.nn as nn\nfrom torch.nn import functional as F\n\ndef set_seed(seed):\n    random.seed(seed)\n    np.random.seed(seed)\n    torch.manual_seed(seed)\n    torch.cuda.manual_seed_all(seed)\n\ndef top_k_logits(logits, k):\n    v, ix = torch.topk(logits, k)\n    out = logits.clone()\n    out[out < v[:, [-1]]] = -float('Inf')\n    return out\n\n@torch.no_grad()\ndef sample(model, x, steps, temperature=1.0, sample=False, top_k=None):\n    \"\"\"\n    take a conditioning sequence of indices in x (of shape (b,t)) and predict the next token in\n    the sequence, feeding the predictions back into the model each time. Clearly the sampling\n    has quadratic complexity unlike an RNN that is only linear, and has a finite context window\n    of block_size, unlike an RNN that has an infinite context window.\n    \"\"\"\n    block_size = model.get_block_size()\n    model.eval()\n    for k in range(steps):\n        x_cond = x if x.size(1) <= block_size else x[:, -block_size:] # crop context if needed\n        logits, _ = model(x_cond)\n        # pluck the logits at the final step and scale by temperature\n        logits = logits[:, -1, :] / temperature\n        # optionally crop probabilities to only the top k options\n        if top_k is not None:\n            logits = top_k_logits(logits, top_k)\n        # apply softmax to convert to probabilities\n        probs = F.softmax(logits, dim=-1)\n        # sample from the distribution or take the most likely\n        if sample:\n            ix = torch.multinomial(probs, num_samples=1)\n        else:\n            _, ix = torch.topk(probs, k=1, dim=-1)\n        # append to the sequence and continue\n        x = torch.cat((x, ix), dim=1)\n\n    return x\n"
  },
  {
    "path": "a5/mingpt-demo/play_char.ipynb",
    "content": "{\n \"cells\": [\n  {\n   \"cell_type\": \"markdown\",\n   \"metadata\": {},\n   \"source\": [\n    \"## Train a character-level GPT on some text data\\n\",\n    \"\\n\",\n    \"The inputs here are simple text files, which we chop up to individual characters and then train GPT on. So you could say this is a char-transformer instead of a char-rnn. Doesn't quite roll off the tongue as well. In this example we will feed it some Shakespeare, which we'll get it to predict character-level.\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 1,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# set up logging\\n\",\n    \"import logging\\n\",\n    \"logging.basicConfig(\\n\",\n    \"        format=\\\"%(asctime)s - %(levelname)s - %(name)s -   %(message)s\\\",\\n\",\n    \"        datefmt=\\\"%m/%d/%Y %H:%M:%S\\\",\\n\",\n    \"        level=logging.INFO,\\n\",\n    \")\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 2,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# make deterministic\\n\",\n    \"from mingpt.utils import set_seed\\n\",\n    \"set_seed(42)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 3,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"import numpy as np\\n\",\n    \"import torch\\n\",\n    \"import torch.nn as nn\\n\",\n    \"from torch.nn import functional as F\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 4,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"import math\\n\",\n    \"from torch.utils.data import Dataset\\n\",\n    \"\\n\",\n    \"class CharDataset(Dataset):\\n\",\n    \"\\n\",\n    \"    def __init__(self, data, block_size):\\n\",\n    \"        chars = sorted(list(set(data)))\\n\",\n    \"        data_size, vocab_size = len(data), len(chars)\\n\",\n    \"        print('data has %d characters, %d unique.' % (data_size, vocab_size))\\n\",\n    \"        \\n\",\n    \"        self.stoi = { ch:i for i,ch in enumerate(chars) }\\n\",\n    \"        self.itos = { i:ch for i,ch in enumerate(chars) }\\n\",\n    \"        self.block_size = block_size\\n\",\n    \"        self.vocab_size = vocab_size\\n\",\n    \"        self.data = data\\n\",\n    \"    \\n\",\n    \"    def __len__(self):\\n\",\n    \"        return len(self.data) - self.block_size\\n\",\n    \"\\n\",\n    \"    def __getitem__(self, idx):\\n\",\n    \"        # grab a chunk of (block_size + 1) characters from the data\\n\",\n    \"        chunk = self.data[idx:idx + self.block_size + 1]\\n\",\n    \"        # encode every character to an integer\\n\",\n    \"        dix = [self.stoi[s] for s in chunk]\\n\",\n    \"        \\\"\\\"\\\"\\n\",\n    \"        arrange data and targets so that the first i elements of x\\n\",\n    \"        will be asked to predict the i-th element of y. Notice that\\n\",\n    \"        the eventual language model will actually make block_size\\n\",\n    \"        individual predictions at the same time based on this data,\\n\",\n    \"        so we are being clever and amortizing the cost of the forward\\n\",\n    \"        pass of the network. So for example if block_size is 4, then\\n\",\n    \"        we could e.g. sample a chunk of text \\\"hello\\\", the integers in\\n\",\n    \"        x will correspond to \\\"hell\\\" and in y will be \\\"ello\\\". This will\\n\",\n    \"        then actually \\\"multitask\\\" 4 separate examples at the same time\\n\",\n    \"        in the language model:\\n\",\n    \"        - given just \\\"h\\\", please predict \\\"e\\\" as next\\n\",\n    \"        - given \\\"he\\\" please predict \\\"l\\\" next\\n\",\n    \"        - given \\\"hel\\\" predict \\\"l\\\" next\\n\",\n    \"        - given \\\"hell\\\" predict \\\"o\\\" next\\n\",\n    \"        \\n\",\n    \"        In addition, because the DataLoader will create batches of examples,\\n\",\n    \"        every forward/backward pass during traning will simultaneously train\\n\",\n    \"        a LOT of predictions, amortizing a lot of computation. In particular,\\n\",\n    \"        for a batched input of integers X (B, T) where B is batch size and\\n\",\n    \"        T is block_size and Y (B, T), the network will during training be\\n\",\n    \"        simultaneously training to make B*T predictions, all at once! Of course,\\n\",\n    \"        at test time we can paralellize across batch B, but unlike during training\\n\",\n    \"        we cannot parallelize across the time dimension T - we have to run\\n\",\n    \"        a forward pass of the network to recover the next single character of the \\n\",\n    \"        sequence along each batch dimension, and repeatedly always feed in a next\\n\",\n    \"        character to get the next one.\\n\",\n    \"        \\n\",\n    \"        So yes there is a big asymmetry between train/test time of autoregressive\\n\",\n    \"        models. During training we can go B*T at a time with every forward pass,\\n\",\n    \"        but during test time we can only go B at a time, T times, with T forward \\n\",\n    \"        passes.\\n\",\n    \"        \\\"\\\"\\\"\\n\",\n    \"        x = torch.tensor(dix[:-1], dtype=torch.long)\\n\",\n    \"        y = torch.tensor(dix[1:], dtype=torch.long)\\n\",\n    \"        return x, y\\n\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 5,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"block_size = 128 # spatial extent of the model for its context\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": 6,\n   \"metadata\": {},\n   \"outputs\": [\n    {\n     \"ename\": \"FileNotFoundError\",\n     \"evalue\": \"[Errno 2] No such file or directory: 'input.txt'\",\n     \"output_type\": \"error\",\n     \"traceback\": [\n      \"\\u001b[0;31m---------------------------------------------------------------------------\\u001b[0m\",\n      \"\\u001b[0;31mFileNotFoundError\\u001b[0m                         Traceback (most recent call last)\",\n      \"\\u001b[0;32m<ipython-input-6-865803c9bfbf>\\u001b[0m in \\u001b[0;36m<module>\\u001b[0;34m\\u001b[0m\\n\\u001b[1;32m      1\\u001b[0m \\u001b[0;31m# you can download this file at https://github.com/karpathy/char-rnn/blob/master/data/tinyshakespeare/input.txt\\u001b[0m\\u001b[0;34m\\u001b[0m\\u001b[0;34m\\u001b[0m\\u001b[0;34m\\u001b[0m\\u001b[0m\\n\\u001b[0;32m----> 2\\u001b[0;31m \\u001b[0mtext\\u001b[0m \\u001b[0;34m=\\u001b[0m \\u001b[0mopen\\u001b[0m\\u001b[0;34m(\\u001b[0m\\u001b[0;34m'input.txt'\\u001b[0m\\u001b[0;34m,\\u001b[0m \\u001b[0;34m'r'\\u001b[0m\\u001b[0;34m)\\u001b[0m\\u001b[0;34m.\\u001b[0m\\u001b[0mread\\u001b[0m\\u001b[0;34m(\\u001b[0m\\u001b[0;34m)\\u001b[0m \\u001b[0;31m# don't worry we won't run out of file handles\\u001b[0m\\u001b[0;34m\\u001b[0m\\u001b[0;34m\\u001b[0m\\u001b[0m\\n\\u001b[0m\\u001b[1;32m      3\\u001b[0m \\u001b[0mtrain_dataset\\u001b[0m \\u001b[0;34m=\\u001b[0m \\u001b[0mCharDataset\\u001b[0m\\u001b[0;34m(\\u001b[0m\\u001b[0mtext\\u001b[0m\\u001b[0;34m,\\u001b[0m \\u001b[0mblock_size\\u001b[0m\\u001b[0;34m)\\u001b[0m \\u001b[0;31m# one line of poem is roughly 50 characters\\u001b[0m\\u001b[0;34m\\u001b[0m\\u001b[0;34m\\u001b[0m\\u001b[0m\\n\",\n      \"\\u001b[0;31mFileNotFoundError\\u001b[0m: [Errno 2] No such file or directory: 'input.txt'\"\n     ]\n    }\n   ],\n   \"source\": [\n    \"# you can download this file at https://github.com/karpathy/char-rnn/blob/master/data/tinyshakespeare/input.txt\\n\",\n    \"text = open('input.txt', 'r').read() # don't worry we won't run out of file handles\\n\",\n    \"train_dataset = CharDataset(text, block_size) # one line of poem is roughly 50 characters\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"from mingpt.model import GPT, GPTConfig\\n\",\n    \"mconf = GPTConfig(train_dataset.vocab_size, train_dataset.block_size,\\n\",\n    \"                  n_layer=8, n_head=8, n_embd=512)\\n\",\n    \"model = GPT(mconf)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"from mingpt.trainer import Trainer, TrainerConfig\\n\",\n    \"\\n\",\n    \"# initialize a trainer instance and kick off training\\n\",\n    \"tconf = TrainerConfig(max_epochs=2, batch_size=512, learning_rate=6e-4,\\n\",\n    \"                      lr_decay=True, warmup_tokens=512*20, final_tokens=2*len(train_dataset)*block_size,\\n\",\n    \"                      num_workers=4)\\n\",\n    \"trainer = Trainer(model, train_dataset, None, tconf)\\n\",\n    \"trainer.train()\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# alright, let's sample some character-level Shakespeare\\n\",\n    \"from mingpt.utils import sample\\n\",\n    \"\\n\",\n    \"context = \\\"O God, O God!\\\"\\n\",\n    \"x = torch.tensor([train_dataset.stoi[s] for s in context], dtype=torch.long)[None,...].to(trainer.device)\\n\",\n    \"y = sample(model, x, 2000, temperature=1.0, sample=True, top_k=10)[0]\\n\",\n    \"completion = ''.join([train_dataset.itos[int(i)] for i in y])\\n\",\n    \"print(completion)\"\n   ]\n  },\n  {\n   \"cell_type\": \"code\",\n   \"execution_count\": null,\n   \"metadata\": {},\n   \"outputs\": [],\n   \"source\": [\n    \"# well that was fun\"\n   ]\n  }\n ],\n \"metadata\": {\n  \"kernelspec\": {\n   \"display_name\": \"Python 3\",\n   \"language\": \"python\",\n   \"name\": \"python3\"\n  },\n  \"language_info\": {\n   \"codemirror_mode\": {\n    \"name\": \"ipython\",\n    \"version\": 3\n   },\n   \"file_extension\": \".py\",\n   \"mimetype\": \"text/x-python\",\n   \"name\": \"python\",\n   \"nbconvert_exporter\": \"python\",\n   \"pygments_lexer\": \"ipython3\",\n   \"version\": \"3.7.2\"\n  }\n },\n \"nbformat\": 4,\n \"nbformat_minor\": 4\n}\n"
  },
  {
    "path": "a5/src/attention.py",
    "content": "import math\nimport logging\n\nimport torch\nimport torch.nn as nn\nfrom torch.nn import functional as F\n\nlogger = logging.getLogger(__name__)\n\nclass CausalSelfAttention(nn.Module):\n    \"\"\"\n    A vanilla multi-head masked self-attention layer with a projection at the end.\n    I believe I could have just used torch.nn.MultiheadAttention but their documentation\n    is all but absent and code ugly so I don't trust it, rolling my own here.\n    \"\"\"\n\n    def __init__(self, config):\n        super().__init__()\n        assert config.n_embd % config.n_head == 0\n        # key, query, value projections for all heads\n        self.key = nn.Linear(config.n_embd, config.n_embd)\n        self.query = nn.Linear(config.n_embd, config.n_embd)\n        self.value = nn.Linear(config.n_embd, config.n_embd)\n        # regularization\n        self.attn_drop = nn.Dropout(config.attn_pdrop)\n        self.resid_drop = nn.Dropout(config.resid_pdrop)\n        # output projection\n        self.proj = nn.Linear(config.n_embd, config.n_embd)\n        # causal mask to ensure that attention is only applied to the left in the input sequence\n        self.register_buffer(\"mask\", torch.tril(torch.ones(config.block_size, config.block_size))\n                                     .view(1, 1, config.block_size, config.block_size))\n        self.n_head = config.n_head\n\n    def forward(self, x, layer_past=None):\n        # B stands for Batch\n        # T stands for Time?\n        # C stands for \"channels\" in the sense of a convolutional neural network?\n        # You can (temporarily) change n_embd (d) in the mconf definition in run.py, block_size (l) and \n        # the batch_size in the trainer.TrainerConfig, to vary the embedding dimension, sequence length and \n        # batch size respectively and then print out the size of x in forward() when making these changes, \n        # to see what each axis of x corresponds to.\n        B, T, C = x.size()\n\n        # calculate query, key, values for all heads in batch and move head forward to be the batch dim\n        k = self.key(x).view(B, T, self.n_head, C // self.n_head).transpose(1, 2) # (B, nh, T, hs)\n        q = self.query(x).view(B, T, self.n_head, C // self.n_head).transpose(1, 2) # (B, nh, T, hs)\n        v = self.value(x).view(B, T, self.n_head, C // self.n_head).transpose(1, 2) # (B, nh, T, hs)\n\n        # causal self-attention; Self-attend: (B, nh, T, hs) x (B, nh, hs, T) -> (B, nh, T, T)\n        # Why is (B, nh, T, hs) x (B, nh, hs, T) -> (B, nh, T, T)?\n        # It's a batched matrix multiply (batch dims (B, nh)). \n        # This is defined implicitly with the matmul operation on tensors of higher numbers of axes than 2. \n        # For more: https://pytorch.org/docs/stable/generated/torch.matmul.html\n        # So the matrices are \"really\" (T, hs) x (hs, T) --> (T,T)\n        att = (q @ k.transpose(-2, -1)) * (1.0 / math.sqrt(k.size(-1)))\n        att = att.masked_fill(self.mask[:,:,:T,:T] == 0, -1e10) # todo: just use float('-inf') instead?\n        att = F.softmax(att, dim=-1)\n        att = self.attn_drop(att)\n        y = att @ v # (B, nh, T, T) x (B, nh, T, hs) -> (B, nh, T, hs)\n        y = y.transpose(1, 2).contiguous().view(B, T, C) # re-assemble all head outputs side by side\n\n        # output projection\n        y = self.resid_drop(self.proj(y))\n        return y\n\n\"\"\"\nWrite your SynthesizerAttention below.\nHint: paste over the CausalSelfAttention above and modify it minimally.\n\"\"\"\n\nclass SynthesizerAttention(nn.Module):\n    def __init__(self, config):\n        super().__init__()\n        assert config.n_embd % config.n_head == 0\n        # NEW learnable weights\n        self.w1 = nn.Linear(config.n_embd, config.n_embd)\n        self.w2 = nn.Parameter(torch.zeros(config.n_embd // config.n_head,\n            config.block_size-1))\n        self.b2 = nn.Parameter(torch.zeros(config.block_size-1))\n        # value projection\n        self.value = nn.Linear(config.n_embd, config.n_embd)\n        # regularization\n        self.attn_drop = nn.Dropout(config.attn_pdrop)\n        self.resid_drop = nn.Dropout(config.resid_pdrop)\n        # output projection\n        self.proj = nn.Linear(config.n_embd, config.n_embd)\n        # causal mask to ensure that attention is only applied to the left in\n        #     the input sequence\n        self.register_buffer(\"mask\", torch.tril(\n            torch.ones(config.block_size, config.block_size)).view(\n                1, 1, config.block_size, config.block_size))\n        self.n_head = config.n_head\n        self.block_size = config.block_size\n\n        nn.init.uniform_(self.w2,-0.001,0.001)\n\n    def forward(self, x, layer_past=None):\n        # TODO [part g]: Write your SynthesizerAttention below.\n        #   Do not modify __init__().\n        # Hints:\n        #   - Paste over the CausalSelfAttention above and modify it minimally.\n        #   - Consider especially the parameters self.w1, self.w2 and self.b2.\n        #       How do these map to the matrices in the handout?\n\n        B, T, C = x.size()\n\n        # calculate query, key, values for all heads in batch and move head forward to be the batch dim\n        w1 = self.w1(x).view(B, T, self.n_head, C // self.n_head).transpose(1, 2) # (B, nh, T, hs) -> (1, 8, 32, 32)\n        # print(\"a\", a.shape)\n\n        w2 = self.w2[:, :T] # (hs, T) -> (32, 127)\n        # print(\"b\", b.shape)\n\n        b2 = self.b2[:T] # (T) -> (127)\n        # print(\"b2\", b2.shape)\n\n        v = self.value(x).view(B, T, self.n_head, C // self.n_head).transpose(1, 2) # (B, nh, T, hs)\n        # print(v.shape)\n\n        # Synthesizer Attention; Self-attend: (B, nh, T, hs) x (B, nh, hs, T) -> (B, nh, T, T)\n        att = (F.relu(w1) @ w2 + b2)\n        # print(att.shape)\n\n        # Mask out the future\n        att = att.masked_fill(self.mask[:, :, :T, :T] == 0, -1e10) # todo: just use float('-inf') instead?\n        att = F.softmax(att, dim=-1)\n        # print(att.shape)\n\n        att = self.attn_drop(att)\n        # print(att.shape)\n        # print(v.shape)\n\n        y = att @ v # (B, nh, T, T) x (B, nh, T, hs) -> (B, nh, T, hs)\n        y = y.transpose(1, 2).contiguous().view(B, T, C) # re-assemble all head outputs side by side\n\n        # output projection\n        y = self.resid_drop(self.proj(y))\n        return y"
  },
  {
    "path": "a5/src/dataset.py",
    "content": "import random\nimport torch\nfrom torch.utils.data import Dataset\nimport argparse\n\n\"\"\"\nThe input-output pairs (x, y) of the NameDataset are of the following form:\n\n  x: Where was Khatchig Mouradian born?⁇Lebanon⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n  y: □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□⁇Lebanon⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n  x: Where was Jacob Henry Studer born?⁇Columbus⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n  y: □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□⁇Columbus⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n\nUsing the PAD_CHAR characters in y before the ⁇[place] keeps the trainer from\noptimizing the model to predict the question, \"Where was...\".\n\nNote that the NameDataset should take the pretraining_dataset defined in run.py\nas an input. This is to allow the vocab specification of the NameDataset to be\nthe same as that of the pretraining dataset.\n\nYou don't need to implement anything in NameDataset.\n\"\"\"\n\nclass NameDataset(Dataset):\n    def __init__(self, pretraining_dataset, data):\n        self.MASK_CHAR = u\"\\u2047\" # the doublequestionmark character, for mask\n        self.PAD_CHAR = u\"\\u25A1\" # the empty square character, for pad\n        self.itos = pretraining_dataset.itos \n        self.stoi = pretraining_dataset.stoi \n        self.block_size = pretraining_dataset.block_size\n        self.data = list(data.encode('utf-8').decode('ascii', errors='ignore').split('\\n'))\n\n    def __len__(self):\n        # returns the length of the dataset\n        return len(self.data) - 1\n\n    def __getitem__(self, idx):\n        inp, oup = self.data[idx].split('\\t')\n        x = inp + self.MASK_CHAR + oup + self.MASK_CHAR\n        x = x + self.PAD_CHAR*(self.block_size - len(x))\n        y = self.PAD_CHAR*(len(inp)-1) + x[len(inp):]\n        \n        x = x[:-1]\n        x = torch.tensor([self.stoi[c] for c in x], dtype=torch.long)\n        y = torch.tensor([self.stoi[c] for c in y], dtype=torch.long)\n        return x, y\n\n\n\"\"\"\n[part e]\n\nWrite a class that yields examples of a simplified span corruption objective.\nDo not change the signature of the __init__ or __getitem__ functions.\n\nMake sure to implement the full spec for full credit -- we list below the\ncriteria that must be satisfied for a full implementation.\n\n--------------\nVocabulary Specification\n\nYour vocabulary is to be accessible via two dictionaries:\n  self.stoi: a dictionary from characters in the vocabulary to indices of type\n      int\n  self.itos: a dictionary from indices of type int to characters in the\n      vocabulary\n\nYour vocabulary must have the following form: \n\n  Identifier 0 must be assigned to the unicode element u\"\\u25A1\".\n      This is the empty_square_character.\n      Further, let self.PAD_CHAR = u\"\\u25A1\"\n  Identifier 1 must be assigned to the unicode element u\"\\u2047\".\n      This is the doublequestionmark character, which we'll use\n      as a sentinel to represent that text is missing from the input\n      Further, let self.MASK_CHAR = u\"\\u2047\"\n  Identifiers 2, ..., len(self.itos)-1 should be the sorted list of characters\n      that appear in the data argument.\n\n--------------\nMasking Specification\n\nThe __getitem__ function takes an index and returns a data point (x, y) where\nx and y are Long tensors of length self.block_size. x encodes the input\nsequence, and y encodes the output sequence.\n\n0. Use the idx argument of __getitem__ to retrieve the element of self.data\nat the given index. We'll call the resulting data entry a document.\n\n1. Randomly truncate the document to a length no less than 4 characters,\nand no more than int(self.block_size*7/8) characters.\n\n- IMPORTANT: You are free to decide how to perform this random truncation, but\nmake sure that the length is picked _randomly_ (every possible length from 4\nto int(self.block_size*7/8) has a chance of being picked) for full credit.\n\n2. Now, break the (truncated) document into three substrings:\n    \n    [prefix] [masked_content] [suffix]\n\n  In other words, choose three strings prefix, masked_content and suffix\n    such that prefix + masked_content + suffix = [the original document].\n  The length of [masked_content] should be random, and 1/4 the length of the\n    truncated document on average.\n\n- IMPORTANT: You are free to decide how to perform this operation, but\nmake sure that the length is picked _randomly_ (has a chance of being more or\nless than 1/4 the length of the truncated document) for full credit.\n\n3. Rearrange these substrings into the following form:\n\n    [prefix] MASK_CHAR [suffix] MASK_CHAR [masked_content] [pads]\n  \n  This resulting string, denoted masked_string, serves as the output example.\n  Here MASK_CHAR is the masking character defined in Vocabulary Specification,\n    and [pads] is a string of repeated PAD_CHAR characters chosen so that the\n    entire string is of length self.block_size.\n  Intuitively, the [masked_content], a string, is removed from the document and\n    replaced with MASK_CHAR (the masking character defined in Vocabulary\n    Specification). After the suffix of the string, the MASK_CHAR is seen again,\n    followed by the content that was removed, and the padding characters.\n\n4. We now use masked_string to construct the input and output example pair. To\ndo so, simply take the input string to be masked_string[:-1], and the output\nstring to be masked_string[1:]. In other words, for each character, the goal is\nto predict the next character in the masked string.\n\n5. Making use of the vocabulary that you defined, encode the resulting input\nand output strings as Long tensors and return the resulting data point.\n\n----------------\nHere are some examples of input-output pairs (x, y):\n\n  x: Khatchig Mouradian. Khatchig Mouradian is a jour⁇and tran⁇nalist, writer ⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n  y: hatchig Mouradian. Khatchig Mouradian is a jour⁇and tran⁇nalist, writer ⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n\n  x: Jaco⁇enry ⁇b H⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n  y: aco⁇enry ⁇b H⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n\n  x: John Stephen. Born in Glasgow, Steph⁇lder's apprentice on⁇en became a we⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n  y: ohn Stephen. Born in Glasgow, Steph⁇lder's apprentice on⁇en became a we⁇□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□\n\n\n\"\"\"\nclass CharCorruptionDataset(Dataset):\n    def __init__(self, data, block_size):\n        self.MASK_CHAR = u\"\\u2047\" # the doublequestionmark character, for mask\n        self.PAD_CHAR = u\"\\u25A1\" # the empty square character, for pad\n\n        chars = list(sorted(list(set(data))))\n        assert self.MASK_CHAR not in chars \n        assert self.PAD_CHAR not in chars\n        chars.insert(0, self.MASK_CHAR)\n        chars.insert(0, self.PAD_CHAR)\n\n        self.stoi = { ch:i for i,ch in enumerate(chars) }\n        self.itos = { i:ch for i,ch in enumerate(chars) }\n\n        data_size, vocab_size = len(data), len(chars)\n        print('data has %d characters, %d unique.' % (data_size, vocab_size))\n\n        self.block_size = block_size\n        self.vocab_size = vocab_size\n        self.data = data.split('\\n')\n\n    def __len__(self):\n        # returns the length of the dataset\n        return len(self.data)\n\n    def __getitem__(self, idx):\n        # TODO [part e]: see spec above\n        \n        doc = self.data[idx]\n        \n        # 1. Randomly truncate the document to a length no less than 4 characters,\n        # and no more than int(self.block_size*7/8) characters.\n        import random\n        random_length = random.randint(4, int(self.block_size*7/8))\n        truncated_doc = doc[:random_length]\n        \n        # 2. Now, break the (truncated) document into three substrings: [prefix] [masked_content] [suffix]\n        #\n        # In other words, choose three strings prefix, masked_content and suffix\n        #  such that prefix + masked_content + suffix = [the original document].\n        #  The length of [masked_content] should be random, and 1/4 the length of the\n        #  truncated document on average.\n        #\n        # - IMPORTANT: You are free to decide how to perform this operation, but\n        # make sure that the length is picked _randomly_ (has a chance of being more or\n        # less than 1/4 the length of the truncated document) for full credit.\n\n        # Take the length of the (randomly truncated) document.\n        truncated_doc_length = len(doc)\n        \n        # Add a random perturbation to the length of the masked content with randint(). \n        # Just pick the right bounds, for example, -1/8 and 1/8 of the truncated length\n        random_perturbation = random.randint(int(-0.125*truncated_doc_length), int(0.125*truncated_doc_length))\n\n        # Compute expected_mask_len by using 1/4 of the truncated document length \n        # and adding a perturbation.\n        expected_mask_len = int(0.25*truncated_doc_length + random_perturbation)\n        # This gets you a masked length with minimum length of 1/8 of truncated length and \n        # maximum length of 3/8 of the truncated length, and the average is 1/4.   \n        \n        # randomly determine where to start the masked portion somewhere between the start \n        # of the truncated document and the last index such that there are as many characters \n        # left in the sequence as we determined the mask length should be\n        start_mask = random.randint(0, truncated_doc_length - expected_mask_len)\n        \n        masked_content = truncated_doc[start_mask:start_mask+expected_mask_len]\n        prefix = truncated_doc[:start_mask]\n        suffix = truncated_doc[len(prefix)+expected_mask_len:]\n        \n        # 3. Rearrange these substrings into the following form:\n        #\n        #   [prefix] MASK_CHAR [suffix] MASK_CHAR [masked_content] [pads]\n        # \n        # This resulting string, denoted masked_string, serves as the output example.\n        # Here MASK_CHAR is the masking character defined in Vocabulary Specification,\n        #   and [pads] is a string of repeated PAD_CHAR characters chosen so that the\n        #   entire string is of length self.block_size.\n        # Intuitively, the [masked_content], a string, is removed from the document and\n        #   replaced with MASK_CHAR (the masking character defined in Vocabulary\n        #   Specification). After the suffix of the string, the MASK_CHAR is seen again,\n        #   followed by the content that was removed, and the padding characters.\n        \n        masked_string = prefix + self.MASK_CHAR + suffix + self.MASK_CHAR + masked_content\n        masked_string += self.PAD_CHAR*(self.block_size - len(masked_string))\n        \n        # We now use masked_string to construct the input and output example pair. To\n        # do so, simply take the input string to be masked_string[:-1], and the output\n        # string to be masked_string[1:]. In other words, for each character, the goal is\n        # to predict the next character in the masked string.\n        \n        input = masked_string[:-1]\n        output = masked_string[1:]\n        \n        # Making use of the vocabulary that you defined, encode the resulting input\n        # and output strings as Long tensors and return the resulting data point.\n                \n        x = torch.tensor([self.stoi[c] for c in input], dtype=torch.long)\n        y = torch.tensor([self.stoi[c] for c in output], dtype=torch.long)\n        return x, y\n\n\"\"\"\nCode under here is strictly for your debugging purposes; feel free to modify\nas desired.\n\"\"\"\nif __name__ == '__main__':\n    argp = argparse.ArgumentParser()\n    argp.add_argument('dataset_type', help=\"Type of dataset to sample from.\"\n            \"Options: namedata, charcorruption.\",\n            choices=[\"namedata\", \"charcorruption\"])\n    args = argp.parse_args()\n\n    if args.dataset_type == 'namedata':\n        # Even if it hasn't been implemented, we use it to define the vocab\n        corruption_dataset = CharCorruptionDataset(open('wiki.txt').read(), 128) \n        # Make the name dataset\n        name_dataset = NameDataset(corruption_dataset,\n            open('birth_places_train.tsv').read())\n        for _, example in zip(range(4), name_dataset):\n            x, y = example\n            print('x:', ''.join([name_dataset.itos[int(c)] for c in x]))\n            print('y:', ''.join([name_dataset.itos[int(c)] for c in y]))\n        pass\n    elif args.dataset_type == 'charcorruption':\n        corruption_dataset = CharCorruptionDataset(open('wiki.txt').read(), 128) \n        for _, example in zip(range(4), corruption_dataset):\n            x, y = example\n            print('x:', ''.join([corruption_dataset.itos[int(c)] for c in x]))\n            print('y:', ''.join([corruption_dataset.itos[int(c)] for c in y]))\n    else:\n        raise ValueError(\"Unknown dataset type in command line args: {}\"\n                .format(args.dataset_type))\n\n"
  },
  {
    "path": "a5/src/london_baseline.py",
    "content": "# Calculate the accuracy of a baseline that simply predicts \"London\" for every\n#   example in the dev set.\n# Hint: Make use of existing code.\n# Your solution here should only be a few lines.\n\nimport utils\n\n# the list comprehension in the below line is to accommodate lines with just the newline character\ntotal, correct = utils.evaluate_places('birth_dev.tsv', ['London'] * len([line for line in open('birth_dev.tsv').read().split('\\n') if line]))\n\nif total > 0:\n    print('Correct: {} out of {}: {}%'.format(correct, total, correct/total*100))"
  },
  {
    "path": "a5/src/model.py",
    "content": "\n\"\"\"\nGPT model:\n- the initial stem consists of a combination of token encoding and a positional encoding\n- the meat of it is a uniform sequence of Transformer blocks\n    - each Transformer is a sequential combination of a 1-hidden-layer MLP block and a self-attention block\n    - all blocks feed into a central residual pathway similar to resnets\n- the final decoder is a linear projection into a vanilla Softmax classifier\n\"\"\"\n\nimport math\n\nimport torch\nimport torch.nn as nn\nfrom torch.nn import functional as F\n\nimport attention\n\n\nclass GPTConfig:\n    \"\"\" base GPT config, params common to all GPT versions \"\"\"\n    embd_pdrop = 0.1\n    resid_pdrop = 0.1\n    attn_pdrop = 0.1\n    additive = False\n\n    def __init__(self, vocab_size, block_size, synthesizer=False, **kwargs):\n        self.vocab_size = vocab_size\n        self.block_size = block_size\n        self.synthesizer = synthesizer\n        for k,v in kwargs.items():\n            setattr(self, k, v)\n\nclass GPT1Config(GPTConfig):\n    \"\"\" GPT-1 like network roughly 125M params \"\"\"\n    n_layer = 12\n    n_head = 12\n    n_embd = 768\n\nclass Block(nn.Module):\n    \"\"\" an unassuming Transformer block \"\"\"\n\n    def __init__(self, config):\n        super().__init__()\n        self.ln1 = nn.LayerNorm(config.n_embd)\n        self.ln2 = nn.LayerNorm(config.n_embd)\n        if config.synthesizer:\n            self.attn = attention.SynthesizerAttention(config)\n        elif config.additive:\n            self.attn = attention.AdditiveSelfAttention(config)\n        else:\n            self.attn = attention.CausalSelfAttention(config)\n        self.mlp = nn.Sequential(\n            nn.Linear(config.n_embd, 4 * config.n_embd),\n            nn.GELU(),\n            nn.Linear(4 * config.n_embd, config.n_embd),\n            nn.Dropout(config.resid_pdrop),\n        )\n\n    def forward(self, x):\n        x = x + self.attn(self.ln1(x))\n        x = x + self.mlp(self.ln2(x))\n        return x\n\nclass GPT(nn.Module):\n    \"\"\"  the full GPT language model, with a context size of block_size \"\"\"\n\n    def __init__(self, config):\n        super().__init__()\n\n        # input embedding stem\n        self.tok_emb = nn.Embedding(config.vocab_size, config.n_embd)\n        self.pos_emb = nn.Parameter(torch.zeros(1, config.block_size, config.n_embd))\n        self.drop = nn.Dropout(config.embd_pdrop)\n        # transformer\n        self.blocks = nn.Sequential(*[Block(config) for _ in range(config.n_layer)])\n        # decoder head\n        self.ln_f = nn.LayerNorm(config.n_embd)\n        self.head = nn.Linear(config.n_embd, config.vocab_size, bias=False)\n\n        self.block_size = config.block_size\n        self.apply(self._init_weights)\n\n        print(\"number of parameters: {}\".format(sum(p.numel() for p in self.parameters())))\n\n    def _init_weights(self, module):\n        if isinstance(module, (nn.Linear, nn.Embedding)):\n            module.weight.data.normal_(mean=0.0, std=0.02)\n            if isinstance(module, nn.Linear) and module.bias is not None:\n                module.bias.data.zero_()\n        elif isinstance(module, nn.LayerNorm):\n            module.bias.data.zero_()\n            module.weight.data.fill_(1.0)\n\n    def get_block_size(self):\n        return self.block_size\n\n    def forward(self, idx, targets=None):\n        b, t = idx.size()\n        assert t <= self.block_size, \"Cannot forward, model block size is exhausted.\"\n\n        # forward the GPT model\n        token_embeddings = self.tok_emb(idx) # each index maps to a (learnable) vector\n        position_embeddings = self.pos_emb[:, :t, :] # each position maps to a (learnable) vector\n        x = self.drop(token_embeddings + position_embeddings)\n        x = self.blocks(x)\n        x = self.ln_f(x)\n        logits = self.head(x)\n\n        # if we are given some desired targets also calculate the loss\n        loss = None\n        if targets is not None:\n            loss = F.cross_entropy(logits.view(-1, logits.size(-1)), targets.view(-1), ignore_index=0)\n\n        return logits, loss\n\nclass CustomLayerNorm(nn.Module):\n  pass\n"
  },
  {
    "path": "a5/src/run.py",
    "content": "import numpy as np\nimport torch\nimport torch.nn as nn\nfrom tqdm import tqdm\nfrom torch.nn import functional as F\nimport random\nimport argparse\nrandom.seed(0)\n\nimport dataset\nimport model\nimport trainer\nimport utils\n\nargp = argparse.ArgumentParser()\nargp.add_argument('function',\n    help=\"Whether to pretrain, finetune or evaluate a model\",\n    choices=[\"pretrain\", \"finetune\", \"evaluate\"])\nargp.add_argument('variant',\n    help=\"Which variant of the model to run ('vanilla' or 'synthesizer')\",\n    choices=[\"vanilla\", \"synthesizer\"])\nargp.add_argument('pretrain_corpus_path',\n    help=\"Path of the corpus to pretrain on\", default=None)\nargp.add_argument('--reading_params_path',\n    help=\"If specified, path of the model to load before finetuning/evaluation\",\n    default=None)\nargp.add_argument('--writing_params_path',\n    help=\"Path to save the model after pretraining/finetuning\", default=None)\nargp.add_argument('--finetune_corpus_path',\n    help=\"Path of the corpus to finetune on\", default=None)\nargp.add_argument('--eval_corpus_path',\n    help=\"Path of the corpus to evaluate on\", default=None)\nargp.add_argument('--outputs_path', default=None)\nargs = argp.parse_args()\n\n# Save the device\ndevice = torch.cuda.current_device() if torch.cuda.is_available() else 'cpu'\n\n# Keep the block size 128\n# Why is the pretraining corpus always required (even if we're not pretraining?)\n# It's because we're using it as a hack to always have the same vocabulary\n# (that is, the same mapping from character to integer, and we build the \n# vocab from the pretraining corpus.)\nblock_size = 128\ntext = open(args.pretrain_corpus_path).read()\npretrain_dataset = dataset.CharCorruptionDataset(text, block_size)\n\n# We don't suggest you change these hyperparameters, as they're known to work.\n# use them for both the vanilla and the synthesizer models\nmconf = model.GPTConfig(pretrain_dataset.vocab_size, pretrain_dataset.block_size,\n    n_layer=4, n_head=8, n_embd=256)\n\n\"\"\"\nDon't change above here; write your code below\n\"\"\"\n\nif args.variant == 'vanilla':\n    # TODO [part c]: Make some model here    \n    \n    model = model.GPT(mconf)\n    model = model.to(device)    \n    \nelif args.variant == 'synthesizer':\n    # TODO [part g]: Make some other model here\n    \n    mconf = model.GPTConfig(pretrain_dataset.vocab_size, pretrain_dataset.block_size,\n    synthesizer=True, n_layer=4, n_head=8, n_embd=256)    \n    \n    model = model.GPT(mconf)\n    model = model.to(device)    \n\n# From here on, your code should be identical independent of which\n# variant (vanilla or synthesizer) has been chosen.\n\nif args.function == 'pretrain':\n    assert args.pretrain_corpus_path is not None\n    assert args.writing_params_path is not None\n    # TODO [part f]:\n    # - Given:\n    #     1. A corpus specified in args.pretrain_corpus_path\n    #     2. An output path args.writing_params_path for the model parameters\n    # - Goals:\n    #     1. Pretrain the model on this corpus\n    #     2. Save the resulting model in args.writing_params_path\n    # - Make sure to use the following hyperparameters for pretraining:\n    #     max_epochs=650\n    #     batch_size=128\n    #     learning_rate=6e-3\n    #     lr_decay=True\n    #     warmup_tokens=512*20\n    #     final_tokens=200*len(pretrain_dataset)*block_size\n    #     num_workers=4  \n    \n    # initialize a trainer instance and kick off pretraining\n    tconf = trainer.TrainerConfig(max_epochs=650, batch_size=128, learning_rate=6e-3,\n                                  lr_decay=True, warmup_tokens=512*20, final_tokens=200*len(pretrain_dataset)*block_size,\n                                  num_workers=4, ckpt_path=args.writing_params_path)\n    trainer = trainer.Trainer(model, pretrain_dataset, None, tconf)\n    trainer.train()\n\nelif args.function == 'finetune':\n    assert args.writing_params_path is not None\n    assert args.finetune_corpus_path is not None\n    # TODO [part c] [part f]:\n    # - Given:\n    #     1. A finetuning corpus specified in args.finetune_corpus_path\n    #     2. A path args.reading_params_path containing pretrained model\n    #         parameters, or None if finetuning without a pretrained model\n    #     3. An output path args.writing_params_path for the model parameters\n    # - Goals:\n    #     1. If args.reading_params_path is specified, load these parameters\n    #         into the model\n    #     2. Finetune the model on this corpus\n    #     3. Save the resulting model in args.writing_params_path\n    # - Make sure to use the following hyperparameters:\n    #     Hyperparameters for finetuning WITHOUT a pretrained model:\n    #         max_epochs=75\n    #         batch_size=256\n    #         learning_rate=6e-4\n    #         lr_decay=True\n    #         warmup_tokens=512*20\n    #         final_tokens=200*len(pretrain_dataset)*block_size\n    #         num_workers=4\n    #     Hyperparameters for finetuning WITH a pretrained model:\n    #         max_epochs=10\n    #         batch_size=256\n    #         learning_rate=6e-4\n    #         lr_decay=True\n    #         warmup_tokens=512*20\n    #         final_tokens=200*len(pretrain_dataset)*block_size\n    #         num_workers=4 \n\n\n    text = open(args.finetune_corpus_path, 'r', encoding='utf-8').read()\n    finetune_dataset = dataset.NameDataset(pretrain_dataset, text)\n\n    # finetuning WITH a pretrained model\n    if args.reading_params_path:\n        # initialize a trainer instance and kick off finetuning\n        tconf = trainer.TrainerConfig(max_epochs=10, batch_size=256, learning_rate=6e-4,\n                                      lr_decay=True, warmup_tokens=512*20, final_tokens=200*len(pretrain_dataset)*block_size,\n                                      num_workers=4 if torch.cuda.is_available() else 0, ckpt_path=args.writing_params_path)\n\n        model.load_state_dict(torch.load(args.reading_params_path))\n        model.eval()\n\n        trainer = trainer.Trainer(model, finetune_dataset, None, tconf)\n\n    # finetuning WITHOUT a pretrained model\n    else:\n        # initialize a trainer instance and kick off finetuning\n        tconf = trainer.TrainerConfig(max_epochs=75, batch_size=256, learning_rate=6e-4,\n                                      lr_decay=True, warmup_tokens=512*20, final_tokens=200*len(pretrain_dataset)*block_size,\n                                      num_workers=4 if torch.cuda.is_available() else 0, ckpt_path=args.writing_params_path)\n        trainer = trainer.Trainer(model, finetune_dataset, None, tconf)\n\n    # finetune\n    trainer.train()\n    \nelif args.function == 'evaluate':\n    assert args.outputs_path is not None\n    assert args.reading_params_path is not None\n    assert args.eval_corpus_path is not None\n\n    # HACK to run on CPU\n    device = torch.cuda.current_device() if torch.cuda.is_available() else 'cpu'\n    model.load_state_dict(torch.load(args.reading_params_path, map_location=device))\n\n    correct = 0\n    total = 0\n    with open(args.outputs_path, 'w') as fout:\n        predictions = []\n        for line in tqdm(open(args.eval_corpus_path)):\n            x = line.split('\\t')[0]\n            x = x + '⁇'\n            x = torch.tensor([pretrain_dataset.stoi[s] for s in x], dtype=torch.long)[None,...].to(device)\n            pred = utils.sample(model, x, 32, sample=False)[0]\n            completion = ''.join([pretrain_dataset.itos[int(i)] for i in pred])\n            pred = completion.split('⁇')[1]\n            predictions.append(pred)\n            fout.write(pred + '\\n')\n        total, correct = utils.evaluate_places(args.eval_corpus_path, predictions)\n    if total > 0:\n        print('Correct: {} out of {}: {}%'.format(correct, total, correct/total*100))\n    else:\n        print('Predictions written to {}; no targets provided'\n                .format(args.outputs_path))\n\n"
  },
  {
    "path": "a5/src/trainer.py",
    "content": "\"\"\"\nSimple training loop; Boilerplate that could apply to any arbitrary neural network,\nso nothing in this file really has anything to do with GPT specifically.\n\nWe suggest not changing anything in this file.\n\"\"\"\n\nimport math\nimport logging\n\nfrom tqdm import tqdm\nimport numpy as np\n\nimport torch\nimport torch.optim as optim\nfrom torch.optim.lr_scheduler import LambdaLR\nfrom torch.utils.data.dataloader import DataLoader\n\nlogger = logging.getLogger(__name__)\n\nclass TrainerConfig:\n    # optimization parameters\n    max_epochs = 10\n    batch_size = 64\n    learning_rate = 3e-4\n    betas = (0.9, 0.95)\n    grad_norm_clip = 1.0\n    weight_decay = 0.1 # only applied on matmul weights\n    # learning rate decay params: linear warmup followed by cosine decay to 10% of original\n    lr_decay = False\n    warmup_tokens = 375e6 # these two numbers come from the GPT-3 paper, but may not be good defaults elsewhere\n    final_tokens = 260e9 # (at what point we reach 10% of original LR)\n    # checkpoint settings\n    ckpt_path = None\n    num_workers = 0 # for DataLoader\n\n    def __init__(self, **kwargs):\n        for k,v in kwargs.items():\n            setattr(self, k, v)\n\nclass Trainer:\n\n    def __init__(self, model, train_dataset, test_dataset, config):\n        self.model = model\n        self.train_dataset = train_dataset\n        self.test_dataset = test_dataset\n        self.config = config\n\n        # take over whatever gpus are on the system\n        self.device = 'cpu'\n        if torch.cuda.is_available():\n            self.device = torch.cuda.current_device()\n            self.model = torch.nn.DataParallel(self.model).to(self.device)\n\n    def save_checkpoint(self):\n        if self.config.ckpt_path is not None:\n            ckpt_model = self.model.module if hasattr(self.model, \"module\") else self.model\n            logger.info(\"saving %s\", self.config.ckpt_path)\n            torch.save(ckpt_model.state_dict(), self.config.ckpt_path)\n\n    def train(self):\n        model, config = self.model, self.config\n\n        # create the optimizer\n        no_decay = [\"bias\", \"LayerNorm.weight\"]\n        params_decay = [p for n, p in model.named_parameters() if not any(nd in n for nd in no_decay)]\n        params_nodecay = [p for n, p in model.named_parameters() if any(nd in n for nd in no_decay)]\n        optim_groups = [\n            {\"params\": params_decay, \"weight_decay\": config.weight_decay},\n            {\"params\": params_nodecay, \"weight_decay\": 0.0},\n        ]\n        optimizer = optim.AdamW(optim_groups, lr=config.learning_rate, betas=config.betas)\n\n        def run_epoch(split):\n            is_train = split == 'train'\n            model.train(is_train)\n            data = self.train_dataset if is_train else self.test_dataset\n            loader = DataLoader(data, batch_size=config.batch_size, num_workers=config.num_workers)\n\n            losses = []\n            pbar = tqdm(enumerate(loader), total=len(loader)) if is_train else enumerate(loader)\n\n            for it, (x, y) in pbar:\n\n                # place data on the correct device\n                x = x.to(self.device)\n                y = y.to(self.device)\n\n                # forward the model\n                with torch.set_grad_enabled(is_train):\n                    logits, loss = model(x, y)\n                    loss = loss.mean() # collapse all losses if they are scattered on multiple gpus\n                    losses.append(loss.item())\n\n                if is_train:\n\n                    # backprop and update the parameters\n                    model.zero_grad()\n                    loss.backward()\n                    torch.nn.utils.clip_grad_norm_(model.parameters(), config.grad_norm_clip)\n                    optimizer.step()\n\n                    # decay the learning rate based on our progress\n                    if config.lr_decay:\n                        self.tokens += (y >= 0).sum() # number of tokens processed this step (i.e. label is not -100)\n                        if self.tokens < config.warmup_tokens:\n                            # linear warmup\n                            lr_mult = float(self.tokens) / float(max(1, config.warmup_tokens))\n                        else:\n                            # cosine learning rate decay\n                            progress = float(self.tokens - config.warmup_tokens) / float(max(1, config.final_tokens - config.warmup_tokens))\n                            lr_mult = max(0.1, 0.5 * (1.0 + math.cos(math.pi * progress)))\n                        lr = config.learning_rate * lr_mult\n                        for param_group in optimizer.param_groups:\n                            param_group['lr'] = lr\n                    else:\n                        lr = config.learning_rate\n\n                    # report progress\n                    pbar.set_description(f\"epoch {epoch+1} iter {it}: train loss {loss.item():.5f}. lr {lr:e}\")\n\n            if not is_train:\n                logger.info(\"test loss: %f\", np.mean(losses))\n\n        self.tokens = 0 # counter used for learning rate decay\n        for epoch in range(config.max_epochs):\n\n            run_epoch('train')\n            if self.test_dataset is not None:\n                run_epoch('test')\n\n            self.save_checkpoint()\n"
  },
  {
    "path": "a5/src/utils.py",
    "content": "\"\"\" Utilities; we suggest changing none of these functions\n\nbut feel free to add your own.\n\"\"\"\n\nimport random\nimport numpy as np\nimport torch\nimport torch.nn as nn\nfrom torch.nn import functional as F\n\ndef set_seed(seed):\n    random.seed(seed)\n    np.random.seed(seed)\n    torch.manual_seed(seed)\n    torch.cuda.manual_seed_all(seed)\n\ndef top_k_logits(logits, k):\n    v, ix = torch.topk(logits, k)\n    out = logits.clone()\n    out[out < v[:, [-1]]] = -float('Inf')\n    return out\n\n@torch.no_grad()\ndef sample(model, x, steps, temperature=1.0, sample=False, top_k=None):\n    \"\"\"\n    take a conditioning sequence of indices in x (of shape (b,t)) and predict the next token in\n    the sequence, feeding the predictions back into the model each time. Clearly the sampling\n    has quadratic complexity unlike an RNN that is only linear, and has a finite context window\n    of block_size, unlike an RNN that has an infinite context window.\n    \"\"\"\n    block_size = model.get_block_size()\n    model.eval()\n    for k in range(steps):\n        x_cond = x if x.size(1) <= block_size else x[:, -block_size:] # crop context if needed\n        logits, _ = model(x_cond)\n        # pluck the logits at the final step and scale by temperature\n        logits = logits[:, -1, :] / temperature\n        # optionally crop probabilities to only the top k options\n        if top_k is not None:\n            logits = top_k_logits(logits, top_k)\n        # apply softmax to convert to probabilities\n        probs = F.softmax(logits, dim=-1)\n        # sample from the distribution or take the most likely\n        if sample:\n            ix = torch.multinomial(probs, num_samples=1)\n        else:\n            _, ix = torch.topk(probs, k=1, dim=-1)\n        # append to the sequence and continue\n        x = torch.cat((x, ix), dim=1)\n\n    return x\n\n\ndef evaluate_places(filepath, predicted_places):\n  \"\"\" Computes percent of correctly predicted birth places.\n\n  Arguments:\n    filepath: path to a file with our name, birth place data.\n    predicted_places: a list of strings representing the \n        predicted birth place of each person.\n\n  Returns: (total, correct), floats\n  \"\"\"\n  with open(filepath) as fin:\n    lines = [x.strip().split('\\t') for x in fin]\n    if len(lines[0]) == 1:\n      print('No gold birth places provided; returning (0,0)')\n      return (0,0)\n    true_places = [x[1] for x in lines]\n    total = len(true_places)\n    assert total == len(predicted_places)\n    correct = len(list(filter(lambda x: x[0] == x[1],\n      zip(true_places, predicted_places))))\n    return (float(total),float(correct))\n"
  },
  {
    "path": "a5/synthesizer.pretrain.dev.predictions",
    "content": "Montreal\nLondon\nSydney\nIran\nLondon\nLondon\nParis\nBristol\nSpain\nLondon\nChicago\nSofia\nLondon\nToronto\nLondon\nMelbourne\nMontreal\nCopenhagen\nShanghai\nLondon\nBudapest\nBerlin\nParis\nMelbourne\nManchester\nBudapest\nParis\nBeaufort\nTehran\nSeville\nBerlin\nLondon\nBerlin\nBudapest\nLondon\nSweden\nLondon\nChicago\nColumbus\nMilwaukee\nBrooklyn\nParis\nBrooklyn\nMontreal\nMelbourne\nConstantinople\nParis\nRochester\nChicago\nBelgrade\nBerlin\nLondon\nChicago\nBirmingham\nLiverpool\nParis\nParis\nBangor\nPrague\nBerlin\nStuttgart\nLondon\nWarsaw\nCairo\nMilwaukee\nBerlin\nVenice\nStuttgart\nBrazil\nLondon\nParis\nLondon\nSydney\nLondon\nMadrid\nShanghai\nLondon\nLondon\nParis\nManchester\nBelgrade\nCalifornia\nLondon\nLondon\nLondon\nParis\nParis\nCopenhagen\nLondon\nLondon\nChicago\nLondon\nLondon\nBudapest\nChicago\nChicago\nMontreal\nParis\nParis\nMontreal\nLondon\nLondon\nManchester\nChicago\nBudapest\nBaltimore\nBrooklyn\nSalford\nChicago\nLondon\nBerlin\nSheffield\nChicago\nBerkshire\nLondon\nCopenhagen\nBelgrade\nChicago\nMontreal\nChicago\nLondon\nLondon\nParis\nChicago\nBrooklyn\nLondon\nLondon\nParis\nManhattan\nSydney\nStuttgart\nMoscow\nLondon\nSydney\nLondon\nDublin\nLondon\nManchester\nBristol\nLondon\nBerlin\nBristol\nChicago\nBrooklyn\nLondon\nLondon\nLondon\nMassachusetts\nLondon\nBrooklyn\nBradford\nLondon\nLondon\nParis\nCoventry\nSantiago\nBerlin\nChicago\nParis\nLondon\nCaracas\nParis\nRome\nLondon\nLondon\nBrooklyn\nBudapest\nLondon\nChicago\nMontreal\nLondon\nShanghai\nBerlin\nEngland\nColumbus\nLondon\nChicago\nCopenhagen\nAustralia\nLondon\nManchester\nLondon\nMadrid\nLondon\nGlasgow\nRome\nMassachusetts\nMilwaukee\nBelgrade\nLondon\nParis\nLondon\nBerlin\nChicago\nChicago\nChicago\nPhiladelphia\nSpain\nLondon\nPrague\nBristol\nBergen\nGenoa\nLondon\nLondon\nMadrid\nBeijing\nParis\nMelbourne\nMilwaukee\nMelbourne\nBrooklyn\nLondon\nMontreal\nBerlin\nParis\nLondon\nCopenhagen\nBaltimore\nBudapest\nMelbourne\nBristol\nSantiago\nLondon\nBuckinghamshire\nLondon\nTehran\nParis\nLima\nBerlin\nPhiladelphia\nBudapest\nLondon\nChicago\nBristol\nBeijing\nSydney\nSweden\nSydney\nBerlin\nLondon\nBerlin\nBerlin\nBristol\nChicago\nLondon\nBerlin\nBudapest\nBristol\nBerlin\nLondon\nBergen\nAmsterdam\nSavannah\nLille\nSydney\nBrooklyn\nBerlin\nLondon\nLondon\nLondon\nSheffield\nBerkshire\nLondon\nStuttgart\nBerlin\nTbilisi\nLiverpool\nLondon\nChicago\nLondon\nLagos\nBelfast\nLondon\nBerlin\nRome\nParis\nBerlin\nMonroe\nBerlin\nParis\nParis\nLondon\nSydney\nTehran\nParis\nLondon\nLondon\nCalifornia\nChatham\nLondon\nBelfast\nLondon\nRotterdam\nBrooklyn\nParis\nBerlin\nLondon\nChicago\nParis\nManchester\nBrooklyn\nChicago\nBoston\nLondon\nBerlin\nBerlin\nBeijing\nParis\nCairo\nMelbourne\nLondon\nLondon\nCopenhagen\nBudapest\nLondon\nBrooklyn\nManchester\nVenice\nMinnesota\nManchester\nBudapest\nSydney\nParis\nStockholm\nBristol\nBristol\nLondon\nChicago\nTokyo\nBudapest\nLondon\nManhattan\nParis\nLondon\nChicago\nCopenhagen\nLondon\nRome\nLondon\nLondon\nBerlin\nCopenhagen\nLondon\nMelbourne\nParis\nLondon\nParis\nSydney\nMelbourne\nLondon\nMelbourne\nMelbourne\nSydney\nManhattan\nSweden\nSalford\nParis\nMontreal\nCopenhagen\nLondon\nColumbus\nLondon\nLondon\nSydney\nParis\nParis\nRochester\nParis\nSydney\nLondon\nBerlin\nMelbourne\nBelfast\nCambridge\nManhattan\nParis\nLondon\nLondon\nLondon\nLondon\nBudapest\nBristol\nLondon\nBerkshire\nLiverpool\nSydney\nParis\nLondon\nParis\nPhiladelphia\nBrooklyn\nBrooklyn\nMilan\nSantiago\nMontreal\nMontreal\nRome\nBerlin\nChicago\nPhiladelphia\nLondon\nParis\nCopenhagen\nLondon\nBerlin\nBoston\nLondon\nTehran\nBerlin\nLondon\nFrance\nBristol\nBath\nMontreal\nBrooklyn\nChicago\nMontreal\nBudapest\nPhiladelphia\nLondon\nBaltimore\nBergen\nLondon\nBudapest\nMontreal\nSweden\nBristol\nRochester\nBristol\nBaltimore\nCambridge\nParis\nCopenhagen\nLondon\nParis\nPoland\nLondon\nLondon\nLondon\nParis\nLondon\nBaltimore\nBeijing\nTokyo\nBeijing\nMassachusetts\nMoscow\nBrooklyn\nMontreal\nChicago\nMadrid\nBerlin\nToronto\nParis\nMassachusetts\nChicago\nLondon\nChicago\nBerkshire\nChicago\nChicago\nParis\nLondon\nBrooklyn\nParis\nBelfast\nLondon\nParis\nMarseille\nScotland\nChicago\nRome\nSweden\nEngland\nSplit\nMilan\nParis\nManchester\nTokyo\nBristol\nBristol\nBrooklyn\nCopenhagen\nTehran\nSydney\nParis\nBristol\nSweden\nParis\nChicago\nBoston\nLiverpool\nPhiladelphia\nManchester\nCalifornia\nNaples\nSydney\nManhattan\nLondon\n"
  },
  {
    "path": "a5/synthesizer.pretrain.test.predictions",
    "content": "London\nChicago\nManchester\nLondon\nColombo\nParis\nBerlin\nColumbus\nParis\nCoventry\nColumbus\nBerlin\nLondon\nLondon\nChatham\nBerlin\nLondon\nLondon\nChicago\nMoscow\nChicago\nParis\nChicago\nToulouse\nParis\nColumbus\nBaghdad\nParis\nBrooklyn\nBerlin\nChicago\nBristol\nLondon\nChicago\nBerlin\nCharleston\nBath\nLondon\nBerlin\nChicago\nSydney\nBrandon\nBrooklyn\nVenice\nChicago\nParis\nStockholm\nMontreal\nStockholm\nChicago\nBerlin\nBarcelona\nParis\nCalifornia\nMontreal\nBerlin\nChicago\nParis\nChina\nChicago\nBoston\nStuttgart\nParis\nLondon\nParis\nBerlin\nLondon\nSofia\nBerlin\nKarachi\nParis\nLondon\nBerlin\nBelfast\nBristol\nMontreal\nCopenhagen\nCopenhagen\nBudapest\nCarmel\nParis\nChicago\nParis\nScotland\nColumbus\nParis\nVenice\nLiverpool\nChicago\nSheffield\nBrooklyn\nSydney\nMontreal\nBristol\nLondon\nBristol\nLondon\nLondon\nHelsinki\nGenoa\nBoston\nLondon\nBristol\nChicago\nParis\nCopenhagen\nBrooklyn\nTokyo\nParis\nParis\nBrooklyn\nWales\nMontreal\nCoventry\nMadrid\nBudapest\nBaghdad\nVenice\nParis\nBrooklyn\nParis\nLondon\nShanghai\nParis\nMontreal\nParis\nBrooklyn\nSheffield\nChicago\nLondon\nSydney\nCalifornia\nParis\nTehran\nChicago\nBelfast\nParis\nCopenhagen\nParis\nChicago\nMelbourne\nParis\nCharleston\nBrooklyn\nBristol\nParis\nChicago\nLondon\nMelbourne\nBudapest\nBerlin\nBoston\nChatham\nToronto\nMelbourne\nChicago\nBaltimore\nLondon\nChicago\nCopenhagen\nChicago\nVerona\nCalifornia\nDublin\nColumbus\nBow\nChicago\nParis\nChicago\nMelbourne\nParis\nSydney\nMilan\nCopenhagen\nSheffield\nBrooklyn\nStockholm\nBelfast\nBrooklyn\nLondon\nChicago\nChicago\nParis\nCalifornia\nLondon\nStockholm\nBudapest\nSydney\nShelby\nParis\nParis\nSydney\nBoulder\nCambridge\nAmsterdam\nLondon\nColumbus\nParis\nSheffield\nLondon\nLondon\nTehran\nParis\nBerlin\nCalifornia\nParis\nRome\nChicago\nBelfast\nBrooklyn\nBerlin\nLondon\nLiverpool\nBristol\nLondon\nMontreal\nSydney\nParis\nLondon\nShelby\nBudapest\nBaltimore\nMontreal\nParis\nBerlin\nMelbourne\nMontreal\nParis\nChicago\nTokyo\nPhiladelphia\nMontreal\nBucharest\nLondon\nLondon\nMontreal\nBrooklyn\nCalifornia\nStuttgart\nParis\nRome\nBrooklyn\nLondon\nParis\nToledo\nMontreal\nMarseille\nParis\nArmagh\nBrooklyn\nMelbourne\nTurin\nBudapest\nChicago\nCanada\nLondon\nBrooklyn\nMoscow\nLondon\nParis\nBrooklyn\nBerlin\nParis\nCanada\nParis\nBristol\nSpain\nParis\nMelbourne\nChicago\nMontreal\nLimerick\nCalais\nChicago\nLondon\nChicago\nMelbourne\nParis\nMontreal\nParis\nLondon\nBristol\nBelfast\nVenice\nBrooklyn\nBudapest\nChicago\nLondon\nChicago\nMontreal\nManchester\nBristol\nTokyo\nCopenhagen\nBath\nBerlin\nBristol\nBarcelona\nChicago\nLondon\nSydney\nBerlin\nLondon\nParis\nMontreal\nSydney\nBerlin\nBergen\nCoventry\nColorado\nParis\nLondon\nMontreal\nMontreal\nLondon\nBarcelona\nCanada\nBelgium\nColumbus\nParis\nSofia\nChicago\nBelgrade\nCalifornia\nSydney\nMontreal\nSydney\nParis\nSalford\nSicily\nParis\nBerlin\nMilan\nMoscow\nChicago\nParis\nPhiladelphia\nToledo\nBristol\nBerlin\nCopenhagen\nLondon\nStockholm\nBarcelona\nBrooklyn\nChicago\nLondon\nChicago\nParis\nBrooklyn\nChina\nMontreal\nLondon\nSplit\nBrooklyn\nParis\nTokyo\nLondon\nLondon\nChicago\nLondon\nLondon\nBergen\nManhattan\nParis\nLondon\nParis\nMilwaukee\nSalisbury\nShanghai\nLondon\nParis\nParis\nDublin\nBerlin\nBerlin\nBristol\nMadison\nParis\nParis\nLondon\nChicago\nMarseille\nToronto\nCalifornia\nBerlin\nMontreal\nChicago\nBudapest\nBerlin\nLondon\nSavannah\nCopenhagen\nBeijing\nCambridge\nLondon\nCopenhagen\nChicago\nBelgium\nBudapest\nBoston\nManchester\nLiverpool\nSydney\nBrooklyn\nChicago\nSydney\nSantiago\nLondon\nCopenhagen\nTehran\nLondon\nBrooklyn\nPennsylvania\nSydney\nMontreal\nLondon\nCambridge\nBarcelona\nLondon\nBristol\nSydney\nSydney\nBrooklyn\nBaltimore\nMontreal\nBristol\nBelfast\nCopenhagen\nTokyo\nBudapest\nParis\nParis\nSheffield\nSalford\nChicago\nParis\n"
  },
  {
    "path": "a5/vanilla.nopretrain.dev.predictions",
    "content": "Paris\nParis\nMoscow\nAustralia\nBudapest\nLiverpool\nCambridge\nKerala\nNaples\nSheffield\nJamaica\nToronto\nWarsaw\nMontreal\nEngland\nMarseille\nMontreal\nDubai\nShanghai\nMelbourne\nLjubljana\nLyon\nAmsterdam\nParis\nIndia\nAustralia\nParis\nBudapest\nRome\nMaratttan\nExeter\nConsta\nFrance\nMontreal\nLahore\nDemark\nGlasgow\nWarsaw\nEton\nCleveland\nAustralia\nNaples\nConcord\nMontreal\nFrankfurt\nAmsterdam\nCharleshire\nSheffield\nIreland\nCopenhagen\nLondon\nCoventry\nBrooklyn\nLondon\nLyon\nMadrid\nSacramento\nWestminster\nAntins\nCopenhagen\nLiverpool\nCoventry\nVenice\nComo\nMinnesotr\nLondon\nRome\nToksa\nLebarsgon\nOslo\nWaterford\nAberdeen\nCanbary\nLondon\nSalford\nCasablanca\nToronto\nSydney\nRome\nAustralia\nShanghai\nLondon\nWestminster\nMontreal\nCambridge\nMontreal\nSacramento\nColumbus\nGermany\nLahore\nMelbourne\nSatiample\nChatcas\nTokyo\nTrinidad\nNevada\nRiga\nDublin\nParis\nLynn\nParis\nSydney\nSalford\nLisbon\nParis\nARocotttrd\nChicago\nPague\nPetth\nLyon\nCambridge\nAmsterdam\nWarsaw\nMadrid\nStockholm\nParis\nFrance\nLiverpool\nCalifornia\nMurich\nCambridge\nCharleston\nCuba\nSaskatchewan\nTronto\nComerk\nCalais\nParis\nMadrid\nNanjing\nParis\nParis\nBrooklyn\nPhiladelphia\nChanai\nMontreal\nCambridge\nGlasgow\nBudapest\nLondon\nRadinga\nSameroutt\nDallas\nCopenhagen\nChicago\nBelfast\nBeredford\nLondon\nMemphis\nLondon\nParis\nComo\nStockholm\nRiga\nCopenhagen\nFrankfurt\nLondon\nNewark\nParis\nNorfolk\nPaguris\nParis\nMadle\nParis\nLondon\nAugsburg\nMiscow\nToulouse\nExeter\nMachester\nParis\nShanghai\nSheffield\nDallas\nLondon\nParis\nFrance\nConstantinople\nGlasgow\nLondon\nBrooklyn\nCairo\nTourkey\nLublin\nSpain\nBangor\nRochester\nGermany\nKazan\nCambridge\nJamaica\nParis\nNorwich\nMachester\nBrooklyn\nNorway\nNorwich\nNaples\nSdney\nMilan\nMelbourne\nGlasgow\nParis\nEngland\nCambridge\nParis\nIran\nMelbourne\nMoscow\nNaples\nRome\nHamilton\nWestminster\nDetroit\nMelbourne\nGlasgow\nLondon\nSeatttle\nCambridge\nMadrid\nPrague\nMelbourne\nParis\nBaghrator\nBrandan\nChicago\nTridad\nLanca\nSacramento\nPhiladelphia\nChicago\nMinnichinata\nNorway\nMontreal\nIllinois\nChina\nLondon\nStockholm\nSydney\nParis\nLeiden\nIndia\nLondon\nLondon\nIreland\nExeter\nSydney\nWarsaw\nCroydon\nAustralia\nBelgrade\nBudapest\nMacon\nOslo\nColumbus\nWales\nWellington\nParis\nCalis\nMontreal\nBucharest\nAklaide\nWarsaw\nLondon\nCheshire\nGeorgia\nSofia\nChicago\nLiverpool\nChattan\nLondon\nSplit\nColumbus\nMontreal\nNottingham\nMelbourne\nMelbourne\nColasta\nAlbymany\nNorwich\nGlasgow\nParis\nIstanbul\nGloucester\nMelbourne\nVienna\nCanberra\nLondon\nLondon\nYork\nMelbourne\nLiverpool\nBirmingham\nIndia\nBoston\nAuberia\nBristol\nIreland\nLondon\nParis\nLondon\nChanaa\nColumbus\nLondon\nPhiladelphia\nBerlin\nVienna\nAustralia\nSydney\nDublin\nHeidelberg\nLondon\nLondon\nCambridge\nSydney\nBerlin\nColumbus\nMexico\nMontreal\nEdinburgh\nBelgium\nFrance\nIreland\nRome\nRome\nSwitzerland\nLahore\nEdinburgh\nBradford\nTehran\nChicago\nLondon\nEdinburgh\nConstan\nTrinidad\nRochester\nChicago\nLondon\nStirlitg\nNanjing\nEngland\nBarcelona\nLyon\nEronton\nMilan\nWestminster\nBiristol\nNarkshire\nCambridge\nLondon\nLondon\nMinnesota\nRome\nSofia\nManhattan\nParis\nLondon\nVienna\nRochester\nPrague\nHolstein\nLondon\nPennsylvania\nToulouse\nDublin\nCambridge\nParis\nNanghar\nAustralia\nCalifornia\nNorway\nLeipzig\nTacoma\nIreland\nMadrid\nFulham\nLondon\nBerlin\nMadrid\nLyon\nRochester\nIreland\nStockholm\nEngland\nColumbus\nRome\nWaterford\nMelbourne\nMelbourne\nSydney\nMontreal\nChicago\nMadrid\nNaples\nPhiladelphia\nRome\nDublin\nParis\nTanmpokshire\nNevada\nSy\nLondon\nMilwaukeee\nParis\nRome\nCairo\nLahore\nJamaica\nRome\nChicago\nMontreal\nMarid\nLondon\nLondon\nGlasgow\nLondon\nTehran\nhanghai\nChicago\nChicago\nLiverpool\nLondon\nChicago\nLiverpool\nCairo\nRome\nLondon\nChicago\nMaryland\nLisbon\nIreland\nSacramento\nAmsterdam\nMontrd\nToronto\nMadrid\nWarsaw\nHamilton\nBristol\nOssa\nCalifornia\nMontreal\nNalk\nMinneapolis\nAugsburg\nParis\nParis\nSyracuse\nGermany\nAustralia\nTacomo\nAkson\nLondon\nSeatttle\nLjubljana\nMachester\nArgentina\nLondon\nArgentina\nOhessa\nAustralia\nMilwaukee\nMontreal\nEngland\nLondon\nParis\nPortland\nChambridge\nLeiden\nParid\nDublin\nBaghdad\nStttheample\nCairo\nRome\nDublin\nParis\nTehran\nNormaydad\nCairo\nStrantiago\nLima\nToklonto\nRiga\nBangkok\nChesterfield\nToronto\nMontreal\nAustria\nEgypt\nMadrid\nBrooklyn\nBudapest\nEngland\nDerry\nWentworce\nGenoa\nMiami\nParis\nVienna\n"
  },
  {
    "path": "a5/vanilla.nopretrain.test.predictions",
    "content": "Sydney\nBudapest\nManchester\nKeral\nLondon\nRochester\nConcord\nMontreal\nParis\nSydney\nPoland\nLondon\nWinnipeg\nIstanbul\nEngland\nGlasgow\nSofia\nChicago\nJersey\nMadrid\nTurkey\nMami\nHamingh\nEdinburgh\nEngland\nSydney\nSeatttle\nMontreal\nBaracelond\nOslo\nBohemia\nMontreal\nChaicago\nSyracuse\nAlande\nManchester\nMilwaukee\nMontreal\nLondon\nCanberra\nBelgium\nRome\nAuckland\nMelbourne\nBerlin\nToronto\nMiami\nRome\nMontreal\nChicago\nMexico\nMidrid\nSplit\nStirling\nBradford\nChicago\nStuttgart\nLeipzig\nCasablanca\nMelbourne\nAustralia\nHertford\nEdinburgh\nConada\nMidrid\nBangor\nKent\nOdessa\nLondon\nLondon\nBrigham\nSofia\nLondon\nLondon\nLondon\nAnnapolis\nMunich\nSpringfield\nStockholm\nParis\nRome\nChaicago\nParis\nBrookly\nEdinburgh\nParis\nPrague\nMontreal\nBerlin\nPeland\nBest\nElgin\nParis\nMontreal\nSantiago\nCalais\nIndia\nParis\nCterbury\nMontreal\nCalifornia\nChaicago\nChide\nSantirlington\nMexico\nJerusem\nCanada\nTehran\nRechester\nBangor\nEngland\nMingham\nJerusalem\nSpain\nRome\nBahai\nBathangam\nParis\nMilwaukee\nParis\nSalfinghe\nWestminster\nBerlin\nRome\nMorocco\nEngland\nBirmingham\nChicago\nOslo\nNewark\nCumberidge\nBeth\nSydney\nAlas\nSydney\nCairo\nPhiladelphia\nRome\nParis\nDublin\nChage\nSacramento\nRochester\nDublin\nBristol\nParis\nChage\nColumbia\nRome\nSplit\nBudapest\nCornwall\nChicago\nFrance\nTehran\nLeipzig\nCleveland\nOdessa\nAustralia\nSofia\nDublin\nMadrid\nPrague\nVenice\nLondon\nAuckland\nWatford\nLondon\nPhiladelphia\nTehran\nEgypt\nManchester\nParis\nLondon\nCairo\nEngland\nScotland\nNebrgen\nSplit\nchester\nMiddlesbrough\nWarsaw\nCacas\nLondon\nSavannah\nAlexandria\nChicago\nToronto\nNaples\nParis\nManchester\nCheshire\nMelbourne\nToulouse\nEdinburgh\nTehran\nLondon\nOdessa\nCCCheenhio\nMadrid\nSpain\nTehran\nRome\nCopenhagen\nEdinburgh\nAthens\nTurin\nPhiladelphia\nBelgium\nIreland\nRotterdam\nBeth\nCroydon\nLeicester\nNorway\nAntwa\nMunich\nToulouse\nOttawa\nOslo\nBelfast\nMadrid\nWinnipeg\nHereford\nCasablanca\nOhio\nCuba\nScotland\nConcord\nIstanbul\nBradford\nSantiago\nSoutia\nVenice\nBengen\nMelbourne\nBelfast\nLondon\nLondon\nLondon\nBucharest\nStuttgart\nLondon\nChicago\nRome\nWarsaw\nParis\nCalifornia\nParis\nScotland\nRome\nTurin\nRiga\nTehran\nSpaineg\nDallas\nRome\nMadrid\nMelbourne\nNaples\nMadrid\nCombridge\nComberidge\nAmsterdam\nMelbourne\nSyracuse\nDublin\nRome\nSeville\nLahore\nStutgart\nLima\nDublin\nBohtire\nChage\nTaceoma\nLuxembourg\nAmsterdam\nRochester\nRome\nOslo\nBerlin\nParis\nLondon\nMachester\nBergen\nBanghai\nMontreal\nBelfast\nNorway\nGlasgow\nManchester\nCanada\nAugsburg\nMontreal\nChicago\nBristol\nParis\nBrigham\nMontreal\nWarsaw\nSydney\nRome\nMexico\nFrance\nRome\nMaryland\nGermany\nChatttan\nLiverpool\nEgypt\nParis\nRome\nSpain\nParis\nBahrest\nBonn\nFiji\nEngland\nSpain\nCuba\nDublin\nCheshire\nMelbourne\nRaga\nCuba\nParis\nMunich\nSpringfld\nParis\nDetroit\nLyon\nSplit\nBeston\nWinipeg\nToronto\nManchester\nBaghdad\nMontreal\nBerlin\nSattle\nManchester\nLiverpool\nFrance\nRome\nLondon\nIndia\nGlasgow\nGlasgow\nDallas\nBudapest\nWestminster\nEngland\nLondon\nManchester\nHamilton\nSouthampton\nParis\nBradford\nBangor\nChicago\nMilwaukee\nBest\nGranada\nFrankfurt\nLondon\nRochester\nArgentina\nStockholm\nMontreal\nBerkey\nMontreal\nNewark\nMobile\nEdinburgh\nSantiago\nEdinburgh\nWinnipeg\nMontreal\nManchester\nBeth\nCambridge\nTurkey\nBadapest\nMadrid\nSyracuse\nRome\nConstantinople\nSofia\nMontreal\nMunich\nDublin\nHereford\nShanghai\nRome\nNorfolk\nMoscow\nBathamore\nHelsinki\nChicago\nVenice\nSyracuse\nBudapest\nOslo\nFlintius\nWaterford\nCanada\nTacomo\nLondon\nParis\nIreland\nMelbourne\nRome\nOslo\nGranada\nMelbourne\nLondon\nNorwich\nLondon\nAlberdeen\nParis\nOdesssa\nLumblin\nLondon\nBradford\nRussia\nExeter\nLondon\nEgypt\nMelbourne\nBirmingham\nAthens\nWinnipeg\nSydney\nAntwerp\nShanghai\nSpain\n"
  },
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    "path": "a5/vanilla.pretrain.dev.predictions",
    "content": "Montreal\nPrague\nVienna\nBangalore\nDetroit\nAmsterdam\nSydney\nKentucky\nBarcelona\nMontreal\nParis\nTurkey\nEdinburgh\nStockholm\nPittsburgh\nMilan\nParis\nToronto\nBeijing\nSydney\nTurkey\nSheffield\nPortugal\nRome\nCumberland\nItaly\nSheffield\nBrooklyn\nCaracas\nPortugal\nStuttgart\nBurnley\nIstanbul\nHelsinki\nLondon\nPrague\nDerry\nWarsaw\nLondon\nChicago\nEngland\nAustralia\nComo\nMontreal\nMontreal\nDublin\nGlasgow\nOrlando\nRochester\nLondon\nPittsburgh\nWarsaw\nAustralia\nEdinburgh\nEdinburgh\nSpain\nLondon\nWarsaw\nBrooklyn\nParis\nFrankfurt\nCalifornia\nWarsaw\nIran\nGreenville\nPhiladelphia\nVenice\nWorcester\nMexico\nAlgiers\nWaterloo\nBoston\nDurham\nLondon\nStockholm\nCornwall\nMinneapolis\nLondon\nLondon\nGlasgow\nCanada\nAthens\nSydney\nLondon\nLeeds\nYorkshire\nMichigan\nPittsburgh\nGlasgow\nBoston\nBrooklyn\nChicago\nMelbourne\nHolland\nAmsterdam\nParis\nEgypt\nParis\nYorkshire\nSpain\nHollywood\nGlasgow\nStuttgart\nUkraine\nWarsaw\nJohn\nDetroit\nAlexandria\nBaltimore\nWorcester\nSpringfield\nAmsterdam\nParis\nMontreal\nLondon\nLondon\nZagreb\nChicago\nWaterford\nDerby\nBelfast\nChicago\nToulouse\nSheffield\nBrazil\nSiena\nIreland\nParis\nMontreal\nGeorge\nParis\nOslo\nBerlin\nMoscow\nAlexandria\nChicago\nChicago\nPennsylvania\nLondon\nMontreal\nParis\nPhiladelphia\nDallas\nLondon\nLondon\nMilwaukee\nToronto\nMassachusetts\nBoston\nOntario\nTurin\nSingapore\nVienna\nMoscow\nRichmond\nLahore\nSalford\nMontreal\nIstanbul\nWaterford\nGenoa\nParis\nBudapest\nFlorida\nLondon\nGlasgow\nMelbourne\nDelaware\nStockholm\nAmsterdam\nEdinburgh\nBeijing\nStockholm\nParis\nWestminster\nChicago\nFlorence\nNorway\nAdelaide\nCambridge\nHamilton\nEngland\nManhattan\nDublin\nHull\nBelgrade\nMinnesota\nMontreal\nPrague\nVienna\nToronto\nBergen\nLeipzig\nAustralia\nKentucky\nEdmonton\nDerry\nMontreal\nIllinois\nPrague\nDayton\nAkron\nBudapest\nBirmingham\nEdinburgh\nCopenhagen\nIran\nTrinidad\nBelfast\nWinnipeg\nBaltimore\nNewark\nLondon\nSantiago\nBristol\nMinnesota\nLondon\nColorado\nSpain\nAthens\nToronto\nBoston\nNevada\nLiverpool\nAthens\nCanberra\nAthens\nParis\nShanghai\nLeipzig\nPrague\nPoland\nBirmingham\nSydney\nMontreal\nDublin\nOttawa\nSulderland\nWarrington\nBoulder\nPhiladelphia\nSpringfield\nBoston\nLiverpool\nIreland\nManchester\nPhiladelphia\nBudapest\nGlasgow\nLondon\nWorcester\nBergen\nInverness\nSurrey\nAmsterdam\nSalford\nBoston\nComo\nParis\nBoston\nBristol\nSofia\nOntario\nStuttgart\nPrague\nParis\nTbilisi\nFinland\nScotland\nLondon\nLawrence\nZagreb\nVienna\nWatford\nChicago\nRome\nLisbon\nManhattan\nCharleston\nPhiladelphia\nOslo\nHamburg\nGreenville\nAustralia\nTehran\nParis\nHamilton\nParis\nLondon\nCharleston\nBoston\nBrooklyn\nBirmingham\nBasel\nLondon\nHamilton\nBerlin\nToronto\nLiverpool\nNaples\nMiddlesex\nBradford\nPrague\nLondon\nBerlin\nStanford\nParis\nKarachi\nVienna\nStockholm\nOttawa\nBuffalo\nGlasgow\nPhiladelphia\nTirana\nLondon\nChicago\nMontreal\nTehran\nOslo\nChicago\nParis\nEngland\nEdinburgh\nErie\nMontreal\nIllinois\nEngland\nMunich\nTokyo\nAngus\nLondon\nMinneapolis\nParis\nAustralia\nDetroit\nIrvine\nBrooklyn\nAthens\nAustin\nCanberra\nAustralia\nParis\nEngland\nAustin\nMontreal\nItaly\nParis\nGlasgow\nBirmingham\nLondon\nStockholm\nVenice\nSofia\nCambridge\nAlabama\nAmsterdam\nDallas\nRome\nPrague\nGlasgow\nMelbourne\nLondon\nLondon\nDunbar\nParis\nAthens\nRochester\nParis\nSweden\nIndia\nLiverpool\nGermany\nChicago\nItaly\nFulham\nDetroit\nDayton\nAntwerp\nWaterford\nGothenburg\nOslo\nLiverpool\nExeter\nChicago\nRome\nAdelaide\nNaples\nPennsylvania\nParis\nChicago\nAldous\nBristol\nStuttgart\nBucharest\nFlorence\nAlbany\nMadrid\nSpain\nBaltimore\nCambridge\nCambridge\nSwitzerland\nCanberra\nSheffield\nVienna\nSydney\nSingapore\nRome\nBradford\nLondon\nMarseille\nSpain\nChicago\nAmsterdam\nRochester\nTurkey\nOslo\nPakistan\nLondon\nBoston\nMelbourne\nSheffield\nBerlin\nDetroit\nManhattan\nSydney\nMontreal\nMelbourne\nAustralia\nWilmington\nOklahoma\nLondon\nParis\nWinnipeg\nParis\nWarsaw\nSydney\nAuburn\nRochester\nMilwaukee\nMontreal\nVienna\nBeijing\nMexico\nNanjing\nPeterborough\nCanberra\nParis\nPalermo\nDallas\nJamaica\nEngland\nEverett\nFrance\nAmsterdam\nToledo\nNewport\nChicago\nIstanbul\nKarachi\nToulouse\nIndia\nCambridge\nBrooklyn\nBrooklyn\nParis\nChicago\nEngland\nParis\nColumbus\nManchester\nParis\nAntwerp\nManchester\nTurkey\nSilesia\nTrinidad\nMilwaukee\nTurkey\nMilwaukee\nChicago\nBucharest\nCopenhagen\nBangalore\nAmsterdam\nParis\nToronto\nLille\nLondon\nCuba\nBoston\nBirmingham\nHamilton\nEngland\nCharlotte\nItaly\nRotterdam\nEdinburgh\nEngland\n"
  },
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    "path": "a5/vanilla.pretrain.test.predictions",
    "content": "India\nCalifornia\nMaine\nBirmingham\nEdmonton\nPasadena\nBelgium\nManchester\nMarseille\nLondon\nMelbourne\nLeipzig\nCroydon\nPrague\nBathurst\nOslo\nMilwaukee\nRichmond\nChicago\nGermany\nLincoln\nNaples\nBethledo\nParis\nMelbourne\nMelbourne\nPerth\nFlorence\nEngland\nAnnapolis\nWorcester\nBethledon\nEngland\nAmsterdam\nEngland\nMinneapolis\nLiverpool\nEngland\nOslo\nCanada\nDublin\nJerusalem\nDublin\nMilan\nGermany\nToronto\nEngland\nRome\nOslo\nChicago\nExeter\nWatford\nPlymouth\nBarcelona\nSwindon\nGhent\nLondon\nParis\nKansas\nBristol\nSpain\nAmsterdam\nMadrid\nOxford\nMoscow\nBudapest\nIran\nMilwaukee\nPennsylvania\nGermany\nNaples\nLondon\nCarthage\nOntario\nPhiladelphia\nParis\nPhiladelphia\nCanada\nGlasgow\nAlexandria\nEngland\nBoise\nParis\nOttawa\nPrague\nLiverpool\nMadrid\nLimerick\nDayton\nCopenhagen\nMelbourne\nChicago\nGenoa\nMansfield\nWarsaw\nNuremberg\nInverness\nEngland\nKingston\nPalermo\nMinneapolis\nKerala\nEdmonton\nBelfast\nMelbourne\nEstonia\nSpringfield\nChicago\nEngland\nTurin\nMontreal\nRochester\nWilmington\nCharleston\nFrance\nSplit\nBarcelona\nFlorence\nSantiago\nNewark\nBerlin\nLondon\nLisbon\nWarsaw\nMontreal\nBackest\nRochester\nMorocco\nSheffield\nCambridge\nHamilton\nPoland\nDublin\nKarachi\nPhiladelphia\nBaltimore\nMinneapolis\nFrance\nQueensland\nIllinois\nNorwich\nWaterford\nDallas\nGermany\nLiverpool\nMalta\nAmsterdam\nLondon\nMelbourne\nZagreb\nLondon\nTurkey\nArmagh\nIran\nTirana\nGDE\nLiverpool\nIstanbul\nSpain\nTbilisi\nLondon\nParis\nPike\nManchester\nRotterdam\nParis\nWinnipeg\nKazan\nLondon\nLyon\nPrague\nNewton\nNaples\nKeefa\nMinneapolis\nEdinburgh\nPhiladelphia\nLublin\nAuburn\nBirmingham\nPrague\nChicago\nParis\nParis\nLondon\nLeipzig\nNorfolk\nLondon\nHavana\nMontreal\nSouthampton\nSydney\nHungary\nEngland\nIstanbul\nNanjing\nLondon\nGranada\nDayton\nBorneo\nBaghdad\nTehran\nMinnesota\nBristol\nLondon\nAmsterdam\nBrooklyn\nBelfast\nMinneapolis\nBaltimore\nRochester\nOttawa\nOslo\nMississauga\nScotland\nVienna\nVirginia\nToulouse\nLondon\nFrance\nFrankfurt\nLondon\nBirmingham\nParis\nToronto\nMadrid\nDublin\nPortland\nPortland\nPlymouth\nDublin\nToronto\nItaly\nParis\nPoland\nMilan\nBradford\nEdinburgh\nOslo\nAthens\nManhattan\nMarseille\nSpringfield\nGranada\nMauritius\nSydney\nMarseille\nNewark\nRichmond\nManchester\nMontreal\nParis\nVerona\nBrooklyn\nBoston\nRichmond\nBucharest\nSweden\nLublin\nMadison\nGermany\nParis\nMalta\nGenoa\nVenice\nToronto\nLondon\nParis\nRichmond\nNaples\nBudapest\nParis\nMinnesota\nMelbourne\nBaghdad\nChicago\nMontreal\nLondon\nFrankfurt\nOslo\nLondon\nHamilton\nNorfolk\nManhattan\nGlasgow\nBremen\nArmagh\nOklahoma\nBudapest\nNorwich\nAmsterdam\nBristol\nTokyo\nAlexandria\nParis\nBudapest\nKentucky\nAthens\nLondon\nChicago\nLondon\nSydney\nItaly\nParis\nLondon\nFlorida\nBristol\nBergen\nAuburn\nPortland\nSalisbury\nNorwich\nEdinburgh\nOklahoma\nWellington\nCanterbury\nStuttgart\nColumbus\nQueensland\nNorwich\nAmsterdam\nEngland\nLondon\nFlorence\nSydney\nPortland\nCambridge\nMoscow\nEdinburgh\nFlorida\nDublin\nEngland\nSofia\nKiev\nHavana\nPortland\nCasablanca\nBaghdad\nSønderborg\nToledo\nLondon\nCambridge\nMelbourne\nBirmingham\nBerlin\nMontreal\nMelbourne\nGlasgow\nAthens\nBristol\nBudapest\nHollywood\nVictoria\nAmsterdam\nLondon\nMelbourne\nAlgiers\nLondon\nHarrisburg\nNorwich\nFleming\nEngland\nEngland\nLondon\nLondon\nCairo\nParis\nSingapore\nPittsburgh\nMexico\nBudapest\nParis\nGlasgow\nMelbourne\nOslo\nLondon\nLondon\nAthens\nLondon\nToronto\nDundee\nMichigan\nFlorence\nLisbon\nRome\nChicago\nMilan\nChicago\nSofia\nGlasgow\nSplit\nParis\nCasablanca\nAmsterdam\nRome\nDublin\nRotterdam\nMilwaukee\nLondon\nSheffield\nAugsburg\nJersey\nYorkshire\nDallas\nLiverpool\nWisconsin\nDundee\nPhiladelphia\nMontreal\nIreland\nKazan\nNewark\nLondon\nEngland\nAthens\nMelbourne\nLondon\nDunbar\nLondon\nLondon\nLondon\nDurham\nBudapest\nBradford\nCanada\nToronto\nEdmonton\nIllinois\nBelfast\nToledo\nBudapest\nBristol\nParis\nCambridge\nStockholm\nShanghai\nEngland\n"
  },
  {
    "path": "a5/wiki.txt",
    "content": "Khatchig Mouradian. Khatchig Mouradian is a journalist, writer and translator born in Lebanon .\nJacob Henry Studer. Jacob Henry Studer (26 February 1840 Columbus, Ohio - 2 August 1904 New York City) was a printer, lithographer, painter, and popular ornithologist active in Columbus, Ohio from the 1860s to the 1880s .\nJohn Stephen. Born in Glasgow, Stephen became a welder's apprentice on leaving school .\nGeorgina Willis. Georgina Willis is an award winning film director who was born in Australia and now lives in London .\nStanley Corrsin. Corrsin was born on 3 April 1920 in Philadelphia, Pennsylvania .\nEduard Ender. Eduard Ender (3 March 1822 Rome -- 28 December 1883 London) was an Austrian painter .\nJohn Fisher. Born in Glasgow, Fisher is a graduate of the London Opera Centre, the Royal Academy of Music, and the University of Glasgow .\nIago Dekanozishvili. Iago Dekanozishvili (born in 1951 in Tbilisi) is a Georgian artist, a graduate of the Tbilisi State Academy of Fine Arts .\nLucy Toulmin Smith. Lucy Toulmin Smith was born at Boston, Massachusetts, USA, on 21 November 1838, of English parents, Joshua Toulmin Smith and his wife Martha .\nGeorge Osborn. Osborn was born at Rochester in 1808 .\nLeslie Hofton. Born in Sheffield, Hofton began his career at Kiveton Park, before moving to Glossop via Worksop Town and Denaby United in April 1908 .\nChiyoki Ikeda. Chiyoki Ikeda (born 3-11-1920 Honolulu, Hawaii; died 3-17.1960) was listed in the CIA Memorial Wall on May 14, 1997 .\nGeoffrey Nutter. Geoffrey Nutter is an American poet, born in Sacramento and based in New York .\nEyolf Kleven. Born in Copenhagen, Kleven played as a midfielder for AB from 1927 to 1944 .\nMarvano. Marvano and Haldeman also worked together on a comic adaption of the novel Buying time called Dallas Barr .\nNaïma Azough. Naïma Azough (born April 1, 1972 in Asdif, Morocco) is a Dutch politician for GreenLeft .\nEugenia Popa. Eugenia Popa (born September 10, 1973 in Bucharest, Romania) is a retired Romanian artistic gymnast .\nDouglas P. Fry. Douglas P Fry (born 20 September 1953 in Boston), is a docent and professor of anthropology, teacher in the Faculty of Social and Caring Sciences at Åbo Akademi University in Finland and adjunct research scientist in the Bureau of Applied Research in Anthropology at the University of Arizona .\nHans Gefors. Hans Gefors (born 8 December 1952 in Stockholm) is a Swedish composer .\nSohail Fazal. Sohail Fazal (born November 11, 1967, Lahore, Punjab) is a former Pakistani cricketer who played two ODIs in 1989 .\nJames Johnson. Born in Virginia, Johnson completed preparatory studies .\nHåvard Rem. Håvard Rem (born 7 February 1959 in Oslo) is a Norwegian author, living in Telemark .\nHubert Schiffer. Father Hubert Schiffer, born in Germany in 1915, was one of eight Jesuits who survived the bomb dropped on Hiroshima .\nIvan Petch. Born in Concord, New South Wales, Petch attended Putney Primary School and Fort Street Boys High School before receiving his tertiary education in electrical engineering and music at Sydney Technical College .\nGuido Marzorati. Guido Marzorati (born 1975, Venice, Italy) is a guitarist, singer, and songwriter .\nSean Hickey. Sean Hickey is a composer, born in Detroit, Michigan, in 1970 and currently based in New York .\nHector de Castro. Born in Constantinople, de Castro was educated in Paris and Vienna .\nLloyd Goffe. Lloyd Goffe (born 30 January 1913 in Reading - died 1984)was a motorcycle speedway rider who started racing at Custom House for the West Ham Hammers in 1937, transferring to the Harringay Racers that season .\nAlois Wachsman. Alois Wachsman (14 May 1898 Prague - 16 May 1942 Jičín) was a Czech painter, stage designer and architect .\nMartin Connor. Born in Trenton, New Jersey, Connor attended parochial schools as a child, graduating first in his class from Notre Dame High School in Lawrenceville .\nMohammad Hossein Barkhah. Mohammad Hossein Barkhah (, born 24 January 1977 in Tehran) is a retired weightlifting champion in Iran .\nJames Robert Rhind. James Robert Rhind, architect, was born in Inverness, Scotland in 1854 and trained as an architect in his father's local practice .\nJean Hamilius. Jean Hamilius (born 5 February 1927 in Luxembourg City) is a former Luxembourgian politician and government minister from the Democratic Party .\nDanny Seward. Danny Seward is a British television actor who was born in Salford, Greater Manchester, England on 17 May 1976 .\nStephen Grey. Stephen Grey (b. 1968 in Rotterdam, Netherlands) is an award-winning British investigative journalist and author best known for revealing details of the CIA's program of 'extraordinary rendition .\nLouie Verrecchio. Born on August 4, 1961 in Baltimore, MD, Verrecchio attended St Joseph's Monastery School and Mount St Joseph's High School in Baltimore, MD before attending the University of Maryland from 1979-1981 .\nMarcus Junkelmann. Marcus Junkelmann (* Oct 2 1949 in Munich) is a German historian and experimental archeologist .\nJohn Dodington. John Dodington (born 3 July 1945) is a Canadian operatic bass .\nGraham Salisbury. Graham Salisbury (also known as Sandy Salisbury) (born April 11, 1944, Philadelphia, Pennsylvania) is an American author .\nBunny Johnson. Bunny Johnson born 10 May 1947 in Jamaica is a retired boxer who was British heavyweight Champion in 1975 beating Danny McAlinden by a knockout, becoming in the process Britain's first Black Heavyweight Boxing Champion .\nCenk Renda. Cenk Renda (born 10 January 1969 in Turkey) is a former professional basketball player from Turkey .\nMihael Brejc. Miha Brejc was born to a Slovene family in Belgrade, Serbia, Yugoslavia .\nGordon Baldwin. Gordon Baldwin born 1932 in Lincoln, England is an influential British studio potter .\nShlomo Shriki. Shlomo Shriki, Israeli painter and artist, born in Morocco (1949), grew up and was educated in Kibbutz Yifat .\nTatiana Belokonenko. Tatiana Belokonenko (, ) is a figurative art painter born in Odessa, Ukraine .\nRob Childs. Rob Childs (born 3 November 1950, in Derby, England) is a British author, who has written over eighty books, mainly aimed at young people .\nAndreas Musalus. Andreas Musalus was born to a noble Greek family in 1665, in Candia on the island of Crete .\nFrancesco Maria Bonini. Born in Naples, Bonini studied singing with Beniamino Carelli at the Conservatory of San Pietro a Majella in his native city .\nRaymond McGrath. He then moved to England to take up a fellowship at Clare College, Cambridge, during which Mansfield Forbes had McGrath redecorate the interior of the College's house Finella, a large Victorian house on the backs in Cambridge, now belonging to Gonville and Caius College, Cambridge .\nStephen Carter, Baron Carter of Barnes. Born in Scotland, Carter was educated at Currie High School, Edinburgh .\nJack Macgougan. Born in Belfast to a Protestant family, Macgougan became an active trade unionist at an early age, and joined the Socialist Party of Northern Ireland, a Northern Ireland Labour Party-affiliate split from the Independent Labour Party (NILP) .\nJulia Wilson. Julia Wilson (born 23 September 1978 in Sydney) is a rower from Australia, who has won World Rowing Championships gold medals in the Eight and Four for her native country in 2001 and she picked up a silver medal in the Eight at the 2002 World Championship .\nJames Jordan. James Jordan (born 21 June 1793 at Chatham, Kent; died 10 September 1866 at Chatham) was an English professional cricketer who played first-class cricket from 1822 to 1824 .\nWang Yong. Wang Yong (born 29 January 1979 in Shanghai) is a male Chinese water polo player who was part of the gold medal winning team at the 2006 Asian Games .\nRonny Swiggers. Ronny Swiggers (born 1961 in Belgium) from Mechelen is one of Belgium's most successful quiz players .\nSofia Ester. Sofia Ester was born in 1978, in Lisbon .\nNathan Long. Nathan Long born in Australia is a former rugby league player .\nYlli Bufi. Ylli Bufi (born 25 May 1948, Tirana) is an Albanian politician who served briefly as Prime Minister of Albania in 1991 .\nSir Andrew Agnew, 8th Baronet. Born in Edinburgh, he was the oldest son of Sir Andrew Agnew, 7th Baronet and his wife Madeline Carnegie, daughter of Sir David Carnegie, 4th Baronet .\nJohn Seru. John Seru (born 12 January 1964, Australia) is an actor and former professional wrestler .\nSebastiano Maffettone. Sebastiano Maffettone (born April 14, 1948 Naples) is an Italian philosopher, currently University Professor at LUISS University of Rome .\nWang Wei. Wang Wei (; born 25 December 1978 in Beijing, China) is a baseball catcher from the People's Republic of China .\nTheodore Baskin. Theodore Baskin (born June 14, 1950) has been Principal Oboe of the Orchestre Symphonique de Montréal since 1980 .\nFerenc Sipos. Ferenc Sipos (b. 13 December 1932, Budapest; d.1997) was a Hungarian footballer and trainer .\nTadahisa Saizen. Tadahisa Saizen (西前忠久 Saizen Tadahisa) is a seiyuu born in Tokyo on 25 September 1964 .\nArthur Harold Stone. Arthur Harold Stone (30 September 1916 -- 6 August 2000) was a British mathematician born in London, who worked mostly in topology .\nBransby Williams. Born in Hackney in London, Williams began his working life as a tea taster in Mincing Lane before working in the design department of a wallpaper manufacturer .\nWalter Branscombe. Nothing is known of Branscombe's ancestry or education, but he was born in Exeter about 1220 .\nJeanne Deroin. Born in Paris, Deroin became a seamstress .\nFrederick Pottinger. Sir Frederick William Pottinger, 2nd Baronet (27 April 1831 -- 9 April 1865), police inspector, was born in India, son of Lieutenant-General Sir Henry Pottinger of the British East India Company, and his wife Susanna Maria, née Cooke, of Dublin .\nPatrick Thomas Stone. Born in Pembroke, Ontario, Canada, Stone received an LLB from Marquette University Law School in 1912 .\nAndrea Neil. Andrea Neil (born October 26, 1971 in Vancouver, British Columbia) is an accomplished female soccer player .\nKarl Albert Buehr. Karl Albert Buehr (1866--1952) was a painter born in Germany .\nAlexander Mullenbach. Born in Luxembourg City on 23 January 1949, Mullenbach studied piano, chamber music and composition at the Conservatoire de Paris and at the Salzburg Mozarteum where his teachers included Gerhard Wimberger and Cesar Bresgen .\nGilbert John Arrow. Gilbert John Arrow (20 December 1873 London- 5 October 1948) was an English entomologist .\nJohn Howard. John Howard is an English author, born in London in 1961 .\nElizur Goodrich. Born in Durham, Connecticut, he was the son of Elizur Goodrich .\nZenon Nowosz. Zenon Nowosz (born 6 February 1944 in Warsaw) is a Polish sprinter who participated in world athletics for Poland in the late 1960s and 1970s .\nGreta Knutson. Born in Stockholm, Greta Knutson studied at the Kungliga Konsthögskolan, and settled in Paris, France during the early 1920s .\nPaul Daniels. Paul Daniels (born 4 June 1981 in Burlington) is an American rower .\nTom Jones. Tom Jones (born April 26, 1943) is an American former racing driver, born in Dallas, Texas .\nElizabeth Bartlett. Elizabeth Bartlett (24 April 1924 Deal, Kent - 18 June 2008) was a British poet .\nLaura Moriarty. Laura Moriarty (b. December 24, 1970, Honolulu, Hawaii) is an American novelist .\nDavid Moss. David Moss (born 15 November 1968 in Doncaster) is an English former footballer, who played for Boston United, Doncaster Rovers, Chesterfield, Scunthorpe United, Partick Thistle, Falkirk, Dunfermline, Ayr United and Swansea City .\nRichard Tillinghast. Richard Tillinghast is a native of Memphis, Tennessee, a graduate of Sewanee (BA, 1962) and Harvard (MA, 1963; PhD, 1970) .\nJudith Mok. Judith Mok born in Bergen, North Holland is a Dutch soprano, author and poet, who lives in Ireland and has released novels and many articles in English .\nEugen Enderlen. Eugen Enderlen (January 21, 1863 -- June 7, 1940) was a German physician and surgeon born in Salzburg, Austria .\nFrank Farrell. Frank Farrell (31 March 1947 -- 19 July 1997) was a British rock bassist, vocalist and songwriter born in Birmingham, England .\nJohn Savage. John Savage, who was born in Dublin on 13 December, 1828 .\nJoel Honig. Born in Chicago, Illinois, Honig studied piano at the Manhattan School of Music before entering Columbia University where he was part of a social group of young men that included composer John Corigliano and theatre director Michael Kahn .\nJan Cox Speas. Jan Cox Speas (1925 -- 1971) is a short story writer and novelist born in Raleigh, North Carolina in 1925 .\nNorman Spector. Born in Montreal, Quebec, Spector received a Bachelor of Arts with Honors in Political Science, from McGill University in 1970 .\nPeeter van Bredael. Pieter van Bredael was born at Antwerp in 1622, and entered the Guild in 1650 .\nJohn Jaffray. Born in Stirling, he moved to Birmingham in 1844, to work for John Frederick Feeney on the Birmingham Journal, and became a partner in it in 1852 .\nSir William Coddington, 1st Baronet. Coddington was born at Salford, Greater Manchester, the eldest son of William Dudley Coddington, a Manchester merchant, and his wife Elizabeth Hopwood .\nAzra Erhat. Azra Erhat (b. 6 June 1915, Istanbul -- d 6 September 1982, Istanbul) was a Turkish authoress, archaeologist, academician and translator .\nHelen Sharsmith. Helen Sharsmith was born 1905 in Oakland, California .\nJeff Spiers. Jeff Spiers (born 2 May 1967 in Belfast) is a retired Northern Irish footballer and coach .\nIlus Vay. Ilus Vay (February 20, 1923 Budapest - October 28, 2008 Budapest) was a Hungarian film and television actress .\nIgors Vihrovs. Igors Vihrovs (born 6 June 1978 in Riga) is a Latvian gymnast, who won the Golden Medal in floor exercise at the 2000 Summer Olympics, and the Bronze Medals in floor exercise in 2000 European Championships and 2001 World Championships .\nHarry Chadwick. Harry Chadwick (born 13 November 1930 in Toronto, Ontario) was a member of the Canadian House of Commons from 1988 to 1993 .\nFranz Rummel. Franz Rummel (January 11, 1853May 2, 1901) was a German pianist, born in England and active across continental Europe .\nJim Grace. Jim Grace (born 17 July 1954 in Dublin) is a former Irish footballer .\nAli Sarmini. Sarmini later achieved a doctorate in Fine Arts from the Berlin-Weißensee Academy of Arts in Germany .\nRobert Daniel Murphy. Born in Milwaukee, Wisconsin, Murphy had begun his diplomatic career in 1917 as a member of the American Legation in Bern, Switzerland .\nShannon Emerick. Shannon Emerick (Born in Dallas, Texas) is an American stage actress and voice actress .\nWalter Gretzky. Tony and Mary owned a cucumber farm in Canning, Ontario where Walter Gretzky was born and raised .\nKristian Geelmuyden. Kristian Geelmuyden (born 12 November 1875 in Oslo, died 18 August 1969) was a Norwegian politician for the Conservative Party .\nTala Raassi. Tala Raassi born in Iran is a bikini designer for her own swimwear line Dar Be Dar, she has designed bikinis for the Miss Universe 2010 pageant .\nJules Louis Lewal. Jules Louis Lewal (13 December 1823 Paris 22 January 1908 Senlis) was a French general .\nPatrick Daughters. Patrick Daughters (born 1976 in Berkeley, California) is an American music video and commercial director currently signed to The Directors Bureau, after departing Black Dog Films in late 2006 .\nRenaud Gagneux. Renaud Gagneux (born 15 May 1947 in Paris) is a French composer .\nElizabeth Burmaster. Born in Baltimore, Maryland, Burmaster received her bachelors and masters degrees from University of Wisconsin-- Madison and was in public school administration .\nDave Mazzoni. Mazzoni was born and grew up in Philadelphia .\nAamer Haleem. Born in London, Haleem was raised in Canada, where he attended the University of Toronto and the School of Journalism at Humber College .\nJohn Van Lear McMahon. John Van Lear McMahon, lawyer, was born in Maryland in 1800, received his education equipment at Princeton, studied law and achieved eminence at the Maryland Bar .\nJan Jacob Kieft. Born in Amsterdam, Kieft was part of the Dutch gymnastics team, which finished seventh in the team event .\nWilhelmine von Hillern. Wilhelmine von Hillern (11 March 1836 Munich - 15 December 1916 Hohenaschau) was a German actress and novelist .\nTracey Magee. Tracey Magee (b. 27 March 1969, Belfast) is a Northern Irish broadcaster and journalist .\nGeorge Edward Hughes. George graduated MA with First Class Honours in Philosophy and English, and then in pure Philosophy, from the University of Glasgow .\nAlexander Riese. Alexander Riese (2 June 1840 Frankfurt am Main - 8 October 1924 Frankfurt) was a German classical scholar .\nTina Kim. Tina Kim (born 1973 in Seoul, Korea) is a Korean-American stand-up comedian .\nBernard de Wolff. Bernard de Wolff (November 1, 1955), Dutch painter, was born in Amsterdam .\nPeter Ording. Peter Ording (born 22 December 1976 in Stade) is a German rower .\nBranko Rasić. Branko Rasić (born February 13, 1976, in Prokuplje, Serbia) is a Serbian footballer (striker) playing currently for Unia Janikowo .\nKetil Hvoslef. Ketil Hvoslef (né Ketil Sæverud; born 19 July 1939 in Bergen, Norway) is a Norwegian composer .\nJohn Carlin. John Carlin was a first class cricketer and test umpire http://www.cricinfo.com/england/content/player/11009.html .\nAntonio Selvaggio. Antonio Selvaggio (born 1 January 1958 in Palermo) is a retired male long-distance runner from Italy .\nMichael Aufhauser. Michael Aufhauser (born April 25, 1952 Augsburg) is a German animal rights activist and founder of Gut Aiderbichl, the largest sanctuary for animals in Austria, which houses more than 1,000 animals of a variety of species .\nPaula Tesoriero. Paula Margaret Tesoriero, MNZM (born 29 August 1975 in Wellington, New Zealand) is a New Zealand paralympics racing cyclist, most notable for her performance at the 2008 Summer Paralympics; her world record-breaking time in the Women's 500m Time Trial secured New Zealand's first gold medal at that games, and she later went on to win bronze in both the Individual pursuit, and the Women's individual road time trial .\nJohn Marcum. In 1953, Marcum created a Midwestern United States racing series called ``Midwest Association for Race Cars'' (MARC) with his wife Mildred in his hometown Toledo, Ohio .\nBeth Liebling. Beth Liebling (born March 12, 1967, Chicago, Illinois) is the co-founder of Seattle-based experimental instrumental group Hovercraft with guitarist/keyboardist/samplist Ryan Campbell (``Cambell 2000'') .\nJosé Bénazéraf. José Bénazéraf (born January 8, 1922 Casablanca, Morocco) is a French filmmaker and producer .\nWitold Nazarewicz. Witold Nazarewicz is a nuclear physicist born in Warsaw, Poland, currently teaching at the University of Tennessee .\nAarne Lakomaa. Born in Finland, Lakomaa graduated from Helsinki Polytechnics .\nJerry Knight. Jerry Knight (born April 14, 1952, Los Angeles, California, United States) was an American R&B vocalist and bassist in the late 1970s and early 1980s .\nYanitzia Canetti. Yanitzia Canetti (born in 1967 in Havana, Cuba) is a Cuban author, translator, and editor .\nKen Niles. Ken Niles (December 9, 1908, in Livingston, Montana -- October 31, 1988) was an American radio announcer .\nRiccardo Maspero. Riccardo Maspero (born 19 February 1970 in Lodi, Italy) is an Italian footballer who played as an attacking midfielder, most notably with Cremonese .\nMargaret Maury. Margaret Maury, née Kerubo (born 15 May 1974 in Kenya) is a French long-distance runner who specializes in the 5000 metres .\nBernard Wright. Bernard Wright (born January 1, 1963 in Jamaica, Queens, New York) is an American funk and jazz keyboardist who began his career as a session musician and later released several solo albums in the 1980s .\nCaroline Beil. Caroline Beil (born 3 November 1966 in Hamburg) is a German actress and television presenter .\nJoseph Judah Chorny. Joseph Judah Chorny was a Russian traveller, born at Minsk in 1835, on the 20th April .\nThomas Godfrey Faussett. Faussett was born at Oxford in 1829, was a younger son of the Rev .\nÁrpád Soós. Árpád Soós (20 September 1912 Budapest -- 1 June 1991 Budapest) was a Hungarian zoologist, entomologist and museologist .\nSamuel Davidson. Samuel Davidson (23 September 1807 -- 1 April 1898) was an Irish biblical scholar who was born near Ballymena in Ireland .\nLeonard Gyllenhaal. Born on the Ribbingsberg manor in Västergötland in west Sweden, Leonard Gyllenhaal was son of an army officer and belonged to a family of the lower nobility .\nSheyene Gerardi. Sheyene Gerardi (born April 13,in Caracas, Venezuela) is a Venezuelan actress and model .\nBryn Atkinson. Bryn Atkinson (born 9 December 1982, Canberra, Australian Capital Territory) is an Australian professional mountain bike racing cyclist from Townsville, QLD .\nClaudine Chomat. Claudine Chomat, who was born 7 February 1915 at Saint-Etienne (Loire) in France, and died on 14 October 1995 in Boulogne-Billancourt (Hauts-de-Seine), was a member of the French Resistance and a French communist militant .\nPeter G. Engelman. Peter G Engelman, CPA, is a naturalized American writer, born in London, England, during World War II He immigrated to the US in November 1940 sailing from Liverpool to New Orleans on the Steamship Orbita .\nStanis%C5%82aw Stolarczyk. Stanisław Stolarczyk, born 4 May 1949 in Poland, is a journalist, reporter, writer, and documentary of the Polish footprints in Canada .\nSean Naylor. Born in Calgary, Canada to British parents, Naylor earned a master's degree in international relations in 1990 from Boston University .\nJean Muller. Jean Muller was born on 11 December 1979 in Luxembourg City, son of Gary Muller, a piano teacher .\nVictoria Roberts. Born in Manhattan, Roberts grew up in Mexico City and Sydney .\nThomas F. Konop. Born in Franklin, Wisconsin, Konop was studied at Two Rivers High School, Oshkosh State Normal School (now the University of Wisconsin--Oshkosh), and Northern Illinois College of Law .\nRichard Cullen. Born in Brooklyn, NY, Cullen was raised in Staunton, Va He majored in political science and played varsity football at Furman University in Greenville, S.C., earning a Bachelor of Arts degree in 1971 .\nWebster Edgerly. Born in Massachusetts to Rhoda Lucinda Stone and John Foss Edgerly, he graduated from the Boston University School of Law in 1876 .\nPeter Smedley. Smedley was born on 2 January 1943 in Perth, Western Australia where he completed his secondary education at the Christian Brothers' Aquinas College .\nEric Ziebold. Eric Ziebold (born in 1972 in Iowa) is an award-winning American chef and restaurateur behind CityZen in Washington D.C .\nAdam Buszko. ATF Sinner (born Adam Buszko April 19, 1975 in Warsaw), also known as Adam The First Sinner - Polish musician, vocalist, composer and multi-instrumentalist .\nSyms Covington. Originally named Simon Covington, he was born in Bedford, Bedfordshire, England, the youngest child of Simon Covington V and Elizabeth Brown .\nJoan Vincent Murray. Joan Vincent Murray (born February 12, 1917 London - January 4, 1942 Saranac Lake, New York) was a Canadian American poet .\nGabriela Kulka. Gabriela Kulka (known as Gaba Kulka, born 1979 in Warsaw, Poland) is an independent artist, a songwriter and performer .\nAndrea Ratuski. Andrea Ratuski (born at Winnipeg, Manitoba) is a Canadian radio presenter and producer, particularly known as host of the national programme Northern Lights on CBC Radio (discontinued in 2007) .\nDonald Haddow. Donald Haddow (born January 19, 1970 in Mississauga, Ontario) is a former international freestyle swimmer from Canada, who was a member of the Men's 4x200m Freestyle Relay Team that finished in eighth position at the 1988 Summer Olympics in Seoul, South Korea .\nJoe Daly. Born in London, United Kingdom, Daly studied animation for two years at Cape Town's City Varsity .\nJane R. Goodall. Born in Yorkshire, England, Goodall studied at London and Oxford Universities .\nNatalia Skobeeva. Natalia Skobeeva, born in Russia in 1975, is a London based artist and photographer graduated from Central Saint Martins College of Art and Design .\nCharles Murphy. He was born on 8 December 1862 in Ottawa, the son of James Murphy, who came to Ontario from Ireland, and Mary Conway .\nCharles Duncan. Born in Middlesbrough, Duncan was the son of a ship's pilot .\nAdel Sedra. Born in Egypt in 1943, Sedra received his BSc from Cairo University in 1964 and his M.ASc and PhD from the University of Toronto, in 1968 and 1969, respectively .\nWilliam Wilson. William Wilson (born March 29, 1887 - died May 8, 1948) was an English-born physicist who spent much of his career in the United States .\nThomas Bond. Born in Somerset, Bond was a student to his maternal-uncle, Dr McCann of Southampton, before training at King's College and King's College Hospital in London where he won the Gold Medal of the University of London for his Bachelor of Surgery examination .\nMichael Manuel. Michael Manuel (born January 12, in Tacoma, Washington) is an American actor .\nJames William Wallack. James William Wallack (c. 1794--1864) was an Anglo-American actor and manager, born in London, and brother of Henry John Wallack .\nNeil Swaab. Neil Swaab (born 2 January 1978 in Detroit, Michigan) is a New York based artist, designer, writer, and educator .\nJean Cotelle. Jean Cotelle, 'the younger', was a painter and engraver, born in Paris in 1645 .\nNick Hall. Nick Hall (born 31 December 1973, Birmingham) is an English singer-songwriter .\nJulie Aberg Robison. Born in Madison, Wisconsin, Robison holds a master's degree in urban and regional planning from the University of Wisconsin-- Madison .\nFina de Calderón. Fina de Calderón (August 21 1927 Madrid- January 12 2010 Madrid) was a Spanish writer, poet, songwriter, and musician .\nGordan Kožulj. Gordan Kožulj (born 28 November 1976 in Zagreb) is a former backstroke swimmer from Croatia, who competed in four consecutive Summer Olympics for his native country, starting in 1996 .\nFrancis Henry Newbery. Born in Devon on 15 May 1855 to a shoemaker and his wife, Newbery went to school in Bridport, Dorset where he qualified as a teacher, and later as an art master .\nKatherine Prescott Wormeley. Born in England, Katherine Prescott Wormeley emigrated to the United States at a young age .\nAvi Bortnick. Born in Israel, Bortnick was raised in St Louis, Missouri, where he attended racially integrated public schools and was immersed in the sounds of late 70's funk, rock and soul .\nJames L. Hogeboom. James Lawrence Hogeboom (August 25, 1766 Ghent, Columbia County, New York -- December 23, 1839 Castleton-on-Hudson, Rensselaer County, New York) was an American merchant, lawyer and politician from New York .\nSamuel Kneeland. Samuel Kneeland (1 August 1821 Boston, Massachusetts -- 27 September 1888 Hamburg, Germany) was a naturalist of the United States .\nDenise Holt. Dame Denise Mary Holt, DCMG (born 1 October 1949 in Vienna, Austria), née Denise Mary Mills, was British Ambassador to Mexico (2002-5) and Spain and Andorra (2007- 2009) .\nRiccardo Azzoli. Riccardo Azzoli (born October 19, 1984) is an Italian race car driver born in Rome who currently competes in GT Open with Aston Martin DBRS9 of team Villois .\nRussell Bawden. Russell Bawden (born 24 July 1973 in Queensland) is an Australian former rugby league footballer for the Brisbane Broncos, Melbourne Storm, London Broncos and for the Queensland State of Origin Team .\nBachar Kouatly. Bachar Kouatly (born 3 March 1958, Damascus) a Lebanese-- French chess master, journalist and activist .\nCharles Ignatius White. Charles Ignatius White (born at Baltimore, Maryland, U.S.A., 1 February 1807; died at Washington, D.C., 1 April 1878) was an American editor, historian, and Catholic priest .\nJohn Halsey. Born in Boston, Halsey became a privateer in the service of Great Britain commanding the 10-gun brigantine Charles during the War of the Spanish Succession, or Queen Anne's War as it was known in the American colonies, and raided French fishing fleets in the Newfoundland and later sailed to Fayal in the Azores and the to the Canary Islands where he attacked Spanish ships en route to Barcelona during 1704 .\nRussya. Born in the Kiev, Ukraine, Russya was raised within a family of musicians .\nBrian White. Brian White (born 17 January 1951 in Winnipeg, Manitoba) was a Progressive Conservative party member of the Canadian House of Commons .\nAshley Gilbertson. Ashley Gilbertson (born 22 January 1978) is an award-winning photographer best known for his images of the Iraq war .\nRosere Manguelle. Rosere Manguelle (born May 22, 1985 in Saint-Denis, France) is a French footballer who played 2 matches in Ligue 2 for club Chateauroux in the season of 2005-2006  .\nJames A. MacAlister. Born in Glasgow, Scotland, MacAlister emigrated to the US state of Wisconsin in 1850 at the age of 10 with his family consisting of his mother and sisters .\nDennis Rea. Born in Chicago, Illinois, Rea grew up in Utica, New York .\nNick Pugh. Born in Paris, Pugh grew up in the Berkeley Hills east of San Francisco .\nDouglas Fee. Douglas Fee (born 21 July 1944 in Kingston, Ontario) was a member of the Canadian House of Commons from 1988 to 1993 .\nColin Carr. Born in Liverpool, Carr is a professor of the cello, currently at the Royal Academy of Music .\nRobert Harth. Robert Harth (June 13, 1956 Louisville, Kentucky - January 30, 2004 New York, New York) was Carnegie Hall's executive and artistic director .\nPierre de Savoye. Pierre de Savoye (born 12 November 1942 in Montreal, Quebec) was a member of the Canadian House of Commons from 1993 to 2000 .\nLionello Grifo. Lionello Grifo (August 1934), Italian poet and writer, born in Rome in 1934 by parents who were both Italian government officials, nominated at the unanimity ``Premio della Cultura 2004 della Presidenza del Consiglio dei Ministri'' (Prize for Culture 2004 from the Presidency of the Italian Ministries Council) ``for his outstanding, prestigious contribution to the field of Poetry'' .\nMarcin Gawron. Marcin Gawron (; born 25 May 1988, in Nowy Sącz, Poland) is a Polish tennis player .\nAlex Coke. Alex Coke (born 1953, Dallas, Texas) is a jazz saxophonist and flutist .\nMartinus Tels. Martinus Tels was born on 16 August 1926 in Rotterdam .\nMatthew Kent. Matthew Kent (born 2 July 1980, in Melbourne, Australia) is an Australian baseball player .\nJohan de Graeff. Johan de Graeff (* October 29, 1673 in Amsterdam - † April 12, 1714) - Lord of the semisouverain Fief Zuid-Polsbroek and Lord of the castle Ilpenstein - was a member of the De Graeff - family from the Dutch Golden Age .\nNorbert Balatsch. Norbert Balatsch (born 10 March 1928, Vienna) is an Austrian conductor and chorus master .\nEugen von Halácsy. Eugen von Halácsy (1842 - 1913) was an Austrian physician and botanist of Hungarian descent who was born in Vienna .\nFergus Morton, Baron Morton of Henryton. Born in Glasgow, he was a younger son of George Morton .\nHoratio Balch Hackett. Horatio Balch Hackett (December 27, 1808 - November 2, 1875), American biblical scholar, was born in Salisbury, Massachusetts .\nPascal Aubier. Pascal Aubier is a French actor, director, script writer, producer and editor, born in 1943 in Paris (France) .\nSteven Alexander. Steven Alexander is an American filmmaker born in London, England, immigrated to New York City in the 1980s .\nRay Sharp. Ray Sharp (born 16 November 1969 in Stirling) is a Scottish former footballer, who played for Dunfermline, Stenhousemuir, Preston North End, Forfar, Alloa, Cowdenbeath, East Fife and Montrose .\nLuke Youlden. Luke Youlden (born 28 January 1978 in Melbourne, Australia) is an Australian motor racing driver .\nMichael Urbano. Michael Urbano (born March 19, 1960, Sacramento, California, USA) is a studio drummer, band member, programmer, and record producer .\nErnst Fries. Ernst Fries (22 June 1801 Heidelberg -- 11 October 1833 Karlsruhe) was a German painter .\nGiovanni Polese. Born in Venice, Polese studied singing in his native city and made his professional singing debut performing there in a concert in 1892 .\nEllie Tesher. Born in Toronto, Ontario, Tesher studied sociology at the University of Toronto .\nAlain de Cadenet. Alain de Cadenet (born 27 November 1945 in London) is an on air personality for the Speed Channel and ESPN .\nJemma Gawned. Jemma Gawned (born 22 December 1974 in Perth, Australia) became well known as a contestant on Big Brother Australia 2001 .\nReginald Henry Campbell. Reginald Henry Campbell (born 2 December 1877, date of death unknown) was a British artist born in Edinburgh, Scotland .\nElfie W%C3%B6rner. Elfie Wörner (31 July 1941 in Berlin -- 4 July 2006 in Munich) was the wife of the late Dr Manfred Wörner, a prominent German military and politician who served as the Secretary General of NATO in 1988-94 .\nFrederic Heath. Frederic F Heath was born September 6, 1864 to a Republican family in Milwaukee, Wisconsin .\nJimmy Norris. Jimmy Norris (born 25 July 1988, Newport, Wales) is a Welsh rugby union player .\nJohn Baird. Born in Glasgow, he was the son of Alexander and Mary Baird .\nGiacomo Luigi Brignole. Brignole was born on 8 May 1797 in Genoa .\nKenn Burke. Kenn Burke, a ballet dancer, was born in Fife, Scotland .\nAnna Maria Villani Scicolone. Anna Maria Villani Scicolone (born 11 May 1938, Rome) is the divorced wife of Romano Mussolini (26 September 1927 -- 3 February 2006) who was the youngest son of Benito Mussolini, fascist dictator of Italy from 1922 to 1943 .\nGeorge Schlukbier. Born in 1951 in Germany, Schlukbier was the younger of two sons of a career US military officer .\nPietro Leonardi. Pietro Leonardi (born 29 December 1963 in Rome) is an Italian businessman, currently serving as sporting and managing director of Italian association football club Parma F.C. .\nOle Buck. Ole Buck (born 1 February 1945 in Copenhagen) is a Danish composer .\nAlastair Gordon. Alastair Gordon (born 8 December 1976 in Sydney) is an Australian rower .\nDariusz Lipiński. Dariusz Lipiński (born August 4, 1955 in Warsaw) is a Polish politician .\nChe Arthur. Born in Mobile, Alabama, Arthur played guitar, keyboards, bass, and drums in numerous Southern US touring rock bands .\nAlan Wace. Alan John Bayard Wace (13 July 1879 in Cambridge, England -- 9 November 1957, in Athens, Greece) was an English archaeologist .\nScientist. Scientist, born Hopeton Brown in Kingston, Jamaica, 1960 (sometimes known as Overton Brown), was a protégé of King Tubby (Osbourne Ruddock), one of the originators of dub music .\nPat Passlof. Pat Passlof born August 5, 1928 in Brunswick, Georgia, and died November 13, 2011 in New York City, New York) was an American abstract expressionist painter .\nElizabeth Filippouli. Elizabeth Filippouli is a media and business consultant, and former television journalist born in Athens(Greece) .\nAl Harewood. Al Harewood (born June 3, 1923) is a musician and teacher, born in Brooklyn .\nLaurie Fisher. Laurie Fisher born in Canberra was the Head coach of the ACT Brumbies between 2005 and 2008 .\nNeil M. Cohen. Cohen received a BA from Athens College (now Athens State University) in History and was awarded a JD from the Howard University .\nCarl Blumenreuter. Carl Blumenreuter (* 16 November 1881 in Berlin; † 11 Juli 1969 in Neustadt in Holstein) was a German chemist and politician .\nIan Dench. Ian Dench (born 7 August 1964, Cheltenham, Gloucestershire) is a British songwriter and musician .\nGeorge FitzGeorge. Colonel George William Adolphus FitzGeorge (24 August 1843 London - 2 September 1907 Lucerne) was the eldest of three sons of 2nd Duke of Cambridge and Louisa Fairbrother (the other sons being Admiral Sir Adolphus FitzGeorge and Colonel Sir Augustus FitzGeorge) .\nCharles A. Barlow. Born in Cleveland, Ohio, Barlow attended the common schools .\nDidier Pfirter. Didier Pfirter (born 1959, Basel) is a Swiss diplomat .\nJon Stock. Jon Stock (born 12 May 1966 in England) is a British author and journalist .\nMichael Gallagher. Gallagher was born on 14 December 1978 in Scotland .\nSergei Ordzhonikidze. Sergei Ordzhonikidze (born on 14 March 1946 in Moscow) is a Russian diplomat .\nJohn Clarke. John Clarke, CM (February 25, 1945--January 23, 2003) born in Ireland to Brigit Ann Clarke (née Conway) and Thomas Kevin Clarke, died in Vancouver, British Columbia, Canada of a brain tumor .\nA. G. E. Blake. Anthony Blake was born in the UK in the city of Bristol in 1939 .\nBilly Hoffman. Billy Hoffman, also known as Acidus, is an American hacker, born in Atlanta, Georgia on October 15, 1980 .\nMarcello Abbado. Marcello Abbado (born 7 October 1926, Milan) is an Italian composer, conductor, and pianist .\nEugénie Söderberg. Eugenie Söderberg (1903--1973) was a Swedish-American writer and journalist born in Heidelberg, Germany noted for her profound concern with women's issues which she addressed in her novels and short stories .\nRussell Stannard. Russell Stannard is a retired high-energy particle physicist, who was born in London, England, on December 24, 1931 .\nCharles Ejogo. Charles Ejogo born in London, England, 1976, is a British entrepreneur .\nGeorge Clifford Sziklai. George Clifford Sziklai (July 9, 1909 in Budapest, Hungary -- September 9, 1998 in Los Altos, California) was a renowned electronics engineer, who among many other contributions to radio and TV electronics invented the transistor configuration named after him, the Sziklai pair .\nMary Jean Stone. Mary Jean Stone (born at Brighton, Sussex, in 1853; died at Battle, Sussex, 3 May 1908) was an English historical writer .\nMat Chivers. Mat Chivers is a British artist born in 1973 in Bristol .\nLinda MacLennan. Born in Toronto, MacLennan is the daughter of a Canadian father and an American mother .\nMarthe Chenal. Born in Paris, Chenal was educated at the convent at the Basilique du Sacré-Cœur, Paris .\nHoratio Luro. Born in Argentina into a wealthy family that had been involved with horses for several generations, a suave young Horatio Luro grew up as something of a playboy and maintained this lifestyle after moving to the United States .\nAdolfo Davila. Adolfo Davila (born 1965) is video and film director born in Mexico .\nCharles Cotin. Charles Cotin or Abbé Cotin (born 1604 in Paris; died December 1681 in Paris) was a French abbé, philosopher and poet .\nWayne Eagling. Born in Montreal, Canada in 1950, Eagling spent much of his early life in California, where he attended the Patricia Ramsey School of Dance Arts .\nAldo Franchi. Aldo Franchi (21 March 1882 Milan -- Unknown) was an Italian racecar driver .\nDennis Frank Thompson. Dennis Frank Thompson (born 12 May 1940 in Hamilton, Ohio) is a political scientist and professor at Harvard University, where he founded the university-wide Center for Ethics and the Professions (now the Edmond J Safra Center for Ethics) .\nFerenc Mérei. Born in Budapest into a bourgeois family, Mérei often spent time in his parents`` photography studio at the Garay Bazaar .\nRoger Brunet. Born in Toulouse, Brunet attended the University of Toulouse, where he earned his PhD in 1965 .\nTheodore Low De Vinne. De Vinne was born at Stamford, Connecticut, and educated in the common schools of the various towns where his father had pastorates .\nMichael Francis Phelan. Born in Lynn, Massachusetts, Phelan attended the public schools .\nCelestino Sfondrati. Sfondrati was born at Milan .\nSamuel Verblunsky. Samuel Verblunsky (1906 June 25 London -- 1996) was a British mathematician who introduced Verblunsky's theorem and Verblunsky coefficients .\nDavid Stainer. David Stainer (born 4 May 1978 in Exeter ) is an English quizzer best known for outstanding team playing skills .\nAndrew O'Neill. Born in Portsmouth in 1979, O'Neill grew up in the suburban town of Wallington .\nGritakumar E. Chitty. Gritakumar E Chitty (b. 14 June 1939, Colombo) is a Sri Lankan Jurists and former Registrar of the International Tribunal for the Law of the Sea .\nDes Abbott. Des Abbott (born 10 January 1986 in Darwin, Northern Territory) is a field hockey forward from Australia, who won the gold medals with the Men's National Team at the 2008 Champions Trophy in Rotterdam, and the 2009 Champions Trophy in Melbourne .\nDumont de Montigny. Jean-François-Benjamin Dumont de Montigny, or Dumont de Montigny, was born in Paris on July 31, 1696, and died sometime after 1753 .\nConrad Keely. Born in England of Irish and Thai descent, Conrad grew up in Thailand, the US state of Hawaii and Bedworth, England .\nTitane Laurent. Born in Morocco, Laurent grew up in Belgium, lived in Luxembourg and is a New Zealand citizen and a permanent resident of Australia .\nEdwin E. Wagner. Dr Wagner's academic appointments include Instructor at Pennsylvania State University and Temple University, Professor Emeritus at University of Akron, and Dean at Forest Institute of Professional Psychology (Huntsville, AL) .\nRonnie Stephenson. Ronnie Stephenson (born 26 January 1937 in Sunderland -- died 8 August 2002) was an English jazz drummer .\nWill Kirby. Born in Florence, Italy, Kirby was raised in Tallahassee, Florida where he graduated high school from Florida State University High School (colloquially ``Florida High School'') .\nRosina Storchio. Born in Venice, Storchio studied at the Milan Conservatory before making her operatic debut as Micaëla in Bizet's Carmen at Milan's Teatro Dal Verme in 1892 .\nSylvester Rosa Koehler. Sylvester Rosa Koehler (11 February 1837 Leipzig - 15 September 1900 Littleton, New Hampshire) was an author, and the first curator of prints at the Museum of Fine Arts, Boston .\nJulie Mullen. Julie Mullen (born 27 October 1957, Liverpool) is a Liverpool poet .\nCharles Kemper. Charles Kemper (September 6, 1900 -- May 12, 1950) was an American stage-trained film character actor born in Oklahoma .\nPhilip Smouha. Philip Smouha was born on 3 May 1952 in Sydney, Australia, and was the owner of Smouha Fabrics Group .\nJan Jakob Tønseth. Jan Jakob Tønseth (born 1 September 1947 in Oslo) is a Norwegian author, poet and translator .\nTony Mitchell. Tony Mitchell is a Canadian-British film and TV director, born in Toronto, who moved to London in his teens (1972) .\nMichel Host. Michel Host (born 1942 Flanders) is a French writer .\nYang Yang. Yang Yang (; born 19 May 1986 in Beijing, China) is a Chinese baseball player who was a member of Team China at the 2008 Summer Olympics .\nTom Mattera. Mattera was born and grew up in Philadelphia .\nMaarten Fontein. Maarten Fontein (born 22 February 1952, Leiden) is the former Marketing and Commercial Director for Alkmaar Zaanstreek (AZ), and is currently a member of the Executive Board of the European Club Association (ECA) .\nBrian Ervine. Brian Ervine (born October 1951, Belfast) is a playwright, songwriter and teacher living in Belfast, Northern Ireland .\nTakeshi Miyazawa. Takeshi Miyazawa (born April 19, 1978) is a comic book artist who was born in Canada and attended Queen's University in Ontario to study art .\nStephan Shakespeare. Stephan Shakespeare (born 9 April 1957, Germany as Stephan Kukowski) is the founder and Chief Executive Officer (CEO) of the high-profile British Internet-based market research and opinion polls company YouGov http://yougov.com .\nJohn Barry. Born in London, Barry worked as an architect with experience in stage design .\nStanisław Urban. Stanisław Urban (13 September 1907 Warsaw; April, 1940) was a Polish rower who competed in the 1928 Summer Olympics and in the 1932 Summer Olympics .\nHarvey Emerson Oswald. Harvey Emerson Oswald, born in Columbus, Ohio, September 11, 1918, enlisted in the US Naval Reserve in April 1938 .\nAlec Mullen. Alec is now involved in amateur boxing coaching & running a successful boxing club in his home town of Irvine .\nAlexander Mishnaevski. Alexander Mishnaevski is a Russian-born American violist, the principal violist of the Detroit Symphony Orchestra .\nLeo Ehrnrooth. Leo Ehrnrooth (March 10 1877 in Helsinki -- July 26 1951 in Sweden) was a Finnish politician .\nJohn William Thomson. John William Thomson (born 28 December 1928 in Toronto, Ontario) was a Progressive Conservative party member of the Canadian House of Commons .\nSteve Arrington. Steve Arrington (born Steven Ralph Arrington, March 5, 1956), is an American singer, songwriter, drummer, record producer, engineer and minister, who grew up in Dayton, Ohio .\nAlexander C. Kirk. Kirk, born in Angus, received his formal education at the University of Edinburgh and a technical education at plants operated by Robert Napier .\nJimmy Gregg. Jimmy Gregg (born in 1947 in Dublin) is a former Irish football player during the 1960s and 1970s .\nRaymond Castilloux. Raymond Castilloux (born November 23, 1934 in Paspébiac, Québec) is former racing cyclist, who was born in Canada .\nFlorent Fidèle Constant Bourgeois. Florent Fidèle Constant Bourgeois, a French landscape painter, engraver, and lithographer, was born in Paris in 1767 .\nIsaac Sharp. Born January 13, 1681, in Dublin, Ireland, Isaac Sharp was the eldest surviving son of Quaker Anthony Sharp and Ann Crabb .\nAsa G. Yancey, Sr.. Asa G Yancey Sr., M.D., was born in Atlanta, GA in 1916 .\nRobert Hamilton Paterson. Robert Hamilton Paterson was born at Edinburgh in 1843, the son of Thomas Paterson (architect to the estates of the Duke of Hamilton) and his wife Margaret Instant .\nJan van Ispelen. Jan van Ispelen (born 12 April 1941 in Schönebeck) is a retired boxer, who was born in Germany but competed for the Netherlands .\nHarold Arthur Stuart. A graduate of King's College Cambridge, Harold Stuart was born in the city of York to Peter Stuart .\nGerry Markman. Gerry Markman (born 16 August 1950 Montreal), is a Canadian guitarist .\nAmber Parkinson. Amber Parkinson (born 3 October 1976 in Melbourne) is an Australian Epee fencer .\nAlexander Cores. Born in Russia, Cores studied in Berlin and at the Juilliard School under Leopold Auer and Paul Kochanski .\nHoma Shaibany. Homa Shaibany (Born in Iran) was Iran's first woman surgeon .\nGeorge Arnald. George Arnald was born in 1763 .\nWilliam M. Crane. Crane was born in 1776 at Elizabethtown, New Jersey and appointed midshipman in 1799 .\nSamuel Joseph Fuenn. Samuel Joseph Fuenn (September 1819 -- January 11, 1891) was a Russian scholar born in Vilnius .\nAurel S. Croissant. Aurel Croissant (born 1969 in Germany) is Professor of Political Science at the Faculty of Economic and Social Sciences of the University of Heidelberg .\nMarie Fisher. Born in Sydney, Fisher was educated at Darlinghurst Public School, Crown Street High School, Sydney Girls High School, Sydney Teachers College and finally the University of New South Wales, graduating in 1969 to become a schoolteacher .\nMihály Kovács. Mihály Kovács (born 10 September 1957 in Budapest) is a Hungarian former handball player .\nSusan Bullock. Susan Bullock (born 9 December 1958 in Cheshire) is an English soprano .\nXimena Armas. Ximena Armas, born 29 July 1946 in Santiago (Chile), is a Chilean painter .\nJohn David Hennessey. J D Hennessey and David Hennessey, journalist and author, was born in London and went to Australia in 1875 .\nSimone Pasticcio. Simone Pasticcio (born 11 January 1976 in Genoa) is an Italian footballer .\nAndreas Lagios. Andreas Lagios (born 11 November 1972 in Athens, Greece) plays bass in the black metal band Rotting Christ and in the stoner rock band Nightstalker .\nMichael Birt. Michael Birt was born on 18 January 1932 in Melbourne, Australia .\nWilliam Dimma. Born in Montreal, Quebec, Dimma received a Bachelor of Applied Science degree from the University of Toronto in 1948, a Master of Business Administration degree from York University in 1969 and a Doctor of Business Administration from Harvard University in 1973 .\nHarry Philbrick. Harry Philbrick was born in 1958, in Providence, Rhode Island, USA .\nLasse Lintilä. Lasse Lintilä, born in Finland, is one of the worlds leading Ten-pin bowlers .\nJulia Kendell. Born in Middlesex, Kendell went to Newnham Junior School in Eastcote, and Haydon Secondary School in Northwood .\nNikos Aliagas. Nikos Aliagas (born 13 May 1969 in Paris) () is a Greek-born French host of the French music reality program named Star Academy .\nJames Fagan. Born in Australia in 1972, James was the first child of Sydney-based folk singers Bob and Margaret Fagan .\nHiram Hunter. Born in Christchurch in 1874, Hunter was a farmer, storekeeper, carter, and trade unionist .\nLawrence Taub. Taub was born and grew up in Newark, New Jersey's Central Ward ghetto in 1936, of Jewish ancestry .\nSamuel Gezalian. Samuel Gezalian (, ; born 12 September 1970 in Odessa, Ukrainian SSR, Soviet Union) is an Armenian ice dancer who has represented the Soviet Union, Belarus, Germany, and Armenia in competition .\nTaavi Vartia. Taavi Vartia (born 09.11.1965 Helsinki, Finland) is a Finnish director and script writer .\nAkhtar Naraghi. Akhtar Naraghi is a Canadian writer and poet, born in Iran .\nFriedrich Rehberg. Rehberg was born into a middle-class protestant family in Hanover in 1758, the son of a secretary for the estates of Calenberg (one of the duchies of Hannover) .\nErnst Mehlich. Ernst Mehlich (February 9, 1888 Berlin, Germany - February 12, 1977 São Paulo, Brazil) was a German-Brazilian orchestra conductor and composer .\nPierre Lecomte du Noüy. Pierre Lecomte du Noüy (; 20 December 1883, Paris - 22 September 1947, New York City) was a French biophysicist and philosopher .\nAhmet Esat Tomruk. Ahmet Esat Tomruk (1892/1893 - 14 February 1966) was a Turkish spy born in Constantinople (Istanbul), also known as ``İngiliz Kemal'' the Englishman in Turkey .\nJonah Smith. Jonah Smith (born in 1975 in Syracuse, New York) is an American musician .\nHenry James. Born in Boston, Massachusetts, James graduated with an AB from Harvard University in 1899 and a Bachelor of Laws from Harvard Law School in 1904 .\nWerner Münch. Werner Münch (born 25 September 1940 in Bottrop, Province of Westphalia) is a German politician (CDU) .\nCharles Weissmann. Charles Weissmann (born 14 October 1931, Budapest, Hungary) is a Hungarian-born Swiss molecular biologist .\nRon Westrum. Born in Chicago in 1945, Westrum earned a BA (cum laude) in Social Relations in 1966 from Harvard University and a PhD in Sociology in 1972 from the University of Chicago .\nJohn M. Coffee. Born in Tacoma, Washington, Coffee attended the public schools .\nJohnny Praize Hernandez. Johnny Praize Hernandez, born in Newark, New Jersey on October 12, 1969 was the first ``Spanglish'' rapper ever recorded and the first producer to mix Salsa music with hip hop in a remix of a song called ``Siento'' sung by salsa legend Pedro Arroyo in 1990 .\nWilliam Taylor. Born in Alexandria, Virginia (then part of the District of Columbia), Taylor completed preparatory studies, studied law and was admitted to the bar, commencing practice in Staunton, Virginia .\nAlastair Layzell. Alastair Layzell was born on 28 June 1958 in Jersey .\nSamuel Sterett. Born in Carlisle, Pennsylvania, in 1758, Sterett moved with his parents to Baltimore, Maryland, in 1761 .\nBobby Parker. Bobby Parker started his career with home town club Coventry City .\nSun Lingfeng. Sun Lingfeng (; born 14 August 1978 in Beijing, China) is a Chinese baseball player who was a member of Team China at the 2008 Summer Olympics .\nSheenagh Pugh. Sheenagh Pugh (born 20 December 1950 in Birmingham) is a British poet, novelist and translator who writes in the English language .\nPatricia Stokkers. Patricia Stokkers (born May 1, 1976 in Utrecht, Utrecht) is a former freestyle swimmer from the Netherlands, who competed for her native country at the 1996 Summer Olympics in Atlanta, Georgia .\nNecmi S%C3%B6nmez. Necmi Sönmez (born 1968, Istanbul, Turkey) is a Turkish-German curator, art critic and writer living and working in Düsseldorf .\nJonathan Wilkins. Jonathan Wilkins is an English ballroom dancer and dance teacher, born in London .\nHarry Pelling Gill. Gill was born at Brighton, Sussex, England, the son of Alfred Gill and his wife Frances Elizabeth, née Pelling .\nJoan Brotat. Joan Brotat (1920-1990) was a painter born in Barcelona .\nWilliam Charles Brenke. William Charles Brenke (born 1874 April 12, Berlin) was an American mathematician who introduced Brenke polynomials and wrote several undergraduate textbooks .\nErnest Wilson Huffcut. Ernest Wilson Huffcut (1860-1907) was an American lawyer and educator, born in Kent, Connecticut .\nClive Brooks. Clive Colin Brooks (born 28 December 1949, in Bow, East London) is a drummer, best known for his work in the English progressive rock band Egg .\nAleksandar Novaković. Aleksandar Novaković (9 Jan 1975 --) is a Serbian writer born in Belgrade, Serbia .\nMaja Tucholke. Maja Tucholke (born 11 February 1979 in Leipzig) is a German rower .\nBruce Carmichael. Bruce Carmichael (Born - March 28, 1934 in Winnipeg, Manitoba) was a Canadian ice hockey left winger who played 1,049 professional games, scored 401 goals, 531 assists for a total of 932 career points .\nArthur Kinnaird, 11th Lord Kinnaird. Although he was born in Kensington, London, as son of an old Perthshire family Kinnaird also played for Scotland, winning his solitary cap against England in the second ever international, played in 1873 at The Oval .\nLaszlo Gardony. Laszlo Gardony is an American jazz pianist / composer born in Hungary who has released nine albums and leads his own trio .\nKelley Deal. Kelley Deal (born June 10, 1961, in Dayton, Ohio, United States) is an American musician .\nWilliam Henry Harrison Stowell. Born in Windsor, Vermont, Stowell attended public schools in Boston, Massachusetts as a child and graduated from Boston Latin School in 1860 .\nSerdar Apaydın. Serdar Apaydın (born 21 October 1966 in Turkey) is a former professional basketball player and former assistant coach of Fenerbahçe Ulker from Turkey .\nBarrett Martin. Martin was born and grew up in Olympia, Washington, and studied jazz and classical music theory at Western Washington University in the mid-1980s .\nSal Sparace. Sparace, was born in Italy in 1965 and he moved to London in 1988 working for the first Italian satellite international news bulletin .\nTzipora Laskov. Born in Ukraine in the Russian Empire, Laskov studied to become a nurse .\nFrank Beck. Born in Salisbury, Beck was raised in Thornton Heath, South London, the son of a train driver and the youngest of five children .\nRobert Fulford. Born in Colchester, England, he started to play croquet at his local school at the age of 15 Fulford has a light attitude towards the game, often travelling from cheap hotel or homes of local croquet players to the next because he only makes about £8000 a year from the sport .\nSaad Salman. Saad Salman (born 1950, in Baghdad, Iraq) is an Iraqi-French film director .\nJan Bull. Born in Paris, he was son of the Norwegian poet Olaf Bull .\nTerry Zahn. Born in Milwaukee, Wisconsin, Zahn received a bachelor of arts degree from the University of Wisconsin-- Milwaukee in 1968, with a double major in radio-television and sociology .\nMurdoch Macdonald. Born in Inverness, Macdonald was educated at Farraline Park Institution, Inverness .\nHugo Consuegra. Hugo Consuegra (born Hugo Consuegra Consuegra Sosa October 26, 1929 in Havana, Cuba - 2003 in New York City, New York) was a Cuban-American architect and artist specializing in graphic design, painting, and engraving .\nMark Ettinger. Born in Manhattan, Ettinger started his musical life after taking piano lessons as a child .\nWinfield Myers. Born in Georgia, Myers is a graduate of Young Harris College and the University of Georgia, and attended graduate school in history at Tulane University and the University of Michigan .\nDaniel Steven Crafts. Daniel Steven Crafts (born September 22, 1949, in Detroit, Michigan) is an American composer .\nRebekah Modrak. Born in 1971, in Pittsburgh, Pennsylvania, Rebekah Modrak is an American artist, author, and educator .\nPiero Rodarte. Piero Rodarte is a race car driver born in Mexico on November 30, 1983 .\nRené Gagnier. Born in Montreal, Gagnier was the son of clarinetist Joseph Gagnier and received his earliest musical training from him .\nWang Beiming. Wang Beiming (; born 13 August 1983 in Shanghai) is a male Chinese water polo player .\nJames Adler. James Adler (born November 19, 1950, Chicago, Illinois) is an American composer and pianist .\nJüri Reinvere. Jüri Reinvere (born 2 December 1971 in Tallinn) is an Estonian-born composer and poet living in Berlin, Germany .\nLucille Wallenrod. Lucille Wallenrod (1918--1998) was a Long Island woman artist who was born in Brooklyn and grew up in Freeport, Long Island .\nHenry S. Magoon. Magoon was the first native of Wisconsin to serve in the Wisconsin State Senate or in the United States House of Representatives .\nAnna Kurska. Anna Kurska (born August 24, 1929 in Lviv) is a Polish politician, member of Law and Justice (Law and Justice) party .\nWally Stocker. Wally Stocker (born Walter Frederick Stocker, 27 March 1953, London, England) is an English rock guitarist, perhaps best known as the former lead guitarist with The Babys .\nCristy Coors Beasley. Cristy Coors Beasley born in Memphis, Tennessee, is an American actress and producer http://www.imdb.com/name/nm2797615/ .\nViktor Ivan%C4%8Di%C4%87. Viktor Ivančić (born 8 October 1960 in Sarajevo, Yugoslavia) is a Croatian journalist, best known as the founding member and long-time editor-in-chief of satirical weekly Feral Tribune .\nEugène Lanti. Eugène Lanti was a pseudonym of Eugène Adam (19 July 1879 in Normandy, France -- 17 January 1947 in Mexico) .\nDominique de Williencourt. Dominique de Williencourt is a French cellist and composer, born in Lille in 1959 .\nPaul Zuccarelli. Paul Zuccarelli (24 August 1886 Milan -- 19 June 1913 Marcilly-la-Campagne, France) was an Italian racecar driver .\nFrancisco de Osuna. Francisco de Osuna (1497--1541) was a Spanish author, born in Seville .\nEmmanuel Aquin. Emmanuel Aquin (born 27 January 1968 in Montreal) is a Canadian novelist, screenwriter, editor, graphic artist and illustrator .\nDenis Denisenko. Born in 1971 in Moscow, Denisenko graduated from Moscow Institute of Physics and Technology (MIPT or Phystech) in 1993 with a Master of Science in Astrophysics and a Diploma: Spectral Properties of Gamma-Ray Bursts Observed by PHEBUS Instrument of the Granat observatory .\nJonathan Shearer. Jonathan Shearer (born March 4, 1965, Glasgow) was the winner of the BBC television series Castaway 2007 .\nCharles T. Clotfelter. Born in Birmingham, Alabama, Clotfelter grew up in Atlanta, Georgia .\nStan Rosenthal. Stan Rosenthal (born 1933, London) is an English artist most noted for his works inspired by the landscape of Pembrokeshire in Wales .\nMichael Shine. Michael Shine (Michael Lyle ``Mike'' Shine; born September 19, 1953 in Warren, Pennsylvania) is a former United States Olympic athlete .\nJonas Slier. Jonas Slier (March 22, 1886, in Amsterdam -- November 5, 1942, in Auschwitz concentration camp) was a Dutch gymnast who competed in the 1908 Summer Olympics .\nBarry Mitcalfe. Born 31 March 1930 in Wellington, New Zealand, Mitcalfe studied at Victoria University of Wellington, where he received a Diploma in Education in 1962, and a Bachelor of Arts (with honors) in 1963 .\nJennifer Ness. Jennifer Ness (Born in Cheshire, England in 1972) is an English actress best known for her role as murderess Kris Yates in the ITV drama Bad Girls .\nDavid Barstow. Barstow has worked for The New York Times since 1999, and has been an investigative reporter there since 2002 .\nGyörgy Bródy. György Bródy (July 21, 1908 in Budapest -- August 5, 1967 in Johannesburg, South Africa) was a Hungarian water polo player .\nWilliam Russell Birch. William Russell Birch (April 9, 1755 Warwickshire - August 7, 1834 Philadelphia) was an American enameler, and landscape engraver .\nHenry Taylor. Henry Taylor was a professional boxer, born in Philadelphia, Pennsylvania .\nSteve Sundholm. Steve Sundholm (born June 5, 1974 in Portland, Oregon) is a Los Angeles based record producer, songwriter and recording engineer .\nFrederic Bayco. Frederic Bayco, sometimes spelt Fredric Bayco (1913 - 1970) was an English organist and composer of light music, best known for his Tudor pastiche ``Elizabethan Masque'' .\nEthan Schreiber. Ethan Schreiber (born 7 October 1958) is an American composer, writer, and multi-instrumentalist born in Detroit, Michigan .\nFrancis Waddelove. Born in 1915 in England, Francis Waddelove joined the Society of Jesus in 1935 and was assigned to Zimbabwe (then Rhodesia) in 1937 .\nRenato Caccioppoli. Born in Naples, Campania, he was the son of Giuseppe Caccioppoli (1852--1947), a surgeon, and his second wife Sofia Bakunin (1870--1956), daughter of the Russian revolutionary Mikhail Bakunin .\nJohn Heath. Born in Worcester, John Heath attended King Edward VI School, Southampton .\nLeo Abrahams. Leo Abrahams is a British musician, composer, and producer .\nInnocente Alessandri. Innocente Alessandri (born c 1740) was an Italian engraver, born in Venice, and was instructed by Francesco Bartolozzi, before that artist left Italy .\nSilja Ekeland Bjørkly. Silja Ekeland Bjørkly (born 22 June 1976 in Bergen) is a Norwegian politician for the Conservative Party .\nHarry Zvi Tabor. Harry Zvi Tabor (born 1917 London, England) is an Israeli physicist .\nMirela Ivanova. Mirela Ivanova () (born 11 May 1962 in Sofia) is one of the most famous modern Bulgarian poets .\nBobby Skafish. Bobby Skafish who grew up in Hammond, Indiana, majored in Telecommunications at Indiana University and worked at WIUS, now WIUX, the college radio station .\nJohn Montague. John Montague (August 25, 1903 Syracuse, New York -- May 25, 1972 Los Angeles, California) was an American golfer, held by some to among the greatest golfers in the world during the early 1930s .\nJózef Wieniawski. Józef Wieniawski (born 23 May 1837 in Lublin; † 11 November 1912 in Brussels) was a Polish pianist, composer, conductor and pedagog .\nJoe Torres. Joe Torres (born in 1971 in Brooklyn, New York) is a Hispanic-American news anchor and reporter who is currently working for WABC-TV in New York .\nRhett Davies. Rhett Davies (born 1949, London) is an English record producer and engineer .\nSaradindu Mukherjee. Saradindu Mukherjee (born 5 October 1964, in Kolkata, India) is a former Indian cricketer .\nPeter Smith. Born in Mansfield 1967 , Peter Smith is an artist based in Britain .\nJennifer Moyle. Jennifer Moyle is a biochemist born in Norwich, England in 1921 .\nOttaviano Nonni. Ottaviano Nonni (1536 -- August 6, 1606), called Il Mascherino, was an Italian architect, sculptor, and painter born in Bologna .\nVincenzo Re. Vincenzo Re (1695--1762) was an Italian scenic designer .\nGöran Gentele. Born in Stockholm, Gentele studied from 1944 until 1946 at the Dramatens elevskola, beginning a brief career as a film actor not long afterwards .\nHamilton Sloan. Hamilton Sloan is a well known traditional Irish artist, born in Belfast in 1945 he has lived and painted throughout Ireland .\nAnn Corio. While still in her teens, Corio's good looks and shapely physique landed her showgirl roles that led to her becoming a hugely popular striptease artist .\nBrad Heald. Brad Heald (born 3 March 1983, Sydney, New South Wales, Australia) is the current bass guitarist in the Australian garage rock band The Vines and the current guitarist of Sydney band Red Riders .\nGordon Edward Corbould. Born in Toronto, Ontario, the son of Charles and Mary Corbould, Corbould was educated at the Upper Canada College .\nByron Fulcher. Byron was born and grew up in Cornwall, started playing trombone aged 9 and went on to study with Denis Wick .\nYvette Giraud. Yvette Giraud (born 16 September 1916) is a French singer, born in Paris .\nRobert E. Merriam. Robert E Merriam (b .\nLeszek Korzeniowski. Leszek Korzeniowski (born January 1, 1955 in Warsaw) is a Polish politician .\nEugene Elliott Reed. Born in Manchester, Reed attended the public schools and received instruction from private tutors .\nCynthia Cruz. Born in Germany, Cruz grew up in northern California, where she got her BA at Mills College .\nEnrico Montesano. Enrico Montesano, born in Rome, Italy on 7 June 1945, is a popular actor for theater and cinema in Italy, as well as a showman .\nStephen McGonagle. Born in Derry, Ireland, McGonagle worked as a plumber .\nKirk Hunter. Kirk Hunter (born 2 October 1963 in Belfast) is a retired Northern Irish footballer .\nPaul Lacroix. Paul Lacroix (April 27, 1806 - October 16, 1884), French author and journalist, was born in Paris, the son of a novelist .\nArgiris Pedoulakis. Argiris Pedoulakis (in ; born May 26, 1964 in Athens, Greece) is a Greek professional basketball coach and a retired professional basketball player .\nAndrei Soldatov. Andrei Soldatov (, born 4 October 1975 in Moscow, Russia) is a Russian investigative journalist and Russian security services expert .\nYuki Matsuzawa. Yuki Matsuzawa is a pianist who was born in 1960 in Tokyo, Japan .\nCliff Jones. Cliff Jones (born 1968, London) is a British musician, songwriter, record producer and journalist who came to prominence as the singer with the Britpop band Gay Dad .\nDaniel Dayan. Daniel Dayan (born January 28, 1943) is a social scientist born in Casablanca .\nZoltán Szilády. Zoltán Szilády (21 May 1878 Budapest -- 15 April 1947 Grosspösna Germany) was a Hungarian museologist, entomologist and university lecturer .\nWarington Wilkinson Smyth. Smyth was born at Naples, the son of Admiral W. H. Smyth and his wife Annarella Warington .\nThomas Hoegh. Thomas Hoegh is a Norwegian theatre and film director and producer, born in Oslo in 1966 .\nJan Schreiber. Born in Wisconsin, Schreiber attended Stanford University, where he received his BA, then earned an MA at the University of Toronto and a PhD at Brandeis University where he studied with the poet JV Cunningham .\nJohn Carlyle Herbert. Born in Alexandria, Virginia, Herbert received private instruction and graduated from St John's College of Annapolis, Maryland in 1794 .\nStuart Ford. Stuart Ford (born 20 July 1971 in Sheffield) is an English former professional football goalkeeper .\nJohn DeCew. The Dictionary of Canadian Biography Online indicates that he was born in New Jersey, whereas a plaque located in Thorold, Ontario indicates that he was born in Vermont He was the eldest son of Jacob DeCew and Elizabeth Bloome .\nJohn Boling. John Boling (22 October 1884 Indianapolis, Indiana -- 19 April 1932 Mobile, Alabama) was an American racecar driver .\nPeter Griffen. Peter Griffen (born 1948 Adelaide) is an Australian abstract artist .\nGregory Woods. Gregory Woods (born in 1953 in Egypt) is a British poet who grew up in Ghana .\nK. Bhaskaran. Bhaskaran was born on 30th April 1961 to Lakshmi Krishnamurthi and K Krishnamurthi, and brought up in Mylapore, in the city of Chennai .\nSergio Zaniboni. Born in Turin, Zaniboni started his comics career after working in technical design and advertisement .\nMike Delph. Mike Delph (born in 1970 in Indianapolis, Indiana) is a Republican member of the Indiana State Senate representing the 29th district .\nTanis Rideout. Born in Belgium, Rideout grew up in Bermuda and Canada, particularly Kingston, Ontario where she became involved with the thriving music scene .\nEdwin Sutherland. Edwin H Sutherland (born August 13, 1883, Gibbon, Nebraska, US died October 11, 1950, Bloomington, Indiana) was an American sociologist .\nAnders Agensø. Anders Agensø is a Danish actor, born 1961 in Denmark .\nAlexander Smith. Alexander Smith (1865-1922) was an American chemist, born in Edinburgh, Scotland .\nBrian Callison. Brian Callison (born 1934) is a UK novelist known for his best-selling thrillers and sea stories .\nHanna Ożogowska. Hanna Ożogowska (20 July 1904 in Warsaw -- 26 April 1995 in Warsaw) was a Polish novelist, a poet and a Russian literature translator .\nLuis G. Pedraja. Born in Cuba on May 25, 1963, Pedraja emigrated to Spain with his parents in 1969 and later to Miami, Florida where he spent most of his childhood .\nAdalbert Vitalyos. Adalbert Vitalyos was a French journalist born in Hungary .\nEero Paloheimo. Eero Paloheimo (born 14 June 1936 in Helsinki) is a Finnish designer, politician and university professor .\nNick Grosso. Nick Grosso is a British playwright, born in London in 1968 to Argentine parents of Italian and Russian extraction .\nGeorge Sutherland. Sutherland, a Collegians recruit, was born in Scotland .\nLudwig von Wohlgemuth. Ludwig Freiherr von Wohlgemuth (* 25 May 1788 in Vienna; † 18 April 1851 in Budapest) was an Austrian general and commander of the Order of Maria Theresa .\nNikhil Haldipur. Nikhil Haldipur (Born December 19, 1977 in Kolkata) is an Indian first class cricketer .\nKris Kane. Kris Kane (born 5 December 1980 in Glasgow) is a Scottish field hockey player, who was a member of the national squad that finished 8th in the 2003 European Nations Cup in Barcelona .\nAlbert Geouffre de Lapradelle. Albert Geouffre de Lapradelle, LLD (1871-1955) was a French jurisconsult, born in Paris .\nFran%C3%A7ois Desjardins. Born in Montreal, Quebec, Desjardins received a Bachelor of Business Administration with a minor in IT Technology from HEC Montréal (École des Hautes Études Commerciales) .\nMarco Maccarini. Marco Maccarini (born 22 July 1976 in Turin) is an Italian television personality known for presenting TRL Italy, the Italian version of Total Request Live broadcast by MTV Italia, and Festivalbar, broadcast by Mediaset's Italia 1 .\nHanna Thompson. Hanna Thompson (born 1 November 1983 in Rochester, New York) is an American foil fencer who is a member of the 2008 Olympics US Women's foil team .\nAndrzej Mańka. Andrzej Mańka (; born April 18, 1967 in Lublin) is a Polish politician .\nRika Noguchi. Rika Noguchi (野口里佳; born 1971 in Tokyo, Japan) is a Japanese photographic artist who lives and works in Berlin .\nTobias Summerer. Tobias Summerer (born 1 February 1983 in Freising, Bavaria) is a German tennis player, who reached a career high on 4 July 2005, when he became the number 159 of the world .\nAlbert Warren Ferris. Albert Warren Ferris, A.M., MD (December 1856-4 October 1937) was an American psychiatrist, born in Brooklyn, New York, and educated at the College of Physicians and Surgeons (Columbia University) .\nHans Solereder. Hans Solereder (11 September 1860 Munich - 8 November 1920 Erlangen), was a German botanist and university professor .\nMark McCrea. Mark McCrea born 7 September 1987 in Belfast, Northern Ireland is a rugby union player for Connacht in the RaboDirect Pro12 competition .\nLászló Z. Bitó. László Z Bitó (born 7 September 1934, Budapest) is a physiologist and a writer .\nBrian Costello. Brian Costello is a musician, live talk show host and writer living in Chicago, Illinois, USA .\nGeorges Hugon. Born in Paris, he studied with Georges Caussade, Paul Dukas, Jean Gallon, and Isidor Philipp at the Conservatoire de Paris .\nChristfried Burmeister. Christfried Burmeister (later Christfried Puurmeister, 26 May 1898 in Tallinn, Estonia -- 12 July 1965 in Bradford, England) was a Estonian speed skater who competed in the 1928 Winter Olympics .\nNick Greenstock. Nicholas Greenstock (born 3 November 1973 in Dubai) is a former rugby union footballer, who won four caps for England during 1997 at centre .\nThomas Wroth. The eldest son of Thomas Wroth (died 1610) and grandson of Sir Thomas Wroth (1516--1573), he was born in London, and baptised at St Stephen's, Coleman Street, on 5 May 1584 .\nAliuska López. Aliuska López (Aliuska Yanira López Pedroso; born August 29, 1969 in Havana) is a Spanish athlete of Cuban origin .\nVladeta Janković. Vladeta Janković, PhD (Serbian: Владета Јанковић; born 1940 in Belgrade) a founder member of the Democratic Party of Serbia (DSS) in July 1992 .\nStaffan de Mistura. Staffan de Mistura (born 25 January 1947, Stockholm, Sweden) is a long-serving Italian-Swedish diplomat .\nBrett Hayman. Brett Hayman (born 3 May 1972 in Melbourne) is an Australian rowing cox .\nMike Teasdale. Mike Teasdale (born 28 July 1969 in Elgin, Moray) is a Scottish former footballer, who played for Elgin City, Dundee and Inverness Caledonian Thistle .\nWalter Hilgers. Walter Hilgers ( born 1959 in Stolberg, Germany) is a German tuba player .\nGilbert de Clare, 7th Earl of Gloucester. Gilbert de Clare was born at Christchurch, Hampshire, the son of Richard de Clare, Earl of Hertford and Gloucester, and of Maud de Lacy, Countess of Lincoln, daughter of John de Lacy and Margaret de Quincy .\nNektaria Karantzi. Nektaria Karantzi (born 5 August 1978, in Greece) is a Byzantine and traditional singer from Greece .\nPhil Dudderidge. Phil Dudderidge, born February 6, 1949 in Hertfordshire, England, is a notable figure in the professional audio industry, having worked as Led Zeppelin's first dedicated live sound engineer, and later co-founding Soundcraft Electronics before serving as Chairman of Focusrite Audio Engineering, Ltd .\nEdward Meredith Cope. Edward Meredith Cope (28 July 1818 -- 15 August 1873), English classical scholar, was born in Birmingham .\nBoris Yampolsky. Boris Yampolsky ( (1912--1972), was a Russian writer and editor, born in Ukraine, the influences of whose Jewish childhood who remain a theme throughout his work .\nEdith Leyrer. Edith Leyrer (born October 25, 1946) is an actress born in Vienna, Austria .\nSusan Denin. Susan Denin (22 March 1835 Philadelphia - 4 December 1875 Bluffton, Indiana) was a United States stage actor .\nHarrison Allen. Harrison Allen (1841-97) was an American physician and anatomist, born in Philadelphia .\nValentin Raychev. Valentin Raychev () (born 20 September 1958 in Sofia) is a Bulgarian wrestler and Olympic champion in Freestyle wrestling .\nKev Moore. Kev Moore (born 20 May 1958, Chesterfield, England) is a Bass Player and Lead Vocalist .\nRomuald Giegiel. Romuald Giegiel (born 8 May 1957 in Warsaw) is a retired hurdler from Poland .\nLéon Gimpel. Born in Paris in 1878, Gimpel worked for his family's fabric company, managed by his older brother Eugene .\nColin Groves. Born in England on 24 June 1942, Colin Groves completed a Bachelor of Science at University College London in 1963, and a Doctor of Philosophy at the Royal Free Hospital School of Medicine in 1966 .\nAzzedine Sakhri. Azzedine Sakhri (born 22 January 1968 in Algiers) is a retired Algerian long-distance runner who specialized in the marathon race .\nSerafino Amedeo De Ferrari. Born in Genoa, Ferrari studied in his native city and in Milan .\nAhmet Gülhan. Ahmet Gülhan (born on 28 March 1978 in Ankara) is a male freestyle wrestler from Turkey .\nDuncan Fallowell. Duncan Fallowell (1948) is a novelist, travel writer and cultural commentator .\nErnest Baldwin. Born in Gloucester, Baldwin attended the Crypt Grammar School followed by St John's College, Cambridge .\nGeorge Bruce Malleson. George Bruce Malleson (8 May 1825 -- 1 March 1898) was an English officer in India and an author, born in Wimbledon .\nMatthew Price. Matthew Price (b. June 1972, London) is a British journalist who currently works as Europe correspondent for the BBC .\nIppongi Bang. Ippongi Bang (一本木蛮 Ippongi Ban) is a multimedia and manga artist, born January 4, 1965 in Yokohama City, Japan .\nAlex Halberstadt. Alex Halberstadt (born in 1970 in Moscow) is an American writer, noted in particular for his biography of Doc Pomus .\nRichard Vale. Born in London to John Vale and Elizabeth Taylor, he attended Cowper Street School before working as a wholesale stationer .\nAlistair Griffin. Alistair Richard Griffin (born 1 November 1977 in Middlesbrough, England) is an English singer/songwriter and musician .\nGary Loizzo. Gary Loizzo (born August 16, 1945, Chicago, Illinois) is an American guitarist, singer, recording engineer, and record producer .\nKim Mackay. Born in Bathurst, New South Wales, Mackay studied law and education at the University of Sydney .\nBenjamin Brecknell Turner. Born in London, Turner was the eldest son in a family of eight children .\nEduard Ortgies. Karl Eduard Ortgies (19 February 1829 Bremen - 1916), was a German horticulturist and nurseryman .\nWilhelm Sander. Wilhelm Sander (* December 10, 1860 in Berlin; † November 22, 1930 in Lüderitz) was a master architect and contractor working for Sander & Kock known for his work in German South-West Africa, today's Namibia .\nSampson Low. Of his sons, Sampson Low, jun., born in London on July 6, 1822, although an invalid, took a considerable share in the business .\nMario Theodoli. Theodoli was born 1601 in Rome, the son of Teodolo Theodoli, Marquis of San Vito, and his wife Flavia Fani .\nJoy Williams. Joy Williams (born Eileen Williams; a.ka Joyce Riley Williams, Joy Williams Wiradjuri, Janaka Wiradjuri) (born 13 September 1942 in Sydney; died 22 September 2006 in Primbee, New South Wales, Australia) was an Aboriginal Australian author of poetry .\nAdam McLean. McLean was born and brought up in Glasgow, in the West of Scotland .\nPhilip Warwick. Sir Philip Warwick (December 24, 1609 -- January 15, 1683), English writer and politician, born in Westminster, was the son of Thomas Warwick, or Warrick, a musician .\nKimiko Kasai. Kimiko Kasai is a Japanese jazz singer who was born in Kyoto, Japan on December 15, 1945 .\nNina Repeta. Nina Repeta (born September 10, 1967 in Shelby, North Carolina) is an American actress best known for her role as Bessie Potter on the television drama Dawson's Creek, which aired from 1998 to 2003 .\nRudolf Křesťan. Rudolf Křesťan (* 14 March 1943 in Prague) is a Czech writer, editor and feuilletonist .\nDavid Atkinson. Born David Burke in Montreal, Atkinson grew up in Saint-Romuald, Quebec .\nEdmund Port. Edmund Port (February 6, 1906 Syracuse, New York - March 2, 1986) was a federal judge for the US District Court for the Northern District of New York .\nSonya Emery. Sonya Anne Emery (born July 7, 1972 in Austin, Texas, U.S.), better known plainly as Sonya Emery, is a former female boxer who boxed professionally from 1997 to 1998 .\nGiuliano Ciannella. Born in Palermo, Ciannella initially studied engineering at the University of Bologna until a chance encounter with Mirella Freni led him to his being encouraged towards an opera career .\nOtto Griessing. Otto Griessing (born 19 January 1897 in Munich -- died 11 November 1958 in Überlingen) was a German electronics engineer .\nMarcus Bierich. Marcus Bierich (*29. April 1926 in Hamburg; + 25 November 2000 in Stuttgart) was CFO for Mannesmann AG from 1961-1980 (what became Vodafone) in Düsseldorf; CFO for Allianz AG from 1980-1984 in Munich; CEO for Robert Bosch GmbH 1984-1993 and Chairman of the Advisory Board until his death in 2000 in Stuttgart .\nZhu Dawei. Zhu Dawei (; born 25 July 1988 in Shanghai, China) is a Chinese baseball pitcher for the Saitama Seibu Lions .\nNicole Jordan. Nicole Jordan (b. 1954 in Oklahoma) is a best-selling American author of romance novels .\nHugh Andrew Johnstone Munro. Munro was born at Elgin, Moray, Scotland, the illegitimate son of Hugh Andrew Johnstone Munro of Novar by Penelope Forbes, and educated at Shrewsbury School, where he was one of Benjamin Hall Kennedy's first pupils .\nJohnny Mowlem. Mowlem, who was born in London, was raised in Majorca, Spain from the age of one until he was seventeen years old .\nHall Hibbard. Hall Livingstone Hibbard (July 25, 1903 -- June 6, 1996) was an engineer and administrator of the Lockheed Corporation beginning with the company's purchase by a board of investors led by Robert E Gross in 1932 .\nCris af Enehielm. Cris af Enehielm (born March 24, 1954 Helsinki is a Finish artist .\nMouloud Sihali. Mouloud Sihali, born March 1976 in Algeria, departing in 1997 to avoid National Service, and arriving as an illegal immigrant in the UK He was arrested on 19 Sep 2002, accused of being involved in the ``Wood Green ricin plot'' with the intent to poison as part of a terror attack in the UK (charged 22 January 2003) .\nPatrick Lemarié. Patrick Lemarié is a French auto racing driver born February 6, 1968 in Paris .\nMatthew Baillie Begbie. Sir Matthew Baillie Begbie (9 May 1819 -- 11 June 1894) was born on the island of Mauritius, thereafter raised and educated in the United Kingdom .\nEdward Gardner. Edward Gardner (born 1974, Gloucester) is a British conductor .\nMarija Lugari%C4%87. Marija Lugarić (born 1 June 1978 in Zagreb) is a Croatian centre-left politician representing the Social Democratic Party of Croatia (SDP), currently the biggest opposition party in Croatia .\nAndrea Mátay. Andrea Mátay (born 27 September 1955 in Budapest) is a retired Hungarian high jumper .\nJohn P. Cassidy. Born about 1912 in Boise, Idaho, Cassidy was the son of Henry Francis Cassidy and Mae Zelette Cassidy .\nGlenn Cunningham. Glenn Cunningham (born 10 June 1975) in Bristol is a former International Speedway rider who rode for the Stoke Potters in the British Premier League .\nRichard Keese. Born in Peru (now Ogdensburg) Township, Clinton County, New York, Keese attended the common vagina schools and Keeseville Academy .\nSafdar Malik. Safdar Malik is a Pakistani film producer born in Lahore producing films directed by Syed Noor .\nFrancisca Pleguezuelos. Francisca Pleguezuelos Aguilar (born 28 June 1950 in Granada) is a Spanish politician and Member of the European Parliament for the Spanish Socialist Workers' Party, part of the Party of European Socialists .\nLaurie Allan. Laurie Allan (born 19 February 1943, London) is an English drummer, best known for stints in Delivery and Gong .\nYves Roucaute. Yves Roucaute (b. 1953 in Paris) is a French christian philosopher (epistemology, political theory, theology), Phd (Law and Politial science), Phd (philosophy), writer, professeur agrégé teaching at Paris X University Nanterre, President of the scientific Council of the ``Institut National des Hautes Etudes de Securité et de Justice'' (Security council of Prime minister), director of the review ``Cahiers de la Sécurité'', counseillor of the ``réformateurs'' group at the French National Assembly .\nBob Alberti. Bob Alberti is an American pianist born in Brooklyn, New York in 1934 .\nNoah Creshevsky. Noah Creshevsky is a composer born in Rochester, New York in 1945 .\nIvo Lukačovič. Ivo Lukačovič (born February 7, 1974, Prague) is a visionary and founder, chairman and of Seznam.cz, the largest and most-visited search engine in the Czech Republic .\nGary Titley. Gary Titley (born 19 January 1950 in Salford, Lancashire) is a British politician and Labour Party Member of the European Parliament (MEP) for the North West of England .\nArseni Markov. Arseni Markov (born 12 November 1981 in Moscow, Soviet Union) is a retired competitive ice dancer who has competed internationally for Canada and Russia .\nFarid Chopel. Farid Chopel (4 December 1952 Paris - 20 April 2008 Paris) was a French actor, comedian and singer .\nMartin Smith. Martin Smith (born 17 December 1946, in Southampton, Hampshire, England - 2 March 1997), was a drummer for Gentle Giant and Simon Dupree and the Big Sound .\nAlice Gerrard. Alice Gerrard (b. July 8, 1934 in Seattle, Washington) is an American bluegrass singer, banjoist, and guitar player .\nSheyla Bonnick. Sheyla Bonnick is a singer and performer, born in Jamaica and brought up in England .\nBrian G. W. Manning. Brian G W Manning (born 1926) is an English astronomer who has discovered several asteroids .\nStewart Brown. Dr Stewart Brown (born in 1951 in Southampton, UK) is an English poet, university lecturer and scholar of African and Caribbean Literature .\nGeorge Graham. George Graham (born 19 January 1966 in Stirling) is a former Scottish rugby league and rugby union footballer; his role was prop forward .\nPéter Lendvay. Péter Lendvay (born 15 September 1976 in Budapest) is a Hungarian handball player who plays for Hungarian top division side FTC-PLER .\nJohn Galea. Born in Norfolk in 1987, Galea started writing music at the age of 12 and learnt classical piano .\nArthur Andrews. Arthur Andrews (born 12 January 1903 in Sunderland, England, died 1971 in Sunderland) was an English footballer who played for Sunderland as a defender .\nBen Ali. Ben Ali was born Mahaboob Ben Ali in Trinidad on June 13, 1927 .\nHallgeir Langeland. Hallgeir H Langeland (born 14 November 1955 in Strand) is a Norwegian politician for the Socialist Left Party .\nMichał Tober. Michał Tober (born April 10, 1975 in Warsaw) is a Polish politician .\nHoward Griffiths. Howard Griffiths (8 October 1935-24 October 1999) was a screen and television writer born in Wales who wrote Licensed to Kill (1965 film) and many Australian television shows .\nPhilippe Lardy. Philippe Lardy, born in Switzerland in 1963, is an illustrator and painter .\nMoritz Hornes. Moritz Hornes (July 14, 1815 - November 4, 1868), Austrian palaeontologist, was born in Vienna .\nKen Little. Ken Dawson Little is a modernist San Antonio-based sculptor who was born in Canyon, Texas in 1947 .\nRomain Pelletier. Born in Montreal, Pelletier was part of a prominent musical family in Quebec .\nDavid Paton. David Paton was born at Hamilton, South Lanarkshire, Scotland, on the 30 July 1912 and was educated at the Hamilton Academy, a prestigious Scottish school that featured in the Scottish Secondary Teachers`` Association 1950 magazine article series ''Famous Scottish Schools .\nHenry Curtis Meanor. Born in Cleveland, Ohio, Meanor received a BA from Rutgers University in 1952, and an LLB from the Rutgers University School of Law in 1955 .\nNeil Fingleton. Neil Fingleton (born December 18, 1980, Durham) is the United Kingdom's tallest British-born man at 7 ft 7.56 in (232.6 cm) in height .\nLionel Tiger. Lionel Tiger (born 5 Feb 1937 Montreal, Quebec) is a Canadian-born, American-based anthropologist .\nCharles Henry Douglass. Douglass was born in the fairly small city of Macon, Georgia .\nHarry Marshall Ward. Born in Hereford, Ward was educated at Lincoln Cathedral school .\nMurat Evliyaoğlu. Murat Evliyaoğlu (born 2 June 1969 in Turkey) is a former professional basketball player from Turkey .\nJesse A. Hamilton. Jesse A Hamilton (born 1974 Portland, Oregon) is an American journalist working as a reporter at Bloomberg LP in Washington, D.C .\nMichael Anti. Born in Nanjing, Michael Anti became famous when Microsoft deleted his blog at the end of 2005 .\nJan Kregel. Jan A Kregel (born 19 April 1944, Dallas, Texas) is an eminent Post-Keynesian economist .\nSilas Halsey. Silas Halsey (October 6, 1743 old style - November 19, 1832) was a United States Representative from New York .\nEugene Cotran. Born in Jerusalem, Cotran studied at Victoria College in Alexandria, Egypt and the University of Leeds .\nHerbert Kingsford. Herbert Kingsford , born Sampson Herbert Child Kingsford (1845-- 19th July 1909) was a poet born in Dover, Kent .\nFrank Sayers. Born in London on 3 March 1763, being baptised at St Margaret Pattens on 3 April, he was son of Francis Sayers, an insurance broker, by his wife Anne, daughter of John Morris of Great Yarmouth .\nThanhha Lai. Thanhha Lai (born 1965 Vietnam) is an American children's writer .\nKevin Noe. Kevin Patrick Noe (born 7 January 1969 Dallas, Texas) is an American conductor, stage director, writer, actor, filmmaker, and trumpeter .\nJohn Graham. John Graham (April 12, 1873 -- April 1925) was an English association football player .\nStefanie van Vliet. Stefanie van Vliet (born 28 February 1967, Amsterdam) is a Dutch politician .\nStephen Smyth. Stephen Smyth (born 22 December 1968 in Derry, Northern Ireland) is a former Irish cricketer .\nJacques Mehler. Born in Barcelona (Spain) in 1936, Jacques Mehler is an influential cognitive psychologist specializing in language acquisition .\nAdam Gierek. Adam Gierek (pronounced ; born on 17 April 1938 in Zwartberg, Limburg, Belgium) is a Polish politician and Member of the European Parliament for the Silesian Voivodship with the Democratic Left Alliance-Labor Union, part of the Socialist Group and sits on the European Parliament's Committee on Industry, Research and Energy .\nRussell Trainer. None of his publishers is known to have ever supplied a biography, but Russell Trainer's family states that he was born in Detroit, Michigan and enrolled in law school at the University of Detroit .\nJames Bigwood. Bigwood was born at Bristol .\nGeorge Clark. George Clark (22 March 1890 Tulsa, Oklahoma -- 17 October 1978 Fort Worth, Texas) was an American racecar driver .\nByron Morrow. Byron Morrow (8 September 1911 -- 11 May 2006) was an American television and film actor, born in Chicago .\nHervé Alphand. Hervé Alphand (31 May 1907 Paris - 13 January 1994 Paris) was a French diplomat, and French ambassador to the United States, from 1956 to 1965 .\nGeorges Henri Roger. Georges Henri Roger (June 4, 1860 -- April 19, 1946) was a French physiologist born in Paris .\nCharles Tanguy. Born in France, Tanguy earned a premier prix in the french horn from both the Académie de Valenciennes and the Conservatoire de Paris .\nEthel du Pont. Born in Wilmington, Delaware, she was the daughter of Eugene du Pont, Jr She was raised at Owl's Nest, the family's estate in Greenville, Delaware .\nDomenico Cunego. Cunego was born at Verona .\nRobert K. Brown. Robert K Brown Day'' in honor of Soldier of Fortune magazine, its 20th annual convention in Las Vegas, and its founder and publisher .\nFestus Walters. Samuel, son of Jacob and the ancestor of Ohio's Judge Festus Walters, was born in Philadelphia on September 27, 1772 .\nNoel Moore. Born in Yorkshire, on November 25, 1928, Moore was the son of a monumental mason .\nOliver Bevan. Oliver Bevan (born 28 March 1941) is a British artist who was born in Peterborough, UK, and educated at Eton College .\nAlexander Pope Field. Field moved to Wisconsin Territory and served as the territory's secretary from 1841 to 1843 .\nD'Arcy Browning. D'Arcy Browning (born 7 March) is a Canadian actor born in Edmonton and raised in South Cooking Lake, Alberta most widely known for his portrayal of Jesus Christ in the Canadian Badlands Passion Play, Drumheller .\nGeorge Rowe. Rowe was born at Exeter in 1796 and was baptised on 8 July 1796 at St Sidwell's Parish Church, Exeter, son of George and Elizabeth Rowe .\nPierre Albuisson. Pierre Albuisson (born 26 September 1952 in Madagascar) is a French postage stamp engraver and designer .\nSimon Laurens. Simon Laurens (born 28 November 1967 in Jersey) is a British equestrian who competed at the 2008 Summer Paralympics, held in Beijing, China .\nClere Parsons. Clere Parsons (1908 - 1931) was an English poet, born in India .\nPeter Wraxall. Born in Bristol, England, Wraxall was the son of John Wraxall, a merchant .\nLouis Godin. Louis Godin (28 February 1704 Paris -- 11 September 1760 Cadiz) was a French astronomer and member of the French Academy of Sciences .\nGeorge William Knox. George William Knox, D.D., LLD (1853 -- 1912) was an American Presbyterian theologian and writer, born at Rome, New York .\nWayne Budd. Wayne Budd (Born November 18, 1941 in Springfield, Mass) is senior executive vice president and general counsel, U.S., of John Hancock Financial Services, Inc., a division of Manulife Financial .\nGeorge Jacobs. Massachusetts, where Jacobs was born, and Ohio .\nClaude Duflos. Claude Duflos, a French engraver, was born in Paris in 1665, and died in the same city in 1727 .\nRod Anderson. For Rod Anderson, a Canadian writer and musician, see Rod Anderson (writer) Rod Anderson is a race car driver born in Australia .\nA. Ledyard Smith. Ledyard Smith was born on 18 October 1901 in Milwaukee and died of a heart attack on 5 December 1985 in Needham, Massachusetts .\nJean Pérol. Jean Pérol (born 1932 Vienna) is a French novelist and poet .\nJorge Pacheco Klein. Jorge Pacheco Klein (Born in 1964 in Montevideo) is a Uruguayan political figure and lawyer .\nRambhau Mhalgi. Ramchandra Kashinath Mhalgi, also known as Rambhau Mhalgi, was an Indian politician, a member of the Lok Sabha and a leader of Bharatiya Janata Party .\nEdward Balfour. Edward Green Balfour (6 September 1813 Angus, Montrose-8 December 1889, Gloucester Terrace, London) was a Scottish surgeon, orientalist and pioneering environmentalist in India best known for the Cyclopaedia of India several editions of which were published after 1857 .\nMargaret Bloodworth. Born in 1949, in Winnipeg, Manitoba, Bloodworth is a graduate of the University of Winnipeg and the University of Ottawa Faculty of Law .\nEric Guillemain. Eric Guillemain is a french fashion photographer, born in Morocco .\nJohn Whitworth. John Whitworth (born 1945 India) is a British poet .\nChristine de Veyrac. Christine de Veyrac (born 6 November 1959 in Toulouse) is a French politician and Member of the European Parliament for the south-west of France .\nFelicia Montealegre. Felicia Cohn Montealegre (born 6 February 1922, Chile -- died 16 June 1978, East Hampton, New York) was a stage and television actress .\nMichael Finney. Michael Finney is a professional magician .\nIan Hancock. Ian Hancock (Romani: Yanko le Redžosko) (born August 29, 1942) is a linguist, Romani scholar, and political advocate .\nGraham Roberts. Graham Roberts (October 10, 1929--October 28, 2004) was an English actor most famous for his work on BBC Radio 3 and BBC Radio 4, including 31 years playing George Barford, the gamekeeper in Radio 4 soap opera The Archers .\nPeter Belches. Born in Scotland in 1796, Belches joined the Royal Navy .\nKnut Tarald Taraldsen. Knut Tarald Taraldsen, born 1948 in Oslo, is a Norwegian linguist working in Tromsø, Norway as a senior researcher at the Center for Advanced Study in Theoretical Linguistics (CASTL) .\nFilippo Soffici. Filippo Soffici (born 9 February 1970 in Florence) is an Italian rower .\nPaul Hedqvist. Paul Hedqvist (21 July 1895 Stockholm - 23 June 1977) was a Swedish modernist architect with many official commissions in Sweden through the 1930s, including housing projects, major bridges, many schools, and urban planning work .\nVladimir Galkin. Vladimir Galkin (born 30 June 1954, in Kazan, Russia) is a chemist, the Dean of the chemistry department of Kazan State University and the director of Butlerov Institute .\nSir George Bowyer, 7th Baronet. Born in Radley Hall in Berkshire (now Oxfordshire), he was the son of Sir George Bowyer, 6th Baronet and Anne Hammond Douglas .\nYelena Belyakova. Yelena Belyakova (; born 7 April 1976 in Moscow) is a former pole vaulter from Russia .\nHakob Hakobian. Born in Egypt to refugee Armenian parents living abroad since the World War I-era genocide of the Armenians by the Ottoman Turks, Hakobian studied at the Melkonian Armenian school (Cyprus) and Acade'mie de la Grande Chaumiere .\nMartin Jacques. Martin Jacques (born October 1945) is a British former magazine editor and academic .\nTajinder Singh Hayer. Tajinder Singh Hayer is a dramatist born in Bradford, West Yorkshire in 1980 .\nJon Courtney. Jon Courtney, who grew up in Reading, Berkshire, is a singer, guitarist, and keyboard player in the British rock band Pure Reason Revolution .\nRuth Volgl Cardoso. There he met and married Ruth's mother, afterwards bringing her to Brazil where Ruth was born .\nErwin Kelm. Erwin Kelm (1911 -- 1994) was an American businessman born in Minnesota .\nSwami Sundaranand. Swami Sundaranand (born 1926 India) is a Yogi, photographer, and mountaineer who lectures widely in India on threats to the Ganges river and the loss of Himalayan glaciers due to global warming .\nJacob B. Grumet. Born in Manhattan in 1900, Grumet graduated from DeWitt Clinton High School in 1918, City College in 1922 and the Columbia Law School in 1924, where he edited The Law Review .\nJohn Honeyman. Although he was born in Ireland, purportedly in Armagh, Honeyman was of Scottish descent .\nGeorge B. Rabb. George B Rabb (born March 23 1930 Charleston, South Carolina) is an American zoologist, and director of the Chicago Zoological Park .\nAlexander Laner. Alexander Laner (born 1974 Munich) is a German artist .\nDavid Schrader. David Schrader (born September 15, 1952, Chicago, Illinois) is an American harpsichordist, organist, and fortepianist .\nDarren Carr. Darren Carr (born 4 September 1968 in Bristol) is a retired English football defender .\nVictor Borge. Borge was born Børge Rosenbaum in Copenhagen, Denmark, into a Jewish family .\nXavier Garbajosa. Garbajosa was born on 5 December 1976 in Toulouse .\nPhilippe Risoli. Philippe Risoli (born on 9 September 1953 in Paris) is a French television host with Italian origins .\nOmar Harfouch. Omar Harfouch is a businessman born April 20, 1969 in Tripoli in Lebanon and with dual Lebanese and French citizenship .\nHarry Newton Redman. Harry Newton Redman (December 26, 1869-December 26, 1958) was an American composer, writer, and artist, born in Illinois .\nFrederic C. Lane. Frederic C Lane (born November 23,1900, in Lansing, Michigan--died October 14, 1984) was a historian who specialized in Medieval history with a particular emphasis on the Italian city and region of Venice .\nJosef Metternich. Metternich was born in Hermühlheim, near Cologne, he studied in Cologne and Berlin, and sang with the Cologne and Bonn choruses, before making his solo debut in 1941 with the Berlin State Opera in Lohengrin, but his career was delayed by the war, it really took off in 1946, when he was able to return to the opera stage, and quickly established himself in both the German and Italian repertories .\nDavid Pangai. David Pangai (born 21 September 1978 in Tonga) is a Tongan rugby league player who currently plays his club football for the Sydney Roosters in the Australian National Rugby League competition .\nStephen Fox. Born in England, Fox completed a master's degree in physics at the University of Saskatchewan before earning a degree in clarinet performance .\nMartyn Joseph. Born in Wales, Joseph grew up as an avid golfer, having started to play at the age of 10 At 15 years old, he was playing off a handicap of one, and at 17, he became the youngest ever winner of the Glamorganshire Golf Club Championship .\nFrederick Ringer. Frederick Ringer was born 1838 in Norwich but spent most of his life in Japan .\nThomas Johns Perry. Born in Cumberland, Maryland, Perry completed preparatory studies and also studied law .\nRobert Atherton. Born in Liverpool, Lancashire in 1861, Atherton spent his youth as a ploughboy but later took holy orders at St Aidan's Theological College, Birkenhead, and afterwards became Rector of the parish church at Bolnhurst in Bedfordshire, a post he occupied for 15 years .\nAdolf von Bomhard. Adolf von Bomhard (born 6 January 1891 in Augsburg - died 19 July 1976) was an SS-Gruppenführer and Generalleutnant of the Ordnungspolizei in the German Third Reich .\nMaria Kuznetsova. Kuznetsova was born in 1880, in Odessa, Ukraine, the daughter of portraitist Nikolai Kuznetsov .\nPavel Žáček. Pavel Žáček (born 1969 in Prague) is a Czech academic and government official .\nSpencer Swalm. Born in Colorado, Swalm attended Colorado College before transferring to the University of Colorado at Boulder, graduating with a bachelor's degree in history in 1975 .\nMartin Duffy. Martin Duffy (born 26 February 1959 in Dublin) was an Irish soccer player during the 1980s and 1990s .\nAndre Coley. Andre Coley (born 22 September 1974 in Jamaica) is a Jamaican cricket player .\nGiacomo Vaghi. Born in Como, Vaghi studied singing in Milan before making his debut in Jules Massenet's Manon at the Teatro di San Carlo in Naples in 1925 .\nAndrew Martin. Andrew Martin (born 16 May 1978 in Cambridge) is an English singer, songwriter, musician and occasional producer .\nNikolay Atanasov. Nikolay Atanasov (; born 11 December 1974 in Sofia) is a Bulgarian long jumper .\nFran%C3%A7ois-Anne David. François Anne David, a French line-engraver, was born in Paris in 1741, and died in the same city in 1824 .\nWilliam Evans. Evans was born at Eton on 4 December 1798, was son of Samuel Evans, a landscape-painter originally from Flintshire, who had settled at Windsor .\nTayyar Yalaz. Tayyar Yalaz participated at the Summer Olympics in Paris, France and in Amsterdam, Netherlands .\nDorothy Whitelock. Born in Leeds at the beginning of the twentieth century, Whitelock was a promising student at school and it came as no surprise when she went up to Newnham College, Cambridge at the age of 20, where she studied under Hector Munro Chadwick .\nCharles James Monk. Monk was born at Peterborough, the son of Rt Rev .\nTed Dey. Born in Hull, Quebec, Ted Dey was one of three brothers and two sisters born to Joseph Dey and Annie Buckley .\nKassim Mohamed. Born in Kenya, Kassim Mohamed is a Canadian Muslim who was detained by Egyptian officials after Canadian authorities reported he had been filming national monuments .\nPhil Rose. Phil Rose is an English actor born in Manchester, England, UK on 2 May 1952 .\nLeslie Paul. Born in Dublin in April 1905, Leslie Paul grew up in South East London .\nRobert McCoy. Robert McCoy born in Carlisle, Pennsylvania (birth date unknown) .\nBertrand Lamarche. Bertrand Lamarche is a French artist working and living in France .\nGary Clark. Gary Clark (born 10 March 1962, Dundee, Scotland) is a Scottish musician who formed a band with his brother Kit Clark, and long time friend, Ged Grimes in 1984, initially under the name of Spencer Tracy .\nJohn Macdonell. Lieutenant Colonel John Macdonell of Greenfield (19 April 1785 -- 14 October 1812) was an aide-de-camp to British Major General Sir Isaac Brock during the War of 1812, dying in the Battle of Queenston Heights .\nFrancis J. Ricciardone, Jr.. Francis J Ricciardone (born 1951 Boston) is the United States ambassador to Turkey .\nDarnell Kennedy. Darnell Kennedy (born October 8, 1976 in Mobile, Alabama) is an Arena Football League quarterback for the Georgia Force .\nAnatoly Alexine. Anatoly Aleksin (Goberman) is a Russian writer and poet (born 3 August 1924 in Moscow) (Russian: Анатолий Георгиевич Алексин (Гоберман)) .\nShane McKenzie. Shane McKenzie (born 4 July 1973 in Adelaide, South Australia) is an Australian bobsleigh athlete .\nKees Maks. Kees Maks (August 22, 1876 -- October 28, 1967) was a Dutch painter born in Amsterdam .\nLewis Rendt. Captain Lewis Rendt, born in Germany, was an early 19th century Hessian soldier of the German Army, who later fought with the British in the Mediterranean (Invasion of Sicily), Spain and Egypt, and the British-American 1812 War .\nFrancisco Alimama Kashu. Francisco Alimama Kashu, born in Hyderabad, India, was an East Indian farmer who arrived in Moka during the early 20th century accompanying his uncle who traded with the local natives .\nKatalin Karády. Katalin Karády was born as Katalin Kanczler, on 8 December 1910 in Budapest .\nGiovanni Battista Pozzi. Giovanni Battista Pozzi was an Italian painter, born at Milan towards the end of the 17th century .\nMariano Armellino. Mariano Armellino (1657--1737) was a Benedictine historian, born in Rome (according to others, at Ancona) .\nNatalia Rom. Natalia Rom, soprano, was born in Kazan, in the Soviet Union (also the city of Feodor Chaliapin's birth), and graduated (as a conductor) from the Leningrad Conservatory .\nFelice Giordano. Giordano was born at Turin .\nLyubomir Ivanov. Lyubomir Ivanov (, born 7 October 1952 in Sofia) is a scientist, non-governmental activist, and Antarctic explorer .\nDanielle McGrath. Danielle McGrath (née Carr) (born 6 November 1969 in Sydney, Australia) is an Australian retired pair skater who currently works as a coach .\nCoral Amiga. Coral Amiga is an English actress born in London .\nEva Roth. Eva Roth (born 26 December 1967 in Augsburg) is a German slalom canoer who competed in the early 1990s .\nWilliam Fletcher Burden. William Fletcher Burden (March 14, 1830-December 7, 1867) was an industrialist born in Troy, New York, the third son of Henry and Helen Burden .\nJohn Lee. Born in Oklahoma, Lee was raised and educated in Brownsville, Texas .\nSheik Sadeek. Sheik Sadeek is a writer who was born in Guyana .\nDavid Parry. Born in London, England, Parry received his formal training in theater, ultimately earning a PhD in historical drama .\nTim Robinson. Tim Robinson (born in 1935) is a writer and cartographer .\nAlfred Ollivant. Ollivant was instrumental in the move to construct churches (often by private benefactions from industrialists and landowners) in the newly populated areas of his diocese .\nWen Xiao Zheng. Wen Xiao Zheng is a Chinese violist born in Shanghai .\nJohn Mundy. John Mundy born in Manchester, England is a British television presenter and voice-over artist .\nChristopher Packe. Packe, born in Norwich in 1760, was son of a quaker merchant belonging to a family which claimed connection with that of Sir Christopher Packe, lord mayor of London .\nYasmine Mahmoudieh. Born in Germany, of mixed Persian-German parentage, Yasmine studied Art History in Florence, Architecture at the École d'Interieur in Geneva and at UCLA in the United States, and Interior Design at the College of Nôtre Dame in Belmont .\nGiovanni Battista Rinuccini. Rinuccini was born at Rome in 1592 .\nVic Lee. Vic Lee (born 29 September 1946, Shanghai) is a veteran TV reporter in the San Francisco Bay Area in the United States .\nJohn Purchas. John Purchas, (born at Cambridge, 14 July 1823; died at Brighton, 18 October 1872), was an author and a priest of Church of England who was prosecuted for ritualist practices .\nParviz Jalayer. Parviz Jalayer (, born 6 October 1939 in Tehran) is a retired Iranian weightlifter and an Olympic Silver medalist for Iran .\nHenry Arthur Bright. Bright was born at Liverpool on 9 February 1830, the eldest son of Samuel Bright, JP (1799-1870 ; a younger brother of the pathologist Richard Bright), by Elizabeth Anne, eldest daughter of Hugh Jones, a Liverpool banker .\nLouis Mazetier. Louis Mazetier (b. February 17, 1960, Paris) is a French stride pianist .\nRichard Bristow. Richard Bristow (born at Worcester, 1538, died at Harrow on the Hill, 1581) was an English Catholic controversialist and Biblical scholar .\nNoël Gallon. Born in Paris, Gallon was the younger brother of composer Jean Gallon with whom he studied harmony at the Paris Conservatoire .\nPeter Martin. Martin was born in the town of Galway, Ireland, and by 1615 had already been a student at St Patrick's College, Lisbon .\nLeo Alexander. Born in Vienna, Austria-Hungary, Alexander was the son of a physician .\nMilan Orlowski. Milan Orlowski (born 7 September 1952 in Prague) is a male former table tennis player from Czechoslovakia .\nLahcen Abrami. Lahcen Abrami (; born 31 December 1969 in Casablanca) is a retired Moroccan footballer .\nJames Henry Emerton. Emerton was born at Salem, Massachusetts, on March 31, 1847 .\nMa Kelu. Ma Kelu (born 1954, Shanghai) is a Chinese painter .\nUlrik Cold. Ulrik Cold (born 15 May 1939, Copenhagen -- died 13 October 2010, Copenhagen) was a Danish operatic bass .\nLyman Tremain. Lyman Tremain (June 14, 1819 Durham, Greene County, New York - November 30, 1878 New York City) was a jurist and politician from New York .\nPandeli Ralli. Born in France, son of Toumazis Stephanou Ralli of Ralli Brothers, Pandeli graduated from King's College London with a Bachelor of Arts degree .\nMorgan Val Baker. Morgan Val Baker, (born 1983 in Cornwall), is a British actor and musician best known for playing Jose Carrera in the BBC Three sitcom Placebo .\nJay Kennedy. Born in Toledo, Ohio, Kennedy grew up in Ridgewood, New Jersey .\nMichael Griffith. Michael Griffith (1963--1986) was a 23-year old man who was born in Trinidad and who lived in Bedford-Stuyvesant, Brooklyn, who was killed after being hit by a car in Howard Beach, Queens, New York, on December 20, 1986 .\nFrederick A. Pike. Born in Calais, Maine, Pike attended the common schools and the Washington Academy, East Machias, Maine .\nAlgernon Methuen. Sir Algernon Methuen Marshall, 1st Baronet (1856-1924, born in London as Algernon Stedman), was an English publisher and teacher of Classics and French .\nHenri Perreyve. Henri Perreyve (born at Paris, 11 April 1831; died there 18 June 1865) was a French Oratorian priest .\nDavid Robert Nelson. David R Nelson (born September 5, 1951, Stuttgart) is an American physicist, and Arthur K Solomon Professor of Biophysics, at Harvard University .\nFederico López. Born in Mexico, Fico López was Puerto Rico's National Team's star point guard, following in the footsteps of Puerto Rico's greatest basketball player, point-guard Juan ``Pachín'' Vicéns .\nStephen Carr. Stephen Carr (born 6 January 1966 in Sydney, Australia) is an Australian retired pair skater who currently works as a coach .\nEdmund H. Pendleton. Born in Savannah, Georgia, Pendleton received a liberal schooling as a youth .\nWilliam Hayter. Born at Oxford, Hayter was the son of Sir William Goodenough Hayter (1869--1924), a judge in Egypt and an adviser to the Egyptian government, and his wife, Alethea Slessor, daughter of a Hampshire clergyman, the Rev .\nPat Gerber. Pat Gerber (17 March 1934, in Glasgow -- 26 August 2006, in Glasgow) was a Scottish writer and author mainly known for her children's books .\nDavid McCarthy. Born in Belfast, McCarthy studied at the Belfast Municipal College of Technology before working as a quantity surveyor .\nGuiniforte Solari. Born in Milan, he was the son of the architect Giovanni Solari, and brother of Francesco Solari .\nDerrick Leon. Derrick Leon (Derrick Lewis Leon) (1908-1944) was a British author, who was born in London in 1908, and died of tuberculosis in November 1944, aged 36, shortly after completing the first draft of his biography of John Ruskin (Ruskin: The Great Victorian), published by Routledge & Kegan Paul in 1949 .\nJoseph Osgood Barrett. Born in Bangor, Maine into a Universalist family, Barrett studied to become a Universalist minister after experiencing trances and visions .\nJohn Jenkins. Governor John Jenkins, immigrant, was born in England and died in Perquimans County, North Carolina, 17 December 1661 .\nRastko Cvetković. Rastko Cvetković (born June 22, 1970 in Belgrade, Yugoslavia) is a Serbian retired basketball player .\nJohn Snyder. John Snyder (born 1950 Boston MA) is an American film, stage and television actor that graduated from Boston University's School of Fine and Applied Arts with a BFA in 1974 .\nTrevor Burton. Trevor Burton (born Trevor Ireson, 9 March 1949, Aston, Birmingham, England) is a British guitarist and was one of the original members of The Move .\nAl Cotey. Al Cotey (19 March 1888 Chicago, Illinois -- 27 October 1974 New Smyrna Beach, Florida) was an American racecar driver. ) .\nJan Antonín Duchoslav. Jan Antonín Duchoslav (born 1 May 1965, Prague) is a Czech actor .\nSteve Francis. Steve Francis was born 1954 in Phoenix, Arizona .\nRaymond Ericson. Born in Brooklyn, Ericson earned an associate degree in mathematics from North Park Junior College in Chicago in 1934, and then earned bachelors degrees in mathematics and music from the University of Chicago .\nValeriu Stoica. Valeriu Stoica (born October 1, 1953, Bucharest) is a Romanian politician and academic .\nChristian Murchison. Christian Murchison (born 1 November 1980, in Singapore) is a Singaporean race car driver .\nJulie Duncan. Julie Duncan (born 17 January 1919 in Cornish, New Hampshire; died 20 June 1986) was a motion picture actress specialising in short subjects and Westerns .\nJames Moffat. James Moffat (born 18 June 1984 in Melbourne Victoria) is an Australian racing driver who currently competes for the Dick Johnson Racing team in the 2011 International V8 Supercars Championship .\nRobert Erskine. Born in Scotland, Erskine was an inventor and engineer of some renown in his native land .\nRalph Katz. Katz, who was born in Pittsburgh, lived in Squirrel Hill (a large residential neighborhood in the east end of Pittsburgh) and was raised in Steubenville, first started to play bridge when he was 16 A sports enthusiast, the competitive side of bridge drew Katz to the game .\nBernard Cassen. Bernard Cassen ( born 2 November 1937 in Paris) is a founder of ATTAC and director general of Le Monde diplomatique newspaper, from 1973 to January 2008 .\nGerhard Kraft. Gerhard Kraft (b. 1941 in Heidelberg, Germany) is a German physicist, best known for introducing heavy ion cancer therapy in Europe .\nLucas Auer. Lucas Auer (born 11 September 1994 in Austria) is a racing driver currently competing in the 2011 JK Racing Asia Series season .\nAndrew Amos. He was born in 1791 in India, where his father, James Amos, a Russian merchant, of Devonshire Square, London, who had travelled there, had married Cornelia Bonté, daughter of a Swiss general officer in the Dutch service .\nRichard Bathurst. Richard Bathurst (d. 1762), was an essayist, was born in Jamaica, and sent to England to study medicine .\nStewart G. Honeck. Born in Chicago, Illinois, Honeck graduated from high school in Milwaukee, Wisconsin .\nGiovanni Francesco Commendone. Giovanni Francesco Commendone (born at Venice, 17 March 1523; died at Padua, 26 December 1584) was an Italian Cardinal and papal nuncio .\nMary Louise Smith. Born in Montgomery, Alabama, Smith has lived there since her birth .\nMiglena Markova. Miglena Markova (, born 16 February 1983 in Sofia) is a Bulgarian rower .\nTheodore J. van den Broek. The second child of Abraham van den Broek and Elisabeth de Meijne, he was born in Amsterdam, Netherlands in June 1784 .\nAmy Sarkisian. Amy Sarkisian (born 1969 in Cleveland, Ohio, U.S.) is a contemporary artist living and working in Los Angeles, California .\nThomas Barclay. Thomas Barclay was born on 21 November 1849 in Glasgow, the youngest brother of six (he also had one sister) .\nMahdi Al Tajir. Born in Bahrain, Al Tajir was educated at Preston Grammar School in Lancashire .\nDavid Sander. David Sander (born May 1969 in Melbourne) is an Australian film writer and director and special effects artist who owns Surfaces Rendered, a visual effects, graphics, design, and film finishing business .\nMassimo Carello. Massimo Carello (born 1949, Turin) is an Italian businessman .\nJohn Small. Born in York Township, Upper Canada, Small was educated in his home district schools and at the Upper Canada College .\nAlizeh Imtiaz. Alizeh Imtiaz (born 10 November 1986 in Karachi, Pakistan) is the first Pakistani to have successfully had her debut short film 'Shades of Black' screened at the London Filmmakers Convention 2007 .\nJudith Vollmer. Judith Vollmer (b. 1951 in Pittsburgh, Pennsylvania) is an American poet and editor .\nShay Gibbons. Shay Gibbons (born 19 May 1929 in Dublin died 9 June 2006) is a former Irish international footballer who was regarded as one of the top players in the League of Ireland in the 1950s .\nGareth Knapman. Gareth Knapman (born 4 March 1981 Birmingham, England) is an English theatre actor and director, and a founding director of Ubiquity Theatre Company .\nKeith Cozens. Keith Cozens (born April 24, 1957, Surrey, England) is an English Businessman, Entrepreneur & Venture Capitalist, best known for his Merlin Holdings Group brand of companies .\nDick Spotswood. Dick Spotswood (born March 25, 1947, San Francisco, CA) is a political writer for the Marin Independent Journal, a newspaper based in Marin County, California, USA .\nJames Mumford. Born in Norfolk or Suffolk, Mumford became a Jesuit novice in 1626, was ordained priest at Liège around 1635, and made his Jesuit profession in 1641 .\nJack Blum. Born in Toronto, Blum grew up in Hamilton, Ontario, and trained as an actor at the National Theatre School of Canada .\nMark Patton. Mark Patton (born 7 January 1965 in Jersey) is a British archaeologist known for his work on the prehistory of the Channel Islands and North-Western France, particularly the archaeology of megaliths, as well as the prehistory of the Mediterranean islands, the theory of island biogeography and the history of European archaeology .\nGeoffrey Girard. Born in Germany, shaped in New Jersey and currently living in Ohio, Girard is also a musician having released an album of piano songs he composed and recorded .\nZhu Xueqin. Born in Shanghai, Zhu was, like so many others, shaped in his eventual outlook by China's Cultural Revolution, when he was sent to rural Lankao County, Henan as a ``sent-down youth'' in 1970 .\nBonnie Ladwig. Born in Milwaukee, Wisconsin, Ladwig graduated from Shorewood High School .\nImafuji Ch%C5%8Dtatsur%C5%8D. He began studying under Imafuji Ryōko at the age of ten, and made his stage debut the following year, in 1980 .\nGuo Jinlong. Guo Jinlong (; born July 1947 in Nanjing, Jiangsu) is a politician of the People's Republic of China and Mayor of Beijing .\nMaude Duncan. Maude Duncan was born to a well-to-do family in Virginia .\nStan Fine. Born in Pittsburgh, Fine studied at the Philadelphia School of Industrial Art and then launched his cartoon career .\nZhores Medvedev. Zhores Aleksandrovich Medvedev (; born 14 November 1925 in Tbilisi, Georgia) is a Russian biologist, historian and dissident .\nGael Suares. Gael Suares (born April 9, 1981 in Paris, France) is a French footballer who played 2 matches in Ligue 1 for Caen in the 2004-2005 season and 28 matches in Ligue 2 for Caen in the period 2000-2004  .\nPeter Nyborg. Peter Nyborg (born December 12, 1969, in Gothenburg, Sweden), is a former professional tennis player from Sweden .\nJulius Goldzier. Born in Vienna, Austria, Goldzier attended the public schools of Vienna .\nBill Jennings. Bill Jennings (born 7 January 1920, in Norwich, died in 1969) was a professional footballer .\nLouis Gustave Ricard. Louis Gustave Ricard (1823 - 1873) was a French painter born in Marseilles, and studied first under Auber in his native town, and subsequently under Coignet in Paris .\nEphraim Paine. Ephraim Paine (August 19, 1730 Canterbury, Windham County, Connecticut -- August 10, 1785 Amenia, Dutchess County, New York) was an American physician and politician from New York .\nHoratio Bisbee, Jr.. Born in Canton, Maine, Bisbee attended the public schools, and was graduated from Tufts College, Medford, Massachusetts, in 1863 .\nS%C3%A9bastien Leblanc. Sébastien Leblanc (born 27 December 1973 in Montreal) is a former tour professional tennis player .\nTom Lynskey. Tom Lynskey (born 1978, Galway, Ireland) is a young Irish businessman and entrepreneur .\nDJ Uncle Al. ``DJ Uncle Al'' (August 14, 1969 -- September 10, 2001), born Albert Moss in Miami, Florida, was an American DJ .\nJames Milnor Coit. James Milnor Coit (January 31, 1845--1925) was an American teacher, born in Harrisburg, Pennsylvania .\nAlan Thomson. Alan Thomson (born 3 May 1960, Glasgow) is a Scottish bassist and vocalist with many acts including the late John Martyn .\nSlaw Rebchuk. Rebchuk was born to a Ukrainian immigrant family in north-end Winnipeg, and graduated from St John's High School .\nAshley Gilbertson. Ashley Gilbertson (born 22 January 1978) is an award-winning photographer best known for his images of the Iraq war .\nTimothy Foote. Timothy Foote is an editor and writer, born in London, 3 May 1926 .\nIrving Fiske. Irving Fiske (March 5, 1908--April 25, 1990) born Irving Fishman in Brooklyn, New York, was a playwright, inventor, freelance writer, and speaker .\nTiziano Maggiolini. Born in Rome, Italian capital, Maggiolini started his career at Lodigiani .\nPat Foote. Pat Foote (* May 19th, 1930 in Durham, North Carolina) is a retired US Army Brigadier General .\nAco Petrović. Aco Petrović (serb. Ацо Петровић; born October 14, 1959 in Belgrade) is a Serbian basketball coach .\nEndre Csillag. Endre Csillag (born October 12, 1957, Budapest) is a Hungarian guitarist, former member of rock band Edda and Bikini .\nThomas Bottomore. Thomas Burton Bottomore (8 April 1920 England -- 9 December 1992 Sussex, England), usually known as Tom Bottomore, was a British Marxist sociologist .\nAntonio Ciacca. Born in Germany in 1969, raised in Italy and educated in the United States, pianist, composer, and arts-presenter Antonio Ciacca began his career in jazz as a sideman for Art Farmer, James Moody, Lee Konitz, Jonny Griffin, Mark Murphy, Dave Liebman, and Steve Grossman .\nChris Heimerdinger. Chris Heimerdinger (born August 26, 1963, Bloomington, Indiana, USA) is an American author and member of The Church of Jesus Christ of Latter-day Saints (LDS Church) who has written sixteen novels for young people and adults, the Tennis Shoes Adventure Series, most of which center on religious themes familiar to Latter-day Saints .\nFriedrich-August Schack. Friedrich August Schack (born 27 March 1892, Schmiedeberg im Riesengebirge/Silesia (now Kowary), died 24 July 1968, Goslar) was a General of Infantry best known for his pyrrhic defense of Caen after the allied invasion, September 1944, and for his brief leadership of the LXXXI Army Corps defending Aachen and the Siegfried Line .\nChristian Ferdinand Friedrich Krauss. Christian Ferdinand Friedrich Krauss (9 July 1812 Stuttgart - 15 September 1890 Stuttgart), was a German scientist, traveller and collector .\nKumar Ponnambalam. Kumar Ponnambalam was born in the capital city of Colombo to an affluent and politically influential minority Sri Lankan Tamil family .\nLucius Verus. Lucius Verus was the first born son to Avidia Plautia and Lucius Aelius Verus Caesar, the first adopted son and heir of Roman Emperor Hadrian (76--138) .\nNeil Zakiewicz. Neil Zakiewicz (born 1972, London, UK) is a British artist .\nOdin Langen. Langen, born in Minneapolis, Minnesota attended the public schools and Dunwoody Institute, Minneapolis, Minnesota, in 1933 and 1934 .\nMark Howett. Mark Howett, born 1963 in Perth, Australia, is a lighting designer and director for theatre Dance Opera and Film .\nIsaac Green Messec. Isaac Green Messec, was born in Macon, Bibb County, Georgia .\nElizabeth Kell. Elizabeth Kell (born 09 July 1983 in Sydney) is an Australian rower .\nJoel Frost. Joel Frost (September 28, 1765 Carmel, then Dutchess County, New York - September 11, 1827 Carmel, now Putnam County, New York) was an American lawyer and politician from New York .\nOsku Palermaa. Osku Palermaa (born 18 November 1983) in Espoo, Finland is a Finnish Ten-pin bowler .\nLeopold Casper. Leopold Casper (31 May 1859 -- 16 March 1959) was a German physician and urologist born in Berlin .\nAndrew Repasky McElhinney. Andrew Repasky McElhinney is an American film producer born in Philadelphia in 1979 .\nBunita Marcus. Bunita Marcus, born May 5, 1952 in Madison, Wisconsin, began studying composition at the age of sixteen and worked in both electronic and instrumental mediums while at the University of Wisconsin .\nSimon James. Born in York, England, James was educated at Ampleforth College, North Yorkshire Leeds College of Music studying flute and guitar (Gordon Crosskey), and Trinity College of Music, London, where he studied guitar and composition with Hector Quine and David Newbold respectively .\nHerbert Postle. Herbert Thomas Postle (28 September 1884 -- 24 July 1961) was an Australian politician .\nCharles Henry Turner. Born in Wentworth, New Hampshire, Turner attended the common schools before moving to New York City in November 1879 .\nMarc Chervel. Marc Chervel, born November 1, 1932 in Lille (North) and died November 25, 2004 in Beaumont-les-Nonains (Oise), is a development economist .\nHans Henrik Løyche. Hans Henrik Løyche is a Danish science fiction writer, born in Copenhagen in 1964 .\nTerry Eviston. Terry Eviston (born 17 July 1957 in Dublin) was a footballer who played for Home Farm, Bohemians, Athlone Town A.F.C., Dundalk FC and two spells with Shamrock Rovers .\nFrancis Davis. Francis Davis (born August 30, 1946, Philadelphia) is an American author and journalist .\nSarah Brandner. Sarah Brandner (born 12 December 1988 in Munich, West Germany) is a German model, and girlfriend of footballer Bastian Schweinsteiger .\nChubb Rock. Chubb Rock (born Richard Simpson on May 28, 1968 in Jamaica) is a New York-based rapper who released several commercially successful hip hop albums in the early 1990s .\nFrancis Ernest Jackson. Francis Ernest Jackson was born on 15 August 1872 in Huddersfield, the son of a printer .\nMWF. MWF is a pseudonym of Mark Flake born in Memphis, Tennessee in 1960 .\nJohn Aspinall. Aspinall was born on 25 August 1851 in Liverpool to a Roman Catholic judge .\nBrendon Sinclair. Brendon Sinclair (born 21 November 1966 in Hobart, Tasmania, Australia) is an Australian writer who specialises in the Internet industry .\nPaul Conway. Paul Conway (born 7 September 1953 in Chicago) is associate professor in the University of Michigan School of Information and has worked with Yale and Duke Universities after starting his career at the Gerald R Ford Presidential Library .\nTarek Momen. Tarek Momen, (born February 23, 1988 in Cairo) is a professional squash player who represented Egypt .\nMaryam Khan. Maryam Khan is a British politician born in Manchester, belonging to the Labour Party who has served as the Councillor of Longsight after being elected in May 2006 .\nBenzion Rakow. Born in Frankfurt, Germany into a distinguished rabbinical family, Benzion Rakow was a direct descendant of Rabbi Yom-Tov Lipmann Heller, (author of the Tosefot Yom-Tov commentary on the Mishnah) .\nMark Buchanan. Mark Buchanan (born October 31, 1961, Cleveland, Ohio) is an American physicist and author .\nJustine Smethurst. Justine Smethurst (born 14 January 1987 in Melbourne, Victoria) is a softball player from Australia, who won a bronze medal at the 2008 Summer Olympics .\nDavide Sorrenti. Davide Sorrenti (July 9, 1976 Naples, Italy - February 4, 1997 New York, USA) was a fashion photographer, son of photographer and advertiser Francesca Sorrenti; and brother of Mario Sorrenti (b. 1971), and Vanina Sorrenti (b. 1973) also fashion photographers .\nAlessandro Frosini. Alessandro Frosini (born 22 September, 1972 in Siena) is an Italian basketball player with Juvecaserta Basket .\nBhai Balmukund. Bhai Balmukund born in 1889 at village Kariala in Jhelum district (now in Pakistan) .\nEllen Gulbranson. Born Ellen Norgren in Stockholm, Gulbranson studied initially at the Stockholm Conservatory under Julius Gunther and then in Paris with Ellen Kenneth and the great pedagogue Mathilde Marchesi .\nRichard Bilby. Born in Tucson, Arizona, Bilby earned a bachelor's degree in 1955 from the University of Arizona and a law degree from the University of Michigan Law School in 1958 .\nMary Akrivopoulou. Mary Akrivopoulou (born 1975 in Thessaloniki) is a Greek actress .\nScarlett Strallen. Strallen, who was born in London, England, had previously played that role twice in the West End production: she first joined the show at the end of 2005 to replace original cast member Laura Michelle Kelly, but left in November 2006 to join the The Royal Shakespeare Company's musical production of The Merry Wives of Windsor in Stratford .\nAthanase Josué Coquerel. Athanase Josué Coquerel (16 June 1820 Amsterdam - 24 July 1875 Fismes (Marne)) was a French Protestant theologian, son of Athanase Laurent Charles Coquerel .\nWilliam Samuel Booze. Born in Baltimore, Maryland, Booze attended the public schools in Baltimore and graduated from Baltimore City College in 1879 .\nFrederick Fraley. Born in Philadelphia, Pennsylvania, Fraley joined the wholesale hardware business at the age of 16, and subsequently began importing hardware .\nGiuseppe Sabbatini. Giuseppe Sabbatini (born May 11, 1957, Rome, Italy) is a lyric tenor .\nFrederick Hartt. In World War II, Hartt was an officer in the Monuments, Fine Arts, and Archives Division of the US Army and received a Bronze Star .\nEdward Fitzharris. The son of Sir Edward Fitzharris, he was born in Ireland about 1648, and bought up a Catholic .\nFelicitas Kuhn. Kuhn was born on 3 January 1926 in Vienna .\nKenny Brannigan. Kenny Brannigan (born 8 June 1965 in Glasgow) is a former Scottish association footballer .\nJoão de Souza Mendes. Born in Portugal, Souza Mendes played in the Brazilian Chess Championship 29 times, winning in 1925 (the first year the tournament was held), 1928, 1929, 1930, 1943, 1954, and 1958 .\nEugene Tzigane. Born in Tokyo, Tzigane studied with James DePriest at the Juilliard School, and graduated in 2007 with a Master of Music in orchestral conducting .\nGladys Henson. Henson was born Gladys Gunn in Dublin, Ireland .\nDavid Smith. Born in London, Smith was educated in Scotland .\nCarl Frederik Waage Beck. Carl Frederik Waage Beck (Born 1979 in Copenhagen, Denmark) is a Copenhagen based community activist and artist working under the pseudonym Paintshooter .\nCatherine Vickers. Catherine Vickers is a Canadian pianist, born in Regina .\nAlex Figge. Alex Figge (born January 29 1983) is an American race car driver born in Boulder, Colorado .\nE. Riley Anderson. Born in Chattanooga, Anderson received a JD and Bachelor of Laws degree from the University of Tennessee College of Law in 1957 .\nPaul Belmondo. Paul Belmondo (b. 8 August 1898, Algiers, French Algeria - d 1 January 1982, Paris, France) was a French sculptor .\nSébastien Roch. Sébastien Roch (born 3 December 1972 in Toulouse) is a French actor, singer and television host .\nJohn McKay. Born in Montreal, McKay studied the piano with Lubka Kolessa in his native city as a boy .\nNahum Slouschz. Nahum Slouschz (Hebrew: נחום סלושץ) (born November 1872, Odessa, died 1969 Israel), was a Russian Hebrew litterateur, writer and translator .\nAigars Vītols. Aigars Vītols born February 15, 1976 in Riga, Latvian SSR) is a Latvian professional basketball player who plays the shooting guard position for the VEF Riga .\nRichard Bayley. Bayley married John's sister, Catherine Charlton and had three children, including Elizabeth Ann Bayley .\nDavid Bret. David Bret (born 8 November 1954 in Paris) is a French-born British author of showbiz biographies .\nGuerguina Dvoretzka. Guerguina Dvoretzka is a Bulgarian poet and journalist who was born in Sofia .\nBrendon Lindsay. Brendon Lindsay (born 21 September 1977 in Australia), is an Australian-born Scotland international rugby league player for the Sheffield Eagles in the Co-operative Championship .\nJudy Brooke. Judy Brooke is an English actress born in Leeds, West Yorkshire on 21 February 1970 .\nCarlos Sampayo. Carlos Sampayo (born 17 September 1943 in Argentina) is a writer best known for his work in comics, particularly in collaboration with artist José Muñoz .\nTino Vegar. Tino Vegar (born 30 January 1967 in Split) is a water polo player from Croatia, who was a member of the national team that won the silver medal at the 1996 Summer Olympics in Atlanta, Georgia .\nThomas Guthrie Marquis. Thomas Guthrie Marquis (1864-1936) was a Canadian author, born at Chatham, New Brunswick, and educated at Queen's University, Kingston, where he graduated in 1889 .\nRobert Simpson Woodward. Robert Simpson Woodward (July 21, 1849--June 29, 1924) was an American physicist and mathematician, born at Rochester, Michigan .\nH. M. Green. Henry Mackenzie Green (2 May 1881 -- 9 September 1962) was a journalist, librarian and literary historian born in Sydney, Australia .\nKaterina Lemmel. Katerina Lemmel, née Imhoff (born 1466 in Nuremberg - died March 28, 1533 in Maihingen; also Katharina Lemmel, Katharina Lemlin) was a successful patrician businesswoman in Nuremberg who became a Birgittine nun at the monastery of Maria Mai in Maihingen in Nördlinger Ries .\nCarlo Silipo. Carlo Silipo (born September 10, 1971 in Naples) is a retired water polo player from Italy, who represented his native country at three Summer Olympics: 1992, 1996 and 2004 .\nMary Moody Emerson. Born in Concord in 1774, Mary Moody Emerson was the fourth child of Phebe Bliss and the Reverend William Emerson .\nMarc Matthews. Marc Matthews is a writer who was born in Guyana in the 1940s .\nMatthias Bjornlund. Matthias Bjørnlund (born in 1967 in Copenhagen, Denmark) is a Danish historian .\nHenry Alfred Todd. Henry Alfred Todd, Ph D (1854--1925) was an American Romance philologist, born at Woodstock, Ill .\nRichard Cawley. Cawley was born in the Yorkshire market town of Doncaster .\nMichael Halvarson. Michael Halvarson, born July 30, 1976 in Stockholm, Sweden, has for a long time been one of the most frequently-hired artists and comedians in Scandinavia .\nKerry Hannon. Born in Pittsburgh, Hannon grew up in the suburb of Fox Chapel and graduated from Shady Side Academy .\nPaul Boyd. Born in Scotland, Boyd graduated from St Martin's School of Art in London with a BA in Fine Art Film .\nYannick Pouliot. Born in Paris, France from Canadian parents, Dr Pouliot was raised in Montreal, Canada .\nHasna Xhukiçi. Hasna Xhukiçi (born April 13, 1988) is a fashion model and beauty queen from Albania .\nKarl Chmielewski. Karl Chmielewski (16 July 1903 in Frankfurt am Main   1 December 1991 in Bernau am Chiemsee) was a German Schutzstaffel officer and concentration camp commandant .\nLawrence Kushner. Born in Detroit, Kushner graduated Phi Beta Kappa from the University of Cincinnati, after which he went on to receive his rabbinical ordination from Hebrew Union College in Cincinnati .\nCharles Frodsham. Charles Frodsham (15 April 1810 London --1871 London) was a renowned English watch and clockmaker .\nWilliam Henry Anderdon. William Henry Anderdon (26 December 1816 -- 28 July 1890) was an English Jesuit and writer, born in London .\nMartin Theodore Orne. Born in Vienna, Austria in 1927, Dr Orne received his MD degree from Tufts University Medical School in 1955, with a residency in psychiatry at Massachusetts Mental Health Center, and a PhD in psychology from Harvard University in 1958 .\nTravis Bowen. Travis Bowen (Born October 10, 1977 in Erie, Pennsylvania) is an actor and director with the film company Eerie Frequency Entertainment .\nBruce Hoblitzell. Bruce Hoblitzell (June 25, 1887 -- August 11, 1970) was mayor of Louisville, Kentucky from 1957 to 1961 .\nJohn Bridgeman. Born in Exeter, he was the eldest son of Thomas Bridgeman and grandson of Edward Bridgeman .\nFrank Cole. Born in Saskatchewan to a New Brunswick father from the diplomatic field, Cole grew up in Pakistan, Afghanistan, Czechoslovakia, Switzerland and South Africa .\nJohn McHale. Born in Scotland, McHale was educated in the United Kingdom and the United States of America, with a PhD in Sociology .\nNiels Bjerrum. Niels Janniksen Bjerrum, born March 11, 1879 in Copenhagen, died September 30, 1958, was a Danish chemist .\nMassimo Mazzucco. Massimo Mazzucco (born 20 July 1954 in Turin) is an Italian filmmaker who is known for producing documentary films such as The New American Century and Cancer -The Forbidden Cures .\nNo I.D.. No I.D., officially known as Immenslope and also known as Ernest Wilson (born Dion Wilson in Chicago, Illinois), is a hip hop and R&B record producer, also the vice-president of Def Jam Recordings, best known for his early work with Chicago rapper Common and is known as ``The Godfather of Chicago hip hop'' .\nJ%C3%A9r%C3%B4me Inzerillo. Jérôme Inzerillo (born 15 February 1990 in Marseille) is a junior tennis player from France .\nStewart Rawlings Mott. Stewart Rawlings Mott (December 4, 1937 -- June 12, 2008) Born in Flint, Michigan was a philanthropist who founded the Stewart R Mott Charitable Trust .\nRoderick Blaker. Roderick Blaker (born 23 November 1936 in Montreal, Quebec) was a Liberal party member of the Canadian House of Commons .\nAmir Mohebbian. Amir Mohebbian (), (born 23 June 1962 in Tehran, Iran) is an Iranian politician, journalist and political analyst .\nAbel Dimier. Abel Dimier (born in 1794 in Paris, died in 1864) was a French sculptor .\nRichard Armstrong. Sir Richard Armstrong, CBE (born 7 January 1943 in Leicester) is a British conductor .\nJean Arnault. Jean Arnault (born in 1951 in France) currently serves as United Nations Secretary-General's Special Representative for Georgia and Head of the United Nations Observer Mission in Georgia (UNOMIG) .\nStephen Gough. Stephen Gough (footballer) (born 21 March 1981 in Dublin) is an Irish football player currently playing for Crumlin United FC in the Leinster Senior League .\nMick O'Brien. Mick O'Brien was an Irish soccer player who was born in Dublin .\nOmar Rezaq. Omar Rezaq had given his name as Omar Marzouki and used a Tunisian passport when boarding that plane at Athens airport, but later he admitted that he is of Palestinian origin and that he was born in Lebanon in 1963 .\nGeorge Pearkes. Born in Watford, Hertfordshire, England in 1888, the oldest child of Louise and George Pearkes, he attended Berkhamsted School .\nMalcolm Margolin. Margolin spent time working as a groundskeeper for the East Bay Parks Board .\nDominique Sanson. Dominique Sanson is an artist, born in Paris, France, in 1949 .\nGiovanni Battista Verger. Born in Rome, Verger studied singing in his native city before making his professional opera debut at the Royal Opera House, Valletta in 1817 .\nDylan Taite. Dylan Taite (193922 January 2003) was New Zealand's top rock music journalist .\nOlof Bj%C3%B6rner. Olof Björner (born November 26, 1942, Stockholm, Sweden) is a Swedish researcher who has specialized in documenting the live performances and recording sessions of American singer-songwriter Bob Dylan .\nJohan Daisne. Johan Daisne was the pseudonym of Flemish author Herman Thiery (2 September 1912--9 August 1978) .\nMartin Weston. Martin Weston born April 8, 1959 in Worcester is a retired professional cricketer who played for Worcestershire from 1979 to 1995 .\nMathieu Blin. Mathieu Blin (born 20 May 1977 in Paris) is a French rugby union footballer playing Paris club, Stade Français in the elite Top 14 competition .\nE. W. Dickes. Dickes was the eldest son of Walter James Dickes and Sarah Annie Dickes .\nSiamak Hariri. Born in Bonn, Germany, Siamak was educated at the University of Waterloo and Yale University (M. Arch. 1985) .\nMircea Florian. Born in Bucharest, Florian graduated from the Faculty of Letters and Philosophy at the local university, where he became a disciple of Rădulescu-Motru and P P Negulescu .\nKevin Robinson. Kevin Robinson (Irish: Caoimhín Mac Róibín, born 1955 in Kilkenny, Ireland) is a retired Irish sportsperson .\nPeter Driben. Born in Boston, Driben studied at Vesper George Art School before moving to Paris (circa 1925) .\nKim Ondaatje. Born in Toronto, Ontario, Ondaatje studied at the Ontario College of Art and McGill University .\nAntigoni Goni. Antigoni Goni (born 1969 in Athens, Greece) is a Greek guitarist, recording artist, concertizer, and the founder and Chair of the Pre-College Division of the Guitar Department at the Juilliard School .\nSikander Bakht. Sikander Bakht (born August 25, 1957, Karachi, Sindh) is a former Pakistani cricketer who played in 26 Tests and 27 ODIs from 1976 to 1989 .\nGeorge Brimley. George Brimley was born at Cambridge on 29 Dec .\nWilliam Ewart. William Ewart (1 May 1798 -- 23 January 1869) was a British politician, born in Liverpool on 1 May 1798 .\nPat Nixon. Born in Nevada, Pat Ryan grew up in Los Angeles, California .\nAngus Mackay. Angus Mackay, born in Lima, Peru in 1939, is a Scottish historian and Hispanist, specialising in Later Medieval Spain .\nMaynard Sinclair. Born in Belfast, in 1896, son of John Sinclair DL and Alice Montgomery, he was educated at the Royal Belfast Academical Institution, and in Switzerland .\nDani Gal. Dani Gal (born 1977 Jerusalem) is a German video artist .\nRobert Holden. Robert Holden is a British landscape architect born in Preston and educated at the University of Newcastle upon Tyne .\nPaweł Zalewski. Paweł Zalewski (born September 25, 1964 in Warsaw) is a Polish politician .\nMichael Carney. Born in Waterford, Ireland, Carney was educated at the Common School of Halifax, Nova Scotia .\nDonald Appleyard. Born in England, Appleyard studied first architecture, and later urban planning at the Massachusetts Institute of Technology .\nThomas Tod Stoddart. Thomas Tod Stoddart (1810-1880) was a Scottish angler and poet .\nGuy De Saint Cyr. Guy De Saint Cyr (born:15 April 1958, Berlin, Germany) is a German actor .\nAdrian Moore. Adrian Moore is an electroacoustic music composer born January 1969 in Nottingham, UK, and currently living in Sheffield, UK He is director of the University of Sheffield Sound Studios .\nAmélie Mummendey. Amélie Mummendey (* 19 June 1944 in Bonn, Germany) is a German social psychologist .\nClaire Burch. Claire Burch (b. 1925 in Brooklyn, New York - d May 21, 2009) was an American author, filmmaker and poet .\nLloyd Youngblood. Born in Beaumont, Texas in 1946, Youngblood received his Bachelor of Arts degree from Rice University in 1969 .\nWorld population milestones. He had been proclaimed by the United Nations Population Fund and welcomed by the secretary-general of the United Nations, Kofi Annan, as the six billionth baby .\nWilhelm Boger. Born in Stuttgart, Germany, Boger joined the HJ (Hitler youth) in his teens .\nRaffaele Scalese. Born in Naples, Scalese began performing at major Italian opera houses in the mid 1820s, including La Fenice in Venice, the Teatro Valle in Rome, and the Teatro di San Carlo in his native city .\nVittorio Blanseri. Vittorio Blanseri (c. 1735-1775) (or Blancheri) was an Italian painter, born at Venice .\nFelipe Alfau. Born in Barcelona, Alfau emigrated with his family at the age of fourteen to the United States, where he lived the remainder of his life .\nJohn Blackburn. John Blackburn (born 16 January 1976, Luton, England) is currently known as a member of Skin's backing band as the bass and keyboard player .\nCipriano de Valera. Valera was born at Seville .\nCharles Collé. From a notary's office, Collé was transferred to that of the receiver-general of finance, where he remained for nearly twenty years .\nThierry Ehrmann. Thierry Ehrmann, artist, was born in Lyon, France .\nAlain Dorval. Alain Dorval (born 1946 as Alain Bergé) is a French voice actor born in Algiers .\nSandrina Malakiano. Sandrina Malakiano (born 24 November 1971 in Bangkok) is a leading news presenter of Metro TV, an Indonesian news television channel .\nRomeo Niram. Romeo Niram (born, 1974 in Bucharest) is a painter born in Romania .\nLeon Dycian. Born in Poland in 1911, Dycian attended university and was certified as a lawyer .\nMason Cook Darling. Born in Amherst, Massachusetts, Darling attended the public schools .\nBertram Stuart Straus. Born in Manchester, he was the son of Henry S Straus of Sedgley Park, a merchant and vice consul for the Netherlands .\nEarle J. Gluck. Earle J Gluck (May 23, 1900 -- February 19, 1972), was a radio pioneer, born in Maryland .\nJonathan B. Barry. Born in Milwaukee, Wisconsin, Barry graduated from Shorewood High School .\nBernard Leclerc. Born in France, Leclerc studied political sciences in California, United States .\nDominic Dromgoole. Born in Bristol, Dominic grew up on a farm in Somerset and attended Millfield School in Street, Somerset .\nStanley Arthur Franklin. Stanley (Stan) Franklin, born at Bow in the East End of London, was the son of coppersmith Harry Franklin .\nMarc Sangnier. Marc Sangnier (April 3 1873 Paris - May 28 1950 Paris) was a French Roman Catholic thinker and politician, who in 1894 founded le Sillon (``The Furrow''), a liberal Catholic movement .\nLeslie Allen. Leslie Allen (5 February 1904 Chicago, Illinois -- 1 May 1977 Wilmette, Illinois) was an American racecar driver .\nYang Yang. Yang Yang (; born 19 May 1986 in Beijing, China) is a Chinese baseball player who was a member of Team China at the 2008 Summer Olympics .\nLawrence E. Kahn. Lawrence E Kahn (b .\nCornélie Falcon. She was born Marie-Cornélie Falcon in Paris to Pierre Falcon, a master-tailor and his wife Edmé-Cornélie .\nWojciech Rychlik. Wojciech Rychlik is a biologist and photographer, born in Poland and living in the USA since 1980 .\nFrederick Webb Hodge. Frederick W Hodge (October 28, 1864 -- September 28, 1956) was an editor, anthropologist, archaeologist, and historian born in Plymouth, England to Edwin and Emily (Webb) Hodge .\nWillis Jackson, Baron Jackson of Burnley. Born in Burnley, he was the only son of Herbert Jackson and his wife Annie Hiley .\nDiane Carlson Evans. Carlson Evans was born and raised on a dairy farm in rural Minnesota and graduated from nursing school in Minneapolis, Minnesota .\nJoseph W. White. Born in Cambridge, Ohio, White attended the common schools and Cambridge Academy .\nFranz Dominic Grassi. Franz Dominic Grassi (* 11 May 1801 in Leipzig; † 14 November 1880 Leipzig) was a merchant in Leipzig with Italian descent .\nStefano Nolfi. Stefano Nolfi (born 23 September 1963, Rome) is a director of research of the Institute of Cognitive Sciences and Technologies at the Consiglio Nazionale delle Ricerche and head of the Laboratory of Autonomous Robots and Artificial Life .\nIbrahim Diarra. Ibrahim Diarra (born 25 May 1983 in Paris) is a French rugby union footballer .\nJennifer Holliday. Jennifer Holliday (born 18 January 1964 in Melbourne) is a softball player from Australia, who won a bronze medal at the 1996 Summer Olympics .\nPeter Dowdeswell. English gourmand Peter Dowdeswell, born in London on 29 July 1940, is among the most successful competitive eaters in the recorded history of the sport .\nAnna Hegner. Anna Hegner (* 1 March 1881 in Basel; † 3 February 1963 in Basel) was a Swiss violinist, music composer and pedagogue .\nSimon H. Rifkind. Born in Lithuania, Rifkind emigrated to the United States in 1910 .\nCarey Beebe. Carey Beebe, born in Melbourne in 1960, is an Australian harpsichord maker and technician .\nWang Nan. Wang Nan (; born 7 October 1981 in Beijing, China) is a Chinese baseball player who was a member of Team China at the 2008 Summer Olympics .\nEric Ash. Born in Berlin, Ash emigrated with his family to Britain in 1938 to escape Nazism .\nAlaric Alexander Watts. Alaric Alexander Watts (16 March 1797 - 5 April 1864), British poet and journalist, born in London .\nJoseph Isabelle. Joseph Gaston Isabelle (born 14 November 1920 in Hull, Quebec) was a Liberal party member of the Canadian House of Commons .\nAlexander Wilson. Born in Virginia, Wilson completed preparatory studies .\nJani Golob. Jani Golob (born 18 January 1948 in Ljubljana) is a Slovenian composer, conductor and violinist .\nPeyman Hooshmandzadeh. Peyman Hooshmandzadeh (born 1969 in Tehran) is an Iranian photographer and author .\nWalter Dulaney Addison. Walter Dulaney Addison was born at Annapolis, Maryland on January 1, 1769, the son of Thomas Covington Addison and Rebecca Dulaney Addison .\nGary Franklin. Gary Franklin was born to a Jewish family in Leipzig, Germany on September 22, 1928 .\nJohn Esposito. Born in Brooklyn, Esposito was raised in the Hudson Valley in a family that included policemen but also artists and musicians .\nWalter Douglas. Born in Glasgow, Scotland, Douglas was a former milkman and petty thief before becoming involved in drug trafficking and money laundering with the Delta crime syndicate during the 1980s and early 1990s earning millions smuggling cannabis into the United Kingdom from Morocco, Spain and Holland .\nDenys Page. Born at Reading, Page was the son of Frederick Harold Dunn Page, a chartered civil engineer of the Great Western Railway, and his wife Elsie Daniels .\nBrigitte Peucker. Brigitte Peucker (born 13 April 1948, in Berlin, Germany) is the Elias Leavenworth Professor of German Languages and Literatures and Professor of Film Studies at Yale University .\nFrancis Williams. Francis Williams (1702--1770) was a scholar and poet born in Kingston, Jamaica .\nAlicia Thorgrimsson. Alicia Thorgrimsson is a Canadian actress born in Brandon, Manitoba to an Icelandic/Scottish father, and a Guyanese mother .\nTolga Tekinalp. Tolga Tekinalp (born 28 December 1974 in Turkey) is former professional basketball player from Turkey .\nWentworth Arthur Matthew. According to Matthew, he was born in Lagos, Nigeria, although others say he was born in St Kitts .\nHarry B. Cohen. Harry B Cohen, CM, LL.D., born in Winnipeg, Manitoba (1912 -- July 11, 1990), was a Canadian entrepreneur, community builder, philanthropist, and Member of the Order of Canada .\nEduardo Lago. Eduardo Lago (born 15 June 1954) is a Spanish novelist, translator, and literary critic, born in Madrid and currently living in Manhattan, New York, United States .\nSir William Pearce, 2nd Baronet. Pearce was son of the Clydeside shipbuilder Sir William Pearce, 1st Baronet and his wife Dinah Elizabeth, née Scooter .\nSurinder Khanna. Surinder Khanna (born 3 June 1956, in Delhi, India) is a former Indian cricketer .\nTom Hamilton. Born in Belfast, Hamilton studied at the Methodist College, Belfast, then at Stranmillis College .\nStephen Levine. Born in Albany, New York, Levine attended the University of Miami .\nGottlieb Bodmer. Bodmer was born at Munich in 1804 .\nCollins J. Seitz. Born in Wilmington, Delaware, Seitz graduated from the University of Delaware and later the University of Virginia Law School .\nJaan Arder. Jaan Arder (born February 26, 1952, Tallinn) is an Estonian singer .\nEva Maria Zuk. Eva Maria Zuk is a Mexican piano concertist, who was born in Poland, but raised in Venezuela and New York City .\nBenjamin Enos. Benjamin Enos (February 13, 1788 Richmond, Washington County, Rhode Island - February 4, 1868 DeRuyter, Madison County, New York) was an American politician .\nRichard Anthony. Richard Anthony is a French singer, born 13 January 1938 in Cairo, Egypt, as Ricardo Btesh .\nArthur Neal. Born in Sheffield, Neal attended Wesley College before becoming a solicitor .\nJan Kregel. Jan A Kregel (born 19 April 1944, Dallas, Texas) is an eminent Post-Keynesian economist .\nHenry Lerolle. Henry Lerolle (3 October 1848 -- 22 April 1929) was a French painter, art collector and patron, born in Paris .\nLeo Connellan. Leo Connellan (November 30, 1928 -- February 22, 2001) was an American poet born in Portland, Maine .\nAlain Deloche. Alain Deloche, born 2 September 1940 at Paris, is a French surgeon .\nCharles Ramsay Arbuthnot. Born in Liverpool in England, he was son of George Clerk Arbuthnot and Caroline Ramsay Hay, and grandson of Sir William Arbuthnot, 1st Baronet .\nEdward Stone Parker. Parker was born on 17 May 1802 in London to Edward Stone Parker and his wife Mary .\nSamuel Lancaster Gerry. Born in Boston, Gerry was self-taught as an artist .\nAdrian Lombard. Adrian Lombard was born in the city of Coventry, Warwickshire, on 9 January 1915 .\nLewis Yelland Andrews. Lewis Yelland Andrews (b. 1896 in Sydney; d 26 September 1937 in Nazareth) .\nJim Boyd. Jim Boyd is an American actor, born in Philadelphia .\nJames Whitworth. Born in Sheffield, United Kingdom in 1970, Whitworth was educated at Tapton School and Sheffield Hallam University, where he graduated with a degree in English language and literature .\nSahara Smith. Sahara Smith is a young American singer-songwriter born in Austin, Texas in 1988 .\nHugues Krafft. Hugues Krafft (1853 - 1935) was a French photographer born in Paris .\nBarbara von Johnson. Barbara von Johnson (b. 1942 in Munich) is a German illustrator and artist .\nLeib Ostrow. Leib Ostrow an American music producer, was born in Detroit in 1951 and developed a keen love of music at an early age .\nChris Vaefaga. Chris Vaefaga (born 1 November 1987 in Auckland, New Zealand) is a rugby league player for the Bulldogs in the National Rugby League .\nHenry Neele. Henry Neele (January 29, 1798 -- February 7, 1828) was an English poet and literary scholar .\nBuzzy Linhart. Born William Linhart in Pittsburgh, Pennsylvania, he began honing his craft playing percussion for symphony at the age of seven, switching to vibraphone at ten .\nWorthington Hooker. Worthington Hooker (1806-1867) was an American physician, born in Springfield, Massachusetts .\nFred Lecklider. Fred Lecklider (9 June 1895 Toledo, Ohio -- 10 January 1964 Los Angeles, California) was an American racecar driver .\nAleksander Żabczyński. Aleksander Żabczyński (24 July 1900 in Warsaw -- 31 May 1958 in Warsaw), was a Polish stage and movie actor, one of the most popular actors during the interwar period in Poland .\nGabriele Castagnola. Gabriele Castagnola (11/14/1828 Genoa - 8/30/1883 Florence) was an Italian artist who worked in oil painting and chromolithography in an Academic style in Florence, Italy .\nHeather Jones. Heather Jones (born October 8, 1970 in Edmonton, Alberta) is a former field hockey player from Canada, who represented her native country at the 1992 Summer Olympics in Barcelona, Spain .\nWang He. Wang He (born 9 November 1988 in Beijing) is a male Chinese sports sailor who competed for Team China at the 2008 Summer Olympics .\nGabrielle de Coignard. Gabrielle de Coignard (1550-1586) was a French poet, born in Toulouse, France, to John de Coignard and Louise de Baulac .\nDavid Aiken. Born in Benton, Illinois, Aiken studied English at Southern Illinois Normal College where he matriculated in 1935 .\nAllison H. Eid. Born in Spokane, Washington, Eid earned her Bachelor of Arts degree in American studies with distinction in 1987 from Stanford University, where she was a member of the Phi Beta Kappa honor society .\nKaren Young. Karen Young (born 1 January 1946, Sheffield, Yorkshire) is an English born singer, who had a 1969 hit in the UK Singles Chart with ``Nobody's Child'' (done originally by Canadian country singer Hank Snow) .\nEmil Cesar. Emil Cesar was born on 16 August 1927 in Ljubljana as a son of Jernej Cesar, a locomotive engineer from Kal pri Mirni Peči, and Marija Cesar (née Zupančič) .\nMamta Kharab. Mamta Kharab (born January 26, 1982, Haryana) is the current captain of the Indian women's hockey team .\nChristelle Lefranc. Christelle Lefranc (born March 15, 1980) is a French fashion model from Paris, France .\nJimmy Johnson. Jimmy Johnson (born February 4, 1943, Sheffield, Alabama) is an American a member of the Muscle Shoals Rhythm Section that was attached to FAME Studios in Muscle Shoals, Alabama for a period in the 1960s and 1970s, and later was the a founder of Muscle Shoals Sound Studio located at first on 3614 Jackson Highway in Sheffield, Alabama and at a second site on 1000 Alabama Avenue also in Sheffield, Alabama .\nEmma Ejwertz. Emma Ejwertz is a Swedish singer/songwriter who grew up in southwest Sweden .\nJustin Hickey. Hickey was born in a working class suburb of Sydney, where he attended De La Salle College .\nDesmond T. Burke. Born in Ottawa, Ontario,, Burke attended Lisgar Collegiate Institute where he was a member of the school's cadet corps .\nMatthew Mead. Matthew Mead (born 1924, Buckinghamshire) is an English poet .\nThalia Pellegrini. Thalia Pellegrini (born 16 August 1978, London) is a British television presenter .\nShyril O'Steen. Shyril O'Steen (born October 5, 1960 in Seattle, Washington) is a former American competitive rower and Olympic gold medalist .\nGeorge Vicat Cole. Cole was born at Portsmouth, the son of the landscape painter, George Cole (1810-1883), and in his practice followed his father's lead with marked success .\nPeter Sullivan. Born in Virginia, Sullivan is a Democrat and served on the House Committees on Criminal Justice and Public Safety and State-Federal Relations and Veterans Affairs .\nBarys Tasman. Barys Tasman (; ) (born 13 November 1954, in Minsk, Belarus), is one of the most respected sports writers of Belarusian journalism .\nVernon Knowles. Vernon Knowles (1899-1968) was an Australian author, born in Adelaide .\nPaul Streeten. Born in Austria, Streeten spent his formative years in Vienna .\nGerrit Noordzij. Gerrit Noordzij (born 2 April 1931, Rotterdam) is a Dutch typographer, typeface designer, and author .\nAghasi Khanjian. Khanjian was born in the city of Van, Ottoman Empire (today eastern Turkey) .\nIgnatius Cockshutt. The son of James Cockshutt and Mary Nightingale, he was born in Bradford, Yorkshire, England .\nJoseph Hislop. Joseph Hislop was born in the city of Edinburgh, at 16 Beaumont (sc. Bowmont) Place, in 1884 .\nEli Capilouto. Capilouto is a native of Alabama .\nWalter Ehrlich. Walter Ehrlich (May 16, 1896 in Berlin -- December 26, 1968 in Bad Ragaz, Canton of St Gallen, Switzerland) was a German philosopher .\nJustin Wintle. Justin Wintle (born 1949) is an English author, editor and journalist who has contributed to a wide variety of media-outlets .\nWilliam Walcutt. William Walcutt (April 28, 1819 Columbus, Ohio - April 22, 1882 New York City) was an American sculptor .\nFelix Rottenberg. Felix Rottenberg (born 4 June 1957, Amsterdam) is a Dutch politician .\nRadovan Sloboda. Radovan Sloboda (born 7 November 1982 in Bratislava) is a Slovak professional ice hockey player who played with HC Slovan Bratislava in the Slovak Extraliga .\nOlaf Rude. Olaf Rude (1886--1957) was a Danish painter who was born in Estonia .\nCharlene McMann. Charlene McMann, born in Chicago, Illinois, is an advocate for cancer patients and children .\nJames Chalmers. Born in Elgin, Moray, Scotland, Chalmers was an ambitious military strategist during the War of Independence, but was apparently kept at arm's length by British commanders Sir William Howe and Sir Henry Clinton .\nHoward Loxton. Howard Loxton is a British theatre critic and writer, was born in Birmingham, England in 1934 .\nJohn Ferguson. Ferguson was born at Irvine, Ayrshire, 28 February 1787 .\nBernard Brodie. Born in Chicago, Bernard Brodie was the third of four sons of Max and Esther (Bloch) Brodie, Jewish immigrants from the Russian Empire .\nPhilip Hershkovitz. Philip Hershkovitz (12 October 1909 -- 15 February 1997) was an American mammalogist .\nPhilip Jeremiah Schuyler. Philip Jeremiah Schuyler (January 21, 1768 Albany, New York -- February 21, 1835 New York City) was an American politician from New York .\nKong Bai Ji. Kong Bai Ji is a contemporary Chinese artist born in Shanghai, in the People's Republic of China, in 1932 .\nRichard Beckett. Richard Beckett (born 18 June 1772 at Leeds; died 28 July 1809 at the Battle of Talavera) was an English amateur cricketer and a captain in the Coldstream Guards during the Napoleonic Wars .\nMarty O'Neill. Marty O'Neill, born June 6, 1964 in Winnipeg, Manitoba, is a former lacrosse player and current general manager of the Minnesota Swarm of the National Lacrosse League (NLL) .\nGerard Hemsworth. Gerard Hemsworth (born 1945, London) is an academic and a contemporary artist .\nGeorge Hulse. George Hulse (1927 - September 10, 2001) was a British actor .\nJack Petticord. Jack Petticord (1898 -- 2 December 1940) was an American racecar driver, born in Chicago, Illinois .\nSylvia Wynter. Sylvia Wynter, OJ, born in Cuba to Percival Wynter and Lola Maude Wynter, (née Reed) on 17 January 1935, is a Jamaican novelist,, dramatist, critic and writer of essays .\nDoğa Bekleriz. Doğa Bekleriz (born 28 November 1977, Istanbul) is a Turkish model, actress and TV presenter .\nRichard Bohn. Karl Theodor Richard Bohn (29 December 1849 -- 22 August 1898) was a German archaeological architect born in Berlin .\nChris Pile. Chris Pile, born 1969 in Warwickshire, England, was a programmer, notorious in late 1995 as ``The Black Baron'' .\nDavid Hackl. David Hackl (born 7 February 1973 in Toronto) is a Canadian film director and production designer .\nTom Arnold. Tom Arnold was born (as Thomas Richard Arnold) in London on 25 January 1947 .\nJuan Carlos Zald%C3%ADvar. Juan Carlos Zaldívar is a filmmaker and video artist who was born in Cuba .\nRobert Wayne Thomason. Robert Wayne Thomason (5 Nov 1952 Tulsa, Oklahoma, USA -- Nov 1995 Paris, France) was an American mathematician who worked on algebraic K-theory .\nPeter Dembicki. Peter Dembicki (born 24 September 1980 in Vancouver) is a Canadian rower .\nEduardo Prado Coelho. Eduardo Prado Coelho (29 March 1944 Lisbon - 25 August 2007 Lisbon, Portugal) was a Portuguese writer, journalist, columnist and university professor .\nPaul Hallez. Paul Hallez (10 September 1846 - 2 November 1938) was a French zoologist and embryologist born in Lille .\nGeorge Bruce. Bruce, who was born in Scotland, immigrated to America in 1795 and served his apprenticeship in Philadelphia .\nLouisa Stevenson. Stevenson was born at Glasgow, the daughter of James Stevenson (1786--1866), a merchant of Glasgow and his wife Jane Stewart Shannan, daughter of Alexander Shannan, a merchant of Greenock .\nRobert Moore. Robert Moore is a Canadian poet, actor, director, playwright, and professor, born in Hamilton, Ontario .\nJean Noël Hallé. Jean Noël Hallé (January 2, 1754 -- February 11, 1822) was a French physician born in Paris .\nJulian Paynter. Julian Paynter (born 15 July 1970 in Edinburgh, Scotland) is a retired male long-distance runner, who represented Australia at the 1996 Summer Olympics in Atlanta, Georgia .\nTania Corrigan. Tania Corrigan (born 24 November 1965 in Auckland, New Zealand) is a shooting competitor for New Zealand .\nJames Christie. Born in Perth in 1730, Christie went on to found Christie's auctioneers in December 5, 1766 .\nWilliam Kraft. William Kraft (born 1923, in Chicago, Illinois) is a composer, conductor, teacher, and percussionist .\nJuan Bautista de Lezana. Lezana was born at Madrid .\nMarcus Tuite. Marcus Tuite (born 11 May 1968 in Dublin) was an Irish soccer player during the 1980s and 1990s .\nPaul Downes. Born in Devon, Downes played classical guitar in his youth .\nEleni Cubitt. Eleni Cubitt is a film maker born in Greece .\nPieter de Molijn. Pieter de Molijn (6 April 159523 March 1661) was a Dutch Golden Age painter and engraver born in England .\nGustav Bischof. Karl Gustav Bischof (January 18, 1792 -- November 30, 1870) was a German chemist, born in Nuremberg, Bavaria .\nWayne Elcock. Wayne Elcock (born 12 February 1974 in Birmingham) is an English boxer .\nElnathan Sweet. Elnathan Sweet (November 20, 1837 Cheshire, Berkshire County, Massachusetts - January 26, 1903 Albany, New York) was an American civil engineer (C.E.) and politician from New York .\nGordon de Lisle Lee. Born in Aberdeen, the son of the Reverend F G Lee, vicar of All Saints, Lambeth, he was educated at St Mary's College, Harlow and Westminster School and became an artist and designer .\nFran%C3%A7ois Ozenda. François Ozenda (1923--1976) was a painter born in Marseille, France .\nNancy Metz White. Born in Madison, Wisconsin, in 1934, White graduated from the University of Wisconsin-- Madison with a bachelor's degree in art education and also did graduate study there .\nShane Price. Shane Price, (born 26 December 1986 in Melbourne, Victoria, Australia) second generation racer Shane Price was born with petrol in his blood, being the son of multiple Kart champion Drew Price and nephew to female racer Melinda Price .\nSir James Grant, 8th Baronet. Grant was the son of Sir Ludovick Grant, 7th Baronet, and Lady Margaret Ogilvy, daughter of the statesman James Ogilvy, 1st Earl of Seafield .\nSimone Iannarelli. Simone Iannarelli is a composer and classical guitarist born in Rome, Italy, in 1970 .\nJohn Alfred Cuthbert. Born in Savannah, Georgia in 1788, Cuthbert graduated from Princeton College, studied law, gained admission to the state bar in 1809 and began practicing law in Eatonton, Georgia .\nEdouard Grikurov. Born in Tbilisi, Grikurov studied at the Tbilisi Conservatoire where he was a pupil of Mikhail Ippolitov-Ivanov .\nTimothy L. O'Brien. Born in Illinois, O'Brien is a graduate of Loyola Academy and Georgetown University, where he studied literature .\nJohn L. Morrison. Born in Scotland, Morrison emigrated to Connecticut around 1830 and learned carpentry .\nDJ Woody. DJ Woody (aka Lee Woodvine) is a prolific DJ and turntablist born in Burnley, Lancashire UK in 1977 .\nJoshua Newtonn. Joshua Newtonn (born 1969 in Kerala, India) is an Indian writer of stories and an acclaimed screenwriter and a former journalist .\nJeff Chandler. ``Joltin''' Jeff Chandler (born September 3, 1956 in Philadelphia, Pennsylvania) is a former boxer .\nGodfrey Cripps. Born in India and educated at Cheltenham College, Cripps played just four first-class cricket matches, all of them in South Africa .\nSamuel von Schmettau. Samuel Graf von Schmettau (24 March 1684 Berlin - 18 August 1751) was a Prussian field marshal .\nMargi Scharff. Margi Scharff (b. February 11, 1955, Memphis, Tennessee - d July 2, 2007, Tiburon, California) was an American artist .\nLance Hayward. Lance Hayward, a jazz pianist, was born in Bermuda in 1916, where he lived until he moved to New York City at the age of 50 Blind since infancy, he received formal training in classical piano and was a self-taught jazz musician, eventually becoming one of Bermuda's best-known jazz artists .\nHenry Bernard Carpenter. Henry Bernard Carpenter, born April 22, 1840 in Dublin or near Enniskillen, Ireland of an ancient landed family, died July 17, 1890 at Sorrento, Maine, was a noted Unitarian clergyman, orator, author, and poet .\nPaule Ka. Born in Lille in 1955, Serge Cajfinger spent his childhood in Brazil; he returned to France in 1968.At the age of 19, he opens with his mother and his aunt Paule a multi-brand store in Lille .\nRona Hartner. Rona Hartner (born 9 March 1973, Bucharest) is a Romanian actress and singer .\nTerry Wardle. Terry Wardle (born 17 April 1944) is a British writer born in Hereford .\nIshwardas Rohani. Ishwardas Rohani is the speaker of Madhya Pradesh legislative assembly .\nLeonard Strong. Leonard Clarence Strong (b .\nColin Kennedy. Born in Hamilton, Ohio in 1823, Kennedy was the second of five children in an unstable family .\nPeter Freebody. Freebody was born on 12 August 1950 in Sydney, Australia .\nBiff Mitchell. Born in Toronto, Ontario, Mitchell graduated from the University of New Brunswick with an honors degree in English Literature in 1974 .\nAlice Harrison. Alice Harrison (1852--May 3, 1896) was an English stage actress born in London, England .\nGabriel Bertrand. Gabriel Bertrand (born 17 May 1867 in Paris, died 20 June 1962 in Paris) was a French biochemist and bacteriologist .\nDon Dixon. Born in Easton, Pennsylvania in 1951, Don Dixon is an astronomical artist practicing space art in the tradition of Chesley Bonestell, who believed that scientific accuracy is a fundamental aspect of the esthetic of this genre .\nQueenie van de Zandt. Born in Canberra to Dutch immigrants, van de Zandt attended St Matthews Primary School and St Francis Xavier High School before graduating in the top 2% of her state at Daramalan College .\nThomas Playfere. Born in London about 1561, he was son of William Playfere and Alice, daughter of William Wood of Bolling in Kent .\nGeorges Borchardt. Born in Berlin in 1928, Borchardt was in France with his family when war broke out in 1939; his father died when Borchardt was a child of eleven .\nCarlo Giuseppe Ratti. Carlo Giuseppe Ratti (1737--1795) was an Italian art biographer and painter of the late-Baroque period .\nMartin Kosleck. Kosleck was born Nicolaie Yoshkin in Barkotzen in Pomerania, Germany, the son of a Jewish Russian forester .\nBernhard Fries. Bernhard Fries (16 May 1820 Heidelberg -- 21 May 1879 Munich) was a German landscape painter .\nReed Hansen. Reed Hansen (born April 22, 1990) is a wakeskater who was born in Orlando, Florida .\nRon Waksman. Born in Pittsburgh, PA, and currently licensed in Maryland, the District of Columbia, Alabama, Georgia, and Israel, Waksman is currently Editor-in-Chief of Cardiovascular Revascularization Medicine (Elsevier), Section Editor for Journal of Interventional Cardiology (Futura), and sits on the editorial boards of several other major scientific journals .\nSir John Borlase, 2nd Baronet. Born in Bockmer in Buckinghamshire, he was the son of Sir John Borlase, 1st Baronet and Alice Bancks, daughter of Sir John Bancks, Lord Chief Justice of the Court of Common Pleas .\nMarjorie Schwarzer. Born in Boston, Schwarzer spent her early years in Buffalo, New York .\nWilliam L. Ward. Born in Pemberwick, town of Greenwich, Connecticut, Ward moved to Port Chester, New York, with his parents in 1863 .\nChrista Goetsch. Christa Goetsch (born 28 August 1952 in Bonn) is a German politician of the Alliance '90/The Greens party, member of the Hamburg Parliament, and from 2008-2010 was a Senator and Deputy Mayor of Hamburg .\nRobert John. Born in Birmingham, Alabama on November 10, 1961, John moved to California with his parents when he was three years old .\nLeonard Bosack. Born in Pennsylvania in 1952, Leonard Bosack graduated from La Salle College High School in 1969 .\nJuan Carlos Carbonell. Juan Carlos Carbonell (born May 16, 1970), is a Chilean open wheel racecar driver .\nAlberto Saichann. Alberto Saichann is a comic book artist and penciller born in Argentina .\nGianni Iapichino. Gianni Iapichino (born March 2, 1969 in Florence) is an Italian athletics coach and pole vaulter, and former husband of 1995 and 2001 world champion long jumper Fiona May .\nEmmanuel Schelstrate. Emmanuel Schelstrate (1649 -- 6 April 1692) was a Catholic theologian born at Antwerp in 1649 .\nArthur William à Beckett. Arthur William à Beckett (25 October 1844 Fulham - 14 January 1909 London) was an English journalist and man of letters .\nArja Kajermo. Arja Kajermo is a cartoonist, born in Finland, raised in Sweden, currently residing in Ireland .\nBob McChesney. McChesney is a trombonist born in Maryland, and began studying trombone at the age of nine, and holds a bachelor's degree from State University of New York at Fredonia .\nPetr Kroutil. Petr Kroutil (b. 31 January 1973, Prague, Czechoslovakia) is a Czech musician and actor .\nThomas Pole. He was born on 13 October 1753 in Philadelphia, the youngest son of John Pole (1705--1755), a native of Wiveliscombe, Somerset, who emigrated to New Jersey .\nJonathan Hunt. Hunt's father, also named Jonathan, was born in Massachusetts, and was an early pioneer and land speculator in Vermont, where he later served as Lieutenant Governor .\nAlbert Richard Pritchard. Albert Richard Pritchard was born at Rochester, March 12, 1863, the son of Alfred Richard and Mary Burroughs (Servoss) Pritchard, and always resided there .\nJoe Long. Joe Long (born in Elizabeth, New Jersey on September 5, 1941 as Joseph LaBracio) is best known as the bass guitarist for The Four Seasons .\nGérald Gagnier. Born in Montreal, Gagnier was the son of musician René Gagnier and received his earliest musical training in the trumpet, piano, and music theory from him .\nVishal Marwaha. Vishal Marwaha (born 8 May 1976 in Glasgow) is a Scottish field hockey player .\nJos%C3%A9 Pou. José Pou is a cartoon artist who was born in Nicaragua in 1973 .\nJuan Manén. Juan Manén (or , May 14, 1883 - June 26, 1971) was a Spanish violinist and composer, born in Barcelona .\nNazik Saba Yared. Nazik Saba Yared (born 1928 Jerusalem) is a Lebanese novelist, and academic .\nJean Gallon. Born in Paris, Gallon was the elder brother of composer Noël Gallon .\nMarga van Praag. Marga van Praag (born September 14, 1946, Amsterdam) is a Dutch journalist and television presenter .\nHiram Pitt Bennet. Born in Carthage, Maine, Bennet moved to Ohio with his parents, who settled in Richland County in 1831 .\nPierre Joxe. Pierre Joxe (born 28 November 1934 in Paris) is a former French Socialist politician and has been a member of the Constitutional Council of France since 2001 .\nHardial Bains. Born in India into a Communist family in the Punjab, Bains became a member of the youth wing of the Communist Party of India (CPI) .\nDennis Conta. Born in Milwaukee, Wisconsin, Conta graduated from Casimir Pulaski High School .\nHarrie Wood. Wood was born at Kensington in London to public servant William Alexander Wood and Margaret Eleanor Hall .\nRobert Logan Jack. Jack was born at Irvine, in Ayrshire, Scotland the son of Robert Jack, a cabinet-maker, and his wife Margaret, née Logan .\nThomas Ebdon. Thomas Ebdon (1738--1811) was a British composer and organist born in Durham .\nNick Doody. Nick Doody (born 1972 in Morley, West Yorkshire) is a British stand-up comedian .\nSalvador Cristau Coll. Salvador Cristau Coll was born on 15 April 1950 in Barcelona, Spain .\nJason Hedlesky. Jason Hedlesky (born February 20, 1974, Clinton, Michigan) is an American race car driver .\nMichael Guider. Michael Guider was born on 20 October 1950, in the city of Melbourne, Victoria .\nSalomon Konijn. Salomon Konijn (January 14, 1874, in Amsterdam -- March 15, 1932, in Amsterdam) was a Dutch gymnast who competed in the 1908 Summer Olympics .\nZdzis%C5%82aw Najder. Born in Warsaw on October 31, 1930, Najder studied at Warsaw University (1949--1954) and Oxford University (1959--1969), earning doctoral degrees in philosophy and Polish literature .\nFrancis Dunlavy. Dunlavy took an active role in writing the Ohio Constitution but was unable to include any sort of provision guaranteeing suffrage to African-Americans .\nCsaba Őry. Csaba Őry (born on 12 May 1952 in Budapest) is a Hungarian politician and Member of the European Parliament with the Hungarian Civic Party, part of the European People's Party and sits on the European Parliament's Committee on Employment and Social Affairs .\nHenri Jeanneret. Henri Jeanneret (born 1 January 1878 in Switzerland) was an Australian rules football player, who played in the Victorian Football League (VFL) .\nNicholas Riccardi. Nicholas Riccardi (born at Genoa, 1585; died at Rome, 30 May 1639) was an Italian Dominican theologian, writer and preacher .\nRaymond Meier. Raymond Meier born in Switzerland in 1957, is a Swiss-American Photographer .\nGraham Reilly. Graham Reilly (born in 1972 in London) is a British composer, known for composing television music .\nWilliam Ernest Brymer. Brymer was born at Bath the son of John Brymer of Ilsington, Dorchester, Dorset and his wife Eliza Mary Tugwell, only daughter of George Tugwell of Crowe Hall, near Bath .\nJohn Philp Thompson, Sr.. John Philp Thompson, Sr (November 25, 1925 Dallas, Texas-January 28, 2003 Dallas, Texas), was the eldest son of Joe C Thompson, Sr., the founder of the 7-Eleven chain of convenience stores .\nAnita Vogel. Anita Vogel (born November 24, 1969, California) is an American news reporter for the Fox News Channel .\nFrancis Hours. Reverend Father Francis Hours, born 1921 in France and died 1987 was a French Jesuit archaeologist known for his work on prehistory in the Levant .\nRichard E. Council. Richard E Council (born October 1, 1947 Tampa, Florida) (sometimes credited as Richard Council) is an American film, television and stage actor .\nPeter Verhoek. Peter Verhoek (born 16 September 1955, Auckland) was a New Zealand cricketer who played for Central Districts Stags .\nDennis Davis. Davis was hired by David Bowie in 1974; with Alomar and bassist George Murray, Davis formed the rhythm section on a number of Bowie's albums released in the 1970s .\nLukáš Kándl. Born in 1944 in Prague, Czech Republic, Lukáš Kándl is a well-known artist in Magic Realism .\nEliza Stewart Boyd. Boyd, born in Canada, came to the United States and settled along the South Platte River near Denver before hiring on to the Union Pacific .\nThomas Dausgaard. Thomas Dausgaard (), (born 4 July 1963 in Copenhagen) is a Danish conductor .\nJames Powell. James Powell (born 3 April 1792 at Eton, Buckinghamshire; died 5 May 1870 at Eton) was an English professional cricketer who played first-class cricket from 1818 to 1822 .\nKarl Friedrich von Klöden. Karl Friedrich von Klöden (21 May 1786 Berlin - 9 January 1856 Berlin) was a German educator, historian, and geographer .\nBrad Farrow. Brad Farrow (born October 5, 1956 in Vancouver, British Columbia) is a retired judoka from Canada, who represented his native country at two Summer Olympics: 1976 and 1984 .\nJay Neill. Born in London, Neill started work as a stage hand at the Chiswick Empire theatre before auditioning for a role within the Dior Dancers adagio act .\nStacy Clark. Stacy Clark (born September 21, 1980) is an American singer-songwriter born in Buffalo, New York .\nDavid Needham. David Needham (born 21 May 1949 in Leicester) is an English former professional footballer who played in the Football League for Notts County, Queens Park Rangers and Nottingham Forest, and in the North American Soccer League for the Toronto Blizzard, in the 1970s and 1980s .\nArsen Savadov. He was born in 1962 in Kiev, to the family of Vladimir Savadov, a book illustrator, originally from Baku, Azerbaijan .\nSimon Binnendijk. Simon Binnendijk (March 26, 1821 -- October 28, 1883) was a Dutch gardener and botanist born in Leiden .\nAlan Davey. Alan Davey (born 11 September 1963, Ipswich, Suffolk) is best known as the former bassist with Hawkwind .\nHenry W. Lee. Born in London, Lee worked in the printing industry, then joined the Social Democratic Federation (SDF) soon after its foundation .\nAlfred Clarke. Alfred Clarke (born 16 February 1831 at Nottingham; died 23 October 1878 at Ruddington, Nottinghamshire) was an English professional cricketer who played first-class cricket from 1851 to 1863 .\nPaul Varley. Paul Varley (May 24, 1949 -- July 2, 2008) was an English musician best known as the drummer in the band Arrows .\nNarado Brown. Narada Brown, better known as Narado Brown, (born 28 October 1986 in Kingston, Jamaica) is a Jamaican professional football player, who currently plays for Humble Lions FC in the Jamaican Digicel National Premier League .\nJarvis Kenrick. Jarvis Kenrick (born 13 November 1852 in Chichester, Sussex; died 29 January 1949 in Blatchington, Sussex) was an English association football (soccer) player .\nDwight Yates. Born in Montana, Yates has worked as a secondary school master, medical practitioner in East Africa, and soldier in the US military .\nAnna Barriball. Anna Barriball (born 1972, Plymouth, UK) is an artist based in South London .\nMiriam Slater. Miriam Slater (born February 9, 1952, Los Angeles, California) is an American artist who paints both objects and paintings .\nMark Alton Barwise. Born in Chester, Maine of a medianistic mother, Barwise became an attorney and nationally-prominent member of the National Spiritualist Association (N.S.A.) .\nDick Stockton. Dick Stockton (born in 1942 in Philadelphia, Pennsylvania) is an American sportscaster .\nJacques d'Agar. Jacques d'Agar (1640 -- 1716) was a French portrait painter born in Paris .\nMohammad Mottahedan. Mottahedan developed close relationships with a number of contemporary artists, and started to collect circa 1985 .\nScott Tennant. Scott Tennant is a founding member of the Grammy-winning ensemble Los Angeles Guitar Quartet (LAGQ) and is himself considered to be one of the world's top classical guitarists .\nKäte Stresemann. Kate Stresemann (née Kleefeld) (b. 15 July 1883 in Berlin; d 1970 in New York City) was the daughter of a prominent Berlin industrialist, Adolf Kleefeld .\nLaurence Lampert. Laurence Lampert is a leading academic on Nietzsche studies .\nTancrède Dumas. Tancrède Dumas (1830-1905) was a photographer born in Italy who was active in the Near East .\nJames Brockway. James Brockway, an English poet and translator, was born in Birmingham on October 21, 1916 and died in The Hague, Holland, on December 15, 2000 .\nGeorge Otto Wirz. Born in Monroe, Wisconsin, Wirz was ordained to the priesthood for the Madison Diocese on May 31, 1952 .\nJeff Simmons. Jeff Simmons, born May 1949 in Seattle, Washington, is a rock musician and former member of Frank Zappa's Mothers of Invention .\nRobert Ford. Born in Devon to John and Gladys Ford, Robert Ford was educated at Musgrave's College and was later commissioned into the 4th/7th Royal Dragoon Guards in 1943 .\nArtur Zawisza. Artur Zawisza (, born March 30, 1969 in Lublin, Poland) is a Polish politician .\nEdward Tufnell. Tufnell was born on 3 October 1814 in Bath, Somerset and educated at Eton and Wadham College, Oxford .\nRobbie Regan. Robbie Regan (born 30 August 1968 in Caerphilly, Wales is a Welsh former professional boxer .\nBrent Barraclough. Brent Barraclough is a classical pianist and film producer who was born in Canada in 1962 and is of British Citizenship .\nDiego Delgadillo. Delgadillo was a native of Granada .\nErwin Lauper. Erwin Lauper (born 14 June 1946 in Bern) is a Swiss wheelchair curling player .\nCharles Amos Cummings. Born in Boston, Cummings was educated in the Boston Public Schools .\nChris Christenson. Chris I Christenson (born in 1875 in Norway) was an American figure skater .\nIrfan Yusuf. Irfan Yusuf (born 1969 in Karachi, Pakistan) is an Australian lawyer, social commentator and author of the memoir Once Were Radicals: My years as a teenage Islamo-fascist .\nMark McCall. Mark McCall (born 29 November 1967 in Bangor, County Down, Northern Ireland) is an Irish former rugby union player and former coach of Ulster .\nCharles H. Kraft. Dr Charles H Kraft (b. 1932 in Connecticut) is an American anthropologist and linguist whose work since the early 1980s has focused on inner healing and spiritual warfare .\nMoses Hagiz. Moses Hagiz (1671 -- ca 1750) (Hebrew: משה חגיז) was a Talmudic scholar, rabbi, kabbalist, and author born in Jerusalem, Palestine .\nElemér Terták. Elemér Terták (born 2 November 1918 in Budapest, Hungary; died 8 July 1999 in Budapest) was an Hungarian figure skater who competed in men's singles .\nHaru Mutasa. Haru Mutasa born in Zimbabwe .\nMorten Nordeide Johansen. Morten Nordeide Johansen (born 1951) is a Norwegian luger, born in Oslo .\nAna Maria Narti. Ana Maria Narti, born 1936 in Bucharest, Romania is a Swedish writer and politician .\nGeorge P. Merrill. George Perkins Merrill (May 31, 1854 Auburn, Maine -- August 15, 1929) was an American geologist .\nKjersti Elvik. Kjersti Elvik (born 9 March 1969) is a Norwegian actress, born in Bergen .\nMaryem Tollar. Born in Cairo, Maryem went to Halifax, Nova Scotia, Canada with her parents when she was 1 in 1969 .\nPhillip Jackson. Phillip Jackson (born September 22, 1950, Chicago, IL) is an American politician .\nTony Skabar. Tony Skabar (18 October 1900 - 17 December 2005) was an Austria - Hungary World War I veteran who was born in Ukraine in 1900 and died in Canada in 2005 at the age of 105 .\nDávid Kovács. Dávid Kovács (born on 15 March 1976 in Budapest) is a Hungarian politician, former founding member of the Movement for a Better Hungary .\nMonika Meyer. Monika Meyer (born 23 June 1972 in Berlin) is a retired German football striker .\nClaude Weisz. Claude Weisz is a French film director born in Paris .\nBrian O'Riordan. Brian O'Riordan (born 4 February 1981 in Dublin), is a professional rugby player .\nSteven Hayward. Born in Toronto, Hayward attended the University of Toronto and York University .\nAmy Chance. Amy Chance (born July 21, 1975) was an American child actor born in Hollywood, California .\nMatt O'Connor. Matt O'Connor (born 1967, Manchester, England, UK) is the founder of the fathers' rights group Fathers 4 Justice in the UK Denied access to his children by the Family Courts, O'Connor created Fathers 4 Justice to demand reform of the family courts and government policy on parental access .\nSam Lynch. Sam Lynch (born 29 November 1975 in Limerick) is an Irish rower .\nKris Lefcoe. Born in Montreal, Quebec, Lefcoe graduated from the University of Toronto with a degree in philosophy, before attending Norman Jewison's Canadian Film Centre as a Director Resident .\nJohn Baptist de Faria. John Baptist de Faria was born in 1871, in Portugal .\nFederico Fabregat. Federico Fabregat is a Mexican artist and poet born in Guadalajara, Jalisco .\nStefan Nystrom. Nystrom was born on 31 December 1973 in Sweden .\nLucine Amara. Amara was born Lucine Armaganian in Hartford, Connecticut, of Armenian heritage, before moving to San Francisco where she was raised .\nAnna Livia Julian Brawn. Anna Livia Julian Brawn (November 13, 1955 in Ireland -- August 5, 2007 in California),who used the pen name Anna Livia for her novels, was a ``widely read lesbian feminist writer and linguistic theorist'', well-known for her fiction and non-fiction regarding issues of sexuality .\nJoe Zakas. Joe Zakas (born November 7, 1950, Chicago, Illinois) is a Republican member of the Indiana State Senate representing the 11th district where he has served since 1982 .\nJohn McLaren, Lord McLaren. The son of Duncan McLaren, a former Provost of Edinburgh and Member of Parliament, he was born in Edinburgh .\nDavid Basnett. Born in Liverpool, Basnett studied at Quarry Bank High School before becoming a bank clerk .\nJames Hamilton. Born in Paisley, Scotland, seven miles west-southwest of Glasgow, Hamilton was the eldest son of William Hamilton, a preacher and religious author of local renown .\nAlexander Manning. Born in Dublin, Ireland, Manning was the last unelected Toronto mayors .\nOrnella Oettl Reyes. Ornella Oettl Reyes (born December 14, 1991 in Germany) is an alpine skier born in Germany to a Peruvian mother who has competed on behalf of Peru since 2010 .\nSamuel Partridge. Born in Norwich, Vermont, Partridge received a limited schooling .\nAristides Brezina. Aristides Brezina (4 May 1848 -- 25 May 1909) was an Austrian mineralogist born in Vienna .\nDon Mankiewicz. Born in Berlin, Germany, he is the son of Herman J Mankiewicz .\nGiorgio de Stefani. Giorgio de Stefani (born February 24, 1904, Verona, Italy -- died October 22, 1992, Rome, Italy) was a left-handed tennis player competing for Italy .\nChafik Charobim. Chafik Charobim (November 4, 1894 in Cairo -- 1975), is a well known impressionist and naturalist Egyptian artist who painted the ``Peaceful and Tranquil Egypt of the last Century'' .\nAlexander Garden. Rev Alexander Garden (c. 1685-1756) was a clergyman born in Scotland, and educated at the University of Aberdeen .\nBrandt C. Louie. Born in Vancouver, British Columbia, Louie received his BComm from University of British Columbia and became a chartered accountant three years later .\nGunnar Samuelsson. Gunnar Samuelsson (born May 2, 1927, Lima, Dalarna - November 4, 2007) was a Swedish cross-country skier who competed in the 1950s .\nStanley Morgan. Stanley Morgan (born on 10 November 1929 in Liverpool, England) is an English writer and actor .\nPeter Hargitai. Peter Hargitai (born 1947 Budapest, Hungary) is an award winning poet, novelist, and translator of Hungarian literature .\nJJ Horner. JJ Horner born January 14, 1982, from Willmar, Minnesota is an American artist, who resides in Tempe, Arizona .\nMary MacLeod Banks. Mary MacLeod McConnel, born in Edinburgh, the daughter of DC McConnel, a colonist of Queensland, spent her formative years in Australia and Europe .\nChris McKhool. Chris McKhool, born November 18, 1968 in Ottawa, Ontario, is a Canadian violinist, guitarist, composer, producer and singer-songwriter .\nVincent Laforet. Vincent Laforet (born 1975, Switzerland) is a French American director and photographer .\nBill Barminski. Bill Barminski (born 26 November 1962) is an American artist and filmmaker born in Chicago, Illinois .\nSharon Duce. Sharon Duce (born 17 January 1950, Sheffield, Yorkshire) is a British actress,  .\nClaude Piel. Claude Piel (b. 15 January 1921, Paris; d 19 August 1982) was a notable French aircraft designer and the son of an aeronautical carpenter .\nHerbert James Carter. Carter was born at Marlborough, Wiltshire, England, the son of James Carter, farmer, and his wife Mary Ann, née Freeman .\nCharles W. Moorman III. Charles W Moorman III, was born in Cincinnati, Ohio in 1925 .\nHadi Sepehrzad. Hadi Sepehrzad (, born 19 January 1983 in Tehran) is an Iranian decathlete .\nSam Cosstick. Cosstick was born at Croydon, Surrey, England .\nUrsula Evje. Ursula Evje (born 13 December 1944 in Oslo) is a Norwegian politician for the Progress Party .\nNasos Thanopoulos. Nasos Thanopoulos (born 8 February 1968 in Athens) is a Greek Businessman and a minor shareholder of AEK Athens FC .\nGerman Sims Woodhead. Sir German Sims Woodhead, KBE (1855--1921) was an English pathologist, born at Huddersfield .\nJohn Keen. John Thompson Keen was born on 25 February 1849 at Broadway in the county of Worcestershire, England, and lived in Surbiton, Surrey from the age of five .\nHarry E. T. Thayer. Harry E T Thayer (born 10 September 1927, Boston) was the sixth United States Ambassador to Singapore .\nEdith Dimock. Edith Dimock (1876--1955) was an American painter, born in Hartford, Connecticut .\nRoland Green. Roland Green (born on 29 July 1974 in Victoria, British Columbia) is a retired Canadian mountain bike and road bicycle racer .\nBartle Brennen Bull. In the same year he moved to Bartle, Cuba, to manage his family's cattle ranch and sugar plantation .\nDaniel O'Mahony. Daniel O'Mahony (born 24 July 1973) is a half-British half-Irish author, born in Croydon .\nTony Southgate. Tony Southgate (b. 25 May 1940, Coventry, England) is a British engineer and former racing car designer .\nHenry Bocking. Both he and his team fared better, with Bocking making eleven before Bennett bowled him, and Yorkshire drawing the game .\nJohn McNamara. John McNamara (born 1950) is an American artist who was born in Cambridge, Massachusetts .\nMorris Sigman. Born in Russia, Morris Sigman spent his youth working as a lumberjack before moving to London in 1902 .\nProsper Garnot. Garnot was born at Brest .\nMasataka Yanagida. Masataka Yanagida, born 4 June 1979 in Tokyo, is a Japanese racing driver .\nBertram Falle, 1st Baron Portsea. Falle was born on Jersey in the Channel Islands, the son of Joshua George Falle (1820--1903), Constable of Saint Helier and later Jurat of the Royal Court of Jersey, and Mary Elizabeth (née Godfray; died 1917) .\nJohn Herbert Claiborne. Born in 1828 in Virginia, Claiborne completed his medical studies in Philadelphia in 1851 .\nVicente Gómez. Vicente Gómez, born in Honduras, was President of El Salvador from 1 to 15 February 1854 .\nLuka Grubor. Luka Grubor (born 27 December 1973) is a competition rower, born in Zagreb, who competed for Yugoslavia and Croatia, and became Olympic champion for Great Britain .\nAlbert Pratz. Born in Toronto, Pratz studied in his native city with Broadus Farmer and Luigi von Kunits .\nEnrique Alciati. Enrique Alciati (d. after 1912) was a French/Italian sculptor and teacher, born in Marseille, France, who contributed various sculptures in France and Mexico .\nWilliam Schoell. William Schoell (pronounced shoal) is an American author, biographer and film historian, born November 30, 1958 in Manhattan and educated in Vermont, earning a BA from Castleton State College in 1978 .\nSarah Mytton Maury. Sarah Mytton Maury (1 November 1803 - October, 1849) was an English authoress, born in Liverpool to Bridgit Nelson and William Hughes .\nFrancis Dunlap Gamewell. Francis Dunlap Gamewell (b. Aug 31, 1857, Camden, SC; d Aug 14, 1950, Clifton Springs, NY) was a Methodist missionary in China .\nÁlvaro Fillol. Álvaro Fillol (born December 4, 1952, in Santiago, Chile), is a former professional tennis player from Chile .\nHelen Longworth. Helen Longworth (born 1976, Preston) is a British actor .\nKip King. King was born Jerome Kattan in Chicago, Illinois .\nRiccardo Truccolo. Riccardo Truccolo (born August 8, 1989 in Pordenone, Italy) is an Italian professional basketball player, currently a member of Snaidero Udine of the Italian league (LegADue/Serie A2) .\nGeorge E. Waldo. Born in Brooklyn, New York, Waldo attended the public schools of Scotland, Connecticut, and Brooklyn, New York, Doctor Fitch's Academy, South Windham, Connecticut, Natchaug High School, Willimantic, Connecticut, and studied two years in Cornell University, Ithaca, New York, class of 1872 .\nJonathan Robinson. Born in Waterloo, Quebec, Robinson was a member of the Legislative Assembly of Quebec for Brome from 1936 until his death in 1948 .\nLynne Cooke. Born in Geelong, Australia, Ms Cooke received a BA from Melbourne University and an MA and PhD in art history from the Courtauld Institute, London University, and has taught and lectured regularly at the University College London, Syracuse University, Yale University, Columbia University, and the Center for Curatorial Studies at Bard College .\nJames Brown. James Brown (31 July 1862 -- 4 July 1922) was an English association football player of the Victorian era .\nGeorge Kitching. George Kitching was born on 9 September 1910 in Guangzhou (Canton), China .\nRhoda Holmes Nicholls. Rhoda Holmes Nicholls (1854-1930) was an American water-color painter, born in Coventry, England .\nVirginia Leng. Virginia Helen Antoinette Holgate, also known as Ginny Leng, (born 2 February 1955 in Malta ) was a British equestrian competitor who achieved many notable successes in the 1980s, including winning the Individual European Eventing title on 3 consecutive occasions, 1985, 1987 and 1989, a feat which has never been equalled before or since .\nMark Farmer. Mark Farmer is a British actor, born 22 May 1962, in London, and probably best remembered for his childhood role of Gary Hargreaves in the first three series of the popular children's television programme Grange Hill, in which he starred from 1979 to 1981 .\nFrank Frankfort Moore. Born in Limerick, Ireland, Moore worked as a journalist (1876--92) before gaining fame as an author of fiction .\nSnorre Valen. Snorre Serigstad Valen (born 16 September 1984 in Oslo) is a Norwegian musician and politician (SV) .\nGeorge Mavrotas. George Mavrotas (Greek: Γιώργος Μαυρωτάς; born April 4, 1967 in Athens, Greece) is a retired Greek water polo player and assistant professor in the School of Chemical Engineering at the National Technical University of Athens .\nMarco Napolioni. Marco Napolioni (born 16 June 1975 in Rome) is an Italian footballer .\nArne Rinnan. Arne Frode Rinnan (born 11 November 1940 in Oslo, Norway) was the captain of the MV Tampa, owned by Norwegian shipping line Wallenius Wilhelmsen which was involved in the so-called Tampa affair .\nMaurice Tadadjeu. Maurice Tadadjeu (b. 1950 in Cameroon) is a Vice-President of the African Union's Economic, Social and Cultural Council of Central Africa .\nJohn Hyacinth Power. Born in Waterford, Ireland on 2 November 1884, Power emigrated to South Africa in 1904 to take up a post as school master at Kimberley's Christian Brothers`` College (now known as St Patrick's College) .\nLester Spangler. Lester Spangler (15 January 1906 Brook, Indiana -- 30 May 1933 Indianapolis, Indiana) was an American racecar driver .\nRobert Moss. Robert Moss, born in Melbourne (Victoria) in 1946, is an Australian historian, journalist and author and the creator of Active Dreaming, an original method for working with dreams and imagination .\nPierre deMorlaix. It is believed that Peter's actual name was Pierre De Morlaix, born in France .\nLinda Newell. Born in Oregon, Newell earned a bachelor's degree from the University of California at Irvine .\nMartin Malvy. Martin Malvy (born 24 February 1936, in Paris) is a French politician .\nMaurice Vaïsse. Maurice Vaïsse (born on 7 May 1942 in Algiers) is a French historian specialised in international relations and Defence .\nArnaldo Faustini. Born in Rome, he received his doctorate at the University of Rome at the age of 21 Faustini worked at a newspaper based in Rome as scientific editor .\nNat Patton. Patton was born on a farm near tiny Tadmor in Houston County near Crockett in east Texas .\nSamuel Dick. Samuel was born at Nottingham in Prince George's County, Maryland .\nEdward Webster Bemis. Edward Webster Bemis (7 April 1860 Springfield, Massachusetts -- 25 September 1930) was a United States economist and a public utility expert .\nLew Jetton. Lew Jetton (born 1959, Humboldt, Tennessee) is an American blues guitarist and singer, who also spent many years as a meteorologist and local television personality .\nAxel Leonard Melander. Axel Leonard Melander (3 June 1878 Chicago -- 8 Aug 1962) was an American entomologist specialising in Diptera and Hymenoptera .\nJohn Mundy. John Mundy born in Manchester, England is a British television presenter and voice-over artist .\nAlex Garc%C3%ADa. Alex García is a Cuban Nuevo Latino chef who helped popularize a version of Cuban food at several New York City restaurants and on the Food Network .\nLuis Mu%C3%B1oz. Luis Muñoz is a poet born in Granada, Spain, in 1966 .\nFranz Rosei. Franz Rosei (born on 2 July 1947 in Vienna) is an Austrian sculptor and draughtsman .\nTadeusz Browicz. Tadeusz Browicz (September 15, 1847 -- March 20, 1928) was a Polish pathologist born in Lviv .\nDave Berg. Dave Berg is a native of Portland, Oregon .\nDilawar Hussain. Dilawar Hussain ( born March 19, 1907, Lahore - died on August 26, 1967, Lahore) was an early Indian Test cricketer .\nHerbert Sanders. Born in Wolverhampton, Sanders studied at the Royal College of Music (RCM) with Charles Swinnerton Heap (organ), Charles H Kitson (theory), and Charles W Perkins (organ) .\nNico Gardener. Nico Gardener (1908--1989) was a British international bridge player, born in Riga, Latvia (then part of Imperial Russia) .\nVictor Antoine Signoret. Victor Antoine Signoret (6 April 1816 Paris - 3 April 1889 Paris ) was a French pharmacologist, physician and entomologist .\nJohn B. Foster. John B Foster (1865--1930) was a New England artist, born in Gloucester on December 25, 1865 .\nFrancis Allegra. Francis Marion Allegra (born in 1957 in Cleveland, Ohio) is an American federal judge on the United States Court of Federal Claims .\nWallace Bishop. Wallace Bishop (b. Feb. 17, 1906, Chicago, Illinois - d May 2, 1986, Hilversum, Holland) was an American swing jazz drummer .\nPhil Lucas. Born in 1942 in Phoenix, Arizona, United States to the Choctaw Native American Nation, by his twenties Lucas was a musician in New York but giving up alcohol drove him to leave for Central America where he took up photography and work for advertising agencies .\nRoy Dalgarno. Roy Dalgarno is a social realist artist, born in Melbourne, Victoria (Australia) in 1910, died February 2001 in Auckland, New Zealand .\nHenry Woods. Henry Woods (1764--1826) was a United States Representative from Pennsylvania .\nDiana Trask. Diana Trask (born 23 June 1940) is an Australian and American country and pop singer born in Melbourne, Australia .\nAlec Briggs. Alec Briggs (born 21 June 1939) is a former professional footballer born in Sheffield, England, who played for Bristol City between 1957 and 1970 .\nLynne Kositsky. Kositsky, who was born in Montreal and grew up in London, England, now lives in the Niagara region of Ontario .\nRobert Boughey. Robert Boughey is an American architect born in Pennsylvania, USA .\nCecil Copping. Cecil Copping (6 July 1888 in Lisbon, New Hampshire, USA -- 4 January 1966 in Los Angeles, California, USA) was an American composer of film music and a miscellaneous crew .\nXavi Vallmajó. Xavier Vallmajó Tercero (Born 19 February 1975 in Barcelona, Spain) is a Spanish Professional basketball player .\nGraham Ackerman. Graham Ackerman (born 14 July 1983, in Seattle, Washington) is an American gymnast .\nJ.C. Patterson. Born in Armagh, Ireland in 1839, Patterson was educated in Dublin, Ireland and came to Canada in 1857 .\nLawrence Willis. Lawrence Willis (born 12 July 1981 in Lafayette, Louisiana) is an American triple jumper .\nElizabeth Forbes. Born in Ottawa, Forbes was the daughter of William Armstrong, an employee of the Government of Canada .\nIzolda Barudžija. Izolda Barudžija () is a Yugoslav singer born in Split .\nRolf Schock. Rolf Schock (1933--1986), philosopher and artist, was born in France of German parents .\nJoel Lion. He was born in 1964 in France and raised in Esch-sur-Alzette in LuxembourgMr Lion is married to Rebeca, and is the father of eight children .\nJean Baptiste Claude Chatelain. Jean Baptiste Claude Chatelain, an engraver, was born in Paris about 1710 .\nAlejandro Rossi. Alejandro Rossi (Alessandro Rossi, September 22, 1932 - June 5, 2009. He was born in Florence, Italy of Venezuelan mother and Italian father) was a Mexican writer .\nPeter Hoover. Born in Canada, Peter has also worked in Mexico, Costa Rica, United States, Chile, and Australia .\nJohn Raven. John Raven was born on 13 December 1914 in Cambridge, the son of Charles Earle Raven, sometime Regius Professor of Divinity at Cambridge and Master of Christ's College, Cambridge and of Margaret Wollaston .\nAlex González. Alejandro González (born February 24, 1969 in Miami, Florida, United States), better known as Alex González, is an American Mexican musician of Cuban and Colombian origin .\nJohn Smyth. Born in Ireland, Smyth worked as a London Underground driver .\nGabriel Desjardins. Gabriel Desjardins (born 14 February 1949 in Montreal, Quebec) was a Progressive Conservative member of the Canadian House of Commons .\nAbhijit Kunte. Abhijit Kunte (born 3 March 1977, Pune) is an Indian chess Grandmaster .\nMark Koevermans. Mark Koevermans (born 3 February 1968 in Rotterdam) is a former tennis player from the Netherlands, who turned professional in 1987 .\nEspen Giljane. Espen Giljane (born 28 February 1962 in Oslo) is a Norwegian ballet teacher and dancer .\nWilliam Harrison Courtney. William Harrison Courtney, or William H Courtney (b. 1944 in Baltimore, Maryland, USA) is an American diplomat, having served as representative for the US mostly in Eastern Europe .\nDavid Mercer. David Mercer (born April 1950, Swansea, Wales) is a British television sports presenter .\nPrincess Bee. Princess Bee (real name Benedetta Paravia), is a R&B songwriter born in Italy but well known also in Middle East countries for her humanitarian effort .\nJeffrey H. Cohen. Jeffrey H Cohen, PhD, born in Brooklyn, NY in 1962 is an American Anthropologist .\nCharles Alford. Alford was born into an ecclesiastical family in Somerset, England on 13 August 1816 .\nAndrew Crofts. Born in 1953 in England, Crofts was educated at Lancing College, a school renowned for producing writers, (Evelyn Waugh, Tom Sharpe, Jan Morris, David Hare, Christopher Hampton and Tim Rice) .\nMarcus Tsutakawa. Born in Seattle, Washington, Mr Tsutakawa began his teaching career as a Japanese teacher, but became the Orchestra director in 1985 .\nKen Fowler. Ken Fowler (15 March 1907 Fargo, North Dakota -- 16 January 1981 St James City, Florida) was an American racecar driver .\nHenry Robertson Hartley. Henry Robertson Hartley (12 November 1777 Southampton - 24 May 1850 Calais, France) was an eccentric and philanthropist and is the founder of the Hartley Institute which became the University of Southampton .\nMark Cooksey. Mark Cooksey (born 18 January 1966 in England) is a Commodore 64 musician, best known for composing the music for the platform game Ghosts'n Goblins .\nJanet Coster. Born in London, the daughter of a London Transport employee, Coster studied at the Guildhall School of Music and privately with Eva Turner .\nSun Lingfeng. Sun Lingfeng (; born 14 August 1978 in Beijing, China) is a Chinese baseball player who was a member of Team China at the 2008 Summer Olympics .\nEd Pizunski. Ed Pizunski, born 8 October 1954 in Toronto, Ontario, was a professional hockey player from 1972 until his retirement after the 1980-81 Muskegon Mohawks season .\nGrant McNally. Grant McNally (born 8 January 1962 in Vancouver, British Columbia) was a member of the Canadian House of Commons from 1997 to 2004 .\nEdward Locke. Edward Locke (1869--1945) was an American playwright born in England .\nZsolt Hamar. Zsolt Hamar (born 1968 Budapest) is a Hungarian conductor .\nMurray McEachern. Murray McEachern (16 August 1915--28 April 1982) was a Canadian jazz trombonist and alto saxophonist born in Toronto, perhaps best-known for having played trombone for Benny Goodman from 1936-1937 .\nAboubacar Sankhare. Aboubacar Sankhare (born January 17, 1978 in Paris, France) is a French footballer who played 14 matches in Ligue 1for clubs Lens and Toulouse in the period of 1997-1999 and 19 matches in Ligue 2 for club Creteil in the period of 1999-2002  .\nDavid Marusek. David Marusek is an author who was born in Buffalo, New York but lived various places in youth .\nLiljana Lu%C4%8Di%C4%87. Liljana Lučić (born in 1953 in Belgrade, Serbia) .\nEnrico Toselli. Enrico Toselli (March 13, 1883 Florence -- January 15, 1926 Florence) was an Italian pianist and composer .\nWalter Bowers Pillsbury. Walter Bowers Pillsbury (July 21, 1872 -- June 3, 1960) was an American psychologist, born at Burlington, Iowa .\nJohn Butts. John Butts, who was born and educated in Cork, Ireland, spent most of his life in Dublin .\nJohn Cobbett. John Cobbett is a sculptor born in Edinburgh in 1929 .\nMinas Gekos. Minas Gekos (in Greek: Μηνάς Γκέκος; born November 7, 1959 in Constantinople is a Greek professional basketball coach and retired player .\nAndrew Patterson. Andrew Patterson (born 4 September 1975 in Belfast, Northern Ireland) is a former Irish cricketer .\nAlexander Ferdinand von der Goltz. Born in Prussia, he studied philology at University of Bonn, and was a friend of Tassilo von Heydebrand und der Lasa .\nPaul Keenan. Paul Keenan (born 5 November 1976 in Lisbon, Portugal) is a songwriter and producer based in Dumbarton, near Glasgow in Scotland .\nBarry Howard. Barry Howard (born 9 July 1937 in Nottingham) is an English actor who is best known for his role as Barry Stuart-Hargreaves in the first seven series of the long-running BBC sitcom Hi-de-Hi! .\nMary Ann Kennedy. Mary Ann Kennedy was born and brought up in Glasgow in a Gaelic-speaking household .\nBruno Arpaia. Bruno Arpaia, born in Naples (Italy) in 1957, is an Italian writer and journalist .\nSimone Orlando. Simone Orlando is a Canadian ballet dancer and choreographer born in Vancouver British Columbia .\nJazzy Jay. Jazzy Jay born in Beaufort, South Carolina, United States, November 18, 1961), also known as The Original Jazzy Jay or DJ Jazzy Jay, is a pioneering American hip hop DJ and producer .\nBinem Heller. Binem Heller is a Polish poet and activist .\nOlivia Poulet. Olivia Poulet (born 1978, London) is an English actress .\nChristoph M. Schmidt. Christoph M Schmidt (born 25 August 1962, in Canberra, Australia) is a German economist .\nSiamak Shayeghi. Siamak Shayeghi (, born 1954 in Abadan, Iran is an Iranian film director and film producer .\nMike Shank. Mike Shank (born September 22, 1966) is an American racecar team owner and former racecar driver born in Columbus, Ohio .\nSpiro Zavos. Spiro Zavos (born in 1937 in Wellington, New Zealand of Greek immigrant parents) is an Australasian historian, philosopher, journalist and writer .\nTommie Lindsey. Tommie Lindsey (born September 28, 1951 Oakland, California) is a Forensics coach, at James Logan High School .\nAneesh Kapil. Aneesh Kapil (born 3 August 1993, Wolverhampton, England) is an English cricketer who currently plays for Worcestershire County Cricket Club .\nBijoy Goswami. Bijoy Goswami has grown up at the intersection of eastern and western philosophies: he was born in Bangalore, India, moved to Taiwan at age 10, to Hong Kong at 14, and came to the US in 1991 to attend Stanford University, where he studied computer science, economics and history, and completed an honors program in science, technology and society .\nHenry Beecher Dierdorff. Dierdorff was born near Seville in Medina County, Ohio in 1851 .\nSamuel Barton. Family tradition holds that Samuel, born in Virginia, was left bound as an apprentice while his father returned to England for business only to be lost at sea .\nJohn Augustus Stone. John Augustus Stone (born December 15, 1801 Concord, Massachusetts - June 1, 1834 Philadelphia) was an American actor, dramatist, and playwright .\nThomas Rickner. Thomas Rickner (b. October 8, 1966, Rochester, New York) is an American type designer who, while Lead Typographer at Apple Inc., supervised the production of the first TrueType fonts released in 1991 as part of Apple's System 7 operating system for the Macintosh .\nMax Coyer. Max Coyer (1954--1988) was an American artist, born in Hartford, Connecticut in 1954 .\nSerge Losique. Serge Losique (born in 1931 in Yugoslavia) is the founder & president of the Montreal World Film Festival since its opening .\nJohn B. Snook. Born in England, Snook emigrated to the United States with his family as a child .\nBódog Török. Bódog Török (born 2 November 1923 in Budapest) is a former Hungarian handball player, coach and sports official .\nLawrence Townsend. Born in Philadelphia, Lawrence Townsend was educated at Mantua Academy (1872--77) and entered the University of Pennsylvania in the class of 1881 .\nAbdou Cherif. Abdou Cherif (also Abdou Sherif, ) is an artist born in Casablanca .\nJoseph Paul Cretzer. Joseph Paul Cretzer (April 17, 1911 Minneapolis, Minnesota − May 4, 1946 Alcatraz Island, San Francisco Bay, San Francisco, California) was an American bank robber and prisoner at Alcatraz who participated in and was slain in the bloody ``Battle of Alcatraz'' which took place following a failed escape attempt between May 2 and May 4, 1946 .\nGregory V. Palmer. Gregory Vaughn Palmer (born 8 August 1954) is an American Bishop of The United Methodist Church, elected in 2000 .\nNathaniel Culverwell. Nathaniel Culverwell (1619-1651), alternative spellings Nathanael or Culverwell) was an English author and theologian, born in Middlesex .\nJohn Friedrich. John Friedrich (b. March 15, 1958, California) is an American film actor .\nJean Trembley. Jean Trembley (1749 - September 18, 1811), born at Geneva, contributed to the development of differential equations, finite differences, and the calculus of probabilities .\nGiuseppe Simonelli. Born in Naples around 1650, Simonelli was one of the most important painters of the school of Luca Giordano .\nJohn Warrock. He was born in 1773 in Richmond, Virginia, to Scottish apothocary Ludovic Warrock and Molly Bransford .\nAntonietta Pastori. Born in Milan, Pastori studied piano and singing at the Milan Conservatory .\nDhyanyogi Madhusudandas. Shri Dhyanyogi Madhusudandas was an Indian saint born in Bihar, India .\nHiba Daniel. Hiba Daniel, born in Lebanon, is a Swedish-Palestinian journalist, working for Swedish Radio .\nJacob Murey. Jacob Murey (born 2 August 1941, Moscow) is a Russian-born Israeli chess grandmaster .\nEmmy Verhey. Emmy Verhey (born 13 March 1949, Amsterdam) is a Dutch violinist .\nAlain Ehrenberg. Alain Ehrenberg, born in Paris in 1950, is a French sociologist .\nSantiago I%C3%B1iguez de Onzo%C3%B1o. Santiago Iñiguez de Onzoño (b. May 17, 1962, Madrid, Spain) is the President of IE University and the Dean of IE Business School in (Madrid, Spain) .\nAleksandra Romanić. Aleksandra Romanic was born 1958 in Zagreb into a family of musicians .\nGayathri Mudigonda. Gayathri Mudigonda (born September 3, 1983, in India) is a Swedish actress .\nRobert E. Wright. Robert E Wright (b. 1969 in Rochester, N.Y.) is a business, economic, financial, and monetary historian and the inaugural Rudy and Marilyn Nef Family Chair of Political Economy at Augustana College in Sioux Falls, South Dakota .\nThomas Nassi. Olympia Tsika was a talented singer who had emigrated to the United States from the very same town (Dardha) in Albania, where Nassi was born and spent his first six years .\nEmanuel Brouwer. Emanuel Brouwer (August 25, 1881, in Amsterdam -- July 6, 1954, in Huizen) was a Dutch gymnast who competed in the 1908 Summer Olympics .\nTariq Hashim. Tariq Hashim is an Iraqi filmmaker who was born in Baghdad, 1960 .\nDavid Lake. Born in Bangalore, India 26 March 1929, India, Lake received a Jesuit education at St Xavier's School in Calcutta (1940--44) .\nFrederick Ellsworth Mather. The son of Ellsworth and Laura (Wolcott) Mather, he was born in Windsor, Connecticut .\nTim Davis. Tim Davis (born November 29, 1943, Milwaukee; died September 20, 1988) was a drummer, singer and songwriter, most notable as a co-founder of The Steve Miller Band .\nHoward Griffiths. Born in Swansea, Griffiths earned a scholarship to Oxford University with the highest entry results in Wales .\nEdward Raymond Neaher. Edward Raymond Neaher (b. May 2, 1912, Brooklyn, NY, d April 19, 1994, Chevy Chase, MD) was a federal judge for the United States District Court for the Eastern District of New York .\nJohn Chillag. In 2004, he published his memoirs, The Odyssey of John Chillag, a Hungarian Jew Born in Vienna 2006: From Gyor in Hungary to Australia and England Via Auschwitz and Buchenwald .\nRich Meyer. Rich Meyer is a musician and author born May 13, 1972 in Cincinnati, OH and raised in Hockessin, DE who currently resides in Brooklyn, NY .\nNeil Rackham. Born in England, Rackham grew up in the jungles of Borneo, returning to England to enter Sheffield University, where he earned a degree in experimental psychology .\nG%C3%B6khan Bozkaya. Gökhan Bozkaya (born 12 May 1981 in Germany) is a German footballer .\nMartin Kratochvíl. Martin Kratochvíl (born May 22, 1946, Prague) is a jazz and jazz rock musician and a businessman from former Czechoslovakia, now Czech Republic .\nGaspard Terrasson. Terrasson was born at Lyon .\nGeorge Mudie. Born in Edinburgh, Scotland in 1788, Mudie became a supporter of Robert Owen's cooperative principles .\nJoseph Wilhelm Swoboda. Born in Prague, Swoboda studied philosophy in his native city and spent his early career there as a stage actor during the 1820s and 1830s .\nJohn Metcalfe. John Metcalfe (born 6 August 1964, Wellington, New Zealand) is a British-based composer and violist, and a former member of the band the Durutti Column .\nTim Long. Tim Long (born June 14, 1969) is a comedy writer born in Brandon, Manitoba, Canada .\nGonzalo Pieres, Sr.. Gonzalo was born and grew up in Argentina .\nDonald Kalish. Born in Chicago, Illinois, Kalish earned his bachelor's and master's degrees in psychology and his doctorate in philosophy at the University of California, Berkeley .\nVladimir Georgiev. Vladimir Georgiev (; born 27 August 1975 in Sofia, Bulgaria) is a Bulgarian chess Grandmaster .\nYu Huili. Yu Huili (born October 5, 1982 in Sichuan) is a female Chinese softball player .\nAlexandra Mazur. Alexandra Mazur (born in 1986 in Moscow) was elected The Beauty of Russia in July 2006, while competing with 44 other contestants from various regions of Russia .\nNicole Hackett. Nicole Hackett (born 10 December 1978 in Sydney) is an athlete from Australia, who competes in triathlon .\nCarl Ludwig Brandt. Carl Ludwig Brandt (22 September 1831 Holstein, Germany - 1905) was a German-born artist who worked mostly in the United States .\nAida Schlaepfer. Aida Schlaepfer (Born in Baghdad) is a Swiss film director and writer .\nAmy Neftzger. Amy was born on June 23 in Illinois and graduated from Elk Grove High School in Elk Grove Village, Illinois .\nSamuel Bourn the Elder. Bourn was born at Derby, where his father and grandfather (who were clothiers) had provided the town with a water supply .\nHans Reiche. Born in Berlin, Reiche received a Master of Science degree in electrical engineering from the Berlin Technical University in 1936, before travelling first to England in 1939, where he was interned after the start of World War Two, and then to Camp Monteith in Ontario, Canada in 1940 .\nBerthold Weisz. Berthold Weisz a Hungarian deputy; born at Budapest in 1845 .\nMarcia Gygli King. Marcia Gygli King (June 4, 1931 Cleveland, Ohio - January 18, 2011) was an American artist .\nEdmund Hobhouse. Edmund Hobhouse, born in London on 17 April 1817, was elder brother of Arthur Hobhouse, 1st Baron Hobhouse, and was second son of Henry Hobhouse, under-secretary of state for the home department (Home Office) .\nFrederick Lewis Allen. Frederick Lewis Allen (July 5, 1890 Boston, Massachusetts - February 13, 1954 New York City) was the editor of Harper's Magazine and also notable as an American historian of the first half of the twentieth century .\nAlice Robie Resnick. Alice Robie Resnick (Born 1939 in Erie, Pennsylvania) is a former Justice of the Supreme Court of Ohio .\nPhilip Sington. Philip Sington is an English novelist and playwright .\nNick Conrad. Nick Conrad (born 29 November 1984 in Norwich, UK) is a British radio and television presenter .\nAnastasius I. Pope Saint Anastasius I, born in Rome the son of Maximus, was pope from November 27, 399 to 401 .\nErnst Friedrich. Ernst Friedrich (23 October 1886 Paris -- 22 January 1954 Nice) was a French racecar driver .\nRoy Sekoff. Roy Sekoff is the founding editor of The Huffington Post .\nSamuel Rickard Christophers. He was born and raised in Liverpool, the son of Samuel Hunt and Kate Christophers and educated at the Liverpool Institute and Liverpool University, graduating MB in 1896 .\nDavid Schnitter. David Schnitter (b. March 19, 1948, Newark, New Jersey) is an American hard bop jazz tenor saxophonist .\nJamie Moses. The son of an American father (a member of US Air Force) and an English mother, Jamie Moses was born in the Suffolk county town of Ipswich, but grew up in various parts of the United States, according to the change of location in his father's postings, as well as in Japan .\nTakeshi Maeda. Takeshi Maeda (前田 剛 Maeda Takeshi) is a Japanese actor and seiyū born on January 10, 1975 in Tokyo .\nBrian Plummer. Brian Plummer, was a Canadian rock musician born in Saskatchewan .\nJoseph R. Chenelly. Chenelly, who was born in 1976 in Rochester, NY, joined the United States Marine Corps at the age of 21 .\nBrian Faloon. Brian Faloon is a musician born in Belfast, Northern Ireland .\nAntonio Tosti. Tosti was born on 4 October 1776 in Rome and died on 20 March 1866, also in Rome .\nMehmet Ali İrtemçelik. Mehmet Ali İrtemçelik (b. March 17, 1950, Istanbul) is the previous ambassador of the Republic of Turkey to Germany .\nDmitry Grigorieff. Dmitry Grigorieff was born in London in 1919 .\nAdolphe Cohn. Adolphe Cohn (1851 -- 1930) was an American educator, born in Paris .\nAlexander Hangerli. Born in Istanbul, Hangerli received a thorough education, was trained to speak several European languages, as well as Ottoman Turkish and Arabic, and prepared for a high-ranking position in the Danubian Principalities .\nLorne Rubenstein. Lorne Rubenstein (born 25 June 1948 in Toronto, Canada) is a Canadian golf journalist and author .\nFlemming Lassen. Flemming Lassen was born on 23 February 1901 in Copenhagen into an artistic family .\nJames O'Mara. Born in Limerick, O'Mara was educated by the Christian Brothers in Limerick, and at Clongowes Wood College in Dublin .\nDavis Gaines. Davis Gaines (b. January 21, 1959, Orlando, Florida) is a stage actor .\nDonald W. Steinmetz. Born in Milwaukee, Wisconsin, Steinmetz graduated from the University of Wisconsin-- Madison and received his law degree there .\nCrist%C3%B3bal de Aguilar. Aguilar was a criollo born in Lima .\nRüdiger Frank. Rüdiger Frank (born in 1969 in Leipzig, GDR) is a German economist and expert on North Korea and East Asia .\nEdward Romilly. Edward Romilly (born 19 April 1804 at London; died 12 October 1870 at Porthkerry, Glamorgan) was an English amateur cricketer who played first-class cricket from 1825 to 1831, and a Member of Parliament from 1832 to 1835 .\nEssie Sakhai. Essie Sakhai, born in Iran and educated in Great Britain, is an expert on Persian carpets and oriental rugs .\nFrancis W. Cushman. Born in Brighton, Washington County, Iowa, Cushman attended the public schools in Brighton and Pleasant Plain Academy in Pleasant Plain, Iowa .\nUrsula Hoff. Dr Ursula Hoff was born on 26 December 1909 in London to Hans Leopold Hoff, Hamburg-based German Jewish merchant, and his wife, née Thusnelde Margarethe (Tussi) Bulcke, of a German Lutheran upper middle-class family .\nCarol Klimpel. Carol Klimpel (born March 30, 1963 in Toronto, Ontario) is a former international freestyle swimmer from Canada, who was supposed to represent her native country at the boycotted 1980 Summer Olympics .\nAlec Statham. Alec Statham (born 1912 Coventry, England) was a Speedway rider who won the London Riders' Championship in 1949 whilst with the Wimbledon Dons .\nMarianne Peretti. Marianne Peretti (born in 1927 in Paris) is a Franco-Brazilian artist .\nMatteo Barzini. Matteo Barzini is an Italian filmmaker and producer born in Rome in 1981 and raised in Los Angeles .\nAlejandro Abellan. Alejandro Abellan (born May 13, 1965, Ottawa) is a Canadian film and television actor .\nDouglas Simpson. Douglas Simpson (born 15 May 1982 in Glasgow) is a field hockey player from Scotland .\nAndrea Lekić. Andrea Lekić (born 6 September 1987 in Belgrade) is a Serbian handballer who plays for Győri Audi ETO KC and also member of the Serbian national team .\nDanny Roxo. Staff Sergeant Francisco Daniel ``Danny'' Roxo (1933--1976) was a legendary Portuguese soldier in Mozambique .\nTommy Waidelich. Tommy Waidelich (born 13 September 1963 in Stockholm) is a Swedish social democratic politician .\nHazard E. Reeves. Born in Baltimore, Maryland, Reeves graduated from Georgia School of Technology in 1928 with a degree in engineering .\nCrystal Mangum. Mangum was born and grew up in Durham, to a father who drove trucks .\nAndrea Giani. Andrea Giani (born April 22, 1970 in Naples) is an Italian coach and retired volleyball player who scored notable successes in the 1990s, winning three World Championships with his national team .\nClive Gee. Clive Gee born in Ireland is rugby league player for the Portlaoise Panthers in Irish Elite League .\nVincent A. Mahler. Vincent A Mahler was born on 26 November 1949 in Chicago's Edison Park neighborhood, and is a professor of Political Science at Loyola University Chicago .\nJohn Hawthorne. Born in Sydney to James Hawthorne and Jane Elkins, he attended Cleveland Street Public School before working with a softgoods firm, establishing his own business in 1875 .\nMiryana Ivanova Basheva. Miryana Ivanova Basheva (born 1947 Sofia) is a Bulgarian poet .\nMordehai Dubin. Mordehai Dubin (;January 1 1889, Riga, Governorate of Livonia, Russian Empire -- 1956, Tula, USSR) was a major Jewish spiritual and political leader in Latvia .\nMatthew Hall McAllister. Born in Savannah, Georgia, McAllister attended Princeton University, and then read law in 1820 to enter the State Bar of Georgia .\nThomas Morland. Born in Montreal, Canada East, Morland was the son of Thomas Morland and Helen Servante .\nLeigh Diffey. Leigh Diffey (born on 3 March 1971 in Brisbane) is an Australian auto racing commentator with the Speed Channel in the United States .\nYuan Yufang. Yuan Yufang (born 1 February 1976 in Beijing, PR China) is a Malaysian race walker .\nShahin Afrassiabi. Shahin Afrassiabi, born 1963 in Tehran, is an artist .\nKlaus Röder. Klaus Röder (often spelled Roeder) is a German musician and music teacher, born 7 April 1948 in Stuttgart, Germany .\nEric Swinkels. Eric Swinkels (born March 30, 1949, Best, Netherlands) is a Dutch sports shooter and Olympic medalist .\nHenry Hiles. Born in Shrewsbury, Hiles was the youngest of six sons .\nGottfried Heinrich Bach. Born in Leipzig, Gottfried Heinrich became ``feeble-minded'' (mildly mentally handicapped in some way) at an early age, but he played the keyboard well and C P E Bach is quoted as saying that he showed ``a great genius, which however failed to develop'' .\nSilke Bodenbender. Silke Bodenbender (born 31 January 1974 in Bonn) is a German actress .\nFrank Kaderabek. Frank Kaderabek is the former principal trumpet of the Philadelphia Orchestra and former trumpet instructor of the Curtis Institute in Philadelphia .\nIan Steel. Born in Glasgow, Scotland, Ian Steel joined the Glasgow United club at 18, in 1946, introduced by a friend, John Brierley .\nEbbe Hamerik. Born in Copenhagen, he was the son of composer Asger Hamerik .\nRobert Lecou. Robert Lecou (born 25 July 1950 in Paris) is a French politician .\nWilliam Child. Born in Bristol, William Child was a chorister in the cathedral under the direction of Elway Bevin .\nEdwin Edgar Voigt. Edwin Edgar Voigt (born February 13, 1892, Illinois; died August 1977) was an American Bishop of German descent in The Methodist Church, elected in 1952 .\nTony Kaldas. Antoine Kaldas, famous as Tony, was born in Cairo, Egypt 1984, in the heart of Cairo in Al Zaher, to a Greek-Egyptian mother and an Egyptian-Palestinian father .\nSilvana Cruciata. Silvana Cruciata (born 15 February 1953 in Naples) is a former Italian middle- and long-distance runner .\nErnest Luxembourg Wright. Ernest Luxembourg Wright by the title E L Wright (September 26, 1892 -- February 18, 1939), was a poet and writer born in southern Massachusetts as the son of Bartholomew and Yura Wright .\nVivion de Valera. Born in Dublin in 1910, Vivion de Valera was educated at Blackrock College, University College Dublin (MSc, PhD) and King's Inns .\nFrancis Montague Holl. Frank Holl (4 July 1845 -- 31 July 1888), English painter, was born in London, and was educated chiefly at University College School .\nMiguel García García. Born in Barcelona, García worked first as a newspaper seller, then a printer .\nCharles Marston. Born in Wolverhampton, Charles was the son of John Marston the founder of Sunbeam .\nBarry Upton. Barry Upton (born 25 February 1954, Hastings, Sussex) is an English songwriter, arranger, musician and producer of various forms of pop music .\nDave Hilton. Dave Hilton born 3 April 1970 in Bristol, England is a former rugby union player for Bath Rugby, Glasgow Warriors and Bristol Rugby whose position of choice is as a prop .\nCaleb H. Baumes. Caleb Howard Baumes (March 31, 1863 Bethlehem, Albany County, New York - September 25, 1937 near Hudson, New York) was an American lawyer and politician from New York .\nWilliam Gifford Palgrave. William Gifford Palgrave (1826--1888) was an Arabic scholar, born at Westminster, England .\nHugh Fraser, 1st Baron Fraser of Allander. Born in Partick, Lanarkshire (now in Glasgow), Hugh Fraser was educated at Glasgow Academy and Warriston School near Moffat .\nMatthew Taylor. Matthew Taylor (born 1968, Miami, Florida) is a musician and artist .\nEd Rossbach. Ed Rossbach was an American fiber artist who was born in Chicago, Illinois in 1914 .\nAugusto De Marsanich. De Marsanich was born at Rome .\nFrantišek Neuwirt. František Neuwirt (born 1895 Prague, died 1957 Prague), professor of stomatology at Charles University in Prague .\nJohn Myres. Sir John Linton Myres (3 July 1869 in Preston -- 6 March 1954 in Oxford) was a British archaeologist .\nJohn Marshall Evans. Born in Virginia, Evans studied Russian history at Yale University, earning an undergraduate degree .\nChad Hartigan. Chad Hartigan was born on the island of Cyprus in August 1982 .\nHenry Bentley. Henry Bentley (born 19 February 1782 at Westminster; died 18 September 1857 at Hereford) was an English first-class cricketer who played for MCC, Middlesex and Hampshire in 68 matches from 1798 to 1822 .\nManuel Su%C3%A1rez %C3%81vila. Manuel Suárez Ávila (b. February 12, 1968, Trinidad) is a Bolivian politician .\nJuris Sokolovskis. Juris Sokolovskis (, transcribed: Yuriy Nikolayevich Sokolovskiy) born on June 13, 1976, in Riga -- Latvian lawyer and politician, member of 7th, 8th and 9th Saeima, co-chairman of ForHRUL between 2007 and 2011 .\nTommy Rustad. Tommy Rustad (born 3 September 1968 in Oslo) is a Norwegian auto racing driver .\nRick Holbrook. Rick Holbrook (born May 28, 1948, Chicago, Illinois, died December 23, 2007) was an Olympic weightlifter for the United States .\nAllan Stewart. Born in Edinburgh on February 11, 1865, his father being the postmaster at Leith, Stewart was educated at the Edinburgh Institution .\nStephen Codman. Born in Norwich, Codman was a pupil of John Christmas Beckwith and William Crotch .\nJohn Arneil. John Arneil was born 1862 in India and died 11 August 1938 in Auckland .\nTomislav Smoljanović. Tomislav Smoljanović (born 15 July 1977 in Split) is a retired Croatian rower who won a bronze medal in the eights competition at the 2000 Summer Olympics in Sydney .\nClaire Ritter. Claire Ritter (b. May 31, 1952, Charlotte, North Carolina) .\nDino Wells. Dino, born in Chicago and raised in New Orleans & Eufaula, Alabama is known as ``The Lethal Warrior'', a former amateur boxing phenom from the early 90's, having an outstanding record of 60 plus official wins and 13 losses .\nEric Robson. Eric Robson, born in Scotland, is a television broadcaster, author and documentary film maker who has lived for most of his life in Cumbria, where he has a sheep farm .\nHerbert J. Davenport. Born in Vermont, Davenport began his formal career as assistant professor at the University of Chicago in 1902 .\nDave Wood. Dave Wood is an Australian calligrapher born in Manchester, England .\nRob Shelby. Rob Shelby was born on July 5, 1978, in a suburb of Detroit, Michigan, to Bob and Diana Shelby .\nJennifer Smith. Born in Lisbon, Jennifer Smith graduated from the Lisbon Conservatory of Music and came to London on a Gulbenkian scholarship .\nMike Peden. Born in Edinburgh, Scotland, Peden began his career as a bass player and as a member of The Chimes .\nRichard Collins, Baron Collins. Born in Dublin, Collins was educated at Trinity College, Dublin, and Downing College, Cambridge .\nAlonso del Arco. Alonso del Arco, born at Madrid in 1635, was a disciple of Antonio de Pereda .\nÖmer Kaner. Ömer Kaner (born 21 May 1951 in Istanbul) is a Turkish football coach and former player .\nDavor Sučić. Sejo Sexon (born June 7, 1961 in Sarajevo) is the stage name of Davor Sučić, Bosnian Croat rock and roll musician, composer, actor and television director .\nPa Neumüller. Pa Neumüller (born 22 January 1963 in Stockholm, Sweden) .\nJeremiah H. Pierson. Jeremiah Halsey Pierson (September 13, 1766 Newark, New Jersey - December 12, 1855 Ramapo, Rockland County, New York) was an American politician from New York .\nWalter Elliot. Sir Walter Elliot (1803--1887), Born in Edinburgh, studied at the East India College in Haileybury and joined the Indian Civil Service at Madras in 1821 and worked on till 1860 .\nBrent Rickles. Brent Rickles (born September 10, 1973 in London, England) is an American guitarist and indie rock musician .\nJohn Mahaffy. John Mahaffy (born July 18, 1919) is a retired professional ice hockey centre who played 37 games in the National Hockey League .\nSofia Scalchi. Born in Turin in 1850, Scalchi studied voice with Augusta Boccabadati .\nPetra Krug. Petra Krug (born 9 November 1963 in Dresden) is a retired East German hurdler .\nTheron R. Strong. Theron Rudd Strong (November 7, 1802 Salisbury, Litchfield County, Connecticut - May 14, 1873) was an American lawyer and politician from New York, .\nSathyabhama Das Biju. Born in Kerala, Biju started his career as a botanist, he became interested in frogs and undertook a second PhD in zoology, from the Amphibian Evolution Lab in Brussels .\nPetar %C4%8Culi%C4%87. Petar Čulić is one of the best world classical guitarists of young generation .\nLev Leshchenko. Lev Leshchenko was born on 1 February 1942 in Moscow, Soviet Union .\nJesper Nordin. Jesper Nordin, born 6 July 1971 in Stockholm, is Swedish composer .\nMartin Henriksson. Martin Henriksson, born 30 October 1974 in Sweden, is one of two guitarists, one of the founding members and the main songwriter of the Swedish death metal band Dark Tranquillity .\nJohn Chester Buttre. John Chester Buttre (10 June 1821 Auburn, New York - 2 December 1893 Ridgewood, New Jersey), was an American steel-plate engraver and lithographer, responsible for some 3 000 engraved portraits of American political, naval and military personalities .\nHenry Duckworth. Born in Brandon, Manitoba, Duckworth received a Bachelor of Arts degree in 1935, a Bachelor of Science degree in 1936, and a teaching certificate in 1937 from the University of Manitoba .\nKaoru Kakudo. Kaoru Kakudo (1947- April 15, 2004), a violinist born in Japan, who performed internationally in recital and solo orchestral appearances .\nAntony Cooke. Antony Cooke, (born 3 August 1948, Sydney, Australia), is an American cellist, composer, astronomer, and author .\nMichel Dovaz. Michel Dovaz born in Geneva, Switzerland on August 14 1928 .\nIngrid Eide. Ingrid Eide (born 12 July 1933 in Oslo) is a Norwegian sociologist, United Nations official and politician for the Labour Party .\nConstantinos Decavallas. Constantinos Decavallas (born 1925 Athens) is a Greek modernist architect .\nThomas Reeve. Reeve was born at Langley, Norfolk, in 1594 .\nJörgen Dafgård. Jörgen Dafgård (born 27 November 1964 in Gothenburg) is a Swedish composer .\nShiva Boloorian. Shiva Boloorian (, born 5 October 1979 in Tehran) is an Iranian actress and stage director, as well as a TV moderator .\nGeorgina Kennard. Lady Kennard was born Georgina Wernher in Edinburgh, Scotland, on 17 October 1919 to Sir Harold Augustus Wernher, 3rd Bt., and Countess Anastasia de Torby .\nAlexandre Desgoffe. Alexandre Desgoffe, a French landscape painter, was born in Paris in 1805 .\nOlaf Poulsen. Born in Kristiania, Poulsen was an active speed skated in his younger days .\nAndrew Bell. Andrew Bell (5 September 1803 -- 27 September 1856) was a Presbyterian minister who was born in London, England, moved to Scotland and emigrated to Upper Canada with his family in 1817 .\nJack Curtner. Jack Curtner (9 July 1888 Greenville, Ohio -- 1 January 1961 Dayton, Ohio) was an American racecar driver .\nRafael Garzón Rodríguez. Rafael Garzón was a Spanish photographer born in Granada in 1863 and died in 1923 .\nLouis Joseph Coralie. Louis Joseph Coralie (1912--1967) was the first Afro-Mauritian to be involved in the Mauritian politics .\nCarlo Fatuzzo. Carlo Fatuzzo (born on 14 March 1944 in Genoa) is an Italian politician and Member of the European Parliament for North-West with the Partito dei Pensionati, part of the European People's Party and sits on the European Parliament's Committee on Employment and Social Affairs .\nErnest E. Wood. Born in Chico, California, Wood attended the public schools and was graduated from the Stockton (California) High School in 1892 .\nRobb Gravett. Robb Gravett (born 10 May 1956 in London) is a British retired racing driver and team owner, a winner of the 1987 Willhire 24 Hour, and the 1990 British Touring Car Championship winner with his own Trakstar team, in a Ford Sierra prepared by Australian magnate Dick Johnson .\nAnton Altmann. Anton Altmann, who was born in Vienna in 1808, studied from nature, and under the instruction of Mössmer at the Academy .\nRéginald Bernut. Reginald Bernut (born 18 January 1937 in Sydney, Australia)is an Australian born politician from New Caledonia .\nHenry Hudson Kitson. Sir Henry Hudson Kitson, often known as H H Kitson, American sculptor, born in Huddersfield, England on April 9, 1865 and died at Tyringham, Massachusetts, on June 26, 1947 .\nFrank P. Incropera. Born in Lawrence, Massachusetts in United States on 12 May 1939, Incropera received his Bachelor's degree mechanical engineering from the Massachusetts Institute of Technology in 1961 and MS degree in mechanical engineering from the Stanford University in 1962 .\nMartin Wright. Martin Wright (born 23 June 1974 in Germany) is a British bobsledder who competed for Great Britain at the 2006 Winter Olympics .\nRose Prince. Rose Prince (born 4 December 1962 in Hampshire, England) is a food writer, author, cook and activist .\nWilliam Doan. Born in Maine, Doan attended the common schools .\nStanis%C5%82awa Nowicka. Stanisława Nowicka (1905--1990) was a Polish dancer and singer born in Warsaw .\nÉnemond Massé. Massé was born at Lyon .\nKároly Varga. Károly Varga (born 28 September 1955 in Budapest) is a Hungarian sports shooter and Olympic Champion .\nDavid J. Eicher. David John Eicher (born August 7, 1961, Oxford, Ohio) is an American editor, writer, and popularizer of astronomy and space .\nRichard Corbould. Richard Corbould, who was born in London in 1757, was a painter, in oil and water-colour, of portraits, landscape, and occasionally history; of porcelain, and miniatures on ivory, and enamels; and was furthermore an illustrator of books, and an imitator of the old masters .\nEthan Mordden. Ethan Mordden (born January 27, 1949, Pennsylvania) is an American author .\nThomas Adams. Born in London, Adams studied under Thomas Busby, and served as organist at several prominent London churches .\nStaffan de Mistura. Staffan de Mistura (born 25 January 1947, Stockholm, Sweden) is a long-serving Italian-Swedish diplomat .\nFrançoise Claustre. Françoise Claustre, who was born in Paris, died at her home in Montauriol, Pyrénées-Orientales, France, in September 2006, at the age of 69 .\nAlejandro Colina. Alejandro Colina, Venezuelan sculptor, born in Caracas on February 8, 1901 .\nVirginio Colombo. Virginio Colombo (1885 -- 1927) was a prolific architect who completed close to 50 works in Buenos Aires in just 21 years before his premature death at the age of 42 Born in 1885 in Milan, Italy, he studied architecture in the Brera Academy under Giuseppe Sommaruga, the city's leading exponent of the Art Nouveau style .\nFranco Gentilesca. Born in Brooklyn, Gentilesca was educated at St John's University and Pace University .\nMehran Khaghani. Born in London to Iranian parents, Mehran grew up in the United Kingdom, Iran, Turkey and the suburbs of Boston .\nZhang Lei. Zhang Lei (born 1979-03-23 in Nanjing, Jiangsu) is a female Chinese foil fencer, who will compete at the 2008 Summer Olympics .\nDesi Williams. Desi Williams is a rugby league player born in London, England .\nRobert McCrindle. Born in Glasgow, McCrindle was educated at Allan Glen's School .\nChristopher Benfield Carter. Born in Montreal, the son of Christopher Carter and Amelia Jane Coward, Carter studied at the Montreal High School, the Commercial Academy of Sorel, and McGill University .\nEdward Isaac Ezra. Edward Isaac Ezra (born 3 January 1882 in Shanghai; died 15 December 1921 in Shanghai) was a wealthy Jewish businessman, who was the first Chinese-born member of the Shanghai Municipal Council, and who was at one time ``one of the wealthiest foreigners in Shanghai'' .\nSteve Free. Steve Free was born near Portsmouth, Ohio, on September 16, 1950, When he was 3, he moved to Tucson AZ for a short time and before returning to Ohio at age 9 where he graduated from Northwest High School, Scioto Co Ohio in 1968 .\nCharles Reynolds Brown. Charles Reynolds Brown (October 1, 1862 -- November 28, 1950) was an American Congregational clergyman and educator, born in Bethany, W Va He graduated at the University of Iowa in 1883 and studied theology in Boston University .\nSimon Cooke. Simon Cooke (born 10 August 1975, Manchester, England, UK) is a British video games developer, currently resident in Seattle, Washington .\nConyers Middleton. Middleton was born at Richmond in Yorkshire, and was educated at school in York and at Trinity College, Cambridge .\nBo Weavil Jackson. Bo Weavil Jackson (dates and places of birth and death unknown, real name said to be James Butler), was an African American blues singer and guitarist .\nKay Lahusen. Lahusen was born and brought up in Cincinnati, Ohio and developed her interest in photography as a child .\nJohn O'Keefe. Born in Waterloo, Iowa in 1940, O'Keefe was raised in the Midwest in Catholic orphanages and juvenile homes .\nJamal Jumá. Jamal Jumá, An Iraqi poet and researcher, born in Baghdad, and since 1984 lived in Denmark .\nAnwar Khan. Anwar Khan (Urdu: انور خان) (born December 24, 1955, Karachi, Sindh) is a former Pakistani cricketer who played in one Test in 1979 .\nLaurence Stallings. Stallings was born Laurence Tucker Stallings in Macon, Georgia to Larkin Tucker Stallings, a bank clerk, and Aurora Brooks Stallings, a homemaker and avid reader who inspired her son's love of literature .\nRick Lawson. Rick Lawson (born 1973 in Raymond, Mississippi) is an American soul, blues and R&B singer .\nDiego Francisco Altamirano. Diego Francisco Altamirano was a Jesuit and author, born at Madrid, 26 October 1625; died in Lima, 22 December, 1715 .\nEric Aarons. Born in Marrickville in inner-city Sydney, Aarons moved with his parents and older brother, Laurie, to Melbourne as a young boy .\nCharles Dixon. Charles Dixon (1858-1926) was an English ornithologist, born in London .\nJohann Christoph Friedrich Klug. Johann Christoph Friedrich Klug was a German entomologist born 5 May 1775 in Berlin and died 3 February 1856 in the same city .\nEdwin Grant Dexter. Edwin Grant Dexter (born 1868, date of death unknown) was an American educator, born at Calais, Me He graduated in 1891 from Brown University, where he taught for a year and then (between 1892 and 1899) was science master of Colorado Springs High School, director of the Coloradp Springs Summer School of Science, Philosophy, and Languages, and professor of psychology in the Normal School at Greeley, Colo .\nArthur Napoleão dos Santos. Arthur Napoleão dos Santos (March 6, 1843 Porto, Portugal - May 12, 1925 Rio de Janeiro, Brazil) was a Brazilian composer, pianist, instrument dealer and music publisher .\nEdgar Sydney Little. The son of Colonel John William Little and Kate Nicholson Little, he was born in London, Ontario, Canada .\nCedric Myton. Cedric Myton born in Jamaica is a Reggae musician and Rastafarian .\nRobert Jankel. Born in London in 1938, Jankel was educated at St Paul's School and studied engineering at Chelsea College .\nJacqueline Carey. Jacqueline Carey (b. 1954 in Cambridge, Massachusetts) is an American novelist and short story writer .\nWilliam Presser. Born in Michigan, Presser began composing in 1939 .\nNatallia Helakh. Natallia Helakh (; , Nataliya Gelakh) (born 30 May 1978 in Brest) is a Belarusian rower .\nYvette Higgins. Yvette Higgins (born 5 January 1978 in Sydney) is an Australian water polo player from the gold medal squad of the 2000 Summer Olympics .\nClement Payne. Payne was under the impression that he was a Barbadian citizen, but did not know that he was born in Trinidad to Barbadian parents .\nDragoș Neagu. Dragoş Neagu (born 28 February 1967 in Bucharest) is a Romanian rower .\nTheodore Augustine Mann. Theodore Augustine Mann (1735--1809) was an English naturalist and historian, born in Yorkshire on June 22, 1735 .\nLloyd Turner. Born in Australia, Turner worked on the Newcastle Morning Herald before moving to England to work as a journalist at the Manchester Evening News .\nLouise Christian. Louise Christian (born 22 May 1952, Oxford) is an award-winning British human rights lawyer .\nSilas Bowker. Silas Bowker (April 26, 1769 Concord, Middlesex County, Massachusetts - October 14, 1834 Locke, Cayuga County, New York) was an American politician from New York .\nPenny Lernoux. Lernoux was born into a comfortable Roman Catholic family in California and excelled in school .\nSerge Postigo. Immediately after his arrival, Postigo developed a strong interest in the theater industry .\nMary Lou Munts. Born in Chicago, Illinois, Munts graduated from Swarthmore College .\nMitra Tabrizian. Born in Tehran, Iran, Tabrizian studied at the Polytechnic of Central London in the 1980s .\nZeng Fanyi. Zeng Fanyi (; born January 1968 in Shanghai) is stem cell scientist and professor at Shanghai Jiao Tong University (SJTU) medical school .\nRani Price. Rani Price, born Rani Khanijau (born 29 January 1970, Liverpool) is a children's television presenter who has presented a variety of children's shows for CBBC Channel, Disney, Channel 5 and Nickelodeon .\nLorne Resnick. Lorne Resnick (born May 16, 1961) is a Los Angeles based photographer who was born and raised in Toronto, Canada .\nFabrizio Marrella. Fabrizio Marrella, born in Venice (Italy), is Professor of International Law and of International Business Law at the University of Venice .\nMónica Estarreado. Mónica Estarreado (born 29 June 1975 in Madrid, Spain) is a Spanish actress of Spanish Origen (palurdos! ) .\nCatherine Wellesley, Duchess of Wellington. The daughter of Edward Pakenham, 2nd Baron Longford and the former Catherine Rowley, she was born Catherine Pakenham on 14 January 1773 in Dublin, Ireland .\nOliver Lieb. Oliver Lieb (born December 31, 1969, Frankfurt, Germany) is a German electronic music producer and DJ Lieb is known to have more than a dozen aliases with over 200 productions and remixes in various electronic genres such as, trance, house, and techno .\nJennifer Clulow. Born in Grimsby, Clulow worked as a continuity announcer and newsreader for Westward Television from the late 1970s until 1981 .\nRegina Sarfaty. Born in Rochester, New York, Sarfaty grew up in Brooklyn, New York .\nWilliam C. Clark. William C Clark (born 20 December 1948 in Greenwich, Connecticut) is an American ecologist and environmental policy analyst, and Harvey Brooks Professor of International Science, Public Policy and Human Development at the John F Kennedy School of Government, Harvard University .\nLéonce Alloy. Léonce Alloy, born in Paris in 1875, died 1949, was a French medallic sculptor and engraver .\nW. T. Pfefferle. WT Pfefferle is an author and poet born in Hamilton, Ontario, Canada, but who was based in Texas for many years .\nTorgeir Micaelsen. Torgeir Eikstad Micaelsen (born 20 May 1979 in Bergen) is a Norwegian politician for the Labour Party .\nJoseph Bennett. Bennett was born at Grimsby, the son of William Bennett and his wife Ann .\nFrederick Gunton. Frederick Gunton, born 1813 in Norwich, and died 1888 in Chester, was an English Organist .\nZoran Popovich. Born in Akron, Ohio, Popovich was in the United States Air Force from 1951--53, and thereafter received a BA from the University of Pittsburgh in 1954, and an LLB from the University of Pittsburgh Law School, 1957 .\nÁngel Garma. Born in Spain of a Basque family, Garma studied medicine in Madrid .\nPernille Rose Gr%C3%B8nkj%C3%A6r. Pernille Rose Grønkjær (born in 1973 in Denmark) is a Danish film director .\nMohammed Loay Bayazid. Born in Syria, Mohammed Loay Bayazid is an American citizen alleged to have been a founding member of al-Qaeda, although he has cooperated with American authorities and claims his role in the group has been over-stated .\nGraph Nobel. Graph Nobel, born in Toronto to Trinidadian parents, was exposed to the musical styles of parang and calypso and soca of the Trindadian culture, as well as reggae music .\nRobert van der Zant. Robert van der Zant (born February 2, 1975 in Brisbane, Queensland) is a former medley swimmer who competed for Australia at the 2000 Summer Olympics in Sydney .\nEdward Duyker. Edward Duyker (born 21 March 1955) is an Australian historian and author born in Melbourne, Victoria, to a father from the Netherlands and a mother from Mauritius .\nBoris Grushin. Boris Andreevich Grushin (; 2 August 1929, Moscow -- 18 September 2007, Moscow) was a well known Soviet and Russian philosopher, sociologist and historical and sociological scientist .\nSumalee Montano. Sumalee Montano (born: 1972) is an actress .\nJuan Alfon. Juan Alfon, born at Toledo, painted, in 1418, several altar-screens for the cathedral of that city, which are still preserved .\nClaude Bourgelat. Bourgelat was born at Lyon .\nHenri de Contenson. Henri de Contenson (born 4 March 1926, in Paris), is a French Archaeologist and was Research Director at CNRS, The Centre National de la Recherche Scientifique (National Center for Scientific Research), a research organization funded by France's Ministry of Research .\nMorton Estrin. Morton Estrin, the noted American pianist, was born in Burlington, Vermont in 1923 .\nYasir Butt. Yasir Butt, (born July 3, 1988 in Lahore) is a professional squash player who represented Pakistan .\nCarlo Emery. Born in Naples, Carlo Emery was professor of Zoology at the University of Bologna .\nMagnus Rosén. Klas Magnus Rosén is a Swedish musician, born 1963 in Gothenburg, and is best known for being the bassist of the Swedish band HammerFall during the years 1997-2007 .\nAlan Aboud. Alan Aboud, graphic designer and creative director, was born in Dublin, Ireland on 13 May 1966 .\nZoltan Kósz. Zoltán Kósz (born November 26, 1967 in Budapest) is a Hungarian water polo player, who played on the gold medal squad at the 2000 Summer Olympics .\nAlistair Elliot. Alistair Elliot (born 13 October 1932 Liverpool) is a British poet and translator .\nGeorge Fisher. Born in Franklin, Massachusetts, Fisher attended the common schools and Brown University, Providence, Rhode Island .\nCleve Chaffin. According to the Thirteenth Census of the United States in 1910, a Cleve Chafin, who was born in Kentucky and aged 22, was a prisoner at the city jail in Cabell County, West Virginia at the time of the census .\nSal Cannella. Sal Cannella (b. 1943 in Newark, New Jersey) is an American politician from California and a member of the Democratic party .\nSherry Kramer. Sherry Kramer is an American playwright, born in Springfield, Missouri .\nHendrick Andriessen. He was known as Mancken Heyn, or crippled Hein, though his still-life paintings were highly regarded and weren't at all crippled .\nCarl Herman Kraeling. Carl Herman Kraeling (1897--1966), theologian, historian, and an American archeologist; born in Brooklyn on March 10, 1897 and died in New Haven in 1966; he is known for its publications on the synagogue and the Christian chapel of Doura Europos .\nAdolphus Drucker. Charles Gustavus Adolphus Drucker (born May 1, 1868, Amsterdam, died December 10, 1903, New York City) was a Conservative Member of Parliament for Northampton .\nEileen O'Keeffe. Eileen O'Keefe (born 31 May 1981 in Kilkenny) is a former female hammer thrower from Ireland .\nDeyan Vatchkov. Deyan Vatchkov (born April 8, 1979, Sofia) is a Bulgarian operatic bass, .\nAndré Léri. André Léri (1875 - 8 September 1930) was a French neurologist who was born in Paris .\nNicolás Antonio de Arredondo. Nicolás Antonio de Arredondo (1740 -- id 1802) was a Spanish soldier and politician born in Madrid .\nAaron of Lincoln. Aaron of Lincoln was an English Jewish financier (born at Lincoln, England, about 1125, died 1186) .\nMartin Jervan. Martin Jervan (May 13, 1891 Tallinn -- October 15, 1942, Chelyabinsk) was an Estonian Major General and medical doctor .\nPankaj Dharmani. Pankaj Dharmani (born 27 September 1974, in Delhi, India) is a former Indian cricketer .\nNick Dranias. Nick Dranias (Born in Chicago, IL in 1971), is an attorney and the director of the Joseph and Dorothy Moller Center for Constitutional Government at the Phoenix, AZ think tank the Goldwater Institute .\nJohn Abram. Born in England, Abram became interested in music when he was six; he began composing in his teenage years .\nLaurent Petitguillaume. Laurent Petitguillaume (born on 21 February 1960 in Tours) is a French radio and television host .\nWalter J. Mahoney. Walter J Mahoney (March 10, 1908 Buffalo, New York - March 1, 1982) was an American lawyer and politician .\nWilliam Buik. Buik was born on 13 May 1824 in Dundee, Scotland of Andrew Buik and Elizabeth (or Elspeth) nee Edward .\nFrank J. Webb. Born in Philadelphia on March 21, 1828, Webb was an active part of the city's community of free African Americans by the time he married in 1845 .\nWilliam Garnett. Garnett, born in London on 13 Nov .\nSylvester Ahola. Sylvester Ahola (May 24, 1902 -- 1995), a.ka Hooley, was a classic jazz trumpeter and cornetist born in Gloucester, Massachusetts .\nPetras Geniušas. Petras Geniušas (born 1961 in Vilnius) is a Lithuanian classical pianist .\nJoy Katz. Joy Katz (born 1963 Newark, New Jersey) is an American poet, who was recently awarded a 2011 National Endowment for the Arts Fellowship for Poetry .\nMichael Khodarkovsky. Michael Khodarkovsky (Odessa, USSR, July 21, 1958) is FIDE Senior Trainer and Chess Master, was born in Odessa, Ukraine on July 21, 1958 .\nArthur N. Martin. Arthur N Martin (August 31, 1889 -- 1961) was a Canadian painter, born in Toronto, Ontario .\nShibley Telhami. Telhami was born into an Arab family in Israel and has spoken on his experience as an Arab Israeli at the Palestine Center .\nJim Berry. Jim Berry (born 15 June 1945 in Oklahoma) is a chess expert and President of the United States Chess Federation .\nJoshua Toulmin Smith. Born in Birmingham as Joshua Smith, he moved to London in 1835 and pursued a career in law, studying at Lincoln's Inn .\nAlain Boire. Born in Montreal, Quebec, Boire was a Bloc Québécois member of the Canadian House of Commons .\nYash Daryanani. Yash Daryanani (born 1981 Chennai (then Madras)) is a Surinamese swimmer and coach .\nMarty Radovanic. Born in Cleveland, Ohio, Marty joined WJAC in 1974, after previous jobs on radio .\nSara Badr. Sara Badr (born June 27, 1987 in Cairo) is a professional squash player who represented Egypt .\nNorbert Wissing. Norbert Wissing (born 18 May 1959, Amsterdam) is a Dutch composer of chamber music, orchestral music, music for theatre and classical music .\nSergey Kozlov. Sergey Kozlov (born June 15, 1964 Moscow) is a prominent award-winning American cinematographer .\nMichael Armstrong. Born in France, Armstrong studied law at Cambridge University and practised as a barrister before embarking on a military career .\nCharles Crawford. Charles Crawford (30 August 1897 Nashville, Tennessee -- 1 June 1958 Calhoun, Georgia) was an American racecar driver .\nLuděk Frýbort. Luděk Frýbort, born 1933 in Prague, Czechoslovakia, German writer and author living in Hannover, Germany .\nFrédéric Durieux. Frédéric Durieux (born February 27, 1959, Paris) is a noted French composer of orchestral, vocal and chamber works .\nFabian Francis. Born in Darwin, Francis grew up playing both rugby league and Australian rules football .\nJan Szyszko. Jan Szyszko (born April 19, 1944 in Stara Miłosna, a part of Warsaw) is a Polish politician .\nNathalie De Vos. Nathalie De Vos (born 9 December 1982 in Ghent) is a Belgian long-distance runner who specializes in the 5000 and 10,000 metres .\nGeorge Stone. Born in Fulham, Stone studied at the London School of Economics and joined the Independent Labour Party (ILP) .\nAndy King. Andy King, born in Vancouver, British Columbia, is also known as Ace King, and Dick Van Gunn .\nJohn Randall Reding. Born in Portsmouth, New Hampshire, Reding attended the common schools .\nPeter F. Donnelly. Born in Lynn, Massachusetts, Donnelly graduated from Boston University and moved to Seattle in 1964 as a Ford Foundation management fellow to work with the fledgling Seattle Repertory Theatre as the first managing director and later as producing director, during his 21 year tenure .\nAnton Foljambe. Anton Foljambe (b. 1972 in Christchurch) is a former Chairman of the National Democrats Party (NDP) in New Zealand .\nBertie Felstead. Felstead, who was born in London in October 1894, was called to action earlier in 1915 and went to the battlefields of France with the 15th (London Welsh) Battalion .\nMary Cecil Allen. Mary Cecil Allen (2 September 1893 Melbourne - 7 April 1962 Provincetown) was an artist, writer and lecturer .\nKazimierz Flatau. Kazimierz Flatau (11 July 1910 in Warsaw -- 25 July 2000 in Poznań) -- Polish harpsichordist, music critic, physicist, translator, and astrologist .\nEdward Schoeneck. Edward Schoeneck (August 1, 1875 Syracuse, Onondaga County, New York - June 22, 1951 Syracuse, Onondaga County, New York) was an American lawyer and politician .\nNeal Peters McCurn. Neal Peters McCurn (b. 1926 in Syracuse, NY) is a federal judge for the US District Court, Northern District of New York .\nAlan MacDonald. Alan MacDonald (born in 1958 in Watford) is a children's writer living in Nottingham, England .\nAlby Why. Alby Why, born in Sydney, Australia, was a rugby league player for the South Sydney Rabbitohs in the NSWRL 1930 season .\nBen Nicholas. Benjamin Nicholas (born 10 December 1987, in Adelaide, Australia) is an Australian actor .\nMichelle Rogers. Michelle Rogers (born 21 January 1976 in Salford) is a British judoka, who competed at the 2008 Summer Olympics in the 78kg class .\nMark Gosling. The son of labourer Samuel Gosling and Hannah Nelms, Mark Gosling was born on 7 August 1886 in Birmingham, England .\nMichel Frutschi. Michel Frutschi (born on 6 January 1953 in Geneva - 3 April 1983) was a Grand Prix motorcycle road racer from Switzerland .\nGraham Doyle. Graham Doyle is an Irish soccer player who was born in Dublin on 19 January 1974 .\nAnne Audain. Anne Audain (born 1 November 1955 in Auckland) is a New Zealand middle and long distance athlete, competing in three Olympic Games .\nEugene A. Toepel. Born in Bangor, Wisconsin, Toepel graduated from the University of Wisconsin Law School in 1939 .\nBenjamin Castleman. Benjamin Castleman (born May 17, 1906, Everett, Massachusetts; died June 1982, Massachusetts) was an American pathologist best known for the eponymous disease which is named after him, Castleman's disease .\nHarry W. Wellford. Born in Memphis, Tennessee, Wellford earned a bachelor's degree in 1947 from Washington and Lee University and a law degree in 1950 from Vanderbilt University Law School .\nAlbertus Jonas Brandt. Albertus Jonas Brandt, born at Amsterdam in 1788, was a scholar of J E Morel, after whose death, in 1808, he passed two years with G van Os He painted dead game, fruit, and flowers .\nVictor Krasin. Victor Krasin (also spelled Viktor Krasin; Russian: Виктор Александрович Красин; born in Kiev, August 4, 1929) is a Russian human rights activist, economist, a former Soviet dissident and a political prisoner .\nOmar Abdel Aziz. Omar Abdel Aziz, (born September 11, 1983 in Cairo) is a professional squash player .\nJoe Ascione. Joe Ascione (b. March 14, 1961, Brooklyn, NY) is an American jazz drummer .\nLiam McMahon. Liam McMahon is an Actor, born in Ireland .\nMartin Firrell. Martin Firrell (born April 4, 1963, Paris, France) has been described variously as a cultural activist, a campaigner, a public artist, or benevolent provocateur, stimulating debate in public space to promote positive social change .\nIgnacio Matte Blanco. Born in Santiago, Chile, Matte Blanco was educated in Chile, and before leaving Chile for London, 'was in analysis with Fernando Allende Navarro, Latin America's first qualified psychoanalyst .\nMarc Hostert. Born in Luxembourg in 1965, Marc Hostert attended the European School Luxembourg .\nTom Kazas. Tom Kazas (b. 1965 in Sydney, Australia) is a composer/song writer, record producer/sound engineer and film maker .\nMichael Brennan. Michael Brennan, born in Sydney in 1973, is an Australian poet based in Tokyo .\nClinton D. McKinnon. McKinnon was born 1906 in Dallas, Texas to Dr John and Tennie McKinnon .\nRonnie Le Drew. Ronnie Le Drew is a puppeteer who was born in Toronto, Canada and trained at the Little Angel Theatre, London under John Wright .\nSimon Gerada. Simon Gerada was born and brought up in Melbourne, Australia and began playing at the age of 9 after he witnessed his father win a shopping center tournament .\nMichael Greco. Internet rumours claim he was born in Dunbar, Scotland, but Greco himself states that this is false, and that he grew up in London .\nJames Travers. Born in Hamilton, Ontario, Travers began his journalism career in 1972 with the Oakville Journal Record in Oakville .\nCarol Graham. Graham, who was born in Lima, Peru, is the mother of three children .\nValli Valli. Valli Valli, born Valli Knust (11 February 1882 -- 4 November 1927), was a musical comedy actress and silent film performer born in Berlin, Germany .\nFrancis Asbury Baker. Francis Asbury Baker (March 30, 1820-April 4, 1865) Born in Baltimore, Maryland, the son of prominent physician and University of Maryland Professor of Medicine, Baker graduated from Princeton University in 1839, was ordained as an Episcopal Deacon in the early 1840s and seemed destined for a career as a respected Protestant clergyman .\nRafael E. Martinez. Born in Cuba, Martinez made a career out of medical malpractice and health law .\nArthur Barnett. Born in Dunedin, Barnett was the son of William Barnett, an auctioneer, and one of eleven children .\nAntonia Okonma. Antonia Okonma (born 24 July 1984 in London, England) is a British actress of Nigerian descent .\nNoush Skaugen. Born in Sweden to a Swedish mother and Iranian father, Skaugen was raised in London and went on to study Law at Warwick University .\nRoger Mears. Roger Mears (born March 24, 1947, Wichita, Kansas), is a former off-road driver who also drove in the USAC and CART Championship Car series .\nMartin Gero. Born in Switzerland, Gero spent much of his childhood in Ottawa, Ontario .\nJohn Duncombe. The only child of William Duncombe, he was born in London .\nChris Welsby. Chris Welsby (born in 1948 in Exeter, Great Britain) is a British experimental filmmaker, author of film installations, and multimedia artist .\nHarry Freedman. Born in London in 1950, Freedman has worked as CEO in a variety of SMEs as well in the voluntary sector .\nBobby McDonald. Bobby McDonald was a Scottish footballer who was born in Aberdeen who played in the left back position .\nThomas Scott. Thomas Scott (1739 -- March 2, 1796) was an American lawyer and politician who was born in Chester County in the Commonwealth of Pennsylvania .\nLuca Princiotta. Luca Princiotta, born July 12, 1982 in Como, is an Italian guitarist .\nChristine Melnick. Born in Winnipeg, Melnick received a Bachelor of Arts degree from the University of Manitoba and subsequently received a Master's Degree in Library and Information Science from Dalhousie University in Nova Scotia .\nPhilippa Perry. Philippa Perry was born in 1957, in Warrington, Cheshire, and educated at boarding school and at a Swiss finishing school .\nThomas Webley. Thomas Webley (born 2 March 1983, Bristol) is an English cricketer .\nLuigi Attademo. Luigi Attademo is an Italian classical guitarist born in Naples in 1972 .\nKarolina Kosińska. Karolina Kosińska (born 17 June 1986 in Warsaw) is a Polish professional tennis player who is, as of 1 March 2010, ranked No 271 .\nJacques Autreau. Jacques Autreau, a French portrait painter and dramatic poet, was born in Paris in 1657 .\nWerner Ploberger. Werner Ploberger (born 5 August 1956 in Vienna) is an Austrian economist .\nEphraim Hertzano. Ephraim Hertzano was a board game designer born in Romania .\nThomas Davidson. Thomas Davidson (28 August 1828 Nottingham, England -- 18 February 1874 Philadelphia) was a naval constructor for the United States Navy .\nEileen Beldon. Eileen Beldon was born on 12 September 1901 in Bradford, West Yorkshire to parents Albert Beldon and Bertha Nicholson .\nEdward Alfred Cowper. Edward Alfred Cowper (10 December 1819 London -- 9 May 1893 Rastricke, Weybridge, Surrey) was a British mechanical engineer .\nJohn Tierney. Born in Derry, Tierney worked as a tool setter before joining the Social Democratic and Labour Party (SDLP) .\nNorman Macdonnell. Norman MacDonnell (November 8, 1916, in Pasadena, California -- November 28, 1979, in Burbank, California) was an American radio and television producer best known for co-creating (along with John Meston) and producing the Western radio and television series, Gunsmoke .\nHeinrich Hirschsprung. Heinrich Hirschsprung was born on 7 February 1836 in Copenhagen inro a family of German-Jewish decent .\nDavid Vaughan. David Vaughan (born 17 May 1924, London) is the archivist for the Merce Cunningham Dance Company, as well as a dance writer and critic, and a scholar on the work of choreographer Frederick Ashton .\nGregory Woods. Gregory Woods (born in 1953 in Egypt) is a British poet who grew up in Ghana .\nSymeon Cosburn. Symeon Cosburn is an accomplished jazz singer born in London, England .\nJoanne Fox. Joanne Fox (born 12 June 1979 in Melbourne, Victoria) is an Australian water polo player from the gold medal squad of the 2000 Summer Olympics .\nFederico Cervelli. Federico Cervelli (1625 --before 1700) was an Italian painter, born in Milan, who established his workshop in Venice at the age of about thirty .\nAl Lerner. Al Lerner (b. 1919 in Cleveland, Ohio) is an American pianist, composer, arranger, and conductor from the Big band era .\nRowley Leigh. Born in Manchester, Leigh went to Clifton College and Christ's College, Cambridge in 1968 .\nParvaz Mirza. Born in Birmingham, Mirza played two games for Warwickshire's second team in 1990 before appearing for Worcestershire's second team later that summer .\nMark Mitchell. Mitchell was born on Auckland's North Shore and attended Rosmini College .\nStuart Pearson Wright. Stuart Pearson Wright (born 1975, Northampton) is an award winning English artist who works mainly in paint .\nBrett Warton. Brett Warton born 4 June 1975 in Sydney, New South Wales, Australia is a former rugby league player .\nFredrik Liliegren. Liliegren was born 1969 in Lund, Sweden .\nGottlob Christian Storr. Gottlob Christian Storr (September 10, 1746 -- January 17, 1805) was a German Protestant theologian born in Stuttgart .\nDonovan Blake. Donovan Livingston Blake (born 4 December 1961 in Jamaica) is an American cricketer .\nPaula Malai Ali. Paula Malai Ali Othman (born 3 March 1974, in Brunei) is a television personality from Brunei .\nJoe Zakas. Joe Zakas (born November 7, 1950, Chicago, Illinois) is a Republican member of the Indiana State Senate representing the 11th district where he has served since 1982 .\nJason Colwell. Jason Colwell (born 31 January 1974 in Dublin) is an Irish former football player .\nJoachim Martin Falbe. Joachim Martin Falbe, a portrait painter, born at Berlin in 1709, was instructed by Harper and A Pesne .\nMalcolm Cecil. Malcolm Cecil (born 9 January 1937, London) is a British jazz bassist and Grammy Award-winning record producer .\nLawrence Cherney. Born in Peterborough, Ontario, Cherney is the brother of composer Brian Cherney .\nMorris Schwartz. Born in Russia, Schwartz went to America in 1906 .\nBurkey Belser. The Belser family has been long-established in the South, with Christian Belser (1752--1812) arriving in Charleston from Baden-Baden, Duchy of Württemberg in 1787 .\nCarly Milne. Born in Edmonton, Alberta, Milne started writing professionally at age 14 Two years later, she was hired by The Calgary Herald, as a columnist for ``20 Below'', which was geared to discussing teen issues .\nBill Utterback. Bill Utterback ( 1931 - 2010 ),was born on January 5, 1931 Arlington Heights, Illinois is an illustrator and caricature artist .\nMarcello Vernola. Marcello Vernola (born on 4 March 1961 in Bari) is an Italian politician and Member of the European Parliament for Southern with the Forza Italia, part of the European People's Party and sits on the European Parliament's Committee on the Environment, Public Health and Food Safety .\nBarbara Clark. Barbara Clark (born September 24, 1958 in Coronation, Alberta) is a former international freestyle swimmer from Canada, who won the bronze medal in the Women's Women's 4x100 Freestyle Relay, alongside Becky Smith, Gail Amundrud, and Anne Jardin .\nJoseph Beer. Joseph Beer (sometimes written Boer born 1744 at Grünwald in Bohemia, died at Potsdam 1811) was one of the first internationally famous clarinet virtuousos, with connections to many major composers of the era .\nHumphrey Hopkin. Hopkin was born at Nottingham .\nAlbert Vizentini. Albert Vizentini was a French violinist, composer, conductor and music writer, born in Paris on 9 November 1841, and died there on 21 October 1906 .\nHerbert Bowden, Baron Aylestone. Born in Cardiff, Wales, Bowden was a councillor on Leicester City Council 1938--45 and president of Leicester Labour Party in 1938 .\nEnid Bibby. Dame Enid Bibby, DBE (born 8 February 1951, Sheffield, Yorkshire) is a British educator who garnered notability for her role as headteacher in improving Wood Green High School in Wednesbury, West Midlands, England .\nChris Lyttle. Born in East Belfast, Lyttle studied at Queen's University Belfast and Harvard University before working as the Research Assistant for Naomi Long of the Alliance Party of Northern Ireland .\nÉmile Lévy. Émile Lévy (August 29, 1826 Paris - 1890) was a French genre and portrait painter .\nFreddy Marshall. Freddy Marshall, born in Caracas, Venezuela (November 7, 1959), is a musician and songwriter specializing in the genre known as Heavy Metal .\nTheodore G. Garfield. Born in Humboldt, Iowa to George S and Mary (White) Garfield, he received a Bachelor of Arts degree from the University of Iowa in 1915 and his law degree from the University of Iowa College of Law in 1917 .\nCathy Sisler. Cathy Sisler is an American artist, born in Wisconsin .\nRusty Egan. Rusty Egan (born 19 September 1957, London) was the drummer for the British new wave band, The Rich Kids .\nOtto Mainzer. Otto Mainzer (November 26, 1903 in Frankfurt am Main, † 28 June 1995 in New York City) was a German-American writer .\nFrançoise Romand. Françoise Romand, born in Marseilles, is a French moviemaker .\nIraj Kalantari Taleghani. Iraj Kalantari Taleghani is a renowned contemporary Iranian architect, famous for his contribution to the modernization of Iranian architecture .\nHelen Thomas Dranga. Helen Thomas Dranga (1866--1940), who is also known as Carrie Helen Dranga, was a painter who was born Carrie Helen Tufts in Oxford, England .\nLi Lei. Li Lei (; born 24 June 1984 in Beijing, China) is a Chinese baseball player who is a member of Team China at the 2008 Summer Olympics .\nRandolph Runnels. Born in Texas probably in 1830, Randolph Runnels was a nephew of Hiram Georges Runnels .\nJeremy Current. Jeremy Current (Born December 25, 1985 in Charlotte, NC) is an American songwriter, musician, and band leader .\nFuat Güner. He was born on 1 April 1948 in Istanbul, Turkey to a renowned photographer father, Sami Güner .\nWilliam Reed. Born in Montreal, Reed studied the organ in his youth with Romain-Octave Pelletier I and Dominique Ducharme .\nArthur Anae. Anae is Samoan, although he was born in Fiji .\nJacques Cartier. Cartier built a gristmill so he could produce flour .\nAlexander Yossifov. Alexander Yossifov (born 12 August 1940, Sofia) is a Bulgarian composer and conductor .\nAlireza Sheikhattar. Alireza Sheikhattar (born 9 June 1952 in Tehran) is an Iranian diplomat and current ambassador of the Islamic Republic of Iran to Berlin .\nMartin Brown. Martin Brown is an Australian artist who was born in Melbourne and from a very early age, could draw .\nVictoria LePage. Victoria Le Page (born in 1919 in Melbourne, Australia) is an Australian spiritual writer .\nNabil Seidah. Nabil G Seidah, (born 1949) is a Québécois scientist .\nJames Macdonald. Macdonald was born on 8 February 1862 in Aberdeen and was educated at Aberdeen Grammar School and the University of Aberdeen .\nNigel Preston. Nigel Preston (born April 4, 1963, London, England, died April 1, 1992) was a British drummer .\nWilliam Hardy. A younger brother of Thomas Duffus Hardy, he was born in Jamaica on 6 July 1807, and came to England at the same time as his brother .\nRichard S. Whaley. Born in Charleston, South Carolina, Whaley attended the Episcopal High School, in Alexandria, Virginia, and was graduated from the law department of the University of Virginia at Charlottesville, where he was a member of St Anthony Hall, in 1897 .\nCillian Vallely. Cillian Vallely is an Irish musician, born in Armagh, Northern Ireland .\nAlfred Darjou. Henri Alfred Darjou, a French painter and draughtsman, born in Paris in 1832, was the son of Victor Darjou, a portrait painter of some ability .\nMedo Martinello. Medo Martinello (born December 6, 1935) is a former Professional box lacrosse player, coach, and ice hockey referee, born in Windsor, Ontario, Canada of Italian descent .\nGeorges Hanna Sabbagh. Georges Hanna Sabbagh was born at Alexandria in Egypt .\nDavid Lister. David Lister (born 1930, Grimsby, Lincolnshire) is an eminent British origami historian .\nEly Devons. Ely Devons (29 July 1913 -- 28 December 1967), an economist and statistician, was born in Bangor, Gwynedd North Wales, lived most of his life in Manchester and died after a long illness at St Thomas Hospital in London .\nKim Kuusi. Kim Kuusi (born 28 December 1947 in Helsinki) is a Finnish composer best known for his advertising jingles .\nMarek Muszyński. Marek Muszyński (born 23 January 1947 in Lublin) is a Polish politician, a member of Prawo i Sprawiedliwość (Law and Justice) party .\nPeter Gregg. Peter Gregg (born March 6, 1951, Kent, Ohio) is a producer and musician .\nRobin Hofman. Robin Hofman (born 3 May 1986 in Rotterdam) is a Dutch footballer who currently plays for Excelsior Rotterdam .\nRufus Phillips. Rufus Phillips, Born in rural Virginia and educated at Yale, was a young C.IA officer in Saigon in the 1950s .\nJohn Wainwright. John Wainwright is a computer scientist, born in Australia, who has pioneered the development of pure object-based computer languages .\nEugène Brieux. Eugène Brieux (19 January 1858 -- 6 December 1932), French dramatist, was born in Paris of poor parents .\nAlexander Randall. Born in Annapolis, Maryland, Randall was educated under private tutors .\nHubert Buchberger. Hubert Buchberger (born 1951 Frankfurt) is a German violinist, conductor and music university teacher .\nMargaret Gwenver. Born as Margaret Guenveur on October 10, 1926 in Wilmington, New Castle, Delaware, US, she was best-known for her role as Dr Sedgwick on the long-running daytime soap opera, Guiding Light .\nDonald B. Cole. Donald B Cole born 31 March 1922 in Lawrence, MA is professor emeritus at Phillips Exeter Academy, New Hampshire, and the author of a number of books on early American history, including Martin Van Buren and the American Political System as well as The Presidency of Andrew Jackson .\nPaul Pope. Born in Philadelphia, Pope grew up in Bowling Green, Ohio, with stops in Columbus, Ohio, San Francisco, and Toronto in-between; Pope now lives and works in New York City .\nRem Urasin. Rem Urasin (born 1976, Kazan) is a Russian pianist .\nFranz Ludwig Catel. Franz Ludwig Catel was born at Berlin in 1778 .\nSamuel Löw Brill. Samuel Löw Brill (September 14, 1814 -- April 8, 1897) was a Hungarian rabbi and Talmudical scholar born in Budapest .\nLene B%C3%B8rglum. Lene Børglum (b. 1961 in Denmark) is a Danish film producer who has worked on several important films in a variety of genres, including experimental shorts, hardcore porn videos and theatrical feature films such as Lars von Trier's Golden Palm-nominated Dogville .\nAndrea Gallandi. Andrea Gallandi (born at Venice, 7 December 1709; died there 12 January 1779, or 1780) was an Italian Oratorian and patristic scholar .\nThomas Elliot Bowman III. Bowman was born and grew up in Brooklyn, New York, and graduated from Harvard College in 1941 .\nThomas R. Fitzgerald. Born in Chicago, Fitzgerald attended Loyola University Chicago before enlisting in the United States Navy .\nThomas Taylor. Born in London, Taylor was educated at St Paul's School, and devoted himself to the study of the classics and of mathematics .\nPeter Cooper. Peter Cooper (born August 1960, Salisbury, UK) is an Internet publisher, financial journalist and author living in Dubai and was a partner in the successful dot-com publisher AMEinfo.com sold to Emap plc in 2006 .\nJimmy Greenspoon. Jimmy Greenspoon (born February 7, 1948, Los Angeles, California) is an American keyboard player, best known as a member of the band, Three Dog Night .\nAlessio Secco. Alessio Secco (born 5 January 1970 in Turin) was an Italian director of football for the Italian Serie A club Juventus .\nArnold Zable. Zable was born on 10 January 1947 in Wellington, New Zealand to Polish-Jewish refugee parents .\nRobert Bourne. Robert Bourne (born 16 May 1950) is a British property developer, entrepreneur and philanthropist who was born in London, UK Over the past 30 years Bourne has amassed a vast property and leisure empire in London and France and has achieved wide recognition for his patronage of the dramatic arts with his wife, theatre impresario, Sally Greene OBE .\nEdmund Fetting. Edmund Fetting (10 November 1927, in Warsaw, Poland -- 30 January 2001 there) was a Polish movie and theatrical actor and occasional singer .\nJohan Reuter. Johan Reuter (born 1969 in Copenhagen) is a Danish baritone and opera singer .\nWilliam Keasberry. The son of another William Keasberry, by his marriage to Catherine Liddell, he was born in London .\nJohn Norton Pomeroy. John Norton Pomeroy (1828--1885) was an American lawyer and legal writer, born in Rochester, N Y., where he practiced law for many years following his graduation from Hamilton College (1847) and his admittance to the state bar in 1851 .\nNadia Jebril. Nadia Jebril, born 1982 in Sweden to Palestinian parents of Jordanian extraction, is a journalist and TV host at the Swedish television (SVT), Muslim profile .\nRyan Burr. Ryan Burr (born March 17, 1972, Pittsburgh, Pennsylvania) is a sports television journalist for ESPN .\nFrancesco Musotto. Francesco Musotto (born on 1 February 1947 in Palermo) is an Italian politician and Member of the European Parliament for the Islands (elected for the first time in 1999) .\nMartin Vari. Martin Vari (* February 27, 1982 in Argentina) is a professional kitesurfer and two times PKRA freestyle world champion in kitesurfing (2001 and 2003) .\nCarlos Cosías. Carlos Cosías is a Spanish operatic tenor born in Barcelona, Spain .\nBarrie Thorne. Born in Utah, Thorne attended Stanford University, receiving her bachelor's degree with Great Distinction and with Honors in Anthropology and Honors in Social Thought and Institutions in 1964 .\nKate Richardson. Kate Richardson (born 5 November 1973 in Melbourne, Victoria) is an Australian athlete, who represented her native country at the 1996 Summer Olympics in the women's 5.000 metres .\nHyman I. Goldstein. Hyman I Goldstein (November 2, 1887 -- 1954) was an American physician and medical historian born in Baltimore, Maryland .\nPierre Cartellier. During the French Revolution Cartellier was part of a team of sculptors who worked on the church of Ste .\nLucius Vibullius Hipparchus. When Hipparchus was born, Athenais named him in honor of his maternal grandfather and paternal great grandfather .\nKemal Alispahić. Kemal Alispahić (born 1969 in Sarajevo, SR Bosnia-Herzegovina, SFR Yugoslavia) is a former Bosnian football player and now a manager .\nSerge Collot. Serge Collot (born 27 December 1923 in Paris) is a French violist and music educator .\nCarl Strehl. Carl Strehl (July 12, 1886 -- August 18, 1971) was a German educator born in Berlin .\nMichael E. Driscoll. Born in Syracuse, New York, Driscoll moved with his parents to the town of Camillus, Onondaga County, in 1852 .\nJ%C3%B8rgen Sigurd Lien. Jorgen Lien, who was born in Bergen to parents Terje Lien (father) and Inger Lise Lien (mother), had an early exposure to entrepreneurship .\nDebra A. Kemp. Debra A Kemp (b. March 7, 1957, Highland, Indiana) is an American author .\nRalph Schoenman. Born in Brooklyn, New York, Schoenman was educated at Princeton University but then left the US for Britain in 1958 .\nGerrard Wendell Haworth. Haworth also studied at the University of Michigan .\nMarion Stein. Born in Vienna, Stein was the daughter of musician Erwin Stein .\nMaurice Maunoury. Maurice Maunoury was a French politician born 16 October 1863 in Alexandria (Egypt) and died 16 May 1925 in Paris .\nValdo Spini. Valdo Spini (born January 20, 1946, Florence) is an Italian politician and writer .\nPeter Stetina. Peter Stetina (born 8 August 1987) in Boulder, Colorado is an American racing cyclist, who rides for UCI ProTeam  .\nTim McGill. Tim McGill (born June 24, 1979, in Chicago, Illinois) is a professional American football defensive tackle who is currently a member of the San Jose SaberCats .\nMichael Colgrass. Michael Colgrass (b. April 22, 1932, Chicago, Illinois) is an American-born Canadian musician, composer, and educator .\nVlad Georgescu. Born in Bucharest, Georgescu studied history at the University of Bucharest, and worked at the Romanian-Russian Museum until it was closed down in 1963, when he was transferred to the Institute of Southeastern European Studies in Bucharest .\nNeil Williams. Neil Williams was an aerobatic pilot born in Canada .\nDiego Carranza. Diego Carranza (born at Mexico, 1559; died at Tehuantepec, date unknown) was a Mexican Dominican missionary .\nAugustus A. Bird. In 1836, Bird moved to Wisconsin Territory .\nGloria Mann. Gloria Mann was an American pop singer born in Philadelphia, Pennsylvania .\nOrsamus B. Matteson. Born in Verona, New York, Matteson attended the common schools .\nLars Jonsson. Lars Jonsson (born 27 June 1970 in Gothenburg) is a former tennis player from Sweden, who turned professional in 1988 .\nAbraham Garton. Unfortunately, very little is known about the personal life of Abraham ben Garton .\nErik Dammann. Erik Dammann (born 9 May 1931 in Oslo) is a Norwegian author and environmentalist, educated within advertising .\nSamuel S. Adams. Born in Lincoln, New Hampshire, as Samuel Sherman Adams, he was the son of Sherman Adams, who served as White House Chief of Staff for President Dwight D Eisenhower and as Governor of New Hampshire, and Rachel White .\nLaurent Boyer. Laurent Boyer (born on 23 January 1958 in Paris, France) is a French radio and television host .\nMichael Raedecker. Michael Raedecker (born May 12, 1963, Amsterdam) is a Dutch artist based in London .\nRobin Gillett. Born in London on Lord Mayor's Day, as it then was, on 9 November 1925, Robin Gillett was the only child of Captain Sir Harold Gillett, 1st Baronet MC FCA, who was Lord Mayor of London, 1958-59 .\nGordon Coppuck. Gordon Coppuck (b. 8 December 1936, Fleet, Hampshire) is a British racing car designer who was chief designer for McLaren and later worked for March and co-founded Spirit .\nMarilyn Shrude. Marilyn Shrude (born 1946 Chicago, Illinois) is an American composer of contemporary classical music and pianist, and Distinguished Artist Professor of composition at Bowling Green State University, since 1977 .\nRegina Maršíková. Regina Maršíková (born 11 December 1958 in Prague) is a former Czechoslovakian tennis player .\nStanley Sporkin. Born in Philadelphia, Pennsylvania, Sporkin received an AB from Pennsylvania State University in 1953, and an LLB from Yale Law School in 1957 .\nJuan Carlos González Zamora. Juan Carlos González Zamora (born June 24, 1968) is a FIDE chess Grandmaster from Mexico (he was born in Cuba but has Mexican citizenship) .\nSalvatore Sabella. Born in Sicily in 1891, Sabella became a butcher's apprentice as a young boy .\nGosia Piotrowska. Gosia Piotrowska is an actor born in Poland and raised in Australia .\nManola Saavedra. Manola Saavedra (born in 1936 in Spain) is a Spanish-born Mexican film and television actress, perhaps best known for her role in El bolero de Raquel (1957) .\nJohn Owens. John Owens (1790--1846), English merchant, was born in Manchester, England in 1790, the son of Owen Owens, a prosperous merchant who had come to Manchester from Flintshire .\nBarbara Strass. Barbara Strass (born 26 May 1974 in Vienna) is a former Austrian international team handball player, European Championship and World Championship bronze medalist and Olympic participant .\nJacques Benedict. Commonly known as Jacques Benedict, he was born in Chicago in 1879, and he studied architecture at the École des Beaux-Arts .\n%C3%81lvarez de Paz. Álvarez de Paz was a Spanish Jesuit mystic of the Society of Jesus, born at Toledo in 1560; died at Potosi, 17 January 1620 .\nAndrzej Kunert. Dr Andrzej Krzysztof Kunert (born 12 October 1952 in Warsaw) is a Polish historian and lecturer, specializing in the history of Polish resistance movement in World War II Since April 2010 he serves as the secretary general of the Council for the Protection of Struggle and Martyrdom Sites .\nJohn Molyneux. Born in Warrington, Lancashire, England, Molyneux began his career with Chester, breaking into the side early in 1949--50 in place of captain Eric Sibley .\nMaggie Fitzgibbon. Maggie Fitzgibbon, an Australian actress and singer, was born in Melbourne on 30 January 1929 .\nBruce Metcalf. Bruce Metcalf (born September 30, 1949 Amherst, Massachusetts) is an American artist who uses different materials like wood, metal, and plexiglass .\nJanet Ramsey Johnson. She was born Janet Ramsey Johnson in Adelaide, South Australia in 1914, one of two daughters of Peter and Jeanie Johnson .\nIen Ang. Born in Java, and educated in The Netherlands, Ang received her Doctorate in the Social and Cultural Sciences, from the University of Amsterdam in 1990 .\nBryan Dubreuiel. Bryan Dubreuiel is an American artist .\nRalf Wadephul. Ralf Wadephul, born 1958 in Berlin, is a German keyboardist/composer who collaborated with Tangerine Dream (Edgar Froese, Paul Haslinger) in the late 1980s on their first ``Melrose Years'' album Optical Race (1988) .\nJoseph Baggaley. Joseph Baggaley (c. 1884 -- 19 October 1918) was a trade unionist, born in England, who came to Regina, Saskatchewan, Canada with his wife and four children in 1911 .\nSandhya Sanjana. Sandhya Sanjana (); is a singer born in Mumbai, India .\nAlfred Mele. Born in Detroit, Michigan, Mele attended Wayne State University, and received his doctorate in philosophy from the University of Michigan in 1979 .\nMurray Esler. Professor Murray David Esler (born in 1944 in Geelong, Australia) is a clinical cardiologist and medical scientist, based at the Baker IDI Heart and Diabetes Institute and the Alfred Hospital in Melbourne, where he is the Associate Director of the Heart Centre .\nRyan Barton. Ryan Barton born in Australia is a rugby league player for the Brisbane Broncos in the National Rugby League .\nErnst Florian Winter. Ernst Florian Winter (born 16 December 1923 in Vienna) is an Austrian-American historian and political scientist, first director of the Diplomatic Academy of Vienna after World War II and chairman of the International Council of the Austrian Service Abroad .\nSalvatore Papaccio. Born in Naples on last decade of 1800, Salvatore Papaccio early began to demonstrate his predisposition to the music .\nRaymond Brown. Raymond Brown (born May 6, 1969 in Cambridge, Ontario) is a former backstroke swimmer from Canada .\nBruno Rubess. Brunis Rubess (born December 21, 1926, Riga, Latvia - died 23 December 2009) was a Latvian businessman .\nVivek Razdan. Vivek Razdan () (born August 25, 1969, Delhi) is a former Kashmiri Indian cricketer who played in 2 Tests and 3 ODIs from 1989 to 1990 .\nPete Winslow. He died in September 1972 of complications following surgery and was survived by his wife Jane Winslow and son, Peter Winslow, who died in a car accident in 1993 .\nTrevor Taylor. Born in Sheffield, the son of a garage owner from Rotherham, Taylor was the product of the later period of 500cc Formula 3 racing, initially using a Staride and later Cooper Norton .\nRichard Eddy. Richard Eddy, DD (21 June 1828 -- 16 August 1906) was an American Universalist clergyman, born at Providence, R I He was a chaplain of the Sixtieth New York Volunteers during the American Civil War .\nMichele Radosevich. Born in Minneapolis, Minnesota, Radosevich graduated from Marquette University in 1969 .\nCatherine Keller. Catherine Keller (born in 1953 in Paris) is a French artist and sculptor .\nRichard Cobbold. Richard Cobbold was born in 1797 in the Suffolk town of Ipswich, to John Cobbold (1745-1835) and Elizabeth (née Knipe) (1764-1824), a large and affluent family who made their money from the brewing industry .\nZhang Xueling. Zhang Xueling (born 7 May 1983 in Beijing, China) is a Singaporean table tennis player .\nWilliam Mackenzie McLeod. Born in Sydney, Nova Scotia, McLeod was educated at Sydney Academy and Dalhousie University .\nErna Paris. Erna Paris is a Canadian non-fiction author born in Toronto, Ontario .\nEdward Searing. Born in Aurora, New York, in Cayuga County, New York, Searing received his bachelors and masters degree from the University of Michigan .\nTheodore Pollock Ferguson. Ferguson was born on January 10 1853 in Mansfield, Ohio in Richland County, Ohio .\nPietro Delfino. Pietro Delfino, O.SB Cam., (born at Venice in 1444; died 16 January 1525) was an Italian Camaldolese monk, patristic scholar, theologian, abbot, and Superior General of his religious Order .\nGeorge Alexander Pearre. Born in Cumberland, Maryland, Pearre attended private schools, the Allegany County Academy at Cumberland, St James College near Hagerstown, and Princeton College .\nAlessandro Vollero. Born in Italy, Vollero emigrated with his family to the United States in 1909 and settled in Brooklyn .\nDiane Greene. Born in Rochester, New York, Greene received her bachelor's degree in mechanical engineering in 1976 from the University of Vermont, and earned a Master's Degree in Naval Architecture from MIT in 1978 .\nSy Landy. Born in Brooklyn, Landy studied at Brooklyn College, where he joined the third camp Trotskyist Independent Socialist League (ISL), led by Max Shachtman .\nMichio Ihara. Michio Ihara (born 1928, Paris) is a Japanese kinetic sculptor, educated in Japan who was influenced by the work of George Rickey .\nRafael Nieto Abeill%C3%A9. Rafael Nieto Abeillé, born in Cuba and educated in Spain, while serving as a prosecutor in Matanzas, Cuba, was appointed in 1896 as a trial judge in San Juan, Puerto Rico .\nEric Goldberg. Eric Goldberg (1890--1969) was a Jewish-Canadian painter, born in 1890 in Berlin, Germany .\nBaron Wormser. Baron Wormser (born 1948 Baltimore, Maryland) is an American poet .\nAsli Sungu. Asli Sungu (born 1975 Istanbul) is a German performance artist, and painter .\nEija Krogerus. Eija Krogerus (born 19 June 1932 in Helsinki) was a well known bowler in Finland .\nWilliam Hare. William Hare (born February 7, 1944, Leicester, UK) is a philosopher whose writings deal primarily with problems in philosophy of education .\nGaurav Keerthi. Gaurav Keerthi (born 2 April 1979, in India) is the former President of Debate Association Singapore .\nJohn Thorne. John Thorne is a culinary writer born in Quincy, Massachusetts who has written a number of best-selling books on gastronomy .\nKonrad Wasiela. Konrad Wasiela (born June 14, 1985, in Vancouver, British Columbia) is a professional Canadian football cornerback free agent .\nJeremy Holmes. Jeremy Holmes is a British psychiatrist, born in London in 1943 .\nDaniel M. Hausman. Daniel M Hausman (b. March 27, 1947, Chicago, Illinois) is a US philosopher .\nPeter Brown. Brown, born in Ireland immigrated to Newfoundland where he was a dealer and shopkeeper in the Conception Bay area .\nJanne Parviainen. Janne Parviainen, born 1973 in Finland, is a heavy metal drummer, who plays in the bands Sinergy, Barathrum and Ensiferum .\nEric Boniface. Eric Boniface (born November 2, 1969 in Paris, France) is a French footballer who played 10 matches in Ligue 1 for Sochaux in the 1998-1999 season .\nC%C3%A9sar de Oliveira. César de Oliveira (b. May 17, 1977, Porto) is a Portuguese composer .\nLeo Treitler. Leo Treitler (b. Jan. 26, 1931) is an American musicologist born in Dortmund, Germany, and is Distinguished Professor at the Graduate Center of the City University of New York .\nMoses Mason, Jr.. Born in Dublin, New Hampshire, Mason moved with his parents to Bethel, Maine, in 1799 .\nDenis McQuade. Denis McQuade (born 6 January 1951 in Glasgow) is a Scottish former footballer, who played for Partick Thistle, Hearts and Hamilton .\nNerses Yeritsyan. Nerses Yeritsyan (born February 23, 1971, Yerevan) is deputy president of the Central Bank of Armenia and former Minister of Economy .\nJohn Henry. John Henry (c. 1776 -- 1853) was a spy and adventurer of mysterious origins .\nAdrian Baker. Adrian Baker (born 18 January 1951, London) is an English singer, songwriter, and record producer .\nFritz Noll. Fritz Noll (August 27, 1858 - June 19, 1908) was a German botanist who was born in Frankfurt am Main .\nAdam Kowalczyk. Adam Kowalczyk is an American musician who was born in York, Pennsylvania .\nMegan Spencer. Born in 1966 in Australia, Spencer studied Speech pathology in Melbourne before becoming actively interested in film and radio .\nGeorge William Houghton. George William Houghton (born September 9, 1905, Perth, Scotland) was a prolific British golf writer and cartoonist .\nMarcus Dods. Marcus Dods (born 19 April 1918, Edinburgh; died 30 April 1984, Henley-on-Thames), was a British musician and composer .\nNicola Campogrande. Nicola Campogrande (born 9 October 1969 Turin) is an Italian composer, as well as a music journalist .\nMichael Falcon. Michael Falcon (born 21 July 1888 at Norwich, Norfolk; died 27 February 1976 at Norwich) was a British Conservative Party politician and an amateur cricketer who played first-class cricket from 1908 to 1936 .\nMargaret Haile. Born in Canada, Haile spent some time working for socialist causes in New England .\nJohn Percival Postgate. Born in Birmingham, the son of John Postgate, he was educated at King Edward's School where he became head boy .\nWalter Lupi. Walter Lupi is an Italian guitarist, born in Milan, in 1960 .\nGeorge Hurst. George Hurst (born 20 May 1926, Edinburgh, Scotland) is a British conductor .\nAlbert McElroy. Born in Glasgow, McElroy studied at Trinity College Dublin, then at Manchester College in Oxford (since 1996 known as Harris Manchester College)  .\nWitold Rodziński. He was born in 1918 in Lviv, son of the renowned conductor Artur Rodziński .\nMika Salmi. Mika Salmi (born 16 November 1965) in Helsinki, Finland, is a pioneer in new media .\nMartin Grams, Jr.. Born in Baltimore, Maryland, Grams is the son of magician Martin Grams, Sr and librarian Mary Pat Grams .\nArthur Nichols. Born in Bristol to farmer George Nichols and Mary Natriss, he attended Clifton and Royal Agricultural College in England before arriving in Australia in 1880 .\nGiulio Carpioni. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc .\nBhupinder Nath Kirpal. he is married to Aruna Kirpal and has three children .\nFrancisco Ortiz de Vergara. Francisco Ortiz de Vergara was a Spanish conquistador and colonizer, born in Seville .\nAhmed Djoghlaf. Ahmed Djoghlaf (born 25 November 1953 in Algiers), is the Executive Secretary of the Convention on Biological Diversity under the United Nations Environment Programme (UNEP) .\nAbraham Mintchine. Abraham Mintchine (4 April 1898 Kiev - 25 April 1931 Paris), was a Ukrainian painter .\nJohn A. Dalles. John A Dalles is a clergyman and hymnwriter who was born in Pittsburgh, Pennsylvania .\nChristian Day. Christian Day (born 24 June 1983 in Blackpool, Lancashire) is a rugby union player for Northampton Saints in the Aviva Premiership .\nAlfred Kossmann. Born in Leiden, Kossmann was the son of the erudite librarian F H Kossmann .\nVictor Tolgesy. Victor Tolgesy (1928 - 1980) was a Canadian sculptor who was born in Hungary .\nDevin Hoff. Devin Hoff is a musician and songwriter born in Colorado whose main instruments are double bass and bass guitar .\nLinnea Johnson. Linnea Johnson (born 1946 Chicago) is an American poet, and feminist writer, winner of the inaugural Beatrice Hawley Award for The Chicago Home (Alice James Books, 1986) .\nBrett Hestla. Brett Hestla, (born 1973 in Alabama) is an American guitarist, bassist, vocalist and record producer .\nArmand Toussaint. Armand Toussaint (April 7, 1806 -- May 24, 1862), aka François Christoph Armand Toussaint, was a French sculptor born in Paris .\nGeorge Johnston. George Jameson Johnston was born on 24 October 1868 in Melbourne .\nElvis Yero. Elvis Yero (born 1965-01-26 in Havana, Cuba and died 2001-10-13) was a boxer in the Welterweight division .\nSpyros Sofos. Spyros Sofos, born in Athens, Greece, is a social scientist known for his work on Southeastern European politics .\nJohn Whistler. John Whistler (ca. 1756 -- 3 September 1829) was a soldier, born in Ulster, Ireland .\nWilliam Emery. William Emery was born on 2 February 1825 in London .\nJohn Buckley. John Buckley, born in Leeds in 1945, is a sculptor whose best known work is the sculpture ``Untitled 1986'', better known as ``the Shark House'' or the ``Headington Shark'' in Headington, Oxford .\nNigel Tangye. Born in Kensington, Nigel Tangye started his career in the Royal Navy, spending three years in the Mediterranean having graduated at the Royal Naval College in Dartmouth .\nNicholas Colla. Nicholas Colla (born on 14 October 1986 in Melbourne, Australia) is an Australian actor .\nChuck Swirsky. Born in Norfolk, Virginia, U.S., Swirsky grew up in Bellevue, Washington and is graduate of Interlake High School (class of 1972) .\nMilton Wright. Milton S J Wright was an African-American academic born in Georgia .\nWilliam Clarke. William Clarke (born 24 December 1798 at Nottingham; died 25 August 1856 at Wandsworth, Surrey) was an English cricketer and team manager who played first-class cricket from 1826 to 1855 .\nRebecca Pronsky. Born in Brooklyn, New York, Rebecca began professional vocal training at the age of eight, and was encouraged to continue studying music throughout her middle and high school years .\nRaymond Monsour Scurfield. Raymond Monsour Scurfield, born in Chicago, IL, in 1943, is professor of social work at The University of Southern Mississippi Gulf Coast .\nWendy Mulford. Wendy Mulford (born 1941, Wales) is a British poet, associated with the contemporary avant garde scene, with the British Poetry Revival, and with the development of feminist poetry in 1970s .\nLuis Ulacia. Luis Ulacia Álvarez (born September 24, 1963, in Havana, Cuba) is a Cuban baseball player and Olympic gold and silver medalist .\nRobert Briffault. According to one source, Briffault was born in Nice, France .\nLou Stein. Lou Stein (born April 22, 1922, Philadelphia, Pennsylvania, died December 11, 2002) was an American jazz pianist .\nGeorge Savoidakis. Savoidakis was born on the Greek island of Crete and spent his formative years in the community of Agioi Deka .\nLaurent d'Arvieux. Laurent d'Arvieux (1635--1702) was a French traveller and diplomat born in Marseille .\nNeil Rollinson. Neil Rollinson (born 1960 Yorkshire) is a British poet .\nGustav Bartholin Hagen. Gustav Bartholin Hagen was born on 12 February 1873 in Copenhagen, the son of Sophus Hagen, a composer and music editor, and Serine Johanne Frederikke Klingsey .\nAndy LaRocque. Andy LaRocque (real name Anders Allhage, born 29 November 1962, Gothenburg, Sweden) is best known as a guitarist, songwriter, and occasional synth player for the band King Diamond .\nJohn Hirst. John Hirst (born 18 November 1950 in Bradford) is a convicted killer and campaigner for prisoners' rights .\nGordon Stratton. Gordon Stratton (Born - October 4, 1934 in Winnipeg, Manitoba) was a Canadian ice hockey right winger who recording 474 goals and 502 assists for 976 points as a pro .\nSarah Stiles. Sarah Stiles was born on June 20 in Massachusetts and was later raised in New Hampshire .\nPiotr Buciarski. Piotr Buciarski (born 22 November 1975 in Warsaw, Poland) is a Danish pole vaulter of Polish descent .\nRobert Morrison, 1st Baron Morrison. Born in Aberdeen, he was the son of James Morrison .\nNeil Doncaster. Born in Devon, Doncaster graduated from Bristol University in 1992, qualified as a solicitor and worked for four years for Burges Salmon, solicitors .\nDavid Solomon. Born in Australia, Solomon is married to Marjorie and has three children, Talya, Reuben and Tiferet .\nJames S. Smart. Born in Baltimore, Maryland, Smart moved with his parents to Coila, Washington County, New York, in 1849 .\nThomas Passmore. Born in Belfast, Passmore worked as a salesman .\nNathan B. Spingold. Born in Chicago, Spingold started as a newspaper reporter but moved to New York in the early thirties where his career in the motion picture business with Columbia Pictures saw him rise to the Board of Directors in 1940 and vice president of the company in 1954 .\nEmmanuel Scheffer. Emmanuel Scheffer (, born 1 February 1924 in Germany) is an Israeli football coach .\nCharles Nicholas Aubé. Charles Nicholas Aubé was a French physician and entomologist born 6 May 1802 in Paris .\nWilkes Angel. Wilkes Angel (February 26, 1817 Exeter, Otsego County, New York - February 1889) was an American lawyer and politician from New York .\nBenjamin Kunkel. Benjamin Kunkel (born in 1972 in Colorado) is an American novelist .\nSteve Bjorklund. Steve Bjorklund a/k/a Steve Björklund a/k/a Steffan Bjorklund was born ca 1960 in Chicago, Illinois .\nBranko %C5%A0alamon. Branko Šalamon (born 13 June 1948) in Zagreb, Croatia is the mayor of the Croatian city of Čakovec .\nJ. N. Williamson. Williamson edited the popular anthology series, Masques .\nGeorge Butler. George Butler (born 20 February 1810 at Mansfield, Nottinghamshire; died 23 April 1887 at Nottingham) was an English professional cricketer who played first-class cricket from 1841 to 1852 .\nTom McGuinness. Tom McGuinness (born Thomas John Patrick McGuinness, 2 December 1941, Wimbledon, South London) is a guitarist songwriter, author, record and TV producer .\nOwen McAuley. Owen McAuley (born 5 October 1973 in Belfast, Northern Ireland) is a British auto racing driver .\nRoger Q. Williams. Roger Quincy Williams (April 30, 1894 - August 12, 1976) was an American aviator, born in Brooklyn, New York .\nGabriel Tschumi. Gabriel Tschumi (1883--1957) was a native of Switzerland who served as Master Chef to three British monarchs - Queen Victoria, King Edward VII and King George V .\nHenry Hall. Henry Hall (born 1810 at Sheffield; died 1 December 1864 at Nottingham) was an English cricketer who played first-class cricket from 1827 to 1837 .\nRudolf von Erlach. Rudolf von Erlach (Born around 1299 in Bern, died in 1360 in Reichenbach Castle) was a knight and commander of the Swiss Confederation forces at the Battle of Laupen .\nKeena Rothhammer. Keena Rothhammer (born February 26, 1957 in Little Rock, Arkansas) is a former freestyle swimmer from the United States .\nJohn Ambrose Meyer. Born in Baltimore, Maryland, Meyer attended the grade schools and Loyola High School .\nJean Baptiste Rives. Jean Baptiste Rives was born in the city of Bordeaux (part of the region of Gascony) circa 1793 .\nJacob Guay. Jacob Guay better known as just Jacob (born on 8 April 1999 in Quebec) is a Canadian young singer and dubbed as the French language answer to fellow Canadian Justin Bieber .\nRyan Naraine. Ryan Naraine, born 20 January 1971 in Georgetown, Guyana, is a tech news journalist living and working in New York City .\nClaude Wiseler. Claude Wiseler (born 30 January 1960 in Luxembourg City) is a Luxembourgian politician .\nIdriss Ndele Moussa. Idriss Ndele Moussa (born on 17 April 1959 in Chad, Africa) is the president of the African Union's Pan-African Parliament .\nMeike Evers. Meike Evers (born 6 June 1977 in Berlin) is a German rower who was co-winner of two Olympic gold medals .\nRuslan Gritsan. Ruslan Gritsan (born 7 December 1978 in Moscow) is a Russian competitor and multiple world champion in both ski-orienteering and mountain bike orienteering .\nAhmed Maher. Ahmed Maher, (born 2 December 1980 in Alexandria), is one of the co-founders of the April 6 Youth Movement, and a prominent participant in the anti-Mubarak demonstrations in Egypt in 2011 .\nDion Fischer. Dion Fischer is an American musician, producer, and visual artist born in Romeo, Michigan in 1972 .\nJames Burnham. Born in Chicago, Illinois on November 22, 1905, James Burnham was the son of Claude George Burnham, an English immigrant and executive with the Burlington Railroad .\nJohannes Falkenberg. Johannes Falkenberg (born in 1911 in Oslo - dead June 3, 2004, same place) was a Norwegian social anthropologist .\nPeter Milligan. Peter Milligan born in London, a British writer, best known for his comic book, film and television work .\nThomas Kerr. Thomas Kerr (Born August 30, 1962 in Calgary, Alberta) is a Canadian illustrator .\nLou Angeli. Lou Angeli (born August 11, 1951, Wilmington, Delaware) is an American writer and film maker .\nTom French. Tom French (born 1966 Kilkenny) is an Irish poet .\nKex Gorin. Kex Gorin (born Kevin Gorin, in 1949, in Birmingham - 21 December 2007), was a British drummer .\nThomas Birch Florence. Thomas B Florence born in Philadelphia, Pennsylvania .\nSiddhant Karnick. Siddhant Karnick (born March 15, Mumbai, Maharashtra) is an Indian television actor .\nMel Watkins. Watkins, who was born in Memphis, Tennessee, and grew up in Youngstown, Ohio, now lives in New York City, where he continues to write, lecture, and appear for speaking engagements .\nWarren Cann. Warren Reginald Cann (born 20 May 1950, Victoria, British Columbia, Canada) is a drummer and drum machine programmer, best known as a member of the British New Wave band Ultravox .\nHenry Albert Roby. Born in Massachusetts in March 1844, Henry Albert Roby, also known as Harry A Roby, joined the 1st Maryland Regiment of the Confederate Army at age 18, fighting in the Battle of Gettysburg and serving through the end of the Civil War .\nWilliam Worthy. Born in Boston, Massachusetts, Worthy is a graduate of Boston Latin High School, and received a BA degree in sociology from Bates College, Lewiston, Maine, in 1942 .\nLeslie Howe. Leslie Howe is a musician and record producer born in Ontario, Canada .\nOscar Bianchi. Oscar Bianchi (born 05 August 1975, Milan) is a Gaudeamus Laureate composer of Italian and Swiss citizenships .\nMichael Hosking. Born in Singapore, Hosking was educated at St John's College in Southsea, Portsmouth where he attended until the age of sixteen .\nAndrew Grant. Andrew Grant (born 1968, Birmingham, England) is a novelist and the younger brother of bestselling thriller writer Lee Child .\nAdelaide Tosi. Born in Milan, Tosi studied with Girolamo Crescentini before making her professional opera debut in her native city in 1821 .\nJames Hooker. James Hooker (July 12, 1792 Windsor, Hartford County, Connecticut - September 2, 1858 Poughkeepsie, Dutchess County, New York) was an American lawyer and politician from New York .\nOxana Narozniak. Oxana Narozniak is a Ukrainian artist born in Germany and currently residing in Curitiba, Brazil .\nCharles Hylton Stewart. Charles Hylton Stewart was born on 21 March 1884 in Chester, the son of Charles Henry Hylton Stewart (a minor canon of Chester Cathedral and previously Organist and Master of the Choristers of Chichester Cathedral) .\nNick Richmond. Nick Richmond (born May 1, 1987 in Garland, Texas) is an American football offensive tackle who is currently a free agent in the National Football League .\nMünir Göle. Münir Göle is a photographer and Turkish writer, born in 1961 in Istanbul, who lives and works in Geneva .\nJames Poole. James Poole (Born in Watford, England 16 July, 1964) has been involved in the development of computer games since the mid 1980s .\nFrancisco Cervantes de Salazar. Francisco Cervantes de Salazar (1514? -- 1575) was a Spanish man of letters .\nRenato Beghe. Renato Beghe (b. 1933 in Illinois) is a senior judge of the United States Tax Court .\nMichelangelo Pisani di Massa e di Mormile. Michelangelo Pisani di Massa e di Mormile, count of Massa Lubrense and Mormile, is an Italian diplomat .\nDan Armon. Dan Armon, Israeli poet, was born in Jerusalem in 1948, the year Israel gained independence .\nEdward Stransham. Edward Stransham (born at Oxford about 1554; executed at Tyburn, 21 January 1586) was an English Roman Catholic priest .\nGerald McLaughlin. Born in Newark, New Jersey, McLaughlin received an AB from Fordham College in 1914, and an LLB from Fordham University School of Law in 1917 .\nCathy Busby. Born in Toronto, Ontario, on April 20, 1958, Busby is an artist who has a long-time interest in posters and printed matter and their potential for grassroots communication .\nMichael Mason. Michael Mason (born March 18, 1974 in Delaware, Ohio) is a former international breaststroke swimmer, who was born in the United States .\nRob Heanley. Rob Heanley is an English actor born in Surrey on 12 October 1980 .\nAlfons Martí Bauçà. Alfons Marti, or Alfons Marti Bauza, is a Spanish writer, born in Palma de Mallorca (Balearic Islands) in 1968 .\nColin Slater. Colin Slater, MBE (born in 1934 in Bradford, England) is an English Commentator for BBC Radio Nottingham .\nKeagan Kang. Keagan Kang (born 5 May 1976, in Perth, Western Australia) is an Australian actor .\nBrian Hodgson. Born in Liverpool in 1938, Hodgson joined the BBC Radiophonic Workshop in 1962 where he became the original sound effects creator for the science fiction programme Doctor Who .\nJohn Cole. John E Cole (born 4 August 1942 in Toronto, Ontario) was a Progressive Conservative party member of the Canadian House of Commons .\nHarry South. Harry South (7 September 1929 Fulham, London -- 12 March 1990, Lambeth, London) was an English jazz pianist, composer, and arranger, who later moved into work for film and television .\nJudd Buchanan. After a career in the life insurance industry working for London Life, Buchanan, born in Edmonton, Alberta, was elected to the Canadian House of Commons in the 1968 election as the Liberal Member of Parliament for London West .\nEric Kloss. Eric Kloss (b. April 3, 1949, Greenville, Pennsylvania) is an American jazz saxophonist .\nJumoke Verissimo. Jumoke Verissimo (born 26 December 1979, Lagos) is a Nigerian poet and writer .\nKym Anderson. Kym Anderson (born 26 February 1950 in Adelaide) is an Australian economist, specialising in trade policy and issues related to the World Trade Organization .\nThomas Miller. Miller was born at Norwich on 14 August 1731, the son of Thomas Miller, a pavior .\nEthel Merston. Ethel Merston (born 23 December 1882, London - died 19 March 1967, Tiruvannamalai, India) was one of G I Gurdjieff's first students at his Institute for the Harmonious Development of Man, at the Prieuré in Fontainebleau-en-Avon, France .\nBarry Palmer. Barry Palmer, born 1958 in England, is a British singer who was one of Mike Oldfield's vocalists around 1984 .\nStephanie Andujar. Andujar was born 1986 in Manhattan and began her acting career at the young age of 12 She went on to study acting at Talent Unlimited High School .\nDerek Murray. Derek Murray (born 29 November 1965 in Dublin) was an Irish soccer player who played in the League of Ireland during the 1980s and 1990s .\nTed Grouya. Ted Grouya (31 July 1910 - 14 April 2000) born Theodor Grouya in Bucharest, Romania, was a composer who studied composition with Nadia Boulanger .\nMarinko Madžgalj. Marinko Madžgalj () is a Serbian actor .\nJohn J. Gorman. Born in Minneapolis, Minnesota, Gorman attended the common schools and the Bryant and Stratton Business College at Chicago, Illinois .\nWilliam Magennis. William Magennis (18 May 1867 -- 30 March 1946) was an Irish politician and university professor .\nOndřej Neff. Ondřej Neff (born April 26, 1945, Prague) is a Czech science fiction writer and journalist .\nAndrea Newman. Andrea Newman (born 1938, Dover, Kent) is an English author .\nEugene O'Conor. Born in Ireland in 1835, O'Conor went to Victoria, Australia in 1854, and came to New Zealand in the early 1860s .\nAndrew Knight. Andrew Stephen Bower Knight (born 1 November 1939 in England) is a journalist, editor, and director of News Corporation .\nFrederick Franklin Schrader. Frederick Franklin Schrader (27 October 1857 Hamburg, Germany - 1943) was a United States journalist and dramatist .\nJanek Schaefer. Janek Schaefer is a London-based sound artist, musician, and composer born in England to Polish and Canadian parents in 1970 .\nCharles William King. King was born at Newport, Monmouthshire, and entered Trinity College, Cambridge, in 1836 .\nChris Woodhead. Sir Christopher Anthony Woodhead (born 20 October 1946, Edmonton, London) was Her Majesty's Chief Inspector of Schools In England from 1994 until 2000 and is one of the most controversial figures in debates on the direction of English education policy .\nStephen Tompkins. Stephen Tompkins (born October 4, 1971, Cleveland, Ohio) is an American artist, animator, and composer based in Southern California .\nArto Sipinen. Arto Sipinen (born 20 March 1936, Helsinki) is a Finnish architect .\nAdam Begley. Adam Begley (born 1959 Boston, Massachusetts) is an American freelance writer, and was the books editor for the New York Observer .\nPavel Polakovič. Pavel Polakovič (born January 11, 1974 in Smolenice, Trnava) is a retired amateur boxer, who was born in Slovakia but represented the Czech Republic during his career .\nTansy Davies. Tansy Davies (born May 29, 1973, Bristol) is an English composer of modern classical and avante-garde works .\nGregg Weaver. Gregg Weaver, born January 9, 1961 in California, was part of San Diego's famed skate scene and one of skateboarding's early superstars (Weyland, 2002, p.44) .\nLiza Manili. Liza Manili is a French actress and singer, born 1986 in Strasbourg .\nJason Eckardt. Jason Eckardt (b. 17 May 1971, Princeton, NJ) is an American composer .\nJon Elster. Jon Elster (born February 22, 1940, Oslo) is a Norwegian social and political theorist who has authored works in the philosophy of social science and rational choice theory .\nFyodor Vinberg. Born in Kiev in the family of a general, Vinberg studied in high school in Kiev and in the Alexander Lyceum .\nAli Lakhani. Born in England in 1955, Lakhani was educated at The King's School, Canterbury before getting his undergraduate and graduate degrees in law from Cambridge University .\nAlfred Payne. Alfred Payne (born 7 December 1831 at Leicester; died 25 June 1874 at Westminster) was an English amateur cricketer who played first-class cricket from 1852 to 1864 .\nSean McGreevy. Sean McGreevy, born in Belfast, Northern Ireland, is a popular Gaelic footballer who has been the Antrim goalkeeper since making his Championship debut in 1993 .\nChristine Niederberger Betton. Christine Niederberger Betton, born in Bordeaux and deceased in 2001 in Mexico City was a French archaeologist .\nAnna Maria Guarnieri. Anna Maria Guarnieri (born 20 August 1933, Milan) is an Italian actress, notable for her work in theatre and film and as a voice actor, particularly during the 1960s .\nGerald J. Tate. Gerald J Tate (b. 6 February 1954, Belfast), is an Northern Irish Horror writer, who is also a time served aircraft engineer .\nHenry Howell. Born in Richmond, Virginia, Howell grew up in Norfolk .\nBaruch Arensburg. ‎Baruch Arensburg (born 1934 in Santiago, Chile), professor of Anatomy, ‎Sackler School of Medicine, Tel-Aviv University (emeritus), is a physical ‎anthropologist whose main field of study has been prehistoric and historic ‎populations of the Levant .\nHedvig Willman. Hedvig Willman, née Harling (18 July 1841 in Stockholm -- 15 August 1887, Stockholm) was a Swedish stage actor, opera singer, drama teacher and principal of Dramatens elevskola .\nJane Tanner. Barbara Jane Tanner, known as Jane Tanner, (born 29 November 1946 in Melbourne) is an Australian children's book illustrator .\nJohn Ferrar Holms. John Ferrar Holms (1897--1934) was a British literary critic born in India to a British civil servant and an Irish mother .\nMyer Hoffman. Myer Hoffman (21 July 1902 in Leeds, Yorkshire, England -- 14 October 1959 in Lourenço Marques, Mozambique) was an English-born Irish cricketer .\nJoan Hartigan. Joan Hartigan Bathurst (born on 6 June 1912 in Sydney, Australia -- died on 31 August 2000) was a female tennis player from Australia .\nDionysis Boukouvalas. Dionysis Boukouvalas (born 7 May 1979 in Athens) is a Greek composer, pianist and musicologist .\nGalina Fokina. Galina Fokina () (born January 17, 1984, in Moscow) is a Russian tennis player .\nDexter Perkins. Born in Boston, and educated at Boston Latin, Perkins received his AB (1909) and PhD .\nPhilippe N'Dioro. Philippe N'Dioro (born June 24, 1960 in Moulins, France) is a French footballer of Cameroonian descent who played 94 matches and scored 13 goals in Ligue 1 for clubs Lyon and Nice in the period 1980-1991 .\nWilliam Mattieu Williams. The son of Abraham Williams, a fishmonger in London, and his wife Louise, daughter of Gabriel Mattieu, a Swiss refugee, he was born in London on 6 February 1820 .\nSara Agnes Mclaughlin Conboy. She was born Sara Agnes Mclaughlin in Boston, Massachusetts .\nAdam Melonas. Adam Melonas (born on 10 November 1981 in Canberra, Australia) is an Australian chef of Greek heritage .\nHifumi Shimoyama. Hifumi Shimoyama, born 1930 in Japan, is a composer of contemporary concert music .\nClaire Cox. Claire Cox (born December 19, 1975, Peterborough) is an English film, television and theatre actor .\nManu Farrarons. Manu Farrarons is a Polynesian tattoo artist born in France in 1967 and grew up in Tahiti with the Polynesian culture .\nFrank Gohlke. Although he was born in Texas, Gohlke's geographical range includes central France, the American South and Midwest, New England and Mount St Helens after a volcanic eruption .\nPaul Chadwick. Born in Seattle, Chadwick grew up in its suburb Medina, where his father, Stephen F Chadwick, was the City Attorney .\nVlastimil Pt%C3%A1k. Vlastimil Pták (; November 8, 1925, Prague -- May 5 1999) was a Czech mathematician, who worked in functional analysis, theoretical numerical analysis, and linear algebra .\nHuck Whitney. Huck Whitney, composer/film theme writer, was born in Birmingham, England in 1966 and was formerly known as Ian Whitney .\nRichard Nye. Richard Nye is an instrumental and choral composer born 1967 in Gloucester, England .\nBill Downe. William A Downe (born in 1952 in Montreal) is a Canadian bank executive .\nLee King. Lee King (born 11 November 1969 in Dublin) was an Irish soccer player during the 1990s in the League of Ireland and is currently assistant manager to Terry Eviston at Drogheda Town in the Leinster Senior League .\nGladys Ewart. Born in Ottawa, she was the daughter of John S Ewart and Jessie Ewart (née Campbell) .\nStephen Griew. Stephen Griew (1928 -- 2 October 2010) was the third President of Athabasca University He was born in London, and also served at University of Toronto and Murdoch University .\nMichel Reis. Born in Luxembourg City on 11 September 1982, Reis began to play the piano when he was 8 When he started improvising and composing in his early teens, his father enrolled him in the jazz department at the Luxembourg Conservatory where he studied harmony, composition, improvisation and ensemble .\nAnselm Jappe. Anselm Jappe (born 1962 Bonn) is a professor of philosophy, teaching in Italy .\nFreddy Winnai. Freddy Winnai (8 April 1905 Philadelphia, Pennsylvania -- 4 September 1977 Philadelphia, Pennsylvania) was an American racecar driver .\nEdward Harrington. Born in Shepparton, in central Victoria, Harrington was the fourth child of Philip Harrington, a farmer from Ireland, and his Australian wife, Margaret O'Brien .\nHarry James Angus. Harry James Angus (born 11 June 1982 Melbourne, Victoria) is an Australian singer-songwriter, trumpet player and guitarist .\nDavid J. Farrar. Born in London, England in 1921, Farrar was the elder son of Donald Frederic Farrar (1897--1982), a former Royal Flying Corps supply pilot, and Mabel Margaret Farrar, née Hadgraft (1896--1985), and brother of RAF airman and poet James Farrar .\nJohn Smith. Born in Toronto, Ontario, Smith earned a degree in mathematics and physics from the University of Toronto .\nJohnny Rodgers. Johnny Rodgers was born and grew up in Miami, FL Musical performance and stage productions were things he really liked early in life (and still does!) .\nStacy Barthe. Stacy Barthe is a Singer and Grammy-Nominated Songwriter that was born in Brooklyn and signed a publishing deal to Universal Music Publishing Group by Ethiopia Habtermariam in 2007.Soon after Barthe would land her first placement ``Blur'' on Britney Spears Circus album .\nÁkos Császár. Ákos Császár (born 26 February 1924, Budapest) is a Hungarianmathematician, specializing in general topology and real analysis .\nGlynnis McDaris. Glynnis McDaris (born 1979) from Memphis, Tennessee is a photographer, artist, and curator based in New York City .\nJohann Friedrich Schleusner. Schleusner was born on 16 January 1759 in Leipzig .\nMichael Swanton. Born in London, Swanton was educated at Wilmington Grammar School, then the Universities of Durham and Bath, gaining research degrees in both arts and science and a higher doctorate, D Litt., Dunelm .\nKari Økland. Kari Økland (born 16 December 1955 in Bergen) is a Norwegian politician for the Christian Democratic Party .\nRosabelle Sinclair. Sinclair, was born in Russia in 1890 and educated in Philadelphia, before attending St Leonards School in St Andrews, where women's lacrosse had been introduced by Louisa Lumsden .\nThomas Smith. Born in 1838 in England, Smith joined the US Navy from the state of New York .\nMickael Marquet. Mickael Marquet (born December 10, 1981 in Alfortville, France) is a French footballer who played 5 matches in Ligue 1 for Ajaccio in the 2002-2003 season and played 16 matches and scored 2 goals in Ligue 2 for Creteil in the 2001-2002 season  .\nMichael Upton. Upton was born in 1938 into a working-class family in Birmingham .\nSally Price. Sally Price (born 16 September 1943 in Boston) is an American anthropologist, best known for her studies of so-called ``primitive art'' and its place in the imaginaire of Western viewers .\nLuca Bottale. Luca Bottale (Born July 1,1967 in Milan) is an Italian voice actor.Bottale contributes to voicing characters in cartoons,anime,movies,videgames,and more.He is well known for voicing characters from popular TV programs such as Usopp from One Piece,Zane Truesdale from Yu-Gi-Oh! GX,and more.Bottale is also known for voicing Sly Cooper in the 1st three games of the Sly Cooper videogame series .\nPaul Moyer Limbert. Born in Pennsylvania, Limbert earned a divinity degree at the Theological Seminary in Lancaster, Pennsylvania .\nMalcolm Terris. Malcolm Terris (born 11 January 1941 in Sunderland) is a British actor .\nMia Riddle. Mia Riddle is an American indie-folk singer-songwriter born in Ventura, California .\nIrina Borogan. Irina Borogan (, born 9 September 1974 in Moscow, Russia) is a Russian investigative journalist .\nAleksander Kogoj. Aleksander Kogoj is a Slovenian film director, born 1965 in Ljubljana .\nThomas Edward Gordon. Gordon was born on 12th January 1832 in Aberdeen and was a twin son of Captain William Gordon (1788-1834) of the 2nd Queen's Royal Regiment .\nWilhelm Krause. Wilhelm Krause (July 12, 1833 - February 4, 1910) was a German anatomist born in Hanover .\nAlbrecht Dietz. Albrecht Dietz (* 11 March 1926 in Dresden), entrepreneur and scientist, founded the first leasing company in Germany .\nGrigori Kromanov. Grigori Kromanov (8 March 1926 Tallinn -- 18 July 1984 Lääne-Virumaa) was an Estonian theatre and film director .\nSami Hinkka. Sami Hinkka, born 1978 in Finland, is a heavy metal bass player, presently with Ensiferum .\nPaul Burston. Paul Burston (born in 1965 in Yorkshire) is a British gay journalist, author, broadcaster and curator .\nWilliam Francis Whitman, Jr.. He was born in 1914 in Chicago, a son of Leona and William Francis Whitman, Sr .\nJohn D. Strong. Born in Lawrence, Kansas in 1905, Strong received degrees from the University of Kansas (BA 1926) and the University of Michigan (M.S., 1928, Ph.D., 1930) .\nAleksandar Simi%C4%87. Aleksandar Simić (Cyrillic: Александар Симић; born January 22, 1973 in Belgrade, Serbia) is an accomplished Serbian composer; according to the US State Department website, he has established a reputation as one of the leading classical composers of the late 20th and early 21st centuries .\nMurray Hocking. Murray Hocking (born 31 May 1971 in Victoria) is a badminton player from Australia .\nDarren Ockert. Darren Ockert is a pop singer, songwriter and producer born in Lincoln, Lincolnshire, England currently residing in New York City .\nMax Lehmann. Max Lehmann (1845 -- 1929) was a German historian, born in Berlin and educated at Königsberg, Bonn, and Berlin .\nRiccardo Ghedin. Riccardo Ghedin (born December 5, 1985 in Rome) is an Italian tennis player .\nPietro Fancelli. Pietro Fancelli was born at Bologna in 1764, and painted in oil and tempera in the Venetian style for churches and castles, as well as scenes for theatres .\nHenry Frederick Strohecker. Henry Frederick Strohecker (October 15, 1905 Macon -November 14, 1988, Coral Gables) was an American entomologist who specialised in Coleoptera especially Endomychidae .\nGeorge J. Graham, Jr.. George J Graham, Jr., was born in Dayton, Ohio .\nFrederick Hickford. Born in Brunswick, Victoria, to signwriter James Hickford and Mary Ann Dowman, he attended Melbourne University and earned his Bachelor of Arts in 1890, his Bachelor of Law in 1892 and his Master of Arts in 1897 .\nLeah Goldstein. Born in Canada, Goldstein was raised in Israel .\nLouis Gurlitt. Louis Gurlitt was a Danish painter, born in Altona in Holstein, then one of the largest Danish towns, due to royal privileges allowing among other things freedom of religion .\nTom Luken. Thomas Andrew Luken (b. July 9, 1925, Cincinnati, Ohio) is a politician of the Democratic Party from Ohio .\nAnnar Petersen. Annar Petersen (born November 23, 1931) is a Norwegian ice hockey player, born in Oslo, Norway .\nBehnoosh Tabatabayi. Behnoosh Tabatabayi (Persian: بهنوش طباطبایی) born 1982 in Tehran is an Iranian actress .\nVernon Carroll Porter. Vernon Carroll Porter, artist, was born in Cleveland, Ohio in 1896 .\nErnest Breton. François Pierre Hippolyte Ernest Breton, a French artist and archaeologist, was born in Paris in 1812 .\nAndrew Lemoncello. Born on October 12, 1982 in Tokyo, Japan to an American father and Scottish mother, Lemoncello grew up in St Andrews Scotland where he attended Madras College .\nMyra Sklarew. Myra Sklarew (born 1934 Baltimore, Maryland) is an American biologist, poet and teacher .\nJohn Rutledge, Jr.. Born in Charleston, he was a son of John Rutledge and a nephew of Edward Rutledge, both of whom were Continental Congressmen from South Carolina .\nAshley Webster. Webster, who was born in Brighton, United Kingdom and was raised in Los Angeles, is based in the network's London bureau .\nMatthew T. Abruzzo. Born in Brooklyn, New York, Abruzzo received an LLB from Brooklyn Law School in 1910, and was in private practice in Brooklyn, New York from then until 1936 .\nErik Willoch. Born in Oslo as a brother of Kåre Willoch, he graduated as cand.jur .\nHeinz Oestergaard. Heinz Oestergaard (Born August 15, 1916 in Berlin, † May 10, 2003 in Bad Reichenhall) was a German fashion designer .\nTerry Byrne. Born in London to a mother who worked as a hairdresser and did aromatherapy, Byrne was a dedicated Chelsea FC fan growing up, with dreams of becoming a professional footballer .\nJared Cohen. Jared Cohen (born November 24, 1981 in Weston, Connecticut) is the Director of Google Ideas, an Adjunct Senior Fellow at the Council on Foreign Relations, and a non-fiction author .\nAlma Redlinger. Alma Redlinger (born March 8, 1924, Bucharest) is a painter and illustrator from Romania .\nJohn Millen. Born in Savannah, Georgia, in 1804, Millen studied law, gained admittance to the state bar and practiced law in Savannah .\nJulien Fountain. Julien Fountain (born 1970 in Shoreham-by-sea, Sussex) is an English professional cricket coach and former Great Britain Olympic Baseball player .\nGiuseppe de Majo. Born in Naples, Majo spent most of his life working in his native city .\nJoel Pelletier. Born in Massachusetts in 1961, Pelletier received a degree in Music Composition from the Hartt School of Music, University of Hartford, CT Residing in Los Angeles since 1988, he has been active as a musician/songwriter/performer, performing his original CHAMBER POP music, and playing mostly electric bass guitar .\nRudolf Ehlers. Rudolf Ehlers (March 30, 1834 -- August 7, 1908) was a German theologian and clergyman born in Hamburg .\nJacek Sauk. Jacek Sauk (born July 21, 1944 in Vilnius) is a Polish politician, member of Law and Justice party .\nStephen Luttrell. Stephen Luttrell (born 17 January 1956 in Leicester, UK) is a British physicist .\nLawrence Walford. Lawrence Walford (born 20 January 1972 London) an award winning British television director .\nStella Inger. Born in Russia, Stella grew up in Sherman Oaks, California .\nLudwig von Buhl. Ludwig von Buhl (January 4, 1816 -- July 30, 1880) was a German pathologist born in Munich .\nShen Zhihua. Shen Zhihua (; born April 1950 in Beijing) is a professor of history at East China Normal University and adjunct professor at Peking University and Renmin University of China, and Director of the Center for Oriental History Studies of the Chinese Academy of Sciences .\nFenton Johnson. Fenton Johnson (born May 7, 1888 Chicago - died September 17, 1958 Chicago) was an American poet, essayist, author of short stories, editor, and educator .\nSasha Neulinger. Sasha Neulinger is an American actor born on September 20, 1989, in Philadelphia, Pennsylvania .\nGerald Murphy. Gerald Clery Murphy (March 25, 1888 -- October 17, 1964) born in Boston to the family that owned the Mark Cross Company, sellers of fine leather goods .\nAlana Miller. Alana Miller (born July 22, 1980 in Winnipeg) is a professional squash player who represented Canada .\nDrew McDowall. Drew McDowall (born 28 January 1961, in Paisley, Scotland) is a Scottish musician, most notably as a member, collaborator and remixer for influential music groups .\nHenry Corbould. The third son of Richard Corbould, he was born in London .\nYmer Pampuri. Ymer Pampuri was born on 30 April 1944 in Tirana .\nEduard Ritter von Weber. Eduard Ritter von Weber (May 12, 1870 in Munich -- June 20, 1934 in Würzburg) was a German mathematician .\nRaymond R. Schumacher. Born in Chicago, Raymond R Schumacher attended Tilden Technical High School, studying engineering, and was awarded the Purdue Club's 1942 Kizer MVP Award in football .\nPierre Sabatie. Pierre Sabatie born in France is a rugby league player for the Villeneuve Leopards in the Elite One Championship .\nNariman Farvardin. The company shared the same name as a mountain range in Iran where Farvardin was born .\nJorn Madslien. Born in 1967 in Oslo, Norway, Jorn was a medical officer in the Norwegian cavalry, before reading philosophy at the University of Oslo and economics at the University of Leeds .\nMary Jayne Gold. Born in Chicago, Illinois into a White Anglo-Saxon Protestant family of considerable wealth, Mary Jayne Gold was educated at the Master's School at Dobbs Ferry, New York and a finishing school in Italy .\nNelson Fogarty. Nelson Wellesley Fogarty was born on 13 September 1871 in Canterbury, Kent, England, the son of John Evans Fogarty and his wife Mary Ann Mills .\nJohn Caskie. Born in Richmond, Virginia, Caskie graduated from the University of Virginia in 1842, studied law and was admitted to the bar in around 1842, commencing practice in Richmond .\nGillian Cooke. Gillian Cooke was born and brought up in Edinburgh .\nJoseph Silverstein. Joseph Silverstein (born March 21, 1932, Detroit) is an American violinist and conductor .\nErnest Lafont. Louis-Ernest Lafont (b. July 26, 1879, Lyon, d May 7, 1946, Paris) was a French socialist politician .\nDavid T. Walker. David T Walker is an American guitarist born in Tulsa, Oklahoma .\nJessy Moss. Born in England, Moss was raised in Australia--staying with her father when her parents divorced and her mother moved to the United States .\nCatherine Ransom Karoly. Born in Minneapolis, Minnesota, Catherine Ransom Karoly received a Master of Music degree from the Juilliard School, where she studied with Carol Wincenc .\nAkihiro Tsukiyama. Akihiro Tsukiyama (16 March 1919 Tokyo) is a Japanese composer .\nFerenc A. Váli. Ferenc A Váli (May 25, 1905 - November 19, 1984) was a Hungarian lawyer, author, and political analyst specialising in International Law .\nWilliam Williams. Born in Bolton, Connecticut, Williams received a common-school education .\nJohn Mann Goggin. John Mann Goggin (May 27, 1916 Chicago- May 4, 1963 Gainesville) was a cultural anthropologist in the southwest, southeast, Mexico, and Caribbean, primarily focusing on the ethnology, cultural history, and typology of artifacts from archaeological sites .\nHélène Carrère d'Encausse. Hélène Carrère d'Encausse (born 6 July 1929 in Paris as Hélène Zourabichvili) is the permanent secretary of the Académie Française and a historian specializing in Russian history .\nBill Dillard. Bill Dillard (born July 20, 1911 -- 1995) was an American swing music jazz trumpeter, actor and singer born in Pennsylvania, probably better known for his work with the big bands of Benny Carter, Luis Russell and Teddy Hill, among others .\nRichard Schroeppel. Richard C Schroeppel (born 1948) is an American mathematician born in Illinois .\nMark McCulloch. Mark McCulloch (born 19 May 1975 in Inverness) is a Scottish professional footballer who currently plays for Forfar Athletic .\nRichard Symonds. Richard Symonds born 21 November 1959 in Langham, Norfolk is a former professional footballer .\nNasos Galakteros. Nasos Galakteros (AKA Athanasios Galakteros) (; born June 15, 1969 in Athens, Greece) is a retired Greek professional basketball player .\nJoe M. O'Connell. Born in Austin, Texas, to noted architect William R O'Connell and nurse Wylma Castleberry O'Connell Ruelke, Joe was raised mainly in Austin, but lived briefly in Northglenn, Colorado, and India .\nBrody Condon. Brody Condon (born 1974 Mexico) is an artist based in New York .\nErnst Zacharias Platner. Ernst Zacharias Platner (October 1, 1773 -- October 14, 1855) was a German painter and writer born in Leipzig .\nHenri Nussbaumer. Henri Nussbaumer is a French engineer born in Paris, France in 1931 .\nJohn Boson. The son of Nicholas Boson, he was born in Paul, Cornwall .\nMorris Bear Squire. Morris Bear Squire was born on November 5 1923 in Chicago Illinois, the son Ukrainian immigrants .\nYolande Thibeault. Yolande Thibeault (born in 1939 in Montreal, Quebec) is a journalist and politician in Quebec, Canada .\nJames Tocco. James Tocco (b. 1943 in Detroit, Michigan) is an American concert pianist .\nConstant Ferdinand Burille. He was a Bostonian born in Paris (according to another source - born in Boston), Burille was a member of a group of Boston chess players and theoreticians who formed a loose chess association they called the Mandarins of the Yellow Buttons .\nJohn Samuel Kenyon. Kenyon had also earlier published American Pronunciation (1924) and served as the consulting editor of pronunciation to the second edition of Webster's New International Dictionary in his career as a pioneering expert on the study of American English, which earned him the epithet ``the dean of American phoneticians'' .\nFranz Galich. Franz Galich (January 8, 1951 Guatemala - February 3, 2007 Managua) was a Guatemalan writer and professor of literature .\nTom Adams. Tom Adams (born November 17, 1958) is a bluegrass musician born in Gettysburg, Pennsylvania .\nDaniel Joseph Jaffé. Daniel Joseph Jaffé was born on 2 November 1876 in London and died 11 June 1921 in Croydon, England .\nMatteo Salvini. Matteo Salvini (born on 9 March 1973 in Milano) is an Italian politician and Member of the European Parliament for North-West region with the Lega Nord from 2004 to 2006 as part of the Non-Inscrits and now as a member of the Europe of Freedom and Democracy Group .\nTony Naumovski. Tony Naumovski (born 23 May 1977 in Sydney, Australia) is a Macedonian-Australian New York based actor .\nJoseph M. Baumgarten. Joseph M Baumgarten (September 7, 1928 Vienna - December 4, 2008) was a Semitic scholar known for his knowledge in the field of Jewish legal texts from biblical law to Mishnaic law and including the legal texts among the Dead Sea Scrolls .\nDaniel Sproule. Daniel Sproule (born 25 January 1974 in Melbourne, Victoria) is a former field hockey defender from Australia, who was a member of the team that won the bronze medal at the 2000 Summer Olympics in Sydney .\nTheodor Holman. Theodor Holman (born 9 January 1953 in Amsterdam) is a Dutch journalist, presenter, and writer of Indo descent .\nDave Connell. Dave Connell (born 27 November 1961 in Dublin) was an Irish soccer player during the 1970s and 1980s .\nAlfredo Moreno. Alfredo Moreno Charme (born August 4, 1956 Santiago, Chile) is a Chilean diplomat and politician .\nLuke Sullivan. Luke Sullivan (born 30 March 1961, in Singapore) is an Australian visual artist most notable for his internationally controversial work, The Fourth Secret of Fatima .\nLynn Faulds Wood. Lynn was born on 25 March 1948 in Glasgow .\nRoy Stuart Brown. Roy Stuart Brown (1888- ? ) was an American aviator, born in Minneapolis, Minnesota .\nAndrew Park. Andrew Park born in Lafayette, Indiana is an American Theatre Director and puppeteer .\nRichard Laurence. Laurence, younger brother of jurist French Laurence, was born in Bath and was educated at Bath Grammar School and at Corpus Christi College, Oxford .\nBrian Murphy. Brian Murphy (b. May 24, 1941, Ottawa, Ontario; d October 31, 2005, Ottawa, Ontario) was a notable and award-winning broadcaster and music historian .\nRené Mayer. René Mayer (; 4 May 1895, Paris 13 December 1972, Paris) was a French Radical politician of the Fourth Republic who served briefly as Prime Minister during 1953 .\nLeopoldo Gout. Leopoldo Gout is a film director, film producer, composer, author and painter .\nRobert Tripp Ross. Robert Tripp Ross (June 4, 1903 -- October 1, 1981) was a United States Representative from New York .\nRagnhild Lundén. Ragnhild Lundén is a visual Swedish artist, born in Gothenburg 1945 .\nFatima Rainey. Fatima Rainey (ファティマ・レイニー) is a singer who was born 24 July 1967 in Sweden .\nJohn Edwin. John Edwin (August 10, 1749 -- October 31, 1790), English actor, was born in London, the son of a watchmaker .\nArthur Bingham Walkley. Arthur Bingham Walkley (1855-1926) was an English dramatic critic, born in Bristol, and educated at Balliol and Corpus Christi colleges, Oxford .\nMazen Mneimneh. Mazen Mneimneh (born 1 February 1986 in Lebanon) is a Lebanese basketball player .\nHoward O. McMahon. McMahon, born in Alberta, Canada, was a naturalized citizen of the United States .\nJoe Caccia. Joe Caccia (January 19, 1899 Naples, Italy -- May 26, 1931 Indianapolis, Indiana) was an American racecar driver .\nGeorge Stone. Born in London, the son of banker Andrew Stone, he was educated at Westminster School and Christ Church, Oxford .\nAlice Temple. Alice Temple is an English musician, singer and songwriter, born in London .\nAndrew Kennedy. Born in Dayton, Ohio, Kennedy moved with his parents to a farm on the Indian reserve near Lafayette, Indiana .\nMichael Randle. Born in England in 1933, Michael Randle spent the years of the Second World War with relatives in Ireland .\nMichael Charlton. Michael Charlton (born 1 May 1927 in Sydney) is an Australian-born journalist and broadcaster who was long active for the BBC in the United Kingdom .\nLars Svensson. Lars Svensson (1926 -- 1999) was a Swedish ice hockey player, born in Stockholm .\nEva Aridjis. Eva S Aridjis, born 1974 in Holland, Netherlands while her father was serving there as Mexico's ambassador, is a Mexican filmmaker .\nDavid B. Mellish. David Batcheller Mellish (January 2, 1831 - May 23, 1874) was a United States Representative from New York .\nJohn Brown. This article is about the British industrialist; for other people named John Brown, see John Brown (disambiguation) Sir John Brown (6 December 1816 -- 27 December 1896), British industrialist, was born in Sheffield .\nPatrick Hicks. Patrick Hicks (born 1970 Charlotte, North Carolina) is an American poet, and Writer-in-Residence at Augustana College .\nLudovicus Stornebrink. Stornebrink was born on March 15th 1847 in Rotterdam, The Netherlands and moved to Japan at an early age .\nMichael Feiner. Michael Feiner born in Gothenburg, Sweden in 1971, is a musician, songwriter, music producer, multi-instrumentalist and DJ He is member of the Swedish house band duo The Attic formed in 2003 alongside his childhood friend Eric Amarillo .\nGiancarlo Primo. Giancarlo Primo (November 4, 1924, Rome -- December 27, 2005, Civita Castellana, Italy) was an Italian basketball player and coach .\nThomas Davis. Richard Francis Davis DD (ca. 1766--1844), by his marriage to Sarah Stable, Davis was born at Worcester, where his father had been Rector since 1795, and was educated at Queen's College, Oxford, graduating Bachelor of Arts in 1832 .\nLottie Gilson. Lottie Gilson was a popular comedienne and vaudeville singer born in 1871 in Pennsylvania who died in New York in 1912 .\nBrian Bram. Brian Bram, born May 9, 1955 in Chicago and raised in Deerfield, Illinois, played a minor role in the underground comix movement with his contributions to American Splendor, the comic book series written and published by Harvey Pekar and, in 2003, made into an award-winning motion picture starring Paul Giamatti and Hope Davis .\nJ. E. P. Aldous. Born in Sheffield, Aldous began his career as the organist at the chapel of the British Embassy in Paris .\nBilly Blue. Although Billy Blue's place and date of birth are uncertain, convict records suggest he was born in Jamaica around 1767 .\nChristian Wilhelm Berger. Christian Wilhelm Berger (born 13 June 1964 in Bucharest) is a Romanian composer, organist, and a Lecturer at the Bucharest Academy .\nUlla Pia. Ulla Pia (born 17 February 1945, Copenhagen) is a Danish singer, best known internationally for her participation in the 1966 Eurovision Song Contest .\nSamuel Bernstein. Samuel Bernstein (1898--1987) was an historian born in France .\nSteve Laine. Steve Laine (born 19 March 1940, London) was the lead singer and song writer with The Liverpool Five .\nAntonio Ruiz de Montoya. Montoya was born at Lima, Peru .\nBernhard R%C3%BChling. Bernhard Rühling (born 14 February 1969 in Stuttgart) is a German rower .\nDon Swaim. Born in Kansas, Swaim earned a degree in broadcast journalism from Ohio University and worked as editor, writer, producer, reporter and anchor at WCBS (AM) in New York and CBS in Baltimore .\nLawrence Dundas, 1st Earl of Zetland. Born in Westminster, the son of Thomas Dundas, 1st Baron Dundas, he was educated at Harrow and Trinity College, Cambridge .\nSam Bartlett. Sam Bartlett (born November 8, 1961 Burlington, Vermont) is an American performer, author, and musician .\nMartin Timell. Martin Timell (born 13 November 1957 in Stockholm) is a Swedish carpenter, actor and television presenter .\nLucien Barbour. Born in Canton, Connecticut, Barbour was graduated from Amherst College in 1837 .\nEdward Moore. Edward Moore (1838--1916) was an English scholar, born at Cardiff .\nBridget Allchin. Bridget Allchin (born 1927, Oxford, England) is an archaeologist who specializes in South Asian archaeology .\nPieter Harting. Pieter Harting (27 February 1812 -- 3 December 1885) was a Dutch biologist and naturalist, born in Rotterdam .\nAnthony Poon. Born in Singapore in 1945, Poon graduated from the Nanyang Academy of Fine Arts (NAFA) in 1964, and held his first exhibition at the old National Library .\nBrihaspati Dev Triguna. Brihaspati Dev Triguna () (Born in India, 1920) is a Vaidya or ayurvedic doctor and an expert in nadivigyan, the ayurvedic technique of pulse diagnosis .\nKnut Kjeldstadli. Knut Kjeldstadli (born 6 June 1948 in Oslo) is a Norwegian historian .\nWilliam Byrne. William Byrne, an engraver, was born in London in 1743 .\nFiachna %C3%93 Braon%C3%A1in. Fiachna Ó Braonáin (born 27 November 1965) plays the guitar and sings vocals with the Irish band Hothouse Flowers .\nHarold Drasdo. Harold Drasdo, English rock climber, writer and educationalist, was born in Bradford, Yorkshire, England in February 1930 .\nWilliam Main Page. William Main Page was a Briton, solicitor in the Scottish High Court, and vice-consul of Czechoslovakia in eastern Scotland .\nTheron Metcalf. Theron Metcalf (16 October 1784 Franklin, Massachusetts - 12 November 1875 Boston) was a New England jurist and a judge of the Massachusetts Supreme Court .\nRobert Callender. Robert Grantley Callender (born 2 November 1950, in Barbados) is a former cricketer .\nMohd Shoaib Hassan. Mohd Shoaib Hassan, (born May 27, 1990 in Lahore) is a professional squash player who represented Pakistan .\nLisa Sheridan. Lisa Sheridan (born 5 December 1974) in Macon, Georgia, is an American actress who has appeared in TV series Invasion, FreakyLinks, Legacy, Las Vegas, , and Journeyman .\nGeorg Kloss. Georg Franz Burkhard Kloss (31 July 1787 Frankfurt am Main - 10 February 1854 Frankfurt) was a German historian of freemasonry .\nJulianna Barwick. Julianna Barwick is an American musician who was born in Louisiana and raised in Brooklyn .\nWilliam Erskine. The son of David Erskine and his wife Jean Melvin, he was born in Edinburgh .\nAlbert Chamberland. Born in Montreal, Chamberland began his musical training in his native city with Jean A Duquette before entering the conservatory at McGill University where he was a pupil of Alfred De Sève .\nLen Zengel. Len Zengel (15 March 1887 Dayton, Ohio -- 24 September 1963 Bryn Mawr, Pennsylvania) was an American racecar driver .\nWilliam Henry Brockenbrough. Born in Virginia, Brockenbrough studied law, was admitted to the bar and settled in Tallahassee, Florida .\nBrook Pridemore. Brook Pridemore (born in 1979 in Detroit, Michigan, USA) is an American singer-songwriter affiliated with the Antifolk scene in New York City .\nArthur Levering. Arthur Levering (born March 6, 1953, Baltimore, Maryland) is an American composer of contemporary classical music .\nSheila Sondergard. Sheila Sondergard (born April 24, 1980) is a singer-songwriter, born in Seoul, South Korea and raised in Maui, Hawaii, the Black Hills of South Dakota, and Central America .\nLee Davies. Lee Davies (born 15 July 1980, Blackburn, England) is an English drummer who has worked with artists such as Jerry Donahue, Lucie Silvas and Slack Alice and has carried out session work for Warner Bros .\nNicole Richardson. Nicole Richardson (born 26 June 1970 in Melbourne) is a softball player from Australia, who won a bronze medal at the 1996 Summer Olympics .\nPaul Heeren. Paul Heeren (born 22 November 1954 in Adelaide Australia) is a guitarist and songwriter .\nWilliam James Henderson. William James Henderson (December 4, 1855--June 5, 1937) was an American musical critic and scholar, born at Newark, New Jersey .\nNicolae Herlea. Nicolae Herlea (b. 28 August 1927, Bucharest) is a Romanian operatic baritone, particularly associated with the Italian repertory, especially the role of Rossini's Figaro, which he sang around 550 times during his career .\nFred Rosenstock. Fred Asher Rosenstock (1895--1986) born Selig Usher Rosenstock in 1895 in Biala Potok in Galicia then a province of Austria in the foothills of the Carpathian Mountains was a prominent bookseller, book and art collector and publisher in Denver, Colorado from the 1920s through the 1970s .\nLucie Vrbensk%C3%A1. Lucie Vrbenská (born 12 May 1977 in Prague) is a female hammer thrower from the Czech Republic .\nKenneth William Junor. The younger Junor was born on 3 August 1896 in Toronto, Canada .\nNicolas Colibert. Nicolas Colibert, a French painter and engraver, was born in Paris in 1750 .\nJan Pawe%C5%82 Nowacki. Jan Paweł Nowacki (25 June 1905 Berlin -- 23 May 1979 Warsaw) was an engineer .\nBrandon Bird. Brandon Bird is an artist .\nA. M. Esmonde. M Esmonde (born in 1977 in Swansea, Wales) is a horror writer and producer .\nThomas Wright Rudderow. Thomas Wright Rudderow was born at Philadelphia, Pennsylvania, on 8 August 1885 .\nFrancis Gano Benedict. Born in Milwaukee, Wisconsin, Benedict attended Harvard University, earning his bachelor's degree in 1893 and his master's degree in 1894 .\nWilliam Davidson. Born in Charleston, South Carolina, Davidson completed preparatory studies .\nAustin Lloyd Fleming. Austin Lloyd Fleming was born on 7 August 1894 in Toronto, Ontario .\nLi Weiliang. Li Weiliang (; born 2 September 1980 in Beijing, China) is a Chinese baseball player .\nMigidio Bourifa. Migidio Bourifa (born 31 January 1969 at Casablanca) is an Italian long-distance runner who specializes in the marathon races .\nZhang Li. Zhang Li (; born 3 February 1980 in Shanghai, China) is a Chinese baseball player who was a member of Team China at the 2008 Summer Olympics .\nCharles Jones. Born in Wolverhampton, Charles Jones became a gardener working on a number of private estates in England from the 1890s .\nYehonatan Berick. Yehonatan Berick (born 1968) is a violin and viola virtuoso and pedagogue .\nGeorg Hellmesberger. Born in Vienna, he was the son of Georg Hellmesberger, Sr and the brother of Joseph Hellmesberger, Sr He studied violin with his father and composition with Ludwig Rotter (1810--1895) .\nGeorge Georgiou. Born in London of Greek-Cypriot parents, Georgiou graduated in photography from the Polytechnic of Central London .\nJohn R. Tunis. John Roberts Tunis (December 7, 1889 in Boston, Massachusetts - February 4, 1975 in Essex, Connecticut) was a well-known and prolific author of juvenile sports fiction .\nBuono de' Buoni. Buono de' Buoni was born at Naples, and, according to Dominici, flourished about the year 1430 .\nDave Steele. Dave Steele (born May 7, 1974, Tampa, Florida), is an American racecar driver .\nTim Benjamin. Tim Benjamin (born 14 September 1975 in London) is an English composer .\nAlina Gut. Alina Gut (born February 10, 1938 in Lublin) is a Polish politician .\nMichel Roger Lafosse. Although born in Belgium as Michel Roger Lafosse, he became a naturalized British citizen in the 1990s and has since used the name Michael James Alexander Stewart of Albany .\nMartin A. Janis. Born in Toledo, Ohio, Janis was the youngest of four brothers .\nJohn William Mellor. Sir John Mellor, of Otterhead, Devonshire, a Judge of the Queen's Bench Division of the High Court, Mellor was educated at Trinity Hall, Cambridge .\nRobert S. Richardson. Robert Shirley Richardson (1902 -- 1981) was an American astronomer, born in Indiana .\nDerek Kreckler. Derek Kreckler is an Australian visual artist, born in Sydney in 1952 .\nYosef Harish. Born in Jerusalem in 1923, Harish was educated in a yeshiva .\nRobert Chen. Born in Taipei, Taiwan, Chen began studying the violin at the early age of seven .\nMax Angelelli. Massimiliano Angelelli (born 15 December 1966 in Bologna) is an Italian race car driver .\nAlan Welsh. Alan Welsh (born 9 July 1947, in Edinburgh) is a retired Scottish footballer .\nBilly Edwards. Billy Edwards (December 21, 1844 in Birmingham, Warwickshire, England -- August 12, 1907) was a was a standout lightweight of the late 1860s and 1870s in England .\nPaul Lebreton. Paul Lebreton (born May 31, 1870, Bordeaux, France -- died June 21, 1956, Lyon, France) was a tennis player competing for France .\nLowrell Simon. Lowrell Simon (born March 18, 1943, Chicago) is an American soul singer .\nR. W. Johnson. W Johnson (born 1943) is a British-South African journalist and historian .\nBenjamin Pine. Born in 1809 in London, Benjamin Pine was educated in Brighton and at Trinity College, Cambridge .\nCharles Forbes René de Montalembert. Charles Forbes René de Montalembert (March 18, 1810 London - March 13, 1870 Paris) was a French publicist and historian .\nGeorge Schutt. Born in 1833 in Ireland, Schutt joined the US Navy from the state of New York .\nMatt Ryan. Matt Ryan (born 23 June 1984 in Sydney) is an Australian rower .\nMarie Nicolas Sylvestre Guillon. Marie Nicolas Sylvestre Guillon (January 1, 1760--1847), French ecclesiastic, was born in Paris .\nDaniel Spielman. Daniel Alan Spielman (born March 1970, Philadelphia, USA) is professor of Applied Mathematics and Computer Science at Yale University (since 2006) .\nTony Conran. Although he was born in India, other than a brief spell working in a factory in Essex, Conran has spent most of his life in Bangor, North Wales .\nOscar O'Brien. Born in Ottawa, O'Brien was a pupil of Amédée Tremblay with whom he began studying both the piano and the organ as a young teenager .\nPietra Montecorvino. Pietra Montecorvino is an Italian singer and actress, born in Naples, Italy in 1962 .\nLennox Raphael. Lennox Raphael (b. 1939 in Trinidad, West Indies) is a journalist, poet, and playwright .\nSu Lian Tan. Born in Malaysia, Tan was a child prodigy, who began a professional career in music at the age of 14 She went on to study at Juilliard School, Bennington College and Princeton University with world-famous composers, such as Milton Babbitt, Bernard Rands and Henry Brant .\nOğuz Abadan. Oğuz Abadan is a Turkish musician born in Ankara .\nDonald W. Loveland. Donald W Loveland (b. December 26, 1934, Rochester, New York) was a professor emeritus of computer science at Duke University who specialized in artificial intelligence .\nFrancis MacManus. Born in Kilkenny, MacManus was educated in the local Christian Brothers School and later at St Patrick's College, Dublin and University College Dublin .\nMonica Esposito. Monica Esposito was born in 1962 in the Italian city of Genoa and died in the early spring of 2011 in Kyoto, Japan .\nMike Vosburg. Born in California, Vosburg spent his first 37 years in Michigan .\nKraisak Choonhavan. Kraisak Choonhavan (, born 8 October 1947 in Bangkok) is a Thai politician .\nKen Lyons. Ken Lyons (born April 22, 1956, Florida) is an American bassist who was an early member of 38 Special, before being replaced by Larry Junstrom in 1979 .\nRené Renoult. René Renoult (29 August 1867 Paris -- 30 April 1946 Paris) was a French Minister and lawyer .\nDavid Empringham. David Empringham (Born December 11, 1963 in Toronto, Ontario), is a Canadian auto racing driver .\nSaleem Pervez. Saleem Pervez (born September 9, 1947, Lahore, Punjab) is a former Pakistani cricketer who played one ODI in 1980 .\nAdnan Awad. Adnan Awad (b. 1942 in Palestine) was a Captain in the Palestinian Liberation Army who joined the 15 May Organization and prepared to bomb the Noga Hilton hotel in Geneva, Switzerland on August 31, 1982, but instead fled the scene and later turned himself into the American embassy and claimed he wanted to renounce any terrorist connections .\nJuan Carlos Bersague. Juan Carlos Bersague Chacón is a Choral Conductor and Conducting Professor in Venezuela, born at Havana, Cuba in 1963 .\nJoseph Bosworth. Joseph Bosworth (1789 -- 27 May 1876), English scholar of Anglo-Saxon language and Anglo-Saxon literature, was born in Derbyshire .\nKhalid Malik. Khalid Malik (born on 17 August 1952 in Pakistan) is an international civil servant .\nPaddy Crowley. Paddy Crowley (15 March 1932 -- 2 April 2006) was an Irish soccer player who was born in Dublin .\nJohn Joseph Braham, Sr.. He was born in 1847 in England to Joseph Braham (1827-1877), and he had a brother, David Braham .\nCalvary Morris. Born in Charleston, Virginia (now West Virginia), Morris attended the common schools .\nCarlo Bacchiocco. Carlo Bacchiocco was an Italian painter, born in Milan .\nRobert Ilyasov. Robert Ilyasov (Russian: Роберт Ильясов; born October 8, 1973 in Kazan, Russia) is a Russian rugby league player currently playing for the Kazan Arrows in the Championship of Russia competition .\nGeorge Henderson. Born in Edinburgh, Henderson was the son of architect John Henderson and Hannah Matilda Exley .\nAaron Walden. Aaron Walden (born at Warsaw about 1835, died 1912) was a Polish Jewish Talmudist, editor, and author .\nAdam Bright. Adam Bright (born 11 August 1984, in Melbourne, Australia) is an Australian left-handed pitcher .\nAlan Hess. Born in California in 1952, Hess received his BA at Principia College, a Master's degree in architecture from the UCLA School of the Arts and Architecture, and is a licensed architect .\nJacob Guptil Fletcher. Born in Maine, Fletcher was a clerk in Boston in the 1850s and identified himself as an artist after 1860 .\nHisham Mohd Ashour. Hisham Mohd Ashour, (born May 29, 1982 in Cairo) is a professional squash player who represented Egypt .\nToby Cockerell. Toby Cockerell (born 17 October 1976 in London) is an English actor who played the part of Scott Windsor in ITV's Emmerdale from 1993--1996 .\nGordon Copley. Gordon Copley, born in Pasadena, California, is a bassist who briefly played bass for Black Sabbath .\nElie Rekhess. Elie Rekhess (אלי רכס) born 1945 in Haifa, Israel is a scholar of political history of the Arabs in Israel; Islamic resurgence in Israel; the West Bank and Gaza and Palestinian affairs .\nBert Ruiter. Bert Ruiter (born 26 November 1946, Amsterdam) is a Dutch bass guitarist, record producer, and composer .\nGuillaume Couture. Born in Montreal, Couture was choirmaster at Saint-Jacques Cathedral before studying at the Conservatoire de Paris with Romain Bussine and Théodore Dubois from 1873-1875 .\nJack Smooth. Jack Smooth, real name Ron Wells, born in London 1970 .\nRodney Cocks. Rodney Damon Cocks CSM (born 1976), Australian army officer and political candidate, was born in Melbourne and grew up in the eastern suburbs, attending Melbourne High School for his secondary education .\nKirsten Wenzel. Kirsten Wenzel (born 27 February 1961 in Leipzig) is a German rowing cox .\nMiles Crowley. Born in Boston, Massachusetts, Crowley attended the common schools .\nAnne Clark. Anne Clark (born 14 May 1960, Croydon, London, England) is an English poet and songwriter .\nJack Garland. Jack Garland (1 Feb 1908 -- 29 November 1985) was a boxer born in Belfast, Northern Ireland .\nElsa Rastad Bråten. Elsa Rastad Bråten (born 1 February 1918 in Oslo; died 21 December 1999) was a Norwegian politician for the Labour Party .\nTimothy Hoven. Born in Milwaukee, Wisconsin, Hoven graduated from University of Wisconsin-- Oshkosh with a degree in criminal justice .\nJames Mortimer. Born in Richmond, Virginia, Mortimer graduated from the University of Virginia .\nRobert Burns. Born in Hudson, New Hampshire, Burns moved with his parents in childhood to Rumney in Grafton County .\nSebastian Dacey. Sebastian Dacey (born 1982 London) is a German artist .\nMarc Spackman. Marc Spackman born 7th February 1979 in Lincoln, England is a former England and Great Britain Olympic swimmer who qualified for and competed in the Sydney 2000 Olympic Games qualifying from the British Championships (Olympic Trials) in March 2000 and automatically qualifying for the Great Britain Olympic Team .\nLeopold Wenzel. Born in Naples, Wenzel spent most of his career working in London, with the exception of some years spent in Paris .\nAvner W. Less. Avner W Less (1916-1987) was an Israeli police officer, born in Berlin, Germany .\nThibaut de Reimpré. Thibaut de Reimpré is a contemporary French painter .\nRodney de Gruchy. Rodney de Gruchy (* March 23, 1948 in Melbourne; † June 24, 2011 in Melbourne) was an Australian surfer, rock band manager, and jewellery designer .\nMatt Berg. Berg was born in 1977 in a small village of Cameroon and grew up in Senegal .\nThomas Blaikie. Born in Aberdeen, he was the son of John Blaikie (1756--1826), a plumbing merchant and his wife Helen Richardson (1765--1844) .\nSamuele Levi. Samuele Levi (1813 -- 6 January 1883) was an Italian composer born in Venice .\nCharles Gilchrist Adams. Charles Gilchrist Adams (born December 13, 1936, Detroit, Michigan) became the first Nickerson Professor of the Practice of Ethics and Ministry at Harvard Divinity School in 2007 .\nAlan Littlejohn. Alan Littlejohn (4 January 1928 - 12 November 1996) was a British jazz trumpeter, flugelhornist and bandleader born in London, England, most notable for his work with artists such as Ben Webster, Earl Hines, Bill Coleman, Sonny Dee, Laurie Chescoe, Alvin Roy, and Billy Butterfield .\nWarren Spears. Warren Spears (May 2, 1954 - January 8, 2005) was an American dancer and choreographer .\nWilliam Egley. Egley was born at Doncaster in 1798 .\nRichard Ashrowan. Ashrowan was born in 1966, in Essex, England .\nNyncke Beekhuyzen. Nyncke Beekhuyzen (born 24 January 1980 in Amsterdam) is a Dutch actress .\nEdwin Milton Abbott. Edwin Milton Abbott (June 4, 1877 -- November 8, 1940) was an American lawyer and poet, born in Philadelphia and educated at Central High School (Philadelphia) and the University of Pennsylvania .\nRobert Samuel Ross. The eldest of three sons born to Robert Mitchell Ross, a Scottish-born compositor, and Anne Matilda (née Bonham), Robert Mitchell's English-born wife, Robert Samuel Ross was born on 5 January 1873 in Sydney, New South Wales .\nWilliam Atherton. Atherton was born at Glasgow in 1806, being the son of the Rev .\nRichard Armiger. Born in Baltimore, Armiger attended Maryland Institute College of Art studying painting and sculpture .\nSiri Hall Arnøy. Siri Hall Arnøy (born 28 November 1978 in Oslo) is a Norwegian politician for the Socialist Left Party .\nKeith Haynes. Keith Haynes (b. 10 December 1963, Cardiff, Wales) is a published Welsh author and musician .\nKevin Burdette. Burdette received his Masters in Vocal Performance at the Juilliard School, two Bachelor of Arts degrees (BA in College Scholars and a BA in Music with a minor in history) from the University of Tennessee, and spent a year studying at the Universität für Musik und darstellende Kunst Wien .\nEran Groumi. Eran Groumi (born June 5, 1970 in Jerusalem) is a former backstroke and butterfly swimmer from Israel, who competed for his native country at the 1992 Summer Olympics in Barcelona, Spain .\nBilly Treacy. Billy Treacy born in Ireland is rugby league player for the Treaty City Titans in the Irish Elite League .\nAbbondio Sangiorgio. Born in Milan, Sangiorgio studied at the city's Accademia di Brera .\nRichard Leigh. Blessed Richard Leigh (c. 1561 -- 1588) was an English martyr born in Cambridgeshire .\nAdrienn Bende. Adrienn Bende (born 25 June 1985 in Budapest, Hungary) is the winner of the Miss Universe Hungary contest in 2006, and one of the 20 semi-finalists of the Miss Universe 2006 contest from Los Angeles .\nRussell Taylor. Russell Taylor was born and grew up in Ipswich in Suffolk .\nAntoine Verglas. Antoine Verglas (Born in Paris in 1962) is a New York City based photographer who's obtained popular acclaim for his uninhibited documentary style fashion photographs of the 1990s supermodels such as Claudia Shiffer and Stephanie Seymour .\nOrhan Demir. Demir, born 1954 in Istanbul, immigrated to Canada in 1977 .\nThomas B. Sheridan. Thomas B Sheridan (born 23 December 1929, Cincinnati, OH) is American professor of mechanical engineering and Applied Psychology Emeritus at the Massachusetts Institute of Technology .\nHeather Davis. Heather Davis (born 26 February 1974 in Vancouver) is a Canadian rower .\nAlisa Arnah. Alisa Arnah is a British actress born in London .\nMarco Glaviano. Born in Palermo, Sicily in 1942, Marco Glaviano began his artistic career with a degree in architecture from the University of Palermo .\nJaime Vallvé. Jaime Vallvé (born in 1928 in Barcelona in Spain, died in 2000) was a Spanish comic strip artist who lived and worked in Denmark during most of his lifetime .\nCrowther Charlesworth. Born in Swindon, Lancashire, Charlesworth began his first-class career in 1898 and played regularly for Warwickshire until 1921 .\nMarc Van Montagu. Marc Van Montagu (born 10 November 1933 in Ghent) is a Belgian molecular biologist .\nNeville Maxwell. Born in London, Maxwell was educated at McGill University and Cambridge University .\nRené Théodore Berthon. René Théodore Berthon was born at Tours in 1776, and studied under David .\nHa Sinan. Ha Sinan (born 10 January 1992 in Kunming, Yunnan) is a swimmer from China .\nWendy White. Born in Chicago, White is a graduate of Wheaton College (1975, Bachelor of Music) and the Jacobs School of Music of Indiana University (1978, Master of Music) .\nPeter R%C3%B6sel. Peter Rösel (February 2, 1945 Dresden) is a German concert pianist .\nBernard Lloyd. Bernard Lloyd (born 30 January 1934, Newport, South Wales) is a Welsh actor noted for his television roles .\nFernando Lima Bello. Fernando Lima Bello (born 27 November 1931 in Lisbon) is Portugal's current and only member of the International Olympic Committee since 1989, when he ended his term at the presidency of the Olympic Committee of Portugal .\nJohn Thomas Rochead. John Thomas Rochead (28 March 1814 -- 7 April 1878) was a British architect .\nAaron Cleveland. At the time of the Aaron's birth his father was making a modest living as a publican in Cambridge, Massachusetts, where Aaron was born, and also working in construction .\nElena Lev. Elena Lev, born in Moscow, Russia in 1981, began her training to become a rhythmic gymnast at an early age, assisted and coached by her mother, Elena Lev Sr She developed a signature hula hoop act incorporating gymnastics and contortion .\nMamta Baruah Herland. Mamta Baruah Herland is a painter and digital artist born in Assam, north east India, now living just outside Oslo, Norway .\nEdward Kavanagh. Edward Kavanagh (April 27, 1795 -- January 22, 1844) was a United States Representative and the 17th Governor of Maine .\nMatthew Walker. Walker was born on 11 May 1984 in Hamilton, New Zealand .\nShahan Shahnour. Shahan Shahnour was born Shahnour Kerestejian, on August 3, 1903, in a suburb of Istanbul, Turkey .\nBruno Campanella. Bruno Campanella (born January 6, 1943, Bari) is an Italian conductor and a distinguished interpreter of the Italian Opera .\nArmen Ayvazyan. Armen Ayvazyan () (born May 14, 1964, Yerevan) is an Armenian historian and political scientist .\nScott Ambush. He was born April 28, 1960 in Frederick, Maryland to Webster and Jeanette Lofton Ambush .\nDavid Hamill. David Hamill born at Ipswich, Queensland on 18 September 1957, is a former Queensland ALP politician, who served in a number of positions including Minister for Transport and Minister Assisting the Premier on Economic and Trade Development, Minister for Education and Treasurer .\nDrew Holcomb. Drew Holcomb is an American singer and songwriter who grew up in Memphis, Tennessee, and now calls East Nashville, Tennessee home .\nAlbert Heinrich Brendel. Albert Heinrich Brendel, who was born in Berlin in 1827, studied in the Prussian Academy of Arts under Wilhelm Krause .\nHenry Weekes. Weekes was born at Canterbury, Kent, to Capon Weekes, a banker's clerk, and his wife, Mary Pearson .\nHomer Curran. Homer F Curran (1885--1952) was an American theatrical producer who had a profound impact on the development of professional theatre on the West Coast of the United States during the first half of the 20th century .\nIan Prosser. Born in Scotland, Prosser first worked on a US presidential inauguration in 1993, at the inauguration of Bill Clinton .\nClaire Baxter. Claire Baxter (born 24 January 1982, Australia) was a professional racing cyclist, competing in both road and mountain bike racing events .\nRose Prince. Rose Prince (born 4 December 1962 in Hampshire, England) is a food writer, author, cook and activist .\nCarl R. Chindblom. Born in Chicago, Illinois, Chindblom attended the public schools .\nJules de Gaultier. Jules de Gaultier (born in 1858 in Paris, died in 1942 in Boulogne-sur-Mer), born Jules Achille de Gaultier de Laguionie, was a French philosopher and essayist .\nWilliam Garland McQuarrie. Born in Ottawa, Ontario, the son of Lachlan and Mary McQuarrie, McQuarrie was raised in Winnipeg, Manitoba and New Westminster, British Columbia .\nRobert Hetzron. Born in Hungary, Hetzron studied at the University of Budapest .\nBrian Fairlie. Brian Fairlie, born 13 June 1948 in Christchurch, is a retired tennis player from New Zealand .\nFulvio Ballabio. Fulvio Ballabio (born 8 October 1954) is a race car driver born in Milan, Italy .\nDiarmuid Scully. Born in Limerick, Diarmuid Scully was educated at St Patrick's Boys national School in the city and later CBS Sexton Street .\nC. Martin Wilbur. Born in Dayton, Ohio, Wilbur went at an early age with his parents to China, where they worked with the YMCA .\nIren Marik. Iren Marik was a classical pianist born in Hungary in 1905 .\nTorraye Braggs. Torraye Braggs (born May 15, 1976 in Fresno, California) is an American professional basketball player, formerly of the NBA .\nJohanna Meier. Born in Chicago, Meier was raised in Spearfish, South Dakota and continues to contribute to the State, having founded the School of Opera and Vocal Arts as part of the Black Hills State University Summer Institute of the Arts, for which she also serves as Artistic Director .\nGiuseppe Giulietti. Giuseppe Giulietti (born 19 October 1953) in Rome is an Italian politician .\nPeter Lachmann. Lachmann has also won numerous international accolades including a Gold Medal from the European Complement Network in 1997, the Medicine and Europe Senior Prize, Academie des Sciences de la Santé in 2003 .\nMirosław Maliszewski. Mirosław Maliszewski (born February 28, 1968 in Warsaw) is a Polish politician .\nFred M. Hechinger. Fred M Hechinger (July 7, 1920 Nuremberg, Germany - November 6, 1995 Manhattan) was an education editor at The New York Times from 1959 to 1990 .\nAdam Mamawala. Adam Mamawala (b. May 18, 1987, Aurora, Illinois) is an American stand-up comic .\nRichard Hudson. Richard Hudson (born 9 May 1948, Tottenham, London, England) is an English singer-songwriter and musician .\nMir Khasim Ali. Mir Khasim Ali born in Hyderabad, AP was India's Men's Singles Champion in table tennis from 1968 to 1969 .\nGiacomo Gaggini. Born in Palermo, he was the son of the sculptor Antonello Gagini, and the brother of Fazio and Vincenzo, and half-brother of Giovanni Domenico and Antonino Gaggini, all sculptors .\nJerry Pettis. Jerry Lyle Pettis (July 18, 1916 in Phoenix, Arizona -- February 14, 1975, in Banning, California) was an American politician and a Congressman from California .\nJoshua Watson. Joshua Watson was born on Tower Hill in the city of London on Ascension day, 9 May 1771 .\nRoland Kitson, 3rd Baron Airedale. Captain Roland Dudley Kitson, 3rd Baron Airedale (19 July 1882-20 March 1958), businessman, was born in Leeds, son of Sir James Kitson, 1st Baron Airedale and his second wife, Mary Laura daughter of Edward Fisher Smith .\nZak Carr. Zak Carr (born March 6, 1975 Norwich, Norfolk, died 17 October 2005) was a British cyclist who specialised in the time trial discipline .\nPierre Roland. Pierre Roland who was born Pierre Roland Christy, in Jakarta, Indonesia on 14 April 1979, is an Indonesian actor .\nLuke Bullen. Luke Bullen (born 2 September 1973, in Norwich, England) is an English drummer and percussionist .\nEdward Brotherton. Brotherton was born at Manchester in 1814, and in early life was engaged in the silk trade, but, foreseeing that the commercial treaty with France was likely to bring to an end the prosperity of his business, he retired with a competence .\nKoichi Morita. Lieutenant-Colonel Koichi Morita (1865 -- 1929) was a Japanese army officer born in Tokyo .\nJon Cone. Born in Miami, Florida in 1957, Jon Cone is a collaborative printmaker, pioneer and developer of photographic ink jet technologies, educator, and photographer .\nAlicia Plaza. Alicia Plaza, born April 30, 1957 in Caracas, Venezuela, is a veteran, Venezuelan actress .\nAlbert Rudomine. Albert Rudomine, born in Kiev in the Ukraine on 27 April 1892 and died in Paris on 4 April 1975, was a French photographer perhaps best known for his nudes .\nWinifred Nicholson. Nicholson was born in Oxford as Rosa Winifred Roberts .\nGeorge Brunner. George Brunner is an American composer and performer born in Philadelphia .\nHamilton Ward, Sr.. Hamilton Ward, Sr (July 3, 1829 Salisbury, Herkimer County, New York - December 28, 1898 Wellsville, Allegany County, New York) was an American lawyer and politician .\nOliver Lanard Fassig. Oliver Lanard Fassig was born at Columbus, Ohio, on April 5, 1860, son of Mathias and Elizabeth (Lanard) Fassig .\nIra Vail. Ira Vail (22 November 1893 Montreal, Canada -- 21 April 1979 Daytona Beach, Florida) was a Canadian-American racecar driver .\nMagdaléna Hajóssyová. Magdaléna Hajóssyová (born 25 July 1946, Bratislava) is a renowned classical Slovak soprano who has had an active international career singing in operas, concerts, and recitals since the late 1960s .\nEmilio De Fabris. Emilio De Fabris was born 1808 in Florence, Italy .\nMichel Bellemare. Michel Bellemare (b. July 10, 1967 in Ottawa) was member of the City Council in Ottawa, Canada from 1994 to 2010 .\nJohn Littleton and Kate Vogel. John Littleton is the son of glass artist Harvey Littleton and his wife, Bess Tamura Littleton .\nReginald Brett, 2nd Viscount Esher. Born in London, Brett was educated at Eton and Trinity College, Cambridge .\nAlison Waters. Alison Waters (born 19 March 1984, in London, United Kingdom) is a professional squash player from England .\nDeepa Kaul. Deepa Kaul (Hindi-Urdu, Kashmiri: दीपा कौल, دیپا کول) (born April 12, 1944, London) is a social democratic leader of the Indian National Congress and has headed ministries, including social welfare, culture, and tourism, as a member of the legislature of Uttar Pradesh .\nSophia Morrison. Born in Peel, Isle of Man, Morrison worked for the promotion of Manx Gaelic music, folklore and literature, editing Yn Cheshaght Ghailckagh's journal Mannin, which appeared between 1913 and 1917 in nine volumes .\nS%C3%A9bastien Denis. Sébastien Denis (born 4 May 1971 in Paris) is a French hurdler .\nJoan Backes. ((File:Forest-House.jpg thumb 300px right Joan Backes - Forest-House, 2010, (permanent installation), Darmstadt, Germany. Invitational International Biennial `` Internationalen Waldkunstpfad '')) Joan Backes is an American artist who was born in Milwaukee, Wisconsin .\nRobert E. Hopkins. Born in Belmont, MA, in 1915, Hopkins attended the Massachusetts Institute of Technology (MIT) under a full scholarship, earning a BS in 1937 .\nShlomo Wolbe. Rabbi Shlomo Wolbe (Wilhelm Wolbe, 1914 - April 25, 2005) was a Haredi rabbi born in Berlin and died in Jerusalem .\nKnut Walbye. Knut Walbye (born 9 January 1968 in Oslo) was a former Norwegian ice hockey player .\nJohn P. Allen. John Polk Allen (born 6 May 1929, Carnegie, Oklahoma) is a systems ecologist and engineer, metallurgist, adventurer and writer .\nPriya Thomas. Priya Thomas is a Canadian artist and musician born in Hamilton, Ontario and raised on the South Shore of Montreal, Quebec .\nJerzy Adamuszek. Adamuszek, Jerzy (born 30 09 1955 in Poland; since 1980 lives in Montreal) .\nStephen Gould. Stephen Gould is an American heldentenor, born in Virginia .\nNadia Zaffar. Nadia Zaffar born in Karachi, is an anchor and producer for Dawn News, Pakistan's first English-language TV news channel .\nNick Karner. Nick Karner is an American actor and director, born July 7, 1982 in Hartford, Connecticut .\nMartin Emerich. Born in Baltimore, Maryland, Emerich attended the public schools .\nPaul Peterson. Born in Minneapolis, Minnesota, Peterson was the youngest son in a musical family .\nErick Noubissie. Although he was born in France, Noubissie represents his parents' homeland of Cameroon .\nPatrice Roy. Patrice Roy (born in 1963 in Quebec) is a Canadian news anchor .\nO'Chi Brown. O'chi Brown is a female dance music singer born in Tottenham, London England .\nJennifer Huppert. Jennifer Huppert (born 13 October 1962) is an Australian politician .\nNicolas Moreton. Nicolas Moreton is a British artist born in 1961 in Watford, Hertfordshire .\nJohn Chorlton. John Chorlton was born at Salford in 1666 .\nLynda Blutreich. Lynda Blutreich (née Lipson; born December 13, 1971 in Lynn, Massachusetts) is a javelin thrower from the United States .\nWilliam F. Brown. William F Brown (29 November 1919, in Tampa, Florida -- 6 September 2010 in Kennewick, Washington) was an American welding engineer, professional engineer and magnetic pulse welding expert .\nGabriel Caruana. Gabriel Caruana (born in 1929 in Malta) is a Maltese artist who works primarily in ceramics .\nLeo C. Zeferetti. Leo C Zeferetti (born July 15, 1927) was a Democratic member of the United States House of Representatives from New York .\nSamuel Forde. Forde, born at Cork on 5 April 1805, was son of Samuel Forde, a tradesman, who became involved in difficulties, and went to America, deserting his family .\nStephanie Reaves. Stephanie Reaves (born February 24, 1967, Maine) is an American professional race driver .\nLovro Artukovi%C4%87. Lovro Artuković (born in 1959 in Zagreb) is a contemporary Croatian painter and graphic artist who primarily paints large scale figurative canvases .\nEdward Stotz. Born in Allegheny City, now commonly known as the North Side of Pittsburgh, PA, Stotz spent a brief time in Europe before setting up shop in his home region in 1893 .\nOtto Eugen Schulz. Otto Eugen Schulz (31 October 1874 - 17 February 1936) was a German botanist, born in Berlin .\nJ. B. Jackson. Born in France to American parents, JB Jackson spent his early school years in Washington, DC and in Europe .\nTara Brabazon. Tara Brabazon (3 January 1969 -) is Professor of Communication at the University of Ontario Institute of Technology, Canada .\nLavrenti Ardaziani. Born in Tiflis of a deacon, Ardaziani graduated from the local theological seminary and entered the civil service under the Russian viceroyal administration .\nFrank R. Reid. Born in Aurora, Illinois, Reid was one of eleven children of an Irish grocery store owner .\nMurray Fraser. Born in Liverpool, Fraser was raised in Nova Scotia .\nAzman bin Abdullah. Azman bin Abdullah (born 28 November 1986) in Singapore is a renowned Singaporean bodybuilder who became a local icon and world-leading sportsman in the 1990s .\nWolfgang Baur. Wolfgang Baur was born in a suburb of Chicago, and later attended the University of Illinois and then Cornell University for graduate studies in biochemistry and molecular biology to pursue an academic career in research .\nOleg Strizhakov. Oleg Strizhakov (; born 18 July 1963 in Tbilisi, Georgian SSR) is a retired Russian long-distance runner .\nNick Taylor. Nick Taylor (born 24 December 1971, in Oldham, Lancashire, England) is a professional squash player and squash coach from the United Kingdom .\nPublius Annius Florus. The introduction to a dialogue called Virgilius orator an poeta is extant, in which the author (whose name is given as Publius Annius Florus) states that he was born in Africa, and at an early age took part in the literary contests on the Capitol instituted by Domitian .\nCalvin Fairbank. Born in Pike, in what is now Wyoming County, New York, Fairbank grew up in an intensely religious family environment .\nJohn Donaldson. John Donaldson was born at Edinburgh in 1737, and distinguished himself as a miniature painter, both in enamel and water-colours .\nSeymour Cocks. Born in Darlington, Cocks was educated at Plymouth College and became a journalist .\nPeter Bladen. Peter Bladen, (1922 -- 2001) was an Australian poet born at Perth .\nCharles Mickle. Charles Julius Mickle (July 22, 1849 in Stratford, Canada West, now Ontario -- November 10, 1919, Minnedosa, Manitoba) was a politician in Manitoba, Canada .\nVerna Allee. Verna Allee, born 1949 in Kansas, United States, is an American business consultant and writer on topics including value networks, knowledge management, organizational intelligence, intellectual capital and the value conversion of intangibles .\nScott W. Skavdahl. Born in Lincoln, Nebraska, Scott W Skavdahl received his BS (1989) and JD (1992) from the University of Wyoming .\nMartine Roure. Martine Roure (born 28 September 1948 in Lyon) is a French politician and Member of the European Parliament for the south-east of France .\nAlan Clayson. Alan Clayson (born 3 May 1951, Dover, Kent, England) is a singer-songwriter, who was popular in the late 1970s as leader of Clayson and the Argonauts (who reformed in 2005) .\nRobin McNamara. Robin McNamara (born 5 May 1947, in Newton, Massachusetts) is an American singer, songwriter and musician .\nMichele Pace del Campidoglio. Michele Pace del Campidoglio, a painter of fruit and flowers, born at Rome in 1610 .\nUche Okeke. Born in northern Nigeria, Okeke was the child of an Igbo family, and was educated in the region; this, combined with stories told by his mother and sister, inspired in him an interest in Igbo culture that was further whetted when he found that his mother had been an uli artist .\nSatnam Rana. Rana was born and brought up in Wolverhampton, West Midlands, England and attended Smestow school .\nPercy Elland. Born in Doncaster, Elland attended Doncaster Grammar School before entering journalism .\nGeorge Glas. The son of John Glas, the divine, Glas was born at Dundee in 1725, and is said to have been brought up as a surgeon .\nJerzy Jan Lerski. Born on January 20, 1917 in Lwów, Poland (now Lviv, Ukraine), Lerski studied law at Lwów University .\nTruman A. Merriman. Born in Auburn, New York, Merriman attended the Auburn Academy and was graduated from Hobart College, Geneva, New York, in 1861 .\nJohn Darwall. Born in the village of Haugh­ton in Staffordshire, Darwall was educated at Manchester Grammar School and at Brasenose College, Oxford (which he entered at the age of 14), grad­u­at­ing in 1756 .\nWendell White. Wendell White (born 23 November 1964 in Barbados) is a Bermudian cricketer .\nBorah Bergman. Borah Bergman (born December 13, 1933, Brooklyn) is an American free jazz pianist .\nClaude Couture. Born in Montreal, Québec, Canada, Couture completed a PhD in history at the University of Montreal in 1987 and has been in Edmonton, Canada since 1988 as a professor in social sciences and Canadian studies .\nRobert Allen. Allen was born in the village of Woodstock and started college at Dickinson College in Carlisle, Pennsylvania .\nTazewell Ellett. Born in Richmond, Virginia, Ellett attended private schools in Richmond .\nRichard Sheepshanks. Richard Sheepshanks (30 July 1794 in Leeds -- 4 August 1855) was an English astronomer .\nBedük. Serhat Bedük (20 April 1983, in Ankara), more commonly known by his stage name Bedük, is a Turkish musician .\nJonathan Hazard. Jonathan was born to a Quaker (Religious Society of Friends) family in Newport, Rhode Island .\nAjit Ninan. Ajit Ninan (born in 1955 in Hyderabad, India) is a well-known Indian political cartoonist, best known for drawing the Centrestage series of cartoons in India Today magazine and Ninan's World in the Times of India .\nGilles Latulippe. Gilles Latulippe (b. 31 August 1937, Montreal, Canada) is a Québécois actor, comedian and theatre director and manager .\nPierce Galliard Smith. Born in Scotland, Smith was educated at University College, Durham University receiving an MA in 1852 and held the post of curator and chaplain at Northumbria before he arrived in New South Wales with his family in 1855 .\nJames Kinlay. His five children include hedge fund manager Jonathan Kinlay and the actress Antonia Kinlay is one of five grandchildren .\nAytaç Biter. Aytaç Biter (born 5 November 1965 in Ankara) is a Turkish auto racing driver .\nRichard Rood. Rood, who was born in Cleveland, Ohio, was appointed membership with Orpheus after a history of regularly performing, touring, and recording with the group for 15 years .\nBalthazar Armas. A graduate student of the Neumann institute of graphic arts, and the Center of Graphic Studies (CEGRA) for engraving, Balthazar's first individual exhibitions go back to 1966 .\nMohammed Wali Zazi. Mohammed Wali Zazi (born in 1955 in Afghanistan), currently a naturalized US citizen, residing in Arapahoe County, Colorado, is a suspect in matters related to terrorism .\nBob Rockwell. Bob Rockwell (b. May 1945, Miami, Oklahoma) is a jazz saxophonist .\nLouis Antonelli. Louis Antonelli is a filmmaker and poet, born in Chicago, Illinois on July 28, 1962 .\nSusan Krieg. Susan Krieg was born and grew up in Fargo, North Dakota and has since lived in Chicago, Minneapolis, San Francisco/Oakland, Phoenix, Manhattan, and Los Angeles .\nMichael Matus. Born in Borneo, Michael Matus grew up in Hong Kong, San Francisco, Sussex and Kent, where he went to school as a choral scholar at The King's School in Canterbury .\nMohammad Aslam. Mohammad Aslam (born 7 September 1961, Karachi, Pakistan) is a former United Arab Emirates cricketer .\nBahar Movahed Bashiri. Bahar Movahed Bashiri (born April 27, 1979 - Tehran) is the Iranian portrait caricaturist, Persian classical vocalist and dentist .\nDaniel Chapman Stillson. He was the son of William Stillson and Nancy Chapman .\nErich Werdermann. Born in Berlin, Erich Werdermann was the son of the landowner Carl Werdermann .\nCharles Mayo. Born in London 24 March 1767, he was second son of Herbert Mayo, DD (1720--1802), by his wife Mary, daughter of George Coldham, surgeon extraordinary to the Prince of Wales .\nLeon Athanese Gosselin. Leon Athanese Gosselin (born 16 January 1815 in Paris -- died 30 April 1887) was a French surgeon remembered for describing the Gosselin fracture in 1866 .\nRosario Marciano. Rosario Marciano, born July 5, 1944 in Caracas, Venezuela, died there September 4, 1998 was a classical pianist, musicologist and teacher .\nHannan Sarkar. Hannan Sarkar () (born December 1, 1982, in Dhaka) is a Test cricketer for the Bangladesh cricket team .\nSimon Bowman. Simon Bowman is a British actor and singer, born in, Cardiff and trained at Mountview Theatre School .\nJohn Lewis Thomas. Born in Baltimore, Maryland, Thomas studied law and was admitted to the bar in 1856, commencing practice soon afterwards in Cumberland, Maryland .\nSeth Lipsky. Seth Lipsky (born in 1946 in Brooklyn) is the founder and editor of the New York Sun, an independent conservative daily in New York City that ceased its print edition on September 30, 2008 .\nElizabeth Hess. Elizabeth Hess (born 17 July, 1953 in Ontario, Canada) is a Canadian actress best known for playing mother Janet Darling on the long-running American sitcom Clarissa Explains It All .\nSusan Oki Mollway. Born in Honolulu, Mollway earned a bachelor's degree in English literature from the University of Hawaii in 1971 and a master's degree in English literature from the University of Hawaii in 1973 .\nJudy Dunaway. Judy Dunaway (born 1964 Mississippi) is an avant-garde composer, free improvisor, conceptual sound artist and creator of sound installations who is primarily known for her sound works for latex balloons .\nJohn Hindle. Born at Rishton in Lancashire to William Hindle and Elizabeth Woolstonecraft, he received a limited education and began working in a cotton factory at the age of eleven .\nSerenus the Gardener. The governor found Serenus innocent of insulting the guard's wife, but had him beheaded anyway when he refused to sacrifice to the Roman gods .\nDean Sullivan. Dean Sullivan (born 7 June 1955 in Liverpool) is an English actor .\nAarne Ruben. Aarne Ruben (17 July 1971 in Tallinn) is an Estonian writer .\nSamuel Campbell. Samuel Campbell (July 11, 1773 Mansfield, then in Windham Co., now in Tolland County, Connecticut -- June 2, 1853 Columbus, Chenango County, New York) was an American politician from New York .\nNabil Kanso. Nabil Kanso is a Lebanese-American painter born in Beirut, Lebanon .\nKurt Hitke. Kurt Hitke (1 December 1889 Dresden, Germany -- 23 February 1979 Miami, Florida) was an American racecar driver .\nCharles Hastings Doyle. Born in London, England, the eldest son of Lieutenant-General Sir Charles William Doyle and Sophia Cramer Coghill, he attended the Royal Military Academy Sandhurst and joined the army as an ensign of the 24th, 2nd Warwickshire, Regiment of Foot on December 23, 1819 .\nGyles Brandreth. Gyles Daubeney Brandreth (born 8 March 1948, Germany) is a British writer, broadcaster and former Conservative Member of Parliament and junior minister .\nGérard Granel. Born in Paris, Granel attended the lycée Louis-le-Grand and the courses of Michel Alexandre, Jean Hyppolite and, later, of Louis Althusser and Jean Beaufret .\nJaved Akhtar. Javed Akhtar (born November 21, 1940, Delhi, India) is a former Pakistani cricketer who played in one Test in 1962 .\nEmilio Menéndez. Emilio Menéndez del Valle (born 20 June 1945 in Madrid) is a Spanish politician and Member of the European Parliament for the Spanish Socialist Workers' Party, part of the Party of European Socialists .\nGhulam Abbas. Ghulam Abbas (Urdu: )(born May 1, 1947, Delhi, India) is a former Pakistani cricketer who played in one Test in 1967 .\nJohn Allen Gable. Born in Massachusetts in 1943, Gable graduated from Kenyon College in 1965 and received his PhD in History from Brown University in 1972 .\nLeon Bass. Bass was born and grew up in Philadelphia, Pennsylvania .\nAnna Akhsharumova. Anna Akhsharumova (; born 9 January 1957, Moscow) is a Woman Grandmaster of chess .\nThomas Francis Brennan. Brennan was born at Tipperary, Ireland, and ordained to the priesthood at Brixen-Tyrol on July 4, 1880 .\nMartin I. Townsend. Martin Ingham Townsend (February 6, 1810 Hancock, - March 8, 1903 Troy, Rensselaer County, New York) was an American lawyer and politician from New York .\nMarisa Masullo. Marisa Masullo (born 8 May 1959 in Milan) is an Italian athlete, who mainly competed in the 100 and 200 metres .\nRachel Annand Taylor. Born in Aberdeen to stonemason John Annand and his wife Clarinda Dinnie, she was one of the first women to study at Aberdeen University .\nMark Michalowski. Mark Michalowski (born 1963 in Chesterfield) is the editor of Shout! , ``Yorkshire's lesbian, gay, bisexual and transgender paper'', as well as being an author best known for his work writing spin-offs based on the BBC Television series Doctor Who .\nYisroel Meir Gabbai. Gabbai's father was a native of Morocco and his mother a descendant of German Jews; they married in France, where Gabbai was born .\nBill Endicott. Bill Endicott (5 November 1876 Montgomery, Indiana -- 7 June 1944 Indianapolis, Indiana) was an American racecar driver .\nAlexander Whitaker. Born in Cambridge, he was the son of William Whitaker (1548--1595), noted Protestant scholar and Master of St John's College, Cambridge .\nHayden Turner. Hayden Turner born 16 January 1966 in Sydney, Australia, is a television and cable TV presenter .\nGus Menos. Born in Milwaukee, Wisconsin, Menos graduated from Lincoln High School and served in the United States Army Air Corps .\nMaria Rose. Maria Rose (born 14 November 1980 in Kerala, India) is the pseudonym of a South Indian writer, writing in Malayalam, who mainly concentrates on children's fiction, horror, suspense, and thriller genre .\nNorbert Francis Attard. Norbert Francis Attard, born in Malta in 1951 is an artist working in several disciplines such as painting, printing, sculpture, video and photography .\nElijah Wadsworth. Elijah Wadsworth (4 Nov 1747 Hartford, Connecticut - 30 Dec 1817 Canfield, Ohio) was a Captain in the American Revolutionary War and a Major General in the War of 1812 .\nPasquale Conte. Born in Sicily, Conte is a resident of Roslyn, New York .\nTom Maniatis. Tom Maniatis born 8 May 1943 in Denver, Colorado is an American professor of molecular and cellular biology .\nDonald McGauchie. Donald McGauchie (born 29 January 1959) in Sydney, Australia, is a member of the board of the Reserve Bank of Australia since 30 March 2001 and has recently been appointed chairman of the Nufarm board, and was the former chairman of Telstra Corporation .\nFrançois Maspero. François Maspero (born 19 January 1932 in Paris)) is a French author and journalist, best known as a publisher of leftist books in the 1970s .\nBruce Pennington. Bruce Pennington (born 10 May 1944 in Somerset) is a British painter, perhaps best known for his science fiction and fantasy novel cover art .\nJohn Baptist Collins. Born in France, Collins went to sea at age sixteen as a cooper's apprentice on a Dutch ship .\nJohn Eaton. Eaton, born in Kent in or about 1575, was educated at Trinity College, Oxford, where he became the first recipient of the newly founded Blount exhibition in 1590 .\nGail Sidonie Sobat. Born in Calgary, Alberta, Sobat spent her early years in Southern Alberta, living in Drumheller, then Shouldice, and on the Blackfoot Indian Reservation, now Siksika Nation, near the hamlet of Gleichen .\nTommaso Marconi. Tommaso Marconi (born 17 January 1982 in Rome) is an Italian diver .\nVirginio Ferrari. Virginio Ferrari is an Italian sculptor, born in Verona and based in Chicago from the middle of the 1960s .\nStephen K. Benjamin. Benjamin's parents are from Orangeburg, SC but he was born in Queens, New York during the 1960s when many African-Americans decided to relocate to the North for better economic opportunities .\nFelix von Kraus. Felix von Kraus (October 3, 1870 - October 30, 1937) was an Austrian dramatic bass .\nJohnny Kemp. Johnny Kemp (born 1959, Nassau, Bahamas) is a Bahamian R&B singer and dancer .\nLoredana Errore. Born in Bucharest, Errore started performing in school plays during the 1990s .\nKonstantine Vardzelashvili. Konstantine Vardzelashvili (born 26 July 1972 in Tbilisi) is Vice-President of the Constitutional Court of Georgia .\nMoritz Wilhelm Drobisch. Moritz Wilhelm Drobisch (August 16, 1802, in Leipzig - September 30, 1896, in Leipzig) was a German mathematician, logician, psychologist and philosopher .\nPierre Henri Joseph Baume. Baume was born at Marseilles in 1797 .\nLinda Crockett. Linda Crockett, born in Hamilton, Ontario, Canada, is an American author and teacher, best known for her horror, romance, and psychological thrillers .\nElsa Lunghini. Elsa Lunghini, stage name Elsa (born May 20, 1973, in Paris), is a French singer and actress .\nJanil Puthucheary. Born in Malaysia, Dr Puthucheary went to primary school in Kuala Lumpur, Malaysia, before heading to the United Kingdom for secondary school education at Oundle School .\nLuciano Caruso. Luciano Caruso (b. July 19, 1957 in Turin, Italy) is an Italian Jazz composer and Soprano saxophone performer .\nMatteo Barbini. Matteo Barbini (born 8 June 1982 in Venice) is an Italian rugby union player .\nDonald Steven. Born in Montreal, Steven began his career performing and arranging folk and rock music in the 1960s (most notably with The Raftsmen) before pursuing professional studies in music .\nGord Simpson. Gord Simpson (Born - May 10, 1928 in Winnipeg, Manitoba) was a Canadian ice hockey defenceman who play with the Winnipeg Maroons for 14 years .\nFrançois Lehideux. François Lehideux (born 30 January 1904 in Paris - died 21 June 1998 in Paris) was a French industrialist and member of the Vichy government .\nGeoffrey Alderman. Geoffrey Alderman (born 10 February 1944, Middlesex, England) is a British historian, especially of the Jewish community in England in the 19th and 20th centuries, and also an academic, political adviser and award-winning journalist .\nKarl Sarafidis. Karl Sarafidis is a French actor born in Beirut in 1979, doctor of philosophy, former teacher at Paris-Est University (Val-de-Marne, France) .\nBéla Glattfelder. Béla Glattfelder (born on 4 May 1967 in Budapest) is a Hungarian politician and Member of the European Parliament with the Hungarian Civic Party, part of the European People's Party and sits on the European Parliament's Committee on International Trade .\nSamuel Magaw. Born in Pennsylvania, he was a son of William Magaw of Shippensburg .\nGary Callander. Gary Callander (born July 5, 1959) is a retired Rugby Union player who was born in Edinburgh, Scotland .\nCraig Richards. Craig Richards (born 1966, Bournemouth, United Kingdom) is a tech house DJ, also known as part of Tyrant alongside Lee Burridge .\nMohammed A. Aldouri. Born in Baghdad, Aldouri attended Baghdad University and earned a bachelors degree in law in 1964 .\nRich McNanna. Rich McNanna is an American actor born in Newark, NJ in 1977 and attended Seton Hall University in South Orange, NJ from 1995-2000 .\nMarcel Faribault. Born in Montreal, he was the son of René Faribault and Anna Pauzé and was educated at the Université de Montréal .\nAdolf Patera. Adolf Patera (11 July 1819 Vienna - 26 June 1894), was a Bohemian chemist, mineralogist and metallurgist, best known for the important role he played in the utilisation of uranium in colour production in glass, and associated with silver extraction from the mines at Joachimsthal, then part of the Austro-Hungarian Empire, now known as Jáchymov .\nAuguste Georges Darzens. Auguste Georges Darzens (July 12, 1867 in Moscow, Russia - September 10, 1954) was an organic chemist who studied at the École Polytechnique in Paris, France, under Louis Edouard Grimaux and stayed there as a professor .\nIvan Triesault. Ivan Triesault (; 14 July 1898, Tallinn, Estonia -- 3 January 1980, Los Angeles) was an Estonian-born American actor .\nTom Arnold. Born in Yorkshire, Arnold spent much of his life travelling although he considered Brighton his second home .\nErnest Kent Coulter. Born in Columbus, Ohio, Coulter graduated from Ohio State University, where he was a member of Beta Theta Pi In 1904 he became a clerk in New York Children's Court .\nMary Scott. Mary Scott (1751/2--1793), poet, was born in Somerset, England .\nEdmundo Farolan. Edmundo Farolan, born in Manila (1943), was a young writer-scholar who had won literary awards abroad when he studied philosophy and letters in Madrid .\nLyndsey Rodrigues. Lyndsey Rodrigues born July 23, 1981 in Sydney, Australia, is an Australian TV host, actress and former MTV VJ, known as a co-host of the MTV TV series Total Request Live .\nKelly Hardie. Kelly Hardie (born 21 November 1969 in Perth, Western Australia) is a softball pitcher from Australia, who won the bronze medal at the 2000 Summer Olympics .\nA. H. Raskin. H Raskin (April 26, 1911 Edmonton, Alberta - December 22, 1993 Manhattan) was a labor reporter, editorial writer, and assistant editor, for The New York Times, from 1934 to 1977 .\nAmmar Eloueini. Ammar Eloueini, born 1968 in Beirut, Lebanon .\nRoss Batty. Ross Batty (born 20 September 1986 in England) a former Barnard Castle School pupil, is a rugby union player for the Bath in the Aviva Premiership .\nChristopher Manson. Born in Buffalo, New York, Manson graduated in 1975 from the Nova Scotia College of Art and Design in Halifax, Nova Scotia, having specialized in printmaking .\nJane Stanford. Born Jane Eliza Lathrop in Albany, New York, she was the daughter of Dyer and Jane Anne (Shields) Lathrop .\nLeonard D. Wexler. Leonard D Wexler (b. 1924 in Brooklyn, NY) is a federal judge for the United States District Court for the Eastern District of New York .\nGeorge Zarkadakis. George Zarkadakis () is novelist, poet, playwright, and popular science writer, born in Athens in 1964 .\nMoira von Wright. Moira von Wright (born 1957 in Helsinki) is a Swedish academic .\nWilliam Baldé. Mohamed Guy William Baldé, just known as William Baldé, is a singer-songwriter and composer born in Guinea .\nLisa Kindred. Kindred, born in Buffalo, was a figure in the Greenwich Village/Cambridge folk scene of the 1960s; she played with Bob Dylan and other folk singers, playing at the Cafe Wha? , Club 47, The Bitter End and other venues .\nWalter Carringer. Born in Knoxville, Tennessee, Carringer grew up in Murphy, North Carolina and was highly active as a Boy Scout in his youth .\nAugusto Huaman Velasco. Augusto Huaman Velasco, born in Lima, (Sept 01, 1924 - July 20, 1998) .\nWarren Carlyle. Warren Carlyle is a director and choreographer who was born in Norwich, Norfolk, England .\nJoe Warham. Joe Warham (born 1920, Warrington, Lancashire) is a rugby league administrator and coach having served Leeds Rugby League Football Club (now Leeds Rhinos) for over forty years .\nMichael Prince. Michael Prince (born 1963, Rochester, New York) is an industrial designer and the founder of Beyond Design, Inc., a product and strategic design consultancy located in Chicago, IL Beyond Design has grown to become one of the leading industrial design firms in Chicago .\nMischa Hiller. Mischa Hiller (born 1962 England) is a British novelist .\nAnton Muscatelli. Anton Muscatelli was born on 1 January 1962 in Italy to Ambrogio and Rosellina Muscatelli .\nDidier André. Didier Andre (born 3 September 1974) is a race car driver born in Lyon, France .\nGeorge Rothera. George Rothera (born 12 November 1809 at Nottingham; died 31 October 1841 at Nottingham) was an English cricketer who played first-class cricket from 1835 to 1837 .\nMonica Groop. Monica Groop (born 14 April 1958, Helsinki) is a Finnish operatic mezzo-soprano .\nLo%C3%AFc Jouannigot. Loïc Jouannigot (b. 1953 in Brittany, France) is a children's book illustrator .\nKeith Wiggins. Born in London, England in 1958, Keith began his racing career while at school as a kart driver in 1973 .\nThomas Y. Howe, Jr.. Born in Auburn, New York, Howe completed preparatory studies .\nSteve Miller. Born in Chicago, Miller attended college in his home state of Illinois at Bradley University in Peoria and Governors State University in University Park, earning respectively Bachelor of Science degrees in English Literature and Physical Education and a Masters of Arts degree in Contemporary English Literature .\nGeno Arce. Geno Arce, born in Portland, Oregon, started playing bass in the clubs at age 16 opening for bands like Black 'n Blue and Fire Eye .\nAndy Buist. Andy Buist born 25 August 1984 in Norwich, England is a rugby union player for Newcastle Falcons in the Guinness Premiership .\nTodd Jay Weinstein. Todd Jay Weinstein (born 1951) is a photographer and artist, born in Detroit, Michigan, and who now lives in New York City .\nThomas McGreevy. Born in Quebec, he was the son of Robert McGreevy, a blacksmith, and Rose Smith .\nMartin Zobel. Martin Zobel (born 25 February 1957 in Tallinn) is an Estonian plant ecologist and professor at the University of Tartu .\nKeppel Harcourt Barnard. Keppel Harcourt Barnard (31 March 1887 London -- 22 September 1964 Cape Town), was a South African zoologist and museum director .\nBill Kaiserman. Bill Kaiserman (born 8 September 1942 Brooklyn, New York) is a four-time Coty Award-winning designer (1974; 1975; 1976; 1978) .\nArthur Yoria. Born in Chicago, Yoria started to play guitar very late while he was attending the University of Houston .\nJohn Skoyles. John Skoyles (b. 1949 in Queens, New York) is an American poet and writer .\nStéphan Perrot. Stéphan Perrot (born 19 June 1977 in Nice) is a breaststroke swimmer from France, who won the gold medal in the men's 200 metres breaststroke event at the 1999 European Championships in Istanbul .\nGijs Vermeulen. Gijs Vermeulen (born May 7, 1981, Amsterdam) is a rower from the Netherlands .\nJill Crossland. Jill Crossland is an English pianist, born in Yorkshire .\nAndrej Šeban. Andrej Šeban, born in Bratislava on June 26, 1962, is a well-known Slovak jazz fusion guitarist .\nAndrei Babitsky. Andrei Babitsky (, born September 26, 1964, in Moscow) is a Russian journalist and war reporter, who has worked for Radio Liberty since 1989, covering the 1991 August Coup, Civil War in Tajikistan and, most notably, both Chechen Wars from behind Chechen lines .\nElizabeth Cooper. Born in Manila, the Philippines, as Isabel Rosario Cooper, she was the recipient of the first on-screen kiss in a Filipino movie, Ang Tatlong Hambog (1926) .\nSim%C3%B3n Moret Gallart. Born in Ponce, in 1853, Simon Moret Gallart was a descendant of a French immigrant by the same name (Simon Moret) who settled in Puerto Rico in 1816 .\nMarvin Delph. Marvin Delph (born in 1957 in Conway, Arkansas) is a retired American basketball player, who experienced his greatest success at the college level .\nDaniel Rosenfeld. Daniel Rosenfeld (born in Palestine, October 19, 1929) is a writer and expert on the Israeli-Palestinian conflict .\nGeorge Smith. George was born at Chichester in Sussex, where his father, William Smith, was a tradesman and Baptist minister .\nSuzie Malone. Born in Sydney, Suzie became a dancer as soon as she could walk .\nTerence O'Brien. Sir John Terence Nicholls O'Brien (April 23, 1830 -- February 28, 1903) was a surveyor, engineer and colonial governor, born in Manchester, England and died in London, England .\nFrank Edwards. Frank Bathurst Edwards (6 September 1887 -- 5 March 1983) was an Australian politician .\nAmbalavaner Sivanandan. Ambalavaner Sivanandan (born 20 December 1923 Colombo) is a Sri Lankan novelist, and director of the Institute of Race Relations, a London-based independent educational charity .\nKonstantin Matusevich. Konstantin Matusevich (; born 25 February 1971 in Kiev, in the Ukrainian SSR of the Soviet Union) is a retired Israeli high jumper .\nMoshe Shekel. Moshe Shekel (born in 1958 in Haifa, Israel), was graduated from the law faculty of Tel-Aviv University (1985); During his studies, he served as a research fellow and assistant lecturer in the field of tax law, both in the faculty of law and in the accounting department of the faculty of management .\nLeo Fernandez. Leo Fernandez is a current amateur and former professional snooker player born in Limerick, Ireland and living in London, England .\nNorman Mann. Norman Mann (March 3, 1914 -- February 9, 1994) was a professional ice hockey player who played 31 games in the National Hockey League .\nTariq Iqbal. Tariq Iqbal (b. 1964 in Nairobi, Kenya) is a Kenyan cricketer .\nLudvig Drescher. Ludvig Drescher (July 21, 1881 in Sønderborg -- July 14, 1917 in Copenhagen) was a Danish amateur football (soccer) player in the goalkeeper position .\nCliff Bergere. Cliff Bergere (December 6, 1896 Toledo, Ohio - June 18, 1980 Dade City, Florida) was an American racecar driver .\nJohn Benjamin Henck. John Benjamin Henck (October 20, 1815 Philadelphia - January 3, 1903 Montecito, California) was a classical scholar and civil engineer .\nJason Pyrah. Jason Pyrah (born April 6, 1969, Springfield, Missouri) is an American athlete who participated in the 1500-meter run at the 1996 and 2000 Summer Olympics .\nGareth Russell. Gareth Russell is a British author, best known for writing the novel Popular .\nAlan Fisher. Born in Birmingham, Fisher spent his entire working life at the National Union of Public Employees, serving as General Secretary from 1968 to 1982 .\nRoger Sinclair Aytoun. Aytoun was born at Edinburgh, the son of John Aytoun of Inchdairnie, Fifeshire and his wife Margaret Anne Jeffery, daughter of J Jeffery MD He was educated at Trinity College, Cambridge graduating BA in 1845 and MA in 1848 .\nRobert Owens. Born in Ohio in 1961, Robert Owens grew up singing in church, but years later, he was working as a DJ in 1985, when he met Chicago producer Larry Heard .\nJosh Quittner. Born in Manhattan, Quittner grew up in Reading, Pennsylvania .\nJohn Bernhard. John Bernhard (born May 17, 1957, Geneva, Switzerland) is a Swiss American artist and photographer best known for his surrealist nude studies .\nDouglas Paulson. Douglas Paulson (born 1980 Pennsylvania) is an artist based in New York City .\nJ. J. Stevenson. Stevenson was born at Glasgow, the son of James Stevenson, a merchant of Glasgow and his wife Jane Stewart Shannan, daughter of Alexander Shannan, merchant of Greenock .\nKajsa Kling. Kajsa Kling born December 25 1988 in Åre, Sweden is a alpine skier who competes in all disciplines .\nCharles Schreiber. Schreiber was born at Colchester, the eldest son of Lieutenant-Colonel James Alfred Schreiber of Melton, Suffolk and his wife Mary Ware, daughter of Thomas Ware, of Woodfort, County Cork .\nAdam Macrow. Adam Macrow (born 23 November 1978, in Victoria) is a professional race car driver now living in Melbourne, Victoria, Australia .\nAlwina Valleria. Born Alwina Schoening in Baltimore, Valleria attended the Royal Academy of Music in London, making her operatic debut in 1871 in St Petersburg .\nJames Lomax Bardsley. Bardsley was born at Nottingham on 7 July, 1801 .\nBernie Lowe. Born Bernard Lowenthal in Philadelphia, Lowe started Teen Records and in 1955 was working with Freddie Bell and the Bellboys .\nHakim Toumi. Hakim Toumi (Arabic: الحكيم التومي; born January 30, 1961 in Algiers, Algiers Province) is a retired male hammer thrower from Algeria .\nRichard West. Born in London, West attended Marlborough College before his national service spell in Trieste awakened a lifelong interest in Yugoslavia .\nJohn Bayard McPherson. Born in Harrisburg, Pennsylvania, McPherson attended Princeton College, receiving an AB in 1866 and an AM in 1869 .\nStephen William White. Stephen William White (16 July 1840 in Philadelphia, Pennsylvania -- October 1914), son of Emily and David W White, was the secretary of the Northern Central Railway as well as a number of other Pennsylvanian railway companies until 1910 when he retired .\nA. F. Kidd. AF Kidd is the pen name of Chico Kidd .\nJohn Milne Bramwell. John Milne Bramwell (1852 -- 1925) was a Scottish physician and author, born at Perth, and educated at the University of Edinburgh .\nLew Stringer. Lew Stringer (born 22 March 1959, England) is a freelance comic artist and scriptwriter .\nGeorge Russell French. George Russell French (1803--1881), antiquary, was born in London in 1803 .\nTsotne Bakuria. Tsotne Bakuria (b. Dec. 22, 1971, Tbilisi, Georgia) was a member of the regional legislature of the Autonomous Republic of Adjara, Georgia .\nThomas Kirk. Thomas Kirk (18 January 1828 Coventry - 8 March 1898 Plimmerton), was an English-born botanist, teacher, public servant, writer and churchman who moved to New Zealand with his wife and four children in late 1862 .\nTheophilus de Garencières. Born in Paris, Garencières studied the prophecies of Nostradamus at an early age, and these had a lasting effect on him .\nChristian Johansson. Born Pehr Christian Johansson in Stockholm, Sweden, he moved to Russia as a dancer and stayed on as one of the most important teachers in Russian history .\nRuth Fuller Sasaki. Ruth Fuller was born and grew up in Chicago, and enjoyed wealth and privilege .\nDiego Nargiso. Diego Nargiso (born 15 March 1970, in Naples) is a former tennis player from Italy .\nKeith Butler. Keith Butler is an award winning Indian Australian writer .\nRichie Dent. Richie Dent, writer, was born in Philadelphia, PA He graduated from the University of Redlands, with a BA in Creative Writing and Poetry .\nJamielee McPherson. Jamielee McPherson born 9 September 1986 in Glasgow, Scotland, is an actress .\nDerek Coughlan. Coughlan joined his home town club Cork City in May 1996 from Brighton & Hove Albion where he'd made just one league appearance .\nAnita Håkenstad. Anita Håkenstad (born 19 February 1968 in Oslo) is a Norwegian long-distance runner who specialized in marathon races and cross-country running .\nDavid Scott Milton. Milton was born during the Great Depression to a working class Jewish family in Pittsburgh, Pennsylvania .\nAlfred Downward. Born in Melbourne to Edward and Elizabeth Downward, he was educated at Prahran and Mornington before working on his father's Balnarring sheep farm .\nChristos Sirros. Christos Sirros (; born 2 February 1948, Athens) is a politician in the Province of Quebec, Canada .\nGeorge Jewett. His father was George Jewett, a blacksmith born in Kentucky in approximately 1845, and is mother was Letty Jewett, born in Michigan in approximately 1848 .\nRandolph Colville. Randolph Colville (23 May 1942--15 January 2004) was a Scottish jazz swing clarinettist, saxophonist, bandleader and arranger born in Glasgow, Scotland, perhaps best-known for his work with the Keith Nichols Midnite Follies Orchestra .\nWilliam Lawrence Tower. William Lawrence Tower (born 1872, date of death unknown) was an American zoölogist, born in Halifax, Massachusetts .\nLowell Cauffiel. Lowell Cauffiel, born in Michigan, USA, is an American writer and TV producer .\nLuis Simarro Lacabra. Luis Simarro Lacabra (January 6, 1851 -- June 19, 1921) was a Spanish psychiatrist who was born in Rome while his parents were living in Italy .\nRui Tavares. Rui Tavares (born 29 July 1972 in Lisbon) is a Portuguese politician and Member of the European Parliament .\nGiambattista Nolli. He is best known for his ichnographic plan of Rome, the Pianta Grande di Roma which he began surveying in 1736 and engraved in 1748, and now universally known as the Nolli Map .\nLee Blackett. Lee Blackett (born 21 November 1982 in Chester, Cheshire) is a rugby union footballer for Leeds Carnegie .\nSergio Benvindo Junior. Sergio Benvindo Junior, born 1989, is a Swedish contemporary dancer .\nSpencer Wishart. Spencer Wishart (3 December 1889 Philadelphia, Pennsylvania -- 22 August 1914 Elgin, Illinois) was an American racecar driver .\nMila Iskrenova. Mila Iskrenova (born 6 February 1960, Sofia) is a Bulgarian modern dance choreographer, dancer and painter, co-founder of the Sofia Dance Week festival is considered one of the greatest creative forces in Bulgarian contemporary dance .\nDave Marsh. Dave Marsh (born March 1, 1950, Detroit, Michigan) is an American music critic, author, editor and radio talk show host .\nMaria von Welser. Maria von Welser (born 26 June 1946 in Munich) is a German TV journalist and the President of UNICEF Germany .\nArthur Savage. The three main contenders are: Alfred Henry Savage, born in Reading in 1854; Arthur Harold Savage, of the English & Oriental Hotel in Penang, who died in Penang on 4 August 1930; Arthur Henry Patrick Savage, born in Sydney, Australia on 18 October 1850 .\nKim Bauermeister. Kim Bauermeister (born 20 November 1970 in Stuttgart) is a retired German runner who specialized in the 3000 metres steeplechase .\nYe Xuanping. Ye Xuanping (; born November 1924 in Guangzhou, Guangdong) is the former Governor of Guangdong province in the People's Republic of China .\nNiculae Conovici. Niculae Conovici (born 13 March 1948, Bucharest - died 7 June 2005, Bucharest) was a Romanian archeologist, amphorologist and numismat .\nJohn O'Conor. Born in Dublin, O'Conor attended Belvedere College in that city .\nGeorgy Ketoyev. Georgy Ketoyev (born 19 November 1985 in Tbilisi, Georgian SSR) is a Russian wrestler, who has won a bronze medal at the 2008 Summer Olympics .\nWill Zens. Will Zens (born 26 June 1920 in Milwaukee, Wisconsin) is a low budget producer, director, screenwriter, and soundtrack composer who made several films in the 1960s .\nAdrian Bowyer. Born in 1952 in London, Bowyer is the older child of the late Rosemary and John Bowyer; the latter was a writer, painter and one of the founders of Zisman, Bowyer and Partners, consulting engineers .\nInge Israel. Born in Germany, Inge Israel grew up in France and Ireland and lived in Denmark for some years before settling in Canada .\nErnest Peter Burger. Born in Augsburg, Burger was a machinist by trade .\nJane Bathori. Jane Bathori (born Jeanne-Marie Berthier, June 14, 1877 - January 25, 1970) was a French opera singer .\nPaul Willis. Born in Chicago, Illinois, Willis made his screen debut for Vitagraph studios at the age of twelve in the title role of the 1913 drama-short Little Kaintuck .\nHenry Ussher. The second of five sons of Thomas Ussher by Margaret (d. January 1597), daughter of Henry Geydon, alderman of Dublin, he was born in Dublin about 1550 .\nJohn Ridley Mitchell. Born in Livingston, Tennessee, Mitchell attended the public schools .\nJane Henschel. Henschel, who was born in Wisconsin, studied at the University of Southern California, and then pursued further studies in Germany, where she has made her home .\nPhilip King. Philip King, a British playwright and actor, was born in Yorkshire in 1904 .\nSpencer Bonfiglio. Spencer Bonfiglio is an award winning artist born in Philadelphia on October 5, 1991 .\nErnst Witebsky. Ernst Witebsky, also Ernest Witebsky (* 3 September 1901 in Frankfurt am Main; † 7 December 1969) was a German-American immunologist .\nClive Bubb. Born in Geelong to textile worker Albert Bubb and Alice Richards, he attended public schools in Geelong before studying at the Gordon Institute of Technology, from which he received a Diploma of Commerce .\nKhashayar Karimian. Khashayar Karimian, born February 12, 1949 in Tehran, is an Iranian-Canadian biochemist, researcher and inventor .\nMary Macmaster. Mary Macmaster (born 22 November 1955, Glasgow, Scotland) is a Scottish harpist, performing with The Poozies and the duo Sileas .\nRobert Aldridge. Born at Burnham in Buckinghamshire, Robert Aldridge was educated at Eton and King's College, Cambridge, where he was a Fellow from 1564 to 1567 .\nRonald Pearson Tripp. Born in England in 1914, Tripp was self-taught in paleontology, but became an authority in the taxonomy of the trilobite families Encrinuridae, Lichidae, and Lichakephalidae -- the latter of which he named .\nLoukas Sideras. Lucas Sideras, born in Athens (5th December 1944), is the former drummer of the Greek progressive rock band Aphrodite's Child .\nTerry Martin. Terry Martin born 25 May 1980 in Australia is a rugby league player for the Crusaders in National League One .\nAndrew Waterman. Born in London in 1940, Waterman grew up in Woodside and Croydon, and at the age of eleven won a scholarship to the Trinity School of John Whitgift .\nJohn Cameron. Cameron was born at Glasgow and received his early education in his native city .\nCharles Follen Adams. Charles Follen Adams (born 21 April 1842 in Dorchester, Massachusetts-- 8 March 1918) was an American poet .\nElizabeth Kay. Elizabeth Kay, born July 9, 1949 in London, is an English writer .\nDarren Dowling. Darren Dowling (born 22 February 1968 in Watford) is a British racing driver who drove in the final six rounds in 2006 of the British Touring Car Championship .\nThomas Haughey. Born in Glasgow, Scotland, Haughey received a limited education .\nJan Čulík. Jan Čulík (born November 2, 1952 Prague) is an independent Czech journalist and academic .\nScott Cleverdon. He was born and raised in Edinburgh, and trained in Glasgow's Royal Scottish Academy of Music and Drama .\nEmmanuel Hocquard. Emmanuel Hocquard (born in 1940 in Cannes) is a French poet who grew up in Tangier, Morocco .\nBlaine Marchand. Blaine Marchand (born 1949 Ottawa) is a Canadian poet .\nCherry Wilder. Cherry Wilder (3 September 1930 -- 14 March 2002) was the pseudonym of science fiction and fantasy writer Cherry Barbara Grimm, née Lockett, who was born in Auckland, New Zealand .\nDavid L. Heymann. David L Heymann, MD (born 1946 in Pennsylvania, USA) was appointed Chairman of the Board of the UK Health Protection Agency (HPA) in April 2009 .\nSam Holden. Sam Holden (born August 8, 1971, Kensington, London) is the pseudonym of a British author and journalist .\nJaveria Abbasi. Javeria was born and brought up in Karachi to a middle class family; her father was a reputable writer while her mother came from a family of traditional herbal pharmacists .\nImre Zachár. Imre Zachár (May 11, 1890 in Budapest -- April 7, 1954 in Budapest) was a Hungarian water polo player and freestyle swimmer who competed in the 1908 Summer Olympics and 1912 Summer Olympics .\nGodfrey Douglas Giles. Godfrey Douglas Giles (9 November 1857 Karachi - 1 February 1941) was a painter of horses, military scenes and battles, many experienced at first hand while on service with the British Army in India, Afghanistan, Egypt and South Africa .\nMarcel Bertrand. Marcel Alexandre Bertrand (July 2, 1847 -- February 13, 1907) was a French geologist who was born in Paris .\nNick Philip. Nick Philip (b. 1968 in London) is a graphic and multi-media artist and clothing designer operating out of the San Francisco Bay area .\nBrendan Guilfoyle. Brendan Guilfoyle born 16 July 1984 in Kilkenny, Ireland is rugby league player for the Treaty City Titans in the Irish Elite League .\nHan Zhidong. Han Zhidong (born 29 July 1977 in Guangdong) is a male Chinese water polo player who was part of the gold medal winning team at the 2006 Asian Games .\nGerald Palmer. Although he was born in England, Gerald Palmer grew up in Southern Rhodesia, now Zimbabwe, where his father was chief engineer to the state run railways .\n"
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